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THE INTERNATIONAL DESIGN AUTHORITY DECEMBER 2018

CREATIVE VISION ARTISTS OPEN THEIR DOORS

NIKOLAI HAAS IN LOS ANGELES +JORGE PARDO, URS FISCHER, UGO RONDINONE TOP COLLECTORS AT HOME

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A DV E RTI S E M E N T

LIEBHERR’S NEW MONOLITH When the Monolith refrigerator/freezer debuted this past spring, it marked yet another revolutionary design in a long line of innovations for the renowned German appliance manufacturer. This addition to its suite of technologically advanced cooling systems is in a class all its own, with features that add convenience and unparalleled customization.

SuperCool & SuperFrost From your smart device, quickly chill or freeze just-bought groceries to preserve freshness and seal in flavor.

InfinityLight Customized interior lights suit your preferences, with a soft brightening efect upon opening the doors and a pleasing night dimming feature.

InfinitySpring A seamlessly integrated, flush-mounted internal water dispenser has a filtration system that eliminates harmful contaminants, resulting in crisp, fresh-tasting water.

PowerCooling & Fresh Air These innovations allow cold air to circulate behind the door so items stored there remain as cold as everything else in the refrigerator and eliminate odors via a charcoal filter that purifies the incoming air.

BioFresh-Plus BioFresh-Plus takes the idea of individually controlling the temperatures within drawers, one step further, adding the capability of setting temperatures as low as 29˚F, which is ideal for preserving fresh fish and vegetables.

SuperQuiet Liebherr appliances are some of the quietest in the industry. So when your family and friends come over, you can rest assured that the only thing you’ll hear is the gratifying hum of stimulating conversation.

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Discover the Next Level of Cooling Technology – Monolith A Technical Genius Manifests Itself in Impressive Design

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BREITLING BOUTIQUE MIAMI • DENVER • ORLANDO SAN ANTONIO • LOS ANGELES LAS VEGAS • WASHINGTON DC NEW YORK

The Breitling Cinema Squad Brad Pitt Adam Driver Charlize Theron

LAND

PREMIER

A IR

SEA

CONTENTS december

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MACON & LESQUOY PINS FROM JOHN DERIAN; JOHNDERIAN.COM.

78

THE LIVING ROOM OF ALLISON AND WARREN KANDERS’ MANHATTAN TOWNHOUSE.

24 Object Lesson

More than 60 years after their creation, George Nelson’s glowing steel-and-plastic pendants continue to light the way.

31 Discoveries

From his new studio in Portugal, Houstonborn Dozie Kanu gears up to make a splash in Miami . . . Inspired holiday gifts for those discerning folks on your list . . . Draga & Aurel upgrade flea-market finds into covetable designs for Baxter . . . In collaboration with Swarovski, architect Daniel Libeskind crafts a brilliant supernova for the Rockefeller Center Tree . . . For decades, Eileen Harris Norton has issued a clarion call for greater diversity in the world of contemporary art . . . and more.

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66 Bohemian Rhapsody

Designer Nikolai Haas and stylist Djuna Bel conjure an idiosyncratic wonderland in Los Angeles. BY MAYER RUS

78 On View

A Greenwich Village townhouse is the ideal setting for one family’s outstanding collection of contemporary art. BY MICHAEL BOODRO

88 Lost Horizon

Artist Ugo Rondinone and poet John Giorno craft a placid Long Island paradise centered on a panorama of surf and sky. BY MAYER RUS (CONTINUED ON PAGE 18)

FROM LEFT: THOMAS LOOF; JOSEPHINE SCHIELE (3)

22 Editor’s Letter

CONTENTS december

100

A FRANZ WEST SCULPTURE IN URS FISCHER’S BROOKLYN STUDIO.

66

NIKOLAI HAAS IN THE KITCHEN OF HIS LOS ANGELES HOME.

With a new tabletop collection, super-stylist Carolina Irving and her daughters set the scene with rustic, Mediterranean charm.

FOLLOW @ARCHDIGEST

BY JANE KELTNER DE VALLE

SUBSCRIPTIONS FOR SUBSCRIPTION INFORMATION GO TO ARCHDIGEST.COM, CALL 800-365-8032, OR EMAIL SUBSCRIPTIONS@ ARCHDIGEST.COM.

100 Studio Visit ON OUR COVERS FOR DETAILS SEE RESOURCES

106 Artistic Freedom

Jorge Pardo crafts a vibrant, bright-hued dream house in Mérida, Mexico.

DIGITAL EDITION DOWNLOAD AT ARCHDIGEST.COM/APP.

BY EVE MACSWEENEY

NEWSLETTER SIGN UP FOR AD’S DAILY NEWSLETTER, AT ARCHDIGEST.COM/ NEWSLETTER. COMMENTS CONTACT US VIA SOCIAL MEDIA OR EMAIL US AT LETTERS@ ARCHDIGEST.COM.

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An expansive space in Brooklyn gives Urs Fischer plenty of room to contemplate the meaning of art and life. BY JULIE L. BELCOVE

118 Resources JORGE PARDO’S MÉRIDA, MEXICO, HOME. “ARTISTIC FREEDOM,” PAGE 106.

PHOTOGRAPHY BY JASON SCHMIDT.

NIKOLAI HAAS AND DJUNA BEL’S MASTER BEDROOM. “BOHEMIAN RHAPSODY,” PAGE 66.

PHOTOGRAPHY BY JASON SCHMIDT. STYLED

BY MICHAEL REYNOLDS.

The designers, architects, and products featured this month.

120 Last Word

Designer Ken Fulk forges a San Francisco hot spot out of a long-vacant cathedral.

CLOCKWISE FROM TOP LEFT: JASON SCHMIDT; YOSHIHIRO MAKINO; JASON SCHMIDT (2)

96 Table for Three

Solid Ground. feat. T H E U R B A N A C O L L E C T I O N

Rugs for the thoughtfully layered home.

THE INTERNATIONAL DESIGN AUTHORITY VOLUME 75 NUMBER 11

EDITOR IN CHIEF

Amy Astley CREATIVE DIRECTOR David Sebbah EDITORIAL OPERATIONS DIRECTOR Diane Dragan EXECUTIVE EDITOR Shax Riegler EXECUTIVE DIRECTOR, DIGITAL Keith Pollock INTERIORS & GARDEN DIRECTOR Alison Levasseur STYLE DIRECTOR Jane Keltner de Valle FEATURES DIRECTOR Sam Cochran DECORATIVE ARTS EDITOR Mitchell Owens WEST COAST EDITOR Mayer Rus

FEATURES SENIOR DESIGN WRITER Hannah Martin DEPUTY EDITOR, DIGITAL Kristen Flanagan SPECIAL PROJECTS DIRECTOR, DIGITAL

Sydney Wasserman ENTERTAINMENT EDITOR Maxwell Losgar DESIGN EDITOR, DIGITAL Amanda Sims EDITOR, DIGITAL David Foxley HOME EDITOR, DIGITAL Lindsey Mather ASSOCIATE FEATURES EDITOR, DIGITAL Nick Mafi EDITORIAL ASSISTANTS Elizabeth Fazzare,

Katherine McGrath (Digital), Carly Olson ASSISTANT TO THE EDITOR IN CHIEF Gabriela Ulloa AD PRO EDITOR Katherine Burns Olson NEWS EDITOR Hadley Keller

MARKET MARKET DIRECTOR Parker Bowie Larson ASSOCIATE MARKET EDITOR Madeline O’Malley PRODUCTION EDITORIAL OPERATIONS MANAGER Nick Traverse PRODUCTION DIRECTOR Jason Roe CONTRIBUTING PRODUCTION EDITOR David Byars PRODUCTION DESIGNER Cor Hazelaar ART PRODUCTION EDITOR Katharine Clark COPY AND RESEARCH COPY DIRECTOR Joyce Rubin RESEARCH DIRECTOR Andrew Gillings COPY MANAGER Adriana Bürgi RESEARCH MANAGER Leslie Anne Wiggins

CREATIVE DESIGN DIRECTOR Natalie Do VISUALS DIRECTOR Michael Shome VISUALS EDITOR, DIGITAL Melissa Maria ASSOCIATE VISUALS EDITOR

Gabrielle Pilotti Langdon JUNIOR DESIGNER Patricia Preuss VISUALS ASSISTANT Emily Bukowski VIDEO PRODUCERS

COMMUNICATIONS + EDITORIAL PROJECTS EXECUTIVE DIRECTOR, PUBLIC RELATIONS

Erin Kaplan DIRECTOR, EDITORIAL PROJECTS

Jeffrey C. Caldwell CONTRIBUTORS CONTRIBUTING EDITOR AT LARGE

Michael Reynolds CONTRIBUTING INTERNATIONAL PROJECTS EDITOR

Vince Cross, Matt Duckor, Sara Snyder, Chauncey McDougal Tanton, Rusty Ward ARCHDIGEST.COM SOCIAL MEDIA DIRECTOR Rachel Coleman SOCIAL MEDIA MANAGER Jessica Gatdula ANALYST, DIGITAL INTELLIGENCE Kevin Wu

Carlos Mota CONTRIBUTING STYLE EDITORS

Lawren Howell, Carolina Irving CONTRIBUTING EDITORS

Amanda Brooks, Gay Gassmann CONTRIBUTORS Fabiola Beracasa Beckman, Derek Blasberg, Peter Copping, Sarah Harrelson, Pippa Holt, Patricia Lansing, Colby Mugrabi, Carlos Souza EDITOR EMERITA Paige Rense Noland

ARTISTIC DIRECTOR

Anna Wintour

CHIEF BUSINESS OFFICER

Craig Kostelic VP REVENUE Jeff Barish VP REVENUE Beth Lusko-Gunderman VP REVENUE Jordana Pransky DIGITAL GENERAL MANAGER Eric Gillin VP MARKETING Bree McKenney VP FINANCE & BUSINESS DEVELOPMENT Barbra Perlstein SENIOR DIRECTOR, SALES OPERATIONS Mary Beth Dwyer EXECUTIVE STRATEGY DIRECTOR Hayley Russman

ADVERTISING NEW YORK SALES DIRECTORS Shelly Johnson, Jeannie Livesay,

Melissa Goolnick Schwartz EXECUTIVE ACCOUNT DIRECTORS Nina B. Brogna, Francesca Coia, Catherine Dewling, Meredith Jeffery, Wendy Gardner Landau, Priya Nat, Kathryn Nave SENIOR ACCOUNT DIRECTORS Emily Harris, Jaime Schwartz ACCOUNT DIRECTORS Sara Coyle, Katie Tomlinson ACCOUNT EXECUTIVE Sean Walter FINANCE & BUSINESS OPERATIONS DIRECTOR Katie Balin SENIOR DIRECTOR Jennifer Crescitelli ASSOCIATE DIRECTOR Anthony Mitchell SENIOR MANAGER Jessica Reinhardt MANAGER Joe DeRuvo DIGITAL SALES OPERATIONS MANAGERS, SALES OPERATIONS

Alexandra Niemeyer

Isabel Kierencew,

SENIOR ACCOUNT MANAGER Jacquie Pelusi ACCOUNT MANAGERS Jena Johansen, Brett Karbach,

Brooke Pischke, Timothy Samson, Mandy Schmidt

ASSOCIATE ACCOUNT MANAGERS Lena Perlmutter, Kendall Rozell SALES PLANNERS Nicole Bramble, Emily Byerly,

Maura Colwell, Hallie Drapkin, Heather Dring, Lauren Gauksheim, Nicole Guzman, Nick Papa, Adam Zakrzewski EXECUTIVE ASSISTANT TO CHIEF BUSINESS OFFICER Olivia Marder SALES ASSOCIATES Alessia Bani, Samantha Benedict, Paulina Carvajal, Hannah Neuman, Aubree Oppici, Samantha Pinto, Gabriella Rutkowski, Serena Sheth, Sarah Tinoco

BRAND MARKETING EXECUTIVE DIRECTORS, BRAND MARKETING

Christin DeMaria, Rob Feinberg, Casey McCarthy, Tara Melvin EXECUTIVE DIRECTOR, MARKETPLACE STRATEGY Barri Trott DIRECTORS, MARKETING Emma Greenberg, Shannon Muldoon DIRECTORS, MARKETPLACE STRATEGY Brittany Bakacs, Holly Sabecky ASSOCIATE DIRECTORS, BRAND MARKETING Jackie Albastro, Caitlin DiLena, Tara Dushey, Tom Heiss, Caroline Karter, Erin Kenney, Nadine Rivoldi, Lucas Santos, Jessica Sisco, Arisara Srisethnil

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Alexis Aliquo, Michele Bastin, Caroline Claude, Joshua McDonald, Justine Parker ASSOCIATES, BRAND MARKETING Cydney Eckert, Chelsea Horhn, Marybeth Lawrence, Hillary Miller, Lauren Pernal EXECUTIVE DIRECTOR, EXPERIENCE Benjamin Peryer ASSOCIATE DIRECTORS, EXPERIENCE Jennifer Mills, Joshua Robertson MANAGERS, BRAND MARKETING

EXECUTIVE DIRECTOR, COMMUNICATIONS, THE LIFESTYLE COLLECTION

Molly Pacala COMMUNICATIONS MANAGER, THE LIFESTYLE COLLECTION

Savannah Jackson CREATIVE SENIOR ART DIRECTOR Phuong Nguyen ART DIRECTOR Tanya DeSelm SENIOR DESIGNER Corinne Baptiste DESIGNERS Elena Scott, Stephanie Stanley EXECUTIVE PRODUCER Lloyd D’Souza SENIOR PRODUCER Julie Sullivan DIRECTOR OF CREATIVE CONTENT PRODUCTION Dana Kravis CONTENT DIRECTOR Kate Marsanico BRANCH OFFICES LOS ANGELES EXECUTIVE ACCOUNT DIRECTOR Elizabeth Murphy 323-965-3578 SAN FRANCISCO / PACIFIC NORTHWEST EXECUTIVE ACCOUNT DIRECTOR Rick Gruber 415-276-5217 MIDWEST VP, REVENUE Pamela Quandt 312-649-3526 EXECUTIVE ACCOUNT DIRECTOR Jenna Ernster 312-649-3549 SENIOR ACCOUNT DIRECTORS Hillary Kribben 312-649-3525, Chris Roelle 312-649-3553 ACCOUNT DIRECTOR Stephanie Cohen 312-649-3512 DETROIT EXECUTIVE ACCOUNT DIRECTOR Anne Green 248-765-9126 FLORIDA / SOUTHEAST / CARIBBEAN Peter M. Zuckerman, Z-MEDIA 305-532-5566 SOUTHWEST Lewis Stafford Company 972-960-2889 CANADA Dodd Media Group 905-885-0664 MEXICO John Hillock 212-286-2035 ASIA Marcia Kline +62-813-60896848 UK Juliet Fetherstonhaugh +44-20-7349-7111, Steve Middleton, SMS LTD +44(0)7710-128464 MIDDLE EAST Skyscale Media Services +971-42-42-4579 INDIA Saurabh Wig 647-679-6005 EUROPE, FASHION/LUXURY Rula Al Amad +39-02-6558-4237

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Madonna, Gaga, Bowie, Beyoncé, Rihanna, Mick, Kendrick, Prince

FELIX 07

THEY’RE ALL HERE...

A BEAUTIFUL NIGHT’S SLEEP A collaboration with The National Gallery,

VOGUE X MUSIC is the chronicle of one storied magazine’s approach to pop divas, hip-hop royalty, rock icons, country crooners, jazz maestros, and more.

Vogue’s best photographers, music's biggest stars— portraits as provocative as they are indelible.

Introduction by Jonathan Van Meter.

Edited by Taylor Antrim.

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editor’s letter

2 1 3

4

AMY ASTLEY Editor in Chief @amytastley

6 5 22

ARC H D IGE S T.COM

When you spend your days editing a luscious interiors magazine like AD, you see a lot of perfection—or at least the striving for it.

Decorators, architects, landscape planners, and, of course, homeowners have a goal, an endgame. There comes a moment when these teams will triumphantly inform us that the house is “done.” And while I dearly respect and admire these professionally “done” and practically perfect visions, I confess that nothing quite gets my heart racing like a visit to an artist’s home or studio, which is invariably intensely personal, unexpected, and not very “done” at all! In the formative years of my career I discovered the 1988 edition of the late Alexander Liberman’s richly wonderful book The Artist in His Studio, and it has been a touchstone for me ever since. Liberman, himself a renowned artist and the former editorial director of Condé Nast, noted “the mystery of environment” and mused, “What relationship exists between the paintings and the vision of reality that the artist has daily before his eyes?” Liberman posed but did not presume to answer the question, and I humbly hope that the inspiring spaces presented in this issue add to that conversation. In his feature on Ugo Rondinone’s ultra-private Long Island retreat, AD’s West Coast editor, Mayer Rus, writes that “an artist’s home typically carries an additional burden of expectation that it somehow reflect and illuminate the owner’s practice.” Revel in our (rarely granted) visits to Rondinone and fellow remarkable artists Urs Fischer, Jorge Pardo, and Nikolai Haas in their own sui generis environments, and draw your own conclusions.

1. YOSHIHIRO MAKINO; 2.–5. JASON SCHMIDT; 6. COURTESY OF ABEBOOKS.COM

“Have no fear of perfection—you’ll never reach it.”

—Salvador Dalí

1. URS FISCHER IN HIS BROOKLYN STUDIO. 2. BROTHERS NIKOLAI AND SIMON HAAS KICK BACK IN NIKOLAI’S L.A. GARDEN ON SOFAS HE DESIGNED. 3. NIKOLAI HAAS’S WIFE, DJUNA BEL, AT THEIR HOME. 4. JORGE PARDO AT HIS RETREAT IN MÉRIDA, MEXICO. 5. SHOES OFF ON LOCATION AT THE LONG ISLAND HOME OF JOHN GIORNO AND UGO RONDINONE. 6. THE ALEXANDER LIBERMAN BOOK THAT HAS LONG INSPIRED ME.

object lesson

THE STORY BEHIND AN ICONIC DESIGN

Bubble Up More than 60 years after their creation, George Nelson’s glowing steel-and-plastic fixtures continue to light the way

PHOTOGRAPH BY TIMOTHY STREET-PORTER, © 2018 EAMES OFFICE, LLC (EAMESOFFICE.COM)

AT CHARLES AND RAY EAMES’S HOUSE, A GEORGE NELSON BUBBLE LAMP HANGS IN THE LIVING ROOM.

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object lesson 1

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lashback to 1947: American designer George Nelson became obsessed with a spherical lamp.

“I wanted one badly,” he once wrote of the Swedish-made light, its wire frame sheathed in silk. “We had a modest office and I felt that if I had one of those big hanging spheres from Sweden it would show that I was really with it, a pillar of contemporary design.”

When he came across one in an imports store, its price— $125—was more than he could pay. As he studied it, though, a newspaper photograph came to mind—a fleet of ships being sprayed with a self-webbing plastic for preservation during storage. “Whammo!” he wrote of the epiphany, and within 24 hours he had crafted a spherical metal frame and tracked down the maker of that spiderweb-like plastic. “By the next night we had a plastic-covered lamp, and when you put a light in it, it glowed, and it did not cost $125.”

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1. A CRISSCROSS SAUCER PENDANT FROM THE BUBBLE SERIES. 2. A SAUCER BUBBLE LAMP IN JOHN DEMSEY’S MANHATTAN DINING ROOM. 3. A PORTRAIT OF GEORGE NELSON. 4. IN NELL DIAMOND’S MANHATTAN HOME, A GEORGE NELSON BUBBLE LAMP HOVERS IN THE PATTERNFILLED NURSERY.

By 1952, William Renwick, an associate in Nelson’s office, had tailored the idea into the streamlined design that went off to manufacturer Howard Miller Clock Co. to be produced.

Soon after, Charles and Ray Eames hung one in their Pacific Palisades living room, and modern America followed suit. In no time, the so-called Bubble Lamp was floating—first the spheres and later a variety of shapes and sizes—across the country.

The fan base only grew when Herman Miller took over the rights to production in 2016, tweaking the plastic as well as the price (the Ball pendant starts at a still-reasonable $395) to meet modern standards.

Hill House Home founder Nell Diamond has used the soft glow of a Bubble to tone down son Henry’s wildly patterned Manhattan nursery. “It’s our own little UFO,” she says of the playful design. A similar model hangs above fashion designer Michael Kors’s Manhattan breakfast room, and designer Jonathan Adler dangles a vintage model over the outdoor table at his Shelter Island retreat. “It’s an atomic take on a Japanese paper lantern,” he says. “And most important, the honeyed light it emits is ultraflattering.” dwr.com —HANNAH MARTIN

1. COURTESY OF DWR; 2. OBERTO GILI; 3. MELISSA BROWN/COURTESY OF DWR; 4. KYLE KNODELL

2

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Interior Decoration and Antiques: Sibyl Colefax & John Fowler, the grande dame of London’s interior design firms, flourishes in its vibrant new premises in Pimlico Road.

Guinevere celebrates its 55th year as London’s go-to resource for antiques and eccentricities with a previously unseen exhibition of iconic photography by Mirella Ricciardi.

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the most wonderful time of the year Warm your heart this holiday season with an escape to colorful Charleston.

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HOLIDAY GETAWAY No matter your Christmas wish, you’ll find a home for the holidays here in Charleston.

HOLIDAY HEADQUARTERS Perhaps the best time of year to check into Belmond Charleston Place hotel is during the holidays. Step into the grand lobby and you’ll be greeted with a magnificent holiday display complete with a fully operational replica of the Venice Simplon-Orient-Express train. Enjoy on-site shopping and luxurious dining at Charleston Grill.

TRADITIONAL WITH ALL THE TRIMMINGS A stay at the Mills House Hotel (circa 1853) offers guests an opportunity to experience Christmas as it was in the 19th century. Enjoy a traditional Christmas dinner on property at the Barbadoes Room before hopping on an evening carriage ride to admire how neighboring historic homes deck the halls for the holidays.

LUXE WINTER HIDEAWAY The Spectator, a chic 41-room boutique hotel, is a favorite spot to cozy up during the holidays. The twenties-era styled property boasts a glam Gatsby-inspired cocktail bar, personalized butlers and elegant design details at every turn.

You’re sure to experience a sophisticated seasonal getaway at this art deco destination.

SEASIDE SANCTUARY With temperate weather year-round, Charleston is more known for a sandy Christmas than a snowy one. Build a sand snowman, roast s’mores, sip hot cocoa under the stars and enjoy your Christmas dinner surrounded by wraparound ocean views at The Sanctuary at Kiawah Island, an ideal destination for those looking to unwind and savor the season.

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World of: Dozie Kanu From his new home studio in rural Portugal, the Houston-born design star is gearing up to make a statement this month in Miami

DISCOVERIES

THE BEST IN SHOPPING, DESIGN, AND STYLE

EDITED BY SAM COCHRAN

AT HIS LIVE/WORK SPACE IN THE PORTUGUESE COUNTRYSIDE, DOZIE KANU PERCHES ON A CHAIR HE MADE OUT OF RECYCLED FOAM.

P H OTO G R APHY BY LUIS DÍAZ DÍAZ

ARCHDIGEST.COM

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DISCOVERIES world of 1. CONCRETE WORKS BOUND FOR DESIGN MIAMI. 2. KANU WITH A NEW STOOL OUTSIDE HIS HOME. 3. TABLE ON 84’S, 2018, USES A CAR RIM AS A BASE. 4. CHAIR [I], 2016.

1

flipping his phone camera around to show off his new middle of rural Portugal, not

trees. Across the street, it’s cucumbers.” The but Kanu is stressed. His own crops, of the aesthetic variety, are due for harvest.

Just back from Switzerland, where he was awarded the Hublot Design Prize, the 25-yearold Houston native is busy finalizing a new body of work. The metal skeletons of seats and 4 lights in progress are scattered across his studio floor. Within a week he’ll slather them with gritty concrete to render rough, sculptural forms that will be shipped off to Design Miami.

“I’m trying to reinvent myself,” Kanu says, reflecting on his departure from the clean lines and poured-concrete surfaces that have defined his work for the last few years. “It’s kind of early in my career to be doing that, but I think it’s necessary.” Shape-shifting comes naturally to Kanu, who moved to New York in 2011 to study film at the School of Visual Arts. He started making furniture (or, as he describes it, “art with a layer of functionality”) somewhat by accident, when his interest in set design led the way to gigs with interior designer Carol Egan, design purveyor Matter Made, and the creative agency Bureau Betak. His senior year, he created two chairs—a black frame and a white frame, both tubular steel.

They were presented stacked, as one, black on top. “It was a

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gesture of dominance,” he says. “An internal pep talk for myself against white supremacy.”

Photographed by his friend the fashion designer Matthew Williams, and featured on Nick Knight’s blog, SHOWstudio, the piece caught the attention of design dealer Paul Johnson, who then placed one of Kanu’s works— a concrete bench supported by steel car rims— in Salon 94 Design’s 2017 group show at Lever House. “Using the rims was my way of both rejecting and paying homage to my upbringing,” Kanu says, referencing Houston’s famous car (a.k.a. “slab”) culture.

He has since earned a coveted spot on the Salon 94 Design roster, and will bring his new work to the gallery’s Design Miami booth come December. Meanwhile, he’s also been selected to create the Miami Design District’s annual holiday installation. There, bird feeders will hang from palm trees, and climbing structures—made of rebar and automotive equipment coated in candy-colored car paint— will stand on bases of melted-down gunmetal. The shimmering structures—a collaboration with the Caliber Foundation, an American nonprofit that supports victims of gun violence— are each engraved with the serial numbers of decommissioned firearms and bullets, confiscated from criminals. Says Kanu: “I wanted to make pieces that were familiar to children but had a deeper meaning.” dozie.studio —HANNAH MARTIN

3. & 4. COURTESY OF THE ARTIST AND SALON 94 DESIGN

T

his is a farming community,”

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WESTLAND LONDON Westland London, established in 1969, stocks a vast collection of prestigious and fine antiques, decorative objects, and period chimneypieces. The company has built one of the finest and largest collections of antique chimneypieces in the world, spanning from the 15th to the 20th

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centuries—the product of more than 40 years of experience in the trade. Whether you’re looking for something spectacular to finish a room or just to be inspired, Westland is worth a visit.

Visit westlandlondon.com or email westland@westlandlondon.com

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RaRE, BOLD & BEAUTIFUL With a passion for color and respect for the sea, Assael presents exquisite Natural Sardinian Coral.

A fiery focal point for contemporary fashions… the rarest of gems, responsibly sourced.

DISCOVERIES shopping FOR THE ENTERTAINER

A TABLE SET AT MARGHERITA MISSONI’S ITALIAN HOME.

EXQUISITE TABLEWARE TO DELIGHT EVEN HOSTS WITH THE MOST 1. RH 1960s ITALIAN COCKTAIL PITCHER; $107.

RH.COM. 2. AMANDA LIND ROTH PATTERN NAPKIN; $48 FOR A SET OF FOUR. AMANDALINDROTH.COM. 3. LOUIS VUITTON FEUILLES D’OR CANDLE; $185.

LOUISVUITTON.COM. 4. ALEX PAPACHRISTIDIS FOR MODA OPERANDI LE JARDIN CHINOIS

DINNER PLATE; $120.

MODAOPERANDI.COM. 5. PORZELLAN MANUFAKTUR NYMPHENBURG BELLE EPOQUE TUREEN

BY HERMANN GRADL; $13,800. NYMPHENBURG .COM. 6. GEORG JENSEN ALFREDO VASE; $245.

GEORGJENSEN.COM. 7. MATOUK CALYPSO NAPKIN; $108 FOR A SET OF FOUR. MATOUK.COM.

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INTERIOR: MATTHIEU SALVAING; 4. JOSEPHINE SCHIELE; ALL OTHERS COURTESY OF RESPECTIVE COMPANIES

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With its ultra-thin wallpaper design, the LG SIGNATURE OLED TV is technological innovation at its greatest.

World-renowned for its superior picture quality and picture-on-wall design, the TV offers a perfect black canvas that plays host to vibrant, accurate color.

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Included TV-to-AV Box cable is required for TV operation.

DISCOVERIES shopping 1

DANIEL ROMUALDEZ’S ROOF TERRACE IN IBIZA.

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FOR THE GLOBE-TROTTER CHIC LUGGAGE AND TRAVEL ACCESSORIES FOR EXPLORING THE WORLD IN HIGH STYLE 1. GOOGLE HOME MINI; $49. STORE.GOOGLE .COM. 2. GOPRO FUSION CAMERA; $599. AMAZON .COM. 3. APPLE WATCH BY HERMÈS; $1,399. APPLE .COM. 4. ARMANI/CASA NASTRO BOXES; FROM $1,350. ARMANICASA.COM. 5. BOTTEGA VENETA EYE MASK; $260. BOTTEGA VENETA.COM. 6. MARK &

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The LG SIGNATURE refrigerator's beautiful design goes beyond its stunning exterior to a variety of advanced features.

And with innovations like InstaView™ Door-in-Door®, you can see inside with just two simple knocks.

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A MANHATTAN DRESSING ROOM BY MICHAEL S. SMITH.

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PRODUCED BY PARKER BOWIE LARSON AND M ADELINE O’M ALLEY

INTERIOR: MICHAEL MUNDY; ALL OTHERS COURTESY OF RESPECTIVE COMPANIES

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With the minimal design of LG SIGNATURE laundry machines, technology is refined to its simplest, most exquisite form.

The TWINWash™ system with LG SideKick™ pedestal washer allows you to wash two loads at once. It's the perfect marriage of convenience and beauty.

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RESCUE MISSION Designers Draga Obradovic and Aurel Basedow love a good treasure hunt.

For their ongoing collaboration with Baxter, the Italian-based duo—known as Draga & Aurel—scours flea markets, deconstructing their one-of-kind finds (a 1950s chair, a vintage sideboard) and incorporating new elements like fabrics and hardware to realize original creations. Says Obradovic, “Each offers the opportunity to retrieve an old story and bring it into the present.” baxter.it —CARLY OLSON

1. LIBESKIND’S TREE ORNAMENT FOR ATELIER SWAROVSKI HOME. 2. HIS ROCKEFELLER CENTER CHRISTMAS TREE TOPPER IN PROGRESS.

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1. A VINTAGE SIDEBOARD ENLIVENED BY RESIN AND TOPPED WITH MIRRORS. 2. A 1950s CHAIR REIMAGINED IN BAXTER LEATHER. 3. SOTTSASS-INSPIRED LOW TABLES.

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Top of the Rock Given the spikiness and sheen of Daniel Libeskind’s achievements—Berlin’s Jewish Museum, the Denver Art Museum, and the magnificently faceted like—it comes as no surprise that the starchitect is, well, starstruck. “It doesn’t matter who you are; we identify with stars in a strange way,” he says excitedly. “It’s the light, the light in darkness that brings us to something bigger than we are.” Thus, a stellar commission that took more than two years to devise: a new topper for the Rockefeller Center Christmas tree, made in collaboration with Swarovski, the crystal powerhouse. “A star is an explosion, it’s not static, it’s an explosive moment from an inner core,” Libeskind explains. “But how do you present that idea, that explosive energy, and represent the movement of light to the points we actually see?” The solution took more effort than designing a building, he asserts: a three-dimensional, technically complicated supernova measuring nine feet four inches in diameter, with 70 irregular glass spikes, three million faceted crystals, and 140 brilliant LED lights.

Revelers can marvel at a full-scale replica that will be displayed on Rockefeller Plaza and then visit an adjacent kiosk that will offer Atelier Swarovski Home laser-etched holiday ornaments. Says Nadja Swarovski, “They are the embodiment of Daniel’s brilliant mix of beauty and innovation.” libeskind.com, atelierswarovski.com —MITCHELL OWENS

LEFT: 1.–3. ROBERT GRANOFF; RIGHT: 1. COURTESY OF SWAROVSKI; RIGHT: 2. BRYAN DERBALLA

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Fine furniture for the way we live today. Handmade in America since 1900.

DISCOVERIES collecting

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he political tumult of the past few (let’s face it, two) years has engendered a sobering, longoverdue conversation about the dynamics of race and gender in American culture. But in the art world, a dedicated group of curators and collectors has been pressing that discussion for decades, with philanthropist Eileen Harris Norton among its most eloquent voices. Beginning in the early 1980s, she and her ex-husband, Peter (of Norton AntiVirus fame), began assembling a cutting-edge collection with strengths in African-American, southern California, and women artists.

Their patronage, through the Peter Norton Family Foundation, extended into politics, environmentalism, and social services.

The Nortons split up in 2000, and soon afterward, Eileen and their two children resettled in a 1905 Santa Monica Craftsman home designed by architects Elmer Grey and Myron Hunt, whose credits include the Rose Bowl and the Huntington Library. “We moved from a very contemporary house with gallery-like spaces where you could hang just about anything,” recalls Norton, who was born in the L.A. neighborhood of Watts and worked as an elementary school teacher. “Installing contemporary art in a classic Craftsman was a bit trickier, but we managed to do it.”

Norton has been working on the house ever since, adding to her formidable collection, which includes signature pieces by artists on the order of Kara Walker, Kerry James Marshall, Glenn Ligon, Lorna Simpson, Chris Ofili, and Mark Bradford,

PHOTOGRAPHY BY STEPHEN KENT JOHNSON

STYLED BY M ICHAEL REYNOLDS

MAKEUP BY LEIBI CARIAS FOR CELESTINE AGENCY USING MAC COSMETICS

T

For more than three decades, Eileen Harris Norton has issued a clarion call for greater diversity in the world of contemporary art

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1. A LORNA SIMPSON DOUBLE PORTRAIT, RODNEY MCMILLIAN SCULPTURE, AND TANYA AGUIÑIGA CHAIR IN A GALLERY. 2. NORTON WITH AN ALMA THOMAS PAINTING AND KARA WALKER SCULPTURE ON THE MANTEL. 3. LALANNE SHEEP GRAZE BY THE POOL, WHICH WAS REDESIGNED BY WINSTON CHAPPELL. FOR DETAILS SEE RESOURCES.

Introducing Flindt Wall Design to Shape Light

Flindt Wall Design by Christian Flindt louispoulsen.com

DISCOVERIES collecting

2 1. A COMMISSIONED FRANK GEHRY FISH SCULPTURE HANGS IN THE STAIRWELL. 2. THE DINING ROOM CONTAINS WORKS BY KARA WALKER AND CHRIS OFILI. 3. MURANO CANDLESTICKS BY FRED WILSON. 4. ANOTHER GALLERY FEATURES PIECES BY KERRY JAMES MARSHALL, GLENN LIGON, AND MELVINO GARRETTI.

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whose studio she first visited in 2000. “Mark was still working as a hairdresser, and I remember him telling me my hair wasn’t cute, so I started going to his salon,” reflects Norton, now his longtime friend and champion.

For the past six years, she has teamed with decorator Nell Alano to reimagine her home. “Eileen was at a time in her life where she wanted to brighten up her surroundings. She pushed the color,” Alano explains, referring to touches like a sofa’s raspberry velvet upholstery. As for the disposition of the art collection, Alano says, “That’s 100 percent Eileen.”

Although Norton’s appetite for acquisition has slowed in recent years, she’s far from finished. “I’m mostly collecting the work of artists from the generation before Mark Bradford— people like Alma Thomas, Frank Bowling, and Raymond Saunders. They provide a bit of context and historical perspective,” she notes. Norton also continues to support younger artists, particularly ones based in L.A., such as Samira Yamin, Sandy Rodriguez, and Nzuji De Magalhães. Her philanthropic endeavors, channeled through the Eileen Harris Norton Foundation, are similarly focused on the local level. In 2014, she, Bradford, and his partner, activist Allan DiCastro, founded Art + Practice, an organization that provides L.A.’s Leimert Park community with access to art and, in collaboration with First Place for Youth, supports the needs of foster children.

“We wanted to help the high concentration of foster kids in the neighborhood,” Norton explains. “It’s a way of using art to open up a world of creativity and empowerment. I know a little something about that.” —MAYER RUS

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NEW MOON RUGS New Moon is a family owned and operated business, which started as the brainchild of John Kurtz, an artist, a renowned rug historian, and host of the former PBS and HGTV series “Art Underfoot.” It began in 1993, when Kurtz found an extraordinary partner in Nepal who shared his passion for quality and environmentally responsible rugs. Today, his wife and daughters Erika and Josephine bring their skillset to the company, designing and overseeing production of masterpieces, woven in the Tibetan tradition.

Visit newmoonrugs.com

THE MOOD COLLECTION

BY SCAVOLINI With its sleek silhouettes and refined finishes, Scavolini is the leader in kitchen design for the modern home. New finishes, materials, colors, and unprecedented handle options provide a custom, contemporary kitchen aesthetic. Seen here, deep blue is featured in the Mood collection and provides an alternative to black when paired with brass handles and a slate-gray backsplash. Other color options include mustard and blush. Lacquered and glass finishes are available as well.

Find your favorites by visiting scavoliniusa.com

IGNITE THE SENSES Founded by Mark Moussa in 1987, Arteriors has become a go-to resource for unique lighting, furniture, and accessories, beloved by discerning commercial and residential designers worldwide.

The latest collection spotlights a reimagined vision of luxury,

14 YEARS OF DESIGN MIAMI/ Design Miami/ returns to Miami Beach December 5–9, for its 14th edition as the global forum for design, bringing together the most influential collectors, gallerists, designers, curators, and critics. This year, the fair presents 34 galleries and 11 Curio installations, as well as a robust offering of satellites, collaborations, talks, and exclusive events—all located steps away from Art Basel Miami Beach, the premier art show in the Americas.

Stay up to date on the details surrounding the upcoming fair. Visit designmiami.com

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one that celebrates the individual and their unique interpretation of design. From the touch of crushed velvet to the scent of handwoven wicker, each piece awakens the senses.

Explore the collection at arteriorshome.com

STEPHEN KENT JOHNSON

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Sponsor: SCG MiMA Towers LLC, Times Square Plaza, 1500 Broadway, Suite 3300, New York, New York 10036. This is for informational purposes only. The complete offering terms are in an Offering Plan available from the sponsor. CD No. 15-0200. All artist’s renderings are for representational purposes only and subject to variances.

Finishes depicted in artist’s rendering are not necessarily indicative of what is specified in the Offering Plan and not all items depicted in artist’s rendering are included in unit purchase. All renderings of views and exposure to light are for representational purposes only and subject to variances. Sponsor makes no representations as to any view and/or exposure to light at any time or as the same may be affected by any existing or future construction by either Sponsor or a third party.

Pier 70, Winter III 2002

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F I N D L AY G A L L E R I E S 724 FIFTH AVENUE, 7TH FLOOR, NEW YORK, NEW YORK 10019 • (212) 421 5390 165 WORTH AVENUE, PALM BEACH, FLORIDA 33480 • (561) 655 2090 W W W . F I N D L AY G A L L E R I E S . C O M k :ƚƼ ƼƲ )Ƣ Ƨ Ć? ĆĽ ƚƲ * ƚƼ ĆĽ Ćž ĆŤ Ƣ Ćž ĆŹ , Ƨ Ć­ Ćž ĆŤ Ƨ ƚƭ Ƣ ƨ Ƨ ƚƼ , Ƨ Ćœ 1ƨƯ Ćž ĆŚ Ć› Ćž ĆŤ Ć ĹżĆ€Ć‡

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PAULA DELMANTO Sentiment - Stayed Wood and Silicone Wire An artist based in São Paulo bringing strong references of urbanization in her sculptures.

NEIL KERMAN Untitled - Acrylic on Canvas Brooklyn based artist focusing on the brilliance of art and design towards integrating a well-balanced yet cutting edge aesthetic.

ANNA HOPFENSBERGER Five Ballerinas - Oil on Canvas Expressing a social context and theme on the reflection of art and life.

PAULA DELMANTO Organicity Amber - Resin

ANNA HOPFENSBERGER Two Pieces Watermelon Oil on Canvas

EDDIE MOSLER Interior Transmutation - Acrylic and Oil on Canvas Mosler's art transmits a visionary interpretation of opulent synchronicity and inner consciousness through effervescent colors.

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HÄSTENS BEDS FOR WHATEVER YOUR DAY BRINGS

We all need to sleep. To survive, you can really sleep on anything: bare soil, a stone floor, a blanket, a foam mattress, in a hammock, or in your bed. But what’s the point of merely just surviving? It’s about your quality of life—how you feel, both in mind and body, in your waking hours. It’s during this time that you’ll notice how well you’ve slept. If your resting place really allows every part of your body to have its essential rest and recovery or if it secretly steals energy and, in turn, enjoyment from your day.

Hästens manufactures world-class, handcrafted beds. What you experience as a comforting embrace when springs, horsetail hair, wool fibers, cotton tassels, pieces of

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Transforming the notion of lighting and décor for both interiors and exteriors is the forte of KingsHaven. This involves conceptualizing innovative product designs to enhance how illumination and shapes interact in traditional, transitional, and contemporary spaces.

KingsHaven proudly introduces a new standard in lifestyle lighting and décor with a distinctly original offering that combines luxury lighting, fine furniture, and decorative accessories in a perfect blend of harmony and design.

Each KingsHaven lighting fixture or other exquisite accent is created with exceptional craftsmanship by talented, worldwide artisans. Hand-forged iron and wood-crafted choices range from historic reproductions of fine European antiques to highly creative modern designs. Many elegant, in-stock selections are available to satisfy specific design solutions and for expedited shipping. KingsHaven’s extensive options for lighting and

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furnishings include made-to-measure sizes, bespoke finishes, and fully custom designs.

KingsHaven’s enduring perspective is focused upon the thoughtful style blending of old and new, spanning both curated and created offerings of eye-catching beauty and hand-chosen quality.

Learn more at KingsHaven.com.

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50 SCOLLARD EXQUISITE LIVING SPACES

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Located in Toronto, this 41-story Foster + Partners—designed condominium by Lanterra Developments features 64 masterfully created residences that are at the intersection of elegance and evolution—where innovative design supports a true sense of home.

Soaring ceilings, generous floor plans, and sumptuous materials like European marble and hardwood floors make for an interior aesthetic that embodies luxurious living, as does direct elevator access and breathtaking East to West through-views. And, of course, no home is complete without a dream kitchen—and 50 Scollard has them. Iconic Italian kitchen brand Dada makes its Toronto debut alongside top-of-the-line Gaggenau appliances, creating inspired gourmet spaces. Choose a plan appointed with thoughtful fixtures like built-in wine refrigerators and double kitchen islands—details that enhance the form and function of the space, turning the kitchen into the perfect backdrop for cooking and entertaining in the modern home.

1. RESIDENTIAL FOYER 2. THE VIEW FROM THE DINING ROOM 3. THE WELL-APPOINTED RESIDENT LOUNGE 4. THE OUTDOOR TERRACE WITH A LUXURIOUS HOT TUB

50 Scollard is now accepting appointments. Secure your place at fiftyscollard.com or call 416-929-6206. For more information on this and other luxury properties, visit lanterradevelopments.com

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Reaching 41 storeys skyward, this Yorkville tour de force is the epitome of highly individualized luxury. Conceived by world famous London architect, Foster & Partners with interiors by the acclaimed interior design firm, Studio Munge, this is the embodiment of luxury complimented by a suite of amenities unsurpassed in North America. Consider this is your opportunity to own your piece of the legend that is 50 Scollard. There are only 72 exclusive one, two and three-bedroom residences from 1,452 square feet and are priced from the low $3 millions.

FI F T YSCO LL AR D.CO M | I N FO @ FI F T YSCO LL AR D.CO M | 416 .929. 620 6 M O N D A Y-T H U R S D A Y 1 2 - 6 , S A T U R D A Y & S U N D A Y 1 2 - 5 | A P P O I N T M E N T S R E C O M M E N D E D

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ABC CARPET & HOME ALCHEMY RUG COLLECTION

Venture out of the ordinary and into a desert oasis with the one-of-a-kind rugs from the Alchemy rug collection at ABC Carpet & Home, where design and nature combine to create unexpected magic—a prism of duality.

Experience the genesis of design, where expert craftsmanship and rare beauty are revealed by the artisans who meticulously create each rug by hand. In the collection, traditional motifs and recycled yarn are transformed through spontaneous, painterly color, evocative of the surreal desert sky with an eco-conscious perspective.

1-3. SILK AND WOOL RUGS FROM THE ALCHEMY COLLECTION

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A DISTINCT SENSE OF TASTE Taking inspiration from its neighborhood, Andaz Ottawa ByWard Market brings the local experience to life through the senses.

Savor new Canadian cuisine at feast + revel, be inspired by works of Canadian artists displayed among the interiors, or scan the cityscape from Copper Spirits & Sights rooftop lounge—one of the city’s tallest rooftop bars with some of the best views of Ottawa.

Immerse yourself in the culture from the moment you arrive.

Scan the Spotify code and listen to a special playlist that embodies the upbeat energy of the neighborhood.

Open your eyes to the glimmering lights of the skyline, with a prominent view of Parliament’s majestic silhouette.

Scratch & Sniff the firepit to be transported to this cozy rooftop nook, fragrant with smoke and simmering embers.

Feel the city’s essence in thoughtful copper details found throughout the hotel experience, like this gorgeously crafted water pitcher.

Taste the freshness in dishes like chef Stephen La Salle’s Open Sky Chicken and Lamb Poutine— elevated spins on Canadian classics—that reflect the local bounty.

D i s c o ve r A n d a z O t t a w a B y Wa rd M a r ke t a n d i m m e r s e yo u r s e l f a t A N DA Z .C O M

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INTERIORS BY STEVEN G. INC. Residential|Commercial Hospitality

PROJECTS | MODELS: South Beach at Long Branch, NJ Privé Pier 27|Toronto Orange Theory Corporate Marina Palms Turnberry Ocean Club Aventura Park Square Merrick Manor Intown St Regis, Bal Harbour Sereno, Bay Harbor 321 Waters Edge Galleria Lofts Riva The Ocean Sabbia Beach Icon Las Olas Las Olas River House Adagio Tower 155 Vista Blue Echo Aventura Pink Palm Properties Parque Towers Brickell House Centro Ritz Carlton Residenses The Plaza at Oceanside Trump Hollywood Blairs East, Maryland RESIDENTIAL LOCATIONS: Throughout Florida Houston, Midland, TX Luanda, Angola Mahwah, NJ Washington Virginia, Greenwich, CT Naples, Sarasota, FL Montreal Oyster Bay Cove, NY Michigan Hamptons Manhattan, NY North Carolina Des Moines, IA Chicago, Los Angeles Maryland, Trinidad Tobago, Saudi Arabia Honduras, Barbados Sao Paulo, Brazil Panama PROJECT DESIGNERS: Steven G with Eddie Balaban and Eva Inglera PROJECT: Private Residence Prive at Island Estates

PHOTOGRAPHY: Barry Grossman

BIOGRAPHICAL PROFILE: Steven Gurowitz ASID IIDA Born in New York Resident of Florida|1972

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One Stitch at a Time M ore and more people are taking up stitching. It seems surprising that such a traditional pastime should be back in fashion but in our busy world this has to be one of the best ways to unwind. Like all the best hobbies it can be picked up and put down whenever you want.

Like reading a book you do it at a pace to suit yourself and with only one simple stitch involved you don’t need to be an expert to get started.

At the end of the day you have something unique and personal you have made for yourself.

The design is printed in color on the canvas. The kit itself comes complete with all the 100% pure new wool packed by color for easy identification, a needle, a simple instruction booklet, the 100% cotton canvas and a color chart as an additional guide if required.

AUTUMN TREES Margaret Murton. 18” x 11”. 12 holes to the inch canvas. $120 now $95.00

PEACOCK Kaffe Fassett.

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ECHINACEA Magie Hollingworth. 19” x 11.5”. 10 holes to the inch canvas. $120 now $95.00

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THE FAMILY’S CAT, DAVID, SITS IN A JOHN POPE DESIGNS ROCKING CHAIR CUSHIONED IN VINTAGE SUZANI FABRIC. VINTAGE MALM FIREPLACE. OPPOSITE HAAS, BEL (WEARING A GUCCI DRESS AND BALENCIAGA SHOES), AND SON FOX, AT THE HOME’S ENTRY. FOR DETAILS SEE RESOURCES.

HAIR BY TERRI WALKER FOR THE VISIONARIES AGENCY; MAKEUP BY SANDY GANZER FOR FORWARD ARTISTS USING CHANEL

Bohemian Rhapsody

Designer Nikolai Haas and stylist Djuna Bel conjure an idiosyncratic wonderland in Los Angeles. Baby Fox approves.

TEXT BY

MAYER RUS

PHOTOGRAPHY BY

JASON SCHMIDT

STYLED BY

MICHAEL REYNOLDS ARCHDIGEST.COM

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ABOVE IN THE KITCHEN, HAND-CARVED WALNUT SEATING BY THE HAAS BROTHERS SURROUNDS A CUSTOM TABLE BY HAAS. ON FLOORS, BACKSPLASH, COUNTERS, AND TABLE, PELE DE TIGRE MARBLE; HAAS BROTHERS VASE. OPPOSITE A CUSTOM SOFA BY HAAS CURVES ACROSS THE BACK DECK.

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re you a werewolf or a villager? That question comes up with surprising regularity in the fairy-tale Los Angeles abode of designer Nikolai Haas and fashion stylist Djuna Bel. For the uninitiated, Werewolf is a popular role-playing party game centered on lies and deceit. “It sounds supergeeky, but it’s incredibly fun. When we host game night, all sorts of actors, musicians, businessmen, and young assistants come to play.

It’s a great way to meet people from different worlds,” Haas explains with unabashed enthusiasm.

That same sweet, boyish spirit animates the home he and Bel have painstakingly created over the past few years. A magical mash-up of hippie hut and high design, the house is almost unrecognizable from the dated 1985 structure the couple purchased in 2015 in the burgeoning (i.e., rapidly gentrifying) L.A. neighborhood of Highland Park. “It felt like someone who still uses floppy disks lived here. We essentially rebuilt everything to make it feel like us,” the designer recalls.

The transformation of the residence—accomplished largely

by Haas and his friends carpenter Lauren Mollica and furnituremaker John Pope—involved removing unnecessary walls, adding decks and gardens, and redoing the floors and fixtures, all in the service of making it more amenable to socializing and enjoying the great outdoors. “There are people here all the time, which is how we like it. The house is made for awesome parties, cooking and eating, and just hanging out with friends,” Haas says.

Hints that the space was crafted by a Haas are not hard to find. All the stonework in the kitchen, bathrooms, and decks was made with the same pele de tigre marble that Haas and his twin brother, Simon, use to fabricate the sprightly furniture, fixtures, and sculptures that, at least in part, have elevated the duo to superstar status in the contemporary-design world.

There are signature Haas Brothers designs throughout, including the hand-carved walnut furniture in the kitchen, ceramic accretion vases with porcelain slip, and bronze sculptures that look strangely similar to the Road Runner’s feet. Haas himself handcrafted the voluptuous walnut column on the upper stair landing and the footed bed in the master suite, the concrete pizza oven in the outdoor kitchen, and the whimsical frog-faced toilet seat in the pink powder room.

“We’re both really open to each other’s taste,” Bel says of the home’s bohemian-luxe aesthetic. “I come from a fashion background, and Niki definitely put the kibosh on some of the more kitschy stuff and unpedigreed vintage pieces I suggested.

In the end, I think he’s gotten a little less snobby, and my taste has become a bit more refined,” she adds.

Many of the choicest furnishings—including a Wendell Castle mirror, a Sergio Rodrigues lounge chair, and Jeff Zimmerman glass light fixtures—came from R & Co., the New York–based decorative-arts dealer that represents the Haas Brothers. “Evan [Snyderman] and Zesty [Meyers] have supported us all through our crazy ride, so it’s great to have pieces that are connected to them. Everything in the house comes from a place of love, which is really cool,” Haas notes.

The indulgent, marble-clad master bathroom, which looks out on the Angeles National Forest and San Gabriel Mountains, represents a true meeting of the minds for Haas and Bel. “We wanted it to feel like a spa experience. We both love taking nice, long baths, either in our bathroom or in the marble tub on the back deck. We like to pamper ourselves,” says Haas.

The one wrench, if that’s the word, in the design scheme was the unplanned arrival of the couple’s infant son, Fox, a year ago. “We built this house for two adult, career-oriented people. There were no railings, and we turned one bedroom into a closet and another into an office. We weren’t thinking about babies, but now the railings are back and the office has become Fox’s room,” Bel says.

The appearance of Fox—an enchanted sprite if ever there was one—only adds to the romantic, hippie-chic ambience that pervades the house. “We’re basically never dressed when we’re at home. We placed all the windows so that we can enjoy the views but people can’t see inside,” Haas says of the couple’s back-to-nature lifestyle. Nevertheless, the FedEx and UPS delivery people occasionally get an eyeful. “Niki’s a bit of an exhibitionist, and I just like to be comfortable,” Bel observes.

“It is what it is. We have to be ourselves.”

OPPOSITE, TOP THE MASTER BATH IS SHEATHED IN PELE DE TIGRE MARBLE. SCONCES BY STUDIO JOB. BOTTOM ACRYLIC PANELS BRING COLOR TO THE MASTER BEDROOM DECK. HAND-CARVED TABLE AND STOOLS BY HAAS.

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“I think he’s gotten a little less snobby, and my taste has become a bıt more refined.” —Djuna Bel

BEL AND FOX LOUNGE IN THE LIVING ROOM. THE FIR SOFA IS COVERED IN CUSHIONS OF BUFFALO LEATHER. LAMP (TOP LEFT) BY ENTLER; HAND-BLOWN GLASS SCULPTURE (CENTER) BY JEFF ZIMMERMAN FROM R & CO.

“Everything in the house comes from a place of love.”

—Nikolai Haas

ABOVE A FAMILY SOAK IN THE OUTDOOR MARBLE BATH, WHICH WAS HAND-CARVED BY HAAS. OPPOSITE A CUSTOM CASHMERE QUILT BY THE ELDER STATESMAN COVERS A WALNUT BED BY HAAS. JEFF ZIMMERMAN GLASS PENDANT; ABOVE BED, ART BY THE HAAS BROTHERS.

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A BLUE LAMP

BY KATIE STOUT; PRICE UPON REQUEST. R-ANDCOMPANY.COM

3-GLOBE CERAMIC CHANDELIER; $2,125. ENTLER.CO

This house reflects where Djuna and I are in our careers and our life together.” —Nikolai Haas

HAAS CARVED THE WALNUT SUPPORT BEAM IN THE STAIRWELL. JEFF ZIMMERMAN ILLUMINATED SCULPTURE.

$1,100.

BENMEDANSKY.COM

CATALINA SUZANI FABRIC BY OSCAR DE LA RENTA FOR LEE

SUZANI PILLOW COVER SP47; $70. BLACKFIG DESIGNS.COM

AN ENTLER CHANDELIER AND A DAVID BLACK PHOTOGRAPH HANG IN THE GUEST BATH. PRODUCED BY M ADELINE O’M ALLEY

VINE ILLUMINATED SCULPTURE BY JEFF ZIMMERMAN; PRICE UPON REQUEST. R-AND-COMPANY.COM

THE ELDER STATESMAN CASHMERE BLANKET; $7,425. ELDERSTATESMAN.COM

MALM FIREPLACE; FROM $2,800.

DWR.COM

LYNDA PLATE BOX BY THE HAAS BROTHERS FOR L’OBJET; $450.

INTERIORS: JASON SCHMIDT; 3-GLOBE CERAMIC CHANDELIER: MARIAH WYNN; A BLUE LAMP, VINE ILLUMINATED SCULPTURE, MANGO SCULPTURE, AMERICAN STOOL: JOE KRAMM/COURTESY OF R & CO.; TRAX VESSEL: ALEX MARSH KING; SUZANI PILLOW: EUGENE DOLGUSHIN; ALL OTHERS COURTESY OF RESPECTIVE COMPANIES

HAND-THROWN BEYONCLÉ SCULPTURE BY THE HAAS BROTHERS; PRICE UPON REQUEST. R-AND-COMPANY.COM

We’re not

NATURAL SHEEPSKIN RUG; $495. RH.COM

A HAAS BROTHERS PELE DE TIGRE MARBLE SINK IS OUTFITTED WITH REJUVENATION HARDWARE.

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Transformed by designer Tony Ingrao, a Greenwich Village townhouse becomes the ideal setting for one family’s outstanding collection of contemporary art

THE LIVING ROOM OF ALLISON AND WARREN KANDERS’S NEW YORK CITY TOWNHOUSE FEATURES CONTEMPORARY ARTWORKS BY (FROM LEFT) CHRISTOPHER WOOL, JEFF KOONS, GABRIEL OROZCO, PAUL MCCARTHY, AND RUDOLF STINGEL ALONGSIDE VINTAGE FURNITURE. FOR DETAILS SEE RESOURCES.

MICHAEL BOODRO

PHOTOGRAPHY BY

THOMAS LOOF

STYLED BY

HOWARD CHRISTIAN

JEFF KOONS, GAZING BALL (BARBERINI FAUN), 2013 © JEFF KOONS

TEXT BY

ON VIEW

LIGHTING BY JEFF ZIMMERMAN HANGS ABOVE THE VINTAGE RENÉ-JEAN CAILLETTE DINING TABLE AND JOAQUIM TENREIRO CHAIRS. PAINTINGS BY LAURA OWENS (LEFT) AND ED RUSCHA. OPPOSITE A VINTAGE FRANK STELLA RUG DECORATES A SEATING AREA. PHOTOGRAPH (LEFT) BY CINDY SHERMAN; ARTWORK (RIGHT) BY RUDOLF STINGEL.

JEFF KOONS, DETAIL OF GILDED BIKINI (BLUE SEQUINS), 2012–14 © JEFF KOONS

A

s virtually any artist will tell you, art can change your life. Collectors are just as likely to tell you that it will change your style, as well. And there is no better example than Allison and Warren Kanders.

They bought their first house in Greenwich, Connecticut, 22 years ago, and hired Mica Ertegun to imbue the Colonial Revival home with her classic elegance (AD, October 2001). But the couple’s taste was evolving, and their art collection was growing.

“It’s hard to hang contemporary art on walls with moldings,” says Allison. So a dozen years later they turned to Joe Nahem for a refresh (AD, June 2013).

Five years ago, art again spurred a change, the family’s biggest yet. “I found I was coming into New York City almost every day, to go to artists’ studios and galleries,” explains Allison, who cochairs the painting and sculpture committee of the Whitney

Museum of American Art, where Warren serves on the board. So they and their three school-age children decided to commit to the city full-time, retaining their Greenwich place as a weekend retreat.

Though Allison admits she longed for a doorman and a view, “Warren and the kids love downtown.”

They ultimately chose a five-story townhouse in Greenwich Village.

The couple turned to Tony Ingrao and Randy Kemper, AD100 designers known for their urbane and almost offhand way of dealing with even the most precious antiques and artworks, to modernize the landmark structure. Ingrao gutted the place, ripping out flooring, removing one of the two living room fireplaces and designing a new staircase. Now a striking set of Jean Prouvé–inspired aluminum sliding doors pierced with portholes separates the living area from the kitchen, which is flooded with sunlight thanks to new overscale windows.

Art, not surprisingly, was a major consideration— specifically having enough wall space for it. “There was a constant discussion of art, from day one,” says Ingrao. “We talked 24/7 about placement. Art for them is number one. Then comes mood and comfort.

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“There was a constant discussion of art, from day one,” says Ingrao. “We talked 24/7 about placement.”

But at the same time, they were adamant that they didn’t want to live in a museum.”

“My instruction to Tony was: Nothing shiny!” says Allison. “I wanted soft textures, I wanted color.

I wanted the place to be cozy. This is Tony stepping out of his box.” But, she notes wryly, “he does know how to read a client. Tony never says no, and I’m not easy.”

The result of the nearly five-year renovation (extended after a major flood midway through) is a master class in creating a space that showcases art but still feels welcoming. Yes, the walls are white, but here they are Venetian plaster, with a subtle sheen. There are broad expanses of wall filled with major works, but the large spaces are broken up with intimate seating groups. The playful custom stair rail evokes the work of Jean Royère, while echoing the radiating lines of the Mark Grotjahn drawings that hang on the wall behind. Floors of reclaimed French wood with a soft-wax finish glow under cloudlike custom light fixtures by Jeff Zimmerman.

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The often-changing array of artworks includes pieces by Jeff Koons, Yayoi Kusama, Laura Owens, Gabriel Orozco, Roni Horn, David Hammons, and Gerhard Richter, among many others. The roster of furnishings is just as impressive, with designs by Pierre Jeanneret, Pierre Paulin, Maria Pergay, and Marc Newson. But as Ingrao points out, “The furnishings mix with 18th-century fabrics and handembroidered pieces. There are lots of textures, but nothing so showy it competes with the art.” The Jeanneret settee and chairs are covered in green hair on hide, the pair of 1972 Pierre Paulin chairs sport mohair, and another sofa is covered in an emerald silk velvet finished with a subtle fringe.

Upstairs, hand-hewn oak cabinetry lines the passageways to the bedrooms, which are studded with even more art, including the children’s bedrooms.

“The kids love this place,” says Allison. “And now they are at an age when they can appreciate it. The one rule is, Do not touch the art!” she adds with a laugh. The master bedroom, a sanctuary of white,

A PUMPKIN SCULPTURE

BY YAYOI KUSAMA SITS ON A TERRACE OUTSIDE THE FAMILY ROOM. OPPOSITE A SCULPTURE

BY UGO RONDINONE STANDS IN THE GARDEN, FOR WHICH ARTIST PAULA HAYES CREATED THE CUSTOM SILICONE PLANTER.

is cocooned with curtains of a thick-woven Isabel Marant wool, evocative of macramé—but far more elegant and luxurious.

Even the garden is a work of art. The Kanderses enlisted artist Paula Hayes, whose landscape-focused work was featured this past summer at the Aspen Art Museum (where Allison is a board member).

“Allison had to twist my arm a bit,” Hayes admits.

“But I loved the collaboration. The garden became more floriferous and more colorful because of her.”

In the small space, a magnificent magnolia, a dogwood, and a delicate Japanese maple contrast with jagged lime-green grasses. Colorful flowers are planted in both traditional urns and Hayes’s signature blobby silicone planters.

“I wanted to live with art,” says Allison, “but I wanted a balance, a place where you don’t see only the art or only the furnishings. This feels like a real home.”

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LUCITE WINE ROOM. WORKS BY DANIEL BUREN (LEFT), PIERRE CHARPIN, AND ANICKA YI DECORATE THE POWDER ROOM VESTIBULE. OPPOSITE A COLORFUL PAINTING BY YAYOI KUSAMA HANGS IN THE BREAKFAST ROOM.

HAIR AND MAKEUP BY ALEXARODULFO.COM USING CLÉ DE PEAU BEAUTÉ

CLOCKWISE FROM LEFT ALLISON, WEARING A DIOR SWEATER AND JEANS, AND TWO OF HER CHILDREN GATHER AROUND THE KITCHEN ISLAND; FASHION STYLING BY MARINA MUÑOZ. INGRAO DESIGNED A CUSTOM

design notes

THE DETAILS THAT MAKE THE LOOK

There are lots of textures, but nothing so showy it competes with the art.”

—Tony Ingrao

RIVER OF PONDS WOOL TAPESTRY RUG BY FRANK STELLA; $52,843.

1STDIBS.COM

CHANDELIER

BY GAETANO SCIOLARI FOR STILNOVO; $9,688.

1STDIBS.COM

IN THE LIVING ROOM, A SETTEE AND CHAIR BY PIERRE JEANNERET FACE A COCKTAIL TABLE BY MARIA PERGAY. ARTWORK

BY MARK GROTJAHN LINES THE STAIRCASE.

STANDARD CHAIR BY JEAN PROUVÉ FOR VITRA; $995.

DWR.COM

PENTON MANTEL IN CARRARA MARBLE; $4,200. JAMB.CO.UK

VIENNA VELVET IN LAVENDER; TO THE TRADE. FABRICUT.COM

ALPHA CHAIR BY PIERRE PAULIN FOR RALPH PUCCI; FROM $21,000.

RALPHPUCCI.NET

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PATHWAY SET OF FIVE TABLES WITH RARE HARD STONES BY TAHER CHEMIRIK; $42,979. 1STDIBS.COM

PRODUCED BY M ADELINE O’M ALLEY

THE KITCHEN FEATURES A CUSTOM HOOD AND OAK MILLWORK. BACKSPLASH TILES BY EXQUISITE SURFACES; VINTAGE PIERRE JEANNERET STOOLS.

BISLEY COTTON IN EMPEROR; TO THE TRADE. DELECUONA.COM

PUPPY (VASE) BY JEFF KOONS; $10,000.

GAGOSIANSHOP.COM

BRACELET POUF

BY MARIA PERGAY; $23,000. DEMISCH DANANT.COM

INTERIORS: THOMAS LOOF; ALPHA CHAIR: ANTOINE BOOTZ; PUPPY (VASE): ROB MCKEEVER/JEFF KOONS, PUPPY (VASE), 1988 © JEFF KOONS; BRACELET POUF: JASON MANDELLA; OVAL MEANDER COFFEE TABLE: CARI VUONG; ALL OTHERS COURTESY OF RESPECTIVE COMPANIES

AMAZONIA EMBROIDERED COTTON; TO THE TRADE. CLARENCEHOUSE.COM

KUSAMA PUMPKIN BY YAYOI KUSAMA; $280.

STORE.MOMA.ORG

I wanted a balance, a place where you don’t see only the art, or only the furnishings.”

—Allison Kanders THE MASTER BEDROOM’S VINTAGE CARLO HAUNER CHAISE LONGUE WEARS A CHAPAS TEXTILES FABRIC. WORKS BY RICHARD PRINCE (LEFT) AND LUTZ BACHER.

OVAL MEANDER COFFEE TABLE BY MATTIA BONETTI; PRICE UPON REQUEST. KASMINGALLERY.COM

FROM A SECONDFLOOR BALCONY, RONDINONE LOOKS OUT OVER THE DECK AND LAP POOL AT HIS HOME ON THE LONG ISLAND SOUND. FOR DETAILS SEE RESOURCES.

LOST HORIZON Artist Ugo Rondinone and poet John Giorno craft a placid Long Island paradise centered on a breathtaking panorama of surf and sky TEXT BY

MAYER RUS

PHOTOGRAPHY BY

JASON SCHMIDT

STYLED BY

MARTIN BOURNE

t

hey weren’t looking for a new house.

In the summer of 2014, artist Ugo Rondinone and his partner, poet John Giorno, were visiting Rondinone’s dealer Barbara Gladstone on the North Fork of Long Island when the gallerist received a call from her real-estate agent rhapsodizing about a home that had quietly come on the market. The house—an awkward yet magnificently situated 1960s structure designed by the original homeowners—was not far from Gladstone’s place, so the group set off on an impromptu scouting trip.

“We already had a house in Sullivan County. This was just for fun. But the view of the sound was unbelievable—an incredible panorama of water and sky,” recalls the Swiss-born, New York– based Rondinone, whose résumé boasts such

monumental public works as the site-specific desert installation Seven Magic Mountains near Las Vegas, and Human Nature, an ensemble of nine colossal stone figures placed in New York City’s Rockefeller Center in 2013. “Also, John had spent a lot of time on Long Island as a child, so for him this house was a homecoming,” the artist notes, describing the siren call of the seaside retreat.

After Rondinone acquired the property, his first impulse was to manipulate the structure to embrace the stunning view through expansive decks, glass walls, and windows. To that end, he enlisted the services of architect Neil Logan, who has worked with many artists. “Architecturally, the house was not very figured out,” Logan says with a touch of diplomacy.

“The circulation was bizarre, and there were lots of dead ends. Ultimately we decided to tear almost everything out and start fresh. The only thing we kept was the stair.”

ABOVE RONDINONE AND GIORNO IN THE STAIRWAY. LEFT LOUIS XV–STYLE CHAIRS COVERED IN LINEN SURROUND AN ANTIQUE TABLE ON THE LANDING. OPPOSITE IN THE LIVING ROOM, AN IKEA SOFA WEARS A JOHN ROBSHAW TEXTILES THROW. RONDINONE-DESIGNED TABLE.

An artist’s home typically carries an additional burden of expectation that it somehow reflect and illuminate the owner’s practice. In the case of Rondinone—whose work varies broadly in medium, scale, and materials, and frequently pivots between euphoria and melancholy—the search for insight is all the more compelling. “One of Ugo’s great talents is sculpture. He has a clear vision about form and space, which he thinks about endlessly,” Giorno says. Logan adds, “Ugo has a very strong design sense. It was important to make the house look and feel like an Ugo work, not a Logan one.”

Perhaps the most eloquent expression of Rondinone’s ethos is the immense deck that stretches out along the sound in the rear of the house, where it encompasses a minimalist lap pool, and to the side of the structure, where it expands into a sprawling podium with apertures meticulously cut around tree trunks and limbs. “I wanted to make a stage for the

trees so that they become the sculpture,” the artist explains. “Also, we didn’t want to step in the grass too much for fear of ticks,” he says on a more practical note.

Inside, the mood is one of exquisite serenity and simplicity. Marine plywood furniture and cabinetry of Rondinone’s design—some lacquered white, others left raw—are juxtaposed with old farm tables and chairs as well as eccentric Louis XV–style antiques stripped of gilding and paint and seemingly bleached by the sun. Many of the vintage decorative elements, like the array of 19th-century oil lamps in the pareddown kitchen, came from Giorno’s mother’s collection. High-low pairings such as IKEA sofas draped in handwoven John Robshaw Textiles throws maintain the unpretentious, beach-friendly ambience.

Only one artist is represented in the house.

Rondinone first discovered the work of Louis Eilshemius, an idiosyncratic, largely overlooked

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LEFT AN ANTIQUE CHURCH PEW, PAINTED RED, SITS IN THE UPSTAIRS HALL. BELOW RONDINONE DESIGNED THE KITCHEN’S RAW WOOD CABINETRY AND SHELVES. LOUIS EILSHEMIUS PAINTING. BOTTOM LEFT A SHADED AREA ON THE DECK.

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“Ugo has a clear vision about form and space, which he thinks about endlessly.” —John Giorno

RIGHT IN THE DINING AREA, ASSORTED FARM CHAIRS SURROUND A RONDINONEDESIGNED TABLE. BELOW A BATH FEATURES DURAVIT SINKS AND FITTINGS BY CHICAGO FAUCETS. RONDINONE DESIGNED THE VANITY. OPPOSITE A VINTAGE TABLE AND STOOLS ON THE DECK.

“I wanted to make a stage for the trees so that they become the sculpture.” —Ugo Rondinone American romantic, at a 2001 exhibition at the National Academy of Design in New York. Mesmerized by Eilshemius’s depictions of moonlit landscapes, alluring nymphs, and dreamy maritime scenes, Rondinone began collecting the work in earnest and now owns about 40 of his paintings. “They felt right for this house,” the artist declares.

Both Rondinone and Giorno maintain studios at their North Fork home. Rondinone works in a separate high-ceilinged pavilion situated on the property, while Giorno, whose text-based practice has expanded into drawing and painting, occupies a studio directly off the kitchen. “I can work anywhere, but this place is genuinely inspiring,” says Giorno, who is currently finishing a much-anticipated autobiography that tracks his peregrinations through the worlds of contemporary art, Tibetan Buddhism, and queer sexuality.

With a slate of upcoming exhibitions and shows currently on view across the globe, Rondinone relishes the quiet comfort of his seaside refuge. “The house still looks a little too minimal, but it will continue to grow and evolve,” he says, surveying his domain.

“But it’s a perfect place to sit and do nothing. It’s not about entertaining a houseful of people. Right now it’s something private, just for us.”

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PORTUGUESE FLOWER DINNER PLATES (AVAILABLE ONLINE FROM CABANA MAGAZINE; CABANAMAGAZINE.COM, AS WELL AS AT THE KRB POP-UP SHOP IN NEW YORK CITY) ON CLOVER HANDWOVEN PLACE MATS. OPPOSITE CAROLINA IRVING AT HOME IN PARIS.

MAKEUP BY CAROLE COLOMBANI

TABLE FOR THREE

With a new tabletop collection, super-stylist Carolina Irving and her daughters set the scene with rustic, Mediterranean charm TEXT BY

JANE KELTNER DE VALLE

PHOTOGRAPHY BY

AMBROISE TÉZENAS

PORTRAIT BY MARKUS

JANS

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t

he irony of Carolina Irving’s latest project isn’t lost on her: “Everyone and their mother are doing tabletop,” says the Venezuelan-descended, Paris-based tastemaker who this month—with adult children Olympia and Ariadne—introduces tableware aptly named Carolina Irving and Daughters. “There’s an appeal to having a beautiful table. People are wanting to entertain at home again, which is miraculous.”

Even as Instagram tablescapes hijack our feeds, there’s a poetic, Old World mystique that sets the Irvings’ collection apart. Place mats are woven on ancient looms in Portugal by, as Irving describes it, “little old ladies in their backyards.” Black terracotta plates feature a swirl technique practiced by only one man in Spain, whom she tracked to a small village after an endless Google search. (“He didn’t have a telephone number. There was no trace of him.

I went to the post office and said, ‘Do you know this guy?’ ”) Everything, from the rustic glazed candelabra to the speckled-seashell bread plates, is handcrafted, though Irving is quick to point out that there will be enough for all: “I find it so frustrating when you go into a store and can’t take something with you.” (On that note, scoop it up quickly: Her first collection will be available at a pop-up at KRB in New York City from December 4 to 8.)

With Olympia and Ariadne living in London (the former works for Robin Birley of 5 Hertford Street notoriety, the latter for Cabana magazine), the preferred form of communication is photo sharing. “We all have thousands of images saved on our phones.

Funnily enough,” Irving says, “we tend to like the same things.” Their current obsession isn’t anything you’re likely to find on social media, though. “We’re very inspired by history,” she explains, referencing Francisco de Zurbarán, the 17th-century Spanish artist whose chiaroscuro still lifes depicted toothsome dining milieus. “If my table could look like that. . . .”

Irving sighs. “For me, it’s perfection.”

TOP ZIGZAG AND WREATH TERRACOTTA DINNER PLATES WITH OTTOMAN CANDLESTICKS. BOTTOM WHITE-ANDALGAE DINNER AND DESSERT PLATES. OPPOSITE SPANISH ARIADNE PLATE WITH HIVE HANDWOVEN PLACE MAT.

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STUDIO VISIT

An expansive space in Brooklyn gives Urs Fischer plenty of room to contemplate the meaning of art and life TEXT BY

JULIE L. BELCOVE

PHOTOGRAPHY BY

YOSHIHIRO MAKINO

ABOVE FISCHER’S STUDIO SPACE IS FULL OF PROJECTS IN VARIOUS STAGES OF COMPLETION. AT FRONT LEFT, A FOAM MODEL FOR DASHA, A LARGE-SCALE CANDLE. OPPOSITE FISCHER IN THE LOUNGE. PORTRAIT BY FISCHER ABOVE A SECTIONAL BY FLEXFORM; BIRD DRAWING BY SPENCER SWEENEY. FOR DETAILS SEE RESOURCES.

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© 2018 ADAM MCEWEN/ARTISTS RIGHTS SOCIETY (ARS), NEW YORK

CLOCKWISE FROM TOP LEFT FISCHER’S DAZZLED, A PAIR OF SCULPTURAL EYES. A VIBRANT VINTAGE PERSIAN RUG DEFINES FISCHER’S WORK SPACE; LAMP BY FRANZ WEST. WORKS IN PROGRESS. THE STUDIO OPENS ONTO A COURTYARD.

The daily ritual is but one way the Swiss-born Fischer has strived to make the cavernous Brooklyn space where he creates his irreverent sculptures and installations feel not only like a home but much more fun. “We spend our days in warehouses, half of our life, so let’s try to make it a little bit pleasant,” he says in heavily accented English.

Since moving his operation a decade ago to this nondescript building steps from the waterfront in Red Hook, Fischer has directed a complete overhaul.

Ten skylights now help brighten the 20-foot-tall main room. From the elevated kitchen and dining area, reached by an elegantly minimal wooden staircase, Fischer has a master-of-the-universe view of works in progress: models of abstract, hand-squeezed clay sculptures that will scale up to 45 feet; tables covered with snail shells that he’ll program to crawl on the floor, leaving snail-trail drawings of faux mucus.

Houseplants abound, and a glass wall opens onto a garden, formerly a truck lot.

The tattooed and powerfully built Fischer started out designing theater and film sets in Amsterdam in the 1990s, so it’s probably no coincidence that the 24,000-square-foot studio feels like a soundstage, with clearly defined sitting areas that resemble vignettes for scenes interspersed with plenty of open space for working. “Thoughts need room, too,” he says. A long, low bronze velvet sofa stretches along one wall, looking like it was hijacked from a downtown club.

Tables and chairs are dotted throughout, some, like a red-and-gray-checked example, of Fischer’s own design. In the enormous back room, which his staff refers to as “Urs’s studio,” a corner is given over to his extensive library, along with a cozy grouping of curvy, pale-gray couches and chairs. One chaise longue is draped with a blanket, his preferred spot for napping.

The urge to work comes and goes. Fischer has just wrapped up a busy few months, with two shows opening at two Gagosian galleries within days of each other this past September. He has long been hanks to a surprisingly interested in kinetic sculpture—he remembers being engrossing conversation wowed by a Bruce Nauman carousel of body parts about recipes with his taxi in 1991—and Play is his latest experiment with motion. driver this morning, Urs Fischer is craving chickpeas. Shown at Gagosian New York, the installation consists of a roomful of cheerfully colored office chairs And thanks to the presence of his private chef and a well- zooming around in a semi-choreographed dance, which is altered by the viewer’s presence. Equipped stocked pantry, Fischer is with sensors, the chairs seem to seek out human now sniffing a pan of them interaction but stop short of making contact. sizzling with tomatoes on Fischer has always made room for humor in his the stove. He spoons a taste into his mouth and nods art, beginning with his breakthrough piece, Rotten with approval. Next he grabs a large square of feta cheese drizzled with olive oil and downs it in one bite. Foundation (1998), a cinder-block wall perched atop decaying produce. “Humor is how we get through It’s almost lunchtime in the artist’s studio, and that the day, no? Otherwise it gets a little grim,” he says, means a hearty meal whipped up by the chef and the screechy chirping of two parakeets providing a shared at a communal table with Fischer’s staff and, live soundtrack. often, a few invited friends.

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“Humor is how we get through the day, no?” says Fischer. “Otherwise it gets a little grim.”

Fischer is also a provocateur. His Gagosian show in London featured a single subversive piece: an idealized sculpture of Dasha Zhukova, the glamorous cofounder of Moscow’s Garage Museum of Contemporary Art—in the form of a candle. At the opening, the wick was lit, leaving the wax simulacrum of his friend to slowly melt into an abstract jumble of color over the course of the seven-weeklong exhibition. Dasha is the latest in a series of candles of art-world icons, including Julian Schnabel and a copy of Giambologna’s The Rape of the Sabine Women, that Fischer has both created and destroyed.

Sometimes, he admits, his work is blatantly attentionseeking. “It doesn’t just want to be there in the corner,” he says.

Though Fischer studied photography, he disdains art school, calling it a “terrible thing for art,” which he insists cannot be taught. “There is the religious scholar and the believer,” he says by way of comparison. “Making art, you are the believer.”

Fischer goes by his gut. When he was still emerging, he built a house out of bread on a public square in Vienna. The way he tells it, the piece wasn’t all that symbolic. “I was just thinking of a house of bread,” he says. “In Switzerland there are a lot of wooden houses. They kind of look like bread.” But locals were incensed. “For them, it was the body of Christ,” since they interpreted it as a reference to Jesus’s declaration “I am the bread of life.” Some were also outraged that he’d wasted perfectly good food, though he’d recovered the loaves from an industrial bakery’s dumpster. “They hated me,” Fischer says.

He subsequently remade the piece in New York at Gavin Brown’s Enterprise, where the difference in the reaction bemused him: “It was all about carbs.”

Judging by the in-process paintings leaning against a wall, stacks of prints, and samples of materials, one can see Fischer has no shortage of ideas percolating.

But don’t expect him to keep at it for life. “What’s the point?” Fischer says. His outside interests are broad, from music and dance to food. “My goal is to one day not make art anymore. I think that’s the ultimate goal. It’s like art is to some degree an exoskeleton.

Maybe one day I don’t need it.”

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RIGHT AN ANGUS FAIRHURST BRONZE GORILLA STANDS IN THE COURTYARD. LANDSCAPE DESIGN BY MELISSA BRZUSZEK OF MIZUTAMA STUDIO. BELOW THE PLANTFILLED MEZZANINE ABOVE FISCHER’S ARCHIVE. CHAIRS BY RON ARAD.

CLOCKWISE FROM ABOVE AN ABSTRACT WORK BY SPENCER SWEENEY HANGS IN THE LIBRARY; SEATING BY MASSPRODUCTIONS IN A KVADRAT WOOL; VINTAGE COCKTAIL TABLE. A PLASTER MOCK-UP FOR A PAST PROJECT. AN OVERSIZE FLOOR LAMP BY LEUCOS TOWERS OVER AN ARMCHAIR.

ARTISTIC FREEDOM

Jorge Pardo crafts a vibrant, bright-hued dream house in Mérida, Mexico TEXT BY

ARTIST JORGE PARDO IN HIS HOME’S LUSH GARDEN. OPPOSITE PARDO DESIGNED THE LACE CURTAINS, PENDANT LAMPS, TILE FLOORING, AND COLORFUL DOORS AND WINDOWS THROUGHOUT. FOR DETAILS SEE RESOURCES.

EVE MACSWEENEY

PHOTOGRAPHY BY

JASON SCHMIDT

RIGHT AN EXTERIOR STAIRCASE, WITH TILEWORK BY PARDO, LEADS FROM THE GROUND FLOOR TO THE BEDROOMS. OPPOSITE NATIVE PLANTS HANG OVER THE POOL, MADE OF CHUKUM, MAYAN STUCCO.

J

orge Pardo loves to build. And the Cuban-born artist, who divides his time between New York City and Mérida, Mexico, has been doing it a lot lately.

This fall he’s put the finishing touches on a sprawling, inventive compound for the publisher Benedikt Taschen in Malibu, and on L’Arlatan, an exuberant hotel in Arles, France, commissioned by the Swiss pharmaceutical heiress and art patron Maja Hoffmann. The hotel takes its place close to Hoffmann’s Luma Arles, a contemporary-art complex adapted by Annabelle Selldorf from a former 19th-century train factory and

anchored by Frank Gehry’s spectacular Arts Resource Center, which will be completed in spring 2020.

And then there’s Pardo’s own place, a walled oasis in the Yucatán capital. Mérida, where he set up a studio in 2013, suits the artist’s love of both scale and artisanal workmanship. Here, for example, he can source traditional ceramic tiles, one of his most cherished materials, cut and colored to his limitless, unbridled specifications. “It’s like a playground for me,” he says.

When he bought the property, it was little more than a crumbling façade and a big, empty lot proportioned, like many traditional Mérida houses, to extend deeply rearward from its narrow street frontage, “like a football pitch,” says Pardo, “45 feet wide

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IN THE KITCHEN, PARDO’S GIRLFRIEND, ALEXIS JOHNSON (LEFT), AND HIS DAUGHTER, PENELOPE, SIT AT A BIRCH TABLE BY THE ARTIST. HE ALSO DESIGNED THE CABINETRY.

and 300 feet deep.” Built flush with the sidewalk, this footprint gives these historical residences a deceptively modest aspect, until they open, Narnialike, to reveal inner gardens, courtyards, and quarters stretching luxuriously into the distance.

The cut of the original stones in Pardo’s façade suggests that the building dates from the 17th century.

The local conservancy required him to maintain its nearly 20-foot ceiling height, something he turned to his advantage by creating a soaring, formal entertaining space. Here, the artist’s interventions add to the room’s magic: A table he made, inlaid with skulls at its corners—“I wanted the furniture to have some ornamentation,” he says—comfortably seats 16; one wall is almost entirely covered by a rendering of a Willem de Kooning painting, digitized and simplified in the studio, then scaled up and filled in “kind of like a paint-by-numbers process”; the bank of patterned

“I love that you have to walk through the entire garden every day,” says Pardo. geometric windows leading to the interior gardens is draped with printed fabrics and Chinese-made lace bought locally and layered to create surprising tones and iterations of color. “Singularly, they wouldn’t be as interesting,” Pardo observes. “Doubled up, they are complementary or dissonant.”

Beyond the entrance building, which includes a catering kitchen and Pardo’s beloved wine cellar, he was free to build as he wished. The result? A succession of three structures, punctuated by lawns, trees, and a pool that can be accessed either from outside or directly from the living area. “I wanted to make a place where you didn’t ‘go’ to the garden, but you’re in the garden,” he says, pointing out that a lot of houses have yards at the back, with the result that they’re not much used. “I love the idea that you have to walk through the entire garden every day as you go in and out of the house.” Planted with banana and mango trees, cacti, chilli bushes, birds-of-paradise, and other native species, the garden is so lush and rapid in its growth that it “rescales itself every six to eight months,” he says. “You weed it out, move things that don’t work.”

The central block, where, says Pardo, “I spend 90 percent of my time,” contains the day-to-day kitchen and living area. A large screened room open on both sides, it’s “like a birdcage that’s really nice to be in.”

(Indeed, the house’s running soundtrack features the high-pitched whoops and trills of tropical birds making their airborne rounds.) Pardo is a gifted chef

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LILLY, THE FAMILY PUG, SITS IN A SUN-DRENCHED ROOM, WHERE PARDO DESIGNED THE ENGRAVED COCKTAIL TABLE AND SIDE TABLE WITH ACRYLIC AND MIRROR INLAYS.

ABOVE MASTERFULLY GRIDDED WINDOWS RISE TO MEET THE NEARLY 20-FOOT-TALL CEILINGS. OPPOSITE FOR THE LOUNGE ROOM WALL, PARDO CREATED A MURAL INSPIRED BY A WILLEM DE KOONING PAINTING. SOFAS AND SIDE TABLE BY PARDO.

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ABOVE THE MASTER BEDROOM FEATURES A BED BY PARDO AND CURTAINS MADE FROM LOCAL FABRICS. OPPOSITE SHADES OF TEAL ENLIVEN THE MASTER DRESSING ROOM.

and generous host to frequent visitors. “It can easily handle eight,” he says of the house, which includes five guest rooms in the bedroom block at the rear.

The kitchen is equipped with a commercial refrigerator trimmed with LED lights, of the kind you might see in a convenience store, and an industrial-size air vent “because,” he says, “I like to cook with fire.”

The ceiling height here—just over 13 feet—is slightly less extravagant than that of the entrance space, yet still optimal for showcasing the constellations of Pardo’s laser-cut pendant lamps that hang in semirandom color-grouping formations throughout the house, their shapes and colors inspired by different fruits, such as papaya and cacao pods. And then, of course, another Pardo signature: floors reimagined as abstract paintings, designed on the computer and carefully reproduced underfoot using vibrant ceramic tiles. Pardo worked from a palette of six or seven colors in the different buildings, giving each its own character. A staircase and terraces in the bedroom block, for example, are made up of celestial

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pale blues and greens, suggesting a borderless dimension between garden and sky.

Prototypes of wooden rocking chairs from L’Arlatan are arranged on an outdoor terrace, and tables, vases, and other furniture pieces from experimental editions are scattered around, giving Pardo’s interior a playful, informal air. He’s so at ease here, it’s hard to imagine this is not his lifelong home. Asked if Mérida holds some resonance for him of Cuba, he thinks for a moment. “I was so young when I left,” he says—he was six years old—“that it’s hard to know what’s even a memory. One thing I do like is the feeling of the tropics. I love humidity; it’s comforting to me.”

When he’s not being visited by his daughter, Penelope, a 16-year-old New York City high-schooler, or his girlfriend, Alexis Johnson, an art dealer, he’s content being here by himself. “You don’t feel overwhelmed by its scale even though, at about 7,000 square feet, the house is quite large,” he says. “It feels very warm and relaxed. It’s a place where you can leave your shoes lying around.”

resources Items pictured but not listed here are not sourceable. Items similar to vintage and antique pieces shown are often available from the dealers listed.

(T) means the item is available only to the trade.

COLLECTING: VISION QUEST PAGES 44–46: Interiors by Nell Alano; nellalanointeriors.com.

Landscape architecture by Dryden Helgoe Landscape Design; drydenhelgoe.com. PAGE 46: In dining room, Devon 6-light chandelier by Williams Sonoma; williams-sonoma.com; with shades

by Paul Ferrante (T); paulferrante .com. Chippendale dining side chairs by Rose Tarlow Melrose House (T); rosetarlow.com; in Melton viscose-linen, in buttercup,

by Romo (T); romo.com. On end chairs, slipcovers of Prima Alpaca Plaid fabric, in harvest colors, by Sandra Jordan (T); sandrajordan .com. Rug by Stark (T); starkcarpet.com. In gallery, OP round table by Blackman Cruz; blackmancruz.com.

BOHEMIAN RHAPSODY COVER (SUBSCRIBERS), PAGES 66–77: Custom pieces

throughout by Nikolai Haas of the Haas Brothers; thehaas brothers.com. PAGE 66: Rocking chair by John Pope Designs; johnpopedesigns.com. Vintage fireplace by Malm (similar); malmfireplaces.com. PAGE 68: Walnut stools, bench, and ceramic vase by the Haas Brothers from R & Co.; r-andcompany.com. PAGE 70: In bath, Venini Murano glass sconces

by Studio Job; studiojobgallery .com. Walnut stool by the Haas Brothers from R & Co.; r-andcompany.com. Wall-mount West Slope cross handle sink and tub fittings, in aged brass, by Rejuvenation; rejuvenation.com.

PAGES 72–73: At top left, lamp

by Entler; entler.co. Jeff Zimmerman hand-blown glass sculpture from R & Co.; r-andcompany.com. On floor, sheepskin from Black Sheep White Light; blacksheepwhitelight.com. COVER, PAGE 74: Custom cashmere quilt by the Elder Statesman; elderstatesman.com. Glass pendant by Jeff Zimmerman from R & Co.; r-and-company.com. Above bed, artwork by the Haas Brothers from R & Co. Bedside lamps by Entler; entler.co. PAGE 75: In window, ceramic lamp by Katie Stout from R & Co.; r-andcompany.com.

ON VIEW PAGES 78–87: Interiors and interior architecture by Ingrao Inc.; ingraoinc.com. Custom fabrics throughout from Lauren Hwang New York (T);

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laurenhwangnewyork.com.

Landscape design by Paula Hayes; paulahayes.com. PAGES 78–79: Side tables by Taher Chemirik; taherchemirik.com.

On Jean Royère settee (right), custom shearling, in raspberry,

by Garrett Leather (T); garrettleather.com. Saving Grace sculpture/side table (foreground, center) by Wendell Castle; carpentersworkshopgallery.com.

Cocktail table and side table (left, background) by Maria Pergay from Demisch Danant; demischdanant.com. On custom sofa (left, background), Darsha mohair-wool-alpaca by Chapas Textiles (T); chapastextiles.com.

On vintage Pierre Paulin Élysée chairs (center, background), similar from Ralph Pucci; ralphpucci.net; Sweden mohairsilk by Chapas Textiles (T). On custom sofa (center, background), Turner silk velvet, in jungle, by Sabina Fay Braxton from Lauren Hwang New York (T); lauren hwangnewyork.com. Cocktail table (center, background) by Ingrid Donat; carpenters workshopgallery.com. Custom velvet curtains, embroidered

by Lesage (T); lesage-paris.com.

Lighting by Jeff Zimmerman from R & Co.; r-and-company .com. PAGE 80: Lighting by Jeff Zimmerman from R & Co.; r-and-company.com. On Joaquim Tenreiro chairs, Madison mohairsilk-cotton by Chapas Textiles (T); chapastextiles.com. Console (Extruded Table 3) by Marc Newson; marc-newson.com.

PAGE 81: On Pierre Paulin chairs, Canvas wool-nylon by Kvadrat (T); kvadrat.dk. Cocktail table by Mattia Bonetti; kasmingallery .com. PAGE 82: Custom silicone planter (left) by Paula Hayes; paulahayes.com. Afra chairs (left)

by Paola Lenti from DDC; ddcnyc .com. Stampa armchairs and table

by Kettal; kettal.com. PAGE 83: Custom curtains, embroidered

by Lesage (T); lesage-paris.com.

Cocktail table by Maria Pergay from Demisch Danant; demisch danant.com. On Pierre Paulin chair from Demisch Danant, Made in the Suede leather by Holly Hunt (T); hollyhunt.com.

On custom sofa by Jouffre; jouffre.com; Panjab wool-blend, in sargasso, by Loro Piana Interiors (T); loropiana.com.

On pillows, fabrics by Clarence House (T); clarencehouse.com; and Toyine Sellers (T); toyinesellers.com. PAGE 84: In kitchen, custom oak millwork and hood by Ingrao Inc.; ingraoinc.com. Backsplash of Fez black tiles by Exquisite Surfaces; xsurfaces.com. Sink fittings by Dornbracht; dornbracht.com.

In wine room, custom Lucite cabinetry by Ingrao Inc. PAGE 85: On Pierre Jeanneret table,

Drift vase by Luna from Roman and Williams Guild; rwguild.com.

Shades of Europa cotton-blend, in blue glaze, by Vervain (T); vervain.com; fabricated by La Régence Inc.; nylaregence.com.

LOST HORIZON PAGES 88–95: Ugo Rondinone

of Ugo Rondinone; ugorondinone .com. Interior architecture by Neil Logan, Architect; nlarchitect .com. PAGE 90: On sofa from IKEA; ikea.com; throw by John Robshaw Textiles (similar); johnrobshaw.com. PAGE 91: On armchairs, linen from ABC Carpet & Home; abchome.com. PAGE 94: In bath, sinks by Duravit; duravit .com. Sink fittings by Chicago Faucets; chicagofaucets.com.

Round Corner medicine cabinets

by Ketcham; ketchamcabinets.com.

TABLE FOR THREE PAGES 96–99: Carolina Irving of Carolina Irving Textiles; carolinairvingtextiles.com.

STUDIO VISIT PAGES 100–05: Urs Fischer;

ursfischer.com. Architecture by Paul Cha Architect; paulcha architect.com. Landscape architecture by Mizutama Studio; mizutamastudio.com. Studio cooking by Chef Mina Stone; minastone.com. PAGES 100–01: In lounge, Adda sectional sofa with throw pillows and Feel Good Soft armchairs (all in Tatami cotton-viscose velvet); all by Flexform; flexform.it.

PAGE 102: Load e-bike by Rise & Müller; r-m.de. In studio (to courtyard), Hans Coray Landi chairs for Vitra; vitra.com.

Bättig round folding table from Goodform; goodform.ch. Custom planters by Pennoyer Newman; pennoyernewman.com. PAGE 103: On vintage sofa and ottoman, Tonica wool by Kvadrat (T); kvadrat.dk. Custom side tables fabricated by Enjoinery; enjoinery.com. On desk, iMac desktop computer by Apple; apple.com. PAGES 104–05: Beneath mezzanine, Rover chairs by Ron Arad; ronarad .co.uk. In library, on Mega collection (sofa, armchairs, ottoman) by Massproductions; massproductions.se; Divina Melange 2 wool, in 120, by Kvadrat (T); kvadrat.dk. In studio, Great JJ floor lamp by Leucos from YLighting; ylighting.com.

ARTISTIC FREEDOM COVER (NEWSSTANDS), PAGES 106–117: Interiors by Jorge

Pardo; jorgepardosculpture.com.

Curtains, pendants, painted doors and windows, and select furnishings throughout by Jorge Pardo. Tile flooring by Jorge Pardo, fabricated by Cerámica Suro; ceramicasuro.com.

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last word

Perennial life of the party, designer Ken Fulk is not someone you might immediately peg as the churchgoing type. But the devout sybarite has founded his own congregation at Saint Joseph’s Arts Society—a new San Francisco hot spot (part members’ club, part retail concept, part cultural center) set inside a 1913 cathedral.

“We watched for years as the building fell into decline,” Fulk recalls of the long-vacant Romanesque Revival landmark, which he routinely passed on the way to work before buying it in 2016. “It was breathtaking but decrepit. We had to save it.” Restored with the help of California architecture firm Page & Turnbull, the structure shines again, with refreshed finishes, repaired stained-glass windows, and a freestanding mezzanine that adds 9,000 square feet. The entry vestibule now serves as retail space, with the likes of publisher Assouline and apothecary Officine Universelle Buly alongside Fulk’s own finds; the mezzanine houses the first permanent West Coast outpost of Carpenters Workshop Gallery; and on the third level, Arts Society subscribers can access a private bar and lounge. Communal gathering spaces, meanwhile, fill the nave, which beckons guests toward the performance-ready apse. Fulk says it best: “I wanted the church to represent us on our brightest day—who we are as artists, what we can give back to the world.” saintjosephsartssociety.com —SAM COCHRAN

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DOUGLAS FRIEDMAN

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