PEOPLE & PROPERTY OF MELBOURNE
MAY 29 - JUNE 4, 2019
MEGAN GALE ON THE MOMENTS THAT MATTER MOST
DIANA CHAN HOW TO COOK RED CHOOK
REAL ESTATE HOT PROPERTY HIT LIST
MELBOURNE TIMES
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SIMON SHIFF
If I was to say this week’s edition features the world’s most relatable supermodel, you’d tell me to pull the other one. But Megan Gale, who found fame in Italy and translated it to a long and fabulous career on catwalks and on magazine covers in Australia, is just that. In her industry, models have to be as ferocious as they are photogenic, and for Gale, it’s developed into an astute business acumen. Melbourne-based Gale is candid on her new business (skincare), family, judgment, love and loss, in a rounded interview on the common themes that bind us – even if some have more lissom legs. ●
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THE EDIT What we love at Domain Review
OUR COVER \ Megan Gale, photographed by Julian Kingma. Hair styled by Marie Uva, with makeup by Jade Kisnorbo.
MORE TO LOVE ONLINE Go to domain.com.au/domain-review General inquiries \ 9249 5226 \ editorial@domain.com.au Editor \ Emily Power Deputy editor \ Jessica Dale Picture editor \ Leigh Henningham Senior designer \ Colleen Chin Quan Designer \ Emma Staughton Editorial assistant \ Hailey Coules Managing editor \ Alice Stolz Chief consumer officer \ Jason Chuck Jason Pellegrino Real estate sales director \ Mitch Armstrong \ 0438 820 767 mitch.armstrong@domain.com.au Retail sales \ retailsales@sales.domain.com.au
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MELBOURNE TIMES
Chief executive officer Domain Group \
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rose petals and hibiscus. ● damselfly.com.au
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COVER STORY
It’s a beautiful life Former model Megan Gale, who describes herself as vulnerable but tough, gains inspiration from her mother and two children for her next venture.
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he made a name for herself as the face of David Jones in the 2000s and last walked the runway for designer Alex Perry at his Melbourne Fashion Festival show in 2011. But these days former model Megan Gale has other things on her mind – starting a new business, raising two young children and, for the past eight years, happily calling Melbourne home. “I haven’t considered myself a model for many years,” says Gale, who first walked for David Jones in 1995 and got her big break in Italy in 1999 with an advertisement for telco company Omnitel. “It is one of the many hats I have worn, but I have learnt to slow down and not try and do a million things at once,” she smiles. “For many years I was moving from one hotel to the other because that was what was required with my work; and now love nothing more than to stay put and feel more grounded.” Gale’s new ethical children’s skincare line, Mindful Life, is testament to her new modus operandi. Working from home is where she had the idea to start a new business five years ago. She also took inspiration from Elle Macpherson, who has become a successful businesswoman after years of modelling. In the past, Gale put her name to beauty products (L’Oreal) and started a swimwear line (Isola) but admits she never quite felt entirely fulfilled.
“I wanted to start a purpose-driven business,” says Gale, who also spent $20,000 to have her products dermatologically tested. “If it had my name on it, I had to dot the i’s and cross the t’s. “I didn’t just want a another baby brand to join the market. This is about encouraging families to be present with their children especially when it’s bath time. It’s not always possible, but it’s about not wishing this time away either.” Gale has two children with fiance and retired Carlton and Richmond AFL player Shaun Hampson; River, aged five, and Rosie, 20 months. She thanks her mother for encouraging her to “wake up and smell the roses” – advice that only really made sense once she became a mother herself. “Mum would always tell me to slow down, don’t wish your time away during a newborn phase. Before you know it they grow up. It’s advice that doesn’t really sink in when you’re sleep-deprived and just want them to sleep,” she says.
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ale was born and raised in Perth and won a modelling competition at 18. It’s been 20 years since she went to Italy where she kick-started her career. “I had my five years of struggle,” she recalls of finding it hard to get work in Australia before moving to Europe. “I can thank the Italian job because after that
everyone back home wanted to know who I was. I didn’t get put on the cover of Vogue straight away, but I knew in my bones if I stuck to it, I’d eventually make it. You really need a lot of self-belief in this cutthroat industry.” For all her assertive mannerisms, there’s a vulnerability to Gale you perceive after spending time with her. Behind that huge smile, towering height and those wide eyes is someone who wants to let you in, but is on guard at the same time. “I’m a funny human,” she says. “I’m quite a sensitive and vulnerable soul, but at the same time I have a side of ‘just dust yourself off and keep going’. “I am tough because I have had to be in this business. I saw lots of people succeed around me before I found my own. It wasn’t easy. I’ve also been burned in business, been lied to, had my trust abused. It sets you up to tread carefully.” At their family home in Melbourne’s east, Gale is happiest when speaking about her kids. River likes to bring in leaves from the front garden and name each one of them with her, while Rosie happily throws a pile of dirt on the floor and runs back outside to get more. “The kids make me realise what’s really important,” Gale says. “They have put everything into perspective for me. I always say if they are healthy and thriving you are lucky.”
“Mum would always tell me to slow down, don’t wish your time away during the newborn phase. It’s advice that doesn’t really sink in when you’re sleep-deprived ... ” MEGAN GALE 4
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Gale, who dated comedian and TV personality Andy Lee for four years before meeting Hampson in 2011, says she’s still perplexed at the media’s obsession with her private life. “Much was made of our age gap when Shaun and I got together, which I hated, because I felt like that was a bigger deal than the fact we were both happy and compatible,” Gale says. “We have an extraordinary level of communication, and that’s one of the most important aspects of a relationship. “I wouldn’t have been able to start this business without his support.” Gale’s father, Alan, died a few months after their son was born; a difficult time for her family. “It was horrible to see my dad deteriorate with a terminal disease, but we made the most of all that time we had left,” she says. “We also lost Shaun’s dad, Thomas, a month before River was born. Our mums went through a horrific time – deaths, births. It was so intense.” Gale was close to her father and, like him, spent a lot of time dwelling and sweating the small stuff in her 20s and 30s. “If my dad could talk to me now he would say, ‘let things go Megan, don’t hang onto things bothering you, it’s not worth it because life is too short’,” she says. “Embrace what you have and be thankful, be present. That’s all I strive for everyday.” ● ● themindfullife.com
Wo r d s
JA N E R O C CA ●
Ph o t o
J U LIA N KI N G M A
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DIANA CHAN \ CHEF ST YLE
A twist on tradition
GREG BRIGGS
I
Instagram: @diana.chan.au
spent a fair bit of time in Malaysia this year, going back to my roots and thinking of old recipes to re-invent and test. One of the recipes that has been an all-time favourite of mine is ayam masak merah, which translates to red cooked chicken. It is a traditional Malay dish. Similar to a casserole, it is cooked using tomato puree and lots of aromats. I was in Malaysia over the Ramadan period and noticed this dish being sold at the various street markets for the locals to buy when they break their fast at sunset. The key to making this dish a standout is to make sure you use whole pieces of chicken with bones in. The bones gives the dish a lot of flavour. This dish is sold all across Malaysia in eateries ranging from roadside stalls to fine-dining restaurants. It’s usually eaten with tomato rice and a vegetable dish. �
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JANAKA RODRIGUE / FOOD STYLING EMMA ROSEN
Ayam masak merah (red cooked chicken) Ingredients (Serves 6) 1 whole chicken weighing around 1.5kgs, chopped into pieces Oil for frying 1 cinnamon stick 2 star anise 3 cardamom seeds 3 cloves 6 whole dried chillis 1 tin of tomato puree 1 tbsp chilli sauce 1 tbsp sugar Salt to taste Handful of frozen peas ∏ cup fried shallots (store-bought) For the paste 2 large red onions, roughly chopped 5 cloves of garlic, peeled 2∏ centimetres of ginger, roughly chopped 2∏ centimetres galangal, roughly chopped 3 lemongrass stalks, roughly chopped
Method Blend all the ingredients for the paste into a fine consistency and set aside. ■ Place enough oil in a wok or deep fry pan and bring to medium heat. Rub salt all over the pieces of chicken and shallow fry the chicken for about 10 minutes. Remove from oil, and set aside. ■ Using about 2 tbsp of the leftover oil, still over medium heat, fry off the spices, dried chillies and blended paste for about 3 minutes or until fragrant. ■ Add in one cup of water, tomato puree, chilli sauce and sugar. Combine thoroughly. ■ Add in the fried chicken, frozen peas and fried shallots. Let it simmer over low heat for another 10 minutes. ■ Garnish with some herbs and serve with rice. ● ■
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DESIGN Couturier Gwendolynne Burkin’s magic creations soar at Eurovision.
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Centre stage Wo r d s
R AC H E L L E U N R E I C H
CHRIS HYDE / GETTY IMAGES
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t’s not often that a Facebook message from a stranger results in the opportunity for a designer to have their work appear on the world’s stage, but that’s exactly how Melbourne’s Gwendolynne Burkin ended up working on Kate Miller-Heidke’s Eurovision performance. Burkin, best known for her bridal gowns, has long held an interest in costume and theatre but, when she was contacted by Miller-Heidke’s representatives less than a week before her Australia Decides show in February, she had to make a quick decision about whether she could design the top half of a dress that hadn’t come to fruition. The result was an unforgettable, other-worldly silver gown, the bejewelled bodice of which Burkin spent four days feverishly piecing together, subsisting on coffee and the goodwill of her partner. Fortunately, she had a little more time to pore over the details for Eurovision’s Tel Aviv shows
Australia’s Eurovision representative Kate Miller-Heidke in the bejewelled Gwendolynne Burkin gown.
“I really did feel like I was tapping into my inner super hero to get that done.”
Gwendolynne Burkin and Kate Miller-Heidke.
earlier this month, completing the dark, ethereal costumes for Miller-Heidke’s dancers, while MillerHeidke wore a Steven Khalil gown in Tel Aviv. In the end, it was a symbiotic meeting of minds. “Kate’s musical approach for the song Zero Gravity merges classic opera with pop and dance, which is in keeping with my visual eye that strongly
GWENDOLYNNE BURKIN
references the past and reinvents it in a modern context,” says Burkin. “It also allowed me to get away from being typecast and show people what I can do as a creative. And, seeing something I have created come to life in a theatrical setting is so exciting and way more fabulous than a standard march down a runway.” It’s hard to imagine designing such an integral costume for someone you’ve never met, but luckily, Miller-Heidke’s reaction was immediately positive. “At our first meeting, she was like a delicate doll with a delightful, gentle smile. She said that even if she had given me a timeline of three months, it would have surpassed her expectations.” Fellow Australia Decides contender Alfie Arcuri was one fan; backstage, he told Burkin he wanted to wear Miller-Heidke’s outfit to Mardi Gras. For Burkin – who has stepped away from platforms such as the Virgin Australia Melbourne Fashion Festival and is vocal about the need for
HEALTHY APPLE
Australians to back local designers – the Eurovision spotlight also allowed her own voice to be heard. “I feel that small Melbourne female independent designers get overlooked a lot, even when they’re established. Most of the opportunities go to the male and Sydney-based designers, and then the media gets on the bandwagon of those ‘new kids’. “I have never felt much like I fit in in the fashion industry, and so one social media comment that really touched me was from a fan who said, ‘You are one of the most underrated Aussie fashion designers’. Another favourite was from someone who called me a ‘magical wonder woman’ because I really did feel like I was tapping into my inner super hero to get that done,” she says. Has more work come her way, as a direct result? “Well, I’m afraid that not everyone wants to wear a bejewelled bodice to work,” Burkin laughs. After the Eurovision dust has settled, that might change. ●
Healthy Apple
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HOME & ARCHITECTURE
New life for 19th-century boot factory
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s Melbourne’s first and coolest suburb, Fitzroy’s enduring character lies in its backstreet, 19th-century warehouses and terraced cottages as much as its vibrant street culture, hip cafes and offbeat stores. So when award-winning Carlton-based developer Michael Piccolo saw the pristine facade of a beautifully proportioned, double-storey 1880 boot factory tucked away on a quiet corner 50 metres behind Brunswick Street, he immediately recognised the importance of its reinvention. “The significance of this building to the local landscape and history adds a character and depth that wouldn’t be possible if you were starting from an empty site,” Piccolo says. “I wanted to respect the building and consider its use very carefully.” The Irons and Boot factory on the corner of Argyle and Fitzroy streets is now the centrepiece of Piccolo’s latest endeavour, Fitzroy House, framed by contemporary elements highlighting the heritage building. The boutique residence features a collection of 34 large one, two and three-bedroom apartments across seven levels with ground level office space. Either side of the retained heritage fabric will present to the street at four storeys, with higher levels well set back from the facades. Fitzroy House is Piccolo’s second partnership with acclaimed architects Jackson Clements Burrows and third with leading interior designers Hecker Guthrie. The design team retained the iconic red brick facade with bluestone foundations, arched windows and door openings, bluestone window sills and faded painted signage and a prominent chimney on a return wall. JCB director Tim Jackson says the building’s heritage aspect and its location were pivotal when approaching the design, with the new built form bookending the site’s heritage building and framing its corner location to celebrate and amplify its presence. “We consciously separated the old and the new in the selection of materials but also the composition of the building’s mass. The new materials act as a backdrop, allowing the heritage building to be the hero,” Jackson says. Discussions with heritage consultant Bryce Raeworth recognised the importance of an existing chimney beyond the streetscape within the IN PARTNERSHIP WITH
I C O N I C FACA D E
FITZROY HOUSE fitzroyhouse.com.au 71-75 Argyle Street, Fitzroy ● Sales \ 360 Property Group, Sarah Stock 0418 584 047 ● Display \ 71-75 Argyle Street, Fitzroy ● Open \ 11am-1pm weekends or by appointment
building’s composition. This chimney now signifies the building’s new entry, says Jackson. “It’s always positive when a contemporary built form finds resonance with the old through a new purpose.” The heritage building’s arched windows will also find new purpose, as winter gardens for apartment residences or windows within apartments. A visual break line of glazing between the old and the new will allow the original building and features such as the chimney to be viewed in the round, says JCB associate director Chris Manderson. In this way, the original building will appear threedimensional rather than as a retained facade. He says the proportions and scales of modules and levels in the new building’s forms subtly reference the original heritage building, picking up its rhythms and opening sizes. On the street front modular gridded blackened steel baffles will contrast with the heritage masonry while referencing verandas commonly seen on
heritage terraced homes in the area. Well set back and hovering above, a lightweight lantern-style form will have an ethereal quality as a counterpoint to the heritage building’s heavy masonry facade. The respect for the site’s history is also reflected in the interiors, expertly crafted by Hecker Guthrie to represent Fitzroy’s enduring nature and contemporary edge. “Glass panels are tinted darker to represent the grit and tenacity of the streetscape, and the overall colour scheme is darker to give it a sophisticated, premium feel,” says director Hamish Guthrie. The interiors include marble splashbacks and Gaggenau appliances in kitchens with standalone bathtubs in all two and three-bedroom apartments, along with a marble vanity and integrated storage. Residences will include a bespoke tech cupboard for charging devices and storing wireless printers. One-bedroom apartment sizes range from 60 to 73 square metres, two bedrooms from 83 to 120 and three-bedroom apartments from 131 to 189. Prices range from $600,000 to $3.5 million. ● LIZ McLACHLAN
Hover your camera phone over app code to view the listing
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HOUSE OF THE WEEK CLIFTON HILL \ 379 WELLINGTON STREET 2
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Clifton Hill is one of Melbourne’s much-loved suburbs and has within its boundaries pretty much everything that innerurban buyers put on their wish list. The streets are lined with picturesque heritage homes; cafes and restaurants are sprinkled throughout; the schools are excellent; and the suburb is just four kilometres from the CBD via trains, trams or buses. Parks, reserves and sporting facilities are plentiful and Clifton Hill borders the vast 260-hectare Yarra Bend Park. Unlike some other inner suburbs, Clifton Hill was professionally designed. Clement Hodgkinson, assistant commissioner of crown lands and survey, laid out the suburb using the grid model implemented by his predecessor Robert Hoddle. The legacy of wide streets and an ordered atmosphere has resulted in a place free of the cramped intensity of some of Melbourne’s original suburbs. Clivdon, in Wellington Street, was built around 1880 when Melbourne was thriving. The boom era is evident in this renovated Victorian terrace’s elegant and ornate facade. Behind the iron fence, tessellated tiles define the path and verandah, iron lace trims the verandah and leadlight enhances the entry. Inside, the classic terrace floor plan sees two bedrooms, both with built-in wardrobes, opening off the hall. The bathroom follows, smartly turned out with white fittings and grey tiles. Also in this zone is a European laundry and linen cupboard. A wide living and dining room has leadlight windows overlooking the outdoor entertaining area. Also in this L-shaped area is a white kitchen with stainless steel appliances, stone benchtops and good storage in deep drawers and cupboards. The living area opens to an elegantly landscaped courtyard with a raised planter box and variety of shrubs. The house has heating, cooling, high ceilings and polished floorboards. There is potential ROW access. It is just moments from Queens Parade shopping and cafes, and close to Smith and Brunswick streets. Darling and Edinburgh gardens are close by as are the train station and trams. ● BEVERLEY JOHANSON property@domainreview.com.au Agent: Collins Simms, Andrew Simondson 0412 999 128 Price: $870,000-$950,000 Auction: 10.30am, June 15
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SHORTLIST YOUR FAVOURITE HOMES WITH THE DOMAIN APP 12
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TOP CHOICE \ YOU MAY ALSO LIKE …
IN PARTNERSHIP WITH
BRUNSWICK \ 665 PARK STREET Agent: Collins Simms, Nicholas Corby 0418 512 978 Price: $2.695 million Private sale
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RICHMOND \ 36 LENNOX STREET Agent: Collins Simms, Antony Harbor 0406 585 435 Price: $820,000-$900,000 Auction: 10.30am, June 1
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FINAL WORD “A PERFECT ENTRY-LEVEL, INNER-CITY LIFESTYLE HOME, CLOSE TO PARKLAND, CAFES AND TRANSPORT THAT YOU CAN SIMPLY MOVE INTO AND ENJOY.” ANDREW SIMONDSON – AGENT
CARLTON NORTH \ 452 CANNING STREET Agent: Collins Simms, Julie Susnjara 0408 006 662 Price: $1.175 million Private sale
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PRESTON \ 1 CLARA STREET 4
2
1
Renovated and extended, this attractive house is ideal for a family looking for space, functionality and a convenient location. Bedrooms and the family bathroom are zoned to the front of the house and the living area wraps around a covered deck at the rear and overlooks the large childfriendly garden. Hardwood floors are laid throughout and the home is filled with natural light. In the living room, seating with storage below has been built along two of the walls. The house has double glazing, ducted heating, airconditioning, solar panels, high decorative ceilings and a 2000-litre rainwater tank. It is walking distance to primary schools, cafes and shopping. ● BEVERLEY JOHANSON Agent: Nelson Alexander, Nicholas West 0418 559 494 Price: $1.1 million-$1.2 million Auction: 12.30pm, June 1
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ALPHINGTON \ 2/1 TOWER AVENUE 3
2
2
An artist’s home by the banks of the river, this enchanting villa is reminiscent of the romantic corners of Europe. The kitchen, like painter Claude Monet’s in Giverny, is a sunny yellow. In the brick-paved garden, geraniums and ferns rub shoulders with lilies in a lovely provincial tumble and the studio is everything an artist could want. The main house has a large living and dining room with a big open fireplace, and a kitchen and bathroom on the ground floor with two light and airy bedrooms above. In the garden, the studio building includes a large area, a bathroom, and a loft bedroom. There is hydronic heating and the property is close to shops and transport. ● BEVERLEY JOHANSON Agent: Jellis Craig, Bev Adam 0422 396 477 Price: $1.05 million-$1.15 million Auction: 2.30pm, June 1
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31 Gooch Street Thornbury .................................
lovere.com.au/1P6654 4 Bed | 1 Bath | 1 Parking .................................
Featuring the grandeur of Edwardian heritage, this four bedroom home boasts a supreme lifestyle steps to High Street. Grand bedrooms precede sundrenched open living, retro kitchen and north-facing rear gardens. Ready when you are for enhancement/extension, this home with OSP boasts trams, schools and parks nearby. .................................
Auction Saturday 15th June at 11.00am Open Thursday 30 May 5:30 to 6:00pm & Saturday 1 June 12:00 to 12:30pm .................................
Bill Kyriakopoulos 0419 008 008 George Theocharis 0415 578 809 03 9480 2288
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LIC 33201
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Lic. 104391
Reblocking/Underpinning
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977914
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48 Davies Avenue, Sunshine North 9364 0770 SWA6566B
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9998 2905 www.Ser viceToday.com.au
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Level 1 439 Elizabeth Street, Melbourne
0407 679 550 Northcote Plumbers Call www.antennaspecialist.com.au
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