Sept 21 2024 Fine Art Prices Realized by Soulis Auctions

The Late Summer Gallery Auction

Saturday September 21st, 2024 at 11:00 am CDT

1 :: ALFRED MONTGOMERY (1857

-1922)

OIL ON ARTIST'S BOARD

'A Rustic Still Life' (1900)

The still life composition depicts a bounty of corn with each kernel depicted individually in thick impasto, the ears stored in a crate, a basket, and a green cloth bag inscribed in the painting with Alfred Montgomery's initials just above a stitched cloth patch.

This large and unusual example is displayed in an appropriately rustic frame that appears to be the original.

Ask Google, 'who was the corn artist' and the first entry returned reads: 'Alfred Montgomery An artist who called himself 'the farmer who paints and the painter who farms.'

Board measures 22 x 35.25 with a framed size of 32.25 x 45.25 inches.

Good original condition, noting a half dollar sized rub upper right and a small flake lower center.

SOLD: $4,000

2 :: DOEL REED (1895-1985) SCARCE OIL ON CANVAS

(Second quarter of the 20th Century.)

The large oil on canvas in an interesting and varied palette is signed in red pigment lower left and displayed in a very fine custom frame.

Oil paintings by Doel Reed, especially works this large, are rarely offered at auction. Those that have appeared are typically views of the American Southwest from Reed's later Modernist period. This slightly more impressionist work displays a style and topography suggestive of the artist's career prior to his taking a position as instructor of art at Oklahoma State University.

After studying and working in architecture, and prior to serving in World War One, Dole Reed studied at the Cincinnati Art Academy. He returned there to study and teach after the war. It's worth noting the similarities between the painting being offered here and a landscape by Lewis Henry Meakin (1850-1917) his instructor at the Academy. While Meakin is primarily credited with introducing Reed to printmaking, the landscape up for bid here bears a striking resemblance to the composition of Meakin's 1915 canvas titled Evening Rain.

After his time in Ohio, Dole Reed took a position as head of the Oklahoma State University art department in 1924. A position he would hold until his retirement in 1959. Following retirement he moved to Taos, New Mexico where he lived until his death in 1985.

Over the course of his career, Reed participated in more than 300 juried art exhibitions and was elected to the National Academy

of Design for his achievements as a printmaker, specifically the medium of aquatint etching, for which he is considered a master. To this day, OSU's Dole Reed Center in Taos honors his legacy with cultural and educational programs, workshops and residencies that serve the arts community both locally and nationally.

Canvas measures 20.25 x 30.25 with a framed size of 29 x 39 inches.

Very good original untouched condition. There are no issues of major scratches, losses, repairs, in-painting or touch-up, confirmed under UV light.

SOLD: $11,000

3 :: RANDY PEYTON (B 1958) TEXAS BLUEBONNETS OIL ON CANVAS

'Untitled Footpath Through Bluebonnets' (Late 20th Century)

The fine, large composition depicts live oak trees washed in sun, their trunks bathed in shade, and prickly pear cacti near a footpath through bluebonnets leading to a house by vibrant red shrubs with the Hill Country landscape beyond. Blooming prickly pear and bluebonnets dominate the landscape. The work is signed lower left front.

Canvas measures 24 x 36 with a framed size of 34 x 46 inches.

Very good original untouched condition. There are no issues of scratches, losses, repairs, in-painting or touch-up. Examination under UV light confirms the complete absence of inpainting or touch-up.

SOLD: $2,400

4 :: MICHAEL ALBRECHTSEN (BORN 1962) OIL ON CANVAS

'Many Glacier' (Late 20th Century)

The view of a Many Glacier area landscape in Glacier National Park, Montana is signed lower left front.

Michael Albrechtsen is a Utah born artist residing in Olathe, Kansas. His work has been included in numerous juried exhibitions and published in Southwest Art Magazine, Art of the West Magazine and others.

Canvas measures 20 x 24 with a framed size of 24.5 x 28.5 inches.

Very good original untouched condition. There are no issues of major scratches, losses, repairs, in-painting or touch-up. Examination under UV light confirms the complete absence of inpainting or touch-up.

5 :: IRMA RENE KOEN (1884-1975)

PEMAQUID POINT LIGHTHOUSE

'Pemaquid Point Lighthouse' (First quarter of the 20th Century.)

The sunlit coastal view of figures near a lighthouse, and a sailboat on the water, is signed in red pigment lower right front. The work in gouache on paper is displayed in a custom, gilded wood frame of the period, presumably the original.

Ms. Koen was an Illinois artist who traveled the world, eventually settling in Mexico later in life. Throughout the 1920s, she attended a summer arts school near Boothbay Harbor in Maine, approximately 18 miles from the Pemaquid Point Lighthouse near Bristol, Maine. A photograph from the 1930s is posted as reference.

Board measures 10 x 10 with a framed size of 15.75 x 15.75 inches.

Very good original untouched condition. There are no issues of scratches, losses, repairs, staining, in-painting or touch-up.

SOLD: $1,300

6 :: PAUL STRISIK (1918-1998) VERMONT STREAM OIL ON CANVAS

'Vermont Stream' (1978)

The impressionist landscape with homestead below a range of mountains is signed lower right front below the stream.

Paul Strisik was a very prolific and talented artist who became a signature member of the American Watercolor Society, and an Academician of the National Academy of Design. Among the various strengths of his paintings are the skillful portrayal of varying effects of light, atmosphere and weather, which Strisik rendered with a keen sense of observation and an impressionistic touch. His works also evoke a strong sense of place and time without the viewer realizing just what it is about the picture that conveys this.

Canvas measures 16 x 20 with a framed size of 24 x 28 inches.

Very good original untouched condition. There are no issues of major scratches, losses, repairs, in-painting or touch-up.

SOLD: $1,600

7 :: ENDRE SZASZ (1926-2003) MIXED MEDIA ON ARTIST'S BOARD

The mixed media with glazes and gold leaf is signed lower left in black pigment.

This fine example embodies pretty much all of the artist's greatest techniques, including the glazed porcelain-like surface of the face, Klimtinspired gold leaf, sgraffito embellishments, and other techniques of mixed media that, when executed in the incredible detail Szasz accomplishes, makes for an interesting work with intriguing detail.

Endre Szasz was a Hungarian born painter, illustrator, graphics artist, and ceramics decorator. He was, according to the biography pasted verso, born in Transylvania in 1926. He participated in his first exhibition at the age of 15 and later studied at the University of Fine Art in Budapest. He began working as an illustrator in the 1950s and created imagery for more than 300 books. The artist's acquaintance with Salvador Dali most likely was an influence on his work. The two were not only friends, but shared an agent, which exposed Szasz to some of the same contacts and opportunities as Dali. Given that both artists kept an ocelot as a pet, it's pretty clear that Endre Szasz was influenced by his fellow surrealist, if not in art, at least in lifestyle.

Board measures 15.5 x 11 with a framed size of 24.5 x 19.5 inches.

Very good condition. There are no chips, scratches or areas of inpainting.

SOLD: $1,800

8 :: RANDY PEYTON (B. 1958) TEXAS HILL COUNTRY OIL ON CANVAS

(Late 20th/Early 21st Century)

The classic Texas Hill Country view with live oak, prickly pear, wild flowers and low mountains is signed lower right.

Canvas measures 8.25 x 11.25 with a framed size of 12 x 15 inches.

Very good original untouched condition. There are no issues of major scratches, losses, repairs, in-painting or touch-up.

SOLD: $300

9 :: FLORENCE JOSYLN PAINTING 1937 TULSA WPA ART ASSOCIATION

'The Green Cafe' (1937)

The Modernist cityscape at night is signed lower left front in red pigment, and displayed in a classic molded wood frame of the period, probably the original.

The reverse of this oil on canvas is replete with information

Birger Sandzen (1871-1954) Oil on Canvas dated 1910

about the artist, the scene, and the Arts community in Depressionera Oklahoma.

Florence Brown Joslyn was a widely recognized and documented Oklahoma artist and art instructor. As such, she gave talks, taught classes, curated art exhibits at the local WPA Art Gallery, and occasionally exhibited her own works. She is even credited with creating the masthead design of Oklahoma City's African American newspaper The Black Dispatch, founded in 1915. She studied at the Art Institute of Chicago and the Art Students League. Her works were included in exhibitions from Oklahoma to Los Angeles.

Per the label verso, this work was exhibited at the Eighth Annual Tulsa Art Association Exhibition of Oklahoma Artists, 1937, sponsored by that Association, and the WPA federal art project. The Santa Fe artist Raymond Johnson judged the show and fellow participants included Doel Reed and Lester Raymer. Raymer won first prize for painting that year.

Clearly, art and life go on during difficult times, as is evidenced by the degree of organization and support for the Arts in this part of America during the Great Depression.

Image measures 15.5 x 19.5 with a framed size of 21.5 x 25.5 inches.

Very good original untouched condition. There are no issues of major scratches, losses, repairs, in-painting or touch-up. Two dime size areas of possible touch-up lower left and right corners, under UV light.

SOLD: $2,600

10 :: BIRGER SANDZEN (18711954) OIL ON CANVAS DATED 1910 (1910)

The fine, large, transitional oil on canvas is signed and dated by Birger Sandzen lower left front.

At the close of their discussion on Sandzen's early period as a painter (1890 1909), the Birger Sandzen Memorial Gallery points at that he, ....'was certainly influenced by Impressionism and PostImpressionism during this time period, but it does not become overly apparent until about 1910.'

This noteworthy painting, with its date of 1910, is a marker of that pivotal moment in the painter's evolution. It clearly documents the transition from his early period to a more mature period, one that has been described as, ...' the most dynamic and important of Sandzen's career.'

The composition of this painting, wildflowers among high rock formations, is almost certainly a depiction of the geological feature near Lindsborg, Kansas, now known as Coronado Heights, one of the artist's favorite subjects. .

Technically a sandstone butte that has resisted erosion over millions of years, this striking landmark rises hundreds of feet above the the Smoky Hill river valley, and the surrounding rolling plains. It became known as Coronado Heights about five years after this canvas was painted, making the title added verso a posthumous designation.

In another life, this area, indeed most of the state of Kansas, was covered by a vast inland sea that would, over the course of 100 million years, repeatedly rise and then receded, creating the picturesque landscape there today.

Canvas measures 24 x 36.25 with a framed size of 30.75 x 42.75 inches.

Very good original untouched condition. There are no issues of scratches, losses, repairs, in-painting or touch-up.

SOLD: $20,000

11 :: ROBERT BYERLEY (19412019) OIL ON ARTIST'S BOARD

'Taley's' (1977)

The outstanding example of trompe l' oeil painting is signed and dated lower right.

Bob Byerley was a master of painting in super realism and the technique that fools one's eye into seeing three dimensions where there are only two.

He was an avid collector of antiques, and a regular at local shows and auctions. His paintings often share themes of American nostalgia like old Country Stores and vintage Coca-Cola signs, Here, he brilliantly illuminates penny vending machines from the 1930s filled with shiny red gumballs and salty Spanish peanuts. The machines, his own, or perhaps borrowed from a fellow collector, are actual period models like the classic Art Deco style Northwestern model with white enamel on geometric iron castings, and a red Columbus 'Sanichu' Model A3 with its embossed star on the glass globe.

Board measures 13.5 x 17 with a framed size of 19 x 23 inches.

Very good original untouched condition. There are no issues of major scratches, losses, repairs, in-painting or touch-up. One tiny nick from the surface at upper left corner tip.

SOLD: $2,600

12 :: PAUL STRISIK (1918-1998) 'CLOUD SHADOWS, VERMONT' 'Cloud Shadows' (Late 1970s.)

The rolling landscape, with broad swaths of sunlight and shadows on the hillsides, is signed by the artist in black pigment lower left.

Paul Strisik was a very prolific and talented artist who became a signature member of the American Watercolor Society, and an Academician of the National Academy of Design. Among the various strengths of his paintings are the skillful portrayal of varying effects of light, atmosphere and weather - as seen in this painting - which Strisik rendered with a keen sense of observation and an impressionistic touch. His works also evoke a strong sense of place and time without the viewer realizing just what it is about the picture that conveys this.

Board measures 10 x 14 with a framed size of 18.5 x 22 inches.

Very good original untouched condition. There are no issues of major scratches, losses, repairs, in-painting or touch-up.

SOLD: $1,000

13 :: LEN CHMIEL (Born 1942)

WASHINGTON STATE WATERCOLOR

'Fisherman's Bay, Lopez Island' (1973)

The watercolor painting in the artist's distinct style and technique is signed near the lower edge center front.

Sheet measures 7 x 10 with a framed size of 14.75 x 18 inches.

Apparently the condition is very good, very clean, good color, intact, no visible stain, damage, repair, punctures or tears. This work has not been examined outside the frame.

14 :: ARTHUR KRAFT (1922-1977)

MIXED MEDIA ON MOUNTED PAPER

(Circa 1970s)

The expressionist study of a robed skeleton figure posed in something of a Mannerist style is signed lower right front. The work is painted in mixed media, including oils, on paper and mounted to Masonite.

Board measures 36.25 x 23.25 with a framed size of 42.75 x 30.25 inches.

Good original untouched condition. There are no issues of scratches, losses, repairs, in-painting or touch-up. The surface is lightly soiled, the frame has chips and splits. There are portions of the original media that fluoresce brightly like day-glo paints when examined under black light.

SOLD: $850

15 :: JEAN BEAUDUIN (1851-1916)

OIL ON CANVAS

'Untitled Girl with Flowers

Overlooking Water' (Circa 1900)

The composition of a young lady pausing on a footpath at sunset is signed signed lower right.

Canvas measures 24 x 29 with a framed size of 35.75 x 38 inches.

16 :: ALFRED MONTGOMERY (1857-1922) OIL ON ARTIST'S BOARD

'Wood Baskets with Corn' (1900)

The still life composition depicting ears of corn, each kernel depicted individually in thick impasto, portrays the bounty spilling from 'bushel' baskets of bent wood stave construction having bent wood handles secured by iron fittings.

This is a particularly bold example of the artist's trademark subject matter. The ears tumble convincingly from the basket and are bright and heavily textured for striking effect.

Ask Google, 'Who was the corn artist?' and the first entry returned reads:

'Alfred Montgomery.

An artist who called himself 'the farmer who paints and the painter who farms.'

Board measures approximately 22 x 33 with a framed size of 29.75 x 40.75 inches.

Very good original untouched condition. There are no issues of major scratches, losses, repairs, in-painting or touch-up, confirmed under UV light.

SOLD: $4,600

Examination under UV light confirms the complete absence of inpainting or touch-up. One inch diameter are along the extreme left edge where paint rubbed to the point that canvas shows. This is not a puncture. Otherwise very good and free from scratches, flakes or punctures.

SOLD: $600

'Evening Cove' (1978)

The oil on canvas mounted to Masonite is signed and dated by the artist lower left.

Paul Strisik maintained a permanent studio at the artist's colony town in the coastal town of Rockport, Massachusetts. This scene at low tide, with the boat at rest, could be anywhere around that area.

Per usual for Strisik's paintings, the scene evokes a moment in time. The sun is low, there is quiet, and the moment is serene.

Paul Strisik was a very prolific and talented artist who became a signature member of the American Watercolor Society, and an Academician of the National Academy of Design. Among the various strengths of his paintings are the skillful portrayal of varying effects of light, atmosphere and weather - as with this picturewhich Strisik rendered using a keen sense of observation and an impressionistic touch.

Board measures 8 x 16 with a framed size of 17.25 x 25 inches.

Very good original untouched condition. There are no issues of scratches, losses, repairs, in-painting or touch-up.

SOLD: $800

17 :: PAUL STRISIK (1918-1998) COASTAL VIEW OIL ON BOARD

18 :: RONALD SLOWINSKI (19322023) HOPI FLOWER

WATERCOLOR

'Untitled: From The Hopi Flower Series' (August, 1975)

The watercolor on paper is signed and dated in pencil by the artist lower right, and inscribed WC-75-17 verso.

Throughout his career, Ronald Slowinski produced several distinct series of works, each series shared a similar narrative through various progressions. This composition from the Hopi Flower series colorfully abstracts and plays on Native American motifs against an adobe-like ground divided by a spirited play of architecture on fully visible float mounted paper that becomes part of the work.

Ron Slowinski was born into a large Polish family on Chicago's West side in 1932. Growing up, he was both musically and artistically inclined. He became proficient enough at music to sit in as organist during high mass at his family church, but art became his overriding passion. The innovative and diverse architecture of his hometown, especially the designs of Frank Lloyd Wright; and the world class masterpieces at the Art Institute of Chicago, one of America's oldest and largest museums, fueled his artistic passions. As a teen, he chose commercial art studies at Lane Technical High School where he studied drawing, lithography and etching. After serving in the Korean War and earning a certificate in painting from the Art Institute of Chicago, he had his first one person show in 1957 at the famed Wells St. Gallery. This newly established avantgarde exhibition space was founded by, and showcased the works of, some of the city's youngest and most advanced abstractionists of the time, like Ron, and Robert Natkin and John Chamberlain. He considered those post-war years in Chicago, where he worked solely at making art, to be his equivalent of grad school. Ron would, according to ArtNet.com, go on to participate in more than 60 exhibitions in his lifetime, 25 or more being one person shows focused solely on his work.

Ron Slowinski was the consummate life-long learner, and a consummate artist. His myriad passions and the things he thought deeply about found their way to his canvases in intriguing, cryptic and often mysterious ways. It wasn't until very late in his career that he experimented with figurative painting, despite being a skilled draftsman. Instead, he composited his visions, ideas and influences into sumptuous and enigmatic non-representational paintings. His influences were wide-ranging and seemingly cumulative over decades. In the 1960s, the award of a Fulbright Research Grant affording him a year of study and painting in Japan furthered an already simmering influence previously fueled by books in his library, and an exhibition of Japanese masterworks he'd seen that opened his eyes to the power of extraordinary colors and abstract space in painting compositions. Beginning in the late 1970s, and for the next 20 years, he became fascinated with and intently studied the culture, customs, religions and ceremonies of Native American Puebloans. The mysticism of these traditions, and, similarly, Buddhism, was interpreted in varying degrees of subtlety on his canvases. Further, these canvases were frequently imbued with a play of light inspired by the Taos Mountains of America's Southwest, where Ron spent his summers. Many other ideas found their way into Slowinski's paintings. Ideas as diverse as the architecture of Frank Lloyd Wright, the paintings of Henri Matisse, the writings of the 16th century poet St. John of the

Cross, Russian iconography, and motifs from indigenous art, to name a few, came together in fascinating ways. As a thoughtful person who had a lot to say and painted nearly every day, Ron found himself producing a number of series of works on canvas. Paintings with a common narrative, but different messages began to emerge.

All this activity while, from 1966 to 2005, Ron's day job was Professor of Drawing and Painting at the Kansas City Art Institute. He also curated exhibits, painted an 11 x 22 feet canvas for the Westinghouse Corporation, and raised a family. Upon his passing, Ron's home, studio and papers revealed a host of ideas, projects, and unrealized goals still in the works, and a life of curiosity well-lived.

Fortunately, a body of his works remain for us to see, learn from, celebrate, and enjoy. Where else might we experience intriguing and mysterious non-representational compositions fused with various cultural ideas, spiked with architecture, extraordinary in color, empowered by open space, and painted using a traditional Japanese hake brush?

Sheet measures 23 x 31 with a framed size of 30.5 x 38.25 inches.

Obviously the condition is very good, very clean, intact, no visible stain, damage, repair, punctures or tears. This work has not been examined outside the frame.

SOLD: $1,000

19 :: A CONTINENTAL SCHOOL PORTRAIT OF A GIRL AND HER DOLL

(First quarter of the 20th Century)

The full length portrait of a smiling young girl in white satin dress holding a composition doll in stripe dress is executed in pastel and indistinctly signed lower right. The girl's hairstyle and the doll suggest the early 20th century date. The frame style suggests an earlier tradition. Labels verso refer to Erd?lyi Emil's specialty shop for painting and applied arts in Budapest, apparently the supplier of the artist's medium.

Sight size measures 52.5 x 27 with a framed size of 59.75 x 24 inches.

Very good original untouched condition. There are no issues of scratches, rubs, fade, losses, repairs, or touch-up.

SOLD: $400

20 :: ROBERT BYERLEY (19412019) OIL ON ARTIST'S BOARD 'Fostoria with Limes' (1976)

The fine example of 20th century Realism picturing limes, lace, and a Fostoria glass compote is signed lower left and dated 1976.

Board measures 7.75 x 10 with a framed size of 11.25 x 13.5 inches.

Very good original untouched condition. There are no issues of major scratches, losses, repairs, in-painting or touch-up.

SOLD: $650

21 :: ARCHIVE OF AN AMERICAN ARTIST'S PAINTINGS AND EFFECTS

The archive includes:

1. Five oil on canvas paintings in their original gilded frames, four are signed lower front and dated '92. The fifth oil is unsigned.

2. Three objects included in the painting compositions include an engraved Bohemian glass pokal circa 1890, a brass 'push-up candlestick circa 1830, and a cranberry glass dish in gold metal mounts.

3. A collection of period cabinet card photographs of the artist and his family.

Charles Reinach was an American artist and engraver based in Chicago, Illinois. He was known for his work in illustration and engraving, particularly during the early 20th century. Reinach was born and lived most of his life in Chicago, where he was active in the local art scene. By the 1910s, he was listed as an artist in the census records, and later, he became more prominently involved in engraving.

Overall framed sizes range from 14.5 x 16.75 to 29.5 x 26.25 inches.

Very good condition, noting some darkening of the paintings, the effects of age and exposure to the paintings and frames.

SOLD: $550

22 :: RONALD SLOWINSKI (1932-

2023)

ACRYLIC ON CANVAS

'Untitled: From the Pollen Series' (1980)

The acrylic on canvas is signed and dated in pencil verso.

Ron Slowinski produced several distinct series of related works during his career. This painting from his Pollen series demonstrates the artist's skill at creating a seemingly woven fabric-like texture with the illusion of floating, nonrepresentational forms and patterns in unique colors and shades with a play of light that altogether gives a pensive elegance.

Of his Pollen series, Ron is quoted as saying, 'The Pollen Series paintings reflect my ongoing interest in surface, color and light. In Navajo religion pollen is a symbol for the life-giving quality of light.'

Canvas measures 40 x 30 inches.

Very good original untouched condition. There are no issues of major scratches, losses, repairs, in-painting or touch-up.

SOLD: $1,400

23 :: ROBERT BYERLEY (19412019) OIL ON ARTIST'S BOARD 'Rising 5:17' (1973)

The surrealistic fantasy landscape with trompe-l'oeil technique is signed lower right.

Board measures 10.25 x 13.5 with a framed size of 14.75 x 18 inches.

Very good original untouched condition. There are no issues of major scratches, losses, repairs, in-painting or touch-up.

SOLD: $550

24 :: RONALD SLOWINSKI (19322023) ACRYLIC ON CANVAS (1973)

The visual study in color and pattern is signed and dated verso, and numbered A-73-13.

Canvas measures 30 x 30 inches.

Very good original untouched condition. There are no issues of major scratches, losses, repairs, in-painting or touch-up.

25 :: HERBERT DAVIDSON (19302018) TROMPE L'OEIL ON CANVAS

'The Circus' (Circa 1970.)

The slightly surreal oil on canvas with trompe l'?il technique is signed lower left, a label for the Frank J. Oehlschlaeger Gallery Chicago, Illinois verso.

Canvas measures 11.25 x 14 with a framed size of 17.75 x 20.75 inches.

SOLD: $300

26 :: PAUL STRISIK (1918-1998) MAINE COAST OIL ON MASONITE

'Maine Coast Evening' (1976)

The impressionist coastline view of a fisherman tending to his

lobster traps and buoys is signed and dated by the artist in black pigment lower right front. This example well displays Strisik's mastery of light, color and atmosphere while offering the unusual feature of a populated genre scene by this artist most associated with landscape painting.

Board measures 8 x 16 with a framed size of 17.25 x 25 inches.

Very good original untouched condition. There are no issues of major scratches, losses, repairs, in-painting or touch-up.

SOLD: $1,000

27 :: ROBERT BEACH (1923-2005)

OIL ON CANVAS

'RAE' (1973)

Signed and dated lower right, titled within the image and again verso on the corner brace.

The texturally rich work of deconstructed realism is signed and dated lower right, titled within the image and again verso on the corner brace.

Thanks to the efforts of his family and some recent exhibitions, the work of Bob Beach is enjoying a surge of renewed and added interest. The offering of two canvases in this sale will mark his first ever appearance at auction.

Robert Owen (Bob) Beach was born in New Brunswick, Canada on December 29th, 1923. During WWII, he enlisted in the Royal Canadian Air Force, where he was able to exercise his passion for things with motors that travel very fast. That deep passion manifested itself again later with his collection of classic cars and motorcycles, the latter being his ride of choice well into his seventies and early eighties.

Following the War, before his work as a muralist and easel painter, Bob Beach made his living as a medical illustrator. Obviously an artist by nature, this would be an interesting application of Bob's talents. As students, artists are first taught to 'paint what you see.' This approach presents a challenge for the aspiring medical illustrator who works not with what they see, but with what they visualize after reading scientific papers, meeting with medical experts, observing surgeries, or following laboratory procedures. It's after downloading the verbal and text based data from these encounters to their minds that they then would paint what they see, the visualization they have created in their mind, expanding on their talents as an artist.

It's through the lens of these concepts that we can begin to see how Bob may have come upon this composition in his mind, and laid it to canvas. We can muse on the impetus of the imagery while enjoying the rich color, texture and visual impact.

Overall framed size measures 61.25 x 49.5 inches.

Very good original untouched condition. There are no issues of major scratches, losses, repairs, in-painting or touch-up.

SOLD: $475

28 :: JOHN NOLF (ILLINOIS 18721950) TWO WATERCOLOR PAINTINGS

(1944)

Each is signed lower right. The image of a fisherman is dated 1944.

John Thomas Nolf, short-term resident of Joplin, Missouri and many other locales, lived a pretty colorful life before becoming an artist. Winnings from a poker game bought him a first class ticket to Chicago where he attended the Chicago Art Institute, launching his career as an artist, an illustrator and a teacher. He is most associated with the quaint Illinois village of Grand Detour, home of the Grand Detour Artist's Colony to which he described himself as mayor. Others, it has been reported, described him as 'Will Rodgers without the chewing gum and lariat.' Biographers also report that the people and places around Grand Detour often provided inspiration for Nolf's paintings. That may explain the strong similarities of the barnyard plot in this composition, and another in this auction,

Man on the bench image measures 16 x 12, sheet is 18 x 13.75, and framed size is 26.25 x 19.75 inches. Fisherman sheet measures 12 x 15 and framed size is 23 x 27 inches.

Good condition, noting some scattered light toning and or foxing.

SOLD: $475

29 :: JOHN ASARO (CALIFORNIA B. 1937) OIL ON MASONITE

The work of contemporary impressionism is signed by the artist lower right front.

Board measures 9 x 12 with a framed size of 12.25 x 15.25 inches.

Very good original untouched condition. There are no issues of major scratches, losses, repairs, in-painting or touch-up.

SOLD: $950

30 :: MARK DAILY (BORN 1944) OIL ON MASONITE

'Cemetery at Fuveau' (Late 20th Century)

The view of a hundreds year old cemetery near Marseilles France is signed lower left front and has additional inscriptions verso. Mark Daily has shared that what he, 'considers most important is the ability of a painting to evoke a sense of place.' The artist seems to have successfully captured the essence and atmosphere of this place, perhaps through his use of lighting, color palette and perspective. How he did it is not as clear as what the picture evokes.

Board measures 9.5 x 13.75 with a framed size of 14.5 x 19 inches.

Very good original untouched condition. There are no issues of major scratches, losses, repairs, in-painting or touch-up.

SOLD: $425

31 :: ROBERT BYERLEY (19412019) TROMPE L'OEIL OIL ON BOARD

(1978)

The oil on board example of tromp l'oeil painting is signed and dated lower right.

Tromp l'oeil is French for deceives the eye. Artists like Bob Byerley skillfully use realist imagery to depict objects as if in three dimensions. They do so by meticulously depicting shading, detail and perspective to create illusions like the droplets of water on leaves here,

Board measures 5.75 x 4.25 with a framed size of 10 x 8.75 inches.

Very good original untouched condition. There are no issues of major scratches, losses, repairs, in-painting or touch-up.

SOLD: $425

32 :: PAUL STRISIK (1918-1998) MAINE VILLAGE OIL ON CANVAS

'South Village' (1977)

The view of a traditional and picturesque New England village is signed lower right front and titled verso with reference to the state of Maine.

The estate of artist Paul Strisik seems to have had a relationship with the Brookside area Johnson-Welsh Galleries in Kansas City. They, for years, handled the artist's work, as did their successors Jack and Georgia Olsen of American Legacy Gallery, even after the artist's passing.

Canvas measures 12 x 20 with a framed size of 20.25 x 28.25 inches.

Very good original untouched condition. There are no issues of major scratches, losses, repairs, in-painting or touch-up.

SOLD: $1,200

33 :: EARLY 20C AMERICAN OIL, MANNER OF THE NEW HOPE SCHOOL

(First quarter of the 20th Century.)

The oil on canvas mounted to board is signed with a two letter monogram in sgraffito technique through the impasto paint lower right front. No other markings of any type were found.

The subject, view, style, and technique are all reminiscent of

works by the Pennsylvania School group of early 20th century impressionists.

Board measures 12 x 16 with a framed size of 14.75 x 18.5 inches.

Very good condition, noting an area of inpainting at the base of the central tree. Otherwise very good without other inpainting or touch-up.

34 :: RANDY PEYTON (B. 1958)

OIL ON CANVAS MOUNTAIN LANDSCAPE

The untitled landscape is signed lower right front.

Canvas measures 8.25 x 11.25 with a framed size of 12 x 15 inches.

Very good original untouched condition. There are no issues of major scratches, losses, repairs, in-painting or touch-up.

34A :: BETTY SABO (1928-2016)

OIL ON ARTIST'S BOARD

'Taos Mountains Autumn'

The view of Taos foothills in Autumn is signed lower left front in red pigment.

Born near Kansas City, Missouri to a family she described as 'poor dirt farmers,' Betty and her family moved to Albuquerque for the health of her father, who had tuberculosis. She attended the University of New Mexico majoring in art, and later studied with the famous artist and teacher Carl Von Hassler. His influence on her painting style is evident. Around the age of 30, she remarried, taking the name Betty Sabo. A few short years later she took first prize at the New Mexico State Fair, and would go on to paint, exhibit, win awards and sell her paintings for the next 30 years. When she developed an allergy to the paints she was using, Betty turned her attention to sculpture as a form of expression, much like her brother Gary Beals, a contemporary sculptor who works in stainless steel.

Sight size equals 17.5 x 23.5 inches framed to 26.25 x 32.25 overall.

Very good original untouched condition free from damage, repair or inpainting.

SOLD: $850

35 :: RICHARD FLORSHEIM (1916-1979) OIL AND SIGNED LITHOGRAPH

'Dream Forest and Gulls and Rocks'

1) Gulls and Rocks (1972) The lithograph, numbered 243 from an edition of 250 prints published by Associated American Artists, is signed by the artist in pencil below the image lower right and titled verso by the original AAA publisher's label.

2) An original oil on canvas titled Dream Forest is signed lower left and titled by a gallery label verso.

Gulls and Rocks image measures 29.25 x 9.75 with a frame of 37 x 17 inches. Dream Forest canvas measures 20 x 30 and framed size is 27.5 x 37.25 inches.

Very good condition throughout as shown.

SOLD: $225

36 :: GRANDMA LAYTON (19091993) MIXED MEDIA ON PAPER (1983)

The original graphite and colored pencil drawing on Arches watermarked paper is signed and dated lower left, with the inscription: 'For Jim Ray.'

James M. Ray, former director of the Albrecht Art Museum in St. Joseph, Missouri.

Sheet measures 15.25 x 12, mat is 22 x 18 inches.

Very good condition, very clean, never framed, not laid down, no damage, stain, punctures, tears, or repair. Never framed.

SOLD: $2,200

37 :: DEAN PACKER, CALIFORNIA | RICHARD TALLANT, COLORADO

Three original works of art:

1. Two paintings by Dean Packer (Born 1933), an American painter who lived and painted in California and Idaho. Each oil on Masonite painting is signed lower front. Titles: Cool Summer Shadows measures 8 x 10 with a framed size of 14 x 16 inches. High Country measures 8 x 12 with a framed size of 14 x 18 inches. Both are in very good original untouched condition. There are no issues of major scratches, losses, repairs, in-painting or touch-up.

2. Richard H. Tallant (1853-1934) untitled seascape watercolor with gouache signed lower right front with sight size of 9.5 x 15.5 with a framed size of 16.5 x 22.25 inches. Very good condition.

Please see description. Please see description.

SOLD: $375

38 :: NEIL BOYLE (1931-2006) OIL ON CANVAS

(Late 20th Century)

The oil on canvas is signed lower right front and inscribed with the tongue-incheek designation of BSWCA which the artist adopted as his acronym for 'Big Shot West Coast Artist' later in his career when he had returned to teaching at the California Art Institute, and began painting Western subjects like this. Neil Boyle was a Canadian artist known for his work in illustration, fine art, and art instruction. He studied at the Vancouver School of Art and the Art Center College of Design in Los Angeles. He later taught at both of these. His career as a commercial illustrator began in the 1950s, working for major publications, advertising agencies and corporations including The Ford Motor Company and Reader's Digest. His success and recognition as an illustrator earned him a Life Achievement Award from the Society of Illustrators in Los Angeles. Turning to fine art, Neil Boyle chose scenes of the American West, like the one being offered here, for most of his subjects.

Canvas measures 12 x 9 with a framed size of 19.25 x 16.25 inches.

Very good original untouched condition. There are no issues of major scratches, losses, repairs, in-painting or touch-up.

SOLD: $150

39 :: JERRY McKEEHAN (1938-

2022)

OIL ON MASONITE

(Third quarter of the 20th century.)

The detailed study is composed of juxtaposed figures in various mediums.

Board measures 40.5 x 29.5 with a framed size of 41.5 x 30.25 inches.

Very good condition, slightly soiled.

40 :: DOUG OSA (KANSAS, Born 1952) WATERCOLOR ON PAPER 'Spring Garden' (1993)

The work is signed by the artist and dated lower right.

Sight size measures 6.75 x 14.5 with a framed size of 16.5 x 24 inches.

Apparently the condition is very good, very clean, intact, no visible stain, damage, repair, punctures or tears. This work has not been examined outside the frame.

SOLD: $225

41 :: JEROME WITKIN (B. 1939) GRAPHITE SKETCH ON PAPER (1962)

The untitled study is signed and dated lower right.

Image measures 8 x 9, sight size is 11.25 x 17.5 with a framed size of 17 x 23 inches.

Apparently the condition is very good, very clean, intact, no visible stain, damage, repair, punctures or tears. This work has not been examined outside the frame.

SOLD: $50

42 :: JOHN STEUART CURRY (1897-1946) PEN AND INK ON PAPER (1942)

The quick sketch of a sunrise on The Plains is inscribed 'John Steuart Curry for Nancy, Feb 21st 1942.'

Sight size measures 4.5 x 5.5 with a framed size of 19 x 16 inches.

Very good condition as shown. Not examined outside the frame.

SOLD: $450

43 :: THOMAS HART BENTON (1889-1975) INSCRIBED PRINTS, LETTER

) 1) Mount Assini Win (1964) The offset lithograph signed and inscribed in pencil lower right, dedication lower left reads 'To Lee and Ann from Tom.'

2) The autograph letter (ALS) is signed in blue ink on Benton's Martha's Vineyard letterhead and dated June 6, 1970,

3) The LIttle Fisherman (1967) color offset lithograph is handsigned inscription by Benton in blue ink lower right reads 'Happy Birthday to Ann from Rita Benton.'

Mountain lithograph measures 10.25 x 13.25, the frame is 18.25 x 20.75 inches. Framed letter sight size through the mat is 9.5 x 7.5, the frame measures 18.25 x 15.5 inches. The Little Fisherman frame measures 21.25 x 17.5 inches.

Very good condition.

SOLD: $1,500

44 :: TWO MID 20TH CENTURY OIL PAINTINGS

1) After Georges Rouault (France, 1871-1958) The Old King.

2) Zella Bryan (20th century) Tete-aTete (1940) Oil on canvas board titled with a label verso.

Old King board measures 18 x 13.25 with a framed size of 22.25 x 17.25 inches. Tet-a-Tete board measures 17.75 x 13.75 with a framed size of 21.25 x 17.25 inches.

Very good condition.

45 :: WORKS OF

(1967-1968)

1) Barbara Leach (New Mexico, 20th century) (1968) The oil on masonite panel signed and dated lower right.

2) Ossip Zadkine (1890-1967) Girl with Dove (1967) The color lithograph numbered 61 in an edition of 200 prints is signed by the artist in pencil below the image lower right.

Leach panel measures 14 x 11 with a framed size of 18 x 15

ART BY BARBARA LEACH AND OSSIP ZADKINE

inches. Zadkine image measures 22.5 x 16.5 with a framed size of 30.5 x 24.25 inches.

Very good condition as shown.

SOLD: $100

46 :: JERRY McKEEHAN (19382022) MIXED MEDIA

(Third quarter of the 20th century.)

The study of figures in a surreal landscape is signed within the image.

Board measures 22.5 x 15.5 with a framed size of 30 x 23 inches.

Very good condition, noting slight soiling and discoloration overall.

47 :: MIKE LARSEN (OKLAHOMA B. 1945) PAINTINGS (TWO WORKS)

(Late 20th/Early 21st Century)

1. Mixed media of a wind whipped cedar signed lower left front and displayed in wood frame. Sight size of 5 x 8 with a framed size of 14.5 x 17.25 inches.

2. Oil on canvas of sunrise is displayed in custom corner frame and signed lower right front. Canvas measures 9 x 12 with a framed size of 12.5 x 15.5 inches.

Measurements are included in the description.

Very good original untouched condition. There are no issues of major scratches, losses, repairs, in-painting or touch-up.

SOLD: $110

48 :: ENDRE SZASZ (1926-2003) OIL ON ARTIST'S BOARD (Circa 1970.)

The surreal portrait of a figure with floating head is signed lower right. Endre Laszl? Szasz was an interesting Hungarian artist known for his work as a painter, illustrator, graphic artist, printmaker, muralist, and ceramics decorator. he was an acquaintance of Salvador Dali and, like Dali, a prolific surrealist.

Board measures 18.5 x 11.5 with a framed size of 27 x 20 inches.

Very good condition. There are no chips, scratches or areas of inpainting.

SOLD: $1,000

49 :: LATE 20TH CENTURY REALISM OIL ON PANEL

This oil on panel signed Dorman lower left and inscribed '76' is by a yetto-be-identified artist. The work is interesting and good quality, in a bold but somber type of realism with an effective emphasis on anatomy and the sitter's features. The earthy tones and the craquelure surface also contribute to the overall moody feel.

Board measures 11 x 14.25 with a framed size of 15.5 x 18.5 inches.

Good condition, noting surface grime and dry surface.

SOLD: $250

50 :: INDUSTRIAL SCENE OIL ON CANVAS OF CHELSEA POWER STATION (1970)

The oil on canvas view along the Thames is signed lower right by an unidentified artist and dated 1970.

Canvas measures 22 x 40 with a framed size of 23.25 x 41.25 inches.

Very good condition.

SOLD: $100

51 :: KEN R. WATSON (BORN 1933) WATERCOLOR ON PAPER

'Flemings Bait Stand Rockport, Texas' (Late 20th Century)

The view of this landmark on the Texas gulf is signed lower left front.

Sight size measures 15.75 x 22 with a framed size of 22.75 x 28.75 inches.

Obviously the condition is very good, very clean, intact, no visible stain, damage, repair, punctures or tears. This work has not been examined outside the frame.

SOLD: $275

Ansel Adams (1902-1984) Mount Williamson, Sierra Nevada from Manzanar, CA (Circa 1950s)

52 :: A 19TH CENTURY CONTINENTAL SCHOOL OIL ON CANVAS

The oil on canvas genre scene is illegibly signed lower right in red pigment.

Frame measures 23 x 20 inches.

Very good condition.

SOLD: $50

53 :: INK WASH ILLUSTRATION

SIGNED GILKERSON, 1967 (1963)

The detailed and somewhat whimsical pen and ink medieval battle scene with watercolor and gouache highlights is signed 'Gilkerson' with date lower right.

Image measures 8.5 x 12, sheet is 9.75 x 13.75, mat is 16 x 20 inches.

Each in very good condition, very clean, never framed, each the full untrimmed sheet with deckle edges, not laid down, no damage, stain, punctures, tears, or repair. None has ever been framed.

54 :: BRETT WESTON (1911-1993)

SIGNED SILVER GELATIN PHOTO 'Ice Abstraction' (1977)

The silver gelatin photograph, an image from 1974 printed before 1977, is signed and dated by the artist in pencil on the mount lower right corner.

Image measures 9.75 x 7.75, mount is 15 x 13.25 inches.

Very fine to pristine condition.

Examination under strong, reflective, raking light confirms that there are no issues to any degree. The emulsion area is flawless with no signs of damage or deterioration. No silvering, discoloration, cracking, peeling, stain, spotting or restoration. The mounts are very fine to pristine as well; very clean and free from stain, smudge, discoloration, scratches or indentations.

SOLD: $650

55 :: WILLIAM GARNETT (1916-

2006) PENCIL SIGNED PHOTOGRAPH

'Reflection of the Sun on Illinois Farm After Heavy Rain' (1977)

The large silver gelatin photograph is signed by William Garnett in pencil lower right on the mount below the image.

William Garnett is an acclaimed American photographer known for his pioneering work in aerial photography. He used smaller planes to capture his striking, sometimes abstract, images from above emphasizing the patterns, textures and forms of the natural environment while he navigated the plane.

The following is a quote by the artist found on Wikipedia, 'I was discharged and heard you could hitchhike on the transport taking GIs home. The airplane was full, but the captain let me sit in the navigator's seat so I had a command view. I was amazed at the variety and beauty of these United States. I had never seen anything like that-in a book, in school, or since then. So I changed my career.'

He won three Guggenheim Fellowships to aid in pursuing his passion, and went on to write a number of books. His work was featured in a great number of exhibitions both during his life and posthumously. Acclaim came early on with exhibitions at MoMA, NY as early as 1955, just ten years after that ride home in the navigator's seat. Garnett's work is held in numerous museum collections.

Image measures 15.5 x 19.75 with a framed size of 27.25 x 29.25 inches.

Very fine to pristine condition. Examination under strong, reflective, raking light confirms that there are no issues to any degree. The emulsion area is flawless with no signs of damage or deterioration. No silvering, discoloration, cracking, peeling, stain, spotting or restoration. The mounts are very fine to pristine as well; very clean and free from stain, smudge, discoloration, scratches or indentations.

SOLD: $1,300

56 :: ANSEL ADAMS (1902-1984) MOUNT WILLIAMSON, SIGNED, 1950s

'Mount Williamson, Sierra Nevada from Manzanar, CA' (Circa 1950s)

The gelatin silver print from the circa 1944 negative is signed by Adams in pencil on the mount, lower right corner, the San Francisco studio stamp back side of the mount.

Image measures 14.75 x 18 with a framed size of 31 x 35 inches.

Very good to fine condition. Examination under strong, reflective, raking light confirms that there are no issues of any degree affecting the condition of the image. The mount displays eight extremely fine points of foxing lower right corner around the signature, and two pinpoint bits near the lower left corner, all are on the mount and most, not all, are visible without magnification.

SOLD: $13,000

57 :: PETER FELDSTEIN (19422007) CIBACHROME PHOTO PRINT

(Late 20th/Early 21st Century)

The unusually large format abstract expressionist composition in the Cibachrome photography process.

Peter Feldstein was an American photographer and professor of Art at the University of Iowa notable for, among other things, his Oxford Project where he, in 1984 he invited all of Oxford, Iowa's 676 residents to have their portraits taken. Nearly every resident participated. Twenty years later he re-photographed many of the original participants and recorded their life experiences, stories and changes in personal, social, and economic circumstances through photography and interviews. The sociologically significant project and companion book wide recognition.

Peter Feldstein's works of art photography are held in numerous museums and corporate collections.

Sight size measures 25 x 32 with a framed size of 31.5 x 38.25 inches.

Very good original untouched condition. There are no issues of scratches, rubs, improper handling or mounting, stain, waves, creases, damage or repair.

58 :: WILLIAM GARNETT (1916-2006) PENCIL SIGNED PHOTOGRAPH

'Reflection of the Sun on Dendritic Flow' (1963/1979)

The silver gelatin print is signed by the artist in pencil lower right on the mount.

William Garnett is an acclaimed American photographer known for his pioneering work in aerial photography. He piloted smaller Cessna planes to capture his striking, sometimes abstract, images from above, emphasizing the patterns, textures and forms of the natural environment.

He won three Guggenheim Fellowships to aid in pursuing his passion, and went on to write a number of books. His work was featured in a great number of exhibitions both during his life and posthumously. Acclaim came early on with exhibitions at the Museum of Modern Art as early as 1955, just ten years after that ride home in the navigator's seat.

Garnett's work is held in numerous museum collections and the subject of shows even today.

Image measures 7.25 x 19.5 with a framed size of 19.5 x 29.25

inches.

Excellent condition, noting the appearance of three very fine hair's breadth lines in the black emulsion in the area at the mouth of the channel. See the online images. These are not visible in raking light as detectable surface scratches. They do appear under bright light and very close examination.

SOLD: $1,000

59 :: BRETT WESTON (1911-1993)

PENCIL SIGNED CONTACT PRINT

'Seaweed (Kelp)' (1954)

The gelatin silver contact print is initialed and dated by the the artist in pencil below the image on the mount lower right.

Purchased from Scott Nichols Gallery, San Francisco. The original invoice is included.

Image measures 10.25 x 13.5 with a framed size of 20.75 x 24.75 inches.

60 :: ARTHUR TRESS (BORN

1940) SIGNED SILVER GELATIN

PHOTO

'Climbing the Smokestack' (Circa 1974)

The image is signed lower right and inscribed A.P. in felt tip pen below the image, apparently an artist's proof. This photograph is unframed.

Image measures 15 x 15, sheet is 20 x 15.75 inches.

Very good condition.

SOLD: $475

61 :: ARTHUR TRESS (BORN 1940)

SIGNED SILVER GELATIN PHOTO

'Man with Classical Statue, Pojo, CA' (1994)

The image is signed in felt tip pen by the artist lower right, titled lower left, inscribed 8 from an edition of 50 prints, center below the image.

Image measures 10 x 10 with a framed size of 16.25 x 15.75 inches.

Very good condition free from visible damage or issue of any type. This photograph has not been examined outside the frame.

SOLD: $325

62 :: MARCEL MARIEN (1920-1993) GELATIN SILVER PHOTOGRAPHS

Two images signed, dated and titled Le Double Usage and Le Bouts-Rimes in felt tip pen below the image.

Image measures 7 x 6.5 with a framed size of 17.5 x 16 inches. Image measures 7 x 9.25 with a framed size of 17.5 x 19.25 inches.

Apparently the condition is very good, very clean, intact, no visible stain, damage, repair, punctures or tears. This work has not been examined outside the frame.

SOLD: $800

63 :: MARIO SCACHERI (18981940) 1930s PHOTO JULIAN MARTINEZ

'Julian Martinez, Famous Potter of Pueblo of San Idelfonso, N.M.' (Circa 1935)

This circa 1935 photograph bears the photographer's original period ink stamp verso, and pictures Julian Martinez 'painting' a piece of pottery before firing. The image title is inscribed in pencil back side of the mount.

This image was published in Indians Today by Mario and Mabel Scacheri, 1936. In that book, the facing page described the image of Julian, '...Aunt Marie's husband was sitting in another room, painting, beautiful Indian designs in clay paint on the pots, which aunt Marie had made. He used as a brush, a long splinter from the yucca plant, a kind of cactus which grows in New Mexico and Arizona.'

Mario Scacheri was an Italian-born photographer, author and columnist who emigrated to America in the 1920s. In 1933, he moved from Seattle to Chicago and became staff photographer for the weekly newspaper of the 1933 World's Fair. While living in Chicago, he met his wife Mabel Delameter, a reporter for the Chicago Evening American, By 1936, the two were living in Manhattan and Mario working as photographer and camera editor for the New York World Telegram, where he also edited one of the first ever weekly newspaper columns to educate the public on the art and hobby of photography. This same year the Scacheri's published Indians Today, which was filled with with their photographs documenting the daily lives and customs of Pueblo Indians in the American West. They would go on to write and illustrate several other books on photography and Native Americans, filling them with their photography. Three of those titles, THE FUN OF PHOTOGRAPHY, WINNEBAGO BOY and INDIANS TODAY, are included with this lot.

Measures 14 x 11, frame size 22 x 18.5 inches. Very good condition, there are no surface rubs, scratches,

staining, or recognizable fade.

SOLD: $425

64 :: MARIO SCACHERI (1898-

1940)

1930s PHOTO MARIE MARTINEZ

'Desideria & Marie, Potters of San Ildefonso, N.M.' (1930s)

The circa 1935 photograph of Marie Martinez with her sister Desideria beside a monumental stone-polished pot is stamped by the photographer verso and the title is inscribed in graphite back side of the mount.

Mario Scacheri was an Italian-born photographer, author and columnist who emigrated to America in the 1920s. In 1933, he moved from Seattle to Chicago and became staff photographer for the weekly newspaper of the 1933 World's Fair. While living in Chicago, he met his wife Mabel Delameter, a reporter for the Chicago Evening American. By 1936, he and Mabel were living in Manhattan where Mario worked as photographer and camera editor for the New York World Telegram, He also edited one of the first ever weekly newspaper columns to educate the public on the art and hobby of photography. It was around this same time that the Scacheri's published their first book Indians Today, which was filled with with photographs documenting the daily lives and customs of Pueblo Indians in the American West. They would go on to write and illustrate several other books on photography and Native Americans, filling them with their images. Three of those titles, THE FUN OF PHOTOGRAPHY, WINNEBAGO BOY and INDIANS TODAY, are included with a second Scacheri image (a portrait of Marie's husband Julian) up for bid in this auction.

Measures 11 x 14, frame size 18 x 20.75 inches.

Very good condition, there are no surface rubs, scratches, staining, or recognizable fade.

SOLD: $800

65 :: ARTHUR TRESS (BORN 1940) CIBACHROME PRINT (1989)

From the artist's Fish Tank Sonata series, signed and inscribed Whiteface Mountain, N.Y. verso in felt tip pen, numbered 12 from an edition of 50. Further inscribed: Hawk echo over the hills

As the lone wolf beckons a friend; In this wide open country, Solitude may in fact be his end.

Image measures 13 x 15, sheet is 20 x 16, and frame is 21.5 x 23 inches.

Very good condition.

SOLD: $450

66 :: PANORAMA PHOTO T. ROOSEVELT INAUGURATION, 1905

(1905)

Signed Leet Brothers Washington D.C. and copyright dated 1905 lower right.

Overall framed size measures 12.25 x 46.5 inches.

SOLD: $500

67 :: A RARE AND UNIQUE ART POTTERY VASE ATTR VAN BRIGGLE

(Circa 1920s)

An unsigned Art Nouveau influence pottery vase with figural nude displaying the glaze, styling, and clay body attributes of art pottery made by the Van Briggle Pottery company of Colorado Springs, Colorado.

Nearly identical examples have been found with full Van Briggle marks, though the female figure varies in a number of ways, is less artful, and the glaze is more monochromatic without the blue highlights seen here.

The most similar example to this vase was sold by Ivey-Selkirk auction house in St. Louis on November 15 of 2008 for $2000.00. That vase was listed as being by Artus and Anne Van Briggle, with the title of the piece listed as 'Spring.' The leaves on that vase were not flat molded like other examples, though they were not as pronounced as seen here.

Similar pieces referred to as the 'Anna Van' model are similar but with a completely different positioning of the figure and leaves that are molded flat in low relief rather than sculpted three dimensionally. According to some sources, the 'Anna Van' vase has been made since around 1925.

A less detailed example in mulberry glaze, and with a more erect female figure and flat-molded leaves is pictured on the artusvanbriggle.com website page titled Early Van Briggle Examples.

The vase being offered here was purchased from Neal Auction in New Orleans in February of 2005 where it was listed as being from a New Orleans estate.

Measures 18.5 x 12.5 x 12.5 inches.

Very good condition, noting overall crazing and two flakes from the base rim. There are no other chips, cracks or repairs.

SOLD: $1,600

68 :: AN EXCEPTIONAL VAN BRIGGLE USA MARK MOUNTAIN CRAIG VASE

(1922-1926)

This fine example is exceptional for its crisp, well-defined mold and even overall thick application of Mountain Craig glaze without issues of thin coverage or uneven shading.

Measures 11.5 x 5.25 inches.

Very good condition. There are no chips, cracks, repairs, scratches or areas of heavy wear.

SOLD: $475

69 :: ANONYMOUS CUT AND ENAMELED 80-INCH STEEL SCULPTURE

(Late 20th Century)

The abstract sculpture cut, bent and enameled steel sculpture is unsigned.

Measures 80.25 x 22.75 x 23 inches.

Very good condition.

SOLD: $300

70 :: TATSUZO SHIMAOKA (1919-

2007)

STUDIO POTTERY CHARGER

(Mid to Late 20th Century.)

The more subtly decorated example displays impressed basketry and rope like impressions as beautifully glazed and fired on the obverse as on the reverse where the maker's mark is impressed. The face of this stoneware plaque is decorated more simply and balanced than many examples.

Measures 12.25 inches in diameter.

Very good condition. There are no chips, cracks, repairs, scratches or areas of heavy wear.

SOLD: $225

71 :: AN UNUSUAL TESSELLATED STOOL BY RIA AND YOURI AUGOUSTI

(Late 20th Century)

The inverted U-form stool of rhythmic, stylized design in undulating lines is finished with a mosaic of exotic inlays carved from coconut shell and inlaid in repeated linear design. The brass signature plaque of R&Y Augousti London is tacked to the underside. Examples of this form can easily be found. Nothing in the extensive line of Augousti luxury items could be found with this striking finish, pattern, or palette.

Measures 18.5 x 28 x 16.25 inches.

74 :: ROY LICHTENSTEIN (1923-1997) OFFSET LITHOGRAPH TRIPTYCH

'As I Opened Fire' (1964)

The later unsigned and unnumbered edition on coated paper.

Very good condition. There are no chips, cracks, repairs, scratches or areas of wear.

SOLD: $800

72 :: RICHARD AVEDON (19232004) THE BEATLES, 1967

'The Beatles' (1967)

Four offset lithography poster portraits of Beatles band members by the influential American fashion and portrait photographer Richard Avedon, each enhanced and solarized with DayGlo bright colors in the spirit of the psychedelic era. These images originally appeared in LOOK Magazine in early 1967. Driven by the popularity of the imagery, various iterations of four and five poster sets appeared shortly thereafter. This set was published for Stern Magazine in Germany towards the end of that year 1967. Each of these four original posters is professionally conserved on a linen mount and in mint condition.

Sheet sizes are 29.5 x 21.5 inches.

Fine to mint condition, the full untrimmed sheet, linen backed, no damage, stain, fade, punctures, tears, scuffs or repairs. Unframed.

SOLD: $400

73 :: HAL BIENENFELD (20th C) MODERN MIRRORED TILE ASSEMBLAGE

(Third quarter of the 20th century.)

The decorative, checkerboard-like wall art is comprised of two types of differently silvered square tiles offset by darker gray tiles being centered by a circular silver mirror disk.

The work of decorative art is signed with an artist's ink stamp verso.

Overall framed size measures 24.25 x 24.25 inches.

Very good condition. No damage or repair found.

SOLD: $150

Image measures 24 x 19.5, sheet is 25.25 x 20.5, and frame is 31 x 26.25 inches.

Very good condition.

SOLD: $200

75 :: ANONYMOUS CUT, RIVETED AND ENAMELED STEEL SCULPTURE

(Late 20th Century)

The assembled and enameled steel sculpture is unsigned.

Measures 80 x 22 x 19 inches.

Very good condition.

SOLD: $250

76 :: CALLAHAN McVAY (BORN 1974) MONUMENTAL GLASS SCULPTURE

'Flower Bud in Five Parts' (Late 20th Century)

The blown glass sculpture in five parts is unusually large and complex with its five individual nested pieces as opposed to other examples found in four parts at the most. Each piece is signed.

The smallest piece measures 2.5 x 2.75 and the largest is 13.5 x 25.5 inches.

Very good condition. There are no chips, cracks, repairs,

A Fine, Large, and Unusual Two Grey Hills Rug, 120 x 69 inches

scratches or areas of heavy wear.

77 :: WAYNE HUSTED (1927-2022) VERY RARE GOBLET FOR BLENKO

'#581' (1958)

A very rare and desirable modernist blown glass goblet in the desirable shaded coloration that Blenko catalogs list as Tangerine. The form, developed by the important designer Wayne Husted, was in production for only one year circa 1958. The work is signed by acid stamp along one side of the base rim.

Measures 12.25 x 6 inches.

Very good condition. There are no chips, cracks, repairs, scratches or areas of heavy wear.

SOLD: $1,600

78 :: DON SHEPHERD 25-INCH AND 22-INCH FLOOR VASES FOR BLENKO

1. A 25-inch floor vase blown in wheat color #789L.

2. A colorless ribbed vase #7924 measuring 22.5 inches.

Measures 22.25 x 7 and 25 x 8 inches.

Very good condition. There are no chips, cracks, repairs, scratches or areas of heavy wear.

79 :: WINSLOW ANDERSON (1922 -2007) FOR BLENKO IN RARE COLOR

'#942' (1950)

Winslow Anderson was Blenko's first design director, starting in 1947 just as the firm transitioned from utilitarian wares to more decorative and artistic glassware.

This example of form 942 is found in rare chartreuse green with rough pontil, an earlier example and unsigned.

Measures 13.25 x 5.5 inches.

Very good condition. There are no chips, cracks, repairs, scratches or areas of heavy wear.

SOLD: $225

80 :: A LARGE BLENKO PREDESIGNER VASE WITH APPLICATIONS 423L '423L Amber'

The pre-designer dark amber vase vase with rough pontil is embellished with applied glass flower heads.

Measures 10.75 x 9 inches.

Good condition. There are no chips, cracks, repairs.

SOLD: $200

81 :: WAYNE HUSTED DESIGNS AND OTHER BLENKO ART GLASS

Two 'Vineyard' examples designed by Wayne Husted, and two 'Pre-designer' examples in blue.

Small amethyst hobnail bowl measures 4 x 4; light blue vase 7 x 5.5; amethyst hobnail vase 9 x 6 x 4.5; and small teal vase measures 5.5 x 5 inches.

Very good condition. There are no chips, cracks, repairs, scratches or areas of heavy wear.

SOLD: $140

82 :: WAYNE HUSTED (19272022) RARE TRI-COLOR BOWL FOR BLENKO '#5831' (1958)

A very rare and desirable heavy modernist petal form bowl in three colors by the important designer Wayne Husted, in production for only one year circa 1958. The work is signed by acid stamp on the base.

Measures 4.75 x 6.75 inches.

There is a small fracture near the base, possibly in the manufacture. No other chips, cracks, repairs, scratches or areas of heavy wear.

SOLD: $375

83 :: WAYNE HUSTED (19272022) VERY RARE PITCHER FOR BLENKO

'598L in Nile Green' (Late 1950s)

A very rare modernist blown glass pitcher with applied handle by the important designer Wayne Husted and in production for only one year. There is a repair at the base of the handle.

Measures 18.5 x 6.25 inches.

A repair to the base of the handle and three surface nicks on one side. No other chips, cracks or repairs.

84 :: THREE BLENKO PRE-DESIGNER SERIES ART GLASS VASES

Three taller vases as shown.

Measure 11.5 x 8.25, 12.75 x 8 and 12.25 x 6.5 inches.

Very good condition. There are no chips, cracks, repairs, scratches or areas of heavy wear.

SOLD: $50

85 :: A FINE, LARGE, AND UNUSUAL TWO GREY HILLS

RUG 120 x 69

The fine and unusual Navajo weaving is of classic design, but with exceptional attributes that include:

1. The unusually large size.

2. The subtle, limited placement of unusual turquoise colored highlights in the weaving.

3. The two complex and very well resolved guard borders surrounding the central double lozenge medallion.

4. The overall appeal of the weaving as a whole.

5. The very good condition. Measures 120 x 69 inches.

Clean and odor free with intact edges, corner tassels and ends, no damage, mothing, repair or stain. There are four short stretches of separation of the outside wrap along the sides. There is one area of possible pet stain 6 x 7 inches, as shown in the images. One small half inch gouge in the red rack in one end. One small quarter inch in the brown of residue.

SOLD: $5,500

86 :: BEMIC NELSON YELLOWMAN (B. 1952)

OIL ACRYLIC ON CANVAS

'Within the Sun' (2009)

The oil or acrylic painting on canvas is signed, dated and inscribed phil 4:19 by the artist lower right front.

Canvas measures 24 x 48 inches.

Very good original untouched condition. There are no issues of scratches, losses, repairs, in-painting or touch-up.

SOLD: $2,600

87 :: AN EXCEPTIONAL ZIA POTTERY CANTEEN WITH DEER C. 1910

(Early 20th Century.)

The handsome example is painted in two halves divided by the red slip line that typically denotes pueblo pottery made before 1920. The front panel is decorated with sprigs of leafy foliates either side of an exuberant and well-executed whitetail deer painted by an obviously capable and insightful artist who observed details like the white of the tail in her painting.

Measures 7.5 x 12 x 10 inches.

Very good condition. There are no chips, cracks, repairs, scratches or areas of excessive or unexpected wear.

SOLD: $4,400

88 :: AN UNUSUAL CIRCA 1920 GREAT LAKES BEADED BANDOLIER BAG

The Great Lakes bandolier bag is elaborately decorated with intricate loom beaded panels of stylized foliates amid geometrics on the neck strap backed by trade cloth, above the central pouch having colorful beaded florals over a front pouch lined backed in trade cloth and fronted by a panel centered by an unusual cross motif in cornflower blue beading embellished with yellow flower heads, yarn tuft drops.

Measures 42 x 12 inches.

Very good condition throughout, no damage, repair or heavy wear.

SOLD: $2,200

89 :: JOHN JARVIS (UTAH, BORN 1946) GOUACHE ON ARTIST'S BOARD

'Autumn Sunset' (1979)

The luminous gouache painting on Crescent brand artist's board is faintly signed and dated lower right front.

Sight size measures 15.75 x 19 with a framed size of 28.25 x 30.5 inches.

Very good original untouched condition, noting a tiny pin-head size nick to the image surface near the tip of one lodge pole. There are no other issues of scratches, losses, repairs, in-painting or touch-up.

SOLD: $950

90 :: A 19TH CENTURY ACOMA TRI-LOBE PUEBLO POTTERY CANTEEN

(Late 19th Century)

The three bulbous chambers joined as one are decorated in traditional black geometric designs and pinwheel motifs on white slip ground. This canteen was collected in the 1890s.

Measures 5 x 11.5 x 4.5 inches.

Very good condition. There are no chips, cracks, repairs, scratches or areas of excessive unexpected wear.

SOLD: $1,400

91 :: A LARGE HOPI POTTERY CANTEEN WITH SITKYATKI MOTIF

(Early 20th Century.)

The finely painted Nampeyo quality example is decorated in Sitkyatki Revival motif with an elaborate main panel likely intended to represent a stylized spirit being. The spout is potted in an unusual forward-tilting manner.

Measures 10 x 9.75 x 7 inches.

Very good condition, noting a shallow surface flake center of the front panel, and two rubs. There are no other chips, cracks, repairs, or excessive unexpected wear.

SOLD: $6,500

92 :: A VERY UNUSUAL PUEBLO POTTERY CANTEEN CIRCA 1900 (Circa 1890 - 1910)

The very unusual example, possibly Zuni Pueblo, was made with a second canteen-like vessel with its own separate chamber applied to one side in a manner rarely, if ever, seen. The decoration consists of simple floral outlines and borders in brown slip on white,

Measures 2.5 x 4 x 4 inches.

Good condition, noting wear, and some edge chips as shown, no major damage, no repair.

SOLD: $1,200

93 :: JAMES AYERS (BORN 1969)

NATIVE AMERICAN OIL ON CANVAS (2000)

The portrait of a seated Native American woman in blanket is signed lower right front in red.

Canvas measures 24 x 18 inches.

Very good original untouched condition. There are no issues of major scratches, losses, repairs, in-painting or touch-up.

SOLD: $450

94 :: DAVID K. JOHN (BORN 1963)

LARGE ACRYLIC ON CANVAS

'Returning from Spirit Mountain' (Late 20th/Early 21st Century)

The composition of Hopi deities 'returning from Spirit Mountain' is signed by the artist lower left front.

Canvas measures 44.25 x 56 inches.

Very good original untouched condition. There are no issues of scratches, losses, repairs, in-painting or touch-up.

SOLD: $500

95 :: NEIL BOYLE (1931-2006)

WESTERN SCENE OIL ON CANVAS

'Repairing the Hub' (Late 20th Century)

The sunlit oil on canvas composition of a Western genre scene is signed lower right front and inscribed with the tongue-in-cheek designation of BSWCA which the artist adopted as his acronym for 'Big Shot West Coast Artist' later in his career when he had returned to teaching at the California Art Institute, and began painting Western

subjects like this.

Neil Boyle was a Canadian artist known for his work in illustration, fine art, and art instruction. He studied at the Vancouver School of Art and the Art Center College of Design in Los Angeles. He later taught at both of these. His career as a commercial illustrator began in the 1950s, working for major publications, advertising agencies and corporations including the Ford Motor Company and Reader's Digest. His success and recognition as an illustrator earned him a Life Achievement Award from the Society of Illustrators in Los Angeles. Turning to fine art, Neil Boyle chose scenes of the American West, like the one being offered here, for most of his subjects.

Canvas measures 24 x 30 with a framed size of 32.75 x 38.75 inches.

Very good original untouched condition. There are no issues of major scratches, losses, repairs, in-painting or touch-up.

SOLD: $400

96 :: BILL MITTAG (B. 1935) NATIVE AMERICAN OIL ON CANVAS

'Winter of the Piegans' (Late 20th/ Early 21st Century)

The oil on canvas is signed lower left and displayed in a fine frame with custom finished corners.

Canvas measures 16 x 20 with a framed size of 24 x 28 inches.

Very good original untouched condition. There are no issues of scratches, losses, repairs, in-painting or touch-up.

SOLD: $450

97 :: AN UNUSUAL NAVAJO GANADO RUG WITH FOUR DIAMOND CENTER

The late 20th century weaving with unusual four-diamond center and slightly restricted use of red is woven with an unusual border design that is interestingly integrated into main design panel.

Measures 59 x 40 inches.

Clean and odor free with intact edges, corner tassels and ends, except for one, no damage, mothing, repair stain, excellent condition.

SOLD: $375

98 :: DAVID K. JOHN (BORN 1963) ACRYLIC ON CANVAS

(Late 20th/Early 21st Century)

The portrayal of ghostlike subterranean kachinas and floating rock art symbols under a blue spirit-filled sky is signed by the artist lower left front.

Overall framed size measures 38 x 50 inches.

Very good original untouched condition. There are no issues of scratches, losses, repairs, in-painting or touch-up.

99 :: DAVID NORDAHL (B. 1941)

'APACHE' MIXED MEDIA ON PAPER

'The Old Warrior - Apache' (1980)

The original mixed media work on paper with colored pencil against sepia tone is signed and dated lower right and titled verso.

Before gaining fame and attention as Michael Jackson's personal portraitist, David Nordahl was widely recognized for his super realist artistic style and the historical accuracy with which he depicted his favorite subjects of the American West, the Apache Indians.

Sight size measures 15 x 9.5 with a framed size of 24.25 x 17.75 inches.

Apparently the condition is very good, very clean, intact, no visible stain, damage, repair, punctures or tears. This work has not been examined outside the frame.

100 :: A FINE AND INTERESTING LATE 20TH C. NAVAJO GANADO RUG

The weaving with large central medallion surrounded by unusual stepped devices in black is woven with an unusual border design that is integrated into main design panel in an unusual way.

Measures 65 x 40.5 inches.

Clean and odor free with intact edges, corner tassels and ends, no damage, mothing, repair or stain, excellent condition.

SOLD: $750

101 :: BILL MITTAG (B. 1935) NATIVE AMERICAN OIL ON CANVAS

'Through Eyes of The Eagle' (Late 20th/Early 21st Century)

The oil on canvas is signed lower left and displayed in a fine frame.

Canvas measures 10 x 16 with a framed size of 15.75 x 21.75 inches.

Very good original untouched condition. There are no issues of scratches, losses, repairs, in-painting or touch-up.

SOLD: $550

102 :: AN UNUSUALLY SMALL LAGUNA OR ACOMA POTTERY CANTEEN

(Early 20th Century.)

The Laguna or Acoma pueblo pottery triple chamber canteen is of a size that suggests it could have been made for a child. It is constructed with three bulbous chambers joined as one vessel, the whole painted with traditional black and red geometric designs on white slip ground.

Measures 3.5 x 5.5 x 3 inches.

Very good condition. There are no serious chips, cracks, repairs.

SOLD: $850

103 :: A GOOD CIRCA 1930s NAVAJO WEAVING 4 X 6 FEET

The highly visual transitional weaving is loomed in an eye catching display of red diamonds serrated in black among similarly serrated diamonds, and halfdiamonds, to create a pattern that the eye sees in two different ways, all enclosed with a simple narrow border. The red half-diamonds placed at each corner are an unusual feature.

Measures 72 x 48.5 inches.

Very good condition noting scattered minor tattering along the sides. No corner tassels. 1.5 inch fray dead center. Extremely minor bit of red color run. One end diamond.

SOLD: $650

104 :: YEI FIGURE AND YEIBICHAI NAVAJO RUGS | TWO WEAVINGS

1. A fine late 20th century Navajo Yebichai weaving with nine dancers facing right, flanked by two figures facing the viewer, each with interesting costumes depicted. A tag attributes the work to weaver Rachael Nakai.

2. A Navajo Yei figure weaving from the third quarter of the 20th century depicting four figures centered by a pictorial corn stalk.

Measures 29.5 x 52.5 and 27.5 x 58 inches.

The weaving with light colored ground is in good condition, no damage, repairs, stains, or odor. The weaving with the darker colored ground is in very good condition to excellent condition with intact sides and ends. Four corner tassels. Clean, no damage, repair, odor, or stain.

SOLD: $425

105 :: RICHARD IAMS (B. 1950) OIL ON BOARD

The oil on board conveys the evening hues of shadow on the desert floor and sunshine on foothills. The work is signed by the artist lower right front and displayed in a handsome, custom, pickled wood frame.

As a math major in college, Richard Iams found himself in a random art class and apparently never looked back. Later, after teaching art at the junior high and community college level, he pivoted to pursuing a full time career as an artist. His focus became the landscape of Texas and Arizona, where he became recognized as having mastered the depiction of Grand Canyon views. He later became equally well-known as a painter of American and African wildlife.

Board measures 9 x 12 with a framed size of 16 x 19 inches.

Very good original untouched condition. There are no issues of scratches, losses, repairs, in-painting or touch-up. There is a chip on the frame liner.

SOLD: $300

106 :: JOHN ENCINAS (BORN 1949) OIL ON ARTIST'S BOARD

'Sunday Morning' (Late 20th Century)

The view of an adobe structure bathed in sun, and figures in shade along an adobe wall, is signed lower left front with added information inscribed verso.

Board measures 9 x 12 with a framed size of 16.75 x 19.75 inches.

Very good original untouched condition. There are no issues of scratches, losses, repairs, in-painting or touch-up.

107 :: A COLLECTION OF ARTIST-SIGNED PUEBLO POTTERY

1) R. Louis (Acoma) seed jar.

2) Reva Polacca Nampeyo (Tewa, born 1964) vase.

3) Amelia Galvan (Jemez, born 1940) bowl.

4) Dorothy Sanchez (Acoma, 20th/21st C.) seed jar.

5) Anderson Peynetsa (Zuni, born 1964) bowl dated 2000.

Sizes range from 3.75 to 7 inches tall.

Very good condition. There are no chips, cracks or repairs.

SOLD: $300

108 :: MIKE LARSEN (OKLAHOMA B. 1945) OIL ON CANVAS

'Nez Perce' (Late 20th/Early 21st Century)

The oil on canvas portrait of a Nez Perce chief depicted in a skillful 'painterly' technique is signed lower right front.

Canvas measures 12 x 9 with a framed size of 16.5 x 13.5 inches.

Very good original untouched condition. There are no issues of scratches, losses, repairs, inpainting or touch-up.

SOLD: $275

109 :: A LILLY TSOSIE NAVAJO BURNTWATER WEAVING IN 16 COLORS

The central diamond shape medallion is surrounded by various geometric designs and latch hook motifs with ivory spandrels and an interlocking border pattern woven with wool in sixteen different colors of vegetal and aniline dyed yarns by the Navajo weaver Lilly Nez Tsosie, according to a tag with this rug.

Measures 60.5 x 46 inches.

Good condition with intact ends and sides, noting a two inch wide band of discoloration that runs two thirds of the width and has made the wool brittle in some cases.

SOLD: $425

110 :: MICHAEL HORSE (B. 1951) WATERCOLOR AND GOUACHE PAINTING

'The Prize' (Late 20th Century)

The original painting, signed lower right, is executed on a map of 'Oregon, Kansas, California and the Territories.'

The painting is circa late 20th century while the map dates to 1896 when the area that would become the state of Oklahoma was identified as 'Indian Territory' on the map, just behind the running horse.

Sheet measures 9.5 x 12 with a framed size of 14.75 x 18.75 inches.

Apparently the condition is very good, very clean, intact, no visible stain, damage, repair, punctures or tears. This work has not been examined outside the frame.

SOLD: $300

111 :: BARRY COFFIN (1947-2016) 37-INCH STONEWARE SCULPTURE

(1997)

The large Modernist depiction of a Hopi katsina with dance rattle and striking three-dimensional male hands is sculpted from stoneware finished in bright colored enamels. The work is signed and dated along the base.

Barry Coffin was a Lawrence, Kansas native of Potawatomi and Creek descent. He attended the University of Kansas and later received his Associate of Fine Arts degree from the Institute of American Indian Art, a public tribal land -grant college in Santa Fe, New Mexico. His work is represented by numerous Santa Fe Galleries and held in the permanent collections of a number of museums.

Measures 37.5 x 11.25 x 11 inches.

Very good condition. There are no chips, cracks, repairs, scratches or areas of heavy wear.

SOLD: $250

112 :: MIKE LARSEN (OKLAHOMA B. 1945) OIL ON CANVAS

'Iroquois' (Early 21st Century)

The oil on canvas portrait of an Iroquois man is signed lower right front. The image is depicted in a skillful 'painterly' technique and with historical accuracy.

Canvas measures 12 x 9 with a framed size of 16.5 x 13.5 inches.

Very good original untouched condition. There are no issues of scratches, losses, repairs, in-painting or touch-up.

SOLD: $475

113 :: ARTIST-SIGNED SANTA CLARA AND SAN ILDEFONSO POTTERY

1) Julia Martinez (Santa Clara) carved blackware vase.

2) Mida Tafoya (Santa Clara, born 1931) carved redware vase.

3) Gracie Naranjo (Santa Clara, 1938-2002) carved blackware vase.

4) Lorenzo Gonzales (San Ildefonso, 1922-1995) blackware bowl with feathers.

Sizes range from 2.25 to 5 inches tall.

Very good condition. There are no chips, cracks or repairs.

SOLD: $325

114 :: BILL MITTAG (B. 1935) NATIVE AMERICAN OIL ON CANVAS

'Lady of Lakota' (Late 20th/Early 21st Century)

The oil on canvas is signed lower right and displayed in a fine frame.

Canvas measures 9 x 12 with a framed size of 15.5 x 18.5 inches.

Very good original untouched condition. There are no issues of scratches, losses, repairs, in-painting or touch-up.

SOLD: $700

115 :: WILLIAM E. SHARER (BORN 1934) OIL ON ARTIST'S BOARD

'View of Talpa' (Late 20th Century)

The painterly view of Talpa, a small town in Taos County, New Mexico, is signed lower front center, there are additional inscriptions verso.

Board measures 9 x 12 with a framed size of 17.25 x 20 inches.

Very good original untouched condition. There are no issues of major scratches, losses, repairs, in-painting or touch-up.

SOLD: $550

116 :: VERYL GOODNIGHT (B. 1947) PATINATED BRONZE SCULPTURE

'Two Siamese Cats' (1992)

The lost wax technique casting accented by the artist's tool marks and the details of sculpting is finished in black and umber patina. The work is signed, dated, and numbered 5 from the edition of 25.

Measures 7.5 x 12.5 x 8 inches.

Very good condition throughout, no damage, repair or wear.

117 :: BENJAMIN NELSON (B. 1982) MIXED MEDIA ON PAPER (1999)

The original mixed media painting signed Ahn Hia Ohm, Ben Nelson and dated 1999 lower right front was, according to the consignors, commissioned by them to include an American flag at their request. This painting was completed when

Ahn Hia Ohm was 15 years old. Three years earlier when he was 12, his work was featured on the cover of Indian Artist Magazine. Ahn Hia Ohm, Kiowa for 'He knows', is the son of Yellowman, another famous Kiowa artist whom the consignors admired. Two Yellowman paintings from their collection are included in this auction as well.

Ahn Hia Ohm's works are inspired by the renown 'ledger art' that captive Plains Indians executed on lined paper using colored pencils in the 1870s.

Sight size measures 14.75 x 21.75 with a framed size of 20.25 x 27.25 inches.

Obviously the condition is very good, very clean, intact, no visible stain, damage, repair, punctures or tears. This work has not been examined outside the frame.

SOLD: $850

118 :: MIKE LARSEN (OKLAHOMA B.

1945)

OIL ON CANVAS

'War Paint' (Late 20th/Early 21st Century)

The oil on canvas portrait is depicted in a skillful 'painterly' technique and signed lower right front.

Canvas measures 12 x 9 with a framed size of 16.5 x 13.5 inches.

Very good original untouched condition. There are no issues of scratches, losses, repairs, in-painting or touch-up.

SOLD: $500

119 :: BEMIC NELSON YELLOWMAN (B. 1952) MIXED MEDIA ON PAPER (1998)

The mixed media work on paper is signed, dated and inscribed phil 4:19 by the artist lower right front.

Sight size measures 7.5 x 30 with a framed size of 16.25 x 40.25 inches.

Obviously the condition is very good, very clean, bright original colors, intact, no visible stain, damage, repair, punctures or tears. This work has not been examined outside the frame.

SOLD: $700

120 :: A CONTEMPORARY NORTHERN PLAINS STYLE BEADED PIPE BAG

A bag in the Cheyenne style, traditional construction with tin cone suspensions having red horsehair tufts above the leather fringe. This bag is mounted in a shadow box case, The reverse side is not visible and has not been inspected.

Measures 30 x 6 with a framed size of 34.75 x 11.25 inches.

Very good condition.

SOLD: $850

121 :: BARRY COFFIN (KANSAS 1947-2016) STONEWARE SCULPTURE

The abstracted figure depicted in a wearing blanket and buffalo headdress blends the modern and the traditional with its clean lines and cultural headdress in rugged texture. The work is scratch signed along the base.

Barry Coffin was a Lawrence, Kansas native of Potawatomi and Creek descent. He attended the University of Kansas and later received his Associate of Fine Arts degree from the Institute of American Indian Art, a public tribal land-grant college in Santa Fe, New Mexico. His work is represented by numerous Santa Fe Galleries and held in the permanent collections of a number of museums.

Measures 24.5 x 8 x 7 inches.

Very good condition. There are no chips, cracks, repairs, scratches or areas of heavy wear.

SOLD: $225

122 :: BARRY COFFIN (KANSAS 1947-2016) STONEWARE

SCULPTURE

The Modernist sculpture depicts a Native American man wrapped in a wearing blanket like the men of Taos and other pueblos. The surface is reminiscent of an adobe wall and the work is signed along the base.

Measures 20 x 6.5 x 6.5 inches.

Very good condition. There are no chips, cracks, repairs, scratches or areas of heavy wear.

SOLD: $200

123 :: BARRY COFFIN (KANSAS 1947-2016) STONEWARE

SCULPTURE

The Modernist sculpture depicts a Native American man wrapped in a wearing blanket like the men of Taos and other pueblos. The adobe-like surface and smooth lines are sharply contrasted by the supernatural spirit of the face. The work is signed along the base.

Barry Coffin was a Lawrence, Kansas native of Potawatomi and Creek descent. He attended the University of Kansas and later received his Associate of Fine Arts degree from the Institute of American Indian Art, a public tribal land-grant college in Santa Fe, New Mexico. His work is represented by numerous Santa Fe Galleries and held in the permanent collections of a number of museums.

Measures 20.5 x 7.25 x 7 inches.

124 :: ED RAUB NORTHWEST COAST SISIUTL MASK

Carved and painted mask signed Ed Raub (Makah, 20th century).

The large detailed carving painted in natural pigments depicts Sisiutl, the powerful and mythical creature often depicted as a double-headed serpent in horizontal format with prominent central visage. In the Coastal Salish, Kwakwaka'wakw, and related tribe cultures, Sisiutl signifies strength, protection, and transformation. The deity is often portrayed with two serpent heads on either end characterized by horns, large, sharp teeth, and prominent eyes.. The mask can be highly stylized with intricate carvings and vibrant colors, typically in black, red, white, and green as seen here.

In further cultural context, the Sisiutl is considered a guardian spirit, and masks of this creature are used in ceremonial dances, rituals, and potlatches. The presence of the Sisiutl is believed to ward off evil spirits and protect warriors in battle. It can also represent duality, such as life and death, or the balance between opposites.

The artist Ed Raub studied indigenous history, storytelling, language, and dance at the University of Alaska Southeast. He also studied wood carver tool making and techniques of design and carving at the University of Washington.

Measures 18.5 x 63.5 inches.

Very good original untouched condition. There are no issues of major scratches, losses, repairs, in-painting or touch-up.

SOLD: $1,200

125 :: AN ACOMA PUEBLO POTTERY CANTEEN WITH AVIAN MOTIF

The Acoma canteen with stylized bird painted in red and black on a white slip ground is flanked either side by coiled pottery handles.

Measures 7.5 x 8.5 x 8 inches.

Very good condition. There are no chips, cracks, repairs, scratches or areas of heavy wear.

SOLD: $200

Very good condition, noting age lines back side, no other chips, cracks, repairs of unexpected or excessive wear.

SOLD: $200

126 :: A COCHITI PUEBLO POTTERY CANTEEN WITH LIZARD

The Cochiti pottery canteen with stylized lizard in deep black on buff ground is formed and painted with the characteristics of an example of pottery made by a child in training.

Measures 3 x 5 x 4.5 inches.

Very good condition. There are no chips, cracks, repairs, scratches or areas of heavy wear.

SOLD: $200

127 :: A COLLECTION OF NAVAJO AND ZUNI INDIAN JEWELRY

This estate lot is comprised of:

1. A Navajo sterling silver squash blossom necklace strung on foxtail, nineteen turquoise cabochons, five with cracks and one chipped,

2. A Zuni necklace with forty-two carved bird fetishes separated by heishi beads.

3. A long Navajo sterling silver ring with three turquoise nuggets and one branch of coral. The mounting has stamped decoration and letter 'R' back side. Ring size 7.5.

4. A small ring with thirteen small round cabochons. Ring size 4.5.

5. Sterling silver wrist watch lugs with turquoise and coral nuggets signed TSINNIE, presumably for Orville Tsinnie (19432017).

6. A sterling Navajo ring with coral and turquoise cabochons. Ring size 8.

7. A long sterling ring with coral and turquoise. Ring size 8. Sizes range from 1 x 1 to 26 inches long.

SOLD: $650

128 :: FRANK SZASZ (1926-1995) NATIVE AMERICAN PORTRAIT O/ C

(Third quarter of the 20th century.)

The portrait of a Navajo man wearing bolo is signed lower right front.

Canvas measures 24 x 18 with a framed size of 30 x 24 inches.

Very good original untouched condition. There are no issues of major scratches, losses, repairs, in-painting or touch-up.

129 :: FRANK SZASZ (1926-1995)

NATIVE AMERICAN PORTRAIT O/ C

(Third quarter of the 20th century.)

The portrait of a Navajo man wearing bolo is signed lower right front.

Canvas measures 24 x 18 with a framed size of 28.5 x 22.75 inches.

Very good original untouched condition. There are no issues of major scratches, losses, repairs, in-painting or touch-up.

SOLD: $250

130 :: A GOOD HOPI PUEBLO POTTERY CANTEEN

(Second quarter of the 20th Century.)

The bulbous vessel is decorated with five unusual abstracted motifs in black on a tan background, the design is encircled by a border of two black outlines that are intentionally interrupted at the base of the spout based on cultural beliefs.

Measures 3 x 4.5 x 5.5 inches.

Very good condition. There are no chips, cracks, repairs or areas of unexpected excessive wear.

SOLD: $800

131 :: A LATE 19TH / EARLY 20TH CENTURY HOPI POTTERY CANTEEN

The classic form with large openwork handles is painted in red and brown on cream slip in a manner that suggests the work could have been that of a child in training. The front panel is encircled by two narrow bands with an intentional interruption.

Measures 5 x 4 x 2.5 inches.

Very good condition. There are no chips, cracks, repairs, scratches or areas of unexpected heavy wear. There is some crazing to the surface.

SOLD: $650

132 :: TWO PAIR OF POW WOW ERA BEADED MOCCASINS ATTR CHEYENNE

1. A pair with all-over beading in red with zig-zags of black, white, sky blue and yellow beads, commercial tanned hide and elk skin soles.

2. A pair constructed with commercially tanned hide and parfleche soles, black, yellow, blue and red bead decoration.

Measures 10 x 3.5 and 11 x 3.5 inches.

Very good condition, noting wear to the soles of one. No damage, loss, repair or stain.

SOLD: $100

133 :: A MID 20TH CENTURY NAVAJO YEI FIGURE WEAVING

The design is comprised of four dancers enclosed by a a fifth elongated figure and woven in ten colors on a natural ivory wool background. Measures 29.5 x 37 inches.

SOLD: $180

134 :: CECELIA NEZ (B. 1971) FINELY WOVEN NAVAJO RUG

The unusual design is finely woven by Celia Nez, an award winning artist from the Shiprock Area of the Navajo Nation. Measures 48 x 28 inches.

Very fine condition. Clean and odor free with intact edges, corner tassels and ends, no damage, repair or stain. This weaving is in mint condition.

SOLD: $475

135

:: A MID 20TH CENTURY NAVAJO

YEI FIGURE WEAVING

The Navajo pictorial weaving of dancers flanking a corn stalk is woven in eleven colors.

Measures 22 x 26.5 inches.

The smaller tan weaving is frayed along each side, otherwise good. The larger weaving is very good

condition, n0ting considered fray at one corner. No stain, odor, or other damage to either.

SOLD: $150

136 :: A COLLECTION OF NINE VINTAGE HOPI CARVED KATSINA DOLLS

The collection is offered as shown with artist's signatures.

Measures from 10 to 16 inches tall.

Very good condition.

SOLD: $375

137 :: A 19-INCH BUTTERFLY MAIDEN HOPI KATSINA SIGNED NORBERT

The carved wood Butterfly Maiden, also known as Mana, is a Hopi spirit being of mythology who represents rebirth, beauty, fertility, balance, freedom, and nature. This carving is signed Norbert of Tewa tribe on the base and dated 1991.

Measures 19 x 10 x 7 inches.

Very good condition, noting some feather tips are re-attached.

SOLD: $375

138 :: A PAIR RED, WHITE, BLUE PLAINS INDIAN BEADED MOCCASINS

The circa 1940 pair are decorated in medium blue, red, yellow, green, white and turquoise glass beads stitched in complex geometric designs reminiscent of those found in Navajo weavings, all above the parfleche soles.

Measures 10 x 3.5 inches.

Very good condition.

SOLD: $275

139 :: A PAIR CIRCA 1900 NORTHERN PLAINS BEADED MOCCASINS

The classic Northern Plains pair, possibly Lakota Sioux, with fold-over cuffs having a sawtooth edge, are decorated in sinew sewn lazy stitch glass trade beads of blue, white, translucent green, opaque green seed, yellow and whiteheart red creating motifs of floating crosses and 'buffalo tracks' above the parfleche soles. Measures 9 x 3 inches.

Good condition, noting breaks in the Native worn parfleche soles, bead loss from the toe of one, minor scattered losses.

SOLD: $375

140 :: ALTON PASHANO AND ERNEST CHAPELLA CARVED HOPI KATSINAM

The collection of artist signed carved and painted cottonwood dolls is offered as shown.

Sizes range from 10.5 to 11.5 inches tall. Very good condition.

SOLD: $500

141 :: CHAPELLA, POLEAHLA AND OTHER HOPI CARVED KATSINA DOLLS

The collection is offered with artist's signatures as shown.

Sizes range from 5 to 10.25 inches tall.

Very good condition.

SOLD: $500

142 :: A CASAS GRANDES POTTERY

JAR

Casas Grandes (Mexico) jar of traditional form painted in three colors of slip decoration. Hairline crack. Measures 6.5 x 9.5 inches.

Good though with a hairline crack.

SOLD: $200

143 :: DORA TSE-P? (1939-2022) POTTERY VASE WITH TURQUOISE

1) Dora Tse-Pe (San Ildefonso, 19392022) black-and-sienna vase with a turquoise jewel.

2) An unsigned sgraffito seed jar in polychrome glaze.

Measures 2 x 4 and 4 x 3.25 inches.

Very good condition. There are no chips, cracks, repairs, scratches or areas of heavy wear.

SOLD: $275

144 :: JAMES ROME (BORN 1936) OIL ON CANVAS PORTRAIT OF NAVAJO

(Late 20th Century)

The untitled portrait of a Navajo man in sunlit Southwest landscape is signed lower right front and displayed in its original carved and pickled wood frame.

Board measures 15.5 x 14.75 with a framed size of 23.25 x 21 inches.

Very good original untouched condition. There are no issues of major scratches, losses, repairs, in-painting or touch-up.

SOLD: $200

145 :: BEN NELSON (B. 1982) MIXED MEDIA ON PAPER 'They Go For Meat'

The original mixed media painting on Aquarelle Arches paper is inspired by the 'ledger art' that was created by captive Plains Indians in the 1870s. This work is signed Ahn Hia Ohm lower right front.

Ahn Hia Ohm, Kiowa for 'He knows', is the son of Yellowman, another famous Kiowa artist represented in this auction.

Ahn Hia Ohm's works are inspired by the 'ledger art' that captive Plains Indians executed on lined paper using colored pencils in the 1870s.

Sight size measures 14.75 x 21.75 with a framed size of 20.25 x 27.25 inches.

Obviously the condition is very good, very clean, intact, no visible stain, damage, repair, punctures or tears. This work has not been examined outside the frame.

SOLD: $700

146 :: DAVID K. JOHN (BORN 1963) WATERCOLOR ON PAPER (Late 20th/Early 21st Century)

The composition of three robed figures wearing kachina masks is signed lower right.

Sight size measures 13 x 18 with a framed size of 18.25 x 24.25 inches.

Obviously the condition is very good, very clean, intact, original bright colors, no visible stain, damage, repair, punctures or tears. This work has not been examined outside the frame.

SOLD: $500

147 :: JOHN HENRY HUNT AND MATT JAMES CARVED CEDAR MASKS

Two First Nations carved cedar masks painted in natural pigments and embellished with cedar bark 'hair.'

1. A Kwagiutl Pugwis Wild Man of the Sea mask signed by the artist maker John Henry Hunt, member of the Kwakwaka'wakw, born in 1974 near Vancouver Island British Columbia, Canada.

2. Kwaguilth portrait mask signed by the Vancouver Island, British Columbia, Canada artist Matt James born in 1963.

Measures 10 x 7.75 and 12.25 x 7.75 inches.

Very good original condition, there are no issues of damage, loss or repair.

SOLD: $500

148 :: AN EARLY 20TH CENTURY ACOMA PUEBLO POTTERY BOWL

The thin-walled pottery jar is decorated in brown, orange and red slip on white.

Measures 5.5 x 9.25 inches.

Surface wear and apparently a crack based on the tone upon light tapping test.

and feather embellishments. Both are scratch signed by the artist.

Measures 11 x 9 and 13.25 x 9 inches.

Very good condition. There are no chips, cracks, repairs, scratches or areas of heavy wear.

150 :: EARLY TO MID 20C. NATIVE AMERICAN BASKETS AND POTTERY

The Santa Domingo, Santa Clara and Isleta Pueblo pottery examples are offered with various Papago Indian baskets.

Sizes range from 1 x 1 to 6.5 x 12 inches.

Good condition, noting some wear and the effects of age and use as shown.

149 :: DAVID K. JOHN (B 1963) CERAMIC YEIBICHAI INSPIRED MASKS

The late 20th century ceramic masks are each decorated in pre-historic rock art designs, traditional Navajo motifs,

151 :: BARRY COFFIN (1947-2016) PAINTED CERAMIC SCULPTURE (1998)

The mixed media figure with traditional raven mask, and dramatic three-dimensional male hand, is scratch signed and dated along the base.

Barry Coffin was a Lawrence, Kansas native of Potawatomi and Creek descent. He attended the University of Kansas and later received his Associate of Fine Arts degree from the Institute of American Indian Art, a public tribal land-grant college in Santa Fe, New Mexico. His work is represented by numerous Santa Fe Galleries and held in the permanent collections of a number of museums.

Measures 17.5 x 11.25 x 7.25 inches.

Very good condition. There are no chips, cracks, repairs, scratches or areas of heavy wear.

SOLD: $160

152 :: BARRY COFFIN (KANSAS 1947-2016) STONEWARE SCULPTURE (1997)

The slightly abstracted figure, depicted with a buffalo horn headdress and rugged, meticulously tooled exterior, is signed and dated along the base.

Measures 15 x 5.5 x 5 inches.

Very good condition. There are no chips, cracks, repairs, scratches or areas of heavy wear.

SOLD: $250

153 :: BARRY COFFIN (KANSAS 1947-2016) STONEWARE SCULPTURE

(Late 20th Century)

Measures 22.5 x 7.5 x 7.5 inches.

Very good condition. There are no chips, cracks, repairs, scratches or areas of heavy wear.

SOLD: $150

154 :: A TWO-COLOR ACOMA PUEBLO POTTERY CANTEEN

(Second quarter of the 20th Century.)

The Acoma pottery canteen is decorated in traditional black geometric designs on white slip.

Measures 5.75 x 6.75 x 7.75 inches.

Very good condition, noting minor overall spalling and small bits of unidentified green residue. No chips, cracks, repairs, scratches or areas of excessive unexpected wear.

SOLD: $225

155 :: A 19TH CENTURY ZUNI PUEBLO POTTERY CANTEEN

ZUNI

The bulbous canteen with lug handles rather than pottery loops is decorated with a central rosette framed by several encircling bands of design, all executed in dark lines on a buff ground.

Measures 5 x 7 x 7 inches.

Good condition, though with the effects of age and use in the way of small chips and considerable wear.

SOLD: $600

156 ::

LAURENCITA HERRERA

(1912-1984) COCHITI POTTERY CANTEEN

(Third quarter of the 20th century.)

The Cochiti effigy canteen with bulbous body and three-dimensional lizard is decorated in black on a white ground detailing the effigy, the handles and two corn stalks with ears.. The red base is signed Laurencita Herrera.

Measures 3.75 x 4 x 4.25 inches.

Very good condition. There are no chips, cracks, repairs, scratches or areas of heavy wear.

SOLD: $150

157 :: A MARICOPA

INDIAN

CANTEEN WITH WATER MOTIF IN BLACK

(Circa 1930s)

The flattened circular form with three openwork guides for the lanyard, is decorated in black slip, including a motif of wavy lines at the spout representing flowing water.

Measures 6.5 x 5.75 x 2.5 inches.

Very good condition. There are no chips, cracks, repairs. Light overall wear to the polished surface.

SOLD: $225

158 :: A NEW MEXICAN YELLOW PINE DRYING RACK WITH CLOUD MOTIF

The yellow pine board is cut in stepped motifs that, in Native American cultures, are an allegory of clouds, and set with seven forged iron hooks. The board with old, well-worn holes at each end retains traces of green paint.

Measures 7 x 28.5 inches.

Good condition.

SOLD: $425

159 :: AN EARLY 20C. PLAINS OR PRAIRIE INDIAN BEADED BAG

The Native tanned hide bag is decorated with loom-beaded panels on hide, possibly Eastern Plains or Prairie, fully-beaded on both sides, five beaded leather suspensions.

Measures 9 x 5.5 inches.

Some separations of the beading.

SOLD: $120

160 :: KOSHARE CLOWN AND OTHER CARVED KATSINA DOLLS

The collection is offered with artist's signatures as shown.

Sizes range from 7 to 12 inches tall.

Very good condition.

SOLD: $475

161 :: WOODY CRUMBO (19121989) PENCIL SIGNED ETCHINGS

Two aquatint etchings:

1. Sentinel, signed by the artist lower right.

2. The Hunter, signed by the artist lower right.

Each image measures 5.5 x 4 with a framed size of 8 x 6 inches.

Apparently the condition is very good, very clean, intact, no visible stain, damage, repair, punctures or tears. This work has not been examined outside the frame.

SOLD: $250

162 :: POWWOW ERA NATIVE AMERICAN MOTIF OBJECTS

The selection of late 20th century objects includes an interesting 'axe' with Catlinite pipestone head and carved Catlinite eagle head with inlaid eye; along with other Catlinite pipes on wood stems, and a beaded quirt with horsehair.

Sizes range from 5.75 to 47 inches. Very good condition.

SOLD: $275

163 :: POWWOW ERA BEADWORK AND A RELATED CARVING BY VALENTINE

The eagle dancer by Native American artist Larry Valentine is accompanied by late 20th century beadwork items as shown.

Sizes range from 8.5 to 17.25 inches.

Very good condition, noting what appears to be a repair to the carving.

SOLD: $50

164 :: A PAIR SOUTHERN PLAINS INDIAN BEADED MOCCASINS

The circa 1940 pair are decorated in cornflower blue, red, yellow, green, white and turquoise glass beads stitched in geometric design reminiscent of those found in Navajo weavings, each with a fold over cuff and parfleche soles.

Measures 9.5 x 3 inches.

Very good condition.

SOLD: $300

165 :: A PAIR PLAINS BEADED HIDE LEGGINGS, POSSIBLY CHEYENNE

The native tanned high top pair are decorated in lazy stitch glass beads sewn with sinew, and are attributed as probably southern Cheyenne, about 1920 or 1930.

Measures 22.5 inches tall with a leg opening of 5 inches in diameter and an ankle opening of 4 inches in diameter.

Very good condition.

SOLD: $160

166 :: A COLLECTION OF NINE HOPI KATSINAS AND RELATED OBJECTS

The collection of carved and painted Hopi katsinam with artist's signatures as shown are accompanied by two painted lead horse and rider figures.

Sizes range from 3 to 10.25 x 16 inches. Very good condition throughout.

SOLD: $800

167 :: A COLLECTION OF HOPI KATSINAM WITH ZUNI SHALAKO

The collection is offered with artist's signatures as shown.

Sizes range from 6 to 10 inches tall.

Very good condition.

SOLD: $110

168 ::

CIRCA

1940 MUDHEAD KACHINA 17 INCHES, EAGLE DANCER, ETC

1. A large and important Hopi mudhead katsina carved from cottonwood and painted in natural earth pigments.

2. A fine and highly detailed Eagle Dancer wood carving signed A. Miles, Tewa.

3. A Hopi Nayaiyataka Katsina Doll signed R. Dawyenie.

Sizes range from 9.5 to 17.5 inches tall.

Very good condition, noting a crack to one foot of the large mudhead figure.

SOLD: $275

169 :: THREE HOPI KATSINA CARVINGS INCL TAUCHONEY, KOOYAHOEMA

1. Tauchoney.

2. M.L. Kooyahoema.

3. Unsigned Hoop Dancer.

Sizes range from 12 to 14.5 inches tall.

Repair to one arrow, otherwise very good condition.

SOLD: $550

170 :: THREE CONTEMPORARY HOPI KATSINA CARVINGS

Three more elaborate examples as shown.

Sizes range from 13 to 16.5 inches tall.

Very good condition, noting repair to the foot of one.

SOLD: $100

171 :: THREE MORE ELABORATE HOPI KATSINA CARVINGS TO 17 INCHES

Three carved, painted and befeathered examples as shown.

Sizes range from 11.25 to 17 inches tall.

Very good condition, noting a fracture to one leg and some feather wear.

SOLD: $110

172 :: LARGE HUICHOL POTTERY VASE WITH BEADED IGUANAS

The large Mexican folk art vase is offered with a carved and etched Costa Rican frog effigy pot.

Measures 13 x 10.25 x 8.5 inches.

Very good condition. There are no chips, cracks, repairs, scratches or areas of heavy wear.

SOLD: $110

173 :: A LARGE JEMEZ PUEBLO POTTERY STORYTELLER SIGNED CAJERO

The late 20th century pottery figure is a complex example involving twenty-six figures painted in slip decoration.

Measures 10.5 x 7 x 11.5 inches.

Very good condition. There are no chips, cracks, repairs, scratches or areas of heavy wear.

SOLD: $130

174 :: BARRY COFFIN (KANSAS 1947-2016) MIXED MEDIA SCULPTURE

'Eagle Song' (2002)

This unsigned work is titled and dated along the base.

Measures 14.5 x 6.5 x 3 inches.

Very good condition. There are no chips, cracks, repairs, scratches or areas of heavy wear.

SOLD: $300

175 :: BARRY COFFIN (KANSAS 1947-2016) MIXED MEDIA SCULPTURE

The Modernist katsina bust molded from plaster is signed along the base.

Measures 11.75 x 6 x 4.25 inches.

Very good condition. There are no chips, cracks, repairs, scratches or areas of heavy wear.

SOLD: $375

176 :: AN

EARLY 20C. HOPI PUEBLO POTTERY BOWL OF UNUSUAL

FORM

The with straight side and rounded basin is painted on the exterior with traditional red and black geometric designs, the interior is decorated with a band of black on tan designs just below the rim.

Measures 4.5 x 10.75 inches.

Heavy wear as shown.

SOLD: $350

177 :: AN EARLY 20TH CENTURY NORTHERN PLAINS BEADED BAG

The beaded hide pouch or bag, probably Cheyenne, is beaded on each side in pink, sky blue, medium blue, royal blue, orange, green and white heart red beads.

Measures 10 x 8.5 inches.

Very good condition, noting minor loss to the fringe drops.

SOLD: $180

178 :: J. A GACHUPIN, OTHER PUEBLO POTTERY STORYTELLER FIGURES

Examples signed.

1. J. A. Gachupin, Jemez.

2. Chris Fragua, Jemez.

3. Marie Coriz, Santo Domingo.

Sizes range from 5 to 6.5 inches tall.

Chip to the nose of one, firing line at the neck of a light colored cat.

SOLD: $100

179 :: THREE POWWOW ERA NATIVE AMERICAN BEADED DANCE FANS

The turkey feather fan is attributed to Dennis Cannon and the Mohawk example with beaded handle is attributed to Valorie Hightower.

Sizes range from 17 to 27 inches long.

Very good condition, free from loss or heavy wear.

SOLD: $120

180 :: ZIA AND JEMEZ 20TH CENT ARTIST-SIGNED PUEBLO POTTERY

1) Redware vase with rock carving motifs signed R.A. (Zia Pueblo).

2) Juanita Fragua (Jemez, 1935-2023) stone polished vase.

Measures 5.75 x 7.5 and 6.5 x 7 inches.

Very good condition. There are no chips, cracks, repairs, scratches or areas of heavy wear.

SOLD: $110

181 :: WILLIAM HAMPTON (19251977) OIL ON ARTIST'S BOARD (Third

quarter of the 20th century.)

The work of realism in oil on canvascovered artist's board is signed by the artist lower right front.

Bill Hampton was a WWII veteran and lifelong artist. After leaving Disney, his specialty became portraits like this, although few, if any, possess the strength of this image. It's been nearly 50 years since the artist's passing.

Sight size measures 15.5 x 11.75 with a framed size of 23 x 19 inches.

Very good original untouched condition. There are no issues of major scratches, losses, repairs, in-painting or touch-up.

SOLD: $800

182 :: TWO NORTHEASTERN NATIVE AMERICAN BEAD

DECORATED ITEMS

1. An Iroquois 'Niagara Falls' style beaded bag heavily beaded with elaborate floral designs and bead drops on the pouch, trade cloth interior.

2. A long, narrow northeastern sash or strip with floral meander of glass beads.

Purse measures 6.5 x 5.75 with a 7.5 inch drop and 37.25 x 4.75 inches.

Good condition, noting some tattering and wear as shown.

SOLD: $140

183 :: FOUR 19th & 20th C. MEXICAN FOLK ART PAINTINGS

ON TIN

1. Retablo of San Pascual Bailon, the patron saint of cooks and kitchens, signed J. Luis.

2. Retablo of the Virgin, often referred to in this case as Our Lady of Health of Patzcuaro, where the Virgin is depicted as a statue on plinth with moon, lace collar, gold halo, red bole background.

3. Folk art painting on tin of revolutionaries signed Tapia.

4. Folk Art painting on tin of peasants and oxen signed Tapia.

Sizes range from 14 x 10, 14.25 x 10.75, 14.5 x 10.75 and 15 x 12.5 inches.

Good condition with slightly soiled surfaces and the effects of age and exposure.

SOLD: $300

184 :: AN 18TH CENTURY BULTO SCULPTURE OF THE CRUCIFIXION

The detailed sculpture involves a carved wood figure of Christ painted in white with dark hair and beard retaining a very old cloth wrap, the simple wood cross, possibly stained or darkened with age, is mounted to wood base carved in a cloud motif retaining the original brown paint. The figure of Christ is adorned with a remarkable cut and punched tin aura.

Measures 24 x 14.5 inches.

Good condition, noting the effects of age and exposure, scattered chips and loosening as shown. No other damage, replacement or repair.

SOLD: $900

185 :: AN 18TH CENTURY CARVED AND GESSOED WOOD SANTO

The unidentified santo with blue robe and clerical tonsure is offered as shown.

Measures 9.5 x 4 x 4.25 inches.

SOLD: $325

186 :: A 19TH C. CARVED AND PAINTED WOOD TABLEAU OF SAINT ROCH

The carved and gessoed wood Spanish colonial santos group depicts Saint Roque, or Saint Roch, with one upraised hand (missing), and one hand confirming the saint's wounded leg. The figure is attended by an angel, and a dog, all on gessoed and painted wood stand.

Saint Roch, patron saint of dogs, invalids, falsely accused people and others, is always depicted as exposing a single leg and its wound, Here he lifts his robe with his left hand.

Measures 23 x 12.5 x 8 inches.

No serious damage or repair.

SOLD: $750

187 :: A LATE 20TH CENTURY NEW MEXICAN RETABLO IN OIL ON PANEL

The 'God the Father' devotional painting is after antique examples of New Mexican folk art.

Measures 24.5 x 15.25 inches.

Very good condition.

SOLD: $550

188 :: SPANISH COLONIAL AND NEW MEXICAN RETABLOS

1) A 20th century folk art Virgen de la Paloma (Virgin of the Dove) oil on wood painting.

2) A 19th century painting on tin Nuestra Se?ora de Refugio de Los Pecadores (Our Lady of Refuge of Sinners)

3) A 19th century San Jos? (Saint Joseph) oil on wood retablo.

Measures 10.25 x 7, 12.5 x 9.25, and 14.5 x 9.25 inches.

Good condition as shown noting the effects of age, use and exposure to the 19th century piece. Intentional distress to the paintings on wood.

SOLD: $1,100

189 :: GRANT WOOD (1891-1942)

PENCIL SIGNED LITHOGRAPH

'Fertility' (1939)

The lithograph published by Associated American Artists in an edition of 250 prints is signed by the artist in pencil below the image lower right. An original AAA label is pasted verso.

The Associated American Artists was founded by Reeves Lewenthal in 1934 with the idea of bringing art by prominent American artists into the homes of everyday people at a time when original artwork was out of reach for many. The model proved to be a win-win situation that lasted for more than 60 years. It allowed artists to earn income at a time when many were struggling due to the economic hardships of the Great Depression, while also providing the general public with affordable access to art. The concept also made the arts more inclusive overall during a challenging period in American history.

Image measures 9.75 x 12.25, sheet is 11.75 x 15.75, and frame is 17.25 x 20 inches.

Very good condition, the full untrimmed sheet, not laid down, no damage, punctures, tears or repair, toning surrounds the image as shown in the online images, framed to archival standards in acid free mounts.

SOLD: $3,400

190 :: GRANT WOOD (1891-1942) PENCIL SIGNED LITHOGRAPH

'Midnight Alarm' (1939)

The lithograph published by Associated American Artists in an edition of 250 prints on Rives watermarked paper is signed by the artist in pencil below the image lower right.

192 :: CARROLL CLOAR

(19131993) LITHOGRAPH AND DRAWING

'Life Story'

Carroll Cloar was a sort of an American South rural surrealist with a unique and distinctive life story and style to match.

1) Life Story. The lithograph is signed by the artist in pencil below the image lower right and titled lower left.

2) Untitled. Original graphite on paper with watercolor signed by the artist in pencil lower right.

1. Life Story image measures 14 x 10.75 with a framed size of 20.25 x 15.25 inches.

2. Sight size measures 10 x 7.5 with a framed size of 20.25 x 16.25 inches.

Apparently the condition is very good, very clean, intact, no visible stain, damage, repair, punctures or tears. This work has not been examined outside the frame.

SOLD: $1,300

Image measures 12.75 x 8, sheet is 16 x 12, and frame is 22.5 x 18.5 inches.

Good condition, the full untrimmed sheet, not laid down, no damage, punctures, tears or repair, toning in the margins as shown in the online images.

SOLD: $2,000

191 :: THOMAS HART BENTON (1889-1975) PENCIL SIGNED LITHOGRAPH

'The Fence Mender' (1940)

The lithograph published by Associated American Artists in an edition of 250 prints is signed by the artist in pencil below the image lower right and listed as Fath catalog number 40. The condition of this print varies from the example we sold in June of 2024. please view the images outside frame and mat.

Benton's comments in Fath read: 'Common scene where there are barbed wire fences. This one was found in middle Nebraska in 1939 - on the trip where the horses were bought for the French light artillery.'

Image measures 9.75 x 13.75 with a framed size of 19 x 23 inches.

Good condition, wide margins, not laid down, no damage, punctures, tears or repair, stain from previous mounts in the margins as shown in the online images. nicely framed with UV glass and acid-free materials.

SOLD: $1,800

193 :: AFTER GIOVANNI PIRANESI (1720-1778) SIX ETCHINGS

1) Veduta di Piazza di Spagna. Image measures 16 x 23.5, sheet is 22 x 30.75, and frame is 27.5 x 34.5 inches.

2) Veduta della Basilica di S. Giovanni Laterno. Image measures 15.25 x 21.5, sheet is 20 x 27.75, and frame is 24.5 x 29.5 inches.

3) Colonna Antonina. Image measures 16 x 12, sheet is 19.75 x 15.5, and frame is 25 x 21 inches. Print has been laid down onto the backing board.

4) Altra Veduta del Tempio della Sibilla in Tivoli. Image measures 17.5 x 26.25, sheet is 20 x 28, and frame is 27 x 34.75 inches. Print has been laid down onto a backing board.

5) Veduta del Tempio detto della Concordia. Image measures 14.75 x 21.75, sheet is 17.75 x 24, and frame is 26 x 32 inches.

6) Veduta interna della Basilica di S. Pietro in Vaticano. Image measures 16 x 23.5, sheet is 21.5 x 30.5, and frame is 27.5 x 34.75 inches.

Measurements are included in the description.

Varying condition, including some with foxing as shown online.

SOLD: $750

194 :: GRANT WOOD (1891-1942)

PENCIL SIGNED LITHOGRAPH

'Vegetables' (1939)

The lithograph from an edition of 250 prints is signed by Grant Wood lower right side of the image and published by Associated American Artists in an edition of 250 prints. The artist's sister Nan Wood Graham applied the color by hand.

The Associated American Artists commissioned Grant Wood to produce a series of four lithographs for distribution to

commemorate their fifth year in business - 1939. For this project, Wood recruited his sister Nan Wood Graham (the female likeness in American Gothic) to color each lithograph in watercolor by hand. The result was four still life compositions titled Wild Flowers, Tame Flowers, Fruits and Vegetables. Sources say it took three years to complete the one thousand prints. They were offered by mail order for $10 each.

The AAA was founded by Reeves Lewenthal in 1934 with the idea of bringing art by prominent American artists into the homes of everyday people at a time when original artwork was out of reach for many. The model proved to be a win-win situation that lasted for more than 60 years. It allowed artists to earn income at a time when many were struggling due to the economic hardships of the Great Depression, while also providing the general public with affordable access to art. The concept also made the arts more inclusive overall during a challenging period in American history. Image measures 8 x 10, sheet is 11.5 x 15, and the mat is 16 x 18 inches.

Very good condition, the full untrimmed sheet with deckle edges, not laid down, no damage, punctures, tears or repair, small paper tape tabs at upper left and right, toning in the image field as shown in the online images outside the frame and mat. No other stain.

SOLD: $1,800

195 :: GRANT WOOD (1891-1942)

PENCIL SIGNED LITHOGRAPH

'Tame Flowers' (1939)

The Associated American Artists commissioned Grant Wood to produce a series of four lithographs for distribution to commemorate their fifth year in business - 1939. For this project, Wood recruited his sister Nan Wood Graham (the female likeness in American Gothic) to color each lithograph in watercolor by hand. The result was four still life compositions titled Wild Flowers, Tame Flowers, Fruits and Vegetables. Sources say it took three years to complete the one thousand prints. They were offered by mail order for $10 each.

Image measures 9 x 12, sheet is 10.5 x 14, and frame is 17 x 20 inches.

Very good condition, the full untrimmed sheet with deckle edges, not laid down, no damage, stain, punctures, tears or repair.

Very, very pale toning can be seen in limited areas when viewed outside the frame and mat as shown in the online images here.

SOLD: $1,100

196 :: GRANT WOOD (1891-1942)

PENCIL SIGNED LITHOGRAPH

'Fruits' (1939)

SOLD: $2,200

197 :: GRANT WOOD (1891-1942)

PENCIL SIGNED LITHOGRAPH (1939)

in American Gothic) to color each lithograph in watercolor by hand. The result was four still life compositions titled Wild Flowers, Tame Flowers, Fruits and Vegetables. Sources say it took three years to complete the one thousand prints. They were offered by mail order for $10 each.

Image measures 9 x 12, sheet is 10.5 x 15, and frame is 17 x 20 inches.

Very good condition, the full untrimmed sheet, not laid down, no damage, punctures, tears or repair, a pale shadow of toning in the image field as shown in the online images.

SOLD: $1,300

198 :: THOMAS HART BENTON (1889-1975) PENCIL SIGNED LITHOGRAPH

'Gateside Conversation' (1946)

The lithograph published by Associated American Artists in an edition of 250 prints is signed by the artist in pencil below the image lower right and listed as Fath catalog number 69.

Benton's comments in Fath reads: 'From a drawing made in southern Louisiana in the early 40s. A painting of this subject is owned by John Paxton of Ft. Worth, Texas.'

Image measures 10 x 13.75, sheet is 11.5 x 15.5, mat is 16 x 20 inches.

Fair condition, toning, stain, foxing, brown paper tape back side edge.

SOLD: $1,100

199

:: NORMA BASSETT HALL (1889-1957) RARE COLOR WOODBLOCK

'Old Sycamore' (1941-1942)

The fine and scarce pencil signed color woodblock print circa 1941 is signed by the artist in pencil below the image lower right and titled lower left.

Though this image is from a stated edition of 100 prints, very few are known to exist. There are more in museum collections than have ever appeared at auction. In fact, only one auction record could be found, the same print appearing twice at the same auction house, once in 2011, and again in 2012.

One other example was found listed as sold on the web site of a print dealer in Michigan. It appears to be the same print now held in the collection of the Minneapolis Institute of Art.

Norma Bassett Hall color woodblocks are not common. Examples in fine condition are even more uncommon, due to the prevalence of acidic mounts in the first half of the 20th century, and the medium's sensitivity to environmental factors. This is a very rare image in outstanding condition.

Image measures 13.5 x 11, sheet is 15.75 x 13, and frame is 22 x 19 inches.

As illustrated here outside the frame and mat, this print is in very good to fine+ condition: apparently the full untrimmed sheet, not laid down, no damage, punctures, tears or repair. The print is very clean and without stain, noting a brown spot at the upper right sheet edge and a blue printer's smudge.

SOLD: $4,000

200 :: THOMAS HART BENTON (1889-1975) PENCIL SIGNED LITHOGRAPH

'The Boy' (1948)

The lithograph published by Associated American Artists in an edition of 250 prints is signed by the artist in pencil below the image lower right and listed as Fath catalog number 72.

Image measures 10 x 14, sheet is 12 x 16, and frame is 16.75 x 20.75 inches.

Good to fair condition, good margins, not laid down, no damage, punctures, tears or repair. There is considerable toning in the margins as shown in the online images and some tape remains verso.

SOLD: $2,200

201 :: THOMAS HART BENTON (1889-1975) PENCIL SIGNED LITHOGRAPH

'Goin' Home' (1937)

The lithograph published by Associated American Artists in an edition of 250 prints is signed by the artist in pencil below the image lower right and listed as Fath catalog number 14.

Benton's notes in Fath read: From a drawing made 1928 in North Carolina, Smoky Mountain country. With a companion driving the car, I followed these hill people 'till the drawing was finished.

Image measures 10 x 12.25, sheet is 11.75 x 15.5, and frame is 14.75 x 17 inches.

Good to fair condition, the sheet with good margins is not laid down, there is brown paper tape on all four edges of the sheet's back side, there is a mat burn across and around the image and toning in the margins. Adhesive residue remains across the top margin center above the image.

SOLD: $1,000

202 :: CHARLES BANKS WILSON

(1918-2013) RARE 1940

LITHOGRAPH

'Afternoon Dance' (1940)

The rare early lithograph, numbered 2 from a very low edition of only 16 total prints pulled, is signed and dated by the artist in pencil below the image lower right and titled lower left.

This marks the first appearance of this rare lithograph at auction, according to records on all four major art auction record databases and the major online bidding platforms. Images like this that document authentic Native American traditions, ceremonies and culture, like this 1930s Powwow, are important and desirable.

Charles Banks Wilson personally bore witness to the events he portrayed in art. Add to this the rarity of this low edition print and it confirms that this image is both rare and desirable.

This may be the only opportunity one has to obtain this important image in this condition.

Image measures 10.25 x 13.25, sheet is 15.75 x 19.25, and frame is 17.75 x 20.75 inches.

Very good condition, the full untrimmed sheet with deckle edges, not laid down, no damage, stain, punctures, tears or repair; framed to archival standards in acid free mounts.

SOLD: $3,000

203 :: CHARLES BANKS

WILSON (1918-2013) RARE 1941 LITHOGRAPH

'Pawnees Dressing' (1941)

The rare early lithograph from a very low edition of only 23 total prints pulled is signed and dated by the artist in pencil below the image lower right and titled lower left. It was exhibited at the Pennsylvania Academy of Fine Arts and published in Collier's magazine in 1942. This marks the first appearance of this rare lithograph at auction, or anywhere offered for sale that we can find.

According to all four major art auction record databases and entries on the major online bidding platforms it has never been up for bid.

Images like this that document authentic Native American traditions, ceremonies and culture are important and desirable. Charles Banks Wilson personally bore witness to the events he portrayed in art. Add to this the rarity of this low edition print and it confirms that this image is both rare and desirable. This may be the only opportunity one has to obtain this important print, particularly in this condition.

Image measures 14 x 9, sheet is 19.5 x 13, and frame is 22.5 x 17 inches.

Very good condition, the full untrimmed sheet with deckle edges, not laid down, no damage, stain, punctures, tears or repair;

framed to archival standards in acid free mounts.

SOLD: $1,900

204 :: CHARLES BANKS WILSON (1918-2013) RARE 1939 LITHOGRAPH

'Dance Drum' (1939)

The rare early lithograph from a very low edition of of only 10 (ten) prints pulled, is signed and dated by the artist in pencil below the image lower right and titled lower left.

This marks the first appearance of this extremely rare lithograph at auction, or having been offered anywhere for sale that we can find. According to all four major art auction record databases and entries on the major online bidding platforms it has never been up for bid. This may be the only opportunity one has to obtain this important print, particularly in this condition.

David Hunt comments, 'Representing Indians from different cultural backgrounds, this print proved to be prophetic of the amalgamation of tribal ceremonies that occurred decades later. '

Charles Banks Wilson explained, 'I saw the drum as a unifying element for people of a divided heritage. The big hat represents Oklahoma; the Pueblo haircut and the Navajo headband the Southwest; the overalled figure the East; and the Buffalo headdress the Far West. Yet all are singing the same song.'

Images like this that document authentic Native American traditions, ceremonies and culture are important and desirable. Charles Banks Wilson personally bore witness to many of the events he portrayed in art. Add to this the rarity of this low edition print and it confirms that this image is both very rare and very desirable.

Image measures 12.5 x 8, sheet is 15 x 10, and frame is 18.5 x 14 inches.

Very good condition, the full untrimmed sheet, not laid down, no damage, stain, punctures, tears or repair. there is some very light toning in the margins as shown in the online images, framed to archival standards in acid free mounts.

SOLD: $5,500

205 :: JOSEPH VORST (18971947) RARE PENCIL SIGNED LITHOGRAPH (1938)

The very rare lithograph numbered 14 from an edition of only 28 prints is signed and dated by the artist in pencil lower right, the edition in pencil below the image lower left near the artist's initials in the plate lower left corner.

No other record could be found of this rare image having been offered for sale before now.

Image measures 11.75 x 8.5, sheet is 13.75 x 10.5, and frame is 20.5 x 16.5 inches.

Very good condition, the full untrimmed sheet, not laid down, no damage, punctures, tears or repair, with the exception of three small chips from the lower edge. There is light, minor, even overall toning in the image field, the work is framed to archival standards in acid free mounts.

SOLD: $750

206 :: CHARLES M CAPPS (18981981) PENCIL SIGNED AQUATINT 'Night Silence' (1934)

The widely exhibited and often reproduced aquatint etching depicts a Wichita, Kansas home on Mosley Street after a light snowfall. The velvety etching is printed on Basingwerk Parchment watermarked paper in a stated edition of only 75 prints, and signed by the artist in pencil below the image lower right, the title lower left.

This work is pictured on page 79 of the publication Charles M. Capps 1898-1981. Etchings & Aquatints, Lithographs and Block Prints by Barbara Thompson, et al. An entire page is required to list all of the exhibitions, awards, illustrations and museum holdings associated with this noteworthy image.

Image measures 5.5 x 8.25, sheet is 8 x 10.5, and the mat is 11 x 13.75 inches.

Very good to fine condition, the full untrimmed sheet, not laid down, no damage, punctures, tears or repair; framed to archival standards in acid free mounts. There are three spots of discoloration back side of the sheet as shown in the online images.

SOLD: $1,400

207 :: SALVADOR DALI (19041989) PENCIL SIGNED COLOR LITHO

'Torso' (1960)

The lithograph printed on Arches watermarked paper in an edition of 200 prints is signed by the artist in pencil lower right and numbered 143 from the edition lower left.

Image measures 20 x 15.5, sheet is 28.75 x 21 inches.

Very good condition, the full untrimmed sheet, not laid down, no damage; very clean, no stain, punctures, tears or repair. This lithograph has never been framed.

SOLD: $650

208 :: THOMAS HART BENTON (1889-1975) PENCIL SIGNED LITHOGRAPH

'Plowing it Under' (1934)

The lithograph published by Associated American Artists in an edition of 250 prints is signed by the artist in pencil below the image lower right and listed as Fath catalog number 8.

Benton's comments in Fath read: Drawing made in South Carolina in 1934 - showing Tugwell's program in operation.

Under the Agricultural Adjustment Administration during the Great Depression, recently planted spring crops were once ploughed under in an attempt to stabilize prices.

Poor condition.

Image measures 8.5 x 13.5, sheet is 11.5 x 16, and frame is 16.75 x 22 inches.

Poor condition, serious mat burn, laid down to cardboard, notches in the margins of the sheet.

SOLD: $950

209 :: THOMAS HART BENTON (1889-1975) PENCIL SIGNED LITHOGRAPH

'Sunset' (1941)

The lithograph from an edition of 204 prints published by Associated American Artists is signed by the Benton in pencil below the image lower right and retains the original AAA label verso. It is recorded as Fath number 43.

Benton's comments in Fath read: 'Study for a painting. Effort to make a real picture out of an old 'chromo' and calendar subject.'

Image measures 10 x 13, sheet is 12.5 x 16, and frame is 18.5 x 22.5 inches.

Good condition, good margins, no damage, punctures, tears or repair, considerable foxing in the margins as shown in the online images.

SOLD: $1,000

210 :: PAUL CADMUS (19041999) PENCIL SIGNED ETCHING

'Aspects of Suburban Life: Polo Spill' (1939)

The etching, numbered 43 from an edition of 75 prints, is signed by the artist in pencil lower right and titled

lower left.

Image measures 6.5 x 9, sheet is 10 x 13, and frame is 12 x 14.5 inches.

Very good condition, the full untrimmed sheet with deckle edges, not laid down, no damage, stain, punctures, tears or repair, noting very light bits of foxing in the margins of the upper half of the sheet.

SOLD: $1,000

211 :: PAUL JACOULET (19021960) COLOR WOODBLOCK PRINTS

The collection of small format color woodcut prints is comprised of the following titles:

1) Chagin d'Amour: Kusai. (Unhappy in Love) Image measures 5.5 x 3.75 inches.

2) Les Jades: Mandchoukuo. (The Jades: Manchukuo). Image measures 5.75 x 3.75 inches.

3) Souvenirs d'Autrefois, Japon. (Memories of yesteryear, Japan). Image measures 5.75 x 3.875 inches.

4) Orchidees Blanches. (White Orchids). Image measures 5.75 x 4 inches.

5) Le Nid: Coree. (The Nest: Korea). Image measures 5.75 x 3.75. frame measures.

Frames measure 11 x 9 and 10.75 x 14.25 inches.

Apparently the condition is very good, very clean, strong and saturated colors, each print intact, no visible stain, damage, repair, punctures or tears. None of these has been examined outside the frame.

SOLD: $450

212 :: JOHN STEUART

CURRY (1897-1946) PENCIL SIGNED LITHOGRAPH

'Prize Stallions' (1938)

The lithograph from an edition of 250 prints published by Associated American Artists is based on a 1942 painting titled Prize Belgians. This print is signed by the Curry in pencil below the image lower right and titled lower left just below the artist's initials and a date in the plate.

The original Associated American Artists label is pasted back side of the mount.

affordable access to art. The concept also made the arts more inclusive overall during a challenging period in American history.

Image measures 13 x 8.75, sheet is 15 x 10.5, and frame is 18.75 x 14.75 inches.

Good condition, not laid down, no damage, punctures, tears or repair. There is toning in the margins as shown in the online images and brown tape around the back side edges.

SOLD: $850

213 :: JOSEPH VORST (1897-1947)

RARE PENCIL SIGNED LITHOGRAPH

'Planting Tobacco' (1937)

The rare lithograph is signed and dated by the artist in pencil lower right below the image.

One other example of this print having been offered for sale was found. That example was inscribed to Thomas Hart Benton and the title listed by the seller as Planting Tobacco.

Image measures 9.25 x 6.5, sheet is 13.75 x 9.75, and frame is 16.5 x 13 inches.

Very good condition, the full untrimmed sheet, not laid down, no damage, stain, punctures, tears or repair; framed to archival standards in acid free mounts. There is extremely pale toning to the image field of this print noticeable only outside the frame and mat.

SOLD: $550

214 :: JOHN CURRY (1897-1946)

PENCIL SIGNED LITHOGRAPH

'The Missed Leap' (1934)

The lithograph published by Associated American Artists in an edition of 250 prints is signed by the artist in pencil below the image lower right. Unframed.

Image measures 17 x 9.75, sheet is 20.75 x 13.25, mat is 27.5 x 20 inches.

Very good condition, the full untrimmed sheet, not laid down, no damage, punctures, tears or repair, very pale mat effect toning in the margin surrounding the image as shown in the online images, bits of brown tape from previous mounts, unframed.

SOLD: $1,500

215 :: GRANT WOOD (1891-1942) PENCIL SIGNED LITHOGRAPH

'Honorary Degree' (1938)

The lithograph published by Associated American Artists in an edition of 250 prints is signed by the artist in pencil below the image lower right.

The Associated American Artists was founded by Reeves Lewenthal in 1934 with the idea of bringing art by prominent American artists into the homes of everyday people at a time when original artwork was out of reach for many. The model proved to be a win -win situation that lasted for more than 60 years. It allowed artists to earn income at a time when many were struggling due to the economic hardships of the Great Depression, while also providing the general public with affordable access to art. The concept also made the arts more inclusive overall during a challenging period in American history.

Image measures 12.5 x 7.5, sheet is 16 x 12, and frame is 18 x 13 inches.

Good to very good condition, noting masking tape around the back side edge of the sheet, loss of the upper right corner, and light toning around the image from a previous mat. Otherwise good condition, the full untrimmed sheet with deckle edges, not laid down, no damage, punctures, tears or repair, toning in the margins.

SOLD: $1,400

216 :: JOSEPH VORST (18971947) PENCIL SIGNED LITHOGRAPH

'Ironing' (1938)

The scarce lithograph is signed and dated by the artist in pencil below the image lower right, the artist's initials in the plate lower left corner.

Image measures 11.75 x 8.75, sheet is 13.75 x 10.75, and frame is 16.5 x 12.5 inches.

Very good condition, the full untrimmed sheet, not laid down, no damage, stain, punctures, tears or repair; framed to archival standards in acid free mounts.

217 :: MILTON AVERY (18851965) PENCIL SIGNED ARTIST'S PROOF

'Sleeping Baby' (1933)

The etching signed in the plate and again in pencil by the artist lower right is also dated 1933. The inscription a/p in pencil lower left designates this as an Artist's Proof, a select print aside from the primary edition of 100 impressions.

Image measures 5.5 x 7.5, sheet is 13 x 14.75, and frame is 15.25 x 16.5 inches.

Apparently the condition is very good, very clean, intact, no visible stain, damage, repair, punctures or tears. This work has not been examined outside the frame.

SOLD: $325

218 :: JACKSON LEE NESBITT (1913-2008) PENCIL SIGNED ETCHING

'Hot Metal' (1940)

The etching published in an edition of 60 prints is signed by the artist in pencil below the image lower right and titled lower left.

Retif & Salzer describes the scene, 'Scrap steel is melted in a cupola at the Kansas City plant and transferred in a continuous stream to a holding crucible. The molten steel is then poured into a ladle and carried over to an open hearth furnace for further refinement.'

This print is also found with the title Hot Metal Holding Tank and Holding Crucible.

Image measures 9 x 12, sheet is 11.5 x 13.5 inches.

Very good to good condition, close margins sides and top, not laid down, no damage, punctures, tears or repair, light toning in the margins as shown in the online images.

SOLD: $1,000

219 :: SALVADOR DALI (19041989) PENCIL SIGNED COLOR LITHO

'La Main' (1967)

The lithograph printed on BFK Rives watermarked paper is signed by the artist in pencil lower right and numbered 11 of 150 lower left.

Image measures 12.25 x 9, sheet is 25.75 x 19.75 inches.

Very good condition, the full untrimmed sheet with four deckle edges, not laid down, no damage, very clean, no stain, punctures, tears or repair. This lithograph has never been framed.

SOLD: $300

220 :: CLARE LEIGHTON (18981989) PENCIL SIGNED WOOD ENGRAVING

'Corn Pulling' (1952)

The wood engraving, published in an edition of only 100 prints, is signed by the artist in pencil below the image lower right and titled lower left.

This image served as the twentysecond Prairie Print Makers

Presentation Print for distribution to associate members and sale to the organization's membership.

Image measures 6.5 x 5.5, sheet is 11 x 8 inches.

Very good condition, very clean, never framed, the full untrimmed sheet with deckle edges, not laid down, no damage, stain, punctures, tears, or repair.

SOLD: $950

221 :: MAN RAY (1890-1976) AQUATINT ETCHING IN COLORS

'Le t?l?phone rose (The Pink Telephone)' (1977)

The color etching numbered 4/100 lower left is stamp signed below the image lower right and bears the artist's blind stamp in the margin. Unframed.

Image measures 14.5 x 9.5, sheet is 20 x 13 inches.

Very good condition, clean, the full untrimmed sheet with deckle edges, not laid down, no damage, stain, punctures, tears or repair, apparently never framed.

SOLD: $250

222 :: A 16C. PSALTER LEAF HISTORIATED INITIAL

WITH KING DAVID

Embellished with colors of ink, tempera and gold on parchment as shown, with a placard offering origin and date of creation.

Sheet measures 6.25 x 4.5 with a framed size of 16 x 13.25 inches.

Obviously the condition is very good, very clean, intact, no visible stain, damage, repair, punctures or tears.

Properly mounted in acid free corner mounts. This work has not been examined outside the frame.

SOLD: $900

223 :: BLAEU WILLEM 17TH CENTURY MAP OF AFRICA

The engraved an hand colored map is bordered by nine oval cartouche vignettes across the top and vertical side bars of five quadrants with African figures, the areas around the continent embellished with ships and sea creatures.

Image sizes range from 4 x 5.5 to 12 x 16 inches.

Very good condition, noting some stain on the left side of the full sheet's wide margins, very nice strong colors remain.

SOLD: $300

224 :: SIGNED SHEPARD FAIREY, ANDREW WYETH AND ERIC SLOANE

1. An unframed collotype by Andrew Wyeth (1917 - 2009) titled The Sauna, signed by the artist lower right, blind stamp lower left, circa 1979, edition of only 200 prints.

2. Two Eric Sloane (1905-1985) pencil signed lithographs signed by the artist lower right and numbered from an edition of 500 prints lower left. Both are unframed.

3. Shepard Fairey (Born 1950) pencil signed serigraph titled Face Collage II, along with other informal titles, signed in pencil by the artist lower right. Unframed.

Image sizes range from 17 x 15.5 to 19.5 x 23 inches.

Very good condition, noting a crease in the paper lower right corner.

SOLD: $375

225 :: CHARLES BANKS WILSON (1918-2013) VERY SCARCE LITHOGRAPH

'New Champion' (1971)

The rare lithograph from an edition of only 75 prints, is signed by the artist in pencil below the image lower right and titled lower left.

This is is a larger version of a similar print first issued in 1963 in an edition of 45 prints. That said, this still marks only the second appearance on record of this rare image having appeared at auction in any size or edition, according to all four major art auction record databases and entries on the major online bidding platforms.

Charles Banks Wilson's comments about the image are, 'The drummers are singing a special song for the winner of the War Dance contest. Contests are held at nearly every powwow I attend, with prize money and trophies offered to induce the better dancers to be there. I find the dances are not so much a ceremony these days as they are an art form.'

Prints and paintings that document authentic Native American traditions, ceremonies and culture are important and desirable.

Charles Banks Wilson personally bore witness to the events he portrayed in art. Add to this the rarity of this low edition print and it confirms that this image is both rare and desirable.

Image measures 10.5 x 15.5 with a framed size of 18.25 x 23.5 inches.

Apparently the condition is very good, noting some minor bits of foxing visible through the mat, otherwise very good, intact, no visible stain, damage, repair, punctures or tears. This work has not been examined outside the frame.

SOLD: $550

226 :: HIROSHI YOSHIDA (18761950) MODERN JAPANESE WOODBLOCK

'Harbour of Tomonoura' (1930s)

The color woodblock print bears a stamped signature below the image lower right and stamped title below the image lower left.

Image measures 9.5 x 14.5, sheet is 10.5 x 15.75 inches.

Very good to fine+ condition, the full untrimmed sheet, never framed, not laid down, no damage, stain, punctures, tears, fade, stain or repair, unframed, great color.

SOLD: $325

227 :: ?HIROSHI YOSHIDA (18761950) MODERN JAPANESE WOODBLOCK

'Kura in Tomonoura' (1930s)

The color woodblock print bears a stamped signature below the image lower right and stamped title below the image lower left.

Image measures 9.5 x 14.5, sheet is 10.75 x 15.75 inches.

Very good to fine+ condition, the full untrimmed sheet, never framed, not laid down, no damage, stain, punctures, tears, fade, stain or repair, unframed. Great color.

SOLD: $700

228 ::

'Tokaido Nissaka (Nissaka on the Tokaido Road)' (1946)

Stamped signature and Watanabe seal.

Image measures 9.5 x 14, sheet is 10.5 x 15.5 inches.

Very good to fine+ condition, the full untrimmed sheet, never

framed, not laid down, no damage, stain, punctures, tears, fade, stain or repair, unframed. Great color.

SOLD: $550

229 :: ANDRE DERAIN (18801954) PENCIL SIGNED LITHOGRAPH

'Tete de femme en profile / Head of a Woman in Profile.' (1927)

The lithograph from the portfolio 'Metamorphoses' is numbered 9 from the edition of 100 prints and signed by the artist in pencil lower left.

This image can also be found in the collection of the Museum of Modern Art.

Image measures 13 x 10 with a framed size of 21.75 x 16.5 inches.

Apparently the condition is very good, very clean, intact, no visible stain, damage, repair, punctures or tears. This work has not been examined outside the frame.

SOLD: $250

230 :: JOHN TAYLOR ARMS (1887-1953) PENCIL SIGNED ETCHINGS

1) 'Fiesole; An Ancient Tower' drypoint etching signed by the artist in pencil below the image lower right and dated 1925. Image measures 7.75 x 5, sheet is 11.5 x 7.75 inches.

2) 'Calvaire du Seizieme Siecle' published in an edition of 75 prints is signed by the artist in pencil below the image lower right, dated 1932 and titled within the plate. Image measures 5.5 x 3, sheet is 10.75 x 6.75 inches.

Measurements are included in the description.

Very good condition, the full untrimmed sheet, not laid down, no damage, punctures, tears or repair, toning in the margins surrounding the image as shown in the online images.

231 :: THOMAS NASON (18891971) RARE PENCIL SIGNED ETCHING

'Finnegan's Hovel' (1933)

The scarce etching from an edition perhaps as low as only 30 prints is signed by the artist in pencil below the image lower right and titled on the outer edge of the lower left margin.

Image measures 5.75 x 7.25, sheet is 9.75 x 11.5 inches.

Very good to fine condition, very clean, the full untrimmed sheet with deckle edges, not laid down, no damage, stain, punctures, tears or repair

HASUI KAWASE (1883-1957) MODERN JAPANESE WOODBLOCK

SOLD: $200

232 :: M.C. ESCHER (1898-1972) WOODCUT GREETING CARDS

'Felicitas - Earth, Air, Water and Fire' (1953-1956)

The color woodblock series 'de vier elementen' (The Four Elements) as New Year's greeting cards, commissioned by Eugene and Willy Strens, each with a printed attribution and title verso, stamped with a commissioner's marks for Eugene Strens.

Sheet measures 6.875 x 6.0625 inches.

Very good clean, intact condition.

SOLD: $6,000

233 :: ETCHINGS BY DEGAS (CANCELLED) AND WHISTLER

1. Edgar Degas (1834-1917): 'SelfPortrait.' posthumous cancelled plate printing. possibly published by Ambroise Vollard, Paris, in an edition of approximately 150.

2. Edgar Degas (1834-1917): 'Sur la Sc?ne' posthumous cancelled plate printing. possibly published by Ambroise Vollard, Paris, in an edition of approximately 150.

3. Edgar Degas (1834-1917): 'Aux Ambassadeurs.' posthumous cancelled plate printing. possibly published by Ambroise Vollard, Paris, in an edition of approximately 150.

4. Edgar Degas (1834-1917): 'Le Sportsman Montant son Cheval.' posthumous cancelled plate printing. possibly published by Ambroise Vollard, Paris, in an edition of approximately 150.

5. James McNeill Whistler (1834-1903) Lithograph The Tyresmith.

6. James McNeill Whistler (1834-1903) Lithograph Firelight.

Image sizes range from 3.25 x 3 to 10 x 11.5 inches. Varying states of condition, each is shown outside the frame in online images.

SOLD: $750

234 :: WILLIAM ANSLOW

THORNLEY (1857-1898) OIL WITH PRINTS

1. The maritime subject oil on canvas is signed Thornley lower left front for William Thornley (British 1857-1898) .

2. The hand colored lithograph titled Woman with Book is attributed to a Georges William Thornley.

3. An etching titled 'Portrait of Mr. Frank Duveneck' after William Merritt Chase.

Frank Duveneck was an influential artist and instructor who

taught many important artists.

4. An unidentified European color etching.

Canvas measures 10 x 16 inches. Image sizes range from 7.75 x 6 to 10.25 x 13.25 inches.

Very good condition.

235 :: BIRGER SANDZEN (18711954) PENCIL SIGNED LITHOGRAPH

'Wind Whipped Pines' (1928)

The large format lithograph printed on Arches watermarked paper in an edition of 100 prints is signed by the artist in pencil below the image lower left and titled lower right.

Listed in the artist's catalog raisonne as Greenough number 122. Image measures 16.5 x 22.5, sheet is 19.5 x 26 inches.

Good to fair condition, the full untrimmed sheet with deckle edges, not laid down, the sheet is heavily toned as shown and with a mat burn around the image field. There is a chipped corner and edge tears with acid free tape repairs as shown in the online images.

SOLD: $750

236 :: GRANT WOOD (1891-1942) PENCIL SIGNED LITHOGRAPH

'In the Spring' (1939)

The lithograph published by Associated American Artists in an edition of 250 prints is signed by the artist in pencil below the image lower right and dated 1940, the print was issued in 1939. The image is titled lower left and inscribed, 'To Edward C. Mabie with new years greetings.'

Edward C. Mabie (1892-1956) was a significant figure in American theater, particularly in the realm of academic theater. He served as the head of the University of Iowa's Department of Speech and Dramatic Art from 1920 until his death in 1956. During his tenure, Mabie was instrumental in developing the department into one of the leading academic theater programs in the United States. Under his leadership, the University of Iowa became one of the first institutions to offer a Master of Fine Arts (MFA) degree in theater. He also served as regional director of Federal Theatre Projects for the WPA.

The University of Iowa's main theater building is named the 'Mabie Theatre' in his honor.

Image measures 9 x 12, sheet is 12.25 x 15.25, and frame is 16.25 x 20 inches.

Poor condition, a central tear the full length of the sheet, left hand margin tear, laid down to cardstock.

SOLD: $3,400

237 :: CHARLES BANKS WILSON (1918-2013) PENCIL SIGNED LITHO

'Pow Wow Afternoon' (1980)

The lithograph from an edition of 150 prints is signed by the artist in pencil below the image lower right and titled lower left.

Image measures 13.25 x 16 with a framed size of 20.5 x 23.25 inches.

Apparently the condition is very good, very clean, intact, no visible stain, damage, repair, punctures or tears. This work has not been examined outside the frame.

SOLD: $325

238 :: CHARLES BANKS WILSON (1918-2013) THREE SIGNED PRINTS

1. A pencil signed stone lithograph titled Sketches of Eva lower left, from an edition of 200 stone lithographs signed by the artist lower right and dated 1995. Image measures 8.5 x 10.5 with a frame size of 14 x 16 inches.

2. A mechanical offset lithograph titled SETTLEMENT 18701906, signed by the artist in ball point pen. Image measures 14.5 x 22.25 with a frame size of 21.5 x 25.5 inches.

3. A mechanical offset lithograph titled Osage Dreams, signed by the artist in ball point pen. Image measures 9 x 20 with a frame size of 18.25 x 28.25 inches.

Measurements are included in the description.

Apparently the condition is very good. Each of these is very clean, intact, no visible stain, damage, repair, punctures or tears. None of these has been examined outside the frame.

SOLD: $475

239 :: TSUCHIYA KOITSU (18701949) MODERN JAPANESE WOODBLOCK

'Summer Moon at Miyajima' (1930s)

Stamped signature.

Image measures 10.25 x 15.25, sheet is 11.25 x 17 inches.

Very good to fine+ condition, the full untrimmed sheet, never framed, not laid down, no damage, stain, punctures, tears, fade, stain or repair, unframed. Great color.

SOLD: $300

240 :: HASUI KAWASE (18831957) MODERN JAPANESE WOODBLOCK

'Cloudy day in Mizuki' (1940s)

Stamped signature and Watanabe seal.

Image measures 9.5 x 13, sheet is 10.5 x 14.25 inches.

Very good to fine+ condition, the full untrimmed sheet, never framed, not laid down, no damage, stain, punctures, tears, fade, stain or repair, unframed.

SOLD: $750

241 :: CHARLES CAPPS (18981981) AND INA ANNETTE (19011990)

1. Charles Merrick Capps (1898-1981) pencil signed etching titled Cypremort (Cypremort Point State Park is on Vermilion Bay in Louisiana). The dry point etching from a stated edition of only 75 prints is signed by the artist in pencil below the image lower right and titled lower left.

Though this rare image is pictured on page 95 of Charles M. Capps 1898-1981. Etchings & Aquatints, Lithographs and Block Prints by Barbara Thompson, et al; it has never been offered at auction, according to the major art databases.

Etchings from this edition were included in print exhibitions in California, Kansas, Connecticut and Hawaii 1954 to 1983.

Image measures 7 x 9, sheet is 10.5 x 12.25, and the mat is 13 x 14.75 inches. Very good condition, the full untrimmed sheet, not laid down, no damage, stain, punctures, tears or repair; framed to archival standards in acid free mounts.

2. A block print titled Sheep Ranch (1950)

This block print is inscribed with the artist's name Anette for Ina Annette (1901-1990). Apparently estate signed in pencil below the image lower right and titled lower left in a hand other than the artist's. The edition is inscribed as 6 from an edition of 380 prints.

Image measures 10.5 x 13.5, sheet is 11.75 x 15.25, and frame is 22 x 28 inches. Very good condition, the full untrimmed sheet, not laid down, no damage, stain, punctures, tears or repair; framed to archival standards in acid free mounts.

Measurements are included in the description.

Please see the description field for condition.

SOLD: $425

242 :: CHARLES M. CAPPS (18981981) PENCIL SIGNED

'Flint Hills Pattern' (1969)

The etching, printed on Basingwerk Parchment watermarked paper in a stated edition of 100 prints, is signed by the artist in pencil below the image lower right and titled lower left.

Though this rare image is pictured on page 73 of Charles M.

Capps 1898-1981. Etchings & Aquatints, Lithographs and Block Prints by Barbara Thompson, et al; and listed as being from an edition of 100 prints, it has never been offered at auction, according to the major art databases.

The Ulrich Museum of Art and the Wichita Art Museum of art list it in their collections.

Image measures 7 x 10.25, sheet is 11 x 14, and the mat is 14 x 18 inches.

Good condition, the full untrimmed sheet, not laid down, no damage, punctures, tears or repair, there is toning in the image field and a thin border of brown paper tape around the sheet edge visible when viewed outside the frame and mat.

SOLD: $700

243 :: C. A. SEWARD PPM GIFT PRINT, PLUS TWO PEARSON ETCHINGS

A lithograph by Seward and two etchings by Ralph Pearson:

1. The Coy Avon Seward (1884-1939) lithograph from an edition of 200 is signed and dated 1936 by the artist in pencil lower right and titled Adobe Village - New Mexico lower left. This image served as the sixth Prairie Print Makers Presentation Print for distribution to associate members and sale to the organization's membership.

2. Two nice miniature etchings by Ralph M. Pearson (18831958). Each is signed and dated in the etched plate, no pencil signature. Very good condition.

Adobe Village image measures 9.75 x 12.25, sheet is 13 x 16, and frame is 15.5 x 18 inches. The other two images are 3 x 1.5 and frame is 7.5 x 5.75 inches.

The Seward lithograph is the full untrimmed sheet, not laid down, no damage, punctures, tears or repair, very heavy toning in the image field as shown in the online images outside the frame and mat.

SOLD: $550

244 :: JACKSON LEE NESBITT (1913-2008) PENCIL SIGNED ETCHING

'Wire Mill' (1939)

The etching, numbered 60 from the edition of 60 prints, is signed by the artist in pencil below the image lower right and titled lower left.

Nesbitt described the scene as follows: 'This was the noisiest place I've ever been in all my life. You had to wear earplugs in there. The company tried to have me remove some of them, men in this piece so that their operation would look more efficient, but they finally agreed to let it stand as drawn. in Kansas City, steel is gradually getting thinner and longer. The big coils are loaded on arms, so the steel can be uncoiled as it goes through successive dies, which further reduce the diameter of the wire. The end result is the production of fence wire, bailing wire, nails, and bolts.'

Of the impetus for this series of prints documenting the industrial processes at Sheffield Steel Corporation in Kansas City, Nesbitt recalled: 'The company had called the Kansas City Art Institute to inquire about an etcher to create some images of their operations. John De Martelly and I were both recommended; but De Martelly, not wanting to spend any time on site at Sheffield, encouraged me to do it. For all the Sheffield pieces, I had to submit a finished pencil drawing to the company for approval prior to creating the etching. The original etchings were given as Christmas remembrances to VIPs both in and outside of the company and were offered for sale to the employees.'

Turns out, Nesbitt spent a great deal of time on site at Sheffield detailing their massive works in more than sixteen different complex images completed during the 1930s, plus six more during the late 40s and early 50s.

Image measures 9 x 12, sheet is11.75 x 13.75 inches.

Good condition, not laid down, wide margins though trimmed close left side, water stain lower right corner, no damage, punctures, tears or repair.

SOLD: $400

245 :: MAURICE R. BEBB (18911985) PENCIL SIGNED ETCHINGS

1) Black-necked Stilts (1965) The color etching is numbered 23 from an edition of 150, signed and dated by the artist in pencil below the image lower right and titled lower left. Noticeable foxing stains as shown.

2) Red-breasted Nuthatch (1966) The color etching is numbered 102 from an edition of 150, signed and dated by the artist in pencil below the image lower right and titled lower left.

3) Blackburnian Warbler (1954) The color etching is signed and dated by the artist in pencil below the image lower right and titled lower left.

4) White-breasted Nuthatch (1959) The color etching is signed and dated by the artist in pencil below the image lower right and titled lower left.

Each image measures 7.25 x 9.25 with one in a framed size of 17 x 13.5 inches.

Apparently the condition is very good. No major visible stain, damage, repair, punctures or tears, unless otherwise stated. None of these has been examined outside the frame.

SOLD: $325

246 :: MAURICE R. BEBB (18911985) PENCIL SIGNED ETCHINGS

1) Scarlet Tanagers (1964) The color etching on paper is signed and dated by the artist in pencil below the image lower right and titled lower left.

2) Winter Forage (1954) The color etching on silk is signed and dated by the artist in pencil below the image lower right and titled lower left.

3) Chickadee (1967) The color etching on silk is numbered 8 from an edition of 150, signed and dated by the artist in pencil below the image lower right and titled lower left.

4) Goldfinches and Mulleins (1960) The color etching on silk is numbered 136 from an edition of 150, signed and dated by the artist in pencil below the image lower right and titled lower left.

5) Golden-crowned Kinglets (1970) The color etching on silk is numbered 116 from an edition of 150, signed and dated by the artist in pencil below the image lower right and titled lower left.

Image sizes range from 7.25 x 9.25 to 9.25 x 7.25 inches.

Apparently the condition is very good. No major visible stain, damage, repair, punctures or tears. None of these has been examined outside the frame.

SOLD: $225

1) Robin (1970) The aquatint etching is numbered 112 in an edition of 150, signed and dated by the artist in pencil below the image lower right and titled lower left.

2) Blue Jays (1952) The aquatint etching is signed and dated by the artist in pencil below the image lower right and titled lower left. Robin image measures 9.25 x 7.25 with a framed size of 15.25 x 13 inches. Blue Jays image measures 8 x 9.5 with a framed size of 14.5 x 15.5 inches.

Apparently the condition is very good. No major visible stain, damage, repair, punctures or tears. Neither has been examined outside the frame.

SOLD: $200

248 :: SIEGFRIED REINHARDT (1925-1984) PENCIL SIGNED ETCHINGS

Nine pencil signed etchings:

1) The New Generation etching is numbered 14 in an edition of 32 prints, titled lower center and signed lower right.

2) Job is numbered 16 in an edition of 50 prints, titled lower center and signed lower right.

3) The New Saint is numbered 13 in an edition of 50 prints, titled lower center and signed lower right.

4) Listener is numbered 10 in an edition of 75 prints, titled lower left and signed lower right.

5) Transition is numbered 10 in an edition of 11 prints, titled lower left and signed lower right.

6) Eye is numbered 10 in an edition of 75 prints, titled lower center and signed lower right.

7) Bird is noted as an Artist's Proof, titled lower left and signed lower right.

8) Tiger is numbered 16 in an edition of 50 prints, titled lower left and signed lower right.

2) Fish #1 is noted as an Artist's Proof, titled lower center and signed lower right.

Measure from 2 to 11.75 inches.

Each in very good condition, very clean, never framed, each the full untrimmed sheet with deckle edges, not laid down, no damage, stain, punctures, tears, or repair. None has ever been framed.

SOLD: $180

249 :: THOMAS NASON (18891971) PENCIL SIGNED WOOD ENGRAVING

'Near Lyme, Sunset' (1944)

The wood engraving, from an edition of 200 prints published by The Woodcut Society, is signed by the artist in pencil below the image lower right and titled verso by the original Woodcut Society folio.

Image measures 7 x 7.5, sheet is 8.5 x 9.75, Folio is 16 x 12.75 inches.

Very good condition, very clean, never framed, the full untrimmed sheet with deckle edges, not laid down, no damage, stain, punctures, tears, or repair. Never framed.

SOLD: $250

247 :: MAURICE R. BEBB (1891-1985) PENCIL SIGNED AQUATINT (2)

250 :: EVAN LINDQUIST (19362023) SEVEN PENCIL SIGNED ETCHINGS

1) Gravity flowering in its long struggle against Infinity (1987). The drypoint etching, numbered 35 in an edition of 35 prints, is signed by the artist in pencil below the image lower right and titled within the plate lower center.

2) Superego. The drypoint etching, numbered 69 in an edition of 100 prints, is signed and titled by the artist in pencil below the image lower right.

3) Id (1970). The drypoint etching, numbered 16 in an edition of 30 prints, is titled and signed by the artist below the image lower center.

4) Gravity (1970). The drypoint etching, numbered 13 in an edition of 50 prints, is titled and signed by the artist below the image lower center.

5) Three Fates (1969). The drypoint etching, numbered 4 in an edition of 30 prints, is titled and signed by the artist below the image lower center.

6) Cosmos (1971). The drypoint etching, numbered 51 in an edition of 100 prints, is titled and signed by the artist below the image lower center.

7) Gravity Expanding (1987). The drypoint etching, noted as an Artist's Proof, is titled and signed by the artist below the image lower right.

Sheet sizes range from 19.5 x 19.5 to 27.5 x 16.75 inches.

Each in very good condition, very clean, never framed, each the full untrimmed sheet with deckle edges, not laid down, no damage, stain, punctures, tears, or repair. None has ever been framed.

SOLD: $475

251 :: EVAN LINDQUIST (19362023) SEVEN PENCIL SIGNED ETCHINGS

1) Emu. The drypoint etching, numbered 6 in an edition of 25 prints, is titled lower left and signed by the artist in pencil below the image lower right.

2) Cosmos (1971). The drypoint etching, numbered 50 in an edition of 100 prints, is titled and signed by the artist in pencil below the image lower center.

3) Cosmos (1971). The drypoint etching, numbered 53 in an edition of 100 prints, is titled and signed by the artist in pencil below the image lower center.

4) Conversations (1993). The drypoint etching, numbered 16 in an edition of 25 prints, is titled and signed by the artist in pencil below the image lower center.

5) Universe (1993). The drypoint etching, noted as an Artist's Proof, is titled and signed by the artist in pencil below the image lower center.

6) History Lesson: Borgia (1984). The color etching, numbered 5 in an edition of 30 prints, is titled and signed by the artist in pencil below the image lower center.

7) Memory (1984). The color etching, numbered 4 in an edition of 30 prints, is titled and signed by the artist in pencil below the image lower right.

Sheet sizes range from 16 x 16 to 25.5 x 16 inches.

Each in very good condition, very clean, never framed, each the full untrimmed sheet with deckle edges, not laid down, no damage, stain, punctures, tears, or repair. None has ever been framed.

SOLD: $160

252 :: EVAN LINDQUIST (19362023) SEVEN PENCIL SIGNED PRINTS

1) Lion (1966). The drypoint etching, numbered 29 in an edition of 100 prints, is titled lower left and signed by the artist in pencil below the image lower right.

2) Identity (1969). The drypoint etching, numbered 14 in an edition of 30 prints, is titled and signed by the artist in pencil below the image lower center.

3) The Violin (1975). The drypoint etching, numbered 6 in an edition of 25 prints, is titled and signed by the artist in pencil below the image lower center.

4) Three Graces (1969). The drypoint etching, numbered 21 in an edition of 40 prints, is titled and signed by the artist in pencil below the image lower center.

5) Trees (1967). The drypoint etching, numbered 1 in an edition of 25 prints, is titled lower left and signed by the artist in pencil below the image lower right.

6) Three Eves (1968). The drypoint etching, numbered 10 in an edition of 40 prints, is titled and signed by the artist in pencil below the image lower center.

7) Thought V (1988). The drypoint etching, noted as an Artist's Proof, is titled and signed by the artist in pencil below the image lower center.

Sheet sizes range from 16 x 12 to 27.25 x 20.25 inches.

Each in very good condition, very clean, never framed, each the full untrimmed sheet with deckle edges, not laid down, no damage, stain, punctures, tears, or repair. None has ever been framed.

SOLD: $150

253 :: EVAN LINDQUIST (19362023) EIGHT PENCIL SIGNED ETCHINGS

1) Consciousness. The drypoint etching, numbered 14 from an edition of 75 prints, is titled and signed by the artist in pencil below the image lower center.

2) Document: Grand Union Flag MDCCLXXVI (1975). The drypoint etching, noted as an artist's proof, is titled and signed by the artist in pencil below the image lower center.

3) Resurrection (1970). The drypoint etching, numbered 1 in an edition of 75 prints, is titled and signed by the artist in pencil below the image lower center.

4) Thought III (1971). The drypoint etching, noted as an Artist's Proof, is titled and signed by the artist in pencil below the image lower center.

5) Three Skeins (1969). The drypoint etching, numbered 12 from an edition of 40 prints, is titled and signed by the artist in pencil below the image lower center.

6) Id (1970). The drypoint etching, numbered 2 in an edition of 30 prints, is titled and signed by the artist in pencil below the image lower center.

7) Three Skeins (1969). The drypoint etching, numbered 3 in an edition of 40 prints, is titled and signed by the artist in pencil below the image lower center.

8) Resurrection (1970). The drypoint etching, numbered 31 in an edition of 75 prints, is titled and signed by the artist in pencil below the image.

Sheet sizes range from 14 x 19.5 to 21.25 x 14.5 inches.

Each in very good condition, very clean, never framed, each the full untrimmed sheet with deckle edges, not laid down, no damage, stain, punctures, tears, or repair. None has ever been framed.

SOLD: $190

254 :: EVAN LINDQUIST (19362023) EIGHT PENCIL SIGNED PRINTS

1) Jack Rabbit (1962). The drypoint etching, numbered 8 in an edition of 25 prints, is titled and signed by the artist in pencil below the image.

2) Consciousness (1971). The drypoint etching, noted as an Artist's Proof, is titled and signed by the artist in pencil below the image lower center.

3) Artifacts (1972). The drypoint etching, numbered 5 in an edition of 25 prints, is titled and signed by the artist in pencil below the image lower right.

4) Superego (1970). The drypoint etching, numbered 83 in an edition of 100 prints, is titled and signed by the artist in pencil below the image lower right.

5) Gravity flowering in its long struggle against Infinity (1987). The drypoint etching, numbered 16 in an edition of 35 prints, is titled within the plate and signed by the artist in pencil below the image lower right.

6) Thought (1970). The drypoint etching, numbered 3 in an edition of 100 prints, is titled and signed by the artist in pencil below the image lower right.

7) Thought II (1970). The drypoint etching, numbered 51 in an edition of 75 prints, is titled and signed by the artist in pencil below the image lower right.

8) Labyrinth VI (1989). The drypoint etching, numbered 7 in an edition of 30 prints, is titled and signed by the artist in pencil below the image lower right.

Sheet sizes range from 13.5 x 13.25 to 20 x 14.25 inches. Each in very good condition, very clean, never framed, each the full untrimmed sheet with deckle edges, not laid down, no damage, stain, punctures, tears, or repair. None has ever been framed.

255 :: THOMAS NASON (18891971) PENCIL SIGNED WOOD ENGRAVINGS (1926)

1) 'House in Digby, Nova Scotia' (1926) The wood engraving is signed by the artist in pencil below the image lower right, signed again within the block and titled lower left. Image measures 5.5 x 6.5, sheet is 8.25 x 9.5 inches.

2) 'Courtyard - Beacon Hill' (1924) The wood engraving is signed by the artist in pencil below the image lower right, initialed within the block and titled lower left. Image measures 4.25 x 3.25, sheet is 6.75 x 5.5 inches.

Measurements are included in the description.

Each in very good condition, very clean, never framed, each the full untrimmed sheet with deckle edges, not laid down, no damage, stain, punctures, tears, or repair. None has ever been framed.

SOLD: $400

256 ::

EVAN LINDQUIST (19362023) SEVEN PENCIL SIGNED PRINTS

1) Thought II (1970). The drypoint etching, numbered 6 in an edition of 75 prints, is titled and signed by the artist in pencil below the image lower center.

2) Thought IV (1975). The drypoint etching, numbered 10 in an edition of 25 prints, is titled and signed by the artist in pencil below the image lower center.

3) Genesis (1970). The drypoint etching, numbered 47 in an edition of 50 prints, is titled and signed by the artist in pencil below the image lower center.

4) Gravity (1970). The drypoint etching, numbered 8 in an edition of 50 prints, is titled and signed by the artist in pencil below the image lower center.

5) Gravity Expanding (1987). The drypoint etching, noted as an Artist's Proof, is titled and signed by the artist in pencil below the image lower right.

6) Cosmos (1971). The drypoint etching, numbered 52 in an edition of 100 prints, is titled and signed by the artist in pencil below the image lower center.

7) Genesis III (1973). The drypoint etching, numbered 2 in an edition of 40 prints, is titled and signed by the artist in pencil below the image lower center.

Sheet sizes range from 12.75 x 11.75 to 21.75 x 21.75 inches.

Each in very good condition, very clean, never framed, each the full untrimmed sheet with deckle edges, not laid down, no damage, stain, punctures, tears, or repair. None has ever been framed.

SOLD: $300

257 :: THOMAS NASON (18891971) PENCIL SIGNED WOOD ENGRAVING

'Near Lyme, Sunset' (1944)

The wood engraving published by The Woodcut Society in an edition of 200 prints is signed by the artist in pencil below the image lower right and includes the original WCS folio.

Image measures 7 x 7.5, sheet is 8.5 x 9.5 inches.

Very good condition, very clean, never framed, the full untrimmed sheet with deckle edges, not laid down, no damage, stain, punctures, tears, or repair. Never framed.

SOLD: $425

258 :: EDMUND BLAMPIED (1886 -1966) PENCIL SIGNED ETCHING

'The Joy Ride' (Circa 1924)

The drypoint etching published in an edition of only 100 prints is signed by the artist in pencil below the image lower right.

Image measures 8.25 x 10.25, sheet is 10.5 x 13.75 inches.

Very good condition, the full untrimmed sheet with deckle edges, not laid down, no damage, stain, punctures, tears or repair.

SOLD: $150

259 :: FRITZ EICHENBERG (19011990) TEN WOODBLOCK PRINTS

'In Praise of Folly' (1972)

The ten woodblock prints from the series 'In Praise of Folly,' the original folio is numbered 143 from in an edition of 150. Each print in the series is signed in pencil by the artist on the lower right. Titles include: I - Dame Folly Speaks; II - The Follies of Old Age; III - The Follies of Worshiping Idols; IV - The Human Comedy; V - The Follies of Teaching; VI - The Follies of the Monks; VII - The Follies of Princely Power; VIII - The Follies of the Court; IX - The Follies of the Popes; and X - The Follies of War.

Sheets measures 20 x 14 inches.

Each in very good condition, very clean, never framed, each the full untrimmed sheet with deckle edges, not laid down, no damage, stain, punctures, tears, or repair. None has ever been framed.

SOLD: $1,800

260 :: WILLIAM McKIM (19161995) PENCIL SIGNED LITHOGRAPH

'Old Gladiator'

The lithograph is signed by the artist in pencil below the image lower right and titled lower left. Unframed.

Image measures 19.5 x 12.75, sheet is 23.75 x 17, mat is 28 x 22 inches.

Very good condition, very clean, the full untrimmed sheet with deckle edges, not laid down, no damage, stain, punctures, tears or repair, never framed.

SOLD: $120

261 :: LAWRENCE BEALL SMITH (1909-1995) PENCIL SIGNED LITHO

'Pent House' (1938)

The lithograph printed on GCM watermarked paper was published in an edition of 75 prints and signed by the artist in pencil below the image lower right, the title center below the image. Unframed.

Image measures 10 x 11.5, sheet is 12 x 16, mat is 16 x 20 inches.

Very good condition, the full untrimmed sheet with deckle edges, not laid down, no damage, stain, punctures, tears or repair; framed to archival standards in acid free mounts.

SOLD: $150

262 :: LAWRENCE BEALL SMITH (1909-1995) PENCIL SIGNED

LITHO

'The Crisis' (1941)

The lithograph published by Associated American Artists in an edition of 250 prints is signed by the artist in pencil below the image lower right and titled lower left. Unframed.

Image measures 9 x 11, sheet is 11.25 x 13, mat is 16 x 20 inches.

Very good condition, the full untrimmed sheet with deckle edges, not laid down, no damage, stain, punctures, tears or repair. Printers smudges in the margins.

SOLD: $150

263 :: GEORGES SCHREIBER (1904-1977) PENCIL SIGNED LITHOGRAPH

'Southern Siesta' (1939)

The lithograph published by Associated American Artists in an edition of 218 prints is signed by the artist in pencil below the image lower right.

Image measures 9 x 12, sheet is 11 x 13.75, mat is 14 x 17 inches.

Very good to fine condition, very clean, the full untrimmed sheet, not laid down, no damage, stain, punctures, tears or repair, unframed.

SOLD: $160

264 :: LAWRENCE BEALL SMITH (1909-1995) PENCIL SIGNED LITHO 'Night' (1941)

The vignette format lithograph is signed by the artist in pencil below the image lower right and titled lower left.

Image measures 11 x 8, sheet is 14 x 10.25, mat is 20 x 16 inches.

The full untrimmed sheet, not laid down, no damage, punctures, tears or repair, very minor even toning with some scattered foxing. Unframed.

SOLD: $225

265 :: EDGAR DEGAS (1834-1917) POSTHUMOUS ETCHING

'Sortie du bain' (Late 19th Century)

The drypoint etching is from an edition of 150 published by Vollard, Paris after cancellation of the plate, per the three lines of defacing transferred to the image here printed on cream wove paper with wide margins.

Image measures 5 x 5 with a framed size of 15.5 x 15.5 inches.

Apparently the condition is very good, noting two spots of foxing in the sheet's wide margins. No visible stain, damage, repair, punctures or tears. This work has not been examined outside the frame.

SOLD: $150

266 :: A COLLECTION OF 17TH, 18TH AND 19TH CENTURY PRINTS

1) Louis Duc de Bourbon sa Femme et Son Fils.

2) Gentils hommes de la Cour de Charles IX (1733)

3) Jan Collaert (ca. 1525-1580) Hunter caught in pit,

4) Howard Pyle (1853-1911) A matrimonial difficulty, legal intervention (1878)

5) Entree des Villes Rebelles (Entrance to the Rebel Towns)

6) Pieter de Jode II (1606-ca. 1674) Illustmus. Joannes, Com. de Tserclaes, Dom. Tilli. Baro. de Morbays, Dom, de Ballast. Montig. Holers. Heeswyck, Dynter, Etc.

Overall framed size range from 17.5 x 15.25 to 18.5 x 22 inches.

Apparently the condition is very good. None of these has been examined outside the frame.

267 :: BURTON CALLICOTT (1907 -2003) PENCIL SIGNED LITHOGRAPH

'Corner in the Sun' (1964)

The lithograph numbered 5 in an edition of 12 prints is signed by the artist in pencil below the image lower right and titled lower left.

Image measures 11.25 x 14.75 with a framed size of 20.25 x 25.25 inches.

Apparently the condition is very good, very clean, intact, no visible stain, damage, repair, punctures or tears. This work has not been examined outside the frame.

SOLD: $225

268 :: GRAND CENTRAL STATION PRINT ATTRIBUTED CHARLES MEILATZ

'Grand Central Station at Night' (1890)

ATTRIBUTED to Charles Frederick (William) Mielatz (1864-1919). A similar etching (with plate mark) signed by C. F. William Mielatz is held in the Smithsonian American Art Museum collection. That image of this same scene differs at the right and left of the composition, including a signal on the right, and without a building and locomotive seen here on the left.

Image measures 8.5 x 12, sheet is 11.5 x 15.5, and frame is 15 x 18.5 inches.

Very good condition, the full untrimmed sheet, not laid down,

no damage, stain, punctures, tears or repair.

SOLD: $225

269 :: THOMAS NASON (1889-1971) PENCIL SIGNED WOOD ENGRAVINGS

1) Berkshire Hills (1940) The wood engraving is signed by the artist in pencil below the image lower right.

2) Upland Pasture (1933). The wood engraving, numbered 83 in an edition of 200 prints, is signed lower right and titled on the outer margin.

Berkshire Hills, image is 3 x 6.5, sheet is 6 x 9.25 inches. Upland Pasture, image is 3.5 x 7.5, sheet is 6.5 x 10.25 inches.

Each in very good condition, very clean, never framed, each the full untrimmed sheet with deckle edges, not laid down, no damage, stain, punctures, tears, or repair. None has ever been framed.

SOLD: $550

270 :: CARL FREHULFER (1900-1985) FLORAL STILL LIFE OILS (2)

Oil on canvas with peonies and an oil on masonite with irises, each work signed by the artist lower left.

Canvas measures 25 x 31 with a framed size of 31.25 x 37.25 inches. And the board measures 21 x 16 with a framed size of 27 x 20.25 inches.

Very good original untouched condition. There are no issues of major scratches, losses, repairs, in-painting or touch-up.

SOLD: $400

271 :: THOMAS HART BENTON (1889-1975)

PENCIL SIGNED LITHOGRAPH

'County Politics' (1973)

The lithograph published by Associated American Artists in an edition of 250 prints is signed by Benton in pencil below the image lower right and listed as Fath catalog number 89.

This fine dark impression is in very good to fine condition as confirmed by examination outside the frame and mat.

Benton's comments in this image in Fath read: 'County Politics' shows what we used to call 'The Court House gang' arguying [sic] out its allegencies [sic], favors, rewards and punishments. Every rural Court House had one and probably still does. Those who run for public office, however high, must take these gangs into account. They know where the votes are and how to round them up.'

Image size 14 x 17, sheet measures 18.5 x 22, the frame is 24 x 26.75 inches.

Very good to fine condition, the full untrimmed sheet, not laid down, no damage, stain, punctures, tears or repair; framed to archival standards in acid free mounts.

SOLD: $7,000

WOOD ENGRAVING 'River Scene'

The wood engraving is signed by the artist in pencil below the image lower right and titled in a different hand.

Image measures ,5 x 9 sheet is 8 x 13 inches.

Very good condition, very clean, never framed, the full untrimmed sheet with deckle edges, not laid down, no damage, stain, punctures, tears, or repair, noting tape stain extreme upper left and right corner, chip lower right. Never been framed.

SOLD: $425

272 :: THOMAS NASON (1889-1971) PENCIL SIGNED

273 :: LAWRENCE BEALL SMITH (1909-1995) PENCIL SIGNED LITHO

'Pent House' (1938)

The lithograph printed on Rives watermarked paper was published in an edition of 75 prints and signed by the artist in pencil below the image lower right, the title center below the image. Unframed.

Image measures 10 x 11,5 sheet is 12 x 16, mat is 17 x 18.5 inches.

Very good condition, the full untrimmed sheet with deckle edges, not laid down, no damage, stain, punctures, tears or repair; never framed.

274 :: EVAN LINDQUIST (1936-

2023) PENCIL SIGNED ETCHINGS

1) Evan Lindquist (1936-2023) Deep Summer (1965) The etching, numbered 2 in an edition of 20 prints, is signed by the artist in pencil below the image lower right and titled lower left. Image measures 23.75 x 35.5 with a framed size of 30.75 x 42 inches.

2) Evan Lindquist (1936-2023)

Identity (1969) The drypoint etching, numbered 29 in an edition of 30 prints, is signed and titled by the artist in pencil below the image lower center. Image measures 22.75 x 17.5 with a framed size of 33 x 26.25 inches.

3) Evan Lindquist (1936-2023) Three Graces (1969). The drypoint etching, numbered 38 in an edition of 40 prints, is titled and signed by the artist in pencil below the image lower center. Image measures 17.25 x 23 with a framed size of 24.25 x 29.5 inches.

4) Evan Lindquist (Arkansas, 1936-2023) Framed copper printing plate for 'Three Graces.' Plate measures 18 x 24, the frame is 19 x 25 inches.

5) Evan Lindquist (1936-2023) Thought (1970). The drypoint etching, numbered 1 in an edition of 100 prints, is titled and signed by the artist in pencil below the image lower center. Image measures 11.75 x 11.75 with a framed size of 18.25 x 17.25 inches.

6) Evan Lindquist (1936-2023) Ego (1970). The drypoint etching, numbered 10 in an edition of 50 prints, is titled and signed by the artist in pencil below the image lower center. Image measures 10 x 9.25 with a framed size of 16.25 x 15.25 inches.

7) A graphite sketch on paper of an owl wearing a cap, initialed lower right. Image measures 6 x 6.5 with a framed size of 18.75 x 15 inches.

8) Jean Piaubert (French, 1900-2002) Image measures 5.5 x 7.25 with a framed size of 18 x 21 inches.

Measurements are included in the description. Each in very good condition, very clean, never framed, each the full untrimmed sheet with deckle edges, not laid down, no damage, stain, punctures, tears, or repair. None has ever been framed.

275 :: RUFINO TAMAYO (18991991) AND PETER HURD (19041984)

1) Ruffino Tamayo (Mexico, 18991991), Capitulo X (1959) color lithograph,

2) Ruffino Tamayo (Mexico, 1899-1991), Rider of the Apocalypse, Chapter XII (1959) color lithograph on BFK Rives watermarked paper.

3) Peter Hurd (1904-1984) Watertank. The lithograph is signed in pencil in the lower right margin.

None of these is signed.

Hurd image is 8.5 x 10, sheet size is 11 x 14.5 inches. Tamayo sheet sizes are 13 x 20 inches each.

Very good condition as shown in the online images.

SOLD: $150

276 :: BIRGER SANDZEN (18711954) TWO PENCIL SIGNED PRINTS

1) Kansas Creek (1936). The linocut is signed by the artist in pencil below the image lower right and titled lower left, listed as Greenough catalog number 78.

2) Pines at Sunset (1923). The lithograph, published in an edition of 100 prints, is signed by the artist in pencil below the image lower left and titled lower right, listed as Greenough catalog number 77.

Pines at Sunset, image measures 7 x 10, sheet is 9.75 x 12 inches. Kansas Creek, image measures 6 x 9, sheet is 9.5 x 12 inches.

Fair to poor condition as shown.

SOLD: $425

277 :: EISEN AND HIROSHIGE ANTIQUE JAPANESE WOODBLOCK PRINTS

Four examples by Utagawa Hiroshige (1797-1858) and one by Keisai Eisen (1790-1848). All unframed.

Image sizes range from 7 x 9.25 to 13.25 x 8.75 inches. Each in very good condition with good color and no damage or repair.

SOLD: $325

278 :: KITAKOKA AND KASAMATSU MODERN

JAPANESE WOODBLOCK PRINTS

1) Fumio Kitaoka (Japan, 1918-2007)

Fishing Boat and Green Crow (1964). The color woodblock print, numbered 106 in an edition of 210 prints, is signed in pencil by the artist lower right and titled lower center.

2) Shiro Kasamatsu (Japan, 18981991) Tide - Shiodoki (1964). The color woodblock from an edition of 100 prints is signed within the image lower right.

The fish prints sight size is 14.5 x 9.25 with a framed size of 18.5 x 13.75 inches. The boat image is 15.5 x 21.5 with a framed size of 20 x 25.25 inches.

Apparently the condition is very good, very clean, intact, no visible stain, damage, repair, punctures or tears. This work has not been examined outside the frame.

SOLD: $325

279 :: HEREDES 18TH C. MAPS OF PERU, AMAZON, CHILI, PARAGUAY

Homanianos Heredes.

Each sheet size is 21.5 x 31 inches.

Very good condition.

SOLD: $150

280 :: MAP OF NORTH AMERICA BY J.B. POIRSON, 1803 AMERIQUE SEPTENTRIONALE

by Jean Baptiste Poirson mapping North America in the period of the Louisiana Purchase with unusual and interesting detail listing dozens and dozens of obscure Indian tribes and their locations, with interesting identification of America's western lands and the oceans surrounding the continent.

Image measures 13.5 x 16.75 with a framed size of 23 x 26.5 inches.

Apparently the condition is very good, very clean, intact, no visible stain, damage, repair, punctures or tears. This work has not been examined outside the frame.

SOLD: $150

281 :: A COLLECTION OF 16TH TO 19TH C. PRINTS INCL REMBRANDT

1. Anthonius van Dyck and Paulus Pontius portrait of the artist Gerard van Honthorst.

2. Albrecht D?rer - The Holy Family.

3. Portrait of Johan van Oldenbarnevelt.

4. Jan Goeree 1721, Book Title Illustration, design by Boucher & Mynde.

5. Jesus Christ, Plate XXIII in an unidentified religious book in English dated in pencil 1742.

6. Jean Baptiste Isabey, Portrait of Marie Antoinette 1783.

7. AFTER Rembrandt 'Jan Uytenbogaert, The Goldweigher', etching on cream wove paper, 19th century.

All unframed.

Image sizes range from 7.25 x 5 to 12 x 8.25 inches.

Varying condition as shown none are considered good or very good.

SOLD: $425

282 :: MARTIN LEWIS (1881-1962)

PENCIL SIGNED ETCHING

'Shadows in the Road' (1926)

The etching printed on Van Gelder Zonen watermarked paper in an edition of 60 prints is signed by the artist in pencil lower right and within the plate lower right.

Image measures 7.75 x 9.75, sheet is 10 x 2.25, and frame is 13 x 17 inches.

Fair condition displaying extremely heavy mat burn and toning.

SOLD: $275

283 :: CHARLES BANKS WILSON (1918-2013) PENCIL SIGNED LITHO

'The Trapper's Bride' (1986)

The lithograph, numbered 133 in an edition of 170 prints, is signed by the artist in pencil below the image lower right and titled lower left.

Image measures 8.75 x 15 with a framed size of 14.5 x 20.75 inches.

Apparently the condition is very good, very clean, intact, no visible stain, damage, repair, punctures or tears. This work has not been examined outside the frame.

SOLD: $225

284 :: CHARLES BANKS WILSON (1918-2013) PENCIL SIGNED

LITHO

'The Race' (1976)

The lithograph from an edition of 100 prints is signed and dated by the artist in pencil below the image lower right and titled lower left.

Image measures 10.75 x 14.5 with a framed size of 205 x 23.5 inches.

Apparently the condition is very good, intact, no visible stain, damage, repair, punctures or tears. This work has not been examined outside the frame.

SOLD: $160

285 :: CHARLES BANKS WILSON (1918-2013) PENCIL SIGNED

LITHO

'The Osage Trade' (1977)

The lithograph from an edition of 250 prints is signed and dated by the artist in pencil below the image lower right and titled lower left.

Image measures 13 x 16.25 with a framed size of 21.5 x 25.25 inches.

Apparently the condition is very good, very clean, intact, no visible stain, damage, repair, punctures or tears. This work has not been examined outside the frame.

SOLD: $325

286 :: CHARLES BANKS WILSON (1918-2013) PENCIL SIGNED

LITHO

'Encounter I.T.' (1978)

The Artist's Proof lithograph aside from the edition of 200 prints is signed by the artist in pencil below the image lower right and titled lower left.

Image measures 11.75 x 16.5 with a framed size of 18 x 22.5 inches.

Apparently the condition is very good, very clean, intact, no visible stain, damage, repair, punctures or tears. This work has not been examined outside the frame.

SOLD: $425

287 :: CHARLES BANKS WILSON (1918-2013) LITHOS (TWO PRINTS)

1. Pencil signed lithograph from an edition of 200 is titled Country Girl lower left and signed by the artist lower right with date of 1992. Earlier versions of this lithograph were titled Susannah and The Elders. Image measures 13.5 x 7, sheet is 16.75 x 10 inches.

2. Hand colored lithograph of child Eagle Dance signed lower right. Image measures 6 x 7, sheet is 9.5 x 13, and mat is 12 x 14.25 inches.

Measurements are included in the description.

Each in very good condition, the full untrimmed sheet with deckle edges, not laid down, no damage, stain, punctures, tears or repair; framed to archival standards in acid free mounts.

SOLD: $225

288 :: HIROSHI YOSHIDA (1876-1950) MODERN JAPANESE WOODBLOCK

'Small Town in Chugoku' (1930s)

The color woodblock print bears a stamped signature below the image lower right and stamped title below the image lower left. Image measures 9.5 x 14.5, sheet is 10.5 x 15.5 inches.

Very good to fine+ condition, the full untrimmed sheet, never framed, not laid down, no damage, stain, punctures, tears, fade, stain or repair, unframed. Great colors.

SOLD: $225

289 :: TAKAHASHI SHOTEI (18711945) MODERN JAPANESE WOODBLOCK

'Mount Fuji from Mizukubo' (1930s)

Stamped signature and Watanabe seal.

Image measures 9.25 x 14.5, sheet is 10.5 x 15.5 inches.

Very good to fine+ condition, the full untrimmed sheet, never framed, not laid down, no damage, stain, punctures, tears, fade, stain or repair, unframed.

SOLD: $250

290 :: TOKURIKI TOMIKICHIRO (1902-2000) PENCIL SIGNED PRINTS

'Music by the Soba Wagon' and 'Yatai' (1950s)

Each print is pencil signed T. Tokuriki in pencil lower left and with stamped signatures in the margins. Each image measures 14 x 9.5, sheets are 15.25 x 10 inches.

Very good condition, the full untrimmed sheets, close margin right side, never framed, not laid down, no damage, stain, punctures, tears, fade, stain or repair, unframed.

291 :: LYMAN BYXBE (1886-1980)

THREE PENCIL SIGNED ETCHINGS

Each etching is signed by the artist in pencil below the image lower right and titled lower left. The titles include:

1. Lone Pine.

2. Bear lake.

3. Long's Peak.

Each image measures 3 x 4.75 with a framed size of 10 x 11 inches.

The condition appears good, each appears intact without visible stain, damage, repair, punctures or tears. None of these has been examined outside the frame.

SOLD: $325

292 :: EVAN LINDQUIST (19362023) SIX PENCIL SIGNED ETCHINGS

(Third quarter of the 20th century.)

The collection of six pencil signed etchings includes:

1) Genesis V drypoint etching, numbered 6 in an edition of 20, signed by the artist in pencil lower center and dated 1973. Image measures 8.25 x 11.5, sheet is 12.5 x 16 inches.

2) Conception drypoint etching, numbered 1 in an edition of 50, signed by the artist in pencil lower center and dated 1970. Image measures 10.5 x 10.5, sheet is 15.5 x 15.25 inches.

3) Homage to Ukiyo-e: Actor etching, numbered 2 in an edition of 25, signed by the artist in pencil lower center and dated 1984. Image measures 10.5 x 13, sheet is 14.5 x 17 inches.

4) First Monster Portrait drypoint etching, numbered 11 in an edition of 25, signed by the artist in pencil lower center and dated 1981. Image measures 9 x 11.75, sheet is 13 x 16 inches.

5) Second Monster Portrait drypoint etching, numbered 4 in an edition of 25, signed by the artist in pencil lower center and dated 1981. c Image measures 9 x 11.75, sheet is 13 x 16 inches.

6) Pissaro etching, noted as an artist's proof, signed by the artist in pencil lower center and dated 1966, dedication reads 'To Jim Ray from Evan Lindquist.' Image measures 13 x 10.25, sheet is 16.25 x 14 inches.

Measurements are included in the description.

Each in very good condition, very clean, never framed, each the full untrimmed sheet with deckle edges, not laid down, no damage, stain, punctures, tears, or repair. None has ever been framed.

293 :: EVAN LINDQUIST (19362023) FIVE PENCIL SIGNED PRINTS

(Third quarter of the 20th century.)

The collection of five pencil signed prints includes:

1) Creation drypoint etching, numbered 8 in an edition of 50, signed by the artist in pencil lower center and dated 1970. Image measures 9.75 x 9.25, sheet is 13.25 x 13.5 inches.

2) Sunflower I wood engraving, numbered 12 in an edition of 60, signed by the artist in pencil lower center and dated 1977. Image measures 7 x 5, sheet is 12 x 8 inches.

3) Sunflower II wood engraving, numbered 6 in an edition of 60, signed by the artist in pencil lower center and dated 1977. Image measures 9 x 6, sheet is 12 x 8 inches.

4) Organism drypoint etching, numbered 2 in an edition of 15, signed by the artist in pencil lower center and dated 1969. Image measures 15 x 9.75, sheet is 18.75 x 13.75 inches.

5) Genesis drypoint etching, numbered 1 in an edition of 50, signed by the artist in pencil lower center and dated 1970. Image measures 13.25 x 8.5, sheet is 17 x 12.5 inches.

Measurements are included in the description.

Each in very good condition, very clean, never framed, each the full untrimmed sheet with deckle edges, not laid down, no damage, stain, punctures, tears, or repair. None has ever been framed.

SOLD: $275

294 :: EVAN LINDQUIST (19362023) FIVE PENCIL SIGNED PRINTS

(Third quarter of the 20th century.)

The collection of five pencil signed prints includes:

1) Gravity Descending color wood engraving, numbered 11 in an edition of 150, signed by the artist in pencil lower center and dated 1985. Image measures 7 x 4.75, sheet is 11.25 x 8.5 inches.

2) Sunflower IV color wood engraving, numbered 10 in an edition of 35, signed by the artist in pencil lower center and dated 1982. Image measures 9.25 x 7, sheet is 13.5 x 11.5 inches.

3) Sunflower III wood engraving, numbered 6 in an edition of 70, signed by the artist in pencil lower center and dated 1970. Image measures 8 x 10, sheet is 12 x 14 inches.

4) Thought IV etching, noted as an Artist's Proof, signed by the artist in pencil lower center and dated 1975. Image measures 8.75 x 7.75, sheet is 12.5 x 11.25 inches.

5) Stamps of Heroes and Monsters drypoint etching, numbered 11 in an edition of 20, signed by the artist in pencil lower center and dated 1980. Image measures 7.75 x 10.5, sheet is 12 x 15.25 inches.

Measurements are included in the description.

Each in very good condition, very clean, never framed, each the full untrimmed sheet with deckle edges, not laid down, no damage, stain, punctures, tears, or repair. None has ever been framed.

SOLD: $170

295 :: EVAN LINDQUIST (19362023) SEVEN PENCIL SIGNED PRINTS

The collection of seven pencil signed prints includes:

1) Potential aquatint etching, numbered 10 in an edition of 15, signed by the artist in pencil lower center and dated 1970. Image measures 6 x 11.5, sheet is 11.25 x 16.75 inches.

2) Entity drypoint etching, noted as an Artist's Proof, signed by the artist in pencil lower center and dated 1969. Image measures 7.25 x 11.25, sheet is 11.25 x 13.75 inches.

3) Horizons drypoint etching, noted as an Artist's Proof, signed by the artist in pencil lower center and dated 1971. Image measures 6 x 11.5, sheet is 11.5 x 17 inches.

4) Tension drypoint etching, noted as an Artist's Proof, signed by the artist in pencil lower center and dated 1970. Image measures 11.25 x 6.25, sheet is 16.75 x 11.25 inches.

5) Document: Torn Gravity Map drypoint etching, numbered 19 in an edition of 60, signed by the artist in pencil lower center and dated 1981. Image measures 4 x 4, sheet is 9 x 9 inches.

6) Superego (1971). image measures 13 x 13, sheet is 17.25 x 17.25, and frame is 19.25 x 19.25 inches.

7) Cosmos (1971). Image measures 18 x 17.5, sheet is 21.5 x 21, and frame is 26.5 x 24 inches.

Measurements are included in the description.

Each in very good condition, very clean, never framed, each the full untrimmed sheet with deckle edges, not laid down, no damage, stain, punctures, tears, or repair. None has ever been framed.

SOLD: $160

296 :: EVAN LINDQUIST (19362023) SIX PENCIL SIGNED ETCHINGS

(Third quarter of the 20th century.)

The collection of six pencil signed prints includes:

1) Homage to Ukiyo-e: Dancer color etching, numbered 3 in an edition of 25, signed by the artist in pencil lower center and dated 1984. Image measures 13 x 17.75, sheet is 17.25 x 22 inches.

2) Thought III drypoint etching, numbered 3 in an edition of 15, signed by the artist in pencil lower center. Image measures 17.5 x 11.75, sheet is 21.75 x 16 inches.

3) The Lamp VIII drypoint etching, noted as an Artist's Proof, signed by the artist in pencil lower center and dated 1973. Image measures 19.25 x 12, sheet is 24.25 x 16.75 inches.

4) The Lamp VII drypoint etching, numbered 13 in an edition of 35, signed by the artist in pencil lower center and dated 1973. Image measures 16.5 x 12, sheet is 24.25 x 16.75 inches.

5) The Lamp VI drypoint etching, numbered 12 in an edition of 35, signed by the artist in pencil lower center and dated 1973. Image measures 17.75 x 12, sheet is 24.25 x 16.75 inches.

6) The Lamp V drypoint etching, numbered 2 in an edition of 35, signed by the artist in pencil lower center and dated 1973. Image measures 20 x 12.25, sheet is 24.25 x 16.5 inches.

Measurements are included in the description.

Each in very good condition, very clean, never framed, each the full untrimmed sheet with deckle edges, not laid down, no damage, stain, punctures, tears, or repair. None has ever been framed.

SOLD: $170

297 :: EVAN LINDQUIST (19362023) FIVE PENCIL SIGNED ETCHINGS

(Third quarter of the 20th century.)

The collection of five pencil signed drypoint etchings includes:

1) The Lamp IV, noted as an artist's proof, signed by the artist in pencil lower center and dated 1973. Image measures 17.75 x 12, sheet is 24.25 x 16.75 inches.

2) The Lamp III, noted as an artist's proof, signed by the artist in pencil lower center and dated 1973. Image measures 19.75 x 12, sheet is 24.25 x 16.75 inches.

3) The Lamp II, noted as an artist's proof, signed by the artist in pencil lower center and dated 1973. Image measures 20.25 x 12, sheet is 24.25 x 16.75 inches.

4) The Lamp I, noted as an artist's proof, signed by the artist in pencil lower center and dated 1973. Image measures 19.25 x 12, sheet is 24.25 x 16.75 inches.

5) The Lute, numbered 15 from an edition of 100, signed by the artist in pencil lower center and dated 1974. Image measures 13.25 x 19.25, sheet is 17.5 x 23.5 inches.

Measurements are included in the description.

Each in very good condition, very clean, never framed, each the full untrimmed sheet with deckle edges, not laid down, no damage, stain, punctures, tears, or repair. None has ever been framed.

SOLD: $150

298 :: EVAN LINDQUIST (19362023) FIVE PENCIL SIGNED ETCHINGS

(Third quarter of the 20th century.)

The collection of five pencil signed drypoint etchings includes:

1) Consciousness, numbered 13 from an edition of 75 prints, signed by the artist in pencil lower center. Image measures 14.5 x 11.75, sheet is 20 x 17 inches.

2) Genesis II, numbered 1 from an edition of 25 prints, signed by the artist in pencil lower center and dated 1973. Image measures 16 x 11, sheet is 20 x 15.25 inches.

3) Genesis III, numbered 7 from an edition of 40 prints, signed by the artist in pencil lower center and dated 1973. Image measures

18 x 15, sheet is 22 x 19 inches.

4) Genesis IV, numbered 7 from an edition of 30 prints, signed by the artist in pencil lower center and dated 1973. Image measures 12.25 x 14.5, sheet is 16.5 x 18.5 inches.

5) The Lute II, numbered 11 from an edition of 25 prints, signed by the artist in pencil lower center and dated 1974. Image measures 14 x 20.25, sheet is 17.75 x 24 inches.

Measurements are included in the description.

Each in very good condition, very clean, never framed, each the full untrimmed sheet with deckle edges, not laid down, no damage, stain, punctures, tears, or repair. None has ever been framed.

SOLD: $170

299 :: CHARLES BANKS WILSON (1918-2013) PENCIL SIGNED LITHO

'Enter Coronado' (1976)

The lithograph from an edition of 100 prints is signed and dated by the artist in pencil below the image lower right and titled lower left.

Image measures 17.25 x 11 with a framed size of 26.5 x 19.5 inches.

Apparently the condition is very good, very clean, intact, no visible stain, damage, repair, punctures or tears. This work has not been examined outside the frame.

SOLD: $375

300 :: MAURICE R. BEBB (18911985) PENCIL SIGNED PRINTS

1) Monarchs (1959) The color etching on paper is signed and dated by the artist in pencil below the image lower right and titled lower left.

2) Goldenrod and Red Admiral (1965) The color etching on silk is signed and dated by the artist in pencil below the image lower right and titled lower left.

3) Tiger Swallowtail (1971) The color etching on silk is numbered 70 from an edition of 150, signed and dated by the artist in pencil below the image lower right and titled lower left.

4) Harebells and Sulphurs (1961) The color etching on paper is numbered 123 from an edition of 150, signed and dated by the artist in pencil below the image lower right and titled lower left. Each image measures 9.25 x 7.25 with a framed size of 14.75 x 13.25 inches.

Apparently the condition is very good. No major visible stain, damage, repair, punctures or tears. None of these has been examined outside the frame.

SOLD: $200

301 :: MAURICE R. BEBB (18911985) PENCIL SIGNED ETCHINGS

1) Red-winged Blackbirds (1957) The color etching on silk is signed and dated by the artist in pencil below the image lower right and titled lower left.

2) Robins (1963) The color etching on silk is signed and dated by the artist in pencil below the image lower right and titled lower left.

3) A watercolor landscape on board signed 'Loe Bulson' lower left.

1) Robins image measures 7 x 9.25 with a framed size of 13.75 x 15 inches. Red winged blackbirds image measures 7.25 x 9 with a framed size of 13.75 x 15.25 inches. The Bulson painting sight size measures 10.75 x 8.25 with a framed size of 17.25 x 15 inches.

Apparently the condition is very good. No major visible stain, damage, repair, punctures or tears. None of these has been examined outside the frame.

SOLD: $120

302 :: MAURICE R. BEBB (1891-1985) PENCIL SIGNED ETCHINGS

Four etchings in colors printed in silk.

1) Rose-breasted Grosbeak (1960) The color etching is signed and dated by the artist in pencil below the image lower right and titled lower left.

2) Yellow-headed Blackbirds (1957) The color etching is signed and dated by the artist in pencil below the image lower right and titled lower left.

Rose Breasted Grosbeak image measures 7.25 x 9 with a framed size of 13.25 x 15 inches. Yellow headed blackbirds image is 7.25 x 9 with a framed size of 13.75 x 15.25 inches.

Apparently the condition is very good. No major visible stain, damage, repair, punctures or tears. None of these has been examined outside the frame.

SOLD: $400

303 :: MAURICE R. BEBB (18911985) PENCIL SIGNED AQUATINT 'Black Swans' (1952)

The color etching is signed and dated by the artist in pencil below the image lower right and titled lower left, includes the artist's original studio label verso.

Image measures 7.25 x 10 with a framed size of 15.25 x 16.75 inches.

Apparently the condition is very good. No major visible stain, damage, repair, punctures or tears. This print has not been examined outside the frame.

SOLD: $170

304 :: MAURICE R. BEBB (18911985) PENCIL SIGNED COLOR ETCHING

'Great Blue Heron' (1971)

The color etching numbered 50 in an edition of 150 prints is signed and dated by the artist in pencil below the image lower right and titled lower left.

Image measures 9.25 x 7.25 with a framed size of 16.5 x 13.5 inches.

Apparently the condition is very good. No major visible stain, damage, repair, punctures or tears. This print has not been examined outside the frame.

SOLD: $350

305 :: CHILDE HASSAM (18591935) PENCIL SIGNED ETCHING 'Bowling on the Green' (1931)

The drypoint etching published in an edition of approximately 1000 prints is signed by the artist's monogram in pencil below the image lower right and signed in the plate lower left with date of 1931. This image was one of 20 'Masterpieces in Etching' commissioned by a group of investors employing twenty American artists to illustrate a portfolio of images on the life of George Washington in the early 1930s, just before the bicentennial of his birth.

Image measures 8 x 13.25 with a framed size of 21.5 x 24.5 inches.

Apparently the condition is very good, intact, no major stain visible, no damage, repair, punctures or tears. This work has not been examined outside the frame.

306 :: EVAN LINDQUIST (19362023) AND BRUCE McCOMBS (B. 1964)

Large format pencil signed prints. Six Evan Lindquist pencil signed etchings.

One Bruce McCombs pencil signed etching.

1) Evan Lindquist (Arkansas, 1936-2023), Document (1975) The etching numbered 18 in an edition of 25 prints is signed and titled by the artist in pencil below the image lower center. Image measures 14.5 x 23.5, sheet is 18.5 x 27.5 inches.

2) Evan Lindquist (Arkansas, 1936-2023), Carl (1973) The drypoint etching, noted as an artist's proof, is titled and signed by the artist in pencil below the image lower center. Image measures

25.5 x 20, sheet is 29.5 x 24 inches.

3) Fantasy (1968) The drypoint etching, numbered 40 in an edition of 40 prints is titled and signed by the artist in pencil below the image lower center. Image measures 23.5 x 35.5, sheet is 25 x 40 inches.

4) Evan Lindquist (Arkansas, 1936-2023) Deep Summer II, The drypoint etching, numbered 21 in an edition of 40 prints is titled and signed by the artist in pencil below the image lower center. Image measures 23.5 x 34.75, sheet is 25 x 38.5 inches.

5) Eric (1967) The color etching, numbered 1 in an edition of 30 prints, is signed by the artist in pencil below the image lower right and titled lower left. Image measures 35.5 x 21.75, sheet is 38.5 x 24 inches.

6) Fantasy (1968) The drypoint etching, numbered 18 in an edition of 40 prints is signed by the artist in pencil below the image lower right and titled lower left. Image measures 23.5 x 34.5, sheet is 25 x 38.5 inches.

7) Bruce McCombs (Ohio, Born 1943) Parade. The large drypoint etching numbered 27 in an edition of 200 prints is signed by the artist in pencil below the image lower right and titled lower left. Plate measures 27.5 x 21.75, sheet size 30.25 x 24.5 inches.

Measurements are included in the description.

Very good condition, the full untrimmed sheet with deckle edges, not laid down, no damage, stain, punctures, tears or repair. None of these has ever been framed.

SOLD: $300

307 :: LAWRENCE BEALL SMITH & RICHARD FLORSHEIM PRINTS

1) Museum Visitor (1946) The collotype published by Associated American Artists is signed and dated within the image.

2) The Skaters (1939) The lithograph published by Associated American Artists in an edition of 186 prints is signed by the artist in pencil below the image lower right, original AAA present verso.

3) Solitude (1940) The lithograph published by Associated American Artists in an edition of 250 prints is signed by the artist in pencil below the image lower right, original AAA present verso.

4) Richard Florsheim (1916-1979) They Turned Away from Where He Fell (1940) The lithograph numbered 8 from an edition of 15 prints is initialed in pencil by the artist lower right and titled verso.

'Museum Visitor' sight size through the mat is 23.25 x 17.5, frame measures 38 x 26 inches. 'The Skaters' image size 11 x 8.5, frame measures 18.75 x 14.75 inches. 'Solitude' image size 9.5 x 11.5, frame size 16.5 x 18 inches.

Very good condition.

SOLD: $100

308 :: BERTHE MORISOT (18411895) DRYPOINT ETCHING

'Jeune Fille au Chat' (Circa 1889)

The late 19th century etching is unsigned.

Plate size 6 x 4.5, sheet measures 7.5 x 6, the frame is 28.25 x 24.25 inches.

Very good condition as shown.

309

:: J.J. LANKES (1884-1960) WOODBLOCK PRINT

'Haying' (1937)

The woodcut from an edition of approximately 200 prints published by American Artists Group is signed and dated within the block lower left.

Image measures 7.5 x 10.25, sheet is 13 x 18 inches.

Very good condition, the full untrimmed sheet, not laid down, no damage, punctures, tears or repair, very, very minor toning in the margins at the extreme edge as shown. Never framed or matted.

SOLD: $200

310 :: JEAN CHARLOT (18981979) PENCIL SIGNED LITHOGRAPH

'El Volador (The Flying One)' (1949)

The lithograph published by Associated American Artists in an edition of 250 prints is signed by the artist in pencil below the image lower right.

Image measures 14 x 9.75, sheet is 16.5 x 13.25 inches.

Good condition, the full untrimmed sheet, not laid down, no damage, punctures, tears or repair, toning from a previous mat frames the image as shown in the online pictures.

SOLD: $110

Image measures 12 x 15.5, sheet is 13.5 x 17 inches.

Fir condition, noting close margins and a tear left side as shown 2 inches into the image, brown paper tape around the outside the back edge,

SOLD: $275

312

:: FELIX VALLOTTON (18651925) TOULOUSE-LATREC (18641961)

1) Felix Edouard Vallotton (18651925) Les Amateurs D'Estampes (The Print Lovers).

After an image commissioned by the pioneering French art dealer Edmond Sagot who is credited with 'inventing' the concept of posters as art. He also specialized in color lithographs early on. He asked Felix Valloton to design a composition of eager buyers crowding his gallery window. The image became very popular and was reworked by Valloton a number of times and used in a number of ways, including Sagot's change of address announcement for his gallery, and even as his personal calling card. The work is initialed FV in the plate for the artist Felix Valloton.

2) Henri de Toulouse-Lautrec (1864-1901). Yvette Guilbert (1894), color screen print.

Calling card image measures 7.25 x 10 with a framed size of 17.25 x 19.5 inches. Image measures 9 x 5 with a framed size of 18 x 15 inches.

Apparently the condition is very good, very clean, intact, no visible stain, damage, repair, punctures or tears. This work has not been examined outside the frame.

311 :: JOHN STEUART CURRY (1897-1946) PENCIL SIGNED LITHOGRAPH

'Stallion and Jack Fighting' (1943)

The lithograph from an edition of 250 prints published by Associated American Artists is signed by the artist in pencil below the image lower right and titled verso by the original AAA publisher's label. Fair condition.

313 :: ALLEN GINSBERG (19261997) 1967 BLOCK PRINT BROADSIDE

'Entering Kansas City High, Formula Series #5' (1967)

Overall framed size measures 24.25 x 15.25 inches.

Apparently the condition is very good, very clean, intact, no visible stain, damage, repair, punctures or tears. This work has not been examined outside the frame.

SOLD: $170

314 :: WORKS BY DWIGHT KIRSCH, ITALO SCANGA, VAN SUCHTELEN

1) Mixed media winter landscape on paper, signed lower right with a Japanese inkstamp reading 'Sakura,' initialed 'DK' and dated 1-15-60.

2) Mixed media winter landscape on paper, signed lower left with a Japanese inkstamp reading 'Sakura,' initialed 'DK' and dated 1-15-60.

3) Italo Scanga (1932-2001) Untitled from the Art Sounds series (1986). The offset lithograph, numbered 168 in an edition of 200, is signed in pencil by the artist lower right.

4) Adrian Van Suchtelen (Born 1941) Cherries. The etching, numbered 37 in an edition of 50, is signed in pencil by the artist lower right and titled lower left.

Overall framed size range from 14.75 x 14.75 to 19 x 15.5 inches.

Very good condition.

315 :: AN ESTATE LOT OF PENCIL SIGNED PRINTS & WORKS ON PAPER

1) Albany E. Howarth (Britain, 18721936) The Chancel Ely Cathedral (1925). The etching is signed by the artist in pencil below the image lower right and titled within the plate lower left.

2) Linda Floyd (20th century) Spectacled Owl. The etching, inscribed Artist Proof, is signed in pencil by the artist lower right and titled lower center.

3) Evan Lindquist (1936-2023) Untitled (1963). Pen and ink illustration of a tree, signed and dated in pencil lower left.

4) Abigail Rorer (born 1949) The Print Collector's Club (1984). The hand-colored etching, numbered 9 in an edition of 75, is signed by the artist in pencil lower right and titled lower left.

5) Evan Lindquist (1936-2023) Ink wash illustration of a bird (1962). Signed and dated lower left.

Image sizes range from 4 x 7 to 18 x 9.25 inches. One has a framed size of 27.25 x 16.5 inches.

Very good condition as shown.

SOLD: $100

316 :: MARKO SPALATIN (B. 1945)

PENCIL SIGNED SERIGRAPH

'Trygon I'

The serigraph, numbered 3 of an artist's proof edition of 10, is signed by the artist in pencil below the image lower right and titled lower left.

Image measures 21 x 21 with a framed size of 33.25 x 33.25 inches.

Apparently the condition is very good, very clean, intact, no

visible stain, damage, repair, punctures or tears. This work has not been examined outside the frame.

SOLD: $100

317 :: MARKO SPALATIN (B. 1945)

PENCIL SIGNED SERIGRAPH

'Trygon II'

The serigraph, numbered 3 of an artist's proof edition of 10, is signed by the artist in pencil below the image lower right and titled lower left.

Image measures 23 x 19.75 with a framed size of 33 x 29.25 inches.

Apparently the condition is very good, very clean, intact, no visible stain, damage, repair, punctures or tears. This work has not been examined outside the frame.

SOLD: $110

318 :: HENRI FANTIN-LATOUR

(1836-1904) LITHOGRAPH

'L'Anniversaire' (1875)

Signed and dated within the image lower right.

Image measures 24.5 x 20, sheet is 29.5 x 24, and frame is 34 x 28 inches.

Very good condition.

SOLD: $325

319 :: JACKSON LEE NESBITT

(1913-2008) ETCHING AND PRINTS (4)

1) Evening in March. The etching from an edition of 250 prints published by Associated American Artists is signed by the artist in pencil below the image lower right and titled lower left.

2) Plate Mill - Sheffield Steel Corporation, with printed signature lower right.

3) Rod Mill - Sheffield Steel Corporation (1947), with printed signature lower right.

4) Charging Hot Metal - Sheffield Steel Corporation (1939), with printed signature lower right.

Image sizes range from 6.75 x 10 to 11.75 x 8.75 inches.

Fair to good condition as shown.

SOLD: $190

320 :: JOHN STEUART CURRY (1897-1946) LITHOGRAPHS

1) Coyotes Stealing a Pig, an original stone lithograph from the second state of 50 prints pulled in 1927, signed lower right and titled lower left.

2) The Flying Codonas (1932), a color mechanical offset lithograph with printed signature only, lower right.

Image measures 10 x 15, sheet is 14 x 17.75 inches. Image measures 18.125 x 15, sheet is 18.5 x 15.25 inches.

The 1929 stone lithograph is heavily toned as shown and in poor condition. The color print is in good condition.

SOLD: $350

321 :: A LARGE COLLECTION OF PRINTS BY SIEGFRIED REINHARDT

The collection of pencil signed etchings, offset lithograph portfolios, and a graphite work on paper are offered as one lot as shown.

Sheet sizes range from 13.25 x 17.25 to 28.75 x 19.75 inches.

Very good condition.

SOLD: $120

322

:: D' ANVILLE, JEAN BAPTISTE BOURGUIGNON, AMERIQUE 1745

The top two sheets of an engraved four sheet map, this portion with a figural allegorical cartouche containing the date of 1745 and other information.

Sheet sizes measures 20 x 36 and 17.25 x 27.5 inches.

Good condition as shown.

SOLD: $225

323 :: A 17C. ENGRAVED AND HAND COLORED MAP SPAIN & PORTUGAL

The hand colored engraving Andaluzia continens Sevillam et Cordubam circa 1634 - 1643.

Sheet sizes measures 15.5 x 20 and 17 x 23 inches.

Very good condition as shown.

SOLD: $100

324 :: TWO 19TH CENTURY MAPS OF NORTH AMERICA

1. New Map of North America by John Cary, 1811.

2. ?tats-Unis D Amerique by Jean Alexandre Buchon 1825, published by J. Carez, Paris,

Unframed image is 16.5 x 20.5 with a mat size of 25.5 x 29.5 inches. The framed map image is 18 x 20.5 with a framed size of 22.75 x 28 inches.

Apparently the condition of each is good, no major visible stain, damage, repair, punctures or tears. Neither has been examined outside the frame.

SOLD: $250

325 :: ESTATE LOT OF PRINTS, PORTFOLIOS & WORKS ON PAPER

The collection of artwork by listed artists includes:

1. Our Flying Navy in Action: Reproductions from the Abbott Collection of Naval Aviation Paintings.

2. Two pencil signed etchings by Helen King Boyer (1919 - 2012)

3. Studies and sketches in pen and ink, watercolor and graphite.

4. A watercolor signed Frank Steinman.

Image sizes range from 4.5 x 5.25 to a sight size of 16 x 23.25 with a framed size of 23.5 x 30.75 inches.

Very good condition.

SOLD: $150

326 :: CHARLES BANKS WILSON (1918-2013) PENCIL SIGNED LITHO

'Judging the War Dance' (1993)

The lithograph from an edition of 200 prints is signed and dated by the artist in pencil below the image lower right and titled lower left.

Image measures 7.5 x 17 with a framed size of 13.25 x 22.75 inches.

Apparently the condition is very good, very clean, intact, no visible stain, damage, repair, punctures or tears. This work has not been examined outside the frame.

SOLD: $225

327 :: CHARLES 'CHILI' CAPPS (1898-1981) PENCIL SIGNED ETCHING

'Ontario Farm' (1939)

The drypoint etching, published in an edition of 75 prints, is signed in pencil by the artist below the image lower right and titled lower left, Shaull/Elliott catalogue raisonn? number 51.

Plate size 6.25 x 8.75, sheet measures 10 x 12.75, the frame is 14.75 x 16.75 inches.

Fair to good condition, noting overall toning, a mat burn around the image and brown paper tape on the face of the print. Not laid down, no damage or repair.

SOLD: $375

328 :: N. CURRIER 'LOSS OF STEAMBOAT

SWALLOW' + WINSLOW HOMER

1) Loss of the Steamboat Swallow (Circa 1845) The hand-colored lithograph, 'Loss of the Steamboat Swallow while on her trip from Albany to New-York, on Monday Evening April 7th, 1845. When opposite Athens she stuck a large rock, took fire, broke in two and sunk. By which melancholy occurrence, it is supposed that nearly 40 lives were lost.' Printed publisher signature Nathaniel Currier lower center.

frame, this print is complete without trimming or mounting, good color, no serious stain, no damage.

SOLD: $400

329

:: J.J. LANKES (1884-1960) WOODBLOCK PRINT

'Sunday Afternoon' (1936)

The woodcut print produced for the American Artists Group and published in an edition of approximately 200 prints is signed by the artist within the block and dated 1936.

Image measures 7.25 x 10, sheet is 13 x 18 inches.

Very good condition, the full untrimmed sheet, not laid down, no damage, punctures, tears staining or repair. Never framed or matted.

SOLD: $170

330 :: A COLLECTION OF 20TH C. WOODCUTS AND LITHOGRAPHS

1) Peter Moran (Pennsylvania, 18411914) A Noonday Rest (circa 1877). The etching is initialed within the plate lower right.

2) Prentiss Taylor (Washington D.C., 1907-1991) Steward, Course and Paddock (1937) two copies. The lithographs are initialed within the image lower left.

3) Fiske Boyd (1895-1975) Interior (1936) two copies. The woodcuts are signed within the blocks lower left.

4) Federico Cristencia Castellon (New York, Spain, 1914-1971) The Gordian Knot (1936). Unsigned, marked with an American Artists Group copyright verso.

Sheet sizes range from 8.25 x 10.75 to 13 x 18.25 inches.

Very good condition.

SOLD: $160

331 :: FOUR EARLY 20TH CENTURY JAPANESE WOODBLOCK PRINTS

1) Kitagawa Utamaro (1753-1806) The Oiran Hanaogi of Ogiya, (from the series Six Jewel Rivers), circa 1795-96.

2) Utagawa Hiroshige (1797-1858), Konpira Shrine and Aoi Slope (Outside Toranomon Gate), circa 1858.

3) Utagawa Kunisada (1786-1865)

2) After Winslow Homer (1836-1910) Station House Lodgers (1874) The wood engraving on paper was published by Harper's Weekly February 7, 1874.

Currier and Ives measures 8 x 12, sheet is 10.5 x 14.75, and frame is 16 x 20 inches. Homer image measures 9 x 13.5 with a framed size of 19.75 x 23.5 inches.

The Currier is in very goo plus condition. Shown outside the

4) Unidentified.

Overall framed size range from 11.25 x 16.25 to 21.75 x 16.5 inches.

Each in very good condition, very clean, never framed, each the full untrimmed sheet with deckle edges, not laid down, no damage, stain, punctures, tears, or repair. None has ever been framed.

SOLD: $110

332 :: A COLLECTION OF PRINTS

INCLUDING BINGHAM AND BENTON

The large collection is offered as one lot as shown.

Sheet sizes range from 7 x 5.25 to 24 x 18 inches.

Very good condition. SOLD: $375

333 :: SIEGFRIED REINHARDT, ELIZABETH LAYTON, OTHER POSTERS

The entire lot as shown.

Overall sizes range from 17 x 11 to 23.5 x 38 inches.

Very good condition.

SOLD: $30

334 :: G.H. ROTHE (1935-2007) PENCIL SIGNED MEZZOTINTS (7)

1) Downtown. The mezzotint, numbered 58 in an edition of 99 prints, is signed by the artist in pencil below the image lower right and titled lower center. Image measures 35.5 x 24, sheet is 43 x 30, and mat is 44 x 32 inches.

2) Landmark. The mezzotint, numbered 113 in an edition of 150 prints, is signed by the artist in pencil below the image lower right and titled lower center. Image measures 27.5 x x 22, sheet is 42.5 x 30.25, and mat is 43 x 32 inches.

3) The Poet. The mezzotint, numbered 108 in an edition of 150 prints, is signed by the artist in pencil below the image lower right and titled lower center. Image measures 35 x 24, sheet is 42.5 x 30 inches.

4) Mollusk. The mezzotint, numbered 40 in an edition of 150 prints, is signed by the artist in pencil below the image lower right and titled lower center. Image measures 35.5 x 24, sheet is 42.25 x 30 inches.

5) Ballet in New York. The mezzotint, numbered 126 in an edition of 150 prints, is signed by the artist in pencil below the image lower right and titled lower center. Image measures 32.5 x 24, sheet is 42.5 x 30.5 inches.

6) America's Pride. The mezzotint, numbered 136 in an edition of 150 prints, is signed by the artist in pencil below the image lower right and titled lower center. Image measures 27.75 x 26, sheet is 35.25 x 30.25 inches.

7) Par de Trois. The mezzotint, numbered 99 in an edition of 300 prints, is signed by the artist in pencil below the image lower right and titled lower center. Image measures 37 x 24.75, sheet is 42.75 x 29 inches.

Measurements are included in the description.

Very good condition, the full untrimmed sheet with deckle edges, not laid down, no damage, stain, punctures, tears or repair, never framed.

SOLD: $475

335 :: RANCE HOOD (OKLAHOMA, BORN 1941) PENCIL

SIGNED PRINTS

1) Rance Hood (Oklahoma, Born 1941) Forbidden Hunting Ground (1973) The offset lithograph, numbered 1471 in an edition of 1500 prints, is signed by the artist in pencil below the image lower left.

2) Hugh Cabot (Arizona, 1930-2005) Rodeo Cowboy. The lithograph with printed signature lower right.

3) Rance Hood (Oklahoma, Born 1941) Moonlight Hunt (1973) The offset lithograph, numbered 249 in an edition of 300 prints, is signed by the artist in pencil below the image lower left.

Overall framed size measures from 32 x 26 to 34 x 40.75 inches.

Apparently the condition is very good, very clean, intact, no visible stain, damage, repair, punctures or tears. This work has not been examined outside the frame.

SOLD: $150

336 :: PAPART AND TOBIASSE CARBORUNDUM ETCHINGS W/ EMBOSSING

1) Max Papart (French, 1911-1994) Blue Harlequin (1982) The color aquatint with carborundum and embossing is signed by the artist in pencil lower right, numbered 33 from an edition of 60 prints. Image measures 43 x 33, sheet is 55 x 40 inches.

2) Th?o Tobiasse (French, 1927-2012) When the Whole Day Becomes Fruit (1983) The color aquatint with carborundum and embossing is signed by the artist in pencil lower right, numbered 33 from an edition of 50 prints. Image measures 40 x 27, sheet is 53 x 38 inches.

3) Max Papart (French, 1911-1994) Royal Bird (1983) The color aquatint with carborundum and embossing is signed by the artist in pencil lower right, numbered 2 from an edition of 25 prints. Image measures 29 x 45, sheet is 39 x 55 inches.

Measurements are included in the description.

Very good condition, the full untrimmed sheet with deckle edges, not laid down, no damage, stain, punctures, tears or repair; never framed.

SOLD: $200

Terms and Conditions for bidders who attend the auction in person at 529 West Lone Jack - Lee’s Summit Road in Lone Jack, Missouri:

1. Unless otherwise stated in advertising and sale day announcement, the sale price will include a Buyer’s Premium of 18% to be added to the final bid accepted by the Auctioneer aka the final hammer price. This 18% premium may be reduced to 15% when payment is made by cash or check and not by credit card, paypal or other methods that impose a fee. All in-house purchases must be paid for at the end of the sale. We will accept Cash, MasterCard, Visa and Discover credit cards. We may accept personal checks with bank BANK LETTER OF GUARANTEE, but we charge, and Buyer must pay, $250 for any “NSF” check returned. In dispute over payment, we may recover, and Buyer is liable for any expenses, costs or attorney fees we incur in collecting payment.

2. Checks are accepted only with a bank letter of guarantee. The letter of guarantee must meet the requirements outlined HERE and follow this same basic format.

3. No more than $4000.00 may be paid toward an invoice using Paypal or a Credit Card of any type. Note: Paypal Echeck payments take up to 4 days to clear and will delay the shipping of your purchase until sufficient time has passed.

4. If and when payment by bank check is accepted without a Bank Letter of Guarantee or in the case of an unconfirmed Bank Letter of Guarantee, Dirk T. Soulis Antiques LLC, d.b.a. Dirk Soulis Auctions Auctioneers reserves the right to hold items purchased by check of any type (including Cashier’s Checks) for a minimum of 10 business days before releasing item(s) for removal from the auction premises or shipping.

5. Dirk T. Soulis Antiques LLC, d.b.a. Dirk Soulis Auctions guarantees the authenticity, age and origin of a lot AS DESCRIBED IN THE ALL CAPITAL LETTERS TITLE OF THE AUCTION LISTING for a period of thirty (30) days from the date of the auction except those lots listed in the title as: “in the style of”, “attributed”, “attributed to”, “the school of”, “in the manner of”, or “after” and only to the original purchaser of record at the auction and only if the purchaser provides payment within 7 (seven) days of the auction sale day. It is the policy of Dirk T. Soulis Antiques LLC, d.b.a. Dirk Soulis Auctions to have the purchaser

obtain, at the purchaser’s expense, the opinion of two recognized experts in the field, mutually acceptable to Dirk T. Soulis Antiques LLC, d.b.a. Dirk Soulis Auctions and the purchaser, before any consideration to rescind the sale under the above guarantee. If it is determined to the satisfaction of Dirk T. Soulis Antiques LLC, d.b.a. Dirk Soulis Auctions that the all capital letters listing for an item is incorrect, the sale will be rescinded provided the lot is returned to Dirk T. Soulis Antiques LLC, d.b.a. Dirk Soulis Auctions Auctioneers in the same condition that it was at the time of the auction. The purchasers sole remedy in the event of disputed authenticity of origin of any lot shall be the rescission of the sale and return of the original purchase price and premium paid by the purchaser. Otherwise there are no other guarantees, expressed or implied, all items are sold AS-IS.

6. WITHDRAWN LOTS: Dirk T. Soulis Antiques LLC, d.b.a. Dirk Soulis Auctions Auctioneers reserves the right to withdraw any property before the auction and shall have no liability whatsoever for withdrawal of the property.

7. SUCCESSFUL BIDDERS: The highest bidder acknowledged by the auctioneer is the buyer. The auctioneer shall be the sole determinant of all winning bidders and shall hold the official record of all sale prices. The auctioneer’s declaration of the winning bidder will be recorded in-house and that record of the sale price shall take precedence over any and all electronic record or online readout or any incorrect notification regarding the winning bidder and or the final hammer price for any lot sold.

8. Once the auctioneer’s gavel falls, the successful bidder immediately assumes full risk and responsibility for the purchased lot.

9. DISPUTED BIDS - In the event of discrepancies, the saleroom records of Dirk Soulis Antiques LLC DBA Dirk Soulis Auctions will take precedence over all other records or statements or invoices regarding hammer price and the final winning bidder of any lot.

10. ACCEPTANCE OF TERMS: Bidding on any item indicates the bidder’s acceptance of the above terms and conditions.