Floating World catalog, 2018 by Elizabeth Ross

浮世，并不止是异景

刘凡

CONTENTS

Floating World, Beyond Wonders

Liu Fan

浮世异景

沃尔特·伯格莫泽

Floating World

Walter Bergmoser

参展艺术家 Artists

Andrea Sunder Plassmann（德）

Andrej Glusgold（德）

Elizabeth Ross（西／墨）

Juha Suonpää（芬）

Meera Margaret Singh（加）

Peter Sramek（加）

Walter Bergmoser（德）

朴素贇 Sobin Park（韩）

何汶玦 He Wenjue ( 中 )

吕山川 Lv Shanchuan ( 中 )

林一征 Lin Yizheng ( 中 )

刘凡 Liu Fan ( 德 / 中 )

栗子 Li Zi ( 中 )

叶佑天 Ye Youtian ( 中 )

圆大西 Yuan Daxi ( 中 )

浮世异景 ─ ─ 当代艺术国际邀请展

FLOATING WORLD-INTERNATIONAL EXHIBITION OF CONTEMPORARY ART

浮世，并不止是异景刘凡

玄之美术馆坐落在福州的三坊七巷，这个充满传奇色彩的历史街区。在这个物质的空间里，精神感于空间不再是僵死的、刻板的、非辩证的，而是

《死了都要爱》是何汶玦的一件以瓷为媒介的装置作品。作品中，精美无瑕的玫瑰与代表死亡的骷髅组成的单词 LOVE 并置，文本 LOVE 的美好含

富有启发和理论生命力的概念。这个地理的、文化的、历史的实体空间背后，是一种人为的历史、社会和政治建构的过程，而这个过程是流动的、

意与骷髅符号产生了巨大的反差，文本的确定性与作品传达出的怀疑态度让人对真实性产生了质疑，符号化的骷髅摧毁了一切表面化的象征寓意。

复合的，与他者文化相互混合的。

近年来，叶佑天一直在创作他开创的手绘诗意动画，他将传统美学元素融入到动画创作中，以个体静思的方式来表述个人对世界的认知及哲学思考。

《浮世异景——当代艺术国际邀请展》用分群、变异、试验、转变的分析方法，从多重论的视角、多元化的身份去探讨意义消解与重构下的空间场域，

虽然，都以材料为试验对象，生活在北京的吕山川和生活在德国科隆的林一征分别选择了不同的材料媒介——油画和水墨。不过，他们的目的都是

呈现出一个在地的、差异化的精神空间。

为了否定图像的折涉性，呈现出一种经过编码的结构。吕山川的厚涂法与强反差的色彩和林一征水墨分裂的化学效果与黑白的层次感，让观者看到了他们充满自发性的绘画特征，并体会着肌理表象中不同材质带来的快感。

作为 20 世纪 80 年代柏林早期的实验性和多学科艺术场景的先驱，Andrea Sunder-Plassmann 的作品将摄影、超 8 和 16 毫米电影的表演结合在一起，创建临时的和特定场地的装置，探索对象和环境之间的协同作用，以及观察者作为工作中的一个元素所产生的影响。Andrej Glusgold、刘凡的

展览中的三位女艺术家 Elizabeth Ross、Meera Margaret Singh 和朴素贇作品以性别身份为主题，将身体作为诉说反抗和制造意义的工具。

摄影作品从自然主义的视角出发，将文化身份与社会现实融入到作品中，从日常生活中抽离出事物的表象并陌生化地展现出来。刘凡的作品在时间

Elizabeth Ross 躺在各种以男性为中心建立的政治体制的建筑物前，成为被观看的景象中的一部分。朴素贇将亚洲传统文化中代表男权的龙的符号

凝视的叙述中划开了一道纤细的缝隙，以致于看似完整的表面被剥离出无法弥补的间隙。

与巨大尺幅裸体女性形象并峙，女性身体感官上的冲击力与龙的形态形成强烈的动态感。Meera Margaret Singh 的《二重奏》中，一对老年人彼此模仿着对方的动作，反映了艺术家一直以来非常关注性别身份与老龄化问题。

Juha Suonpää 的作品充满幽默感和怀疑精神，他用理性的方式将传说、神话和历史故事进行否定和拆解，在偶发的剧情中来面对历史与当下对话的可能性。Peter Sramek 事无巨细地呈现了他穿越各种地理和文化空间中的纪录，他用一种独特的构图以及他者的视角洞察了不同空间界限下的

艺术家的心理空间所构成的知识文化系谱，是一种文化视阈，一种记忆政治学，一种文化渗透中表现出的策略行为，从意识形态到日常生活，这些

艺术家的体验。Walter Bergmoser 将个人情感与私密化的叙述场域展现于作品之中，服饰、道具与人物表情无声地讲述着艺术家关于伤害、幻想、

复杂的心理体验成为穿越多维世界的异质化空间在个体心灵里的隐射，也成为艺术家和观者解读这个时代的个体样本。

迷茫、焦虑、不安、失落、孤独的理解与阐释。 2018 年 9 月于清华园栗子的作品将画面延展至画框之外，用西方古典主义的形式将阳刚与力量之美转为沉寂与荒凉之气，在一种忧郁、紧张而又飘渺的神秘感中蔓延开来。经典的符号成为她作品中不断出现的寓言，它们被吸引到一种代表历史的废墟之中，成为不可逆转的分解和腐朽过程的展示。圆大西是一位极具才情的艺术家，他的作品高冷而富有距离感，仿佛精神返回到它混沌的起源，它不乏智慧和宁静，却在无所执着的凝滞中远离了生命本有或当有的一切悲欢。他的新作中将古典图像与神秘的背景融合，它来自种种心理内容的融混，而这种融混，只有在意识变得模糊暗淡的时候才会增强，在一种偶发的状态中对叙事进行着重构，将自我意识的视觉化呈现。

浮世异景 ─ ─ 当代艺术国际邀请展

FLOATING WORLD-INTERNATIONAL EXHIBITION OF CONTEMPORARY ART

FLOATING WORLD, BEYOND WONDERS Liu Fan

Xuanzhi Art museum is located at the Three-lanes-seven-alleys in Fuzhou, which is a legendary district. In this material space, spirit is no longer

Love Regardless of Death is an installment made of ceramics. The exquisite and virginal roses and the skeleton, a sign of death, are laid together

dead, rigid, non-dialectical, but inspiring and theoretically energetic. The geological, cultural and historical entity space is backed up by a man-

and compose the word of LOVE. The sweet meaning of LOVE and the symbol of skeleton make sharp contrast. The certainty of the text and the

made process of historical, social and political construction. This process is mobile, complex and blended with other cultures.

suspicious attitude of the work arouse the doubt of the audience. The symbolized skeleton destroyed all the superficial implications. In recent years, Ye Tianyou has been creating his original poetic freehand animation. He combines traditional aesthetic elements into the creation of

Floating World----International Exhibition of Contemporary Art tries to discuss the field domain under the elimination and reconstruction

animation and expresses his personal perception of the world and the philosophical thinking in a way of individual meditation.

of meanings from the perspective of multiplicity and diversification by the analytical methods like classification, variation, experiment and transformation, so that a local and distinguished spiritual space is displayed.

Although both of them take materials as the subjects of their experiment, Lv Shanchuan from Beijing and Lin Yizheng from Kolner, Germany, respectively choose to use different medias----oil and ink. Anyway, both of them aim to destruct the reflection of images so as to make the

As a pioneer of the early experimental and multi-disciplinary art scene in Berlin in 1980s, Andrea Sunder-Plassmann combines the photography

painting form a structure of codes. The impasto and the sharp contrast of colors of Lv, and the chemical effect of etching ink and the black and

and the video performance recorded by super 6 and 16mm films, sets up temporary and specifically-located installments, explores the synergistic

white layers created by Lin, present to the audience their initiative painting features and arouse the excitement of the audience through the

effect between the subjects and the environment, as well as the influence of the audience as a working element. Andrej Glusgold and Liu Fan,

diversified textures created.

from the perspective of naturalism, have their cultural identity and social reality reflected in their works. They extracts the images of the daily objects but presents them in a strange way. Liu Fan’s works seem like being covered with fine cracks cut by the staring of time, so that the

The other three female artists like Elizabeth Ross、Meera Margaret Singhand Sobin Park take sexual identity as their topics and use the body as

seemingly complete surfaces are stripped with irretrievable interstices.

a tool to release their rebel force and to create meanings. Elizabeth Ross lies in front of various buildings signifying political systems in this malecentered world, becoming a part of the scenery. Sobin Park puts the dragon, a sign of patriarchy in traditional Asian culture, and the large-sized

The works of Juha Suonpää are full of humors and suspects. He refutes and destructs fairy tales and legends and historical stories, and seeks for

naked woman body together. The visual impact of women body and the image of dragon construct intense dynamic sense. On the duet of Meera

the possibility of conversation between the history and the current occasional happenings. Peter Sramek presents in all details the documents

Margaret Singh, an old couple are imitating each other’s actions, reflecting that the artist’s continuous concerns about the sexual identity and

of his traversing experiences through various geographical and cultural spaces, with his particular composition of the pictures and the angle of

the aging problem.

the other’s view, and have an insight into his experiences in different spaces and boundaries. Walter Bergmoser displays his personal emotion and privacy into his works. The costume, properties props and characters emotionlessly and silently narrate the artist’s understanding and

The psychological space of the artist constructs a system of knowledge and culture. It is a visual angle of culture and a memory politics and a

interpretation of harm, illusion, confusion, anxiety, disturbance, lose and loneliness.

strategic behavior in culture infiltration. Those complicated psychological feelings go through different spaces in this multi-dimensional world, reflected by the spirits of the individuals, becoming samples of the understanding of the current era for artists and audiences.

The works of Lizi often extend beyond the frames. She turns the beauty of masculine and strength into the sense of isolation and desolation, by the western classic forms. The classic signs are repetitively used and presented in the ruins which symbolizes history, displaying the process of

At Tsinghua Campus

irreversible decomposing and decaying. Yuan Daxi is a very talented artist. His works are seemingly high and distant, as if the spirit has gone back

Sept. 2018

to the very beginning point of the chaos. They are full of wisdom and peace, but shake off all the joys and sorrows that life has or should have. In his new works, he puts classical characters into mysterious backgrounds, as forms kind of fusion and combination. When your awareness are getting faint and pale, the fusion and combination are enhanced. This is a reconstruction of the narration in occasional happening and a visual representation of self-awareness.

浮世异景

浮世异景 ─ ─ 当代艺术国际邀请展

FLOATING WORLD-INTERNATIONAL EXHIBITION OF CONTEMPORARY ART

“真实的生活在别处。我们不在人世。”——亚瑟·兰波浮世绘描绘的是日本沪江时代的城市生活，特别是享乐主义的一面，这是人们看世界的一个视角。在现代化的物质时代，也是人们追随的一种生活

沃尔特·伯格莫泽

方式，特别是年轻的一代。他们很容易被物质干扰，也乐于追随这种生活方式，他们借此摆脱青春期和学生时代的清苦岁月，缓解当下焦虑。日新月异的数字化时代并不能确保我们一个安全的未来，它只能带来一个物质化的，漂浮的世界，一个快节奏的浮世生活。另一方面，ukiyo 浮世这个词也是对 ukiyo 憂き世（令人悲伤的苦恼世界）这个同音异形异义词的讽刺暗喻。

我们认知世界的途径可能是对的，也可能是错的。我们通常是单向认知世界的，比如日出——在地球上的理解就是太阳升起，没有别的理解方式了。然而，就我们当下所知，从太空的角度看，事实可能就大相径庭了。比如：我们这些观察者是否就站在一个浮动世界的中心，随世界而浮动呢？亦或者情况截然相反，我们是浮动的，而世界确实却静止不动？我们必须要限制在自我有限的认知里呢，还是来面对一个超越了日常生活的现实呢？ Ukiyo 浮世还是 ukiyo 憂き世 ?

或许存在着另一种可能也未可知，那就是还有一种中间地带，在这个地带，艺术家们创造着自己的想法。艺术，以其多面的表现形式，给我们提供了另一种视角，我们可以借助它完成想像，获得美和满足。艺术家们变成了有超能力，超感知力，超强认知力的神奇人物。艺术和摄影，作为“绝对真实”和“绝对虚幻”的媒介，给我们提供了一个中间地带，扑捉了这个浮动世界的某些瞬间。我们都喜欢在这样的感觉里漂浮——逃离现实，浮动而梦幻。保持真实，与对错共存，——没有人可以挑战现实里的真实，而真实不存在却又无处不在。

本次展览以不同的途径还原我们的世界，从光影涂鸦到化学绘画，从时空行为艺术纪录片到装置作品，角度的多样性为浮动时刻的体验提供了支持，——那是一个令观者极度愉悦的时刻，那是一种我们的灵魂被锁紧后又全然释放的体验。我们想像中的形象不断凸显，在现实中呈现在我们面前，并创造出一个新的世界，颠覆我们对现实世界的解读。这个形象可能是一个沉重的陶瓷的爱的化身，可能是一个发现了人类现实生活中的诸多问题的圣诞老人，亦或是一次森林里冥想式的行走。所有的这些都会在本次展览中被呈现和体验，而所有的这一切都指向一个点：不要相信你的眼睛，用心去感受。在这个艺术的浮世，借助不同的艺术家的眼睛，我们对平凡世界的认知得以强化。当我们回家的时候，我们至少会相信一点，这个世界并非静止不动。我们在浮动，而通过浮动，我们才能理解我们的世界和我们的生活本来的样子。最后，我必须要反驳一下兰波：我们在，以艺术之名！

FLOATING WORLD

浮世异景 ─ ─ 当代艺术国际邀请展

FLOATING WORLD-INTERNATIONAL EXHIBITION OF CONTEMPORARY ART

“True life is elsewhere. We are not in the world.” ― Arthur Rimbaud Ukiyo 浮世 describes the urban lifestyle of the Edo-period in Japan (1600–1867), especially its pleasure-seeking aspects. It is one way of looking at

Walter Bergmoser

the world and in our modern materialistic times many of us follow this lifestyle. The younger generation, in particular, is very open to the distractions of the material and lovesto follow this way of life, seeing it as a chance to leave behind the difficult years as teenagers and students and relieve current worries. The digital age with all of its innovation does not offer a safe future. It brings a materialistic, floating world – a world of ukiyo „fast life“. On the other hand, the term ukiyo 浮世 can also be anironic allusion to the homophone ukiyo 憂き世 the „sad troublesome world“. The ways in which we perceive the world may or may not be true. Our perspective is just one way to see things. A sunrise - the truth from the earth is that the sun rises and there is no other way of understanding it. Yet, as we know, from the viewpoint of space the truth is totally different. Are we observers at the center of a floating world which moves around us? Or is it the very opposite and the world stands still while we float? Must we be either caught in our own limitedperspective or face a truth from beyond our daily lives? Ukiyo 浮世 or ukiyo 憂き世 ? There might exist a zone in-between, a floating world where artists create their ideas. Art, with all of its facets, offers us another viewpoint and there we can enjoy imagination, beauty and fulfillment. We become magic figures with special powers, senses and a heightened perception. Art and photography as media of both „absolute reality“ and „absolute fantasy“ offer us moments of such a floating world in-between. We love to drift into this feeling - to flee reality, to float and to dream. Being real, true and false at the same moment - and nobody can challenge the real in the real. It is not there and it is. The exhibition approaches the world in many different ways, from light painting to chemical painting, from documented time-space performances to installations. The diversity of perspectives offered might support experiences of floating moments – a moment of bliss offered to the viewer – a memory that was locked deep within us set free. These rising images of our fantasy might intermingle with the reality before us and create a new world, a new understanding. It might be a response to a heavy porcelain love image, Santa Claus discovering the problems of human daily life or a meditative walk through the forest. All of this can be seen and experienced in this exhibition and everything comes to a point: What you see is what you think you see, but that might be not what you get. The floating world of art enhances our own daily world and when we go home after seeing through the eyes of diverse artists, we believe a little in a world that does not stand still. We are floating and through floating, we might understand our world, our life, as it is. In the end, I must contradict Rimbaud. Through art - we are in the world.

参展艺术家 ARTISTS

浮世异景 ─ ─ 当代艺术国际邀请展

FLOATING WORLD-INTERNATIONAL EXHIBITION OF CONTEMPORARY ART

出生于 1959 年，工作和生活地点为柏林就读于柏林艺术大学艺术与教育专业 1988 年获得实验摄影 / 摄像和艺术专业美学硕士学位自 2001 年起担任挪威卑尔根国立艺术学院视频和临时性艺术专业教授自 2007 年起担任德国阿尔夫特的阿兰努斯学院艺术与社会科学学院摄影和新技术专业教授 2018 年受封古巴哈瓦那 ISA 艺术大学客座教授职务西班牙加那利群岛耶罗岛，艺术之家，驻地艺术家

团体联展和个人展 2018 年意大利米兰乔凡尼 . 塞冈提尼画廊 59°国际 Premio Bice Bugatti 展览柏林分区 / 柏林阿尔弗雷德埃尔哈特基金会 ephemeros 展览 / 柏林 VBK 画廊“极权主义”展览 / 科隆迈克尔霍巴赫基金会“当欧洲遇见古巴”展览 / 芬兰阿尔托大学混合动力实验室奥斯陆峡湾生态展览 / 中国武汉当代艺术中心“难题日志”主题展览 / 中国武汉纺织大学“感官实验室”研讨会 / 奥斯陆 RAM 画廊 Brent Lee “Sigi Torinus 的病西施”主题索尼切展览 / 古巴哈瓦那拉丁美洲艺术中心“读书美人的声音艺术”主题声音艺术展 / 阿尔代什 VBK 画廊我要去天堂主题展览

保加利亚历史博物馆和歌德学院索菲亚分校“碎片化叙事”展览 / 古巴哈瓦那阿森纳的哈瓦那大学奥尔金省博物馆，“反之亦然”展览 / 古巴奥尔金视频艺术放映集会“周期循环”展览 / 古巴哈瓦那视频艺术放映双人舞展览 / 柏林艺术空间橱窗 VBK 画廊“热门话题”10x10 主题展览 / 波恩大学科技之夜柏林 2016“沉浸”主题展览 / 柏林瓦迪姆扎哈罗夫工作室“艺术家的对话”主题展览 / 挪威奥勒松 KUBE 博物馆“病西施”展览 / 古巴卡马圭，国际新媒体和视频艺术节卡马圭展览 / 柏林韩国文化中心“智慧城市”（蜕变 _x_ 蜕变）主题展览 / 柏林 VBK 画廊“躁狂症”主题现代展览 / 古巴第 12 届哈瓦那双年展（附属）“语义数据”展览（数字业余爱好者）/ 第 12 届哈瓦那双年展（附属）“无衬线字体”主题媒体艺术展

1959 born, lives and works in Berlin Study of Fine Arts and Education at University of the Arts Berlin 1988 MFA in experimental photography/film and fine arts since 2001 Professor for Video and temporary Arts, Kunsthøgskolen i Bergen, Norway since 2007 Professor for Photography and New Technologies at Alanus Hochschule for Art and Social Sciences, Alfter, Germany 2018 awarded Prof. Invitada of the University of the Arts, ISA, La Habana, Cuba

GROUP AND SOLOEXHIBITIONS 2018 Berliner Luft, 59° Premio Internazionale Bice Bugatti – Giovanni Segatini 2018, Milano, Italy /ephemeros, Alfred Ehrhardt Foundation, Berlin /totalitär, VBK Gallery, Berlin/Europeans see Cuba, Michael Horbach Foundation, Cologne /Oslofjord Ecologies, Hybrid Labs, Aalto University,

安德里亚·森德·波拉斯曼 Andrea Sunder Plassmann

Finland /troubled diaries, Big House Gallery, Wuhan, China /senseLAB Workshop at Wuhan Textile University, China /oslofjordecologies, browsing beauty with Sigi Torinus, Brent Lee, RAM Gallery, Oslo /sonique, soundart with browsing beauty, Centro Hispano Americano, Havana, Cuba /J'irai au paradis, VBK Gallery Moulinage/ Ardèche, France Fragmentierte Erzählungen, Historical Museum and Goethe Institute Sofia, Bulgaria /viceversa, Museo provincial de Holguin; Universidad del a Havana; Arsenal Habana, Cuba /Kyklos, Videoscreening Konferenz Holguin, Cuba /pas de deux, Videoscreening Havana, Cuba / 10x10, VBK Gallery Berlin topic-tropic, Schaufenster, Raum für Kunst, Berlin 2016 immerse, Universität Bonn, Nacht der Wissenschaften / artist-to-artist, Studio Vadim Zakharov, Berlin / browsing beauty, Museum KUBE, Ålesund, Norway / Camagüey, International New Media and Videofestival, Cuba / smartcities (change_x_change), Korean. Kulturzentrum, Berlin, Gallery Baku, Berlin / luce mania, update Exhibition, VBK Gallery, Berlin / semantic data (with. el dilettante digital), 12. Bien. Havana (collateral), Cuba / sans serif, Medienkunst, 12. Biennale Havana (collateral)

好觉无梦 | Somnium lucis 影像（转换自 16 毫米胶片）| Video ( Transfer from 16mm Film) 1986

浮世异景 ─ ─ 当代艺术国际邀请展

FLOATING WORLD-INTERNATIONAL EXHIBITION OF CONTEMPORARY ART

好觉无梦 | Somnium lucis 影像（转换自 16 毫米胶片）| Video ( Transfer from 16mm Film) 1986

浮世异景 ─ ─ 当代艺术国际邀请展

FLOATING WORLD-INTERNATIONAL EXHIBITION OF CONTEMPORARY ART

好觉无梦 | Somnium lucis 影像（转换自 16 毫米胶片）| Video ( Transfer from 16mm Film) 1986

浮世异景 ─ ─ 当代艺术国际邀请展

FLOATING WORLD-INTERNATIONAL EXHIBITION OF CONTEMPORARY ART

1990 ─ 96 年就读于不莱梅艺术大学（艺术大学） 1996 年作为摄影师和艺术家工作生活于柏林 2011 年于柏林担任 BTK 应用艺术大学摄影专业教授

展览（精选）荷兰布雷达博物馆（团体联展）/ 德国柏林阿莱克斯·欧比格尔画廊（团体联展）伊瑟隆城市画廊（团体联展）/ 奥斯纳布吕克文化历史博物馆费利克斯·舍勒摄影奖（团体联展）/ 荷兰格罗宁根 Noorderlicht 艺术节“Terra Cognita”主题展览（团体联展）/ 卡塞尔雕刻艺术博物馆“黑色 ...”主题展览（团体联展）/ 柏林阿莱克斯·欧比格尔画廊“黑暗森林”主题展览（个人展）/ 美国洛杉矶 OMC 画廊“我们身后的未来”主题展览（团体联展）

柏林巴甫洛夫的狗“森林”主题展览（团体联展）/ 美国柯林斯堡艺术摄影中心“奇异之美”主题展览（团体联展）/ 美国洛杉矶罗伯特·伯曼画廊 “XTO 形象艺术奖”作品展览（团体联展）/ 柏林波哥大酒店“芭蕾舞女”摄影作品展（个人展）/ 柏林贝塔尼恩艺术之家“佚名画家”主题展览（团体联展）/ 不莱梅摄影技术画展 6 号厅“裸体歌舞”主题展览（个人展）/ 叙利亚“2009 年第 10 届阿勒波国际照片艺术节”（团体联展）/ “达姆施塔特生活照”主题展览（团体联展）/ 埃尔富特艺术之家“家乡公园”主题展览（团体联展）/ 柏林地下走廊“动物之窗”主题展览（团体联展） / 美国洛杉矶 OMC 当代艺术画廊“国际照片及摄影工作”主题展览

奖项和常驻点 GoSee 大奖：风景摄影金奖和插画摄影铜奖 / 费利克斯·舍勒摄影大奖进入决赛 XTO 形象艺术大奖赛第 1 名 / 阿尔勒镜头下的亮点“新浪漫主义”大奖

1990 - 96 University of the Arts (Hochschule für Künste), Bremen 1996 - lives and works as photographer and artist in Berlin 2011 - professor for photography at BTK University of Applied Arts, Berlin

EXHIBITIONS (SELECTION) Museum of Breda, NL, (G) / Axel Obiger Galerie, Berlin (G) / Städtische Galerie Iserlohn, (G) / Felix Schöller Photoaward, Kulturgeschichtliches Museum Osnabrück, (G) / erra Cognita“, Noorderlicht Festival, Groningen, NL, (G) / „Schwarz...“ Museum für Sepulkralkultur, Kassel (G) / „Black Forest“ Axel Obiger Galerie, Berlin (S) / „The future that lies behind us“, OMC Gallery, L. A., USA (G)

安德烈·格拉斯哥 Andrej Glusgold

„Wald“ Pavlov´s Dog, Berlin (G) / „Strange beauty“ The Center for Fine Art Photography, Fort Collins, USA (G) / „XTO image awards“ Robert Berman Gallery, L. A., USA (G) / „Ballerina“ Photoplatz, Hotel Bogota, Berlin (S) / „Anonyme Zeichner“ Künstlerhaus Bethanien, Berlin (G) / „Gymnopédies“ Raum Nr. 6 Galerie für Fotografie, Bremen (S) / „Aleppo 10th International Photo Festival 2009“ Syria (G) / „Darmstädter Tage der Fotografie“ (G) / „Heimatpark“ Kunsthaus Erfurt (G) / „Tierperspektiven“ Souterrain, Berlin (G) „International Photo and Photo Based Work“ OMC Gallery for Contemporary Art, L. A., USA

AWARDS AND RESIDENCIES GoSee Awards: Gold in Landscape Photography and Bronze in Illustration / Finalist Felix Schöller Photoaward / XTO image awards, 1. Place / „New Romanticism“, Voies Off Screening, Arles

黑色森林 -1 | Black Forest-1 摄影作品 | Photography 100 cm × 150 cm 2011/12

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黑色森林 -2 | Black Forest-2 摄影作品 | Photography 100 cm × 150 cm 2011/12

黑色森林 -3 | Black Forest-3 摄影作品 | Photography 100 cm × 150 cm 2011/12

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黑色森林 - 4 | Black Forest- 4 摄影作品 | Photography 100 cm × 150 cm 2011/12

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伊丽莎白·罗丝是一位活跃于国际舞台的艺术家、馆长和社会文化工作者。她的作品涉及范围极其广泛，雕塑、声音、录像、摄影、装置艺术、艺术介入，表演，以及写作等。她在艺术、研究、新闻与社区协同发展等社会文化进程方面起到了先锋模范作用，是墨西哥国家创作者花名册成员之一。

个人展览时间延展，克雷塔托博物馆，克雷塔托市，墨西哥 / 我的眼睛看见了你，上海工作室美术馆，中国 / 女性身在何处，墨西哥女性博物馆，格拉纳达，西班牙 / 我们想要活着 , 综合艺术节，巴伦西亚，西班牙 / 觅心，社会组织之家 , 莫雷里亚，墨西哥 / 梦想之手，邂逅了拉丁世界的诗人 , 玫瑰学院 , 莫雷里亚，墨西哥 / 突破：最后的制陶术，莫雷里亚，圣米格尔德阿连德，墨西哥 / 敞开心扉：爱是什么？波拉圣塔美术馆，莫雷里亚 / 我们想自己活着，人权委员会，莫雷里亚 / Unter rot: YA BASTA! 克雷姆斯艺术之旅 . 多瑙河畔克雷姆斯 , 奥地利 / Rot identität，Basement, 维也纳，奥地利

Elizabeth Ross is an artist, curator and socio-cultural agent with an international presence. Her work ranges from sculpture to sound, video and photography, installation, intervention and performance, along with writing. She has pioneered sociocultural processes involving art, research, journalism and community development. She’s a member of the SNCA (National Roster of Creators, Mexico).

SOLO EXHIBITIONS Stretching Time, Querétaro City Museum, Querétaro, México / My eyes have seen you, Studio Gallery Shanghai, China / And, where are the women? Women Museum, Mexico City，Sala Tragaluz, Granada, Spain / Nos queremos vivas. Hybrida Festival, Valencia / Looking for a Heart, Casa de las Organizaciones Sociales, Morelia, Mich / The hands of Dream – Encuentro de Poetas del Mundo Latino, Conservatorio de las Rosas, Morelia. / Breakthrough: the last ceramics, Morelia, San Miguel de Allende / Open heart – what is love?, Galería Bola Santa, Morelia / We want us alive. Comisión de los Derechos Humanos, Morelia / Unter rot: YA BASTA! Kunstmeile Krems. Krems an der Donau, Austria / Rot identität, Basement, Wien, Austria

伊丽莎白·罗丝 Elizabeth Ross

三个文化广场墨西哥城 Three Cultures Plaza, Mexico City 行为艺术 | Performance 2015

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阿兹台克文化遗址特奥蒂瓦坎的武士学校 Atetelco, a school for warriors in Teotihuacan 行为艺术 | Performance 2015

辛祖坦蜂鸟的天堂 1. 仪式环 Tzintzuntzan, land of hummingbirds 1. Ritual circle 行为艺术 | Performance 2015

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宪法广场月亮的中心墨西哥城中心广场 Zócalo, in the center of the moon. Mexico City central plaza 行为艺术 | Performance 2015

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1963 年出生于芬兰赫尔辛基

学位 - 2002 年获得赫尔辛基艺术设计大学摄影专业艺术学博士学位 - 1997 年获得赫尔辛基艺术设计大学摄影专业副博士学位 - 1987 年于坦佩雷获得坦佩雷大学教育学硕士学位

个展坦佩雷 Nykyaika 画廊 Isoisä – ДеД（祖父）(2018 年）主题展览 / 奥卢北方摄影艺术中心 / Rantagalleria“神圣的忧伤”(2011 年）主题展览 / 德国开姆尼斯新萨克森画廊“圣地”(2011 年）主题展览 / - 韩国首尔 Geonhi 另类空间“神圣的忧伤”(2010 年）主题展览。

群展芬兰奥卢北方摄影艺术中心 Majaoja palkitut （majaoja 获奖作品）展览 (2018 年） / 坦佩雷艺术博物馆背光节“自立的界限”(2017 年）主题展览 / 立陶宛希奥利艾市希奥利艾摄影艺术博物馆 IBIDEM 视频版本第二期 (2017 年）展览 / 2017 年立陶宛考纳斯 M. Žilinskas 艺术画廊 IBIDEM 视频版本 (2017 年）展览 / 斯洛伐克伯拉第斯拉瓦“神圣的忧伤”视频艺术 (2017 年）摄影作品展 / 拉脱维亚里加市拉脱维亚摄影艺术博物馆“神圣的忧伤”/“镜头下的独立思想”(2017 年）主题展览 / 奥地利沃尔克尔斯多夫的 FLUSS- 摄影和媒体艺术推广社团 (2017 年）作品展 / 匈牙利布达佩斯 Robert Capa 当代摄影艺术中心“镜头下的独立思想”(2016 年）主题展览 / 芬兰坦佩雷背光摄影艺术节 (2011 年） / Jyväskylä 艺术博物馆 Tunne maisema (2011 年）主题展览 / 法国甘冈逃离密特朗馆长：杰罗姆·索瑟，北方形象艺术展 (2010 年）

b.1963 Helsinki, vFinland

DEGREES Doctor of Arts. University of Art and Design, Department of Photography, Helsinki 2002 Licentiate of Arts. University of Art and Design, Department of Photography, Helsinki 1997. Master of Education. University of Tampere, Tampere 1987.

SOLO EXHIBITIONS Isoisä – ДеД (Grandfather) (2018) Gallery Nykyaika, Tampere. / Holy Melancholy (2011) Northern Photography Center / Rantagalleria. Oulu. / Sacred Places (2011) Neue Sächsische Galerie, Chemnitz, Germany. / Holy Melancholy (2010) Alternative Space Geonhi, Seoul, Korea

尤哈·苏兰帕 Juha Suonpää

GROUP EXHIBITIONS Majaoja palkitut (Prize winners of majaoja) (2018) Northern Photographic Centre. Oulu, Finland. / Boundaries of Independence (2017) Backlightfestival, Tampere Art Museum. / IBIDEM video version 2. (2017) Photography museum in Šiauliai, Šiauliai, Lithuenia. / IBIDEM video version (2017) M. Žilinskas Art Gallery, Kaunas. Lithuenia 2017. / Holy melancholy video installation (2017) Photoport, Bratislava, Slovakia. / Holy melancholy/ Independence Through Lenses (2017) Latvian Museum of Photography, Riga, Latvia. / FLUSS -Society for Promotion of photo and media art. (2017) Wolkersdorf, Austria. / Independence Through Lenses. Robert Capa Contemporary Photography Center. Budapest, Hungary 2016. / Backlight Photo Festival (2011). Tampere, Finland. / Tunne maisema (2011) Jyväskylä Art Museum. / Images From The North (2010). Espace FrancoisMitterand. Curator: Jerome Sother. Gingamp, France.

神圣的悲哀 2.0 | Holy Melancholy 2.0 34 页，野火，瑞典 | Page 34，Wildfire，Sweden 5 版 +2 份艺术家存留版 | Edition 5+2 AP 80cm × 100cm 2018

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神圣的悲哀 2.0 | Holy Melancholy 2.0 35 页，社会底层，瑞典 | Page 35，Underworld，Sweden 5 版 +2 份艺术家存留版 | Edition 5+2 AP 70cm × 105cm 2018

神圣的悲哀 2.0 | Holy Melancholy 2.0 36 页，杆，挪威 | Page 36，Pole，Norway 5 版 +2 份艺术家存留版 | Edition 5+2 AP 50cm × 70cm 2011

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神圣的悲哀 2.0 | Holy Melancholy 2.0 37 页，奥菲莉亚圣诞老人，芬兰 | Page 37， Santa Ophelia，Finland 5 版 +2 份艺术家存留版 | Edition 5+2 AP 50cm × 75cm 2009

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教育经历 2008 年获得加拿大魁北克省蒙特利尔市康考迪亚大学艺术硕士学位 2004 年获得加拿大曼尼托巴省温尼伯市曼尼托巴大学艺术学士学位（一等荣誉）

金奖得主 1997 年获得加拿大曼尼托巴省温尼伯市曼尼托巴大学艺术学士学位（荣誉）

个人展和双人展安大略省多伦多市 Zalucky 当代艺术画廊个人博物馆“Jardim”主题作品展 (2017）/ Jordan Strom 组织的萨里艺术画廊“拉尔巴格”主题作品展 (2017） / 安大略省多伦多市乐石酒店 CONTACT 艺术节主题个人展“夜莺” (2010) / 不列颠哥伦比亚省甘露市汤普森河大学画廊“先驱”主题作品展 (2009) / 魁北克省蒙特利尔市小地盘画廊“夜莺”主题作品展 (2008) / 曼尼托巴省温尼伯市平台画廊“你就是我所想”主题作品展 (2006)

主要群展 2018 年安大略省米西索加市 Noa Bronstein 组织的短手臂画廊“向前”主题作品展 (2018）/ 韩国江原道三炭艺术矿场“惯例”主题展览 (2018) / Jordan Strom 组织的萨里艺术画廊“流：人群的流动到信息的循环”主题作品展 (2017) / 安大略艺术设计学院 31 计划作品展 (2017) / 安大略省多伦多市多伦多大学艺术博物馆 Jessica Bradley 组织的“对焦：镜头摄影艺术，多轮作作品集”主题展览 (2016) / 安大略省多伦多市 Daniel McIntyre 和 Katrina Orlowski 组织的“新多伦多”主题作品展 (2016) / 安大略省多伦多市 TPW 画廊“图片世界”主题作品展 (2016) / 安大略省奥沙瓦市 Robert McLaughlin 画廊 Ambereen Siddiqui 组织的“无法计量：驯化的距离”主题作品展 (2015) / 安大略省多伦多市 TPW 画廊“图片世界”主题作品展 (2015) / 安大略省多伦多市 TPW 画廊“图片世界”主题作品展 (2014) / 安大略省多伦多市 Ryerson 图片艺术中心 Gaëlle Morel 组织的“这里那里：移民摄影和视频作品”展览 (2013) / 不列颠哥伦比亚省萨里市萨里艺术画廊 Jordan Strom 和 Naveen Girn 组织的“纯美壮丽之爱” 主题作品展 (2013)

EDUCATION 2008 Master’s of Fine Arts, Concordia University, Montréal, QC, Canada 2004 Bachelor of Fine Arts (First Class Honours), University of Manitoba, Winnipeg, MB, Canada Gold Medal recipient 1997 Bachelor of Arts (Honours), University of Manitoba, Winnipeg, MB, Canada

ART EXHIBITIONS SOLO AND TWO-PERSON EXHIBITIONS Jardim, solo exhibition at Zalucky Contemporary, Toronto, ON(2017)/ Lalbagh, The Surrey Art Gallery, curated by Jordan Strom (2017)/ Nightingale, feature solo exhibition for the CONTACT Festival, Gladstone Hotel, Toronto, ON (2010)/ Harbinger, Thompson Rivers University

米拉·玛格丽特·辛格 Meera Margaret Singh

Gallery, Kamloops, BC (2009) /Nightingale, Les Territoires gallery, Montréal, QC (2008)/ You’re All That I Ever Think About, Platform Gallery, Winnipeg, MB (2006)

SELECTED GROUP EXHIBITIONS Forward Motion, Small Arms Gallery, ON (2018 )/ Ritual, Samtan Art Mine, Gangwon-do, South Korea(2018)/Flow: From The Movement of People to the Circulation of Information, Surrey Art Gallery (2017)/Project 31, OCAD University(2017)/Counterpoints: Photography Through the Lens of Toronto Collections, Art Museum at the University of Toronto, Toronto, ON(2016)/New Toronto Works, Toronto,ON (2016)/Photorama, Gallery TPW, Toronto, ON (2016)/ Beyond Measure: Domesticating Distancehe Robert McLaughlin Gallery, Oshawa, ON (2015)/ Photorama, Gallery TPW, Toronto, ON(2015)/Photorama, Gallery TPW, Toronto, ON (2014)/Here and There: Photography and video Works on Immigration, Ryerson Image Centre, Toronto, ON (2013) /Spectacular Sangeet, Surrey Art Gallery, Surrey, BC (2013)

二重唱 | Duet 数字录像 | Digital Vedio

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变成一场风暴 | To Become A Storm 数字录像 | Digital Vedio 7分9秒 2017

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浮世异景 ─ ─ 当代艺术国际邀请展

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1977-78 获得多伦多大学教育学学士学位和安大略省教师资格证获得美国马萨诸塞州剑桥麻省理工学院建筑学院艺术设计科学学士学位

精选个展 Peter Sramek - 马维尔之后的巴黎，Alliance Française，多伦多 (2015) / 布拉格 - 巴黎，踏着 Sudek 和 Atget 的足迹 , 布拉格法国文化学院 , Prague, CZ (2009) / 跨越世纪：再寻佛伦伦萨美景 , 345 画廊 , 多伦多 (2009) / 身体 / 方位 , La Petite Mort 画廊 , 安大略省渥太华 (2009) / 男性形象 , La Petite Mort 画廊 , 安大略省渥太华 (2006) / 历史可能性 , 44 Vitrines 画廊 , 多伦多 (2005) / 意大利全境 , 哥伦布中心载体画廊 , 多伦多 / Sudek 之后：Praha Panoramatická, 金斯顿艺术家协会有限公司 , 安大略省金斯顿 / 切割 , 44 Vitrines 画廊 , 多伦多

主要群展惯例，三炭艺术矿场，韩国 (2018) / 模仿 , 广州艺术学院 , 中国 (2014) / 记忆 , 韩国文化中心 , 中国北京 (2013) / 四方格上的生活 , 多伦多城市档案中心 , 多伦多 (2013) / 当代摄影艺术展 , 德里艺术展 , 印度新德里 (2012) / Mise-en-Scène：法国观点 , 哈密尔顿艺术画廊 , 安大略省哈密尔顿 (2011) / 没有界限的摄影艺术 , 平面艺术中心 , 纽约 (2011) / 新的模拟：新式摄影艺术 , 里士满大厦 401 号 44 画廊 , 安大略省多伦多 (2011) / HangaEhon：手印书籍 , Yamazaki Shoten 画廊 , 日本京都 (2011)

1977-78 Bachelor of Education and Ontario Teacher’s Certificate, University of Toronto 1969-1973 Bachelor of Science in Art & Design, School of Architecture, Massachusetts Institute of Technology, Cambridge, MA, USA

SELECTED SOLO EXHIBITION Peter Sramek – Paris After Marville, Alliance Française, Toronto(2015)/ Prague-Paris, In the Footsteps of Sudek and Atget, French Cultural Institute in Prague, Prague, CZ(2009) / Spanning the Centuries: Florence Rephotographed/ Gallery 345, Toronto/ Body / Location, Galerie La Petite Mort, Ottawa(2009)/ The Male Image, Galerie La Petite Mort, Ottawa(2006) / Possible Historie, Gallery 44 Vitrines, Toronto(2005) / Italia Panoramica, Carrier Gallery, Columbus Centre, Toronto(2002) / After Sudek: Praha Panoramatická, Kingston Artists’ Assoc. Inc. Kingston, ON(2002) / Slice, Gallery 44 Vitrines, Toronto(2001)

SELECTED GROUP EXHIBITIONS

彼得·施拉麦克 Peter Sramek

Ritual, Samtan Art Mine, South Korea (2018)/ Simulation, Guangzhou Academy of Fine Art, China (2014) / Memory, South Korean Cultural Centre, Beijing, China (2013)/ Life on the Grid, City of Toronto Archives, Toronto (2013) / Contemporary Photography, Delhi Art Fair, New Delhi, India(2012) / Mise-en-Scène: Views of France, Art Gallery of Hamilton, Hamilton, ON (2011) / The Photograph Unframed, Center for Book Arts, New York, NY(2011) / The New Analog: Alternative, Gallery44, 401 Richmond Bldng, Oronto, ON (2011) / Hanga Ehon: Handprinted Books, Yamazaki Shoten Gallery, Kyoto, Japan

公爵宫的角落和叹息桥，威尼斯，意大利 Corner of the Palazzo Ducal (Noah) and the Bridge of Sighs, Venice, Italy

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狭窄的街道 , 锡耶纳，意大利 | Narrow Street, Siena, Italy

摄影 | Photography

1999

不动明王庙，生驹山，奈良县，日本 Fudo Myo-O Shrine, Mount Ikoma, Nara Prefecture, Japan 摄影 | Photography 2015

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人物，日本汉字，308 道路，大阪县 Figures, Kanon-ji, Route 308, Osaka Prefecture 摄影 | Photography 2015

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沃尔特·博格莫泽目前就职于柏林的 BTK 大学艺术设计学院，是摄影教授，也是摄影项目负责人。2014 年被任命为校长。他曾经在奥格斯堡的应用科学大学和卡塞尔的艺术学院学习视觉通讯专业。自 1995 年起，沃尔特·博格莫泽一直在德国、芬兰、捷克、韩国和其他国家生活与教学。 2010 年，曾担任亚洲最大的摄影艺术节 ---- 大邱双年展的主要策展人。他一直活跃在艺术和摄影圈，比如：担任各大摄影艺术节的作品集评委，为柏林每月摄影审稿，担任捷克媒体摄影大赛评委，担任德国以及国外的各大展览的策展人。

个展斯洛伐克 Bratislava 摄影艺术节摄影作品月个人作品展 / 韩国首尔当代艺术中心扎哈艺术博物馆个人作品展 / 德国爱尔福特艺术馆个人作品展 / 无限空间， 798 艺术区，中国北京 / Geonhee 艺术基金会，首尔，韩国

参与项目柏林欧洲摄影艺术月 (Emop)，评委会成员 / 捷克共和国布拉格举办的年度捷克媒体摄影作品评委 / 韩国大邱市举办的大邱摄影艺术双年展主管和主要组织管理人 / 韩国宁越郡东港摄影艺术节副主任和组织管理人

Walter Bergmoser currently works at BTK -University of Art and Design at Berlin. He is professor of photography and leader of the photography program. Since 2014 he is the Head of School. He studied Visual Communication at the University of applied Sciences in Augsburg and at the Art Academy in Kassel. Since 1995 Walter Bergmoser has been living and teaching in Germany, Finland, The Czech Republic, South Korea and other countries. In 2010 he was the Chief Curator for the biggest photo-festival in Asia - the Daegue Biennal. He is continually active in the field of Art and Photography. e.g. Portfolio Reviewer for different Photography festivals, juror for the Month of Photography Berlin, juror for the Czech Press Photography competition and curator for many exhibitions in Germany and abroad.

SOLO EXHIBITIONS Month of Photography, Photography festival Bratislava, Slovakia / Zaha Art Museum, Center for contemporary Art, Seoul, South Korea / Kunsthalle Erfurt, Germany / Noonspace, 798 District Bejing, China / Geonhee Art foundation Seoul, South Korea

沃尔特·博格莫泽 Walter Bergmoser

PROJECTS European month of photography berlin - director of the portfolio review / Judge for the Czech Press Photo of the Year, Prague, Czech Rep / Director and Chief-Curator of the Daegu Photography Biennal, Daegu, South Korea / Co-Director and Curator of the Dongang-Photography festival, Yeongwol, South Korea

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FLOATING WORLD-INTERNATIONAL EXHIBITION OF CONTEMPORARY ART

亚洲 | Asia

花 | Flower

直升机 | Helo

摄影 | Photography

80cm × 100cm

2017

岩石上的茅舍 | Felshuette 摄影 | Photography 60cm × 180cm 2017

浮世异景 ─ ─ 当代艺术国际邀请展

FLOATING WORLD-INTERNATIONAL EXHIBITION OF CONTEMPORARY ART

浮世异景 ─ ─ 当代艺术国际邀请展

FLOATING WORLD-INTERNATIONAL EXHIBITION OF CONTEMPORARY ART

出生于韩国光州，1993 年在国立木浦大学获得美术学士学位 (BFA)，1996 年在朝鲜大学获得美术硕士学位 (MFA)。

精品个展无限，三和老爷车博物馆 . 艺术空间，中国成都 (2018）/ 化龙无限，今日美术馆，中国北京 (2017）/ 螭梦，上海喜玛拉雅美术馆与韩国光州市立美术馆联展，证大朱家角艺术空间，中国上海 (2016）/ 朴素赟与幸运龙，塞萨洛尼基城市音乐大厅与塞萨洛尼基智能通信联展，希腊塞萨洛尼基 (2016） / 悟龙，克里特当代艺术美术馆，克里特岛，希腊雅典 (2015）/ 朴素赟，富思画廊，中国北京 (2014）/ 天堂之爱，戈勃朗基金会，西班牙巴塞罗纳 (2013）/ 天堂之爱，戈勃朗基金会，美国纽约 (2013）/ 神龙，爱情与梦境，青年艺术家选拔邀请赛，光州市美术馆，韩国光州 (2013）/ 新女性神话，富思画廊，中国北京 (2011）

精品群展如故，韩国光州市立美术馆，光州，韩国 (2015）/ 艺术影观中韩 2015，XYZ 画，中国北京 (2015）/ 798 艺术工厂 East Bridge 2014 系列展，兰州站，中国北京 (2014）/ 第 19 届光州艺术家颁奖展览会，韩国光州市立美术馆，韩国光州 (2014）/ 富思驻馆艺术家作品展，富思画廊，中国北京 (2013） / 中韩建交 20 周年，今日美术馆，中国北京 (2012）/ 北京艺术博览会 - 青年艺术家百人展，中国农业展览馆，中国北京 (2012）/ 切尔西艺术博物馆集锦，切尔西艺术博物馆，美国纽约 (2011

EDUCATION 1996 MFA, Chosun University, Gwangju, South Korea 1993 BFA, Mokpo National University, Mokpo, Korea

SELECTED SOLO EXHIBITIONS In finite，Sanhe. Classic Car Museum Art Space, Chang Du, China(2018 ）/ In Pursuit of the Lucky Dragon，Today Art Museume, Beijing, China(2017 ）／ Dreaming of the Female Dragon, Shanghai Himalayas Museum and Gwangju City Museum of Art, Zendai Zhujiajiao Art Space. Shanghai, China.(2016）Sobin Park and The Lucky Dragon, The City of Thessaloniki, The City of Thessaloniki Concert Hall and ‘smART communications’Thessaloniki, Greece(2016）/ Meditations on the Dragon, Museum of Contemporary Art Crete, Crete, Athens, Greece(2015）/‘‘Sobin Park”Force gallery, Beijing, China(2014）/‘The Mandate of Heaven”Gabarron Museum Foundation, Barcelona, Spain(2013 ）/“The Mandate of Heaven”， Gabarron Museum

Foundation, New York City(2013）/ “Dragon, Love and Dream” Selected young Artists Invitational Show at

Gwangju City Museum, Gwangju, Korea(2013）/ “A New Female Myth” Force Gallery, Beijing, China(2011

朴素赟

Sobin Park

）

SELECTED GROUP EXHIBITIONS ‘Gwangju; now as before’Gwangju Museum of Art, Gwangju, Korea (2015 ） ‘ / Art Views Korea & China 2015’XYZ Gallery, Beijing, China (2015 ） /‘East Bridge 2014’798 , Lanzhu Station, Beijing, China (2014 ） / 19th’Gwangju Artist Award Exhibition, Gwangju Museum of Art, Gwangju, Korea (2014） / Force Art Residency, Aatists Exhibition, Force Gallery, Beijing, China(2013 ）/ ‘20th’ Korea and China, Today Museum, Beijing, China (2012 ） / “Beijing Art Fair, 100 young artists” Peasant Museum, Beijing, China(2012）/ Highlights of the Chelsea Art Museum. Chelsea Art Museum, New York City(2011）

新女性的传说 | The Creation of Female Myth 铅笔，纸，青铜粉 | Pencil on the Paper, Bronze Powder 268cm × 158cm × 4 2011

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相爱 | In Love 铅笔，纸，青铜粉 | Pencil on the Paper, Bronze Powder 229cm × 142cm 2009

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新女性的传说 | The Creation of Female Myth 铅笔，纸，青铜粉 | Pencil on the Paper, Bronze Powder 268cm × 158cm 2011

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1970 年出生于中国湖南，深圳大学现代艺术学士（1989-1992）中央美术学院第九届油画高研班（1994-1997），吉林艺术学院绘画硕士（2003-2006）。湖南省油画学会副主席，中国美术家协会会员，中国油画家学会会员。参加展览有：堪图术 - 上海个展、Frank Schlag 画廊个展（德国）、流动的光影—新加坡个展、水·波光流影（泰国）、第九届全国美展、第十届全国美展、中国油画大展、第 4 届雅加达国际当代陶瓷双年展 / 印度尼西亚国家美术馆、第 6 届西班牙玛拉特克西国际陶瓷双年展、第 36 届拉尔科拉国际陶瓷展（西班牙）、世·象——中意艺术家联展（意大利）、南京国际美术展、第二届中国油画双年展 / 中国美术馆、首届中国新疆国际艺术双年展、第九届佛罗伦萨当代艺术双年展、0SEA OF PEASE——中日韩当代艺术展（韩国）、面孔与人物（德国）、东边——当代艺术展（德国）、Vanhaerent 美术馆收藏展（比利时）、中国欢迎您——当代艺术展 / 奥尔登堡市立美术馆（德国）、生命之欲·死亡之舞 / KREMS 美术馆（奥地利）、第 24 届亚洲国际美术展 / 吉隆坡国家美术馆、第四届成都双年展、都市中——中国当代艺术选展（美国·华盛顿）

Born in Hunan Province of China in 1970; graduated with a BFA degree for Modern Arts at Shenzhen University（1989-1992）; studied in the 9th Oil Painting Advanced Research Program in CAFA （1994-1997）; awarded with a MA degree in Jilin Academy of Fine Arts（2003-2006）. He is the vice-President of Hunan Oil-Painting Association, a member of China Artists Association and a member of Chinese Oil Painting Society. He participated in exhibitions like: “Scenery in Map”----ShangHai Solo Exhibition; Solo Exhibition at Frank Schlag Gallery, Essen, Germany; Sense of the Sparkle: He Wenjue Singapore Solo Exhibition, Singapore; Water: Senses of Sparkle, Tang Gallery, (Thailand); The 9th & The 10th National Annual Fine Arts Exhibition and Chinese Oil Painting Exhibition; The 4th Jakarta Contemporary Ceramics Biennale/ Indonesia National Art Museum; The 6th BICMA <Bienal International de Ceramica de Marratxi>, Spain; The 36th L'Alcora International Ceramics Exhibition (Spain) ; Painting the Present----Chinese and Italian Artists Group Exhibition(Italy); Nanjing International Art Exhibition; The 2nd Chinese Oil Painting Biennale/The National Art Museum of China; The 1st China Xinjiang International Art Biennial; The 9th Florence Biennale; 0SEA OF PEASE: China-Japan-Korea Contemporary Art Exhibition(Korea); Faces and Figures (Germany), East side----Contemporary Art Exhibition(Germany); Vanhaerents Museum Collections Exhibition (Belgium); China Welcomes You----Contemporary Art Exhibition/ Oldenburg Stadtmuseum(Germany); Lebenslust & Totentanz/Kunsthalle Krems, (Austria); The 24th Asian International Art Exhibition/Kuala Lumpur National Art Museum; The 4th Chengdu Biennial; In a Cosmopolitan City: Group Exhibition of Contemporary Chinese Arts, (Washington, U.S.A)

何汶玦

He Wenjue

死了都要爱 | Love Till Death 瓷 | Ceramic 220cm×100cm×12cm 2014-2015

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死了都要爱 | Love Till Death 瓷 | Ceramic 220cm×100cm×12cm 2014-2015

浮世异景 ─ ─ 当代艺术国际邀请展

FLOATING WORLD-INTERNATIONAL EXHIBITION OF CONTEMPORARY ART

浮世异景 ─ ─ 当代艺术国际邀请展

FLOATING WORLD-INTERNATIONAL EXHIBITION OF CONTEMPORARY ART

1969 出生于福建泉州 1992 毕业于福建师范大学美术系 1997 结业于中央美术学院油画系第九届研修班 2005 获中德文化交流奖学金赴德学习交流

个展 “江山如此多娇——吕山川个展”，李安姿当代空间香港 (2017)/ “山川”吕山川作品展，宜美术馆福州 (2016)/ “景观”，李安姿当代空间香港 (2016)/ “未知的状态”，白盒子艺术馆 (2015)/ “作为景观的社会风景”，白盒子艺术馆 (2013)/ “现场”──吕山川作品展，空间站 (2011)/ “事件 2008- 与中国同在”，今日美术馆 (2008)

群展和 - 当代中国小幅油画展，中国油画院美术馆，北京（2018）／在乌托邦之上与孤岛和解·2018 爱慕 - 中国当代艺术家作品邀请展，爱慕美术馆，北京（2018）/ 地标—测绘中国当代艺术，嘉德艺术中心 , 北京（2017）/ 第三届中国西部国际艺术双年展，内蒙古（2017）/ “水墨中国·叙事中国” 香港回归二十周年艺术展，香港（2017）/ 扫一扫当代艺术展第十二站——《混合的世界》杭州（2017）/“归去来兮”当代艺术展，北京 798 艺术区劳特斯辰艺术空间（2016）／撕裂语言魅像张力——表现·中国艺术家邀请展，福建威狮国际艺术中心（2016）／吕山川何汶玦林一征 3 个展——吕山川个展，北京复言社（2016）/ “HISTORICODE：萧条与供给”第三届南京国际美术展，南京百家湖美术馆（2016）

1969 Born in Quanzhou, Fujian Province 1992 Graduated from Department of Fine Arts, Fujian Normal University 1997 Studied in the 9th Oil Painting Advanced Research Program in China Central Academy of Fine Arts 2005 Awarded with Sino-German Cultural Exchange Scholarship for Exchange Learning in Germany

SOLO EXHIBITION The Land is So Rich in Beauty----Lv Shanchuan Solo Exhibition, Angela Li Contemporary Art Space, Hong Kong (2017) / Rivers and Mountains----Lv Shanchuan Works Exhibition, Yi Art Museum, Fuzhou(2016) / Spectacle, Angela Li Contemporary Art Space, Hong Kong (2016) / Unknown State, White Box Museum of Art, Beijing(2015) / Social Scenes as Landscape, White Box Museum of Art, Beijing(2013) / On the Spot---- Lv Shanchuan Works Exhibition, Space Station, Beijing(2011) / Events 2008 – Be With China, Today Art Museum, Beijing(2008)

GROUP EXHIBITIONS

吕山川

Lv Shanchuan

Harmony----Contemporary Chinese Small Oil Painting Exhibition, the Art Gallery of Chinese Academy of oil painting, Beijing（2018）/ Reconcile with Lonely Islands in Utopia, 2018 AiMer---- Chinese Contemporary Artists Invitation Exhibition, AiMer Art Museum, Beijing(2018) / Landmark---Mapping Contemporary Chinese Art, Guardian Art Center, Beijing(2017) / The 3rd Western China International Art Biennale, Inner Mongolia(2017) / Ink China•Chinese Story, Special Exhibition of the 20th Anniversary of the HKSAR, Hong Kong(2017) / Sao Yi Sao Contemporary Art Exhibition the 12th Stop----“Mixed World”, Hangzhou(2017) / Returning Contemporary Art Exhibition, Lauterstchen art space, 798 Art District, Beijing(2016); Torn Language，Extending Soul----Manifestation•Chinese Artist Invitation Show, Lion International Art Center, Fujian(2016) / Three Artists Exhibition: Lv Shanchuan, He Wenjue, Lin Yizheng---- Lv Shanchuan Solo Exhibition, Fu Yan Commune, Beijing(2016) / Historicode: Scarcity & Supply, The 3rd Nanjing International Art Festival, Baijia Lake Museum, Nanjing(2016)

落幕 | The Fall of Scene 布面油画 | Oil Painting on Canvas 150 cm × 220cm 2018

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江山如此多娇 | So Charming is the Lanscape 布面油画 | Oil Painting on Canvas 180 cm × 140cm 2017

街景 | Streetscape 布面油画 | Oil Painting on Canvas 200 cm × 160cm 2017

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烟花 | Fireworks 布面油画 | Oil Painting on Canvas 120 cm × 90cm 2017

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1962 年出生于福建省福州市 , 学过化学和法律。1991 年前往德国学习德语。1994 年进入德国吉森大学法律系。1999 年夏开始艺术创作 , 从此开始自由艺术家生涯。2002 年加入德国最老的艺术家协会之一的上黑森州艺术家协会。现工作和生活在德国科隆市 .

个展 “水墨专项展” 科隆艺博会 , 德国科隆市（2015）；“就这样开了花”, 双个展，Schacher 艺术空间 , 德国斯图加特市（2014）；“水墨和立体作品”,U 画廊 , 德国拜尔斯布龙市（2013）；“林 - 森林”,Arthus 画廊 , 德国科隆市（2013）；“破译我的目光 !”, 市立美术馆 Haus Seel, 德国锡根市； “盛开的想象”, 皇家橘园 , 德国基希贝格市；“变异”, Maximilian 国家公园 , 德国汉姆市

群展卡斯鲁尔艺博会 , 代理画廊 Arthus, 德国卡斯鲁尔市（2016）；科隆艺博会 , 代理画廊 Arthus, 德国科隆市（2015）；卡斯鲁尔艺博会 , Schacher 艺术空间 , 德国卡斯鲁尔市（2014）；科隆艺博会 , 代理画廊 Arthus, 德国科隆市（2013）；“HYDRA”, 波恩市立艺术中心 , 德国波恩市；“Openart” , 瑞典 Örebr 市；科隆纸本艺博会 , 代理画廊 Arthus, 德国科隆市（2013）

1962 Born in Fuzhou Fujian, studied in Chemistry and Law. 1991 Studied German in Germany. 1994 Studied Law at Gießen University, Germany. 1999 Began his career in Arts. 2002 became a Member of the prestigious Hessen State Art Association . Now working and living in Colog

SOLO EXHIBITION “Ink and Special Exhibition”, Art Fair Cologne, Cologne, Germany, (2015); “In this way”, Joint Exhibit, Schacher Art Space, Stuttgart, Germany(2014);“Ink, Objecte and Installation”, U Gallery, Baiersbronn(2013);“Wood-Forest”, Arthus Gallery, Cologne Germany (2013);“Breakthrough My Sight!” , City Art Center“Haus Seel” , Siegen Germany (2013);“Blooming Imagination” , Royal Orange Groves, Kirchberg/Jagst Germany (2012)

GROUP EXHIBITION “Art Karlsruhe”, Arthus Gallery, Karlsruhe, Germany（2016）; “Cologne Art Fair”, Arthus Gallery, Cologne Germany(2015); “Art Katlsruhe“,

林一征

Lin Yizheng

Schacher Art Space, Karlsruhe, Germany(2014); “Cologne Art Fair”, Arthus Gallery, Cologne Germany(2013); HYDRA”, Art Center Bonn, Bonn Germany (2013); “Openart” , Örebro Sweden(2013); Cologne Paper Art Fair, Arthus gallery, Cologne germany(2013)

缤纷 No 1 | Riot of Colors, No 1 减墨 | Etching Ink 140cm × 70cm 2015

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缤纷 No 2 | Riot of Colors, No 2 减墨 | Etching Ink 140cm × 70cm 2015

璀璨 No 2 | Dazzling No 2 减墨 | Etching Ink 140cm × 70cm 2015

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金秋时节 | Golden Fall 减墨 | Etching Ink 70cm × 140cm 2015

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艺术学博士，武汉纺织大学教授，硕士生导师，中国灯饰艺术设计研究院副院长。先后就读于湖北美术学院 ( 学士，2003)、清华大学 ( 硕士， 2006)、东南大学 ( 博士，2009)，德国柏林自由大学做访问学者（2014-2015）。近年来，她曾获一系列重要资助，包括国家艺术基金青年创作项目、国家艺术基金后期资助项目、国家社科基金项目、全国教育规划重点课题、国家留学基金项目、德国萨克森－安哈尔特艺术基金会项目、德国歌德学院项目、英国文化协会项目等。

部分展览中国女性艺术家录像艺术节，哥斯达黎加（2018）; 仪式，三碳艺术中心，韩国（2018）; 中国艺术新视界——国家艺术基金青年艺术创作人才滚动资助作品展，中华世纪坛／江苏省美术馆／鲁迅美术学院／敦煌国际会展中心／青岛星光岛会展中心（2018）; 全国首届教授书画作品展，光谷美术馆，武汉（2018），梦幻花园——刘凡个展，柏林 BTK 画廊（2017），第二届中国女性艺术家录像艺术节，墨西哥（2017）、问题日记，建筑桥艺术基金会，洛杉矶（2016）、影观武汉，你我空间，广州（2016）、第一届中国女性艺术家录像艺术节、墨西哥（2015），梦幻花园——刘凡个展，德国萨克森安哈尔特艺术基金会（2014）、国际女性艺术家录像节、墨西哥（2014）、现在绘画、巴黎（2013）、3XChina， Romerapotheke 画廊 , 苏黎世（2012），The Bellevue Bridge, Romerapotheke gallery, 苏黎世，瑞士（2012），纪录片《分离》，“同一媒体” 最佳影片奖，伦敦，英国

Doctor of Arts, a professor and master supervisor of Wuhan Textile University, the vice-president of China Lighting Art Design Institute. Liu Fan graduated with a BA degree in Hubei Institute of Fine Arts in 2003, with a MA degree in Tsing Hua University in 2006, and with a PHD degree in Southeast University in 2009. She studied at Freie Universität(2014-2015) in Berlin as a visiting scholar. In recent years, she has been sponsored by quite a few influential funds, including the Youth Venture Project of Chinese National Arts Fund, the Post-funded Project of China National Arts Fund, the Chinese National Social Science Fund, the Key Research Subjects of Chinese National Education Program, the China Studying-abroad Fund Program, Germany Saxony-Anhalt Arts Foundation, Germany Goethe Institution and the British Council.

EXHIBITIONS Chinese Female Artists Video Arts Festival, Republic of Costa Rica (2018); The Ceremony, SAMTAN Art Mine, South Korea(2018); New Vision of Chinese Art----Works Exhibition of Young Talented Artists Continuously Sponsored by Chinese National Arts Fund, the China Millennium Monument/Jiangsu Art Museum/LuXun Academy of Fine Arts/Dunhuang International Exhibition Center/ Qingdao Xingguang Exhibition Center(2018);

刘凡

Liu Fan

Fantasy Garden----Liu Fan Solo Exhibition, Berlin BTK Gallery(2017); The 2nd Chinese Female Artists Video Art Festival, Mexico(2017); Problems Diary, Building Bridge Art Fund, Los Angeles(2016); Vision of Wuhan, You and Me Space, Guangzhou (2016); The 1st Chinese Female Artists Video Art Festival, Mexico(2015); Fantasy Garden----Liu Fan Solo Exhibition, Germany Saxony-Anhalt Arts Fund (2014); The International Female Artists Video Festival, Mexico(2014); Current Painting, Paris (2013); 3X China, Romerapotheke Gallery, Zurich, Switzerland(2012); The Bellevue Bridge, Romerapotheke Gallery, Zurich, Switzerland(2012); The documentary Departure, the best film prize of “The Same Media”, London, UK(2012)

山水 -1 | The broken Landscape-1 摄影 | Photography 60 cm × 160cm 2018

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山水 -2 | The broken Landscape-2 摄影 | Photography 60 cm × 160cm 2018

山水 -3 | The broken Landscape-3 摄影 | Photography 60 cm × 160cm 2018

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山水 -4 | The broken Landscape-4 摄影 | Photography 60 cm × 160cm 2018

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2003 年毕业于湖北美术学院油画系，完成了学士学位，2007 年毕业于湖北美术学院取得了硕士学位。现生活工作于北京。

多次受邀在国内，瑞士，巴黎，意大利，德国，美国，马来西亚等地举办个展和参加群展。作品也被筑中美术馆，K11 艺术机构、深圳 e 当代美术馆、漓江美术馆、深圳美术馆、石家庄美术馆、上海中邦美术馆等和私人收藏。个展经历： 2017 时间的复现，筑中美术馆，中国北京； 2016 第五类森林， e 当代美术馆，中国深圳；2015 影子的影子，桥舍画廊，中国深圳；2014 浮沉，Fabrik Gallery，中国香港； 2014 影子的影子，桥舍画廊，中国北京； 2013 年 160 分贝，悦·美术馆，中国北京；2012 迷失，Director's House，德国柏林； 2010 阿修罗，中邦美术馆，中国上海； 2007 般若心经·彼岸花，深圳美术馆，中国深圳。重要群展：2017：形态之谜，TOTEM- IL CANALE 画廊，意大利威尼斯；160 分贝 - 栗子个人项目，巴黎大皇宫，法国巴黎；2016：the-solo-project 当代艺术博览会 , 瑞士巴塞尔 .. 等。

栗子创作早期以架上绘画为主，近几年扩展至装置，影像等多个纬度的创作。“神秘感”是栗子作品的最大特点，这应对了哲学上人在世界中存在的基本体验。“这个世界是无限大的，也是无限小的，只是我们在这个点上相遇了”，她认为人有无数个前世今生的积累，这构成了绘画中的“异次空间”，仿佛有“无数维”，由此视觉看见的和没有看见的以一种“幻影”的方式“罩染”在她绘画之中。

graduated from the Department of oil painting of Hubei Institute of Fine Arts in 2003, completed the bachelor's degree, graduated from Hubei Institute of Fine Arts in 2007 and got a master's degree.She works and lives in Beijing. She has been invited to hold solo exhibitions and participate in exhibitions in China, Switzerland, Paris, Italy, Germany, the United States, Malaysia and other places. Her works have also been collected by chi K11 art space，Li Jiang Art Museum, Shen Zhen Art Museum, Shi Jiazhuang Art Museum, Zhong Bang Art Museum, Zhu Zhong Art MuseumM and so on.Solo Exhibition: 2017 “Representation of Time”li Zi’s exhibition, ZhuZhong Art Museum, Beijing,China; 2016 “Forest：The 5th Category- Li Zi Solo Exhibition”,e Museum of Contemporary Art, Shenzhen,China; 2015“The Shadow of Sense” Li Zi’ s New Art Show, Bridge Gallery, Shenzhen, China; 2014 “The Shadow of Sense” Li Zi’ s Contemporary Art Show , Bridge Gallery, Beijing, China; 2014

“Moisterles” Li Zi’ s Contemporary Art Show , Fabrik GALLERY, HK, China; 2013

“160 Deci-

bels”---- Li Zi’ s Contemporary Art Show, Yue Gallery, China; 2012 “LOST” Li Zi Contemporary Painting Solo Show, Director's House, Berlin , Germany; 2010 “Asura” Li Zi Contemporary Painting Solo Show, Shanghai Zhongbang Gallery, Shanghai, China ; 2007 “The Heart of Prajna Paramita Sitra•Manjusaka” Li Zi Contemporary Painting Solo Show, Shenzhen Art Museum, China; Group Show: 2017 “THE MISTERY OF FORM”，TOTEM- IL CANALE Gallery，Venice，Italy; “160DB- Li Zi’ s solo project”, Grand Palais, Paris,France；2016 “the-solo-project | Con-

栗子 Li Zi

temporary art fair”，Basel，Switzerland… Li Zi painting was mainly based on easel painting in the early years, and expanded to several fields such as installation, video in recent years."Mystery" is the most obvious feature of Li Zi’s works, which meets the basic experience of human beings in the world in philosophical concept."The world is infinite and infinitely small, we just met at this point.” She believes that people have countless past lives, which constitutes a painting of "Cross space”. Like "countless dimension",Thus the visual and the invisible are "stained covered" in her paintings in a "Phantom" way.

幻影 | Phantom 布面综合材料 | Mixed media on canvas 65 cm × 65 cm × 14 cm 2018

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第五类森林 | FOREST: The 5th Category 装置 | Painting Installation 50 cm × 60 cm 2017

第五类森林 | FOREST：The 5th Category 装置 | Installation 150cm × 96.5cm × 86cm 2017

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浮世异景 ─ ─ 当代艺术国际邀请展

FLOATING WORLD-INTERNATIONAL EXHIBITION OF CONTEMPORARY ART

叶佑天（尘一），青年“视觉诗人”，湖北美术学院副教授，硕士生导师，艺术学博士。北京电影学院、清华大学、北京大学访问学者，学者型视觉艺术家 \ 导演，诗意动画开拓者，壹叶堂跨媒介艺术中心艺术总监。

展览 ( 精选 ) “GDC2017 国际巡展” ，斯瓦切尔西画廊，纽约 . 美国 \ 大阪 . 日本 \ 等国／“中国当代动画艺术资料馆馆藏作品展”，南京艺术学院美术馆，南京／“斯洛伐克户外设计展”，巴尔代约夫公园，斯洛伐克弗兰提斯卡诺 . 斯洛伐克／“文旅部重点双创人才展”，文旅部文化干部管理学院官方艺术中心，北京 . 中国／“花开安吉优秀艺术创作展”，中央美术学院美术馆，北京 . 中国／“厄瓜多尔海报设计展” ，瓜亚基尔艺术中心，瓜亚基尔 . 基多厄瓜多尔／“花开安吉：艺术创作展”，安吉博物馆，安吉 . 中国／“2017 昂西国际电影节科索斯国际大师邀请展”，昂西 . 法国／“中国 . 合川首届钓鱼城国际新媒体艺术节”，合川 . 中国／“中日韩艺术邀请展” ，釜山 \ 北京 \ 大阪／“GDC2017 全球大展”，深圳关山月美术馆，深圳 . 中国／“亚洲动画节暨韩国富川国际电影动画节”，仁川美术馆，仁川 . 韩国／“首届中国动漫美术大展”，广东省博物馆，深圳 . 中国／“湖北省美术人才工程百人美术作品展”，湖北省美术馆，武汉 . 中国／“2017 第十届“亚洲联盟超越艺术展” 台中文化创意产业园区，台中 . 台湾 , 中国／“次世代·进步与分配”，常州不二画廊，常州 . 中国（个展），武汉 . 中国／“国际米兰周影像展”，米兰市政大厅，米兰，意大利／“首届当代动画艺术资料馆展”，南京艺术学院美术馆，南京

Ye Youtian (Chenyi), visual youth poet, associate professor of Hubei Institute of Fine Arts, master supervisor, doctor of art theory, visiting scholar at Beijing Film Academy, Tsinghua University and Peking University, academic visual artist\director, pioneer of poetic animation, art director of Yiyetang cross-media art center.

EXHIBITIONS (SELECTED) “GDC 2017 International Tour”, Swahili Chelsea gallery, New York, US, Osaka, Japan. Etc (Group Exhibition) / “Exhibition of contemporary Chinese animation art archive collections”, the art gallery of Nanjing University of Arts, Nanjing / “Slovakia Outdoor Design Exhibition”, Bardejov Park, Slovakia / The Outstanding Pioneers and Talents Exhibition of Culture and Tourism Department, The official Art Center of the Institute of Culture and Tourism Department Cadre Administration, Beijing, China / “FLOWERS IN ANJI Excellent Arts Exhibition”, CAFA Art Museum, Beijing China / “Ecuador's poster design exhibition”, Guayaquil art center, Guayaquil, Quito, República del Ecuador / “FLOWERS IN ANJI Excellent Art Exhibition”, Anji Museum, Anji, China / “2017 International Film Festival of d'Annecy Corso Invitational Exhibition”, Annecy, French / “The First International New Media arts Festival of Fishing City, Hechuan, China”, Hechuan, China / “China, Japan and South Korea Art Invitational Exhibition” , Busan, Beijing, Osaka /“GDC World Tour Exhibition 2017” ,Shenzhen Guan Shanyue Art Gallery, Shenzhen, China /“Asia

叶佑天

Ye Youtian

Animation Festival and South Korea Fu Chuan International Animation Film Festival”, Incheon gallery, Incheon, South Korea.(Group Exhibition) / “The First Chinese Cartoon Art Exhibition”, Guangdong museum, ShenZhen, China / “Exhibition of 100 Talented Artists of Hubei Province ”, Hubei art museum, Wuhan, China / “The 10th Asia alliance beyond art exhibition 2017”, Taichung cultural creative industry park，Taichung， Taiwan，China / “NEXT GENERATION----Progress and Distribution”, Changzhou No Two galleries, ChangZhou, China. (Solo Exhibition) / “NEXT GENERATION•Progress and Distribution”, WuHan, China. (Group Exhibition) / “International Milan Week Images and Videos Exhibition”, Milan's city hall, Milan, Italy / “The First Contemporary Animation Archive Collections Exhibition”, the art gallery of Nanjing University of Arts , NanJing

悠玄之境 | The Land of Mystery 动画 | Animation 2016

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悠玄之境 | The Land of Mystery 动画 | Animation 2016

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浮世异景 ─ ─ 当代艺术国际邀请展

FLOATING WORLD-INTERNATIONAL EXHIBITION OF CONTEMPORARY ART

1973 年生，艺术家 2018 年墨之道 Salmon Arts Gallery 纽约美国 2018 年气韵非师今日美术馆北京中国

Born in 1973, professional artist. 2018 The Taoism of Ink, Salmon Arts Gallery, New York, US 2018 Character Cultivation Cannot Be taught by the Teacher, Today Art Museum, Beijing, China

圆大西

Yuan Daxi

100

凝 | Focus 油画 | Oil Painting 200cm × 170cm 2018

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101

瑾 | Virtue 油画 | Oil Painting 200cm × 120cm 2018

102

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103

凝 | Abundance

渺 | Boundlessness

油画 | Oil Painting

200cm × 170cm 2018