11 Pardo Live 11 | 8 | 2012

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Pardo Live 11 | 8 | 2012

Pardo d’oro La Fille de nulle part

Pardo Live Partner


Senza pelle | Vincitore del Prix du Public UBS nel 1994 | Anna Galiena, attrice

La giuria siete voi. Aggiudicate il premio, vincete un premio in Piazza Grande. www.pardo.ch/ubs


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Editorial | Day eleven

News

Pardo d’oro for a Master In awarding the Pardo d’oro to Jean-Claude Brisseau for his new film La Fille de nulle part, the jury of the 65th edition of the Festival del film Locarno, with Apichatpong Weerasethakul as its president, has made a decision to not only recompense one of the greatest living French filmmakers for his entire body of work but also to salute a feature film that is an exemplary gesture of cinematic freedom, beauty and courage. Like Tim Burton awarding him the Palme d’or at Cannes, Weerasethakul has demonstrated that a truly great filmmaker is able to recognise and appreciate the work of a fellow artist who has taken a completely different route from himself but still arrives as the same destination: cinema. Like the New Wave filmmakers before him, former teacher Brisseau was imbued with classical western culture derived from American cinephilia. The Thai director comes

from the world of contemporary art and interrogates the legends and history of his own country. There is no doubt an artisanal dimension and a particular mysticism (Marxist-Christian in the case of the French filmmaker, Buddhist in the case of the genius from Bangkok) that links the two men, despite their differences. Above all there is a tremendous belief in closely mingling ideas, sensations, feelings, and mise en scène. Among the messages of joy and amazement sent by admirers of Brisseau’s work on the announcement of the awards, there was one I found particularly fine. It came from a young French female director who was attending the festival for the first time: “So totally deserved. Cinema and talent win out. It’s fantastic because it cannot be easy being one of the last great ‘Hollywood’ filmmakers, inhabiting the lonely peaks”. Brisseau is no longer alone. He, alongside the other young filmmakers discovered at Locarno who believe cinema is still about courage and morality. Farewell. (Olivier Père)

Primavera festivaliera La formuletta è come una moneta liscia perché passata per troppe mani. Ma forse qui lo slogan “rinnovarsi nella tradizione” sembra attagliarsi millimetricamente allo spirito di un Festival come quello di Locarno che, chiudendo la sua 65esima edizione, gioca sempre al rilancio. Giovane per vocazione e DNA anche quando mette sul suo gradino più alto un autore del cinema francese, Jean-Claude Brisseau, che si reiventa in un film a basso costo, girato quasi tutto nel suo appartamento. Del resto, come diceva Jorge Luis Borges, la tradizione è fatta di continue rivoluzioni. O, quantomeno, di continue innovazioni. Una conferma che arriva anche nel darvi l’appuntamento al prossimo Festival. Che non sarà solo nelle date dal 7 al 17 agosto 2013 (la 66esima edizione) per la presenza di una nuova costola a marzo 2013 (dal 21 al 24) con la nuova kermesse L’Immagine e la Parola. Curata anche da Olivier Père e dedicata ai rapporti “migratori” tra cinema e letteratura. Uno spin off perché l’estate locarnese possa già iniziare nella sua Primavera. (Lorenzo Buccella)

Photo of the day News

Grazie Riccarda

The Winner and the Artistic Director

Flying with SWISS the Festival welcomed…

Harry Belafonte, singer, actor Gael García Bernal, actor Éric Cantona, actor Lizzy Caplan, actress Leos Carax, director Alain Delon, actor

Arnon Milchan, producer Kylie Minogue, singer, actress Ornella Muti, actress Renato Pozzetto, actor Charlotte Rampling, actress Johnnie To, director, producer

In treno all’evento e prevendita alla stazione FFS.

Lo diciamo per scherzo, ma un po’ ci crediamo. E se i Pardi da domani in poi ci scappassero di mano? L’“allarme” viene da una notizia a cui facciamo fatica ad abituarci. Riccarda Stevan, la storica guardiana dei Pardi, dopo 19 anni di prezioso lavoro al Festival, se ne va in pensione. Proprio lei che, oltre a costudire tutto l’anno le prestigiose statuette, è stata il pilastro delle risorse umane (e forse anche mentali) del Festival e immancabile punto di riferimento per tutti quelli che hanno gravitato nella macchina di Locarno. Per questo il grazie all’unisono che le diciamo in realtà è gigantesco almeno quanto lo schermo di Piazza Grande. (L. B.)


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With this new film, it looks like you wanted to go back to the roots, towards a low budget cinema which does not give up the courage of experimentation. I started again to shoot films with a small budget because I had the clear sensation that big productions could obstruct artistic freedom. So I decided to regain it, because I am convinced that it is possible to transmit emotions also with modest means at disposal. Afterwards, I can just say that I did not expect the film could be presented in a Festival. Being awarded such a prestigious prize is really a big surprise.

La Fille de nulle part wants to maintain a balance between philosophical cues, comical or (at least) poetical moments like the ones which have a connection with the arts. But I repeat, I was interested in the mix between different elements. Elements that (maybe) find a common point in the reflections on life’s illusions? This is of course one of the main themes of the film, as demonstrated by the main character (the old math professor) who is busy writing a book about life’s illusions that imprisoned him, from politics to religion to daily life, because after all –

Non avrei mai immaginato di venir selezionato per un festival. Figuriamoci vincere un premio così prestigioso!

Jean-Claude Brisseau 5 questions to He is one of the French cinema masters, but he surprised everybody with one of the most experimental films watched in Locarno. Thanks to the selfproduced La Fille de nulle part where he plays the main role, he was awarded Pardo d’oro 2012.

Your movie is able to mark theoretical, moral and aesthetical reflections without never stopping focusing on emotions... I have never liked to underline my intentions about the core of my films. Neither the technical, nor the narrative and philosophical ones. I wanted to mix elements exactly like I did with the few people I worked with on the set. After all, I was interested in keeping that intimacy and transmitting it to the audience. The intimacy, which marks the encounter between the man and the woman in the film, is haunted by ghosts, a surprising incursion to paranormal. I tried to find the right mix between daily life objects and a fantastic world that progressively comes into the film, but without transforming it into a fantasy work tout court.

Ho cercato di mescolare squarci di vita quotidiana con elementi fantastici e paranormali

as happens in some film scenes – when illusions fall, it is possible to come to craziness or to dramatic results. And, as it ofthen happens in your filmography, on the one hand there is a taste for romanesque while on the other hand there is an autobiographical mark, even if it is developed and hidden by the mise en scène. I can just write about things correlated to my personal life, then I mix them with imaginary elements. I wanted to reach a vast and simple audience, not only the élite. Making something difficult to put on a scene, but trying to hide this difficulty at the same time. (Lorenzo Buccella)


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Palmarès Concorso internazionale

The official Jury of the 65° Festival del film Locarno President Apichatpong Weerasethakul, Thailand Jury members Im Sang-soo, South Korea Noémie Lvovsky, France Hans Ulric Obrist, Switzerland Roger Avary, USA

Pardo d’oro 2012

La Fille de nulle part, by Jean-Claude Brisseau (France)

Special Jury Prize Somebody Up There Likes Me , by Bob Byington (USA)

Pardo for Best Actress An Nai for Wo hai you hua yao shuo (When Night Falls) (South Korea/China)

Special mention To the character of Candy in A Última Vez Que Vi Macau, by João Rui Guerra da Mata and João Pedro Rodrigues (Portugal/France)

Best Director Liang Ying for Wo hai you hua yao shuo (When Night Falls) (South Korea/China)

Pardo for Best Actor Walter Saabel for Der Glanz des Tages (Austria)


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Palmarès Concorso Cineasti del presente

The Jury President Mahamat-Saleh Haroun, Chad Jury members Alex Ross Perry, USA Ana Moreira, Portugal Ho Yuhang, Malaysia Luciano Rigolini, Switzerland

Pardo d’oro Cineasti del presente – George Foundation Prize Inori, by Pedro González-Rubio (Japan)

Special Mention for Tectonics, by Peter Bo Rappmund (USA)

Premio per il miglior regista emergente

Special Juri Prize Ciné+ Cineasti del presente

Joel Potrykus for Ape (USA)

Not in Tel Aviv, by Nony Geffen (Israel)

Palmarès Opera prima

The Jury Jury members Abi Sakamoto, Japan Boris Nelepo, Russia Dennis Lim, USA

Pardo for the Best First Feature

Special Mention

Ji yi wang zhe wo (Memories Look at Me), by Fang Song (China)

for Ape, by Joel Potrykus (USA)


Switzerland’s

best mobile film Big emotions on a small screen: Swisscom is honouring Switzerland’s best mobile short film. The “Leopardino Swisscom” Mobile Film Award will be presented on 11 August with the support of the Festival del film in Locarno. Have a look at www.swisscom.ch/leopardino We have been main sponsor of the Festival del film Locarno for 16 years.


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Palmarès Pardi di domani

The Jury President Mark Peploe, United Kingdom Jury members Isabelle Mayor, Switzerland Kleber Mendonça Filho, Brazil Laurent Achard, France Robin Harsch, Switzerland

Pardino d’oro for the Best International Short Film

Pardino d’argento for the International Competition

The Mass Of Men, by Gabriel Gauchet (United Kingdom)

Yaderni wydhody (Nuclear Waste), by Myroslav Slaboshpytskiy (Ukraine)

Special Mention International Los retratos (Portraits), by Iván D. Gaona (Colombia)

Locarno Short Film nominee for the European Film Awards Pianifica Prize Back Of Beyond, by Michael Lennox, (United Kingdom)

Film und Video Untertitelung Prize O Que Arde Cura (As the Flames Rose), by João Rui Guerra da Mata (Portugal)

Pardino d’oro for the Best Swiss Short Film

Pardino d’argento for the National Competition

Radio­actif (Radio­active), by Nathan Hofstetter (Switzerland)

L’Amour bègue (Stammering Love), by Jan Czarlewski (Switzerland)

Action Light Prize for the Best Swiss Newcomer Il vulcano (The Volcano), by Alice Riva (Switzerland)

Palmarès Other Prize

Prix du Public UBS Lore (Germany/Australia/United Kingdom), by Cate Shortland

Variety Piazza Grande Award Camille Redouble, by Noémie Lvovsky (France)


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MESURE ET DÉMESURE

TONDA 1950

Rose gold Ultra-thin automatic movement Hermès alligator strap Oro rosa Movimento automatico ultra-piatto Cinturino in alligatore Hermès

www.parmigiani.ch

PARTENAIRES D’ ÉMOTIONS


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Giurie indipendenti e premi Ecumenical Prize

Junior Jury Awards

Une estonienne à Paris

Starlet

1st

Mobile Home

2nd

Compliance

3rd

by Ilmar Raag (France/Estonia/Belgium)

Der Glanz des Tages

Special Mention

by Tizza Covi and Rainer Frimmel (Austria) The Jury Guido Convents, Belgium Julia Helmke, Germany Ákos Lázár Kovács, Hungary Gabriella Lettini, USA Denyse Muller, France Benjamin Ruch, Switzerland

by Sean Baker (USA) by François Pirot (Belgium/Luxembourg/France) by Craig Zobel (USA)

The End of Time

by Peter Mettler (Switzerland/Canada)

«L’ambiente è qualità di vita»

Image Problem

Special Mention

Berberian Sound Studio

Special Mention

f o c ac c e lle f arc ite n o-s t o p • s f r 1 0 .-spicchi di bontà classici e vegetariani ai sapori m editerranei via panigari • centro storico • locarno a 50 m da p.za grande 091 751 93 33

by Simon Baumann and Andreas Pfiffner (Switzerland)

FIPRESCI Prize Leviathan

by Lucien Castaing-Taylor and Véréna Paravel (United Kingdom/USA/France) The Jury Belinda van de Graaf, Netherlands Minou Moshiri, Iran Fawzi Soliman, Egypt Maria Fosheim Lund, Norway Pascal Gavillet, Switzerland

CICAE Prix Art & Essai Museum Hours

by Jem Cohen (Austria/USA)

by Peter Strickland (United Kingdom/Germany/Australia)

Viale Verbano 17, 6600 Muralto Tel. 091 743 82 22 Fax 091 743 18 69 www.osteriacentenario.ch

The Jury Elias Bouhia, Michele Cereghetti, Dalila De Giorgi, Madlaina Erni, Andrea Lisa Foiada, Guendalina Folador, Alessandra Ruggia, Sibilla Sander, Adelaide Siciliano, Marian Weber, Enea Zuber

SRG SSR Semaine de la critique 2012 Prize

The Jury Ilona Jurkonyte, Lithuania Silvan Andreini, Italy Jean-Pierre Gardelli, France

Vergiss mein nicht

FICC/IFFS Prize

Dance of Outlaws

by David Sieveking (Germany)

Der Glanz des Tages

by Tizza Covi and Rainer Frimmel (Austria)

Leviathan

Ristoranti Ristoranti Pardo Pardo

Special Mention

by Lucien Castaing-Taylor and Véréna Paravel (United Kingdom/USA/France)

by Mohamed El Aboudi (Finland/Norway)

Zonta Club Locarno

The Jury Annelies Ruoss, Switzerland Michele Dell’Ambrogio, Switzerland Eric Loret, France

The Jury David O’Mahony, Ireland Irene Torp Halvorsen, Norway Danilo Cagnazzo, Switzerland

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Bar Magnolia @ Spazio RSI Bistrot Teatro Paravento Fashion 2Shé La Rinascente Loft La Rotonda del Festival Cinebar Swisscom Oasi Casablanca Max Way Lido Patriziale di Ascona Teatro La Cambusa Rivellino Garden Club Seventy7

Info From coffee, reading the newspaper to “aperitivo” and on to cocktails in the wee small hours of the morning – all in all there are twelve places where you can wine and dine or just go out on the town; they are all linked together for the eleven days of the Festival under the name Pardo Way, catering to all tastes almost around the clock.

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Cosmopolitan, colazione e aperitivo

Cinebar Swisscom

Club Seventy7

Short Film Lounge

The place to pleasure your night

Fashion 2Shé Aperò & after movie Cocktail

Have fun in Ticino with the combined offers from PostBus www.postbus.ch/leisureclick

Lido Patriziale di Ascona


12 | 8 | 2012 Postfestival

13

14.00

Pardo per la migliore regia La Sala

21.00 Piazza Grande

Post-Festival – Film per famiglie

Wo hai you hua yao shuo

18.00 La Sala

(When Night Falls) Dir.: Ying Liang South Korea/China · 2012 · DCP · Color · 70’ · o.v. Mandarin · Subt. English, French

L’incredibile storia

di Winter il delfino

Pardo d'oro 2012

La Fille de nulle part Dir.: Jean-Claude Brisseau France · 2012 · DCP · Color · 91’ · o.v. French · Subt. English, Italian

Regia: Charles Martin Smith USA · 2011 · 35 mm · colore · 113’ · v.o. italiano Organizzazione – Gruppo genitori locarnese: www.ggl.ch

Films 11.00 La Sala

Premiati Pardi di domani

L’Amour bègue Dir.: Jan Czarlewski Switzerland · 2012 · DCP · Color · 20’ · o.v. French · Subt. English, Italian

18.00 14.00 L'altra Sala

Menzione speciale della giuria

L'altra Sala

Tectonics

Ape

Dir.: Joel Potrykus First feature USA · 2012 · DCP · Color · 86’ · o.v. English · Subt. French, Italian

Dir.: Peter Bo Rappmund USA · 2012 · DCP · Color · 60’ · no dialogue

Yaderni wydhody

Premio per il miglior regista emergente

(Nuclear Waste) Dir.: Myroslav Slaboshpytskiy Ukraine · 2012 · DCP · Color · 24’ · no dialogue

Radio-actif Dir.: Nathan Hofstetter Switzerland · 2012 · DCP · Color · 27’ · o.v. French · Subt. English, Italian

The Mass of Men Dir.: Gabriel Gauchet United Kingdom · 2012 · Beta digital · Color · 16’ · o.v. English · Subt. French, Italian

16.00 La Sala

Premio speciale della giuria

Somebody Up There Likes Me

20.00 La Sala

Dir.: Bob Byington USA · 2011 · DCP · Color · 75’ · o.v. English · Subt. French, Italian

11.00 L'altra Sala

Menzione della giuria

A Última Vez Que Vi Macau Dir.: João Pedro Rodrigues, João Rui Guerra da Mata Portugal/France · 2012 · DCP · Color · 82’ · o.v. Portuguese/Cantonese · Subt. English, French

Pardo per la migliore opera prima

Ji yi wang zhe wo

(Memories Look at Me) Dir.: Fang Song First feature China · 2012 · DCP · Color · 87’ · o.v. Mandarin · Subt. English, French

16.00 L'altra Sala

Premio speciale della giuria Ciné+ Cineasti del presente

Not in Tel Aviv

Dir.: Nony Geffen First feature Israel · 2012 · DCP · Black and White · 82’ · o.v. Hebrew · Subt. English, French

20.00 L'altra Sala

Pardo d'oro Cineasti del presente Premio George Foundation

Inori

Dir.: Pedro González-Rubio Japan · 2012 · DCP · Color · 72’ · o.v. Japanese · Subt. English, French

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Energia ticinese per il Festival www.aet.ch info@aet.ch


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News

Pardo al Parco: ovvero, il Pardo ruggisce a Lugano

Un giardino, uno schermo, un pubblico. È nel pieno rispetto della storia del Festival del film Locarno che dal 12 al 14 agosto si tiene la rassegna Pardo al Parco, patrocinata dalla Città di Lugano, durante la quale il Parco Ciani ospiterà tre pellicole presentate nel corso della manifestazione. Rispetto della storia perché è proprio con una proiezione in giardino che il Festival vide la luce negli anni Quaranta; e se la sua

data di nascita ufficiale è quello storico 23 agosto 1946 in cui il giardino del Grand Hotel ospitò il film O sole mio, non bisogna però dimenticare che essa andava a proseguire un’esperienza che per due anni aveva coinvolto la città sul Ceresio: lì infatti s’era svolta, nel 1944 e 1945, una Rassegna Internazionale del Film. Lugano riscopre dunque la sua anima cinefila, e lo fa in grande stile: le proiezioni, tutte gratuite, saranno precedute a partire dalle 19 da esecuzioni di musica dal vivo, rese ancor più gustose dagli aperitivi offerti nel bistrò sotto gli alberi. Domenica 12 agosto tra i sentieri risuoneranno le melodie della jazz band di Marco Nevano, seguite lunedì 13 dallo psychedelic jazz degli Alabaster Quartet; a conclusione della rassegna, il 14 agosto, il giardino si tingerà invece delle note del violoncellista The winner is: Elisabeth Flory, CH – 6004 Luzern

Pick up your prize at the UBS branch, Largo Zorzi, Locarno.

1st Final Prize: Marius Tschichold, CH – 8006 Zürich

(Sara Groisman)

50 YEARS VIENNALE ANNIVERSARY TRAILER, CHRIS MARKER, «KINO», F/A 2011

V12_Ins_pardo news_V12 27.07.12 01:47 Seite 6 Prize: 2nd Final David Jennifer, CH – 6512 Giubiasco

Zeno Gabaglio accompagnato dal pianista Andrea Manzoni. Dalle 21.30 invece la musica tacerà per lasciar parlare le immagini, vere protagoniste dell’evento: domenica 12 agosto, dopo l’introduzione del presidente del Festival Marco Solari, del capodicastero Turismo della Città di Lugano Lorenzo Quadri e del sindaco di Locarno Carla Speziali, tra gli alberi riecheggeranno i “rumori notturni” dell’ultima opera di Christoph Schaub, Nachtlärm, pellicola elvetica che il Festival ha presentato in Piazza Grande. Il giorno seguente sarà il turno di Ape, del “cineasta del presente” Joel Potrykus, insignito a Locarno del Premio miglior regista emergente offerto dalla Città di Lugano, oltre che di una menzione speciale da parte della giuria per la miglior opera prima. La rassegna si chiuderà martedì, quando a far da protagonisti saranno i Padroni di Casa di Edoardo Gabbriellini, presentati dal Festival nell’ambito del Concorso internazionale. Maggiori informazioni su Pardo al Parco si possono trovare sul sito: www.lugano-tourism.ch

50th Festival Edition

OCTOBER 25 TO NOVEMBER 7, 2012 www.viennale.at


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Afterhours h 21.53 10 | 8 Le Miss del film di Michael Steiner

h 11.43 11 | 8 Il team di More Than Honey

nicknortonsmith Congratulations on an amazing 65th @FilmFestLocarno #Locarn65 an honour to hear my work played in the unique Piazza Grande#vivalocarno

Prissya Merci au Festival, merci Piazza Grande pour ces 10 jours merveilleux!#Locarno65

h 12.53 11 | 8 Renato Pozzetto, “omaggiato” dal Festival cyrill_gerber Thanx to @FilmFestLocarno for a good year. An exciting tableau of various types of independent cinema.

h 14.18 10 | 8 Il Pardo in Piazza


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Flashback 7|8 Arnon Milchan

10 | 8 Das Missen Massaker

3|8 Kylie Minogue & Leos Carax

10 | 8 Renato Pozzetto

8|8 Gael GarcĂ­a Bernal

2|8 Alain Delon


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8|8 Johnnie To

4|8 Ornella Muti

1|8 Charlotte Rampling

6|8 Lizzy Caplan

6|8 Harry Belafonte


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News

From the

International Press ciak italy by Antonello Catacchio

screendaily united kingdom by Wendy Mitchell

neue zürcher zeitung switzerland by Bettina Spoerri

Il Festival è fortunato: gli acciacchi della vecchiaia non sembrano sfiorarlo. Si mantiene, anzi, giovane. E non utilizzo questo termine a caso. La sua forza sta proprio in un pubblico che non trova eguali a livello internazionale: curioso, competente, cinefilo. Giovane a livello anagrafico ma soprattutto mentalmente. Il dato fondamentale è che, in ciò, il Festival del film Locarno si distingue da qualsiasi altro concorrente.

This week I joined about 8,000 other people at a free outdoor screening (…) in the famed Piazza Grande. The projection (and even the sound) in Piazza Grande were the best I’ve ever seen at an outdoor event and of course the setting itself is lovely (…). What’s most magical about the Piazza Grande is experiencing a film with that many strangers simultaneously. (…) Of course it’s impractical for industry attendees at festivals to always go to public screenings, but seeing one once in a while can be a strong reminder of what’s at the heart of this industry – witnessing a film connect with an audience.

Olivier Père, seit Herbst 2009 künstlerischer Direktor, präsentiert in der dritten Ausgabe unter seiner Ägide ein vielfältiges Programm mit künstlerischen und filmgeschichtlichen Höhepunkten und einer ganzen Handvoll hochkarätiger Stars. Dass neue Festivaldirektoren erst mit der dritten Ausgabe ganz auf die Höhe ihrer Möglichkeiten gelangen können, zeigt die Erfahrung. Mit Olivier Père bewahrheitet sich nun in Locarno diese Regel. Natürlich tragen auch Verhandlungsgeschick, viel Glück und ein dicker Geldbeutel zu einer gelungenen Festival-Edition bei.

libération france

la tribune de genève switzerland

página 12 argentina

by Éric Loret Locarno, festival de recherche, 65e édition – la troisième sous la direction d’Olivier Père. Où l’on rencontre ce qui s’invente dans le cinéma, sans être pour autant expérimental. Festival populaire à la fois, qui rassemble chaque soir 8000 personnes au plein air de la Piazza Grande (…). Après trois jours de visionnages, rien de médiocre, ni de malhonnête. Un bonheur de cinéphile, en trois sélections: deux parallèles («hors compétition» et «cinéastes du présent») plus une internationale, la plus importante (…). Les films sont contemporains, en urgence avec l’art du temps, dont ils reprennent les doutes sur l’identité, le lieu ou la trace.

by Pascal Gavillet Le sentiment qu’on ne pourra pas tout voir, tout couvrir, tout découvrir. Impression de trop-plein? Certes, mais dans le bon sens du terme. Car c’est le propre des grands festivals, Cannes, Berlin ou Venise. Locarno est de la même famille. Celle des géants. (…) A Locarno, ce sont bel et bien plusieurs festivals qui cohabitent au sein du même événement. Plusieurs cinéphilies différentes – en âges et en habitudes – qui se côtoient. Plusieurs concéptions du cinéma qui s’affrontent et se complètent. Pour, au final, dessiner et participer d’une topographie du septième art en mouvement constant.

by Graciela Cutuli Hasta el 11 de agosto, la tranquila ciudad suiza de Locarno va a rugir como un leopardo, valga la rima. Podría ser como un gatopardo, fiera más acostumbrada a recibir los honores del cine, Visconti mediante, pero es en realidad un leopardo, il Pardo d’Oro, animal-premio que recompensa cada año a la película distinguida por el Festival. Sin duda la experiencia es única en el mundo: las mejores creaciones del cine de autor bajo el cielo estrellado de los Alpes.


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Ristoranti Ristoranti Pardo Pardo

News

A Bellyful of Sports thanks to Top Events of Switzerland The 2012 Olympic Games offered a special program of competitions all along the Festival del film Locarno, but the sport season does not end tomorrow with the closing ceremony in London: thanks to Top Events of Switzerland (TEOS) – the association which collects the eight best events across the country, including our kermesse – it will be possible to live the same emotions also in the next months. For example, the Jamaican sprinter Usain Bolt (five-time Olympic gold medalist) will be challenged once again by Yohan Blake at the Weltklasse Zurich, scheduled on August 30th.

The golf tournament Omega European Masters in Crans-Montana (August 30th-September 2nd), instead, is a tasty appetizer of the sport which will be included in the 2016 Olympics program in Rio. And if you fell in love with horseriding because of the gold medal earned by the Swiss equestrian Steve Guerdat, you might be interested in the White Turf horse race in St. Moritz (February 2013). And finally, winter sports are well represented by the Ski World Cup in Wengen (January 2013).

Piazza Grande 18 - 6600 Locarno_CH Telefono +41 (0)91 752 00 61

(Mattia Mattia Bertoldi Bertoldi)

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UBS Chair. Join the Festival del film Locarno Community. 95 Share your impressionswww.youtube.com/ubs today next to the Piazza Grande. www.youtube.com/ubs

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We will not rest © UBS 2012. All rights reserved.

© UBS 2012. All rights reserved.

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Il gusto di scoprirli

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enoteca

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della Cantina

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CantinASocialeMendrisio CantinASociale Mendrisio

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Cantina Sociale Mendrisio via Bernasconi 22 - CP 1253 - CH - 6850 Mendrisio T +41 91 646 46 21 - www.cantinamendrisio.ch

ristorante

Il ristorante dal cuore nostrano

Via Mappo 6,dal 6648 Minusio Mappo Il ristorante cuore nostrano 091 225 81 18, info@lapprodo.ch

Pardo Live Team 2012Il ristorante dal cuore nostrano di Monica Poroli & Luciano Badini - aperto 365 giorni all’anno

Via Mappo 6, 6648 Minusio Mappo, 091 225.81.18 , info@lapprodo.ch di Monica Poroli & Luciano Badini aperto 365 giorni all'anno

Via Mappo 6, 6648 Minusio Mappo, 091 225.81.18 , info@lapprodo.ch di Monica Poroli & Luciano Badini aperto 365 giorni all'anno

Noi creiamo contatti. publicitas.ch


Photo Story – Olivier Père

Photo by Chiara Mirelli

Publishing Director Olivier Père Head of editorial team Lorenzo Buccella Graphic design Simon Smeraldi Alessandra Angelucci Luca Spinosa

Writers Olivier Père Boris Sollazzo Massimo Benvegnù Jørn Rossing Jensen Mattia Bertoldi Mark Peranson Manlio Gomarasca Cristian Gomez

Guest photographers Xavier Lambours (cover) Fabrizio Capeder (assistant) Chiara Mirelli Marta Ferranti (assistant)

Photographers Reto Albertalli (phovea) Gabriele Putzu (TiPress) Samuel Golay (TiPress) Ivana De Maria-Timbal (Marco Abram, Massimo Pedrazzini, Sailas Vanetti)

Editorial assistant Sara Groisman Advertising Arianna Cattaneo Publicitas

Print Salvioni Arti Grafiche, Bellinzona


Until the Festival del film Locarno is the most important event for the discovery and promotion of emerging filmmakers, the Artistic Director Olivier Père will not rest.

Expertise. That’s what connects us with the Artistic Director of the Festival del film Locarno. The Festival del film Locarno is unique because it embeds film as an art form within an enchanting atmosphere. Olivier Père gives the illustrious history of this magical festival a future – with his expertise, passion for great cinema, and sure hand for programming. Expertise, commitment and a focus on the things that really matter also characterize our work. This is why UBS has supported the Festival del film Locarno as a partner for over 30 years. Until you are convinced of the sustainability of our commitment, you can count on this:

We will not rest www.ubs.com/sponsorship Names and/or references to third parties in this print advertisement are used with permission. © UBS 2012. All rights reserved.


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