est Magazine issue #42 | Reinvention: a New Lens

™

R EA NEW INV E N T I O N LENS

42

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MILAN 2021

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ISSUE #42 / REINVENTION

EDITOR’S LETTER

Sophie Lewis Managing Editor @sophlew_says

Growing up on a farm, the cyclical nature of everything shaped my perception of the world. With each season I saw the impact of the weather, at times severely, on my immediate environment and learned we are always at the mercy of Mother Nature.

When reflecting on our relationship with nature, pioneering French architect and designer Charlotte Perriand said, “Everything is linked, the body and the mind; mankind and the world; the earth and the sky”. It’s why as an architect and designer, she often escaped to the mountains which she ‘loved so deeply’, because ‘she needed them’.

Charlotte’s words on how design and the environment must co-exist thread their way through this issue. We see Seattle architecture firm Olson Kundig work with the dramatic coastal climate of New South Wales’ Bilgola Beach and how Villa RA by MORQ becomes an extension of the landscape in Calabria, Southern Italy.

This issue takes us to Sydney architect William Smart’s home and workplace – an inventive take on an old warehouse and beyond, to architects intuitively peeling back layers in existing structures, sensitively and sustainably bringing them into the present.

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PINTEREST

We learn from ‘garden whisperer’ landscape architect William Dangar on creating sanctuary through our outdoor living spaces. At the same time, we find sanctuary in 42 of the world’s best bathrooms and through our bathroom-focused Detail pages.

Copenhagen-based Australian product designer Nikolai Kotlarczyk reports on ten highlights at Milan’s Salone del Mobile, each revealing a boundary-pushing desire to design better by people and the planet – the spirit of Charlotte Perriand.

Closer to home, it’s my pleasure to officially welcome Karen McCartney to the est team. We are very excited to have the bestselling author join us as est editorial strategy advisor, and to have her words in this issue.

Sophie x

Charlotte Perriand’s chalet in the mountainous Savoie region of France, designed in 1960.

Photography Ambroise Tezenas

Swipe

popula

Victori

INSTA

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THE LATEST

We’re named Archiproducts Design

Awards media partner NEWS

Set foot inside this Spanish

retreat designed by Febrero Studio.

GLOBAL ARCHITECTURE & INTERIORS

See Tom Fereday’s

latest collaboration with the Art Gallery

of New South Wales.

NEWS

Explore our list of

Recommended Australian Landscape Designers.

GO-TO DESIGNERS through one of our most

ar Australian homes in Kyneton,

ia, designed by Edition Office.

AGRAM

ISSUE #42

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ISSUE #42 / REINVENTION

MEET THE CONTRIBUTORS

Karen McCartney | writer Karen McCartney has recently joined est living in the role of editorial strategy advisor. Known for her work in the world of interiors, architecture and design, Karen’s impressive resume spans print and digital media. Formerly the editor of marie claire Lifestyle and Inside Out magazine, Karen is the bestselling author of Perfect Imperfect, The Alchemy of Things, Super House, and Iconic: Modern Australian Houses 1950-2000. In this issue, Karen speaks with Sydney-based landscape architect Will Dangar on his eminent approach to garden design.

@mccartneyk

Romello Pereira | photographer Sydney-based photographer Romello Pereira’s portfolio reflects two decades in the photography industry and an inherent passion for capturing architecture and interiors.

On photographing William Smart’s new home and workspace, he says it’s one thing to collaborate with one of the most avant-garde design practices in Australia, but it’s another matter entirely to document that practice’s personal working space. With the good fortune of photographing the project over many months, he says it not only availed the opportunity to study how the sun’s arc altered the ambience of a space but also provided a glimpse into the ‘operational control room’ of such a prolific practice. @romellopereirastudio

Mieke ten Have | stylist Mieke ten Have is an interior stylist, design writer, and creative consultant. After years working as a magazine editor, which included positions as Vogue Magazine home editor and Elle Decor design editor at large, Mieke parlays her editorial point of view into creative direction for interior designers, architects, and home brands. She produces photo shoots, visual content and written assets for a wide range of design clientele. Mieke is a frequent contributor to Architectural Digest and House & Garden (UK) magazines and has worked on several books. In this issue, Mieke ten Have brought her design eye to style the conversion of a heritage home, Twin Gables, by Workstead.

@mieketenhave

Alexandra Gordon | writer After almost two decades at Australian Vogue Living, Alexandra Gordon divides her time between writing about and styling some of the world’s best interiors. Her architect father inspired her love of design, and, after studying architecture herself, Alexandra moved into the world of publishing with an architectural leaning. In this issue, she talks to designer Robert Highsmith about a striking addition to a historic home in the Hudson Valley, NY.

@alexandragordonstylist

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CREDITS est TEAM

CONTRIBUTORS

Managing Editor Sophie Lewis

WORDS Karen McCartney, Alexandra Gordon, Stephen Crafti, Rachelle Unreich, Bronwyn Marshall, Haydn Spurrell, Sarah Knight, Sophie Lewis

Style Editor & Copy Yvette Caprioglio Design & Creative Jack Seedsman Product Editor Brigitte Craig Editorial Strategy Advisor Karen McCartney Associate Editor & Marketing Manager Sarah Knight Editorial & Social Media Coordinator Lidia Boniwell

PHOTOGRAPHY The Latest Ambroise Tezenas, German Saiz, Ben Hosking, Mark Roper, Anson Smart & Jason Loucas Milan 2021 Willem-Dirk du Toit, Max Creasy, Amir Farzad, Claudia Zalla, Andrea Ferrari, studio kooij, Maxime Verret Twin Peaks Matthew Williams Innate Discovery Givlio Aristide, Pep Sau

Editorial Assistant India Curtain

Where Architects Live | William Smart Romello Pereira

Sales Coordinator Emmy Ford

Sensitive Reinvention Thomas Seear-Budd, Anson Smart, Anthony Basheer, Johan Dehlin

Managing Director Miffy Coady Advertising & Partnerships Mandy Loftus-Hills | mandy@estliving.com Astrid Saint-John | astrid@estliving.com Deb Robertson | deb@estliving.com ON THE COVER Design Smart Design Studio Photography Romello Pereira Location Sydney, Australia

CONTACT editorial@estliving.com advertising@estliving.com

The Library Anson Smart

Natural Wonder Prue Ruscoe Edge of the World Rory Gardiner Behind the Lens Derek Swalwell Harbouring History Anson Smart 42 A-list Bathrooms Cassie Floto-Warner, Sharyn Cairns, Kasia Gatkowska, Martina Gemmola, Filipe Araujo, Tomeu Canyellas, Pablo Veiga, Claessens & Deschamps, Nicolas Schuybroek Architects, Marcello Mariana, Hans Verstuyft, Felix Forest, Nicole England, Peter Clarke, Gaelle Le Boulicaut, Prue Ruscoe, Derek Swalwell, Thomas De Bruyne, Anson Smart, Ben Hosking, Einar Aslaksen, Mark Seelen, Michael Sinclair, Earl Carter, Timothy Kaye, Amelia Stanwix, Roger Davies, Stephen Kent Johnson, Justin Alexander, Genevieve Lutkin, Mark Roper, Peter Cook, Felix Millory Playlist Curation | Will Pyett Photography | Rory Gardiner

CONNECT

The Detail Thomas De Bruyne, Felix Forest, Anson Smart, Timothy Kaye, Shannon McGrath

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CONTENTS

the latest

milan 2021

twin peaks

innate discovery

where architects live William Smart

intuitive reinvention

edge of the world

natural wonder

behind the lens Derek Swalwell

harbouring history

42 a-list bathrooms

the detail

Fresh Perspective

Elevate your mood and mindset with our latest playlist.

Playlist Curation Will Pyett Photography Rory Gardiner

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Photography Willem-Dirk du Toit Portrait Photography Max Creasy

MILAN

Australian designer Nikolai Kotlarczyk, currently based in Copenhagen, shares 10 highlights from a fast and furious trip to Milan for Salone del Mobile 2021.

HERMÈS EXHIBIT Showing once again in La Pelota, Hermès created the showstopper of Milan 2021. Designed by Charlotte Macaux Perelman, the hand-rendered and painted cave-like constructions featured small entrances into moody internal spaces presenting new pieces from the Hermès home range.

Photography Maxime Verret

01.

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02.

THE DAGALIÀ COLLECTION BY EDUARDO PIERMATTEI FOR CC-TAPIS

The Dagalià collection by young Italian artist Eduardo Piermattei for cc-tapis saw the transfer of his vast work with stucco into a collection of rugs. Original artworks were displayed next to the collection that successfully applied the use of colour and texture to this new medium.

Rather than trimming the rugs, cc-tapis simply burnt off any excess yarn, resulting in a mix of layers and textures.

Photography Claudia Zalla

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03.

THE SPLIT DESK BY GERMANS ERMIČS Amsterdam-based designer Germans Ermičs continues his study into glass layering and transparency, this time in his largest stand-alone piece to date. The Split desk was on display at the Rossana Orlandi gallery, presenting a layered kaleidoscope of colours that merged together as you walked around the piece.

04.

MEISEN DESK BY BETHAN LAURA WOOD Bethan Laura Wood presented Ornate at Nilufar Gallery to celebrate 10 years of collaboration between the designer and the celebrated Milanese gallery. The mix of bold colour, solid forms and slight framing made the Meisen desk stand out in the collection.

Light blue shelves and tabletop delicately sit on a black steel frame interspersed with a veneer from Alpi, channeling a 60’s dip-dyed aesthetic.

05.

THE SENGU COFFEE TABLE BY PATRICIA URQUIOLA FOR CASSINA The Sengu coffee table by Patricia Urquiola for Cassina is a beautiful example of a piece’s construction dictating its visual language. The architectural construction of layered beams in solid timber is simply finished with a glass top, allowing each component to become the hero.

06.

HANNES PEER AT THE SEM Milan-based architect and designer Hannes Peer took over the SEM presentation in the stunning Alcova setting. Hannes designed everything on display – from the Scarpa-inspired Alea chairs to the MUIR sofa, the cast glass chandelier in collaboration with 6am. glass and even the rug underfoot. The presentation was the clearest indication that SEM, the in-house brand for Spotti Milano, is on a trajectory to reach far beyond its Milan base.

Photography Amir Farzad

Photography

07.

Andrea Ferrari

VICTORIA MODULAR SYSTEM BY DAVID/NICOLAS Channeling a 70’s vibe, the Victoria sofa is the first collaboration between Lebanese designers David/Nicolas and the Italian manufacturer Tacchini. The result is a simple combination of oversized, rounded upholstery in rich velvet and a running, oversized steel frame. The flowing nature of the steel frame creates a graphic nature to an otherwise classic interpretation of a modular sofa.

08.

HENRYTIMI EXHIBIT Images cannot do justice to the sensory overload that was HENRYTIMI’s presentation in the Brera district. A soft soundtrack greeted you as you walked through the large, light-filled showroom.

Entire island kitchens appeared as if cut from a single piece of Sicilian stone; the offcuts used as textural end panels for stand-alone shelving.

A beautiful mix of sound, touch and smell helped build on HENRYTIMI’s uncompromising collection.

Photography Courtesy of HENRYTIMI

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09.

MOLTENI&C EXHIBIT While RHO was a very different sight in 2021, one positive was that the larger Italian brands on show had to creatively respond to their new, smaller presentations.

Molteni&C led the way with a presentation that captured our collective desire to travel. Flight D154.5 celebrated Gio Ponti’s classic D154.5 armchair; the installation complete with flight hostesses, the captain over the loudspeaker and window views of clouds floating by.

Photography Courtesy of Molteni&C

Photography Co

ourtesy of KOOIJ

HELM LIGHTING BY DIRK VAN DER KOOIJ Another feature of Super Salone was the smaller independent brands interspersed alongside the stalwarts of the Italian industry. Dutch designer Dirk van der Kooij and his 3D printed glass Helm lamps were a small producer highlight. The lamps featured layers of glass spheres that, due to their unique 3D printed construction, created an arresting spread of light and texture.

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TWIN

PEAKS Upstate New York

by Workstead

A 19th-century Victorian home in the Hudson Valley is restored and expanded as a beautiful place for family gatherings.

DESIGN | Workstead PHOTOGRAPHY | Matthew Williams STYLIST | Mieke ten Have WORDS | Alexandra Gordon

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T

he romance of a historic house can be different to the reality. Located on five acres in the Hudson Valley, a New York State region that follows the Hudson River from Westchester County to Albany, this Victorian home had not fared well after years of neglect and a series of unsympathetic renovations.

Brooklyn-based design firm Workstead had collaborated with the owner on two projects prior to this renovation. “This home was purchased in near disrepair,” recalls Robert Highsmith, co-founder and principal of Workstead. The brief called for large, open spaces where three generations could comfortably be together, including a kitchen and informal living areas. A pavilion was conceived to accommodate these requirements, with a west-facing breezeway that serves as a casual entrance to the home. “The owner expressed concern that once the pavilion was complete, the 4,000-square-foot original home would be unappealing in its wake,” Robert says. As a result, the scope was increased to ensure the Victorian home was appreciated just as much as the addition.

Leather DS-80/03 sofas

by De Sede make a textural statement in the living space, featured with the Nathan Lindberg cocktail table and Orbit chandelier

by Workstead.

Light and greenery filter through the floor-to-ceiling, black gridded windows by LePage Millwork in the new pavilion. The dining space features the Tower pendant by Workstead, Gino Russo dining chairs and a Nathan Lindberg dining table.

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“W

e identified the building’s historic elements and looked for ways to compliment the original structure while expressing the current time.”

– Workstead co-founder and principal Robert Highsmith

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Workstead have successfully established two structures that are unique yet complimentary. “We saw it best to erect the pavilion in a way that ensured its height would not triumph that of the original architecture,” Robert says. The new volume is clad in the same clapboard as the original home, but in a dramatic coal-coloured finish rather than soft ivory. The rounded corners on the pavilion contrast the mostly orthogonal Eastlake style of the Victorian home. “The addition was meant to stand out next to the existing structure, but essentially become one,” the designer says.

This approach continues on the inside. Rich hues, patterned wallpaper and ornate furnishings were selected to suit the Victorian architecture while the pavilion is light and airy with black accents and contemporary fixtures including some of Workstead’s own lighting designs. In the pavilion, floor-to-ceiling windows at ground level create a connection to the rear deck and farmland beyond.

The kitchen is composed of granite benchtops with a custom pot and pan rack. It features the Rejuvenation Randle Tractor bar stools and Dornbracht tapware.

The master bedroom features a Canopy bed by RH Living with the Lodge wall sconces by Workstead on either side. The Basket chair

by Nanna Ditzel is coupled with the Tripod floor lamp by Gerald Thurston for Lightolier.

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A Penhaligon bath takes pride of place in the main bathroom, paired with Watermark fittings.

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The parlour is a stately affair with its Luigi Caccia Dominioni chairs reupholstered in green mohair, Harvey Probber games table and vintage Victorian chair.

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Planning was critical to the success of the project. “We approached the interiors carefully to ensure one wing was not favoured upon entry,” Robert explains. Formal spaces were reinstated in the existing house and the original entry hall was restored. The ground floor of the new pavilion is centred around a hand-plastered core that integrates a striking fireplace on one side and the kitchen on the other.

“These living, dining and kitchen areas flow into one another allowing the owner to host guests with ease.”

The renovation means all parts of the house have already been put to good use; where the original home is more consistent with modern life and the pavilion, while celebrating the unique style of the individual structures. “The structures complement each other in both design and functionality, making it natural to live seamlessly between both,” Robert says.

The grand entrance is marked by the Chamber pendant and sconce

by Workstead, together with the Hoot Wallpaper by Trustworth, reflecting the elegance of the restored staircase.

“T

he structures complement each other in both design and functionality, making it natural to live seamlessly between both.”

– Robert Highsmith

THE WANDOO WOMEN

BY LORI PENSINI GALLERYSMITH

ORBIT CHANDELIER IN HAND FINISHED BRONZE WORKSTEAD

Signature Style WORKSTEAD VINTAGE GERALD THURSTON FLOOR LAMP LIGHTOLIER

Lightolier USA, c. 1955

DS-80/03 DE SEDE

ITALIAN GARSDEN WALLPAPER MARTHE ARMITAGE

NATURAL TEAK LAMINEX

LARCH ALBA ADMONTER

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WORKSTEAD INTERIORS OF BEAUTY AND NECESSITY RIZZOLI

ALCOVA BED MAXALTO

ASSORTED VASES ROMETTI

LIME PAINT – SILVER BAUWERK

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THE BEAUTY OF CHOICE The kitchen is an increasingly social space, yet design aesthetic can be a very personal choice. Our appliances are crafted to give you absolute design freedom.

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INNATE DISCOV

BY MORQ

CALABRIA, ITALY

AS A RETURN TO ORIGINS, VILLA RA IS A DEEPLY SYMPATHETIC EXPRESSION OF PLACE.

ARCHITECTURE | MORQ PHOTOGRAPHY | Givlio Aristide & Pep Sau LOCATION | Calabria, Italy WORDS | Bronwyn Marshall

OVERY

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N

estled above an elevated ridge in one of the southernmost parts of Italy, the outwardly expressed home beautifully captures the essence of Calabria and rests open and embracing of its resonant surroundings.

“Conceived as a ‘house that looks’ Villa RA is a compact structure punctuated by openings that frame the landscape,” MORQ co-director Emiliano Roia says; one of three co-directors, together with Matteo Monteduro and Andrea Quagliola. “Our design intention ensures the home is held accountable to the site,” she adds.

The unique siting among the lofted heights and mountainous terrain of the region grants unmatched views, an asset not easily forgotten within.

Imagined as a summer retreat for its owners of Italian lineage, the home sits weighted through its composition, yet responsive in how it engages with the landscape. “The new dwelling aims to be part of the landscape as a whole,” Emiliano adds, “and instead of looking to formally mimic the landscape, the project draws from the tradition of the Italian villa, and the material tones of the land it sits on.”

MORQ designed Villa RA for a couple as a quiet summer retreat, but equally to host family and friends with a generous kitchen to entertain.

Emerging from the land, Villa RA uses the earth it perches on as the material it is made from, as an extension, carved and sculpted by its makers. “The limited palette of materials reveals the simple geometry of the building,” Emiliano says, “and creates a visual and tactile continuity between landscape and architecture, where hues change during the day, responding to sun and land, revealing movement through shadows and ever-changing material nuances.”

As a minimal gesture, the open axial approach allows the landscape to remain the focus and the home to act as a reclusive shelter. Taking cues from traditional Italian villas, a solid front presents as the entry to the home, protecting and concealing its function. Once inside and moving through the space, the home reveals itself with framed apertures guiding the eye to curated living pictures of the landscape beyond.

This same axial yet linear approach ensures a visual and ventilated connection throughout, sustainably ensuring comfort among the elements on site. Openings above act like a sundial, drawing the sun onto the floor plane and animating surfaces throughout the day, as an active alliance between the sun and earth.

Calm and restorative, Villa RA sits as a still and unhurried insertion into its site, seeing MORQ carve a unique sense of discovery and retreat-like moments in the process.

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Cocciopesto plaster, a custom made lime-based material, is used internally and for the exterior, part of a restrained material palette that allows the home to recede into the landscape.

The minimalist bathroom space frames views over the Gulf of Squillace on the Calabrian coast.

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“Conceived as a ‘house that looks’ Villa RA is a compact structure punctuated by openings that frame the landscape.”

– MORQ co-director Emiliano Roia

Villa RA’s orientation addresses the harsh sun and strong winds in both summer and winter.

MORQ made the conscious effort to design a home that felt inherently connected to its surroundings, as a way of preserving the beauty and history of the location.

Project South Melbourne Home Design Sanders & King Photography Dave Kulesza

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estliving x rogerseller Falper, one of Italy’s finest manufacturers of bathroom furnishings, is passionate about originality. A company founded on family values, Falper collaborate with designers, architects and artisans to create instant classics.

We explore three timeless Falper bathroom basins, available exclusively through Rogerseller in Australia.

01

Ciotola Round Benchmount Bowl Falper

02

Designed by Fattorini + Rizzini for Falper, the Ciotola range of benchmount basins, are delicate in appearance yet durable in function.

Lavamani Wall Hung Basin Falper

Falper Lavamani washbasins are designed for compact spaces, available in different shapes that reveal the capabilities of the innovative material Ceramilux.

03

Fontana Round Basin Falper

Designed by architect Victor Vasilev for Falper, the Fontana Round Basin is made from Cristalplant; an eco-sustainable, easy to clean composite material that is highly resistant to heat and scratching.

Explore the Falper Range at Rogerseller

WHERE ARCH

WILLIAM

Sydney, A

DESIGN Smart STYLING Alexa PHOTOGRAPHY WORDS Ste

HITECTS LIVE

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Australia

t Design Studio andra Gordon Y Romello Pereira ephen Crafti

Corian surfaces characterise William’s stripped-back kitchen, with Cassatta floors by Ocean & Merchant running from one end of the vaulted apartment to the other.

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R

ecipient of numerous architectural awards from the Australian Institute of Architects including the prestigious Sir Arthur G. Stephenson Award, the new studio and home for architect William Smart and his team of 48 is breathtaking. Located at Alexandria, in one of Sydney’s conservation areas, what was

formerly a 1950s warehouse has become a capsule of William’s enormous talent.

William retained many of the original features such as the steel trusses but created an entirely new vision of how his team could work and he and his partner could live. “The façade of this warehouse had previously been altered so many times, with different windows truncated at every stage, that we didn’t feel we were compromising the original structure,” William says.

Instead of the variety of apertures, William created what has become his ‘signature’ seamless glazed Roman-style bricks that almost appear to have been fashioned on a potter’s wheel, allowing light to permeate this precious vessel where it’s needed. And on the top level, William added a series of interlocking barrel-vaulted forms, clad in steel and featuring a masterful application of hand-glued bricks the colour of alabaster.

William’s living and dining space features some of the architect’s most loved pieces, including the Italian-made 1085 dining chairs by Studio Bartoli for Kristalia and the Marenco Sofa by Mario Marenco for Arflex.

As with William’s previous studio, arranged around the art of modelmaking, here, staff are literally surrounded by maquettes, all constructed in Balsawood and painted white, like the pristine white walls dotted with plans and schemes. Finely curated like William’s bespoke homes, apartments and commercial projects, even the staff computers and materials appear recessive in the individual black laminated alcoves.

While this studio is open plan on a substantial footprint of 3,600 square metres, there’s also the boardroom and enclosed meeting areas on the mezzanine level. Accessed by terrazzo treads and 53 white steel wires for the balustrade, it’s artfully conceived ‘macrame’ (a 1970s phenomenon) for the future.

The Lithos side table by Antonio Citterio for Maxalto, Peter armchairs by Antonio Citterio for Flexform and ST04 Backenzahn stools by e15 founder and architect Philipp Mainzer.

William designed the top of the warehouse into a series of interlocking barrel-vaulted forms clad in steel and hand-glued Chillingham White Bowral Bricks.

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William’s bathroom features a custom vanity and mirrors, Vola tapware and Society Limonta towels – just as the bedroom features Society Limonta bedlinen in soft grey tones.

A dressing room acts as a ‘veil’ to William’s bedroom. Embedded into the dressing room cupboards are graphic paintings by artist Mike Parr. William’s signature pieces, the Roy Tavolo table lamp by Mario Nanni for Viabizzuno and the Onda bedside table by Poliform, complement the minimalist scheme.

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While William enjoys the studio environment, he also appreciates leaving this space at occasional times during the day and every night, to find solitude in the loft-style apartment he shares with his partner. “When we were planning this space we decided to make it entirely open, with the only fixed door to the bathroom,” William says. So, while everything is on one level and without doors, spaces have been discretely located to create privacy.

Featuring pink granite floors and curvaceous ceilings, reaching an apex of four metres, the apartment includes everything that William’s last home didn’t, and in some instances did, include. “We never use a bath so why include this? Likewise, we didn’t want the kitchen to ‘read’ as a traditional kitchen,” William says, pointing out the sculptured Corian bench with two smaller fridges concealed below. This artistry extends to the dressing area that creates a subtle ‘veil’ to the bedroom. Embedded into the dressing room cupboards are graphic paintings by artist Mike Parr.

For William, who designed this space for the long term, there’s a sense of calm and tranquillity as he enters the separate entrance via a curved glass wall set into the black glazed brick façade and climbs the pink terrazzo treads. “It’s such a reflective space, enjoying the stream of light on the brickwork and how this changes along with the reflections of the landscape on the glass. It’s serene and allows me the space that I need not only physically, but in my mind,” William adds.

Smart Design Studio’s studio reception features the CH07 Shell Easy Chairs by Hans J. Wegner for Carl Hansen & Son and the Diesis coffee table and sofas by Antonio Citterio & Paolo Piva for B&B Italia.

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PRINCIPAL

PIECES

William Smart’s home is only filled with art, objects and furniture he loves. They manifest a pull towards simple forms, time-worn textures and ‘70s design.

Roy Tavolo Lamp Mario Nanni

Backenzahn Stool Philipp Mainzer

1085 Chair Studio Bartoli

Marenco Sofa Mario Marenco

Photography Martin Mischkulnig

Project Kooyongkoot Design B.E Architecture Photography Paul Barbera

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estliving x abey

“The design details of Barazza are considered and the pared-back aesthetic lends itself to the on-show nature of the product.”

– B.E Architecture, director Andrew Piva

Made in Italy, the Barazza Cooktop’s strong and streamlined stainless steel details complement B.E Architecture’s design intent in their most recent project, Kooyongkoot Road.

Cultivating an individual aesthetic between innovation and family functionality, B.E Architecture’s Kooyongkoot Road proves there’s no place like the kitchen when it comes to the heart of the family home.

The Lab Evolution Cooktop range is new to Barazza, featuring wider depth, flat eco-design burners and pan support in soft-touch cast iron.‎

VIEW THE BARAZZA LAB EVOLUTION COOKTOP RANGE

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INTUITIVE REINVENTION Four architects respond contextually and sustainably to restore and convert historically significant buildings into homes.

WORDS | Sophie Lewis

The Lower Mill House

01

Wiltshire, England McLaren Excell

McLaren Excell were given the rare opportunity to convert a

late-eighteenth-century watermill in Wiltshire, UK, that had never been lived in before. The essence of the dilapidated watermill

was still intact, including the milling machinery and water wheel.

Mclaren Excell co-director Luke McLaren says their restoration and

extension was an exercise in “preservation as much as restoration”.

Located on the edge of a stream, McLaren Excell shored up

the structural integrity of the long-saturated retaining walls and created a concealed drainage system, without disturbing the water that descends to the mill.

Paying tribute to the building’s industrial roots, internal works were governed by the philosophy ‘minimal intrusion with materially sensitive interventions’, seeing raw-plate steel as the primary

material. “Like the mill itself, our work had to be simple, functional and honest,” Luke adds.

A compact extension to the side of the mill expands the

structure to two bedrooms. Honing an environmental approach, the extension maximises thermal insulation and mass, with

double-glazing on doors, windows and skylights and polished insitu concrete floors.

PROJECT Lower Mill DESIGN McLaren Excell PHOTOGRAPHY Thomas Seear-Budd

In keeping with the mill’s industrial origins, McLaren Excell used raw plate steel as the primary material throughout.

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“Our restoration of, and extension to, the

mill was an exercise in preservation as much as restoration; we were in the privileged position of converting the mill into a home for the very first time.”

– Luke McLaren

The eighteenth-century mill featured Victorian milling machinery and a water wheel when architecture firm McLaren Excell were asked to sensitively transform the structure into a home.

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02

Seventies Spirit

Balmain, Sydney Fox Johnston

Fox Johnston director Conrad Johnston was drawn to the

‘undeniable spirit and quality’ of a pair of circa 1972 heritage-

listed semis on a steep site overlooking Sydney’s Paramatta River.

First owned by Melbourne architect Sir Roy Grounds and his son, Conrad set out to transform the building for his family within the original footprint.

Conrad’s intervention is marked by sustainability and the home’s connection to place; opening it up to views and ventilation and raising the lower level to the courtyard, for ease of movement between indoors and outdoors.

At the same time, the architect worked to maintain the original material language, by ‘grafting’ the new to the existing fabric, through a stripped-back palette of concrete, painted brick,

Western Red Cedar and cork flooring – an environmental and nostalgic nod. “Working within that original geometry, we

applied a softer, curved edge,” Conrad adds, making way for the ‘unorthodox’ built-in banquet seating and sofa.

What’s particularly satisfying for Conrad is that people can’t

decipher the new from the existing; formed from a fundamental

belief that past and present can exist cohesively, without conflict.

PROJECT SRG House DESIGN Fox Johnston PHOTOGRAPHY Anson Smart

Built-in furniture such as the curved dining banquette, coupled with the Marcel Breuer Cesca chairs, was part of the problem solving that came with a narrow plan in the SRG House.

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Conrad introduced Plywood joinery in the kitchen and bedrooms, in a nod to the building’s original material palette.

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“The attitude should be both reverential to the

essential qualities of the heritage building, but not afraid to change things that did not work with the original design. ” – Conrad Johnston

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Conrad transformed the two-bedroom home and garage into a four-bedroom home within the original footprint, which allows his in-laws to live independently in a self-contained area. The light-filled living space features the Flag Halyard Chair by PP Møbler.

A new plunge pool in the harbour-facing garden creates a tropical oasis.

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03

The Hat Factory Newtown, Sydney Welsh + Major

The Hat Factory has many stories to tell; from its time as a factory and printers, surviving a fire and being a squat for more than a

decade. An atypical warehouse conversion from the outset, Welsh + Major embarked on creating two dwellings that recognise the building’s inherently colourful past.

Welsh + Major co-director David Welsh credits their clients for

the journey of meticulously unpicking the building’s layers. “Our

clients have been truly inspirational – the existing building could easily have been knocked down and it’s their resilience that saw this difficult project brought to fruition,” David says.

The graffitied interior, as well as original openings, were retained, with new glass insertions. Inside, the bare stone of the original

boundary creates a tactile mural, while new raw steel stairs with skylights above call on the industrial bones. One of the most

rewarding aspects for Welsh + Major was opening up parts of

the factory to natural light, that “hadn’t seen the light of day for

decades”. “The light quality both inside and out is something that has surpassed our expectations,” David reflects.

PROJECT The Hat Factory DESIGN Welsh + Major PHOTOGRAPHY Anthony Basheer

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“Revealing existing building elements

and materials to natural light, elements that literally hadn’t seen the light of day for decades was special.”

– Welsh + Major co-director David Welsh

Welsh + Major exposed the original stone boundary wall at the rear and down the side of the two Hat Factory apartments as a tactile tribute to the building’s rich history.

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04

In Ruins

Northamptonshire, UK Will Gamble Architects

Will Gamble Architects were introduced to a disused cattle

shed and ruins of a former parchment paper factory adjoining a

heritage-listed home in Northamptonshire, UK. The owner wanted to convert the cattle shed and demolish the 1600s ruins for a new extension. Instead, Will Gamble Architects proposed a ‘building within a building’ by inserting lightweight volumes within the ruins, constructed of corten steel, oak and reclaimed brick.

The architects engaged an archeologist throughout the

construction process. This led to a surprising find; a bath used to

clean animal hides before they were made into parchment paper.

“We exposed the stone bath to create a unique water feature that also captures water run-off, to irrigate the garden,” principal Will Gamble says.

Upcycled materials found on site were also used to construct

the new extension, while internally, the cattle shed beams were exposed and stone walls coated in limewash. “Not only did we

design the building with minimal impact on the ruin walls, but to perform everyday functions, which required bespoke detailing and innovative design solutions,” Will says.

PROJECT The Parchment Works DESIGN Will Gamble Architects PHOTOGRAPHY Johan Dehlin

“I like to think it’s a good example of how

innovative contemporary design can help celebrate and preserve our historic structures.”

– Will Gamble

Architect Will Gamble says they discovered several surprises in the process, such as the old bluestone bath used to clean animal hides before they were made into parchment paper. So they decided to expose the bath, which acts as an attenuation feature to capture water runoff and irrigate the garden.

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EDGE OF

THE WORLD Bilgola Beach, Australia

By Olson Kundig

D

ARCHITECTURE Olson Kundig PHOTOGRAPHY Rory Gardiner WORDS Haydn Spurrell

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A

ward-winning US design firm Olson

Kundig makes its mark on Australia for the first time on New South Wales’ Bilgola Beach. A 9,400 square-foot family home seemingly sits on the edge of the world, observing the meeting places between sand, sea and the flora at its fringes.

Bilgola Beach House is a transformative structure, so close to the civilised world and yet unlike anything found in the nearby metropolis. Olson Kundig design principal Tom Kundig achieves a dialogue between the house and the environment, connecting people with place through sustainable design.

Designed to withstand harsh sunlight, high winds and flooding common to the Australian coast, Tom says, “my hope is that the home will evolve as it responds to all the different environmental and climatic conditions of the site, blending into the headlands and becoming integrated with Bilgola Beach over time.”

Natural light passes through shaded, retractable window walls; a fortress from the outside when lowered, a faucet for daylight from within.

The dining room is cased within surrounding window walls. It features a dining table custom-designed by Olson Kundig and the design firm’s signature Cab chairs designed

by Mario Bellini for Cassina.

The home is divided into transparent and opaque zones. The central floor houses public and entertaining spaces walled in between solid volumes of board-formed concrete. An interior courtyard invites filtered daylight into the home’s core and passive ventilation passes horizontally through the windows, allowing the environment to influence the building without relying on excessive resources. Above and below, private spaces create a retreat from and gateway into the unknown beyond its borders.

The world cannot be taken for granted from this vantage point; Olson Kundig have continued its signature bridging of nature, culture and people with a structure of unforgettable beauty and motion. Tom himself brings worldly knowledge to the site on Sydney’s Northern Beaches; the home opens and closes at will, never isolating, never overwhelming, with a second-floor master suite designed to accommodate the couple that lives there.

With company, it’s a sublime meeting place and opened up, it becomes an observatory for its ethereal landscape. Nestled among the dunes, surrounded by Norfolk pines and palm trees, as if it had been there all along, Bilgola Beach House is an artistic integration of human design into untamed land. It becomes a coming together; of people and the planet, of art and nature.

A striking black aesthetic distinguishes the kitchen, featuring hardware by Tom Kundig for the 12th Avenue Iron Collection and square guest stools from BDDW.

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Tom Kundig is widely known for his discreet mechanical systems; reflected in the fireplace design with a pull mechanism resembling a bike’s chain and crank.

A stone Apaiser Haven bath on one side of a balcony overlooking the beach and ocean.

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“My hope is that the home will evolve as it responds to all the different environmental and climatic conditions of the site, blending into the headlands and becoming integrated with Bilgola Beach over time.”

– Olson Kundig principal Tom Kundig

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Project Boulder House Landscape Design and Construction Wyer & Co. Editorial Styling Claire Delmar Photography Anson Smart

ISSUE #42 / REINVENTION

the library Explore architecture’s relationship with earth and design’s role in shaping gardens.

GARDEN WILLIAM DANGAR

THE ARCHITECTURE OF TREES CESARE LEONARDI, FRANCA STAGI

AN AUSTRALIAN GARDEN: REIMAGINING A NATIVE LANDSCAPE PHILIP COX

DREAMSCAPES: INSPIRATION AND BEAUTY IN GARDENS NEAR AND FAR CLAIRE TAKACS

GREEN ARCHITECTURE PHILIP JODIDO

LO-TEK: DESIGN BY RADICAL INDIGENISM JULIA WATSON

SEE MORE BOOKS >

SILO: THE ZERO WASTE BLUEPRINT DOUGLAS MCMASTER

BAWA: THE SRI LANKA GARDENS DAVID ROBSON

JAPANESE GARDEN SOPHIE WALKER

ISSUE #42 REINVENTION

NATURAL WONDER WILLIAM DANGAR

Will Dangar is something of a garden whisperer. Those who have witnessed him look at a new site are impressed by his innate ability to immediately see what is possible. He thinks large scale, favours unfussy planting borne of a strong horticultural knowledge and gets a kick out of working with interesting architectural forms. He has built a practice, Dangar Barin Smith with co-directors Tom Smith and Naomi Barin, where he is the go-to collaborator for significant Sydney architects and interior designers including Luigi Rosselli, Smart Design Studio, Andrew Burges Architects and BKH.

PHOTOGRAPHY Prue Ruscoe WORDS Karen McCartney

ISSUE #42 / REINVENTION

Grey and green tones combine using interesting Agave varieties mixed with Phormium, Gardenias and Zoysia grass between the stepping stones.

Will’s commitment to quality architectural outcomes is personal as much as it is professional. His family home in Sydney’s Bondi is built on a previously neglected pizza-slice shaped block where architects Clayton Orszaczky designed a residence influenced by Norwegian barns. “Visitors don’t expect the garden to be so big but the reality is the house is small relative to the block and we could have probably built it about 30 per cent bigger, but it’s all about balance and what is important to us as a family”, he says.

His other award-winning architectural enterprise, undertaken with his wife Julia, is the Bismarck House – named after an impressive palm on the site. Designed as a rental from the get-go by Andrew Burges Architects, it is a built manifesto in terms of the low-maintenance cactus garden threading throughout the long north-facing block providing garden views at every turn.

An elegant composition of texture and form using Agave, Miscanthus and Zoysia.

Will, along with Bill Clifton of Robert Plumb Build, always likes to have an ambitious personal project on the horizon and a large swathe of land in rural NSW is the next project to combine architecture and land regeneration.

Closer to home a project in Sydney’s Little Cove, Manly, employs many of the same principles. “This garden had a number of constraints from the fact that it was a bandicoot habitat to managing water views”, Will says. The house was designed by BKH with a simple geometry executed in weathered timber to suit the coastal site. The singular exterior expression lends itself as a backdrop to the layered nature of the planting. “You’ve got that rock star view and you just need a calmness around the building, alongside interest through textural change,” he says.

A combination of low-maintenance grasses such as Chinese Silver Grass and New Zealand Flax, succulents and hardy trees settle the house into the landscape while the established Norfolk Island Pine, common to the area, frames the view.

Fragrance comes courtesy of banks of gardenias.

“We have a great relationship with these clients and are working on another project with them. It is the best thing when trust has been established and it is all about the ideas and the collaboration. Like putting on an old pair of leather gloves – in the best possible way”.

The planting design loosely replicates the headland landscape with subtle accents provided by the Aloe Vera and Flax.

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Project Simon Howard Design Dangar Barin Smith Landscape Blayd Architectured Landscapes

Exquisite detailing by architects Burley Katon Halliday with an olive tree popping over the top.

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Behind T

Der Swal

Goldstein House 3 by Derek Swalwell

PHOTOGRAPHY WORDS Rac

The Lens

rek lwell

Y Derek Swalwell chelle Unreich

Rosa del Monte Marble from Mandy’s Goldstein collection House 6 in bythe ensuite Goldstein House 0 by defines Derek Swalwell the twin vanities.

Derek Swalwell

Hi Key Tokyo 03 by Derek Swalwell

D

erek Swalwell might be best known as a photographer of architecture, but between lockdowns he found a different subject to cast his eye upon; fishermen. In his personal ‘Headland’ series, he captures fishing communities along the Bellarine and Otway regions of his childhood, saying he was drawn to their “simple and uncomplicated lifestyle.” In the portraits, the men stand on the sand or near the rocky shore, peering into the camera lens with a mix of bemusement, curiosity and quiet complacency. “I found that really relaxing,” Derek says.

Interestingly there are parallels between these shots and his architecture ones. The buildings are mesmerising in a different way, beckoning the viewer to look more closely. While they are often modern, the photos are clean without being stark, bathed in a kind of zen calm. “It’s impossible to explain what it is that I see that you might not see. It’s about illustrating and interpreting things that one might normally see as mundane, in an expressive way through your own thought processes. I’m into light and shadow, and I’m more interested in things that are less interesting, to see how I can make them moreso.”

ISSUE #42 / SPECIAL F EATURE

Stark House designed by Park + Associates | photography by Derek Swalwell

Bellows House designed

by Architects EAT | photography

by Derek Swalwell

ISSUE #42 / SPECIAL F EATURE

Elwood Bungalow designed by Rob Kennon Architects | photography

by Derek Swalwell

FO1, Farnsworth series

by Derek Swalwell

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F13, Farnsworth series by Derek Swalwell

His commercial influences and personal vision dovetail in his Farnsworth + Miller series. For that project, he travelled from his hometown of Melbourne to Illinois and Indiana in America’s mid-west to photograph two iconic examples of mid-century modernism, the Farnsworth House by Mies van der Rohe and the Miller House by Eero Saarinen. Historically, photos of those houses appear as vivid images, the former filled with the furniture of the time, the latter ablaze with colour. But Derek’s portraits are something different, calming the eye with the lush landscape surrounding the Farnsworth House, and honing in on smaller details in the Miller one, such as a lone telephone against a mirror. “It’s about symmetry, balance, light quality,” he says. “I can look at a scene and see the photograph already. I know when it’s going to work and when it’s not.”

And although his job hasn’t required him to do anything crazy “I haven’t had to stand on an elephant, for instance,” he remembers shooting on the top of a building in Singapore with nothing stopping him from going over the edge and getting past access restrictions overseas by offering beer and cigarettes to those who could literally open doors. “It’s all memorable, really,” he says. “At the end of the day, I’m taking pictures for a living, when some people are behind desks all day. That feels pretty special.”

FO3, Farnsworth series

by Derek Swalwell

INSP

BY THE S WE CR

STORY NO.1 A Space To Connect

spacefurniture.com

PIRED SPACES REATE

ISSUE #42 / HOME F EATURE

HARBOURING HISTORY

A heritage-listed former wool house is respectfully reimagined into a beautifully considered family home.

LOCATION SYDNEY, AUSTRALIA PROJECT OAK HOUSE DESIGN ALEXANDER & CO. PHOTOGRAPHY ANSON SMART WORDS SARAH KNIGHT

Restoring a dilapidated, heritage-listed structure on crown land is a formidable task – even moreso when the property is also over water, perched atop a concrete jetty on the Sydney Harbour. Design studio Alexander & Co, entrusted with this assignment, responds with a considered design that both honours and preserves the building’s storied past.

Originally established in 1912 to house wool arriving by sea then later for commercial offices, Oak House is the culmination of meticulous planning and due diligence. Alexander & Co’s principal architect Jeremy Bull explains, “Replenishing an old structure to perform as a luxury home presents limitations, both construction and statutory”.

True to their signature ideology of ‘conceptual and strategic thinking’ Alexander & Co. answer the brief with a unique proposal; utilising the structure as an ‘envelope’ where a new build is formed within. Through reframing internal walls and floors separate from the existing building, opportunities arise for new insulation, finishes and surfaces. “We retained every part of the existing building and simply rebuilt within it, exposing what we could,” Jeremy says. “The heritage framework remains respectfully intact and unaffected.”

A restrained furniture and lighting collection in the informal living space includes the leather Extrasoft sofa by Piero Lissoni for Living Divani and the Fat-Fat ottoman by B&B Italia. A Cloud 37 pendant by Apparatus Studio sits above the Tobi-ishi dining table by B&B Italia surrounded with Hola 369 chairs by Hannes Wettstein Design for Cassina.

“We retained every part of the existing building and simply rebuilt within it, exposing what we could.”

– Alexander&Co. principal Jeremy Bull

A classic European aesthetic throughout reveals brass skirting, wall panelling, chevron oak floors and Circuit 1 wall sconces by Apparatus Studio.

ISSUE #42 / HOME F EATURE

The shower space is framed with burnished brass, while dark marble contrasts with white wall panelling. The vanity features a Boffi Fisher Island basin and Manhattan tap set by Brodware.

Accents of brass and blue are highlighted in the Circuit 1 wall sconce by Apparatus Studio, Hug armchairs by Rossella Pugliatti, and the Drive sofa and Blend low table by Carlo Colombo, all for Giorgetti. In the dining zone a Mizar dining table by Roberto Lazzeroni for Giorgetti sits beneath the Tassel 57 ceiling pendant by Apparatus Studio.

Floor to ceiling linen drapes in the open living and dining space filter natural light, and open up to harbour views.

ISSUE #42 / HOME F EATURE

The result is Oak House, a statement family home with sweeping harbour views. Externally, the original timber shiplap facade honours yesteryear, welcoming guests with a modern entrance leading to contemporary interiors. A fusion between original elements such as the exposed timber beams contrast with the grandeur of more neoclassic touches including wall panelling, detailed fireplaces and wall sconceadorned hallways. Formal and informal living areas feature across two levels for the family of six, including a concealed bar for entertaining and parents’ sanctuary upstairs.

With the client residing in London through the entire process, a long-distance collaborative approach ensued with Italian-made Boffi kitchen, Poliform robes and Apparatus Studio lighting viewed from London showrooms by the owner. A palette of muted greys and creamy whites makes way for black polished plaster, striking Carrara and Nero Marquina marble, brass skirting and chevron floors; geometric in their form yet restrained and uncomplicated.

Oak House represents possibility, celebrating original craftsmanship while providing a foundation for contemporary design. A lesson in adaptive reuse, Alexander & Co have unlocked a highly functional, elegant family home, while still retaining its intrinsic historical value.

The kitchen features an Italian-made Boffi Xila kitchen with the K14 island and Gaggenau 400 series appliances. Earthy tones complement high-quality materiality, with chevron oak floors, dark cabinetry and the Ventura stools by Poliform.

ISSUE #42 / HOME F EATURE

The master bathroom reflects a neoclassical influence, featuring Manhattan brass tapware by Brodware, and the Endless Straight pendant by Jason Miller Studio. The space also features a Boffi Fisher Island oval bathtub.

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Design & Photography Felix Millory

ISSUE #42 / SPECIAL F EATURE

42

A-LIST BATHROOMS

The est living team presents 42 bathrooms classic and current, reflecting original and enduring design in 2021.

Photography Peter Cook

ISSUE #42/ SPECIAL F EATURE

Room with a view Six bathrooms shaped by their site views.

MCLEAN QUINLAN

01

WYOMING HOUSE

ROB MILLS ARCHITECTURE & INTERIORS GREAT OCEAN ROAD RESIDENCE

02

Photography Mark Roper

ISSUE #42 / SPECIAL F EATURE

03

HOLLIE BOWDEN

ISLE OF BUTE

Photography Genevieve Lutkin

ISSUE #42 / SPECIAL F EATURE

RENATO D’ETTORRE ARCHITECTS

GORDONS BAY

04

Photography Justin Alexander

Issue #42 / SPECIAL F EATURE

05

STUDIO VOLPE

AP34 APARTMENT

Stylist Michael Reynolds Photography Stephen Kent Johnson

ISSUE #42 / SPECIAL F EATURE

06

TUCKER & MARKS

Photography Roger Davies

CALIFORNIAN COASTAL

Tiles

Designers make a statement through colour, texture and application.

07

KENNEDY NOLAN

ELSTERNWICK HOUSE

ISSUE #42 / SPECIAL F EATURE

Photography Derek Swalwell

HUGH-JONES MACKINTOSH

TAYLORS BAY RESIDENCE

08

Photography Anson Smart

ISSUE #42 / SPECIAL F EATURE

09

ALEXANDER & CO

ALEXANDER HOUSE

Photography Anson Smart

10

FIONA LYNCH

MALVERN EAST HOUSE

Photography Amelia Stanwix

ISSUE #42 / SPECIAL F EATURE

11.

CJH STUDIO

HOUSE FIN

Photography Timothy Kaye

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Freestanding Baths Nine designers explore form and finish.

12

HOUSE OF GREY

HIGHGATE HOUSE

Photography Michael Sinclair

13

LEETON POINTON ARCHITECTS + INTERIORS

TWIG HOUSE

Photography Earl Carter

HANDELSMANN & KHAW

14

BELLEVUE HILL FEDERATION HOUSE

Photography Felix Forest

15

VINCENT VAN DUYSEN

PENTHOUSE C

Photography Mark Seelen

ISSUE #42 / SPECIAL F EATURE

16

PAULSEN & NILSEN OSLO HOUSE

Photography Einar Aslaksen

CARR

17

PENINSULA HOUSE

Photography Ben Hosking

ALWILL INTERIORS & LUIGI ROSSELLI ARCHITECTS PEPPERTREE VILLA

18

Project Architec

Photography

ct Jane McNeill

y Prue Ruscoe

TRAVIS WALTON ARCHITECTURE & INTERIOR DESIGN

TOORAK RESIDENCE

19

Photography Anson Smart

ISSUE #42 / SPECIAL F EATURE

KPDO

20

WHITE HOUSE

Photography Anson Smart

Powder Rooms Small expressions with bold impact.

21

FLACK STUDIO

Photography Anson Smart

MAXWELL

ISSUE #42 / SPECIAL F EATURE

22

DECUS INTERIORS

Photography Anson Smart

HILL HOUSE

BENOÎT VIAENE

SUMMER HOUSE

23

Photography Thomas De Bruyne

ISSUE #42 / SPECIAL F EATURE

24

MARIE LECLUYSE INTERIOR ARCHITECTURE

LIGHT PLAY HOUSE

Photography Thomas De Bruyne

Outdoor

25

Projects that embrace the elements.

ARCHITECTS EAT

BELLOWS HOUSE

Photography Derek Swalwell

01.

BATHING RENATO WITH A VIEW D’ETTORRE ARCHITECTS

GORDONS BAY

DOHERTY DESIGN STUDIO

26

CHURCH RESIDENCE

Photography Derek Swalwell

ISSUE #42 / SPECIAL F EATURE

27.

CM STUDIO

WOORAK HOUSE

Photography Prue Ruscoe

28

PIET BOON

BEACH RESIDENCE

Photography Gaelle Le Boulicaut

Showers Six walk-in showers utilise space and light.

29

COY YIONTIS

SOLID HOUSE

Photography Peter Clarke

ISSUE #42 / SPECIAL F EATURE

SUSI LEETON ARCHITECTS + INTERIORS

30

BIRCH TREE HOUSE

Photography Nicole England

ISSUE #42 / SPECIAL F EATURE

SJB ARCHITECTS

31

CLEVELAND ROOFTOP

Photography Felix Forest

32

HANS VERSTUYFT

Photography Hans Verstuyft

HOUSE B

LUCONI ARCHITETTI ASSOCIATI

Photography Marcello Mariana

33

BAITA MV

Photography Claessens & Deschamps & Nicolas Schuybroek Architects

ISSUE #42 / SPECIAL F EATURE

NICOLAS SCHUYBROEK ARCHITECTS

MM HOUSE

34

ISSUE #42

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ARENT&PYKE

ASHFIELD

Photography Pablo Veiga

36

JORGE BIBILONI STUDIO

OD HOUSE

Photography Tomeu Canyellas

ISSUE #42 / SPECIAL F EATURE

STUDIO ESTETA

37

MORNINGTON PENINSULA HOUSE

Photography Sharyn Cairns

38

MF+ARQUITETOS

Q04L63 HOUSE

Photography Filipe Araujo

ISSUE #42 / SPECIAL F EATURE

39

CAROLE WHITING

CHAUCER STREET

Photography Martina Gemmola

40

FRAMEWORK

N°497

Photography Kasia Gatkowska

Issue #42 / SPECIAL F EATURE

CONRAD ARCHITECTS

41

TOORAK GARDEN

Photography Sharyn Cairns

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ISSUE #42 / SPECIAL F EATURE

ELIZABETH ROBERTS ARCHITECTS

42

JOHNSON-MINER TOWNHOUSE

Photography Cassie Floto-Warner

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ISSUE #42 / REINVENTION

Project Taylors Bay House Architecture Shaun Lockyer Architects Design Hugh-Jones Mackintosh Styling Steve Cordony Photography Anson Smart

Issue #42

the

DETAIL The est definitive guide to sensory bathroom elements from our go-to product library.

THE DETAIL

FREESTANDING BATHS Sculptural places to soak.

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ISSUE #42 / REINVENTION

Project Malvern 01 Design Beatrix Rowe Interior Design Photography Shannon McGrath

ISSUE #42 / REINVENTION

Project The Rough House Design Niels Maier Photography Thomas De Bruyne

THE DETAIL

STOOLS Classic bath companions.

TUSKAN CHROMA STOOL OEUFFICE

ROI STOOL COLLECTION PARTICULIÈRE

TRIBUTE STOOL SMALL KELLY WEARSTLER

KAFA STOOL COLLECTION PARTICULIÈRE

524 TABOURET BERGER STOOL CASSINA

BUTTERFLY STOOL VITRA

ROGER STOOL SIKA DESIGN

CLESSIDRA STOOL RIVA 1920

BIENNALE NIKARI

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THE DETAIL

BATHROOM ESSENTIALS Elevate the pleasure of rituals.

ORGANIC TERRY TOWELS TEKLA

ØDENSE STAR ANISE COFFEE SCRUB WØRKS

F.A.33 RECTANGULAR MIRROR GUBI

BATHROOM SET MARBLE MICHAËL VERHEYDEN

COTTON BATHROBE BEMBOKA

APOTHECARY HAND LOTION FRAMA

REX 21 BATH MAT MISSONI HOME

TOWEL LADDER MENU

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V I E W M O R E B AT H R O O M E S S E N T I A L S >

Project Prahran House Design Dita Studio Photography Timothy Kaye

ISSUE #42 / REINVENTION

Project Cranbrook House Design cmstudio Styling Alexandra Gordon Photography Anson Smart

THE DETAIL

HANDMADE TILES Earthen textures manifest in handmade tiles.

ANTIQUE TERRACOTTA PROVINCIAL RED SQUARE CLÉ

ZELLIJ SMOKE BUSH EARP BROS

ZELLIJ NULLARBOR EARP BROS

TUSCAN COTTO SURFACE GALLERY

MANUAL MIEL EARP BROS

MANUAL BASES EARP BROS

ZELLIGE NON GLAZED COTTO SAND STORM ECO OUTDOOR

BELGIAN REPRODUCTION FLEMISH BLACK TERRACOTTA SQUARE CLÉ

TUSCAN GRAPHITE SURFACE GALLERY

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THE DETAIL

FLOOR-MOUNTED TAPS Design-driven shapes and classic finishes.

ARQ II FLOOR BATH OUTLET ROGERSELLER

INCISO BATH FILLER GESSI

YOKATO BATH MIXER BRODWARE

FS1 FREE-STANDING BATH MIXER VOLA

MILANO FLOOR MOUNTED MIXER FANTINI

VIVID SLIMLINE FLOOR MOUNTED BATH MIXER PHOENIX TAPWARE

V I E W M O R E TA P W A R E >

STILE BATH FILLER ARMANDO VICARIO

BATH/SHOWER MIXER ON FLOORLEGS PERRIN & ROWE

ISSUE #42 / REINVENTION

Project Pacific House Design Penman Brown Styling Studio CD Photography Felix Forest

ISSUE #42 / REINVENTION

Project Belgian Farmhouse Design Pieter Vanrenterghem Photography Thomas De Bruyne

THE DETAIL

ARCHITECTURAL LIGHTING Form follows function in architectural lighting.

ECONO TRACK LIGHT VIABIZZUNO

NANOPERFETTO TWIN IVELA

DRUMMER 90 ADM DELTALIGHT

C1 LARGE CEILING FLOS

N55 SOFFITTO VIABIZZUNO

STUDIO CYLINDER DOWNLIGHT APPARATUS

WAN C/W FLOS

CRISP FLUSH MOUNT RBW

PUCK DOWN LIGHT ARKOSLIGHT

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*To ensure compliance with Australian standards and adherence to IP ratings and zoning requirements in the bathroom, est recommends consulting a design professional and an authorised electrician.

ISSUE #42 ESTLIVING.COM