Fine Music Magazine - March 2017

March 2017

MAGAZINE

Songs & Vistas An Alpine Symphony Asher Fisch’s Sydney Symphony Orchestra Debut Forgotten Australian Composers Florence Ewart In Search Of Bernard Herrmann Omega Ensemble Sheds Light On Rare Concert Works Full programming guide for March

COMING UP

with your SSO RACHMANINOFF PIANO CONCERTOS

Young Russians

Rachmaninoff Piano Concerto No.1 Rachmaninoff’s First Piano Concerto, written in the closing years of the Russian empire, frames a glistening, Chopin-esque slow movement with virtuoso fireworks. Rising super-star Daniil Trifonov makes his SSO debut.

PROKOFIEV Classical Symphony RACHMANINOFF Piano Concerto No.1 SHOSTAKOVICH Symphony No.1 Gustavo Gimeno conductor Daniil Trifonov piano

APT MASTER SERIES

Wed 1 Mar 8pm Fri 3 Mar 8pm Sat 4 Mar 8pm

ALSO: Daniil Trifonov in Recital at City Recital Hall

Mon 6 Mar 7pm

PRESENTED BY THEME & VARIATIONS PIANO SERVICES

Symphony for the Common Man

Rachmaninoff Piano Concerto No.4 Enjoy Copland’s stirring and heroic ‘Symphony for the Common Man’ and Australia’s own Simon Tedeschi as he performs Rachmaninoff’s Fourth Piano Concerto.

FORD Headlong RACHMANINOFF Piano Concerto No.4^ COPLAND Symphony No.3^ Benjamin Northey conductor Simon Tedeschi piano

Wed 15 Mar 6.30pm Fri 17 Mar 11am^

Complimentary morning tea from 10am

Sat 18 Mar 2pm

FOR YOUR DIARY

Songs & Vistas An Alpine Symphony

Renowned conductor Asher Fisch will take you on a musical walk in the mountains with Strauss’s magnificent Alpine Symphony when he makes his SSO debut.

DORMAN After Brahms BRAHMS Song of Destiny BRAHMS Song of the Fates R STRAUSS An Alpine Symphony Asher Fisch conductor Sydney Philharmonia Choirs

TICKETS FROM $39*

sydneysymphony.com OR CALL 8215 4600

* Selected performances. Prices correct at time of publication and subject to change. Booking fees of $5-$8.95 may apply depending on method of booking. † Additional fees may apply.

MON–FRI 9AM–5PM

TICKETS ALSO AVA I L A B L E AT :

APT MASTER SERIES

Wed 29 Mar 8pm Fri 31 Mar 8pm Sat 1 Apr 8pm

SYDNEYOPERAHOUSE.COM 9250 7777 Mon–Sat 9am–8.30pm Sun 10am–6pm

C I T Y R E C I TA L H A L L . C O M 8 2 5 6 2 2 2 2 ^ Mon–Fri 9am–5pm

from the chair

CONTENTS VOL 44 No 5

Autumn is upon us and with it comes the Bowral Autumn Music Festival.

2 COVER STORY

Songs & Vistas - An Alpine Symphony

Asher Fisch’s Sydney Symphony Orchestra Debut

As part of the festival, Fine Music is once again hosting a gathering of Fine Music Lovers, this time at a luncheon on Sunday 26 March before the final concert with the Acacia Quartet.

5 In Search Of Bernard Herrmann:

Omega Ensemble Sheds Light On Rare Concert Works

For details and to book, go to finemusicfm.com.

7 Why I Love Music - Jared Cheung

If you have yet to discover our new mobile friendly website, do visit. We have expanded our On Demand selection. In addition to streaming episodes of In Conversation, you can now listen to Staging Music and A Field Guide to Music when you feel like it. You will find a list of many other series soon to come.

The Travelling Tenor - Adam Player

9 Forgotten Australian Composers - Florence Ewart 11 What’s On – Sydney and Surrounds

We invite you to enter our on-line competition, this month in Celebration of International Women’s Day. The Fine Music 102.5fm celebration will be At the Opera on 8 March at 8 p.m. with operas by two Australian women: The young Kabbarli, by Margaret Sutherland, and Lindy by Moya Henderson.

12 CD Reviews 13 Jazz CD Reviews 14 Full programming guide for MARCH

Showcasing Australian artists on 9 March at 8 p.m. features the final of the National Young Virtuoso Award, held in Melbourne on 26 November 2016. NSW representative was cellist Bennett Tsai.

A new fortnightly series exploring the major chamber works of Brahms commences 3 March at 3 p.m. and Michael MortonEvans explores Rossini at 3 p.m. every Wednesday, after his In Conversation program.

40 YEARS

In March we celebrate the 100th Anniversary of Pianist Dinu Lipatti on the 19 at 6 p.m and the 150th of Conductor Arturo Toscanini on the 27 at 2.30 p.m.

1974 - 2014

Wishing you enjoyment in new musical discoveries and pleasure in old favourites.

Janine Burrus Chair of Fine Music

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Subscribe to Fine Music Magazine: visit www.finemusicfm.com or email friends@finemusicfm.com The views expressed by contributors to this magazine do not necessarily reflect or represent the views of the publisher, Fine Music 102.5.

Cover image: Asher Fisch Image credit: Nik Babic

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SONGS & VISTAS - AN ALPINE SYMPHONY

ASHER FISCH’S SYDNEY SYMPHONY ORCHESTRA DEBUT Whilst his appreciation of Wagner is testament to his time with Barenboim, Fisch’s love for Brahms began much earlier. ‘I grew up in a household,’ says Fisch, ‘with no musicians but with a great love for music, and for my father and my uncle, their greatest love was Brahms. So I was exposed to the music of Brahms very early on and when I started playing the piano I wanted to play Brahms and then, of course, when I became a conductor, even though I dealt with a lot of opera, I always made sure there was a lot of Brahms in the repertoire. I don’t know if it’s something about the Germanic classical, mixed with the Romantic colour that drew me so much to the music, and the mysteriousness and the depths. I always had Brahms with me, to put it this way.’

”

Introspection and reflection…

Asher Fisch. Image credit: Chris Gonz.

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Asher Fisch answers on the second ring.

It’s 5pm in New York and he’s awaiting the call. No stranger to the Australian media (or journalism, for that matter) he answers the questions fluently, decidedly, and then he hangs up. It’s all very matter of fact, much like his Wikipedia page, but yet Maestro Fisch is clearly not simple and straightforward. No, this is a man who grew up in Jerusalem, who worked as a journalist in the Israeli Army, who trained with Daniel Barenboim, and can claim 85 operas in his repertoire. This is a man whose essence lies beneath the surface, much like the music he will be bringing to Sydney.

his contract until the end of 2019. Those in Adelaide might remember Fisch from his Helpmann award winning Ring Cycle in 2005. But for the Sydney music scene, he will be a new face. After 20 years of visiting Australia the time has come for Fisch to conduct the orchestra he has heard so often, but just not in person. ‘When I’m driving in Australia,’ Fisch explains, ‘I hear a lot of SSO broadcasts on the radio and I know what a fine orchestra this is. Some of the musicians I know, either they used to play in WASO and are now playing in Sydney, or they come sometimes to play with WASO in Perth, so I am very excited to come to work with them.’

To audiences in Perth, Fisch is a household name. He has been Principal Conductor of the WASO since 2014 and recently extended

Fisch will bring to Sydney music on which he has built his name: composers of the German Romantic and post-Romantic era.

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With such a deep-running love, and fluency in German, Fisch will be the perfect guide to some of Brahms’ lesser-known works.

In the concert hall, we remember Brahms’ symphonies, forgetting that they were written towards the end of his composing career.

A decade prior, Brahms had composed the great German Requiem and, in its wake, the Schicksalslied or Song of Destiny. It is this that Fisch will conduct in Sydney, alongside Gesang der Parzen or Song of the Fates.

Fisch wants audiences to reposition Brahms as a choral composer. As he explains, ‘the only conducting job that [Brahms] ever had was with a women’s choir which he held very close to his heart and he composed a lot of music for them and for bigger choirs. His biggest success as a symphonic conductor, as a big scale conductor, was with the German Requiem.’

Unlike the Requiem, ‘Song of Destiny’ and ‘Song of the Fates’ take secular themes.

‘Song of Destiny’ is a setting of a poem

by Friedrich Hölderlin, which captures a naturalistic impression of fate. ‘Song of the Fates’, on the other hand, is from a text by Goethe. It is far more torrid, both textually and sonically, and makes a great contrast to the ‘Song of Destiny’.

Asked how significant he holds the text, Fisch gives a two-fold answer. With Brahms in mind, ‘who was an avid reader and knew, I’m sure, the entire poetry output of his years,’

Fisch claims that, ‘you will always know that he will go for very special and intricate and deep texts. It’s not like in opera when you choose a story that you think would play well on stage. So ‘Song of Destiny’ is definitely about his thoughts on life, etc and he’s definitely connected personally to the text.’ In light of today, however, Fisch believes that, ‘we don’t relate to poetry today as they did in those days. This is a long story; I mean there are many other inputs to our lives.

Poetry and literature were possibly the most commonly consumed cultural content in those days and all the composers at this time were deeply connected to the poetry and literature written at the time. Today it’s a different story.

I cannot say that I am connected in such a way [to poetry and literature] but I love dealing with a connection that happened then between all the art forms.’

Being asked to perform the piece made Fisch ‘doubly happy’. As he tells Fine Music, ‘when you’re asked to do a piece by somebody whose music you like so much and know personally, it’s a great joy that it comes from the orchestra itself. Avner is a fantastic composer, he’s definitely the best known Israeli composer today. He’s somebody who’s very connected with today’s music, he wrote film music when he was living in Los Angeles.

He started his career writing tunes for the Nokia telephone company in Israel. He knows what’s going on and he uses his incredible feel for rhythm and intricate textures to the best effect and I hope that they will like his music in Sydney.’

Dorman’s music exists on many scales.

His first opera is about to be performed in Germany and in 2008 Fisch gave the US premiere of Dorman’s ‘Ellef Symphony’.

‘After Brahms’ is on a smaller scale. In three short movements, Dorman interprets the late Intermezzi of Brahms. Pianistic ideas are translated to orchestral textures and forms morph from what was current in Brahms’ time to what is current today. In Dorman’s

Image credit: Chris Gonz. words they are pieces of ‘introspection and reflection’ which will be sure to set the scene for the larger choral works.

Interval will serve as the bridge from the cerebral to the physical - and when audiences return to their seats they will be transported to the Alps. Where Brahms continued one line of musical style, Strauss took orchestral music in another direction. Influenced by the composer Alexander Ritter (a relative by marriage of Wagner’s), Strauss became

”

While art forms may be less interconnected in the modern world, the art world is not.

Opening the concert will be a work by another Brahms loving musician, Avner Dorman. To Fisch, Dorman is a friend, a fellow Israeli now working in America. Fisch did not select the Dorman work; instead, the suggestion to perform ‘After Brahms’ came from the SSO. One can hazard a guess as to why this might be. The orchestrated version of ‘After Brahms’ was first performed in 2015, but the work began its life as a piece for solo piano.

In that guise, it was commissioned by Orli Shaham, a wonderful pianist and the wife of the SSO’s chief conductor, David Robertson.

Pianistic ideas are translated to orchestral textures…

”

known for his tone poems. Though titled the ‘Alpine Symphony’, the work Fisch will conduct is instead a musical tale, a man’s journey in the mountains in 22 parts. Where some of the programs of Strauss’ tone poems have been fitted to the music, Fisch believes in the case of the ‘Alpine Symphony’, the tale can be taken literally. Fisch explains, ‘In the case of the ‘Alpine Symphony’, we have a clear description of Strauss, of a journey that he took, a walking trip, a hike, in the mountains, in the Alps, and he’s really describing how he went through the different phases, the storm coming, arriving at the peak, going down, and this is all in the music. I think that even though there’s no real story but depictions of atmosphere and situations up on the mountain, it is something he really experienced and then went down and composed. Since I live very close to the Alps myself now, I relate, I can really understand what he was going through. I do a lot of hikes in the Alps myself and I’m thinking, yes the man went on a very difficult, long day hike and then composed his reflections on the day.’

From poetry to musical pictography, the music of the German Romantics and postRomantics is rich for unpicking. It’s not hard to imagine how a conductor can make a career of it. But it is more interesting to unravel the tale. Fisch’s journey may not have 22 stages, but it has been shaped by his Israeli origins and his German ties. His training took him in one direction and his time in the opera pit only strengthened it. Australia is lucky that he was brought to our shores, and now audiences in Sydney can hear for themselves what those in Perth, Adelaide and Brisbane can already attest to: Asher Fisch is pleasingly complex.

- Nicky Gluch

EVENT Asher Fisch conducts music by Brahms and Strauss’s An Alpine Symphony in his SSO debut.

Venue Sydney Opera House Dates Wednesday 29 March 8:00pm Friday 31 March 8:00pm Saturday 1 April 8:00pm Information and tickets: sydneysymphony.com/productionpages/2017/concert-season/songs-andvistas.aspx

March 2017

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IN SEARCH OF BERNARD HERRMANN: OMEGA ENSEMBLE SHEDS LIGHT ON RARE CONCERT WORKS

Omega Ensemble Co-Artistic Directors - Maria Raspopova & David Rowden Ask any music lover “Do you know the music of Bernard Herrmann?” and their response might be: “Ah, yes, the film composer”, to which I would reply: “Indeed, but did you know that he also wrote a great deal of music for the concert hall?”, To which they generally reply: “No, I didn’t know that. I’ve always associated Herrmann with the movies”, and rightly so. Few recordings of his concert works exist, and they rarely get many outings.

Unfortunately, this provides little opportunity to hear these works in the context of a live concert, until Omega Ensemble’s artistic director David Rowden went on a search to find the scores so that he could perform for Australian audiences.

Bernard Herrmann considered himself a “Romantic” composer. His music is indeed emotional, moody, with great depth of feeling.

His greatest ambition was to be the conductor of a great orchestra, a position he was never able to find. He composed a great number of concert works including the cantata, Moby Dick, and an opera, Wuthering Heights, and one of his earlier works, Sinfonietta for Strings, was influenced by the twelve tone techniques of Schoenberg. However, it is his chamber works composed towards the end of his life that have the most emotional impact.

At a time when composers like Eric Korngold and Max Steiner were the big names in the Hollywood studios and whose music

Bernard Herrmann

utilised long, sweeping melodies (and lots of strings) capturing the feelings of drama, romance and narrative, Herrmann was taking a different approach. His music would capture the psychological underpinnings and the internal workings of the characters as they appeared on screen. His music featured repeated musical cells (ostinatos) and short melodic and thematic ideas, which inherently made his music ‘easy to cut’. He also did his own orchestrations (not many film composers did this) and as such created his own unique orchestral palette. Herrmann had great success throughout his composing career with his greatest success coming from his collaborations with film director Alfred Hitchock on films such as Vertigo, North by Northwest and their most famous movie, Psycho.

When Herrmann composed Echoes for string quartet in 1965, it was not a good period in his life. He had recently been fired from the Hitchcock film Torn Curtain and his career as a film composer was coming to an end as the Hollywood studio system was in disarray.

Trends in film scoring were moving away from his individualistic style to a preference for melodies that were commercially exploitable.

Herrmann composed Echoes as a series of ‘nostalgic remembrances’. Hermann reflects on moments from his past and one can hear hints of thematic material found in some of the film scores, as though he were looking back at happier times. His last concert piece would be a clarinet quintet entitled Souvenirs de Voyage. It was completed in 1967, by which time he had lived in England for several years. It is also a more optimistic work in comparison with Echoes as he had recently found new love.

When Omega Ensemble Artistic Directors David Rowden and Maria Raspopova heard Herrmann’s clarinet quintet at a friend’s house they were immediately drawn to the music. Rowden knew straightaway that he wanted to perform this piece of music. But it wasn’t that easy. “I tried to get the score and it wasn’t available. I went through the Bernard Herrmann estate which couldn’t help, and so then I approached the State Library of New South Wales and they then ordered it, but when it came to Australia I wasn’t able to take it out of the library. Finally, I was able to hire the score from this collector who had catalogued all of Bernard Herrmann’s music and we were able to perform the work in our 2016 season,” David explains. Omega’s CoArtistic Director Maria Raspopova adds: “The character of this music is quite stirring and I love the emotional quality of it.”

It wasn’t just the clarinet quintet that got an airing either, it was a whole program showcasing the concert music of Bernard Herrmann. “Part of what Omega does is to expose and reveal music that doesn’t get performed all that often, or is quite unusual.

Given the fact that there is only one recording of this work and only one score available and how hard it is, this music fits the bill,” David says. “Our performance in the Utzon room was the first performance of the clarinet quintet in Australia. He has some other incredible chamber works that are equally as beautiful and we are thrilled to be able to present this music again at the Art Gallery of NSW in March.”

- Samuel Cottell EVENT Omega Ensemble Psycho: The Music of Bernard Herrmann Venue: Art Gallery of NSW Date: 5 March 8pm Each concert is preceded by a champagne reception and a private exhibition viewing at the Gallery. Doors open at 7pm. Concert starts at 8pm.

For more information visit: www.omegaensemble.com.au March 2017

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Music in the tropics...

Sounds like paradise.

Australian

Festival of Chamber Music

TOWNSVILLE 28/07 — 05/08/2017

Experience world-leading chamber musicians in the tropical winter warmth of Townsville, North Queensland.

Enjoy exclusive performances, a friendly and informal atmosphere and nine days of memorable concerts.

TICKETS ON SALE 29 MARCH TICKETSHOP 1800 449 977 HOLIDAY PACKAGES 1300 799 342

AFCM.COM.AU

Artist: Jack Liebeck. Image: Townsville Rockpool by Stephen Worner

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WHY I LOVE MUSIC - JARED CHEUNG Everywhere you look you can see and hear music. It could be the fresh teenager by the station with his headphones jammed into his ears listening to the latest tunes. Maybe it’s the crusty busker beside the road on his saxophone blasting out some groovy jazz beats. Or maybe it’s the orchestra in the concert hall, the golden shimmering sounds of trumpets and violins suspended in the air. There is so much variety in music, so much emotion, and I am still amazed at what one simple word means to so many people and the sheer weight of significance it carries. What do I love about music? It’s the relatability, for me as much as it is for the 7 billion people that live on this planet.

There’s a piece of music for every conceivable moment you can name. Sadness can be cured with a course of Bach’s Brandenburg Concertos, and your faith in humanity restored with the famous Adagio in Rachmaninoff’s Symphony No.2. If you want to simply sit back and relax after a long day of work then some of Mozart’s string quartets are perfect. On the other hand if you’re the type for experiencing

tragedy first-hand, then Shostakovich’s string quintets are some of the most gut-wrenching pieces you’ll ever hear. Plus if you don’t want to be disturbed, there’s even a piece for that John Cage’s 4’33” is exactly 4 minutes and 33 seconds of pure, unadulterated silence.

Music is so varied. On many occasions I have just passed the time sitting in the CD section of the library, or in front of my computer watching performances, or attending the real thing at concerts. I have never been disappointed and now, 13 years down the track since I was introduced to the world of music, every performance offers something new. Even if it is the same piece! Sometimes especially if it is the same piece!!

When I was 11 years old I distinctly remember hearing some orchestral piece that completely changed my perception of music. I had forgotten the name of the piece, but just a few months ago I was listening to the radio, and Saint-Saens’ La Muse et La Poete started playing. Something in my subconsciousness clicked, and now the piece’s sheer lyricism never fails to wet my eyes….. even now after listening to it countless times.

It’s not just the auditory aspect of music that moves me emotionally, intellectually and

mentally. It’s also the performance aspect, the performers themselves getting lost in the music, the sight of a fellow human being completely overwhelmed by the beauty of this inexpressible language. In addition to attending every possible concert available I also have a first-hand experience of this as a performer. I am continually amazed at the effects of the emotion.

Having experienced both ‘sides of the coin’ in a performance, I often reflect on the specifics at the end….the wonderful technical facility, the striking moments, and (hopefully) the impeccable control! I am surprised just how many ways I can say basically the same things….. ‘you played that piece very well!’

Yet it is really the music that provided the inspiration; the sheer genius of the composer.

Sheet music seems so plain - page after page of black markings on white (or yellowed) sheets. It gives no indication of the depth and colour of what is actually written on the page.

I truly believe music is magic. It never ceases to amaze me that seemingly random dots and lines can form a beautiful pattern that inspire and move people emotionally. That’s what I love about music.

- Jared Cheung and Randolph Magri-Overend

THE TRAVELLING TENOR - ADAM PLAYER

The Travelling Tenor is a, newly launched, unique small group opera tour company, specifically designed to cater to travellers with an interest and passion for opera.

Combining bespoke travel and dazzling operatic performances, the tours will be hosted

by Australian operatic tenor, Adam Player.

Itineraries are carefully curated to indulge travellers with the best of each destination, the best seats, exclusive behind the scenes access, and insights into the world of opera.

Interview with Adam Player – What do you love about being an opera singer?

The most wonderful thing about being an opera singer is getting to work with amazing creative people all over the world. It is such a team effort to put these great spectacles on, taking imagination, dedication, drama and artistry. I now have the most wonderful and talented friends dotted all over the globe, many of whom would love to perform for our Travelling Tenor groups!

Then there’s Jonas Kaufmann, who I heard sing Florestan in Fidelio in Zurich, which was one of the most beautiful performances I have seen live. There are also a huge number of fantastic singers in the UK and Europe that we just don’t get to hear in Australia!

Do you have a favourite opera?

Our first tour is going to be really exciting, visiting Vienna and hearing a private recital from one of the Vienna State Opera’s principal artists, then on to Oxford to experience Garsington Opera, who I performed with in 2014 – set on a stunning estate in the British countryside, with a gorgeous three course meal at the interval overlooking the spectacular scenery and then onto London and of course an opera at the Royal Opera House, Covent Garden to finish.

I really love a lot of the operatic repertoire. I will never get tired of hearing and seeing productions of La Boheme or Madama Butterfly but I also love the operas of Britten, Peter Grimes would have to be towards the top of my list. Then there’s Strauss! I love the way Salome really has you on the edge of your seat. Too many good ones!

Who is your favourite opera singer?

Adam Player as Irus in Ulysses’ Homecoming (Monteverdi) with English Touring Opera.

Image credit: Richard Hubert Smith

The great bass baritone Bryn Terfel was my idol as a young singer, then I became a tenor!

I still love him though and am really looking forward to seeing him perform in The Elixir of Love in Vienna on our first tour.

Where would you most like to take a Travelling Tenor group to in the future?

There are some great festivals that I’d love to travel to in the future. I think opera lovers would love Wexford Festival in Ireland, with rarely performed operas presented in the lovely coastal Irish town, and of course I’d love to take a group to La Scala and the Arena di Verona!

For more information on The Travelling Tenor please visit thetravellingtenor.com - Liza Smith

March 2017

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2017 Season

Australia Ensemble @UNSW

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Six concert subscription series: Adult $216, Senior $164, Concession $130 Sir John Clancy Auditorium UNSW

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p. 02 9385 4874

FORGOTTEN AUSTRALIAN COMPOSERS

Florence Ewart Town Hall on 28th March, 1908 and she performed a number of times in Melbourne later that year. When she began to suffer from neuritis she decided to focus on composition, particularly on opera.

Her first essay in that genre was the 4-act ‘Ekkehard’, the prologue of which was performed at Queen’s Hall in Melbourne on 3rd November, 1923 during a concert when a number of Florence’s songs were sung and her instrumental pieces (including an octet) played. She was accorded an enthusiastic reception.

Florence Ewart A century ago it was not uncommon for a man to marry a woman considerably younger than he. The other way around was rare, but this was the case when Florence Maud Donaldson wed Alfred James Ewart in England in 1898. He was more than 7 years her junior. Both would make substantial contributions to Australia, he in botany, she in music.

They arrived in Melbourne with their 2 sons on 5th March 1906 after Alfred had gained employment as the foundation chair of botany at Melbourne University and subsequently as botanist for the Victorian government. Florence, born in London on 16th November, 1864 and a concert standard violinist who had had instruction in Europe from Joseph Joachim and Alfred Brodsky, was accepted readily onto the staff of the Albert Street Conservatorium.

On the domestic front things were turning out badly. Her husband was a very busy man and after missing a number of evening meals Florence stopped cooking for him and took to eating out herself. She was also prone to making indecorous remarks in social circles. Over time, the family lived in different residences but she found fault with all.

Then a bigger problem arose, the maid that had served the household from 1910 (when Florence had the first of her trips to Europe) had married and given birth to a daughter in 1916 when Florence was again overseas. The maid died the following year and according to Florence her husband admitted to being the father of the child.

She was adopted by the Ewart family against the wishes of her blood relatives.

Her input to Australian music was almost immediate: engaged as a conductor during the Women’s Exhibition in 1907 her ode ‘God Guide Australia’ was premiered on 23rd October by a women’s choir of some 1,300 voices conducted by the composer.

That work and 3 others performed during the event earned her five monetary prizes.

After Florence planned another excursion to Europe in 1920 to study music, her husband obliged, fearful that her wayward tongue would expose him as the father of their maid’s child and that that would be sufficiently scandalous for him to lose his position at Melbourne University. It cost him: 800 pounds Australian from his 1,000 pound salary went towards the venture and even after selling the piano and obtaining a bank loan of 200 pounds he had to live frugally.

Playing her Guarnarius violin, Florence made her Australian debut at the Adelaide

Upon her return to Victoria in November, 1921 Florence ensconced herself in the

family holiday house at Healesville with her 2 sons and adopted daughter and insisted on a deed of separation. Her husband refused, but wrote asking for a divorce by mutual consent. Florence refused, and in the following year she relocated to East Melbourne with the boys but she was placed in a convent.

In April 1924 Florence composed five ‘Bush Songs’ for voice and piano which were performed later that year twice in Melbourne and once in London. Then while her husband was overseas she delivered their adopted daughter to her guardians.

Despite this upsetting him, when Florence travelled to Italy in October to study with Ottorino Respighi he paid her an allowance of 6 pounds per week.

After being abroad for more than 4 years she learnt that her husband had petitioned for divorce on the grounds of desertion.

She returned to Melbourne where the case was heard in the Civil Court during September, 1929. Her main defence that she had done nothing wrong and should not be subjected to divorce at her age did not stop her husband being granted a decree nisi, but through his solicitors he agreed to pay her court costs and an allowance of 5 pounds per week.

Her composing was not affected as in 1930 she wrote a string quartet that was performed twice in Melbourne, and completed the 3-act opera ‘The Courtship of Miles Standish’ that was given a concert performance at the Melbourne University Conservatorium in May of the following year.

Living in a cottage in the Dandenong ranges, Florence completed the operas ‘Matteo Falcone’ and ‘Nala Wooing’ in 1933, and in 1934 took her four operas to England hoping for performances. Nothing came of it. Undeterred, Florence returned to Melbourne and completed the opera ‘Pepita’s Miracle’ in November, 1945. But time was running out, and when she died in her home at South Yarra on 9th November, 1945 the unfinished opera ‘A Game of Chess’ was on her desk.

- Stephen Pleskun March 2017

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What’s On RUSSIAN LEGENDS Australia Ensemble @UNSW When: 11 March at 8pm Sir John Clancy Auditorium UNSW Tickets: $30-$50 Bookings: Phone (02) 9385 4874 or Email: Australia.ensemble@unsw.edu.au From Stravinsky’s charmingly folkloric Soldier’s Tale Suite through to the depths of Borodin’s profound Second String Quartet, this program explores the richness and diversity of the Russian school of composition while proffering some of its lesser-known voices – Arensky’s Piano Trio is one of the masterworks of the repertoire.

Meanwhile contemporary practitioners Sofia Gubaidulina and Elena Kats-Chernin give us new insights into ‘Russian-ness’. Although born in Uzbekistan (in the old Soviet Union) and now a Sydney resident, Elena studied in Moscow. Her Russian Rag is, ironically, one of the most recognisable and famous of Australian compositions!

MUSIC FOR THE SILVER SCREEN Mosman Concert Series When: 12 March 2017 – TWO CONCERTS 2pm & 4:30pm: Music for the Silver Screen, with the Mosman Musical Society Venue: Mosman Art Gallery, Art Gallery Way & Myahgah Road, Mosman Bookings and information: http://mosmanconcertseries.org/ Mosman Music Club’s Mosman Concert Series and Mosman Musical Society are jointly presenting a fabulous program of “Music for the Silver Screen” – an

hour and a half of a wonderful variety of musical recollections of much loved, well remembered, and widely selected movies from over the past 50-odd years - to mention a few: Charade, Chariots of Fire, Moulin Rouge, the James Bonds, Those Magnificent Men in their Flying Machines, Hatari, The Pink Panther, Oklahoma!, Spring in Park Lane, The Magnificent Seven, Four Weddings and a Funeral, and the superb list goes on with music you have always loved and even forgotten which movie it came from, performed by magnificent soloists and a large chorus from Mosman Musical Society

and the Mosman Concert Series Ensemble, conducted by Jim Coyle.

Two sessions on Sunday 12 March in the Grand Hall of the Mosman Art Gallery, at 2PM with free afternoon tea at interval, and 4.30PM, with a champagne supper at the end of the concert.

Tickets at door: $25, Seniors $20 concession.

For unpaid reservations ring Alex: 0408 588 171 after 10.00 AM week-days.

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CD Reviews RESONANCES Music from the 16th Century to the present day Marshall McGuire - harp with contributions from Jane Edwards - soprano and Riley Lee - shakuhachi.

✶✶✶✶ If you’re hypnotized by the gentle sounds of the harp you’ll be mesmerized by the music on this recording. You’ll also be impressed by the diverse range of styles from the 16th Century to the present day.

There are almost fifty composers represented - too many to list and including

DMITRI SHOSTAKOVICH 1906-1975 Cello Concerto No. 1 Op. 107 Cello Concerto No. 2 Op. 126 Alisa Weilerstein - cello Symphonieorchester des Bayerischen Rundfunks Pablo Heras-Casada, Conductor

✶ ✶ ✶✶

Originally conceiving the work as a symphony, Shostakovich composed these two concertos PREGHIERA - RACHMANINOV PIANO TRIOS Daniil Trifonov and Gidon Kremer and Giedre Dirvanauskaite Deutsche Grammophon ASIN: B01MQV8GFA

✶✶✶✶✶

The religious dimension of Rachmaninov’s output is often overlooked or not considered in the face of virtuosity, the element of his music that dominates the discussion of the complexity of his music. His deeply religious nature and his close association with the Russian Orthodox Church is prevalent throughout his work which the majority of his melodies moving in step within a restricted melodic range, are reflective of the chants with which he was familiar.

The opening work of this disc is an arrangement of the themes from the second 12

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several Australians. Represented are John Cage’s In a Landscape, several of Bach’s works, Sculthorpe and his delightful Night Pieces, Arvo Paert, Britten and his Suite Op.83, Glanville Hicks with her Come Sleep and her Sonata, Hindemith and his sonata and Love Me Sweet from Carl Vine.

It was once put to me that the harp is the only musical instrument which one can hold in a romantic embrace! And in the music here there is much romance to McGuire’s playing.

Australian McGuire studied at the Paris Conservatoire and the London Royal College of Music, and often performs at

music festivals in the UK and elsewhere in Europe. He is a trustee of various organisations, President of the New Music Network and a music programmer at Arts Centre Melbourne.

McGuire performs regularly with Australian music groups.

The music is available on 2 CDs which are well worth adding to your collection.

- Emyr Evans

over a seven years period for Mstislav Rostropovich and it’s no surprise that the styles are very dissimilar. During this time Shostakovich was unwell and the second concerto with its complex moods reflects the composer’s state of mind.

Comparing and contrasting the two concertos is difficult as the first concerto was recorded in a studio whilst the second was recorded live in concert and so there are some textural variances as well as a continuing sense of sparseness in the scoring. Shostakovich was unwell when he undertook to write the second concerto but despite illness was able to attend its premiere on his 60th birthday in Moscow.

The energetic rhythm of the opening movement of the first concerto immediately creates a strong sense of buoyancy in the scoring whilst the allegretto second movement

has some hauntingly beautiful movements.

The scherzo of the second concerto is based on a popular Odessa street song. Despite periodic sparseness of scoring in the third movement of the second concerto we hear a sudden fanfare of horns and side drum followed by the bizarre combination of cello and tambourine.

If Shostakovich is not your favourite composer but the cello your favourite instrument you can be assured that the colour and vibrancy of the music is impressive, and the cellist, Alisa Weilerstein, is absolutely sublime.

- Incidentally Alisa will be performing the Dvorak Cello Concerto with the Sydney Symphony Orchestra in November - an event not to be missed.

- Emyr Evans

movement of the Second Piano Concerto, arranged by Fritz Kreisler. This is a thoughtful and exquisite arrangement with both violin and piano given equal prominence. There is excellent balance in the playing and gives weight to the title of the album ‘Preghiera’.

The two piano trios entitled Trio élégiaque that follow are both early works with the second, a large scale composition written in the memory of Tchaikovsky. Here we can already see the genesis of what was to come with Rachmaninov bringing a warm and aesthetic quality to the music countered by a sense of eloquence and intellectual command. This work could be considered his greatest compositional success from the period before the Second Piano Concerto. At almost 50 minutes in length the piece is one of a reflective nature which searches through

the soul of the listener and announces Rachmaninov as a suitable successor to Tchaikovsky. The work was revised some 14 years later and the depth of his compositional mastery is clear and concise.

The first Trio élégiaque is influenced by Tchaikovsky’s own Piano Trio is a single movement work which evokes passion and emotion amidst extremely technicially demanding writing for the instruments. There is a sense of connectivity between the players and this is prevalent throughout both works.

A well balanced and superbly engineered album from DG. A fine disc to commence 2017.

- Frank Shostakovich

Jazz CD Reviews DAY BREAKS Norah Jones Blue Note

✶✶✶✶

Sultry vocalist and pianist Norah Jones latest recording Day Breaks is cleverly disguised as a singer-songwriter album with roots in pop and jazz, divided between originals and sharply selected covers. It’s clever because her previous recording dates have deliberately strayed from these roots but now she has dangled the musical lure out to welcome back any disillusioned fans that may have become disloyal from those previous musical meanderings to deliver an album

PENELOPE SAI SINGS 007 Independent release www.penelopesai.com

✶✶✶✶

This is the fourth album release from the Sydney based vocalist following on from her

of depth and resonance.There’s a bluesy cover of Neil Young’s Don’t Be Denied -a real highlight-that winds up evoking her first big hit Come Away with Me. Ms Jones then follows that up with the dense nocturnal rhythms of Day Breaks playing piano with a fluid keyboard touch alongside Wayne Shorter on soprano sax and members of his trio, Brian Blade( drums) and John Patitucci (bass).

They are outstanding on the tracks - Horace Silver’s Peace and Duke Ellington’s African Flower, and it’s on these that her jazz roots flourish and come to fruition. Throughout the album she sings with more depth and resonance than ever before. Such a sense

Jazz Bell Award nominated album of 2016 Some Kind of Dream.The album delivers fourteen of the most popular James Bond themes, most of them by English composer/ arranger John Barry, stripped back into a jazz club styling with a Latin tinge with all of the seductiveness and drama of the originals.

Sean Mackenzie shines on the piano and arrangements along side a stellar band including Brett Hirst (double bass), Nic Cecire (drums) with appearances from American Scotty Barnhart (horns)Jonathan Zwattz (double bass on one track) and Frenchman Didier Lockwood (violin). The Marvin Hamlisch/ Carole Bayer Sager hit Nobody Does it Better gets a re-vamp as does Bono’s

of quiet adventure gives the record depth but what gives it resonance are the exquisitely sculpted original Jones’ songs that feel as elegant as Songbook standards. Day Breaks is a testament to Norah Jones’ ever-evolving musicianship.

- Barry O’Sullivan

Golden Eye and there’s even the award winning Skyfall one of the best themes of them all. Diamonds Are Forever makes a reappearance from her previous album, but the others are all fresh and new recordings.

The album invokes the nostalgia of how powerful songs such as these were in selling a film title as a package commencing with From Russia With Love and the everlasting James Bond theme. Ms Sai glides through the tracks effortlessly with sensuality and seductiveness of a true Bond girl delivering pure listening pleasure to fans of this timeless genre.

- Barry O’Sullivan

Fine 40 Music needs YOUR support YEARS 1974 - 2014 Created by music lovers, Fine Music 102.5 has been providing the world’s best music 24 hours a day for more than 40 years, to Sydney music lovers, like you.

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Wednesday 1 MARCH 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Peter Kurti 9:00 DIVERSIONS IN FINE MUSIC Italian composers of the 18th century Prepared by Stephen Wilson Marcello, A. Concerto in D minor (pub. c1717). Kirsten Barry, ob; Australian Brandenburg O/Paul Dyer.

ABC 476 284-0 11 Albinoni, T. Sonata no 2 in C. Ensemble 415/ Chiara Banchini.

ICD ZZT090202 11 Bononcini, G. Mirena e Floro o La Nana francese e Armena, Act II (1718). Kathleen van de Graaff, sop; Peter van de Graaff, bass-bar; Comic Intermezzo O. Naxos 8.570035 9 Bonporti, F. Serenata in A, op 12 no 6 (c 1727). Luigi Mangiocavallo, vn; Claudio Ronco, vc; Marco Mencoboni, hpd.

Nuova Era 6939 12 Mancini, F. Sonata no 1 in D minor (1724).

Tempesta di Mare.

Chandos CHAN 0801 9 Dall’Abaco, E. Concerto a più instrumenti in D, op 5 no 6 (pub. 1719). Australian Brandenburg O/Paul Dyer.

ABC 476 284-0 9 Vivaldi, A. Magnificat anima mea Dominum in G minor, RV610. Peter Castle, treb; Michael Cockerham, alto; Andrew King, ten; Choir of King’s College, Cambridge; Academy of St Martin in the Fields/Philip Ledger.

Decca 443 455-2 15 10:30 CONCERT HALL Prepared by Di Cox Tommasini, V. The good-humoured ladies, after Scarlatti (1917). Concert Arts O/Robert Irving.

EMI 65911 15 Mendelssohn, F. Piano concerto no 2 in D minor, op 40 (1837). Stephen Hough, pf; City of Birmingham SO/Lawrence Foster.

Hyperion CDA66969 21 14

Sibelius, J. Symphony no 1 in E minor, op 39 (1899). Danish National RSO/Leif Segerstam.

Chandos CHAN 9107 43 12:00 JAZZ SKETCHES with Robert Vale Jazz of many colours, some old, some new and all designed to inform and stimulate the senses 13:00 THE BOLLIGER EFFECT Featuring 2016 Artist-in-residence Bridget Bolliger 14:00 IN CONVERSATION with Michael Morton-Evans Each week we meet one of the world’s great musicians, singers, composers or conductors, along with up-and-comers and some of the men and women who influence the arts landscape. The program goes live to air so you never quite know what’s going to happen.

15:00 ROSSINI EXPLORED Part 1 Prepared by Michael Morton-Evans Rossini, G. Sonata à quattro no 1 in G (1804). Herrmann Klemeyer, fl; Hans Schöneberger, cl; Josef Peters, bn; Olaf Klamand, hn.

Calig CAL 50850 12 Overture to Demetrio e Polibio (1812).

Academy of St Martin in the Fields/Neville Marriner.

Philips 473 967-2 7 Porterò così il cappello, from La cambiale di matrimonio (1810). Vito Priante, bass; Guilio Mastrototaro, bass; Massimiliano Tanzini, hpd continuo; Württemberg PO/Christopher Franklin.

Naxos 8.660302 6 Se per te lieta ritorno, from L’equivoco stravagante (1811). Ann Hallenberg, mezz; Stavanger Chamber Choir & SO/Fabio Biondi. naïve V 5309 7 Overture to Il Signor Bruschino (1813).

National PO/Riccardo Chailly.

Decca 400 049-2 5 Di tanti palpiti, from Tancredi (1813). Marilyn Horne, mezz; Suisse Romande O/Henry Lewis.

ABC 480 5629 3

FOR A FULL DIGITAL SCHEDULE VISIT WWW.FINEMUSICFM.COM

Kathleen and Peter van de Graaff Overture to The Italian girl in Algiers (1816).

Philharmonia O/Carlo Maria Giulini.

EMI 5 62802 2 8 Con tutta la sua boria, from The Italian girl in Algiers. Cesare Siepi, bass; Torino RSO/ Alfredo Simonetto.

Cetra CDON 107 3 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Tom Forrester-Paton 19:00 JAZZ STARS AND STRIPES with Peter Mitchell The stars of American jazz from bebop on, mainly small group low temperature jazz 20:00 AT THE OPERA Prepared by Camille Mercep Meyerbeer, G. The prophet. Opera in five acts. Libretto by Eugène Scribe. First performed Paris,1849.

FIDES: Marilyn Horne, mezz JEAN OF LEYDEN: James McCracken, ten BERTHE: Renata Scotto, sop COUNT OBERTHAL: Jules Bastin, bass ZACHARIE: Jerome Hines, bass Ambrosian Opera Ch;Royal PO/Henry Lewis.

CBS M3K 79400 3:22 For synopsis, go to finemusicfm.com Overture to L’Etoile du Nord (1854) New Zealand SO/Darrell Ang. Naxos 8.573195 9 Shadow Song from Dinorah (1859). Joan Sutherland, sop; London SO/Richard Bonynge.

Decca 480 4670 8

Thursday 2 MARCH 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Simon Moore 9:00 DIVERSIONS IN FINE MUSIC Two’s company Prepared by Michael Morton-Evans Offenbach, J. Cello duet in D, op 49 no 6 (c1847). Andrea Noferini, vc; Giovanni Sollima, vc.

Brilliant Classics 94475 8 Weber, C.M. Grand duet, op 48 (1815-16).

Walter Boeykens, cl; Robert Groslot, pf.

Harmonia Mundi HMC 901481 17 Mozart, W. String duo no 1 in G, K423 (1783). Gidon Kremer, vn; Kim Kashkashian, va.

DG 415 483-2 17 Lhoyer, A. de Double concerto no 3 in E minor, from Trois duos concertants, op 31. Josiane Rabemananjara, gui; Philippe Spinosi, gui. naïve OP 30396 12 Schuller, G. Duo sonata (1949). Theodore Schoen, cl; Laura Ardan, cl.

Naxos 8.572264 10 Telemann, G. Duo flute sonata no 2 in G, op 2 (pub.1727). Stephen Schultz, fl; Mindy Rosenfeld, fl; American Baroque.

Naxos 8.554132 12 Ravel, M. Alborada del gracioso (1905; arr.

Safri Duo). Sam Walton, mar; Colin Currie, mar.

EMI 5 72267 2 4 10:30 CONCERT HALL Prepared by Michael Morton-Evans

Brotons, S. Symphony no 6, op 122, Concise (2011). Barcelona Symphonic Band/ Salvador Brotons.

Naxos 8.573361 26 12:00 JAZZ, PURE AND SIMPLE with Maureen Meers Covering the many aspects of jazz from Swing to Mainstream, with the Great American Songbook making regular appearances 13:00 A GARLAND OF TALL POPPIES Prepared by Rex Burgess

19:00 THE NEW JAZZ STANDARD with Frank Presley 20:00 SHOWCASING AUSTRALIAN ARTISTS Classical jewels Recorded by Roger Doyle for FINE MUSIC at St Jude’s Church, Bowral, as part of the 2016 Bowral Autumn Music Festival Mozart, W. String quartet no 15 in D minor, K421 (1783). Acacia Quartet.

28 Bach, C.P.E. Sonata in A minor for solo flute, Wq132 (1747). Jane Rutter, fl.

12

Schumann, R. Fantasy pieces, op 73 (1849).

David Nuttall, ob d’amore; Larry Sitsky, pf.

Tall Poppies TP041 12

Mozart, W. Flute quartet in D, K285 (1777).

Jane Rutter, fl; members of Acacia Quartet.

14

Janácek, L. In the mist (1912). Lisa Moore, pf.

Tall Poppies TP066 15

Excerpts from The magic flute. Jane Rutter, fl; Stefan Duwe, va.

3

Schubert, F. The shepherd on the rock, D965 (1828). Jennifer Bates, sop; Nigel Westlake, cl; David Bollard, pf.

Tall Poppies TP011 12 Kats-Chernin, E. Velvet revolution (1999).

Tall Poppies Ensemble.

Tall Poppies TP181 15 14:00 CONDUCTORS OLD AND NEW Andrew Litton Prepared by Denis Patterson Bottesini, G. Gran duo concertante (1880).

José-Luis Garcia, vn; Thomas Martin, db; English CO. Naxos 8.570397 15 Tchaikovsky, P. Moscow: coronation cantata (1883). Svetlana Furdui, mezz; Vassily Gerello, bar; Dallas Symphony Ch & O. Delos DE 3196 23 Kabalevsky, D. Cello concerto no 2 in C, op 77 (1964). Steven Isserlis, vc; London PO. Virgin VC 7 90811-2 27

ENCORE From the 2015 Bowral Autumn Music Festival Corea, C. Excerpts from Children’s songs (1984). Nick Russoniello, sax; Acacia Quartet. 11

Gershwin, G. Lullaby (1919). Acacia Quartet.

10 FINE MUSIC concert recordings (all above) 21:30 BRASS INTERLUDE Prepared by Gerald Holder Adson, J. Three courtly masquing ayres.

Edward Tarr Brass Ensemble.

Christophorus CHR 74562 5 Bernstein, L. Suite, from West Side story (1960; arr. Crees). Phillip Jones Brass Ensemble.

Decca 417 354-2 23 22:00 DIFFERING PATHS OF THE 20TH CENTURY Prepared by Calogero Panvino

Bruneau, A. Suite from The attack on the mill (1893). Rhenish PO/James Lockhart.

Marco Polo 8.223498 20

Seiber, M. Concertino for clarinet and string orchestra (1926-28-51). Thea King, cl; English CO. Helios CDH55068 16

Glass, P. Metamorphosis I; Metamorphosis III (1988); Opening, from Glassworks (1982); Mad rush (1979). Valentina Lisitsa, pf.

Decca 478 8079 36

Pixis, J. Piano concertino in E flat, op 68 (c1824). Tasmanian SO/Howard Shelley.

Hyperion CDA67915 18

Bartók, B. Viola concerto (1945). Lawrence Power, va; Bergen PO. Hyperion CDA67687 22

Stockhausen, K. Mantra for two pianos (1970). Andras Grau, pf; Götz Schumacher pf.

Wergo WER 62676 1:13

McLean, M. Suite for viola and orchestra (2008). Roger Myers, va; London SO/Michael Francis.

Delos DE 3441 19

Andrew Litton, cond (all above) 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Debbie Scholem

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Friday 3 MARCH 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Janine Burrus 9:00 DIVERSIONS IN FINE MUSIC Strings plus one Prepared by Jennifer Foong Novák, V. Piano trio in D minor quasi una ballata, op 27 (1902). Smetana Trio.

Supraphon SU 3810-2 16 Corelli, A. Trio sonata in A, op 3 no 12 (pub.

1689). Catherine Mackintosh, vn; Elizabeth Wallfisch, vn; Richard Boothby, vc; Robert Woolley, org.

Chandos CHAN 0532 7 Roussel, A. Sérénade, op 30 (1925). Czech Nonet.

Praga Da Camera PRD 350 018 16 Hoffmeister, F. Horn quintet in E flat. Nury Guarnaschelli, hn; Signum Quartet.

Capriccio C 5059 10 Fuchs, R. Quintet in E flat, op 102 (1914).

Paul Meyer, cl; Carmina Quartet.

Denon CO-78801 30 10:30 CONCERT HALL Prepared by Elaine Siversen Mendelssohn, F. Overture to Paulus, op 36 (1836). BBC Welsh NO/Richard Hickox.

Chandos CHAN 10516 (2) 6 Elgar, E. Violin concerto in B minor, op 61 (1909-10). Dong-Suk Kang, vn; Polish National RSO/Adrian Leaper.

Naxos 8.553233 46 Mendelssohn, F. Symphony no 5 in D minor, op 107, Reformation (1832). Tasmanian SO/ Sebastian Lang-Lessing.

ABC 476 3623 30 12:00 A JAZZ HOUR with Barry O’Sullivan

16

Vaughan Williams, R. English folk song suite (1923; arr. Jacob). Academy of St Martin in the Fields/Neville Marriner.

Decca 442 8341 11 Copland, A. El Salón México (1934-36; transcr. Bernstein 1941). Thomas Lanners, pf.

Centaur CRC 2702 10 Sculthorpe, P. Kakadu (1988). Alexa Murray, cora; William Barton, didjeridoo; Queensland SO/Michael Christie.

ABC 476 192-1 16 Bartók, B. Rumanian folk dances (1915; arr.

Flinders Quartet). Flinders Quartet.

Fine Music concert recording 12 Grainger, P. Lincolnshire posy for military band (1939). City of Birmingham SO/Simon Rattle.

EMI 5 56412 2 17 Kodály, Z. Dances from Galánta (1933). SBS Youth O/Matthew Krel.

SBS YME-5 17 15:00 INTIMATE BRAHMS Prepared by Frank Morrison Rossini, G. Overture to The thieving magpie (1817). New York PO/Leonard Bernstein.

CBS MYK 44719 10 Brahms, J. Piano quartet no 1 in G minor, op 25 (1861). Rivka Golani, va; Borodin Trio.

Chandos CHAN 8809 44 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Brendan Walsh 19:00 FRIDAY JAZZ SESSION with Sally Cameron Focus on the current Sydney jazz scene mixed with a range of international jazz stars and a weekly a cappella item 20:00 THE ROMANTIC CENTURY Prepared by Robert Small Chopin, F. Piano concerto no 1 in E minor, op 11 (1830). Roger Woodward, pf; Sydney SO/Werner Andreas Albert.

ABC 481 1322 41

13:00 ANCIENT ROOTS Prepared by Stephen Wilson

Elgar, E. Variations on an orginal theme, op 36, Enigma (1899). Melbourne SO/Charles Mackerras.

ABC 476 3224 31

Dvorák, A. Czech suite, op 39 (1879). Detroit SO/Antal Dorati.

Decca 414 370-2 24

Brahms, J. Clarinet quintet in B minor, op 115 (1891). Australia Ensemble.

Tall Poppies TP131 38

FOR A FULL DIGITAL SCHEDULE VISIT WWW.FINEMUSICFM.COM

22:00 BAROQUE AND BEFORE Neapolitan variety Prepared by Susan Bell Giramo, P. Festa, riso. Tragicomedia. 1 Anon. Catalina, catalina! 3 Anon. Corten espadas afiladas. 2 Agostini, L. Non t’aricordi. 2 Tragicomedia (2 above) King’s Singers (4 above) EMI CDC 7 54191 2 Gesualdo, C. Madrigals: Baci soavi e cari; Come esser può ch’io viva?; Ahi, troppo saggia (1594). Delitiae Musicae/Marco Longhini.

Naxos 8.570548 9 Willaert, A. Ave virgo sponsa Dei; Vecchie letrose. King’s Singers; Tragicomedia.

EMI CDC 7 54191-2 11 Durante, F. Violin concerto no 2 in G minor.

Elizabeth Wallfisch, vn; Raglan Baroque Players/Nicholas Kraemer.

Hyperion CDA67230 11 Leo, L. Salve Regina. Les Talens Lyriques/ Christophe Rousset.

Decca 460 020-2 19 Vinci, L. In questa mia tempesta, from Eraclea (1724). 4 Pergolesi, G. L’infelice in questo stato, from L’olimpiade (1735). 7 Max Emanuel Cencic, ct; Il Pomo D’Oro/ Maxim Emelyanychev (2 above) Decca 478 8422 Overture to L’Olimpiade (1735). New Philharmonia O/Raymond Leppard.

Philips 446 569-2 7 Scarlatti, A. Concerto grosso in D (1720).

Raymon Guiot, fl; Maurice André, tpt; Laurence Boulay, hpd; Collegium Musicum de Paris/Roland Douatte.

Decca 478 4664 9 Provenzale, F. Squarciato appena havea.

Anne Sofie von Otter, mezz; Ensemble Capella Mediterranea/Leonardo García Alarcón. naïve V 5286 11 Scarlatti, A. Recorder concerto. Lynton Rivers, rec; Musica da Camera; Adelaide Baroque Ensemble.

Adelaide Baroque AB002 10

Saturday 4 MARCH Parry, H. Elegy for Brahms (1897). London PO. Chandos CHAN 6610 13 Vogler, G. Overture to Erwin und Elmire (1781). London Mozart Players.

Chandos CHAN 10504 5 Dohnányi, E. Suite in F sharp minor, op 19 (1908-09).

Chandos CHAN 9733 29 Korngold, E. Fairy tale pictures, op 3 (1910; orch. Zemlinsky 1913).

Chandos CHAN 9631 19

Pierre Fournier 0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 SATURDAY MORNING MUSIC with Stephen Wilson 9:00 WHAT’S ON IN MUSIC Our weekly guide to musical events in and around Sydney 9:05 ORCHESTRAS AROUND THE WORLD Oslo Philharmonic Orchestra Prepared by Frank Morrison Tchaikovsky, P. Fantasy overture: Romeo and Juliet (1869/79/80). Mariss Jansons, cond.

EMI 5 74113-2 19 Grieg, E. Preludes: Morning mood; The abduction, Ingrids lament, from Peer Gynt (1875). Esa-Pekka Salonen, cond.

CBS Masterworks MK 44528D 9 Halvorsen, J. Norwegian air. Terje Tønneson, vn; Karsten Andersen, cond.

PolyGram NKFCD 50014-2 8 Shostakovich, D. Symphony no 5 in D minor, op 47 (1937). Mariss Jansons, cond.

EMI 7 49181 2 41 Oslo PO (all above) 10:30 SMALL FORCES Duvernoy, F. Trio. Jenoe Keveházi, hn; Ildikó Hegyi, vn; Jenoe Jandó, pf.

Naxos 8.550441 9 Rossini, G. Fantasy in E flat. Gershon Dembinsky, cl; Jonathan Zak, pf.

PWK Classics PWK 1142 9 Fauré, G. Elegie (1883). Pierre Fournier, vc; Jean Fonda, pf.

Aura Music AUR 160-2 7

Buxtehude, D. Sonata no 7 in E minor, BuxWV258 (pub. 1694). John Holloway, vn; Jaap ter Linden, va da gamba; Lars Ulrik Mortensen, hpd.

Naxos 8.557248 6 Ries, F. Sonate sentimentale in E flat, op 169 (1814). Vlad Weverbergh, cl; Vasily Ilisavsky, pf.

Brilliant Classics 93684/2 19 11:30 ON PARADE Music that’s band Prepared by Owen Fisher Trad. The old chalet (arr. Elgar Howarth).

Buy as you view Band/Robert Childs.

Doyen DOY 215 3 Sparke, P. Capriccio for trombone. Cory Band/Robert Childs.

Doyen DOY 239 4 Williams, J. Fanfare: Summon the heroes.

Band of HM Royal Marines.

ABC 278 0272 5 Holloway, J. Wood up quickstep. David Golden, tpt; Gregory Seifert, tpt; Allentown Band/Ronald Demkee.

AMP Vol 24 3 Grieg, E. Funeral march for Rikard Nordraak.

Dallas Wind Symphony/Frederick Fennel.

Reference RR-52 8 12:00 URBAN JAZZ LOUNGE with Leita Hutchings 13:00 BAMERT IN LONDON Prepared by Denis Patterson Pichl, V. Symphony in D, Diana (1769-70).

London Mozart Players.

Chandos CHAN 9740 17

BBC PO (2 above) Boccherini, L. Symphony in D, op 12 no 1 (1771). London Mozart Players.

Chandos CHAN 10604 25 Mathias Bamert, cond (all above) 15:00 OPERETTA IN THE AFTERNOON Prepared by Elaine Siversen Sullivan, A. The Mikado. Operetta in two acts. Libretto by W.S. Gilbert. First performed London, 1885.

NANKI-POO: Kanen Breen, ten KO-KO: Mitchell Butel, bar POO-BAH: Warwick Fyfe, bar YUM YUM: Taren Fiebig, sop KATISHA: Jacqueline Dark, alto MIKADO: Richard Alexander, bass Opera Australia Ch; O Victoria/Brian CastlesOnion.

Opera Australia OPOZ56016 1:00 For synopsis go to finemusicfm.com Ballet: Pineapple Poll (arr. Mackerras 1951).

Philharmonia O/Charles Mackerras.

Decca 43810-2 45 Cantata: On shore and sea (1871). Sally Silver, sop; Nico Darmanin, ten; John Powell Singers; Victoria Opera Northwest/Richard Bonynge.

Dutton CDLX 7310 28 17:30 STAGING MUSIC with Angela Cockburn Wild parties 18:00 SOCIETY SPOT Folk Federation of NSW with Carole Garland 19:00 THE MAGIC OF STAGE AND SCREEN Prepared by Annabelle Drumm March 2017

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Sunday 5 MARCH

Saturday 4 MARCH 20:00 INFLUENCES AND CONNECTIONS Carl Nielsen Prepared by Katy Rogers-Davies Svendsen, J. Carnival in Paris, op 9 (1872).

Bergen PO/Neeme Järvi.

Chandos CHAN 10693 12 Brahms, J. Symphony no 4 in E minor, op 98 (1884-85). Gewandhaus O/Riccardo Chailly.

Decca 478 5344 38 Gade, N. Four hymns (1856). Danish National Radio Choir/Jesper Grove Jørgensen.

Chandos CHAN 9767 8 Langgaard, R. In a churchyard at night (1907). Berit Johansen Tange, pf.

Dacapo 6.220565 2 Bach, J.S. Chaconne, from Partita in D minor (1720; transcr. Busoni). James Rhodes, pf.

ABC 476 4596 16 Nielsen, C. Symphony no 2 in B minor, op 16, The four temperaments (1901-02). Royal Scottish O/Bryden Thomson.

Chandos CHAN 8880 32 22:00 SATURDAY NIGHT AT HOME Prepared by Rex Burgess Brahms, J. Variations on a theme by Haydn, op 56a, St Anthoni chorale (1873). Scottish CO/Charles Mackerras.

Telarc 80450 17 Purcell, H. Welcome to all the pleasures, ode for St Cecilia’s day (1683). Deller Consort; Walter Bergmann, hpd; Kalmar O of London/ Alfred Deller, ct & dir.

Vanguard OVC 8027 19 Couperin, F. Onzième concert, from Les Goûts-Réunis ou Nouveaux Concerts (1724).

Musica Ad Rhenum.

Brilliant Classics 94489 17 Schumann, R. Carnaval, op 9 (1833-35).

Mitsuko Uchida, pf.

Philips 473 686 2 32 Mozart, W. Violin concerto no 5 in A, K219 (1775). Australian CO/Richard Tognetti, vn & dir.

BIS SACD 1754 28

18

0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 SUNDAY MORNING MUSIC with Terry McMullen 9:00 MUSICA SACRA Prepared by Barrie Brockwell Charpentier, M-A. Offertoire, Ouverture pour le sacre d’un évêque. Le Concert Spirituel/ Hervé Niquet.

Glossa GCD 921627 4 Mozart, W. Sonata all’epistola no 16 in C, K329 (1779). King’s Consort/Robert King.

Hyperion CDA66377 4 Anon. Polorum Regina, a hymn to the black virgin, from The red book of the monastery of Montserrat.

SHM 6021 4 Salieri, A. Offertorium, Sanctus, Benedictus; Agnus Dei, from Piccolo Requiem (1804). Iva Hospesova, sop; Magdalena Kozená, cont; Zoltán Korda, ten; Jiri Klecker, bass; Italian Chamber Choir; Concertino Notturno Prague/ Andreas Kröper.

Milan Vicek SY 0008-2 12 Bach, J.S. Nun komm’ der Heiden Heiland, BWV659 (arr. Busoni). Hannes Minnaar, pf.

Cobra COBRA 0038 5 Chesnokov, P. We praise Thee. Dmitri Hvorostovsky, bar; St Petersburg Chamber Choir/Nikolai Korniev.

Philips 446 089-2 4 Bach, J.S. Gott versorget alles Leben, BWV187 (1726). Elly Ameling, sop; Han de Vries, ob; Richte van der Meer, vc; Albert de Klerk, org.

EMI CDC 5 55000 2 4 Handel, G. The king shall rejoice, from Four coronation anthems, HWV260 (1727).

Choir of Winchester Cathedral; Brandenburg Consort/David Hill.

Argo 440 946-2 11

Haydn, J. Symphony no 53 in D, L’Imperiale.

Academy of Ancient Music/Christopher Hogwood.

Decca 478 9625 29 Bach, C.P.E. Allegro; vivace, from Flute sonata in D. Melissa Farrow, fl; Erin Helyard, keyboard.

Melissa Farrow MTF 001 4 Bach, J. Christian Ah! lamenta, oh bella Irene, from Sei canzonette, op 4 (1765).

Victoria de los Angeles, sop; Dietrich FischerDieskau, bar; Gerald Moore, pf.

EMI CMS 5 65061 2 3 Schubert, F. Cantata in celebration of the recovery of Irene Kieswetter, D936 (1827).

Tom Raskin, ten; Ashley Catling, ten; Paul Robinson, bar; Charles Gibbs, bass; Holst Singers; Eugene Asti, pf; Stephen Layton, cond.

Hyperion CDJ33036 3 Beethoven, L. Quintet in E flat (1796).

European CO Wind Soloists.

ASV COE 807 15 Ries, F. Piano concerto in C sharp minor, op 55 (1812). Christopher Hinterhuber, pf; Gävle SO/Uwe Grodd.

Naxos 8.557844 30 12:00 SPEAK EASY, SWING HARD with Richard Hughes The Golden Era of jazz, as seen through the knowledge and experience of one of Australia’s leading exponents 13:00 WORLD MUSIC: Whirled Wide Showcases diverse music from cultures around the world, both traditional and modern, featuring musicians from all corners of the globe, including Australia 14:00 MUSIC AND WAR Prepared by Gerald Holder

10:00 THE CLASSICAL ERA Prepared by Barrie Brockwell

Holst, G. Mars, the bringer of war, from The planets, op 32 (1916). Los Angeles PO/Zubin Mehta.

Decca 475 7470 7

Rossini, G. Overture to Il Signor Bruschino (1813). National PO/Riccardo Chailly.

Decca 400 049-2 5

Beethoven, L. Wellington’s victory, op 91 (1813). Czecho-Slovak RSO/Ondrej Lenard.

Naxos 8.570154-55 15

Donizetti, G. Concertino in G (1816).

Camerata Budapest/Lászlo Kovács.

Marco Polo 8.223701 11

Villa-Lobos, H. Symphony no 4, Victory (1919). São Paulo SO/Isaac Karabtchevsky.

Naxos 8.573151 31

FOR A FULL DIGITAL SCHEDULE VISIT WWW.FINEMUSICFM.COM

Sunday 5 MARCH 19:00 SUNDAY NIGHT CONCERT Prepared by Stephen Matthews Vanhal, J. Sinfonia in A. Nicolaus Esterhazy Sinfonia/Uwe Grodd.

Naxos 8.554341 13 Vivaldi, A. Oboe concerto in C. Pier Luigi Fabretti, ob; L’Arte dell’Argco/Frederico Guglielmo.

Brilliant Classics 95654 15 Haydn, M. Clarinet concerto in A. Salzburger Hofmusik/Wolfgang Brunner. cpo 777781-2 12

Ely Cathedral Girls’ Choir 15:00 SUNDAY SPECIAL The zodiac: Composers born under Pisces Prepared by Ron Walledge Vivaldi, A. Bassoon concerto in C, RV477.

Tamás Benkócs, bn; Nicolaus Esterházy Sinfonia/Béla Drahos.

Naxos 8.557829 11 Handel, G. I know that my Redeemer liveth, from Messiah, HWV56 (1742). Marilyn Horne, mezz; Vienna Cantata O/Henry Lewis.

Decca 448 902-2 8 Bach, C.P.E. Variations on La folie d’Espagne, Wq118 (1778). Elizabeth Anderson, hpd.

Move MD 3078 8 Boccherini, L. Cello concerto no 4 in C (pub. 1770). Anner Bijlsma, vc; Concerto Amsterdam/Jaap Schröder.

Apex 0927 49805 2 14 Rossini, G. Overture to The barber of Seville (1816). Philharmonia O/Carlo Maria Giulini.

EMI 5 62802 2 7 Chopin, F. Ballade no 4 in F minor, op 52 (1842). Benno Moiseiwitsch, pf.

Philips 456 907-2 10 Smetana, B. Vltava, from Má vlast (1874).

Vienna PO/Nikolaus Harnoncourt.

Teldec 0927-44890-2 13 Rimsky-Korsakov, N. Capriccio espagnol, op 34 (1887). London SO/Ataulfo Argenta.

Decca 443 580-2 15 Ravel, M. La valse (1921). Martha Argerich, pf; Nelson Freire, pf.

DG 477 8570 12 Barber, S. Adagio for strings, op 11 (1936: arr. 1938). Royal Liverpool PO/Libor Pesek.

Sony 88697161052 7

17:00 HOSANNA Prepared by Stephen Matthews Hymns: Guide me O thou great Jehovah; Jesus, do Thou ride victorious. Bryn Terfel, bar; O of the Welsh National Opera/Gareth Jones.

DG 463 593-2 7 Lole, S. St David’s Day service. Ely Cathedral Girls’ Choir/Sarah MacDonald Regent HMG 501 652.53 6 Eccard, J. Paternosta; Give peace in our times. Staats-und Domchor Berlin; Lautten Compagney, Berlin/Kai-Uwe Jirka.

Carus 83.449 7 Trad. As Joseph was a-walking. Liverpool Philharmonic Choir; Royal Liverpool PO/ Edmund Walters.

Chandos CHAN8436 2 Haydn, J. Salve Regina. Collegium Musicum 90/Richard Hickox.

Chaconne CHAN 0734(8) 15 Duruflé, M. A capella motets on Gregorian themes. Ensemble Vocal "Audite Nova" de Paris/Jean Sourisse.

Erato 2292-45230-2 7 Hymns: Love divine all loves excelling; Jesu lover of my soul. Choir of St John’s College, Cambridge/George Guest.

Decca B0006647-02 6 18:00 THE BRENDEL LEGACY Prepared by Meg Matthews Liszt, F. Years of pilgrimage: second year, Italy.

Decca/Philips 478 9104 48 Two pieces: Dreaming; Bagatelle without tonality.

Decca/Philips 478 9106 5 Alfred Bendel, pf (2 above)

Brahms, J. Symphony no 3. Royal Concertgebouw O/Bernard Haitink.

Decca 478-2365 39 20:30 NEW HORIZONS Prepared by Calogero Panvino Panvino, C. Fractured no 2 (2016). Peter Jenkin, cl; Steven Machamer, vibraphone.

Private recording 8 Zadro, M. Excerpts from X Suite (2009).

Michael Duke, sax; David Howie, pf.

Cala CACD77013 5 Walden, S. Marquettes for two pianos (2001).

Ya-Fei chuang, pf; Robert Levin, pf.

Naxos 8.559355 14 Schultz, A. Night flight (2003). Dima Tkachenko, vn; Bernard Lanskey, pf.

Tall Poppies TP171 6 Smalley, R. Suite for two violins (2007).

James Cuddeford, vn; Natsuko Yoshimoto, vn.

Tall Poppies TP207 12 Panvino, C. Fractured no 1 (2016). Evgeny Sorkin, vn; Mark Robinson, crotales.

Private recording 12 Cuddeford, J. Concealed waves (2006). 9 Finsterer, M. Spherica I (2008). 12 James Cuddeford, vn; Natsuko Yoshimoto, vn (2 above) Tall Poppies TP207 22:00 AFTER HOURS JAZZ with Kevin Jones

March 2017

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Monday 6 MARCH Arnold, M. Quintet for brass, op 73 (1961).

Philip Jones Brass Ensemble/Elgar Howarth.

Decca 468 803-2 12 Bax, A. String quintet (1933). Academy of St Martin in the Fields Chamber Ensemble.

Chandos CHAN 9602 11 Muczynski, R. Quintet, op 45 (1985).

Stanford Woodwind Quintet.

Naxos 8.559001 12 Bozza, E. Sonatine (1951). Center City Brass Quintet.

Chandos CHAN 10017 11

BBC Scottish SO 0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with James Hunter 9:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1824 Prepared by Di Cox Kuhlau, F. Overture to Lulu (1824). Odense SO/Eduard Serov.

Unicorn-Kanchana DKP(CD)9132 8 Hummel, J. Introduction, theme and variations in F, op 102 (1824). Diana Doherty, ob; Queensland SO/Werner Andreas Albert.

ABC 456 681-2 14 Loewe, C. Sir Oluf, op 2 no 2. Kurt Moll, bass; Cord Garben, pf.

LP Harmonia Mundi HMU 405171 6 Arriaga, J. String quartet no 2 in A (1824).

Camerata Boccherini.

Naxos 8.557628 23 Schubert, F. Sonata in A minor, D821, Arpeggione (1824; orch. Davidson). Patricia Pollett, va; Queensland PO/Werner Andreas Albert.

Tall Poppies TP084 27 10:30 CONCERT HALL Prepared by Frank Morrison Sibelius, J. Overture in E (1891).

Gothenburg SO/Neeme Järvi.

BIS CD-472 11 Kullak, T. Piano concerto in C minor, op 55.

Piers Lane, pf; BBC Scottish SO/Niklas Willén.

Hyperion CDA67086 35 Vaughan Williams, R. Symphony no 6 in E minor (1944-47/50). New Philharmonia O/ Adrian Boult.

EMI CDC 7 47214 2 36 20

12:00 SWING SESSIONS with John Buchanan Featuring bands of the 1930s swing era and the dance bands of the 1920s taken from radio broadcasts, transcriptions and recording sessions 13:00 THE FIRST PUBLIC CONCERTS IN THE 18TH CENTURY Prepared by Albert Gormley Corelli, A. Concerto in B flat, op 6 no 5 (1714). Brandenburg Consort/Roy Goodman.

Hyperion CDA66741/2 12 Vivaldi, A. Gloria in D, RV589. Emma Kirkby, sop; Tessa Bonner, sop; Michael Chance, ct; Collegium Musicum 90/Richard Hickox.

Chandos CHAN 0518 29 Bach, J.S. Double concerto in D minor, BWV1043 (1730-31). Julia Fisher, vn; Alexander Sitkovetsky, vn; Academy of St Martin in the Fields.

Decca 478 0650 15 Boccherini, L. Aria accademica no 3 in G: Please let me breathe. Adelina Scarabelli, sop; Luigi De Filippi, vn; Allesandro Mancuso, vn; Michele Minne, va; Luca Signorini, vc; Franco Fraioli, db; Federico Amendola, cond.

Nuova Era 6849 13 Haydn, J. Symphony in C, Hob.I:9 (1762).

Sinfonia Finlandia/Patrick Gallois.

Naxos 8.557771 12

Bruch, M. Quintet in A minor, op posth (1918). Vadim Gluzman, vn; Sandis Steinbergs, vn; Maxim Rysanov, va; Ilze Klava, va; Reins Birznieks, vc.

BIS SACD-1852 24 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with David Brett 19:00 JAZZ NICE ‘N EASY with Ken Weatherley 20:00 STORMY MONDAY with Austin Harrison and Garth Sundberg 22:00 THE AUSTRALIAN JAZZ SCENE with Susan Gai Dowling and Peter Nelson

MUSIC TRIVIA with Michael Morton-Evans 1. Which G&S operetta had its premiere in the tiny English seaside town of Pagnton in 1879?

2. In which country was the well-known music publishing firm G.Schirmer established?

14:30 FIVE OF A KIND Prepared by Gael Golla Villa-Lobos, H. Quinteto em forma de chôros (1928). Reykjavik Wind Quintet.

Chandos CHAN 9174 10

FOR A FULL DIGITAL SCHEDULE VISIT WWW.FINEMUSICFM.COM

Answers on page 46.

Tuesday 7 MARCH Shostakovich, D. Symphony no 10 in E minor, op 93 (1953). Mariinsky O/Valery Gergiev.

Marinsky SACD MAR0511 52 12:00 JAZZ RHYTHM with Jeannie McInnes An eclectic blending of agreeable rhythm and melody from the New Orleans jazz roots through to recent decades, including many Australian bands

Nigel Westlake 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Julie Simonds 9:00 DIVERSIONS IN FINE MUSIC Artist of choice: Nigel Westlake Prepared by Elaine Siversen Vanhal, J. Clarinet sonata in B flat.

Fine Music Tape Archive 426 262-2 13 Schubert, F. The shepherd on the rock, D965 (1828). Jennifer Bates, sop.

Tall Poppies TP011 12 Hyde, M. Clarinet sonata in F minor (1949).

Tall Poppies TP004 16 Khachaturian, A. Trio for clarinet, violin and piano (1932). Dene Olding, vn.

HMV ESD 7062 10 Nigel Westlake, cl; David Bollard, pf (4 above) Westlake, N. Onomatopoeia (1984). Nigel Westlake, bass cl, with digital delay.

Tall Poppies TP047 7 Sculthorpe, P. Songs of sea and sky (1987/88).

Nigel Westlake, cl; David Bollard, pf.

Tall Poppies TP004 16 10:30 CONCERT HALL Prepared by Di Cox

13:00 WINE, WOMEN AND SONG Prepared by Randolph Magri-Overend Lehár, F. Overture to Viennese women.

Zurich Tonhalle O/Franz Lehár.

Naxos 8.110857 9 Mascagni, P. Mamma, quel vino è generoso, from Cavalleria rusticana (1890). Plácido Domingo, ten; Berlin German Opera O/Nello Santi.

Teldec 9031-73741-2 4 Strauss, J. II Wine, women and song, op 333 (1869). London SO/John Georgiadis.

IMP PCD 902 11 Mahler, G. The drinking song of the earth’s sorrow, from The song of the earth (1908-09).

Gregory Kunde, ten; Houston SO/Hans Graf.

Naxos 8.572498 9 Mussorgsky, M. Songs and dances of death (1875-77; orch. Aho). Martti Talvela, bass; Finnish RSO/Neeme Järvi.

BIS CD-325 17 14:00 THE VIOLA: ALTO OF THE STRINGS Prepared by Albert Gormley Berlioz, H. Sypmhony: Harold in Italy, op 16 (1834). Rivka Golani, va; San Diego SO/Yoav Talmi.

Naxos 8.553034 41 Hindemith, P. Sonata, op 11 no 5 (1919).

Nobuko Imai, va.

BIS CD-571 19

Smetana, B. Vltava, from Má vlast (1874-79).

Israel PO/István Kertész.

Decca 476 2453 11

Walton, W. Viola concerto (1928/36/61).

Nobuko Imai, va; London PO/Jan LathamKoenig.

Chandos CHAN 9106 26

Franck, C. Symphonic variations (1885).

Jorge Bolet, pf; Concertgebouw O/Riccardo Chailly.

Decca 421 714-2 17

Larsson, L-E. Viola concertino, op 45 no 9 (1954-57). Bengt Andersson, va; Stockholm Chamber Ensemble/Jan-Olav Wedin.

BIS CD-474 13

Sculthorpe, P. Sonata (1960). Patricia Pollett, va; Michael Askill, perc.

Tall Poppies TP098 10 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Andrew Dziedzic 19:00 THE JAZZ BEAT with Lloyd Capps Smooth small group jazz from the 50s on, and with a visit from Miles Davis each week 20:00 RECENT RELEASES with Michael Field 22:00 CHAMBER SOIRÉE Crusell, B. Quartet in C minor, op 4 (1804).

Henk de Graaf, cl; members of Schubert Consort.

Columns Classics 99168 19 Hyde, M. Fantasy trio in B minor (1932-33).

Members of Sydney Chamber Players.

Walsingham 2 WAL 8036-2 11 Dussek, J. Quintet in F minor, op 41 (1799).

Nepomuk Fortepiano Quintet.

Brilliant Classics 93203 24 Doppler, F. Andante and rondo (1874).

Katalin Kramarics, fl; Tünde Kurucz, pf.

Brilliant Classics 92190 8 Haydn, J. String quartet, op 33 no 3, The bird (1781). Henschel Quartet.

Mediaphon MED 72.148 19 Chopin, F. Sonata no 3 in B minor, op 58 (1844). John Ogdon, pf.

IMP PCD 834 31

MUSIC TRIVIA with Michael Morton-Evans 3. Long attributed to Haydn, who is now believed to have composed the Toy Symphony in which toy instruments are played?

Answers on page 46.

March 2017

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Wednesday 8 MARCH 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Peter Kurti 9:00 DIVERSIONS IN FINE MUSIC Composers of the 18th century Prepared by Andari Anggamulia Gassmann, F. Overture to L’amore artigiano (1767). English CO/Richard Bonynge.

ABC 482 1059 7 Tuma, F. Sinfonia a quattro in B flat. Concerto Italiano/Rinaldo Alessandrini. naïve OP 30436 11 Benda, F. Sonata in F (arr. Munclinger). JeanPierre Rampal, fl; Viktorie Svihlikova, hpd.

Supraphon SU 3648-2 9 Zach, J. Harp concerto in C minor. Marielle Nordmann, hp; Auvergne O/Jean-Jacques Kantorow.

FNAC 592099 13 Zimmermann, A. String quartet no 3 in F, op 3. Musica Aeterna Soloists.

Naxos 8.553952 21 Brixi, F. Organ concerto no 2 in G. Alena Veselá, org; Bohuslav Martinu CO/Frantisek Jílek.

Supraphon 11 0633-2 20 10:30 CONCERT HALL Prepared by Chris Blower Halvorsen, J. Bergensiana, Rococo variations on an old melody from Bergen, op 62. Bergen PO/Karsten Andersen.

NKFCD 50013-2 10 Tchaikovsky, P. Variations on a rococo theme, op 33 (1876). Mischa Maisky, vc; Orpheus CO. DG 453 460-2 19 Holst, G. Ballet music from The golden goose, op 45 no 1 (1926). English CO/ Imogen Holst.

Lyrita SRCD 223 15 Bruch, M. Symphony no 3 in E, op 51 (1887).

Hungarian State SO/Manfred Honeck.

Naxos 8.555985 38

22

Alkan, C-V. Scherzo diabolico, op 39 no 3 (pub. 1848). Bernard Ringeissen, pf.

Naxos 8.553434 5 Sinding, C. Violin concerto no 1 in A, op 45 (1898). Henning Kraggerud, vn; Bournemouth SO/Bjarte Engeset.

Naxos 8.557266 21 Stanford, C. Villiers Clarinet concerto in A minor, op 80 (1904). Janet Hilton, cl; Ulster O/ Vernon Handley.

Chandos CHAN 8991 6 Kraus, J.M. Symphony in C (1781). Swedish CO/Petter Sundkvist.

Naxos 8.553734 13 14:00 IN CONVERSATION with Michael Morton-Evans 15:00 ROSSINI EXPLORED Part 2 Prepared by Michael Morton-Evans Rossini, G. Variations in C (1810). Joy Farrell, cl; Britten Sinfonia/Nicholas Daniel.

ASV QS 6242 9 Overture to Il Turco in Italia (1814). Academy of St Martin in the Fields/Neville Marriner.

Philips 473 967-2 8 Della cieca fortuna, from Elisabetta (1815).

Chris Merritt, ten; Munich RO/John Fiore.

Philips 434 102-2 11 Overture to The barber of Seville (1816).

Tasmanian SO/Ola Rudner.

ABC 481 0616 7 Largo al factotum, from The barber of Seville.

Tito Gobbi, bar; O/Alberto Erede.

EMI CDM 1 66417-2 5 Ah! Dagli affanni oppressa; Nessun maggior dolore; Deh calma, O ciel, nel sonno, from Otello (1817). Joyce DiDonato, mezz; Lawrence Brownlee, ten; Santa Cecilia Academy Choir & O/Eduardo Müller.

Virgin 59999 6945790 6 12 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with James Hunter

12:00 JAZZ SKETCHES with Robert Vale

19:00 JAZZ STARS AND STRIPES with Peter Mitchell

13:00 LESSER-KNOWN COMPOSERS Prepared by Robin Mitchell

20:00 AT THE OPERA Prepared by James Nightingale

Taneyev, S. Finale, from String quartet no 2 in C, op 5 (1894). Carpe Diem String Quartet.

Naxos 8.572421 8

Sutherland, M. The young Kabbarli. Opera in one act. Libretto by Maie Casey. First performed Hobart, 1965.

FOR A FULL DIGITAL SCHEDULE VISIT WWW.FINEMUSICFM.COM

DAISY BATES: Genty Stevens, mezz GOONDOWELL: Dean Patterson, bar SPANISH TRAPPIST BROTHER: John McKenzie, bass-bar YOOLBIAN: Carol Kohler, sop DANCER AND ABORIGINAL SINGER: David Gulpilil, voice Dick Bundilil, didgeridoo; Instrumental ensemble/ Patrick Thomas.

HMV Q40ASD7569 36 For synopsis go to finemusicfm.com Henderson, M. Lindy. Opera in two acts.

Libretto by composer and Judith Rodriguez.

First performed Sydney, 2002.

LINDY: Joanna Cole, sop MICHAEL: David Hobson, ten PROSECUTING COUNSEL: Barry Ryan, ten DEFENCE COUNSEL/NURSE DOWNS: Elizabeth Campbell, mezz JUDGE/COMMISSIONER: Malcolm Donnelly, bar AIDAN: Karl Goodman, treb REAGAN: Ryben Sewell, treb Australian Opera and Ballet O/Richard Gill ABC 476 748-9 1:34 For synopsis go to finemusicfm.com 22:30 FRENCH OBOE MUSIC OF THE 20TH CENTURY Prepared by Gael Golla Jolivet, A. Sérénade (1945). Diana Doherty, ob; David Korevaar, pf.

ABC 465 782-2 19 Honegger, A. Trois contrepoints (1922). Alain Marion, fl; Christian Moreaux, ob; Don-Suk Kan, vn; Rahael Wallfisch, vc.

Timpani 1C1010 6 Poulenc, F. Sextet (1932-39). Philippe Bernold, fl; Olivier Doise, ob; Ronald Van Spaendonck, cl; Laurent Lefèvre, bn; Hervé Joulain, hn; Alexandre Tharaud, pf.

Naxos 8.553611 17 Ravel, M. Le tombeau de Couperin (191317). Christopher Blake, ob; Ulster O/Yan Pascal Tortelier.

Chandos CHAN 8756 16 Fauré, G. Pièce. John Anderson, ob; Gordon Back, pf.

ASV WHL 2100 3 Milhaud, D. Sonata, op 47 (1918). Emmanuel Pahud, fl; François Meyer, ob; Paul Meyer, cl; Eric Le Sage, pf.

EMI 5 57948 2 18

Thursday 9 MARCH 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Simon Moore 9:00 DIVERSIONS IN FINE MUSIC Two’s company Prepared by Chris Blower Mozart, W. String duo no 1 in G, K423 (1783). Igor Oistrakh, vn; David Oistrakh, va.

Decca 470 258-2 16 Gasparini, F. Mirena e Floro O La Nana francese e Armena, Act I (1718). Kathleen van de Graaff, sop; Peter van de Graaff, bass-bar; Comic Intermezzo O. Naxos 8.570035 13 Fauré, G. Dolly suite, op 56 (1894-97). Katia Labèque, pf; Marielle Labèque, pf.

Decca 478 5616 17 Debussy, C. Clair de lune, from Suite bergamesque (1905). 5 Offenbach, J. Barcarola, from The tales of Hoffmann (1881). 3 Sebastien Lipman, hp; Sayo Lipman, hp (2 above) Gounod, C. Il se fait tard … O nuit d’amour, from Faust (1859). Angela Gheorghiu, sop; Roberto Alagna, ten; Royal Opera House O/ Richard Armstrong.

EMI 5 56117 2 9 Falla, M. de Four Spanish pieces (1909; arr.

Grigoryan). Slava Grigoryan, gui; Leonard Grigoryan, gui.

ABC 476 6088 16 10:30 CONCERT HALL Prepared by Elaine Siversen Fuchs, R. Andante grazioso and capriccio, op 63 (1900). Cologne CO/Christian Ludwig.

Naxos 8.572222 18 Hoffmeister, F. Flute concerto in D (pub.

1800). János Szebenyi, fl; Györ PO/János Sándo.

LP Budapest FX 12299 23 Stenhammar, W. Symphony no 2 in G minor, op 34 (1911-15). Gothenburg SO/Neeme Järvi.

DG 445 857-2 42 12:00 JAZZ, PURE AND SIMPLE with Maureen Meers

13:00 A GARLAND OF TALL POPPIES Prepared by Rex Burgess

Haydn, J. Sonata in B minor, Hob.XVI:32 (1776). 10

Bacewicz, G. Sonata no 2 (1953).

Bernadette Harvey, pf.

Tall Poppies TP212 16

Liszt, F. Concert paraphrase on Verdi’ s Rigoletto (1859). 7

Pratt, D. Webb spinner (1986). Alison Eddington, vibraphone.

Tall Poppies TP170 9 Kats-Chernin, E. Chamber of horrors (1995).

Alice Giles, hp.

Tall Poppies TP181 7 Anon. Kyorei, spirit of nothingness. Riley Lee, shakuhachi.

Tall Poppies TP151 8 Xenakis, I. Rebonds B, Rebonds A (198789). Claire Edwardes, perc.

Tall Poppies TP223 13 14:00 CONDUCTORS OLD AND NEW Lamberto Gardelli Prepared by Denis Patterson Leoncavallo, R. Prologue to I pagliacci (1892). Robert Merrill, bar; St Cecilia Academy O. Decca 440 844-2 7 Verdi, G. Ei dorme? from The corsair (1848).

Montserrat Caballé, sop; José Carreras, ten; New Philharmonia O. Philips 434 986-2 13 Respighi, O. Excerpts from La boutique fantasque (1919). London SO. EMI CDM 1 66417-2 30 Verdi, G. Qual notte ... Qui, qui sostiamo, from Attila (1846). Ambrosian Singers. 13 Qui del convegno ... Che non avrebbe il misero, from Atilla. Riccardo Cassinelli, ten. 5 Quando io leggo ... O mio castel paterno, from I Masnadieri (1847). 11 Carlo Bergonzi, ten; Royal PO (3 above) LP Philips 6747 193 Bizet, G. Symphony no 1 in C (1855). Munich RO. Orfeo C 184 891 A 28 Lamberto Gardelli, cond (all above) 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Marilyn Schock 19:00 THE NEW JAZZ STANDARD with Frank Presley 20:00 SHOWCASING AUSTRALIAN ARTISTS 2016 National Young Virtuosi Award Recorded by 3MBS-FM on 26 November 2016 at St John’s Southgate, Melbourne; edited for FINE MUSIC by Elaine Siversen

Ginastera, A. Sonata no 1, op 22, mvt 4 (1952). 3 Aaron Liu, pf (3 above) Popper, D. Hungarian rhapsody, op 68 (pub.

1894). 8 Dvorák, A. Cello concerto in B minor, op 104, mvt 2 (1895). 11 Benett Tsai, vc; Joshua Tsai, pf (2 above) Chopin, F. Ballade no 4, op 52 (1842). 12 Debussy, C. Feux d’artifice, from Preludes bk 2 (1913). 4 Ginastera, A. Danza del gaucho matrero, from Danzas Argentinas, op 2 no 3 (1937). 4 William Soo, pf (3 above) Handel, G. The morning lark, from Semele (1744). 7 Chausson, E. Le colibri, op 2 no 7 (1882). 3 Bowman, C. The poem and the bird. 2 Viardot, P. Moriro. 2 Jade McFaul, sop; Colleen Rae-Gerrard, pf (4 above) Shostakovich, D. Prelude and fugue no 1 in C, op 87 (1950-51). 6 Beethoven, L. Sonata no 21 in C, op 53, Waldstein, mvt 1 (1804). 10 Shchedrin, R. Humoresque (1959). 2 Yundi Yuan, pf (3 above) 22:00 DIFFERING PATHS OF THE 20TH CENTURY Prepared by Rebecca Zhong Vaughan Williams, R. The lark ascending (1914/20). Richard Tognetti, vn; Australian CO/Roland Peelman.

ABC 476 1026 16 Messiaen, O. The buzzard, from Catalogue of birds (1956-58). Håkon Austbo, pf.

Naxos 8.553532-34 11 Kats-Chernin, E. Wild swans concert suite (2003). Jane Sheldon, sop; Tasmanian SO/ Ola Rudner.

ABC 476 7639 37 Bartók, B. Piano concerto no 3 (1945). Géza Anda, pf; Berlin RSO/Ferenc Fricsay.

DG 447 399-2 24 Stravinsky, I. Song of the nightingale (1917).

Royal Concertgebouw O/Pierre Boulez.

Radio Netherlands RCO 05001 21 March 2017

fineMusic 102.5

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Friday 10 MARCH 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Janine Burrus 9:00 DIVERSIONS IN FINE MUSIC Strings plus one Prepared by Frank Morrison Beethoven, L. Quartet no 3 in C, WoO36 (1785). Renaud Capuçon, vn; Lida Chen, va; Gautier Capuçon, vc; Martha Argerich, pf.

EMI 3 58472 2 18 Capponi, R. Sonata for mandolin and lute.

Caterina Lichtenberg, mand; Mirko Schrader, gui.

Schwann 3-6435-2 11 Bax, A. Quintet for harp and strings (1919).

Naxos 8.554507 14 Howells, H. Rhapsodic quintet for clarinet and string quartet (1919).

Naxos 8.557188 12 Mobius (2 above) Haydn, J. Quartet in F minor, Hob.III:61, Razor (1788). Lindsay String Quartet.

ASV DCA 906 24 10:30 CONCERT HALL Prepared by Di Cox Dvorák, A. Czech suite, op 39 (1879).

Scottish CO/José Serebrier.

ASV DCA 765 23 Shostakovich, D. Piano concerto no 1 in C minor, op 35 (1933). André Previn, pf; William Vacchiano, tpt; New York PO/Leonard Bernstein.

CBS MPK 44850 22

Mayer, J. Concerto: A circle of raga music.

James Galway, fl; John Mayer, tanpura; London PO/Hiroyuki Iwaki.

RCA RD 60450 24 14:00 MOZART: THREE SHORT COMPOSITIONS Prepared by Frank Morrison Mozart, W. Rondo in A, K386 (1782).

Vladimir Ashkenazy, pf; London SO/István Kertész.

Decca 443 576-2 8 Adagio in B flat, K411 (1785). Members of the Holliger Wind Ensemble.

Philips 422 505-2 6 Six variations in G minor on Hélas, j’ai perdu mon aimant, K360 (1781). Pinchas Zukerman, vn; Marc Neikrug, pf.

RCA RD 60447 11 14:30 A FEAST OF MENDELSSOHN Prepared by Gael Golla Mendelssohn, F. Overture to A midsummer night’s dream, op 21 (1826). Concertgebouw O/Otto Klemperer.

Memories HR 4248 12 Auf der Wanderschaft, op 71 no 5 (1847); Auf Flügein des Gesanges, op 34 no 2 (1836).

Dietrich Fischer-Dieskau, bar; Wolfgang Sawallisch, pf.

EMI CMS 7 64827-2 6 Concert piece in F minor, op 113 (1833).

Thea King, cl; Georgina Dobrée, bshn; London SO/Alun Francis.

Hyperion CDD 22017 8

Mozart, W. Symphony no 40 in G minor, K550 (1788). Australian CO/Richard Tognetti.

ABC 465 425-2 35

Sonata no 1 in B flat, op 45 (1838). Richard Lester, vc; Susan Tomes, pf.

Hyperion CDA66478 22

12:00 A JAZZ HOUR with Barry O’Sullivan

I waited for the Lord. Boys of King’s College Choir, Cambridge/Stephen Cleobury.

EMI 5 57896 2 4

13:00 THE PROTEAN FLUTE 20th century Prepared by Rex Burgess Castelnuovo-Tedesco, M. Sonatina, op 205.

Virginia Taylor, fl; Timothy Kain, gui.

Tall Poppies TP003 13 Debussy, C. Syrinx (1913). Jane Rutter, fl; David Mibus, pf.

ABC 476 4837 3 24

Boyd, A. Cycle of love (1981). Hartley Newnham, ct; Geoffrey Collins, fl; David Pereira, vc; Nicholas Routley, pf.

Tall Poppies TP127 14

Piano trio no 1 in D minor, op 49 (1839). Trio de Barcelona.

Harmona Mundi HMC 901335 28 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Lloyd Capps 19:00 FRIDAY JAZZ SESSION with Sally Cameron

FOR A FULL DIGITAL SCHEDULE VISIT WWW.FINEMUSICFM.COM

20:00 THE ROMANTIC CENTURY Prepared by Elaine Siversen Beethoven, L. To the distant beloved, op 98 (1816). Thomas Hampson, bar; Geoffrey Parsons, pf.

EMI 5 75187 2 15 Schubert, F. Piano trio in E flat, D929 (1827).

Beaux Arts Trio.

Philips 438 700-2 41 Schumann, R. Frauenliebe und-leben, op 42 (1840). Lauris Elms, cont; Gwen Halstead, pf.

Fine Music concert recording 23 Dvorák, A. Trio in E minor, op 90, Dumky (1891). Natsuko Yoshimoto, vn; Timo-Veikko Valve, vc; Kathryn Selby, pf.

Fine Music concert recording 32 22:00 BAROQUE AND BEFORE Prepared by Andrew Dziedzic Handel, G. Coronation anthem no 1: Zadok the priest, HWV258 (1727).

Philips 456 502-2 6 Monteverdi, C. Vespro della Beata Vergine: IIIa Magnificat a 7 (1612). Ann Monoyios, sop; Marinella Pennicchi, sop; Michael Chance, ct; Mark Tucker, ten; Nigel Robson, ten; Sandro Naglia, ten; Bryn Terfel, bass; Alastair Miles, bass; London Oratory Junior Choir; His Majestys Sagbutts and Cornetts.

Decca 478 3640 18 Monteverdi Choir (2 above) Bach, J.S. Concerto for flute, violin and harpsichord, BWV1044 (after 1729).

Soli Deo Gloria SDG 165 21 English Baroque Soloists (3 above) Purcell, H. Ode for the birthday of Queen Mary: Come, ye sons of Art, away (1694).

Felicity Lott, sop; Charles Brett, ct; John Williams, ct; Thomas Allen, bass; Equale Brass Ensemble.

Erato 245 123-2 26 Lobo, A. Lamentationes Ieremiae Prophetae.

Soli Deo Gloria SDG 710 22 Rameau, J-P. Écoutez l’amour, from Les Boréades. Lyons Opera O. Erato 4509-98524-2 6 Bach, J.S. Cantata, BWV61: Nun komm, der Heiden Heiland (1724).

Archiv 437327-2 14 Monteverdi Choir (4 above) John Eliot Gardiner, cond (all above)

Saturday 11 MARCH 0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 SATURDAY MORNING MUSIC with David Garrett 9:00 WHAT’S ON IN MUSIC Our weekly guide to musical events in and around Sydney 9:05 ORCHESTRAS AROUND THE WORLD Boston Pops Orchestra Prepared by Randolph Magri-Overend Vaughan Williams, R. Fantasia on Greensleeves (1912; arr. Greaves). John Williams, cond.

Philips 420 946-2 5 Borodin, A. Polovtsian dances, from Prince Igor (1887). Arthur Fiedler, cond.

RCA VD 87813 11 Delius, F. Brigg Fair (1907). John Williams, cond.

Philips 420 946-2 16 Maxwell Davies, P. An Orkney wedding, with sunrise (1985). Max Hobart, vn; Nancy Crutcher Tunnicliffe, bagpipes; John Williams, cond.

Philips 420 946-2 14 Offenbach, J. Gaïté parisienne (arr. Manuel Rosenthal 1938). Arthur Fiedler, cond.

RCA Victrola VD 87734 37 Boston Pops O (all above) 10:30 SMALL FORCES Prepared by Paul Hopwood Weber, C.M. Piano quartet in B flat, op 8 (1809). Isabelle Faust, vn; Boris Faust, va; Wolfgang Emanuel Schmidt, vc; Alexander Melnikov, fp.

Harmonia Mundi HMC 902108 27 Brahms, J. Sonata no 1 in E minor, op 38 (1862-65). Leonard Rose, vc; Jean-Bernard Pommier, pf.

Virgin VJ 7 91571-2 28 11:30 ON PARADE Prepared by Robert Small Bernstein, L. Symphonic dances from West Side story (1961; transcr. Lavender 2007).

Naxos 8.572837 23 Sousa, J.P. The Washington Post (1889).

Naxos 8.578001-02 3 Lone Star Wind Ensemble/Eugene Migliaro Corporo (2 above) 12:00 URBAN JAZZ LOUNGE with Leita Hutchings 13:00 IN A SENTIMENTAL MOOD with Maureen Meers Nostalgic music and artists from the 30s, 40s and 50s and occasionally beyond, in a trip down many memory lanes

14:00 THE PROTEAN FLUTE 19th century Prepared by Rex Burgess Pierné, G. Sonata da camera for flute, cello and piano (1893-94). Members of Conchord.

ASV DCA 1139 14 Moscheles, I. Sonata concertante in G, op 79 (1828). Kazunori Seo, fl; Makoto Ueno, pf.

Naxos 8.573175 14 Mendelssohn, F. Concert piece no 2 in D minor, op 114 (1832; arr. Falletta). Debra Wendells Cross, fl; Robert Alemany, cl; JoAnn Falletta, gui.

Virginia Arts Festival 84501 74917 9 Blodek, V. Flute concerto (1862). KarlBernhard Sebon, fl; Berlin RSO/Uros Lajovic.

Schwann 11608 15 15:00 BACH’S MASS IN B MINOR Prepared by Di Cox Bach, J.S. Mass in B minor, BWV232 (1749).

Felicity Lott, sop; Anne Sofie von Otter, sop; Hans Peter Blochwitz, ten; William Shimell, bar; Gwynne Howell, bass; Chicago Ch & O/ Georg Solti.

Decca 430 353-2 1:53 Liszt, F. Fantasy and fugue on the chorale Ad nos, ad salutarem undam, from Meyerbeer’s The prophet (1850). Leslie Howard, pf.

Hyperion CDS44539 25

Debussy, C. Rhapsody no 1 (1908). Gervase de Peyer, cl; New Philharmonia O/Pierre Boulez.

Sony SM2K 68 327 9 Stravinsky, I. Serenade in A (1925). Peter Hill, pf.

Naxos 8.553871 12 Various. Ballet: The wedding on the Eiffel Tower (pub. 1921). Philharmonia O/Geoffrey Simon.

Chandos CHAN 8356 21 Poulenc, F. Cocardes (1919). François le Roux, bar; Soloists of the French NO/Charles Dutoit.

Decca 452 666-2 7 Sextet for piano and wind quintet (1932-39).

Ian Brown, pf; Nash Ensemble.

Hyperion CDA67255/6 18 Concert champêtre (1927-28). Ton Koopman, hpd; Rotterdam PO/James Conlon.

Erato ECD 88141 25 22:00 SATURDAY NIGHT AT HOME Evening and dreams Prepared by Elaine Siversen Kodály, Z. Summer evening (1929-30).

Budapest PO/Zoltan Kodály.

DG 427 408-2 21

17:30 THE VOICES, THE ROLES with Angela Cockburn Contraltos: witches

Hovhaness, A. Evening song (1945). Paul Edmund-Davies, fl; Arnold Kobyliansky, vn; Randy Max, timp; I Fiamminghi/Rudolf Werthen.

Telarc 80392 11

18:00 SOCIETY SPOT Organ Music Society of Sydney Prepared by Andrew Grahame

Ketèlbey, A. In the moonlight (1919).

Czecho-Slovak RSO/Adrian Leaper.

Naxos 8.554713 5

19:00 THE MAGIC OF STAGE AND SCREEN Prepared by Maureen Meers

Attrib. Purcell, H. Cantata: When night her purple veil (arr. Britten). John Shirley-Quirk, bass-bar; Nona Liddell, vn; Ivor McMahon, vn; Ambrose Gauntlett, va da gamba; Martin Isepp, hpd.

Heritage HTGCD 283/4 15

Strouse, C. Excerpts from Applause (1970).

Lauren Bacall, Len Cariou, voices; original Broadway cast.

Decca 012 159 404-2 19 Bart, L. Excerpts from Blitz (1962). Amelia Bayntun, Bob Grant, Grazina Frame, Graham James, voices.

HMV 00946 311282 2 12 Styne, J. Excerpts from The bells are ringing (1956). Judy Holliday, Sydney Chaplin, Jean Stapleton, voices; members of Theatre Guild.

Columbia SK 89545 20 20:00 INFLUENCES AND CONNECTIONS Francis Poulenc Prepared by Rex Burgess Chabrier, E. Suite pastorale (1888). Monte Carlo PO/Hervé Niquet.

Naxos 8.554248 17

Strauss, R. Introduction and moonlight music, from Capriccio (1942; arr. 1945).

Vienna PO/André Previn.

DG 437 790-2 14 Mendelssohn, F. Incidental music to A midsummer night’s dream, op 21 (1826), op 61 (1842). Sandrine Piau, sop; Delphine Collot, sop; La Chapelle Royale; Collegium Vocale; Champs-Élysées O/Philippe Herreweghe.

Harmonia Mundi HMX 2908336 45

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Sunday 12 MARCH 0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 SUNDAY MORNING MUSIC with Robert Small 9:00 MUSICA SACRA Prepared by Francis Frank Handel, G. Cantata: My eyes, what did you do? HWV146. Julianne Baird, sop; John Dornenburg, bass viol; Malcolm Proud, hpd.

Meridian CDE 84189 10 Zelenka, J. Missa Dei Filii (1740-41). Nancy Argenta, sop; Michael Chance, ct; Christoph Prégardien, ten; Gordon Jones, bass; Stuttgart Chamber Choir; Tafelmusik Baroque O/Frieder Bernius.

Harmonia Mundi RD 77922 42 10:00 THE CLASSICAL ERA Prepared by Di Cox Weber, C.M. Overture to Euryanthe (1823).

Berlin PO/Herbert Von Karajan.

DG 419 070-2 9 Bach, C.P.E. Cello concerto in A, Wq172 (1753). Miklós Perényi, vc; Franz Liszt CO/ János Rolla.

Harmonia Mundi QUI 903026 21 Bach, J. Christian Quintet in D for flute, oboe, violin, viola and continuo, op 11 no 6 (1774). Members of Concentus Musicus Vienna/Nikolaus Harnoncourt.

Teldec 8.41062 14 Schubert, F. Ständchen, D920 (1827).

Utrecht Vocal Soloists; Udo Reinemann; Ronald Brautigam, pf.

Globe GLO 5021 6 Stamitz, J. Orchestral trio in C, op 1 no 1 (1754-55). New Zealand CO/Donald Armstrong.

Naxos 8.553213 17 Haydn, J. Sonata no 62 in E flat, Hob.XVI:52 (1794-95). Mikhail Pletnev, pf.

Virgin 5 45254 2 23 Dittersdorf, C. Symphony in C, The four ages of the world (pub. 1767). Failoni O/ Hanspeter Gmür.

Naxos 8.553368 17 12:00 CLASSIC JAZZ AND RAGTIME with John Buchanan The early days of jazz and ragtime as recorded during the first 30 years of the 20th century

26

Handel, G. Overture to Rinaldo, HWV7a (1711). English CO/Richard Bonynge.

Decca 440 844-2 8 Mozart, W. Voi che fausti ognor donate, from Il re pastore, K208 (1775). Richard Conrad, ten; New SO of London/Richard Bonynge.

Decca 448 594-2 4 Gluck, C. Quel est l’audacieux, from Orphée et Eurydice (1774). David Hobson, ten; Opera Australia Ch; Australian Opera and Ballet O/ Marco Guidarini.

ABC 462 006-2 8 Berlioz, H. Minuet, from The damnation of Faust, op 24 (1845-46). City of Birmingham SO/Louis Frémaux.

EMI CDM 1 66434-2 5 Borodin, A. My tortured soul, from Prince Igor (1887). Bryn Terfel, bass-bar; Metropolitan Opera O/James Levine.

DG 445 866-2 8 Tchaikovsky, P. Adieu, forêts, from Jeanne d’Arc. Renata Scotto, sop; Budapest SO/ Charles Rosekrans.

Hungaroton HCD 31116 6 Mascagni, P. Suzel, buon di, from L’amico Fritz. Nuccia Focile, sop; Luciano Pavarotti, ten; Royal PO/Maurizio Benini.

Decca 443 260-2 9 15:00 SUNDAY SPECIAL Mravinsky and Kondrashin conduct Shostakovich Prepared by Paolo Hooke Shostakovich, D. Symphony no 6 in B minor, op 54 (1939). Leningrad PO/Yevgeny Mravinsky.

Melodiya 74321 231982 28 Symphony no 7 in C, op 60, Leningrad (1941). Moscow PO/Kirill Kondrashin.

Melodiya 74321 198392 1:11 17:00 HOSANNA Prepared by Meg Matthews 18:00 THE BRENDEL LEGACY Prepared by Meg Matthews Liszt, F. Years of Pilgrimage, First year, Switzerland. 48 Isoldens Liebestod, after Wagner’s Tristan und Isolde. 7

13:00 WORLD MUSIC: Whirled Wide

Alfred Brendel, pf (2 above) Decca/Philips 478 9103

14:00 OPERA IN CONCERT Prepared by Giovanna Grech

19:00 SUNDAY NIGHT CONCERT Prepared by Frank Morrison

FOR A FULL DIGITAL SCHEDULE VISIT WWW.FINEMUSICFM.COM

Vladimir Ashkenazy Debussy, C. Children’s corner (1908; orch.

Caplet). Montreal SO/Charles Dutoit.

Decca 444 386-2 17 Mozart, W. Violin concerto no 1 in B flat, K207 (1773). Isaac Stern, vn; Columbia SO/ George Szell.

Sony SM3K 66 475 21 Dvorák, A. Legends, op 50 (1880-81). West Australian SO/Vernon Handley.

ABC 456 359-2 44 20:30 NEW HORIZONS Prepared by James Nightingale Adeney, T. Summer landscape (2005).

Collusion.

Move MD3310 7 Grigorjeva, G. Diptych (2011). Estonian Philharmonic Chamber Choir/Paul Hillier.

Ondine ODE 1245-2 12 Frank, G. Quijotadas for string quartet (2007). ALIAS Chamber Ensemble.

Naxos 8.559645 23 Lang, D. Just: After song of songs (2014).

Trio Mediaeval; Garth Kox, va; Agnés Vesterman, vc; Sylvain Lemetre, perc.

Louth Comtemporary Music Society LCMS1502 13 Schmidt, H. Piano concerto no 2 (2001).

Christina Petrowska Quilico, pf; KitchenerWaterloo SO/Daniel Warren.

Centrediscs CMCCD 17011 25 22:00 AFTER HOURS JAZZ with Kevin Jones

Monday 13 MARCH

Piers Lane

Suyoen Kim

0:00 CLASSIC-ALL THROUGH THE NIGHT

Rubinstein, A. Piano concerto no 2 in F, op 35 (1851). Joseph Banowetz, pf; CzechoSlovak State PO/Alfred Walter.

Marco Polo 8.223456 41

Violin concerto in G minor in one movement, op 3 (1851). Suyoen Kim, vn; Staatskapelle Weimar/Michael Halász.

Naxos 8.570991 20

Copland, A. Symphony (1924). Jonathan Scott, org; BBC Philharmonic/John Wilson.

Chandos CHSA 5171 24

Schumann, R. Fairy tale pictures, op 132 (1853). Marina Marsden, vn; Justine Marsden, va; Robert Chamberlain, pf.

Fine Music concert recording 15

6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Robert Small 9:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1710 Prepared by Francis Frank Handel, G. Incidental music, from The alchymist, HWV43 (1710). Michael Borgstede, hpd; Musica ad Rhenum/Jed Wentz.

Brilliant Classics 94600 19 Corelli, A. Sonata, op 5 no 7 (pub. 1710).

Gaetano Nasillo, vc; Guido Balestracci, bass viol; Eunice Brandão, bass viol; Eduardo Egüez, theorbo; Massimiliano Raschietti, hpd.

Symphonia SY 98163 9 Erlebach, P. Cantata: Gelobet sie der Herr (c1710). Dorothy Mields, sop; Britta Schwarz, cont; Jörn Lindemann, ten; Andreas Post, ten; Klaus Mertens, bass; Telemann CO Michaelstein/Ludger Rémy. cpo 999 650-2 13 Campra, A. Suite from Les fêtes vénitiennes (1710). Collegium Aureum.

LP DHM 20 29102-2 27 Valentini, Giuseppe. Concerto no 10 in A minor (pub. 1710). Olivia Centurioni, vn; Ensemble 415/Chiara Banchini.

Zig-Zag Territoires ZZT2020801 10 10:30 CONCERT HALL Prepared by Derek Parker Meyerbeer, G. Overture in the march style (1862). Radio-Philharmonie Hannover des NDR/Michail Jurowski. cpo 999 168-2 16

12:00 SWING SESSIONS with John Buchanan 13:00 FIVE COMPOSERS; FIVE PARAPHRASES Prepared by Frank Morrison Bellini, V. Paraphrase from La sonnambula (1831). Alessandro Carbonare, cl; Gilbert Monier, cl; Andrea Dindo, fp; Quatuor Z. Harmonia Mundi HMA 1951722 12 Liszt, F. Concert paraphrase on Verdi’s Rigoletto, (1851; transcr. 1859). Michele Campanella, pf.

Brilliant Classics 94610 7 Tallis, J. Paraphrase: The sentimental bloke.

Monica Curro, vn; Stefan Cassomenos, pf.

Move MCD 463 10 Saxton, R. Paraphrase on Mozart’s Idomeneo. David Theodore, ob; Joan Whiting, ob; Robert Hill, cl; Peter Maunder, cl; John Price, bn; Philip Tarlton, bn; Richard Bissill, hn; Gareth Mollison, hn; Andrew Parrot, cond.

EMI CDC 7 54424 2 11 Godowsky, L. Concert paraphrase on Die Fledermaus (1907). Piers Lane, pf.

Hyperion CDA66785 12 14:00 JOACHIM AND FRIENDS Prepared by Sheila Catzel Joachim, J. Overture: Hamlet, op 4 (1855).

Stuttgart RSO/Meir Minsky.

Naxos 8.554733 17

Mendelssohn, F. String quintet no 2 in B flat,op 87 (1845). Raphael Ensemble.

Hyperion CDA66993 29 Brahms, J. Trio in C, op 87 (1880-82).

Itzhak Perlman, vn; Lynn Harrell, vc; Vladimir Ashkenazy, pf.

EMI 7 54725 2 28 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with David Brett 19:00 JAZZ NICE ‘N EASY with Ken Weatherley 20:00 STORMY MONDAY with Austin Harrison and Garth Sundberg 22:00 THE AUSTRALIAN JAZZ SCENE with Susan Gai Dowling and Peter Nelson

MUSIC TRIVIA with Michael Morton-Evans 4. Was Sir Charles Groves an English pianist, composer or conductor?

Answers on page 46.

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Tuesday 14 MARCH

Katarina Karnéus. Image: Mats Baecker.

0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Julie Simonds 9:00 DIVERSIONS IN FINE MUSIC Artist of choice: Stephen Kovacevich Prepared by Chris Blower Chopin, F. Nocturnes, op 62: no 1 in B; no 2 in E. Phlips 456 880-2 15 Ravel, M. Chansons madécasses (1926).

Katerina Karnéus, mezz; Emmanuel Pahud, fl; Truls Mørk, vc.

EMI 5 56982 2 14 Mozart, W. Piano concerto no 25 in C, K503 (1786). Australian CO. Fine Music Tape Archive 29 Debussy, C. La plus que lente (1910).

Emmanuel Pahud, fl.

EMI 5 56982 2 4 Beethoven, L. Sonata no 12 in A flat, op 26 (1801).

EMI 5 62700 2 18 Stephen Kovacevich, pf (all above) 10:30 CONCERT HALL Prepared by Elaine Siversen Copland, A. Suite: Appalachian Spring(1943-44). Melbourne SO/Benjamin Northey.

ABC 4810863 25 Halffter, E. Guitar concerto. Narciso Yepes, gui; Spanish RTSO/Odón Alonso.

LP DG 2530 326 27 28

Sharon Bezaly MacDowell, E. Suite no 2, op 48, Indian (1891-95). Ulster O/Takuo Yuasa.

Naxos 8.559075 30 12:00 JAZZ RHYTHM with Jeannie McInnes 13:00 LEGENDARY SINGERS Prepared by Randolph Magri-Overend 14:00 CLASSICAL JUKEBOX Prepared by Randolph Magri-Overend Shostakovich, D. Jazz suite no 2 (1938).

Royal Concertgebouw O/Riccardo Chailly.

Decca 433 702-2 24 Tchaikovsky, P. Sleeping beauty, op 66 (1888-89; arr. Litton). Dallas SO/Andrew Litton.

Delos DE 3196 28 Rachmaninov, S. Piano concerto no 2 in C minor, op 18. Leif Ove Andsnes, pf; Berlin PO/Antonio Pappano.

EMI 4 74813 2 33 Tchaikovsky, P. Serenade in C for strings, op 48 (1880). Moscow Virtuosi/Vladimir Spivakov.

RCA 09026 61964 2 29 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Derek Parker 18:00 SYDNEY SYMPHONY 2017 Produced by Andrew Bukenya LOGO

What’s on in concerts during the next month 19:00 THE JAZZ BEAT with Lloyd Capps

FOR A FULL DIGITAL SCHEDULE VISIT WWW.FINEMUSICFM.COM

20:00 RECENT RELEASES with David Ogilvie 22:00 CHAMBER SOIRÉE Prepared by Rex Burgess Brahms, J. Sonata no 3 in D minor, op 108 (1886-88). Arthur Grumiaux, vn; György Sebõk, pf.

Decca 478 5609 21 Bax, A. Fantasy sonata (1917). Ashan Pillai, va; Alison Nicholls, hp.

Naxos 8.554507 23 Martin, F. Ballade (1939). Sharon Bezaly, fl; Ronald Brautigam, pf.

BIS SACD 1729 7 Stravinsky, I. Suite from The soldier’s tale (1918). William Blount, cl; Frank Morelli, bn; Michel Powell, tb; Rolfe Schultre, vn; John Feeney, db; Gordon Gottlieb, perc.

MusicMasters 01612-67152-2 25 Saint-Saëns, C. String quartet no 1 in E minor, op 112 (1899). Fine Arts Quartet.

Naxos 8.572454 34

MUSIC TRIVIA with Michael Morton-Evans 5. Sir Osbert Sitwell wrote the text, but who wrote the music for the cantata Belshazzar’s Feast?

Answers on page 46.

Wednesday 15 MARCH 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Peter Kurti 9:00 DIVERSIONS IN FINE MUSIC Composers of the 18th century Prepared by Jennifer Foong Méhul, É-N. Overture to Horatius Coclès (1794). O de Bretagne/Stefan Sanderling.

ASV DCA 1140 8 Leclair, J-M. Sonata in E minor, op 9 no 2 (pub. 1743). Barthold Kuijken, fl; Wieland Kuijken, bass viol; Robert Kohnen, hpd.

Accent ACC 58436 D 16 Lalande, M-R. de Regna terrae, from Exsurgat Deus (1706). Carolyn Sampson, sop; Ex Cathedra/Jeffrey Skidmore.

Hyperion CDA68035 2 Forqueray, J-B-A. La Morangis ou La Plissay, op 1 no 4. Lars Ulrik Mortensen, hpd.

Chandos CHAN 0531 8 Clérambault, L-N. Cantata: Zephyr and Flora (1716). Julianne Baird, sop; Music’s Re-creation.

Meridian CDE 84182 15 Mondonville, J-J. de Sonata en symphony no 1, op 3. Les Musiciens du Louvre.

Archiv 457 600-2 9 Rameau, J-P. Suite from Dardanus (1739; arr. Cox). Septura.

Naxos 8.573386 20 10:30 CONCERT HALL Prepared by Michael Field Janácek, L. Idyll for string orchestra (1878).

Los Angeles CO/Gerard Schwarz.

Nonesuch 79033-2 27 Liszt, F. Piano concerto no 2 in A (1839/4961). Leif Ove Andsnes, pf; Bergen PO. Virgin 7 59613 2 22 Gade, N. Symphony no 1 in C minor, op 5 (1840-42). Danish National RSO. Chandos CHAN 9422 36 Dmitri Kitaienko, cond (2 above) 12:00 JAZZ SKETCHES with Robert Vale

Patrick De Ritis 13:00 TRANSCRIPTIONS Prepared by Frank Morrison Tausig, C. Transcription of Wagner’s Kaisermarsch (1871). Dennis Hennig, pf.

Etcetera KTC 1076 10 Gershwin, G. Porgy and Bess transcriptions (1934; arr. Heifetz). Gil Shaham, vn; Akira Eguchi, pf.

DG 447 640-2 16 Liszt, F. Tristia, transcription of The Obermann Valley (1840). Trio Chausson.

Mirare MIR 089 18 Brahms, J. Lieder transcriptions: Acht Lieder und Gesänge, op 57; nos 4, 3 and 8 (1871).

Paul Dean, cl; Stephen Emmerson, pf.

Melba MR301138 8 14:00 IN CONVERSATION with Michael Morton-Evans 15:00 ROSSINI EXPLORED Part 3 Prepared by Michael Morton-Evans Rossini, G. Overture to La Cenerentola (1817). European Wind Soloists/Patrick De Ritis.

Naxos 8.573259 8 Overture to The thieving magpie (1817).

Tasmanian SO/Ola Rudner.

ABC 476 259-9 10 Reggia abborita, from Ermione (1819).

Rockwell Blake, ten; Peter Jeffes, ten; London SO/Maximiano Valdes.

Arabesque Z 6612 7 Quartet no 1 in F (c1812). Canberra Wind Soloists.

LP Abel 1 11 Overture to Bianca e Falliero (1819). Prague SO/Christian Benda.

Naxos 8.572735 7

Bel raggio lusinghier ... dolce pensiero, from Semiramide (1823). Simone Kermes, sop; Concerto Köln/Christoph-Mathias Meuller.

Sony 88765455042 7 Three duets for two horns (c1806). Members of Gabrieli Brass Ensemble.

Hyperion CDA67119 3 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Tom Forrester-Paton 19:00 JAZZ STARS AND STRIPES with Peter Mitchell 20:00 AT THE OPERA Prepared by Elaine Siversen Verdi, G. Don Carlos. Opera in five acts.

Libretto by Joseph Méry and Camille du Locle, after Schiller. First performed Paris, 1867.

Decca 478 3705 3:18 DON CARLOS: Carlo Bergonzi, ten ELISABETTA DI VALOIS: Renata Tebaldi, sop FELIPE II: Nicolai Ghiaurov, bass RODRIGO: Dietrich Fischer-Dieskau, bar GRANDE INQUISITOR: Martti Talvela, bass Royal Opera House Ch & O/Georg Solti.

Decca 478 3705 3:18 For synopsis go to finemusicfm.com Invano, Alvaro ... Col sangue sol cancellasi, from The force of destiny (1862-69).

9 Sogno, o son desto? ... Quando al mio son per te parlava, from The Sicilian vespers (1855).

10 Carlo Bergonzi, ten; Dietrich Fischer-Dieskau, bar; Bavarian RSO/Jésus López-Cobos (2 above) LP Orfeo S 028821A March 2017

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Thursday 16 MARCH 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Simon Moore 9:00 DIVERSIONS IN FINE MUSIC Two’s company Prepared by Michael Morton-Evans Debussy, C. Petite suite, piano duet (1889).

Katia Labèque, Marielle Labèque, pf.

Decca 4783691 11 Offenbach, J. Duet in E, op 54 no 2 (1847).

Giovanni Sollima, vc; Andrea Noferini, vc.

Brilliant Classics 94475 21 Doppler, F. Duettino on American motifs, op 37 (1841). Paul Fried, fl; Alan Weiss, fl; Bryan Pezzone, pf.

Gold Tone GTR-006 8 Mozart, W. Duo no 1 in G, K423 (1783). Carl Pini, vn; Jane Hazelwood, va.

Fine Music Tape Archive 14 Moscheles, I. Grand duo concertant in A, op 20 (pub. 1814). Martin Maria Krüger, gui; Klaus Schilde, pf.

Calig CAL 50912 29 10:30 CONCERT HALL Prepared by Sheila Catzel Haydn, J. Symphony in C, Hob.I:50 (1773).

English Concert/Trevor Pinnock.

Archiv 429 757-2 18 Schumann, R. Violin concerto in D minor (1853). Joshua Bell, vn; Cleveland O/ Christoph von Dohnányi.

Decca 444 811-2 28 Gál, H. Symphony no 4, op 105, Sinfonia concertante (1974). Diane Clark, fl; Sally Harrop, cl; David Le Page, vn; Christopher Allan, vc; O of the Swan/ Kenneth Woods.

Avie AV2231 37 12:00 JAZZ, PURE AND SIMPLE with Maureen Meers 13:00 EXPLORING TONALITY Prepared by Gael Golla Vaughan Williams, R. Fantasia on a theme of Thomas Tallis (1910). New Philharmonia O/Leopold Stokowski.

BBC BBCRD 9107 17 Bach, J.S. Prelude and fugue in C minor, BWV871 (c1740). Glen Wilson, hpd.

Teldec 2292-44934-2 6 30

Mozart, W. Flute quartet no 4 in A, K298 (1786). Andreas Blau, fl; members of Amadeus Quartet.

DG 437 137-2 11 Debussy, C. Sails, from Preludes, bk I (1910). Krystian Zimerman, pf.

DG 435 773-2 4 Hindemith, P. Kleine Kammermusik, op 24 no 2 (1922). Michael Thompson Wind Quintet.

Naxos 8.553851 13 14:00 CONDUCTORS OLD AND NEW Theodor Guschlbauer Prepared by Denis Patterson d’Indy, V. Saugefleurie, op 21 (1884).

Strasbourg PO. Auvidis V4686 17 Mozart, W. Rondo in A, K386 (1782). MariaJoão Pires, pf; Fondation Gulbenkian de Lisbon CO. Erato 2292-45050-2 8 Popoli di Tessaglia ... Io non chiedo, eterni Dei, K316 (1778-79). Natalie Dessay, sop; Lyon Opera O. Virgin 363332 2 9 11 Strauss, J. II Annen polka, op 117 (1852).

London PO. EMI CDM 1 66422 2 4 d’Indy, V. Symphony no 3, op 73, De bello Gallico (1916-18). Strasbourg PO. Auvidis V4686 34 Mozart, W. Piano concerto no 9 in E flat, K271, Jeunehomme (1777). Maria-João Pires, pf; Fondation Gulbenkian de Lisbon CO. Erato 2292-45050-2 33 Theodore Guschlbauer, cond (all above) 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Sue Jowell 19:00 THE NEW JAZZ STANDARD with Frank Presley 20:00 SHOWCASING AUSTRALIAN ARTISTS Part 1: Schubertiade Recorded for FINE MUSIC by Kerry Joyner Schubert, F. Impromptu in G flat, D899 no 3 (1827). Gerard Willems, pf. 6 Impromptu in A flat, D899 no 4 (1827). Nikolai Evrov, pf. 7

FOR A FULL DIGITAL SCHEDULE VISIT WWW.FINEMUSICFM.COM

Impromptu in B flat, D935 no 3 (1827).

Elizabeth Powell, pf. 12 Klavierstücke in E flat, D946 no 2 (1828).

Daniel Herscovitch, pf. 11 Fantasie in F minor, D940 (1828). Elizabeth Powell, pf; Gerard Willems, pf. 20 Part 2: Four hands, one piano Schubert, F. Allegro in A minor, D947, Lebensstürme (1828). 11 Dvorák, A. Three Slavonic dances, op 72 no 2 (1886). 11 Julie Adam, pf; Daniel Herscovitch, pf (2 above) Fine Music tape archive 21:30 SNIPPETS FROM NATURE Prepared by Gael Golla Delius, F. A song before sunrise (1918).

Bournemouth Sinfonietta/Norman Del Mar. Chandos CHAN 6502 6 Schubert, F. Dream of springtime, D911 no 11, from Winterreise (1827). Christa Ludwig, mezz; James Levine, pf.

DG 423 366-2 4 Anon. The leaves be green. Andrew Lawrence-King, hp; Stephen Stubbs, lute.

Hyperion CDA66307 3 Warlock, P. All the flowers of the spring (1923). Finzi Singers/Paul Spicer.

Chandos CHAN 9182 6 Boyd, A. Goldfish through summer rain (1978; arr. Lee McGuire). Riley Lee, shakuhachi; Marshall McGuire, hp.

ABC 476 4870 5 22:00 DIFFERING PATHS OF THE 20TH CENTURY Prepared by Robert Small Kabalevsky, D. Cello concerto no 2 in C, op 77 (1964). Steven Isserlis, vc; London PO/ Andrew Litton.

Virgin VC 7 90811-2 27 Bartók, B. 44 duos, from bks I to IV (1931).

György Pauk, vn; Kazuki Sawa, vn.

Naxos 8.550868 46 Janácek, L. Sinfonietta (1926). Sydney SO/ Charles Mackerras.

Sydney Symphony SSO 200705 25 Shostakovich, D. Quartet no 1 in C, op 49 (1938). St Petersburg String Quartet.

Sony SK 64584 13

Friday 17 MARCH 20:00 THE ROMANTIC CENTURY Prepared by Frank Morrison Bruckner, A. String quartet in C minor (1862). L’Archibudelli.

Sony SK 66 251 21 Schubert, F. Symphony no 8 in B minor, D759, Unfinished (1822). Royal Concertgebouw O/Nikolaus Harnoncourt.

Teldec 4509-91184-2 26 Debussy, C. Quartet in G minor (1893).

Borodin String Quartet.

Virgin VJ 7914569-2 25

Aaron Copland 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Janine Burrus 9:00 DIVERSIONS IN FINE MUSIC Strings plus one Prepared by Stephen Matthews Handel, G. Oboe concerto no 1 in B flat, HWV301 (1705-10). Sarah Francis, ob; London Harpsichord Ensemble.

Heritage HTGCD 278 7 Haydn, M. Divertimento in C for oboe, viola and violone, op 98. Piccolo Concerto Wien.

Accent ACC 24292 20 Crusell, B. Quartet no 2 in C minor, op 4.

Henk de Graaf, cl; Daniel String Quartet.

Brilliant Classics 94219 15 Dvorák, A. Piano quintet, op 81. Members of Nash Ensemble.

Virgin VC 7 59141 2 40 10:30 CONCERT HALL Prepared by Chris Blower Bantock, G. Old English suite, after Gibbons, Dowland, Bull, Farnaby, Byrd (1909). CzechoSlovak State PO/Adrian Leaper.

Naxos 8.555473 15 Strauss, R. Horn concerto no 1 in E flat, op 11 (1883). Barry Tuckwell, hn; London SO/ István Kertész.

Decca 478 6420 16 Beethoven, L. Symphony no 3 in E flat, op 55, Eroica (1803). San Francisco SO/Herbert Blomstedt.

Decca 478 6787 51 12:00 A JAZZ HOUR with Barry O’Sullivan

13:00 COLOURS Prepared by Randolph Magri-Overend Copland, A. Suite from The red pony (1948).

New Philharmonia O/Aaron Copland.

CBS MK 42429 25 Kats-Chernin, E. Colours of the sea (2004).

Katie Zhukov, pf.

Wirripang WIRR 010 7 Gershwin, G. Rhapsody in blue (1924).

Columbia SO/Leonard Bernstein.

CBS MYK 42611 16 Tchaikovsky, P. The black swan, from Swan Lake (1875). London SO/Richard Bonynge.

Decca 452 767-2 9 Grainger, P. Green bushes, from British folk music settings (1905-06). Bournemouth Sinfonietta/Kenneth Montgomery.

Chandos CHAN 8377 9

Franck, C. Symphony in D minor, op 48 (1887-88). Royal Concertgebouw O/Karel Ancerl.

Radio Nederland RCO 06004 37 22:00 BAROQUE AND BEFORE Prepared by Elaine Siversen Part 1: Italian Renaissance Instrumental music Galilei, M. Sonata in D, from Il primo libro d’intavolatura di liuto (pub. 1620). Paul Beier, lute.

Nuova Era 6869 14 Mainerio, G. Five dances. Early Music Consort of London/David Munrow.

Virgin 5 61288 2 11 Fiorino, G. Sonata in D. Mario Carbotta, fl; Roberto Cognazzo, hpd.

Nuova Era 7022 10

Kats-Chernin, E. Variations in a serious black dress (1995). Stephanie McCallum, pf; Sydney Alpha Ensemble/David Stanhope.

ABC 456 468-2 11

Viadana, L. Excerpts from Sinfonie musicali, op 18 (pub. 1610). Symposium Musicum Prague.

LP Schwann VMS 2001 15

Strauss, J. II The blue Danube (1924; orch.

Désormière). Berlin RSO/Paul Strauss.

DG 477 5349 29

Part 2: The glory of Venice: Last years

15:00 INTIMATE BRAHMS Prepared by Frank Morrison Dvorák, A. Sonatina in G, op 100 (1893).

Anthony Marwood, vn; Susan Tomes, pf.

Hyperion CDA66934 19 Brahms, J. Quintet in B minor, op 115 (1891).

Karl Leister, cl; Amadeus Quartet.

DG 419 875-2 36 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Brendan Walsh 19:00 FRIDAY JAZZ SESSION with Sally Cameron

Marcello, A. Concerto grosso no 3 in B minor (pub. 1738). Pierre Pierlot, ob; Alessandro Bonelli, ob; Sergio Penazzi, bn; Piero Toso, vn; Vito Prato, vn; I Solisti Veneti/Claudio Scimone.

LP Erato/WRC S/6512 9 Galuppi, B. Psalm 110 (111): Confitebor tibi, Domine (1733). Véronique Gens, sop; Gérard Lesne, alto; Peter Harvey, bass; Il Seminario Musicale.

Virgin VC 5 45030 2 35 Marcello, A. Concerto in D minor for oboe, strings and continuo (pub. c1717). Kirsten Barry, ob; Australian Brandenburg O/Paul Dyer.

ABC 476 2840 11 March 2017

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Saturday 18 MARCH 0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 SATURDAY MORNING MUSIC with Stephen Wilson 9:00 WHAT’S ON IN MUSIC Our weekly guide to musical events in and around Sydney 9:05 ORCHESTRAS AROUND THE WORLD City of Birmingham Symphony Orchestra Prepared by Andari Anggamulia Britten, B. Occasional overture, op 38 (1946).

Decca 478 5364 7 Stravinsky, I. Petrushka (1947). Peter Donohoe, pf.

EMI 7 49053 2 35 Adams, J. Harmonielehre (1985).

EMI 5 55051 2 40 City of Birmingham SO/Simon Rattle (all above) 10:30 SMALL FORCES Prepared by Francis Frank Bach, C.P.E. Flute quartet no 3 in G, Wq95 (1788). Les Adieux.

DHM GD 77052 18 Stenhammar, W. Ballad, op 3 (1891). Peter Mattei, bar; Malmö SO/Paavo Järvi.

BIS CD-550 8

Hartman, J. Fascilita, air with variations.

AMP 99207 8 Allentown Band/Ronald Demkee (2 above) 12:00 URBAN JAZZ LOUNGE with Leita Hutchings

Hoffmeister (1786). Hagen Quartet.

DG 00289 477 5081 27 Hoffmeister, F. Flute quartet in A, after Mozart’s K331, Alla turca. Israel Flute Ensemble.

CDI 18809 24 Beethoven, L. Sonata no 11 in B flat, op 22

15:00 OPERETTA IN THE AFTERNOON Prepared by Elaine Siversen

EMI 5 62700 2 24

Lehár, F. The land of smiles. Operetta in three acts. Libretto by Ludwig Herzer. First performed Vienna, 1923.

(1800). Stephen Kovacevich, pf.

Hoffmeister, F. Viola concerto in D. Victoria Chiang, va; Baltimore CO/Markand Thakar.

Naxos 8.572162 21

LISA: Elizabeth Schwarzkopf, sop PRINCE SOU-CHONG: Nicolai Gedda, ten PRINCESS MI: Emmy Loose, sop GUSTAV: Erich Kunz, bar Philharmonia Ch & O/Otto Ackermann.

LP HMV/WRC R05390 1:26

22:00 SATURDAY NIGHT AT HOME

For synopsis go to finemusicfm.com

Bach, C.P.E. Flute concerto in D minor,

Excerpts from Frédérique (1928). Soloists; Ch & O Lyrique of the ORTF/Adolphe Sibert.

Naxos 8.111010 10

Wq22 (c1747). Machiko Takahashi, fl;

Grieg, E. From Monte Pincio, op 39 (1884).

Anne Sofie von Otter, mezz; Bengt Forsberg, pf.

DG 437 521-2 5 Hummel, J. Piano quintet in E flat, op 87 (1802). Melos Ensemble.

Decca 430 297-2 20

17:30 STAGING MUSIC with Angela Cockburn Shouldn’t they be in the orchestra pit?

11:30 ON PARADE Music that’s band Prepared by Owen Fisher

18:00 SOCIETY SPOT Classical Guitar Society Prepared by Darryl Rule

Sousa, J.P. Hail to the Spirit of Liberty. Philip Jones Ensemble/Elgar Howarth.

Decca 410-290-2 3

19:00 THE MAGIC OF STAGE AND SCREEN Prepared by Sue Jowell The final bow: finales

Dvorák, A. Songs my mother taught me (arr. Langford). Black Dyke Mills Band/Peter Parkes.

Chandos CHAN 4501 2

Mozart, W. String quartet no 20 in D, K499,

13:00 SATURDAY POT-POURRI Prepared by Randolph Magri-Overend

Excerpts from The count of Luxemborg (1909). Lilian Sukis, sop; Helga Papouschek, sop; Peter Frölich, ten; Eberhard Wächter, bar; Erich Kunz, bar; Graunke SO/Walter Goldschmidt.

Philips 420 663-2 41

Mantovani, A. Brass buttons. Royal Artillery Mounted Band/Terence Kenny.

EMI 8371 882 3

32

Gould, M. Marches from West Point Symphony.

AMP 20059 9

20:00 INFLUENCES AND CONNECTIONS Franz Hoffmeister Prepared by Brian Drummond Hoffmeister, F. Parthia no 3 in E flat.

Consortium Classicum. cpo 777 133-2 14

FOR A FULL DIGITAL SCHEDULE VISIT WWW.FINEMUSICFM.COM

Brahms, J. Quintet in B minor, op 115 (1891).

Keith Puddy, cl; Delmé String Quartet.

IMP Classics PCD 883 40

Concertgebouw CO/Roland Kìeft.

Brilliant Classics 99785/3 23 Haydn, J. String quartet in D, op 64 no 5, The lark (1790). Caspar da Salo Quartet.

Onyx 66552 19 Saint-Saëns, C. Symphony no 1 in E flat, op 2 (1853). Luxembourg RSO/Louis de Froment.

Concerto Royale 206239-360 C 30

MUSIC TRIVIA with Michael Morton-Evans 8. In which country did the dance the Mambo originate?

Answers on page 42.

Sunday 19 MARCH 0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 SUNDAY MORNING MUSIC with Terry McMullen 9:00 MUSICA SACRA Prepared by Rex Burgess Boccherini, L. Stabat Mater (1781). Agnès Mellon, sop; Ensemble 415/Chiara Banchini.

Harmonia Mundi HMG 501933.34 43 Pärt, A. Credo (1968). Boris Berman, pf; Philharmonia Choir & O/Neeme Järvi.

Chandos CHAN 9134 13 10:00 THE CLASSICAL ERA Prepared by Sheila Catzel Rossini, G. Overture to Maometto II (1820).

Academy of St Martin in the Fields/Neville Marriner.

Philips 473 967-2 12 Field, J. Quintet in A flat (1815). David Juritz, vn; Jennifer Godson, vn; Sarah-Jane Bradley, va; Julia Desbruslais, vc; Míceál O’Rourke, pf.

Chandos CHAN 9534 11 Dittersdorf, C. Oboe concerto in G (c1770).

Heinz Holliger, ob; Camerata Bern/Thomas Füri.

Archiv 410 599-2 15 Vogel, J. Sinfonia concertante in C (c1785).

LP Supraphon 1110 3176G 20 Haydn, J. Piano trio in A flat, Hob. XV:14 (1789). Yuuko Shiokawa, vn; Boris Pergamentchikov, vc; András Schiff, pf.

Decca 444 862-2 21 Mendelssohn, F. String quintet no 1 in A, op 18 (1826/32). Raphael Ensemble.

Hyperion CDA66993 29 12:00 SPEAK EASY, SWING HARD with Richard Hughes 13:00 WORLD MUSIC: Whirled Wide 14:00 MUSIC FOR THE WEDDING Prepared by Derek Parker Brian, H. The tinker’s wedding: comedy overture (1948). Royal Scottish NO/Martyn Brabbins.

Dutton Epoch CDLX 7296 7 Handel, G. Sinfonia, Wedding symphony, from Act II, Saul, HWV53 (1738). English Concert/Trevor Pinnock.

Archiv 479 1932 5

Saint-Saëns, C. Wedding cake, valse-caprice in A flat, op 76 (1885). Stephen Hough, pf; City of Birmingham SO/Sakari Oramo.

Hyperion CDA67331/2 6 Glazunov, A. Wedding march, op 21 (1889).

Moscow SO/Igor Golovschin.

Naxos 8.553839 6 Grieg, E. Wedding day at Troldhaugen, op 65 no 6 (1897). BBC Scottish SO/Jerzy Maksymiuk.

Naxos 8.554050 6 Strauss, J. II Wedding prelude, op 469 (orch.

Kunzel). Robert McDuffie, vn; Cincinnati Pops O/Erich Kunzel.

Telarc 80402 4 Maxwell Davies, P. An Orkney wedding, with sunrise (1985). George McIlwham, bagpipes; Scottish CO/Peter Maxwell Davies.

Unicorn-Kanchana DKP(CD)9070 12 Mahler, G. On my sweetheart’s wedding day, from Songs of a wayfarer. Sydney SO/ Vladimir Ashkenazy.

Sydney Symphony SSO201001 4

Bottesini, G. Elegy in D. Thomas Martin, db; London SO/Franco Petracchi.

Naxos 8.570398 5 Prokofiev, S. Symphony no 1 in D, op 25, Classical (1917). Sydney SO/Vladimir Ashkenazy.

Exton EXCL-00042 14 17:00 HOSANNA Prepared by Richard Munge Hymn: The Lord’s my shepherd. Huddersfield Choral Society; David Bell, org; Owain Hughes, cond.

EMI MFP 6050 3 Hymn: Be thou my vision. Choir of Paisley Abbey.

BBC 982 797-3 2 Psalm: no 90, Lord thou hast been our refuge. Choir of Norwich Cathedral; Neil Taylor, org; Michael Nicholas, cond.

Priory PRCD 409 6 Stanford, C. Villiers Magnificat; Nunc dimittis in C. Choir of St Paul’s Cathedral; Christopher Dearnley, org; John Scott, cond.

Hyperion SPCC 2000 9

15:00 SUNDAY SPECIAL Master key: D major Prepared by Anne Irish

Singleton, W. I will lay me down and take my rest. 3

Bach, J.S. Orchestral suite no 3 in D, BWV1068 (c1731). Australian CO/Richard Tognetti.

Sony SK 53356 21

Morley, T. Out of the deep. 5

Sinding, C. Romance in D, op 100 (1910).

Henning Kraggerud, vn; Bournemouth SO/ Bjarte Engeset.

Naxos 8.557266 10 Saint-Saëns, C. Sonata in D, op 166 (1921).

Gareth Hulse, ob; Ian Brown, pf.

Hyperion CDA67431/2 11 Boccherini, L. Quintet no 4 in D, Fandango.

Pepe Romero, gui; Academy of St Martin in the Fields Chamber Ensemble.

Decca 478 5669 17 Haydn, J. Cello concerto no 2 in D, Hob. VIIb:2 (1783). Academy of St Martin in the Fields/Mstislav Rostropovich, vc & dir.

EMI 5 65701 2 23 Rachmaninov, S. Prelude in D, op 23 no 4 (1903). Simon Trpceski, pf.

EMI 5 57943 2 5

Pasfield, W. Grieve not the Holy Spirit of God. 3

Choir of Lincoln Cathedral; Roger Bryan, org; Philip Marshall, cond (3 above) Priory PRAB 101 Ireland, J. Greater love hath no man. Choir of Bath Abbey; Marcus Sealy, org; Peter King, cond.

Priory PRCD 421 6 Hymns: Come down O love divine; God be in my head. Choir of Worcester Cathedral; Worcester Festival Choral Society; Paul Trepte, org; Donald Hunt, cond.

Griffin GCCD 4024 5 Mendelssohn, F. Prelude and fugue in D minor, op 37 no 3. John Scott, org.

Hyperion CDD 22029 9 18:00 DINU LIPATTI 100 Prepared by Elaine Siversen Bach, J.S. Partita no 1 in B flat, BWV825 (1725-31).

Philips 456 892-2 19 March 2017

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Sunday 19 MARCH

Monday 20 MARCH 0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with James Hunter 9:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1848 Prepared by Brian Drummond Moniuszko, S. Overture: Bajka, The fairy tale (1848). Warsaw PO/Antoni Wit. Naxos 8.572716 13

Stanford, C. Villiers String quartet no 1 in G, op 44 (1891). RTÉ Vanbrugh Quartet.

Hyperion CDA67434 29 Luigini, A. Ballet égyptien, op 12 (1875).

London SO/Richard Bonynge.

Decca 452 767-2 22 Lyadov, A. Variations on a theme by Glinka, op 35 (1894). Stephen Coombs, pf.

Hyperion CDA66986 16

Chopin, F. Waltzes, op 69: no 1 in A flat (1835); no 2 in B minor (1829).

EMI CDH 5 65166 2 3

Czerny, C. Andante e polacca (1848).

Hermann Baumann, hn; Leonard Hokanson, pf.

Philips 416 816-2 11

Grieg, E. Piano concerto in A minor, op 16 (1868). Philharmonia O/Alceo Galliera.

Philips 456 892-2 29

Suppé, F. Humorous variations (1848). Royal Scottish NO/Neeme Järvi.

Chandos CHSA 5110 6

Stravinsky, I. Suite italienne (c1933). Truls Mørk, vc; Lars Vogt, pf.

Virgin 5 45274 2 18

Liszt, F. Réminiscences de Lucrezia Borgia, grand fantasy II, after Donizetti (1848). Leslie Howard, pf.

Hyperion CDS44543 15

Meyer, Edgar. Double bass concerto in D (1993). Edgar Meyer, db; Saint Paul CO/ Hugh Wolff.

Sony SK 60956 17

Wieniawski, J. & H. Allegro de sonate in G minor, op 2 (1848) Liv Migdal, vn; Marian Migdal, pf.

Naxos 8.573404 8

Castelnuovo-Tedesco, M. Quintet, op 143.

Andrés Segovia, gui; Strings of Quintetto Chigiano.

DG 474 9612 23

Alceo Galliera

Dinu Lipatti, pf (all above) 19:00 SUNDAY NIGHT CONCERT Glinka, M. Overture to Ruslan and Ludmilla (1842). London FO/Cesare Cantieri.

Point Classics 2650132 6 Dittersdorf, C. Harp concerto in A (c1779).

Jana Bouskova, hp; Southwest German CO, Pforzheim/Vladislav Czarnecki.

Brilliant Classics 99512 19 Glière, R. Concerto for coloratura soprano and orchestra, op 82 (1943). Beverly Hoch, sop; Hong Kong PO/Kenneth Schermerhorn.

IMP PCD 827 12

Spohr, L. String sextet, op 140 (1848).

Academy of St Martin in the Fields Chamber Ensemble.

Chandos CHAN 9424 26 10:30 CONCERT HALL Prepared by Gerald Holder

Gluck, C. Ballet: Don Juan (1761). Academy of St Martin in the Fields/Neville Marriner.

Award AWCD 28360 45

Liszt, F. Symphonic poem no 6: Mazeppa (1851). Suisse Romande O/Neeme Järvi.

Chandos CHAN 9360 17

20:30 NEW HORIZONS Prepared by Nev Dorrington

Field, J. Piano concerto no 2 in A flat (pub.

1816). John O’Conor, pf; Scottish CO/Charles Mackerras.

Telarc 80370 32

Sanfilippo, B. The poet (2016). String Quartet. 33 PIano textures 4. 39 Bruno Sanfilippo, pf (2 above) 1631 Recordings Carss, M. Harvest Moon (2004). Mike Carss.

Altus Music 494161 14 22:00 AFTER HOURS JAZZ with Kevin Jones 34

Fauré, G. Ballade, op 19 (1881). Kathryn Stott, pf; BBC PO/Yan Pascal Tortelier.

Chandos CHAN 9416 14

Schumann, R. Symphony no 3 in E flat, op 97, Rhenish (1850). Royal Concertgebouw O/ Ferdinand Leitner.

Radio Nederland RCO 06004 35 12:00 SWING SESSIONS with John Buchanan 13:00 FROM THE LATE ROMANTIC PERIOD Prepared by Frank Morrison

FOR A FULL DIGITAL SCHEDULE VISIT WWW.FINEMUSICFM.COM

14:30 AMERICAN STRINGS Prepared by Gael Golla

Barber, S. Violin concerto, op 14 (1939-41).

Gil Shaham, vn; London SO/André Previn.

DG 439 886-2 23 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Michael Field 19:00 JAZZ NICE ‘N EASY with Ken Weatherley 20:00 STORMY MONDAY with Austin Harrison and Garth Sundberg 22:00 THE AUSTRALIAN JAZZ SCENE with Susan Gai Dowling and Peter Nelson

Tuesday 21 MARCH

David Porcelijn

Richard Hickox

0:00 CONTEMPORARY COLLECTIVE

12:00 JAZZ RHYTHM with Jeannie McInnes

3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Julie Simonds 9:00 DIVERSIONS IN FINE MUSIC Artist of choice: Alice Giles Prepared by Elaine Siversen Tournier, M. Sonatine, op 30 (1945).

Schwann 310 179 G1 16 Koetsier, J. Metamorphoses on a theme from Smetana’s The Moldau, op 102 (1985).

Budapest Brass Quintet.

Koch Schwann 3-1173-2 8 Glière, R. Harp concerto, op 74 (1943).

Adelaide SO/David Porcelijn.

ABC 454 506-2 26

13:00 AUSTRALIAN FLING Prepared by Randolph Magri- Overend Grainger, P. Scotch strathspey and reel (1901-11). Male voices of Oriana Singers; Sydney SO/John Hopkins.

LP HMV SOXLP 7656 8 Koehne, G. Powerhouse: Rhumba for orchestra (1993). Adelaide SO/David Porcelijn.

ABC 442 349-2 11 Edwards, R. Oboe concerto, Bird spirit dreaming (2002). Diana Doherty, ob; Melbourne SO/Arvo Volmer.

ABC 476 3768 18

Salzedo, C. Five poetical studies (1919).

Tall Poppies TP137 20

Sculthorpe, P. Nourlangie (1989). John Williams, gui; Australian CO/Richard Hickox.

Sony SK 53361 20

Brumby, C. Four exotic dances (1961).

Geoffrey Collins, fl.

Tall Poppies TP031 10

Kats-Chernin, E. Clocks (1993). Sydney Alpha Ensemble/David Stanhope.

ABC 456 468-2 21

Alice Giles, hp (all above)

Koehne, G. Inflight entertainment (1999).

Diana Doherty, ob; Sydney SO/Takuo Yuasa.

Naxos 8.555847 29

10:30 CONCERT HALL Stravinsky, I. The firebird suite (1910).

Australian Youth O/Christoph Eschenbach.

ABC 476 5919 24

15:00 MUSIC OF THE NIGHT Prepared by Lyn Chong

Beethoven, L. Triple concerto in C, op 56 (1803-04). Trio Zingara; English CO/Edward Heath.

IMP Classics PCD 917 36

Mendelssohn, F. Overture to A midsummer night’s dream, op 21 (1826). London SO/ André Previn.

EMI CDM 1 66433 2 12

Pleyel, I. Symphony in C (1786). Capella Istropolitana/Uwe Grodd.

Naxos 8.554696 22

Granados, E. The maiden and the nightingale. John Champ, pf.

ABC 446 059-2 6

Sculthorpe, P. Night-song (1976). Tasmanian SO/David Porcelijn.

ABC 456 363-2 6 Revueltas, S. The night of the Mayas (1939).

Simon Bolivar YO/Gustavo Dudamel.

DG 477 8775 30 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Andrew Dziedzic 19:00 THE JAZZ BEAT with Lloyd Capps 20:00 RECENT RELEASES with Charles Barton 22:00 CHAMBER SOIRÉE Prepared by Sheila Catzel Arensky, A. Piano trio no 1 in D minor, op 32 (1894). Australian Trio.

ABC 476 123-1 32 Spohr, L. Fantasy and variations, op 81 (1814). Dieter Klöcker, cl; Consortium Classicum.

Orfeo C 213 901 A 7 Mayer, E. String quartet in G minor, op 14.

Erato Quartet Basel. cpo 999 679-2 29 Strauss, R. Sonata in F (1883). Sophie Rolland, vc; Marc-André Hamelin, pf.

ASV DCA 913 26 Röntgen, J. Trio no 15 in C sharp minor (1929). Offenburg String Trio.

Naxos 8.573384 15

March 2017

fineMusic 102.5

35

Wednesday 22 MARCH 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Peter Kurti 9:00 DIVERSIONS IN FINE MUSIC Composers of the 18th century Prepared by Rex Burgess Hellendaal, P. Concerto grosso in D minor, op 3 no 2 (pub. c1758). Combattimento Consort Amsterdam/Jan Willem de Vriend.

NM Classics 92019 11 Scheibe, J. Sinfonia in B minor, from Mourning cantata for Queen Louise (1752).

Concerto Copenhagen/Andrew Manze.

Chandos CHAN 0550 11 Palschau, J. Harpsichord concerto no 1 in C (1771). Lars Ulrik Mortensen, hpd; Concerto Copenhagen.

Dacapo 8.226040 15 Kraus, J.M. Non temer. Barbara Bonney, sop; Claes-Håkan Ahnsjö, ten; Drottningholm Court O/Thomas Schuback.

Musica Sverica MSCD 424 8 Agrell, J. Flute concerto in D (c1750). Maria Bania, fl; Concerto Copenhagen/Andrew Manze.

Chandos CHAN 0535 15 Kraus, J.M. Scherzo con variazione (1785).

Jacques Després, pf.

Naxos 8.555771 12 Hellendaal, P. Concerto grosso in G minor, op 3 no 1 (pub. c1758). Combattimento Consort Amsterdam/Jan Willem de Vriend.

NM Classics 92019 10 10:30 CONCERT HALL Prepared by Elaine Siversen Respighi, O. Ancient airs and dances, suite no 2 (1924). Australian CO/Christopher Lyndon-Gee. Omega OCD 1007 20 Bach, C.P.E. Cello concerto in A minor, Wq170 (1750). Tim Hugh, vc; Bournemouth Sinfonietta/Richard Studt.

Naxos 8.553298 28 Tchaikovsky, P. Symphony no 2 in C minor, op 17, Little Russian (1872). London PO/ Mstislav Rostropovich.

EMI 5 65709 2 35 12:00 JAZZ SKETCHES with Robert Vale 36

13:00 AN HOUR IN SPAIN Prepared by Randolph Magri-Overend Falla, M. de Dances from The three-cornered hat (1919). Alicia de Larrocha, pf.

Decca 433929-2 10 Sarasate, P. de Carmen fantasy, op 25 (c1883). Gil Shaham, vn; Castille and León SO/Alejandro Posada.

Canary CC07 12 Granados, E. Valses poéticos (1887). Pro Arte Guitar Trio.

ASV WHL 2061 15

CAPULET: Christian M. Immler, bar JULIET: Heidrun Kordes, sop LAURA: Claron McFadden, sop ROMEO: Scot Weir, ten FRIAR LAURENCE: Hermann Treusch, speaker Bremen Early Music Festival Vocal Ensemble; La Stgione, Frankfurt/Michael Schneider. cpo 999 496-2 1:31 For synopsis go to finemusicfm.com Sonata no 13 in E flat. Jacques Ogg, fp.

Globe GLO 5092 8

Balada, L. Celebració for orchestra (1992).

Barcelona SO; Catalonia NO/Colman Pearce.

Naxos 8.557049 14

Cephalus und Aurore. Emma Kirkby, sop; Timothy Roberts, fp.

Hyperion CDA 66649 9

14:00 IN CONVERSATION with Michael Morton-Evans

22:00 THE PROTEAN FLUTE 1725-1800 Prepared by Rex Burgess

15:00 ROSSINI EXPLORED Part 4 Prepared by MIchael Morton-Evans Rossini, G. Overture to Il viaggio a Reims (1825). Academy of St Martin in the Fields/ Neville Marriner.

Philips 473 967-2 7 Ballet music from Moses and Pharoah (1827). Monte-Carlo National Opera O/ Antonio de Almeida.

Philips 422 843-2 21 Overture to William Tell (1829). Tasmanian SO/Ola Rudner.

ABC 481 0616 12 Dark sombre wood, from William Tell. Yvonne Kenny, sop; Philharmonia O/David Parry.

Chandos CHAN 3035 5 Un espoir, from Sins of old age (c1860).

Bruno Mezzena, pf.

Dynamic CDS 89 4 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Trisha McDonald 19:00 JAZZ STARS AND STRIPES with Peter Mitchell 20:00 AT THE OPERA Opera oscura: the lovers live on Prepared by Paul Roper Benda, G. Romeo und Julie. Singspiel in three acts. Libretto by Friedrich Wilhelm Gotter, after Shakespeare. First performed Gotha, 1776.

FOR A FULL DIGITAL SCHEDULE VISIT WWW.FINEMUSICFM.COM

Boccherini, L. Quintet in D, op 17 no 1 (1773). Alexandre Magnin, fl; Janácek Quartet.

Naxos 8.553719 11 Richter, F. Sonata no 5 in F, from Sonate da camera (1764). Pauliina Fred, fl; Heidi Peltoniemi, vc; Aapo Häkkinen, hpd.

Naxos 8.572030 21 Blavet, M. Sonata no 1 in G, op 2 (1732).

Masahiro Arita, fl; Kiyomi Suga, fl; Masako Hirao, bass viol; Yasunori Imamura, theorbo; Chiyoko Arita, hpd.

Denon CO-75957/8 12 Telemann, G. Concerto no 1 in G (1730).

Wilbert Hazelzet, fl; Trio Sonnerie.

Virgin VC 7 91450-2 10 23:00 AMERICAN COMPOSITIONS 1900-1910 Prepared by Frank Morrison Chadwick, G. Overture: Euterpe (1903).

Nashville SO/Kenneth Schermerhorn.

Naxos 8.559117 9 Herbert, V. Excerpts from The red mill (1906). Razumovsky SO/Keith Brion.

Marco Polo 8.223843 10 MacDowell, E. Fireside tales, op 61 (1902).

James Barbagallo, pf.

Marco Polo 8.223631 12 Foote, A. Piano trio no 2 in B flat (1907-8).

Arden Trio.

Marco Polo 8.225117 21

Thursday 23 MARCH 3:00 CLASSICAL TILL DAWN

Coste, N. Le montagnard, op 34. Virginia Taylor, fl; Timothy Kain, gui.

Tall Poppies TP003 9

6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Simon Moore

Falla, M. de Suite populaire espagnole op 6 (1914-15). David Berlin, vc; Len Vorster, pf.

Tall Poppies TP214 13

9:00 DIVERSIONS IN FINE MUSIC Two’s company Prepared by Elaine Siversen

Britten, B. Suite, op 83 (1969). Alice Giles, hp.

Tall Poppies TP213 15

Villa-Lobos, H. Bachianas brasileiras no. 6 (1938). Geoffrey Collins, fl; Nigel Westlake, bass cl.

Fine Music concert recording 8

14:00 CONDUCTORS OLD AND NEW Hans Knappertsbusch Prepared by Denis Patterson

0:00 CONTEMPORARY COLLECTIVE

Liszt, F. Die Ideale (1857; transcr. Liszt 185758). Tami Kanazawa, pf; Yuval Admony, pf.

Naxos 8.570736 24 Alwyn, W. Concerto (1943-44). Jonathan Small, ob; Eleanor Hudson, hp; Royal Liverpool PO/David Lloyd-Jones.

Naxos 8.570144 19 Ravel, M. Alborada del gracioso (1905). Safri Duo, perc.

Chandos CHAN 9482 6

Wagner, R. Siegfried Idyll (1870). 19 Prelude to Act I, and Isolde’s Liebestod from Tristan und Isolde (1857-59). 16 Munich PO (2 above) Venusberg music, from Tannhäuser (1845). 12 The ride of the Valkyries, from Die Walküre (1854-56). 5 Berlin PO (2 above) DG 479 1148 (4 above)

Milhaud, D. Scaramouche: suite for saxophone, op 165c (1937; arr Milhaud for wind sextet). Nicholas Russoniello, sax; Sydney Omega Ensemble/David Rowden.

Fine Music concert recording 10 21:30 WINTER ROSES Prepared by Heather Middleton Distler, H. Es ist ein Ros entsprungen. Dawn Upshaw, sop; Chanticleer/Joseph Jennings.

Teldec 8573-85555-2 10 Gabrieli, A. Due rose fresche (pub. 1587).

Amaryllis Consort.

IMP PCD 822 3 Marenzio, L. Rose blanche e vermiglie. Maite Arruabarrena, sop; Katelijne van Laethem, sop; Josep Benet, ten; Marius van Altena, ten; Josep Cabré, bass; Konrad Junghänel, cond.

Accent ACC 8864 D 2 Joubert, J. There is no rose of such virtue.

Bristol Bach Choir/Glyn Jenkins.

Saydisc CD375 2

Leb’ wohl, du kühnes, herrliches Kind! from Die Walküre. George London, bass-bar.

Decca 467 904-2 18

Schumann, R. Die Rose stand im Tau, from Ritornelle von Friedrich Rückert ...

Männergesang, op 65 (1847). Hilliard Ensemble/Paul Hillier.

EMI CDC 7 54017 2 2

Beethoven, L. Piano concerto no 5 in E flat, op 73, Emperor (1809). Clifford Curzon, pf.

Decca 452 302-2 39

Tchaikovsky, P. The crown of roses.

Rodolfus Choir/Ralph Allwood.

BBC Music MM326 3

Vienna PO (2 above) Hans Knappertsbusch, cond (all above)

22:00 DIFFERING PATHS OF THE 20TH CENTURY Prepared by Rex Burgess

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Marilyn Schock

Gounod, C. Ballet music from Faust (1859).

London SO/Richard Bonynge.

Decca 452 767-2 19

Carter, E. Symphony of three orchestras (1977). New York PO/Pierre Boulez.

Sony SMK 68334 16

19:00 THE NEW JAZZ STANDARD with Frank Presley

Larsson, L-E. Symphony no 1 in D, op 2 (1927-28). Helsingborg SO/Hans-Peter Frank.

BIS CD-426 31

20:00 SHOWCASING AUSTRALIAN ARTISTS Omega Ensemble with guest artists Prepared by Elaine Siversen

Glass, P. Violin concerto (1987). Adele Anthony, vn; Ulster O/Takuo Yuasa.

Naxos 8.554568 25

12:00 JAZZ, PURE AND SIMPLE with Maureen Meers

Janácek, L. Youth for wind sextet (1924).

Sue Newsome, bass; Sydney Omega Ensemble/David Rowden, cl & dir.

Fine Music concert recording 18

Paganini, N. Grand sonata in A, op 39 (180304). Monica Huggett, vn; Richard Savino, gui.

Harmonia Mundi HMU 907116 23 10:30 CONCERT HALL Prepared by Michael Morton-Evans Salieri, A. Overture to La locandiera (1773).

London Mozart Players/Matthias Bamert.

Chandos CHAN 9877 7 Arensky, A. Piano concerto in F minor, op 2 (1882). Stephen Coombs, pf; BBC Scottish SO/Jerzy Maksymiuk.

Hyperion CDA66624 26

13:00 A GARLAND OF TALL POPPIES Prepared by Rex Burgess Debussy, C. Suite bergamasque, no 2 (1905). Roy Howat, pf.

Tall Poppies TP123 16

Mahler, G. Symphony no 4 in G (18991911; arr.). Lee Abrahamsen, sop; Omega Ensemble/David Rowden.

Fine Music concert recording 54

Bernstein, L. Concerto for orchestra, Jubilee games (1986). Nathan Gunn, bar; New Zealand SO/James Judd.

Naxos 8.559100 30 Corigliano, J. Symphony no 1 (1988). John Sharp, vc; Stephen Hough, pf; Chicago SO/ Daniel Barenboim.

Erato 2292-45601-2 41

March 2017

fineMusic 102.5

37

Friday 24 MARCH 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with James Hunter

12:00 A JAZZ HOUR with Barry O’Sullivan

19:00 FRIDAY JAZZ SESSION with Sally Cameron

13:00 A ROMANTIC AFTERNOON Prepared by Georgina Giannikopoulos

20:00 THE ROMANTIC CENTURY Prepared by Denis Patterson

Chopin, F. Nocturne in E minor, op 72 no 1 (1827). Idil Biret, pf.

Naxos 8.554532 5

Chausson, E. Poème, op 25 (1896).

Christian Ferras, vn; Pierre Barbizet, pf; Belgian NO/Georges Sébastian.

DG 480 6655 19

3:00 CLASSICAL TILL DAWN

Schumann, R. Adagio and allegro in A flat, op 70 (1849). Mischa Maisky, vc; Martha Argerich, pf.

DG 469 524-2 9

6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Janine Burrus

Liszt, F. Valse-impromptu (1842-52). Leslie Howard, pf.

Hyperion CDS44520 5

9:00 DIVERSIONS IN FINE MUSIC Strings plus one Prepared by Emyr Evans

Chopin, F. Sonata in G minor, op 65 (1847).

Jacqueline du Pré, vc; Daniel Barenboim, pf.

EMI CZS 5 68132 2 27

Bach, J. Christian Concerto in E flat for harpsichord, two violins and cello, op 7 no 5.

London Baroque.

Harmonia Mundi HMX 2908601.30 13

Schumann, R. Sonata no 1 in A minor, op 105 (1851). Michiko Kamiya, vn; Ian Brown, pf.

Naxos 8.554401-02 17

Mischa Maisky 0:00 CONTEMPORARY COLLECTIVE

Mozart, W. Quartet no 4 in A, K298 (1786).

Sydney Omega Ensemble/David Rowden.

Fine Music concert recording 11 Beach, A. Piano quintet in F sharp minor, op 67 (1907). Ambache.

Chandos CHAN 9752 28 Paganini, N. Trio in D (1833). Jean-Jacques Kantorow, vn; Mari Fujiwara, vc; Anthea Gifford, gui.

Denon CO 77069 21 Barber, S. Canzonetta for oboe and strings.

Stéphane Rancourt, ob; Royal Scottish NO/ Marin Alsop.

Naxos 8.559135 9 10:30 CONCERT HALL Prepared by Rex Burgess Balakirev, M. Tamara, symphonic poem (1867-82). BBC PO/Vassily Sinaisky.

Chandos CHAN 9727 21 Respighi, O. Il tramonto (1914). Janet Baker, mezz; City of London Sinfonia/Richard Hickox.

Collins 13492 15 38

Bax, A. Symphony no 7 (1939). London PO/ Bryden Thomson.

Chandos CHAN 8906/10 48

Liszt, F. Funérailles (1849). Nikolai Demidenko, pf.

Hyperion CDA66781/2 13 Chopin, F. Waltz in C sharp minor, op 64 no 2. Daniel Barenboim, pf.

DG 477 9519 4 14:30 FRENCH BALLET MUSIC Prepared by Gael Golla Gounod, C. Ballet music from Faust (1859).

London SO/Richard Bonynge.

Decca 452 767-2 19 Ravel, M. Mother Goose (1910). Martha Argerich, pf; Lang Lang, pf.

DG 479 5096 15

Paganini, N. Sonatas nos 28 to 32, from 37 sonatas (c1800-20). Luigi Attademo, gui.

Brilliant Classics 94348 12 Mendelssohn, F. String quintet no 1 in A, op 18 (1826/32). Roland Glassl, va; Henschel Quartett.

NEOS Classics NEOS 30901 30 Glinka, M. Trio pathétique in D minor (1832).

Deborah de Graaff, cl; Lorelei Dowling, bn; Peter Sagar, pf.

Fine Music concert recording 15 Berwald, F. Symphony no 4 in E flat, Sinfonie naïve (1845). San Francisco SO/Herbert Blomstedt.

Decca 478 6787 30 22:00 BAROQUE AND BEFORE From Spain Prepared by Chris Blower Cabezon, H. de Susana un jur: glosado.

Ensemble Accentus/Thomas Wimmer.

Naxos 8.554836 4 Flecha, M. El Viejo El fuego. Huelgas Ensemble/Paul Van Nevel.

Sony 88697478442 20 Scarlatti, D. Sonata, Kk90. Ensemble Claudiana/Luca Pianca. naïve OP 30549 11

Milhaud, D. La création du monde, op 81 (1923). Ulster O/Yan Pascal Tortelier.

Chandos CHAN 9023 16

Guerrero, F. Pange lingua. Choir of Westminster Cathedral; His Majestys Sagbutts and Cornetts/James O’Donnell.

Hyperion CDA67075 9

Debussy, C. Prelude to the afternoon of a faun (1892-94). Berlin PO/Simon Rattle.

EMI 5 58045 2 10

Murcia, S. de Suite in D minor (pub. 1732).

Barry Mason, baroque gui.

Amon Ra SAR 45 15

Poulenc, F. Les biches (1923). Ulster O/Yan Pascal Tortelier.

Chandos CHAN 9023 20

Victoria, T. de Office for the dead (1605).

Magnificat/Philip Cave.

Linn CKD 060 52

FOR A FULL DIGITAL SCHEDULE VISIT WWW.FINEMUSICFM.COM

Saturday 25 MARCH 0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 SATURDAY MORNING MUSIC with Peter Bell 9:00 WHAT’S ON IN MUSIC Our weekly guide to musical events in and around Sydney 9:05 ORCHESTRAS AROUND THE WORLD Chicago Symphony Orchestra Prepared by Di Cox Kodály, Z. Dances of Galánta (1933). Neeme Järvi, cond.

Chandos CHAN 8877 17 Prokofiev, S. Violin concerto no 2 in G minor, op 63 (1935). Itzhak Perlman, vn; Daniel Barenboim, cond.

Teldec 4509-98255-2 26

Sculthorpe, P. Sun music III (1967). Adelaide SO/David Porcelijn.

ABC 465 270-2 12 Gounod, C. L’amour! l’amour! Ah! lève-toi, soleil, from Romeo and Juliet (1867). Rolando Villazón, ten; French RPO/Evelino Pidò.

Virgin 5 45719 2 4 Boyd, A. Red sun, chill wind (1980). Geoffrey Collins, fl; David Miller, pf.

LP MBS 6 7 Maxwell Davies, P. An Orkney wedding with sunrise (1985). Royal PO/Peter Maxwell Davies.

Collins 15242 13 15:00 LA FILLE MAL GARDÉE Prepared by Di Cox

Mahler, G. I walked across the fields this morning, from Songs of a wayfarer (1884).

Yvonne Minton, sop; Georg Solti, cond.

ABC 470 241-2 4

Hérold, F. Ballet: La fille mal gardée (1828; arr. Lanchbery). Royal Opera House O/John Lanchbery.

Decca 430 849-2 1:35

Mussorgsky, M. Pictures at an exhibition (1874; orch. Ravel). Neeme Järvi, cond.

Chandos CHAN 8849 33

Schubert, F. Piano trio in E flat, D929 (1827).

Richard Tognetti, vn; Julian Smiles, vc; Kathryn Selby, pf.

Fine Music concert recording 47

Chicago SO (all above) 10:30 MUSIC FOR SMALL FORCES Prepared by Frank Morrison Khachaturian, A. Trio for clarinet, violin and piano (1932). Eimer Trio.

Dynamic CDS60 16 Danzi, F. Wind quintet in E flat, op 67 no 3 (1824). Berlin Philharmonic Wind Quintet.

BIS CD-532 17 Smetana, B. String quartet no 2 in D minor (1882-83). Manfred Quartet.

Pierre Verany PV795041 20 11:30 ON PARADE Patrick Thomas presents British brass band music Pankhurst, L. Voices. Tredegar Town Band/ Ian Porthouse. 11 Holloway, R. From hills and valleys op 50 no 2 (1980). Cory Band/Philip Harper. 13 NMC NMC D226 (2 above) 12:00 URBAN JAZZ LOUNGE with Leita Hutchings 13:00 IN A SENTIMENTAL MOOD with Maureen Meers Nostalgic music and artists from the 30s, 40s and 50s and occasionally beyond, in a trip down many memory lanes

17:30 THE VOICES, THE ROLES with Angela Cockburn Castrati: Handel’s stars 18:00 SYDNEY SCHUBERT SOCIETY Prepared by Ross Hayes Schubert, F. Symphony no 6 in C, D589, mvt 4 (1817-18). Royal Concertgebouw O/ Nikolaus Harnoncourt.

Teldec 4509-91184-2 12 Sonata no 11 in C (fragment) D613/612 (1817). Gottlieb Wallisch, pf.

Naxos 8.557189 15 Erlafsee, D586 (1817). Dietrich FischerDieskau, bar; Gerald Moore, pf.

DG 477 5765 4 Sonata in B flat, D617 (1818). Isabel Beyer, Harvey Dagul, pf.

Four Hands Music FHMD 891 20 Der Blumenbrief, D622 (1818). Heinrich Schlusnus, bar; Sebastian Peschko, pf.

Nimbus NI 7883 3 19:00 THE MAGIC OF STAGE AND SCREEN Prepared by Maureen Meers

14:00 SUN MUSIC Prepared by Randolph Magri-Overend

Merrill, B. Excerpts from Carnival (1961).

Anna Maria Alberghetti, James Mitchell, Pierre Olaf, Jerry Orbach, voices; members of original cast.

Polydor 837 195-2 18

Sibelius, J. Nightride and sunrise, op 55 (1909). Royal Stockholm PO/Paavo Järvi.

Virgin 5 45213 2 15

Steiner, M. Soundtrack: Johnny Belinda; The fountainhead.

RCA Red Seal 88697 812702 13

Kern, J. Excerpts from Showboat (1927).

Howard Keel, Kathryn Grayson, Annette Warren, Marge Champion, Gower Champion, William Warfield, voices.

Movie Music 81227 19982 19 20:00 INFLUENCES AND CONNECTIONS George Philip Telemann Prepared by James Nightingale Telemann, G. Excerpts from Orpheus (1725-26). Dorothea Röschmann, sop; Maria Cristina Kiehr, sop; Werner Güra, ten; Akademie für Alte Musik/René Jacobs.

Harmonia Mundi HMX 2908150.52 10 Heinichen, J. Concerto in G. Musica Antiqua Köln/Reinhard Goebel.

Archiv 479 1110 16 Graupner, C. Trio sonata in C for bassoon, chalumeau and harpsichord (c1742).

Members of the Finnish Baroque O. Ondine ODE 1240-2 9 Bach, J.S. Motet: Komm, Jesu, komm, BWV229 (1730). Monteverdi Choir; English Baroque Soloists/John Eliot Gardiner.

Erato 2292-45979-2 10 Telemann, G. Fantasia in A minor no 2.

Melissa Farrow, fl.

Melissa Farrow MTF 001 6 Handel, G. Violin sonata in E, op 1 no 12 (c1730). Andrew Manze, vn; Richard Egarr, hpd.

Harmonia Mundi HMX 2907259 9 Bach, C.P.E. Keyboard concerto in G, Wq43:5 (1772). Andreas Staier, hpd; Freiburg Baroque O/Petra Müllejans.

Harmonia Mundi HMX 2908601.30 13 Telemann, G. Ino: Dramatic cantata (c1765).

Barbara Schlick, sop; Musica Antiqua Köln/ Reinhard Goebel.

Brilliant Classics 94104 32 22:00 SATURDAY NIGHT AT HOME Prepared by Chris Blower Bruch, M. Serenade, op 75 (c1901).

Salvatore Accardo, vn; Gewandhaus O/Kurt Masur.

Philips 462 167-2 37 Schubert, F. Piano quintet in A, op 114, Trout (1819). Charmian Gadd, vn; Irina Morozova, va; Julian Smiles, vc; Max McBride, db; Kathryn Selby, pf.

Fine Music concert recording 33 Fibich, Z. Idyll for orchestra at twilight, op 39 (1893). Czech National SO/Marek Štilec.

Naxos 8.573157 16 Vaughan Williams, R. Aristophanic suite, The wasps (1909). London PO/Adrian Boult.

EMI CDC 7 47214 2 26 March 2017

fineMusic 102.5

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Sunday 26 MARCH 0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 SUNDAY MORNING MUSIC with David Garrett 9:00 MUSICA SACRA Prepared by Elaine Siversen Bernstein, L. Chichester psalms (1965).

Thomas Kelly, treb; Elizabeth FranklinKitchen, sop; Victoria Nayler, cont; Jeremy Budd, ten; Paul Charrier, bass; Bournemouth Symphony Ch & O/Marin Alsop.

Naxos 8.559177 18 Mendelssohn, F. Psalm 2: Warum toben die Heiden, from Three psalms, op 78 (1848).

Håkan Hagegård, bar; Oslo Cathedral Choir/ Terje Kvam.

Nimbus NI 5171 8 Vivaldi, A. Psalm 110: Dixit Dominus, RV594.

Margaret Dixon-McIvor, sop; Katherine Capewell, cont; Anson Austin, ten; Grahame Tier, bass; Sydney Philharmonia Motet Choir; Australian CO/Peter Seymour.

Fine Music concert recording 28 10:00 THE CLASSICAL ERA Prepared by Frank Morrison

Stravinsky, I. Excerpts from The firebird (1910). Sydney SO/Edo de Waart.

ABC 481 0069 9 Prokofiev, S. Romeo and Juliet before parting, from Romeo and Juliet, op 75 (1937).

Boris Berman, pf.

Chandos CHAN 8851 8 Beethoven, L. Overture to The creatures of Prometheus, op 43 (1800-01). Queensland SO/Wilfred Lehman.

LP ABC 5ABCL 8001 5 Ponchielli, A. Dance of the hours, from La Giaconda (1876). Vienna PO/Gustavo Dudamel.

DG 476 4717 10 15:00 SUNDAY SPECIAL Farewell, Heinrich Schiff 1951-2016 Prepared by Sheila Catzel Vivaldi, A. Sonata in B flat, RV45. Jaap ter Linden, vc continuo; Ton Koopman, hpd.

Philips 434 124-2 12

Byrd, W. Civitas sancti tui. Choir of Westminster Cathedral/James O’Donnell.

Hyperion CDA6850 5 Bruckner, A. Christus factus est pro nobis.

Corydon Singers/Matthew Best.

Hyperion CDA66062 6 Bairstow, E. Jesu, grant me this, I pray.

Choir of St Paul’s Cathedral; Andrew Lucas, org; John Scott, cond.

Hyperion CDA66678 4 Brahms, J. Chorale-prelude: Herzlich tut mich verlangen, op 122 no 9 (1896). Roger Fisher, org.

Tontrager Production LC08418 3 18:00 NORWEGIAN CHAMBER Grieg, E. Sonata no 3 in C minor, op 45 (1887). Lydia Mordkovitch, vn; Elena Mordkovitch, pf.

Chandos CHAN 9184 25 Sinding, C. Trio no 3 in C, op 87 (1908). András Kiss, vn; Tamás Koó, vc; Ilona Prunyi, pf.

Marco Polo 8.223283 30 19:00 SUNDAY NIGHT CONCERT Prepared by Rex Burgess

Strauss, R. Romance in F (1883).

Gewandhaus O/Kurt Masur.

Philips 426 262-2 9

Wagner, R. Overture to The flying Dutchman, WWV63 (1841). Berlin PO/Claudio Abbado.

DG 471 348-2 11

Abel, C. String quartet in A, op 8 no 5 (1769).

Salomon Quartet.

Hyperion CDA66780 12

Haydn, J. Cello concerto no 1 in C, Hob. VIIb:1 (c1761-65). Academy of St Martin in the Fields/Neville Marriner.

Philips 420 923-2 23

Cimarosa, D. Oboe concerto in C (c1795; ed. Benjamin). Heinz Holliger, ob; I Musici.

Philips 420 189-2 10

Tubin, E. Balalaika concerto (1964). Emanuil Sheynkmann, balalika; Swedish RSO/Neeme Järvi.

BIS CD-351 20

Beethoven, L. Cello sonata no 1 in F, op 5 no 1 (1796). Till Fellner, pf.

Philips 462 601-2 22

Mahler, G. Five Lieder on poems by Friedrich Rückert (1902). Thomas Hampson, bar; Vienna PO/Leonard Bernstein.

DG 477 8825 22

Mozart, L. Sinfonia in B flat (c1750-60). New Zealand CO/Donald Armstrong.

Naxos 8.553347 10

Kraus, J.M. Trio in D (1787). Jaap Schröder, vn; Kari Ottesen, vc; Lucia Negro, fp.

Musica Sveciae MSCD 415 20 Viotti, G. Violin concerto no 23 in G (179293). Symphonia Perusina/Franco Mezzena, vn & dir.

Dynamic CDS 680 (238) 23 Beethoven, L. Symphony no 4 in B flat, op 60 (1806). Berlin PO/Herbert von Karajan.

DG 429038-2 31 12:00 CLASSIC JAZZ AND RAGTIME with John Buchanan 13:00 WORLD MUSIC: Whirled Wide 14:00 DANCES THROUGH TIME The ballets Prepared by Mariko Yata Tchaikovsky, P. Danses caractéristiques, from The nutcracker, op 71a (1892). Martha Argerich, pf; Nicolas Economou, pf.

DG 477 9523 11 Lully, J-B. Three airs from Le bourgeois gentilhomme (1670). Tölz Boys Choir; La 40

Petite Bande/Gustav Leonhardt.

Harmonia Mundi GD 77059 5

Geminiani, F. Sonata in C, op 5 no 3 (pub.

1746). Jaap ter Linden, vc continuo; Ton Koopman, hpd.

Philips 434 124-2 10 Heinrich Schiff, vc (5 above) Chopin, F. Piano concerto no 2 in F minor, op 21 (1830). Nikolai Demidenko, pf; Philharmonia O/Heinrich Schiff.

Hyperion CDA66647 32 17:00 HOSANNA Prepared by Jeremy Hall Hymns: Dear Lord and Father of mankind; There’s a wideness in God’s mercy. Choir of St Paul’s Cathedral/John Scott.

Hyperion SPCC2000 6 Bairstow, E. The lamentations of Jeremiah.

Choir of St John’s, Elora; Michael Bloss, org; Noel Edison, cond.

Naxos 8.554823 8 Wesley, S.S. The Wilderness. Choir of Magdalen College, Oxford/John Harper.

Regis RRC 2030 14

FOR A FULL DIGITAL SCHEDULE VISIT WWW.FINEMUSICFM.COM

Sibelius, J. Symphony no 6 in D minor, op 104 (1923). London PO/Paavo Berglund.

LPO Live LPO - 0065 29 20:30 NEW HORIZONS Prepared by Andari Anggamulia Dorman, A. Piano sonata no 2 (2001). Eliran Avni, pf.

Naxos 8.579001 12 Zwilich, E. Millennium fantasy (2000). Jeffrey Biegel, pf; Florida State University SO/ Alexander Jimenez.

Naxos 8.559656 20 Thomas, Augusta. In my sky at twilight (2002). Christine Brandes, sop; MusicNOW Ensemble; Chicago SO/Pierre Boulez.

Nimbus NI 6258 19 McTee, C. Symphony no 1: ballet (2002).

Detroit SO/Leonard Slatkin.

Naxos 8.559765 30 22:00 AFTER HOURS JAZZ with Kevin Jones

Monday 27 MARCH

Adrian Boult

Philippe Graffin 0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Robert Small 9:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1850 Prepared by Derek Parker Wagner, R. Prelude to Act I, from Lohengrin (1850). New Philharmonia O/ Adrian Boult.

EMI 9 73399 2 8 Liszt, F. Six consolations (1850). Nelson Freire, pf.

Decca 478 2728 16 Offenbach, J. Cello concerto in G (1850).

Ofra Harnoy, vc; Cincinnati SO/Erich Kunzel.

RCA RD 71003 21 Rossini, G. The so-called dramatic prelude, from Album de chateau (1850).

Frederic Chiu, pf.

Harmonia Mundi HMU 907102 10 Saint-Saëns, C. Fantasy after Weber’s Oberon (1850). Philippe Graffin, vn; Pascal Devoyon, pf.

Helios CDH55353 16 Berlioz, H. Overture to Flight into Egypt, from The childhood of Christ, op 25 (185054). Sydney SO/Robert Pikler.

Chandos CHAN 6587 7

Rameau, J-P. Orchestral suite from Le temple de la gloire (1745). Philharmonia Baroque O/Nicholas McGegan.

Harmonia Mundi HMU 907121 34 Beethoven, L. Symphony no 5 in C minor, op 67 (1807-08). Chicago SO/Carlos Kleiber.

Artists FED 013/14 30 12:00 SWING SESSIONS with John Buchanan 13:00 LOVE ACTUALLY Prepared by Randolph Magri-Overend Falla, M. de Ballet: Love the magician, Andalusian gypsy scenes (1915). BBC SO/ Leopold Stokowski.

BBC BBCL 4005-2 24 Foster, G. Rhapsody: War, peace, love.

Grant Foster, pf; Sydney SO/Julian Lee. EMI CDMID 166264 20

Tommasini, V. Carnival of Venice, variations on a theme by Paganini (1928).

Naxos 8.110836-7 13 Beethoven, L. Symphony no 2 in D, op 36 (1801-02).

RCA GD60253 29 NBC SO/Arturo Toscanini (all above) 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Stephen Wilson 19:00 JAZZ NICE ‘N EASY with Ken Weatherley 20:00 STORMY MONDAY with Austin Harrison and Garth Sundberg 22:00 THE AUSTRALIAN JAZZ SCENE with Susan Gai Dowling and Peter Nelson

Schumann, R. A woman’s life and love, op 42 (1840). Kathleen Ferrier, cont; Bruno Walter, pf.

Decca 433 476-2 21 Berlioz, H. Love scene, from Romeo and Juliet, op 17 (1839). Sydney SO/Robert Pikler.

Chandos CHAN 6587 17 14:30 TOSCANINI 150 Prepared by Chris Blower

10:30 CONCERT HALL Prepared by Derek Parker

Brahms, J. Academic festival Overture, op 80 (1880).

RCA GD60257 10

Bernstein, L. Suite from Candide.

Minnesota SO/Eije Oue. Reference RR 20734-4 18

Tchaikovsky, P. Piano concerto no 1 in B minor (1875). Vladimir Horowitz, pf.

LP RCA Victrola VIC-1554 29

MUSIC TRIVIA with Michael Morton-Evans 6. What sort of instrument is a calliope?

7. With which American city is Dixieland Jazz principally associated?

Answers on page 46.

March 2017

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Tuesday 28 MARCH 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Julie Simonds 9:00 DIVERSIONS IN FINE MUSIC Artist of choice: Nelson Freire Prepared by Jennifer Foong Saint-Saëns, C. Pianistes; Fossiles, from Le carnaval des animaux (1886). Martha Argerich, pf; plus nine other performers.

DG 477 9523 3 Chopin, F. Scherzo no 2 in B flat minor, op 31 (1837).

Teldec 8.44075 10 Liszt, F. Six consolations (1850).

Decca 478 2728 16 Santoro, C. Paulistana no 1.

Decca 478 3533 1 Schumann, R. Arabeske, op 18 (1838).

Decca 473 902 2 6 Villa-Lobos, H. Childrens’ carnival (1920).

Decca 478 3533 11 Rachmaninov, S. Symphonic dances, op 45 (1940). Martha Argerich, pf.

DG 477 8570 32 Nelson Freire, pf (all above) 10:30 CONCERT HALL Prepared by Michael Field Wallace, W. Suite: Pelléas and Mélisande (1900). BBC Scottish SO/Martyn Brabbins.

Hyperion CDH55465 16 Berlioz, H. Harold in Italy, op 16 (1834).

Antoine Tamestit, va; Les Musiciens du Louvre, Grenoble/Marc Minkowski. naïve V 5266 39 Mendelssohn, F. Symphony no 4 in A, op 90, Italian (1833). Gewandhaus O/Kurt Masur.

Teldec 243 463-2 29 12:00 JAZZ RHYTHM with Jeannie McInnes 13:00 FROM THE DUTCH BAROQUE Prepared by Rex Burgess

42

Jan Willem de Vriend Huygens, C. I have gone astray; Hear my prayer, O Lord; Here you are, then; You have told me well. Barbara Burden, sop; Louis Peter Grijp, lute.

Globe GLO 6013 9

19:00 THE JAZZ BEAT with Lloyd Capps

Lentz, J. Harpsichord concerto no 2 (c1750).

Hague Residency O/Ton Koopman, hpd & dir.

Olympia OCD 501 12

22:00 CHAMBER SOIRÉE Prepared by Rex Burgess

Schenck, J. Sonata no 5 in F (c1700). Les Voix Humaines.

Naxos 8.554414 6

Holst, G. Wind quintet in A flat, op 14 (1903).

Keith Bragg, fl; Christopher O’Neal, ob; Julian Farrell, cl; Richard Skinner, bn; Christopher Blake, hn.

Chandos CHAN 9077 15

Blankenburg, Q. Cantata: L’apologie des femmes (1713). Max von Egmond, bar; Hague Residency O/Ton Koopman.

Olympia OCD 500 12 Wassenaer, U. Concerto no 3 in A, from Concerti armonici (pub. 1740). Brandenburg Consort/Roy Goodman.

Hyperion CDA66670 9 14:30 LOST IN THE CROWD Prepared by Denis Patterson Vivaldi, A. Concerto in C, RV475. Sergio Azzolini, bn; L’Aura Soave Cremona. naïve OP 30539 13 Dean, B. Testament for 12 violas (2002).

BBC SO/Martyn Brabbins.

BIS BIS-2016 15 Aho, K. Concerto (2005). Eero Munter, db; Lahti SO/Jaakko Kuusisto.

BIS BIS-1866 28

Hellendaal, P. Concerto grosso in G minor, op 3 no 1 (pub. c1758). Combattimento Consort Amsterdam/Jan Willem de Vriend.

NM Classics 92019 10

Reinecke, C. Harp concerto in E minor, op 182 (1884). Elsie Bedleem, hp; Brandenburg State O, Frankfurt/Heribert Beissel.

Christophorus CHE 0162-2 24

Reincken, J. Sonata in A minor (arr. J.S. Bach as BWV965). Bob van Asperen, hpd.

Sony SK 46349 23

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Derek Parker

FOR A FULL DIGITAL SCHEDULE VISIT WWW.FINEMUSICFM.COM

20:00 RECENT RELEASES with David Garrett

Bax, A. Concerto for flute, oboe, harp and string quartet (1936). Academy of St Martin in the Fields Chamber Ensemble.

Chandos CHAN 9602 19 Janácek, L. String quartet no 2, Intimate letters (1928). Talich Quartet.

Calliope CAL 3333 25 Pierné, G. Sonata in F sharp minor, op 46 (1919). Mats Lidström, vc; Bengt Forsberg, pf.

Hyperion CDA66979 25 Hahn, R. Quintet in F minor (1921).

Alexandre Tharaud, pf; Quatuor Parisii.

Auvidis V 4848 26

MUSIC TRIVIA with Michael Morton-Evans 8. Puccini wrote three short operas billed as Il Trittico. Il Tabarro and Suor Angelica, but which is the third?

Answers on page 46.

Wednesday 29 MARCH Copland, A. Piano concerto (1926). Gillian Lin, pf; Melbourne SO/John Hopkins.

Chandos CHAN 6580 17 Rachmaninov, S. Symphony no 2 in E minor, op 27 (1906-09). Melbourne SO/Tadaaki Otaka.

ABC 476 4842 1:02 12:00 JAZZ SKETCHES with Robert Vale

Tadaaki Otaka. Image: Martin Richardson.

13:00 THE FLUTE OF WILLIAM BENNETT Prepared by Gael Gola

3:00 CLASSICAL TILL DAWN

Böhm, T. Grande polonaise in D, op 16 (1831). Barton Weber, pf.

LP Orfeo S 018822 H 10

6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Peter Kurti

Castelnuovo-Tedesco, M. Sonatina, op 205 (1965). Simon Wynberg, gui.

ASV DCA 692 13

0:00 CONTEMPORARY COLLECTIVE

9:00 DIVERSIONS IN FINE MUSIC Composers of the 18th century Prepared by Di Cox Boyce, W. Overture: King’s ode for the new year (1772). Hanover Band/Graham Lea-Cox. ASV GAU 176 7 Cramer, J. Piano concerto no 2 in D minor, op 16 (pub. 1797). Howard Shelley, pf & dir.

Chandos CHAN 10005 25 Wesley, S. Symphony in D, Sinfonia obligato (1781). Matthias Bamert, cond.

Chandos CHAN 9823 11 London Mozart Players (2 above) Anon. Drink to me only with thine eyes (arr.

Barlow). John Potter, ten. 3 Hawes, W. Early one morning (arr. Barlow).

Lucy Skeating, mezz. 4 Broadside Band/Jeremy Barlow (2 above) Saydisc SDL 400 Abel, C. String quartet in A, op 8 no 5 (1769).

Salomon Quartet.

Hyperion CDA66780 12 Mahon, J. Clarinet concerto no 2 in F (c1775). Colin Lawson, cl; Parley of Instruments/Peter Holman.

Helios CDH55261 19 10:30 CONCERT HALL Prepared by James Nightingale Hindemith, P. Ragtime (1921). Philharmonia O/José Serebrier.

ASV DCA 945 4

Martinu, B. Madrigal sonata (1942). Oliver Butterworth, vn; Clifford Benson, pf.

Hyperion CDD22039 10 Mozart, W. Flute concerto no 2 in D, K314 (1778). English CO/George Malcolm.

Decca 460 302-2 20 William Bennett, fl (all above) 14:00 IN CONVERSATION with Michael Morton-Evans 15:00 ROSSINI EXPLORED Part 5 Prepared by Michael Morton-Evans Rossini, G. La serenata, from Soirées musicales (1830-35). Giuseppe Nait, ten; Teodoro Rovetta, bass; Antonio Beltrami, pf.

LP EMI 1C 065 99868 6 La pesca, from Les soirées musicales.

Heather Harper, sop; Janet Baker, mezz; Benjamin Britten, pf.

BBC Music BBCB 8001-2 5 Sancta Mater, from Stabat Mater. Pilar Lorengar, sop; Yvonne Minton, mezz; Luciano Pavarotti, ten; Hans Sotin, bass; London Symphony Ch & O/Istvan Kertesz.

Decca 417 766-2 7 La lontananza from Péchés de vieillesse, vol.

I (1857-60; arr. Barnidge). Rolando Villazón, ten; Maggio Musicale Fiorentino O/Marco Armiliato.

DG 479 4959 4

Kyrie; Cum sanctu spiritu, from Petite messe solennelle (1863). Helen Field, sop; AnneMarie Owens, mezz; Edmund Barham, ten; John Tomlinson, bass; CBSO Ch; David Nettle, pf; Richard Markham, pf; Peter King, harmonium; Simon Halsey, cond.

Netmarc NEMACD900 8 Hymne à Napoléon III et à son vaillant peuple (1867). Ildar Abrazakov, bar; Milan Giuseppe Verdi Symphony Ch & O/Riccardo Chailly.

Decca 470 298-2 9 Allegretto. Claudia Antonelli, hp.

Naxos 8.554252 1 Petite galette allemande, allegro brillante (c1864). Bruno Mezzena, pf.

Dynamic CDS 42/1-2 4 Tarantella napolitana: La danza (1835; arr.

Langford). John Foster Black Dyke Mills Band/Peter Parkes.

Chandos CHAN 4505 2 Una voce poco fà, from The barber of Seville (1816). Amelita Galli-Curci, sop.

Nimbus NI 7802 5 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Stephen Wilson 19:00 JAZZ STARS AND STRIPES with Peter Mitchell 20:00 AT THE OPERA Prepared by James Nightingale Pergolesi, G. L’Olympiade. Opera in three acts. Libretto by Pietro Metastio. First performed Rome, 1735.

CLISTENE: Jeffrey Francis, ten ARISTEA: Raffaella Milanesi, sop ARGENE: Ann-Beth Solvang, mezz LICIDA: Jennifer Rivera, mezz MEGACLE: Olga Pasichnyk, sop AMINTA: Markus Brutscher, ten ACCANDRO: Martin Oro, ct Academia Montis Regalis/Alessandro de Marchi.

Deutsche Harmonia Mundi 88697807712 3:48 For synopsis go to finemusicfm.com

March 2017

fineMusic 102.5

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Thursday 30 MARCH 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Simon Moore 9:00 DIVERSIONS IN FINE MUSIC Two’s company Prepared by Chris Blower Ponchielli, A. Divertimento, Il convegno.

Hans Rudolf Stalder, cl; Heinz Hofer, cl; Zsuzsanna Sirokay, pf.

Jecklin 578-2 11 Kuhlau, F. Concertino in F minor, op 45 (1821). Ib Lazky-Otto, hn; Frøydis Ree Wekre, hn; Odense SO/Othmar Maga.

Unicorn-Kanchana DKPCD 9110 23 Boccherini, L. Sonata in C. Josep Bassal, vc; Wolfgang Lehner, vc.

Naxos 8.557795 14 Biber, H. Sonata XII. David Hendry, tpt; Robert Vanryne, tpt; members of Musica Antiqua Cologne/Reinhard Goebel.

Archiv 457 611-2 5 Telemann, G. Oboe concerto in A. Anthony Robson, ob d’amore; James Eastaway, ob d’amore; Collegium Musicum 90/Simon Standage.

Chandos CHAN 0661 10 Brahms, J. Variations on a theme by Haydn, op 56b (1873). Martha Argerich, pf; Alexandre Rabinovitch, pf.

Teldec 4509-92257-2 16 10:30 CONCERT HALL Prepared by Chris Blower Khachaturian, A. Dance suite (1933).

Armenian PO/Loris Tjeknavorian.

ASV DCA 964 23 Crusell, B. Clarinet concerto no 2 in F minor, op 5, Grand (1808). Thea King, cl; London SO/Alun Francis.

Helios CDH55203 25

44

13:00 PEACE! Prepared by Randolph Magri-Overend Wagner, R. The Messengers of Peace, from Rienzi (1838-40). Marianne Hellgren Staykov, sop; Lars Cleveman, ten; Royal Swedish Ch & O/Leif Segerstam.

Naxos 8.557714 11 Verdi, G. Pace, pace, mio Dio!, from La forza del destino (1862). Birgit Nilsson, sop; Royal Opera House O/Argeo Quadri.

Decca 467 912-2 6 Vaughan Williams, R. Dona nobis pacem (1936). Christina Pier, sop; Matthew Brook, bar; Bach Choir; Bournemouth SO/David Hill.

Naxos 8.572424 33 14:00 CONDUCTORS OLD AND NEW Jean-François Paillard Prepared by Denis Patterson Mozart, W. Cassation in G, K63 (1769).

LP Erato NUM 75184 21 Albinoni, T. Double concerto in C. Maurice André, tpt; Lionel André, tpt.

Erato 2292-45062-2 11 Fasch, J. Symphony in A. Erato 4509-98475-2 10 Gossec, F-J. Symphonie concertante in D. Lily Laskine, hp; Odette Le Dentu, hp.

Erato 0630-13705-2 12 Pachelbel, J. Partita no 6 in B flat.

Erato 4509-98475-2 11 Boïeldieu, A. Harp concerto in C (1801). Lily Laskine, hp.

Erato 2292-45084-2 21 Mozart, W. Serenade no 1 in D, K100 (1769).

LP Erato NUM 75184 21 Jean-François Paillard O/Jean-François Paillard (all above) 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Sue Jowell 19:00 THE NEW JAZZ STANDARD with Frank Presley

Strauss, R. Le bourgeois gentilhomme (1912). Australian CO/Christopher LyndonGee. Omega OCD 1011 35

20:00 SHOWCASING AUSTRALIAN ARTISTS Three by three Recorded for FINE MUSIC by George Hilgevoord

12:00 JAZZ, PURE AND SIMPLE with Maureen Meers

Haydn, J. Piano trio no 39 in G, Hob.XV:25, Gypsy (1790). 16

FOR A FULL DIGITAL SCHEDULE VISIT WWW.FINEMUSICFM.COM

Ravel, M. Piano trio in A minor (1914). 28 Schubert, F. Piano trio no 2 in E flat, D929 (1827). 41 Macquarie Trio (3 above) 21:30 DVORAK IN MINIATURE Prepared by Frank Morrison Dvorák, A. Overture: Carnival, op 92 (1891).

Ulster O/Vernon Handley.

Chandos CHAN 7123 10 Polonaise in A, op posth (1879). Raphael Wallfisch, vc; Linn Hendry, pf.

Chandos CHAN 6552 8 Two waltzes for string quartet: nos 1 and 4, op 54 (1880). The Lindsays.

ASV DCS 446 7 22:00 DIFFERING PATHS OF THE 20TH CENTURY Prepared by James Nightingale Kats-Chernin, E. Stairs (1983). Sydney SO/ Hiroyuki Iwaki.

Vox Australis VAST006-2 6 Edwards, R. Maninyas, Violin concerto (1988). Dene Olding, vn; Sydney SO/Stuart Challender.

ABC 438 610-2 25 Bryars, G. String quartet no 1, Between the National and the Bristol (1985). Balanescu Quartet.

Argo 448 175-2 22 Ruders, P. Thus saw John (1983-84). Danish National RSO/Leif Segerstam.

Chandos CHAN 9179 13 Whitehead, G. Manutaki (1986). Australia Ensemble.

Tall Poppies TP002 11 Denisov, E. Saxophone concerto (1986).

Claude Delangle, sax; BBC Welsh NO/ Tadaaki Otaka.

BIS BIS-CD 665 34

Friday 31 MARCH 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Janine Burrus 9:00 DIVERSIONS IN FINE MUSIC Strings plus one Prepared by Chris Blower Wirén, D. Serenade in G for string orchestra, op 11 (1937). Gothenburg RSO/Sixten Eckerberg.

Caprice CAP 21761 14 Shostakovich, D. Prelude and scherzo for eight strings, op 11 (1925). Dornbusch Quartet; Buchberger Quartet.

LP Schwann VMS 1046 10 Rutter, J. Suite for strings (1973). Royal Ballet Sinfonia/David Lloyd-Jones.

Naxos 8.554186 12 Coleridge-Taylor, S. Clarinet quintet in F sharp minor, op 10 (1895). Members of Nash Ensemble.

Hyperion CDA67590 30

La Barre, M. de Suite in G, L’Inconnuë.

Rachel Brown, fl; Mark Caudle, bass viol; James Johnstone, hpd.

Chandos CHAN 0544 8

Donizetti, Giuseppe. Sonata for two clarinets (1821). Dieter Klöcker, cl; Waldemar Wandel, cl.

LP Telefunken 6.42416 13

Forqueray, A. Excerpts from Suite no 2 in G (pub. 1747; transcr. J-B-A Forqueray). Mario Raskin, hpd.

Pierre Verany PV794051 13

Donizetti, G. Mad scene, from Lucia di Lammermoor (1835). Joan Sutherland, sop; Rinaldo Pelizzoni, ten; Robert Merrill, bar; Cesare Siepi, bass; Santa Cecilia Academy Ch & O/John Pritchard.

Decca 475 7981 16

Charpentier, M-A. Ballet music from La descente d’Orphée aux enfers (c1686). Les Arts Florissants/William Christie.

Erato 3984-26129-2 5 Ballard, R. Trois ballets des princes (arr.

Bataille). Lutz Kirchhof, lute.

Sony SK 48250 3 Lully, J-B. Excerpts from L’Amour médecin, comédie-ballet (1665). Isabelle Poulenard, sop; Agnès Mellon, sop; Bernard Delétré, bass; Les Musiciens du Louvre/Marc Minkowski.

Erato 245 286-2 11 14:30 HYMN OF PRAISE Prepared by Denis Patterson

Schumann, C. Three romances, op 22 (1853). Joseph Silverstein, vn; Veronica Jochum, pf.

Pro Arte CDD 395 9 Schumann, R. Concert piece in F, op 86 (1849). Peter Damm, hn; Klaus Pietzonka, hn; Dieter Pansa, hn; Johannes Friemel, hn; Staatskkapelle Dresden/Siegfried Kurz.

Berlin Classics 0012882BC 19 22:00 BAROQUE AND BEFORE The fruits of prohibition Prepared by Paul Roper

Bizet, G. Patrie: Overture, op 19. Mexico PO/ Enrique Bátiz.

Brilliant Classics 94404 14

Biber, H. Sonata in C minor, The agony in the garden (c1674). Riccardo Minasi, vn; Rodney Prada, bass viol; Gabriele Palomba, theorbo; Davidde Pozzi, org.

Arts 447 735-8 8

Beethoven, L. Overture to Leonore, no 3 (1805-06). Tasmanian SO/Sebastian LangLessing.

ABC 476 773-6 14

Mendelssohn, F. Symphony no 2 in B flat, op 52, Hymn of praise (1840). Sara Macliver, sop; Elena Xanthoudakis, sop; Jaewoo Kim, ten; Tasmanian SO Ch; Sydney Philharmonia Chamber Singers; Tasmanian SO/Sebastian Lang-Lessing.

ABC 476 3623 1:07

Carissimi, G. Oratorio: Judicium Salomonis.

Susan Hemington Jones, sop; Tessa Bonner, sop; John Mark Ainsley, ten; Alan Ewing, bass; Helen Orsler, vn; Roy Mowatt, vn; Paula Chateauneuf, theorbo; Bernard Robertson, org; Paul McCreesh, cond.

Meridian CDE 84132 11

Wagenseil, G. Cello concerto in C. Györgyi Körösi, vc; Salieri CO/Tamás Pál.

Arkadia CDAK 130.1 24

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Brendan Walsh

Tchaikovsky, P. Symphony no 3 in D, op 29, Polish (1875). Concertgebouw O/Bernard Haitink.

Decca 478 5867 44

19:00 FRIDAY JAZZ SESSION with Sally Cameron

Jommelli, N. Overture: Dove son? dove corro?... Giacché mi tremi in seno, from La passione di Gesù Cristo (1749). Jeffrey Francis, ten; Berlin Baroque Academy/ Alessandro de Marchi.

K617 K617063 14

Gounod, C. String quartet in A minor.

Tonhalle Quartet.

LP Schwann VMS 1016 14 10:30 CONCERT HALL Prepared by Elaine Siversen

12:00 A JAZZ HOUR with Barry O’Sullivan

20:00 THE ROMANTIC CENTURY Prepared by Chris Blower

13:00 THE KING DANCES Music for King Louis IV Prepared by Derek Parker

Hartmann, J.P.E. Praeludium (1844). Daniele Ruggieri, fl; Andrea Toschi, org.

Brilliant Classics 95011 4

Lully, J-B. Ballet des plaisirs (1655). Aradia Baroque Ensemble/Kevin Mallon.

Naxos 8.554003 13

Gade, N. Symphony no 4 in B flat, op 20 (1849-50). Danish National RSO/Christopher Hogwood.

Chandos CHAN 9609 22

Excerpts from Persée (1682). Cyril Auvity, ct; Bruno Rostand, bass; Les Talens Lyriques/ Christophe Rousset.

Ambroisie AM 167 18 Visée, R. de Les sylvains de Couperin.

Hopkinson Smith, theorbo.

LP Astrée AS 38 7

Mendelssohn, Fanny. Piano sonata in G minor (1843). Heather Schmidt, pf.

Naxos 8.570825 18 Mendelssohn, F. String symphony no 3 in E minor (1821). London FO/Ross Pople.

Hyperion CDS44081/3 8

Conti, B. Preludio: Quanto mirabil si dilata ... Quanto mirabile, signore, o quanto, from David (1724). Marijana Mijanovic, cont; Jakob Lindberg, theorbo; Il Complesso Barocco/ Alan Curtis.

Virgin 0946 3 78877 2 14 Handel, G. Organ concerto no 11 in G minor, op 7 no 5 (1750-61). O of the Age of Enlightenment/Bob van Asperen, org & dir.

Virgin VCD 5 45236-2 12 Scarlatti, A. Humanità e Lucifero, oratorio in two parts (1706). Rossana Bertini, sop; Massimo Crispi, ten; Europa Galante/Fabio Biondi.

Opus 111 OPS 30-129 45 March 2017

fineMusic 102.5

45

The following composers have works of at least five minutes on the MARCH dates listed Abel, C. 1723-1787 26,29 Adams, J. b1947 18 Adeney, T. 20th c 12 Agrell, J. 1701-1765 22 Aho, K. b1949 28 Albinoni, T. 1671-1751 1,30 Alwyn, W. 1905-1985 23 Arensky, A. 1861-1906 21,23 Arnold, M. 1921-2006 6 Arriaga, J. 1806-1826 6 Bacewicz, G. 1909-1969 9 Bach, C.P.E. 1714-1788 5,12,18,22,25 Bach, J. Christian 1735-1782 12,24 Bach, J.S. 1685-1750 4,6,10,11,16,19,25 Bairstow, E. 1874-1946 26 Balada, L. b1933 22 Balakirev, M. 1837-1910 24 Bantock, G. 1868-1946 17 Barber, S. 1910-1981 5,20,24 Bart, L. b1930 11 Bartók, B. 1881-1945 2,3,9,16 Bax, A. 1883-1953 6,10,14,24,28 Beach, A. 1867-1944 24 Beethoven, L. 1770-1827 5,9, 10,14,17,18,21,23,26,27,31 Bellini, V. 1801-1835 13 Benda, F. 1709-1786 8 Berlioz, H. 1803-1869 7,12,27,28 Bernstein, L. 1918-1990 2,11,23,26,27 Berwald, F. 1796-1868 24 Biber, H. 1644-1704 30,31 Bizet, G. 1838-1875 9,31 Blankenburg, Q. 1654-1739 28 Blavet, M. 1700-1768 22 Blodek, V. 1834-1874 11 Boccherini, L. 1743-1805 4,5,6,19,22,30 Böhm, T. 1794-1881 29 Boïeldieu, A. 1775-1834 30 Bononcini, G. 1670-1747 1 Bonporti, F. 1672-1749 1 Borodin, A. 1833-1887 11,12 Bottesini, G. 1821-1889 2,19 Boyce, W. 1711-1779 29 Boyd, A. b1946 10,16,25 Bozza, E. 1905-1991 6 Brahms, J. 1833-1897 3,4,5,11,13,14,15,17,18,27,30 Brian, H. 1876-1972 19 Britten, B. 1913-1976 18,23 Brixi, F. 1732-1771 8 Brotons, S. b1959 2 Bruch, M. 1838-1920 6,8,25 Bruckner, A. 1824-1896 17,26 Brumby, C. b1933 21 Bruneau, A. 1857-1934 2 Bryars, G. b1943 30 Buxtehude, D. 1637-1707 4 Byrd, W. 1543-1623 26 Campra, A. 1660-1744 13 Capponi, R. c1608-1688 10

Carissimi, G. 1605-1674 31 Carter, E. b1908 23 Castelnuovo-Tedesco, M. 1895-1968 10,20,29 Chabrier, E. 1841-1894 11 Chadwick, G. 1854-1931 22 Charpentier, M-A. 1635-1704 31 Chausson, E. 1855-1899 24 Chopin, F. 1810-1849 2,3,5,7,9,14,24,26,28 Cimarosa, D. 1749-1801 26 Clérambault, L-N. 1676-1749 15 Coleridge-Taylor, S. 18751912 31 Conti, B. b 1942 31 Copland, A. 1900-1990 3,13,14,17,29 Corelli, A. 1653-1713 3,6,13 Corigliano, J. b1938 23 Coste, N. 1806-1883 23 Couperin, F. 1668-1733 4 Cramer, J. 1771-1858 29 Crusell, B. 1775-1838 7,17,30 Cuddeford, J. 21st c 5 Czerny, C. 1791-1857 20 d’Indy, V. 1851-1931 16 Dall’Abaco, E. 1675-1742 1 Danzi, F. 1763-1826 25 Dean, B. b1961 28 Debussy, C. 1862-1918 11,12,16,17,23,24 Delius, F. 1862-1934 11,16 Denisov, E. 1929-1996 30 Distler, H. 1908-1942 23 Dittersdorf, C. 1739-1799 12,19 Dohnányi, E. 1877-1960 4 Donizetti, G. 1797-1848 5,31 Donizetti, Giuseppe. 17881856 31 Doppler, F. 1821-1883 7,16 Dorman, A. b1975 26 Durante, F. 1684-1755 3 Duruflé, M. 1902-1986 5 Dussek, J. 1760-1812 7 Duvernoy, F. 1765-1838 4 Dvorák, A. 1841-1904 3,9,10,12,16,17,30 Eccard, J. 1553-1611 5 Edwards, R. b1943 21,30 Elgar, E. 1857-1934 3 Erlebach, P. fl 1690-1700 13 Falla, M. de 1876-1946 9,22,23,27 Fasch, J. 1688-1758 30 Fauré, G. 1845-1924 4,9,20 Fibich, Z. 1850-1900 25 Field, J. 1782-1837 19,20 Finsterer, M. b1962 5 Fiorino, G. fl 1571-4 17 Flecha, M. [El Viejo] 14811553 24 Foote, A. 1853-1937 22 Forqueray, A. c1672-1745 31 Forqueray, J-B-A. 1699-1782 15 Foster, G. b1945 27

Franck, C. 1822-1890 7,17 Frank, G. b1972 12 Fuchs, R. 1847-1927 3,9 Gade, N. 1817-1890 4,15,31 Gál, H. 1890-1987 16 Galilei, M. 1575-1631 17 Galuppi, B. 1706-1785 17 Gasparini, F. 1661-1727 9 Gassmann, F. 1729-1774 8 Geminiani, F. 1687-1762 26 Gershwin, G. 1898-1937 15,17 Gesualdo, C. c1561-1613 3 Glass, P. b1937 2,23 Glazunov, A. 1865-1936 19 Glière, R. 1975-1976 19,21 Glinka, M. 1804-1857 19,24 Gluck, C. 1714-1787 12,19 Godowsky, L. 1870-1938 13 Gossec, F-J. 1734-1829 30 Gould, M. 1913-1996 18 Gounod, C. 1818-1893 9,23,24,31 Grainger, P. 1882-1961 3,17,21 Granados, E. 1867-1916 21,22 Graupner, C. 1683-1760 25 Grieg, E. 1843-1907 4,19,26 Grigorjeva, G. b1962 12 Guerrero, F. 1528-1599 24 Hahn, R. 1875-1947 28 Halffter, E. 1905-1989 14 Halvorsen, J. 1864-1935 4,8 Handel, G. 1685-1759 5,9,10,12,13,17,25,31 Hartman, J. 1805-1900 18 Haydn, J. 1732-1809 5,6,7,9,10,12,16,18,19,26,30 Haydn, M. 1737-1806 5,17 Heinichen, J. 1683-1729 25 Hellendaal, P. 1721-1799 22,28 Herbert, V. 1859-1924 22 Hérold, F. 1791-1833 25 Hindemith, P. 1895-1963 7,16 Hoffmeister, F. 1754-1812 3,9,18 Holloway, R. b1943 25 Holst, G. 1874-1934 5,8,28 Honegger, A. 1892-1955 8 Hovhaness, A. 1911-2000 11 Howells, H. 1892-1983 10 Hummel, J. 1778-1837 6,18 Huygens, C. 1596-1687 28 Hyde, M. 1913-2005 7 Ireland, J. 1879-1962 19 Janácek, L. 1854-1928 2,15,16,23,28 Joachim, J. 1831-1907 13 Jolivet, A. 1905-1974 8 Jommelli, N. 1714-1774 31 Kabalevsky, D. 1904-1987 2,16 Kats-Chernin, E. b1957 2,9,17,21,30 Kern, J. 1885-1945 25 Ketèlbey, A. 1875-1959 11 Khachaturian, A. 1903-1978 7,25,30

Key Music duration is shown after the record and citation SO: Symphony Orchestra PO: Philharmonic Orchestra NO: National Orchestra RO: Radio Orchestra FO: Festival Orchestra CO: Chamber Orchestra TO: Theatre Orchestra RSO: Radio Symphony

Orchestra RTO: Radio & Television Orchestra Prom O: Promenade Orchestra Ch & O: Chorus & Orchestra NSO: National Symphony Orchestra alto: male alto ban: bandoneon

TRIVIA ANSWERS:

bar: baritone bshn: basset horn bass: bass bn: bassoon bass-bar: bass-baritone cl: clarinet clvd: clavichord cont: contralto cora: cor anglais ct: counter-tenor db: double bass

Kodály, Z. 1882-1967 3,11,25 Koehne, G. b1956 21 Koetsier, J. b1911 21 Korngold, E. 1897-1957 4 Kraus, J.M. 1756-1792 8,22,26 Kuhlau, F. 1786-1832 6,30 Kullak, T. 1818-1882 6 La Barre, M. de c1675-c1743 31 Lang, D. b1957 12 Larsson, L-E. 1908-1986 7,23 Leclair, J-M. 1697-1764 15 Lehár, F. 1870-1948 7 Lentz, J. c1720-1782 28 Leo, L. 1694-1744 3 Leoncavallo, R. 1858-1919 9 Lhoyer, A. de 1768-1852 2 Liszt, F. 1811-1886 5,9,11,12,1 3,15,20,23,24,27,28 Lobo, A. c1555-1617 10 Loewe, C. 1796-1869 6 Luigini, A. 1850-1906 20 Lully, J-B. 1632-1687 26,31 Lyadov, A. 1855-1914 20 MacDowell, E. 1860-1908 14,22 Mahler, G. 1860-1911 7,23,26 Mahon, J. c1749-1834 29 Mainerio, G. c1535-1582 17 Mancini, F. 1672-1737 1 Marcello, A. 1684-1750 1,17 Martin, F. 1890-1974 14 Martinu, B. 1890-1959 29 Mascagni, P. 1863-1945 12 Maxwell Davies, P. b1934 11,19,25 Mayer, E. 1812-1883 21 Mayer, J. b1930 10 McLean, M. b1952 2 McTee, C. b1953 26 Méhul, É-N. 1763-1817 15 Mendelssohn, F. 1809-1847 1, 3,10,11,13,19,21,24,26,28,31 Mendelssohn, Fanny. 18051847 31 Merrill, B. b1921 25 Messiaen, O. 1908-1992 9 Meyer, Edgar. b1960 20 Meyerbeer, G. 1791-1864 13 Milhaud, D. 1892-1974 8,23,24 Mondonville, J-J. de 1711-1772 15 Moniuszko, S. 1819-1872 20 Monteverdi, C. 1567-1643 10 Moscheles, I. 1794-1870 11,16 Mozart, L. 1719-1787 26 Mozart, W. 1756-1791 2,4,9,10,12,14,16,18,24,29,30 Muczynski, R. b1929 6 Murcia, S. de c1682-1740 24 Mussorgsky, M. 1839-1881 7,25 Nielsen, C. 1865-1931 4 Novák, V. 1870-1949 3 Offenbach, J. 1819-1880 2,11,16,27 Pachelbel, J. 1653-1706 30

dbn: double bassoon elec: electronic eng horn: English horn fl: flute fp: fortepiano gui: guitar hn: French horn hp: harp hpd: harpsichord mand: mandolin mar: marimba

Paganini, N. 1782-1840 23,24 Palschau, J. 1741-1815 22 Pankhurst, L. b1981 25 Panvino, C. b1972 5 Parry, H. 1848-1918 4 Pärt, A. b1935 19 Pergolesi, G. 1710-1736 3 Pichl, V. 1741-1805 4 Pierné, G. 1863-1937 11,28 Pixis, J. 1788-1874 2 Pleyel, I. 1757-1831 21 Ponchielli, A. 1834-1886 26,30 Popper, D. 1843-1913 9 Poulenc, F. 1899-1963 8,11,24 Pratt, D. b c1958 9 Prokofiev, S. 1891-1953 19,25,26 Provenzale, F. c1626-1704 3 Purcell, H. 1659-1695 4,10 Rachmaninov, S. 1873-1943 14,19,28,29 Rameau, J-P. 1683-1764 10,15,27 Ravel, M. 1875-1937 5,8,14,23,24,30 Reincken, J. 1623-1722 28 Reinecke, C. 1824-1910 28 Respighi, O. 1879-1936 9,22,24 Revueltas, S. 1899-1940 21 Richter, F. 1709-1789 22 Ries, F. 1784-1838 4,5 Rimsky-Korsakov, N. 1844-1908 5 Röntgen, J. 1855-1932 21 Rossini, G. 1792-1868 1,3,4,5,8,15,19,22,27,29 Roussel, A. 1869-1937 3 Rubinstein, A. 1829-1894 13 Ruders, P. b1949 30 Rutter, J. b1945 31 Saint-Saëns, C. 1835-1921 14,18,19,27 Salieri, A. 1750-1825 5,23 Salzedo, C. 1885-1961 21 Sanfilippo, B. b1965 19 Sarasate, P. de 1844-1908 22 Saxton, R. b1953 13 Scarlatti, A. 1659-1725 3,31 Scarlatti, D. 1685-1757 24 Scheibe, J. 1708-1776 22 Schenck, J. 1660-1712 28 Schmidt, H. b1929 12 Schubert, F. 1797-1828 2,6,7,10,12,16,17,25,30 Schuller, G. b1925 2 Schultz, A. b1960 5 Schumann, C. 1819-1896 31 Schumann, R. 1810-1856 2,4,10,13,16,20,24,27,28,31 Sculthorpe, P. b1929 3,7,21,25 Seiber, M. 1905-1960 2 Shostakovich, D. 1906-1975 4,7,9,10,12,14,16,31 Sibelius, J. 1865-1957 1,6,25,26 Sinding, C. 1856-1941 8,19,26

Smalley, R. b1943 5 Smetana, B. 1824-1884 5,7,25 Spohr, L. 1784-1859 20,21 Stamitz, J. 1717-1757 12 Stanford, C. Villiers 1852-1924 8,19,20 Steiner, M. 1888-1971 25 Stenhammar, W. 1871-1927 9,18 Stockhausen, K. b1928 2 Strauss, J. II 1825-1899 7,17 Strauss, R. 1864-1949 11,17,21,26,30 Stravinsky, I. 1882-1971 9,11,14,18,20,21,26 Strouse, C. b 1928 11 Styne, J. 1905-1994 11 Suppé, F. 1819-1895 20 Svendsen, J. 1840-1911 4 Tallis, J. b1971 13 Taneyev, S. 1856-1915 8 Tausig, C. 1841-1871 15 Tchaikovsky, P. 1840-1893 2,4,8,12,14,17,22,26,27,31 Telemann, G. 1681-1767 2,22,25,30 Thomas, Augusta. b1964 26 Tommasini, V. 1878-1950 1,27 Tournier, M. 1879-1951 21 Tubin, E. 1905-1982 26 Tuma, F. 1704-1774 8 Valentini, Giuseppe. 15831649 13 Vanhal, J. 1739-1813 5,7 Vaughan Williams, R. 18721958 3,6,9,16,25,30 Verdi, G. 1813-1901 9,15,30 Viadana, L. c1560-1627 17 Victoria, T. de 1548-1611 24 Villa-Lobos, H. 1887-1959 5,6,23,28 Viotti, G. 1755-1824 26 Visée, R. de c1660-c1720 31 Vivaldi, A. 1678-1741 1,5,6,26,28 Vogel, J. 1756-1788 19 Vogler, G. 1749-1814 4 Wagenseil, G. 1715-1777 31 Wagner, R. 1813-1883 23,26,27,30 Walden, S. b1932 5 Wallace, W. 1860-1940 28 Walton, W. 1902-1983 7 Warlock, P. 1894-1930 16 Wassenaer, U. 1692-1766 28 Weber, C.M. 1786-1826 2,11,12 Wesley, S. 1766-1837 29 Wesley, S.S. 1810-1876 26 Westlake, N. b1958 7 Whitehead, G. b1941 30 Willaert, A. c1490-1562 3 Williams, J. b1932 4 Wirén, D. 1905-1986 31 Xenakis, I. 1922-2001 9 Zach, J. 1699-1773 8 Zadro, M. 20th c 5 Zelenka, J. 1679-1745 12

mezz: mezzo-soprano narr: narrator ob: oboe org: organ perc: percussion pf: piano picc: piccolo rec: recorder sax: saxophone sop: soprano tb: trombone

ANSWERS: 1. Pirates of Penzance. 2. New York. 3. Leopold Mozart. 4. Conductor. 5. Sir William Walton. 6. A steam organ. 7. New Orleans. 8. Giannni Schicchi.

46

March 2017

fineMusic 102.5

ten: tenor timp: timpani tpt: trumpet treb: treble voice va: viola vc: cello vle: violone vn: violin

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Cardholder name: Signature: You can become a subscriber and make your donation: · online at www.finemusicfm.com · by emailing us at sponsorship@finemusicfm.com · by phoning us on (02) 9439 4777 between 9am and 6pm, 7 days a week. · By posting this form to Friends of Fine Music 102.5: 72–76 Chandos Street, St Leonards NSW 2065 Fine Music 102.5 is the trading name of the Music Broadcasting Society of NSW Co-operative Ltd, a charitable institution entitled to receive income tax deductible donations. ABN 64 379 540 010.

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Fine music patrons Honorary Patron Prof Dame Marie Bashir AD CVO

Artistic Patron Elena Kats-Chernin, Richard Tognetti, Simon Tedeschi

Titanium Patron $50,000 and above Mr Max Benyon OAM, Mr Roger Doyle, Anonymous 1

Platinum Patron $25,000 - $49,999 Anonymous 1

Diamond Patron $10,000 - $24,999 Family Frank Foundation

Ruby Patron $5,000 - $9,999 Harry & Marion Dixon Foundation, Mr Robin Gandevia, Prof Clive Kessler, Mrs Patricia McAlary, Mr Ron Walledge, Mr Cameron Williams

Emerald Patron $2,500 - $4,999

Mr Michael Ahrens, Ms Janine Burrus, The Berg Family Foundation, Dr Janice Hirshorn, Mr D & Mrs R Keech, Mr Anthony C Strachan, Anonymous 1

Gold Patron $1000 - $2,499

Mr Robert O Albert, Mr David Brett, Mrs Halina Brett, Mr Lloyd & Mrs Mary Jo Capps, Mrs Dorothy Curtis, Hon Mr Justice David Davies SC, The Holden Family Foundation, Prof Michael & Mrs Gabrielle Field AM, Mrs Freda Hugenberger, Dr Peter Ingle, Ms Sue Jowell, Mr D K Joyner, Ms Phlyssa Koshland, Mr Ian & Mrs Pam McGaw, Ms Jeannie McInnes, Mr John Mitchell, Dr Andrew Mitterdorfer, Mr Geoffery & Mrs Jean E Murphy, Ms Nola Nettheim, Mr John Selby, Mrs Joyce Sproat, Mr Edward J Wailes, Mr P M Weate, Mr Stephen Wilson, Dr Louise Wong, Sydney Piano World, Anonymous 6

Silver Patron $500 - $999

Dr H Bashir, Mrs Jan Bowen, Rev’d Jane S Chapman, The Radio Community Chest Inc, Mr Robert E S Clark, Mrs Di Cox, Prof C E Deer, Mrs Elizabeth Donati, Mrs Barbara Edmonds, Mrs Margaret Epps, The Hon. Elizabeth L Fullerton SC, Mrs Anna E Gillespie, Mrs Mirrella Hainsworth, Dr Peter Lindberg, Mr Ian K Lloyd, Mr M F Madigan, Dr Bernard Maybloom, Mrs Judith McKernan, Ms Maureen Meers, Mr J S Milford, Mr Michael Morton-Evans OAM, Ms Susan Ping Kee, Mrs Angela M Raymond, Ms Alice Roberts, Mr Jude Rushbrooke, Mr Gregory L Sachs, Mr Ray Travers, Mr Luka Van der Wall, Ms Hannah Van der Wall, Mr A G Whealy QC, Mr Richard Wilkins, Assoc Prof Gerard Willems AM, Mr Alastair Wilson, Mrs Robin Yabsley, Anonymous 8

Bronze Patron $250 - $499 Mr David W Allen, Ms Lily Bao, Ms Fiona Barbouttis, Prof Peter Bayliss, Ms Baiba Berzins, Mr Claus Blunck, Mrs Betty Briggs, Mrs A Buchner, Mr G K Burton SC, Mr David Clark, Mr Dom Cottam, Prof & Mrs S J Dain, Mr William G Fleming, Mr Yoram & Mrs Sandra Gross, Ms Martha A Hanna, Mr Geoffrey Hogbin, Mrs Meila Hutchinson, Mr Paul Jackson, Mr Thomas Jones, Ms Cynthia Kaye, Mr Gerhard Koller, Dr Peter Krinks, Mr C Lister, Dr Jim Masselos, Mr Philip Maxwell, Mr Herbert W Menka, Mrs Jean E Murphy, Mr John Nowlan, Assoc Prof Robert Osborn, Mr Michael Peck, Mr Mike Price, Mr Ian Smith, Mrs Ruth A Staples, Mr John Stevenson, Mrs Valerie Stoney, Dr J C Tidmarsh, Ms Kathryn Tiffen, Mr Dmitri Tsahuridis, Mrs June Walpole, Dr Barry Webby, Mrs Lynnette Windsor, Anonymous 8

Fine Music Guardians Those who have left significant bequests to Fine Music 102.5 to support our goal of enriching Sydney’s love of music.

1988 - Paul Parson; 1997 - Mary Patricia Bell; 2002 - Margaret Jackson Greenaway; 2007 - Thomas Lake; 2008 - Michael Patrick Sheehan; 2010 - Colin Enderby; 2010 - Keith John Cosack; 2010 - Norma Walledge; 2010 - Myra Christina Polson; 2010 - Stefan Kruger; 2011 - Charles Herbert Stokes; 2011 - John Albert Wright; 2012 - Leslie Kovacs; 2013 - Ronald Tinslay; 2013 - Jean Priscilla Deck; 2013 - David Henry James Our Friends for Life and Gold and Silver Friends are recognised on our website: finemusicfm.com 48

March 2017

fineMusic 102.5

arts on screen YO U R V I P T I C K E T S T O T H E W O R L D ’ S B E S T.

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A stunning series of big screen events in Sydney’s most elegant cinemas. Great stage performances captured live

JOIN OUR EMAIL CLUB FOR SPECIAL OFFERS! ORPHEUM.COM.AU The Hayden Orpheum is delighted to announce the 2016/17 season of The New York Metropolitan Opera. Featuring 4 new productions, 2 productions captured live in high definition for the very first time, a New York Met premiere and the finest performers to be heard at Lincoln Centre, the greatest opera company in the world presents a new season that is not to be missed.

ROMÉO ET JULIETTE (Gounod)

IDOMENEO (Mozart)

Vittorio Grigola and Diana Damrau reunite in this new production.

March 18/19/23

Matthew Polenzani with Elza van den Heever.

June 17/18/22

RUSALKA (Dvorak)

EUGENE ONEGIN (Tchaikovsky) Anna Netrebko with Dmitri Hvorostovsky.

July 15/16/20

LA TRAVIATA (Verdi) Sonya Voncheva with Michael Fabiano.

May 20/21/25

DER ROSENKAVALIER (R.Strauss)

Kristine Opolais and Brandon Jovanovich. New production.

April 22/23/27

RENEE FLEMING: DER ROSENKAVALIER

Renee Fleming with Elina Garanca.

August 5/6/10

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