Fine Music Sydney Magazine - June 2020

JUNE 2020

05

Inspiring Sibelius A look at the Kalevala

06

In Conversation Cameron Lam

36

Musical Families The Bachs

38

Putting It All Together Jazz Beat

I N D E X

O F

M A G A Z I N E

06. In Conversation with Cameron Lam

36. Musical Families

Nicky Gluch looks at The Bachs

Mona Omar catches up with the 2018 Fine Music Kruger Scholar

37. Australian Artist

The versatile Katie Noonan

08. Bicentenary of Premiere 150 years of Wagner's Die Walküre

05 Inspiring Sibelius

Lloyd Capps talks Jazz Beat

09. Sesquicentenary of Premiere

We look at the Kalevala

38. Putting it all together 39. Why Jazz is cool

Rex Burgess Portrays a Prolific Composer

Leita Hutchings' Urban Jazz Lounge

10. Program Guide

41. Listeners' Letters

43. Patrons List

34. Composer List

41. Volunteer Spotlight

43. In Next Month's Issue

40. CD Reviews

42. Crossword T H I S

M O N T H

@

F I N E

M U S I C

Over the last two months, we adapted rapidly to an online and accessible workplace; however, we are now beginning to prepare our transition plan. Although this is a lot of work, I am happy to confirm that this month we return to broadcasting live programming content around the clock. Last month we began our annual EOFY campaign and subscriber drive with a big bang!

As I write this, it is week two of our 6-week long campaign and we have already raised 50% of our $150,000 target. Thank you to all of you who have donated so far, your support is much appreciated, especially in these extremely difficult times. We wouldn’t be here without you.

We still need to raise $75,000 to reach our target, and we need your help to get there.

Once again, I would like to take this opportunity to invite you to become a supporter.

As a supporter of Fine Music Sydney, you can take pleasure and satisfaction in knowing that you are helping to keep us on air.

To become a subscriber, just go to finemusicsydney.com.

If you are keen to track our progress, the banner on the homepage has a running tally of donations that updates overnight.

P R O G R A M M E R S

&

P R E S E N T E R S

PROGRAMMERS AND PRESENTERS FOR JUNE Rodrigo Azaola, Charles Barton, Peter Bell, Nena Beretin, Dan Bickel, Chris Blower, Adam Bowen, David Brett, John Buchanan, Andrew Bukenya, Rex Burgess, Janine Burrus, Lloyd Capps, Vince Carnovale, Yola Center, Adam Cockburn, Angela Cockburn, Liam Collins, Paul Cooke, Di Cox, George Cruickshank, Nick Dan, Jackson Day, Nev Dorrington, Annabelle Drumm, Brian Drummond, Andrew Dziedzic, Rita Felton, Michael Field, Owen Fisher, Jennifer Foong, Tom Forrester-Paton, Susan Foulcher, Carole Garland, David Garrett, Robert Gilchrist, Nicky Gluch, Joe Goddard, Albert Gormley, Giovanna Grech, Jeremy Hall, John Hanna, Austin Harrison, Celeste Haworth, Ross Hayes, Gerald Holder, Paul Hopwood, James Hunter, Leita Hutchings, Anne Irish, Sue Jowell, Yvonne Laki, Ray Levis, Ray Lemond, Daphne Li, Krystal Li, Anne-Louise Luccarini, Christina Macguinness, Linda Marr, Meg Matthews, Stephen Matthews, Sue McCreadie, Neil McEwan, Jeannie McInnes, Terry McMullen, Maureen Meers, Camille Mercep, Simon Moore, Frank Morrison, Michael Morton-Evans, Richard Munge, Gerry Myerson, James Nightingale, Barry O’Sullivan, Calogero Panvino, Derek Parker, Denis Patterson, Keith Pettigrew, Anabela Pina, Andrew Piper, Peter Poole, Frank Presley, Marilyn Schock, Debbie Scholem, John Shapiro, Julie Simonds, Elaine Siversen, Robert Small, Garth Sundberg, Jacky Ternisien, Anna Tranter, Madilina Tresca, Robert Vale, Richard Verco, Ron Walledge, Christopher Waterhouse, Chris Wetherall, Stephen Wilson, Glenn Winfield, Chris Winner, Orli Zahava, Tom Zelinka, Iris Zeng PROGRAM SUBEDITORS Jan Akers, Chris Blower, Maureen Chaffey, Di Cox, Elaine Siversen, Jill Wagstaff, Teresa White LIBRARIANS Jan Akers, Rex Burgess, Maureen Chaffey, Di Cox, Helen Dignan, Lynden Dziedzic, Peter Goldner, David Hilton, Dawn Jackson, Michael Marchbank, Phillip McGarn, Judy Miller, Rachel Miller, Helen Milthorpe, Susan Ping Kee, Mark Renton, Daria Sosna, Jacky Ternisien, Ricky Yu

03

FINE MUSIC SYDNEY

ORGANISATION DETAILS Fine Music Sydney - We are Sydney’s Fine Music Broadcaster MUSIC BROADCASTING SOCIETY OF NSW CO-OPERATIVE LIMITED Editor Rebecca Beare Assistant Editor Mona Omar Designer Lyndon Pike Digital Content Coordinators Paul Cooke, Maureen Meers, Nicky Gluch

Fine Music Sydney is owned and operated by the Music Broadcasting Society of New South Wales Cooperative Limited. Fine Music is a registered charitable organisation with a Charity Fundraising Number and is listed with the Register of Cultural Organisations. Fine Music Sydney is a Community Radio station and a member of the Community Broadcasting Association of Australia. Fine Music Sydney (formerly known as 2MBS and Fine Music 102.5) is Australia’s first stereo FM radio station. The station was officially opened on 1 February 1975 and we have now been on air for over 45 years. Fine Music Sydney plays an important role in encouraging emerging musicians and music lovers in their ambitions to be professional musicians or broadcasters. Fine Music Sydney is an integral part of Sydney’s cultural landscape promoting and encouraging an active live classical and jazz music scene in our community and supporting music education. The Fine Music Emerging Artist program includes: Artists in Residence, Young Composer Award, Young Virtuoso Award, Stefan Kruger Scholarship, Ken Weatherley Jazz Scholarship and our Emerging Artist Workshops and Fine Music Showcase broadcasts.

Mission Statement To share the love of fine music through broadcasting

Program Compiler Team Coordinator Chris Blower

Goals

Proof Readers Eddie Bernasconi, Tessa Miles

2. To maintain and improve high standards in all we do

Contributors Barry O'Sullivan Dan Bickel James Nightingale John Bartholomaeus Julie Simonds Leita Hutchings Lloyd Capps Neil Bennett Nicky Gluch Pamela Newling Paul Cooke Rebecca Beare Robert Gilchrist Tim Bowden Warren Abeshouse Cover Image Cameron Lam by Hayden Shepherd Fine Music Studios 72-76 Chandos Street St Leonards, NSW 2065 Australia

1. To be Sydney’s preferred broadcaster of classical music, jazz and other specialist music genres 3. To promote Australian musicians and composers, with particular focus on the young 4. To provide a supportive and enjoyable work environment for volunteers and staff 5. To develop a sustainable financial model for the organisation FINE MUSIC HONORARY AND ARTISTIC PATRONS Vice Regal Patron: Her Excellency the Honourable Margaret Beazley AC QC, Governor of New South Wales Honorary Patron: Professor The Honourable Dame Marie Bashir AD CVO Artistic Patrons: Elena Kats-Chernin, Simon Tedeschi, Richard Tognetti AO, Brett Weymark Emerging Artists Patron: Toby Thatcher Young Composer Award 2019: Callum O'Reilly Young Virtuoso Award 2019: Justin Luu Stefan Kruger Scholar 2020: Harry Sdraulig Ken Weatherley Scholar 2020: Kate Wadey Artists in Residence 2019: Marais Project Associate Artist in Residence 2019: States of Chaos and Elysian Fields PERSONNEL It is important to note that apart from a small staff team, Fine Music Sydney functions through the involvement of dedicated volunteers who generously contribute their time and talents across all aspects of the radio station.

Postal Address: PO box 78, St Leonards, 2065

BOARD OF DIRECTORS: Chair: David James Deputy Chair: Christopher Waterhouse Secretary: Katy Rogers-Davies Directors: Roger Doyle, Robert Gilchrist, Jayson McBride, Sue Ping Kee, Peter Poole Appointed Directors: David Jacobs, Peter Stavrianos

Phone: 9439 4777 (9am–6pm)

PUBLIC OFFICER : Rebecca Beare

ABN: 64 379 540 010

STAFF: General Manager: Rebecca Beare Community Engagement Manager: Mona Omar Studio & Production Manager: Joe Goddard Office Manager: Sharon Sullivan Digital Content Producer: Lyndon Pike Executive Assistants: Eddie Bernasconi, Tessa Miles

finemusicsydney.com Frequency 102.5 FM Transmitter Governor Phillip Tower, Circular Quay

TECHNICAL ADVISORS: Honorary Technical Advisor: Max Benyon OAM Broadcast Engineer: John Shenstone Broadcast Systems Engineer: Roger Doyle Information Technology Consultant Peter Bell Recording Engineer: Jayson McBride COMMITTEE CHAIRS: General Manager: Rebecca Beare Jazz: Lloyd Capps Library: Rex Burgess Presenters: Michael Field Programming: James Nightingale Technical: Peter Bell Volunteers: Cynthia Kaye Finance: Peter Poole WHS: Rebecca Beare (acting) Contents and concept of Fine Music Sydney Copyright © 1975-2020

04

Inspiring Sibelius We look at the Kalevala Written by Dan Bickel Painting by Akseli Gallen-Kallela

During the 1890s, the young Jean Sibelius was associated with the nationalistic-cultural group Nuori Suomi, or Young Finland, which promoted Finnish distinctiveness free from the cultural dominance of Sweden and Russia. The Finnish painter Akseli Gallen-Kallela was a founding member of Nuori Suomi and enjoyed a creative friendship with Sibelius. Although both men were born into the Swedish-speaking ruling class, they both spoke Finnish and made a point of adopting the Finnish language, culture, and landscape as the basis for their work. The national epic of Finland, the Kalevala, thus proved to be the ideal focus for their nationalistic and artistic feelings.

The Kalevala is based on oral folklore compiled by Elias Lönnrot during long trips as a district health officer in Karelia and elsewhere in eastern Finland. It was first published in 1835 and was instrumental in the development of the Finnish national identity, which ultimately led to Finland's independence from Russia in 1917. The Kalevala comprises 50 runot, or cantos, telling the story of the Finnish people from the beginning of the world to the end of pagan times. The verses were often sung accompanied by a kantele, a zither-like instrument, and relate the adventures of several main characters, involving conflict, kidnapping, seduction and magical spells. The protagonists of these stories often have to accomplish feats that are unreasonable or impossible, leading to tragedy or humiliation.

Akseli Gallen-Kallela - Lemminkäinen's Mother (The Artchives / Alamy Stock Photo0

Sibelius based many of his works on Kalevala themes. Kullervo, one of his early works, is a large choral symphony in five movements. It is based on the troubled character Kullervo. He is vengeful and easily flies into a rage. After unwittingly seducing his long-lost sister, he is overcome with remorse and commits suicide.

The Lemminkäinen Suite was composed in the early 1890s as part of a proposed Kalevala-based opera entitled The Building of the Boat. Though the opera was never finished, the music was turned into an orchestral suite of four symphonic poems that recount the adventures of Lemminkäinen. In the first, Lemminkäinen and the Maidens of Saari, Lemminkäinen sails to an island where he seduces many women.

Lemminkäinen in Tuonela has our hero in Tuonela, the land of the dead, to shoot the Swan of Tuonela in order to be able to claim the daughter of Louhi, mistress of the Northland, in marriage. However, Lemminkäinen

05

is killed and his body is dismembered and tossed into the river.

When Lemminkäinen's mother learns of his death, she travels to Tuonela where she recovers his body parts and reassembles him, restoring him to life. The most popular of the four symphonic poems is The swan of Tuonela, which paints an image of the mystical swan swimming serenely on the waters of Tuonela.

Sibelius’ interest in the Kalevala continued into the 20th century. In 1906, he composed the tone poem Pohjola’s Daughter in which the old, white-bearded Väinämöinen tries to entice a beautiful girl from Pohjola to join him, but she sets him a number of difficult tasks, such as tying an egg into invisible knots and building a boat from fragments.

Saturday 6 June at 2.30pm

In Conversation with Cameron Lam Catching up with composer and 2018 Fine Music Kruger Scholar Cameron Lam Written by Mona Omar Photos by Hayden Shepherd

Photo by Hayden Shepherd Photography

What have you been up to since we caught up with you in 2018?

It’s amazing how long ago 2018 feels! The biggest things were completing The Art of Disappearing, a trombone concerto for Amy McCarthy, a symphony orchestra piece for my hometown orchestra (the Orange Symphony) and moving down to Melbourne.

Tell us about your album The Art of Disappearing. How did it feel to launch the physical album at City Recital Hall for Extended Play?

I’ve been

looking at this as an

opportunity to grow,

both consolidating my

strengths, learning new

things, and re-inventing my practice

The complete cycle is based on poems contained in Queensland writer Sarah Holland-Batt’s book, Aria. The title of the work is taken from the first poem of Sarah’s I read, The Art of Disappearing. It held my attention from the very first line: “the moon that broke on the fencepost will not hold.” There is something beautiful about the impermanence. So beautiful in fact that I set this poem twice as both the first and last song of the album.

Presenting the song cycle at Extended Play was very special. I was very proud to be on the same bill as art music legends from around Australia and abroad. Having a recording, and a physical object, of Jenny Duck-Chong and Geist String Quartet’s performance of the cycle makes me excited as well.

Extended Play was the first time I’ve ever been asked to sign anything – I was very flattered and humbled by those who grabbed a copy and wanted to discuss it with me.

The Art of Disappearing is a large song cycle, clocking in at just over one hour (just shy of Schubert's 70-minute, Winterreise), for mezzo soprano and string quartet.

06

You were recently awarded the Professional Services award in The Music Network's '30 Under 30' list. What does this mean to you?

You moved from Sydney to Melbourne late last year to commence a masters degree with composer Katy Abbott, at the Melbourne Conservatorium. What has the experience been like?

As someone who wears a lot of hats, it means an incredible amount to be recognised for work that is often considered background. In addition to being a freelance composer and the artistic director of production company/record label Kammerklang, I’m the Art Music Specialist at APRA AMCOS. I’ve been in the role for over four years and I’m proud of what we do. I’m always glad when someone has a eureka moment in figuring out how some process works, or the joy of an unexpected royalty payment.

Moving is always hard but uprooting after a fruitful 13-year stint in Sydney’s Inner West (after my hometown of Orange) was especially difficult. I’m glad I did though. It’s been interesting getting back into academia after a very long break but I’m enjoying meeting my fellow cohort, hearing some amazing music, and heated debates.

I’ve been looking at this as an opportunity to grow, both consolidating my strengths, learning new things, and reinventing my practice. I couldn’t ask for a better guide through what is an occasionally harrowing process (change is hard, who knew?) than my supervisor Katy Abbott. I’m a big fan of her music and I have a lot to learn in terms of the mastery of texture, colour, and conceptual structures. I’m excited to see what I can learn and achieve throughout the next few years.

What projects are you currently working on?

After finally getting my last box unpacked, I’m at last getting to sink my teeth into a number of new composition projects including: a new work for mezzo soprano and cello (again based on the poetry of Sarah Holland-Batt), a series of songs for soprano and piano, using a New York Times article from 2019 as text, a new orchestral work, based on the 86 tram here in Melbourne, and a series of new works for solo instruments and electronics.

I’m also still taking care of Kammerklang along with our new artistic associate, Alicia Crossley, curating my fortnightly Australian Art Music playlist on Spotify, and looking into starting a podcast with a composer friend in Europe..

Photo by Hayden Shepherd Photography

What are you most looking forward to doing once the restrictions are lifted?

Eating dinner and sharing a glass of wine with a friend. The video calls and chances to connect with people (especially back in Sydney or overseas) have been wonderful, but I really miss the immediacy of a hug, listening to music together or chatting in person over a good meal.

Thursday 4 June at 8am

07

Wagner - Sesquicentenary of Premiere Written by Paul Cooke Painting by Hermann Hendrich

Richard Wagner would probably rather we didn’t celebrate the sesquicentenary of the premiere of Die Walküre this month.

In response to the Europe-wide uprisings of 1848, Wagner wrote a prose outline and then a libretto inspired by the tale of the death of Siegfried, a hero of Norse-Germanic mythology

through whom a corrupt world was destroyed and replaced by one of hope.

Wagner soon realised that one opera wouldn’t be enough for his purposes and ultimately created a series of four music dramas: Das Rheingold (a prologue); Die Walküre (Siegfried’s origins); Siegfried (his youth); and Götterdämmerung (Siegfried’s death and the destruction of Valhalla). His intention was that these works would not be performed separately: “At a specially-appointed Festival,” proclaimed Wagner, “I propose … to produce those three Dramas with their Prelude, in the course of three days and a fore-evening.”

Wagner’s plan did not take into account, however, the inordinate amount of time between conception and completion of Der Ring des Nibelungen, and the increasing impatience of his patron. Das Rheingold was completed in 1854. Die Walküre was not finished until March 1856 as Wagner became involved in a friendship with Mathilde Wesendonck and undertook a concert tour in London.

Due to financial reasons, and with Wagner diverted by different musical challenges, the final two operas were set aside for over a decade. In the meantime, Wagner’s patron, King Ludwig of Bavaria, wanted the two completed operas (to which he held the copyright) to be staged, and arranged premieres of Das Rheingold and Die Walküre. Wagner protested vehemently, wanting to be able to direct the performances, but was unable to do so: he was living in Switzerland with Cosima von Bülow, who was already married, and returning to Munich would have caused scandal.

Die Walkure by Hermann Hendrich German composer & author, 1813-1883. Ring Cycle / Nibelungen.

Contributor: Lebrecht Music & Arts / Alamy Stock Photo

The premiere of Die Walküre on 26 June 1860 was attended by such musical luminaries as Liszt and Brahms and garnered generally good reviews. Its Bayreuth premiere, where it took its rightful place as part of the Ring cycle, was on 14 August 1876.

Wednesday 24 June at 8pm

08

Schubert - Bicentenary of Premiere Written by Paul Cooke Painting by Moritz von Schwind

A SCHUBERT EVENING Unfinished watercolor by Moritz von Schwind (World History Archive / Alamy Stock Photo )

The libretto was written by Georg Ernst von Hofmann, who had also commissioned the work: he had in mind a vehicle for the baritone Johann Michael Vogl, who had met Schubert in 1817 and become a gifted interpreter of his Lieder. Die Zwillingsbrüder had limited success, although it did garner seven performances and a commission for another Singspiel. The weakness of the libretto, which features a love triangle involving identical twin brothers and a young girl, is sometimes seen as a factor, as is the disparity between the superficiality of the subject matter and the more refined nature of Schubert’s music. Wolfgang Mozart Jr thought it contained “some pretty things but is kept a little too serious”.

Guides to the greatest classical music of all time will routinely praise some of Schubert’s symphonies, piano music, chamber music and songs. They never direct our attention to his operas, yet these take up more space in the complete edition of his works than any other form in which he wrote. Over a period of a decade and a half he completed 11 and began another seven, recognising, perhaps, that they were his best chance of achieving fame and fortune. Or, if not that, at least the freedom to compose, away from the drudgeries of being a schoolmaster.

Die Zwillingsbrüder (The Twin Brothers) was not Schubert’s first work for the stage, but it was his first to be produced, receiving its premiere at Vienna’s Kärntnertortheater on 14 June 1820. It was a one-act Singspiel, a form of music drama now regarded as a genre of opera and perhaps a waystation in the development of a recognisably ‘German’ opera. Singspiel featured spoken dialogue interspersed with music, was often comic in tone, and was regarded as a middle- to lower-class entertainment.

Two months later, Die Zauberharfe (The Magic Harp) premiered but was no more successful than its predecessor. Another six months later, at the same theatre and with no staged works allowed because it was Ash Wednesday, and emblematic of the true nature of Schubert’s talents, his song Erlkönig was performed: twice.

Wednesday 10 June at 8pm

09

Monday 1 June MONDAY 1 0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Robert Small 9:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1838 Prepared by Paul Cooke Bennett, W. Sterndale Overture in F: The wood nymph, op 20 (1838). London PO/ Nicholas Braithwaite.

Lyrita SRCD.206 14 Mendelssohn, Fanny. Notturno in G minor, [Andantino] (1838). Irene Barbuceanu, pf.

Schwann 3-1589-2 5 Spohr, L. Six German songs, op 103 (1838).

Mary Saunders, sop; Peter Cokkinias, cl; Myron Romanul, pf.

Centaur CRC 2016 17 Verdi, G. Capriccio (1838). Patrick De Ritis, bn; Würzburg PO/Enrico Calesso.

Naxos 8.573382 13 Chopin, F. Polonaise in C minor, op 40 no 2 (1838-39). Tessa Birnie, pf.

Walsingham 3WAL80432 8 Mendelssohn, F. Sonata no 1 in B flat, op 45 (1838). Richard Lester, vc; Susan Tomes, pf.

Hyperion CDA66478 22 10:30 CONCERT HALL Prepared by Robert Gilchrist Telemann, G. Suite in B flat, [The people’s overture]. Collegium Musicum 90/Simon Standage.

Chandos CHAN 0593 20 Dittersdorf, C. Double bass concerto in E flat. Edicson Ruiz, db; Teresa Carreño Youth O of Venezuela/Christian Vásquez.

Philharmonie PHIL 06020 17 Glazunov, A. Symphony no 2 in F sharp minor, op 16 (1886). Moscow SO/Alexander Anissimov.

Naxos 8.553769 45 12:00 SWING SESSIONS with John Buchanan Featuring bands of the 1930s swing era and the dance bands of the 1920s taken from radio broadcasts, transcriptions and recording sessions 13:00 REMEMBERING PETER SERKIN Prepared by Rex Burgess Mozart, W. Rondo in A minor, K511 (1787).

Pro Arte CDD 247 12 Double concerto in E flat, K365 (1779). Rudolf Serkin, pf; Marlboro Festival O/Alexander Schneider.

Sony SMK 46255 25

Chopin, F. Nocturnes: no 14 in F sharp minor, op 48 no 2 (1841); no 8 in D flat, op 27 no 2 (1835). RCA RD84437 15 Goehr, A. Marching to Carcassonne, op 74 (2002). London Sinfonietta/Oliver Knussen.

Naxos 8.573052 31 Peter Serkin, pf (all above) 14:30 AFTERNOON ROMANCES Prepared by Jacky Ternisien Grieg, E. Old Norwegian romance with variations, op 51 (1906). Malmö SO/Bjarte Engeset.

Naxos 8.557991 22 Piazzolla, A. Romance of the devil (arr.

Crabb). James Crabb, accordion; Benjamin Martin, pf; Australian CO/Richard Tognetti.

Chandos CHAN 10163 7 Guastavino, C. Three Argentinian romances. Martha Argerich, pf; Mauricio Vallina, pf.

EMI 3 58472 2 18 Beethoven, L. Romance no 2 in F, op 50 (c1798; arr. Müller-Schott). Daniel MüllerSchott, vc; Australian CO/Richard Tognetti.

Orfeo C 080 031 A 8 Finzi, G. Romance, op 11 (1928). Scottish Ensemble.

Wigmore Hall Live 0021 8 Schumann, R. Three romances, op 94 (1849). David Nuttall, ob; Larry Sitsky, pf.

Tall Poppies TP041 15 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 JAZZ PULSE with Chris Wetherall 20:00 STORMY MONDAY with Austin Harrison and Garth Sundberg 22:00 JAZZ AFTER HOURS

Tuesday 2 June TUESDAY 2 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Julie Simonds 9:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by Rex Burgess Bach, J.S. Partita no 2 in C minor, BWV826 (1725-31). Rosalyn Tureck, pf.

Philips 456 976-2 24 Boccherini, L. Sonata in C minor, op 21 no 1 (1761). Emilio Moreno, vn; Aarón Zapico, hpd.

Glossa GCD 920315 21

10

Schumann, R. Etudes on a theme of Beethoven, WoO31 (1833). Eric Le Sage, pf.

Alpha 813 17 Alkan, C-V. Song of the mad woman by the seashore, op 31 no 8 (1847). Stephanie McCallum, pf.

Tall Poppies TP081 4 Bax, A. Clarinet sonata (1934). Paul Meyer, cl; Eric Le Sage, pf.

Denon CO-18016 13 10:30 CONCERT HALL Prepared by Giovanna Grech Wagner, R. Prelude; Liebestod, from Tristan and Isolde (1857-59). Chicago SO/Daniel Barenboim.

Teldec 4509-99595-2 17 Martinu, B. Suite no 1 from ballet Istar (1917-21). Brno State PO/Jiri Waldhans.

LP Supraphon 1 10 1634 25 Bruckner, A. Symphony no 00 in F minor (1863). Royal Scottish NO/Georg Tintner.

Naxos 8.554432 37 12:00 JAZZ RHYTHM with Jeannie McInnes An eclectic blending of agreeable rhythm and melody from the New Orleans jazz roots through to recent decades, including many Australian bands 13:00 CHAMBER HOUR Prepared by James Nightingale Gade, N. Trio movement in B flat (1839).

Sophie Rowell, vn; Julian Smiles, vc: Kathryn Selby, pf.

Fine Music concert recording 11 Prokofiev, S. Cello sonata, op 119 (1949).

Catherine Hewgill, vc; Vladimir Ashkenazy, pf.

Decca 481 6562 22 Schubert, F. String quartet no 7 in D, D94 (1811-12). Melos Quartet.

DG 419 879-2 18 14:00 MUSICAL FAMILIES Bach family: J.S. and before Prepared by Jennifer Foong Bach, J.S. Toccata in C minor, BWV911 (bef. 1714). Jason Gillham, pf.

ABC 481 2682 10 Bach, J. Unser Leben ist ein Schatten.

Collegium Vocale; Ricercar Consort/Philippe Herreweghe.

Ricercar RIC 017001 7 Bach, H. Sonata 2 in F. Parley of Instruments.

Hyperion CDA67079 2 Ich danke dir, Gott. Maria Zedelius, sop; Ulla Groenewold, cont; David Cordier, ct; Paul Elliott, ten; Michael Schopper, bass; Rheinische Kantorei; members of Musica Antiqua Cologne/Reinhard Goebel.

Archiv 419 253-2 6

Bach, J. Christoph Aria in A minor. Philip Swanton, org; Annerös Hulliger, org.

Schwann 3-1284-2 8 Ach, dass ich Wassers g’nug hätte. Magdalena Kozená, mezz; Musica Antiqua Cologne/ Reinhard Goebel.

DG 479 2557 7 A righteous man (1676). Cantus Cölln/Konrad Junghänel.

BMG 05472-77305-2 4 Bach, G.C. Siehe, wie fein und lieblich ist.

Paul Elliott, ten; Hein Meens, ten; Stephen Varcoe, bass; members of Musica Antiqua Cologne/Reinhard Goebel.

Archiv 419 253-2 6 Bach, J. Christoph Der Gerechte, ob er gleich zu zeitlich stirbt (1676). Engish Baroque Soloists/John Eliot Gardiner.

Monteverdi Productions SDG715 4 Bach, J.M. In dulci jubilo. Piet Kee, org.

Chandos CHAN 0520 3 Das Blut Jesu Christi. Collegium Vocale; Ricercar Consort/Philippe Herreweghe.

Ricercar RIC 017001 3 Bach, J.S. Erfüllet, ihr himmlischen göttlichen Flammen, BWV1 (1725). Elly Ameling, sop; Han de Vries, ob da caccia; Richte van der Meer, vc; Albert de Klerk, org.

EMI CDC 5 55000 2 4 Brandenburg concerto no 4 in G, BWV1049 (1720). Piers Adams, rec; Joanne Clements, rec; Robert Heard, vn; Consort of London/Robert Haydon Clark.

Collins 10792 15 Bach, J.L. Trauermusik: Secunda pars. Anna Prohaska, sop; Ivonne Fuchs, cont; Maximilian Schmitt, ten; Andreas Wolf, bass; RIAS Chamber Choir; Akademie für Alte Musik Berlin/HansChristoph Rademann.

Harmonia Mundi HMC 902080 18 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 THE JAZZ BEAT with Lloyd Capps Smooth small group jazz from the 50s on, and with a visit from Miles Davis each week 20:00 RECENT RELEASES 22:00 CHAMBER SOIRÉE Prepared by Frank Morrison Spohr, L. Nonet in F, op 31 (1813). Nash Ensemble.

CRD 3354 29 Haydn, J. Divertimento in C, Hob.II:7 (bef.

1765). Péter Pongrácz, ob; Bertalan Hock, ob; Tibor Fülemile, bn; András Nagy, bn; András Medveczky, hn; Deszö Mesterházy, hn.

Hungaroton HRC 155 11 Arensky, A. Piano trio no 2 in F minor, op 73 (1905). Borodin Trio.

Chandos CHAN 8924 38

Schubert, F. Quartet in G, D96 (1814). Zoltán Jeney, fl; Pál Lukács, va; Ede Banda, vc; László Szendrey-Karper, gui.

White Label HRC 146 33

Wednesday 3 June WEDNESDAY 3 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Janine Burrus 9:00 DIVERSIONS IN FINE MUSIC Inspired by literature Prepared by Dan Bickel Massenet, J. Ballet music from Le Cid (1885). City of Birmingham SO/Louis Frémaux.

EMI 5 65150 2 20 Ravel, M. Don Quichotte à Dulcinée (193233). José van Dam, bar; BBC SO/Pierre Boulez.

Sony SMK 64107 7 Moniuszko, S. Overture to The new Don Quixote (1841). Warsaw PO/Antoni Wit. Naxos 8.572716 8 Massenet, J. Don Quichotte (1910). Monte Carlo National Opera O/John Eliot Gardiner.

Erato 2292-45859-2 6 Telemann, G. Suite: Don Quixote. Northern CO/Nicholas Ward.

Naxos 8.554019 18 Guridi, J. An adventure from Don Quixote (1916). Basque NO/Miguel Gómez Martínez.

Claves 50-9709 11 Rodrigo, J. Dulcinea’s absence (1948). Lilian Moriani, sop; Victoria Marchante, sop; Celia Alcedo, sop; Maria José Suárez, mezz; José López, bar; Madrid Comunidad Ch & O/José Ramón Encinar.

Naxos 8.570260 12 10:30 CONCERT HALL Prepared by Jennifer Foong Goldmark, K. Overture to Sakuntala, op 13 (1865). Bamberg SO/Fabrice Bollon. cpo 555 160-2 18 Bantock, G. The witch of Atlas (1902). Royal PO/Vernon Handley.

Hyperion CDA66450 15 Berwald, F. Violin concerto in C sharp minor, op 2 (1820). Arve Tellefsen, vn; Royal PO/Ulf Björlin.

EMI CDM 5 65073 2 21 Vorisek, J. Symphony in D, op 24 (1823).

Scottish CO/Charles Mackerras.

Hyperion CDA66800 27 12:00 JAZZ SKETCHES with Robert Vale World-wide contemporary jazz including contributions from Australian artists and those from culturally emerging nations

11

13:00 IN CONVERSATION with Christopher Waterhouse Each week we meet one of the world’s great musicians, singers, composers or conductors, along with up-and-comers and some of the men and women who influence the arts landscape.

The program goes live to air so you never quite know what’s going to happen.

14:00 LATE 18TH CENTURY CHAMBER Prepared by Frank Morrison Boccherini, L. Piano quintet in A, op 57 no 1 (1799). Riccardo Caramella, pf; Zagreb String Quartet.

Nuova Era 7160 20 Devienne, F. Oboe sonata in C, op 70 no 1 (1798-99). Peter Bree, ob; Roderick Shaw, fp.

Etcetera KTC 1084 14 Pleyel, I. Piano trio in F minor (1791). Trio 1790. cpo 777 544-2 18 Beethoven, L. Sextet in E flat for two horns and string quartet, op 81 (1799-1800). Nury Guarnaschelli, hn; Peter Erdei, hn; Signum Quartet.

Capriccio C 5059 17 Dussek, J. Duetto in F, op 26 (1794). Masumi Nagasawa, hp; Richard Egarr, pf.

Etcetera KTC1436 17 Haydn, J. String quartet in C, Hob.III:72 (1793). Kodály Quartet.

Naxos 8.550396 23 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 A TWIST OF JAZZ with Andrew Piper 20:00 AT THE OPERA Prepared by Angela Cockburn Donizetti, G. Anna Bolena. Opera in four acts. Libretto by Felice Romani. First performed Milan, 1830. ANNE BOLEYN: Joan Sutherland, sop HENRY VIII: Samuel Ramey, bass LORD PERCY: Jerry Hadley, ten JANE SEYMOUR: Susanne Mentzer, mezz SMEATON: Bernadette Manca di Nissa, cont Welsh National Opera Ch & O/Richard Bonynge.

Decca 421 096-2 3:13 Three years after marrying Anne, Henry Vlll wants to marry Jane Seymour. He has recalled Anne’s first love, Lord Percy, from exile and has ordered his spies to watch her closely.

Smeaton, a page who is in love with Anne, overhears Percy’s confession of love followed by the drawing of his sword to kill himself. He rushes from his hiding place to the defence of his mistress. Henry orders that Anne, her brother, Lord Percy and Smeaton be tried for treason. They are condemned to death. Anne prays for compassion and mercy rather than

for vengeance. She collapses when the guards arrive to conduct her to her execution.

23:30 LATE NIGHT INTERLUDE Prepared by Rex Burgess Dukas, P. Alla gitana. Jirí Tancibudek, ob; John Champ, pf.

LP ABC RRCS 569 4 Hüe, G. Fantasie. Paul Fried, fl; Robert Thies, pf.

Golden Tone GTCD 005 8 Debussy, C. Violin sonata (1917). Tasmin Little, vn; Piers Lane, pf.

EMI 5 73115 2 13

Ravel, M. Ballet: Daphnis and Chlöe (1912).

Bordeaux Opera Ch; Bordeaux Aquitaine NO/ Laurent Petitgirard.

Naxos 8.570075 59 12:00 JAZZ, PURE AND SIMPLE with Maureen Meers Covering the many aspects of jazz from Swing to Mainstream, with the [Great American Songbook] making regular appearances 13:00 THE PROLIFIC TELEMANN Prepared by Rex Burgess Telemann, G. The times of the day, TVWV 20:39 (1759). Mechthild Bach, sop; Mechthild Georg, cont; Hans Peter Blochwitz, ten; Johannes Mannov, bass; Freiburg Vocal Thursday 4 June Ensemble; Collegium Musicum Freiburg/ Wolfgang Schäfer.

THURSDAY 4 Harmonia Mundi 05472 77422 2 54 0:00 CONTEMPORARY COLLECTIVE 14:00 STUART CHALLENDER 3:00 CLASSICAL TILL DAWN CONDUCTS 6:00 FINE MUSIC BREAKFAST Prepared by Stephen Wilson including Arts Calendar at 7.30am Borodin, A. Polovtsian dances, from Prince with Simon Moore Igor (1887). ABC 434 717-2 10 9:00 DIVERSIONS IN FINE MUSIC Ravel, M. Boléro (1928). ABC 534 3879 15 The instruments: Brass Edwards, R. Violin concerto, [Maninyas] Prepared by Paul Cooke (1988). Dene Olding, vn.

Handel, G. Overture and aria, from Messiah, ABC 438 610-2 25 HWV56 (1742; arr. Alain). Joachim Schäfer, picc Sydney SO (3 above) tpt, ludit lzsák, org.

Beethoven, L. Symphony no 1 in C, op 21 Christophorus CHR 77365 9 (1800). Sydney Youth SO. Madsen, T. Divertimento, op 47 (1984).

Fine Music tape archive 28 Scandinavian Brass Ensemble/Jorma Panula.

Mahler, G. The farewell, from The song BIS CD-265 16 of the earth (1908-09). Elizabeth Campbell, Sibelius, J. Overture in F minor (1889-90). mezz; Sydney SO. London Gabrieli Brass Ensemble/Christopher ABC 476 5957 31 Larkin.

Stuart Challender, cond (all above) Hyperion CDA66470 9 16:00 FINE MUSIC DRIVE Graupner, C. Sinfonia (c1746-47). Dresden including Arts Calendar at 5.00pm Philharmonic CO/Alexander Peter.

19:00 THE NEW JAZZ STANDARD Naxos 8.557610 15 with Frank Presley Vaughan Williams, R. Five studies in 20:00 THE WORLD OF A English folk songs (arr. Addison). Sue Addison, SYMPHONY tb; Frances Kelly, hp.

Prepared by Nicky Gluch Cala CACD77016 8 Koussevitzky, S. Double bass concerto, Corea, C. The temple of Isfahan. Steve Kujala, op 3 (1905). Gary Karr, db; Berlin RSO/Uros fl; Peter Gordon, hn; Ida Kavafian, vn; Theodore Lajovic.

Arm, vn; Steven Tenenbom, va; Fred Sherry, va; LP Schwann VMS 2063 17 Chick Corea, pf.

Henze, H. Three Auden songs (1983). Neil ECM ECM 1297 14 Mackie, ten; John Blakely, pf.

Duvernoy, F. Nocturne no 2. Sören Abacus ABA 109-2 10 Hermansson, hn; Erica Goodman, hp.

Schumann, R. Piano quintet in E flat, op BIS CD-648 7 44 (1842). Robert Mann, vn; Isidore Cohen, vn; 10:30 CONCERT HALL Raphael Hillyer, va; Claus Adam, vc; Leonard Prepared by Dan Bickel Bernstein, pf.

Rimsky-Korsakov, N. Overture to May CBS MPK 44848 30 night (1880). Bolshoi SO/Alexander Lazarev.

Copland, A. Symphonic ode (1927-29).

Erato 4509-94808-2 7 Seattle SO/Gerard Schwarz.

Mozart, W. Piano concerto no 4 in G, K41 Delos DE 3154 20 (1767). English CO/Daniel Barenboim, pf & dir.

EMI CDC 7 47987 2 14

12

Bernstein, L. Symphony no 2, after W.H. Auden, [The age of anxiety] (1947-49/65).

Lukas Foss, pf; Israel PO/Leonard Bernstein.

DG 415 964-2 35 22:00 BIRTHDAYS IN JUNE Prepared by Jacky Ternisien Glinka, M. Overture to Ruslan and Ludmila (1842). Sydney SO/Edo de Waart.

ABC 481 0616 5 Lecocq, C. Overture; Allegro; Allegretto, from ballet Mam'zelle Angot (1872; arr. Jacob).

National PO/Richard Bonynge.

Decca 430 849-2 6 Paladilhe, E. Les papillons. John Mark Ainsley, ten; Graham Johnson, pf.

Hyperion CDA67523 3 Muffat, G. Concerto no 4 in G minor, [Dulce somnium] (pub. 1701). Musica Aeterna/Peter Zajicek.

Naxos 8.555096 10 22:30 ULTIMA THULE Ambient and atmospheric music

Friday 5 June FRIDAY 5 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Annabelle Drumm 9:00 DIVERSIONS IN FINE MUSIC Al fresco Prepared by Chris Blower Ginastera, A. Pampeana no 2, op 21 (1950). David Pereira, vc; David Bollard, pf.

Tall Poppies TP078 10 Ibert, J. Le jardinier de Samos (1924).

Eleonore Pameijer, fl; Hans Colbers, cl; Peter Masseurs, tpt; Kees Hülsmann, vn; Marien van Staalen, vc; Arnold Marinissen, perc.

Olympia OCD 468 11 Liszt, F. Ranz des vaches, from Album d'un voyageur, bk III (1834-38). Leslie Howard, pf.

Hyperion CDS44508 11 Elgar, E. Harmony music no 4: The farmyard (1878). Athena Ensemble.

Chandos CHAN 241-33 12 Shostakovich, D. Ballet: The limpid stream, op 39 (1934-35). Konstantin Scherbakov, pf.

Naxos 8.570092 16 Haydn, J. String quartet in C, Hob.III:39, [The bird] (1781). Casals Quartet.

Harmonia Mundi HMX 2962022.23 19 10:30 CONCERT HALL Prepared by Rex Burgess Strauss, R. Tone poem: Don Juan, op 20 (1888). Melbourne SO/Andrew Davis.

ABC 481 1122 17

Dohnányi, E. The veil of Pierrette, op 18 (1908-09). Howard Shelley, pf; BBC PO/ Matthias Bamert.

Chandos CHAN 9733 16 Korngold, E. Symphony in F sharp, op 40 (1951). Philadelphia O/Franz Welser-Möst.

EMI 5 56169 2 48 12:00 A JAZZ HOUR with Barry O'Sullivan 13:00 SETTING THE SCENE Prepared by Brian Drummond Rossini, G. Overture to The thieving magpie (1817). Academy of St Martin in the Fields/Neville Marriner.

Philips 473 967-2 10 Korngold, E. Interlude, from Das Wunder der Heliane, op 20 (1926). Linz Bruckner O/ Caspar Richter.

ASV DCA 1074 8 Offenbach, J. Entr'acte, from La périchole (1868). Scottish CO/Antonio de Almeida.

RCA 09026 68116 2 3 Massenet, J. Meditation, from Thaïs (1894). Marie Bérard, vn; Canadian Opera Company O/Richard Bradshaw.

CBC SMCD 5158 5 Mozart, W. Overture to Lucio Silla, K135 (1772). London SO/Peter Maag.

Decca 466 500-2 9 Wagner, R. Overture to Tannhäuser (1845).

Chicago SO/Georg Solti.

Decca 417 752-2 15 14:00 THE OTHER INSTRUMENTS Prepared by Jacky Ternisien Karas, A. Harry Lime theme, from The third man. Anton Karas, zither.

ABC 534 3879 2 Cleworth, I. The gathering, part II (2005).

Riley Lee, shakuhachi; Ian Cleworth, taiko set, chinese cymbals, gongs, almglocken; Kerryn Joyce, taiko set, chinese cymbals, rin; Kevin Man, odaiko, metalophone, chinese cymbals, crotale; Anton Lock, taiko set.

New World 641 8 Pachelbel, J. Musical meditations on death. Douglas Lawrence, bamboo org.

Move MD 3136 6 Grainger, P. Shepherd’s hey (1908-13).

Woof.

Move MD 3222 2 Grainger, P. Irish tune from County Derry (1902). Woof.

Move MD 3222 4 Lewis, T. Alien moon (1995). Satsuki Odamura, koto.

Vox Australis VAST022-2 9 Trad. Nigerian Christmas song (transcr.

Olatunji, arr. Whalum). Birralee Blokes; Stuart Tyson, djembe; Paul Holley, cond.

ABC 476 4133 3

Trad. Distant cry of deer, from Honkyoku.

Bronwyn Kirkpatrick, shakuhachi. www.bronwynkirkpatrick.com 5 Stockhausen, M. Morning breeze. Rabih Lahoud, voice; Tara Bouman, cl; Markus Stockhausen, flugelhorn; Alireza Mortazavi, santur; Hindol Deb, sitar; Bodek Janke, perc, tabla; Jarry Singla, pf.

Sony G010003919362P 10 15:00 PERSPECTIVES Cello Prepared by James Nightingale Edwards, R. Laughing rock (2003). David Pereira, vc.

Tall Poppies TP096 2 Debussy, C. Cello sonata no 1 in D minor (1915). Jean-Guihen Queyras, vc; Alexandre Tharaud, pf.

Harmonia Mundi HMC 902012 11 Bach, C.P.E. Quartet no 1 in A minor, Wq93 (1788). Nicholas McGegan, fl; Catherine Mackintosh, va; Anthony Pleeth, vc; Christopher Hogwood, fp.

L’Oiseau-Lyre 433 189-2 15 Schumann, R. Cello concerto in A minor, op 129 (1850). Yo-Yo Ma, vc; Bavarian RSO/ Colin Davis.

CBS M2K 44562 25 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 FRIDAY JAZZ SESSION with Christopher Waterhouse An hour of the best in jazz with a weekly 'album of the week' feature and a guide to upcoming live jazz gigs in Sydney 20:00 EVENINGS WITH THE ORCHESTRA Sydney Symphony Orchestra Prepared by Robert Small Elgar, E. Overture: In the South, op 50, [Alassio] (1904). Exton EXCL-00029 21 Tchaikovsky, P. Violin concerto in D, op 35 (1878). James Ehnes, vn.

SSO recording 35 Vladimir Ashkenazy, cond (2 above) Strauss, R. Also sprach Zarathustra, op 30 (1896). Charles Mackerras, cond.

SSO recording 34 Antill, J. The morning star dance, from Corroboree (1950). John Lanchbery, cond.

EMI CDOASD 793060 19 Sydney SO (all above) 22:00 BAROQUE AND BEFORE Concert Spirituel Prepared by Susan Foulcher Philidor, A.D. Départ en campagne, Le triomphe. La Simphonie du Marais/Hugo Reyne.

FNAC Music 592332 8

13

Leclair, J-M. Violin concerto in G minor, op 10 no 6 (1745). Collegium Musicum 90/Simon Standage.

Chandos CHAN 0589 17 Lalande, M-R. de Confitebor tibi Domine.

Les Arts Florissants/William Christie.

Harmonia Mundi HMC 901351 26 Mouret, J-J. Suites de symphonies: Seconde suite. Paul Kuentz CO/Paul Kuentz.

Archiv 479 1045 14 Blavet, M. Flute sonata in D minor, op 2 no 2, [La Vibray] (1750). Rachel Brown, fl; Mark Caudle, bass viol; James Johnstone, hpd.

Chandos CHAN 0544 11 Campra, A. Confitebor tibi Domine. Le Parnasse Français/Louis Castelain.

MBF 1108 19 Rebel, J-F. Violin sonata no 7 in G minor (1713). Andrew Manze, vn; Jaap ter Linden, bass viol; Richard Egarr, hpd.

Harmonia Mundi HMX 2907541.45 11

Saturday 6 June SATURDAY 6 0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 SATURDAY MORNING MUSIC with David Garrett 9:00 WHAT'S ON IN MUSIC Our weekly guide to musical events in and around Sydney 9:05 THE PIANO ALONE Prepared by Jennifer Foong Brahms, J. Variations and fugue on a theme by Handel, op 24 (1861). Claudio Arrau, pf.

Philips 432 302-2 29 Granados, E. Epílogo, [Serenata del espectro], from Goyescas (pub. 1911). Alicia de Larrocha, pf.

Decca 433 920-2 8 Liszt, F. Spanish rhapsody (1863). Emil Gilels, pf.

Philips 456 796-2 13 10:00 MUSIC OF THE DANCE Prepared by Rodrigo Azaola Strauss, J. II Quadrille: Die Fledermaus, op 363 (1874). Vienna PO/Willi Boskovsky.

Decca 436 783-2 8 Lecuona, E. Cuban dances. Thomas Tirino, pf.

BIS CD-1104 16 Iradier, S. La paloma (c1850; arr. Silvetti).

Plácido Domingo, ten; VVC SO/Bebu Silvetti.

Sony 88875123122 4 Beethoven, L. 12 Contredanses (1800-01).

Vienna Mozart Ensemble/Willi Boskovsky.

Decca 436 782-2 11

Benjamin, A. Cotillon (1938). Sydney SO/ Patrick Thomas.

ABC 442 374-2 11 Saumell, M. Eight contradances (arr.

Brouwer). Graham Anthony Devine, gui.

Naxos 8.570251 11 Taneyev, S. Quadrille (1879). Olga Solovieva, pf.

Naxos 8.557804 8 Delibes, L. Suite from Coppélia (1870).

New Philharmonia O/Charles Mackerras.

EMI CDZ 7 62515 2 12 11:30 ON PARADE Music that’s band Prepared by Owen Fisher Sousa, J.P. King cotton. Band of Her Majesty’s Royal Marines.

EMI 8371 882 3 Mendez, C. Cu-cu-riu-cu-cu paloma. Living Brass/Ray Martin.

LP RCA CAS-949 2 Anderson, L. A trumpeter’s lullaby.

Gregory Seifert, tpt; Allentown Band/Ronald Demke.

AMP 21188 3 Cacavas, J. Brass aflame. Hobart Concert Brass/A. Edwards.

LP EMI OU 2165 2 Schuller, G. Symphony for brass and percussion, mvts 2, 3 and 4. Summit Brass.

Summit DCD 127 13 12:00 URBAN JAZZ LOUNGE with Leita Hutchings 13:00 ARRANGED AND ORIGINAL Prepared by Denis Patterson Rossini, G. Fantasia concertante on The Italian girl in Algiers (1813: arr. Triebert, Jancourt). European Wind Soloists/Patrick De Ritis.

Naxos 8.573259 10 Schubert, F. Sonata in A minor, D821, [Arpeggione] (1823; arr. Duka). Norbert Duka, db; Phillip Moll, pf.

Naxos 8.572187 22 Benjamin, A. Viola sonata (1942).

Lawrence Power, va; Simon Crawford-Phillips, pf.

Hyperion CDA67969 17 Mozart, W. Concerto in C for flute, harp and orchestra, K299 (1778). Lily Laskine, hp; Jean-Pierre Rampal, fl; Jean-François Paillard CO/Jean-François Paillard.

Erato 0630-13705-2 31 14:30 SATURDAY MATINEE Sibelius and the Kullervo Prepared by Dan Bickel Sibelius, J. Kullervo symphony, op 7 (1892). Eeva-Liisa Saarinen, mezz; Jorma Hynninen, bar; Helsinki University Male Choir; Academic Choral Society; State Academic

Male Choir of the Estonian SSR; Helsinki PO/ Paavo Berglund.

EMI CDS 7 47496-8 1:12 Four legends of the Kalevala, op 22, [Lemminkäinen suite] (1896). Royal Stockholm PO/Paavo Järvi.

Virgin 5 45213 2 49 Pohjola’s daughter, op 49 (1906). Tampere PO/ Tuomas Ollila.

Ondine ODE 1037-2 13 A song for Lemminkäinen, op 31 no 1 (1896).

Helsinki University Ch; Lahti SO/Osmo Vänskä.

BIS BIS-CD-1115 4 17:00 SOCIETY SPOT Folk Federation of NSW 18:00 MUSIC OF THE SCREEN Prepared by Adam Bowen Music of all kinds featured on the screen, small and large 19:00 EMERGING JAZZ with Keith Pettigrew 20:00 THE LIFE OF A COMPOSER Carl Maria von Weber Prepared by James Nightingale Weber, C.M. Overture to Turandot, Princess of China (1809). Tapiola Sinfonietta/ Jean-Jacques Kantorow.

BIS SACD-1760 4 Haydn, M. Romance in A flat. Anneke Scott, hn; Ironwood.

ABC 481 1244 5 Weber, C.M. Piano quartet in B flat, op 8 (1809). Isabelle Faust, vn; Boris Faust, va; Wolfgang Emanuel Schmidt, vc; Alexander Melnikov, fp.

Harmonia Mundi HMC 902108 27 Clarinet concertino in C minor and E flat, op 26 (1811). City of London Sinfonia/Michael Collins.

Chandos CHAN 10702 9 Piano sonata no 3 in D minor, op 49 (1816).

Garrick Ohlsson, pf.

Arabesque Z6584-2 23 Where shall I hide? from Euryanthe (1823).

Thomas Quastoff, bass-bar; Berlin Opera O/ Christian Thielemann.

DG 471 493-2 9 Ozean, du Ungeheuer!, from Oberon (1826).

Gundula Janowitz, sop; German Opera O/ Ferdinand Leitner.

Decca 467 910-2 9 Piano concerto no 2 in E flat, op 32 (1812).

Nikolai Demidenko, pf; Scottish CO/Charles Mackerras.

Hyperion CDA66729 22 22:00 SATURDAY NIGHT AT HOME Prepared by Di Cox Tchaikovsky, P. Festive overture on the Danish national anthem, op 15 (1866). SO of Russia/Veronika Dudarova.

Olympia OCD 512 A&B 14

14

Saint-Saëns, C. Caprice on Danish and Russian airs, op 79 (1887). Members of Nash Ensemble.

Hyperion CDA67431/2 11 Kuhlau, F. Suite from Elverhøj, op 100 (1828). Odense SO/Othmar Maga.

Unicorn-Kanchana DKP(CD)9132 33 Grainger, P. Danish folk-music suite (192229). English Sinfonia/Neville Dilkes.

EMI CDM 7 63520 2 18 Stravinsky, I. Ballet: Petrushka (1911/47).

New York PO/Leonard Bernstein.

CBS MYK 42540 35

Sunday 7 June SUNDAY 7 0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 SUNDAY MORNING MUSIC with Stephen Wilson 9:00 MUSICA SACRA Prepared by Stephen Matthews Zelenka, J. Mass in C. Prague Baroque Soloists; Ensemble Inegal/Adam Inegal.

Nibiru 01572231 55 10:00 THE CLASSICAL ERA Prepared by Rex Burgess Cherubini, L. Sinfonia, [Il Giulio Sabino] (1786). Zurich CO/Howard Griffiths. cpo 999 5212 11 Boïeldieu, A. Harp concerto in C (1801).

Marielle Nordmann, hp; Franz Liszt CO/JeanPierre Rampal.

Sony SK 58919 23 Berwald, F. Quartet in E flat (1819). Richard Hosford, cl; Robin O'Neill, bn; Jonathan Williams, hn; Susan Tomes, pf.

Hyperion CDA66834 23 Beethoven, L. Piano sonata no 12 in A flat, op 26, [Marcia funebre] (1801). Paul Lewis, pf.

Harmonia Mundi HMC 901906.08 21 Berlioz, H. The death of Cleopatra (1829).

Béatrice Uria-Monzon, mezz; Lille NO/JeanClaude Casadesus.

Harmonia Mundi HMC 901542 22 Weber, C.M. Andante e rondo ungarese in E flat, op 35 (1813). Valery Popov, bn; Russian State SO/Valery Polyansky.

Chandos CHAN 9656 9 12:00 CLASSIC JAZZ AND RAGTIME with Maureen Meers The early days of jazz and ragtime as recorded during the first 30 years of the 20th century

13:00 WORLD MUSIC: Whirled Wide Showcases diverse music from cultures around the world, both traditional and modern, featuring musicians from all corners of the globe, including Australia 14:00 THE DOUBLE QUARTETS OF LOUIS SPOHR Prepared by Paul Cooke Spohr, L. Fantasy and variations, op 81 (1814). Dieter Klöcker, cl; Consortium Classicum.

Orfeo C 213 901 A 7 Romberg, A. Flute quintet in E minor, op 41 no 1. Vladislav Brunner, fl; Victor Simcisko, vn; Milan Telecky, va; Ján Cút, va; Juraj Alexander, vc.

Naxos 8.554765 25 Spohr, L. Double quartet no 1 in D minor, op 65 (1823). Academy of St Martin in the Fields Chamber Ensemble.

Hyperion CDD22014 21 15:00 SUNDAY SPECIAL Shostakovich: Music for stage and screen Prepared by Paolo Hooke Shostakovich, D. Excerpts from A girl alone, op 26 (1931). BBC PO/Vassily Sinaisky.

Chandos CHAN 10023 21 Excerpts from Hamlet, op 116 (1964). Royal Concertgebouw O/Riccardo Chailly.

Decca 460 792-2 17 Excerpts from Maxim trilogy, op 50a (1935/37; arr. Levon Atovmyan). BBC PO/Vassily Sinaisky.

Chandos CHAN 10023 23 Suite from the film The gadfly, op 97a (1955).

USSR Cinema SO/Emin Khachaturian.

Classics for Pleasure/EMI CFP 4463 42 17:00 HOSANNA Prepared by Stephen Matthews Hymns: O for a thousand tongues to sing; We have a gospel to proclaim. Choir of Wells Cathedral; Rupert Gough, org; Malcolm Archer, cond.

Hyperion CDP12105 7 Bruckner, A. Ave Maria. Choir of Lincoln Cathedral; James Vivian, org; Colin Walsh, cond.

Priory PRCD454 4 Paer, F. Kyrie, from Missa piena in D minor.

Vocal and Instrumental Concert of Dresden/ Peter Koop.

Carus 83.044 12 Psalm: No 66: Shout with joy to God, all the earth! Choir of Peterborough Cathedral; David Humphreys, org; Andrew Reid, cond.

Priory PRCD1082 5 Smart, H. Magnificat; Nunc dimittis. Choir of St Georges Chapel, Windsor; Roger Judd, org; Jonathan Rees-Williams, cond.

Priory PRCD634 8

Rachmaninov, S. Cherubic hymn.

Choir of St John’s College, Cambridge; Glen Dempsey, org; Andrew Nethsingha, cond.

Hyperion CDA 68222 5 Kuhnau, J. Motet: In te, Domine, speravi.

Opella Musica; Camerata Lipsensis/Gregor Meyer. cpo 555 190-2 8 18:00 SMALL FORCES Prepared by Rita Felton Vivaldi, A. Concerto for viola d’amore, winds and double bass. Claude Maury, hn; Ricercar Consort.

Ricercar RIC 049027 11 Mozart, W. Clarinet concerto in A, K622 (1791; arr. Simonds 2014 for flute, clarinet, horn and string quartet). Sydney Soloists.

Fine Music concert recording 27 Hill, A. String quartet no 17 in C (1938).

Austral String Quartet.

LP ABC RRCS 1468 17 19:00 SUNDAY NIGHT CONCERT Prepared by Frank Morrison Sullivan, A. Suite from The tempest, op 1 (1861). BBC PO/Richard Hickox.

Chandos CHAN 9859 28 Dittersdorf, C. Oboe concerto in G (c1770). Heinz Holliger, ob; Camerata Bern/ Thomas Füri.

Archiv 410 599-2 15 Skryabin, A. Symphony no 2 in C minor, op 29 (1901). Scottish NO/Neeme Järvi.

Chandos CHAN 8462 40 20:30 NEW HORIZONS Prepared by Calogero Panvino Lutoslawski, W. Symphony no 4 (1992).

Los Angeles PO/Esa-Pekka Salonen.

Sony SK66280 21 Penderecki, K. Cello concerto no 2 (1982). Mstislav Rostropovich, vc; Philharmonia O/Krzystof Penderecki.

Erato ECD 75321 33 Lutoslawski, W. Symphony no 3 (1983).

Berlin PO/Witold Lutoslawski.

Philips 416 387-2 30 22:00 AFTER HOURS JAZZ

Sibelius, J. The swan of Tuonela, from Four legends, op 22 (1895). Philadelphia O/ Eugene Ormandy.

EMI 1 66451 2 9 Nielsen, C. Violin sonata no 1 in A, op 9 (1895). Lydia Mordkovitch, vn; Clifford Benson, pf.

Chandos CHAN 8598 23 Giordano, U. Credo a una possanza arcana, from Andrea Chénier (1895).

José Carreras, ten; Franco Federici, bass; Hungarian State O/Giuseppe Patanè.

CBS M2K 42369 6 Strauss, R. Till Eulenspiegel’s merry pranks, op 28 (1895). London SO/Claudio Abbado.

DG 429 492-2 15 Zemlinsky, A. Trio in D minor, op 3 (1895).

Trio Zemlinsky.

Claves 50-9217 27 10:30 CONCERT HALL Prepared by Derek Parker Donizetti, G. Overture to Roberto Devereux (1837). New Philharmonia O/ Richard Bonynge.

Decca 466 431-2 6 Mozart, W. Piano concerto no 22 in E flat, K482 (1785). Mitsuko Uchida, pf; English CO/ Jeffrey Tate.

Philips 475 7306 35 Prokofiev, S. Symphony no 4 in C, op 47 (1929-30). Czech PO/Zdenek Kosler.

Supraphon SU 4093-2 40 12:00 SWING SESSIONS with John Buchanan 13:00 19TH CENTURY COLLECTION Prepared by James Nightingale Bruch, M. In memoriam, op 65 (1893).

Salvatore Accardo, vn; Gewandhaus O/Kurt Masur.

Philips 462 164-2 16 Schumann, C. Er ist gekommen, op 12 no 1 (1841); Das ist ein Tag, der klingen mag, op 23 no 5 (1853); Sie liebten sich beide, op 13 no 2 (1840-43). Werner Güra, ten; Christoph Berner, pf.

Harmonia Mundi HMX 2908186.88 5 Monday 8 June Nielsen, C. String quintet in G (1888).

Academy of St Martin in the Fields Chamber MONDAY 8 Ensemble.

0:00 CLASSIC-ALL THROUGH THE Chandos CHAN 9258 24 NIGHT Kastner, J-G. Variations faciles et 6:00 FINE MUSIC BREAKFAST brilliantes. Arno Bornkamp, sax; Ivo Janssen, including Arts Calendar at 7.30am pf. with James Hunter Ottavo OTR C50178 14 9:00 DIVERSIONS IN FINE MUSIC Glazunov, A. Fantasy: The sea, op 28 A year in retropspect: 1895 (1889). Moscow SO/Igor Golovchin.

Prepared by Frank Morrison Naxos 8.553512 22

15

14:30 TIME OF DAY Prepared by Jacky Ternisien Coste, N. Les soirées d’Auteuil, op 23.

Anabel Montesinos, guitar.

Naxos 8.557294 8 Liszt, F. Soirées de Vienne: Valse caprice no 2 in A flat after Schubert, S427 (1852) Leslie Howard, pf.

Hyperion CDS44570 8 Boulanger, L. D'un soir triste; D'un matin de printemps (1918). Women's PO/JoAnn Falletta.

Koch 3 7169 2H1 16 Bonnet, J. Angélus du soir, op 10 no 10.

Joseph Bonnet, The Britannic Organ.

OEHMS Classics OC 843 7 Hovhaness, A. Evening song, op. 53 no. 2 (1945). Paul Edmund-Davies, fl; Arnold Kobyliansky, vn; Randy Max, timpani; I Fiamminghi/Rudolf Werthen.

Telarc CD-80392 11 Tchaikovsky, P. Evening, op 46 no 1 (1880). Heather Harper, sop; Janet Baker, mezz; Benjamin Britten, pf.

BBC BBCB 8001-2 8 Rota, N. Piano concerto soirée (1958).

Benedetto Lupo, pf; Sicilian SO/Masimo de Bernart.

Nuova Era 7063 20 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 JAZZ PULSE with Chris Wetherall 20:00 STORMY MONDAY with Austin Harrison and Garth Sundberg 22:00 JAZZ AFTER HOURS

Tuesday 9 June TUESDAY 9 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Julie Simonds 9:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by James Nightingale Schumann, C. Romance in A minor (1853). Yoshiko Iwai, pf.

Naxos 8.553501 4 Poulenc, F. Violin sonata (1943). Tasmin Little, vn; Piers Lane, pf.

EMI 5 73115 2 19 Bach, C.P.E. Der Frühling, Wq197; Prüfung am Abend, Wq194; Morgengesang, Wq194.

Dietrich Fischer-Dieskau, bar; Jörg Demus, tangent pf; Colin Tilney, clvd.

Archiv 453 168-2 8

Schubert, F. Piano sonata in A minor, D784 (1823). Alex Raineri, pf.

Master Performers MP 025 19 Scarlatti, A. Toccata in G. Rinaldo Alessandrini, hpd.

Arcana A3 8 Westlake, N. Piano trio (2003). Macquarie Trio.

Tall Poppies TP187 21 10:30 CONCERT HALL Prepared by Di Cox Kabalevsky, D. Suite: The comedians, op 26 (1940). Moscow SO/Vasily Jelvakov.

Naxos 8.553411 15 Dittersdorf, C. Double bass concerto no 1 in D (1766). Chi-Chi Nwanoku, db; Swedish CO/Paul Goodwin.

Hyperion CDA67179 19 Moeran, E.J. Symphony in G minor (1937).

Ulster O/Vernon Handley.

Chandos CHAN 8577 46 12:00 JAZZ RHYTHM with Jeannie McInnes 13:00 SYDNEY SYMPHONY 2020 Produced by Andrew Bukenya What's on in concerts during the next month 14:00 FANTASIES Prepared by Di Cox Verdi, G. Fantasy for flute on La Traviata.

Patrick Gallois, fl; London FO/Ross Pople.

DG 445 822-2 12 Liszt, F. Fantasy on themes from Beethoven’s The ruins of Athens (c1848-52).

Philip Thomson, pf; Hungarian State O/Kerry Stratton.

Hungaroton HCD 31525 11 Bruch, M. Scottish fantasy, op 46 (1880).

Kyung Wha Chung, vn; Royal PO/Rudolf Kempe.

Decca 478 2826 28 Schubert, F. Fantasie in F minor, D940 (1828). Murray Perahia, Radu Lupu, pf.

CBS MK 39511 19 Strauss, R. Aus Italien, symphonic fantasy, op 16 (1886). Scottish NO/Neeme Järvi.

Chandos CHAN 8744 41 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 THE JAZZ BEAT with Lloyd Capps 20:00 RECENT RELEASES 22:00 CHAMBER SOIRÉE Prepared by Gerald Holder Spohr, L. Nonet in F for winds and strings, op 31 (1813). Ensemble 360.

ASV GLD 4026 32 Lachner, F. Septet in E flat for winds and strings (1826; arr.). Members of London Gabrieli Brass Ensemble.

Hyperion CDA67119 3

16

Enescu, G. String octet in C, op 7 (1900).

Academy of St Martin in the Fields Chamber Ensemble.

Chandos CHAN 9131 39 Brahms, J. String sextet no 2 in G, op 36 (1864-65). Academy of St Martin in the Fields Chamber Ensemble.

Chandos CHAN 9151 40

Wednesday 10 June WEDNESDAY 10 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Janine Burrus 9:00 DIVERSIONS IN FINE MUSIC Inspired by literature Prepared by Chris Blower Janácek, L. Incidental music to Hofmann’s Schluk und Jau (1928). Slovak PO/Libor Pesek.

Naxos 8.555245 9 Brahms, J. Four songs, op 96 (1884). Olaf Bär, bar; Geoffrey Parsons, pf.

EMI CDC 7 49723 2 11 Liszt, F. Après une lecture du Dante, fantasia quasi sonata, from Years of pilgrimage, bk 2 (1837-49). Leslie Howard, pf.

Hyperion CDS44581 18 Vaughan Williams, R. The lark ascending (1914/20). Nigel Kennedy, vn; City of Birmingham SO/Simon Rattle.

EMI 5 62813 2 18 Bernstein, L. Glitter and be gay, from Candide (1988). Edita Gruberova, sop; Tokyo PO/Friedrich Haider.

Nightingale Classics NC 090560-2 7 Schumann, R. Märchenbilder, op 113 (1851). Paul Coletti, va; Leslie Howard, pf.

Hyperion CDA66946 16 10:30 CONCERT HALL Prepared by Elaine Siversen Glazunov, A. Ballet: Chopiniana, op 46 (1893). German SO/Vladimir Ashkenazy.

Decca 460 019-2 21 Edwards, R. Violin concerto, Maninyas (1988). Adele Anthony, vn; Adelaide SO/Arvo Volmer.

Canary Classics CC09 26 Reinecke, C. Symphony no 3 in G minor, op 227 (c1890). Brandenburg State O, Frankfurt/Heribert Beissel.

Christophorus CHE 0162-2 35 12:00 JAZZ SKETCHES with Robert Vale

Thursday 11 June 13:00 IN CONVERSATION with Christopher Waterhouse 14:00 CHAMBER WORKS OF MYSTERY Prepared by James Nightingale Villa-Lobos, H. Sextuor mystique (1917).

Jacques Castagner, fl; Robert Casier, ob; Jean-Marie Londeix, sax; Ramon de Herrera, gui; Lily Laskine, hp; Henriette Puig-Roget, celesta.

EMI 5 72360 2 8 Sculthorpe, P. String quartet no 8 (1968).

Goldner String Quartet.

Tall Poppies TP089 15 Bartók, B. Rumanian folk dances (192526). James Ehnes, vn; Andrew Armstrong, pf.

Chandos CNA 10752 5 Ligeti, G. Ten pieces for wind quintet (1968). Stockholm Philharmonic Wind Quintet.

EMI 7 63867 2 15 Westlake, N. Six fish (2004). Saffire.

ABC 476 2611 16 Debussy, C. Clair de lune, from Suite bergamasque, (1905; arr. Eduard Grigoryan).

Slava Grigoryan, gui; Leonard Grigoryan, gui.

ABC 476 3338 5 Biber, H. Sonata XI, The Resurrection, from Mystery sonatas (c1676). Reinhard Goebel, vn; Phoebe Carrai, vc; Andreas Spering, hpd.

Archiv 431 656-2 6 Pärt, A. Fratres for wind octet and percussion (1977). I Fiamminghi/Rudolf Werthen.

Telarc 80387 8 Farrenc, L. Piano quintet no 1 in A minor, op 30 (1839). Quintetto Bottesini.

Brilliant Classics 94815 28 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 A TWIST OF JAZZ with Andrew Piper 20:00 AT THE OPERA Prepared by Elaine Siversen Schubert, F. The twin brothers, D647.

Singspiel in one act. Libretto by Georg von Hofmann. First performed Vienna, 14 June 1820. THE BAILIFF: Kurt Moll, bass LIESCHEN: Helen Donath, sop ANTON: Nicolai Gedda, ten FRANZ SPIESS: Dietrich Fischer-Dieskau, bar FRIEDRICH SPIESS: Dietrich FischerDieskau, bar Bavarian State Opera Ch & O/Wolfgang Sawallisch.

EMI 4 64323 2 47 Lieschen, on her 18th birthday, is eagerly awaiting her marriage to Anton. At her birth, her father, the bailiff, agreed with a friend Franz Spiess that, in exchange for a sum of money, Franz would be allowed to marry

Lieschen when she came of age. Spiess left for the war and was presumed dead but he suddenly returns to claim his bride.

Franz’s identical twin brother, Friedrich, returns to the village on that same day. Each of the brothers believes that his twin was killed in the war. They are never in the same place at the same time and are mistaken for each other.

While one brother tries to marry Lieschen, the other gladly revokes his right to it, leading Der Schulze to believe that the old soldier is mentally impaired and is unfit to marry his daughter. The twins finally meet and Lieschen is allowed to marry Anton.

The conspiritors, D787. Singspiel in one act.

Libretto by Ignaz Castelli after Aristophane’s [Lysistrata]. First performed Vienna, 1861.

BARON HERIBERT VON LÜDENSTEIN: Kurt Moll, bass LUDMILLA: Edda Moser, sop ISELLA: Elke Schary, sop UDOLIN: Adolf Dallapozza, ten Bavarian State Opera Ch & O/Heinz Wallberg.

EMI 4 64325 2 1:05 While the men are away fighting, the Baroness convenes a meeting of the women. Udolin, the Baron’s messenger, dresses as a girl to spy on them. The Baroness wants the women to keep their men away from a life of violence.

They swear an oath that they will withhold all sexual favours until the men promise to give up fighting.

The men return home from the war and Udolin reports on the women’s decision. The men decide to retaliate by refusing to give any affection. The women are upset by the men’s indifference and the Baroness finds it difficult to keep them to their oath. Udolin and his girlfriend, Isella, trick the Baroness and the women into bearing arms. The Baroness admits defeat and the men admit that they have been conquered by love and will give up fighting.

Der Taucher, D77 (1815). Dietrich FischerDieskau, bar; Gerald Moore, pf.

DG 477 5765 24 22:30 FROM BOHEMIA Prepared by Paul Cooke Dvorák, A. Piano quartet in E flat, op 87 (1889). Domus.

Hyperion CDA66287 36 Novák, V. Songs of a winter night, op 30 (1902-03). Margaret Fingerhut, pf.

Chandos CHAN 9489 17 Suk, J. Pohádka, op 16 (1899-1900). Buffalo PO/JoAnn Falletta.

Naxos 8.572323 31

17

THURSDAY 11 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Simon Moore 9:00 DIVERSIONS IN FINE MUSIC The instruments: Brass Prepared by Chris Blower Beethoven, L. Horn sonata in F, op 17 (1800). Darryl Poulsen, hn; Neal Peres da Costa, fp.

Tubicium Records TR761901 15 Lundquist, T. Landscape (1978). Øystein Baadsvik, tuba; Singapore SO/Anne Manson.

BIS CD-1515 15 Perry, W. Latin ophicleide, from Brass from the past (2012). Nick Byrne, ophicleide; RTE NSO/Paul Phillips.

Naxos 8.573105 8 Hansen, T. Sonata in E flat, op 18 (190306). Håkan Hardenberger, tpt; Roland Pöntinen, pf.

Philips 426 144-2 9 Desprez, F. Triptyque for three trombones.

Members of Triton Trombone Quartet.

BIS CD-604 17 Koechlin, C. Horn sonata, op 70 (1918-25).

Barry Tuckwell, hn; Daniel Blumenthal, pf.

ASV DCA 716 14 10:30 CONCERT HALL Prepared by Anne Irish Kuhlau, F. Overture to Lulu (1824). Odense SO/Eduard Serov.

Unicorn-Kanchana DKP(CD)9132 8 Mendelssohn, F. Double concerto in D minor (1823). Gidon Kremer, vn; Martha Argerich, pf; Orpheus CO. DG 427 338-2 37 Alfvén, H. Symphony no 3 in E, op 23 (1905). Stockholm PO/Neeme Järvi.

BIS CD-455 38 12:00 JAZZ, PURE AND SIMPLE with Maureen Meers 13:00 MUSICAL TOUR DE FRANCE Prepared by Jacky Ternisien Marais, M. Three old French dances.

James Kortum, fl; Rosemarie Barnes, hp; Taverner Consort.

Fine Music tape archive 5 Canteloube, J. La Mère Antoine; Rossignolet qui chants; Mon père m'a plasée; J'ai une douce amie. Netania Davrath, sop; O/ Gershon Kingsley.

Vanguard OVC 8001/2 9 Massenet, J. Suite no 7: Scènes alsaciennes (1881). Monte Carlo National Opera O/John Eliot Gardiner.

Erato 2292-45859-2 23

Koechlin, C. Chansons bretonnes, op 115 bk 1 (1932). Peter Bruns, vc; Roglit Ishay, pf.

SWR Music 19047 11 Badings, H. Three Breton songs (1946).

Robert Shaw Festival Singers.

Telarc 80408 9 Somervell, A. Normandy, symphonic variations (1912). Martin Roscoe, pf; BBC Scottish SO/Martyn Brabbins.

Hyperion CDA 67837 21 14:30 THE AGE OF ENLIGHTENMENT Paër, F. Overture to Sargino (1803). English CO/Richard Bonynge.

Decca 466 434-2 6 Molter, J. Trumpet concerto no 2. Paul Plunkett, tpt; Julie Hewison,vn; Lucinda Moon, vn; Jenny Ingram, va; Miriam Morris, vc; Linda Kent, org.

Move MD 3127 11 Mozart, W. Non più, tutto ascoltai ... Non temer, amato bene, K490 (1786). Yvonne Kenny, sop; Australian CO/Richard Tognetti.

Sony SK 66282 9 Mozart, W. Divertimento in B flat, K439b no 3 (1783/86). Wind Soloists of the CO of Europe.

Teldec 2292-46472-2 23 Beethoven, L. Sonata no 6 in F, op 10 no 2 (1796-97). Christian Zacharias, pf.

EMI 5 65465 2 14 Haydn, J. Symphony in E flat, Hob.I:22, [Philosopher] (c1764). Austro-Hungarian Haydn O/Adám Fischer.

Nimbus NI 5392 17 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 THE NEW JAZZ STANDARD with Frank Presley 20:00 THE WORLD OF A SYMPHONY Prepared by Dan Bickel Hanson, H. The lament for Beowulf, op 25 (1925). Eastman School of Music Ch; Eastman-Rochester O/Howard Hanson.

Mercury 478 5092 18 Respighi, O. Church windows (1927).

Cincinnati SO/Jésus López-Cobos.

Telarc 80356 28 Holst, G. The mystic trumpeter, op 18 (1905; ed. Matthews, Holst). Claire Rutter, sop; Royal Scottish NO/David Lloyd-Jones.

Naxos 8.555776 19 Palestrina, G. da Stabat Mater à 8.

Cantillation/Antony Walker.

ABC 476 5055 11 Sibelius, J. Andante festivo (1922).

Gothenburg SO/Neeme Järvi.

BIS CD-222 5

Hanson, H. Symphony no 2, op 30, [Romantic] (1930). Eastman-Rochester O/ Howard Hanson.

Mercury 478 5092 28 22:00 BIRTHDAYS IN JUNE Prepared by Jacky Ternisien Khachaturian, A. Waltz, from Masquerade (1941). Murray McLachlan, pf.

Olympia OCD 423 4 Nielsen, C. Serenata in vano (1914). Athena Ensemble.

Chandos 10454 X 7 Schulhoff, E. Ragtime, from Five picturesques, op 31 (1917-1919). Margaret Babinsky, pf.

Capriccio C7297 5 Albinoni, T. Concerto in A, op 9 no 4.

Collegium Musicum 90/Simon Standage.

Chandos CHAN 0602 9 22:30 ULTIMA THULE

10:30 CONCERT HALL Prepared by Robert Gilchrist Handel, G. The gods go a-begging. Royal PO/Thomas Beecham.

EMI CDM 7 63374 2 19 Paganini, N. Violin concerto no 1 in D, op 6 (1815). Alexander Markov, vn; Saarbrücken RSO/Marcello Viotti.

Erato 2292-45788-2 34 Sibelius, J. Symphony no 6 in D minor, op 104 (1923). San Francisco SO/Herbert Blomstedt.

Decca 448 817-2 30 12:00 A JAZZ HOUR with Barry O'Sullivan 13:00 PERSPECTIVES Clarinet Prepared by James Nightingale Cavallini, E. Capriccio no 25 in B flat, op 1 no 4 (1827). Nicola Bulfone, cl.

Naxos 8.573133-34 3 Burgmüller, N. Duo, op 15 (1834). Michael Friday 12 June Collins, cl; Michael McHale, pf.

Chandos CHAN 10637 11 FRIDAY 12 Milhaud, D. Suite, op 157b, from Anouilh’s 0:00 CONTEMPORARY Le voyageur sans bagages (1936). Ludmila COLLECTIVE Peterková, cl; Gabriela Demeterová, vn; 3:00 CLASSICAL TILL DAWN Markéta Cibulková, pf.

6:00 FINE MUSIC BREAKFAST Supraphon SU 3481-2 131 11 including Arts Calendar at 7.30am Nielsen, C. Clarinet concerto, op 57 (1928). with Annabelle Drumm Niels Thomsen, cl; Danish National RSO/ 9:00 DIVERSIONS IN FINE MUSIC Michael Schønwandt.

Al fresco Chandos CHAN 8894 26 Prepared by Paul Cooke 14:00 BETWEEN TWO WORLDS Fisher, J. Overture, from The syrens (1776). Tchaikovsky’s orchestral works Capella Savaria/Mary Térey-Smith.

Prepared by Ron Walledge Dorian DOR-93251 9 Tchaikovsky, P. Children's album, op Smyth, E. On the cliffs of Cornwall, 39 (1878; arr. Milman, Spivakov). Moscow from The wreckers. BBC PO/Odaline de la Virtuosi/Vladimir Spivakov.

Martinez.

RCA 09026 61964 2 27 Conifer Classics 75605 51250 2 8 Souvenir de Florence, op 70 (1890/91-92).

Rochberg, G. To the dark wood (1985).

Academy of St Martin in the Fields/Neville Canberra Wind Soloists.

Marriner.

ABC 456 357-2 13 Decca 478 2826 27 Boyce, W. Symphony no 8 in D minor Suite no 3 in G, op 55 (1884). Vienna PO/Lorin (pub. 1760). Bournemouth Sinfonietta/Ronald Maazel.

Thomas.

Decca 476 2723 41 CRD 3356 11 Overture: 1812, op 49 (1880). Israel PO/Zubin McCabe, J. Red leaves (1991). Brunel Mehta.

Ensemble/Christopher Austin.

Teldec 4509-90201-2 15 Cala CACD77005 10 16:00 FINE MUSIC DRIVE Glazunov, A. The forest, op 19 (1882-87; including Arts Calendar at 5.00pm arr. Glazunov). Aurora Piano Quartet.

19:00 FRIDAY JAZZ SESSION Naxos 8.557717D 17 with Christopher Waterhouse Arne, T. The lover's recantation. Emma 20:00 EVENINGS WITH THE Kirkby, sop; Parley of Instruments/Roy ORCHESTRA Goodman.

Prepared by Rex Burgess Hyperion CDA66237 9 Arnold, M. Guitar concerto (1958-59).

Julian Bream, gui.

EMI 7 54661 2 23

18

Haydn, J. Symphony in B flat, Hob.I:102 (1794). EMI 5 55509 2 23 Adès, T. Asyla, op 17 (1997). EMI 5 56818 2 23 Simon Rattle, cond (3 above) Shostakovich, D. Orchestral suite: Hypothetically murdered, op 31a (1931, arr.

McBurney). Mark Elder, cond.

Signum SIGCD051 40 City of Birmingham SO (all above) 22:00 BAROQUE AND BEFORE Prepared by Andrew Dziedzic Cabezón, H. de Divisions on Susanna un jour. Jeremy West, cornett; Timothy Roberts, org.

Hyperion CDA66977 4 Anon. Sibil la Mallorquina, a series of hymns from The song of the Sibyl (1400-1560).

Montserrat Figueras, sop; La Capella Reial de Catalunya/Jordi Savall.

Alia Vox AV9806 37 Valderrábano, E. de Diferencias sobre Conde Claros, from Libro de música de vihuela intitulado 'Silva de sirenas' (1547).

Toyohiko Satoh, vihuela.

Channel Classics CCS 3091 10 Escobedo, B. de Missa Philippus Rex Hispaniae (1556). Choir of Westminster Cathedral/James O’Donnell.

Hyperion CDA67046 31 Cabezón, A. de Tiento I. Ensemble Accentus/Thomas Wimmer.

Naxos 8.554836 3 Guerrero, F. In exitu Israel. Choir of Westminster Cathedral; His Majestys Sagbutts and Cornetts/James O’Donnell.

Hyperion CDA67075 14 Victoria, T. de Vadam et circuibo.

Monteverdi Choir/John Eliot Gardiner.

Soli Deo Gloria SDG 701 14

Saturday 13 June SATURDAY 13 0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 SATURDAY MORNING MUSIC with Stephen Wilson 9:00 WHAT'S ON IN MUSIC Our weekly guide to musical events in and around Sydney 9:05 THE PIANO ALONE Prepared by Katy Rogers-Davies Sibelius, J. Romance in D minor, op 24 (1884-1903). Erik T. Tawaststjerna, pf.

BIS CD-169 3 Liszt, F. Liebesträume (c1850). Leslie Howard, pf.

Hyperion CDS44524 14

Debussy, C. La fille aux cheveux de lin, from Préludes, bk 1 (1910). Duncan Gifford, pf.

ABC 481 0408 3 Schumann, C. Three romances, op 11 (1839). Yoshiko Iwai, pf.

Naxos 8.553501 14 Brahms, J. Three Intermezzi, op 117 (1892). Radu Lupu, pf.

Decca 478 5609 17 10:00 MUSIC OF THE DANCE Prepared by Katy Rogers-Davies Stravinsky, I. Suite no 2 from The firebird (1919). Budapest FO/Iván Fischer.

Hungaroton HCD 31095 20 Strauss, J. II Tales from the Vienna Woods, op 325 (1868). Vienna PO/Herbert von Karajan.

Decca 478 5630 12 Tchaikovsky, P. Suite from Swan Lake, op 20 (1877). Berlin PO/Mstislav Rostropovich.

DG 429 097-2 25 Chopin, F. Ballet: Les sylphides (arr.

Douglas 1907). Berlin PO/Herbert von Karajan.

Decca 478 5630 28 11:30 ON PARADE Prepared by Robert Small Lloyd Webber, A. Any dream will do, from Joseph and the amazing technicolour dreamcoat (1965; arr. Graham).

4 Hammond, A. One moment in time (1988; arr. Bernearts).

4 Various. Swinging sixties (arr. Power). 5 Suppé, F. Overture to Poet and peasant (1846; arr. Reece).

5 Kander, J. New York, New York (1977; arr.

Richards).

3 Vangelis. Chariots of fire (1981).

2 NSW Fire Brigades Brass Band/Mark Reay (all above) 12:00 URBAN JAZZ LOUNGE with Leita Hutchings 13:00 IN A SENTIMENTAL MOOD with Maureen Meers Nostalgic music and artists from the 30s, 40s and 50s and occasionally beyond, in a trip down many memory lanes 14:00 STAGING MUSIC Prepared by Angela Cockburn Flying 14:30 SATURDAY MATINEE Operetta in the afternoon Prepared by Elaine Siversen Sullivan, A. The Mikado. Operetta in two acts. Libretto by W.S. Gilbert. First performed London, 1885. MIKADO: Richard Alexander, bass YUM YUM: Taren Fiebig, sop NANKI-POO: Kanen Breen, ten KO-KO: Mitchell Butel, bar POO-BAH: Warwick Fyfe, bar

19

KATISHA: Jacqueline Dark, cont Opera Australia Ch; O Victoria/Brian CastlesOnion.

Opera Australia OPOZ56016 1:28 Nanki-Poo, son of the Mikado, disguised as a wandering trombonist, arrives in Titipu looking for his beloved, Yum-Yum, a ward of Ko-Ko. Ko-Ko was condemned to death for flirting but is now Lord High Executioner. Pooh-Bah informs Nanki-Poo that Yum-Yum is to marry Ko-Ko that very day. The Mikado has just decreed that unless an execution is carried out in Titipu within a month, the town will be reduced to the rank of a village. Nanki-Poo, in despair over losing Yum-Yum, is preparing to commit suicide. Ko-Ko makes a bargain: Nanki-Poo may marry Yum-Yum if, at the end of a month, he allows himself to be executed.

Ko-Ko would then marry the young widow.

Katisha arrives from the court, to claim NankiPoo as her husband. He rejects her and she swears vengeance.

It now turns out that the law states that when a married man is beheaded, his wife must be buried alive. Yum-Yum is now unwilling to marry so Nanki-Poo challenges Ko-Ko to behead him on the spot. Ko-Ko instead sends Nanki-Poo and Yum-Yum away to be wed and when the Mikado arrives in Titipu, he is presented with a false affidavit of the execution. The Mikado however is searching for his son who ‘goes by the name of NankiPoo’. When Katisha reads Nanki-Poo’s name on the death certificate of the executed man, the conspirators are sentenced to death.

Nanki-Poo will only reveal that he is still alive if Katisha is persuaded to marry Ko-Ko. Ko-Ko woos and wins Katisha and she begs for the Mikado's mercy for him and his accomplices.

Ko-Ko explains that when a royal command for an execution is given, the victim is, legally speaking, as good as dead and the Mikado agrees. Nanki-Poo and Yum-Yum then reappear. Everyone in Titipu celebrates.

Ballet: Pineapple Poll (arr. Mackerras 1951).

Philharmonia O/Charles Mackerras.

Decca 438 10-2 45 17:00 SOCIETY SPOT Organ Music Society of Sydney Prepared by John Hanna 18:00 MUSIC OF THE SCREEN Prepared by Maureen Meers Music of all kinds featured on the screen, small and large 19:00 EMERGING JAZZ with Keith Pettigrew

20:00 THE LIFE OF A COMPOSER Ottorino Respighi Prepared by Jacky Ternisien Respighi, O. Symphonic variations (1900).

Ferdinand Klinda, org; Slovak RSO/Adriano.

Naxos 8.557820 12 Piano concerto in A minor (1902). Geoffrey Tozer, pf; BBC PO/Edward Downes.

Chandos CHAN 9285 24 Martucci, G. Theme and variations, op 58 (1882). Lya De Barberiis, pf; Rome SO/ Francesco La Vecchia.

Naxos 8.570930 14 Sarti, G. Penso, che per morire, from [Il contrattempi] (1778). Matthew Rose, bar; Arcangelo/Jonathan Cohen.

Hyperion CDA68078 5 Respighi, O. October festival, from Roman festivals (1928-29; transcr. Patterson).

President’s Own United States Marine Band/ Michael Colburn.

Altissimo ALT63132 7 Ancient airs and dances, suite no 1 (1917; arr. van Klaveren). Alliage Quintet.

Sony 19075818372 14 Rossini, G. Deux riens (c1864). Bruno Mezzena, pf.

Dynamic CDS 42/1-2 6 Respighi, O. Rossiniana (1925). West Australian SO/Jorge Mester.

ABC 442 348-2 26 22:00 SATURDAY NIGHT AT HOME Prepared by Elaine Siversen Svendsen, J. Norwegian rhapsody no 4, op 22 (1877). Bergen PO/Neeme Järvi.

Chandos CHAN 10711 12 Halvorsen, J. Suite ancienne, op 31a (1911).

Bergen PO/Neeme Järvi.

Chandos CHAN 10614 25 Grieg, E. Incidental music to Peer Gynt, op 23 (1874-75). Elly Ameling, sop; Geraldine Walther, va; San Francisco Symphony Ch & O/ Edo de Waart.

Philips 432 192-2 44 Tveitt, G. A hundred Hardanger tunes, suite no 1, op 151 (c1940). Royal Scottish NO/Bjarte Engeset.

Naxos 8.555078 32

Sunday 14 June SUNDAY 14 0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 SUNDAY MORNING MUSIC with Robert Small 9:00 MUSICA SACRA Prepared by Rex Burgess Taverner, J. The veil of the temple: Cycle 6

(2003). Patricia Rosario, sop; Choir of Temple Church; Holst Singers; English CO/Stephen Layton.

Signum Classics SIG 367 16 Vivaldi, A. Filiae maestae Jerusalem, RV638. James Bowman, ct; King's Consort/ Robert King.

Hyperion CDA66779 8 Pergolesi, G. Mass in D (c1733). Marlis Peterson, sop; Marta Fumagalli, cont; Ghislieri Choir & Consort/Giulio Prandi.

Arcana A 444 30 10:00 THE CLASSICAL ERA Prepared by Paul Cooke Rossini, G. Overture to Semiramide (1823).

Philharmonia O/Carlo Maria Giulini.

EMI 5 62802 2 13 Cherubini, L. Scene and rondo: Ti lascio adorato mio ben (1789). Maria Grazia Schiavo, sop; Auser Musici/Carlo Ipata.

Hyperion CDA67893 11 Mozart, W. Rondo in A minor, K511 (1787) Gerard Willems, pf.

ABC 476 5696 11 Hummel, J. Trumpet concerto in E (1803).

Geoffrey Payne, tpt; Melbourne SO/Michael Halász.

ABC 982 6976 17 Arriaga, J. String quartet no 2 in A (1824).

Camerata Boccherini.

Naxos 8.557628 23 Schubert, F. Symphony no 2 in B flat, D125 (1815). Royal Concertgebouw O/Nikolaus Harnoncourt.

Teldec 4509-91184-2 34 12:00 CLASSIC JAZZ AND RAGTIME with John Buchanan 13:00 WORLD MUSIC: Whirled Wide 14:00 THE DOUBLE QUARTETS OF LOUIS SPOHR Prepared by Paul Cooke Spohr, L. Fantasy and variations on a theme of Danzi, op 81 (1815). Colin Bradbury, cl; Oliver Davies, pf.

ASV DCA 701 7 Kuhlau, F. Flute sonata in C, op 83 no 2 (1827). Uwe Grodd, fl; Matteo Napoli, pf.

Naxos 8.555346 20 Spohr, L. Double quartet no 2 in E flat, op 77 (1827). Academy of St Martin in the Fields Chamber Ensemble.

Hyperion CDD22014 27 15:00 SUNDAY SPECIAL An ingenious gentleman Prepared by Rex Burgess Salieri, A. Overture to Don Quixote (1770).

Czecho-Slovak RSO/Michael Dittrich.

Marco Polo 8.223381 7

20

Guridi, J. An adventure from Don Quixote (1916). Basque NO/Miguel Gómez Martínez.

Claves 50-9709 11 Ibert, J. Songs of Don Quixote (1932). José van Dam, bar; Jean-Philippe Collard, pf.

EMI CDC 7 49288 2 11 Guerra, J. Three moments with Don Quixote (2005). Madrid Comunidad Ch & O/ José Ramón Encinar.

Naxos 8.570260 18 Dreyfus, G. There is something of Don Quixote in all of us (1990). Jochen Schubert, gui.

Move MD 3129 8 Sandström, J. Trombone concerto no 2, [Don Quixote] (1994). Christian Lindberg, tb; Lahti SO/Osmo Vänskä.

BIS CD-828 32 Boismortier, J. de Don Quixote and the Duchess, Act I (1743). Soloists; Le Concert Spirituel/Hervé Niquet.

Naxos 8.553647 1:19 17:00 HOSANNA Prepared by Meg Matthews Hymns: Holy, holy, holy; The God of Abraham praise. Choir of St Mary’s Episcopal Cathedral, Edinburgh; Peter Backhouse, org; Dennis Townhill, cond.

Priory PRCD 376 7 Plainsong: O lux beata Trinitas. Choir of Truro Cathedral; John Hosking, org; Andrew Nethsingha, cond.

Priory PRCD 732 2 Tallis, T. O nata lux de lumine. Choir of Durham Cathedral/James Lancelot.

Durham Cathedral DCP 001 2 Plainsong: Psalm 116, verses 1-5: I know the Lord because He hath heard my voice. 2 Schein, J. Psalm 116.

8 Franke, B. And why? from Psalm 116. 9 Calmus Ensemble (3 above) Carus 83.866Elgar, E. Lux aeterna, [Nimrod]. Voces8.

Decca 478 8053 4 Rachmaninov, S. Bogoro dit se devo, from All-night vigil (1915). Voces8.

Decca 478 8053 3 Schultz, A. Magnificat; Nunc dimittis.

Brisbane Chamber Choir/Graeme Morton.

Tall Poppies TP 239 13 18:00 SMALL FORCES Prepared by Krystal Li Walton, W. Violin sonata (1947-48/49-50).

Lorraine McAslan, vn; John Blakely, pf.

ASV QS 6191 26 Spohr, L. Nonet in F for winds and strings, op 31 (1813). Nash Ensemble. crd 3354 29

19:00 SUNDAY NIGHT CONCERT Prepared by Krystal Li Wagner, R. Siegfried idyll (1870). New York PO/Pierre Boulez.

Sony SMK 64 108 17 Hindemith, P. Clarinet concerto (1947).

Martin Fröst, cl; Malmö SO/Lan Shui.

BIS BIS-CD-893 24 Brahms, J. Symphony no 4 in E minor, op 98 (1885). London PO/Marin Alsop.

Naxos 8.570233 42 20:30 NEW HORIZONS Prepared by Paul Cooke Sierra, R. Saxophone concerto (2002).

James Carter, sax; Sinfonia Varsovia/ Giancarlo Guerrero.

Universal 0602527635347 20 Okamoto, K. Suite (2006). Michael Kieran Harvey, pf.

Move MD 3319 26 O’Leary, J. The echo of all that’s happened (2014). Concorde with ConTempo Quartet.

CMC Ireland CMC 2015 9 Matthews, D. Symphony no 4, op 52 (1990). East of England O/Malcolm Nabarro.

Collins 20082 27 22:00 AFTER HOURS JAZZ

Monday 15 June MONDAY 15 0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Robert Small 9:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1715 Prepared by Jacky Ternisien Loeillet de Gant, J.B. Sonata à une flute et basse in B flat, op 3 no 9 (1715). Ludwig Güttler, tpt; Friedrich Kircheis, org.

Berlin Classics 0012892BC 13 Heinichen, J. Concerto in G (1715). Musica Antiqua Cologne/Reinhard Goebel.

Archiv 437 549-2 9 Zumaya, M. de Sol-fa de Pedro (1715).

Chanticleer Ch; Chanticleer Sinfonia/Joseph Jennings.

Teldec 4509-93333-2 8 Scarlatti, A. Recorder concerto in A minor (c1715). Music Antiqua Toulon/Christian Mendoze, rec & dir.

Pierre Verany PV795031 9 Bach, J.S. Cantata, BWV132: Bereitet die Wege (1715). Bach Collegium Japan/Masaaki Suzuki.

BIS CD-9024/26 18

Handel, G. Concerto grosso in F, HWV315 (1715-22). Academy of Ancient Music/Richard Egarr.

Harmonia Mundi HMX2908417.24 13 Hotteterre, J-M. Suite-sonata no 3 in D, op 5 (1715). Masahiro Arita, fl; Kiyomi Suga, fl; Masako Hirao, bass viol; Yasunori Imamura, theorbo; Chiyoko Arita, hpd.

Denon CO-75957/8 9 10:30 CONCERT HALL Prepared by Elaine Siversen Respighi, O. Burlesca (1906). Slovak RSO/Adriano.

Naxos 8.557820 7 Benjamin, A. Piano concerto, [Quasi una fantasia] (1949). Lamar Crowson, pf; London SO/Arthur Benjamin.

Everest EVC 9029 27 Smetana, B. Festive symphony, op 6 (1854/81). ORF SO/Lothar Zagrosek.

Marco Polo 8.223120 47 12:00 SWING SESSIONS with John Buchanan 13:00 SETTING THE SCENE Prepared by Brian Drummond Wagner, R. Overture to The mastersingers of Nuremberg, Act 1 (1866-67). Munich PO/ Hans Knappertsbusch.

DG 479 1148 11 Britten, B. Four sea interludes, from Peter Grimes, op 33a (1945). London SO/André Previn.

EMI CDC 7 47667 2 16 Mozart, W. Entr'acte no 2, from Thamos, King of Egypt, K345 (1774). Royal PO/ Thomas Beecham.

EMI CDC 7 47864 2 7 Handel, G. Overture and ballet music from Ariodante, HWV33 (1735). Academy of St Martin in the Fields/Neville Marriner.

Decca 433 732-2 18 14:00 THE AGE OF ROMANTICISM Prepared by Di Cox Saint-Saëns, C. Introduction and rondo capriccioso, op 28 (1863). Maxim Vengerov, vn; Israel PO/Zubin Mehta.

Teldec 9031-73266-2 9 Spohr, L. Piano quintet in D, op 130 (1845).

Jacqueline Hartley, vn; Thelma Handy, vn; Martin Outram, va; Lionel Handy, vc; Caroline Clemmow, pf.

Naxos 8.553206 32 Liszt, F. A Faust symphony (1854). Peter Seiffert, ten; Ernst Senff Choir; Prague Philharmonic Choir; Berlin PO/Simon Rattle.

EMI 5 55220 2 1:09 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 JAZZ PULSE with Chris Wetherall

21

20:00 STORMY MONDAY with Austin Harrison and Garth Sundberg 22:00 JAZZ AFTER HOURS

Tuesday 16 June TUESDAY 16 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Julie Simonds 9:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by Frank Morrison Telemann, G. Fantasy no 6 in B flat, from 36 Fantasies for harpsichord (1732-33).

Joseph Payne, hpd.

Centaur CRC 2530/2531 6 Devienne, F. Oboe sonata in C, op 71 no 3 (1799). Burkhard Glaetzner, ob; Christine Schornsheim, pf.

Berlin 0012852BC 18 Chopin, F. Piano sonata no 1 in C minor, op 4 (1828). Idil Biret, pf.

Naxos 8.554533 23 Bach, J.S. Organ concerto in G, BWV592 (c1714). Marie-Claire Alain, org.

Erato 2292-45561-2 8 Clarke, R. Piano trio (1921). Andrew Watkinson, vn; David Waterman, vc; Martin Roscoe, pf.

ASV DCA 932 23 10:30 CONCERT HALL Prepared by Dan Bickel Rimsky-Korsakov, N. Symphonic suite from The legend of the invisible city of Kitezh (1905). Moscow SO/Igor Golovchin.

Naxos 8.553513 23 Stamitz, C. Bassoon concerto in F. Laurence Perkins, bn; Manchester Camerata/ Douglas Boyd.

Hyperion CDA67288 17 Albéniz, I. Suite española, op 47 (1886; orch. Frühbeck de Burgos). Mexico State SO/ Enrique Bátiz.

ASV DCA 888 42 12:00 JAZZ RHYTHM with Jeannie McInnes 13:00 COMPOSER PORTRAIT Ross Edwards Prepared by James Nightingale Edwards, R. A flight for sunbirds: Nine bagatelles (2001). Viney-Grinberg Piano Duo. ABC 481 4591 9 Flower songs (1986-87). Song Company and friends/Roland Peelman.

Tall Poppies TP064 11 The tranquil mind (2013). Alison Morgan, sop;

Jenny Duck-Chong, mezz; Jason Noble, cl; Geoffrey Gartner, vc.

Tall Poppies TP236 3 Full moon dances: concerto for alto saxophone and orchestra (2012). Amy Dickson, sax; Sydney SO/Miguel Harth-Bedoya.

ABC 481 1703 29 14:00 MUSICAL FAMILIES J.S. Bach and sons Prepared by Jennifer Foong Bach, J. Christian Overture to Catone in Utica (1761). New Philharmonia O/Raymond Leppard.

Philips 446 569-2 6 Bach, J.S. Prelude and fugue in E minor, BWV879, from The well-tempered clavier, bk 2 (1738-42). Angela Hewitt, pf.

Hyperion CDA67741/4 6 Bach, W.F. Trio sonata in A minor. JeanPierre Rampal, fl; Isaac Stern, vn; Leslie Parnas, vc; John Steele Ritter, hpd.

Sony SMK 64 509 5 Bach, J.E. Fantasie in F (1770). Gregor Hollman, hpd.

MD+G L 3318 7 Bach, J.C.F. Wachet auf, ruft uns die Stimme (c1780). Netherlands Chamber Choir/ Uwe Gronostay.

Globe GLO 5080 12 Symphony in E flat (c1772). Leipzig CO/Morten Schuldt-Jensen.

Naxos 8.572217 11 Bach, J. Christian À qui pourrai-je avoir recours? from Amadis de Gaule (1779). Mojca Erdmann, sop; La Cetra Baroque O/Andrea Marcon.

DG 477 8979 5 Piano concerto in C, op 13 no 1. Ingrid Haebler, fp; Vienna Capella Academica/ Eduard Melkus.

Philips 456 064-2 13 Bach, C.P.E. Oboe sonata in G minor, Wq135 (1735). Klaus Gerbeth, ob; Horst Krause, bass viol; Matthias Wilke, hpd.

Berlin 0012852BC 11 Sinfonia in B minor, Wq182 no 5 (1773). Il Giardino Armonico/Giovanni Antonini. naïve OP 30399 10 Bach, J.S. All is fulfilled, from St John Passion, BWV245 (1724). Kathleen Ferrier, cont; London PO/Adrian Boult.

Decca 475 0782 5 Cantata, BWV145: Ich lebe, mein Herze, zu deinem Ergötzen (c1729). Alan Bergius, treb; Paul Esswood, alto; Kurt Equiluz, ten; Tölz Boys' Choir; Concentus Musicus Vienna/ Nikolaus Harnoncourt.

Teldec 2564 69943-7 9 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 THE JAZZ BEAT

with Lloyd Capps 20:00 RECENT RELEASES 22:00 CHAMBER SOIRÉE Prepared by Rex Burgess Shostakovich, D. Cello sonata in D minor, op 40 (1934). David Pereira, vc; Lisa Moore, pf.

Tall Poppies TP018 29 Glinka, M. Grand sextet in E flat for double bass, piano and string quartet (1832).

Capricorn.

Hyperion CDA66163 25 Rachmaninov, S. String quartet no 2 (c1896). Dene Olding, vn; Vladimir Ashkenazy, pf.

SSO recording 13 Medtner, N. Violin sonata no 2 in G, op 44 (1927). Laurence Kayaleh, vn; Paul Stewart, pf.

Naxos 8.570299 41

Wednesday 17 June WEDNESDAY 17 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Janine Burrus 9:00 DIVERSIONS IN FINE MUSIC Inspired by literature Prepared by Paul Cooke Arnold, S. Incidental music to Macbeth (1778). Toronto Camerata/Kevin Mallon.

Naxos 8.557484 18 Canteloube, J. Triptyque (1914).

Véronique Gens, sop; Lille NO/Serge Baudo.

Naxos 8.570338 16 Meyerbeer, G. Overture to Le prophète (c1850; transcr.). Stephanie McCallum, Erin Helyard, pf. www.trptk.com TTK0005 13 Kelly, F. Elegy in memory of Rupert Brooke (1915). Jun Yi Ma, vn; Tasmanian SO/ Johannes Fritsch.

9 Finzi, G. A Severn rhapsody, op 3 (1923).

Robert Plane, cl; Northern Sinfonia/Howard Griffiths.

Naxos 8.553566 7 Dvorák, A. String quartet, B152, [Cypresses] (1887). Quatuor Thymos.

Avie AV2234 16 10:30 CONCERT HALL Prepared by Michael Field Respighi, O. Ballata delle Gnomidi (1920).

Lydia Mordkovitch, vn; BBC PO/Edward Downes.

Chandos CHAN 9232 15

22

Beethoven, L. Piano concerto no 1 in C, op 15 (1797). Gerard Willems, pf; Sinfonia Australis/Antony Walker.

ABC 980 0465 39 Holst, G. Symphony in F, op 8, [The Cotswolds] (1899-1900). Munich SO/Douglas Bostock.

Classico CLASSCD 284 27 12:00 JAZZ SKETCHES with Robert Vale 13:00 IN CONVERSATION with Christopher Waterhouse 14:00 CHAMBER MUSIC Refugees and exiles Prepared by James Nightingale Mendelssohn, F. Konzertstück no 2 in D minor, op 114 (1833). Paul Meyer, cl; David Rowden, cl.

Fine Music concert recording 8 Ben-Haim, P. Serenade for flute quartet (1952). Noam Buchman, fl; members of Israel String Quartet.

Music in Israel MII-CD-20 14 Schulhoff, E. String quartet no 2 (1925).

Petersen Quartet.

Capriccio C7297 18 Hindemith, P. Clarinet sonata (1939).

Members of Spectrum Concerts.

Naxos 8.572213 19 Weill, K. Five songs from The threepenny opera (1928; arr. Malzew). Alliage Quintett.

Sony 19075818372 15 Krenek, E. String quartet no 1, op 6 (1921).

Sonare Quartett.

MD+G L 3280 34 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 A TWIST OF JAZZ with Andrew Piper 20:00 AT THE OPERA Prepared by Angela Cockburn Sullivan, A. Ivanhoe. Opera in three acts.

Libretto by Julian Sturgis. First performed London, 1891. RICHARD THE LIONHEART: Neal Davies, bar PRINCE JOHN / LUCAS DE BEAUMANOIR: Stephen Gadd, bar SIR BRIAN DE BOIS-GUILBERT: James Rutherford, bass-bar MAURICE DE BRACY: Peter Wedd, ten CEDRIC: Peter Rose, bass IVANHOE: Toby Spence, ten ROBIN HOOD: Andrew Staples, ten FRIAR TUCK: Matthew Brook, bass-bar ISAAC: Leigh Melrose, bar LADY ROWENA: Janice Watson, sop ULRICA: Catherine Wyn-Rogers, mezz REBECCA: Geraldine McGreevy, sop Adrian Partington Singers; BBC Welsh NO/ David Lloyd Jones.

Chandos CHAN 10578(3) 2:46

Saxon Crusader Ivanhoe arrives at his estranged father Cedric's home in disguise, along with two unwelcome guests, Norman knights. Knight Templar Sir Brian asks about Cedric's lovely ward Rowena. Cedric angrily declares she will only marry a Saxon.

Unrecognised, Ivanhoe describes a tournament which the English knights won, and Sir Brian was beaten by Ivanhoe. Sir Brian wants his own back: at which Rowena says Ivanhoe is sure to meet the challenge. After she leaves the two Normans plot to abduct her after an upcoming Royal a tournament.

Rowena still doesn't recognise her lover Ivanhoe. Ivanhoe warns another guest, Isaac, a Jew from York, that the Templar plans to kidnap him. The two men leave together. At the tournament King Richard the Lionheart is taking part in disguise. Rowena is made Queen of the tourney. Ivanhoe, in a different disguise, challenges Sir Brian, wins, but is wounded.

Prince John insists he remove his helmet to be crowned victor, and he is recognised by his father and Rowena.

King Richard is making merry with Friar Tuck.

Robin Hood arrives saying Cedric, Rowena, Ivanhoe, Isaac and his daughter Rebecca have all been captured by the two Normans.

Everyone rushes to the rescue.

Cedric and Rowena are prisoners. Sir Maurice plans to force Rowena into marriage, promising that Ivanhoe will be safe if Rowena and Cedric comply. Cedric is not impressed, but Rowena appeals to De Bracy's honour as a Knight and begs him to save Ivanhoe. Sir Brian declares his own plans to woo, and win, Rebecca.

Ulrica warns Rebecca that death is the only path to safety. Brian promises Rebecca jewels and rank if she'll submit to him, but she leaps on to the parapet, threatening to jump. A bugle sounds: King Richard and his troops have arrived, and Brian rushes off to defend the castle.

The wounded Ivanhoe thinks of his love, Rowena. Rebecca, who loves Ivanhoe, tends him, then describes the battle as it takes place below the window. Ulrica sets the castle on fire.

Brian carries off Rebecca while Ivanhoe can't protect her. King Richard rescues Ivanhoe from the conflagration.

Captured, Sir Maurice is sent to surrender to Prince John. Cedric finally agrees to Ivanhoe and Rowena's marriage, but the Templars have sentenced Rebecca to burn at the stake for supposedly bewitching the Christian Knight unless a champion will fight for her. Ivanhoe rushes to the rescue.

Brian offers to champion Rebecca but the Templars take it as further evidence that he's bewitched. The exhausted Ivanhoe arrives,

sword drawn. Sir Brian attacks Ivanhoe, and gets the upper hand but as Brian is about to strike, he falls dead, unable to survive the evil passions warring in his soul. The Templars regard this as proof of God's judgement and Rebecca's innocence, and she is freed.

Ivanhoe is reunited with Rowena, and the King banishes the Templars from English soil.

23:00 MUSIC FROM COPENHAGEN Hartmann, E. The elf-maids and the hunters, op 6b (pub. 1876). Copenhagen PO/ Bo Holten.

Dacapo 8.226041 4 Hasse, J. Flute concerto in D. Irene Spranger, fl; Concerto Copenhagen/Andrew Manze.

Chandos CHAN 0535 12 Palschau, J. Harpsichord concerto no 1 in C (1771). Lars Ulrik Mortensen, hpd; Concerto Copenhagen.

Dacapo 8.226040 15 Hartmann, E. Symphonic poem: Hakon Jarl, op 40 (1887). Copenhagen PO/Bo Holten.

Dacapo 8.226041 21

Albrechtsberger, J. Aria de passione Domine: O Traurigkeit, O Herzeleid (ed.

Hanlon). Monica Groop, mezz; Christian Lindberg, tb; Ann Wallström, vn; Marit Bergman, vn; Olof Larsson, vc; Björn Gäfvert, org.

BIS CD-548 8 Saint-Saëns, C. Concert piece in F minor, op 94 (1887). Radovan Vlatkovic, hn; Orchestral Ensemble of Paris/Jean-Jacques Kantorow.

EMI 5 55587 2 9 Handel, G. Trumpet concerto no 3 in G minor, HWV287 (1704-05). Joachim Schäfer, picc tpt; Bratislava Chamber Soloists/Anton Popovic.

Christophorus CHE 0205-2 9 10:30 CONCERT HALL Prepared by Peter Poole Balakirev, M. Overture from Incidental music to King Lear (1861). USSR SO/Yevgeny Svetlanov.

Melodiya MELCD 1001877 12 Frederick II. Flute concerto no 4 in D. Richard Waage, fl; Berlin Symphony CO/Hans Peter Frank.

Berlin Classics 0012872BC 18 Thursday 18 June Shostakovich, D. Symphony no 15 in A, op 141 (1971). Cleveland O/Kurt Sanderling.

THURSDAY 18 Erato 2292-45815-2 51 0:00 CONTEMPORARY 12:00 JAZZ, PURE AND SIMPLE COLLECTIVE with Maureen Meers 3:00 CLASSICAL TILL DAWN 13:00 THE PROLIFIC TELEMANN 6:00 FINE MUSIC BREAKFAST Prepared by Rex Burgess including Arts Calendar at 7.30am Telemann, G. Suite in F, [Darmstadt]. with Simon Moore Ivo Hadermann, hn; Alex van Aeken, hn; 9:00 DIVERSIONS IN FINE MUSIC Luc Loubry, bn; Collegium Instrumentale The instruments: Brass Brugense/Patrick Peire.

Prepared by Jennifer Foong Brilliant Classics 94104 18 Knechtl, J. Horn concerto in D. Barry Canary cantata. Reiner Süss, bass; Peter Tuckwell, hn; Academy of St Martin in the Mirring, vn; Wolfram Just, vn; Peter Shikora, Fields/Iona Brown. va; Gerhard Pluskwik, vc; Achion Beyer, hpd.

Decca 417 406-2 7 Brilliant Classics 95150/50 16 Corbett, W. Suite in D. Frank de Bruine, ob; Quartet no 6 in E minor (pub. 1738). Musica ad Mark Bennett, tpt; Michael Laird, tpt; Parley of Rhenum.

Instruments/Peter Holman.

Brilliant Classics 94104 19 Hyperion CDA66817 14 14:00 TEACHER AND PUPILS Dauprat, L. Variations on a Scottish air for Prepared by Stephen Wilson horn and harp, op 22. Sören Hermansson, hn; Boulanger, N. Fantasy (1912). David Erica Goodman, hp.

Greilsammer, pf; French Radio PO/Steven BIS CD-648 10 Sloane.

Beethoven, L. Wind sextet in E flat, op naïve V 5224 20 71 (1796). Karl Leister, cl; Peter Geissler, cl; Horovitz, J. Variations on a theme of Günter Piesk, bn; Henning Trog, bn; Gerd Paganini. City of London Brass Quartet.

Seifert, hn; Manfred Klier, hn.

LDR 1012 8 DG 439 852-2 21 Wolf, H. Scherzo and finale (1877). Paris O/ Daniel Barenboim.

Apex 0927-49582-2 15 Glanville-Hicks, P. Harp sonata (1950).

Marshall McGuire, hp.

Tall Poppies TP112 10

23

Copland, A. Danza de Jalisco, from Three Latin-American sketches (1959). New Philharmonia O/Aaron Copland.

CBS MK 42429 4 Chopin, F. Piano sonata no 3 in B minor, op 58 (1845). Dinu Lipatti, pf.

LP World Record Club 731 25 Chabrier, E. Larghetto for horn and orchestra (1875). Ronald Janezic, hn; Vienna PO/John Eliot Gardiner.

DG 447 751-2 10 Franck, C. Symphonic variations (1885).

Clifford Curzon, pf; London PO/Adrian Boult.

Decca 473 116-2 15 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 THE NEW JAZZ STANDARD with Frank Presley 20:00 THE WORLD OF A SYMPHONY Prepared by James Nightingale Enescu, G. Rumanian rhapsody in A, op 11 no 1 (1901). BBC PO/Gennady Rozhdestvensky.

Chandos CHAN 9633 13 Fauré, G. Elegy, op 24 (1880). Paul Tortelier, vc; Jean Hubeau, pf.

Erato 2292-45738-2 7 Chausson, E. Poème, op 25 (1896).

Christian Ferras, vn; Pierre Barbizet, pf; Belgian NO/Georges Sébastian.

DG 480 6655 19 Strauss, R. Ist ein Traum ... Spür’ nur dich, from Der Rosenkavalier (1911). Natalie Dessay, sop; Felicity Lott, sop; Angelika Kirchschlager, mezz; Thomas Allen, bar; Royal Opera House O/Antonio Pappano.

Virgin 5 45705 2 8 Stravinsky, I. Three movements from Petrushka (1911). Yuja Wang, pf.

DG 477 8795 15 Enescu, G. Symphony no 2 in A, op 17 (1912-14). Monte Carlo PO/Lawrence Foster.

EMI CDC 7 54763 2 46 22:00 BIRTHDAYS IN JUNE Prepared by Jacky Ternisien Schifrin, L. Main theme, from Mission impossible (1996). Royal PO/Nick Ingman.

Sony 88697290382 5 Zeller, C. Don’t be cross, from The mine foreman (1894). Yvonne Kenny, sop; Melbourne SO/Richard Bonynge.

ABC 481 1873 4 Catalani, A. Loreley (1890). Pietro Spada, pf.

ASV DCA 921 6 Danzi, F. Fantasy on Là ci darem la mano,

from Mozart’s Don Giovanni (1787). Andreas Ottensamer, cl; Potsdam Chamber Academy.

Decca 481 4711 10 22:30 ULTIMA THULE

Friday 19 June FRIDAY 19 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Annabelle Drumm 9:00 DIVERSIONS IN FINE MUSIC Al fresco Prepared by Dan Bickel Sibelius, J. Night ride and sunrise, op 55 (1908). New Zealand SO/Pietari Inkinen.

Naxos 8.570763 17 Delius, F. A song of the setting sun; Exceeding sorrow; Pale amber sunlight, from Songs of sunset (1907). Sarah Walker, mezz; Ambrosian Singers; Royal PO/Eric Fenby.

Unicorn-Kanchana UKCD 2073 13 Sallinen, A. Sunrise serenade, op 63.

Finnish CO/Okko Kamu.

Naxos 8.555773 7 Davies, P. Maxwell An Orkney wedding, with sunrise (1985). George McIlwham, bagpipes; Scottish CO/Peter Maxwell Davies.

Unicorn-Kanchana DKP(CD)9070 12 Respighi, O. The sunset (1914). Lorraine Hunt, sop; Australian CO/Richard Tognetti.

Sony SK62855 16 Nielsen, C. Overture: Helios, op 17 (1903).

Danish NSO/Thomas Dausgaard.

Da Capo 6.220518 12 Beethoven, L. Sunset (1818). Thomas Allen, bar; Elizabeth Layton, vn; Ursula Smith, vc; Malcolm Martineau, pf.

DG 477 5128 4 10:30 CONCERT HALL Prepared by Robert Gilchrist Pugnani, G. Overture no 3 in B flat.

Ensemble L'Astrée.

Symphonia SY 93S21 19 Dittersdorf, C. Double bass concerto in E flat. Edicson Ruiz, db; Teresa Carreño Youth O of Venezuela/Christian Vásquez.

Philharmonie PHIL 06020 17 Wagner, S. Symphony in C (1925).

Rhineland Palatinate PO/Werner Andreas Albert. cpo 999 531-2 47 12:00 A JAZZ HOUR

24

with Barry O'Sullivan 13:00 AMERICAN ROMANTICS Prepared by Paul Cooke Foote, A. Three pieces, op 31b (1893).

Fenwick Smith, fl; Randall Hodgkinson, pf.

Northeastern NR 227 9 Beach, A. Piano concerto in C sharp minor, op 45 (1897-99). Danny Driver, pf; BBC Scottish SO/Rebecca Miller.

Hyperion CDA68130 35 MacDowell, E. Sonata tragica. Vivian Rivkin, pf.

BMG Records MCD 80086 26 Ives, C. Symphony no 1 (1895-98). Detroit SO/Neeme Järvi.

Chandos CHAN 9053 40 15:00 PROGRESSIONS Beethoven, L. Cello sonata in C, op 102 no 1 (1815). Daniel Müller-Schott, vc; Angela Hewitt, pf.

Hyperion CDA67755 16 Glinka, M. Trio pathétique in D minor (1832).

Colin Lawson, cl; Alberto Grazzi, bn; Olga Tverskaya, fp.

Opus 111 OPS 30-230 16 Pleyel, I. String quartet in G minor, op 2 no 3 (1784). Ensö Quartet.

Naxos 8.557496 20 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 FRIDAY JAZZ SESSION with Christopher Waterhouse 20:00 EVENINGS WITH THE ORCHESTRA Great conductors of the Golden Age Prepared by David Brett Wagner, R. Siegfried idyll (1870).

Philharmonia O. EMI 5 62815 2 18 Klemperer, O. Symphony no 1 (1960).

Concertgebouw O. Memories HR 4248/49 18 Beethoven, L. Piano concerto no 1 in C, op 15 (1797). Daniel Barenboim, pf; New Philharmonia O. Philips 456 721-2 39 Schubert, F. Symphony no 4 in C minor, D417, [Tragic] (1816). Concertgebouw O. Memories HR 4248/49 30 Otto Klemperer, cond (all above) 22:00 BAROQUE AND BEFORE Victoria’s Requiem Prepared by Elaine Siversen Murcia, S. de Suite in D minor (pub. 1732).

Barry Mason, baroque gui.

Amon Ra CD SAR 45 15 Scarlatti, D. Stabat Mater (c1715). Sydney

Chamber Choir/Nicholas Routley.

Fine Music concert recording 24 Concerto grosso no 11 in G (pub.1744; arr.

Avison). Academy of St Martin in the Fields/ Neville Marriner.

Philips 438 806-2 14 Cabanilles, J. Tiento de segundo tono por Gesolreut. John Butt, org.

Harmonia Mundi HMU 907047 6 Selma y Salaverde, B. de Fantasia on Canto del caballero. Pere Ros, violone; Ton Koopman, hpd.

Philips 432 822-2 5 Victoria, T. de Missa pro defunctis (1605).

Gabrieli Consort/Paul McCreesh.

Decca 478 3640 45

Saturday 20 June SATURDAY 20 0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 SATURDAY MORNING MUSIC with David Garrett 9:00 WHAT'S ON IN MUSIC Our weekly guide to musical events in and around Sydney 9:05 THE PIANO ALONE Prepared by Frank Morrison Brahms, J. Theme and variations in D minor (1860). Radu Lupu, pf.

Decca 448 129-2 11 Ravel, M. La valse (1921). Louis Lortie, pf.

Chandos CHAN 8733 11 Beethoven, L. Piano sonata in C, op 2 no 3 (1794-95). Paul Lewis, pf.

Harmonia Mundi HMC 901906.08 27 10:00 MUSIC OF THE DANCE Prepared by Paul Cooke Glazunov, A. Valse, from Five novelettes, op 15 (1886). Borodin Quartet. apex 0927 49815 2 6 Piazzolla, A. Tango suite. Sergio Assad, gui; Odair Assad, gui.

Nonesuch 7559 79632-2 15 Salieri, A. Pafio e Mirra ossia I prigionieri di Cipro (1778). Mannheim Mozart O/Thomas Fey. Hannsler CD 98.506 24 Berkeley, L. Three mazurkas, op 32 no 1 (1940). Jonathan Plowright, pf.

Hyperion CDA67803 6 Offenbach, J. Ballet: Gaîté parisienne (arr.

Rosenthal 1938). French NO/Lorin Maazel.

CBS MYK 42610 30 11:30 ON PARADE Music that’s band Prepared by Owen Fisher Gershwin, G. Embraceable you (arr.

Howarth). Cory Band/Robert Childs.

Doyen DOY CD 215 4

Stephens, J. Copa Cobana. Camell Laird Band/James Scott.

Fontana STL 5531 3 Saint-Saens, C. Bacchanal, from Samson and Delilah. Allentown Band/Ronald Demkee.

AMP 2K 085 6 Tchaikovsky, P. Dance of the cygnets.

Melbourne Fire Brigade Band/Mervyn Simpson.

W&G BS 5501 1 Hall, R. March: Death or glory. Grimethorpe Colliery Band/Robert Childs.

Grimethorpe Band recording 8 12:00 URBAN JAZZ LOUNGE with Leita Hutchings 13:00 COME TO THE OPERA Prepared by Derek Parker Are you an opera fan? If not, why not?

Together the story and the song make for great entertainment as well as great art. Derek Parker tells the story of Beethoven’s [Fidelio], and plays some of the music that makes it a great opera.

14:30 SATURDAY MATINEE Ballet double bill Strauss, J. II Ballet: Cinderella (1901).

National PO/Richard Bonynge.

Decca 430 852-2 1:30 Ravel, M. Ballet: Daphnis et Chloé (1912).

Royal Opera House Ch; London SO/Pierre Monteux.

Decca 478 2826 52 17:00 SOCIETY SPOT Classical Guitar Society Prepared by Darryl Rule 18:00 MUSIC OF THE SCREEN Prepared by Sue Jowell Music of all kinds featured on the screen, small and large 19:00 EMERGING JAZZ with Keith Pettigrew 20:00 THE LIFE OF A COMPOSER Darius Milhaud Prepared by Rex Burgess Milhaud, D. Sonata, op 47 (1918).

Emmanuel Pahud, fl; François Meyer, ob; Paul Meyer, cl; Eric Le Sage, pf.

EMI 5 57948 2 18 Ballet: Le boeuf sur le toit, op 58 (1919). London SO/Antal Dorati.

Mercury 478 5092 19 Caramel Mou, op 68. Eliane Manchet, sop; Nice PO/Claire Gibault.

BNL 112773 6 Lettres d’Alissa, from Alissa, op 9 (1913/31).

Carole Farley, sop; John Constable, pf.

ASV DCA 810 10 Scaramouche, op 165b (1937). Stephen Coombs, pf; Artur Pizarro, pf.

Hyperion CDA67014 9 Violin concerto no 2, op 263 (1945). Dene Olding, vn; Melbourne SO/Hiroyuki Iwaki.

ABC 476 7182 26

25

Piano trio, op 428. Clementi Trio, Cologne.

Largo 5112 20 22:00 SATURDAY NIGHT AT HOME Prepared by Chris Blower Sullivan, A. Ballet: Pineapple Poll (arr.

Mackerras 1951). Royal Liverpool PO/David Lloyd-Jones.

Naxos 8.570351 43 Donizetti, G. String quartet no 11 in C (1821). Revolutionary Drawing Room. cpo 999 279-2 17 Field, J. Piano concerto no 6 in C (c1819).

Mícéal O'Rourke, pf; London Mozart Players/ Matthias Bamert.

Chandos CHAN 9442 31 Stenhammar, W. Suite from Incidental music to Chitra, op 43 (1921). Gothenburg SO/ Neeme Jarvi.

BIS CD-476 22

Sunday 21 June SUNDAY 21 0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 SUNDAY MORNING MUSIC 9:00 MUSICA SACRA Prepared by Jacky Ternisien Buxtehude, D. Cantata: Jesu dulcis memoria, BuxWV56. Emma Kirkby; sop; Suzie LeBlanc, sop; Purcell Quartet.

Chandos CHAN 0691 9 Gounod, C. Solemn Mass for St Cecilia (1855). Barbara Hendricks, sop; Laurence Dale, ten; Jean-Philippe Lafont, bar; Radio France Ch; Jean-Louis Gil, org; Radio France New PO/ Georges Prêtre.

Erato 0077774709422 46 10:00 THE CLASSICAL ERA Prepared by Di Cox Beethoven, L. Mödlinger dances, WoO17 nos 1 to 8 (1819). Eduard Melkus Ensemble.

Archiv 439 964-2 14 Krommer, F. Clarinet quartet in B flat, op posth. Dieter Klöcker, cl; members of Consortium Classicum. cpo CPO 999 141-2 19 Haydn, J. Andante and variations in F minor, Hob.XVII:6. Alicia de Larrocha, pf.

Philips 456 886-2 13 Schubert, F. Der Gondelfahrer, D809 (1824); Die Nachtigall, D724 (1821). Die Singphoniker. cpo 999 397-2 8 Bach, J. Christian Quintet in D, op 11 no 6 (1774). Members of Concentus Musicus Vienna/ Nikolaus Harnoncourt.

Teldec 8.41062 14 Reicha, A. Sonata in F, on a theme of Mozart (c1805). Ivan Ilic, pf.

Chandos CHAN 10950 19

Monday 22 June Mozart, W. Ballet: Les petits riens, K299b (1778). Vienna Mozart Ensemble/Willi Boskovsky.

Decca 436 782-2 21 12:00 CLASSIC JAZZ AND RAGTIME with Jeannie McInnes 13:00 WORLD MUSIC: Whirled Wide 14:00 THE DOUBLE QUARTETS OF LOUIS SPOHR Prepared by Paul Cooke Bennett, W. Sterndale Chamber trio, op 26 (1839). James Dickenson, vn; Nick Stringfellow, vc; Jeremy Young, pf.

Naxos 8.571379 19 Spohr, L. Double quartet no 3 in E minor, op 87 (1832-33). Academy of St Martin in the Fields Chamber Ensemble.

Hyperion CDD22014 35 15:00 SUNDAY SPECIAL The oldest continuing musical dynasty Prepared by Elaine Siversen Benda, J. Sr Violin concerto in G. Josef Suk, vn; Suk CO/Christian Benda.

Naxos 8.553902 10 Benda, F. Flute concerto in E minor (arr.

Munclinger). Jean-Pierre Rampal, fl; Prague CO/Milan Munclinger.

Supraphon SU 3648-2 23 Benda, G. Cantata: Cephalus und Aurore (c1780). Emma Kirkby, sop; Timothy Roberts, fp.

Hyperion CDA66649 9 Sinfonia no 9 in A. Prague CO/Christian Benda.

Naxos 8.553409 12 Sonata in F. Tessa Birnie, pf.

Walsingham 3WAL80432 9 Martin, F. Ballade (1939). Swiss-Italian RO/ Christian Benda.

ASV DCA 1082 17 Martinu, B. Pastorales (1930). Christian Benda, vc.

Naxos 8.554503 27 Sebastian Benda, pf (2 above) 17:00 HOSANNA Prepared by Richard Munge Hymn and Psalms: Glorious things of Thee are spoken; Psalm no 114, When Israel came out of Egypt; Psalm no 145, I will magnify Thee, O God. Choir of York Minster; John Scott Whitely, org; Philip Moore, cond.

Priory PRCD 5013 10 Wood, C. Magnificat; Nunc dimittis in F. James Edwards, treb; Steven Lowe, treb; Ashley Stafford, alto; Peter Hall, ten; Nigel Beaven, bass; Christopher Dearnley, org.

Helios CDH55401 9

Hylton Stewart, C. Anthem: The Lord is my shepherd. Hyperion SPCC2000 3 Mathias, W. Anthem: Let the people praise Thee, O God. Andrew Lucas, org.

Hyperion SPCC2000 5 Choir of St Paul’s Cathedral/John Scott (3 above) Campbell, S. Anthem: Praise to God in the highest.

3 Britten, B. Missa brevis.

10 Choristers of Canterbury Cathedral; Michael Harris, org; David Flood, cond (2 above) York CD 120Hymns: My song is love unknown; Lord enthroned in heavenly splendour. Cantus Coro; Norman Kaye, org; Peter Chapman, cond.

Move MD 3032 6 Wesley, S.S. Choral song and fugue. Ashely Grote, org.

Priory PRCD 1153 7 18:00 SMALL FORCES Prepared by Anne Irish Saint-Saëns, C. Septet in E flat, op 65 (1881). David Guerrier, tpt; Renaud Capuçon, vn; Esther Hoppe, vn; Beatrice Muthelet, va; Gautier Capuçon, vc; Janne Saksala, db; Frank Braley, pf.

Virgin 5 45602 2 16 Isaacs, M. Elegy (1987). Trish O’Brien, vc; Mark Isaacs, pf.

MBS CD41 5 Mozart, W. Trio for clarinet, viola and piano, K498, [Kegelstatt] (1786). Martin Fröst, cl; Antoine Tamestit, va; Leif Ove Andsnes, pf.

BIS BIS-1893 19 Sibelius, J. Four pieces, op 78 (1917). NilsErik Sparf, vn; Bengt Forsberg, pf.

BIS CD-525 11 19:00 SUNDAY NIGHT CONCERT Prepared by Chris Blower Mozart, W. Overture to Così fan tutte, K588 (1790). Norwegian National Opera O/Rinaldo Alessandrini. naïve OP 30479 4 Rachmaninov, S. Rhapsody on a theme of Paganini, op 43 (1934). Vitaly Samoshko, pf; Sydney SO/Edvard Tchivzhel.

ABC 476 2274 23 Offenbach, J. Ballet: Papillon (1860).

London SO/Richard Bonynge.

LP Decca SXL 6588 55 20:30 NEW HORIZONS Prepared by Nev Dorrington Haigh, R. Creatures of the deep (2017).

Robert Haigh, pf.

Unseen Worlds 17 37 The silence of ghosts (2015). Robert Haigh, pf.

Siren Records 04 36 Brouwer, O. LP3 (2019). Oliver Brouwer, pf.

1631 Recordings B081 634XFZ 13 22:00 AFTER HOURS JAZZ

26

MONDAY 22 0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with James Hunter 9:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1865 Prepared by Derek Parker Verdi, G. Ballet music from Macbeth (1865).

Scottish NO/Alexander Gibson.

Chandos CHAN 10412X 10 Bizet, G. Chants du Rhin (1865). Julia Severus, pf.

Naxos 8.570831-32 21 Meyerbeer, G. Pays merveilleux, from L’Africaine (1865). Bryan Hymel, ten; Prague Philharmonia/Emmanuel Villaume.

Warner Classics 0825646179503 7 Liszt, F. March to the scaffold, from Berlioz’s Symphonie fantastique, S470a (1830; transcr.

1865). Leslie Howard, pf.

Hyperion CDS44569 12 Tchaikovsky, P. String quartet in B flat (1865). New Haydn Quartet, Budapest.

Naxos 8.550848 13 Brahms, J. Waltzes, op 39 (1866). Michel Béroff, Jean-Philippe Collard, pf.

EMI 5 69311 2 17 10:30 CONCERT HALL Prepared by Derek Parker Rossini, G. Overture to Semiramide (1823).

Prague SO/Christian Benda.

Naxos 8.570933 12 Bartók, B. Viola concerto, op posth (1945).

Yo-Yo Ma, alto vn; Baltimore SO/David Zinman.

Sony SK 57961 22 Tchaikovsky, P. Symphony no 5 in E minor, op 64 (1888). Leningrad PO/Yevgeny Mravinsky.

DG 447 423-2 44 12:00 SWING SESSIONS with John Buchanan 13:00 VIRTUOSI OF THE DOUBLE BASS Bottesini, G. Fantasia on Lucia di Lammermoor. Thomas Martin, db; Anthony Halstead, pf.

Naxos 8.570399 11 Bach, J.S. Cello suite no 2 in D minor, BWV1008 (c1720; transcr.). Edgar Meyer, db.

Sony SK 89183 20 Bottesini, G. Tutto che il mondo serra, after Chopin’s Étude, op 25 no 7. Monica Whicher, sop; Joel Quarrington, db; Andrew Burashko, pf.

Naxos 8.557042 5

Boismortier, J. de Sonata in E minor, op 26 no 4 (pub. 1729). Kim Walker, bn; Clena Stein, db; Darryl Nixon, hpd.

Gallo CD367 7 Bottesini, G. Dramatic romance. Thomas Martin, db; Anthony Halstead, pf.

Naxos 8.570399 8 14:00 THE SENSITIVE PLANT Prepared by James Nightingale Bax, A. The happy forest (1914-21). Ulster O/ Bryden Thomson.

Chandos CHAN 8307 10 Delius, F. Love's philosophy (1891). Ruth Golden, sop; Stephen Sulich, pf.

Koch 3-7043-2 HI 2 Respighi, O. Passacaglia. Sandro Ivo Bartoli, pf.

Brilliant Classics 9417 9 Myaskovsky, N. Alastor in C minor, op 14, symphonic poem after Shelley (1913). Russian Federation SO/Yevgeny Svetlanov.

Warner Classics 69689-8 25 Dohnányi, E. Piano quintet in E flat minor, op 26 (1914). Ernö Szegedi, pf; Tátrai Quartet.

Hungaroton HCD 11624 24 Westlake, N. Songs from the forest (1994).

Slava Grigoryan, gui; Leonard Grigoryan, gui; Joel Westlake, db.

ABC 476 5744 7 Respighi, O. La sensitiva (1914). Linda Finnie, mezz; BBC PO/Richard Hickox.

Chandos CHAN 9453 32 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 JAZZ PULSE with Chris Wetherall 20:00 STORMY MONDAY with Austin Harrison and Garth Sundberg 22:00 JAZZ AFTER HOURS

Tuesday 23 June TUESDAY 23 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Julie Simonds 9:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by Elaine Siversen Müller, M. Sonata per l'Assonta; Sonata per il Natale. Annerös Hulliger, org; Andrea Marcon, org; Philip Swanton, org.

Schwann 3-1047-2 9

Rameau, J-P. Rossignols amoureux, from Hippolyte et Aricie (1733). Kathrin Graf, sop; Peter Lukas Graf, fl; Raffaele Altwegg, vc; Michio Kobayashi, hpd.

Claves CD 50-604 7 Haydn, J. Piano trio in A, Hob.XV:18 (1794).

Australian Fortepiano Trio.

Fine Music concert recording 18 Dussek, J. Sonata in F sharp minor, op 61 (1806-07). Mario Patuzzi, pf.

Nuova Era 7210 14 Bach, C.P.E. 12 Variations in D minor on Folie d’Espagne, Wq118 no 9 (1777). Andreas Staier, hpd.

Harmonia Mundi RD 77025 9 Berwald, F. Piano quintet no 1 in C minor (1853). Susan Tomes, pf; Gaudier Ensemble.

Hyperion CDA66835 23 10:30 CONCERT HALL Prepared by Jacky Ternisien Ravel, M. Shéhérazade, ouverture de féerie (1898). Lyon NO/Leonard Slatkin.

Naxos 8.572887 13 Mercadante, S. Flute concerto in E minor (c1819; rev. Scimone). James Galway, fl; I Solisti Veneti/Claudio Scimone.

RCA RD 60450 22 Glass, P. Heroes symphony (1996).

Bournemouth SO/Marin Alsop.

Naxos 8.559325 46 12:00 JAZZ RHYTHM with Jeannie McInnes 13:00 FROM THE ITALIAN BAROQUE Corelli, A. Concerto grosso in G minor, op 6 no 8 (pub.1714). English Concert/Trevor Pinnock.

Archiv 459 451-2 14 Franceschini, P. Sonata à 7 with two trumpets (1680). David Staff, tpt; Mark Bennett, tpt; St James’s Baroque Players/Ivor Bolton.

Teldec 4509-91192-2 7 Albinoni, T. Oboe concerto in D minor, op 9 no 2 (pub. 1722). Pierre Pierlot, ob; I Solisti Veneti/Claudio Scimone.

Apex 0927490202 13 Veracini, F. Concerto in D for violin octet (1712). Accademia I Filarmonici/Alberto Martini.

Naxos 8.553413 18 14:00 RUSSIAN ROMANTICS Prepared by Paul Cooke Rubinstein, A. Piano sonata no 1 in E minor, op 12 (1848). Leslie Howard, pf.

Hyperion CDA66017 25 Mussorgsky, M. Pictures at an exhibition (1876; arr. Luff). Southern Cross Soloists.

4MBS-FM recording 4MBS6 33

27

Skryabin, A. Symphony no 1, op 26 (1895).

Lyudmila Ivanova, mezz; Mikhail Agafonov, ten; Moscow Capella; Moscow SO/Igor Golovschin.

Naxos 8.553580 53 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 THE JAZZ BEAT with Lloyd Capps 20:00 RECENT RELEASES 22:00 CHAMBER SOIRÉE Prepared by Paul Cooke Schumann, C. Piano trio in G minor, op 17. Rodolfo Bonucci, vn; Andrea Noferini, vc; Francesco Nicolosi, pf.

Naxos 8.557552 30 Stanford, C. Villiers Cello sonata no 2, op 39 (1893). Julian Lloyd Webber, vc; John McCabe, pf.

ASV DCA 807 28 Reinecke, C. Trio in A minor, op 188 (1887). Ingo Goritzki, ob; Barry Tuckwell, hn; Ricardo Requejo, pf.

Claves CD 50 803 28 Britten, B. String quartet no 1 in D, op 25 (1941). Belcea Quartet.

EMI 5 57968 2 26

Wednesday 24 June WEDNESDAY 24 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Janine Burrus 9:00 DIVERSIONS IN FINE MUSIC Inspired by literature Prepared by Jacky Ternisien Rossini, G. Overture to Otello (1816).

Academy of St Martin in the Fields/Neville Marriner.

Philips 473 967-2 9 Offenbach, J. Five fables of La Fontaine (pub.1842; orch. Haeck). Karine Deshayes, mezz; Rouen Opera O/Jean-Pierre Haeck.

Alpha 553 18 Delibes, L. Prelude; Scherzo; Pastorale; Les chasseresses; Intermezzo, from the ballet, Sylvia (1876). Desmond Bradley, vn; New Philharmonia O/Richard Bonynge.

Decca 460 418-2 20 Handel, G. Overture to Il pastor fido, HWV8a (1712). English Concert/Trevor Pinnock.

Archiv 479 1932 24

Mendelssohn, F. Overture to Victor Hugo’s play Ruy Blas, op 95 (1839). Edwin H. Lemare, Britannic organ.

OEHMS Classics OC 840 8 10:30 CONCERT HALL Prepared by James Nightingale Ben-Haim, P. Concerto grosso (1931) North German Radio PO/Israel Yinon. cpo 777 677-2 29 Vivaldi, A. Violin concerto in A, RV349 (pub. c1724). Mariana Sirbu, vn; I Musici.

Philips 454 459-2 12 Roussel, A. Symphony no 1, op 7, [Forest poem] (1908). Paris O/Christoph Eschenbach.

Ondine ODE 1092-2 42 12:00 JAZZ SKETCHES with Robert Vale 13:00 IN CONVERSATION with Christopher Waterhouse 14:00 SETTING THE SCENE Prepared by Brian Drummond Handel, G. Overture to Rinaldo, HWV7a (1711). English CO/Richard Bonynge.

Decca 440 844-2 8 Weber, C.M. Entr'acte, from The three pintos. Queensland PO/John Georgiadis.

Naxos 8.550928 6 Delius, F. The walk to the Paradise Garden, from A village Romeo and Juliet (1907). Royal Scottish NO/David Lloyd-Jones.

Naxos 8.557143 9 Beethoven, L. Overture to Leonore no 3, op 72b (1806). Bavarian RSO/Colin Davis.

CBS MDK 44790 16 Mendelssohn, F. Overture to A midsummer night’s dream, op 21 (1826).

Bamberg SO/Claus Peter Flor.

RCA Victor RD 87905 12 15:00 PERSPECTIVES Violin Prepared by James Nightingale Wieniawski, H. Étude-caprice op 10 no 4, [Le staccato]. Michal Grabarczyk, vn.

Olympia OCD 309 2 Ravel, M. Violin sonata (1927). Tasmin Little, vn; Piers Lane, pf.

EMI 5 73115 2 18 Philidor, P. Suite for flute, violin and continuo in G (1717). Kate Clark, fl; Paul Wright, vn; Suzanne Wijsman, vc; Stewart Smith, hpd.

ABC 476 6996 9 Rode, P. Violin concerto no 6 in B flat, op 8 (1799-1800). Friedemann Eichhorn, vn; Jena PO/Nicolás Pasquet.

Naxos 8.570767 23 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 A TWIST OF JAZZ with Andrew Piper

20:00 AT THE OPERA Prepared by Camille Merceps A Sesquicentenary Event

1870 2020

Wagner, R. The Valkyrie. Opera in three acts. Libretto by the composer. First performed Munich, 26 June 1870. SIEGMUND: Stuart Skelton, ten SIEGLINDE: Deborah Riedel, sop HUNDING: Richard Green, bass WOTAN: John Bröcheler, bar BRÜNNHILDE: Lisa Gasteen, sop FRICKA: Elizabeth Campbell, mezz VALKYRIES: Elizabeth Stannard, sop; Lisa Harper-Brown, sop; Kate Ladner, sop; Jennifer Barnes, sop; Donna-Maree Dunlop, sop; Zan McKendree-Wright, mezz; Gaye MacFarlane, mezz; Liane Keegan, cont Adelaide SO/Asher Fisch.

Melba MR301091-94 3:43 Siegmund, illegitimate son of Wotan, father of the gods, stumbles exhausted into an unfamiliar house. Sieglinde finds him lying by the hearth, and the two feel an immediate attraction, not knowing that they are twins.

They are interrupted by Sieglinde’s husband, Hunding, who asks the stranger who he is.

Learning that they are enemies, Hunding tells his guest they will fight to the death in the morning.

Alone, Siegmund calls on his father, for the sword he once promised him. Sieglinde having given Hunding a sleeping potion, tells Siegmund of her unhappiness and of the mysterious stranger at her wedding, blind in one eye, who had predicted that only a hero would be able to dislodge the sword he had hidden in the ash tree. In the moonlight Siegmund knows that Sieglinde and the sword, belong to him. He pulls the sword from the tree and claiming Sieglinde, they escape into the night.

Hunding pursues them and Wotan orders his favourite daughter, the valkyrie Brünnhilde, to protect Siegmund. Fricka, Wotan’s wife and goddess of marriage, insists that Wotan must defend Hunding’s marriage rights against Siegmund. Realizing he is caught in his own trap and will lose his power if he does not enforce the law, Wotan submits to his wife’s demands and orders Brünnhilde not to interfere. Moved by Siegmund’s love for Sieglinde, Brünnhilde disobeys her father.

Wotan breaks Siegmund’s sword with his spear, leaving him to be killed by Hunding, who is then killed by Wotan. Brünnhilde brings Sieglinde, carrying Siegmund’s child, to her sister valkyries for protection, but afraid

28

of Wotan’s wrath they refuse to hide her.

Sieglinde escapes. Furious, Wotan punishes Brünnhilde by locking her in sleep, to be victim of the first man to find her. He relents to her pleas and surrounds her with a wall of fire which only a man without fear, a hero, can cross.

Thursday 25 June THURSDAY 25 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Simon Moore 9:00 DIVERSIONS IN FINE MUSIC The instruments: Brass Prepared by Chris Blower Danielsson, C. Concertante suite (1977).

Philip Hall, hn; Philip Paine, hn; Nelson Green, hn; Sarah Galbraith, hn; Peter Whish-Wilson, tuba; Adelaide SO/David Stanhope.

ABC 476 5251 13 Handel, G. Let the bright seraphim, from Samson, HWV57 (1743); Eternal source of light divine, from Ode for the birthday of Queen Anne, HWV74 (1713); Alle voci del bronzo guerriero, from Cantata, HWV143 (1708).

Kathleen Battle, sop; Wynton Marsalis, tpt; Daire Fitzgerald, vc; John Feeney, db; Anthony Newman, hpd, org; O of St Luke’s/John Nelson.

Sony SK 46672 12 Haydn, M. Concertino for horn and trombone in D (1767). Johannes Hinterholzer, hn; Norbert Salvenmoser, tb; Salzburg Hofmusik/Wolfgang Brunner. cpo 777 538-2 13 Bach, J.S. Sarabande; Allemande, from Suite no 2 in D minor, BWV812. James Brice, euphonium.

AEMS JB001 7 Nicolai, O. Duo horn sonata no 1 in F (1848). Roger Montgomery, hn; Christopher Larkin, hn.

Hyperion CDA67119 16 Saint-Saëns, C. Septet in E flat, op 65 (1881). David Guerrier, tpt; Renaud Capuçon, vn; Esther Hoppe, vn; Beatrice Muthelet, va; Gautier Capuçon, vc; Janne Saksala, db; Frank Braley, pf.

EMI/Virgin 5 45602 2 16 10:30 CONCERT HALL Prepared by Denis Patterson Cimarosa, D. Overture to Il ritorno di Don Calendrino (1778). Nicolaus Esterházy Sinfonia/Alessandro Amoretti.

Naxos 8.570508 9

Medtner, N. Piano concerto no 1 in C minor, op 33 (1914-18). Dmitri Alexeev, pf; BBC SO/Alexander Lazarev.

Hyperion CDA66744 34 Spohr, L. Symphony no 8 in G, op 137 (1847). Swiss Italian O/Howard Shelley.

Hyperion CDA67802 35 12:00 JAZZ, PURE AND SIMPLE with Maureen Meers 13:00 TALLY HO Prepared by Jacky Ternisien Telemann, G. Suite in F, TWV55:19, [La chasse]. Akademie für Alte Musick.

Harmonia Mundi HMC 901654 14 Bizet, G. Chasse fantastique (1865). Julia Severus, pf.

Naxos 8.570831-32 6 Franck, C. The accursed huntsman (1882).

Paris O/Daniel Barenboim.

DG 476 280-0 16 Cantin, J. Hunter's marriage (pub. c1935).

München Parforcehorn-Bläser.

Orfeo C 034-821 A 5 Mozart, W. String quartet in B flat, K458, [Hunt] (1785). Australian String Quartet Fine Music concert recording 21 Gossec, F-J. Symphony in D, op 13 no 3, [La chasse] (1774,1786). Concerto Köln/ Werner Ehrhardt.

Capriccio C8019 15 14:30 THE EARLY 20TH CENTURY Music in a new framework Prepared by Albert Gormley Debussy, C. La mer (1903-05). Royal Concertgebouw O/Bernard Haitink.

Radio Nederland RCO12004 25 Delius, F. Piano concerto in C minor (1904).

Piers Lane, pf; Royal Liverpool PO/Vernon Handley.

EMI 5 65742 2 23 Bartók, B. Four orchestral pieces, op 12 (1912; orch. 1921). Melbourne SO/Edward Gardner.

Chandos CHSA 5130 23 Vaughan Williams, R. Toward the unknown region (1906). City of Birmingham Symphony Ch & O/Norman del Mar. Varèse-Sarabande VCD47248 12 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 THE NEW JAZZ STANDARD with Frank Presley 20:00 THE WORLD OF A SYMPHONY Prepared by Chris Blower Gade, N. Overture: Echoes from Ossian, op 1 (1840). Danish National RSO/Dmitri Kitaienko.

Chandos CHAN 9422 15

Reinecke, C. Overture to King Manfred, op 93 (1866). Rhenish PO/Alfred Walter.

Naxos 8.555397 11 Mendelssohn, F. Violin concerto in E minor, op 64 (1844). Anne-Sophie Mutter, vn; Gewandhaus O/Kurt Masur.

DG 477 8001 26 Grieg, E. Two Nordic melodies, op 63 (1869).

Gothenburg SO/Neeme Järvi.

DG 437 520-2 13 Nielsen, C. Suite: Snefrid (1893-99). Danish NSO/Thomas Dausgaard.

Da Capo 6.220518 13 Gade, N. Symphony no 7 in F, op 45 (pub.

1865). Stockholm Sinfonietta/Neeme Järvi.

BIS CD-355 31 22:00 BIRTHDAYS IN JUNE Prepared by Jacky Ternisien Méhul, É-N. Overture to Le trésor supposé (1802). Brittany O/Stefan Sanderling.

ASV DCA 1140 5 Henry VIII. If love now reynyd; Helas madam. Members of Circa 1500.

CRD 3448 4 Kozeluch, L. Cassation in E flat for two clarinets, two horns and bassoon. Consortium Classicum.

Orfeo 442 981 9 Anderson, L. Blue tango; Sleigh ride.

Eastman-Rochester Pops O/Frederick Fennell.

Mercury 475 6942 6 22:30 ULTIMA THULE

Friday 26 June FRIDAY 26 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Annabelle Drumm 9:00 DIVERSIONS IN FINE MUSIC Al fresco Prepared by Elaine Siversen Chatman, S. Nature songs I (2006).

Vancouver Chamber Choir/Jon Washburn.

Centrediscs CMCCD 13608 6 Martinu, B. Butterflies and birds of paradise (1920). Emil Leichner, pf.

Supraphon 11 1010-2 16 Koehne, G. Rain forest (1982). Australian Youth O/Christoph Eschenbach.

ABC 426 478-2 15 Chatman, S. Nature songs II (2006). Emily Cheung, sop; Natasha Neufeld, sop; Vancouver Chamber Choir; Linda Lee Thomas, pf; Jon Washburn, cond.

Centrediscs CMCCD 13608 8

29

Takemitsu, T. In the woods (1995). Timo Korhonen, gui.

Ondine ODE 1091-2 17 Doppler, F. Idylle: Birds of the woods, op 21. Daniele Ruggieri, fl; Andrea Toschi, harmonium.

Brilliant Classics 95011 6 Sibelius, J. Excerpts from The trees, op 75 (1914). Erik T. Tawaststjerna, pf.

BIS CD-230 11 10:30 CONCERT HALL Prepared by Michael Field Haydn, J. Scherzando no 4 in G, Hob.II:36 (bef. 1765). Haydn Sinfonietta/Manfred Huss.

BIS CD-1796/98 9 d’Albert, E. Piano concerto in E, op 12 (1893). Piers Lane, pf; BBC Scottish SO/Alun Francis.

Hyperion CDA66747 21 Dohnányi, E. Symphony no 1 in D minor, op 9 (1900). London PO/Leon Botstein.

Telarc CD-80511 54 12:00 A JAZZ HOUR with Barry O'Sullivan 13:00 PERSPECTIVES Trombone Prepared by James Nightingale Eliasson, A. Disegno per trombone (1985).

Christian Lindberg, tb.

BIS CD-388 5 Greenbaum, S. Trombone sonata (2015).

Don Immel, tb; Konrad Olszewski, pf.

Lyrebird LB061116 22 Haydn, M. Concertino in D for horn and trombone (1767). Johannes Hinterholzer, hn; Norbert Salvenmoser, tb; Salzburg Hofmusik/ Wolfgang Brunner. cpo 777 538-2 13 Milhaud, D. Concertino d’hiver (1953).

Christian Lindberg, tb; New Stockholm CO/ Okko Kamu.

BIS CD-348 11 14:00 BETWEEN TWO WORLDS Tchaikovsky’s orchestral works Prepared by Ron Walledge Tchaikovsky, P. Capriccio italien, op 45 (1880). Concertgebouw O/Bernard Haitink.

Decca 478 5867 15 Piano concerto no 2 in G, op 44 (c1880; arr.

Siloti). Emil Gilels, pf; New Philharmonia O/ Lorin Maazel.

Philips 456 796-2 36 Manfred symphony, op 58 (1885). Vienna PO/ Lorin Maazel.

Decca 480 6617 55 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 FRIDAY JAZZ SESSION with Christopher Waterhouse 20:00 EVENINGS WITH THE ORCHESTRA

Saturday 27 June Samuel Barber Prepared by Di Cox Barber, S. Overture: The school for scandal, op 5 (1932). Detroit SO/Neeme Järvi.

Chandos CHAN 8958 9 Adagio for strings, op 11 (1938). Melbourne SO/Jorge Mester.

ABC 438 611-2 8 Piano concerto, op 38 (1962). Jon Kimura Parker, pf; Atlanta SO/Yoel Levi.

Telarc CD-80441 28 First essay for orchestra, op 12 (1937). Detroit SO/Neeme Järvi.

Chandos CHAN 9908 8 Violin concerto, op 14 (1940). Ruggiero Ricci, vn; Pacific SO/Keith Clark.

Reference RR-45CD 26 Symphony no 2, op 19 (1944/47). Royal Scottish NO/Marin Alsop.

Naxos 8.559024 31 22:00 BAROQUE AND BEFORE Flickering gods Prepared by Rodrigo Azaola Desmarets, H. Excerpts from Venus and Adonis (c1697). Les Talens Lyriques/ Christophe Rousset.

Ambroisie AM 167 11 Campra, A. Énée et Didon (pub. 1714). Les Arts Florissants/William Christie.

Harmonia Mundi HMA 1901316/18 15 Jacquet de la Guerre, E-C. Cantata no 4: Jonas (1708). Judith Nelson, sop; Bay Area Women’s PO/JoAnn Falletta.

Newport Classic NCD 60102 19 Destouches, A. Excerpts from Callirhoé (1712). Stéphanie d’Oustrac, mezz; Le Concert Spirituel/Alice Piérot, dir.

MBF 1108 12 Mondonville, J-J. de Daphnis et Alcimadure, pastorale languedocienne (1754).

Symphonie du Marais/Hugo Reyne.

Astrée E8650 8 Lacoste, L. Ah! quand reviendront nos beaux jours? from Philomèle (1705). Carolyn Sampson, sop; Ex Cathedra/Jeffrey Skidmore.

Hyperion CDA68035 9 Rameau, J-P. Excerpts from Hippolyte et Aricie (1733). Véronique Gens, sop; Meredith Hall, sop; Bernarda Fink; mezz: Jean-Paul Fouchécourt, ten; Russel Smythe, bar; Jacques-François Loiseleur des Lonchamps, bar; Laurent Naouri, bass-bar; Luc Coadou, bass; Jerome Varnier, bass; Jean-Louis Meunnier, voice; Jean-Louis Georgel, voice; Les Musiciens du Louvre/Marc Minkowski.

MBF 1108 42

SATURDAY 27 0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 SATURDAY MORNING MUSIC with Peter Bell 9:00 WHAT'S ON IN MUSIC Our weekly guide to musical events in and around Sydney 9:05 THE PIANO ALONE Prepared by Jacky Ternisien Debussy, C. Four études (1915). Roger Woodward, pf.

ABC 454 512-2 15 Edelmann, J-F. Piano sonata in E minor, op 10 no 2 (1782). Sylvie Pécot-Douatte, pf.

Calliope CAL 9296 8 Schmitt, F. Musiques foraines for piano four hands, op 22 (1895-1902). Invencia Piano Duo. Grand Piano GP730X 25 10:00 MUSIC OF THE DANCE Prepared by Stephen Wilson German, E. Suite from Incidental music for Nell Gwynn (1900). Czecho-Slovak RSO/Adrian Leaper.

Naxos 8.554713 18 Pilati, M. Preludio, aria and tarantella on old Neapolitan folk tunes (1929-30). Francesco Manara, vn; Dario Candela, pf.

Brilliant Classics 95352 16 Benjamin, A. Waltz; Hyde Park galop, from An ideal husband (1947). BBC Welsh NO/ Rumon Gamba.

Chandos CHAN 10713 7 Lauro, A. Four Venezuelan waltzes (1984).

Phil Moran, gui.

Private PJM02 7 Anon. A Suite of dances. Piffaro; Joan Kimball and Robert Wiemken, dir.

Archiv 445 883-2 10 Sullivan, A. Suite from Pineapple Poll (arr Mackerras). Tasmanian SO/Marc Taddei.

ABC 481 1143 20 11:30 ON PARADE Prepared by Chris Blower Bantock, G. Comedy overture: The frogs.

Grimethorpe Colliery RJB Band/Peter Parkes.

Chandos CHAN 4553 8 Hamers, M. Chameleon. Oystein Baadsvik, tuba; Fanfare Band of the Royal Netherlands Army Mounted Regiments/Tijmen Botma.

BIS SACD1965 9 Sousa, J.P. When my dreams come true (1929). Royal Norwegian Navy Band/Keith Brion.

Naxos 8.559396 8 12:00 URBAN JAZZ LOUNGE with Leita Hutchings

30

13:00 IN A SENTIMENTAL MOOD with Maureen Meers Nostalgic music and artists from the 30s, 40s and 50s and occasionally beyond, in a trip down many memory lanes 14:00 THE VOICES, THE ROLES Prepared by Angela Cockburn Mezzos in the lead 14:30 SATURDAY MATINEE Operetta in the afternoon Prepared by Elaine Siversen Herbert, V. Sweethearts. Operetta in two acts. Libretto by Harry B. Smith and Fred De Gresac. First performed in New York, 1913.

SYLVIA: Suzanne Woods, sop FRANZ: Cassidy King, bar LIANE: Robin Bricker, sop DAME PAULA: Alta Boover, mezz KARL: John Pickle, ten Ohio Light Opera O/J. Lynn Thompson.

Albany records TROY 546/547 1:55 Sylvia, a foundling raised by Dame Paula, is in reality the Crown Princess of the tiny kingdom of Zilania. The heir-presumptive to the throne, Prince Franz, is in love with Sylvia who is engaged to Lieutenant Karl. She breaks her engagement when she finds that Karl has been flirting with Liane. Although regretful, Sylvia accedes to Dame Paula’s wish that she marry the prince although she has not yet met him.

After a year in a convent, Sylvia returns to marry Prince Franz. A trio of villains attempt to palm off Liane as the lost princess but the plot does not succeed. All turns out well when Sylvia discovers that she is the lost princess and falls in love with Prince Franz. Liane and Karl decide to marry.

Cello concerto no 2 in E minor, op 30 (1894).

Mark Kosower, vc; Ulster O/JoAnn Falletta.

Naxos 8.573517 23 17:00 SOCIETY SPOT Sydney Schubert Society Prepared by Ross Hayes 18:00 MUSIC OF THE SCREEN Prepared by Paul Cooke North, A. Excerpts from A streetcar named desire (1951). O/Ray Heindorf.

El Records ACMEM72CD 16 Ellington, D. Excerpts from Anatomy of a murder (1959). O/Duke Ellington.

Columbia 88697569672 11 Glass, P. The poet acts; Morning passages, from The hours (2002; arr Riesman). Valentina Lisitsa, pf.

Decca 478 8079 10 Williams, J. Excerpts from Star wars (1977).

Boston Pops O/John Williams.

Decca 478 9244 15 19:00 EMERGING JAZZ with Keith Pettigrew

20:00 THE LIFE OF A COMPOSER Heitor Villa-Lobos Prepared by Rodrigo Azaola Villa-Lobos, H. Bachianas brasileiras no 5 (1938-45). Victoria de los Angeles, sop; Eight cellists of French National RO/Heitor VillaLobos.

EMI CDH 7610152 11 Suite for strings (1912). I Musici de Montréal/ Yuli Turovsky.

Chandos CHAN 9434 17 Danças caracteristicas africanas (1914-15).

Sonia Rubinsky, pf.

Naxos 8.555286 12 Trio for winds (1921). Neil Black, ob; Thea King, cl; Robin O'Neill, bn.

Hyperion CDA66295 19 Digression (1946). Trish O’Brien, vc; Renate Turrini, pf.

MBS CD41 3 Samba clássico (1950). Marc Heller, ten; Alfred Heller, pf.

Etcetera KTC 1139 3 Symphony no 2, [Ascensão] (1917- 44). São Paulo SO/Isaac Karabtchevsky.

Naxos 8.573829 49 22:00 SATURDAY NIGHT AT HOME Prepared by Rex Burgess Veracini, F. Overture no 2 in F (c1716).

Accademia I Filarmonici/Alberto Martini.

Naxos 8.553412 22 Mozart, W. Sonata in C, K521 (1787).

Christoph Eschenbach, Justus Frantz, pf.

DG 435 042-2 25 Ireland, J. String quartet no 1 in D minor (1897). Maggini Quartet Naxos 8.557777 22 Koechlin, C. Seven Stars’ Symphony, op 132 (1933). Deutsches SO/James Judd.

Sony 88875192992 43

Sunday 28 June SUNDAY 28 0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 SUNDAY MORNING MUSIC with Terry McMullen 9:00 MUSICA SACRA Prepared by Nicky Gluch Lully, J-B. Dies Irae (1683). Le Concert Spirituel/Hervé Niquet.

FNAC Music 592303 16 Saint-Saëns, C. Mass, op 4 (1855; arr.

Roques). Ensemble Vocale de Lausanne; Marie-Claire Alain, André Luy, org; Michel Corboz, cond. apex 8573 89235 2 40

10:00 THE CLASSICAL ERA Albrechtsberger and his pupils Prepared by Stephen Wilson Albrechtsberger, J. Partita in F. Jana Bousková, hp; South West German CO, Pforzheim/Vladislav Czarnecki.

Brilliant Classics 99512 18 Mozart, F. Polonaise mélancolique in G minor, op 22 no 4 (1815-18). Yaara Tal, pf.

Sony 88985446942 7 Cartellieri, A. Clarinet concerto no 1 in B flat (pub. 1797). Dieter Klöcker, cl; Prague CO/ Karel Stadtherr.

MDG 301 1483-2 25 Reicha, A. Wind quintet in E flat, op 88 no 2 (1811-17). Prague Academia Wind Quintet.

Hyperion CDD22006 16 Kalkbrenner, F. Adagio ed allegro di bravura, op 102 (1830). Tasmanian SO/Howard Shelley, pf & dir.

Hyperion CDA67843 11 Ries, F. La sentinelle, op.105 no1 (pub. 1822).

Michael Tsalka, fp.

Naxos 8.573628 11 Beethoven, L. Fantasia in C minor, op 80, [Choral] (1807). USSR State Russian Ch; Sviatoslav Richter, pf; All-Union Radio Large SO/Kurt Sanderling.

Melodiya MEL CD10 00732 19 12:00 CLASSIC JAZZ AND RAGTIME with John Buchanan 13:00 WORLD MUSIC: Whirled Wide 14:00 THE DOUBLE QUARTETS OF LOUIS SPOHR Prepared by Paul Cooke Spohr, L. Overture: The fall of Babylon, WoO63 (1840). Swiss Italian O/Howard Shelley.

Hyperion CDA67788 7 Gade, N. Violin sonata no 2 in in D minor, op 21 (1849). Christina Åstrand, vn; Per Salo, pf.

Dacapo 8.226066 21 Spohr, L. Double quartet no 4 in G minor, op 136 (1847). Academy of St Martin in the Fields Chamber Ensemble.

Hyperion CDD22014 26 15:00 SUNDAY SPECIAL Franz Liszt and his teachers Prepared by Elaine Siversen Liszt, F. Symphonic poem no 3: Les préludes (1848/53). Suisse Romande O/Neeme Järvi.

Chandos CHAN 9360 15 Czerny, C. Sonata no 2 in A minor, op 13.

Daniel Blumenthal, pf.

Etcetera KTC 2023 29 Liszt, F. Prelude and fugue on BACH (1855/70). Christopher Herrick, org.

Hyperion CDA66978 12

31

Salieri, A. Emperor Mass in D (1788). St Florian Boys’ Choir; Anton Gansberger, org; Leonding SO/Uwe Christian Harrer.

Koch 3-1288-2 H1 28 Liszt, F. Petrarch sonnet 104 (1837-49); The fountains of the Villa d’Este (1869-77). Jorge Bolet, pf.

Decca 425 689-2 15 Te Deum laudamus (c1859). Hungarian State Ch; Ede Inhoff, tpt; Zoltán Molnár, tpt; Miklós Nagy, hn; István Barza; Attila Kovács, tb; István Bazsinka, tb; Gábor Madarassy, timp; László Révész, org; Gábor Ugrin, cond.

Hungaroton HCD 31103 9 17:00 HOSANNA Prepared by Jeremy Hall Hymn: Guide me, O Thou great Redeemer.

Choir of Westminster Abbey; Robert Quinney, org; James O'Donnell, cond.

Hyperion CDA67914 3 Howells, H. Magnifical; Nunc dimittis. Choir of Trinity College, Cambridge; Simon Bland, org; Stephen Layton, cond.

Hyperion CDA67914 12 Bainton, E. And I saw a new Heaven.

The Sixteen; Robert Quinney, org; Harry Christophers, cond.

Decca B0013009-02 5 Tallis, T. Spem in alium. Magnificat/Philip Cave.

Linn BKD 233 10 Stanhope, P. Ubi caritas. Brisbane Chamber Choir/Graeme Morton.

Tall Poppies TP239 6 Stopford, P. Do not be afraid. Choir of Truro Cathedral; Luke Bond, org; Christopher Gray, cond.

Regent REGCD400 5 Hymn: Abide with me. Choir of Westminster Abbey; Robert Quinney, org; James O'Donnell, cond.

Hyperion CDA68013 5 Parry, H. Chorale prelude on Eventide.

Stephen Cleobury, org.

King's College KGS0004 4 18:00 SMALL FORCES Prepared by Frank Morrison Schubert, F. String trio in B flat, D581 (1817). Grumiaux Trio.

Philips 438 700-2 20 Danzi, F. Wind quintet in E minor, op 67 no 2 (1824). Berlin Philharmonic Wind Quintet.

BIS CD-532 18 Bliss, A. Piano quartet (1915). Peter Donohoe, pf.; Laurence Jackson, vn; Martin Outram, va; Michal Kaznowski, vc.

Naxos 8.555931 16

19:00 SUNDAY NIGHT CONCERT Prepared by Rex Burgess Wagner, R. Overture; Venusberg music, from Tannhäuser (1845). Melbourne SO/ Charles Mackerras.

ABC 476 3224 23 Schumann, R. Nachtlied, op 108 (1849).

Monteverdi Choir; O Révolutionnaire et Romantique/John Eliot Gardiner.

DG 479 1044 9 Arensky, A. Ballet: Egyptian nights, op 50 (1900). Alexander Avramenko, vn; Vladimir Kolpashnikov, vc; Moscow SO/Dmitry Yablonsky.

Marco Polo 8.225028 51 20:30 NEW HORIZONS Prepared by James Nightingale Muntendorf, B. Shivers on speed.

Ensemble MusicFabrik/Manuel Nawri.

Col Iegno WWE 1CD 40411 10 Meurant, C. Four pieces for soprano saxophone and electric organ. Andrew Smith, sax; Cyrus Meurant, electric org. www.cyrusmeurant.com 16 Eventide visions. Lisa Osmialowski, fl; David Rowden, cl; Cyrus Meurant, pf Fine Music concert recording 10 Milliken, C. Two step. Julian Day, voice, org; Cathy Milliken, voice, ob; Brett Dean, voice, va; Michael Schiefels, voice; Dietmar Wiesner, fl; Carol Robinson, cl; William Barton, did; Sören Birke, duduk; Wu Wei, sheng; Yael Berolsky, vn; Vanessa Tomlinson, perc; Robyn Schulkowsky, perc.

Tall Poppies TP261 46 22:00 AFTER HOURS JAZZ

Monday 29 June MONDAY 29 0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Robert Small 9:00 DIVERSIONS IN FINE MUSIC The year in retrospect: 1847 Prepared by Gerald Holder Verdi, G. Overture to Macbeth (1847).

German Opera O/Giuseppe Sinopoli.

Philips 468 183-2 4 Alkan, C-V. Études, op 35 (pub. 1847): no 1 in A; no 2 in D; no 4 in C. Stephanie McCallum, pf.

Tall Poppies TP055 9 Spohr, L. Double quartet no 4 in G minor, op 136 (1847). Academy of St Martin in the Fields Chamber Ensemble.

Hyperion CDD22014 26

Flotow, F. The last rose of summer, from Martha (1847). Emma Matthews, sop; Monte Carlo PO/Brad Cohen.

ABC 476 3555 3 Schumann, R. Piano trio no 2 in F, op 80 (1847). Christian Tetzlaff, vn; Tanja Tetzlaff, vc; Leif Ove Andsnes, pf.

EMI 0 94180 2 26 Verdi, G. Tradimento, from I masnadieri (1847). Timothy Robinson, ten; Thomas Hampson, bar; O of the Age of Enlightenment/ Richard Armstrong.

EMI 5 57113 2 7 Lumbye, H. Copenhagen Steam Railway galop (1847). Odense SO/Peter Guth.

Unicorn-Kanchana DKP(CD)9089 4 10:30 CONCERT HALL Prepared by Daphne Li Rossini, G. Overture to The thieving magpie (1817). Staatskapelle Dresden/Silvio Varviso.

Philips 468 148-2 10 Grieg, E. Holberg suite, op 40 (1884).

Academy of St Martin in the Fields/Neville Marriner.

Philips 432 192-2 21 Rachmaninov, S. Symphony no 2 in E minor, op 27 (1906-07). Russian NO/Mikhail Pletnev.

DG 439 888-2 52 12:00 SWING SESSIONS with John Buchanan 13:00 THE OTHER INSTRUMENTS Prepared by Jacky Ternisien Granados, E. Spanish dance, op 37 no 5 (1892-1900; arr.). Xavier de Maistre, hp; Brahms, J. Horn trio in E flat, op 40 (1865).

Members of Nash Ensemble. crd 3489 30 Weinberg, M. Piano quintet, op 18 (1944).

Nikita Mndoyants, pf; Zemlinsky Quartet.

Praga Digitals PRD/DSD 250 296 43 Lucero Tena, castanets.

Sony 88985450452 3 Machaut, G. de De toutes flours, from Codex Faenza. Marcel Pérès, clavicytherium.

Harmonia Mundi HMC 901354 6 O’Boyle, S. Didgeridoo concerto (2003).

William Barton, did; Queensland SO/Sean O’Boyle.

ABC 476 6288 6 Rodriguez, G. La cumparsita. Maggie Ferguson, vn; Loca Bohemia.

Tango Project 201109 4 Hildegard of Bingen. Ordo virtutum (arr. Cunio). Llew Kiek, gittern; Jamal Alrekabi, kamanche; Paul Jarman, taragotto; Tunji Beier, tavil; Kim Cunio, reed org.

ABC 476 5705 4

32

Hu Deng Tiao. Happy night. Shanghai Chinese Music Ensemble.

Private JZH5 4 Trad. Polorum regina. Winsome Evans, whistle, duct flute, doucaine; Sarah Penicka, tenor whistle; Michael Hooper, ud; Esther Cheng, rebec; Nick Wales, vielle; Cyrus Meurant, vielle; Tony Lewis, tapan.

Tall Poppies TP229 10 Mozart, W. Adagio and rondo in C minor, K617 (1791). Philippe Bernold, fl; Maurice Bourgue, ob; Jean Sulem, va; Xavier Gagnepain, vc; Thomas Bloch, glass harmonica.

Naxos 8.555295 12 14:00 FRANZ LISZT AND HIS PUPILS Prepared by Stephen Wilson Liszt, F. Hungarian rhapsody no 2 in C sharp minor (1847; orch. Doppler). Vienna PO/ Giuseppe Sinopoli.

DG 478 4234 12 Rosenthal, M. Fantasy on Johann Strauss. Piers Lane, pf.

Hyperion CDH55238 11 Baermann, C. Fantasie brillante, op 7.

Dario Zingales, cl; Florian Podgoreanu, pf.

Brilliant Classics 95785 14 Liszt - Menter. Concerto in Hungarian style, [Hungarian gypsy airs] (1885; orch.

Tchaikovsky 1892). Leslie Howard, pf; Budapest SO/Karl Anton Rickenbacher.

Hyperion CDS44599 18 Tausig, C. Paraphrase no 1 on Wagner's Tristan und Isolde. Dennis Hennig, pf.

Etcetera KTC 1076 18 Reinecke, C. Symphony no 3 in G minor, op 227 (c1890). Brandenburg State O/Heribert Beissel.

Christophorus CHE 0162-2 35 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 JAZZ PULSE with Chris Wetherall 20:00 STORMY MONDAY with Austin Harrison and Garth Sundberg 22:00 JAZZ AFTER HOURS

Tuesday 30 June TUESDAY 30 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Julie Simonds

9:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by Rex Burgess David, Félicien. Les minarets (1859). Daniel Blumenthal, pf.

Marco Polo 8.223376 14 Rubinstein, A. Cello sonata no 1 in D, op 18 (1852). Steven Isserlis, vc; Stephen Hough, pf.

RCA 09026 68290 2 23 Rachmaninov, S. Preludes, op 23 (190103): no 3 in D minor; no 5 in G minor; no 8 in A flat. Howard Shelley, pf.

Hyperion CDS 44041 11 Holst, G. Duet for trombone and organ (1895). Alain Trudel, tb; Patrick Wedd, org.

Naxos 8.553716 9 Shostakovich, D. Piano sonata no 2 in B minor, op 61 (1943). Konstantin Scherbakov, pf.

Naxos 8.570092 24 10:30 CONCERT HALL Prepared by Elaine Siversen Handel, G. Incidental music from The alchymist, HWV43 (1710). Michael Borgstede, hpd; Musica ad Rhenum/Jed Wentz.

Brilliant Classics 94600 19 Spohr, L. Clarinet concerto no 3 in F minor, WoO19 (1821). Karl Leister, cl; Stuttgart RSO/ Rafael Frühbeck de Burgos.

Orfeo C 088 201 A 28 Bruch, M. Symphony no 3 in E, op 51.

London SO/Richard Hickox.

Chandos CHAN 9738 35 12:00 JAZZ RHYTHM with Jeannie McInnes 13:00 MARK ISAACS IN CHAMBER MODE Prepared by Andrew Dziedzic Isaacs, M. Songs of the universal (1995).

Perihelion.

Canberra School of Music CSM:30 16 Chamber symphony for soprano and 13 players (2015). Lee Abrahmsen, sop; Omega Ensemble/Mark Isaacs.

Fine Music tape archive 17 So it does (1985). Australia Ensemble.

Tall Poppies TP176 13 The wind in the willows (2012). Dimity Hall, vn; Julian Smiles, vc; Melina van Leeuwen, hp; Geoff Collins, fl; Huw Jones, ob; Phillip South, perc; Peter Neville, perc; Mark Isaacs, pf. hush.org.au HUSH014 9 14:00 ELEMENTS OF THE HUNT Prepared by James Nightingale Berlioz, H. Royal hunt and storm, from The Trojans (1856-58). New York PO/Pierre Boulez.

Sony SM3K 64 103 9

Weber, C.M. Huntsmens’ chorus, from Der Freischütz. Leipzig Radio Ch; Staatskapelle Dresden/Silvio Varviso.

ABC 480 7518 3 Stravinsky, I. Renard the fox (1922). John Aler, ten; Nigel Robson, ten; David WilsonJohnson, bar; John Tomlinson, bass; London Sinfonietta/Esa-Pekka Salonen.

Sony SK 45 965 16 Telemann, G. Suite in F, TWV55:19, La chasse. Akademie für Alte Musick.

Harmonia Mundi HMC 901654 14 Raupach, H. Hound, open wide your maw, from Alceste (1758). Cecilia Bartoli, mezz; I Barocchisti/Diego Fasolis.

Decca 478 6767 7 Brahms, J. Horn trio in E flat, op 40 (1865).

Members of Nash Ensemble. crd 3489 30 Mozart, W. String quartet no 17 in B flat, K458, Hunt (1784). Jerusalem Quartet.

Harmonia Mundi HMX 2908601.30 33 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 THE JAZZ BEAT with Lloyd Capps

33

20:00 RECENT RELEASES 22:00 CHAMBER SOIRÉE Prepared by Rex Burgess Telemann, G. Trio sonata in E flat, from Tafelmusik I (pub. 1733). Rémy Baudet, vn; Franc Polman, vn; Richte van der Meer, vc; Musica Amphion/Pieter-Jan Belder.

Brilliant Classics 94104 14 Cherubini, L. String quartet no 5 in F (1835). Quartetto David.

BIS CD-1005 25 Brahms, J. Horn trio in E flat, op 40 (1865).

Members of Nash Ensemble. crd 3489 30 Weinberg, M. Piano quintet, op 18 (1944).

Nikita Mndoyants, pf; Zemlinsky Quartet.

Praga Digitals PRD/DSD 250 296 43 yal hunt and storm, from The Trojans (185658). New York PO/Pierre Boulez.

Sony SM3K 64 103 9 Weber, C.M. Huntsmens’ chorus, from Der Freischütz. Leipzig Radio Ch; Staatskapelle Dresden/Silvio Varviso.

The following composers have works of at least five minutes on the June dates listed

Adès, T. b1971 12 Albéniz, I. 1860-1909 16 Albinoni, T. 1671-1751 11,23 Albrechtsberger, J. 1736-1809 18,28 Alfvén, H. 1872-1960 11 Alkan, C-V. 1813-1888 29 Anderson, L. 1908-1975 25 Antill, J. 1904-1986 5 Arensky, A. 1861-1906 2,28 Arne, T. 1710-1778 12 Arnold, M. 1921-2006 12 Arnold, S. 1740-1802 17 Arriaga, J. 1806-1826 14

Cimarosa, D. 1749-1801 25 Clarke, R. 1886-1979 16 Cleworth, I. 20th c 5 Copland, A. 1900-1990 4 Corbett, W. c1675-1748 18 Corea, C. b1941 4 Corelli, A. 1653-1713 23 Coste, N. 1806-1883 8 Czerny, C. 1791-1857 28

Hanson, H. 1896-1981 11 Hartmann, E. 1836-1898 17 Hasse, J. 1699-1783 17 Haydn, J. 1732-1809 2,3,5,11,12,21,23,26 Haydn, M. 1737-1806 25,26 Heinichen, J. 1683-1729 15 Henze, H. 1926-2012 4 Hill, A. 1870-1960 7 Hindemith, P. 1895-1963 14,17 d’Albert, E. 1864-1932 26 Holst, G. 1874-1934 11,17,30 Danielsson, C. 1942-1989 25 Horovitz, J. b1926 18 Danzi, F. 1763-1826 18,28 Hotteterre, J-M. 1674-1763 15 Hovhaness, A. 1911-2000 8 Dauprat, L. 1781-1861 18 Howells, H. 1892-1983 28 David, Félicien. 1810-1876 30 Bach, C.P.E. 1714-1788 5,9,16,23 Davies, P. Maxwell 1934-2016 19 Hüe, G. 1858-1948 3 Bach, G.C. 1642-1697 2 Debussy, C. 1862-1918 3,5,25,27 Hummel, J. 1778-1837 14 Bach, J. 1604-1673 2 Delibes, L. 1836-1891 6,24 Bach, J. Christian Ibert, J. 1890-1962 5,14 Delius, F. 1862-1934 19,24,25 1735-1782 16,21 Desmarets, H. 1661-1741 26 Ireland, J. 1879-1962 27 Bach, J. Christoph 1642-1703 2 Desprez, F. 20th c 11 Isaacs, M. b1958 21,30 Bach, J.C.F. 1732-1795 16 Destouches, A. 1672-1749 26 Ives, C. 1874-1954 19 Bach, J.E. 1722-1777 16 Jacquet de la Guerre, Devienne, F. 1759-1803 3,16 Bach, J.L. 1677-1731 2 Dittersdorf, C. 1739-1799 E-C. c1666-1729 26 1,7,9,19 Bach, J.S. 1685-1750 Dohnányi, E. 1877-1960 2,15,16,22,25 Janácek, L. 1854-1928 10 Bach, W.F. 1710-1784 16 5,22,26 Badings, H. 1907-1987 11 Donizetti, G. 1797-1848 8,20 Kabalevsky, D. 1904-1987 9 Baermann, C. 1810-1885 29 Doppler, F. 1821-1883 26 Kalkbrenner, F. 1785-1849 28 Bainton, E. 1880-1956 28 Dreyfus, G. b1928 14 Kastner, J-G. 1810-1867 8 Balakirev, M. 1837-1910 18 Dussek, J. 1760-1812 3,23 Kelly, F. 1881-1916 17 Bantock, G. 1868-1946 3,27 Duvernoy, F. 1765-1838 4 Klemperer, O. 1885-1973 19 Barber, S. 1910-1981 26 Dvorák, A. 1841-1904 10,17 Knechtl, J. 18th c 18 Bartók, B. 1881-1945 10,22,25 Koechlin, C. 1867-1950 11,27 Bax, A. 1883-1953 2,22 Edelmann, J-F. 1749-1794 27 Koehne, G. b1956 26 Edwards, R. b1943 4,10,16 Beach, A. 1867-1944 19 Korngold, E. 1897-1957 5 Elgar, E. 1857-1934 5 Beethoven, L. 1770-1827 1,3, Koussevitzky, S. 1874-1951 4 Eliasson, A. b1947 26 4,6,7,11,17,18,19,20,21,24,28 Kozeluch, L. 1747-1818 25 Ben-Haim, P. 1897-1984 17,24 Ellington, D. 1899-1974 27 Krenek, E. 1900-1991 17 Enescu, G. 1881-1955 9,18 Benda, F. 1709-1786 21 Krommer, F. 1759-1831 21 Escobedo, B. de c1510-1563 12 Kuhlau, F. 1786-1832 6,11,14 Benda, G. 1722-1795 21 Benda, J. Sr 1686-1757 21 Kuhnau, J. 1660-1722 7 Benjamin, A. 1893-1960 6,15,27 Farrenc, L. 1804-1875 10 Fauré, G. 1845-1924 18 Bennett, W. Sterndale Lacoste, L. c1675-c1750 26 Field, J. 1782-1837 20 1816-1875 1,21 Lalande, M-R. de 1657-1726 5 Finzi, G. 1901-1956 1,17 Berkeley, L. 1905-1989 20 Lauro, A. 1917-1986 27 Fisher, J. 1744-1806 12 Berlioz, H. 1803-1869 7,30 Leclair, J-M. 1697-1764 5 Foote, A. 1853-1937 19 Bernstein, L. 1918-1990 4,10 Lecocq, C. 1832-1918 4 Franceschini, P. c1650-1680 23 Lecuona, E. 1896-1963 6 Berwald, F. 1796-1868 3,7,23 Franck, C. 1822-1890 18,25 Biber, H. 1644-1704 10 Lewis, T. 20th c 5 Franke, B. b1959 14 Bizet, G. 1838-1875 22,25 Ligeti, G. 1923-2006 10 Frederick II. 1712-1786 18 Blavet, M. 1700-1768 5 Liszt, F. 1811-1886 Bliss, A. 1891-1975 28 5,6,8,9,10,13,15,22,28,29 Gade, N. 1817-1890 2,25,28 Boccherini, L. 1743-1805 2,3 Loeillet de Gant, J.B. German, E. 1862-1936 27 Boïeldieu, A. 1775-1834 7 1688-c1720 15 Boismortier, J. de Ginastera, A. 1916-1983 5 Lully, J-B. 1632-1687 28 1689-1755 14,22 Giordano, U. 1867-1948 8 Lundquist, T. 1920-2000 11 Bonnet, J. 1884-1944 8 Glanville-Hicks, P. 1912-1990 18 Lutoslawski, W. 1913-1994 7 Borodin, A. 1833-1887 4 Glass, P. b1937 23,27 Bottesini, G. 1821-1889 22 Glazunov, A. 1865MacDowell, E. 1860-1908 19 Boulanger, L. 1893-1918 8 1936 1,8,10,12,20 Machaut, G. de c1300-1377 29 Boulanger, N. 1887-1979 18 Glinka, M. 1804-1857 4,16,19 Madsen, T. b1940 4 Boyce, W. 1711-1779 12 Goehr, A. b1932 1 Mahler, G. 1860-1911 4 Brahms, J. 1833-1897 Goldmark, K. 1830-1915 3 Martin, F. 1890-1974 21 6,9,10,13,14,20,22,30 Gossec, F-J. 1734-1829 25 Martinu, B. 1890-1959 2,21,26 Britten, B. 1913-1976 15,21,23 Gounod, C. 1818-1893 21 Martucci, G. 1856-1909 13 Brouwer, O. b1991 21 Grainger, P. 1882-1961 6 Massenet, J. 1842-1912 3,5,11 Bruch, M. 1838-1920 8,9,30 Granados, E. 1867-1916 6 Mathias, W. 1934-1992 21 Bruckner, A. 1824-1896 2 Graupner, C. 1683-1760 4 Matthews, D. b1943 14 Burgmüller, N. 1810-1836 12 Greenbaum, S. b1966 26 McCabe, J. b1939 12 Buxtehude, D. 1637-1707 21 Grieg, E. 1843-1907 1,13,25,29 Medtner, N. 1880-1951 16,25 Guastavino, C. 1912-2000 1 Méhul, É-N. 1763-1817 25 Cabanilles, J. 1644-1712 19 Guerra, J. b1952 14 Mendelssohn, F. 1809Campra, A. 1660-1744 5,26 Guerrero, F. 1528-1599 12 1847 1,11,17,24,25 Canteloube, J. 1879-1957 11,17 Guridi, J. 1886-1961 3,14 Mendelssohn, Fanny.

Cantin, J. 1874-1956 25 1805-1847 1 Cartellieri, A. 1772-1807 28 Haigh, R. b1993 21 Mercadante, S. 1795-1870 23 Catalani, A. 1854-1893 18 Hall, R. 1858-1957 20 Meurant, C. b1982 28 Chabrier, E. 1841-1894 18 Halvorsen, J. 1864-1935 13 Meyerbeer, G. 1791-1864 17,22 Chatman, S. b1950 26 Hamers, M. b1962 27 Milhaud, D. 1892-1974 12,20,26 Chausson, E. 1855-1899 18 Handel, G. 1685-1759 Milliken, C. 20th c 28 Cherubini, L. 1760-1842 7,14,30 4,12,15,18,24,25,30 Moeran, E.J. 1894-1950 9 Chopin, F. 1810-1849 1,13,16,18 Hansen, T. 1847-1914 11 Molter, J. 1696-1765 11

Key

Ch & O: Chorus & Orchestra CO: Chamber Orchestra FO: Festival Orchestra NO: National Orchestra NSO: National Symphony Orchestra PO: Philharmonic Orchestra RO: Radio Orchestra RSO: Radio Symphony

Mondonville, J-J. de 1711-1772 26 Moniuszko, S. 1819-1872 3 Mouret, J-J. 1682-1738 5 Mozart, F. 1791-1844 28 Mozart, W. 1756-1791 1,4,5,6 ,7,8,11,14,15,21,25,27,29,30 Muffat, G. 1653-1704 4 Müller, M. 1724-1780 23 Muntendorf, B. b1982 28 Murcia, S. de c1682-1740 19 Mussorgsky, M. 1839-1881 23 Myaskovsky, N. 1881-1950 22 Nicolai, O. 1810-1849 25 Nielsen, C. 1865-1931 8,11,12,19,25 North, A. 1910-1991 27 Novák, V. 1870-1949 10 O’Boyle, S. b1963 29 O’Leary, J. b1946 14 Offenbach, J. 18191880 20,21,24 Okamoto, K. 20th c 14 Pachelbel, J. 1653-1706 5 Paer, F. 1771-1839 7,11 Paër, F. 1771-1839 7,11 Paganini, N. 1782-1840 12 Palestrina, G. da c1525-1594 11 Palschau, J. 1741-1815 17 Pärt, A. b1935 10 Penderecki, K. 1933-2020 7 Pergolesi, G. 1710-1736 14 Perry, W. b1930 11 Philidor, A.D. c1647-1730 5 Philidor, P. 1681-1731 24 Piazzolla, A. 1922-1992 1,20 Pilati, M. 1903-1938 27 Pleyel, I. 1757-1831 3,19 Poulenc, F. 1899-1963 9 Prokofiev, S. 1891-1953 2,8 Pugnani, G. 1731-1798 19 Rachmaninov, S. 18731943 7,16,21,29,30 Rameau, J-P. 1683-1764 23,26 Raupach, H. 1728-1778 30 Ravel, M. 1875-1937 3, 4,20,23,24 Rebel, J-F. 1666-1747 5 Reicha, A. 1770-1836 21,28 Reinecke, C. 18241910 10,23,25,29 Respighi, O. 1879-1936 11,13,15,17,19,22 Ries, F. 1784-1838 28 Rimsky-Korsakov, N. 1844-1908 4,16 Rochberg, G. 1918-2005 12 Rode, P. 1774-1830 24 Rodrigo, J. 1901-1999 3 Romberg, A. 1767-1821 7 Rosenthal, M. 1862-1946 29 Rossini, G. 1792-1868 5,6,13,14,22,24,29 Rota, N. 1911-1979 8 Roussel, A. 1869-1937 24 Rubinstein, A. 1829-1894 23,30 Saint-Saens, C. 1835-1921 6,15,18,20,21,25,28 Saint-Saëns, C. 1835-1921 6,15,18,20,21,25,28 Salieri, A. 1750-1825 14,20,28 Sallinen, A. b1935 19 Sandström, J. b1954 14 Sarti, G. 1729-1802 13 Saumell, M. 1818-1870 6 Scarlatti, A. 1659-1725 9,15 Scarlatti, D. 1685-1757 19

Schein, J. 1586-1630 14 Schmitt, F. 1870-1958 27 Schubert, F. 1797-1828 2,6,9,14,19,21,28 Schulhoff, E. 1894-1942 17 Schuller, G. 1925-2015 6 Schultz, A. b1960 14 Schumann, C. 1819-1896 8,13,23 Schumann, R. 1810-1856 1,2,4,5,10,28,29 Sculthorpe, P. 1929-2014 10 Shostakovich, D. 19061975 5,7,12,16,18,30 Sibelius, J. 1865-1957 4,6,8,11,12,19,21,26 Sierra, R. b1953 14 Skryabin, A. 1872-1915 7,23 Smart, H. 1813-1879 7 Smetana, B. 1824-1884 15 Smyth, E. 1858-1944 12 Somervell, A. 1863-1937 11 Sousa, J.P. 1854-1932 27 Spohr, L. 1784-1859 1,2,7,9,14,15,21,25,28,29,30 Stamitz, C. 1745-1801 16 Stanford, C. Villiers 1852-1924 23 Stanhope, P. b 1969 28 Stenhammar, W. 1871-1927 20 Stockhausen, M. 1928-2007 5 Stopford, P. b1977 28 Strauss, J. II 1825-1899 6,13,20 Strauss, R. 1864-1949 5,8,9,18 Stravinsky, I. 18821971 6,13,18,30 Suk, J. 1874-1935 10 Sullivan, A. 1842-1900 7,20,27 Suppé, F. 1819-1895 13 Svendsen, J. 1840-1911 13 Takemitsu, T. 1930-1996 26 Tallis, T. c1505-1585 28 Taneyev, S. 1856-1915 6 Tausig, C. 1841-1871 29 Taverner, J. c1490-1545 14 Tchaikovsky, P. 1840-1893 5,6,8,12,13,22,26 Telemann, G. 1681-1767 1,3,4,16,18,25,30 Tveitt, G. 1908-1981 13 Valderrábano, E. de 1500-1557 12 Vaughan Williams, R. 1872-1958 4,10,25 Veracini, F. 1690-1768 23,27 Verdi, G. 1813-1901 1,9,22,29 Victoria, T. de 1548-1611 12,19 Villa-Lobos, H. 1887-1959 10,27 Vivaldi, A. 1678-1741 7,14,24 Vorisek, J. 1791-1825 3 Wagner, R. 1813-1883 2,5,14,15,19,28 Wagner, S. 1869-1930 19 Walton, W. 1902-1983 14 Weber, C.M. 1786-1826 6,7,24 Weill, K. 1900-1950 17 Weinberg, M. 1919-1996 30 Wesley, S.S. 1810-1876 21 Westlake, N. b1958 9,10,22 Williams, J. b1932 27 Wolf, H. 1860-1903 18 Wood, C. 1866-1926 21 Zelenka, J. 1679-1745 7 Zemlinsky, A. 1871-1942 8 Zumaya, M. de 1678-1756 15

Music duration is shown after the record and citation Orchestra RTO: Radio & Television Orchestra RTV SO: Radio and Television Symphony Orchestra SO: Symphony Orchestra TO: Theatre Orchestra alto: male alto ban: bandoneon

bar: baritone bshn: basset horn bass: bass bn: bassoon bass bar: bass baritone cl: clarinet clvd: clavichord cont: contralto cora: cor anglais ct: counter-tenor

db: double bass dbn: double bassoon did: didjeridu elec: electronic fl: flute fp: fortepiano gui: guitar hn: french horn hp: harp hpd: harpsichord

34

mand: mandolin mar: marimba mezz: mezzo-soprano narr: narrator ob: oboe org: organ perc: percussion pf: piano picc: piccolo rec: recorder

sax: saxophone sop: soprano tb: trombone ten: tenor timp: timpani tpt: trumpet treb: treble voice va: viola vc: cello vn: violin

35

Musical Families Exploring the Bach family Written by Nicky Gluch

Photo: Pictorial Press Ltd / Alamy Stock Photo

In the 16th century, a man by the name of Veit Bach fled the Kingdom of Hungary to evade religious persecution. He settled in the German region of Wechmar, a Lutheran heartland, and so set in play events that would result in one of the most extraordinary of musical dynasties. Veit Bach was the greatgreat-grandfather of J.S. Bach. He would be patriarch to six generations of, and approximately 70 individual, professional musicians.

Was it just genetics that led the Bach name to be, literally, synonymous with musician? In part. But Veit Bach also moved to Wechmar at a time when Lutheran, urban and court institutions were being overhauled. Music was a guild profession and certain positions, such as town or court musician, could be passed down a family line. By the 1800s, however, when Wilhelm Friedrich Ernst Bach was working as a court cembalist, society had changed such that the institutions which nurtured the Bachs’ music-making were no more. Indeed J.S. Bach’s grandchildren had the privilege of a university education. They could choose their profession, and so they became lawyers and painters and printers. One wonders what J.S. Bach would have thought of this, had he not died before most of his grandchildren were born.

In June, the Musical Families program explores the Bach family. With J.S. Bach as the indisputable centrepiece, the program is divided into two parts, the first exploring J.S. Bach in the context of his antecedents and the second celebrating his music and that of his sons. The eldest Bach to appear is Johannes Bach (1604-1673), J.S. Bach’s greatuncle. Apprenticed to the Stadtpfeifer (town piper) of Suhl,

Johannes went on to become a town musician in Erfurt and served as organist at the town’s Predigerkirche. Johannes’ brother, Heinrich, followed him first to Suhl and then Erfurt where he worked in his employ. He later took up the position of organist at St Mary’s church in Arnstadt, fathering what became known as the Arnstadt line. Three of Heinrich’s sons became musicians, including Johann Christoph Bach who is described as the most notable musician before J.S.. Johann Michael may have been a less impressive composer, but he had an incredibly important role to play in history – he was the father of Maria Barbara, J.S. Bach’s first wife.

J.S. and Maria became close during Bach’s tenure as organist at St Blasius Church in Mühlhausen. They married in 1707 and had seven children before Maria’s sudden death in 1720. Three of their sons lived till adulthood, and all became musicians, though only two, Wilhelm Friedemann and C.P.E. are remembered today. When J.S. remarried, it was into another musical family. Anna Magdalena Wilcke was the daughter of a trumpeter and her mother was the daughter of an organist. Anna Magdalena was herself a court singer and her musical talents have led to the theory that she may have penned some of J.S.’s attributed compositions. Anna Magdalena and J.S. had 13 children, six of whom lived to adulthood. Their sons Johann Christoph (Wilhelm Friedrich Ernst’s father) and Johann Christian both became composers, the latter moving to Italy and converting to Catholicism. Such is the passage of history!

Tuesday 2 June (part 1) and Tuesday 16 June (part 2) at 2pm

36

Australian Artist Katie Noonan We take look at one of our most versitile artists Written by Barry O'Sullivan

Keystone Press / Alamy Stock Photo

Five-time ARIA award-winning artist Katie Noonan has proven herself to be one of Australia’s most hardworking, versatile, and prolific artists. Noonan grew up with a strong background in classical music, with her mother Maggie being a well-known opera singer. She studied opera and jazz at the Queensland Conservatorium’s Southbank Campus and in 2004 for ABC Music she recorded Two of a Kind with Maggie and the Queensland Symphony Orchestra. Noonan has a long-standing relationship with several state arts bodies, in particular the Sydney Symphony, the Queensland Orchestra, the Australian String Quartet, and the Australian Chamber Orchestra. Noonan was musical director of, and performed at, the 2018 Commonwealth Games opening and closing ceremonies.

Noonan has performed by invitation for members of the Danish and British Royal families, and His Holiness the 13th Dalai Lama. She has also collaborated with the Australian Chamber Orchestra on Luminous, the Sydney Symphony in Benjamin Britten’s Les Illuminations, and collaborated with the classical guitarist Karin Schaupp, an internationally sought-after recitalist and soloist. Their combined forces created a fresh spin on Latin jazz and classical pieces from the musical masters of South America on the recording Songs of the Latin Skies in 2011.

Noonan’s technical mastery and pure voice make her one of Australia's most versatile and beloved vocalists. A mother, singer, producer, songwriter, pianist and businesswoman, the songstress first received widespread praise as the angelvoiced vocalist of indie-pop band George and has since taken audiences on sublime excursions through jazz, pop, and classical music. Her various releases include music from her folk/jazz trio of 14 years, the self-titled album Elixir in 2003, and her gold-selling top ten solo album Skin in 2007. In 2008, Noonan was a support act for Cyndi Lauper in Perth and was invited on stage by Lauper to sing along with Girls Just Want to Have Fun. Noonan’s affinity with jazz shone through on the ARIA award-winning album, Before Time Could Change Us. Recorded with revered jazz pianist Paul Grabowsky in 2005, it captured the breathtaking beauty and emotion that characterises her work. Consisting of words written by the poet Dorothy Porter, the recording tracks the mysterious shifts and changes of a relationship. The album won an ARIA Award in the same year for Best Jazz Album.

On her 2008 ARIA winning release Blackbird, a jazz album of Lennon and McCartney cover versions, she collaborated with an ensemble of iconic jazz players including Joe Lovano, Ron Carter, Lewis Nash, and John Scofield.

On this year’s International Jazz Day on 30 April, Noonan announced the release of her twentieth studio album, The Sweetest Taboo, taking listeners back to where it all began in her youth with the iconic pop songs of the 1980s that first ignited her passion for music.

Friday 26 June at 12pm

37

Putting It All Together We talk Jazz Beat Written by Lloyd Capps Illustration by isaxar/istock

I’m often asked what I’m planning to play in The Jazz Beat next Tuesday. All too often I have to admit that I don’t know since that’s four or five days away.

That might sound a bit slapdash and carefree, but the truth is that it all depends on what is hitting the right spot for me.

Most likely it will include the CD I’ve been enjoying at home over the past couple of days.

Then the question is what will go with it?

That sounds rather random but it’s the way I put a program together at home.

The boundary is wide but at the same time, contained by my jazz collection accumulated since CDs first came on the market in 1978. Everything that goes into the program comes from my own collection.

In the 14 years since the program began, my travels have taken me to many places where finding a CD store, let alone one that sells jazz, is not at all easy. It has been a challenge to find such a treasure trove in Morocco, Cuba, Hungary, Austria or Spain, but these days it’s surprisingly difficult to find a good jazz store in New York.

The Jazz Beat reflects the music I enjoy and love sharing with others. It has a rather loose format, but usually contains two vocal tracks – one male, one female.

Roughly halfway into the program, there is always a track featuring the Miles Davis Quartet, Quintet or Sextet. There may be some early recordings of Miles playing with Charlie Parker or in a highly successful collaboration with the Gil Evans Orchestra.

There is, though, an impenetrable wall in the Miles Davis repertoire that I will never go around. It was erected in August 1969 when Miles crossed the line with his recording of Bitches Brew.

That album heralded a change of direction for Miles as he started to play with the different sounds of funk and amplified instruments. It may have sold millions of albums, but I never play anything from that period. Why? Because I don’t like it! I admit that may seem self-indulgent, but I only play music that I enjoy.

Everything that

goes into the program comes from my own collection

Jean-Féry Rebel Gallica Digital Library/Public Domain

38

Having chosen those three tracks (two vocals and one Miles), the rest is an enjoyable treasure hunt amongst my drawers full of CDs to search for something that has not been played for a while and which will suit the mood of the program – usually some small combos playing relaxed jazz standards. Importantly, I look for a recent track from a contemporary Australian group.

There, that’s how I program The Jazz Beat.

I could tell you more but I have to work on getting my next program into shape. You’ll hear it on Tuesday at 7pm.

Hope you will like what I choose to share with you so that we can enjoy it together.

Tuesday 2 June at 2pm

Why Jazz Is Cool We take a seat on The Urban Jazz Lounge Written by Leita Hutchings Illustration by Leita Hutchings

I’ve always liked a walking bass intro; a Dave Brubeck Square Dance that you can dance to, or clap in syncopation. That rhythm: the rhythm you can walk to; cook to; love to; chat to; the pulsing heartbeat; that’s the rhythm of life.

The way I see it, jazz is the daddy of rock ‘n roll, and the grandchild of classical music. When you boil that down, that’s a whole lot of expression.

And then you throw in just how talented these singers and musicians are. I mean, to know instinctively where to - place your hands just because it feels right - because you know your instrument so well - or how to skip along with some music, just because you felt it so intrinsically.

That’s a lot of talent! That’s unique to jazz, and what I like sharing. It’s the philosophy I like to weave into the fabric of the Urban Jazz Lounge.

Now, take a singer like Billie Holiday, who created the 'soul' genre basically, and a musician like Satchmo, who played it like he sang it; that’s the epitome of expression and cool. And that’s what jazz is too, the epitome of expression and cool.

So, my job then, as the program designer and presenter, is the joy of sharing. I have the fabulous, enviable position of sharing everything I think is wonderful and good about jazz as it strikes me. My daddy was a self-taught, honkytonk jazz pianist, so my musical bent tends to be more of a bar room kind of jazz, with a bit of a blues edge to it. Prodigies fascinate me; musicality fascinates me; old, new, known, unknown; it doesn’t matter, as long as deep down in your bones, you think: 'this is good'.

To me, the Urban Jazz Lounge is a promise, of time and pleasure, shared. And so, every Saturday at midday, I can honestly look forward to saying 'Hi, I’m Leita Hutchings, welcome to the Urban Jazz Lounge.'

Saturday 26 June at 12pm

Chet Baker illustration by Leita Hutchings

39

CD REVIEWS

The Sweetest Taboo Katie Noonan ABC Music

Torrid Zone Crossroads Quintet Midwest Crush Music

Crowded House, Sting, Annie Lennox, and Cyndi Lauper, Whitney Houston — these are the singers (and their songs) that inspired Katie Noonan to pursue a musical career. On this eclectic compilation, Noonan is joined by four of Australia's finest jazz musicians, Zac Hurren (saxophones), Sam Keevers (piano), Phil Stack (double bass), and Evan Mannell (drums) — her stellar band. Highlights include a delicious version of 1927’s, If I Could, Billy Joel’s, Just The Way You Are re-invented with a new bolero beat, and a gentle interpretation of Whitney Houston’s, I Wanna Dance With Somebody, which really works. This is a collection of

modern poetry and jazz music. Perhaps it's the only genre large enough and with cerebral integrity for Noonan’s voice to be truly heard and understood. Throughout, Noonan takes flight and spreads her wings gloriously towards the stars.

Torrid Zone was released early last year and is a box set encompassing nine albums recorded by Nucleus and/or Ian Carr in the early to mid-1970s. Their first album, Elastic Rock, the focus of this review, has just celebrated its 50th anniversary, having been recorded in January 1970 and released in March.

opening track, 1916, almost a fanfare over a bedrock of busy percussion, through to the brief but Bacchanalian free-for-all of the closing Persephone’s Jive. Of particular note is the work of Karl Jenkins, whose electric piano playing produces 'a fragile, shimmering bell-like sound', and whose oboe provides a bracingly astringent tone.

Readers may be familiar with him as the classical composer of Adiemus and The Armed Man.

Like Miles Davis, trumpeter Ian Carr wanted to incorporate the sounds and rhythms of rock music into the improvisational modern jazz he had been playing. The members of Nucleus were all established musicians and their experience and individuality is evident throughout Elastic Rock, from the

Siegfried’s Story is an album of selections from Wagner’s The Ring of the Nibelung, as arranged by horn player Mark Papworth.

Papworth is a member of Bonza Brass, and is joined on this album by Per Forsberg, tuba, and Rosa Scaffidi, piano.

Siegfried’s Story Bonza Brass

Move Records MCD 597

The music is presented as a journey through the story of The Ring, beginning with the rumbling bass notes of the ‘Prelude’ to Das Rheingold and finishing with ‘Siegfried’s Rhine Journey’ from Götterdämmerung and visiting other favourites along the way.

Melodies are usually given to the horn and bass notes to the tuba; the piano has the task of filling in for the rest of the

40

­– Barry O'Sullivan

– Paul Cooke

orchestra. If orchestral Wagner is all about ‘bleeding chunks’, then this is those chunks pared down to the bare bones, exposing the structure of the music and allowing us to listen to it afresh.

– Paul Cooke

LISTENERS' LETTERS Ooh La La

Faith Restored Recently I had cut back to listening to Fine Music because of the lack of forthcoming program information which was a major reason I became a subscriber.

I really value Fine Music Sydney for its carefully researched curated programs that play full works and are intelligently presented. I realise that program listings disappeared from this station web site because of the pandemic. I was delighted to find this morning that online listings have been restored with the welcome addition of details of Morning Music. I have no problem listening to previously broadcast programs, so long as I know what works have been scheduled. Thank you. I am so grateful that you have done this. I repeat this is a service that I value greatly. And thank you for being there during these unusual times.

Please tell the show-off announcing the drive programme today it"s not smart to announce everything in French to show off. Just announce it in English and put the music on. It's a music show, not a French lesson. He needs to just shut up.

Neil Bennett

FM Spectrum I don't live in Sydney anymore, but was a subscriber for many years. I still remember the joy of the station starting up on the new-fangled FM spectrum. I have fond memories of Anne Ramsay's Evensong that ran for so many years and am anxious to obtain (or borrow) a compact disk produced by MBS Records of selections from Evensong.

Tim Bowden

John Bartholomaeus

Mixed Signals Over the last few weeks I'm finding that every other day the signal has become really terrible with static so loud it overpowers the music being broadcast.

It may have something to do with this area being in a blind reception spot but I would like to suggest that the station negotiate with Channel 9 to have a booster placed on the TV tower on the corner of Mowbray Road and the Pacific Highway. Even if that is not possible, I would like to know why the signal is frequently so bad and if you are able to generally improve it. Thank you.

Warren Abeshouse

VO L U N T E E R S P O T L I G H T

Robert Gilchrist Classical music has always occupied a place in Robert’s life; as a child he learnt the violin and became leader of the school orchestra and a member of the Stockport Youth Orchestra, in the UK. Perhaps this is the reason a promotion asking for presenters at Fine Music caught Robert’s attention during a drive home from the airport one evening. The need for new presenters “had arisen from the arrival of digital radio”, recalls Robert, who started presenting at Fine Music in 2012.

41

A demanding job in information technology, involving frequent overseas travel meant Robert was limited to presenting late night or weekend programs. Since retiring in September 2018, Robert has taken on regular shifts during the week, in addition to programming, chairing the Enjoy, Learn, Discuss sub-committee and nominating for a role on the board - a position he has occupied for nearly 12 months. Robert comments that his favourite aspect of being a director is the opportunity to apply the skills he acquired throughout his 40-year career in business, finance, technology and strategy, to manage the many facets and challenges of operating a community radio station. “This is a very challenging time for all businesses. It's my hope that we can muster all our resources to keep the station delivering fine music for years to come!” he adds. Robert’s life outside Fine Music includes spending time with his Argentinian wife and son in Cremorne, overseas travel, recitals and playing the classical guitar. He is a lover of Baroque music, especially Albinoni and Couperin. “I'm also a big fan of Elgar and Holst and even find time for rock classics from the likes of Pink Floyd and Eric Clapton” concludes Robert, who hopes his contribution to Fine Music “helps to ensure that the station celebrates its fiftieth birthday!”

CROSSWORD Written by Julie Simonds

Down 2 Sign of approval (3) 3 Cast a crooked line in an Egyptian river (4) 4 Australian television journalist entertainment personality (3,6)

and

5 Louis Armstrong's Mac was a bit of a blade (5) 6 A sound caused by the reflection of sound waves from a surface back to the listener (4) 7 First name of author who created Julian, Anne, Dick, George and the dog Timmy (4) 8 Creator of Frankenstein (7) 10 Composed ballet Spartacus (13) 13 She sings Something Wonderful (6,5) 15 She sang for so many comebacks (6,5) 16 This composer linked Brazil with Bach (5,5) 20 Interactive percussion ensemble (7) 22 Not genuine; spurious or sham (6) 24 Casals shares a coffee and a penguin with Picasso (5)

Across 1 Second Austrian to score nine (5,8) 9 Played by Heath Ledger and Mick Jagger (3,5) 11 Half a quarter (6) 12 Bob said “The answer my friend is blowin' in the wind “(5) 14 “_____’s music is better than it sounds”- Mark Twain (6) Answers

17 Speaks parts of a choir (6) 18 The shining light of the Comets (4,5) 19 Our old diggers (6) 21 There are three main types of news: print and broadcast (5) 23 Catch up on zzzzz (3) 25 It’s a Wonderful Life movie. Mr Bailey’s first name ------ (6) 26 One cadet makes a short story (8) 27 Adam’s --- (3) 28 Composer Anne and Artist Arthur share the same surname (4) 29 Painted a series about 9 across (6,5)

42

FINE MUSIC PATRONS Fine Music Honour Roll (Bequest Received 2009-2019)

Emerald Patrons ($2,500 -$4,999)

Dr Alison Burrell, Mr Keith John Cosack, Mr Paul de Leuil, Ms Jean Priscilla Deck, Mr Colin Enderby, Ms Rose Gibb, Mr David Henry James, Mr Leslie Kovacs, Mr Stefan Kruger, Mrs Myra Christina Polson, Mr Michael Patrick Sheehan, Mr Charles Herbert Stokes, Mr Ronald Tinslay, Mrs Rose Varga, Mrs Norma Walledge, Mr Ken Weatherley, Mr Colin Webb, Mr Barry Willoughby, Mr John Albert Wright

Mrs Lorna Carr, Prof Christine Deer, Mrs Margaret Epps, Prof Michael Field AM, Dr Christine Furedy, Mrs Freda Hugenberger, Dr Peter Ingle, Ms Sue Jowell, Mr Ian Juniper, Mrs Ros & Doug Keech, Mr Melvyn Madigan, Mr Ray McDonald, Ms Maureen Meers, Mr John Mitchell, Dr Andrew Mitterdorfer, Mr Michael Morton-Evans OAM, Mr Trevor Parkin, Ms Susan Ping Kee, Dr William Poate, Mr Jude Rushbrooke, Mr John Stevenson, Ms Wendy Trevor-Jones, Hon Anthony Whealy QC, Mr Richard Wilkins

Fine Music Guardians (Known Future Bequests) Mr Geoffrey Anderson, Mr David Bell, Mr David Brett, Mrs Halina Brett, Mr Rex Burgess, Mr Lloyd Capps, Ms Marilyn Endlein, Mr Robin Gandevia, Mr Bruce Graham, Mr James Hunter, Mr David James, Ms Maureen Meers, Mr Glenn Morrison, Mr Desmond Mulholland, Mr Derek Parker, Dr Neil Radford, Mr Gregory Sachs, Ms Elaine Siversen, Mr Bruce Smith, Mr Anthony Tenney, Mr Ron Walledge

Gold Patrons ($1,000 -$2,499) Ms Jan Bowen AM, Mrs Di Cox, Dr Carolyn Currie, Mr David Jacobs, Mrs Barbara Johnson, Mr Reginald John Lamble AO, Mr John Mitchell, Mr Verdon Morcom, Ms Catherine Ruff, Mr Iain M Thompson, Ms Caroline Wilkinson

Titanium Patrons ($50,000 and above)

Silver Patrons ($500 -$999)

Mr Michael Ahrens, Mr Max Benyon OAM, Mr Roger Doyle, Dr Jennifer Foong, Prof Clive Kessler

Prof Clive Kessler, Mr Ron Walledge, Mr Cameron Williams, The Family Frank Foundation, The Garrett Riggleman Trust, Anonymous 2

Mr Stephen Booth, Mr Colin Boston, Mr Barrie Brockwell, Dr. Russell Cannon, Mr Robert Clark, Ms Wendy Cobcroft, Mrs T Cox, Mr David Cummins, Mr Ian de Jersey, Ms Ruth Edenborough, Mr John Fairfax, Dr David Gorman, Mr Paul Hopwood, Mrs Georgina Horton, Mr Paul Jackson, Mrs Madeleine Juchau, Dr Peter Lindberg, Dr Jim Masselos, Ms Monica Olave, Mr Julius Opit, Mr Andrew Patterson, Mr James Poulos, Mr J Roberts, Mr Larry Turner, Mr Kevin Vaughan, Mr Donald Wilkins, Prof Paul Wormell

Diamond Patrons ($10,000 -$24,999)

Bronze Patrons ($250 -$499)

Mr Robert O Albert, Mr J D O Burns, Mr Bernard Coles QC, Mrs Dorothy Curtis, Ms Jill Hickson Wran, Dr Janice Hirshorn, Mr Peter & Dr Linda Kurti, Mrs Patricia McAlary, Mr John Selby, Anonymous 4

Mrs Greta Allen, Ms Lily Bao, Dr Helen Bashir, Mr Don Bennett, Mrs Susan Berger, Mrs Audrey Bersten, Mr David Branscomb, Mr Barrie Brockwell, Mrs Alexandra Buchner, Mr Ron Burgess, Dr Rhonda Buskell, Dr Russell Cannon, Ms Mary Choate, Mr Dom Cottam, Mr Geoff Drury, Hon John Dunford, Mrs Dorothy Dunn, Dr Nita Durham, Ms Elizabeth Evatt, Mrs Margaret Gibson, Mr Robert Gilchrist, Mr Joe Goozeff, Mrs Jocelyn Hackett, Mr Les Hay, Mr Philip Irons, Mr David James, Mr Bill and Eva Johnstone, Mr Darren Jones, Mrs Pamela Kenny, Mr Robert King, Hon David Kirby, Mr Philip Levy, Mrs Jennifer Lewis, Mr Geoffrey Magney, Mrs Robyn Manoy, Ms Kerrin McCormack, Mr Hunter McEwen, Mr Peter Poole, Hon James Poulos, Ms Sally Preston, Mr Mike Price, Dr Neil Radford, Mr Gwynn Roberts, Mr Joseph Rooney, Ms Mei Wah So, Mrs Ruth Staples, Ms Kathryn Tiffen, Dr Robin Torrence, Mr Peter van Raalte, Dr. Duff Watkins, Ms Rachel Westwood, Mr Alastair Wilson

Platinum Patrons ($25,000 -$49,000)

Ruby Patrons ($5,000 -$9,999) Mrs Halina Brett, Ms Janine Burrus, Mr Lloyd Capps, Mrs Mary Jo Capps AM, Mr Roger Chapman, Justice David Davies, Mr Francis Frank, Mr Ian & Mrs Pam McGaw, Ms Jeannie McInnes, Mrs Judith McKernan, Mr Charles McMonnies, Mr Anthony C Strachan, Mr Stephen and Mrs Therese Wilson

IN NEXT MONTHS ISSUE

Isaac Stern

Spirit of England

in Australia

John Barbirolli and the Hallé Orchestra

Once he was a Refugee:

In Conversation

How fate brought George Szell to Cleveland Photo: George Szell/Creative Commons

43

with Nicholas Gentile

FOR THE LOVE OF MUSIC Make your final act an overture – become a Fine Music Sydney Bequestor and join a group of passionate philanthropists who pledge a bequest with the knowledge that they are securing the future of classical music for future generations to come.

Throughout our 45-year history Bequests have facilitated significant strides forward funding studio refurbishments and equipment purchases, broadcast opportunities for emerging and established ensembles as well as awards and scholarships to support emerging musicians.

Your financial gift will enable us to keep broadcasting the music we all love and value. Please contact us today to discuss leaving a gift to Fine Music Sydney in your will.

02 9439 4777

finemusicsydney.com/bequest