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FURNITURE
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FIREPLACES
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HARDWARE
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BA THR OOMS
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OUTDOOR S
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HOME WA R E S
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b. Farouk 240 x 140cm Rug Black & Natural Wool
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e. Rustic Hat Stand Concrete & Rust
c. 0HGLXP 0LOLWDU\ &R HH 7DEOH Recycled Timber
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f. Panton Leather Armchair Vintage Saddle & Oak
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g. RRP Marie Antoinette Parquet Panel Distressed Brown 86.6 x 86.6cm $209 ea
j. Large Fremont Single Vanity White & White Marble Top
h. Amelia Jar & Lotion Dispenser Set Antique Silver
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FIREPLACES
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HARDWARE
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SIX GREAT SELECTION CENTRE LOCATIONS
Sharing your passion for exemplary design since 1934 IPSWICH
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BRISBANE
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GOLD
COAST
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SUNSHINE
COAST
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COFFS
HARBOUR
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valentina collection
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CONT E NT S
60 REGULARS 32 Editor’s Letter 34 Editor-at-Large 36 Credits 38 Social CREATIVE EDIT 42 Industrial Makeover 44 White on White 48 Blur the Lines 50 Welcome to the Dark Side 52 Shiny Disco Ball 54 Architecture Shorts 58 Book Club 60 What’s Hot IN PROFILE 64 Sophie Cape 66 Don Garvan
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Contents
EXPERT ADVICE 210 Architecture 212 Real Estate 214 Building 216 Outdoor Rooms
ISSUE #7.5
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THE SOURCE 180 Roofing 182 Outdoor Spaces 192 Garden Studios 200 Street Appeal
NOW YOU CAN HAVE A FLUSH FINISH FROM INSIDE TO OUT doors
ows for flush floor from ins de nd out
Now you can have a flush ďŹ nish from inside to out with Aquabocci’s R-47 threshold drain, which seamlessly integrates with your sliding or bi-fold doors
Background performance he Aquabocci R-47 hreshold Drain is an unobtrusive solution to catching the rainwater that runs down sliding or bi-fold doors. his clever product prevents damage to loor surfaces by collecting water from the weep holes in the bottom of a door track, which then drains away into external pipework. hanks to its carefully engineered design, the Aquabocci R-47 combines a desirable
lush loor finish, from the interior to exterior space, with reliable performance. he product is available in four stunning colours to match your door frames or loor surface.
Lookin to the future Since the launch of the Aquabocci online store two years ago, the company has seen unprecedented growth as designers and installers have become aware of the range.
For more information and to order a free catalogue, call or visit AQUABOCCI.COM.AU
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ABOVE A section of the R-47 Threshold Drain, showing how the open side entry point allows water to be carried from the door track into the drainage channel
CONT E NT S
60 108
168 68 HOUSES 72 TV Stanley Windmill Heritage-Listed Windmill 84 TV Rewind Callignee BushďŹ re House Fire & Rebirth 96 King Bill Love Letter to Fitzroy 108 Curve House Playful Yet Chic 120 Banksia House Natural Light 132 Barra Crescent Green Wall
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GRAND DESIGNS
INTERIORS 144 Jazz Up Residence Form & Function KITCHENS & BATHROOMS 154 Natural Revival Warm Timber 157 Best Of Both Monochrome with Art 160 Colour Coded Unique Style 162 Smoke & Mirrors Moody Hues 166 Uber Style Edgy Design 168 Inspire & Innovate The Latest & Greatest
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FSA/AWS0141-01
Choose the Aneeta Duomode window. Our purest experiences occur when we are totally absorbed in a moment. Nothing distracts us and we are fully focussed, open to even the smallest stimuli. For those brief seconds, life is clear. This idea of removing distractions is at the heart of Aneeta’s design philosophy. Sleek and unobtrusive, Aneeta windows put the barest of materials between you and the outside world. Live uninterrupted. aneetawindows.com
GRAND D ESI GN S EDITOR’S LETTER
From the Editor
Mentionables King Bill. maynardarchitects.com Ziggy Easy armchair and Manolo table by Kenneth Cobonpue. kezu.com.au
n this issue, it’s what’s on the outside that counts. The weather is getting warmer and it’s time to start entertaining outdoors once again. In The Source this issue, we take a look at the hottest outdoor furniture, shade solutions to keep you cool in the summer heat and heating options so that you can start planning for winter (there’s no time like the present). When it comes to homes, we really do judge a book by its cover. Our street appeal feature shows you how you can give your home a facelift to wow guests, neighbours and passersby before they even enter your home. Of course, creating street appeal is a good way to attract buyers and increase the value of your home as well. Looking to create an extra living space? Maybe you just need a place for guests to stay. The humble granny flat has undergone a makeover and can be used for anything from a yoga and painting studio to a writing nook, teenage escape or even a man cave. Enter the garden studio (sounds a little more fancy, doesn’t it?) Otherwise known as a backyard or prefab studio, backyard pod or outdoor room, a studio is another way you can add interior space or value to your home if you do decide to sell down the track. Standout houses this issue include King Bill, a renovated terrace with a focus on sustainability, described by the architects as “a love letter to Fitzroy.” Now, this is the type of renovation that gets me excited. The homeowners paid homage to the heritage of the home by leaving the front facade untouched while the interior and back facade saw major change. The brief was for a curvy body of work which is characterised by the terrace’s curved corrugated metal and chain-mesh fencing, curved internal walls and curved concrete slab. Hail to the King!
April APRIL OSSINGTON EDITOR
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GRAND DESIGNS
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Choose the mode to suit your mood.
Providing the streamlined appearance of ixed windows with the functionality of a fully operable window, the Duomode sashless window features a patented locking system that allows the large, frameless panes to be locked to operate as either a counterbalance window or a servery window. So you get the maximum possible viewing area, along with unparalleled freedom and lexibility. Live uninterrupted. aneetawindows.com
GRAND D ESI GN S EDITOR-AT-LARGE
From Peter Maddison
own aesthetic, the best buildings throughout history display originality in their time (whether that is Roman, Byzantine or mid-century modern, for example). It’s only with original design ideas that we push boundaries, engage with materials of the age and progress. This is not so evident in the project home market of today. It’s peculiar that there has been little progress in finding alternatives to concrete-tiled, hipped-roofed, car-dominated facadism that has been filling the outer suburbs for decades. These cookie-cutter houses are affordable, but don’t do a lot to progress the sense of identity and forward thinking that smaller, better-conceived homes should. There is another alternative rising in the inner suburbs that is denser and develops a sense of community. The Nightingale, developed by Breathe Architecture, is changing the model. Check out nightingalehousing.org.
Meaningful design — the elusive fish So how do you “catch” the best design and will it be the best on offer? Will it “go off ” quickly (date) and will the “trip” (process of building) all cost too much? Understand the nervousness. Trusting your life’s savings to one design solution is a leap of faith. But if you’ve done your homework (have a clear brief, a realistic budget and have linked up with a reputable, compatible designer), there is every reason to believe you will end up with a home that is environmentally conscious, personal, responsible, inventive and value for money. A good designer will have the ability to fully conceptualise a home with a 3D fly-through rendered model. There should be no misunderstanding; the design should fit your physical, financial and aspirational brief. Yes, your design will “date” and that’s a good thing. The best homes in any past style are highly valued because they were cutting edge for their time. For instance, check out the Kensington Curvy House in Grand Designs Australia Series 7 Episode 6. It’s a thoroughly uplifting home that reinvents what a two-storey terrace can be — an ambitious experiment that brings together the tactile quality of a pleated exterior metal skin and a warm curvilinear timber interior. This was a brave undertaking that has paid dividends for Tim and Ambi, and gives a breath of fresh air to Kensington.
Design and wellness
n this issue, I’d like to investigate design within the five elements needed to make a home. Design is the seed from which all building should grow because it serves a human condition. Design brings into focus our cultural, aspirational and historical place in time. The perfect answer to design should never be finished and should respond to the current condition without regurgitating the past. Sounds simple, doesn’t it?
I believe good design brings with it a sense of wellbeing. In fact, this has recently been proven with research in biophilic design — check out makeitwood.org/documents/doc-1501-wood---nature-inspired-designreport-final.pdf. Our health is inextricably connected to light, views, access to living plants and natural materials. Good design understands this. How much can you love a design? My wife and I love our kitchen for instance. Others think it’s OK, too — it’s even scored the front cover of this magazine. I think we all have an emotional attachment to well-designed objects. There is certainly a passion that architects have that drives them. It’s partly art but also partly love. There is a great documentary about people truly loving innate objects. It does happen; people do marry objects such as the Eiffel Tower and Golden Gate Bridge!
Why designers/architects? There is common acceptance of the expertise of doctors and lawyers. Designers and architects are experts, too. It takes about eight years to become a registered architect. We can therefore rely on their expertise. After all, the stakes are high for buildings; you can’t simply make a building go away, it will be with you for a long, long time.
Have we nailed it? Architectural practice is exactly that. After 30 years of being a practising architect myself, there is never one final design that is perfect. Each project builds on the last, always striving to progress the thinking and quality of living.
Cut and snip I’ve seen many houses built with the cut-and-snip method. That is, largely copying someone else’s design ripped from a magazine (or TV show). Although there’s nothing wrong with enjoying someone else’s journey and using it to identify your
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GRAND DESIGNS
PETER MADDISON EDITOR-AT-LARGE
GRAND D ESI GN S CREDITS
EDITORIAL Editor April Ossington Editor-At-Large Peter Maddison Writer Stephanie Russo Contributors Andrew Winter, Peter Colquhoun, Courtney Renee Thurston, Hana Hakim, Chris Knierim, Alexandra Longstaf, Kylie Baracz, Louise Smithers, John Storch, Carrol Baker Art Director Kate Podger Plans Anthony Allars Sub-Editor Anastasia Casey TV House Photographer Rhiannon Slatter ADVERTISING ENQUIRIES AND BOOKINGS NSW Advertising Team Leader Anthea Hamilton P: (02) 9887 0311 M: 0414 319 271 E: ahamilton@umco.com.au Advertising Manager Mandy Ahrens P: (02) 9887 0369 M: 0411 424 072 E: mahrens@umco.com.au WA Advertising Manager Steve Wright M: 0455 030 726 E: swright@umco.com.au Vic Kitchens, Bathrooms and Heating Specialist John Oliver P: (03) 9694 6430 M: 0417 316 820 Vic & SA Advertising Manager Suzy Rashoo P: (03) 9694 6420 M: 0401 759 363 E: srashoo@umco.com.au Qld Business Development Consultant Lynn Hill P: (07) 3351 8725 M: 0488 424 232 E: lhill@umco.com.au Directories & Programs Angela Jevdich P: (02) 9887 0641 E: ajevdich@umco.com.au
Chairman/CEO Prema Perera Publisher Janice Williams Chief Financial Oicer Vicky Mahadeva Associate Publisher Emma Perera Finance & Administration Manager James Perera Circulation Business Development Manager Mark McTaggart Creative Director Kate Podger Marketing & Acquisitions Manager Chelsea Peters This magazine is printed on paper produced in a mill that meets Environmental Management System ISO14001. Grand Designs Australia issue 7.5 is published by Universal Magazines, Unit 5, 6–8 Byfield Street, North Ryde NSW 2113. Phone: (02) 9805 0399, Fax: (02) 9805 0714. Melbourne oice, Level 1, 150 Albert Street, South Melbourne Vic 3205. Phone: (03) 9694 6444, Fax: (03) 9699 7890. Printed in Singapore by Times Printers, timesprinters.com. Retail distribution: Gordon and Gotch, Australia. Distributed in Singapore and Malaysia by CARKIT (FE), Singapore, Phone: 65 62821 960. This book is copyright. Apart from any fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, no part may be reproduced by any process without written permission. Enquiries should be addressed to the publishers. The publishers believe all the information supplied in this book to be correct at the time of printing. They are not, however, in a position to make a guarantee to this efect and accept no liability in the event of any information proving inaccurate. Prices, addresses and phone numbers were, after investigation, and to the best of our knowledge and belief, up to date at the time of printing, but the shifting sands of time may change them in some cases. It is not possible for the publishers to ensure that advertisements which appear in this publication comply with the Trade Practices Act, 1974. The responsibility must therefore be on the person, company or advertising agency submitting the advertisements for publication. While every endeavour has been made to ensure complete accuracy, the publishers cannot be held responsible for any errors or omissions. * Recommended retail price ISSN 2200 – 2197 Copyright © Universal Magazines MMXVIII ACN 003 026 944 umco.com.au Please pass on or recycle this magazine.
Advertising Production William West Advertising Art Director Martha Rubazewicz
Grand Designs® is a trademark of, and is licensed by, FremantleMedia Australia. All rights reserved. Grand Designs® is produced by FremantleMedia Australia Pty Ltd for Foxtel Management Pty Ltd. ©2018 FremantleMedia Australia Pty Ltd. Licensed by FremantleMedia Australia. All rights reserved.
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GRAND DESIGNS
Luv. Nordic elegance. The design of Cecilie Manz‘ bathroom series Luv combines Nordic purism and timeless, emotional elegance. Soft shapes follow a stringent geometry. The result is a new unique design language with precise, clear and fine edges. www.duravit.com
D E SI GN FO R U M
01
02
Get Social Click to explore the wonders of our architectural environment E D I T E D BY S T E P H A N I E R U S S O
04
01/ WGU Design A family-owned business, WGU Design has been operating since 2011, sourcing and supplying classic and ergonomic furniture, homewares, accessories and lighting from some of the world’s finest Scandinavian designers. You’re bound to find the one-of-a-kind item you’ve long been searching for at the recently opened WGU Design showroom. wgu.com.au 02/ Dedon Showroom DEDON recently opened its first Australian showroom in The Cannery, Rosebery. Founded in Germany, DEDON has a history that spans 28 years and is sold in more than 80 countries worldwide. Whether you‘re hosting a garden dinner party or casual cookout, your backyard space is sure to look on point and ready for the good times with the company’s wide selection of outdoor pieces. dedon.de 03/ Merivale Relaunches The Newport Arms The Newport Arms has been reinvented as The Newport by Merivale’s Justin Hemmes — and the name change isn’t the only transformation. The renovated Newport Arms Hotel comes with a better view than ever before, complete with eclectic and stylish spaces for an idyllic Sunday afternoon. You’ll find us sipping cocktails here all summer long. merivale.com
03
04/ Sttoke Reusable Cup Reusable cofee cups are a better way to enjoy great-tasting cofee and protect the planet. Lightweight and entirely shatterproof, the ceramic-lined Sttoke reusable cup has arrived to redefine the cofee-drinking culture as we know it. Crafted from the highest-quality food-grade 304 stainless steel, lined with GREBLON ceramic and with a premium exterior coating, this cup is the latest innovation to enter the cofee scene. sttoke.com
F: facebook.com/granddesignsaustraliamagazine I: instagram.com/granddesignsau T: twitter.com/granddesausmag P: pinterest.com/granddesignsau
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GRAND DESIGNS
Creative
Edit Take a look at what’s happening in the world of architecture and interior design 42 Industrial Makeover 44 White on White 48 Blur the Lines 50 Welcome to the Dark Side 52 Shiny Disco Ball 54 Architecture Snapshot 58 Book Club 60 What’s Hot 64 In Profile
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GRAND DESIGNS
California Dreaming by United Interiors
united-interiors.com.au - 1800 880 877 - 253 Wickham Rd VIC
C R E AT I V E E DI T
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01/ Hemming narrow shelf. brosa.com.au 02/ Stellar dining chair. globewest.com.au 03/ Eames moulded plastic side chair. livingedge.com.au 04/ Etch mini lights by Tom Dixon. dedece.com 05/ Cabo rectangular concrete dining table. globewest.com.au 06/ Compile book ends by Muuto. livingedge.com.au 07/ Gris bufet. ksl-living.fr 08/ Petite Coifeuse dressing table by Eileen Gray. classicon.com 09/ Fat-Fat medium cofee table by Patricia Urquiola for B&B Italia. spacefurniture.com.au 10/ Melt stand chandelier in gold by Tom Dixon. dedece.com 11/ Gea sofa by Chi Wing Lo for Giorgetti. spacefurniture.com.au 12/ Maxalto Elios bench by Antonio Citterio. spacefurniture.com.au
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INSPO Chic industrial with a dash of bling Brand van Egmond Edison’s Tail decorative light. project20.com.au
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ON WHITE Don’t shy away from white decor in your interiors E D I T E D BY S T E P H A N I E R U S S O
01/ Corrigin white cushion. sheridan.com.au 02/ Bedu bed cover. curiousgrace.com.au 03/ Amp lamp by Normann Copenhagen. curiousgrace.com.au 04/ Livorno round dining table. globewest.com.au 05/ Fawn oak dining chair by Gazzda. curiousgrace.com.au 06 Marseille gardenia candle. glasshouse.com.au 07/ Wooden crate. typo.com.au 08/ Side table. cranmorehome.com.au 09/ Tripod 1LT floor lamp. beaconlighting.com.au 10/ Keylock (cut pile) rug. designerrugs.com.au 11/ Bounce chair by Gufram. livingedge.com.au 12/ Stacked storage system by Muuto. livingedge.com.au 13/ FK 150 sideboard in olive and white by Lange Production. livingedge.com.au
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Light and bright interiors, light timber and a touch of modern boho Styling by Norsu Interiors. norsu.com.au
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LUXURY RESORT STYLE LIVING
www.chriscloutdesign.com.au
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THE LINES Time to bring the outdoors in and get ready for your best summer yet E D I T E D BY S T E P H A N I E R U S S O
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01/ Montage print. urbanroad.com.au 02/ Jetson pendant light. zanui.com.au 03/ Hanging planter. lightly.com.au 04/ Salago large suspension lamp by Danny Fang for Moooi. spacefurniture.com.au 05/ Dining chair 170 by Takahashi Asako for Feelgood Designs. curiousgrace.com.au 06/ Artificial string of pearls plant. mattblatt.com.au 07/ Judd armchair. mcmhouse.com 08/ Monument bench. mcmhouse.com 09/ Hepburn blanket in Storm. lmhome.com.au 10/ Artificial Monstera mini plant. mattblatt.com.au 11/ Schaukelstuhl Kimi chair in Braun by CADA Design. designbotschaft.com 12/ Dining table 167 by Takahashi Asako for Feelgood Designs. curiousgrace.com.au 13/ Agent 13 pot plant set of two. mattblatt.com.au 14/ Artificial leaf pot plant. mattblatt.com.au 15/ Musk marble side table. cocorepublic.com.au 16/ The Bastian entertainment unit in American walnut. iconbydesign.com.au
INSPO Natural tones and an abundance of greenery Dulux Colour Awards 2018 — Single Residential Interior. Terrarium House by John Ellway Architect; Photography by Toby Scott
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Get ahead of the curve w with a dark charcoal colour scheme E D I T E D BY S T E P H A N I E R U S S O
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01/ Lampblack k artwork. urbanroad.com.au urbanroad com au 02/ Natural jute charcoal rug. thedesignhunter.com.au 03/ Porter 1 pendant in charcoal. beaconlighting.com.au 04/ Tyde European pillowcase. countryroad.com.au 05/ Round charcoal stone coasters (set of four) by Lifestyle Traders. templeandwebster.com.au 06/ Aila salad bowl. countryroad.com.au 07/ Tobi-Ishi table by Edward Barber and Jay Osgerby for B&B Italia. spacefurniture.com.au 08/ LC1 Villa Church armchair by Cassina. spacefurniture.com.au 09/ I Cocci floor and wall tile in GraďŹ te. nationaltiles.com.au 10/ Grey glass vase. tkmaxx.com.au 11/ Aiden bufet. globewest.com.au 12/ Alka knitted throw by Barefoot Gypsy. templeandwebster.com.au 13/ Jordan sofa. arthurg.com.au
INSPO Deep and moody hues that are effortlessly cool
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Dulux Colour Awards 2018 — Single Residential Interior. East Malvern House by Made by Cohen and Penny Kinsella Architects
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Shiny DISCO BALL Could metallic be the new neutral? E D I T E D BY S T E P H A N I E R U S S O
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01/ Scrigno cabinet by F. e H. Campana for Edra. spacefurniture.com.au 02/ FUN 1DA pendant with polished stainless-steel discs by Verner Panton. verpan.com 03/ KissenhĂźlle Coated in silver. tom-tailor.de 04/ Metal side table by Vitra. livingedge.com.au 05/ Silver metallic faux croc leather handbag. karanrailondon.etsy.com 06/ Jelly metallic vase by Patricia Urquiola for Kartell. spacefurniture.com.au 07/ La Gabbia shelving unit by Lapo Ciatti for Opinion Ciatti. spacefurniture.com.au 08/ Shanty Winter cabinet by BD Barcelona Design. 1stdibs.com 09/ Battery metallic table lamp by Ferruccio Laviani for Kartell. spacefurniture.com.au 10/ Dune metallic large tray by Mario Bellini for Kartell. spacefurniture.com.au 11/ Stone metallic stool by Marcel Wanders for Kartell. spacefurniture.com.au 12/ Componibili metallic three-tier storage unit by Anna Castelli Ferrieri for Kartell. spacefurniture.com.au 13/ Pli table by Victoria Wilmotte. classicon.com 14/ Minotti Shields cofee table. dedece.com 15/ Steel dotted decorative ball by Lifestyle Traders. templeandwebster.com.au
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INSPO Hot metallics that command attention Balmain Spring/Summer 19 collection at Paris Fashion Week. balmain.com
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ARCHITECTURE
Snapshot
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RENNIE STREET HOUSE
Standout architecture that goes above and beyond E D I T E D BY S T E P H A N I E R U S S O
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If you’re thinking of changing up the exterior of your house, you’ll want to take note of Melbourne’s Rennie Street House. The daring design is the work of Architect Hewson. The unique exterior features unexpected hues and timber pergola frames that allows it to stand out from the crowd. It highlights the company’s talents in design, creativity and luxury home building. Photography by Jack Lovel. architecthewson.com
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ASHFORD HOUSE
Located on broad acreage in Upper Beaconsfield, Victoria, the Ashford House by Excelcon is of contemporary design, with both minimalistic and modest features. Inspiration for the design was taken from the traditional farm-style Colorbond shed and is designed to nestle harmoniously into the hillside and be at one with its surroundings. The spectacular rural views are visible from every room and this has been achieved using Stegbar’s Alumiere windows. Serene and flooded with natural light, this beautiful abode will be a hard act to follow. stegbar.com.au
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GARDEN STUDIO
All homes that strive to make a statement instead of blend in with the status quo are our favourite kind. This was the case with the Garden Studio. Inspired by the clients’ lifestyle and philosophy around food and productive gardening, the design is a freestanding extension that provides for their needs without compromising their love of gardening. It does so by providing a vertical garden on one of its external walls. We approve. mo-do.net
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THE RESIDENCE
Leading luxury custom-home building company Mazzei Homes has collaborated with internationally acclaimed art studio Bromley&Co, design practice DWArchitecture and landscape designer Nathan Burkett to create an inspiring “art house”, dubbed The Residence, located on Belmore Road in Balwyn, Victoria. The highly anticipated project, now open for viewing, marries form and function, style and eiciency — and, most of all, is built to last. Photography by Armelle Habib. mazzeihomes.com.au
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STRADELLA PROJECT
Stradella is SAOTA’s first completed project in Los Angeles, USA. It’s a remodel of an existing 1970s house on a beautiful promontory in Bel Air. Going well beyond the remit of a traditional remodel, the architecture firm has utterly transformed the existing house into a home that functions at the highest level and features a fresh contemporary aesthetic. The moment you see this home, you are struck by the impact of the design. Photography by Adam Letch. saota.com
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Adore vino? Vintec answers some questions about your favourite drop and how best to store it What should you consider when choosing a wine cabinet? • How many bottles will you need to store? You’ll want to be able to add to your collection so make sure you have enough space to grow. • Where in the house will you place your wine cabinet? Choose between freestanding or built-in models and avoid placing your wine cabinet in direct sunlight. • Are you looking to cellar or serve with your wine cabinet? Single-temp cabinets are ideal for cellaring (all wines cellar at 12–14°C), whereas multi-temp models are designed to serve your reds and whites at the proper drinking temperatures. Take the time to search retailers and visit showrooms for the sort of cabinet you’d like, and always compare prices to be sure you’re getting the best deal. Never be tempted by low prices — you could end up with a cabinet that doesn’t do its job or that even damages your wine. The cost will depend on size, finishes and the climate-control features offered. The right choice of wine cabinet for you will be largely determined by the capacity, function and design you’re after and of course your budget.
Did you know? 1 Contrary to popular belief, wines sealed under screw caps also benefit from cellaring and ageing. In addition, they don’t need to be laid down for cellaring, whereas wines under cork do (to avoid the cork drying out and shrinking). 2 If you store your wine in an area where temperatures exceed 25°C, your wine can spoil within a matter of weeks. Spoiled fruit flavours will develop and off-odours will appear. 3 Wine cabinets have nothing in common with fridges: they do not generate intense cold and they don’t remove ambient humidity as fridges do. They’re designed to replicate the ideal conditions found in the best natural underground wine cellars by controlling humidity, temperature, UV light and ventilation (and by limiting damaging vibrations). 4 All wines — reds, whites and sparkling — cellar at the same temperature (12-14°C). More than 90 per cent of people don’t realise this. 5 Imperceptible vibrations cause your wines to age prematurely by speeding up chemical reactions. Store your wine in a vibration-free area such as a proper wine storage cabinet, so fewer bottles disappoint. 6 UV light causes hydrogen sulphide compounds to develop in wine and affects its tannins and colour. So avoid leaving your wines exposed to light, sunlight in particular.
Protect your investment. Discover the full range of Vintec climate-controlled cellars at vintec.com.au
Vintec Noir 170 Bottle Wine Cellar V190SG2E-BK
Stable Temperature
Regulated Humidity
UV-Protected Glass Door
Anti-Vibration System
Reticulated !IRĂ&#x;OW
R E V I E WS
ARCHITECTURAL DIGEST: AUTOBIOGRAPHY OF A MAGAZINE PAIGE RENSE | HARDIE GRANT | $110
Architectural Digest: Autobiography of a Magazine takes you on an interior journey far and wide to enviable dream estates spanning the globe. As the international design authority, Architectural Digest ofers exclusive access to the best in decorating, architecture, shopping, art, antiques and travel. This volume celebrates the evolution of the revered magazine as told through the voice of its legendary editor for four decades, Paige Rense. A visual history of the magazine’s meteoric rise, this volume documents exclusively the renowned magazine’s history and cultural signifi cance, and celebration of the ever-evolving homes and lifestyles. We can’t get enough.
Book Club Expand your horizons with … E D I T E D BY S T E P H A N I E R U S S O
IMAGINARIUM: A COMPENDIUM OF INSPIRATION SIBELLA COURT HARPER COLLINS AUSTRALIA | $100
Imaginarium: A Compendium of Inspiration is the perfect read for anyone obsessed with decor. It features a glorious large-format collection of images that reflects the things that inspire and motivate interior stylist, historian and globetrotter Sibella Court. Immersing you in a world of travel, nature, interiors, art, oddities and curiosities, the read will open your eyes to the world around you and fuel your imagination for your own creativity, design and adventures. You’re sure to love it no matter what design category you fit into.
SECRET GARDENS
CITY HOUSE, COUNTRY HOUSE
MATTHEW CANTWELL NEW HOLLAND PUBLISHERS | $59.99
JOHN WALSH AND PATRICK REYNOLDS PENGUIN BOOKS $79.99
From pint-sized gardens to rambling grounds, Secret Gardens is a visual feast of contemporary residential landscaping, ofering a rich resource of inspiration to readers regardless of the size of their own patch of potential paradise. This book tells a story in pictures, with luscious photography of 24 of Secret Gardens’ favourite projects. Each garden is accompanied by descriptions in which the book’s author, Matthew Cantwell, tells the story of each project. Put this book on your reading list right away.
OCEAN VIEW SEBASTIAAN BEDAUX LANNOO PUBLISHERS | $99
Warning: you may want a holiday after reading this visual delight. Explore 50 beautifully designed vacation homes with spectacular views of the waves in Ocean View. Curated by Sebastiaan Bedaux, this stunning title includes a variety of properties available for rent in locations such as Costa Rica, Greece, Morocco, Iceland, Thailand and many more. Flicking through this book is as soothing as a trip to Europe.
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City House, Country House explores 40 of New Zealand’s most outstanding residential projects in locations ranging from intensely urban to spectacularly remote. New family homes, suburban alterations, city apartments, coastal beach houses and rural retreats are all included in this impressive collection of recently completed projects. Move aside, Netflix — this is the book we’re binge-reading this month.
retreat
a world away
call +61 2 6687 1216
W HAT ’ S HOT
In Bloom II art print. kellymaker.com
Adana rug. boconcept.com
Terrazzo Hourglass stump in Paprika. fentonandfenton.com.au
Tallira Charlotte velvet chair. therugcollection.com.au
Tones COURTNEY RENEE THURSTON
interiorsbycourtneyrenee.com.au
Now is your chance to step away from the cooler tones of summers past and embrace the other side of the colour wheel. It’s all about mustard yellow, nude pink, terracotta, rust red and rich plum layered together E D I T E D BY C O U R T N E Y R E N E E T H U R S TO N
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Zone Denmark Peili bowl set of three. designstuf.com.au
Mette Ditmer Seasons bath towel set in Wine. designstuf.com.au
Gubi Beetle chair. surrounding.com.au
Muuto Grain pendant. surrounding.com.au
Linen duvet cover in Tobacco. inbedstore.com
Mira arched mirror in Dusk. middleofnowhere.com.au
Corso cushion and Mirage mini cushion. lmhome.com.au
Alfred sofa in Wildflower. jardan.com
.au
Maryanne Moodie Doors & Windows #1 wall hanging. fentonandfenton.com.au
Mette Ditmer Shades soap dispenser/ tumbler in Wine. designstuf.com.au
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Agape Immersion bath by Neri & Hu. artedomus.com
Just Add Water Bathrooms don’t have to be utilitarian — put your bathware centre stage and create a refreshing haven with soul E D I T E D BY H A N A H A K I M
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A69.53 BLACK wall-mounted soap dispenser. astrawalker.com.au
HANA HAKIM
thestellacollective.co Angui Rose shelf. designstuf.com.au
Three Gang switch grid. zetr.com.au
Unity half-circle mirror. designstuf.com.au
Photography by Felix Forest
PURA bench-mounted washbasins with ICON Spot and mixer taps. Photography by Felix Forest. astrawalker.com.au
AYTM Stilla velvet drop pouf ottoman in Rose. designstuf.com.au
W HAT ’ S HOT
Agape Sen floor-mounted tap, Bjhon 2 pedestal basin and Spin mirrors. artedomus.com
Photography by Derek Swalwell
Siren basin. Photography by Haydn Cattach. united-products.co Agape Tapiro bath mat. artedomus.com
Kobn Crema towel. jardan.com.au
Angui bench. designstuf.com.au
Ceramic drawer dividers. Photography by Haydn Cattach. united-products.co
AYTM Speculum table in Gold Mirror. designstuf.com.au
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LEFT Romper Stomper (Dan Wylie) 2014 OPPOSITE TOP All I hear are distant drums 2014 OPPOSITE BOTTOM LEFT A shiny bone under a heavy light 2015 OPPOSITE BOTTOM RIGHT Tearing like escape through the dark 2017
Sophie Cape Nature inspires and creates this former athlete’s bold artworks WO R D S K Y L I E B A R AC Z P H O T O G R A P H Y TA M A R A D E A N/ FA I R FA X M E D I A
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rt wasn’t an early passion for Sophie Cape. Growing up as one of four siblings, she was influenced by her mother and grandmother (both artists) but chose to steer clear, becoming an athlete instead. “[My mum] expressed herself in how we were raised — we had murals on our bedroom walls, constant dress-ups, creative school lunches,” recalls Sophie. “I suspect that because I was surrounded by art, I had no interest in choosing that path.” Training as an elite downhill ski racer and track cyclist however didn’t seem to deter her from expressing her creative side; with Sophie finding herself creating portraits of friends, drawing the landscapes she travelled to, and painting the helmets and bikes of other teammates. So, when she was forced to retire professional sport, she chose to listen to those around her who encouraged her to take her art seriously, and she enrolled at the National Art School in Darlinghurst, Sydney. “I was deeply depressed after my Olympic dreams were crushed,” says Sophie. “I had tried desperately in all sorts of ways to replace the challenge of pushing myself to the limits and the adrenaline rush of racing. But nothing came close. So, I began doing portraits of myself as an athlete, but it wasn’t enough.” Bill Wright, a teacher of Sophie’s, suggested she paint with the emotions she felt, rather than just painting a representation of herself. She started to work with large canvases and her works became a cathartic release. “They became abstract psychological self-portraits,” says Sophie. “And because the works were so large, and I was making such a mess, I began working out in the bush. This created another form of release for me.” After graduating, Sophie was awarded residencies in Paris, Austria and Poland and won the John Olsen Drawing Prize. At her graduate show, Tim Olsen discovered her pieces and decided to show her works in his gallery. Natural elements inspire and are used by Sophie to create her masterpieces. She chooses to use what she has around her, and even lets the elements themselves change and mould her work. Coloured pigment of soils, burnt charcoal from trees and even blood can feature in her artworks, which are painted using tree branches and sticks. This makes each work unique to their location. “I sleep in a swag outside for weeks surrounded by my work. They become impregnated with what lands on the canvas — they get rained on, washed and blown away, drowned in rivers and even burnt in bushfires,” she says. “I’ve lost many works through this process!” When asked what keeps her going, Sophie shows her reckless and driven personality hasn’t strayed from her former ego. “[My philosophy] is to push myself to my utmost limit. To have no regrets. To do everything that I’m afraid of. To live this wild and precious life to the best of my abilities.” olsengallery.com
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SOPHIE SAYS “[My works] become impregnated with what lands on the canvas — they get rained on, washed and blown away, drowned in rivers and even burnt in bushfires” GRAND DESIGNS
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Don Garvan Sustainability is key for this authentic and intuitive furniture designer WO R D S K Y L I E B A R AC Z
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t took a long trip around Europe and a course in mechanical engineering for New Zealand-born furniture designer Don Garvan to find his passion. After growing up on a farm on the country’s South Island, Don always felt close to nature, but it wasn’t until 1991 that he launched his first socially aware start-up, Rhino Craft, which salvaged timber from demolished buildings in Sydney and turned them into a range of furniture pieces. From this, he started a recycled timber furniture business, Island Clif, specialising in bedroom furniture, which he sold in 2001. “I don’t see myself as a designer,” says Don. “I work hard to create products that reflect the raw essence of materiality in a way that connects people back to the source and origins — nature.” In 2015, Don launched his current business and passion, Totem Road, after working for some time in property development on projects focused on connecting the built environment to its natural surroundings. “I launched Totem Road with a deeper purpose of connecting customers to nature and changing ideas of how we can consume consciously by creating sustainable products,” says Don. His business has flourished, with each furniture piece created from sustainably forested and sourced European white oak. The oak is self-logged, not clear-felled, to support regeneration, biodiversity and the protection of native fauna. No Totem Road piece features veneer, plywood or medium-density fibreboard (MDF), with Don choosing only natural materials to create his works of art. “All of my inspiration comes from nature, which is why I only work with natural, quality materials — white oak and Carrara marble — that are enduring and last a lifetime,” he says. It’s this inspiration that has spurred Totem Road’s mission to tread lightly and continually reduce its company footprint. This mission also influences the packaging used for the furniture, with each piece lovingly and securely packaged in fully recyclable and biodegradable packaging — no hint of polystyrene in sight. Don’s design philosophy is simple. He believes nature informs everything and this is beautifully reflected in his timeless, simple and functional design style. His most-loved piece says it all. “My favourite piece is the Totem stool. It is a raw-essence piece that connects furniture to its origin,” he says. When asked what his design goals are, Don doesn’t stray from his business’s mission. “My dream is to build an online brand that enables business — that transforms the way people think about and purchase furniture,” he says. “In today’s throwaway culture and subsequent environmental crisis, I would like people to think about furniture as a lifetime investment.” And if you’re going to invest in something for life, you may as well try to do your part to save the world. totemroad.com
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DON SAYS “I work hard to create products that reflect the raw essence of materiality in a way that connects people back to the source and origins — nature”
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INSPO: Think Moroccan riads with traditional interior gardens or courtyards and plunge pools; contemporary kitchens in Manhattan, or at home; the modern farmhouse style on the Mornington Peninsula. THE COLOURS: Pastel pinks and blue/ greens including aqua and marshmallow.
SHADES OF SUMMER Create that fresh and breezy summer look in your home with the Grand Designs Capsule Collection, only at National Tiles NATIONAL TILES & GRAND DESIGNS: Grand Designs has partnered exclusively with National Tiles to create the stunning Capsule Collection of high quality, afordable tiles and flooring. Hand-picked following the Grand Designs ethos and principles, you can now create your own Grand Design at home, only at National Tiles. The procurement team travels to Italy and Spain several times a year, working closely with supply partners and design teams and sourcing new manufacturers to continuously ofer Australia the best possible tiles available. Keeping up-to-date with the latest trends
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and innovations and incorporating what its design customers need in terms of style and functionality is key for the team. You can view the complete National Tiles range on the website, or if you need something more tangible to make your ďŹ nal choice, you can also order samples online. Touch and feel the tiles, pop them in situ, sit them alongside paint colours and textile samples, and then order them all online to be delivered within a few days.
WANT MORE INFO? W nationaltiles.com.au P 1300 733 000 I instagram.com/nationaltilesau/ F facebook.com/NationalTilesAustralia/
ADV E RTOR I AL FEATURE
THE TILES:
PALOMA The Paloma collection is a stunning range produced in Spain by one of National Tiles’ boutique suppliers who specialises in wall tiles that create beautiful spaces. Available in eight gloss colours with a handmade look. FACTS Surface finish: Gloss Material: Ceramic Edge: Pressed Uses: Striking features and splashbacks Good to know: Pressed tiles hide imperfections in the substrate
ZELLIGE Inspired by the traditional tilemaking methods of Morocco and the Mediterranean, the Zellige collection has a contemporary look with a handcrafted, rustic feel. FACTS Surface finish: Gloss Material: Ceramic Edge: Pressed Uses: Walls Good to know: Gloss tiles can scratch more easily than matt tiles
DOLCE VITA Made in Spain, this premium range reimagines Venetian terrazzo and Victorian patterning by incorporating dazzling pastels and modernist design principles for visually striking interiors. FACTS Surface finish: Matt Material: Porcelain (fully vitrified) Edge: Rectified Uses: Floor and wall application, external use (including in very cold climates) Water absorption: Low Good to know: Rectified tiles are cut during manufacturing, generally with a watered diamond blade, allowing for smaller grout joints. Smaller grout joints will give a seamless look to the floor and are easier to clean
MARBLE MOSAIC With the natural patterning of organic materials, the Marble Mosaics series is versatile and will add flair to any space. FACTS Surface finish: Matt Material: Natural stone Edge: Rectified Uses: Floor and wall application Water absorption: More porous than ceramic and porcelain, so it needs to be sealed and maintained Good to know: Most natural stones are very durable and thicker than standard porcelain tiles, increasing their durability once installed. Natural stone is full-bodied, featuring the same colours and veins throughout the stone
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GRAND DESIGNS AUSTRALIA IS ON THE HUNT FOR NEW HOMES! Are you about to build your dream home? Is your build exciting and unique – using new materials or construction techniques, or in a stunning location? Grand Designs Australia is searching for remarkable projects to follow, and we would love to hear from you. From heritage buildings, to state of the art modern masterpieces, houses made of plastic, straw or even old tyres! If you’re planning to build and live in it, we want to come along for the ride and share your incredible experience. So, if you - or somebody you know - is about to start on their Grand Design then let us know.
TO APPLY FOR GRAND DESIGNS: EMAIL: granddesigns@fremantlemedia.com.au OR APPLY AT: https://granddesigns.castasugar.com
Houses
Photography Derek Swalwell
The cream of the crop in Australian architecture 72 Stanley Windmill 84 Callignee BushďŹ re House 96 King Bill 108 Curve House 120 Banksia House 132 Coolum Beach House
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TV HOUSE STANLEY WINDMILL
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Artistic ENDEAVOUR A playful home ďŹ lled with history and stories WO R D S A L E X A N D R A LO N G S TA F F P H O T O G R A P H Y R H I A N N O N S L AT T E R
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LEFT Philip with his best friend and architect Greg OPPOSITE Philip fought hard to retain many original features such as the old duck shed, which now serves as a toilet
p D E TAI LS HOUSE Stanley Windmill LOCATION Stanley, Tasmania SERIES 7 EPISODE 13 DATE COMMENCED 2013 DATE COMPLETED 2016 COST $125,000
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hilip Murphy is a true artist and lovable creative. A chef by trade, Philip made a somewhat bold decision to hang up his chef’s hat, move to Stanley in Tasmania, take on a luxury holiday retreat and, as if that wasn’t wild enough, build his own home. Philip fell in love with Stanley — also affectionately known as the edge of the world. So much so that he was almost content residing in the rundown character-fi lled windmill, small timber-clad shed and old duck house that sat on the site. Almost content for many years. The cluster of buildings had a certain charm for sure. Each small building had its own little piece of history wrapped up in it. And for Philip, who explains that this was the first place he had ever lived in that he enjoyed coming home to, he found something magical in both the town and the collection of buildings on the site. For this reason, Philip wanted to retain as much of the bones in the old collection of buildings as he could in the new build. But perhaps without the dash from the bedroom to the kitchen that was unavoidably sprinkled with rainwater on wet days, and with the addition of a covered area to sit and relax in. To work with him on this new home, Philip contacted his best friend and architect, Greg Prentice at karmatecture. And the two came together to bring a dream to fruition that had been many years in the making. Philip’s brief to Greg was fairly simple. He really just wanted to connect his kitchen and bedroom, create a small seating area to relax in and provide a sleeping space for short-term guests. Other things that were also very important to him included recycling and upcycling as much as possible, as well as wanting his home to have a voice. Philip wanted that voice to be playful, encourage interaction with the home and tell a bit of a story of the home’s history. These factors became a driving force in the build, with many, somewhat unorthodox, decisions being made in the name of celebrating history. This began with the recycling of the duck shed and many timber features including windows and doors. Philip wanted to salvage as much as possible, much to the frustration of the builders who felt the work could have
TV H OU SE STANLEY WINDMILL
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ABOVE Views out over Stanley ofer a glimpse as to why Philip fell in love with the place BELOW Upcycled timber cladding now lines the entry, providing quirky and original flooring BELOW RIGHT Philip is a lover of art and colour and is not afraid to experiment with these in his new home OPPOSITE TOP There are no design rules in this home, just an eclectic collection of the things Philip loves most
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T V H OU SE
STANLEY WINDMILL
EDITO R ’ S FAVO U R I T E THE UPCYCLED CLADDING FROM THE PREVIOUS SHED MAKES FOR A FEATURE WALL IN THE LIVING ROOM
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TV HOUSE
STANLEY WINDMILL
The old windmill now serves as an unorthodox-shaped kitchen
PHILIP WANTED TO RETAIN AS MUCH OF THE BONES IN THE OLD COLLECTION OF BUILDINGS AS HE COULD IN THE NEW BUILD. BUT PERHAPS MINUS THE DASH FROM THE BEDROOM TO THE KITCHEN THAT WAS UNAVOIDABLY SPRINKLED WITH RAINWATER ON WET DAYS
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been recreated cheaper, stronger and better from scratch. Philip stuck to his guns as much as he could, though, digging in his heels and hammering home his vision for an upcycled home that carried in its bones a story. Hats off to him for his dedication and for seeing potential in something others would quickly throw away. On only a couple of occasions did this plan not work out for Philip. The windows had to be replaced twice, due to the fact that the old ones simply could not fit. And much to Philip’s dismay, the salvaged timber from the previous shed could not be used as cladding as originally planned. Not defeated, however, Philip — ever resourceful, creative and far from fussy — still made the most of these timbers as artworks in the living space. Taking his creativity a step further, he also laid them as floorboards, on an angle no less, just to reiterate his carefree attitude to traditional building techniques. While the floorboards aren’t necessarily straight, they are a piece of art and they are intriguing. And, most importantly, they tell a story. Perhaps even more so given their abstract positioning in the home and the fact they couldn’t be used as originally intended. As architect Greg explains, the resulting home does a fine job of crafting an “Alice in Wonderland” experience. It features fun spaces filled with art, colour and an upcycled selection of mishmashed items. It also encourages curiosity and exploration at every turn.
Philip and Greg expertly managed to capture the beauty of the original windmill, celebrating it perfectly in the new design
WE LOV E THE UPCYCLED AND MUCH-LOVED DUCK HOUSE-TURNED-DUNNY, COMPLETE WITH RETAINED SHIP WINDOW LOOKING OUT TO THE NUT
The space that achieves this the most is the piggly-wiggly room. Guests must duck to enter and must lie on the bed to enjoy the view. Also, the entry to the home deserves mention. It serves as a seating area with a wardrobe and bookcase and it follows through to Philip’s bedroom. The ceiling lowers and forces a slower pace as you journey through it. And, lastly, the ceiling is lit up with backlit artworks that sit flush with the ceiling. The budget ran out during the build, putting it on hold for some time. This did not stop Philip, though, who explains that there’s no need to rush through anything in life. The work slowed on the project, but soon began to gather moss again at the hand of a few good local handymen, this time as a labour of love, and of course in exchange for the odd meal cooked by the town’s newest chef: Philip. This is a labour-of-love project — a cubby house if you will — built on the passion of joie de vivre and a lust for life. Philip carves his own path, not interested in flashy marble benchtops and squeaky clean bathrooms. He has his feet firmly on the ground, connected to life’s stories, but his head up in the clouds, where he is free to dream.
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PROJE CT T EA M ARCHITECT Greg Prentice, karmatecture, karmatecture.com.au BUILDER Stronach Constructions, stronachconstructions.com.au STRUCTURAL & HYDRAULIC ENGINEER K Moore & Associates, 03 6431 9368
SERVICES BAL report Natural Values, 0427 573 565 BASIX assessment BTA Pty Ltd, 0409 565 786 Excavators Wildwood, 0427 383 672 Finance Benwerrin Estates, benwerrinestates.com.au Local compliance Abel Design, 03 6442 3411 Site clearing Gareth Walpole and Darren Wooldridge Joinery and painting Michael Pine and Shelly Jackson, 0411 283 489 Decking and salvaged materials Ian ‘Boogey’ Wells, 0419 589 165 Electrical Russell-Smith Electrical, 03 6235 2333 Plumbing and gasfitting Todd’s Plumbing, 0419 880 518
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FIXTURES & FITTINGS Heating Lopi Fireplaces, lopi.com.au Appliances Betta Home Living, betta.com.au Salvaged materials Sandec Constructions, Cooee, 03 6431 2975; Launceston Salvage Co, 03 6334 2264; Hursey Seafoods, hurseyseafoods.com.au FURNITURE & FURNISHINGS Curtains and upholstery Elizabeth Flamsteed Artwork-inset ceiling lights Cow ‘n’ Calf Gallery, 0439 251 151
The perfect Tassie retreat
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timber-framed mirror. schots.com.au 03/ White and blue Monsieur ceramic table lamp by Lexi Lighting. templeandwebster.com.au 04/ Stonemill bufet with wheels. 1825interiors.com.au 05/ Laura two-seat sofa in grey. schots.com.au 06/ Aqua vase in large. 1825interiors.com.au
Colour Palette Primary colours dominate this space, from deep red and jade green to midnight blue. Timber abounds in every shade. The result is a unique and creative space
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STARTS WITH CORINTHIAN THE BLONDE OAK COLLECTION Featuring an American White Oak veneer, the pure versatility and simple elegance of each Blonde Oak entrance door makes them perfect for creating a clean, contemporary feel for your home. For further door inspiration, visit corinthian.com.au
TV HOUSE R E W I N D CALLIGNEE BUSHFIRE HOUSE
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PHOENIX RISES
A cathartic journey through ďŹ re and rebirth results in this dramatic and experimental home with a unique architectural language of truth and beauty WO R D S TAT YA N A L EO N OV P H O T O G R A P H Y R H I A N N O N S L AT T E R
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The house accentuates the exquisiteness of contrast: sharp and clean lines with rough and rusted textures in all areas
DE TA I L S HOUSE Callignee Bushfire House LOCATION Callignee, Victoria SERIES 1 EPISODE 1 DATE COMPLETED August 2010 COST $500,000
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he devastating 2009 Black Saturday bushfires in Victoria destroyed more than 2000 homes and left a permanent mark on Australia — one that will never be forgotten. Chris Clarke, a construction manager, was one of many who lost his home — Callignee 1, his “art-style treehouse”, a minimalist-style timber-and-steel structure — at Callignee in Gippsland. He designed the home with his late father and spent two years building it. Just one week after completion, his dream home burnt to the ground. “After the Black Saturday fires, Callignee 1 stood there in her glory — a skeleton of twisted, oversized portal frames; broken brick blade walls; and debris-covered slabs in a haunting black-and-white setting,” Chris remembers. “Every bit I loved was gone.” After months of refusing to visit the site, Chris and Sean Hamilton, the designer who Chris collaborated with on the project, came
to the realisation that the home was not dead. Recuperating from his grief, Chris decided to build a new but vastly different home. Callignee 1 was a “she” — a massive threebedroom structural sculpture. She was designed to be big, comfortable and to stand out within the lush, green surroundings. Callignee 2 was also going to stand out, but as a burnt, bent and broken beauty. Chris wanted a place that he could contentedly call home, but he wanted the new dwelling to stand powerful and strong, emphasising its destructive history — a powerful, aggressive “he”. He envisioned the new home to have just one master bedroom accessed directly through the front door, a cascade of open living areas, a centralised kitchen, a heightened lap pool and an impressive turtle pond. The second level would have a quirky loft bedroom and study, but most of this roof-level area would be dedicated to local and indigenous plants, linking the interior and exterior areas.
TV H OU SE R E WI N D CALLIGNEE BUSHFIRE HOUSE
E D I TO R ’ S FAVO U R I T E THE STEEL-AND-CONCRETE ISLAND BENCH WAS SALVAGED FROM CALLIGNEE 1. THE CRACKS AND STAINS SHOW THE EXTREME HEAT TO WHICH IT WAS SUBJECTED
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The bathroom, another bucolic masterpiece, is constructed from rough recycled timber
W E LOV E THE BATHROOM, FOR ITS ORIGINAL QUALITY AND RUSTIC CHARM BELOW After the Black Saturday fi res, Callignee 1 was a skeleton of twisted, oversized portal frames, broken brick blade walls and debris-covered slabs
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“Callignee 2 was designed to be a rustic home that followed the fire element she had been through; she was designed to be free and fully sustainable — a place for healthy living,” Chris explains. “Oh, and this one would not burn down!” Passionate about recycling and reusing, Chris sought out materials he could salvage from the bushfire. “Good things come from second chances,” he says, smiling. “Recycled materials tell stories and have character.” Following that frame of mind, Chris utilised a range of recycled and natural materials, trying to salvage as much of Callignee 1 as possible to keep costs to a minimum. The timber that makes up the floor in the expansive living area is from a Sydney pier, an old abandoned tank found in the bush now functions as a sprinkler system on the garden roof level, and 100 tonnes of mammoth rocks from the native surroundings were craned in to encircle the structure, chasing that feeling of mass. These rocks are more than just decorative items; for Chris, they are embracing — yet protecting him from — the landscape he loves.
This notion of embracing the beautiful yet hazardous surroundings can be seen through an array of design characteristics. The redness of the old jarrah, the fire-resistant weathering steel and the big, bold slabs of concrete all work harmoniously together to create a picture of mismatched beauty. Chris draws a wall between the landscape that he loves, while accepting its power and strength through adversity. Building the house with sustainability in mind was one of Chris’ key concerns, from the materials sourced and used to the implementation of an underground waste treatment system that ensures only organic material is used within the home, Callignee 2 is a quintessential organic construction right down to the power source (Chris lives five minutes from Victoria’s largest power station but refuses to go on the grid). The overall design approach is one of rusted metal. Inspired by the natural elements of the immediate and further surroundings, Chris was able to preserve the old and implement the new to create a free and organic home, one that exudes his character and embraces its setting.
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TV H OU SE R E WI N D CALLIGNEE BUSHFIRE HOUSE LEFT The upstairs study nook is a quirky space that takes advantage of the spectacular views out to the harsh and beautiful landscape
The house accentuates the exquisiteness of contrast; sharp and clean lines contrast with rough and rusted textures, each room exuding a character of its own. The free-flowing kitchen is a favourite gathering space, combining elements of the old and new. The steel-and-concrete island bench was salvaged from Callignee 1 and shows the markings of the extreme heat through cracks and stains. In the living room, Chris used an old pier crane base to build his dining table and chairs. This stunning focal point of the living area can’t be moved due to its sheer mass and the lounge seating is made from recycled old timber wharf planks, further accentuating the emphasis on the use of used natural materials. A lap pool doubles as a water feature and is separated from the living space by a wall of toughened glass. This stunning facet provides underwater views from the living areas and encourages cool breezes to enter through louvred windows. Strategically positioned walls and floors of glass allow views to spiritually nourishing features, such as the yoga lawn and turtle pond. The mezzanine level houses a guest bed and a study nook — it’s a quirky space that takes advantage of the spectacular views out to the harsh and beautiful landscape. Chris’ own bedroom carries through the home’s industrial theme with its rugged rustic bedhead and coarse ceiling. Even the bathroom space does not hold back; constructed from recycled timber, it’s yet another bucolic masterpiece, featuring highquality Australian-made fittings. An unusual glass shower provides no privacy, but rather is a chance to be at one with the landscape. Chris involved the environment in the design of his second home. The building is insulated both internally and externally, and argon-filled, double-glazed windows surround the house. Natural light fi lls the space through the expansive and numerous windows throughout the dwelling, and bi-fold doors allow the entire living space to mesh with the exterior surroundings. “I designed the house to rise with the sun, and for the sun to go around the heart of the home, retiring with the sunset,” Chris explains, as the sun sets over his lyrical yet robust experimental structure, a home where he was able to bring together the classic elements of earth, air, fire and water in a fearless expression of his holistic approach to life and health.
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L EG END 1 Living 2 Dining 3 Lap pool 4 Kitchen 5 Laundry 6 Bathroom 7 Bedroom 8 Carport 9 Main entrance 10 Deck 11 Study 12 Void over living below 13 Bedroom 14 Rainwater tank 15 Roof garden
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BELOW Inspired by the natural elements of the immediate and further surroundings, Chris was able to preserve the old and implement the new to create a free and organic home
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Chris’ bedroom carries through the home’s industrial theme
P ROJ E C T T E A M ARCHITECT SWALE Developments, swale.com.au; Hamilton Design, hamiltondesign.com.au INTERIOR DESIGN Seed Interior Design, cdesign.com BUILDER SWALE Developments, swale.com.au BUILDER SURVEYING East Gippsland Building Permits, egbp.com.au STRUCTURAL ENGINEERING Cosentino Group, 03 9558 9888 PLUMBING Forsyth Plumbing, 0488 758 621 ELECTRICIAN PGD Electrical, 0417 149 920
STRUCTURAL TEAM Corten — cutting and folding Romlik, 03 5134 3999 Detailed excavation Gippsland Mini Hoe, 0419 155 886 Equipment hire S&S Hire Morwell, 03 5133 9958 Fireproof lining TBA Firefly, tbafirefly.com.au Ironbark louvres Mountain Timber, 1800 893 893 Joinery design and manufacture Broadbent Cabinets, 03 5134 3666 Landscaping Bond Landscaping, 0410 496 060 Large rock supply Cemex Quarries Jeeralang, 03 5166 1444 Electrical supplies Active Electrical Distributors, 03 5134 6039 Pool equipment and installation MagnaPool/Traralgon Heating &
Leisure, magnapool.com Pool tiles Home Elements, homeelements.us Roofing and plumbing materials Plumbtec Traralgon, 03 5176 5300 Septic greywater system Biolytix Water, biolytix.com.au Steel and Corten supply BlueScope Steel, bluescopedistribution.com.au Plants Mulga Native Plants, 0428 513 092 Structural-steel package Universal Fabrications, 0419 572 161; Churchill Maintenance & Fabrication, 03 5122 2044 Tanking/fasteners general Kencor Sales, kencor.com.au Timber floor Timber Floor Finishes, 0418 698 501 Timber supply (general) Dahlsens, dahlsens.com.au
Wharf timber supply Timbersearch, timberseach.com.au Window and glass installation Bomba Shopfitters; Morwell, 03 5133 0567 Glass and pool glazing supply Alan Hornsby, 0400 163 222 FIXTURES & FITTINGS Appliances Warehouse Sales Traralgon, 03 5176 2277; Retravision Traralgon, retravision.com.au Boilermaker (balustrades) Peter Dean, 0418 503 347 Lighting Mance Design, mance.com.au Photovoltaic supply and installation East Coast Green Energy, 0429 795 570
FURNITURE & ACCESSORIES Furniture supply Vast Interior, 03 5174 9700; Suay, 03 5176 1751 Lounge BJ Upholstery, 0439 745 974; Real Futons, realfutons.com.au Shoji screen Shoji & Tatami Company, 0421 126 401 Spanish abstract artwork Peter Clarke, 03 9347 1700 SERVICES Home insurance RACV Insurance, racv.com.au/Home_Insurance Transport Redline Tilt Tray, 0427 512 880 Window cleaning Extreme Window Cleaning, 03 5168 1384 Crane and large transport Stephenson Transport, 0418 592 822
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Colour Palette Stone, timber, rust and concrete form the canvas in this home. Blue, teal and aqua provide a fresh contrast along with the greenery of the surrounds 01/ Kris Kros hanging lamp by Kenneth Cobonpue. kezu.com.au 02/ Poseidon II 1981 acrylic by Peter Clarke. bridgetmcdonnellgallery.com.au 03/ Carousel large pendant light by Kenneth Cobonpue. kezu.com.au 04/ Mykonos lounger. uniqwafurniture.com.au 05/ Areca Palm. greeneryimports.com.au 06/ Bhatta recycled timber sideboard in Rustic. schots.com.au 07/ Medium Maputo Riverstone wash basin in Natural. schots.com.au
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FSA/TWD0213/01
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ALL HAIL THE KING OF FITZROY
With a garden fit for the Queen and her corgis, this home is worthy of a knighthood, or a royal flyover at the very least WO R D S LO U I S E S M I T H E R S P H O T O G R A P H Y D E R E K S WA LW E L L
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P R OJ E C T KING BILL
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D ETAI LS HOUSE King Bill LOCATION Fitzroy, Victoria DATE COMPLETED January 2018
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tand and salute this impeccably designed project fittingly bequeathed the title of King Bill and described by Andrew Maynard of Austin Maynard Architects as “a love letter to Fitzroy ... a collage of Fitzroy’s built history, its textures, its forms, its order and its chaos”. Consisting of the renovation and extension of a double-storey terrace house built in the 1850s, the project also included the makeover of the original rear stable and consolidation with the neighbouring garden plot. The home is cocooned within Fitzroy’s broader community of weatherboard cottages, post-war stud veneer homes, repurposed warehouses, old factories and 1960s flats. Dotted with petite pocket parks and dense gardens, this family home is a worthy addition to the neighbourhood. King Bill’s faithful subjects are a pair of long-time Fitzroy locals and their two kids. True to the area, and with the owners’ respect for the heritage of the home, the terrace’s facade remains untouched while the interior saw major change. The most dramatic of these changes transpired when the eastern boundary wall was torn down so the entrance could be moved to the side of the structure, where a sun-soaked corridor now sits. This glazed corridor sweeps along the eastern outer wall and meanders from the original terrace to the converted stable (parents’ retreat and garage) and new glass pavilion (kitchen, living, dining) that is bordered by established gardens and sits in stark contrast to the dark masonry walls of the robust two-storey terraces either side. The original entry point is now a garden and the corresponding entry corridor was given a new lease on life when it was transformed into a bedroom. Eager to boost the original rectilinear aesthetic, the owners requested a curvy body of work. A bootylicious abode, if you will. As such, Austin Maynard Architects added curved corrugated metal, curved internal walls and an inset curved concrete slab. Like Fitzroy, King Bill is eclectic in its design aesthetic. With each space developed to vary in nature, the residents can occupy whichever room or building best suits their mood at any given time. Unifying the unique spaces is corrugated Colorbond steel metal cladding. “Surfmist Custom Orb Colorbond is used to define each of the additions — the stable building, the glass pavilion and the bedroom pop out,” explains Andrew. “The advantage of the profile is that it can be rolled to create sweeping curves and sun-shading eyelids. The versatility of using the linear ribs vertically or horizontally allows the material to be used practically in different
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WE LOV EÂ THE SUN-DRENCHED GLAZED CORRIDOR THAT SWEEPS ALONG THE EASTERN OUTER WALL OF THE ORIGINAL TERRACE
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The old stable building now acts as the parents’ wing with a study on the ground floor
“KING BILL IS A COLLAGE OF FITZROY’S BUILT HISTORY, ITS TEXTURES, ITS FORMS, ITS ORDER AND ITS CHAOS” — ANDREW MAYNARD
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applications: to shade and guide rain water (the stable and pop out) or to create the curve of a building (the pavilion).” Turning to the converted stables, or what Andrew describes as “a play space for grown ups”, the original brick walls, fireplaces and timber beams have been retained. The space has been spruced up and modernised with ZINCALUME steel walls. Within these walls is the parents’ bedroom and bathroom perched above a study and car stacker. “A large curved sliding wall separates the parents’ bathroom from an open net over the study below,” adds Andrew. “The parents can now step out of the bath, slide the wall away and then air dry themselves on the net in front of the big sunny north-facing window.” Saving the trees was of utmost importance to both the clients and the architects, leading to a design that worked around the property’s existing foliage. With the desire to maintain and encourage a significant garden that would enrich the block and the streetscape, the resulting “pocket park” is bursting with life thanks to long-established ornamental pear and silver birch trees. “Instead of clearing the site (the easy option), great care, consideration and even greater lengths were taken to save
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An open net adjoining the master bedroom is perfect for rest and play
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Original terrace features have been restored inside the main house
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Colorbond steel metal cladding creates cohesion between the diferent spaces
the trees,” explains Andrew. The concrete slab supporting the living/kitchen/dining pavilion cantilevers beyond its footings to avoid encroachment on the trees’ root systems. Additionally, the foundations for the Y-shaped steel framing consist of thin piers designed to have minimal impact on the soil and therefore circumvent root damage. The Ys themselves were carefully arranged to bypass trunks and branches, while the screening provides ample space for natural growth. Consistent with Austin Maynard Architects’ ethos of sustainability, King Bill packs a whole lot of environmentally friendly facets into one site. From passive solar principles to reduced heat sink (thanks to the large garden amplifying the site’s permeability), the project provides a blueprint for sustainable design. There’s heat-reflecting external Colorbond cladding, double-glazed windows, limited glass in the eastern facades and high-performance insulation, with the entire project maximising available daylight and optimising solar gain throughout winter. “With active management of shade and passive ventilation, demands on mechanical heating and cooling are drastically reduced,” adds Andrew. “A large water tank has been buried within the rear yard, and all roof water is captured and reused to flush toilets and water the garden.” King Bill is more than sustainable, it is a smart home cloaked in a charming heritage facade that demonstrates the power of innovative design and the importance of green spaces. King Bill, we salute you!
E D I TO R ’ S FAVO U R I T E THE CURVED INTERNAL WALLS AND CORRUGATED METAL CLADDING
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BELOW A glazed corridor sweeps along the eastern outer wall from the original house to the converted stable
Curved corrugated steel gives the home a unique profile
P ROJ E C T T E A M ARCHITECT Austin Maynard Architects, Andrew Maynard, Mark Austin, Kathryne Houchin, Ray Dinh, maynardarchitects.com BUILDER CBD Contracting, cbdcontracting.com.au ENGINEER Hive, hiveengineering.com.au NET ENGINEER Tensys, tensys.com LANDSCAPE ARCHITECTS Bush Projects, bushprojects.com.au
FIXTURES & FITTINGS Car stacker Tuflift, tuflift.com.au Brick wall light (internal) Toss B, hubfurniture.com.au Ultra X down-up LED (internal) Delta Light, inlite.com.au Architectural track light Flos, euroluce.com.au Disc hanging pendant Toss B (designer: Jean Francois D’or),
hubfurniture.com.au Electric wall oven, built-in combination steam oven, warming drawer, dishwasher and microwave Miele, miele.com.au Gas on glass cooktop Fisher & Paykel Touch & Slide induction cooktop, fisherpaykel.com/au Integrated fridge/freezer Liebherr, liebherr.com
Double bowl undermount sink Poazza, abey.com.au Sink mixer Gessi, abey.com.au/gessi Rangehood Qasair, condari.com.au Guest bathroom and wall tiles Pico Blue Dots Blanc, urbanedgeceramics.com.au Guest bathroom floor tiles Pico Up Blue, urbanedgeceramics.com.au Kids’ bathroom tiles Pico Blue Dots
Blanc, urbanedgeceramics.com.au Ensuite wall and floor tiles Trellis Blend ICE 7215, Trellis Mosaico Solid Dust 7233, disegnocasa.com.au Internal and external paint Dulux White On White, Dulux Black, Dulux Charcoal, dulux.com.au External steelwork Dulux Metal Shield Etch primer, Dulux Metalshield Premium, dulux.com.au
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Colour Palette The use of colour in this house is a standout! Bold orange, red and emerald carpet provide warmth and surprise among the black, timber, white and brick surrounds. The result is a truly original space
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VACATION VIBES IN VAUCLUSE Modern Australian design with mid-century charisma in Sydney’s eastern suburbs WO R D S LO U I S E S M I T H E R S P H O T O G R A P H Y TO M F E R G U S O N
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DETA ILS HOUSE Curve House LOCATION Vaucluse, NSW DATE COMMENCED February 2016 DATE COMPLETED January 2017 INITIAL BUDGET $1.05m (excluding landscaping) FINAL COST $1.3m (including landscaping)
E D I TO R ’ S FAVO U R I T E THE COMBINATION OF CEDAR-STAINED CLADDING, TALLOWWOOD PARQUETRY AND TIMBER VENEER
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ABOVE This curvaceous home was built in the 1950s and hadn’t been renovated since the ‘60s BELOW Mid-century detailing references the original period of the home
his Vaucluse home was built when sky-high quiffs and stovepipe jeans clogged Sydney streets. Built in the mid 1950s, the abode was last altered in the early 1960s. The house hadn’t even seen a new lick of paint after 55-plus years, so Nick Bell Architects was enlisted to bring it up to date. Indeed, the team was given the tricky task of preserving the best of the mid-century features while improving and opening up the awkward layout of the block. The existing layout saw service areas located at the rear of the property, which effectively — and annoyingly — disconnected living areas from the back garden and a large existing swimming pool. Purchased with the view to transform the property into a lifelong family home, the clients’ brief was comprehensive. Firstly, they requested a new and spacious open-plan living area and the expansion of the existing garden. Secondly, Nick Bell and his team needed to develop a multipurpose basement suitable for use as a rumpus room, nanny’s quarters or guest suite. To achieve this, the original staircase (a dangerously steep set of steps with low head height and small treads) needed to be improved and the structural opening enlarged. Additionally, a new laundry/ bathroom and gym were added to the space, made possible with the introduction of new internal walls, new windows and doors. Next on the owners’ list of must-haves was an abundance of natural light, a touch of glamour and a whole lot of mid-century charm. Finally, a resort-style ambiance with a garden oasis perfect for alfresco shindigs and casual gatherings was crucial to the success of the project. Turning the brief into reality, Nick Bell Architects delivered a new extension to the back of the existing house that features an open-plan kitchen/dining/living area and master bedroom with walk-in-robe and ensuite with access to a private landscaped courtyard. The other existing bedrooms and living areas were largely unaltered except for
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Pink features heavily in the kitchen and works well when combined with the white Corian benchtops
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Sandstone crazy paving was used as an internal and external floor covering to unify the spaces
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“THE RELAXED HOLIDAY ATMOSPHERE THE CLIENTS SOUGHT HAS BEEN EMBODIED AND REFLECTED IN THE ARCHITECTURE, WHICH ALSO RESPECTS AND ENHANCES THE ORIGINAL HOUSE”— NICK BELL
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Large-scale windows flood the home with light
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minor restoration. “Original mid-century modern features such as parquetry flooring, pelmet lighting and timber wall panelling were restored,” says Nick. “The two bathrooms were reconfigured and completely refitted, and the hallway was opened up (by removing wall nibs and doorways).” Aiding the opening up of the entry hallway is a new skylight that infiltrates the space with natural light. The triangular shape of the block threw up some challenges. Namely, retaining a spacious back garden while extending the rear of the house. “The master bedroom was positioned to make maximum use of the unusual-shaped block and oriented at an angle to address the triangular garden,” explains Nick, who credits the curved wall (and feature overhang) of the rear facade with softening the angles and creating a seamless transition between old and new. “The large pool provided a design parameter, making it feel integrated into the new design.” Existing mid-century details acted as a springboard for the design, which sought to reference the original period of the building while also creating a sense of playfulness and glamour with the injection of new ideas and materials. One of the key material choices was sandstone crazy paving as an external and internal floor covering. Brought into site as 2m x 1m panels, the large slabs were broken up by hand. The resulting floors emphasise the unity of the spaces, enhance indoor/outdoor flow and reduce the severity of the triangular rear garden. From floors to walls, walnut-stained timber cladding provides richness and warmth to the rear facade, while internal tallowwood timber joinery ties to the original built-in joinery and parquetry flooring of the house. When it came to the kitchen, the colour palette was the niggling question. The ongoing debate about a blush-hued kitchen was introduced in the early design development but at various points throughout the project, the clients see-sawed between loving and loathing the idea. Eventually, the pink kitchen was given the green light when the team of
P R OJ E C T
CURVE HOUSE
“THE MASTER BEDROOM WAS POSITIONED TO MAKE MAXIMUM USE OF THE UNUSUAL-SHAPED BLOCK AND ORIENTED AT AN ANGLE TO ADDRESS THE TRIANGULAR GARDEN” – NICK BELL ABOVE Walnut stained timber cladding adds sumptuous warmth to the rear facade RIGHT Original parquetry flooring was meticulously restored architects explained their desire to combine the pink with tallowwood and white Corian, thus subduing the colour and creating a calming, modern and sophisticated palette. Perhaps the most striking feature of this Vaucluse project is the roof, which curves in two directions (in plan and in section) and opens to the north above the kitchen to maximise natural light at the back of the house. “The relaxed holiday atmosphere the clients sought has been embodied and reflected in the architecture, which also respects and enhances the original house,” says Nick. The finished home has achieved a unique ambience and blends modern Australian design with mid-century elements and a Palm Springs feel.
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L EG END 1 Hall 2 Stair 3 Bathroom 4 Bedroom 2 5 Study 6 Terrace 7 Living room 8 Kitchen 9 Dining 10 Family 11 Master bedroom 12 Ensuite 13 Kids’ study 14 Bedroom 3 15 WC 16 Terrace 17 Pool 18 Hall 19 Store 20 Garage 21 Gym 22 Rumpus 23 Laundry 24 Sub-floor 25 Pool plant
BELOW LEFT The original bedrooms and living areas were largely unaltered aside from minor restoration
W E LOV E THE POOL AREA WITH HIMALAYAN LIMESTONE COPING AND AN OFF-FORM CONCRETE BENCH SEAT
P ROJ E C T T E A M ARCHITECT/INTERIOR DESIGNER Nick Bell Architects, Nick Bell, Poppi Denison, Gabi Brasil, nickbellarchitects.com, 02 9699 3572 CONTRACTOR Jakin Construction Group, James Watkin and Dean Pringle, Jakin.com.au, 02 9958 8370
STRUCTURAL TEAM Structural engineer R Balas Consulting, rbalasconsulting.com.au FIXTURES & FITTINGS Tapware Brodware, brodware.com Bathroom fittings Luxholdups, etsy.com/au/ shop/LuxHoldups Benchtops and basins Corian, casf.com.au Cooktop Wolf, winningappliances.com.au Fridge/freezer Liebherr, winningappliances.com.au Oven Fisher & Paykel, winningappliances.com.au El Greco bath Natural Stone Bath Factory, naturalstonebathfactory.com.au Wall uplights Lucitalia, lpalighting.com
External lights Wever & Ducré, lpalighting.com In-ground uplights Lumascape, lumascape.com Visi downlights LPA, lpalighting.com Perla honed penny round tiles, Skheme, skheme.com FURNITURE & FURNISHINGS Dining chairs SeehoSu, seehosu.com.au Blue sofa, yellow and pink chair and small yellow cushion Bludot, bludot.com.au Rugs (master bedroom and original living area) Designer Rugs, designerrugs.com.au Trace chair, Tidal sunlounge and side table Tait, madebytait.com.au Blue throw, green Gubi chair and turquoise side
ABOVE The roof curves in two directions, opening above the kitchen and boosting the space’s natural light
table Hay, cultdesign.com.au Enoki coffee tables, Anemone rug and Showtime vases livingedge.com.au Tortuga chair with pouf, outdoor white folding chair and white stools Sara Lund, kezu.com.au Gras No.213 wall lamps Spence & Lyda, spenceandlyda.com.au Wall lamp Fred International, fredinternational.com.au Internal wall colour Dulux, dulux.com.au SERVICES Sandstone supplier Gosford Quarries, gosfordquarries.com.au Joinery Four Seasons Joinery, 4sj.com.au
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PROJECT CURVE HOUSE
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Colour Palette Honey timber and sand d tone one n meet crisp white walls,, providing a fresh base.. Po P p of navy, navy black and teal provide prov ovvid ide anchor points in each room while aqua, yellow and rose keep the mood light
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01/ Gras 214 large wall lamp in Black Satin. spenceandlyda.com.au 02/ Anemone rug in Shades Of Blue. livingedge.com.au 03/ Linnea chair. seehosu.com.au 04/ Puf Puf sofa in Edwards Navy. bludot.com.au 05/CT09 Enoki 550x300 with white base in brown marble and CT09 Enoki 400x400 with white base in white marble. livingedge.com.au 06/ Silent vase in Rose. livingedge.com.au
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WHISPAIR COMBINES PREMIUM EXTRACTION AND LOW NOISE LEVELS.
LET THERE BE
Light A blooming renovation with an illuminating extension WO R D S LO U I S E S M I T H E R S P H O T O G R A P H Y H I L A RY B R A D FO R D P H OTO G R A P H Y, H I L A RY B R A D FO R D P H OTO.C O M . AU
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P R OJ E C T BANKSIA HOUSEÂ
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DETAILS HOUSE Banksia House LOCATION Eaglemont, Victoria DATE COMMENCED June 2014–May 2015 (design period) DATE COMPLETED July 2015– October 2016 (construction period)
Stackable timber sliding doors provide access from the kitchen and dining area to the deck
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anksia House is the reimagining and twostorey extension of a weatherboard cottage in Melbourne. Despite overflowing with character, the existing house suffered from a lack of natural light and a poorly planned rear extension. To compensate for these shortcomings, the clients requested a contemporary home suitable for their three sons and large white Samoyed dog. Additionally, they were after an extension that was sympathetic to the craftsmanship and timber features of the original home. “There was also a desire to connect with the backyard and gain access to natural light given the orientation of the block,” explains Luke Stanley of Luke Stanley Architects. “They wanted to create a long-term family home that could adapt to the needs of their growing family.” The original single-storey house featured three bedrooms, two bathrooms, kitchen, dining area, family and lounge rooms. After receiving the Luke Stanley Architects treatment, the property now features a garage, basement (wine store), four bedrooms, three bathrooms, kitchen, dining, family and living rooms, plus a playroom and study. A renovation without a few design hurdles is rarer than a make-up-free Kardashian, and this project was no different. The main challenge was to create living spaces on the south side of the house with ample access to natural light given their southern location. This was achieved with a raking dining ceiling and Velux skylights.
P R OJ E C T BANKSIA HOUSE
E D I TO R ’ S FAVO U R I T E THE STACKABLE TIMBER SLIDING DOORS THAT BLUR THE BOUNDARY BETWEEN THE INTERIOR AND EXTERIOR SPACES
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CRISP WHITE INTERIOR SPACES MAXIMISE NATURAL LIGHT, WITH FEATURE ELEMENTS SUCH AS OAK VENEER, HANDMADE TILES AND IRONBARK FLOORING BRINGING WARMTH TO THE PALETTE
LEFT Perfectly polished ironbark floors feature throughout the home OPPOSITE A raked ceiling with skylights provides the south side of the house with natural light
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P R OJ E C T BANKSIA HOUSEÂ
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W E LOV E THE ORIGINAL FIREPLACE CLAD IN HANDMADE INAX TILES
“AREAS SUCH AS THE BALCONY AND PLAYROOM HAVE ALSO BEEN SUCCESSFUL IN PROVIDING THE KIDS WITH SPACE WITHOUT BEING DISCONNECTED FROM THE REST OF THE FAMILY” — LUKE STANLEY Crisp white interior spaces boost natural light, with feature elements such as oak veneer, handmade tiles and ironbark flooring bringing warmth to the palette and adding to the breezy, inviting atmosphere. A double-height dining room with suspended Tolomeo light and original fi replace clad in handmade Inax tiles add to the triumphant reno. Inspired by the timber features and roofl ines of the original home, which were reinterpreted in the new extension, the stackable timber sliding doors, which blur the boundaries between interior and exterior spaces, are particularly memorable. “The clients spend a great deal of time enjoying the stacking doors’ connection between the kitchen-living area and the deck,” says Luke. “Areas such as the balcony and playroom have also been successful in providing the kids with space without being disconnected from the rest of the family.”
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P R OJ E C T BANKSIA HOUSE Pops of oak veneer warm the home’s palette
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PROJECT BANKSIA HOUSE
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L EG END 1 Verandah 2 Entry hall 3 Living 4 Powder room 5 Garage 6 Study 7 Playroom 8 Deck 9 Family room 10 Laundry 11 Pantry 12 Kitchen 13 Dining 14 Ensuite 15 WIR 16 Bedroom 1 17 Barbecue area 18 Bedroom 4 19 Bedroom 3 20 Bedroom 2 21 Void 22 Balcony 23 Bathroom
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G R O U N D FLOOR PLAN
F I R ST F LO O R PL A N
LEFT The interior has been impeccably styled
PROJE CT T EAM ARCHITECT Luke Stanley Architects, lukestanleyarchitects.com BUILDER Harvest Building Co Ltd, Tony Biggs, 0418 993 779 INTERIOR DESIGNER Kerry Smith Interior Design, kerrysmithid.com.au
STRUCTURAL TEAM Structural engineer Keith Long & Associates, Jonathon Long, 03 9429 5286 FIXTURES & FITTINGS Plumbing supplies Reece, reece.com.au Stackable sliding door system Brio, brio.com.au Up-lights Brightgreen, brightgreen.com Downlights Ambience Lighting, ambiencelighting.com.au Cypress wall cladding Frencham Cypress, frencham.com.au
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FURNITURE & FURNISHINGS Furniture design and supply Jardan Melbourne, jardan.com.au; Grazia&Co, graziaandco.com.au Kitchen, bathroom tiles and chimney wall tiles Artedomus, artedomus.com Paint finishes Dulux, dulux.com.au Metal roof sheeting Colorbond, colorbond.com Dining wall-mounted pendant light Artemide, artemide.com.au Carpet EC Group, ecgroup.com.au Kitchen appliances Miele, miele.com.au
Timber-framed, double-glazed windows are as aesthetically pleasing as they are functional
Architectural lighting adds visual interest to this bedroom
The new extension is carefully integrated with the layout and spaces of the original home, both inside and out. “Externally, this was achieved with a new timber-clad element that floats above the ground floor and wraps down to meet the original terracotta roof,” elaborates Luke. “Internally, this wrapped form is reflected within the raking ceiling of the dining space, which provides a dramatic shift in volume from the original home.” Meanwhile, details such as the shiplapped timber cladding and casement windows provide a contemporary reinterpretation of the character of the original home. Materials and systems were carefully chosen for their environmental performance, such as timber-framed, double-glazed windows; sustainably sourced timber cladding and high-performance insulation, which all help to reduce heating and cooling requirements. The extension was designed to take full advantage of passive solar gain and cross ventilation with skylights implemented to extract warm air and retractable awnings on the east-facing sliding doors to control heat gain. From dark and drab to bright and fabulous, this home will keep its owners in good stead, and in good spirits, for years to come.
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PROJECT BANKSIA HOUSE
Mood Board
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Colour Palette Honey timber warms an essentially white shell. Pops of teal, turquoise and aqua carry on their own conversation, punctuated by grey and pistachio. The result is a lighthearted feel
01/ Alberto dining table in Solid Oak and Henrik dining chairs in Solid Oak with cream top grain leather seat. iconbydesign.com.au 02/ Mystique Aqua Green glass pool tile. coulson.com.au 03/ Rufus sofa. jardan.com.au 04/ Mariposa ottoman by Edward Barber & Jay Osgerby for Vitra. spacefurniture.com.au 05/ New York sideboard. graziaandco.com.au
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Paarhammer Windows & Doors
Photography by Peter Hyatt
At Paarhammer, we are passionate about HQHUJ\ HIĂ€FLHQF\ DQG VXVWDLQDELOLW\ :H ZRUN closely with your building professionals to get the best outcome with high performance windows and doors. Since 1990, Paarhammer have manufactured award-winning double & triple glazed windows and doors, with low U-values, high sound protection, bushfire protection up to BAL-FZ, delivered Australia-wide, and custom made locally to your specifications. ph: +61 3 5368 1999 e: mail@paarhammer.com.au w: www.paarhammer.com.au
Bellemo & Cat Architects. Photography by Peter Hyatt
PROJECT COOLUM BEACH HOUSE
SUNSHINE COAST SEA CHANGE Rethinking the traditional beach house aesthetic WO R D S LO U I S E S M I T H E R S P H O T O G R A P H Y LU C A S M U R O
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EDITOR ’ S FAVO U R I T E THE SUSPENDED POOL ON TOP OF THE GARAGE WITH CORAL SEA VIEWS
ome to some of the best waves on the Sunshine Coast, Coolum Beach is adored for its sandy shores and surf culture. And now it possesses a piece of real estate so impressive we’re in serious danger of soiling our wetsuits. A hop, skip and a 150m jump to the breaking surf at First Bay sits Coolum Beach House. Prior to the site’s makeover by Aboda Design Group, the vacant north-east-facing plot with views to Noosa National Park was begging for a dose of TLC. Semi-retired clients Trish and Greg Low hoped to maximise the opportunity of the site by taking advantage of the sloping block’s amazing views, great orientation and excellent location in one of Coolum Beach’s best streets. Having raised their family in a nearby rural setting, they were seeking “an unpretentious, comfortable, easy-maintenance, subtropical beach house”. The newly built beach house embraces year-round alfresco dining, with all living spaces on one level pivoted around the pool
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HOUSE Coolum Beach House LOCATION Coolum Beach, Queensland INITIAL BUDGET $1.1m FINAL PROJECT COST $1.1m DATE COMMENCED October 2016 DATE COMPLETED August 2017
P R OJ E C T COOLUM BEACH HOUSEÂ
Oversized rosewood glass doors make the indoors indistinguishable from the outdoors
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PROJECT COOLUM BEACH HOUSE
“A DARKER PALETTE WAS EMBRACED DUE TO THE FLOOD OF NATURAL LIGHT THE LIVING ZONES ENJOY THROUGH THE SOLAR ORIENTATION AND HIGH-LEVEL GLASS” — ANDY BARDINI ABOVE LEFT The kitchen and all main living zones are located on one level to accommodate the needs of aging occupants ABOVE RIGHT The traditional white beach house aesthetic was thrown out the window when styling the interior, with darker tones adding moodiness and sophistication to the structure
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P R OJ E C T COOLUM BEACH HOUSE
and deck, which act as the focal points of the entry. The modern digs offer its occupants — and their guests, including two adult children who live interstate — three bedrooms, twoand-a-half bathrooms, a laundry and study, plus a two-car garage with ample storage and room for two more cars underneath. “The home was designed to cater for the occupants’ needs as they get older, with supply of a lift shaft for future retrofit of a lift and all living zones on one level,” says Andy Bardini from Aboda Design Group, who reiterates the importance of maximising the
coast and beach views. “Maintaining scale and proportion while trying to elevate the building in order to obtain and future proof the view of the ocean and the bays were essential design considerations.” While not formally articulated, it was clear the clients were in the market for a design and build process they could participate in. In fact, Trish was excited to put her knack for decorating to good use by injecting a relaxed aesthetic to the interiors and furnishings. Greg was also involved on a daily basis assisting the builder, Richard, on-site as
a labourer. “The opportunity existed to break from the convention of the white beach house aesthetic with the integration of darker, moodier materials and textures. This was complemented by Trish’s furniture and furnishing choices, influenced by life in Bali and the integration of the soft landscape so well realised by landscape designer E’scapes,” Aboda Design Group’s Scott Falconer adds. Harbouring a long-standing crush on Balinese joinery, which featured throughout their former home, Greg and Trish’s eclectic taste is carefully incorporated into a contemporary
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PROJECT COOLUM BEACH HOUSE
W E LOV E THE OVERSIZED ROSEWOOD DOORS AND OPERABLE SCREENING palette. Stained plywood walls and joinery highlight the palette and warm the space. “A darker palette was embraced due to the flood of natural light the living zones enjoy through the solar orientation and high-level glass,” says Andy. Making use of this enviable solar orientation and boosting the home’s passive solar design, the project team added some 6kW photovoltaic panels (with future battery storage for produced energy) onto the roof. Operable blade screening, activated by a single-action bar, combines form and function to ensure sun protection, timber floor protection and privacy. The oversized rosewood doors in timber and glass reinforce a softening of the built form and create cohesion when coupled with internal timber lining, batten and external plywood. With million-dollar views and the ability to adapt to aging homeowners, Coolum Beach House is an inspiration all coastal dwellers should study with great care. As Scott says, “The result is not only the clients’ dream but the conclusion of a seamless and completely enjoyable process.”
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ABOVE The interior design pays tribute to the owners’ love of Balinese style RIGHT Vertical battens are used both internally and externally for a cohesive finish OPPOSITE TOP Operable blade screening combines form and function
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PROJECT COOLUM BEACH HOUSEÂ
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L EG END 1 Entry 2 Living 3 Kitchen 4 Pantry 5 Lift 6 Powder room 7 Dining 8 Study 9 Hall 10 Bedroom 3 11 Bathroom 12 Shower 13 Laundry 14 Drying 15 Garden 16 Breezeway 17 Bedroom 2 18 WC 19 Ensuite 20 Shower 21 Robe 22 Bedroom 1 23 Alfresco 24 Deck 25 Pool lounge 26 Pool 27 Roof 28 Stairs 29 Turn bay 30 Driveway 31 Entry path 32 Landing 33 Bins 34 Storage 35 Garage 36 Stairs 37 Planting
Bathing with a view thanks to a strategically placed tub and floor-to-ceiling window
P ROJ E C T T E A M DESIGNER/INTERIOR DESIGNER Aboda Design Group, aboda.com.au BUILDER Hardwood Homes, Richard Goodchild, 0407 619 968 ENGINEER SCG Consulting Engineers, scg-engineers.com
STRUCTURAL TEAM Certifier Sunshine Coast Building Approvals, Zane Russell, 07 5443 7288 FIXTURES & FITTINGS Electrician Econelec, Paul Ehrenberg, 0402 180 130 Plumber Flow Solutions, Brad Lucas, 0403 331 655 Joiner Nambour Creative Kitchens, Scott Limpus, 0412 710 704 Aluminium joinery G. James Glass & Aluminium, gjames.com
Glass balustrade Complete Design Fabrication, Trevor King, 0421 786 369 Aluminium screens Lifestyle Aluminium, 07 5459 5459 Plastering Action Plasterers & Renderers, 07 5493 6800 Roofing Makesafe Roofing, 07 5472 7699 Painting Spectrum Painting & Decorating, Michael Thompson, 0408 755 821 Air conditioning Cool Comfort 07 5351 1700 Timber joinery Duce Timber, 07 5479 4411 Timber floor polishing Eco Ezy Floors, 0411 124 901
FURNITURE & FURNISHINGS Furnishings Watermelon Red, watermelonred.com.au SERVICES Landscape design E’scapes Landscape Services, escapeslandscapeservice.com.au
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PROJECT
COOLUM BEACH HOUSE
Mood Board
01/ ReadyFlor, Spotted Gum 1 strip. quick-step.com.au 02/ Nama 2 pendant light in black by AY Illuminate. curiousgrace.com.au 03/ Iron Carved Dome pendant. bisqueinteriors.com.au 04/ Faux potted baby fiddle leaf fig plant by High ST. templeandwebster.com.au 05/ About A chair by Hay in black. finnishdesignshop.com 06/ Taj round cofee table in antique brass. curiousgrace.com.au 07/ Miro terracotta diamond bottle by Salt & Pepper. templeandwebster.com.au 08/ Mid Century three-seater sofa in green by By Designs. templeandwebster.com.au 09/ Embroidered handwork cushion with shell detail. bisqueinteriors.com.au
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Colour Palette Different shades of timber mingle with white walls bathed in light. A combination of boho style and sleek modernity make for a relaxed contemporary space. Bronze, concrete, lime green and orange-reds lift the mood
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Interiors Standout interior design from around the globe
Photography Sarah Anderson Photography
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Brunswick Beauty Simplicity and functionality abound inside this light and airy Scandinavian-inspired Victorian terrace WO R D S LO U I S E S M I T H E R S P H O T O G R A P H Y S A R A H A N D E R S O N P H OTO G R A P H Y
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I N TE R I OR P R OJ E C T JAZZ UP RESIDENCE
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Black accents and modern art fill the historic residence
E D I TO R ’ S FAVO U R I T E THE SMOKED AMERICAN OAK FLOORBOARDS
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reating a liveable space within a small terrace footprint is never easy, unless, of course, you have the expertise of a design powerhouse like SWG Studio. As part of an attached row of five single-storey, single-fronted Victorian terraces, this Brunswick home is littered with historic references and modern influences. Briefed with renovating and restoring the terrace home — complete with original outdoor dunny — and extending the rear addition, SWG Studio was asked to reanimate the structure and improve the layout to facilitate functionality and indoor/outdoor living. A bigger kitchen and plenty of storage were also on the homeowner’s wish list. Santoso Budiman and his SWG colleagues were faced with a long and narrow residence impaled by a hallway on the northern side, off which both bedrooms could be accessed. The living and dining rooms at the rear of the home were added later, as was the kitchen and bathroom and detached metalclad garage. “The existing kitchen was exceptionally narrow with a raked ceiling towards the rear wall, which was facing the courtyard,” recalls Santoso. “The splashback was lined with pine timber panelling laid diagonally above the laminated narrow U-shaped kitchen benchtop.”
I N TE R I OR P R OJ E C T JAZZ UP RESIDENCE
HOUSE Jazz Up Residence LOCATION Brunswick, Victoria INITIAL BUDGET $300,000 FINAL PROJECT COST $395,000 DATE COMMENCED March 2017 DATE COMPLETED July 2017
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The kitchen provides a visual connection to the rear courtyard
“THE EXISTING INTERNAL PLASTERED BRICK WALLS AND THE ORIGINAL CEILING INCLUDING THE CEILING ROSES AND ORIGINAL CORNICES WERE FULLY RESTORED” — SANTOSO BUDIMAN
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To say the home was outdated is being generous, and a jazz up was sorely needed. Built when internal plumbing was a pipe dream for average Melburnians, the original outbuilding with laundry and WC still stands. Now fully restored, the outhouse and the rest of the residence are ready for the 21st century. “The existing internal plastered brick walls and the original ceiling including the ceiling roses and cornices were fully restored,” says Santoso. “The kitchen and bathroom interiors under the skillion roof were demolished, and the detached garage was demolished and replaced with a new, larger one.” The new garage, which is now connected to the rear end of the house via the existing courtyard, was completed with a decidedly contemporary approach by installing vertical timber panelling in front of the corrugatediron cladding to create contrast and depth against the main dwelling.
I N TE R I OR P R OJ E C T JAZZ UP RESIDENCE
Impeccable joinery facilitates much-needed storage
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The light and bright bathroom appears larger than it is
W E LOV E THE CUSTOM JOINERY, PARTICULARLY THE FLOOR-TO-CEILING WARDROBE IN THE MAIN BEDROOM
P R OJ E C T T E A M ARCHITECT/INTERIOR DESIGNER SWG Studio, swgstudio.com.au BUILDER Ilcon Building, ilconbuilding.com.au
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A new courtyard on the southern boundary provides natural light and ventilation for the study as well as creating a visual connection to the rear courtyard through the new sash window in the kitchen. Crisp white walls are warmed by smoked American oak floorboards throughout the original home and the extension. “We convinced the client to continue the timber floor to the rear of the house instead of keeping the existing slate tiles in the back and timber floorboards in the front of the house.” With no storage to speak of and barely a hook to hang your hat, new joinery played a pivotal role in the success of the project. “We created a floor-to-ceiling wardrobe in the main bedroom and the same with a library shelf unit in the second bedroom, which is now a library to house our client’s large book collection,” says Santoso. Having created a functional layout for modern living with storage for days and Victorian charm at every turn, SWG Studio has met and exceeded the homeowner’s brief. Considering the long and narrow site, the results are inspiring.
I N TE R I OR P R OJ E C T JAZZ UP RESIDENCE
Mood Board 02
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Colour Palette The shell of this space is white with an olive-based grey. The honey colour of the floorboards goes well with the gold feature pieces. Black keeps the look modern along with the odd dash of orange and deep navy
01/ Gold Hexag gon serving porium.com tray. cocktailemp 02/ Genuine Brrazilian cowhide rug in black by R Rug Culture. zanui.com.au 03/ Leather Strapping bench in Teak & Black. fentonandfenton n.com.au 04/ Martini side e table in Antique Brass. westelm.ccom.au 05/ Saarinen Diining Table — 47” round in Carrara marble with a satin finish. knoll.com 06/ Dr. YES cha air by Philippe Starck with Eugeni Quitllet for Kartell. spacefurrniture.com.au
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Kitchens & Bathrooms Take some cues from these cutting-edge design ideas
minosadesign.com
154 Natural Revival 157 Best of Both 160 Colour Coded 162 Smoke & Mirrors 166 Uber Style 168 Inspire & Innovate
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PROJECT KITCHEN
Natural Revival A warm and inviting kitchen that’s the heart of the home PHOTOGR APHY BEN WRIGLE Y
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80% OF ZIP HYDROTAP OWNERS DRINK MORE WATER*
We are all aware of the benefits associated with drinking enough water, but despite this, many of us go about our daily lives dehydrated to some degree. As world leaders in instant drinking water systems, Zip invented the innovative HydroTap, the smart and essential addition for every kitchen. Our integrated Australian-made system combines patented PowerPulse™ boiling and Direct DryChilling with MicroPurity filtration technologies to create pure-tasting boiling, chilled and sparkling water you will love in an instant. When water is this convenient and irresistible you’ll love drinking more of it. To improve your hydration and your family’s well-being, discover more at zipwater.com Zip HydroTap. Now available in 8 new premium finishes. *Statistic based on a survey of 354 owners of residential-installed Zip HydroTaps.
ZIP HYDROTAP | PURE TASTING | INSTANT | BOILING | CHILLED | SPARKLING
T H E W O R L D ’ S M O S T A D VA N C E D D R I N K I N G WAT E R S Y S T E M
PROJECT KITCHEN
W E LOV E THIS KITCHEN’S NATURAL FEEL
he homeowners embarked on this renovation hoping to revive their 1890s house and to inject some personal style into the home. Above all, the kitchen needed to be functional, practical and easy to maintain. One of its main faults was that it was enclosed. During the renovation, the room was opened up to integrate seamlessly with the nearby living area, creating a space perfect for both entertaining and family living. The homeowners really loved the Carrara marble benchtop in the former kitchen, but it was a bit worn so it was removed from the benchtop and used strategically in other parts of the space. Dekton by Consentino was employed for the kitchen benchtop and rangehood cladding and the marble was used for the splashback and west
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wall joinery benchtop. In this way the beauty of the marble was retained while Dekton, an equally beautiful but also robust and heat-resistant material, was employed for areas of heavy use. The homeowners have a love for natural materials that age gracefully, so natural American oak was selected for the external faces of the joinery, and a Long John pendant light was purchased to complement the oak. The pendant light was hung from the ceiling with custom-made tan leather straps. Leather detail then became the feature for handles and accessories used throughout the remainder of this gorgeous kitchen. Designer: Frank Iaria for Mint Kitchen Group. cosentino.com/en-au; mintkitchengroup.com.au
P R OJ E C T BATHROOM
Best of Both Monochrome with a splash of warm timber makes for a chic space P H O T O G R A P H Y R O S S TO N K I N
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W E LOV E THE SLEEK STRAP BY ROGERSELLER ROBE HOOK
three-storey Victorian terrace, home to these unique bathrooms, exudes the classic charm of old-world architecture while boasting the luxury and convenience of newworld function. It was imperative that the bathrooms reected this, so the renovation became a three-way collaborative process between the homeowner, designer and the team at Rogerseller. While one bathroom features a restrained colour palette, accentuating the grand home’s original details and lofty ceilings, the other takes a slightly more adventurous stance. Both, however, share a few standout features such
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as juxtaposing textures, materials and shapes, reminiscent of an Art Deco-style contrast. Luxurious Italian black tapware and showers by Fantini, Catalano toilet suites and an ultra-thin rimmed Vitra countertop basin from Rogerseller impart a sense of sophistication and are beautifully set against the backdrop of these intriguing spaces. The unique combinations and subtle contrasts give life to these interiors, ensuring they appeal to both the quirky and more serious sides of life. Designer: Sarah Trotter for Hearth Studio. rogerseller.com.au; hearthstudio.com.au
PROJECT KITCHEN
Colour Coded This unique kitchen pulls out all the stops PHOTOGR APHY TIM TURNER
reating a space that was both open and welcoming, while also being durable and userfriendly, was a challenge competently met by Modulnova with a sophisticated and savvy design. Unique architectural features within this elegant family home required out-of-the-box thinking in order to create a kitchen with a considered link to the living spaces, without sacrificing functionality or style. Handleless flush-panel cabinetry in muted shades of grey offer a minimalist profile that is warmed by touches of timber and textured finishes. A low-profile induction cooktop with
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retractable range helps to maintain the kitchen’s sleek lines — an essential design element to overcome the challenging angles of the architecture. A butler’s kitchen off the main kitchen, with open shelving, gas cooktop and appliance area with extendable stainless-steel bench, makes the most of the tight angular space. Concealed behind pocket doors, this functional spot allows appliances to remain within convenient reach but they’re easily hidden when guests come calling. Designer: Greg Scott for Modulnova Sydney Studio. modulnova.com.au
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W E LOV E THE MILLI CHROME AND MATT BLACK MIXERS, WHICH ARE ULTRAMODERN AND STYLISH
Smoke & Mirrors A moody bathroom with plenty of style PHOTOGR APHY TIM TURNER
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Floor-to-ceiling bathroom tiles can help make a small space look bigger and create an elegant atmosphere
verybody dreams of having their own escape at home. This newly built bathroom replicates a resort-style feel, with luxurious finishes and elegant design. The owners were after a streamlined, monochromatic look that would enhance the scenic bay view from the large picture window. The oversized, freestanding bath makes for a lush centrepiece, ideal for long, relaxing soaks while taking in the breathtaking outlook. Spectacular ash-grey porcelain tiles are found throughout, providing space, continuous flow and harmony. The highlight of the room is without
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a doubt the spacious and well-equipped shower, which features two Hansgrohe Raindance rail heads and a Teknobili Plus overhead. Also included is a builtin recessed niche with subtle lighting and Sirocco feature tiles that create a beautiful contrast against the ash grey. Continuing the streamlined and modern design is the boxed-in-style vanity with built-in shaving mirrors that provide ample storage space. Lavish additions include underfloor heating and a dumbwaiter to the laundry. Designer: Kurt Henderson for Champagne Finish Bathrooms & Kitchens. champagnefi nish.com.au
Uber Style A kitchen designer and architect team up for this outstanding kitchen
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his ultra-stylish kitchen is the result of a collaboration between the design team at Enigma Interiors and Cottee Parker Architects for Spyre Group. The striking kitchen design and concealed butler’s pantry are part of a range of brand-new boutique apartments for the Brisbane development Zahra. The edgy, innovative design is truly conducive to luxury city living. Numerous Gaggenau appliances have been included without dominating the space’s sleek aesthetic. The overall feel is streamlined, which is further enhanced by the kitchen's handleless profiles and integrated benchtop and splashback. The contrasting textures exude an element of sophistication, balanced by subtle copper aluminium shadowline details. enigmainteriors.com.au; cotteeparker.com.au; spyregroup.com.au
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P R OJ E C T KITCHEN
W E LOV E THE LUXURY AND SOPHISTICATION OF THIS WELL-CHOSEN PALETTE
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Inspire & Innovate Introducing some of the most exciting, top-of-the-range, new oferings to make living that little bit easier WOR DS A LE X A NDRA LONGSTA F F
t’s a well-known expression that the the kitchen is the heart of the home. But there is also another unsung hero: the bathroom. Both these rooms are the beating epicentres of the household. Both must meet the needs of life’s most fundamental necessities. And both have the power to make living easier or harder. In a home with a beautifully curated, functional kitchen, cooking becomes a pleasure. And in a home where a bathroom operates seamlessly, a new space for unwinding is born. In households where
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members endure a hard day at work, or messy children, kitchens and bathrooms that make life just that little bit easier can alleviate some of life’s tougher moments. And, luckily, technology and engineering are developing at the rate of knots, meaning there is a plethora of options out there that can turn these spaces into functional, luxurious, modern and, above all, seamless areas for living, cooking, bathing, relaxing, eating and socialising. Innovation in the kitchens and bathrooms market is booming. Here’s what’s happening in the beating hearts of Australia’s newest homes.
The Dolce Stil Novo collection by Smeg is an innovative, luxury appliance that embraces colour trends of mirror black Eclipse glass and copper tones. smeg.com.au
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White is always on trend for kitchen benchtops given its clean and contemporary aesthetic. cosentino.com/en-au
ABOVE With technological improvements, designers now have access to more advanced developments. CAD (computer-aided design) has become more user friendly and widespread, enabling designers to flex their creativity. minosadesign.com
FOOD FOR THOUGHT The luxury freestanding bath from Smiths Briten is a contemporary take on a traditional-style bath that allows homeowners to kick back and relax in comfort. purebathroomcollection.co.uk
“A fantastic kitchen is one that works well in the space provided,” says Kate Deakin-Bell, marketing manager for Cosentino, a wholesaler of luxury surfaces. With this in mind, it’s worth assessing your existing space and analysing what your ideal use is for it before making any changes to either your kitchen or bathroom. Darren Genner, principal and head creative for Minosa, adds that he always encourages his clients to think carefully about how they want to live, socialise and cook before even beginning a design process. He recommends clearly defining this in their minds, so that they can bring these ideas to the table to work with their designer. “Technology has advanced so rapidly in very recent years that clients can be unaware of the elevation of domestic kitchen appliances to that of professional standards,” he says. Darren oftentimes opts for Smeg products such as the Smeg Dolce Stil Novo blast chiller and Thermoseal Plus Steam Assist ovens (page 173), which have such advanced capabilities that they bring chef-level cooking to the everyday kitchen.
YOU GET WHAT YOU PAY FOR “When considering a kitchen renovation, it is important to capitalise on both durability and functionality,” explains Kate. Long-lasting products may set you back in the short term but in the long term, a harder-wearing installation in either a kitchen or bathroom will stand the test of time and ultimately increase the value of a home. “While you might be thinking the cheaper, the better, it is important to understand you get what you pay for,” explains Kate. “Your strategy should be based around featuring the right products of the right quality. For example, investing in durable benchtops, where most of the strength in the kitchen is needed, would be a longer-term investment. Whereas the bright red mixer might be on trend now but will date later.”
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KITCHENS & BATHROOMS
Top tip “When choosing a benchtop, ask your kitchen and bathroom studio or fabricator if you can see the entire slab. They more often than not will be happy to show you through the factory and you can then see the stone in all its grandeur. It’s important to know that stone often has variances from slab to slab and also might change in tone from a small sample to a full slab.” — Kate Deakin-Bell, marketing manager for Cosentino. cosentino.com/en-au
Hidden kitchens and innovative mechanisms for joinery are advancing fast. Kitchens are now cleaner and more minimal than ever. smeg.com.au
THE COOLEST COLOURS When opting for long-lasting, durable products for your kitchen or bathroom space, it’s important to choose something you love. And something that you will love for many years to come. We spend a lot of time in our kitchens and bathrooms, so it’s worthwhile dedicating some time to get inspired by colour. According to John Hoogendoorn, Phoenix Tapware’s creative design manager, stark marble surfaces offset by warm timbers and
metallic are colours worth exploring in the kitchen and bathroom. Everything from warm tones such as brushed nickel, bold statement colours such as brushed gold, or even mixed finishes such as chrome and matt black are becoming iconic, contemporary colour choices. “We have noticed Australians becoming more daring in their colour choice,” adds Kate. “We have seen the trend for black benchtops rise, matching black cabinetry and mixing and
matching appliances, from black and silver to brushed nickel.” “In our practice, we are seeing a wide range of materials,” agrees Darren. “But there is a consistency in black as an accent and precious metals are also becoming very popular. Bronze, copper, matt chrome and brass are all good examples of this, and these are mixed with various other textural elements such as timber and greys in either marble or concrete-type products.”
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Innovation Station Take your pick of these cutting edge products on the market
IT’S SHOWER TIME The newest oferings from Phoenix Tapware, NX showers, take innovation to the next level. The new shower collection includes the Cape, Quil and Vive designs, all of which focus on both functionality and quality. Not only do these showers look sleek, but they also ofer an invigorating shower experience. phoenixtapware.com.au
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TAPPING IN These extraordinary new designs from Phoenix Tapware are simple but also sophisticated. The Ortho collection of wall-mounted bathroom taps uses progressive European cartridge technology paired with an intuitive central dial for a seamless and minimal silhouette. When the dial is turned, the progressive cartridge allows for a flow of cold water, which — after continued turning — activates the hot water to allow it to mix with the cold water. At a full turn, the water runs hot only. To switch of the water, simply turn the tap to its starting position. This innovative design is an award winner, recognised internationally at the iF Design Awards and Red Dot Awards. phoenixtapware.com.au
Top tip “When buying a shower, analysing your needs is important” explains John Hoogendoorn, Phoenix Tapware’s creative design manager. “It is certainly not unreasonable to make a choice based on the look you prefer but don’t ignore some key features. Water eiciency — especially for a large family — becomes an important consideration. All showers sold in Australia must have a WELS star rating (three stars is the most eicient) but also keep an eye on the flow rate number in the centre of the WELS label. Even three-starrated showers can have diferent flow rates (measured in litres per minute); the lower the number, the more water eicient the shower is. Larger shower heads will provide a more drenching, spa-like experience, like being immersed in a tropical rainstorm, but beware that larger heads also tend to lose more heat so use more hot water.” phoenixtapware.com.au
COOKING UP A STORM The Thermoseal Plus Pyrolytic Steam Assist is the oven you didn’t know you needed. Using steam, this oven elevates cooking to a premium level, injecting moisture into food to prevent it from drying out, while also stopping shrinkage. Steamassisted ovens are used by chefs the world over for precise and delicious results. smeg.com.au
KEEP IT SLIM The Vivid Slimline accessories collection from Phoenix Tapware features an elegantly rounded curved silhouette, a pillar design and a signature internal circle feature. Installation is easy given the Vivid Slimline’s unique quick level adjustment fixing mechanism that allows the product to be fixed swiftly and hassle free to the wall. phoenixtapware.com.au
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TOP OF THE RANGE The Whispair Rome 90 is an Australian-made rangehood system that specialises in a technology called KleenAir. Whispair Rome 90 doesn’t rely on finding a balance between air movement and noise, which means a high level of extraction can occur without the noise often encountered with rangehood systems. The Whispair Rome 90 uses an S-Flow bafle filter, energy-eicient LED lighting and a Mastermind electronic system to extract heat, steam, grease and smells from the kitchen. whispair.com.au
MIX IT UP The Roulette Lever Tubular bath/shower set from Consolidated Brass Tapware showcases how beautifully metallic tones can settle into a bathroom space. Crafted from raw brass with engraved indicator buttons, this shower achieves the three-star WELS rating and runs at 9L per minute. A raw brass curtain railing can also be paired with the shower head for a complete look. cbideal.com.au
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ROUND ABOUT The KALDEWEI Miena Washbowl by Anke Salomon won the MIAW Design Award 2017. Fashioned with a single layer of steel enamel, the basin is available in both a round and rectangular shape. bathe.net.au
A BRASSY DELIGHT Beautiful, authentic and rustic, the Roulette Lever Exposed Hob sink set with top taps and swivel gooseneck outlet comes in raw brass with engraved indicator buttons. Not only does this set look spectacular, it also achieves a four-star WELS rating, using only 7.5L per minute. cbideal.com.au
HIGH-POWER PERFORMER The ILVE Fusion cooktop is setting a new standard for kitchen appliances. It’s a high-powered cooktop with induction cooking and four electronic cooking zones. Its ceramic glass top is both aesthetically appealing and highly functional and the integrated downdraft hood ofers an amazing sleek look. ilve.com.au
EVERYTHING IS OK The Rettangolo K tapware from Abey is almost a piece of artwork for the kitchen. Its sleek shape gives it its name and in the renewed range of this elegant tapware, it is available in sophisticated colours to match such as copper, brushed copper, brushed black metal, polished black metal and lastly a contemporary black velvety efect. gessi.com
SLIM SHADY The FIMA Skinny kitchen mixer is an award-winning design by Meneghello Paolelli Associati. It presents a particularly sleek aesthetic to the kitchen sink, and is available in both chrome and matt black. bathe.net.au
CENTRE STAGE The KALDEWEI Meisterstuck Classic Duo Oval freestanding bathtub uses steel enamel to encase its elegant freestanding form. It looks both minimal and chic. bathe.net.au
THE PERFECT DRAIN Aquabocci’s S66 shower drain is the perfect addition to a contemporary bathroom. The drainage system is customisable and is sold in straight sections and corner pieces, which can be configured to any shape.Its grates are available in four modern, sophisticated colours that can be paired with tiling or tapware in the bathroom. aquabocci.com.au GRAND DESIGNS
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ntroducing Quick-Step’s unique Protect+ bevel technology. Quick-Step’s timber range now comes with the protection of a waterrepellent coating. The coating is applied to the short end joins, known as the weakest part of the timber plank, limiting any chance of water damage. This waterrepellent technology ensures the plank is sealed to withstand surface moisture, making cleaning and spills problems of the past. This protective coating safeguards the joins from unwanted dirt penetrating the surface, keeping your floor in perfect condition for many years to come.
HOW DOES IT WORK?
PROTECT YOUR TIMBER Unique bevel technology puts Quick-Step’s timber range in a league of its own
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1. The surface of the timber plank is closed by the protective layers of lacquer or oil, so water cannot penetrate. 2. The strength of the Uniclic® locking technology on the timber’s long side holds the boards together, so water cannot penetrate the joins. 3. Short side = weak point. Innovative bevel technology seals the short side, so water cannot penetrate and cause damage. For more information visit quick-step.com.au
ADV E RTOR I AL FEATURE
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(03) 8401 3291 www.dryager.com.au
The
Source Get down to the nitty-gritty of the functional elements of your home 180 Roof Tiles 182 Outdoor Spaces 192 Garden Studios 200 Street Appeal
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“It’s about those clean lines — a simple and clean-lined aesthetic to achieve that necessary low-pitched roof” — Garth Hollindale
D
THE MONIER JAPANESE LOOK
Zen and the art of roofing Denis and Debbie Grant have fulfilled a life-long dream with their Japanese-style home, just north of Brisbane at Murrumba Downs, complete with a pagoda-style roof, pavilions and even a tatami room
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enis Grant and his wife, Debbie, have always been fascinated with the Japanese culture and the country’s architecture. “Debbie is infatuated with Japan and we often go over to Japan — for two or three months at a time,” says Denis. It’s no surprise that when they came to build their dream house at Murrumba Downs, north of Brisbane, they decided to design a traditional Japanese-style home, with a pagoda-style roof, pavilions and even a tatami room. Built on a block of land owned by Denis’s family for 30 years, they worked with architect Garth Hollindale of Hollindale Mainwaring Architecture to create a Zen-like sanctuary. The house was a new type of design for Garth, so he spent a lot of time researching Japanese architecture. The result is a home that feels like a series of pavilions, while still having the ease of internal connections. “We were bringing courtyards into the house, including an internalised courtyard right near the entry, which gives access to the main bedroom, but also provides light and ventilation through the living space,” he says. Denis loves that the house uses natural materials throughout, creating a tranquil atmosphere. “It’s all just nature; things of stone, earth and timber and a bit of water,” he says. “That stuf never really goes out of fashion.” Garth says Monier’s Horizon concrete tiles were crucial in establishing the right look for the house. “That Japanese typology is very rooffocused,” he explains. “It’s roof-heavy, in terms of its aesthetic contribution to the streetscape, so it’s important that, one, the roof isn’t overdominant in terms of volume or form and, two, that it’s articulated to provide interest to the overall building’s appearance. “It’s really quite a nice result, we think. It’s about those clean lines — a simple and cleanlined aesthetic to achieve that necessary low-pitched roof.” Denis’s favourite room is the tatami room, with the traditional straw mats on the floor. The Japanese eat and sleep in the same room, which is a diferent way of living. “The grass matting makes you feel like you are sleeping in a field just by smelling the grass,” he says. “But you pack up all your doonas and your futons in the cupboard and it’s just really clean the next day. It is a nice way to live.”
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DESIGN TIP:
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CREATE A ZEN-STYLE HOME 1. Pagoda-style roofing. Minimalistic details with a low pitch to create a series of pavilions with a pagoda-style roof. 2. Water features. The sound of water from traditional fountains adds to the feeling of calm in Denis and Debbie Grant’s home. 3. Don’t be afraid of colour with exterior paint. Denis chose Dulux’s Eastern Gold, allowing the home to make a statement against its bush background. 4. Go for tiles with a shingle look. Denis chose the slimline Madison in Soho Night. 5. Tatami mats are an essential part of the Japanese aesthetic. The grass matting of Denis’s favourite room creates the traditional feel he wanted in his home. 6. Interior courtyards allow light throughout the house. Architect Garth Hollindale designed courtyards throughout the house to give the building the feeling of separate pavilions, while still connecting the spaces internally.
The Japanese-style roof is all about minimalistic details with a low pitch, to create a series of pavilions with a pagodastyle roof.
SELECT YOUR TILE 04 05
GOOD — Concrete Madison The ultimate flat concrete roof tile that delivers a streamlined, shingle look. Madison roof tiles will enhance the appearance of your new home and will not rust, warp or corrode — a problem with other roofing materials. Comes standard with C-LOC Colour Lock technology, so your roof looks better for longer. Finish: Matt Roof pitch: Minimum 15°, must use sarking under 20° Ridging: A-line Colours: Soho Night (new colours available in 2019)
BETTER — Terracotta Nullarbor Crafted using raw materials from the Australian landscape, these terracotta tiles are moulded by hand in Vermont, Victoria. The flat terracotta roof tile delivers a look that is stylish and enduring. Terracotta roof tiles will never fade; even after years of sun exposure, wind and rain, they will retain their colour. Finish: Matt Roof pitch: Minimum 25°, must use sarking Ridging: A-line Colours: Titan, Peak, Comet, Bedrock
BEST — Inline Solar THE POWER OF A GREAT-LOOKING ROOF Monier’s latest innovation in solar roofing, InlineSOLAR, sits within the roofline of your home, so you get all the benefits of solar without afecting your house’s street appeal. A first in the Australian market, these panels are less prone to wind or damage as they sit flush with your roof, unlike traditional bolt-on panels. – Integrated design – Structural integrity – Australia’s gold standard – Battery compatible
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OUTDOOR SPACES Poho outdoor occasional chair. cocorepublic.com.au
Style outdoors Create an outdoor area that is both chic and functional WOR D S K A RE N B OOT H
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f you spend any amount of time outdoors, furniture is a must — but you need to think about the practicalities, not just the looks. “Firstly, the function of the space you plan to furnish needs to be considered. Is the area mainly for dining or lounging or both? How many people need to be accommodated? Then there are other considerations, such as will the furniture be under cover or open to the elements,” says landscape designer Aaron Worth of Utopia Landscape Design. Adds David Walker of Swifts Outdoor Furniture, “It’s also important to know the size of your area as it’s very easy in a big showroom to buy something that will be too big for your space. Another factor is upkeep. If your area is roofed, you can buy any quality outdoor furniture and need to do very little maintenance but if the area is unroofed, are you prepared to do what’s required, such as regularly oiling timber?” Weight is another consideration. “Weight and what the piece is made out of is very important as heavy pieces can be frustrating to move,” says Aaron. “Outdoor furniture is usually cleaned more frequently than indoor furniture so having something that is easy to move helps.”
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THE SOUR C E OUTDOOR SPACES Tuile sofa and armchair by Patrick Norguet for Kristalia. fanuli.com.au
Sharky stool by Neuland. Paster & Geldmacher for Kristalia. fanuli.com.au
MAKE A CHOICE Furniture selection typically comes after the garden has been designed, so it’s a matter of finding pieces that appeal to your personal sense of style as well as complementing the design of your outdoor space. “The design of the furniture pieces, the material they are made of and the fabric that covers them are all elements that dictate how your furniture will suit its surroundings,” says Aaron. For example, glass and aluminium would look great in a modern setting but not a country setting. Timber can also look great in a modern outdoor area if teamed with crisp white/cream fabrics but not florals.” Furniture made of synthetic wicker is currently in vogue and suits a wide range of garden styles. It is available at all price points but, as David points out, “You get what you pay for. High-end wicker will have UV stabilisers and use a quality outside canvas, which means it will retain its colour and be long-lasting. In my eyes, though, timber is a good investment as it never goes out of fashion, but you have to purchase furniture made from timber suited for outside use, such as kwila or teak. These timbers have class-1 durability, which means they can handle living in all outside conditions.” Sunbrella’s style and design manager Amy Rochester says that when it comes to adding soft furnishings, think for the long-term. Sunbrella specialises in creating textiles that bring a space to life both indoors and out and recommends keeping longevity in mind. “Choose classic styles, good-quality componentry and neutral colours. This will ensure that your outdoor space stands the test of time and through different trends.” She emphasises that accessorising as the seasons change can make all the difference to its homeliness year-round.
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Livorno collection in white/grey. globewest.com.au
www.castworks.com.au
THE SOUR C E OUTDOOR SPACES LEFT Breu outdoor lounge chair. cocorepublic.com.au OPPOSITE Soda chair by Marcel Sigel. designbythem.com
PERFECT PLACEMENT The placement and orientation of your furniture is important, too. “The individual space and surrounds must be considered,” says Aaron. “For example, is there a particular view or aspect you can take advantage of? Can you position the furniture to capture cooling breezes? Other placement issues are just common sense. Dining furniture should be located close to your barbecue or kitchen area and furniture needs to be placed so that people can easily walk around it and any nearby doors or access points aren’t blocked. “The orientation of the furniture can also play a part in what you end up choosing,” he adds. “For example, a long lounge may be the best choice if your plan is to place it against a wall or facing a particular view, whereas if you want people to gather around a common point, say a coffee table or firepit, single-seat lounges or two-seaters arranged opposite each other are more conducive to conversation.” If you want furniture that can be moved to follow the sun or as your needs change, there are plenty of options available. Large outdoor beanbags and ottomans can be moved with ease from the deck to the lawn to beside the pool and are a great way to provide casual seating when and where it’s needed.
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ABOVE Catalina outdoor dining chair in white and Houston outdoor extension dining table in white. cocorepublic.com.au ABOVE RIGHT Greenery and a long seating option turn this space into an outdoor entertaining oasis. phillipwithers.com RIGHT Siena cofee table, Avery sofa, reindeer hide, Fox tray and vintage overdye rug. cocorepublic.com.au
COMFORT COUNTS “Comfort is critical when choosing furniture. The ergonomics of the pieces themselves, as well as the use of soft furnishings, play a part here,” says Aaron. “Chairs with a very upright back will not be as relaxing as those with a slightly angled back, for example. Dining chairs with cushions will be used for longer than those without. Scatter cushions on lounges allow users to arrange them to make themselves more comfortable.” With the plethora of outdoor scatter and seating cushions now available, not to mention the explosion in designer outdoor fabrics you can use if you want to make your own, it is very easy to add comfort and colour to outdoor benches, dining chairs and lounges. For even greater comfort, you can introduce an outdoor rug or two. This protects bare feet and gives a space a cosy room-like feel. Adds David, “A comfortable, well-furnished outdoor area will be a space you want to spend time in and use. It will make you want to invite friends over for a barbecue and drinks and it gives your home the wow factor. If you have the space, create two outdoor areas — one for dining and the other can be used as an outdoor lounge room where you can relax, perhaps watch some television or warm yourself by an outdoor heater.”
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Zipscreen ofers both privacy and protection from the sun, wind, rain and insects all year round. rolleaseacmeda.com/au
SHADE SOLUTIONS An exposed outdoor space can become unusable when exposed to weather extremes, which is why shade protection, as well as protection from rain and wind, is so important. “The mark of a well-designed outdoor entertaining space is one that is comfortable to use all-year round,” says Andrew Perry of Outrigger Awnings. “It will maximise space, light, breezes and views, and it will complement and add style to your home.” The first thing is to decide when you most need the shade, suggests Andrew. “Do you want the shade all year or would you prefer an option that you can adjust depending on the weather? Some people have open areas that are exposed to the elements all-year round and prefer to have a fixed option. The fixed solution often serves the purpose of protecting a deck area and furniture, even when not being used. Others prefer the flexibility of a retracting option where they can control the level of cover themselves. “A fixed awning is one that is left up permanently to create an outdoor room. It is often rainproof and can be made to any size, shape or colour. A retracting awning can be either motorised or manually operated. It may use arms, poles, or a full frame for support and it should be wind rated.” Deciding if the awning is just for shade or for sun and rain too is important, adds Andrew. “Shade awnings create an outdoor space for entertaining and leisure. They are lighter with an attractive shading transparency effect. Rainproof awnings create an all-weather outdoor room. They provide greater protection for furniture and cushions, and peace of mind when the weather turns inclement.”
Protection from the elements is key to creating a comfortable outdoor space. sunbrella.com
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Nothing beats the look and feel of a fireplace in a covered outdoor space. Furniture pictured is the Reef collection by Globe West. globewest.com.au
The Equinox is a table and fire feature in one so you can create a centrepiece as well as warmth in your outdoor area. brownjordanfires.com
A perfect pair, the architectural Element firepit and the low-set Breeze sofa. madebytait.com.au
HEAT THINGS UP With the right heating you can be outside all year, and one of the most popular choices for backyard entertaining spaces is the firepit. “Firepits can be made from metal, brick, stone or other fire-retardant materials and can be used for heating or cooking,” says Aidan Pivetta of Heat & Grill. They add as much ambience as they do warmth and as long as you keep them away from flammable materials, they are a safe and stylish option. Chimineas, which were commonplace in Spain and Mexico up to 400 years ago, are another option if you want the trifecta of entertaining: heat, ambience and a means of cooking. “The chiminea is a freestanding, front-loading fireplace and if it is well designed and well built, the smoke will escape through the top of the heater, drawing it away from the people sitting around it,” says Aidan. They need to be stoked
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often as they burn fast, but they add a lot of charm. And if you buy an optional grill plate, they can be used for cooking small meals. If you want something that’s unobtrusive and fuss-free, plugand-play electric strip heating is ideal, says Aidan. The Heatstrip range, offering a choice of white or black heating units, leads the pack, he adds. “They have categories such as the Classic, Elegance and Heatstrip Max, which is suitable for difficult-to-heat outdoor areas with high ceilings. It is a hightemperature radiant heater with a unique low-glow, shatter-proof heating element made from corrosion-resistant alloy materials, designed to withstand the harsher outdoor elements. There are several mounting options that will complement any outdoor space.” There’s no time like the present to start planning your heating for winter.
The Morsø Forno from Castworks has a dual purpose: it functions perfectly as a wood-burning oven and a fire to provide warmth. castworks.com.au
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THE SOUR C E GARDEN STUDIOS
Taking it Outside If you need a home oice, studio, gym or extra living space, your garden just might be the perfect location WO R D S K A RE N B OOT H
Harwyn Duo. harwyn.com.au
here are countless benefits to working from home — no daily commute or annoying co-workers chief among them — but there can be challenges, too. For example, if you have a house full of children, getting peace and quiet in those tumultuous hours before and after school can be near impossible. Building an office in the garden can be a great solution and it’s one that increasing numbers of Australians are adopting. Your garden can provide a light-filled and serene space in which to work. In a large garden, an office can be nestled into the landscape and
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located some distance from the home but even in smaller outdoor spaces, an office can be seamlessly integrated with a little care. Some garden offices are prefabricated pods, some are converted shipping containers and others are custom-built structures, but they all offer the benefit of an office away from the noise and distraction of family life, not to mention a leafy outlook. Of course, it’s not just our home offices that are taking root in the garden. There are art and yoga studios, gyms, teenager retreats and outdoor living spaces that double as a spare bedroom when guests come to stay.
Tetra Shed. tetrahotel.com
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Backyard Room. archiblox.com.au
THE EASY LIFE The growing interest in backyard offices and garden studios is mostly about convenience. “People are looking to make life easier,” says landscape designer Phillip Withers of Phillip Withers Landscape Design. “It’s also about finding ways to cost-effectively use the space they have and add value to their property. Some people just want a backyard office or studio because they want to be able to open it up to the garden and enjoy the sight of greenfilled spaces. This ability to create a connection to plants and get away from the house is a winning combination for many.” “We are starting to see an increase in people who run their own businesses and many companies are beginning to see the positive benefits of staff working from a home office,” adds Tony Atkinson, director of Inoutside. “People are also attracted by the versatility. These sorts of home offices can be used for more than one purpose. I think the main reason for the increased popularity of these structures is that people want and need more space as their family grows — and they want an adaptable space that might go from being an office to a rumpus room as needs change over the years.”
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TH E SOU R C E GARDEN STUDIOS Cooba. inoutside.com.au
Design by Scott Lewis Landscape Architecture. Photography by John Sutton. sllasf.com
Sheds are chic Like the “man cave”, women are now insisting they have a space for themselves and, for some, that space is out in the garden and it’s called the “she shed”. It might be a place to enjoy a hobby, write a long-talked-about novel or simply relax in peace. It’s become such a strong trend there’s even an Australian book you can go to for some great ideas — She Sheds by Airm Press. Of course, there’s still a place for the shed that doubles as a man cave. If dad likes to garden or fancies himself a home handyman, the shed can be a storage space, workshop and bolt-hole. Sheds can be custom designed and built but there are also plenty of goodlooking kit-form options. If the exterior of your shed isn’t that appealing, you can do a lot with tasteful painting and planting, or you can erect a freestanding screen — perhaps something in Corten steel with a laser-cut pattern or maybe something constructed out of timber or timber-look aluminium slats.
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Kameroo 4m x 3m. inoutside.com.au
Prefabricated units, from companies such as Inoutside, Harwyn and Archiblox, are an easy and stylish option offering a broader range of design and material choice than you may think. “When choosing a studio/office, consideration should be given to the level of finish, detailing, insulation (acoustic and thermal), what maintenance is required, if any, and if there are any hidden costs,” says Jason Fremder, managing director of Harwyn. “Good design is good design. Choose a product that is stylish and contemporary unless you want the cabin look. Our pods are used widely as home offices, music rooms, play rooms, guest rooms and living quarters. There are standard configurations that we offer and customers can choose from a range of optional extras.” Repurposed shipping containers are another way to go. You can buy one and do the conversion yourself, but most people prefer to call on a company such as Royal Wolf, which produces the Outdoor Room modified container with lighting, airconditioning, timber flooring and glass sliding doors. Custom-built structures are ideal if you have a tricky site or particular needs but, whatever route you take, consider how adaptable the structure will be in five years’
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time. You may work on your own now but if you needed to fit a second worker, could you? And if you decide to retire, could your office easily become an art studio or a play space for the grandkids?
THINK AHEAD If you want to build a permanent structure in your garden, the first thing is to check with council to see what planning permissions are needed — and even if a building permit isn’t needed, there will still be restrictions. “Our units, for example, are class 10A structures, so they don’t need approval, but there are still guidelines that you will need to keep in mind governing such things as boundary off-sets and storm water connections,” says Tony. “Also, you cannot build within 1m of easements. There might be other restrictions if you live in a heritage, flood, termite or fire zone. It’s always best to check with your local council before you go ahead.” Phillip adds, “I would then look to engage a landscape architect or designer as placing a permanent studio will affect the whole garden. You want someone who can help you determine how you can get the best use out of the office or studio, how it will sit within the garden and its relationship to the architecture of your home.”
Kameroo 5m x 3m. inoutside.com.au
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Royal Wolf outdoor room. royalwolf.com.au
Cooba. inoutside.com.au
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Down to business “Backyard studios and oice pods have matured along with the changing nature of work. Individuals are efectively their own CEOs, running their personal employment like their own company,” says Jason Fremder from Harwyn. “A backyard oice pod or garden studio is the spot from where many of today’s businesses are operating. That’s because technology is enabling people to work efectively and eiciently from the comfort of their own backyard.” According to Tony Atkinson of Inoutside, the garden oice makes economic sense. “High property costs and the cost of oice rentals have helped to drive our business,” he says. “It’s much more cost-efective and productive to work from home. There’s no long commute in traic, no fuel and parking costs and no oice lease to pay for.” And with adult children living at home for longer, sometimes there just isn’t a spare bedroom to convert to an oice, so taking it outside might well be the only solution.
Harwyn Mono. harwyn.com.au
Harwyn Maxi. harwyn.com.au GRAND DESIGNS
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THE WORD ON THE
Street
Create a good ďŹ rst impression for your home WO R D S CA RROL BAKER
Tivoli Road Residence by B.E Architecture. Photography by Peter Clarke. bearchitecture.com
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treet appeal, kerb charisma, or whatever you’d like to call it, is what creates a desirable first impression and a lasting memory when others view your home’s exterior. Street appeal really is an aesthetic art form; it’s a way of presenting a property that sets it apart from the rest. Simply put, it’s how attractive your home looks when it’s viewed from the kerb by those who walk or drive by. No doubt you love your home — after all, that’s why you bought it or had it built in the first place. But over time, things change, colours fade and exteriors weather and show wear and tear. Roofing may need a revamp and a tired front door or neglected gardens can detract from the overall look of a home. To assess whether your home has kerb charisma, start by looking at your home as others would see it. View your home’s exterior with a critical dispassionate eye. Does the fence need a facelift? Are the pavers leading to your front door showing signs of age and crumbling, so they’re no longer safe? What about some new exterior lighting to create a warm and welcoming ambience? Street appeal can add substantial value to your home and if you’re selling, street appeal can nudge it firmly into the next price bracket and have buyers knocking down your door. So, whether you’re in the market to sell or you’d just like to give your home a cosmetic overhaul or a seasonal spruce up, there’s lots you can do to boost your home’s street appeal.
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LEFT Door in Dulux Outrageous Red, walls in Dulux Time Capsule and trim in Dulux Hildegard. Photography by Lisa Cohen. dulux.com.au
A LICK OF PAINT In some cases, it might be enough to have the home professionally pressure washed — but repainting the house and roof a contemporary colour and replacing tired and worn tiles can give a home a completely different look. Scratched, peeling and blistered paint on a home’s exterior walls will detract from its overall appearance. A new coat of paint modernises a home, giving it a fresh, clean look. Neutral colours are timeless and will appeal to a wider demographic. Add complementing colours on window frames, trims and railings to complete the picture. A dated brick exterior can, for relatively little cost, be transformed into a contemporary home with render, giving the home a unique and personalised look. There’s so much versatility in rendering; the finished product can have a smooth finish or a unique textured look and paints and pigments can be added to create a diverse range of colours.
DRESS TO IMPRESS What about a new window canopy or awning? They protect your furnishings from fading and restrict scorching heat from entering your home. An awning or canopy can also add value and instant kerb appeal. Awnings and canopies can give a home a definite lift through a splash of colour to modernise the facade, and add interest to an uninspiring window.
PERFECT PAVERS Grassy lawns need ongoing maintenance, regular feeding, watering and weeding. And wear and tear from foot traffic can impact on a front lawn’s overall appearance. Laying some tiles or pavers to a home’s entrance adds value. Natural stone pavers are timeless and durable and steppers interspaced with gravel or pebbles offer a rustic look. If room permits, a curved entryway adds interest, flanked by slimline garden beds or pots on the front steps. Customised paving is one of the factors that makes a home unique. Don’t forget to make it wide enough so it balances easily and aesthetically with the width of the front door. While you are at it, don’t neglect the driveway nearby. A pressure wash or coat of paint on a concrete driveway can improve its appearance substantially. Driveways can pick up grease, dirt and mould stains after heavy rains. A coat of paint will transform an ugly duckling driveway into a thing of beauty.
DON’T FORGET THE BALUSTRADES
Zipscreen. rolleaseacmeda.com/au
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These perform an important function in a home and are installed at the side/edge of a staircase or balcony to prevent people from falling. Is the home’s balustrading up to scratch? A worn or weathered balustrade can be a safety issue — and needs to be addressed. While balustrades serve a practical purpose, they also add aesthetic appeal. Repair and repaint existing balustrading in contemporary colours. Change the look and modernise the home with glass, steel or stone balustrading.
T H E SOU R C E STREET APPEAL
Armadale Residence by B.E Architecture. Photography by Derek Swalwell and Peter Clarke. bearchitecture.com
Dulux Pale Tendril half, Jungle Cloak, Water Rock, Coyote. Photography by Mike Baker. dulux.com.au
Yarrbat by K2LD Architects and Interiors. Photography by Jeremy Wright. k2ld.com.au
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ABOVE St Ives Mast path light. gardentrading.co.uk
LIGHT THE WAY
Blonde Oak Collection doors. corinthian.com.au
Shine the light on your home’s entry and exterior front gardens with outdoor lighting. It brings beauty and warmth, mood or ambience and illuminates areas for safety and security. Contemporary outdoor lighting can be made up of bollards, uplights, wall and pendant lights, spike lights, inground lights, pond lights, strip lighting, and light boxes. Accent lighting, designed to highlight outdoor focal points or architectural elements outside the home, can boost street appeal substantially. For example, a stunning textural wall or water feature uplit by an accent light adds a sense of drama, depth or beauty at night. Modern lighting can also have an attractive copper, bronze, nickel or stainless-steel finish.
Image courtesy of Duce Timber Windows & Doors. duce.com.au
SAFE AS HOUSES Discrete outdoor security won’t detract from the look of your home but will add discernible worth, as passers-by see that your valuable asset, and those who live there are protected. It’s a deterrent to would-be thieves and gives you and your family a sense of comfort and security. Smart home security systems connect to your Wi-Fi network, making operation simple and effective. You can achieve a seamless integration of security systems in and around the home that’s practical and looks great, boosting your home’s street appeal.
Ex-moon light. in-es.com
THREE DOORS DOWN Big front doors are making their mark in the style takes, creating a warm, wide welcome to a home. If you don’t have a big front door, change the colour or style of the door to create a big impact. Front doors tend to fall broadly into two distinct camps — those that are muted and discrete, and those that really “pop” with bright colours. For contemporary homes, a front door in blue or turquoise injects personality, especially when teamed with a white trim. A cherry red door makes a delightful quirky statement, especially when matched with grey. If you decide to go bold, make sure it complements the siding and trim — contrast is fine, but the two shouldn’t compete with each other. If you’re unsure, check on a colour wheel to see what colours will complement each other. On the flip side, subdued colours are timeless; they never go out of style. A muted green door complements the garden beds beyond it and injects a little bit of nature into the overall picture. Blonde timber doors give a home a cool, contemporary look.
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Belmore by K2LD Architects and Interiors. Photography by Aaron Pocock. k2ld.com.au
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Textured and prefinished InsulWall walling. bondor.com.au Zipscreen. rolleaseacmeda.com/au
BORDER LINE Image courtesy of Naturescape Creative. Photography by Neil and Jenny Delmage. naturescapecreative.com.au
Fencing serves several purposes. It keeps pets and young children safe and it delineates and distinguishes your boundary and your neighbours. Fencing also has unique aesthetic value. If the fencing looks shabby, arrange to have breakages, broken palings or locks repaired. Give the fence an instant revamp by spray painting it one colour. But if major repairs are required, it might be a wiser investment to replace the existing fencing. From modular, stone, timber, aluminium, render, PVC and faux timber to laser-cut screens and ornate wrought iron, there is a plethora of choices. No matter what you choose, for true street appeal, you need to be able to see at the very least generous glimpses of your home, so make sure your choice of fencing doesn’t impede the view. Dividing and boundary fence requirements and regulations are governed by local laws — if you’re unsure, check with your local council before you begin a new fencing project.
GREEN SCENE
Monier SOLARtile. monier.com.au
Garden hedging can help you reclaim your privacy and create a beautiful leafy living feature. Evergreens will provide year-round leafy foliage, but you can also create a deciduous fence that has its own winter display of twiggy branches and allows warm sunshine to filter through. Give bushes the snip by pruning back growth to promote a tidy compact shape, so plants have a well-cared-for appearance. Plant out any noticeable gaps in garden beds with advanced plants to match the size of the other plantings to create uniformity. Add plants for colour accents — choose blooms that complement your home’s colour palette. Over time, the soil beneath your grass can become compacted. This restricts root growth and creates wear patterns in high-traffic areas and transition zones. Poke holes in the grass with a garden fork to aerate it and spread washed sand on top, which fills the holes and allows water to penetrate well, and then fertilise for a lush new-look lawn.
A SYMPHONY OF SYMMETRY Do all the elements that make up the home’s exterior appear balanced and in proportion? For example, the number and placement of decorative items, the height of potted plants, the positioning of steppers and the width of garden edging. Reposition, clip and snip, then add or subtract to achieve an aesthetic that harmonises.
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T H E SOU R C E STREET APPEAL Image courtesy of Robeson Architects. robesonarchitects.com.au
Little things matter Try one of the following tips to instantly add appeal: 1 Repaint or replace a worn or outdated letterbox 2 Polish or upgrade street house numbers to match the letterbox 3 Clear up any clutter and keep lawns mowed and gardens edged 4 Remove any branches that overhang pathways and look untidy 5 Green up your verge — remember street appeal extends beyond your property line 6 Sparkling windows, moss-free sills and guttering that isn’t overflowing with leaves and debris will make your property shine 7 Add some outdoor art, an urn, pot or tasteful statue to draw the eye
Catalina House by pH+ Architects. phplusarchitects.com
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Inspiration room by room Hundreds of images, ideas and information to get your home project done
OUTDOORS, POOLS & SPAS
KITCHENS & BATHROOMS
INTERIORS
NEW HOMES & RENOVATIONS
completehome.com.au
Expert Advice Get the low-down from industry professionals
Photography Marian Riabic
210 Architecture 212 Real Estate 214 Building 216 Outdoor Rooms
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IMAGES Orama by AEA Constructions. aeacon.com.au
STEEPED IN
history Heritage homes in the modern era WO R D S P E T E C O LQ U H O U N P H O T O G R A P H Y M A R I A N R I A B I C
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ime capsules of a bygone era, heritage homes certainly hold a certain charm. The very best examples may even be heritage-listed. If you own one, don’t panic, a listing doesn’t mean you can’t make changes. In fact, keeping an old home suitable for contemporary living is encouraged. You just need to know the important parts of the home to keep intact. When considering buying an older-style house, check whether it’s listed by the local council or state government. The first thing to do is type the address into your council’s website or give them a call. Most councils in areas of heritage significance have officers there to advise on the significance of your period home and its contribution to the area. They offer advice on how to best preserve the important elements, recommend local specialist trades and, for very special homes, even steer you towards government grants to help with the upkeep. It’s more likely that your home contributes to a Heritage Conservation Area (HCA) as opposed to being individually listed. That’s an important distinction because making changes will be a lot easier. If your home falls within a HCA, you typically won’t require a Development Application to make minor alterations for maintenance or repair, such as replacing rusty guttering or restoring a rotting verandah. Council will, however, be concerned about any impact more significant works may have on the streetscape. For example, you can’t just paint your house any colour you want; heritage paint schemes vary from area to area and they can be very precise. Apart from local council, the library is always a good source of reference when searching for what the local period architecture was like. If your home has had renovations and additions already done to it, it’s always good to try to source the original plans and period photos. They offer insight into the original intent of the building and inform a respectful approach to restoring the original character. The two general rules you need to remember are, firstly, if someone else in the street has recently completed a similar design (a loft extension, for example), your own approval should be fairly straightforward. Secondly, you can get away with a lot more out the back of a heritage home than the front facing the street.
Getting the balance right between respecting the old while injecting the new requires a sensitive hand. Innovation needs to complement restoration. The latest thinking among architects is to make the distinction clear between old and new. The new elements should not overawe the existing. This balance is achieved using similar rooflines, proportions and materials. A successful result may be the creation of an architectural timeline as you move through the various ages of the home. There are, however, a few things to keep in mind. Where possible, older rooms ideally won’t have ensuites or walk-in robes squeezed into them. This not only upsets the proportions of the existing room but may cut through period ceiling details. Also, in the area of the home where old meets new, explore the potential of letting natural light in from above. This can be done by introducing either skylights or a stairway, which also acts as a light well. Remember, as houses get older, they require a little more TLC. Anything older than 50 years will require regular upkeep, and restoring them to their full original glory will be more expensive than building new. But preserving memories through the preservation of old homes gives architecture that fourth dimension of time.
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IMAGES Kitchen inspiration by IKEA. ikea.com/au/en/
PRETTY
Pennies Save on building costs WO R D S A N D R E W W I N T E R
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s some areas of Australia’s vibrant and often volatile housing markets are beginning to experience an inevitable slow down, for those of you about to build, how do you avoid excessive costs to keep over-capitalisation at bay? Perhaps your area’s land prices have soared and the build costs need to be reined in; it can even be a booming building area where the trades have so much work their charges are not up for negotiation, no matter how many slabs of beer on a Friday afternoon are on offer. What if you do need to save on building costs? From a project home package to a bespoke architectural masterpiece, here are a few options you can follow: x The fi xed-price build contract. While by definition, it sounds ideal, note any conditions or areas that have variation options, hidden groundworks, midconstruction design changes and late additions. This build contract type makes sense for many, but check the small print because that perceived value can soon be blown out by unforeseen or personal extras, generally charged to the maximum. Never accept the first price, negotiate ensuring you are not losing vital elements, of course. Any home builder will have built in a profit; this is only fair for their time, energy, expertise and very valuable contacts to complete the build, but you need to ensure it is fair for you, too. x Fixtures and fittings. From kitchen cabinets to light fittings, appliances,
E X P E RT ADV I C E REAL ESTATE
flooring, tiles and sanitaryware, perhaps you can consider opting out of the builder’s suppliers and stockists and source these items yourself. This is certainly not always possible or, in some instances, may not be as viable as you may think; however, I would argue in some cases it could actually be a cost-effective option, if you are prepared to put in the effort to source, negotiate and organise delivery to site on time. This is the more time-consuming option, which you will need to manage efficiently. Take control. For some, it can be a pleasurable and rewarding connection to the build. x Every square metre costs dollars. Ensure your design hasn’t just upsized for no reason. Typically, I may see a vastly oversized master bedroom disproportionate to the rest of the home, excessive foyer or corridor space, too many rooms with big walk-in robes
that offer less practicality than conventional storage, balconies off bedrooms that no one will use. Design for use, not excess. Savings can be made here at the design stage. x Avoid variations. Get the design and specification right from the start. Changes, upgrades and design tweaks are inevitable; however, the more that occur, the more your costs will rise. Generally, these forms of changes will incur considerably higher costs during construction than had you varied or upgraded before ground was broken. The rule is to think in advance. x DIY. This is not something you associate when constructing your new home, but can it help you with the build? Maybe you have a trade or are practically focused. However, you should not interrupt the smooth running of the project or disregard the fact that building sites have rules that your main
contractor has to adhere to. From painting and decorating to site clearing and external works such as the various forms of external landscaping, fencing etc, is there an element of the build that you could offer your labour services for free? x Review the design and fittings at the pre-construction stage. Analyse everything. Sometimes more reasonably priced alternatives can be found. I would never suggest anyone compromise on style and aesthetics, though, it is all about reviewing options. Maintaining the building costs beast is not an easy task, I acknowledge that for many. But time or lack of experience will result in very few options being practical from my list. In these instances, do not give up, the more questions you ask and the more information you gather, the more you can retain control.
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Y
ou may have heard of the term “buildability” but aren’t actually sure what it means. So what exactly is buildability? It is the degree to which the design of planned building facilitates its construction and utilisation. Does that sound complicated? For a building’s designer, it makes sense. For a building’s design to be good, all elements of construction have been considered, simplifying the process, and the finished product will be a building that can be used to its utmost potential for the purpose it was built. That should be the desired goal of every building designer, architect and construction company.
The process of construction
IMAGES Very Small House from Grand Designs Australia Series 1 Episode 2
Buildability must become an integral part of every design process, making sure that the elements within the building design details are all taken into consideration at the earliest possible stage. Any errors or delays should then be reduced or prevented and all materials used are in accordance with current building codes. This ensures the competitiveness and productivity of the construction industry is significantly improved. By organising the logical sequence of assembly (or construction), it will ensure that the building is completed on time and within budget. It’s up to the construction company to maintain continuity of work with regards to labour, machinery and timely delivery of materials to be able to achieve this.
Concepts and principles of buildability
Buildability Learn about this building buzzword WO R D S C H R I S K N I E R I M P H O T O G R A P H Y R H I A N N O N S L AT T E R
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The principles that are applied to achieve buildability are: Regulation: Designers must consider all building codes and material regulations. Simplicity: Designers should produce the simplest possible details within the overall requirements for the building. Tolerance: Different materials and components used on-site have different compositions and so different jointing methods are required. Allow for the normal tolerances this situation would produce. Logistics: Thought must go into how materials will get on-site and how they will be handled once there. Is there the possibility of using cranes? If not, the design must consider the manual handling of elements of the build on-site. Aesthetics: The aesthetics of the structure could be affected by a simple mistake of the designer not wanting to incorporate an extrusion in a glass facade because they don’t like the appearance. This becomes a problem during the construction phase as the builders must build to regulations and not wanting to install an extrusion because
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the designer feels it would ruin their design integrity is simply no excuse for ignorance. Innovation: Apply any innovative idea that will enhance the buildability of the project. If it increases construction efficiency and the new concept is understood by the workers, then introduce it. Scheduling: Use good scheduling to ensure the construction proceeds smoothly and stays on track. Think logical workflow. Standardisation and repetition: Most elements in building and construction are standardised as this helps reduce costs, risks and errors. Communication and project ownership: Team members working on the project should be encouraged to participate in all levels of the construction. The more knowledgeable input, the less likelihood of future problems.
Need for change Why is there a need to embrace buildability? Buildability is taken very seriously by the construction industry in Europe. According to the CIRIA (Construction Industry Research and Information Association), previous problems existed in the construction industry with comparative isolation of many designers from the practical construction process. The shortcomings as seen by the builders resulted in frustration, long delays and cost overruns due to the separation of design and construction functions. These are negative characteristics of the building industry over the past century.
The Australian standard The CIIA (Construction Industry in Australia) proposed a more holistic approach to buildability and in conjunction with the University of Newcastle has put forward relevant principles that place different emphases on the life cycle of a project. The principles listed are: x Integration: Constructability must be made an integral part of the project plan. x Construction knowledge: Project planning must actively involve construction knowledge and experience. x Team skills: The project team must be appropriate for the project based on their experience, skills etc. x Corporate objectives: The project team’s understanding is to be in line with the client’s corporate and project objective to improve buildability. x Available resources: The technology used in the design solution must be matched with the skills and resources available.
x
External factors: External factors might affect the cost and overall project program. x Project program: The overall project program must be realistic and have the commitment of the project team. x Construction methodology: The construction methodology must be considered in the project design. x Accessibility: Constructability will be improved if accessibility is duly considered in the design stage of the project. x Specifications: Buildability will be improved when efficiency is considered in the development of specifications. x Construction innovation: Constructability will improve with innovation. x Feedback.
Benefits of buildability Practical buildability will prove valuable to practising civil and structural engineers, building designers, builders, quantity surveyors and architects. The success or failure of the introduction of buildability rests squarely on the shoulders of the designers. Some of the earliest problems with buildability were that the concept deteriorated because designers resented the involvement of contractors who gave their opinions during the design stage. It is best to include major contractors at the concept stage to allow for transparency and a smoother construction process. Chris Knierim is an international awardwinning designer and builder. codegreen.com.au
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any of us are time-poor and wish to maximise holiday time at home rather than sit in airports. This, together with concerns of overseas travel safety, has increased interest to invest in a “holiday oasis”. With recent surges in home prices, the equity available in our homes has grown substantially and has encouraged homeowners to spend more money on their properties. Design companies that link the inside and outside to create this personal oasis are in demand. If we are engaged to, say, create a home addition to achieve open-plan living, it may affect placement of later external works. Or, alternatively, if we are looking at developing the outside spaces with a pool or an outdoor room attached to the house, the proposed works will more often than not affect ingress to the home itself, so we typically look after the entire project, marrying the outside and inside.
The home IMAGES Courtesy of A Total Concept
To achieve the connection between inside and out, you can open up the rear of the home with large sliding or concertinaed doors, build a cathedral ceiling, remove internal walls or design an addition. Create an open living space with a new integrated kitchen and design an attached outdoor room with kitchenette facilities with strong linkage between the inside and out. The most important design principle is to create a link between the internal and external spaces by using the same architectural styles, for example a contemporary house will look best with a contemporary pool and cabana, succulent plants and monochrome colours. In the cabana, pick up the design lines in the house, be it the barge board, concertinaed doors and windows or timber types and styles.
The outside
home oasis Create a holiday atmosphere at home WO R D S J O H N S TO R C H
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With Australia’s great climate, cabanas, outdoor rooms and swimming pools are a necessity for a stay-at-home holiday. The cabana or outdoor room may be little more than a gazebo or it may be an elaborate structure that incorporates a luxurious bathroom with a toilet, shower, bath and basin amenities as well as kitchenette facilities for entertaining purposes to create the atmosphere of a home sanctuary. With simplification in design, and with the tendency towards smaller properties and larger
homes, we are finding cabanas, outdoor rooms and swimming pools are shrinking, becoming less complicated and more integrated, so the available outdoor space is becoming smaller and owners want these spaces to have the ability to accommodate all possible uses. Eclectic planting styles and mixing colourful foliage creates year-round appeal and tropical-style plants will help achieve an oasis feel. Accessories such as furniture, cushions and throw rugs, scented candles and art help individualise your project and, together with a focal point such as a fi repit or accent plant, will help tie your space together and achieve the look you’re after. Lighting, heating, music and shade are important considerations to help create the perfect ambience for your space and maximise its seasonal, daytime and night-time usability. Whatever your desires, one thing has become very clear: the boundaries between outdoor and indoor areas will continue to merge as we try to get more value and use out of our properties to improve the quality of our lives. John Storch is principal of A Total Concept Landscape Architects + Designers, a multi-awardwinning practice he established in 1993. John specialises in integrating the inside and outside spaces of projects ranging from family homes to boutique and resort-style developments in Australia and overseas. atotalconcept.com.au
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SHOPPING HOT PRODUCTS
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01/ WARM THE SENSES Not only do heated towel rails make it easier to step out of a steamy shower, they also help keep your bathroom warm, dry and free from damp-loving bacteria. Hydrotherm’s selection of bespoke finishes ofers strikingly flawless and highly durable designs, which allow you to express your own artistic vision and style. hydrotherm.com.au
Contact Consolidated Brass to discuss customisation options. cbideal.com.au
05/ YOU BEAUTY Thinking of remodelling your bathroom but not sure where to start? Beautifully hand-carved from natural river stone, the Maputo basin is sure to make a stunning natural addition to any contemporary bathroom setting. Make it your own. schots.com.au
02/ BATHROOM DELIGHT Hydrotherm’s signature series, the Floor to Ceiling range, is a bold symbol of class, supremacy and style. Centrepieces for designer bathrooms, the models signify superior luxury while generating clean, radiant warmth. hydrotherm.com.au
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03/ LIKE A ROLLING STONE For a dramatic yet timeless look in your kitchen or bathroom, check out Talostone’s 9090 Statuario. With a crisp white background and grey veining, Statuario is an engineered stone that looks as elegant as it is practical and that’s strong enough to resist daily wear and tear. The quartz surface is the perfect solution for kitchen benchtops, bathroom vanity tops and wall panels, ofering countless design possibilities. talostone.com.au
PRODUCT AND SERVICE
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04/ YOUR BATHROOM DESERVES TO LOOK THIS GOOD If you’ve been dreaming of taking your bathroom from drab to fab, we have found the item that should be gracing the top of your wish list. Manufactured in Australia, Consolidated Brass Tapware combines matt black with other trim colours to create products that are simple, stylish and efective. On this set, matt black is combined with antique brass for a sleek and subtle refresh in the powder room. Pictured is the Roulette lever hob sink set with swivel gooseneck outlet in matt black and antique brass trim.
06/ FEAST YOUR EYES ILVE continues to challenge kitchen design and is constantly innovating. The brand’s latest cooktop, Fusion, fuses together an integrated downdraft hood and cooktop into one exciting appliance. This high-powered induction cooktop has four electronic cooking zones and is made from ceramic glass. It is super stylish and will make an impressive addition to your kitchen. ilve.com.au
07/ ONE FOR THE AGES Dry aging is a traditional method used to enhance the flavour profile and tenderness of beef. Once reserved for top restaurants and artisan meat suppliers, now you can now dry age with ease in the comfort of your home. This German-made DRY AGER Meat Maturing Cabinet has received its third iF Design Award — one of the most important design awards in the world. This award honours design achievements in all disciplines such as product, packaging and communication design as well as architecture and interior design. There’s no doubt that Aussies love good food and an increasing number of Australians are dry aging their meat at home, so why not dry age in style with the DRY AGER? dryager.com.au
08/ PERFECT POP OF COLOUR If you’re looking to update your home but don’t have much room to play with, we’ve found the ultimate transformative
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mixers, which are functional as well as inspirational. Your outdoor kitchen won’t be the same without it. abey.com.au
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10/ FOUND: THE EASIEST WAY TO UPDATE YOUR HOME
tool: the Dally.2017. This unique artwork from Morabon will add powerful texture and colour and bring much-needed visual interest to any space. Whether you hang it up or lean it against the wall, it will make you smile every time you look at it. To check out other artworks or view previous commissions, be sure to visit Morabon’s website. morabon.com.au
09/ TAKE IT OUTSIDE An alfresco area would not be complete without a sink and kitchen mixer that can withstand the elements. Thankfully for us, Abey has created a range of 316 marinegrade stainless-steel sinks and kitchen
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It’s no secret that art is the fastest way to add personality to a room. In Bloom and In Bloom 2 will instantly make a place feel like home. This pair of figurative artworks employs warm skin tones, organic green and raven black to create a subtle yet striking feature. Each of United Interiors’ canvas prints are created with modern digital print technology that transforms stunning artworks onto strong and durable canvas material. All artworks are made to order and to your specific size and orientation. All are also stretched and packaged in Australia and are supplied ready to hang. united-interiors.com.au
11/ SIMPLY THE BEST When it comes to your rangehood, finding the balance between superior air movement and low levels of noise can be diicult to manage. Australian brand Whispair specialises in the design of premium-quality rangehood systems, utilising revolutionary technology called KleenAir, which doesn’t rely on finding a balance between air movement and noise. With Whispair, you have the choice between two remarkable solutions. The first utilises the most advanced on-board motor technology to eliminate motor noise from the fan unit. The second completely removes the powerful fan motor from the canopy and places it away from the kitchen, considerably reducing operating noise while still achieving a high level of extraction. The most recent addition to the family is the Rome 90 in white glass. Available in either a wall- or island-mounted configuration, the Rome 90 combines modern canopy design with exceptional performance. whispair.com.au
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12/ ARCHITECTURAL INNOVATION
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The creation of the Aquabocci R-47 Threshold drain happened by chance after an architect in London designed a stone floor to extend from the property’s interior out to the balcony, separated by a set of sliding doors with a track that sat flush between the tiles. However, this posed one big problem: the risk that water would leak through the weep holes in the door track and into the house, causing the tiles to lift. The engineering wizards at Aquabocci set out to develop a product that would catch water in the bottom of a door track (which can be anywhere between 30mm and 70mm below the finished floor level). They found the solution — developing a fully integrable product that efectively stops water from seeping through into the home and redirects it through a special channel, into drains below. And better still, the Aquabocci R-47 comes in four colours — silver, titanium, black and champagne — to perfectly match any design. aquabocci.com.au
13/ TOO GOOD TO BE TRUE
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With timber, the design possibilities are almost unlimited, suiting those wanting a traditional feel, a sleek modern design or those looking to add an organic touch. Trend’s Botanica Timber series gives your home the warmth, texture and tactility that only timber brings. As well as adding beauty and style, highperformance Botanica windows and doors enhance your home’s liveability by improving comfort and the usability of a space. A relaxed summer vibe is incredibly alluring but when the colder months hit, you want your windows and doors to help keep the warmth in and the cold out. Timber’s natural insulating properties in combination with Trend’s energy-eicient glazing options make Botanica the most energy-eicient window and door frame available, ensuring year-round comfort. trendwindows.com.au
14/ MAKE A GREAT FIRST IMPRESSION As blonde timber and soft colour palettes continue to be on trend in both architecture
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and interior design, Corinthian Doors ofers homeowners style versatility through the release of its stylish Blonde Oak collection. Crafted from sustainable timber with an American white oak veneer, traditional stile and rail joinery techniques have been adopted to construct the exquisite range of entrance doors. Solid in construction and expertly made, the collection is available in a range of designs and sizes, including wide stile pivot doors. There is also the option of pairing these doors with complementary American white oak frames such as the Enviroseal, which features an aluminium self-draining sill, conducting rain away from the door. corinthian.com.au
15/ LIVE UNINTERRUPTED Unlike traditional servery sashless windows that allow you to move the panes individually, Flomotion sashless windows incorporate a patented system that moves two panes of glass up or down simultaneously. An industry first, this sleek, unobtrusive design with unique functionality makes Flomotion an ideal window for any application. The unique movement of the panes and the sashless composition means they can stack with one movement. The moving glass panes overlap against a single pane, providing the largest opening of any sashless window on the market. aneetawindows.com
16/ INVITE LIGHT INTO ANY SPACE For a chic, timeless way to brighten and open up any home, think about incorporating sliding doors into your design and playing up the existing framework. Dowell’s alfresco, sliding and bifold doors are durable and low maintenance, featuring easy-clean aluminium profiles. The doors completely transform a cramped room into a vast space that smoothly transitions to the outdoor living area. So what are you waiting for? Create a wall of windows with full-panel glass doors that ofer sweeping outdoor views and flood your room with natural light. We can’t get enough. dowell.com.au
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17/ BUG OFF Summer is fast approaching so it’s high time you prepare your house for the dreaded mosquito season. The Brio screen is an integral insect screen for multi-fold doors that retracts invisibly into the door frame. The pleated design allows greater height and width possibilities and can be retrofitted to existing bifold doors. Plus, you not only don’t have to compromise on style but the cost of this screen is about a third of competing systems on the market. woodworkers.com.au
18/ SUSTAINABLE LIVING FOR THE WIN Urban food production is a key part of our future sustainability, social connection and food security. Biofilta has developed a range of modular garden products that are water eicient, user friendly, high yielding and low maintenance. The Foodwall sustainable garden range is designed and made in Australia and comes in three varieties: step, vertical and horizontal food wall. Get it while it’s hot. biofilta.com.au; phillipwithers.com
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European oak. The solid triple-oak structure and a 6mm sanding layer ensure a timber flooring option built for longevity. Argento is an exotic colour with tonal variations that would work well in a minimalist space to highlight materiality as a focal point, or in a more traditional space in need of an update sympathetic to its heritage past. tngflooring.com.au
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21/ MADE FOR THE SHADE If you’re looking for an attractive solution for capturing breezes, sunlight and views while maintaining your privacy at home, you’re sure to fall in love with the Miami Colonial shutters from Shutterflex. Available in three elegant colours and two diferent profiles, these luxurious shutters provide excellent protection from the sun, wind and rain. shutterflex.com.au
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19/ FORM AND FUNCTION For making an architectural statement, nothing beats the versatility and style of Paarhammer sliding doors. In addition to a double layer of seals, the doors feature retractable carriages as part of the German hardware, which allow the door to be sealed airtight to increase energy eiciency and stop drafts. Paarhammer also manufactures bushfire-safe sliding doors compliant to Australian standards. Double- or tripleglazed sliding doors, stackers, giant sliders and corner sliders are custom-made and are available in many configurations. Choose from a variety of glazing options and finishes. paarhammer.com.au
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20/ THING FOR FLOORS Tongue n Groove’s Argento colour is a medium grey with hints of golden brown that highlights the beautiful characteristics of
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EXPERT ADVI C E ASK OUR ARCHITECT
Ask Our Architect Editor-at-large Peter Maddison answers your questions
Hamilton Japanese Queenslander from Grand Designs Australia Series 7 Episode 9
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There is much hype around small housing. My wife and I are scratching to secure a deposit for our own place. Is small living really an alternative? Where can we buy such a house or do we need to have it purpose designed and built, ie expensive? Where do we get a block to put such a house on and will we get a permit? Your advice would be appreciated. There is great interest in living small because it’s sustainable, affordable and therefore makes sense. I believe the small house movement will grow and there will be more on offer. Currently, I suggest you look up Kids Under Cover (kuc.org.au). This charity is selling off-the-shelf, compact homes for between $35,000 plus GST and $100,000 plus GST. All profits go back to the charity. Other suppliers of well-designed prefabricated homes include Archiblox (archiblox.com.au), Prebuilt (prebuilt.com.au) and Modscape (modscape.com.au). The main thing is to ensure the prefab house suits your orientation and capitalises on the site’s natural attributes (view, breezes, overlooking from neighbours etc). These small homes are modest and you should have no problem getting a permit. In fact, you may struggle finding a block of land small enough for one!
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Following an extended overseas trip, we fell in love with Mediterraneanstyle architecture. The simplicity and substance of rendered masonry buildings seems a natural fit with the Australian lifestyle and landscape. Should we engage an architect for such a home and who does this style of work? We have $750,000 to spend. My advice would be to give this brief to an Australian architect and let them reinvent a design that is more original and appropriate than simply copying another country’s “indigenous” style. The Australian climate and landscape is far more varied than that of, for instance, Spain. Compare Tassie to Cape Tribulation — different designs are demanded. A successful design is tailor made for a particular locale, its climatic conditions and building materials that are preferably sourced locally. These influences help generate an architecture that is relevant, responsible, original and enduring. By way of example, check out the Hamilton Japanese Queenslander in Grand Designs Australia Series 7 Episode 9. This is a great example of how design influences from abroad (Japan) can improve what has been an iconic Australian style.
A Hamilton Japanese Queenslander
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From back-beach to mountaintop, we have followed GDA for eight years. We love it. My wife would love to know how you got the gig as host and whether what you say on the show is scripted. To us it looks spontaneous. We also find some of your language very educational. Where is the show going from here? Well, thanks. As a way of background and record, I didn’t seek the role of host. It found me. It went like this: random email; why not; screen test one; self-doubt; screen test two; job offer; procrastination; threat of losing the opportunity; friends’ encouragement; 75 episodes later! All of what you see on the screen is the selected bits of interaction that are all non-scripted. The only scripted work is the voiceover soundtrack that sews the live scenes together, plus some of the pieces to camera. I hope the tone, expression and vocabulary is educational. I am aware of using language that is too jargonistic and high falutin’.
A Q&A — Need Peter ’s Help? Email your queries to homedesign@umco.com.au
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@home with the architect Photographer: Peter Bennetts
We all enjoy seeing architect-designed homes featured on shows and magazines, what about getting a ticket to visit one and experience the spaces yourself? Our “At Home with the Architect” series showcases an architect designed home every month. The house is open for one or two hours on the day and you can arrive and leave at your leisure. The architect and/or the owner will be there to show you through the house and to explain the design. This house in Castlecrag designed by Porebski Architects was one of the homes we opened in 2017. Subscribe to the “All About Architecture” e-Newsletter on our website and be one of the first to know about the next tour!
www.architecture.org.au
GRAND D ESI GN S
Index
Abey Australia ............................................................... 107 Aboda Design Group..............................................OBC Amber Tiles .................................................................... IBC Aneeta ...........................................................................31, 33 Aquabocci ........................................................................ 29 Australian Architecture Association ................ 225 Bathe .................................................................................. 159 Bondor...............................................................................IFC Bosch.....................................................................................10 Castworks........................................................................ 185 Chateau Mirrors .............................................................20 Chris Clout Design........................................................46
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Consolidated Brass CB Ideal Tapware............... 39 Corinthian Doors ........................................................... 83 Domayne ............................................................................ 12 Dowell Windows ...............................................................6 Dry Ager.............................................................................178 Duce Timber & Windows........................................... 24 Duravit ..................................................................................37 Ekornes .............................................................................. 191 Gaia Retreat & Spa ........................................................59 Hydrotherm ...................................................................... 14 ILVE ......................................................................................35 Paarhammer.....................................................................131
Phoenix Tapware......................................................... 165 Rollease Acmeda..............................................................8 Schots Home Emporium........................................... 22 Shutterflex.......................................................................... 16 Talostone...............................................................................4 The Woodworkers Company................................... 18 Tongue n Groove ......................................................... 152 Trend Windows...............................................................95 United Interiors ............................................................... 41 Vintec................................................................................... 57 Whispair..............................................................................119 Zip Industries.................................................................. 155
Photography Tom Ferguson
INDEX
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