TSA – issue 41

FREE ISSUE 41 MARCH 2018

#keepitInky WeAreTSA.co.uk

THE VEGAN LEATHER +FESTIVAL GUIDE

BRUCE TAVERNS

DJANGO DJANGO

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FREE | Issue 41 | MARCH | WeAreTSA.co.uk

5 Politics 6 Django Django 8 Liam’s Corner

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9 NHC Pick of the Month 10 Near You 12 The Complete Gig Guide 14 The Vegan Leather

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16 Glasgow Short Film Festival 18 Food 23 LGBT Section 28 Festival Guide

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32 Meningitis 33 Picasso to Warhol 34 Grace Wilson 36 Visual Arts 38 GSA Interim Show

E. info@thestudentadvertiser.co.uk T. 0141 222 2202 Suite 3.3, Station House, 34 St Enoch Square, Glasgow G1 4DF www.wearetsa.co.uk TSA is the most widely distributed publication of its kind in Glasgow and Edinburgh and we work every day to keep it that way. Our in depth local knowledge means we deliver the right number of copies to all the right outlets, and our regular fresh issue keeps readers engaged.

Contributors: Daniel Smith, Selina McLean, Jonny Stone, Liam Menzies, Kieran Fisher, Marie-Louise Patton, Rhiannon Melrose

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E. info@thestudentadvertiser.co.uk Facebook: thestudentadvertiser Twitter: @TSA_Newspaper Managing Director Mark Ferguson Editor Kenny Lavelle editor@thestudentadvertiser.co.uk LGBT Editor Jonny Stone j.stone@tsaglasgow.com

New Hellfire Club Pick of the Month www.newhellfireclub.co.uk

A MESSAGE FROM THE EDITOR You might have noticed a wee addition to our front cover this month. Go have a look, just under the masthead, three little words, 'Keep it Inky'.

In the month where NME went the way of many publishers before them and sent their print edition to the ones and zeros in the sky, we found ourselves thinking about glorious inky paper and all that means to us here at TSA. In eulogies to the departed, many are reminiscing about the inky fingered glory days, the feel of having an actual tangible publication in your hand and the joy to be found in taking your time to read cover to cover. We're firmly of the belief that print matters, even more so today than ever. In a world where weapons grade fake news is the norm, print has a unique role, standing tall in all it's un-deletable beauty. Besides, there's something very final about pressing that button that tells the printers to set the press running. It says this is who we are at this point in the universe, take it or leave it, there's no going back.

This leads neatly to our lead interview this month where we talk to Django Django's Dave Mclaren about the making of their new album Marble Skies along with the importance of independent record stores and vinyl. The music business has been undergoing similar strains to the publishing industry recently and it's apparent he's passionate about the value of the rituals and social side of finding and playing music on physical formats.

Here in Scotland we are spoiled for choice with the vast variety and number of superb indoor and outdoor festivals to be found right on our doorstep. Whether you're into music, books, theatre, art, film or something else entirely, you'll probably find there's a local event that's just for you.

We've put together a handy guide to many of the more music focused festivals on pages 28 to 31. You'll also find a look ahead to the highlights of the Glasgow Short Film Festival plus an interview with the fantastic cartoonist and illustrator Grace Wilson who'll be appearing at the CCA as part of Aye Write!

Glasgow School of Art will be exhibiting their annual exhibition of new work by students in the first year of their Master of Fine Art programme from 17th March. It showcases a broad range of works across a wide range of media including painting, drawing, sculpture, video, performance and installation. We're pleased to present a preview of a selection their work in our new visual arts section on pages 38 and 39.

You'll also find the next instalment of our regular collaboration with the New Hellfire Club where they chat to Yellow Movement supergroup Busker Rhymes about the genesis of the group, drunken gig fun and their own special brand of Hip Hop for Hippies.

Back to those three words, Keep it Inky. Scottish independent publishing is thriving with some world class titles to be proud of and we're delighted to be playing our part in it all. We're committed to highlighting the best in local and international music, to highlighting the events you won't want to miss, to supporting the creative work of our artistic communities and to giving talented Scottish journalism students a platform in which to hone their skills.

TSA – Keeping it Inky since 2014.

Sales Executive kenny@thestudentadvertiser.co.uk

DISCLAIMER This publication is fully protected by copyright and nothing may be printed without the written permission of The Student Advertiser and the publishers. The proprietors of this publication are publishers and not agents, or sub-agents of those who advertise therein. They cannot be held liable for any loss suffered as a result of information gained from this publication. The Student Advertiser takes no responsibility for claims made by advertisements in this publication. We consider our sources reliable, and while every effort has been made to ensure that information is accurate at the time of print, reporting inaccuracies can occur, therefore readers using this information do so at their own risk.

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By Kenny Lavelle

ZERO-HOUR GENERATION: an insight into academic staff’s falling expectations, from pensions to wages.

The banners and posters at the Main Gate of the University of Glasgow are soaked in fresh snow, and just for today there is a surreal silence on what has turned into a picket line. In the same spot over the last few days, dozens of students and staff have been protesting the reform designed by Universities UK to close their estimated 6 billion pound deficit in private pension contributions. “Our pensions axed” is the motto of this month’s strikes, which have been coordinated on a national scale by the University and College Union and involves 61 campuses across the United Kingdom. However, protests are not limited to stressing how destabilising it would be for the Superannuation Scheme to be subject to stock market fluctuations, or how the burden of previous inefficiency falls on younger employees. It is a sign of these times in which even basic employee protection is disappearing for the sake of zerohour agreements. The previous generation of academics has benefited from guaranteed income, appealing discount rates and employment insurance; the current one has to face austerity, fixed term contracts and limited prospects for either starting a family or balancing work and personal life.

J. is a Graduate Teaching Assistant in the School of Social Sciences who wishes to stay anonymous. He likes to - deservedly - call this generational gap “the trap”. His experience strengthens the accusation that universities are too involved in commercial operations to invest revenue from non-UK tuition fees into more lectureships and additional contributions. J. completed his PhD in December 2017 and has been a tutor for the past three years. He is not a member of the UCU, as he was not ready to go through the legal technicalities of joining a representative body at such a young age and with no permanent job in sight. Nonetheless, he supports the need for striking and hopes that a transparent and sustainable solution can be reached in both parties’ interest.

“I do not think your average lecturer should pay for the deficit, it is ludicrous!”, he claims as he refers to the contracts that are currently available. University managers have been leaning towards reducing the number of teaching staff in each School, which means that in some cases a handful of lecturers must cope with up to 50 hours per week of both academic and administrative commitments. It is not difficult to estimate the impact on the mental health and professional performance on these permanent members; Theresa May’s statements about raising the pension age to avoid the collapse of the system seem dangerous in light of such frantic working standards. It is also worthwhile considering that understaffing departments at the same time as the international student population is on the

rise is counterproductive for quality teaching, as this has resulted in overcrowded tutorials and classes.

The commercialisation of the university experience has had even more devastating consequences for graduate assistants. Despite having worked for the university for a fairly long time, J.’s negotiating power is precarious because assistants are hired on fixed terms every semester or academic year, rather than filling in parttime vacancies. Tutors are paid £16 per hour for their work, a rather significant wage for young academics; and yet, their contract only allows them to work for five hours a week, which is insufficient for living in a city like Glasgow with average rental prices of £450 for a room.

“Had I been part of the trade union, I could not have afforded going on strike. I live by those working hours”, J. tells me. “I was lucky enough that my postgraduate fees [around £6,000 a year for British students] were paid for by the Scottish Government and other sponsors, since the funding for higher education is shrinking too. I have managed to put aside a bit of money every month thanks to that, but the teaching wage helps me to top my income up.”

As a result, J. has not joined any pension scheme, though he is concerned about a change from the defined benefit scheme to a defined contribution scheme for good reasons. “I did not feel it was reasonable to sacrifice a large portion of an already small salary for that. Right now I have to deal with living costs. I have almost accepted that I will work until I die to accumulate contributions, and I hope to receive a minimum pension.

So far, I cannot make any long-term plans”. To put things in perspective, if the UUK’s reform went on, J.’s pension would be computed based on mediocre payments rather than a pre-agreed pension rate: their insignificance does not depend on him, but his employer’s unwillingness to create safer jobs, which would give him incentives to sacrifice a portion of his wage for his retirement plan.

Freelance teaching is at the moment the only possible strategy to follow in the absence of new lectureships, and it consists of working in post-doctoral positions to earn money from publications. The competition is unfortunately harsh, and there is an unhealthy overlap in producing academic material and lecturing, which compromises its flexibility and again damages life-work balance. K., another teaching assistant in the same School as J.’s, is struggling to keep all pieces together, as he tutors at both the University of Glasgow and the University of Strathclyde while studying towards his PhD. “Most of the people who insist on Academia” he says, “are dedicated individuals focused on their research projects, who are doing whatever it takes to make a living. However, this might lead to the creation of a

new ‘Academic Proletariat’: researchers, teachers and lecturers who are working many hours, with low wages and within an insecure framework”.

Due to his experience of the Greek system in the aftermath of the Financial Crisis, K. is worried about the spread of neoliberal schemes in Britain and the rest of Europe. Even though he believes in the exceptional standards of the British research, the academic organisation leaves a lot to be desired: “By adopting restrictive policies, the UUK aims at minimizing the cost in pensions while huge salaries and bonuses are given to high-profile executives of the Universities”. Funnily, K. still feels privileged to have a job that is related to his professional aspirations, since most of his colleagues have to do non-academic side gigs which count little for their development.

What is next for hard workers such as J. and K.? British universities should reassess the situation and finally see themselves as research hubs who value the contribution of staff towards their success in international rankings, especially when the cost to access them keeps rising, from tuition fees to graduate entry opportunities. The deficit size is a worrying issue, but managers should not use it an excuse to let employees plunge into uncertainty: it would be more logical to increase funding rates towards pensions once fair contracts are ensured to more people, which can have indirect benefits on staff’s families and their students. In a time where universities are the first business card to employment, an inside-out example would be appreciated. We owe it to those who contribute to those crucial skills with their teaching.

Article by Lucia Posteraro MARCH 18 | WeAreTSA.co.uk

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With Marble Skies Django Django are back doing what they do best, crafting odd hooky immediate pop songs. It's always been in the band's nature to gleefully mash the genres and there's plenty of that going on in the new record, a playful blend of rockabilly, dancehall, electro and whatever else they've got lying around. Where at times their second album, Born Under Saturn, struggled under it's own weight, Marble Skies zips along with energy in abundance.

We caught up with the band's drummer and producer Dave Maclean in the time between Marble Skies' release and the spring tour which kicked off in one of his old student haunts, Fat Sam's in Dundee.

Last week Marble Skies topped the UK independent record charts, you must be pretty satisfied with that?

Yeah our fans have always really enjoyed the vinyl stuff we put out so that always does quite well. People like having the record, but I guess since our last album the record industry has changed a lot, Spotify is just huge now so it's kind of nice to know that people are still going to independent record shops and buying vinyl.

Do you think that with streaming being as dominant as it is, being able to listen without actually having to pay directly for a piece of music, when fans are buying vinyl then it's perhaps as a way of feeling they're supporting a band or is it more than that?

I think there's maybe a kick back against the digital format, people have realised all that money you've spent on Apple downloads, on iTunes, where are they now? They've lost them all. You don't even listen to them because they're on a folder on your desktop and it's gone, people want physical stuff now again, we're seeing the kick back against your whole life being digitised and not owning any music or games or movies. If people want to spend money on an album then they are far more likely to do so on vinyl as it's something that you own; you can pick it up, look at it and be reminded. I think that's definitely coming back into people's lives again.

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With vinyl do you think a lot of the appeal is that it's more of a social thing than having a digital copy?

Yeah, I've being saying this for years ‌ if you go into a record shop, you don't know who you're going to meet, what conversations you're going to have, what records you're going to end up buying that you wouldn't normally have picked up. That's what record shopping is all about. You go in thinking you're going to get one thing and you come out with a couple of things and no idea what they are. I'm a huge fan of record collecting and that's what it's always about for me. I'll buy a record because I like the cover and I'll take it home and have no idea what it is and then that gets me into something else. I think life is more about that rather than sitting at home downloading or sitting at your computer.

It's about getting out and appreciating things and what experiences you'll have on the way to the shop and the way back. It's about getting out there and seeing things differently. Glasgow and Edinburgh, both have great record shops.

I like going into Rubadub in Glasgow and the guys will say have you heard this 12 inch and it'll be some weird afrobeat thing or a weird Dutch techno record that you just would never have known about, so that's always been the joy of record shopping for me.

it's something that you own; you can pick it up, look at it and be reminded.

I bought a record in recently in an Auchtermuchty charity shop and it's this industrial post punk thing that's completely mind blowing. It's like disco drums through weird effects units and stuff. I picked it up because it had a really odd cover. It's on the Music De Wolfe label. I just knew right away by the cover that it was going to be weird and it was going to be good and god knows how it ended up in Auchtermuchty but moments like that's where you're just a bit mindblown. You've got this record in such a weird place and it just feels like serendipity that you went into that charity shop and this bizarre record that you might sample or might inspire you was just sitting there waiting for you. I've spent years looking through charity bins and finding gems in amongst complete rubbish, it still happens.

Marble skies has been doing very well for you, what are your thoughts on how people are reacting to it?

It's weird with the new album, half the reviews say it's a different sound and half of them say it's the same, so I don't know.

We just get into the studio and mess about and see what comes out. Maybe there's less strummed guitar riffs in this one, more synths or disco drums? We just get in and mess around and follow the direction of the record really. I've always worked in the same way from the start really, just laying things down and building them up, the same way I did when I had a 4 track in the 90's before I had a computer. It feels like we're doing a similar thing really but I guess the results are always different because things will change each time.

Was there a typical way that Marble Skies tracks came together?

When the rest of the band started the album I was away working with KT Tunstall in America on her album, they had Anna Prior from Metronomy drumming instead of me and were sending me little jam sessions. I was chopping bits up and changing the pitch to try and turn them into choruses. I do a lot of the arranging for the tracks so I'll find the bridge, the chorus the middle 8 from bits we've done. Sometimes it works like that, sometimes Jim or Tommy just have a complete song done. Surface to Air was a song that was written and ready, it had a top line and lyrics and everything. I just did a little bit of arranging on that one. It just depends, sometimes the track comes fully formed and just comes easy and sometimes you've just got to spend time chopping things up and rearranging and trying to pull a song out of it. You'll persevere because you know you've got a good bassline or a good rhythm, sometimes it will take a long time to find out where the song is. On the first album there's a song called Loves Dart that just flowed out straight way. But then Default took months, there wasn't really a song, there's still not really a song, it's just chopped up vocals and a weird guitar riff.

You're in a great position if you can get Anna Prior in to help out with the drums.

We toured with Metronomy in the past and we still play shows with them from time to time. I've always watched Anna drumming and been quite a bit in awe of her. She's just really amazing, probably my favourite drummer at the moment and it's great to work with her. She drums on Marble Skies, it has this really good krautrock groove that I would normally shy away from but she just has the great ability to do that kind of groove. She's really busy and very much in demand but I'm sure in future we'll do more together.

You've brought in stacks of prominent artists from outside the band to work with you on this album, any plans for future match ups?

Yeah we're definitely up for working with people outside the immediate group more and more. I've always done remixes so collaborating with other people is part of that really. Even on the first album we had collaborations on there, other singers doing backing vocals or we had clarinet so we're always up for getting other people in the studio and getting them involved.

Marble Skies is out now, not only in all good local independent record shops but plenty of other places too.

MARCH 18 | WeAreTSA.co.uk

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by Liam Menzies @blinkclyro

www.blinkclyro.com

Having had a fairly lighthearted column last month, it seems as if the universe couldn't be content with myself producing a relatively lighthearted column so soon again and on February 23rd, it provided an infuriating talking point.

If you aren't aware of who Mushe Bl00d are, here's a brief description: an emo outfit. This act was on an unstoppable rise to fame with two albums that, at the time, I can admit, I was fond of. As is sadly the case more often than not

nowadays, this promising band were hit with allegations of sexual harassment that resulted in their drummer getting the boot. You'd expect that to be the end of any controversy surrounding the band but you'd be sorely mistaken as shown by a post mentioned on the aforementioned date last month. "We are aware of an allegation made against us concerning alleged theft of photographs and invasion of privacy" is the opening sentence of the band's statement that eventually leads to them saying they are taking legal action against the person who came forward with the allegation that their frontman stole their phone and forwarded nude photos of them to a group chat. I can already expect a mob of "innocent until proven guilty" rioters who will conveniently miss out on the fact that the band did stay at the victim's house, verified by photos.

blaming in the music community continues.

It’s not unusual to find that a band has threatened legal action after sexual harassment allegations These types of action should be scrutinised for the horrible precedent it's creating, especially in our current MeToo climate. Victims of sexual harassment and abuse are being encouraged to come forward but as soon as they do, they're often threatened into a situation which will be akin to David vs Goliath: a band with label lawyers, who no doubt have experience with these scenarios, will usually win against a publicly defended individual any day of the week, meaning that they'll be pushed into a corner where they retract their statement and the never ending cycle of victim

So if you considered seeing Mushe Bl00d live, or already have a ticket, I hope the current situation has made you think further. Funding a band who allegedly have taken part in this awful behaviour is morally dodgy and regardless if you think you should separate the art from the artist (another topic for another day), don't try to say you're for the victims of those who have been exploited by powerful figures if you support Mushe Bl00d.

but the twists and turns it takes, in addition to Toledo’s wonderful lyrics that he’s tweaked ever so slightly and some genuinely evoking sampling, culminates in what feels like a wholly original release despite not being the OG Twin Fantasy.

Record Of The Month: Twin Fantasy by Car Seat Headrest So, you’ve just released what many regard as your best album to date and thousands of people are patiently awaiting what your next project is going to be like: what do you do?

If you’re Will Toledo of Car Seat Headrest, you look at your album Twin Fantasy, which has amassed a cult following since its release in 2011, and think to yourself “why don’t I replace that lo-fi aesthetic with a more polished sound and improve upon it pretty much every way imaginable”.

Believe it or not, despite the usual state of remakes and reboots, Twin Fantasy (Face to Face) improves upon its predecessor in every aspect and provides what is arguably the best indie rock album to drop this century. Its concept of focussing on a past relationship seems horribly generic

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This is why I decided to focus my piece this month on Mushe Bl00d, and why I believe you shouldn't support them, as regardless of whether or not you'd consider the alleged stealing of property and sending of sensitive images a heinous crime (fairly dodgy if you ask me), it's undeniably worrying that the band have allegedly further fed into a toxic behaviour of other accused bands by allegedly scaring those who come forward with legal action. In addition to this, it seems to me that what the band are doing here comes from no place of redemption or trying to clear their name: with a new album and tour coming up, the latter of which is failing to sell out unlike previous gigs, this move seems monetary focused at its very core.

Mushe Bl00d are an entirely fictional band but the story here is all too real with news of abusive behaviour by artists appearing on an almost daily basis.

for a full review), the two original songs on A Deeper Sea were some of the best pieces of music Everything Everything have hit out with. While Breadwinner was a return to that eccentric math pop sound from Get To Heaven, The Mariana is a subdued song with a sombre take on the sad topic of mental health: it’s a sad track but without falling into any pitfalls like grandiose orchestral moments, allowing its importance to truly shine through.

Kero Kero Bonito - Only Acting The sugary sweet London pop outfit that make smiling as easy as breathing take a rougher turn on this first single off their new EP TOTEP and boy does it pay off: as the track progresses, it almost starts to give out under its own weight with horrific noise pop sounds and and nightmarish voices and clipping.

Sure, you may have preferred the laptop audio quality of the original but if you’re trying to be as objective as you possibly can about a subjective art, Twin Fantasy (Face to Face) is the better package, beating not only all of the competition February had to offer but more admirably itself.

B - SIDE: FAVOURITE SONGS OF FEBRUARY Everything Everything - The Mariana While their latest EP wasn’t anything to write home about (insert plug for my youtube channel liamthemusicreviewer

Father John Misty - Mr Tillman While his 2017 effort Pure Comedy was a great record with a lot to love about it, its serious tone resulted in it becoming an album that was difficult to find yourself to come back to as often as previous LPs. That doesn’t seem the case for Father John Misty’s upcoming fourth album if Mr Tillman is anything to go by: full of that witty sarcasm and lovely vocal harmonies as well as whistling, it’s a much more light hearted affair that is catchier than anything off pure comedy.

MARCH PICK OF THE MONTH

Hello there Busker Rhymes (I always bloody spell that wrong…)! Great to have you in this month’s POTM with TSA! Tell us a bit about you guys to start us off then, who, or what, is Busker Rhymes?

Rory O’B: Well, I had been playing folky rap music around Glasgow for a few years at various nights. Pretty soon after that I started jamming with Liam (Phat Controlla) at parties, then at gigs- just me, an acoustic guitar and both of us rapping.

Diamond: That’s where I ran into those two. It was at one of Mark McGhee’s from the Girobabies “Overheard” events a couple years ago. I got a wee break from doing the sound and jammed along with Rory and Liam with me on the Cajon. We kind of started the band by accident and a couple of months later we had our first gig at Deoch an Dorus festival on the isle of Arran before we even had a name chosen!

Rory O’B: That was pretty much the start of it. Since then we have had interchanging members and roles within the band. We’ve settled now with a line up of 6, all of which have a wide range of influences and taste in music, from country to jungle but we all agree on hip hop!

Diamond: Aye. Hip Hop for Hippies, that’s what we call it.

So let’s get right to the name then, why did you opt for that specific moniker? Was it thought up during one of your well known buckie nights?

Diamond: Well we used to be called “The Tenement Selkies” but that was a bit of a mouthful. I think it was during soundcheck the first time we played King Tut’s that Rory came up with it.

He’s always the first one in the band to come up with puns.

would you say has been your best experience, and why that one? Do you have a worst experience you can talk about too, or have you been sworn to secrecy?

Rory O’B: It feels like we didn’t stop gigging last year! That’s why we took this January and most of February off.

We managed to play all over Scotland, as well as eight festivals. It’s hard to pick a favourite but mine would probably be supporting SCOPE at King Tut’s late last year. That was our third time playing Tut’s and the room was packed right to the back. I remember breaking a string on my acoustic during the first song. Luckily someone in the crowd has a spare guitar in his car. I can tell you, at a hip hop gig that is not very common.

Diamond: Aye, that was a belter.

I think my favourite one is also my worst. We played Kelburn Garden Party last year and I had spent the day beforehand drinking various things from a hollowed out pineapple. The gig went great – we got lots of our friends up on stage to guest MC and it felt like the sun had come out especially for our set but by the end of it, I managed to whitey off the side of the stage during the last song. I don’t think anyone noticed but the stage manager was pissed.

You guys have shared the stage with some amazing acts in your time, is there any that you are dying to gig with that have escaped you so far?

What would be your ideal 3 (or 4 if you have a late licence in your imagination...) band Glasgow line up to have in 2018?

Rory O’B: After we changed the name to Busker Rhymes we kind of got stuck with it. Some people love it, some absolutely hate it – we are too lazy to change it.

Diamond: That is such a hard question, man. There are so many acts that I would love to play with. Off the top of my head I would say The Mouse Outfit, Dizraeli & DJ Downlow, Babylon Dead and C R P N T R. That’s a full UK lineup of some of the best hip hop going…

Can I get a 5 band bill? Give the Moods from Manchester. They have one of the best live shows going right now.

So tell us a bit about your gigging chronicles then, you guys have gigged quite a lot over the past year, what

Rory O’B: Aye that is a difficult one!

I’d have to say probably… Streetlight Manifesto, Sage Francis, Ciaran Mac,

BUSKER RHYMES

Mountain Goats and Cat Empire. I know that’s a pretty bizarre line-up but it would be amazing!

Diamond: Streetlight Manifesto are the f*cking Kings! Absolute best rhythm section in any ska band ever. They are the reason me and Rory became friends in the first place.

Rory O’B: There is so much talent kicking Scotland and the rest of the UK right now. We could fill multiple festivals with just our friends. I mean, look at Colonel Mustard and the Girobabies selling out the Barras themselves a couple of years ago. No big promoters just grassroot talent and dedication.

What is your personal favourite track to play live from the Busker Rhymes setlist? Why that choice? Do you think the fans agree, or is there a general clear fan favourite that is demanded when you guys play?

Rory O’B: I think the ultimate fan favourite would be “The Job Centre Song” … we play it at the end of every set and they seem to go mad for it. It’s one of the oldest songs I’ve written.

It’s about signing on and the general demented feeling I had when I was unemployed. I guess that resonates with a lot of people.

Diamond: That was the first song we ever jammed on. It’s a folk punk protest belter with hip hop overtones.

It’s been really fun watching that song evolve over the year. It’s gone from being a man from Oban with an Acoustic Guitar to a full on punk/ reggae hip hop track. At one point in it’s life it even had a trumpet solo and a French verse in the middle. That was wild. I think everyone in the band has their own favourites but for the crowd, that’s the one.

on the 30th March.

Rory O’B: We thought that would be a Good Friday to release it on.

Diamond: F*cking puns….

Aye, so that’s the plan. Keep an eye out for a gig announcement to go with that as well. The other singles are to be released once a month leading up to festival season.

Rory O’B: I can’t wait for festival season! Roll on the summer.

There are a few ones we can’t announce yet but we are happy to tell you that this year at Eden Festival we will be closing the Rabbies’ Tavern Stage on the Friday.

Diamond: I’ve been going to Eden since it started ten years ago. After dark, Rabbies is such a riot. It’s full of tuechters rocking out in a muddy pub in the middle of a field. We are hyped to be sharing the stage with Holy Moly and the Crackers, Heron Valley and Footerin’ Aboot- The Gnarliest celidh band in the world.

Rory and Diamond: Finally, shout outs to: Tam, Kyle and the van, Mark McGhee, Have Mercy Las Vegas, New Hellfire Club, Yellow Movement, Panda Futurology, Mistah Bhoze, Tickle, T3xture, The Honey Farm, Josephine Sillars + the Manic Pixie Dreams, Michael the sixth Dijon, DopeSickFly, David Blair, the other David Blair, parallel prints, Sleevy Clothing, SKOOP records, K9 Kev, MugStock Festival, The Being, Sketchy Beats Café, Ciaran Mac, fail better and the countless others we have forgotten.

So the floor is now yours! Any exciting plans that you can share with us? Big gig news, new releases, super sneaky promo plans?

Diamond: So after a year with our full line up, we are finally ready to release tracks to the public. Currently we are sitting on 5 recorded singles. The first of which, Mercy Me, is to be released MARCH 18 | WeAreTSA.co.uk

9

NEAR YOU 10 GIGS COMING TO A VENUE, WELL, NEAR YOU VERY SOON

BIG THIEF

OUT LINES

LA BELLE ANGELE APRIL 2ND, EDINBURGH

SUMMERHALL MARCH 17TH, EDINBURGH

Following a sold-out set for Celtic Connections already under their belts this year, the supergroup are taking over the capital this March to bring a spellbinding arrangement to Summerhall. The trio consist of producer Marcus Mackay, SAY Award winner Kathryn Joseph as well as James Graham of The Twilight Sad acclaim, all powerhouses of Scottish music collaborating on this disarming yet dynamic project, performing tracks from their album Conflats this is sure to be a rare and unmissable set.

WALT DISCO THE POETRY CLUB 29TH MARCH, GLASGOW

Fresh from last month’s release of their latest single Dream Girl #2, the dreamy five-piece are back with a full four track EP! Launching at the west-end venue a mere stone's throw away from where the band initially formed just over a year ago, join them for a night of modern tinged new-wave and charming unpredictability. Having met by chance in their first year of uni, the band they've consistently worked since then to not only have an already die-hard following and firm style and tight live set not to be missed!

10

music

RAE MORRIS THE ART SCHOOL 16TH MARCH, GLASGOW

Despite stepping it up a venue since their last Edinburgh appearance, there’s always an air of vulnerability with Big Thief live shows that has the power to remain intimate and sublime, with soaring vocal tones unwavering throughout and accents of Americana instrumentation this set is heartbreaking but honest. Currently touring with their second album Capacity.

An artist once synonymous for ethereal and often calming balladry has returned this year with an album that has questioned and revolutionised her entire career, and a tour to match! Having last heard from Rae back in 2015 with hit single Love Again, it’s clear to see the time away has proven pivotal in her music making. While still maintaining the charm of her debut, new tracks are wildly more experimental and oozes a confidence that arguably wasn’t there before, for a more heart-racing electro pop sensibility that will no doubt shine through in her live set.

ACRYLIC SNEAKY PETE’S MARCH 29TH, EDINBURGH

Offering a compelling live show, Edinburgh natives Acrylic return home with a brand new EP to debut! Having just released their debut Where I Lie on

local label Scottish Fiction, the five-piece are on their way to releasing their most substantial offering to date.

THE LITTLE UNSAID THE HUG AND PINT 29TH MARCH, GLASGOW

Offering up a well crafted and often brutally personal body of work with angelic vocal tones and a captivating live set to match, this mysterious four-piece have the power to lure you in only to completely disarm you with their raw and often spellbinding way with multi-instrumentation. The band’s spearheaded by lead and vocalist John Elliott who all too often in their already extensive tour history has the power to hold audiences emotionally captive merely with his words and their often hymn like composition, a musical awakening that could prove almost holy.

PHOENIX THE BARROWLANDS 26TH MARCH, GLASGOW

JULIEN BAKER USHER HALL 24TH MARCH, EDINBURGH

FICKLE FRIENDS LA BELLE ANGELE 22ND MARCH, EDINBURGH

Catch the Brighton five-piece embark on their biggest tour yet for their only Scottish date of this run (aside from an acoustic in-store performance in Glasgow’s Argyle Street HMV on the same day) amid the release of their debut album You Are Someone Else.

Drenched in vibrancy and classic 80’s synth stylings, expect hits such as Swim and most recent single Hard To Be Myself to appear on the setlist amongst a back catalogue of signature anthems old and new the band have perfected over their five year formation.

Following the release of second album Turn Out The Lights towards the end of last year, the Tennessee singersongwriter brings a live performance tinged with sadness and bittersweet clarity as she explores the darkness of a plagued mind. Despite a divisive reception following the latest release this still remains an almost spiritual offering to tour with, backed also by tracks from her debut Sprained Ankle from 2015 which gave us life affirming classics such as Go Home and Rejoice.

CATHOLIC ACTION KING TUT'S 24TH MARCH, GLASGOW

Straight from playing an array of shows at SXSW in Austin, Texas and a full UK tour off the back of their debut album release In Memory of, the Glasgow

You may recognise such classics as 1901 and lisztomania but the French four-piece return this month with hits from their latest album Ti Amo which was released last year. Having formed in the late 90’s and going onto to make countless international festival appearances, receive acclaim after acclaim through all six major releases (so far) and solidifying musical relationships with the likes of Daft Punk, there really is no surprise considering the sheer anthemic quality they possess within their back catalogue, true masters of creating oddly addictive bittersweet synth-pop melted with decaying rock stylings, a real treat.

natives return with their very own all-day event filled with an array of their friends and some of the country’s biggest talents including Dundee’s finest St. Martiins who collide disarming vulnerability with glittering vocal stylings and breathtaking soundscapes as well as fellow locals and shoe gaze tinged four-piece The Bellybuttons among many other. The headliners themselves will rest assured play hits like Propaganda and L.U.V. for a night celebrating the fruitful state of homegrown talent!

MARCH 18 | WeAreTSA.co.uk

11

Gig Guide: Music

in Edinburgh & Glasgow Glamour And The Baybes 6-Piece funk with ripping horns and massive vocals that grab you by the soul and drop you on the dance floor!

The Jazz Bar: 23:30 £4

TUE, 20 MAR

After Work Blues Acoustic/Electric Blues by singer/guitarist John Hunt – and check out his amazing hand-built guitars! ‘Gritty, Funky Boogie-Woogie from a master of blues slide-guitar’ – Evening News The Jazz Bar: 18:00 FREE Midnight Bass DnB, Jungle, Bassline, Grime & Garage with DJs from Junglism, Big n Bashy, Electrikal, Roots, Witness, 59th Degree + more!

Bongo Club: 23:00 £3

WED, 21 MAR

Edinburgh THU, 1 MAR

Henry Ibbs Expect a mixture of tunes: traditional, original and cover versions (with more than a dash of Scouse!) from well-known singer/ songwriter Henry Ibbs.

The Jazz Bar: 18:00 FREE Cirque Du Sol venture Into the depths of the golden cities jungle, where the rocky remains of 'The Lost Ruins' lie.

Liquid Rooms: 22:30 £12

FRI, 2 MAR

MPG Acoustic Showcase Three of Edinburgh’s finest singer/ songwriters, Mike MacFarlane, Paul Montague and Graeme Mearns present fabulous (and occasionally anarchic!) musical entertainment, each week featuring specially invited guests.

The Jazz Bar: 18:00 FREE Propaganda An unrivalled audio visual mix of the best current and classic indie alternative music with special guests and Propaganda resident DJs. Liquid Rooms: 22:30 £5 Rhythm Machine Featuring music from Yves & Francis Dosoo downstairs and performance art from the Class of 2017-18 upstairs.

Bongo Club: 23:00 £6

SAT, 3 MAR

Quintet Every Saturday, a different hand-picked selection of five excellent jazz players meets on stage for the first time (hence the name) – and plays with no rehearsal, and not even a set list!

It’s always a ‘surprise’ line-up – even for the players.

The Jazz Bar: 21:00 £6

SUN, 4 MAR

The Sunday Sinners Dance to dynamic Funk/Soul grooves from in-the-pocket 5-piece band with outstanding vocals.

The Jazz Bar: 12:00 £4

MON, 5 MAR

Glamour And The Baybes 6-Piece funk with ripping horns and massive vocals that grab you by the soul and drop you on the dance floor!

The Jazz Bar: 23:30 £4

TUE, 6 MAR

After Work Blues Acoustic/Electric Blues by singer/guitarist John Hunt – and check out his amazing hand-built guitars! ‘Gritty, Funky Boogie-Woogie from a master of blues slide-guitar’ – Evening News The Jazz Bar: 18:00 FREE Midnight Bass DnB, Jungle, Bassline, Grime & Garage with DJs from Junglism, Big n Bashy, Electrikal, Roots, Witness, 59th Degree + more!

Bongo Club: 23:00 £3

12

gig guide

WED, 7 MAR

Graeme Mearns A Hat, a Suit, and a Guitar. With a swing/jazz/acoustic style somewhere between Django Reinhardt and Richard Thompson, you’ll hear familiar songs in a way you’ve never imagined The Jazz Bar: 19:00 FREE F**k Up Night The clues in the same for this one. An evening all about success and failure.

Bongo Club: 20:30 FREE

THU, 8 MAR

Henry Ibbs Expect a mixture of tunes: traditional, original and cover versions (with more than a dash of Scouse!) from well-known singer/ songwriter Henry Ibbs.

The Jazz Bar: 18:00 FREE

FRI, 9 MAR

MPG Acoustic Showcase Three of Edinburgh’s finest singer/ songwriters, Mike MacFarlane, Paul Montague and Graeme Mearns present fabulous (and occasionally anarchic!) musical entertainment, each week featuring specially invited guests.

The Jazz Bar: 18:00 FREE Propaganda An unrivalled audio visual mix of the best current and classic indie alternative music with special guests and Propaganda resident DJs. Liquid Rooms: 22:30 £5

SAT, 10 MAR

Quintet Every Saturday, a different hand-picked selection of five excellent jazz players meets on stage for the first time (hence the name) – and plays with no rehearsal, and not even a set list!

It’s always a ‘surprise’ line-up – even for the players.

The Jazz Bar: 21:00 £6

SUN, 11 MAR

The Sunday Sinners Dance to dynamic Funk/Soul grooves from in-the-pocket 5-piece band with outstanding vocals.

The Jazz Bar: 12:00 £4

MON, 12 MAR

Frightened Rabbit Scottish contemporary cult act play The Midnight Organ Fight in full.

Liquid Rooms: 19:00 SOLD OUT Glamour And The Baybes 6-Piece funk with ripping horns and massive vocals that grab you by the soul and drop you on the dance floor!

The Jazz Bar: 23:20 £4

TUE, 13 MAR

After Work Blues Acoustic/Electric Blues by singer/guitarist John Hunt – and check out his amazing hand-built guitars! ‘Gritty, Funky Boogie-Woogie from a master of blues slide-guitar’ – Evening News The Jazz Bar: 18:00 FREE

Midnight Bass DnB, Jungle, Bassline, Grime & Garage with DJs from Junglism, Big n Bashy, Electrikal, Roots, Witness, 59th Degree + more!

Bongo Club: 23:00 £3

WED, 14 MAR

Graeme Mearns A Hat, a Suit, and a Guitar. With a swing/jazz/acoustic style somewhere between Django Reinhardt and Richard Thompson, you’ll hear familiar songs in a way you’ve never imagined The Jazz Bar: 19:00 FREE TUNE YARDS Alt-dance outfit celebrate in Edinburgh following their new LP. Liquid Rooms: 19:00 £17

THU, 15 MAR

Henry Ibbs Expect a mixture of tunes: traditional, original and cover versions (with more than a dash of Scouse!) from well-known singer/ songwriter Henry Ibbs.

The Jazz Bar: 18:00 FREE

FRI, 16 MAR

MPG Acoustic Showcase Three of Edinburgh’s finest singer/ songwriters, Mike MacFarlane, Paul Montague and Graeme Mearns present fabulous (and occasionally anarchic!) musical entertainment, each week featuring specially invited guests.

The Jazz Bar: 18:00 FREE Propaganda An unrivalled audio visual mix of the best current and classic indie alternative music with special guests and Propaganda resident DJs. Liquid Rooms: 22:30 £5 Skin Tight Dancing with DJs Percy Main & Tuesday Gonzalez of Soul Jam, Miss World Bongo Club: 23:00 £5

SAT, 17 MAR

Quintet Every Saturday, a different hand-picked selection of five excellent jazz players meets on stage for the first time (hence the name) – and plays with no rehearsal, and not even a set list!

It’s always a ‘surprise’ line-up – even for the players.

The Jazz Bar: 21:00 £6 Messenger Messenger Sound System, the original roots advertiser, consistently programmes the heights of conscious reggae music, dub-wise and otherwise!

Bongo Club: 23:00 £6

SUN, 18 MAR

Graeme Mearns A Hat, a Suit, and a Guitar. With a swing/jazz/acoustic style somewhere between Django Reinhardt and Richard Thompson, you’ll hear familiar songs in a way you’ve never imagined The Jazz Bar: 19:00 FREE

THU, 22 MAR

Henry Ibbs Expect a mixture of tunes: traditional, original and cover versions (with more than a dash of Scouse!) from well-known singer/ songwriter Henry Ibbs.

The Jazz Bar: 18:00 FREE DUNT Residents party with Dunt DJs x Face/Off DJs in a head-tohead.

Bongo Club: 23:00 TBC

FRI, 23 MAR

MPG Acoustic Showcase Three of Edinburgh’s finest singer/ songwriters, Mike MacFarlane, Paul Montague and Graeme Mearns present fabulous (and occasionally anarchic!) musical entertainment, each week featuring specially invited guests.

The Jazz Bar: 18:00 FREE Propaganda An unrivalled audio visual mix of the best current and classic indie alternative music with special guests and Propaganda resident DJs. Liquid Rooms: 22:30 £5

SAT, 24 MAR

Quintet Every Saturday, a different hand-picked selection of five excellent jazz players meets on stage for the first time (hence the name) – and plays with no rehearsal, and not even a set list!

It’s always a ‘surprise’ line-up – even for the players.

The Jazz Bar: 21:00 £6

SUN, 25 MAR

Hot Tin Roof Stripped-back atmospheric Blues/Soul from Andy Challen (guitar/voc) and Gavin Jack (slide guitar), AND loads of Swing/ Blues Dancers on the dancefloor!

The Jazz Bar: 18:00 FREE

MON, 26 MAR

Glamour And The Baybes 6-Piece funk with ripping horns and massive vocals that grab you by the soul and drop you on the dance floor!

The Jazz Bar: 23:30 £4

TUE, 27 MAR

After Work Blues Acoustic/Electric Blues by singer/guitarist John Hunt – and check out his amazing hand-built guitars! ‘Gritty, Funky Boogie-Woogie from a master of blues slide-guitar’ – Evening News The Jazz Bar: 18:00 FREE Midnight Bass DnB, Jungle, Bassline, Grime & Garage with DJs from Junglism, Big n Bashy, Electrikal, Roots, Witness, 59th Degree + more!

Bongo Club: 23:00 £3

WED, 28 MAR

Graeme Mearns A Hat, a Suit, and a Guitar. With a swing/jazz/acoustic style somewhere between Django Reinhardt and Richard Thompson, you’ll hear familiar songs in a way you’ve never imagined The Jazz Bar: 19:00 FREE

THU, 29 MAR

Henry Ibbs Expect a mixture of tunes: traditional, original and cover versions (with more than a dash of Scouse!) from well-known singer/ songwriter Henry Ibbs.

The Jazz Bar: 18:00 FREE

FRI, 30 MAR

Propaganda An unrivalled audio visual mix of the best current and classic indie alternative music with special guests and Propaganda resident DJs. Liquid Rooms: 22:30 £5

SAT, 31 MAR

Rhythm Machine Featuring music from Yves & Francis Dosoo downstairs and performance art from the Class of 2017-18 upstairs.

Bongo Club: 23:00 £6

Glasgow THU, 1 MAR

FRI, 2 MAR

Dancing on Tables Dancing on Tables are a five-piece pop rock band from Dunfermline, a small town right outside of Edinburgh, Scotland.

Hug & Pint: 19:30 £5 DR Feelgood DR Feelgood King Tuts: 20:30

TBC

Slippery Nights The stalwart DIY collective bring another evening of top class alternative bands to Bloc BLOC+: 21:00 FREE

Brave Noises Brave Noises is an innovative music band formed of creative and ambitious jazz musicians in Lithuania, whose music doesn‘t fit in any particular music genre.

The Jazz Bar: 21:00 £6

Jelly Baby JellyBaby resident DJ Ted plays a party mash-up.

O2 ABC: 23:00 £4

Apple Bum A celebration of hiphop and r&b.

Liquid Rooms: 22:30 £5

The Big Papas Professional Soul and Blues band!

Box: 23:30 TBC

MON, 19 MAR

GBX Scotland's biggest dance event comes to Edinburgh!

Liquid Rooms: 22:30 TBC

Bloodbuzz Big vibes, sore heads.

Nice N Sleazy: 23:30 FREE

Losing Ground + Volka + Blood Orange Losing Ground are a band from Ayrshire that plays progressive punk with a humanistic spirit, who write music listenable and lyrically thought-provoking songs that tap into one's emotions and sensibilities. Their recent AA side Great Escapes and Harridan are out now on all digital platforms.

Nice N Sleazy: 19:30 £6 Sunday Morning Elvis Sunday Morning Elvis Hug & Pint: 19:30 £6 The Reason The Reason King Tuts: 20:30 TBC Hotflush Berghain resident and Hotflush label boss Scuba takes over Sub Club for the duration of the night.

Sub Club: 23:00 £8 Harsh Tug Harsh Tug OG Kush + Gin n Juice + Hip Hop Bangers Nice N Sleazy: 23:30 £3 Propaganda An unrivalled audio visual mix of the best current and classic indie alternative music with special guests and Propaganda resident DJs. O2 ABC: 22:30 £5

Ghost Girls (club night) Expect the unexpected, your 90’s nostalgic dance classics, your 00s R&B and more!

BLOC+: 23:00 FREE

SAT, 3 MAR

PigsPigsPigsPigsPigsPigsPigs + Bad Aura + Drone Rivers “He who makes a beast of himself gets rid of the pain of being a man”, as a sage wiser and more debauched than most of us once remarked.

Such is the headspace of Pigs Pigs Pigs Pigs Pigs Pigs Pigs, whose animalistic headspace is set out by their very moniker, yet who have wasted little time in creating an almighty psychic charge that has blown minds and summoned bedlam in sweat-drenched venues across the UK’s underground and beyond.

Nice N Sleazy: 19:30 £7 Dave Arcari SLIDE guitarist & songwriter Dave Arcari’s alt.blues sounds owe as much to trash country, punk and rockabilly as they do pre-war Delta blues and have been showcased via nine internationally-acclaimed solo CD releases.

Hug & Pint: 19:30 £9 The Dunwells The Dunwells King Tuts: 20:30

£11

Subculture Subculture is one of the world’s longest-running underground house night and the longest weekly house music residency on the planet. With Harri and Domenic in control week in week out, it’s easy to see why it has endured for the best part of two decades as they continue to serve up the most upfront and relevant selections of all that’s good in house and techno, keeping the vibe that the reputation of the club is built on.

Sub Club: 23:00 TBA LOVE MUSIC With great music, the stunning lighting display & the powerhouse of a soundsystem it has been the benchmark for the best in clubbing experiences in Scotland.

O2 ABC: 23:00 £4 Glitterbang! Glitterbang Europop + Disco + Sweatcore 11.30pm Nice N Sleazy: 23:30 £3

Dammit All To Hell (club night) The best in Pop Punk, Emo, Indie, Rock, Pop and other shit!!

BLOC+: 23:00 FREE

SUN, 4 MAR

No Place To Fall Join Phillip Taylor (PAWS) & friends for the first of many free open stages at The Hug and Pint.

Hug & Pint: 13:00 FREE Reality TV + Support REALITY TV Glasgow's newest and freshest Garage fuzz blues rock 4 piece, ripping and melodic to the core.

'Ain't got time to make no sense, ain't got time to stop this lobotomy' Nice N Sleazy: 19:30 £7

Pale Waves Pale Waves King Tuts: 20:30 SOLD OUT Bloc+Jam Open Mic Weekly Open Mic with host Jamie Sturt and friends BLOC+: 21:00 FREE

MON, 5 MAR

Acoustic Open Mic Night Glasgow's longest running open mic is open to all, and each performer gets a free beer!

Nice N Sleazy: 20:00 FREE Blochestra Rehearsal Bloc's very own mini-orchestra comprised of professionals, amateurs and general music lovers. Brought together to make love and music.

BLOC+: 21:00 FREE

TUE, 6 MAR

Free The Cynics + Tacado + Lo Rays Electrifying rock n’ roll...a magnificent and diverse mix of blues, rock, indie rock and alternative rock...walloping and wailing groove brilliance.

Nice N Sleazy: 19:30 TBC

The events listed below were correct and up to date at time of going to print but please check the venue’s own website prior to booking

Open Mic Night Come down to BOX and play some tunes. Hosted by the extremely talented lads Ross Leighton (Fatherson) and Callum Wiseman (PRIDES) Box: 21:00 FREE I AM Welcoming back those juice enthusiasts Capri Collective to the Sub Club basement for I AM’s first outing of 2018. Having played with the young guns numerous times now over 2017, I AM know what to expect from their friendly faces.

Sub Club: 23:00 £5 PERMOCULTURE The History of Dance, made present!

Nice N Sleazy: 23:30 FREE STRATA Enter a world blending minimalism, groove, and unhinged free improvisation (think Steve Reich meets Zu, and The Thing) BLOC+: 21:00 FREE

WED, 7 MAR

The Glorious Sons The Glorious Sons King Tuts: 20:30 £13 The Kicks Professional Cover Band, playing all your favourite tunes!

Box: 23:00 FREE MELTED With releases on Babylon & Wile Out under his belt and recognition from Mina & Ahadadream, we're excited to bring this young Edinburgh based producer through for a party.

Nice N Sleazy: 23:30 FREE Repeater A night of alternative punk, rock and garage BLOC+: 21:00 FREE

THU, 8 MAR

The Stranglers One of the most influential British groups, The Stranglers are heading out on tour next March to celebrate everything they’ve achieved with their career.

O2 Academy: 19:00 £31 Everything Everything Everything Everything Barrowlands: 19:00 £20 The Loose Grooves + Support Thy Kemikal Showman Presents a night showcasing the best in up and coming Folk, Blues and Singer Songwriters Scotland has to offer.

Nice N Sleazy: 19:30 TBC Rituals Rituals King Tuts: 20:30 £9 Jelly Baby JellyBaby resident DJ Ted plays a party mash-up.

O2 ABC: 23:00 £4 Drugstore Glamour The Queens of the Glasgow Disco Scene Nice N Sleazy: 23:30 FREE Mon The Women: Megan Airlie International Women's Day celebrations with music, art and more.

BLOC+: 21:00 FREE

FRI, 9 MAR

The Underscore Orkestra The Underscore Orkestra Plays a blend Hot Jazz, New Orleans Jazz, Balkan, Klezmer, Swing, Americana, Ole Blues and bit of Irish/Celtic. Both Original Compositions and Traditional tunes will be heard.

Nice N Sleazy: 19:30 £7 The Furrow Collective The Furrow Collective Hug & Pint: 19:30 £11 Murlo A/V Murlo A/V King Tuts: 20:30 £11 Anna & Holly's Dance Party Rock n Roll Soul n Garage Party Nice N Sleazy: 23:30 £3 Propaganda An unrivalled audio visual mix of the best current and classic indie alternative music with special guests and Propaganda resident DJs. O2 ABC: 22:30 £5 DEATHKILL 4000 Ultra-cutting edge dark electro, hip hop and post punk BLOC+: 23:00 FREE

SAT, 10 MAR

Turbowolf Turbowolf Stereo: 19:00 £11 Belter + Powderkeg Glasgow’s BELTUR return to the scene of their ‘finishing line’ music video venue, nice n sleazy.

Nice N Sleazy: 19:30 £8

Twelfth Day Twelfth Day Hug & Pint: 19:30 £11 Primes Primes King Tuts: 20:30 £8 Subculture Subculture is one of the world’s longest-running underground house night and the longest weekly house music residency on the planet. With Harri and Domenic in control week in week out, it’s easy to see why it has endured for the best part of two decades as they continue to serve up the most upfront and relevant selections of all that’s good in house and techno, keeping the vibe that the reputation of the club is built on.

Sub Club: 23:00 TBA LOVE MUSIC With great music, the stunning lighting display & the powerhouse of a soundsystem it has been the benchmark for the best in clubbing experiences in Scotland.

O2 ABC: 23:00 £4 SINGLES NIGHT Beans + Divine explore the hits on 7" vinyl Nice N Sleazy: 23:30 £3 Monster Hospital (club night) Botch meets Beyonce DJ smash, a club night like no other BLOC+: 23:00 FREE

SUN, 11 MAR

No Place To Fall Join Phillip Taylor (PAWS) & friends for the first of many free open stages at The Hug and Pint.

Hug & Pint: 13:00 FREE Feeder Feeder Barrowlands: 19:00 £28 Glass Ships + Support This Edinburgh-based band provide a refreshing style of Alt-Rock with punchy, melodic riffs contrasting with ethereal sweeping lead-lines.

Nice N Sleazy: 19:30 £5 Bloc+Jam Open Mic Weekly Open Mic with host Jamie Sturt and friends BLOC+: 21:00 FREE

MON, 12 MAR

Acoustic Open Mic Night Glasgow's longest running open mic is open to all, and each performer gets a free beer!

Nice N Sleazy: 20:00 FREE Astroid Boys Astroid Boys King Tuts: 20:30 £13 The Blas Collective Celtic Connections glitterati perform a night of inspiring covers, originals and classics BLOC+: 21:00 FREE

TUE, 13 MAR

Bob Log iii Fat Possum recording artist and one man band crown prince of punk blues from Tuscon, Arizona.

Nice N Sleazy: 19:30 £11 Orca Winner of the 2016 Papatango New Writing Prize, ‘Orca’ by Matt Grinter is a poignant, haunting play that asks what lengths we would go to ignore the unthinkable, and how can we fight what nobody is willing to see?

Stereo: 19:30 £5 Open Mic Night Come down to BOX and play some tunes. Hosted by the extremely talented lads Ross Leighton (Fatherson) and Callum Wiseman (PRIDES) Box: 21:00 FREE I AM Welcoming back those juice enthusiasts Capri Collective to the Sub Club basement for I AM’s first outing of 2018. Having played with the young guns numerous times now over 2017, I AM know what to expect from their friendly faces.

Sub Club: 23:00 £5 Charlie Barnes Charlie Barnes BLOC+: 21:00 FREE

WED, 14 MAR

Orca Winner of the 2016 Papatango New Writing Prize, ‘Orca’ by Matt Grinter is a poignant, haunting play that asks what lengths we would go to ignore the unthinkable, and how can we fight what nobody is willing to see?

Stereo: 19:30 £5

The Kicks Professional Cover Band, playing all your favourite tunes!

Box: 23:00 FREE SMALL TALK W/ DJ ADIDAS Happy Meals Synth Boy delivers Eurowave + Vaporbeat Masterclass Nice N Sleazy: 23:30 FREE Dammit Presents: Nightwatchers (FRA) Young punk/powerpop group from Toulouse. Between Marked Men and the Ramones.

BLOC+: 21:00 FREE

THU, 15 MAR

At The Drive In Having released their first album in 17 years earlier this year, At The Drive-In make a welcomed live return to the UK in February.

O2 Academy: 19:00 £43 OUTLYA OUTLYA Stereo: 19:00 £8 PRAY 4 LOVE All Love Songs + All Genres Nice N Sleazy: 19:30 FREE Static Union Following their shows in London and Manchester, Static Union unveil a slew of brand news songs in Glasgow and Edinburgh over Saint Patrick's Day Weekend.

Hug & Pint: 19:30 £6 CLUB DECODE PRESENT: PINK You are encouraged to wear you best pink.

Nice N Sleazy: 19:30 £6 Headset Garage / Techno / House / UK Sub Club: 23:00 £5 Jelly Baby JellyBaby resident DJ Ted plays a party mash-up.

O2 ABC: 23:00 £4 GoldMold Presents: Please, Believe! + Clearer The Sky Searing, intense and furious passionate post-hardcore BLOC+: 21:00 FREE

FRI, 16 MAR

Wyvern Lingo Wyvern Lingo Stereo: 19:00 £8 The Vanities The Vanities Nice N Sleazy: 19:30 £6 Adem Adem Hug & Pint: 19:30 £10 All Tvvins All Tvvins King Tuts: 20:30 £11 Propaganda An unrivalled audio visual mix of the best current and classic indie alternative music with special guests and Propaganda resident DJs. O2 ABC: 22:30 £5 Permanent Daylight (club night) A smorgasboard of eclectric music to soundtrack your otherwise frenetic Friday night BLOC+: 23:00 FREE

SAT, 17 MAR

Frightened Rabbit Scottish contemporary cult act play The Midnight Organ Fight in full.

O2 Academy: 19:00 SOLD OUT Banshee The band's sound combines pulsing modern electronics with roaring guitars, pop arrangements and a powerful female vocal.

Nice N Sleazy: 19:30 £7 Slouch Slouch King Tuts: 20:30 £8 Subculture Subculture is one of the world’s longest-running underground house night and the longest weekly house music residency on the planet. With Harri and Domenic in control week in week out, it’s easy to see why it has endured for the best part of two decades as they continue to serve up the most upfront and relevant selections of all that’s good in house and techno, keeping the vibe that the reputation of the club is built on.

Sub Club: 23:00 TBA LOVE MUSIC With great music, the stunning lighting display & the powerhouse of a soundsystem it has been the benchmark for the best in clubbing experiences in Scotland.

O2 ABC: 23:00 £4 The Lance Vance Dance Sultry Disco Anthems Nice N Sleazy: 23:30 £3

Mountain High Band + Frightened Rabbit DJs Mountain High Band + Frightened Rabbit DJs Stereo: 23:30 £6

Fantastic Man (club night) Incoherent madness for those with a deathwish, the worst clubnight in the world BLOC+: 23:00 FREE

SUN, 18 MAR

No Place To Fall Join Phillip Taylor (PAWS) & friends for the first of many free open stages at The Hug and Pint.

Hug & Pint: 13:00 FREE Rhinoplast A night of dream filth with rotten cotton rockers Rhinoplast, shimmer sorcerers Faiides and kindergarten fuzz from Wendell Borton!

Nice N Sleazy: 19:30 £5 Michael Timmons Michael Timmons Hug & Pint: 19:30

£6

Bloc+Jam Open Mic Weekly Open Mic with host Jamie Sturt and friends BLOC+: 21:00 FREE

MON, 19 MAR

Open Mike Eagle Open Mike Eagle might not have all the answers, but few artists in hip-hop, music, or American life are asking smarter questions.

Stereo: 19:00 £15

Lunatics Lost Lunatics Lost Fronted by Welsh vocalist/guitarist/ songwriter Iain Richards with Joanna Khoo on bass/vocals and Mono on drums, the band kick off in Leeds on Saturday March 17th taking in 8 major Cities across the country closing in Cardiff on Saturday March 24th.

Hug & Pint: 19:30 £5

Acoustic Open Mic Night Glasgow's longest running open mic is open to all, and each performer gets a free beer!

Nice N Sleazy: 20:00 FREE Mahalia Mahalia King Tuts: 20:30

£11

Franco. Professional Cover Band Box: 23:00 FREE Blochestra Rehearsal Bloc's very own mini-orchestra comprised of professionals, amateurs and general music lovers. Brought together to make love and music.

BLOC+: 21:00 FREE

TUE, 20 MAR

Open Mic Night Come down to BOX and play some tunes. Hosted by the extremely talented lads Ross Leighton (Fatherson) and Callum Wiseman (PRIDES) Box: 21:00 FREE I AM Welcoming back those juice enthusiasts Capri Collective to the Sub Club basement for I AM’s first outing of 2018. Having played with the young guns numerous times now over 2017, I AM know what to expect from their friendly faces.

Sub Club: 23:00 £5

Buckfast Supernova Indie Pop Punk emo RnB bangers Nice N Sleazy: 23:30 FREE Flux Velociraptor Livingston-born purveyors of mountainous riffs and earthshaking grooves.

BLOC+: 21:00 FREE

WED, 21 MAR

Queer Theory: The L Word Music, comedy, drag and more are on show.

Nice N Sleazy: 19:30 £5

The Kicks Professional Cover Band, playing all your favourite tunes!

Box: 23:00 FREE Don't Be Gutted Patter Merchants rip Disco + Acid a new Gloryhole Nice N Sleazy: 23:30 FREE Slack! Documenting the current wave of great lo-fi, no-fi, slacker, anti-rock, noise and left field indie talent to emerge in Scotland (and sometimes beyond).

BLOC+: 21:00 FREE

THU, 22 MAR

CLUB DECODE PRESENT: GLITTER You are encouraged to wear glitter and bring your best glitter.

Nice N Sleazy: 19:30 £6 Jelly Baby JellyBaby resident DJ Ted plays a party mash-up.

O2 ABC: 23:00 £4 The Breakfast Club 80's Anthems w/ Gerry Lyons Nice N Sleazy: 23:30 FREE Mr Marcaille + Chinsniffer + Rrraouhhh + Yelt Raw and heavy hardcore punk one-man Mr Marcaille playing a cello and two kick drums. Support from some of the finest in heavy alt rock bands.

BLOC+: 21:00 FREE

FRI, 23 MAR

Dream Wife Dream Wife Stereo: 19:00 £10 Date Night A mixtape of love, lust & nostalgia Nice N Sleazy: 23:30 £3 Propaganda An unrivalled audio visual mix of the best current and classic indie alternative music with special guests and Propaganda resident DJs. O2 ABC: 22:30 £5

SAT, 24 MAR

Young Fathers Hip hop, pop outfit return with their critically acclaimed sound and new album.

Barrowlands: 19:00 SOLD OUT Catholic Action Catholic Action King Tuts: 20:30 £17 Subculture Subculture is one of the world’s longest-running underground house night and the longest weekly house music residency on the planet. With Harri and Domenic in control week in week out, it’s easy to see why it has endured for the best part of two decades as they continue to serve up the most upfront and relevant selections of all that’s good in house and techno, keeping the vibe that the reputation of the club is built on.

Sub Club: 23:00 TBA LOVE MUSIC With great music, the stunning lighting display & the powerhouse of a soundsystem it has been the benchmark for the best in clubbing experiences in Scotland.

O2 ABC: 23:00 £4 PEARL NECKLACE presents: EAT YR MAKE UP (club night) The infamous model and DJ brings a unique mix of riot grrrl, electro and fierce hip hop BLOC+: 23:00 FREE

SUN, 25 MAR

No Place To Fall Join Phillip Taylor (PAWS) & friends for the first of many free open stages at The Hug and Pint.

Hug & Pint: 13:00 FREE Bloc+Jam Open Mic Weekly Open Mic with host Jamie Sturt and friends BLOC+: 21:00 FREE

MON, 26 MAR

Phoenix With support from The Vegan Leather.

Barrowlands: 19:00 £24 Tera Melos Tera Melos Hug & Pint: 19:30 £11 Port Cities Port Cities King Tuts: 20:30 £8 The Blas Collective Celtic Connections glitterati perform a night of inspiring covers, originals and classics BLOC+: 21:00 FREE

TUE, 27 MAR

Coilguns Coilguns is one of the proud flag holders of the 2.0 DIY scene since 2011 when they accidentally formed with the purpose of playing fast and simple music.

Hug & Pint: 19:30 £7 Christy ODonell Christy ODonell King Tuts: 20:30 £9 Open Mic Night Come down to BOX and play some tunes. Hosted by the extremely talented lads Ross Leighton (Fatherson) and Callum Wiseman (PRIDES) Box: 21:00 FREE

I AM Welcoming back those juice enthusiasts Capri Collective to the Sub Club basement for I AM’s first outing of 2018. Having played with the young guns numerous times now over 2017, I AM know what to expect from their friendly faces.

Sub Club: 23:00 £5 Walter Etc + The Pooches Breezy indie pop from California with support from alapaca-loving Glasgow sweethearts The Pooches BLOC+: 21:00 FREE

WED, 28 MAR Embrace Making a triumphant return in 2018 with the release of their seventh album Love Is A Basic Need, indie band Embrace may well have created some of their most powerful work yet.

O2 Academy: 19:00 £26 LA Witch Psyched to welcome our fave witches L.A. WITCH back to Glasgow after killing it at Mono in September.

Nice N Sleazy: 19:30 £8 The Kicks Professional Cover Band, playing all your favourite tunes!

Box: 23:00 FREE DAMMIT presents: Switch Bones (NDL) + Slowlight Guitar-driven alt-pop for fans of Nirvana, QOTSA & Melvins BLOC+: 21:00 FREE

THU, 29 MAR The Little Unsaid The Little Unsaid Hug & Pint: 19:30 £10 Jelly Baby JellyBaby resident DJ Ted plays a party mash-up.

O2 ABC: 23:00 £4 STRETCHED The secret meeting place of contemporary jazzenthused savants BLOC+: 21:00 FREE

FRI, 30 MAR Propaganda An unrivalled audio visual mix of the best current and classic indie alternative music with special guests and Propaganda resident DJs. O2 ABC: 22:30 £5 Shake Appeal (club night) 6 decades of rock and roll on under one roof hosted by the ultimate DJ trivium BLOC+: 23:00 FREE

SAT, 31 MAR Macklemore The 'Thrift Store' star plays a sold out comeback show.

O2 Academy: 19:00 SOLD OUT The Fratellis The Fratellis Barrowlands: 19:00 SOLD OUT Subculture Subculture is one of the world’s longest-running underground house night and the longest weekly house music residency on the planet. With Harri and Domenic in control week in week out, it’s easy to see why it has endured for the best part of two decades as they continue to serve up the most upfront and relevant selections of all that’s good in house and techno, keeping the vibe that the reputation of the club is built on.

Sub Club: 23:00 TBA LOVE MUSIC With great music, the stunning lighting display & the powerhouse of a soundsystem it has been the benchmark for the best in clubbing experiences in Scotland.

O2 ABC: 23:00 £4 GONZO INDIE DISCO (club night) The best indie disco in Glasgow brings all things MTV2 (pre-trash) and 120 Minutes.

BLOC+: 23:00 FREE

MARCH 18 | WeAreTSA.co.uk

13

Paisley art-poppers, The Vegan Leather – formed of Gianluca on lead vocals and keyboard, Marie on lead vocals and guitar, Matthew on bass, and Duncan on drums – have been channeling a disco beat throughout the west coast music scene for a couple of years now, filling Glasgow venues – big and small – with their electric sound, and whipping crowds into raucous excitement. We had a wee chat with the band, see what was brewing on the LP front, and getting the band's new single out to massive listener bases by getting included in Spotify viral chart playlists.

Going back to the start however, in the days before there was The Vegan Leather, there was an small web, of precariously connected bands, which would in a piecemeal way go on to form the line up as it is now– as Gianluca, says, “Marie and I went to school with each other, and me her and Duncan were in an indie-pop band for a while. Duncan and I were also in a dubstep band called Crown of Storms for a while. Then through fate we met Matthew's dubstep band when we did Hit The Road.”. Matthew jumps off from this onto the inception of the band as we know it,“Ah yes, we both did Hit The Road where me and

14

music

Gian bonded over our love for Muse and Capri-Suns... Then Gian was like 'hey, we all like the same music, lets let our powers to combine and become the best god darn band that the East End of Paisley has ever seen.'”

So, aside from Capri-Suns, the catalyst for the band starting was Hit The Road, a developmental program, which gives young aspiring musicians the opportunity to learn about the music industry and further their craft. The band also sang the praises for The Scottish Music Centre, citing the supportive mentorship that was provided to them while they were on HTR. Matthew thinks it as completely

influential,“Without Hit The Road I most likely would've never met Gian, Marie, and Duncan, so yea it's been helpful,” In recent years the band's profile has exploded, seeing regular radio play on the Vic Galloway Show, as well as their most recent release “I Take American” making it onto a prominent new music playlist on Spotify, repeating the achievement of previous single “Shake It”. They've also been announced as the support for French indie-pop outfit Phoenix at the Barras, fair to say Matthew was stunned by the arrangement, “It was unreal to the say the least, only started to sink in when we all saw the poster, with our logo below theirs [Phoenix].”

With many experimenting indie acts, a high point of confusion lies around the genre of the band. Often to the extent that the band members themselves are unsure of where they lie on the genre spectrum, Gianluca seems to have the most decided grasp, “We tend to fall into the umbrella of art-pop, which can mean us being electronic, maybe some metal and pop influences, whatever we want really,” while Duncan throws genre caution to wind, proclaiming, “Nothing is off

the table in our kitchen!” More than that, the influences for the band are as wide and varied as the distance, sonically between metal and pop. With influences from artists like St. Vincent, Phoenix, Slipknot, Brockhampton, Mac DeMarco, and Talking Heads; it is difficult to wrap your head around the specific vibe of the band. While some inspirations like Talking Heads, or St. Vincent might come through more clearly, it is hard to deny also picking up on little crumbs of Mac DeMarco or Slipknot from their sound.

While the band has been up and running for a number of years, they are yet to put out a full length album.

This is all set to change, they've one set to be recorded over the summer months with a release planned for around the turn of the new year.

Luckily the band are almost prolific in their gigging, usually playing a show at least once a month so you can hear what they're about easily enough. And with the frenzy that TVL whip their close knitted crowds into, seeing them live is the clear winner for where to get your fill. Out of their current set we checked with the band their favourite tracks to play, Gianluca is clear on his favourite,

“The Knife because the riff is a great time to play, you can expel a lot of energy into it, and I also completely adore the vocal interplay between Marie and myself,”; while Matt's are Man Dies and Eyes, which he puts down to the opportunity for fan interaction. When pressed for any information regarding upcoming singles, we were clued into the planned release of two : Zeitgeist and The Hit, one of which is the bands' “heaviest, lyrically and sonically” while the other features more intricate sound design than previously seen, as well as a more anthemic sound; we'll find out which one is which in the fullness of time. We were also given another hint for what's to come, with Matt saying another track was in the works “it sounds very T-Rex meets Giorgio Moroder.”.

TVL play gigs super regularly, and they've a heavy schedule drawn out for over the next couple of months alone: they support Phoenix at The Barrowlands on the 26th of March, the city spanning Stag & Dagger festival on the 6th of May. For those willing to go the distance, you can catch them at The Great Escape festival, down in Brighton between the 17th and 19th of May, before they head back up north for Electric Fields between the 30th of August and the 1st of September.

By Dominic V. Cassidy

Daniel Blake Photography

…lets let our powers combine and become the best god darn band that the East End of Paisley has ever seen.

We then got chatting on how The Vegan Leather started out on the gig scene, and the general difficulties that can be found when starting out, including the thorny issue of pay to play gigs; Gianluca seems to have learned a lot from the early experiences, “When we started out we found ourselves doing a handful of pay to play but it's totally not the right thing to do. In hindsight we should have just been putting on our own gigs, like we've done a few times in the form of our club night 'Midnight Pink'” Matthew echoed this point exactly, pointing out “crap promoters” that are impossible to avoid. Matthew's top tip for bands starting playing out live, “if you have a lot of electronic instruments like we do, please stock up on chargers, they go missing and break all the time.”

MARCH 18 | WeAreTSA.co.uk

15

Scotland’s largest competitive short film festival.

PARK LANES

Glaswegians and those from further afield are poised, ready to devour everything The Glasgow Short Film Festival, has to offer.

Taking place mostly at the Glasgow Film Theatre (GFT), as well as some showings and workshops at The Centre for Contemporary Arts (CCA). The four day festival features over one hundred different short films, being curated neatly into little hour and a half bundles for your viewing pleasures. They are arranged based on genre, style, or subject matter, giving continuity to the short little snippets of creativity the festival has to offer.

The festival runs quite nicely in mid March, from Wednesday the 14th, to Sunday the 18th, and in that time there are 54 screening and workshops, panel discussions, and one to one sessions, however some events, mostly panels have already sold out, which shows how high a demand there is for the product the festival provides.

And while the festival is for the average movie lover, it is also Scotland’s largest competitive short film festival, with four awards waiting to be snapped up by some lucky film-maker. For international films there are the Bill Douglas awards, which seeks short films that evokes “honesty, formal innovation and the supremacy of image and sound in cinematic storytelling.”

This is in reference to qualities often attributed to the Scottish film-maker, for who the award is named. Along with the international awards, there are the Scottish awards, The Scottish Short Film Award, given to the Scottish short film which “honours inspiration and innovation in new Scottish cinema,” the winner of this award is then commissioned to create the trailer for the festival the following year.

LADIES OF THE NIGHT

The film festival has a large focus on foreign films, there are quite a few programmes filled entirely with foreign films this year. There has been a slight focus paid to South-East Asian filmmakers, for example four different programmes of short films, all by Thai film-maker, Apichatpong Weerasethakul.

His movies often blur together science fiction, with dramatic soap operas, or with avant garde techniques, with some of his short films giving a kind of look into another world, the sheer creative power of what this man puts out is insane; for the truly dedicated, you can catch 25 of his short films, running from 11pm on Saturday the 17th, until 6am the following Sunday.

The GSFF also has a host of guest speakers, and film-makers visiting from far off pastures; a prime example of one of these visitors is Kevin Jerome Everson, a prolific American film-maker,

LADIES OF THE NIGHT

who is chiefly concerned with the lives of working class black communities.

Everson will be taking part in a masterclass on his creative process, which considering his wealth of projects, nine feature films and over 130 short films, is very understandable. Along with the masterclass, there are also three separate programmes of his short films, with about six shorts apiece.

There is also possibly the most peculiar piece being shown at the festival, which is particularly far from the ideal of a short film; it is Everson’s Park Lanes, which clocks in at a gargantuan 8 hours long – it is a real time run through of life in a factory which makes bowling alley mechanisms, coming somewhere between documentary and abstract film-making, this is one which may be a bit of a task but ought to raise a lot of eyebrows.

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The festival does have a whole plethora of short film programmes, related by genre, style, or content rather than by one specific film-maker. These are the programmes which ought to be seen in the festival, just pop down and see some cool, weird short films; and there are plenty that are very easy to recommend.

One of these which is shaping up to be something really special is Ladies Of The Night (18+) on the 15th of March: this series centres around kind of late night, thematically dark films, all with women taking centre stage in the lead role. This series has shorts about vampires, sci-fi Hansel and Gretel, a documentary on a transgender magician, and many more; a showing for fans of the fantastic, or reworked kid’s stories, or magic tricks.

As well as individual showings of curated shorts, there are also the competition programmes, all being judged for prizes and awards, one to catch would easily be the Second International Competition Programme, which features bizarre sounding, and beautiful seeming short films; a new angle is taken on Adam and Eve’s exit from Eden, a lonely boy cries in a large shopping centre, and a German film-maker becomes obsessed with a mural; a night for lovers of international cinema, or those that want to see something different on the big screen.

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www.thecopyandprintshop.com MARCH 18 | WeAreTSA.co.uk

17

It’s almost over.

You’ve probably only got a few months left before the end of term.

Deadlines are looming and it feels like it’s just one essay after the other. But that’s no excuse to be living off vending machine snacks and energy drinks.

Take a break from studying to bring a bit of home into your dorm or flat with a homemade meal.

Pulling all nighters may seem a good idea but it never ends well and it’s better to take a break now than risk burning out. “Study breaks” have become a joke amongst students; a euphemism for a five hour tv binge when you’re meant to be working. However it is possible to take smart study breaks that will improve how you study and help your brain retain information.

One of the ways you can take a productive study break is by eating something that isn’t crisps or instant noodles. Your brain relies on energy from food just like the rest of your body but we often don’t set aside time to eat properly.

Without the nutrition that food supplies both your neural functions and brain chemistry can be negatively impacted.

Like when you get grumpy when you skip lunch. This in turn affects just about every facet of your bodily function that the brain is involved in, including

18

lifestyle

concentration, memory, sleep patterns, mood and your motor skills. That’s why eating regular, healthy meals can actually improve your test scores.

The best way to make sure you’re getting the right kind of fuel when on a budget is cooking for yourself. Make a meal plan for the week and do one shop so that you’re spending less time in the supermarket and won’t be tempted by fast food. You can also cook things in batches so that you’re not having to cook every night. Cooking is also a great way to destress if you’re feeling overwhelmed by exams. It might even be worth packing a lunch for yourself the night before so you’re not constantly eating sandwich meal deals. Having lunch is also helpful in getting you away from the computer screen allowing your brain to process what you’ve covered so far.

It’s not just about eating though, it’s also important that you eat the right kind of food. Try to incorporate more complex carbohydrates and amino acids into your diet to help with brain function. Complex carbohydrates are things like wholemeal bread and rice which slowly release energy, improving concentration; while the amino acids found in oily fish helps regulate mood.

Just make sure that when you’ve finished you go back to studying and don’t take it as a sign that you’re done for the day. When you’re eating try to stay off social media and don’t start watching anything that is longer than 30 minutes. You’ll thank yourself for not clicking that next episode button on results day.

Your brain isn’t the only muscle that is negatively affected by the wrong diet.

If you’re on sports team you’ll already know how important a protein rich diet is for training. An athlete's diet should focus on carbohydrates to help with glycogen levels. Glycogen is a form of sugar that is stored in your muscles. When you exercise, your body changes glycogen into energy. Protein is also important as it helps to maintain muscles. Your whole team should be eating pastas with protein based sauces or rice bowls as well as plenty of fruit and vegetables.

There’s so much information out there about how to look after your body so there’s no excuse for slacking outside of training.

Why not treat your team-mates to a home cooked meal and show them your off-pitch skills. Things like chilli or spaghetti bolognese are easy to make in large batches and perfect for anyone who exercises a lot. You could also try something new by experimenting with different ingredients.

Family recipes are timeless and nothing will ever taste quite as good as your mum's cooking but it might be time to add your own spin on an old favourite.

Try adding new flavours with spices or change the type of protein you use. Soya, beans and lentils are easy ways to add a boost to any meal. All the money you save from eating out can be put towards a celebration after your next big win or an end of season party.

Maybe sports isn’t really your thing.

University is all about exploring your own interests after all. That doesn’t mean that your new friends won’t appreciate a recipe from back home. Takeaway pizza is great for the first few meetings but soon becomes both expensive and boring.

Taking it in turns to provide food can

be a good way to keep costs down and spice up everyone’s diets. Or you could host a pot-luck where everyone brings something different. Sharing meals your family cooks is also a great way to get to know people better and experience other cultures. If you’re feeling competitive hold a vote and crown the best chef of your society. It doesn’t necessarily have to be a full meal either. Indulge everyone’s sweet tooth with homemade cakes and avoid the high mark-up of chain coffee shops. It’s easy to be tempted by expensive treats when you’re feeling peckish so avoid temptation by bringing your own. It also means that you won’t waste time standing in long queues. Home baking also might be a good opportunity to phone home and get

SAUSAGE AND TOMATO PASTA BAKE (serves 4) Ingredients 2 cloves of garlic Dried oregano (1 teaspoon) Olive oil Pork sausages (can be exchanged for chicken if diet requires) Dried chilli flakes (1 teaspoon or more depending on preference)

gran's recipe for lemon drizzle cake or those cookies she used to feed you after school. It’s okay to admit you really miss them. Being away at university is exciting and you’ll meet so many new people but it’s important to keep ties with those back home. Filling your flat with the smell of baking is probably the easiest and most delicious way to bring a piece of home with you. Having a quick break to come together, refuel and discuss can really help any type of practice. Music and drama students use up just as much energy as any sports team. They also spend just as much time practicing before the big day so all those meals away from home add up.

A bakesale is also a simple and surefire way to earn some money for your

society’s next big event or trip whether that’s presenting your latest build at the next stem conference or building wells. Fundraising is never easy but if there’s one thing that unites people it’s a love of cupcakes and traybakes. Most universities are happy to host a table of your confectionery in the foyer and passing students will definitely be drawn in. It may even raise the profile of your club and help bring in new members.

New students will definitely be intrigued by your exciting plans and you’ll stand out more than at a freshers fayre or notice board.

Not all of us are fans of extracurriculars.

And that’s okay. Take the time to instead share a meal with the people from your seminar or your study group. They’ll appreciate it just as much. Remember everyone needs to take a break and it’s more fun when you’re all together.

1. Preheat oven to 200 degrees 2. Fry sausages in a pan according to instructions on the packet then slice into quarters 3. Mince garlic and combine in a pan with oregano and chilli flakes along with some olive oil 4. Once garlic is coloured add tomatoes, pepper to taste and a pinch of sugar (removes acidity of tomatoes)

2 tins of tomatoes 400g pasta

5. Reduce heat and simmer for 10 minutes

50g cheese (cheddar works best)

6. Cook the pasta for 2 minutes less than packet instructions says 7. Combine all ingredients in an oven dish and grate cheese over the top until completely covered 8. Cook in the oven for 15 minutes or until all the cheese has melted and started to turn brown 9. Note: dish can be made night before and kept in the fridge until needed

MARCH 18 | WeAreTSA.co.uk

19

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22

INTERNATIONAL WOMAN'S DAY CO

R

T RE

TA

B

R AR

Y

This has been a particularly impactful year for women, especially women in the public eye who have been brave enough to share their stories of abuse and oppression.

Not in recent history has the fight for equality – in opportunity, pay, and matters of sexual violence – been so prevalent. It comes at no better time than Thursday 8th March, which marks International Women’s Day 2018, a global event celebrating the social, economic, cultural and political achievements of women across the globe. It is also an amazing opportunity to accelerate gender parity and promote equality in every possible way.

This year, we are inspired to #Pressforprogress, with IWD calling on us to help forge a better working world that is more gender inclusive; the World Economic Forum predicts the gender gap will not closely entirely until 2186, but IWD, as well as year-round activism and support, could be a catalyst for change. One way to mark the occasion is for employees and employers alike to take FFL’s Workplace Inventory, helping you to assess the level of support in your workplace. But what else could we do to celebrate IWD? Pledge our support to one of Scotland’s many organisations fighting to protect and support women throughout the country. Between Scottish Women’s Aid, Shelter Scotland, Glasgow Women’s Aid and LGBT+ Youth Scotland (and beyond), you could support these important causes by making a donation of whatever you can, as well as researching the best way to contribute to them all year round. Or you can find an IWD event near you: on their website, you can find events that are happening close to you, or just organise one of your own! Arrange a lunchtime book club

where everyone can bring a book written by a woman, with everyone chipping in a few quid to support one of the above charities.

Visit institutions or galleries dedicated to supporting and celebrating women; our favourite is the Glasgow Women’s Library in Bridgeton, an invaluable resource created to advance the education of the general public by increasing the knowledge of women’s history, lives and achievements. There is a host of events marking the occasion, including “Fail Up! An Intimate Evening of Personal Stories” on Thursday 8th March. Celebrating their 20th anniversary, TRC Media is inviting women who we’ve had the pleasure of working with over our twenty-year history to share their stories with us. Their brief is simple: to talk about a time when something challenged them or went wrong. You are invited to come along to listen and share with fellow women working in the creative industries.

There is also the Women in Banking & Finance: Networking Evening on Thursday 8th March, where

Chartered Psychologist Coretta Barry will deliver an interesting talk around the Press for Progress topic, female Collective Voice & Successful Board Member traits. This event will be informal networking and a chance to meet with like-minded individuals, gain an insight into Pressing for Progress from Corretta Barry, as well as a few words from some fabulous rolemodels that will speak to you about Board Positions, Career Development and Self-Confidence. Or catch the Inspiring Women event with Commonwealth Games judo silver medallist Stephanie Inglis on Thursday 8th March, which sees her discuss her illustrious career, health set backs and what it takes to become preeminent athlete, regardless of your gender.

International Women’s Day is a great for us all to reflect on the progress we have made in achieving gender equality as well as all we can do to support women from all walks of life.

by Jonny Stone @jonny_stone_ j.stone@tsaglasgow.com

MARCH 18 | WeAreTSA.co.uk

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LGBTI NEWS FROM AROUND THE WORLD Northern Ireland is currently the only UK country not to allow same-sex marriage, in part due to opposition from the DUP. However, there is a promise of progress as Sinn Féin has given tentative backing to a proposal to legislate in the UK Parliament for equal marriage in Northern Ireland, after the collapse of power-sharing. These discussions were reportedly held with Labour leader Jeremy Corbyn. Speaking to Pink News, Sinn Féin equality minister

Megan Fearon states “The North of Ireland is the only place in these islands, the only place in western Europe, that denies the right to marriage equality That is a shameful situation and it is becoming increasingly unsustainable tor the DUP to defend, particularly as a majority of the Assembly and the wider public clearly support the introduction of marriage equality.”

Reading Is Fundamental brings to you the finest new literature queer and feminist writers have to offer.

We will also take a look back at seminal works that have shaped such literature throughout the ages; suggestions are always welcome, so get in touch at @jonny_stone_ or @TSAGlasgow to keep us in the know. Get out your library cards.

Let’s face it: everyday should be International Women’s Day. But, alas, this is only officially recognised once a year, in a month of glory celebrating the achievements of women across the world and galvanising us to continue working towards complete gender and racial equality. There is no better time to highlight the best queer women in literature; whether in fiction or non-fiction, the following women have created works of incredible value that should be on the top of everyone’s reading list.

And, of course, to find more from these women and beyond, be sure to support Glasgow Women’s Library, our city’s own resource dedicated to advancing the education of the general public by increasing the knowledge of women’s history, lives and achievements!

Virginia Woolf

Appearing on the podcast Homo Sapiens, Jeremy Corbyn has renewed calls for LGBT+ inclusive education to be included in the curriculum. Corbyn contended that “Sex education should involve same-sex as well as heterosexual relationships – it’s about relationships. Too much of it is not about relationships and understanding each other, having respect for each other and what is a genuine relationship and

what’s an exploitative relationship; there’s a big difference.” Inclusive education is vital as it shows children that their own identities are reflected and could prevent anxiety, depression and identity crises if they felt they were respected. Also, it is always vital to protect young people from STDs and inform them of the importance of consent.

FA chairman Greg Clarke has stated the FA will promote LGBT+ inclusion at the Qatar 2022 World Cup, claiming that he hopes "engagement" with Qatari FA can lead to provisions for LGBT fans in attendance; Greg Clarke tells Wembley audience that homophobia has a "damaging effect" in football. Homosexuality is criminalised in Qatar. Clarke states that "The real objective is to build relationships across the game and play our part in promoting

internationally integrity, inclusion and transparency - the great social values football can bring...I think there is a chance we may be able to find accommodations that make 2022 an inclusive event for fans with a real social legacy." While it would be more comforting to see sanctions in place to guarantee the safety of LGBT+ attendees at the games in 2022, support from the FA chairman is a promising start.

HOW. COULD. WE. NOT? Woolf is a pre-eminent author whose novel Orlando haunts the shelf of every English literature student, past and present, thanks to its bizarre and wonderfully queer plot. Written with her lover poet Vita Sackville-West in mind, Orlando follows a gender-fluid character lives who throughout several centuries as both men and women. Woolf was a pioneer stream of consciousness writer and became a hero for incorporating feminist ideas seamlessly into her work.

Alison Bechdel

Phylicia Mitchell has become the fifth transgender woman to be murdered in 2018, shot to death outside her home in Cleveland, Ohio. Mitchell had a partner of 30 years and struggled with addiction. The last murdered transgender woman, Celine Walker, was not only shot in a hotel room in Florida but was misgendered in the police reports, which used her dead name meaning initial reports did not recognise

her trans identity and caused the announcement of her death to be delayed by over a week. There is a harrowing sequence of trans women’s deaths that have taken place in two short months, which speaks volumes to the adversity and danger trans women still face in 2018, as well as how little authorities are doing to protect them.

It has often been considered that Elsa, our beloved ice queen from Frozen, is a lesbian. Her voice actor, Idina Menzel, has always supported the idea and stated she would love to include a lesbian storyline in a sequel, while co-creator Jennifer Lee hinted that our hypothesis could well be correct. She hinted “For me … Elsa’s every day telling me where she needs to go, and she’ll continue to tell us. I always write from character-out, and where Elsa is and what Elsa’s doing in her life, she’s telling me every day. We’ll see where we go.”

However, it’s fairly unlikely this storyline

will make its way into the film, given the original film made millions in Asian and Middle Eastern markets, where there are heavy restrictions on LGBT content. And Disney has not allowed a major global blockbuster to feature LGBT content since Beauty and the Beast, which received a huge backlash and was initially blocked from release in several markets because two men could be seen dancing together in one scene. It feels marketing and distribution may trump inclusion that has the potential to be really powerful and symbolic.

You may be familiar with the Bechdel Test, whether a work of fiction features at least two women who talk to each other about something other than a man: enter Alison Bechdel, the writer and cartoonist behind the benchmark measuring casual sexism in literature and film, who in fact credited it to Virginia Woolf. She is most famous for her longrunning comic strip Dykes to Watch Out For, the adaptation of her graphic memoir Fun Home won the Tony Award for Best Musical and she is the recipient of the MacArthur Genius Grant Award. In short, Bechdel is the business.

by Jonny Stone @jonny_stone_ j.stone@tsaglasgow.com

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Audre Lorde

Why aren’t you watching the new Queer Eye, you monster?

Lorde was a Caribbean-American poet and activist renowned for her groundbreaking efforts in queer, women’s and racial equality. Her radical thinking inspired black women to embrace politics rather than shun or fear it, and her work serves as the perfect blend of intersectional feminism. To quote Lorde, “When we speak, we are afraid our words will not be heard or welcomed. But when we are silent, we are still afraid. So it is better to speak.”

Juno Dawson

Dawson is an acclaimed YA author and former teacher. She also happens to be transgender has written a string of wonderful titles, from Hollow Pike to our first adult fiction novel The Gender Games. The incredible This Book is Gay takes over 300 testimonies from LGBT+ people to create something of a how-to manual, smashing the myths and prejudice surrounding sex, gender and identity under the queer umbrella, and she represents Stonewall as their School Role Model.

Evelyn Irons

While there are countless queer female writers –Jackie Kay, Louise Welsh, Carol Ann Duffy and Zoë Strachan to name a few – we could include, but this space is dedicated to groundbreaking journalist Evelyn Irons. Govan-born, Irons was fired from the Daily Record for wearing no make-up and “looking unfashionable” before going on to covering WW2 for the Evening Standard. Despite there being no other women reporters on the battlefield, she gained the support of French General Jean de Lattre de Tassigny and became one of the first journalists to reach liberated Paris. She was the first woman journalist to reach Hitler's Eagle's Nest after its capture. This is only some of a quite incredible career from an unsung Scottish hero.

Okay perhaps you are, but if not, we have found your new favourite TV show.

You may be too young to remember 2003 – a simpler time, where Britney Spears and Madonna’s kiss at the MTV Awards was so shocking people completely forget Madonna kissed Christina Aguilera straight after it. And LGBT equality was nothing like it is now; between the lingering effect of Section 28 in our schools and few out celebrities in pop culture, times were definitely not as fabulous and free as they thankfully are today.

However, before Drag Race and ANTM, the gayest show on television was Queer Eye for the Straight Guy, where the Fab Five (including the wonderful Carson Kressley) had the task of transforming a down and out straight man into his perfect self using their specialist knowledge. Straight men in terrible jeans, goatees and Looney Tunes t-shirts were transformed into fashion-forward, organised gentlemen who could cook more than a microwave pizza. It was amazing, and seemingly untouchable.

Fast forward eleven years and the show has been reborn on Netflix, with a new cast but the same core idea. The essential formula remains: we have Bobby the mind-blowingly talented interior design, Karamo, who works on the guy’s self-esteem and the very broad “culture,” Antoni, who teaches him how to eat, and England-born fashion expert Tan. Oh, and Jonathan, my favourite, the hairdresser and grooming expert you will fall madly in love with and will ruin all your gay friends for you. They arrive at the house of an unsuspecting man whose life is not reaching its full potential and do everything in their power to give him a tune up. The group is based in Atlanta, and across the brief first series come across a huge variety of men to mend; from overworked fathers of six to socially awkward comedians still living

with their parents, the Fab Five have real challenges ahead of them.

It is heart-warming to see so much investment in the subject’s emotional well-being; this isn’t just a lick of paint, we are seeing a full transformation of a man’s personal and social life. The Fab Five offer real companionship and insight to make him a better version of himself, not necessarily a better person.

The group has emotion at the centre of everything and encourage their subject to be as honest and open as possible.

When male suicide rates are as dismal as they are (according to Samaritans, men remain around three times more likely to take their own lives than women in the UK), men need to feel encouraged to let out their emotions. And in 2018, there are worse things to do than watch five outrageously adorable gay men be relentlessly lovely to someone.

Queer Eye is the perfect antidote for toxic masculinity. Call it schmaltzy reality TV magic, but our team of gurus have no qualms about bursting into spaces assumedly rife with racism and misogyny and opening up a dialogue with them (or more accurately, being unashamedly themselves and making any naysayers deal with it). The unapologetic nature of the group is inspiring in itself, but seeing the communities they burst into embrace and celebrate what they bring to the table feels particularly special. The keen-eyed fans among you will notice it is simply known as Queer Eye now; in one episode sees them makeover a black gay man, who has a boyfriend but remains in the closet to his family. Watching gay men empower another gay man to feel himself and come out is powerful and serves as a reminder that we can all be kinder and more compassionate to one another, especially in the LGBT+ community.

So dedicate this weekend to watching eight hours of uninterrupted joy. It feels momentous to have such an inclusive, positive show like Queer Eye on TV today, especially following the groundwork the previous series made in a time when being gay was more difficult than many of us realise today. You fall in love with the Fab Five, you cry at least once an episode and if you’re like me, you decide to follow Jonathan’s advice and invest in a beard balm and brush to work into your morning routine.

by Jonny Stone @jonny_stone_ j.stone@tsaglasgow.com

MARCH 18 | WeAreTSA.co.uk

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A FANTASTIC WOMAN the face of true adversity. What is most frustrating is the knowledge that such treatment is most likely a mere reflection of what our transgender brothers and sisters experience in reality.

As part of Glasgow Film Festival 2018, emerging Chilean director Sebastián Lelio presents A Fantastic Woman, a contender for the Academy Award for Best Foreign Language Film at the time of print. The film follows Marina, a transgender woman living in Santiago with her partner Orlando.

One night, after a romantic birthday evening, Orlando takes ill in the night and Marina rushes him to hospital, only for him to die soon after. The world she has just started creating with Orlando falls apart in minutes, but the fact that she is transgender adds immeasurably to her ordeal. Doctors and detectives, Orlando’s former wife, and his vindictive

son all challenge her right to grieve, questioning the validity of Marina and Orlando’s relationship and bombard her with endless indignities. What follows is a blistering display of heartache, transphobia and personal loss, but ultimately the film’s core theme of survival permeates everything.

The audience is exposed to the contempt and suspicion Marina faces, as well as the transphobic attitudes to which she is subjected routinely. Between an awkward, ignorant doctor examining her and a humiliating lesson taught by Orlando’s son and family, Marina shows incredible resilience and compsure in

Daniela Vega gives an incredible performance in her feature film début.

She was initially scouted for the film following her success training as a lyrical soprano, a skill put to good use especially in the film’s rousing conclusion. Vega has incredible screen presence and catches the audience’s attention with the most subtle of looks. There are few moments of melodrama; instead, Vega delivers a sustained level of emotional and physical exhaustion throughout that endears her to the audience immediately. She is at once tough and vulnerable, but don’t pity Marina: we are taken on the journey with her.

In this sense, the film is reminiscent of the Dradenne Brothers’ Two Days, One Night starring Marion Cotillard, another tragic drama where a woman is on an emotional, pragmatic journey.

There is something important in walking around with Marina, living a number of days in her shoes and following each heartbreaking turn of events alongside her. Marina’s struggle is best encapsulated in one of the film’s most ambitious shots, a Buster Keaton-inspired moment where she walks heroically and unsuccessfully through a powerful gale.

These elements of fantasy – as seen

also in a beautiful dance number – give Marina and the audience a brief escape from the challenges she is facing.

The film centres not so much on Marina’s identify as a transgender woman, but instead on her point of view as a grieving widow, a survivor and a hero. A Fantastic Woman is a celebration of resilience; our hero endures much adversity and heartache but remains determined to survive without being void of emotion and vulnerability. A timely film, released when the rights and protection of minorities hangs in the balance, A Fantastic Woman will remain the blue print of cinema that presents LGBT+ characters not as outsiders in need of our pity but fully-developed, nuanced heroes with unique perspectives of their own.

by Jonny Stone @jonny_stone_ j.stone@tsaglasgow.com

120 BEATS PER MINUTE movement, which has been presented in How to Survive a Plague, United in Anger and The Normal Heart. However, it is fascinating to see how this fury and fear took hold of France, as well as a glimpse into the personal politics and tensions that could arise within such organisations.

In another stellar LGBT+ effort at this year’s Glasgow Film Festival, acclaimed French director Robin Campillo returns with 120 Beats Per Minute, a blistering, heart-wrenching depiction of the personalities and politics of the ACT UP Paris LGBTQI community during the 1990s. While the French government has declared its intention to support HIV/ AIDS sufferers, their pace is sluggish and futile, forcing ACT UP – accusing the government of censoring and minimizing the fight against the disease – to lead public protests and take their anger to the streets. The film follows the key players of Paris’ ACT UP, from newcomer Nathan and the relationship he starts with the charismatic and effervescent Sean to the divisive leader Thibauld, often accused on creating much ceremony and

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press with no payback.

ACT UP is an LGBT+ activist group that has worked tirelessly to impact the lives of people affected by HIV/AIDS since its inception in March 1987. The group was started by LGBT+ hero and playwright Larry Kramer and became renowned for their bold public displays of anger and frustration, often arrested for public disruption and civil disobedience.

But their anger was certainly justified: between pharmaceutical companies withholding key information and formulas, politicians refusing to acknowledge the masses of people dying and public stigma facing gays, prostitutes and drug-addicts, the group became militant in scaring people into change and saving lives. 120 BPM is hardly the first feature film to address the ACT UP

The film shares many parallels between Swedish television series Don’t Ever Wipe Tears Without Gloves (2012), which has a similar emotional intensity, but lacks the political bite of 120 BPM. The film also boasts incredible scenes of celebration and unity, seen especially in the glorious, highly emotional Pride celebration, perhaps the most jubilant and moving scene in this year’s festival programme.

There are also key scenes set in Paris’ gay clubs, which alternate between joyful ecstasy to woeful catharsis; this is certainly aided by the inclusion of a new version of Bronski Beat’s tragic gay anthem Smalltown Boy. 120 BPM’s best quality, however, is the movie’s a stellar cast: best players include Nahuel Pérez Biscayart, who plays Sean, who approaches the role with nuance and flair, and supporting actress Adèle Haenel, who plays Sophie, the raspy and assertive force behind the more pragmatic actions of the group. It is the quality of this group ensemble that elevates the film, namely their collective chemistry and the unique tragedy of each character.

The film at times feels torn between a tragic love story and an intense political drama, as well as a little unfocussed.

There is something to be said for the way Campillo weaves these political and personal stories, which feels fitting in context of the virus and the lives political inaction cut short. I couldn’t help but sob big, heavy tears, between seeing the dramatised tragedy unfold in front of me and being reminded that this is not a fictional or unusual story.

This narrative is shared with millions of families. Our generation has not been exposed to the trauma AIDS inflicted on previous generations, especially from the mid-80s to the early 90s. With effective treatment of HIV and good prognoses for a long, fulfilling life, it is easy to become complacent with the threat of contracting the virus: according to the National Aids Trust, the number of people living with HIV has doubled in the past 10 years, over half of all people living with HIV are aged between 30 and 49 and an estimated 103,700 people now living with HIV in the UK. Complacency is detrimental to the fight against AIDS, and when more than 500 people died from HIV-related illnesses in 2013 in the UK, clearly the fight against the virus is far from over.

An incredible, tragic love story is matched by a celebration of the power of activism to awaken an indifferent world; 120 BPM will be added to the canon of bold and brave queer films that tackles the AIDS crisis with heart and fire.

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ELECTRIC FIELDS Electric Fields returns in 2018, with a line-up guaranteeing to impress.

The festival will take place just at the end of the summer, from the 30th of August to the 1st of September – tickets can be purchased from the site, priced at £105 for the second batch of tickets. When the third lot of tickets get released they will be priced at £115.

The Festival’s line-up has a bit of something for any music lover, with headliners Noel Gallagher and The High Flying Birds, James and Leftfield – there are also smaller acts which shouldn’t be missed; like The Vegan Leather, Shame, and Lucia.

Electric Fields is a four stage festival; with the main stages bringing the audience the big heavy hitters, as well as smaller up and coming acts, there’s also the Sneaky Pete’s section, and Music from Big Pink, bringing some of

the best dance and electronic music around. The festival also has a focus on food and drink, with The Pitt operating a food market on the grounds.

The festival takes place at Drumalrnig Castle in Dumfries and Galloway. The festival runs a bus service which can take festival goers directly to the site; a train will also bring people a short taxi ride away from the venue. For folk bringing cars, the festival also has an on site car park.

30th of August to the 1st of September, Friday to Sunday

HIDDEN DOOR Leith’s non-profit arts festival makes a return in 2018 turning the area into a hub for creativity.

The festival runs for 10 days between the 25th of May and the 3rd of June, with tickets being priced in package deals, priced between £99 for the basic full festival ticket, and £300 for the the full VIP treatment.

The festival’s line-up is as varied as you may expect, highlights including the bluesy Toby Mottershead, Small Feet Little Toes, and Riot Jazz. And if 10 days are not enough for you, the launch night on the 2nd of March is being headlined by Pronto Mama, who should under no circumstances be missed.

Hidden Door will take place over two venues, the Leith Theatre and State Cinema buildings; with a focus on revitalising “forgotten spaces”. With the venues being in close proximity to each other, it is easy to go between both, to catch any acts or shows that

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take your fancy. The festival is also free before 6pm, with art and cinema exhibitions free for you to go and wander through.

Being in the centre of Leith, Hidden Door has very easy access, with a bus route that runs on the main road beside the venues, the venues are also only a half hour walk from Edinburgh Waverly train station, or a 15 minute car ride.

KNOCKENGORROCH Knockengorroch World Ceilidh dances back onto the scene for 2018, bringing with it a great line up of folk, dance, and world music.

The festival takes place from the 24th to the 27th of May; tickets for this event can be purchased for the full four day weekend or for three days, being priced at £125 and £115 respectively. Children and concession prices are around half that, with under 11s getting in for free.

The line-up for Knockengorroch includes acts from all four corners of the globe; including all-female African supergroup Les Amazones d’Afrique, who campaign for gender equality while simultaneously releasing some of the most interesting dance music around. Other acts not to miss include Cut Chemist and Kobi Onyame.

The main focus for Knockengorroch, while varied in the sub genres of the acts in the line-up, is also so geared towards the ideal music festival. The festival itself supports the regeneration of the Uplands of Scotland. It is also a festival which is, “run by a family, for families, in the very broadest sense of the word.”

Being quite geographically out there, it can be arduous to get to the festival site itself; the most direct route would be going to Glasgow, and then getting a bus to Dalmellington, then a local taxi firm runs shuttle services to the campsite. Luckily the festival puts on a bus, from Edinburgh through Glasgow, and Carlisle through Dumfries which can take crowds directly to the site.

HEBCELT The festival runs from the 18th to the 21st of July, in Stornoway, Isle of Lewis. Tickets for this event have one price of £99 for access to the arena shows for the duration of the festival, with day tickets becoming available at a later stage.

The festival focus, while having Scottish pop acts headlining, does seem to be on the more traditional, folky, highlands sounding artists which populate the rest of the line-up.

HebCelt’s grounds are situated on the Lews Castle Green, just outside of Stornoway; and has onsite food vendors and bars. The festival itself seems to permeate the whole island; with activities being put on all over, for the crowds to enjoy.

The line-up for this festival varies somewhat, but mostly keeping to pop acts and folk bands, with Deacon Blue and The Fratellis headlining.

Scottish folk songstress Eddi Reader is also making an appearance, along with other more traditional acts, like Skippinish and Blazin’ Fiddles.

Obviously with the festival being on the Isle of Lewis, the main issue here is getting to the island; this will involve a ferry from Ullapool to Stornoway itself, where festival goers are advised to leave their cars in the town, and take the short 10 minute walk to the festival site.

The premier festival of the Scottish Islands, HebCelt, returns in 2018, with a line-up including Deacon Blue, Eddi Reader, and many more.

MARCH 18 | WeAreTSA.co.uk

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TRNSMT After the breakthrough success of last year's TRNSMT, the festival returns again, with five days this time to please music lovers.

The festival this year will run on the 29th and 30th of June, and the 1st, 6th, and 8th of July. Tickets are available for each day individually at about £60, or they come in day bundles, with the full five day ticket going for £260.

While there has been some controversy around the TRNSMT line-up this year, with lack of female acts, and lack of variety; there is nonetheless some great acts worth catching at the Glasgow festival this

year, from headliners like Wolf Alice, Arctic Monkeys, and Lewis Capaldi, all there to put on great shows for the crowds. There is also the King Tut's stage which showcases more up and coming or off kilter artists, like The Ninth Wave and Nina Nesbit.

As the festival is in Glasgow’s city centre, transport is largely not a problem, Glasgow Green being only a ten minute walk from Glasgow Central Station.

TRNSMT will be again held in Glasgow green, focusing largely on pop and indie bands, as well as some rockpop acts, like headliners The Killers.

And while a wee look at the events page shows a screen of rules and regulations, one should expect a wild party, filled with people there to enjoy some great music over the weekend.

BELLADRUM, TARTAN HEART One of Scotland’s most popular festivals, Belladrum, is back this year, with a wee indie pop line-up sure to get anyone interested.

At £155 for the full three day weekend ticket, there are also tickets available for the two days priced at £130, along with individual day tickets. The Festival will run from Thursday the 2nd till Saturday the 4th of August, adding yet more variety to the already crowded British festival season.

Belladrum definitely has a really indie sound with all of their headliners, with just a slight slant to Scots music; Paloma Faith takes top Billing, with Amy MacDonald and Frightened Rabbit (performing the Midnight Organ Fight) coming swiftly below respectively.

And while these dreamy pop acts are enough to go on, with the added support from Colonel Mustard and the Dijon 5, and Darlingside will let this festival be a very chill relaxed getaway for any laid back festival goers.

The festival takes place in the small Inverness-shire town of Beauly, which means “beautiful place”, something the festival seems to attempt to embody, in putting on a beautiful weekend, filled with faraway, soft tunes and good times.

Getting to the festival can be easiest done by train or car; for trains one can be taken from Glasgow or Edinburgh, and then changing at Inverness for Beauly, from there the campsite is only four miles away. If you’re going by car, there is free on site parking for cars, if you are camping.

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KELBURN GARDEN PARTY The fairytale electronic dance festival, the Kelburn Garden Party is of course back again for a 2018 weekend of beats and lightshows.

The festival runs from the 29th of June to the 2nd of July, and promises to fill the small Ayrshire forest with distant, ethereal electronica; taking festival goers to a different plane. Tickets are being released in a tiered system, and at the time of writing cost £109, which for a full weekend of dance and performances from some of the most innovative artists round is more than worth the price of admission.

The Garden Party has a wide array of dance acts on offer, all for the audience's listening pleasure, with Goldie, Chali 2na & Krafty Nuts, and The 2 Bears headlining, promising to deliver powerful, high energy sets.

Aside from the headliners, there are some acts which are maybe a little bit more off the beaten path, like The Turbans, Wuh Oh or Children of Zeus, who are definitely worth catching if you get the chance for something very chill, that still packs a punch.

All of the marketing that goes into the Kelburn Garden Party takes a lot of focus to make it seem like something out of Neverland, with the poster for the festival looking like an illustration from a children's book; this definitely lends itself well to the faraway the festival has inspired.

Getting to Kelburn is easiest done using the bus the festival charters, which departs from Glasgow Queen Street, allowing people from all over to catch it.

STAG & DAGGER HEAVY SCOTLAND Glasgow’s venue trotting festival – The Stag & Dagger – comes around again, bringing with it a whole host of knockout bands for the pleasure of the general public.

S&D is a one day festival, taking place on Sunday the 6th of May; 8 Glasgow venues will be used for the festival, and while they are yet to be named, the main line-up has been dropped (with over 30 bands playing) with more to be announced, all for the ticket price of £25 – making it very cost effective.

From looking at the line-up for this year's Stag & Dagger, you can clearly

see there is a large focus on bands local, up and coming bands, with a heavy focus on more indie music, as well as just plain different music.

Headlining this year are Glasgow darlings Glasvegas, who are putting on a special 10th anniversary show of their debut self titled album – other headliners include Protomartyr, Pulled Apart By Horses, and Wire. Bearing in mind however that this is an indie music festival, you should go and try and see some bands you may not be too familiar with; some cracking bands to see include Retro Video Club, Fauves and The Vegan Leather.

TRADFEST EDINBURGH Tradfest is a dynamic two-week showcase of top traditional talent running across Edinburgh from Thursday 26th April till Sunday 6th May. This unique festival is led by the communities who celebrate their traditional arts all year-round, highlighting the many cultures existing and collaborating in the city today.

Edinburgh’s unique landscape, history and stories are rich for exploring, so you can look forward to plenty of local history and folklore being brought to the fore with engaging events, talks, tours and workshops so you can discover the rich heritage of Scotland and its worldwide influences.

Feeling convivial? The TradFest ceilidh with story, music, song, film

EDEN On of the UK’s most bizarre festivals rambles back to Raehills Estate for another weekend of fun.

Containing such a wide range of acts and activities, Eden is a very different kind of festival, shaping up like a mad swirl of raw creativity and excitement, fit for folk of all ages. Activities include, but are not limited to, a drive-in cinema, a circus, comedy, and cabaret; as well as obviously music.

Going to the music at the festival, there is an equally big range; with

and dance, all flowing, welcomes residents and visitors alike into these communities. The program features over 90 events, with artists from near and far presenting everything from large-scale music gigs to intimate storytelling sessions. There’s something for everyone to discover the warmth, talent and energy of a modern culture that’s inspired by tradition.

Don’t miss the opening weekend concert, Passing It On which showcases the new generation in Scottish traditional arts and the lineage of their inspiration.

International Dance Day at The Pleasance on Sunday 29 April is also one to get along to if you possibly can. Elsewhere, highlights include musician Kirsty Law showcasing

different tents and settings, allowing folk to get a little bit of anything from this dreamworld festival; from Zion Train, a reggae band, Scottish folk poppers The Dangleberries, to possibly the strangest shout Mr. Motivator.

And while the festival may not be exclusively geared towards music, the care and attention put into the picks made is commendable.

Scotland’s premier heavy metal festival – aptly named Heavy Scotland – has released it’s 2018 line-up.

Taking place on Friday the 31st of August, Saturday the 1st of September, and Sunday the 2nd of September; at Edinburgh’s Corn Exchange, promises to bring “mayhem,” with it for it’s second run. The whole three day weekend being priced at £73 for an adult and £55 for students should act as a keen incentive for metalheads with ideas of mayhem.

While only 8 acts have been announced so far, you can already see a fairly good variety of metal bands making an appearance; from more horror looking

european horror-metal from OST+Front and Whorion, to a couple of all girl metal bands: Nervosa and Sisters of Suffocation – a lot should be said for such a small festival having a fairly diverse line-up when most of the big festivals have a hard time managing it.

This festival should inspire nothing but pure celebration of many elements of the Metal genre, giving crowds something rarely seen at festivals, even those like Download, which may cater to a more niche group.

Transport wise, The Corn Exchange is right across the road from Slateford train station, as well as being on a main road allowing easy bus and taxi access.

her new collaborative album Young Night Thought, exploring childhood imagination through a lens of Scots folklore. Alice Fernbank and Svend Engh are two very ‘tall storytellers’ on a quest to find out what it is to be gigantic through the myths and legends that tell stories of titans in Giants, plus you can delve into Scotland’s intangible heritage through a series of talks at the National Library with The Culture World – Unpacked.

Transport wise, the festival site at Raehills Meadows is an hours drive from Glasgow or Edinburgh, just 8 miles off the M74; and a forty minute drive from Carlisle, and all buses to Dumfries from Glasgow or Edinburgh pass the site.

When it comes to tickets, Eden have done what a lot of the smaller festivals are doing these days with a tiered ticket system, which means the earlier you buy them the cheaper they’ll be, at the time of writing the tickets for the full three days, between the 7th and 10th of June are priced at £120, but they will soon jump in price to £130.

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Up to a quarter of students carry the bacteria that can cause meningitis The easiest way to give your donation is via their Charity Choice page on charitychoice.co.uk/meningitis-association-scotland-4850/donate.

Meningitis Association Scotland is Even the cost of a few coffees, say £10 Up to a quarter of students carry the looking for your support in raising a month will make a big difference to bacteria that can cause meningitis money for a new diagnostic laser the lives of many sick young people in compared to one in ten of the general machine for Glasgow's Sick Children's Scotland for years to come. population. Over 12 per cent of all cases hospital. Recent fundraising events occur in the 14 to 24 age group, with first It's not just younger children that are at and donations have raised over £17,000 year students being at particular risk. risk from Meningitis and Sepsis. Cases of the £200,000 needed, meaning the of bacterial meningitis can often spike There are not vaccines for all strains of hospital has recently been able to during winter months and students are meningitis and advice is for students to purchase the base unit of the machine. particularly susceptible. In fact teenagers also learn the signs and symptoms of the There's still a long way to go though and Someone who develops meningitis may become are the second most at risk group of disease, and look out for themselves and Fever, Stomach your help will be invaluable in helping seriously ill very quickly cold cramps & contracting meningitis. their friends. hands & diarrhoea early diagnosis of meningitis and sepsis, feet therefor saving lives.

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of rare, vintage finds making this one of the largest collections formed outside of London.

Running daily until April 29th at the New Lanark World Heritage Site is the Artist Textiles Picasso to Warhol Exhibition as the first event hosted at the venue since being redeveloped as a touring display coming from London's Fashion and Textile Museum.

Not only is it located quite centrally, just south of Glasgow holding the title for being one of Scotland's World Heritage Sites, The New Lanark Mills is placed in an ideal location, being home to the cotton mills since 1786 this has a history in itself with the evolution of textiles, and

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despite structural changes over the years remains historically accurate and the perfect rural escape.

Open since January, the exhibition displays a history of 20th Century art in textiles and vintage fashion garments including pieces from the likes of Salvador Dali and Picasso plus a fourpiece collection of printed silk garments made by Andy Warhol that has been so recently discovered, half of the pieces being shown have never before been displayed in the UK or internationally. In addition to this, there are also hundreds

The aim of the exhibition is to feature some of the key movements that have helped to form the idea of fashion (surrealism, fauvism and more recently art pop amongst many more) we have today that makes it the most accessible expression of art we can possess in an everyday sense, whilst focus is placed upon art that can be worn, the craft of interiors and home furnishings is also covered as an equally important use of textiles and self expression.

There are also workshops running alongside this with sensory and song sessions on selected dates, suitable mostly for ages 1-5 to develop their awareness of fabrics and where they come from through sing-along. For older art lovers, there is a beginner's session

on screen printing running every weekend.

These are all ticketed events with children under ten going in to the Artist Textiles exhibition for free, discounts and family packages also available.

For a comprehensive and often educational look at the effects the evolution of textiles has had throughout the 20th century and the way we consume and wear them as a very normal but effective way of art and more importantly self-expression then this will be the exhibition for you and all of the family!

GRACE WILSON Interview

AYE WRITE One of Scotland’s largest cultural events returns for its thirteenth year between 15th-25th March to bring together a unique collection of local and national literature and the brains behind it, this is a festival unafraid of defying standard practice as one of few book festivals blurring the lines between everything from fiction to the gritty realism of modern-day political journalism. It brings an array of discussions, practical sessions and author visits and is a mixture of ticketed and free admission.

Whilst spending another year at home in the Mitchell Library this year’s event is also spanning venues across the city including: The Centre for Contemporary Arts, Glasgow University, Glasgow Film Theatre and more!

Among those bringing their work to the festival is cartoonist and illustrator Grace Wilson, having released her graphic novel towards the end of 2016, Saving Grace is a memoir narrating the tribulations of a twenty-something navigating life in London covering everything from the cost of housing and gentrification to friendship. Grace has found a vital niche with her illustration stylings as a representation of society and cultural observations with Saving Grace being no exception to this saying her work comprises of: “making comics, drawings and ceramics. I suppose I’m an artist although I probably wouldn’t describe myself as that, I originally studied ceramics.”

Despite this being a niche and sometimes overlooked part of literature Grace ensures it’s a viable entry into the creative world: “The great thing about graphic novels is that within that broad umbrella there’s such a great variety of work. I guess many newcomers might still associate comics with superhero stuff, but that’s not true at all.” while there may continue to be misconceptions surrounding the subject area graphic novels cover it’s an industry still very much alive and kicking, becoming increasingly more

the DIY press scene. If you have a comic shop near you then go support them and buy things IRL.” Like any creative sector it takes a huge amount of dedication to achieve any type of success let alone make it a viable career choice: “I’ll be perfectly honest and say it surprises me that I’m actually still making and doing artistic work. I guess like a lot of creative folk, I spend 99% of the time hating the stuff I make and it all feeling like quite an unsatisfactory uphill struggle.

… a really great time in general for graphic novels modernised as artists test the boundaries of traditional norms.“It just feels like a really great time in general for graphic novels and comics moving more into the mainstream and being more accessible, both in terms of larger publishers and

I’m certainly not doing any of this for the money.” Grace herself still maintains a day job to sustain her life and art and slots creative projects around that“long evenings and weekends are usually when my creative endeavours happen. I’ve been working on a bunch of ceramic work recently which is a very therapeutic process, so the hours can fly by.” While artistry can be a rewarding way of life there are practical and financial burdens that should be accounted for before making it a permanent job.

It can be an intimidating industry to make a name in however Grace says she cut

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her teeth “hanging out with other folk who do cool creative projects too, which has always been really helpful in terms of motivation and support. I can be quite lazy too, and there’s nothing like an externally set deadline to make sure you get something done, so signing up for anthologies or shows or zine fairs etc is a good way to make sure you fit in making new stuff and actually get it finished.”

As a Scottish native herself, Grace has recently returned having lived between London and Stockholm for both work and education for a decade. “I didn’t realise before I moved back how much I had been missing Scottish culture.” and says events like Aye Write are imperative to raise awareness for work and art being done so close to home: “sometimes it’s annoying because it does often feel like London is still the big magnet for creative things, but that’s why it’s important to have a strong and celebratory sense of identity in other places in the UK.” As part of her Aye Write visit, she will be talking about her 2016 release Saving Grace which she describes as a “darkly comical look at the contemporary housing situation in London, plus general life stuff. It was important for me to write about what I knew well, so it ended up focusing on the house I lived in in Hackney for several years with some of my best pals.”

Glasgow City 0141 954 1000 Paisley 0141 887 3000

www.practical.co.uk In addition to this, Grace is exhibiting some of her ceramic work at Glasgow’s Good Press until March 31st and is also involved in the upcoming 404 Ink anthology We Shall Fight Until We Win: Pioneering Political Women.

Highlights of the festival include: Nasty Women: Laura Lam, Mel Reeve and Sim Bajwa, chaired by Chitra Ramaswamy at the Glasgow Royal Concert Hall, Jon McGregor introduces: Chris Power and Chris McQueer at Mitchell Library

as well as an array of workshops at the University of Strathclyde covering creative writing, poetry, editing and more.

It’s a largely ticketed event however there are some free, local interest events such as the Restart Showcase, a community project offering support for those living with mental health conditions giving people an opportunity to partake in creative and vocational activities, at Mitchell Library. The festival culminates with Irvine Welsh discussing his latest release “Dead Men’s Trousers” the sequel to cult classic Trainspotting at Tramway.

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INNER CITY GOMA Michael C. McMillen Los Angeles born artist and sculptor Michael C. McMillen's hyper realistic diorama of an L.A. slum “Inner City” returns to Glasgow for the first time in 15 years, at the GOMA. Situated at Gallery 3 of modern art gallery, you are greeted with warnings to let your eyes adjust to the low light in the room showing the miniature buildings – as well as a neon sign with an arrow in, brightly emblazoned with “INNER CITY”; you go forth into the darkness to be greeted by the tiny buildings, which included bars, hotels, and graffiti, perfectly conveyed the idea of old L.A. McMillen, who created props and sets for Bladerunner and Close Encounters of the Third Kind, creates an overwhelming sense of grime in the displays, with gallery goers able to peer into the windows of some of the buildings, showing pool tables, spinning ceiling fans and discarded newspapers; there is an arresting sense of dystopia in looking down at the buildings, allowing the viewer to see a dangerous environment from a position of safety.

The whole exhibition is centred around viewer interaction; with pathways allowing people to walk in between the buildings, which are situated on platforms putting them largely at eye level, begging art buffs to lean in for a closer look, and being rewarded every time. The attention to detail in this exhibition, is insane, owing a lot to McMillen's work helping to create fictional universes, showing a massive uncanny, hyper-realistic focus on the subject, and in this case, almost creating a caricature of an Los Angeles slum.

While the space is small, with use of stereotypes and cliches, it creates almost a space between reality and fiction, giving the viewer something digestible enough to understand. And with the lack of natural light, and the constant stream of noise from the exhibition, further adding to the sense of immersion.

The small slice of L.A. Is in the GOMA until the 30th of November 2018, if you are having trouble finding it, look for the neon.

There is an immediate split between Whittle's work that can be observed upon walking into the gallery, there are some of her video based pieces by her, as well as some photographic pieces. The video parts of the exhibition are somewhat eerie pieces, both made great uses of natural space,

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Glasgow based illustrator Mitch Millar showcases some of his work at the GOMA, sharing space in the “Inner City” exhibition.

Millar, the creator of the style of “dialectograms” – a type of art which explores the ideas and makes present lost or forgotten communities or locations – they are wonderfully crammed with detail and trivia of the locations which hold the subject, are so lost in the utter wealth of information crammed onto the A0 pages, and yet cut through the chaff so clearly, giving the viewer perfectly acerbic bits of knowledge.

The work that was present at “Inner City” just in the next room to Michael C. McMillen's diorama of Los Angeles, is both a perfect companion piece to the miniature, as well as a great summation of Millar's best known type of work.

The dialectograms are illustrated documentary art pieces, which are drawn out like building plans, almost like sketchy blue prints; but in practice are more like style guides for the area. It is immediately made obvious

Alberta Whittle Barbadian, Glasgow based artist Alberta Whittle showcases some of her art, centred around socially conscientious issues, like displacement, xenophobia, and postcolonial powers.

Mitch Millar

really showing how integral nature was to part of Whittle's art; with one making use of green space as well as a colour reversed GOMA Gallery 1, while the other has a firmly nautical vibe. They also used sound in a very calming, constant way, in one instance the noise was the focus of the piece, with chanting taking the main stage.

As for the photographic portions of the exhibition, they employ a very esoteric approach, cramming at times too much content into the small prints as possible. They have an almost

futuristic sci-fi vibe looking like they may be more at place in an advert in the mid 25th century; cramming wild colours, text, and still life into the small frame. While there was not a lot one thing that ought not to be overlooked in talking about Whittle's art, is the focus on the female form, specifically her own. It is one of the only things shared between the

the madcap production process with looking at them, lines tipexed out and redrawn, and a lovely comic book art style which adds a sense of warmth to what could be a very cold art.

The utterly full style of the dialectograms also begged the viewer to look infinitely closer, but still allowed one to enjoy them as whole pieces, but the minuteness of them acted as a perfect dichotomy to the miniature city space in the room next door. While looking at “Inner City” you were wholly taken in by the specifics, forgetting the whole thing was really one space; this is where Millar's diagrams really come into their own.

They make quite a large space appear in a humane way on one sheet of paper, allowing a viewer to find out everything about the place in a short space of time, making it almost scalpel like in the accuracy, but also taking broader strokes than what should be allowed in the presentation.

The dialectograms currently on display include The Brig pub and Clydebank Library, and they are on display at the GOMA until July 2018.

mediums on display at the GOMA, and this part of it evoke a very clear sense of the body, and the way it is used, in the art, but also in that of love; it creates an interesting image, which while quite lo-fi in production, has a very deep, interesting and rewarding to pick apart message.

Alberta Whittle's work is currently at the GOMA, until July 2018.

Rachel Maclean Glasgow based artist Rachel Maclean takes her project, “Spite Your Face”, from the Venice Bienalle to Talbot Rice Gallery in Edinburgh.

The real purpose of the film, is to pick apart life in a “Post-Truth” world, with a lot of focus being paid to the Trump campaign. The whole idea that since the fake news, and the truth not being a decider, it is no longer objective facts that people base their opinions on; and in turn, the departure of the “real people” and the resurgence of “great countries”, and the absolute saturation of the media with the idea of heroes. It also uses a convention that Maclean has made use of before, putting fairytale creatures into dark, unsettling situations, in this case, having Pic in a never ending loop, of capitalistic exploitation.

“Spite Your Face”, Maclean's latest, a 37 minute long film, which loops into itself with no discernible beginning or end, embodies a Trump era Pinocchio and deals with a young, destitute boy named Pic, who seeks to remove himself from the post-dystopian, impoverished world below, into the shining, affluent world above. In doing this the character has to lie, to further himself in the world.

Like in her other movies, Maclean plays all the characters, physically becomes each different character with the help of makeup and prosthetics, and mimes the lines, which are recorded by other actors. The sets are digitally created and implemented with a green screen. Another interesting aspect of this film is that it is shown instead of in a left to right manner, it is shown in a more portrait direction, allowing the top to bottom elements of the story to be further accentuated.

As has been shown before in Maclean's work, is her Maximalist style, in which she crams every ounce of her work to the very brim with creative, kaleidoscopic ideas. In doing this it allows every part of her stories to be picked apart, every scene dripping with symbolism.

Maclean's thought provoking piece will be at the Talbot Rice Gallery in Edinburgh, until the 5th of May 2018.

TALBOT RICE GALLERY David Claerbout Belgian artist David Claerbout shows an exhibition at The Talbot Rice Gallery in Edinburgh, spread over two floors and compiling work which spans his career.

The time obsessed artist brings six pieces from his body of work, which bring still imagery and moving picture together, to focus on the passage of time a lot of the time, but also deal with ideas like long, suspenseful moments of togetherness, bridging gaps between moments, restrained expectation, and one of Claerbout's chief interests, the experimentation with photography.

David Claerbout. Photo: Patricia Mathieu.

Courtesy the Artist.

David Claerbout. Radio Piece (Hong Kong), 2015. Courtesy the Artist.

The massive two floor exhibition rips to shreds the universe of the artist's creation, making the time element seem suddenly unsure, untrustworthy, and easy to change. Over the split floors, Claerbout showcases his pieces: “Radio Piece (Hong Kong)” (2015), “Travel” (1996 – 2013), which show most directly the artist's engagement with ever developing image capturing technology. “The Quiet Shore” (2011) deals with a group on a long empty beach, communicating

suspense; this piece was captured on the beach that was bordered with houses which inspired the Bates' House from Alfred Hitchcock's Psycho.

“Long Goodbye” (2007), is one of the most interesting pieces featured in the exhibition, which in it's drawn out style concerns almost bluntly the passage of time, and points of views, expanding one's view. “Cat And Bird At Peace” (1996), which simply features a restrained commentary on restraint.

Claerbout's most recent work “The Pure Necessity” (2016) also features at the gallery.

Claerbout's chrono-warping exhibition ties together the basest sensibilities from his body of work, drawing the ideas of time, photographic experimentation, and even from the six pieces on show, the raw denseness of his work is perfectly apparent.

The summation of his work makes this exhibition a great place for newcomers to take in some interesting photography/film, and for Claerbout connoisseurs to appreciate the greatest hits of a great artist.

David Claerbout. The Quiet Shore, 2011.

Courtesy the Artist.

David Claerbout. The Pure Necessity, 2016. Courtesy the Artist.

The exhibition was curated to coincide with Rachel Maclean's “Spite Your Face” which is also at the Talbot Rice Gallery. David Claerbout's exhibition will be at the gallery until the fifth of May, and is well worth checking out.

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The Glasgow School of Art annual exhibition of new work by students in the first year of the Master of Fine Art programme will be on display at the school’s Reid Gallery and Ground Floor Corridor from 17th-25th March.

It promises to comprise a broad range of works across a wide range of media including painting, drawing, sculpture, photography, video, performance and installation.

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Preview: Friday, 16 March, 6-8pm

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Lauren La Rose, Papi and the Pretty Boys - video still, 2018

Owain McGilvary and Yan White, 'Get comfortable with being uncomfortable', video still, 2018

Renèe Helèna Browne, 'Love Song to Aubrey Drake Graham (complications of a romantic fantasy) sketch for sound, 2017

Desuo Xuan, ‘The place we earn a crust’ - oil and coarse pumice gel and acrylic on Canvas, 2018

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