Dunwoody Architecture - Year 3

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DUNWOODY ARCHITECTURE

YEAR 3

The Architecture Programs at Dunwoody College of Technology combine to form a five year professional Bachelor of Architecture degree focused on strengthening the profession’s capacity to realize its potential for positive global change.


DUNWOODY ARCHITECTURE The Architecture Programs at Dunwoody College of Technology combine to form a five year professional Bachelor of Architecture degree focused on strengthening the profession’s capacity to realize its potential for positive global change.


AAS ASSOCIATE IN APPLIED SCIENCE The first two years offer an associate of applied science degree with a focus on employability through the establishment of professionalism and technical competency.

Y1 PROFESSIONALISM The first year focuses on establishing professionalism through an introduction to design + building technologies, practice in critical representation, and achievement in professional behavior.

Y2 TECHNICAL COMPETENCY The second year focuses on technical competency thgouh an introduction to project management, practice in architectural collaboration, and achievement in construction documentation.

BARCH BACHELOR OF ARCHITECTURE The final three years offer a professional bachelor of architecture degree with a focus on leadership in the art, discipline, and practice of architecture through achievement in design fundamentals, architectural research, and comprehensive design.

Y3 DESIGN Year three provides and introduction to design thinking, architectural design, and practice in varying site and historical contexts, and achievement in architectural design.

Y4 RESEARCH Year four focuses on architectural research through multidisciplinary design processes while working in more comprehensive contexts including global, cultural, theoretical, political and economic.

Y5 COMPREHENSION The final year is intended to synthesize previous knowledge through the development of comprehensive architectural works. Concurrently, legal, ethical, and business aspect of professional practice are introduced.


Y3 FROGTOWN FARM The intent of the project is to provide an asset for the Frogtown community by supporting the farm’s mission to grow food locally and provide a place for community members to share art and culture, cook, gather, and learn from one another. Located west of Downtown St. Paul the Frogtown neighborhood in the last one hundred and sixty years has been home to waves of immigrant groups. After the removal of Dakota and Ojibwe came groups of African Americans, Europeans, and Jews; and later immigrants from Southeast Asia, various African countries, and Mexico. These people groups have each brought vibrant cultural heritage to Frogtown and at the same time have faced effects of economic disinvestment, food insecurity, displacement, and serious economic and health disparities. Through the iteration process the building responded to preserving the existing trees especially the oaks and large cottonwood. This condensed the buildable area into a linear pathway from the urban landscape just across Minnehaha Ave into the open plaza green space of Frogtown Farm. The buildings serve as a welcome from the street and ushers patrons into the experience of the farm itself.

CLIENT Frogtown Farm + The Art of Food STUDENTS Josiah Hanka James Matthes Marcos Villalobos Hannah Biros Josiah Hanka Kyle Huberty Aaron McCauly Ryan Kelly Kevin Xiong Ben Sherman Hajira Siddiqui Guyon Brenna FACULTY John Dwyer



VIEW FROM MINNEHAHA AVE

FROGTOWN FARM COMMUNITY FOOD CENTER Frogtown Community Food Center | Josiah Hanka Dunwoody College of Technology | ARCH4102 | Fall 2017

The intent of the project is to provide an asset for the Frogtown community by supporting the farm’s mission to grow food locally and provide a place for community members to share art and culture, cook, gather, and learn from one another.

This desire for an urban farm began as a grassroots movement as community members saw an opportunity to u this vacant lot as a natural green space and a place to grow food. Locally grown food has been a common topic intersects many of the narratives tied the history and hopes of the community.

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Located west of Downtown St. Paul the Frogtown neighborhood in the last one hundred and sixty years has been home to waves of immigrant groups. After the removal of Dakota and Ojibwe came groups of African Americans Europeans, and Jews; and later immigrants from Southeast Asia, various African countries, and Mexico. These people groups have each brought vibrant cultural heritage to Frogtown and at the same time have faced effects economic disinvestment, food insecurity, displacement, and serious economic and health disparities. Frogtown Farm is at the heart of this. It pulls together a place that is connected to the history, but also celebrate something new: a new place of gathering, new connectedness, and new solutions addressing concerns of the community.

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The newly designed spaces aims to support the functions and sustainability of Frogtown Farm as a non-profit organization while also being a place of refuge, inspiration, and beauty.

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Through the iteration process the building responded to preserving the existing trees especially the oaks and large cottonwood. This condensed the buildable area into a linear pathway from the urban landscape just across Minnehaha Ave into the open plaza green space of Frogtown Farm. The buildings serve as a welcome from the street and ushers patrons into the experience of the farm itself.

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KITCHEN/FLEXIBLE USE BUILDING RECONSTRUCTED PATHWAY OFFICES WASH/PACK/STORAGE BUILDING

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LARGE GATHERING VESTIBULE MENS WOMENS MULTIPURPOSE ROOM KITCHEN STREET SIDE VESTIBULE OFFICES STORAGE BATHROOM PARKING

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THE FARM PROGRAM WAS GIVEN THE HIGH GROUND TO AID VISIBILITY TO THE FARMERS WHILE THE COMMUNITY CENTER IS WRAPPED AROUND CENTRAL HUB ANCHORING THE COURTYARD AS THE PRIMARY COMMUNAL NODE. THE RADIALLY ORGANIZED BUILDINGS INCREASE THE SENSE OF PLACE FOUND IN THE COURTYARD AND PROVIDES A NEW TYPE OF GATHERING SPACE BY DEFINING ITS BOUNDARIES. THE CENTRAL HUB IS ALSO THE PRIMARY SENSE OF ENTRY TO THE FARM AND BY PLACING THE BUILDING ON THE ECOTONE OF THE OAK SAVANNAH AND THE ELEVATION CHANGE IT SERVES AS A GATE AND SENSE OF ENTRY. AS A HEDGE IS ALSO PROVIDED THROUGH EXTENSION OF THE GABION RETAINING WALL WHICH BLOCKS OUT THE UNDESIRED VIEW OF THE NEIGHBORING GAS STATION AS WELL AS LIGHT POLLUTION AND NOISE. THE DESIRE FOR A HEDGE WILL PROTECT THE UNIQUE URBAN OASIS THAT FROGTOWN FARM PROVIDES WHILE ALSO HOLDING BACK THE EARTH. THE BUILDING IS EXPRESSED AS SIMPLE SHED ROOF TO MAXIMIZE VIEWS OF THE FARM AS WELL AS ACTING AS HOOD TO SCOOP LIGHT AND A WATERSHED TO CATPURE RAINWATER. THE LIGHT TECTONIC OF THE SHED IS BALANCE BY THE MASSIVE GAVION WALL WHICH ANCHORS THE BUILDING TO THE SITE.

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COMMUNITY ROOM KITCHEN LEARNING AREA BATHROOMS CLOSET OFFICE SHOWER ROOM STORAGE PROCESSING ROOM GARAGE FARM STORAGE COOLERS COVERED PARKING

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WATER RETENTION TO MITIGATE THE HIGH WATER DEMANDS OF THE FARM

ING GALVANIZED STEEL, GABION WALLS, AND NATURAL WOODS, AND MILD STEEL WERE SELECTED TO FIT EXISTING VERNACUAR AS WELL AS PROVIDE A SIMPLE LOW MAINTANENCE AND INDUSTRIAL APPROACH TO MATERIALS

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THOUGHTFUL USE OF EXISTING MATERIAL PALLETTE PRAGMATIC AND INEXPENSIVE MATERIAL INCLUSING GALVANIZED STEEL, GABION WALLS, AND NATURAL WOODS, AND MILD STEEL WERE SELECTED TO FIT EXISTING VERNACUAR AS WELL AS PROVIDE A SIMPLE LOW MAINTANENCE AND INDUSTRIAL APPROACH TO MATERIALS


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OFFICE SHOWER ROOM STORAGE PROCESSING ROOM GARAGE FARM STORAGE COOLERS COVERED PARKING


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Y3 DESIGN THINKING This course focuses on influence and emulation of natural and manufactured systems on architectural structure and form. Students will develop a broad understanding of varying natural environmental, formal, structural, and material systems. Each exercise employs HUMAN, Kangaro, and Diva for Grasshopper to illustrate architectural orderings systems including Axis, Symmetry, Hierarchy, Rhythm, Datum, Transformation, Repetition Material Proportion, Structural Proportion, Manufactured Proportion Field Condition, Additive Form, Subtractive Form This is followed with the creation of a graphic strategy for representing the output of all seven of the Grasshopper exercises. Critical representation strategies include color, lineweight, text, perspective, scale, figures, vegetation.

STUDENTS James Matthes Marcos Villalobos Hannah Biros Josiah Hanka Kyle Huberty Aaron McCauly Ryan Kelly Kevin Xiong Ben Sherman Hajira Siddiqui Guyon Brenna FACULTY Molly Reichert











Y3 STEGER CENTER ELY, MINNESOTA A multi-year research studio in close collaboration with Will Steger, the staff, and the board of directors for the Steger Wilderness Center and the Climate Generation, outcomes ranged in scale from master planning and systems design, to material studies, joinery and building design.

CLIENT Will Steger The Steger Wilderness Center STUDENTS Adam Booth Sam LaSusa Tressa Koukal Devyn Smoter Megan Bur Nicholas Schurhammer Robert Bacon Samantha Christner Jacob Larson Nick Ramdingh Chris Eklund Laura Stene Safa Mustafa FACULTY Molly Reichert John Dwyer Kelly Ness

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The new hall in essence transplants the heart of the center to the new building site. Many of the different functions the current lodge serves will be transferred to the new hall. In general, the goal of the new hall is to create a wilderness experience that will inspire new discoveries and motivate the residents and visitors to sustainable living and stewardship of the planet.

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The ridges, highlighted in white, provide a natural nest for building to sit in. They are also a display of the history of the site relating to the geological formation of the land and the paths that were left by the glaciers wake. On the outheast side of the building, the ridges give a niche that fits the root cellar, without necessitating any removal of the ridge.

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