ELITE Magazine March- April 2019 West edition

E L I TE 時 尚 精 英

時尚潮流 春季護膚 藝術採擷 家居光影 地產新貌

YouTuber Mike Chen 百萬粉絲和七億瀏覽的締造者

MARCH-APRIL 2019

Interior Designer Peti Lau 華裔設計師 打造好萊塢明星府邸

Elevated Design 「 新實建 」為紐約注入新風景

An Endangered Traditional Craftsman 意大利工藝史的精采瞬間

Celebrating the Art of Asia 亞洲藝術週 閃耀紐約

2019 Special Fashion Collection

Dawn in Spring March-April 2019 $6.99

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目錄 CONTENTS

4

Editor’s Note 採編隨筆

10

Editor’s Pick: Ray Of Sunshine 攬羲和轡

12

Editor’s Pick: Under The Sea 蔚藍海色

14

Fashion Trends

18

Dawn in Spring

春夏流行趨勢 時裝攝影：春曉

36

Celebrating the Art of Asia: Asia Week New York 亞洲藝術週 3月閃耀紐約 The Tale of Genji: A Japanese Classic Illuminated

40

Councilwoman Michelle Wu

32

《源氏物語》： 日本「物哀」 美學之濫觴 天道酬勤 無私才能通往正道

43

YouTuber Mike Chen 秉義而行 乘勢而起

46

New Skin Care Must-haves 春季護膚 精選新品

50

New Spring Delights 悅活新春

54

Back to Nature 回歸自然

56

Old-world Charm Adapted for Modern Living

62

The Magic of Lights

華裔設計師 打造好萊塢明星府邸

COVER

Photographer: Yuti Chang Fashion Stylist: Ana Tess Makeup Artist: Kevin Cheah Hair Stylist: Koji Ichikawa Model: Diana Carl at Muse NYC Photography Assistant/Camera Operator: Guanru Feng Retoucher: Zhiqiang Wang Coat, Top, Skirt, And Belt By Agnona Earrings By Bonheur Ring By Annika Inez Shoes By Dolce & Gabbana

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光影魔術師

68

Elevated Design: New Practice Studio 匠心獨運「新實建」 為紐約注入新風景

76

The Silversmith: An Endangered Traditional Craftsman 意大利工藝史的精采瞬間： 帕里艾銀器專訪

84

The Beauty of Art and Nature: Enliven Your Spirit at the Pacific Bonsai Museum 凝鍊如詩 雋永如史： 一窺盆景之美

90

Light as a Common Thread 點亮西雅圖的一道曙光

94

The Baroque Art of Bernini in Rome 巴洛克建築藝術的輝煌 —— 貝尼尼的羅馬

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序 EDITOR’S NOTE

千禧飛鴻 似乎偶然，卻也幸運。本期《時尚精英》專訪人物，都是千禧 世代。 從備受好萊塢明星青睞的室內設計師Peti Lau，到擁有百萬粉 絲的Youtube創作者Mike Chen, 到波士頓市議會第一位亞裔 女議長的Michelle Wu，再到創建「 新實建 」設計事務所的三 位創始人 。 作為千禧世代的他們，有著成年人的理性和溫淳，也有著年輕

PORTRAITS BY DAVID INMAN

人的衝動和情懷，他們發自內心地相信——未來由自己譜寫。

CONTEMPORARY FASHION INSPIRED PORTRAITS

談起過往，Peti Lau爽朗地笑著說： 「 各行各業，似乎都試過、

FULL SERVICE LUXURY PHOTOSHOOT

做過 」。她的青春是懵懂奔撞的。歷經多次職業變更，在旅 走全球各地的過程中，她最終篤定要做一名室內設計師。如

NOW BOOKING FOR SPRING 2019 206-395-8898 www.davidinmanphotography.com Located in Greenlake, Seattle

今，她已成為炙手可熱的明星室內設計師，在世界各地的百萬 豪宅裡，揮灑著她的才華和品味。 明星光環背後是「 耕耘 」，更是創意。Mike Chen，這位在 Youtube上有超過七億瀏覽量的大男生，笑起來帶著一種彷 彿旭日暖陽般的感染力，面對粉絲們的熱愛，充滿謙卑和感 恩。談到自己的日常，「 一天24小時，一週7天，沒有所謂的 週末、假日 」，雖然辛苦，他自己卻沉浸其中，享受著從「 創 意 」到作品的點點滴滴。 「 新實建 」三位年輕的華裔設計師，既是合作夥伴，又是知交 好友。在人生中最絢爛的年華，他們選擇走出大公司的庇蔭， 一起創業。在設計界，中餐廳的設計案雖然不大，但卻是他們 事業的起點。用心、創意和才華，他們用設計一起改變紐約中 餐的風景線，驚豔紐約客的同時，也重新定義「中餐」的形象。 在全球化的大背景下，他們的心態和價值觀，都更為開放、包 容和積極。他們作品產生的影響，遠遠超出了亞裔圈。 理想、熱血和堅持。唯願每一個挾風裹雨的澎湃人生，都有清 透的雨後飛虹。

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1231 Comstock Street | Santa Clara | 408.727.3772 | Since 1957 easternfurniture.com | braccisofas.com

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兼容東西，發現美好

《時尚精英》是中英雙語的高端生活風格雜誌，致力於發掘根植於東西方文明 的傳統價值、智慧與漫布其中的美。在您追求美好人生的路上，盼《時尚精英》 能成為您獲得啟發和激勵的好夥伴。

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PUBLISHER Ellen Wang EDITOR IN CHIEF Jennifer Zhang VICE PUBLISHER SEATTLE Echo Liu EDITORIAL ADVISORY BOARD CHAIR Dana Cheng, Ph.D. SALES DIRECTOR Jo Yang EVENT AND MARKETING DIRECTOR Joy Ye ART DIRECTOR Chen Fu PRODUCTION DIRECTOR Karen Tang SENIOR DESIGNERS Hsinyu Lo, Ingrid Longauerová DESIGNERS Benson Xiao, Tan Zhao SPECIAL PHOTOGRAPHERS Yuti Chang, Banny Zhang CORRESPONDENTS Pia-Maria Norris, Irene Luo, Astrid Wang, Ada Tian, Yi-Chun Lin, Jenny Zhi, Angela Feng, Cynthia Sun, Erin Wang TRANSLATOR Jessica Lin COPY EDITORS Connie Phillips, Huixuan Yang FASHION EDITOR Lina May BEAUTY EDITOR Pia-Maria Norris PEOPLE EDITOR Irene Luo ART & CULTURE EDITOR Jennifer Zhang BUSINESS EDITOR Hong Wang HOME EDITOR Fenzhi Zhang FOOD & DINING EDITOR Channaly Philipp

Address 229 W 28th Street, 6FL, New York, NY 10001 Phone 646-862-9930 Email editor@elite-magazine.com advertising@elite-magazine.com subscription@elite-magazine.com www.elite-magazine.com San Francisco Ke Bian 510-299-4392

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Los Angeles Yan Lieser 818-836-2937

Boston Timothy Pi 617-388-1688

San Francisco

Seattle Echo Liu Ben Ruan 425-877-5121 425-449-3620

Boston

Seattle

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EDITOR’S PICK LAFCO, GRAPEFRUIT REED DIFFUSER, $115, SAKSFIFTHAVENUE.COM

HERMÈS VINTAGE

BY HERITAGE AUCTIONS, $28,500, MODAOPERANDI.COM

攬羲和轡

SHEN YUN SHOP, MONGOLIAN CHOPSTICKS SCARF, $160, SHENYUNSHOP.COM

RAY OF SUNSHINE Surround yourself with warm sunshine. Add touches of golden yellow to your wardrobe or home to uplift your mood and get an instant boost of happiness.

BRABBU DESIGN FORCES, IBIS 2 SEAT SOFA IN YELLOW VELVET, PRICE UPON INQUIRY, BRABBU.COM

VICTORIA BECKHAM, ANNA LEATHER SANDALS, $740, MODAOPERANDI.COM

LOUIS POULSEN PH 3 1/2-2 1/2 TABLE LAMP IN YELLOW, $1,374, FJORN.COM

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CAROLINA HERRERA SPRING 2019 RUNWAY LOOK

PHOTOS BY FERNANDA CALFAT/GETTY IMAGES, MODA OPERANDI, SHEN YUN SHOP, SAKS FIFTH AVENUE, MUUTO, BRABBU DESIGN FORCES

By Lina May

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Luxury large floorplans, 大 戶 型Condominiums 設 計 的 豪 華with 公 寓，超 大 衣 櫃oversized 間，美 closet 食 廚 space, 房，豪 gourmet kitchens, luxurious spa-like baths and much more.

The 華 水 療 浴 室 等 等。位 於 紐 約 長 島 北 丘 陵 No r t h HRitzil l s Carlton Residences, Long Island, North Hills has legendary services and 的 麗 思 卡 爾 頓 公 寓 擁 有 傳 奇 服 務 和 世 界 頂 級 設 施，隨 amenities right outside your door. It is conveniently situated within the 時 為 您 享 用。座 落 在 優 美 便 捷 並 富 有 傳 奇 色 彩 的 長 島 Great Neck School District on Long Island’s legendary North Shore. 北 miles 岸，屬 G rea t Ne ck 區。距 哈 頓 � � See 英 里，漢 普 20 from Manhattan.

60學 miles from 離 the曼 Hamptons. for yourself, what feels like every day. 頓 � �luxury 英 里。來 親自 體驗 沈 浸 於 豪 華 生 活之 中 的 美 妙！ 516.612.8716 | TheResidencesLongIsland.com

公 寓 售 價 �starting � � 萬 美at元$1,700,000. 起。即 可 入Immediate 住。 Residences Occupancy. 請 電 話 預 約 參 觀。 Call to make an appointment to view our models.

The Ritz-Carlton Residences, Long Island, North Hills are not owned, developed or sold by The Ritz-Carlton Hotel Company, L.L.C. or any of its affiliates (“Ritz-Carlton”). RXR North Hills Phase I Owner LLC uses The Ritz-Carlton marks under a license from Ritz-Carlton, which has not confirmed the accuracy of any of the statements or representations made herein.

The complete terms are in an Offering Plan available from Sponsor. File No. CD-14-0036. The complete terms are in an Offering Plan available from Sponsor. File No. CD-16-0238.

Each Office Is Independently Owned and Operated.

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EDITOR’S PICK

IITTALA, KASTEHELMI COLLECTION: PLATE $20, BOWL $20, JAR $15, TUMBLER SET OF 2 $25, FINNSTYLE.COM

蔚藍海色

UNDER THE SEA

SHEN YUN SHOP, FAN EARRINGS - GOLD, $60, SHENYUNSHOP.COM

By Lina May

From accessories to furniture, be inspired to create a space that will make you feel like the jewel of the ocean, residing in a mermaid’s haven.

KOKET, MUSE SCONCE, PRICE UPON INQUIRY, BYKOKET.COM EICHHOLTZ SOFA MESSINA, $2,308, SWEETPEAANDWILLOW.COM

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PHOTOS BY FERNANDA CALFAT/GETTY IMAGES, DELIGHTFULL, SWEET PEA AND WILLOW, ANIMICA USA, SHEN YUN SHOP, BY KOKET, FINNSTYLE

COVET HOUSE, HANDLES TOILE, LINCKIA AND CODIUM, PRICE UPON INQUIRY, COVETHOUSE.EU

CAROLINA HERRERA SPRING 2019 RUNWAY LOOK

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世界那麼大

蔚藍色的文明給了全人類一個藝術的鄉愁，那是達芬奇的智慧密碼 米開朗基羅的英雄天頂和拉斐爾的聖母眼睛。

意 大利 國 家 旅 遊 局 歡 迎 您 ！

一生走過許多路、行過許多橋、喝過許多酒、看過許多的風景，卻只愛過你！

w w w. it a l i a . it

文化的相遇都是生命的久別重逢，世界那麼大，鍾情意大利！

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ELITE FASHION

T R E N D R E P ORT

A Summer Night's Sparkles

By Lina May

PASCAL LE SEGRETAIN/GETTY IMAGES, THIERRY CHESNOT, FRANCOIS DURAND, THOMAS SAMSON/AFP/GETTY IMAGES

The first spring days instantly invite memories of summer. This season’s fashions make dreaming about summer even more beautiful. Sparkles are used by many designers in their creations for this season. 記 憶 中夏日的 晚 上， 總 是 那 般 浪 漫 — — 繁 星 點 點 的 夜 空、 銀 光 閃 爍 的 湖 面， 一 切 都 散 發 著 美 輪 美 奐 的 燦 爛。 絢 爛 之美， 就

RVDK

Ralph & Russo

Elie Saab

Givenchy

跳 躍 在 衣 飾 間。

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ELITE FASHION

浪漫千禧粉

Millennial pink makes its comeback in a softer, blush shade—just like the sun setting over seaside sand. Wear it anytime you need to get more Zen into your life. 從帶有淺褐色的粉紅到鮭魚粉，加入了 冷灰色調的粉色都稱得上千禧粉。它自

Antonio Grimaldi

Stephane Rolland

Giambattista Valli

帶一絲復古浪漫的氣息。

Valentino

PASCAL LE SEGRETAIN, ANNE-CHRISTINE POUJOULAT/AFP, THOMAS SAMSON/AFP/, THIERRY CHESNOT/GETTY IMAGES

A Blushing Sea

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ELITE FASHION

日暖風和煦

Yellow is another must-wear color of the season. Positive and energizing, it also makes a great option for those summer night parties. Chose warmer or cooler shades to match your complexion. 黃色有一種陽光積極向上的基調，活力 四射，令人心情愉悅。根據自己的膚色，

Chanel

Carolina Herrera

Alexis Mabille

可選擇較冷或較暖的黃色。

Givenchy

THOMAS SAMSON/AFP, JP YIM/GETTY IMAGES FOR TRESEMME, PASCAL LE SEGRETAIN, THIERRY CHESNOT/GETTY IMAGES

Under the Sun

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ELITE FASHION

清涼海濱藍

When light get s trapped in the depths of the sea, water turns to aquamarine. It’s a perfect color to cool off and tone down the summer heat. Designers this season are in love with it too! 彷彿那靜謐的海水，海濱藍能給予人一 種寧靜，一種神秘，一種高貴。選擇飄

Ellie Saab

Stephane Rolland

Zuhair Murad

逸的材質，每個造型都沁人心脾。

Alexis Mabille

FRANCOIS GUILLOT/AFP, PASCAL LE SEGRETAIN/, STEPHANE DE SAKUTIN/AFP, THIERRY CHESNOT/GETTY IMAGES

Waves of Aquamarine

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DRESS BY DEREK LAM EARRINGS BY CASTLECLIFF SHOES BY LENA ERZIAK

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ELITE FASHION

Dawn in

Spring 《春曉》

春眠不覺曉，

How suddenly the morning comes in Spring!

夜來風雨聲，

Last night amidst the storm—Ah, who can tell,

處處聞啼鳥。 花落知多少。

On every side you can hear the sweet birds sing.

With wind and rain, how many blossoms fell?

Chinese text by the Tang Dynasty poet Meng Haoran ( 孟浩然 ) English text translated by John Turner

Photographer: Yuti Chang Fashion Stylist: Ana Tess Makeup Artist: Kevin Cheah Hair Stylist: Koji Ichikawa Model: Diana Carl at Muse NYC Photography Assistant/Camera Operator: Guanru Feng Retoucher: Zhiqiang Wang Location: 212 Fifth Avenue

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DRESS BY MISSONI RINGS BY BONHEUR EARRINGS BY DIANA BROUSSARD SHOES BY RENE CAOVILLA

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TOP AND PANTS BY DOLCE & GABBANA BELT BY AGNONA SHOES BY LENA ERZIAK

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DRESS BY SACHIN & BABI NECKLACE BY ANITA BERISHA RINGS BY MARVA ATELIER SHOES BY LENA ERZIAK

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DRESS BY RHIÉ COAT, SHOES, AND BAG BY MULBERRY EARRINGS BY CASTLECLIFF RING (RIGHT) BY MARVA ATELIER RING (LEFT) BY ANNIKA INEZ

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DRESS BY IRWIN GARDEN EARRINGS BY ANNIKA INEZ BRACELET BY CASTLECLIFF SHOES BY RENE CAOVILLA

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COAT AND SKIRT CLAUDIA LI EARRINGS BY DIANA BROUSSARD SHOES BY LENA ERZIAK

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ELITE ART

Celebrating the Art of Asia

ASIA WEEK NEW YORK 亞洲藝術週 3月閃耀紐約 English text by Irene Luo Chinese text by Erin Wang

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E

very year, Asia Week New York brings together leading Asian art specialists, auction houses, and museums for a 10-day celebration of Asian art. From March 13 to 23, art enthusiasts can revel in nonstop special events, including auction sales, exhibitions, lectures, symposiums, and special tours. Six auction houses and over 40 international galleries are participating in Asia Week’s 10th anniversary this year. The exhibited works span from ancient times to modern day and come from China, India, Southeast Asia, the Himalayas, Japan, and Korea.

All participating art dealers will open their doors to the public during Open House Weekend on March 16 and 17.

Left page: Chinese Underglazed Blue and Iron-Red Porcelain Fish Jar This finely potted jar is painted in the round with eight iron-red carp swimming amid lotus blossoms and water weeds between borders of lappets at the base and leaf tips at the shoulder; the base mark is partially removed, with part of the "jia" character still visible. Qing Dynasty, probably Kangxi or Yongzheng period. Height 12 3/8 inches. Provenance: Swedish Missionary Family Estate.

This jar is being auctioned by Doyle New York on March 18 for an estimated $20,000 to $30,000. (Picture courtesy of Doyle New York) Top left: White Marble Carving of a Bodhisattva This exquisite work from the Tang Dynasty (618–907) is being auctioned by Sotheby’s New York on March 19 for an estimated $600,000 to $800,000.

It is part of the Junkunc Collection, one of the largest and most significant Chinese art collections ever gathered in the United States. (Picture courtesy of Sotheby’s New York) Top right: White Marble Figure of a Courtesan This work dates to the Tang Dynasty (618–907), when marble sculpture of a secular subject was exceptionally rare. The courtesan is seated on an hourglass-shaped stool with her arms folded and a content expression on her rounded face. The originally crystalline white marble is marked by signs of burial. Exhibited by J. J. Lally and Co., this work will be on show from March 13 to 29 in Chinese Art: The Szekeres Collection. (Picture courtesy of J. J. Lally and Co.)

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在歐洲和美洲範圍內，紐約是亞洲藝術品交易的重要 中 心。 每 年 的 紐 約 亞 洲 藝 術 週（Asia Week in New York，簡稱AWNY）都會吸引一流亞洲藝術家、大型拍 賣行、世界知名博物館和亞洲文化藝術機構參加，頗具 人氣之外，也常有數額巨大的交易完成。 2019年的紐約亞洲藝術週於3月13日至23日舉行， 為期十一天，共有來自全球的48家藝廊和6家拍賣行參 加。這些藝廊各有專攻，藏品多元，為人們呈獻來自中 國、印度、東南亞、喜馬拉雅、日本和韓國跨越千年的 藝術精品。 藝術週期間，有諸多藝廊開放日、拍賣、展覽、 講座、論壇和其他特別活動等。大多參展藝廊分佈在曼 哈頓中城和上東城。「 藝廊開放週末 」（Open House Weekend）期間，即3月16日至17日（ 週六及週日 ）， 所有參展藝廊皆開門迎賓，歡迎各方參觀鑑賞。

Above: Fujiwara Yasumasa Playing the Flute by Moonlight Fujiwara Yasumasa Playing the Flute by Moonlight, 1883, by Tsukioka Yoshitoshi (1839–1892). A moonlit view of a flute player on a windy night. To his right, a bandit approaches, concealed by the bending grasses, preparing to draw his sword. The dark, stormy clouds were hand-applied by the printer. (Picture courtesy of Egenolf Gallery Japanese Prints) Right page: Lotus and Rock In many Asian cultures, lotus flowers are associated with purity because they emerge from murky waters and blossom into exquisite, untainted flowers. This hanging scroll by Chen Hongshou (1598–1652) is being auctioned by Sotheby’s New York on March 22 for an estimated $1 million to $1.5 million.

(Picture courtesy of Sotheby’s New York)

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ELITE ART

The Tale of Genji: A Japanese Classic Illuminated 《源氏物語》：日本「物哀」美學之濫觴 English text by Irene Luo Chinese text translated by Yi-Chun Lin Pictures courtesy of The Metropolitan Museum of Art

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Titled The Uji Princesses, this is one of a pair of six-panel folding screens that was painted in 1912 by Matsuoka Eikyu, who hoped to revitalize the traditional yamato-e style for the modern era.

O

ften described as the world’s first novel, The Tale of Genji is a classic work of Japanese literature that has captivated readers for centuries. It weaves together a vibrant tapestry of aristocratic life in the Heian period centered around the political ascension and romantic escapades of its charismatic protagonist Hikaru Genji, or “Shining Genji.” Filled with humor and wit, the tale was written by the noblewoman Murasaki Shikibu, who served Empress Shoshi in the Heian imperial court (794–1185).

In honor of the enduring influence of The Tale of Genji on Japanese art, The Metropolitan Museum of Art has brought together more than 120 works of art from 32 public and private collections in Japan and the United States, including National Treasures and Important Cultural Properties that have never left Japan. For the first time ever outside Japan, rare works will be exhibited from Ishiyamadera Temple—the spot where legend claims Shikibu first began writing the tale.

《源 氏 物 語》（The Tale of Genji） 被 視 為 世 界 最 早 的 長篇小說，是日本古典文學的經典，風靡數百年來的讀 者，歷久不衰。小說編織了平安時代貴族生活中的各色 經緯，聚焦於政治生涯正崛起且浪漫多情的主角—— 光源氏（Hikaru Genji），亦稱為「 光之君 」 （Shining Genji），這位有著謎樣魅力的貴族身上。小說筆調輕鬆 詼諧且具哲思，出自貴族之女紫式部手下，她在平安時 代（794-1185） 曾 作 為 天 皇 中 宮 藤 原 彰 子（Empress Shoshi）的女官。 大都會藝術博物館（The Metropolitan Museum of Art）為了致敬《源氏物語》對日本藝術影響淵遠， 特向日本與美國兩地共三十二個公共與私人收藏發出 邀 請， 預 計 從3月6日 開 始 展 出 超 過120件 的 作 品； 其 中包含了從未離開日本的國寶級瑰品與重要文化作 品。傳說中紫式部寫下《源氏物語》的地方——石山寺 （Ishiyamadera Temple），也首次出借未曾在日本以外 展出的稀有珍品。 Left page: Titled The Death of Genji, this manga image of Genji was painted by Waki Yamato and appears in her manga adaptation of the classic The Tale of Genji. The manga version was originally published from 1980 to 1993.

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This exquisite pair of six-panel folding screens is a National Treasure of Japan. Titled Channel Markers and The Barrier Gate, each represents a chance encounter between Genji and one of his former lovers.

They were painted by Tawaraya Sotatsu in 1631.

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This ornately decorated bridal palanquin from the late Edo period (1603–1868) was commissioned for Atsu-hime, the daughter of a high-ranking samurai who married the 13th Tokugawa Shogun. For the daughter of a high-ranking samurai, no event was more significant than her marriage. This bridal palanquin was embellished with arabesque foliage, wild ginger leaves, and family crests.

The blinds are made of silk and bamboo and the wood is lacquered with gold and silver hiramaki-e with silvered copper fittings.

In the latter portion of the classic tale, Genji’s political fortunes decline, and he is devastated by the death of his greatest beloved. He leaves the capital and retires to a small mountain temple. The Tale of Genji is thus closely associated with the idea of “mono no aware,” a complex term depicting the beautiful, yet tragic ephemerality of life. It’s an idea closely intertwined with Buddhist philosophy.

“The Tale of Genji has inspired generations of artists over centuries, and ours is the first exhibition to explore this phenomenon in such a comprehensive way,” said Max Hollein, director of The Met. The exhibition features art spanning a thousand years, including paintings, calligraphy, silk robes, lacquerware, a palanquin for a shogun’s bride, as well as popular art like ukiyo-e prints and contemporary manga.

The exhibition will be on display at The Met from March 5 to June 16, 2019.

在小說的後半部分，光源氏失去了原本的政治光 環，加上失去人生摯愛而深受打擊，最後隱身在無名 山中的小廟裡，這也導致小說中有許多圍繞「 物哀 」書 寫的主題。「 物哀 」概念複雜，旨在描述生活中美好卻 悲傷，並且稍縱即逝的片刻，其與佛教思想有著密切 的關聯。自從紫式部在《源氏物語》提出這個概念後， 便成為了日本美學的傳統，深深影響了這塊土地上的 文藝創作。 大 都 會 藝 術 博 物 館 館 長 麥 克 斯． 霍 萊 因（Max Hollein, Director of The Met.）向《時尚精英》讀者鄭 重推薦本次展覽：「《源氏物語》是日本數百年來無數代 藝術家的繆思，這次策劃也是首個從各個面向探索這本 不朽之作淬煉日本文藝結晶的展覽。」屆時將有越時千 年的珍品，包含繪畫、書法、絲織衣袍、漆器、將軍迎 娶時所用的轎子等貴族使用的精緻藝術品，以及大眾通 俗藝術品，如浮世繪與當代漫畫，精采可期。 本次展覽地點為美國大都會藝術博物館，展出期間 為2019年3月5日至6月16日。

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ELITE PEOPLE

Councilwoman Michelle Wu: On Devotion to Her Family and Community 天道酬勤 無私才能通往正道 English text by Cynthia Sun and Irene Luo Chinese text by Yi-Chun Lin Pictures courtesy of Michelle Wu

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rowing up, Michelle Wu always loved to keep busy, from shelving books at the library to volunteering at the local hospital.

In school, she found free period boring, so she offered her time to the assistant principal, helping her alphabetize and organize her papers.

Michelle had an insatiable appetite for helping others, and after some initial run-ins with government bureaucracy, she decided to try to achieve reform through public office. In 2013, Michelle was elected to the Boston City Council at age 28, becoming its youngest member as well as its first Asian-American councilwoman.

身為華人移民的第二代，吳弭具有華人的傳統家庭觀與 孝道，大學畢業後，當家人需要經濟支援與感情陪伴， 她放下夢想，與丈夫攜手撐起了整個家庭；當母親深陷 人生低潮，吳弭選擇陪伴母親向各界尋求醫療支援，從 中發現了法律與政治對市井小民的重要影響，決定踏上 另一條人生道路。 天行健，君子自強不息；上天給了吳弭酸溜而苦澀 的成長史，但她決定做成大家都喜歡的爽口檸檬汁，用 這杯酸香回甘的飲料，鼓勵移民堅持原鄉的美善價值， 尊重異鄉人的文化，在努力付出中領略美國夢的真諦。 吳弭的早熟與服務精神 當年，吳弭的父親為了完成學業，遠渡美國，落腳芝加 哥。隨後，母親在當地唐人街圖書館找了份工作，分擔

WINDING PATH “I get bored easily,” says Michelle, the daughter of two Taiwanese immigrants. “Since I was little, I always wanted to figure out what I could do next.” In school, she was actively involved in many student groups, from science clubs to math teams, and in her senior year, she became president of the National Junior Classical League, one of the largest student-run organizations in the country. She graduated in 2003 as the valedictorian of her class and a U.S. Presidential Scholar, earning her a ticket to Harvard University.

During this entire time, Michelle never even considered a career in politics. Her mother always said, “When you grow up, remember three things: Find a

家中經濟。吳弭是家中長女，年齡與手足懸殊，她自幼 便早熟且相當聰穎，自謙對很多事情容易覺得無聊，因 此課業之餘，不僅熱心公益服務，還參加了數學與科學 社團；她從小不僅是當地圖書館閱讀比賽的常勝軍，還 是全美Junior Classical League的一員，十分活躍，優 異的校內外表現也是她拿到哈佛大學的入場券。當你以 為這可能是吳弭被動地參加，但她十分清楚自己熱愛這 種「 忙碌卻有意義 」的生活。 棄商從法的轉捩點 上一代華人長輩的營生觀念不外：讀書、賺錢、不惹 事。吳弭順從了家人的期望，在醫學、理工與商業三者 中，選擇了商科，並且成功申請就讀哈佛大學的獎學 金。畢業後，吳弭放棄了波士頓的理想職業，為了照顧

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Michelle Wu, the daughter of two Taiwanese immigrants, was first elected to the Boston City Council in November 2013 at the age of 28. She is the first Asian-American woman to serve on the council.

stable job, make a lot of money, and don’t look for trouble.” So Michelle studied hard, majored in economics, and landed a well-paying consulting position in downtown Boston.

But one day, a sudden phone call steered her life onto an entirely different course.

“You have to come home right now. There’s something very wrong with mama,” her little sister told her. It turned out that their mother was struggling with a mental health crisis. Suffering from depression, she was barely able to eat or sleep and could no longer take care of herself or Michelle’s younger siblings. So Michelle, the oldest of four, returned to Chicago to become the caretaker for her mother and the guardian of her sisters.

To boost her mother’s spirits, Michelle decided to fulfill her mother’s lifelong dream of opening a teahouse. She planned every detail—what food and teas they’d serve, what color to paint the walls, and even what music they’d play. But in the end, it was the permit that would be the greatest barrier. Even though Michelle read the entire Municipal Code of

年幼妹妹的教育問題與深陷情緒低潮的母親，她再度回 到芝加哥。在芝加哥，她幫助家人開辦一家小茶館—— 那是吳弭母親的夢想。當時，吳弭為了取得營業合格執 照，與當地政府斡旋數月。此外，吳弭為了照顧妹妹的 教育及母親的醫療權益，也需要常與保險業者、政府機 構周旋，她當下意識到如果連一名高知識分子都難與法 律打交道，一般人民將會需要更多專業與貼心的協助， 才能完成夢想。吳弭決定到法學院進修，將來幫助對於 法規不甚了了的民眾。 就讀哈佛法學院的過程中，吳弭逐漸決定離開長 輩叮嚀「 不碰政治 」的藩籬，勇敢投身議員選舉：讓政 治改善社會，但不改變自身品德。吳弭擔任議員的三年 中，成為了兩個小男孩的媽媽，她不願將教育責任假手 他人，帶著嗷嗷待哺的小兒一起上班。是什麼信念帶著 吳弭走過那些艱辛的日子，成為眼前神采奕奕的華裔 女議員？吳弭向《時尚精英》透露： 「 不要想爬到哪個位 子，而是深思你想改善的面向。」無私，才能帶人走到 正確的他方。 美國夢的真諦 吳弭向嚮往美國夢的移民交換她的生命體會：「 我認為 不因一味成為所謂美國人而抹殺既有文化根源是很重要 │41

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Michelle Wu graduated from Harvard University and Harvard Law School.

She lives in the Boston neighborhood of Roslindale with her husband Conor and their sons Blaise and Cass.

Chicago, it still took almost eight months of bureaucracy, inspections, and repeated appeals to finally open their teahouse. When she asked neighboring shopkeepers, they echoed her experiences.

At the same time, Michelle was fighting to put her sisters into the right schools and to persuade her mother’s healthcare insurance to cover a provider who would speak Mandarin, because that was the only way her mother would accept treatment.

Suddenly, she had to face bureaucracy and government almost every day. “And each of those experiences was incredibly frustrating, not just for my family but for every other family that I’ve talked to who had been in the same place,” Michelle says.

SERVING HER COMMUNITY Hoping to help craft better laws and ordinances, Michelle returned to Harvard for law school, bringing her mother and younger sisters with her to Boston.

While working at City Hall as a Rappaport Fellow in Law and Public Policy, she wrote a comprehensive online guide to Boston’s restaurant permitting process and spearheaded Boston’s food truck program.

Later, when she was elected Councilor-at-Large, she pushed for reforms to Boston’s permitting system. And as a mother of two young boys, she passed

an ordinance for paid parental leave for municipal employees. She also increased government transparency by releasing weekly summaries of the council’s discussions, voting results, and upcoming hearings.

To aspiring politicians, Michelle says, "Don't think about the position that you want, but about the difference that you want to make."

Now, Michelle lives in a two-family home in Roslindale, a neighborhood of Boston. She lives upstairs with her husband and two sons, and her mother lives downstairs. Not many people live with their parents nowadays, but Michelle says the arrangement enriches her family. “My sons can grow up knowing their grandma, and they get to see ‘wai-po’ everyday and spend time together.”

的，因為你要記得『 美國人 』本來是一群來自各種文化 背景的『 移民 』。但是我們懂得彼此尊重，並且接納對 方成為大家庭的一分子。我認為『 美國夢 』的真諦在於： 天道酬勤，努力才有機會。記得你從哪裡來，擁抱傳統 文化的價值，並且去了解跟你不同文化背景的人。認識 他人的文化根源，成為他方文化的一員，才能一起成為 關係更為緊密的整體。」面對移民生活的不便與哈佛法 學院的鍛鍊，吳弭從每一次挫敗的經驗中勇敢前進，一 步一腳印，領會美國夢的真諦。

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ELITE PEOPLE

YouTuber Mike Chen Spreading Positivity One Video at a Time

秉義而行 乘勢而起 English text by Irene Luo | Chinese text by Astrid Wang Photography by Xuehui Zhang

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n one of his latest videos on all-you-can-eat buffets, YouTube vlogger Mike Chen transports viewers to Saigon, Vietnam, to revel in a mouthwatering feast of seafood at Hotel Nikko Saigon. As we watch with anticipation, Mike piles up plate after plate with beguiling delicacies and orders a variety of custom-made lobster and crab, as well as soup and stir-fried noodles. Like always, he brims with contagious enthusiasm as he relishes the scrumptious flavors. It would seem natural for viewers to dislike only

他個頭並不高大，走入熙來人往的曼哈頓街頭便沒入人 海，再也尋不著他的身影。然而，鏡頭前的他卻總是吸 引萬千觀眾的目光，以其獨特的吸引力久佇於觀眾心 中。他是陳興（Mike Chen），現居紐約的華裔美國人， 擁有百萬粉絲的Youtube創作者。 「 我不是為了當 Youtube 明星或成名，我只是恰巧 運用了這個方式。」陳興在 YouTube 創作的時間長達 6 年，時至今日，他所有視頻總瀏覽次數高達 7 億，亮 眼的成績並未使他佇足，為了做出更高水準的視頻，他 馬不停蹄地向前邁進。

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being able to see and not taste all the mouthwatering dishes. Yet his fans say they feel immensely gratified just watching him eat—as if they were experiencing it themselves.

Since Mike started his YouTube career six years ago, he has attracted a massive following on his nearly dozen channels. They feature an eclectic variety of content, ranging from food adventures to traditional Chinese culture to supernatural phenomena. For his Strictly Dumpling channel, Mike travels the globe exploring different cuisine, from delicious A5 Wagyu steak in Japan—“the best food I’ve ever had”—to a mountainous 50-pound plate of lobster in Toronto.

His most popular channel, Beyond Science, delves into Earth’s mysteries and strange phenomena that cannot be explained by science. Over the years, Mike has amassed millions of subscribers, and his videos have enjoyed over 700 million views.

In a world of increasing negativity, he’s going against the tide with videos that radiate sincerity and positivity. “My videos are always made so that after people watch them, they can feel better,” Mike says. “I love it when some people say that after they’ve been going through a pretty depressing period or had a bad day, they watched a video and it made them feel better.”

永不設限 跨領域發揮影響力 「 我想做上百個頻道，因為我腦中有上百種點子。」他並 未將自己定位在特定領域中，創立了豐富多元的頻道， 且成功吸引各領域愛好者的目光，這些創意發想的背後 都蘊含著獨到的眼光與見解。 陳興有兩大知名頻道，皆擁有超過兩百萬的訂閱者。 其一為科學頻道「Beyond Science」，內容以嶄新的科 學視角，探討世上無奇不有的奧妙現象。而目前擁有最高 人氣的則是美食頻道「Strictly Dumpling」。他親赴遠近 馳名的自助餐廳，實境記錄海陸雙霸的奢豪饗宴；從蒙 古烤肉到越南河粉，帶著觀眾嘗遍最地道的美食文化。 他在鏡頭前忘情享受美味的神情，有種難以言喻的渲染 力。許多人看著他大啖美食，都能感同身受般地獲得療 癒效果，觀眾喜愛的正是他毫不造作的真實表現。 責任與使命 分享生命價值 另外還有一個頻道，專以逗趣新穎的方式呈現中西文化 差異、介紹中華文化。「 我總覺得中國文化是世上最『 懷 才不遇 』的文化。在文化大革命後，它並不存在於現在的 中國，並沒有那麼多人真正地了解傳統的中國文化。」陳 興感慨道。 也許是出自一份責任感，他決定自己製作相關影 片：「 身為一個華裔美國人，我想記得我從哪裡來，還 有我們的文化有多麼美！」其實陳興並非從小就認同血 液裡流淌的這份文化，甚至想抹去這個事實。小時候他 身邊所有朋友都是白人，他渴望自己和他們一樣。

LIVING HIS PASSION Contrary to expectations, life as a YouTube star can be surprisingly tough. “It’s 24/7, 365. No weekends.

No holidays,” Mike says. “That’s why you’ve got to love what you do, otherwise you can’t do it.” And he has faced his fair share of obstacles, from shop owners who refuse to let him film to detractors who post disparaging comments. But Mike doesn’t let them deter him: “Not everyone’s going to love what you do.

There’s always going to be people who judge you.”

He focuses on the positives, of which there have been many. During his globetrotting adventures, he’s had many heartwarming encounters with strangers.

When his team landed in India, he recalls, a lady went out of her way to help him and his team locate their Airbnb accommodations. She “took us, called her friends, guessed which building it would have

然而，隨著年齡增長，他逐漸體會到中華文化的深 厚底蘊，這浩浩蕩蕩的千年文明打動了他。如今，他自 願作為一位「 分享者 」，向更多人傾訴這份輝煌而動人 的文化瑰寶。 讓陳興投入創作的開端，是一份心中信守的正義與 信仰，他想為一群善良的法輪功學員發聲。他一直以來 都非常關心人權議題，也曾在關注中國人權的媒體工作 長達 12 年。他談到： 「 每天有上百萬的好人正在被迫害、 折磨甚至被殺害，僅僅因為他們的信仰。」 「 我不想只是坐在那裡做影片，而不傳遞我內心的 真實想法與生命中更重要的事。」心中正義的呼喊，讓 陳興採取實際行動，透過更加客觀的視角來拍攝相關議 題影片，向世界各地的人訴說事件的始末與真相。 創作原則 做最「 真 」的自己 「 不譁眾取寵，做真實的自己 」就是陳興的創作哲學。除 了科學頻道「Beyond Science」需事先研究與撰寫腳本

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been, and insisted on going in,” despite the protests of the security guard who tried to stop her. In the end, it turns out she was right about the building. “That was way beyond what she had to do for us, but she was nice enough to do that.”

Over time, he’s been rewarded with a loyal fanbase, many of whom give him encouraging comments, letters of support, and heartwarming gifts, like a fan who mailed him over a dozen packs of unique ramen flavors to try. He feels immensely humbled and grateful for the community that has emerged around his video content. “You build a sense of friendship with your fans, and that’s why I stick with it,” Mike says.

In all his videos, he strives to be sincere and stay true to himself. “It’s really about your authentic reactions,” he says. “And that’s why I say, you’ve gotta do what you’re passionate about. Otherwise, you won’t have that enthusiasm no matter how hard you try.”

CELEBRATING HIS ROOTS Besides food and travel, a sizable portion of his content deals with Chinese culture, from cultural differences between East and West to ancient stories and legends. “Chinese culture is one of the most underappreciated cultures in the world,” he says.

Growing up in the Midwest, Mike didn’t always appreciate his cultural background. “Everybody around me was white. I wanted to be white,” he says. But as he grew older, Mike slowly came to cherish his cultural heritage and its extraordinary vitality. “It’s not just martial arts and fried rice or whatever. It’s actually way deeper than that. And the more you explore it, the more you love it.”

In college, Mike began practicing the ancient Chinese spiritual discipline of Falun Dafa, after he witnessed how the practice miraculously transformed his bad-tempered father into a kind and considerate man. The practice combines relaxing meditation exercises with a moral philosophy based on the principles of truthfulness, compassion, and tolerance.

Falun Dafa, which epitomizes China’s long-standing tradition of self-cultivation, has helped Mike relieve stress and kept him grounded over the years.

Mike’s videos have galvanized many of his fans to set off on their own food adventures.

And perhaps his practice of Falun Dafa helps to explain his heartwarming geniality and infectious enthusiasm, which have captivated and touched millions across the globe. As a YouTuber, Mike feels a responsibility to do good, to release content that does not merely attract viewers but positively impacts them. “You’ve got a lot of negative content out there.

I’m just trying to do my part in creating a more positive environment for people,” Mike says.

外，在其他頻道中都沒有腳本，任何細節反應與他談及 的每一個話題，都是最真切的臨場反應。 成名後，陳興收到許多粉絲的熱情回饋，對此他則 表示：「 我謙卑地感恩這一切，因為並不是每個人都能 夠有如此收穫。」他謙遜地將來自各方的心意化作創作 泉源，全心投入創作，回報觀眾。 從創作影片最初至今，陳興的創作題材雖越趨多 元，涵蓋科學、飲食、文化等，但其核心價值卻從未改 變——為觀眾帶來正面影響。他說：「 我不知道這能發 揮多少影響力，但我盡可能去做。」如他所盼，許多觀 眾反饋，看了他的視頻後，幫助他們度過低潮，心情也 變得更好。 當他知道自己的創作正為他人的生命注入正向的改 變時，付出無數心血的黑夜都變得熠熠閃亮。 「 一天 24 小時，一週 7 天，沒有所謂的週末、假 日 」是陳興的工作日常。創作之路猶如一場沒有終點的 馬拉松，不在驚心動魄的前後競爭，而在每一步是否 踏得紮實穩健，恆心與熱情即成敗關鍵。

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ELITE BEAUTY

New Skincare Must Haves 春季護膚

精選新品

By Pia-Maria Norris La Prairie - Platinum Rare Cellular Life-Lotion A rejuvenating and detoxifying pre-serum treatment lotion that protects, restores, and energizes the skin. 具修復、排毒功效的爽膚水，用於精華液 之前，能有效防護、激活肌膚。 ($655, laprairie.com)

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StyleCraft - Scrubs Gentle Sonic Cleansing Brush

RéVive - Rescue Elixir Anti-Aging Oil

Waterproof facial cleansing tool with sonic vibration.

Nightly treatment oil that leaves skin hydrated and rested.

防水型音波震動臉部清潔機。

有效保溼、舒緩肌膚的夜間精華油。

($39.95, StyleCraftUS.com)

($285, reviveskincare.com)

Tatcha - Violet-C Brightening Serum

Dior - Capture Youth Intense Rescue Age-Delay Revitalizing Oil-Serum

Vitamin C and AHA-rich serum that resurfaces dull, uneven skin.

Nourishing and protecting oil-serum.

含維生素C以及AHA精華液，可有效修復肌膚暗沉、膚色不均的現象。

有效滋潤與保護肌膚的精華油。

($88, tatcha.com)

($95, dior.com)

Tatcha - The Pearl Tinted Eye Illuminating Treatment

Murad - Prebiotic 4-in-1 MultiCleanser

A tinted, Illuminating and rejuvenating eye treatment.

Hydrating prebiotic gel-to-oil cleanser.

有效提亮潤色及修復眼周保養霜。

含有益生素的膠油質地保溼潔面霜。

($48, tatcha.com)

($36, murad.com)

Natura Bissé - Diamond Cocoon Ultimate Shield

Murad - Prebiotic 3-in-1 MultiMist

Protecting and fortifying mist for skin.

A hydrating mist that primes and replenishes skin with prebiotics.

有效防護肌膚噴霧。

此款保溼噴霧含益生素，替肌膚補充流失養分。

($115, naturabisse.com)

($32, murad.com)

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Clé de Peau - Essential Refining Essence

Derma E - Acne Blemish Control Treatment Serum

Refining, hydrating, and oil-absorbing serum.

Helps fight blackheads, breakouts, and cystic acne.

收斂、保溼且具控油功效的精華。

有助於對抗黑頭、面皰以及囊腫型青春痘。

($105, cledepeaubeaute.com)

($16.99, dermae.com)

Clé de Peau - Enhancing Eye Contour Cream Supreme

Dior - Capture Youth Age-Delay Advanced Eye Treatment

Rejuvenating eye moisturizer.

Revitalizing and de-puffing eye treatment gel.

修復眼周的保濕眼霜。

能有效激活、消腫眼部的護理凝膠。

($265, cledepeaubeaute.com)

($75, dior.com)

StriVectin - S.T.A.R. Light Retinol Night Oil

Dior - Capture Youth New Skin Effect Enzyme Solution

Nourishing, dry oil with nonirritating retinol.

Clarifying and revitalizing pre-serum lotion.

滋潤型保養油，含溫和不刺激的維生素A。

含純淨、活化肌膚功效的前導乳液。

($99, StriVectin.com)

($65, dior.com)

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Charlotte Tilbury - Goddess Cleansing Ritual Purifying and hydrating cleansing duo. 深層淨化保濕清潔組。 ($46, charlottetilbury.com) Lancôme - Absolue Collection Charlotte Tilbury - Magic Cream 30 ml Ultra-hydrating moisturizer now available in a TSA-friendly size! 極致保濕，現提供旅遊隨身瓶（海關檢驗安全通關容量）。 ($64, charlottetilbury.com)

Made with an exclusive blend of Grand Rose Extracts, Lancôme’s comprehensive anti-aging collection Absolue delivers clinically proven skin rejuvenation and anti-aging results. 採用獨家黃金玫瑰萃取配方，打造的全方位抗老系列產品，臨 床證明其具有肌膚再生及抗老功效。

有效提亮肌膚光澤，改善肌膚鬆弛現象。

Absolue Revitalizing Eye Serum ($135) Absolue Revitalizing Eye Cream ($125) Absolue Revitalizing & Brightening Soft Cream ($120–$208).

Absolue Revitalizing & Brightening Rich Cream ($104).

Refill capsule available.

($65, lancome-usa.com)

(lancome-usa.com)

Lancôme - Visionnaire Skin Solutions 15% Vitamin C Correcting Concentrate Boosts skin radiance and improves skin elasticity.

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ELITE BEAUTY

New Spring Delights 悅活新春

By Pia-Maria Norris Chanel - CHANCE Eau Tendre Eau de Parfum Spray With key notes of Jasmine Absolute and Rose Essence, this floral-fruity fragrance expresses confident femininity with a feeling of absolute tenderness. 含茉莉精華及玫瑰萃取，帶有自然的花果香調，更添溫婉柔和的女人味。 ($105 – $135, chanel.com)

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1. Dior - Addict Lip Glow To The Max in 201 and 209 Color-reviving lip balm. 色彩鮮活的滋潤型唇膏。 ($34, dior.com) 4. Mon Guerlain Bloom of Rose Eau de Toilette 2. Guerlain - Météorites Compact Powder in 02 Clair The four shades can be applied together or individually to correct uneven skin tone.

A dazzling and cheerful fragrance that combines lavender and vanilla notes with Bulgarian rose and neroli.

可混搭使用四種色調，或用單色修正膚色不均的問題。

一款令人快樂有活力的香水，帶來薰衣草、茉莉、檀木，以及 含保加利亞玫瑰及橙花的香草氣息。

($62, Guerlain counters nationwide)

($109, Guerlain counters nationwide)

3. Dior - Addict Lacquer Stick in 674 K-kiss

5. Guerlain - Météorites Highlighter Duo

A full-coverage lacquer lipstick that delivers high shine and intense color with just one swipe.

The light capturing rose and lilac holographic shades brighten and enhance your natural complexion.

色彩飽和的漆光唇釉，輕輕一抹就能擁有極致的閃耀豔彩。

玫瑰與紫丁香兩種立體高光色調能有效提亮膚色。

($37, dior.com)

($62, Guerlain counters nationwide)

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1. Dior - Backstage Glow Face Palette Blush and highlighter palette. 腮紅、打亮兼具的臉部修容盤。 ($45, dior.com) 2. Guerlain - KissKiss Moon and Stars Lipstick in 575 Lilac Moon

4. Givenchy - Prisme Blush in 02 Love

A limited-edition lipstick engraved with stars and moons and in a holographic finish for a celestial look with a romantic twist.

Two pearlescent shades perfect for achieving a natural, glowing complexion.

時髦而經典，此款限量系列唇彩上還有別具巧思的星月印花。

兩種珠光色調能完美打造自然、耀眼的腮紅。

($37, Guerlain counters nationwide)

($53, Sephora, Barneys)

3. Lancôme - Café Bonheur Vernis In Love in 120 Rose Café and 110 Oh Mes Paillettes

5. Givenchy - Dual Liner in 03 Dynamic (green/blue) and 04 Passionate (rose/mauve)

Limited-edition spring nail lacquers.

Two-tone eyeshadow and liner.

限量漆光美甲油，共兩色可選。

擁有兩種色調的眼影兼眼線筆。

($20, lancome-usa.com)

($34, Sephora, Barneys)

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6. Chanel - Ultra Le Teint A 24-hour foundation in a flawless matte finish.

9. Clé de Peau - Refined Lip Luminizer in 09 Cute Kiss

24小時長效啞光粉底液，打造無瑕底妝。

Slim, hydrating lipstick with vibrant sheer color and radiant shine.

($60, chanel.com)

細管保溼唇膏，色彩亮麗，光澤透亮。 ($58, cledepeaubeaute.com)

7. Dior - Forever Skin Glow A 24-hour foundation in a radiant finish with SPF 35.

10. Clé de Peau - Radiant Corrector For Eyes

24小時長效持妝，光澤款，防晒係數為SPF35。

Illuminating and color-correcting concealer pen.

($52, dior.com)

有效提亮及修正膚色的遮瑕筆。 ($65, cledepeaubeaute.com)

8. Clé de Peau - Luminizing Face Enhancer in 18 Orange-Pink Creates healthy skin luminosity with its warm orange and sweet pink shade.

11. Clé de Peau - Cream Eye Color Solo in 308 and 309

用溫黃及粉甜色調打造健康光澤肌。

霜狀柔潤的眼影霜，塗抹時轉化為絲滑粉狀。

($95, cledepeaubeaute.com)

($45, cledepeaubeaute.com)

Smooth, dewy cream eye shadow.

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Back to

Nature 回 歸 天 然

By Pia-Maria Norris

Farmstead Apothecary - Lip Balm

O'o Hawaii - Birdbath Antioxidant Cleansing Balm

Formulated with the purest blend of organic shea butter and coconut oil.

Loaded with anti-aging, Hawaiian antioxidants and organic superfoods.

由天然純粹的有機乳木果油和椰子油混合製成。

此款潔膚膏採用具有抗老功效的夏威夷健康食材製成。

($6.99, farmsteadapothecary.com)

($85, oohawaii.com)

Skinny & Co - Raw Beauty Coconut Oil

Ginger Chi - Hydrating Chi Mist (4 oz.)

Coconut oil that is 100% raw and natural, for face, body, and hair.

Hydrating toner made of rose, chamomile, and a hint of ginger!

百分百純天然的椰子原油，適用於臉部、身體及秀髮。

由玫瑰、洋甘菊以及微量生薑製成的保溼化妝水。

($10 - $14.95, skinnyandcompany.com)

($18, gingerchi.com)

O'o Hawaii - Brilliant Feather Beauty Balm

Ginger Chi - Regenerating Face Serum (1 oz.)

Made with organic Hawaiian superfoods and healing rose quartz crystal!

Made of beautifying essential oils, rich in Omega-3 and Omega-6 oils.

以有機的夏威夷健康食材、具治癒效果的玫瑰水晶製成。

ω-3脂肪酸以及六種精油製成的美容液。

($110, oohawaii.com)

($45, gingerchi.com)

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Anti-Aging Beauty Tools Made Of Healing Stones 來自大自然的抗老護膚礦石 Jade and Rose Quartz are wonderful healing stones for body and soul,and the Bian stone contains up to 40 trace minerals that are beneficial to the human body! 玉以及玫瑰水晶，是對身心靈皆含有絕佳治癒功效的礦物石。 此外，含有40種以上微量元素的黑砭石（ 黑曜石），同樣對人體益處多多。

Ginger Chi - Jade Chi Mask Therapy Helps reduce puffiness and wrinkles, close pores, and relieve sinus issues. 有效減少浮腫及皺紋問題，且能收和毛孔、緩解鼻竇相關症狀。 Ginger Chi - Rose Quartz Chi Roller Anti-Aging Therapy

($48, gingerchi.com)

Helps improve skin elasticity, and reduces stress and fatigue that cause fine lines and wrinkles.

Ginger Chi - Jade Chi Comb

有效幫助肌膚恢復彈性，減壓除勞，進而避免細、皺紋生成。

Relaxing, rejuvenating, and hair-stimulating jade comb.

($39, gingerchi.com)

此玉梳能有效放鬆頭皮刺激毛髮生長。 ($24, gingerchi.com)

Ginger Chi - Anti-Aging Bian Stone Therapy Roller Helps stimulate blood circulation, relax muscles, and aids in lymphatic drainage and elimination of toxins.

O'o Hawaii - Rose Quartz Gua Sha Beauty Tool

能促進血液循環、使肌肉放鬆，達到淋巴引流及排毒的功效。

此玫瑰水晶刮痧專用於拉提臉部肌膚。

($29, gingerchi.com)

($24, oohawaii.com)

Gua Sha rose quartz treatment tool for a natural facelift.

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ELITE HOME

OLD-WORLD CHARM ADAPTED FOR MODERN LIVING The Chainsmokers are never getting older in this eclectic house by Peti Lau 華裔設計師 打造好萊塢明星府邸 English text by Angela Feng | Chinese text by Ada Tian Photography by Brittany Ambridge and Nick Onken

A

s one half of the Chainsmokers, a Grammy-winning DJ duo, Alex Pall has built a career based on creativity and innovation. Therefore, it makes sense that he would be drawn to a house made of a mash-up of different architectural styles. This classic Hollywood Hills bungalow was built in the 1930s, with renovations made in the ’80s and ’90s to give it a dash of industrial edge.

Such a distinctive home requires an equally remarkable designer. Who would be better for the job than Peti Lau? Peti was born in Israel to Chinese-Vietnamese parents. From opera singing, to opening a restaurant, to starting a clothing line—she has truly done it all. It wasn’t until 2005, when she unexpectedly took on the assignment of designing a resort’s restaurant, that she discovered her passion

Peti Lau是一位中越混血的華裔室內設計師，出生於以色 列，四歲時隨父母搬遷至美國華盛頓特區附近的北弗吉 尼亞。現在的她，安家紐約，常年在全球各大都市來回穿 梭，為好萊塢明星、賓館、度假村和優尚餐廳的室內設計 而奔忙。正如她的設計一樣，Peti的人生經歷多采多姿， 頗不平凡。她自幼擁有一副美好的歌喉，並學習歌劇，其 後在古典聲樂大賽中獲獎。本以為要做一輩子歌者的她， 後來改變航道，沿襲父母的創業精神，做過很多不同行 業，比如開餐廳、推出自己的時裝系列等。繽紛人生中， 對Peti而言，唯一不變的便是旅行——她似乎永遠在路 上，從美洲、歐洲到亞洲，她一次又一次踏上旅途，用身 心感受著每一塊土地的人文、歷史和獨特之美。 或許是因為多元的文化背景，也或許是因為豐富的 旅行見聞，Peti 的設計往往大膽、充滿想像、兼容並蓄 多種文化、極具品味。她擅長將多種色彩、圖案、材質不 拘一格地融會於同一個空間，又巧妙地將各個因素協調起 來，創造出獨具風格、讓人印象深刻又十分舒適的空間。 經常和明星的合作的她，受葛萊美獲獎雙人組 The Chainsmokers 成員之一 Alex Pall 的委託，在 2018 年 完成了一棟極具復古色彩，又符合現代生活需求的好萊塢

Left: Born in Israel to Chinese-Vietnamese parents, Peti Lau’s well-traveled eye and eclectic taste translates into livable, tailored interiors that are full of personality.

(Photography by Nick Onken)

居所設計。 Alex Pall 這棟位於好萊塢山丘之上的房子，建立於 20 世紀 30 年代。在門口玄關處，一株高大的樹木生長

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Top Right: This bedroom is adorned with a screen that exemplifies symmetry and balance.

One of the most unique features of the bungalow is the tree growing in the entryway, bringing the beauty of nature into the home.

(Photography by Brittany Ambridge)

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Top left: A classic mid-century-style lounge chair pops against the intense, rich blue wall. Lining the bookshelves are trophies and awards, with a guitar at the ready when inspiration strikes. The clean lines of the furnishings contrast with the more ornate pieces, such as the chinoiserie drum table and capiz shell floor lamp. (Photography by Brittany Ambridge) Top right: Rich blue walls, deep green curtains, and warm marigold accents give the living room a cozy yet luxurious feel, while the bright colors of the painting add a playful touch. (Photography by Brittany Ambridge)

for interior design. “It all came very naturally,” Peti recalled.

To explain her signature style, Peti coined the term “AristoFreak”, which she describes as “oldworld charm w ith a f lash of the unexpected.”

AristoFreak developed during her early career in Thailand, Mauritius, and Europe, and is inspired by her love for traveling. Through bold colors, patterns, and textures, Peti is able to express her worldly inspirations while creating eclectic spaces full of personality.

Pall’s home embodies the AristoFreak concept.

Peti didn’t shy away from using vibrant colors and busy patterns, even within the same space.

“The house had this build-in eclecticism,” Peti explained. “It felt appropriate to approach each interior space as its own unique environment.”

Before Peti took on the project, Pall had already installed palm-leaf wallpaper and an orange-velvet couch in the family room. Continuing with the tropical theme, Peti added a natural-f iber coffee table and assorted leopard- and tribal-print

於室內，讓這棟住宅和大自然融通。為了更加烘托這株大樹 帶來的盎然生機，Peti 巧妙地選用了極富設計感的座椅、 綠植和藍色牆面，讓房子的入口處顯得更加活力四射、富 有趣味。 為了強調起居室的高度，Peti 將普通的白色牆壁改成了 大膽的深藍色。大量色彩度飽和高的藍、橙、綠，讓本來因 超高屋頂而略顯空曠的空間豐富起來。經典的古董地毯則「 很 好地平衡了此處空間的各種不同的元素 」Peti 說。從大廳正 中懸掛的藝術作品，到沙發、牆體、家居、地毯，再到連接 屋外的大窗和窗簾，Peti 通過顏色的相互輝映，讓起居室成 為了一個舒適、明亮、有趣味且極富奢華韻味的大氣空間。 受 80 年代搖滾樂的啟發， 她使用情緒強烈的壁紙與 奪目的紅色作為餐廳基調，將古典的吊燈以意想不到的方 式，完美融入空間，以現代的方式設計了令人印象深刻的 餐廳。家庭娛樂室的設計，Peti 開始並圍繞牆上懸掛的一 副色彩豐富的攝影作品（ 出自藝術家 Hassan Hajjaj 之手 ） 展開。沙發、靠枕、手工毛線裝飾的茶几和古董地毯，都 和牆面上豐富的色彩相呼應，創造出一個絢麗、熱情、和 室外大自然相呼應的舒適空間。 Peti 說，「 設計就是傾聽你內心的聲音，並鼓起勇氣 跟隨它。我希望做室內設計一直到老，直到我 90 歲的時 候！」

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Top: The dining room pays homage to the 1980s and rock ‘n’ roll, with the graffiti-like Channels wallpaper by Wearstler, neon rainbow lightbox, and plush vermilion chairs. (Photography by Brittany Ambridge) Left page: A natural-fiber coffee table evokes the dried version of the leaves on the wall. (Photography by Brittany Ambridge)

pillows. The orange, red, and blue of the Hassan Hajjaj photography ties the room’s color palette together. To offset the bright colors and patterns, Peti kept the ceiling a clean white and added a vintage Turkish rug. “A classic antique rug is a nice way to stabilize all the stuff that’s going on.”

The master bedroom is open and airy, with a high sloped ceiling and f loor-length windows. The neutral color scheme feels intimate and elegant, with the painted velvet drapes adding a touch of drama. To soften the room’s initial industrial feel, Peti gave the plaster on the walls a thick, layered look, imitating aged European interiors.

As expected for the home of a musician, many rooms contain musical references. The dining room pays homage to the 1980s and rock ‘n’ roll, w ith the g ra f f it i-li ke C ha nnels wa llpaper by Wearstler, a neon rainbow lightbox, and plush vermilion chairs. Casting a hot pink glow over the

kitchen is the neon sign that accompanied The Chainsmokers onstage at their f irst “SNL” performance. In the great room, the duo’s Grammy Award takes center stage, sitting proudly atop the polished brass credenza.

People say that “the house should mirror the soul.” With her eclectic taste and well-traveled eye, Peti certainly accomplishes this goal, crafting a one-of-a-kind home fit for a rock star. Despite being a jill-of-all-trades, she has found design to be her true path. “Design is about listening to your inner voice and having the courage to follow it,” Peti said. “I hope to be doing this until I’m 90 years old!”

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ELITE HOME

光影魔術師

MAGICAL LIGHTS

By Faithe Lo Good lighting will not only brighten the room, but it also will brighten your mood. Find the perfect lighting for every situation—whether it’s lounging in the living room, cooking in the kitchen, or reading in the study. The right light fixture will make your home feel cozy and welcoming while giving it an air of elegance and sophistication. 燈，不僅僅是照明這麼簡單，還為人帶來好心 情，替不同的使用情境製造出適當的氛圍，不 管是窩在客廳聊天、待在廚房忙活，或者坐在 桌前讀書。選擇不同的燈具，為家中每個房間 安排最適切的燈光，也是展現主人的巧思。

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PENDANT LIGHTS A striking, unique chandelier is not only the perfect statement piece but also a great way for you to show off your personal style. 一盞令人難以忘懷又獨具特色的吊燈，除了是視覺的焦點，也能彰顯主人

PHOTOS BY HERMAN MILLER, MOOOI, VIBIA

的個人特色與品味。

1 WIREFLOW 3-D LED SQUARE PENDANT, $2,660; HEXAGONAL PENDANT, $3,287.20; OCTAGONAL PENDANT, $4,474.40; LUMENS.COM | NELSON PEAR BUBBLE PENDANT, SMALL, $395; NELSON 2 CIGAR CRISSCROSS BUBBLE PENDANT, SMALL, $395; NELSON SAUCER BUBBLE PENDANT, SMALL, $395; STORE.HERMANMILLER.COM | HERACLEUM ENDLESS SUSPENSION LIGHT, $2,665, YLIGHTING.COM 3 COSMOS MOON CLUSTER PENDANT LIGHT, $3,040.80; COSMOS SATELLITE LED PENDANT LIGHT, $940.80–$1,024.80; LUMENS.COM

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Pendant lights come in a variety of shapes and designs. From dreamy clouds, to whimsical cranes, to majestic mountains—your choices are endless.

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無論是天上 飄著的雲、飛的鳥，溫柔的月亮還是雄 偉的山巔，讓各種特殊造型燈把自然帶進家中。

4 IC LIGHTS S2 PENDANT LIGHT IN BRASS, $795, MOUNTAIN VIEW LED 1STDIBS.COM | 5 PENDANT, AMBER/GOLD, $3,830, 2MODERN.COM | ETOILE LARGE PENDANT LIGHT, $1,650, 6 CLOUD SUSPENSION LAMP, 1STDIBS.COM | 7 PERCH PRICE UPON REQUEST, KREON.COM | 8 LIGHT BRANCH, $4,366, SHOP-US.MOOOI.COM

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PHOTOS BY AXO LIGHT, BELUX, FLOS, GUBI, MOOOI, OLUCE, SLAMP, VIBIA

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WALL AND CEILING LIGHTS If you’re worried about a room looking too cluttered, then make sure to utilize your wall space. Install multiple wall lamps to brighten a certain area, or illuminate the entire room with an elegant ceiling light. 在家中設置燈具時，可別忘了利用牆上空間。在走廊或床邊裝一

1 ORIGAMI LED WALL SCONCE, $1,562.40– SKYGARDEN $3,040.80, YLIGHTING.COM | 2 RECESSED LIGHT, $745–$795, LUMENS.COM | MUSE WALL/CEILING MOUNT, $252– 3 MUSE $1,017, LIGHTOLOGY.COM | 4 FLOWER WALL/CEILING LIGHT, $220.51–$981.00, ASTRO WALL LIGHT, $518, LUMENS.COM | 5 BESTLITE BL6 INTERIOR-DELUXE.COM | 6 WALL LAMP, $579–$939, APLUSRSTORE.COM

盞壁燈，局部照明，或在大面牆上同時裝設多盞壁燈，既實用又能 製造氣氛。

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FLOOR AND TABLE LAMPS A floor or table lamp is the perfect functional decor piece. A stylish lamp will instantly elevate the room and at the same time help you make the most of your space.

PHOTOS BY ARMANI CASA, ARTEMIDE, GUBI, SLAMP, UMAGE

落地燈和桌燈最大的特色就是隨插即用，

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哪裡缺乏光線就加在哪裡，完美無缺地照 亮家中每一個角落。

1 ALUVIA TABLE LAMP SHADE, $299–$499; TRIPOD TABLE, $49; US.UMAGE. LIZA FLOOR LAMP, $1620, COM | 2 TERSILLA, 1STDIBS.COM | 3 PRICE UPON REQUEST, ARMANI.COM/ DIOSCURI TABLE LAMP, CASA/ | 4 $124–$439, FINNISHDESIGNSHOP.COM MULTI-LITE FLOOR LAMP, IN WHITE/CHROME, $1,279, DWR.COM 4

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ELITE PEOPLE

Elevated Design NEW PRACTICE STUDIO 匠心獨運「新實建」為紐約注入新風景 English text by Irene Luo｜ Chinese text by Astrid Wang

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(From left to right) Nianlai Zhong, Sidong Lang, and Tai-li Lee are the three partners at New Practice Studio.

(Courtesy of New Practice Studio)

W

alking along First Avenue through Manhattan’s East Village, you may notice one restaurant that stands apar t from the others. Its large floor-to-ceiling window beckons you to peek in at the people sitting at a long communal table relishing bowls of delicious rice noodles. Under a canopy of curved, wooden slats—which look like rows of oversized noodles—a diverse conglomeration of droplet-shaped lights hang from the ceiling, filling the sandy-hued space with warm light.

The design of this small rice noodle shop, Hunan Slurp, was recently honored by The Architect’s Newspaper with the 2018 Best of Design Award in the interior design and hospitality category. It was designed by New Practice

晚餐時段，曼哈頓東村街頭一派悠閒如往常，聚餐人群 三五而至。街上一間極富設計感的店面，隔著大片的 方窗，透出店內熱絡的用餐人潮，狹長的空間裡沒有複 雜迂迴的陳設，一眼便能望盡，簡斂明亮的設計格外吸 睛。這是一間湖南米線餐廳，有別於傳統中式餐館店 面，成功留住了行人的目光。 這間名為「 湖南唆粉 」（Hunan Slurp）的小麵館 榮獲了2018年美國「The Architect's Newspaper」頒 發 的 最 佳 室 內 設 計 獎， 出 自 一 新 銳 設 計 團 隊：「 新 實 建 」，是2016年由三位年輕的華裔建築設計師聯手創 辦。短短三年，他們的作品已走入了紐約客的飲食日常。 理想的共鳴 「 新實建 」事務所有三位靈魂人物：創辦人鍾念來是四川 人，才思敏捷，對其專業的熱情展露無遺；另一位來自 山東的郎斯棟，則有股儒雅的藝術氣息；而來自台灣的

Left page: Long communal tables, inspired by the ones commonly found in China’s night markets, sit at the center of Hunan Slurp. (Picture courtesy of Montse Zamorano)

李泰利身材高大，個性直率爽朗，有想法與見地。三人 雖性格迥異，卻共聚一堂開創新事業，正因他們懷有共 同的理念與願景。

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Four palace ladies savor a meal in this mural on the back wall of Tang Hotpot. (Picture courtesy of Montse Zamorano)

Studio, a firm based in New York City and Shanghai, China, that has been at the forefront of reinventing Chinese restaurants in New York City.

2015年，一股中式餐飲界的蛻變悄然展開。主打 「 環境佳、菜品精緻、特色鮮明 」的新式中餐廳在紐約陸 續開業，這些餐廳的業主多是九零後的年輕華裔，試圖 改變中餐館予人的既定印象。

CHALLENGING NORMS For many people, “Chinese restaurant” means delicious, f lavorful cuisine, but the interior design— ranging from no-frills to garish—doesn’t quite match the quality of the food, says Sidong Lang, a partner at New Practice Studio.

For the older generation of Chinese restaurant owners, the only thing that mattered was ensuring their food tasted delightful. But a new crop of 1990s-born restaurateurs and designers are striving for not just exquisite cuisine, but also excellent customer service and beautiful interior design.

Among those who are leading this trend are the designers at New Practice Studio, which is led by

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這批年輕人與老一輩人在各方面心態皆有所差異， 鍾念來舉例：「 他們從小不僅學中國的美學和藝術，也 接觸了西方的美學，西方傳統經典的藝術，以及當代的 西方藝術和美學。他對於這種文化，對於美的認知的開 放性會大很多，會願意去嘗試一些有挑戰、有新意的東 西。」新實建恰好碰上這樣的一群人，迎來實踐理想的機 遇。 郎斯棟點出了大環境的現實情況：「 對於美國人來 講，他們認為中餐就是『 好吃，環境糟糕 』，大部分都是 這樣認為。」因此他們決心做出有別以往的設計，在符合 餐點的特色、形象以及文化背景等因素下，大膽加入諸 多新元素，為每間餐館量身打造，「 我們盡我們最大的努 力，把這些東西發掘出來。讓大家覺得亞洲的餐廳，可 以創造出來空間的豐富性是非常高的。」鐘念來說。

Golden mesh screens, made from coiled aluminum, float over the semicircular tables. (Picture courtesy of Montse Zamorano)

three innovative, ethnically Chinese designers— Nianlai Zhong, Tai-li Li, and Sidong Lang—who were united by their shared philosophies on design.

Exposed to both Chinese traditions and Western aesthetic ideals, they marry these two systems with ease in their designs for Chinese restaurants. They skillfully incorporate visual elements that reflect the distinctive cuisine and cultural background of each establishment. The restaurants they’ve designed are elegant and balanced, challenging conventional notions about the appearance of Chinese restaurants.

鎔鑄古典於現代 2017年 完 工 的「 唐 鍋 」， 是 唐 人 街 上 知 名 的 高 級 川 鍋 店，甫成為今年米其林必比登推薦的新餐館。篆體「 唐 鍋 」二字鏤空於門面，質樸典雅，推開大門，以唐朝為 基調的設計印入眼簾，既保有古典的優雅，亦表現出現 代的華貴質感。 其中大唐仕女用膳的大型壁畫，當屬最醒目的一項 藝術設計。店內的配色與畫中仕女們身著的朱紅襦裙有著 諧和呼應，雅緻的中國畫風與西式的現代燈飾、裝潢相融 合，毫不衝突。整體設計兼容東西，卻饒富傳統韻味，值 得細細品味。巧的是，古時唐朝體現出多元文化融合的一 代榮景，與當代紐約「 文化大熔爐 」之名有著異曲同工之

TRADITION AND MODERNITY Among their recent works is Tang Hotpot, completed in 2017, which has already become the goto spot for authentic, high-end hotpot in New York City. Drawing inspiration from the Tang Dynasty, its design is dignified and graceful, uniting modern

妙。這樣的唐鍋，就像是注定要走入紐約的一道風景。 鍾念來認為，身為華人，接手此類設計的優勢就在 能較好地掌握主題，「 我們會對這個命題有獨特的見解， 比如我們對唐代這個盛世的理解，比如說我們對表現唐 朝的顏色之運用理解。」如此更能達到業主心目中的理想 效果。

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Visitors enjoy their meals in what feels like an urban greenhouse, surrounded by the refreshing sights and smells of nature. (Picture courtesy of Montse Zamorano)

design elements with the ancient culinary tradition of Sichuan hotpot.

The restaurant’s name derives from its owner’s love of the Tang Dynasty, a golden era of cultural diversity and openness. The centerpiece of the design is a large, contemporary mural of four Tang Dynasty court ladies savoring hotpot together.

Since the space has an especially high ceiling, the designers contemplated how to enhance that void with some more texture and dimension. In the end, they chose to hang golden mesh screens from the ceiling. Made from coiled aluminum, the screens float above the semicircular banquette seats below, diffusing light throughout the space.

從好到更好的實踐 「 從好到更好 」是三人秉持的共識，也是他們在所有設 計 過 程 中， 努 力 實 踐 的 方 向。 鐘 念 來 表 示：「 怎 麼 從 『 好 』，到怎麼突破變成另外一個東西，變成『 更好 』。 這是一個非常有意思的過程。」他們特別點出：要從有 形的設計，創造出無形的價值，才是變得更好的關鍵。 新實建的得獎作品「 湖南唆粉 」餐廳就是一例。「 湖 南唆粉雖然項目很小，但是很有顛覆性的一個設計 」鍾 念來說。一般面對狹長的空間，為能創造更多座位，許 多人都會以卡桌（ 鑲壁式座椅 ）來進行設計，但他們卻 逆向操作，因為這背後蘊含著他們想傳遞的理念。 「 我們希望把大家一起吃東西這個氛圍體現出來 」 李泰利表示，這間餐廳是把湖南的街頭美食帶到紐約， 因此選擇以夜市裡較常見的「 長桌 」作為設計概念，營 造出一群人在街邊坐在一起吃麵的感覺，雖未有絕對舒

Left page: The dining tables at Hao Noodle and Tea Chelsea are spaciously scattered among lush greenery and “penjing,” the ancient Chinese art of forming trees, plants, and landscapes in miniature. (Picture courtesy of Montse Zamorano)

適的環境，卻有濃濃的市井情懷，一種亞洲式的親切。 於是他們以此長桌為中心，去延伸其他的空間設計，例 如天花板上多條拱形木梁配合長桌的擺設，使整體空間 更加深邃，達到空間感延伸的視覺效果。

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Located in the neighborhood of Columbia University, Atlas Kitchen has three distinct areas: a main section encircled by a stunning landscape mural; a section on the side, decorated with pots of greenery hanging above a communal table; and a semiprivate dining room in the back. (Picture courtesy of Qingshan Wang)

TANGIBLE TO INTANGIBLE In designing their award-winning work, Hunan Slurp, they were faced with a dilemma: What would be the best design for this narrow space? The conventional approach was to put chairs or booth seating along the wall and put tables that can be split or joined together based on the number of people in a party.

But the owner of Hunan Slurp wanted to create an air of community, a gathering spot for people to savor casual, scrumptious bowls of noodles together. So instead of seating by the wall, they put long communal tables at the center of the space, drawing inspiration from the long tables commonly seen in China’s night markets. “We wanted to create an atmosphere of everyone gathering to eat together,” said Tai-li Li. No design is perfect, and every choice made requires sacrifice of the alternatives, says Nianlai Zhong. But the final choice should add meaning and take the design to new heights, elevating ordinary to extraordinary. In the tangibles of a design, a designer must know how to create intangible value.

While New Practice Studio has designed primarily restaurants, it will eventually expand to include a much broader range of projects, from hotels to organization headquarters.

“What makes us unique is our willingness to try new things, to challenge and transform people’s conventional notions, and to offer a new kind of experience.” Nianlai said. 「 它可能不是每一個方向都更好，但是它換來的東 西，在整體上是更有價值的。最終大家覺得這個餐廳， 是想去的。」鐘念來說一項好的設計，不一定是面面俱 到，但卻一定有個精神貫穿其中。他們認為湖南唆粉這 一項目，就是一項「 從好到更好 」的努力和轉變。 中餐廳是一項具有象徵意義的開端，鍾念來表示： 「 我們會做其他類型，包括酒店、機構、餐廳等各種建 築類型，展現給美國人：我們當代的華人設計師能夠設 計出和以前不一樣的地方。」 他們就像是來自東方的三劍客，用新一代的東方眼 光，闖蕩在名為紐約的江湖之上。「 我們有一種特質： 願意去嘗試一些新的東西，對大家既定俗成的概念去挑 戰和轉變，提供一種新的體驗。」對此勇於挑戰的特質， 鍾念來相信：「 這是在我們血液裡面，是上一代建築設 計師不太會的 。」 Right page (top): Atlas Kitchen’s central mural, the work of artist Anxiong Qiu, was inspired by the Classic of Mountains and Seas, an ancient Chinese text of mythic geography and legend. (Picture courtesy of Qingshan Wang) Right page (bottom): At the back of Atlas Kitchen is a beautifully decorated semiprivate dining room. (Picture courtesy of Qingshan Wang)

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ELITE ART

The Silversmith: An Endangered Traditional Craftsman The artistry of Argentiere Pagliai in Florence 意大利工藝史的精采瞬間：帕里艾銀器專訪 English text by Lorraine Ferrier Chinese text translated by Yi-Chun Lin Pictures courtesy of Lorenzo Michelini/Argentiere Pagliai

時間回溯至1947年，帕里艾銀器（Argentiere Pagliai） 創辦人——奧蘭多．帕里艾（Orlando Pagliai）受到意 大利古典繪畫、雕塑及建築啟發，開始製造高級的珍稀 金屬配件。此後，帕里艾銀器持續著製作銀器，並且傳 承了歐洲日益凋零的傳統銀匠技術。在當時，傳統銀匠 領域的佼佼者，已經屈指可數。 第二代傳人保羅．帕里艾（Paolo Pagliai），打從 十五歲那年目睹父親手工製作銀器，便開始了保羅對於 銀器的熱愛。今日，保羅協同妻子娜菲拉（Raffaella） 以及女兒史蒂芬妮（Stefani），承繼了父親奧蘭多的銀 匠工作，持續擦亮這塊佛羅倫斯的驕傲、國際知名的招 牌：Argentiere Pagliai。 凝視經典汲取靈感 工作室展示間裡的櫥櫃完整保存了帕里艾銀器的歷史。 每個訂單為避免萬一，都有複製品留存在店裡。因為想 讓我親睹帕里艾銀器的屏息美麗，史蒂芬妮或資深助手 西爾維婭（Silvia Staderini）為我展示了一本相簿，裡 面盡是帕里艾銀器昔日經典，還有部分受到文藝復興及 新古典時期偉大作品所啟發的具體示範。

THIS ARTICLE ORIGINALLY APPEARED ON THE EPOCH TIMES

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f your idea of silverware is mere platters and other f latware such as forks, knives, and spoons, you are in for a treat: Argentiere Pagliai’s collection showcases the pure artistry of a traditional silversmith.

Since 1947, Argentiere Pagliai has made highend precious metal pieces inspired by the traditional arts of painting, sculpture, and architecture.

The company continues to create with incredible passion and to uphold the silversmith tradition that is endangered across Europe. Those who specialize in silver restoration, in particular, are only a handful.

For the current owner, Paolo Pagliai, his passion for silver began when he was just 15, as he watched his father, Orlando, making silver pieces. Now, Pagliai, along with his wife Raffaella and daughter Stefani, upholds his father’s trade as a silversmith and continues the world-renowned family business of Argentiere Pagliai in Florence, Italy.

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Argentiere Pagliai: Paolo Pagliai, with his daughter Stefani, and his wife Raffaella at their showroom in Florence, Italy.

(Picture courtesy of Lorraine Ferrier)

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Paolo Pagliai engraves a box with an 18th-century print by Florentine printmaker Giuseppe Zocchi.

INSIDE ARGENTIERE PAGLIAI As I enter, I am warmly greeted by Raffaella and Stefani. The showroom we stand in is certainly sumptuous, yet we could almost be sitting around the kitchen table, as customers come and go with the familiar air of family members. As Raffaella busies herself with carefully packing a customer’s order, Stefani and longtime assistant Silvia Staderini tell me more about Argentiere Pagliai.

The showroom cupboards are an archive full of historic pieces. For every order placed, a duplicate is made in case of any imperfections, so the shop has a copy of each item made. Our conversation is interrupted only when Stefani, or sometimes Silvia,

有 件 創 始 人 奧 蘭 多 製 作 的 古 典 風 格 海 豚， 靈 感 來 自 彼 提 宮（Pitti Palace） 中 銀 器 博 物 館（Silver Museum）的白水晶海豚。原始版本中，水晶海豚身 形彎曲自然，懷抱著一片貝殼。奧蘭多的版本則將水晶 身體改為四部分紋銀組成，端坐在刻有華麗棕梠飾紋的 底座上。海豚修長的尾巴看似傾覆，卻反而讓整件作品 動靜間更為穩定。這種張力在立體物件中，若是缺乏額 外的結構支持，是相當難以捕捉的。第二代的保羅也受 惠於館內的海豚。他將一紙十七世紀德國設計的海豚圖 樣，透過一絲不苟的雕鑿，變成了立體的銀器。原本平 面的曲率躍然紙上，活潑靈動，彷彿真實的海豚在眼前 昂首翹尾。 相簿中，還有幾件奧蘭多在1960年代給蒂芙尼珠寶 （Tiffany & Co）設計的作品，其中尤以動物造型的銀器

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Left: Orlando Pagliai’s original design for a dolphin, inspired by a piece from the Silver Museum in Florence, Italy.

Right: A sterling silver dolphin, 11 13/16 inches high, that Orlando Pagliai copied from a rock crystal dolphin in the Silver Museum at the Pitti Palace in Florence, Italy.

dashes off to grab a sample to show me. Each piece is carefully kept wrapped in tissue to preserve the silver.

占多數，例如古典蝸牛造型裝飾的銀盒。另外一個銀盒 子則是複製了中國明朝的蛙型。但是保羅為了專注在帕 里艾銀器的經營上，決定於1970年代中止與蒂芙尼珠寶

INSPIRED BY THE PAST I am shown an album of historic works and also some physical samples, most of which are inspired by, or replicated from, the great designs of the Renaissance and Neoclassical periods.

There’s the classical dolphin that Orlando made, which was inspired by a rock crystal dolphin in the Silver Museum at the Pitti Palace in Florence. In the original, the dolphin holds a shell in the natural curve of its body. In Orlando’s version, the whole piece is made of four parts in sterling silver and sits on an

的合作。目前，帕里艾銀器仍然可以根據特殊需求，再 現當年為蒂芙尼珠寶製作的經典銀器。 大膽創意與鬼斧神工 環視展示間，琳瑯滿目的銀器陳列其中，看來似乎沒有 帕里艾銀器作不出的器皿，只有你想像不到的造型。 古董邊櫃上有只體態健美的紋銀豹，如果你只是 遠觀，很難理解這只銀豹如何精雕細琢，唯有近距離欣 賞才會清楚它的美。那時你將會了解堅硬銀面上的柔軟 皮草質感，原來是銀匠不辭艱辛，慢慢以小鑿子雕出的 記號。

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A sterling silver Tiffany & Co. decorative box in the form of a snail that Orlando Pagliai designed in the 1960s. This item can still be ordered.

ornate pedestal with sculpted palmettes. The tail seems to steady the creation, which almost looks like it could topple—a tension difficult to capture in three dimensions without extra structural support.

Then, there are the Tiffany & Co. pieces that Orlando designed in the 1960s. Animals feature strongly here, such as for the decorative box shaped as a classical snail. One box is replicated from a Chinese Ming Dynasty toad. Paolo made the decision to stop the collaboration with Tiffany & Co. in 1970 in order to concentrate on Argentiere Pagliai. Now, Argentiere Pagliai makes their Tiffany & Co. designs on special request.

There is the fantastical dolphin that Paolo translated into silver from a 17th-century German design found in the Silver Museum at the Pitti Palace in Florence. The curvature of the body gives the piece a dynamic edge; the movement of the creature can be felt in the round as the tail turns and its head seems to proudly emerge. The detail is amazing; each scale is meticulously chiseled and each tooth is finely defined.

Paolo’s favorite piece is his reproduction of a 16th-century German goblet, a museum piece he copied as part of an exam. The original is in a museum in Nuremberg. The piece took many months to

The Argentiere Pagliai Chrysler Building of New York, rendered in solid sterling silver, stands 32 11/16 inches tall and is mounted on a black marble base. The skyscraper took 600 hours to create.

這等別家沒有的細膩活，令紐約克萊斯勒大樓也 指定帕里艾銀器重現華廈的壯觀。銀匠前後花了600小 時才打造出這座高度近一公尺、堅硬紋銀質地的摩天大 樓，並且建築體的組成要素一應俱全：滴水嘴、窗戶， 當然還有最著名的尖頂。 資深助手西爾維婭為我指出機器與人工雕刻的銀器 有何不同：手工雕鑿的施力精準度更高，也更精緻，沒 有任何機器能取代手工製作的銀器。 守根固苗的銀匠之心 西爾維婭接著將我帶往幕後，朝建築後方走去——帕里 艾銀器第二代傳人正在裡頭專注創作。空氣中瀰漫一股 難以言喻的力量，那是種只有頂級工匠才會要求，猶如 禪定般沉靜的氛圍。

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Restoring cutlery and reproducing flatware that are no longer in production is a popular request at the workshop.

make, with the most challenging part being to cut the rock crystal into tiny pieces.

One of the Tiffany salt and pepper sets is Stefani’s favorite piece. I can see why: These small pieces each fit in the palm of my hand and are designed to look like fish. Each has a teeny spoon that looks like a shell. The spoons themselves are plated in gold, as are the insides of the fish, presumably so the salt doesn’t tarnish the sterling silver.

There’s a rather cleverly designed sterling silver cup that incorporates a wolf on the base. It was made for a Russian hunter to celebrate his kill. The wolf is upright when the cup is not in use, and upside down when used. Orlando himself was a keen

帕里艾先生愉快地同我分享他的新工作，由於教堂 需要保存一幅十八世紀繪畫，因此他和助手正在製作相 框。這位銀匠大師正手持一枚精細的黃銅頭飾，準備將 它清洗乾淨。帕里艾先生接著朝我展示了一座標誌1872 年，俄羅斯東正教風格的銀製燭臺，那是一位俄羅斯長 者所購，正需要帕里艾先生以多年的製銀專業讓燭臺重 新綻放光芒。 顯而易見，帕里艾先生非常享受他的工作。當我詢 問是否能拍攝他的工作模樣，他拿起兩尊青銅小天使塑 像，充滿童心地讓兩尊塑像站在工作檯上做對話貌。鑄 造塑像的過程，首先得將鎔化的金屬注入蠟模，等到鎔 銀在裡面成型，再熔化蠟並清除銀器上的餘蠟。這是傳 統的脫蠟程序之一，也是帕里艾先生製作昂貴銀器的必 經歷程。

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Silversmith Paolo Pagliai with his favorite piece, at his workshop in Florence. (Picture courtesy of Lorraine Ferrier)

hunter and was often invited to shoot on the land of his wealthy clients as reimbursement for work.

When I ask Silvia who buys Argentiere Pagliai pieces, she simply says foreigners. The most popular ready-made purchases are cups, normally to commemorate an important event, personal or otherwise.

silver is made by tiny chisel marks, which must have been carried out with painstaking patience.

Even New York’s Chrysler Building has been commissioned and reconstructed. It took 600 hours to 到了這一步，銀器造型已經很完美了，但還需要銼 削完善，這個部分是由帕里艾先生親自示範。此後，還 需要手工雕鑿與打亮，才算畫龍點睛。這一系列優化程

CREATIVE COMMISSIONS As I look around the showroom, the silverware on display is so diverse. It seems that anything can be made from silver in this workshop. The only limit is the imagination.

A sterling silver panther can be seen on a sideboard. The piece was a commission made as a tabletop centerpiece. This animal is not to be admired from afar, for the beauty of this beast is close-up— when you realize that the soft-fur effect on the hard

序所需的時間可能歷時數月，最終端視產品設計所需的 時間如何。 帕里艾先生堅信，能夠與家人繼續手工銀器的傳 統，是非常、非常重要的。他認為傳統銀匠能夠存在的 關鍵，就在於帕里艾銀器一類的旅遊商店和工作坊，能 夠與專門學校，如佛羅倫斯神聖藝術學院（Sacred Art School–Florence）聯手產學合作。如此一來，學生不 僅能夠學習銀器製作與保存，畢業後也能在帕里艾銀器 這類的既能生產也能銷售的工作坊裡當學徒，確實保護 「 手工銀匠 」這個在歐洲幾近凋零的寶貴傳統。

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make the 32 11/16 inches tall, solid sterling silver skyscraper, complete with all the architectural elements such as the gargoyles, windows, and of course that famous spire.

And, a grandmother from a prominent Florentine family commissioned Pagliai to make 26 sterling silver Misirizzi dolls, a traditional Italian celluloid doll from the 1960s. She gifted these to her grandchildren and had this reminder engraved on them: “Ritornate in asse e proseguite dritti sulla strada dei principi e della rettitudine indicativi”

which means:

“Come back to the path led by principles and righteousness and walk straight on.”

Silvia is quick to point out the difference between a machine-engraved object and a hand-engraved object. For hand engraving, the pressure is more precise and refined. No machine can replicate that. Here, everything is handmade—even the engraving.

THE WORKSHOP Silvia then takes me behind the scenes to the back of the building, where master silversmith Pagliai is immersed in his work. The air is filled with a different energy: a quiet, almost meditative atmosphere that fine craftsmanship demands.

Hand tools hang at the workshop’s entrance, and precious metal objects are scattered across work surfaces in various stages of being made or restored. Up on shelves, there are antique objects d’art such as a baby-pink-and-gold classical-style clock, waiting in line to be restored, and a large chandelier lies on its side, looking a little sad with its still beautiful yet tarnished delicate silver leaves.

Pagliai happily tells me that he and his assistant are preparing an 18th-century picture frame from a church that needs to be restored. He holds a tiny brass head in his hand that needs to be cleaned. He then moves on to show me a silver candlestick hallmarked

1872 that an elderly Russian customer brought in.

The Russian Orthodox candlestick needs his expert attention to be taken back to its former glory.

Pagliai clearly enjoys his work. When I ask if I can photograph him at work, he pulls out two bronze cherubs and places them playfully on the workbench, as if they are in conversation. The forms have been made by pouring molten metal into a wax mold, and once the silver is set, the wax is melted and drained away. This is one part of the traditional and aptly named lost-wax process that Pagliai uses to make his precious creations.

At this stage, the forms are imperfect and need to be refined by filing, which Pagliai sits down to demonstrate. Then, the finishing touches are made by hand chiseling and polishing. These refinements can take months, depending on the design requirements.

For example, the Tiffany animals take three months to make: A U.S. order placed in July 2017 was delivered in December that year. The most technically challenging aspect of making the decorative boxes is ensuring that the lids fit perfectly, says Stefani.

To uphold the silversmith tradition is an important role, Pagliai says, because silversmiths are disappearing across Europe, largely because the work is manual and not by machine.

Pagliai believes that it’s very, very important to continue this traditional work with his family. The key for silversmiths to survive is to work through collaborations with tourist shops and specialist schools such as the Sacred Art School–Florence, where students can learn restoration and graduates can apprentice at workshops like Argentiere Pagliai.

What remains to be seen is whether the passion of the few remaining silversmiths like Argentiere Pagliai can save the tradition.

To discover more about Argentiere Pagliai, visit ArgentierePagliai.it Ms. S. Staderini acted as translator from Italian to English.

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The Beauty of

Art & Nature Enliven Your Spirit at the Pacific Bonsai Museum 凝鍊如詩 雋永如史：一窺盆景之美 English text by Katherine Wimble Fox｜Chinese text by Astrid Wang Pictures courtesy of Pacific Bonsai Museum

Chinese Elm (Ulmus parvifolia) “penjing” created in the early 1980s by Qingquan Zhao.

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B

onsai is distinct from other visual arts in that its creative medium—a tree—is alive. Unlike a painting or sculpture, which rarely changes after the artist applies the last brushstroke or chisels the last facet, a bonsai continues to grow and develop over its lifetime. Bonsai is a Japanese word, but the art of growing these trees originates in China, where it is called "penjing."

A bonsai responds to the artist, and to the environment, and the artist responds in turn in an ever-changing dance. The work of art is never finished, always becoming. With proper care, bonsai can live in their containers for hundreds of years and therefore routinely far outlive their original artists. Bonsai often get passed down over generations, becoming imbued with layers of collaborative, artistic expression.

The Pacific Bonsai Museum is one of only a handful of public museums in the world solely dedicated to bonsai. Its bonsai collection includes more than 150 trees from China, Canada, Japan, Korea, Taiwan, and the United States—among the finest and most geographically diverse bonsai collections anywhere. When trees are accessioned into the collection of the Pacific Bonsai Museum, they often come with a deep history of artistic intervention—some having been touched by the most revered pioneers in the field. Bonsai created

by Xueming Lu, Amy Liang Chang, John Naka (known as the “father of American bonsai”), Ben Oki, Harry Hirao, Vaughn Banting, Nick Lenz, and Melba Tucker are among the most noteworthy in the collection.

Aarin Packard, the museum’s curator, who oversees the collection’s artistic and botanical direction, is constantly reminded of what an honor it is to care for these living beings: “Bonsai are a touchstone for me; I not only feel connected to each tree, but to each person who has cared for it in the past and even to those who will care for them in the future after I’m gone.”

The oldest tree in the Pacific Bonsai Museum’s permanent collection—a Korean Yew (Taxus cuspidata)— has an estimated birthday in the year 1500 and has been a bonsai since Su Hyung Yoo began training it in 1986. The museum’s largest bonsai is its signature “Domoto Maple,” named after the Japanese-American nurseryman Kanetaro Domoto, who cared for the tree after it was imported to America from Japan as a bonsai in 1915. It has endured trauma and war, standing as a testament to the will to live and the power of perseverance.

“Domoto Maple, Winter” (Trident Maple, Acer buergerianum), in training as a bonsai since at least 1913. Artist: Toichi Domoto.

盆景素有「 無言詩詞 」之稱，彷如一首凝鍊而雋永的詩， 透過盆中的千姿百態以表自然之無盡藏，意境深遠，意 蘊萬千，深受古時文人所愛。盆中景致以小相大，誠自 然界之微縮藝術。 此外，盆景亦有「 活藝術品 」之名，它和其他視覺 藝術最大的差別，就在其創作媒介多是活生生的樹。有 別於繪畫與雕塑，這些作品在藝術家完成最後一道工序 後，幾乎不再有所變動。然而盆景誕生後，仍隨著樹的 生長持續變化，就像是件永遠不會完成的藝術品。 盆景的藝術表現與創作形式、外在環境皆有所呼 應，盆景在養主適切的照料下，能在盆中存活逾數百 年，因此常作為世代承襲的珍貴物件。一株盆景經無數 人輪替照看，因而在各時期擁有不同的藝術型態，猶如 一段變奏舞曲，帶來變幻不止的驚喜。 盆景，故事 西雅圖「 太平洋盆景博物館 」是世上少有致力於收藏盆 景的博物館之一，該館藏有150件以上的盆景，分別來 自中國、加拿大、日本、韓國、台灣以及美國本地。這 些作品背後都與藝術家們擁有一段深厚的淵源與故事。 其中有不少盆景曾是備受尊崇、且具聲望的藝術家 作品。舉凡出自中國盆景先輩魯學明之手，也有國際盆 景界的泰斗梁悅美女士之作。此外還包含被譽作「 美國 │85

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From the Decked-Out exhibition, Tucker Oak (Quercus john-tuckeri) with the “Tucker Oak” skate deck painted by Merlot.

Bonsai is an art with ancient roots in China from at least the third century. For the past 100 years, the art has been embraced by North Americans who have evolved it in unique and open-minded ways. In America, bonsai is finding new ground, with fewer rules and a range of new “bonsai-able” tree species.

The Pacific Bonsai Museum attracts a worldwide audience by presenting fresh exhibits, the likes of which the world has never seen before. The 2017 exhibit, Natives, was the first exhibit to exclusively present bonsai trees that are botanically endemic to the United States. Natives not only helped make bonsai relatable to American audiences but also celebrated the beauty and diversity of American native trees. The museum’s 2016 exhibit, Decked Out: From Scroll to Skateboard, also provided points

盆景之父 」的約翰 · 納卡等重量級人物。這些著名人物經 手之作都是館內不容錯過的珍品。 現 任 博 物 館 館 長 的Aarin Packard先 生 表 示， 面 對這些盆景，他始終提醒自己勝任此務是件多麼榮幸的 事：「 盆景於我是一項考驗，我並非唯一一位與這些植 栽產生連結的人，而是每一位曾照料它們，以至未來我 離開後照護它們的每一個人。」盆景乘載著歲月，也是 今昔間的微妙連結。 館內樹齡最高的永久館藏是一株韓國紫杉，經推算 已有1500年的樹齡，自1986年開始被栽培為盆景。而 館藏最著名且最大的一件作品，是一株名為「Domoto」 的楓樹盆景，此名源自前養主。 Kanetaro Domoto是 位日裔美國人，他在1915年買下成對楓樹盆栽的其中一 盆，自此為Domoto家族世代擁有。期間它經歷了二次 世界大戰，也曾多次遷徙、受過損傷，不過它仍以頑強 的生命力屹立生長，見證了流轉的百年歲月。

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Korean Yew (Taxus cuspidata), born around 1500, in training as a bonsai since 1986. Original artist: Su Hyung Yoo.

of connection to American cultural references. In place of hanging scrolls—traditionally hung beside bonsai in Japanese bonsai displays—Decked Out displayed custom skate decks painted by some of the Pacific Northwest’s most talented urban muralists with modern street-art styles. The mash-up helped visitors see both disciplines differently and attracted new audiences to bonsai.

In the open air, against the backdrop of towering conifers in a wooded area at the heart of the Seattle-Tacoma metropolitan region, the exquisite collection at the Pacific Bonsai Museum is rendered sublime. Upon arrival, visitors walk a wooded trail that transports them from the everyday to the threshold of the magical. As visitors stroll the grounds, they find harmony, grace, and delight.

北美盆景新園地 盆景藝術源自中國。近百年來，它在北美地區也成為被 廣泛接受的一項藝術門類。盆景在北美受到的限制規範 相對較少，同時具有更多適合栽種的樹種，因而在北美 地區擁有更開闊的發展空間，別有一番天地。 「 太平洋盆景博物館 」推出的新奇特展以及諸多 創 新 之 作， 吸 引 了 來 自 世 界 各 地 人 潮。 2017年 名 為 「Natives」的展覽，是首次美國本土樹種盆景特展。為 了讓展覽更加接地氣，每一件盆景之「 盆 」，皆是採用 植株原棲地的礦物原料製成，並透過知名畫家繪製植株 原生地貌作為背景裝飾，這不僅成功展現美國樹種的多 樣性與自然生態，也以藝術之美充分表現了在地特色。 博物館位於西雅圖都會區的核心地區，館內以開 放式的戶外環境陳列展品。在四周高聳的松柏環繞下， 漫步於設計簡練、開闊的林間步道，觀賞這些精美的盆 景，格外令人舒心。 │87

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Surinam Cherry (Eugenia uniflora), established as a bonsai in 1961 and titled “Holding Up the Sky.” It is a particularly famous work by the late Xueming Lu.

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Alaska's Aleutian Range as part of the Natives exhibition. Subalpine Fir (Abies lasiocarpa) forest planting and also accent planting by Young Choe, kusamono container by Victoria Chamberlain, and Alaska painting by Iuna Tinta.

Each bonsai sits on its own table, set within display niches organized as an outdoor art museum with no roof.

Visitors come from around the world to admire the bonsai and reap the compounding benefits of time spent outdoors, time spent experiencing beauty, and time spent soothing the soul. “Our hope is that you will feel closer to nature and inspired as you experience the museum,” says Kathy McCabe, the museum’s executive director, adding, “There’s always more to see, in every tree and in every season.”

博物館執行長Kathy McCabe表示：「 我們希望您 們能在此能感到更親近自然，並能有所啟發。」她還說 道：「 每一棵樹、每一個季節都有著值得一看之處。」盆 景是活生生的藝術，每一枝枒日夜變化的微妙曲線，春 夏秋冬的繁茂與蕭瑟，永遠能體現各富意趣的風貌，值 得您一再造訪。 博物館資訊： 「 太平洋盆景博物館 」每週開放六天（ 週二至週日 ）， 從早上 10 點至下午 4 點。免費入場，開放自由捐獻。 別 錯 過 今 年 5 月 11 日 ~9 月 29 日 舉 行 的 兩 大 特 展： 「 盆 景 活 藝 術 和 設 計 原 則 」（Living Art of Bonsai,

The Pacific Bonsai Museum is open six days a week (Tuesday through Sunday), from 10 a.m. to 4 p.m.

Admission is free, although donations are always appreciated. Don’t miss the museum’s 2019 special exhibits, Living Art of Bonsai, Principles of Design and Gnarly: The Dan Robinson Retrospective, which are on view May 11 through September 29.

Principles of Design）和「 遒勁之美：丹 · 羅賓森回顧 展 」（Gnarly: The Dan Robinson Retrospective）。 訪客可於參訪期間藉由手機使用中文語音導覽。詳情請 至 www.PacificBonsaiMuseum.org 查 詢， 也 可 來 信 或致電至 info@pacificbonsaimuseum.org / +1 (253) 353 7345 諮詢。

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Light as a

Common Thread 點亮西雅圖的一道曙光 Chinese text by Astrid Wang｜Photography by David Inman

展示間模擬呈現套房內部空間與設施。

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左：「晨曦」豪華住宅公寓的實體模型，此樓盤的下部將成為一件巨型的玻璃藝術品。 右：西雅圖頂尖的地產經紀人商麗麗（Lili Shang），她也是「Realogics Sotheby」公司亞洲團隊的共同創辦人之一。

光，是生命中不可或缺的元素之一，點亮生命裡的種種

外加宜人的溫帶氣候，靠海的豐富食貨，相較其他

風景。清晨的陽光，是日復一日的起點，讓人們獲取一

都會區的生活條件，明顯有許多優勢。商女士進一步點

天的活力。西岸集團（Westbank）於西雅圖的重點住

出：「 這座城市不僅擁有令人驚豔的自然景觀，同時也是

宅建案——「 晨曦 」（First Light ），將為此做出最好

西岸飛往中國最便利的地點。」除此之外，其迅速發展的

的註解。

經濟、良好的稅收環境，以及居世界領導地位的教育環

西雅圖頂尖的地產經紀人商麗麗（Lili Shang）是

境、醫療健康體系完善等誘因，每月有多達4,000名新居

「Realogics Sotheby」公司亞洲團隊的共同創辦人之

民入住，成為經濟、文化、娛樂、醫療等領域名副其實的

一。本刊帶您隨著她的介紹，一同窺探此備受矚目的全

發展重地。商女士表示：「 此為成熟的房產市場，投資者

新高級樓盤建案。此樓盤將座落於西雅圖下城區第三街

將目標從單純的家庭住宅，轉向商業型房地產。」

及維吉尼亞街之間。

這也是西岸集團為何選擇西雅圖作為「 晨曦 」建案的

商女士表示：「 有越來越多人搬出郊區遷往都市，

首選之地。此建設公司總部位於加拿大溫哥華，他們經手

我從未見過如此光景。」西雅圖為何成為北美地區近年

許多知名建案，遍及世界各大城市，如東京、多倫多、溫

來迅速竄升的購房市場，並使人們趨之若鶩？對此她則

哥華以及北京等地。

談到，在過去10~30年間世界500強公司多在此設立總

該集團建案皆注重生活美學與環境永續發展，透過

部，國際企業龍頭總部如亞馬遜、微軟等。都市的重點

建築結構設計，擺脫過往摩天大樓的單調設計，與此同

經濟發展包含電子商務、通訊、網路軟體等產業。

時，進一步思考如何創造更多的公共空間與價值。

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大樓內所有住宅套房內配有齊全的硬體設備，包括德國Miele家電、Kohler的衛浴設備等。

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位於建築頂端的公共空間，不僅有室外泳池、日光浴，也將打造一精緻的花園、以及健身房等休閒設備。

「 晨曦 」一案由加拿大知名華裔建築師鄭景明，與

至於樓盤的住宅套房，將有配備齊全的德國Miele

西雅圖玻璃藝術家約翰 • 霍根（John Hogan）合作，

家電、Kohler的衛浴設備，還有亞馬遜知名的智能聲控

攜手打造成一棟「 公共藝術品 」。光，是為此樓盤的核

裝置等高級、先進的居家配置。商女士特別談到，每位

心設計理念。西雅圖常年陰雨綿綿氣候環境，陽光顯得

住戶都可以使用該大樓的最先進的單車俱樂部，以及獨

格外珍貴。為了將光線留住，必須創造媒介，因此除了

家的頂級豪車共享方案。豪車共享有全新的「 奔馳 」車

大樓本身的主要建材混泥土，「 玻璃 」成為此建案的另一

款，而單車俱樂部將提供最先進的維修服務。她解釋

重要元素。

道：「 因為亞馬遜、谷歌以及臉書都非常靠近，我們想

霍根負責操刀此部分，將此樓盤基座部分變成一巨

讓住戶們與這些企業員工擁有同等的生活型態。」

型的玻璃藝術品。包覆大樓本體垂墜式的玻璃幕簾，猶

西岸集團認為，這座城市不再需要那些高聳的灰色

如一層薄透面紗，讓光線與玻璃完美結合。官方介紹寫

建築，透過設計美學來提升都市生活，是這座都市的迫

道：「 光線既可向內縱深漫射，又可由內向外折射。我

切需求，他們也希望此概念能成為未來趨勢。「 晨曦 」

們根據簡潔直接的藝術原則選擇建築材料，以達到更好

將會成為西雅圖的第一道曙光，帶來無盡的閃耀。

的光影效果。」

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《 旅人漫記 》

The Baroque Art of Bernini in Rome 巴洛克建築藝術的輝煌 ——貝尼尼的羅馬（上） Chinese text by Guangyu Jiang Photography by Shutterstock

在1527年，一場史稱「 羅馬浩劫」 （Sack of Rome）的 兵災摧毀了羅馬城內文藝復興時期興建的大量建築。這 場浩劫因教皇克勉七世（Clemens PP. VII）與當時的強 人——神聖羅馬帝國皇帝查理五世（Charles V）的權力 之爭而起，為羅馬帶來了史上最嚴重的文化慘劇，也讓 羅馬永遠失去了意大利文藝復興中心的地位；一些史家 認為，這也標誌著盛期文藝復興走到了盡頭。 在這場浩劫之後主持羅馬城重建的偉大建築師中， 吉 安． 勞 倫 佐． 貝 尼 尼（Gian Lorenzo Bernini， 又 名 Giovanni Lorenzo Bernini）被譽為「 重建羅馬的天 才 」。由他一手設計的典型巴洛克風格的建築，以及受 其風格影響而設計的建築，布滿今天的羅馬城。 貝尼尼生於 1598 年，彼時，歷史的腳步正邁入巴 洛克的輝煌。相對於很多藝術家潦倒一生的境遇，貝尼 尼無疑是被上天眷顧的。他少年得志，很早就在羅馬的 藝術圈名聲顯赫，年紀輕輕便功成名就。那個時候他的 成就離不開兩個人的賞識，一個是視他為摯友的教皇烏 爾班八世（Urban VIII），另一個是對他青眼有加的樞機 大主教博蓋塞（Scipione Borghese）。今天羅馬著名 的博蓋塞美術館（Galleria Borghese），就是這位顯赫 一時大主教的官邸。而如今館內大量貝尼尼的作品，基 本都是受大主教委託而創作的。 巴洛克建築在立面上的凹凸變化，充滿動感的渦

貝尼尼自畫像，約1623年作。(Picture Courtesy of the

Archivo Fotografico Soprintendenza Speciale per il Polo Museale Romano)

卷，整體上賦予建築以活力和戲劇感，讓普通民眾更加 樂於接近，激發著人們對幸福的渴望。貝尼尼的建築作 品在體現信仰價值的同時，也極富美學價值。

1656 年，貝尼尼被教皇亞歷山大七世任命為教廷 總建築師，接受教皇委託，設計聖彼得大教堂前的廣場。

貝尼尼在建築藝術方面最偉大的成就，當屬梵蒂岡

這是一個橢圓形廣場，教皇每逢重大日子會在這裡舉行

聖彼得大教堂（Papal Basilica of Saint Peter）前環

彌撒，而此時廣場就成了「 觀眾席 」，容納著四面八方

繞廣場的柱廊。

而來的信眾。

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左：聖彼得大教堂前的橢圓形廣場。貝尼尼天才地設計了弧形結構的巨大柱廊。從高處俯視，兩組弧形柱廊猶如伸出的兩隻手臂， 把參加彌撒的信徒擁入天主教「仁慈」的懷抱。 「四河噴泉」 （Fountain of the four rivers）。 右：位於意大利羅馬納沃那廣場 （Piazza Navona）上著名的

廣場兩側，貝尼尼天才地設計了弧形的巨大柱廊。從高

位肌肉虯勁的老人代表四條河流，分別是代表歐洲的多瑙

處俯視，兩組柱廊宛如伸出的兩隻手臂，將信徒擁入教會仁

河（the Danube）、代表亞洲的 恒 河（the Ganges）、

慈的懷抱。對於這一傑作，貝尼尼自己也不無得意地說過：

代表非洲的尼羅河（the Nile），以及代表美洲的拉普拉

「 沒有比兩臂擁抱的姿勢更好的設計方案了。」 為了烘托聖彼得教堂大殿的正面，弧形柱廊採用簡約樸

塔河（Río de la Plata）。矗立在中間的方尖碑頂端有一 隻鴿子口銜橄欖枝，寓意世界和平。

素的多立克柱式，圓柱每列四根，共計 284 根，加上 88 根

多瑙河老人鬚髮翻捲，身體後仰，雙臂張開做迎接

方柱，營造出宏大的空間感。柱與柱相互掩映，明暗變幻之

狀，右手托起當時的教宗英諾森十世的牧徽，牧徽由象徵

間，讓人體會到莊嚴神聖的氣勢。朝向廣場的廊頂上，立有

至高無上權力的鑰匙、三重冠和一個盾牌組成，盾牌上是

140 尊基督教殉道聖徒的大理石雕像。

三朵百合和一隻銜著橄欖枝的鴿子。這隻鴿子正好與方尖

漫步今天的羅馬城，隨處可見的噴泉無疑是賞心悅目的

碑頂的鴿子相呼應，也暗示著天主教統一全世界的決心。

風景。以羅馬為背景的電影，無論是《羅馬假日》（Roman

河老人左手握著長長的船篙，右手支撐著身體，側

Holiday）還是《天使與魔鬼》（Angels & Demons），噴

臉凝視遠方， 腳下一條巨蟒張著血盆大口盤繞在船篙旁。

泉都是推進情節必不可少的標誌物。這裡要重點給大家介紹

尼羅河老人左手扯著一塊頭巾，遮住腦袋以抵擋非洲

的，是位於納沃那廣場上著名的「 四河噴泉 」（Fountain of

似火的驕陽，旁邊的一棵棕櫚樹下一頭雄獅正探身出來伺

the four rivers）。

機發起進攻。

納沃那廣場原本是古羅馬皇帝圖密善時期修建的一座橢

拉普拉塔河老人是位光頭老漢，身下散落著一堆金

圓形競技場，15 世紀末成為集貿市場。後來由於貝尼尼的設

幣，他右手撐地，左手揚起似乎在抵擋什麼，彷彿是要

計和全面改造，這裡成為全羅馬最出名的廣場之一。廣場上

保護他豐厚的財產免受掠奪，他身後一隻水獸正從岩石

有三座噴泉，其中最出名的就是這座四河噴泉。看過電影《天

下鑽出。

使與魔鬼》的朋友都知道，四河噴泉就是故事中代表水元素 的地方。 四河噴泉算得上是貝尼尼的巔峰之作，建於 1651 年， 那一年貝尼尼 53 歲，正是藝術上最成熟的階段。大師用四

除了上述作品，貝尼尼還設計了大量教堂和達官顯貴 的官邸。這些建築都成了今天羅馬城中令人歎為觀止的藝 術傑作。下次當您再來到羅馬，一定記得要去探尋貝尼尼 的足跡，發現一個「 貝尼尼的羅馬 」！

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WA 425-637-0888 SOUTHCENTER 5951 S 180th ST, Tukwila

WA 206-575-8666

FC_IFC_IBC_BC_West.indd 4

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2019/3/4 下午4:51