10 0 + T H I N G S T O D O • A A P I H E R I T A G E M O N T H • F E S T I VA L S E A S O N • S O U N D S O F S U M M E R • S C U B A D I V I N G 101
A LIFESTYLE + ENTERTAINMENT MAGAZINE • MAY // JUNE 2022
A chat with D.C. thought leader Peter Chang at Hirshhorn’s Yayoi Kusama exhibit
IN
THE
DMV
YOU’RE INVITED TO “A NEW KIND OF D.C. PARTY” – The Washington Post
Dress up and party in the Hirshhorn’s outdoor Sculpture Garden on the National Mall on Saturday, May 21, 6:30–10 pm. The 2022 Hirshhorn Ball wraps art, music, and fashion into a Pop Art celebration, featuring artisthonoree KAWS and composer and electronic musician Dan Deacon. VIP experience includes a pre-party performance by Laurie Anderson. • Pop Art-themed red carpet and creative fashion contest hosted by Pussy Noir • Art activations • Performance by Dan Deacon on an outdoor dancefloor • Open bar This event supports free art for everyone at the Hirshhorn, the national museum of modern art.
BUY TICKETS ON HIRSHHORN.SI.EDU
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TIM MA IS LUCKY
28 38 50 VENTURING OFF THE BEATEN PATH
THOUGHT LEADER PETER CHANG
A-Z GUIDE TO DMV ADVENTURES
52
SCUBA DIVING 101
Peter Chang at the “Laurie Anderson: The Weather” exhibit at the Hirshhorn Museum. Photo by Jonathan Thorpe.
TABLE OF CONTENTS
RADAR
6 District Denizens 8 Calendar
EAT
16 Food for Thought 19 Grown-Up Things
DRINK
20 202 Proof
MUSIC
23 Sounds of Summer
ROBERT KINSLER
Publisher robert@unitedfray.com
MONICA ALFORD
Editor-in-Chief + Director of Media monica@unitedfray.com
BRANDON WETHERBEE
Managing Editor brandon@unitedfray.com
NICOLE SCHALLER
Assistant Editor nicole@unitedfray.com
JAMIE MCCRARY
Senior Editor jamie@unitedfray.com
MICHAEL CLEMENTS
Editorial Consultant michael@unitedfray.com
JULIA GOLDBERG
CULTURE
33 STC’s “Our Town” 36 Cue the Lights 62 In Other Words
LIFE
49 T Is for Tattoo
PLAY
56 Keeping Pace 59 Nats Park Giveaways
FUN
60 Crossword
Editorial Designer julia@unitedfray.com
CLAIRE SMALLEY
Production Designer claire@unitedfray.com
TOM ROTH
Key Account Manager tomroth@unitedfray.com
ANDREW J. WILLIAMS III
Media Partnerships Lead andrew@unitedfray.com
MARTIN ESPINOZA
Senior Director of Events martin@unitedfray.com CONTRIBUTING WRITERS Caroline Cliona Boyle, James Liska, Joe Marshall, Nevin Martell, Bryan Rodrigues-Oliveira, Kristen Schott, Toni Tileva, Bailey Vogt, Amanda Weisbrod, Andrew J. Williams III CONTRIBUTING ARTISTS + PHOTOGRAPHERS Brandon Chen, Scott Suchman, Jonathan Thorpe, Andrew J. Williams III COVER PHOTOGRAPHER Jonathan Thorpe ON THE COVER Peter Chang COVER LOCATION ”One with Eternity: Yayoi Kusama in the Hirshhorn Exhibit” at the Hirshhorn Museum
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LETTER FROM THE EDITOR ADVENTURES IN THE DMV. “What is community without connection?” Peter Chang asked this rhetorical
question during our interview for this month’s cover story, and it stuck with me. It’s hard not to get emotional about D.C.’s return to some semblance of actual normalcy. Museums have reopened, events are back in full swing and the energy of our creative community is reverberating around the city. After two years of striving to stay connected while navigating the pandemic, we’re finally in a new chapter where we can support one another with fewer obstacles in place. This resurgence of creativity and in-person connection is something Chang feeds off; he’s built a career out of bringing people together in the city and amplifying the voices of rising artists and independent businesses. He’s a cultural connector in the District, using his creative production brand No Kings Collective as a platform for the change he wants to see in our arts scene — and in the hospitality industry. With his second annual Redeye Night Market coming up this fall — a massive undertaking in support of the AAPI community — and May marking AAPI Heritage Month, a conversation about the ways art and food unite us is timely. We’re also exploring all of the adventures locals can embark on within city limits — and throughout the DMV — this summer, so a behind-the-scenes look at “One with Eternity: Yayoi Kusama in the Hirshhorn Collection” with Chang and the Hirshhorn team for our cover shoot seemed particularly fitting. From interviews with leaders in the AAPI community like Lucky Danger’s Tim Ma and up-and-coming artist Julia Chon to a comprehensive guide to your summer activities, our May issue reflects the excitement and sense of renewal palpable in D.C. right now. There’s also a sense of renewal on the District Fray team. May marks Brandon Wetherbee’s first month as our new managing editor, and we’re thrilled to have the journalist and former managing editor of Brightest Young Things on our team. Check out his list of everything to do in and around the city this summer and recommendations for the best outdoor shows from now until early fall, and his thoughts on expanding your kid’s culinary palate in his Grown-Up Things parenting column. Our assistant editor Nicole Schaller geeked out with local scuba divers for our Beginner’s Guide while I embraced my inner theatre nerd with the cast of “Our Town” at
Shakespeare Theatre Company. Bailey Vogt walked us through some of his favorite off-the-beaten-path, bus accessible spots in the city; Nevin Martell and Scott Suchman explored 2Fifty Texas Barbeque and Kristen Schott kicked off her Keeping Pace running column. Stay tuned for details about our May issue launch party with Chang, and please consider subscribing to districtfray.com if you haven’t already. Thank you to our readers for supporting local journalism and we can’t wait to see you out and about this summer. MONICA ALFORD EDITOR-IN-CHIEF
Behind the scenes at the May cover shoot. Peter Chang + Monica Alford at the “Laurie Anderson: The Weather” exhibit at the Hirshhorn Museum. Photo by Jonathan Thorpe.
Advocacy + Artistry Julia Chon creates and archives Korean American culture.
WORDS + PHOTO BY NICOLE SCHALLER
RADAR
One of the biggest gripes older generations have with Gen Z and millennials is their indecisiveness and lack of commitment. Artist Julia Chon — better known as Kimchi Juice — defies this stereotype. “I was maybe 13 or 14 when I decided to be a professional artist and do this forever,” Chon recalls. Working with an art tutor after school at 12 years old to learn the foundations, by eighth grade she made her career decision. Chon used art as an emotional outlet through her parents’ divorce, wasting no time pursuing her aspirations. “I realized if I went to a brick-and-mortar high school, it wouldn’t give me enough time to practice or pursue art because I’d be so busy with [academics],” Chon says. “I proposed homeschool to my parents, or this online program to get my high school degree.” The Korean American artist was surprised when her parents agreed. Chon enrolled in an online high school program, noting, “My parents kind of took a chance on me.” The chance paid off. She started showing her work at 15 and quickly became part of the D.C. art community when Kelly Towles invited her to D.C. Walls festival (POW! WOW! D.C. at the time). “When I did my first mural for POW! WOW! D.C. at 17, it was all very new and exciting,” Chon says. “[It was] also nervewracking because I felt a tremendous amount of pressure to 6
| MAY // JUNE 2022
prove myself and show I was just as talented and deserving as artists working for a long time.” Now 22 — still considered quite young in her field — Chon has garnered attention for her mural work, which often incorporates Korean imagery and women clothed in traditional hanboks. With clean, crisp line work and a punchy color palette, Chon’s two-dimensional illustrations feel refreshingly modern while still honoring the past. She has painted murals for the Metropolitan Bike Trail and Culture House, as well as working on murals beyond the DMV, including at a mural festival in Seoul, South Korea prior to the Covid-19 shutdown. One of the biggest changes that spurred Chon’s growth was the pandemic. With quarantine in place, Chon could no longer travel to do mural work, and instead refocused on creating pieces for shows. As I sat with Chon at her first solo exhibit at HOMME Gallery on L Street, which ran from April 2 to 16 last month, she once again proved her ability to transform dreams into reality. The room is full of portraits of her family based on photographs from her grandmother’s albums and collections. “I have been playing with this body of work in the back of my mind for a long time. I wanted the theme to be family-oriented because I’m very close to my family. I come from a big Korean family. My grandmother had seven daughters.”
DISTRICT DENIZENS | RADAR Two of the portraits are of her grandmother, displayed sideby-side. “One is where she’s holding my mom,” Chon points to the painting where a young woman is holding a baby, “and in the other one, she is in yellow. She’s a bit older and is wearing her traditional hanbok dress.” Another prominent painting includes a full portrait of her grandfather’s family. Each of the paintings offer a window into a time and moment of gratitude and love. While too premature to be a full-circle moment, she made it a point to center her first D.C. solo exhibit on her family as a thank you. “My family supported me my entire career, so I wanted to pay homage and tribute. I wanted to dedicate it to them.” Flowers are also central to the exhibit and Chon’s larger narrative of work. Many of the portraits’ backdrops include flowers, with some symbolizing a larger meaning. Specifically, a painting that shows a woman dressed in white holding a child, which was based off a client’s photo whose mother passed away in childbirth. “The mums are traditionally seen in funerals,” Chon says about the painting. “It’s a flower of death. I started doing this freehand of tiny flower patterns in the background with prominent, larger flowers to juxtapose it. [From there] it evolved into more of a theme.” The theme transfers over into her painted kimchi pots, which are adorned with different intricate flower patterns and designs, each pot dedicated to a monochromatic palette. Moving over to ceramics is a new venture for Chon, but the new medium still focuses on celebrating her heritage. “I purchased them at H Mart and painted on them. It’s a tribute to this memory of making kimchi with my family. This was my latest body of work for this exhibit. The yellow pot took about six months to paint.” The yellow kimchi pot, which includes a range of different flowers in shades of yellow, was nothing short of a labor of love. The piece was recently acquired into the Smithsonian’s permanent collection via the Anacostia Museum’s research project on Korean American foodways. The Smithsonian acquiring her work carries a lot of weight for Chon, whose favorite part of living in D.C. includes the accessibility to museums — even though contemporary Asian artists are not often highlighted. “I realized there weren’t a lot of Asian Americans represented [at the Smithsonians]. I just want Asian American artists to be represented and reflected within museums. It’s a matter of just spotlighting and giving attention to it.” Chon’s work often falls into the category of honoring the Korean American community by showcasing the past to uplift those in the present. The Korean Archives, a photo archive Chon runs dedicated to preserving the Korean diaspora and sharing people’s stories, is a prime example. “I originally just wanted to share family photos of my ancestors who looked so cool and stylish,” Chon says. “Then it became a grassroots community effort where people just started submitting their family photos and it evolved from there. We now have more than 10,000 followers [on Instagram].” The project’s rapid success caught the attention of journalist Lisa Ling, who featured Chon in her HBO Max series “Take
Out” for her efforts spotlighting Korean Americans through her archive and artwork. “It was unexpected and I’m very grateful for it,” Chon says about the experience. “I don’t proclaim to represent the whole Korean American community, but being part of it is really cool.” Chon’s activism is organic. When she started off as an artist, she was not focused on a larger message of social justice. She was inspired by her surroundings and the people she loved and cared for. “My grandfather always tells me to paint from the heart.” And for Chon, her heart is family and her larger Korean heritage and community — specifically the women who encouraged and guided her as an artist. Her mother is an entrepreneur herself who works in the culinary industry. She was an integral part of making sure Chon considered the business side of becoming an artist so she could successfully achieve her dreams. Over time, Chon realized painting Asian women as an Asian woman carried a larger narrative. “As I became more established in my career and more aware of what’s going on in the world, I did realize there aren’t a lot of portrayals of Asian women from the viewpoint of an Asian woman. So, I think that became more of a consideration as time went on.” The exponential increase of AAPI hate crimes during Covid — especially toward women — has also affected her work. “It was a very hard time for the people in our community and made me much more reflective on the intention behind my work and what messaging I want to put forth going forward.” Part of her efforts include creating more platforms for Asian American artists, like partnering with other AAPI artists last year to curate an AAPI show in LA. They are planning to do it again this year, as well. As for Chon’s immediate future, she is currently working on a mural collaboration in LA with another Korean American artist, Annie Hong, to commemorate the LA riots and has an upcoming solo exhibition in Denver that will feature all new art. For most, finding one’s life’s work and mission takes many years and constantly evolves. Chon is a true outlier, with an unwavering belief in who she is and what she can bring to this world. “I always knew, without consciously knowing, that art was the path I would have to take.”
To learn more about Julia Chon and her work, follow her on Instagram @kimchi.juice. To learn more about The Korean Archives, follow on Instagram @koreanarchives.
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RADAR | CALENDAR
This May, take a shot at leaving your comfort zone and embrace life in parts unknown. Show your sports pride at a charitable D.C. United game, support new playwriting at Round House Theatre or embrace tiny dogs running a tiny race. Adventure means taking a risk, and you aren’t risking anything in the same routine. Join us in taking risks and making fun possible. COMPILED BY CAROLINE CLIONA BOYLE + BRYAN RODRIGUES-OLIVEIRA
ONGOING
“CARMEN” AT KENNEDY CENTER OPERA HOUSE Seduction, jealousy and death. There is no lack of controversy with the operatic classic “Carmen.” Chronicling the tale of a Roman woman murdered by her spurned lover, join the Washington National Opera as they transport their audience to the south of Spain and relive the tragic end of a woman who lived a life too real to be mere fiction. “Carmen” runs from May 14 to 28 at the Kennedy Center Opera House. Don’t miss out on watching the opera staple that forever changed the genre with shock and scandal. $25+. Various times. John F. Kennedy Center for the Performing Arts Opera House: 2700 F St. NW, DC; kennedy-center.org // @kennedycenter
NATIONAL AFRICAN AMERICAN ROLLER SKATING ARCHIVE EXHIBIT Learn about the connection between the Black community and roller skating. The National African American Roller Skating Archive recounts the history of roller skating from NOTE: All descriptions courtesy of event hosts and edited for clarity.
the 1920s to today. With installations highlighting the practice of style roller skating and its practice by Black skaters across the United States, educate yourself on the influence of the style’s most renowned changemakers, the legacy of historically Black-owned roller rinks and memorabilia worth its weight in solid gold. $5. Various times. NAARSA: 1726 17th St. NE, DC; ourfamilyskateassociation.org // @naarsa.usa
THE NICHOLSON PROJECT PRESENTS “BLACKNESS AND THE INFINITE POTENTIAL WELL” Exhausted and frustrated by the ever-present images of Black death and trauma, multimedia artist and musician Kokayi offers a new way of seeing and being seen. “Blackness and the Infinite Potential Well” brings together sculpture, film, sound and digital collage to create an immersive experience of varied and nuanced Black critique, joy and resilience. On view from April 21 to June 18, this exhibit debuts new work created during the artist’s residency at The Nicholson Project. Free. 6 p.m. The Nicholson Project: 2310 Nicholson St. SE, DC; thenicholsonproject.org // @thenicholsonproject Bad Cop Bad Cop. Photo by Jason Cook.
CALENDAR | RADAR “THIS PRESENT MOMENT: CRAFTING A BETTER WORLD” Activating two floors with artworks honoring the history of studio craft while introducing contemporary narratives, this exhibit features a plethora of artists and highlights the role artists play in our world to spark essential conversations and activism. Bring the whole family and discover more than 100 new artworks never-before-seen at the Renwick Gallery, with a special self-guided scavenger hunt. Free. 10:30 a.m. Renwick Gallery of the Smithsonian American Art Museum: 1661 Pennsylvania Ave. NW, DC; americanart.si.edu // @americanart
5.1
GAY DAY AT THE ZOO 2022
The National Zoo is recognizing International Family Equality Day, celebrating with a myriad of special perks. This celebration also coincides with their Gay Day at the Zoo, a D.C. favorite for the LGBTQ+ community — the one day you’ll find hundreds of LGBTQ+ folks, families and allies come together to show their pride and enjoy the National Zoo’s animals and sights. Free. 9 a.m. Smithsonian National Zoo: 3001 Connecticut Ave. NW, DC; nationalzoo.si.edu // @smithsonianzoo
HOLI DC: A FESTIVAL OF COLORS In the Hindu faith, the start of the new season calls for a festival of colors. Celebrating Holi, a holiday spectacular including food, beverages and a colorful game of Holi (a powdery dodgeball of sorts) fit for the whole family. This event is great for those wanting to learn about Hinduism, reconnect with their Hindu faith or just enjoy a great time with a loving community. $10–$65. 12 p.m. Bull Run Regional Park Special Event Center: 7700 Bull Run Dr. Centreville, VA; intensedmv.com
5.2
RE:HER DC PRESENTS BITES & LIBATIONS AND THEIR OUTDOOR SPRING MARKET
Join RE:Her DC for Bites & Libations: an event dedicated to showcasing the food and drinks of D.C.’s most exceptional women. It’s a great chance to get your fill of amazing food, but the deal gets even sweeter with their outdoor market. $75. 6 p.m. Cork Wine Bar and Market: 1805 14th St. NW, DC; corkdc.com // @corkdc; regardingherfooddc.org // @regardingherdc
5.3
KIM KELLY | FIGHT LIKE HELL WITH SARA NELSON AT P&P Kim Kelly is an independent journalist, author and organizer. A regular labor columnist for Teen Vogue, her writings on labor and culture have appeared in The New Republic and Esquire, among others. Kelly has also worked as a correspondent for More Perfect Union, The Real News Network and Means TV, and was previously the heavy metal editor at Noisey and an original member of the VICE Union. Born in the heart of the South Jersey Pine Barrens and currently living in Philadelphia, Kelly is set to appear at Politics and Prose and discuss her novel “Fight Like Hell” with union activist Sara Nelson. $0-$28. 7 p.m. Politics and Prose Bookstore: 5015 Connecticut Ave. NW, DC; politics-prose.com // @politicsprose
5.4
YOUNG PORTRAIT EXPLORERS: LILI‘UOKALANI In celebration of AAPI month, the Smithsonian Institution’s National Portrait Gallery hosts a family-friendly online series that explores our relationship with art, history and more. This 30-minute program features a portrait of Lili’uokalani, and incorporates a closer look at portraiture, movement and artmaking. 11 a.m. Free. Virtual. si.edu // @smithsonian
5.5-5.7
KEVIN NEALON AT THE DC COMEDY LOFT
SNL alumn Nealon plans to take stage at DC Comedy Loft for three-nights. Whether he won you over as Franz the Muscular Austrian or Doug from “Weeds,” there’s no reason not to see this comedic legend as he takes the District by storm. $37. Various times. The Comedy Loft of DC: 1523 22nd St. NW, DC; dccomedyloft.com // @dccomedyloft
5.6
CHARLIE VISCONAGE’S “POSITIVE FURY” AT HOMME GALLERY “POSITIVE FURY” is self-taught artist Charlie Visconage’s exploration of face portraits. Each portrait features a heavily eye-bagged, smile-lined, neon-drenched and pockmarked person with intense eyes and big ole teeth. See a compelling collection of works in a close-up, intimate manner and enjoy them with an original score created by Baltimore-based synth musician Shining Seconds. Free. 7 p.m. HOMME Gallery: 52 O St. NW, DC; visconage.com // @homme_dc, @cavisconage
5.6-5.7
“YEMANDJA” AT EISENHOWER THEATRE Angélique Kidjo is a three-time Grammy winner, Afropop extraordinaire and the creative mind behind one of the Kennedy Center’s most anticipated productions. Inspired by her ancestors, family and Africa’s resilience, Kidjo’s “Yemandja” is a historical thriller reminiscent of Greek tragedy infused with themes of love, honor, free will and the injustice of slavery. $25–$59. 8 p.m. The Eisenhower Theatre at The John F. Kennedy Center for the Performing Arts: 2700 F St. NW, DC; kennedy-center.org // @kennedycenter
5.7
BOARD ROOM GAME BAR & BREWERY’S 5K BEER RUN
The fun run event starts and ends at the taproom in Arlington. Run, walk or jog. Do what you can to complete the course and celebrate with a local craft brew at the finish line. All participants receive cash to purchase the first beer and additional merch, including your choice of a collector’s pint glass or seasonal swag items. The event also includes a chance to win door prizes and access to event festivities, games, goodies and giveaways. Have the time of your life at this event sponsored by the Virginia Brewery Running Series. $30–$100. 11 a.m. The Board Room VA: 925 N Garfield St. Arlington, VA; theboardroomva.com // @boardroomva DISTRICT FRAY |
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RADAR | CALENDAR THE WHARF’S RUNNING OF THE CHIHUAHUAS Celebrate the 10th Annual Running of the Chihuahuas. Featuring over 90 chihuahuas racing in groups of eight on a 60 foot racetrack, all the action is captured on a huge video wall and the winners take home pet-friendly gifts, prizes and more. All race proceeds benefit Rural Dog Rescue, a nonprofit organization dedicated to pulling dogs from high-kill rural shelters. $0-$30. 2 p.m. District Pier at The Wharf: 101 District Sq. SW, DC; wharfdc.com // @thewharfdc
impromptu road trip to the Grand Canyon. As the four wildly different friends travel through the wondrous and not-sowondrous sights of the United States, they must come together to contend with being Black, femme and American. An intimate play with vast ambitions, Charly Evon Simpson’s “it’s not a trip it’s a journey” is about road trips, friendships and finding the difference between surviving and thriving. $60+. Various times. Round House Theatre: 4545 East-West Hwy. Bethesda, MD; roundhousetheatre.org // @roundhousetheatre
5.8
5.9
Henna tattoos reflect an ancient and beautiful practice of body art. In honor of that beautiful practice and its history, the Smithsonian invites you to an in-person event dedicated to explaining and teaching the henna way. Explore the form as you learn to apply simple traditional Indian henna designs. Educative and fun, this event is great for those with an artistic spirit and love for culture. $45-$55. 1 p.m. S. Dillon Ripley Center: 1100 Jefferson Dr. SW, DC; si.edu // @smithsonian
On the surface level, it’s a podcast about reading lists. But when it comes to the lists picked out by Caleb, Cameron and Patrick, there is nothing surface level or even normal. $20-$25. 6:30 p.m. DC9 Nightclub: 1940 9th St. NW, DC; dc9.club // @dc9club
THE ANCIENT ART OF HENNA TATTOOS
THROUGH 5.8
“IT’S NOT A TRIP IT’S A JOURNEY” AT ROUND HOUSE THEATRE
ADVERTISE WITH US
June needs a journey. Like, now. So, she convinces her friends to ditch New York City (and their cellphones) for an
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PODCAST ABOUT LIST AT DC9
5.11
BAD COP/BAD COP AT PIE SHOP
Bad Cop/Bad Cop is a punk band that shows no inhibitions when it comes to expressing who they are. From songs that reference a friend’s passing to ones that invoke feminine anarchy, the group has been making waves since signing to Fat Wreck Records. $18-$20. 8 p.m. Pie Shop: 1339 H St. NE, DC; pieshopdc.com // @pieshopdc
P R O M OT E Y O U R B U S I N E S S I N D I ST R I C T F R AY MAGAZINE’S DINING ISSUE From restaurants to recipes, we’re highlighting all things dining in the District for our June issue. Explore advertising packages to elevate your business and/or brand, and tap into our local network of chefs and foodies in the District. The Dining Issue will be available in 20+ Whole Foods in the D.C. area. SCAN HERE
CALENDAR | RADAR
5.12-6.11
5.19
Deeply allegorical and endlessly captivating, this production is directed by STC’s associate artistic director Alan Paul and celebrates the artists who call the DMV area their home. $49$112. Various times. Sidney Harman Hall: 610 F St. NW, DC; shakespearetheatre.org // @shakespeareindc
The story of a man struggling with his relationship with himself, his mother and the world. Torn between holding onto his past self and letting go of the boy who was once fragile and silenced, the short is a testament to human growth and the need to reconcile the past. A Q&A follows the screening and is a great opportunity to discuss the film’s artistic inspirations with screenwriter and director Hilaria Landaverde. $12. 7:30 p.m. Landmark’s E Street Cinema: 555 11th St. NW, DC; landmarktheatres.com // @estreetcinema
THORNTON WILDER’S “OUR TOWN” AT SHAKESPEARE THEATRE COMPANY
5.14
THE GAY MEN’S CHORUS OF WASHINGTON SPRING AFFAIR 2022 Join this wonderful organization for dinner, entertainment, special presentations, an open bar reception, the Harmony Award winners, live and silent auctions, plus drag legend Miss Richfield 1981 as a special celebrity guest emcee. Support the premiere gay choir of D.C. by joining an event that’s as big as it is charitable. $225+. 6:30 p.m. The Ritz-Carlton: 1150 22nd St. NW, DC; gmcw.org // @gmcwashington
5.15
2022 ASIAN FESTIVAL ON MAIN: FOOD & ARTS IN THE CITY OF FAIRFAX
To celebrate Asian American and Pacific Islander Heritage Month, Old Town Fairfax Business Association is partnering with local business owners and the City of Fairfax to bring you the 2nd Annual Asian Festival on Main. This special event was created to bring the community together and celebrate our cultural diversity through food, arts & craft, entertainment and education. Free. 12 p.m. City of Fairfax Historic District: 10417 Main St. Fairfax, VA; oldtownfairfax.org // @oldtownfairfaxba
5.17-5.19
“EL MURO” BY DANA TAI SOON BURGESS DANCE COMPANY The newest work by the National Portrait Gallery’s choreographer-in-residence, Dana Tai Soon Burgess. Exploring themes of acceptance and the quest for a place to call home, this 30-minute modern dance display features 10 members from Burgess’ acclaimed company and is accompanied by live music from Martin Zarzar, formerly of Pink Martini. Insightful and profound, this dance is yet another fantastic addition to the Smithsonian’s event schedule. Free. 6 p.m. National Portrait Gallery: 800 G St. NW, DC; npg.si.edu // @smithsoniannpg
5.18
YOUNG PORTRAIT EXPLORERS: YO-YO MA In celebration of AAPI month, the Smithsonian Institution’s National Portrait Gallery is hosting a family-friendly online series that explores our relationship with art, history and more. This 30-minute program features a portrait of Yo-Yo Ma, and incorporates a closer look at portraiture, movement and artmaking. 11 a.m. Free. Virtual. si.edu // @smithsonian
PREMIERE OF “MUTED BY SILENCE” AT LANDMARK’S E STREET CINEMA
5.20
MARC MARON AT KENNEDY CENTER CONCERT HALL
With his landmark podcast “WTF with Marc Maron” averaging six million downloads per month, Maron has reached new comedic heights by interviewing icons such as late comedian Robin Williams, Rolling Stones’ Keith Richards and President Obama. He also locks gates. $45-$60. 8 p.m. The John F. Kennedy Center for the Performing Arts: 2700 F St. NW, DC; kennedy-center.org // @kennedycenter
5.21
D.C. UNITED VS. TORONTO FC CHILDREN’S INITIATIVE FUNDRAISER
Longtime DC Fray player Tailgate Ted is hosting a fundraiser over the next 10 weeks to support the Children’s Initiative which is focused on better treatment and outcomes for childhood blood cancer patients. Only 5% of oncology treatments have been approved for first time use in children and blood cancers remain the number one childhood cancer diagnosis. By joining us for a fun-filled afternoon watching D.C. United vs. Toronto FC, you can support this critical cause. Take the opportunity to promote D.C. sports and raise the funds to save lives. $50-$100. 4 p.m. Audi Field: 100 Potomac Ave. SW, DC; dcunited.com // @dcunited
5.25
MAKE YOUR OWN SUSHI AT THAI SUSHI EATS
Learn how to spread, layer, tuck and roll your way to sushi heave. At this hands-on social cooking class you’ll learn all the skills needed to make sushi rolls, including how to prepare sushi rice, select sushi-grade fish and add additional tasty neta (ingredients) to enhance your dining experience. $75. 6:30 p.m. Thai Sushi Eats: 7203 Columbia Pike Annandale, VA; thaisushieats.com // @thaisushieats
5.26-5.30 DC BLACK PRIDE
For more than 30 years, DC Black Pride has been a place for the Black LGBTQIA+ community to gather and celebrate each other. DC Black Pride was the catalyst for what is now referred to as the Black Pride Movement. Since the birth of DC Black DISTRICT FRAY | 11
RADAR | CALENDAR Pride, more than 30 other Black pride celebrations now take place throughout the world, many using DC Black Pride as the model. Free+. 6p.m. Renaissance Washington Downtown DC: 999 9th St. NW, DC; dcblackpride.org // @dcblackpride
5.27
POP-UP & POETRY AT NUBIAN HUEMAN
This poetry series is dedicated to the synergy of Black lyricism, artists and space in the home of Nubian Hueman. Founded in 2013, Nubian Hueman is a social impact brand that specializes in sourcing and curating unique goods, fashion and art by creatives representing the global diaspora. $15. 7 p.m. Nubian Hueman: 1231 Good Hope Rd. SE, DC; nubianhueman.com // @nubianhueman
5.28
FLEETMAC WOOD PRESENTS WILD HEART DISCO
An AV spectacle reworking the classic rock sound of the Mac into a spectrum of electronic genres and sounds. Presenting remixes of well-known hits and plenty of deep cuts, get ready to hit the chiffon-filled dancefloors of Union Stage and party to a Fleetwood sound for the 21st Century. $20+. 8 p.m. Union Stage: 740 Water St. NW; unionstage.com // @unionstage
5.29
PLANTS ALIVE! MAKERS MARKET
Stop by for some amazing vintage and up-cycled finds, handmade candles, jewelry, bath and body care, local art and as always: good vibes. Free. 12 p.m. Plants Alive!: 15710 Layhill Rd. Silver Spring, MD; plants-alive.com // @plantsalive
5.31
DISTRICT TRIVIA NIGHT AT ELEMENTS
District Trivia Tuesday events include a professional, funoriented ambiance presenting a multimedia trivia package with all questions accompanied by video, music or graphic clips presented on big screen TVs. Free. 7 p.m. Elements DC: 1355 U St. NW, DC; elements-dc.com // @elementsonu
6.2
MESS ESQUE W/ FLORRY AT PIE SHOP The musical vision of Dirty Three guitarist Mick Turner & McKisko composer Helen Franzmann, they create a curious synthesis of dream pop, psych soul and ethereal indie rock. $12. 8 p.m. Pie Shop: 1339 H St. NE, DC; pieshopdc.com // @pieshopdc
10% off your first purchase
12 | MAY // JUNE 2022
CALENDAR | RADAR
6.4
UNBREAKABLE: A MUSICAL ABOUT QUEER HISTORY The East Coast premiere of the epic choral work about the untold stories of our community. “Unbreakable” presents stories from American LGBTQ+ history including Harvard’s “Secret Court” of 1920, the life of transgender activist Sylvia Rivera, The Lavender Scare, civil rights activist Bayard Rustin, the AIDS crisis and Nobel Peace Prize-winner Jane Addams, among others. $25+. 3 p.m. + 8 p.m. Lincoln Theatre: 1215 U St. NW, DC; thelincolndc.com // @thelincolndc
6.5
SHOP MADE IN DC’S CRAFT AND COCKTAILS: CROSS STITCH PRIDE EDITION Receive instruction on how to make a stitch, how to read a pattern and how to make a beautiful image on cloth. You’ll get to take home your project to hang in your home or gift to a special person in your life. $40. 11 a.m. Shop Made in DC: 325 Morse St. NE, DC; shopmadeindc.com // @shopmadeindc
6.6
UNDERGROUND COMEDY AT EATON DC Featured on Comedy Central, touted on the Washington Post and lauded by the legendary Patton Oswalt, Underground Comedy puts the best standup comics of D.C. onstage and has them let loose in the funniest ways. Hear them cause a laugh riot at Wild Days on the roof of Eaton DC. Free. 8 p.m. Eaton DC: 1201 K St. NW, DC; undergroundcomedydc.com // @undergroundcomedydc
6.11
COLIN JOST Saturday Night Live head writer and co-anchor of their “Weekend Update,” Jost will be exercising your funny bones. $63+. 8 p.m. Warner Theatre: 513 13th St. NW, DC; warnertheatredc.com // @warnertheatre
6.12
2022 CAPITAL PRIDE FESTIVAL Join the LGBTQ+ community on America’s main street for the return of the Capital Pride Festival. Enjoy a full day of entertainment on three stages, food, drink and advocacy with over 300 exhibitors. The festival is the largest annual event in the national capital region. Free. 12 p.m. Capital Pride Festival: Pennsylvania Ave. between 7th St. + 3rd St. NW, DC; capitalpride.org // @capitalpridedc
6.15
RYAN KELLY AT THE DC COMEDY LOFT Ryan Kelly’s energetic style of comedy is silly and playful and vulnerable. Diagnosed with an essential tremor at age 8, he soon decided making fun of himself was a way to cope and deal with his own struggles. $20. 7:30 p.m. The Comedy Loft of DC: 1523 22nd St. NW, DC; dccomedyloft.com // @dccomedyloft
6.7-6.12
NEW YORK CITY BALLET PRESENTS VISIONARY VOICES + “A MIDSUMMER NIGHT’S DREAM” AT KENNEDY CENTER OPERA HOUSE The powerhouse dancers of New York City Ballet return to the Kennedy Center with George Balanchine’s joyful and whimsical “A Midsummer Night’s Dream,” plus new works by Sidra Bell, Jamar Roberts and Justin Peck. $29+. Various times. The John F. Kennedy Center for the Performing Arts: 2700 F St. NW, DC; kennedy-center.org // @kennedycenter
6.8
SHOP MADE IN DC’S BLOCK PRINTING WORKSHOP You’ll receive hands-on printing instruction from Secret Life of Daydreams CEO Jessica Pinkston and create a work of art that reflects your artistic spirit and personality. $60. 6 p.m. Shop Made in DC: 1353 Wisconsin Ave. NW, DC; shopmadeindc.com // @shopmadeindc
6.10
RIOT! THE CAPITAL PRIDE OFFICIAL OPENING PARTY Featuring “RuPaul’s Drag Race” winner SYMONE, kick off Pride weekend at D.C.’s largest Pride party. 18+. 9 p.m. Echostage: 2135 Queens Chapel Rd. NE; capitalpride.org // @capitalpridedc DISTRICT FRAY | 13
EAT
Tim Ma IS LUCKY The award-winning chef on supporting Asian American and Pacific Islander (AAPI) restaurants
WORDS BY BRANDON WETHERBEE
14 | MAY // JUNE 2022
A few years ago, Tim Ma was making a name for himself as one of D.C.’s most exciting chefs. He was the head of a Bib Gourmand kitchen, garnering acclaim and full dining rooms during a boom time for DMV dining. Then the pandemic hit. Oddly, Ma was well-positioned. “I feel fortunate I didn’t have all these restaurants at the beginning of the pandemic,” Ma explains. “I felt really, really bad for those who had to navigate the pandemic with three restaurants or more.” At the time, Ma was executive chef at American Son at Eaton, a consulting chef at Bar Chinois and culinary director at Laoban Dumplings. While juggling three positions, Ma wasn’t navigating three restaurants with three different teams, payrolls and rents. Ma was able to transition his workplace, American Son at Eaton, into an essential kitchen. “When the pandemic first hit, I was still at Eaton. I don’t know what the word is, like serendipitous or kismet. I had the resources to flip and turn that into a kitchen for World Central Kitchen. We were cooking the meals and providing them to WCK. I feel fortunate I had something like that, to utilize those resources for something good for the community.” That was at the start of the pandemic. A few months later, in May 2020, Ma cofounded Chefs Stopping AAPI Hate along with chef Kevin Tien of Moon Rabbit. According to Ma, it was a natural extension of his philanthropic works. “My restaurants have always supported a bunch of nonprofits like DC Central Kitchen and No Kid Hungry,” Ma says. “When we started [Chefs Stopping AAPI Hate], it was really just second nature for us. When we saw it had so much momentum behind it and so much support from the industry, we were like, ‘You know, this is a real thing.’” Since its launch, Chefs Stopping AAPI Hate has raised thousands of dollars for local AAPI organizations across the country that work to stop anti-Asian racism. They’ve been profiled on “The Today Show,” in Food & Wine, Forbes and Resy. Their events attract Michelinlevel chefs who are ready and willing to donate their time. It’s a silver lining to an extremely unfortunate situation. “Gathering this many Michelin-level chefs was actually kind of easy because everybody was just so in for it,” Ma says. Lucky Danger. Photo courtesy of restaurant.
“For most of those guys, Monday was their only day off. They gave up their only day off. We had so many volunteers. It’s brought D.C.’s community pretty close together in ways we probably would not have seen if it wasn’t for the pandemic.” The reasons behind the nonprofit aren’t positive. The effect, both financially and emotionally, is positive. “Sometimes in the restaurant industry you can feel soulless and a grind. Having an organization like this goes hand-inhand with what we’re doing. It gives a really good sense of purpose.” That other thing he’s doing? Lucky Danger, a Chinese American fast food/ casual restaurant that opened in November 2020. Ma left fine dining as fine dining was shut down by no choice of its own. “I feel things happened at the right time for me and it allowed me to start something like Lucky Danger.” It was definitely the right time. In the less than two years it has been open, the restaurant has received raves in The Washington Post, New York Times, Washington City Paper, Eater and by diners. It’s going really well for Ma. It’s not where he thought he’d be. “It’s funny because this is the first time in my cooking career I don’t have a full-service restaurant to go to, which is just not where I pictured I’d be at this point in my career. That’s a very positive statement.” May is AAPI Heritage Month, and Ma is staying positive with his work — both in the kitchen and outside it — by shining a light on other AAPI restaurants. “We want to take the month of May to raise as much awareness as we can. The anti-Asian hate incidents are still happening. They’re just not as publicized as they were last year. I hope we’re able to raise that awareness in the month of May. Supporting the AAPI businesses in D.C., the old ones and the new ones, is very important.”
Chefs Stopping AAPI Hate: chefsstoppingaapihate.com // @chefsstoppingAAPIhate Lucky Danger: 1101 S Joyce St. B27 Arlington, VA; luckydanger.co // @_luckydanger
Since May is AAPI Heritage Month, we asked Ma for some of his favorite AAPI destinations. From old to new, drinks to dessert, he has you covered.
OLD SCHOOL “I’m definitely a big fan of NewBigWong, to the point Uber Eats says I’m a regular. That’s my go-to, daily type of Chinese restaurant.” “Panda Gourmet is another one of my go-tos. They have dishes you won’t find on other Chinese menus. There’s a flounder with pickled cabbage and chili dish I always get there. It’s one of the reasons I had it on Lucky Danger’s menu at one point.” NewBigWong: 610 H St. NW, DC; new-big-wong.com Panda Gourmet: 2700 New York Ave. NE, DC; pandagourmetdc.net
NEXT GENERATION “Obviously, I’m going to shout out Kevin Tien, co-founder of our nonprofit.” Moon Rabbit: 801 Wharf St. SW, DC; moonrabbitdc.com // @moonrabbitdc
DESSERT “Everybody swears by Rose Ave Bakery, an Asian American bakery at The Block Food Hall. And you will wait in line. Rose Nguyen sells out often, so you’re warned.” Editor’s note: Chef Ma is correct. From the Rose Ave Bakery FAQ: We recommend setting an alarm and being ready to fully complete check out because things get sold out rather quickly. Rose Ave Bakery: 1110 Vermont Ave. NW, DC; roseavebakery.com // @roseavebakery
DRINKS “Silver Lyan, in the basement of the Ritz Hotel, is really great. They just did a recent collaboration with Katana Kitten. They have a really great cocktail program.” Silver Lyan: 900 F St. NW, DC; silverlyan.com // @silverlyan DISTRICT FRAY | 15
EAT | FOOD FOR THOUGHT
Where There’s Smoke,
There’s Fire Meet 2Fifty Texas BBQ’s custom-built smokers, which turn out the region’s finest brisket.
WORDS BY NEVIN MARTELL | PHOTO BY SCOTT SUCHMAN “These are the twins,” says 2Fifty Texas BBQ’s pitmaster Fernando González, gesturing toward a pair of 1,000-gallon smokers custom built by Primitive Pits in Georgia. The twins are beasts. Mirror images of each other, the tubular mobile smokers each stretch 20 feet and weigh close to 2 tons. Painted rich garnet in cheery defiance of the stereotypical black, they are parked under a corrugated tin roof behind the awardwinning barbecue joint González owns in Riverdale, Maryland with his wife Debby Portillo, who serves as their company’s CEO. Opening one of the smoker’s doors, which slide upwards with the aid of custom-made counterweights to provide a small respite for the pitmasters, González reveals rows of well-seasoned, dark-crusted briskets, each sitting on a sheet of aluminum foil that curves up to protect the flat flap on one end and the fat-laden point on the other. He eases back the aluminum foil on the closet slab. “It’s developing bark; the fat rendering already,” he says. “They’re looking great.” He picks it up and tries moving the flap up and down, but there’s not much wiggle to it. “You want it to bend in both directions,” he says. “When you can do that, all the collagen and connective tissue has broken down and most of the fat has rendered.” Placing it back on the grate, he closes the door. “Pitmasters should be able to determine if meat is ready by look and feel alone,” he says. “That’s when you achieve perfection, when you can know exactly what’s happening by looking at it.” All told, these briskets will cook for 12 to 14 hours before they will pass muster and are ready to be rested, chilled down and finally, sliced. Walking to the hitch end of the wheeled smokers, he swings open the door to the firebox. A low fire made of crisscrossed white oak logs over red coals blazes away. Each of the twins goes through a cord and a half of wood a week. “We spend a lot of money on wood,” González says. Like the smoking process, the mantra with the fire is low and slow. Too high and the smoke will overpower the meat; too hot and the meat will get burned. Each protein and cut has its particularities, so pulled pork, turkeys, ribs, chickens and sausages all need to be treated differently. There are endless details to remember; countless decisions made during each smoke session to ensure success. “You have to be obsessed, and I guess I’m obsessed,” González says. “But there’s no other way to do it. If you really want to nail every single pound, you have to be obsessed with it.” The whole process is hands-on. 16 | MAY // JUNE 2022
“You can do this with an automated, set and forget system, but it will never create the same result,” says González, who requires new employees to work alongside an existing pitmaster for months, and pass a test after studying Aaron Franklin’s 16-episode MasterClass on barbecue before they work a smoker alone. A few feet away from the twins, sitting forlornly the restaurant’s parking lot with a for sale sign on it, is the 500-gallon Amish-made smoker González used when he and Portillo opened 2Fifty BBQ in April 2020. It seemed like it was going to be able to handle the job. Then in November, 2Fifty hit number one on Tim Carman’s annual barbeque ranking roundup in The Washington Post. “All of a sudden, this gigantic, three-level smoker was too small,” González says. Long lines became the norm. Frequently, potential guests were sent home empty-handed, where they cataloged their grievances in one-star Yelp reviews. To help meet the intense demand, the first smoker was ordered from Primitive Pits, but they realized even that wouldn’t be enough so a second was ordered. Each one took eight months to build and carried a price tag of $25,000, but the pair quadrupled the amount of space available for smoking meats, allowing González and his team to 50 briskets at a time. This setup is a far cry from González’s first smoker, which the former civil engineer made from a propane tank based on instructions from legendary pitmaster Aaron Franklin, who he now refers to as his “pitmaster sensei.” That was eight years ago, when he and Portillo were still living in their home country of El Salvador. He became hooked on Texas-style barbecue while traveling to the Lone Star State as a part of his work for the couple’s shipping company and decided to learn the craft. The process was sometimes more error than trial. He powered his smoker with whatever tropical wood he could get his hands on — sapote, mango and orange — but they weren’t great for barbecue. The police were called several times over smoke complaints and González admits he burned a lot of meat in the beginning. He has come a long way since then, but still demurs when asked if he considers himself a master of the craft. “No,” he says. “I don’t have that approach. We are only as a good as our last cook. We are always learning. Just when you think you know everything, barbeque will throw you to the ground and say, ‘You have no idea what you’re doing.’” 2Fifty Texas BBQ: 4700 Riverdale Rd. Riverdale, MD; 240-764-8763; 2fiftybbq.com // @2fiftytexasbbq
CELEBRATE EVERY HOLIDAY GROWN-UP THINGS | EAT
Kiss me, I’m Irish. And Afghani and Canadian and Chinese and Cuban and Dominican and English and Filipino...
WORDS BY BRANDON WETHERBEE
Parenting is a series of never-ending tasks. One of those tasks is feeding your kid. It’s not optional. Even extremely not good parents are legally required to feed their kid. And since you have to feed your kid multiple meals every day, you might as well try to make it as not boring as possible. In spite of our best efforts, our kid would choose to eat fries and ketchup for every meal. Fries are empty calories. There’s not a lot of nutritional value in slivers of fried potato. Regardless of the type of gourmet, non-GMO, vitamin-infused ketchup we use, there’s not a lot they’re getting from the condiment. Those empty calories also mean the kid is hungrier sooner, so they don’t sleep nearly as long as if they ate something healthier. We do our best to present other options but sometimes — oftentimes — it’s just too difficult to feed them anything remotely healthy. So, they eat fries and ketchup. And it’s not good. So, in our house, we’re now celebrating most every holiday. Regardless of my family’s genealogy, we are embracing as many holidays as possible. We’re making food that’s tangentially related to the holiday we’re celebrating in an attempt to inspire our kid to eat something other than fries. It’s kind of working. My family is eating foods not typically part of our regular rotation. It helps break the monotony of regular meal planning and that’s welcome for our kid — and us. We started at the beginning of the pandemic and so far, so good. When we were sheltering in place, celebrating social holidays like St. Patrick’s Day and Cinco de Mayo seemed a little odd, but it soon felt normal. It’s like if you do something enough, what begins as out of the ordinary becomes, well, ordinary. Ultimately, we’re celebrating every holiday because it’s an excuse to put something fun on the calendar. We’re not sitting our kid down, explaining the origins of the cuisine, the ceremonies to commemorate the holiday or decorating the house. This is a little less noble. We’re not opposed to any of this stuff — hell, we may be unknowingly on that path already — but right now, this is about food consumption with the small hope of broadening our kid’s horizons.
Bringing in cultures that aren’t your own is good because it gives everyone something to look forward to. When you’re a kid it doesn’t really matter why there’s cupcakes in the classroom. There are cupcakes and that’s all that matters. We’re using that logic and offering things other than cupcakes. It’s not that much different than introducing your own cultural traditions to your child. Kids are delivered as blank slates. They know nothing. Literally nothing. There’s nothing inherently about them that identifies them as any specific nationality. All of that is learned. So why not introduce every type of holiday as early as possible? Why not make some dishes that require trips to H Mart? Even if they don’t eat anything new, at least we, the parents, get to break up our dining monotony. There’s a reason day care and primary school have lessons for most every holiday: there’s a lot of time to fill. There may be an agenda to mold young minds, teach kids about social justice to encourage them to think about things from the other’s perspective, but it’s mostly because there are so, so many hours to fill. Yes, it’s great when the other is normalized to children. It’s extremely difficult to be a bigot when you’re taught a place of understanding at a young age. But have you ever tried to fill eight hours with a toddler? You’re not really thinking about the world at large when you just need a small person to be quiet and sit still for 10 seconds. You probably thought this was going to be a feel-good piece about respecting and embracing other cultures, a “Kumbaya” plea for understanding. Yeah, it’s not that. You might have thought this was going to preach cultural appropriation. It’s not that, either. I am not telling my kid to claim anything they are or are not. At this stage in their life, that is not important to me. If they want to embrace any aspect of their existence, great. If they don’t understand stuff like nationality, great. What’s more important to me, a parent of a very young person, is feeding my kid. This is mostly about getting my kid to eat something other than fries and ketchup. I’ll embrace most any holiday that gets them to eat anything not fried. DISTRICT FRAY | 19
DRINK v
THE ROOM WHERE IT HAPPENED:
GEORGE TOWN’S FOUNTAIN INN WORDS BY JAMES LISKA I never thought I’d say this, but I first heard of The Fountain Inn from TikTok. My colleague, who is far hipper than me, shared a short video clip of a mixologist making a cocktail using fancy tools and expert movements. The words Fountain Inn were overlaid on the digital short. I was intrigued.
202 PROOF | DRINK The Fountain Inn has quite the backstory. The original Georgetown tavern was founded in 1783 by John Suter, a hotelier, and hosted many of the early nabobs of the grand American experiment. Thomas Jefferson was a patron, rumored to have been impressed by Suter’s ability to source fine sherries and Madeiras. George Washington ate and slept there in 1791, the same day he first saw the surveyor’s plans for the Federal City, which would later bear his name. The tavern also saw spirited debate between two candidates for president in 1800: Mr. Jefferson and Mr. Adams. When the venerable Suter himself died in 1794, his tavern faded into memory.
The Fountain Inn, Reborn
v
The idea to resuscitate The Fountain Inn came from Viyas Sundaram, owner of the building where the Inn sits, on a barrel picking trip to WhistlePig distillery in Vermont. Sundaram, along with several other high-end whiskey collectors, envisioned a small tavern alongside an intimate tasting room focused on bourbon and other whiskeys. “It’s not a late night, tie-another-one-on type of place,” Sundaram tells me. Sundaram aims to highlight cocktail service and whiskey tasting as a shared experience among guests, much like what his fellow whiskey connoisseurs — and presidents of old — might have experienced sharing a bottle of fine whiskey. “We owe it to the name and to the space to develop this kind of atmosphere,” he says. To bring this idea to fruition, The Fountain Inn needed some industry heavy hitters. Day-to-day, the joint is headed up by Morgan Kirchner, a veteran wine and spirits professional who’s held senior beverage roles at both Imperial and Jack Rose Dining Saloon. Behind the bar she’s backed up by Dakota Hines, a technical and experienced mixologist from Asheville who’s adept at the creation of tonics, bitters and syrups.
A Charming + Cozy Experience I am their guest early on a Wednesday, and upon entering I’m quite charmed by the darkened interior and cozy settings. It truly is intimate, with room for probably 20 guests at the most. Grated cages line the wall, holding precious amber liquids. I’m seated at the bar, the lower lining reminiscent of a cryptid’s armored skin. Soft, low lights remind me of candles at a worn oak table. My first order of business in any bar is scanning the liquor collection to see what they’re working with. You can tell a lot about the expertise and creative impetus behind a bar by what they choose to stock. Here, I’m spotting top-shelf bourbons like George T. Stagg, WhistlePig, various expressions of Weller and the insanely sought-after Pappy Van Winkle. Dozens of other labels stand out to me as spirits I known and love. They’ve got fancy rums from far-flung corners of the world and a host of gins and vintage offerings, too, like a 45-year-old amari like Cynar and aged vermouths. “We’ve intentionally created a well-rounded spirits program, something to interest both cocktail novices and more tenured drinkers,” says Kirchner, pouring drams of mezcal for guests to my right. “Each guest is an individual and we strive to [tailor] the experience. It doesn’t matter if they order a $685 per-ounce Japanese whiskey or a beer.”
The Fountain Inn’s Morgan Kirchner. Photo by LaShawn Blake.
I ask if there’s any spirits they’d like to serve but haven’t yet been able. “We’re pretty spoiled,” Dakota says, scanning the libations behind him. “We can pretty much get whatever we want.” That’s quite the privilege and not common. When I was buying spirits professionally, we couldn’t get our hands on half of the stuff we wanted due to shortages, distributor politics and budget constraints. And that’s not even touching the rare whiskey market, which is fraught with its own competition, restrictions and sky-high prices. The fact these two can source anything they wish really speaks to the level of prestige and pull of The Fountain Inn.
Haute Mixology Hines and Kirchner explain that the cocktail menu is created to reflect both pre-Prohibition drinks with pre-Revolutionary cocktails, the latter of which include ingredients such as egg whites, honey, boiling water and brandy. Modern methods like foaming wines and custom ice gives these archaic beverages a modern twist. I had a few of these cocktails, naturally — the syllabub, a mix of Belgian white beer, sustainably-produced lemon reduction, averna and white wine and spices; as well as Hines’ own Rebellious Old-Fashioned, a custom take on a classic using a house-made, Madeira-rich simple syrup. Hines is deft behind the bar, mixing and stirring and foaming with ease. Guests will enjoy watching this performance, as mixology is not just about chemistry and physics but showmanship and enthusiasm. Combine this élan with an unlimited library of rare spirits and The Fountain Inn proves it’s the place to go for haute mixology. Some spirits are best enjoyed neat, however — plain and without ice. One might be tempted to add a few drops of distilled water to open up the flavors, but many of the special offerings that constitute The Fountain Inn’s rare spirits library are far too fancy to be mixed. Customers can purchase these exceptional drams by the ounce. The list is significant, but not over-the-top. “We have a wide variety and something for everyone,” Kirchner says, “but we’re not trying to manage the 3,000 bottle list Jack Rose has.” Still, they’ve got quite the list. I always enjoy sampling unusual spirits, so I finished the evening with a 50-year-old Cinzano rosso vermouth, which was frankly a bucket list experience. Vegetal, woody and surprisingly aromatic, this fortified wine has been mellowing in the bottle since the Carter administration. I know of no other merchant, restaurant, bar or collector who has stuff like this. The Fountain Inn is moving ahead in a direction uniquely theirs, inspired by the rich history of its namesake — but not fettered by overwrought tradition or goofy historical tropes. The space is elegant, intimate and the expertise is unmatched. Just like the proprietor of old, The Fountain Inn should be recognized as well for their ability to bring in rare spirits and bottles you won’t find anywhere else. I think John Suter would be proud.
The Fountain Inn: 1659 Wisconsin Ave. NW, DC; 202-290-1112; fountaininndc.com // @fountaininndc DISTRICT FRAY | 21
MUSIC THE ESSENTIAL SOUNDS OF SUMMER
32 Festivals + Outdoor Shows WORDS BY CAROLINE CLIONA BOYLE + BRANDON WETHERBEE
Jessie Reyes at All Things Go Festival. Photo courtesy of festival.
MUSIC The long-awaited return to festivals and outdoor concerts has arrived — and you should enjoy the outdoors with an appropriate soundtrack. From local go-go to industrial-tinged pop, throwback hip-hop to the next generation of drag talent, this spring and summer is full of shows worthy of their ticket prices. District Fray’s curated list of festivals and outdoor shows is your essential guide to concerts in the DMV.
WMZQ Fest Country lovers are bound to tear up when they see the lineup for this year’s WMZQ Fest. Tenured country star Tim McGraw, with support from the soulful Alexandra Kay and emerging artist Brandon Davis, are sure to entertain. $29.50+. 7 p.m. Jiffy Lube Live: 7800 Cellar Door Dr. Bristow, VA; livenation.com // @jiffylubelive; wmzqfest2016.com // @wmzq
4.30 + 5.1
6.3-6.5
Project Glow Fest Dance music’s stronghold in D.C. is more than evident. On the edge of the Anacostia River, Project Glow is a two-day party of electronic music that features more than 50 local and internationally-renowned DJs. $90+. 1-11 p.m. RFK Festival Grounds: 2500 Independence Ave. SE, DC; eventsdc.com/venue/rfkstadium; projectglowfest.com // @projectglowfest
Let's Go! Music Festival With Lynyrd Skynyrd and the Goo Goo Dolls at the forefront of the lineup, Let’s Go! is sure to breed questionable Southern pride and alternative rock nostalgia. $79.99+. 5-10 p.m. Anne Arundel County Fairgrounds: 1450 Generals Hwy. Crownsville, MD; aacountyfair.org // @aacofair; letsgofest.com // @letsgomusicfest
5.6-5.8
6.8
M3 Rock Festival M3 Rock Festival serves clssic rock nostalgia at its finest. Rock idols Tom Keifer, Cult (formerly Blue Öyster Cult) and Tesla are headlining this tried-and-true celebration of some of the best hair and not-hair metal of the ’80s, and it’s sure to be kitted out with star-studded leather and dark eyeliner. $75+. Multiple times. Merriweather Post Pavilion: 10475 Little Patuxent Pkwy. Columbia, MD; merriweathermusic.com // @merriweatherpp; m3rockfest.com // @m3rockfestival
Halsey: Love and Power Tour Halsey is getting this pick due to her 2021 Trent Reznor and Atticus Ross produced "If I Can't Have Love, I Want Power." It'll be interesting to witness how the angst translates live. $29.50+. 7 p.m. Merriweather Post Pavilion: 10475 Little Patuxent Pkwy. Columbia, MD; merriweathermusic.com // @merriweatherpp
5.20 Preakness Live Baltimore’s Preakness Live rings in a new wave of contemporary festival culture. Presenting the city’s finest entertainment offerings — from music to food to art — Preakness delivers the best of Baltimore’s undiscovered youth culture. Showcasing internationallyrenowned stars and emerging artists with Baltimore origins, expect big names Megan Thee Stallion and Ms. Lauryn Hill alongside Brittney Spencer and Darin Atwater. $59+. 3 p.m. Pimlico Race Course: 5201 Park Heights Ave. Baltimore, MD; pimlico.com // @pimlicorc; preakness.com // @preaknessstakes
5.28 Big Tony and Trouble Funk, E.U. with Sugar Bear Junkyard Band Celebrate D.C.'s musical contribution to the world in a beautiful setting that happens to be an official partner to the National Park Service. This is one of the most American shows of the outdoor concert season. $27+. 7 p.m. Wolf Trap Filene Center: 1551 Trap Rd. Vienna, VA; wolftrap.org // @wolf_trap 24 | MAY // JUNE 2022
6.10-6.12 Columbia Festival of the Arts’ LakeFest Weekend This dynamic festival is open to all ages. LakeFest features live music, film screenings and a fine arts show, all situated on Columbia’s waterfront. Free. Multiple times. Columbia Lakefront Stage: 10275 Wincopin Cir. Columbia, MD; columbiafestival.org/lakefest-free-weekend // @columbiafestarts
6.11 Dave Matthews Band If you're going to see America's most important legacy jam band that has a full-time violinist, you should see them in their natural habitat: outdoors. $49.50+. 7:30 p.m. Jiffy Lube Live: 7800 Cellar Door Dr. Bristow, VA; livenation.com // @jiffylubelive
6.15 Belle and Sebastian + Japanese Breakfast The past, present and future of beloved indie rock. Go for the crooning Glasgowians, get there early for the rock music bordering on pop. Read "Crying in H Mart," the acclaimed memoir by Japanese Breakfast's Michelle Zauner, between sets. $40+. 7 p.m. Wolf Trap Filene Center: 1551 Trap Rd. Vienna, VA; wolftrap.org // @wolf_trap
6.16-6.17 Sheryl Crow + Jason Isbell and the 400 Unit with Waxahatchee Remember when Crow was kinda, sorta goth on her 1996 selftitled album? I miss those days. If you're like me, you'll enjoy the darker aspects of Isbell and Waxahatchee. Of the three, I'm most excited from the stuff Waxahatchee plays from "Saint Cloud." $49+. 7 p.m. Wolf Trap Filene Center: 1551 Trap Rd. Vienna, VA; wolftrap.org // @wolf_trap
6.18 Voodoo Threauxdown Organized by famed brass musician and Louisiana native Trombone Shorty, this mini-festival turns the focus on contemporary music with New Orleans origins. Expect genre-bending performances that incorporate elements of jazz, funk, bounce, hip-hop and more. $42+. 7 p.m. Wolf Trap Filene Center: 1551 Trap Rd. Vienna, VA; wolftrap.org // @wolf_trap
6.24 Daybreaker Natüre Tour When the sun rises, Daybreaker’s cult following flocks to experience a joyous yoga and dance party that fosters connection within an accepting and wellnessoriented community. $25+. 6 a.m. The Reach at The Kennedy Center: 2700 F St. NW DC; kennedy-center.org // @kennedycenter; daybreaker.com/event/naturetour-dc // @dybrkr
7.1 Masters of the Mic This concert features iconic acts Rakim & DJ Jazzy Jeff, Slick Rick, Da Brat, Big Daddy Kane, Treach of Naughty by Nature & Talib Kweli. If you can't find at least one MC you like on this bill, you most likely don't enjoy late ’80s, early ’90s hip-hop. If you don't, well, you can easily make your life better with a little Da Brat. Start with her 1994 album "Funkdafied." $47+. 7:30 p.m. Wolf Trap Filene Center: 1551 Trap Rd. Vienna, VA; wolftrap.org // @wolf_trap
7.8 Dead & Company If you’re going to see America’s most important legacy jam band that has toured multiple times summers as their goodbye tour, you should see them in their natural habitat: outdoors. $56.50+. 7 p.m. Jiffy Lube Live: 7800 Cellar Door Dr. Bristow, VA; livenation.com // @jiffylubelive; deadandcompanybristow.com // @deadandcompany
7.9 Culturefest DMV 2022: Celebrating Life This day party is a back-to-back celebration of reggae, soca and afrobeats. Notable artists include Skinny Fabulous, Awilo Longomba and Wayne Wonder. $40. 1 p.m. Anne Arundel County Fairgrounds: 1450 Generals Hwy. Crownsville, MD; aacountyfair.org // @aacofair; culturefestdmv.com // @culturefestdmv LEFT. Megan Thee Stallion. Photo By Marcelo Cantu. RIGHT. (L to R) Sharon Van Etten, Julien Baker, Angel Olsen. Photo by Alysse Gafkjen.
7.21 Sharon Van Etten, Angel Olsen and Julien Baker The best triple-headliner bill this summer. Van Etten's 2019 "Remind Me Tomorrow" was the best guitar driven record of that year. Olsen obviously loved the record and collaborated on a single with Van Etten in 2021. Baker's 2021 "Little Oblivions" was one of the best guitar driven records of that year. This tour is the foundation of a great festival. Hopefully it goes well and becomes an annual event. $47+ 7:30 p.m. Wolf Trap Filene Center: 1551 Trap Rd. Vienna, VA; wolftrap.org // @wolf_trap
7.24 Sad Summer Festival Presented by Journeys This soft punk festival serves alt feels with a bubblegum pop aesthetic. This year’s Sad Summer Festival will be headlined by electropop band Waterparks and pop-punk group Neck Deep. It’s for the few, the proud that mourn Warped Tour. $40+. 2:30 p.m. Pier Six Pavilion: 731 Eastern Ave. Baltimore, MD; baltimorepavilion.net; sadsummerfest.com // @sadsummerfest
7.26 ZZ Top: Raw Whiskey Tour Rest in peace Dusty Hill. The longtime bassist and singer of ZZ Top passed last summer. His final wishes included the band continuing on. Do what the man who penned "I Got the Six" wanted. Grow your beard and go see Billy Gibbons, Frank Beard (he's the one without the beard) and new bassist Elwood Francis. $30+. 8 p.m. Pier Six Pavilion: 731 Eastern Ave. Baltimore, MD; livenation.com // @piersixpavilion
7.27 Ziggy Marley & Stephen Marley The Marley brothers are celebrating their legendary father on this tour. Celebrate with some like-minded, freedom loving souls on a late July evening. $47+. 7 p.m. Wolf Trap Filene Center: 1551 Trap Rd. Vienna, VA; wolftrap.org // @wolf_trap
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7.30 + 7.31 Phish If you're going to see America's most important jam band, you should see them in their natural habitat: outdoors. $49.50+. 7 p.m. Merriweather Post Pavilion: 10475 Little Patuxent Pkwy. Columbia, MD; merriweathermusic.com // @merriweatherpp
8.2 Rupaul's Drag Race Werq The World Tour 2022 Season 14 of "Drag Race" was good. The RuPaul industrial drag machine keeps rolling and producing superstar after superstar ready, willing and able to accept your ticket, merch and Cameo money. I'll be looking for some Lady Camden and Willow Pill shirts on this stop. $30+. 8 p.m. Pier Six Pavilion: 731 Eastern Ave. Baltimore, MD; livenation.com // @piersixpavilion
8.5-8.6 John Mulaney I'm really intrigued to see how stand-up works at Merriweather. Mulaney is one of today's best-working comedians but the art form typically works best in small clubs and thousand seat venues. It'll be interesting to see how it plays in a massive, outdoor theater, especially on the lawn. $45+. 8 p.m. Merriweather Post Pavilion: 10475 Little Patuxent Pkwy. Columbia, MD; merriweathermusic.com // @merriweatherpp
8.6 Lyle Lovett and his Large Band, Chris Isaak No offense to Lovett but this could easily be billed as The Beauty and the Beast of Americana. Lovett is somehow underappreciated even though he can move thousands of tickets in most every American city and Isaak's songwriting is overlooked because he's just so charming and good looking. What problems! $37+. 7:30 p.m. Wolf Trap Filene Center: 1551 Trap Rd. Vienna, VA; wolftrap.org // @wolf_trap
8.7 Summer Spirit Festival This mid-summer festival is an ode to the biggest names in soul, R&B and hip-hop. Neo-soul goddess Erykah Badu is headlines this year alongside famed R&B artist Anthony Hamilton and hip-hop duo/BFFs Method Man & Redman. $74.75+. 3 p.m. Merriweather Post Pavilion: 10475 Little Patuxent Pkwy. Columbia, MD; merriweathermusic.com // @merriweatherpp
8.9
Fleet Foxes Remember that scene in "Garden State" when Natalie Portman “changes” Zach Braff's life by putting on Fleet Foxes? This band has aged way better than that scene. $45+. 8 p.m. Merriweather Post Pavilion: 10475 Little Patuxent Pkwy. Columbia, MD; merriweathermusic.com // @merriweatherpp
for a few years in the ’70s and Short is one of Canada's most important comic exports. $47+. 8 p.m. Wolf Trap Filene Center: 1551 Trap Rd. Vienna, VA; wolftrap.org // @wolf_trap
8.23 Duran Duran, Nile Rodgers & Chic Including this to remind/inform you David Lynch directed a Duran Duran concert film in 2011 entitled "Unstaged." $57.50+. 7 p.m. Merriweather Post Pavilion: 10475 Little Patuxent Pkwy. Columbia, MD; merriweathermusic.com // @merriweatherpp
9.9 She & Him, Neko Case Who would've bet on the staying power of She & Him? Since 2008 the group has released three commercially and critically successful albums, two Christmas records and, somehow, avoided becoming a celebrity vanity project. But Neko Case is the reason this gets the pick. Her voice is the closest thing country music has to perfection. $32+. 8 p.m. Wolf Trap Filene Center: 1551 Trap Rd. Vienna, VA; wolftrap.org // @wolf_trap
9.17 Outlaw Music Festival Willie Nelson is an enduring force in contemporary country music, and this year he has returned to organize his traveling Outlaw Music Festival. Expect a mix of modern country and folk rock. $45+. 4:30 p.m. Merriweather Post Pavilion: 10475 Little Patuxent Pkwy. Columbia, MD; merriweathermusic.com // @merriweatherpp; outlawmusicfestival.com // @blackbird_presents
10.1 All Things Go Music Festival All Things Go is the essential festival for GenZers, and this year’s lineup fits the bill. Lorde needs no introduction, Mitski is our soft girl pop idol and King Princess’ ballads are a true expression of queer joy. In addition to music, the festival will be topped off with immersive art installations and curated food experiences. $95+. 12 p.m. Merriweather Post Pavilion: 10475 Little Patuxent Pkwy. Columbia, MD; merriweathermusic.com // @merriweatherpp; allthingsgofestival.com // @allthingsgo
10.9 Down in the Reeds This local jazz festival takes place on the serene grounds of Takoma’s historic Walter Reed House. Propounding “the healing power of music,” Down in the Reeds brings folks together to enjoy music in wonderful company. In true minifestival fashion, the park will be kitted out with food trucks, beverages by local favorites Atlas Brew Works and light refreshments by Baltimore’s Southeastern Roastery Coffee Lab. Free. 11 a.m. The Parks at Walter Reed: 1010 Butternut St. NW, DC; theparksdc.com // @theparksdc; downinthereeds.com // @downinthereeds
8.20-8.21 Steve Martin + Martin Short There have to be a few under 30 folks that are attending this because of the success of "Only Murders in the Building" and have no idea Martin was the biggest comic on the planet 26 | MAY // JUNE 2022
For more festival and concert recommendations, check out our A-Z Guide beginning on page 38.
CULTURE D.C.’S
CULTURAL
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PETER CHANG WORDS BY MONICA ALFORD | PHOTOS BY JONATHAN THORPE
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CULTURE
eter Chang was tired of being told, “No.” In fact, it was the catalyst for starting his own way of doing things with business partner Brandon Hill in 2009 — including creating some of the District’s most iconic arts events made accessible to the general public. For well over a decade, Chang and Hill have been defying barriers to entry in D.C.’s creative community, challenging systems and carving out space for artists, creators and small business owners to flourish. “We’re coalition building — always,” Chang says, speaking to the impetus behind No Kings Collective (NKC), the creative production brand responsible for countless murals and installations throughout D.C. “We want to be able to truly create a sense of community.” NKC continued to push the ball forward with their community-driven mission during the pandemic, delivering our city two much-needed and wildly successful events last November: their second Umbrella art market, a massive undertaking spanning three days, 25,000 square feet of event space and more than 100 participating artists, and their first Redeye Night Market. Redeye paid homage to Asian American and Pacific Islander (AAPI) foods and cultures, with 50,000 locals in attendance and $1 million in sales generated in one evening. The Pennsylvania Avenue event was free to attend, and each of the 53 vendors received 100% of their sales. Chang and his team covered all booth fees and infrastructure needs for participating vendors. With plans to bring the market back in full force this fall on October 15, District Fray sat down with Chang just in time for AAPI Heritage Month to chat about his role as one of our city’s cultural connectors, the importance of supporting AAPI and other minority-owned businesses 365 days a year, and the intersection of food and art in the D.C. community.
Redeye 2.0 Chang’s vision for Redeye had been in the works for years before coming to fruition, inspired by bustling night markets and big bazaars in Asia. But his motivation for making it happen kicked into high gear last year. “With all of the instances of AAPI hate going on nationwide and worldwide, and how Covid was impacting small businesses and restaurants, it really hit a nerve for me,” he says. “I said, ‘This is the time to act.’ That’s how we mobilized and got everything together.” He says the support for the AAPI community at last November’s event was incredible, noting the sheer number of people who turned out to experience and celebrate AAPI culture. The turnout far exceeded expectations, and Chang is already prepping for higher volume with his second annual event. “We’re going to go bigger,” he notes. “We’re going to increase the floor plan. We’re going to increase the number of participating vendors.” He’s planning on a more open flow this year, without any delays or longer-than-usual lines caused by checking vaccination cards. Everyone’s safety will continue to be a priority, but eased Covid restrictions should help with traffic control. Redeye’s next location is TBD, but Chang ensures it’ll be the right fit for his open-air market. 30 | MAY // JUNE 2022
Redeye will fly solo this year, with Umbrella returning in 2023. Chang wants to give his team some time to regroup and think about where they want to take the art show next — and offer a brief hiatus from producing two enormous events backto-back. While NKC gears up for the night market, Chang is looking forward to AAPI-focused programming around the city this month across embassies, cultural groups and other organizations. “AAPI Heritage Month has really grown to a place of significance and a lot more people are acknowledging it. Every year, it gets bigger and bigger, so that’s definitely a sign of progress.” He cites D.C. as an excellent example of this progress, not only as the seat of power but also as a cultural melting pot. “People who live in this area are probably the most educated about other cultures and ethnic groups. I think we’re doing great, but there’s always room for improvement. There’s always room for support.” Chang doesn’t shy away from the fact that he finds the month of May exhausting, when people come out of the woodwork to ask him about Asian culture. While he’s completely supportive of dedicated months to highlight different communities, he says it all boils down to conscious spending year-round. “January through December — go out and make your bucks count and support all the different businesses. Just consciously spending your dollars throughout the year is probably the most powerful thing anyone can do.”
Cultural Disruption Chang takes his words very seriously, including how he refers to himself in the context of his impact on the city’s cultural scene. He’s a changemaker, committed to challenging the status quo and keeping NKC’s authenticity intact — whether that’s up on the scaffolding for a new mural or creating inclusive events. “The Redeye Night Market is our way of doing things because it breaks the traditional sense of how a food festival should operate,” he says. “Vendors are always charged a booth fee. People who want to come to an event are always charged a ticket price. We’re trying to completely eliminate all of that so it’s a more equitable process.” He likens himself and Hill to disruptors, building new business models for their events that allow for additional resources and revenue opportunities for artists. “There are always systems in place for everything, but no one ever stops to ask themselves, ‘Why?’ Once you start asking yourself ‘Why?’ you can actually come up with solutions to problems. And in doing so, you’re always going to disrupt the way others are doing things.” NKC’s creative disruptions go back to the early days of the business when they were planning some of their first art activations. It wasn’t uncommon for them to pair together with local chefs, inviting them to try their hand at pop-ups as part of their art shows. Chang notes NKC’s first Art All Night event in 2011, Submerge, where James Beard-winning chef Tom Cunanan tried his hand at a Filipino pop-up. This was long before Cunanan’s Bad Saint days, and Chang speaks proudly of watching his career take off since their collaboration more than a decade ago.
Chang called other titans of our hospitality industry, Maketto’s Erik-Bruner Yang and Lucky Danger’s Tim Ma chief among them, his friends and collaborators long before they helped put our city’s food scene on the national map. “A lot of people don’t know that story,” he says. “I think that’s why they’re like, ‘Why are these muralists doing a big food festival?’ It boils down to the community: the intersections of where we meet and the history of working with so many people in the [hospitality] industry over the years. It just made sense for us to expand and experiment with a project like this.” Commonality is the key. Chang reiterates the universal nature of food and art within communities, and its ability to create connections and spark conversations. “Ultimately, if people leave [our events] feeling like they can create something for themselves or wanting to continue to see that kind of cultural development in the city, that’s all we can ask for.”
The Long Game The transient nature of D.C. isn’t lost on Chang. He readily accepts the ebbs and flows of our creative community, and aligns himself with those who lay down roots and continue to give back — long after personal or professional gain.
“I’m here to play the long game. I’m here to really build the city into a viable community, not to come in and selfishly take. I want to inspire people to create and actually be thoughtful about what they’re creating and what they want to do for the community.” Disruption aside, Chang has earned a reputable spot as one of the District’s cultural thought leaders. He acts as an ambassador for emerging artists and small businesses, helping them create connections with some of the city’s most esteemed institutions and luminaries. Threading the needle of authenticity among up-and-coming creatives while garnering respect from our established art world is a precarious place to sit, and Chang feels the weight of that responsibility. His relationship with the Hirshhorn Museum, for example, creates a platform for collaboration between different artist communities. We explored the buzzworthy “One with Eternity: Yayoi Kusama in the Hirshhorn Collection” exhibit, which opened in April, with Chang — a natural fit for this month’s cover shoot. “The more that high arts organizations are aware of the [creative] community in general, the more opportunity we have to build a new foundation for the future.” Chang sees the local arts community as a whole as receptive, and engaged, and wants to continue to support these changes.
CAPTIONS FIRST SPREAD + THIS PAGE. ”One with Eternity: Yayoi Kusama in the Hirshhorn Exhibit” at the Hirshhorn Museum.
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The Fabric of Humanity In his day-to-day with NKC, Chang says the foundation of their business remains the same. “It’s all cultural programming and cultural content, with large sprinkles of art in common,” he says. The scope of his team’s projects continues to shift. He and Hill are both aiming to have solo shows this year, and to complete several independent murals throughout the city. “This year, Brandon and I want to find a couple of walls where we’re just like, ‘We’re going to put up art for us, for the sake of putting up art.’” NKC has bigger projects in the works, most of which are yet-to-be-announced, but Chang teases one mural in National Landing that Hill is taking the lead on. Whether it’s commissioned works or personal projects, Chang will not stop amplifying the talent of his peers. He recently tapped a close friend and one of NKC’s painters, Nia Keturah Calhoun, to replace their “There’s No Place Like Home” mural at the corner of 14th and S Streets in Northwest. The new mural, “Facing The Sun,” was completed last month in
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collaboration with organization Sista SCOTUS and celebrates Judge Ketanji Brown Jackson’s historic confirmation as the first Black woman to serve as a Supreme Court Justice. The theme of community is unwavering for Chang. From murals to night markets, art is meant to be accessible to all. He emphasizes that with very few exceptions, every NKCproduced event has been free, and he plans to keep it that way. He and Hill remember it being difficult for their parents to take them places that cost money when they were growing up; even $10 was a lot for their families. He wants everyone in the D.C. community to feel welcome at NKC events and be inspired to go home and scratch that itch to create and connect. “Because ultimately, what is community without connection? Having each other’s backs, understanding each other and helping each other — it’s literally the fabric of humanity.” The second annual Redeye Night Market is scheduled for October 15. Learn more about No Kings Collective at nokingscollective.com. Follow them on Instagram at @nokingscollective.
The “Laurie Anderson: The Weather” exhibit at the Hirshhorn Museum.
T H E C AST OF
“OUR TOWN” BR I NGS COM M U N I T Y TO LI FE ONSTAGE WORDS BY MONICA ALFORD
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his is what community looks like. I’m on a Zoom call with five D.C. actors: four are sitting together in a Shakespeare Theatre Company (STC) rehearsal space in Barracks Row, and one is phoning in while on her bus commute. As I pick their brains about STC’s upcoming production of “Our Town,” opening May 12, they finish one another’s sentences, continuously make each other laugh and listen thoughtfully to each response. This is the equivalent of hitting the goldmine in feature journalism: when the conversation basically carries itself and the writer gets to ride the wave as the story unfolds. This particular take on “Our Town,” a Pulitzer Prize-winner delivering a meta storyline for the cyclical nature of humanity, has been highly anticipated by D.C.’s theatre community. An eclectic group of stalwart actors and up-and-comers from the
local scene have banded together for what STC is touting as a reunion for D.C. actors. From Susie Richard (Joe Stoddard) speaking openly about navigating her career as an actor with a disability to Eric Hissom (Dr. Gibbs) applauding STC for its diverse casting choices, my hour with the cast members covered a lot of ground. Chinna Palmer (Emily Webb), Christopher Michael Richardson (Howie Newsome) and Larry Redmond (Simon Stimson) brought just as much candor and intentionality to the conversation. Though the age range and experience level of the actors span decades, they remain aligned on all fronts — from their appreciation of STC Associate Artistic Director Alan Paul’s collaborative style to the mirror this play puts up to the audience to invite introspection. And while not every theatregoer will be as geeked as me for this homecoming, the audience will feel the vibrations of joy from this group of actors who cannot wait to take the stage with their peers and make their town our town for just a few hours.
CULTURE District Fray: What drew you to this production of “Our Town”? Why did you know you had to do it? Chinna Palmer: It’s beautiful for so many different reasons, but also has great purpose in terms of the message, “Live your life and appreciate these people and things around you while you can.” That spoke to me dearly. Getting to perform in front of a live audience is like nothing else — no matter where you do it or what you’re working on. Getting to feel that synergy of people in the same room sharing an experience is one-of-a-kind. I’m thrilled to be back, and with such a veteran cast who has already taught me so much. I can’t wait. Susie Richard: I am so excited to do this show. I have not had much success getting equity roles in this town, but that’s also because I don’t go out and audition. I’m used to the non-equity people just calling me up and either having me come in and read or offering me roles. I got really lazy, so now I’m like, “Why is no one casting me?” [Now] I’m getting a chance to work with the actors I’ve always loved in this town. Larry Redmond: I’m a late joiner to this company. The truth of the matter is, when I saw the company as it was listed, I was like, “God, I want to be with them, but I’m going to ruin it. If I were in that group, I would ruin this perfect group as it is right now.” So now here I am to ruin the group. [Richard laughs] Eric Hissom: This show and cast and the fact we’ve had some hardships already with rescheduling the start — there’s a lot of
goodwill and resilience here. It’s an amazing play that can feel sort of overdone or sentimental. It’s a play that high schools and community theaters do a lot, and most of us have done or seen one. But it’s really pretty deep and challenging. Every day, it’s like we’re trying to figure out the puzzle of this play. It’s a little bit elusive for all of its simplicity. It’s deceptively challenging in a good way, and I look forward it. Palmer: I think we would be remiss if we did not touch on the scheduling hiccup and that being such a major part of why I continued on in the show. The way this cast stuck together in making sure we stayed as this unit — because we were so particularly cast in the show — I was just in complete awe and amazement. I don’t think I’d ever felt so connected in the theatre community. We hadn’t even started rehearsals, but I just already felt such a family with this town — our town.
Alan Paul has a sterling reputation for his innovative takes on classic works, and his collaborative approach. What’s it like working with him thus far? Hissom: He’s just a passionate, smart, funny and selfdeprecating presence in the room. He’s very collaborative, which this show has to be. Richard: He keeps saying, “I just have to stand back and let this cast go because you guys know what you’re doing.” And then he has very specific ideas, which is wonderful. He’s letting us play with that stuff, but I feel very protected.
Redmond: He’s quite collaborative and very smart. And he trusts us, which is even better.
What about D.C.’s theatre scene makes you proud, and committed to acting in our city?
How will the cast’s closeness with one another translate onstage? Do you think the audience will be able to feel that energy?
Richard: D.C. theatre is, from the bottom up, becoming more and more inclusive. This was a huge thing for me: for Alan to call me up and to know I’m going to be part of this diverse cast. I value that a lot, and I think D.C. is an amazing petri dish for that. I’ve been called by friends [who are] like, “I just had this audition, but I think you’d be perfect for the role.” That’s the way our town works in theatre, and I think the equity theaters reflect that. I’m excited to be here and try and start waking up the consciousness of my community. I can’t even explain what it is about the magic here, but it’s an extended family for all of us and we support each other. By the way, I need some money. [Everyone laughs]
Richard: As soon as Alan put the cast post up, I think I had like 40 or 50 comments on my Facebook page. I’ve had emails from people like, “Oh my god, I can’t wait. I’m such a fan of yours.” I’m like, “I have fans?” Those audiences who do go to shows all the time, they’re like, “Oh my God, this is amazing.” I always feed on the energy from the audience. Redmond: And we’re going to be in their face in this show. We won’t be able to hide because it will be in the round — you know, lots of “backting,” lots of butts in their faces. We will be in three dimensions. They’ll be surrounding us and we’ll be surrounding them. Richard: I feel like audiences are going to feel like part of the show, and that’s kind of cool.
What makes this production relatable to all audiences? Palmer: The message struck me because of the timing. It’s such an impeccable play to do right now. It’s a deep reflection of these past two years. We’re still grateful to be able to do the show and for audience members to come out. Also, if anyone’s into production value like I am, it certainly is a spectacle — especially for a show that’s so simple and written to be bare boned. It’s so imaginative. It’s great to be a part of. I can’t wait to invite my friends. Richard: There’s something about this show and the gentleness it gives to death. It’s really examining what that is, and I think that appeals to everybody. We’ve all been trapped inside — and maybe lost someone — and we’re trying to grapple with what that means. It’s just this time of upheaval, and people behaving badly toward each other. “Our Town” is such a beautiful way of bringing all perspectives because this show is about someone young dying. I just think it’s a beautiful metaphor for that. Hissom: It’s a racially diverse cast. I did a production of it in 2008, and we had colorblind casting. This is more colorconscious because one of the families is African American and one is Caucasian. There are other racial representations throughout the play, but the two main families are two different races. I think it speaks to our moment and it’s something we’re just starting to tap into in terms of what that means for us in this production. Christopher Michael Richardson: Alan’s approach — it’s not super sentimental, it’s not super lofty, it’s not something that’s being put on a pedestal. We’re letting these people be very real people with real lives and real questions about what it means to live and die — and make something out of your life. I think those are questions we have right now: What are we doing? Is it worth it? There’s a microcosm of that in this little town, which is really great.
FROM L TO R. Eric Hissom, Chinna Palmer, Larry Redmond + Susie Richard during rehearsal for “Our Town.” Photo by Jeffrey Ray for the Shakespeare Theatre Company.
Palmer: I concur. D.C. has been an amazing place to land in terms of starting my career and branching out from here. It’s really slept on in terms of the theatre community because it is so well-rounded.
What aspect of “Our Town” has you next-level excited to be part of the cast? Richard: I fan girl out occasionally in this production. It’d be nice for me to calm that down. [Laughs] Redmond: It’s being in awe of all the people I don’t know, like Chinna — the actors I haven’t gotten to work with. Hissom: I have a lot of excitement for my first show at Shakespeare. It’s written to be bare bones and minimalist, but the design is impeccable. I love my costumes and I love the way the costume design looks. So come see it for that, if nothing else. Redmond: And you’ll see all parts of Eric — back and front. Palmer: I’m most excited for the audience’s reaction to it. This will probably be my last show in D.C. for a little bit after grad school, so I’m cherishing this moment with these people. Richardson: The specific cross-section of the D.C. theatre community that’s represented in this show is particularly powerful, because not only are we are actors in D.C., but [some of us] are also teachers. We’re really getting a cross-section of people who are making theatre their entire life, bringing that excellence to the stage and also bringing that community with them. [This production] can hopefully be a homecoming for theatre patrons who can see themselves and the things they’ve been missing in this very beautiful, all-American kind of play with really great acting. I’m looking forward to audiences getting a chance to experience what community looks like onstage in a very intentional way.
“Our Town” runs from May 12 to June 11. Tickets start at $49. Sidney Harman Hall: 610 F St. NW, DC; 202-547-1122; shakespearetheatre.org // @shakespeareindc
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One of comedy’s most transformative traits is its ability to make the “monsters” — whether anxiety, childhood trauma or abuse — seem less frightening. Comedy allows you to poke fun at those incidents and thoughts, temporarily stripping them of their ability to victimize. Well-crafted jokes give storytellers a sense of ownership over their experiences, and comedian/producer Rola Z is using her art to reframe negativity and present alternate perspectives. As a child growing up in the midst of a violent civil war, Rola was forced to flee her home country Lebanon and seek refuge in Greece. “It’s been 40 years since I left and 40 years later, nothing has changed,” she says in reference to the political and economic state of Lebanon, a country still recovering from last year’s catastrophic explosion in Beirut which killed more than 200 people, injured 7,000 and displaced roughly 300,000. “My parents are still there, so it’s always on my mind,” says Rola. “I have all these feelings I just don’t know what to do with because I can’t change anything. I figured if I can’t change it, I should find a way to laugh about it because laughter leads to healing.” After living in Egypt and maintaining a successful career in corporate communications producing events for Intel and Visa, Rola’s comedy journey began after a series of life-changing events. She lost her job, ended her marriage of 12 years and moved to D.C. But, like the survivor she is, Rola built her foundation of humor from rock bottom. A little over two years ago, she began taking comedy classes at the DC Improv, where she was impacted by the work of fellow immigrant comedians who shared stories of discrimination and displacement, filtering their traumatic life experiences through the art of comedy — or as Rola likes to call it, “traumedy.” “I like material that means something,” says Rola. “We all laugh at sex jokes and blue material, but can you make me laugh at your pain? That’s a skill only acquired through healing. My hope is as I heal in life and grow in comedy, I can communicate that healing through my jokes and help others along the way.” Rola now produces and hosts comedy shows across the city, turning busy bars and crowded restaurants into humor hospitals. She’s carved out a niche lane for herself, producing shows with experiences difficult to find at larger comedy clubs in the area. Some standouts include a private, members-only comedy show with burlesque dancers titled Comedy & Curves. She also produces Lingerie & Laughter, a show for women only, where comedians are encouraged to share their amusing stories on dating, romance and sex in a male-free environment. On Cinco de Mayo, Rola is 36 | MAY // JUNE 2022
IAMS
III
Each month, local comedian and actor Joe Marshall sits down with a local artist to pick their brain about all things creative and their role in the D.C. performing arts scene.
producing her first dark humor comedy show where comedians explore taboo topics to provoke both laughter and thought. “I’m looking to create true diversity in the shows I produce, but America has a narrower view of what that is,” Rola says. “Diversity isn’t just Black and white — it’s age, religion, gender, class, trauma — it’s everything. I find gaps in the market are actually opportunities to create, because if I want something chances are other people want it, too.” Of all the shows Rola produces, her favorite is the Funny Arabs Comedy Show, which she hosted in March at Busboys and Poets on 14th and V Northwest in D.C. After performing at the Arab American Comedy Show at the Gotham Comedy Club in New York, Rola was inspired to create a platform for Arab comics in D.C., with the goal of expanding into a series that also includes non-Arab comics. She hopes to build bridges of understanding and empathy amongst truly diverse communities. “I have delusional confidence syndrome,” Rola jokes. “When you’re an immigrant and you flee a warzone, you’re forced to become confident. I choose to use my confidence as a defender of the underdog and the voiceless.” Rola recalls an intimate moment with her 5-year-old during the height of the pandemic, when in-person schools became virtual. In frustration, her child belted out, “I’m bored of online classes, Mom!” Rola simply replied, “When I was your age, you know what I was bored of? War.” And that, ladies and gentlemen, is traumedy.
You can keep up with all of the shows Zaarour produces by following her on Instagram @somearabwoman.
CUE THE LIGHTS | CULTURE
THE A-Z
ADVENTURE
GUIDE TO
LIFE
SUMMER
Warm weather in D.C. means it’s time for adventures. Outside to inside, 21 and over to family-friendly, there’s at least one letter for you. Here are 26 adventure suggestions. From dressing up as fantastical creatures, kicking off the outdoor concert season, testing out your trivia knowledge, sipping on wine or laughing at others, there’s something for everyone. We can say everyone because everyone likes ice cream. Even if you’re lactose intolerant, there are dairy-free options.
IN D.C. A WORDS BY BRANDON WETHERBEE
is for Awesome Con 6.3-6.5
D.C. pop culture extravaganza brings the largest collection of nerd culture appreciation to the Washington Convention Center in early June. Highlights include Shang-Chi himself Simu Liu; “Breaking Bad” and “The Mandalorian’s” Giancarlo Esposito; and “Lord of the Rings,” “The Goonies” and “Stranger Things’” Sean Astin. But the celebrities aren’t what makes Awesome Con, well, awesome. The cosplaying is what makes Awesome Con worth the ticket. Prices start at $40. Various times. Walter E. Washington Convention Center: 801 Mt Vernon Pl. NW, DC; awesome-con.com // @awesomecons
B
is for Broccoli City Festival 5.7-5.8
The festival that started out as a one-day concert at The Bullpen bar has evolved into a true festival, with two days of sets from hip-hop’s biggest names (21 Savage, Ari Lennox, Rico Nasty and way more), a one-day conference, career expo and 5K. Celebrating 10 years, Broccoli City has become a reliable kickoff to the outdoor music festival season. $109$499. 1 p.m. RFK Festival Grounds: 2500 Independence Ave. SE, DC; bcfestival.com // @broccolicity
C
is for Capital Jazz Fest 6.3-6.5
From the Capital Jazz Fest site: “Each year in June, tens of thousands of music lovers from throughout the country flock to the suburbs of Washington, D.C. to attend ‘the jazz festival with soul.’” Guess when the 2021 Jazz Fest occurred? September. Stupid Covid. Guess when the 2022 Capital Jazz Fest occurs? June 3-5. We’re getting back to normal. Multiple locations; capitaljazz.com DISTRICT FRAY | 39
LIFE
D
is for Drive-in Movies
There are a few silver linings of the most recent pandemic. Very few, but few nonetheless. One of them is the expansion of drive-in movies. They weren’t extinct before Covid but when most outdoor film screenings were canceled in 2020, drive-ins reminded people it’s actually great to watch a giant screen inside your parked car.
E
is for EU Open House 5.14
One of the benefits of living in the District is being surrounded by places owned and operated by other countries. One of the only times you can enter most of these buildings is EU Open House Day. The annual, at least before Covid, event allowed locals to take a glimpse into other cultures. Each embassy is quite different and presents some of the more interesting aspects of their respective cultures. Free. 10 a.m. - 4 p.m. Multiple locations; events.euintheus.org // @euintheus
F
is for Capital Fringe 7.11-7.24
Theatre isn’t exactly a spring or summer-specific activity, but the Capital Fringe Festival is definitely adventurous. The D.C. creative community has benefitted from the annual festival since its first edition in 2006. The 2022 version will be the first in-person since 2019. We’re intrigued for 14 days of brand-new works made and performed by D.C.’s finest thespians. Multiple locations; capitalfringe.org // @capitalfringe
G
is for Old-School Gaming
Human interaction is quite nice. Having a game helps that human interaction. From board games to pinball, here are five places in D.C. featuring games that make conversing a bit easier.
Billiards Bedrock Billiards: 1841 Columbia Rd. NW, DC; bedrockbilliards.com // @bedrockdc 40 | MAY // JUNE 2022
Board games Board Room: 1737 Connecticut Ave. NW, DC; boardroomdc.com // @boardroomdc
Mini bowling + more The Eleanor: 100 Florida Ave. NE, DC; 931 Ellsworth Dr. Silver Spring, MD; eleanordc.com // @theeleanordc
Pinball Lyman’s Tavern: 3720 14th St. NW, DC; lymanstaverndc.com // @lymanstavern
Shuffleboard + more The Boardwalk: 507 7th St. NW, DC; boardwalkbardc.com // @boardwalkbardc
H
is for Hirshhorn Museum
We shot our cover at the Hirshhorn for a reason. Yes, the Yayoi Kusama exhibit is worth your time, but there’s more to the Smithsonian devoted to modern and contemporary art than great Instagram stories and TikTok videos. Here are five reasons to visit the museum and sculpture garden. Independence Ave. + 7th Street; hirshhorn.si.edu // @hirshhorn
Through 11.27 “One With Eternity”: Yayoi Kusama in the Hirshhorn Collection We need to acknowledge the biggest reason the Hirshhorn will be one of the busiest museums on the National Mall this summer. Tickets for the popular exhibit are being distributed a little differently than they were in its first run in 2017. This time passes are distributed on the Hirshhorn’s plaza every open day beginning at 9:30 a.m. until all the day’s passes have been claimed. This prevents a secondary ticket market for a free art exhibit. This is a good thing.
5.3 “I have something to say” : Advocating for human rights through artmaking. Laurie Anderson in conversation with her collaborator Mohammed el Gharani and Kweku Mandela Amuah “Laurie Anderson: The Weather” is quite a different experience than “One With Eternity.”
Anderson’s work is massive, taking up nearly the entire second floor of the Hirshhorn. Instead of a tiny Infinity Room, you’re swallowed in giant, all black galleries. It’s extremely political and full of pieces that lean into uncomfortable conversations. This event focuses on the subject of one of the galleries, Mohammed el Gharani, who was detained at Guántanamo Bay from 2002 to 2009. Free. 6:45-7:45 p.m.
5.21 Hirshhorn Ball Yet another welcome return to normalcy. The 2022 ball theme is pop art. The artist-honoree is Kaws. The emcee is Pussy Noir and the musical guest is Dan Deacon. If you know about pop art or Kaws or Pussy Noir or Dan Deacon, you’re intrigued. If you’re unfamiliar, the ball is an early evening event held in the Hirshhorn outdoor sculpture garden
FIRST SPREAD. ”One with Eternity: Yayoi Kusama in the Hirshhorn Exhibit.” Photo by Jonathan Thorpe.
LIFE
(less Covid to worry about) honoring a pop artist you can find on hip kids’ shirts and on toy shelves. The event is hosted by one of D.C.’s finest drag queens with music from one of Baltimore’s best performance artists/musicians/party starters. $250+. 6:30-10 p.m.
5.25 “Sam Gilliam: Full Circle” opens Looking for something a little different? Gilliam’s abstract works are not nearly as overwhelming as Anderson or Kusama. His work is also extremely D.C.: All of it was made within three miles of the Hirshhorn.
6.3 Laurie Anderson presents Lou Reed’s “Drones” with Stewart Hurwood Caution: Do you like it loud? Anderson and Lou Reed were married when he Union Market drive-in. Photo courtesy of EDENS.
passed in 2013. The couple were together for 21 years and if you followed either of their works, you wouldn’t really know it. That has changed since Reed has left this plain. This event is part of the year-long celebration of Reed’s 80th birthday and is an extension of the annual D.C. audio art festival Sound Scene. Once again, it will be loud. Free. 4-7 p.m.
I
is for Ice Cream*
Warm weather means ice cream. Here are some places to get ice cream. In no way is this a definitive list, just what we like in the order we like them as of this writing. Sometimes you want something fancier, sometimes you want McDonald’s soft serve. There is no wrong type of ice cream.
5. Dolcezza: 904 Palmer Alley NW, DC; 1704 Connecticut Ave. NW, DC; 7111 Bethesda Ln. Bethesda, MD; more locations; dolcezzagelato.com // @dolcezzagelato 4. The Creamery Union Market: 1309 5th St. NE, DC; thecreamerydc.com // @the_creamery_at_union_market 3. Moorenko’s Ice Cream: 720 C. St. SE, DC; 8030 Georgia Ave. Silver Spring, MD; moorenkos.com // @moorenkos 2. Pitango: 1841 Columbia Rd. NW, DC; 413 7th St. NW, DC; 4901-A Fairmont Ave. Bethesda, MD; pitangogelato.com // @pitangogelato 1. Thomas Sweet: 3214 P St. NW, DC; thomassweet.com // @thomassweeticecream
*We’re including gelato.
DISTRICT FRAY | 41
Dacha Beer Garden. Photo by Brandon Chen.
J
LIFE is for Juneteenth
2022 is only the second year Juneteenth is a federal holiday (Juneteenth falls on Sunday, June 19 with federal observance on Monday, June 20). Celebrations are yet to be announced but if it’s anything like last year, spend Juneteenth at Prince George’s County’s Juneteenth celebration, Smithsonian’s National Museum of African American History and Culture, the African American Civil War Memorial or the Washington National Cathedral.
K
is for Kenilworth Park and Aquatic Gardens
In a city blessed with thousands of acres of National Parks, Kenilworth Park and Aquatic Gardens may feel like the most D.C. It’s extremely accessible from bike paths and via car. It’s open almost every day of the year. It’s far enough from the National Mall to attract mostly locals. Kenilworth Park and Aquatic Gardens: 1550 Anacostia Ave. NE, DC; nps.gov/keaq // @kenliworthnps
L
is for Lulu’s Winegarden
Warmer weather means more outdoor imbibing. Lulu’s was appealing before the pandemic and got a little better thanks to their streetery. What was my favorite happy hour off U Street has become my go-to since they’re welcoming to kids and yet also appeal to those who prefer a child-free existence. The back of Lulu’s is why it’s making this A-Z guide. If you want/need a minioasis, this is your best outdoor wine bar bet. Lulu’s Winegarden: 1940 11th St. NW, DC; luluswinegarden.com // @luluswinedc
M
is for Murals
Look around. They’re everywhere. We featured more than 20 excellent D.C. murals in our December 2021 issue and we barely scratched the surface. Annual fests
like D.C. Walls brings in artists from around the globe to make this place a bit brighter. Visit districtfray.com for our interactive mural map.
N
is for Night Monument-ing
You know when it’s best to take your out-of-town friends around to visit wellknown monuments and statues? When the fewest people are out and about looking at those monuments and statues. That’s the night. From dark to when it’s not creepy is the best time. See as much as you can in a different setting. This is also just good life advice.
O
is for Outdoor Beer Gardens
This is a no-brainer. It’s way more fun to drink outdoors when the weather is nice and not because you’re doing your best to avoid a potentially life-altering disease. Outdoor beer gardens in D.C. were popular well before 2020 and their relevance has only increased. Here are five of our favorites.
For a photo with the Elizabeth Taylor mural in the background Dacha Beer Garden: 1600 7th St. NW, DC; dachadc.com // @dachashaw
For the rooftop beer garden hidden off Georgia Avenue Denizens Brewing Company: 1115 East-West Hwy. Silver Spring, MD; denizensbrewingco.com // @denizensbrewing
For the train watching/good for kids Dew Drop Inn: 2801 8th St. NE, DC; dewdropinndc.com // @thedewdropinndc
For the people watching Garden District: 1801 14th St. NW, DC; gardendistrictdc.com // @thebeergarden
For the sports fan The Midlands Beer Garden: 3333 Georgia Ave. NW, DC; midlandsdc.com // @midlands_dc
DISTRICT FRAY | 43
LIFE
P
is for Capital Pride 6.10-6.12 Yet another return to somewhat normalcy, this year’s Capital Pride theme
44 | MAY // JUNE 2022
is ReUnited. It kicks off June 10 with their official opening night party at Echostage featuring SYMONE, winner of season 13 of “RuPaul’s Drag Race.” The next day is the massive block party, the massive parade and a night two party at City Winery. The gigantic festival
and concert takes over Pennsylvania Avenue between 7th and 3rd from noon to 10 p.m. The first gay pride in D.C. was in 1972. 50 years later, this year’s Capital Pride will be quite a bit bigger. Multiple locations; capitalpride.org // @capitalpridedc
LEFT. Lulu’s Winegarden. Photo courtesy of location. RIGHT. Lafayette Wright performing at Hotbed. Photo courtesy of venue.
Q
LIFE is for Quiz Nights
In a city that attracts the cream of the crop (at least when it comes to SAT scores and debate team captains), quiz nights in D.C. are a bit more competitive than pretty much everywhere else in America. Here are five of our picks. Our picks have absolutely nothing to do with the kind of trivia you’ll compete in.
For the cider fan Capitol Cider House: 3930 Georgia Ave. NW, DC; capitolciderhouse.com // @capciderhouse
For the local brews City-State Brewing Company: 705 Edgewood St. NE, DC; citystatebrewing.com // @citystatebrewing
For the neighborhood bar aficionado Looking Glass Lounge: 3634 Georgia Ave. NW, DC; thelookingglasslounge.com // @lookingglasslounge
For the outdoors fan in Edgewood Metrobar: 640 Rhode Island Ave. NE, DC; metrobardc.com // @metrobardc
For the outdoors fan in NoMa Wunder Garten: 1101 First St. NE, DC; wundergartendc.com // @wundergartendc
R
a ton of indoor dining. Allow this year’s RAMMY nominees to help plan your next outing. $325. 6 p.m. Walter E. Washington Convention Center: 801 Mt Vernon Pl. NW, DC; therammys.org // @ramwdc
S
is for Stand-Up
D.C. comedy fans have a fantastic national club. Attending a show at The DC Improv, whether in the main room or the Lounge, is exactly what you want when you attend a stand-up show. The ceilings are low, all attention is focused toward the stage and the booking is consistently professional. It’s the kind of club you could attend with no knowledge of who’s going up and love it. It’s the kind of club that veteran performers like Todd Glass rave about.
shows were slowly reintroduced in mid2021. This spring the first venue of their very own, Hotbed, opened in the old Songbyrd space. Similar to the Improv, Hotbed has low ceilings, all attention is focused toward the stage and the booking is consistently professional. Since the comedy industry isn’t here, we’ll never be New York or LA when it comes to comedy. But with places like Hotbed, we’re getting a great farm system for up-and-comers not yet big enough for the Improv but still very much deserving of a first-class venue. DC Improv: 1140 Connecticut Ave. NW, DC; dcimprov.com // @dcimprov Hotbed: 2477 18th St. NW, DC; hotbedcomedydc.com // @hotbedcomedy
Until the pandemic, a really great option for acts that couldn’t sell-out four nights of shows at the Improv was Big Hunt. Sean Joyce and the folks at Underground Comedy gave a home to some of the best up-and-coming comics from across the country. Unfortunately, Big Hunt is no longer with us, another victim of the pandemic.
Reliable Tavern: 3655 Georgia Ave. NW, DC; reliable-tavern.com // @reliabletavern
But Underground Comedy never really stopped. They may have lost their biggest venue, but they’ve consistently filled Room 808, Reliable Tavern, The Wonderland Ballroom and Eaton since
The Wonderland Ballroom: 1101 Kenyon St. NW, DC; thewonderlandballroom.com // @thewonderlanddc
Room 808: 808 Upshur St. NW, DC; room808dc.com // @room808dc Wild Days at Eaton: 1201 K St. NW, DC; wild-days-dc.com // @wilddaysdc
is for the RAMMYS 7.24
R is the toughest letter in our roundup. Do we go with D.C.’s best and most useful trails (Rock Creek Park)? What about a hidden gem most tourists never visit (Roosevelt Island)? While those natural beauties are must-visits in spring and summer, they’re pretty well-known. We’re going with D.C.’s annual food awards, the RAMMYS for our R. Every year the RAMMYS does a fine job letting foodies and non-foodies know about dishes they might enjoy. Think of it as an all-local MICHELIN Guide. And since we’re kinda sorta returning to normal, we think it makes more sense to shine a light on deserving restaurants and bars. We did a ton of outdoor exploring over the last two years and not DISTRICT FRAY | 45
T U LIFE
is for Tattoo
Looking for a way to remember your adventure? How about making the memento part of the adventure? Get a tattoo, the tchotchke that lasts a lifetime. Turn to page 49 for more.
is for U Street
There’s no one must-visit place on U Street. The block/neighborhood means something different for everyone. Events like Funk Parade are a wonderful introduction to locals and tourists alike. The onceannual parade returns to U Street this May 7. The one-day event is now a weeklong celebration of D.C. culture with a Funk Parade beer release kicking off the festivities and a 2nd Line mural walk on May 4. Multiple locations; funkparade.com // @dcfunkparade
V
is for Virginia Vineyards
Time for a day trip. For better or worse, a trip to a Virginia winery is as much about the scenery as is for the grapes. When heading to hike or just wander Shenandoah, consider one of these five wineries on your way in or out. Chapelle Charlemagne Vineyards: 13453 Crest Hill Rd. Flint Hill, VA; chapellecharlemagne.com // @chapellecharlemagne Early Mountain: 6109 Wolftown-Hood Rd. Madison, VA; earlymountain.com // @earlymountain
46 | MAY // JUNE 2022
Fox Meadow Winery: 3310 Freezeland Rd. Linden, VA; foxmeadowwinery.com // @foxmeadowwinery Linden Vineyards: 3708 Harrels Corner Rd. Linden, VA; lindenvineyards.com // @lindenvineyards Rappahannock Cellars: 14437 Hume Rd. Huntly, VA; rappahannockcellars.com // @rcellars
W X
is for Water
Yes, water. We’re using W for water because whenever we think about warm weather in D.C., water is there. From swimming at Banneker to doing everything else (canoeing, kayaking, paddle boarding, taking a boat tour, etc.) in the Potomac, we’re a city that loves water. Turn to page 52 for Diving 101.
is for Malcolm X Park
It’s not Malcolm X Park on a map. It’s technically Meridian Hill Park but it’s Malcolm X Park to every D.C. resident I’ve ever met. The 12-acre public park is used for lounging, meet-ups, frisbee, running, wedding photo shoots, little kids’ soccer practice, picnics and more. It’s a gorgeous piece of land, beloved and well-used by residents from throughout the District. It’s a fine representation on how to best use public spaces. 16th St.+ W St. NW, DC; nps.gov/places/meridian-hill-park.htm
Y
is for Yards Park
Warm weather means baseball. Warm weather really means going to a baseball game. Going to a baseball game is just an excuse to enjoy the warm weather. So regardless of your Nationals ticket status, a trip to Yards Park is a worthwhile warm weather adventure. If you haven’t been to the area since the pandemic, well, it offers quite a few more options. While you may have stayed away, seemingly every area restaurant group has set up shop. Here are five suggestions for your next Yards Park visit.
D.C.’s OG microbrewery Bluejacket: 300 Tingey St. SE, DC; bluejacketdc.com // @bluejacketdc
Kid-friendly kiddie pool The Yards Park: 355 Water St. SE, DC; capitolriverfront.org/yards-park // @yardsparkdc
Oysters while looking at the Anacostia The Salt Line: 79 Potomac Ave. SE, DC; thesaltline.com // @thesaltline
Pre-game fast casual RASA: 1247 First St. SE, DC; rasa.co // @rasa
Pre-game outdoor pizza Nicoletta Pizza: 301 Water St. SE, DC; nicolettapizza.com // @nicoletta_pizza
LIFE
Z
is for Smithsonian National Zoological Park
One of the safest Smithsonians open over the last few years, the zoo,
like most everything else in this guide, is returning to some normalcy. Wellattended annual events like Brew at the Zoo (May 26) and the recent Easter Monday tradition are good reasons to visit the lions and tigers and bears.
Need another good reason? This is a free Smithsonian Institution. Smithsonian National Zoological Park: 3001 Connecticut Ave. NW, DC; nationalzoo.si.edu // @smithsonianzoo
LEFT. Rappahanock Cellars. Photo by Brandon Chen. RIGHT. Boxers in Malcolm X Park. Photo by Andrew J. Williams III.
DISTRICT FRAY | 47
T is for Tattoo
LIFE
WORDS BY TONI TILEVA
J
onathan Reed, co-owner of Lady Octopus Tattoos, is a proud third-generation Arlingtonian. In 2016, he was looking for a female tattoo artist to create a homage to South Ivy Street where he grew up.
The first hit on his Google search “female, tattoo artist, D.C.” generated a picture of Gilda Acosta standing in front of a shark mural blowing it a kiss. I guess you could say it was love at first bite. This was the start of a professional and personal relationship that would weather the turbulent ocean of tattooing. Gilda Acosta graduated from art school in 2003 and went right into tattooing. “Jonathan was looking for new creative outlets and an ivy sleeve tattoo, and I was looking for a partner to help establish a presence in Arlington, Virginia. An easy friendship ensued and we became life and business partners over fish tacos and tattoo sessions.” Gilda is well-known for her delicate, precise line work and colorful, illustrative natural themes. “I love doing botanical designs, birds and creatures of all types. A love of biology and art marry perfectly in tattooing.” Originally from Panama, she is a rarity as a Latina who coowns a business in an industry dominated by men. Lady Octopus Tattoos’ intentional inclusivity draws customers in. “Being a woman in the tattoo industry and seeing how some shops operate and treat vulnerable clients impacted our original vision and commitment to providing safe, inclusive spaces for all.” Body positivity and professionalism, combined with treating clients like family, are other things that make Lady Octopus so special. “I learned early on that an open, friendly approach goes a long way in tattooing,” Acosta says. “I sincerely enjoy getting James Haun. Photo by Jonanthan Darden Reed.
to know all my clients and cherish their trust. We can’t help but forge lifelong friendships and the shop becomes a place where friends catch up, crack jokes and vent.” Despite the fact the artists at Lady Octopus often book more than six months in advance, they respond to customers with great care. “We put care and expense into our shop’s safety — from controlled bio disposables, tattoo before and aftercare education and overall follow-up on our work,” Reed says. “It’s extremely important for us to produce the utmost highest quality of tattoos.” Lady Octopus Tattoos recently moved to a location in Clarendon Crossing, right across the street from the very famous/infamous (for dudes with brown flip-flops) Whole Foods in Arlington. James Haun, who has been tattooing since 1996, is another part of the family. James is so beloved he often books not months but a year in advance. His son, Lance Haun, is currently also an apprentice. Gia Catauro, a resident guest artist from Rhode Island, is also part of the Lady Octopus Tattoos family. Tattooing isn’t Reed’s only creative outlet: He is also a filmmaker whose documentary “Bound By Leather” won the New Jersey QFest LGBT Film Festival award in 2017 as Most Original New Subject. In the coming months, he will film and post video vignettes with the theme of “my tattoo, my story.” The vignettes will offer a unique look at the special friendships that form between tattoo artists and their supporters — and the meaning-making behind the process. Lady Octopus Tattoos is a hidden gem in the ocean of tattoo shops in its professionalism, experience and genuinely positive approach. Their new location in the heart of Clarendon is sure to further their reach. Lady Octopus Tattoos: 1440 N Edgewood St. Ste. 165 Arlington, VA; 703-528-1099; ladyoctopus.tattoo // @ladyoctopustattoos DISTRICT FRAY | 49
MEET ME AT THAT
QUIRKY PLACE 9 O F F -T H E - B E AT E N - PAT H G E M S I N D . C .
WORDS BY BAILEY VOGT | PHOTOS BY ANDREW J. WILLIAMS III
LIFE When I think of cars, several questions pop into my mind. For starters: Why? Then after that: For what? Must we? Are we sure? Gas prices are absolutely helping that argument. With the $4.50 a gallon and traffic and parking, why drive at all? The Metro can be a great alternative, but it’s going through a... thing...right now. Even when it’s at 7,000% capacity there are so many amazing parts of the city that the Metro doesn’t touch. But why take the car when you can take the bus? With over 11,000 stops and 1,600 buses, it can get you to a ton of amazing destinations. Here are some of my favorites.
Cookie Wear Bus: 60, 62, 63, 64, 70, 79, H8 The whole of Upshur Avenue is an adorable little commercial block tucked in Petworth. My favorite spot is Cookie Wear, a boutique store that sells fun and alternative fashion for both men and women. The store sells everything from graphic tees to backpacks to sunglasses — many of which are homemade by owner Michelle “Noodles” Smith. They even sell hand-painted transom suitcases and skateboards. While in the area also check out Fia’s Fabulous Finds two doors down. This gently used clothing store is packed to the gills. Make sure you stop for a coffee at Loyalty Bookstore or a pizza at Timber Pizza. 810 Upshur St. NW, DC; @cookie_wear
Franklins Bus: 13A, 17, 23A, 23B, 83, F4, F8 Franklins is a delightful microbrewery offering incredible beer and amazing food smack dab in downtown Hyattsville. I went here on a date on the coldest day of January, yet the welcoming atmosphere quickly warmed us up. Follow up with the delicious food and libations at its attached toy store. This general store is like Cracker Barrel on steroids. It’s filled with fun and unique knickknacks for you, your friends or your white elephant gift exchanges. 5123 Baltimore Ave. Hyattsville, MD; franklinsbrewery.com // @franklinsbrewery
Freddie’s Beach Bar Bus: 10A, 23A, 23B When my gaudily-dressed ass walks into this bar, I essentially become camouflaged. This entire restaurant and bar in Crystal City looks like all of its decorations came from an Oriental Trading magazine. That is hundo p a compliment. This LGBTQ+ establishment features incredible deals throughout the week and events like karaoke, lip syncs and its drag show on Saturdays. 555 23rd St. S Arlington, VA; freddiesbeachbar.com // @freddiesbeachbar
Hillwood Estate Bus: D32, L2, H2, H4 This is where my chosen brothers and I take our picnic to the next level. This sprawling estate on businesswoman Marjorie Merriweather Post’s historic grounds features many gorgeous green spots to lounge with a deli sandwich. The property includes a greenhouse, a giant lawn, and a hillside Japanese Garden. But there’s also history to explore in the main mansion. Tour the twists and turns of this mansion-turned-museum filled with apparel and art owned by Mrs. Post herself. 4155 Linnean Ave. NW, DC; hillwoodmuseum.org // @hillwoodmuseum
Kenilworth Park & Aquatic Gardens Bus: U7, R12, V2, V4, V14, W4 Another garden where you can truly lose yourself. This Northeast garden offered me so much peace to journal and reflect. It’s easy to reflect when so many ponds and bridges allow for picturesque views right out of a Rembrandt. This National Park allows for viewing of beavers, turtles and a buttload of flowers. And if you’re into bird watching? Welcome to heaven, you nerds. The National Park Service reports nearly 250 species chill in the gardens throughout the year. 1550 Anacostia Ave. NE, DC; nps.gov/keaq // @kenilworthnps
Lyman’s Tavern Bus: 52, 54, 59, H8, S2, S9 Get a fistful of quarters ready and get ready to take a bumper. Nestled just north of the main, boring Columbia Heights is a great strip of more local, gritty locations. Lyman’s Tavern features a rotating stock of retro pinball machines. Games include properties like “Ghostbusters,” “Rick and Morty” and, if you’re feeling naughty, “Star Wars: A Phantom Menace.” After you’ve hit game over, stuff your face with their large selection of beer and beer bites — particularly their selection of specialty hot dogs. 3720 14th St. NW, DC; lymanstaverndc.com // @lymanstavern
MahoganyBooks Bus: 90, 92, A33, B2, P6, V2 Nothing is more comforting and cozy than a local bookstore and this one has a mission behind it. MahoganyBooks is a family-owned independent store that focuses on literature written for, by or about people of the African diaspora. Why order online via Amazon when you can go in and get personal recommendations amongst thousands of titles from their incredible staff? 1231 Good Hope Rd. SE, DC; mahoganybooks.com // @mahoganybooks
Anacostia River Tours I will absolutely be hitting it up this summer. What a great date idea. These educational tours will teach you about all the environmental diversity and history of the underappreciated river. You can take either a motorboat or canoe tours along the shores of the river. The best part? The tours are free. Various locations in D.C.; doee.dc.gov/service/boattours
Prime Thrift Georgia Avenue Bus: 54, 70, 79, E4, S2 Clothes are one of the main ways I express myself. I love going out and finding new outfits to wear but I prefer bargains to bank-breaking. Prime Thrift Georgia Avenue is an honestto-goodness thrift store in D.C. The racks? Packed. The atmosphere? Chaotic. The finds? Amazing. The prices: ICONIC. Jackets for seven bucks. Suits for 20. Furniture for 15. You will always find something here. Hell, this yellow striped jacket was just chilling at the end of the shelving destined for me to find. Find your next favorite outfit here. 6101 Georgia Ave. NW, DC; primethrift.com/pages/washington-dc
DISTRICT FRAY | 51
PLAY :
BEGINNER’S GUIDE | PLAY This summer offers a renewed possibility for travel. There’s a collective desire to seize opportunities for adventure, like scuba diving. Exploring the world below the water’s surface is on many people’s bucket lists. However, the equipment, risks and certification process are barriers. With the help of a local couple who recently underwent scuba diving certification, along with an expert diver and paleontologist who explores intense conditions for fossils, we’ve created a comprehensive beginner’s guide for people who want to take the plunge.
TESTING THE WATERS Spring 2021, local writer Lani Furbank, her husband Zach Barnes and Furbank’s parents traveled to Costa Rica to get their diving certifications. After seeing friends’ underwater photos and hearing their scuba stories, Furbank was inspired. “[Learning to scuba dive], traveling and going underwater felt like unlocking a new level of life,” Furbank says. Barnes agrees with her sentiments. Since he was a teenager, he wished to learn to dive but was apprehensive since his ears had trouble equalizing pressure underwater. Before committing to the trip, they decided to test things out. “We took a discover scuba course at Aquatic Adventures in Springfield, Virginia,” Furbank says, who also noted her parents tagged along. “It wasn’t an [actual certification] but a bonus precourse. It helped us get comfortable with the equipment and all the different intricacies of what you [need] to get certified.” After a successful practice run, they set their sights on completing the certification.
LET’S GET CERTIFIED To earn a Professional Association of Diving Instructors (PADI) certification, there are three components: an academic course, pool training and open water training. The academic portion offers both online or in-person classes, takes approximately 15 hours to complete at one’s own pace and includes reading materials and exams. The academic component needs to be completed before stepping into the water. “The biggest thing I got freaked out by was the online course,” Furbank recalls. “[PADI] wants to let you know of all the things that could happen to you, so the course is all of the risks and worst-case scenarios which is honestly quite terrifying.” After completing the academic course, the training processes can vary depending on dive company. For Furbank and Barnes, training included four pool dives and four ocean dives over the span of four days. There was roughly one instructor for every group of three to five people in their program. If you are looking to get certified, it can be helpful to complete the training with a friend. “You have a buddy anyway [when diving] as is policy,” Barnes says. “And part of the training is pulling the regulator from your mouth [which controls your air supply to the oxygen tank] at the bottom and breathing from the other person’s regulator. So, it’s probably a little easier to do that with someone you are comfortable with.” Other training components include an endurance test where you’re asked to swim 60 to 100 yards in the open water without a mask or flotation device. Overall, though, people of different abilities should not feel deterred to scuba dive. Alford’s collection of teeth from mako sharks and ancestors of the megalodon, spanning 7.5 million years old to 30 million years old.
“The instructors talked to us about people who have a variety of physical differences and can still dive,” Barnes says.
THE CASE FOR ABROAD When choosing where to get diving certified, the possibilities are endless. There are places throughout the DMV that offer certifications, but Furbank and Barnes opted for Costa Rica, which was less expensive than the U.S. The total cost for certification can fluctuate between $350 to $500 due to no standard price on training components. As Furbank notes, “Part of the reason we went overseas was even with the plane ticket and the certification, we paid [less than we would] for certification in the States.” Barnes also adds the rental cost of all the equipment and gear should be included in the certification program, and if not, you should probably go somewhere else.
SUIT UP Basic scuba gear and equipment required for divers includes a regulator, oxygen tank, buoyancy control device (BCD), weights, an oxygen reader, mask, fins and a wetsuit. BCD and weights are important because you need to be at a level to float effortlessly. The goal is to expend as little energy as possible underwater so you don’t use the oxygen tank too quickly. BCD is a vest that adjusts your weight to achieve an optimum balance while you are underwater. At surface level, the BCD can serve as a life vest. When suiting up, it is important to prepare yourself for the weight of the equipment. “The tanks are the heaviest part and most people will need help getting it onto their backs,” Furbank says. “The dive crew will suit you up on the side of the boat and then tip you into the water. It’s a bit nerve-wracking for the first time, getting plunged into the water with a huge thing on your back.”
CONSERVING ENERGY When it comes to scuba diving, conserving energy is the name of the game. With the assistance of a BCD you also want to physically exert as little energy as possible when you’re swimming. You don’t need to be a fast swimmer underwater to be successful at scuba diving, but rather a controlled and slow swimmer. “One of our friends [who dives] is a very strong athlete,” Barnes says. “He usually runs out of his oxygen first because he’s zooming around wanting to see everything.”
WHAT’S ON THE HORIZON On their first trip out to an open water dive, a storm had just passed. Despite natural nerves for their first dive, Furbank and Barnes were surprised by the experience. “The waters were intense from the storm,” Barnes notes, “but once we got underwater it was instantly calm. It was weird because being underwater was a huge relief.” Guided by ropes attached to barrels anchored to the bottom of the floor 58 feet deep as they descended, Furbank and Barnes were welcomed by sea turtles, eels and fish all the colors of the rainbow. They spent 45 minutes underwater with one-stop 10 feet below the surface — out of precaution for the bends — before ascending back to top.
DISTRICT FRAY | 53
Furbank and Barnes both described the experience as transformative and are eager to plan their second diving trip — hopefully to Cozumel, Mexico.
THROUGH COFFEE-COLORED WATERS When Dr. Aaron Alford decided to learn to dive, it wasn’t for recreational purposes. “I got certified so I can work,” says Alford, the senior director of research and evaluation at the National Association of County and City Health Officials (NACCHO), who is also a professional paleontologist. “And while doing that, I fell in love with just being underwater.” In June 2009, he and a colleague decided they wanted to excavate rivers and brackish waters to look for fossils dating as far back as 540 million years. To Alford’s knowledge, they were the only two people doing underwater stratigraphy in rivers at that time. Alford describes the conditions of his normal dives as “water the color of coffee. When you get to 10 feet, there’s no ambient light. It’s like being in a cave in the center of the earth. The water is smelly because it’s swamp water and often running very fast at five to six knots (7 mph). Nobody wants to dive in those conditions.”
SKULLS AT THE BOTTOM OF THE RIVER As a result, Alford had to learn how to adjust and adapt to meet the conditions of the quarry site. “For a lot of [standard] dive trips, they will say it’s a current dive, which means they drop you off in one place and let the current take you to another place by drifting. With the work we’re doing, we want to stay in one spot because we’re acquiring a skull or taking samples. So, my gear is very stripped down. There’s no stuff floating around me like you would normally have if you’re just diving on a reef.” To combat floating away from the quarry site, Alford wears a pick on a lanyard which he’ll jam into the bottom of the river to anchor himself. He’ll also wear significantly more lead than a natural buoyancy diver. “I drop to the bottom of the river and hang on for dear life.” Although his expedition environments are harrowing and take a lot of skill to maneuver, Alford approaches the dives as a meditative endeavor. “When people talk about sensory deprivation tanks or about Zen meditation, 54 | MAY // JUNE 2022
they talk about becoming super-focused. It’s up to you. I’m usually focused on getting calm and quiet so I can find things and see the stuff I need to for [my] work. I’m to the point now where I’m jonesing for my next dive because it’s the most relaxing, meditative thing I can think of.” Alford is so relaxed when scuba diving, he has trained himself to breathe once every 10 seconds to conserve oxygen. When using a larger tank, he can stay underwater working for two hours.
DMV DIVE SHOPS + COMMUNITIES
STORIES FROM BENEATH THE SURFACE
5408-C Port Royal Rd. Springfield, VA
At the same time, his expeditions are full of stimulating journeys fit for Indiana Jones in a wetsuit. His encounters include dodging bull sharks to playing with crawdads on the bottom floor, to swimming through a hollowed-out tree trunk to discover a 100-pound catfish with its mouth wide-open. Each dive is full of surprises. “I came across blue crabs taking freshwater clam shells and banging them against rocks to open them up,” Alford recalls. “That’s never really been described in the literature.” Ever the scientist, what brings him the most joy is discovery. “In a quarry, we found a couple of complete skulls of tiny dolphins, which are the size of a [small human child’s] skull. They were commissioned to the museum collection and are 19 million years old.” Alford showed me boxes upon boxes of shark’s teeth, whale bones and shipwrecked treasures. But that only scratches the surface. “My home run, and what keeps me glowing and going for years are new species. This past year, my buddy and I found a 300-pound giant monster of a baleen whale skull. It was a significant contribution because there were no intact specimens of baleen whales from this layer of the earth and it’s probably a new species.” Scouring sites throughout Virginia, Alford has unearthed a number of potential new species, including Callorhinchus alfordi, a type of rat fish named for the scientist. While his experiences are vastly different than what any beginner can anticipate, his love for exploring underwater is inspiration enough. And Alford did offer some parting words of advice. “You can laugh, scream or cry wearing a regulator. I’ve done it all.”
Atlantic Edge Scuba 7672 Airpark Rd. Gaithersburg, MD atlanticedge.com @atlanticedgescuba
Aquatic Adventures Scuba Academy
aquaticadventuresva.com @learn2diveva
Blue Octopus Scuba 4154 Duke St. Alexandria, VA blueoctopusscuba.com @blue_octopus_scuba
Blue Planet Scuba 1755 S St. NW, DC blueplanetdc.com @blueplanetdc
National Association of Black Scuba Divers nabsdivers.org @officialnabsdivers
National Diving Center 4932 Wisconsin Ave. NW, DC dcsurfaceinterval.com @nationaldivingcenter
SCUBA Professional Education Dive School 4601 North Park Ave. #C-13 Chevy Chase, MD scubaedu.com @spediveschool
Underwater Adventure Seekers* uasdivers.org *Editor’s note: Underwater Adventure Seekers is a dive club for recreational and scientific divers and is part of the National Association of Black Scuba Divers. Founded in 1958, they are the oldest Black scuba diving club in the world.
P R E S E N T E D B Y:
ping pong series
cornhole series happy hour bingo series
hosted by visit districtfray.com/eventscalendar for more details.
TYPE 1 RUNNER
WORDS BY KRISTEN SCHOTT | PHOTO BY ANDREW J. WILLIAMS III
Alexandria resident Kristen Schott shares her journey from 5K to marathon with Type 1 diabetes.
TALES OF A
KEEPING PACE | PLAY 1,015.6. That’s how many miles I logged on my Garmin last year — along the Mount Vernon, Four Mile Run and Potomac Yard trails, at the National Mall, in the neighborhoods of Arlington and Old Town Alexandria. In other places, too: Philly; the Poconos; Portland, Maine; and Orange County, California, where my passion for pounding the pavement began. I didn’t always like running. I preferred tennis, Jane Fonda (her workout videos) and rollerblading like a true ’90s kid. My dad was the runner. For his 50th birthday, he ran the Los Angeles Marathon. I don’t remember much of it, but I do recall the blue shorts he sported while training. Lows included my mom picking him up from a roadside payphone where he’d stopped, exhausted on one of his long runs; highs: how jazzed he looked after that March 7, 1993 race. It stayed in my mind and as I approached my 30th birthday, I laced up my Asics and followed in his footsteps. The OC 5K was my first sanctioned race, with numerous others over the years — 10Ks, 10-milers and half marathons from Orange County to D.C. Among them: my first Rock ‘n’ Roll D.C. (that mile sixish hill ruined me) and the Cherry Blossom Ten Mile Run, engulfed in blooms at Hains Point. In 2019, I tackled the Marine Corps Marathon, my first attempt at 26.2 miles. It was a personal victory. 13.1 miles is one thing — doubling it is quite different. I was terrified of hitting that wall around mile 20, about not finishing, about tripping over my own feet. But more than that was my health. I live with Type 1 diabetes, a chronic disease in which the pancreas doesn’t produce insulin, a hormone that impacts blood sugar levels. Every little thing complicates exercise. Blood sugar too high? Expect severe muscle cramps. Blood sugar too low? I risk a seizure. So, I must pause, eat something sugary (Clif Bloks, Honey Stinger Gel or glucose tabs) and wait. There’s a sweet spot for pre-run fuel and it’s become somewhat of a science, ranging from half of a grapefruit to overnight oats, berries and almonds, plus snacks along the way (the latter for a marathon). There are other factors, too; adrenaline, for example, spikes me. It did exactly that before the rainy Marine Corps Marathon, slowing me down for seven miles before evening out and letting me bask in the pleasure and pain of it all. (I cried happy tears at the finish line.) There to support me were friends (one ran a mile with me), my husband, Luke, and of course my dad, whose
Army Ten-Miler on October 9, 2022 armytenmiler.com // @armytenmiler
2021 Mileage by the Numbers
Broad Street Run on May 1, 2022 broadstreetrun.com // @ibxrun10
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Cherry Blossom Ten Mile Run on April 2, 2023 cherryblossom.org // @cucb 92.3
88.9
4-hour, 50-minute marathon years before mirrored my own. It helps knowing there are people in your camp, even if they don’t get it. Luke will never understand what drives me to get up in the wee hours and run some ridiculous mileage before a full day of work. I can’t tell you why either. There’s something about watching the sunrise, exploring new neighborhoods, the sound of the podcast in my ears (the news, true crime series), the sheer focus it takes. Feeling my body move. Deciding if those deadlifts are paying off. (They are. I’ve become a strength, HIIT and circuit training devotee thanks to FitOn and trainers Danielle Pascente, Breann Mitchell and Bree Koegel.) So, what’s on my summer calendar? I have some kinks to deal with, like the literal (sciatic) pain in my butt I’ve had for years which brings down the spirit of running. Physical therapy has helped in the past, so I’ll probably return to that. I want to try acupuncture — but have a fear of someone else poking me with a needle. (As a person with T1D, I realize this is absurd.) And I’m trying to drink less wine: The fewer glasses I have, the better my runs. But I also love a good vino. Balance, right? In terms of running, I want to build up my endurance again. Since my second RNR Half in November 2021 (it was much more successful this time — I credit my interval training), I’ve reduced my distance. As I write this, I’m averaging between 16 and 20 miles a week, with my long run Fridays topping out at 8 miles. Speed, too: I don’t think I’ll ever be as fast as I was as a young person, but I’d love to get back to an under two-hour half, even if it’s 1 hour, 59 minutes. (The RNR had me at about 2 hours, 18 minutes; my Garmin at 2 hours, 13 minutes.) As for the races? My first Broad Street Run 10-miler in Philly is on May 1. By the time this article has come out, I’ll have figured out if I want to apply and have been approved to run with the Beyond Type One team at the New York City Marathon. Also on my radar are the Army Ten-Miler in October and the Virginia Wine Country Half in May. And, maybe I’ll switch up my solo runs and join a club, like Pacers Running, or hit the road with a friend. More than anything, though, I want to savor each moment of running ahead.
Marine Corps Marathon on October 30, 2022 marinemarathon.com // @marinecorpsmarathon
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Orange County 5K on April 30, 2022 ocmarathon.com/oc-5k // @ocmarathon Rock ‘n’ Roll DC on March 18, 2023 runrocknroll.com/washington-dc // @runrocknroll
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DISTRICT FRAY | 57
PLAY
7 NOT-TO-MISS NATS GIVEAWAYS
FOR 2022
WORDS BY BRANDON WETHERBEE + PHOTO BY ANDREW J. WILLIAMS III Want to get your kid into baseball? Take them to a game. Want to turn your kid into a lifelong baseball fan? Take them to a game with a very cool giveaway. It’s tough for baseball fans to get the next generation interested in the game. Baseball is the slowest of America’s major sports, with a home run every hour if you’re lucky. Giveaways help. This year the Nats have some classic, fanfavorite giveaways (who doesn’t love bobbleheads?) and some throwbacks that were popular when the Nats were still the Expos. In honor of the seventh inning stretch, here are the seven best Nationals giveaways for the 2022 season. All of the giveaways in this roundup do not require a special ticket.
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World Series™ Cooler Tote // Nationals vs. New York Mets The Nats didn’t get to properly celebrate their World Series victory. The stupid pandemic turned 2020 into a fan-less, shortened season and most ballparks didn’t operate at full capacity until after the All-Star Game in 2021. 2022 is the first-year baseball kinda, sorta feels like normal and some of the biggest reasons the Nats won in 2019 (Scherzer tops the list with Rendon, Turner and Zimmerman following) are long gone. But none of that should prevent you from proudly using this World Series cooler tote. Keep your beers cold like a (World Series) champion. 7:05 p.m.
Juan “Soto Shuffle” Bobblehead // Nationals vs. Colorado Rockies There are multiple Juan Soto bobblehead giveaways this season. If you want your kid to actually embrace baseball and not Star Wars (there’s a Juan ‘Solo’ bobblehead for Star Wars Night), we’re going with the bobblehead that actually references his play. 7:05 p.m.
5.14-5.15 Kids Superhero Socks // Nationals vs. Houston Astros What makes socks superhero socks? Capes on the calf, obviously. 1:35 p.m. + 7:05 p.m
Nationals 2022 Juan Soto bobblehead.
Nationals Clear Fanny Pack // Nationals vs. San Diego Padres Unless you lived through the ’80s or dressed up as The Rock for Halloween, you probably haven’t used a fanny pack. Time to embrace storing things on your person other than pockets. 7:05 p.m.
8.13-8.14 Kids Color-Your-Own Pencil Case // Nationals vs. San Diego Padres This is a double-edged sword. Your kid might like a Nats-themed piece of school supplies. Your kid might not like being reminded they’re going back to school. 1:35 p.m. + 12:05 p.m.
Tote Bag // Nationals vs. Cincinnati Reds The most boring and most useful of this year’s giveaways. Great for parents, not great for kids. 7:05 p.m.
9.17-9.18 Nationals Screech Handmade by Robots ™ Vinyl Figure // Nationals vs. Miami Marlins Games against the Marlins usually have some of the best giveaways and nongame perks because the Marlins have the weakest fan base in the MLB. This year is no different with fireworks following the July 1 game against the fish and these figurines of the beloved Nats mascot at two mid-September games. September games are either really exciting because of playoff contention or really fun because you’re seeing a bunch of upand-comers on a rebuilding squad. It’s a win-win scenario even if your team has way more losses than wins. 1:35 p.m. + 4:05 p.m. For more information on Nationals’ giveaways, game times and tickets, visit mlb.com/nationals. Follow the Nats on Instagram @nationals.
DISTRICT FRAY | 59
ADVENTURES
IN THE DMV
COMPILED BY AMANDA WEISBROD. Summer is fast-approaching
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and with it, plenty of fun activities, festivals and outdoor events to enjoy in the District. To pair with this adventurous issue, we’ve compiled a crossword featuring everything adventure-adjacent including action films, travel destinations and some D.C.-themed clues. Visit districtfray. com to double check your answers once you’ve completed the puzzle.
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21. Edna Mode is not a fan of __
2. Star of “Labyrinth”
24. Largest empire in history
6. Diving gear
26. Tour of the Savannah
7. Spider-Man is one
28. Legendary Alps climb
8. D.C. theatre festival shares a name with the border of a flapper dress
29. Superhero comic book franchise
9. Archaeologist hero Indiana __
34. “Adventure Time” hero
12. Adventure movie genre
35. Use in a pinch to spark a fire
14. “The Hitchhiker’s Guide to the Galaxy” author
40. To explore a cave
15. Favored by nine down
42. Featured at Awesome Con
17. “Don’t Stop Believin’” band
44. “Adventure is __!”
18. Spot of green in the city
48. The Goonies’ translator
Malcom X Park. Photo by Andrew J. Williams III.
22. Famous outer space adventure series
33. Marvin’s home
41. “Heart of Darkness” river
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CROSSWORD | FUN
ACROSS 3. Go on vacation 4. Name of the four-legged friend in Pixar’s “Up” 5. The American frontier 10. 2021 sci-fi adventure film starring Timothée Chalamet 11. D.C. music festival in early June features Count Basie’s favorite music 13. D.C. music festival named after this vegetable 16. Fiery fantasy creature 19. O.G. TTRPG 20. Remember sunscreen when visiting 23. Frozen frontier 24. 2012 Pixar film 25. Not needed to visit an EU Open House 27. Originating in New Zealand, this adventurous activity involves leaping from a bridge 30. “Tomb Raider” heroine Lara __ 31. The final frontier 32. Famous female aviator 36. __ of the Lost Ark 37. Item on a bucket list 38. Winegarden off U Street 39. 22 down composer 43. Dorothy’s dog 45. Lost son of Marlin 46. A hero’s journey 47. D.C. restaurant award 49. Nickname of the president memorialized in the middle of the Potomac NOTE: Check districtfray.com for the answer key.
IN OTHER WORDS
62 | MAY // JUNE 2022
IN OTHER WORDS Timoteo Murphy is, in his own words, a multidisciplinary it sells. I would have shows and sometimes people would buy artist (though the term Renaissance man is more apt). As a some of the work I just started that morning. They liked to see painter, photographer, videographer, musician, actor, historian rawness and I would give that to them. and jack-of-all-trades, his talents, interests and knowledge Creating art in D.C. has been a wonderful experience. I’ve bleed across a mélange of creative mediums (including a learned a lot and I hope to be shown in a gallery one day or collaboration with the Washington Opera Society, Washington museum [outside of] the places I control. Arts Ensemble and CapitalBop, to name a few). He is equal parts stoic, contemplative, imaginative, worldly What drives your passion to support other artists? and selfless: Murphy’s not one to waste words, dote on or reveal much about himself — at least not without determined I want people to make it. It’s not about me — it’s about their prodding. ideas. I want to be the soil, the water and the sun for those Much of this is gleaned from visual cues and our nearly hourseeds. I want to see people grow. long interview inside the airy parlor of the Pen Arts Building I like [helping] creatives and learning at the same time. [I also and Art Museum, where he serves as resident handyman, enjoy] sharing ideas; I don’t hold ideas back. I create space but curator and fluid artisan. I’m also sitting back and watching how the space works — the Murphy restored Pen Art’s basement, which suffered feng shui. significant water damage. He now uses the space to showcase budding local and national artists, teach art classes, host art What’s one way you show up to support the success of walks (as he has for 10 years), host jam sessions and DJ sets and local women in the arts? breathe life into other endeavors. It’s in the parlor where I find him conversing with Tarus I show them how to sell [their art]. A lot of artwork that’s Mateen, a sensational bassist whose resume boasts a been created recently and is showing in D.C. came dazzling list of musical collaborators, including out of this building. iconic jazz singer Betty Carter, Outkast, Lauryn Hill, Goodie Mob and more. You shared if you ever opened a This moment with Mateen business it would be a “funky jazz epitomizes how Murphy moves coffee shop” that serves as a through the world. He’s a conduit platform for artists to come play. who pours his soul into communing When did that idea take root? A conversation with with and supporting countless multidisciplinary artist I grew up in Japan and I used to creatives, while carving out time to work for this place called ACE bar. forward his own imaginings. Timoteo Murphy I was a busboy and it was a reggae During our time together, I spot. The musician would come in learned Murphy is a fierce protector WORDS + PHOTOS BY and we would be open ’till late at of D.C.’s history, often rides a ANDREW J. WILLIAMS III night and I wasn’t even old enough fixed gear bike, cultivated his love to drink. I’m sitting in there and I’m of empowering artists as a youth in jamming out like man, this is so cool. Japan and drives a red soft top 1997 Jeep That was like the coolest thing I’ve ever Wrangler — a vehicle I greatly covet. experienced — to watch musicians really With Murphy, as with most artists, you get down and funky and play for hours until must venture beyond the painted lines to see they were drunk and tired. That’s where the magic his innerworkings. Though, unfolding Murphy’s would happen. And you’ll never hear that again, because many layers only leaves you wanting more — like the they didn’t record it. revelation of his friendship with James Baldwin’s sister, who bestowed him with a remarkable collection of drawings gifted to Baldwin by a Japanese artist many years ago. District Fray: You got your start as an artist by experimenting with and exhibiting your artwork in abandoned homes owned by your late mentor Yigal Rappaport. How did those experiences shape your path? Timoteo Murphy: When I created art in the houses, I did it because I loved creating art. I created it all the time. I’ve been doing it my whole life. But then I started exploring mediums as permanent things that are going to outlive me. I started thinking like that when I stepped into D.C. because I loved the rich history, and I wanted to be a part of that history and share this idea. I’m not trying to make something and make money off it. I just want to bring communities together and get to know my community. The side effect of creating this art over time is that
You’re passionate about preserving and protecting D.C.’s history and the artists shaping it. Why is that important? What you are doing at District Fray — you are documenting the times. Nina Simone said it best: “Art should reflect the times.” I think people need to know who Kelly Towles is [pointing to the magazine’s Adulting Issue cover]; they should know these artists who are innovators in the city and protect [that]. Technology is so advanced we should be able to document stuff the correct way, get our ownership, benefit from that and then give back with it.
Follow multidisciplinary artist Timoteo Murphy on Instagram @timoteomurphy. DISTRICT FRAY | 63
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