SERIES 5 ISSUE 13
UK £3.00 US $5.50
BoWleD oVer FINE ART COLLECTOR
POWERFuL ARt BY CRICKEtER mICHAEL VAuGHAn
SERIES 5 ISSUE 13 www.washingtongreen.co.uk
cool
tHE ARt OF A R T I S T S
S C U L P T U R E
FABuLOuS FACES tHAt DEFInE OuR ERA E V E N T S
N E W S
F I N E
A R T
HAMISH BLAKELY Camellia
CONTENTS
welcome The rich diversity of our new collection and the thrill of being joined by four fantastic and very different new artists has got us all buzzing this season. We are very proud to introduce Bill Bate's mesmerising figurative work, as well as the wonderfully diverse works of Adam Barsby, Linda Charles and Ken Orton. A new collection of Lorenzo Quinn's hugely expressive sculptures are profiled in this issue too, with his passion and energy flowing gracefully through every piece. A very different kind of art is showcased in the powerful abstract pieces by England cricket hero Michael Vaughan who we're thrilled to be working with and we're equally excited to unveil a brand new range of accessories 'Branded' by Caroline Shotton. With the colder weather now taking hold, a beautiful piece of artwork is the perfect way to bring warmth and sparkle into your home – a pleasure that will last for many years to come. I hope you find plenty in this collection to enrich your world - and your walls! Glyn Washington
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04 CONTENTS
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04 INSTANT REACTION
Powerful new pieces from internationally renowned sculptor Lorenzo Quinn
09 UPDATE Keeping you in
touch with all the latest art news
10 ON THE BALL Powerful
abstracts from top sportsman Michael Vaughan
13 VISIONARY Unseen
jewellery from the late, great Govinder
14 TALENT ON SHOW Four
new artists are welcomed to the prestigious Washington Green portfolio
20 MOOVIN' ON UP!
Top-selling UK artist Caroline Shotton on the inspiration behind her latest exhibition
tours UK galleries with his major new collection
29 GALLERY View the latest
Autumn collection from your favourite figurative, landscape and contemporary artists
24 PERFECT PRESENTS A
collection of highly covetable accessories make great gifts
Fine Art Collector is published by Washington Green (F.A.P.C.) Ltd Email sales@washingtongreen.co.uk Website www.washingtongreen.co.uk All the art featured in Fine Art Collector is available through a network of Partnership Galleries. Visit our web site at www.washingtongreen.co.uk to find your nearest gallery.
© 2009 Washington Green (F.A.P.C) Ltd. Printed in England
26 LOVE IS LIFE Paul Horton
Printed on 115gsm text, 250gsm cover. All wood pulp used is taken from managed sustainable forests.
Prices illustrated throughout this magazine are recommended retail prices and may vary between Partnership Galleries depending on styles of presentation. Terms and Conditions apply with all interest free credit purchases. All loans subject to status. Applicants must be 18 or over.
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Autumn 2009 Fine Art Collector 3
LORENZO QUINN
THE POETIC
Internationally renowned sculptor Lorenzo Quinn, creator of inspirational modern sculpture, has conquered the art world with his powerful bronzes and ground breaking monumental structures
sculptor Creation Resin sculpture Edition of 495 Height 11" £1,495
4 Fine Art Collector AUTUMN 2009
Lorenzo Quinn is at the top of his game. No longer habitually referred to as ‘son of Anthony Quinn’ (the late, great actor) he has assuredly established himself as one of the most dynamic and challenging sculptors of his generation. There are themes and references throughout his work to the great figurative masters – from Michelangelo, Bernini, Jean-Baptiste Carpeaux to Auguste Rodin, and while much of his work is inspired by the legacy and sheer magnitude of their work, Quinn has reinterpreted elements of their art for a modern audience. Now living in Barcelona he frequently returns to Italy to gain inspiration and knowledge. “Inspiration comes from everyday life, from something I read, from conversations with people, family milestones. Essentially anything that stirs an emotion in me,” he says. Although raised partly in Italy, it was in Rome that he discovered his love for art and he started out as a painter in 1982, after training at the American Academy of Fine Arts in New York. After a brief and successful stint as an actor he returned to his first love – art, and specifically surrealist art having ironically played the master of the form Salvador Dali in one of his acting roles. The transition from art to sculpture was a smooth one as he finally identified sculpture as the most powerful way of delivering his artistic vision to an audience. “For all the superficial things in life, having a famous father has been an asset, but for the more difficult aspects of life it’s been hard because people expect so much more from you,” says Quinn. A great believer in the democracy of art he is a champion of the collector rather than the critic. “I make art for myself and people who wish to come along for a ride through my dreams,” he says.
SECTION HEADING
“I make art for myself and FOR people who wish to come along for a ride through my dreams”
Autumn 2009 Fine Art Collector 5
First Love
Resin sculpture Edition of 999 Height 11½" £1,295
I Give You My Soul
Resin sculpture Edition of 495 Height 16" £1,795
Decisions
Resin sculpture Edition of 495 Height 17" £995
6 Fine Art ColleCtor Autumn 2009
Quinn is as much a wordsmith as an artist and all his pieces are accompanied by poems or pieces of prose. He says it is important that they act as a ‘whole’ and each structure can only exist and be truly understood with the accompanying words. “I don’t believe in art being purely decorative work to match the colour of your sofa or walls. It should have a meaning and transmit emotions; it must say something to me - and the people that observe it,” he explains. He is inspired to sculpt by life’s everyday experiences as well as by poems, literature and what he calls ‘observing life’s energy’, but admits it is his children who keep him grounded. they are, he maintains, sometimes his harshest and most perceptive critics. they give him ideas and he says he listens acutely to their observations. “Children are so natural and their emotional response so instinctive,” adds Quinn. the human hand is a unifying theme in his latest collection. A much favoured subject, Quinn believes that sculpture is there
"I DOn’t BELIEVE In PuRELY DECORAtIVE WORK. It muSt tRAnSmIt EmOtIOnS; It muSt SAY SOmEtHInG tO mE AnD tHE PEOPLE tHAt OBSERVE It" to be touched and felt. "the reason I sculpt the hand is because I need to communicate in a universal language, especially since I exhibit in five continents. the use of this 'hand language' helps me achieve this, creating a dialogue rather than a monologue," he says. "It is a powerful symbol, it has the power to express love, to hate, to create, to destroy.” In ‘First Love’ a pair of hands is ingeniously linked as if in mid air conveying the extraordinary strength and vulnerability of a first love. “Love comes upon you unexpectedly, grabs you, lifts you off your feet and
LORENZO QUINN
drops you on top of a deserted island with an ocean of unchartered waters all around,” explains Quinn in his accompanying text. "I remember crying, my first memory of true love is one of complete helplessness. My whole existence was involved and nothing else would fit. There was no room for any other emotion. In his piece 'Trust’, a sense of awe and wonder is conveyed as a human figure lies in an open palm. It is an image of purity and honesty which Quinn says is paramount in building human relationships. “The most wonderful feeling and greatest responsibil-
ity is that of knowing that someone has complete trust in you,” says Quinn. “I have been working constantly on gaining my children’s absolute trust. They need to know that their father's love is unconditional but they must also understand that, as anything that unites people together, it’s a journey that must be travelled together.” In the same way, his striking ‘Decisions’ is a man at a crossroads. Quinn likens making decisions as similar to a train about to take a different line. “It’s about putting things in perspective, about the decisions, even small ones, that we have to make every day. All our calculations are partly choice, so do what your heart tells you and your mind will follow.” Sculpture is never just figurative or decorative for Quinn. His stunning ‘Creation’ sculpture (page 4) displays the mastery of his art. The perfect shape of an egg is framed by two pointing fingers directly inspired by Michaelangelo’s
Eternum Resin sculpture Edition of 999 Height 15" £1,295
Trust Resin sculpture Edition of 999 Height 9½" £1,295
iconic painting ‘Creation of Adam’. Quinn sees this juxtaposition of perfection in man and nature as proof of mans’ ability to live within an ideal world. A homage to two of his greatest inspirations, Michelangelo and Salvador Dali, Quinn says: “It has always amazed me to see how the ancient cultures such as the Egyptians were able to create the perfect forms of the pyramids and how nature has created simple forms like an egg. This shows me that man and nature could be in perfect symbiosis.” This piece represents Quinn’s own towering talent as well as providing a fitting tribute to the great artists Michelangelo and Salvador Dali. He says: "This sculpture is my tribute to these two great masters, but especially to Dali to whom I owe my initiation into the art world." Something for which his legions of collectors around the world will be eternally grateful.
ON SHOW
Lorenzo Quinn's new collection will be available at selected galleries this Autumn. www.washingtongreen.co.uk
Autumn 2009 Fine Art Collector 7
SECTION HEADING
8 Fine Art Collector AUTUMN 2009
LAtESt nEWS FROm tHE WORLD OF FInE ARt
"wHere DiD YoU FLY iN From, BiG BirD?"
update GriPPinG neW BooK tellS JoHn MYAtt'S tAle the extraordinary story of one of the most daring and most elaborate art frauds in history tells the true tale of how supreme con man John Drewe, aided by art forger John myatt - now one of the uK's topselling artists - duped some of the most prestigious galleries, collectors and art experts across the world. Written by investigative reporters Laney Salisbury and Aly Sujo, 'Provenance', which featured on Oprah Winfrey’s top 4 Summer Reading Picks 2009, is fast-paced, meticulously researched and utterly enthralling. Available from www.amazon.co.uk
Simon Gudgeon’s iconic new sculpture -Isis - recently unveiled in Hyde Park is the focal point of a £1.8 million fundraising campaign for a new children’s education centre, launched by the Royal Parks Foundation in conjunction with London’s Halcyon Gallery. Sitting proudly on the banks of the Serpentine, Isis includes a donation box at its base together with 1,000 plaques. Each plaque is inscribed with the names of people who have given £1,000 or more to the cause. More than a third of the plaques have already been sold and laid around the base of Isis. To date, over £1 million has been pledged for the campaign. www.royalparksfoundation.org
oVer £4,000 rAiSeD For CoMiC relieF Original signed doodles by six Washington Green artists raised a phenomenal £4,810 in an eBay auction in aid of Comic Relief earlier this year. Including a staggering £2,005 achieved for a doodle by Alexander Millar, the artists sensationally outperformed 13 other celebrities, whose doodles raised just £545 between them! Every £1 raised will be used to buy one malaria prevention mosquito net for children and families in Africa, where the disease claims over a million children's lives each year.
wiZarD oF oZ comes to HarroDs Original work by two Washington Green artists will feature in Harrods window display this Christmas, as part of its Wizard of Oz theme to celebrate the film's 70th anniversary. Specially commissioned by the world-famous store, John Wilson has created a stunning three-dimensional Yellow Brick Road painting, and Sarah Graham an enchanted piece entitled 'Somewhere Over the Rainbow'. Graham's painting will also be produced in a very limited edition of just 70, on sale exclusively at Harrods for £450.
Autumn 2009 Fine Art ColleCtor 9
to canvas
From crease
10 Fine Art Collector AUTUMN 2009
ARTBALLING
Former England cricket captain Michael Vaughan has found an unusual outlet for his world class batting skills - by artfully hitting paint daubed balls at canvas to produce a series of spectacular and original pieces of abstract art
NOT MANY SPORTSMEN admit to interests far removed from the sporting sphere but michael Vaughan has never been shy of declaring his passion for art. “I always liked art at school and it has stayed with me,” explains the man who famously led his team to an historic Ashes victory in 2005. He has put this interest in modern art into practice by creating the art of ‘artballing’ which may be best described as a riotous and colourful mixture of Jackson Pollock meets Damien Hirst. Vaughan creates the work by skillfully hitting, throwing and even bowling a sticky paint covered cricket ball against a blank canvas. It is a simple concept that produces highly original results. As the most successful captain in the history of English cricket, it's sometimes easy to forget Vaughan the batsman. He was placed as number one in the world batting rankings with eighteen centuries to his name. many of the distinctive works feature his famous shots - the ‘drive’, ‘square cut’ and ‘pull’ - and are simply done by playing the authentic shots, usually covered from head to toe in protective white painting overalls rather than cricket whites. Vaughan’s appreciation for modern art was cemented back in the early 2000s by an unlikely source – his cricketing team mate Ashley Giles, who introduced him to
the world of cutting edge urban art. “On rained-off afternoons, during a London test match, he would take me down to the galleries in Shoreditch to check out the latest shows,” says Vaughan, who now actively seeks out abstract expressionist art for his own personal collection. His new passion has evoked an enthusiastic response. "I tell people what I'm doing and they raise an eyebrow and say, 'Oh really?'" Vaughan says. "But then they see the finished works and it really takes them aback, which is great. Almost everyone who's seen them has been hugely and pleasantly surprised." Autumn 2009 Fine Art ColleCtor 11
Vaughan says he has a ‘decent idea’ of what image he wants to produce before he starts to create the freestyle canvasses and then relies on his eye-to-hand co-ordination to execute the idea. Created in a Yorkshire warehouse studio it’s a delightfully messy process but one which beautifully melds his twin passions of art and cricket. “What I really like about the images is the variety,” says Vaughan, who varies the colour of his paints and his canvases as well as the number of ‘hits' on each painting, the choice of shot, and also his proximity to the canvas. Vaughan’s work charts the narrative of his successful cricketing career. “With the art it’s been good to get away from cricket 12 Fine Art ColleCtor Autumn 2009
and switch off those thought processes which are required to captain and play at the highest level. It helps you mentally,” adds Vaughan who dreamed up the concept partly as ‘therapy’ after his emotional resignation as England captain in 2008. An inspired gift for any keen cricket fan these prints also stand alone as vibrant
pieces of abstract art. Each highly collectable edition is personally hand-signed by michael Vaughan. PerSonAl APPeArAnCe
Michael Vaughan will be appearing in galleries in London and Leeds to talk to collectors about his art in November.
JEWELLERY
Lean On Me
Govinder
Sterling silver cufflinks Limited edition of 995 £125
Lean On Me
Stainless steel sculpture Limited edition of 195 Height 8" (2 piece set) £999
Inspired by Govinder's emotive sculpture, Lean On me, Washington Green's stunning new range of jewellery pays homage to the late, great artist
WASHINGTON GREEN HAS released an exclusive, limited edition range of jewellery echoing Govinder's stainless steel sculpture Lean On me - an elegant and powerful modern classic. Enigmatic and sophisticated, the sterling silver cufflinks, pendant and bracelet perfectly capture the look, energy and spirit
of the sell-out sculpture. the eye-catching pieces have all been hand crafted and manufactured in Birmingham's renowned Jewellery Quarter, and are specially hallmarked to incorporate the Govinder logo. the collection is a tribute to one of the country's most outstanding contemporary artists who tragically died aged just 44 at the end of last year. Deeply missed by everyone, the exceptionally talented award-winning artist had worked with Washington Green for close to ten years. Warm, witty and shy, Govinder was best known for his striking and highly stylised naïve portrayal of the feline and canine form depicting love, friendship and the tug of war between good and evil. Produced in a limited edition of 995, the jewellery is presented in a chrome box featuring the artist's logo. Pieces from this unique and poignant collection will make perfect gifts - a stylish way to wear your very own work of art.
Lean On Me
Sterling silver necklace Limited edition of 995 £89
Lean On Me
Sterling silver bracelet Limited edition of 995 £79
Autumn 2009 Fine Art ColleCtor 13
SHOWCASE
14 Fine Art Collector AUTUMN 2009
� Freedom
Boxed canvas edition of 95 Image 30" x 40" Boxed canvas £499 Framed boxed canvas £675
New to view Washington Green is well known for finding exciting talent. This season, we have four new artists joining us, each with their own distinctive and eye-catching style - adding new dimensions to our diverse portfolio BILL BATE BATE's striking and dramatic style evolved from his continuing fascination with the human form and the use of light and shade to give it excitement and mood. His figurative skills developed whilst he was studying for a Fine Arts Degree at Central School of Art and Design in London, where he graduated in 1984. "It was a great education as it introduced me to more abstract ideas as well as developing figurative skills. Although it was a difficult process at times, it encouraged me to experiment and I needed that. " Following graduation he continued to evolve as an artist, exhibiting in London and galleries throughout the UK. A great admirer of Caravaggio, Klimt, J W Waterhouse,
Alma Tadema and Bacon, and with an interest in Rothko's mood and atmosphere, his work features the strength and beauty of the body surrounded by a cloudy aura. Bate's powerful début collection is inspired by his experiences on the coasts of Egypt and South Africa. "I've tried to achieve a balance between what the eye sees, the reality if you like, and contrast it with the excitement and freedom you feel in water," he says. Natural elements like the wind and sun also play a vital part in the overall composition. "When you're by the sea, the light is intensified and makes you focus on a particular part of the subject. Yet the areas in shade just merge into the atmosphere. It gives the body a blurred appearance but also one that is full of energy." AUTUMN 2009 Fine Art Collector 15
Lilac Time
Canvas edition of 95 Image 26" x 34" Framed £575
Working at a studio in a converted warehouse in Wimbledon, London, which he shares with other artists, Bill starts a painting with an image in his mind of how he wants it to be, but after sketching the initial pose on the canvas the image develops and takes on its own path. taking reference from many sources including models, imagination and life all around him, he works from dark to light, laying on dark brown or blue washes as a ground, and building up from there whilst still wet. He works on a canvas for a few hours before leaving it to dry, working on two or three in this way and returning to them with fresh eyes. "I aim to achieve ‘tight’ realism in parts of a painting whilst in other areas leaving it loose and less defined. this is to escape the confines that realism can impose and to be more expressive." 16 Fine Art ColleCtor Autumn 2009
LInDA CHARLES BORN IN THE South East of England, Linda's main artistic background is abstract work, with her interest sparked during her years studying textiles and fashion at Herriot Watt university in Scotland. She began designing work incorporating heavy texture using materials such as gold and silver leaf, with her use of colour at the time lending itself to the advent of the interior design boom of the early 2000s and her work starting to sell in large quantities worldwide. texture still pervades her paintings but over the last couple of years she has been working on concepts where she can combine an abstract feel with real life
imagery. Her three brand new pieces for the new Autumn collection reflects this approach beautifully. "the use of colour and texture create a sharp, abstract feel to one of my most idyllic settings – a quiet, still, river backwater, hidden from the masses and discovered by a knowing few. A place where you can lose yourself in the tranquil surroundings isolated from the world and left alone with your thoughts." using light to create dramatic reflections of colour in the still waters, the viewer is taken into the depth of the picture. mystery then surrounds the end of the river leaving what is round the corner through the dark opening unknown. "my aim is to take each viewer on a ‘journey of feeling.’ through the gentle still water adorned with drag weed, past the great masses of bright colourful trees and bushes into the depth
SHOWCASE of the image and the mystery that awaits." Linda lives with her partner Keith and their young son Charlie in a beautiful part of Hertfordshire surrounded by nature and rolling countryside, which provides inspiration for her work. "I take Doug, our Golden Retriever, for long walks to nearby Hatfield forest. It's a national trust site that was once the location of a hunting lodge used by Henry VIII, and the forest covers a large unspoilt area featuring a big lake and quiet backwaters. It’s here that I am in my element using my sketchpad or taking photographs." Once back in the studio, she draws on the calm and tranquil feel of the forest and the lake, sketching out the scene of her work and marking areas where she wants to build texture for effect. She also incorporates vibrancy through uplifting colours to create intensity and excitement, enabling the piece to hover delicately between abstract and real life imagery.
Jade Reflections
Canvas edition of 95 Image 18" x 40" Framed £575
uSInG LIGHt tO CREAtE DRAmAtIC REFLECtIOnS OF COLOuR In tHE StILL WAtERS, tHE VIEWER IS tAKEn IntO tHE DEPtH OF tHE PICtuRE. ADAm BARSBY AS A PROFESSIONAL artist for the last 13 years, Adam's work is inspired by wonderfully happy childhood memories of family holidays by the English coast and an ongoing love affair with Cornwall. "I’ve always been drawn to the sea, and when I'm not in Cornwall I think a lot about the last time I was. Its atmosphere and mood forms the backdrop to my work, and although I don’t live by the sea, in many ways my work brings me closer to it." Born in Leicester to parents who were creative in their own right - his mother a hairdresser with strong visual ability and his father spending endless hours building models as a hobby - Adam began drawing at an early age and went on to graduate from the Kent Institute of Art and Design with a first class honours degree. He turned professional in 1996 winning the ‘Best up and Coming Artist’ title in 1999 and ‘Best Selling Artist in the uK’ in 2000, and has The Rendezvous
Canvas edition of 95 Image 20" x 20" Framed £350
Autumn 2009 Fine Art ColleCtor 17
SHOWCASE The Captain's Table
Canvas edition of 95 Image 20" x 20" Framed £350
been nominated three times for ‘Best Published Artist’ in 2001, 2002 and 2003. He has also lectured at several art colleges across the midlands. Influences in Adam's work come from C R W nevinson and Paul nash, whose work he studied and has admired since he was a student. "the artists' colony of St Ives in Cornwall has been a great influence too, and where I discovered the naïve work of Alfred Wallis." His passion and affection for the coast is delightfully evident in all his work and he relies on memories, sketches, photographs, seascape artists and even the television to inspire him. "Some days when it’s wet and miserable it’s just the best thing to close my eyes, think about where I’d like to be standing right there and then, and begin to formulate a composition. " After originally working in a studio from nine to five, Adam now works from home and with a more relaxed attitude, which he believes has helped him to create what is in his opinion his best work to date. "I paint when I want to and find that I enjoy it a lot more. my work is not forced or pushed because I need to paint, but because I want to paint." Since his son was born, he has also moved from painting in one go to a slower and more considered pace. Although his work now takes longer to complete, he feels that it enables him to be more critical, which enhances the finished result. "Once I begin the painting I work as if building a jigsaw puzzle, starting in one area and completing that before moving on to the next. Over the following days the image takes shape, and sometimes I change the narrative elements that provide the story within the picture. Finally I like to live with the completed image for a day or two in case I want to make any changes." 18 Fine Art ColleCtor Autumn 2009
KEn ORtOn BORN IN BIRMINGHAM and a graduate of Birmingham and manchester Colleges of Art, Ken taught art in Birmingham for six years before leaving for Spain, where he was in charge of the Joan miro Centro de Arte at the Baleares International School for 20 years. He moved to the uSA in 1999 and now splits his time between new York's Catskill mountains and the Gulf Coast of Florida. "I have long been an America fanatic and I always wanted to live in the uSA. I have travelled to almost every state and I am still enormously impressed by the sheer scale of the landscape and its tremendous diversity. the American landscape is inspirational and the country’s paraphernalia such as old cars, old bars, and old guitars have found their way onto my canvases." As a child Ken was a frequent visitor to many galleries and museums, and remembers thinking "wow" the first time
he saw Ford maddox Brown’s 'the Last of England'. He knew then that he wanted to be able to paint like that and get that same reaction from his viewers. He has certainly achieved his aim and has become a well-known artist, with collectors buying his work the world over. As well as winning a number of painting awards and several 'best of show' awards throughout the uSA, he has also won the Washington Square Painting Prize - new York City's oldest art show - and regards it as a cherished honour to follow in the footsteps of the many notable artists who have won it before him. When Ken bought his house in the Catskills, he found case after case of pristine mason jars in the cellar. "I bought a few up into the kitchen and after studying them for some days I began to see that this was a quite remarkable subject. through painting glass I have exposed an endless path of discoveries. I can paint photorealist images, but also be more expressionistic whilst achieving what I believe to be powerful and engaging work of art." Ken rarely paints the objects
"I HAVE WOn mAnY PRIZES In tHE uSA FOR mY WORKS AnD RECEIVED mAnY ACCOLADES But It'S An EnORmOuS JOY FOR mE AnD A LIFELOnG DREAm FuLFILLED tO SHOW mY WORK In tHE LAnD OF mY BIRtH" Ough Buck
Boxed canvas Edition of 95 Image 30" x 45" Boxed canvas £550 Framed boxed canvas £735
SECTION HEADING Pure Coffee Boxed canvas edition of 95 Image 30" x 30" Boxed canvas £399 Framed boxed canvas £525
independently, as "the raised lettering on the jars and bottles, by their prismatic nature, have an ability to capture tone and colour from one side of the composition and pull it to the other." Using many procedures that require drying and over-painting, he is invariably working on multiple paintings, consequently there might be weeks without a finished piece
emerging from his studio and then a day when he puts the final touches to three of four works. His new collection is a particularly meaningful one for Ken as it is the first time he is exhibiting in the UK. "I have won many prizes in the USA for my works and received many accolades but it's an enormous joy for me and a lifelong dream
fulfilled to show my work in the land of my birth. I am delighted to bring this new collection of work to the UK." IN FULL VIEW
See more work from our new artists in the Gallery supplement on page 29 www.washingtongreen.co.uk
AUTUMN 2009 Fine Art Collector 19
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CAROLINE SHOTTON
mooviN' oN UP
Caroline Shotton, affectionately known as ‘the Cow
Lady’ by her many followers, has proved herself again with a witty and colourful new exhibition of works AS ONE OF the top selling contemporary artists in the uK, Caroline Shotton’s new collection 'moovin' marks a major development in style and technique for the Oxfordshire artist mother of two. “I think of this collection as like a diary really. It’s inspired by my family and cows, but not constructed in a particular way, and reflects my life and wider things going on in the world.” While cleverly retaining all the charm and humour of her signature style, the new paintings display a more matured and considered style as each piece is designed to elicit an emotional response and convey Shotton’s own comments on society. the unlikely starting point for all Shotton’s work is the title. “For me it’s always about
Mooon River
Boxed canvas edition of 195 Image 28" x 44" £625
Beef Dripping
Boxed canvas edition of 195 Image 32" x 37½" £599
the title – I pick up ideas from the radio, newspapers, anything really and always have a pun or word play idea going on in my head,” she explains. most artists would work the other way round but she sees her addictive conjuring up of words and Autumn 2009 Fine Art ColleCtor 21
CAROLINE SHOTTON
Have I Got Moos
For You Boxed canvas Edition of 195 Image 21¼" x 34" £425
phrases as a great source of inspiration. the beautiful and melancholy ‘Beef Dripping’ is quintessential Shotton: “I had this ‘Beef Dripping’ title in my head for ages which I remembered from my childhood and as I watched cows munching grass in the pouring rain I realised I had finally found the picture for my title and then I started to paint,” she explains. 22 Fine Art ColleCtor Autumn 2009
Diamonds Are For
Heifers Hand embellished Sculpture Edition of 150 Height 9½" £399
the 'moovin' collection also sees Shotton use her cows as a cipher for many of her messages about life, love and the darker, tougher times of the modern world. “I didn’t plan their development in any linear way – the cows were originally a kind of comfort blanket for my son when I first drew one on his nursery wall. For him there was a sense that the cow was there watching over him even when I had left the room,” she explains. now they have developed into not just bovine faces with intriguing and enigmatic expressions, but as a way to convey a range of emotions and viewpoints about the human condition. “I have always created work that stems from personal experience yet allows others to add their own narrative,” she says. ‘moovin’ is a delightfully diverse collection, from a
light hearted take on the humorous antics of children in ‘Dairy milk’, which depicts a cow bursting through a chocolate bar wrapper, face covered in chocolate, through to a topical and poignant look at the credit crunch in ‘Cash Cow’ with a devious cow’s head appearing on a giant, crumpled American dollar bill. Shotton says the inspiration came from a Lucky Dollar she has kept for years, and her own evaluation of what money and success means. “money’s a strange thing, it can tear you apart when you have it, it can tear you apart when you don’t. this image is intended to make people smile and be positive about money – my motto is look after it and it will look after you but I don’t believe money can buy happiness.” the media is another area Shotton has chosen to point her artistic finger at. In ‘Have I Got moos
"tHE COWS HAVE BECOmE A BIt LIKE FAmILY tO mE – It’S HARD tO LEt tHEm GO But LOVELY tO SEE PEOPLE EnJOY tHEm” For You’ she has torn up a mass of tabloid headlines and incorporated them into the main body of the picture. “I’ve always loved this tV programme and found the title perfect for a piece depicting tabloid gossip – only everything here has a positive spin.” the words of one Guardian art critic who attacked her work as simplistic and typical of the kind of work that is ‘designed to annoy art critics’ is now torn up and forms part of the background of the picture. “I can take criticism on the chin,” says Shotton, but she gets a wry sense of satisfaction from knowing his harsh words contributed to a piece of her highly successful collection. “It’s my way of putting two fingers up to the art establishment,” she laughs. Shotton takes a long leisurely stare at the lighter and romantic moments in life with an amusing spoof of ‘the Good, the Bad And the ugly’ featuring a devil cow, an angelic cow, and a cow with a paper bag over her head. “I really enjoyed painting this piece and even though at first glance it looks like a triptych, the clouds merge together to give it continuity. the angelic
Dairy Milk
Boxed canvas edition of 195 Image 28" x 28" £475
The Good, The Bad
& The Ugly Boxed canvas edition of 195 Image 44" x 28" £625
cow next to the devilish one was an easy contrast but I didn’t have the heart to paint an ugly one. By putting the bag over her head you can imagine she’s actually quite beautiful underneath.” the power and simplicity of love is also explored in ‘mooon River’ (page 21) in which a portrait of a pair of doe eyed cows epitomises the power of true love with the
backdrop of a milky white harvest moon, while ‘I Give my Heart to moo’ is a simple affirmation of devotion and affection as the soulful looking cow stares out of the picture. For critics who say Shotton is a one cow wonder this collection gives much food for thought. Shotton loves the reaction she gets from her buying public and finds it immensely rewarding. One fan that came to a gallery had a Shotton cow tattooed on her arm which she admits she found “a bit extreme - but rather flattering too.” Like many artists she finds the process of creating a collection a solitary and intense one and the experience of going to galleries and talking to collectors is the final part in the artistic experience. “these pictures are designed to catch the eye and collectors say when they have them on their wall at home they build up a relationship with them and they become conversation pieces. the cows become like family to me – it’s hard to let them go but lovely to see people enjoy them.” on toUr
Caroline Shotton is visiting galleries nationwide with her new exhibition 'Moovin' this Winter. To see the collection in full, visit www.washingtongreen.co.uk
Autumn 2009 Fine Art ColleCtor 23
Luxury Leather Handbag
Edition of 295 £129
not content with confining her signature cows to four sides of a picture frame, Caroline Shotton strikes out into new territory with a highly desirable range of accessories, which would make a perfect gift for any fashionista!
“THE COWS ARE moovin' on to pastures new” is how Caroline Shotton describes her exciting move into a fashion accessory range featuring many of her favourite cow characters. It’s an eclectic range which includes a luxury leather handbag and purse as well as key rings, bottle stop, compact and cufflinks. Combining art with a stylish twist, these covetable pieces provide art lovers with a unique way to add to their personal collection. Designs based on the best selling painting 'I Love moo' are cleverly presented as a heart shaped key ring, a classy silver compact mirror and a beautifully presented pill box. For wine lovers the cow bottle stop in silver provides a humorous note to any dinner table; whilst the quirky cufflinks will make an instant style statement and add the perfect finishing touch to any outfit - for him or her.
I Love Moo
24 Fine Art ColleCtor Autumn 2009
Cufflinks Edition of 1500 £35
CAROLINE SHOTTON
I Love Moo
Pill box Edition of 1000 £35
I Love Moo
Key ring Edition of 2000 £35
One of the most covetable items is the soft luxury leather handbag. “It’s designed for busy people – mothers like me who need a bag on their shoulder and hands free,” explains Shotton who sees no reason to compromise on something that is both practical and good looking. “For me it was not so much a commercial decision as much as one that allowed me to explore and revisit my training in graphic art and typography” says Shotton. “I really liked the idea of creating the special
I Love Moo
Compact mirror Edition of 1000 £40
packaging and presenting something new and a bit different to collectors.” Part of Shotton’s ambition is to reach out to a wider art audience as well as provide a new outlet for her many fans. “the reaction has been great from people so far. It’s proved to be a really accessible way for people to get into art and find out about my other work”. All products are limited in edition, with prices starting from just £27.50.
Luxury Leather Purse
Edition of 495 £49
Handbag & purse set £150 save £28 when purchased together Autumn 2009 Fine Art ColleCtor 25
ales on tou r Paul Horton's imaginative new collection takes to the road
Life & Times
Giclée edition of 195 Image 12" x 12" Framed £199
Often been described as a modern day Lowry, Paul Horton is renowned for his wonderful array of characters and street scenes with universal themes. this season sees the launch of his fabulous new 'Love is Life' collection across galleries nationwide
26 Fine Art ColleCtor Autumn 2009
PAUL'S NEW COLLECTION of nine limited edition pieces of artwork and a limited edition sculpture captures new and exciting storylines as well as familiar subject matter. Aptly subtitled 'the Art of the Storyteller', the work is striking and beautiful and has an immediacy and innocence, with the world he has created connecting with the everyman and bringing with it many elements that people of all ages and in all walks of life can relate to. He paints from his imagination and from his heart and soul, taking inspiration from the world of theatre, fantasy and storytelling. He never ceases to be thrilled by the positive reaction to his work and knowing that what he creates speaks such volumes to people. "I am most proud that the world and the characters I have created get tremendously positive responses from the public." He is also very excited by the prospect of meeting new people up and down the country during the tour – his fifth in the uK. "the gallery is my environment; my stage. It's a wonderful opportunity for me to meet new people and tell some of the stories and inspiration behind my work. Knowing that people are getting so much from my paintings inspires me further." Some of Paul's new pieces return to the familiar scenes of his industrial art with the working man pounding the terraced back streets on his inevitable and relentless journey to work in a piece entitled ‘Life & times’. "these everyday scenes have formed a cornerstone of my work, and since his first appearance 'the Working man' has become an iconic figure within my paintings."
PAUL HORTON Paul pays a rare visit to the sea in the romantic ‘Love Is Life’. His first painting of the sea came about when he was giving talks at schools and a young primary school pupil commented that he never paints the sea. Paul promised him that he would. "the fantastic public feedback inspired me to create my seascape pieces. to me 'Love Is Life' has become the embodiment of this collection. I have tried to capture a timeless world that represents love and the family, bringing with it happy memories of family holidays and a sense that we all need to love and be loved." "I love the idea of becoming a storyteller through my paintings. the wizard character affords me the opportunity to enter into another world; to journey to a time of magic and mystery - a world where anything is possible!" Hope is another strong theme in his work, and the sense of anticipation can be felt in watching the tramp wandering into town in ‘When the Circus Comes to town’. Paul has become increasingly transfixed by man’s relationship with the planet. He continues to use the powerful symbol of noah's Ark, first seen in earlier collections and originally inspired by a worn and battered Victorian greeting card that was sent to him, with a picture of the ark on the front. ‘Fragile Earth’ shows an ark tilting in the melting icecaps, and although the piece has a clear subtext raising awareness of
Love Is Life
Giclée edition of 195 Image 22" x 18¼" Framed £399
The Road To
Glory Giclée edition of 195 Image 22" x 18¼" Framed £399
Spellbound
Giclée edition of 195 Image 17" x 12½" Framed £275
"I LOVE tHE IDEA OF BECOmInG A StORYtELLER tHROuGH mY PAIntInG - tHE WIZARD CHARACtER AFFORDS mE tHE OPPORtunItY tO EntER IntO AnOtHER WORLD"
Autumn 2009 Fine Art ColleCtor 27
PAUL HORTON
"HOPE IS AnOtHER StROnG tHEmE In mY WORK, AnD tHE SEnSE OF AntICIPAtIOn CAn BE FELt In WAtCHInG tHE tRAmP WAnDERInG IntO tOWn In ‘WHEn tHE CIRCuS COmES tO tOWn'" climate change and its impact, Paul wanted it to be captivating in itself. "When I was decided to create a third ark piece, I realised that no-one had attempted to depict it in the middle of a winter wilderness. the ark is the symbol of a saviour and I thought it
would be very different to capture it against the polar ice caps where it is going to save animals in a very challenging place." the 'Love is Life' tour had a very special and rather unusual launch at a gallery in his home town of Birmingham, where Paul ap Fragile Earth
Remarqued Edition Giclée edition of 195 Image 19½" x 24" Framed £499
When The Circus
Comes To Town Giclée edition of 195 Image 11½" x 26" Framed £350
peared with new musical talent Liam Blake who has just been signed by Chris Hughes, the former drummer of Adam & the Ants who became the successful producer of 80s pop sensation tears For Fears and who has worked with Robert Plant and Paul mcCartney. Paul first met Liam last year at a gallery exhibiting his work, where Liam asked if he could sing. Hugely impressed by Liam's talent as a singer and guitarist, they became firm friends and Paul was thrilled when he asked him to illustrate the cover for his début album, due out early next year. As well as unveiling the new collection, Paul had a number of his works brought to life in an animated short film, which was screened whilst Liam was singing. "It was an incredible buzz to hear Liam singing live with the video playing in the background. It was great to collaborate on such an exciting project and go in such wonderful new directions."
on toUr
The ‘Love is Life’ tour runs until Christmas 2009 in Galleries nationwide. www.washingtongreen.co.uk
28 Fine Art ColleCtor Autumn 2009
AUTUMN COLLECTION 2009
GALLERY Welcome to our Gallery supplement – an effortless way to view our complete Autumn collection at a glance. This season features an outstanding breadth of talent and techniques, including new work from our long-standing artists and collections from four new faces that we are delighted to have on board. From the serene to the vibrant and from a more traditional feel to the ultra contemporary, there is sure to be something that perfectly reflects your personality and connects strongly with who you are. Our interest free credit scheme makes collecting art that much easier and opens up new opportunities for owning something you love. A visit to our galleries will bring all the work to life, and our consultants will provide all the guidance you need for making a great choice.
AUTUMN 2009 Fine Art Collector 29
30 Fine Art ColleCtor Autumn 2009
GALLERY | HAMiSH BlAKelY
Camellia Canvas edition of 150 Image 33½" x 24" Framed £625
The Last To Leave
Canvas edition of 150 Image 26" x 34" Framed £665
Available on 0% Interest Free Credit Autumn 2009 Fine Art ColleCtor 31
MArK SPAin | GALLERY
Thoughts Of You I Canvas edition of 150 Image 20" x 14" Framed £325
32 Fine Art ColleCtor Autumn 2009
Thoughts Of You II
Canvas edition of 150 Image 20" x 14" Framed £325
Longing For You
Canvas edition of 150 Image 20" x 26" Framed £499
Autumn 2009 Fine Art ColleCtor 33
� Crystal Water
34 Fine Art Collector AUTUMN 2009
Boxed canvas edition of 95 Image 40" x 30" Boxed canvas £499 Framed boxed canvas £675
GALLERY | Bill BAte Serene Reflections
Boxed canvas edition of 95 Image 40" x 30" Boxed canvas £499 Framed boxed canvas £675
Freedom
Boxed canvas edition of 95 Image 30" x 40" Boxed canvas £499 Framed boxed canvas £675
Autumn 2009 Fine Art ColleCtor 35
Kate
Canvas edition of 195 Image 24" x 24" Framed £499
Twiggy
Canvas edition of 195 Image 24" x 24" Framed £499
Blondie
Canvas edition of 195 Image 24" x 24" Framed £499
36 Fine Art ColleCtor Autumn 2009
GALLERY | SIMON CLARIDGE
AUTUMN 2009 Fine Art Collector 37
Satin Bows
Boxed canvas edition of 95 Image 36" x 27" £450
38 Fine Art Collector AUTUMN 2009
GALLERY | DreW DArCY
Sensation
Boxed canvas edition of 95 Image 27" x 36" £450
Tease
Boxed canvas edition of 95 Image 27" x 36" £450
Autumn 2009 Fine Art ColleCtor 39
� My Sunshine
40 Fine Art Collector AUTUMN 2009
Paper on board Edition of 95 Image 24" x 24" Framed £499
GALLERY | nADeeM
The Four Of Us
Paper on board Edition of 95 Image 20" x 30" Framed £499
Mummy, Daddy And Me
Paper on board Edition of 95 Image 20" x 30" Framed £499
Autumn 2009 Fine Art ColleCtor 41
Ge FenG | GALLERY
Worthless
Boxed canvas Edition of 95 Image 36" x 36" £499
High Voltage
Boxed canvas Edition of 95 Image 36" x 36" £499
42 Fine Art ColleCtor Autumn 2009
GALLERY | DAiSY BoMAn
Strength Through Unity
Wall sculpture, in acrylic case Edition of 95 Image 34" x 34" £1,495
Trust
Wall sculpture Edition of 95 Image 34" x 34" £1,250
Autumn 2009 Fine Art ColleCtor 43
neil DAWSon | GALLERY
The New Yorker
Canvas edition of 150 Image 22½" x 32" Framed £485
Light Fantastic
Boxed canvas Edition of 150 Image 33¾" x 40" £599
44 Fine Art ColleCtor Autumn 2009
Going Up West
Canvas edition of 150 Image 26" x 26" Framed £450
City Central
Canvas edition of 150 Image 17" x 34" Framed £425
Autumn 2009 Fine Art ColleCtor 45
PAUl Kenton | GALLERY
London Lights
Boxed canvas edition of 95 Image 21" x 50" £599
Paris In The Springtime
Boxed canvas edition of 95 Image 32" x 40" £625
Available on 0% Interest Free Credit
46 Fine Art ColleCtor Autumn 2009
Parisian Promenade
Boxed canvas edition of 95 Image 32" x 40" £625
City Bound
Boxed canvas Edition of 95 Image 32" x 40" £625
Café Rouge
Boxed canvas edition of 95 Image 40" x 32" £625
London Town
Boxed canvas edition of 95 Image 40" x 32" £625
Autumn 2009 Fine Art ColleCtor 47
View Of Brooklyn Bridge - Blue
Kiln fused glass original series of 50 Image 11½" x 15¼" Framed £325
Manhattan Bridge - Blue Kiln fused glass original series of 50 Image 11½" x 15¼" Framed £325
48 Fine Art ColleCtor Autumn 2009
GALLERY | loUiS SiDoli
Manhattan Bridge - Orange
Kiln fused glass original series of 50 Image 11½" x 15¼" Framed £325
View Of Brooklyn Bridge - Orange Kiln fused glass original series of 50 Image 11½" x 15¼" Framed £325
Autumn 2009 Fine Art ColleCtor 49
leSleY Anne DerKS | GALLERY
Heart Of The City
Boxed canvas edition of 95 Image 32" x 32" £525
50 Fine Art ColleCtor Autumn 2009
Midnight Over The Seine
Boxed canvas edition of 95 Image 26½" x 40" £550
City Of Tiny Lights
Boxed canvas edition of 95 Image 26½" x 40" £550
Autumn 2009 Fine Art ColleCtor 51
JoHn D WilSon | GALLERY Working Class Hero
3D wall sculpture Edition of 95 Image 27" x 25½" Framed £799
With clever use of tone and perspective, the gallery scene in this three-dimensional wall sculpture seems almost real. As the viewer changes their viewpoint, the walls appear to move in the same direction.
Family Portrait
Giclée edition of 150 Image 13½" x 20" Framed £365
52 Fine Art ColleCtor Autumn 2009
The Lowry
Giclée edition of 150 Image 10" x 30" Framed £375
Available on 0% Interest Free Credit
Autumn 2009 Fine Art ColleCtor 53
Black Jack
Giclée edition of 150 Image 10" x 10" Framed £199
Liquorice Sandwich
Giclée edition of 150 Image 10" x 10" Framed £199
Penny Cola
Giclée edition of 150 Image 10" x 10" Framed £199
54 Fine Art ColleCtor Autumn 2009
GALLERY | SArAH GrAHAM
Routemaster
Boxed canvas edition of 95 Image 36" x 36" £525
Leaving Las Vegas
Boxed canvas edition of 95 Image 36" x 36" £525
Autumn 2009 Fine Art ColleCtor 55
Together We
Make A Family Canvas edition of 150 Image 23" x 30" Framed £499
Some Bunny Loves You
Hand painted sculpture Edition of 150 Height 4½" £350
56 Fine Art ColleCtor Autumn 2009
Sofa Loafers
Giclée edition of 250 Image 15" x 22¾" Framed £399
GALLERY | Peter SMitH Hug Me
Giclée edition of 250 Image 10" x 10" Framed £199
For The One I Love
Giclée edition of 250 Image 24" x 9.5" Framed £335
Cuddle Me
Giclée edition of 250 Image 10" x 10" Framed £199
Bad Boys
Boxed canvas Edition of 150 Image 30" x 24" £325
Available on 0% Interest Free Credit
Autumn 2009 Fine Art ColleCtor 57
In Red
Boxed canvas edition of 95 Image 30" x 30" £399
58 Fine Art ColleCtor Autumn 2009
GALLERY | MArK WilSon
Deep Scarlet
Boxed canvas edition of 95 Image 39¼" x 19" £325
Pure White
Boxed canvas edition of 95 Image 39¼" x 19" £325
Autumn 2009 Fine Art ColleCtor 59
Reunited Canvas edition of 150 Image 22½" x 36" Framed £625
60 Fine Art Collector AUTUMN 2009
GALLERY | JeFF roWlAnD
Everybody Loves
Somebody Giclée edition of 150 Image 20" x 16" Framed £375
Under The Moon
Of Love Giclée edition of 150 Image 16" x 20" Framed £375
Autumn 2009 Fine Art ColleCtor 61
Give Us A Lift
Giclée edition of 195 Image 20" x 16" Framed £399
No Walkies For Me
Giclée edition of 195 Image 20" x 16" Framed £399
62 Fine Art ColleCtor Autumn 2009
GALLERY | AleXAnDer MillAr
A Great Big Adventure Giclée edition of 250 Image 8" x 5¾" Framed £165 Two's Company Giclée edition of 250 Image 8" x 5¾" Framed £165
Man's Best Friend Giclée edition of 250 Image 8" x 5¾" Framed £165
Young At Heart
Giclée edition of 250 Image 8" x 5¾" Framed £165
Keepy Uppy
Hand painted sculpture Edition of 150 Height 15½" £425
Surprise, Surprise!
Stainless steel sculpture Edition of 95 Height 15" £999
Autumn 2009 Fine Art ColleCtor 63
BoB BArKer | GALLERY
Endless Love
Boxed canvas edition of 95 Image 18" x 36" £399
Where The Heart Is
Stainless steel sculpture Edition of 75 Height 15" £999
Heart & Dreams
Boxed canvas edition of 95 Image 30" x 30" £450
Dream The Impossible Dream
Boxed canvas edition of 95 Image 12" x 48" £365
64 Fine Art ColleCtor Autumn 2009
Wet Feet, Warm Heart
Boxed canvas edition of 95 Image 34½" x 24" £425
For You My Love
Boxed canvas edition of 95 Image 34½" x 24" £425
Autumn 2009 Fine Art ColleCtor 65
Ken orton | GALLERY
Enter Horlicks
Boxed canvas edition of 95 Image 45" x 30" Boxed canvas £550 Framed boxed canvas £735
Manchester For Shure
Boxed canvas edition of 95 Image 30" x 40" Boxed canvas £499 Framed boxed canvas £675
66 Fine Art ColleCtor Autumn 2009
Pure Coffee
Boxed canvas edition of 95 Image 30" x 30" Boxed canvas £399 Framed boxed canvas £525
Ough Buck
Boxed canvas edition of 95 Image 30" x 45" Boxed canvas £550 Framed boxed canvas £735
Autumn 2009 Fine Art ColleCtor 67
Night Life
Canvas edition of 95 Image 20" x 34" Framed £499
68 Fine Art ColleCtor Autumn 2009
GALLERY | ADAM BArSBY
The Rendezvous
Canvas edition of 95 Image 20" x 20" Framed £350
The Captain's Table
Canvas edition of 95 Image 20" x 20" Framed £350
Autumn 2009 Fine Art ColleCtor 69
linDA CHArleS | GALLERY
Sweet Harmony Canvas edition of 95 Image 26" x 34" Framed £575
Lilac Time
Canvas edition of 95 Image 26" x 34" Framed £575
70 Fine Art ColleCtor Autumn 2009
Jade Reflections
Canvas edition of 95 Image 18" x 40" Framed £575
Autumn 2009 Fine Art ColleCtor 71
72 Fine Art ColleCtor Autumn 2009
GALLERY | JoHn MYAtt
Still Life Flowers - Yellow
Hand embellished canvas Edition of 25 Image 25½" x 32" Framed £1,950
Still Life Flowers - Red
Hand embellished canvas Edition of 25 Image 25½" x 32" Framed £1,950
Available on 0% Interest Free Credit
Autumn 2009 Fine Art ColleCtor 73
lAWrenCe CoUlSon | GALLERY
One Last Walk
Giclée edition of 150 Image 9½" x 31¾" Framed £365
We Are One
Giclée edition of 150 Image 9½" x 31¾" Framed £365
74 Fine Art ColleCtor Autumn 2009
Shoreline Fire
Paper on board Edition of 150 Image 18" x 24" Framed £399
Moonlight Sparkle
Giclée edition of 150 Image 10" x 10" Framed £215
Twilight's Last
Gleaming Giclée edition of 150 Image 10" x 10" Framed £215
Autumn 2009 Fine Art ColleCtor 75
Calm Waters
Giclée edition of 150 Image 10" x 20" Framed £250
76 Fine Art ColleCtor Autumn 2009
GALLERY | niCK Potter
Evening Shelter
Giclée edition of 150 Image 10" x 12" Framed £185
Safe Harbour
Giclée edition of 150 Image 10" x 12" Framed £185
Autumn 2009 Fine Art ColleCtor 77
JoHn WAterHoUSe | GALLERY
Beyond The Horizon
Giclée edition of 150 Image 9" x 30" Framed £450
78 Fine Art ColleCtor Autumn 2009
Another Perfect Day
Giclée edition of 150 Image 22" x 22" Framed £499
By Your Side
Giclée edition of 150 Image 7½" x 7½" Framed £235
Away From It All
Giclée edition of 150 Image 7½" x 7½" Framed £235
Autumn 2009 Fine Art ColleCtor 79
PAUl CorFielD | GALLERY
Passing Clouds Canvas edition of 150 Image 17" x 24" Framed £350
80 Fine Art ColleCtor Autumn 2009
Pastures New
Canvas edition of 150 Image 17" x 24" Framed £350
Available on 0% Interest Free Credit
Late Harvest
Giclée edition of 150 Image 8" x 8" Framed £175
Little House On The Hill
Giclée edition of 150 Image 8" x 8" Framed £175
Autumn 2009 Fine Art ColleCtor 81
riCHArD roWAn | GALLERY
Shades Of Summer
Silkscreen on glass Edition of 95 Image 20¼" x 28¼" Framed £895
Shadows Of The Sun
Silkscreen on glass Edition of 95 Image 20¼" x 28¼" Framed £895
82 Fine Art ColleCtor Autumn 2009
WEAR YOUR ART On your sleeve Brighten up any outfit with your very own miniature piece of art.
Limited Edition Cufflinks from £35
CAT CLUB GOVINDER NAZRAN
Limited Edition Bronze Sculpture of 195 | Height 11” | £999
JOIN THE CLUB
Why not join us in the wonderful world of art - available to purchase on Interest Free Credit. Typical example: Cash price £999. 25% deposit of £249.75. Balance of £749.25 to be paid in 6 monthly instalments of £124.88. Total amount payable £999 at 0% APR. All loans subject to status. Applicants must be 18 or over.
© 2009 Washington Green (F.A.P.C) Ltd. Printed in England