MASTERPIECE Singapore by MASTERPIECE Auction House Indonesia|Singapore|Malaysia

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Singapore, 19 November 2016

Southeast Asian, Chinese,Modern & Contemporary Art SATURDAY

EVENING SALE

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EVENINGSALE SALE EVENING VIEWING

AUCTION

SAT, 19 NOVEMBER 2016

11 am - 4.30 pm

6.30 pm - FINISH

VENUE Ballroom level 2 (mezzanine Floor) Sheraton Towers Singapore 39 Scotts Road Singapore 228230

PUBLIC PREVIEW 10 - 17 November 2016 11 am - 5 pm Sunday Closed

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Southeast Asian, Chinese, Modern & Contemporary Art MASTERPIECE FINE ART - SINGAPORE

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Important Notice 22

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Masterpiece Fine Art Auction - Singapore

MASTERPIECE FINE ART - SINGAPORE

Masterpiece Fine Art Auction - Singapore

001 ARIE SMIT (Zaandam, the Netherlands, 1916 - Bali, 2016) Temple And The Rice Field, 2003 Acrylic on canvas: 50 x 50 cm Signed and dated, lower left: Arie Smit 03 Signed, titled and datd on the reverse This lot is accompanied with certificate of authenticity from artist SGD 12,000 - 18,000 USD 8,640 - 12,960 12

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Born in Zaandam, the Netherlands, 1916. He was a student of the Academy of Arts in Rotterdam before working as lithographer for the Dutch Colonial Army in the Dutch Indies prior to the Second World War. He moved to Bali in 1956 to engage in full time painting and became an Indonesian Citizen, produced as well as taught painting at the Bandung Institute of Technology (ITB). Many of his paintings depict the nature of his surrounding environment. He had several solo exhibitions in Bandung Institute of Technology, The Honolulu East West Center, and the Center of Strategic and International Studies in Jakarta. He received the â&#x20AC;&#x153;Dharma Kusumaâ&#x20AC;? art awards from the local government of Bali.

002 BARLI SASMITAWINATA (Bandung, 1921) Pelabuhan, 1993 Oil on canvas: 72 x 55 cm Signed and dated, lower right: Barli, 1993 SGD 5,500 - 7,000 USD 3,960 - 5,040

Born in Bandung, March 18, 1921. He started to paint since 1935 with Kelompok Lima Bandung. He studied painting from Jos Pluimentz and Luigi Nobili. He also studied the model drawing in Academia Grande de la Chaumiere (Paris) and the Academy of Fine Art Amsterdam in 1957. He received awards from Jaarmarktprijss Surabaya, Keimin Bunka Shidoso Jakarta, Barisan Propaganda Jabar, Culturele Stichting Samenwerking Nederland Indonesia (Holland).

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003 GERARD PIETER ADOLFS (Semarang, 1899 â&#x20AC;&#x201C; The Netherlands, 1968) Fighting Cockerels, 1957 Oil on canvas: 40 x 50 cm Signed, lower left: Adolfs Titled on the reverse Literature: Eveline Borntraeger-Stroll, Gianni Orsini, Gerard Pieter Adolfs The Painter of Java and Bali, Pubished by Frans Jansen, Pictures Publishers, 2008, pg. 346 SGD 23,000 - 25,000 USD 16,560 - 18,000

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004 WILLEM VAN DER DOES (Amsterdam, The Netherlands, 1889 â&#x20AC;&#x201C; 1966) Market Scene Oil on board: 45 x 60 cm Signed, lower right: W.V.D. Does SGD 7,500 - 10,000 USD 5,400 - 7,200 Born in Rotterdam, 20 April 1889. He came to Indonesia ca. 1918 as a civil servant to survey the country. In this function he traveled all over the archipelago. The artist participated in several group exhibitions in Jakarta, Medan and Surabaya between 1918 and1939. He returned to the Netherlands in 1946, where he settled in Zeist. Painter, Illustrator and draughtsman of harbor scenes, City views, and landscapes, in an accurate impressionistic style.He died in Zeist, the Netherlands, February 3, 1966. MASTERPIECE FINE ART - SINGAPORE

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Leo Eland Leo Eland Eland was born in Salatiga on Java in 1884. Leo Eland is the widest-known and most characteristic exponent of the “Beauteous Indies” – style. He was largely self-taught and was advised by the painter C. L. Dake Jr. Between 1920 and 1929 he moved to the Netherlands and worked in The Hague. Leo Elands oeuvre consists mainly colored, smooth painted Indonesian landscapes, Majestic mountains, palm trees, a rural settlement and agricultural scene, also described some figures, coastal view and market scenes. He produced among others, a large number of dioramas and panoramas paintings for Colonial exhibitions. It is known that he went along plantations in Indonesia where he offered the owners to paint it. Leo Eland died in The Hague 1952. In the market scenes, Eland’s painting employs focal distance to reduce the villagers in the picture to small figures whose individually features are indistinct and whose exertions are all but invisible. Distant peasant figures often appeared as iconic types of Indonesian completed with huge trees on the surroundings.

005 LEO ELAND (Java, 1884 – 1952) Market Scene Oil on canvas: 49 x 75 cm Signed, lower left: L. Eland SGD 11,000 - 18,000 USD 7,920 - 12,960

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006 ARIE SMIT (Zaandam, the Netherlands, 1916 - Bali, 2016) Workers in The Field, 2005 Acrylic on canvas: 34 x 50 cm Signed and ated, lower left: Arie Smit, 05 Signed, titled and dated on the reverse SGD 12,000 - 18,000 USD 8,640 - 12,960

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007 GERARD PIETER ADOLFS (Semarang, 1899 â&#x20AC;&#x201C; The Netherlands, 1968) Vrouw uit Madoera, 1953 Oil on canvas: 40 x 30 cm Signed, lower left: Adolfs Signed, Titled and dated on the reverse Literature: Eveline Borntraeger-Stroll, Gianni Orsini, Gerard Pieter Adolfs The Painter of Java and Bali, Pubished by Frans Jansen, Pictures Publishers, 2008, pg. 395 SGD 17,000 - 20,000 USD 12,240 - 14,400 MASTERPIECE FINE ART - SINGAPORE

008 DEDE ERI SUPRIA (Jakarta, 1956) Siap Pentas, 2014 Oil on canvas: 120 x 110 cm Signed and dated, lower right: Dede Eri Supria, 2014 SGD 6,000 - 8,000 USD 4,320 - 5,760

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009 IRSAM (b. Klaten, 1942) Gadis, 1992 Oil on canvas: 100 x 100 cm Signed and dated, lower middle: Irsam, 1992 Literature: Mikke Susanto, IRSAM Jejak - Jejak Dekoratif Published by PT Dwi Samapersada, 2013, pg. 99 SGD 2,500 - 3,500 USD 1,800 - 2,520 MASTERPIECE FINE ART - SINGAPORE

Chen Wen Hsi 陈文希 Chen Wen Hsi (b. 9 September 1906, Guangdong, China–d. 17 December 1991, Singapore) was one of Singapore’s pioneer artists. A prolific painter who worked in a range of styles, Chen won acclaim for combining Western art with Chinese brush strokes in his paintings. He was also an influential art teacher at The Chinese High School and the Nanyang Academy of Fine Arts (NAFA) for many years. Life Another vital current through Chen’s practice was his insistence on close observation of nature and a solid foundation in drawing from life or life drawing (xiesheng). Chen painted both Western and Chinese paintings. His Western-style works in the early 1950s were realistic depictions infused with post-impressionistic and expressionistic elements. Chen’s Western painting style subsequently evolved, moving from simplified forms and strong colours to cubism, and later abstraction. Besides using oil paints for his Western artworks, Chen also experimented with acrylic and viscous paints as well as sand on canvas. Surrounded with natural landscape Chen’s often painted what he saw. The field of calabash (bottle gourd) a tropical vine grown for its fruit, which can either be harvested young and used as a vegetable, or harvested mature, dried, and used as a bottle has captured Chen’s attention. This simple plant has allowed him to explore his great mastery in combining colors of yellow and black ink in simple forms. Every subject he paints, whether lotuses, gibbons, egrets, monkeys, squirrels, birds, or flowers and trees, is palpably vibrant.

010 CHEN WEN HSI (b. Guangdong, China, 1906 – d. Singapore, 1992) Calabash Chinese ink on rice paper: 70 x 70 cm Signed in chinese character and sealed on left Provenance: Property from an prominent Asian private collection SGD 55,000 - 70,000 USD 39,600 - 50,400 22

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011 RUSLI (Medan, 1912 â&#x20AC;&#x201C; Jakarta 2005) Pasar Di Bali, 1967 Oil on canvas: 90 x 118 cm Signed and dated, lower left: Rusli, 1967 SGD 10,000 - 15,000 USD 7,200 - 10,800

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012 ERICA HESTU WAHYUNI (Yogyakarta, 1971) Beauty Harvest Time, 2011 Acrylic on canvas: 80 x 110 cm Signed and dated, lower middle: Erica, 2011 Signed and titled on the reverse SGD 1,500 - 2,000 USD 1,080 - 1,440

013 ADE RIYANTO / RERE (Indramayu, West Jav, 1972) Malam Ceria, 2016 Acrylic on canvas: 120 x 150 cm Signed and dated, lower right: Ade Riyanto, 2016 Signed, titled and dated on the reverse SGD 2,000 - 3,000 USD 1,440 - 2,160

Born in Indramayu, West Java, 16 August 1972. He is a talented artist whose art was sharpened by his experiences working in the field of art industry. He made his house as his studio and exhibition place displaying his crative process. During his experiences in creative design have made him granted several awards such as 1st winner of the Sampoerna Hijau display product (2003), 4th winner of display product of Bimoli (2005), 1st winner of display product of Coca-cola (2005), 1st winner of Marlboro (2006) and 1 st winner of Djarum Black display product (2007). He was elected as the chairman of Art Council of Indramayu (2006 – 2009). He joined several painting group exhibitions such as”Indonesia Urban” by Art Council Indramayu (2010), Group Exhibition “Islamic Art” (2011), exhibition “Spirituart” in Cirebon (2015), Group exhibition at Hotel Trisula, Indramayu (2015) and exhibition at “Siti Hinggil Community, Tangerang (2016). MASTERPIECE FINE ART - SINGAPORE

014 NYOMAN GUNARSA (Klungkung, 1944) Dua Penari Kipas, 2000 Oil on canvas: 175 x 125 cm Signed and dated, lower right: 2000 SGD 13,000 - 18,000 USD 9,360 - 12,960 26

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015 ZAF CHEVALLIER (Jakarta, 1959) New World Series Oil on canvas: 140 x 140 cm SGD 6,000 - 8,000 USD 4,320 - 5,760

Zef Chevallier born in Jakarta, 10 February 1959. He is a multi talented artist, graphic designer, and fashion and interior designer whose works are the results of the different cultures which he has experienced. Born in Indonesia, Zef moved to the Netherlands in 1977 where he spent 26 years working, studying, and absorbing the Dutch culture. Zef worked for 11 years before deciding to further his education and enrolled in the Leiden Educational Institution (LOI), Leiden, Netherlands in Interior Art Design and Architecture. During his education, Zef worked on his own art design and oil paintings, and his art was exhibited in art galleries in Roosendaal, Rotterdam, and Amsterdam from 1991 to 1995. Exposed to different cultures and coming from Indonesia, who has been colonized by different cultures as the Portuguese, Japanese, and Dutch, Zef’s paints his philosophy of the future and how a cohesive world should be. In Zef’s words, “The new world that is our destination no matter if we are still alive or dead. The message for our future lies in peace, happiness, freedom, and love. No human power, no religion, no politics, no sadness, no illness, no wars, and everybody in the new world living in equal societies, respect, and are honest to one another”. MASTERPIECE FINE ART - SINGAPORE

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Willem Gerard Hofker Willem Gerard Hofker was born on 2nd May 1902 in The Hague, the Netherlands, as a son of Gerrit Jan Hofker, public servant with the Postal Services. For a while his father was a coworker of De Nieuwe Gids and befriended members of the Eighties movement. He named his son after the painter Willem Witsen. Willem Hofker firstly attended the Haagse Academie and later, at age 14, attended the Rijksacademie voor Beeldende Kunsten in Amsterdam. He was also educated by Willem Witsen and Isaac Israel who were friends of his father, an amateur artist and writer, member of the literary movement ‘de beweging van Tachtig’. In 1927 Willem Hofker won the 2nd price at the Prix de Rome. In 1930 he married Maria Rueter, also a painter, daughter of Georg Rueter, painter and lector at the Rijksacademie voor Beeldende Kunsten in Amsterdam. He once lived in Bali from 1938 – 1944 together with his wife, Hofker-Reuter. At this moment his Balinese landscapes and dancers are very much in demand. And also internationally the creations from Hofkers Balinese period in the last few years draw much attention. Willem Hofker lived in the Zomerdijkstraat in Amsterdam from 1934 to 1938 and from 1946 to 1967.Willem Gerard Hofker died in Amsterdam on 30th April 1981. Willem Hofker also specialized in crayon drawings of cityscapes of Amsterdam, where he mainly focused on architecture, ‘portraits’ of houses and cities. He enjoyed painting a big panoramic view of the city. His works were undoubted. His color, texture surface, and contrastive control showed his maturity of painting study. De Klokkenhof, bij de Belten, Vorden was painted in Amsterdam 1956. The sun was shining in, felt very warm. The scent of the roses and daffodils in the garden seemed very fresh, such a lovely view from the window.

016 WILLEM GERARD HOFKER (Amsterdam, 1902 – 1981) De Klokkenhof, Bij De Belte, 1956 Oil on canvas: 70 x 55 cm Signed and dated, lower right: WG. Hofker, 1956 Provenance: Christie’s Amsterdam, April 2012 SGD 45,000 - 60,000 USD 32,400 - 43,200

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017 WEI JIANGFAN (b. Xiaxi, 1922) Horses, 1980 Chinese brush painting on rice paper: 68 x 45 cm Signed, upper left SGD 3,000 - 5,000 USD 2,160 - 3,600

012 WU GUAN ZHONG 吳冠中 (b. China, 1919 - d. China, 2010) Shaoxing Scenery, 1981 Collotype Print on rice paper, Edition 433/500: 41 x 105 cm Sealed, lower left, lower right and upper right in chinese character Documented in Scenery of Life published by Baiya xuan art Gallery 百雅轩画廊,pg 33 SGD 1,200 - 2,000 USD 860 - 1,440

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019 DIROT KADIRAH (Indramayu, 1972) Hoky, 2016 Oil on canvas: 140 x 200 cm Signed and dated, lower left: Dirot, 2016 SGD 3,000 - 5,000 USD 2,160 - 3,600 Born in Indramayu, West Java, 21 February 1972. He was raised in the family of fisherman in northern sea of Java (pantura). His painting career starts when he travelled to Bali in 1992. In Bali, he learnt painting under maestro painter Affandi and Sudarso. During he stay in Bali he managed to sell his works to art collectors and galleries which then made him decide to fully concentrate his passion in painting. In 1996, Dirot decide to paint using his own distinctive characteristics. About 3 years he did some experiment works until he finally found his own style. His works portrays the daily life of Indonesian people in his own perceptions, and his technique is quite different from other painters. Since 1994 until present his works have been displayed in several painting exhibition in Bali, Jakarta as well as International event such as in Singapore and USA. He had performed his solo exhibition in Galeri Nasional Jakarta (2008). He was the only painter that exhibited his arts in the World Ocean Conference organized by UNO in Manado 2009. Until present his works have been collected by many art collectors in Indonesia as well as abroad. MASTERPIECE FINE ART - SINGAPORE

020 TING XIAO GU (b. 1956) Pasar Opera, 2006 Oil on canvas : 150 x 230 cm Signed and dated, lower right: Ting Xiao Gu, 2006 SGD 32,000 - 40,000 USD 23,040 - 28,800

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021 FOO YONG KONG, DR (b. Kuala Lumpur, 1948) Splashing Waterfall, 2013 Acrylic on canvas: 90 x 90 cm Signed, lower left: Yong Kong SGD 3,000 - 6,000 USD 2,160 - 4,320

022 IDA BAGUS MADE NADERA (Tegallingah, 1910 - 1998) Working At Night, 1980 Dr Foo Yong Kong graduated from Malaysia Art Institute in 1970 majoring in oil and Chinese ink paintings. Since 1972, he spent more than a decade abroad drawing inspirations and refining his art. Dr Foo has had numerous group and solo exhibitions around the world; amongst them are the Binnual Exhibitions in Italy (2003), Tokyo (2004), Korea (2005), and Beijing (2005). Presently, Dr Foo is the president of the Malaysian Contemporary Chinese Painting & Calligraphy Association. The signature style of Dr Foo incorporates both Eastern and Western philosophies into a distinctive yet harmonious art form. His artwork mostly is based intrinsically on the elements of wind and water; his paintings have demonstrated the interactions of ‘qi’ (unseen inner essence) with different natural land masses like mountains, forest, seas. Practicing abstractexpressionism over the years, his paintings have evolved from a representational arrangement to a much spontaneous form reflecting the artist’s thought and emotions.

Acrylic on canvas: 90 x 135 cm Signed and dated, lower right: Ida Bagus Made Nadera, Gianyar, Bali80 Literature: Agus Dermawan T., Ida Bagus Made Nadera, A BALINESE PAINTER of Pitamaha, Publish by ARMA MUSEUM, 2008, pg.46 SGD 8,500 - 10,000 USD 6,120 - 7,200

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Ong Kim Seng Born in 1945 in Singapore, a self-taught observer, traveler and passionate learner- Ong Kim Seng has climbed the ranks of formal appreciation to claim his title as one of the most celebrated water colorists. He is considered as one of Singapore’s most prominent artistic icons. The artist has shown mastery over the capture of light, often basking his creations in the warmth of sunlight, expertly using positive space and shadows to create stunningly realistic depictions of silhouettes and representation. Ong Kim Seng has exhibited worldwide and won a multitude of awards, including six awards from the American Watercolor Society, and the coveted Cultural Medallion for visual arts by the Ministry Of Information and the Arts, Singapore. The artist was also President of the Singapore Watercolor Society from 1991 to 2001 when he became Honorary President. Ong’s works have graced the collections of a number of museums and art galleries as well as the residences of foreign dignitaries such as Queen Elizabeth II of England and Kofi Annan, the SecretaryGeneral of the United Nations. His works are also exhibited in foreign missions and embassies of the Republic of Singapore. The theme of ‘Bhaktaphur’ was the first Singapore watercolor painting to be auctioned in Hong Kong. His works are now often auctioned Singapore and many countries.

023 ONG KIM SENG (Singapore, 1945) Bhaktapur Main Street Oil on canvas: 80 x 113 cm Signed, lower left SGD 25,000 - 40,000 USD 18,000 - 28,800

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024 SUNARYO (Banyumas, 1943) Sawah Diatas Bukit, 2000 Mixed media: 120 x 120 cm Signed and dated, lower right: Sunaroâ&#x20AC;&#x2122;04 SGD 13,000 - 18,000 USD 9,360 - 12,960

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Born in Banyumas, Central Java, 1943. He studied at Bandung Institute of Technology (ITB) majoring in Sculpture (1969) and continued his study to Carrarra, Italy. During 1970s, his sculptures were very much influenced by tribal arts in Indonesia. Besides sculpture, he is also a master in painting using artistic touch. He inaugurated his museum, Selaras Sunaryo, in Bandung (1998).

025 UMI DACHLAN (Cirebon, 1942 â&#x20AC;&#x201C; Bandung, 2009) a. Abstrak, 1999 Mixed media on canvas: 35 x 45 cm Signed and dated, lower left: Umi D99 b. Abstrak Mixed media on canvas: 40 x 40 cm Signed, lower right: Umi D c. Abstrak, 1999 Mixed media on canvas: 40 x 40 cm Signed and dated, lower left: Umi D99

Born in Cirebon1942. She studied painting at the Faculty of Fine Arts and Design at Bandung Institute of Technology (ITB). After graduating in 1968, she became a lecturer there in 1969. Umi later went on to study at the Gerrit Rietveld Academy in Amsterdam, The Netherlands, from 1977 to 1979. The Artist has participated in many group exhibitions in Indonesia and Japan, Malaysia, Singapore, Hong Kong, Korea, Jordan, Belgium, the Netherlands, Denmark and Cape Town in South Africa, including Festival pf Indonesia in America Touring exhibition in 1990 to 1991, and she has held several solo exhibitions at Taman Ismail Marzuki art Centre Jakarta in 1977 and 1980, Gallery in Bandung in 1990, and Andyâ&#x20AC;&#x2122;s Gallery in Jakarta in 2000. She was guided from the painter, Achmad Sadali that greatly influenced her works. Most of her works were deeply rooted in religion and spiritually. She died in Bandung 1 Januari 2009.

SGD 3,500 - 4,500 USD 2,520 - 3,240 MASTERPIECE FINE ART - SINGAPORE

026 LIM TZE PENG (Singapore, 1921) Red Clock Tower, Melaka, 2012 Ink and color on paper: 68 x 68 cm Signed in chinese character and stamped, lower right SGD 8,000 - 10,000 USD 5,760 - 7,200

Born in Singapore on 28 September 1921, Lim Tze Peng is one of Singaporeâ&#x20AC;&#x2122;s most significant artists and a living legend. Renowned for his Chinese ink drawings and paintings post-independence Singapore, he also practices Chinese calligraphy. Alongside numerous solo and group exhibitions, both local and international, his masterpieces are exhibited in the Singapore Art Museum and Nanyang Academy of Fine Arts and part of many prestigious collections. Lim has been bestowed several awards including the Special Prize at the Commonwealth Art Exhibition in England in 1977 and the prestigious Cultural Medallion in Singapore in 2003. In May 2012, he broke records with the sale of his works at a Christies auction in Hong Kong. Awards: 2003 Cultural Medallion Award, Singapore 1981 National Day Award (PBM), Singapore 1977 Special Prize,Commonwealth Art Exhibition, England 1963 National Day Award (PPA) ,Singapore

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027 ISMADI SALLEHUDIN (b. Pahang, 1971) Pak Belang, 2016 Mixed media on canvas: 91 x 91 cm Signed, dated and titled lower right: Ismadi, 2016, Pak Belang SGD 2,000 - 6,000 USD 1,440 - 4,320 Ismadi Sallehudin was born in 1971. he was graduated of Universiti Teknologi mara (UiTm) in 1994 and he also attained his masterâ&#x20AC;&#x2122;s Degree in art and Design from De montfort University, leicester, United Kingdom in 1999. The expressions of colours are very important to ismadi. his works are accidental in the sense that he uses different techniques like scratching on the canvas, splashing of colours, quick strokes of the brush strokes, spontaneous brush flow and combinations of other techniques to produce on the artworks. his works have been exhibited extensively both locally and internationally. besides painting, ismadi is also adept in etching, drawing and monotype print. his works have been exhibited extensively at home and abroad. his roles as an art educator included lecturing at UiTm from 1994 to 1997 and Kolej bandar Utama from 1995 to 1997.

028 LUCIEN FRITS OHL (Palembang, South Sumatra, 1904 â&#x20AC;&#x201C; The Hague, 1976) Junk In The Sea Oil on canvas: 71 x 50 cm Signed, lower right: L. Frits Ohl SGD 4,800 - 5,500 USD 3,460 - 3,960

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S. Sudjojono Sindudarsono Sudjojono was born in Kisaran North Sumatra, on December 14, 1913. He studied painting from Mas Pringadi and a Japanese painter, Chiyoyi Yazaki. In 1937 he founded the Persagi Indonesian Artists Association in Jakarta. In 1970 he was awarded recognition in art by the Indonesian government. His works have been exhibited in the Netherlands and in the Fukuoka Art Museum in Japan (1980). Local exhibitions have been held in Jakarta, Yogyakarta, Denpasar and Bandung. He died in Jakarta (1986). Sudjojono had some time to visit to Holland to attend a festival and performed his exhibitions. While in Holland Sudjojono often went to several museums and visited his friend’s house. It was in Gorinchem located in the province of Zuid Holland. The city is also called Gorkum which is the nickname of Gorinchem where Sudjojono did the outdoor painting. Sudjojono landscape paintings were mostly done on the spot outdoor. This landscape painting provided a new artistic theme to explore Sudjojono’s interest towards aesthetic experimentation of techniques such as lighting and color. It seems he had not stopped exploring till the end of his life.

029 S. SUDJOJONO (Kisaran, 1914 – 1986) Waktu Ada Es Di Gorkum, 1976 Oil on canvas: 59 x 80 cm Signed, upper right: SS.101.1976 Signed and titled, lower right: Waktu Ada Es Di gorkum Literature: Amir Sidharta, S. Sudjojono Visible Soul, Published by Museum S. Sudjojono & Canna Gallery, Jakarta, 2006 , pg.321 Provenance: Private collection, Jakarta SGD 80,000 - 120,000 USD 57,600 - 86,400 MASTERPIECE FINE ART - SINGAPORE

030 ANTON HUANG (Bandung, 1935 â&#x20AC;&#x201C; 1985) Harvest, 1963 Oil on canvas: 50 x 70 cm Signed and dated, lower right: Anton Huang63 SGD 4,500 - 6,000 USD 3,240 - 4,320

Born in Bandung, 1935. At 20s, he learnt painting from painter Kartono Yudhokusumo at Sanggar Seniman and continued to study under painter Barli. In 1959, he held his exhibition in several major cities in Indonesia among others in Jakarta, Bandung and Surabaya. He was also active participating in many exhibitions abroad such as in Denmark and Amsterdam. In 1969, he moved to Bali where he strongly in contact with European artists that develop his painting.

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031 SUDJONO ABDULLAH (Yogyakarta, 1911 â&#x20AC;&#x201C; 1993) Boat in The Harbour Oil on canvas: 60 x 80 cm Signed, lower left: Soedjono Abdullah SGD 2,500 - 3,500 USD 1,800 - 2,520

032 OTTO DJAYA (Rangkas Bitung, West java, 1916 - 2002) Upacara Adat Di Pantai, 1995 Oil on canvas: 95 x 145 cm Signed and dated, lower right: Otto Djaya, 1995 SGD 2,000 - 3,000 USD 1,440 - 2,160

033 SYAYIDIN (Indramayu, West Java, 1967) Dalam Kemegahan Borobudur, 2016 Oil on canvas: 99 x 119 cm Signed and dated, lower left: Syayidin, 2016 Signed, titled and dated on the reverse SGD 1,500 - 2,000 USD 1,080 - 1,440

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034 SUWAJI (Yogyakarta, 1942) Dua Figur, 2016 Oil on canvas: 140 x 140 cm Signed and dated, lower right: Suwaji.016 SGD 3,000 - 5,000 USD 2,160 - 3,600 Born in Yogyakarta 1942. He studied at Indonesian Fine Art Academy Yogyakarta in 1958 and after graduated he teaches in that academy till this moment. His solo exhibition was held at Gothe German Institute. He participated in group exhibitions in several times besides exhibitions with â&#x20AC;&#x153;19 Pelukis Indonesiaâ&#x20AC;? in Singapore and Malaysia in 1967, he received the Wendy Sorenson Memorial Fund Aeard in 1977, group exhibitions in ASEAN countries (1985), solo exhibition at Melia purosari Hotel, Yogyakarta (1994), Fine Art Exhibition International Borobudur Festival in H. Widayat museum (2003).

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035 LIM TZE PENG (Singapore, 1923) Songs of the Heart Ink and color on paper: 100 x 100 cm Stamped, lower left SGD 8,000 - 10,000 USD 5,760 - 7,200 Lim Tze Peng (b. 28 September 1923, Singapore -), artist, winner of the Cultural Medallion in 2003, first established his art practice in the early 1950s with a series of oil paintings on Chinese junks. He is best known for the significant number of Chinese ink drawings and paintings of Chinatown and the Singapore River he produced during the early 1980s when urban redevelopment focused on these two areas. Having a solid foundation in Chinese philosophy, art and culture, Lim also practised Chinese calligraphy, especially in the 1990s. MASTERPIECE FINE ART - SINGAPORE

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Srihadi Soedarsono The dance is one of Srihadi’s favorite themes. In his paintings of dancers he continues to paint female dancers in the same upright pose that has used in the past. His dance work consist of series of dancers, even so, for Srihadi, each dance has it own particular mood, the gist of which he attempts to capture in his painting. At the same time, dance also offers a panorama of human life in general: it shows the dynamic union between the everyday world of material reality and the world beyond perception, the realm of the material. The merging of spiritual and physical control obtained in dance obviously appeals to the philosophical Srihadi. Some of his figurative paintings, especially the dancers, look deceptively similar, and that the figures have become stereotypes, but one should try to appreciate and study the details and minimal variations. Srihadi pays particular attention to the characteristic of the dancer and the artistic form of the dance. Every dance has its language or vocabulary of movement and type of costume, all of which imbued with philosophical meaning. Srihadi gives us many variants in this new approach to the depiction of the dance. When he first started to focus on the idea of movement, he did so by paying with the parallelism of gestures and by emphasizing the realistic aspect of the dancer’s bodies. Color was then relatively secondary. By the early 1990’s rhythm had taken a life of its own, as shown by the vibrant dynamism of the dancer. In painting the present lot, the dancers’ eyes remain transfixed even as their body movements are transformed into a feast of glittering color. Even so, and however much the costumes of the dancers drift rhythmically over the canvas surface, it is in fact the artist’s working of this background that embodies the idea of movement.

036 SRIHADI SOEDARSONO (Solo, 1931) Oleg Tambulilingan (The Glory of Love), 2013 Oil on canvas: 130 x 100 cm Signed and dated, upper right: Srihadi S’013 Signed, titled and dated on the reverse Provenance: Private collection, Jakarta SGD 100,000 - 150,000 USD 72,000 - 108,000

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037 CHEN WEN HSI (Baigong, Caozhu, 1906 â&#x20AC;&#x201C; Singapore, 1992) Birds on Bamboo Ink and colour on rice paper: 34 x 44.5 cm Signed in chinese character and the artist seal, upper left SGD 9,000 - 12,000 USD 6,480 - 8,640 Born in Baigong, Caozhu, 1906. He studied art at the Hsin Hwa Art Academy in Shanghai. He became a lecturer at the Nangyang Academy of Fine Arts in Singapore. His paintings were strongly influenced by Chan (Zen) and the unorthodox Qing School of Yangzhou. He actively participated in several exhibitions outside Singapore which also incidentally promote Singapore. He was awarded the Public Service Star from the President Tun Yusof Bin Ishak and received honorary doctorate from the National University of Singapore. He became famous since his oil study on formalism, cubism, and expressive abstraction.

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038 SHAPAREL HJ SALLEH (b. Malacca, 1972) Imbas Alam, 2015 Acrylic on canvas: 100 x 100 cm Signed and dated, lower left: Shaparel, 2015 SGD 1,500 - 4,000 USD 1,080 - 2,880 Born in 1972, Melacca’s very own Mohd Shaparel graduated with an Honours degree in Fine Arts from University Science Malaysia (USM) in 1995. What started with Realism, Shaparel is now known as an Abstract Expressionist. His switch, which was startling to many including his ardent admirer, displays not only Shaparel’s growth as an artist but his versatility as well, which is rarely seen in today’s artist. Shaparel held his first solo exhibition, Pusaka Rimba, Tuanku Fausiah Museum and Gallery, USM in 2007 and has gone on to hold three more solo exhibitions including, Natural Enviroment (2011), Beauty for Survival (2012), and Imbas Umbi (2014). In all, Shaparel has participated in over 20 group and solo exhibitions and his hard work have often been rewarded, the pinnacle being the Main Prize in the Young Talent Festival competition, Penang in 1999. 039 ROEDYAT MARTADIREDJA (Bandung, 1932 – 2002) Market Scene, 1964 Oil on canvas: 60 x 100 cm Signed and dated, lower left: Roedyat, Bali, 1964 SGD 5,000 - 7,000 USD 3,600 - 5,040

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040 NYOMAN BUDIARTA (Tabanan, Bali, 1959) Senja Menjelang Musim Tanam, 2016 Acrylic on canvas: 150 x 200 cm Signed and dated, lower left: Budiarta, 2016 Titled on the reverse SGD 2,000 - 3,000 USD 1,440 - 2,160

041 NOVANDI (Surabaya, 1968) Bunga Matahari dan Kupu-kupu, 2016 Acrylic on canvas: 100 x 150 cm Signed and dated, lower right: Novandi, 2016 SGD 1,800 - 2,500 USD 1,300 - 1,800

042 FREDERICK KASENDA (1900â&#x20AC;&#x2122;s-1950) View of The lake Oil on canvas: 60 x 97 cm Signed, lower left: Frederik Kasenda SGD 2,500 - 3,500 USD 1,800 - 2,520

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043 WILLEM DOOIJEWAARD (Amsterdam, 1892 â&#x20AC;&#x201C; 1980) Boats Oil on canvas: 43 x 53 cm Signed, lower right: W. Dooijewaard SGD 5,500 - 7,000 USD 3,960 - 5,040 Born in Amsterdam, the Netherlands, 1892. He studied arts and craft in Amsterdam for three years. He once worked as administration staff for Sumatra Plantation Company in 1913. He first visited Bali in 1918 then traveled extensively throughout the island to paint. He also went to Europe as well as remote areas in Asia and North Africa. Most of his works were absorbed from the local cultures that enabled him to paint unusually intimate portraits. He died in his homeland, Amsterdam, 1980. MASTERPIECE FINE ART - SINGAPORE

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Liu Liguo Born in Heilongjiang, China in 1961, Liu Li Guo is famous for his painting style expressing and reflecting Twentieth Century Chinese ‘ego’, demonstrating a merge of consumer society and the traditional elements of modern China. There are many imaginative objects and vibrant colours used in his paintings, but Liu has mastered an avant-garde variation on Chinese traditional arts. His ideas hint at his fear of losing the Chinese identity and characteristics of a Chinese ego towards the evolution and westernization of China. Solo Exhibitions 2013 Liu Liguo Art Exhibition, Art Futures Group HK China 2012 Trafficking Imagination,Yang Gallery,Beijing,China 2007 Liu Liguo Solo Exhibition, Xin Dong Cheng Space for Contemporary Art, Beijing, China 1998 Life Styles, Art Document Storehouse, Beijing, China 1994 Private Exhibition, Huade residence, Beijing, China Group Exhibitions 2014 " Go under water " group exhibition, Bucket angle Art Museum, Beijing, China 2014 China image expressionism Invitation Exhibition. Beijing China 2014 "Riverside district" a loss of nine zero's Art District sample, Song Village Art Museum, Beijing, China 2013 Art Stage Singapore 2013 2012 Beijing International Art Gallery Exhibition, Beijing, China 2009 The 60 anniversary of the people's Republic of China contem porary art exhibition, the Ministry of culture, Beijing, China 2008 "中国式性感",Harper'bazaar,beijing -shanghai,China 2008 “3·15”Exhibition,Xin Dong Cheng Space for Contemporary Art, Beijing, China 2008 ART HK 2008 ,HK,China 2008 Chinese Voice Chinese Stories: Echoes of Change, Gallery Profile Osage,HK,China 2007 Chinese Fine Arts, Bellecour Gallery, Lyon, France

044 LIU LIGUO (Heilongjiang, China, 1961) Dalmatians and the giraffe's wedding Oil on canvas: 210 x 180 cm SGD 45,000 - 48,000 USD 32,400 - 34,560 MASTERPIECE FINE ART - SINGAPORE

045 BASOEKI ABDULLAH (Solo, 1915 â&#x20AC;&#x201C; Jakarta, 1993) Lady Oil on canvas: 117 x 84 cm Signed, lower left: Basoeki Abdullah SGD 8,500 - 10,000 USD 6,120 - 7,200

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Born in Solo, January 27, 1915, he is the second son of Abdullah Soerjosoebroto, a prominent landscape painter. He studied at the Academia van Beeldende Kunsten in The Hague, the Netherlands. His work includes painting of the Queen of Netherlands, King of Thailand, President of Philippines, Sultan of Brunei and many other important figures. He is best known as a portrait painter as well as landscapes, fauna, flora and other themes. His works have been exhibited in various European countries, South East Asia and Indonesia.

046 HAN SNEL (Scheveningen, 1925 â&#x20AC;&#x201C; 1998) Balinese Beauty, 1955 Oil on canvas: 45 x 50 cm Signed and ated, lower right: Han Snel, 1955

Born in Scheveningen, Holland, 1925. He came to Indonesia as a Dutch soldier to fight against the Indonesian people, which after he abandoned his side. He specialized in graphic painting which is very rich in color as well as geometrical abstract. He lived in Bali since 1950 and became an Indonesian citizen. He has participated in several exhibitions include at Itoh Gallery, Tokyo, Japan, 1965.

SGD 9,000 - 15,000 USD 6,480 - 10,800

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047 TAY BAK KOI (1939-2005, Singapore) Resting Under The Tree Mixed media on paper: 58 x 58 cm Signed, lower right: bak koi SGD 8,000 - 10,000 USD 5,760 - 7,200

048 LEO ELAND (Java, 1884 â&#x20AC;&#x201C; 1952) Pasar Apung Oil on canvas: 40 x 60 cm Signed, lower left: L. Eland SGD 2,500 - 3,500 USD 1,800 - 2,520

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049 TAY BAK KOI (1939-2005, Singapore) Bull – Run Oil on canvas: 97 x 118 cm Signed and dated, lower right: bak koi 96 SGD 18,000 - 25,000 USD 12,960 - 18,000

Tay Bak Koi was born in Singapore 1939. He was an artist renowned for his portrayals of fishing villages, kampung scenes and urban landscapes. He specialized in oil and watercolour and his works have been exhibited extensively in Singapore and various other countries, including Malaysia, Hong Kong, Japan, Australia, Germany and the United States. His style tended toward a blend of realism and fantasy, and he was known for his recurring stylized imagery of the buffalo. In 1970, he was commissioned to produce 300 works for the Hilton Hotel in Singapore. He died in Singapore 2005. Tay Bak Koi drew many scenes of such, just like his popular buffalo, rocks and village, life by the river of the fisherman, ploughing and harvest, traditional café shop, tropical fruits, temples and many old landmarks faded away in history. Memories from his impoverished childhood were transformed into the leisurely sceneries through his roseate brushes. Tay Bak Koi’s most popular buffalo works were prevalent in 1990s.The shape of buffalos is laconic and was inspired by Picasso’s minimalist line. The buffalos are either resting, or running, accompanied by shepherds and birds. In most of his buffalo paintings, we can always find one buffalo in red, which stands out from the cold-coloured mountain, meadow or other buffalos. MASTERPIECE FINE ART - SINGAPORE

Affandi Affandi was passionate about his country and a large proportion of his works concern his feelings about the land and its people. Though Affandi only painted what he observed and never approached his works from any kind of philosophical or analytical starting point, he was particularly fond of Bali and Javanese culture. The cockfighting is one of the many recurring themes of the artist and yet the unique personality of the sitter never fails to captive the viewers. Very often, despite the artist’s apparent focus on the main subject which is the fight of the animals, Affandi is very fond of creating a sense of spontaneity by adding idiosyncratic details such as the feet of the onlooker, or the drinking spectator at the scene. In the present lot, the cock fight is over. The loser lies in a pool of blood, its scrawny neck still ruffled in death by the heat of the fight. The crowd of onlookers disperses. Brown feet walk away from the small corpse and out of the canvas. This painting was made in Tanjung Bungkak, Bali. In front of Affandi lies the carcass of the white fighting cock that failed in a fight the previous day. The blood which flowed from the wounds made by the rough cuts of sharp spurs has dried on its white feathers. All that for the satisfaction of the gamblers. In Affandi’s mind, there is a tragic aspect to that carcass. The previous day Affandi was among the crowd of gamblers in Denpasar. Of course with that kind of surrounding, where people push each around and almost seem mad yelling for their favorite, he could not draw on the spot like he usually does. He just wanted to experience the atmosphere of the cockfight. (Affandi,Vol II)

050 AFFANDI (Cirebon, 1907 – 1990) Defeated White Cock, 1975 Oil on canvas: 98.5 x 123.5 cm Signed and dated, lower left: AF.1975 Literature: Sardjana Sumichan, Affandi Volume II, Published by Bina Lestari Budaya Foundation Jakarta and Singapore Art Museum, Singapore, 2007, pg. 235 SGD 55,000 - 70,000 USD 39,600 - 50,400

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051 IBNU NURWANTO (Yogyakarta, 1957) Play With Dog, 2013 Acrylic on canvas: 140 x 200 cm Titled and dated on the reverse SGD 5,000 - 7,000 USD 3,600 - 5,040

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Ibnu Nurwanto studied at the Indonesian Artâ&#x20AC;&#x2122;s Institute, Jakarta and has been actively participating in exhibitions since 1974. In 1988, Ibnu Nurwanto held his first solo exhibition in the Taman Ismail Marzuki (TIM), Jakarta. Beside paintings, Ibnu Nurwanto is also an established sculptor.

052 TRAN LUU HAU (Vietnam, 1928) Woman, 2007 Oil on canvas: 110 x 80 cm Signed and dated, lower left: Hauâ&#x20AC;&#x2122;07 SGD 10,000 - 15,000 USD 7,200 - 10,800 MASTERPIECE FINE ART - SINGAPORE

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053 LEE MAN FONG (Canton, China 1913 – Singapore 1988) The Ruin of Old Building, 1950 Pastel on paper: 49 x 64 cm Signed and dated, lower right: MF. Lee, 1950 SGD 4,500 - 6,000 USD 3,240 - 4,320

054 CAREL LODEWIJK DAKE, Jr (Schaerbeek, 1886 – Jakarta, 1946) Flamboyant Oil on board: 74 x 60 cm Signed, lower left: CL. Dake SGD 7,000 - 10,000 USD 5,040 - 7,200 62

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055 ARIFIEN NEIF (Surabaya, 1955) Potret Keluarga Otto, 1994 Oil on canvas: 45 x 40 cm Signed and dated, lower right: Neif’94 Signed, titled and dated on the reverse SGD 2,500 - 4,000 USD 1,800 - 2,880

Born in Surabaya, 1955. He was a self taught artist. He was well known for his slightly naïve style with stylistic figures. Initially he worked as a mason, but due to his artistic talents, he help on the interior design of the building for his friend and not for long he decided to engage in full time painting in 1980. He held his solo exhibition at Bin House, Jakarta (1989), the Lorin & Kristy Art Gallery, Singapore (1995). He has participated in various group and solo exhibitions since 1989 including Tresor International Fine Art Exhibition in Singapore (1993 & 1994), Yayasan Seni Rupa Indonesia/ Bradbury International fine art exhibition in Jakarta (1994) and Gallery Santi (1995 – 1997). MASTERPIECE FINE ART - SINGAPORE

Putu Sutawijaya Putu Sutawijaya was born in Angseri, Tabanan, Indonesia in 1971, but today lives in a rural village on the outskirts of Yogyakarta. A graduate of the Institute of Indonesian Arts (ISI) in Yogyakarta, Putu remains active in the Institutes activities. Putu’s works have been nominated many awards such as one of the 10 best paintings of Philip Morris Art Award in 1999 and granted the Lempad Prize from Sanggar Dewata Indonesia in 2000. He has been performing Solo exhibitions in Bali, Yogyakarta, Jakarta Singapore, Hongkong, Malaysia and America. Various motions and human behavior are the theme he likes most in his paintings. His spontaneous and firm lines expressed his dynamic works using minimal color. Putu’s figures are painted with rhythmic motion and minimal color, and are characterized by his strong lines and brush strokes. Androgynous human figures are represented in motion – dancing, flying, floating – or otherwise completely still in a pose of serene contemplation. His art is, above all, about the individual human condition in a struggle to free itself from the constraints of an overly complex world. The bodies signify life, including people who are rebelling against the traditions. The hill on the background is actually a collection of unreadable writing, going from the soil below and pilling up to become a hill. The mountain is believed as the place where spiritual forces commune. In the Balinese context, it is seen as the search to find the whispers of the ancestors.

056 PUTU SUTAWIJAYA (Bali, 1971) Traffic in The Sky, 2008 Mixed media on canvas: 200 x 200 cm Signed and dated, lower left: Putu Sutawijaya, 2008 Signed, titled and dated on the reverse SGD 40,000 - 50,000 USD 28,800 - 36,000 64

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057 NASHAR (Pariaman, 1928-1994) Pegunungan, 1973 Acrylic on canvas: 64 x 94 cm Signed and dated, lower left: 15 Jan 73 SGD 2,500 - 3,500 USD 1,800 - 2,520

Born in Pariaman, West Sumatra, October 3, 1928. He studied painting under Affandi and Sudjojono. He help established the Institut Kesenian Jakarta (IKJ, Jakarta Arts Institute) where he became a lecturer. In 1979 â&#x20AC;&#x201C; 1992 he was a member of Dewan Kesenian Jakarta (Jakarta Art Committee). He has participated in exhibitions of the Festival of Indonesia (USA, 1990 â&#x20AC;&#x201C; 1992), the Gate Foundation (Amsterdam, Holland, 1993) and several places in Indonesia. He left his figurative paintings to fully paint in abstract style until his deceased in April 13, 1994.

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058 AMING PRAYITNO (Surakarta, 1943) Sarang Ikan V, 1989 Oil on canvas: 150 x 100 cm Signed and dated, lower right: Aming, 1989 SGD 3,500 - 5,000 USD 2,520 - 3,600

Born in Surakarta, Central Java, June 3rd 1943. He graduated from the Indonesian Fine Art Academy (ASRI) Yogyakarta in 1977. He also studied painting at the Koninklijk Akademie Voor Schonkunsten, Gent, Belgium in 1976. He received a number of awards for his works among others are Raden Saleh Award (1972), The Best Work at the Biennal Indonesian Painting (1974 & 1980) and The Best work at Biennal Painting, Yogyakarta, 1992).

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059 ABDULLAH SURIOSUBROTO (1878–1914) Waterfall Oil on canvas: 75 x 65 cm Signed, lower left: Abdullah SGD 6,000 - 9,000 USD 4,320 - 6,480

060 LUCIEN FRITS OHL (Palembang, South Sumatra, 1904 – The Hague, 1976) Flamboyant Oil on board: 60 x 81 cm Signed, lower right: L. Frits Ohl SGD 6,500 - 8,000 USD 4,680 - 5,760

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061 ZHANG DA ZHONG (Guangzhou, China, 1953) Red Guard Series, 2006 Oil on canvas: 120 x 100 cm Signed and dated, lower right: 2006 SGD 5,000 - 8,000 USD 3,600 - 5,760

Born in Guangzhou in 1953, He showed such great technique and potential in painting that he was accepted as a Masters student at the highly esteemed Guangzhou Academy of Fine Arts without having to do his BFA. A celebrated portrait artist, Zhang is renowned for his Red Guard series. His professional Affiliation as member of the Guangzhou Chinse Artist Association. He was actively in several exhibitions as the 11th Asia Olympic – Chinese Sports Art Exhibition (1990), “A Propsperous China” Art Competition (1992), “Love for China” Art Exhibition (2000), The Chinese Oil Painting Exhibition (2001), “About Women” Female Portrait Exhibition in Hongkong (2003), “Spring Gala – Hongkong (2004). He received several awards as Outstanding award “How Stell is Made” (2000), Love for China Art Exhibition (2000), “Goldeh Hope” – Gold Award (1992), A Prosperous China” Art Competition (1992), “Girl From the Yao Tribe” –Out Standing Award (1991), “Girl from the Yao Tribe”-Bronze Award (1990). His work as well as in private collections throughout in Austria, China, Germany, Hongkong, Switzerland, Taiwan, United Kingdom and United States. MASTERPIECE FINE ART - SINGAPORE

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Ugo Untoro Born in 1970, graduate of Indonesian Institute of Arts, Yogyakarta. He was known as one of the first and probably the best of art doll-makers, the usually sulky Javanese rose from haphazard notice ability to fixed nationwide prominence with his rag sculptural works and oil on canvas paintings. His work is deep, original, and fun; sometimes bordering on being lyrical, sometimes unmistakably poetic -- that’s how Ugo’s drawings, sketches, oil on canvas paintings, dolls and stuff and ideas in general have commonly been viewed. Recently Ugo Untoro freer in creating whatever his adrenaline finds fit -- the consequence of yesteryears’ hard work. He is now one of the relatively successful younger artists since last century. As an individual artist who is looking for meaning through imagery symbolism, Ugo’s scratchy paint shows his indeterminate sign and poetic upon his self consciousness. His rough scratches never recognized anything nor reach into form perfections. His horizontal lines sometimes go beyond his conscious and offer not only form but also meaningful message. Awards: 1996 Finalist in the Indonesian Art Awards Competition 1998 The Best Painting at the Indonesian Art Awards Solo Exhibitions: 2007 "Word's of Ugo Art Forum", Singapore "Poem of Blood", Taman Budaya, Yogyakarta "Poem of Blood", Jakarta 2006 "Short – Short Stories", Kuala Lumpur "My Lonely Riot", Kuta Bali 2004 "Silent Texts", Jakarta 2002 "Goro – Goro", Jakarta 2000 Boneka dan Buku, Surabaya 1999 Sika Contemporary Art Gallery, Bali 1995 "Corat – Coret", Bentara Budaya, Yogyakarta

062 UGO UNTORO (Purbalingga, 1970) Lets Talk 3, 2008 Oil on canvas: 200 x 150 cm Signed and dated, lower right: Ugo’08 SGD 8,000 - 12,000 USD 5,760 - 8,640

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063 JEIHAN SUKMANTORO (Solo, 1938) Anis, 2001 Oil on canvas: 140 x 140 cm Signed and dated, upper left: Jeihan’01 Signed and titled on the reverse SGD 12,000 - 18,000 USD 8,640 - 12,960

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Born in Solo, 1938. He studied at the Himpunan Budaya Surakarta (HBS – Surakarta Cultural Society) (1953 – 1955) and at Bandung Institute of Technology (ITB) (1960 – 1966). In 1978, He established Studio Seni Rupa Bandung (Bandung Fine Arts Studio) together with Dr. Sudjoko. He has participated in several exhibitions. He held his solo exhibitions at Bandung (1998), Galerie Darga & Lansberg, Paris France (1999), Darga Gallery, Bali (2000), the Jakarta Hilton International Hotel, Jakarta and Nadi Gallery, Jakarta (2002). He combines Eastern mysticism with Western analytical sense that made his portraits paintings are very distinctive and well known.

064 SOETOPO (Yogyakarta, 1931 â&#x20AC;&#x201C; Yogyakarta, 2016) Penjual Telor Merah, 2011 Oil on canvas: 110 x 140 cm Signed and dated, lower left: Soetopo, 2011 SGD 8,000 - 10,000 USD 5,760 - 7,200

Born in Yogyakarta, April 13, 1931. He studied painting at The Indonesian Academy of Fine Arts (ASRI) Yogyakarta under Hendra Gunawan, Trubus and Soedarso tutelage. Since 1950, he was actively participated in many exhibitions and handled monumental works for Hotel Indonesia, Ambarukmo Hotel, Satu Maret Monument, Palagan Ambarawa, TMII Historical Monument Relief and Satria Mandala Museum, Jakarta. following the exhibition welcomes the Asian-African Conference in Bandung, 1955. Diversity in Harmony Exhibition in Yogyakarta, Borobudur International Festival Exhibition at the Museum H. Widayat, Mungkid, Magelang, 2002. Exhibition "Footsteps" at the Court of Djoko scream, Yogyakarta, 2003. Art Exhibition "Membaca Dunia Widayatâ&#x20AC;? at Museum H.Widayat, Mungkid, Magelang, 2004.

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065 a. PETER HARRIS (London, 1923-2009) House with row of Orchid Plants

b. KUO JU PING (Fujian, 1908 - Malaysia, 1966) Duck in water

Watercolor on paper : 24 x 17 cm Signed, lower right

Watercolor on paper : 26 x 36.5 cm Stamped, lower right SGD 3,000 - 4,000 USD 2,160 - 2,880

066 JOHN VAN DER STERREN (Sukabumi, 1938) Landscape Near Garut, 1997 Oil on canvas: 80 x 100 cm Signed and dated, lower right: Van Der Sterrenâ&#x20AC;&#x2122;97 SGD 5,000 - 7,000 USD 3,600 - 5,040

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067 WILLEM VAN DER DOES (Amsterdam, The Netherlands, 1889 â&#x20AC;&#x201C; 1966) Ox-chart Oil on canvas: 45 x 60 cm Signed, lower left: Van Der Does SGD 6,000 - 8,000 USD 4,320 - 5,760 Born in Rotterdam, 20 April 1889. He came to Indonesia ca. 1918 as a civil servant to survey the country. In this function he traveled all over the archipelago. The artist participated in several group exhibitions in Jakarta, Medan and Surabaya between 1918 and1939. He returned to the Netherlands in 1946, where he settled in Zeist. Painter, Illustrator and draughtsman of harbor scenes, City views, and landscapes, in an accurate impressionistic style.He died in Zeist, the Netherlands, February 3, 1966.

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S. Sudjojono Sudjojono’s favorite subjects were ordinary Indonesians, depicted with piercing emotional realism, sometimes showing joy, pathos, dignity, and frustration. Quite often his figures inhabit dramatic urban or rural landscapes in an almost epic sense. S. Sudjojono used a combination of fantasy and memory to create his surrealistic landscapes. Sometimes, he incorporated elements derived from places that he had seen in books or actually visited. Besides landscape, S. Sudjojono also enjoyed painting flowers. Sudjojono still live painting, such as floral paintings began after the 1960s, a decade filled with hardship. It was also the time when the nation was beset by economic and political turbulence. At that time, in addition to creating patriotic works (depicting guerrillas and revolutionary struggles), Sudjojono also created many landscapes, still-lifes, and nude paintings to help the family’s finances. Flower motifs are commonly found in works from this period of his creative life. Flowers – painted in varied styles and of diverse specimens – constantly appear until the very end. His flowers are his way of sustaining and expressing his creative joy, immortalizing an eternal flame despite hardships. Whenever he saw an attractive floral arrangement, he would paint it, usually capturing it in a fluid, impressionistic representation. Often he would present it as a more everlasting gift for his wife, Rose, in lieu of giving actual flowers. Sometimes he would immortalize the flowers that Rose received during concert by painting them as soon as they got home.

068 S. SUDJOJONO (Kisaran, 1914 – 1986) Anyelir Untuk Oma’s Birthday, 1978 Oil on canvas: 30 x 40 cm Signed and dated, lower right: SS.101, Jak, 1978 This lot is accompanied with certificate of authenticity from the Artist’s Family Literature: Amir Sidharta, S. Sudjojono Visible Soul, Published by Museum S. Sudjojono & Canna Gallery, Jakarta, 2006 pg. 343 SGD 35,000 - 50,000 USD 25,200 - 36,000

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069 DEDE ERI SUPRIA (Jakarta, 1956) The Power of Red II, 2015 Oil on canvas: 30 x 40 cm Signed and dated, lower right: Dede Eri Supria, 2015 This lot is accompanied with certificate of authenticity from the Artistâ&#x20AC;&#x2122;s SGD 10,000 - 15,000 USD 7,200 - 10,800 78

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Born in Jakarta, January 29, 1956. He studied at the Indonesian Fine Art Academy (ASRI) in Yogyakarta (1974). In 1976 his name first emerged in the Indonesian Art Scene when he exhibited his works at the first Seni Rupa Baru Indonesia exhibition at the Balai Budaya, Jakarta. He has received several awards for his works, Jakarta Biennale 1981, won a Philip Morris Indonesian Art Awards in 1997 and was participated into the ASEAN Art Awards in Manila. He has participated in many group shows as well as solo exhibitions. Dede held his solo exhibitions at Jakarta Stock Exchange (1997) and at the Art Folio Space in Singapore (2002). Today, he is considered an influential propagator of super-realist painting in Indonesia.

070 DIROT KADIRAH (Indramayu, 1972) Jogging, 2016 Oil on canvas: 145 x 120 cm Signed and dated, lower left: Dirot, 2016 SGD 3,500 - 5,000 USD 2,520 - 3,600

Born in Indramayu, West Java, 21 February 1972. He was raised in the family of fisherman in northern sea of Java (pantura). His painting career starts when he travelled to Bali in 1992. In Bali, he learnt painting under maestro painter Affandi and Sudarso. During he stay in Bali he managed to sell his works to art collectors and galleries which then made him decide to fully concentrate his passion in painting. In 1996, Dirot decide to paint using his own distinctive characteristics. About 3 years he did some experiment works until he finally found his own style. His works portrays the daily life of Indonesian people in his own perceptions, and his technique is quite different from other painters. Since 1994 until present his works have been displayed in several painting exhibition in Bali, Jakarta as well as International event such as in Singapore and USA. He had performed his solo exhibition in Galeri Nasional Jakarta (2008). He was the only painter that exhibited his arts in the World Ocean Conference organized by UNO in Manado 2009. Until present his works have been collected by many art collectors in Indonesia as well as abroad. MASTERPIECE FINE ART - SINGAPORE

071 SOETOPO (Yogyakarta, 1931 – Yogyakarta, 2016) Bermain Di Kebun, 1960 Oil on canvas: 74 x 121 cm Signed and dated, lower right: Soetopo’60 SGD 3,000 - 4,000 USD 2,160 - 2,880

072 RADUAN MAN (b. Pahang, 1978) Red Light, 2013 Oil on linen: 74 x 74 cm Signed and dated, lower right: Raduan Man, 2013 SGD 2,000 - 5,000 USD 1,440 - 3,600 Descended from a line of master woodcarvers, Raduan Man has spent his life exploring the medium of printmaking and attempting to push the medium beyond its limits. What sets his works apart from most printmaking techniques is his use of canvas or jute as a surface, which, as opposed to paper, allows for increased experimentation with scale. The use of canvas as oppose to paper gives Raduan a sturdier material to work with, enabling him the room for experimentation to form the artistic statement, which has shaped him today. Layers of blocks are imprinted, with each block contributing its unique characteristic, which gives depth and complexities to Raduan’s work. 80

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073 RUDOLF BONNET (Amsterdam, 1895 – 1978) Ko, 1972 Pastel on paper: 49 x 27 cm Signed and dated, lower left: R. Bonnet.1972 SGD 5,000 - 7,000 USD 3,600 - 5,040

Born in Amsterdam, 1895. He studied art at the Hendrick de Keijser-school, the Rijksschool voor Kunstnijverheid and the Rijksacademie in Amsterdam. He visited Indonesia in 1936 and stayed in Bali from 1931 – 1941. He helped establish the Museum Puri Lukisan and together with Walter Spies founded the Pita Maha Artist’s Association (1936). His works are amongst the collections of former President Soekarno, the Neka Museum, the Agung Rai Fine Art Gallery, the Rijksmuseum Kroller Muller Otterlo and the Sinerg Museum in Laren.

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Agung Mangu Putra Mangu Putra was born in Sangeh, Bali, on May 11, 1963. He graduated from the faculty of Art and Design at the Indonesian Arts Institute (ISI), Yogyakarta majoring Visual Communication Design (1990). His first exhibition was in Dewata Gallery (1987) at Taman Budaya Denpasar. Being a designer did not satisfy him as an artist then he decided to engage in full time painting in 1998. Since his first solo exhibition in Ubud (1990) his name was considered as valuable painter in Indonesia. He held his solo exhibition at National Gallery, “Teater Rakyat”, Jakarta, 2010; “Silent Word”, Gajah Gallery, Singapore (2008), Mandala, Bidadari, Ubud-Bali (2007), “Belief, Rupa Gallery”, Surabaya (2005),etc. He also joined in several group exhibitions in Jakarta, Yogyakarta, Bali and other country. He received awards as the Best in Design Arts (during the 4th and 6th anniversary of ISI, as the finalist of Philip Morris Award in 1994 and Indofood Art Award 2002, Second Place, Jakarta. It is not surprising then that some of Mangu Putra’s works criticize human activities that damage the world. Mangu uses strong lines, shapes and colors in mature and harmonious ways. His vision of nature is “polluted” by civilization. His works criticize human activities that have deteriorated the natural world. His series on exploitation focuses on the slaughter of animals and criticize environmental issues. Natural objects are shown as if through sophisticated technological imagery, so that they appear artificial, attractive, provocative, and even fantastic.

074 AGUNG MANGU PUTRA (Sangeh, Bali, 1963) Ikan: Cengkrama Di Dasar Laut, 2003 Acrylic on canvas: 140 x 140 cm Signed and dated, lower right: Mangu Putra, 2003 Signed, titled and dated on the reverse SGD 22,000 - 30,000 USD 15,840 - 21,600

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075 ERNEST DEZENTJE (Jatinegara, 1885 – 1972) White Orchid, 1961 Oil on canvas: 80 x 45 cm Signed and dated, lower right: Ern. Dezentje’61 SGD 2,500 - 3,500 USD 1,800 - 2,520

076 CHEN CHENG MEI (b. 1927) Roses watercolor on rice paper : 77 x 46 cm Signed in chinese character and stamped, lower right SGD 2,500 - 4,000 USD 1,800 - 2,880

077 HENI SUSILOWATI Flora dan Fauna I, 2016 Oil on canvas: 100 x 80 cm Signed and dated, lower right: Heni Susilowati, Yogya, 2016 SGD 1,500 - 2,000 USD 1,080 - 1,440 84

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078 UGY SUGIARTO (Wonosobo, 1969) For The Golden Gen, 2015 Oil on canvas: 80 x 45 cm Signed and dated, lower right: Ugy’15 This lot is accompanied with certificate of authenticity from the Artist SGD 2,000 - 3,000 USD 1,440 - 2,160

079 WILLEM GERARD HOFKER (Amsterdam, 1902 – 1981) Portrait Van Alex J. Hendrix, 1937 Oil on canvas: 32 x 22 cm SGD 8,500 - 10,000 USD 6,120 - 7,200

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Widayat Born in Kutoarjo, Central Java, 1923. He studied at the Indonesian Fine Art Academy (ASRI), Yogyakarta and Ceramics and Landscape, Nagoya, Japan (1960). He received BKPM award (1953), a cultural award from the Indonesian Government (1972), the Best Biennial Painting, Yogyakarta (1986) and the ASEAN Award, Brunei Darussalam (1993). His works have been shown throughout Indonesia and abroad. He performed his solo exhibitions in Yogyakarta (1983), Jakarta (1985, 1990, 1991, 1992, 2000 and participated in joint exhibition in Japan, Netherlands and United States for KIAS (1990 – 1991). The themes of Widayat’s works during half a century have not shifted much. They are centered on landscapes, flora and fauna, actual daily life, myths legends, and religious – spiritual issues. The same remark goes for his treatment of main object and decorative backgrounds with textures that has already become part of his characteristic features. One of the themes extensively treated by Widayat is flora and fauna. After his trip to Japan, the artist created many cherry blossom trees and animal objects like birds, horses and fishes. Fish seem to be the obsession for Widayat, who explained that his fascination for the creatures started in Japan. He went to deep-sea fishing with friends. The fish had all sort of strange, monstrous forms that appealed to Widayat’s fantasy. The fish is a symbol of good health, just like a proverb says “I feel as healthy as a fish in water.” Another reason for Widayat’s attraction to underwater world might be because he was born under the astrological sign of Pisces, the Fish. People with this sign must have the freedom to swim in all directions, living in the depths of the intuitive world of water.

080 WIDAYAT (Kutoarjo, 1919 – Jakarta, 2002) Ikan, 1989 Oil on canvas: 145 x 145 cm Signed and dated, lower right: H. Widajat’89 Signed, titled and dated on the reverse Provenance: Private collection, Jakarta SGD 35,000 - 50,000 USD 25,200 - 36,000

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081 HASIM (Jakarta, 1921-1982) Sisters Oil on canvas: 90 x 63 cm Signed, lower right: Hasim SGD 2,500 - 3,500 USD 1,800 - 2,520

082 LEE MAN FONG (Canton, China 1913 â&#x20AC;&#x201C; Singapore 1988) Spinning Lady watercolor on paper: 50 x 35 cm Signed and stamped, lower left. Stamped again, top right SGD 1,500 - 3,000 USD 1,080 - 2,160 083 FAIZIN (Banyuwangi, 1973) Wajahmu Secantik Hatimu, 2012 Oil on canvas: 190 x 140 cm Signed and dated, lower right: Faizin, 2012 This lot is accompanied with certificate of authenticity from the Artist SGD 2,800 - 3,500 USD 2,020 - 2,520 88

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084 AWIKI (Surabaya, 1961) Penjual Pisang Oil on canvas: 95 x 80 cm SGD 8,000 - 10,000 USD 5,760 - 7,200

Born in Surabaya, November 11, 1961 but well known as painter from Banyuwangi. He studied painting under Bani Amora in Genteng then continued his study at Fine Art School Yogyakarta. He also studied to paint from Dullah in Pejeng Gallery and later joined in Kamboja Gallery among with other 17 painters. He used impasto technique and impresinostic style for his work.

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Basoeki Abdullah Born in Solo, January 27, 1915, he is the second son of Abdullah Soerjosoebroto, a prominent landscape painter. He studied at the Academia van Beeldende Kunsten in The Hague, the Netherlands. Basoeki Abdullah started painting since he was 5 years old in simple drawing, and at 10 he traveled to Surabaya and Bali where he started portrait painting. During 1933, he held his first exhibition in Bandung. He brought his painting to RMP. Sosrokartono, RA. Kartini’s brother, who was very impressed on Basoeki’s painting. Sosrokartono and Prince of Mangkunegoro VII became the person who greatly supported his painting career until Basoeki become a famous painter. During that time he continued his study at Academia van Beeldende Kunsten in the Hague, the Netherlands. Basoeki Abdullah is one of the most prominent Indonesian maestros in portrait paintings. The late artist was well-known for his realistic paintings. Besides painting of portraits of beautiful women, he is also noted for his natural beauty and sensuous landscape, as well as paintings of scenes from legends that are also tempered with the same lyrical and overly sensual treatment. Basoeki likes to paint anything beautiful. Flamboyant flowers, women, landscapes, flora and fauna, to the leading figures painted very nicely. He often went to places for field trip, observing object for his painting and put it into sketch. His ability to depict nature makes all the objects seemed to be dramatic, alive and more beautiful in colors than the actual objects.

085 BASOEKI ABDULLAH (Solo, 1915 – Jakarta, 1993) Flamboyan Oil on canvas: 120 x 190 cm Signed, lower left: Basoeki Abdullah Provenance: Private collection of prominent collector, Jakarta This lot is accompanied with certificate authenticity from the artist family SGD 120,000 - 200,000 USD 86,400 - 144,000

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* 086 ANGKY PURBANDONO (Cepiring, Yogyakarta, 1971) Kepiting Betina, 2010 Printed scanography UV: 100 x 100 cm SGD 4,000 - 6,000 USD 2,880 - 4,320 Born in Yogyakarta on 24 September 1971 Angki Purbandono is an artist that is best known for his bottomless creativity in the art of scannography. As practitioners of such art are still hard to find in the country, Angki is often invited to showcase his works abroad through solo exhibitions., Angki has once been invited by the Fukuoka Arts Museum in Japan and conducted an exhibition in London, England. A graduate of Institut Seni Indonesia Yogyakarta, he began creating scannographic artworks in 2005. He has received a scholarship to study at the National Arts Museum in Seoul, South Korea. He acknowledges that the background for his current art is his formal education in photography at Institut Seni Indonesia in Yogyakarta.

087 POPO ISKANDAR (Garut, 1927 â&#x20AC;&#x201C; Bandung, 2000) Jala, 1977 Oil on canvas: 70 x 65 cm Signed and dated, lower right: Popo 77 This lot is accompanied with certificate authenticity from the museum SGD 5,000 - 7,000 USD 3,600 - 5,040

Born in Garut, December 17, 1927. He started painting in 1944. He graduated from the University of Indonesia and Bandung Institute of Technology (ITB). Besides as a painter he is also an art observer and writer. In 1980 he received art award from Indonesian Government. He has participated in many exhibitions in Indonesia as well as overseas. His works were mostly on animal such as chicken, cat, and tiger. He held his solo exhibitions at Taman Ismail Marzuki Arts Center, Jakarta (1987, 1992, and 1994), National Gallery, Jakarta (1999) and participated in group exhibitions at KIAS, USA (1990), The Best of Indonesia, Jakarta (1997), and Slovenia Gradec (1997).

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088 TEGUH OSTENRIK (Jakarta, 1950) La Rolling Stone, 1995 Mixed media collage on canvas: 200 x 220 cm Signed and dated, lower right: Goeh Ost’95 Signed, titled and dated on the reverse SGD 12,000 - 18,000 USD 8,640 - 12,960

Internationally celebrated Painter and Sculptor, Teguh Ostenrik holds a Master Degree in Fine Arts Hochschule der Kuenste, West Berlin , Germany. He has had more than one hundred solo and group exhibitions in the USA , Europe (France, the Netherlands, Germany),Australia and throughout Asia . His art works and commissioned projects are collected by many private collectors, museums, international institutions and major corporations. To name a few are Willem de Kooning Studio – USA, St.Mary of the Angels Church – Singapore, Fukuoka Art Museum – Japan. Among many noteworthy recognitions, Ostenrik was awarded The Best Artist 2009 in Visual Arts Category by Tempo Magazine and the Top Ten Philip Morris Art Award in 1997. Most of Ostenrik’s works were created based on his respect to environment. He used lots of recycle material and mother earth colors. He believes that having himself raised in Indonesian culture, graduated from Hochschulle der Künste West Berlin, Germany and later resided in Europa for 16 years , has created a two sided insights in his works. The Indonesian and European culture has merged in him and subconsciously shaped his artistic statement. Recently , he initiated ARTificial Reef Park Project which was launched in Lombok, Indonesia, a project to restore the nature through art. Using biorocks technology, Ostenrik provides his underwater sculptures as media for the coral to grow and providing a better marine ecosystem. Ostenrik’s 24 years work of art has been documented in Transcending Time,a full coloured 250 pages book, wrote by Art Historian Barbara Asboth. He was a guest lecturer in the Beijing Central Academy of Art in 2006. For three consecutive years (2006-2008) Teguh is a jury member of China Asean Youth Art Creativity Contest in Nanning – China, a drawing competition with 3000 participants. In 2013, he represented Indonesia to commemorate 10th Anniversary of China-Asean Expo. In 2007, he was honoured to be the Artist in Residence in Penang , Malaysia for the ABN-AMRO and Wawasan Open University. MASTERPIECE FINE ART - SINGAPORE

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Affandi Affandi was taught at the Indonesian Academy of Fine Arts in Yogyakarta in early 1955. He received a scholarship from the U. S. government to study arts education in 1957, after participating in International exhibitions in Brazil and Italy. He was made an Honorary Professor of Painting by Ohio State University, and in 1974 was awarded an honorary doctorate by the University of Singapore. He also received the Peace Award from the Dag Hammarskjoeld Foundation in 1977, and the title of Grand Maestro in Florence, Italy. Affandi was passionate about his country and a large proportion of his works concern his feelings about the land and its people. Though Affandi only painted what he observed and never approached his works from any kind of philosophical or analytical starting point, he was particularly fond of Bali and Javanese culture. There are some works that use natural landscapes as their subject matter. Affandi especially liked to depict seascapes, or coastal landscapes with fishing boats. However, these works are far from being naturalistic, as they are hardly related to the matter of sky color, as affected by the sunlight.

089 AFFANDI (Cirebon, 1907 â&#x20AC;&#x201C; 1990)) Boats, 1984 Oil on canvas: 110 x 150 cm Signed and dated, lower right: A 1984 Provenance: Private collection of prominent collector, Jakarta Sothebys Singapore, may 2016 SGD 120,000 - 150,000 USD 86,400 - 108,000

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090 LU HAO (Beijing, China, 1969) The Alley Oil on canvas: 200 x 180 cm SGD 19,000 - 22,000 USD 13,680 - 15,840

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Lu Hao was born in Beijing, China, 1969. Lu Hao graduated from the Chinese Ink Painting Department of the Central Academy of Fine Arts in Beijing in 1992. He had become recognized as an accomplished ink painter by 1997 when he began to explore other ways in which to express his concern about the clash between the legacies of China great classical civilization on the one hand and the drive to modernity propagated by the Chinese government on the other. It wa s important to him furthermore to express his views in ways that could be readily understood. He is not interested in producing work of the teasing opaqueness so favored by some of his contemporaries in the West. Selected Solo Exhibitions : The Art of Lu Hao, Goedhuis Contemporary, New York, USA Lu Hao, Tokyo Gallery, Tokyo, Japan (2005), Experimental Wash Painting, Yun Feng Art Gallery, Beijing, China (1996), Lu Hao, Wan Fung Art Gallery, Beijing, China(1996), Experimental Wash Painting, International Art Gallery, Beijing, China (1995), Lu Hao, International Art Gallery, Holiday Inn Crown Plaza, Beijing, China (1995), Lu Hao, September Gallery, Beijing, China (1994). He was actively in several Group Exhibitions such as Contemporary Chinese Art, Mori Art Museum, Tokyo, Japan (2005), Hague Sculpture Museum, Hague, (2005), The Netherlands Mahjong, Kunstmuseum Bern, Bern, Switzerland China: As seen by Contemporary Chinese Artists (2005), Spazio Oberdan, Milano, Italy (2005),The Wall: Reshaping the Contemporary Chinese Art, Millenium Art Museum, Today Art Museum, Beijing, China (2005).

091 FAUZULYUSRI (b. Kedah, 1974) Childlike, 2015 Mixed media on canvas: 92 x 92 cm Signed and dated, lower right: Fauzulyusri, 2015 SGD 2,000 - 5,000 USD 1,440 - 3,600

Born in 1974, Kedah, Fauzulyusri graduated from University Institute of Technology Mara (UiTM) in 1999. Fauzul is a very talented artist. At the first glance, his paintings seem to be naive, but it is not. Each of Fauzul’s painting focuses on a specific aspect of art formalisim. In the Guris series, he focuses on the significance of lines; in the Play series, he explores the focal point of a subject and in the Ground series on the texture and the surface of a canvas. He has been exhibiting in various galleries in Malaysia, Indonesia, Hong Kong, Singapore and the UK. Fauzul also has six solo exhibitions to his name, the most recent being ‘Guris’ (2011) and ‘Coreng’ (2013). Fauzul has received special mentions in the Kijang Art Awards by Bank Negara Malaysia in 2004 and at the Young Contemporary Art Award at National Art Gallery Malaysia in 2002.

092 YOPI HENDIANA (Tasikmalaya, W. Java, 1975) Holiday in Mars, 2016 Acrylic on canvas: 150 x 200 cm Signed and dated, lower left: Yopi16 Signed, titled and dated on the reverse SGD 2,500 - 3,500 USD 1,800 - 2,520

Born in Tasikmalaya, West Java, 8 November 1975. He took his formal study at the fine art school SMSR Yogyakarta. He had participated in several painting exhibitions in Indonesia among others in Indramayu, Yogyakarta and Jakarta and also exhibition outside the country such as in Singapore. His works mostly demonstrate a decorative style. His canvases are full with objects and rarely left empty. He exploits the line and form simultaneously using bright color and stereotype characters. His objects are not single, ornamented with the presence of trees, humans, animals, and others giving an expression of joy and cheerful scene. MASTERPIECE FINE ART - SINGAPORE

Willem Dooijewaard Willem Dooijewaard was born in Amsterdam 1892. Student of the applied artschool in Amsterdam. Brother of the artist Jaap Dooijewaard. Willem Dooijewaard lived in Amsterdam till 1913, than Sumatra and Bali (Indonesia) Peking, Mongolia (China), Japan, the South of France and, after 1933, he moved back to Blaricum, Holland. Willem Dooijewaard had a solo exhibition in the Singer Museum Laren. Works in possession of the Singer Museum Laren, the Rijkscollectie en the Stedelijk van Abbemuseum, Eindhoven. He died June 17th 1980 in Blaricum, Holland. Willem painted in an impressionistic manner figures, portraits, landscapes etc. He was unique in the way he emphasized particular details such as gestures, facial expressions, postures and the attire of the various cultures and people that he came across during his sojourns abroad. Evident in the artistâ&#x20AC;&#x2122;s distinctively impressionistic style is the clear influence from the French Impressionistic painters during his time. Willem had a passion for travel thatÂ endured throughout his life. In 1937 Willem and his wife travelled to the south of France, where he painted landscapes and cityscapes. In Nice he met the director of the Opera House and soon he was permitted access to the rehearsal rooms, where the dancers practised. Willem had the opportunity to make intimate drawings and sketches after ballerinas and "cancan" dancers. This period is also considered a separate chapter in his oeuvre. The Ballerina painting depicts four dancers posing in impressionist style.

093 WILLEM DOOIJEWAARD (1876-1969 Netherlands) Ballerina, 1938 Oil on canvas: 75 x 100 cm Signed, lower right: W. Dooijewaard Dated, lower left: Nice,1938 Provenance: Private collection of prominent collector, Jakarta SGD 30,000 - 40,000 USD 21,600 - 28,800

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094 KHOO SUI HOE (b. Kedah, 1939) Skyrise, 2002 Oil on canvas: 120 x 98 cm Signed, lower left: Sui Hoe SGD 18,000 - 25,000 USD 12,960 - 18,000

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Malaysian painter Khoo Sui Hoe graduated from NAFA in 1961. In 1974, he obtained a grant from the John D Rockefeller 3rd Fund grant to study the development of post-war art in the US. His works have often been filled with dream like figures, based on his own thoughts and observations of life and the environment through his poetic distillations. Since 1982, he has made a home in the US, but continues to shuttle between Peninsula Malaysia and North America. Khoo continues to travel around the world, exhibiting and attending exchanges with fellow artists. On his sojourns, he also seeks new inspirations for his art. In 2015, he exhibited in Arkansas Studies Institute in Little Rock and at the NAFA Galleries in Singapore. He travels between Southeast Asia and the United States twice each year to exhibit, observe and attend exchanges with fellow artists in the global exhibition circuit. His arts featured in Christieâ&#x20AC;&#x2122;s and Sothebyâ&#x20AC;&#x2122;s S.E. Asian Pictures,Singapore in year 1998, 1995 and1997 and are collected by National Art Gallery of Victoria, Australia, Nordness Gallery, New York, Mekpayab Art Centre, Bangkok, Singapore Art Museum, National Art Gallery, Kuala Lumpur as well as Penang State Art Gallery, Malaysia

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095 CHENG YA JIE (b. Beijing, 1958) Deep Blue Sea, 2001 Oil on canvas: 90 x 116 cm Signed and dated, lower left: Cheng 2001 SGD 26,000 - 35,000 USD 18,720 - 25,200

Born 1958. He graduated from Tianjing Fine Art Academy and Russia’s Surikov Academy of Arts. He is also a master of Fine Arts from Victoria Vienna Academy of Art. Cheng’s fantasies, imaginations and dreams are manifested in sweet shapes. There are objects of flowers, aquarium fish, Koi, Gold Fish, algae, marine stones, small birds and pretty women. Cheng’s style of painting moved from realist art to impressionism. His paintings have been in the collection of several art collectors in Indonesia as well as abroad.

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Lee Man Fong Lee Man Fong was one of a rare artist who received honor by critics and collectors across Asia. As an Oriental artist, Lee man Fong has renewed and transformed Western oil painting by imbuing it with the essence of Chinese ink painting, achieving a mutual identity between subject and object, at the same time vastly opening the restrictions on traditional Chinese painting. In short, he created a unique “Man-fong style”. Lee Man Fong is famous painter who captures gold fishes in magnificent way. Some gold fishes are swimming freely in the space of an aquarium, still with his essential element by using the light, reflecting the sun’s radiance, Lee success to bring all the goldfishes as a depiction of calmness. As to the Chinese philosophy, Gold fish is believed that the fish can bring rich and prosperity to whose ever owned it. In Lee Man Fong paintings, light is of prime importance and the subjects are consistently bathed in a luminous glow as presented in this lot. The background, unlike the flat, void spaces of Chinese paintings, is likewise illuminated by an almost mysterious glow of white sunlight. Therefore the subjects, reflecting the sun’s radiance, seem also to be lit from the back, creating the effect of “glowing silhouettes”.

096 LEE MAN FONG (Canton, China 1913 – Singapore 1988) Ikan Mas Koki / Gold Fishes Oil on board: 102 x 49 cm Signed and stamped in chinese character, lower left Provenance: Private collection, Jakarta SGD 50,000 - 70,000 USD 36,000 - 50,400

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097 NYOMAN GUNARSA (Klungkung, 1944) Expresi Dua Penari, 2007 Oil on canvas: 145 x 145 cm Signed and dated, lower right: 2007 This lot is accompanied with certificate authenticity from the artist SGD 7,000 - 10,000 USD 5,040 - 7,200 Born in Klungkung, Bali, April 15, 1944. He graduated from the Indonesian Fine Arts Academy (ASRI) in Yogyakarta where he is currently a lecturer in art. He began his career as painter of models and portraits. Since 1967, active performing solo exhibitions, like in British Embassy, Jakarta (1967), Arcade Gallery, Kuala Lumpur (1971), Blance Gallery, San Francisco (1991), Blance Gallery, Osaka (1982), 21 Gallery, Singapore (1995), OperaGallery, Paris (1996), and Hamburgische Landesbank, Hamburg (1998). He also participates in joint-exhibitions in Indonesia and overseas. He received awards from the Pratisara Affandi Adikarya (1976), in the Biennial Indonesian Art Exhibitions (1878 & 1980) and the Lempad Prize (1980). His works are in collection by local and abroad collectors.

098 JEIHAN SUKMANTORO (Solo, 1938) Maya, 1983 Oil on canvas : 140 x 140 cm Signed and dated, lower right: Jeihan 83 Signed and titled on the reverse SGD 6,500 - 8,000 USD 4,680 - 5,760 Born in Solo, 1938. He studied at the Himpunan Budaya Surakarta (HBS – Surakarta Cultural Society) (1953 – 1955) and at Bandung Institute of Technology (ITB) (1960 – 1966). In 1978, He established Studio Seni Rupa Bandung (Bandung Fine Arts Studio) together with Dr. Sudjoko. He has participated in several exhibitions. He held his solo exhibitions at Bandung (1998), Galerie Darga & Lansberg, Paris France (1999), Darga Gallery, Bali (2000), the Jakarta Hilton International Hotel, Jakarta and Nadi Gallery, Jakarta (2002). He combines Eastern mysticism with Western analytical sense that made his portraits paintings are very distinctive and well known. 104

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099 WIDAYAT & AMIN RAIS (Kutoarjo, 1919 – Jakarta, 2002) (Surakarta, 26 April 1944) Petani, 1999 Oil on canvas: 70 x 85 cm Signed and dated, lower right: Ma Rais, 2-5-1999 Signed and dated, on the reverse: H. Widajat 1999

The painting is a collaboration work between H. Widayat and HM. Amin Rais. Both are important figures in his own scope, H. Widayat is Indonesian famous ‘decora-magic’ painter while HM. Amin Rais is the Leader of PAN (one of political party) in Indonesia. The collaboration event was held in Yogyakarta as a fund raising event and also big event of fine arts activity. There were 15 painters joined the event, among others are Bagong Kussudiarja, Fadjar Sidik, Kartika Affandi, Sutopo, Aming Prayitno, Djoko Pekik and many others.

SGD 12,000 - 18,000 USD 8,640 - 12,960

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Chen Wen Hsi Born in Baigong, Caozhu, 1906. Chen Wen Hsi studied art at the Hsin Hwa Art Academy in Shanghai. He became a lecturer at the Nangyang Academy of Fine Arts in Singapore. His paintings were strongly influenced by Chan (Zen) and the unorthodox Qing School of Yangzhou. He actively participated in several exhibitions outside Singapore which also incidentally promote Singapore. He was awarded the Public Service Star from the President Tun Yusof Bin Ishak and received honorary doctorate from the National University of Singapore. He became famous since his oil study on formalism, cubism, and expressive abstraction. Chen Wen Hsi is Singapore’s foremost painter that combines Chinese and Western techniques in his semi abstract work. Chen Wen-hsi is renowned for his skill in painting animal themes. Chicken, gibbons, herons, carps and squirrels are some of his favourite subjects. Wen Hsi’s constant eagerness to strike for something new led him to learn finger painting – a technique that dates from the Tang Dynasty. This drawing style has enabled him to produce unpredictable broken stroke on paper. He developed his skill in finger painting, ink-and-brush, oil, sketches, abstracts and semi-abstract techniques. Every subject he paints, whether lotuses, gibbons, egrets, monkeys, squirrels, birds, or flowers and trees, is palpably vibrant.

100 CHEN WEN HSI (Baigong, Caozhu, 1906 – Singapore, 1992) Two Gibbons Chinese ink on rice paper: 90 x 50 cm Signed in chinese character and stamped, upper left Provenance: Private collection, Jakarta SGD 25,000 - 35,000 USD 18,000 25,200

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101 GERARD PIETER ADOLFS (Semarang, 1899 – The Netherlands, 1968) Adu Ayam Oil on canvas: 41 x 51 cm Signed, lower left: GP. Adolfs Literature: Eveline/Gianni Orsini, Gerard Pieter Adolfs “ The Painter of Java on Bali”, Javaan Met Haan, Published by Pictures Publishers the Netherlands 2008, page: 396 SGD 7,000 - 10,000 USD 5,040 - 7,200

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102 CHENG YAJIE (Beijing, China, 1958) Koi, 2001 Oil on canvas: 100 x 100 cm Signed and dated, lower right: Cheng, 2001 SGD 26,000 - 35,000 USD 18,720 - 25,200

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Hendra Gunawan Hendra’s paintings have formed a modern Indonesian folk art where they can be seen as the illustrations of a new mythology. The stylized figures of exaggerated profiles, with long necks, protruding noses, and large eyes, echoes the stylization of human form found in wayang. His subjects of women with long tresses, young mothers, wives, fish sellers, fruit vendors express his goddesses and heroines, while the heroes features were illustrates as the fathers, husbands, fishermen and farmers. They inhabit a breathtakingly beautiful paradise of fertile land, rich seas, majestic mountains, rivers, and spectacular beaches. Hendra later paintings are melancholic and emotional as a result of the hardship that he experienced during his thirteen years in Bandung Kebon Waru prison. During his imprisoned time he painted some of his most dreamlike, vibrant and emotional works. He illustrates the sadness and the mystery in a brighter, more saturated, expressionistic and abstract. The present lot depicts Hendra’s concern of common people. The sellers were placed side by side, one in seated position on the ground and the other is standing holding a bunch of flowers. The woman was wrapped in brightly colored cloth. The picture depicts Hendra’s deep feeling and irony inspiring perspective of life’s most fundamental issue: freedom and hunger.

103 HENDRA GUNAWAN (Bandung, 1918 – 1983) Penjual Bunga / Flower Vendors Oil on canvas: 132 x 47 cm Signed, lower left: Hendra Provenance: Private collection, Jakarta Sotheby’s Hongkong, April 2016 SGD 190,000 - 250,000 USD 136,800 - 180,000

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104 PUPUK DARU PURNOMO (Yoyakarta, 1964) Ibu dan Anak Di Kursi, 1998 Oil on canvas: 100 x 65 cm Signed and dated, upper right: Yogyakarta, Pupuk DP. 1998 Signed, titled and dated on the reverse SGD 1,900 - 2,500 USD 1,370 - 1,800

105 OMAR YAHYA (b. 20th Century) Perempuan Berbaju Merah, 1931 Oil on board: 52 x 48 cm Signed and dated, lower right: Omar YH. 1931 SGD 1,500 - 2,500 USD 1,080 - 1,800

106 AFFANDI (Cirebon, 1907 â&#x20AC;&#x201C; 1990)) Self Portrait, 1981 Ink on paper: 31 x 24 cm Signed, lower right: Affandi SGD 2,000 - 3,000 USD 1,440 - 2,160 112

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107 SUNARYO (Banyumas, 1943) Bercermin, 1997 Oil on canvas: 40 x 40 cm Signed and dated, lower right: Sunaryo 97

SGD 12,000 - 15,000 USD 8,640 - 10,800

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S. Sudjojono Sudjojono is widely regarded as the driving force behind the establishment of modern art in Indonesia. His favorite subjects were ordinary Indonesians, depicted with piercing emotional realism, sometimes showing joy, pathos, dignity, and frustration. Quite often his figures inhabit dramatic urban or rural landscapes in an almost epic sense. S. Sudjojono used a combination of fantasy and memory to create his surrealistic landscapes. Sometimes, he incorporated elements derived from places that he had seen in books or actually visited. Since he often painted landscape paintings, Sudjojono never stood against art of the landscape. In the period after 1965, Sudjojono’s landscape painting show a socialnationalist tendency, where in them elements of life and progress can be found, apparent in the depictions of farmers and fisherman at works and so on. These visual elements are lodged Sudjojono’s dream of ‘utopia’ and concern for the improvement of the peasant life. The painting of Tol Jagorawi (1981) is one of the evidence of such dreams and concerns. Sudjojono’s landscape paintings also raise concern towards the lives of the people and the environment within the area. Therefore, what makes Sudjojono’s landscape painting differ from the mooi indie is that he depicted the beauty and the wealth of the Indonesian landscape with its current problems and challenges. Moreover, the landscape do not illustrate physical reality of the nature, instead they represent the landscape of the artist’s mind. (Seabad Sudjojono)

108 S. SUDJOJONO (Kisaran, 1914 – 1986) Jalan Tol Jagorawi, 1981 Oil on canvas: 50 x 75 cm Signed and dated, lower left: SS.101.Djak,1981 Signed, upper left on the reverse: Signed, upper left: S. Sudjojono Provenance: Private collection, Jakarta Literature: “Seabad Sudjojono 1913 - 2013” Published by Sudjojono Centre, and gallery Canna, page. 27 SGD 75,000 - 90,000 USD 54,000 - 64,800

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109 MAHYUDDIN S. (Bukittinggi, Sumatra 1924 - 1993) Landcape Oil on canvas: 108 x 225 cm Signed, lower right: Mahyuddin S. SGD 9,000 - 15,000 USD 6,480 - 10,800

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Mahyuddin S. the naturalist painter was born in 1924 in Bukittinggi, Sumatra. Since childhood, he was already very fond of painting and developed his skill and techniques under guidance of noted painters in his born city. In 1948, he held his joint exhibition in Bukittinggi with painters from all over Sumatra. In 1950, he moved to Jakarta for work and continued his study at the Perguruan Tinggi Djurnalistik Institute of Journalism until 1955. In 1956, he held a joint exhibition in at Bapenas Building, Jakarta. He worked in Unilever Jakarta from 1957 until 1961 in which he decided to devote his full attention in painting. He continued to hold several painting exhibitions, among the successful one was in 1968 at Hotel Indonesia. In 1969 â&#x20AC;&#x201C; 1971, he held exhibition in Singapore, Kuala Lumpur and Bangkok. In 1972, he held his exhibition in Bremen, West Germany, Amsterdam Holland, and Vienna, Austria. In 1973, he travelled again to Europe and performed the exhibitions in West Berlin and Frankfurt. In 1974, he held his last exhibition in Singapore again. Mahyuddin is a naturalist painter who conveys quietness, peacefulness and grandeur in his paintings. His works have been in the collection of many important art collections in Indonesia and abroad.

110 KOEH SIA YONG (b.1938) Tanah Lot Temple Bali, 1976 Oil on canvas: 90 x 180 cm Signed and dated, lower left: Koh 76 Bali SGD 15,000 - 20,000 USD 10,800 - 14,400

Koeh Sia Yong (b. 1938) graduated from the Nanyang Academy of Fine Arts in 1958. Being a diverse artist in terms of choice of painting subject and medium, Koeh’s work is an honest reflection of the changes that took place within his inner self as he progresses through life. His dense, formal and heavy style in the nineties is replaced by a livelier and more vibrant choice of colour. Either way, Koeh’s works always represent something larger than itself. Koeh’s works are highly sought after by collectors which include the Singapore Art Museum, National Museum of Singapore, United Overseas Bank Group, Hong Kong & Shanghai Banking Corporation etc. As an acclaimed second generation Singaporean Artist, he has 8 solo exhibitions to date, and invited to participate in numerous international exhibitions.

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Srihadi Soedarsono During his career, Srihadi followed the Bandung style of cubism that was characterized by a kaleidoscopic use of color. Next he tries abstraction, and then informal art to expose the social problems which also included many paintings of Borobudur, the immense 9th century Buddhist monument in Central Java. Srihadiâ&#x20AC;&#x2122;s experimentation on the theme of Borobudur takes a long process of attempting to understand the essence of life and nature. His Borobudur is presented in the abstraction of his personal lyrical expressionistic style. The Borobudur is illustrated as a form of monumental black color. The abstraction achievement is seen through the strong strokes on the wall of the temple combined with the gentle sweep on the sky and earth that present the distinctive spiritual silence, like in other work of Srihadi. Srihadi considers the artistic architectural form of Borobudur set in the surrounding natural environment. As a concrete statement that religious behavior and attitudes are the highest human values, Borobudur is living proof of the hopes and ideals of mankind. His experimentation on the theme of Borobudur takes a long process of attempting to understand the essence of life and nature. The great monument Borobudur is an icon of cultural. Symbolizing the various stages of life, Borobudur is a cultural text as well as an embodiment of human religiosity. When meditating at Borobudur, Srihadi employs the techniques of silent and clean. Such a state of mind is required when a person prays, and this state of mind is similar to the behavioral concept of the Arupadatu at the pinnacle of Borobudur.

111 SRIHADI SOEDARSONO (Solo, 1931) Borobudur-Energy of Nature, 2010 Oil on canvas: 200 x 350 cm Signed, titled and dated on the reverse Provenance: Private collection, Jakarta Acquired directly from the artist SGD 260,000 - 350,000 USD 187,200 - 252,000

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112 PUTU SUTAWIJAYA (Bali, 1971) Memori Terhalang Waktu, 2014 Mixed media on canvas: 140 x 120 cm Signed and dated, lower left: Putu Sutawijaya, 2014 SGD 16,000 - 20,000 USD 11,520 - 14,400

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Putu Sutawijaya studied art at Indonesia Institute of Fine Art (ISI) Yogyakarta. He currently lives and works in Yogyakarta and Bali. As a painter, sculptor and performance artist, Putu embodies the multi-media, cross-disciplinary character of Indonesian contemporary art. At the same time, a main focus of his work is the human body as both an expressive form and a vessel of the spirit: as Putu says, ‘the body is the medium of suffering, pain, laughter and fear.’ Putu’s gestural movement communicates an intense spectrum of spiritual and emotional states, from contemplation to sorrow to the pure exuberance of dance. Putu is also deeply drawn to sacred sites and often travels to the ancient temples scattered around Java and Bali, where he spends days painting.

113 SUZLEE IBRAHIM (b.Terengganu, 1967) Tulips Series Blossoms, 2004/2006 Mixed media on canvas: 92 x 92 cm Signed and dated, lower left: Suzlee Ibrahim, 2004/06 SGD 5,000 - 8,000 USD 3,600 - 5,760

Suzlee Ibrahim graduated from University Technology Mara (UiTM), Malaysia, and he worked in advertising and publishing companies for a few years before returning to become a university lecturer. Suzleeâ&#x20AC;&#x2122;s participation in Malaysian art scene has allowed him to experiment his works with oil and acrylic, by doing this he discover the art mediums that can create his desire texture and subject on canvas. Paying homage to nature, Suzlee tends to replicate its energy and dynamism on canvas, scouring the uniquely diversified Malaysia for inspirations. Suzlee has held 30 solo exhibitions in more than 20 countries such as United Kingdom, Germany, USA, France, Japan, and many more. In recognition of his talents, Suzlee has been awarded then Recognition of Outstanding Creative Excellence, Emaar International Art Symposium, UAE (2005), Japan-Malaysia Art Friendship Ambassador, Ministry of Culture, Arts & Heritage Malaysia & World Arts and Culture Exchange Malaysia/Japan (2007),Tokok Seni: Anugerah Citra Kencana, University Kebangsaan Malaysia (2011), and Excellent Masters Award, Universiti Teknologi Mara (2013) MASTERPIECE FINE ART - SINGAPORE

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Jumaldi Alfi He was born in Lintau, West Sumatra on July 19th 1973. He studied art at Fine Art School (SMSR) Yogyakarta and graduated at 1993. Then he continued to the Faculty of fine Art and Design of Indonesia Art Institute, still in Yogyakarta (1999). Together with his friends such as Yunizar, M. Irfan, rudi Mantofani, Yusra Martunus and Handiwirman, he established Kelompok Seni Rupa Jendela, literally translated as The Window Visual Art Group. With abundance of themes and style, his paintings appear very compelling and varied which reflects the artist's astounding creativity. He is also blessed with amplitude of artistic touch. The color he uses can be brilliant or dark and also melancholy. But one can always notice the native, childlike, and lively characters in all his canvases, as the artist himself is, by nature cheerful. In 1998, he won the best painting award from the Indonesian Art Institute, Yogyakarta. Jumaldi tends to work in series. There is no sign of connection that we can use, to gather meaning from the presence of these things and forms. They all seemed to run free, detached, merely as elements. Jumaldi Alfi experiment in using many colors appears rather surprising and interesting. Alfi wishes to be freed from feelings of melancholy and the weight of personal problems about his identity, conflicts and self-sacrifices that clearly dominate and influence his creative ideas.

* 114 JUMALDI ALFI (Lintau, West Sumatra, 1973) Painting Series 070806, 2011 Acrylic on canvas: 195 x 225 cm SGD 13,000 - 20,000 USD 9,360 - 14,400

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115 AWANG DAMIT (b. Sabah, 1956) Payarama Biru “Balat”, 2015 Mixed media on canvas: 61 x 61 cm Signed, dated and titled on the reverse SGD 6,000 - 10,000 USD 4,320 - 7,200

Awang Damit hails from the second generation of abstract expressionists in Malaysian modern art. As a generation including artists such as Yusof Ghani, they create artworks in a broadly expressionistic style and expanded the subject matter of their paintings from landscapes and nature to include current cultural, social and religious issues.As one of the most recoginsed expressionists in Malaysia, he has been lauded for his series EOC, Marista, Iraga and Payarama . Compositionally complex, and often ridden with symbolist elements, most of the masterpieces illustrate Awang Damit’s sensitivity to colour and form, and his skill fragmented shapes and patterns influenced by his highly developed aesthetics. According to Professor Dr. Muliyadi Mahamood, ,”Awang sees, hears, touches, feels, and smells his subject and the world around him. He incorporates all these sensory perceptions into his paintings”. Awang Damit attributed his initial interest in painting to the artists at St. Paul’s Hill who ignited his passion and innate talent in art.He was awarded the Best Student (Fine Art), Institute Teknologi MARA, Malaysia, 1983,Minor Award, Young Contemporary, Malaysia, 1985, 2nd Prize, Painting Competition, Malaysia Bank Association, 1988, Major and Consolation, Malaysia Salon, 1991 – 1992, Honourable and Philip Morris Malaysia Art Award, 1994-1995. Awang has held a lot of exhibitions both local and international, among are International Art from the Islamic Countries” AL FANN”, Hann Manden, Germany, 1995, Contemporary Malaysian Art”, Enriq Laretta Museum, Buenos Aires, Argentina,1995, 10th Asian International Art Exhibition”, National Museum Art Gallery, Singapore,1995 ,“Malaysian Art Exhibition” China Art Gallery, Beijing, China, 996.”Alun-alun Ke Marista”,National Art Gallery, 2002, Kuala Lumpur, “Dari Iraga ke Payarama at Segaris Gallery, 2014 and many more. Awang Damit has held postions as the Curator of the Art Gallery and Head of Fine Arts Department before being appointed as an Associate Professors in University Technology MARA ( UiTM) in 2000. 124

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116 AGUNG MANGU PUTRA (Sangeh, Bali, 1963) Ikan, 1999 Oil on canvas: 40 x 60 cm Signed and dated, lower right: Mangu Putra, 1999 SGD 4,500 - 6,000 USD 3,240 4,320

117 POPO ISKANDAR (Garut, 1927 â&#x20AC;&#x201C; Bandung, 2000) Cat, 1993 Oil on canvas: 31 x 31 cm Signed and dated, upper left: Popo 93 SGD 3,500 - 5,000 USD 2,520 - 3,600 Born in Garut, December 17, 1927. He started painting in 1944. He graduated from the University of Indonesia and Bandung Institute of Technology (ITB). Besides as a painter he is also an art observer and writer. In 1980 he received art award from Indonesian Government. He has participated in many exhibitions in Indonesia as well as overseas. His works were mostly on animal such as chicken, cat, and tiger. He held his solo exhibitions at Taman Ismail Marzuki Arts Center, Jakarta (1987, 1992, and 1994), National Gallery, Jakarta (1999) and participated in group exhibitions at KIAS, USA (1990), The Best of Indonesia, Jakarta (1997), and Slovenia Gradec (1997). MASTERPIECE FINE ART - SINGAPORE

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Affandi Born in Cirebon, March 11, 1907. Affandi was considered as the Indonesian Artist par excellent. He was the founder of the Himpunan Pelukis Masyarakat (Community’s Artists Association (1946) and Himpunan Pelukis Rakyat (People’s Artists Association) in 1947, Affandi was committed to creating a new artistic idiom for Indonesia. In the early of 1950s he traveled to India for a grant from Indian Government, he held several one-man shows in several Indian Cities, United Kingdom, the Netherlands, Belgium, France and Italy. He received an Indonesian Art Award from the Ministry of Education and Culture (1969), the Dag Hammerskjoeld Prize from Italy (1977) and an Indonesian Government the First Class Merit (1978). His works were exhibited in major exhibitions in Asia, Europe, and the Americas and were also be acquired by major art collectors and institutions all over the world since the 1950s. Affandi prefers capturing his subjects exactly as they are by painting them as they appear in their natural setting. In this, he starts of his use of squeezing paint directly on the canvas, a style that he has used since the late fifties. He not only departs from the use of the brush, but makes use of his palms and fingers to apply the paint on the canvas. Affandi’s work exhibits a distinct rhythm full of emotional intensity. The impact of this emotion is communicated visually depending on the emotional drive of the painter himself. The expressionist painter characteristically has an urgency to simultaneously grab the movement of the moment he wants to describe, along with capturing the textures of the object, a drive that often leads him to work much more passionately compared to the naturalists, the realists, or even the impressionists. In painting the present lot, Affandi directly expressed his pure emotion in the form of strong wild lines dominated with black hues and decorated with the sun. Affandi’s strokes expressed his wild, vicious, and discontentment towards the fixed form.

118 AFFANDI (Cirebon, 1907 – 1990)) Snow Landscape in Italy, 1972 Oil on canvas: 100 x 130 cm Signed and dated, lower left: Affandi 1972 Provenance: Annonymous sale Sotheby’s Singapore, May 2016 Literature: Affandi “Prix International Dag Hammarskjoeld”, pg. 131 SGD 80,000 - 120,000 USD 57,600 - 86,400

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119 I GUSTI NYOMAN LEMPAD (Bedulu, Bali, 1862 – Ubud, 1978) Ramayana Chinese ink on paper: 54,5 x 43 cm Signed, lower right: I Gusti Nyoman Lempad, Ubud Bali This lot is accompanied with recomendation letter from the family SGD 12,000 - 18,000 USD 8,640 - 12,960

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He was born in Bedulu, 1862. He was considered a versatile artist in paintings, carving and architects. His paintings are very clear, strong and individualistic. His works were collected by numerous museums throughout the world. Lempad received Anugerah Seni Art Award from the Indonesian Government as the most influential artist in improving the Balinese art. In 1988, his works were presented in “Art of Bali” exhibition in the East West Center, Honolulu, Hawaii. He passed away in Ubud 1978 after a very long and productive live.

120 WU GUAN ZHONG 吳冠中 (b. China, 1919 - d. China, 2010) Chinese Flowering Apple, 1973 Collotype Print on canvas: 68 x 35 cm Signed, lower left, in chinese character Documented in Scenery of Life published by Baiya xuan art Gallery 百雅轩画廊,pg 67 SGD 2,000 - 4,000 USD 1,440 - 2,880

Wu Guan Zhong is one of the most significant artists of 20th Century China. His distinctive style integrates Western and Chinese art traditions, setting a new direction for modern Chinese art. Wu belonged to a generation of Chinese painters who went to France to study in the 1940s.Trained in traditional Chinese ink and brush techniques as well as Western style oil painting, he developed an innovative approach that was a synthesis of both artistic traditions. His paintings are marked by colours and formal principles of Western art, but imbued with a distinctively Chinese spirit and fluidity. While Wu is most celebrated for his landscape, his paintings have explored various themes across the span of his career. From the late 1950s to the 1970s, he focused on adapting oil paintings to Chinese ink aesthetics, then returned to Chinese ink to express modern aesthetics. his early landscape also gave way to graphic, nearly abstract works in the later stages of his life.A towering figure in modern Chinese art,Wu is admired by many and remains an inspiration for young artist today.

121 PARDOLI FADLI (Cilacap, 1971) Seri Ramayana-Simponi Dewi Sinta, 2016 Oil on canvas: 150 x 200 cm Signed and dated, lower left: Pardoli’16 Signed, titled and dated on the reverse SGD 4,000 - 6,000 USD 2,880 - 4,320

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Arie Smit Born in Zaandam, the Netherlands, 1916. Arie Smit was a student of the Academy of Arts in Rotterdam before working as lithographer for the Dutch Colonial Army in the Dutch Indies prior to the Second World War. He moved to Bali in 1956 to engage in full time painting and became an Indonesian Citizen, produced as well as taught painting at the Bandung Institute of Technology (ITB). Many of his paintings depict the nature of his surrounding environment. He had several solo exhibitions in Bandung Institute of Technology, The Honolulu East West Center, and the Center of Strategic and International Studies in Jakarta. He received the “Dharma Kusuma” art awards from the local government of Bali. Arie Smit is an artist who loves natural beauty and Balinese culture in the form of imaginative painting, painting that express the pure soul of an adventurer, a natural devotee of tropical sunlight. Arie Smit’s painting show breath-taking landscapes, relaxing youths, colorful tropical gardens, glittering seascapes, and quiet temples that evoke a sense of wander. Façades of temple are often shown with human figures in front of them. His special characteristics were seen by the use of his tropical rich color on the object.

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122 ARIE SMIT (Zaandam,The Netherlands, 1916 - Bali, 2016) a. Green Landcape, 1999 Acrylic on canvas: 20 x 25 cm Signed and dated, lower right Signed, titled and dated on the reverse b. Landcape, 1997 Acrylic on canvas: 25 x 29 cm Signed and dated, lower left: Arie smit 97 SGD 22,000 - 30,000 USD 15,840 - 21,600

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123 UNTUNG WAHONO (Yogyakarta, 1962) Taman Safari, 2015 Oil on canvas: 100 x 120 cm Signed and dated, lower left: Untung W.2015 This lot is accompanied with certificate authenticity fron the artist SGD 2,000 - 3,000 USD 1,440 - 2,160

124 OTTO DJAYA (Rangkas Bitung, West java, 1916 - 2002) Pesta Rakyat, 1998 Acrylic on canvas: 90 x 120 cm Signed and dated, lower right: Otto Djaya, 1998 SGD 2,500 - 3,500 USD 1,800 - 2,520

125 TRAN NGUYEN DUNG Preaparing for Performance Oil on canvas: 100 x 120 cm Signed, lower left: Tran Nguyen Dung SGD 5,000 - 7,000 USD 3,600 - 5,040

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126 WILLEM VAN DER DOES (Amsterdam, The Netherlands, 1889 â&#x20AC;&#x201C; 1966) Workers in The Field Oil on board: 45 x 60 cm Signed, lower right: W. V. D Does

Born in Rotterdam, 20 April 1889. He came to Indonesia ca. 1918 as a civil servant to survey the country. In this function he traveled all over the archipelago. The artist participated in several group exhibitions in Jakarta, Medan and Surabaya between 1918 and1939. He returned to the Netherlands in 1946, where he settled in Zeist. Painter, Illustrator and draughtsman of harbor scenes, City views, and landscapes, in an accurate impressionistic style.He died in Zeist, the Netherlands, February 3, 1966.

SGD 8,000 - 10,000 USD 5,760 - 7,200

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127 SAMBODJA (Purworejo, Central Java, 1931) Unjuk Pesona, 2003

128 OTTO DJAYA (Rangkas Bitung, West java, 1916 - 2002) Di Depan Gerbang pura, 1995

Oil on canvas: 120 x 100 cm Signed and dated, lower left: Sambodja, 2003 Signed, titled and dated on the reverse

Acrylic on canvas: 120 x 90 cm Signed and dated, lower right: Otto Djaya, 1995

SGD 4,500 - 6,000 USD 3,240 - 4,320

SGD 6,000 - 90,000 USD 4,320 - 64,800

129 NAI SWEE LENG (b. 1946) Red Lotus Chinese ink and watercolor on paper: 62 x 63 cm Signed in chinese character and stamped, lower left SGD 1,500 - 3,000 USD 1,080 - 2,160

Born in 1946 to the beautiful garden city of Singapore, Swee Leng (赖瑞龙) has been passionate about painting since his childhood days. He has not only learnt Chinese brushworks with respectable masters, including Master of Lingdong style the late Mr Fan Chang Qian and Master of Lingnan style the late Professor Chao Shao-An in Hong Kong, but also graduated from the Nanyang Academy of Fine Arts in Western fine arts. 134

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130 LEO ELAND (Java, 1884 – 1952) Village Near the Mountain Oil on canvas: 40 x 60 cm Signed, lower right: L. Eland SGD 2,000 - 3,000 USD 1,440 - 2,160

131 SUDJONO ABDULLAH (Yogyakarta, 1911 – 1993) Pasar Oil on canvas: 59 x 84 cm Signed, lower left: S. Abdullah SGD 2,500 - 3,500 USD 1,800 - 2,520

132 SIMON YUNG Green Embrace Chinese Ink and mixed media on paper: 69 x 69 cm Signed in chinese character, middle left SGD 6,000 - 8,000 USD 4,320 - 5,760

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* 133 KATRIN FRIDRIKS (Reykjavik, Iceland, 1974) Maestro Speed of Light Silver, 2015 Acrylic on canvas: 100 x 100 cm Signed, titled and dated on the reverse SGD 14,000 - 21,000 USD 10,080 - 15,120

Painter of the abstract, she fuses the natural energies of her native Iceland with an explosive, however organic, abstract expressionism and subtle Japanese calligraphy signs, often filtered through conceptual installations. Through a wide range of works, Katrin Fridriks distils her questioning about our world, human life and the future. She explores among others themes such as the genetic code and classification through the “Gene&Ethics” series, the flux of information and the notion of “Awareness” in our technology-based time, or the natural resources expressing the consequences of human activities on Earth she calls “Mother nature”. Based on an endless exercise on the matter & technique, some of her series are constantly reworked, making her paintings evolve. Through this artistic continuum, Katrin Fridriks’ recent works include perspective studies of her black&white series: “Gene&Ethics” and “Stendhal Syndrome” as well as of her “Crayons” & “Lollipop” series. On one hand, the architectural dimensions of her abstract paintings highlights Fridriks’ interest for large-scale works and compositions of painting, playing with the size, thickness and format of the canvases. On the other hand, her pictorial process brings her to the enlargement of her drippings, from swings to covering the whole canvas. Creating a zoom effect referring to the aesthetics of macrophotography, this is an innovative technical challenge to follow for the conceptual painter. Internationally exhibited (London, Berlin, New York, Los Angeles…), she has received high-profile grants from the Ministry of Culture, Higher Education & Research in Luxembourg in 2009, the French government for the Olympic Stadium of Nîmes in 2007, and among others the GossMichael Foundation for the MTV Re-define project in 2011, Ralph Lauren Foundation in 2010, the Biennial of Liverpool and the Centre of Icelandic Art in 2008.

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134 LEE MAN FONG (Canton, China 1913 â&#x20AC;&#x201C; Singapore 1988) The Gate Pastel on paper: 44 x 58 cm Signed, lower left: MF. Lee SGD 4,500 - 6,000 USD 3,240 - 4,320

135 TAJUDDIN ISMAIL, DATO (b. Negeri Sembilan, 1949) Rentak Alam Dusk II, 2015 Mixed media on canvas: 76 x 76 cm Signed and dated, lower right: Taj, â&#x20AC;&#x2DC;15 SGD 6,000 - 10,000 USD 4,320 - 7,200

Tajuddin Ismail was born in 1949 in Kuala Pilah, Negeri Sembilan, Malaysia. He received his early schooling in Seremban. Studied Fine Art at ITM School of Art & Design from 1969 - 1973. In 1974, he furthered his studies in graphic design at Art Center College of Design, Los Angeles (U.S.A). He did his post graduate studies in Interior Architecture at Pratt Institute, New York from 1979 - 1981. Recipient of the prestigious Fulbright Research Fellowship by the American Council of Learned Societies, New York in 1987. Tajuddin has served as an Associate Professor in Fine Art and Interior Design, UiTM (1975 - 2004). Since 1971, Tajuddin has been actively involved as a painter, academician and also as an independent design consultant. He has also served as a juror to many national art and design competitions. He also has also served as an Adjunct Professor and Academic Advisor to Sunway University. MASTERPIECE FINE ART - SINGAPORE

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Affandi Squeezing paint directly onto the canvas seems best suit Affandi, allowing him to have full artistic expression along with an ability to finish his work quickly. As with other expressionist painters, his work exhibits a distinct rhythm full of emotional intensity. The impact of this emotion is communicated visually depending on the emotional drive of the painter himself. The expressionist painter characteristically has an urgency to simultaneously grab the movement of the moment he wants to describe, along with capturing the textures of the object, a drive that often leads him to work much more passionately compared to the naturalists, the realists, or even the impressionists. Affandi was one of the Indonesian maestros. He was well-known for his typical characteristic of impressionist wild and strong lines. Affandi’s interest in humanity made him learned a lot about the anatomy of human body in the beginning of his career. He had developed his mature style of self-portraits by the early 1950s. “Self Portrait” was created using close subject of his own face. Looking at him-self was believed to be one way to communicate to the universal as well as express personal emotion.

136 AFFANDI (Cirebon, 1907 – 1990)) Potret Diri , 1967 Oil on canvas: 38 x 38 cm Signed and dated, lower right: AF.1967 Provenance: Private collection of prominent collector, Indonesia SGD 30,000 - 40,000 USD 21,600 - 28,800

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137 RICHARD WINKLER (Norrkoping, 1969) Offerings, 2000 Oil on canvas: 71 x 90 cm Signed and dated, lower right: Winkler, 2000 SGD 10,000 - 15,000 USD 7,200 - 10,800

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138 TAN KIAN POR (China, 1949) Lotus Chinese ink on paper: 50 x 50 cm Signed in chinese character and stamped, lower left SGD 1,300 - 2,400 USD 940 - 1,730

139 SUDJADIJONO” MAS JACKS” (Yogyakarta, Central Java, 1952) Srikandi Wani Di Toto, 2016 Acrylic on canvas: 100 x 100 cm Signed and dated, lower left: Mas Jacks.06/01.2016 Signed, titled and dated on the reverse SGD 1,500 - 2,000 USD 1,080 - 1,440

140 V.A. SUDIRO (Yogyakarta, 1939) Barong IV, 2014 Oil on canvas: 125 x 150 cm Signed and dated, lower right: V.A Sudiro, 2014 Literature: Sindhunata, M.Dwi Maryanto, Suwarno Wisetrotomo, Samar-samar Semar Sudiro, Published by tiArt’m, Yogyakarta, 2016, pg. 178 SGD 4,000 - 5,000 USD 2,880 - 3,600 MASTERPIECE FINE ART - SINGAPORE

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141 JEIHAN SUKMANTORO (Solo, 1938) Zaitun, 1993 Oil on canvas: 140 x 140 cm Signed and dated, lower right: Jeihan’93 Signed and titled on the reverse This lot is accompanied with statement letter from the Artist’s SGD 9,000 - 12,000 USD 6,480 - 8,640

142 LUCIEN FRITS OHL (Palembang, South Sumatra, 1904 – The Hague, 1976) Sorting of Wares Oil on canvas: 76 x 61 cm Signed, lower right: L. Frits Ohl SGD 9,000 - 12,000 USD 6,480 - 8,640

Born in Palembang, South Sumatra, 1904. He was a self-taught painter whose works were mostly Indonesian landscape. He also produced paintings of Asian panorama. He was a painter, watercolorist, and draughtsman in the style reminiscent of the late of GP. Adolfs. He once lived in Jakarta for a long time then settled in The Hague until he died in 1976.

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143 IDA BAGUS PUTU PURWA (Sanur, 1977) Fighting, 2010 Mixed media on canvas: 200 x 110 cm Signed and dated, lower right: Purwa, Bali’2010 Signed, titled and dated on the reverse SGD 2,500 - 3,500 USD 1,800 - 2,520 Born in Sanur, Bali on 1 October 1977. He graduated from Indonesia Art High School (STSI) in 1998. He awarded as the best painting in South Denpasar. Since 1996 he has actively in many group exhibitions among others “Gebyar SMK se-Indonesia” Denpasar (1996), “Himpunan Pelukis Sanur” (2001), “The Journey Himpunan Pelukis Sanur” (2004), “Maskulin” in Danes Art Veranda Bali (2006), and “Unlimited Ten Fine Art” in Bali (2006).

144 RUDOLF BONNET (Amsterdam, 1895 – 1978) Standing Nude Pastel on paper: 57 x 28 cm Signed, upper right: R. Bonnet. Anticoli.co SGD 1,600 - 2,200 USD 1,150 - 1,580

145 WARDOYO (Banyumas, 1935) Pemain Siter, 1995 Oil on canvas: 75 x 90 cm Signed and dated, lower left: Wardoyo, 1995 SGD 3,000 - 5,000 USD 2,160 - 3,600 MASTERPIECE FINE ART - SINGAPORE

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146 NYOMAN GUNARSA (Klungkung, 1944) Two Dancers, 1997 Oil on canvas: 95 x 95 cm Signed and dated, lower right: 97 SGD 8,000 - 12,000 USD 5,760 - 8,640

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Born in Klungkung, Bali, April 15, 1944. He graduated from the Indonesian Fine Arts Academy (ASRI) in Yogyakarta where he is currently a lecturer in art. He began his career as painter of models and portraits. Since 1967, active performing solo exhibitions, like in British Embassy, Jakarta (1967), Arcade Gallery, Kuala Lumpur (1971), Blance Gallery, San Francisco (1991), Blance Gallery, Osaka (1982), 21 Gallery, Singapore (1995), Opera-Gallery, Paris (1996), and Hamburgische Landesbank, Hamburg (1998). He also participates in joint-exhibitions in Indonesia and overseas. He received awards from the Pratisara Affandi Adikarya (1976), in the Biennial Indonesian Art Exhibitions (1878 & 1980) and the Lempad Prize (1980). His works are in collection by local and abroad collectors.

147 DAN BOQIAN (b. Ghuangzhou, 1936) A Long Way To Go, 1982 Chinese brush painting on rice paper: 138 x 69 cm Signed in chinese character, upper area SGD 2,800 - 3,500 USD 2,020 - 2,520

148 SABARIMAN RUBIANTO SINUNG Sirkus, 2016 Acrylic on canvas: 145 x 130 cm Signed and dated, lower left: Sinung Rubianto, 2016 Signed, titled and dated on the reverse SGD 1,500 - 2,000 USD 1,080 - 1,440 149 KRIJONO (Jakarta, 1951-2011) Legong Ubud, 2006 Oil on canvas: 100 x 120 cm Legong Ubud, Krijono Bali, 2006 SGD 4,500 - 5,500 USD 3,240 - 3,960

Krijono was born in Jakarta on 11 July 1951. His father was a collector, so Krijono was surrounded by works of art. He began studied painting under the guidance of the art critic Kusnadi. In 1971, Krijono enrolled in the painting program at the Indonesian Fine Art Academy (ASRI) Yogyakarta. He has held solo exhibitions in Indonesia and aboard. His works are documented in the books Great Charcoals by Indonesia Artist Krijono (1997) and Krijono: The Flying Elephant (2000). He was lives and works in Jakarta. He died in Jakarta on 30 November 2011. MASTERPIECE FINE ART - SINGAPORE

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Widayat Besides the painting of masses birds and fish, individual animals also make their appearance. There are rooster, phoenix, dinosaur, and horses. The nature in Widayat’s work is never abstract. His flora and fauna painting still show visible forms displaying endless variations of mountains, trees, flowers, birds, fish and many other animals. All these diverse elements are woven into one rhythmic tapestry generating a world of its own. Many of Widayat’s paintings are scenes of daily life. He is a keen observer of the busy street life in Yogyakarta, a city where many cultural events take place. During these festivals people gather in alun-alun, the big public field in front of the Kraton (the Sultan’s palace). The annual events are documented in several works by Widayat. There are mostly scenes of a family some sitting on a vehicles or horses, people carry enormous, people dancing using masks, or just a crowd watching on the street. In contrast to flora and fauna paintings, the festival scenes of Widayat are colorful and humorous. They show another side of usually quite an introverted personality of a family man enjoying the busy street of the festival. In “The black horse’ children are walking by the horse, shouting and playing. Some spectators crowded among them. This showed the local surroundings, the social and cultural life of the world around Widayat.

150 WIDAYAT (Kutoarjo, 1919 – Jakarta, 2002) Kuda Hitam, 1990 Oil on canvas laid on board: 60 x 75 cm Signed and dated, lower right: H. Widajat, 1990 Signed, titled and dated on the reverse Literature: Helena Spanjaard, WIDAYAT “The Magical Mysticism of a Modern Indonesian Artist”, Published by Museum H. Widayat 1998, pg. 184 SGD 15,000 - 25,000 USD 10,800 - 18,000

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151 WILLEM VAN DER DOES (Amsterdam, The Netherlands, 1889 â&#x20AC;&#x201C; 1966) at Pasar, Lawang Oil canvas on board: 40 x 60 cm Signed, lower right: W. V. D Does SGD 6,000 - 8,000 USD 4,320 - 5,760

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152 HASIM (Jakarta, 1921-1982) Menuju Pura Oil on canvas: 86 x 58 cm Signed, lower right: Hasim SGD 2,500 - 3,500 USD 1,800 - 2,520

153 HASAN DJAAFAR (Koto Gadang, West Sumatra, 1919 - 1995) Forest Oil on canvas: 65 x 100 cm Signed, lower left: Hasan Djaafar SGD 8,000 - 10,000 USD 5,760 - 7,200

Born in Koto Gadang, West Sumatra, 1919. He once taught by the famous landscape painter, Wakidi. He visited Europe in 1948 which after influenced his works to be impressionist and expressionist. In 1956, he held his first exhibition in Indonesia then continued to participate in tour exhibitions, among others are Singapore, Australia, Brazil, Japan, and several European countries. He died in 1995.

154 FREDERICK KASENDA (b. 1900â&#x20AC;&#x2122;s) Worker in The Field Oil on canvas: 64 x 100 cm Signed, lower right: Frederik Kasenda SGD 3,000 - 5,000 USD 2,160 - 3,600

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155 LIU LEI (China, 1980) A Motorcycle Oil on canvas: 80 x 120 cm Signed, titled and dated in Chinese character, lower right: Harley Davidson 2008.2.1 China SGD 6,000 - 8,000 USD 4,320 - 5,760

Born in Jilin Province, China. Liu Lei graduated from the Jilin Academy of Fine Art. Liu Lei has participated in several group exhibitions such as “embracing the New Century” Third China National Exhibition of Oil Paintings, Beijing China (2003), exhibition in Beijing (2002), exhibition in Shanghai (2005), Modern Painting exhibition, Italy (2006) and “Cinaartistidella Nuova Generazione” Museo Della Persnente, Milan Italy (2007).

156 YAP CHIN HOE (b. Selangor, 1970) A Song In My Heart I and II, 2016 Oil on canvas: 51 x 51 cm each Signed, lower right and lower left: Chin Hoe SGD 2500 - 6000 USD 1,800 - 4,320 150

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Born in 1970 in Klang, Selangor, Yap Chin Hoe has been a full time artist since he graduated from

the Malaysian Institute of Arts in 1991. Chin Hoe’s artistic talent was apparent from a young age, having spent a great deal of time in learning European and American art, he embarked on an experimental journey with oil and acrylics in the later years. Chin Hoe has won many awards which included a first prize in an art competition held in in conjunction with Estee Lauder Breast Awareness Campaign 1996. The poetic still- life paintings by Yap Chin Hoe, has positively contributed towards enriching the Malaysian art scene today.

157 DEDDY PAW (Magelang, 1963) The Temple of Apples,1, 2005 Oil on canvas: 135 x 165 cm Signed and dated, lower right: Paw, 2005 This lot is accompanied with certificate authenticity from the artist SGD 3,800 - 4,500 USD 2,740 - 3,240

158 SUROSO “ISUR” (Pemalang, Central Java, 1983) Posing, 3, 2015 Oil on canvas: 165 x 120 cm Signed and dated, lower right: Suroso Isur, 2015 SGD 5,500 - 6,000 USD 3,960 - 4,320

159 ERICA HESTU WAHYUNI (Yogyakarta, 1971) Prosperity 12 Shio, 2013 Oil on canvas: 80 x 110 cm Signed and dated, lower middle: Erica, 2013 Signed and titled on the reverse This lot is accompanied with certificate authenticity from the artist SGD 1,500 - 2,000 USD 1,080 - 1,440 MASTERPIECE FINE ART - SINGAPORE

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160 LIEM TJOE ING (Surakarta, 1922-1996) Odalan Di Pura Oil on canvas: 53 x 53 cm Signed, lower right: L. Tjoe Ing SGD 1,500 - 2,500 USD 1,080 - 1,800

161 ENTANG WIHARSO (Tegal, 1967) Mother’s Love, 1995 Acrylic on canvas: 110 x 146 cm Signed and dated, lower right: Entang Wiharso 95 SGD 5,000 - 7,000 USD 3,600 - 5,040

162 I KETUT REGIG (Ubud, 1919 – 2002) World of Frogs Acrylic on canvas: 70 x 45 cm Signed, lower left: I Kt. Regig, SGD 1,300 - 1,800 USD 940 - 1,300 Born in Tebesaya, Ubud 1919. He started painting in 1935. Therefore when Pita Maha was founded in Ubud, 1936, he immediately joined in. He got art lesson from Rudolf Bonnet and Wakter Spies. His works were collected by Ir. Soekarno and Museums. He has participated in numerous exhibitions in Indonesia and overseas. He successfully taught several art pupils including I Wayan Sadia. 152

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163 GERARD PIETER ADOLFS (Semarang, 1899 â&#x20AC;&#x201C; The Netherlands, 1968) Hut in The Forest

Born in Semarang, 1899. He once lived in Surabaya and made many paintings about the city. He traveled to many countries in Asia, Europe, and Africa, like Japan, Rome and Arab. He decided to spend the rest of his time in Holland until he died in Den Bosch, the Netherlands, in 1968.

Oil on board: 30 x 40 cm Signed, lower right: Adolfs SGD 5,500 - 7,000 USD 3,960 - 5,040

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164 LUCIEN FRITS OHL (Palembang, South Sumatra, 1904 – The Hague, 1976) Harvesting Oil on board: 21 x 31 cm Signed, lower right: L. Frits Ohl SGD 1,600 - 2,200 USD 1,150 - 1,580 Born in Palembang, South Sumatra, 1904. He was a self-taught painter whose works were mostly Indonesian landscape. He also produced paintings of Asian panorama. He was a painter, watercolorist, and draughtsman in the style reminiscent of the late of GP. Adolfs. He once lived in Jakarta for a long time then settled in The Hague until he died in 1976.

165 EUFEMIO RASCO (b. Philippine , 1981) Half Naked Lady, 2008 Oil on canvas: 120 x 120 cm Signed and dated, lower right: RASCO, 12/08 SGD 5,000 - 7,000 USD 3,600 - 5,040

Born Philippine 1981. Already an achiever in his grade school years, he bagged a silver medal for submitting an entry on the traditional Filipino way of life in the Asian’s Children Art Contest in Japan. Back then, his little pleasures were sketching quick portraits of his father’s friends during gatherings, for which they would reward him with a small amount. After high school, he went to the University of the Philippines College of Fine Arts to major in Studio Arts Painting before moving on to Philippine Women’s University Institute of Fine Arts and Design, also to study Painting. Eufemio Rasco IV has been fascinated with illustrating images of women in subtle but strikingly powerful nudity. Garbed in a single piece of clothing in a solid red or black, or partly but elegantly covered in sheets flowing fabric, his women figures are dramatically suggestive. 154

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166 HUANG FONG (Genteng, 1936) Balinese Woman Chatting, 1984 Oil on canvas: 50 x 65 cm Signed and dated, lower right: Huang Fong84 SGD 3,000 - 5,000 USD 2,160 - 3,600

167 POPO ISKANDAR (Garut, 1927 – Bandung, 2000) Bunga, 1993 Oil on canvas: 31 x 31 cm Signed and dated, lower right: Popo 93 This lot is accompanied with certificate authenticity from the artist SGD 1,800 - 2,500 USD 1,300 - 1,800

168 PAN SHOU 潘受 (1911 - 1999) Calligraphy Chinese in paper: 76 x 41 cm Signed in chinese character and stamped, lower left SGD 4,000 - 5,000 USD 2,880 - 3,600 MASTERPIECE FINE ART - SINGAPORE

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Richard Winkler Richard Winkler was born in Norrkoping, Sweden, 1969. He studied arts at the Nyckelviken School of art which later continued his study at the Beckmans School of Design. He was interested in human body His works have been exhibited in Asia as well as European countries. As one of the foreign artists who visualized Bali, Richard Winkler continues the romantic tradition of painting on the island. Winkler was very interested in the human body and anatomy which he put into canvases in exaggerated figures. In the period of 1994-1995, he traveled to several cities in Europe to deepen his visual arts. In 1997, he moved to Bali and creates paintings inspired by the place. Besides painting human figures, he also interested in painting plants of the tropical forest. Plants in most of his paintings are a direct representation or abstraction of fertility of the real tropical plants and a pattern that enrich and strengthen the views of his works. The use of bright color, motif, texture and light technique made a beautiful combination on the painting.

169 RICHARD WINKLER (Norrkoping, 1969) Forgotten Tiger, 1999 Oil on canvas: 110 x 140 cm Signed and dated, lower right: Winkler â&#x20AC;&#x2122;99 This lot is accompanied with certificate authenticity from the artist SGD 25,000 - 30,000 USD 18,000 - 21,600

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* 170 DAVID WHITTAKER (1938-2007) The Hassars 3, 2015 Oil and acrylic on canvas: 80 x 80 cm Signed, titled and dated on the reverse SGD 17,000 - 21,000 USD 12,240 - 15,120

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David Whittaker work won him

was born in Cornwall, England 1964. A self taught artist, whose the first prize at The National Open Art Competition in 2011.

Whittaker’s works typically comprise of non-specific human forms; obscured portraits set against flat monochromatic backgrounds alluding to the highly complex human condition. An innate need to breakout from preconditioned ideals is felt within his works; the forms within his firgures swirl and merge, influencing each other to the core demonstrating the world of possibility trapped within each individual. In 2011 Whittaker was also an invited artist at ‘The Discerning Eye’ Exhibition at the Mall Galleries in London. He has also shown with The St Ives Society of Artists, The Lock Up, London, in The House of Fairytales at Millennium, in an NSA Exhibition at the Royal West of England Academy, at the Hyde Park Gallery, London and in 2005 he was selected to show at the Royal Academy Summer Exhibition. Whittaker was elected a member of the Newlyn Society of Artists in 2009 and in 1998 he was listed in the ‘Dictionary of Arts in Britain since 1945’ by David Buckman.

171 CHOONG KAM KOW, DR 钟金钩 (b. Perak 1934) Mount Aso, 1991 Acrylic on canvas: 67.5 x 91 cm Signed and dated, lower left: Kow Choong, 1991 SGD 7,000 - 12,000 USD 5,040 - 8,640

Born in 1934 in Perak. Dr Choong was graduated with a degree in Fine arts from the National Taiwan Normal University,Taiwan in 1961. Not contented with a degree, Dr Choong furthered his studies gaining a masters from Pratt institute, NewYork, USa in 1968 and from the years 1980 to 1981, was made aClS Fulbright research Fellow, USa. he is not only an artist, but an educationist and curator as well having taken up many educational posts during his career. Dr Choong’s works have not gone unnoticed as well, winning 1st prize for drawing and 2nd for watercolour for theVirginia Beach Art Show, USA Consulate award, USA (1967), and Minor prize in “Painting and Graphic Art Open Competition”, National Art Gallery, Malaysia (1977) and in 1980 was awarded maCEE-aClS-Fulbright hays research Fellowship.as an artist, Dr Choong has held many solo exhibitions throughout the world in venues such as Pratt Graduate art Gallery, USa (1967),Taipei Fine arts museum,Taiwan (1991), art Gallery University of Wolverhamption, UK (1994), Frederikshavn art museum, Denmark (1998), and Guangdong museum of art, China (2004) to name a few.

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172 RICHARD WINKLER (Norrkoping, 1969) Working in The Field, 2000 Oil on canvas: 55 x 70 cm Signed and dated, lower right: Winklerâ&#x20AC;&#x2122;2000 SGD 10,000 - 15,000 USD 7,200 - 10,800

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Born in Norrkoping, Sweden, 1969. He studied arts at the Nyckelviken School of art which later continued his study at the Beckmans School of Design. He was interested in human body which he put into canvases in exaggerate figures. In 1997, he moved to Bali and creates paintings inspired by the place. His works have been exhibited in Asia as well as European countries.

* 173 PINO MANOS (Italy, 1930) Sincronicita Essenziale Blu Cobalto, 2016 Mixed media on canvas: 100 x 100 cm Signed, titled and dated on the reverse SGD 21,000 - 28,000 USD 15,120 - 20,160

Pino Manos was born in Sassari on March 10, 1930. In 1951 he moved to Milan where he attended the Academy of Fine Arts “Cimabue” (along with Enrico Castellani and Vincenzo Agnetti) and “Brera”. Befriends Roberto Crippa, Gianni Dova, Marino Marini, Augustine Bonalumi and Bruno Munari but especially with Lucio Fontana adhering to the movement of Spatialism. At the same time he joined the faculty of Architecture at the Politecnico di Milano. In 1956, lives and works in Rome inserting in the artistic and cultural heritage, very alive and fruitful in that period, characterized by its association with Alberto Burri. In 1957 he moved to Florence, the city where he finished his studies of Architecture. Since 1962 makes long trips and stays of study and soul-searching in Europe and in the world, India, Egypt, Israel, Turkey, Iran, Peru, Mexico, USA and the Middle East. In 1962 he was called to London, along with the thirty most eminent artists in Europe to be the Manifesto “Europe 1962” Painting and Sculpture organized by New Vision Centre Gallery as the basis of the emerging European Union. Manos participated in numerous solo and group exhibitions in Italy and other parts of the world; his works are in numerous private and public collections in Italy and abroad (three of his works are in the collection of Nelson Rockefeller in New York). Manos moved permanently to Milan in 1968 where he currently lives and works. In 1980 he founded in Milan “The Creative” for the socialization of Art and the development of creativity as a therapeutic element. The aim and purpose of the association is the awakening of latent potential in every individual is important, through creativity liberate the energies and untapped potential in a progressive journey of body awareness in its multiple modes of communication and expression. The liberation of the creative potential implies a therapeutic dimension for themselves and others. This methodology has been applied with positive results in drug addiction and disability. Manos organizes and coordinates numerous seminars and conferences in various Italian cities, on topics related to Art and soul searching with contemplative practices. In 2010 it is the movement “rigor” in the horizon of Transpazialismo and beyond with artists Enrico Castellani , Agostino Bonalumi , Giuseppe Amadio , Cesare Berlingeri , Alberto They, Pino Manos , Vanna Nicolotti , Turi Simeti , Paul Scheggi , Paul Bazzocchi , Umberto Mariani , Pino Pinelli , curated and organized by Flavio Lattuada the Galleria Lattuada following the poetic space of Lucio Fontana . The group of artists are presented by philosopher Massimo Donà Is expressed in a more radical spatialism and “rigorizzano” the canons exceeding common dimensionality accepting new forms of figuration and opening up to new means of expression. MASTERPIECE FINE ART - SINGAPORE

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174 LEO ELAND (Java, 1884 – 1952) Landscape Oil on canvas: 61 x 97 cm Signed, lower right: L. eland SGD 3,800 - 4,500 USD 2,740 - 3,240

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175 ABDULLAH SURIOSUBROTO (1878–1914) Bamboo Tree Oil on canvas: 60 x 95 cm Signed, lower left: Abdullah SGD 6,000 - 9,000 USD 4,320 - 6,480

176 KRIJONO (Jakarta, 1951-2011) Legong Bali, 2006 Acrylic on canvas: 100 x 120 cm Signed, titled and dated, upper right: 2006, Legong Bali, Krijono SGD 4,500 - 5,500 USD 3,240 - 3,960

177 JOHN VAN DER STERREN (Sukabumi, 1938) Landscape on the Way To Kintamani-Bali, 1994 Oil on canvas: 50 x 60 cm Signed and dated, lower right: Van Der Sterrenâ&#x20AC;&#x2122;94 Signed, titled and dated on the reverse SGD 3,000 - 5,000 USD 2,160 - 3,600

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Index Of Artist A. Peter Harris, B. Kuo Ju Ping

Huang Fong

166

Roedyat Martadiredja

Abdullah Suriosubroto

59, 175

I Gusti Nyoman Lempad

119

Rudolf Bonnet

73, 144

Ade Riyanto (Rere)

Ibnu Nurwanto

Rusli

Affandi

50, 89, 106,

Ida Bagus Made Nadera

S. Sudjojono

29, 68, 108

118, 136

Ida Bagus Putu Purwa

143

Sabariman Rubianto Sinung

148

Agung Mangu Putra

74, 116

Irsam

Sambodja

127

Amien Rais-Widayat

Ismadi Sallehudin

Shaparel

Aming Prayitno

Jeihan Sukmantoro

63, 98, 141

Simon Yong

132

Angki Purbandono

John Van Der Sterren

66, 177

Soetopo

64, 71

Anton Huang

Jumaldi Alfi

114

Srihadi Soedarsono

36, 111

Arie Smit

1, 6, 122

Katrin Fridriks

133

Sudjadijono (Mas Jacks)

139

Arifien Neif

Ketut Regig

162

Sudjono Abdullah

31, 131

Awang Damit

115

Khoo Sui Hoe

Sunaryo

24, 107

Awiki

Koeh Sia Yong

110

Suroso Isur

158

Barli Sasmitawinata

Krijono

149, 176

Suwaji

Basoeki Abdullah

45, 85

Lee Man Fong

53, 82, 96, 134

Suzlee Ibrahim

113

Carel Lodewijk Dake, Jr

Leo Eland

5, 48, 130, 174

Syayidin

Chen Cheng Mei

Liem Tjoe Ing

160

Tajuddin Ismail, Dato

135

Chen Wen Hsi

10, 37, 100

Lim Tze Peng

26, 35

Tan Kian Por

138

Cheng Ya Jie

95, 102

Liu Lei

155

Tang Xiao Gu

Choong Kam Kow

171

Liu Liguo

Tay Bak Koi

47, 49

Dan Boqian

147

Lu Hao

Teguh Ostenrik

David Whittaker

170

Lucien Frits Ohl

28, 60, 142, 164

Tran Luu Hau

Deddy Paw

157

Mahyuddin S

109

Tran Nguyen Dung

125

Dede Eri Supria

8, 69

Nai Swee Leng

129

Ugo Untoro

Dirot Kadirah

19, 70

Nashar

Ugy Sugiarto

Entang Wiharso

161

Novandi

Umi Dahlan

Erica Hestu Wahyuni

12, 159

Nyoman Budiarta

Untung Wahono

123

Ernest dezentje

Nyoman Gunarsa

14, 97, 146

VA. Sudiro

140

Eufemio Rasco

165

Omar Yahya

105

Wardoyo

145

Faizin

Ong Kim Seng

Wei Jiangfan

Fauzul yusri

Otto Djaya

32, 124, 128

Widayat

80, 150

Foo Yong Kong

Pan Shou

168

Willem Dooijewaard

43, 93

Frederick Kasenda

42, 154

Pardoli Fadli

121

Willem Gerard Hofker

16, 79

Gerard Pieter Adolfs

3, 7, 101, 163

Pino Manos

173

Willem Van Der Does

4, 67, 126, 151

Han Snel

Popo Iskandar

87, 117, 167

Wu Guan Zhong

18, 120

Hasan Djaafar

153

Pupuk Daru Purnomo

104

Yap Chin Hoe

156

Hasim

81, 152

Putu Sutawijaya

56, 112

Yopi Hendiana

Hendra Gunawan

103

Raduan Man

Zaf Chevallier

Heni Susilowati

Richard Winkler

137, 169, 172

Zhang Da Zhong

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