Academic Portfolio 2020

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PORTFOLIO

e m i l y d a u s kurdas

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DESIGN I | summer studio

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V I S U A L CO M M U N I CAT I O N 1 | s u m m e r s t u d i o

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V I S U A L CO M M U N I CAT I O N 1 | s u m m e r s t u d i o

13 - 14

V I S U A L CO M M U N I CAT I O N I I | s u m m e r s t u d i o

15 - 17

DESIGN III | austin cace

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V I S U A L CO M M U N I CAT I O N I I I | g ra s s ho p p e r

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DESIGN III | austin cace

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V I S U A L CO M M U N I CAT I O N I I I | p ro c e s s i n g

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DESIGN IV | precedent research & component

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DESIGN IV | water conservation center

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DESIGN IV | 605 w 4th street

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CONSTRUCTION III | wall section

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D E S I G N V | precedent research & systems exploration

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D E S I G N V | fighting global warming network

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SPACIAL EXPLORATION this project was an introductory step towards understanding operational design. beginning with a basswood tube, simple operations of shifting, revealing, and subtraction were used to allow for circulation and light. this was the first instance we were faced with answering the questions “what does this operation add or take away from the space?� i designed a meditative space that can be plugged into the wooden tube that plays with the concept of concealing and revealing. this project explores duality and the human experience.


elevation of physical model


o i d u t s r e m m u s | I N G I S E D 03

axonometric hand drawing extruded from plan


section hand drawing

figure ground hand drawing


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axonometric hand drawing perspective hand drawing

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plan hand drawing


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plan hand drawing of Bahia Azul from Cecelia Puga

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perspective hand drawing of Bahia Azul from Cecelia Puga


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FARM STAND this studio focused heavily on operational logic and form finding. we were introduced to a more developed program of a farm stand that required several new conciderations. the most consuming concideration was that of site maniplulation. students were instructed to carve and build their own site in responce to their building. students were also instructed to create an operable element thus challenging our physical model-


physical model in site


after creating abstract polygons, construction lines were drew between two arbirary shapes to locate connections.

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CONNECTIONS LINES

construction lines were then lifted into model form and additional basswood sticks were used to provide support to the internal figure.

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MATERIALIZED

a section of this prism was subtracted to reveil a wall to be used for further form exploration.

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a bend was applied at two contact points along the wall. this was done thoughtfully but without concideration of scale or occupation.

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BEND APPLIED

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OPERATION a triangular shaped shade is set on rotation and can be used to modulate light at various times of day.

PROGRAM careful conc i d e r a t i o n was placed into the location of the fruits and vegitables being sold at this fruit stand.

physical model in site


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abstract figure in isometric and elevation

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C O M M U N I C A T I O N

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previous abstract figure unrolled


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AUSTIN CACE “c e n t e r f o r t he a r t s c u l t u r e a n d entertainment� austin cace is a center for the city of austin. this space is a hub for cultrual programming, education, technology, and the arts. my design is based on an anaysis of the qatar national convention center which is formally designed to look like the sidra tree. i studied the tree in relation to the islamic religion and brought those ideals into the form and circulation of this building. the drawing to the lef t shows a sidra tree, the inspiration for this building, and the branching and void capturing qualities it posses that are prevalent in my design.


street view render


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BRANCHING this project explores the spatial qualities of weaving and branching through an acrlic box. we used a combination of twisting and braiding of the white t wine to create a variety of outcomes.

VOID CAPTURING by weaving and twisting these strings to the acrylic box, we were aple to explore the negative space created by these white lines. one central space was captured that i brought over to my final project that became the atrium and central gathering space.


I I _03 population: 2 5I.3 Population: 25 s e Series: r i e 27s : 2 7 Shift List: 10

_04 population: 5 0 I.4 Population: 50 s e r Series: i e s 100 : 10 0

_05 population: 4 0I.5 Population: 40 s e Series: r i e61s : 61

_06 population: 15 I.6 Population: 15 s e r Series: i e s 9: 9

_07 population: 2 0I.7 Population: 20 s e Series: r i e 14s : 14 Shift List: 1

_08 population: I.8 2 0 Population: 20 s e r Series: i e List: s 92:4 9 2 Shift

_09 p oI.9p u l a t i o n : 20 2 0Population: Series: 59 s e Shift r i eList:s3: 5 9

_ 010 p o pI.10u l a t i o n : 10 10 Population: Series: 96 s e r Shift i e List: s :9 9 6

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Shift List: 10

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Shift List: 10

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_02 population: 2 5 I.2 Population: 25 s e r Series: i e s 29: 2 9

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ARCH 320D Intermediate Design Studio 1: Operational | Professor: Kory Bieg

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_03 | Precedent Research + Analysis

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GRASSHOPPER DEFINITION


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ENVELOPE the envelope with dimentions was provided at the beginning of this project.

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CLUSTERING

BRANCHING TECHNIQUE

FLOOR PLATES)

BRANCHING using a system of branching, connections were made between cluster points.

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located cluster points using grasshopper and physical model data.

VOID CAPTURING voids and planes were called out to later be used to locate space and assign program.


B SITE PLAN 1/16”= 1’ 0”

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site plan


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PLANS 1/8” = 1’ 0”

PLAN B | SECOND FLOOR

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PLAN A | GROUND FLOOR

PRIVATE OFFICE

“GREEN ROOM” OM M OR GATHERING G SPACE RESTROOM

CAFE LOADING SIDE DRIVEWAY

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STORAGE STO STORAG RAGEE

COPY RROOM

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GATHERING SPACE

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LOBBY

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PATIO

ground floor plan

second floor plan


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PLAN C | THIRD FLOOR

A |SHORT SECTION

PLAN D | FORTH FLOOR

B | LONG SECTION

PATIO

PR PRIVATE OFFICE

PRIVATE OFFICE

PLAN D

PLAN C CONFRENCE EN ROOM OO O

UP

BATHROOM

EXHIBITION SPACE

PLAN B

PRIVATE OFFICE

TECHNO TECHNOLOGY LAB

A GATHERING SPACE

STORAGE

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third floor plan

fourth floor plan

PLAN A


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A | SHORT SECTION

SHORT SECTION

LONG SECTION CUT


NORTH ELEVATION NORTH ELEVATION 1/8” = 1’ 0”

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SHORT SECTION CUT


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INTERIOR RENDER 02 branching system is also applied to internal window mullions.

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I N T E R I O R R E N D E R 01 this frame captures the relationship of apetures to floor plates.

INTERIOR RENDER 03 stairs lead the main circulation path up into the building and follow the direction of the branching structur al members.


triangulated roof

physical model

physical model


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PROSSESSING Emily Dauskurdas

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C O M M U N I C A T I O N

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I.2 random ellipse s i z e s ( 0 ,10 0 ) I .1 I.2 ellipse sizes (0,100) I.2i m e 2 tRandom i m e 1 tTime 2 Time 1

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PROCESSING a newer form of graphic design, processing reads code and displays graphics according to given data. this image series are taken several seconds apart and continue to grow in this manner for infinite time.


background (Background 0 )3 (0) Time

background (0) rBackground a n d o(0)m c o l o r (Random 0 ,32 color 5 5(0,255) ) Time

z o o m : I .1 tZoom: i m eI.1 Time 33


t r o u p i e r r e j e a n | s t u d i o e n v i r o n m e n t a l

in collaboration with Ali Davis & Va s S u f u ev the introductory phases of this studio were devoted to research, speculation, and inquiry. research and analysis of environment (site, place, context, design). we examined both the theory and its application through studying these precedents in an effort to provide a collective catalogue of information for reference for the entire studio. we aimed to answer the questions, what is the problem the architect is trying to solve? why is it relevant? how do they solve it? how to do they integrate biophilia and/or biomimicry? which patterns of biophilic design are present in the project?

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PRECEDENTS RESEARCH & A N AYS I S

the illustration to the lef t was done in part of a study of the natural environment around us and was translated to an abtract pattern used for inspiration.


P R E C E D E N T 01 SOUTH BEACH FO ST E R + PA RT N E R S entral Business District.

OFFICES RETAIL APARTMENTS HOTEL WIND DIAGRAM

PROGRAM

PASSIVE COOLING

the south beach development occupies an entire city block in d o w n t o w n S i n g a p o r e . Th i s b u i l d ing was studied because it is conceived as a sustainable urban quarter. the south tower is divided between a hotel and apartments while the north tower is made up of office floors.

the gently curving form of the two towers is a continuation of the undulating canopy be low. their facades are angled to capture prevaling winds and direct air flow to cool ground level spaces as shown in the diagram above.


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PRECEDENT 02 LOTUS TEMPLE FARIBORZ SAHBA

this temple is organized as a nine-sided circular structure that is comprised of twenty-seven “leaves� organized in groups of three on each of the temples nine sides. the structure is inspired by the lotus flower and is arguably one of the most visible instances of biomimicry in contemporary architecture.

the temple is built as a chimney as the openings at the bottom draw in cool air and heat and light is emitted out of the top. the latural slope of the land is used to create a large basement at the level of the pools that also aid in this stack effect.


PRECEDENT 03 LINE DILLER SCOFIDO + RENDFRO D I L L E R S C O FIDO + RENFRO JAMES CORNER FEILD OPERATIONS

THE THIGH LINE HE HIGH PIET OUDOLF OLF RK NEW YORK

and economically. Most buildings were constructed alongside the High Line speciďŹ cally to integrate with it. It was originally important to make loading docks more accessible but now these connections aid padestrian movement.

BIOPHILIA The Buildings of the High Line

THE STANDARD 2009, POLSHEK PA

THE SPEARS B 1880, KINNY BRO

HL23, 515 W NEIL DENARI

520 W. 28TH S 2016, ZAHA HADID

once a fully operational rail line, the high line is now a very sucsessful public park that is home to over 500 species if plants and trees, public programs, world c l a s s a r t w o r, a n d p r e f o r mances. this space is sucessful because it is less about making an architectural statement and more about continuing to grow what was already there in a modest way. most buildings constructued alongside the highline specifically integrate with it. it was originally important to make loading docks more accessible but now these connections aid padestrian movement.


t r o u p i e r r e j e a n | s t u d i o e n v i r o n m e n t a l | I V D E S I G N 33

GREEN ENVELOPE COMPONENT designed in collaboration w i t h A l i D a v i s & Va s S u f u ev while researching about biophilic design, we began designing a green evelope component that adapted many of the passive cooling techniques that we saw used in our precedents. this component served as both inspiration and refrence for the next two studio projects.


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Vertical Air Movement

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Parallel Air Movement

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Cool Air Exhaust

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Air Flow

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Bent Steel Frame

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Steel Beam

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Metal Decking

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Wooden Louvre

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Gusset Plate

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Metal Sheathing Panel

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Louvre Module

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Metal Panel Module

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Planter Mesh Module

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Wall Section

1” = 1’ 0”

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Parallel Air Movement

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Cool Air Exhaust

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Potted Plants

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Hanging Plants

Green Facade


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ANAYSIS OF THE PHYSICAL MODEL building this model enabled our group to see this components flaws and its sucess. wind, all along, had been our primary concert but through building this component realized that it functions nicely as a green facade on its own. the combination of materials was something we intended to explore more moving forward.


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LBJ WILDFLOWER CENTER | AUSTIN , TEXAS

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WATER CONSERVATION AWARENESS CENTER

designed in collaboration w i t h , M e l a n i e Ru iz precedents and research of biophilic design from assignment one were applied in this stage of the studio. this center was intended to searve as an example of best practices for water concervation as well as hosting an exhibit that shows the importance of water conservation around the world. the building was also designed with concideration of children and the elderly and how it can provide opportunities for learning, play and repose.


east view render


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SITING

MAXIMIZING VIEWS

the proposed site for this center is a set of rolling hills that occationally is flooded by a creek. keeping this into concideration, my team chose a location that allowed for easy access from previously paved walking paths and out of the possible 500 year flood plain.

two important views were preserved by the position of our building. the blue and pink shades represent the views from the lookout tower and a space where indoor weddings are of ten held.


SCALE 1/8� 1/8

SCA

first floor plan

second floor plan


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VEGETATION FILTER LAYER MEDIA

ROOT BARRIER

DRAINAGE LAYER

WATER PROFFING MEMBRANE

ROOF MEMBRANE

LINTEL

STEEL

GLASS

CONCRETE RAIL/ WATER COLLECTOR

LIMESTONE VENEER

AIR CAVITY

REINFORCED POURED CONCRETE FLOOR SLAB & FOUNDATION

ANCHOR BRACKETS

INSULATION

STUCCO

REINFORCED POURED CONCRETE FLOOR SLAB & FOUNDATION

WATER COLLECTION TANK

wall section


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605 W 4TH STREET AUSTIN, TEXAS the final project for this studio is a mixed use development focused on reducting the heat island effect by using technologies studied during the se mester and utilized in previous projects. the program consists of micro units, with an avera g e s ize o f 25 0 - 25 0 s q u a r e f e e t and fully furnished, co-working space, and a restaurant. this project required thourough site research, integration with the program solution, intent to maximize FAR as well as an application of green design strategies. the image on the lef t was one of my main inspirations during the end of this studio. i was driven by the power of human connection and the strength that grows from proximit y to one another.


street view render


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PROGRAM & CIRCULATION

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R E S I D E N T I A L - M I C R O U N I T S ( F L O O R S 4 - 11 ) CO M M U N I T Y O U T D O O R S PAC E LAUNDRY

T RA N S I T I O N S PAC E ( F LO O R 3 ) O U T D O O R S PAC E FITNESS CENTER YOGA STUDIO POOL LOCKER ROOMS BUISNESS CENTER M E D I A S PAC E LOBBY

CO -W O R K I N G S PAC E ( F LO O R 2 ) O U T D O O R S PAC E RECEPTION ADMIN. OFFICE OPEN OFFICES CLOSED OFFICES CONFRENCE ROOOMS PHONE BOOTHS BREAK ROOM

RESTAURANT/BAR (FLOOR 1) RESTAURANT OUTDOOR SEATING KITCHEN LOBBY RESTROOMS MAIL ROOM FIRE COM. MAIN ELEC. FIRE PUMP GARBAGE STORAGE

VERTICAL CIRCULATION


RESIDENTIAL

LZR (EVENT SPACE)

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POTEN /BIKE WALK TRAIL TION

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SUMMER SOILSTICE AT 9:30AM

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SUN STUDY

1 {3D}

SUMMER SOILSTICE AT 3:30PM

SUMMER SOILSTICE AT 7:30PM


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WA LK/ HIK E PAT H EXT

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SHOAL CREEK

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EXISTING BUILDING

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F L O O R 4 ( 4 - 11 A R E T H E SAME EXCEPT FOR A SLIGHT ROOFVARIATION)

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MICRO UNIT LAYOUTS

7' - 10"

BEDROOM (UNDER BED STORAGE) (STO LIVING SPACE

CLOSET SPACE

KITCHEN/ G SPACE

5' - 5 1/8"

KITCHEN/ DINING SPACE

3' - 1"

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HALLWAY AY

UNIT B,C,D,E,F,I,J,K,L,M,N,O,P 2 STANDARD UNIT - 300 SQUARE FEET 1/4" = 1'-0"

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UNIT A - ECONOMY UNIT - 270 SQUARE FEET 1 1/4" = 1'-0"

7' - 1 5/16"

HALLWAY AY

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KIT

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8' - 10 7/8"

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BEDROOM

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7' - 3 3/16"

LIVING SPACE

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HALLWAY AY

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UNIT G - ADA UNIT - 430 SQUARE FEET 1/4" = 1'-0" NOTE: FURNATURE MAY BE ADDED OR REMOVED IN THIS UNIT TO ALLOW FOR ADA OCCUPANTS

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UNIT P,Q, SQUARE F 1/4" = 1'-0

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NOTE: FURNATURE MAY BE ADDED OR REMOVED IN THIS UNIT TO ALLOW FOR ADA OCCUPANTS


T H E “ U R B A N B A C K YA R D ” this space brings the comfort and familiarity of suburban living to an urban atmosphere. each occupant has personal access from their unit to the communily enjoyed space. when not taking advantage of shoal creek below, residents can de-stress and enjoy the simplistic landscapting of their “urban backyard”. another main focus of this space is to connect and grow relationships between individuals through mutual green space.


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concrete slab and interior non load bearing wall

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section 2

live roof detail


render from pool view

perspective from pool view


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massing model

detailed physical model massing model

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perspective rendering


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STRUCTURAL DIAGRAM

04_ROOF ASSEMBLY -2X7 WOOD RAFTERS -4X6 WOOD BEAMS -4X4 WOOD QUEEN POST -TRUSS COLUMNS -BUT TRESSES

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- 3 X 6 J O I S TS S PA C E D 14 ” O N C E N T E R SUPPORTING A WOOD FLOOR

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01 _ F O U N D A T I O N - C O N C R E T E PA D S SUPPORTING BRICK FO U N DAT I O N WA L LS -6” SL AB ON GRADE SUPPOTING WOOD FLOORING


WALL SECTION ONAL E ROOF ING IT

FLOOR 3

E X T E R I O R W O O D PA N E L I N G 3X6” WOOD BEAMS S P A C E D 14 ” O N C E N T E R I N T E R I O R W O O D PA N E L I N G FL ASHING: GUT TER STONE

M E TA L W I N D O W SET IN STONE

STONE WOOD TRIM MASONRY LOAD-BEARING WALL I N T E R I O R W O O D PA N E L I N G FLOOR 2

WOOD BASE WOOD FLOORING 3X6” WOOD BEAMS S P A C E D 14 ” O N C E N T E R STUCCO AND PL ASTER

I N T E R I O R W O O D PA N E L I N G FL ASHING:DRIP OVER STONE WINDOW SURROUND STONE

FLOOR 1

M E TA L W I N D O W SET IN STONE

STONE WOOD TRIM STUCCO AND PL ASTER I N T E R I O R W O O D PA N E L I N G WOOD BASE WOOD FLOORING SUB FLOORING 6” CONCRETE SL AB ON GRADE

F O U N D AT I O N : C O N C R E T E PA D S S U P P O RT I N G B R I C K FO U N DAT I O N WALLS


g l a s s e l l m i c h a e l m a r i | s t u d i o i n t e r m e d i a t e | V D E S I G N 55

PRECEDENT STUDY & SYSTEMS APPLICATION s t u d y o f t he Va s c o n s e l o s L i b ra r y by A l b e r t o Ka l a c h in collaboration with, Coleman B r i n k & K e v i n Ts o the introductory phases of this studio were devoted to research, speculation, and inquiry. we spent time doing research and analysis of the vasconsalos library (site, place, context, design). we examined the structural and formal systems found in this building and what that meant for the overall context (site). the illustration to the lef t was done in a series of identifying and abstracting different systems identified in this presedent.


SECTION AXON


connectivity

growth

program

passive cooling

negative space

stacking

ribs

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PRECEDENT SYSTEM DIAGRAMS

tension

STRUCTURE


SYSTEMS IDENTIFICATION : sketches


g l a s s e l l m i c h a e l 59

D E S I G N

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S T U D Y M O D E L 01 L AY E R I N G a series of frames were used to create a dynamic system which allowed for a large central space.

STUDY MODEL 02 INTERSECTION two complimentary objects were intersected to uncover an exterior form.

STUDY MODEL 03 SHIFTING boxes of four different sizes were lifted from on one another to test balance and scale.


FINAL SYSTEMS MODEL NESTING our group aimed to capture the rib system and layered quality o f t he Va s c o n s e l o s L i b r a r y i n this wooden model. this model also shows the operation of shifting and sliding by collapsing from this extended state to a regular prism.


g l a s s e l l m i c h a e l m a r i | s t u d i o i n t e r m e d i a t e | V D E S I G N 61

FINAL SYSTEMS MODEL using a similar rib system from the previous assignment, our group created an arched structure that housed small, medium and large non-specific programs.


potential program diagram /SHORT

/SHORT

/TALL

/SHORT

/TALL

/SHORT

/SHORT

/SHORT

/TALL

/SHORT

/TALL

frame layer diagram


g l a s s e l l m i c h a e l m a r i | s t u d i o i n t e r m e d i a t e | V D E S I G N 63

FIGHTING GLOBAL WARMING NETWORK AUSTIN HEADQUARTERS the final project for this studio is a fighting global warming net work headquarters in Austin, Te x a s . t h i s b u i l d i n g s e e k s t o e d ucate individuals about what we eat and its contribution to greenhouse gas emissions. through a series of community gardens, individuals are empowered to reduce their meat and non local food consumption while forming lasting connections with eachother. a series of frames layer and fold to create this urban farm; a social ecosystem. i chose to research and apply cross laminated timber (CLT) within my building to spread awareness of sustainable building techniques. the image on the lef t is a watercolor painting i created after deciding to focus on encouraging local food consumption with my design.


“urban farm� render


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"

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AUSTIN GROWTH MAP

this map is an accumulation of data specifically related to transportation. i began to trace “food miles�, the miles it takes for food to get from farms and meat production facilitiesto our grocery stores and how those miles might be minimised by local food consumption. $

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m a n i f e s t o s k e t c h 01

final manifesto manifesto sketch 02


g l a s s e l l m i c h a e l 67

D E S I G N

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S T U D Y M O D E L 01 L AY E R I N G a series of frames were used to create a dynamic system which allowed for a large central space.

STUDY MODEL 02 INTERSECTION two complimentary objects were intersected to uncover an exterior form.

STUDY MODEL 03 SHIFTING boxes of four different sizes were lifted from on one another to test balance and scale.


shading diagram

formal process diagram

farmable spaces


g l a s s e l l m i c h a e l

R E D

R I V E R

S T

PR O PER T Y LINE

O U T D O O R S PA C E | F A R M I N G

O U T D O O R S PA C E | F A R M I N G I N T E R A C T I V E M A K E R S PA C E

O U T D O O R S PA C E | F A R M I N G

I N T E R A C T I V E M A K E R S PA C E EXHIBITION

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SMALL CL ASS ROOM

32’-0’’

2’-0’’

49’-0’’

SMALL CL ASS ROOM

AT R I U M

INDOOR DINING

OUTDOOR DINING

C O M M U N I T Y AT R I U M

AT R I U M

OPEN TO GROUND FLOOR

OPEN TO GROUND FLOOR

O P E N W O R K S PA C E

G A R D E N

SMALL CL ASS ROOM

LARGE LECTURE ROOM

VIEWING COORIDOR

KITCHEN

G RA N D E T H E AT R E DOUBLE HEIGHT

SMALL CL ASS ROOM

FOOD PREP

8 T H STORAGE

S T R E E T

RR MEDIUM CL ASS ROOM

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RR ADMIN OFFICES

O U T D O O R S PA C E

O U T D O O R S PA C E

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FLOOD PLAIN

G R O U N D

ground floor plan

| V D E S I G N

F O R T H

F L O O R

SQ FT | 4,900

SQ FT | 8,300

PUBLIC

PUBLIC

F L O O R

fourth floor plan

third floor plan

O U T D O O R S PA C E ADMIN OFFICES

LOBBY O U T D O O R S PA C E SMALL OFFICE DAYCA R E

BR

SMALL OFFICE

KITCHEN

O U T D O O R S PA C E

O U T D O O R S PA C E OUTDOOR S PA C E

OPEN CONCEPT E D U CAT I O N / E X H I B I T I O N S PA C E

G RA N D E T H E AT R E

SMALL OFFICE

COMMUNITY LIVING BR SMALL OFFICE

LOBBY RR RR

RR

BR

L O U N G E S PA C E

LOBBY

RR

F L O O R

F I F T H

F L O O R

S I X T H

SMALL OFFICE O P E N C O N C E P T L A B S PA C E

SEMINAR ROOM

S E C O N D

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T H I R D

F L O O R

S Q F T | 6 , 7 76 PUBLIC

F L O O R

SEMINAR ROOM

S E V E N T H

F L O O R

MEDIUM OFFICE

E I G H T H

SQ FT | 9,000

SQ FT | 3,500

SQ FT |5,600

S Q F T | 7, 0 0 0

SQ FT | 2,800

PUBLIC

PUBLIC

P R I VAT E

P R I VAT E

P R I VAT E

02

05

06

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F L O O R

08


long section

short section


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W A L L

WALL SECTION clt structure

S E C T I O N

C RO SS L A M I N AT E D T I M B E R ST R U C T U R E 1/2’’ = 1’

CONCRETE FOOTING ST E E L P L AT E CO N N E C T I O N

3

24 ’ ’ X 24 ’ ’ C LT CO L U M N

4

24 ’ ’ X 24 ’ ’ G L U L A M B E A M

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CO N C E L E D ST E E L CO N N E C T I O N P L AT E

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24 ’ ’ X 24 ’ ’ G L U L A M G I R D E R

7

9-PLY CLT

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ALUMINUM MULLION

9

HIGH PREFORMANCE GLAZING

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4-PLY CLT

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EARTH

12

9-PLY CLT

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LIVE ROOF LITE MODULE

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D RA I N AG E L AY E R

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WAT E R P RO O F I N G

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WOOD CROP DRIVIDER | SCREEN

1 2 3 4 5 6 7 8 10 11 13 14 15 16

16

13 14 15

10

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5 6 4 9 8

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concrete footing steel plate connection clt column glulam beam conceled steel connection plate glulam girder 9-ply clt aluminum mullion 4-ply clt earth live roof lite module drainage layer waterproofing wood crop divider


systems diagram


b r i s c o e d a n e l l e | s t u d i o i n t e r m e d i a t e | I V D E S I G N 73

FUN PALACE 2.0 THE PRACTICES OF INTETERMINACY this speculative studio began with a critical anyasis of the Fun Palace by Cedric Price. despite being unrealized, the original fun palace is regarded as a seminal architecture progret and has been a major influence on architecture in the decades since. the building components constanly move by a crane system that allowed a complete transformation of the complex capable of transforming and interacting with the users. in this exersize, we were given a speculative plan and section of the orignial fun palace and were tasked with creating a portion of this building with our interpretation.


fun palace model digital drawing


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D E S I G N

model images

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model image


b r i s c o e d a n e l l e | s t u d i o i n t e r m e d i a t e | I V D E S I G N 77

EYE SEE YOU 1 : 1 S CA L E A P PA RAT U S as an extention of assignm e n t 1, t h i s d e s i g n e x e r c i s e was designed in collaboration with amir mirza and fer nando devila. as a team, we tested and envisioned ideas where natural and resposive processes integrate into urban infrastructure. this project was intended to be a preformaced based, human scaled interactice peice that allowed for the user to experience the world in a profound way. we explored the idea of privacy and inhebition through the introduction of a t wo way mirror helmet that allowed the the user to see out but no one else to see in and vice versa.



b r i s c o e d a n e l l e | s t u d i o i n t e r m e d i a t e | I V D E S I G N 79

PNUMATIC TUBES CYBERNETIC THEATRE the final project of this studio was an interactive or cybernetic theater that speculated on solutions for the state of our planet. while the idea of site was an abstration of conditions rather than a par ticular space my structure was momentarily located at audit o r i u m s h o r e s i n A u s t i n , Te x as. program was determined b y c e d r i c p r i c e ’s c y p e r n e t i c sub-committee list and social rejuvination approach was derived from the initial material and system design research in assignment 1 and 2. this structure is air inflated which was my response in creating a temorary and easily constructed structure.


concept drawing


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program diargam |site anaysis

inflatable growth series

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floor plan s c a l e 1 ’ = 1 / 16 ”

long section cut


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interior perspective

parti diagram | section series


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MILSTEIN HALL CORNELL UNIVERSITY

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STRUCTURAL ANAYSIS



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