MASTERPIECE by MASTERPIECE Auction House Indonesia|Singapore|Malaysia

catalogue not for sale

Jakarta, 19 November 2017

Fine Art Auction

MASTERPIECE FINE ART - AUCTION

Southeast Asian, Modern & Contemporary Art AUCTION Sunday, 19 November 2017 Luncheon : 12.00 am Auction : 1.00 pm

VIEWING Friday, 17 November 2017 Saturday, 18 November 2017 11.00 am - 08.00 pm

VENUE Masterpiece Building, 4 floor Tanah Abang IV No. 23-25 Jakarta Pusat - Indonesia Tel: (62-21) 351 0808 (Hunting) Fax: (62-21) 351 0707

MASTERPIECE FINE ART - AUCTION

Published by: MASTERPIECE Auction House PT. Dwi Samapersada MASTERPIECE Building Tanah Abang IV. No.23 - 25 Jakarta Pusat - Indonesia Tel: (62-21) 351 0808 (Hunting) Fax: (62-21) 351 0707 info@masterpiece-auction.com www.masterpiece-auction.com Copyright @ 2017 Masterpiece Auction House All right reserved. No part of this publication may be reproduced, stored in a retriavel system, or transmitted in anyform or by any means, electronic, mechanical, photocopying or otherwise, without written permission from the publisher.

MASTERPIECE FINE ART - AUCTION

Important Notice BRIEF ON CATALOGUE All Lots are sold on an “as is” basis. The contents of catalogues produced by Masterpiece formed statements of opinion only. Subject to the limited warranty given in the Conditions of Sale for Buyers, no representation and warranty is made by Masterpiece or any seller of a Lot in respect of anything, including without limitation, description, value, or quality. Buyers are advised to inspect the property themselves. Masterpiece is not liable for any error or omission in this catalogue. All descriptions of dimensions are approximate only. CONDITION REPORTS Condition reports are provided as a service to interested clients. Prospective buyers should note that descriptions of property are not warranties and that each lot is sold “as is”. Masterpiece catalogues sometimes include references to condition only in descriptions of Lots such as prints, books and wine. Generally, no statement of condition is given although they can be made available on request. Please liaise with Masterpiece representatives for a condition report on a particular lot. EXPLANATION OF CATALOGUING PRACTICE For Pictures, Drawings, Prints and Miniatures. Terms used in this catalogue have the meanings ascribed to them below: Name(s) or Recognized Designation of an Artist without any Qualification in Masterpiece opinion a work by the artist. *”Attribute to…” In Masterpiece qualified opinion probably a work by the artist in whole or in part. *”Studio of..’/”Workshop of..” In Masterpiece qualified opinion a work executed in the studio or workshop of the artist, possibly under his supervision. *”Circle of..” In Masterpiece qualified opinion a work of the period of the artist and showing his influence. *”Follower of…” In Masterpiece qualified opinion a work executed in the artist’s style but not necessarily by a pupil. *”Manner of…” In Masterpiece qualified opinion a work executed in the artist’s style but of a later date. *”After…” In Masterpiece qualified opinion a copy (of any date) of a work of the artist. *”Signed..”/”dated…”/“Inscribed…” In Masterpiece’s qualified opinion the work has been signed/dated/inscribed by the artist. “With signature…”/”With inscription…” In Masterpiece’s qualified opinion the signature/ inscription appears to be by hand other than that of the artist. *With date…” In Masterpiece’s qualified opinion the date on the item was not executed on that date. INFORMATION FOR BUYERS CONDITIONS OF SALE Masterpiece CONDITIONS OF SALE FOR BUYERS governs the terms and conditions of contract between the buyer and the seller of a lot and is set out later in this catalogue. Persons who have been registered as bidders will be deemed to have read and be fully aware of and subject to the terms as stated in the CONDITIONS OF SALE FOR BUYERS.. No reliance should be placed on oral representations made by any person at the auction. ESTIMATES Estimates are based upon prices recently paid at auction for comparable property, condition, rarity, quality and provenance. Estimates are subject to revision. Buyers should not rely upon estimates as prediction of actual selling prices. Estimates do not include the buyer’s premium. For estimate on request, please contact us for further information. RESERVES The reserve is the confidential minimum price the consignor will accept. The reserve will not normally exceed the low estimate. BUYERS PREMIUM Masterpiece charges a premium to the buyer on the final bid price of each lot sold at 22% (twenty two percent). VIEWING/ADMISSION Pre-auction viewings are open to the public and free of charge. Buyers are strongly advised to examine the lots thoroughly, Condition reports are available. Masterpiece reserves the right to refuse admission and participation in its auctions. 8

MASTERPIECE FINE ART - AUCTION

REGISTRATION Prospective buyers need to register for a numbered bidding paddle. Details of bank accounts are required for credit reference purposes. BIDDING The Auctioneer accepts bids from those present in the saleroom, from telephone bidders, or by absentee written bids left with Masterpiece in advance of the auction. Bidding will be done in Rupiah (Rp.). The auctioneer will not specifically identify bids placed on behalf of the consignor. BIDDING INCREMENTS The auctioneer will normally start with bids below the low estimate and may at his own discretion increase bids. The standard increments are:Rp. 1.000.000 - Rp. 10.000.000 by Rp. 500.000 Rp. 10.000.000 - Rp. 20.000.000 by Rp. 1.000.000 Rp. 20.000.000 - Rp. 50.000.000 by Rp. 2.000.000 Rp. 50.000.000 - Rp. 100.000.000 by Rp. 5.000.000 Rp. 100.000.000 - Rp. 200.000.000 by Rp. 10.000.000 Rp. 200.000.000 - Rp. 500.000.000 by Rp. 20.000.000 Rp. 500.000.000 - Rp. 1.000.000.000 by Rp. 50.000.000 Rp. 1.000.000.000 - above by the auctioneer’s direction. ABSENTEE BIDS Absentee bids are written instructions from prospective buyers directing Masterpiece to bid on their behalf up to a maximum amount specified for each lot. Masterpiece staff will attempt to execute an absentee bid at the lowest possible price taking into account the reserve price. If identical bids are received from two or more parties, the first bid received by Masterpiece will take priority. The auctioneer may execute absentee bids directly from the rostrum. Absentee Bids Forms are available in this catalogue. Absentee bids submitted on “no-reserve” lots will, in the absence of a higher bid, be executed at the amount of the bid. TELEPHONE BIDS Prospective buyers may bid by telephone during the course of the auction. Arrangements for this service must be confirmed with the Bid Department at least 2 hours prior to the auction. Telephone bids may be recorded. By bidding on the telephone, prospective buyers consent to the recording their conversation. Masterpiece will not be responsible for errors of failures to execute bids. SUCCESSFULL BIDS The fall of the auctioneer’s hammer indicates the final bid, at which time, the buyer assumes full responsibility for the lot. CONDITIONS OF SALE FOR BUYERS Together with the terms as set out in “INFORMATION FOR BUYERS”, These Conditions contain all terms in which a buyer contracts with a seller in respect of the sale of a Lot. These terms may be amended at any time by way of notices or oral announcements during the sale and auction. The buyer agrees to be bound by these Conditions when he/she bids to purchase a Lot. 1. Meanings In these terms and conditions, the following words and expressions have the following meanings: “Buyer” means the successful bidding buyer of a Lot; “Catalogue” means the Catalogue prepared by Masterpiece which describes and illustrates all Lots for sale by Masterpiece; “Conditions” means these terms and conditions; “Hammer Price” means the price at which a Lot is sold to Buyer; “Lot” means each piece of property as described in the Catalogue for which bids are invited for purchase; “Masterpiece”, “our”, “we”, “us” means PT. Dwi Samapersada; “Reserve Price” means in respect of a Lot, the minimum price which the Seller is prepared to accept from a buyer; “Seller”, means in respect of a particular Lot, the seller of that Lot and his personal representatives; “Rp” means the lawful currency of Indonesia.

Except where the context otherwise requires, words importing the singular shall include the plural and vice versa, words importing any one gender shall include all genders, and words importing persons shall include companies and corporations and vice versa. Unless otherwise stated, references to Clauses are references to Clauses in these Conditions. The headings appearing in this Agreement are inserted for ease of reference only and shall in no way define, limit or construe the terms and conditions appearing herein. 2. Parties to the sale of a Lot Unless otherwise stated, a Buyer contracts with a Seller to purchase a Lot. Masterpiece acts as the Seller’s agent in respect of the sale of a Lot. 3. Bidding (a) Registering. Prospective buyers are required to register for a numbered bidding paddle. Copies of bank accounts may be required to be shown to Masterpiece for credit references and/or payment purposes. (b) Reserve. Unless otherwise stated, all Lots are offered for sale, subject to a Reserve Price which is confidential between the Seller and Masterpiece. Bids may be placed by representatives of Masterpiece on behalf of the Seller up to the Reserve Price. There is no obligation on Masterpiece to identify bids placed on behalf of a Seller. (c) Types of bids. Bids may be accepted from those present at the auction and from telephone bidders, or by absentee written bids left with Masterpiece prior to the auction. By bidding by telephone, all prospective buyers consent to the recording of all conversation and bids. (d) Currency. Prices of all Lots are in Rupiah and all bids shall be made in Rupiah. (e) Final bid. The fall of the auctioneer’s hammer indicates acceptance of the final bid, at which time the Buyer enters into a full valid and binding contract with the Seller to purchase the Lot. The results of absentee bids will be notified to the prospective buyer after the auction. Risk and responsibility of the Lot (but not title) pass to the Buyer seven calendar days from the date of the sale or earlier if full payment is made and delivery made to the Buyer. (f) Buyer’s responsibility. When bidding, a prospective buyer accepts personal responsibility to pay the Hammer Price of the Lot for which he bids if he is successful, together with the premium price of 22% (twenty two percent) of the hammer price. 4. Limited warranty (a) No warranty. Neither the Seller nor Masterpiece makes any warranty in respect of the description of any Lot, its value or its quality. Save for the limited warranty set out in this Clause 4(b) below, the Buyer purchases a Lot “as is” without any representation or warranty of any kind by Masterpiece or the Seller. The contents of the Catalogue are statements of opinion only and do not constitute any representation or warranty whatsoever in respect of any Lot. (b) Limited warranty. The Seller and Masterpiece only warrant that the Lot is related to the artist named in its description in the Catalogue. In the event of any allegation of lack of authenticity or forgery, the Buyer is required to notify Masterpiece in writing within a period of one year (the “Notice”) from the date of auction. (c) Contents of Notice. The Notice shall include written evidence from a reputable independent expert who is able to show that the Lot is a forgery. Masterpiece or the Seller reserves the right to request for further evidential proof from other experts if in their respective opinions either of them is not satisfied with the finding of the Buyer’s expert. (d) Refund. In the event that Masterpiece is satisfied with the evidence as enclosed in the Notice and subject to (i) receipt of the full refund from the Seller and (ii) the return of the Lot in such condition as it was sold, a refund of the purchase price for that Lot will be made to the Buyer. The liability of Masterpiece and the Seller is limited to the purchase price of such Lot. Neither Masterpiece nor the Seller shall be liable for any other damages, costs and expenses that may be incurred in presenting the Notice. (e) Conflict of opinion. In the event of conflict of opinion between the Buyer’s expert and the expert appointed by Masterpiece or the Seller, or if it can be shown that tests of authenticity would involve scientific process which could damage or otherwise jeopardize the condition of the Lot and which scientific process did not exist at the time of the publication of the Catalogue, no refund will be made of the affected Lot. (f) No assignment of Limited Warranty. The Limited Warranty in this Clause 4 is for the benefit of the Buyer only and cannot be assigned to any third party.

(ii) By way of bankers’ draft or cashier’s order made payable to “PT. Dwi Samapersada.”. (d) Collection. The Buyer is required to collect his purchase from the premises of Masterpiece and pay for all delivery and shipping costs. Masterpiece may assist the Buyer in making packing and shipping arrangements at the Buyer’s own costs and risk. (e) Storage charges. All purchases will initially be held for collection at the premises of Masterpiece at no charge for a period of fourteen days from the date of sale. Subsequently Masterpiece will charge the Buyer storage charges at the rate of Rp. 50.000,- a day per Lot, together with all other transport, handling, removal, insurance and other expenses where a Lot is transported to another location pending collection. (f) Limit on insurance cover. Masterpiece provides general insurance cover for sold Lots for a period of up to seven days from the date of sale of such Lots. Subsequently, risk of such Lots will transfer to the respective Buyers. 6. Non-payment Where a Buyer fails to make payment with cleared funds within the stipulated time, Masterpiece and/or the Seller shall be entitled, in addition to all other rights and remedies available under the law, to :(a) charge default interest at the rate of 1.5% per month on the outstanding sums due from the Buyer; (b) to commence legal proceedings against the Buyer for recovery of all outstanding sums, including interest, legal fees, costs and other expenses on a full indemnity basis; (c) rescind the sale of the Lot; (d) to resell the property on such terms as they deem fit and to set-off the proceeds of sale against the outstanding sums unpaid by the Buyer; (e) to hold the Lot as security; pledge or lien pending payment of all outstanding sums due from the Buyer. 7. Copyright The copyright in all images, illustrations and literature, including the Catalogue is the property of Masterpiece and shall not be used by the Buyer without the prior written consent of Masterpiece. No warranty is made by Masterpiece and the Seller that the Buyer of a Lot shall acquire any intellectual property rights in it or to reproduce it. 8. Miscellaneous (a) Notwithstanding anything stated in these Conditions, the Buyer shall indemnify Masterpiece and the Seller on a full indemnity basis, in respect of any loss, damage, cost or expense that may be incurred by either the Seller or Masterpiece in respect of any breach by the Buyer of these Conditions. (b) If any part of this agreement is found by any courts to be invalid, illegal or unenforceable, that part may be discounted and the rest of the agreement shall continue to be valid and enforceable to the fullest extent permitted by law. (c) Masterpiece will hold Buyer’s personal data and may communicate it to affiliated companies worldwide for the purposes of enabling the Buyer to consign or purchase property or services and, unless the Buyer objects, advising of forthcoming sales, events and service. (d) These Conditions are subject to Indonesia law, which shall apply to its construction as well as to its effect. (e) Where a translation of this agreement has been provided, the English language version shall prevail in case of conflict.

5. Payment, Title and Collection of purchases (a) Deadline for payment. All payments for sold Lots must be made within seven calendar days from the date of sale. (b) Title. No title in the Lot will pass to the Buyer until all amounts due to Masterpiece as stated in Clause 3(f) above have been paid, even in circumstances where Masterpiece has released the Lot to the Buyer before full payment has been made. (c) Payment modes. Payments must be in Rupiah and may be made in the following modes:(i) telegraphic transfer to Masterpiece’s bank account. Please include the Buyer’s name and invoice number in the bank instructions. MASTERPIECE FINE ART - AUCTION

001

LEO ELAND

(Java, 1884 – 1952) Flamboyant Oil on canvas: 20 x 30 cm Sigend, lower left: L. Eland RP 10.000.000 - 15.000.000 USD 800 - 1,200

002

WILLEM VAN DER DOES

(Amsterdam,, 1889 – 1966) Perahu Layar

Oil on canvas: 33 x 40 cm Signed, lower left: W. V. D. Does RP 40.000.000 - 60.000.000 USD 3,100 - 4,600 10

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003

GERARD PIETER ADOLFS

(Semarang, 1899 â&#x20AC;&#x201C; The Netherlands, 1968) Book Market Near an Italian Church, 1934 Oil on board: 40 x 30 cm Signed and dated, lower right: Ger. P. Adolfs. 34 RP 50.000.000 - 70.000.000 USD 3,800 - 5,400

Gerard Pieter Adolfs was born on 2 January 1898 in Semarang, Central Java. He spent his youth in Java and received at home his first artistic inspirations. His father, Gerardus Cornelis Adolfs, was an architect and a versatile amateur (painter, photographer, piano and violin player as well as a pole vaulter). Adolfs studied architecture in Amsterdam. After graduating, he was drawn back to Java, were he designed houses in Yogyakarta, Solo and Surabaya. But soon he swapped the drawing pen for the dry-point, pencil and brush and from then on dedicated his whole life to painting. He was already well-known as a talented advertising illustrator, when in 1924 he was first introduced to the public of Yogyakarta as a painter, water-colourist and graphic artist. MASTERPIECE FINE ART - AUCTION

004

EMIL RIZEK

(Vienna, Austria,1901 – 1988) The Vrouwenrecht Seen from the Water, the Oude Kerk on the Left, Delft, 1959 Oil on canvas: 60 x 65 cm Signed and dated, lower left: Rizek59 RP 48.000.000 - 60.000.000 USD 3,700 - 4,600

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Born in Vienna, Austria, 31 May 1901. He was a pupil of the Academy of Fine Arts in Vienna, Austria. He was taught by Carl Fahringer. In 1927, he came to Indonesia, travelling in Java, Bali and Sumatra. He Was a member of the ”Bataviasche Kunstkring” and participated in some of their exhibitions. In a positive article about his work a contemporary critic wrote: “he paints like an animal devouring its prey”, referring to his vigorous expressionistic style. The Artist Finnaly settled in Vienna after having travelled all over the world. Painter watercolourist and draughtsman in a style, reminiscent of that of Rolland Strasser and C. Fahringer, although Rizek’s colouring is a brighter. He died in Vienna (Austria) in 1988.

005

PARDOLI FADLI

(Cilacap, 1971) Panen Keberkahan-Borobudur, 2010 Oil on canvas: 150 x 200 cm Signed and dated, lower left: Pardoli010 Signed, titled and dated on the reverse

Born in Cilacap, Central Java, July 4, 1971. He held his solo exhibition in Maestro Inn, Perth, Australia (1997), Harveyâ&#x20AC;&#x2122;s Gallery, Perth, Australia (1998), and City Hotel Melbourne, Australia (2003). He chose to be independent in expressing his feeling and thought while producing and creating his work. He greatly produced painting using woman as his object. For him, women have uniqueness of beauty, ugliness, sincerity, passion as well as strong and weak character. His choices of works become his manifest towards his life and art.

RP 35.000.000 - 50.000.000 USD 2,700 - 3,800

MASTERPIECE FINE ART - AUCTION

006

JOSEPHINE LINGGAR (Jember, East Java, 1943) Gadis Bali, 1998

Oil on canvas: 80 x 60 cm Signed and dated, lower right: Josephine98 RP 40.000.000 - 60.000.000 USD 3,100 - 4,600

007

LEE MAN FONG

(Canton, China 1913 â&#x20AC;&#x201C; Singapore 1988) Menenun Watercolor on paper: 61 x 40 cm Signed, lower right: MF. Lee RP 25.000.000 - 35.000.000 USD 1,900 - 2,700

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008

NASJAH DJAMIN

(Perbaungan, 1924 â&#x20AC;&#x201C; Yogyakarta, 1999) Pesisir, 1999 Oil on canvas: 90 x 110 cm Signed and dated, lower right: Nasjah99 RP 35.000.000 - 50.000.000 USD 2,700 - 3,800 Born in Perbaungan, Deli, North Sumatra, 1924. He started painting in 1947 and went to Yogyakarta because he was attracted by the works of Sudjojono, Affandi and Kartono Yudhokusumo. He was best known for his quiet atmospheric and rather monochromatic landscapes. He was also active as a theatrical playwright and awarded for his writing in 1958. He joined several art organizations such as the Pasukan Obor art studio, Seniman Indonesia Muda (Young Indonesian Artists) and Gabungan Pelukis Indonesia (Indonesian Painters Union). He died in Yogyakarta, 1999). MASTERPIECE FINE ART - AUCTION

009

PAUL AIZPIRI

(b. 1919) Boquet De Fleurs Oil on canvas: 49.5 x 41 cm Signed, lower left: Aizpiri Provenance: - Private collection - Annonymous Sale Christieâ&#x20AC;&#x2122;s UK 21.03.02 RP 150.000.000 - 200.000.000 USD 11,500 - 15,400 16

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010

OMAR YAHYA

(B. Indonesia) Still Life With Fruits Oil on canvas: 90.5 x 104 cm Signed upper right Omar YH RP 25.000.000 – 35.000.000 USD 1,900 - 2,700

011

LIM WASIM

(Garut, West Java, 1929 – Jakarta, 2004) Roses, 2003 Oil on canvas: 60 x 60 cm Signed and dated, lower left: L. Wasim.03 Signed and dated on the reverse RP 40.000.000 – 60.000.000 USD 3,100 - 4,600 MASTERPIECE FINE ART - AUCTION

012

NASHAR

(Pariaman, 1928-1994) Irama, 1986 Acrylic on canvas: 67 x 100 cm Signed and dated, lower left: 27 Des86 Literature: Agus Dermawan T. Elegi Artistik Tentang Nashar dan Lukisan-lukisannya, Published by ASPI (Asosiasi Pencinta Seni Indonesia), pg. 207 RP 45.000.000 - 60.000.000 USD 3,500 - 4,600 Born in Pariaman, West Sumatra, October 3, 1928. He studied painting under Affandi and Sudjojono. He help established the Institut Kesenian Jakarta (IKJ, Jakarta Arts Institute) where he became a lecturer. In 1979 â&#x20AC;&#x201C; 1992 he was a member of Dewan Kesenian Jakarta (Jakarta Art Committee). He has participated in exhibitions of the Festival of Indonesia (USA, 1990 â&#x20AC;&#x201C; 1992), the Gate Foundation (Amsterdam, Holland, 1993) and several places in Indonesia. He left his figurative paintings to fully paint in abstract style until his deceased in April 13, 1994.

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013

FADJAR SIDIK

(Surabaya, 1930 - 2004) Abstrak Biru Oil on canvas: 100 x 139 cm Signed, lower middle: F. Sidik RP 60.000.000 - 80.000.000 USD 4,600 - 6,200

014

JEIHAN SUKMANTORO

(Solo, 1938) Perahu, 2000

Oil on canvas: 70 x 70 cm Signed and dated, lower right: Jeihan, 2K Signed and titled on the reverse This lot is accompanied with certificate of authenticity from the artist RP 30.000.000 - 40.000.000 USD 2,300 - 3,100 MASTERPIECE FINE ART - AUCTION

015

PUPUK DARU PURNOMO (Yoyakarta, 1964) Ekspresi Thailand Temple, 2015

Oil on canvas: 140 x 97 cm Signed, titled and dated, lower middle: Pupuk. DP, Yogyakarta, 2015, RP 110.000.000 - 180.000.000 USD 8,500 - 13,800 20

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Born in Yogyakarta, June 16, 1964. He graduated from the Faculty of Arts and Design, the Indonesian Institute of Arts (ISI), Yogyakarta. He held solo exhibition at Bentara Budaya, Yogyakarta (1995). He actively participated in several group exhibitions at Gajah Gallery, Singapore (1997, 2000), Santi Gallery, Jakarta (1998), H. Widayat Museum, Magelang (2001, 2002) and Group exhibition in Yogyakarta (2002). He received award as the finalist of Phillip Morris Art Award (1997).

016

DULLAH

(Solo, 1919 â&#x20AC;&#x201C; 1996) Anak Gadis Oil on canvas: 36.5 x 30.5 cm Signed, lower right: Dullah RP 30.000.000 - 40.000.000 USD 2,300 - 3,100

017

I MADE DJIRNA (Ubud, 1957) Tari Rejang, 2000

Mixed media on canvas: 130 x 140 cm Signed and dated, lower right: Djirna, 2000 Signed, titled and dated on the revese RP 40.000.000 - 60.000.000 USD 3,100 - 4,600

MASTERPIECE FINE ART - AUCTION

Agung Mangu Putra Mangu Putra’s works arise from intense contact with the world as a conscious expression of his main creative orientation. Representations of natural phenomena, along with the inner pulse of life, form the main stream of his search. The natural world, such as mountains and coasts, are depicted as identifiable objects. Mangu’s magnificent landscapes and volcanoes are depicted as majestic, timeless and all powerful, yet quietly dormant. They are breathtaking, yet set within an atmosphere of silent intimidating strength. It is this aspect of his work that sets Mangu apart from his predecessors. Often the scenes are dotted with Balinese villagers dressed in traditional robes for worship, perhaps reminiscent of Chinese philosopher painter’s work depicting the omnipotence of nature. Here, Mangu’s concern are not ritual ceremonies but rather the traditional culture of worship for the land; the land that scared and fundamental to our existence. Pura Besakih is a temple complex in the village of Besakih on the slopes of Mount Agung in Eastern Bali, Indonesia. It is the most important, the largest and holiest temple of Hindu religion in Bali, and one of a series of Balinese temples. It has stepped terraces and flights of stairs which ascend to a number of courtyards and brick gateways that in turn lead up to the main spire or Meru structure, which is called Pura Penataran Agung. All this is aligned along a single axis and designed to lead the spiritual person upward and closer to the mountain which is considered sacred. The main sanctuary of the complex is the Pura Penataran Agung. The symbolic center of the main sanctuary is the lotus throne or padmasana which is therefore the ritual focus of the entire complex. A series of eruptions of Mount Agung in 1963, which killed approximately 1,700 people also threatened Pura Besakih. The lava flows missed the temple complex by mere meters. The saving of the temple is regarded by the Balinese people as miraculous, and a signal from the gods that they wished to demonstrate their power but not destroy the monument the Balinese faithful had erected.

018

AGUNG MANGU PUTRA (Sangeh, Bali, 1963) Pura Besakih, 2014

Oil on canvas: 115 x 210 cm Signed and dated, lower right: Mangu Putra, 2014 Signed, titled and dated on the reverse This lot is accompanied with certificate of authenticity from the artist RP 270.000.000 - 350 000.000 USD 20,800 - 26,900 MASTERPIECE FINE ART - AUCTION

020

POPO ISKANDAR

(Garut, 1927 – Bandung, 2000) Cat/Kucing, 1989

019

TOMMY WONDRA (Bukittinggi, 1980) The Evergreen

Acrylic on canvas: 200 x 250 cm RP 40.000.000 - 60.000.000 USD 3,100 - 4,600

MASTERPIECE FINE ART - AUCTION

Oil on canvas: 55 x 75 cm Signed and dated, lower left: Popo’89 RP 75.000.000 - 90.000.000 USD 5,800 - 6,900

021

M. LUGAS SYLLABUS

(Bengkulu, 1987) Parade Kemenangan Esok Hari, 2014 Acrylic on canvas: 150 x 120 cm Signed, titled and dated on the reverse This lot is accompanied with certificate of authenticity from the artist Literature: Exhibited at Next Pics: The Series Visual Art Exhibition, Jakarta 2014, illustrated in pg. 32 RP 120.000.000 - 180.000.000 USD 9,200 - 13,800 MASTERPIECE FINE ART - AUCTION

022

ARIE SMIT

(Zaandam, the Netherlands, 1916 – Bali, 2016) Candi Bentar, 2011 Acrylic on canvas: 43 x 50 cm Signed and dated, lower left: Arie Smit 2011 This lot is accompanied with certificate of authenticity from the Artist RP 95.000.000 – 120.000.000 USD 7,300 - 9,200 Born in Zaandam, the Netherlands, 1916. He was a student of the Academy of Arts in Rotterdam before working as lithographer for the Dutch Colonial Army in the Dutch Indies prior to the Second World War. He moved to Bali in 1956 to engage in full time painting and became an Indonesian Citizen, produced as well as taught painting at the Bandung Institute of Technology (ITB). Many of his paintings depict the nature of his surrounding environment. He had several solo exhibitions in Bandung Institute of Technology, The Honolulu East West Center, and the Center of Strategic and International Studies in Jakarta. He received the “Dharma Kusuma” art awards from the local government of Bali. 26

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023

LUCIEN FRITS OHL

(Palembang, South Sumatra, 1904 – The Hague, 1976) Flamboyant Oil on canvas: 60 x 90 cm Signed, lower right: L. Frits ohl Signed, titled and dated on the reverse RP 45.000.000 – 55.000.000 USD 3,500 - 4,200

024

CAREL LODEWIJK DAKE, Jr. (Schaerbeek, 1886 – Jakarta, 1946) Flamboyant Oil on board: 74 x 60 cm Signed, lower left: CL. Dake RP 70.000.000 – 90.000.000 USD 5,400 - 6,900 MASTERPIECE FINE ART - AUCTION

Lee Man Fong Lee Man Fong was one of a rare artist who received honor by critics and collectors across Asia. As an Oriental artist, Lee man Fong has renewed and transformed Western oil painting by imbuing it with the essence of Chinese ink painting, achieving a mutual identity between subject and object, at the same time vastly opening the restrictions on traditional Chinese painting. In short, he created a unique “Man-fong style”. Besides his great intense in observing the nature especially animal such as gold fish and doves, women were Lee’s most cherished subject. His figures reflect a wealth of thought and inner content. His portraits excel equally in form and expression, vitality and faithfulness, and rank above works. Lee Man Fong’s portraits are remarkable life-like, fresh and moving and at the same time full of artistic individuality. This resulted from a strict awareness of values and rigorous selectivity. 025

LEE MAN FONG

(Canton, China 1913 – Singapore 1988) Portrait of an Indonesian Girl, 1946 Oil on canvas: 46 x 33 cm Signed and stamped in chinese character, lower left Provenance: Private Collection, Jakarta RP 500.000.000 – 750.000.000 USD 38,500 - 57,700

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026

DODOT / HERU WIDODO (Yogyakarta, 1974) One Way, 2010

Oil, Acrylic on canvas: 150 x 120 cm Signed and dated, lower right: Dodot.2010 Signed, titled and dated on the reverse RP 12.000.000 - 18.000.000 USD 900 - 1,400

027

KRIJONO

(Jakarta, 1951 - 2011) Setia Hati Ketut, 1993 Acrylic on canvas: 90 x 70 cm Signed, titled and dated, lower left: Setia Hati Ketut, 1993, Krijono, Bali RP 12.000.000 - 18.000.000 USD 900 - 1,400

028

SUDJONO ABDULLAH (Yogyakarta, 1911 â&#x20AC;&#x201C; 1993) Panen

Oil on Canvas: 70 x 107 cm Signed, lower left: S. Abdullah RP 8,000,000 - 12,000,000 USD 600 - 900

MASTERPIECE FINE ART - AUCTION

029

DEDE ERI SUPRIA (Jakarta, 1956) Resting, 2017

Oil on canvas: 130 x 115 cm Signed and dated, lower left: Dede eri Supria, 2017 RP 60.000.000 - 80.000.000 USD 4,600 - 6,200

Born in Jakarta, January 29, 1956. He studied at the Indonesian Fine Art Academy (ASRI) in Yogyakarta (1974). In 1976 his name first emerged in the Indonesian Art Scene when he exhibited his works at the first Seni Rupa Baru Indonesia exhibition at the Balai Budaya, Jakarta. He has received several awards for his works, Jakarta Biennale 1981, won a Philip Morris Indonesian Art Awards in 1997 and was participated into the ASEAN Art Awards in Manila. He has participated in many group shows as well as solo exhibitions. Dede held his solo exhibitions at Jakarta Stock Exchange (1997) and at the Art Folio Space in Singapore (2002). Today, he is considered an influential propagator of super-realist painting in Indonesia. MASTERPIECE FINE ART - AUCTION

031

UGY SUGIARTO

030

GIORDANO GIOVANETTI (Ancona, 1906 – Rome, 1973) Leisure Time

Oil on canvas: 100 x 150 cm Signed, lower right: G. Giovanetti RP 40.000.000 – 60.000.000 USD 3,100 – 4,600

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(Wonosobo, 1969) Resurrection and The Hope, 2011 Acrylic on canvas: 195 x 250 cm Signed and dated, lower left: Ugy’2011 Signed, titled and dated on the reverse RP 60.000.000 – 80.000.000 USD 4,600 - 6,200

032

IVAN SAGITA (Malang, 1957) Nenek, 1981

Oil on canvas: 124 x 100 cm Signed and dated, lower left: Ivan Sagita81 RP 120.000.000 - 180.000.000 USD 9,200 - 13,800

Born in Malang, December 13, 1957. He received the Biennial Painting Award, Indonesia (1987, 1989), Silver Medal, the Osaka Trienale (1996), Japan and Mainichi Broadcasting System Prize, the Osaka Sculpture Trienale (1998). He graduated from the Indonesian Arts Academy (ASRI), Yogyakarta (1985). Since 1987 he has participated in joint-exhibitions in Jakarta, Yogyakarta, Bandung, in art tour Exhibition to ASEAN, USA and Johannesburg, and performed solo exhibition in Duta Gallery, Jakarta (1988) and Northern Territory University Gallery, Darwin, in Australia (2000). The most common theme of Ivan Sagito’s paintings often brought the viewer’s mind exploring into another world. In Ivan’s painting, all is not always as they seem. Ivan is a painter with unique evidence as well as universal so that his works are easy to understand but at the same time very difficult to explain. He is expert in painting human figure with impasto style, depicting human beings in the form of body, hand, feet, face, hair, clothes and its detail, animal, banana leaf, sky, cloud, and the infinite firmament. Ivan’s painting depicting the theme of complicated history of human contemplation that includes mortality and eternity, life and death, destiny and misery. His universal themes were illustrated with unique sources from his close surroundings such as Javanese women figures, shawl, well, and dry banana leaves. MASTERPIECE FINE ART - AUCTION

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Willem Gerard Hofker Willem Gerard Hofker was born on 2nd May 1902 in The Hague, the Netherlands, as a son of Gerrit Jan Hofker, public servant with the Postal Services. For a while his father was a co-worker of De Nieuwe Gids and befriended members of the Eighties movement. He named his son after the painter Willem Witsen. Willem Hofker firstly attended the Haagse Academie and later, at age 14, attended the Rijksacademie voor Beeldende Kunsten in Amsterdam. He was also educated by Willem Witsen and Isaac Israel who were friends of his father, an amateur artist and writer, member of the literary movement ‘de beweging van Tachtig’. In 1927 Willem Hofker won the 2nd price at the Prix de Rome. In 1930 he married Maria Rueter, also a painter, daughter of Georg Rueter, painter and lector at the Rijksacademie voor Beeldende Kunsten in Amsterdam. He once lived in Bali from 1938 – 1944 together with his wife, Hofker-Reuter. At this moment his Balinese landscapes and dancers are very much in demand. And also internationally the creations from Hofkers Balinese period in the last few years draw much attention. Willem Hofker lived in the Zomerdijkstraat in Amsterdam from 1934 to 1938 and from 1946 to 1967.Willem Gerard Hofker died in Amsterdam on 30th April 1981. Willem Hofker also specialized in crayon drawings of cityscapes of Amsterdam, where he mainly focused on architecture, ‘portraits’ of houses and cities. He enjoyed painting a big panoramic view of the city. His works were undoubted. His color, texture surface, and contrastive control showed his maturity of painting study. De Klokkenhof, bij de Belten, Vorden was painted in Amsterdam 1956. The sun was shining in, felt very warm. The scent of the roses and daffodils in the garden seemed very fresh, such a lovely view from the window.

033

WILLEM GERARD HOFKER (Amsterdam, 1902 – 1981) De Klokkenhof, Bij De Belte, 1956 Oil on canvas: 70 x 55 cm Signed and dated, lower right: WG. Hofker, 1956 Provenance: Christie’s Amsterdam, April 2012 RP 400.000.000 - 600.000.000 USD 30,800 - 46,200

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034

CAREL LODEWIJK DAKE, Jr

(Schaerbeek, 1886 â&#x20AC;&#x201C; Jakarta, 1946) View on Gunung Kawi, Near Malang Oil on canvas laid on board: 18 x 30 cm Signed, lower right: Cl. Dake RP 18.000.000 - 25.000.000 USD 1,400 - 1,900

035

ARIE SMIT

(Zaandam,The Netherlands, 1916 - Bali, 2016) Sanur Sea and Boats, 2002 Acrylic on canvas on board: 22 x 26,5 cm Signed and dated, lower left: Arie Smit 02 Signed, titled and dated on the reverse This lot is accompanied with certificate authenticity from the artist RP 55.000.000 - 70.000.000 USD 4,200 - 5,400 36

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036

LEE MAN FONG

(Canton, China 1913 â&#x20AC;&#x201C; Singapore 1988) Portrait of a Man, 1932 Pastel on paper:55 x 36 cm Signed and dated, lower left: MF. Lee.1932 RP 150.000.000 - 200.000.000 USD 11,500 - 15,400 MASTERPIECE FINE ART - AUCTION

037

NASIRUN

(Cilacap, 1965) Taman Eden, 1994 Oil on canvas: 145 x 90 cm Signed and dated, lower left: NS. Run94 This lot is accompanied with certificate of authenticity from the artist RP 60.000.000 - 80.000.000 USD 4,600 - 6,200

038

POPO ISKANDAR

(Garut, 1927 â&#x20AC;&#x201C; Bandung, 2000) Nude, 1986 Oil on canvas: 38 x 46 cm Signed and dated, lower right: Popo86 This lot is accompanied with certificate of authenticity from Griya Seni Popo Iskandar RP 30.000.000 - 50.000.000 USD 2,300 - 3,100

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039

I GUSTI KETUT KOBOT

(Pengosekan, Gianyar, Bali, 1917 â&#x20AC;&#x201C; 1999) Jatayu, 1976 Acrylic on canvas: 63 x 45 cm Signed and dated, lower right: I Gusti Ketut Kobot, Pengosekan, Ubud-Bali 1976 This lot is accompanied with statement letter from Puri Lukisan Museum RP 55.000.000 - 70.000.000 USD 4,200 - 5,400

Born in Pangosekan, Ubud - Bali in 1917. Kobot was a member of Pita Maha painters group since 1936 -1942, but unlike other painters in the group, his painting style is very individualist. Most of his paintings reflect the story of Ramayana and Mahabharata. During the year of 1920s, many painters in Ubud and its surrounding area were influence by western painters like Rudolf Bonnet and Walter Spies. Some Bali painters including Kobot still used traditional theme combined with new influence. In 1975, he held his solo exhibition at Puri Lukisan, Museum of Ubud. In the same year he joined in the exhibition held in Sydney, Australia, together with young painters of Pengosekan. In 1978, he received an art award of Wijaya Kusuma, from the Regional Government of Gianyar and Dharma Kusuma Award from the Bali government MASTERPIECE FINE ART - AUCTION

Basoeki Abdullah Basoeki Abdullah born in Solo, January 27, 1915 is one of the most prominent Indonesian maestros in portrait paintings. The late artist was well-known for his realistic paintings. Besides painting of natural beauty and sensuous landscape, he is also noted for his portraits of beautiful women, as well as paintings of scenes from legends that are also tempered with the same lyrical and overly sensual treatment. His great fond of paintings women’s figure perhaps derived from his great interest in exploring the beauty of women that is attractive to paint in any way. The artist gain the public recognition after winning a painting competition held in conjunction with the Netherland’s Queen Juliana ascension to throne on 6 September 1948. There are painters who like to paint nudity. Nudity in art has generally reflected — with some exceptions — social standards of aesthetics and modesty/morality of their time in painting, sculpture and more recently in photography. At all times in human history, the human body has been one of the principal subjects for artists. It has been represented on prehistoric paintings and statutes and in all eras since. The male nude was more common in antiquity, especially in ancient Greece, but today the tendency is for the female nude body to be more highly regarded and represented.

040

BASOEKI ABDULLAH (Solo, 1915 – Jakarta, 1993) Portrait of Beauty

Oil on canvas: 89 x 57 cm Signed, lower right:B. Abdullah RP 400.000.000 - 600.000.000 USD 30,800 - 46,200

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041

KRIJONO

(Jakarta, 1951 - 2011) Ketut Kembar Di Badung, 2003 Acrylic on canvas: 80 x 75 cm Titled and dated, lower right: 003, Ketut Kembar Di Badung, Bali RP 30.000.000 - 40.000.000 USD 2,300 - 3,100

042

LIM WASIM

(Garut, West Java, 1929 – Jakarta, 2004) Tersenyum, 1991 Oil on canvas: 40 x 32 cm Signed, lower right: L. Wasim Signed and dated on the reverse RP 20,000,000 - 30,000,000 USD 1,500 - 2,300

043

HUANG FONG

(Genteng, 1936) Balinese Woman Chatting, 1984 Oil on canvas: 50 x 65 cm Signed and dated, lower right: Huang Fong84 RP 30.000.000 – 50.000.000 USD 2,300 – 3,800

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044

NYOMAN GUNARSA (Klungkung, 1944-2017) Two Warrior, 1980 Oil on canvas: 144 x 144 cm

This lot is accompanied with certificate of authenticity from the artist RP 120.000.000 - 180.000.000 USD 9,200 - 13,800

Born in Klungkung, Bali, April 15, 1944. He graduated from the Indonesian Fine Arts Academy (ASRI) in Yogyakarta where he is currently a lecturer in art. He began his career as painter of models and portraits. Since 1967, active performing solo exhibitions, like in British Embassy, Jakarta (1967), Arcade Gallery, Kuala Lumpur (1971), Blance Gallery, San Francisco (1991), Blance Gallery, Osaka (1982), 21 Gallery, Singapore (1995), Opera-Gallery, Paris (1996), and Hamburgische Landesbank, Hamburg (1998). He also participates in joint-exhibitions in Indonesia and overseas. He received awards from the Pratisara Affandi Adikarya (1976), in the Biennial Indonesian Art Exhibitions (1878 & 1980) and the Lempad Prize (1980). His works are in collection by local and abroad collectors.

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045

TOMMY WONDRA (Bukittinggi, 1980) Seascape,2010-2011

Acrylic on canvas: 200 x 250 cm Signed and dated, lower right: Tommy Wondra, 2010-2011 RP 50.000.000 - 70.000.000 USD 3,800 - 5,400

046

REDY RAHADIAN

(Cianjur, West Java, 1973) Pohon Kehidupan, 2017 Steel: H. 100 cm RP 25,000,000 - 35,000,000 USD 1,900 - 2,700

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047

DULLAH

(b. Solo, 1919 – 1996) Gerbang Pura Oil on canvas: 59 x 49 cm Signed lower right Dullah RP 20.000.000 – 30.000.000 USD 1,500 – 2,300

Dullah was born in Solo, 1919. He studied painting under Affandi and Sudjojono but has his own distinctive style of naturalism. He was well known for his landscape and portraits paintings. He was one of the founders of HBS – Surakarta Cultural Community (1950). In 1956, he edited book of former Presiden Soekarno’s Private Collection of Indonesian Art (volume I & II). Since the early days of the independence, Dullah was very close to Soekarno, the first President of the Republic of Indonesia and was appointed by Soekarno to care for the President’s private art collection and as curator of the state painting collections. At age 70, Dullah built his museum, now a cultural landmark, as his dedication to a love of the arts over a creative lifetime. He has had numerous art exhibitions in Indonesia and overseas and in 1988 his work was included in the Art of Bali exhibition held at the East West Center in Honolulu, Hawaii. Now, his works been kept in Dullah Museum in Solo. He died in 1996. MASTERPIECE FINE ART - AUCTION

Auke Cornelis Sonnega Born in Leeuwarden, Holland, 1910. He worked in Jakarta in 1935. He did his paintings in Parapat and Medan, North Sumatra, and Bali. He returned to Holland in 1959 and died in Den Haag in 1963. Sonnega’s paintings of Bali have attracted mtany people attention. An artist’s quest to find inspiration and spiritual contentment can take him on a long voyage far away from home. Such was the journey for Dutch artist Auke Cornelis Sonnega. Born in Leeuwarden and educated at the Kunstnijverheidsschool in Amsterdam (School of Arts and Crafts), Sonnega first set foot on Indonesian soil when he arrived in Batavia in 1935. He did his paintings in Parapat and Medan, North Sumatra, and Bali. He moved to Bali, which became a great source of inspiration for his painting. After the war settled in Ubud in fellow artist Bonnet’s old studio in Puri Kaleran and dedicated himself solely to painting. His style is fresh and unique, clearly influenced by his designer training and background. It is very influenced by Art Deco and often graphic, however, his larger canvases often transcend these limitations and can even be thought to have a mystical impact. He also made many portraits, usually of doe eyed young men (he was in the words of a long time Ubud expatriate euphemism a member of the “club”). These are very stylized and use a brightpalate with strong outlining of his subjects. Sonnega, like Bonnet, stayed in Bali until 1957 when he was forced to leave by the Indonesia authorities in the era of Confrontation. The painting becomes all the more poignant when this separation is considered – the immortalization of a reality that was to him a fulfillment of a dream. He returned to Holland in 1959 and died in Den Haag in 1963. 048

AUKE CORNELIS SONNEGA (Leeuwarden, 1910 – 1963) Portrait of Balinese Lady, 1956 Oil on canvas: 42 x 34 cm Signed and dated, lower left: A. Sonnega, Bali56 RP 220.000.000 - 280.000.000 USD 16,900 - 21,500

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049

I MADE DJIRNA (Ubud, 1957) Dewi Madrim, 2014

Mixed media on canvas: 180 x 160 cm Signed and dated, lower left: Djirna 2014 Signed, titled and dated on the reverse RP 60.000.000 - 80.000.000 USD 4,600 - 6,200

050

F. WIDAYANTO

(Jakarta, 1953) Sri Tanasih, 2009

Ceramic: 113 x 38 x 40 cm This lot is accompanied with certificate of authenticity from the artist RP 90,000,000 - 120,000,000 USD 6,900 - 9,200

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051

EDHI SUNARSO

(Salatiga, 1932) Mandi Gosokan, 1958 Bronze: 40 x 51 x 29 cm Signed and dated, lower area: Edhi S.1958/1963 RP 200,000,000 - 3000,000,000 USD 15,400 - 23,100

Since 1953, Edhi Sunarso has participated in several group exhibitions in Indonesia, England, Holland, France, Italy and Japan. At the same year, he also won second prize in an International sculpture competition in London, England. The Indian government awarded him a gold medal for best sculpture in 1957. He also received the Anugerah Seni Art Award in 1981 and the Bintang Budaya Parama Dharma in 2003 from the Indonesian government. Since 2000, he has been a member of Asosiasi Pematung Indonesia (API, Indonesian Association of Sculptors). Edhi Sunarso personal sculptures express straightforwardly his emotions. They appear in other visual forms and media like wood and metal. They bring various themes such as the struggle for independence, History of Sukarno, Pancasila, social issues and criticism, and also women (portray and anatomy). His ideas are not only realistically but also figuratively and even abstractly realized in his works. His various visual styles indeed have become his characteristics.

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052

LEO ELAND

(Java, 1884 – 1952) Landscape Oil on canvas: 64 x 30 cm Signed, lower right: L. Eland RP 10.000.000 - 15.000.000 USD 800 - 1,200 053

FREDERICK KASENDA (1920-1950) Landscape

Oil on canvas: 62 x 100 cm Signed, lower right: Frederick Kasenda RP 15,000,000 - 20,000,000 USD 1,200 - 1,500

054

SUDJANA KERTON

(Bandung, 1922 – 1994) Washington Street Scene, 1984 Pastel on paper: 30 x 44 cm Signed, lower right: S. Kerton This lot is accompanied with certificate of authenticity from the artist family RP 35,000,000 - 50,000,000 USD 2,700 – 3,800 50

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055

DULLAH

(Solo, 1919 – 1996) Landscape Oil on canvas: 71 x 140 cm Signed, lower left: Dullah RP 75.000.000 - 90.000.000 USD 5,800 - 6,900

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S. Sudjojono Sindudarsono Sudjojono studied arts under the tutelage of Mas Pringadi and a Japanese artist, Chiyoki Yazaki. In 1937, Sudjojono founded the Persagi Indonesian Artists Association in Jakarta and in 1970, he was awarded recognition in art by the Indonesian government. Sudjojono’s works has been exhibited in the Netherlands and in the Fukuoka Art Museum in Japan in 1980. Sudjojono is widely regarded as the driving force behind the establishment of modern art in Indonesia. Sudjojono’s paintings bears his characteristically harsh and wild strokes, as if the paint has been poured directly on to the canvas and he draws his inspirations from the observations of his surroundings, capturing the snapshot views which appealed to him. Sudjojono regularly exhibited his works in major Indonesian cities like Jakarta, Yogyakarta, Denpasar, and Bandung before his death in 1985.

056

S. SUDJOJONO

(b. Kisaran, Indonesia 1914 – d. 1986) Angsa/Geese, 1969 Oil on board: 45 x 65 cm Signed and dated, upper left: SS.Djak.1969 Provenance: Private collection of prominent collector, Indonesia RP 600.000.000 - 700.000.000 USD 46,200 - 53,800

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057

S. TEDDY D (Padang, 1970) Untitled, 2007

Acrylic on canvas: 160 x 145 cm Signed and dated, lower right: S. Teddy D.7 RP 40.000.000 - 60.000.000 USD 3,100 - 4,600

058

PUTU SUTAWIJAYA (Bali, 1971)

Memori 2, 2014 Oil on canvas: 80 x 80 cm Signed, titled and dated, lower left: Putu Sutawijaya, 2014, Memori 2 RP 75.000.000 - 90.000.000 USD 5,800 - 6,900

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059

BUDI UBRUX

(Yogyakarta, 1968) Mao, 2008 Oil on canvas: 200 x 300 cm Signed and dated, lower right: B. Ubrux, 08 RP 200,000,000 - 300,000,000 USD 15,400 - 23,100

Born in 1968. He was graduated from the Institute of Fine Art (ISI) Yogyakarta. He had lived for 2 years in Switzerland to continue his study and working. He has participated in several exhibitions in Indonesia and overseas. He had his solo exhibition in Semarang Gallery (2002). He received awards as the first winner of PMIAA, a finalist for Asean Art Award (2000) in Singapore and Indofood Art Award, Jakarta (2002). Now he lives in Bantul, Yogyakarta.

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060

UGO UNTORO

(Purbalingga, 1970) Folding History, 14, 2007 Oil on canvas: 150 x 200 cm Signed, titled and dated, upper right: Folding History, Ugo 07 RP 120.000.000 - 200.000.000 USD 9.200 - 15,400 Born in Purbalingga, Central Java, 1970. He studied at the Indonesian Institute of Art (ISI), Yogyakarta. He held his solo exhibitions at Cemeti Ctontemporary Art Gallery, Yogyakarta (1996, 1998), Kedai Kebun Gallery, Yogyakarta (1999), Essence Art Gallery, Jakarta (2000) and Cemeti Art House, Yogyakarta (2002). He participated in several group exhibitions at Purna Budaya Yogyakarta, Cemeti Contemporary Art Gallery, Yogyakarta (1997), Galeria Jangva, Helsinki, Finland (1998),T Singapore, National Gallery, Jakarta, Cemeti Art House, Bali, Queensland Art Gallery, Australia, Centrum van Beeldende Kunst, Dordrecht, The Netherlands (1999), Nadi Gallery, Jakarta (2000, 2001, 2003), etc. 56

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061

YUNIZAR

(Talawi, West Sumatra, 1971) Abstract, 1995 Acrylic on canvas: 75 x 75 cm Signed and dated, upper right: Yunizar, 1995 RP 60.000.000 - 80.000.000 USD 4,600 - 6,200

062

I MADE WIANTA (Bali, 1949) Symbols, 1985

Ink on canvas: 88 x 78 cm Signed and dated, lower right: Made Wianta, 1985 RP 75.000.000 - 90.000.000 USD 5,800 - 6,900

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Ong Kim Seng Born in 1945 in Singapore, a self-taught observer, traveler and passionate learner- Ong Kim Seng has climbed the ranks of formal appreciation to claim his title as one of the most celebrated water colorists. He is considered as one of Singapore’s most prominent artistic icons. The artist has shown mastery over the capture of light, often basking his creations in the warmth of sunlight, expertly using positive space and shadows to create stunningly realistic depictions of silhouettes and representation. Ong Kim Seng has exhibited worldwide and won a multitude of awards, including six awards from the American Watercolor Society, and the coveted Cultural Medallion for visual arts by the Ministry Of Information and the Arts, Singapore. The artist was also President of the Singapore Watercolor Society from 1991 to 2001 when he became Honorary President. Ong’s works have graced the collections of a number of museums and art galleries as well as the residences of foreign dignitaries such as Queen Elizabeth II of England and Kofi Annan, the Secretary-General of the United Nations. His works are also exhibited in foreign missions and embassies of the Republic of Singapore. The theme of ‘Bhaktaphur’ was the popular theme of his temple series.

063

ONG KIM SENG

(Singapore, 1945) Bhaktapur, Nepal, 1991 Watercolor on paper: 100 x 150 cm Signed, titled and dated: Seng,WAS.91, Bhaktapur Nepal RP 250.000.000 - 350.000.000 USD 19,200 - 26,900

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064

HENK NGANTUNG (Bogor, 1921 - 1994) Membajak Sawah

Oil on canvas: 155 x 220 cm Signed, lower left RP 200.000.000 - 300.000.000 USD 15,400 - 23,100 Born in Bogor, West Java, 1921. He started painting in 1934. He held his solo exhibitions in Tomohon, Minahasa (1936), at Hotel SavoyHomann, Bandung (1939) and at Hotel des Indes, Jakarta (1947). He studied under Dutch painter, Willem F.M. Bosschaert and Austrian Artist, Rudolf Wenghart in Bandung (1937 - 1941). He was a member of POETERA (People's Activity Center) and LEKRA (People's Cultural Institute). From 1960 - 1964 he was Vice-Governor of Jakarta and Elected as Governor of Jakarta in 1964 - 1965. He died in Jakarta, 1994.

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065

JACOB DOOIJEWAARD (1876-1969 Netherlands) Nice, 1920

Oil on canvas: 47 x 36 cm Signed and dated, lower right: Dooijewaard 20 RP 50,000,000 - 70,000,000 USD 3,800 - 5,400

066

LEO ELAND

(Java, 1884 â&#x20AC;&#x201C; 1952) The River Oil on board: 40 x 44 cm Signed, lower left: L. Eland RP 10.000.000 - 15.000.000 USD 800 - 1,200

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067

M. LUGAS SYLLABUS (Bengkulu, 1987) Di Muara Asa, 2013

Acrylic on canvas: 145 x 180 cm Signed, titled and dated on the reverse This lot is accompanied with certificate of authenticity from the artist Illustrated in the magazine Art Asia Pacific, Almanac 2015, pg. 40 RP 180.000.000 - 250.000.000 USD 13,800 - 19,200 62

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068

TRUBUS SUDARSONO (Yogyakarta, 1926 – 1966) Potret Wanita Oil on canvas: 80 x 70 cm RP 55.000.000 - 70.000.000 USD 4,200 - 5,400

069

LEE MAN FONG

(Canton, China 1913 – Singapore 1988) Memintal Watercolor on paper: 52 x 37 cm Signed, lower right: MF. Lee RP 25.000.000 - 35.000.000 USD 1,900 - 2,700

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Widayat Widayat was born in Kutoarjo (Central Java, 1919) in the colonial era. After some military training, he took the apprentice study at the Indonesia Art Academy Yogyakarta under painters Hendra Gunawan, Sudarso, Trubus, and Kusnadi. Then Widayat met a Bandung Painter, Kartono Yudhokusumo from whom he got direct influence of decorative style in painting. Widayat paints freely, unburdened by anything except that he always attempts at infusing contents, giving significance to his imaginary space by means of symbols and indications. Watching Widayat’s works, we are taken to archaic natures and to the daily life, without perspective, and without criticize for something. We may remark them as beautiful and alluring, crowding our retinas, innocently accepting reality, fascinatingly interpretable, and mystically thrilling the space. Widayat studied at the Indonesian Fine Art Academy (ASRI), Yogyakarta, where hebecame known as a lecturer of the Indonesian Institute of Fine Arts (ISI) Yogyakarta as well as a prominent artist. Since 1950 to 2002, Widayat participated in numerous art exhibitions in Indonesiaas well as internationally, in countries such as Singapore, Thailand, Japan, Hong Kong, Netherlands,Italy, United States, and Australia. Widayat is said to be a maestro after Affandi, as published in the book “Educator and Painter” by ISI Yogyakarta in 1988. Widayat was also a revolutionary artist, and master of gardening and graphics arts. Widayat was the first artist whose exhibition was largely exhibited in the Singapore Art Museum, one of the most important museums in Southeast Asia on September 2007 and it was held for the duration of two months. According to Prof. Soedarso Sp MA, Widayat’s artistic works can be levelled with the works of Henri Rousseau (a France surrealist artist) who has been his great inspiration. Widayat’s works show an immense variety of stories about nature, life, myths, and rituals. They are rich in content, texture, and technique. Widayat’s preference for the simplification and distortion of natural forms had a profound influence on many Indonesian artists. His magic decorative style is a personal visual language mostly derived from folk motifs. He focuses on inner structure rather that outward appearance. The re-petition of basic elements are order with an underlying rhythm to create movement. The artist’s works encompass all of his varied experiences as soldier, student, teacher, and religious family man. Flora and fauna, religion and mythology, masks and portraits, and daily life all are parts of his fantasy world.

070

WIDAYAT

(Kutoarjo, 1919 – Jakarta, 2002) Flora dan Fauna, 1983 Oil on canvas: 150 x 200 cm Signed and dated, lower right: Widayat, 1983 This lot is accompanied with statement letter from the family RP 550.000.000 - 650.000.000 USD 42,300 - 50,000

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071

HAN SNEL

(Scheveningen, 1925 â&#x20AC;&#x201C; 1998) Balinese Beauty, 1955 Oil on canvas: 45 x 50 cm Signed and ated, lower right: Han Snel, 1955 RP 90.000.000 - 120.000.000 USD 6,900 - 9,200 66

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Born in Scheveningen, Holland, 1925. He came to Indonesia as a Dutch soldier to fight against the Indonesian people, which after he abandoned his side. He specialized in graphic painting which is very rich in color as well as geometrical abstract. He lived in Bali since 1950 and became an Indonesian citizen. He has participated in several exhibitions include at Itoh Gallery, Tokyo, Japan, 1965.

072

ABDUL AZIZ

(Purwokerto, 1928 - Bali, 2002) a. Balinese Girl at The Window, Ca.1972 b. Spanish Girl at The Window, Ca.1972 Oil on wood: @38 x 24.5 cm (2 pcs) This lot is accompanied with certificate authenticity from the artist's wife RP 60.000.000 - 80.000.000 USD 4,600 - 6,200

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073

I GUSTI KETUT KOBOT

(Pengosekan, Gianyar, Bali, 1917 â&#x20AC;&#x201C; 1999) Ramayana Story 1988 Acrylic on canvas: 45 x 35 cm Signed and dated, upper left: I Gusti Ketut Kobot, Pengosekan Mas Dated, upper right: Ubud Gianyar Indonesia, Bali, 1988 RP 80.000.000 - 100.000.000 USD 6,200 - 7,700 68

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074

OTTO DJAYA

(Rangkas Bitung, West java, 1916 - 2002) Penari Jaipong, 1989 Oil on canvas: 60 x 90 cm Signed and dated, lower right: Otto Djaya, 1989 RP 7.000.000 - 9.000.000 USD 500 - 700

075

BAMBANG PRAMUDIYANTO

(Klaten, 1965) Mesiah, 2010

Oil on canvas: 150 x 150 cm Signed and dated, lower right: Bek.26310 RP 18.000.000 - 25.000.000 USD 1,400 - 1,900

076

ERICA HESTU WAHYUNI (Yogyakarta, 1971) The Happy 12 Shio, 2015

Acrylic on canvas and wood: 128 x 128 cm Signed, titled and dated on the reverse This lot is accompanied with certificate of authenticity from the artist RP 25.000.000 - 35.000.000 USD 1,900 - 2,700

MASTERPIECE FINE ART - AUCTION

Affandi Affandi is considered as the Indonesian Artist par excellence. He was the founder of the Himpunan Pelukis Masyarakat (Community’s Artists Association) in 1946 and Himpunan Pelukis Rakyat (People’s Artists Association) in 1947. Affandi was committed to creating a new artistic idiom for Indonesia. In the early of 1950s he travelled to India with a grant from the Indian Government. Besides India, he also displayed his works in the Biennale in Brazil (1952), Venice (1954), where he won an award, and Sao Paulo (1956). In 1957, he received a scholarship from the United States government to study arts, and he was subsequently appointed as an Honorary Professor in Painting by Ohio State University in Columbus. In 1974, Affandi received an honorary doctorate from University of Singapore, the Peace Award from the Dag Hammarskjoeld Foundation in 1977, and the title of Grand Maestro in Florence, Italy. It is not easy to understand Affandi’s painting. For example when Affandi painted the horse, he painted it with his own understanding. Realism was never Affandi’s objective but instead he captured the expression of the horse by pouring the paint directly from the tube to the canvas. His wild lines and colors was painted with deep emotion and expressed spontaneously. In this painting, Horse, we can see how Affandi visualized the object. He did not just move the object away, rather its underlying beauty lies precisely in the emotions and expressions that he felt when looking at the horse directly. Scratches of lines and colors were not only intended to beautify its appearance, but also an attempt to create an atmosphere that he wanted to convey.

077

AFFANDI

(Cirebon, 1907 – 1990) Horse and The Sun, 1973 Oil on canvas: 97 x 128.5 cm Signed and dated, lower left: AF.1973 Literature: Sardjana Sumichan, AFFANDI Vol II, Published by Bina Lestari Budaya Foundation, Jakarta and Singapore Art Museum Singapore, page: 223 Provenance: Private collection of prominent collector, Jakarta RP 2.800.000.000 - 3.500.000.000 USD 215,400 - 269,200 MASTERPIECE FINE ART - AUCTION

078

GERARD PIETER ADOLFS

(Semarang, 1899 – The Netherlands, 1968) Lang Javas Noorokhst Weg By Pekalongan Oil on canvas: 40 x 50 cm Signed, lower left: Ger. P. Adolfs Literature: Eveline Borntreager-Stoll/ Gianni Orsini, Gerard Pieter Adolfs “The Painter of Java and Bali”, published by picture publisher, 2008, Pg. 385 RP 110.000.000 - 180.000.000 USD 8,500 - 13,800 Each year Adolfs travelled for a few months, leaving his family in Surabaya. He had studios in Florence, Rome, Vienna, Budapest, Prag and (together with his Japanese friend Fujita) in Paris and exhibited his works of art internationally (Netherlands Indies, Japan, Singapore, USA, England, Holland, Sweden, Norway, France, Switzerland . . .) The main subjects of his work were scenes of Java, Bali, Japan and of North Africa (market sceneries, cock-fights, landscapes and townscapes) In 1940 - shortly before the occupation of Holland - Adolfs came back to Europe and settled in Amsterdam. On 22 February 1944, during an exhibition at the Kunstzaal Pollmann, the largest part of Adolfs‘ paintings was destroyed by the bombardment of Nijmegen. But Adolfs kept on working. He wrote and illustrated a book about his memories of Surabaya and exhibited in a lot of well-known galleries. He lived mostly in Amsterdam - interrupted by longer stays in Scandinavia, France, Spain, Italy and North Africa. In 1967 he retired to a small village in South-Holland. On 1 February 1968, G.P. Adolfs died in s’Hertogenbosch - Holland. 72

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079

SUDJONO ABDULLAH (Yogyakarta, 1911 – 1993) Landscape River

080

LEO ELAND

Oil on canvas: 100 x 202 cm Signed, lower left: S. Abdullah

(Java, 1884 – 1952) Paddy Fields

RP 30,000,000 - 40,000,000 USD 2,300 - 3,100

Oil on canvas: 40 x 60 cm Signed, lower left: L. Eland RP 22,000,000 - 30,000,000 USD 1,700 - 2,300

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081

BATARA LUBIS

(Hutogodang, 1927 - 1986) Pasar, 1973 Oil on canvas: 65 x 140 cm Signed and dated, lower left: B. Lubid 73 RP 42,000,000 - 55,000,000 USD 3,200 - 4,200

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Born in Hutagodang, North Sumatra, 1927. He studied at the Indonesian Fine Arts Academy (ASRI) Yogyakarta and learnt under Affandi and Hendra Gunawan beforehand. Since 1955, he was actively participated in many exhibitions in Yogyakarta. He also had intensely created batik paintings that represented in Bali, Jakarta, the Netherlands and Italy.

082

POPO ISKANDAR

(Garut, 1927 â&#x20AC;&#x201C; Bandung, 2000) Kucing Hitam, 1990 Oil on canvas laid on board: 30 x 40 cm Signed and dated, lower right: Popo, 1990 RP 30,000,000 - 40,000,000 USD 2,300 - 3,100

083

ITJI TARMIZI

(Batusangkar, 1935 - 2001) Legenda Mahesa, 1997 Oil on canvas: 90 x 120 cm Signed and dated, lower right: Itji, 1997-II, Legenda Mahesa RP 20,000,000 - 30,000,000 USD 1,500 - 2,300

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084

S. SUDJOJONO

(Kisaran, 1914 â&#x20AC;&#x201C; 1986) Rose, 1969 Oil on canvas: 44 x 34 cm Signed and dated, lower left: S. Sudjojono, SS.101.Djak 1969 RP 150,000,000 - 200,000,000 USD 11,500 - 15,400

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Born in Kisaran, Sumatra, 1914. He first studied painting under the artist Pringadi, and later from Jasaki, a Japanese painter. In 1937 he founded the Persagi Indonesian Artists Association in Jakarta. In 1970 he was awarded recognition in art by the Indonesian government. His works have been exhibited in the Netherlands and in the Fukuoka Art Museum in Japan (1980). Local exhibitions have been held in Jakarta, Yogyakarta, Denpasar and Bandung. He died in Jakarta (1986).

085

NYOMAN GUNARSA

(Klungkung, 1944 - Bali, 2017) Dancer 2017 Oil on canvas: 100 x 125 cm Signed and dated, lower right: 2017 This lot is accompanied with certificate of authenticity from the artist RP 70,000,000 - 90,000,000 USD 5,400 - 6,900

086

SOETOPO

(Yogyakarta, 1931 - 2016) Kuda lumping, 1991 Oil on canvas: 110 x 140 cm Signed and dated, lower right: Soetopo, 10 Januari 91 RP 80,000,000 - 100,000,000 USD 6,200 - 7,700

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Hendra Gunawan Hendra Gunawan painted some of his surreal, lively, and emotional work during his imprisonment at Kebun Waru in Bandung from 1965 to 1978. His works captured the life of common people while also conveying a unique, expressionistic, and deeply personal vision of the reality he experienced. His paintings become highly original, modern, simple, and totally Indonesian with its expressions by observing Java’s grand landscapes and natural history. Hendra’s work may thus be seen as illustration of a new mythology. The stylized figures, landscapes features and the decorative approach to color are perhaps influenced by Javanese illustration and design. The underwater world is likely one of the most astonishing and fascinating of Hendra’s works in realistic painting. The subject seems apparently to be a conflict with the artist’s style, themes, and artistic concerns. This painting, Ikan Laut, was painted in 1973, and reflects one of Hendra’s favorite subjects of rich seas. Hendra has clearly created a scheme of expressionistic colors based on the actual hues of the ocean. The link between his distinctive palette and aquatic colors become even more apparent. He used brilliant colors for the ocean textures and character of the fishes.

087

HENDRA GUNAWAN (Bandung, 1918 – 1983) Ikan Laut, 1973

Oil on canvas: 62 x 94 cm Signed, lower left: Hendra KW’73 Provenance: Private collection of prominent collector RP 1,200,000,000 - 1,800,000,000 USD 92,300 - 138,500

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088

ERICA HESTU WAHYUNI (Yogyakarta, 1971) The Hour of Prosperity, 2016

Acrylic on canvas and wood: 118 x 148 cm Signed and dated, lower right: Erica, 2017 Signed, titled and dated on the reverse This lot is accompanied with certificate of authenticity from the artist Literature: Dr. Sendy Widjaja, “Decoding Indonesia Painting of Erica Hestu Wahyuni”, Published by PT. Indoseni Murni Jkt, 2017, pg. 38 RP 40,000,000 - 60,000,000 USD 3,100 - 4,600

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089

LEO ELAND

(Java, 1884 â&#x20AC;&#x201C; 1952) Paddy Landscape Oil on board: 30 x 24 cm Signed, lower right: L. Eland RP 12,000,000 - 18,000,000 USD 900 - 1,400

090

PARDOLI FADLI

(Cilacap, 1971) Panen Agung-Bali, 2009 Oil on canvas: 150 x 200 cm Signed and dated, lower right: Pardoli 09 Signed, titled and dated, on the reverse RP 35,000,000 - 50,000,000 USD 2,700 - 3,800

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091

GERARD PIETER ADOLFS

(Semarang, 1899 â&#x20AC;&#x201C; The Netherlands, 1968) Portrait of an Elegant Lady Oil on board: 62 x 45 cm Signed, lower right: Ger. P. Adolfs RP 35,000,000 - 50,000,000 USD 2,700 - 3,800

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Born in Semarang, 1899. He once lived in Surabaya and made many paintings about the city. He traveled to many countries in Asia, Europe, and Africa, like Japan, Rome and Arab. He decided to spend the rest of his time in Holland until he died in Den Bosch, the Netherlands, in 1968.

092

S.YADI K

(Banyuwangi, 1958) Kakak dan Adik, 1995 Oil on canvas: 110 x 68 cm Signed and dated, lower middle: S. Yadi K. Bali 95 RP 15,000,000 - 20,000,000 USD 1,200 - 1,500

093

DECKY LEOS FIRMANSAH (South Sumatra, 1985) Every Body Love Her, 2014

Acrylic on canvas: 151 x 221 cm Signed and dated, lower right: Leos, 2014 Award: The finalist of UOB Painting of the year 2017 RP 30,000,000 - 40,000,000 USD 2,300 - 3,100

094

LIEM TJOE ING

(Surakarta, 1922-1996) Upacara Bali Oil on board: 80 x 50 cm Signed and dated, lower left: L. Tjoe Ing RP 12,000,000 - 18,000,000 USD 900 - 1,400 MASTERPIECE FINE ART - AUCTION

Affandi Affandi was taught at the Indonesian Academy of Fine Arts in Yogyakarta in early 1955. He received a scholarship from the U. S. government to study arts education in 1957, after participating in International exhibitions in Brazil and Italy. He was made an Honorary Professor of Painting by Ohio State University, and in 1974 was awarded an honorary doctorate by the University of Singapore. He also received the Peace Award from the Dag Hammarskjoeld Foundation in 1977, and the title of Grand Maestro in Florence, Italy. Affandi was passionate about his country and a large proportion of his works concern his feelings about the land and its people. Though Affandi only painted what he observed and never approached his works from any kind of philosophical or analytical starting point, he was particularly fond of Bali and Javanese culture. The cockfighting is one of the many recurring themes of the artist and yet the unique personality of the sitter never fails to captive the viewers. Very often, despite the artist’s apparent focus on the main subject which is the fight of the animals, Affandi is very fond of creating a sense of spontaneity by adding idiosyncratic details such as the feet of the onlooker, or the drinking spectator at the scene. By doing this, he creates a sense of immediacy equivalent to that of a snapshot and yet capturing the last emotion and personality for eternity. A sense of festivity is also conveyed, as the joyous crowd is clearly drinking to the occasion whilst the fighting animal are entangled in a fury of violence that is conveyed, as the joyous crown is clearly drinking to the occasions whilst the fighting animal area entangled in a fury of violent that is conjured by repeat, swirling stokes in many colors 095

AFFANDI

(Cirebon, 1907 – 1990) Fighting Cocks, 1978 Oil on canvas: 96,5x 127 cm Signed and dated, lower right: AF.1978 Literature: Sardjana Sumichan, “Affandi Volume II”, lot 211, pg. 267 Provenance: Private collection of prominent collector, Jakarta RP 3,800,000,000 - 5,000,000,000 USD 292,300 - 384,600

“Cocks Fighting” 1965, Oil on canvas: 100 x 155 cm Annonymous Sale, Sotheby’s Hongkong, October 2011, Lot 664 Sold = HKD 1,820,000

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096

PUTU SUTAWIJAYA (Bali, 1971) Ketergantungan, 2005

Mixed media on canvas: 130 x 100 cm Signed and dated, lower left: Putu Sutawijaya 05 Signed, titled and dated on the reverse RP 80,000,000 - 90,000,000 USD 6,200 - 6,900

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Born in Bali, 1971. He studied at Sekolah Tinggi Seni Rupa Denpasar (STSR), Bali and continued his study to Indonesia Institute of Arts (ISI), Yogyakarta. He graduated from ISI in 1997. He had his solo exhibitions in Yogyakarta, Singapore, Hong Kong and Jakarta. He also participated in numerous group exhibitions since 1990 in Bali, Yogyakarta, Hong Kong, etc. He was awarded Best Watercolor and Sketch from ISI Yogyakarta (1991) and Best Painting from ISI Yogyakarta, Top Ten Paintings (1999) and Lempad Price from Sanggar Dewata Indonesia in 2000.

097

DIROT KADIRAH (Indramayu, 1972) Bahagia, 2016

Oil on canvas: 130 x 100 cm Signed and dated, lower left: Dirot, 2016 Signed, titled and and dated on the reverse RP 35,000,000 - 45,000,000 USD 2,700 - 3,500 Born in Indramayu, West Java, 21 February 1972. He was raised in the family of fisherman in northern sea of Java (pantura). His painting career starts when he travelled to Bali in 1992. In Bali, he learnt painting under maestro painter Affandi and Sudarso. During he stay in Bali he managed to sell his works to art collectors and galleries which then made him decide to fully concentrate his passion in painting. In 1996, Dirot decide to paint using his own distinctive characteristics. About 3 years he did some experiment works until he finally found his own style. His works portrays the daily life of Indonesian people in his own perceptions, and his technique is quite different from other painters. Since 1994 until present his works have been displayed in several painting exhibition in Bali, Jakarta as well as International event such as in Singapore and USA. He had performed his solo exhibition in Galeri Nasional Jakarta (2008). He was the only painter that exhibited his arts in the World Ocean Conference organized by UNO in Manado 2009. Until present his works have been collected by many art collectors in Indonesia as well as abroad.

098

DONALD STUART LESLIE FRIEND (Sidney, 1915 â&#x20AC;&#x201C; Wollabra, 1989) Boy and His Bird, 1977

Lithograph: 72 x 55 cm Signed and dated, lower right: Donal Friend, Sanur Bali 1977 RP 40,000,000 - 60,000,000 USD 3,100 - 4,600

Born in Sidney, Australia, 1915. He graduated from the Royal Art School in Sidney and Westminster School in London. He was a well-known author, painter, watercolorist, graphic artist and illustrator. After being a Lieutenant in Australian Army. He was sent back to Australia and returned to Indonesia in 1966 for living and working in Bali until 1980.

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Alit Sembodo Alit’s paintings have shown the tendency to become a media for social commentary. He does not purely make social criticism of the wisdom or practices of the ruling politics. He only goes as far as demonstrating the problems of society through the language of his paintings, according to his own perceptive and perception. Indonesian Spectacular is one such commentary, regarding the people of Indonesia after the reformation period which was tumultuous and abusive, breaking down the order of the society, bordering upon anarchism, desperate poverty, worsening violence, and so on. With his combination of strong drawing techniques and the simple colors in the background, the paintings of Alit Sembodo project an image of a dramatic atmosphere of his times. Awards: 2000 – The finalist of the Phillip Morris Art Awards 2000 – The finalist of the Indonesian Art Awards 1999 – The Pratisara Affandi Adi Karya 1999 – The nominee of 40 Best Winsor & Newton Awards

099

ALIT SEMBODO

(Magelang, 1973 – 2003) Indonesian Spectacular, 1999 Mixed media on canvas: 147 x 186 cm Signed and dated, lower right: Alit Sembodo Yogya’99 Literature: Political Sircus: an Ancient World, Published by Umah Seni, Jakarta, 2011, Pg. 140-141 RP 200.000.000 – 300.000.000 USD 16,000 - 24,000

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100

LEO ELAND

(Java, 1884 – 1952) Going Home After a Days Break Oil on canvas: 60 x 50 cm Signed, lower left: L. Eland RP 20,000,000 - 30,000,000 USD 1,500 - 2,300

101

S. TEDDY D

(Padang, 1970 - Semarang 2016) Black Flag, 1996 Oil on canvas: 125 x 95 cm Signed and dated, lower right: S. Teddy D. 7 Mei Yogyakarta 1996 RP 20,000,000 - 30,000,000 USD 1,500 - 2,3,00

102

HASIM

(Jakarta, 1921-1982) Pulang Bekerja Oil on canvas: 70 x 48 cm Signed, lower right: Hasim RP 15.000.000 – 20.000.000 USD 1,200 - 1,500 88

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103

ARIE SMIT

(Zaandam,The Netherlands, 1916 - Bali, 2016) Wet Rice-Fields, 2007 Acrylic on canvas: 20 x 35 cm Signed and dated, lower right: Arie smit 07 Signed, titled and dated on the reverse This lot is accompanied with certificate of authenticity from Neka Art Museum RP 65,000,000 - 80,000,000 USD 5,000 - 6,200

Born in Zaandam, the Netherlands, 1916. He was a student of the Academy of Arts in Rotterdam before working as lithographer for the Dutch Colonial Army in the Dutch Indies prior to the Second World War. He moved to Bali in 1956 to engage in full time painting and became an Indonesian Citizen, produced as well as taught painting at the Bandung Institute of Technology (ITB). Many of his paintings depict the nature of his surrounding environment. He had several solo exhibitions in Bandung Institute of Technology, The Honolulu East West Center, and the Center of Strategic and International Studies in Jakarta. He received the â&#x20AC;&#x153;Dharma Kusumaâ&#x20AC;? art awards from the local government of Bali. MASTERPIECE FINE ART - AUCTION

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Srihadi Soedarsono Born in Solo, December 4, 1931. In 1958 he studied fine arts at the Institute of Technology Bandung and the Ohio State University, United States (1960 – 1962). His works has been exhibited in Indonesia, the United States, Australia and Brazil. He received cultural awards from both the Indonesian government (1971) and Australian (1973). In 1978 and 1987, he received the highest award in the Biennial Exhibition in Jakarta. Srihadi is currently a senior lecturer in painting and drawing at the Jakarta Institute of Arts and the Bandung Institute of Technology. The dance is one of Srihadi’s favorite themes. In his paintings of dancers he continues to paint female dancers in the same upright pose that has used in the past. His dance work consist of series of dancers, even so, for Srihadi, each dance has its own particular mood, the gist of which he attempts to capture in his painting. At the same time, dance also offers a panorama of human life in general: it shows the dynamic union between the everyday world of material reality and the world beyond perception, the realm of the material. The merging of spiritual and physical control obtained in dance obviously appeals to the philosophical Srihadi. Some of his figurative paintings, especially the dancers, look deceptively similar, and that the figures have become stereotypes, but one should try to appreciate and study the details and minimal variations. Srihadi pays particular attention to the characteristic of the dancer and the artistic form of the dance. Every dance has its language or vocabulary of movement and type of costume, all of which imbued with philosophical meaning. Srihadi gives us many variants in this new approach to the depiction of the dance. When he first started to focus on the idea of movement, he did so by paying with the parallelism of gestures and by emphasizing the realistic aspect of the dancer’s bodies. Color was then relatively secondary. By the early 1990’s rhythm had taken a life of its own, as shown by the vibrant dynamism of the dancer. In painting the present lot, the dancers’ eyes remain transfixed even as their body movements are transformed into a feast of glittering color. Even so, and however much the costumes of the dancers drift rhythmically over the canvas surface, it is in fact the artist’s working of this background that embodies the idea of movement.

104

SRIHADI SOEDARSONO (Solo, 1931) Legong-Energy of Beauty, 2016

Oil on canvas: 130 x 100 cm Signed and dated, upper right: Srihadi S.2016 Signed, titled and dated on the reverse Provenance: Private collection, Jakarta Acquired directly from the artist RP 950,000,000 - 1,100,000,000 USD 73,100 - 84,600

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105

BASOEKI ABDULLAH (Solo, 1915 â&#x20AC;&#x201C; Jakarta, 1993) Self Portrait, 1978

Oil on canvas: 100 x 75 cm Signed and dated, lower right: Basoeki Abdullah This lot is accompanied with certificate of authenticity from the artist RP 90,000,000 - 110,000,000 USD 6,900 - 8,500

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106

107

LEE MAN FONG

OMAR YAHYA

(Canton, China 1913 â&#x20AC;&#x201C; Singapore 1988) Penjual Buah

(b. 20th Century) Beautiful Lady, 1968

Water color on paper: 63 x 37 cm Signed, lower right: MF. Lee

Oil on canvas: 89.5 x 56.5 cm Signed and dated, lower right: Omar YH.68

RP 25,000,000 - 35,000,000 USD 1,900 - 2,700

RP 60.000.000 - 80.000.000 USD 4,600 - 6,200

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108

WILLEM GERARD HOFKER (Amsterdam, 1902 â&#x20AC;&#x201C; 1981) Portrait Van Alex J.Hendrix, 1937 Oil on canvas: 32 x 22 cm RP 60.000.000 - 70.000.000 USD 4,600 - 5,400

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Born in Amsterdam, the Netherlands, 1902. He studied arts at the academy of Fine Arts, Masterdam and also learnt under painter W. Witsen and Isaac Israels. He once lived in Bali from 1938 â&#x20AC;&#x201C; 1944 together with his wife, Hofker-Reuter. His works were undoubted. His color, texture surface, and contrastive control showed his maturity of painting study. His drawing was elegant and poetic. His works were inspired by the lifestyle of Balinese people which often depict them in festive ceremonial dress. He died in 1981.

109

ERICA HESTU WAHYUNI (Yogyakarta, 1971) Prosperity Heaven Palace, 2006

Acrylic on canvas: 90 x 120 cm Signed and dated, lower middle: Erica, 2006 Signed, titled and dated on the reverse RP 18,000,000 - 25,000,000 USD 1,400 - 1,900

110

DECKY LEOS FIRMANSAH (South Sumatra, 1985) A Special Gift From The Top, 2010

Acrylic on canvas: 145 x 200 cm Signed and dated, lower right: Leos, 2010

111

S.YADI K

(Banyuwangi, 1958) Sayang Adik, 1995

Exhibited: Monster Theatre - Solo Exhibition, February 2011, Nadi Gallery Jakarta, illustrated in page 12 RP 30,000,000 - 40,000,000 USD 2,300 - 3,100

Oil on canvas: 110 x 68 cm Signed and dated, lower middle: S. Yadi K. Bali 95 RP 15,000,000 - 20,000,000 USD 1,200 - 1,500 MASTERPIECE FINE ART - AUCTION

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M. Irfan M. Irfan was born in Bukittinggi, West Sumatra 1972. M. Irfan is included in 51 members of the young artists from West Sumatra that recently held a group exhibition under the theme of Panorama. He is widely known as prospective painters in Indonesian art world. He was one of the member or Jendela Group, a group of painters from Minang, West Sumatra. Basically Irfan is an artist that does not like to involve himself in great or political issues. He feels that they are simply beyond his capacity and interests. For him perceiving petty objects around him is more interesting. Irfan’s paintings of train series have captivated the people’s interest. They portray trains, railways, and fumes which give a sense of darkness. His “trains” series was quite a leap in Irfan’s painting career. They contained Irfan’s dreams, hopes and ideas. His works are being pursued by collectors and are often appearing in auction houses. His paintings are mostly huge in size. They portray not only trains, railways, ships, and also aeroplanes. The present lot perhaps Irfan’s personal observation towards his surroundings. His detail can be visually build into symbols though do not explained anything.

112

M. IRFAN

(Bukittinggi, West Sumatra 1972) Aeroplane, 2013 Oil on canvas: 200 x 250 cm Signed and dated, lower left: Irfan, 2013 RP 150,000,000 - 200,000,000 USD 11,500 - 15,400

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113

TEGUH OSTENRIK (Jakarta, 1950) After U Turn, 1981

Acrylic on canvas: 110 x 120 cm Signed, titled and dated on the reverse RP 60,000,000 - 80,000,000 USD 4,600 - 6,200

After graduated in 1980 from the Fine Arts Department of Hochschule der Kuenste, West Berlin or Germany, he stayed in New York/USA, Amsterdam/The Netherlands and Cologne/Germany. In 1988, Teguh as an established painter and sculptor came back to Indonesia. He has had more than one hundred solo and group exhibitions in USA, France, The Netherlands, Germany, Australia, Singapore, Malaysia, Thailand, The Philippines, Hong Kong, Japan, Indonesia (Jakarta, Bandung, Yogyakarta, Solo, Surabaya, Bali). His art works are collected by a lot of national and international institutions and corporations. Awards received include Top Ten Philip Morris Art Award in 1997. He was one of the Juries in 2005 and 2007 China ASEAN Youth Art Competition in Nanning/China. In 2006 he was invited as a guest lecturer in Beijing Central Academy of Art. In 2007 he stayed in Penang or Malaysia as an Artist in Residence, a Program of ABN-AMRO and Wawasan Open University.

114

IBNU NURWANTO (Yogyakarta. 1957) Langkah, 2013

Acrylic on canvas: 140 x 140 cm Titled and dated on the reverse RP 40,000,000 - 50,000,000 USD 3,100 - 3,800

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115

ALIMIN TAMIN

(Solok, 1932) Penjual Ketupat, 1961 Oil on canvas: 96 x 130 cm Signed and dated, upper left: Alimin, Bali 61

Born in Solok, West Sumatra 1932. He learnt painting under S. Sudjojono and Harijadi. In 1952, he joined the Indonesian Young Artists Gallery. He founded Matahari painters association together with Nashar, Wakijan, Mardian, and others (1954). He also established the Kedatom Gallery, Danpasar, Bali (1960).

RP 75,000,000 - 90,000,000 USD 5,800 - 6,900

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116

ERNEST DEZENTJE (Jatinegara, 1885 – 1972) Palembang

Oil on canvas: 48 x 68 cm Signed, lower right: Ern.Dezentje RP 25.000.000 - 35.000.000 USD 1,900 - 2,700

117

RONALD APRIYAN (South Sumatra, 1979) Berbagi Pelangi, 2015

Acrylic on canvas: 90 x 140 cm Signed and dated, lower middle: RNL.2015 RP 20,000,000 - 30,000,000 USD 1,500 - 2,300

118

WILHEMUS JEAN FREDERIC IMANDT (St. Jansteen, The Netherlands, 1882 – 1967) The Ocean Oil on canvas: 40 x 50 cm Signed, lower left: Imandt RP 10,000,000 - 15,000,000 USD 800 - 1,200

100

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119

NASJAH DJAMIN

(Perbaungan, 1924 – Yogyakarta, 1999) Perahu Jukung Oil on canvas: 75 x 54 cm Signed, lower right: Nasjah RP 40,000,000 - 50,000,000 USD 3,100 - 3,800

The painting with the artist’s wife

120

CAREL LODEWIJK DAKE, Jr

(Schaerbeek, 1886 – Jakarta, 1946) Indonesian Landscape

Oil on canvas laid on board: 39 x 51 cm Signed, lower left: Cl. Dake Will be included in the future publication of the book “Soekarno Favourite Painters” RP 20.000.000 – 30.000.000 USD 1,500 - 2,300

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101

102

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Lee Man Fong Lee Man Fong was born in Canton, China, 1913. He arrived at Singapore at young age then later moved to Jakarta. He showed great artistic talent from a young age. He participated in the Association’s First Art Exhibition invited by the head of the Dutch East Indies Associations (1931). Lee Man Fong was a successful commercial artist before becoming a full time artist in 1941. His successful exhibitions in Bandung and Jakarta made him a fast growing artist at that time. He received scholarship from the Dutch government to study painting in Holland (1946). In 1952 he returned to Indonesia and gained more accolades as well as acknowledgement. Lee Man Fong officially became the presidential palace’s painter and chief curators of its collection in 1961 and compiled a 5 volume edition of President Sukarno’s art collection. He died in 1988 and remembered as a western vigorous painter and an oriental unique oil painting painter. During 1952, Lee quietly developed his art, which focused on thorough observation of life and nature around him. Lee tried to translate the aesthetic and style of Chinese brush painting into oil on canvas. Considering the differences in texture and consistency between ink and oil, Lee tried to direct the effect of an ink brush with his strokes, which is not a simple act. A large part of these works featured animals, such as the chicken, doves, goldfish, storks, and gibbons. Doves has become Lee Man Fong’s beloved and sought after works in spite of Goldfishes and other animals such as horses, cockatoos, tigers and dogs. Lee Man Fong’s paintings of Doves are especially noteworthy. Since some forty years ago, his animal themes had made a far reaching accomplishment and recently have been eagerly sought after in Europe and America. A testimony to his mastery of technique and realization of theme, this painting depicts the world of the doves as peaceful and calm, but at the same time dynamic. The doves in pairs symbolize a good match, which may be further extended to mean “peaceful coexistence.” 121

LEE MAN FONG

(b. Canton, China 1913 – d. Singapore, 1988) Doves Oil on canvas: 42 x 60 cm Signed, lower right: MF. Lee Provenance: Private collection, Jakarta RP 460,000,000 - 550,000,000 USD 35,400 - 42,300

Masterpiece Singapore 2 - 3 March 2013 Lee Man Fong, Lot 034 sold for SGD 323,300

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103

122

ROEDYAT MARTADIREDJA (Bandung, 1932 â&#x20AC;&#x201C; 2002) Seated Lady in Red Kebaya, 1981

Oil on canvas: 110 x 79 cm Signed and dated,lower left: Roedyat 81 RP 120,000,000 - 180,000,000 USD 9,200 - 13,800

104

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Roedyat always paint his subject from his personal exploration and examination. Even when using subjects that he often painted, he always felt that he had to see and inspect them each time. The artist was strong in completely analyzing the objects before him. The objects are no longer as physical representations or repetitive illustrations. Instead they become metaphors of the self. The representation of woman figure in the foreground, which somewhat expressionless face, perhaps only treated as a metaphor to describe the landscape of city scene in the background. The presentation of trees is more stylized and abstracted to the point of being decorative. The combination of the unusual green and blue color is quite actually typical of the artistâ&#x20AC;&#x2122;s painting.

123

IDA BAGUS MADE POLENG (Tebesaya, 1915 – 1999) Menanti Kelahiran

Wood: 32 x 39 x 17 cm Signed, lower area: Ida Bagus Made T.B.S Accompanied with statement letter from the family RP 75,000,000 - 90,000,000 USD 5,800 - 6,900

124

ZAF CHEVALLIER (Jakarta, 1959) Spirit of Borobudur

Oil on canvas: 140 x 140 cm RP 60,000,000 - 80,000,000 USD 4,620 - 6,150

Zaf Chevallier born in Jakarta, 10 February 1959. He is a multi talented artist, graphic designer, and fashion and interior designer whose works are the results of the different cultures which he has experienced. Born in Indonesia, Zaf moved to the Netherlands in 1977 where he spent 26 years working, studying, and absorbing the Dutch culture. Zaf worked for 11 years before deciding to further his education and enrolled in the Leiden Educational Institution (LOI), Leiden, Netherlands in Interior Art Design and Architecture. During his education, Zaf worked on his own art design and oil paintings, and his art was exhibited in art galleries in Roosendaal, Rotterdam, and Amsterdam from 1991 to 1995. Exposed to different cultures and coming from Indonesia, who has been colonized by different cultures as the Portuguese, Japanese, and Dutch, Zaf’s paints his philosophy of the future and how a cohesive world should be. In Zaf’s words, “The new world that is our destination no matter if we are still alive or dead. The message for our future lies in peace, happiness, freedom, and love. No human power, no religion, no politics, no sadness, no illness, no wars, and everybody in the new world living in equal societies, respect, and are honest to one another”. MASTERPIECE FINE ART - AUCTION

105

125

ARIE SMIT

(Zaandam,The Netherlands, 1916 - Bali, 2016) The Village Temple, 2004 Acrylic on canvas: 32.5 x 50 cm Signed and dated, lower left: Arie smit 04 Signed, titled and dated on the reverse This lot is accompanied with certificate of authenticity from the artist RP 90,000,000 - 120,000,000 USD 6,900 - 9,200 Born in Zaandam, the Netherlands, 1916. He was a student of the Academy of Arts in Rotterdam before working as lithographer for the Dutch Colonial Army in the Dutch Indies prior to the Second World War. He moved to Bali in 1956 to engage in full time painting and became an Indonesian Citizen, produced as well as taught painting at the Bandung Institute of Technology (ITB). Many of his paintings depict the nature of his surrounding environment. He had several solo exhibitions in Bandung Institute of Technology, The Honolulu East West Center, and the Center of Strategic and International Studies in Jakarta. He received the â&#x20AC;&#x153;Dharma Kusumaâ&#x20AC;? art awards from the local government of Bali.

106

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126

LUCIEN FRITS OHL

(Palembang, South Sumatra, 1904 – The Hague, 1976) Landscape Oil on board: 70 x 100 cm Signed, lower right: L. Frits Ohl RP 45.000.000 – 60.000.000 USD 3,500 - 4,600

127

WILLEM VAN DER DOES

(Amsterdam, The Netherlands, 1889 – 1966) Acther Minj Huis te Lawang bij Het Eerste Ochtendgloren Oil on board: 49 x 33 cm Signed, lower left: W.V.D.Does Provenance: Christie’s Amsterdam, 17 March 2004, lot 51 RP 45,000,000 - 60,000,000 USD 3,500 - 4,600 Born in Rotterdam, 20 April 1889. He came to Indonesia ca. 1918 as a civil servant to survey the country. In this function he traveled all over the archipelago. The artist participated in several group exhibitions in Jakarta, Medan and Surabaya between 1918 and1939. He returned to the Netherlands in 1946, where he settled in Zeist. Painter, Illustrator and draughtsman of harbor scenes, City views, and landscapes, in an accurate impressionistic style.He died in Zeist, the Netherlands, February 3, 1966. MASTERPIECE FINE ART - AUCTION

107

Trubus Sudarsono Born in 23 April 1926 in Wates, Yogyakarta. He only had a short formal education until elementary school. His amazing talent and skill was sharpened through learning time with Affandi and Sudjojono. During revolutionary time in Yogya, he joined Seniman Indonesia Muda and then Pelukis Rakyat lead by Hendra Gunawan. In 1948, he was arrested and jailed in Netherlands colonial government because he was considered involving with guerrilla activity. After released from prisoner, he taught at Akademi Seni Rupa Indonesia, Yogyakarta during 1950-1960. He was known as one of the strongest realism painter in Indonesia. He indeed closed with opposition and had been selected as Indonesia delegate in a goodwill journey to Chekoslovakia in 1954. Trubus was also a victim of opposition elimination in 1966. Trubus had mastery in capturing the figure through expressive brush stroke that become his distinctive characteristic in painting. He tended to use secondary and tertiary colours that reflected his restless spirit. Among his famous themes are objects of dancing figures with lifely expressive stroke.

128

TRUBUS SUDARSONO (Yogyakarta, 1926 â&#x20AC;&#x201C; 1966) Pemain Biola, 1951

Oil on canvas: 73 x 60 cm Signed and dated, lower left: Trubus S.51 DK RP 200,000,000 - 280,000,000 USD 15,400 - 21,500

108

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109

129

S. TEDDY D

(Padang, 1970 - Semarang 2016) Figure, 2000 Oil on canvas: 112 x 88 cm Signed and dated, lower left: S. Teddy D.2000 RP 15,000,000 - 20,000,000 USD 1,200 - 1,500

130

SUDARSO

(Purwokerto, 1914 â&#x20AC;&#x201C; 2006) Dua Gadis Bali, 1990 Oil on canvas: 140 x 80 cm Signed and dated, lower left: Sudarso 90 Accompanied with statement letter from the family RP 40,000,000 - 50,000,000 USD 3,100 - 3,800 131

JEIHAN SUKMANTORO (Solo, 1938) Seated Lady, 1985

Oil on canvas : 100 x 70 cm Signed and dated, lower right: Jeihan 85 RP 40,000,000 - 60,000,000 USD 3,100 - 4,600 110

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132

DULLAH

(Solo, 1919 – 1996) Nenek,1977 Oil on canvas: 60 x 50 cm Signed and dated,lower right: Dullah, Bali77 RP 55,000,000 - 65,000,000 USD 4,200 - 5,000

111

Budi Kustarto Born, Jan 4, 1972 in Karangbawang, Central Java, Indonesia Education 2003 Indonesian Institute of Arts (ISI), Yogyakarta, Indonesia Solo Exhibition 2008 • “Among Others” will be held at Soka Gallery, Beijing, China • “Ice Creams Series” by SOKA Art Centre, Beijing, China 2006 • “Hetero; Green”, in Semarang Gallery 2005 • “Budi”, in Nadi Gallery, Jakarta • Selected Group Exhibition 2010 • “The Grass looks Greener Where You Water It”, ARTPARIS+GUESTS 2010, Grand Palais, Paris 2009 • “Indonesian Contemporary Drawing”, National Gallery, Jakarta, Indonesia • “Self-Portrait”, Sigi Art, Jakarta, Indonesia • “Biennale Jogja X”, Yogyakarta, Indonesia 2008 • “Group Exhibition”, Museum Affandi, Yogyakarta, Indonesia • “Spacing”, The Opening of Semarang Contemporary Artspace, Semarang, Central Java, Indonesia • “Manifesto”, National Gallery, Jakarta 2007 • “Neonation”, Jogja Biennalle VIV, Jogjakarta • “Book AID IVAA”, Nadi Gallery Jakarta • “Fetish”, Biasa Artspace, Bali • “Common Grounds”; Indonesian Contemporary Art, National Gallery Jakarta • “Ilusi-Ilusi Nasionalisme”, Jogja Gallery, Jogjakarta • “Soka’s View - Southeast Asia Contemporary Art”, Soka Art Center, Beijing and Taipei • “Imagined Affandi”, Organized by Galeri Semarang, Gedung Arsip Nasional, Jakarta, Indonesia • “Indonesian Art Now”, Nadi Gallery Jakarta Awards 2003 CP Open Biennale 2003, Jakarta 1998 Top 10 of Philip Morris Indonesian Art Award, Indonesia

133

BUDI KUSTARTO (Karangbawang, 1972) Something, 2006

Acrylic on canvas : 141,5 x 141,5 cm Signed and dated, lower right: Budi Kustarto, 2006 Signed, titled and dated on the reverse RP 220,000,000 - 300,000,000 USD 16,900 - 23,100

112

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113

134

I NYOMAN TJOKOT

(Jati Village, Tegallalang , Bali, 1886 â&#x20AC;&#x201C; Jati 1971) Primitive Statue Wood: 70 x 35 x 25 cm RP 95.000.000 - 120.000.000 USD 7,300 - 9,200

135

SUWAJI

(Yogyakarta, 1942) Women with Bird, 2014 Oil on canvas: 100 x 70 cm Signed and dated, lower right: Suwaji2014 RP 20,000,000 - 30,000,000 USD 1,500 - 2,300

114

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136

DEDE ERI SUPRIA (Jakarta, 1956) Labyrinth, 2016

Oil on canvas: 138 x 139 cm Signed and dated, lower left: Dede Eri Supria, 2005-2016 This lot is accompanied with certificate of authenticity from the artist

The Artist with the painting

RP 70,000,000 - 90,000,000 USD 5,400 - 6,900

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115

Basoeki Abdullah Born in Solo, January 27, 1915, he is the second son of Abdullah Soerjosoebroto, a prominent landscape painter. He studied at the Academia van Beeldende Kunsten in The Hague, the Netherlands. Basoeki Abdullah started painting since he was 5 years old in simple drawing, and at 10 he traveled to Surabaya and Bali where he started portrait painting. During 1933, he held his first exhibition in Bandung. He brought his painting to RMP. Sosrokartono, RA. Kartini’s brother, who was very impressed on Basoeki’s painting. Sosrokartono and Prince of Mangkunegoro VII became the person who greatly supported his painting career until Basoeki become a famous painter. During that time he continued his study at Academia van Beeldende Kunsten in the Hague, the Netherlands. Basoeki Abdullah is one of the most prominent Indonesian maestros in portrait paintings. The late artist was well-known for his realistic paintings. Besides painting of natural beauty and sensuous landscape, he is also noted for his portraits of beautiful women, as well as paintings of scenes from legends that are also tempered with the same lyrical and overly sensual treatment. His great fond of paintings women’s figure perhaps derived from his great interest in exploring the beauty of women that is attractive to paint in any way. The artist gain the public recognition after winning a painting competition held in conjunction with the Netherland’s Queen Juliana ascension to throne on 6 September 1948.

137 BASOEKI ABDULLAH (Solo, 1915 – Jakarta, 1993) Nude Oil on canvas: 120 x 80 cm Signed, lower right: Basoeki Abdullah RP 200,000,000 - 250,000,000 USD 15,400 - 19,200

116

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117

118

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Widayat Born in Kutoarjo, Central Java, 1923. He studied at the Indonesian Fine Art Academy (ASRI), Yogyakarta and Ceramics and Landscape, Nagoya, Japan (1960). He received BKPM award (1953), a cultural award from the Indonesian Government (1972), the Best Biennial Painting, Yogyakarta (1986) and the ASEAN Award, Brunei Darussalam (1993). His works have been shown throughout Indonesia and abroad. He performed his solo exhibitions in Yogyakarta (1983), Jakarta (1985, 1990, 1991, 1992, 2000 and participated in joint exhibition in Japan, Netherlands and United States for KIAS (1990 – 1991). The themes of Widayat’s works during half a century have not shifted much. They are centered on landscapes, flora and fauna, actual daily life, myths legends, and religious – spiritual issues. The same remark goes for his treatment of main object and decorative backgrounds with textures that has already become part of his characteristic features. One of the themes extensively treated by Widayat is flora and fauna. After his trip to Japan, the artist created many cherry blossom trees and animal objects like birds, horses and fishes. Fish seem to be the obsession for Widayat, who explained that his fascination for the creatures started in Japan. He went to deep-sea fishing with friends. The fish had all sort of strange, monstrous forms that appealed to Widayat’s fantasy. The fish is a symbol of good health, just like a proverb says “I feel as healthy as a fish in water.” Another reason for Widayat’s attraction to underwater world might be because he was born under the astrological sign of Pisces, the Fish. People with this sign must have the freedom to swim in all directions, living in the depths of the intuitive world of water.

138

WIDAYAT

(Kutoarjo, 1919 – Jakarta, 2002) Ikan, 1989 Oil on canvas: 145 x 145 cm Signed and dated, lower right: H. Widajat’ 89 Signed, titled and dated on the reverse Provenance: Private collection, Jakarta RP 300,000,000 - 400,000,000 USD 23,100 - 30,800

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119

139

ENDRO

(Yogyakarta, 1983) Cross on The Hill, 2009 Oil on canvas: 150 x 120 cm Signed and dated, lower right: Endro 09 RP 12,000,000 - 18,000,000 USD 900 - 1,400

140

I MADE DJIRNA

(Ubud, 1957) Di Kandang Babi, 1998 Mixed media on canvas: 130 x 90 cm Signed and dated, lower left: Djirna 98 Signed, titled and dated on the reverse RP 25,000,000 - 35,000,000 USD 1,900 - 2,700

141

ERICA HESTU WAHYUNI (Yogyakarta, 1971) Prosperity Borobudur, 2011

Acrylic on canvas: 150 x 200 cm Signed and dated, lower right: Erica, 2011 This lot is accompanied with certificate of authenticity from the artist RP 50.000.000 - 70.000.000 USD 3,800 - 4,600

120

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142

SOEPARTO

(Yogyakarta, Central Java, 1924 - 2001) Perahu, 1999 Acrylic on canvas: 80 x 80 cm Signed and dated, lower right:3.2.1999 Jakarta RP 60,000,000 - 80,000,000 USD 4,600 - 6,200

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121

Abdul Aziz Abdul Aziz was born in Purwokerto, Central Java, and showed precocious artistic talent from childhood. His first Diploma was in Social Sciences from Gajah Mada University, after which he studied Art at the Indonesian Fine Arts Academy (ASRI) in Yogyakarta. Due to his exceptional talent he was awarded a scholarship to study at the Academia di Belle Arti in Rome in 1958, where he was awarded two Diplomas, in Painting and in Decoration. On his return to Indonesia in 1965 he lectured in Fine Art at Udayana University and established his studio in Ubud Bali. Abdul Aziz is now regarded as one of Indonesia’s greatest artists of the 20th Century. Originally from Central Java but a resident of Bali for the last part of his life, Aziz was widely known and highly sought after for his realistic paintings of village scenes. Aziz’s paintings include beautiful women, depicted singly or in groups, and portraits both painted and sculpted. Yet his oeuvre stands out as more of an individual contribution to Indonesian art history than most, belonging in a class with artists who are continuously referred to as the ‘greats’: those individual artists that Western-trained or influenced art writers found to be the most original and innovative of their time.

Illustrated as the back cover of the book

143

ABDUL AZIZ

(Purwokerto, 1928 - Bali, 2002) Gazing, 1990 Oil on canvas: 35 x 30 cm Signed and dated, upper left: Abdul Aziz, Bali,1990 Literature: Mary Northmore - Aziz, Abdul Aziz The Artist and His Art, Bali,2005 Pg. 219 RP 80,000,000 - 100,000,000 USD 6,200 - 7,700

122

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123

Sudjana Kerton Sudjana Kerton was born in Bandung, 1922. He made documentary paintings in sketches and sculptures depicting the struggle of independence, exhibited in Sono Budoyo Museum, Yogyakarta and other cities throughout Java. Kerton’s work shows a deep concern for the common people in Indonesia particularly the farmers. The subject matter of Kerton’s work reflects an interesting issue. There are the figure, landscape scene, daily life, culture, art and performance and war/ battle. Kerton always remembered his experience of growing up in his neighborhood, interacting with people close to him, and also the lessons and customs. A number of Kerton’s works originated from his thoughts about and total involvement with traditional culture, arts and especially traditional performances. Some of them described customs and traditions; for instance, traditional wedding ceremony, cock fight, drunken man, and celebration of local tradition. Sudjana Kerton received full scholarship to study fine art at the Art Students League New York then Mexico for mural after won another fellowship to study art in Amsterdam and Paris. During his study in New York, Affandi who visited US stayed at his dorm and they discussed every subject matters about art, independence struggle and the life of ordinary peasant and farmer within West Java as Affandi born in Cirebon. Kerton then created his own cubism images in romantic color pallet depicting people’s activities through the places he personally observed.

144

SUDJANA KERTON

(Bandung, 1922 – 1994) Perayaan 17 Agustus, 1987 Oil on canvas: 100 x 80 cm Signed and dated, lower right: S. Kerton 87 Accompanied with statement letter of authenticity RP 500,000,000 - 700,000,000 USD 38,500 - 53,800

124

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125

145

RUSLI

(Medan, 1912 – Jakarta 2005) Pelabuhan, 1982 Oil on canvas: 50 x 65 cm Signed and dated, lower right: Rusli, 15 April 82 RP 80,000,000 - 100,000,000 USD 6,200 - 7,700 Rusli was born in Medan, North Sumatra, 1912. He studied at the Kala Bhawana Santiniketan University of Rabindranath Tagore, India from 1932 to 1938, and he taught in 1951 at Akademi Seni Rupa Indonesia (ASRI) in Yogyakarta. He joined Seniman Muda Indonesia (Indonesian Young Artists) and helped established the Seni Rupa Masyarakat (Art for People Association). His works were exhibited at the Biennale exhibition II in Sao Paolo, Brazil (1953) and held solo exhibition at Palazzo Brancaccio, Rome, Italy (1954 – 1956). He passed away in Jakarta on 11 May 2005.

126

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146

ABAS ALIBASYAH

(Purwakarta, 1928 - Jakarta 2016) Topeng, 1967 Oil on canvas: 138 x 100 cm Signed and dated: lower right, AB 67 RP 18,000,000 - 30,000,000 USD 1,400 - 2,300

147

O.H. SUPONO

(Surabaya, 1937 â&#x20AC;&#x201C; Bali, 1991) Rupadhatu Borobudur, 1988 Oil on canvas: 69 x 69 cm Signed and dated, lower left: OH. Supono 88 RP 15,000,000 - 20,000,000 USD 1,200 - 1,500

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127

Djoko Pekik Djoko Pekik was born 1938in Grobogan, Purwodadi in Central Java.In 1958, he enrolled at the Akademi Seni Rupa Indonesia (ASRI) and studied under artists Suromo, Abas Alibasjah, and Widayat. Joko Pekik’s art is typically Javanese in style and he has become one of the country1 s foremost greatest artists in satirizing the society he lives in. From 1990 to 1991, his works were part of a travelling exhibition of contemporary works for the Festival of Indonesia in USA. Since then, he had held numerous solo and group exhibitions in various parts of Indonesia and overseas. “The Art Gallery of Djoko Pekik” is owned by the artist and showcases many of his own collection. Djoko Pekik’s work is unique in the painting world of Indonesia in the 1980s, both in regards to subject matter as well as to style. Djoko Pekik paints what moves him, he says, and what moves him is the plight of those millions of Indonesians who are living under difficult circumstances, in regions infertile from century-old deforestation, erosion and overpopulation, where work other than farming is scarce and the livelihood the land can offer more than meager. People and landscapes are Djoko Pekik’s major themes— depicted in bleak tones dominated by moss-green, black, ocher and cream, enlivened here and there by a deep red or blue. Djoko Pekik’s paintings are strong and simple: Simple figures in strong outlines set in simple, strong compositions. His colors are low tone and earthy; and like the repeated stripes in the cloth, his figures occur mostly in groups, in a choreographed repetition of rhythmic movement. The individual is not the focus of Djoko Pekik’s work like shown in the present lot.

148

DJOKO PEKIK

(Grobogan, 1938) Pengamen Tayub, 2008 Oil on canvas: 110 x 140 cm Signed and dated, lower right: Djoko Pekik, 15 Okt 2008 This lot is accompanied with certificate of authenticity from the artist RP 250,000,000 - 350,000,000 USD 19,200 - 26,900

128

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129

149

ERNEST DEZENTJE (Jatinegara, 1885 – 1972) Mosque

Oil on canvas: 45 x 65 cm Signed, lower right: E. Dezentje RP 30,000,000 - 40,000,000 USB 2,300 - 3,100

150

LUCIEN FRITS OHL

(Palembang, South Sumatra, 1904 – The Hague, 1976) Market Oil on board: 40 x 30 cm Signed, lower rigt: L. Frits ohl RP 28.000.000 – 35.000.000 USD 2,200 - 2,700

151

JB. IWAN SULISTYO

(Kudus, Central Java, 1954) Katedral Jakarta Malam Hari, 2014 Oil on canvas: 120 x 100 cm Signed and dated, lower right: JB Iwan Sulistyo RP 17,000,000 - 25,000,000 USD 1,300- 1,900 130

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Index Of Artist Abas Alibasyah

146

Hendra Gunawan

Ong Kim Seng

Abdul Aziz

72, 143

Henk Ngantung

Otto Djaya

Affandi

77, 95

Heri Dodot Widodo

Pardoli Fadli

5, 90

Agung Mangu Putra

Huang Fong

Paul Aizpiri

Alimin Tamin

115

I Gusti Ketut Kobot

39, 73

Popo Iskandar

20, 38, 82

Alit Sembodo

I Made Djirna

17, 49, 140

Pupuk Daru Purnomo

Arie Smit

22, 35, 103, 125

I Made Wianta

Putu Sutawijaya

58, 96

Auke Cornelis Sonnega

I Nyoman Tjokot

134

Redy Rahadian

Bambang Pramudiyanto

Ibnu Nurwanto

114

Roedyat Martadiredja

122

Basoeki Abdullah

40, 105, 137

Ida Bagus Made Poleng 123

Ronald Apriyan

117

Batara Lubis

Itji tarmizi

Rusli

145

Budi Kustarto

133

Ivan Sagita

S. Yadi K.

92, 111

Budi Ubrux

Jacob Dooijewaard

S.Sudjojono

56, 84

Carel Lodewijk Dake, Jr

24, 34, 120

JB. Iwan Sulistyo

151

S.Teddy D

57, 101, 129

Decki Leos Firmansah

93, 110

Jeihan Sukmantoro

14, 131

Soeparto Partowardojo

142

Dede Eri Supria

29, 136

Josephine Linggar

Soetopo

Dirot Kadirah

Krijono

27, 41

Srihadi Soedarsono

104

Djoko Pekik

148

Lee Man Fong

7, 25, 36, 69,

Sudarso

130

106, 121

Sudjana Kerton

54, 144

1, 52, 66, 80,

Sudjono Abdullah

28, 79

89, 100

Suwaji

135

Donald Stuard Leslie Friend 98 Dullah

16, 47, 55, 132

Leo Eland

Edhi Sunarso

Emil Rizek

Liem Tjoe Ing

Teguh Ostenrik

113

Endro

139

Lim Wasim

11, 42

Tommy Wondra

19, 45

Erica Hestu Wahyuni

76. 88, 109, 141

Lucien Frits Ohl

23, 126, 150

Trubus Sudarsono

68, 128

Ernest Dezentje

116, 149

M. Irfan

112

Ugo Untoro

F. Widayanto

M. Lugas Syllabus

21, 67

Ugy Sugiarto

Fadjar Sidik

Nashar

Widayat

70, 138

Frederik Kasenda

Nasirun

Wilhemus Jean Frederic Imandt

118

Gerard Pieter Adolfs

3, 78, 91

Nasjah Djamin

8, 119

Willem Gerard Hofker

33, 108

Giordano Giovanetti

Nyoman Gunarsa

44, 85

Willem Van Der Does

2, 127

Han Snel

O.H Supono

147

Yunizar

Hasim

102

Omar Yahya

10, 107

Zaf Chevallier

124

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131

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