Elite Magazine 2017 May-June issue East Coast Edition

Page 1

E L I TE 時 尚 精 英

Michelle Ross 以傳統藝術令今時重歸正途

Xian Zhang & Yiming Wang 米其林餐廳的締造者 MAY-JUNE 2017

Jia Bo 製瓷追夢 心中王國

Richard Cameron 傳統建築美學回歸之路

Italo Ferretti 絲綢領帶大師

ISSUE 26

A NEW LOOK

SUMMER/SPRING COLLECTIONS SPECIAL

戶外家居 豪華地產 時尚搭配 美妝新品 投資理財

May -June 2017 $3.99


Noritake Co., Inc. noritakechina.com help@noritake.com

8 0 0. 562 .19 91 Silver Palace

「 銀 宮」 (Bone China) Made in Japan


E AC H D R O P O F H E N N E S SY X .O I S A N O DY S S E Y

PLEASE DRINK RESPONSIBLY. Imported Cognac Hennessy ®, 40% Alc./Vol. (80˚). ©2017 Imported by Moët Hennessy USA, Inc., New York, NY. HENNESSY is a registered trademark.



萬眾矚目的肌膚光澤 始於第一步的平衡能量 雪花秀潤致煥活肌底精華露 從數千種珍貴草本原料中甄選出五種成分,精煉成滋盈凝萃複合體 幫助提升活力、彈力、通透力、修護力與滋養力,回復肌膚平衡 開啟夢寐以求盈潤肌膚光澤的第一步 調和之美源於亞洲智慧 —— 雪花秀 TM

*滋盈凝萃複合體 :地黃、百合、蓮花、芍藥、玉竹

TM*


目錄 CONTENTS Editor's Note

8

採編隨筆

14

Jewelry Feature 繁花似錦 珠寶甄選

18

Korean Luxury 韓國的奢華護膚品雪花秀

20

Beauty News 春季護膚新品

22

Beauty Must-Haves 春季美妝必備

24

Being in the World | Being Authentic 春夏時尚大片

34

Masters of the Woven Silk Tie 絲綢領帶大師

COVER Model: Brielee Lu Photographer: Bill Xie Dress by Alice + Olivia Bag by Rebecca Minkoff Rings by Swarovski

40

以傳統藝術令今時重歸正途 44

Affirming the Art in Architecture 傳統建築美學回歸之路

50

Pursuing the Ideal Course 米其林餐廳的締造者

56

Middle Kingdom Porcelain 製瓷追夢 心中王國

Makeup & Hair: Enyu, Romana Makeup Inc.

Michelle Ross

63

A Cultural Relic Revived 藏身深巷的唯美茶館

68

Bright, Spacious, and Modern 舊宅換新顏 光彩照鄰里

74

Color Up, the Italian Style 用春天的顏色點亮家居

76

Outdoor Life of Leisure 戶外生活 自在悠遊

82

Magnificent Views & Luxurious Living 完美水邊住宅的新註解

4│時尚精英

ELITE

90

川普稅務改革分析

93

股票投資:儘量避免發展中國家的公司


是戶外烹飪和冷藏的最佳產品。 請帶上您的平面圖與我們的家居專家探討各個細節,品味您的新廚房所具備的一切可能。 請訪問我們的三個展銷廳了解更多信息。

展 銷 廳

Manhattan 150 East 58th Street, 5th Floor New York, NY 10155 888.327.0053 subzero.com/manhattan

Roslyn Heights 2 Lambert Street Roslyn Heights, NY 11577 888.327.0053 subzero.com/roslynheights

Pine Brook 25 Riverside Drive Pine Brook, NJ 07058 888.327.0053 subzero.com/pinebrook



GLASS HOUSE

FOR THE WAY WE LIVE TODAY The Glass House ( 玻璃屋 ) — ——高檔、氣派、豪華公寓,座落於新澤西州 高檔、氣派、豪華公寓,座落於新澤西州 Edgewater,面對紐約曼哈頓、比鄰 哈德遜河畔。這棟名師獨家打造、採用節能和環保的全玻璃房、擁有全方位紐約曼哈頓的城市風景、夜景尤 其迷人!這棟建築擁有 92 套豪華公寓、15 套高級複式連排房。每套公寓都擁有寬敞的室外陽臺,91/2 英尺 高天花板和落地窗。並採用最高端 Subzero、Wolf & Bosch 廚房設備。在玻璃屋,你可以享受度假風格的露 臺花園、面對哈德遜河的私人遊泳池、日光浴、健身房、瑜伽室、圖書室、放映室。鄰近華盛頓橋和林肯隧道, 並有免費班車接送到渡輪,交通便利,到曼哈頓公交車只需 30 分鐘、渡輪只需 8 分鐘! 遠眺曼哈頓天際線,憑欄臨窗,沿河漫步,曼哈頓仿佛前院。日出日落,品茗酌酒,大都會風雲變幻。 值得收藏的 — ——曼哈頓對岸生活 曼哈頓對岸生活 The Glass House,玻璃屋。

SALES CENTER | 3 SOMERSET LANE | EDGEWATER, 07020 | GLASSHOUSENJ.COM | 201.917.5128 SALES CENTER | 3 SOMERSET LANE | EDGEWATER, NJNJ 07020 | 201.699.0868 | INFO@GLASSHOUSENJ.COM YAN 顏佳 |LANE DIRECTOR OF SALES 銷 JYAN@GLASSHOUSENJ.COM 總 監 | 201.699.0868 SALES CENTER JIA | 3 SOMERSET | EDGEWATER, NJ售 07020 | INFO@GLASSHOUSENJ.COM 時尚精英 ELITE│7 MAGGIE RAFFAELE 黃風名 | DIRECTOR OF SALES 銷 售 總 監 | MRAFFAELE@GLASSHOUSENJ.COM


序 EDITOR’S NOTE

Everlasting Aspirations 不朽的初心

L

ife offers one chance—we hope that the story of every person featured in ELITE can serve as nourishment for your life. The people featured in this issue, regardless of whether they are artists, architects, or entrepreneurs, during the course of our interviews, did not overemphasize their own importance or their personal efforts. Rather, they told a narrative of their determination, from beginning to end, to uphold the heart they had at the outset. During our discussions, they tended to start with the smallest details, talking about the most fundamental things. Seemingly commonplace, their stories often touched our hearts—originally, regardless of what they were doing, they wanted to reach the pinnacle. Without emphasizing their “skills” and “abilities,” they instead focused on their initial intentions and constantly progressed from this foundation. Besides a drive toward self-fulfillment and achievement within their craft, they feel compelled by a duty to infuse their work with cultural significance that can uplift and benefit society as a whole. This sense of duty helps them remain unaffected by changes in society’s value systems—they do not simply follow the crowd. In this complicated world, they uphold the authenticity in their hearts. The owner of an award-winning Michelin-star restaurant for the last five consecutive years, Yiming Wang said, “You have to believe in the power of time, the power of details—determination will bring marvels.” In this age of McDonaldized media, ELITE still believes that by telling a story earnestly, the story will have the power to penetrate and nourish. We hope these stories can help you retain your original intentions. Original intentions are life’s wings. They can take us soaring upward toward a broader world.

8│時尚精英

ELITE

一期一會,每一個精英故事,都希望成為您未來生活的 養分。 本期精英人物無論是藝術家、建築師還是企業家,採訪 中他們都沒有強調自己的重要和努力,而是敘說著自己自 始自終堅持的那份初心。 言談中,他們大多從最小的細節,最基礎的事情開始講 起,似乎平常,卻常常觸及我們的內心——原來無論做 什麼,要想做到極致,不是通過強調「 自我 」的「 才」和 「 能 」,而是專注於「 初心」,不斷的從基礎做起。 專注之外,他們有著自我專業之外更大的社會和文化情 懷。這些超越自我的社會文化情懷,讓他們不為社會風 氣所動,不隨波逐流,在繁雜的世界中維護著自己內心 的真實。 連續五年榮獲米其林星級餐廳的主人王怡明說,「 要相信 時間的力量,細節的力量,堅持就會有奇蹟 」。在這個 信息快餐化的時代,《時尚精英》相信認真講故事,故事 就會有穿透力。希望這些故事可以幫您更好地守護自己 的初心。 初心,如同生命的翅膀,帶著夢想啟航,帶我們飛往更 為寬廣的世界。


D E S I G N PO R T R A I T.

Michel Michel Club Club 沙發系列,Antonio Citterio 名師設計。www.bebitalia.com


PUBLISHER Ellen Wang EDITOR IN CHIEF Jennifer Zhang

ELITE

EDITORIAL ADVISORY BOARD CHAIR Dana Cheng, Ph.D. SALES DIRECTOR Jo Yang EVENT AND MARKETING DIRECTOR Lei Xi

時 尚 精 英

ART DIRECTOR Chen Fu

LIEFESTYLE

Address 229 W 28th Street, 6FL, New York, NY 10001 Phone 646-862-9930 Email editor@elite-magazine.com advertising@elite-magazine.com subscription@elite-magazine.com www.elite-magazine.com

PRODUCTION DIRECTOR Justin Morgan SENIOR FEATURE EDITOR Sarah Ann Matheson SENIOR DESIGNERS Hsinyu Lo, Ning Guan CONTRIBUTING DESIGNERS Tan Zhao, Cindy Wei, Rachel Lu SPECIAL PHOTOGRAPHERS Bill Xie, Samira Bouaou, Xuehui Zhang CORRESPONDENTS Irene Luo, Pia-Maria Norris, Xiaofei Wang, Qingyin Zhang, Xinyu Luo, Janet Ma, Ying Han

San Francisco Ke Bian 510-299-4392 ke.bian@elite-magazine.com

TRANSLATOR Yi Ming

Los Angeles Yan Lieser 818-836-2937 yan.lieser@elite-magazine.com

PHOTO RETOUCHER Haoxin Yu

Boston Timothy Pi 617-388-1688 timothy.pi@elite-magazine.com Seattle Echo Liu 425-877-5121 echo.liu@elite-magazine.com Ben Ruan 425-449-3620 ben.ruan@elite-magazine.com Dallas Amy Hu 214-682-7788 amy.hu@elite-magazine.com

10│時尚精英

ELITE

COPY EDITORS Connie Phillips, Huixuan Yang

FASHION EDITOR Jennifer Zhang BEAUTY EDITOR Pia-Maria Norris PEOPLE EDITOR Qiu Li ARTS & CULTURE EDITOR Dana Cheng, Ph.D. BUSINESS EDITOR Hong Wang HOME EDITOR Xinyu Lo FOOD & DINING EDITOR Xiaolian Wang


擁有傳奇服務和世界頂級設施的豪華公寓,麗思卡爾 頓公寓位於長島北丘陵(North Hills),座落在優美便 捷的長島北海岸。距曼哈頓 20 英里,漢普頓 60 英里 。 來親自感受一下,度日與奢華之中的美妙! 公寓售價 150 萬美元起。

時尚精英 ELITE│11


©2017 Swarovski Lighting, Ltd

STERLING

SWAROVSKI-LIGHTING.COM

B RIL L I AN CE BY H AND

加州室内設計 高級傢俱展示廳 18150 ROWLAND ST. CITY OF INDUSTRY, CA 91748 909-348-0108 | CADESIGNCENTER.COM


時尚精英 ELITE│13


PHOTOS BY CHOPARD, ANNA HU, CHAUMET, NIRAV MOD, FOTOLIA

繁花

Anna Hu Eden Garden Earrings

Traditional French Academy craftsmanship brings together a multitude of precious stones, including Pink Sapphires, Chrome Tourmaline, Spinels, Tsavorite and Paraiba Tourmalines. 這款伊甸花園粉剛鑽石耳環以輕巧的鈦金屬,運用法國傳 統學院派鑲工細膩打造出伊甸花園的風采。共計78.47克拉。

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ELITE


Chaumet Lumières d’Eau “Ripples in the Water” Necklace

White gold set with diamonds, sculpted chrysoprase, and three emerald-cut emeralds from Colombia, of 1.57 carats, 4.91 carats, and 5. 33 carats. 這款尚美巴黎的白金項鏈,鑲嵌鑽石、雕刻綠玉髓以 及3顆祖母綠。

時尚精英 ELITE│15


似錦

Chopard For Your Jewelry Collection Ring

Delicate pear-shaped diamonds blossom in a sparkling corolla around a brilliant-cut pistil. 梨 形 鑽石勾勒出清 雅的櫻 花,燦然 盛 放 指尖, 盡情演繹淡逸奢華之美。

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ELITE


Nirav Modi Luminance Necklace

Nirav Modi Luminance Ring

Handcrafted ensemble of pear, round, and marquise-

Pear- and marquise-shaped diamonds set in 18 K

shaped diamonds set in 18K white gold.

white gold.

LUMINANCE 系列的靈感源自光線。這款項鍊的設計從

梨形和馬眼形鑽石混用,為指環營造炫彩放射效果,盡

光影間的變幻擷取靈感,從多角度傳達光線流動的閃耀

顯奪目光彩。鑽石重量逾3克拉,底座為18K白金。

美態。它由超過 26克拉的鑽石在 18K白金上鑲嵌而成。

時尚精英 ELITE│17


KOREAN LUXURY

Sulwhasoo 韓國奢華護膚品 Text & Photography by Pia-Maria Norris

B

lending native medicinal herbs through traditional Korean methods, the holistic skincare brand Sulwhasoo, the number one luxury skincare brand in its home country of Korea, is gaining worldwide popularity through its efficient and time proven skin wellness regimes. According to ancient Korean herbal medicine wisdom, the body undergoes significant internal changes every seven years with vital energies starting to diminish and fall out of balance at age 35, making the skin more vulnerable to the aging process. A big believer in Korean medicinal herbs and ginseng, Sulwhasoo’s founder Suh Sung-whan already as a young boy discovered the benefits and healing powers of ginseng while growing up in Gaesong, a city known for its particularly high-quality ginseng. He subsequently dedicated his life to finding ways to produce cosmetics using the miraculous properties of ginseng, while finding cutting-edge ways to balance the inner energies of the skin and countering the aging process. The first Ginseng Cream was launched in 1966, marking the beginning of a 50-year legendary road of groundbreaking research and skincare advances. One of Sulwhasoo’s all-time best sellers, The First Care Activating Serum, has become a “must have” for loyal customers around the world, including in the USA, where Sulwhasoo made its North America debut in 2010 by entering the luxurious department store Bergdorf Goodman in New York, further solidifying its legendary mark as one of the front runners in the competitive beauty industry.

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雪花秀是韓國首屈一指的豪華護膚品牌,以傳統韓方原 理,融合天然藥材特製而成,蘊含深層美麗的韓方美學, 可以為女性皮膚補陰護陰,營造年輕華麗的肌膚。 根據古代韓國草藥智慧,人體內部每七年會發生重 大變化。 35 歲之後,人身體的機能會開始失去平衡,皮 膚會更容易老化。 雪花秀的創始人徐成煥,在孩童時期就發現韓國草 藥可以用於製作護膚品,具有神奇的治癒能力。他所成 長的城市開城,以種植高品質高麗參而聞名。隨後,徐先 生致力於研究把人參神奇功效應用到護膚品中的方法, 同時尋找高端技術來平衡皮膚的內在能量和提高肌膚的 抗衰老能力。 1966 年,他成功推出了一款人參護膚油, 自此開始了人參護膚的深入研究。歷經 50 年匠心經營, 如今雪花秀護膚品已在世界範圍內廣受女性追捧。 雪花秀的潤致 煥 活肌底精華露,是全球第一瓶前 導精華,蘊含滋陰平衡極萃,能恢復肌膚完美平衡,展 現極致瑩潤光采,已成為世界各地雪花秀忠實客戶的必 備護膚珍品。 2010 年,雪花秀進駐紐約高檔百貨公司 Bergdorf Goodman,更加彰顯其傳奇的品牌魅力,從 而正式成為在美國市場的護膚先鋒品牌之一。

(Right) First Care Activating Serum EX ($84), Snowise EX White Ginseng Exfoliating Gel ($60), EX Brightening Water ($63), Snowise EX Brightening Serum ($200), Snowise EX Brightening Fluid ($68), Snowise EX Brightening Cream ($130), us.sulwhasoo.com


時尚精英 ELITE│19


BEAUTY NEWS 春季護膚新品 By Pia-Maria Norris

《城東早春》 【唐】楊巨源 詩家清景在新春,綠柳才黃半未勻。 若待上林花似錦,出門俱是看花人。

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1

2

3

4

1 . SK-II - R.N.A. Power Eye

2. Chanel Blue Serum

Cream Radical New Age Effectively

Nourishing, lightweight serum that

Intense Deluxe Edition Exclusive

hydrates and firms the delicate skin

helps keep skin firm and healthy.

blend of pure Rose extracts that

around the eyes.

($110, chanel.com)

balance, soften and brighten the skin.

($135, sk-ii.com)

4. Jurlique Rosewater Balancing Mist

($65, jurlique.com)

香奈兒的這款肌抵液糅合三種源自藍 這款立體緊緻精華霜,能夠迅速改善

色樂活區的抗氧和再生成分,可讓肌

玫瑰衡肌花卉水蘊含獨有的玫瑰複合

肌膚衰老的徵兆,令肌膚恢復緊緻、

膚更加緊實健康。

配方,可明顯提升肌膚質素,令肌膚

細滑、緊實,更富光澤。

變得柔軟細滑,保持長效水嫩的狀態。 3 . La Prairie White Caviar Illuminating Pearl Fusion

PHOTOS BY FOTOLIA, SKII, CHANEL, LA PRAIRIE, JURLIEQUE

Instantly brightens and minimizes dull skin, redness and age spots while also firming the skin. ($520, laprairie.com)

白鱘魚子系列精華俱有獨特的瑩亮及 緊緻功效,配上黃金魚子精華、液態 結晶與珍珠光體,為肌膚注入柔亮光 采。 讓膚色重現白皙勻淨,肌膚顯得 加倍緊緻。

時尚精英 ELITE│21


BEAUTY MUST-HAVES 春季護膚新品 By Pia-Maria Norris

《遊春詞二首》節選 【唐】王涯 經過柳陌與桃蹊,尋逐春光著處迷。 鳥度時時衝絮起,花繁袞袞壓枝低。

22│時尚精英

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1

3

2

4

1 . Dermaflash

3 . Dr. Jart+ Liftra 3-Step Contour Set

Gently exfoliates and removes fine hair

Lifts and sculpts the face in three simple

from cheeks, jawline, lip area, chin, and

steps. ($130, sephora.com)

forehead. ($189, Sephora, dermaflash.com)

簡簡單單,三個步驟,就可以有 能夠輕柔地祛除臉頰、唇部、額頭、

效提拉面部。

下巴等敏感肌膚部位的毛髮。 PHOTOS BY FOTOLIA, DERMAFLASH, LIFTRA, ARTIS, SILKN

4. Silk’n Jewel 2. Artis Gold Palm Brush

Effectively and permanently removes

Delivers streak-free makeup

facial and body hair.

and skincare application while providing

($199, silkn.com)

unique application control. ($75, artisbrush.com)

可以迅速有效地祛除面部和身 體部位的毛髮。

打造美妝的必備化妝刷,妝感細膩自然, 抓粉力強且不吃粉。

時尚精英 ELITE│23


BEING IN

The World Embrace the spring warmth with the elegance and colors of stylish ensembles. Photography Bill Xie Model Brielee Lu Style Editor Jennifer Zhang Hair and Makeup Enyu, Romana Makeup Inc. Photography Assistant Ashley An Fashion Assistant Haoxin Yu

DRESS & SHOES BY FIGUE | BAG BY MARK CROSS | RINGS BY SWAROVSKI

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DRESS BY TEMPERLEY LONDON | EARRINGS BY DOLCE & GABBANA | SHOES BY BALLY | SUNGLASSES BY MYKITA

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ELITE


DRESS & BAG BY DOLCE & GABBANA | SUNGLASSES BY MYKITA

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DRESS BY MONIQUE LHUILLIER

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TOP, PANTS, BAG & SHOES BY GUCCI

時尚精英 ELITE│29


BEING AUTHENTIC

TOP, SKIRT, SHOES & BAG BY L.K. BENNETT

Keep it simple, let your style be a gateway to living authentically. Photography Bill Xie Model Cheryl Lin Style Editor Jennifer Zhang Hair and Makeup Enyu, Romana Makeup Inc. Photography Assistant Ashley An Fashion Assistant Haoxin Yu

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TOP & PANTS BY AKRIS

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(LEFT PAGE) TOP BY CARVEN | SKIRT & SHOES BY BALLY | BAG BY MARK CROSS (ABOVE) BAG, TOP & PANTS BY L.K.BENNETT

時尚精英 ELITE│33


MASTERS OF THE WOVEN SILK TIE The History of Italo Ferretti 獨具匠心 絲綢領帶大師 English text by Sarah Matheson and Jennifer Zhang | Chinese text by Cresent Dai | Photos by Italo Ferretti

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n the seaside resort town of Silvi Marina on Italy’s eastern coast, the Ferretti family has developed a reputation as the region’s preeminent necktie atelier. Handcrafted from the finest silks, Italo Ferretti ties produce a strong knot, while maintaining a neat, plush quality. As the prized cravats of a man’s closet, Italo Ferretti neckwear can be easily paired to complete a gentleman’s look. While the majority of Italian tie makers select finished fabrics from silk mills in Como, Italo Ferretti first designs the patterns and then has the fabrics commissioned. The construction of the ties also sets the brand apart, astonishing many clients, and several international patents ensure that only Italo Ferretti can achieve such a level of quality. For decades, Italo Ferretti’s luxury ties were available only in Europe, but around nine years ago the company entered the U.S. market. Italo Ferretti was the exclusive producer of neckwear under the Brioni label for around 30 years starting in the 1970s, and has produced luxury ties under the company founder’s eponymous label since 1967. United States President Donald Trump is one of Italo Ferretti’s high-profile clients. After returning from his Mar-a-Lago estate in Florida in mid-April, the president arrived at Andrews Air Force Base wearing a bespoke red silk Italo Ferretti tie. A photograph showed the tie blowing in the wind ever so slightly. But, unlike many of the president’s other ties, this tie remained in place due to the patented stitching and double flaps that add weight to the tail of the tie, and the patented “navetta” that Italo Ferretti uses to replace a traditional tie clip. Italo Ferretti’s formal necktie collections are exceptional. Made with precise hand-sewn details that epitomize Italian chic, Italo Ferretti produces luxury ties to be treasured.

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在 意 大 利 東 海 岸 的 度 假 勝 地Silvi Marina,Ferretti家 族早已在領帶界獨領風潮。以頂級絲綢手工製作,Italo Ferretti的領帶能夠打出一個穩定的結,乾淨俐落兼具高 貴質感。作為男人衣櫃中不可或缺的珍寶,Italo Ferretti 的領帶易於搭配,可輕鬆打造您的專屬風格。 Italo Ferretti 的領結系列同樣獨具匠心。以手工精 工縫製,每一個細節都展示著意大利的優雅與別緻,這 些永不過時的奢華值得被永久珍藏。 實 際 上,Italo Ferretti 自 20 世 紀 70 年 代 開 始, 就一直在幫意 大利著名男裝品牌 Brioni 製作領帶,自 1967 年開始製作自己品牌的奢華領帶。很久以來,Italo Ferretti 僅活躍在歐洲市場。但是在大約 9 年前,它開 始進入美國市場。 川普總統就是 Italo Ferretti 的客戶。今年 4 月,他 乘坐飛機從佛羅里達海湖莊園出發,降落到安德魯斯空 軍基地時,被媒體拍到佩戴的正是 Italo Ferretti 的紅色 絲綢領帶。一位攝影師拍到這條領帶的尾部在強風中輕 輕飄起,但是領帶的主體仍然優雅地貼在總統胸前。這 是因為 Italo Ferretti 有特別的專利,在領帶的尾部加重 了重量,同時也有一個可以將領帶固定在紐扣上的按扣。 這些貼心的專利設計就是川普總統的領帶即使在飛機降 落的強風中,也不再狂飛的秘密。 Italo Ferretti 的正 裝 領 帶具有無 與倫 比 的品質, 工藝師們秉承嚴謹、精益求精的態度,將每一個製作環 節都視為不容忽視並且非常重要的一步。因此,每一條 Italo Ferretti 領帶都散發著精湛的品質和優雅的風格, 值得擁有和珍藏。

(Right) The exclusive producer of luxury neckwear under the Brioni menswear label for around 30 years, Italo Ferretti is renowned for exquisite craftsmanship using handsewn, patented techniques.


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Italo Ferretti artisans produce some of the finest silk woven ties, pocket squares, and scarves that Italy has to offer. The products are all handcrafted in Silvi using traditional and patented techniques.

FAMILY LEGACY

Immersed in the culture of his father’s workshop from a very young age, the company’s current CEO, Carlo Ferretti, has a particular eye for craftsmanship. When Carlo was 10 years old, he considered the tie workshop a place to play, to watch, and to learn. He would quietly observe the artisans tacitly focused on their tasks, their deft fingers pulling needles through rich, vibrant silk, with a passion for which Italians are renowned. Today, when an artisan completes a new prototype, Carlo will personally try it out by wearing it five or six

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times. Understanding the experience that a tie evokes is the final test of quality for Italo Ferretti. This tradition was started by Carlo’s father when his three sons were still very young, long before the boys joined the company’s management.

VAST VINTAGE TIE COLLECTION

Italo Ferretti’s warehouse is full of treasures, with exquisite and unique ties that the company’s artisans crafted decades ago. Carlo amusedly reflects on how quickly trends evolve: What was once in vogue can now look quite dated.


Italo Ferretti master tailors craft luxury shirts from the finest silks, meticulously hand sewing the collar, cuffs, body, rack, and pockets, with a ratio of 30 stitches per inch.

I wanted to write to tell you that I have received many, many compliments on the three Italo Ferretti ties I purchased at Avanti in Las Vegas. In fact, I believe I have received more compliments on them than any other ties I own.” J. Warner, Chicago

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For each piece of silk that comes through the workshop, only four ties are made; so when a particular piece of silk is gone, the specific tie is also gone forever. The limited quantities give one an appreciation of the exclusivity and quality of the products, and the long-lasting craftsmanship that goes into each Italo Ferretti tie. For Carlo and his family, neckties are more than sartorial elegance. It’s their life, their tradition, and their legacy.

AIMING FOR PERFECTION

The company’s founder and Carlo’s father, Italo Ferretti believes that once you decide on a certain course in life you need to pay full attention to it, investing both your heart and your soul into it. Not only has he put his heart into the business, but he has also taken his family deep into the world of tie making. Italo established the workshop more than four decades ago, after repeatedly buying ties in Como, the heart of Italy’s tie manufacturing industry, and then reselling them in Abruzzo. But as demand for his neckties grew, Italo decided to establish an atelier in his home-

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town. He then invested a great deal of time and effort into learning the skills of the trade. Italo derives a pure pleasure from being in the workshop, touching the silk, examining the ties, and looking over the intricate details of his artisans’ craftsmanship. As he gradually passes the business down to his three sons, the products that have been his life’s work keep beckoning him back. Though now in his retirement years, he remains a traditional Italian craftsman at heart. Italo endlessly strives to create superior products, and he personally checks the quality of every item crafted in the family’s workshop. From his point of view, fine craftsmanship is the soul of Italy’s luxury fashion industry. Throughout his life, Italo has envisioned and commissioned masterpieces of style in his hometown of Silvi. He has become known as a maestro of Italy’s luxury tie industry, a reputation that his family will no doubt carry forward for many years to come. The company now boasts eight international patents, ensuring each product carries an air of exclusivity while adhering to quality standards that are among the highest in the world.


家族遺產 從小耳濡目染,該公司現任首席執行官 Carlo Ferretti 極為注重工藝。當 Carlo 十歲的時候,領帶的生產地於他 而言是玩耍的樂園,同樣也是汲取養分的土壤。他會靜靜 地觀察工匠們,注意他們手上的工作,他們的手指在絲綢 之間靈活地穿針引線,飽含著意大利人特有的熱情。 直到今天,當一個工匠完成一個新的設計時,Carlo 會親自試戴五、六次。對領帶應有的舒適感瞭然於心,這 是 Italo Ferretti 質檢的最後一關,也是 Carlo 兒時記憶 中,父親會對每一條新設計領帶所做的必然步驟。

Vast復古領帶系列 Italo Ferretti 的倉庫充滿了珍貴的財富,還留有幾 十年前公司的工匠手工精湛且花式獨特的領帶。Carlo 形 容趨勢發展的速度時說道:曾經的流行時尚現在看起來 卻已經過時。每件絲綢只能製成四條領帶,所以當一種 絲綢斷貨,對應的領帶也就永遠消失了。限量賦予產品獨 特的意義,也保證了質量,以及每條 Italo Ferretti 領帶 傳世的持久工藝。 近三十年來,Italo Ferretti 一直是 Brioni 的獨家領 帶製造商。 在服裝製造業內,人們認為 Italo Ferretti 工 藝精湛,生產著世界上最好的領帶。 對 Carlo 和他的家人來說,領帶不僅是高貴的象徵, 其實早已融入他們的生活、傳統,是他們的家族遺產。

追求完美 該公司的創始人 Carlo 的父親 Italo Ferretti 認為, 一旦真正下了決定,就要全力以赴。他不僅全身心投入自 己的領帶生意,而且也深深影響了家人。 Italo 在四十多年前建立了領帶生產間。曾經,他在 意大利領帶製造業的核心地帶 Como 買進領帶,然後在 Abruzzo 轉售。但隨著需求的增加,他決定在家鄉建立 一家工作室,投入大量的時間和精力來學習貿易。 領帶工作坊給了 Italo 最純粹的樂趣:輕撫絲綢,為 領帶質檢,並檢查工匠的手工製品細節。他逐漸放手將 業務方面的工作交給他的三個兒子,與此同時,那些他為 之傾注心血的領帶令他駐足、回首。 雖然現在已經是該退休的年紀,Italo 仍然有一顆傳 統意大利工匠的心。他不僅持續做出優質的產品,更是 親自檢查每一件作品的質量。在他看來,精湛的工藝是意 大利時尚界的靈魂。 Italo 傾 盡 一 生, 在自己 的 家 鄉 Silvi 實 現 了 Italo Ferretti 品牌的崛起,他被譽為意大利豪華領帶行業的

(Left page) United States President Donald Trump walks on the South Lawn at the White House on Sunday, April 9, 2017, wearing a bespoke Italo Ferretti

大師,聲名遠揚。公司現擁有八項國際專利,確保每個產

silk tie. (Photo by Olivier Douliery-Pool/Getty Images) (Above) Italo Ferretti

品都既獨特,又兼具這世上最高的質量標準。

silk tie frabric.

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MICHELLE ROSS Rejuvenating Our Modern Society Through Traditional Arts 以傳統藝術令今時重歸正途 English text by Catherine Yang | Chinese text by Crescent Dai | Photos by Samira Bouaou

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lassical violinist and composer Michelle Ross works surrounded by paintings, as the only musician among a group of visual artists. When she composes, she does so as a resident artist in the Eleventh Street Arts gallery, New York, adjacent to a workspace shared by painters and sculptors who have broken from the norm by creating representational art in the traditional style. “There’s a sense of almost an electric energy, with everyone working together and trying to lift each other up,” Ross said of the connecting Grand Central Atelier (GCA), the art school that owns the gallery and focuses on training in the classical tradition. To her, this place “feels like an oasis.” It was a relief to find so many contemporary artists who are looking to the past and dedicating their lives to perfecting their craft, to attaining something ideal, just as classical musicians have done by playing Bach for hundreds of years. These artistic traditions provide a depth crucial to humanity, she added. “I think people now really, really crave substance, whether we know it or not,” she said. “People want something with depth. We’re really craving it as a society.” Traditional arts, on the other hand, demand something from you—emotional honesty, engagement as a listener or viewer, or dedication to your craft as an artist. Once you’ve been opened up and have encountered that depth, you’re primed to reconnect with the world and others in a way you weren’t before, she said. “[You see] a new perspective, or it’ll capture your imagination and unlock this whole world that’s out there, and it can really transform you.” In her own way, she is on a mission to use music to help people to connect.

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「 大家都在一起 工作,並相互提升技能,有一種高效充 電的感覺。」Michelle Ross 說,這個地方「 就像一片綠 洲 」。看到這麼多當代藝術家找尋過去,傾盡一切以完 善他們的工藝、達到理想的水準,是一件如此令人慰藉 的事情,就像百年來,古典音樂家不懈演奏巴赫的曲目一 樣。這些傳統的藝術形式對人類至關重要,她補充說。 「 我認為人們非常渴望本質,想要更深層的東西。」 傳統藝術需要從藝術家獲取一些東西:誠實的情感, 以及作為聽眾或參與互動。她說,一旦你真正入門後,並 已經深耕其中,你就準備好用一種全新的方式與世界和 其他人相互連通。 「 你會看到一個全新的景致,一個顛覆 你的想像的世界。」對她個人來說,這種感覺直達心靈深 處。她希望以自己的方式完成一個使命:用音樂的形式將 人們連結在一起。 在畫廊,Ross 策劃了一個音樂會的節目:許多聽眾 是在工作室中與她相鄰的藝術家,每場音樂會後,都有 與表演者們的問答環節,古典迸發出新的火花,這些對話 就像一首奏鳴曲,和諧而悠揚,發人深省。 「 這種能量令 每個人都陶醉其中,」她說, 「 這也讓我以不同的方式演 奏,對觀眾來說,也是一種水準提升的體驗。」 能夠與藝術家一起討論藝術是 Ross 居所的亮點。 她相信偉大的藝術擁有與人溝通的力量,表現力巨大。 「 我真的相信音樂能夠傾訴自己的故事,」她說。

(Right) Violinist and composer Michelle Ross at Salmagundi Art Club in Manhattan, New York.


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At the gallery, Ross curates a concert program as well. Many attendees are the artists working adjacent to her in the atelier, and after each concert there’s a Q&A session with the performers that sparks conversations about line and harmonic proportions and the overlaps between these classical forms. “The energy is totally intoxicating for everyone,” she said. “It makes me perform in a different way, and for the audience, it’s a heightened experience.” Discussing art with artists is a highlight of Ross’s residency, but she truly believes in the power of great art to communicate, to speak volumes all on its own. “I truly believe music speaks for itself,” she said. In 2012, Ross was awarded a grant from the Leonore Annenberg Fellowship Fund for the Performing and Visual Arts, and she asked herself: What sort of artist did she want to be? What works would get her to that level? Her answer was Bach because “you really have to bring courage and honesty to this music,” she said. “You can’t hide anything, you’re all by yourself. It’s almost like that idea of climbing the mountain, but every time you think it’s the peak, it’s really a new plateau.” In addition to recording an album of all the Bach solo works for violin, since 2015 she has brought this music to the people of New York. She played in bakeries and offices, on boardwalks and ferries. The one caveat with playing in public spaces was that she would not do it in a noise-polluted environment, like an underground subway station. It needed to be quiet; otherwise, it wouldn’t be fair to either the music or the listeners. Her experiences proved her hypothesis correct: “You just have to get people in a room and give it to them; that’s enough. This music withstands time.” She remembers conversations with New Yorkers who did not look at all like they had been listening while she was playing, but were actually quite moved and engaged, and shared their thoughts with her afterwards. She remembers people bursting into applause, the hugs and smiles. In addition to acquainting people on the street with Bach, she was exercising her performance muscles, as the experience was completely different from being removed from people and on a stage. “Each time was unique and taught me something different about performing,” Ross said.

2012 年,Michelle Ross 獲得 Leonore Annenberg 基金提供的表演和視覺藝術方面的獎金,她問自己:我想 要成為什麼樣的藝術家?什麼樣的工作會讓我達到更高的 水平?她的回答是「巴赫」。 「你必須要帶著勇氣和誠實 來演奏他的音樂,」 「 你不能隱藏,你要隻身面對。就好 像爬山,每次你以為已經到了頂峰,卻發現只是一個新的 高度而已。」 除了錄 製了一張以小 提琴詮 釋巴赫作品的獨 奏專 輯,自 2015 年以來,Michelle Ross 也把音樂帶給了紐 約的人們。麵包店、辦公室、木板路,甚至是渡輪上都留 下了她的琴聲。唯一的原則是:不能選擇嘈雜的公共場 所,像是地鐵站。樂聲需要安靜的環境,否則不管是對音 樂或是聽眾來說都不公平。她的經歷證實了她的假設: 「 你只需要讓人們在一個空間裡,予以音樂,這就夠了。 音樂經得起時間的考驗。」 Michelle Ross 還記得與紐約人的對話,她演奏時 他們沒有看向這邊,但是其實一直在聽,他們很感動,過 後與她分享了他們的感受。人們有迸發掌聲,給予擁抱和 微笑。除了以巴赫的音樂來結識街上的行人,她也在反覆 錘鍊自己的演出表現力,因為這和在舞台上表演的經驗 是完全不同的。 「 每次都是獨一無二的,這樣的演出教給 我不同的表現方式。」Ross 說。

ARTICLE ORIGINALLY APPEARED IN THE EPOCH TIMES

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AFFIRMING THE ART IN ARCHITECTURE Richard Cameron Shares His Journey Toward Classicism

傳統建築美學回歸之路 English text by Milene Fernandez | Chinese text by Crescent Dai | Photos by Atelier & Co.

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hen Richard Cameron shows up at a meeting with a portfolio full of handmade drawings, people are almost flabbergasted. The drawings almost take on a magical quality in a world dominated by pixilated images and mass production. “One of the terrible problems of architecture now is that it is a profession without its core—which is an artistic practice, first and foremost. If architecture is not an art, it is nothing,” Cameron said in his architectural design firm, Atelier & Co. in Williamsburg, Brooklyn. Cameron co-founded Atelier & Co. with Jason Grimes in 2009 intending to bring artistry back into architecture. They collaborate with architects and artisans to work on a range of projects, from residential to commercial buildings, as well as interiors and preservation projects, like their proposal to restore the original Penn Station designed by Charles McKim. Looking at any of Atelier & Co.’s drawings immediately awakens one’s imagination. Cameron explained that drawing and painting by hand is the most intimate way to convey a designed space that is yet to become tangible. Each creative consideration can be illustrated in detail. Inevitably Atelier & Co. does use computer-aided design programs (CAD), but only as a tool in service of their handmade drawings.

當Richard Cameron帶著一個裝滿繪圖手稿的包出席一 個會議時,人們簡直太驚訝了。他的畫作在一個由圖像 構成的紛繁世界中,更顯技藝超群。他認為,「 現代建築 的一個致命問題是,它是一個沒有核心的行業,核心的 前提應該是一個藝術的實踐。如果建築不是藝術,那就 什麼都不是。」

INOCULATED FROM A MODERNIST DOGMA

“The things that endure had an artistic intent and an artistic value to them because architects where always trained as fine artists,” Cameron said, as he explained why classical architecture is timeless. Cameron reached that understanding in a circumvented way. The education he received at the University of Toronto was diametrically opposite to what he’s doing now. He has since taught himself draftsmanship and drawing techniques of the 19th century Beaux-Arts School.

Cameron 在 2009 年 與 Jason Grimes 共 同 創 辦了Atelier & Co.,旨在將藝術帶回到建築中。他們與 建築師和工匠合作,從事住宅到商業建築,以及室內設 計 和 保 護 等 一系 列 項目, 例 如:改 造 1910 年 Charles McKim 設計的紐約賓州車站(Penn Station)提案。

(Left) Living Room for an Upper East Side Townhouse. Artwork by Jason Grimes. Designed by Richard Cameron and Jason Grimes for Ariel, the Art of Building in collaboration with Wright Architects, PLLC.

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Dining Room at 432 Park Avenue. Artwork by Richard Cameron.

As a child he was exposed to plenty of beautiful architecture when his family lived in various parts of Europe: Oxford, England; Budapest, Hungary; and in France. He knew he wanted to become an architect and enjoyed buildings with tradition, but said, “You are taught a kind of ideology that no one ever does that anymore.” He recalled how the Chair of the Architecture School at the University of Toronto, Peter Prangnell, gave a slide-show presentation to all of the students—“a kind of indoctrination talk,” he called it. Cameron recalled Prangnell praising modernist iconic buildings like those by Le Corbusier. “At one point he put up a sequence of shots of the main axis of Versailles, which I remember very vividly experiencing as a child. And his line to accompany this was, ‘Have you ever seen anything more boring and predictable than that.’ And I remember thinking, ‘No, that’s not right, that’s one of the most astonishing and dramatic moments in architecture that I have ever experienced,” Cameron said.

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觀賞任何 Atelier & Co. 的畫作都會立即激活人們 的想像力。Cameron 進一步提到,以手 繪 設計圖樣是 傳遞一個尚未成形的設計空間的最親密方式。每個創意 的點子都可以基於圖樣詳細說明。當然難免 Atelier & Co. 也會用計算機輔助設計程序(CAD),但只是作為他 們手工繪圖的輔助。 就像 Cameron 談到,為什麼古典建築具有永恆之 美?「 經得起考驗的事物具有藝術意義和藝術價值,因為 藝術家的身分總是要先於建築師。」 然而,Cameron 在多倫多大學受到的教育與他現 在做的完全相反。他繞了一圈才回到原點。兒時的他,跟 著家人一起居住在歐洲地區,例如英國的牛津、匈牙利的 布達佩斯、法國,那裡的建築之美令人屏息。他一心想要 成為一位建築師,建造傳統的建築,但遺憾的是: 「 我卻 被告知,已經沒有人會再做這樣的事情。」 他 回 憶 起 多 倫 多 大 學 建 築 學 院 主 席 Peter Prangnell 向所有學 生演 講 時 的 情 形:Prangnell 曾 經 稱 讚 現 代 的 標 誌 性 建 築, 如 Le Corbusier 的 建 築。


Stair hall for a Franco-Italian Villa. Artwork by Jason Grimes.

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Then he recalled Prangnell showing a picture of Chatsworth House. “This was the dramatic moment of the talk; it was like we were taking the pledge of allegiance, and he said, ‘I want you all, every one of you in this room to promise me, you will never, ever do anything that looks remotely like this,’ but I remember thinking, ‘No, I’m not going to promise that, are you kidding?! This is Chatsworth House. It’s amazing; it’s one of the great Baroque masterpieces of the world!” Cameron said. That education was like “a communist or totalitarian mind control program,” he said. Later the school changed, but he realized at that time (around 1981) it was a more extreme version of what most architecture schools are still fundamentally about today. The students experienced so much stress that some “would literally check out and end up in the psych ward. It was really bad, and we weren’t learning any professional skills at all. There were people who graduated from the program, who really became indoctrinated and still talk like that,” Cameron said. His childhood memories of beautiful architecture in Europe had, in effect, protected him from such indoctrination. He was also fortunate to meet his main teacher, mentor, and friend, Michael Djordjevitch who taught him all things classical, and who also works with him at Atelier & Co. Atelier & Co. often gets involved in the initial stages of a project, in helping people envision how it can be done. That’s partly why the Rebuild Penn Station project is a natural fit. In his proposal for rebuilding the original Penn Station, Cameron quoted Henry Hope Reed: “The classical is at once retrospective and ever new. The backward glance transforms and regenerates. Every generation of classical architecture has its own vision of perfection and its own Golden City.” Atelier & Co. is inspired to approach truth through beauty. Cameron explained, “When you find something beautiful, you love it. … So when you create ugly antagonistic buildings, for instance, you kill love. People may think ugly ‘contemporary’ buildings are interesting, unusual, off-putting, edgy, or whatever else they are, but those buildings are ultimately producing anxiety.” “I think the majority of people will revert back to the affection for traditional things because those are actually based on thousands of thousands of years of human experimentation in the world of aesthetics,” Cameron said.

Cameron 說, 「 有一次,他展示了一系列凡爾賽宮的畫 面,雖然我當時還是一個孩子,但是印象十分深刻。他教 我們的是, 『 你見過比這更無聊、更沒有新意的東西嗎?』 可是我想的卻是, 『 不,這是不對的,這是我所見過最攝 人心魄的建築之一。』 」那時 Prangnell 也展示了查茨沃 斯莊園的照片。 「 那是一段有些戲劇性的交流,就像我們 在宣誓效忠一樣,他說, 『 我想讓你們所有人,在這個房 間裡的每個人都答應我,你永遠不會建造這樣的建築,』 但我想, 『 不,我不會給這樣的承諾,你是在開玩笑嗎? 這是查茨沃斯莊園啊。它太奇妙了,它是世界上最偉大的 巴洛克傑作之一!』 」 這種教育就像是「 一個共產主義或極權主義的心理 控制項目」,他形容道。後來學校雖然有所改變,但他意 識到,當時(1981 年左右)的一些極端思想對當前和很 多建築學校有影響。學生在創作上,往往經受著巨大的 精神壓力,一些人甚至「 會逐字檢查,最後變得精神失常。 這真的很糟糕,我們也並沒有學到任何的專業技能。從 這個體系中畢業的人,很多被灌輸洗腦,現在仍不改他們 的說話方式,」Cameron 惋惜道。 兒時對歐式美麗建築的記憶,令 Cameron 免受現 代觀念的荼毒。不僅如此,他還幸運地遇見了他的導師, 也是一生摯友——Michael Djordjevitch。Michael 不只 教給他古典建築的知識,也和他在 Atelier & Co. 並肩工 作。Atelier & Co. 主要助力於項目的初始階段,幫助人 們構設建築的整體方案。這也是紐約賓州車站的重建工 程水到渠成的原因。 在關於重建紐約賓州車站的提案中,Cameron 引 用了 Henry Hope Reed 的話: 「 古典既是擷取古人的智 慧,又是在此基礎上加入新的時代特色。不忘初衷能夠 給予人們新的希望。每一個時代的古典建築都有各自的完 美之處。」 Atelier & Co. 的靈感來源是通過美麗從而更接近 事物的本質。Cameron 解釋道, 「 當你發現了美好的事 物,你會愛上它。而當你建造醜陋的建築物時,就扼殺了 愛。人們可能認為醜陋的( 當代)建築是有趣的,很特 別的,前衛的,但這些建築最終會為人們帶來焦慮。」 Cameron 認為「 多數人會找回對傳統事物的熱情,因為 那實際上是幾千年來人類美的精華」。

(Left) Site Plan for a Palm Beach Vacation Home. Artwork by Jason Grimes. ARTICLE ORIGINALLY APPEARED IN THE EPOCH TIMES

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Co-owner of three elegant Chinese restaurants in New York, Yiming Wang draws style inspiration from the literature and fashions of the Republic of China period at the start of the 20th century.

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PURSUING THE IDEAL COURSE Restaurateurs Share the Tastes of Old Shanghai

米其林星級餐廳的締造者 English text by Sarah Matheson | Chinese text by Janet Qiu and Yi Han | Photos by Xuehui Zhang and Yiming Wang

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utfitted with nostalgic 1930s-era Shanghai decor, and offering authentic Chinese cuisine, China Blue in New York’s Tribeca neighborhood is an elegant restaurant with an abundance of heart. The sister restaurant of Café China, a Michelin star winner for the last five consecutive years and the only Chinese restaurant in New York City with a Michelin star, China Blue is a manifestation of the will of two former Wall Street bankers and their desire to bring traditional Chinese culture to the heart of the United States. While Yiming Wang and Xian Zhang’s Michelin-starred Café China in Midtown Manhattan specializes in fiery Sichuan cuisine, China Blue in Tribeca offers the more delicate salty-sweet flavors of traditional Shanghai-style cuisine. And China Blue has also captured the attention of Michelin reviewers, who have complimented the restaurateurs for bringing “an elegant taste of Shanghai” to Tribeca. Yiming and Xian opened their third restaurant, Birds of a Feather, in trendy Williamsburg in April. It also specializes in fiery Sichuan fare, but with a contemporary twist.

「 傾國傾城 」大概是內斂的中國古人對佳人最轟轟烈烈的 描述:她未遺一言,她的美,便讓王城傾覆。 一如王怡明的傾國餐廳,開啟門扉,民國年代的上海 便在眼前徐徐展開,色、聲、香、味旋轉成一首時光深處 的婉轉歌謠。這裡,是她的主人對古典中國的濃烈記憶。 2011 年,從事金融行業的王怡明、張弦夫婦辭掉華 爾街的工作,創辦了傾城(Café China)。兩個理想主義 的人在一起,注定會創造出不同尋常的故事。王怡明和張 弦懷著做真正中餐的「 固執 」一念,在自己完全不熟悉的 餐飲領域,為紐約帶來了不一樣的風景。連續五年,傾國 餐廳獲得老牌《米其林指南》星級評價,他們的第二家餐 廳傾國餐廳(China Blue)亦是繁忙得鮮有虛席,目前, 第三家餐廳「 鴛鴦」剛開業不久。

做傳統的中國菜──另一個世界的魅力 王怡明在中國長大,在西方讀書,中西文化的碰撞, 帶給她強烈的體驗。 「 小時候很叛逆,覺得中國什麼都不 好,國外一切都是好的,黃油是好吃的,麵包也是好吃 的。」改變她的是少年時在北京吃到的一碗涼麵。 「 一個 簡單的涼麵,可以這麼好吃。」王怡明說, 「 第一次吃川 菜就被震撼了,覺得太偉大、太偉大。」 王怡明迷戀上了中國古典文化,她說,自己是一個 懷舊的人,容易被美的事物打動。王怡明喜歡民國,喜 歡三十年代的上海,喜歡那時的文學、繪畫、思想的碰 撞,以及中餐的博大精深。在自己的餐廳,王怡明將食

THE ESSENCE OF THE CULTURE

Yiming grew up in Harbin, in China’s northeast, but came overseas to study. She loves photography, and literature, and has a particular fascination with early 20th-century Chinese culture. One of her favorite periods of Chinese literature is the Republic of China period from 1912 to 1949, which started at the end of China’s last dynasty, the Qing, and ended when the communists seized power.

物與文化完美地融合在一起。菜單裡,有鼎鼎大名的東 坡肉,有溫暖熨帖的上海小餛飩,還有張愛玲在 《半生緣》 裡寫過的醃篤鮮色、味兼美,聲影相隨。王怡明覺得, 中國菜是中國傳統文化中的一絕,卻在西方被埋沒,如 同一個被錯誤翻譯的語言,而她和張弦要做的,就是用 正確的形式去展現中餐的魅力,為她提亮一點顏色, 「做 傳統和正宗的中國菜 」。張弦說,剛開始做的時候有很 多壓力, 「 很多大廚師傅說這樣不行,美國人熟悉美式中 餐,他們都會點,何樂而不為。當時我們想,放棄銀行 就是為了做自己想做的事情,就告訴廚房一定要做中餐, 不是美式中餐。」

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China Blue, in New York's trendy Tribeca neighborhood, serves authentic salty-sweet Shanghai cuisine and Western-style cocktails in an elegant, landmarked neo-Flemish building.

By the 1930s, Chinese women were still wearing traditional Qing-style cheongsam or qipao dresses, but the style was slowly being influenced by European and American fashions. Yiming admires the fashions and the feel of that time. She personally owns around 30 high-end cheongsam, some vintage and some she actually designed herself. The essence of China’s philosophy in the 1930s also stirs something inside her, the collision of East and West that was effecting gradual cultural change. And this melding of cultures was especially apparent in old Shanghai as it became a metropolitan city.

心動的感覺──不只是一頓飯 王怡明說, 「 我想要給顧客一個真正的體驗,不僅僅 是一頓飯。」從構思到實現,傾城和傾國餐廳的每一個細 節都注入了王怡明的許多心意,她希望顧客能夠通過飲 食來體驗一個文化。言語間,王怡明喜歡用 「 我們的作品 」 來談論她的餐廳: 「 所有的東西,菜單、擺設等都是我們 自己的想法。」用心設計,嚴格挑選素材,他們的餐廳, 像是一座精緻的博物館。王怡明說, 「 我覺得大家在我們 的作品裡面,仁者見仁,智者見智。有一些老上海,想要 看到正宗的家鄉菜。有一些文人,想要找自己的根。」而 對西方人來說,在傾國,他們體驗到了東方的味道: 「我 們有些西方員工,因為崇拜東方文化而來這裡工作。有的 西方客人是中國通,他們用中文點菜,這是很棒的事情, 也是紐約獨特的現象。還有不了解中國的美國人,他們來 到這裡,有一種震撼的感覺。」

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NO COMPROMISE

Despite the countless difficulties associated with starting restaurants from scratch, the process of establishing themselves as restaurateurs has been a happy one for Yiming and Xian. It was very important to them that, like their first restaurant, China Blue also serve authentic Chinese cuisine. Xian and Yiming believe that authentic Chinese cuisine is representative of China’s traditional culture. China Blue serves a vast array of traditional Shanghainese cuisine and a small number of dishes from other provinces. Xian remembers worrying when they opened their first restaurant in Midtown that perhaps Americans would be unaccustomed to authentic Chinese cuisine. But his concerns were quickly overturned by a number of high-profile rave reviews shortly after Café China opened its doors in 2011. “There was a lot pressure,” he said. “A lot of the big chefs advised us that traditional cuisine wouldn’t work, because American-style Chinese food is something Americans are familiar with and the production costs are relatively low.” Today, their three restaurants often attract Westerners who have traveled to China and can order food in Chinese. Some of their Western employees also speak Chinese and really love Eastern culture. “I’m very proud of our team,” Yiming said.

王怡明相信,細節是有穿透力的,在每一處注入的 情感,必會得到迴響。鍾愛傾國的常客們,經常來吃飯, 覺得這裡有滿足感。有很多見多識廣、很敏銳的顧客, 在這裡找到新鮮的感覺和體驗。王怡明經常收到來自客 人的溫暖祝福,他們在報紙上看到關於傾城和傾國餐廳 的報導,會送花過來。有一個經常旅行的文化人對王怡明 說,你們澈底改變了紐約中國人的風景線。

創業是探險──無知者無懼 「 開餐廳對我們而言,是一個旅程,一個探險,一個 我們非常不熟悉的路。」那個時候,很多朋友得知王怡明 夫婦要做餐廳,都認為這條路走不通,勸他們放棄。王 怡明說, 「 我和我先生的家庭影響都是餐飲行業之外的, 我們是不太世故的人,閱歷不豐富、社交圈也不是特別 廣。但是我們有一個決心,所以想做的事情都一定要做下 去。」王怡明說,那時候她已經決定放棄自己在物質生活 上的追求,甘願在生活和經濟上沒有很大的成就,就做一 個自己的理想的小店。

(Top) Restaurant co-owner Yiming Wang's design aesthetic manifests in

China Blue's tasteful interiors. (Above) China Blue is housed in a landmarked neo-Flemish building in New York's Tribeca neighborhood.

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Their team has grown to between 200 and 300 full- and part-time staff members between their three restaurants. Xian believes that creating a good environment is so important for their staff. “From the perspective of being a good person, a boss should be considerate of others. A good worker brings a restaurant far more value than their wages, so we should value our employees.”

「 我們是無知者無懼 」。他們不知道餐飲業有多艱 辛、風險多大,反而憑著內心的堅持,衝破了一個又一個 現實的阻礙。 「 這個旅程挺開心的,但是無數的艱辛。因 為太無知了,原來去餐廳吃飯都很少,對餐飲業一無所 知,所以才無所畏懼地開始了。」然而上天給他們的回報 是豐厚的。餐廳開業後不長時間,王怡明和張弦就實現 了經濟上的成功,現在,在廚房員工和店面都沒有擴增的 情況下,傾城的顧客數量是剛開張時的四倍,還連續五 年獲得米其林星;他們的第二家和第三家餐廳陸續開張,

ATTENTION TO DETAIL

Housed in a landmarked neo-Flemish building with an outdoor dining area that opens during the warmer months, China Blue’s high ceilings and colorful decor give the space an airy feeling. The Hudson River is a little under two blocks away from the restaurant’s Watts Street location, which is also not far from the Holland Tunnel. Yiming designed all aspects of China Blue. The atmosphere is humming, and the setting is nostalgic. Antiques picked up at flea markets and placed here and there help reconnect diners to an age well before smartphones. Yiming paired blue-green walls with painted exposed brick and dark wood floors, producing an exotic vibe that seems to change at each hour of the day. The extensive art-deco-style bar in the center serves a variety of liquors and cocktails. From the wooden barstools, warm orange-yellow lampshades and an old gramophone catch the eye, another reminder of how people used to socialize. The menu is extensive, brimming with delicate Shanghainese soups, a large assortment of dim sum, and many traditional forms of fish, crab, chicken, lamb, and pork. Combined with the subtle decor, great food, and warm ambience, China Blue is nothing short of East meets West, a perfectly satisfying alignment of tradition and modernity.

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紐約城為之傾心。王怡明說, 「 人的決心真的可以改變很 多事情」。

念念不忘,必有迴響──相信時間的力量 拿到米其林一星, 對王怡明和張弦來說, 是一個榮譽, 也是壓力。 「 每次都是拿到星之後,會有一個長長的清單, 用專業的標準審視,我們在哪些方面還有可以提高的地 方。在各個方面,再提高,再提高。」他們經常提醒自己, 不能辜負大家的期待。 在設計上,王怡明努力把餐廳裡的一點一滴統一起 來,在每一個細節裡注入情感,將自己的餐廳經營成一個 接地氣的地方。她覺得多媒體時代,人們都是在網路上傳 遞訊息,是違反自然規律的。但是在餐館可以接近自己喜 歡的東西,這種真實的感觸十分珍貴。在與餐廳團隊和 顧客的溝通中,王怡明也觸摸到了未曾有過的自由感覺: 「 在華爾街工作時,覺得生活是靜止的、平面的,人生好 像籠中之鳥一樣不自由。進入餐飲之後,覺得世界很大, 顧客很多都是之前從沒接觸過的,這裡是一個天高地廣 的世界。」 王怡明的下一個計畫是打造傾城餐廳的地下室,她 說, 「 這是一個顧客看不到的地方。但是我覺得顧客是可 以感受到的。」王怡明相信,如果方向是對的,花費的力 氣最後一定會有成果。注入的精力和心血,一定都會有回 饋,她相信,念念不忘,必有迴響。 王怡明選擇相信時間的力量,她堅持著自己最喜歡、 最想做的事情,專注的將小事當作大事來做,把細節變成 有力量的行為。喜愛傾城和傾國的顧客對王怡明說,她的 餐廳裡沒有一點商業氣息。這也許便是傾城傾國的動人 之處:在時光碰撞的間隙,埋下一往情深,讓人一見傾心。


Former Wall Street bankers Yiming Wang and Xian Zhang bring the culture of China's authentic cuisine to diners in New York City with their three restaurants: Michelin-starred Café China in Midtown Manhattan, China Blue in Tribeca, and Birds of a Feather in Williamsburg.

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MIDDLE KINGDOM PORCELAIN Carrying the Literati Tradition Forward

製瓷追夢 心中王國 English text by Sarah Matheson Chinese text by Janet Qiu Photos by Middle Kingdom

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hinese literati (wenren) were always appreciated for their exquisite taste, valuable possessions, and the extensive culture that they left to prosperity. Co-founder of Middle Kingdom porcelain, Jia Bo is a man who appreciates the cultivation of the arts in the Chinese literati tradition, and the different ways artistry could be expressed—through scholar’s objects, poetry, painting, and self-improvement. When he first arrived in the United States in the early 1990s, he felt conflicted when he realized that the essence of China’s literati tradition was not commonly recognized in the West. "I attended a gathering and found a phenomenon: When people heard someone speak of Chinese people, they would say Chinese are a very hardworking ethnic group. But when someone brought up French or British people, they would say they have very good taste.”

大多美麗的事物都始於一顆天真的初心,當賈泊決定創 立一個國際一流的瓷器品牌時,他的內心深處湧動著一 個美麗的願望。 那是上世紀 90 年代初,賈泊來到美國的最初幾個 年頭,他還做著自己在中國國家博物館工作時的老本行: 畫畫。他的畫,不僅讓他在中國成為了走在潮流尖端的第 一批「 萬元戶」,也讓他在陌生的大洋彼岸聲名漸起。但 是,不知不覺地,一個想法萌生心頭,令他揮之不去。 「 我初來美國時參加聚會,發現一個現象,大家聽到 中國人時會說:中國是一個很勤勞的民族,而當提到法國 和英國人的時候卻會說他們很有品味。當時我就想,在我 受到的教育裡,中國是一個很有文化、很有品味的民族。 我應該做些什麼提醒他們中國擁有優雅與美的傳統。」賈 泊首先想到了瓷器和絲綢, 「 我想建立一個有品味的中國 品牌、一個頂級品牌。做出高檔、有設計感的東西,讓西 方知道中國人可以,中國人還不錯。」因為瓷器在造型和 畫面等方面更強的可塑性,賈泊最終選擇了瓷器。

(Left) Polychrome bowls designed by Jia Bo and crafted from the finest porcelain in Middle Kingdom's facilities in Jingdezhen, the former home of the imperial kilns of the Ming and Qing dynasties.

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A graduate of the renowned China Academy of Fine Art in Hangzhou, Jia Bo had been working at the National Museum on Tiananmen Square in Beijing as a professional painter and exhibition designer. His American peers’ casual comments about his nationality sparked something inside him. “At that time I just thought, through the education I received, I know Chinese people are a very cultured, very tasteful ethnic group. What should I do to remind them of the traditions of elegance and beauty that China possesses?” Porcelain and silk were the first two mediums that came to mind. Though Jia Bo had not worked with ceramics before, he decided he would create a luxury Chinese porcelain brand, and in 1998 he and his wife, Alison Alten, co-founded Middle Kingdom.

在賈泊的作品裡,人們強烈的感受到了一種簡潔的 優美,洗練如詩,包含著對生活的理解和寬容。這源自於 他對中國藝術傳統中文人藝術的鍾情。 「 宋、明時期藝術 給我的影響很深,它很不同於西方人熟悉的那種繁複的, 來自於唐人街的晚清風格。」文人藝術的作品常常透射出 創作或使用者的人生修養,訴說他們的際遇、理想和情 懷。 「 文人藝術可以是一首詩、一幅畫、一個物品、甚或 一個人的談吐進退、舉手投足。古典的優雅體現在任何 形式中。」文人寄喻藝術的深度和廣度常常令賈泊著迷。 為了再現宋明盛世時的審美風格,Middle Kingdom 的品牌立足於一個很高的起點上,其表現也沒有讓人失 望。對 質量 嚴 格 把 控,對 設 計 精 益 求 精,如今 Middle Kingdom 在十三個國家有近一百五十個代理點,世界各 地的人們為之傾倒,倫敦維多利亞和阿爾伯特博物館、美 國巴爾的摩藝術博物館等也將賈泊的作品收入當代瓷器 典藏。 創造品牌,不追逐潮流,現在,賈泊將眼光投向了

ROOTS IN CHINA

Middle Kingdom’s porcelains are handcrafted by artisans at the company’s modern facilities in Jingdezhen, a prefecture-level city in Jiangxi province, China. Home of the imperial kilns of the Ming and Qing dynasties, Jingdezhen is still China’s “porcelain capital,” boasting a 1,700-year-long history of pottery production. “We started Middle Kingdom with an idea to create a Chinese brand on par with other international brands; in short, to put China on the design map. We wanted to change Westerners’ minds about China being a source of cheap goods and labor, to remind them of China’s traditions of elegance and beauty,” he said.

更廣闊的國際市場。 2013 年推出的 Bottle Vase 系列, 就是 Middle Kingdom 從單一中國風格走向更加國際化 過程中的一個例子。一位年輕的歐洲設計師從隨處可見 的廢舊塑膠瓶獲得靈感,將它們變成了值得收藏的藝術 品。 「 無用」之大用,這一古老的議題有了一個現代的註 腳,再一次,Middle Kingdom 傳遞了中國先哲的教導: 有之以為利,無之以為用。 既是良師又是伯樂,賈泊總能準確發現設計師的才 華,培養他們的潛質。那些看似簡單卻又充滿靈氣的作 品,在他的修改下,自然的與生活融為一體,成為人們隨 手使用中的藝術品。 賈泊認為,天賦對於設計師來說十分重要,因為設 計的概念和感覺有時是難以言傳,也難以學習的。然後 擁有廣泛的興趣,經常去博物館欣賞大師的傑作,看精

COLLECTORS’ PIECES

Middle Kingdom’s craftsmanship and design has captured the attention of institutional collectors. The Victoria & Albert Museum in London, the world’s largest museum of decorative arts and design, is collecting Middle Kingdom’s pieces as signifiers of late 20th-century ceramic brand production, as is the Baltimore Museum of Art in the United States. Seeking to update the styles and aesthetics of some of the greatest Chinese dynasties, such as the Song and the Ming, with their own modern interpretations, Middle Kingdom’s work is slowly changing to incorporate a more international feel, but the emphasis on strong, clean design remains.

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采的展覽,從中吸取靈感,這些無形中的積澱會鍛煉設 計師的眼力。他對年輕設計師的建議就是一定要靜下心 來,堅持做自己,保持個性,不跟風,好的作品一定會有 人欣賞。 賈泊的理想,是將 Middle Kingdom 做成一流的瓷 器頂級品牌。正如許多國際奢侈品牌是在第二代的管理 下蜚聲世界,賈泊希望他的孩子們可以將這個理想實現。 Middle Kingdom 無疑是賈泊的「 理想國」。瓷間 心意,有他的匠心獨運,有他的文人情懷。

(Right) Beautiful porcelain pieces: (top) Polychrome Bowls designed by Jia Bo, Cold Mountain Plates designed by Jia Bo; (bottom) Polychrome Bowls designed by Jia Bo with Tea Lights designed by Ragnheiður Ösp Sigurðardóttir, and Mini Vases designed by Jia Bo.


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(Left) Jia Bo is a graduate of the renowned China Academy of Fine Art in Hangzhou and worked at the National Museum on Tiananmen Square in Beijing before moving to the United States and co-founding Middle Kingdom. (Above) Hand-painted decoration of glazed porcelain.

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Mini Vases designed by Jia Bo and crafted by artisans in Jingdezhen from the region's finest kaolin.

The entire process, from designing a piece to getting it into production, can take several months to a year. After a prototype is approved, Middle Kingdom artisans use the slip casting method to pour liquid clay into molds. When the clay is nearly dry, the product is removed from the mold, trimmed, and cleaned, and a glaze is applied. The piece is trimmed once more before being fired in the kiln.

DIVERSIFYING

As Middle Kingdom develops toward an international brand from a solely Chinese-inspired brand, Jia Bo and

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Alison have sought out other ideas and inspirations. “I can’t create an international look by myself, since I have my particular perspective and education, but with the collaboration of Western artists I can move in this direction,” Jia Bo says. Middle Kingdom now has four European and two American designers in its stable. Looking back, Jia Bo says he might have picked a different material, but he has learned so much about the culture of ceramic production and its history. “I don’t know that there’s another material that would have expressed our original idea of updating Chinese design as well as porcelain does.”


A CULTURAL RELIC REVIVED A Contemporary Teahouse in Beijing Is Born 藏身深巷的唯美茶館 English text by Irene Luo | Chinese text by Qingyin Zhang | Photos by Wang Ning

LOCATION: East District, Beijing, China

PROJECT TYPE: Commercial Tea House

DESIGN TEAM: Han Wenqiang, Cong Xiao, Zhao Yang

DESIGN COMPANY: ARCHSTUDIO www.archstudio.cn

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A

t the heart of old Beijing are traditional Chinese hutong neighborhoods, formed by meandering streets, crisscrossing alleyways, and lines of traditional siheyuan, or courtyard residences. To breathe new life into one such historic residence in Beijing’s East District, Arch Studio’s architects transformed the interior of the building into a contemporary teahouse while retaining elements of the traditional design. Judging by the arrangement of the wood in the original structure and the size of the bricks, the architects determined that the north wing of the siheyuan predated the Qing Dynasty, making it at least 350 years old.

彎彎曲曲,小路逼仄,巷弄交錯。這裡是北京的老胡同, 老北京的根。這座古都的歷史和市井文化就飄蕩在胡同 裡斑駁的牆垣中,堆滿雜碎的四合院裡,老北京家長里 短的談笑間。直面著破破爛爛,一代又一代的老北京人 硬是在這裡活得恬淡。 狹窄的街道間,只見一個簡單乾淨的玻璃門,裡面 發出明亮的光芒。推門進去,方才發現這裡別有洞天—— 一個甚有味道的茶館。 茶館占地共計 450 平方公尺,建築空間呈 L 形。這 裡曾被用作商務會議室,但由於管理不善,後來改造成 為茶館。其實,眼前這個優雅空間的前身,是一座破舊的 老宅。從木塊結構和灰磚的大小,可以看出,建築的北翼 建在清代之前。東西翼已經腐爛的木頭結構,表明這個 房子曾在上世紀 70 年代和 80 年代被改造過。對這棟房 子進行修復和改造,須考慮建築物的年齡,其財務狀況

(Above) While the roof maintains the striking traditional style, the internal

和歷史價值。

courtyard had to be largely enclosed to maintain the temperature inside the

仔細考察下來,Arch Studio 決定北翼部分要確保

tearooms. (Right Top) Curved lines within the glass corridor give splashes of

其歷史外觀,用磚來修復嚴重損壞的部分。南翼部分則

scenery and natural light in the internal spaces. (Right Bottom) Glass walls in the gallery bridge the traditional building exterior and bamboo landscape with the modern tearoom, creating a synthesis of contemporary and traditional.

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通過屋頂和牆壁的翻新,給整個建築打造一個基本風格。 東西翼拆掉,用木質結構重新打造一個有坡度的斜屋頂。


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Encapsulated by wood, glass, and bamboo and decorated with eccentric, wooden benches, the hallway blurs the boundaries between indoor and outdoor spaces.

Beijing’s courtyard residences were first developed as early as the Liao Dynasty almost 1,000 years ago, and generations of Beijing residents have lived and prospered in these buildings. But over the centuries, many siheyuan have slowly fallen into increasing disrepair and dilapidation. Since the mid-20th century, large portions of these traditional neighborhoods have been demolished to make way for modern apartment complexes. The gradual disappearance of these cultural relics has prompted a number of local developers to repurpose or renovate the structures. And so vital centers of Chinese architectural history continue to withstand the test of time and the endless economic pressure. The architecture of the traditional structure had to be carefully balanced against the demands of contemporary urban living. The old was thus harmonized with the new, the exterior with the interior, and the natural with the synthetic to build a sleek, yet comfortable space for conversation and relaxation.

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The “si” in siheyuan means “four” and refers to the four sides of north, south, east, and west. Rather than building a courtyard behind the home, the Chinese traditionally situated an open-air courtyard right in the center of the structure, sheltered from the elements on four sides. Chinese architects traditionally built these residential complexes guided by the basic principle of having a strong, sturdy exterior enclosing a spacious, open interior. In this way, these buildings resemble a square with a garden in its center. This verdant center was traditionally a tranquil space landscaped with a balanced myriad of flora and stone that complemented the building’s gray exterior walls. In the spirit of the traditional Chinese courtyard, the architects incorporated three refreshing oases of bamboo and warm sunlight into the modern design, thus providing each tearoom with its own small wellspring of scenery.


Stark contrast between block colors and unique textures blend with warm ambient interior lighting and natural light in the tearooms.

In designing the corridors and walkways within the teahouse, Arch Studio employed the winding, curved designs typical of traditional Chinese architecture, which values a more circular aesthetic over a linear one. This design technique also has a functional purpose in separating different spaces of that building into different tearooms. Glass barrier walls and wooden, tree-like columns pervade the interior, further blurring the boundaries between indoors and outdoors, and separating the public and more secluded spaces. From the outside, the new teahouse appears modest, with little differentiating it from the other aging siheyuan in the area. But closer inspection hints at the modernity that lies within. A smooth glass door at the end of a narrow entrance corridor is the first indication that inside waits an entirely different environment, where one discovers a creative and pleasing blend of the traditional and the modern.

主牆之外,Arch Studio 打造了彎曲的走廊和蔥鬱 的青竹,讓這裡像是 「 曲徑通幽 」的園林深處。這種設計, 打破了這個老建築之前沉悶和狹窄的格局,讓它變身為 一個開闊又明亮的空間。此外,充足的光線,透明的玻 璃牆,純白色的畫廊,讓新建的部分更為鮮活,原有的 部分更為古樸。 「 新」和「 舊」的個性都十分鮮明,且彼此 呼應。另外,彎曲的走廊,將庭院天然地分為三個部分, 讓每一個部分都有玻璃牆外的風景,並且實現了從開放 茶座到私密雅間的天然過度。 北京的胡同,有著豐富的歷史和深厚的文化積澱, 與此同時它也有著一個複雜的現實。老城的居民有責任 保護胡同建築的歷史價值和藝術價值。在這個項目中, 我們看到,在對胡同建築的改造和翻新,新的設計並非 來自「 靈光一現 」的靈感,而是源於對項目獨特需求和現 實條件的深入研究。在深入了解和研究的基礎上,不斷挑 戰和突破現實的限制條件,持續改進,從概念到實施細 節,從建築結構到內部裝潢,讓空間成為人與人,人與環 境溝通的媒介,從而創造出了一個全新的宜居空間。

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BRIGHT, SPACIOUS, AND MODERN Breathing Life into an Aged Traditional Home 舊宅換新顏 光彩照鄰里 English text by Irene Luo | Chinese text by Yi Han | Photos by Lisa Petrole

SENIOR DESIGNER: Nathan Dykstra

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LOCATION: Toronto, Canada

LEAD DESIGNER: John Tong

LANDSCAPE DESIGN: +tongtong


I

n renovating a traditional Victorian house in Toronto, the design studio +tongtong sought to build a more modern and spacious home while remaining true to the vernacular of the neighborhood. The designers focused on two major features—openness and light— in transforming the structure, named the Zn House. To increase the flow of natural light into the home, they inserted a vertical shaft through the home and topped it with large skylights. With this addition, warm sunlight now illuminates every f loor of the home and also animates the zinc ceiling installation above the kitchen. Principal designer John Tong says this is the part of the design he cherishes the most: “I really embrace the slot between the two f loors. It turns the second-floor hallway into a bridge that connects all of the floors. This is key to bringing light down to the first floor.” In designing the exterior of the home, they united a darker palette with large glazed doors and windows, which bathe the home in natural light, create a more modern look, and allow for pleasant views of the outdoor scenery. The integration of gray and black zinc panels throughout the interior and exterior of the home merges the more traditional aspects of the home with the newer design. In renovating the third-floor bedroom, they replaced the gable with an expansive triangular window offering relaxing views of the neighborhood and the downtown skyline. Custom triangular blinds shade the room and retract into a millwork unit when not in use. In the kitchen, the playful flames of the vent-free ethanol fireplace add a nice touch to the dining room ambience. The designers extended the gray millwork of the kitchen into the dining and living rooms to create continuity.

多學科設計工作 +tongtong 近來完成一座位於多倫多的 傳統的維多利亞式房子的改建工程。經過一系列的策劃 和改建,這所房子被打造成一個開放和明亮的現代家居。 這項工程的意圖是要創造出一個現代時尚住宅,在 拓寬原有可居住空間的同時,還要保持和周圍環境的和 諧。改建的重點放在了利用自然原料和光照上。考慮到 其原有的鄉村風格和該建築的年代,新的設計採用了現 代化的建築材料,重建出一個當代的精品住宅。 建築內外採用的灰色和黑色的鍍鋅材料將傳統的要 素與現代的主題融為一體。建築內,一個垂直軸使得從 頂樓大型天窗下來的光穿過整個三層樓,一直照射到底 樓地面上,同時照亮了一面鍍鋅牆和廚房的天花板,為其 增添了靈動的色彩。 首席設計師 John Tong 最滿意的部分是「 兩層樓之 間的空隙 」,因為「 它將二樓的走廊變成了連接所有樓層 的橋樑。這正是光能被引到一樓的關鍵。」 三樓,一面山牆被替換成一扇華貴的三角形玻璃窗, 這樣一來,就能看到窗外鄰里及遠處的風景。與玻璃窗 相配的,是一幅精心訂制的三角形窗簾,在不需要時,可 將其縮入木質窗框中。 廚房部分的設計,房子一側的窗戶被按比例重新裝 配以保持其原有的寬度。橫向的窗戶沿著廚房延伸,又完 美地整合在餐廳區域的木框架中。廚房的櫃檯進行了擴 充,延至餐廳區域恰好可以安裝一個無需煙囪的乙醇壁 爐。木製品在廚房與餐廳的過渡上起著交疊的功能,這 個功能同樣用在了整個房子的設計中。 房屋的外面,後立面已被完全改建,以至可以最佳 觀賞屋後寬闊的榆樹之景。房屋的前面,一面突出的大 玻璃讓家宅呈現於街道;一頂嶄新的鍍鋅遮陽棚,既遮 檔了風雨和陽光直射,又讓人想起過去的鄰里街角商店。 一個景觀護坡和擋土牆,在街道與住宅之間創造了一層 不受干擾的空間,也為孩子們在家門前提供了一個小小 的樂園。坐于室內,可觀屋外。生活之景,自此展開。

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Sunlight penetrates all floors of the Zn house through a central shaft and enlivens the zinc ceiling installation above the kitchen.

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(LEFT) Glass walls and windows bathe the house with sunlight during the day, while allowing the golden glow of lights inside to penetrate outward during the evening. (RIGHT) At the rear, the designers transformed the look of the house to maximize views of the grand elm tree behind the house.

The house was sparsely, but meticulously decorated to match the spacious and functional design scheme.

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(LEFT) By using glass for the wall, the designers delineated boundaries, but simultaneously created a sense of spaciousness. (ABOVE) The designers offset the predominantly grayscale color scheme with occasional bursts of vivid color.

In front, a massive zinc awning, reminiscent of quintessential neighborhood corner stores, shades the house from the elements. And in the yard, a retaining wall combined with the landscaped berm separates the private home from the public street and also creates a play area for children, consummated by theater-style seating for parents to watch the fun unfold. Overall, the designers employed a cool palette of grays, whites, and blacks complemented by sparse, yet effective bursts of vibrant color. A multidisciplinary design studio, +tongtong relishes in the undefined. With its designs, the firm seeks to develop spaces to spark and nurture creativity, transforming the physical environment into a lively discovery of what is both highly functional and imbued with cultural significance.

John Tong, the principal designer of +tongtong, has won numerous design awards and earned international recognition for his work. He founded +tongtong in 2012 with the desire to explore a wider range of project types and pursue a more collaborative design process. His past projects and clients include Drake Hotel, W Hotel Hoboken, The Art Gallery of Ontario’s HandsOn Centre, Café Belong, the Plant Nursery at the Evergreen Brick Works, MTV Canada, Palmer Jarvis DDB, Estée Lauder – MAC Cosmetics, Party NYC, Ray Civello Salon and Spa, Lululemon, Lileo at the Distillery and exhibits for the Bata Shoe Museum, Dove, IKEA, Audi Canada, and the Interior Design Show. His designs have been featured at the Venice Architecture Biennale, MOMA in New York, CCA in Montreal, Design Exchange and The Interior Design Show in Toronto. 時尚精英 ELITE│73


COLOR UP, THE ITALIAN STYLE 典藏意式春色 Text by Xinyu Luo | Photo by B&B Italia

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Erica Armchairs

Brush the snow off your shoulders for spring is here. High-end outdoor furniture can transform your backyard into a relaxed and comfortable personal sanctuary for the warmer days, or into a spacious area for entertaining guests. Renowned furniture designer Antonio Citterio has launched five new furniture product series for the high-end furniture brand B&B Italia Outdoor. From low-key stable wooden tables and chairs to harmoniously colorful cloth sofas, there’s something to please everyone’s senses.

撣去肩上的瑞雪,迎接春天的時候到了!運用頂級的戶 外家具,可以選擇將院子改造成為放鬆舒壓的個人小天 地,也可以升級為令來客眼睛一亮的戶外宴客空間。著名 家具設計師Antonio Citterio,今年在意大利高端家具 品牌 B&B Italia 一口氣推出五個戶外家具系列,無論是 低調穩重的木製桌椅還是鮮豔多彩的布沙發,一定都能 找到符合需求的設計。

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OUTDOOR LIFE OF LEISURE 戶外生活 自在悠遊 Text by Xinyu Luo

Ultraviolet rays from the sun, salt from seawater, and bleach from the pool can all cause outdoor furniture to corrode, so selecting high quality, well-crafted pieces is essential. For a comfortable outdoor space, the fine workmanship of a well-designed sofa and dinette set are paramount. Ambient lighting for after dark and splendid decor will add the finishing touches.

陽光中的紫外線、海水的鹽分和泳池裡的漂白劑都會對 戶外家具有腐蝕作用。因此戶外家具的材質和做工絲毫 不能馬虎。想設計舒適的戶外空間,做工精實、設計大方 的沙發與餐桌椅是必不可少的,適當的以燈飾和布飾點 綴,對於營造悠閒氣氛更能起到畫龍點睛的作用。

Dedon

Brixx Modules Dedon

Brixx Sphere Cushion Dedon

Brixx Backrest, triangular

Dedon

Brixx Backrest, round

Dedon

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Brixx Side Table, triangular


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LOUNGE AREA

Comfortable chairs and a versatile sofa bed are essential luxuries for outdoor life. Enjoying the sun while lying down, sitting, or even taking a short nap are great ways to enjoy summer’s sunny days. 舒適的座椅和沙發床是室外生活的核心。或 躺或坐或偷閒小憩,享受大好時光。

PHOTOS BY CAPPELLINI, DEDON, GANDIABLASCO, GIORGETTI

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1. Gandiablasco Tipi Wigwam 2. Gandiablasco Flat Circular Bed 3. Cappellini Ant Armchair 4. Giorgetti Apsara Sofa

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Manutti

Prato Dining Table, rectangular

Manutti

Mood Chair

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Prato Bench


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DINING AREA

A well-designed comfortable dining table is essential for entertaining. Just make sure it will be large enough to accommodate all your favorite guests. 能容納多人共餐的餐桌餐椅是必不可少的, 設計感跟舒適度同樣重要。

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1 . Desalto Clay Outdoor Table 2. Kettal Maia Armchair 3 . Manutti Trento Rectangular Dining Table 4. Dedon Dean Armchair

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Cane-line

Scatter Cushion

Cane-line

On-the-Move Side Table

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Cane-line

Club Tray

Defined Outdoor Carpet

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Cane-line

Divine Footstool


ACCESSORIES

Stylish accessories enrich outdoor life, adding convenience, comfort, and visual stimulus. 閒適風格的配件,讓戶外生活方便舒適,而 且還能增添視覺上的趣味。 1 . Gandiablasco Sail Pouf 2. Giorgetti Gea Parasol 3 . Cane-line On-the-Move Side Table 4. Eldorado Stone Infinite Fire Bowl

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PHOTOS BY CANE-LINE, ELDORADO STONE, GANDIABLASCO, GIORGETTI

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Two successful real estate agents, Maggie Raffaele and her daughter, Jia Yan, strive to treat their clients like their family, meticulously considering all of their needs and concerns.

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MAGNIFICENT VIEWS & LUXURIOUS LIVING A Reimagined Waterfront Experience 完美水邊住宅的新註解 English text by Irene Luo | Chinese text by Nicole Hao | Photos by Xuehui Zhang

ADVERTORIAL

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n eclectic multitude of gleaming skyscrapers, stunning marvels of human architecture, stand erect on the river’s opposite shore. Glistening reflections of the metropolis twinkle and dance on the kaleidoscopic surface of the river. The view is stunning—and you can relish it all from within the comfort of your home at Edgewater Harbor, a peaceful community along the Gold Coast of New Jersey. A reimagined experience of waterfront living, Glass House residences offer extensive outdoor living spaces and expansive windows, which allow residents to revel in spectacular views of the Hudson River and the New York City skyline. The walls of the waterfront homes are built almost entirely of glass, providing unobstructed views of the magnificence of New York City. The Glass House boasts a stunning variety of resort-like amenities, including a fitness center, a yoga studio, a spacious screening room, firepits, and a large sundeck with cabanas. Topping it all off is the rooftop deck, which allows residents to enjoy stunning, panoramic views of the Manhattan skyline. The nearby Riverwalk Park, which stretches across the full length of Edgewater Harbor, allows residents to feast upon the exquisite morning sunrises and dramatic evening sunsets. Glass House residents also enjoy exclusive access to a 100-foot-long private pier within the park. For accomplished real estate agents Maggie Raffaele and Jia Yan, a mother and daughter duo, the Glass House residences are particularly desirable and strategic choices for real estate investment.

春雨 綿 綿 的 窗外,草 地青 青,哈 德 遜 河上 煙 霧 裊 裊, 對 岸 就 是 曼 哈 頓 林 立 的 樓 宇。 在 一 個 充 滿 浪 漫 詩 意 的 春日, 黃 鳳 名 和 顏 佳 母 女 在 美 國 新 澤 西 黃 金 海 岸 (Edgewater)獨具匠心的玻璃屋樓盤裡,跟筆者分享了 她們在美國的創業經歷和成功經驗,並介紹了投資房地 產的幾個關鍵因素。 聽黃鳳名和顏佳如數家珍般地介紹新澤西房產特點 與購屋置業建議是一種享受,各種晦澀枯燥的數據從這 兩位漂亮的女士口中娓娓道來,讓人很容易聽懂,輕鬆 地記住。春意灑在她們熱情洋溢的笑臉上,炯炯有神的 雙眸閃爍著睿智與善良。

買房關鍵:位置,位置,位置 春天,萬物復甦,大地回春,很多有購屋需求的人們 也愛選擇在這個季節投資。 選購房屋,最應該考慮的是什 麼呢? 「Location, Location, Location.」一連串三個「 地 理位置 」,是黃鳳名給讀者的第一個建議。黃鳳名在美 從事房地產超過 20 年,深受顧客信賴。 作為新入行年成交額就高達 7 千萬美元的房地產顧 問,顏佳詳細分析了紐約和新澤西房地產的特點。 「買紐約房子的好處是保值!」顏佳介紹,紐約房地 產市場機制成熟,房價穩定,這得益於世界金融之都吸引 著來自世界各地的富豪投資者,也因為紐約和一些美國一 線城市也被全球投資者被認為是安全的避風港。同時,紐 約城市仍在穩步發展,人口仍在逐年增加,但紐約城市規 劃法限制了新樓房的建設, 所以紐約的房價仍有升值空間。 曼哈頓公寓的平均房價不斷攀升,讓置業需求者將 目光投向周邊,特別是與曼哈頓隔河相望的新澤西黃金 海岸地區。

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REAL ESTATE IN NEW YORK CITY AND BEYOND

When advising her clients on what real estate to invest in, Maggie Raffaele emphasizes that the most important factor is location. New York City has a mature real estate market, and housing rates are relatively stable. As an international financial capital, New York City attracts wealthy investors from around the globe. Many international investors treat New York City and other major U.S. cities as safe havens for investment because of the steady housing rates. “The benefit of purchasing real estate in New York City is that it retains its value,” Jia Yan noted. At the same time, with the gradual rise in apartment prices, many have sought more affordable, pre-owned alternatives, but there are few such options currently on the market. As a result, investors have cast their sights on nearby areas instead, including New Jersey’s Gold Coast, where property prices are much more affordable. “With $1 million, you could only purchase a relatively small, pre-owned apartment in Manhattan. But along the Gold Coast of the Hudson River, you could own a completely new, two-bedroom apartment with a variety of quality amenities included,” Jia Yan said. Compared to the clamor and restlessness of living in Manhattan, residing on the Gold Coast is much more tranquil and relaxing. Residents can immerse themselves in the verdant foliage of the area while simultaneously relishing the grandeur of metropolitan scenery. Furthermore, residents can travel in and out of the city with ease for work and leisure.

曼哈頓周邊置業的不二選擇 「 投資一百萬美元,在曼哈頓只能買一套二手較小面 積的一居室,但在哈德遜河畔的黃金海岸,卻可以擁有一 套兩居室的全新公寓及多元服務等。」顏佳說,相比曼哈 頓的喧囂,黃金海岸山水成趣,綠樹成蔭,生活節奏舒緩, 卻生活便利,進出曼哈頓的交通發達。 黃鳳名介紹,黃金海岸在近 20 年中發展迅速,房 地產市場活躍,房屋質量較高,且周圍學校、醫院、商場、 購物中心、老人院、電影院、公園等各種配套設施齊全且 設備先進,所以在曼哈頓打拚的年輕人、事業有成的中年 人等,都在將目光轉向這裡,或租或買,安居樂業。

要美景,也要環保舒適 「 家 」是都市人工作一天後,能夠澈底放鬆休息的地 方,也是現代男女釋放在外承受的各種壓力的避風港。家 除了溫馨,還需要有硬體要素。 當離開曼哈頓滿耳的喧囂與滿鼻的汽車尾氣味,新 澤西靜謐的天空,青草綠樹的氣息和鳥兒的鳴叫讓人不 禁心曠神怡。 踏入黃金海岸的水景豪宅,遠處曼哈頓多彩的霓虹 燈變成了河面倒影的五彩繽紛美景,中城高樓大廈的水 泥味道,經哈德遜寬廣河面的洗禮,只剩下人類現代建築 的壯觀。 如果您選擇住在 「 玻璃屋 」 (Glass House)住宅樓, 整面牆的玻璃構造,讓曼哈頓白日的繁華、夜晚的燈紅 酒綠,毫無遮擋的盡收眼底,而特殊隔熱雙層金屬玻璃 牆壁的設計,則提升了整棟房屋的環保、能源節約等級, 留住了冬日供熱系統的暖風,夏季空調產生的涼氣,節約 了屋主的電費支出等。 春、夏、秋三季的夜晚,在陽台擺上精美的餐點,邀 來親朋好友一起品酒小酌,在清風中談天說地,好不愜意! 如此理想的房屋,怎樣才能得到呢?黃鳳名的經驗 告訴您一個關鍵。

BUILDING TRUST AND RELIABILITY

Having worked in the real estate field for over 20 years, Maggie Raffaele’s expertise and her sincerity toward her customers has garnered the trust and loyalty of many clients. Back in mainland China, she majored in Financial Economics and had imagined herself pursuing graduate studies to become a licensed accountant. But chance brought her into the real estate industry, and she has since garnered enormous success.

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(Right Top) Glass House residences are decorated with a soft palette of whites, grays, and blues, and artisan craftsmanship.(Right Bottom) Oversized windows in the bedroom afford beautiful views of the Hudson River, from warm sunrises in the mornings to the stunning Manhattan skyline at night.


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The gourmet kitchens in Glass House residences are equipped with stainless steel appliance suites and quartz countertops.

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Over the course of her career, she has been honored with a number of awards and accolades. But nothing gives her more pride than when her longstanding clients introduce their friends and family to her to ask for real estate advice. At these moments, she truly understands the value of honesty and diligence in forging an enduring relationship. Although her daughter, Jia Yan, is relatively new to the real estate business, she is a force to be reckoned with, and her annual sales volume has reached as high as $70 million. Through earnestly and meticulously understanding the predilections of their clients, both Maggie and Jia are able to align themselves with their clients’ wishes and make decisions in their best interests. Their clients are not just business partners, they say, but are instead like their own family. They strive to treat them with the utmost kindness and consideration. For people seeking to purchase real estate, Maggie and Jia find them the perfect place to suit their needs—from a modest, but cozy abode in Ridgefield, New Jersey, to a luxurious Glass House riverfront apartment on the Hudson shore.

找值得信任的地產顧問 黃鳳名說: 「 找一個你能信任的房地產顧問,會替你 節省很多的時間、精力,還能給你提供寶貴的指引。」 黃鳳名在國內學的是財經專業,出國前,在深圳一 家房地產公司管理財務計劃、資金支出及融資。來美國 時,她曾設想進修財經專業,當一名有執照的會計師,沒 想到機緣巧合,一到美國就踏入房地產界,轉眼做房地 產經紀人已經 20 多年了。 「 你是一個非常熱情努力和誠實的人,我相信你一定 會做得非常好的。」黃鳳名回憶在美國第一次與房東面談 時,對方在 10 分鐘內就決定把房子交給她,這給她巨大 的鼓舞,也讓她堅定一個信念:誠實才會贏得信任,努力 才能取得成功。 連續 18 年的白金獎、金獎、銀獎和各種榮譽獎盃, 凝聚著她多年來努力工作的汗水,但對黃鳳名來說, 「新 澤西房地產協會終身成就獎 」遠不及多年來大量老顧客介 紹自己的親友前來諮詢購屋所表現出來的那份信任實在。 真正把顧客當作自己的親人,完全站在對方立場考慮購房 的各項事宜,或許就是黃鳳名和顏佳這對母女總是能夠發 現優質房產,總能找到適合顧客的大宅小家的原因吧!當 筆者離開黃金海岸時,眼前依然是黃鳳名和顏佳母女溫暖 的笑容,耳畔迴盪的還是她們爽朗的笑聲。回看玻璃屋, 那種寬敞與明亮,讓我的嘴角不自覺地向上揚起。

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恭 賀 Julia Jiang 團 隊 榮 獲 2016 年 巔 峰 成 就 獎

THE JULIA JIANG & CHARLES HAWKINS TEAM

Julia Jiang 姜穎 2016 年已售物業部分精選

200 East 94th Street, New York, NY 10128 Carnegie Park Condo 已售並完成交易,Upper East Side,上東區

212 Warren Street, New York, NY 10282 River & Warren Condo 已售並完成交易,Battery Park,炮台公園

245 West 14th Street, New York, NY 10011 Village Green Condo 已售並完成交易,Chelsea,西村切爾西

88 Lexington Avenue, New York, NY 10016 88 & 90 Lex Condo 已售並完成交易,Nomad,諾麥德

30 Park Place, New York, NY 10007 Four Seasons Hotel Condo 已售並完成交易,Tribeca,翠貝卡

30 Park Place, New York, NY 10007 Four Seasons Hotel Condo 已售並完成交易,Tribeca,翠貝卡

Julia Jiang 姜穎 2017 已售並完成交易和 2016 年已簽約物業部分精選

50 West Street, New York, NY 10006 Plus Multiple Units 已簽約,Financial District,金融區

252 East 57th Street, New York, NY 10022 252 East 57 Residences 已簽約,Midtown,中城區

111 Murray Street, New York, NY 10007 111 Murray Condo 已簽約,Tribeca,翠貝卡

One West End Avenue, New York, NY 10019 1 West End Condo 已簽約,Upper West Side,上西區

15 Hudson Yard, New York, NY 10001 15 Hudson Yard Condo 已簽約,Hudson Yards,哈德遜城市廣場

161 Maiden Lane Street, New York, NY 10038 One Seaport Condo 已簽約,Financial District,金融區

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曼哈頓頂尖 地 產經 紀 Julia Jiang 姜穎 紐約曼哈頓豪宅投資專家 紐約州執照房地產經紀師 Manhattan Luxury Property Specialist Licensed Associate Real Estate Broker

2016 總裁俱樂部巔峰成就獎 2013 - 2015 總裁俱樂部鉑金獎 2011 - 2012 總裁俱樂部金獎 2010 年總裁俱樂部鉑金獎 「華爾街日報」特別採訪 賣房|買房|投資|租賃|物業託管 SELL | BUY | INVEST| RENT | PROPERTY MANAGEMENT

非常高興與您分享我們團隊 2016 年銷售和交易 業績的喜訊!在 2016 年,我們團隊總交易額價 值超過 US$5000 萬美金,包括已經成交的和簽 約的公寓。如曼哈頓最熱銷的樓盤下城四季酒 店私家豪宅公寓、哈得遜城市廣場、曼哈頓廣 場一號、南街海港一號等等,都有我們客戶順 利簽約。我們團隊優異的銷售業績在 Douglas Elliman 總 公 司 曼 哈 頓 區 域 排 名 前 百 分 之 五。 作 為 曼 哈 頓 最 大 地 產 公 司 Douglas Elliman 的 金 牌 經 紀,Julia Jiang 姜 穎 代 理 買 家 和 賣 家、 物 業 托 管、 擁 有 紐 約 曼 哈 頓 第 一 手 最 新 房 源 信 息 和 最 有 效 的 市 場 宣 傳, 期 望 代 理 您 作 為 賣 家 和 買 家, 精 賣 和 精 選 最 合 適 的 地 產 投 資 項 目。Julia Jiang 姜 穎 被 譽 為「 紐 約 曼 哈頓樓盤百科辭典」 , 專 業、 高 效、 誠 信 的 業 界 聲 譽, 已 經 贏 得 無 數 客 戶 的 信 賴 和 贊 譽。

Mobile:646-210-5593 Email:yjiang@elliman.com Website:www.juliajiang.com 地址:575 Madison Ave, New York, NY 10022 個人微信:JuliaJiangNYC 公眾微信:JuliaJiangUSA

575 MADISON AVENUE, NY, NY 10022. 212.891.7000 | © 2016 DOUGLAS ELLIMAN REAL ESTATE. ALL MATERIAL PRESENTED HEREIN IS INTENDED FOR INFORMATION PURPOSES ONLY. WHILE, THIS INFORMATION IS BELIEVED TO BE CORRECT, IT IS REPRESENTED SUBJECT TO ERRORS, OMISSIONS, CHANGES OR WITHDRAWAL WITHOUT NOTICE. ALL PROPERTY INFORMATION, INCLUDING, BUT NOT LIMITED TO SQUARE FOOTAGE, ROOM COUNT, NUMBER OF BEDROOMS AND THE SCHOOL DISTRICT IN PROPERTY LISTINGS ARE DEEMED RELIABLE, BUT SHOULD BE VERIFIED BY YOUR OWN AT TORNEY, ARCHITECT OR ZONING EXPERT. EQUAL HOUSING OPPORTUNITY.


跨國資產傳承

川普稅務改革—玩真的還是假的?

12%,最高是 33%,且川普表示要廢除 聚焦稅改 前述的 3.8% 投資所得淨額稅,在此政 美國總統川普 (Donald J. Trump)上 見下,高所得人士的適用稅率可望大 幅降低。 任 前 後 宣 示 要 做 諸 多政 策 改 革,今 此 外, 現 行 聯 邦 遺 產 稅 率 年三月初美國國會眾議院 (House of Representatives) 的共和黨員 (The (Federal Estate Tax)是 35%到 40%, Republicans) 提出新健保法案,想 2017 年個人遺產免稅額是 549 萬,夫 替 代 歐巴馬 時 期通 過 的 平價健保法 妻可以共用 1098萬美元。共和黨和川 普都主張罷黜聯邦遺產稅。 (Affordable Care Act),並稱之為 「川 1. 外籍 ( 非美國籍 ) 非美國居民的人士可以 許多美國新移民在美國境內外都擁有資產,同時 普健保法 (TrumpCare)」來顯示白宮 繼承美國財產嗎?答案是「可以的」,因此不需要 還擁有雙重、多重國籍,也有人雖然僅擁有單一 諸多絆腳石 也支持這個新法案。 因為您希望繼承您資產的人是外籍非美國居民, 國籍但是在不同國家居住、置產,這時將來的遺 川普總統在三月和四月初的民意 法案剛出爐時得到國會極右派保 就以為您不能將他們列入您的遺囑或信託的繼承 產繼承和其預先的規劃複雜度就高了不少。 支持度格外低 (已經下探 35 %),他有 守分子的認可,其內容傾向除去政府 人名單中。 例參1:王先生離世時乃中國籍人士、美國紐約 與,將 健 保 制 度 交由 私 人 企 業 處 高度壓力要做出成績來,但他的稅務 2. 外籍非美國居民的人士繼承美國財產時, 州居民,在中國和美國留有遺產,王先生的遺囑 理,但因為這會導致數千萬美國民眾 改革是否會順利呢?本來一般認為這 會需要多繳稅嗎?答案是「不會」,繼承時或因為 必須要符合美國紐約州法規還是中國法規呢?又 失去健康保險,共和黨主流溫和派議 會比健保改革容易些,因為共和黨內 前言: 「 川普健保法案 」敗陣,總統擬

繼承人是外籍非美國居民而暫時被先扣稅,但是 在中國的資產分為動產和不動產,不同類型財產 員擔心民怨四起,因此不願支持。為 比較有共識。 之後可以申請退稅。 再嘗 對於資產繼承法規適用有何影響呢?所謂遺產的 了得到主流派的票,該法案版本開始 不過,四月初川普又表示要 有了變化,讓政府還是能補助民眾等 試健保法改革,甚至要將基礎建設、 3. 我可以限定讓我在美國的遺囑僅處理我在 意義和範圍及遺產稅要如何認定?如果要節稅的 等;這些轉變則讓極右派議員批評新 話,要如何規劃最有效率呢?

健保改革和稅務改革結合起來。健保 美國境內的財產嗎?答案是「可以」,請律師謹慎

改革回鍋增加不少複雜變數,過去健 定義遺囑適用的財產範圍、請記得另外規劃位在 例法案實質跟歐巴馬平價健保法無異, 2:李女士離世時同時持有美國護照和德 筆 者王 劭 文 出 生 於 台 灣 台北, 台 灣 大學法 律 學 院 及哥 倫 比 亞 大學法學院畢業,並獲領紐約大 學 華格 納公 共 服 務研 究 所最高 等獎學金,主攻美國醫保政策。 領有紐約州律師執照,專事耆老 保 健 及 資 產 傳承保 護 等法律 服 務,聯絡請洽 718 - 844 - 8560 或 kneal@nealgrouplaw.com。事 務所總部:The Neal Group, LLC, 136 Madison Avenue, 6th Floor, New York, New York 10016。

開始抵制該法案。 保政策鬥爭都讓不少美國總統元神大 其他國家的財產 ( 如,在美國海外另寫一份遺囑 國護照,但在中國居住 ,她在中、美、德三國都留 熬到三月下旬,該新法案最終在 傷,川普和共和黨國會議員再度挑戰 規劃美國境外財產繼承 ),並要避免海內外遺囑內 有資產,甚至在瑞士也有一些財產,各該資產的繼 自家共和黨眾議員中湊不足需要的票

健保改革,令人佩服他們的勇氣,但

數,連闖關投票都不敢,川普總統和

也不解他們為何如此執著。

承是否適用各該所在國的法律、是否適用被繼承

容矛盾,這些都牽涉到高技術的法律服務,民眾

人所屬國籍的法律 ( 若是,是用美國的還是德國

絕對不要輕忽。當然,單純的作法是單用一份遺囑

多數黨的共和黨顏面嚴重掃地,川普

而非政治背景出身的川普,面對

的? ),或是適用最後居住地的法律?李女士的遺

或信託來處理海內外所有資產就好,但若這麼做

囑應該要符合哪個國家的法規呢?如果李女士沒

實在不符合您的需求,分開立遺囑或信託也不為

有留下遺囑或其他合法的財產分配指示,那麼哪

過,只要不出錯就好。

無奈表示要轉而聚焦在稅務改革上。

的挑戰比傳統在政治圈晉升的眾多前

任總統們更多:他帶領的白宮內部人

稅務改革重點

事鬥爭嚴重、聯邦調查局在三月份正

4. 我可以在海外簽立遺囑或信託來處理美國 個國家的法律可以幫忙確定李女是遺產的繼承人 川普承諾大幅降低公司所得 稅, 式承認他們在調查川普和幕僚是否有 的資產嗎?答案是 「原則上可以,但需要遵守適用 和繼承比例呢?同樣,所謂遺產的意義和範圍及 對準了生意人的胃口。他主張大幅降 犯下協助俄羅斯干預 2016年選舉的聯 的法律來確保該文件簽立的有效性,並應事先了 遺產稅要如何認定?如果要節稅的話,要如何規 低股份有限公司 (Corporations) 的所 邦刑事罪,被認為可能是尼克森總統 解相關稅務影響」。至於文件效力的認定適用哪 劃最有效率呢? 水門案後最嚴重的醜聞、其移民政策 得稅 (從現行的 35%降到 15%),在這個 一國法律,就需要律師仔細分析才能確定。 這些問題都需要律師協助釐清,而且當您在 被數個法院打臉、他愛用家屬也讓專 主張下,本來透過成立 S 類型股份有 家們屢批違反倫理準則。另外,川普 限公司 (S Corporations) 和責任有限 由此可見跨國資產傳承的複雜度高,相關規 美國的律師沒有中國律師執照或德國律師執照, 聲稱要將資源投在美國本土上,但是 公司 (Limited Liability Companies, 劃的律師費用通常就不低,民眾要願意投入小錢, 就得與有那些他國執照的外國律師合作,來一起 他現在大開國防預算,與北韓關係異 LLCs) 來避開個人和公司所得雙重課 來預防將來的麻煩,因為處理不好會造成繼承人 協助客戶釐清這些問題。因此有這些疑問的民眾 , 常緊張,再加上敘利亞 稅的人 ,可以選擇繳交 15 % 的公司所得 (Syria) 化學攻 之間將來的不悅或不便,並導致繼承人後來要花 請務必提供律師充分資訊,好能獲得律師最精確 稅,避開稅率可能反而比較高的個人 的分析。 所得稅。

擊事件迫使川普還擊。 更多律師費來收拾殘局,而這類殘局通常很難收 這些事件,都讓他的內政難以真

上述的疑問是需要個案分析才能夠具體回答 個人稅務部分,現行個人的所得

拾,只能徒留遺憾,因此民眾務必要謹慎而行。( 文

正推行。因此,目前很難看出稅改議

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章僅供教育參考用,並非法律意見,並不與讀者成 的。以下則是幾個常見的跨國繼承問題,是較有 稅率最低是 10%,最高是 39.6%,且高 題何時才會真正成為白宮、國會、媒 立律師客戶關係 ) v 明確答案的: 體和輿論的焦點。 收入者的投資所得淨額還要繳交 3.8% 的稅,加起來的最高稅率是 43 . 4 %。 (文章僅供教育參考用,並非法律 川普政 見 主張 個 人 所 得 稅 最 低會是 意見,並不與讀者成立律師客戶關係)。 82│時尚精英 ELITE

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六齡齒 口腔健康的支柱 兒童2週歲時,人生的第一套牙(乳牙)生長完成。到了6 週歲,人生的第二套牙(恆牙)開始萌出。而排在牙列的最 後面的牙,即第一恆磨牙,習慣稱為「六齡齒」。 六齡齒於胎兒 3-4 個月左右牙胚開始形成,出生時 開始 鈣 化,2-3 歲左右牙冠 鈣 化完成,6-7 歲萌出於口 內,上下左右各一顆。六齡齒是萌出最早的恆牙,它將陪 伴您一生,它在口腔中起著非常重要的作用。六齡齒牙冠 最大,牙尖最多,咀嚼面積最寬,承擔的咬合力和咀嚼功 能都比其它恆牙大。因其牙根分叉角度大而特別結實。六 齡齒位於整個牙弓的中部,成為牙弓的主要支柱,對於保 持上下頜牙齒正常的排列,維持正確的咬合關係以及保證 面部的正常發育都起著重要的作用。

中央牙科

由於六齡齒萌出早,並且緊鄰乳牙生長,很多家長 誤以為是乳牙而不重視。殊不知六齡齒就是最早的恆牙,

健康美麗的牙齒 • 是您自信微笑的保證

一旦發生蛀牙齲齒等,如不及時發現治療,其破壞性將影 響一生。以下就六齡齒的保護及丟失後的危害做一簡述。

專業的態度 • 精良的醫術 • 先進的設備 精心呵護您的牙齒 • 史良章牙醫博士親自診療

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童口腔衛生欠佳較易患齲。當六齡齒萌出、齲齒尚未發生

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時,可到診所進行預防性窩溝封閉。治療輕鬆無痛,易

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被兒童接受。 智能手機二維碼

定期檢查洗牙,培養良好習慣 從2週歲起,堅持每6個月洗一次牙。家長應以身作則,為 兒童起表率作用。洗牙後醫生會為兒童進行氟化處理,進

不適植牙或因經濟健康時間等因素暫時無法進行植牙治

一步增強對齲齒的抵抗力。若發現早期齲齒,治療輕鬆,

療,可採用保持器暫時佔住空間或做局部活動義齒,以

不需麻藥,為今後接受牙科治療奠定良好的心理基礎。

免傷及鄰牙,待日後植牙。

六齡齒痛症的治療

六齡齒牙周病:及時治療,終生受益

如果六齡齒患齲齒,早中期都無症狀。如果青少年叫牙

由於最早萌出,經歷年幼無知,青春叛逆,繁忙生活的壓

疼,至少齲齒已到晚期,能填充補牙的可能性極小。若齲

力等等,人到中年後六齡齒多少都遭受到一定的破壞。常

齒侵害到牙髓,則需做根管治療及牙冠修復。若家長長

見的問題是牙周病。牙周病的根本是牙骨丟失牙齦退縮

期忽視六齡齒齲齒,當牙齒的結構遭受嚴重破壞而發炎

而呈現的慢性牙床炎症,傷及身體各大器官。但因症狀輕

腫痛時,正確的治療只能是拔牙。

微而被忽視。若及早治療,牙周病是可以控制的。若任其 發炎而忌醫,當發生急性疼痛時,治療只能是拔牙。拔牙

拔掉六齡齒後要及時保住空間

後,牙骨已所剩無幾,植牙難度大大增加,甚至因鼻竇發

當六齡齒破壞到無法挽救而需拔牙治療時,保持六齡齒

炎或下頜神經的限制而無法植牙。六齡齒的牙周病也會

所在的空間至關重要。否則前後上下鄰牙會漸漸移位及

擴散到鄰牙,造成全口牙周破壞,後果不堪設想。

比如清潔受阻而易患齲齒及牙周病,而且咬合錯亂會對

健康怡人的笑容是人生成功的通行證。作為全口牙齒的

牙骨牙齦及頜關節造成慢性破壞,並會影響五官發育。因

先驅和領隊,六齡齒的健康是全口牙齒健康的基礎。勸

此,當六齡齒丟失後一定要及時鑲牙。最好的鑲牙方法

君及早重視自己及後代的六齡齒!若護理得當,六齡齒可

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以伴您終生,讓您免受許多無以言狀的痛苦。

92│時尚精英

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傾斜,造成咬合紊亂,對其他牙齒造成無法彌補的傷害。


股票投資注意事項( 四) : 盡量避免發展中國家的公司 文w宋仁

近二十多年,購買發展中國家的股票成為投資界的一種時尚,表面理由 是因為那些國家經濟落後,所以居民收入的上漲空間大,對相公司股票 是長期利好,容易受到追捧,其結果股民應該是收獲滿滿。 其實這種理論存在巨大的缺陷:因為是否投資一間公司的股票,是 由它的價值決定的,分析過程中,都要客觀地衡量其優缺點;看你自己 能承受的下降空間是多少?能挺多長時間?為什麼股票現在要開始漲了, 而以前一直有漲?市場原來是瞎了?

曼哈頓地產專家

吳 梅 Mei Wu Stanton Licensed RE Salesperson

其實,現在被認為是金科玉律的許多經濟理論都存在重大漏洞,要 不然川普也不會當選總統了。和投資有關的公理就有資本市場的價格反 應價值論(Efficient Market Theory);自由貿易中各國都會獲利基本均 等(International Trade Theory)。 投資發展中國家股票最坑人的,就是華爾街那些大忽悠用美國市場

Mei 來自於曼哈頓五大地產公司之一 TOWN Residential,是位獨具風格的曼 哈頓地產專家。成功的藝術生涯和多年對建築 設計的喜愛,煉就出她對品質和細節的完美

的股票貴賤衡量標準告訴你哪些公司如何便宜。這樣人們的貪婪欲望很

追求,以及如何幫助客戶挑選最佳物業的獨

容易就被吊了起來,他們好大賺佣金和管理費。結果一些中產階層家庭

到品鑑力。“值得信賴”和“豐富的專業知識”

常常過一年或幾年才發現原來投進去的辛苦錢已經嚴重縮水;但是人就

是 Mei 贏得客戶滿意的祕訣。

是沒記性:過幾年又去投,又發現不划算,但始終不明白為什麼,只好怨 自己運氣不好。 當然這也不能都怪投資人,因為明白其中花招的人本來就不多:公司 表面上看確實不錯呀! 這一切是由於人們對新型國家公司股票的投資認知上存在兩個很大 的誤區:

出生自北京,Mei 如今已在曼哈頓上東城生活 了近 20 年。她擅長英語和普通話,精悉美國 主流社會,對紐約地產擁有豐富經驗。在曼哈 頓這個風雲變化的城市,Mei 是幫助您尋找 最具價值和成長潛力地產物業的最佳人選。

一個是國家風險:所謂發展中國家基本都是已經戴了幾十年這個高 帽了,已沒有成為發達經濟體的希望;這是由於國家從上到下司法體制

如果您有地產買、賣、租賃需求,

的腐敗所造成,人才和資金總是通過各種途徑流到海外,基本是一去不

歡迎來電咨詢。

復返了!司法腐敗導致公司不可能在公平競爭的環境下運營,隨時可能 受重傷;而腐敗的環境又給公司造假帳提供了肥沃的土壤,所以報表的

手機:646.320.8808

真實性就會大打折扣;而且各種明裡暗裡的高額負債隨時都會因政治、

辦公電話:646.588.4064

經濟或腐敗等各種不定因素導致公司的生命線( 資金鍊)斷裂。 所以,發展中國家的股票估值極其困難,加上一般又不派發現金紅 利,而股票承銷商自然是大肆吹捧,自然絕大多數公司的股值都是被大 大高估了。結果就是:長期來說,買進後下跌的空間遠遠大於上漲的可能, 而且很可能遇上暴跌。

TOWN 79th Street LLC 239 East 79th Street, New York, NY 10075 mstanton@townresidential.com 微信:meiw8808

第二個巨大風險是匯率:從最近一年委內瑞拉貨幣跌了 70% 以上 就知道一般家庭是很難承受匯率損失的。 司法腐敗導致產權不被真正尊重,國家各個產業在世界市場普遍沒 有明顯競爭力,只好和別人拚工資,結果成本下行壓力不斷,導致本國 貨幣逐漸貶值 。這和國家是否民主無關:印度 1947 年獨立後發行自己 的貨幣( 盧比)時和美元比價是一對一:現在是五十幾對一。 這還不是最差的:你做好準備了嗎?

時尚精英 ELITE│93


憶韓國

體驗朝鮮王朝的寫意生活 韓國頂級御廚李善圭親自主理 真正原汁原味的韓國宮廷料理

ELITE

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樂當貴族 御膳嘗鮮 新年新意新祝福

文w王曉蓮

圖w張學慧

誘人神仙爐 「 神仙爐 」是在中間可放入炭火的煙囪式銅火鍋中,放

一國之君的膳食,是從全國各地進貢而來的特產中,嚴

進牛肉與各種蔬菜烹調食用的韓國高級宮廷料理之一。

選出最好的物品或是富含當令新鮮美味香氣的優 質食

因其入口口感痛快愉悅,因此又被稱為「 悅口子湯」。

材,以代代相傳的料理技術精製而成。

missKOREA 出品的這道「 神仙爐 」,食材非常豐富,包

韓國宮廷御膳自「 李式王朝 」時代奠定根基,料理依

括牛肉片、魚片、明蝦、魷魚、豬肉丸、板栗、甜椒、銀杏、

據五行配置,講究白、青、黃、黑、赤五色,以及鹹、甜、酸、

胡蘿蔔、蘑菇、西葫蘆等。佳餚匯聚一處,即有山珍,又

辣、苦五味的色味均衡。從食材、烹調到上菜,每一道料

有海味,讓人頓生帝王嘗遍人間百味的至尊愉悅。v

理都要求對人體有益,東方「 醫食同源 」的概念是烹飪菜 餚的最高準則。

大紐約品味「 王的御膳 」 位於曼哈頓的 missKOREA 韓餐廳,特別聘請被譽為 「韓 國膳食專家 」的李善圭女士擔任主廚,為大紐約民眾帶 來了難得一見的宮廷料理。作為韓國頂級傳統宴食院家

地址:10 W 32 ND ST, NEW YORK, NY 10001 電話:212-594 - 4963 網址:WWW.MISSKOREABBQ.COM 7 天 24 小時營業

禮院(Ga Rye Won)創辦人的李女士,將她近 40 年的 烹飪經驗和對美食的全部熱忱都匯聚到她製作的美味中。

瓷器醃牛排 韓式烤肉一直是大紐約的人氣餐,用特製瓷器醃製牛排 是 missKOREA 的一大特色。醬油、梨汁、糖等美味調 料醃製的上等牛排放在特製的瓷器裡釀製 48 小時,醬

瓷器醃牛排

料充分入味,牛肉質地變得很軟,口感香醇濃郁,甜味也 深深進入排骨內。

黑豬五花肉 有韓國「 夏威夷 」之稱的濟州島特產黑豬。黑豬肉比一 般豬肉油脂少,肉質富有韌性,營養價值也較高。miss ADVERTORIAL

Korea 的香辣黑豬肉和五花肉不經過醃製,保持黑豬肉 本身的原味。肥而不膩的豬五花厚度剛好,在親切的服 務員煎烤的時候香氣四溢,這時候要在生菜包上加上泡 菜和大蒜,與豬肉混合後更美味!

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神韻舞蹈演員鄭道詠專訪 issue 23

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