MASTERPIECE Auction Singapore

Catalogue not for sale

Southeast Asian, Chinese,Modern & Contemporary Art

DAY SALE Singapore, 12 April 2015

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Day Sale AUCTION

VIEWING

SUNDAY, 12 APRIL 2015

SATURDAY, 11 APRIL 2015

13.00 - FINISH

11.00 - 20.00

LUNCHEON : 12.00 AUCTION Ballroom level 2 (mezzanine Floor) Sheraton Towers Singapore 39 Scotts Road Singapore 228230

Southeast Asian, Chinese, Modern & Contemporary Art

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Published by: MASTERPIECE Auction House Global Auction Pte. Ltd 1 Kaki Bukit Road 1 #02-61 Enterprise One Singapore 415934 Tel: +65 67478151 Fax: +65 67470373 info@masterpieceauction.com.sg www.masterpiece-auction.com Copyright @ 2015, Masterpiece Auction Singapore All right reserved. No part of this publication may be reproduced, stored in a retriavel system, or transmitted in anyform or by any means, electronic, mechanical, photocopying or otherwise, without written permission from the publisher.

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Important Notice 22

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Masterpiece Auction- SINGAPORE - Singapore MASTERPIECE FINEFine ARTArt AUCTION

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101 ARIE SMIT (Zaandam, The Netherlands, 1916) Candi Bentar, 2011 Acrylic on canvas: 43 x 50 cm Signed and dated, lower left: Arie Smit’2011 Signed, titled and dated on the reverse This lot is accompanied with certificate of authenticity from the Artist SGD 8,500 - 12,000 USD 6,120 - 8,640

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Born in Zaandam, the Netherlands, 1916. He was a student of the Academy of Arts in Rotterdam before working as lithographer for the Dutch Colonial Army in the Dutch Indies prior to the Second World War. He moved to Bali in 1956 to engage in full time painting and became an Indonesian Citizen, produced as well as taught painting at the Bandung Institute of Technology (ITB). Many of his paintings depict the nature of his surrounding environment. He had several solo exhibitions in Bandung Institute of Technology, The Honolulu East West Center, and the Center of Strategic and International Studies in Jakarta. He received the “Dharma Kusuma” art awards from the local government of Bali.

102 IRSAM (Klaten, 1942) Gadis dan Bulan, 1996 Mixed media on canvas: 76 x 65 cm Signed and dated, lower left: Irsam, 1996

Born in Klaten, Central Java, 1942. He graduated from the Indonesian Fine Art Academy (ASRI) Yogyakarta.

He had held his first exhibition in 1967 in Jakarta. He received an award from the Philippines, Singapore, and Thailand. In 1980 he also joined in the Contemporary Asian Art Exhibition in Fukuoka Art Museum Japan.

Literature: Mikke Susanto, Jejak-jejak Dekoratif Irsam, Published by PT. Dwi Samapersada, Jakarta, 2013, Pg. 57 SGD 4,000 - 6,000 USD 2,880 - 4,320

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Hendra Gunawan Hendra was born in Bandung, West Java, on June 11, 1918. Since elementary school, he has shown his painting skill. He diligently drew objects around him like fruits, flowers, and wayang (puppet).

Hendra began to seriously study painting after graduating from Junior High School. He studied painting under the landscape painter Wahdi Sumanta and Abdullah Suriosubroto. His first meeting with Affandi has made his great leap to decide his seriousness in painting. In 1930’s along with Affandi, Barli, Sudarso and Wahdi, he founded “Kelompok Lima Bandung”, a study group of artist in Bandung, and later continued to form “Sanggar Pusaka Pasundan” in 1940.

Within the period of struggle for Independence, Hendra, Affamdi and S. Sudjojono were involved in several youth organizations and artist groups. Their presence had inspired the establishment of artist studios and art institution in that difficult time. Hendra actively guide the youth who are interested in the arts of painting and sculpture by founded the organization “PUTERA” (the People’s Power Center).

After the proclamation of independence, Hendra make posters of the people’s struggle for Independence. In 1945, along with several artists, Hendra founded „Pelukis Front“, a group of painter who actively painted during the battle. The struggle for independence is reflected in his work that elevates the everyday reality of the people of Indonesia through posters and paintings, depicting the harvest scene, fruit seller, mother and child, the stage dancers and the atmosphere of the public kitchen like presented in the present lot. This revolutionary theme was completed with Hendra’s typical color and stylized figures.

103 HENDRA GUNAWAN (Bandung, 1918 – 1983) Dapur Umum dan Para Pejuang, 1947 Oil on boards: 45 x 45 cm Provenance: private collection Jakarta SGD12,000 - 18,000 USD 8,640 - 12,960

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104 KARTONO YUDHO KUSUMO (Medan, 1924 -1957) Desa Ku Membangun Oil on board: 48 x 60 cm Signed, lower left: Kartono Yudho Kusumo, Bandung SGD 8,500 - 10,000 USD 6,120 - 7,200

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Born in Medan, North Sumatra, 1924. He had a decorative style in his works. He learned painting from Dutch and Japanese artist who lived in Indonesia such as Willem F.M. Bosschaert, T. Akatsuka, Ernest Dezentje, Charles Sayers and many other artists. He ever held a solo exhibition and won a number of art prizes. In 1945 he moved to Yogyakarta and died in 1957.

105 ANTON HUANG (Bandung, 1935 – 1985) Balinese Woman, 1963 Oil on canvas: 70 x 47 cm Signed and dated, lower right: Anton Huang, 1963 SGD 5,000 - 7,000 USD 3,600 - 5,040

Born in Bandung, 1935. At 20s, he learnt painting from painter Kartono Yudhokusumo at Sanggar Seniman and continued to study under painter Barli. In 1959, he held his exhibition in several major cities in Indonesia among others in Jakarta, Bandung and Surabaya. He was also active participating in many exhibitions abroad such as in Denmark and Amsterdam. In 1969, he moved to Bali where he strongly in contact with European artists that develop his painting.

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Arie Smit As Gauguin was entranced by Tahiti, so has Smit been enamoured with Bali ever since his arrival there in 1956.

In an artistic career which spans over fifty years, Smit has sought to capture and thereby celebrate the tropical beauty and wonder of his adopted home.

Arie Smit is best known for his paintings of fertile rice fields, vast valley and mountain ranges, temple courtyards and monumental gateways, and festive temple processions of Bali. Arie’s landscapes often go beyond the scenes of nature. Landscape, Hills and Trees is not a mere rendition of the rolling green terrain of the valley. His painting show breath-taking landscapes, relaxing youths, colorful tropical gardens, glittering seascapes, and quiet temples that evoke a sense of wander. The vibrant colour combination exudes vitality and exuberance yet the mood imbued is peaceful and harmonious.

106 ARIE SMIT (Zaandam, The Netherlands, 1916) Temple, 2001 Acrylic on canvas: 68.5 x 79.5 cm Signed and dated, lower left: Arie Smit’2001 Signed, titled and dated on the reverse This lot is accompanied with certificate of authenticity from the Artist SGD 22,000 - 30,000 USD 15,840 - 21,600

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107 SALIM / SARAOCHIM SALIM (Medan, 1908 – Paris, 2008) Flowers in the Porch Oil on canvas: 72 x 60 cm Signed, lower right: Salim SGD 4,500 - 5,500 USD 3,240 - 3,960

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Born in Medan, North Sumatra, on 3 September 1908. In 1919 he went to the Netherlands, then in 1928 to Paris, France. There he met Fernand Leger whom he studied painting with and continued to study at the Académie de la Grande Chaumiére from 1929 to 1932. He is an amazing artist who has maintained his social beliefs and ideals throughout his long life, for the belives that artists will never die.

His life and artistry are documented in the books Pelukis Salim (1983) and Salim: Pelukis Indonesia di Paris (2003). Since 1948, Salim has held several solo exhibitions in France, the Netherlands, Switzerlands, Belgium and Japan. He held several solo exhibition in Indonesia since 1952. He received many awards from the France government as well as other International awards such the Festival International de Paris-Sud (1971), The National Prize of the International Exhibition at Cagnes SurMer (1972) and Medeille d’Argent of the Festival International de Paris-Sud (1973).

He continues painting and lives in Paris until he passed away in on 13 October 2008.

108 ABDUL DJALIL “AD” PIROUS (Meulaboh, Aceh, 1932) Abstrak, 1969 Oil on canvas: 100 x 72 cm Signed and dated, lower right: AD. Pirous, 69 SGD 3,800 - 4,500 USD 2,740 - 3,240

He was born in Meulaboh, Aceh, on 11 March 1933. He finished his arts education at the Bandung Institute of Technology (ITB) and continued his study at Rochester Institute of Technology, Rochester, United States majoring art and graphic design (1964 – 1970). He was well known as the pioneer of modern calligraphic art in Indonesia. He won several national and international competitions among other are as the Best Painting Prize in Biennale Art Award from the Jakarta Arts Council (1974, 1976), the silver medal at the International Arts Exhibition I in Seoul, Korea, and the Indonesian Arts Award (1985). He has participated in numerous exhibitions throughout the world, including the Asia-Pacific Triennale, Brisbane, and the 9th International Asia Exhibition, Taipei (1994). After he retired from the Academic world, AD Pirous is still working as a painter and thinker in the field of art and culture.

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M. Irfan M. Irfan was born in Bukittinggi, West Sumatra 1972. M. Irfan is included in 51 members of the young artists from West Sumatra that recently held a group exhibition under the theme of Panorama. He is widely known as prospective painters in Indonesian art world. He was one of the member or Jendela Group, a group of painters from Minang, West Sumatra. Basically Irfan is an artist that does not like to involve himself in great or political issues. He feels that they are simply beyond his capacity and interests. For him perceiving petty objects around him is more interesting.

His works are being pursued by collectors and are often appearing in auction houses. His paintings are mostly huge in size. They portray trains, railways, ship, and aeroplanes. The present lot perhaps Irfan’s personal observation towards his surroundings. His detail can be visually build into symbols though do not explained anything.

109 M. IRFAN (Bukittinggi, West Sumatra 1972) Number One, 2011 Mixed media on canvas: 170 x 250 cm Signed and dated, lower right: Irfan, 2011 SGD 10,000 - 15,000 USD 7,200 - 10,800

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Chen Wen Hsi A life-long devotion to painting has made Chen one of Singapore's living treasures.

His success in marrying Chinese and Western art makes him both a pioneer and a representative figure of the 20th century Chinese art scene. He developed his painting style in various medium; ink-and-brush, oil, and also sketches. Ink and brush are not enough for the Singapore artist. While he has not altogether dropped traditional Chinese elements from his paintings, he has developed his own style by experimenting with the possibilities offered by Western art.

Chen Wen-hsi is famous for his skill in painting animal themes. Being considered as Singapore’s foremost painter, Chen Wen-hsi is renowned for his skill in painting gibbons. Gibbons and egrets are the two series most representative of Chen's style. At his last exhibition in Taiwan ten years ago, his gibbons were highly praised. His Gibbons demonstrate his innovative genius in adapting both Chinese ink painting and Western techniques. Chen’s creates a dynamic, vigorous and rhythmic experience.

110 CHEN WEN HSI (Guangdong, China, 1906) Gibbons Chinese and colour ink on rice paper: 76 x 47 cm Signed and stamped in chinese character, upper left SGD 18,000 - 25,000 USD 12,960 - 18,000

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111 RUSTAMADJI (Surabaya, 1932 – 1990) Nude, 1973 Oil on canvas: 40 x 80 cm Signed and dated, lower left: Rustamadji, 1973 SGD 7,500 - 10,000 USD 5,400 - 7,200

Born in Surabaya, East Java, April 16, 1932. In 1946 he started painting under the painter S. Sudjojono in Sanggar Indonesia Muda (Young Indonesian Artists Association), Madiun. In 1950s he used naturalistic style which afterwards changed to impressionistic.

He actively participated in several exhibitions in Indonesia and abroad. He lived in Surabaya and died in the year of 1990.

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112 SIAUW TIK KWIE (Solo, 1913 – Jakarta, 1988) Half Nude, 1981 Oil on canvas: 81 x 64 cm Signed and dated, lower left: Siauw Tik Kwie, 1981 SGD 5,000 - 6,000 USD 3,600 - 4,320

He was born in in Surakarta, on June 21 1913. He learnt painting from Himpunan Budaya Surakarta (Surakarta Cultural Society) under Dr. Moerdowo in 1954. He took formal education in art at the Indonesian Fine Arts Academy (ASRI), Yogyakarta with his friend Lee Man Fong. Siauw Tik Kwie, also known as Otto Swastika, joined the Bataviasche Kunstring (Batavian Art Circle) when he moved to Jakarta at the end of the 1930s. There, he learned to paint from Dutch artists such as Jan Frank Niemansverdriet and Henry van Velthuysen, and befriended artists such as Lee Man Fong. He held his solo exhibition in 1963 and joined several group exhibitions in many cities. Upon his return to Surakarta, Otto taught at Sanggar Pelangi.

In 1950, he returned to Jakarta and published a series of comics titled Sie Jin Kui on the request of PK Ojong, one of the founders of the Kompas daily newspaper. The comics were based on Chinese martial art tales and published in the magazine Star Weekly from 1954 to 1961. In 1955, he and his artists friends established the Chinese Artists. Association called the Yin Hua and held numerous exhibitions locally and regionally. Siauw Tik Kwie continued to live in Jakarta until his death of aplastic anemia in 1988.

113 I MADE DJIRNA (Ubud, 1957) Tari Rejang, 2000 Mixed media on canvas: 130 x 140 cm Signed and dated, lower right: Djirna, 2000 Signed, titled and dated on the revese SGD 4,500 - 6,000 USD 3,240 - 4,320

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114 GERARD PIETER ADOLFS (Semarang, 1899 – The Netherlands, 1968) A Marac, 1962 Oil on canvas: 50 x 60 cm Signed, lower right Signed and dated on the reverse SGD 9,000 - 12,000 USD 6,480 - 8,640 Born in Semarang, 1899. He once lived in Surabaya and made many paintings about the city. He traveled to many countries in Asia, Europe, and Africa, like Japan, Rome and Arab. He decided to spend the rest of his time in Holland until he died in Den Bosch, the Netherlands, in 1968.

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115 OTTO DJAYA (Rangkas Bitung, West java, 1916 - 2002) Penari Tayub, 1998 Acrylic on canvas: 90 x 138 cm Signed and dated, lower right: Otto Djaya, 1998 SGD 4,000 - 6,000 USD 2,880 - 4,320

116 R. HADI (b. Semarang, Java) Market Oil on canvas: 65 x 110 cm Signed, lower left: R. Hadi SGD 3,500 - 5,000 USD 2,520 - 3,600

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Agung Mangu Putra Mangu Putra was born in Sangeh, Bali, on May 11, 1963.

He graduated from the faculty of Art and Design at the Indonesian Arts Institute (ISI), Yogyakarta majoring Visual Communication Design (1990). His first exhibition was in Dewata Gallery (1987) at Taman Budaya Denpasar. Being a designer did not satisfy him as an artist then he decided to engage in full time painting in 1998. Since his first solo exhibition in Ubud (1990) his name was considered as valuable painter in Indonesia. He held his solo exhibition at National Gallery, “Teater Rakyat”, Jakarta, 2010; “Silent Word”, Gajah Gallery, Singapore (2008), Mandala, Bidadari, Ubud-Bali (2007), “Belief, Rupa Gallery”, Surabaya (2005),etc. He also joined in several group exhibitions in Jakarta, Yogyakarta, Bali and other country. He received awards as the Best in Design Arts (during the 4th and 6th anniversary of ISI, as the finalist of Philip Morris Award in 1994 and Indofood Art Award 2002, Second Place, Jakarta.

Mangu uses strong lines, shapes and colors in mature and harmonious ways. His vision of nature is “polluted” by civilization. His works criticize human activities that have deteriorated the natural world. His series on exploitation focuses on the slaughter of animals and criticize environmental issues. Natural objects are shown as if through sophisticated technological imagery, so that they appear artificial, attractive, provocative, and even fantastic.

117 AGUNG MANGU PUTRA (Sangeh, Bali, 1963) Ikan, 2000 Oil on canvas: 140 x 200 cm Signed and dated, lower right: Mangu Putra, 2000 SGD 30,000 - 40,000 USD 21,600 - 28,800

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118 LUCIEN FRITS OHL (Palembang, South Sumatra, 1904 – The Hague, 1976) Junk In The Sea Oil on canvas: 61 x 91 cm Signed, lower right: L. Frits Ohl SGD 12,000 - 18,000 USD 8,640 - 12,960 Born in Palembang, South Sumatra, 1904. He was a self-taught painter whose works were mostly Indonesian landscape. He also produced paintings of Asian panorama. He was a painter, watercolorist, and draughtsman in the style reminiscent of the late of GP. Adolfs. He once lived in Jakarta for a long time then settled in The Hague until he died in 1976.

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119 BUI XUAN PHAI (Vietnam, 1920 - 1988) Street Scene, Hanoi, 1967 Oil on paper: 18 x 27.5 cm Signed and dated, lower middle: Phai’67 SGD 5,000 - 7,000 USD 3,600 - 5,040

120 JAN FRANK NIEMANTSVERDRIET (Indonesian, 1885-1945) A View of The Benedenstand, Djakarta Oil on board: 47 x 54 cm Signed, lower right: J. Frank SGD 4,000 - 6,000 USD 2,880 - 4,320

Born in Hanoi, Vietnam, 1920. He was famous at home and abroad. He graduated from the Indochina Fine Arts College, 15th entering class (19411946). He specialized in oil painting and gouache. He was influenced by the Paris School of Painting. Many of his paintings are in private collections in Vietnam and in foreign countries.

In 1980 he was prizewinner at the National Fine Arts Exhibition and 1984 was prizewinner for the illustration of the book He Cheo.

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121 ENTANG WIHARSO (Tegal, 1967) Wajah dan Pintu-pintu, 1995 Oil on canvas: 144 x 110 cm Signed and dated, lower left: Entang Wiharso,95 Signed, titled and dated on the reverse SGD 4,000 - 7,000 USD 2,880 - 5,040 Born in Tegal, 1967. He studied at the Indonesian Institute of Arts, Yogyakarta (1987 – 1994). He performed his one-man shows at Agniel Gallery, Providence, Rhode Island, USA (2000), Chouinard Gallery, Hongkong, Jakarta, Yogyakarta and Washington DC (2001 – 2002).

He joined group exhibitions at Museum of Modern Art, Moscow, Russia (2000), Casa de Cantabria, Madrid, Spain, H. Widayat Museum, Magelang, Nadi Gallery, Jakarta (2001), Semarang Gallery, Semarang and Nadi Gallery, Jakarta (2002).

122 I GUSTI NGURAH UDIANTARA (Tampaksiring, 1976) Tentang Rimba, 2000 Mixed media on canvas: 110 x 90 cm Signed and dated, lower righ: Tantin, 2000 Signed, titled and dated on the reverse SGD 4,000 - 6,000 USD 2,880 - 4,320 Born in Tampaksiring, May 31, 1976. He studied at the Indonesian Institute of Arts, (ISI), Yogyakarta. He exhibited his one man shows at Nadi Gallery, Jakarta (2002). He participated in group exhibitions at Sanggar Dewata, Bali, Bentara Budaya, Yogyakarta (2000, 2001), Bentara Budaya, Jakarta (2001) and at Sembilan Gallery, Yogyakarta (2002). He received awards for the Best Watercolor Painter from ISI Yogyakarta (1997), the Best Artist from Lustrum ISI, Yogyakarta (1999) and the Best Artist at Dies Natalis, ISI, Yogyakarta (2000).

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123 YARNO (Lampung, South Sumatera, 1969) Bertahan, 2012 Acrylic on canvas: 120 x 80 cm Signed and dated, lower righ: Yarno, 2012 Signed, titled and dated on the reverse SGD 15,000 - 20,000 USD 10,800 - 14,400

Yarno was born at Pagar Alam, Lahat, South Sumatra on 16 December 1969.

He took his formal study at the Institute of Seni Indonesia (ISI) Jakarta (1995). Yarno is among the artist of Yogyakarta who includes in the group artist named “Greget”. He performed his solo exhibition “Ultimate City”, at Galeri Apik, Jakarta in 2012. He had joined in several group exhibitions in Yogyakarta (1994-1995), Jakarta (1998), Korea (1999), Netherlands (2001), France (2004-2007), and Singapore (2010). He was also the finalist in Jakarta Art Award painting completion (2010). Until present he still actively participated in art exhibition in major cities in Indonesia. His works contain satirical-comical, hyper-realist or abstract-expressionism style. His theme of works was his deep concern towards his surroundings where the cutting down of forest become massive destruction of the nature.

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Omar Yahya Born 20th Century. He was considered as one of Indonesian old master in level with Affandi, Hendra Gunawan, Basoeki Abdullah, Widayat, etc. He was well known for his realist painting depicting common people themes such as struggling for independence, daily activities, landscapes, markets scene, dancers and figures with local tradition atmosphere on the background. He shows his expertise in presenting detailed forms, treatment of light and shadow, and creating a certain kind of mood. His great realist style can be in comparison with works of Dullah and Basoeki Abdulah. His works have been in collection of many private collectors among others became the collection of former president Soekarno and President Soeharto.

124 OMAR YAHYA (B. 20TH Century) Pergi Ke Sungai Oil on canvas: 132 x 170 cm Signed, lower right: Omar YH Provenance: private collection Jakarta SGD 25,000 - 38,000 USD 18,000 - 27,360

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125 AGUS RIYADI (Sleman, Yogyakarta, 1979) Tumbuh Hitam Daun, 2010 Oil on canvas: 180 x 140 cm Signed and dated, lower right: Agus Riyadi, 2010 Signed, titled and dated on the reverse SGD 2,600 - 3,500 USD 1,870 - 2,520

126 YUNIZAR (Talawi, West Sumatra, 1971) a. 100 %, 2013 Acrylic on canvas: 50 x 50 cm Signed and dated, lower area: Yunizar, 2013 Signed, titled and dated on the reverse b. Binatang Kuning, 2013 Acrylic on canvas: 50 x 50 cm Signed and dated, lower area: Yunizar, 2013 Signed, titled and dated on the reverse This lot is accompanied with certificate of authenticity from the Artist SGD 3,000 - 5,000 USD 2,160 - 3,600

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127 NANO WARSONO (Jepara, Central Java, 1976) Trans Saksi, 2012 Oil on canvas: 200 x 180 cm Signed and dated, lower left: NW.02012 Signed, titled and dated on the reverse SGD 4,000 - 6,000 USD 2,880 - 4,320

Nano Warsono was born in Jepara, Central Java on 09 May 1976. He have been working in many different work of art, some kind of art public like Mural and graffiti and two dimentional art work like painting and drawing, and three dimentional art work like sculptures and instalations. Basically I started working of art from comic. Some my art work that he made inspired by my comic book. My art work is about local struggling people who live in the globally world, how to survive and naive, social irony and satire. He was actively in Art Activity, selected art event, exhibition and project in 2008, “HIGHLIGHTS”, Jogja National Museum (Yogyakarta), Art Paris/Abu Dhabi, Abu Dhabi (2008), ACAF (Asian Contemporary Art fair New York), Art Singapore, Singapore (2008), Sanghai Contemporary Art Fair, China (2008), An Artshow “AGRARIS KOBOI”,Februari 2007, Jogja Galeri Yogyakarta (2007), Vice Versa, Pameran seni rupa, Taman Budaya Yogyakarta (2006), Fundraising exhibition, Art for Care, Via-via Cafe Yogyakarta (2006), Artist Residence, San Francisco&Philadelphia (USA), with Apotik Komik Colaboration with Clarion Alley Mural Project (2003), Exhibition at Jogja Fine Art community, Yogyakarta (2002), Graphic and Sculpture Graftung, “Zero” Bentara Budaya Yogyakarta (2001).

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128 DEDE ERI SUPRIA (Jakarta, 1956) Kebyar Duduk Dancer: Brave Woman (Homage to Mario), 2014 Oil on canvas: 130 x 120 cm Signed and dated, lower right: Dede Eri Supria, 2014 Signed and dated on the reverse This lot is accompanied with certificate of authenticity from the Artist SGD 7,000 - 10,000 USD 5,040 - 7,200

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Born in Jakarta, January 29, 1956. He studied at the Indonesian Fine Art Academy (ASRI) in Yogyakarta (1974). In 1976 his name first emerged in the Indonesian Art Scene when he exhibited his works at the first Seni Rupa Baru Indonesia exhibition at the Balai Budaya, Jakarta. He has received several awards for his works, Jakarta Biennale 1981, won a Philip Morris Indonesian Art Awards in 1997 and was participated into the ASEAN Art Awards in Manila. He has participated in many group shows as well as solo exhibitions. Dede held his solo exhibitions at Jakarta Stock Exchange (1997) and at the Art Folio Space in Singapore (2002). Today, he is considered an influential propagator of super-realist painting in Indonesia.

129 SUROSO ISUR (Pemalang, Central Java, 1983) a. Nude, 2005 Watercolor on paper: 55 x 75 cm Signed and dated, lower left: Isur, 2005 b. Pond, 2007 Watercolor on paper: 55 x 75 cm Signed and dated, lower left: Isur, 2007 SGD 1,000 - 1,500 USD 720 - 1,080

Born in Pemalang, Central Java, 1983. He graduated from FSR Indonesian Art Institute (ISI) Yogyakarta in 2010, from 2008 until present he student of Korean Study Department, Faculty of Culture Science, Gajah Mada University, Yogyakarta. He has participated in solo exhibitions in Faculty of Arts –ISI “Imajinasi Berbagai ekspresi Gangguan Mental Pada Lukis Potret” (2010), “Benang Merah” at Srisasanti Gallery, Yogyakarta (2008). He also joined in group exhibitions such as “Garbage Sale” Jakarta (2002), “Cap Go Meh” Jakarta (2003), “International Poster Competition” New York, USA (2004), “Pratisara Affandi Adi Karya Painting Competition” Jakarta (2005), “Cermin Diri” Yogyakarta (2006), “Behind the Horizon” Yogyakarta (2007), and “Hulu Fantasi” Jakarta (2008). He also has received some awards as “Asian Prize, Beppu Biennale”, Japan (2010), 30 Finalist, Soverign Art Prize, SAF-Hongkong” (2008), “Finalist the 2nd Bangkok Triennale Inernational Print and Drawing, Bangkok” (2008), Jurors Choice of Soekarno Portrait painting Competition, Pekalongan (2006), First winner of international Population Poster Competition, New York, USA (2004), Certificated award from BKKBN in Final Selections of the International Poster Contest, Jakarta (2004), First winner of international Population Poster Competition, New York, USA (2003), etc.

130 NYOMAN GUNARSA (Klungkung, 1944) Balinese Dancer, 2013 Oil on canvas: 95 x 95 cm Signed and dated, lower right: 2013 This lot is accompanied with certificate of authenticity from the Artist SGD 3,600 - 4,500 USD 2,590 - 3,240

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Basoeki Abdullah Basoeki Abdullah started painting since he was 5 years old in simple drawing, and at 10 he traveled to Surabaya and Bali where he started portrait painting. During 1933, he held his first exhibition in Bandung. He brought his painting to RMP. Sosrokartono, RA. Kartini’s brother, who was very impressed on Basoeki’s painting. Sosrokartono and Prince of Mangkunegoro VII became the person who greatly supported his painting career until Basoeki become a famous painter. During that time he continued his study at Academia van Beeldende Kunsten in the Hague, the Netherlands.

Basoeki Abdullah is one of the most prominent Indonesian maestros in portrait paintings.

The late artist was well-known for his realistic paintings. Besides painting of natural beauty and sensuous landscape, he is also noted for his portraits of beautiful women, as well as paintings of scenes from legends that are also tempered with the same lyrical and overly sensual treatment. His great fond of paintings women’s figure perhaps derived from his great interest in exploring the beauty of women that is attractive to paint in any way. The artist gain the public recognition after winning a painting competition held in conjunction with the Netherland's Queen Juliana ascension to throne on 6 September 1948.

131 BASOEKI ABDULLAH (Solo, 1915 – Jakarta, 1993) Nude Oil on canvas: 135 x 60 cm Signed, lower left: Basoeki Abdullah Provenance: private collection Jakarta SGD 8,000 - 12,000 USD 5,760 - 8,640

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132 AWIKI (Surabaya, 1961) Panen, 2014 Oil on canvas: 90 x 130 cm Signed and dated, lower left: Awiki'04 SGD 13,000 - 16,000 USD 9,360 - 11,520 Born in Surabaya, November 11, 1961 but well known as painter from Banyuwangi. He studied painting under Bani Amora in Genteng then continued his study at Fine Art School Yogyakarta.

He also studied to paint from Dullah in Pejeng Gallery and later joined in Kamboja Gallery among with other 17 painters. He used impasto technique and impresinostic style for his work.

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133 LEO ELAND (Java, 1884 – 1952) Going Home after a Days Break Oil on canvas: 60 x 50 cm Signed, lower left: L. Eland SGD 3,000 - 5,000 USD 2,160 - 3,600 Born in Java, 1884. He was a self-taught artist, lived and worked in Indonesia. He intensely involved in the Union of Dutch Indies Art Circles from the beginning of 20th century.

He painted a great deal of Indonesian nature with tremendous command of light and shade. In 1920 he left to settle in The Hague but still continue to paint Indonesian subject. His work was included in the International Colonial exhibition in Paris (1931) but unfortunately damaged by fire. Today, his works are in the collection of several Dutch museums.

134 H.A.L. WICHERS (Tarutung, North Sumatra, 1893 – The Netherlands, 1968) Boat in The Lake, 1951 Oil on board: 35 x 50 cm Signed and dated, lower right: H.A.l Wichers, 1951 SGD 3,000 - 5,000 USD 2,160 - 3,600

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135 GAMBIRANOM SUHADI (Delanggu, 1928 - 1984) Rambutan Oil on canvas: 70 x 80 cm Signed, lower right: Gambiranom S. SGD 2,000 - 3,000 USD 1,440 - 2,160 Born in Delanggu, Surakarta, Central Java, 13 May 1928. In 1995, he finished his study at the Indonesian Fine Art Academy (ASRI), Yogyakarta. Besides painting he also creates mural and diorama for hotels, museums and governmental buildings. He performed his works in many exhibitions among others in Aero-Asia exhibition in Bandung, 1955. The time of his death was unknown.

136 CHOO AI LOON (B. 1959) White Orchid Oil on canvas: 61 x 81 cm Signed, lower right: Ai Loon.

SGD 5,000 - 8,000 USD 3,600 - 5,760 Choo Ai Loon, Angeline, daughter of Choo Keng Kwang, was born in 1959. As the only daughter who succeeded Choo’s passion and talent for painting, Ai Loon specialised in painting of orchids and is especially well-known for her orchid “Cattleya Hybrid”. The prolific painter graduated from Nanyang Academy of Fine Arts in Singapore and has taken part in numerous art exhibitions locally and overseas.i.e National Day Art Exhibitions, New Generation of Singapore Artist 1984, National Museum Centenary Art Exhibtion 1987, Singapore Art Exhibition in Yokohama, Japan 1988 and President Charity Show 1996.

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137 CHIA YU CHIAN (Malaysia. 1936-1991) Still Life Oil on board: 58 x 44 cm Signed, lower left

Having received art education from the Ecoles des Beau Arts at Paris,Yu Chian carried with him is a strong influence of French art of the Post-Impressionist era. Distinct simplified shapes flavoured with bright colours reflect the artist’s ardent emotion towards visual pleasure.The methods of composition and lighting, and the use of broken colours resembles to that of Van Gogh’s Sunflowers.

SGD 12,000 - 18,000 USD 8,640 - 12,960

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Giordano Giovanetti Giordano Giovanetti was born in 1906 in Ancona. In 1925 he obtained the diploma of the Rome Academy of Art where he had studied under renowned painters such as De Carolis, Costantini and Vagnetti. Two years after, he opened a studio in Paris together with Carlo Carcher, son of the famous painter Giuseppe Cherubini. From France he moved to Austria, then to Hungary and Poland. After that, he returned back to Italy and visited the region of Abruzzi. In 1931, he held his first exhibition in the area. In 1932, he exhibited his works in Belgardo and Bucharest. He then started roaming through Romania painting portraits, landscapes and making decorations at the Monastery of Sibiu until 1935. Between his works in 1946, he found time to organize an extremely successful personal exhibition in Rome. In 1950 and 1951, he participated in the "Premio Michelli" and the "Premio Roma. Giovanetti was an extremely productive and versatile painter. His method of painting was most personal and unusual. He died in Rome in 1973.

138 GIORDANO GIOVANETTI (Ancona, 1906 – Rome, 1973) Girl with Grapes Oil on canvas: 99 x 147.5 cm Signed, lower right: G. Giovanetti SGD 12,000 - 18,000 USD 8,640 - 12,960

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139 JOSEPHINE LINGGAR (Jember, East Java, 1943) Bali Radiant II, 2013 Oil on canvas: 80 x 100 cm Signed and dated, lower right: Josephine, 2013 SGD 3,500 - 5,000 USD 2,520 - 3,600

140 NGUYEN TRUNG (Soc Trang, Vietnam, 1940) Girl with Fish, 1990 Oil on canvas: 100 x 100 cm Signed and dated, lower left: NG. trung’90 SGD 6,000 - 8,000 USD 4,320 - 5,760

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141 SUNARYO (Banyumas, 1943) Bercermin, 1997 Oil on canvas: 40 x 40 cm Signed and dated, lower right: Sunaryo’97 SGD 5,500 - 8,000 USD 3,960 - 5,760 Born in Banyumas, Central Java, 1943. He studied at Bandung Institute of Technology (ITB) majoring in Sculpture (1969) and continued his study to Carrarra, Italy. During 1970s, his sculptures were very much influenced by tribal arts in Indonesia. Besides sculpture, he is also a master in painting using artistic touch. He inaugurated his museum, Selaras Sunaryo, in Bandung (1998).

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142 AHMAD SADALI (Garut, West Java, 1924 - Bandung, 1987) Tiga Bidang Emas Dengan Noktah-noktah Turcoise, 1976 Mixed media on paper: 43 x 33 cm Signed, titled and dated, lower area: Tiga Bidang Emas Dengan Noktah-noktah Turcoise, Sadali’76 SGD 10,000 - 15,000 USD 7,200 - 10,800

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He graduated from the Department of Art, Bandung Institute of Technology (ITB) in 1953, where he later taught, becoming a Professor in the Art Department in 1972. He received a grant from the Rockefeller Foundation to study at Iowa State University and the New York Art Student's League in USA 1956-1957. He also studied in The Netherlands and Australia in 1977, a Pakistan in 1980. He held his solo exhibition in Jakarta, Surabaya, Bandung and Yogyakarta. He also has participated in several group exhibitions such as in Indonesia, China, Japan, Thailand, Philippines, Singapore, India, Vietnam, USA, Switzerland, UK, France, Brazil and Saudi Arabia. He received some Awards including the Anugerah Seni Art Award from the Indonesian Government in 1972 and awards from the Jakarta Arts Council at the Indonesian Painting Biennials in 1974 and 1978.

143 SUZLEE IBRAHIM (Kuala Terrenganu, 1967) Abstract, 2013 Oil on paper: 61 x 61 cm Signed and dated, lower right SGD 2,000 - 4,000 USD 1,440 - 2,880 Born in 1967, Kuala Terrenganu. Suzlee Ibrahim is one of the nation’s most notably abstract expressionism painters. He has been in the art world for more than 25 years; he started painting since he was 19.

After graduated from UniversityTeknologi MARA he worked in advertising and publishing companies only after a few years he returned to became university lecturer. Suzlee’s participation in Malaysian art scene has allowed him to experiment his works with oil and acrylic, by doing this he discover the art mediums that can create his desire texture and subject on canvas. Suzlee Ibrahim has created series of paintings, e.g., Movement series, Belantara series, Ombak series. Each of the series has significant values for the artist as the theme derived from his personal encounters and being transferred to canvas using ranges of colours and brush strokes. Even without any images or objects Suzlee is capable of producing attractive piece of painting, the composition of colour and texture on the canvas is the highlight.

Each brush strokes, sprinkled colour and texture is special and unique; there are the demonstrations of Suzlee emotions and expressions.

144 NYOMAN GUNARSA (Klungkung, 1944) Dua Penari Oil on canvas: 70 x 70 cm Signed, lower right SGD 2,500 - 4,000 USD 1,800 - 2,880 Born in Klungkung, Bali, April 15, 1944. He graduated from the Indonesian Fine Arts Academy (ASRI) in Yogyakarta where he is currently a lecturer in art. He began his career as painter of models and portraits.

Since 1967, active performing solo exhibitions, like in British Embassy, Jakarta (1967), Arcade Gallery, Kuala Lumpur (1971), Blance Gallery, San Francisco (1991), Blance Gallery, Osaka (1982), 21 Gallery, Singapore (1995), Opera-Gallery, Paris (1996), and Hamburgische Landesbank, Hamburg (1998). He also participates in joint-exhibitions in Indonesia and overseas. He received awards from the Pratisara Affandi Adikarya (1976), in the Biennial Indonesian Art Exhibitions (1878 & 1980) and the Lempad Prize (1980). His works are in collection by local and abroad collectors.

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Lee Man Fong Lee Man Fong was one of a rare artist who received honor by critics and collectors across Asia. As an Oriental artist, Lee has renewed and transformed Western oil painting by imbuing it with the essence of Chinese ink painting, achieving a mutual identity between subject and object, at the same time vastly opening the restrictions on traditional Chinese painting. In short, he created a unique “Man-fong style”.

Doves has become Lee Man Fong’s beloved and sought after works in spite of Goldfishes and other animals such as horses, cockatoos, tigers and dogs. Lee Man Fong’s painting of Doves is noteworthy. Since some forty years ago, his animal themes had made a far reaching accomplishment and recently eagerly sought after in Europe and America. A testimony to his mastery of technique and realization of theme, this painting depicts the world of the doves as peaceful and calm, but at the same time dynamic. The doves in pairs symbolize a good match, which may be further extended to mean “peaceful coexistence.”

145 LEE MAN FONG (Canton, China 1913 – Singapore 1988) Doves Oil on canvas: 42 x 60 cm Signed, lower right MF. Lee Provenance: private collection Jakarta SGD 25,000 - 35,000 USD 18,000 - 25,200

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146 POPO ISKANDAR (Garut, 1927 – Bandung, 2000) Silent Night / Malam Sunyi, 1981-1987 Oil on canvas: 120 x 80 cm Signed and dated, lower right: Popo'81-87 This lot is accompanied with certificate of authenticity from the Artist Literature: Jim Supangkat, Dr. I. Bambang Sugiharto, Perspektif Karya-karya Popo Iskandar, Published by Studio Titian Seni & Griya Seni Popo Iskandar, Bandung, 2000, Pg. 94 SGD 6,000 - 8,000 USD 4,320 - 5,760

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Born in Garut, December 17, 1927. He started painting in 1944. He graduated from the University of Indonesia and Bandung Institute of Technology (ITB). Besides as a painter he is also an art observer and writer. In 1980 he received art award from Indonesian Government. He has participated in many exhibitions in Indonesia as well as overseas.

His works were mostly on animal such as chicken, cat, and tiger. He held his solo exhibitions at Taman Ismail Marzuki Arts Center, Jakarta (1987, 1992, and 1994), National Gallery, Jakarta (1999) and participated in group exhibitions at KIAS, USA (1990), The Best of Indonesia, Jakarta (1997), and Slovenia Gradec (1997).

147 SUWAJI (Yogyakarta, 1942) Goat, 1988 Oil on canvas: 98 x 94.5 cm Signed and dated, lower right: SW.88 SGD 2,000 - 4,000 USD 1,440 - 2,880 Born in Yogyakarta 1942. He studied at Indonesian Fine Art Academy Yogyakarta in 1958 and after graduated he teaches in that academy till this moment. His solo exhibition was held at Gothe German Institute. He participated in group exhibitions in several times besides exhibitions with “19 Pelukis Indonesia” in Singapore and Malaysia in 1967, he received the Wendy Sorenson Memorial Fund Aeard in 1977, group exhibitions in ASEAN countries (1985), solo exhibition at Melia purosari Hotel, Yogyakarta (1994), Fine Art Exhibition International Borobudur Festival in H. Widayat museum (2003).

148 SYARIEF HIDAYAT (Bandung, 1982) The Lucky Cash Cow, 2012 Acrylic on canvas: 80 x 100 cm Signed and dated, lower right: Rief’12 SGD 4,000 - 6,000 USD 2,880 - 4,320 Born in Bandung, February 10, 1982. He was participated in several exhibitions such as “Exhibition in Anniversary Sanggar Bambu at Taman Budaya, Yogyakarta (2009), Art exhibition “Menjadi Gelap” at Gedung Siliwangi Bandung (2001), Art Exhibition “Stop Korupsi” at Gedung Sate, Bandung (1999), Art exhibition at Pasar Seni, ITB (1998), “Exhibition at SMSR, Bandung” 1994” and Artefak – Art exhibition at Gua Pakar, Dago, Bandung (1993).

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149 OMAR YAHYA (b. 20th Century) Berangkat Ke Pasar, 1976 Oil on canvas: 100 x 155 cm Signed and dated, lower right: Omar YH. 1976 Provenance: private collection Jakarta SGD 10,000 - 15,000 USD 7,200 - 10,800

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Born 20th Century. He was considered as one of Indonesian old master in level with Affandi, Hendra Gunawan, Basoeki Abdullah, Widayat, etc. He was well known for his realist painting depicting common people themes such as struggling for independence, daily activities, landscapes, markets scene, dancers and figures with local tradition atmosphere on the background. He shows his expertise in presenting detailed forms, treatment of light and shadow, and creating a certain kind of mood. His great realist style can be in comparison with works of Dullah and Basoeki Abdulah. His works have been in collection of many private collectors among others became the collection of former president Soekarno and President Soeharto.

150 I GUSTI AGUNG WIRANATA (Kapal, Bali, 1969) Landscape River, 2005 Oil on canvas: 100 x 70 cm Signed and dated, lower right: Wiranata, Bali, 2005 SGD 5,000 - 7,000 USD 3,600 - 5,040 He was born in Kapal village, Bali, in 1969. His works have been in collection of Museum Puri Lukisan Ratna Warta, Ubud Bali. His works is greatly by Walter Spies with his own distinctive style. He had participated in Walter Spies exhibitions in 1995.

151 A. HADI MAS’UD (Surabaya, 1966) Jokowi dan Prabowo, 2014 Acrylic on canvas: 150 x 170 cm Signed and dated, lower left: 2014, Hadi Masoed SGD 2,000 - 3,500 USD 1,440 - 2,520

He was born in Surabaya, 1966. He graduated from the Indonesian Arts Institute (ISI), Yogyakarta in 1992. He has worked as a Graphic Designer / Packaging Plant Teflon, Maspion Sidoarjo (1992), Supervision Kebudayan YPIA Surabaya (1993-2004), Come into teaching (creative development) at the primary level school founded with friends in the village Kedungmaling, Sooko Mojokerto (20022007). He is also actively participating in several joint like Exhibition Exhibition Installation "Sullearisme", Surabaya (2000), Exhibition Installation Art Without Frame, along with artist Rudi Isbandi, Syahrizal Pahlevi, S. Teddy D, Febrianto, Watoni, P Day, 6 artists Petro Kimia Gresik & street artists (anonymous), Surabaya (1999), with Ugo Untoro Exhibition & Day Prajitno, Purna Budaya Yogyakarta (1998), Painting Exhibition Surabaya Art Festival (1997) , Installation Exhibition at Balai Pemuda Surabaya & Launching the project "Art Book 1" (1994), Single Painting Exhibition at Auditorium PPIA Surabaya (1993).

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Jean-François Larrieu Jean-François Larrieu was born on 28th February 1960 in Tarbes (high Pyrénées). He is a self-taught artist who is living and working in Paris.

Larrieu is President of the “Paris Autumn Show” (Salon d’Automne de Paris) and Vice President of the Government affiliated “Federation of Graphic and Plastic Arts Associations”.

Jean-François Larrieu started its artistic career at the young age of 11 when he entered the François Villon Academy of Painting. His works are sungorged and flamboyant paintings, overflowing with jubilatory yet contrasting vibrations. A number of his paintings have been inspired by his several travels; reinterpreting places according to his own alphabet. His favourite subjects are landscapes and trees, reaffirming the roots and absolute necessity of plants, enabling genuine human development and survival. A myriad of tiny elements punctuate his tableaus: so many characters from his personal universe, so many fables that we imagine as we are swept away by the tsunami of colours and motion in his work.

The artist elaborates through his oil paintings ramifications which starts from a basic point and then progresses like a semi-conscious exploration; his hand, likens to an antennae drawing from the creative cosmos and delivers the genius. The result is exotic cities filled with wonderfully rich architecture steadily rising up and then spreads itself across the land of canvas with amazing constructions of onion-shaped domes, minarets and cupolas.

For Larrieu, imagination is the rule of the game. Furthermore the combinations are all the more variable according to the angle from which the master’s painting is observed. Through his paintings, Larrieu invites us to join him on a fabulous journey into his magical cities where Roman and Gothic porches; Baroque palaces, the China of Marco Polo as well as the Venice of Casanova are strongly reminiscent. When the painted cities on canvas is near completion, the artist ingeniously conjures into being an emblematic figure, which oft most is an animal.

The beauty and elegance of Larrieu’s paintings will bring forth from the audience certain appreciation; where the meanders are different, the cities enchanting and the journey is never the same every time.

IMPORTANT EXHIBITIONS 1982 Salon d’Automne, Salon Comparaison, Figuration critique 1989 International Contemporary Art Fair,Helsinki International Contemporary Art Prize, Monté Carlo Arturo Lopez Centre: Les Pleïades, Neuilly sur Seine Palais de Pise - Figuration critique (Representational Art appreciation), Pise 1990 Galerie Magna, New York 1991 Dimension Art Centre Gallery, Taipei, Taiwan Santillana Foundation, Santander

Galerie LM, Epernay Guest of 8th Salon d’Automne, Thorigny sur Marne Musée d’Art Contemporain - Figurative critique, Moscow

Musée d’Art Contemporain - Figurative critique, Leningrad (Museum of Contemporary Art) 1992 Les Peintres de demain Galerie Dyan Coquant, Lyon 1993 Galerie Le Breton, Paris Sélection du Salon d’Automne, Château de Joinville Ecole Polytechnique Salon, Palaiseau Salon de l’Insica, Toulouse Salon d’Angers, Angers Calli Duphar, Berne Musée Sursock, Beyrouth 1994 Musée d’Art Moderne Lleno - France Japan - L’art actuel, Tokyo Temple Josenji - L’art actuel, Tokyo Musée Informel Nakagawamura - L’art actuel, Tokyo Salon Européen d’art contemporain, Saint Brisson sur Loire Salon d’art contemporain, Batz sur Mer Galerie La Palette, Lorient Salon d’Angers, Angers 7th exposition du Château du Croc, Orléans 1995 Musée National des Beaux Arts - L’art actuel, Shanghai Galerie l’Hippocampe, St. Jean Cap Ferrat 1996 Musée des Beaux Arts de Montbard Galerie l’Hippocampe, St. Jean Cap Ferrat 1st Biennale Internationale des Arts, Rosny sous Bois 1997 Galerie Fandel, Le Touquet – France Panorama de l’Art Vivant-Automne, Paris Musée des Beaux Arts de Bordeaux Invite d’honneur Marie du 4th district Townhall, Paris Bordeaux Galerie Imagine Exposition de Groupe Japan - Osaka; Tokyo; Sapporo; Daimaru magazines World contract with Opera Gallery Opera Gallery, Paris Opera Gallery, Singapore 1998 Foire de Géneve Opera Gallery, Singapore

152 JEAN-FRANCOIS LARRIEU (France, 28 February1960) LArche Du Bonheur Oil on canvas: 120 x 120 cm Signed, lower right: Larrieu Provenance: private collection, acquired directly from the artist Opera Gallery, Paris SGD 25,000 - 35,000 USD 18,000 - 25,200

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153 IDA BAGUS PUTU PURWA (Sanur, 1977) Nude, 2009 Mixed media on canvas: 120 x 70 cm (2 Pcs) Signed and dated, lower left: G. Purwa, Bali09 SGD 2,000 - 3,000 USD 1,440 - 2,160

Born in Sanur, Bali on 1 October 1977. He graduated from Indonesia Art High School (STSI) in 1998. He awarded as the best painting in South Denpasar. Since 1996 he has actively in many group exhibitions among others “Gebyar SMK se-Indonesia” Denpasar (1996), “Himpunan Pelukis Sanur” (2001), “The Journey Himpunan Pelukis Sanur” (2004), “Maskulin” in Danes Art Veranda Bali (2006), and “Unlimited Ten Fine Art” in Bali (2006).

154 AGUS DJAYA (Pandeglang, West Java, 1913 - 1993) Lutung Kasarung Oil on canvas: 102 x 93 cm Signed lower right: Agus Djaya SGD 3,000 - 5,000 USD 2,160 - 3,600 Born in Pandeglang, West Java, April 1, 1913. He studied art at Rijks Academie Beeldende Kunsten, Amsterdam (1947 – 1949) and Universiteit Amsterdam, Facultieit van Journalistiek (1947 – 1949). He was taught under the guidance of painter Willem van der Berg and Van Thienen. During in Europe, he met with great painters like Pablo Picasso, France, Salvador Dali, Spain and Sculpture expert, Ossip Zadkine, Poland. He has been participated in numerous exhibitions in Indonesia and overseas. He received an honor to held exhibition in Stedelijk Museum, Amsterdam which introduce not only his name but also Indonesian Painters to the world. In 1947, he participated in the International Exhibition, Monaco and received an award “Le Grand Prix de la Peinture de Monaco. In 1965, he received an award “L’oscar de Peinture” in the International exhibition in Zagreb, Yugoslavia. In 1993, the Indonesian government awarded him the Art Award and also awarded many military medal of his participation in the Indonesian struggle for independence. His contribution in Indonesian art development also seen by founding art studio and galley in Bali (1953) and also Agus Djaya Foundation of Fine Art and Social education in Jakarta.

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155 PUTU SUTAWIJAYA (Bali, 1971) Memori, 2014 Oil on canvas: 80 x 80 cm Signed and dated, lower left: Putu Sutawijaya, Yogya, 2014

Born in Bali, 1971. He studied at Sekolah Tinggi Seni Rupa Denpasar (STSR), Bali and continued his study to Indonesia Institute of Arts (ISI), Yogyakarta. He graduated from ISI in 1997.

He had his solo exhibitions in Yogyakarta, Singapore, Hong Kong and Jakarta. He also participated in numerous group exhibitions since 1990 in Bali, Yogyakarta, Hong Kong, etc. He was awarded Best Watercolor and Sketch from ISI Yogyakarta (1991) and Best Painting from ISI Yogyakarta, Top Ten Paintings (1999) and Lempad Price from Sanggar Dewata Indonesia in 2000.

SGD 7,500 - 9,000 USD 5,400 - 6,480

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Renowned European Artist

*156

MARIANI UMBERTO (B, 1936) La Forma Celata, 2008 Vinyl and Sand on Lead Sheet: 80.5 x 60.5 cm Signed, titled and dated on the reverse SGD 10,000 - 15,000 USD 7,200 - 10,800

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157 TENG NEE CHEONG (Singaporean, 1951-2013) Still Life

Born in Singapore, 1951. He Graduated from the Nanyang Academy of Fine Arts in Singapore. He has participated in many group exhibitions among others in Singapore, Hongkong, Thailand, Brunei Darussalam, France, and The Netherlands.

Pastel on paper: 50 x 65 cm Signed, lower right: Teng SGD 8,000 - 10,000 USD 5,760 - 7,200

158 DAHLAN SOFWANDI (Blitar, 1970) Blue Chip, 2014 Acrylic on canvas: 138 x 138 cm Signed and dated, lower right: Dahlan Sofwandi, 2014 SGD 3,500 - 5,000 USD 2,520 - 3,600 Born in Blitar, 5 May 1970. Dahlan is a self-taught artist who learnt how to paint at a very young age. He studied and sharpened his painting skills under the guidance of Samsul in Yogyakarta. The Samsul group is very well known for making giant posters in the style of realism. He has participated in several group exhibitions in various places including the one at Bizzet Gallery Yogyakarta, Gallery Omah Dhuwur Yogyakarta, Benteng Vanderburg Yogyakarta, TMII Jakarta, and Jogja Art Fair 2008 in Yogyakarta.

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Widayat Widayat paints freely, unburdened by anything except that he always attempts at infusing contents, giving significance to his imaginary space by means of symbols and indications. Watching Widayat’s works, we are taken to archaic natures and to the daily life, without perspective, and without criticize for something. We may remark them as beautiful and alluring, crowding our retinas, innocently accepting reality, fascinatingly interpretable, and mystically thrilling the space.

Widayat is a famous painter with “decora-magic” style, which means the works were fully decorated and can produced magical effect. His works are based on his daily life experiences. Such experiences he imparts through the representations of human and animal figures, plants and imaginary beings, characterized by spontaneity and uninterrupted strong lines. Most of his paintings can give magnificent excitement by his ability in creating stylistic forms of trees, birds, fishes, or his favorite animal. The form also gives decorative motif with the use of hard and dark color producing textures and subtle impression.

The present lot is considered as Widayat’s best work describing a huge old tree in Ankor Wat, Thailand.

159 WIDAYAT (Kutoarjo, 1919 – Jakarta, 2002) Akar Sejati 1988 Oil on canvas: 150 x 92 cm Signed and dated, lower right: Widayat, 88 Provenance: anonymous sale, Sotheby’s SGD 42,000 - 62,000 USD 30,240 - 44,640

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160 GERARD PIETER ADOLFS (Semarang, 1899 – The Netherlands, 1968) Landscape Oil on board: 30 x 40 cm Signed, lower right: Adolfs SGD 7,000 - 10,000 USD 5,040 - 7,200

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Born in Semarang, 1899. He once lived in Surabaya and made many paintings about the city. He traveled to many countries in Asia, Europe, and Africa, like Japan, Rome and Arab. He decided to spend the rest of his time in Holland until he died in Den Bosch, the Netherlands, in 1968.

161 WAKIDI (Palembang, South Sumatra, 1890 – Padang, West Sumatra, 1979) Kampung Nelayan Oil on canvas: 35 x 60 cm Signed, lower left: Wakidi

He was born in Semarang, 1889. He was the son of itinerant farmers from Semarang, Central Java, who moved to Bukittinggi in West Sumatra in 1904. He studied at Kweek School (Training School) in Bukittinggi and after graduating in 1908 began teaching there. In his adulthood he went to Plaju, Sumatra to work in oil fields. He was well known as a landscape painter, with Minangkabau, West Sumatra theme. He taught at the Kayutanam School and has become a teacher for General Nasution and Muhammad Hatta. He received the Anugerah Art Award from the Indonesian government in 1971. He passed away in Padang, West Sumara, on 27 December 1979.

SGD 2,500 - 3,500 USD 1,800 - 2,520

162 SHI HU (Hebei, 1942) Lady with Tiger Chinese ink on paper: 43.5 x 39 cm Signed and stamped in chinese character , lower left SGD 4,000 - 6,000 USD 2,880 - 4,320

Born in Hebei, 1942. She ever taught art at various Beijing and Zhejiang art institutes. She had actively participated in several group exhibitions since 1982. She performed his solo exhibition at the Nanjing Art Museum. Beside that, she achieved very successful overseas exhibitions in Hongkong, Switzerland, USA, Canada, Singapore, Macau and Jakarta.

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163 JUMALDI ALFI (Lintau, West Sumatra, 1973) Love, 1997 Oil on canvas: 100 x 100 cm Signed and dated, lower middle: Alfi, 1997 Signed and titled on the reverse SGD 6,000 - 8,000 USD 4,320 - 5,760

Born in Lintau, West Sumatra, 1973. He graduated from Fine rt High School and Faculty of Fine Art, Indonesia Institute of Art (ISI) Yogyakarta. In 1998 he was awarded the best painting at Faculty of Fine Art, ISI Yogakarta. He was a member of Jendela Group and had participated in some exhibitions in Yogyakarta in 1997, and the rom the Window at the Bali Padma Hotel, Bali in 1999.

164 FADJAR SIDIK (Surabaya, 1930 - 2004) Metropole, 1995 Oil on canvas: 90 x 70 cm Signed and dated, lower left: F. Sidik'95 Literature: Dr. M. Dwi Marianto, Drs. M. Agus Burhan M.Hum, Dinamika Bentuk dan Ruang Fadjar Sidik, Published by Ruparupa Seni, Jakarta, 2002, pg. 201 SGD 4,500 - 6,000 USD 3,240 - 4,320

Born in Surabaya, February 8, 1930. He studied at ASRI Yogyakarta in 1954 and learnt painting from Hendra Gunawan and Sudarso (1952) at Sanggar Pelukis Rakyat. He lived in Bali from 1957 – 1961.

He received art award as Contemporary Painter from the Indonesian Government in 1971 and from the Government of Yogyakarta.

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165 YUNIZAR (Talawi, West Sumatra, 1971) Abstract, 1995 Acrylic on canvas: 75 x 75 cm Signed and dated, upper right: Yunizar, 1995 SGD 6,000 - 8,000 USD 4,320 - 5,760

Born in Talawi, Sawahlunto, West Sumatra, 1971. He finished his formal study at the Indonesian Institute of Arts (ISI), Yogyakarta. Sincae 1994, he actively participated in numerous painting exhibitions in Indonesia and abroad, Southeast Asia Student Festival in Brunei Darussalam and Gajah Gallery, Singapore and Hongkong. He participated in group exhibition with JENDELA Group in Yogyakarta, Bandung and Jakarta. He received award for the 10 best finalists at PMIAA, Indofood Art Awards 2002.

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Thomas attended the Nanyang Academy of Fine Arts between 1958 and 1960. He continued to study art in London at the Chelsea School of Art and the Hammersmith College of Art & Architecture. He had exhibited over 100 shows in Singapore and aboard including Australia, Austria, Cambodia, China, Denmark, Germany, Hong Kong, Japan, Korea, Laos, Macau, Malaysia, Philippines, Taiwan, Thailand, United Kingdom, United States and Vietnam. Thomas won many awards including the First Prize in SIA Mural Competition, Singapore (1971), Cultural Medallion Award winner in 1984 (presented by the Government of Singapore), UOB Painting of the Year Competition (1983/84), Heineken International Art Award, Amsterdam (1991) and Pingat APAD (Angkatan Pelukis Aneka Daya) for his dedication and creative contribution to the development of visual art in Singapore (1995). His works are among the collections of local / overseas institutions and private corporations. He represents one of Singapore's second-generation artists who studied in the West. His work became infused with Western ideas, though at the same time he never completely abandoned the images and impressions of Asia, and these featured prominently in his work. Yeo has been described as one of - if not the first - Singaporean abstract artist, and abstraction has been an abiding feature of his work since the 1960s. However, landscape, too, is a prominent and continual aspect of his work, portraying images gleaned from his many travels. Yeo gradually gravitated towards mixed media collages in which he used recycled ideas from his landscape paintings, and incorporating a multitude of available materials.

166 THOMAS YEO (Singapore, 1936) Sheltered Mooring Mixed media on canvas: 76 x 58 cm Signed, lower left: T. Yeo SGD 5,000 - 7,000 USD 3,600 - 5,040

167 BUT MUCHTAR (Bandung, 1930 - 1996) Sahabatku Dalam Kaligrafi, 1974 Oil on canvas: 112 x 76 cm Signed and dated, lower right: But MR. 1974 SGD 6,500 - 7,500 USD 4,680 - 5,400

Born in Bandung, December 30, 1930 with complete name of Broertje Muchtar Soebandi. He studied art at the Bandung Institute of Technology (ITB) from 1952 until 1958 under the guidance of painter Ries Mulder and Sumardja. He continued his study in Rhode Island School of design, USA from 1960 to 1961 and later continued to study sculpture under Jose De Creeft in New York’s Arts Students League, USA.

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168 ARIE SMIT (Zaandam, The Netherlands, 1916) Pantai, 2000 Acrylic on canvas: 36 x 42 cm Signed and dated, lower left: Arie Smit’00 Signed, titled and dated on the reverse This lot is accompanied with certificate of authenticity from Neka Art Museum

Born in Zaandam, the Netherlands, 1916. He was a student of the Academy of Arts in Rotterdam before working as lithographer for the Dutch Colonial Army in the Dutch Indies prior to the Second World War. He moved to Bali in 1956 to engage in full time painting and became an Indonesian Citizen, produced as well as taught painting at the Bandung Institute of Technology (ITB). Many of his paintings depict the nature of his surrounding environment. He had several solo exhibitions in Bandung Institute of Technology, The Honolulu East West Center, and the Center of Strategic and International Studies in Jakarta. He received the “Dharma Kusuma” art awards from the local government of Bali.

SGD 9,000 - 12,000 USD 6,480 - 8,640

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Chen Wen Hsi Born in 1906, Guangdong (China).Wen Hsi was an artist, an academician and a gallerist. He studied art at the Shanghai College of Art in 1928. Wen Hsi settled down in Singapore at 1948 and became an art teacher at The Chinese High School and taught there from 1949 to 1968, concurrently teaching art at the Nanyang Academy of Fine Arts from 1951 to 1959. As a passionate art educator he had greatly influenced many of Singapore’s early Chinese artists.Wen Hsi was a great observant of nature.The master’s inspiration derives from the everyday scene including landscapes, human figures and animals. Roosters, gibbons, herons, carps and squirrels are some of his favourite subjects.Wen Hsi constant eagerness to strike for something new led him to learn finger painting – a technique that dates from theTang Dynasty. This drawing style has enabled him to produce exciting broken stroke on paper.

169 CHEN WEN HSI (Guangdong, China, 1906) Sparrows on Bamboo Finger painting on rice paper: 60 x 79 cm Signed ans stamped in chinese character, lower left SGD 20,000 - 25,000 USD 14,400 - 18,000

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170 I MADE DJIRNA (Ubud, 1957) Wanita dan Pria Bali, 1990 Oil on canvas: 90 x 100 cm Signed and dated, lower right: I MD. Djirna, 1990 SGD 2,500 - 3,500 USD 1,800 - 2,520

Born in Ubud, 1957. He studied at YSRI, Yogyakarta (1974 – 1977) and He graduated from the Faculty of Fine Arts and Design at the Indonesia Institute of the Arts Yogyakartain 1985. Received Awards for Best Sketch and Painting from ASRI and the Best Painting on PORSENI (Jakarta, 1978), Lempad Prize for the Best Painting from Dewata Indonesian Gallery (Yogyakarta, 1982), and Pratisara Affandi Adikarya from ISI Yogyakarta (1983). A active artist who enjoys multi-faceted and experimental works of different mediums, he has held numerous solo shows as well as participated in group shows in Indonesia as well as internationally. He currently lives and works in Ubud, Bali

171 SUDJANA KERTON (Bandung, 1922 – 1994) Study for Prayer, 1983 Acrylic on paper: 91 x 59 cm This lot is accompanied with certificate of authenticity from Sanggar Luhur Provenance: acquired from the artist family SGD 3,000 - 5,000 USD 2,160 - 3,600 Sudjana Kerton was born in Bandung, 1922. He made documentary paintings in sketches and sculptures depicting the struggle of independence, exhibited in Sono Budoyo Museum, Yogyakarta and other cities throughout Java. He won a fellowship to study in Amsterdam and Paris and later received a scholarship to study at the Art Students League, New York. Soedjana’s work shows a deep concern for the common people in Indonesia particularly the farmers. He died in 1994.

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172 SIEW HOCK MENG (Malaysia, 1942) Lady Nude, 1991 Pastel on paper: 48 x 64 cm Signed and dated, lower left: 1991, Meng SGD 9,000 - 12,000 USD 6,480 - 8,640 Born in Malaysia, 1942. He finished his school from Nanyang Academy of Fine Arts, Singapore (1961).

He used crayons and oil for his painting. He often went to Bali for his painting inspirations. His fame as a portrait painter gradually grew and spread in the region especially in Taiwan where he often spent months painting on commission. Not content to restrict himself to portraiture, Siew began to explore a wider range of subjects and themes such as human figures and life and culture of places like Bali, Malaysia, Indonesia, India, Myanmar and Cambodia. Apart from his fascination for human forms, vibrant tropical colours and artistic and cultural diversity of the region, he often shows a deeper concern for the social, cultural and environmental realities that people in the region have to face.

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173 TEGUH OSTENRIK (Jakarta, 1950) Au Jour Le Jour, 1998 Acrylic collage on canvas: 80 x 68 cm Signed and dated, lower left: GOEH OST.98 Signed, titled and dated on the reverse SGD 4,500 - 6,000 USD 3,240 - 4,320

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After graduated in 1980 from the Fine Arts Department of Hochschule der Kuenste, West Berlin or Germany, he stayed in New York/USA, Amsterdam/The Netherlands and Cologne/Germany. In 1988, Teguh as an established painter and sculptor came back to Indonesia. He has had more than one hundred solo and group exhibitions in USA, France, The Netherlands, Germany, Australia, Singapore, Malaysia, Thailand, The Philippines, Hong Kong, Japan, Indonesia (Jakarta, Bandung, Yogyakarta, Solo, Surabaya, Bali). His art works are collected by a lot of national and international institutions and corporations. Awards received include Top Ten Philip Morris Art Award in 1997. He was one of the Juries in 2005 and 2007 China ASEAN Youth Art Competition in Nanning/China. In 2006 he was invited as a guest lecturer in Beijing Central Academy of Art. In 2007 he stayed in Penang or Malaysia as an Artist in Residence, a Program of ABN-AMRO and Wawasan Open University.

174 PANDE KETUT TAMAN (Peliatan, Ubud, 1970) The Shadow of Prambanan, 2007 Oil on canvas: 160 x 220 cm Signed and dated, lower right: Pande K. taman, Jogja’07 Signed, titled and dated on the reverse

Born in Peliatan, Ubud, 1970. He studied at the Indonesian Arts Institute (ISI), Yogyakarta.

He participated in Yogyakarta’s Biennial, Bentara Budaya (1999). He held his solo exhibitions at Gallery Millenium, Jakarta (1999), Sika Gallery, Ubud, Bali (2000) and Art folio Space, Singapore. His works also included in three-dimensional medium, such as sculptures and installations. He awarded as one of ten winners of the Yayasan Seni Rupa Indonesia – Phillip Morris Indonesian Art Award.

SGD 5,000 - 7,500 USD 3,600 - 5,400 175 RADI ARWINDA (Bandung, 1983) Luxurious Object Sticker on board: 98 x 103 x 15 cm SGD 2,500 - 3,500 USD 1,800 - 2,520 Born Bandung, 24 Juli 1983. He graduated from from the faculty Fine Art and Desain Faculty,Institute Technlogi Bandung in 2006) and now his graduated school was followed Magister Fine Art Institute Technologi Bandung (2007),he held his first Solo Exhibition "Apet ", Galeri Canna, Jakarta (2009). The artist has taken part in numerous group exhibition throughout Indonesia and at CIGE 2009 in Beijing, China. He also held a solo show exhibition at Gallery Cana in Jakarta in 2009. He also was participated in selected group exhibition as “CIGE 2009”, at China Beijing (with Galeri Canna Indonesia) at 2009, ”Deer Andry” at S14, Bandung, Indonesia(2008), 10th Selasar Soenaryo ”A Decade to Dedication” di Selasar Seni Soenaryo Bandung, Indonesia (2008), ”Ini Baru Ini” at Vivi Yip art Room, Jakarta Indonesia (2008),

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176 SUDJANA KERTON (Bandung, 1922 – 1994) Outside the temple Watercolour on paper: 35.4 x 53.6 cm Signed, lower right: SGD 3,000 - 5,000 USD 2,160 - 3,600

177 UGO UNTORO (Purbalingga, 1970) Potret Biru, 2008 Oil on canvas: 100 x 80 cm Signed, titled and dated, lower left: Potret Bitu, Ugo.008 SGD 4,000 - 6,000 USD 2,880 - 4,320 Born in Purbalingga, Central Java, 1970. He studied at the Indonesian Institute of Art (ISI), Yogyakarta. He held his solo exhibitions at Cemeti Ctontemporary Art Gallery, Yogyakarta (1996, 1998), Kedai Kebun Gallery, Yogyakarta (1999), Essence Art Gallery, Jakarta (2000) and Cemeti Art House, Yogyakarta (2002). He participated in several group exhibitions at Purna Budaya Yogyakarta, Cemeti Contemporary Art Gallery, Yogyakarta (1997), Galeria Jangva, Helsinki, Finland (1998),T Singapore, National Gallery, Jakarta, Cemeti Art House, Bali, Queensland Art Gallery, Australia, Centrum van Beeldende Kunst, Dordrecht, The Netherlands (1999), Nadi Gallery, Jakarta (2000, 2001, 2003), etc.

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178 ROEDYAT MARTADIREDJA (Bandung, 1932 – 2002) Bali Life, 1965 Oil on canvas: 50 x 87 cm Signed and dated, lower left: Roedyat’ Bali, 1965 SGD 6,500 - 8,000 USD 4,680 - 5,760 Born in Bandung, 1932. He first painting in 1948 and studied at the Bandung Institute of Technology. He performed his solo exhibition in Jakarta (1978) and was included in the East-West Center’s Art of Bali exhibition in Honolulu, Hawaii (1988). His works are unique, rich and colorful that creates a strong rhythm. His works are in private collections of European and the United States.

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Srihadi Soedarsono During his career, Srihadi followed the Bandung style of cubism that was characterized by a kaleidoscopic use of color. Next he tries abstraction, and then informal art to expose the social problems which also included many paintings of Borobudur, the immense 9th century Buddhist monument in Central Java.

Srihadi’s Borobudur is presented in the abstraction of his personal lyrical expressionistic style. The Borobudur is illustrated as a form of monumental black color. The abstraction achievement is seen through the strong strokes on the wall of the temple combined with the gentle sweep on the sky and earth that present the distinctive spiritual silence, like in other work of Srihadi. Srihadi considers the artistic architectural form of Borobudur set in the surrounding natural environment. As a concrete statement that religious behavior and attitudes are the highest human values, Borobudur is living proof of the hopes and ideals of mankind. His experimentation on the theme of Borobudur takes a long process of attempting to understand the essence of life and nature. The great monument Borobudur is an icon of cultural. Symbolizing the various stages of life, Borobudur is a cultural text as well as an embodiment of human religiosity.

179 SRIHADI SOEDARSONO (Solo, 1931) Borobudur-Moment of Contemplation, 2012 Oil on canvas: 180 x 140 cm Signed and dated, upper right: Srihadi S’2012 Signed, titled and dated on the reverse Provenance: private collection, Jakarta SGD 130,000 - 180,000 USD 93,600 - 129,600

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180 CHOO KENG KWANG (Singapore, 1931) Two Butterflies Batik cloth: 48 x 73 cm Signed, lower left: SGD 12,000 - 18,000 USD 8,640 - 12,960 Born in Singapore, 1931. He graduated from Nanyang Academy of Fine Arts (NAFA). He learned art from his guidance of his father, Choo Kim Kye. He received awards The Public Service Medal, PBM (Art), Commendation award, and Bundaberg Art Society. He has been actively participated in several group exhibitions in many countries such as Taiwan, Japan, USA, Monaco, and France. He had also held several solo exhibitions in Malaysia, Singapore, USA and Indonesia.

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181 LAM DUCH MANH (Vietnam, 1972) Hanoi’s Old Street Oil on canvas: 100 x 1000 cm Signed, lower left: M. Lam SGD 2,500 - 3,500 USD 1,800 - 2,520 Born in Vietnam, 1972. He graduated from Hanoi Fine Arts University in 1999. He held his first solo exhibitions in Hanoi (2001). He has participated in several group exhibitions from 2000 until now.

182 MOHD SHAPAREL BIN HAJI SALLEH (b. Melaka, 1972) Series Jumbus Umbi No 10 Acrylic on Canvas: 43 x 65 SGD 1,500 - 3,000 USD 1,080 - 2,160 Awards 1997

2007

Consolation prize, New Talent, Pesta Pulau Pinang 1999 Main prize,Yong Talent, Pesta Pulau Pinang 2nd prize,Tasik Kenyir Painting Competition,Tasik Kenyir

183 ABDULLAH SURIOSUBROTO (Semarang, Central Java, 1978 - 1941) Golden Harvest Oil on canvas: 61 x 74.5 cm Signed, lower left: Abdullah SGD 1,500 - 2,500 USD 1,080 - 1,800

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*184 PIERRE MATTER (b.1964) Tel est Pris qui Croyait Prendre Bronze: 43 x 35 x 12 cm SGD 10,000 - 15,000 USD 7,200 - 10,800

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185 OTTO DJAYA (Rangkas Bitung, West java, 1916 - 2002) Dewi, 1990 Oil on canvas: 90 x 65 cm Signed and dated, lower right: Otto Djaya, 1990 SGD 2,500 - 3,500 USD 1,800 - 2,520

186 OMAR YAHYA (b. 20th Century) Dua Wanita, 1953 Oil on canvas: 88 x 67 cm Signed and dated, lower left: Omar YH. Pekalongan, 1953 SGD 5,000 - 6,000 USD 3,600 - 4,320

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187 I MADE DJIRNA (Ubud, 1957) Ketawa - Ketawa, 2000 Mixed media on canvas : 140 x 130 cm Signed and dated, lower right: Djirna, 2000 Signed, titled and dated on the reverse SGD 4,000 - 6,000 USD 2,880 - 4,320

188 O.H. SUPONO (Surabaya, 1937 – Bali, 1991) Kakek, 1986 Oil on canvas: 120 x 100 cm Signed and dated, lower left: OH. Supono86 SGD 5,000 - 7,000 USD 3,600 - 5,040

Born in Surabaya, 1937. He studied painting at the Fine Arts Academy, Surakarta. In 1981, the Jakarta Academy sponsored his works to be represented in Taman Ismail Marzuki Art Center. In the past few years, many of his works have been inspired by the greatness of Borobudur Temple and have gone beyond figurative and abstract themes. His works are in collection of the Jakarta Arts Council, the Fatahillah Fine Arts Gallery, the National Fine Arts Gallery, Jakarta and the Fukuoka Art Museum in Japan.

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189 RANDY SOLON (Philippines, 1971) Raising Adam, 2009 Oil on canvas: 183 x 184 cm Signed and dated, lower left: Solon '09 SGD 12,000 - 18,000 USD 8,640 - 12,960

Randy 'Andoi' Solon holds two degrees in the visual arts: a Bachelor of Fine Arts, major in Painting, at the University of the Philippines in Diliman, Quezon City, and a Certificate in Advertising from the Philippines Women's University in Manila. Solon is the recipient of numerous awards from national art competitions. He was the Grand Prize winner in the 2006-2007 PLDT-PDC Telephone Directory Cover 20th Visual Art National Competition for the oil on canvas work entitled Kabataan, Iguhit mo ang Bukas, Kulayan mo ang Pag-asa.

He was a three time Finalist in the 38th, 39th and 40th Shell National Student Painting Competition in 2005, 2006 and 2007 (oil/acrylic categories) and a semi-finalist in the oil/ acrylic category of the Metrobank Foundation National Competition in 2004, 2005 and 2006. His works have featured in major SE Asian auctions.

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Lee Man Fong Lee Man Fong began his art education in Singapore. Later he moved to Indonesia, where he continued his painting career and became the curator of the presidential collection during the Soekarno period. Lee Man Fong was known for his ability to work with any kind of medium available. He used oil on canvas and hardboard, pastel and watercolour on paper, and pen and ink on cardboard. His works combined Oriental and Western concept in his oeuvre. An exceptional aspect of Lee’s art was his great intense in creating a personal expression through observation of life and nature surrounds him.

Lee Man Fong is a famous painter who captures gold fishes in magnificent way. He was success to bring all the goldfishes illuminated by an almost mysterious glow of white sun radiance. The fishes swim freely in the aquarium filed with reefs and weeds that express harmonious life of the habitat. As to the Chinese philosophy, Gold fish is believed that the fish can bring rich and prosperity to whose ever owned it. The present lot illustrates on of his many themes about fish. The upright movement of the fish is believed to bring hope and good fortune.

190 LEE MAN FONG (Canton, China 1913 – Singapore 1988) Ikan Mas Koki, ..

Oil on board: 104 x 50 cm Signed and stamped in chinese character, lower right Provenance: private collection, Jakarta SGD 35,000 - 50,000 USD 25,200 - 36,000

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191 MARINA CRUZ (Hagonoy, Bulacan, Philippines, 1982) Security Blanket, 2008

Oil on canvas laid on board: 190 x 152.5 cm Signed and dated, lower right: Marina 2008 Signed, titled and dated on the reverse SGD 7,000 - 9,000 USD 5,040 - 6,480

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192 UGO UNTORO (Purbalingga, 1970) Corat-Coret no. 4, 2004 Mixed media on canvas: 73 x 57 cm Signed and dated, lower right: Ugo 04 Signed and titled on reverse SGD 4,000 - 6,000 USD 2,880 - 4,320

193 FADJAR SIDIK (Surabaya, 1930 - 2004) Abstrak , 1965 Oil on canvas: 98 x 67cm Signed and dated, lower right: F. Sidk, 65 SGD 2,600 - 3,500 USD 1,870 - 2,520 Born in Surabaya, February 8, 1930. He studied at ASRI Yogyakarta in 1954 and learnt painting from Hendra Gunawan and Sudarso (1952) at Sanggar Pelukis Rakyat. He lived in Bali from 1957 – 1961. He received art award as Contemporary Painter from the Indonesian Government in 1971 and from the Government of Yogyakarta.

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194 HAN SNEL (Scheveningen, 1925 – 1998) Head of Young Woman, 1961

195 F. SIGIT SANTOSA (b. 1964) Penantian II, 1990

Pastel on blue-grey paper: 42 X 43 cm Signed and dated, lower right: Han Snel Bali '61

Acrylic on canvas: 65 x 65 cm

SGD 1,000 - 1,500 USD 720 - 1,080

SGD 1,000 - 1,500 USD 720 - 1,080

196 KAMARUDIN KAMALI (b. Selangor, 1959) Speaker, 2013 Mix media on canvas:76 x 136 cm Signed and dated, lower left: Kamarudin, 2013 SGD 2,000 - 4,000 USD 1,440 - 2,880 Kamarudin bin Kamali was born in Bestari Jaya, Selangor in 1959. He worked as a technician at a telecommunication company for 19 years. During his emplyment, his interest for art started to thrive and he started to paint and experiment with styles to find his own footing.

He looked towards de Kooning as his source of inspiration and found abstract expressionism as his calling with his newfound passion. Since 2010, kamrudin had been painting seriously and with a full fledge momentum. Hailed as a budding artist in the Malaysia art scene, kamrarudin have had his works showcased at Balai Seni Lukis Negara in Febuary 2014. His works were collected by major corporations and by private collectors both locally and abroad. He never stops painting ever since.

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197 ARIE SMIT (Zaandam, the Netherlands, 1916) Landscape, 1990 Oil on canvas: 27 x 34 cm Signed and dated, lower right: Arie Smit 90 This lot is accompanied with certificate of authenticity from the gallery signed by the artist SGD 6,000 - 8,000 USD 4,320 - 5,760

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Rearngsak Boonyavanishkul Rearngsak Boonyavanishkul was born in Singhburi, Thailand 1961. Since the age of 7, Rearngsak has been interested in art. He graduated from the Silkakorn University in Bangkok, Thailand with a B.F.A in Painting, Sculpture and Graphic Art (1986).

Rearngsak Boonyavanishkul was heavily influenced by the modernism movement in the West. He went through a period of Surrealism, painting words that transcends reality and escapes into the metaphysical world. He has worked in Bali and other Southeast Asian countries and is now well established in Singapore. He began to paint Balinese and Thai dancers, of which their photographic realism deserves one’s utmost admiration. In fact every dancer is captured with sleekness and clarity and their costumes are intricately decorated to the tiniest detail possible.

As a Thai artist, his works are often heavily laced with religious themes.

Besides painting dancers, Rearngsak Boonyavanishkul is well known for his realistic painting of horses. Usually he used horses as object of his sculptures. His horses are visually powerful beautiful animals that symbolize nature at its most magnificent with its speed, virility and nobility.

AWARDS: 1985 Gold Medal, 9th Bua Laung Art Exhibition, Bangkok, Thailand 1986 Award Winner, Contemporary Art Exhibition Organized

by Thai Farmers Bank, Thailand

Bronze Medal, 10th Bua Laung Art Exhibition, Bangkok, Thailand 1987 Bronze Medal, 11th Bua Laung Art Exhibition, Bangkok, Thailand 1990 Special Award Winner, The International Osaka Triennale

of Painting, Osaka, Japan 1991 Distinction Award, 11 th painting of the Year, Singapore 1992 Distinction Award, 12th painting of the Year, Singapore

Distinction Award, The Annual Art Exhibition,

Nan Yang Art Association, Singapore 1995 Distinction Award, 15th Painting of The Year, Singapore 1996 Singapore National Youth Award ( Art and Culture Section)

198 REARNGSAK BOONYAVANISKUL (b.Thailand, 1961) Horses, 1995

Oil on canvas: 150 x 197 cm Signed, lower right SGD 15,000 - 20,000 USD 10,800 - 14,400

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199 LUO QING (Nanchang City, Jiangxi Province, 1970) Portrait Series, 2005 Oil on canvas: 50 x 50 cm Signed, middle right: LQ Signed, titled and dated on the reverse SGD 3,000 - 5,000 USD 2,160 - 3,600 Born in Nanchang City, Jianxi Province, 1970. He graduated from The Affiliated Middle School of The Central Academy of Fine Art (1990). Now his was teaching at the Academy of Chinese Traditional Opera. He paints in realist style with very rich detailed.

Many of his paintings are collected by art lovers both local and foreign. He has participated in many big exhibitions both joined and solo in big cities in China.

He held his first solo exhibition such as “Ruins – Luo Qing’s Solo Exhibition, Art Seasons, Beijing, Jakarta (2006), “China Now – Luo Qing’s Solo Exhibitions, Art Seasons, Singapore (2004). He Also participated in several group exhibition such as “New Wave, Art Seasons, Beijing, Singapore” (2004),Milestone Vanessa Art House, Jakarta (2004), Art Singapore (2004), Beijing Art Seasons Winter Exhibition, Art Seasons Singapore (2003), Three Person Show of New Central Academy of Fine Art, Hanmo Gallery, Beijing (2002), Etc.

200 HUANG FONG (Genteng, 1936) Seated Lady, 1993 Watercolour on paper: 48 x 35 cm Signed, stammped and dated, upper left: Huang Fong’ 93 SGD 3,000 - 3,500 USD 2,160 - 2,520

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201 GUO WEI (Chengdu, Sichuan Province, 1960) Mosquito Series, 2000

Oil on canvas: 105 x 80 cm Signed and dated, lower right: Guo Wei 00 SGD 8,000 - 10,000 USD 5,760 - 7,200

Born in Chengdu, Sichuan Province, 1960. He graduated from the Print Department of Sichuan Academy of Fine Arts in 1989.

His works were collected by many collectors China and overseas.

He held his solo exhibitions in San Francisco, Los Angeles, Paris, Macau, Taipei, and Beijing. He also has participated in several group exhibitions among others: “China Now, Basel & Tokyo – 1997, ”the 14th Asian International Art Exhibition, Fukuoka Asian Art Museum – 1999”, “the First Guangzhou Triennale, Guangdong Museum of Art – 2002”, and “Paris Beijing, Espace Cardin, Paris (2002)”.

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202 PANDE KETUT TAMAN (Peliatan, Ubud, 1970) Rich, 2007

Acrylic on canvas: 55 x 150 cm Signed and dated, lower right: Ketut Taman,2007 Signed, titled and dated on the reverse Illustrated in the Artist’s catalogue exhibition Cele BR’ ART ‘E FIRE BOAR, Jakarta 2007, pg. 57 SGD 3,000 - 5,000 USD 2,160 - 3,600

203 AGUS TBR (b. Pacitan, 1979) Exodus #2, 2011 Oil on canvas: 200 x 200 cm Signed and dated, lower right: Agus TBR, 2011 Signed, titled and dated on the reverse SGD 3,500 - 5,000 USD 2,520 - 3,600

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204 POPO ISKANDAR (Garut, 1927 – Bandung, 2000) Kucing, 1989 Oil on canvas: 55 x 75 cm Signed and dated, lower left: Popo’89 SGD 7,500 - 9,000 USD 5,400 - 6,480

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205 NASHAR (Pariaman, 1928-1994) Alam Benda, 1989 Oil on canvas: 70 x 90 cm Signed and dated, lower right: 18.8.89 SGD 2,500 - 3,500 USD 1,800 - 2,520 Born in Pariaman, West Sumatra, October 3, 1928. He studied painting under Affandi and Sudjojono. He help established the Institut Kesenian Jakarta (IKJ, Jakarta Arts Institute) where he became a lecturer. In 1979 – 1992 he was a member of Dewan Kesenian Jakarta (Jakarta Art Committee). He has participated in exhibitions of the Festival of Indonesia (USA, 1990 – 1992), the Gate Foundation (Amsterdam, Holland, 1993) and several places in Indonesia. He left his figurative paintings to fully paint in abstract style until his deceased in April 13, 1994.

206 WU GUANZHONG (Yixing, 1919 - 2010) Landscape 2 Houses (2/10), 2003 Lithograph: 68 x 48 cm Signed and stamped, lower right SGD 3,000 - 5,000 USD 2,160 - 3,600

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207 TAJUDDIN ISMAIL, DATO’ (Malaysian, 1949) Terrace and Terran, 2014 Acrylic on canvas: 76 x 76 cm Signed and dated, lower right Signed, titled and dated on the reverse SGD 8,000 - 12,000 USD 5,760 - 8,640

Born in Negeri Sembilan, Malaysia, Octgober 1949. He is one the most celebrated artists in Malaysia. He took the Fine Arts study and the ITM School of Art and Design (1969 – 1973). Later he went to study Graphic Design at Los Angeles’ Art Center College of Design and then continued his post graduate studies at the prestigious Interior Architecture at Pratt Institute New York. His past accolades include receiving the Fulbright Research Fellowship, a prestigious award given by the American Council of Learned Societies.

Awards 1977 Major Award, National Drawing Competition 1978 Minor Award, National Graphic Arts 1979 Minor Award, Salon Malaysia 1986 Fulbright Research Fellows, ACLS 1994 Minor Award logo for Malaysian Design Council 1994 Honorable Mention, Philip Morris, Malaysia Art Award 2001 Major Award, logo for Open University Malaysia

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Popo Iskandar

208 POPO ISKANDAR (Garut, 1927 – Bandung, 2000) Dua Macan / Two Panthers, 1997 Oil on canvas: 100 x 145 cm Signed and dated, lower left: Popo'97 Literature: Jim Supangkat, Dr. I. Bambang Sugiharto, Perspektif Karya-karya Popo Iskandar, Published by Studio Titian Seni & Griya Seni Popo Iskandar, Bandung, 2000, Pg. 164 SGD 15,000 - 20,000 USD 10,800 - 14,400

Popo Iskandar started painting using cats object in the early 1960s which then developed into leopards in early 1980s. Repetitive theme of cats, chickens and leopards probably has become Popo Iskandar’s main contemplation in reflecting the essence of cats, nudity or even mystery of nature. The source of his idea of cats is not the form of the cat, but rather its involvement in various situations and conditions which stimulate his ideas and imaginations.

In painting a cat, he feels that he doesn’t only present it physically, but that he tries to express the meaning and the impression of the cat’s appearance for him. So, a cat for him is a totality of inspired understanding, an integrated understanding of music and poetry. Popo’s leopards strongly express smooth line as if the flow of the music. As in cats, leopards figure often shown alone or in groups. Therefore, we often see a leopard’s or cat’s face with many bodies.

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209 a. LEE MAN FONG (Canton, China 1913 – Singapore 1988) The Big Tree, 1961 Pencil on paper: 36 x 27 cm Signed and dated, lower right: June’61, MF. Lee b. ONG KIM SENG (Singapore, 1945) Two Dancers, 1992 Drawing pen on paper: 24 x 29 cm Signed and dated, lower middle: 12/4/92 c. ONG KIM SENG (Singapore, 1945) Baliinese Village, 1992 Watercolour on paper: 24 x 34 cm Signed and dated, lower left: 12/4/92

c.

SGD 4,000 - 6,000 USD 2,880 - 4,320

LEE MAN FONG He was born in Canton, China, 1913. He arrived at Singapore at young age then later moved to Jakarta. He has shown great artistic talent since young.

He participated in the Association’s First Art Exhibition invited by the head of the Dutch East Indies Associations (1931). Lee Man Fong was a successful commercial artist before engaged in full time painting in 1941. His successful exhibitions in Bandung and Jakarta made him a fast growing artist at that time.

He received scholarship from the Dutch government to study painting in Holland (1946). In 1952 he returned to Indonesia and gained more credits as well as acknowledgement. He was officially become a presidential palace’s painter and chief curators of its collection in 1961 and compiled a 5 volume edition of President Sukarno’s art collection. He died in 1988 and remembered as a western vigorous painter and an oriental unique oil painting painter.

ONG KIM SENG Born in Singapore, 1945 and has been a full-time artist since 1985. He has participated in group and solo exhibitions at Singapore and in the United States, China, United Kingdom, Japan, Australia, Belgium, Federal Republic Of Germany, France, Middle East, Taiwan, Hong Kong, and the ASEAN countries.

Ong, President of the Singapore Watercolour Society from 1991 to 2001, Cultural Medallion winner (Visual Art) in 1990 and winner of six awards by the prestigious American Watercolourt Society, of which he was conferred membership in 1992. He is also the only "Asian" Asian artist outside the USA to be admited into AWS.

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210 DR. FOO YONG KONG (B. 1948) Landscape Acrylic on canvas: 51 x 89 cm Signed, lower left: Yong Kong SGD 1,500 - 3,000 USD 1,080 - 2,160

211 TENG NEE CHEONG (Singaporean, 1951-2013) The Flower Series Watercolour on paper: 50 x 65 cm Signed, lower right: Teng Provenance: Private collection, Singapore SGD 1,200 - 2,000 USD 860 - 1,440

212 LAM DUCH MANH (Vietnam, 1972) Flower Garden by The Pond, 2011 Oil on canvas: 60 x 100 cm Signed, lower right M. Lam This lot is accompanied with certificate of authenticity from the Artist SGD 2,000 - 2,500 USD 1,440 - 1,800

Born in Singapore, 1951. He Graduated from the Nanyang Academy of Fine Arts in Singapore. He has participated in many group exhibitions among others in Singapore, Hongkong, Thailand, Brunei Darussalam, France, and The Netherlands.

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213 ROEDYAT MARTADIREDJA (Bandung, 1932 – 2002) Togog, 1968 Oil on canvas: 55 x 70 cm Signed and dated, lower right: Roedyat’1968 Signed, titled and dated on the reverse SGD 3,700 - 4,500 USD 2,660 - 3,240 Born in Bandung, 1932. He first painting in 1948 and studied at the Bandung Institute of Technology. He performed his solo exhibition in Jakarta (1978) and was included in the East-West Center’s Art of Bali exhibition in Honolulu, Hawaii (1988). His works are unique, rich and colorful that creates a strong rhythm. His works are in private collections of European and the United States.

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214 SALIM / SARAOCHIM SALIM (Medan, 1908 – Paris, 2008) Meditasi, 1999 Oil on canvas: 60 x 90 cm Signed and dated, lower right: Salim’99 SGD 6,000 - 10,000 USD 4,320 - 7,200

Born in Medan, North Sumatra, on 3 September 1908. In 1919 he went to the Netherlands, then in 1928 to Paris, France. There he met Fernand Leger whom he studied painting with and continued to study at the Académie de la Grande Chaumiére from 1929 to 1932. He is an amazing artist who has maintained his social beliefs and ideals throughout his long life, for the belives that artists will never die. His life and artistry are documented in the books Pelukis Salim (1983) and Salim: Pelukis Indonesia di Paris (2003). Since 1948, Salim has held several solo exhibitions in France, the Netherlands, Switzerlands, Belgium and Japan. He held several solo exhibition in Indonesia since 1952. He received many awards from the France government as well as other International awards such the Festival International de Paris-Sud (1971), The National Prize of the International Exhibition at Cagnes Sur-Mer (1972) and Medeille d’Argent of the Festival International de Paris-Sud (1973). He continues painting and lives in Paris until he passed away in on 13 October 2008.

215 I WAYAN SUJA (Batubulan, Bali 1975) Manginificient of Nude #2, 2008 Oil on canvas: 150 x 200 cm Signed and dated, lower right: Suja,’08 Signed, titled and dated on the reverse SGD 4,500 - 6,000 USD 3,240 - 4,320 Wayan Suja graduated from the Indonesian Art Institute in Denpasar (2001). He has actively participated exhibition in 1994. He held his exhibitions in Denpasar with artists Taxu, a community in which he is still a part of today (2005). He awarded as a finalist at the 7th Phillip Morris Art Award in 2000 and Best Sketch and Best Work the previous year.

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216 I MADE DJIRNA (Ubud, 1957) Topeng, 1988 Mixed media on canvas: 55 x 70 cm Signed and dated, lower right: I Made Djirna, 88 This lot is accompanied with certificate of authenticity from the Gallery SGD 3,000 - 5,000 USD 2,160 - 3,600

Born in Ubud, 1957. He studied at YSRI, Yogyakarta (1974 – 1977) and He graduated from the Faculty of Fine Arts and Design at the Indonesia Institute of the Arts Yogyakartain 1985. Received Awards for Best Sketch and Painting from ASRI and the Best Painting on PORSENI (Jakarta, 1978), Lempad Prize for the Best Painting from Dewata Indonesian Gallery (Yogyakarta, 1982), and Pratisara Affandi Adikarya from ISI Yogyakarta (1983). A active artist who enjoys multi-faceted and experimental works of different mediums, he has held numerous solo shows as well as participated in group shows in Indonesia as well as internationally. He currently lives and works in Ubud, Bali 217 WIRE TUAZON (Angono, Rizal, 1973) a, After Lawrence Weiner: Stream of Life, 2008 b. After Jenny Holzer, in the Darkest Hour There May Be Light Stainless stell, found objects, paints, various media: 184 x 107.5 cm Signed, upper left: Jenny Holzer Signed and dated on the reverse SGD 4,000 - 6,000 USD 2,880 - 4,320

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218 DEDE ERI SUPRIA (Jakarta, 1956) Clowns, 2002 Oil on canvas: 140 x 140 cm Signed and dated, lower left: Dede Eri Supria, 2002 SGD 9,500 - 12,000 USD 6,840 - 8,640

Born in Jakarta, January 29, 1956. He studied at the Indonesian Fine Art Academy (ASRI) in Yogyakarta (1974). In 1976 his name first emerged in the Indonesian Art Scene when he exhibited his works at the first Seni Rupa Baru Indonesia exhibition at the Balai Budaya, Jakarta. He has received several awards for his works, Jakarta Biennale 1981, won a Philip Morris Indonesian Art Awards in 1997 and was participated into the ASEAN Art Awards in Manila. He has participated in many group shows as well as solo exhibitions. Dede held his solo exhibitions at Jakarta Stock Exchange (1997) and at the Art Folio Space in Singapore (2002). Today, he is considered an influential propagator of super-realist painting in Indonesia.

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Paul Aizpiri Paul Aizpiri’s unique style is somewhat reminiscent of Munch. The roughness in his brushstroke and use of bold colors, allow each of his characters and situations come to life with raw emotion. Aizpiri continually challenges the conventions of modern and contemporary form with his Post-Expressionist style.

Paul Aizpiri was born in 1919 in Paris, France and studied painting at “L’Ecole des Beaux-Arts” also in Paris. Public acknowledgment of his talent began in 1940, and progressed from many exhibitions in countries around the world. He started exhibiting in 1943, his talent appreciated and bolstered by public acceptance, the progress enabled him to have many exhibitions held in various countries around the world. 1956 was the year his path as an artist was altered, that year he met with Foujita, Soutine, Van Dongen, Utillo and Picasso, who greatly influenced his style and work. Since 1963, he has submitted his work to every International Figuration Exhibition as a guest of honor. A likely consequence of growing up in the Basque, he uses vivid Spanish colors that are filled with passion.

Aizpiri's passion for nature and families are evident in his artworks. The bold brushstrokes and the bright colored palette he brandishes in his vibrant figurative paintings are symbolic of his joy and satisfaction in life. His recent works are painted poetry filled with a glow of love with such motifs as children, bicycles, airplanes, birds, fish and the sun, flying over the skies of Paris, Saint Tropez and Venice.

219 PAUL AIZPIRI (b. 1919) Boquet De Fleurs Oil on canvas: 49.5 x 41 cm Signed, lower left: Aizpiri Provenance: - Private collection - Christie’s UK 21.03.02 SGD 20,000 - 25,000 USD 14,400 - 18,000

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220 DR. FOO YONG KONG (B. 1948) Abstract Landscape Acrylic on canvas: 51 x 76 cm Signed, lower right: Yong Kong SGD 1,500 - 2,000 USD 1,080 - 2,160

221 ANDI RAMDANI (Tasikmalaya, 1979) Predator, 2009 Oil on canvas: 120 x 145 cm Signed and dated, lower right: Ramdani’09 Signed, titled and dated on the reverse SGD 1,000 - 1,500 USD 720 - 1,080

222 TAM KWAN YUEN (Hongkong, 1986) Short Circuit, 2013 Watercolour on paper: 63 x 44.5 cm Signed and dated, lower left: Tam Kwan Yuen’13 SGD 1,500 - 2,000 USD 1,080 - 1,440

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223 HASAN DJAAFAR (Koto Gadang, West Sumatra, 1919 - 1995) Sabung Ayam Oil on canvas: 115 x 70 cm Signed, lower left: Hasan Djaafar SGD 6,000 - 10,000 USD 4,320 - 7,200

Born in Koto Gadang, West Sumatra, 1919. He once taught by the famous landscape painter, Wakidi. He visited Europe in 1948 which after influenced his works to be impressionist and expressionist. In 1956, he held his first exhibition in Indonesia then continued to participate in tour exhibitions, among others are Singapore, Australia, Brazil, Japan, and several European countries. He died in 1995.

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224 LEE MAN FONG (Canton, China 1913 – Singapore 1988) a. Penjual Pepaya Watercolour on paper: 54 x 28 cm Signed and stamped, lower right: MF. Lee b. The Ox Plough, 1941 Pastel on paper: 39 x 61 cm Signed and dated, lower right: MF. Lee, 1941 Exhibition: Lee Man Fong 1987, National Museum Art Gallery, Singapore, 4-18 January 1987 SGD 9,000 - 12,000 USD 6,480 - 8,640

225 PANDE KETUT TAMAN (Peliatan, Ubud, 1970) I am Not a Dog, 2002 Bronze: 45 x 50 x 24 cm This lot is accompanied with certificate of authenticity from the Gallery SGD 3,000 - 5,000 USD 2,160 - 3,600 Born in Peliatan, Ubud, 1970. He studied at the Indonesian Arts Institute (ISI), Yogyakarta. He participated in Yogyakarta’s Biennial, Bentara Budaya (1999). He held his solo exhibitions at Gallery Millenium, Jakarta (1999), Sika Gallery, Ubud, Bali (2000) and Art folio Space, Singapore.

His works also included in three-dimensional medium, such as sculptures and installations. He awarded as one of ten winners of the Yayasan Seni Rupa Indonesia – Phillip Morris Indonesian Art Award.

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226 IDA BAGUS MADE TOGOG (Batuan, 1913 - 1989) Kehidupan Desa Acrylic on canvas: 70 x 90 cm Signed, lower right: Ida Bagus Made Togog, Batuan Bali This lot is accompanied with certificate of authenticity from the artist SGD 10,000 - 15,000 USD 7,200 - 10,800

Born in Batuan, Bali, 1913. He actively produced paintings that give contribution to the Batuan style art development. He was a member of Pita Maha organization. His paintings were typically described wayang stories. His works have been in collection of major important museums such as Tropen Museum Amsterdam, Rijksmuseum Leiden, and Neka Museum Bali.

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Affandi Squeezing paint directly onto the canvas seems best suit Affandi, allowing him to have full artistic expression along with an ability to finish his work quickly. As with other expressionist painters, his work exhibits a distinct rhythm full of emotional intensity.

The impact of this emotion is communicated visually depending on the emotional drive of the painter himself. The expressionist painter characteristically has an urgency to simultaneously grab the movement of the moment he wants to describe, along with capturing the textures of the object, a drive that often leads him to work much more passionately compared to the naturalists, the realists, or even the impressionists.

Affandi’s works are explosions of paint on canvas, expressing the observed world through pure impulse and energy. He was a very intuitive and emotional painter, and his works were heartfelt expressions. He only painted what he observed and never approached his works from any kind of philosophical or analytical starting point. In the present lot, Affandi has been using vivid colors like red, yellow, light green and white. Affandi’s strong wild lines dominated with white hues represent the bright sunlight showing the strong energy of human life. His former black murky tones have been replaced by a greater part of the canvas being left blank.

Awards: 1969 Piagam Anugrah Seni (Fine Art Awards) from the Department of Education and Culture 1974 Received Doctor Honoris Causa from University of Singapore 1997 Received Dark Hammarsjoeld from the International Peace Price,Florence, Italy 1978 Received “Bintang Jasa Utama” Awards Received the honor as the New Indonesian Expressionist Artist by International Herald Tribune, Granted the Grand Maestro artist in Florence, Italy.

227 AFFANDI (Cirebon, 1907 – 1990) Drying Fish, 1965 Oil on canvas: 98 x 130 cm Signed and dated, lower right: AF,1965 Provenance: Private collection, Jakarta SGD 85,000 - 120,000 USD 61,200 - 86,400

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228 BASOEKI ABDULLAH (Solo, 1915 – Jakarta, 1993) Wajah Model Oil on canvas: 80 x 65 cm Signed, lower right: Basoeki Abdullah’ SGD 6,500 - 8,500 USD 4,680 - 6,120

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Born in Solo, January 27, 1915, he is the second son of Abdullah Soerjosoebroto, a prominent landscape painter. He studied at the Academia van Beeldende Kunsten in The Hague, the Netherlands. His work includes painting of the Queen of Netherlands, King of Thailand, President of Philippines, Sultan of Brunei and many other important figures. He is best known as a portrait painter as well as landscapes, fauna, flora and other themes. His works have been exhibited in various European countries, South East Asia and Indonesia.

229 WINNER JUMALON (Philippines, 1984) Wide-Eyed Boy Oil on canvas: 91 x 91 cm SGD 4,000 - 6,000 USD 2,880 - 4,320

Born in Philippines, 1984. He graduated from University of the Philippines, Diliman, Quezon City, Philippines Painting Major, College of Fine Arts in 2005. He continued his study and graduated from Visual Arts Major Philippine High School for the Arts Mt. Makiling, Los Baños, Laguna, Philippines, in 2001. He received many awards such as Philip Morris Award ASEAN ART Competition (2005), 35th National Shell Art Competition (2003), Metrobank Art Competition (2002), and many others. He held his solo exhibitions in Kuala Lumpur and Philippines. He also has participated in many group exhibitions.

230 JEIHAN SUKMANTORO (Solo, 1938) Dua Penari, 2011 Oil on canvas: 70 x 90 cm Signed and dated, lower left: Jeihan’11 Signed and titled on the reverse This lot is accompanied with certificate of authenticity from the Artist SGD 5,000 - 7,000 USD 3,600 - 5,040

Born in Solo, 1938. He studied at the Himpunan Budaya Surakarta (HBS – Surakarta Cultural Society) (1953 – 1955) and at Bandung Institute of Technology (ITB) (1960 – 1966). In 1978, He established Studio Seni Rupa Bandung (Bandung Fine Arts Studio) together with Dr. Sudjoko. He has participated in several exhibitions. He held his solo exhibitions at Bandung (1998), Galerie Darga & Lansberg, Paris France (1999), Darga Gallery, Bali (2000), the Jakarta Hilton International Hotel, Jakarta and Nadi Gallery, Jakarta (2002). He combines Eastern mysticism with Western analytical sense that made his portraits paintings are very distinctive and well known.

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231 LIANG LI QIANG (Datong, Shanxi Province, China) Nude (Back View), 2007 Oil on canvas: 45 x 38 cm Signed and dated, lower right: 2007 SGD 3,000 - 4,000 USD 2,160 - 2,800

Liang Li Qiang was born in Datong, Shanxi Province, China. He graduated from Shenxi University, Department of Fine Art in 1986. In 1986 – 1989 he worked at the Shanxi Fine Art Academy.

He postgraduate studies at the Central Fine Art Institute, Beijing, China in 1991. He currently works as a professional artist at the Shanxi Painting Academy. He is Director of Shanxi Provincial Artists ‘Association and a member of the China National Fine Art Association. Since graduating in 1996, many of his paintings have been shown at National and provincial exhibitions throughout China.

He has also exhibited in the USA, Japan, Singapore, and Hongkong.

He received numerous awards.

232 LEE MAN FONG (Canton, China 1913 – Singapore 1988) Young Man Looking left, 1954 Charcoal, chalk on paper: 47.5 x 32 cm Signed and dated, lower right: MF. lee, July 1954 Kedaton Bali SGD 3,500 - 5,000 USD 2,520 - 3,600

He was born in Canton, China, 1913. He arrived at Singapore at young age then later moved to Jakarta. He has shown great artistic talent since young. He participated in the Association’s First Art Exhibition invited by the head of the Dutch East Indies Associations (1931). Lee Man Fong was a successful commercial artist before engaged in full time painting in 1941. His successful exhibitions in Bandung and Jakarta made him a fast growing artist at that time. He received scholarship from the Dutch government to study painting in Holland (1946). In 1952 he returned to Indonesia and gained more credits as well as acknowledgement. He was officially become a presidential palace’s painter and chief curators of its collection in 1961 and compiled a 5 volume edition of President Sukarno’s art collection. He died in 1988 and remembered as a western vigorous painter and an oriental unique oil painting painter.

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233 SAMSUL ARIFIN (Malang, East Java, 1979) Antara Hidup dan Permainan #2, 2010 Dacron: D. 45 cm This lot is accompanied with certificate of authenticity from the Gallery SGD 4,000 - 6,000 USD 2,800 - 4,320

Samsul is now pursuing his study at Indonesia Art Institute Yogyakarta (ISI). He is awarded as the Nominator of the Best 10 Works of Pratisara Affandi Adhikarya in 2003, the Best Watercolor Painting and the Best Skecthing Work of Indonesia Art Institute Yogyakarta in 2001.

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234 POPO ISKANDAR (Garut, 1927 – Bandung, 2000) Pantai / The Beach, 1981 Oil on canvas: 114 x 84 cm Signed and dated, lower right: Popo'81 Literature: Jim Supangkat, Dr. I. Bambang Sugiharto, Perspektif Karya-karya Popo Iskandar, Published by Studio Titian Seni & Griya Seni Popo Iskandar, Bandung, 2000, Pg. 73 SGD 7,000 - 10,000 USD 5,040 - 7,200

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Born in Garut, December 17, 1927. He started painting in 1944. He graduated from the University of Indonesia and Bandung Institute of Technology (ITB). Besides as a painter he is also an art observer and writer. In 1980 he received art award from Indonesian Government. He has participated in many exhibitions in Indonesia as well as overseas. His works were mostly on animal such as chicken, cat, and tiger. He held his solo exhibitions at Taman Ismail Marzuki Arts Center, Jakarta (1987, 1992, and 1994), National Gallery, Jakarta (1999) and participated in group exhibitions at KIAS, USA (1990), The Best of Indonesia, Jakarta (1997), and Slovenia Gradec (1997).

235 LE MINH DUC (Ninj Binh, Vietnam, 1981) Village Lane, 2008 Oil on canvas: 120 x 80 cm Signed, lower left: M. Duc SGD 3,000 - 40,000 USD 2,160 - 2,880 Exhibitions: 2005 Group exhibitions of student in the Fine Art University 2006 Show at Toriizaka Art Gallery in Tokyo, Japan Group exhibition at Thang Long Gallery, Hanoi, Vietnam.

2007 Show at Arch Angel Gallery in Hong Kong " The colour of The East" exhibition at Red Gallery in Dubai.

2007 Solo exhibition at Durlacher Fine Art in London, UK 2008 Group exhibition at Durlacher Fine Art in London, UK. " The colours of Street" exhibition at Dragon Gallery in Hanoi, Vietnam. " The colours of Street" exhibition at Sutherland Arts Gallery in Singapore. " Through Their Eyes" exhibition at Toriizaka Art, Tokyo, Japan.

236 HENK NGANTUNG (Bogor, 1921 - 1994) a. Singapore, 1952 Ink on paper: 30 x 50 cm Signed and dated, lower right: Singapore, 24.XI.52 b. Poeing-poeing Akibat Perang Dunia II, 1951 Ink on paper: 35 x 49 cm Titled and dated, lower right: Poeing-poeing Perang Dunia II, Dresden, 31/8-51 SGD 5,000 - 7,000 USD 3,600 - 5,040 Born in Bogor, West Java, 1921. He started painting in 1934. He held his solo exhibitions in Tomohon, Minahasa (1936), at Hotel SavoyHomann, Bandung (1939) and at Hotel des Indes, Jakarta (1947). He studied under Dutch painter, Willem F.M. Bosschaert and Austrian Artist, Rudolf Wenghart in Bandung (1937 - 1941). He was a member of POETERA (People's Activity Center) and LEKRA (People's Cultural Institute). From 1960 - 1964 he was ViceGovernor of Jakarta and Elected as Governor of Jakarta in 1964 - 1965. He died in Jakarta, 1994.

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237 LEE MAN FONG (Canton, China 1913 – Singapore 1988) Reclining Nude Oil on board: 50 x 98 cm Inscribed in Chinese character, upper left Signed and stamped with Artists sela upper left Provenance: Private collection, Jakarta SGD 40,000 - 50,000 USD 28,800 - 36,000

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Lee Man Fong Lee Man Fong was one of a rare artist who received honor by critics and collectors across Asia. As an Oriental artist, Lee man Fong has renewed and transformed Western oil painting by imbuing it with the essence of Chinese ink painting, achieving a mutual identity between subject and object, at the same time vastly opening the restrictions on traditional Chinese painting. In short, he created a unique “Man-Fong style”.

The present lot is a female figure posing in nude style, very rare objects and very special as one of his best work produced in the period. Besides his great intense in observing the nature especially animal such as gold fish and doves, women were Lee’s most cherished subject. His figures reflect a wealth of thought and inner content. His portraits excel equally in form and expression, vitality and faithfulness, and rank above works. Lee Man Fong’s portraits are remarkable life-like, fresh and moving and at the same time full of artistic individuality. This resulted from a strict awareness of values and rigorous selectivity.

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238 SYARIEF HIDAYAT (Bandung, 1982) Floating Cash Cow, 2009 Acrylic on canvas: 200 x 200 cm Signed and dated, lower right: Rief’09 Signed, titled and dated on the reverse SGD 15,000 - 20,000 USD 10,800 - 14,400

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Born in Bandung, February 10, 1982. He was participated in several exhibitions such as “Exhibition in Anniversary Sanggar Bambu at Taman Budaya, Yogyakarta (2009), Art exhibition “Menjadi Gelap” at Gedung Siliwangi Bandung (2001), Art Exhibition “Stop Korupsi” at Gedung Sate, Bandung (1999), Art exhibition at Pasar Seni, ITB (1998), “Exhibition at SMSR, Bandung” 1994” and Artefak – Art exhibition at Gua Pakar, Dago, Bandung (1993).

239 CHIA YU CHIAN (Malaysian, 1936-1991) Two Fishes, 1983 Oil, pastel on paper: 41 x 54 cm Signed and dated, lower right: Yu Ci Chian, 1983 SGD 5,000 - 8,000 USD 3,600 - 5,760

Chia Yu Chian Having received art education from the Ecoles des Beau Arts at Paris,Yu Chian carried with him is a strong influence of French art of the Post-Impressionist era. Distinct simplified shapes flavoured with bright colours reflect the artist’s ardent emotion towards visual pleasure.The methods of composition and lighting, and the use of broken colours resembles to that of Van Gogh’s Sunflowers.

240 HOANG HAI ANH Still Life Banana Flowers, 2003 Oil on canvas: 100 x 75 cm Signed and dated, upper right: 03 SGD 4,500 - 6,000 USD 3,240 - 4,320

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241 NYOMAN GUNARSA (Klungkung, 1944) Penari dan Kupu-kupu, 1997 Oil on canvas: 95 x 95 cm Signed and dated, lower right: 97 SGD 4,000 - 7,000 USD 2,880 - 5,040

Born in Klungkung, Bali, April 15, 1944. He graduated from the Indonesian Fine Arts Academy (ASRI) in Yogyakarta where he is currently a lecturer in art. He began his career as painter of models and portraits. Since 1967, active performing solo exhibitions, like in British Embassy, Jakarta (1967), Arcade Gallery, Kuala Lumpur (1971), Blance Gallery, San Francisco (1991), Blance Gallery, Osaka (1982), 21 Gallery, Singapore (1995), Opera-Gallery, Paris (1996), and Hamburgische Landesbank, Hamburg (1998). He also participates in joint-exhibitions in Indonesia and overseas. He received awards from the Pratisara Affandi Adikarya (1976), in the Biennial Indonesian Art Exhibitions (1878 & 1980) and the Lempad Prize (1980). His works are in collection by local and abroad collectors.

242 NANO WARSONO (Jepara, Central Java, 1976) Let’s Play, 2009 Acrylic on canvas: 150 x 180 cm Signed and dated, lower right: XX108NW.09/168 SGD 2,500 - 3,500 USD 1,800 - 2,520 He was actively in Art Activity, selected art event, exhibition and project in 2008, “HIGHLIGHTS”, Jogja, Art Paris/Abu Dhabi, Abu Dhabi (2008), ACAF (Asian Contemporary Art fair New York), Art Singapore, Singapore (2008), Sanghai Contemporary Art Fair, China (2008), An Artshow “AGRARIS KOBOI”,Februari 2007, Jogja Galeri Yogyakarta (2007), Vice Versa, Pameran seni rupa, Taman Budaya Yogyakarta (2006), Fundraising exhibition, Art for Care, Via-via Cafe Yogyakarta (2006), Artist Residence, San Francisco&Philadelphia (USA), with Apotik Komik Colaboration with Clarion Alley Mural Project (2003), Exhibition at Jogja Fine Art community, Yogyakarta (2002), Graphic and Sculpture Graftung, “Zero” Bentara Budaya Yogyakarta (2001).

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243 MOCHTAR APIN (Padang, 1923 – 1994) Woman and The Sun, 1968 Oil on canvas: 96 x 77 cm Signed and dated, lower right: Mochtar Apin,1968 SGD 8,500 - 10,000 USD 6,120 - 7,200

Born in Padang Panjang, West Sumatra, 1923. He graduated form the Bandung Institute of Technology (ITB) in 1951 and continued his study of art and handicrafts in Amsterdam finished in 1953. Besides painting, he also created graphic works. His works have been exhibited in many countries. He was among the first who benefited from a Dutch formal education during the colonial period and was able to acquire a strong intellectual basis for producing modern art. From a very young age, he was able to nurture his artistic bent through special instruction from Dutch art teachers. He went on to pursue art at the Kunstnijverheid School in Amsterdam, and the Ecole Nationale Suprieure des Beaux Arts in Paris as well as the Deutsche Akademie der Kuenste in Berlin. Due to his extensive art studies, Mochtar Apin became proficient in a variety of techniques. With such knowledge, he was well equipped to debate on the role of art in Indonesia. In the Indonesian art world, Mochtar Apin’s diverse range of interests and unique versatility in style has left behind an artistic legacy that has held the interest of art connoisseurs to this day.

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244 ADRIEN JEAN LE MAYEUR DE MERPRES (Brussel, 1880 – 1958) Kairouan, 1919 Mixed media on paper: 13.6 x 19.8 cm Signed and dated, lower right: Kairouan, 1919, J. Le Mayeur SGD 5,000 - 7,000 USD 3,600 - 5,040

Born in Brussel, Belgium, 1880. He married with the famous Legong Dancer, Ni Nyoman Pollok, who was his best-known model and settled in Bali in 1932. His works shows effective use of light and shadow in bright colors. He donated his house and his studio in Sanur, Bali, to the Indonesian Government which is now known the Le Mayeur Museum.

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245 MAT ALI MAT SON (B. 1975) Warriors, 2012

246 JOVEN MANSIT (B. 1983) Conception, 2008

Oil on canvas: 96.5 x 77.8 cm Signed and dated, lower right: Mat Ali 2012

Paper laid on canvas: 142 x 918 cm

SGD 1,500 - 3,000 USD 1,080 - 2,160

SGD 2,000 - 3,000 USD 1,440 - 2,160

247 HANAFI (Purworejo, Central Java, 1960) Metamorfosa, 1997 Oil on canvas: 59.5 x 59.5 cm Signed and dated, lower left: Hanafi’97 SGD 1,000 - 1,500 USD 720 - 1,080

Bon in Purworejo, Central Java, 1960. He is one of the young potential artists among the group o Agus Suwage and Ivan Sagita. He took his formal education in the Indonesian Art Institute (ISI) Yogyakarta in 1979. He held his solo exhibition in Jakarta, Bali, Singapore, Kuala Lumpur, Barcelona and Toronto. He has participated in several group exhibitions such as Movement, Jakarta, Biennale IX, and the Philip Morris Art Award Exhibition in Jakarta and Bali. On June 2004, he shows his great talent in painting spontaneously for the Olympic event in Athena, Greek.

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Alit Sembodo Born in Magelang, 1973. He took his formal study at the Indonesia Institute of Fine Art (ISI) Yogyakarta. He has actively participated in several solo and group exhibitions in major cities in Indonesia. His work has been awarded the Pratisara Affandi Adi Karya Pize in 1999. His painting has particular and distinct characteristic of all kinds of figures and scenes. He passed away in Magelang 2003. Yet, his short lifetime has been noted by important works that captured the people’s attention.

Some of the works that made in 2000 – 2001 reveal Alit Sembodo keen interest in different theme. As usual for Alit, this painting object gave rise to a sort of serial works. Most of his works demonstrate strong characteristics, narrative and descriptive crowd in all kinds of poses and scenes that filled every corner of the canvas. He never left the canvas empty. The canvas seems full with parade of masses like a colossal theater performance. Perhaps this has become Alit’s concern towards all kinds of social problems amongst the populace. He seems does not merely make social criticism towards the ruling politics, but he only goes to describe the condition in his painting through his own perspective and perception. With his combination of strong drawing techniques and simple colors, Alit’s painting illustrates an image of dramatic atmosphere of the condition.

248 ALIT SEMBODO (Magelang, 1973 – 2003) Berburu Ikan Duyung / Mermaid Hunting, 2001 Mixed media on canvas: 150 x 200 cm Signed and dated, lower right: Alit Sembodo, Yogya, 2001 Literature: In The Memory of Alit Sembodo (1973-2003), Political Circus: an Ancient World, Publihed by Umahseni, Jakarta, 2011, pg. 156-157 SGD 15,000 - 20,000 USD 10,800 - 14,400

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249 BASOEKI ABDULLAH (Solo, 1915 – Jakarta, 1993) Woman With Kebaya Oil on canvas: 150 x 68 cm Signed, lower left: Basoeki Abdullah Provenance: Private collection, Jakarta SGD 8,000 - 10,000 USD 5,760 - 7,200

Basoeki Abdullah started painting since he was 5 years old in simple drawing, and at 10 he traveled to Surabaya and Bali where he started portrait painting. During 1933, he held his first exhibition in Bandung. He brought his painting to RMP. Sosrokartono, RA. Kartini’s brother, who was very impressed on Basoeki’s painting.

Sosrokartono and Prince of Mangkunegoro VII became the person who greatly supported his painting career until Basoeki become a famous painter. During that time he continued his study at Academia van Beeldende Kunsten in the Hague, the Netherlands.

Basoeki Abdullah is one of the most prominent Indonesian maestros in portrait paintings. The late artist was well-known for his realistic paintings.

Besides painting of natural beauty and sensuous landscape, he is also noted for his portraits of beautiful women, as well as paintings of scenes from legends that are also tempered with the same lyrical and overly sensual treatment. His great fond of paintings women’s figure perhaps derived from his great interest in exploring the beauty of women that is attractive to paint in any way. The artist gain the public recognition after winning a painting competition held in conjunction with the Netherland's Queen Juliana ascension to throne on 6 September 1948.

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250 JOSEPHINE LINGGAR (Jember, East Java, 1943) Beauty in Red, 2013

251 TEW NAI TONG (Klang, Selangor, 1936) Lotus Pond II, 2002

Oil on canvas: 120 x 65 cm Signed and dated, lower left: Josephine, 2013

Oil on canvas: 74.5 x 59 cm Signed, lower right: Nai Tong

SGD 3,500 - 5,000 USD 2,520 - 3,600

SGD 3,500 - 6,000 USD 2,520 - 4,320

Born in Jember, East Java, 1943. She greatly produced painting using woman as her object. For her, women have uniqueness of beauty, ugliness, sincerity, passion as well as strong and weak character. She held her solo exhibition at Hotel Int ercontinental,Geneva,Switzerland (1994), Solo Exhibition, Hotel Marriot, Jakarta (2008), Solo Exhibition ,Gallery Hadiprana, Kemang, Jakartam (2007), Exhibition at National Gallery, Jakarta (2006), woman artist along with Srihadi Soedarsono, Jeihan, Sunaryo and Roedyat at the Regent Hotel (1997), Asian Artists Exhibition in Singapore (1999), “Palace of the Republic of Indonesia (2000), Solo Exhibition at Marina Mandarin, Singapore (2001),Exhibition at Gallery Hadiprana, Kemang, Jakarta (2003), Solo Exhibition, Indonesian Embassy,Washington DC (2004), Participated more than 50 exhibitions in Jakarta. and more than 400 pieces of her paintings have been collected by art lovers from within and outside Indonesia. She received awarded as Finalist Phillip Morris Art Awards, Jakarta in 2001, Finalist for the Indofood Art Awards, National Museum in 2002. Chosen by the Palace for a special commission to paint the late Madam Tien Soeharto.

Born in Klang, Selangor, 1936. Tew Nai Tong has often been described as the “last of the Nanyang Men’, in reference to the important Nanyang (South Seas) art movement. A school of painting that was an influential element in the development of mainstream Malaysian post-independence art. In the late 1950, he had studied at the Nanyang Academy of Fine Arts under Georgette Chen, Chen Wen Hsi (Chinese brush painting) and Koh Chien Tee (oils, watercolours and woodcarving) and later at the Ecole Nationale Superieure des Beaux-Arts de Paris. His work combines the styles of both schools, successfully crossing the boundaries of Expressionist Realism and abstraction.

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252 LIM TZE PENG (Singapore, 1921) Calligraphy, 2012 Ink on rice paper: 101 x 105 cm Signed and stamped in chinese character, lower left This lot is accompanied with certificate of authenticity from the Gallery SGD 9,000 - 12,000 USD 6,480 - 8,640

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Born in Singapore on 28 September 1921, Lim Tze Peng is one of Singapore’s most significant artists and a living legend. Renowned for his Chinese ink drawings and paintings post-independence Singapore, he also practices Chinese calligraphy. Alongside numerous solo and group exhibitions, both local and international, his masterpieces are exhibited in the Singapore Art Museum and Nanyang Academy of Fine Arts and part of many prestigious collections. Lim has been bestowed several awards including the Special Prize at the Commonwealth Art Exhibition in England in 1977 and the prestigious Cultural Medallion in Singapore in 2003. In May 2012, he broke records with the sale of his works at a Christies auction in Hong Kong.

Awards: 2003 1981 1977 1963

Cultural Medallion Award, Singapore National Day Award (PBM), Singapore Special Prize,Commonwealth Art Exhibition, England National Day Award (PPA) ,Singapore

253 ADRIEN JEAN LE MAYEUR DE MERPRES (Brussel, 1880 – 1958) Old Building Water color on paper: 43 x 58 cm SGD 5,000 - 7,000 USD 3,600 - 5,040

254 ERICA HESTU WAHYUNI (Yogyakarta, 1971) My Privet Jet, 2014 Acrylic on canvas: 80 x 110 cm Signed and dated, lower right: erica,2014 Signed, titled and dated on the reverse SGD 2,000 - 3,000 USD 1.440 - 2,160

Born in Yogyakarta, 1971. She began to study painting when she was young and join Sanggar Katamsi under painters Suharto P.R. and Herry Wibowo. In 1996, she graduated from the Indonesian Institute of Arts (ISI), Yogyakarta. She performed her solo exhibition in Yogyakarta and Jakarta.

She intensely participated in many group exhibitions in Indonesia and overseas, Singapore, Philippines, Japan and Russia. She received award for the Best Work at ISI Yogyakarta in 1993.

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255 LUO QING (Nanchang City, Jiangxi Province, 1970) Bird with Workers III, 1999

256 LEE MAN FONG (Canton, China 1913 – Singapore 1988) Young Woman in Turban, 1954

Oil on canvas: 160 x 89.7 cm Signed and dated, lower right: Luo.1999

Charcoal, Chalk on paper: 47.8 x 32.3 cm Signed and dated, Upper right: MF. Lee, July 1954, Bali

SGD 3,000 - 5,000 USD 2,160 - 3,600

SGD 3,500 - 5,000 USD 2,520 - 3,600

He held his first solo exhibition such as “Ruins – Luo Qing’s Solo Exhibition, Art Seasons, Beijing, Jakarta (2006), “China Now – Luo Qing’s Solo Exhibitions, Art Seasons, Singapore (2004). He Also participated in several group exhibition such as “New Wave, Art Seasons, Beijing, Singapore” (2004),Milestone Vanessa Art House, Jakarta (2004), Art Singapore (2004), Beijing Art Seasons Winter Exhibition, Art Seasons Singapore (2003), Three Person Show of New Central Academy of Fine Art, Hanmo Gallery, Beijing (2002), Etc.

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257 AGUS SUWAGE (Purworejo, 1959) Kissing The Death, 2010 Watercolour on paper: 56 x 75 cm Signed and dated, lower right: Agus Suwage, 2010 SGD 4,500 - 5,500 USD 3,240 - 3,960

Born in Purworejo, 1959. He studied at Bandung Institute of Technology (1979 – 1986), Artist in Residence in QUT, Brisbane, Australia (199a6), and Artist in Residence in “Sai-no-kuni” Saitama, the Museum of Modern Art, Japan (1999 – 2000). He performed his solo exhibitions in H Block Gallery, QUT, Brisbane, Australia (1996), Cemeti Contemporary Art Gallery, Yogyakarta (1998), Gen Gallery & Public Center Koshigaya, Saitama, Japan (2000), and Nadi Gallery, Jakarta (2001, 2002). He joined several group exhibitions in Indonesia and overseas, Jakarta Art and Design Expo, Jakarta (1992), Art Gallery Conink, the Netherlands (1993), Cheju Pre-Biennale, South Korea (1995), Phillip Morris ASEAN Art Award, National Gallery, Bangkok, Thailand (1996), Tachikawa International Art Festival (1999), Museo de la Cuida de Mexico, Museum of Mexico (2000), Circle Point Gallery, Washington DC, USA (2002), etc.

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Lee Man Fong During 1952, Lee was quietly developing his art, which focused on thorough observation of life and nature around him. Lee Man Fong’s painting style is largely featured animal themes, such as the chicken, doves, goldfish, storks, and gibbons.

He developed his paintings by creating a personal expression based on observation of live and nature around him. Lee showed how it is possible to marry many of the most essential elements of both classical painting traditions – light, shadow and realism on the other hand, and expressionism, experienced calligraphic brushwork, and the balance between form and emptiness on the other.

The present lot feature one of wonderful painting of doves in diverse manner. Lee Man Fong’s painting of Doves is noteworthy. Doves has become Lee Man Fong’s beloved and sought after works in spite of Goldfishes and other animals such as horses, cockatoos, tigers and dogs. A testimony to his mastery of technique and realization of theme, this painting depicts the world of the doves as peaceful and calm, but at the same time dynamic. The doves in pairs symbolize a good match, which may be further extended to mean “peaceful coexistence.”

258 LEE MAN FONG (Canton, China 1913 – Singapore 1988) Doves Oil on board: 102 x 50 cm Signed and stamped in chinese character, upper left Provenance: Private collection, Jakarta SGD 35,000 - 50,000 USD 25,200 - 36,000

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259 RUSTAMADJI (Surabaya, 1932 – 1990) Woman With Kebaya, 1965 Oil on canvas: 62 x 93 cm Signed and dated, lower left: Rustamadji, 65 SGD 8,000 - 9,500 USD 5,760 - 6,840

Born in Surabaya, East Java, April 16, 1932. In 1946 he started painting under the painter S. Sudjojono in Sanggar Indonesia Muda (Young Indonesian Artists Association), Madiun.

In 1950s he used naturalistic style which afterwards changed to impressionistic. He actively participated in several exhibitions in Indonesia and abroad. He lived in Surabaya and died in the year of 1990.

260 SOETOPO (Yogyakarta, 1931) Penjual Ayam, 2004 Oil on canvas: 110 x 140 cm Signed and dated, lower right: Soetopo. 2004 This lot is accompanied with certificate of authenticity from the Artist SGD 6,000 - 8,000 USD 4,320 - 5,760

Born in Yogyakarta, April 13, 1931.

He studied painting at The Indonesian Academy of Fine Arts (ASRI) Yogyakarta under Hendra Gunawan, Trubus and Soedarso tutelage. Since 1950, he was actively participated in many exhibitions and handled monumental works for Hotel Indonesia, Ambarukmo Hotel, Satu Maret Monument, Palagan Ambarawa, TMII Historical Monument Relief and Satria Mandala Museum, Jakarta. following the exhibition welcomes the Asian-African Conference in Bandung, 1955. Diversity in Harmony Exhibition in Yogyakarta, Borobudur International Festival Exhibition at the Museum H. Widayat, Mungkid, Magelang, 2002. Exhibition "Footsteps" at the Court of Djoko scream, Yogyakarta, 2003. Art Exhibition "Membaca Dunia Widayat� at Museum H.Widayat, Mungkid, Magelang, 2004.

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261 OMAR YAHYA (B. 20TH CENTURY) Beautiful Lady, 1968 Oil on canvas: 89.5 x 56.5 cm Signed and dated, lower right: Omar YH’68 SGD 9,000 - 13,000 USD 6,480 - 9,360

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262 TENG NEE CHEONG (Singaporean, 1951-2013) Frangipani Watercolour on paper: Diptyh @50 x 63 cm Signed and stamped, lower left: Nee Cheong Provenance: Private collection, Singapore SGD 2,500 - 3,500 USD 1,800 - 2,520

263 MOHD SHAPAREL BIN HAJI SALLEH (Melaka, 1972) Melodi, 2012 Mixed media on canvas: 91 x 122 cm Signed and datedd, lower right: Shaparel, 2012 Signed, titled and dated on the reverse SGD 2,500 - 5,000 USD 1,800 - 3,600 Solo Exhibitions: 2011 Second Solo Exhibiton “Natural Environment” 1 Malaysia Contemporary Art Tourism insight Penang, Shaparel Art Studio 2012 Third Solo Exhibition “Beauty for Survival” Mutiara Art Gallery 2014 Fourth Solo Exhibition”Imbas Umbi” Penang Artists Corner Gallery

264 LUCIEN FRITS OHL (Palembang, South Sumatra, 1904 – The Hague, 1976) Harvestin Oil on board: 29 x 22.5 cm Signed, lower left: L. Frits Ohl SGD 2,000 - 2,500 USD 1,440 - 1,800 Born in Palembang, South Sumatra, 1904. He was a self-taught painter whose works were mostly Indonesian landscape. He also produced paintings of Asian panorama. He was a painter, watercolorist, and draughtsman in the style reminiscent of the late of GP. Adolfs. He once lived in Jakarta for a long time then settled in The Hague until he died in 1976.

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265 CHENG HAW CHIEN (Penang, Malaysia, 1948) Country Life Chinese and coloured ink on rice paper: 39.5 x 59.2 cm Signeda and stamped, upper right SGD 10,000 - 14,000 USD 7,200 - 10,080 Cheng Haw Chien was born in 1948 in Penang, Malaysia. He began learning Chinese brush painting and western art forms enthusiastically when he was an adolescent. His interest was furthered after his secondary school education when he continued his academic studies in Taiwan and Hong Kong. There, he sought to refine his artistic skills under the guidance of many eminent masters. After his graduation from the university in 1974, he toured South East Asia and European countries holding solo exhibitions which received very positive press reports especially on his master pieces such as "Bridge Over the River Kwai" and "Tour to the Kingdom of Buddda''. His other exhibitions in Kuala Lumpur, Malaysia and Europe: The Exhibition on Europe Tour: "Scene of Cambridge" and"Winter in Paris" also received similar positive reviews. He photographed and sketched the myriad landscape and scenery of these countries to be shown in over 130 solo exhibitions. His travel experience and study tours also resulted in articles on travel and art review columns in local newspapers. Cheng Haw Chien was appointed the principal of Central Academy of Art, Kuala Lumpur in 1983. He was also involved in other art sectors and had been appointed as an art appraisal committee member of the National Art Gallery, Malaysia. In 1985, at the invitation of the National Art Gallery, Taiwan, he led a group of Malaysian artists for an exhibition there. In 1989, he was invited to participate in a joint exhibition "Calligraphy in Asia" at The Palace Museum, Beijing. His other posts are the vice chairman of the International Calligraphy Association; Chairman of International Calligraphy Association, Malaysia; Chairman of the Malaysian Painting Calligraphy Association and chairman of International Chinese Brush Painting Seminar & Exhibition in Kuala Lurnpur, 1994. In 1992, he held a solo exhibition at The National China Art Gallery in Beijing at the joint-invitation of Chinese Artists Association, Acadamy of Traditional Chinese Painting, Beijing Painting Institute, and Xu Beihong Memorial Hall. In 1995, Cheng Haw Chen became the Director of Metropolitan Gallery of Fine Arts, Kuala Lumpur and was subsequently invited to hold a solo exhibition at Liaoning Provincial Museum, China, followed by an invitation to Lu Xun Academy of Fine Arts to conduct a seminar. In 1996 at the invitation of China Artist Association, China, he led a Malaysian artist delegation to Beijing, Shanghai, Hangchow, Nanjing and held "Malaysian Art Exhihition" in the National China Art Gallery in Beijing, China.

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266 GERARD PIETER ADOLFS (Semarang, 1899 – The Netherlands, 1968) Cock Fight in Bali Oil on canvas: 41 x 51 cm Signed, lower left: Adolfs SGD 10,000 - 15,000 USD 7,200 - 10,800 Born in Semarang, 1899. He once lived in Surabaya and made many paintings about the city. He traveled to many countries in Asia, Europe, and Africa, like Japan, Rome and Arab. He decided to spend the rest of his time in Holland until he died in Den Bosch, the Netherlands, in 1968.

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267 MOHAMMED HOESSEIN ENAS (Javanese, 1924-1995) Young Woman, 1965 Oil on canvas: laid on board: 55 x 45 cm Signed and dated lower right SGD 14,500 - 18,000 USD 10,440 - 12,960 Mohamed Hoessein Enas (1924-1995) came to Malaya from Bogor, Java in 1947. Enas, who was largely self-taught, mastered a European style of realist portraiture, and painted portraits of several Sultans and members of Malaysian royalty. In 1956, he spearheaded Majlis Kesenian Melayu (later, Angkatan Pelukis Semenanjung), a group which included Mazeli Mat Som, and Zakaria Noor. This group was dedicated to depicting the Malay ideal of beauty and character.

Enas was a member of Fellow Royal Society of Arts, London; member of Board of Trustees; former Head of Design and Staging Services, Radio and Television Malaysia; and founder and first President of Angkatan Pelukis Semenanjung.

In 1990, five years before his death, Mohammed Hoessein Enas was appointed Royal Portrait Painter to HRH Sultan of Selangor.

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Srihadi Soedarsono Srihadi is an artist with a deep cultural background. His integrity as a creative was formed through his formal education as well as through his life experiences.

There are two important aspects in Srihadi’s paintings. First: the artistic value of color composition, and the second: the philosophical value that reflect the meaning of life, cultural, and social value.

The dance is one of Srihadi’s favorite themes. In his paintings of dancers he continues to paint female dancers in the same upright pose that has used in the past. His dance work consist of series of dancers, even so, for Srihadi, each dance has it own particular mood, the gist of which he attempts to capture in his painting. At the same time, dance also offers a panorama of human life in general: it shows the dynamic union between the everyday world of material reality and the world beyond perception, the realm of the material.

The merging of spiritual and physical control obtained in dance obviously appeals to the philosophical Srihadi. Some of his figurative paintings, especially the dancers, look deceptively similar, and that the figures have become stereotypes, but one should try to appreciate and study the details and minimal variations. Srihadi pays particular attention to the characteristic of the dancer and the artistic form of the dance. Every dance has its language or vocabulary of movement and type of costume, all of which imbued with philosophical meaning.

268 SRIHADI SOEDARSONO (Solo, 1931) Oleg Tambulilingan (The Glory of Love), 2013 Oil on canvas: 130 x 100 cm Signed and dated, upper right: Srihadi S’013 Signed, titled and dated on the reverse Provenance: Private collection, Jakarta SGD 100,000 - 150,000 USD 72,000 - 108,000

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269 ANDY DEWANTORO (Tanjung Karang, 1974) The Moon is Down #2, 2011 Acrylic on canvas: 150 x 200 cm Signed and dated, lower right: Andy Dewantoro, 2011 Signed, titled and dated on the reverse SGD 9,500 - 12,000 USD 6,840 - 8,640

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Born in Tanjung Karang. He graduate from Faculty of fine Art and Design, Bandung Institute of Technology, Indonesia. He joined Solo Exhibition 2007 “Shade of Colours, Four Season”, Jakarta, Indonesia.

2006 “ Celebration of Colour”, The Peak, Bandung, Indonesia. “ Floating”, Gallery Hidayat, Bandung, Indonesia. “ Autumn+Winter”, KOI Gallery Jakarta, Indonesia.

270 LE MINH DUC (Ninj Binh, Vietnam, 1981) New Street, 2008 Oil on canvas: 89.5 x 109.5 cm Signed, lower left: Minh Duc SGD 3,500 - 4,000 USD 2,520 - 2,880

271 ENTANG WIHARSO (Tegal, 1967) Jejak (Trace), 1995 Oil on canvas: 130 x 110 cm Signed and dated, lower right: Entang Wiharso,95 Titled and dated on the Signed, titled and dated on the reverse This lot is accompanied with certificate of authenticity from the Gallery SGD 5,000 - 7,000 USD 3,600 - 5,040 Born in Tegal, 1967.

He studied at the Indonesian Institute of Arts, Yogyakarta (1987 – 1994). He performed his one-man shows at Agniel Gallery, Providence, Rhode Island, USA (2000), Chouinard Gallery, Hongkong, Jakarta, Yogyakarta and Washington DC (2001– 2002). He joined group exhibitions at Museum of Modern Art, Moscow, Russia (2000), Casa de Cantabria, Madrid, Spain, H. Widayat Museum, Magelang, Nadi Gallery, Jakarta (2001), Semarang Gallery, Semarang and Nadi Gallery, Jakarta (2002).

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272 BUDI UBRUX (Yogyakarta, 1968) Secangkir Harapan, 2009 Oil on canvas: 100 x 60 cm Signed and dated, lower right: B. Ubrux, 09 SGD 4,000 - 6,500 USD 2,880 - 4,680

Born in 1968. He was graduated from the Institute of Fine Art (ISI) Yogyakarta.

He had lived for 2 years in Switzerland to continue his study and working. He has participated in several exhibitions in Indonesia and overseas. He had his solo exhibition in Semarang Gallery (2002). He received awards as the first winner of PMIAA, a finalist for Asean Art Award (2000) in Singapore and Indofood Art Award, Jakarta (2002). Now he lives in Bantul, Yogyakarta.

273 IQI QOROR (Yogyakarta, 1984) Seven Deathly Bananas, 2014 Charcoal and acrylic on canvas: 200 x 140 cm Signed and dated, lower left: Iqi Qoror,2014 SGD 5,000 - 7,000 USD 3,600 - 5,040 A native of Indonesia, Iqi started his career as a professional Visual Artist. His works are mainly inspired by gender and fashion with a strong influence from the pop art culture, often challenging the dogmas of sexual orientation and identity. Iqi is famed for the psychedelic play of colours.

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274 HARIS PURNOMO (Klaten, 1956) Dragon Baby, 2005 Acrylic on canvas: 130 x 150 cm Signed and dated, lower left: Haris Purnomo, 2005 SGD 5,000 - 7,000 USD 3,600 - 5,040

Born in Klaten, Central Java, 1956. He graduated from the Indonesian Fine Art Academy (ASRI) in 1975. He has participated in several group exhibitions in Jakarta and Yogyakarta since 1978. He was one of the members of Pipa Group. He held his solo exhibitions at Nadi Gallery, Jakarta in 2006 and at Gallery Nasional, Jakarta in 2007. He received some awards from the Schoeni Prize at the Hong Kong based Sovereign Art Foundation.

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275 PHUNG QUOC TRI Still Life, 1998 Oil on canvas: 56 x 77 cm Signed and dated, lower left: 1998 SGD 2,500 - 3,500 USD 1,800 - 2,520

276 GOH BENG KWAN (Medan, 1937) Abstract, 2013 Chinese and coloured ink on rice paper: 69 x 45 cm Signed, stamped and dated in Chinese character, lower right SGD 1,500 - 3,000 USD 1,080 - 2,160

277 HAN SNEL (Scheveningen, 1925 – 1998) Half-Length Nude, 1958 Pastel on brown coloured paper: 56 x 43 cm Signed and dated, lower right: Han Snel'58 SGD 1,200 - 1,800 USD 860 - 1,300

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278 AGUNG MANGU PUTRA (Sangeh, Bali, 1963) Air Suci, 2004 Acrylic on canvas: 75 x 90 cm Signed and dated, lower right: Mangu Putra, 2004 Signed, titled and dated on the reverse SGD 6,800 - 7,500 USD 4,900 - 5,400

Mangu Putra was born in Sangeh, Bali, on May 11, 1963. He graduated from the faculty of Art and Design at the Indonesian Arts Institute (ISI), Yogyakarta majoring Visual Communication Design (1990). His first exhibition was in Dewata Gallery (1987) at Taman Budaya Denpasar. Being a designer did not satisfy him as an artist then he decided to engage in full time painting in 1998. Since his first solo exhibition in Ubud (1990) his name was considered as valuable painter in Indonesia. He held his solo exhibition at National Gallery, “Teater Rakyat”, Jakarta, 2010; “Silent Word”, Gajah Gallery, Singapore (2008), Mandala, Bidadari, Ubud-Bali (2007), “Belief, Rupa Gallery”, Surabaya (2005),etc. He also joined in several group exhibitions in Jakarta, Yogyakarta, Bali and other country. He received awards as the Best in Design Arts (during the 4th and 6th anniversary of ISI, as the finalist of Philip Morris Award in 1994 and Indofood Art Award 2002, Second Place, Jakarta. Through his work he expressed his gratitude towards God creations and tried to give alternative point of view about Bali from its touristy image. He gave specific themes on his work from which other painters did not pay attention to. Until now many of his works were collected by art collectors in Indonesia and overseas. This exciting and very talented artist has participated in a number of group and solo exhibitions throughout Indonesia and abroad.

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Affandi

279 AFFANDI (Cirebon, 1907 – 1990) Perahu Muncar, 1986 Oil on canvas: 101 x 131 cm Signed and dated, lower right: AF,1986 Provenance: Private collection, Jakarta SGD 162,000 - 185,000 USD 116,640 - 133,200

Affandi never learned to use a palette, dislikes brushes. Instead, he squeezes paint on to his thumb, then smears it around the canvas. He will often spend a week studying a subject, but the actual painting seldom takes longer than 90 furious minutes. 'After about an hour,' he says, 'I usually feel my emotions declining. It's better to stop then. The painting is finished.'

A traveling exhibition of Affandi’s works from this era visited European cities including London, Amsterdam, Brussels, Paris and Rome. Upon his return to Indonesia, Affandi was appointed by the Indonesian government to represent Indonesia in international Biennales exhibitions in Sao Paulo (1953), Venice (1954), and Sao Paulo (1956).

Beginning in 1955 Affandi taught at the Indonesian Academy of Fine Arts in Yogyakarta. After participating in International exhibitions in Brazil and Italy, Affandi received a 1957 scholarship from the U. S. government to study arts education. He was made an Honorary Professor of Painting by Ohio State University, and in 1974 was awarded an honorary doctorate by the University of Singapore. He also received the Peace Award from the Dag Hammarskjoeld Foundation in 1977, and the title of Grand Maestro in Florence, Italy. (TIME Magazine, January 12, 1953).

Affandi was passionate about his country and a large proportion of his works concern his feelings about the land and its people. Though Affandi only painted what he observed and never approached his works from any kind of philosophical or analytical starting point, he was particularly fond of Bali and Javanese culture. There are some works that use natural landscapes as their subject matter. Affandi especially liked to depict seascapes, or coastal landscapes with fishing boats. However, these works are far from being naturalistic, as they are hardly related to the matter of sky color, as affected by the sunlight.

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280 HENDRA BAYU HERMANTO (Ponorogo, 1985) Double Happines, 2013 Acrylic on canvas: 78 x 115 cm Signed and dated, lower right: Hendra Bayu’13 SGD 3,500 - 5,000 USD 2,520 - 3,600

Born in Ponorogo, 9 June 1985. He graduated from SMSR Yogyakarta (2002-2005). Then he continued his study at Art Politechnic Yogyakarta (2005-2008). He has participated in several group exhibitions in Yogyakarta since 2005. He received award “Pratita Adi Karya” as the Best Student in 2005.

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281 HANAFI (Purworejo, Central Java, 1960) Rentang Langkah, 2006 Oil on canvas: 100 x 100 cm Signed and dated, lower right: Hanafi’06 Titled, lower right: Rentang Langkah SGD 1,000 - 1,500 USD 720 - 1,080

Bon in Purworejo, Central Java, 1960. He is one of the young potential artists among the group o Agus Suwage and Ivan Sagita. He took his formal education in the Indonesian Art Institute (ISI) Yogyakarta in 1979.

He held his solo exhibition in Jakarta, Bali, Singapore, Kuala Lumpur, Barcelona and Toronto. He has participated in several group exhibitions such as Movement, Jakarta, Biennale IX, and the Philip Morris Art Award Exhibition in Jakarta and Bali. On June 2004, he shows his great talent in painting spontaneously for the Olympic event in Athena, Greek.

282 DADANG MA. (Bandung, 1955) Horizon, 2009 Oil on canvas: 140 x 180 cm Signed and dated, lower left: Dadang MS. 2009 SGD 1,000 -1,500 USD 720 - 1,080

Born in Bandung November 12, 1955. He was graduated from IKIP Bandung majoring Fine Art. He has actively participated in many exhibitions in Bandung, Jakarta dan Bali since 1977.

283 FAUZUL YUSRI (Kedah, 1974) Risik 3, 2013 Mixed media on canvas: 91 x 91 cm Signed and dated, lower right: Fauzul Yusri 2013 SGD 1,500 - 3,000 USD 1,080 - 2,160

Born in 1974, Kedah. He graduated from UiTM in 1999. Fauzul is a very talented artist. At the first glance, his paintings seem to be native, but it is not. Each of Fauzul’s painting focuses on a specific aspect of art formalisim.

In the Guris series, he focuses on the significance of lines; in the Play series, he explores the focal point of a subject and in the Ground series on the texture and the surface of a canvas. He has been exhibiting in various galleries in Malaysia, Indonesia, Hong Kong, Singapore and the UK.

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159

284 MOCHTAR APIN (Padang, 1923 – 1994) Nudes, 1983 Oil on canvas: 100 x 100 cm Signed and dated, lower right: Mochtar Apin’83 SGD 8,000 - 10,000 USD 5,760 - 7,200

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Born in Padang Panjang, West Sumatra, 1923. He graduated form the Bandung Institute of Technology (ITB) in 1951 and continued his study of art and handicrafts in Amsterdam finished in 1953. Mochtar Apin’s naked painting presents paradox to apply the concept of representations. He does not represent reality for conclusion like in the work of landscape and realism. His return of representation exactly deconstructs the concept of representation. All his nude figures in his paintings did mean that he directly bring the model to the location. His nude figure was not a representation at all, in fact, it is only Apin’s imaginary. It is unlikely the culture for Indonesian women posing half naked in public. The reality in the picture is none other than the imaginary reality.

285 AGUS SUWAGE (Purworejo, 1959) 6 Series, 2004 Oil on wood: a.29.5 x 16.5, b. 29.5 x 18.5, c.29.5 x 16.5, d.29.5 x 18.5, e.16.5 x29.5, f. 16.5 x 29.5 cm.

Signed and dated, lower right: SGD 6,000 - 9,000 USD 4,320 - 6,480

Born in Purworejo, 1959. He studied at Bandung Institute of Technology (1979 – 1986), Artist in Residence in QUT, Brisbane, Australia (199a6), and Artist in Residence in “Sai-no-kuni” Saitama, the Museum of Modern Art, Japan (1999 – 2000). He performed his solo exhibitions in H Block Gallery, QUT, Brisbane, Australia (1996), Cemeti Contemporary Art Gallery, Yogyakarta (1998), Gen Gallery & Public Center Koshigaya, Saitama, Japan (2000), and Nadi Gallery, Jakarta (2001, 2002). He joined several group exhibitions in Indonesia and overseas, Jakarta Art and Design Expo, Jakarta (1992), Art Gallery Conink, the Netherlands (1993), Cheju Pre-Biennale, South Korea (1995), Phillip Morris ASEAN Art Award, National Gallery, Bangkok, Thailand (1996), Tachikawa International Art Festival (1999), Museo de la Cuida de Mexico, Museum of Mexico (2000), Circle Point Gallery, Washington DC, USA (2002), etc.

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161

286 LE MINH DUC (Ninj Binh, Vietnam, 1981) Alley of Memories, 2007 Oil on canvas: 120 x 80 cm Signed, lower left: M. Duc SGD 4,000 - 5,000 USD 2,880 - 3,600 Biography: 1981 Born in Ninh Binh, Vietnam.

2005 Graduated from Hanoi Fine Arts University.

Menber of Vietnamese young painters club.

Exhibitions: 2005 Group exhibitions of student in the Fine Art University 2005 Vietnam Fine Art Exhibition 2005 Group exhibition of Capital Young Artist, Hanoi 2006 Show at Toriizaka Art Gallery in Tokyo, Japan 2006 Group exhibition at Thang Long Gallery, Hanoi, Vietnam.

2007 Show at Arch Angel Gallery in Hong Kong 2007 “ The colour of The East” exhibition at Red Gallery in Dubai.

2007 Solo exhibition at Durlacher Fine Art in London, UK 2008 Group exhibition at Durlacher Fine Art in London, UK. 2008 “ The colours of Street” exhibition at Dragon Gallery, Vietnam.

2008 “ Through Their Eyes” exhibition at Toriizaka Art, Tokyo, Japan.

287 THOMAS YEO (Singapore, 1936) Padi Fields Beyond Mixed media on paper: 74 x 59 cm Signed, lower right: Yeo SGD 6,000 - 8,000 USD 4,320 - 5,760 Born in Singapore, Thomas Yeo graduated from the Nanyang Academy of Fine Arts, the Chelsea Art College and the Hammersmith College of Art & Architecture in London. He is one of the leading abstract painters of the second generation in Singapore, who studied in the West.

Yeo’s favorite subjects are landscapes whose motives he finds on his travels. The artist has participated in numerous one-man and group exhibitions in his country and abroad.

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288 CHUAH THIAN TENG (China, 1912-Penang, 2008) Food Chain Batik: 42 x 47 cm Signed, lower left: SGD 15,000 - 20,000 USD 10,800 - 14,400

Solo Exhibitions: 1955 - First solo exhibition at the Arts Council, Penang.

1959 - Commonwealth Institute, London 1964 - Pomeroy Galleries, San Francisco, California, USA 1965 - Retrospective exhibition, National Art Gallery, Kuala Lumpur 1967 - Stichting Twents-Gelders Textile Museum, Enschede, Holland 1972 - The Gallery, Palm Springs, California, USA 1977 - Churchill Art Gallery, Perth, Australia 1994 - Retrospective exhibition, Penang State Art Gallery.

Awards: 1962 - Diploma of merit, First International Art Exhibition, Saigon, Vietnam 1974 - Awarded AMN by Yang Di-Pertuan Agong 1998 - Awarded datoship by Penang State Government.

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163

Lee Man Fong Besides his great intense in observing the nature especially animal such as gold fish and doves, women were Lee’s most cherished subject. His figures reflect a wealth of thought and inner content. Lee Man Fong’s portraits are remarkable life-like, fresh and moving and at the same time full of artistic individuality. His portraits excel equally in form and expression, vitality and faithfulness, and rank above works.

Lee was passionate and energetic in describing his world – street vendors of Jakarta, Malaysian fishing villages, Balinese processions, and a wide range of animals he personally observed. Lee Man Fong often made paintings of Balinese subjects in a series. He depicts cultural life, dancers in their variegated gestures and innocent mien, portraits of daily life, street vendors, kampong scene as well as natural object. His composition in Chinese painting is dominantly with a balance between substance and void, light and darkness, bright color and subdued tones.

289 LEE MAN FONG (Canton, China 1913 – Singapore 1988) Dancer, 1959 Pastel chalk on paper: 61 x 37 cm Signed, dated and stamped, lower right: MF. Lee, Bali 1959 SGD 16,000 - 20,000 USD 11,520 - 14,400

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MASTERPIECE FINE ART AUCTION - SINGAPORE

165

290 POPO ISKANDAR (Garut, 1927 – Bandung, 2000) Jago dan Gerhana / A Rooster and Eclipse, 1983 Oil on canvas: 130 x 97 cm Signed and dated, lower right: Popo'83 Literature: Jim Supangkat, Dr. I. Bambang Sugiharto, Perspektif Karya-karya Popo Iskandar, Published by Studio Titian Seni & Griya Seni Popo Iskandar, Bandung, 2000, Pg. 75 SGD 11,000 - 18,000 USD 7,920 - 12,960

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292 WANG RUI (b. Xichang, Sichuan) Girl, 2007 Oil on canvas: 200 x 140 cm Signed and dated in Chinese character, lower left: 2007.4 SGD 3,000 - 3,500 USD 2,160 - 2,520 291 FADJAR SIDIK (Surabaya, 1930 - 2004) Mandala Biru, 1995 Oil on canvas: 100 x 70 cm Signed and dated, lower left: F. Sidik'95 Literature: Dr. M. Dwi Marianto, Drs. M. Agus Burhan M.Hum, Dinamika Bentuk dan Ruang Fadjar Sidik, Published by Rupa-rupa Seni, Jakarta, 2002, pg. 95

Born in Xichang, Sichuan, China. He graduated from the Sichuan Normal University and took for a Master’s Degree in Sichuan Music Institute Art Institute. He has participated in several group exhibitions such as “Art Beijing Internasional Exhibition” Beijing (2006), “New Power Beijing Invite Exhibition” Beijing, “Chengju Young Artist’s Contemporary Art Exhibition” Macao, “Report of Young Human” Sichuan Music Institute Master Artworks Exhibition” Chengdu, “The Second Farmer Street Contemporary Art Exhibition” Chengdu.

SGD 3,000 - 5,000 USD 2,160 - 3,600 MASTERPIECE FINE ART AUCTION - SINGAPORE

167

293 JEIHAN SUKMANTORO (Solo, 1938) Wini, 1992 Oil on canvas: 140 x 90 cm Signed and dated, lower right: Jeihan’92 Signed and titled on the reverse SGD 8,000 - 10,000 USD 5,760 - 7,200

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Born in Solo, 1938. He studied at the Himpunan Budaya Surakarta (HBS – Surakarta Cultural Society) (1953 – 1955) and at Bandung Institute of Technology (ITB) (1960 – 1966). In 1978, He established Studio Seni Rupa Bandung (Bandung Fine Arts Studio) together with Dr. Sudjoko. He has participated in several exhibitions. He held his solo exhibitions at Bandung (1998), Galerie Darga & Lansberg, Paris France (1999), Darga Gallery, Bali (2000), the Jakarta Hilton International Hotel, Jakarta and Nadi Gallery, Jakarta (2002).

He combines Eastern mysticism with Western analytical sense that made his portraits paintings are very distinctive and well known.

294 YAN ABDULLAH The Minister, 2002 Oil on canvas: 90 x 70 cm Signed and dated, lower middle: Yan Abdullah'02 SGD 3,000 - 5,000 USD 2,160 - 3,600

295 JEIHAN SUKMANTORO (Solo, 1938) Ripta, 2008 Oil on canvas: 90 x 70 cm Signed and dated, lower right: Jeihan’08 Signed and titled on the reverse This lot is accompanied with certificate of authenticity from the Artist SGD 4,000 - 6,000 USD 2,880 - 4,320

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169

Chen Wen Hsi Born in Baigong, Caozhu, 1906. Chen Wen Hsi studied art at the Hsin Hwa Art Academy in Shanghai. He became a lecturer at the Nangyang Academy of Fine Arts in Singapore. His paintings were strongly influenced

by Chan (Zen) and the unorthodox Qing School of Yangzhou. He actively participated in several exhibitions outside Singapore which also incidentally promote Singapore. Wen Hsi’s artistic excellence was recognized. Among the many awards he had received are the Public Service Star in 1964, a Gold Medal by the National Museum of History, Taiwan in 1980, the first recipient of the ASEAN Cultural and Communication Award for outstanding artists in 1987 and received an honorary doctorate from the National University of Singapore. He became famous since his oil study on formalism, cubism, and expressive abstraction.

Chen's mastery was found in a keen observation of landscapes, figures, birds and animals, still life studies and abstract compositions. Chen was especially adept at drawing egrets, monkeys and birds. His techniques of fauvism was marked by the use of bold, often distorted forms and vivid colors; cubism, characterized by the reduction and fragmentation of natural forms into abstract and often geometric structures; and abstract expression, characterized by the exclusion of representational content.

296 CHEN WEN HSI (Guangdong, China, 1906) Flower and birds Mixed media on canvas: 73 x 39.5 cm Signed and stamped in chinese character, lower left Provenance: Private collection, Jakarta SGD 18,000 - 25,000 USD 12,960 - 18,000

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171

297 GIORDANO GIOVANETTI (Ancona, 1906 – Rome, 1973) Leisure Time Oil on canvas: 100 x 150 cm Signed, lower right: G. Giovanetti SGD 12,000 - 18,000 USD 8,640 - 12,960

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Giordano Giovanetti was born in 1906 in Ancona. In 1925 he obtained the diploma of the Rome Academy of Art where he had studied under renowned painters such as De Carolis, Costantini and Vagnetti. Two years after, he opened a studio in Paris together with Carlo Carcher, son of the famous painter Giuseppe Cherubini. From France he moved to Austria, then to Hungary and Poland. After that, he returned back to Italy and visited the region of Abruzzi. In 1931, he held his first exhibition in the area. In 1932, he exhibited his works in Belgardo and Bucharest. He then started roaming through Romania painting portraits, landscapes and making decorations at the Monastery of Sibiu until 1935. Between his works in 1946, he found time to organize an extremely successful personal exhibition in Rome. In 1950 and 1951, he participated in the "Premio Michelli" and the "Premio Roma. Giovanetti was an extremely productive and versatile painter. His method of painting was most personal and unusual. He died in Rome in 1973.

298 GIORDANO GIOVANETTI (Ancona, 1906 – Rome, 1973) Gipsy Girl Oil on canvas: 61 x 51 cm Signed, lower right: G. Giovanetti SGD 3,000 - 4,700 USD 2,160 - 3,380

299 RUSLI (Medan, 1912 – Jakarta 2005) Cibodas, 1973 Oil on canvas: 60 x 74 cm Signed and dated, lower right: Rusli, Rusli,1973 SGD 2,600 - 3,500 USD 1,870 - 2,520

Rusli was born in Medan, North Sumatra, 1912. He studied at the Kala Bhawana Santiniketan University of Rabindranath Tagore, India from 1932 to 1938, and he taught in 1951 at Akademi Seni Rupa Indonesia (ASRI) in Yogyakarta. He joined Seniman Muda Indonesia (Indonesian Young Artists) and helped established the Seni Rupa Masyarakat (Art for People Association). His works were exhibited at the Biennale exhibition II in Sao Paolo, Brazil (1953) and held solo exhibition at Palazzo Brancaccio, Rome, Italy (1954 – 1956). He passed away in Jakarta on 11 May 2005.

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173

300 SUGENG RUDIANTO (Malang, 1968) Sun, Sand, Sea, Suf and Selfie, 2014 Oil, acrylic on canvas: 150 x 140 cm Signed and dated, lower right: RUDI.11.01.2014 This lot is accompanied with certificate of authenticity from The Artist Provenance: Private collection Singapore, acquired directly from the Artist SGD 3,500 - 5,000 USD 2,520 - 3,600

301 SUDJONO ABDULLAH (Yogyakarta, 1911 – 1993) Landscape 6 Oil on canvas: 85 x 148 cm Signed, lower left: S. Abdullah SGD 3,000 - 4,000 USD 2,160 - 2,880

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Raden Soedjono Abdullah was born in Yogyakarta, 1911. He was the son of Abdullah Suriosubroto, a famous landscape painter and was also the brother of Basoeki Abdullah. He used to help his father cleaned the pallet from which he found his contenment to be a painter. He finished his school from HIS – Indonesian Dutch School and worked as a poster artist for the Rex Theater in Yogyakarta. During the Japanese colonization in Indonesia, Sudjono went to Parangtritis, Parangkusumo where he continued painting. During the 1970s, Soedjono moved to Kertosono in East Java, where he lived up to his death in the village of Pisang at Patian Rowo on 2 May 1993.

302 DEDE ERI SUPRIA (Jakarta, 1956) Yang Tersisa, 2014 Oil on canvas: 125 x 100 cm Signed and dated, lower left: Dede Eri Supria, 2014 This lot is accompanied with certificate of authenticity from the Artist SGD 4,000 - 6,000 USD 2,880 - 4,320

Born in Jakarta, January 29, 1956. He studied at the Indonesian Fine Art Academy (ASRI) in Yogyakarta (1974). In 1976 his name first emerged in the Indonesian Art Scene when he exhibited his works at the first Seni Rupa Baru Indonesia exhibition at the Balai Budaya, Jakarta. He has received several awards for his works, Jakarta Biennale 1981, won a Philip Morris Indonesian Art Awards in 1997 and was participated into the ASEAN Art Awards in Manila. He has participated in many group shows as well as solo exhibitions. Dede held his solo exhibitions at Jakarta Stock Exchange (1997) and at the Art Folio Space in Singapore (2002). Today, he is considered an influential propagator of superrealist painting in Indonesia.

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175

Sunaryo Born in Banyumas, Central Java, 1943. Sunaryo studied at Bandung Institute of Technology (ITB) majoring Art Department in 1969 and continued to study marble carving for 7 months at Carrara, Italy in 1975. He is regarded as one of the abstract art pioneers in Bandung together with AD Pirous and Ahmad Sadali. Throughout his journey as an artist, Sunaryo has been exploring many subjects and materials for his art. He applied his art in various media from painting, sculpture, and installation. Sunaryo mixes figurative themes with abstract backgrounds using very refined color palette and graceful lines that show great technical mastery. He loves to use natural materials such as rattan, grass, bamboo, jute, canvas, nets and fibers in his multimedia. In processing his painting, he paints with his specific visual language. His works are dominated with lines and forms, mostly found in the use of white, brown, grey and black colors.

Sunaryo established himself with lyrical paintings of Indonesian themes such as Barong. In a large proportion he painted his great fond of Balinese culture. Barong is a dragon like dance usually seen in Balinese tradition during the festival or religious ceremony. Barong, a dragon like animal for Balinese people is believe to be the guidance of truth that can protect human from evil. It usually plays an important role in many Balinese dances especially in the spiritual ceremony.

303 SUNARYO (Banyumas, 1943) Barong, 1995 Mixed media on canvas: 150 x 75 cm Signed and dated, lower right: Sunaryo’95 Provenance: Private collection, Jakarta SGD 20,000 - 30,000 USD 14,400 - 21,600

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MASTERPIECE FINE ART AUCTION - SINGAPORE

177

304 WILLEM DOOIJEWAARD (Amsterdam, 1892 – 1980) Le Quai De Atats-Unis in Nice Oil on canvas: 43 x 53 cm Signed, lower right: W. Dooyewaard SGD 3,000 - 5,000 USD 2,160 - 3,600

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Born in Amsterdam, the Netherlands, 1892. He studied arts and craft in Amsterdam for three years. He once worked as administration staff for Sumatra Plantation Company in 1913. He first visited Bali in 1918 then traveled extensively throughout the island to paint.

He also went to Europe as well as remote areas in Asia and North Africa. Most of his works were absorbed from the local cultures that enabled him to paint unusually intimate portraits. He died in his homeland, Amsterdam, 1980.

305 PUTU SUTAWIJAYA (Bali, 1971) Memori 2, 2014 Oil on canvas: 80 x 80 cm Signed, titled and dated, lower left: Putu Sutawijaya, 2014, Memori 2

Born in Bali, 1971. He studied at Sekolah Tinggi Seni Rupa Denpasar (STSR), Bali and continued his study to Indonesia Institute of Arts (ISI), Yogyakarta.

He graduated from ISI in 1997. He had his solo exhibitions in Yogyakarta, Singapore, Hong Kong and Jakarta. He also participated in numerous group exhibitions since 1990 in Bali, Yogyakarta, Hong Kong, etc. He was awarded Best Watercolor and Sketch from ISI Yogyakarta (1991) and Best Painting from ISI Yogyakarta, Top Ten Paintings (1999) and Lempad Price from Sanggar Dewata Indonesia in 2000.

SGD 7,500 - 9,000 USD 5,400 - 6,480

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179

Popo Iskandar Born in Garut, December 17, 1927. Popo Iskandar started painting in 1944. He graduated from the University of Indonesia and Bandung Institute of Technology (ITB). Besides as a painter he is also an art observer and writer. In 1980 he received art award from Indonesian Government.

He has participated in many exhibitions in Indonesia as well as overseas. His works were mostly on animal such as chicken, cat, and tiger.

Popo’s career started with on-the-spot painting, capturing the concrete life events in the field.

Although his early years of painting was influenced by Van Gogh’s style, there was an evidence that he had experimented further with some other styles like cubism, abstract composition, Chinese and Japanese calligraphy and other media or methods like monoprints. We could easily see his tendency to paint certain objects in repetition within the coverage of a single style, relying simply on memory and imagination. The major objects he mostly dealt with were no other than cats, roosters and leopards. These kinds of themes had become Popo’s trademark which he treated in a repetitive and minimalist manner.

306 POPO ISKANDAR (Garut, 1927 – Bandung, 2000) Kucing, 1995 Oil on canvas: 96 x 126 cm Signed and dated, lower right: Popo'95 Provenance: Private collection, Jakarta SGD 12,000 - 18,000 USD 8,640 - 12,960

180

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MASTERPIECE FINE ART AUCTION - SINGAPORE

181

307 HU XIANG DONG (Jiangsu, 1961) Red Roses, 2005 Oil on canvas: 110 x 110 cm Signed and dated, lower right: 2005 SGD 4,000 - 6,000 USD 2,880 - 4,320

Born in Jiangsu Province in 1961, He graduated from the prestigious Nanjing Academy of Fine Arts, Nanjing, China in 1988 after a rigorous course of study in painting. He has participated in various exhibitions. They are the 2000 Exhibition Contemporary Chinese Artists Deciphering Daily life, the Exhibition China Contemporary Arts Documentary, China’s Character held in Fukuoka Gallery in 1999, the Exhibition Rainbow over the Century: Vulgar Arts held in the Netherlands, the Exhibition of Collected Works by Dongyu Gallery in Tianjing, the Shenyang Plastic Arts Exhibition, china Contemporary Arts Exhibition in Beijing, the 1998 Exhibition Platform for Two Sexes in Switzerland, and the 1996 Exhibition Life of Splendid Attire in Taida Contemporary Arts Museum in Tianjin.

Since 1985, Hu has exhibited in Singapore, China, The Netherlands, United States, Switzerland and Germany.

308 UGY SUGIARTO (Wonosobo, 1969) Take It Easy, 2011 Acrylic on canvas: 150 x 110 cm Signed and dated, lower left: Ugy’2011 SGD 4,000 - 6,000 USD 2,880 - 4,320 Born in Wonosobo on 30 August 1969. He was awarded as the nomination of the Thousand Mistery of Borobudur from UNESCO. He has participated in severalh groups such as in Yogyakarta, Surabaya and Jakarta.

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309 PUPUK DARU PURNOMO (Yoyakarta, 1964) Klenteng Lasem, 2003 Oil on canvas: 90 x 130 cm Signed, titled and dated, lower right: Klenteng Lasem,Pupuk DP. Yogya, 16 November 2003 Signed, titled and dated on the reverse SGD 5,000 - 8,000 USD 3,600 - 5,760

Born in Yogyakarta, June 16, 1964. He graduated from the Faculty of Arts and Design, the Indonesian Institute of Arts (ISI), Yogyakarta. He held solo exhibition at Bentara Budaya, Yogyakarta (1995).

He actively participated in several group exhibitions at Gajah Gallery, Singapore (1997, 2000), Santi Gallery, Jakarta (1998), H. Widayat Museum, Magelang (2001, 2002) and Group exhibition in Yogyakarta (2002). He received award as the finalist of Phillip Morris Art Award (1997).

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183

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Trubus Sudarsono Born in 23 April 1926 in Wates, Yogyakarta. Trubus Sudarsono is well known as an artist who actively commited in Lekra (Lembaga Kebudayaan Rakyat). He only had a short formal education until elementary school. His amazing talent and skill was sharpened through learning time with Affandi and Sudjojono. During revolutionary time in Yogya, he joined Seniman Indonesia Muda (SIM) and then Pelukis Rakyat lead by Hendra Gunawan (1950). He was also one of ASRI lecturers. In 1948, he was arrested and jailed in Netherlands colonial government because he was considered involving with guerrilla activity. Trubus Soedarsono was killed during the purges which followed the aborted communist coup in September, 1966.

His oil paintings often featured ethereal, impressionistic images of Indonesian dance and culture. Trubus had mastery in showing people through agile, expressive brush strokes that drew appreciation and recognition around the world. The dancer theme is rather romantic but not realistic, as it appears more expressive and impressionistic. The gesture of the dancer and especially the background, display the artist’s characteristic brush strokes.

310 TRUBUS SUDARSONO (Yogyakarta, 1926 – 1966) Balinese Dancer, 1965 Oil on canvas: 100 x 70 cm Signed and dated, lower right: Trubus S. 1965 SGD 15,000 - 18,000 USD 10,800 - 12,960

MASTERPIECE FINE ART AUCTION - SINGAPORE

185

311 POPO ISKANDAR (Garut, 1927 – Bandung, 2000) Ayam, 1997 Oil on canvas: 73 x 92 cm Signed and dated, lower right: Popo'97 SGD 10,000 - 15,000 USD 7,200 - 10,800

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312 PUPUK DARU PURNOMO (Yoyakarta, 1964) Buraq, 1998 Oil on canvas: 60 x 85 cm Signed and dated, upper middle: Pupuk DP. 1998 SGD 1,500 - 2,000 USD 1,080 - 1,440

313 SUNARYO (Banyumas, 1943) Abstrak, 1994 Mixed media on canvas: 140 x 140 cm Signed and dated, lower right: Sunaryo’94

Born in Banyumas, Central Java, 1943. He studied at Bandung Institute of Technology (ITB) majoring in Sculpture (1969) and continued his study to Carrarra, Italy. During 1970s, his sculptures were very much influenced by tribal arts in Indonesia. Besides sculpture, he is also a master in painting using artistic touch. He inaugurated his museum, Selaras Sunaryo, in Bandung (1998).

SGD 12,000 - 18,000 USD 8,640 - 12,960

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187

Widayat Born in Kutoarjo, Central Java, 1919 - 2002. He studied at the Indonesian Fine Art Academy (ASRI), Yogyakarta and Ceramics and Landscape, Nagoya, Japan (1960). He received BKPM award (1953), a cultural award from the Indonesian Government (1972), the Best Biennial Painting, Yogyakarta (1986) and the ASEAN Award, Brunei Darussalam (1993). His works have been shown throughout Indonesia and abroad. He performed his solo exhibitions in Yogyakarta (1983), Jakarta (1985, 1990, 1991, 1992, 2000 and participated in joint exhibition in Japan, Netherlands and United States for KIAS (1990 – 1991).

Widayat’s many years in the jungle of Sumatra had a lasting influence on the topics he prefers.

During his ten years in Sumatra, he often lived isolated in the jungle with all its beauty and dangers. The lush tropical world of Sumatra made a deep impression on the Javanese painter who was used to the friendly nature of his hometown of Kutoarjo. For many years to come, atmosphere of the forest would be the most important theme in his works. The present lot, perhaps Widayat’s deep concerned about the environment issues of deforestation. The cutting down of forest/ deforestation include conversion of forestland to farms, ranches, or urban use.

Trees are cut down to be used or sold as fuel (sometimes in the form of charcoal) or timber, while cleared land is used as pasture for livestock, plantations of commodities and settlements.

People use slash-and-burn deforestation to clear the land. Deforestation has contributes to produce flood, haze and also the global warming.

314 WIDAYAT (Kutoarjo, 1919 – Jakarta, 2002) Korban Asap, 1997 Oil on canvas: 145 x 195 cm Signed and dated, lower middle: Widayat, 97 Signed, titled and dated on the reverse Provenance: Private collection SGD 37,000 - 45,000 USD 26,640 - 32,400

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189

315 ONG KIM SENG (Singapore, 1945) Kathmandu Temple, 1988 Watercolour on paper: 54.5 x 73.5 cm Signed, lower right: Seng SGD 9,000 -12,000 USD 6,480 - 8,640

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Born in Singapore, 1945 and has been a full-time artist since 1985. He has participated in group and solo exhibitions at Singapore and in the United States, China, United Kingdom, Japan, Australia, Belgium, Federal Republic Of Germany, France, Middle East, Taiwan, Hong Kong, and the ASEAN countries. Ong, President of the Singapore Watercolour Society from 1991 to 2001, Cultural Medallion winner (Visual Art) in 1990 and winner of six awards by the prestigious American Watercolourt Society, of which he was conferred membership in 1992.

He is also the only Asian artist outside the USA to be admited into AWS.

316 ADRIEN JEAN LE MAYEUR DE MERPRES (Brussel, 1880 – 1958) Les Tuilleries-Paris Oil on board: 22 x 15.6 cm Signed, lower right: Le Mayeur SGD 4,000 - 6,000 USD 2,880 - 4,320

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191

317 GERARD PIETER ADOLFS (Semarang, 1899 – The Netherlands, 1968) Scenery in Cairo, 1960 Oil on canvas: 60 x 50 cm Signed, lower left: Adolfs Literature: Eveline Borntraeger-Stroll, Gianni Orsini, Gerard Pieter Adolfs The Painter of Java and Bali, Pubished by Frans Jansen, Pictures Publishers, 2008, pg. 394 SGD 8,000 - 10,000 USD 5,760 - 7,200

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Index Of Artist A. Hadi Mas’ud

151

Hu Xiang Dong

307

R. Hadi

116

Abdul Djalil (AD) Pirous

108

Huang Fong

200

Radi Arwinda

175

Abdullah Soerjosoebroto

183

I Gusti Agung Wiranata

150

Randy Salon

189

A.J Le Mayeur De Merpres

244, 316, 253

I Gusti Ngurah Udiantara

122

Rearngsak Boonyavaniskul 198

Affandi

227, 279

I Made Djirna

113, 170, 187, 216

Roedyat Martadiredja

178, 213

Agung Mangu Putra

117, 278

I wayan Suja

215

Rusli

299

Agus Djaya

154

Ida Bagus Made Togog

226

Rustamadji

111, 259

Agus Riyadi

125

Ida Bagus Putu Purwa

153

Salim / Saraochim Salim

107, 214

Agus Suwage

257, 285

Iqi qoror

273

Samsul Arifin

233

Agus TBR

203

Irsam

102

Shi Hu

162

Ahmad Sadali

142

J F Larrieu

152

Siauw Tik Kwie

112

Alit Sembodo

248

Jan Frank Niemantsverdriet

120

Siew Hock Meng

172

Andi Dewantoro

269

Jeihan Sukmantoro

230, 293, 295

Soetopo

260

Andi Ramdani

221

Josephine Linggar

139, 250

Srihadi Soedarsono

179, 268

Anton Huang

105

Joven Mansit

246

Sudjana Kerton

171, 176

Arie Smit

101, 106, 168, 197

Jumaldi Alfi

163

Sudjono Abdullah

301

Awiki

132

Kamaruddin Kamali

196

Sugeng Rudianto

300

Basoeki Abdullah

131, 228, 249

Kartono Yudho Kusumo

104

Sunaryo

141, 303, 313

Budi Ubrux

272

Lam Duc Manh

181, 212

Suroso Isur

129

Bui Xuan Phai

119

Le Minh Duc

235, 270, 286

Suwaji

147

But Muchtar

167

Lee Man Fong

145, 190, 224, 232,

Suzlee Ibrahim

143

Chen Wen H-si

110, 169, 296

237, 256, 258, 289

Syarief Hidayat

148, 238

Chia Yu Chian

137, 239

Leo Eland

133

Tajuddin Ismail, Dato’

207

Choo Ai Loon

136

Liang Li Qiang

231

Tam Kuan Yuen

222

Choo Keng Kwang

180

Lim Tze Peng

252

Teguh Ostenrik

173

Chuah Thien Teng, Dato’

288

Lucien Frits Ohl

118, 264

Teng Nee Cheong

157, 211, 262

Dadang MA

282

Luo Qing

199, 255

Tew Nai Tong

251

Dahlan Sofwandi

158

M. Irfan

109

Thomas Yeo

166, 287

Dato Mohd. Hossein Enas

267

Marina Cruz

191

Trubus Sudarsono

310

Dede Eri Supria

128, 218, 302

Mat Ali Mat Som

245

Ugo Untoro

177, 192

Dr. Foo Yong Kong

210, 220

Mochtar Apin

243, 284

Ugy Sugiarto

308

Entang Wiharso

121, 271

Mohd. Shaparel bin Haji Salleh

182, 263

Umberto Mariani

156

Erica Hestu Wahyuni

254

Nano Warsono

127, 242

Wakidi

161

F. Sigit Santoso

195

Nashar

205

Wang Rui

292

Fadjar Sidik

164, 193, 291

Nguyen Trung

140

Widayat

159, 314

Fauzul Yusri

283

Nyoman Gunarsa

130, 144, 241

Willem Dooyewaard

304

Gambir Anom

135

O.H. Supono

188

Winner Jumalon

229

Gerard Pieter Adolfs

114, 160, 266, 317

Omar Yahya

124, 149, 186, 261

Wire Tuazon

217

Giordano Giovanetti

138, 297, 298

Ong Kim Seng

315

Wu Guanzhong

206

Goh Beng Kwan

276

Ong Kim Seng & Lee Man Fong

209

Yan Abdullah

294

Guo Wei

201

Otto Djaya

115, 185

Yarno

123

HAL Wichers

134

Pande Ketut Taman

174, 202, 225

Yunizar

126, 165

Han Snel

194, 277

Paul Aizpiri

219

Hanafi

247, 281

Phung Quoc Tri

275

Haris Purnomo

274

Pierre Matter

184

Hasan Djaafar

223

Popo Iskandar

146, 204, 208, 234,

Hendra Bayu Hermanto

280

Hendra Gunawan

103

Prof. Cheng Haw-Chien

265

Henk Ngantung

236

Pupuk Daru Purnomo

309, 312

Hoang Hai Anh

240

Putu Sutawijaya

155, 305

290, 306, 311

MASTERPIECE FINE ART AUCTION - SINGAPORE

193

194

MASTERPIECE FINE ART AUCTION - SINGAPORE

MASTERPIECE FINE ART AUCTION - SINGAPORE

195

1 Kaki Bukit Road 1 #02-16 Enterprise One, Singapore 415934 Tel: (+65) 6747 8151 Fax: (+65) 6747 0373 info@masterpieceauction.com.sg www.masterpiece-auction.com

196

MASTERPIECE FINE ART AUCTION - SINGAPORE