ARCHITECTURAL SSL • Chronicling the Advancement of LEDs in the Built Environment
ARCHITECTURAL ILLUMINATION MATTERS With the convenience and unparalleled product selection available to online shoppers, companies are rethinking their approach to retail, seeking ways they can entice customers to visit their physical stores. [ PAGE 14 ]
SSL BUZZ Stage is set for Egiku Japanese Dance, through lighted lattice that drew inspiration from the lotus flower shrouded in a light mist.
WHITE PAGES A recent podcast reveals lighting predictions for 2022, as proclaimed by some of the most notable leaders in the lighting industry.
SSL OBSERVED Through the embodiment of a whale sculpture at an annual Montreal exhibit, the artist conveys the future of our planet, and all existing life.
NUMBER 67 • MARCH 2022 www.architecturalssl.com
Lighting designer Archit Jain makes interiors and products communicate online and in-store.
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ARCHITECTURE: HUANG IBOSHI ARCHITECTURE • INTERIOR DESIGN: THE WISEMAN GROUP • LIGHTING DESIGN: TRUAX DESIGN GROUP • PHOTOGRAPHY: ROGER DAVIS
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PERSPECTIVES
26 Project Profiles: Just what the doctor ordered. Stony Brook Children's Hospital is an Rx in delight and healing. By Barbara Horwitz-Bennett
07 Japanese Flowers
05 LED Insights
The stage for Egiku Japanese Dance is set through lighted lattice that mimics a lotus. By Jim Crockett
Explore lighting’s role in the new reality of retail. By Jeanie Fitzgerald Pitts
28 Project Profiles: An iconic Montreal bridge features a design that keeps light pollution and glare at bay. By Jim Crockett
09 CEU: Circadian Lighting
30 Project Profiles: Office/beverage distribution center relies on innovative lighting solution for its high, open industrial ceilings. By Jim Crockett
13 A Jade Effect
40 SSL Observed
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Get a better understanding of the new Well v2 Circadian Lighting Credits. By Barbara Horwitz-Bennett
A whale sculpture in Montreal's annual interactive art installation intends to spark conversation about the planet. By Vilma Barr
"The sun will rise and set every day, lighting designers will continue to prove their value, sometimes noticeably, sometimes in a vacuum.” —Andrea Hartranft, FIALD, Principal of Hartranft Lighting Design
Recycled glass bottles create aa unique effect on the facade of the new flagship Bulgari store in Shanghai. By Vilma Barr
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DESIGN & PRODUCTS
14 Designer Insights: Archit Jain, Oculus Light Studio
32 Advances As we discuss lighting predictions for the upcoming year, the future of lighting through continued innovation is right here. By SSL Staff
Lighting designer Archit Jain makes interiors and products communicate online and in-store. by Vilma Barr
20 Architectural Illumination Matters: Retail With the flurry of online shopping, companies are rethinking ways to entice customers to visit their physical stores. by Vilma Barr
36 White Pages What is the effect of LED light illumination on indoor vegetation? By Barbara Horwitz-Bennett 37 White Pages A recent Get A Grip On Lighting podcast reveals 13 lighting industry predictions. By John Mesenbrink
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Architectural SSL, Vol. 15, No. 01 (ISSN 1941-8388) is published four times per year by Construction Business Media. Publication Office: Construction Business Media, 579 First Bank Drive, Suite 220, Palatine, IL 60067-8126; 847 359 6493; www.architecturalssl.com Copyright © 2022 by Construction Business Media. All rights reserved. Nothing in publication may be copied or reproduced without prior written permission of the publisher. All material is compiled from sources believed to be reliable, but published without responsibility for errors or omissions. Architectural SSL assumes no responsibility for unsolicited manuscripts or photos. Printed in USA. POSTMASTER: Send address changes to Architectural SSL Magazine, c/o OMEDA 125 Schelter Rd. #350, Lincolnshire, IL 60069-3666.
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LEARN MORE
It’s not a window. It’s LIGHTGLASS - an architectural element that recreates both the light quality and spatial experience of an actual window.
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NUMBER 67 • 03.2022
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Gary Redmond
Managing Partner Director Publishing Operations gredmond@cbmedia.us.com
Tim Shea
Managing Partner Director Business Development tshea@cbmedia.us.com
Dave Pape
EDITORIAL Jeanie Fitzgerald Pitts Jim Crockett
John Mesenbrink
Vice President Director, Art & Production dpape@cbmedia.us.com Managing Editor jfitzgerald@cbmedia.us.com Editor at Large jcrockett@cbmedia.us.com Copy Editor jmesenbrink@cbmedia.us.com
Explore Lighting’s Role in the New Reality of Retail The fate of retail stores has been a hot topic for years. Would they fold as the popularity of online purchasing continued to swell? Or would they evolve to satisfy new customer needs? Their tenuous prospects for survival seemed to have worsened with the recent COVID pandemic, but as shoppers reemerge from their homes, companies are taking a harder look at the in-
CONTRIBUTING EDITORS Vilma Barr Barbara Horwitz-Bennett Ellen Lampert-Greaux Mindi Zissman
person shopping experience and how they can revive it. The goals of the lighting system are an important consideration in this transformation. In the past, department stores were most
DESIGN & PRODUCTION Dave Pape Art Director dpape@cbmedia.us.com
concerned with display lighting. Today, it’s still
Lauren Lenkowski
the people need to look good too—in the dress-
Associate Art Director llenkowski@cbmedia.us.com
By Experimental Store, Shanghai, China (p. 20)
important for the merchandise to look good, but ing room or in a general area—anywhere where someone might want to take a selfie and post it
CIRCULATION MANAGEMENT Jim Wessel 847 504 8180 asl@omeda.com
to social media. That’s right—retail spaces must be designed to look good in real life (IRL) and on Instagram.
ADVERTISING SALES Gary Redmond 847 359 6493 gredmond@cbmedia.us.com
Tim Shea 847 359 6493 tshea@cbmedia.us.com
Bob Fox 917 273 8062 bfox@cbmedia.us.com
Jim Führer 503 679 5409 jfuhrer@cbmedia.us.com
David Haggett 847 917 0287 dhaggett@cbmedia.us.com
Physical stores also offer brands an opporcustomers—delivering a fully formed experience that is both functional and fun. Lighting is a key
Grove, Nike ABC-Mart Grand Stage in Tokyo, and
ingredient in any interior space that can accom-
the AT&T Store of the Future in San Francisco,
plish these feats.
to name a few. Jain shares his insights into what
In this issue of Architectural SSL, we explore
EDITORIAL SUBMISSIONS Email editorial@cbmedia.us.com or call 847 359 6493. Architectural SSL c/o Construction Business Media, 579 N. First Bank Drive, Suite 220, Palatine, IL 60067-8126 SUBSCRIPTION INQUIRIES There is no charge for subscriptions to qualified requestors in the U.S. All other annual subscriptions will be charged $49 for standard delivery or $84 for air mail delivery. For subscriptions, inquiries or address changes, call 847 504 8180 or email asl@omeda.com.
A Publication of Construction Business Media
Ulta Beauty and Target (p. 24)
tunity to interact on a different level with their
clients need these spaces to accomplish and a
lighting’s role in the new reality of retail as we
few best practices his team applies when design-
profile the body positive ThirdLove lingerie
ing a retail space.
store (pg. 25), the store-within-a-store concept
This issue also includes some fantastic,
recently launched by Ulta Beauty and Target
award-winning products advancing the form and
(pg. 24), and the By Experimental Store (pg. 22)
functionality of lighting design and an impres-
geared toward grabbing the attention of the
sive collection of projects that showcase ways
Gen Z audience.
that designers are using light to create whimsy
As for specifics on how today’s goals in retail
in a children’s hospital, develop the environmen-
can be achieved, take a look at our new feature—
tally conscious visual identity of an iconic bridge,
Designer Insights (pg. 15). We delve deeper into
and repurpose used champagne bottles into an
the retail discussion with retail lighting expert
extravagant and eco-friendly façade element.
Archit Jain, principal and partner, Oculus Light
Happy Reading!•
Studio. Jain’s team has been at the helm of numerous notable retail projects—the flagship
Member:
Athletic Propulsion Labs (APL) store in The
Jeanie Fitzgerald Pitts, Managing Editor
SM
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ILLUMINATION OF “FRAGRANCE WITH LOTUS FLOWERS” WINS AMP BEST OF BEST A space that seems to be enveloped in a rising mist is the stage for Egiku Japanese Dance. Behind the dancers are more than 1,000 thin wooden pieces, attached to a delicate lattice, assembled with metal rods that are suspended from the ceiling. When lighting hits the pieces, a hazy, misty existence is created by these countless “lines.” The line, notes show conceptualizer Kazunobu Nakamura, of Nakamura Kazunobu Design-Works, has a Japanese beauty, “as if it softly absorbs light, rather than strongly repelling it.” The designer took inspiration from the lotus. ABOVE: A delicate lattice constructed from metal rods reflects light and creates a hazy, misty existence that references the fragrance of the lotus flowers.
In Japan, he explains, the lotus is sacred—something often found in gardens and ponds. “The flowers are usually shrouded in a light mist in the early morning. So, fog becomes a way to visualize the fragrance of the flowers, says Nakamura. Fog represents profundity—a mist formed by delicate water particles that catch the light. “I tried to design a new space by objects that have such a vague appearance,” he explains. The concept earned him an Architectural MasterPrize. By designing the sparseness of how the lines come together, he notes a gradation with shades of transparency is drawn, spreading across the space. “The delicate artwork touches the light and depicts the vague figure of light, revealing the existence of the air that fills the space.” Nakamura conceived the lighting design with Masao Igarashi of Theaterbrain. The spatial points were calculated and placed, one by one, using 3D modeling design technology to create a fog-like gradation of light. “It follows the way
© Masaki Komatsu
gardeners, who maintain the beauty of Japanese gardens, adjust the density of branches and leaves by pruning trees, creating gradations of sparseness, and denseness to design transparency and depth. The installation is also sustainable ABOVE: The placement of the rods was not purely artistic. The spatial points were calculated and placed, one by one, using 3D modeling design technology to create a fog-like gradation of light.
in that it can be developed in a variety of ways to suit different spaces by changing the number of lines and the arrangement of the lines.•
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GOVERNMENT: LIGHTING FOR BROADCAST
Satisfying HDTV Standards The subterranean Committee Rooms of the Cana-
to high-definition camera standards. Glowing,
dian Parliament’s West Block in Ottawa, Canada,
star-shaped ceiling panels, luminous coffers,
achieve an incredible feat—making an under-
and perimeter wall wash illumination, provide
ground space not only highly functional, but
ambient light; while recessed, adjustable down-
enjoyable to occupy. A 2021 IALD Award of Excel-
lights create horizontal and vertical lux levels to
lence winner, its lighting design, by the Office for
separate subjects from their background, all in
Visual Interaction (OVI), befits a formal govern-
a flattering 4000K color temperature. Photo-
ment space and more than meets high-definition
metric calculations and aiming angle studies
broadcast television lighting specifications.
paired with internal and onsite mockups were
With unforgivingly low 9-ft. to 12-ft. ceilings,
necessary to fulfill the lighting requirements
the challenge was met by the creation of custom
and to perfect the proportions of the star-shaped
ceilings that also house MEP, security and
panels and illuminated coffer ceilings.•
ABOVE: The lighting in the Committee rooms blends a star-shaped ambient fixture designed to resemble an abstract version of the acorn leaf, the national symbol of Canada, and directional spotlights that can be individually aimed to provide the necessary levels of vertical illumination.
acoustic elements. Because meetings there are broadcast, each seating position had to be lit
Visit www.trilux.com or Circle 237.
STUDIES: Photometric calculations, angle studies and onsite mockups were necessary to perfect the star-shaped panels and illuminated coffer ceilings.
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CONTINUING EDUCATION: WELL V2 CIRCADIAN LIGHTING
New CEU Explains WELL v2 Circadian Lighting Credits For a great primer on understanding the circa-
the circadian lighting threshold. In addition,
so that design teams can incorporate these
dian lighting design feature in version 2 of the
the exposure thresholds that a design needed
considerations into their spaces with confidence.
WELL Building standard, check out The Lighting
to achieve were high.
To learn more about achieving the Circadian
Exchange’s AIA-accredited course “Discussing Cir-
WELL v2 has made it a little more feasible
cadian Lighting and the WELL Building Standard
with lowered thresholds and courses, like this
Lighting Design Feature L03 in WELL v2, visit The Continuing Architect website.•
with Marty Brennan” on The Continuing Architect.
one, are helping to demystify the requirements
Visit www.thecontinuingarchitect.edu.
Marty Brennan is an associate principal and sustainability specialist with ZGF Architects and an advisor for the WELL Building Standard’s light concept. During this 20-minute nano-course (0.5 HSW LU), Brennan breaks down the different
Booth 1427
requirements and shares some best practices for
the WELL Building Standard version 2.0.
WHEN DESIGNING FOR CIRCADIAN LIGHTING, TAKE INTO ACCOUNT DAYLIGHT FROM WINDOWS, OVERHEAD LIGHTING, COMPUTER MONITORS, TASK LIGHTING AND REFLECTED LIGHT. The purpose of this lighting feature is to provide building occupants with an appropriate exposure to the type of light that can help a person maintain their circadian health and align their circadian rhythm with the day-night cycle. Support of the circadian system has been shown to have tremendous health benefits, which helps to explain why so many architects and lighting designers and even building owners are interested in incorporating circadian-friendly elements into the built environment, but just because it’s popular, doesn’t mean it’s easy.
No Power Cords!
after, Circadian Lighting Design Feature L03 in
Power Over Cable Suspension
achieving the elusive, yet increasingly sought-
Historically, this circadian lighting feature has been notoriously difficult to achieve and there are probably a few different reasons for this. First, the discussion of circadian lighting includes new metrics and vernacular that are not widely known in the lighting and design community. For example, the metric used to assess circadian lighting levels in a space is equivalent melanopic lux (EML). There is also a general confusion around the relationship between the spectral power distribution (SPD) of a light source and circadian lighting, and which light sources can be used to reach
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DALI ALLIANCE: 2021 AWARD WINNERS
2021 DALI Lighting Award Winners The DALI Alliance (Digital Illumination Interface Alliance or DiiA), the global industry organization for DALI lighting control, has named the winners of its 2021 DALI Lighting Awards. Recognizing the best use of DALI lighting control across the globe, the standard of entries within each of the eight categories was exceptionally high. Here are the commercial/institutional winners.
Visit www.dali-alliance.org/awards or Circle 238.
Retail & Hospitality
Healthcare & Education
Entertainment & Architectural
In this category the winner was Inverse Light-
Zencontrol won with its work at the University
The award went to Delmatic for its contribu-
ing Design for its contribution to The Londoner
of Warwick’s new Faculty of Arts in the UK.
tion to Expo 2020 Dubai. The company’s future-
boutique hotel in the heart of London’s theater
Catching the eye of judges, the facility was
proofed systems provide sustainable scene-set-
district. The scheme nods to theatrical lighting,
designed to achieve BREEAM Excellent stan-
ting control, monitoring and smart data sharing
and focuses on various artworks in the hotel.
dards, and maintain high levels of user wellbe-
throughout the show floor, notable in the Sustain-
More than 17,000 DALI luminaires provide light-
ing. The facility uses a range of feature light-
ability & Mobility Pavilions. Comprising some
ing for all areas of the hotel, which has eight
ing elements, alongside both functional and
51,000 DALI assets, the system provided a versa-
floors below ground.
wayfinding solutions based on DALI-2. The data
tility of lighting layouts, scenes and adaptability
obtained, which includes emergency lighting
to meet the requirements of future tenants.
testing and monitoring, was seen as a key factor in minimizing the university’s carbon footprint.
Infrastructure The company was also the winner for its Doha Metro project on behalf of the Qatar Railway. Here, the DALI systems provide energy-efficient scene-setting control and device health monitoring across the train line’s network of 37 stations. The systems oversee 134,000 DALI assets, contributing to an architectural lighting scheme that reflects Qatar’s heritage.
Commercial/Professional Helvar took honors for its work on The Spine, the new headquarters for the Royal College of Physicians in Liverpool, England. Here, a fully addressable DALI system ensures optimal user experience and excellent light quality, including
WARWICK’S FACULTY OF ARTS IN THE UK WAS DESIGNED TO ACHIEVE BREEAM EXCELLENT STANDARDS AND MAINTAIN HIGH LEVELS OF USER WELLBEING. DALI-2 ADDS ADDITIONAL FUNCTIONALITY, SOLVES EXISTING ISSUES AND MAINTAINS BACKWARDS COMPATIBILITY.
defined light levels for the biophilia aspect of the project. The building, according to the association’s international judging panel, seamlessly combines artificial and natural lighting.
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PUBLIC & CULTURAL: AREA LIGHTING
Modern Interpretation The design of the Kung-
the inner cylinder is illuminated by an uplight
strädgården in Stockholm,
module with a warm light source and is switched
Sweden, by Light Bureau,
on during the early evening, giving the lanterns
represents a break from
a visual presence during the last moments of
the past when it comes
daylight. The primary light source, providing
to illuminating iconic and
general lighting to the pathways as well as the
historical areas. Taking
tree canopies, slowly brightens over the follow-
home a 2021 IALD Award
ing 30 minutes. This gradual lighting intertwines
of Excellence, its design
the electric and natural light with the Nordic characteristics of a soft bridge from light to dark.
one of the oldest remaining public parks in the
By using efficient LED light sources, the total
Swedish capital. The former lighting consisted of
number of light fittings were reduced, resulting
round-emitting diffuse globes mounted on poles
in a 50% reduction in overall energy consump-
along the park’s alleys of cherry trees, and used
tion. Designers worked closely with the client
unshielded metal halide luminaires, creating
from concept to commissioning. The finalized
glare and causing light pollution.
project is a timeless interpretation of heritage
The new lanterns are a contemporary inter-
lighting in a prestigious environment.•
pretation of a historic park luminaire. Made up of two concentric cylinders in copper finish,
Visit www.ateljelyktan.se or Circle 236.
© Kai Piippo
highlights the cultural and historical value of
LED Systems Subtle lighting.
Profound impact.
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“MODERN AND ELEGANT, THESE LIGHTS FIT IN PERFECTLY WITH THE LANDSCAPING OF THE ESPLANADE.”
Faruk Pinjo © Zumtobel Group
— JÜRGEN MUTH, MANAGING DIRECTOR, ALLIANZ ARENA
STADIUM: PARKING
Lighting That’s Up, Up and Away With literal light shows running across their
provides improved safety thanks to a brighter,
façades, stadiums, around the world, are chang-
and more even illumination of the esplanade.
ing the way buildings are illuminated. That said,
Sounds great—right? Well, the balloon shape
such bold lighting is not limited to the building
was certainly easier to ideate than implement.
itself, and in fact, is stretching to the parking lot.
The “balloon” is made of solid plastic to deliver
Take Munich, Germany’s Allianz Arena—the sta-
high transmittance and great diffusivity. However,
dium’s LED-illuminated façade is complemented
in order to mount the 20-ft. tall diffusers, the “bal-
by very unusual area lighting. Resembling an
loons” had to be slid over its associated pole the
oversized balloon, the design transcends the aes-
length of the balloon itself. This meant LEDs and
thetic to also serve as an orientation system that
control electronics had to be installed directly on the pole, and their intensity considered to match the varied shape of the balloon. For example, in the thinner areas of the balloon, closer to the pole, the density of the individual LEDs installed was the highest in order to achieve maximum evenness; at the same time, the greatest luminous flux was required in the middle of the balloon. Furthermore, the space between LEDs, and the dimming level of the light points, had to be calculated and laid out individually for each mounting. This proved that a helix of LED strips would be required.•
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© Bulgari, courtesy MVRDV
RETAIL: BULGARI
Jade Jewel in Shanghai When one of the most luxurious jewelry brands
façade its jade look,” said project architect Jacob
on the planet, Bulgari, chose to open a new
van Rijs, founding partner of MVRDV.
3,000-sq.-ft. store in Shanghai, one of the most
The layered panels form an Art-Deco-inspired
fashion-conscious cities in the world, people
pattern enhanced with gold-colored brass trim.
expected a stunning retail result. What they may
The LED backlight, provided by LUCE5, was spe-
not have foreseen, was how eco-conscious the
cially engineered to minimize the façade’s energy
store’s exterior would be as well.
footprint, while creating a stunning glow that
Designed by MVRDV, the store’s façade
highlights the unique textural quality of the glass.
became a statement piece, taking on a jewel-like
“The project demonstrates the potential
quality that resembles Jade, one of China’s most
of recycled materials, even in luxury context,
precious stones. Although the material appears
with integrated energy-efficient LED lighting,
to have great value, it is, in fact, trash, or it
that advances MVRDV and Bulgari’s goal of
would have been. The green panels are made
store designs that are built using 100% circular
from compressed recycled sintered green glass,
economy materials,” said van Rijs. “Here is an
a unique material effect that creates a translu-
example, that given the right treatment and
cent finish.
detailing, leftover champagne and beer bottles,
“The glass is completely recycled, produced at the Magna factory in Teutschenthal, Germany,
which would otherwise be thrown away, become a glowing jewel for the city.”•
which specializes in glass treatment and developed the chemical process that gives the Bulgari
Visit www.luce5.it/en or Circle 234.
ABOVE: Recycled glass bottles create a unique material effect on the facade of the new flagship Bulgari store in Shanghai. At night, LED lights behind the jade-like panels give the Bulgari façade a stunning glow, a distinctive presence on a major Shanghai shopping thoroughfare,
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DESIGNER INSIGHTS
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DESIGNER INSIGHTS
LIGHTING TWO-DIMENSIONAL AND THREE-DIMENSIONAL STORES Lighting designer Archit Jain makes interiors and products communicate online and in-store. By Vilma Barr, contributing editor
“E-commerce is booming, but physical stores remain
fabric ceilings and wall surfaces which provide that kind
important. Forward-thinking companies have been using
of light,” said Jain. “Coupled with picturesque backgrounds
their stores to educate consumers, reinforce their brands’
that are illuminated with ambient light or accent light, the
positioning and support e-commerce sales,” said Archit
in-store moments are shared on social media, increasing
Jain, principal and partner of Oculus Light Studio. Creat-
hype and online discussions.”
ing interior environments that are social media-ready and
The lighting in dressing rooms is also critical in creating
flattering are two cornerstones to achieving success in this
a comfortable and positive in-person shopping experience.
dual in-person/online retail strategy—and both require
“The lighting in any fitting room needs to be soft and mini-
special consideration where the lighting is concerned.
mize any harsh shadows,” Jain said. “Verticals on either
Jain is exceptionally well-versed in what retailers want.
marquee lights) work the best. Fully illuminated globe-like
completed several impressive retail projects including the
luminaires, located close the mirror also provide soft light.”
AT&T Store of the Future, and flagship locations for both
Downlights, as the only source, are not recommended.
les, respectively. Retail clients are putting high priority on the “Instagram-
Retailers understand the longer a customer remains in a store, the longer they continue to shop and add to their purchases. Including restaurants and cafes have long been
mable Moment.” This phenomenon connects consumers’
a tradition in department and specialty retail stores. “The
digital and physical worlds and enables retailers a greater
F&B (food and beverage) spaces are hospitality spaces and
reach than their carefully honed marketing plans could
depending on the character of the space may be designed
imagine. According to a VidMob study, The State of Social
as fine dining or fast-food locations,” Jain points out. “The
Video, “25% of Gen Z and millennials actively seek videos of
lighting design is complementary to the function of the
products and services they may buy.”
space. If the locations are multi-functional, they may have
But creating an Instagram-worthy moment is no small
flexible lighting systems, for instance, color changing or
task. It requires both a beautiful setting that will translate
moving lights for events and fixed or adjustable architec-
when snapped and an event that inspires the customer to
tural lighting for everyday use,” he added.
capture it in the first place. Lighting can certainly help set the mood. “In all cases, the lighting has to be soft and flattering
Here is a quick look at the way that Jain and his team brought lighting into some of retail’s greatest brickand-mortar stores.
for selfies that the guests are taking in the store environment. In some instances, we have recommended backlit
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PRINCIPAL AND PARTNER, OCULUS LIGHT STUDIO
side of the mirror (think of versions of green room mirror
His award-winning architectural lighting design firm has
Nike and Athletic Propulsion Labs in Tokyo and Los Ange-
ARCHIT JAIN
Continued on page 16
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DESIGNER INSIGHTS
DESIGNING A RETAIL SPACE Archit Jain, principal and partner of Oculus Light Studio, shares key rules his firm follows when designing a retail space:
“LIGHT THE MERCHANDISE, WHETHER ON AN OPEN DISPLAY CASE OR COUNTER, IN RECESSED WALL RACKS OR IN CLOSED CASES. MANY DISPLAY CASES NOW COME WITH BUILT-IN LIGHTING, SO THIS HAS TO BE TAKEN INTO CONSIDERATION.”
ATHLETIC PROPULSION LABS Location: Los Angeles
into the wall are outlined with light to create a visual rhythm with the products. Overall illumination is provided by diffused backlit surfaces and concealed integral niche lighting without the use of spotlights.
© Jake Janisse@APL
For APL’s retail flagship store at The Grove, Bernard Dubois Architects created an interior where examples of the footwear line were displayed as if they were in an art gallery. Square display enclosures recessed
“IN VALUE STORES, ONLY AMBIENT LIGHT IS NEEDED. FOR LUXURY STORES, ACCENT LIGHTING CAN BE ADDED.”
FINISH LINE
Location: Chicago
© Mo Daoud Photography
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The lighting design for the prototype Finish Line store in Chicago was inspired by racing lanes. Oculus interpreted the outlined spaces directing competitive athletes to their goal at race’s end with narrow LED pendants in contrast to the dark-painted ceiling. Floor and wall displays are illuminated by track heads fitted with LEDs. Architects were CallisonRTKL.
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DESIGNER INSIGHTS
NIKE ABC-MART GRAND STAGE Location: Tokyo
© Masayuki Saito
The glowing transparent grid glass façade of Nike’s Tokyo flagship is a major street presence. CallisonRTKL and Oculus worked to dramatize the store to appeal to young, style-driven customers, showing a variety of athleticspecialty brands and innovative products. Assuming architectural importance is a ceiling-hung spray of extended, whiteenclosed strip LEDs that fan out over the main ground-level sales space. Track lights call attention to the multi-shelf built-in display cases presenting footwear and rod-hung apparel.
KEY RULES OCULUS LIGHT STUDIO FOLLOWS WHEN DESIGNING A RETAIL SPACE:
“LIGHT THE PERIMETER WALLS TO ESTABLISH VERTICAL ILLUMINATION, SO THE CONSUMER FEELS A FRAME FOR THE SPACE AND IS COMFORTABLE IN EXPLORING THE DISPLAYS.”
EREWHON MARKET Location: Los Angeles
Linear and accent fixtures combine with overhead daylighting for the snack bar and products displayed in the deli section of this contemporary food store. Architects were Retail Design Collaborative; Montalba Architects were design architects.
Continued on page 18 © Carlo R. Hernandez
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DESIGNER INSIGHTS
KEY RULES OCULUS LIGHT STUDIO FOLLOWS WHEN DESIGNING A RETAIL SPACE:
“ALLOW FOR FLEXIBILITY. WE SPEND A LARGE CHUNK OF TIME ADJUSTING LUMINAIRES ONCE THEY ARE INSTALLED. WE ALSO CHECK THE CONTROL SETTINGS, DIMMER LEVELS AND NIGHT LIGHT LEVELS.”
D Continued from page 17 SAKS FIFTH AVENUE Location: Houston, Texas
© Mo Daoud Photography
The exterior of the Houston branch of Saks Fifth Avenue at nighttime becomes an illuminated sculptural surface. Programmable LEDs in a staggered design are supported by a custom metal screen attached to the façade.
AT&T STORE OF THE FUTURE
Location: San Francisco In Union Square, the AT&T Store of the Future is located in a building of the past. Constructed in 1921, the building was restored by CallisonRTKL architects, with lighting by Oculus, to create flexible display locations. A custom chandelier based on AT&T’s logo is the focal feature in the doublestory atrium. Existing HID downlights were replaced with 3000K, 4,000 lm. LED versions, located in fill-in panels, illuminating the area below to 50fc. Under the mezzanine, 3500K 80+CRI linear recessed LED fixtures provide ambient light, while 2700K 90+CRI multi-head LED accents draw attention to tech products and accessories and bring out the warm exposed wood surfaces. Decorative pendants are illuminated by 85+ CRI LEDs. © Chris Eden
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With the convenience and unparalleled product selection available to online shoppers, companies are rethinking their approach to retail, seeking ways they can entice customers to visit their physical stores.
By Vilma Barr, contributing editor
This repurposing is causing a shift in retail store design and the way lighting is used in these spaces is changing. The approach once well-executed by major department stores—where merchandising displays drove buying decisions—is being replaced by retailing that reflects consumer lifestyles, interaction, a feeling of community and visually stimulating environments. The three stores featured here each demonstrate this shift to solution-based lighting. ThirdLove, a Direct-to-Consumer disruptor in the lingerie industry, has adapted a salon image for their pop-up shop and sought to use lighting that would flatter customers in the fitting rooms. In Shanghai, the By Experimental Store was specifically designed to appeal to the sensibilities of Gen Z. In Target stores around the country, illuminated elements are being used to define a special Ulta Beauty shop-in-shop area designed to elevate the beauty buying experience.
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ARCHITECTURAL ILLUMINATION MATTERS
BY EXPERIMENTAL STORE, SHANGHAI, CHINA A lesson in melding retail and art, the experiential space—part retail, part art gallery—can display menswear one day, and then change it out completely to exhibit pop art, such as collectible Be@rbrick figurines, seen here, the very next day. CONTINUED ON PAGE 22
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ARCHITECTURAL ILLUMINATION MATTERS
By Experimental Store
© Min Chen Xuan, courtesy Spacemen
Soho Fusing Plaza, Shanghai, China
Illumination that Connects to Gen Z Sensibilities When the design firm, Spacemen, was awarded
Tan and his team researched the psychology
the contract to design the By Experimental Store
of Gen Z. “They want something that is different
in Shanghai’s Soho Fusing Plaza, lead designer
from the previous generations and also want
Edward Tan knew it was a good fit. “We welcome
something that is an expression of their values,”
opportunities to transform brand ideologies
he said. “Creating a community is all-important.
into one-of-a-kind spatial experiences that tell
People get together within shops and want to
stories.” Their challenge for the 8,800-sq.-ft. store
find venues where they feel comfortable. Exhibi-
was to create a space that would be constantly
tions are already a core driver. In this new aggre-
shifting and evolving, part retail, part gallery.
gation format, retail is one part of the business
By is targeted directly at Gen Z, which refers to
to attract young consumers,” explained Tan.
people born between 1997 and 2012. “The owners
The interior design is playful and eclectic.
understood the culture their audience wanted
Spaces could be used for displaying menswear
to be associated with, and the job for us was to
one day and on the next showing a collection of
create a store to match,” said Tan. China’s Gen
stand-alone character toy figurines. Flexibility
Z consumers have cultivated unique consump-
of the lighting program was a critical factor to
tion habits, which create opportunities for new
support the architecture and the space’s dual
start-ups. Recent estimates identify this group as
role as trend product merchandiser and art
accounting for 27% of the Chinese population. In
display environment.
Shanghai alone, there is a potential local urban market of approximately two million Gen Zs.
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A STORE TO VISIT AGAIN AND AGAIN 600 recycled pallets anchor the space as part retail, part gallery with an ever-changing installation.
Triangular tiles in the flooring details are echoed in the overhead lighting. The triangular
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ARCHITECTURAL ILLUMINATION MATTERS
shape is repeated by a floating, illuminated
Barrisol-covered frame. Black display risers are outlined with light, while above, the same units are fitted with a rim of small luminaries. Angled freestanding footwear and accessories display units are backlit. Suspended strip fixtures illuminate floor-mounted reflective displays and rack-hung garments. A single chandelier hangs in the bar area. In a post authored by Tan, and published on Retail Design Blog, he describes the experimental space in this way. “The chameleon-like angular display alcove that seemingly disappears as it is camouflaged by reflections of its surroundings and an ever-changing installation of 600 recycled pallets anchor the space. Deconstructed fitting rooms have light installations inside and mirrors on the outside to encourage the selfie generation to capture the perfect outfit-of-the-day (OOTD) snaps while they are changing.”
A DISPLAY IN LIGHTING Angled freestanding footwear and accessories display units are backlit. Suspended strip fixtures illuminate floor-mounted reflective displays and rack-hung garments. LIGHTING
“CREATING A COMMUNITY IS ALL-IMPORTANT. PEOPLE GET TOGETHER WITHIN SHOPS AND WANT TO FIND VENUES WHERE THEY FEEL COMFORTABLE. EXHIBITIONS ARE ALREADY A CORE DRIVER.”
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Lightolier www.signify.com/en-us/brands/lightolier www.signify.com/en-us/brands/li nify.com/en-us/brands/lightolier Philips www.usa.lighting.philips.com .philips.com Flos https://usa.flos.com
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ARCHITECTURAL ILLUMINATION MATTERS
Ulta Beauty in Target
Photo, courtesy Target
Location: Multi City
STEP RIGHT UP Ulta Beauty’s signature orange pop canopies with integrated lighting were a key design element used to help distinguish the area as a special beauty area.
Defining New Spaces Within a Superstore The retail powerhouses Ulta Beauty and Target
pop canopies with integrated lighting are one of
have combined their vast knowledge of beauty
the key design elements being used to visually
and merchandising to offer customers next-level,
distinguish this as a special beauty area. Shielded
in-store beauty merchandising. “Our collective
strip LEDs are placed within the rectangular
brands and expertise will raise the bar for the
canopy slats, mounted so they are out of
beauty shopping experience,” said Cassandra
customer’s sight lines. Overhead is the store’s
Jones, Target’s vice president of beauty.
ceiling with ambient illumination from shielded
The result of this collaborative venture will
surface-mounted square and strip fixtures.
be a 1,000-sq.-ft. island, inside 100 Target stores,
Jones credits Target’s “strength in visual
that represent a creative and updated version of
merchandising” and lighting design expertise
the traditional “shop-in-shop” concept. The goal
for establishing the section’s dynamic mer-
was to make guests feel truly immersed in the
chandise presentation style. The standing and
worlds of both Target and Ulta Beauty.
hanging canopies are identifiable from distances
Design of this ultimate beauty shopping space was a collaboration of in-house merchandising
THE HANGING CANOPIES ARE IDENTIFIABLE FROM DISTANCES THROUGHOUT THE STORE TO PIQUE INTEREST AND INVITE SHOPPERS INTO THE SPACE.
throughout the store to pique interest and invite shoppers into the space.
and design staffs to establish the materials and color palettes. Ulta Beauty’s signature orange
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ARCHITECTURAL ILLUMINATION MATTERS
ThirdLove
Location: New York City
Lighting That Flatters in a Fitting Room When the management of ThirdLove, the online lingerie retailer, sought to open a pop-up store in New York’s SoHo district, they presented architect Aida Ly Architecture and Focus Lighting with their design brief. It had four important objectives: fast-track design and construction; make it open, comfortable and © Focus Lighting
inviting; create an outstanding retail store on a limited budget; and use colors and lighting to flatter the customer and the products. “Sure, we can do that,” responded Brett Andersen, partner and studio director for Focus Lighting. San Francisco-based ThirdLove had in six years become a public company with an annual sales volume approaching $95 million. Founded
“MANY ORDINARY DRESSING ROOMS HAVE A SINGLE OVERHEAD LIGHT THAT CAUSES SHADOWS AND DOES NOTHING TO FLATTER SKIN TONES.”
by former Google executive Gloria Zak, the company became a disruptor in an industry where marketing changes come few and far between. For the dressing rooms, Andersen and his team decided to concentrate on the Philips Hue line of wirelessly controlled color-changing fixtures and lamps. In their large studio space, Focus built a mock-up of a dressing room and experimented with different color output from the lamps and placement. “Many ordinary dressing rooms have a single overhead light that causes shadows and does nothing to flatter skin tones,” he points out. The performance of the Philips Hue lamps met their design intent. “These are widely available products used primarily for residential purposes,
color-changing signal to bend into a boob-shaped
but for us they were fine, considering the con-
outline. Customers in the fitting room can change
straints on the project,” Anderson explained. “We
the color of the fixture to signal a sales associate
visited local stores and bought what we needed
to assist with changing size or styles.
to avoid any delays in out-of-stock wholesale inventories or shipping.” In the showroom, existing track fixtures for PAR 30 and PAR 38 were used with new screw-
A chandelier with a cluster of circular white opaque fixtures introduces a residential lighting feel to the waiting areas furnished with stylish chairs grouped around a low cocktail table.•
in LEDs. Unlike most retail underwear displays, with crowded shelving and free-standing tables and pedestals, sample products at ThirdLove are displayed on a single wall on hang bars. Associates use back storage to obtain selections for customer try-on.
FLATTERING LIGHT
Existing track fixtures for PAR 30 and PAR 38 were used with new screw-in LEDs. Philips Hue www.philips-hue.com
Above each fitting room, Focus adapted a
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CONTROLS, PENDANTS, DOWNLIGHTS | HEALTHCARE
CHILDREN’S HOSPITAL IS DESIGNED TO DELIGHT AND HEAL MEDICAL AND RESEARCH TRANSLATION BUILDING AT STONY BROOK MEDICINE AND STONY BROOK CHILDREN’S HOSPITAL, Stony Brook, N.Y.
Animated LEDs in the lobby ceiling, a brilliantly colored mosaic wall, and color-changing light fixtures in the children’s patient rooms are just a few of the details that make the 8-story, 465,000-sq.-ft., Medical and Research Translation (MART) Building at Stony Brook Medicine and Stony Brook Children’s Hospital a welcoming, comfortable, and whimsical place for children © Jeff Goldberg/Esto
to heal. Winning a global LIT Award in healthcare lighting and an Illuminating Engineering Society Illumination Award of Merit in interior lighting for this project, New York-based Cline Bettridge Bernstein (CBB) Lighting Design delivered multiple notable features on a tight budget. In lieu of a custom fixture in the main lobby
LOBBY: Hanging Winona Lighting custom glass pendants and Bruck Titan M metal pendants, together with Gotham Lighting PDRGL recessed downlights, create a majestic entrance to the auditorium.
leading to the auditorium, “we chose to have simple (Winona Lighting) glass pendants and (Bruck) metal pendants creating a cascading play of light and shadows at the center of the room, to fill in the oval ceiling pop-up,” explains CBB Principal Francesca Bettridge, FIES, IALD, LC. “In addition, (Gotham Lighting) recessed downlights with drop glass trims are located right next to the ceiling stepping detail, echoing the central elliptical opening.”
STONY BROOK: The Medical and Research
Translation (MART) Building at Stony Brook Medicine and Stony Brook Children’s Hospital houses a new cancer center, children’s hospital and auditorium in Stony Brook, N.Y.
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ANIMATED CEILING: LED fixtures on circular metal plates are connected to a DMX controller to produce an animated water effect in the MART lobby.
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CONTROLS, PENDANTS, DOWNLIGHTS | HEALTHCARE
this fixture did a great job,” reports CBB Senior
“THESE ROOMS ARE VISIBLE FROM THE OUTSIDE, SO IT BECOMES PART OF THE NIGHT IMAGERY AND MAKES THE BUILDING COME ALIVE EVERY NIGHT.”
Associate Nira Wattanachote, MIES, WELL AP. Inside the children’s patient rooms is a wonderfully popular feature: a handheld remote with DMX programmed colors, enabling the children to select and change the color of the lighting. “It gives the children and their families a sense of
In the MART lobby, CBB worked with the archi-
simulate a sense of depth and movement. The
being in control of their environment to a certain
tect Pelli Clarke & Partners to design a dynamic,
LEDs are programmed by an Acuity DMX control
level,” explains Wattanachote. “These rooms
water-themed ceiling. “Working within a limited
system to produce the animated lighting feature.
are visible from outside, so it becomes part of
budget, inexpensive flexible LED fixtures are
night imagery and makes the building come alive
mounted to circular metal plates specifically to
Colorful Children’s Wing
create rippling water patterns,” explains CBB
In the children’s lobby, visitors, staff and pass-
Associate Principal Michael Hennes, MIES, LEED
ersby are treated to an elaborate curved mosaic
AP BD+C. “We went through multiple in-house
feature wall with aquatic “bubbles.” To optimally
mock-ups to determine the best LED color and
illuminate the wall, CBB specified narrow beam
worked within the limited dimensions between
lamps with linear spread lenses. A Starfire
the fixtures and the ceiling to create the effect
surface mounted linear wall grazer with black
and pattern we wanted to achieve.”
baffles is placed between each LED PAR20 lamp.
The flexible linear LED fixtures are mounted at different heights within the plenum to further
“It is extremely important that this wall is highlighted without seeing fixture brightness, and
every night.”•
Acuity DMX control www.acuitybrands.com or Circle 233 Winona Lighting Custom glass pendants www.winonalighting.acuitybrands.com or Circle 232 Bruck Lighting Titan M metal pendants www.brucklighting.com or Circle 231 Gotham Lighting PDRGL recessed downlights www.gothamlighting.acuitybrands.com or Circle 230
CHILDREN’S LOBBY: A curved mosaic feature wall is illuminated with LED PAR20 lamps in the children’s hospital lobby.
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EXTERIOR | PUBLIC + CULTURAL
CREATING A NIGHTTIME PRESENCE THAT IS EASY TO SEE SAMUEL DE CHAMPLAIN BRIDGE Montreal, Canada
Challenge: Create a lighting design that would transform a colossal engineering and architectural wonder into an iconic emblem of Montreal, while keeping light pollution and glare at bay. Influence: The Samuel De Champlain Bridge—one of North America’s busiest pieces of infrastructure, with more than 50 million vehicles crossing it each year—is one of the most significant infrastructure projects in North America. The lighting designers from Horton Lees Brogden (HLB) Lighting used illumination to craft a powerful visual identity for the bridge, while minimizing its environmental impact. Solution: Working with the engineering team of T.Y. Lin International, and Lumenpulse on the product side, HLB specified more than 5,800 Lumenbeam luminaires to create a continuous and dynamic ribbon of light along the structure’s entire length, and even up the inner faces of the cable stay tower. According to HLB, “These two elements provide Montreal with a bridge that has a night-time presence capable of both subtle and dynamic lighting scenes. With lighting content that celebrates the country of Canada, the Provence of Quebec, as well as the diversity of Montreal,
RIBBON OF LIGHT: HLB Lighting specified Lumenbeam luminaires to create a ribbon of dynamic light along the structure’s entire length, and even up the cable stay tower.
the bridge’s lighting system can provide displays that are meaningful to many aspects of the
impact,” said Elizabeth Johnson, Senior Associ-
architectural-grade materials and have lifetimes
community.”
ate at HLB. “Part of what helped us achieve
up to 370,000 hours (L70 at 25°C). To ensure their
this balance was using the Lumenpulse Linear
dependability, these fixtures are IP66-rated,
cerns of the project team, according to Kenneth
Spread Lenses on the inner face of the tower.
and went through vigorous factory acceptance
Douglas, a principal at HLB. “We wanted to make
We wanted to make sure light stayed where it
testing before being installed. The structural
sure as much of the light as possible stayed on
needed to be.”
vibrations facing the bridge are substantial,
Light pollution and glare were also key con-
the structure and didn’t spill into the sky or surroundings, including the eyes of motorists.” Several extensive light pollution studies were
Limiting disruptions to the seasonal bird
3G ANSI C136.31 vibration standard for bridge
Based on studies that showed that blue and
applications.
conducted, and HLB worked directly with the
green hues prove the least distracting wave-
manufacturer, both onsite and during mock-ups.
lengths to migrating birds, HLB designed special
“We ended up with the perfect balance of light
scenes to help protect the creatures.
on the structure, lessening the environmental
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therefore the luminaires also had to meet the
migration was another important consideration.
The luminaires, themselves are made of
The project won an IES New York Chapter Award of Merit.•
Visit www.lumenpulse.com or Circle 229.
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DOWNLIGHTS, TRACKLIGHTS, TASKLIGHTS | OFFICE
TRANSFORMING A BASEMENT INTO A VIBRANT WORKSPACE WHITE COLLAR FACTORY London
Challenge: White Collar Factory may be one of © Martina Ferrera, London / United Kingdom
London’s most pioneering new office developments, but its basement was never intended to become a workspace. However, when plans to turn this underground area into a restaurant failed to materialize, the building’s architects, Allford Hall Monaghan Morris (AHMM),
“It is this idea that you are not looking at holes
saw an opportunity. The space, after all, had
in the ceiling, you are looking at sources of light
some unique features, such as a 26-ft.-floor-
landing on surfaces,” Allford explains.
to-ceiling height, which created the feeling of a grand hall. This was enough to convince
A Flexible Work Environment
AHMM principal Simon Allford that the space
The changing nature of today’s workplace, par-
could become an extra studio for the practice’s
ticularly in light of COVID-19, meant that flexibil-
growing team. There was one problem—too little
ity had to be built into the interior from the out-
daylight. Luckily, there were lighting solutions
set. One way AHMM achieved this, was via “Jack,”
available to bring the feeling of natural light
a modular system consisting of box-like plywood
beyond the natural reach of the sun.
cassettes. The Jack system makes it possible to create meeting rooms that can be taken down
Solution: ERCO’s human-centric lighting system
and reconfigured in a matter of hours. Here, this
plays an important role in bringing natural
means that the office can be adapted as the size
variation to the workspace over the course of a
of the team grows or shrinks. The lighting design supports this need for flex-
day. In fact, its Atrium Double Focus pendants help support the circadian rhythm, with dimming
ibility. On the one hand, with the Casambi Blue-
capability, tunable white light and glare control.
tooth control system, luminaires can be easily
These can-shaped pendants bring the high ceil-
programmed to suit new layouts. Additionally, the
ings into the lighting scheme, casting illumina-
track downlights can be physically rearranged
tion both up and down. They are supported by
with ease. Each desk is also equipped with its own
Jilly track downlights in the single-story spaces,
Lucy task light, giving employees more control
which use wide and oval beam distributions to
over their immediate environment. “It is about
place light directly where it is needed, increasing
personality and character,” says Allford. “You can
visual comfort in the work environment. Pantrac
move a wall; move a light, or you can change your
track lights illuminate walls to make the space
light source, so people can remake their environ-
feel more open. This increases the perceived
ment depending on their mood.”•
brightness of rooms, since humans’ perception is stimulated more by illumination on vertical sur-
Visit www.erco.com or Circle 228.
JACK SYSTEM: The studio’s meeting rooms,
including the double height project room, have been created using the Jack modular meeting room system, developed by AHMM .
faces rather than by light on a horizontal plane.
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PENDANTS | OFFICE/DISTRIBUTION CENTER
LIGHTING CONTRIBUTES TO A UNIQUE EMPLOYEE EXPERIENCE COLUMBIA DISTRIBUTING HEADQUARTERS Wilsonville, Ore.
Challenge: Illuminate a 60,000-sq.-ft. former manufacturing facility that has been adapted into a hybrid office/distribution center with high, open, jet-black industrial ceilings. Influence: One of the largest distributors of alcoholic and non-alcoholic beverages, servicing more 22,000 retail customers throughout the West Coast, Columbia Distributing simply outgrew its Portland, Ore. location. Its headquarters were moved to a former manufacturing plant near the city. The company wanted to transform © Lincoln Barbour Studio
the space into an environment that reflected company culture and increased employee collaboration and connectivity. LRS Architects worked with various materials and textures—contrasting the elements of wood and terracotta with metal and stone. Beer bottle glass also played a role, in recognition of Columbia’s core business. Spread over two floors, the office features a variety of open and enclosed collaboration areas, employee-centered neighborhoods, auxiliary workspaces and open office workstations. Employee break areas are a hallmark of the experience and include two pubs for after-hour activities and events. Solution: To offset the black ceilings and dramatic, dark accent wall colors, Luminis’ Prisma PR1282 luminaires—more than 200—were selected to illuminate the hallways, corridors, stairwells and pub areas. The luminaires feature a diffused acrylic prismatic refractor. The refractor ensures comfortable, general illumination in the corridors and down to the counters and tables in the pubs. The distinct, 12-in. diameter
the long term. Through a combination of distinc-
fixtures, provide wayfinding for employees as
tive spaces, graphics and lighting, Columbia
they transition through the office. Side struts
Distributing has created a headquarters that
on the fixtures serve to define the luminaires
is uniquely its own and a work environment of
further and complement the industrial-look
which its employees can be proud.•
decor. The luminaires offer a life beyond 125,000 hours, providing efficient, reliable lighting over
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INDUSTRIAL LOOK:
Luminis’ Prisma PR1282 12-in. diameter fixtures provide wayfinding, offset the black ceilings and complement the industrial-look.
Visit www.luminis.com or Circle 227.
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PENDANTS, TAPE LIGHT | HOSPITALITY
WELCOME TO THE ELEGANT PAST OF PHILADELPHIA HYATT CENTRIC PHILADELPHIA HOTEL Project Philadelphia
The newly constructed, upscale lifestyle Hyatt Centric Philadelphia hotel, located in Philadelphia’s trendy Rittenhouse Square, has a sophis© DAS Architects and Halkin Mason Photography
ticated simplicity with an airy, muted palette and abundance of raw wood that references the region’s past as a lumber capital. Challenge: Transforming a 1960s parking garage into an upscale hotel is a feat in and of itself, but the new Hyatt Centric Philadelphia’s interior infuses local history and minimalist design. Inspired by the area’s Shaker community, which preferred a simple, clean aesthetic, the predominantly wood interior is beautifully finished and
budget,” says A. Pomme Lee, LEED AP, project
exhibits restrained elegance through muted
manager, The Lighting Practice.
tones and handcrafted details. Creating a design that expressed a boutique feel while remaining
Influence: Working closely with interior designer
affordable was another aspect of the project.
CRÈME Architecture and Design and project
“In hospitality, we are trying to create some-
SKYLIGHTS: The coffered ceiling highlights
the modern spindle staircase. Reminiscent of a skylight, it is illuminated by LED tape light concealed in the architectural ceiling cove.
architect DAS Architects, the Lighting Practice
thing that’s unique and different, full of memo-
used discreet light sources—concealed in the
only 0.49W/sq. ft., better than the ASHRAE 90.1-
rable visual moments, while also balancing a
architectural details and incorporated into
2007 requirements.
millwork—to highlight the natural materials,
The design team also tested all LED lighting
wrought iron details and artwork on display.
fixtures for dimming capabilities, ensuring they met the desired low dimming levels to create an
Solution: Decorative pendants, suspended above seating areas, utilize LED replacement
intimate atmosphere in the hotel. “On Hyatt Centric, we did our due diligence,
lamps providing an incandescent aesthetic with
coordinating with multiple lighting vendors to
fewer maintenance concerns. The restaurant
make sure the specified fixtures were appropri-
and lounge spaces feature layers of light from
ately priced, met performance expectations, and
recessed downlights, wall sconces and tabletop
achieved the design vision of simple, yet elegant
task lighting.
design,” says Lee.•
Concealed LED luminaires and tape light highlight the modern spindle staircase as it opens up into the lobby, which includes the restaurant, bar and lounge, and functions as the main casual
DECORATIVE PENDANTS: Suspended
above seating areas, LED replacement lamps provide an incandescent aesthetic with fewer maintenance concerns due to the long life of LEDs. Shown here are Amuneal and Archipelago Lighting (LED Lamp).
meeting space of the hotel. The design team specified a warm correlated color temperature of 2700K for all guest-facing interior light fixtures to create comfortable and inviting environments in the open and modestly decorated hospitality spaces. Designed to LEED Silver standards, the hotel’s lighting system uses
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Amuneal + Archipelago Lighting Custom pendants with LED replacement lamps www.archipelagolighting.com or Circle 226 Acuity Brands LED tape light (“Skylight” and behind the bar) www.acuitybrands.com or Circle 225 Diode LED Infiniline (Tape light along elevators) www.diodeled.com or Circle 224 Zaniboni Lighting Luna Series (Elevator lobby downlights) www.zanibonilighting.com or Circle 223
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Product Introductions
Truly Incredible Track Lighting Here’s something interesting—low-voltage, plasterin, track lighting. The TruTrack recessed track lighting system fits into the thickness of 5/8-in. drywall and is then plastered in. Once installed, only the track head is visible, delivering high-performance light with a clean architectural look. Earning a 2021 Lightfair Technical Innovation award, the lighting is available in Warm Dim to promote relaxation and wellness, in addition to standard static white in multiple color temperatures. Visit www.pureedgelighting.com or Circle 222.
Let drywall be your canvas. With a clean architectural look, the TruTrack recessed track lighting system can help promote relaxation and wellness.
1 Plug and Play With its plug-and-play convenience, Nora’s M2 recessed downlights deliver up to 850 lm. per luminaire in round or square apertures. With no need for housings, the downlights easily install into the ceiling with a pre-wired junction box. Visit www.noralighting.com or Circle 221.
2 Stage-Quality Lighting for Sports Designed to illuminate a sports stadium with the advanced technology of stage lighting, the Chromabeams LED 900 enables venues to instantly adjust from traditional white light to an endless range of RGB color options. Visit www.sportsbeams.com or Circle 220.
3 Choosing Lumen Output/Color Temp With three lumen output and three color temperature options built into the lamp housing, Keystone’s Color and Power Selectable LED HID Replacement Lamp is a highly versatile way to replace metal halide lamps. Lamp features a petite form factor, allowing it to fit into very small fixtures. Visit www.keystonetech.com or Circle 219.
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Product Introductions
A Work of Art Recognized with a 2021 Lighting Design Award for its unique design interpretation of the naturally glowing Tomopteris deep sea creature, the Opteris chandelier stands alone as its own original sculpture. This luminaire exudes creativity and serves as an interesting conversation piece. Made from 104 unique cherry wood fins which interlock on the frames, the design illuminates both the fixture and its surroundings, and offers an asymmetrical and dynamic experience from all angles. Visit www.opteris.studio or Circle 218.
Interpreted as a deep sea creature, the Opteris chandelier’s design illuminates both the fixture and its surroundings, and offers a dynamic experience from all angles.
4 Create Your Own Luminaire With Edison Price Lighting’s Infinity, designers can piece together their own lighting systems in any combination of linear, curved or twisted models—at any length or degree—to form shapes like interlocking loops, half-moons, linear waves or architectural swirls. The mix-and-match system can be suspended, recessed, surface or wall mounted. Earning a Lightfair 2021 Design Excellence Award, every model offers multi-directional lighting and serves as both an architectural element and a powerful source of illumination. Visit www.epl.com or Circle 217.
5 Tapping Terracotta Tapping the expertise of award-winning ceramicists Scott and Naomi Schoenherr, the new Creo wall sconce is handcrafted with unglazed terracotta to bring out the material’s natural red earth coloring. The biophilic-friendly product pairs well with minimalist outdoor and indoor environments, and is also a good fit for transitional spaces. Visit www.cernogroup.com or Circle 216.
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Product Introductions
Biophilic Design in Action Tapping into biophilic design principles, Nature-Connect combines Daylight, Skylight and Lightscape LED luminaires with controls to deliver lighting schemes that pattern the rhythm of the sun, provide a view to the sky and mimic the colors and dynamics of natural environments. Designed to reconnect building occupants to the outside world, the Lightfair 2021 award-winning technology seeks to bring the benefits of daylight indoors through an immersive biophilic experience. Visit www.signify.com or Circle 215.
Like art, light inspires. If used properly, we can use light, art and biophilia to heal and restore, a theory backed by scientific research.
1 On Track Lighting BlackJack Lighting’s JackTrack 1.4 System is a versatile, low-voltage track system designed to accept pendants and LED modular strips at any location with no need for additional power supplies. Includes surface, stem or suspended mounting options (each with integral or remote drivers) to meet the needs of any commercial or residential environment. Custom-create scalable, preconfigured systems at a fraction of expected costs. Visit www.blackjacklighting.com or Circle 214.
2 Use Light as an Amenity Lutron’s Athena architectural lighting control solution with iOS app control offers an all-in-one solution for controlling lighting and intelligent blinds in spaces large and small. The system marries bestin-class control and simple app-based setup in a lighting control solution that is optimal for both new construction and retrofits. Nurture any desired mood with tunable white, warm dimming and saturated color. Personalize a moment with user-friendly apps that make it easy to change a lighting scene—and then change it back. Visit www.lutron.com or Circle 213.
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Product Introductions
Faux Wood Finishes With realistic grain and knots, the faux wood finish of Luminis’ luminaires have the look and feel of real wood. Landscape architects and designers can bring the warmth and natural charm of wood to any outdoor environment. The products are available in 10 finishes, each of which is UV stabilized so there is no concern for weather or wear. Luminaires with this finish are more durable and longer lasting than fixtures with natural wood. Visit www.luminis.com or Circle 212.
With faux wood finishes, landscape architects and designers can bring the warmth and natural charm of wood to any outdoor environment.
3 The Replacements Green Creative’s new series of compact HID replacement bulbs feature an integrated SelectDrive switch—which is offered on 24W and 34W bulbs— for complete field flexibility. Lighting professionals may alter the light output by flipping the lumenadjustment switch on the bulb. Visit www.greencreative.com or Circle 211.
4 Functionally Sleek The SleekTone-CC is a compact control module that allows connection of any third-party LED driver to AmbienTech Tunable White control system. It is compatible with any standard constant current 0-10V LED Driver. Available in 30W, 45W and 60W versions. Visit www.ambientechinc.com or Circle 210.
5 Citrusy Sublime The world’s first lamp made from orange peels, Ohmie’s Rekrill Orange is a velvety, 100% natural and compostable, eco-friendly table lamp. It is designed to use as little material as possible and have an angled beam to illuminate a workspace. Visit en.krilldesign.net or Circle 209.
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By Barbara Horwitz-Bennett, contributing writer
LED Light and Indoor Ornamental Plant Growth With biophilia’s positive impact on people’s well-being, what is the effect of LED light illumination on indoor vegetation?
Have you ever noticed that indoor ornamental plants don’t last very long? Biophilic design trends have flooded interior spaces with green© lightsphere
ery due to the positive impact that vegetation has been shown to have on people’s well-being and productivity, but the plants’ short life spans make it expensive to keep bringing in the green. Could LED lighting make a difference? The folks at the Zurich-based lighting design firm lightsphere teamed up with a Gdansk University of Technology professor to test out the biological effects of LED-specific wavelengths in a research paper, “LED Light Sources and Their Complex Set-Up for Visually and
To test LEDs’ optimal action spectrum for promoting ornamental plant growth, researchers set up seven different models with a plant specimen, LED linear luminaire, spectrometer and camera. Exposed to different spectral power distribution curves, the researchers photographed the assorted samples to determine which scenarios produced the healthiest plants with the most natural appearance.
Biologically Effective Illumination for Ornamental Indoor Plants.” “This new research addresses a necessity in lighting design practice,
Focusing on four variables—the light spectrum, light energy inten-
in which there are no regulations and guidelines so far to help lighting
sity, timing and duration of light—the study analyzed a variety of
designers, architects and landscape architects understand how plants
dynamic circadian light patterns. They recorded key light properties
can thrive indoors with LED light,” explains co-author Julia Hartmann,
including correlated color temperature (CCT), color rendering index
IALD, CLD,
(CRI), spectral power distribution (SPD), peak light wavelength, photo-
lightsphere principal and founder. In addition, co-author Dr.
Karolina M. Zielinska-Dabkowska, IALD, IES, CIE, MSLL, assistant professor, Gdansk Faculty of Architecture and co-founder of the GUT LightLab in
synthetic photon flux density (PPFD) and daily light integrals (DLI). The researchers were then able to determine which SPD curve—
Poland, laments the disconnect between academia/research, lighting
combined with duration and dimming—yielded the healthiest plants by
practice and the lighting industry. “With very little research and no
providing the most appealing and natural look. This is essential because
established standards regarding this important topic, it is often left
when ornamental plants are part of a design, their natural appearance
to individual lighting design practices to do their own research for
is vital for humans to interact on a biological and psychological level.
individual projects,” she explains. So, when Hartmann and lightsphere colleague Carla Sigillo approached her with the idea of a study to help
Industry Response
determine the optimal action spectrum of LEDs for the visually and
Judging from the fact that the paper has been viewed and downloaded
biologically effective illumination for plants and humans, she joined
more than 6,000 times, the researchers really hit a chord. “We are now
as a full partner in the research.
seeing manufacturers publishing articles referencing our research and
Lightsphere became interested in the subject in 2016 when asked
lighting designers writing blogs and articles that reference our publi-
to develop a lighting solution to optimize indoor plant growth for the
cation,” reports Hartmann. “Furthermore, I was invited to talk about
Zurich Innovation Center Givaudan project. It was then that the design-
the topic at the international IALD Enlighten conference.” For example,
ers discovered almost no useful information on the lighting spectrum
lighting manufacturer Xicato performed a study, “Optimum Lighting
and its impact on plant growth. “Within the project planning for Givau-
of Plant Walls” and Erco produced a “Green Wall Lighting” white paper.
dan, we decided to undertake our own study of different full-spectrum
“Our study definitely started a ball rolling and a push for manufac-
LEDs used in architecture,” relates Hartmann. “The first findings showed
turers and designers to realize the complexity of the issue,” confirms
that the spectral composition of the lighting plays a decisive role in how
Hartmann. “However, more research and especially education is
plants develop.” To further this initial research, they embarked upon this
needed to advance optimal lighting and lighting solutions for orna-
study, ultimately published in MDPI’s Sustainability journal.
mental plant lighting.”•
The Research Because LED lighting levels for simulating the sun’s natural plantinducing growth properties are not the same as people’s circadianbased, glare-free needs, this has often torpedoed traditional attempts to grow healthy indoor gardens.
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RESOURCE: “LED LIGHT SOURCES AND THEIR COMPLEX SET-UP FOR VISUALLY AND BIOLOGICALLY EFFECTIVE ILLUMINATION FOR ORNAMENTAL INDOOR PLANTS.” www.researchgate.net
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By John Mesenbrink, contributing writer
2022 Industry Predictions With the unprecedented disruptions of the past two years, many are on the edge of their seats in anticipation of what 2022 may bring. Here are a few insights from industry insiders.
Want to know what the industry bigwigs have to say about the industry this coming year? A recent Get a Grip On Lighting podcast
will be imperative. Françoise-Xavier Souvay, Lumenpulse founder, president and CEO,
on “13 Lighting Predictions for 2022” with hosts Michael Colligan,
expects that as the industry moves forward, optimal innovation will
Greg Ehrich LC, and Al Oszynski delve into the future of the lighting
be key instead of a quantitative lumen approach. The clear and fresh
industry. From the new normals coming out of COVID to supply chain
focus will be on the quality of light. On that same tangent, Matthew
disruptions and more, this panel of professionals discusses where the
Tirschwell, founder, Tirschwell & Co. believes that manufacturers will
market is heading and shares the predictions industry thought leaders
discontinue the fabrication of LED chips that are less than 90 CRI.
are making for 2022.
Dr. Mark Rea, PhD, Professor at Mount Sinai Icahn School of Medicine, offers a stark outlook. Illumination is not where the new, exciting ideas can be found and not where investments are being
WILL THIS YEAR OFFER A FULL-SCALE RETURN TO IN-PERSON EXPERIENTIAL MARKETING? A CONTINUED SHIFT TOWARD QUALITY OF LIGHT? AN EXPANSION OF THE PROFESSIONALS WHO ENGAGE IN THE CONVERSATION ABOUT LIGHTING AND ITS BENEFITS? ONLY TIME WILL TELL.
made, he says. If we follow the money, there will be more soul searching among colleagues. Yet, the hope is that our knowledge, past experiences and technology can further lighting and help reimagine design. IALD President-Elect Monica Lobo says that we have the knowledge and creativity to imagine and design a new and better world. Andrea Wilkerson, researcher, Pacific Northwest National Laboratory, concurs as she says that there will be more opportunities to increase the appreciation of lighting technology in research, and we will all engage
The New Normal According to Trevor Palmer, President, Acuity Brands and Controls,
with new communities to learn and share our passion for lighting. Perhaps the simplest approach, Andrea Hartranft, FIALD, Principal
supply chain challenges will continue but its the use of technology that
of Hartranft Lighting Design, offers, “The sun will rise and set every
will enable better information flow and product alternatives that will
day, lighting designers will continue to prove their value, sometimes
be critical to success. John Palk, President and CEO, SESCO Lighting,
noticeably, sometimes in a vacuum.”•
also believes that the companies that can continue to adapt to COVIDera challenges will be on the leading edge of growth and stabilization in the recovery. Unpredictability is the new normal, says Christy Tilton, Vice President, U.S. Professionals Trade Sales, Signify, intimating that the effects of the pandemic are here to stay and companies will continue to change how they do business to avoid obsolescence. Similarly, David Gordon, President, Channel Market Group, says that from an electrical distribution standpoint, expect a repeat of 2021, but brand names will outperform and take share through the channel and distribution.
New Lessons With lessons learned over the past two years, Daniel Salinas, Interim Executive Director of the Illuminating Engineering Society (IES), suggests the construction industry is awakening and while people will seek to reconnect one on one, there is hope in renewed growth with project start-ups. Dan Darby, Lightfair Show Director, agrees and says that the ability to experience new design innovations in person
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RESOURCE: GET A GRIP ON LIGHTING: OFFICIAL PODCAST OF THE NATIONAL ASSOCIATION OF INNOVATIVE LIGHTING DISTRIBUTORS www.getagriponlighting.com
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For Quality and Trust: The Continuing Architect is now .EDU
Continuing education courses when you want it on any device for free. Here are some courses from the Art and Technology of Lighting. www.TheContinuingArchitect.edu
Germicidal UV Lighting 101 C R E D I T S : 0 . 2 5 H S W, 0 . 2 5 L U S P O N S O R E D B Y: T H E L I G H T I N G E X C H A N G E
This course introduces the lighting technology Germicidal UV (GUV), which can play a role in reducing the transmission of the virus that causes COVID-19. Germicidal effectiveness, risks of exposure, important safety considerations, and design best practices are all explored during this interview with Steve Guarracino, LC, IESNA, Source Market Specialist.
Dynamic Lighting CR EDITS : 0 . 2 5 H SW, 0 .2 5 LU S PONS OR ED BY: H E W I LLI A MS
This course shares the experiences of a commercial lighting manufacturer and explores how they work with dynamic lighting (tunable, color-changing and circadian) in luminaires, controls, and where the lighting community is being directed by standards.
Advancing Light Quality for Human Preference and Well-Being C R E D I T S : 1 . 5 H S W, 1 . 5 L U S P O N S O R E D B Y: F O CA L P O I N T
This course will review how today’s tech allows the quality of light to be more tailored to human preference, especially when it comes to designing interior spaces using lighting.
LED Lighting Designs for Architecture C R E D I T S : 1 H S W, 1 L U S P O N S O R E D B Y: I N S I G H T L I G H T I N G
This course examines several categories of LED technology and the appropriateness of each to various facets of architectural design, then a discussion of color-changing LED technology and its impact on the comfort and health of building occupants.
Meeting Your High Standards: The Continuing Architect (TCA) is institutionally accredited by the Accrediting Council for Continuing Education and Training. ACCET is listed by the U.S. Department of Education as a nationally recognized accrediting agency.
Discussing Circadian Lighting and the WELL Building Standard with Marty Brennan
Egress Path Lighting & Emergency Lights ISO 502
TCA is an American Institute of Architects Continuing Education Service Provider (AIA CES).
CR EDITS : 0 . 5 H SW, 0 .5 LU S PONS OR ED BY: T H E LI G H T I N G E X C H A N G E
C R E D I T S : 0 . 5 H S W, 0 . 5 L U S P O N S O R E D B Y: I S O L I T E
www.TheContinuingArchitect.edu
This course will explore the requirements, challenges, and best practices for achieving the Circadian Lighting Design Feature L03 in the WELL Building Standard version 2.0.
This course discusses emergency light selection and installation according to specific building codes standards. Once installed, these systems must be tested to ensure their efficacy in case of an emergency.
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PLEASE ANSWER ALL QUESTIONS 1) What best describes your firm? (select only one) ___ 1 Architectural or A/E ___ 2 Lighting Design ___ 3 Interior Design ___ 4 Owner / Developer ___ 5 Lighting Manufacturer ___ 6 LED Manufacturer ___ 7 Lighting Representative ___ 8 Contractor ___ 9 Distributor ___ 10 Utility / Municipal ___ 11 Other (specify) _________________________________________
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2) What best describes your job function? ___ 1 Architect ___ 2 Engineer ___ 3 Lighting Designer ___ 4 Interior Designer ___ 5 Product Designer ___ 6 Contractor ___ 7 Manufacturing / Technical ___ 8 Sales / Marketing ___ 9 Purchasing ___ 10 Financial ___ 11 Management / Executive ___ 12 Other (specify) ________________________________
5) What are the types of projects your firm is involved in? (check all that apply) ___ 1 Civic / Museum / Gallery ___ 2 Education ___ 3 Institutional ___ 4 Entertainment 4) What best describes your firm’s intentions regarding ___ 5 Healthcare Solid State Lighting? ___ 6 Hospitality / Hotel / Resort ___ 1 Currently specify products using SSL sources ___ 2 Intend to specify SSL products ___ 7 Casino ___ 3 Purchase and/or install luminaires with SSL products ___ 8 Residential/Condo ___ 4 OEM that produces luminaires incorporating SSL products ___ 9 Retail / Restaurant ___ 5 Purchase SSL products within an OEM ___ 10 Industrial ___ 6 OEM intending to add SSL products in future offerings ___ 11 Utility / Municipal ___ 7 OEM that packages LEDs for use in other products ___ 12 Outdoor / Landscape ___ 8 Other (specify) ______________________________________ ___ 13 Other (specify) ____________________ 3) How many are employed by your firm? ___ 4 25 to 99 ___ 1 1 to 5 ___ 5 100 or more ___ 2 6 to 9 ___ 3 10 to 24
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A Whale of a Tale Through the embodiment of a 36-ft.long, five-ton steel whale sculpture, the artist’s intention was to provide a conversation about the future of our planet, and all existing life. The central attraction at Montreal’s annual interactive art installation Luminothérapie was Echoes—A Voice from Uncharted Waters. Created by sculptor and multidisciplinary artist, Mathias Gmachl, the 36-ft. long, five-ton steel-framed, LED-illuminated whale was on public display in the Place des Festivals. Gmachl created his work over a 12-month period in his London studio with the technical guidance of marine biologists for the work’s shape. This sculpture is modeled on a one-yearold blue whale. Illumination from red and gold LEDs represents an ocean sunset. Recorded ocean soundscapes are heard as an auditory extension of the graceful, glowing, monumental whale. Viewing is from a determined distance around the whale and the lights and sound shut down if anyone comes too close. The system represents Gmachl’s interpretation of the negative impact of people on natural systems and the environment. “I wanted to provide an open space—a platform—for the public to have conversations about the future of our planet. Not just about whales, but of all life that exists. The need to create room to learn, and dream, of a better future feels more pressing than ever. The installation is my small contribution towards a larger shift in the narratives and actions needed,” said Gmachl. Echoes—A Voice from Uncharted Waters was co-produced in collaboration with MuseumsQuartier Wien, Vienna, Austria and LAC Lugano Arte e Cultura, Lugano, Switzerland. It was © Quartier des Spectacles
shown initially in Vienna, before being transported to Montreal and will next be on view in Lugano.•
A WHALE OF AN EXHIBIT The 36-ft. long, five-ton steel-framed, LED-illuminated whale was displayed in the Place des Festivals at Montreal’s interactive art installation Luminothérapie, an annual celebration of Montreal in winter.
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Highlighting products, materials, and systems behind the architecture. No other editorial source prioritizes the solutions that are enabled by LED lighting. Product choices can transform spaces, and real-world ‘proof-ofuse’ case studies offer insight into ‘proof-ofperformance’ realities.
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SHUFFLE The smart landscape has arrived. SHUFFLE combines advanced technology and modern design to make outdoor spaces smart and connected. Integrating lighting, Wi-Fi, and safety and communication devices, it creates a sense of security and well-being outdoors – enhancing the quality of life for residents and visitors. SHUFFLE is a product of our collaboration with Shréder, a global leader in lighting and smart-city technologies for more than 100 years. Find us at landscapeforms.com or contact us toll free at 800.430.6205.
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