Directarts #08

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directarts Inverno 2010 | EDIÇÃO 08

ESPECIAL 2º ANIVERSÁRIO joão carlos marianna yakobson fernando fragata valentim quaresma

ESPECIAL 2º ANIVERSÁRIO duarte vitória mariana gillot storytailors valentim quaresma

€ 9,95 |Inverno 2010 | EDIÇÃO 08

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01) Change III 120x120 Ă“leo S/Tela

08) Icon MM 175x150 Ă“leo S/Tela

02) Repose of emotions 150x175 Ă“leo S/Tela

09) Icon AR 120x100 Ă“leo S/Tela

03) Polarity 170x200 Ă“leo S/Tela

10) Sem tĂ­tulo 55x60 Ă“leo tela

04) Pleasant emotion 175x150 Ă“leo S/Tela

11) I see what you can´t see 120x100 Ă“leo S/Tela

05) Sem tĂ­tulo 160x130 Ă“leo S/Tela

12) Underground 150x150 Ă“leo S/Tela

06) Hidden 120x100 Ă“leo S/Tela

13) Independent 120x100 Ă“leo S/Tela

07) Unlimited being 120x120 Ă“leo S/Tela

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*LOORW Um grito artístico Entrevista por Catarina Vilar

Avaliação bancária e juros do crédito à habitação subiram em Julho. Bolsa de Lisboa acompanha tendência depressiva do resto da Europa. Iberia consegue lucro de 31 milhões de euros no segundo trimestre do ano. Mais 300 pessoas sem trabalho no Minho. Mil carteiristas referenciados pela polícia só em Lisboa. Portugueses são os que mais contestam sacrifícios para reduzir o défice. Cuidados paliativos custam milhares de euros.

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Mariana Gillot - www.galeriaantonioprates.com

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01) Via Col Vento – Multiplo DĂŠcollage, 100x70 cm 02) Matrimonio All´italiana – Multiplo DĂŠcollage, 100x70 cm 03) Il Gigante – Multiplo DĂŠcollage, 100x70 cm 04) I Comanceros – Multiplo DĂŠcollage, 100x70 cm 05) King Kreole – Multiplo DĂŠcollage, 100x70 cm 06) Marilyn Il Mito – Multiplo DĂŠcollage, 100x70 cm 07) Vacanze Romane – Multiplo DĂŠcollage, 100x70 cm 08) La Dolce Vita – Multiplo DĂŠcollage, 100x70 cm 09) Caccia Al Ladro – Multiplo DĂŠcollage, 100x70 cm

Centro PortuguĂŞs de Serigrafia - www.cps.pt

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Entrevista por Catarina Vilar

Pega em objectos do quotidiano e dรก-lhes uma nova vida, atribuindo-lhes a grandeza de obra de arte ou jรณia. Sรฃo chaves, molas, moedas, colchetes, alfinetes. Por detrรกs, todos tรชm em comum o facto de surgirem de um conceito, de uma visรฃo artรญstica que se materializa em peรงas รบnicas.

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30

PHGLD Fernando Fragata

)(51$1'2

DENTRO DE OUTROS MUNDOS.

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“Desde muito criança que me apercebi que o cinema permitia viajar dentro doutros mundos e atĂŠ noutros tempos. A certa altura nĂŁo me bastava assistir a esses “mundosâ€?, e por isso decidi criĂĄ-los. O primeiro “filmeâ€? que fiz tinha onze anos. Ainda nĂŁo tinha mĂĄquina de filmar, mas tinha uma mĂĄquina de fotografar. Fotografei tudo como se tratasse de um filme e fiz um livro com as fotos como se fosse uma banda desenhada ou storyboard. Chamava-se “O Planoâ€? e era uma aventura sobre “comer figos da figueira do vizinho sem que o cĂŁo deste se apercebesseâ€?. Mas era tudo mentira. O cĂŁo era meu, tal como a figueira e nem sequer tinha vizinho. Mas aĂ­ ĂŠ que estĂĄ a magia do cinema. Quem visse o meu “filmeâ€? ficava a pensar que eu estava a viver de facto uma grande aventura ao conseguir roubar figos sem ser apanhado pelo cĂŁo terrĂ­velâ€?.

Entrevista por Catarina Vilar

Contraluz foi um projecto arrojado, como se sente agora que jĂĄ

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Segue esta máxima?

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30

PHGLD Fernando Fragata

02

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Encontrou mais ou menos dificuldades que em Portugal?

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Realiza, escreve e produz os seus filmes. Fá - lo por prazer ou ne-

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cessidade?

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apenas reconfortam?

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PHGLD Fernando Fragata

05

06

07)

01) Fernando Fragata nas filmagens de Contraluz – Foto de Sandra Meirelles Menino 02) Imagens do filme Contraluz 03) Filmagens de Contraluz – Fotos de Sandra Meirelles Menino 04) Filme Sorte Nula – Fotos de Sandra Meirelles Menino 05) Poster de Contraluz – Design de Fernando Fragata e Andreas Rocha 06) Poster de Sorte Nula 07) Fernando Fragata nas filmagens de Contraluz – Foto de Sandra Meirelles Menino 08) Imagens do filme Contraluz

Fernando Fragata - www.filmecontraluz.com 08

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HQWUHYLVWD Storytailors

01

1$55$7,9$6 Entrevista por Directarts

Conheceram-se no primeiro ano do curso de Design de Moda da Faculdade de Arquitectura de Lisboa e desde entรฃo o trabalho desta dupla criativa jรก deu cartas e estabeleceu-se como uma referรชncia na moda nacional. Por trรกs de cada peรงa que concebem hรก um conceito. Apaixonados pelo fantรกstico e pela Alta-Costura, criam roupa bem pensada e executada, que nos remete para as histรณrias que criam. Joรฃo Branco e Luรญs Sanchez formam os Storytailors e sรฃo contadores de fรกbulas dos tempos modernos.

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Uma das vertentes do vosso trabalho passa por fazer figurinos

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para peças de teatro, dança. O processo de criação aqui é dife-

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rente?

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Qual de vocês é o mais conceptual e o mais prático?

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Sentem que quem vos chama para estes projectos é por querer a

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vossa marca distintiva, a vossa assinatura?

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Estão juntos há dez anos, como resolvem os impasses?

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ção para outra?

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HQWUHYLVWD Storytailors

01) Interior da Loja no Chiado (Lisboa), fotografia de Hugo Coelho 02) LuĂ­s Sanchez e JoĂŁo Branco, fotografia de Julien Rosa 03) Gentelwomen Outono/Inverno 2010, desfile Portugal Fashion 04 e 05) Interior da Loja no Chiado (Lisboa), fotografia de Hugo Coelho 06) Kiss me...Quick!, fotografia de Luis de Barros, com a modelo Andreia Contreiras (agĂŞncia: Central Models) 07) Best sellers Primavera/VerĂŁo 2011, desfile Portugal Fashion

Storytailors - www.storytailors.pt

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“NÃO SOU UM DIREC TOR CRIATIVO BABY-SIT TER.”

58, 9,(,5$ Apaixonado pela imagem, gosta de a explorar nas suas diversas vertentes. Na Fullsix diz que lhe dão liberdade e dá liberdade para criar, mas no final a exigência é elevada. O homem por detrás da organização do OFFF, das fotografias, da direcção criativa é natural dos Açores e foi lá que descobriu que queria estar ligado à arte.

Entrevista por Directarts

Quando decidiu optar por esta área criativa?

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Como foi essa experiência?

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E como começou a organizar o OFFF?

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O que seria senĂŁo fosse director criativo?

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01) GÊnio – Venice Beach, CA – Personal project 02) Places – San Francisco – Personal project 03) Snow – Brooklyn, NY – Personal project 04) Algo de bom – Short film 05) OFFF Oeiras 2009 06) Iasha – Fotografia - Capa de Junho – Parq 07) Site Nokia Onlive – Fullsix 08) Livro Body and Soul 09 e 10) Site Body and Soul

Rui Vieira - www.ruivieira.net 06

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01) Moda Lisboa โ Arquivo Moda Lisboa/Rui Vasco

das suas peรงas?

02) Projecto pessoal โ Oh my god!โ Foto de Gonรงalo Gaioso

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03) Projecto pessoal โ Instalation Store Under 50โ โ selected by Dino Alves

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04) Moda Lisboa โ Arquivo Moda Lisboa/Rui Vasco

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05) Retrospectiva Revista Zoot โ Verรฃo 2009 โ Styling Dino Alves e Fotos de Thomas Probosh

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Dino Alves - www.dinoalves.eu

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SRUWIROLR JoĂŁo Carlos

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-2Ž2 &$5/26 Muitos são os talentos que deixam Portugal para tentar triunfar noutros mercados, onde alcançam maior visibilidade, reconhecimento e recompensa financeira. Dependendo das åreas, uns vão para Hollywood, outros para Londres, a escolha de João Carlos foi simples: aos trinta anos mudou-se para Nova Iorque. E valeu a pena: em 2010 foi distinguido com aquele que se pode considerar o prÊmio supremo da fotografia, promovido pela Hasselblad. O Oscar Ê dele: Ê o mais novo Hasselblad Master de sempre.

Texto por Directarts

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01) Samson & Delila – Hasselblad Masters Volume 2 – Emotion by TeNeues e HP Printing 02) Corps Bride – Hasselblad Masters Volume 2 – Emotion by TeNeues 03) Pedro & InĂŞs – Hasselblad Masters Volume 2 – Emotion by TeNeues 04) Tandem Magazine Toronto – Sandisk Extreme Team 05) Dif Magazine Stargame 06) Bron Imaging Group/ The Draft Magazine 07) e-Merge Magazine – “Shut up, Sit downâ€? 08) Umbigo Magazine – “Sailingâ€?

JoĂŁo Carlos - www.joaocarlosphoto.com

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SDVVDSRUWH Marianna Yakobson

0$5,$11$ <$.2%621 โ O estudo da pintura trouxe-me o sentimento da composiรงรฃo, luz, cor e um background visual.โ Entrevista por Directarts

ร natural de Sรฃo Petersburgo, mas hรก dois anos trocou o clima cinzento desta cidade russa pelo sol de Portugal. Esta fotรณgrafa nรฃo dispensa os seus projectos pessoais, mas jรก faz trabalho comercial de destaque por cรก.

Perguntamos sempre aos fotรณgrafos estrangeiros por que esco-

We always ask our foreign photographers why they choo-

lheram Portugal para trabalhar, e a Mariana nรฃo serรก uma ex-

se Portugal to live and work. So you wonโ t be the excep-

cepรงรฃo.

tion.

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You are Russian?

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Is St. Petersburg a nice place?

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SDVVDSRUWH Marianna Yakobson

Então do que gosta em Portugal?

So what is it about Portugal that you like?

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Há artistas na sua família?

Do you have artists in your family?

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Por que escolheu a fotografia como a sua forma de expres-

Why did you choose photography as your form of expres-

são?

sion?

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Isto foi em São Petersburgo?

This was in St. Petersburg?

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Se não fosse fotógrafa, o que gostaria de fazer?

If you weren’t in photography what would you be doing?

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De que forma as suas experiências iniciais na pintura influencia-

How has your early experiences in painting influenced your pho-

ram a sua fotografia?

tography?

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Como começou ao chegar a Portugal?

When you came to Portugal how did you get started?

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Começou a trabalhar para revistas?

Did you start with magazine work?

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O que a desafia na fotografia?

What is it about photography that challenges you?

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Que câmara usa para o seu trabalho a preto e branco?

What camera do you use for your black and white work?

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E para publicidade?

And for advertising?

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Quando trabalha para clientes, prefere trabalhar sozinha ou jun-

When working for clients, do you prefer to work together with

tamente com o director de arte?

the art director or do you prefer to work alone?

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Fale-nos do seu trabalho com a Água das Pedras.

Tell us about your work with “Água das Pedras”.

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Usou muita pós-produção?

You used a lot of post production?

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Fale-me do projecto em que trabalhou chamado “50 Men for

What is the project you worked on called “50 men for Madonna?”

Madonna”.

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Do que gosta mais por trabalhar em Portugal?

What do you like most about working in Portugal?

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E do que menos gosta?

What is it that you like the least about working in Portugal?

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Com que ĂĄrea na fotografia se sente mais confortĂĄvel?

What area in photography do you feel more comfortable?

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Mas muito do seu trabalho tem pessoas. 7DPEpP JRVWR GH IRWRJUDÂżD GH UXD HP TXH DV SHVVRDV HVWmR HQYROYLGDV

So how would you label yourself? Como se definiria?

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What cameras do you like to use?

Que câmaras gosta de usar?

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Cobra pelo trabalho ou ao dia?

Do you charge by the day or by the job?

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Como mostra o seu portfĂłlio?

How do you show your portfolio?

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Tem um agente que a represente fora de Portugal?

Do you have an agent to represent you outside Portugal?

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Onde se vĂŞ profissionalmente daqui a cinco anos?

Where do you see yourself professionally five years from now?

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Do que mais gosta no Alentejo?

What is it about the Alentejo that you like so much?

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01) Maxima “Inkâ€? 02) Sobaka.ru “Officeâ€? 03) “Chocolate Lady“ 04) “Geoâ€? (Cards) 05) Sobaka.ru “Oilâ€? com Mc Vspishkin 06) Vogue – Paulo Furtado “Legendary tiger manâ€? 07) “ Ophelia “ CalendĂĄrio Agua das Pedras 1010 08) “ Serenaâ€? CalendĂĄrio Agua das Pedras 1010 09) Project “50 men for Madonnaâ€? – Boy 10) Project “50 men for Madonnaâ€? – Oskar 11) CalendĂĄrio “Honda – Pobeda motorsâ€? – Matreshki

11

Marianna Yakobson - www.mariannayakobson com

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“Quando fui pela primeira vez ao QuĂŠnia, em Agosto de 1955, nĂŁo podia adivinhar o que iria acontecer. A população nĂŁo chegava a 5 milhĂľes, com cerca de 100 tribos espalhadas pelo infindĂĄvel “wild—deer—nessâ€? - era autĂŞntico, virgem, em sintonia com o todo - tĂŁo grande que parecia infindĂĄvel. Todos concordaram que seria demasiado grande para ser destruĂ­do. Agora a população do QuĂŠnia, de mais de 30 milhĂľes, suga os recursos limitados e reduzidos a um ritmo alucinante, isolando e irremediavelmente pressionando as Ăşltimas rĂŠstias de vida selvagem de Ă frica. O belo perĂ­odo chegou ao fim. MilhĂľes de anos de processos evolutivos foram destruĂ­dos ao piscar de um olho. O chĂŁo ĂŠ pavimentado, o canibalismo ĂŠ ofuscado pelo comercialismo, as setas tornam-se AK- 47, o colonialismo ĂŠ substituĂ­do pelo poder, o prestĂ­gio e a corrupção da indĂşstria de ajuda internacional. É o fim do jogo. O que poderĂĄ vir a seguir? Densidade e stress - computadores e robots Nintendo, ataques cardĂ­acos e cancro, lipoaspiração e rinoplastia, animais digitais e brinquedos Tamagotchi entregues no novo mundo selvagem.â€? Peter Beard $UWLVWD H IRWyJUDIR YLVLRQiULR YLDMDQWH H H[SORUDGRU FDPSHmR GD FRQ

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directarts Inverno 2010 | EDIÇÃO 08

ESPECIAL 2º ANIVERSÁRIO joão carlos marianna yakobson fernando fragata valentim quaresma

ESPECIAL 2º ANIVERSÁRIO duarte vitória mariana gillot storytailors valentim quaresma

€ 9,95 |Inverno 2010 | EDIÇÃO 08

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