Fine Music Sydney Magazine - July 2020 by 2MBS Fine Music Sydney

JULY 2020 09

Isaac Stern In Australia

In Conversation with Composer Harry Sdraulig

Spirit of England

John Barbirolli and the HallĂŠ Orchestra

Sydney Schubert Society The rise of the Schubertiades

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I N D E X

O F

M A G A Z I N E

06. In Conversation with Harry Sdraulig We talk to the recipient of the 2020 Fine Music Stefan Kruger Scholarship

08. Giovanni Bononcini

The man who got in Handel’s way

Once he was a Refugee

How fate brought George Szell to Cleveland

10. Program Guide

35. Composer List

09. Isaac Stern in Australia A Ukranian genius down under

36. Spirit of England John Barbirolli and the Hallé Orchestra

37. Emerging Artist Tom Avengicos

38. Has COVID-19 Killed New Jazz? Keith Pettigrew

39. Sydney Shubert Society The rise of the Schubertiades

41. Listeners' Letters

42. Crossword

41. Volunteer Spotlight

43. Patrons List

40. CD Reviews

T H I S

M O N T H

A T

F I N E

M U S I C

S Y D N E Y

Over the last month volunteers and staff members at Fine Music Sydney have moved another step closer to broadcasting business as usual. Last month we were all very happy to return to broadcasting live programming content around the clock. In May we launched our EOFY campaign and subscriber drive. A big thank you to all of you who supported us during this campaign, you can take pleasure and satisfaction in knowing that you are helping to keep Fine Music Sydney on air. We thank you for your ongoing support and generosity, especially in these uncertain times. We wouldn’t be here without you. Although we could not launch our 2020 Emerging Artist programs, including our Artist in Residence and Scholarship programs, this month due to the COVID-19 physical distancing restrictions, we have made an effort to check in with our current artists, who you will be reading about in our magazine over the coming months. This month we interview Harry Sdraulig whose Kruger Scholarship project was put on hold over the last few months. You can catch up with Harry In Conversation on page 6. Finally, I would like to thank the following dedicated volunteers who were involved in this months program:

P R O G R A M M E R S

P R E S E N T E R S

PROGRAMMERS AND PRESENTERS FOR JULY Rodrigo Azaola, Charles Barton, Peter Bell, Nena Beretin, Dan Bickel, Chris Blower, Adam Bowen, David Brett, John Buchanan, Andrew Bukenya, Rex Burgess, Janine Burrus, Lloyd Capps, Vince Carnovale, Yola Center, Adam Cockburn, Angela Cockburn, Liam Collins, Paul Cooke, Di Cox, George Cruickshank, Nick Dan, Jackson Day, Nev Dorrington, Annabelle Drumm, Brian Drummond, Andrew Dziedzic, Rita Felton, Michael Field, Owen Fisher, Jennifer Foong, Tom Forrester-Paton, Susan Foulcher, Carole Garland, David Garrett, Robert Gilchrist, Nicky Gluch, Joe Goddard, Albert Gormley, Giovanna Grech, Jeremy Hall, John Hanna, Austin Harrison, Celeste Haworth, Ross Hayes, Gerald Holder, Paul Hopwood, James Hunter, Leita Hutchings, Anne Irish, Sue Jowell, Yvonne Laki, Ray Levis, Ray Lemond, Daphne Li, Krystal Li, Anne-Louise Luccarini, Christina Macguinness, Linda Marr, Meg Matthews, Stephen Matthews, Sue McCreadie, Neil McEwan, Jeannie McInnes, Terry McMullen, Maureen Meers, Camille Mercep, Simon Moore, Frank Morrison, Michael Morton-Evans, Richard Munge, Gerry Myerson, James Nightingale, Barry O’Sullivan, Calogero Panvino, Derek Parker, Denis Patterson, Keith Pettigrew, Anabela Pina, Andrew Piper, Peter Poole, Frank Presley, Marilyn Schock, Debbie Scholem, John Shapiro, Julie Simonds, Elaine Siversen, Robert Small, Garth Sundberg, Jacky Ternisien, Anna Tranter, Madilina Tresca, Robert Vale, Richard Verco, Ron Walledge, Christopher Waterhouse, Chris Wetherall, Stephen Wilson, Glenn Winfield, Chris Winner, Orli Zahava, Tom Zelinka, Iris Zeng PROGRAM SUBEDITORS Jan Akers, Chris Blower, Maureen Chaffey, Di Cox, Elaine Siversen, Jill Wagstaff, Teresa White LIBRARIANS Jan Akers, Rex Burgess, Maureen Chaffey, Di Cox, Helen Dignan, Lynden Dziedzic, Peter Goldner, David Hilton, Dawn Jackson, Michael Marchbank, Phillip McGarn, Judy Miller, Rachel Miller, Helen Milthorpe, Susan Ping Kee, Mark Renton, Daria Sosna, Jacky Ternisien, Ricky Yu

FINE MUSIC SYDNEY

ORGANISATION DETAILS Fine Music Sydney - We are Sydney’s Fine Music Broadcaster MUSIC BROADCASTING SOCIETY OF NSW CO-OPERATIVE LIMITED Editor Rebecca Beare Assistant Editor Mona Omar Designer Lyndon Pike Digital Content Coordinators Paul Cooke, Keith Pettigrew, Nicky Gluch

Fine Music Sydney is owned and operated by the Music Broadcasting Society of New South Wales Cooperative Limited. Fine Music is a registered charitable organisation with a Charity Fundraising Number and is listed with the Register of Cultural Organisations. Fine Music Sydney is a Community Radio station and a member of the Community Broadcasting Association of Australia. Fine Music Sydney (formerly known as 2MBS and Fine Music 102.5) is Australia’s first stereo FM radio station. The station was officially opened on 1 February 1975 and we have now been on air for over 45 years. Fine Music Sydney plays an important role in encouraging emerging musicians and music lovers in their ambitions to be professional musicians or broadcasters. Fine Music Sydney is an integral part of Sydney’s cultural landscape promoting and encouraging an active live classical and jazz music scene in our community and supporting music education. The Fine Music Emerging Artist program includes: Artists in Residence, Young Composer Award, Young Virtuoso Award, Stefan Kruger Scholarship, Ken Weatherley Jazz Scholarship and our Emerging Artist Workshops and Fine Music Showcase broadcasts. Mission Statement To share the love of fine music through broadcasting

Program Compiler Team Coordinator Chris Blower

Goals

Proof Readers Eddie Bernasconi, Tessa Miles

2. To maintain and improve high standards in all we do

Contributors James Nightingale Eddie Bernasconi Barry O’Sullivan Julie Simonds Anne-Louise Luccarini Pamela Newling Keith Pettigrew Paul Cooke Nicky Gulch Ross Hayes

1. To be Sydney’s preferred broadcaster of classical music, jazz and other specialist music genres 3. To promote Australian musicians and composers, with particular focus on the young 4. To provide a supportive and enjoyable work environment for volunteers and staff 5. To develop a sustainable financial model for the organisation FINE MUSIC HONORARY AND ARTISTIC PATRONS Vice Regal Patron: Her Excellency the Honourable Margaret Beazley AC QC, Governor of New South Wales Honorary Patron: Professor The Honourable Dame Marie Bashir AD CVO Artistic Patrons: Elena Kats-Chernin, Simon Tedeschi, Richard Tognetti AO, Brett Weymark Emerging Artists Patron: Toby Thatcher Young Composer Award 2019: Callum O'Reilly

Cover Image Harry Sdraulig by Kim Falconer

Young Virtuoso Award 2019: Justinn Lu

Fine Music Studios 72-76 Chandos Street St Leonards, NSW 2065 Australia

Ken Weatherley Scholar 2020: Kate Wadey

Postal Address: PO box 78, St Leonards, 2065 Phone: 9439 4777 (9am–6pm) ABN: 64 379 540 010

finemusicsydney.com

Stefan Kruger Scholar 2020: Harry Sdraulig Artists in Residence 2019: Marais Project Associate Artist in Residence 2019: States of Chaos and Elysian Fields PERSONNEL It is important to note that apart from a small staff team, Fine Music Sydney functions through the involvement of dedicated volunteers who generously contribute their time and talents across all aspects of the radio station. BOARD OF DIRECTORS: Chair: David James Deputy Chair: Christopher Waterhouse Secretary: Katy Rogers-Davies Directors: Roger Doyle, Robert Gilchrist, Jayson McBride, Sue Ping Kee, Peter Poole Appointed Directors: David Jacobs, Peter Stavrianos PUBLIC OFFICER : Rebecca Beare

Frequency 102.5 FM

STAFF: General Manager: Rebecca Beare Community Engagement Manager: Mona Omar Studio & Production Manager: Joe Goddard Office Manager: Sharon Sullivan Digital Content Producer: Lyndon Pike Executive Assistants: Eddie Bernasconi, Tessa Miles

Transmitter Governor Phillip Tower, Circular Quay

TECHNICAL ADVISORS: Honorary Technical Advisor: Max Benyon OAM Broadcast Engineer: John Shenstone Broadcast Systems Engineer: Roger Doyle Information Technology Consultant Peter Bell Recording Engineer: Jayson McBride COMMITTEE CHAIRS: General Manager: Rebecca Beare Jazz: Lloyd Capps Library: Rex Burgess Presenters: Michael Field Programming: James Nightingale Technical: Peter Bell Volunteers: Cynthia Kaye Finance: Peter Poole WHS: Rebecca Beare (acting) Contents and concept of Fine Music Sydney Copyright © 1975-2020

Once he was a Refugee How fate brought George Szell to Cleveland Written by Nicky Gluch

Was it a tour to Australia which saved George Szell? In 1938, the ABC invited Szell to conduct a series of ‘Celebrity Concerts’ in the European off-season. Austria, Szell’s childhood home, had been annexed by Nazi Germany just weeks before. So successful was the 1938 tour that Szell was invited back to Australia for May-August 1939; it meant he was ‘Down Under’ as the events that led to World War II began to unfurl. Aware of the dangers that awaited an anti-Nazi of Jewish descent if he returned to Europe, Szell and his family boarded the ship not for Marseille but for New York. Landing on American soil a refugee, Szell taught at the Mannes

College of Music throughout the war. Naturalised as a citizen in 1946, he was finally eligible for a conducting post. And so it was that Szell found himself in Cleveland, conducting an orchestra with whom he’d remain until his death.

Szell wanted an orchestra

suiting his ability, and so he built one, with the Cleveland

Orchestra coming to love their difficult master.

György Széll was born in Budapest in 1897. A prodigal pianist and composer, he appeared with orchestras in this dual role throughout his teenage years. At 17, he added another feather to his cap when he appeared with the Berlin Philharmonic as pianist, composer and conductor. Szell soon turned his attentions to conducting, crediting Richard Strauss with influencing his gestural style. Strauss appointed him to the staff of the Berlin State Opera and he soon had appointments throughout central Europe. By the 1930s, Szell’s appointments were global; he conducted the Scottish Orchestra while holding positions in London, The Hague and touring to Australia and the United States. And then everything changed… With his pedigree, Szell presumed he’d be considered to conduct the New York Philharmonic. Instead, he ended up in Cleveland, which proved the greatest blessing. With his autocratic style, Szell might have rattled some cages in New York. But, in Cleveland, with a second-tier orchestra, being a taskmaster was called ‘dreaming’. Szell wanted an orchestra suiting his ability, and so he built one, with the Cleveland Orchestra coming to love their difficult master. Together, they became the stuff of legends!   Thursday 30 July at 2pm

(Lebrecht Music & Arts / Alamy Stock Photo)

In Conversation with Harry Sdraulig Eddie Bernasconi interviews the recipient of our Stefan Kruger Scholarship Written by Eddie Bernasconi Photos by Kim Falconer

Last September you were awarded the 2020 Fine Music Stefan Kruger Scholarship to record and produce your first album, â&#x20AC;&#x2DC;The Chamber Works of Harry Sdrauligâ&#x20AC;&#x2122;. What inspired this project? It has long been a goal of mine to release an album of my music. As composers, we sometimes receive high quality recordings of live performances which we are unable to distribute publicly. Typically, the agreements surrounding these recordings only permit private or archival use, and this can be a source of considerable frustration as it vastly limits the potential audience for your work beyond those who attended the concert. This is where a studio-recorded album can fill that void. Albums remain an important means for composers to disseminate their work, but they can also be very expensive to produce, especially if you want to work with the best available musicians. I was lucky to line up an outstanding cast of players to record my chamber music, many of whom occupy principal roles in Australian professional orchestras. Without the generous funds and in-kind support of the Stefan Kruger Scholarship, the project would simply be unfeasible. I am tremendously grateful for this opportunity.

How would you describe your work? I would describe myself as a contemporary classical composer, or a composer who writes art music for the concert hall. With its loosely tonal and harmonic-driven foundations, my music seeks to leverage the technical and expressive abilities of classically-trained musicians, many of whom play in established orchestras or chamber music ensembles. My music tends to be included in concerts alongside music from centuries earlier â&#x20AC;&#x201C; I rarely find myself working with specialist new music ensembles. I do, however, hope and believe that I have something new and current to say!

Photo by Kim Falconer

I rarely find myself

working with specialist new music ensembles. I do, however, hope

and believe that I have something new and current to say!

Photo by Kim Falconer

What is your process for each composition? It obviously varies, but I am very much a through-composer – with some exceptions, I write from bar 1 and finish at the final bar. I also like to juggle multiple projects concurrently so that if I ever get stuck with one piece I can quickly switch focus to a different one where the ideas happen to be flowing more easily. Usually I have the full structure of the work and most of the musical material laid out in my head before I start writing, and the composing itself becomes a task of turning a murky, cloudy concept into a crystallised form. I always guide my musical choices on the strengths of the instruments being used and to the particular requirements or expectations of the commission.

Has the pandemic impacted current or future projects?

Photo by xxxxxxxxxxx

My recording project for the Stefan Kruger Scholarship has certainly been impacted. The recording studio was closed to the public shortly before my first session was due to take place in March, and I’m currently in discussions and consultation with the Fine Music staff about when recording sessions could resume and what social distancing requirements may be in place when they do. It is a really strange time and I’ve certainly had my fair share of cancelled gigs. However, I’ve also been able to enjoy online performances of concerts I would otherwise have been unable to attend, so there’s been some silver lining.

What is next for you? At the moment, I’m working on an overture for the Sydney Symphony Orchestra (as part of their 50 Fanfares Project), a new wind quintet for Arcadia Winds, a string quartet for the Goldner Quartet, and a few other interesting projects that will be announced soon. Thursday 23 July at 8am

Giovanni Bononcini The man who got in Handel’s way Written by Anne-Louise Luccarini

Born in Modena on 18 July 1670, 350 years ago this month, Giovanni Bononcini was the firstborn son of Giovanni Maria Bononcini, court violinist, composer, and author of an influential treatise on counterpoint. Giovanni Maria died when Giovanni was only eight and his brother Antonio still an infant; he did not know that both his boys had inherited his talents, that Queen Sophia Charlotte of Prussia would one day call Giovanni, “il grande Bononcini”. Giovanni was sent to Bologna, where he learnt to sing and play the cello, and composed so well that he was elected to the illustrious Accademia Filarmonica at the exceptionally young age of 16. That year, he published a number of remarkably mature chamber works, followed by large-scale church music. When he was 20, a masterly sacred oratorio drew attention in exalted ecclesiastical circles in Milan, and the brothers moved to Rome. Young Antonio was employed in the orchestra of Cardinal Pamphili, Giovanni as house musician to Filippo II Colonna, where he met the poet Silvio Stampiglia. Their resultant five operas brought Bononcini instant fame throughout Italy and beyond. In Queen Anne’s London, where Italian opera was not popular, Il Trionfo di Camilla ran for an unprecedented 64 performances (in English!) at Drury Lane. Bononcini resisted attempts to entice him to England: opera was under papal ban in Rome, so he and Stampiglia were busy writing hundreds of dramatic chamber cantatas, admired as models of grace with their sensitive word-painting and enchantingly subtle use of chromatics and counterpoint. Gasparini wrote of their “whimsicality, beauty, harmony, artful study and creative inventiveness”. The death of his patron freed Bononcini to travel to Venice, then Vienna – where the Emperor’s favour meant he could afford to have his brother with him – and also to visit Berlin at the Queen’s invitation. The War of the Spanish Succession ended this comfortable arrangement: Antonio returned to Modena and Giovanni to Rome, in the

Lebrecht Music & Arts / Alamy Stock Photo

service of the Austrian ambassador. There was a new Pope, opera was back, and Bononcini composed a serenata to mark the birthday of the Habsburg Empress, a glittering outdoor spectacle. Lord Burlington, a starry-eyed and enormously wealthy young English Italophile, saw it and conceived the idea of endowing his native land not only with Palladian architecture, but also with a constant supply of Italian opera. And so was formed the Royal Academy of Music, around Bononcini, Ariosti, and the King’s idol, Handel. Handel, as Music Director, travelled to Dresden to recruit top Italian singers. It unravelled quickly. Bononcini’s first operas were successful, Handel’s were not. Handel had the unpopular Hanoverian king’s favour, Bononcini was supported by the Duchess of Marlborough, widow of

the national hero, a Jacobite. The rivalry became the subject of gossip, summed up in a witticism, “Strange all this difference should be / Twixt Tweedle-dum and Tweedle-dee!”, which was not far from the truth. Bononcini had to go, but how? A timely accusation of plagiarism proved the final straw. Now 60, he admitted defeat. His brother had died in Modena and so, with nowhere else to go, Giovanni made his way slowly back to Vienna. There, in honour of past service, Empress Maria Theresa granted him a small pension. It was enough.

Friday 17 July at 1pm

Isaac Stern in Australia We look at a Ukranian genius down under Written by Paul Cooke

On one occasion in 1954, at an inadequately heated Sydney Town Hall, Isaac Stern, playing a “great deal of Bach”, had to rush backstage between every movement to immerse his hands in hot water. Despite this and the fact that, at another concert, proceedings were temporarily halted by a chirping cricket, Mary Cleveland, wife of the US consul, felt that attending all eight of Stern’s Sydney concerts “was one of the great musical experiences” of her life. Isaac Stern was born on 21 July 1920 in the small Ukrainian town of Kremenetz. While he was still an infant, his family fled the uncertainties of the Russian Revolution and moved to San Francisco where his mother had relatives. She, a professional singer, gave him his first musical lessons. Stern regarded Naoum Blinder as his only true teacher, learning from him not only the violin and about music in general but also about “attitude, ethical stance, and commitment”. He made an unofficial debut in 1936 playing Saint-Saëns’ Violin Concerto No. 3 and his official debut the following year with Brahms’ Violin Concerto. His repertoire would extend from Vivaldi to Dutilleux, and he was renowned for playing each piece with impeccable technique and tone and in its “proper style”. In 1947 Stern toured Australia. Although during the war years he had travelled to Iceland, Greenland and the South Pacific entertaining troops, this was his first ‘civilian’ tour outside North America. His name was new to many Australians because his recordings had not yet reached them, owing to wartime restrictions; they were more likely to have seen his hands and heard his playing in the recently released film Humoresque. It was the beginning of a long and affectionate association. Stern made frequent and often lengthy tours until the early 1970s. He visited not only capital cities but also regional centres such as Armidale, Broken Hill, Shepparton and Toowoomba; during his 1954 tour his itinerary encompassed 33 appearances during 13 weeks. He was praised by the Sydney Morning Herald’s reviewer in 1947 for “his remarkable gifts - great strength and faultless attack in strongly accented passages and a masterly legato in sustained melody”, and in 1954 for his “allround warmth and breadth of musicianship”.

Pictorial Press Ltd / Alamy Stock Photo

In 1947, Stern had attended a performance by the Queensland State String Quartet, met the Australian violinist Ernest Llewellyn, and been impressed by the tonal qualities of his playing. On his subsequent tour they played Bach’s Double Violin Concerto with the Sydney Symphony Orchestra. He also facilitated Llewellyn’s visit to America on a Fulbright Scholarship: when Llewellyn founded the Canberra School of Music, he acknowledged Stern as its ‘father’ and the Juilliard School as providing its blueprint. On his last concert tour of Australia, Stern inspected the incomplete school and then, in 1985, visited Australia to participate in a benefit concert in tribute to Llewellyn, with the proceeds going to fund a scholarship. Through Llewellyn, Stern met the violin maker A.E. Smith. He was one of those visiting musicians who would allow Smith to model instruments on the examples of such as Stradivari. Smith in return made a copy of a Joseph Guarneri violin for Stern in appreciation of his great artistry, his support of Llewellyn and “what it can mean to the musical advancement of this country”.

Tuesday 21 July at 2.30pm and Sunday 26 July at 3pm

Wednesday 1 July WEDNESDAY 1 00:00 SIGNAL CRUNCH With Glenn Winfield 02:00 UNLEASH THE VINYL With Tom Zelinka 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST With Janine Burrus 09:00 DIVERSIONS IN FINE MUSIC Prepared by Paul Cooke Cherubini, L. Overture, from Démophon (1788). Auser Musici/Carlo Ipata. Hyperion CDA67893 7 Legrenzi, G. Tre balletti e correnti à 5, from Op 16 (1691). La Serenissima/Adrian Chandler. Avie AV 2106 8 Garth, J. Cello concerto no 2 in B flat, op 1 (pub. 1760). Alexander Baillie, vc; European Union CO/Dmitri Demetriades. Helios CDH55035 11 Vorisek, J. Six variations in B, op 19 (1825). Olga Tverskaya, pf. Opus 111 OP30241 10 Fils, A. Symphony in C. L’Orfeo Baroque O/ Michi Gaigg. cpo 999 778-2 14 Jacquet de la Guerre, E-C. Cantata no 3, Le déluge. Isabelle Poulenard, sop; Michel Verschaeve, bar; Claire Giardelli, baroque vc; Georges Guillard, hpd. Arion ARN 268012 11 Giuliani, M. Grand serenade, op 82 (pub. 1817). Nora Shulman, fl; Norbert Kraft, gui. Naxos 8.554560 18 10:30 CONCERT HALL Prepared by Michael Morton-Evans Rossini, G. Sinfonia, from Semiramide (1823). London SO/Ion Marin. DG 437 813-2 11 Hiller, F. Piano concerto no 3 in A flat, op 170, Concerto espressivo (1874). Tasmanian SO/Howard Shelley, pf & dir. Hyperion CDA67655 32 Alfvén, H. Suite from The mountain king (1917-22). Royal Scottish NO/Niklas Willén. Naxos 8.553962 16 Honegger, A. Symphony no 2 (1941). James Thompson, tpt; I Musici de Montréal/Yuli Turovsky. Chandos CHAN 8632 26 12:00 JAZZ SKETCHES With Robert Vale 13:00 IN CONVERSATION With Michael Morton-Evans 14:00 THE FORGOTTEN DIVA Prepared by Maureen Meers Romberg, S. New moon (1928). Cembal d'amore 153 3

Leoncavallo, R. Ballatella, from I pagliacci (1892). Cembal d'amore 153 5 Rossini, G. Una voce poco fà, from The barber of Seville (1816). Memories HR 4538 7 Gounod, C. Jewel song, from Faust (1859). Cembal d'amore 153 9 Bidú Sayão, sop; Bell Telephone Hour O/ Donald Voorhees (all above) 14:30 DOUBLE EIGHT Prepared by Derek Parker Mendelssohn, F. String octet in E flat, op 20 (1825). L'Archibudelli; Smithsonian Chamber Players. Sony SK 48307 31 Schubert, F. Octet in F for winds and strings, D803 (1824). Vienna Octet. Decca 466 580-2 53 16:00 FINE MUSIC DRIVE With Tom Forrester-Paton 19:00 A TWIST OF JAZZ With Andrew Piper 20:00 AT THE OPERA Prepared by Elaine Siversen Arne, T. Artaxerxes. Opera in three acts. Libretto after Metastasio. First performed London, 1762. ATAXERXES: Christopher Robson, ct ARTABANES: Ian Partidge, ten ARBACES: Patricia Spence, mezz RIMENES: Richard Edgar-Wilson, ten MANDANE: Catherine Bott, sop SEMIRA: Philippa Hyde, sop Parley of Instruments/Roy Goodman. Hyperion CDD22073 2:20 Because he loves the Persian princess Mandane, Arbaces has been exiled from Persia by King Xerxes. He is leaving when his father, Artabanes, tells him that he has killed Xerxes and gives Arbaces the sword to get rid of. Artabanes tells the new king Artaxerxes that his (Artaxerxes') brother was the assassin, and has the brother executed. But then Arbaces is found with the murder weapon. Refusing to testify against his father, he is presumed guilty. Having failed to persuade his son to escape from prison and lead a revolt, Artabanes plans with Rimenes (an army captain) to kill Artaxerxes, offering the hand of his daughter Semira (who is in love with Artaxerxes) as an inducement. Artaxerxes delegates to Artabanes responsibility for hearing Arbaces' trial. Artabanes orders the death penalty for his son, to the horror of Mandane and Semira. Artaxerxes visits Arbaces in prison awaiting his fate, and sets him free. Artabanes and Rimenes then find the cell empty and, assuming that Arbaces has already been executed, decide to proceed with their plot

by poisoning Artaxerxes at his coronation. During the ceremony, news arrives that Arbaces has defeated an insurrection. Artaxerxes offers him the poisoned cup in celebration and in acknowledgement of his innocence, whereupon Artabanes intervenes and confesses. Artaxerxes pardons and banishes him, and the two couples (Semira and Artaxerxes, and Mandane and Arbaces) are brought together Purcell, H. Incidental music to Amphitryon, or The two Sosias (1690). Andrea Jeffrey, sop; Michelle Kettrick, sop; Nicole Bower, sop; Giles Tomkins, bass; Aradia Ensemble/Kevin Mallon. Naxos 8.570149 25 23:00 PASTORAL PLEASURES Prepared by Derek Parker Alwyn, W. Pastoral fantasia (1939). Stephen Tees, viola; City of London Sinfonia; Richard Hickox, conductor. Chandos CHAN 9065 13 Howells, H. Pastoral rhapsody (1923). London SO; Richard Hickox, conductor. Chandos CHAN 9410 12 Rodrigo, J. Pastoral concerto (1977). Joanna G’froerer, flute; Asturias SO; Maximiano Valdés, conductor. Naxos 8.557801 27

Thursday 2 July THURSDAY 2 00:00 GROOVESVILLE/25 0'CLOCK With Ray Levis 02:00 OASIS OF INSOMNIA With Adam Cockburn 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST With Simon Moore 09:00 DIVERSIONS IN FINE MUSIC Prepared by Anabela Pina Trad. The gold ring set. Jordi Savall, treble viol, lyra viol; Andrew Lawrence-King, hp. Alia Vox AVSA 9878 12 Bruch, M. Kol nidrei, op 47 (1881). Alisa Weilerstein, vc; Staatskapelle Berlin/Daniel Barenboim. Decca 478 2735 11 Gatayes, G-P-A. Sur l’air d’un bouquet de Romarin, op 79. Duo Vitare. www.duovitare.com 13 Boccherini, L. Cello concerto no 4 in C (pub. 1770). Anner Bijlsma, vc; Concerto Amsterdam/Jaap Schröder. apex 0927 49805 2 14 Finger, G. Viola de gamba sonata in D minor. Latitude 37. ABC 481 0483 7

Friday 3 July Monn, M. Cello concerto in G minor, mvt 2. Jacqueline du Pré, vc; Valda Aveling, hpd; London SO/John Barbirolli. EMI CMS 7 63283 2 9 Mozart, W. Sonata in B flat, K292 (1775). Eckart Hübner, bn; Reinhard Latzko, vc. cpo 999 297-2 13 10:30 CONCERT HALL Prepared by Denis Patterson Goldmark, K. Overture: Prometheus bound, op 38 (1889). Philharmonia O/Yondani Butt. ASV DCA 934 17 Vieuxtemps, H. Cello concerto no 2 in B minor, op 50 (1877). Alban Gerhardt, vc; Royal Flemish PO/Josep Caballé-Domenech. Hyperion CDA67790 22 Koechlin, C. Seven Stars’ Symphony, op 132 (1933). German SO/James Judd. Sony 88875192992 43 12:00 JAZZ, PURE AND SIMPLE With Maureen Meers 13:00 THE PROLIFIC TELLEMANN Prepared by Rex Burgess Telemann, G. Triple concerto in F, from Tafelmusik II (pub. 1733). Rémy Baudet, vn; Franc Polman, vn; Sayuri Yamagata, vn; Musica Amphion/Pieter-Jan Belder. Brilliant Classics 94104 13 Telemann, G. Overture in A, TWV32.16 Roberto Lorregran, hpd. Brilliant Classics 95150/36 12 Telemann, G. Suite in D, from Tafelmusik II (pub. 1733). William Wroth, tpt; Frank de Bruine, ob; Rémy Baudet, vn; Franc Polman, vn; Musica Amphion/Pieter-Jan Belder. Brilliant Classics 94104 29 14:00 PERSPECTIVES Prepared by James Nightingale Koechlin, C. Morçeau de lecture pour cor. Barry Tuckwell, hn. ASV DCA 716 3 Schumann, R. Adagio and allegro in A flat, op 70 (1849). Peter Damm, hn; Amadeus Webersinke, pf. Berlin Classics 0012882BC 9 Mozart, W. Horn quintet in E flat, K407 (1782). Anneke Scott, hn; Ironwood. ABC 481 1244 20 Strauss, R. Horn concerto no 2 in E flat (1942). David Pyatt, hn; Britten Sinfonia/ Nicholas Cleobury. EMI 5 65581 2 20 15:00 THE TEMPEST Prepared by Brian Drummond Sibelius, J. Prelude, from The tempest, op 109 no 1 (1925). Gothenburg SO/Neeme Järvi. BIS CD-448 5

Martin, F. Come unto these yellow sands, from Songs of Ariel. Carol Platt, sop; Laura Inman, sop; Cassandra Ewer, sop; Phoenix Bach Choir/Charles Bruffy. Chandos CHSA 5031 2 Beethoven, L. Sonata no 17 in D minor, op 31 no 2, Tempest (1802). Wilhelm Kempff, pf. DG 429 306-2 23 Tchaikovsky, P. Symphonic fantasy: The tempest, op 18 (1873). Bournemouth SO/ Andrew Litton. Virgin 7 91140-2 24 16:00 FINE MUSIC DRIVE With David Brett 19:00 THE NEW JAZZ STANDARD With Frank Presley 20:00 THE WORLD OF A SYMPHONY Prepared by Nicky Gluch Shaporin, Y. The soldiers’ chorus. Red Army Choir/Vikto Eliseev. FGL 479 2311 3 Prokofiev, S. Sonata in C for two violins, op 56 (1932). James Ehnes, vn; Amy Schwartz Moretti, vn. Chandos CHAN 10787(2) 14 Glazunov, A. Piano sonata no 1 in B flat minor, op 74 (pub. 1900). Leslie Howard, pf. Pearl SHE 9538 25 Shostakovich, D. String quartet no 1, op 49 (1938). Jerusalem Quartet. Harmonia Mundi HMC 901865 14 Rachmaninov, S. Spring cantata, op 20 (1902). Alexei Tanovitski, bass; Mariinsky Theatre Ch; BBC PO/Gianandrea Noseda. Chandos CHAN 10706 15 Rossini, G. Overture to William Tell (1829). Tasmanian SO/Ola Rudner. ABC 481 0616 12 Shostakovich, D. Symphony no 6 in B minor, op 54 (1939). Moscow PO/Kirill Kondrashin. Melodiya 74321199522 27 22:00 MASQUES Prepared by Jacky Ternisien Alwyn, W. Overture to a masque (1940). London SO/Richard Hickox. Chandos CHAN 9093 9 Debussy, C. Masques (1904). Walter Gieseking, pf. EMI 5 65855 2 4 Lupo, T. Masque music II, III. New London Consort. Linn CDK 011 5 Boyce, W. Excerpts from The secular masque (1745). Choir of New College, Oxford; Hanover Band/Graham Lea-Cox. ASV GAU 176 10 22:30 ULTIMA THULE With George Cruickshank

FRIDAY 3 00:00 BASS CULTURE With Tom Zelinka 01:00 THE LOST HIGHWAY With Austin Harrison 02:00 SOUNTRACKS AT MIDNIGHT With Chris Winner 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST With Annabelle Drumm 09:00 DIVERSIONS IN FINE MUSIC Prepared by Elaine Siversen Giuliani, M. Serenade in G, op 127. Prudence Davis, fl; Peter Lynch, gui. Move MD 3090 15 Delius, F. The walk to the Paradise Garden, from A village Romeo and Juliet (1907). Welsh National Opera O/Charles Mackerras. Argo 430 202-2 10 Janácek, L. Piano sonata, From the street (1905). Leif Ove Andsnes, pf. Virgin 7 91222-2 15 Mozart / Masek et al. Partita (Parthiaserenade) in E flat for wind octet, Kdeest. Consortium Classicum Musikproduktion MDG 301 0496-2 18 Boccherini, L. Piano quintet in C, op 57 no 6, La ritarata notturno di Madrid (1797). Richard Tognetti, vn; Lorna Cumming, vn; Colin Cornish, va; Cameron Retchford, vc; Geoffrey Lancaster, fp. Fine Music concert recording 22 10:30 CONCERT HALL Prepared by Jennifer Foong Berlioz, H. Overture to Beatrice and Benedict (1860-62). Philharmonia O/Jean-Philippe Rouchon. ASV DCA 895 8 Paderewski, I. Symphony in B minor, op 24, Polonia (1903-08). BBC Scottish SO/Jerzy Maksymiuk. Hyperion CDA67056 1:14 12:00 A JAZZ HOUR With Barry O'Sullivan 13:00 PSYCHE Prepared by Dan Bickel Dvorák, A. Overture: My home, op 62a (1882). Czech PO/Libor Pesek. Virgin 5 45127 2 10 Glière, R. Harp concerto, op 74 (1943). Alice Giles, hp; Adelaide SO/David Porcelijn. ABC 454 506-2 26 Franck, C. Psyche (1887-88). Belgian RT Choir; Liège O/Paul Strauss. EMI 5 65162 2 47 14:30 CHILDREN'S WORLD With Peter Poole Moroi, S. Sinfonietta in B flat, op 24, For children (1943). Irish NSO/Takuo Yuasa. Naxos 8.557162 16

Bartók, B. Ten pieces for children (1908-09; arr. Weiner). Il Quartettone. Giulia GS 201013 9 Mosonyi, M. Hungarian children's world (1859). István Kassai, pf. Marco Polo 8.223557 32 Elgar, E. Dream children, op 43 (1902). Welsh National Opera O/Charles Mackerras. Decca 433 214-2 7 Villa-Lobos, H. Children’s carnival (1920). Sonia Rubinsky, pf; Tatiana Rankovich, pf. Naxos 8.555717 15 16:00 FINE MUSIC DRIVE With James Hunter 19:00 FRIDAY JAZZ SESSION With Christopher Waterhouse 20:00 EVENINGS WITH THE ORCHESTRA Prepared by Robert Small Berlioz, H. Overture to Benvenuto Cellini, op 23 (1836-38). New York PO/Pierre Boulez. Sony SM3K 64 103 10 Tchaikovsky, P. Souvenir de Florence, op 70 (1891). Australian CO/Carl Pini. Omega OCD 1010 35 Britten, B. Suite, from Death in Venice, op 88 (1973-4, arr. Bedford). English CO/Steuart Bedford. Chandos CHAN 8363 27 Berlioz, H. Three scenes from Romeo and Juliet, op 17 (1839). Montreal Symphony Ch & O/Charles Dutoit. Decca 425 001-2 40 22:00 BAROQUE AND BEFORE Prepared by Elaine Siversen Merula, T. Su la cetra amorosa. Montserrat Figueras, sop; Jean-Pierre Canihac, cornett; Lorenz Duftschmid, violone; Jordi Savall, va da gamba; Rolf Lislevand, vihuela, theorbo, gui; Andrew Lawrence-King, baroque hp; Ton Koopman, hpd. Alia Vox AVSA 9862 8 Telemann, G. Overture with suite in D, TWV55:D6. Le Concert des Nations/Jordi Savall. Alia Vox AVSA 9877 19 Couperin, F. Troisième leçon de Ténèbres (pub. 1717). Monserrat Figueras, sop; MariaCristina Kiehr, sop; Rolf Lislevand, theorbo; Jordi Savall, bass viol; Pierre Hantaï, hpd. Auvidis/Valois V 4640 13 Sainte-Colombe, A. Concert no 41, Le retour. Wieland Kuijken, bass viol; Jordi Savall, bass viol. Astrée E 7729 8 Anon. Sibilla catalane. Monserrat Figueras, sop; La Capella Reial/Jordi Saval. Astrée E 8705 23 Rosenmüller, J. Suite I in C (pub. 1654). Hespérion XX/Jordi Savall. Astrée E 8709 14

Hidalgo, J. Trompicávalas amor; Crédito es de mi decoro; Tonante Dios!; De las luces que en el mar. Montserrat Figueras, sop; Jordi Savall, va da gamba; Ton Koopman, hpd. Philips 432 822-2 8 Trad. The Liverpool set. Jordi Savall, treble viol, lyra viol; Andrew Lawrence-King, baroque hp. Alia Vox AVSA 9878 11

Saturday 4 July SATURDAY 4 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SATURDAY MORNING MUSIC With David Garrett 09:00 WHAT'S ON IN MUSIC With James Hunter 09:05 THE PIANO ALONE Prepared by Paul Cooke Schumann, R. Scenes from childhood, op 15. Vladimir Horowitz, pf. Philips 456 838-2 17 Kats-Chernin, E. Eggshell (2017). TamaraAnna Cislowska, pf. ABC 481 6430 7 Mozart, W. Piano sonata no 11 in A, K331 (1781-83). Gerard Willems, pf. ABC 476 5696 25 10:00 MUSICAL JOURNEYS Prepared by Rodrigo Azaola Ippolitov-Ivanov, M. Caucasian sketches, op 10 (1894). Utah SO/Maurice Abravanel. Everyman OVC 5010 22 Rameau, J-P. Le berger fidèle (1728). Isabelle Poulenard, sop; Daniel Cuiller, vn; Thérèse Kipfer, vn; Marianne Müller, va da gamba; Yannick le Gaillard, hpd. Le Chant du Monde LDC 278 774 14 Hindemith, P. Der Schwanendreher (1935). Tabea Zimmermann, va; German SO/Hans Graf. Myrios MYR010 27 Hovhaness, A. Symphony no 2, op 132, Mysterious mountain (1955). American Composers O/Dennis Russell Davies. Musicmasters MMD 60204 16 11:30 ON PARADE Prepared by Owen Fisher Anon. Danny Boy. Cory Band/Robert Childs Doyen DOY CD 215 4 Stephens, J. Lucy Long. Camell Laird Band/ James Scott Fontana STL 5531 6 Alford, Kenneth. March: Old Panama. Grimethorpe Colliery Band/Chris Houlding EMI 7243 5 21451 2 3

Tchaikovsky, P. Hungarian dance, from Swan Lake. Melbourne Fire Brigade Band/ Mervyn Simpson W & G BS 5501 3 Price, D. Moonbeams. Cory Band/Robert Childs Doyen DOY 239 7 12:00 URBAN JAZZ LOUNGE With Leita Hutchings 13:00 OPERA IN MINIATURE Prepared by James Nightingale Falla, M. de La vida breve. Opera in two acts. Libretto by Carlos Fernández-Shaw. First performed Nice, 1913. SALUD: Teresa Berganza, mezz GRANDMOTHER: Alicia Nafé, mezz CARMELA: Paloma Perez Iñigo, sop PACO: José Carreras, ten UNCLE: Juan Pons, ten Ambrosian Opera Ch; London SO/Garcia Navarro. DG 435 851-2 1:00 A gypsy girl, Salud, and her grandmother eagerly await the arrival of her lover, Paco. He is well off and has promised to marry her but he is late to arrive. When he does appear, he declares his love and faithfulness, to the approval of Salud and her grandmother. Then her Uncle arrives with the news that Paco will tomorrow marry a rich girl. The reception for the marriage of Paco and Carmela is in progress at Carmela’s home. Salud appears with her grandmother and they observe the party before Paco notices that they are there. The gypsies enter, offering to entertain the party. After dancing, Salud turns on Paco and declares his treachery before collapsing dead at his feet. Serra, J. Rural impressions (1927). El Vallès SO/Salvador Brotons. Naxos 8.555871 17 14:30 SATURDAY MATINEE With Anne-Louise Luccarini Bruckner, A. Symphony no 8 in C minor (1884-90). Royal Concertgebouw O; Zubin Mehta, conductor. Radio Nederland RCO12004 1:23 Wolf, H. Scherzo and finale (1877). Paris O; Daniel Barenboim, conductor. Apex 0927-49582-2 15 Strauss, J. II Gypsy quadrille, op 24. Vienna PO; Riccardo Muti, conductor. DG 474 900-2 5 Schumann, R. Piano sonata in F sharp minor, op 11 (1832-35). Nikolai Demidenko, piano. Hyperion CDA66864 34 17:00 SOCIETY SPOT With Kate Delaney 18:00 MUSIC OF THE SCREEN With Adam Bowen

19:00 EMERGENT JAZZ With Keith Pettigrew 20:00 THE LIFE OF A COMPOSER Prepared by James Nightingale Pfitzner, H. Preludes to Acts I, II and III of Palestrina (1915). Berlin Opera O/Christian Thielemann. DG 449 571-2 22 Pfitzner, H. Lieder, op 7 nos 1 to 5 (1888-89). Christoph Prégardien, ten; Michael Gees, pf. cpo 999 364-2 11 Pfitzner, H. Duo, op 43. Saschdo Gavriloff, vn; Julius Berger, vc; Bamberg SO/Werner Andreas Albert. cpo 999 079-2 14 Pfitzner, H. String quartet no 3 in C minor, op 50 (1942). Austrian String Quartet Pantheon D14090 20 Pfitzner, H. Symphony in C sharp minor, op 36a. Bamberg SO/Werner Andreas Albert. cpo 999 136-2 39 22:00 SATURDAY NIGHT AT HOME Prepared by Elaine Siversen Falla, M. de Nights in the gardens of Spain (1909-15). Alicia de Larrocha, pf; Suisse Romande O/Sergiu Comissiona. Decca 417 771-2 24 Schumann, R. Excerpts from Myrthen, op 25 (1840). Peter Schreier, ten; Christoph Eschenbach, pf. Teldec 2292-46154-2 21 Dvorák, A. Cypresses, for string quartet (1887). Panocha Quartet. Supraphon 11 1457-2 131 36 Liszt, F. Années de pèlerinage, troisième année, S163 no 1(1881). Leslie Howard, pf. Hyperion CDS44511 32

Sunday 5 July SUNDAY 5 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC With Stephen Wilson 09:00 MUSICA SACRA Prepared by Stephen Matthews Mozart, W. Mass in C minor, K427. Choirs of Collegium Gent and La Chapelle Royale; O des Champs-Elysees/Philippe Herrewghe. Harmonia Mundi HMX 2908845 55 Stanford, C. Villiers Psalm 150: O Praise God in His Holiness. Choir of St John’s College, Cambridge; John Scott, org; George Guest, cond. Argo 483 1290 2 10:00 THE CLASSICAL ERA Prepared by Rex Burgess Grétry, A-E-M. Overture to Le Magnifique (1773). English CO/Richard Bonynge. Decca 440 844-2 11

Gossec, F-J. Symphonie à 17 parties (1809). Swiss-Italian RO/Wolf-Dieter Hauschild. Naxos 8.554750-51 28 Praeger, H. Introduction, theme and variations, op 21. Konrad Hünteler, fl; Reinbert Evers, gui. Pantheon D 14 112 10 Hellendaal, P. Concerto grosso in E flat, op 3 no 4 (pub. c1758). Combattimento Consort, Amsterdam/Jan Willem de Vriend. NM Classics 92019 13 Kraus, J.M. Flute quintet in D (1783). Lena Weman, fl; Jaap Schröder, vn; Per Sandklef, vn; Björn Sjögren, va; Kari Ottesen, vc. Musica Sveciae MSCD 415 22 Crusell, B. Clarinet concerto no 3 in B flat, op 11 (1812). Thea King, cl; London SO/Alun Francis. Helios CDH55203 26 12:00 CLASSIC JAZZ AND RAGTIME With Maureen Meers 13:00 WORLD MUSIC: Whirled Wide With Carole Garland 14:00 FLORENTIANS Prepared by Jacky Ternisien Cherubini, L. Overture to Médée (1797). San Remo SO/Piero Bellugi. Naxos 8.557908 8 Castelnuovo-Tedesco, M. Sonatina canonica, op 196 (1961). Amadeus Guitar Duo. Naxos 8.573442 10 Landini, F. Ochi dolenti mie; Per sequir la sperança. Gothic Voices/Christopher Page. Hyperion CDS44253 7 Castelnuovo-Tedesco, M. Passatempi, five little waltzes, op 54 (1928). Jordi Masó, pf. Naxos 8.555856 7 Lully, J-B. Ballet de Xerxès (1660). Aradia Baroque Ensemble/Kevin Mallon. Naxos 8.554003 19 15:00 SUNDAY SPECIAL Prepared by Frank Morrison Beethoven, L. Horn sonata in F, op 17 (1800). Hermann Baumann, hn; Leonard Hokanson, pf. Philips 416 816-2 15 Schubert, F. String quartet in C minor, D703, Quartettsatz (1820). Tokyo String Quartet. Harmonia Mundi HMU 807427 12 Schubert, F. Im Walde, D708 (1820). Dietrich Fischer-Dieskau, bar; Gerald Moore, pf. DG 477 5765 7 Gade, N. Overture: Echoes from Ossian, op 1 (1840). Danish National RSO/Dmitri Kitaienko. Chandos CHAN 9422 15 Chopin, F. Ballade no 3 in A flat, op 47 (1840-41). Artur Rubinstein, pf. RCA RD 89651 7

Smetana, B. Symphonic poem: Hakon Jarl, op 61 (1860-61). Prague RSO/Vladimir Válek. Supraphon SU 3916-2 16 Rimsky-Korsakov, N. Overture on Russian themes, op 28 (1868/80). USSR Academic SO/Yevgeny Svetlanov. Melodiya MCD 211 12 Saint-Saëns, C. Concert piece in E minor, op 62 (1880). Olivier Charlier, vn; Orchestral Ensemble of Paris/Jean-Jacques Kantorow. EMI 5 55587 2 10 Sibelius, J. Six songs, op 36 (1899). Anne Sofie von Otter, mezz; Bengt Forsberg, pf. BIS CD-457 12 17:00 HOSANNA Prepared by Stephen Matthews Rutter, J. For the beauty of the earth; The Lord is my Shepherd. Cambridge Singers; City of London Sinfonia/John Rutter. Decca 472 622-2 9 Harris, W. Faire is the Heaven; Bring us, O Lord God. Choir of New College, Oxford/ Robert Quinney. Novum NCR 1391 9 Handel, G. Excerpts from Solomon. Choir of Winchester Cathedral; Gottingen FO/Nicholas McGegan. Carus 83.242 17 Muffat, G. Toccata septima. Jaroslav Turna, org. Arta Music 12 Telemann, G. Lobet den Herrn; Der Tod ist verschlungen. Grosse Geistliche Chore. Hanssler 98.337 6 18:00 SMALL FORCES Prepared by Frank Morrison Beach, A. Piano trio in A minor, op 150 (1920). Elizabeth Layton, vn; Naomi Butterworth, vc; Diana Ambache, pf. Chandos CHAN 9752 15 Danzi, F. Wind quintet in B flat, op 56 no 1 (pub. 1821). Berlin Philharmonic Wind Quintet. BIS CD-552 16 Geminiani, F. Sonata no 6 in E minor for guitar, cello and harpsichord. Ede Banda, vc; Laszlo Karper, gui; János Sebestyen, hpd. LP Hungaroton SLPX 1201 5 Khachaturian, A. Trio for clarinet, violin and piano (1932). Walter Boeykens, cl; Marjeta Korosec, vn; Robert Groslot, pf. Harmonia Mundi HMC 901419 15 19:00 SUNDAY NIGHT CONCERT Prepared by Rex Burgess Beethoven, L. Overture to Coriolan, op 62 (1807). Berlin PO/Herbert von Karajan. DG 445 112-2 9 Strauss, R. Violin concerto in D minor, op 8 (1880-82). James Ehnes, vn; Melbourne SO/ Andrew Davis. ABC 481 7471 31

Borodin, A. A long time has passed, from Prince Igor (1887). Krassimira Stoyanova, sop; Munich RO/Pavel Baleff. Orfeo C 830 111A 10 Janácek, L. Suite from The Makropulos affair (1922; arr. Breiner). Vesa-Matti Leppanen, vn; New Zealand SO/Peter Breiner. Naxos 8.570556 32 20:30 NEW HORIZONS Prepared by Calogero Panvino Penderecki, K. Cello concerto no 2 (1982). Mstislav Rostropovich, vc; Philharmonia O/ Krzystof Penderecki. Erato ECD 75321 33 Górecki, H. Five Kurpian songs, op 75 (1999). Estonian Philharmonic Chamber Choir; Raschèr Saxophone Quartet/Paul Hillier. Harmonia Mundi HMX 2908795 23 Lutoslawski, W. Piano concerto (1987). Paul Crossley, pf; Los Angeles PO/Esa-Pekka Salonen. Sony SK 67189 26 22:00 JAZZ AFTER HOURS With Sue Jowell James, Swift Can't We Be Friends Sonny Stitt Prestige 739 3 Koehler Arlen I've Got The World On A String Diana Krall Warner 112 5 Simon The 59th Street Bridge Song (Feelin' Groovy) Simon & Garfunkel Columbia 6718 2 WC Handy Beale Street Blues Lena Horne RTR 4170 3 Spencer Williams Basin Street Blues Oscar Peterson Universal 599 4 Barin, Metric Bourbon Street Paddy Cole RTE 173 3 Jones Easy Street Sarah Vaughan EMI 3 34234 2 3 Leonard Bernstein, Stephen Sondheim America Andre previne Contemporary 422-2 5 Carmichael Bubble-Loo, Bubble-Loo Peggy Lee Capitol 8 32592 2 3 Leon Pober Tiny Bubbles The Mills Brothers & Count Basie Universal 19366 3 Brovin I'm Forever Blowin Bubbles Kirby Stone Four Sony 31590 2 Silver Doodlin Ray Charles Universal 133 6 Mercer/Arlen Blues in the Night Ray Charles TCM 39164 8

Harry Link/Jack Stachey/Holt Marvell These Foolish Things Errol Garner Telarchive 8332 7 Koehler Ev'ry Night About This Time The Ink Spots EMI 6064 3 Garret/Ballard Man In The Mirror Ida of North ABC 981091-3 Gordon After Hours Sarah Vaughan Timeless 5186592432 3 Bricusse My Kind Of Girl Frank Sinatra With Count Basie & His Orchestra Reprise 968872 5 Porter I Get a Kick Out of You Frank Sinatra Warner 1867 3 Montrose Clementine Bobby Darin Delta 6040 3 Hoagy Carmichael & Sid Arodin Lazy River Bobby Darin Warner 183 3 Gershwin/Mc Donald/De Sylva Lazybones The Mills Brothers Acrobat 252 3 Guiffre Lazy Tones Jimmy Guifre Intense 12281 4 Gershwin/Mc Donald/De Sylva Somebody Loves Me Dinah Shore, Andre Previn EMI 49306721 4 Chet Baker Early Morning Mood Chet Baker & Bill Evans AMJC 99005 9 Hilliard In The Wee Small Hours Of The Morning Carly Simon Epic 53764 3 Kahn Dream a little Dream Ella Fitzgerald Louis Armstrong Musidisk 5249831722 3 Razaf Garland In the Mood Puppini Sisters Universal 9857592 3

Monday 6 July MONDAY 6 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 FINE MUSIC BREAKFAST With Robert Small 09:00 DIVERSIONS IN FINE MUSIC Prepared by Chris Blower Field, J. Sonata in E flat, op 1 no 1 (1801). Richard Burnett, pf. Amon Ra CD-SAR 48 10 Reichardt, J. Symphony in G (1801). RIAS Sinfonietta/Ernö Sebestyen. LP Schwann VMS 2004 F 9 Pinto, G. Piano sonata in A, op 3 no 2 (1801). Riko Fukuda, fp. Olympia OCD 494 22

Haydn, J. Peggy, I must love thee; The bonny gray ey’d morn; The minstrel; Deil tak’ the wars; Gramachree; Up and war them a’Willy (1801). Lorna Anderson, sop; Jamie MacDougall, ten; Haydn Trio Eisenstadt. Brilliant Classics 92542 17 Beethoven, L. Violin sonata in F, op 24, Spring (1801). Robert Mann, vn; Stephen Hough, pf. Nimbus NI 2553/56 23 10:30 CONCERT HALL Prepared by Daphne Li Dvorák, A. Serenade in E, op 22 (1875). Philharmonia O/Christopher Warren-Green. Chandos CHAN 6526 30 Poulenc, F. Double concerto in D minor (1932). François-René Duchable, pf; JeanPhillipe Collard, pf; Rotterdam PO/James Conlon. Erato 2292-45232-2 20 Mozart, W. Symphony no 41 in C, K551, Jupiter (1788). Australian CO/Stephen Kovacevich. Fine Music tape archive 33 12:00 SWING SESSIONS With John Buchanan 13:00 ROMEO AND JULIET Prepared by Derek Parker Raff, J. Overture: Romeo and Juliet (1879; ed. MacDowell). Philharmonia O/Francesco d'Avalos. ASV DCA 793 9 Boyce, W. The dirge, from Romeo and Juliet (1750). Opera Restor'd/Peter Holman. Hyperion CDA66935 4 German, E. Incidental music to Romeo and Juliet (1895). Czecho-Slovak RSO/Adrian Leaper. Naxos 8.554711 14 Armstrong, C. The balcony scene, from Romeo and Juliet (arr. Bateman). Royal PO/ Paul Bateman. Sony 88697161052 6 Rota, N. Love theme, from Romeo and Juliet (1968). Royal PO/Tolga Kashif. Sony 88697290382 3 Lambert, C. Ballet: Romeo and Juliet (192525). English CO/Norman Del Mar. Lyrita SRCD.215 30 Zandonai, R. Giulietta, son io, from Juliet and Romeo (1922). Jonas Kaufmann, ten; Saint Cecilia National Academy O/Antonio Pappano. Decca 478 2258 5 Svendsen, J. Romeo and Juliet fantasia, op 18 (1876). Bergen PO/Neeme Järvi. Chandos CHAN 10693 10

14:30 TALLY HO! Prepared by Jacky Ternisien Méhul, É-N. Overture to La chasse du jeune Henri (1797). Gulbenkian Foundation O/ Michel Swierczewski. Nimbus NI 5184/5 11 Mouret, J-J. Symphonies de chasse (c1729). André Both, hn; La Grande Écurie et La Chambre du Roy/Jean-Claude Malgoire. LP CBS SBR 235988 8 Berlioz, H. Le chasseur danois (1845). Gilles Cachemaille, bar; Lyon Opera O/John Eliot Gardiner. Apex 0927 49583 2 3 Clementi, M. La chasse, op 16. Howard Shelley, pf. Hyperion CDA 67850 9 Giuliani, M. Rondeau, op 109, La chasse (pub. 1821). Raphaella Smits, gui. Accent ACC2 8863 D 9 Handel, G. March: Airs pour les chasseurs I and II, from Il pastor fido, HWV8 (1712). Simon Preston, hpd; Colin Tilney, hpd; Academy of St Martin in the Fields/Neville Marriner. Decca 433 732-2 6 Rossini, G. Le rendez-vous de chasse (1828). München Parforcehorn-Bläser. Orfeo C 034-821 A 5 Steibelt, D. Piano concerto no 5 in E flat, op 64, À la chasse (1802). Ulster O/Howard Shelley, pf & dir. Hyperion CDA 68104 27 16:00 FINE MUSIC DRIVE With Celeste Haworth 19:00 JAZZ PULSE With Chris Wetherall 20:00 STORMY MONDAY With Austin Harrison 22:00 JAZZ AFTER HOURS With Adam Bowen

Tuesday 7 July TUESDAY 7 00:00 SOUNDTRACKS AT MIDNIGHT With Chris Winner 01:00 OASIS OF INSOMNIA With Adam Cockburn 02:00 ECLECTIC CHAIR With Liam Collins 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST With Julie Simonds 09:00 DIVERSIONS IN FINE MUSIC Prepared by Rex Burgess Telemann, G. Overture no 3 in F, TWV32:7 (1742). Roberto Loreggian, hpd. Brilliant Classics 95150/34 10

Schumann, R. Andante and variations (1843). John Barrows, hn; Leslie Parnas, vc; Laurenie Lesser, vc; Richard Goode, pf; Charles Wadsworth, pf. ASV AMM 155R 19 Liszt, F. Venezia e Napoli, S161 (1859). Benjamin Grosvenor, pf. Decca 483 0255 18 Ravel, M. Piano trio in A minor (1914). Rotraud Schneider, vn; Anthea Scott-Mitchell, vc; Daniel Herscovitch, pf. Fine Music concert recording 25 Kats-Chernin, E. Schubert blues (1996). Lisa Moore, pf. Tall Poppies TP147 9 10:30 CONCERT HALL Prepared by Anne Irish Rossini, G. Overture to The thieving magpie (1817). Tasmanian SO/Ola Rudner. ABC 476 2599 10 Lalo, E. Cello concerto in D minor (1876). Paul Tortelier, vc; City of Birmingham SO/ Louis Frémaux. EMI 7 69457 2 27 Schmidt, F. Symphony no 1 in E (1896-99). Malmö SO/Vassily Sinaisky. Naxos 8.570828 46 12:00 JAZZ RHYTHM With Jeannie McInnes 13:00 SONG AND DANCE Prepared by James Nightingale Edwards, R. Dawn mantras (2005). Jane Sheldon, sop; Sydney Children’s Choir; Cantillation; Jim Franklin, shakuhachi; Rixon Thomas, cora; Matthew Doyle, did; Ian Cleworth, perc; Brian Nixon, perc; Lyn Williams, cond. ABC 481 1909 7 Edwards, R. Prelude and dragonfly dance (1991). Synergy. Tall Poppies TP051 8 Schumann, C. Six songs, op 23 (1842-43). Susan Gritton, sop; Eugene Asti, pf. Hyperion CDA67249 14 Schumann, C. Soirées musicales, op 6 (1834-36). Yoshiko Iwai, pf. Naxos 8.553501 22 14:00 MUSICAL FAMILIES Prepared by Jennifer Foong Rebel, F. - Francœur, F. Overture to Scanderberg (1735). Les Paladins/Jerome Correas. naïve OP 30532 4 Rebel, J-F. Ballet: Les élémens (1737). Academy of Ancient Music/Christopher Hogwood. L’Oiseau-Lyre 421 656-2 25 Lalande, M-R. de Cantique quatrième (pub. 1687). Les Petits Chanteurs de SaintFrançois de Versailles/Yves Atthenont. Jade JACD 004 12

Rebel, J-F. Sonata no 1 in A (1713). Andrew Manze, vn; Jaap ter Linden, va da gamba; Richard Egarr, hpd. Harmonia Mundi HMU 907221 9 Rebel, J-F. Le tombeau de Monsieur de Lully (1695). Musica Antiqua Cologne/Reinhard Goebel. Archiv 415 298-2 16 Rebel, J-F. Trio sonata in F (1695). Kate Clark, fl; Paul Wright, vn; Suzanne Wijsman, vc; Stewart Smith, hpd. ABC 476 6996 8 Lalande, M-R. de Super flumina Babilonis (1687). Les Arts Florissants. Harmonia Mundi HMC 901351 18 Lalande, M-R. de Sixth suite, from Symphonies for the King’s supper. Paul Kuentz CO/Paul Kuentz. Archiv 453 169-2 15 16:00 FINE MUSIC DRIVE With Andrew Dziedzic 19:00 THE JAZZ BEAT With Lloyd Capps 20:00 RECENT RELEASES With Michael Field 22:00 CHAMBER SOIRÉE Prepared by Albert Gormley Bach, J.S. Trio sonata no 3 in D minor, BWV527 (c1730). Laura Vaughan, va da gamba; Elizabeth Anderson, hpd. Move MD 3396 14 Vaughan Williams, R. Phantasy quintet (1912). Garfield Jackson, va; Maggini Quartet. Naxos 8.555300 15 Sculthorpe, P. String quartet no 8 (1968). Goldner String Quartet. Tall Poppies TP089 15 Fauré, G. Cello sonata no 2 in G minor, op 117 (1918). Alban Gerhardt, vc; Cecile Licad, pf. Hyperion CDA67872 18 Schumann, R. Piano quintet in E flat, op 44 (1842). Richard Burnett, pf; Fitzwilliam String Quartet. Amon Ra CD-SAR 54 30 Glinka, M. Trio pathétique in D minor for clarinet, cello, and piano (1832). Trio d'Amsterdam. Koch 3-7015-2 HI 15

Wednesday 8 July WEDNESDAY 8 00:00 DREAD JUNCTION With Vince Carnovale 02:00 THE LOST HIGHWAY With Austin Harrison 03:00 CLASSICAL TILL DAWN

06:00 FINE MUSIC BREAKFAST With Janine Burrus 09:00 DIVERSIONS IN FINE MUSIC Prepared by Elaine Siversen Reincken, J. Sonata in A minor for two violins, viola da gamba and continuo (pub. 1687). Musica Antiqua Cologne. Archiv 437 089-2 15 Mattheson, J. Suite for two harpsichords in G minor. Attilio Cremonesi, hpd; Alessandro de Marchi, hpd. Harmonia Mundi HMC 905235 10 Keiser, R. Croesus, Act III scene 5. Werner Güra, ten; Akadamie für Alte Musik/René Jacobs. Harmonium Mundi HMX 2908250.79 8 Baermann, H. Introduction and polonaise, op 25. Dario Zingales, cl; Florian Podgoreanu, pf. Brilliant Classics 95785 7 Ries, F. Piano sonata in B minor, WoO11 (c1801). Susan Kagan, pf. Naxos 8.572300 22 Cannabich, C. Flute quintet in D, op 7 no 5 (1768-69). Camerata Cologne. cpo 999 544-2 17 10:30 CONCERT HALL Prepared by Rita Felton Mendelssohn, F. Overture: The Hebrides, op 26, Fingal's Cave (1830). Bamberg SO/Claus Peter Flor. RCA Victor RD 87905 10 Mozart, W. Flute concerto no 1 in G, K313 (1777-78). Lisa Beznosiuk, fl; Academy of Ancient Music/Christopher Hogwood. L’Oiseau-Lyre 417 622-2 24 Dvorák, A. Symphony no 6 in D, op 60 (1880). London SO/István Kertész. Decca 417 598-2 46 12:00 JAZZ SKETCHES With Robert Vale 13:00 IN CONVERSATION With Michael Morton-Evans 14:00 CELESTIAL BODIES Prepared by Yola Center Beethoven, L. Piano sonata in C sharp minor, op 27 no 2, Moonlight (1801). Roger Woodward, pf. Fine Music concert recording 14 Debussy, C. Nuages; Fêtes, from Nocturnes (1897-99; arr. Ravel). Michel Béroff, pf; JeanPhilippe Collard, pf. EMI 5 74112 2 12 Puccini, G. The stars are brightly shining, from Tosca (1900). Thomas Edmonds, ten; Adelaide SO/James Christiansen. ABC 438 196-2 3 Holst, G. Jupiter, the bringer of jollity, from The planets, op 32 (1914-16). Queensland SO/Nicholas Braithwaite. ABC 481 1143 8

Sculthorpe, P. Sun music I (1971). Adelaide SO/David Porceljin. ABC 480 6403 10 Williams, J. Main theme, from Star Wars (1977). Boston Pops O/John Williams. Decca 478 9244 6 15:00 COMPOSER PORTRAIT Prepared by James Nightingale Vine, C. String quartet no 4 (2004). Takács Quartet. Tall Poppies TP176 17 Vine, C. Love me sweet (1994; arr. O’Leary). Gondwana Voices/Mark O’Leary. Gondwana Voices CDGV001 4 Vine, C. Flute sonata (1992). Geoffrey Collins, fl; David Miller, pf. Tall Poppies TP120 13 Vine, C. Oboe concerto (1996). Diana Doherty, ob; Tasmanian SO/Ola Rudner. ABC 476 2267 17 16:00 FINE MUSIC DRIVE With Ross Hayes 19:00 A TWIST OF JAZZ With Andrew Piper 20:00 AT THE OPERA Prepared by Elaine Siversen Gluck, C. Iphigénie en Aulide. Opera in three acts. Libretto by François du Rouillet. First performed Paris, 1774. AGAMEMNON: José van Dam, bass-bar CLYTEMNESTRA: Anne Sofie von Otter, mezz IPHIGÉNIE: Lynne Dawson, sop ACHILLES: John Aler, ten CALCHAS: Gilles Cachemaille, bar ARKAS: René Schirrer, bar DIANA: Guillemette Laurens, mezz Monteverdi Choir: Lyon Opera O/John Eliot Gardiner. Erato 2564 69562-0 2:13 So that he might have favourable winds to drive his ships from Aulis to Troy, King Agamemnon must sacrifice his daughter Iphigenia to the goddess Diana, but implores the goddess to choose another victim. Iphigenia is to marry Achilles who swears he will take her place. The angry Greeks demand that the sacrifice take place so that the goddess may be appeased and the ships sail. The High Priest Calchas raises the knife but Diana descends from Olympus and waives the sacrifice because of the piety of the daughter. The wedding is celebrated and the Greeks prepare for war. 22:30 WITH PERCUSSION Prepared by Rex Burgess Antheil, G. A jazz symphony (1925). Ivan Davis, pf; Percussion Ensemble; New Palais Royale O/Maurice Peress. Nimbus NI 2567 13

Casella, A. Concerto for strings, piano, timpani and percussion, op 69 (1943). Desirée Scuccuglia, pf; Antonio Ceravolo, perc; Rome SO/Francesco La Vecchia. Naxos 8.572413 22 Bacewicz, G. Music for strings, trumpets and percussion (1958). Royal Concertgebouw O/ Witold Rowicki. Radio Netherlands RCO 05001 19 Bartók, B. Music for strings, percussion and celesta (1936). Berlin PO/Herbert von Karajan. EMI CDM 7 69242-2 28

Thursday 9 July THURSDAY 9 00:00 UNLEASH THE VINYL With Tom Zelinka 01:00 GROOVESVILLE/25 O'CLOCK With Ray Levis 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST With Simon Moore 09:00 DIVERSIONS IN FINE MUSIC Prepared by Paul Cooke Holland, D. Sonata (1937). Asmira Woodward-Page, vn; Scott Davie, pf. Artworks AW034 15 Buxtehude, D. Trio sonata in D minor, BuxWV257 (pub. 1694). Latitude 37. ABC 481 0483 9 Cassado, G. Suite for cello (1926). Alisa Weilerstein, vc. Decca 478 5296 16 Röntgen, J. String trio no 1 in D, op 76 (1915). Lendvai String Trio. Champs Hill CHRCD068 20 Boccherini, L. Guitar quintet no 4 in D, Fandango (1798). Karin Schaupp, gui; Flinders Quartet. ABC 476 4435 20 10:30 CONCERT HALL Prepared by Robert Gilchrist Lehár, F. Overture to Gypsy love (1910). Zurich Tonhalle O/Franz Lehár. Naxos 8.110857 9 Beethoven, L. Piano concerto no 4 in G, op 58 (1806). Wilhelm Kempff, pf; German Opera House O/Paul van Kempen. DG 479 1133 33 Hart, F. The bush, op 59 (1923). Melbourne SO/Richard Divall. Canberra School of Music CSM:38 40 12:00 JAZZ, PURE AND SIMPLE With Maureen Meers

13:00 OUT OF AFRICA Prepared by Stephen Wilson Saint-Georges, J. Violin concerto in A, op 5 no 2 (pub. 1755). Takako Nishizaki, vn; Cologne CO/Helmut Müller Brühl. Naxos 8.555040 25 Coleridge-Taylor, S. Clarinet quintet in F sharp minor, op 10 (1895). Members of Nash Ensemble. Hyperion CDA67590 30 Still, W. Symphony no 1 (1930). Detroit SO/ Neeme Järvi. Chandos CHAN 9154 24 14:30 MUSICAL REVOLUTIONS Prepared by Albert Gormley Ravel, M. Le tombeau de Couperin (191417). Farkas Wind Quintet Amsterdam. Radio Nederland MCCP124 24 Alfvén, H. Symphonic poem: A legend of The Skerries, op 20 (1904). Royal Scottish NO/ Niklas Willén. Naxos 8.553729 18 Sibelius, J. Symphony no 2 in D, op 43 (1901). Royal Concertgebouw O/George Szell. Radio Netherlands RCO 05001 42 16:00 FINE MUSIC DRIVE With Marilyn Schock 19:00 THE NEW JAZZ STANDARD With Frank Presley 20:00 THE WORLD OF A SYMPHONY Prepared by Di Cox Bach, C.P.E. Symphony in A, Wq182 no 4 (1773). Freiburg Baroque O/Thomas Hengelbrock. Harmonia Mundi RD77187 13 Stamitz, J. Clarinet concerto in B flat. Andreas Ottensamer, cl; Potsdam Chamber Academy. Decca 481 4711 17 Clementi, M. Sonata in C, op 14 no 1 (1786/1815). Genevieve Chinn, Allen Brings, pf. Centaur CRC 2046 18 Mozart, W. String quartet no 14 in G, K387 (1782). Australian String Quartet. Fine Music concert recording 31 Haydn, J. She never told her love; Sailor’s song (1795). Elly Ameling, sop; Jörg Demus, fp. Brilliant Classics 93768 6 Haydn, J. Symphony in G, Hob.I:92, Oxford (1789). Royal Concertgebouw O/Karel Ancerl. Radio Nederland RCO 06004 27 22:00 BERGAMASQUES Prepared by Jacky Ternisien Kapsberger, J. Bergamasca. Australian Brandenburg O/Paul Dyer. ABC 476 3828 3

Viadana, L. La bergamasca, from Sinfonie musicali, op 18 (pub. 1610). Wallace Collection/Simon Wright. Nimbus NI 5236 3 Uccellini, M. Aria quinta sopra la Bergamasca (1642). La Cetra Baroque O/ Andrea Marcon. Archiv 479 4595 5 Debussy, C. Prelude; Claire de lune, from Suite bergamasque (1905; arr. Rutter). Jane Rutter, fl; Gerard Willems, pf. ABC 476 6475 9 Patavino, F. Le pur morte feragu, venni gia la Bergamasca. Capella de la Torre/Katharina Bäuml. DHM G01000773044F 5 22:30 ULTIMA THULE With Jackson Day

Friday 10 July FRIDAY 10 00:00 MUTABLE CARAT With Nick Dan 01:00 THE LONG DIVISION With Joe Goddard 02:00 SIGNAL CRUNCH With Glenn Winfield 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST With Annabelle Drumm 09:00 DIVERSIONS IN FINE MUSIC Prepared by Elaine Siversen Antheil, G. Over the plains (1945). BBC PO/ John Storgårds. Chandos CHAN 10941 8 Schickele, P. A year in the Catskills (2009). Jane Kirchner, fl; Jared Hauser, ob; Cassandra Lee, cl; Cynthia Estill, bn; Leslie Norton, hn. Naxos 8.559687 22 Borodin, A. In the Steppes of Central Asia (1880). Suisse Romande O/Ernest Ansermet. Decca 455 632-2 7 Abbott, C. Suites from Blue Mountains air: no 3, Twilight and dawn; no 9, Snow at Katoomba; no 10, Mountain winds. Janet Webb, fl; Ulpia Erdos, hp. Fine Music concert recording 14 Jenkins, K. Song of the plains (1995-2013). London Philharmonic Choir; Adiemus SO of Europe. Decca 579 3828 10 d’Indy, V. Poem of the mountains, op 15 (1881). Stephanie McCallum, pf. ABC 461 798-2 20

10:30 CONCERT HALL Prepared by Paul Cooke Rossini, G. Overture to Torvaldo e Dorliska (1815). New Philharmonia O/Richard Bonynge. Decca 466 431-2 8 Tveitt, G. Piano concerto no 5, op 156 (1954). Håvard Gimse, pf; Royal Scottish NO/ Bjarte Engeset. Naxos 8.555077 32 Rubinstein, A. Symphony no 6 in A minor, op 111 (1880s). Philharmonia Hungarica/Gilbert Varga. Marco Polo 8.220489 42 12:00 A JAZZ HOUR With Barry O'Sullivan 13:00 TORINESE Prepared by Jacky Ternisien Somis, G. Violin sonata in A minor, op 1 no 1. Enrico Gatti, vn; Giorgio Tabacco, hpd. Symphonia SY-92S13 10 Sinigaglia, L. 12 Variations on theme by Schubert, op 19. John Anderson, ob; Gordon Back, pf. ASV WHL 2100 9 Pugnani, G. Overture no 1 in D. Ensemble L'Astrée. Symphonia SY 93S21 13 Einaudi, L. Discovery at night; Abc. Ludovico Einaudi, pf. Decca 481 0173 8 Giardini, F. Sonata in G for violin and continuo, op 31 no 2. Enrico Gatti, vn; Antonio Mosca, vc; Giorgio Tabacco, hpd. Symphonia SY-92S13 11 14:00 BETWEEN TWO WORLDS Prepared by Ron Walledge Tchaikovsky, P. Symphonic poem: Fatum, op 77 (1868). SO of Russia/Veronika Dudarova. Olympia OCD 512 A&B 18 Tchaikovsky, P. Overture: The storm, op 76 (1864). Concertgebouw O/Bernard Haitink. Decca 478 5867 12 Tchaikovsky, P. Overture in F. Russian NO/ Mikhail Pletnev. Newton 8802037 11 Tchaikovsky, P. Suite from Swan Lake, op 20 (1877). Berlin PO/Mstislav Rostropovich. DG 429 097-2 25 Tchaikovsky, P. Symphony no 1 in G minor, op 13, Winter daydreams (1866). USSR SO/ Yevgeny Svetlanov. Melodiya 74321170922 42 16:00 FINE MUSIC DRIVE With Camille Merceps 19:00 FRIDAY JAZZ SESSION With Christopher Waterhouse

20:00 EVENINGS WITH THE ORCHESTRA Prepared by Rex Burgess Mendelssohn, F. The first Walpurgis Night, op 60 (1830/43). Sarah Sweeting, sop; Pascal Herington, ten; David Hidden, bass; Willoughby Symphony Ch & O/Stephen Mould. Fine Music concert recording 32 Mahler, G. Symphony no 7 in E minor (1906). Sydney SO/Vladimir Ashkenazy. SSO recording 1:16 22:00 BAROQUE AND BEFORE Prepared by Andrew Dziedzic Biber, H. The five joyful sonatas (c1676). Musica Antiqua Cologne/Reinhard Goebel. Archiv 479 1957 32 Marini, B. Le lagrime d’Erminia (1620s). Emma Kirkby, sop; Nigel Rogers, ten; Consort of Musicke/Anthony Rooley. L’Oiseau-Lyre 478 0020 23 Marini, B. Violin sonatas 1 to 4 (1620s). Catherine Mackintosh, vn; Monica Huggett, vn; Consort of Musicke/Anthony Rooley. L’Oiseau-Lyre 478 0020 24 Sainte-Colombe, A. Concert no 27, Bourrasque. Wieland Kuijken, bass viol; Jordi Savall, bass viol. Astrée E 7729 8 Muffat, G. Indissolubilis amititia (pub. 1698). Armonico Tributo/Lorenz Duftschmid. cpo 999 635-2 11 Bertali, A. Sonata in D à 4. Le Concert Brisé/ William Dongois. Accent ACC 24260 11

Saturday 11 July SATURDAY 11 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SATURDAY MORNING MUSIC With Stephen Wilson 09:00 WHAT'S ON IN MUSIC With Nicky Gluch 09:05 THE PIANO ALONE Prepared by Anne Irish Mendelssohn, F. Variations sérieuses in D minor, op 54 (1841). Kathryn Selby, pf. ABC 432 700-2 13 Gade, N. Arabesque, op 27 (1854). Anker Blyme, pf. Marco Polo DCCD 9116 9 Beethoven, L. Piano sonata no 32 in C minor, op 111 (1822). Alfred Brendel, pf. Philips 438 374-2 26

10:00 MUSICAL JOURNEYS Prepared by Paul Cooke Suppé, F. Overture to Morning, noon and night in Vienna (1844). Royal Scottish NO/ Neeme Järvi. Chandos CHSA 5110 8 Vaughan Williams, R. Toward the unknown region (1905-06). Choir of Winchester Cathedral; Waynflete Singers; Bournemouth SO/David Hill. Decca 467 613-2 12 Mussorgsky, M. St John’s night on Bald Mountain (1867; ed. Rimsky-Korsakov 1886; transcr. Chernov). Boris Berezovsky, pf. Teldec 4509-96516-2 11 Roussel, A. Suite from Padmâvatî (1914-18). Royal Scottish NO/Stéphane Denève. Naxos 8.572243 22 Schubert, F. Eight songs from Winterreise (1827; arr. Roger Benedict). Roger Benedict, va; Simon Tedeschi, pf. ABC 481 6751 27 11:30 ON PARADE With Owen Fisher 12:00 URBAN JAZZ LOUNGE With Leita Hutchings 13:00 IN A SENTIMENTAL MOOD With Maureen Meers 14:00 KEYBOARD OPERA Prepared by Chris Blower Deutscher, A. Up in the sky; When the day falls into darkness, from Cinderella (2012-15; arr. Deutscher 2019). Alma Deutscher, pf. Sony 19075990192 7 Glinka, M. Variations on a theme in E flat, from Mozart’s The magic flute (1822). Tatiana Loguinova, pf. Phaedra 292026 9 Liszt, F. Paraphrase on the Miserere, from Verdi’s Il trovatore (1859). Daniel Barenboim, pf. Erato ECD 75477 9 14:30 SATURDAY MATINEE Prepared by Elaine Siversen Sullivan, A. HMS Pinafore or The lass that loved a sailor. Operetta in two acts. Libretto by W.S. Gilbert. First performed London,1878. SIR JOSEPH PORTER: Richard Suart, bar CAPTAIN CORCORAN: Thomas Allen, bar RALPH RACKSTRAW: Michael Schade, ten JOSEPHINE: Rebecca Evans, sop LITTLE BUTTERCUP: Felicity Palmer, mezz Welsh National Opera Ch & O/Charles Mackerras. Telarc CD-80374 1:14 Josephine, daughter of the captain of the ship HMS Pinafore, is in love with a lowerclass sailor, Ralph Rackstraw. Her father, Captain Corcoran, intends her to marry Sir Joseph Porter, First Lord of the Admiralty. Sir Joseph's advocacy of the equality of

humankind encourages Ralph and Josephine to declare their love for each other and they plan to elope. The captain discovers this plan and sends Ralph to the brig. Little Buttercup now reveals her longheld secret. Many years ago, when she ‘practised baby-farming’, she had cared for two babies, one ‘of low condition’, the other ‘a regular patrician’. She confesses that she mixed up the babies. Ralph was the well-born; the Captain was the low-born. Sir Joseph now realises that Ralph should be the Captain and the Captain should be a lowly sailor. Sir Joseph's marriage with Josephine is now out of the question. Despite his former championing of equality, it does not extend to his own marriage to the daughter of a common sailor. He hands her to Captain Rackstraw. The former Captain, now of humble social rank, is free to marry Buttercup. Suite from The tempest, op 1 (1861). BBC PO/Richard Hickox. Chandos CHAN 9859 28 Masquerade, from The merchant of Venice (1871). Emmanuel Lawler, ten; RTE Concert O/Andrew Penny. Marco Polo 8.223461 23 Overture to Macbeth (1888). BBC Welsh NO/ Rumon Gamba. Chandos CHAN 10797 8 17:00 SOCIETY SPOT Prepared by John Hanna 18:00 MUSIC OF THE SCREEN With Maureen Meers 19:00 EMERGENT JAZZ With Keith Pettigrew 20:00 THE LIFE OF A COMPOSER Prepared by Rodrigo Azaola Marais, M. Pièces en trio in C (1692). Purcell Quartet. Hyperion CDA66310 19 Marais, M. Couplets de folies, from Pièces de violes, bk 2 (1701). Spectre de la Rose. Naxos 8.553081 17 Marais, M. Les folies d'Espagne (1701). Manuela Wiesler, fl. BIS CD-459 24 Marais, M. La gamme en forme d'un petit opera (pub. 1723). Boston Museum Trio. Centaur CRC 2129 35 Marais, M. Séméle, Act II (1709; arr. Harvey). Belinda Montgomery, sop; Alexander Knight, bar; Mikaela Oberg, baroque fl; Fiona Ziegler, vn; Jennifer Eriksson, va da gamba; Catherine Upex, va da gamba; Raymond Harvey, hpd. Fine Music concert recording 18

22:00 SATURDAY NIGHT AT HOME Prepared by Frank Morrison Scarlatti, D. Concerto grosso no 12 in D (arr. Avison 1744). Academy of St Martin in the Fields/Neville Marriner. Philips 438 806-2 15 Mozart, W. String quartet no 19 in C, K465, Dissonance (1785). Emerson String Quartet. DG 445 598-2 28 Hummel, J. Piano concerto in B minor, op 89 (1819). Stephen Hough, pf; English CO/ Bryden Thomson. Chandos CHAN 8507 36 Mendelssohn, F. String octet in E flat, op 20 (1825). Academy of St Martin in the Fields Chamber Ensemble. Chandos CHAN 8790 31

Sunday 12 July SUNDAY 12 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC With Robert Small 09:00 MUSICA SACRA Prepared by Rex Burgess Du Mont, H. O sponse mia. Ensemble Dumont/Peter Bennett. Linn CKD 067 10 Pärt, A. Seven Magnificat antiphons BBC Singers; Bo Holten, conductor. Collins 14722 14 Lassus, O. de Penitential psalm no 3: O Lord, rebuke me not in thine wrath (1584). Collegium Vocale Gent/Philippe Herreweghe. Harmonia Mundi HMC 901831 27 10:00 THE CLASSICAL ERA Prepared by Paul Cooke Beethoven, L. Ten variations on Ich bin der Schneider Kakadu, op 121a. Macquarie Trio. Fine Music concert recording 19 Tausch, F. Double concerto no 1 in B flat, op 27 (1797). Thea King, cl; Nicholas Bucknall, cl; English CO/Leopold Hager. Hyperion CDA66504 24 Mozart, F. Three German songs, op 27 (1820). Barbara Bonney, sop; Malcolm Martineau, pf. Decca 475 6936 10 Vorisek, J. Symphony in D, op 24 (1823). Scottish CO/Charles Mackerras. Hyperion CDA66800 27 Hummel, J. Piano sonata no 6 in D, op 106 (1824). Ian Hobson, pf. Arabesque Z 6564 29 12:00 CLASSIC JAZZ AND RAGTIME With John Buchanan

13:00 WORLD MUSIC: Whirled Wide With Anna Tranter 14:00 ALL AT SEA Prepared by Ray Lemond Coates, E. March: The seven seas (1937). BBC Concert O/John Wilson. ASV WHL 2112 4 Klami, U. Sea pictures, op 23 (1926-1932). Turku PO/Jorma Panula. Naxos 8.553757 21 Schumann, R. The sea-sprite, op 125 no 1 (1850-51). Sarah Walker, mezz; Roger Vignoles, pf. Hyperion CDA66165 1 Ciurlionis, M. The sea (1903-07). Slovak PO/Juozas Domarkas. Marco Polo 8.223323 27 15:00 SUNDAY SPECIAL Prepared by Stephen Wilson Archduke Rudolph of Austria. Septet in E minor for winds and strings (1830). Consortium Classicum/Dieter Klöcker. Orfeo C 182 891 A 33 Krumpholtz, J-B. Harp concerto in B flat. Klará Nováková, hp; Bratislava RSO/Oliver Dohnányi. Brilliant Classics 99512 24 Hummel, J. Fantasia on Mozart's Il mio tesore in tanto (1833). Wolfram Christ, va; Strings of Australian Youth O. Fine Music tape archive 8 Czerny, C. Fantasy no 3, from Three brilliant fantasies after Schubert, op 339 (1836). Barry Tuckwell, hn; Daniel Blumenthal, pf. Etcetera KTC1121 19 Ries, F. Symphony no 3 in E flat, op 90 (c1820). Zurich CO/Howard Griffiths. cpo 999 547-2 24 17:00 HOSANNA Prepared by Meg Matthews Hymns: Sing ye faithful, sing with gladness; I heard the voice of Jesus say. Choirs of Church of the Redeemer, Chestnut Hill, and Christ Church, Cambridge, Massachusetts/ Michael Murray. Affetto AF 1901 5 Byrd, W. Gloria; Ave verum corpus, from Mass for four voices. Choir of Christ Church Cathedral, Oxford/Stephen Darlington. Nimbus NI 5287 10 Finzi, G. Magnificat, op 36. Choir of St John’s College, Cambridge; Christopher Whitton, org; Christopher Robinson, cond. Naxos 8.555792 9 Menotti, G. Excerpt from Amahl and the night visitors. Lorna Haywood, sop; James Rainbird, treb; John Dobson, ten; Donald Maxwell, bar; Curtis Watson, bass-bar; Royal Opera House Ch & O/David Cyrus. TER Classics 1124 5

Schütz, H. Psalm 111, I will give thanks to the Lord; Psalm 100, O be joyful to the Lord, all ye lands. Amarcord; Cappella Sagittariana Dresden/Norbert Schuster. Raumklang Records 12 Macmillan, J. Agnus Dei, from Missa Dunelm. Choir of Durham Cathedral; Francesco Massey, org; James Lancelot, cond. Priory PRCD 1078 4 Cornelius, P. Simeon, from Weinachtslieder, op 8 (1870). Peter Schreier, alto; KarlDietfried Adam, pf. Berlin Classics 009 1272 BC 3 Bach, J.S. Der lieben Sonne gehet nieder. Peter Schreier, ten; Karl Richter, org. DG 477 6210 2 18:00 SMALL FORCES Prepared by Rita Felton Kats-Chernin, E. Blue silence (2006). David Pereira, vc; Timothy Young, pf. Tall Poppies TP222 9 Elgar, E. Salut d'amour, op 12 (1888). Sarah Chang, vn; Sandra Rivers, pf. EMI CDC 7 54352 2 3 Boccherini, L. String quartet in G minor, op 32 no 5 (1780). Quartetto Borciani. Naxos 8.555043 22 Handel, G. Water music, HWV348-50 (1717; arr.). Crispian Steele-Perkins, tpt; Leslie Pearson, org. LDR 1006 19 19:00 SUNDAY NIGHT CONCERT Prepared by Krystal Li Delius, F. The walk to the Paradise Garden, from A village Romeo and Juliet (1907). Melbourne SO/Charles Mackerras. ABC 476 3224 11 Tchaikovsky, P. Piano concerto no 2 in G, op 44 (1880). Daniel Dodds, vn; Catherine Hewgill, vc; Garrick Ohlsson, pf; Sydney SO/ Vladimir Ashkenazy. SSO recording 47 Méhul, É-N. Symphony no 2 in D (1808-09). Les Musiciens du Louvre/Marc Minkowski. Erato 2292-45026-2 24 20:30 NEW HORIZONS Prepared by Krystal Li Barton, W. Birdsong at dusk. William Barton, voice, did; Kurilpa String Quartet. ABC 481 0962 12 Sculthorpe, P. Djilile (1986). David Pereira, vc; Ian Munro, pf. Tall Poppies TP136 4 Dreyfus, G. Sextet for didgeridoo and wind quintet. George Winunguj, did; Adelaide Wind Quintet. LP HMV OASD 9565 16 Barton, W. / Barton, D. Dreamtime duet. Delmae Barton, voice; William Barton, did. ABC 481 1909 3

Sculthorpe, P. Irkanda IV (1961). Goldner String Quartet. Tall Poppies TP089 11 Bright, C. Red earth (1985). Tall Poppies Ensemble/David Stanhope. Tall Poppies TP133 9 Barton - Hindson. Kalkadungu (c2008). Sydney SO/Richard Gill. ABC 476 4834 24 22:00 JAZZ AFTER HOURS With David Knapp

Monday 13 July MONDAY 13 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 FINE MUSIC BREAKFAST With James Hunter 09:00 DIVERSIONS IN FINE MUSIC Prepared by Frank Morrison Mendelssohn, F. Capriccio brillant in B minor, op 22 (1832). Stephen Hough, pf; City of Birmingham SO/Lawrence Foster. Hyperion CDA66969 11 Hérold, F. Jours de mon enfance, from Le pré aux clercs (1832). Sumi Jo, sop; English CO/Richard Bonynge. Decca 440 679-2 8 Glinka, M. Trio pathétique in D minor (1832). Colin Lawson, cl; Alberto Grazzi, bn; Olga Tverskaya, fp. Opus 111 OPS 30-230 16 Paganini, N. The convent of Mount St Bernard (1832). Franco Mezzena, vn; Coro Januensis; Genoa CO/Antonio Plotino. Dynamic CDS 27 22 Schumann, R. Winter time II, op 68 no 39, from Album for the young (1832-45). Angela Brownridge, pf. Helios CDH55039 3 Cramer, J. Piano quintet in B flat, op 79 (1832). Nepomuk Fortepiano Quintet. Brilliant Classics 94377 20 10:30 CONCERT HALL Prepared by Derek Parker Taneyev, S. Overture to Oresteia, op 6 (1889). Novosibirsk Academic SO/Thomas Sanderling. Naxos 8.570584 21 Walton, W. Cello concerto (1957). Raphael Wallfisch, vc; London PO/Bryden Thomson. Chandos CHAN 8959 30 Haydn, J. Symphony in E flat, Hob.I:103, Drumroll (1795). Vienna CO/Ernst Märzendorfer. Musical Heritage Society OR H-201-249 29 12:00 SWING SESSIONS With John Buchanan

13:00 AUSTRALIANS IN CHAMBER Prepared by James Nightingale Gifford, B. Footprints (2017; arr. Wells). Ensemble Offspring ABC 481 7995 2 Decruck, F. Danses autour du monde (1943). Michael Duke, sax; David Howie, pf. Saxophone Classics CC4002 12 Ligeti, G. Six bagatelles (1953). Canberra Wind Soloists. ABC 434 718-2 11 Prokofiev, S. Cello sonata in C, op 119 (1949). Zoe Knighton, vc; Amir Farid, pf. Move MD 3390 28 14:00 FROM ITALY TO ENGLAND VIA FRANCE Prepared by Ross Hayes Cherubini, L. Overture to Medea (1797). Tuscan O/Donato Renzetti. Europa 350-221 7 Halévy, F. Come dolce a me favelli, from Clari (1828). Cecilia Bartoli, mezz; Ada Pesch, vn; Orchestra La Scintilla/Adám Fischer. Decca 475 9077 5 Saint-Saëns, C. Symphony in A (c1850). French National RO/Jean Martinon. EMI CZS 7 62643 2 25 Fauré, G. Piano quartet no 1 in C minor, op 15 (1876-79). Antoine Tamestit, va; Trio Wanderer. Harmonia Mundi HMC 902032 30 Ravel, M. Sonate posthume (1897). Frank Peter Zimmermann, vn; Alexander Lonquich, pf. EMI CDC 7 54305 2 15 Vaughan Williams, R. Aristophanic suite: The wasps (1909). Royal Liverpool PO/ James Judd. Naxos 8.572304 26 16:00 FINE MUSIC DRIVE With Michael Field 19:00 JAZZ PULSE With Chris Wetherall 20:00 STORMY MONDAY With Austin Harrison 22:00 JAZZ AFTER HOURS With Gail Monjo

Tuesday 14 July TUESDAY 14 00:00 ECLECTIC CHAIR With Liam Collins 01:00 ECLECTIC CHAIR With Liam Collins 02:00 THE LONG DIVISION 02:00 THE LONG DIVISION With Joe Goddard 03:00 CLASSICAL TILL DAWN

06:00 FINE MUSIC BREAKFAST With Julie Simonds 09:00 DIVERSIONS IN FINE MUSIC Prepared by James Nightingale Clementi, M. Sonata in G (1768). Susan Alexander-Max, pf. Naxos 8.555808 11 Dove, J. All the future days (2004). Kitty Whately, mezz; Simon Lepper, pf. Champs Hill Records CHRCD125 20 Byrd, W. Fantasia in C. Patrick Russill, org. Decca 478 3640 6 Schmitt, F. Une semaine du petit elfe Fermel’oeil, op 58 (1912). Invencia Piano Duo. Grand Piano GP730X 24 Brahms, J. Violin sonata no 2 in A, op 100 (1886). Christian Ferras, vn; Pierre Barbizet, pf. DG 480 6655 20 10:30 CONCERT HALL Prepared by Di Cox Glinka, M. Spanish overture no 1: Jota aragonesa (1845). London SO/Charles Mackerras. Mercury 434 352-2 9 Weber, C.M. Clarinet concerto no 1 in F minor, op 73 (1811). Janet Hilton, cl; City of Birmingham SO/Neeme Järvi. Chandos CHAN 8305 21 Shostakovich, D. Symphony no 10 in E minor, op 93 (1953). Moscow PO/Kirill Kondrashin. Melodiya 74321199522 49 12:00 JAZZ RHYTHM With Jeannie McInnes 13:00 SYDNEY SYMPHONY 2020 With Andrew Bukenya 14:00 ENFANTS DE LA PATRIE Prepared by Jacky Ternisien Bochsa, N. Harp concerto no 1 in D minor, op 15. Lily Laskine, hp; Lamoureux Concerts Association O/Jean-Baptiste Mari. Erato 2292-45084-2 21 Ibert, J. Symphonic suite: Paris (1930). Suisse Romande O/Neeme Järvi. Chandos CHSA 5168 13 Dumont, C. Non, je ne regrette rien (1961). 3 Monnot, M. Milford. 5 Edith Piaf, voice (2 above) EMI 56521 2 Offenbach, J. Excerpts from Gaîté parisienne (arr. Rosenthal 1938). Philadelphia O/Eugene Ormandy. Sony SBK 48 279 19 Waldteufel, E. Polka: L’esprit français, op 182 (1882). Strasbourg PO/Theodor Guschlbauer. Virgin 363297 2 5

Janequin, C. Les cris de Paris (1528). Ensemble Clément Janequin/Dominique Visse. Harmonia Mundi HMC 902028 6 Berlioz, H. L’onde frémit, l’one s’agite, from Lélio, op 14a (1832). Roberto Alagna, ten; Gérard Depardieu, narr; Jeff Cohen, pf; Royal Opera House O/Bertrand de Billy. EMI 5 57433 2 5 Schmitt, F. Rhapsodie parisienne, WoO (1900). Invencia Piano Duo. Grand Piano GP730X 6 Milhaud, D. French suite, op 248 (1944). Royal Northern College of Music Wind O/ Timothy Reynish. Chandos CHAN 9897 15 Berlioz, H. Allons enfants de la patrie, after La Marseillaise (arr.1830). Roberto Alagna, ten; Maîtrise de Paris Children’s Choir; Les Eléments Choir; French Army Choir; Royal Opera House O/Bertrand de Billy. EMI 5 57433 2 6 16:00 FINE MUSIC DRIVE With Michael Morton-Evans 19:00 THE JAZZ BEAT With Lloyd Capps 20:00 RECENT RELEASES With Robert Small 22:00 CHAMBER SOIRÉE Prepared by Krystal Li Respighi, O. Adagio con variazioni (1920). Luca Signorini, vc; Francesco Nicolosi, pf. Nuova Era 7191 12 Jolivet, A. Serenade for wind quintet (1945). Bergen Wind Quintet. BIS CD-291 17 Rigney, S. The garden of forking paths (2001). Slava Grigoryan, gui; Flinders Quartet. ABC 476 2271 14 Schumann, R. Piano trio no 3 in G minor, op 110 (1851). Florestan Trio. Hyperion CDA67175 27 Mozart, W. Divertimento no 17 in D, K334 (1779-80). Jean-Pierre Rampal, fl; André Cazalet, hn; Jean-Michel Vinit hn; Trio Pasquier. Sony 88725443532 43

Wednesday 15 July WEDNESDAY 15 00:00 SIGNAL CRUNCH With Glenn Winfield 01:00 SIGNAL CRUNCH With Glenn Winfield 02:00 UNLEASH THE VINYL With Tom Zelinka 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST With Janine Burrus

09:00 DIVERSIONS IN FINE MUSIC Prepared by Jennifer Foong Biber, C. Trumpet sonata in D. Paul Plunkett, tpt; Julie Hewison, vn; Lucinda Moon, vn; Jenny Ingram, va; Miriam Morris, vc; Linda Kent, org. Move MD 3127 6 Avison, C. Concerto grosso no 2 in G, after Domenico Scarlatti (1744). Tafelmusik Baroque O/Jean Lamon. SM5000 SMCD5061 13 Albéniz, M. Sonata in D. Xavier de Maistre, hp; Lucero Tena, castanets. Sony 88985450452 3 Campagnoli, B. Flute quartet no 5 in F (c1790). Gabriele Formenti, fl; Ensemble Il Demetrio. Brilliant Classics 95399 10 Boismortier, J. de Suite in D, op 31 (1730). Umbra Lucis Ensemble. Brilliant Classics 95754 14 Kuhnau, J. Gott, sei mir gnädig nach deiner Güte. King's Consort/Robert King. Hyperion CDA67059 12 Eberl, A. Piano trio in A minor, op 10 no 1. Pleyel Trio. Christophorus CHE 0131-2 20 10:30 CONCERT HALL Prepared by Michael Field Rimsky-Korsakov, N. Fairy tale, op 29 (1879). Moscow SO/Igor Golovchin. Naxos 8.553513 19 Dyson, G. Concerto da chiesa (1943). Duncan Riddell, vn; Helen Cox, vn; Stuart Green va; Timothy Walden, vc; Bournemouth SO/David Lloyd-Jones. Naxos 8.557720 19 Schmidt, F. Symphony no 1 in E (1896-99). Detroit SO/Neeme Järvi. Chandos CHAN 9357 45 12:00 JAZZ SKETCHES With Robert Vale 13:00 IN CONVERSATION With Christopher Waterhouse 14:00 MASCARADE AND MASQUERADE Prepared by Jacky Ternisien Sullivan, A. Excerpts from The merchant of Venice (1871). RTE Concert O/Andrew Penny. Marco Polo 8.223461 10 Scheidemann, H. Englische mascarada. Lars Ulrik Mortensen, hpd. BIS CD-391 3 Kuzmin, M. Incidental music for Mikhail Lermontov’s Masquerade (1909). Mila Shkirtil, mezz; Karelia State Philharmonic SO/ Yuri Serov. Naxos 8.573192 10 Khachaturian, A. Mascarade (1944). Miklos Schön, pf. REM 311219 17

Glazunov, A. Excerpts from Incidental music for Lemontov’s play Masquerade (1912-13). Gnesin Acadamy Ch; Russian PO/Dmitry Yablonsky. Naxos 8.570211 11 15:00 SONG AND DANCE Prepared by James Nightingale Beethoven, L. To the distant beloved, op 98 (1816). Thomas Hampson, bar; Geoffrey Parsons, pf. EMI 5 75187 2 15 Beethoven, L. 12 German dances, WoO13 (1795). Jenö Jandó, pf. Naxos 8.553798 14 Respighi, O. Sopra un’aria antica (1920). Anna Caterina Antonacci, sop; Donald Suzen, pf. Wigmore Hall Live 0054 6 Respighi, O. Ancient airs and dances, suite no 1 (1917). Australian CO/Christopher Lyndon-Gee. Omega OCD 1007 17 16:00 FINE MUSIC DRIVE With Tom Forrester-Paton 19:00 A TWIST OF JAZZ With Andrew Piper 20:00 AT THE OPERA Prepared by Elaine Siversen Prokofiev, S. War and peace, op 91. Opera in two acts. Libretto by the composer and Mira Mendelson after Tolstoy. First performed Moscow, 1944. PRINCE ANDREI BOLKONSKY: Yuri Mazurok, bar NATASHA ROSTOVA: Galina Kalinina, sop KUTUZOV: Alexander Vedemikov, bass PIERRE BEZUKHOV: Yevgeni Ralkov, ten Bolshoi Theatre Ch & O/Mark Ermler. Melodiya MA 3026 3:07 Natasha and Andrei become engaged but when Anatole declares his love for Natasha she decides to elope with him. Their plans are thwarted and, in her despair, Natasha does not notice that Pierre is declaring his love for her. Napoleon invades Russia; Kutuzov is greeted enthusiastically by the Russians before the battle at Borodino. Kutuzov decides to retreat and allow the French to take Moscow in order to preserve his army and save his motherland. The French army enters the burning city. Pierre becomes obsessed with killing Napoleon in revenge for the suffering of the Russian people. Whilst lying gravely wounded, Andrei talks of Natasha in his delirious ravings. She appears and, when he is convinced she is real, he declares he still loves her. Natasha begs forgiveness and Andrei dies in her arms. Russian prisoners, including Pierre, are being taken with the French army as it retreats from Moscow. They are rescued by partisans. They and the Russian soldiers greet Kutuzov

with jubilation and thanksgiving for the routing of the enemy. Excerpts from Russian folksongs. Galina Vishnevskaya, sop; Mstislav Rostropovich, pf. EMI 5 65716 2 11 23:30 INTERLUDE With Peter Poole Britten, B. String quartet no 2 in C, op 36 (1945). Emerson String Quartet. Decca 481 5204 29

Thursday 16 July THURSDAY 16 00:00 GROOVESVILLE/25 O'CLOCK With Ray Levis 02:00 OASIS OF INSOMNIA With Adam Cockburn 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST With Simon Moore 09:00 DIVERSIONS IN FINE MUSIC Prepared by Jennifer Foong Anon. Ottoman war march. Hesperion XXI/ Jordi Savall. Alia Vox AVSA 9895 A/F 3 Bach, J.S. Chaconne, from Partita in D flat, BWV1004 (1720; arr.). Hartmut Lindemann, va; Ben Martin, pf. Tacet 35 LC 7033 13 Biber, H. Sonata VIII à cinque (1681). Katherine McGillivray, va; Jane Rogers, va; Purcell Quartet. Chandos CHAN 0591 7 Guridi, J. Viejo Zortzico. Xavier de Maistre, hp; Lucero Tena, castanets. Sony 88985450452 6 Godard, B. Suite no 2, from Jocelyn, op 100 (1887). Aleksei Kiseliov, vc; Royal Scottish NO/Martin Yates. Dutton Epoch CDLX 7291 14 Ravel, M. Suite from Mother Goose (190810; transcr. Walter). Claire Désert, pf; Moraguès Quintet. Le Chant du Monde LDC2781116 15 Beethoven, L. Quartet in F minor, op 95, Quartetto serioso (1810-11). Emerson String Quartet. DG 423 398-2 20 10:30 CONCERT HALL Prepared by Peter Poole Ireland, J. A Downland suite (1932). English CO/David Garforth. Chandos CHAN 8390 17 Field, J. Piano concerto no 2 in A flat (1811). John O’Conor, pf; Scottish CO/Charles Mackerras. Telarc CD-80370 32

Halvorsen, J. Symphony no 2 in D minor, Fate (1924-28). Oslo PO/Karsten Andersen. Norwegian Cultural Centre 50014-2 32 12:00 JAZZ, PURE AND SIMPLE With Maureen Meers 13:00 THE PROLIFIC TELEMANN Prepared by Rex Burgess Telemann, G. Fantasie in C minor, TWV33:30 (1733). Andrea Coen, hpd. Brilliant Classics 95150/39 3 Telemann, G. Oratorio: Die Auferstehung und Himmelfahrt Jesu, TVWV6:6 (1760). Monika Frimmer, sop; Veronika Winter, sop; Matthias Koch, alto; Nicovan der Meel, ten; Klaus Mertens, bass; Rheinische Kantorei; Das Kleine Konzert/Herrman Max. Brilliant Classics 95150/42 52 14:00 AN AEGEAN ODYSSEY Prepared by Ross Hayes Schubert, F. The gods of Greece, D677 (1819). Ian Bostridge, ten; Julius Drake, pf. EMI 5 57141 2 4 Mozart, W. Violin concerto no 5 in A, K219, Turkish (1775). Isaac Stern, vn; Columbia SO/George Szell. Sony SM3K 66 475 28 Handel, G. Son qual stanco pellegrino, from Arianna in Crete (1734). Sandrine Piau, sop; Atsushi Sakaï, vc; Les Talens Lyrique/ Christophe Rousset. naïve E8894 9 Boughton, R. String quartet in A, On Greek folk songs (1923). Rasumovsky Quartet. Hyperion CDA66936 27 Beauvais, W. Turkish delight. William Beauvais, gui; Barry Prophet, perc. Centrediscs CMCCD 14809 7 Skalkottas, N. Five Greek dances (1937). Camerata of St John's. Camerata of St John's CSJ 1001 12 Ippolitov-Ivanov, M. Turkish fragments, op 62 (1930). Singapore SO/Choo Hoey. Marco Polo 8.220217 14 Beethoven, L. Chorus of the dervishes, from The ruins of Athens, op 113 (1811). Beecham Choral Society; Royal PO/Thomas Beecham. EMI 1 66447 2 3 16:00 FINE MUSIC DRIVE With Sue Jowell 19:00 THE NEW JAZZ STANDARD With Frank Presley 20:00 THE WORLD OF A SYMPHONY Prepared by James Nightingale Mozart, W. Overture to The magic flute, K620 (1791). Tasmanian SO/Sebastian LangLessing. ABC 476 5949 7 Kozeluch, L. Piano sonata no 21 in E flat, op 17 no 3 (1785). Kemp English, fp. Grand Piano GP647 15

Haydn, J. Piano trio in A, Hob.XV:9 (1785). Bartolozzi Trio. Naxos 8.573128 12 Beethoven, L. Cantata on the accession of Emperor Leopold II, WoO88 (1790). Judith Howarth, sop; Jean Rigby, mezz; John Mark Ainsley, ten; José van Dam, bass; Corydon Singers; Corydon O/Matthew Best. Hyperion CDA66880 23 Mozart, W. Piano concerto no 14 in E flat, K449 (1784). Mitsuko Uchida, pf; English CO/ Jeffrey Tate. Philips 475 7306 22 Cherubini, L. Turbata ai dubbi accenti, from Ifigenia in Aulide (1788). Maria Grazia Schiavo, sop; Auser Musici/Carlo Ipata. Hyperion CDA67893 6 Haydn, J. Symphony in B flat, Hob.I:85, Queen (c1785). Amsterdam Baroque O/Ton Koopman. Erato 2292-45807-2 22 22:00 BARCAROLLES Prepared by Jacky Ternisien Tchaikovsky, P. Barcarolle, op 37b no 6, from The seasons (1875-78). Slava Grigoryan, gui; Leonard Grigoryan, gui. Which Way Music WWM014 5 Alkan, C-V. Barcarolle, from Troisième recueil des chants, op 65 (c1870). Stanley Hoogland, pf. Brilliant Classics 95568 4 Isaacs, M. Barcarolle (2005). Emma Sholl, fl; Kees Boersma, bass; Jane Rosenson, hp; Daryl Pratt, perc. Sydney Conservatorium recording 5 Offenbach, J. Barcarolle: Lovely night, O night of love, from The tales of Hoffmann (1881). Joan Sutherland, sop; Marilyn Horne, mezz; Elizabethan Sydney O/Richard Bonynge. ABC 480 6412 4 Alkan, C-V. Variations quasi-fantaisie sue un barcarolle napolitaine, op 16 no 6 (1837). Giovanni Bellucci, pf. Brilliant Classics 95568 7 22:30 ULTIMA THULE With George Cruickshank

Friday 17 July FRIDAY 17 00:00 BASS CULTURE With Tom Zelinka 01:00 THE LOST HIGHWAY With Austin Harrison 02:00 SOUNDTRACKS AT MIDNIGHT With Chris Winner 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST With Annabelle Drumm

09:00 DIVERSIONS IN FINE MUSIC Prepared by Dan Bickel Poulenc, F. Babar the elephant (1945; orch. Françaix). Jay Laga’aia, narr; Tasmanian SO/ Kenneth Young. ABC 476 3686 28 Wilder, A. Tuba suite no 1, Effie the elephant (1959). Peter Whish-Wilson, tuba; Adelaide SO/David Stanhope. ABC 476 5251 13 Bantock, G. Camel caravan, from Omar Khayyám (1906). Royal Philharmonic Ch & O/Vernon Handley. Hyperion CDA67250 8 Borodin, A. In the Steppes of Central Asia (1880). Lamoureux O/Igor Markevitch. DG 479 0530 8 Matsumura, T. The hour of the horse. Synergy. Celestial Harmonies 13081-2 13 Auber, D-F-E. Overture to The bronze horse (1835). BBC PO/Yan Pascal Tortelier. Chandos CHAN 9765 7 Sviridov, G. A herd of horses, from Five choruses to lyrics by Russian poets. Glinka A Cappella Choir of Leningrad/Vladimir Chernushenko. LP Melodiya C10 18857-8 5 10:30 CONCERT HALL Prepared by Jacky Ternisien Spohr, L. Overture to Der Alchymist (182930). Berlin RSO/Christian Fröhlich. cpo 999 093-2 8 Muffat, G. Concerto XI in E minor, Delirium amoris (pub. 1701). Musica Aeterna/Peter Zajicek. Naxos 8.555743 9 Czerny, C. Piano concerto in A minor, op 214 (1829). Tasmanian SO/Howard Shelley, pf & dir. Hyperion CDA68138 31 Debussy, C. Ballet for children: The toy box (1913; orch Caplet). Montreal SO/Charles Dutoit. Decca 444 386-2 33 12:00 A JAZZ HOUR With Barry O'Sullivan A Sesquarcentenary Event

1670 2020

13:00 GIOVANNI BONONCINI Prepared by Paul Cooke Bononcini, G. Overture to Polifemo (1702). New Philharmonia O/Raymond Leppard. Philips 446 569-2 3 Bononcini, G. Cello sonata in A minor (pub. 1748). Bruno Cocset, VC; Il Seminario Musicale. Virgin VC 5 45000 2 9

Bononcini, G. Cantata: Il lamento d’Olimpia (1721). Musica da Camera; Adelaide Baroque Ensemble. Adelaide Baroque AB002 14 Bononcini, G. Sinfonia decima, op 3 no 7 (pub. 1685). John Wallace, John Miller, tpt; Philharmonia O/Christopher Warren-Green. Nimbus NI 5017 10 Bononcini, G. Trio sonata in D minor (pub. 1748). Johannes Leertouwer, vn; Therese Kipfer, vn; Il Seminario Musicale. Virgin VC 5 45000 2 11 Bononcini, G. Mirena e Floro o La Nana francese e Armena (1718). Kathleen van de Graaff, sop; Peter van de Graaff, bass-bar; Comic Intermezzo O. Naxos 8.570035 34 14:30 FROM FOREIGN LANDS With Anne-Louise Luccarini Luigini, A. Ballet égyptien, op 12 (1875). London SO/Richard Bonynge. Decca 452 767-2 22 Grieg, E. Holberg suite, op 40 (1884; orch. 1885). Israel CO/Yoav Talmi. Chandos CHAN 8593 22 Tchaikovsky, P. Capriccio italien, op 45 (1880). SO of Russia/Veronika Dudarova. Olympia OCD 512 16 Moszkowski, M. From foreign lands, op 23 (1884). Polish National RSO/Antoni Wit. Naxos 8.553989 22 16:00 FINE MUSIC DRIVE With James Hunter 19:00 FRIDAY JAZZ SESSION With Christopher Waterhouse 20:00 EVENINGS WITH THE ORCHESTRA Prepared by David Brett Debussy, C. Nocturnes (1900). New England Conservatory Ch; Boston SO. DG 479 0013 24 Liszt, F. Piano concerto no 1 in E flat (1849). Martha Argerich, pf; London SO. DG 479 4110 18 Brahms, J. Song of destiny, op 54 (1868-71). Ambrosian Ch; New Philharmonia O. Decca 478 5365 15 Henze, H. Symphonic interludes, from Boulevarde Solitude (1951). Gustav Mahler Youth O. DG 479 1522 14 Mahler, G. Symphony no 2 in C minor, Resurrection, mvt 5 (1884-86). Carol Neblett, sop; Marilyn Horne, mezz; Chicago Symphony Ch & O. DG 453 037-2 35 Strauss, J. I Radetzky march, op 228 (1848). Vienna PO. DG 431 628-2 3 Claudio Abbado, cond (all above)

22:00 BAROQUE AND BEFORE Prepared by Elaine Siversen Cabanilles, J. Tiento de batalla de octavo tono. John Butt, org. Harmonia Mundi HMU 907047 8 Murcia, S. de Suite in D minor (pub. 1732). Barry Mason, baroque gui. Amon Ra CD SAR 45 15 Flecha, M. [El Viejo] La bomba. Ensemble Clément Janequin/Dominique Visse. Harmonia Mundi HMC 901627 11 Morales, C. de Missa, Mille regretz, for the Feast of St Isidore of Seville (c1545). Gabrieli Consort and Players/Paul McCreesh. Archiv 449143-2 1:16

Saturday 18 July SATURDAY 18 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SATURDAY MORNING MUSIC With David Garrett 09:00 WHAT'S ON IN MUSIC With Michael Field 09:05 THE PIANO ALONE Prepared by Jacky Ternisien Handel, G. Suite no 5 in E, HWV430, The harmonious blacksmith (pub. 1720). Philips 456 886-2 13 Falla, M. de Ritual fire dance (1915); The miller's dance, from The three-cornered hat (1919); Danse de la frayeur, from El amor brujo (1915). Decca 417 795-2 9 Granados, E. Six pieces based on Spanish folk songs. Decca 433 920-2 27 Alicia de Larrocha, pf (all above) 10:00 MUSICAL JOURNEYS Prepared by Michael Morton-Evans Antill, J. An outback overture (1954). New Zealand SO/James Judd. Naxos 8.570241 8 Foster, G. Eight voyages for piano. Grant Foster, pf. EMI CDMID 166264 24 Chajes, J. Israeli melodies (1945). Members of the Israel PO/David Amos. Crystal Records CD508 9 Vaughan Williams, R. Symphony no 7, Sinfonia Antartica (1948). Catherine Bott, sop; Roderick Elms, org; London Symphony Ch & O/Bryden Thomson. Chandos CHAN 8796 41 11:30 ON PARADE Prepared by Owen Fisher Tchaikovsky, P. Finale to 1812 overture. Allentown Band/Ronald Demkee. AMP 2K 085 4

Saint-Säens, C. French military march. Cammell Laird Band/James Scott. LP Fontana STL 5531 4 Fucik, J. March: Old Panama, Grimethorpe Colliery Band/Chris Holding. EMI 5 21451 2 5 Ferraris, A. Dark eyes. Melbourne Fire Brigade Band/Mervyn Simpson. LP W&G BS 5501 3 Hartman, J. Facilita. David Hickman, cornet; American Serenade Band/Henry Smith. Sunnit DCD 114 7 12:00 URBAN JAZZ LOUNGE With Leita Hutchings 13:00 COME TO THE OPERA Prepared by Derek Parker 14:30 DANCING BUTTERFLIES Prepared by Chris Blower Puccini, G. Ballet: Madame Butterfly (1903; arr. Lanchbery 1954). O Victoria/John Lanchbery. ABC 454 499-2 1:20 Strauss, Josef. Butterflies, op 62 (1858). Berlin SO/Robert Stolz. Eurodisc 258 663 6 Offenbach, J. Ballet: The butterfly (1860). London SO/Richard Bonynge. LP Decca SXL 6588 55 17:00 SOCIETY SPOT Prepared by Sue McCreadie 18:00 MUSIC OF THE SCREEN With Adam Bowen 19:00 EMERGENT JAZZ With Keith Pettigrew 20:00 THE LIFE OF A COMPOSER Prepared by Paul Cooke Roussel, A. Résurrection, symphonic prelude (1903). Rhineland Palatinate State PO/Pierre Stoll. Cybelia CY 801 11 Roussel, A. Divertissement (1906). Les Vents Français. Warner Classics 0825646231850 7 Roussel, A. Impromptu, op 21 (1919). Katerina Englichová, hp. Praga Da Camera PRD 350 018 7 Roussel, A. Rossignol mon mignon; Ciel, air et vents, from Deux poèmes de Ronsard, op 26 (1924). Kathrin Graf, sop; PeterLukas Graf, fl; Raffaele Altwegg, vc; Michio Kobayashi, pf. Claves CD 50-604 8 Roussel, A. Symphony no 2 (1919-21). Royal Scottish NO/Stéphane Denève. Naxos 8.570529 43 Roussel, A. Players of the flute, op 27 (1924). Sharon Bezaly, fl; Love Derwinger, pf. BIS SACD-1639 9 Roussel, A. Duo for bassoon and double bass (1925). Czech Nonet. Praga Da Camera PRD 350 018 3

Roussel, A. Trois pièces, op 49 (1933). Eric Parkin, pf. Chandos CHAN 8887 8 Roussel, A. Sinfonietta for strings (1934). Bourbaki Ensemble/David Angell. Fine Music concert recording 9 22:00 SATURDAY NIGHT AT HOME Prepared by Rex Burgess Telemann, G. Overture in D minor, TWV55:D3. Elisabeth Schollaert, ob; Bram Nolf, ob; Jan Maebe, ob; Luc Loubry, bn; Collegium Musicum Brugense/Patrick Peire. Brilliant Classics 95150/9 21 Haydn, J. String quartet in D, Hob.III:49, Frog (1787). Sydney String Quartet. Fine Music concert recording 20 Pierné, G. Piano concerto in C minor (1887). Jean-Efflam Bavouzet, pf; BBC PO/Juanjo Mena. Chandos CHAN 10633 19 Mahler, A. Five songs (pub. 1924). Isabel Lippitz, sop; Barbara Heller, pf. cpo 999 018-2 17 Grieg, E. Symphonic dances, op 64 (1896). Bergen PO/Ole Kristian Ruud. BIS CD-1740/42 34

Sunday 19 July SUNDAY 19 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC With Terry McMullen 09:00 MUSICA SACRA Prepared by Jacky Ternisien Zelenka, J. Psalm 110: Dixit Dominus (c1725). Schola Cantorum of Melbourne; John O’Donnell, org; Baroque Players. Move MCD 156 16 Bach, J.S. Chorale prelude: Trio on Only to God on high give praise, BWV664 (1708-17). Anton Heiller, org. Vanguard 08 9078 72 5 Weber, C.M. Mass no 2 in G, op 76, Jubelmesse (1818-19). Gertraud Stoklassa, sop; Emmy Lisken, cont; Manfred Raukamp, ten; Hans Kagel, bass; Philharmonia Stuttgart Ch & O/Roland Bader. Schwann 3 1637-2 33 10:00 THE CLASSICAL ERA Prepared by Di Cox Wassenaer, U. Concerto no 2 in B flat, from Concerti armonici (pub. 1740). Brandenburg Consort/Roy Goodman. Hyperion CDA66670 11 Beethoven, L. Bagatelles, op 33 (1801-02). Mikhail Pletnev, pf. DG 457 493-2 21

Wranitzky, P. Symphony in C minor, op 11 (pub. 1791). London Mozart Players/Matthias Bamert. Chandos CHAN 9916 19 Haydn, J. Svanisce in un momento. Budapest Madrigal Choir/Gyorgy Czigany Fidelio 1807 8 Mozart, W. Clarinet quintet in A, K581 (1789). Alessandro Carbonare, cl; Luc Héry, vn; Florence Binder, vn; Nicolas Bône, va; Muriel Pouzenc, vc. Harmonia Mundi HMX 2908409.16 33 Sor, F. Variations on a theme of Mozart. Shinichi Fukuda, gui. Denon CO-78950 8 Czerny, C. Divertissement, op 204. Michael Ponit, pf; Southwest German CO/Paul Angerer. Vox CDX5111 15 12:00 CLASSIC JAZZ AND RAGTIME With Jeannie McInnes 13:00 WORLD MUSIC: Whirled Wide With Gerry Myerson 14:00 RIPE FOR REDISCOVERY Prepared by Michael Morton-Evans Rameau, J-P. Overture to Acante et Céphise. Les Talens Lyriques/Christophe Rousset. L’Oiseau-Lyre 455 293-2 5 Bizet, G. A mort! A mort!, from Ivan IV (186265). Janine Micheau, sop; Henri Legay, ten; Michel Sénéchal, ten; Michel Roux, bar; Pierre Savignol, bar; Louis Noguera, bass; French National RT Ch & O/Georges Tzipine. EMI CMS 7 69704 2 6 Bruch, M. Overture to Die Loreley, op 16 (1863). Rhenish PO/Wolfgang Balzer. EBS ebs6071 5 Offenbach, J. Overture to Die Rheinnixen. Philharmonia O/Antonio de Almeida. Philips 422 057-2 4 Gomes, C. Mia piccirella, from Salvator Rosa (1874). Enrico Caruso, ten; O/Josef Pasternack. RCA GD 60495 4 Lalo, E. Overture to Le roi d’Ys (1888). Detroit SO/Paul Paray. Mercury 475 6268 11 Lalo, E. Air de Margared, from Le roi d'Ys. Denyce Graves, mezz; Monte Carlo PO/Marc Soustrot. Fnac 592056 5 Mascagni, P. Apri la tua finestra! from Iris (1898). Luciano Pavarotti, ten; National PO/ Oliviero de Fabritiis. Decca 400 083-2 2 Rimsky-Korsakov, N. Introduction to Act I, from A tale of Tsar Saltan, op 57 (1900). Moscow RSO/Konstantin Ivanov. Melodiya MA 3027 6

15:00 SUNDAY SPECIAL Prepared by Elaine Siversen Boccherini, L. Sonata in C. Christian Benda, vc; Sebastian Benda, fp. Naxos 8.554324 15 Boccherini, L. Cello concerto no 9 in B flat. Steven Isserlis, vc; Ostrobothnian CO/Juha Kangas. Virgin 7 90805-2 19 Romberg, B. Flute quintet in G (pub. 1803). John Wion, fl; Eric Lewis, vn; Andrew Berdahl, va; Rosemary Glyde, va; Judith Glyde, vc. Hartt HMP5W91514 22 Duport, J-L. Sonata in G minor. Klaus Storck, vc; Helga Storck, hp. LP Telefunken 6.4102 12 Servais, A-F. Grand fantasy, Souvenir of Bade, op 20. Smithsonian Chamber Players. EMI CDC 7 49009 2 14 Offenbach, J. Cello concerto in G (1847). Ofra Harnoy, vc; Cincinnati SO/Erich Kunzel. RCA RD 71003 21 Popper, D. Hungarian rhapsody, op 68 (pub. 1894). Maria Kliegel, vc; Nicolaus Esterházy Sinfonia/Gerhard Markson. Naxos 8.554657 8 17:00 HOSANNA Prepared by Richard Munge Hymns: For all the saints; The King of love my Shepherd is. Choir of St Anne’s, Strathfield; Mark Bensted, org; Peter McMillan, cond. MBS 25 8 Psalms: No 129, Many a time have they fought against me; no 132, Lord, remember David. Choir of Salisbury Cathedral; John Challenger, org; David Hills, cond. Priory PRCD 1150 8 Stanford, C. Villiers Magnificat; Nunc dimittis, op 115. Choir of St Paul’s Cathedral; Christopher Dearnley, org; John Scott, cond. Helios CDH 55401 9 Gregorian chant: Te lucis ante terminum; O lux beata Trinitas. Choir of Buckfast Abbey/ Philip Arkwright. Priory PRCD 1151 4 Stanford, C. Villiers Anthem: For lo, I raise up. Choir of King’s College, Cambridge; James Vivian, org; Stephen Cleobury, cond. ABC 484 0848 8 Parry, H. Anthem: I was glad. Choir of King’s College, Cambridge; James Lancelot, org; David Willcocks, cond. ABC 484 0848 5 Hymns: Love divine, all loves excelling; Now thank we all our God. Choir of St Anne’s, Strathfield; Mark Bensted, org; Peter McMillan, cond. MBS 25 5

Mendelssohn, F. Fugue in F minor. John Scott, org. Hyperion CDD 22029 5 18:00 SMALL FORCES Prepared by Krystal Li Milhaud, D. La cheminée du roi René, op 205 (1939). Australian Wind Virtuosi. Fine Music concert recording 13 Beethoven, L. String quartet no 13 in B flat, op 130 (1825-26). Melos Quartet. DG 415 676-2 41 19:00 SUNDAY NIGHT CONCERT Prepared by Nicky Gluch Brahms, J. Song of destiny, op 54 (186871). London Philharmonic Choir & O/Klaus Tennstedt. EMI CDM 1 66425 2 18 Dvorák, A. Piano concerto in G minor, op 33 (1876). Jenö Jandó, pf; Polish NSO/Antoni Wit. Naxos 8.550896 40 Mozart, W. Symphony no 33 in B flat, K319 (1779). Concertgebouw O/Nikolaus Harnoncourt. Teldec 8.42817 26 20:30 NEW HORIZONS Prepared by Nev Dorrington Belli, O. Four moons; Daguérrotypes; River path. Olivia Belli, pf. 1631 Recordings 1:04 Melnyk, L. Cloud no 81. Lubomyr Melnyk, pf. Sony 8898 5315 5828 16 Belli, O. Still blue. Olivia Belli, pf. 1631 Recordings 6 22:00 JAZZ AFTER HOURS With David Knapp

Monday 20 July MONDAY 20 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 FINE MUSIC BREAKFAST With Robert Small 09:00 DIVERSIONS IN FINE MUSIC Prepared by Jacky Ternisien Veracini, F. Ouverture no 2 in F (1716). Musica Antiqua, Cologne/Reinhard Goebel. Archiv 439 937-2 19 Vivaldi, A. Concerto in D for violin, two oboes, two horns and strings (1716). King's Consort/Robert King. Hyperion CDA67073 15 Scarlatti, A. Cantata pastorale (1716). Miriam Allen, sop; James Sanderson, ct; Chacona/Rosalind Halton. ABC 476 6170 16 Fesch, W. de Violin concerto in A minor, op 3 no 6 (1716). Gordan Nikolitch, vn; Auvergne O/Arie van Beek. Olympia OCD 450 7

Handel, G. Concerto grosso in F, op 3 no 4 (1716). Handel and Haydn Society/ Christopher Hogwood. L’Oiseau-Lyre 421 729-2 13 Geminiani, F. Trio sonatas, from Treatise of good taste in the art of musick, op 1 (1716/29): in D, Bush aboon Traquair; in F, The last time I came o’er the moor. Bell’arte Antiqua. ASV GAU 199 8 10:30 CONCERT HALL Prepared by Denis Patterson Rimsky-Korsakov, N. Overture to The Tsar's bride (1898). Bolshoi SO/Alexander Lazarev. Erato 4509-94808-2 6 Saint-Saëns, C. Piano concerto no 3 in E flat, op 29 (1869). Stephen Hough, pf; City of Birmingham SO/Sakari Oramo. Hyperion CDA67331/2 26 Bruckner, A. Symphony no 1 in C minor (1866/91) Lucerne Festival O/Claudio Abbado. Accentus Music ACC30274 50 12:00 SWING SESSIONS With John Buchanan 13:00 CHAMBER POTPOURRI Prepared by Frank Morrison Dvorák, A. String sextet in A, op 48 (1878). Boston Symphony Chamber Players. apex 7559 79679 2 32 Scarlatti, A. Chamber concerto no IX in A minor. Tempesta di Mare. Chaconne CHAN 0768 9 Poulenc, F. Sextet (1932-39). Eva Knardahl, pf; Gothenburg Wind Quintet. BIS CD-24 18 Beethoven, L. Trio in B flat, op 11 (1797). Isaac Stern, vn; Leonard Rose, vc; Eugene Istomin, pf. Sony SM2K 64513 22 14:30 AFTERNOON CONCERT Prepared by Rex Burgess Respighi, O. Rossiniana (1925). West Australian SO/Jorge Mester. ABC 442 348-2 26 Cartellieri, A. Flute concerto in G (pub. 1797). Kornelia Brandkamp, fl; Czech Philharmonic CO/Pavel Prantl. MDG 301 1483-2 22 Wagner, R. Elisabeth’s prayer, from Tannhäuser (1845) Lise Davidsen, sop; Philharmonia O/Esa-Pekka Salonen. Decca 483 4883 8 Antheil, G. Symphony no 6 (1948). Ukraine NSO/Theodore Kuchar. Naxos 8.559033 26 16:00 FINE MUSIC DRIVE With Michael Field 19:00 JAZZ PULSE With Chris Wetherall

20:00 STORMY MONDAY With Austin Harrison 22:00 JAZZ AFTER HOURS With Eddie Bernasconi

Tuesday 21 July TUESDAY 21 00:00 SOUNDTRACKS AT MIDNIGHT With Chris Winner 01:00 OASIS OF INSOMNIA With Adam Cockburn 02:00 ECLECTIC CHAIR With Liam Collins 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST With Julie Simonds 09:00 DIVERSIONS IN FINE MUSIC Prepared by Rita Felton Bach, J.S. Fantasia in G, BWV572 (170817). Gillian Weir, org. Decca 448 902-2 9 Kabalevsky, D. Sonata no 3, op 46 (1946). Gabriele Gorog, pf. Dynamic CDS72 16 Haydn, J. Keyboard sonata no 43 in E flat, Hob.XVI:28 (1776). Robert Kohnen, hpd. Accent ACC 10022 14 Granados, E. Valses poéticos (1887). Luis Fernando Pérez, pf. Mirare MIR 138 14 Byrd, W. Air and variations on The carman's whistle (arr. Grainger). Martin Jones, pf. Nimbus NI 5286 5 Grieg, E. To spring, op 43 no 6 (1886). Albert Landa, pf. LP Axis 7012 3 Liszt, F. Consolations (1849-50). Marilyn Meier, pf. Mala-Daki MAM 29464 18 10:30 CONCERT HALL Prepared by James Nightingale Mozart, W. Ballet: Les petits riens, K299b (1778). Vienna Mozart Ensemble/Willi Boskovsky. Decca 436 782-2 21 Prokofiev, S. Violin concerto no 1 in D, op 19 (1916-17). Anne-Sophie Mutter, vn; National SO/Mstislav Rostropovich. Erato ECD 75506 21 Glazunov, A. Symphony no 6 in C minor, op 58 (1896). USSR Ministry of Culture SO/ Gennady Rozhdestvensky. Melodiya MEL 46005-2 40 12:00 JAZZ RHYTHM With Jeannie McInnes

13:00 THE AGE OF ENLIGHTENMENT Albrechtsberger, J. Partita in F (1772). Anna Lelkes, hp; Györ PO/János Sándo. LP Budapest FX 12299 19 Mozart, W. Variations in F, K138a (1772). Geoffrey Lancaster, fp. Tall Poppies TP009 8 Baguer, C. Symphony no 18 in B flat (c1790s). London Mozart Players/Matthias Bamert. Chandos CHAN 9456 16 Haydn, J. Mass no 7 in B flat, Missa brevis Sancti Joannis de Deo, Hob.XXII:7, Little organ Mass (1779). Ann Hoyt, sop; Trinity Choir; Dongsok Shin, org; Rebel Baroque O/J. Owen Burdick. Naxos 8.572128 16 Vanhal, J. Violin concerto in G (bef. 1770). Takako Nishizaki, vn; Cologne CO/Helmut Müller-Brühl. Naxos 8.557815 21 14:30 TRIBUTE TO ISAAC STERN Prepared by Jennifer Foong Bach, J.S. Double concerto in C minor, BWV1060 (1723). Harold Gomberg, ob; New York PO/Leonard Bernstein. Sony SMK 66 471 17 Haydn, J. Flute trio in G, Hob.IV:2, London (1794). Jean-Pierre Rampal, fl; Mstislav Rostropovich, vc. CBS 37786 4 Brahms, J. Hungarian dance no 5 (1852-69). Columbia SO/Milton Katims. Sony SMK 64 537 3 Dvorák, A. Humoresque, op 101 no 7 (1894). Columbia SO/Milton Katims. Sony SMK 64 537 4 Mendelssohn, F. Piano trio no 1 in D minor, op 49 (1839). Leonard Rose, vc; Eugene Istomin, pf. Sony SMK 64519 28 Bruch, M. Violin concerto no 1 in G minor, op 26 (1868). Philadelphia O/Eugene Ormandy. CBS MPK 45555 24 Isaac Stern, vn (all above) 16:00 FINE MUSIC DRIVE With Andrew Dziedzic 19:00 THE JAZZ BEAT With Lloyd Capps 20:00 RECENT RELEASES With Charles Barton 22:00 CHAMBER SOIRÉE Prepared by Rex Burgess Saint-Saëns, C. Septet for trumpet, strings and piano, op 65. Sinfonia da Camera/Ian Hobson, pf & dir. Arabesque Z 6570 17 Chausson, E. Piano quartet in A, op 30. Philippe Graffin, vn; Toby Hoffman, va; Gary Hoffman, vc; Pascal Devoyon, pf. Hyperion CDA66907 35

Schmitt, F. Four pièces, op 25 (1901). Beata Halska, vn; Claudio Chaiquin, pf. Naxos 8.573169 13 Messiaen, O. Quartet for the end of time (1940). UNSW Ensemble. Fine Music tape archive 46

Wednesday 22 July WEDNESDAY 22 00:00 DREAD JUNCTION With Vince Carnovale 01:00 DREAD JUNCTION With Vince Carnovale 02:00 THE LOST HIGHWAY With Austin Harrison 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST With Janine Burrus 09:00 DIVERSIONS IN FINE MUSIC Prepared by Rex Burgess Veracini, F. Overture no 2 in F (c1716). Accademia I Filarmonici/Alberto Martini. Naxos 8.553412 22 Couperin, A-L. Simphonie de clavecins (c1772). William Christie, hpd; David Fuller, hpd. Harmonia Mundi HMA 1901051 16 Bach, J. Christoph Ach, dass ich Wassers g’nug hätte. Andreas Scholl, ct; Concerto di Viole; Basel Consort. Harmonia Mundi HMG 501651 7 Bach, J. Christian Symphony in D, op 3 no 1 (1765). Australian Brandenburg O/Paul Dyer. Fine Music tape archive 12 Mozart, F. Grand sonata in E (1820). Pinchas Zukerman, vn; Marc Neikrug, pf. Sony 887654 2 4922 21 10:30 CONCERT HALL Prepared by Robert Gilchrist Palmgren, S. Pictures from Finland, op 24 (1908). Turku PO/Jacques Mercier. Finlandia 3984-28171-2 17 Bruch, M. Violin concerto no 3 in D minor, op 58 (1891). Salvatore Accardo, vn; Gewandhaus O/Kurt Masur. Philips 462 167-2 38 Hill, A. Symphony no 3 in B minor, Australia (1951). Queensland SO/Wilfred Lehmann. Marco Polo 8.223537 27 12:00 JAZZ SKETCHES With Robert Vale 13:00 IN CONVERSATION With Christopher Waterhouse 14:00 MUSICAL FAMILIES Prepared by Jennifer Foong Bizet, G. Overture: Patrie, op 19 (1873). Montreal SO/Charles Dutoit. Decca 452 102-2 13

Halévy, F. Rachel, quand du Seigneur, from La Juive (1835). Ben Heppner, ten; London Voices; London SO/Myung-Whun Chung. DG 471 372-2 11 Bizet, G. Habanera: L’amour est un oiseau rebelle, from Carmen (1873-74). Maria Callas, sop; French National RO/Georges Prêtre. EMI CDM 1 66424 2 4 Bizet, G. Nour-Eddin, roi de Lahore, from Djamileh (1871). Huguette Tourangeau, mezz; Suisse Romande O/Richard Bonynge. ABC 475 070-2 5 Bizet, G. Adagietto, from Suite no 1 from L’Arlésienne (1872). Berlin PO/Herbert von Karajan. DG 479 0540 3 Bizet, G. Come dolce a me favelli, from Clari (1828). Cecilia Bartoli, mezz; Ada Pesch, vn; O La Scintilla/Adám Fischer. Decca 475 9077 5 Horowitz, V. Variations on a theme from Bizet's Carmen. Vladimir Horowitz, pf. Sony 88697419402 4 Halévy, F. Rachel's aria: Il va venir, from La Juive. Françoise Pollet, sop; Montpellier PO/ Cyril Diederich. Erato 2292-45025-2 4 Bizet, G. C'est toi ... Au fond du temple saint, from The pearl fishers (1863). Plácido Domingo, ten; Thomas Hampson, bar; Philharmonia O/Eugene Kohn. EMI 5 55554 2 8 Bizet, G. Tarantelle (1872). Ann Murray, mezz; Graham Johnson, pf. Hyperion CDA66976 4 Bizet, G. Roma symphony (1860-68). Lille NO/Jean-Claude Casadesus. Erato 2292-45016-2 30 Bizet, G. Suite from Carmen (1875). Detroit SO/Paul Paray. Mercury 475 6268 12 16:00 FINE MUSIC DRIVE With Lloyd Capps 19:00 A TWIST OF JAZZ With Andrew Piper 20:00 AT THE OPERA Prepared by Elaine Siversen Bizet, G. The pearl fishers. Opera in three acts. Libretto by Eugène Cormon and Michel Carré. First performed Paris, 1863. LÉÏLA: Desire Rancatore, sop NADIR: Celso Albelo, ten ZURGA: Luca Grassi, bar NOURABAD: Alastair Miles, bass Salerno Opera Theatre Choir; Salernitana PO/Daniel Oren. Brilliant Classics 94434 1:43 After many years, Nadir and Zurga meet again in a village of pearl fishermen. Their friendship in the city had almost been destroyed by their mutual love for a beautiful

young priestess. Each had renounced his love for her and had vowed eternal friendship to each other. They reaffirm this at their meeting. The veiled priestess, Léïla, arrives to pray for the safety of the pearl fishers. Léïla recognises Nadir but makes no sign of recognition. Despite his vow, Nadir had come to the village in response to a rumour that Léïla was there. Later, Nadir, sleeping nearby, wakes recognising Léïla’s voice as she prays and sings alone in the temple. They declare their renewed passion. Léïla confides to the High Priest Nourabad that she is afraid to stay alone in the temple but he says she must do this, on pain of death, to fulfil her vows to Brahma. She recalls that, as a child, she was brave in giving refuge to a fugitive fleeing from his enemies. He had rewarded her with a necklace that he asked her to wear always. When Nadir comes back to the temple, fearful of Nourabad’s threats, Léïla urges Nadir to leave but not before they once again declare their love. As he leaves, he is captured by the fishermen who demand Nadir’s death for violating the temple. Zurga, as their leader, argues for mercy for Nadir. However, after Nourabad removes Léïla's veil, Zurga recognises her as his former love. Consumed by jealousy and rage, he orders that both Nadir and Léïla be put to death. A violent storm erupts. When the storm has passed, so has Zurga’s rage and he feel remorse for his anger. As he listens to Léïla’s plea for Nadir’s life, his love for her is rekindles but he refuses mercy for them. Leila is taken away to the funeral pyre. Zurga sees her handing a necklace to a fisherman asking for it to be given to her mother. He rushes out and seizes the necklace. He realises that it is the necklace that he had given her many years ago. Surrounded by a crowd, Nadir and Leila are now resigned to their deaths. A glow appears in the sky; Zurga rushes in to say that the fishermen’s camp is ablaze. They hurry away and Zurga frees Léïla and Nadir telling them to flee. Zurga pays with his life for freeing the lovers. 22:00 CONTEMPORARIES Prepared by Elaine Siversen Weber, C.M. Quartet, op 18 (1806-09). Alexis Galpérine, vn; Pierre-Henri Xuereb, va; Cecilia Tsan, vc; Jean-Louis Haguenauer, pf. Timpani 1C 1007 28 Paganini, N. Quartet no 11 in B (1818-20). Bruno Pignata, vn; Lorenzo Lugli, va; Paolo Mosca, vc; Pino Briasco, gui. Dynamic CDS 17/1-2 20

Schubert, F. Octet in F for strings and wind, D803 (1824). Ensemble Carl Stamitz/JeanLouis Sajot. Pierre Verany PV 790033 1:02

Thursday 23 July THURSDAY 23 00:00 UNLEASH THE VINYL With Tom Zelinka 01:00 GROOVESVILLE/25 0'CLOCK With Ray Levis 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST With Simon Moore 09:00 DIVERSIONS IN FINE MUSIC Prepared by Madilina Tresca Gnattali, R. Sonata for cello and guitar (1969). Franz Halász, gui; Wen-Sinn Yang, vc. BIS BIS-2086 11 Saint-Saëns, C. Morceau de concert, op 154 (1919). Elizabeth Hainen, hp; Bulgarian National RO/Rossen Milanov. Avie AV 2221 16 Paganini, N. Sonata no 2 in G (c1828). Luigi Alberto Bianchi, vn; Maurizio Preda, gui. Dynamic CDS 34 13 Debussy, C. Sonata for flute, viola and harp (1915-16). Johannes Walter, fl; Joachim Ulbricht, va, Jutta Zoff, hp. Berlin 0012902BC 17 Vivaldi, A. Bassoon concerto in E minor, RV484. John Miller, bn; St Mary's Chamber Players/Neville Marriner. Pro Arte CDD 273 11 Schubert, F. The shepherd on the rock, D965 (1828; arr.). Cecelia Wasson, sop; Robert Alemany, cl; JoAnn Falletta, gui. Koch 3-75682-2 HI 13 10:30 CONCERT HALL Prepared by Dan Bickel Rameau, J-P. Suite from Anacréon (1754). Capella Savaria/Mary Térey-Smith. Naxos 8.553746 22 Glière, R. Harp concerto, op 74 (1943). Alice Giles, hp; Adelaide SO/David Porcelijn. ABC 454 506-2 26 Rachmaninov, S. Symphonic dances, op 45 (1940). Philadelphia O/Eugene Ormandy. Sony SBK 48 279 34 12:00 JAZZ, PURE AND SIMPLE With Maureen Meers 13:00 OPERA IN CONCERT Prepared by Giovanna Grech Thomas, A. Overture to Mignon (1866). New Philharmonia O/Richard Bonynge. Decca 466 431-2 8

Verdi, G. Qual notte ... Qui, qui sostiamo, from Attila (1846). Carlo Bergonzi, ten; Ambrosian Singers; Royal PO/Lamberto Gardelli. Philips 6747 193 13 Gounod, C. O ma lyre immortelle, from Sapho (1851). Grace Bumbry, sop; Stuttgart RSO/Stefan Soltesz. Orfeo C 081 841 A 6 Rossini, G. Passo a sei, from William Tell (1829). Royal PO/Lamberto Gardelli. EMI CDM 1 66417-2 5 Verdi, G. Gli arredi festivi, from Nabucco (1842). Welsh National Opera Ch & O/ Richard Armstrong. EMI 5 66115 2 6 Leoncavallo, R. Mamma! lo non l’ho avuta mai! from Zazà (1900). Elizabeth Whitehouse, sop; O Victoria/Richard Bonynge. Melba MR 301 104 3 Offenbach, J. C'est une chanson d'amour, from Tales of Hoffmann. Victoria de Los Angeles, sop; Conservatoire Concerts Society O/Andre Cluytens. EMI 763 4482 8 14:00 CONTEMPORARIES Martinu, B. Harpsichord concerto (1935). Monika Knoblochová, hpd; O/Michal Macourek. Supraphon SU 3805-2 18 Milhaud, D. Sonata, op 15 (1914). Krysia Osostowicz, vn; Ernst Kovacic, vn; Susan Tomes, pf. Hyperion CDA66437 15 Martinu, B. Czech madrigals (1939). Kühn Mixed Choir/Pavel Kühn. Supraphon SU 3101-2 232 17 Martinu, B. Symphony no 5 (1946). Royal Scottish NO/Bryden Thomson. Chandos CHAN 8915 29 15:30 FOR A RARE INSTRUMENT Schubert, F. Sonata in A minor, D821, Arpeggione (1824). Alfred Hornung, vc; Yuri Rozum pf. Oz Classique 23396RH 27 16:00 FINE MUSIC DRIVE With Marilyn Schock 19:00 THE NEW JAZZ STANDARD With Frank Presley 20:00 THE WORLD OF A SYMPHONY Prepared by Chris Blower Crusell, B. Divertimento in C, op 9. Max Artved, ob; Elise Båtnes, vn; Tue Lautrup, vn; Dimitri Golovanov, va; Lars Holm Johansen, vc. Naxos 8.557361 10 Madetoja, L. Comedy overture, op 53 (1923). Iceland SO/Petri Sakari. Chandos CHAN 9036 8

Byström, T. Violin sonata no 1, op 1 (pub. 1799). Yoshiko Arai, vn; Izumi Tateno, pf. Finlandia FACD 012 14 Sibelius, J. The swan of Tuonela, op 22 no 3 (1893/97). Jeffrey Brown, ob; Bournemouth SO/Paavo Berglund. EMI 5 69773 2 9 Madetoja, L. Come with me, op 9 no3; Heijaa, heijaa!, op 60 no1. Taru Valjakka, sop; Ralf Gothóni, pf. BIS CD-88 5 Sibelius, J. Symphonic poem: En saga, op 9 (1892/1901). Iceland SO/Petri Sakari. Naxos 8.555299 19 Madetoja, L. Symphony no 2, op 35 (191618). Tampere PO/Parvo Rautio. apex 0927 43074 2 43 22:00 TARANTELLA Prepared by Jacky Ternisien Trad. Tarantella (arr. Lislevand). Norwegian Soloists’ Choir; Gjermund Larsen, vn; Bjórn Kjellemyr, db; Rolf Lislevand, lute; Grete Pedersen, cond. BIS BIS-2029 3 Rossini, G. La danza, from Les soirées musicales (1830-35; arr. Sadin). Rolando Villazón, ten; Maggio Musicale Fiorentino O/ Marco Armiliato. DG 479 4959 3 Mertz, J. Tarantella. Karin Schaupp, gui. ABC 476 5249 3 Catalani, A. Scherzo-tarantella (1878). Pietro Spada, pf. ASV DCA 921 4 Huete, D. de Tarantela (1704). Liuwe Tamminga, org; Fabio Tricomi, castanets. Accent ACC 24236 3 Bottesini, G. Tarantella. Gianni Amadio, db; O Interpreti Veneziani. Newton 8802200 6 22:30 ULTIMA THULE With Jon Shapiro

Friday 24 July FRIDAY 24 00:00 MUTABLE CARAT With Nick Dan 01:00 THE LONG DIVISION With Joe Goddard 02:00 SIGNAL CRUNCH With Glenn Winfield 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST With Annabelle Drumm 09:00 DIVERSIONS IN FINE MUSIC Prepared by James Nightingale Sor, F. Sérénade, op 37 (1828-29). Marc Teicholz, gui. Naxos 8.553722 13 Butterworth, G. Bredon Hill (1911-12). Bryn

Terfel, bass-bar; Malcolm Martineau, pf. DG 445 946-2 5 Grainger, P. A Lincolnshire posy (1937; arr Fennell 1987). The President’s Own United States Marine Band/Gerard Schwarz. Naxos 8.573121 15 Glazunov, A. Orchestral fantasy in E, op 28, The sea (1890). Royal Scottish NO/Neeme Järvi. Chandos CHAN 7049 16 Edwards, R. Blackwattle caprices (1998). Tim Kain, gui. Tall Poppies TP169 6 Mozart, W. Divertimento in B flat, K439b no 3 (1783/86). Wind Soloists of the CO of Europe. Teldec 2292-46472-2 23 10:30 CONCERT HALL Prepared by Michael Field Dohnányi, E. Symphonic minutes, op 36 (1933). West Australian SO/Jorge Mester. ABC 438 197-2 13 Bruch, M. Violin concerto no 2 in D minor, op 44 (1878). Salvatore Accardo, vn; Gewandhaus O/Kurt Masur. Philips 462 167-2 26 Tchaikovsky, P. Symphony no 4 in F minor, op 36 (1877). Leningrad PO/Kurt Sanderling. DG 447 423-2 44 12:00 A JAZZ HOUR With Barry O'Sullivan 13:00 SOLO PIANO Prepared by Ray Lemond Field, J. Nocturne no 1 in E flat (1812). Míceál O'Rourke, pf. Chandos CHAN 8719/20 5 Arensky, A. Six pieces, op 53 (1901). Adam Neiman, pf. Naxos 8.572233 16 Poulenc, F. Napoli, suite for piano (1925). Antony Gray, pf. ABC 481 1835 10 Field, J. Nocturne no 2 in C minor (c1812). Míceál O'Rourke, pf. Chandos CHAN 8719/20 4 Stravinsky, I. Three movements from Petrushka (1921). Freddy Kempf, pf. BIS SACD-1810 15 14:00 BETWEEN TWO WORLDS Prepared by Ron Walledge Tchaikovsky, P. Symphonic fantasy: The tempest, op 18 (1873). Russian SO/Veronika Dudarova. Olympia OCD 512 24 Tchaikovsky, P. Serenade in C for strings, op 48 (1880). Moscow Virtuosi/Vladimir Spivakov. RCA 09026 61964 2 29 Tchaikovsky, P. Fantasy overture: Romeo and Juliet (1869/80). Vienna PO/Herbert von Karajan. Decca 478 5630 21

Tchaikovsky, P. Symphony no 2 in C minor, op 17, Little Russian (1872/79). Seattle SO/ Gerard Schwarz. Naxos 8.571225 33 16:00 FINE MUSIC DRIVE With Camille Mercep 19:00 FRIDAY JAZZ SESSION With Christopher Waterhouse 20:00 EVENINGS WITH THE ORCHESTRA Prepared by Chris Blower Auber, D-F-E. Overture to Fra Diavolo (1830). Royal Scottish NO/Lance Friedel. Naxos 8.573418 8 Glazunov, A. Suite in E: From the Middle Ages, op 79 (1903). Royal Scottish NO/ Neeme Järvi. Chandos CHAN 7049 23 Grieg, E. Wedding day at Troldhaugen, op 65 no 6 (1897). BBC Scottish SO/Jerzy Maksymiuk. Naxos 8.554050 6 Bowen, Y. Viola concerto in C minor, op 25. Lawrence Power, va; BBC Scottish SO/ Martyn Brabbins. Hyperion CDA67546 36 Brahms, J. Symphony no 3 in F, op 90 (1883). Scottish CO/Charles Mackerras. Telarc CD-80450 36 22:00 BAROQUE AND BEFORE With Paul Roper Lawes, H. From the heav’ns now I fly. Robin Blaze, ct; Elizabeth Kenny, theorbo. Hyperion CDA67589 2 Handel, G. Overture to Samson (1742). Concentus Musicus Vienna/Nikolaus Harnoncourt. Teldec 9031-74871-2 8 Handel, G. Pastoral ode: L'Allegro, il penseroso ed il moderato, HWV55 (1740). Gillian Webster, sop; Laurence Kilsby, treb; Jeremy Ovenden, ten; Peter Harvey, bar; Ashley Riches, bass; Gabrieli Consort and Players/Paul McCreesh. Signum SIGCD 392 1:41

Saturday 25 July SATURDAY 25 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SATURDAY MORNING MUSIC With Peter Bell 09:00 WHAT'S ON IN MUSIC 09:05 THE PIANO ALONE Prepared by Jennifer Foong Chopin, F. Polonaise no 1 in C sharp minor, op 26 (1834-5). Ronald Farren-Price, pf. Move MD 3147 8 Mendelssohn, F. Sonata in G minor, op 105

(1821). Martin Jones, pf. Nimbus NI 5070 16 Liszt, F. Fantasy and fugue on Ad nos, ad salutarem undam, from Meyerbeer’s The prophet (1850). Leslie Howard, pf. Hyperion CDS44539 25 10:00 MUSICAL JOURNEYS Prepared by Jennifer Foong Gershwin, G. Cuban overture (1932). New Zealand SO/James Judd. Naxos 8.559107 11 Glanville-Hicks, P. Etruscan concerto (1954). Caroline Almonte, pf; Tasmanian SO/ Richard Mills. ABC 476 3222 15 Respighi, O. Brazilian impressions (1928). London SO/Antal Dorati. Mercury 478 5092 19 Mendelssohn, F. Symphony no 3 in A minor, op 56, Scottish (1842). London SO/Claudio Abbado. Decca 458 176-2 37 11:30 ON PARADE With Owen Fisher 12:00 URBAN JAZZ LOUNGE With Leita Hutchings 13:00 IN A SENTIMENTAL MOOD With Maureen Meers 14:00 EMPEROR Haydn, J. String quartet in C, op 76 no 3, Emperor (c1799). Vienna Konzerthaus Quartet. Westminster RC 8808678121735 27 14:30 SATURDAY MATINEE Prepared by Di Cox Haydn, J. The Creation, Hob.XXI:2 (179698). Barbara Bonney, sop; Edith Wiens, sop; Hans Peter Blochwitz, ten; Jan Hendrich Rootering, bass; Olaf Bär, bar; South German Radio Choir; Stuttgart RSO/Neville Mariner. EMI 7 54038 2 1:40 Schubert, F. Sonata no 16 in A minor, D 845 (1825). Imogen Cooper, pf. Ottavo OTR C68608 35 17:00 SOCIETY SPOT Prepared by Ross Hayes 18:00 MUSIC OF THE SCREEN 19:00 EMERGENT JAZZ With Keith Pettigrew 20:00 THE LIFE OF A COMPOSER Prepared by Frank Morrison Prokofiev, S. Symphony no 1, op 25, Classical (1917). Lausanne CO/Alberto Zedda. Virgin 7 91098-2 14 Prokofiev, S. Sarcasmes, op 17 (1912-14). Roger Woodward, pf. ABC 426 806-2 9 Prokofiev, S. String quartet no 1 in B minor, op 50 (1930). Chilingirian Quartet. Chandos CHAN 8929 23

Prokofiev, S. Suite from Lieutenant Kijé, op 60 (1934). Montreal SO/Charles Dutoit. Decca 430 506-2 20 Prokofiev, S. Russian folk songs, op 104 (1944). Lucia Popp, sop; Geoffrey Parsons, pf. Orfeo C 363 941 B 7 Prokofiev, S. Suggestion diabolique, op 4 no 4 (1912). Sviatoslav Richter, pf. Divox CDX-25252/3-2 3 Prokofiev, S. Symphony no 7 in C sharp minor, op 131 (1951-52). Scottish NO/Neeme Järvi. Chandos CHAN 8442 31 22:00 SATURDAY NIGHT AT HOME Prepared by Dan Bickel Falla, M. de Nights in the gardens of Spain (1909-15). Alicia de Larrocha, pf; London PO/ Rafael Frühbeck de Burgos. Decca 478 6966 25 Nielsen, C. Symphony no 4, op 29, The inextinguishable (1914-16). Gothenburg SO/ Neeme Järvi. BIS CD-614/616 34 Ibert, J. Escales (1922). Detroit SO/Paul Paray. Mercury 475 6268 14 Albéniz, I. Suite española, op 47 (1886; orch. Frühbeck de Burgos). Mexico State SO/ Enrique Bátiz. ASV DCA 888 42

Sunday 26 July SUNDAY 26 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC With Terry McMullen 09:00 MUSICA SACRA Prepared by Nicky Gluch Mendelssohn, Fanny. Was ist eins Mensch? from Job (1831). Sydney University Graduate Chamber Choir & O/Christopher Bowen. SUGC recording 4 Vivaldi, A. Stabat Mater, RV621. Andreas Scholl, ct; Ensemble 415/Chiara Banchini. Harmonia Mundi HMX 2908250.79 19 Mendelssohn, F. Lauda Sion, op 73 (1846). Evelyne Brunner, sop; Naoko Ihara, cont; Alejandro Ramirez, ten; Philippe Huttenlocher, bass; Gulbenkian Ch & O/ Michel Corboz. Erato 4509-94359-2 28 10:00 THE CLASSICAL ERA Prepared by Chris Blower Rossini, G. Overture to Tancredi (1813). Philharmonia O/Carlo Maria Giulini. EMI 5 62802 2 6

Clementi, M. Sonata in G minor, op 8 no 1 (1782). Maria Tipo, pf. EMI 7 54766 2 11 Viotti, G. Violin concerto no 8 in D (c1783). Franco Mezzena, vn; Viotti CO/Luciano Borin. Dynamic CDS 63 24 Paganini, N. Sonata in A (c1800-20). Eduardo Fernandez, gui. Decca 414 160-2 16 Cherubini, L. String quartet no 2 in C. Quartetto David. BIS CD-1003 28 Salieri, A. Ballet: Pafio and Mirra (1778). Mannheim Mozart O/Thomas Fey. Hänssler 98.506 24 12:00 CLASSIC JAZZ AND RAGTIME With John Buchanan 13:00 WORLD MUSIC: Whirled Wide With Orli Zahava 14:00 PRELUDES Prepared by Jacky Ternisien Faure, G. Prélude from Pénélope (1907-13). Basel SO/Ivor Bolton. Sony 19075818582 8 Rossini, G. Prelude, theme and variations, from Sins of old age (1857-68). Hermann Baumann, hn; Leonard Hokanson, pf. Philips 416 816-2 10 Marchand, L. Preludes, from Pièces de clavecin (1702-03): in D minor, from bk 1; in G minor, from bk 2. Ketil Haugsand, hpd. Simax PSC 1007 4 Chopin, F. Preludes, op 28: no 4 in E minor; no 13 in in F sharp; no 2 in A minor; no 21 in B flat. Sviatoslav Richter, pf. Melodiya MA 00089 11 Cordero, E. Five preludes. Peter Lynch, gui. LP Move MS 3060 7 Skryabin, A. Preludes, op 22 (1897). Robert Taub, pf. Harmonia Mundi HMU 907041 4 Bach, J.S. Prelude to Suite in E. Nigel North, lute. Saydisc SDLC 362 5 15:00 SUNDAY SPECIAL Prepared by Frank Morrison Schubert, F. Piano trio no 1 in B flat, D898 (1827). Leonard Rose, vc; Eugene Istomin, pf. Sony SM2K 64516 38 Vivaldi, A. Violin concerto no 1 in E, RV269, Spring (pub. 1725). Jerusalem Music Centre CO/Isaac Stern. Sony SM2K 66 472 11 Webern, A. Four pieces, op 7 (1909-10). Charles Rosen, pf. Sony SM3K 45845 5

Brahms, J. Piano trio no 3 in C minor, op 101 (1886). Leonard Rose, vc; Eugene Istomin, pf. Sony SM3K 64520 21 Gershwin, G. Bess, you is my woman now (1934). Columbia SO/Frank Brieff. Sony SMK 64 537 5 Mozart, W. Violin concerto no 5 in A, K219, Turkish (1775). Columbia SO/George Szell. Sony SM3K 66 475 28 Isaac Stern, vn (all above) 17:00 HOSANNA Prepared by Jeremy Hall Shephard, R. Jesu dulcis memoria. Choir of Wellington Cathedral; Andrew Macmillan, org; Philip Walsh, cond. Herald HAPVCD 191 4 Hymn: I heard the voice of Jesus say. Choir of Westminster Abbey; Robert Quinney, org; James O’Donnell, cond. Hyperion CDA68013 3 Allain, R. Magnificat; Nunc dimittis. Choir of Merton College, Oxford; Alexander Little, org; Benjamin Nicholas, cond. Delphian DCD34207 9 Brahms, J. Geistliches Lied, op 30. Corydon Singers/Matthew Best. Hyperion CDH55346 5 Victoria, T. de O lux et decus hispaniae. Choir of St James, King Street/Warren Trevelyan-Jones. 3 Lloyd Webber, W. Missa Sanctae Mariae Magdalanae. Choir of All Saints, Margaret Street, London; Nicholas Luff, org; Harry Bramma, cond. Priory PRCD677 15 Allain, R. Cana’s guest. Choir of Merton College, Oxford; Thomas Fetherstonhaugh, org; Benjamin Nicholas, org. Delphian DCD34207 3 Hymn: Praise to the Lord, the Almighty. Choir of Westminster Abbey; Robert Quinney, org; James O’Donnell, cond. Hyperion CDA68013 3 Dupré, M. Cortège et litanie, op 19 no 2. David Drury, org. ABC 432 527-2 6 18:00 SMALL FORCES Prepared by Rex Burgess Buxtehude, D. Sonata in B flat, op 1 no 4 (pub. 1696). Boston Museum Trio. Harmonia Mundi HMA 1901089 9 Couperin, F. Concert royal no 1 in G, from Concerts royaux (1714-15). Heinz Holliger, ob; Josef Ulsamer, va da gamba; Manfred Sax, bn; Christiane Jaccottet, hpd. Archiv 427 119-2 12 Castelnuovo-Tedesco, M. Sonatina, op 205. Virginia Taylor, fl; Timothy Kain, gui. Tall Poppies TP003 13

Brahms, J. Violin sonata no 2 in A, op 100 (1886). Lydia Mordkovitch, vn; Gerhard Oppitz, pf. Chandos CHAN 8517 19 19:00 SUNDAY NIGHT CONCERT Prepared by Frank Morrison Elgar, E. Serenade in E minor, op 20 (1892). Royal PO/Andrew Litton. Virgin 7 90727-2 13 Brahms, J. Alto rhapsody, op 53 (1869). Janet Baker, mezz; London Symphony Ch; City of London Sinfonia/Richard Hickox. Virgin 7 91123-2 14 Poulenc, F. Piano concerto (1949). Pascal Rogé, pf; Philharmonia O/Charles Dutoit. Decca 436 546-2 19 Schumann, R. Symphony no 1 in B flat, op 38, Spring (1841). Bavarian RSO/Rafael Kubelik. Sony SBK 48 269 35 20:30 NEW HORIZONS Prepared by James Nightingale Holley, A. Govett’s Leap, from Ophelia (1994). Gallery Players/Alan Holley. MBS 38 CD 8 McCombe, C. Songs of truth and loneliness (1994). Ian Holtham, pf. Move MD 3239 17 McCombe, C. Love into stone (1997). Natasha Conrau, vn; Leigh Raymond, vn; Susanna Ling, va; Naomi Wileman, vc; Glenn Riddle, pf. Tall Poppies TP249 10 Tüür, E-S. The wanderer’s evening song (2001). Estonian Philharmonic Chamber Choir/Daniel Reuss. Ondine ODE 1183-2 19 Wesley-Smith, M. Kolele mai (2000). Tim Kain, gui. Tall Poppies TP169 8 Neuwirth, O. ... miramondo multiplo ... Hakan Hardenberger, tpt; Gustav Mahler Youth O/ Ingo Mertzmacher. Kairos 0015010KAI 19 22:00 JAZZ AFTER HOURS With David Knapp

Monday 27 July MONDAY 27 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 FINE MUSIC BREAKFAST With James Hunter 09:00 DIVERSIONS IN FINE MUSIC Prepared by Derek Parker Mascagni, P. Easter hymn, from Cavalleria rusticana (1890). Kiri Te Kanawa, sop; Mormon Tabernacle Choir; Utah SO/Julius Rudel. London 425 431-2 5

Pierné, G. Scherzo-caprice, op 25 (1890) Jean-Efflam Bavouzet, pf; BBC PO/Juanjo Mena. Chandos CHAN 10871 8 Dvorák, A. Piano trio no 4 in E minor, op 90, Dumky (1890-91). Smetana Trio. Supraphon SU 3872-2 29 Debussy, C. Suite bergamasque (1890). Roger Woodward, pf. ABC 481 1742 18 Tchaikovsky, P. The sleeping beauty, op 66a (1890; transcr. Rachmaninov; rev. Ziloti, Tchaikovsky). Julia Severus, Alina Luschtschizkaja, pf. Naxos 8.570418 20 10:30 CONCERT HALL Prepared by Derek Parker Telemann, G. Overture in D (c1765). Musica Antiqua Cologne/Reinhard Goebel. Brilliant Classics 94104 21 Pierné, G. Piano concerto in C minor (1887). Jean-Efflam Bavouzet, pf; BBC PO/Juanjo Mena. Chandos CHAN 10633 19 Dvorák, A. Symphony no 7 in D minor, op 70 (1885). London SO/István Kertész. Decca 478 6420 37 12:00 SWING SESSIONS With John Buchanan 13:00 LATE ROMANTICS Prepared by Francis Frank Parry, H. Overture to an unwritten tragedy (1894). English Northern Philharmonia/David Lloyd-Jones. Hyperion CDA66515 11 Catalani, A. Danza delle Ondine (c1867). London SO/Richard Bonynge. Decca 452 767-2 7 Moszkowski, M. Suite, op 71. Ilya Gringolts, vn; Alexandr Bulov, vn; Irina Ryumina, pf. BIS CD-1016 19 d’Indy, V. Chorale and variations, op 55 (1903). Lawrence Power, va; BBC Welsh NO/ Thierry Fischer. Hyperion CDA67690 12 Saint-Saëns, C. Étude in waltz form, op 62 (1880). Magda Tagliaferro, pf. Philips 438 959-2 6 Dvorák, A. Rondo in G minor, op 94 (1891). Czech PO/Jirí Belohlávek. Decca 478 5705 7 Lyapunov, S. Rhapsody on Ukrainian themes, op 28 (1907). Hamish Milne, pf; BBC Scottish SO/Martyn Brabbins. Hyperion CDA67326 17 14:30 REAL AND IMAGINED Prepared by Elaine Siversen Carr-Boyd, A. Music for an imaginary Italian film (1985). Sydney Mandolins/Adrian Hooper. Jade JADCD 1124 9

Nielsen, C. Rhapsody overture: An imaginary journey to the Faroe Islands (1927). Danish NSO/Thomas Dausgaard. Da Capo 6.220518 10 Grainger, P. The warriors, music to an imaginary ballet (1916). City of Birmingham SO/Simon Rattle. EMI 5 56412 2 19 Auric, G. Imaginées I. Emily Benyon, fl; Andrew West, pf. Hyperion CDA67204 8 Debussy, C. Images (1905-12). Ulster O/Yan Pascal Tortelier. Chandos CHAN 8850 34 16:00 FINE MUSIC DRIVE With David Brett 19:00 JAZZ PULSE With Chris Wetherall 20:00 STORMY MONDAY With Austin Harrison 22:00 JAZZ AFTER HOURS With Gail Monjo

Tuesday 28 July TUESDAY 28 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST With Julie Simonds 09:00 DIVERSIONS IN FINE MUSIC Prepared by Elaine Siversen Bach, J.S. Four chorales (arr. for trumpet and organ). Crispian Steele-Perkins, tpt; Leslie Pearson, org. LDR 1006 10 Goldberg, J. Prelude and fugue in F minor. Gregor Hollman, hpd. MD+G L 3318 9 Bach, J.S. Fugue in G minor, BWV1026 (1714-17). Elizabeth Wallfisch, vn; Richard Tunnicliffe, vc; Paul Nicholson, hpd. Hyperion CDD22025 4 Rossini, G. Prelude, theme and variations, from Sins of old age (1857). Peter Damm, hn; Peter Rösel, pf. Berlin Classics 0012882BC 9 Brahms, J. Variations on a theme by Haydn, op 56b, St Antoni Chorale. Martha Argerich, pf; Nicholas Angelich, pf. EMI 7 21119 2 17 Reger, M. Chorale preludes: O Traurigkkeit, O Herzeleid (1893); Komm süsser Tod (pub 1894). Josef Still, org. Naxos 8.570454 10 Franck, C. Prelude, chorale and fugue (1884). Julius Katchen, pf. Philips 456 856-2 18

10:30 CONCERT HALL Prepared by Rita Felton Mozart, L. Sinfonia pastorella in G. Capella Istropolitana. Naxos 8.555978 11 Beethoven, L. Violin concerto in D, op 61 (1806). Richard Tognetti, vn; Australian CO/ Anthony Halstead. ABC 465 425-2 42 Prokofiev, S. Symphony no 7 in C sharp minor, op 131 (1951-52). NSO of Ukraine/ Theodore Kuchar. Naxos 8.553054 31 12:00 JAZZ RHYTHM With Jeannie McInnes 13:00 FLUTE PLUS Bach, J.S. Partita in A minor, BWV1013 (aft. 1723). Gunilla von Bahr, fl. BIS CD-21 10 Cart, J. Trio with two flutes (1939). Members of Quartetto Telemann. Syrinx SY 0001-2 131 10 Hummel, J. Sonata in D, op 50 (1810-14). Marta Mazzini, fl; Stefano Fiuzzi, pf. Dynamic CDS 128 19 Hoffmeister, F. Quartet in A, after Mozart’s K331, Alla turca. Israel Flute Ensemble. CDI 18809 24 Doppler, F. Double concerto in D minor. Kazunori Seo, fl; Sinfonia Finlandia/Patrick Gallois, fl & dir. Naxos 8.570378 19 14:30 DOUBLING UP Prepared by Derek Parker Tippett, M. Concerto for double string orchestra (1938-39). Academy of St Martin in the Fields/Neville Marriner. EMI 5 55452 2 23 Mozart, W. Double concerto in E flat, K365 (1779). Rudolf Serkin, pf; Peter Serkin, pf; Marlboro Festival O/Alexander Schneider. Sony SMK 46255 25 Brahms, J. Double concerto in A minor, op 102 (1887). Herman Krebbers, vn; Tibor de Machula, vc; Royal Concertgebouw O/Hans Vonk. Radio Nederland RCO 06004 34 16:00 FINE MUSIC DRIVE With Michael Morton-Evans 19:00 THE JAZZ BEAT With Lloyd Capps 20:00 RECENT RELEASES 22:00 CHAMBER SOIRÉE Prepared by Paul Cooke Brahms, J. Clarinet quintet in B minor, op 115 (1891). Deborah de Graaff, cl; Natalie Chee, vn; Hannah Perowne, vn; Hartmut Rohde, va; Peter Hoerr, vc. ABC 472 672-2 35 Benjamin, A. Viola sonata (1942). Lawrence Power, va; Simon Crawford-Phillips, pf. Hyperion CDA67969 17

Talma, L. The ambient air (1983). Daniel Pailthorpe, fl; Gabrielle Lester, vn; Judith Herbert, vc; Diana Ambache, pf. Naxos 8.559236 14 Reger, M. Piano quartet in D minor, op 113 (1910). Aperto Piano Quartet. Naxos 8.570785 48

Wednesday 29 July WEDNESDAY 29 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST With Janine Burrus 09:00 DIVERSIONS IN FINE MUSIC Prepared by Jacky Ternisien Widmann, E. Dances and galliards, from Musikalischer Tugendspiegel (1613). Collegium Terpsichore/Fritz Neumeyer. Archiv 479 1045 9 Sirmen, M. Violin concerto no 5 in B flat. Terri Baune, vn; Bay Area Women’s PO/JoAnn Falletta. Newport Classic NCD 60102 22 Schein, J. O Amarilli zart; Aurora schön mit ihrem Haar; Frischauf, ihr Klosterbrüder mein, from Diletti pastorali (pub. 1624). Cantus Cölln/Konrad Junghänel. Harmonia Mundi RD77088 15 Myslivecek, J. Concertino no 1 in E flat. Concerto Köln/Werner Ehrhardt. Archiv 479 1045 15 Zelenka, J. Trio sonata no 4 in G minor. Heinz Holliger, ob; Maurice Bourgue, ob; Klaus Thunemann, bn; Lucio Buccarella, db; Christiane Jaccottet, hpd. Archiv 479 1045 19 10:30 CONCERT HALL Prepared by Denis Patterson Raff, J. Overture to König Alfred, WoO14 (1848-49). Suisse Romande O/Neeme Järvi. Chandos CHSA 5135 14 Hummel, J. Piano concerto in A minor, op 85 (c1820). Ivan Palovic, pf; Slovak PO/Ladislav Slovák. Koch Schwann 311 120 31 Bruch, M. Symphony no 3 in E, op 51. London SO/Richard Hickox. Chandos CHAN 9738 35 12:00 JAZZ SKETCHES With Robert Vale 13:00 IN CONVERSATION 14:00 TRIBUTE TO JOHN BARBIROLLI Prepared by Jennifer Foong Elgar, E. Sospiri, op 70 (1914). New Philharmonia O. EMI CDM 7 64724 2 5

Sibelius, J. Karelia suite, op 11 (1893). Hallé O. EMI 1 66451 2 16 Wagner, R. Allmächt’ger Vater, blick herab, from Rienzi (1838-40). Lauritz Melchior, ten; London SO. LP Seraphim/WRC R.03835 5 Strauss, R. Metamorphosen (1944-45). New Philharmonia O. EMI CDM 5 65078 2 27 Wieniawski, H. Violin concerto no 2 in D minor, op 22 (1862). Jascha Heifetz, vn; London PO. Naxos 8.110938 19 Puccini, G. Con onor muore, from Madama Butterfly (1904). Renata Scotto, sop; Carlo Bergonzi, ten; Rome Opera House O. LP HMV ASD 4022 5 Elgar, E. Cello concerto in E minor, op 85 (1918-19). Jacqueline du Pré, vc; London SO. EMI CZS 5 68132 2 30 John Barbirolli, cond (all above) 16:00 FINE MUSIC DRIVE 19:00 A TWIST OF JAZZ With Andrew Piper 20:00 AT THE OPERA Prepared by Elaine Siversen Vivaldi, A. La verità in cimento, RV739. Opera in three acts. Libretto by Giovanni Palazzi. First performed Venice, 1720. MAMUD: Anthony Rolfe Johnson, ten MELINDO: Sara Mingardo, cont DAMIRA: Nathalie Stutzmann, cont ZELIM: Philippe Jaroussky, ct RUSTENA: Guillemette Laurens, mezz ROSANE: Gemma Bertagnolli, sop Ensemble Matheus/Jean-Christophe Spinosi naïve OP 30365 2:35 Mamud has two sons: Melindo by his favourite Damira and Zelim by the Sultana Rustena. Mamud had them exchanged at birth so that Melindo is thought to be the legitimate heir while Zelim is thought to have no claim on the throne. When a marriage is proposed between Melindo and Rosane, the heiress to another Sultanate, Mamud decides to reveal the truth. Eventually a settlement is reached with Zelim declared the rightful heir to Mamud’s empire while Melindo, in marrying Rosane, becomes the heir to the secondary kingdom that is Rosane’s inheritance. Vivaldi, A. Pianti, sospiri e dimandar mercede, RV676. Sara Mingardo, cont; Concerto Italiano/Rinaldo Alessandrini. naïve OP 30395 10 23:00 PERSPECTIVES Prepared by James Nightingale Edwards, R. Yanada, from Two pieces for solo oboe (1999). Geoffrey Burgess, ob. Classic Concert CCR 62033 4

Poulenc, F. Trio (1926). François Leleux, ob; Jean-François Duquesnoy, bn; Emmanuel Strosser, pf. Harmonia Mundi HMN 911556 13 Krommer, F. Oboe quartet no1 in C, op 8 (c1795). Paul Goodwin, ob; Terzetto. Harmonia Mundi HMU 907220 15 Graun, J. Oboe concerto in C minor. Heinz Holliger, ob; Christiane Jaccottet, hpd; Camerata Bern/Alexander van Wijnkoop. Archiv 00289 477 5002 21

Thursday 30 July THURSDAY 30 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST With Simon Moore 09:00 DIVERSIONS IN FINE MUSIC Prepared by Chris Blower Bach, J.S. Sonata for viola da gamba and harpsichord in G, BWV1027 (c1720). Wieland Kuijken, va da gamba; Gustav Leonhardt, hpd. Harmonia Mundi GD77044 14 Carulli, F. Grand duo in A, op 45. Leopoldo Saracino, gui; Massimo Palumbo, fp. Nuova Era 7167 17 Glinka, M. Viola sonata (1825-28). Michael Zaretsky, va; Xak Bjerken, pf. Artona Z87105 16 Howells, H. Three dances (1915). Malcolm Stewart, vn; Royal Liverpool PO/Vernon Handley. Hyperion CDA66610 14 d’Indy, V. Cello sonata in D, op 84 (1924-25). Nicolas Altstaedt, vc; José Gallardo, pf. Naxos 8.572105 18 10:30 CONCERT HALL Prepared by Robert Gilchrist Tchaikovsky, P. Overture: 1812 (1880). Sydney SO/Stuart Challender. ABC 434 717-2 15 Viotti, G. Violin concerto no 8 in D (c1783). Franco Mezzena, vn; Viotti CO/Luciano Borin. Dynamic CDS 63 24 Copland, A. Symphony no 3 (1946). New Zealand SO/James Judd. Naxos 8.559106 43 12:00 JAZZ, PURE AND SIMPLE With Maureen Meers 13:00 SCHUBERTIADE Prepared by Yvonne Laki Schubert, F. Impromptus, D899 (1827). Alfred Brendel, pf. Philips 422 237-2 27

Schubert, F. Ballet music from Rosamunde, D797 (1823). Vienna SO/Nikolaus Harnoncourt. Apex 0927 498132 16 Schubert, F. Adagio in E flat, D897, Notturno (c1827). Augustin Dumany, vn; Fréderic Lodeon, vc; Jean-Phillipe Collard, pf. EMI 3 65298 2 10 14:00 TRIBUTE TO GEORGE SZELL Prepared by Frank Morrison Haydn, J. Symphony in G, Hob.I:94, Surprise (1791). Cleveland O/George Szell. Sony M2YK 45673 24 Tchaikovsky, P. Piano concerto no 1 in B flat minor, op 23 (1875). Clifford Curzon, pf; New SO/George Szell. Decca 473 116-2 33 Mozart, W. Violin sonata no 29 in B flat, K454 (1784). Joseph Szigeti, vn; George Szell, pf. Vanguard 08 8039 74 22 Strauss, R. Im Abendrot, from Four last songs, op posth (1948). Elisabeth Schwarzkopf, sop; Berlin RSO/George Szell. EMI 0 87318 2 8 Handel, G. Largo, from Xerses. London SO/ George Szell. LP Decca CS 6236 6 Mozart, W. Exsultate, jubilate, K165 (1773). Judith Raskin, sop; Cleveland O/George Szell. CBS MYK 45509 16 16:00 FINE MUSIC DRIVE With Dan Bickel 19:00 THE NEW JAZZ STANDARD With Frank Presley 20:00 THE WORLD OF A SYMPHONY Prepared by Frank Morrison Bach, J.S. Concerto in F, BWV971, Italian (1735). Angela Hewitt, pf. Hyperion CDA67306 13 Rossini, G. Overture to The Italian girl in Algiers (1816). Philharmonia O/Carlo Maria Giulini. EMI 5 62802 2 8 Krommer, F. Italian concertino (1809). Dieter Klöcker, cl; Waldemar Wandel, cl; Stuttgart RSO/Wolf-Dieter Hauschild. Schwann 3-1077-2 11 Schubert, F. Overture in C, D591, In the Italian style (1817). Hanover Band/Roy Goodman. Nimbus NI 5172 7 Stravinsky, I. Italian suite (1932). Torleif Thedéen, vc; Roland Pöntinen, pf. BIS CD-336 19 Wolf, H. Italian serenade in G. Takács Quartet. Decca 476 2802 7

Molino, F. Nocturne in A minor/A major, op 37. Sérénade à trois. cpo 777 448-2 7 Haydn, J. Senti qui, from Two Italian duets, Hob.XXVa:2 (1796). Anne Monoyios, sop; Nils Brown, ten; Four Nations Ensemble. ASV GAU 219 5 Mendelssohn, F. Symphony no 4 in A, op 90, Italian (1833). Israel PO/Leonard Bernstein. DG 439 411-2 30 22:00 TARANTELLES Prepared by Jacky Ternisien Saint-Saëns, C. Tarantelle, op 6 (1857). Marc Grauwels, fl; Guy Vanderborght, cl; Belgian RT SO/André Vandernoot Naxos 8.555977 7 Mertz, J. Tarantelle (pub. 1985). Duo Sonare. Sound Star TonProd SST 31110 5 Ornstein, L. Tarantelle (1960). Janice Weber, pf. Naxos 8.559104 4 Fauré, G. Tarantelle, op 10 no 2 (1879). Geraldine McGreevy, sop; Stella Doufexis, sop; Graham Johnson, pf. Hyperion CDA67333 3 Szymanowski, K. Tarantelle, op 28 (1915). Polish State PO/Karol Stryja. Marco Polo 8.223291 5 22:30 ULTIMA THULE With George Cruickshank

Friday 31 July FRIDAY 31 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST With Annabelle Drumm 09:00 DIVERSIONS IN FINE MUSIC Prepared by Elaine Siversen Carmichael, J. Thredbo suite (1980). The Power of Three. ABC/Three Bracelets 94504 47232 8 Sculthorpe, P. From Uluru (1991). Adelaide SO/David Porcelijn. ABC 481 1293 4 Edwards, R. Ulpirra suite (1993-98). Deborah de Graaff, cl; Len Vorster, perc. Walsingham WAL80442 13 Carr-Boyd, A. Shoalhaven suite (1999). John Martin, pf. Jade JADCD-1103 14 Abbott, C. Blue Mountains airs, suite no 2: Antiquity; Suite no 3: Twilight and dawn. Janet Webb, fl; Ulpia Erdos, hp. Fine Music concert recording 12 Westlake, N. Songs from the forest (1994). Antony Field, gui; Daniel McKay, gui. Move MD 3355 8

Munro, I. Clarinet quintet, Songs from the bush (2009). David Rowden, cl; members of Omega Ensemble. ABC 481 4667 18 10:30 CONCERT HALL Prepared by Michael Field Weber, C.M. Overture: Jubel, op 59 (1818). Staatskapelle Dresden/Gustav Kuhn. Brilliant Classics 99935 8 Finzi, G. Cello concerto, op 40 (1955). Yo-Yo Ma, vc; Royal PO/Vernon Handley. Lyrita SRCD.236 41 Herzogenberg, H. Symphony no 2 in B flat, op 70 (1889). North German Radio PO/Frank Beermann. cpo 777 122-2 35 12:00 A JAZZ HOUR With Barry O'Sullivan 13:00 SERENADE TO MUSIC Prepared by Marilyn Schock Elgar, E. Serenade in E minor for strings, op 20 (1892). Australian CO/Richard Tognetti. Sony SK 53356 12 Tchaikovsky, P. Sérénade mélancolique, op 26 (1875). James Ehnes, vn; Sydney SO/ Vladimir Ashkenazy. SSO recording 9 Elgar, E. Spanish serenade, op 23 (1892). Liverpool Philharmonic Choir; Royal Liverpool PO/Charles Groves. EMI CDC 7 47511 2 5 Giuliani, M. Sérénade, op 127 (pub. 1827). Nora Shulman, fl; Norbert Kraft, gui. Naxos 8.554560 17 Schubert, F. Ständchen, from Schwanengesang, D957 (1828). Bryn Terfel, bass-bar; Malcolm Martineau, pf. DG 445 294-2 4 Mozart, W. Serenade no 6 in D, K239, Serenata notturna (1776). Swedish CO/Petter Lundkvist. Naxos 8.557023 13 Glazunov, A. Spanish serenade, op 20 no 2 (1888). Alexander Ivashkin, vc; Ingrid Wahlberg, pf. Manu 1426 3 Vaughan Williams, R. Serenade to music (1938). Vancouver Bach Choir; Vancouver SO/Bruce Pullan. CBC SMCD 5121 13 14:30 CELEBRATING ERICH KORNGOLD Prepared by Robin Mitchell Korngold, E. Suite from Much ado about nothing, op 11 (1920). Gil Shaham, vn; André Previn, pf. 13 Korngold, E. Love theme, from The adventures of Robin Hood (1938). Moscow SO/William Stromberg. Naxos 8.578005/06 6

Korngold, E. Violin concerto in D, op 35 (1945). Gil Shaham, vn; London SO/André Previn. 25 Korngold, E. Trailer music, from Deception (1946; ed. Morgan). Moscow SO/William Stromberg. Naxos 8.578005/06 4 Korngold, E. Symphonic serenade in B flat, op 39 (1947-48). BBC PO/Matthias Bamert. Chandos CHAN 9508 31 16:00 FINE MUSIC DRIVE With Peter Poole 19:00 FRIDAY JAZZ SESSION With Christopher Waterhouse 20:00 EVENINGS WITH THE ORCHESTRA Prepared by Chris Blower Grofé, F. Hollywood suite (1938/40) William Stromberg, cond. Naxos 8.559017 21 Nielsen, C. Clarinet concerto, op 57 (1928). Kevin Banks, cl; Kees Bakels, cond. Naxos 8.554189 25 Bernstein, L. Chichester psalms (1965). Thomas Kelly, treb; Elizabeth FranklinKitchen, sop; Victoria Nayler, cont; Jeremy Budd, ten; Paul Charrier, bass; Bournemouth Symphony Ch/Marin Alsop. Naxos 8.559177 18 Simpson, R. Symphony no 4 (1970-72). Vernon Handley, cond.

Hyperion CDA66505 46 Bournemouth SO (all above) 22:00 BAROQUE AND BEFORE Prepared by Rodrigo Azaola Telemann, G. Trio sonata in D minor, TWV42:d10. Chandos Baroque Players. Hyperion CDA66195 9 Buxtehude, D. Trio sonata in B flat, BuxWV273. Musica Antiqua Cologne. Archiv 437 089-2 15 Handel, G. Trio sonata in G, HWV399 (1797). Tafelmusik Baroque Soloists. CBC MVCD 1031 13 Krieger, J. Trio sonata in G. Members of Akademie für Alte Musik. Harmonia Mundi HMG 501835 6 Zelenka, J. Trio sonata no 4 in G minor. Heinz Holliger, ob; Maurice Bourgue, ob; Klaus Thunemann, bn; Lucio Buccarella, db; Christiane Jaccottet, hpd. Archiv 479 1045 19 Telemann, G. Trio in E minor. Members of Quartetto Telemann. Syrinx SY 0001-2 131 13 Couperin, F. La superbe, sonade en trio (c1692-95). Sigiswald Kuijken, vn; Lucy van Dael, vn; Wieland Kuijken, bass viol; Robert Kohnen, hpd. RCA RD 71054 8 Boyce, W. Trio sonata no 8 in E flat (1747). Parley of Instruments/Peter Holman.

Hyperion CDA67151/2 9 Hotteterre, J-M. Trio sonata in D minor. Frans Brüggen, rec; Walter van Hauwe, rec; Wieland Kuijken, bass viol; Gustav Leonhardt, hpd. LP RCA RL 30425 7 Locatelli, P. Trio sonata in E minor Darja Grossheide, fl; Gabriele Nussberger, vn; Robert Nikolayczik, vc; Willi Kronenberg, hpd. Naxos 8.557573 9 Geminiani, F. Trio sonata in D, Bush aboon Traquair, from Treatise good taste in the art of musick, op 1 (1716/29). Bell’arte Antiqua. ASV GAU 199 4

The following composers have works of at least five minutes on the July dates listed Abbott, C. 1916-1944 10,31 Albéniz, I. 1860-1909 25 Albrechtsberger, J. 1736-1809 21 Alfvén, H. 1872-1960 1,9 Alkan, C-V. 1813-1888 16 Allain, R. b19652 6 Alwyn, W. 1905-1985 2 Antheil, G. 1900-1959 8,10,20 Antill, J. 1904-1986 18 Archduke Rudolph of Austria. 1788-1831 12 Arensky, A. 1861-1906 24 Armstrong, C. b1959 6 Auber, D-F-E. 1782-1871 17,24 Auric, G. 1899-1983 27 Avison, C. 1709-1770 15

d’Indy, V. 1851-1931 10,27,30 Danzi, F. 1763-1826 5 Debussy, C. 1862-1918 8,9,17,23,27 Decruck, F. 1896-1954 13 Delius, F. 1862-1934 3,12 Deutscher, A. b2005 11 Dohnányi, E. 1877-1960 24 Doppler, F. 1821-1883 28 Dove, J. b1959 14 Dreyfus, G. b1928 11,12 Du Mont, H. 1610-1684 12 Duport, J-L. 1749-1819 19 Dupré, M. 1886-1971 26 Dvorák, A. 1841-1904 3,4,6,8,19,20,27 Dyson, G. 1883-1964 15

Bacewicz, G. 1909-1969 8 Bach, C.P.E. 1714-1788 9 Bach, J. Christian 1735-1782 22 Bach, J. Christoph 1642-1703 22 Bach, J.S. 1685-1750 7,16,19,21,28,30 Baermann, H. 1784-1847 8 Baguer, C. 1768-1808 21 Bantock, G. 1868-1946 17 Barber, S. 1910-1981 1 Bartók, B. 1881-1945 3,8 Barton, W.b 1981 12 Beach, A. 1867-1944 5 Beauvais, W. b1956 16 Beethoven, L. 1770-1827 2,5,6,8,9,11,12,15,16,19,20,28 Belli, O. b1979 19 Benjamin, A. 1893-1960 28 Berlioz, H. 1803-1869 3,14 Bernstein, L. 1918-1990 1,31 Bertali, A. 1605-1669 10 Biber, C. 18th c 15 Biber, H. 1644-1704 10,16 Bizet, G. 1838-1875 19,22 Boccherini, L. 1743-1805 2,3,9,12,19 Bochsa, N. 1789-1856 14 Boismortier, J. de 1689-1755 15 Bononcini, G. 1670-1747 17 Borodin, A.1 833-1887 5,10,17 Bottesini, G. 1821-1889 23 Boughton, R. 1878-1960 16 Bowen, Y.1 884-1961 24 Boyce, W. 1711-1779 2,31 Brahms, J. 1833-1897 14,17,19,24,26,28 Bright, C. b1949 12 Britten, B. 1913-1976 3,15 Bruch, M. 1838-1920 2,19,21,22,24,29 Bruckner, A. 1824-1896 4,20 Buxtehude, D. 1637-170 7 9,26,31 Byrd, W. 1543-1623 12,14,21 Byström, T. 1772-1839 23

Eberl, A. 1765-1807 15 Edwards, R. b1943 7,24,31 Einaudi, L. b1955 10 Elgar, E. 1857-1934 3,26,29,31

Cabanilles, J. 1644-1712 17 Campagnoli, B. 1751-1827 15 Cannabich, C. 1731-1798 8 Carmichael, J. b1930 31 Carr-Boyd, A. b1938 27,31 Cart, J. 1708-1774 28 Cartellieri, A. 1772-1807 20 Carulli, F. 1770-1841 30 Casella, A. 1883-1959 8 Cassado, G. 1896-1966 9 Castelnuovo-Tedesco,M. 1895-19685,26 Catalani, A. 1854-1893 27 Chajes, J. b1910 18 Chausson, E. 1855-1899 21 Cherubini, L. 1760-1842 1,5,13,16,18,26 Chopin, F. 1810-1849 5,25,26 Ciurlionis, M. 1875-1911 12 Clementi, M. 1752-1832 6,9,14,26 Coleridge-Taylor, S. 1875-1912 9 Copland, A. 1900-1990 30 Cordero, E. b1946 26 Couperin, A-L. 1727-1789 22 Couperin, F. 1668-1733 3,26,31 Cramer, J. 1771-1858 13 Crusell, B. 1775-1838 5,23 Czerny, C. 1791-1857 12,17,19

Key

Ch & O: Chorus & Orchestra CO: Chamber Orchestra FO: Festival Orchestra NO: National Orchestra NSO: National Symphony Orchestra PO: Philharmonic Orchestra RO: Radio Orchestra RSO: Radio Symphony

Falla, M. de 1876-1946 4,18,25 Faure, G. 1845-1924 7,13,26 Fauré, G. 1845-1924 7,13,26 Fesch, W. de 1687-1757 20 Field, J. 1782-1837 6,16,24 Fils, A. 1733-1760 1 Finger, G. 1660-1723 2 Finzi, G. 1901-19561 2,31 Flecha, M. [El Viejo] 1481-1553 17 Foster, G. b1945 18 Franck, C. 1822-1890 3,28 Gade, N. 1817-1890 5,11 Garth, J. 1722-1816 1 Gatayes, G-P-A. 1774-1846 2 Geminiani, F. 1687-1762 5,20 German, E. 1862-1936 6 Gershwin, G. 1898-1937 25,26 Giardini, F. 1716-1796 10 Giuliani, M. 1781-1829 1,3,6,31 Glanville-Hicks, P. 1912-1990 25 Glazunov, A. 1865-1936 2,15,21,24 Glière, R. 1875-1976 3,23 Glinka, M. 1804-1857 7,11,13,14,30 Gnattali, R. 1906-1988 23 Godard, B. 1849-1895 16 Goldberg, J. 1727-1756 28 Goldmark, K. 1830-1915 2 Górecki, H. b1933 5 Gossec, F-J. 1734-1829 5 Gould, M. 1913-1996 1 Gounod, C. 1818-1893 1,23 Grainger, P. 1882-1961 24,27 Granados, E. 1867-1916 18,21 Graun, J. 1702-1771 29 Grétry, A-E-M. 1741-1813 5 Grieg, E. 1843-1907 17,18,24 Grofé, F. 1892-1972 31 Guridi, J. 1886-1961 16 Halévy, F. 1799-1862 22 Halvorsen, J. 1864-1935 16 Handel, G. 1685-1759 5,6,12,16,18,20,24,25,30,31 Harris, W. 1883-1973 5 Hart, F. 1874-1949 9 Hartman, J. b1950 18 Haydn, J. 1732-1809 6,9,13,16,18,19,21,25,30 Hellendaal, P. 1721-1799 5 Henze, H. 1926-2012 17 Hérold, F. 1791-1833 13 Herzogenberg, H. 1843-1900 31 Hidalgo, J. 1612-1685 3 Hill, A. 1870-1960 22 Hiller, F. 1811-1885 1 Hindemith, P. 1895-1963 4 Hoffmeister, F. 1754-1812 28 Holland, D. 1913-2000 9 Holley, A. b1954 26 Holst, G. 1874-1934 8 Honegger, A. 1892-1955 1 Hotteterre, J-M. 1674-1763 31 Hovhaness, A. 1911-2000 4 Howells, H. 1892-1983 30 Hummel, J. 1778-18371 1,12,28,29

Ibert, J. 1890-1962 14,25 Ippolitov-Ivanov, M. 1859-1935 4,16 Ireland, J. 1879-1962 16 Jacquet de la Guerre, E-C. c1666-17291 Janácek, L. 1854-1928 3,5 Janequin, C. c1485-1558 14 Jenkins, K. b1944 10 Jolivet, A. 1905-1974 14 Kabalevsky, D. 1904-1987 21 Kats-Chernin, E. b1957 4,7,12 Keiser, R. 1674-1739 8 Khachaturian, A. 1903-1978 5,15 Klami, U. 1900-1961 12 Koechlin, C. 1867-1950 2 Korngold, E. 1897-1957 31 Kozeluch, L. 1747-1818 16 Kraus, J.M. 1756-1792 5 Krieger, J. 1652-1735 31 Krommer, F. 1759-1831 29,30 Krumpholtz, J-B. 1742-1790 12 Kuhnau, J. 1660-1722 15 Kuzmin, M. 1872-1936 15 Lalande, M-R. de 1657-1726 7 Lalo, E. 1823-1892 7,19 Lambert, C. 1905-1951 6 Landini, F.c 1325-1397 5 Lassus, O. dec 1530-1594 12 Legrenzi, G. 1626-1690 1 Lehár, F. 1870-1948 9 Ligeti, G. 1923-2006 13 Liszt, F.1 811-1886 4,7,11,17,21,25 Lloyd Webber, W. 1914-1982 26 Locatelli, P. 1695-1764 31 Luigini, A. 1850-1906 17 Lully, J-B. 1632-1687 5 Lupo, T.c 1571- 1628 2 Lutoslawski, W. 1913-1994 5 Lyapunov, S. 1859-1924 27 Madetoja, L. 1887-1947 23 Mahler, A. 1879-1964 18 Mahler, G. 1860-1911 10,17 Marais, M. 1656-1728 11 Marini, B.c 1587-1663 10 Martinu, B. 1890-1959 23 Mascagni, P. 1863-1945 27 Matsumura, T. 1929-2007 17 Mattheson, J. 1681-1764 8 McCombe, C. b1967 26 Méhul, É-N. 1763-1817 6,12 Melnyk, L. b1948 19 Mendelssohn, F. 1809-1847 1,8,10,11,13,19,21,25,26,30 Merula, T.c 1595-1665 3 Messiaen, O. 1908-1992 21 Milhaud, D. 1892-1974 14,19,23 Molino, F. 1775-1847 30 Monn, M. 1717-1750 2 Morales, C. dec 1500-1553 17 Moroi, S. 1903-1977 3 Mosonyi, M. 1815-1870 3 Moszkowski, M. 1854-1925 17,27 Mouret, J-J. 1682-1738 6 Mozart, F. 1791-1844 12,22 Mozart, L. 1719-1787 28 17912,4,5,6,8,9,11,14,16,1 9,21,24,26,28,30,31 Muffat, G. 1653-1704 5,10,17 Munro, I. b1963 31 Murcia, S. dec 1682-1740 17 Mussorgsky, M. 1839-1881 11 Myslivecek, J. 1737-1781 29 Neuwirth, O. b1968 26 Nielsen, C. 1865-1931 25,27,31 Offenbach, J. 1819-1880 14,18,19,23 Paderewski, I. 1860-1941 3 Paganini, N. 1782-1840 13,22,23,26 Palmgren, S. 1878-1951 22 Parry, H. 1848-1918 19,27 Pärt, A. b1935 12 Penderecki, K. 1933-2020 5 Pfitzner, H. 1869-1949 4

Pierné, G. 1863-1937 18,27 Pinto, G. 1785-1806 6 Popper, D. 1843-1913 19 Poulenc, F. 1899-1963 6,17,20,24,26,29 Praeger, H. 1783-1854 5 Price, D. 20th c4 Prokofiev, S. 1891-1953 2,13,21,25,28 Puccini, G. 1858-19241 8,29 Pugnani, G. 1731-1798 10 Purcell, H. 1659-1695 1 Rachmaninov, S. 1873-1943 2,23 Raff, J. 1822-1882 6,29 Rameau, J-P. 1683-1764 4,19,23 Ravel, M. 1875-1937 7,9,13,16 Rebel, J-F. 1666-1747 7 Reger, M. 1873-1916 28 Reichardt, J. 1752-1814 6 Reincken, J. 1623-1722 8 Respighi, O. 1879-1936 14,15,20,25 Ries, F. 1784-1838 8,12 Rigney, S. b1960 14 Rimsky-Korsakov, N. 1844-1908 5,15,19,20 Romberg, B. 1767-1641 19 Röntgen, J. 1855-1932 9 Rosenmüller, J.c 1619-1684 3 Rossini, G.1792 -1868 1,2,6,7,10,23,25,26,28,30 Roussel, A. 1869-1937 11,18 Rubinstein, A. 1829-1894 10 Rutter, J. b1945 5

Tippett, M. 1905-1998 28 Tüür, E-S. b1959 26 Tveitt, G. 1908-1981 10 Vanhal, J. 1739-1813 21 Vaughan Williams, R.1872-1958 7,11,13,18,31 Veracini, F. 1690-1768 20,22 Verdi, G. 1813-1901 23 Vieuxtemps, H. 1820-1881 2 Villa-Lobos, H. 1887-1959 3 Vine, C. b1954 8 Viotti, G. 1755-1824 26,30 Vivaldi, A. 1678-1741 20,23,26,29 Vorisek, J. 1791-1825 1,12 Wagner, R. 1813-1883 20 Walton, W. 1902-1983 13 Wassenaer, U. 1692-1766 19 Weber, C.M. 1786-1826 14,19,22,31 Wesley-Smith, M. 1945-2019 26 Westlake, N. b1958 31 Widmann, E. 1572-1634 29 Wieniawski, H. 1835-1880 29 Wilder, A. 1907-1980 17 Williams, J. b1932 8 Wolf, H.1860-1903 4,30 Wranitzky, P.1756-1808 19 Zelenka, J. 1679-1745 19,29,31

Saint-Georges, J. 1739-1799 9 Saint-Saëns, C. 1835-1921 5,13,20,21,23,27,30 Saint-Säens, C. 1835-1921 5,13,20,21,23,27,30 Sainte-Colombe, A. c1630-1701 3,10 Salieri, A. 1750-1825 26 Scarlatti, A. 1659-1725 20 Scarlatti, D. 1685-1757 11 Schein, J. 1586-1630 29 Schickele, P. b1935 10 Schmidt, F. 1874-1939 7,15 Schmitt, F. 1870-1958 14,21 Schubert, F.1797-1828 1,5,11,22,23,25,26,30 Schuman, W.1 910-19921 Schumann, C. 1819-1896 7 Schumann, R. 1810-1856 2,4,7,14,26 Schütz, H. 1585-1672 12 Sculthorpe, P. 1929-2014 7,8,12 Serra, J.1 907-1957 4 Servais, A-F. 1801-1866 19 Shostakovich, D. 1906-1975 2,14 Sibelius, J. 1865-1957 5,9,23,29 Simpson, R. 1921-1997 31 Sinigaglia, L. 1868-1944 10 Sirmen, M. 1745-1818 29 Skalkottas, N. 1904-1949 16 Smetana, B. 1824-1884 5 Somis, G. 1686-1763 10 Sor, F.1 778-1839 19,24 Spohr, L. 1784-1859 17 Stamitz, J. 1717-1757 9 Stanford, C. Villiers 1852-1924 19 Steibelt, D. 1765-1823 6 Stephens, J. 20th c4 Still, W. 1895-1978 9 Strauss, J. II 1825-1899 4 Strauss, Josef. 1827-1870 18 Strauss, R. 1864-1949 2,5,29,30 Stravinsky, I. 1882-1971 24,30 Sullivan, A. 1842-1900 15,25 Suppé, F. 1819-1895 11 Svendsen, J. 1840-1911 6 Sviridov, G. 1915-1998 17 Szymanowski, K. 1882-1937 30 Talma, L. 1906-1996 28 Taneyev, S. 1856-1915 13 Tausch, F. 1762-1817 12 Tchaikovsky, P.1840-1893 2,3,10,12,17,24,27,30,31 Telemann, G.1681-1767 2,3,5,7,18,27,31 Thomas, A. 1811-1896 23

Music duration is shown after the record and citation Orchestra RTO: Radio & Television Orchestra RTV SO: Radio and Television Symphony Orchestra SO: Symphony Orchestra TO: Theatre Orchestra alto: male alto ban: bandoneon

bar: baritone bshn: basset horn bass: bass bn: bassoon bass bar: bass baritone cl: clarinet clvd: clavichord cont: contralto cora: cor anglais ct: counter-tenor

db: double bass dbn: double bassoon did: didjeridu elec: electronic fl: flute fp: fortepiano gui: guitar hn: french horn hp: harp hpd: harpsichord

mand: mandolin mar: marimba mezz: mezzo-soprano narr: narrator ob: oboe org: organ perc: percussion pf: piano picc: piccolo rec: recorder

sax: saxophone sop: soprano tb: trombone ten: tenor timp: timpani tpt: trumpet treb: treble voice va: viola vc: cello vn: violin

Spirit of England John Barbirolli and the Hallé Orchestra Written by Nicky Gluch

John Barbirolli was of the opinion that conductors are born and not made. It was a fair argument for a man born into a family of professional musicians, who benefited both from their European origins and his own British nationality. Indeed, the young Giovanni Battista considered himself a Cockney! It was while serving in the army in World War I that Barbirolli adopted the name John. It was also there that he received his first conducting opportunity. Barbirolli’s battalion had formed a volunteer-orchestra; when the conductor took ill, officers found Barbirolli scrubbing the floor and asked if he might like to take over. It was quite the romantic start!

After the war, Barbirolli resumed his career as a cellist but he gradually began to receive more conducting opportunities. In 1926, he was invited to conduct the newly formed Chenil Chamber Orchestra whose concerts impressed Frederic Austin, director of the British National Opera Company (BNOC). When the BNOC disbanded in 1929 and a touring company was formed, Barbirolli was invited to be its musical director. Three years later, the conductor of the Hallé Orchestra, Hamilton Harty, took leave of absence. Four conductors were named as guest directors, including Barbirolli. Did Barbirolli know then how important this appointment would be? One imagines not, for he could not have foretold what the next decade had in store. Barbirolli was in America when war broke out, having succeeded Arturo Toscanini as conductor of the New York Philharmonic. He soon returned to England, feeling the urge to help his own country in their time of need. After 10 weeks, he returned to New York but shortly after arriving, received an appeal from the Hallé: the orchestra had lost most of its players, could Barbirolli come home and save the ship from sinking? That he did, and with immense practicality recruited anyone he deemed competent on their instrument, regardless of their musical background. Perhaps he similarly believed that musicians were born and not made. Or he perhaps he understood how much of life comes down to opportunity, and Barbirolli sure knew how to grasp those! Wednesday 29 July at 2pm

Tony Smith / Alamy Stock Photo

Emerging Artist Tom Avgenicos We take a look at a rising jazz talent Written by Barry O'Sullivan Photo by Aaron Blakey

Falling in love with jazz at the early age of nine Tom Avgenicos also inadvertently discovered his future career path. He may not have known it at the time, but when his mother brought home one of the jazz educator Jamey Aebersold’s popular music method books to amuse two restless primary schoolboys on their school holidays, the wheels of his future had begun to turn. Tom, with his older brother Michael, happily played along with the CD attempting to improvise as they progressed. Their father, a jazz fan, began to introduce the boys to the recordings of the giants, including saxophonist Joshua Redman and trumpeter Miles Davis. The boys were hooked!

Upon graduation, he led his own ensemble, Delay 45, on an international tour of Europe performing in Cologne, Berlin, Siena, and Amsterdam receiving mentorship along the way from a selection of some of Europe’s leading players including Jonas Burgwinkel, Jeff Ballard and Matt Penman. Tom states that this tour was instrumental in shaping the improvisational language of his band, which who then went on to record their debut album big ears, which was reviewed and described by Sydney Morning Herald’s Keystone Press / Alamy Stock Photo Jazz Critic, John Shand, as “a bold new chapter in Australian Jazz”. Photo by Aaron Blakey

I’m into such a wide

Tom began busking jazz tunes fortnightly in the Victoria Street Mall, Chatswood, and occasionally in Bondi Junction and Eastwood.

range of music at the

Attending Chatswood High School, where he now also teaches music, his love of jazz was fostered with many performance opportunities. These included an overseas tour with his school band to Europe and the USA.

and unique, that also

Being mentored by the acclaimed trumpeter Warwick Alder, Tom’s improvisational skill developed to the stage when he was able to enter and become a finalist twice in the James Morrison Generations in Jazz competition while still in high school. In 2018 he graduated from the Sydney Conservatorium of Music with firstclass honorshonours. While completing his studies Tom was the recipient of the George and Margaret Henderson Scholarship, a Global Mobility Scholarship as well as being awarded the Outstanding Musician of the Year.

moment... Hopefully

music that is interesting reflects my personality and interests.

This year Tom released his second album recording, Dash, a collaborative project with the Melbourne trombonist Josh Bennier, exploring earthy textures in a cordless ensemble within the realm of contemporary jazz and improvisation. A third album is also in the can with his older saxophonist brother Michael exploring electronic music production. Tom is also an emerging active member of the Australian live jazz scene, performing alongside a number of

Australia's leading outfits including the Mike Nock Noctet, the Matt McMahon Quartet, Steve Barry, Chris Cody and the Australian premiere ensemble Ten Part Invention. Tom was awarded third place in the brass section at the National Jazz Awards, Australia’s prestigious jazz competition in Wangaratta. Tom was also Sydney Improvised Music Association's (SIMA) "TRIGGER" Artist of the Year in their Winter Jazz Program. When asked – into the future what kind of music he wanted to create – Tom replied, “I’m into such a wide range of music at the moment so it’s difficult to say. Hopefully music that is interesting and unique, that also reflects my personality and interests.” Friday 3 July at 12pm

Has COVID-19 killed New Jazz? Emergent Jazz Written by Keith Pettigrew

Emergent Jazz provides an opportunity for the next generation of jazz musicians to shine. As they study the ‘Jazz Standards’ that have stood the test of time, they understand what makes these great tracks work, analytically and gutturally.  When we intellectualise the harmonic improvisation, but the body senses the syncopated rhythm, great jazz emerges.  Their original compositions and playing are not yet confounded by commercial reality and express the wonderment of exciting music.

Photo courtesy of Sydney Conservatorium of Music

In these CoViD times, the entertainment industry and our emergent musicians have been crushed, with audiences forced out of closed venues.  Broadcasting has a key role in keeping audiences entertained and musicians in the public eye.  Fine Music exists to bring the two together.  While there are no recent radio audience surveys, there is clear evidence of a dramatic listening increase in Fine Music Sydney’s broadcasts, streamed from our website.  A pandemic workforce operating at home on computers is a natural for streamed broadcasts, bringing fine music and fine jazz to an increased audience. Jazz has been part of Fine Music Sydney since it began 45 years ago.  We have also recently embraced the strategic goal of promoting Australian musicians and composers, with a focus on the young.  Music might retreat, but with Fine Music Jean-Féry Rebel Sydney promoting new Australian jazz Library/Public Domain via Gallica our Digital Emergent Jazz program and

subscribers continuing their support, the future of jazz is bright. Our Emergent Jazz program is new and includes three key areas: young Australian jazz musicians, as they emerge from their training grounds; new Australian jazz; and new jazz from across the planet.  This is not jazz by the greats of the 1930s, 1950s, or 2000s.  It may be their tunes, but it is from musicians of our own generations who live by their performances. In supporting young musicians, we look to the jazz programs at Sydney’s University of NSW and the Sydney Conservatorium of Music, as well as Conservatoria in other cities and the James Morrison Academy of Music within this program.  These students and recent alumni are refining their musical skills, exploring their musicality, and discovering the commercial world of music.

Emergent Jazz is relying on students’ own recordings of ‘Jazz Standards’ and their own compositions.  Whilst on campus, the students frequently form cross-year combos that reflect the emergence and synergy of extraordinary skills.  But as students, the affordability of recording opportunities is limited.  Fine Music Sydney has an outstanding recording studio, financed out of subscriber donations.  As Emergent Jazz matures, we hope to bring fresh studio recordings, helping students emerge into the music industry. For emergent Australian jazz, we are indebted to the Community Broadcasting   Association of Australia and the Australian Government supported AirIt network.  This allows Australian musicians to upload their music for broadcast across Australia’s community broadcasting network, such as Fine Music Sydney.  This is exciting new music and the next stage for the emergent musicians in reaching a wider audience.  And finally, a touch of new jazz from the international stage.  The world is full of extraordinary new jazz. Bringing the best to air completes the frame of emergent jazz. Emergent Jazz program is dedicated to young Australian jazz musicians. Listen on Saturdays at 7pm Saturday 4 July at 7pm

Sydney Schubert Society The rise of the Schubertiades Written by Ross Hayes

“Schubertiade” by Julius Schmid (1897) Historic Collection / Alamy Stock Photo

The Sydney Schubert Society Inc. was founded in 1953 by Paul and Norma Williams. The Society is dedicated to advancing the understanding and appreciation of the work of Franz Schubert as well as the music of Schubert’s time. Past presidents include Robert Gay, one of Australia’s leading music tour leaders and music educators, and Anthony Ernst, a director, dramaturg, lecturer and arts administrator who is currently Executive Director of the Orchestre de Chambre de Lausanne. Our current President is Goetz Richter, the Chair of Strings at the Sydney Conservatorium of Music. He was recently awarded an AM for “significant services to music as a concert violinist, artistic director, mentor and educator”. Since its foundation, the Sydney Schubert Society has presented more than 380 Schubertiades. These intimate concerts revive the spirit of the gatherings of Schubert’s friends in which many of the composer’s works were first performed. Each Schubertiade is introduced with reference to the cultural and musical importance of the program to Schubert and his work by the president of the Society and curator of its programmes. The Sydney Schubertiades aim to preserve an informal context which characterised audience gatherings of the original Schubertiades in the early 19th century. Normally, there are five Schubertiades each year shared between St. Peter’s Presbyterian Church, North Sydney and St. Columba Church, Woollahra. Each month, on the 4th Saturday, at 5 pm to 6 pm, there is a Sydney Schubert Society programme on Fine Music Sydney. For many years this was programmed and presented by Sydney Schubert Society and Fine Music stalwart, Jan Brown.

In more recent years this role has been taken by Fine Music Presenter, Ross Hayes. Ross says that he tries to bring a variety of Schubert’s music and delights in exposing our listeners to some of the lesser-known works by Schubert such as a series he presented on Schubert’s operas. Subsequently there has been a series on Schubert’s String Quartets and, more recently, a series on Schubert’s Symphonies. With a rich source of wonderful music available from the pen of this Austrian master composer, Ross feels that there will always be interesting programmes for your delectation every month. Saturday 25 July at 5pm

CD REVIEWS

Arianna

Kate Lindsey; Arcangelo; Jonathan Cohen Alpha-Classics ALPHA 576

Lili & Nadia Boulanger: Melodies Cyrille Dubois; Tristan Raës Aparte Music AP224

Intertwined

Crossroads Quintet Midwest Crush Music

American soprano Kate Lindsey’s second recording for Alpha-Classics demonstrates her wonderful voice and strong characterisation. There are three works on the disc that all address the topic of Ariadne, the lover of Theseus who was abandoned on Naxos and transformed into a star in her grief. The opening work is the cantata L’Arianna by Alessandro Scarlatti, followed by Handel’s cantata ‘Ah, crudel, nel pianto mio’ and Haydn’s Arianna a Naxos. The three cantatas take us on a journey through the music of the 18th century, demonstrating a clear musical understanding on the part of all the musicians, led by Jonathan Cohen from the

harpsichord of the ensemble Arcangelo. This exquisite recording is full of musical detail that captures both the desperation, anger and love of Arianna in her betrayal.  This period performance ensemble brings us a recording that can be enjoyed by any lover of classical music.

This recording from the tenor Cyrille Dubois and pianist Tristan Raës, is a beautiful tribute to the music of two sisters. The younger, Lili, is remembered as a composer who died too young, and Nadia, the elder, was a formidable force of music in the 20th century but not necessarily wellknown as a composer. Only four of the 21 tracks on the recording are by Lili, the rest are from the pen of Nadia, who disavowed her compositions following the death of her sister in 1918. Nadia spent the rest of her life ensuring the work of her sister was remembered. The joy of this recording is to hear so many songs by Nadia recorded

with exceptional care and musicality. The performances are a joy from start to finish and left this listener desperate for more. A highly recommended recording.

Crossroads Quintet debut album features a collection of talented young musicians from around the world including Zachary Finnegan (trumpet), Tyler Bauer (saxophone), Austin Thomas (piano), Brendan Keller-Turberg (bass) and Jameson Scriver (drums). The album highlights the differing musical strengths of the group spanning from straight-ahead swing to the avant-garde and everything in between. This is music that the Quintet obviously enjoys playing and their enthusiasm is evident throughout. The rhythm section is solid, the front line capable, in particular Finnegan’s trumpet work, if not particularly

inventive. Part of the attraction of the album is how different each of the tracks is containing unexpected gambits even after multiple listens. Highlights are some nice bass work from Keller-Turberg on the track I Hear You, and Tyler Bauer’s saxophone on John Galt and the pianism of Austin Thomas featured inventively throughout.

– James Nightingale

– Barry O'Sullivan

LISTENERS' LETTERS Perfect Pitch

Blessed Be

Welcome back 2MBS!! And thank you Tom Forrester-Paton for a treat of a programme perfectly timed for drifting through sunset and twilight into nightfall in the Blue Mountains: Field's Nocturne, Tommy Reilly inhabiting Vaughan Williams' Romance, and some quiet grieving per Robert Tear's Tom Bowling for the sad and difficult times we find ourselves in. Enjoyed even the 'tooth egg' amongst the classical gold! Perfectly pitched, thank you, and safe passage to all at Fine Music.

Welcome back LIVE dear friends. It has been a good job done throughout the lockdown, but to have our 'real live', spontaneous-talking presenters back in the room with us, is just great. Thank you all for your efforts, which are so much appreciated ... in particular, by us, the more or less permanently in lockdown folk. Blessings upon you all! Rae Galtsmith-Clarke

We Wouldn't Be Here Without You

Meg McMahon

Tom Forester-Paton says asking for money is the last thing he likes talking about. But it works so, I guess he'll have to keep talking about this! Scott

VO L U N T E E R S P O T L I G H T and played in the mandatory folk band… After university came the year-long backpacking pilgrimage.” An instrument was essential and the flute was most portable. David goes on to say: “The first country of my trip was Israel and I needed to find a teacher, so I approached the lead flautist of the Israeli Philharmonic Orchestra. Talk about chutzpah. I don’t think I’ve ever been so embarrassed as when he asked me how long I had been playing and I answered four weeks!”

David Jacobs David has been a director of Fine Music Sydney for 18 months. He says: “It’s an extraordinary organisation full of volunteers dedicated to their craft, and hard working employees. It gives such pleasure to so many listeners and I feel lucky to have been asked to be an appointed director.” Music has always been an essential core of David’s life, particularly classical and jazz. It started as a teenager when he joined a record club. David’s love of music expanded to playing the piano and he says: “Once I realised in the times of the flower generation that girls swooned at boys who played the guitar and sang songs of love and protest, I picked up that instrument, grew my hair long

A lifetime career with global law firm Baker & McKenzie provided the opportunity to travel extensively and visit some of the most treasured music houses of the world. One most treasured memory was attending a performance of Mozart’s Marriage of Figaro in the Vienna Opera House where it was first performed. However listening to Ray Charles sing Georgia in a vineyard was also pretty special. Following retirement, David auditioned and ‘to his amazement’ was accepted for the Sydney Philharmonia Symphony Chorus. He says: “Singing, in pre COVID-19 times, the great choral works with the wonderful Sydney Symphony Orchestra in the magnificent Sydney Opera House under the baton of some of the world’s greatest conductors, and rehearsed by the extraordinarily talented Brett Weymark is a privilege beyond anything I could have expected.”

CROSSWORD Written by Julie Simonds

Down 1 To yell loudly.(6) 2 Bang on the ---- (3) 3 In 1948 he won a piano scholarship and by 1951 was official coach and accompanist to Joan Sutherland.(7) 4 From 2004 to 2008, he was Principal Conductor and Artistic Director of the Sydney Symphony Orchestra. (8) 5 Composer of Nixon in China & Short Ride in a Fast Machine.(5) 6 He shone as the Marquis de Sade.(4) 7 James Brown and Marvin Gaye lead the way in this style of music.(4) 10 To strive.(3) 12 Melbourne loved him so much they named an auditorium after him.(5) 14 Nickname for Beethoven's Piano Trio Opus 97 in Bb.(8) 15 A small, mischievous devil or sprite.(3) 16 Behaving in an unpleasant or spiteful way.(5) 20 First name of award winning actor who played Tim(3) 21 Dance the night away with the Mell-O-Tones led by?(6) 22 _____Butterfly.(6)

Across

23 First name of Helpmann.(6)

1 SecoAcross 5 First name of artist who gave Australia Bundanon.(6)

24 Australian journalist, author, television and radio presenter (5)

7 Opera by Richard Strauss known for its "Dance of the Seven Veils"..(6)

26 Extreme anger.(4)

8 Designed our Opera House (5)

29 Bosch painted them and owned one.(3)

9 Starred in over 20 musicals, received nine Mo awards and is still dancin' (6) 10 He always called Australia home.(5) 11 He was a goon.(5) 13 Mussorgsky's Pictures at an Exhibition features this from Kiev.(4) 14 He named his only son Christopher Robin.(1,1,5) 17 Nickname for Haydn's Symphony No 82, also comic opera by Walton.(4) 18 This Terracini was Fine Music General Manager.(3) 19 A technical drawing instrument that can be used for inscribing circles or arcs.(6) 21 Ann Kirkpatrick calls him Dad.(4) 23 Number of copies printed of a publication.(3) 25 He was an actor, known for Tin Cup & Interviewing Norman.(3,3) 27 The Duke called this feeling a colour.(4) 28 To ask for.(3) 30 Some people blow their own.(7) 31 Australian composer of Enyato III,White Ghost Dancing and Maninyas (7)

FINE MUSIC PATRONS Fine Music Honour Roll (Bequest Received 2009-2019)

Silver Patrons ($500 -$999)

Dr Alison Burrell, Mr Keith John Cosack, Mr Paul de Leuil, Ms Jean Priscilla Deck, Mr Colin Enderby, Ms Rose Gibb, Mr David Henry James, Mr Leslie Kovacs, Mr Stefan Kruger, Mrs Myra Christina Polson, Mr Michael Patrick Sheehan, Mr Charles Herbert Stokes, Mr Ronald Tinslay, Mrs Rose Varga, Mrs Norma Walledge, Mr Ken Weatherley, Mr Colin Webb, Mr Barry Willoughby, Mr John Albert Wright

Mr Scott Alexander, Mr Richard Beattie, Mrs Sally Bertram, Mr Stephen Booth, Mr Colin Boston, Sir Ron Brierley, Mr Barrie Brockwell, Mr Ron Burgess, Dr. Russell Cannon, Mr Robert Clark, Ms Wendy Cobcroft, Dr Alastair Corbett, Mrs Dianne Cox, Mr Bill Dowsley, Mr Geoff Drury, Hon John Dunford, Ms Ruth Edenborough, Mr John Fairfax, Mr David Farr, Dr David Gorman, Mrs Rachel Gross, Mrs Jann Howard, Mrs Roslyn Hunyor, Mr Paul Jackson, Ms Cynthia Kaye, Mr Ian Knop, Mr Geoffrey Lauridsen, Ms Annette Lemercier, Dr Peter Lindberg, Mrs Diana Long, Mrs E MacDonald, Dr Jim Masselos, Mr Jonathan Milford, Mr Tony Norris, Ms Monica Olave, Mr David Polley, Mrs Robyn Raffles, Mr J Roberts, Mr John Sharpe, Mr John Sheehy, Mr Rob Tregea, Mr Larry Turner, Ms Judy Wong-See, Prof Paul Wormell

Fine Music Guardians (Known Future Bequests) Mr Geoffrey Anderson, Mr David Bell, Mr David Brett, Mrs Halina Brett, Mr Rex Burgess, Mr Lloyd Capps, Ms Marilyn Endlein, Mr Robin Gandevia, Mr Bruce Graham, Mr James Hunter, Mr David James, Ms Maureen Meers, Mr Glenn Morrison, Mr Desmond Mulholland, Mr Derek Parker, Dr Neil Radford, Mr Gregory Sachs, Ms Elaine Siversen, Mr Bruce Smith, Mr Anthony Tenney, Mr Ron Walledge

Titanium Patrons ($50,000 and above) Mr Michael Ahrens, Mr Max Benyon OAM, Mr Roger Doyle, Dr Jennifer Foong, Prof Clive Kessler

Platinum Patrons ($25,000 -$49,000) Mr Robert Albert, Mr Cameron Williams, Mr Ron Walledge

Diamond Patrons ($10,000 -$24,999) Mr Robert O Albert, Mr J D O Burns, Mr Bernard Coles QC, Mrs Mr Marco Belgiorno-Zegna, Mrs Barbara Brady, Mr David Brett, Mr David Brown, Mr David Burns, Mr Bernard Coles, Mrs Dorothy Curtis, Justice David Davies, Mr Paul Espie, Ms Jill Hickson Wran, Dr Janice Hirshorn, Mr Peter Kurti, Mrs Patricia McAlary, Ms Nola Nettheim, Dr Peter Power, Mr John Selby, Mr Roger Smith

Ruby Patrons ($5,000 -$9,999) Mrs Halina Brett, Ms Janine Burrus, Mr Lloyd Capps, Mrs Mary Jo Mrs Halina Brett, Ms Janine Burrus, Mr Lloyd Capps, Mr Roger Chapman, Mr Francis Frank, Mr Robin Gandevia, Mr Ian McGaw, Ms Jeannie McInnes, Mrs Judith McKernan, Mr Charles McMonnies, Mr Anthony Strachan, Ms Wendy Trevor-Jones, Mr Stephen and Mrs Therese Wilson, The Family Frank Foundation, The Holden Family Foundation

Bronze Patrons ($250 -$499) Mrs Greta Allen, Mr Peter Barker, Mr Terrence Batterham, Mrs Susan Berger, Mr Adam Bowen, Ms L Brady, Mr David Branscomb, Mrs Alexandra Buchner, Ms Robyn Byrnes, Ms Silvie Carraro, Mrs Patricia Cates, Mr Steve Center, Ms Mary Choate, Ms Alexandra Cotovich, Mr Dom Cottam, Ms Beryl Cowan, Mrs Cox, Mr David Cummins, Prof Stephen Dain, Ms Sharan Daly, Mrs Sally-Anne Deck, Mr Peter Dexter, Mrs Melinda Dixon, Mrs Dorothy Dunn, Mr Lee Dunstan, Mr Michael Edwards, Ms Elizabeth Evatt, Mrs Maureen Evers, Mrs Rita Felton, Mr William Fleming, Dr Jill Forrest, Mrs Margaret Gibson, Mr Robert Gilchrist, Mr Joe Goozeff, Ms Josefa Green, Mrs Jocelyn Hackett, Mr Peter Halas, Mr James Harvey, Mr Les Hay, Mr Ian Herbert, Ms Margaret Hext, Mrs Judith Hinksman, Ms Ailsa Hocking, Mr William Hoekstra, Mr Paolo Hooke, Mr Philip Irons, Mr David James, Mrs Barbara Johnson, Mr Darren Jones, Mrs Pamela Kenny, Mrs Christine Kenworthy, Mr Stephen Kinsela, Mr Peter & Helen Klineberg, Mr Gerhard Koller, Mr Richard Lamrock, Mrs Beatrice Lang, Mr Gregory Layman, Mr Philip Levy, Miss Valerie Lhuede, Mr Richard Lowson, Dr Richard Manchester, Ms Kerrin McCormack, Mr Hunter McEwen, Mrs Shirley McEwin, Dr Bill McKee, Ms Alison Meldrum, Mrs Jacqueline Meyer, Mr Sanjiv Muttukumaru, Mr Hal Myers, Ms Sarah Neal, Ms Joanne Ng, Mrs Susan Nicholas, Ms Christina Pender, Mr Ian Pfeffer, Mr Peter Poole, Mr James Poulos, Ms Sally Preston, Mr Gwynn Roberts, Mr Joseph Rooney, Ms Joan Rosenthal, Mr F Rothenfluh, Mr Michael Rutlidge, Mrs Rosalia Salpeter, Dr Gideon Schoombie, Dr William Sewell, Mr David Somerville, Mr Colin Spencer, Mrs Ruth Staples, Dr Catherine Stevens, Mrs Valerie Stoney, Mrs J Strutt, Dr Craig Symes, Dr Robin Torrence, Mr Malcolm Trayes, Prof A Truswell, Mr John Ulrick, Mr Peter van Raalte, Mr Jacobus Van Zijl, Miss Fiona Walker, Mrs June Walpole, Mr Brian Walters, Dr. Duff Watkins, Dr Paul Whiting, Mr Donald Wilkins, Mr Jeffrey Willmott, Mr Alastair Wilson, Mr Bovey Zhang

Emerald Patrons ($2,500 -$4,999) Ms Priscilla Adey, Mr Alan Ashburner, Mr David Bell, Mrs Alison Carr, Mr Ian De Jersey, Prof Christine Deer, Ms Louise Diamond, Mrs Margaret Epps, Prof Michael Field AM, Dr Christine Furedy, Ms Josephine Howie, Mrs Freda Hugenberger, Dr Peter Ingle, Mrs Ann Jolly, Ms Sue Jowell, Mr Donald (Kerry) Joyner, Mr Ian Juniper, Mrs Ros & Doug Keech, Ms Phyllis Koshland, Mr Reginald Lamble, Mr Ian Lloyd, Mr Melvyn Madigan, Mr Michael Marchbank, Mr Ray McDonald, Ms Maureen Meers, Mr John Mitchell, Dr Andrew Mitterdorfer, Mr Michael Morton-Evans OAM, Mr Trevor Parkin, Ms Susan Ping Kee, Dr William Poate, Dr Catherine Ruff, Mr Jude Rushbrooke, Mr Gregory Sachs, Mr John Stevenson, Mr Richard Thompson, Hon Anthony Whealy QC, Mr Richard Wilkins, Dr Edward Wills, The Berg Family Foundation, The Garrett Riggleman Trust

IN NEXT MONTHS ISSUE

Song of his People

the life and legacy of Samuel Coleridge-Taylor

Programming in the time of COVID Symphonic Ambitions

Gold Patrons ($1,000 -$2,499)

Sullivan before Gilbert

Ms Meredith Brooks, Professor Elizabeth Burcher, Mrs Di Cox, Mr Noel Craven, Dr Carolyn Currie, Mr Brian Dunne, Ms Inez Glanger, Mrs Mary Henderson, Mrs Georgina Horton, Mrs Philipa Johnson, Mr Verdon Morcom, Mr Andrew Patterson, Mr Gordon Stenning, Mr R Sutherland, Mr Iain Thompson

A Deep Musical Soul

Remembering Lynn Harrell

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