Live from The Joan Full program inside
MAGAZINE JULY 2016
David Robertson & SSO
Your guide to what’s on
Sydney’s piano competition
Reviews of CD releases
A showcase of Stravinsky
Meet our Aussie contenders
Sydney and surrounds
Classical, jazz and more
COMING UP
Take a break from winter with your Sydney Symphony Orchestra.
WINTER NIGHT escapes WINTER NIGHT ESCAPES
ROMANTIC FANTASIES
Tchaikovsky’s Violin Concerto Enter the world of the Romantic imagination with Tchaikovsky’s beloved Violin Concerto and the spectacular Symphonie fantastique by Berlioz. APT MASTER SERIES
Mahler’s Fourth Symphony begins with bells and unashamed lyricism, and by the end it has transported us to heaven – ‘hung with violins’! And experience Ross Edwards’ latest concerto, featuring saxophonist Amy Dickson and percussionist Colin Currie. EMIRATES METRO SERIES
FRI 8 JUL | 8PM SAT 9 JUL | 2PM MON 11 JUL | 7PM
A BMW SEASON HIGHLIGHT
MON 4 JUL | 7PM
SHOSTAKOVICH Festive Overture TCHAIKOVSKY Violin Concerto BERLIOZ Symphonie fantastique
(PICTURED)
Sounds of Heaven
THU 7 JUL | 1.30PM
WED 29 JUN | 8PM FRI 1 JUL | 8PM SAT 2 JUL | 8PM
Shiyeon Sung conductor Vadim Gluzman violin
MAHLER 4
EDWARDS Frog and Star Cycle PREMIERE MAHLER Symphony No.4 Lothar Koenigs conductor Sylvia Schwartz soprano Amy Dickson saxophone
FROM PARIS TO PRAGUE Mozart on the Move
This is Mozart at his very best: two musical masterpieces from a genius with places to go!
THU 14 JUL | 7PM City Recital Hall
FRI 15 JUL | 11AM Sydney Opera House complimentary morning tea from 10am
MOZART Piano Concerto No.9 in E flat, K271 (Jeunehomme) MOZART Symphony No.38 (Prague) Lars Vogt piano-director
(PICTURED)
Colin Currie percussion
BOOK NOW TICKETS FROM $39* CALL 8215 4600
NO FEES WHEN YOU BOOK THESE CONCERTS ONLINE AT
MON-FRI 9AM-5PM ALL CONCERTS AT THE SYDNEY OPERA HOUSE UNLESS OTHERWISE STATED * Selected performances. Prices correct at time of publication and subject to change. Booking fees of $5-$8.95 may apply depending on method of booking.
TICKETS ALSO AVAILABLE AT:
SYDNEYOPERAHOUSE.COM | 9250 7777 Mon–Sat 9am–8.30pm | Sun 10am–6pm CITYRECITALHALL.COM | 8256 2222 Mon–Fri 9am–5pm
CONTENTS
EDITOR’S DESK
VOL 43 No 7
There’s much happening around town in the shape and form of fine music and we’re pleased to bring you some of the highlights in this issue of Fine Music magazine. For your guide to ‘what’s on’ in Sydney and surrounds, turn to page 12. For those of you heading to sunny North Queensland for the Australian Festival of Chamber Music, half your luck! Fortunately for the rest of us, there is plenty to do and see. Not least of which is Fine Music’s biggest live broadcast of the year – a three-hour feast of fine music from the The Joan Sutherland Performing Arts Centre in Penrith. Live from The Joan, is the follow up to Fine Music’s new and ambitious live broadcast which took place at Sydney’s Town Hall last year. A free concert, Live from The Joan, invites all Sydneysiders to attend The Joan on Sunday 31 July. For your official program of events, take out the four-page section that is placed in the centrespread of this issue of Fine Music magazine. To book your place at Live from The Joan, please call their box office on (02) 4723 7600; or email boxoffice@jspac.com.au; of visit www.thejoan.com.au. In this issue we also feature a fantastic series of performances taking place next month. Chief Conductor of the Sydney Symphony Orchestra (SSO), David Robertson has selected to perform three Stravinsky ballets, each partnered with an even more contemporary work. The first of the concerts pairs The Rite of Spring with The Desert Music, the latter by composer Steve Reich. Fine Music magazine recently spoke with both men about this unique series and you can read Nicky Gluch’s piece based on her conversations with Robertson and Reich on the next page. We also catch up with Australian composer Margaret Brandman; Fine Music’s own jazz legend John Buchanan; and the three Australian musicians who have been selected in the final 32 competitors for the Sydney International Piano Competition of Australia. Make sure you follow their progress this month as the competition reaches its peak on July 23 – Go Aussies!
2 COVER STORY
The SSO’s Stravinsky Extravaganza
4 From the Chair… with Janine Burrus 5 Sydney International Piano Competition 7 Sensational year for Margaret Brandman 9 Fine Music’s John Buchanan honoured 11 Young Virtuosi 12 What’s On – Sydney and surrounds 14 CD Reviews 16 Jazz CD Reviews 17 Swinging on the Vine 19 July Program Highlights 48 Crossword and Trivia Quiz
Digital Channel Fine Mus - page 18
40 YEARS 1974 - 2014
Paula Wallace - Editor
Registered Offices & Studios: 72-76 Chandos Street, St Leonards 2065 Tel: 02 9439 4777 Fax: 02 9439 4064 Email: admin@finemusicfm.com Web: finemusicfm.com Facebook, Twitter and YouTube: finemusicfm Frequency: 102.5 Transmitter: Governor Philip Tower, Circular Quay. ABN 64 379 540 010 Art Direction: Design Campaign - liza@designcampaign.com.au Printing: Megacolour, Unit 6, 1 Hordern Place. Camperdown, NSW, 2050 Distribution coordinator: Sissy Stewart Advertising Enquiries: sponsorship@finemusicfm.com Editor: Paula Wallace Sub editor: Norm Chosid Contributors: Michael Morton-Evans, Gwynn Roberts, Kevin Jones, Barry O’Sullivan, Patrick D Maguire, Tom Forrester-Paton, Frank Shostakovich, Michael Muir, Emyr Evans, Richard Gate, Kathy Bluff, Samuel Moore, Judy Deacon, Janine Burrus, Nicky Gluch. Subscribe to Fine Music Magazine: visit www.finemusicfm.com or email friends@finemusicfm.com The views expressed by contributors to this magazine do not necessarily reflect or represent the views of the publisher, Fine Music 102.5. Cover image: Chief Conductor of the Sydney Symphony Orchestra (SSO), David Robertson
LEARNING CENTRE
Help us make The Fine Music Learning Centre a reality
July 2016
fineMusic 102.5
1
DAVID ROBERTSON AND STEVE REICH
On the sso’s stravinsky extravaganza him to arrange some pieces by Chopin for the company. The collaboration was clearly a success as in 1910 he commissioned a full-length score from Stravinsky. This was to become the Firebird. Petrushka followed in 1911 and then the infamous The Rite in 1913.
David Robertson Concerts permit that which the laws of physics do not: bringing together, in the same room, people from disparate times and places. In August, Chief Conductor of the Sydney Symphony Orchestra (SSO), David Robertson has selected to perform three Stravinsky ballets, each partnered with an even more contemporary work. The first of the concerts pairs The Rite of Spring with The Desert Music and what interesting men this will bring together. With Igor Stravinsky comes Sergei Diaghilev, founder of the Ballet Russes, and Vaslav Nijinsky, original choreographer of The Rite. With Steve Reich, the composer of Desert Music, comes William Carlos Williams on whose poems the work is based. And of course, the tableau is only complete with Robertson himself. It is interesting to uncover how all these men came to be here. Sergei Diaghilev did with his purse what he could not with the pen (Nikolai Rimsky-Korsakov told him he had no talent for music). His love of music and the arts made him one of the most notable and influential art patrons of the 20th century. In 1909 he launched the Paris-based Ballet Russes. He had heard, and was impressed by, Stravinsky’s Fireworks and so asked 2
July 2016
fineMusic 102.5
Like Stravinsky, Vaslav Nijinsky was brought onto the scene by Diaghilev. An exquisitely talented ballet dancer, Nijinsky soon caught Derghiev’s eye. He joined the Ballet Russes and the two became lovers. In 1912, Nijinsky began choreographing for the company and so he was perfectly placed to create the riotous dances for The Rite. The notoriety that followed is the result of all three of these men. Steve Reich is here at Robertson’s invitation. As he told Fine Music magazine, he feels Stravinsky and Reich share a “use of pulse as the most important human element in music”. At first glance, however, it would appear that Stravinsky and William Carlos Williams have more in common. Born a year apart, they circulated in their own modernist and imagist/cubist circles. Just as Stravinsky
Steve Reich. Image: Jeffrey Herman
and Nijinsky sought to re-invent the worlds of music and dance, so Williams sought to reinvent poetry with his own jutting style. But this is not in fact why he’s here. No, he caught Reich’s eye for a far simpler reason: his name. The symmetry of William Carlos Williams appealed to the young Reich and so he set out to become acquainted with his poetry. The last 10 years of Williams’ life were the first 10 of Reich’s adulthood; the young man absorbed with thirst what the old man had the wisdom to write. In 1983, 20 years after Williams’ death, Reich completed his composition Desert Music based on fragments of Williams’ poetry. It is fitting that the piece is structured in a similar arch form to Williams’ name: ABCBA. Last, but not least, is Robertson himself. His great privilege as conductor is to select the pieces his audience will hear. He can introduce them to new works, familiarise them with the lesser known, or bring up nostalgia with old favourites. It is a privilege to be able to ask what motivates his choices.
Sign of the times Robertson had been a guest conductor of the SSO for a decade before assuming the role of Chief Conductor. In that time, he became known for embracing the avant-garde, performing concerts with multimedia and video projections, and for premiering some notable American works and he has returned the favour stating, “I have performed, I guess, five works of Brett Dean in St Louis… you could say I’m a charter member of the AustralianAmerican friendship society”. Asked how he came to be associated with music of the 20th and 21st century, he answers simply: “I think I’ve always been interested in the music of our time as well as the music of the past”.
chosen to generate incredible richness in the same way that the four chemicals of DNA can create such a wide variety of life”. In an interview with Jonathan Cott, Reich said of Desert Music that “if you want to write music that is repetitive in any literal sense, you have to work to keep a lightness and constant ambiguity with regard to where the stresses and where the beginnings and endings are… one has to be in relative stillness to hear things in detail”.
The Sydney Symphony Orchestra in performance This time crossing develops as a theme in his interview with Fine Music magazine. As Stravinsky composed his ballets he pushed further the boundaries of modernity. The tales they are based on, however, are steeped in antiquity. To Robertson, this connection is not paradoxical but logical. As he explains: “In the visual arts at the same time, artists were looking towards the primitive to try to find new ways of expressing visual language. Stravinsky ended up doing the same thing in music so that ‘primitive’ came to be seen as an avantgarde idea. “So it was to some extent a return to sources in a way that allowed the energy of the original sources to become clear.”
”
From this perspective, it would seem that
...it leaves language behind…
”
Stravinsky was drawing on the trends around him. Indeed, when asked whether he sees Stravinsky as a man of his times and or a timeless artiste, Robertson replies: “I think he was very much a man of his times and worked hard to remain so throughout his life. His collaborations with Sergei Diaghilev turned him into a timeless artiste and that’s a hard thing to live up to when you are in your twenties and you live until your eighties”. It is easily forgotten that Stravinsky was so young when he changed the face of music. 100 years later it is all just ‘in the past’. Few who were at the premiere would still be alive. Perhaps it is for this reason that Robertson wants to perform three of his ballets (Firebird, Petrushka and The Rite of Spring) in close proximity and alongside more modern works. Audiences need to be reminded just how much music changed in three years and the lasting influence that Stravinsky had. In Robertson’s words: “These three ballets were the product of an intense relationship with
Sergei Diaghilev and his artistic collaborators and they really opened up music in the 20th century in so many directions. “Having them in close proximity allows one to hear both where Stravinsky was coming from and where Stravinsky’s ballets allowed music to go.”
Music about ‘something’ Where music ‘went’ can be seen in the pieces by Karol Szymanowski and Peter Sculthorpe, performed with Firebird, and Elliot Gyger and Tan Dun, performed with Petrushka. Szymanowski was a contemporary of Stravinsky. His Violin Concerto No. 1 was written in 1916 and is seen as one of the first modern violin concertos, rejecting tonality and romanticism. Sculthorpe composed Sun Music I in 1965. Like Firebird and the Violin Concerto, it very much represents beginnings and the start of something new. It was written for the SSO’s first overseas tour and laid the foundations for original Australian music – it changed history. Gyger has taken the title of his work Acquisition from a movement in The Rite. Dealing with the idea of acquiring the earth, the concert will explore the dark and primitive. Tan Dun’s The Wolf warns humans of their disconnection with the earth. In this work the wolf embodies man, just as a puppet represents him in Petrushka.
He added that “all meditative practices are based on some sort of silence – inner and outer”. Though there are words, the piece “goes into something completely non-verbal, it leaves language behind”. Diaghilev, Nijinsky, Williams, Stravinsky and Reich: five men united by their fascination with the primal and the physical. Who knows, if they had met, if they would have gotten along with each other or ended up engaging in fierce debate? In a concert it does not matter, for a conductor tames them to be compatriots. It is through his eyes that they are allies and through his hands that this is realised for an audience. Robertson will perform the Stravinsky ballets because this is music that matters to him. A good performance can convince an audience that it should matter to them, too. While the concert hall may not be the raucous space it was in Stravinsky’s day, it doesn’t mean audiences shouldn’t debate and discuss what they experience there. With the selection of works on offer during August, David Robertson and the SSO have set the scene for animated conversation.
- Nicky Gluch
EVENT The Rite of Spring 4-6 August Sydney Symphony Orchestra
All these pieces are music about ‘something’ and, as Robertson explains, “even if you don’t know the specifics of the story, it is clearly music about ‘something’.
David Robertson, conductor
“Like listening to a fairy tale in a language you do not understand, the intonation and rhythm of the speaker holds you captivated.”
The Firebird: Ravishing
Reich has a different intention with his work. As mentioned, Robertson connects Desert Music with The Rite because of the elevation of pulse as the most significant human element. It is a minimalist work and Robertson ascribes the marvel in this as being “the ability for small ideas carefully
Synergy Vocals
10, 12-13 August Petrushka: Immortal 17-19 August Sydney Opera House www.sydneysymphony.com July 2016
fineMusic 102.5
3
FROM THE CHAIR... I would like to start this Winter column with an exciting announcement and a warm thank you to all our patrons. Fine Music is most fortunate in having Professor The Honourable Dame Marie Bashir AD CVO as our honorary patron; Simon Tedeschi as our Artistic Patron; and Kevin Fan as our Youth Ambassador. It gives me great pleasure to announce that Richard Tognetti and Elena KatsChernin have now joined us as Artistic Patrons of Fine Music. One event at which you may have an opportunity to meet our patrons is our Kruger Scholarship evening on 8 November. This is an annual event at which we announce the winner of the scholarship made possible by a bequest from the late Stefan Kruger. I would like to thank all our patrons and subscribers. Donations from our Titanium patrons, Mr Max Benyon OAM, Mr Roger Doyle and one anonymous patron laid the foundations, so to speak, of our Learning Centre. Many of you have already contributed to equipping this new centre of music education.
You will discover on our Fine Music Patrons & Friends page (page 47) that we have introduced new levels of patronage. This is to offer everyone something within reach and to simplify the options. After almost 10 years we have increased the cost of our subscriptions. An annual subscription is now $102.50 – yes, we like the sound of that! And, the concession subscription is $75. I would also like to take this opportunity to welcome our new staff members: Communications Manager, Liza Smith and Relationships Manager, Morgan Merrell. You can expect a call from Morgan in the not too distant future as he is keen to hear about your experience with Fine Music. If you would like to call him you can do so on 9439 4901. Finally, our Live from the Joan concert on Sunday 31 July, is almost upon us. You’ll be able to read all about it and receive your official program of events, if you turn to the centrespread of this issue of Fine Music magazine (page 23). Janine Burrus Chair, Fine Music
a piano tutor at the Sydney Conservatorium “that one prepares for these sorts of competitions years ahead”.
They deserve that from us …
”
”
He tells Fine Music magazine that he shares the sentiments of the other Australian finalists that the most important aspect of performance is communication. He describes it thus: “To act as a body of water, accurately reflecting the composition to the audience, but also imperfectly so that something can be seen of the water itself in the form of interpretation. Jeremy So “I’ve chosen music that I feel very strongly about, in the sense that when I first listened to it or heard it, I had an immediate connection with that music.” For Jeremy So, this iteration of the SIPCA holds significance: “At the age of 10 I was given a CD of solo highlights from the fifth competition, and I’ve wanted to take part ever since. “To have made it this far is, without exaggeration, the realisation of one of my childhood dreams. I recall the wise words of 4
July 2016
fineMusic 102.5
“When I manage to keep this priority in mind during a performance then I’ll enjoy the moment, especially if I’m playing chamber music as there’s another layer of communication and interaction present.” So says the opportunity of working with Valery Gergiev would be “a clear sign that my career was taking big steps in the right direction”. “While I’ll always call Sydney home, these past three years of studying abroad have left me wanting to spend a bit more time in Europe, so the performances offered to the top prize winners are particularly enticing.”
What does it feel like to be included in this field of 32 pianists? “I don’t feel as if it is proof of my possessing any great musical ability. To me it means that in this case a few (highly regarded) musicians see potential in my playing and could connect with it in some way. “Now that this opportunity has been extended to me, I feel a sense of responsibility to offer the best that I can to my audience, so in that sense I will play with confidence. Because this competition is something I’ve always wanted to do, whatever the outcome is for me, this milestone experience will have given me a new inspiration to move on to my next musical project,” said So.
EVENT Sydney International Piano Competition of Australia 6-23 July, 2016 Sydney Opera House www.sydneypianocompetition.com.au
SYDNEY INTERNATIONAL PIANO COMPETITION
Meet the aussies selected in the final 32 and dynamic style,” Ayesha Gough tells Fine Music magazine.
and belongs in most pianist’s repertoire,” said Gough.
“I love performing. On stage, the music has more room to breathe, and the uncertainty in not knowing if something will go wrong in the next bar gives an edge to the whole experience” she says.
While she admits that the prizes on offer to the winner would be “incredible”, Gough says: “When I read this question, my first thought was that any success in this competition would be a recognition of the years of dedication and time gifted to me by my teacher and those who have supported me since I began my first little recital series in the NSW town of Murwillumbah”. Success in the SIPCA would also strengthen the young pianist’s support of Variety, The Children’s Charity, who named her as an International Ambassador in 2015 after supporting her piano studies for several years.
”
I will play with confidence …
”
“So in this respect, the love of performing is probably what helps me manage pressure the most. In the lead up to each round, I will undoubtedly jump between feelings of self-doubt, confidence, uncertainty and perseverance. Yet once I am on the stage, thoughts of the competition are pushed aside.” Ayesha Gough Three Australian pianists have been selected in the field of 32 competitors announced for the prestigious Sydney International Piano Competition of Australia (SIPCA), which will see the finest young pianists from around the globe travel to Sydney (6-23 July) to participate in the exhilarating competition. Ayesha Gough from Brisbane, Daniel Le from Melbourne, and Hong Kong-born Australian Jeremy So from Sydney, have won through the first stage to join other competitors hailing from as far afield as Kazakhstan, Italy and Russia to China, USA and Japan for the acclaimed competition.
The two concertos that Gough has prepared for the finals are generally new to her, which she describes as both helpful and disconcerting. “My teacher suggested I take Beethoven’s first as my classical concerto, and I can see why this is a good choice for me. It is such a lively piece, full of exuberance and cheekiness; emotions that I tend to enjoy portraying. “That I would learn Prokofiev’s third concerto was an eventuality; it is such a famous piece
The internationally renowned contest, considered one of the world’s great piano competitions, takes place every four years and has experienced record growth in 2016 with 283 nominees - nearly doubling the previous field of applicants in 2012 – which sets the bar incredibly high for the preselections. “What I am probably most proud of is being one of only three Australians selected for this year’s competition. During my preparation I have been keeping in mind the fact I am representing Australia. It makes me feel as though the competition is less about me and more about my representation of Australian pianism as a high-class
Daniel Le feels a special connection to the SIPCA as he grew up watching competitors battle it out. “It’s definitely a privilege and honour to be part of SIPCA, as an Australian. I’m really excited to be able to share music with the audiences in Sydney, and around the world”. “There is no doubt that there is a lot of stress involved at times, but it is a really rewarding experience to share music with people,” said Le. “It’s easy to let the competition aspect of things get in the way of music sometimes. It’s not uncommon that a competitor might be more concerned with certain aspects of a ‘clean’ or ‘note perfect’ performance rather than what they really want to express in the music, or even better yet, how the music is wanting to be expressed.” “The pressure is not about winning a race or anything like that, but really it’s about making music in that moment, and connecting with your audience. They deserve that from us,” said Le. In terms of preparation Le says: “Of course, one has to sit for hours at the piano every day and practice like crazy, but I find that it’s really not practice that makes perfect, it’s really about practicing perfectly. A lot of preparation in competition is just getting to know yourself and your tendencies, and trying to prepare for a big event.
Daniel Le
Story continues on previous page July 2016
fineMusic 102.5
5
C E L E B R AT I N G
YEARS SYDNEY’S HOME OF SPECIAL EVENT CINEMA SINCE 1939
ALFRED HITCHCOCK FILM FESTIVAL:
THE HOLLYWOOD YEARS 1940-1960
14 CLASSICS FROM THE MASTER OF SUSPENSE ALL LOOKING BETTER THAN EVER ON THE BIG SCREEN IN STUNNING DIGITAL! REBECCA (1940) / FOREIGN CORRESPONDENT (1940) / SABOTEUR (1942) SHADOW OF A DOUBT (1943) / LIFEBOAT (1944) / SPELLBOUND (1945) / NOTORIOUS (1946) STRANGERS ON A TRAIN (1951) / I CONFESS (1953) / DIAL M FOR MURDER IN 3D (1954) / REAR WINDOW (1954) / TO CATCH A THIEF (1955) / THE WRONG MAN (1956 ) / VERTIGO (1958) NORTH BY NORTHWEST (1959) / PSYCHO (1960)
S E A S O N S TA R T S J U L Y 2 1
A SENSATIONAL YEAR OF MUSIC
Margaret Brandman
Brandman says it was an honour to be included in such a lively group of composers. In Havana, where no new buildings have been constructed since 1959, she experienced a time-warp seeing some of the buildings restored to their original splendour and learnt how the Cubans cope with the rigours of daily life. The recording of Warm Winds in Havana suite, is included on ABRAZO on the newly minted Ansonica Records label. This short clip gives a brief taste of the first movement of the suite, which just happened to sync up with the stilt dancers that Brandman filmed during her time in Havana: https://youtu.be/BfUTS055roM
Margaret Brandman This past year has been a most exhilarating one for Australian composer Margaret Brandman, a year filled with international musical adventures in far-flung places. Her European travels began in September last year, with a trip to the Czech Republic, to supervise the recording of her orchestral music for the CD SENSATIONS. This was by the Moravian Philharmonic Orchestra, under the direction of Petr Vronský. Brandman’s feet hardly touched the ground after the European trip, when in November she set off for Havana, Cuba, where musicians of the National Symphony Orchestra of Cuba recorded her suite Warm Winds in Havana for saxophone quartet and percussion, which is included in the compilation CD ABRAZO (Embrace). Both CDs have been produced by the American recording company Parma Recordings, which has a reputation for producing quality recordings of contemporary music, with both US-based and international orchestras. SENSATIONS was recently released on the Navona label. The story behind the title is a very personal one and tied in with Brandman’s dramatic family history. Her father, his siblings and parents managed to escape persecution in Nazi Germany, through their chance meeting with William Mackay, NSW commissioner for police in 1936, who visited the Brandman Jewellery store in Berlin. It was Mackay who sponsored the family to come to Australia, enabling them to leave Berlin shortly before war broke out, in 1939. In the family archives, Brandman happened to find a photo taken of the family business in Berlin c1934, with
a large banner saying ‘SENSATION’ on the building. She felt that in homage to her very musical family, and as each of her works on the CD presents a different musical sensation, that this would be the ideal title for the album. This treasured photo is included in the artwork for the CD. The central work on SENSATIONS is Firestorm Symphony, written after the composer experienced the bushfires in 1994 and the Christmas Day fires in 2001 whilst living in Glenbrook in the NSW Blue Mountains. The three movements portray the sounds of the wildlife and the wind during the approaching fire along with the dangerous flare-ups, the devastation and sorrow after the fire, and the eventual renewal of the bush and return to the beautiful life in the Blue Mountains. This film clip, gives some background to the writing and recording of the work: https://youtu.be/53brzaCtgTg
Havana Sessions Brandman had already planned to travel to Europe for the recording of SENSATIONS, when Parma Recordings put out a call for scores for their proposed visit to Cuba for the inaugural Havana Sessions in November 2015. She casually forwarded some of her scores and to her delight, of works by 150 composers who submitted scores for the sessions, her suite was selected, along with works by seven American composers. So it came about that Brandman was the only Australian composer to be part of the inaugural Havana Sessions, the first recording project by an American company, after the easing of the embargo in 2014.
Other travels To celebrate the 2016 release of both CDs, Brandman travelled to the USA to be present at Parma Headquarters in New Hampton on the very day of the USA launch – Friday the 13th! From there she travelled to Rotterdam to the Classical:NEXT conference, as part of the Australian contingent under the auspices of Sounds Australia and the Australian Music Centre. In 2015 Margaret also travelled to Germany to meet with the German publishers of her works, Furore Music, in Kassel, and then on to Munich, to rehearse her new Cosmic Wheel of the Zodiac Song Cycle with expatriot baritone Martin Cooke (of the Bavarian State Opera Company), who as luck would have it, is coming to Australia this September. Brandman is delighted that he has offered to premiere the Zodiac Song Cycle and several other songs especially composed for him last year, as part of the celebratory launch of SENSATIONS on 3 September.
- Kathy Bluff
EVENT SENSATIONS Celebratory CD launch & recital Recital Hall East, Conservatorium of Music, Sydney 3 September, 7.30-9.30pm www.ticketebo.com.au/ margaretbrandmanmusic For more information visit: www.margaretbrandman.com July 2016
fineMusic 102.5
7
32 VIRTUOSOS. 1 PASSION.
Experience one of the world’s most anticipated events, where talented young pianists compete passionately for international recognition, delivering performances that will define careers. 32 virtuosos will battle it out through a stunning series of concerts. The artistry will be sublime, the skill breathtaking and the rivalry intense. There can only be one winner.
6 – 23 JULY 2016 | SYDNEY OPERA HOUSE | SYDNEY CONSERVATORIUM OF MUSIC TICKETS FROM $30* BOOKINGS 02 9250 7777 | SYDNEYOPERAHOUSE.COM SYDNEYPIANOCOMPETITION.COM.AU *Selected performances. Concessions, student tickets, packages and groups of 5+ available. A GST inclusive transaction fee of $8.50 applies for online and phone bookings, and $5 for over the counter bookings.
8
July 2016
fineMusic 102.5
FINE MUSIC’S JOHN BUCHANAN
Honoured for services to jazz music band leader and they gave us great music every Saturday night.” Eventually, Buchanan began playing in bands himself, as well as “trying to battle through” gaining qualifications in accountancy.
John Buchanan John Buchanan, was awarded an Order of Australia Medal (OAM) in the Australia Day Honours this year for, “services to jazz music, and to the broadcast media”. Buchanan has long been involved in the jazz scene, organising concerts and festivals as well as broadcasting on radio for many years. He joined Fine Music as a volunteer in 2009. In a recent interview with Fine Music’s Michael Morton Evans (In Conversation), John Buchanan gave an account of his early experiences of the Sydney jazz scene and how it influenced his career. While he’s always had an interest in music, a concert at the Sydney Town Hall in April 1952 placed jazz music on the map for the young Buchanan: “I have vivid memories of going to the Town Hall that Monday night. Eight musicians ran out onto the stage, all dressed in green suits. It was Graeme Bell’s Australian Jazz band, just having returned from a European tour and the first number they played that night was High Society, an old New Orleans march, but it was a march that really had a different sound about it, a beat about it and a swing about it… and that’s when it all started,” he said. After that, Buchanan frequented jazz clubs around Sydney, one in particular the Sydney Jazz Club’s weekly venue in Martin Place located in the basement of the Real Estate Institute. “It was below street level in the middle of Martin Place,” explained Buchanan. “The house band, the Paramount Jazz Band were a great traditional band. Harry Harmon was the
When the 1960s rolled around and the rock n’roll era hit jazz, “basically knocking it for six” according to Buchanan, he found that the world had lost interest in traditional jazz. However, in the mid-1970s with the formation of Tom Baker’s San Francisco Jazz Band in Sydney, Buchanan’s enthusiasm was reawakened. “He [Tom Baker] had top Sydney musicians like Paul Furniss and John Bates in his band… they were terrific musicians and launched this great new jazz band. Traditional jazz was alive again in Sydney,” said Buchanan. Around this time, Buchanan also began his own band: “I lived at Dural and at that time we ran a monthly dance at the War Memorial Hall with a band called the Peoria Jazz Band and we had a lot of fun. “I managed to encourage people to come up, good musicians to come up and play with us and sit in with us.”
Revival of sorts It wasn’t a great leap from running a band, to staging jazz concerts, and it seemed a natural progression in Buchanan who fancied that he would modestly try and start a jazz revival. “I thought we’ll just try one concert and then see what happens. It did well and led me on to doing other ones and then doing a few jazz festivals.” In 2002, with the death of Tom Baker, Buchanan’s enthusiasm waned again: “He was such an inspirational man when it came to music, he was a one hundred per cent true jazz musician. He really knew the music, he loved it and it was his life. “I kept going, but when Tom died my idea of trying to start a new jazz revival just about seemed impossible. I didn’t think it could be done without the inspiration of Tom.” During the 1990s, Buchanan wrote and published his book Emperor Norton’s Hunch
(1996) based on the Lu Watters Band, the band that played such a big part in the post-war jazz revival and the band on which Tom Baker based his own San Francisco Jazz band. On his first trip to San Francisco, having decided to write the book, to meet Lu Watters in the early 1990s, unfortunately Watters died on the same day Buchanan arrived. “I had to rely on people like Bob Helm and Wally Rose and others in the Watters band to supply me with information for the book. Despite the sad beginning to my visit I had a wonderful time in San Francisco, discussing the great jazz tradition that Lu Watters had left on the West Coast.” Having dedicated 25 years to supporting and enjoying the jazz scene in Australia, Buchanan reflects: “It takes a fair amount of time but I’ve enjoyed it all. I’ve enjoyed working with all the musicians and enjoyed sharing my enthusiasm for the music with the people who come along to the concerts and festivals”. Leonard Bernstein’s famous phrase that jazz music requires a hint of pain is, “true to me”, says Buchanan. “This great folk music started with the blues, the spirituals, and then grew with the 1860’s emancipation after the American Civil War. “It all led to this wonderful music. I fell in love with the music, and the people who created it. I will always be grateful to them and their wonderful music, as long as I live,” says Buchanan.
- Samuel Moore
ON AIR You can hear John Buchanan on Fine Music Monday 12-1pm: Swing Sessions Saturday 12-1pm: Classic Jazz & Ragtime (2nd & 4th Saturday) July 2016
fineMusic 102.5
9
Artistic Director Carl Vine. Presented in Association with Musica Viva Australia
27th Music Festival Prelude Weekend 19th & 20th November 2016 Experience a Taste of the internationally renowned Huntington Estate Music Festival featuring 2 worldclass chamber music concerts, gourmet canapes and meals, and award-winning wines. Tickets are available for both or either Saturday night and Sunday lunchtime concerts.
The 2016 Prelude Weekend features: Piers Lane, piano Alice Giles, harp Tamara Anna Cislowska, piano Goldner String Quartet Orava Quartet
“If you believe in heaven, it might just look a little like Huntington.�
EMMA AYRES, ABC CLASSIC FM
TICKETS ON SALE NOW CALL 1800 995 931 www.huntingtonestate.com.au
10
July 2016
fineMusic 102.5
YOUNG VIRTUOSI
Unearthing musical talent and diversity Fine Music’s Even Younger series
Isabella Moore, 2015 Sydney Eisteddfod winner This month, Young Virtuosi presents a range of fascinating programs featuring music from Aboriginal & Torres Strait Islander communities, to some of our youngest performers and the ‘best of the best’ in vocal performance.
NAIDOC Week NAIDOC Week celebrates the history, culture and achievements of Aboriginal and Torres Strait Islander peoples and runs from 3-10 July. NAIDOC is celebrated not only in Indigenous communities but by Australians from all walks of life. Fine Music supports and celebrates NAIDOC Week with a broadcast of performances from EORA College and from the Maribella and Sensuira Choirs, two of the members from the Hummingsong network of choirs. Eora College is one of Sydney TAFE’s seven colleges. It focuses on the education and training of Aboriginal and Torres Strait Islander people however students from other backgrounds are also welcome. Eora’s music programs run from a Certificate 2 all the way to a Diploma in Contemporary Music with pathways to university through western Sydney.
Auditions held in March for the Even Younger series for performers up to the age of 18, once again produced a range of excellent and diverse repertoire from the enthusiastic participants. At the age of four, this year’s youngest participant was Jessica Hunt, who was accompanied by her mother who left the studio whilst she performed her piano piece. When the recording session was over and she rejoined her mother, she very proudly let her know, “I didn’t make any mistakes!”
Sydney Eisteddfod One of the highlights of Sydney Eisteddfod’s yearly performing arts competition is the Sydney Eisteddfod Vocal Scholarships for intermediate and senior classical singers. Fine Music will broadcast highlights of the finals of the scholarship programs. Formerly known as the Sydney Eisteddfod Joan Sutherland Memorial scholarships, these awards present singers aged between 17-20 years and 21-25 years a very real opportunity for career enhancement and progression while giving aspiring singers a chance to showcase their talents. Now in their 37th year, the scholarships have seen many successful singers through its stages such as bass baritone Daniel Sumegi and mezzos Catherine Carby and Dominica Matthews.
One of the featured performances, of the song Ngarra Burra Ferra, is based on the traditional In 2015, singer Josi Ann Ellem, from Manly Aboriginal hymn Bura Fera in the Yorta Yorta Vale, won the intermediate category. She also language of Victoria, the language spoken by won the Female Voices event, placed second the Indigenous people of the Goulburn Valley and Murray River Valley. The song was translated into Yorta Yorta by Theresa Clements and was performed in the NSW Doctor’s Orchestra Concert which began the Sydney Eisteddfod’s 2016 season of competitions. Mrs Geraldine Briggs (Aunty Gerry) was the keeper of this song. Fine Music’s Even Younger Performers program participants
in the Operatic Aria and third in the Lieder events for her age category. She currently studies with operatic vocal teacher Maree Ryan at the Sydney Conservatorium of Music. Last year’s senior winner, soprano Isabella Moore from Auckland, also won the Female Voice event and the Paul Worthington Encouragement Award in the Opera and Arts Support Group Vocal Scholarship after a brilliant performance with the North Sydney Symphony Orchestra conducted by Maestro Steven Hillinger. In addition, she claimed second place in the Sydney Eisteddfod Opera Scholarship. Following her win, Moore departed on her first trip to the United States, where she spent most of her time talking to teachers and visiting music schools in New York, Boston, San Francisco and Houston. Her 2016 plans include participating in the Solti Academy Summer Program in Tuscany, taking lessons with Cesar Ulloa in San Francisco and auditioning in the United States. The intermediate and senior Sydney Eisteddfod Vocal Scholarship finals will be on July 14 at Playfair Hall at Shore School. Francis Greep and Nicole Youl will adjudicate the events. Tickets cost $17 or $14 concession. For more information visit: sydneyeisteddfod.com.au.
ON AIR 6 July: NAIDOC Week program Presenter: Katherine Ly Engineers: Greg Ghavalas, Conan Tran, Peter Truong 13 July: Even Younger Performers Presenter: Alison Zhou Engineer: Greg Ghavalas 20 July: Sydney Eisteddfod Vocal Scholarships Presenter: Camille Mercep Engineer: Greg Ghavalas 27 July: Even Younger Performers Presenter: Katherine Ly Engineer: Greg Ghavalas Co-ordinator: Judy Deacon yv@finemusicfm.com July 2016
fineMusic 102.5
11
What’s On
ORCHESTRAL DESTINY Willoughby Symphony Orchestra Dr Nicholas Milton, Chief Conductor and Artistic Director Harry Bennetts, Violin 30 July, 7pm 31 July, 2pm Venue: The Concourse Tickets: $10-$47 Bookings: (02) 8075 8111 or theconcourse.com.au The Willoughby Symphony’s fourth concert of the year, DESTINY, will open in an exhilarating eruption of sirens as an expanded percussion section performs Matthew Hindson’s explosive fanfare, Boom Box. Rising star Harry Bennetts will appear as guest soloist in a spectacular rendition of Sibelius’ Violin Concerto, under the baton of Chief Conductor and Artistic Director, Dr Nicholas Milton, who has performed the piece countless times as a violinist himself – a musical collaboration not to be missed under any circumstances. The orchestra will then perform one of Tchaikovsky’s most compellingly beautiful symphonic utterances, his heartwrenching Symphony No. 5, a work of the deepest emotive power combining soaring melodies with richly imaginative orchestration.
ENSEMBLE Haydn & Mozart Australian Haydn Ensemble Erin Helyard, Director and Fortepiano Daniel Yeadon, Cello 16 July, 7pm Venue: City Recital Hall Tickets: $30-$75 Bookings: (02) 8256 2222 or australianhaydn.com.au or purchase at City Recital Hall Box Office Information: australianhaydn.com.au One of Australia’s finest keyboard players, expert in historically-informed performance, respected musical director and co-director of Pinchgut Opera, Dr Erin Helyard, leads this jubilant concert of classical masterworks and is soloist in Mozart’s Piano Concerto No.14. WorldOPERA Sydney Eisteddfod Opera Scholarship Final North Sydney Symphony Orchestra Maestro Steven Hillinger, conductor 24 July, 5pm Venue: The Concourse Concert Hall Tickets: $33-$90 Bookings/information: sydneyeisteddfod. com.au/aria Eight Sydney Eisteddfod Opera Scholarship finalists and the North Sydney Symphony Orchestra promise a night of fine classical music like no other. The concert presents a rare opportunity for audience members to see some of the country’s best up and coming opera singers perform under the same roof. Now in its 83rd year, the Scholarship will carry a prize pool of more than $57,000 for singers under the age of 35. Accompanying the finalist on the night and performing under the baton of Maestro Steven Hillinger, is the North
MUSICAL THEATRE The Simon & Garfunkel Story 19-20 July Venue: The State Theatre Tickets: $80-$121 Bookings: www.ticketmaster.com.au Information: www.thesimonandgarfunkelstory.com/australiantour-dates Following a sold-out season on London’s West End and various cities across Europe, Phil Bathols and Tim Woods announce the UK production of The Simon & Garfunkel Story will be touring Australia in July. This acclaimed production tells the fascinating tale of how two young boys from Queens, New York went on to become one of the world’s most successful music duo of all 12
July 2016
fineMusic 102.5
leading exponent in historical cello playing, Daniel Yeadon, joins AHE again as soloist following his brilliant performance of CPE Bach’s A minor Concerto last year. Haydn’s Cello Concerto in C Major, despite being one of his most performed works for the cello, is rarely heard on period instruments. This will be a treat for audiences to hear this beloved work performed as it might have been in Haydn’s time. Helyard’s “energetic and inspiring leadership” combined with the “precise and elegant playing” of the AHE in two early Haydn symphonies should make for exciting listening. Sydney Symphony Orchestra. Last year mezzo-soprano Eleanor Greenwood (pictured) said she thought she was dreaming when announced the winner against seven outstanding singers after her performances of Sein Wir Wieder Gut from Richard Strauss’ opera Ariadne auf Naxos and Non Più Mestam from Rossini’s La Cenerentola. Adjudicators Margaret Baker Genovesi, Deborah Humble and Tahu Matheson will have the seemingly impossible task of selecting a winner while Sydney Eisteddfod alumni and previous Scholarship winners Amelia Farrugia and Damian Whiteley will host the event.
time. Starting from their humble beginnings as 50s rock n’roll duo Tom & Jerry, The Simon & Garfunkel Story takes you through all the songs and stories that shaped them, the dramatic split, their individual solo careers and ending with a stunning recreation of the legendary 1981 Central Park reunion concert. Over the course of their career, Simon & Garfunkel’s music gradually moved from a very basic, folk rock sound to incorporate more experimental elements for the time, including Latin and gospel music.
FESTIVAL Australian Festival of Chamber Music 29 July-6 August Venue: Townsville, Queensland Tickets: Packages or individual events available from $10 Bookings: www.afcm.com.au/festival/buy-tickets Information: For full festival program visit www.afcm.com.au/festival/festival-program The Australian Festival of Chamber Music is a friendly, unique and internationally acclaimed event presenting a nine-day program of concerts and special events. Experience the world’s finest chamber musicians performing in various combinations exclusively in the tropical winter warmth of Townsville, North Queensland. In total, 34 outstanding soloists and five acclaimed ensembles will head for the
ORCHESTRAL Bugs Bunny at the Symphony II With the Sydney Symphony Orchestra George Daugherty, conductor George Daugherty & David Ka Lik Wong, creators 13 July, 1pm 13 July, 7pm 14 July, 1pm Venue: Sydney Opera House Tickets: $49-$109 Bookings: www.sydneysymphony.com Join the world’s most recognisable rabbit in a 25th Anniversary celebration of Bugs Bunny at the Symphony II performed live at the Sydney Opera House by the Sydney Symphony Orchestra. Conducted by Emmy Award winner George Daugherty, and created and produced by Daugherty and Emmy Award winning producer David Ka Lik Wong, this event is a spectacular fusion of classical music and timeless Warner Bros. Looney Tunes animations. Classic Bugs Bunny cartoons − including two brand-new 3D Loony Tunes will be projected on-screen in the Concert Hall backing the SSO as they perform the original Carl Stalling scores including Chuck Jones’ inspired What’s Opera, Doc?, Friz Freleng’s Rhapsody Rabbit, and the virtuoso orchestral roller coaster ride, Zoom and Bored. Bugs will be joined on-screen by his popular cohorts, including Elmer Fudd, Daffy Duck, Tweety, Wile E. Coyote and Road Runner.
winter sun. This year, the program is headlined by two world-renowned British stars: violin virtuoso Tasmin Little and baritone Roderick Williams. Joining Little and Williams on the festival program are award-winning Chinese pianist Sa Chen, French master of the French Horn Hervé Joulain, Irish pianist and chamber music specialist Finghin Collins, and principal violist of the London Symphony Orchestra, Paul Silverthorne; just to name a few.
CHORAL Choir of Trinity College, Cambridge Stephen Layton, Director for Musica Viva 25 July, 7pm 30 July, 2pm Venue: City Recital Hall Tickets: $30-$117 Bookings: www.cityrecitalhall.com Information: www.musicaviva.com.au Stephen Layton is one of the leading choral directors of our time. His ‘home’ choir is at Trinity College, Cambridge, where the fresh young voices of male and female undergraduates are carefully auditioned for sought after places in what was recently named one of Gramophone magazine’s 20 Greatest Choirs. For this tour they will perform one of the 20thcentury’s most beautiful choral works: the
ORCHESTRAL Blazing Baroque Australian Brandenburg Orchestra Paul Dyer, Artistic Director and Conductor Shaun Lee-Chen, 2016 Concertmaster 27, 29 July, 7pm 3, 5 August, 7pm 6 August, 2pm and 7pm Venue: City Recital Hall Tickets: $32-$173 Bookings: www.cityrecitalhall.com/events/ blazing-baroque Paul Dyer says: “Sometimes ABO audiences just want the Brandenburg. They are devoted to the players and they love pure baroque music with a passion. This is the perfect program for our loyal and cherished fans”. Their unique flair, dynamic playing, and exciting and challenging exploration of period music really make our musicians modern
1922 ‘Mass for Unaccompanied Double Choir’ by Frank Martin. The composer regarded it as an intensely personal spiritual expression – it took 40 years for him to allow it to be heard – and it has never left the spotlight since. Surrounding Martin’s masterpiece is a rich cache of smaller pieces. Of special note are two new works: one by the choir’s Organ Scholar, Owain Park; and another by Australian Joe Twist, commissioned especially for this tour. See page 2-3 for interview with Stephen Layton.
baroque stars. They sweep onto the stage with a vibrant energy, instantly engaging the audience with an intimacy as if they were in the salon in a great house of the 18th century - a wonderful opportunity to hear stunning baroque concertos and rare combinations of instruments. Modern and edgy in their time, Telemann, Vivaldi, Conti and Fasch produced the most sensational instrumental music. This concert is a celebration of everything the Brandenburg – one of the world’s finest period instrument orchestras – does so well. July 2016
fineMusic 102.5
13
CD Reviews Lucas Debargue Works by Scarlatti Chopin Liszt & Ravel Sony Classical 88875192982
✶✶✶✶✶ Fourth place in a piano competition may not come across as significant to many, but in the case of French pianist Lucas Debargue, it may well have worked to his advantage. He was placed fourth at the recently completed 2015 Tchaikovsky Competition, although he was regarded as the real winner by many including the Moscow Music Critics’ Association, who upon presenting their award described him as “the pianist whose incredible gift, artistic vision and creative freedom have impressed the critics as well as the audience”. His
Chopin - Piano Concerto No 1 Grigory Sokolov piano Munich Philharmonic Orchestra Witold Rowicki, conductor Sony Classical 88875194722
✶✶✶ This album is a newly remastered version of Sokolov’s November 1977 recording in Munich. It is significant in that it represents Haydn: Piano Trios Minasi-Toffano-Emelyanychev Trio Deutsche Harmonia Mundi
✶✶✶
Haydn composed more than 40 piano trios; presented on this disc are No. 5 in G minor, No. 13 in B flat, No. 26 in C minor and No. 39 in G. Like all Haydn’s music, they exhibit his characteristic style - amazing inventiveness, variety of mood, intellectual rigour and great musical substance. There is not a dull or perfunctory bar in any of them. My own favourite, I think, is the wistful first movement of No. 26. The gypsy- style last movement of No. 39 is also delightful, but all are of high quality and consonant with 14
July 2016
fineMusic 102.5
debut album for Sony Classical is a series of live performances in Paris encompassing a selection of works by Scarlatti, Chopin, Liszt & Ravel. He opens with four Scarlatti sonatas which work well as an introductory expose. The delicate Sonata in A Major is counter balanced by the dramatic and forward-driven Sonata in D Major. He displays a sense of the baroque, combining a light touch together with a inner sense of rhythmic vitality. The Ballade No 4 in F Minor, Op 52 by Chopin is a beautifully structured work. Debargue delivers its song-like qualities and together with strong yet measured pedaling, he shows that the sonorities of the work can be brought out without overplaying the technical demands. He reserves his best for Ravel’s Gaspard de la Nuit which he describes
as a great spiritual work filled with light and darkness. He played it to critical acclaim during the second round of the Tchaikovsky competition. This is by far and away the highlight of the disc as his holistic treatment of the three movements from the translucent Ondine right through to the fiendishly difficult Scarbo serves to announce him as a pianist of some note. It’s little wonder that Debargue was allowed to play at the request of conductor Valery Gergiev contrary to the rules in the winners’ concert. This was one time the rules clearly needed to be broken.
one of the few studio recordings Sokolov has completed with orchestra. His career recordings stem almost exclusively from live performances. At 43 minutes it represents one of the slower recordings of the concerto which works well in some parts but not in others. The slow movement is stretched out to 12 minutes, compared to the majority of recordings that come in at around 10 minutes. The craftsmanship both in the music and playing during the slow movement suits the slower tempo and it encompasses the colour and beauty of the music superbly well. The finale, unfortunately proved to be underwhelming in that the bright, glittering piano writing is lost with an over emphasis on tempo. The balance in the recording in the finale is
also questionable and the remastering has done little to provide an acceptable blending between the soloist and the orchestra. From a historical standpoint, it is a significant recording for the reasons mentioned above. Musically, whilst Sokolov does provide moments of pure delight (his charismatic use of ornamentation in the first movement is outstanding), it falls short on a number of levels, in particular the overdrawn phrasing in some of the piano playing combined with an impenetrable sound from the orchestra. This is the only work on this disc which is also disappointing. The inclusion of some of Chopin’s shorter solo piano works would have been nice. It proves that for some performers, live is better.
Haydn’s stature as one of the greatest of composers. The artists are all comparative newcomers to the musical scene. Riccardo Minasi, who plays the baroque violin was born in 1978, Federico Toffano, an Italian, in 1989 and Maxim Emilyanychev, a Russian, in 1988. Minasi and Emilyanychev have also substantial reputations as conductors. The performances are much less crude and amateurish than many efforts on period instruments, although the cello sounds sometimes rather wheezy. I understand that the instruments are tuned to the same pitch as modern instruments and not at a lower pitch as is often the case with period instruments, thus giving the music
a considerable lift. I myself would prefer the brighter, more lustrous sounds of modern instruments, but for those who like, or are prepared to put up with, period instruments, these performances can be recommended for their accuracy, fluency and style.
- Frank Shostakovich
- FS
– Richard Gate
CD Reviews Sensations Music of Margaret Brandman Moravian Philharmonic Orchestra Petr Vronský, conductor Vít Mužík, violin Lucie Kaucká, piano Margaret Brandman, piano Marcello Maio, piano Navona Recordings NV6041
✶✶✶✶
Like her late teacher, Peter Sculthorpe, Margaret Brandman writes accessible music; finding inspiration in the environment/ events typical of Australia. In Binna Burra Dreaming (violin/piano) the opening could be Sydney Long’s painting The Spirit of the Plains set to music: wistful, atmospheric and beautiful. When the tempo lifts it becomes
Great Moments at Carnegie Hall Selected Highlights from 125 Years of Performances Sony Classical
✶✶✶✶✶
Ever since its opening night in May 1891 Carnegie Hall has held sway as the undisputed Richard Strauss Intermezzo: Four Symphonic Interludes/ Ein Heldenleben MSO/Sir Andrew Davis ABC - 481 2425
✶✶✶✶
Strauss was the tone-poem’s master; a veritable ‘musical Charles Dickens’, telling ripping yarns - orchestrally. Intellect, technique and humour are a trifecta not all great composers have, but here carping woodwind (and two tubas) depict the multiple mutterings of music critics, and Till Eulenspiegel’s pompous clergy caricature, are just two hilarious examples of Straussian wit. So, a ‘musical John Cleese’ as well? Yet while nothing’s ‘toweringly fawlty’ in
slightly ‘jazzy’ (harmonies and rhythm), with plenty of development throughout. I listened to it once and immediately had to hear it again - it’s a lovely piece. With a similarly fertile supply of material, The Eastern Spinebill has a more moody nature; it’s a duo version of Firestorm’s first movement – with the drama the orchestral version lacks. Firestorm Symphony is a kind of tone poem in three movements, dealing with the approach, aftermath, and rejuvenation following a bushfire. But the moment you give something a program you will be judged by how well that program is depicted; and in Firestorm Threatening I can’t hear the dread associated with an approaching bushfire, nor did Now the Tears are Flowing really capture the aftermath’s soul-searching – even though its author
lived through the events depicted. The lushly romantic Love Brings Changes has a somewhat predictable melody, but attractive counterpoints compensate; against that, Lyric Fantasy is a lithe, quasi neo-classical work for piano and strings; and more evidence of Brandman’s expressive string writing can be heard in Undulations. Composers must allow themselves some fun, so Jucaro Rhumba D’Amor, sounding distinctly Latin-American (and tongue-in-cheek), is Brandman’s escapist jaunt here. Also enjoyable is the jazz-tinted pianism of Autumn Rhapsody and Spirit Visions.
shrine of classical music in America. It was and remains the essential venue for all great artists. To celebrate Carnegie Hall’s 125th anniversary, Sony Classical in cooperation with Carnegie Hall presents an extraordinary new 43-CD box set of treasures from the RCA and Columbia archives featuring live recordings from many of the world’s greatest musicians together with a 2-CD compilation of highlights drawn from this recorded chronicle of eight decades. In moments of greater affluence how wonderful it would be for Fine Music to be the beneficiary of such an inspirational collection of music. The selection spotlights many of the artists who enjoyed historically close ties to Carnegie Hall: Kathleen Battle,
Leonard Bernstein, Jussi Björling, Renée Fleming, Marilyn Horne, Vladimir Horowitz, Kissin, James Levine, Yo-Yo Ma, Leontyne Price, Richter, Rostropovich, Serkin, Isaac Stern. So what does the 2-CD compilation include - Cliburn and Rach 3, Kissen and Liszt, Horowitz and Schumann, Bolet and Chopin, Richter performing Beethoven’s The Tempest, Volodos and Liszt. And there’s no forgetting Menuhin and Stern performing a memorable Bach double and some exquisite Dichterliebe from Dietrich-Fischer Dieskau accompanied by Horowitz. The list goes on and on! Acquire this collection and you wouldn’t need any other recordings in your library.
Heldenleben, I question the duration. The Laurel & Hardyesque Till averages 16’; the priapic boisterousness of Don Juan, under 20’; even the rambling Zarathustra (with the most portentous sunrise in music), around 30’; but in late Romanticism ‘nothing exceeds like excess’, so A Hero’s Life is a corpulent 47’. Concertmaster Dale Bartrop masters the technical minefield in the violin solo depicting the capricious nature of The Hero’s partner; but dare I risk relegation to the “carping woodwind” by suggesting (structural/thematic significance aside) this section is over-long and contributes to the indulgent duration of the whole? A voluptuous love-scene ensues. But just as we’re basking in the after-glow, The Critics – exquisitely poor timing – re-appear (more hilarity), The Hero engaging them in
battle (Mahlerian trumpets/ raucous snare drum). The Hero’s Works of Peace follows, RS proving his green credentials by ‘reducing, reusing and recycling’ multiple themes from earlier works; a deserved ‘retirement from the world’ resolves the whole - all serving to prove Strauss’s boundless imagination and capacity for hard work. His music benefits from a warm recorded ambience and the standard to emulate may well have been set by EMI’s Walter Legge (cf. Four Last Songs – Schwarzkopf/Szell).
- Michael Muir
- Emyr Evans
- MM July 2016
fineMusic 102.5
15
Jazz CD Reviews Everything’s Beautiful The Robert Glasper Experiment Miles Davis & Robert Glasper Columbia/Legacy
✶✶✶✶
Robert Glasper’s new album Everything’s Beautiful features imagined reinterpretations of songs by Miles Davis.The album dives into masters and outtakes from the Miles Davis’ Columbia Records era. Robert Glasper is joined by British soul singer/songwriter Laura Mvula, hip-hop producer Rashad Smith, Grammy-nominated Australian neosoul quartet Hiatus Kaiyote, jazz guitarist John Scofield and the legendary Stevie Wonder just being fabulous on harmonica on Right On Brotha; plus some other artists featuring riffs, new takes and samples of the ‘general badass’ Davis talking in the studio to his musicians. For some time now Robert Glasper has been channeling the
Ballads The Idea of North ABC
✶✶✶✶
inspired works of Miles Davis, most evident with his contribution to the forthcoming Miles Davis biopic, Miles Ahead. If you are a jazz snob and expect to hear classic Miles Davis trumpet on a stemless Harmon mute then this music is definitely not for you. They don’t make it like that anymore unfortunately; but luckily jazz is in evolution just as it was in those years with Davis from the mid ‘40s to the early ‘90s when he was in the thick of almost every important innovation and stylistic development of that period. Davis more often than not leads the way in those changes both with his own recordings and by choosing sidemen and collaborators who forged new directions. This recording is virtual proof that the evolution is still in progress today. I was enchanted by the standout tracks of Erykah Badu’s Maiysha (So Long) and the Australian ensemble Hiatus Kaiyote’s contribution on Little Church, and captivated by the vocals of
Laura Mvula on Silence Is The Way and KING on Song for Selim. Just in these works alone Glasper has built something unique but still unquestionably Miles. The cover art was created by Francine Turk integrating elements of Miles Davis own artwork. Turk creates a visual that embraces the idea of Robert Glasper, taking fragments of Miles music and re-interpreting these fragments in a unique, modern and far from ‘silent way’. - Barry O’Sullivan
A new recording from critically acclaimed a cappella ensemble The Idea of North showcases the group at its very best, performing beautiful songs in cleverly constructed, new vocal arrangements. Using just the voices of the four members - soprano Sally Cameron, alto Naomi Crellin, tenor Nick Begbie and bass Andrew Piper - they sing songs from ABBA to Sting and the Bee Gees to Cold Chisel. They are joined by guest artists, the supremely talented jazz vocalist and composer Kristin Berardi, the arranger and tenor Ed Fairlie, the altoist Joy Hague and the Japanese vocal percussionist Kaichiro Kitamura. The origins of this album lie in a long-held concept of inviting audiences to live concerts whose content
consists solely of lush, serene and gentle songs which encapsulates this ensemble’s numerous and highly successful Ballads by Candlelight series. The Idea of North has performed these concerts around Australia and internationally in beautiful acoustic spaces in capital cities and small towns. Highlights are many on this recording but standouts include Ode To Oli, My One and Only Love, Flame Trees and Too Much Heaven though each track is a gem in its own right. Faultless technique combines with luscious harmonies in an ensemble that sings with empathy and impeccable intonation making this a ‘must have’ for lovers of vocals with a modern twist. - BOS
http://tassietimstuba.bandcamp.com/album/ strangely-beautiful
with traditionally associated jazz instruments of Steve Magnusson’s guitar, Frank Di Sario’s double bass and Niko Schauble’s drums infusing familiar tunes with a playful edge. The selected melodies style and arrangements are best described as comfort food jazz that won’t send chills up and down your spine but rather soothe and caress you gently all over with warmth. Herbie Hancock’s Watermelon Man, Pennies From Heaven and Someone To Watch Over Me are enjoyably pleasant and the haunting slide guitar of Magnusson on track including What Kind of Fool Am I gives an added dimension. At the heart of it all is Tim Jones’ superb tuba playing that makes this album a winner for lovers of relaxed, laid back jazz. - BOS
✶✶✶✶
Strangely Beautiful Tim Jones, tuba Stephen Magnusson, guitars Frank Di Sario, double bass Niko Schauble, drums Recording, mixing and mastering at Pug House Studios, Melbourne. Independent release: 16
July 2016
fineMusic 102.5
When jazz began in New Orleans after WWI, the tuba supplied the rhythmic bottom. As the music spread to Chicago, New York and beyond, the tuba spread with it, but was soon replaced by the more precise double bass. The hard-to-control, but easy to parade with, tuba soon disappeared from jazz almost everywhere else but not in the music’s birthplace New Orleans where even today, having a tuba in the band remains standard operating procedure. Now on this recently released recording, Strangely Beautiful, from tuba playing Tasmanian Tim Jones, this charming instrument resurfaces together
SWINGING ON THE VINE
Always a melodist
With perspiration running down my face, my stomach cramps as I vomit helplessly on the floor. I open my eyes - but the floor is clean in my Hunter Valley hideaway. I gaze suspiciously to where Big J is snoring contentedly after lapping up another bowl of award winning shiraz. Shaking my head I reach for a glass of wine… Stan Getz then I remember. It had all been a dream - lying on the lawn at Devonport in the Deep South hoping that I had the first swim as the patient in my examination for a bronze medallion in the surf club. It was near the end of the summer of 1958; how could I forget? It was the year I discovered Stan Getz! The Verve 12” LP cover, which showed water from a fountain running over a nubile model, was called Stan Getz And The Cool Sounds consisting of tracks the great tenor saxophonist had recorded for Norman Granz between 1953-55. But it was the sound of his horn that excited me: it was vibrato-free and pure. Like classical music virtuosos, jazz’s romantic poets like Getz are acclaimed for the purity of their tone and the sensitivity of their phrasing. Getz spoke the music of Lester Young, his stylistic mentor. In a Paris bar in 1959, shortly before his death, Young gave Getz his ultimate stamp of approval telling him: “You’re my poet. You tell me a story when you play.” Getz was a marvellous ‘singer’ of great melodies, a fertile sauce of musical comment in any situation. He made music real for people. He seemed more at home with the melodies from The Great American Songbook such as Stella By Starlight. They inspired him. Not only because they are melodically and harmonically meaningful but also because of their lyrical and emotional depth. Listening to Getz from the 1950’s is always an experience for me as his playing recalls memories and experiences from my teenage years. Melody was Getz’s calling card. He was lucky to work with the orchestras of two of jazz’s greatest instrumentalists who both sang through their horns - trombonist Jack Teagarden, with whom he first played when he was 15, and clarinettist Benny Goodman. I often listen to his solo on Goodman’s 1945 recording of Rattle And Roll and marvel that he was only 18 at the time. Getz credited Teagarden, Goodman and Young in the development of his tone quality and overall style. When bandleader Stan Kenton made light of Young’s wistful, mellow timbre calling it simple, Getz quit the orchestra. Musicians were generous in their praise. Pianist Kenny Barron, with whom Getz played up until he lost his fight with liver cancer at the age of 64 on June 6, 1991, said: “He could do most anything but his ballads were memorable. He could make you cry”. In another life, Wynton Marsalis described Getz to me as “a beautiful player. He could always play”. Dizzy Gillespie was even more forthcoming: “An incredible soloist. I loved his melodies. He’s right up there with all of them, all the greats. You can’t get any better than him”.
Great sessions Gillespie saw and heard Getz at his greatest on many occasions both live and on record but none more so that the 1956 session released on Verve as For Musicians Only with a cast of Getz, Gillespie, alto saxophonist Sonny Stitt, pianist John Lewis, guitarist Herb Ellis, bassist Ray Brown and drummer Stan Levey. Gillespie and Stitt vowed to “put this little white boy in his place”. Were they in for a shock! Getz dominated the recording session. No matter how fast the tempo he blew like a hurricane without losing the beauty of his sound. In my humble opinion, it’s these mid-1950s sessions that represent the best of Getz. They include: From 1955, Hamp and Getz and West Coast Jazz (arguably his greatest album); from 1956 The Steamer; and from 1957, the sessions with J.J. Johnson at the Opera House and with the Oscar Peterson Trio. Like all great musicians, Getz evolved with the passing of time. The lyrical, romantic and pure sound became deeper, fuller and more flexible but he was always himself, playing in a manner which suited him best. The musical philosophy of this genius who helped shape jazz in the 1940’s was simple: “Life goes into you and comes out of your horn. It’s as simple as that”. With that marvellous lyrical moment by a 21-year-old Getz on Woody Herman’s 1948 recording of Early Autumn playing in the background I fill my glass and raise it.
- Patrick D.Maguire
Sydney Jazz Club Co-op Ltd Presents Live Jazz Sydney Flying Squadron 76 MacDougall Street, Milsons Point 13 July From 12.30 until 3pm (Doors open 11.45am) Galapagos Duck $10.00 Entry Fee NEW VENUE Waverton Bowling Club Woolcott Street, Waverton 31 July Jazz from 1-4pm Come along & enjoy a great afternoon of jazz at this great new venue overlooking the Harbour. Street parking available or a short walk from Waverton Station.
PO Box 186 Broadway, NSW 2007
www.sydneyjazzclub.com Tel +61 2 9719 3876
July 2016
fineMusic 102.5
17
July fine music digital schedule 00:00 03:00 06:00 09:00 10:30 11:00 12:00 12:30 13:00 14:00 15:00 16:00 17:00 17:30 18:00 18:30 19:00 19:30 20:00 20:30 21:00 22:00 22:30 24:00
Weekdays
Saturday
Sunday
Mon: Contemporary Collective Tue-Frid: General classical General classical Fine Music Breakfast Repeat of Morning concerts Repeat of Diversions in fine music
Contemporary Collective
Contemporary Collective
General classical Saturday Morning Music General classical Small forces
General classical Sunday Morning Music
The Classical era General classical Jazz General classical Mon: Baroque, Tue: Romantic, Wed: 20th century, Thur: Chamber, Fri: General classical General classical Mon: General classical Tues-Frid: Jazz After Hours
General classical
Opera
Magic of stage and screen General classical
General classical
Repeat of Saturday night at home
Repeat of Sunday night concert Jazz classic & traditional Repeat of Sunday special
In a sentimental mood Young virtuosi In conversation General classical
Jazz after hours
Ultima thule
GIVING UNKNOWN COMPOSERS NEW OPPORTUNITIES full symphony orchestra, receiving a professional recording of their composition, an invaluable tool for composers wanting to pitch their works for future performance. “Over the years I have conducted numerous world premieres. Something that is common with so many of these experiences is that by the time the rehearsal period finishes, I often felt that the works were now ‘workshopped’ but would have benefited significantly if they were taken away by the composer at that point to finesse, rather than go straight to performance,” said Rigato. This year The Metropolitan Orchestra (TMO) launched its inaugural Composer Development Program (CDP) with the support of ARTS NSW and Fine Music 102.5. The CDP has been designed to give composers who are not yet established in the Australian orchestral scene a chance to develop their works to the highest standard. In April, it selected eight NSW based composers from a large number of entrants in two major categories. “We didn’t want to limit the program to only young composers, but give all composers a fair chance to participate,” said Bevan Rigato, general manager at TMO. “The large number of applicants ranging in age from 17 to 65 years of age, proves the depth of unexposed talent that we have in this country,” he said. In Stages One and Two, eight composers will collaborate with Rigato to prepare their scores prior to a workshop with a small ensemble comprising principal players of TMO. Four will then progress to Stage Three where they will further workshop their pieces with the 18
July 2016
fineMusic 102.5
It is a very costly venture having an orchestra workshop a piece, making it something that the majority of composers could never dream of doing themselves. By giving these successful applicants access to a symphony orchestra to workshop their pieces along with their general compositional skills in this setting, their work reaches its full potential. “The level of submissions for our first ever program has been exceptional, which made it very difficult for our panel to decide on the eight successful finalists. “The standard is so high that we see real potential for one or more of these brand new Australian works to be included in TMO’s flagship MET CONCERT series for 2017, with a further possibility of an additional new work commission for 2018,” said Rigato. The Stage Three full symphony orchestra workshops are scheduled for 22 July at the Eugene Goossens Hall, ABC Centre Ultimo, and will be open to general audience attendees. For more information visit: www.metorchestra.com.au
July program highlights
Alfred Brendel The Brendel Legacy 3 and 10 July, 6pm Alfred Brendel said: “If I belong to a tradition, it is a tradition that makes the masterpiece tell the performer what he should do and not the performer telling the piece what it should be like, or the composer what he ought to have composed”. As boxed sets go, Alfred Brendel: The Complete Philips Recordings, is a behemoth: at 114 CDs, it doesn’t quite top Sony’s similar tribute to Arthur Rubinstein, released in 2011 and comprising a stupefying 142 discs. Still, possession of a small fork lift is likely to be a handy asset for the many Brendel fans who will find this feast irresistible. Among them are Meg and Stephen Matthews, well known to Hosanna fans. They have bought the set and will be sampling its delights in two programs during July. Alfred Brendel’s musical life could scarcely have begun in less promising circumstances. His parents were not especially musical, and he pretty well taught himself to play the piano. Not only that, but he did so in a sublimely idiosyncratic way, by recording his playing, listening to the result, and responding to what he heard. This incessant looping, which must have required a prodigious native talent, endowed him with unique interpretative powers, and goes some way towards explaining the blithe confidence of his performances.
There’s more singularity, too. Brendel is an accomplished writer and poet, and states that his musicianship is strongly informed by his writing. Indeed this set includes a booklet containing an article by him. Asked what his favourite occupation was, though, he replied “laughing”, and he is famous for finding moments of humour, especially in Beethoven.
were left incomplete at the deaths of their creators. He begins with a reading of the first movement of Beethoven’s 10th Symphony. In contrast to either Mozart’s Requiem or Schubert’s Unfinished, the material Beethoven left for the 10th was fragmentary in the extreme. Predictably, then, the debate surrounding the authenticity of attempts to realise the work has had all the dramatic fury Peter Schaffer could have wanted.
Brendel was intimately involved in the compiling of the set, which marks his 85th birthday. It plunders the Philips archives for studio albums, live recordings and radio broadcasts.
In general, we find unfinished works being completed by musicians of lower stature than their originator, but Hayes reminds us of the capricious nature of musical fame, with a performance of an entr’ act by Weber. Weber is a well-known and respected composer, but surely doesn’t rank with Mahler, who completed and orchestrated the piece.
The Brendel Legacy begins on Sunday 3 July with Bach, Schumann and Brahms, and you can hear part two on the following Sunday, when the canon is continued with a concerto, sonata and impromptu respectively from Mozart, Beethoven and Schubert. We extend our appreciation to the Matthews family, and we can only hope to hear more from this compendium of delights in the future. Masterpieces Completed 1 July, 2pm ‘Unfinished’ is a word that has a peculiar power to pique the imaginations of music lovers. Mozart’s Requiem was left unfinished in circumstances which allowed the playwright Peter Schaffer, in the film of his play Amadeus, to draw a very long dramatic bow, implicating Antonio Salieri as the eminence gris who not only commissions the work – incognito, of course – but brings about the demise of its creator which will allow him to claim it as his own. Owing to what can only be described as a toxicological miscalculation, Mozart expires before finishing the mass, thus frustrating the evil Salieri and completing the tragedy. Great story but, as we know, although the Requiem was indeed commissioned anonymously, it was finished by Franz Sussmayer. And, like Schubert’s Unfinished Symphony, the legend of the Requiem is fairly well known. On 1 July at 2pm, Ross Hayes takes us on a tour of rather less well-known works that
Leipzig’s Extraordinary Musical Heritage Thomaskantoren and Thomaner 28 July, 1pm and 2pm The Art of Bach in Leipzig 28 July, 3pm Few cities anywhere in the world can boast such a fertile musical history as Leipzig. The Mendelssohns and the Schumanns all lived and worked there, and Wagner was born and educated there. But arguably the city’s most prodigious musical son is Johann Sebastian Bach, not only for his own gigantic contribution to his art, but for that made by his sons, notably Carl Philip Emmanuel. Much of the freight of Leipzig’s musical heritage is carried by The Thomaskircher (St Thomas Church), where Father Bach was employed for most of his career. The church’s boys’ choir is Leipzig’s oldest continuously operating cultural institution, and is the subject of these two one-hour programs prepared by Stephen Matthews. Here he takes us on a tour of early Protestant sacred music as practiced in the hands of the musicians who either served as the Cantor to the Thomasschule zu Leipzig, or were educated there. They include Bach’s fifth son, Johann Christoff Friedrich, and one of his sons-in-law. Fittingly, Matthews has devoted an entire hour to the music of JS Bach, and it follows at 3pm: an afternoon to look forward to.
- Tom Forrester-Paton July 2016
fineMusic 102.5
19
Saturday 2 July
Friday 1 July
0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 SATURDAY MORNING MUSIC with Stephen Wilson 9:00 ORCHESTRAS AROUND THE WORLD Berlin Staatskapelle Prepared by Brian Drummond Rossini, G. Overture to The barber of Seville (1816). 7 Reger, M. Eine Ballettsuite, op 130 (1913).
18
Nicolai, O. Overture to The merry wives of Windsor (1849). 9 Strauss, R. A hero’s life, op 40 (1897-98).
46
10:30 MUSIC FOR SMALL FORCES Rameau, J-P. Quatrième concert for flute, violin and continuo (pub. 1741). 10
Paul Daniel - 2pm Masterpieces Completed 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Janine Burrus
Beethoven, L. Symphony no 10, mvt 1, op posth (1825). 16
Schaffrath, C. Sonata in D minor for oboe and basso continuo. 12
Weber, C.M. Die drei Pintos: Entr’acte (compl. and orch. Mahler). 6
Mozart, W. Quartet in B flat, K370 (1781; arr. Rechtman).
9:00 DIVERSIONS IN FINE MUSIC Only strings Prepared by Frank Morrison
Bartók, B. Viola concerto (compl. and orch. Serly). 22
Mozart, W. String duo no 1 in G, K423 (1783). 16
Elgar, E. Sketches for symphony no 3 (1932-34). 55
Chausson, E. String quartet in C minor, op 35, mvt 3 (1899; compl. d’Indy 1900). 8
Carr-Boyd, A. Music for an imaginary Italian film (1985). 9 Meyer, Edgar. Maybe so. 5 Dohnányi, E. Serenade for string trio, op 10 (1902). 19 Gershwin, G. Bouquet for harp solo.
7
16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Brendan Walsh 19:00 FRIDAY JAZZ SESSION with Sally Cameron Focus on the current Sydney jazz scene mixed with a range of international jazz stars and a weekly a cappella item
16
11:30 ON PARADE Music that’s band Prepared by Owen Fisher Bellsted, H. Napoli. 5 Anderson, L. Fiddle faddle.
4
Trad. The British Grenadiers.
3
Sousa, J.P. Under the Spanish flag, from Cubaland suite.
3
Saint-Saëns, C. Finale, from Symphony no 3. 7 12:00 JAZZ SATURDAY @ STUDIO A with Leita Hutchings
Cherubini, L. String quartet no 5 in F (1835). 25
20:00 THE ROMANTIC CENTURY Prepared by Robert Small
10:30 MORNING CONCERT Prepared by Paul Hopwood
MacKenzie, A. Concert overture: Twelfth night, op 40 (1888). 19
13:00 FOR THE YOUNG AT HEART Prepared by Stephen Wilson
24
Saint-Saëns, C. Violin concerto no 2 in C, op 58 (1858). 28
Schumann, R. Kinderszenen, op 15 (1838). 20
Tausch, F. Clarinet concerto no 1 in B flat, op 27 (1797). 24
Dvorák, A. Symphonic poem: The golden spinning wheel, op 109 (1896). 27
Glazunov, A. Symphony no 4 in E flat, op 48 (1893).
Onslow, G. Grand septet, op 79 (1849).
Respighi, O. Roman festivals (1924).
34
12:00 A JAZZ HOUR with Barry O’Sullivan
Brouwer, L. Cradle song.
3 16
Thomas, J. Scenes of childhood (1863).
10
Sculthorpe, P. My country childhood (1999). 16
Bizet, G. Jeux d’enfants, petite suite for orchestra, op 22 (1871). 12 Debussy, C. Suite: Children’s corner (1908). 17 Elgar, E. The wand of youth suite no 1, op 1a (1907). 21
4
Schein, J. Suite no 16 in A minor, from Banchetto musicale (pub. 1617) 11
Villa-Lobos, H. Children’s carnival (1920).
Kálmán, E. Dorfkinder.
37
22:00 BAROQUE AND BEFORE Baroque dance Prepared by Robert Small and Susan Bell Purcell, H. Strike the viol.
13:00 SCENES OF CHILDHOOD Prepared by Madelina Tresca
20
Shostakovich, D. String quartet no 7 in F sharp minor, op 108 (1960). 13
14:00 MASTERPIECES COMPLETED Prepared by Ross Hayes
Bach, J.S. Overture no 1 in C, BWV1066 (bef. 1724). 27 Telemann, G. Musical geography, TWV55 (c1701; arr. Hoffmann 1959). 1:00 Robinson, T. A Toy for two lutes; A fantasy for two lutes; The Queen’s goodnight (1603). 7
6
For a detailed program guide and digital schedule visit: www.finemusicfm.com/program-schedule.html
Bridge, F. Fairy tale suite (1917). 11 Ravel, M. Suite from Mother Goose (1908-11). 28 15:00 OPERETTA IN THE AFTERNOON Prepared by Elaine Siversen Kálmán, E. The gypsy princess. Operetta in three acts. Libretto by Leo Stein and Béla Jenbach. First performed Vienna, 1915. 1:54 Waltz:: Village children. Excerpts from The circus princess, 1926.
6 12
Saturday 2 July
Sunday 3 July 15:00 SUNDAY SPECIAL The Zodiac: Cancerians Prepared by Ron Walledge
0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 SUNDAY MORNING MUSIC with Terry McMullen
Gluck, C. Dance of the blessed spirits, from Orpheus and Eurydice (1762).
9:00 MUSICA SACRA Prepared by Barrie Brockwell Bach, J.S. Cantata, BWV29: Wir danken dir, Gott, wir danken dir (1731). 3 Bruch, M. Kol Nidrei, op 47 (1881). 9 Mendelssohn, F. Ave Maria (1830).
7
18:00 SOCIETY SPOT Folk Federation of NSW
Rossini, G. Overture to La gazza ladra (c1817). 10 Haydn, J. String quartet in D, Hob.III:67, The lark (1790). 18 Alyabyev, A. The nightingale. 5
3
Delius, F. Piano concerto in C minor (1904). 23 Moeran, E.J. In youth is pleasure.
2
Warlock, P. Serenade for string orchestra (192123). 8 Moeran, E.J. Cello concerto (1945).
29
22:00 SATURDAY NIGHT AT HOME Prepared by Rex Burgess Mendelssohn, F. String symphony no 9 in C minor (1822). 24 Spohr, L. Septet in A minor, op 147 (1853).
33
Mercadante, S. Flute concerto in E (1813).
21
Granados, E. Valses poéticos (1887). 15 Françaix, J. String symphony (1948).
20
Mahler, G. Songs of a wayfarer (1883).
17
Ramble on Der Rosenkavalier, after Strauss (1927).
10:00 THE CLASSICAL ERA Prepared by Barrie Brockwell
Ireland, J. The holy boy (1913).
Arensky, A. Violin concerto in A minor, op 54 (1891). 19
Schubert, F. Ave Maria, Ellens Gesang III, D839 (1825). 6
17:30 STAGING MUSIC with Angela Cockburn
Stanford, C. Villiers Symphony no 3 in F minor, Irish, op 28 (1887). 43
Janácek, L. Capriccio for piano left hand and seven wind instruments (1926). 22
Grainger, P. Country gardens (1908-18); Handel in the Strand (1930). 4
Rheinberger, J. Mass in E flat, op 109 (1878). 21
20:00 INFLUENCES AND CONNECTIONS Ernest John Moeran Prepared by Katy Rogers-Davies
What shall I do without Eurydice? from Orpheus and Eurydice (1762). 4
Liszt, F. Ave Maria in E. 5
Yvonne Kenny - 3pm Operetta in the Afternoon
19:00 THE MAGIC OF STAGE AND SCREEN with Annabelle Drumm
7
Reichardt, J. Violin concerto in E flat.
13
Carulli, F. Three waltzes, op 70.
10
Respighi, O. Roman festivals (1928).
8 24
17:00 HOSANNA Prepared by Stephen Matthews Hymn: The day of the Resurrection.
2
Hymn: Be Thou my vision.
2
Bach, J.S. Cantata for Pentecost, BWV172. 16 Kimberger, J. By the rivers of Babylon, we sat and wept. 4 Krebs, L. Search me, God, and discover my soul. 3 Schütz, H. Psalm 122: I was glad when they said unto me. 4 Grechaninov, A. The apostles creed.
4
Hymns: Be still my soul; The King of love my shepherd is.
8
Apell, D. Il trionfo della musica. 5
Hymn: Glory to Thee my God this night.
3
Mozart, W. Piano concerto no 17 in G, K453 (1784).
18:00 THE BRENDEL LEGACY Prepared by Meg Matthews
Danzi, F. Wind quintet in B flat, op 56 no 1 (pub. 1821). 13
30
12:00 SYDNEY JAZZ CLUB PRESENTS Speak easy, swing hard with Richard Hughes The Golden Era of jazz, as seen through the knowledge and experience of one of Australia’s leading exponents
Bach, J.S. Keyboard concerto in F, BWV971, Italian (1735). 14 Schumann, R. Kinderszenen, op 15 (1838). 17 Brahms, J. Theme and variations in D minor (1860). 11 Ballades, op 10: no 2 in D; no 4 in B (1854). 15 19:00 SUNDAY NIGHT CONCERT Prepared by Stephen Matthews Mozart, W. Overture to Così fan tutte (1789).
13:00 WORLD MUSIC: Whirled Wide Showcases diverse music from cultures around the world, both traditional and modern, featuring musicians from all corners of the globe, including Australia 14:00 WELL PATRONISED Prepared by Yola Center Copland, A. Appalachian Spring (1938). Puccini, G. Sola, perduta, abbandonata, from Manon Lescaut (1893).
23 6
Beethoven, L. Piano sonata no 21 in C, op 53, Waldstein (1803-04).
25
Haydn, J. Cello concerto no 2 in D.
7 30
Brahms, J. Serenade no 1 in D, op 11 (1858). 46 20:30 NEW HORIZONS Prepared by Paul Cooke Vaughan, D. Mary’s plea (2004).
4
Adams, J. American berserk (2001).
6
Schultz, A. Once upon a time, op 70 (2006). 19 Dessner, B. Tenebre (2010). 15 Higdon, J. Violin concerto (2008).
32
Vaughan, D. Words are history (2004). 5 22:00 AFTER HOURS JAZZ with Kevin Jones July 2016
fineMusic 102.5
21
Monday 4 July
Tuesday 5 July
0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Robert Small 9:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1835 Prepared by Di Cox Auber, D-F-E. Overture to The bronze horse (1835). 7 Schumann, C. Piano concerto in A minor, op 7 (183536). 21 Donizetti, G. Divertimento on Lucia di Lammermoor (1835; arr. for bassoon, piano and wind ensemble by Torriani). 11 Bellini, V. A te, O cara, from I Puritani (1835).
6
Spohr, L. Violin concerto no 13 in E, op 92 (1835). 14 Mendelssohn, F. Songs without words, bk 1, op 19b (1842-44). 15 Lanner, J. Waltz: Die Werber, op 103 (1835).
7
10:30 MORNING CONCERT Prepared by Angela Bell 27
Spohr, L. Symphony no 5 in C minor, op 102 (1837). 29 12:00 SWING SESSIONS with John Buchanan Featuring bands of the 1930s swing era and the dance bands of the 1920s taken from radio broadcasts, transcriptions and recording sessions 13:00 OPERA IN CONCERT Prepared by Giovanna Grech Borodin, A. Overture to Prince Igor (1887; orch. Glazunov). 11 Bizet, G. Habanera: L’amour est un oiseau rebelle, from Carmen (1873-74). 4 Verdi, G. Ascolta ... O dei, from Ernani, (1833).
6
Donizetti, G. Cello sonata no 2 (1941). 9 Thomas, A. Ballet music from Hamlet (1868).
22
14:00 CAPRICCIO BOHEMIAN Prepared by Randolph Magri-Overend Smetana, B. Three dances, from The bartered bride (1866). 11
6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Julie Simonds
Schumann, C. Piano trio in G minor, op 17 (1846).
9:00 DIVERSIONS IN FINE MUSIC Artist of choice: Hilary Hahn Prepared by Paul Cooke
Brahms, J. Piano trio no 1 in B, op 8 (c1854). 34
Bach, J.S. Concerto in C minor for oboe, violin, strings and continuo, BWV1060 (1717-23). 13
Lefanu, N. Catena for 11 solo strings (1996). 21
Whitehead, G. Torua.
Lutyens, E. En voyage (1944). 15
14:30 BRITISH COMPOSERS Prepared by Emyr Evans
4
Mozart, W. Violin sonata no 21 in E minor, K304 (1778). 13 Bach, J.S. Erbarme dich, from St Matthew Passion, BWV244 (c1727). Barber, S. Violin concerto, op 14 (1939-40). Hahn - Bertelmann. Ashes (2012). Bach, J.S. Violin partita no 3 in E, BWV1006 (1720).
6 23 3 20
10:30 MORNING CONCERT Prepared by Elaine Siversen
12
Smetana, B. Vltava, from Má vlast (1874).
12
Martinu, B. Sonata no 2 (1941).
20
Anderson, L. Irish suite (1947-49).
Mahler, G. Symphony no 1 in D, Titan (1888/96).
56
Field, J. Piano concerto no 1 in E flat (1799). 21
19:00 JAZZ NICE ‘N EASY with Ken Weatherley 20:00 STORMY MONDAY with Austin Harrison and Garth Sundberg 22:00 THE AUSTRALIAN JAZZ SCENE with Susan Gai Dowling and Peter Nelson
27
Holland, D. Piano trio (1944). 15
Dvorák, A. In folk tone, op 73 (1886).
16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with David Brett
22
13:00 MUSICA VIVA PRESENTS The Eggner Trio Recorded by Greg Simmons for FINE MUSIC
0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN
Glière, R. Suite from The red poppy, op 70 (1927). 26 Hummel, J. Bassoon concerto in F (1805).
Egnner Trio - 1pm Musica Viva Presents
Musgrave, T. Horn concerto (1971).
22
Maconchy, E. Clarinet quintet (1963).
13
Weir, J. Ascending into heaven (1983).
8
16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Andrew Dziedzic 19:00 THE JAZZ BEAT with Lloyd Capps Smooth small group jazz from the 50s on, and with a visit from Miles Davis each week 20:00 RECENT RELEASES with Stephen Wilson 22:00 CHAMBER SOIRÉE Prepared by Phil Vendy
20
Beach, A. Symphony in E minor, op 32, Gaelic (1896). 41 12:00 JAZZ RHYTHM with Jeannie McInnes An eclectic blending of agreeable rhythm and melody from the New Orleans jazz roots through to recent decades, including many Australian bands
For a detailed program guide and digital schedule visit: www.finemusicfm.com/program-schedule.html
Shostakovich, D. String quartet no 2 in A, op 68 (1944). 38 Taneyev, S. Piano trio in D, op 22 (1907). Roslavets, N. Razdum’ye (1921). Schnittke, A. Piano quintet (1972-6).
39 7 28
FINE MUSIC102.5 PRESENTS
Message from the Chair It is my pleasure to welcome you to Fine Music Live from The Joan. Fine Music 102.5 in partnership with the Joan Sutherland Performing Arts Centre brings you a free concert made possible by the generous contribution of time by our loyal musicians. There is something very special about being in the audience of a concert that is being broadcast live across Sydney and streamed throughout the world. One feels connected and particularly privileged to be in the concert hall with the musicians. It also gives rise to a slightly different concert format. Two of our volunteer presenters will be introducing the musicians and another will be conducting interviews on the stage between the different performances. Of course there is a huge amount of work that goes into putting on an event of this nature. This is made possible by a small committed team of staff and a large number of volunteers working in other areas of Fine Music 102.5. We are most grateful to Hania Radvan and her team at the Joan Sutherland Performing Arts Centre for their contribution. Whether you are already a Fine Music 102.5 listener, or just discovering Sydney’s finest music station, we are delighted that you have joined us for this special occasion. If you are able to extend your support through a donation you will contribute to our ability to foster young musicians and broadcast Fine Music 24 hours a day on FM, digital and the web at finemusicfm.com
Sunday 31 July, 2016
The Joan Sutherland Performing Arts Centre
Janine Burrus Chair, Fine Music 102.5
A unique event to be held in a unique venue Fine Music is thrilled to be working with one of Australia’s most iconic and significant arts organisations, and the only cultural centre in the world to be named after Australia’s most famous opera diva – Dame Joan Sutherland. A superb venue presenting the best in music, theatre and dance, the Joan Sutherland Performing Arts Centre (The Joan) is also home to the Penrith Conservatorium of Music, which provides quality music education for students of all ages and abilities; and The Q, which provides theatre training to young people aged 5-18, and people with a disability, as well as making innovative and community-focused performances. Fine Music’s biggest live broadcast event, Live from The Joan, will be heard on FM and digital and will also reach a global audience via our website: www.finemusicfm.com. A highlight of the event will be the performance of the venue itself, the wonderful acoustic quality of The Joan’s 660-seat Richard Bonynge Concert Hall and its imposing Bosendorfer piano.
Having recorded a CD for Fine Music previously in the venue, Live from The Joan performer Gerard Willems, says he was “smitten with the beautiful atmosphere of the hall”.
the most impactful performances have come from massed choirs. One standout was the performance of the Sydney Chamber Choir with Richard Gill, earlier this year.
Music producer at The Joan, Valda Silvy, said the concert hall was purposely designed as a concert hall and acoustic space as there were already multipurpose spaces.
“They had a massed choir in the gallery, on stage… it was just heavenly, you had music seemingly coming from every angle, almost quadraphonic sound which is just beautiful,” said Silvy.
Although The Joan has played host to more than just musical performance over its 25 year history, it is music that has left the most lasting memories on audiences.
Silvy is looking forward to hearing Acacia Quartet perform as part of Live from The Joan, in particular its two fine Smith violins. She believes the full line up of performers, and the fact that “the general public has taken it as their venue”, will see The Joan’s concert hall packed to the rafters on 31 July.
“It has a beautiful, rich quality for voice and piano… when we’ve had orchestras play people that come to the concerts have said they can hear every note of every instrument,” says Silvy. Such is the quality of the hall that Austrian pianist, prolific recording artist, scholar and keyboard instrument collector, Paul Badura-Skoda, said it was one of the best performing acoustic venues he had experienced. While there have been many artists and performers grace the stage of The Joan’s concert hall, some of
102.5 fm and DAB+
finemusicfm.com
@finemusicfm
twitter.com/FineMusicFM
Program of Events 2pm: Event opens live to air 3.20-3.40pm: INTERVAL 5pm: EVENT CONCLUDES
2.05-2.25pm
2.30-2.50pm
The Great Gatsby
Acacia Quartet
Duke Ellington Jubilee Stomp Duke Ellington The Mooche Walter Doyle – as recorded by Ted Weems Egyptian Ella Dave Dallwitz Russell St. Rag Lu Watters Emperor Norton’s Hunch
Moya Henderson Kudikynah Cave Beethoven String Quartet in E flat Op 74 Presto Allegretto con variazioni “ Acacia always tries to share something known alongside something new in its programs. This year we will play a movement of Beethoven’s String Quartet in E flat, known as ‘The Harp’ plus a beautiful work by established Australian composer Moya Henderson” – Acacia Quartet
“ It’s a great opportunity for us to perform at one of Sydney’s finest venues, and we are proud to be associated with Fine Music. To the best of my knowledge, we are the only group in Sydney currently playing this repertoire - hot jazz and dance orchestra music from the 1920s” – Geoff Power
YOUR HOSTS
Listen to us on 102.5FM in Sydney or on Digital radio Finemus
Webstream via finemusicfm.com
Lloyd Capps
Annabelle Drumm
After a long career in television producing documentary, information and arts programs, Lloyd Capps has spent many of his retirement years in radio. At Fine Music, he has presented The Jazz Beat for the past nine years in addition to monthly hosting of Fine Music Drive and many of the live performance programs originating in the station’s studios. Lloyd is currently Deputy Chair of Fine Music 102.5.
Annabelle Drumm comes from a solid background in television, theatre, fashion, promotions and corporate events – both behind the scenes and out front. She was a professional performing artist for 10 years, CEO of a Dance company for six years and cofounder of a successful multi-national artists’ booking agency for 15 years. She is currently a presenter at Fine Music 102.5.
Subscribe to our event news weekly newsletter at finemusicfm.com
Follow us on Facebook @finemusicfm
Follow us on Twitter @finemusicfm
2.55-3.15pm
3.40-4pm
4.05-4.25pm
4.30-4.50pm
Rebecca Gill
Sydney Symphony Orchestra Fellows
Gerard Willems
The Idea of North
Accompanist: Paul Cheung
Prokofiev Quintet, Op.39 Tema con variazoni Andante energico Adagio pesante Allegro precipitato, ma non troppo presto Andantino
Chopin Scherzo No 1 in B minor Op 20 Chopin Scherzo No 3 in C-sharp minor Op 39
FEATURING THE MUSIC OF JACK O’HAGAN (Josie & Me, Blue Rhythm, One Kiss in the Moonlight) Dance Medley A Cold Chisel reinvention Flame Trees Comedy number written by Tim Minchin F Sharp Gershwin Embraceable You
Margaret Sutherland Nocturne Chris Williams Cloud, ground, trees from three horizons – World Premiere Raymond Hanson Three Fancies “ The Live from The Joan performance will be the first in my concert tour supported by the Kruger Scholarship. It will also be the world premiere performance of the works for violin and piano that I have commissioned from young Australian composer Chris Williams” – Rebecca Gill
“ This particular piece is probably one of the most difficult pieces of chamber music ever written… it’s scored for oboe, clarinet, violin, viola and double bass. The interplay between the woodwind and the strings in particular is something that the audience should listen out for” – John Keene, Double Bass Fellow
“ It shall be a pleasure to take part in the Live from The Joan concert. Playing in this live broadcast is a wonderful way to share the music I love: in this case Chopin’s Scherzo No’s 1 and 3. These are dramatic and colourful and show off the beautiful Bosendorfer in the hall, which has a great acoustic” – Gerard Willems
“We do a lot of live radio, performing in small studio spaces to usually one appreciative radio announcer! Having an audience to work with creates the opportunity for an exciting concert, as I believe a performance is a two-way relationship between the audience and the performer” – Andrew Piper
AUDIO TEAM Roger Doyle Senior Technical Engineer Jayson McBride Senior Audio Engineer Peter Bell Live Feed Technical Engineer
YOUR INTERVIEWER
Become a Friend to Fine Music 102.5 and receive a monthly printed magazine mailed to your home. Go to: finemusicfm.com or email friends@finemusicfm.com
Michael Morton-Evans
Production Team
Presenter of Fine Music’s In Conversation every Wednesday, Michael Morton-Evans has worked in almost every branch of media and the arts – newspapers, magazines, television and radio. He is known for his work in theatre and film as an actor, producer, director, and a five year stint as theatre critic for The Australian newspaper.
Steve-Marc McCulloch Producer Catharine McBride Stage Manager Maria Gorelik Producer’s Assistant
Download our iTunes radio app
Download our Google play app
Fine Music needs YOUR support Created by music lovers, Fine Music 102.5 has been providing the world’s best music 24 hours a day for more than 40 years, to Sydney music lovers, like you. As a not-for-profit organisation, Fine Music has relied on philanthropy, sponsorship, subscribers and the dedication of our volunteers to cover the daily costs of running the station. With spiralling costs and limited income, we now really do need your support please consider making a donation or a bequest in your will. Your generosity will represent an investment in the continuation of the broadcasting of fine music - classical, jazz and other specialist music genres, as well as continuing to inspire and encourage talented young musicians, through initiatives such as the Young Virtuoso Awards, the Young Composer Award and the Kruger Scholarship. We like to formally acknowledge our supporters by including names in our monthly Fine Music Magazine and on our website www.finemusicfm.com, as a token of our heartfelt appreciation. Thank you. We can’t do it without you!
Donate!
Payment
Every bit helps $20 or what you can
Name: (block letters)
Bronze Patron $250+
Address:
Silver Patron $500+ Gold Patron $1,000+ Emerald Patron $2,500+ Amount: D onations above $250 will be acknowledged in Fine Music magazine unless you tick this box. Donations of $2 or more are fully tax deductible
If you would like to know more about Fine Music 102.5, or discuss your donation or bequest, our Chair Janine Burrus would be delighted to speak with you on 0425 417 811.
State:
Postcode:
Phone:
Date:
Email: Cheque
Money orders (payable to Fine Music 102.5)
Visa
MasterCard
I would like to donate:
$
I would like to subscribe: $
Subscribe! Every Subscriber of Fine Music makes a vital contribution in keeping Fine Music 102.5 on air, as well as supporting Australia’s young musical talent. In addition, you’ll enjoy the following benefits: · 12 issues of Fine Music Magazine including daily listings of our programs · Entry for giveaways and special offers, including Fine Music CD of the Week · Subscriber-only invitations to special events and functions · The chance to win free tickets to concerts
New subscription Renewal of subscription Standard one-year: $102.50 Concession one-year: $75 Pensioner, senior, student card no: Fine Music Magazine is now online. It is expensive for the station to produce in hard copy, so we are asking you to tick if you would prefer not to receive a paper copy.
Total:
$
Card no: Expiry Date: Cardholder name: Signature:
You can become a subscriber and make your donation: · online at www.finemusicfm.com · by emailing us at friends@finemusicfm.com · by phoning us on (02) 9439 4777 between 9am and 6pm, 7 days a week. · By posting this form to Friends of Fine Music 102.5: 72–76 Chandos Street, St Leonards NSW 2065
Tick if you do not wish to receive promotional offers.
Fine Music 102.5 is the trading name of the Music Broadcasting Society of NSW Co-operative Ltd, a charitable institution entitled to receive income tax deductible donations. ABN 64 379 540 010.
Wednesday 6 July
Thursday 7 July
François-René Duchable - 9am Diversions in Fine Music
Karl Böhm - 8pm At The Opera 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Peter Kurti
Gluck, C. Symphony in D (1747). 11
6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Simon Moore
3:00 CLASSICAL TILL DAWN
Se mai senti spirati sul volto, from La clemenza di Tito (1752). 9 Ballet: Alessandro (1764).
31
Corelli, A. Concerto grosso in G minor, op 6 no 8 (pub. 1714). 15 Pergolesi, G. Stabat Mater (1736).
0:00 CONTEMPORARY COLLECTIVE
Pensa a serbarmi, o cara; Se il fulmine sospendi, from Ezio (1750). 9
9:00 DIVERSIONS IN FINE MUSIC Composers of the 18th century Prepared by Rex Burgess Geminiani, F. Ballet: The enchanted forest (c1752).
15:00 GLUCK EXPLORED Prepared by Michael Morton-Evans
36
24
16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Tom Forrester-Paton
10:30 MORNING CONCERT Prepared by Paul Hopwood
20:00 AT THE OPERA Prepared by Camille Mercep
Wagner, R. Overture to Tannhäuser (1842-45). 13 Brahms, J. Piano concerto no 2 in B flat, op 83 (1878-81). 49
Beethoven, L. Fidelio. Opera in two acts. German libretto by Joseph Sonnleithner, from French by Jean-Nicolas Bouilly. First performed Vienna, 1805. 2:15
Boccherini, L. Symphony no 23 in D minor, op 37 no 3 (1787). 19
22:30 RISING EARLY Prepared by Derek Parker
12:00 JAZZ SKETCHES with Robert Vale Jazz of many colours, some old, some new and all designed to inform and stimulate the senses
Sibelius, J. Night ride and sunrise, op 55 (1908). 17
13:00 YOUNG VIRTUOSI
Bax, A. From dusk till dawn (1917).
14:00 IN CONVERSATION with Michael Morton-Evans Each week we meet one of the world’s great musicians, singers, composers or conductors, along with up-and-comers and some of the men and women who influence the arts landscape. The program goes live to air so you never quite know what’s going to happen.
Debussy, C. From dawn to noon on the sea, from La mer (1905). 9
Sallinen, A. Sunrise serenade, op 63 (1989).
Britten, B. Dawn, from Four sea interludes (1945). Maxwell Davies, P. An Orkney wedding with sunrise (1985).
Bruch, M. Eight pieces for clarinet, viola and piano, op 83 (1910).
38
Mozart, W. Sonata in B flat for two pianos, op 47. 31
19:00 JAZZ STARS AND STRIPES with Peter Mitchell The stars of American jazz from bebop on, mainly small group low temperature jazz
Villa-Lobos, H. Dawn in a tropical forest (1953).
9:00 DIVERSIONS IN FINE MUSIC Two’s company Prepared by Michael Morton-Evans
10
Ries, F. Sonata in B flat for two pianos, op 47. 14 Debussy, C. Le petit nègre (1909; arr. Groningen Guitar Duo). 1 10:30 MORNING CONCERT Prepared by Michael Morton-Evans Grieg, E. Ballade in G minor, op 24 (1875-76; orch. Tveitt). 20 Saygun, A. Piano concerto no 1, op 34 (1957). 28 Chadwick, G. Suite symphonique (1909).
36
12:00 JAZZ, PURE AND SIMPLE with Maureen Meers Covering the many aspects of jazz from Swing to Mainstream, with the Great American Songbook making regular appearances 13:00 AROUND THE BALTIC SEA Prepared by Elaine Siversen
8
Tubin, E. Sinfonietta on Estonian motifs (1940). 21
20
Train dance, from Three Estonian folk dances (1978). 5
3
Lemba, A. Estonian cradle song (arr. Pachla). 3 Vitols, J. Fantasia on Latvian folksongs, op 42 (1908). 16 Tormis, V. 17 Estonian wedding songs (1971). 18
13
Medins, J. Daina no 8; Daina no 18; Sonatina. 17 Ciurlionis, M. Symphonic poem: The sea (1903-07). 27 July 2016
fineMusic 102.5
27
Thursday 7 July
Friday 8 July
15:00 MUSIC AND WAR Prepared by Gerald Holder
0:00 CONTEMPORARY COLLECTIVE
Haas, P. Study for string orchestra (1943). 9
6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Janine Burrus
Vier Lieder (1944; arr. van Vlijmen).
3:00 CLASSICAL TILL DAWN 13
Bridge, F. Lament for Catherine (1915). 5 Walton, W. A wartime sketchbook (arr. Palmer). 25 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Debbie Scholem
Vivaldi, A. Trio sonata in C for violin, lute and continuo, RV82. 10 Schubert, F. String trio in B flat, D471 (1816). 16
19:00 THE NEW JAZZ STANDARD with Frank Presley 20:00 LIVE AND LOCAL Omega Ensemble: The Nutcracker Suite Concert The Nutcracker Suite Concert Recorded by Greg Simmons for FINE MUSIC Nielsen, C. Serenata in vano (1914).
7
Mozart, W. Wind serenade in C minor (178283). 23 Tchaikovsky, P. Suite from The nutcracker, op 71a (arr. for winds Tarkmann). 37 Trepak, from The nutcracker. 1 21:30 FROM 19TH CENTURY NORWAY Prepared by Frank Morrison
Tchaikovsky, P. String serenade in C, op 48 (1880).
8
Grieg, E. Three piano pieces (1860).
8
Svendsen, J. Norwegian rhapsody no 2, op 19 (1876). 9 22:00 DIFFERING PATHS OF THE 20TH CENTURY Prepared by Calogero Panvino
29
Debussy, C. Clair de lune, from Suite bergamasque (1905); Golliwog’s cake-walk, from Children’s corner (1906-08; arr. Groningen Guitar Duo). 9
16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Lloyd Capps
10:30 MORNING CONCERT Prepared by Paul Cooke
19:00 FRIDAY JAZZ SESSION with Sally Cameron
Korngold, E. Overture: Sursum corda, op 13 (1920).
20
Strauss, R. Violin concerto in D minor, op 8 (188182). 30 34
Three pieces for piano, op 11 (1909). 15 Five pieces for orchestra, op 16 (1909).
17
Suite for piano, op 25.
17
Phantasy for violin with piano accompaniment, op 47 (1949). 10 Webern, A. Five movements for string quartet, op 5 (1909). 12 14
Liszt, F. Symphonic poem no 2: The funeral triumph of Tasso (1849/50-51).
13
Tchaikovsky, P. Francesca da Rimini, symphonic fantasy after Dante, op 32 (1876). 25
13:00 TENORS PAST AND PRESENT Prepared by Randolph Magri-Overend
Borodin, A. In the Steppes of Central Asia (1880).
Verdi, G. Tomb scene from Aïda (1871).
12
Verdi, G. Già nella notte densa, from Otello (1887).
10
Gounod, C. Va! je t’ai pardonné ... nuît d’hyménée, from Romeo and Juliet (1867). 11 Puccini, G. Bimba dagli occhi, from Madame Butterfly (1904). 11 14:00 TIME FOR CHAMBER Prepared by Andari Anggamulia Schumann, R. Adagio and allegro in A flat, op 70 (1849). 9 Krommer, F. Oboe quartet no 3 in F.
22
Bottesini, G. Introduction and variations on the Carnival of Venice. 11 Holbrooke, J. Trio in D for horn, violin and piano, op 28. 27 Saint-Saëns, C. Bassoon sonata in G, op 168 (1921). 12 Beethoven, L. Quintet in E flat for oboe, clarinet, bassoon, horn and piano, op 16 (1796). 27
28
20:00 THE ROMANTIC CENTURY The symphonic poem Prepared by Katy Rogers-Davies
12:00 A JAZZ HOUR with Barry O’Sullivan
Donizetti, G. Tombe degli avi miei, from Lucia di Lammermoor (1835). 7
Schoenberg, A. Chamber symphony no 1, op 9 (1906). 21
Les Vents Français - 2pm Time for Chamber.
Haydn, M. Divertimento in E flat for viola, cello and double bass (pub. c1970). 15
Potter, C. Symphony no 7 in F (1826).
Lovenskjold, H. La sylphide (1832).
Six pieces for orchestra, op 6 (1909).
9:00 DIVERSIONS IN FINE MUSIC Only strings Prepared by Di Cox
For a detailed program guide and digital schedule visit: www.finemusicfm.com/program-schedule.html
8
Sibelius, J. The swan of Tuonela, from Four legends of the Kalevala, op 22 (1896). 9 Debussy, C. Prélude à l’après-midi d’un faune (1892). 12 Strauss, R. Tone poem: Don Quixote, op 35 (1896-97).
41
22:00 BAROQUE AND BEFORE Prepared by Andrew Dziedzic Handel, G. Overture to Ariodante, HWV33 (1735). 5 Vivaldi, A. Confitebor tibi Domine, RV596.
13
Mouret, J-J. Hunting symphonies (c1729).
8
Vivaldi, A. Magnificat in G minor, RV610.
12
Mozart, L. Pastoral symphony. Vivaldi, A. Dixit Dominus, RV595 (c1715).
8 24
Handel, G. Oboe concerto in G minor, HWV287 (1703-05). 9 Boismortier, J. de Cantata no 4: Winter (1728).
20
Campra, A. Suite from Tancrède (1702). 11
Sunday 10 July
Saturday 9 July 6:00 SATURDAY MORNING MUSIC with David Garrett
Sibelius, J. Karelia suite (1893). 15 Brahms, J. Variations on a theme by Haydn, op 56a (1873). 19 16
Britten, B. Sinfonietta, op 1 (1932). 15 Grieg, E. Lyric suite, op 54 (1897/1905).
6:00 SUNDAY MORNING MUSIC with Robert Small
19:00 THE MAGIC OF STAGE AND SCREEN Prepared by Maureen Meers
9:00 ORCHESTRAS AROUND THE WORLD Hallé Orchestra Prepared by Randolph Magri-Overend
Mahler, G. Rückert Lieder (1902).
0:00 CLASSIC-ALL THROUGH THE NIGHT
18:00 SOCIETY SPOT Organ Music Society of Sydney Prepared by Andrew Grahame
0:00 CLASSIC-ALL THROUGH THE NIGHT
18
Rodgers, R. Excerpts from Do I hear a waltz? (1965). 17 Wise, J. Excerpts from Dame at sea (1966). 13
Salieri, A. Piccolo Requiem (1804).
20:00 INFLUENCES AND CONNECTIONS Frédéric Chopin Prepared by Reg Burgess
10:00 THE CLASSICAL ERA Prepared by Di Cox
Beethoven, L. Variations on Mozart’s Là ci darem la mano, WoO28 (c1796). 9 Chopin, F. Variations in B flat on Mozart’s Là ci darem la mano, op 2 (1827). 17
Bach, C.P.E. Trio in B flat (1731/47). 19
Grand duo concertant in E (1831).
13
Rossini, G. Sonata à quattro no 1 in G (1804). 12
Ballade no 4 in F minor, op 52 (1842).
12
Boccherini, L. Guitar quintet no 9 in C, La ritirata di Madrid (1798). 23
Ballet: Les sylphides (arr. Douglas 1907).
28
Saint-Saëns, C. Marche militaire française. 5 Schubert, F. Marche militaire no 3.
6
Fucik, J. Florentiner march, op 214.
6
Sparke, P. Orient Express.
8
12:00 JAZZ SATURDAY @ STUDIO A with Leita Hutchings
Alkan, C-V. Fantasy on Mozart’s Don Giovanni, op 26 (1844). 13 Liszt, F. Réminiscences de Don Juan (1841). 19
Tinel, E. Feast in the Temple of Jupiter, op 21 no 3 (1881). 19 Hovhaness, A. Suite: The garden of Adonis, op 245 (1971). 9
13:00 IN A SENTIMENTAL MOOD with Maureen Meers Nostalgic music and artists from the 30s, 40s and 50s and occasionally beyond, in a trip down many memory lanes
Franck, C. Suite from Psyché (1887-88).
14:00 CLASSICAL HOUR Prepared by Sarah Cachia
Pichl, V. Symphony concertante in D, op 6, Apollo.
Beethoven, L. Fantasia in C minor, op 80, Choral (1808). 19 Gluck, C. Symphony in F.
14
Boccherini, L. Flute quintet in E flat, op 17 no 6 (1773). 7 15:00 ROMEO AND JULIET Prepared by Di Cox Berlioz, H. Romeo and Juliet, op 17 (1839). 2:15 Alkan, C-V. Étude in B, op 35 no 11 (pub. 1847). 7 17:30 ARTS IN FOCUS with Sydney Youth Orchestra Produced by Simon Moore
Boïeldieu, A. Overture to Le calife de Bagdad (1800).
29
8
Wesley, S. Symphony in D, Sinfonia obligato (1781). 11 Cramer, J. Piano concerto no 2 in D minor, op 16 (pub. 1797). 25 Mozart, W. Ch’io mi scordi di te?, K505 (1786). 10 Kraus, J.M. Trio in D (1787).
20
Danzi, F. Wind quintet in B flat, op 56 no 1 (pub. 1821). 16 Haydn, M. Symphony in D (1785). 19
22:00 SATURDAY NIGHT AT HOME From ancient myths Prepared by Elaine Siversen
Blow, J. Suite from Venus and Adonis (1681). 12
Mozart, W. Divertimento in B flat, K137 (1772). 13
Bach, J.S. Cantata, BWV169: Gott soll allein mein Herze haben (1726). 25
Loewe, F. Excerpts from Brigadoon (1947). 19
10:30 SMALL FORCES Prepared by Paul Hopwood
11:30 ON PARADE Marching with the Royal Australian Navy Band Prepared by Robert Small
9:00 MUSICA SACRA Prepared by Francis Frank
27
Handel, G. Cantata: Cupid, I bid you farewell, HWV140 (1707). 5 Ravel, M. Suite no 2 from Daphnis and Chloë (1905). 16 23
12:00 SYDNEY JAZZ CLUB PRESENTS Classic jazz and ragtime with John Buchanan
The early days of jazz and ragtime as recorded during the first 30 years of the 20th century 13:00 WORLD MUSIC: Whirled Wide 14:00 DANCES FROM FRANCE AND ITALY Prepared by Gael Golla Saint-Saëns, C. Farandole, from Les Barbares (1901). 3 Rameau, J-P. Rigaudon (transcr. Godowsky). 4 Anon. Passamezzo d’Italye.
3
Debussy, C. Passepied, from Suite bergamasque (1905). 4 Canteloube, J. I have no one to love me; The quail, from Songs of the Auvergne (1923-30). 5 Saint-Saens, C. Tarantella in A minor, op 6 (1857; arr Falletta). 6 Bach, J.S. Bourées I and II, from Suite no 2 in A minor, BWV807, English. 4 Humperdinck, E. Menuet in E flat for piano quintet (1872). 7 Couperin, F. Seconde courante, from Eighth ordre (pub. c1717). 3 Elgar, E. Gavotte, from Contrasts, op 10 no 3 (1899). July 2016
fineMusic 102.5
8
29
Sunday 10 July
Monday 11 July
15:00 SUNDAY SPECIAL Vale, Joseph Silverstein Prepared by Sheila Catzel Schumann, C. Piano concerto in A minor, op 7 (1835-36). 21 Schubert, F. Ave Maria, D839 (1825; arr. Hazell). 7 Smetana, B. Piano trio in G minor, op 15 (1855/57). 28 Bernstein, L. Somewhere, from West Side story. 5 Schumann, C. Three romances, op 22 (1853). 9 Korngold, E. Suite for two violins, cello and piano left hand, op 23 (1930). 38 17:00 HOSANNA Prepared by Meg Matthews Hymns: All praise to thee, for thou O King divine; O thou who camest from above; Lord enthroned in heavenly splendour. 10
Bernhard Klee - 10.30am Morning Coffee
Plainsong: Ad laudes.
4
Victoria, T. de O magnum mysterium.
4
0:00 CLASSIC-ALL THROUGH THE NIGHT
Trad. Old time religion.
4
White, R. The Lord bless us and keep us.
4
Monteverdi, C. Psalm 112: Laudate pueri, from Solemn Vespers for the feast of St Mark.
7
Zelenka, J. Kyrie; Cum sancto, from Missa Sancti Josephi.
7
Bach, J.S. Majesty of the heavens, from Christmas oratorio, BWV248 (1734); My heart ever faithful, BWV68. 6 18:00 THE BRENDEL LEGACY Prepared by Meg Matthews Mozart, W. Piano concerto no 12 in A, K414,
26
Beethoven, L. Piano sonata no 28 in A, op 101. 21 Schubert, F. Impromptu in A flat, D899 no 4.
6
4
Saint-Saëns, C. Violin concerto no 3 in B minor, op 61 (1880). 29 Skryabin, A. Symphony no 3 in C minor, op 43, The divine poem (1902-04). 49 20:30 NEW HORIZONS Strangely peaceful Prepared by James Nightingale Bresnick, M. Ishi’s song (2012). 9 6
Harrison, B. Five miniatures in three parts (2008). 8 Page, R. Sonetos del amor oscuro (2010). 19 Maxwell Davies, P. Naxos quartet no 8 (2005). 19 Moore, K. Ridgeway (2009). 22:00 AFTER HOURS JAZZ with Kevin Jones
30
6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with James Hunter
Rutter, J. Blow, blow, thou winter wind.
13
4
Piazzolla, A. Porteño winter, from Four Porteño 7 seasons (1969).
9:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1721 Prepared by Francis Frank Destouches, A. Suite no 1 from Les éléments (1721). 21 Bononcini, G. Lasciami un sol momento (pub. 1721). 8 Albinoni, T. Trumpet concerto in D minor, op 9 no 2 (pub. 1721; arr. Thilde). 9 Rameau, J-P. Cantata: Les amants trahis (1721). 21 Weiss, S. Tombeau sur la mort de M. Conte de Logy (1721). 9
Haydn, J. Winter appendix, from The seasons, Hob.XXI:3 (1801). 7 Chopin, F. Étude in A minor, op 25 no 11, Winter wind (1834). 4 Milhaud, D. Concertino of winter, op 327 (1953).
12
Vivaldi, A. Violin concerto no 4 in F minor, RV297, Winter (pub. 1725). 8 Schubert, F. Frozen tears; Numbness, from Winterreise, D911 (1827).
6
Westlake, N. Winter in the forgotten valley.
12
Prokofiev, S. Winter bonfire, op 122 (1949). 18
10:30 MORNING CONCERT Prepared by Derek Parker
15:00 PORTRAITS Prepared by Emyr Evans
Suppé, F. Overture to Morning, noon and night (1844). 9
Piazzolla, A. Portrait of Alfredo Gobbi. 5
Haydn, J. Symphony in D, Hob.1:6, Morning (1761).
20
Rimsky-Korsakov, N. Scheherazade, symphonic suite after 1001 nights, op 35 (1888). 42
Brouwer, M. Pulse: A 50th anniversary fanfare (2003). 6 Finnissy, M. Forget-me-not (2005).
13:30 DREAMING OF WINTER Prepared by Gael Golla
Locatelli, P. Concerto grosso in C, op 1 no 10 (pub. 1721). 9
19:00 SUNDAY NIGHT CONCERT Prepared by Frank Morrison Sullivan, A. Overture to HMS Pinafore (1881).
Lorin Maazel - 10.30am Morninng Coffee
Dvorák, A. Symphonic poem: The noon witch, op 108 (1896). 14 12:00 SWING SESSIONS with John Buchanan
Pann, C. Two portraits of Barcelona (1994).
6
Saint-Saëns, C. Vois ma misère, hélas, from Samson et Dalila (1877). 9 Mozart, W. Misero! O sogno ... Aura, che intorno spiri, K431 (1783). 10
For a detailed program guide and digital schedule visit: www.finemusicfm.com/program-schedule.html
13
Gillis, D. Portrait of a frontier town (1947). 19 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with David Brett 19:00 JAZZ NICE ‘N EASY with Ken Weatherley
13:00 THE TENORS Prepared by Philip Lidbury Schubert, F. Nocturne, D672 (1819).
Thomson, V. Eight portraits for violin alone (1928). 15
20:00 STORMY MONDAY with Austin Harrison and Garth Sundberg 22:00 THE AUSTRALIAN JAZZ SCENE with Susan Gai Dowling and Peter Nelson
Wednesday 13 July
Tuesday 12 July
Warren Bebbington - 10.30am Morning Coffee
José van Dam - 8pm At the Opera
3:00 CLASSICAL TILL DAWN
Ravel, M. La valse (1921).
6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Julie Simonds 9:00 DIVERSIONS IN FINE MUSIC Artist of choice: Murray Perahia Prepared by Anne Irish 8
Mozart, W. Piano concerto no 1 in F, K37 (1767).
16
Rachmaninov, S. Étude-tableau in E flat minor, op 39 no 5 (1916-17). 5 14
Chopin, F. Ballade no 1 in G minor, op 23 (183142). 9 Liszt, F. Dance of the gnomes (1849-63). Schumann, R. March violets, op 40 no 1; The soldier, op 40 no 3; Betrayed love, op 40 no 5 (1840).
3
8
Mendelssohn, F. Piano concerto no 1 in G minor, op 25 (1831). 20 10:30 MORNING CONCERT Prepared by Elaine Siversen Koehne, G. Suite from ballet, Once around the sun. 24 Bochsa, N. Harp concerto no 1 in D minor, op 15. 21 Marshall-Hall, G. Symphony in E flat (1903). 36 12:00 JAZZ RHYTHM with Jeannie McInnes 13:00 LEGENDARY SINGERS with Randolph Magri-Overend
12
3:00 CLASSICAL TILL DAWN
Handel, G. Music for the royal fireworks, HWV351 (1749; ed. Baines, Mackerras). 18
6:00 FINE MUSIC BREAKFAST
Elgar, E. Variations on an original theme, op 36, Enigma (1899). 31
with Peter Kurti
Holst, G. The planets, op 32 (1916).
Handel, G. Chaconne in G, HWV435 (pub. 1733).
Schumann, R. Introduction and allegro appassionato in G, op 92 (1849).
0:00 CONTEMPORARY COLLECTIVE
14:00 CLASSICAL JUKEBOX Prepared by Randolph Magri-Overend
0:00 CONTEMPORARY COLLECTIVE
50
16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Derek Parker
including Arts Calendar at 7.30am
9:00 DIVERSIONS IN FINE MUSIC Music of the 18th century Prepared by Richard Verco Clérambault, L-N. Cantata: Orpheus (1710). 19
18:00 SYDNEY SYMPHONY 2016 Produced by Andrew Bukenya
Locatelli, P. Violin concerto in G, op 3 no 9 (pub.1733). 19 Scarlatti, A. Quartetto in F (c1715).
What’s on in concerts during the next month
Aubert, J. Concerto grosso no 4 in E minor, op 26,
19:00 THE JAZZ BEAT with Lloyd Capps
Le carillon (1739). 11
20:00 RECENT RELEASES with David Ogilvie
Mozart, W. Piano concerto no 12 in A, K414 (1782).
22:00 CHAMBER SOIRÉE Prepared by Paul Cooke
24
10:30 MORNING CONCERT
Pleyel, I. Quartet in B for flute, violin, viola and cello. 16 Beethoven, L. String quintet in C minor, op 104 (1819). 30 Maconchy, E. Variations on a theme from Vaughan Williams’ Job. 11 Finzi, G. Interlude, op 21 (1936).
7
12
Magnard, A. Sonata for violin and piano, op 13 (1901). 43
Prepared by Rex Burgess Arensky, A. Suite no 2: Silhouettes, op 23 (1892). 19 Nielsen, C. Violin concerto, op 33 (1911).
34
Cherubini, L. Symphony in D (1815).
30
12:00 JAZZ SKETCHES with Robert Vale 13:00 YOUNG VIRTUOSI 14:00 IN CONVERSATION with Michael Morton-Evans July 2016
fineMusic 102.5
31
Wednesday 13 July
Thursday 14 July
Rosamund Illing - 8pm At the Opera
David Robertson - 2pm Featuring David Robertson
15:00 GLUCK EXPLORED Prepared by Michael Morton-Evans
0:00 CONTEMPORARY COLLECTIVE
Gluck, C. Ballet: Semiramis (1765).
3:00 CLASSICAL TILL DAWN 21
Gluck, C. Di questa cetra in seno, from I Parnaso confuso (1765). 5 Overture to Orfeo ed Euridice (1762).
3
I have lost my Eurydice, from Orpheus and Eurydice. 5 Dance of the furies; Dance of the blessed spirits, from Orpheus and Eurydice. 11 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with James Hunter
6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Simon Moore
Nas, M. No reason to panic, for wind orchestra, percussion and double basses (2006). 6
9:00 DIVERSIONS IN FINE MUSIC Two’s company Prepared by Emyr Evans Mozart, W. Concerto in C for pan pipes, harp and orchestra, K299 (1778; arr.). 31 Schenck, J. Adagio and chaconne in C.
6
Bach, J.S. Double concerto in C minor, BWV1060 (1735-40). 13 Britten, B. Canticle 2: Abraham and Isaac, op 51 (1952). 17
19:00 JAZZ STARS AND STRIPES with Peter Mitchell
Anon. Irish and English folk songs.
20:00 AT THE OPERA French double bill Prepared by Elaine Siversen Ravel, M. L’heure espagnole. Comic opera in one act with 21 scenes. Libretto by Franc-Nohain based on his play. First performed Paris, 1911. 46 Saint-Saëns, C. Hélène. Lyric poem in one act. Libretto by the composer. First performed Monte Carlo,1904. 1:01 22:00 CONTINENTAL ROUND-UP Austria
8
Dvorák, A. Overture: Othello, op 93 (1891). 15 Carmichael, J. Concerto folklorico.
26
Mozart, W. Symphony no 41 in C, Jupiter, K551 (1780). 40 12:00 JAZZ, PURE AND SIMPLE with Maureen Meers
Rodrigo, J. Distant sarabande (1926).
3
Garrido, M. En libertad, sevillanas (arr. Moya). 4
10
Apostel, H. String quartet no 1, op 7 (1935). 25
16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Marilyn Schock 19:00 THE NEW JAZZ STANDARD with Frank Presley 20:00 LIVE AND LOCAL Sydney Youth Orchestra: Intensity of Emotion Recorded by Greg Ghavalas for FINE MUSIC
22:00 DIFFERING PATHS OF THE 20TH CENTURY Prepared by Phil Vendy Vainberg, M. Violin concerto in G minor, op 67 (1960). 29 Solovyov-Sedoy, V. In the boat. 5
Fux, J. Sonata à quarto for two violins, two sackbuts and basso continuo.
Werner, G. September, from Musicalisher Instrumental-Calendar (1748).
56
Tchaikovsky, P. Symphony no 5 in E minor, op 64 (1888). 44
7
22
Lalo, E. Ballet: Namouna (1882).
10:30 MORNING CONCERT Prepared by Maureen Meers
Palomo, L. The Flamenco stage.
Hoffmeister, F. Parthia no 25 in E flat.
47
Brahms, J. Piano oncerto no 1 in D minor op 15 (1854-58). 52
Herzogenberg, H. Trio for oboe, horn and piano, op 61 (1889). 22 8
Silvestrov, V. Symphony no 5 (1980-82).
Brahms, J. Geistliches Wiegenlied, op 91 no 2 (pub 1884). 6
13:00 SPANISH DANCES Prepared by Gael Golla
Dittersdorf, C. Harp concerto in A (c1779). 19
32
14:00 FEATURING DAVID ROBERTSON Prepared by Denis Patterson
Granados, E. Spanish dance no 5 (1892).
4
Falla, M. de Final dance, jota, from The three cornered hat (1919).
7
Sor, F. Seguidilla bolera: Mis descuidados ojos. 5 Sarasate, P. de Spanish dance no 4, op 22 no 2, Jota Navarra (pub. 1878-82). 5 Ravel, M. Boléro (1928). 15
For a detailed program guide and digital schedule visit: www.finemusicfm.com/program-schedule.html
Medtner, N. Violin sonata no 2 in G, op 44 (1927).
39
Skryabin, A. Symphony no 2 in C minor, op 29 (1901). 40
Friday 15 July
Yuli Turovsky - 9am Diversions in Fine Music
Thomas Sanderling - 8pm The Romantic Century
0:00 CONTEMPORARY COLLECTIVE
13:30 NUTRITIONAL VALUE Prepared by Madilina Tresca
3:00 CLASSICAL TILL DAWN
Hultqvist, A. The queen went into the parlour eating bread and honey. 12
6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Janine Burrus
Simon, E. The peanut seller. 5
9:00 DIVERSIONS IN FINE MUSIC Only strings Prepared by Emyr Evans
Donostia, J. Dance of the apples (1912-23).
2
16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Brendan Walsh 19:00 FRIDAY JAZZ SESSION with Sally Cameron 20:00 THE ROMANTIC CENTURY Prepared by Frank Morrison
17
Franck, C. Piano trio in B flat, op 1 no 2 (183942). 24
Blake, H. Suite for strings: A month in the country (1986-93). 13
Sousa, J.P. The Rhine wines, from People who live in glass houses (1909). 3
Magnard, A. Symphony no 1 in C minor, op 4 (1890). 31
Donizetti, G. Introduzione for strings (1829).
6
Wilson, N. A mango for Gustav Mahler (1997). 8
Borodin, A. Piano trio in D.
Bloch, E. Prayer for cello and strings (1924; arr. Antonini). 5
Sousa, J.P. The whiskies, Scotch, Irish, Bourbon and Rye, from People who live in glass houses (1909). 4
Howells, H. Serenade for strings (1917).
Bartók, B. Divertimento for strings (1939).
4
27
Hindemith, P. Trauermusik, for viola and strings (1935). 9 Berkeley, L. Serenade for strings, op 12 (193839). 13 10:30 MORNING CONCERT
Roussel, A. The spider’s banquet, op 17 (1913).
Kats-Chernin, E. Wild rice (1996).
8
Le Gallienne, D. Sebastian and the sausages (1961).
6
Bridge, F. Cherry ripe (1916).
3
21
Bach, C.P.E. Flute concerto in G, Wq169 (c1755).
Saint-Saëns, C. Wedding Cake, valse-caprice in A flat, op 76 (1885). 6
24
Mendelssohn, F. Incidental music to A midsummer night’s dream, op 61 (1843).
15:00 OPERA IN CONCERT Prepared by Giovanna Grech
36
Thomas, A. Overture to Mignon (1866).
Berlioz, H. Herminie, op 4 (1828).
22
Taneyev, S. Symphony no 1 in E minor (1874). 34 22:00 BAROQUE AND BEFORE Prepared by Elaine Siversen Part 1: Handel in Italy Handel, G. Cantata: La rondinella, HWV96 (1707). 5 Suite from Rodrigo, HWV5 (1706).
16
Psalm 126/127: Nisi Dominus, HWV238 (1707). 12 Violin sonata in B flat, HWV288 (1706-07). 9 Sento là che ristretto, HWV161 (1709).
13
Sinfonia, from Agrippina, HWV6 (1709).
4
8
Part 2: The glory of Venice: Alessandro Grandi
12:00 A JAZZ HOUR with Barry O’Sullivan
Verdi, G. Qual notte ... Qui, qui sostiamo, from Attila (1846). 13
Grandi, A. Salve regina (pub. 1621); Tota pulchra es (pub. 1621); O quam tu pulchra es (pub. 1625). 13
13:00 WINDY DAYS Prepared by Heather Middleton
Gounod, C. O ma lyre immortelle, from Sapho (1851). 6
Cantabo Domino (pub. 1625); O dulce nomen Jesus (pub. 1621); O intemerata (pub. 1621). 11
Trad. Blow the wind southerly (arr. Cameron). 3
Rossini, G. Passo a sei, from William Tell (1829). 5
O vos omnes, from Motetti con sinfonie, libro1 (pub. 1621). 9
Verdi, G. Gli arredi festivi, from Nabucco (1842). 6
Surge propera amica mea, from The song of songs (1609).
3
Spine care e soavi (pub. 1622).
2
Sandström, J. The wind knows.
3
Elgar, E. O wild west wind, from Four part-songs, op 53 (1907); Weary wind of the west (1902). 7 Horsley, W. Come gentle Zephyr.
3
Anon. List for the breeze.
3
Trad. Trade winds (arr. Leek).
3
Leoncavallo, R. Mamma! lo non l’ho avuta mai! from Zazà (1900). 3 Offenbach, J. C’est une chanson d’amour, from The tales of Hoffmann. 8
O beate benedicte, from Motetti con sinfonie, libro III (pub. 1629). 6 July 2016
fineMusic 102.5
33
Saturday 16 July
Sunday 17 July
14:00 ALPHABETICAL CONDUCTORS The A’s Prepared by Randolph Magri-Overend
0:00 CLASSIC-ALL THROUGH THE NIGHT
Bernstein, L. Suite from On the waterfront (1954). 19
9:00 MUSICA SACRA Prepared by Paul Cooke
Wagner, R. Prelude to Act I of Parsifal (1882). 13
Dvorák, A. Biblical songs, op 99 (1894).
6:00 SUNDAY MORNING MUSIC with Paul Roper
Rachmaninov, S. The isle of the dead, op 29 (1909). 20 15:00 OPERETTA IN THE AFTERNOON Prepared by Elaine Siversen
17:30 THE VOICES, THE ROLES with Angela Cockburn
Johann Strauss - 3pm Operetta in the Afternoon 6:00 SATURDAY MORNING MUSIC with Stephen Wilson
Gade, N. Symphony no 4 in B flat, op 20 (184950). 22 Nielsen, C. Flute concerto (1926).
18
Smyth, E. String quintet in E, op 1 (1884).
Prokofiev, S. Scythian suite (1914).
23
Brahms, J. Symphony no 1 in C minor, op 68, mvt 2. 8
10:30 MUSIC FOR SMALL FORCES Prepared by Francis Frank Haydn, M. Divertimento in D for wind sextet (1786).
10
Bottesini, G. Gran duetto no 3 (1836-39).
12
Veracini, F. Concerto in D for violin octet (1712). Offenbach, J. Cello duet in A, op 51 no 1 (c1847).
26
Cannabich, C. Symphony no 52 in E, op 10 (pub. 1772). 12 26
13:00 WORLD MUSIC: Whirled Wide 14:00 ROMANTIC ERA CONCERTOS Prepared by Frank Morrison 26
Herzogenberg, H. Trio for oboe, horn and piano, op 61 (1889). 22 Smyth, E. The march of the women (1911); Mrs Waters’ aria, from The Boatswain’s mate (191415). 12
Spohr, L. Clarinet concerto no 3 in F minor, WoO19 (1821).
28
David, Ferdinand. Violin concerto no 4 in E, op 23. 26 15:00 SUNDAY SPECIAL Nothing personal, it’s just politics Prepared by Rebecca Zhong Tchaikovsky, P. Overture: 1812, op 49 (1880). 16 Chopin, F. Étude in C minor, op 25 no 12 (1836). 3
Wood, Haydn. A May-day overture (1918).
7
Sumsion, H. Te Deum laudamus (1935).
6
Handel, G. Music for the royal fireworks, HWV351 (1749). 16
18
Smyth, E. Concerto for violin, horn and orchestra (1926). 28
Verdi, G. Va, pensiero, sull’ali dorata, from Nabucco (1842). 5
12
22:00 SATURDAY NIGHT AT HOME
Prokofiev, S. Suite from Lieutenant Kijé, op 60 (1934). 20
11:30 ON PARADE Music that’s band Prepared by Owen Fisher
Weber, C.M. Clarinet quintet in B flat, op 34 (1815).
24
Beethoven, L. Symphony no 3 in E flat, op 55, Eroica (1803). 47
Price, D. Peacemakers.
6
Chopin, F. Piano concerto no 2 in F minor, op 21 (1830). 32
17:00 HOSANNA Prepared by Richard Munge
Anderson, L. Forgotten dreams.
3
Hummel, J. Septet in D minor, op 74 (1816). 30
Trad. Lark in the clear air (arr. Eric Banks).
3
Tchaikovsky, P. Francesca da Rimini, symphonic fantasia after Dante, op 32 (1876). 26
Hymns: Guide me, O thou great Jehovah; Eternal Father, strong to save. 9
Sousa, J.P. Under the American flag, from Cubaland suite. 5 Humperdinck, E. An evening prayer.
34
Schubert, F. Fantasy in C, D934 (1827).
12:00 SYDNEY JAZZ CLUB PRESENTS Speak easy, swing hard with Richard Hughes
20:00 INFLUENCES AND CONNECTIONS Ethel Smyth Prepared by Paul Cooke
Arensky, A. Suite no 2: Silhouettes, op 23 (1892). 19
7
Bach, C.P.E. Double concerto in E flat, Wq47 (1788). 18
Haydn, M. Symphony no 5 in A.
19:00 THE MAGIC OF STAGE AND SCREEN Prepared by Sue Jowell Ten musicals that changed Broadway
9:00 ORCHESTRAS AROUND THE WORLD Danish National Radio Symphony Orchestra Prepared by Frank Morrison
10:00 THE CLASSICAL ERA Prepared by Sheila Catzel
Haydn, J. String quartet in F, Hob.III:48, Dream (1787). 20
18:00 SOCIETY SPOT Classical Guitar Society Prepared by Dan Sharkey
0:00 CLASSIC-ALL THROUGH THE NIGHT
Mozart, W. Vesperae solennes de confessore in C, K339 (1780). 29
Boyce, W. Overture no 11 in D (1770).
Strauss, J. II Jabuka, the apple festival. Operetta in three acts. Libretto by Max Kalbeck and Gustav Davis. First performed Vienna, 1894. 2:18
27
3
Psalms: no 120, When I was in trouble; no 134, Behold now praise the Lord. 4 Wesley, S.S. Magnificat; Nunc dimittis in E.
13
Boyle, M. Thou, O God, art praised in Sion.
6
12:00 JAZZ SATURDAY @ STUDIO A with Leita Hutchings
Harris, W. Faire is the heaven (1925). 5 Gibbons, O. O clap your hands.
6
13:00 THE WACKY WORLD OF MUSIC with Randolph Magri-Overend
Hymn: Praise to the holiest in the height.
6
Widor, C-M. Toccata, from Symphony no 1.
6
For a detailed program guide and digital schedule visit: www.finemusicfm.com/program-schedule.html
Monday 18 July
Sunday 17 July
Andre Previn - 7pm Sunday Night Concert
Vladimir Ashkenazy - 10.30am Morning Concert
18:00 WORLD TOUR IN 60 MINUTES Prepared by Madilina Tresca
0:00 CLASSIC-ALL THROUGH THE NIGHT
Giampieri, A. The Carnival of Venice.
7
Bartók, B. Six Romanian folk dances (1915). 5 Henderson, M. G’day Africa (1991). Borodin, A. In the steppes of Central Asia (1880).
7 8
Bernstein, L. New York, New York, from On the town (1944; arr. Brown). 2 Antill, J. New Guinea patrol (1958).
16
Atherton, M. Ayers baroque. 5 19:00 SUNDAY NIGHT CONCERT Prepared by Rex Burgess Strauss, R. Also sprach Zarathustra, op 30 (1896).
32
Mozart, W. Ah, lo previdi?.... Ah, t’invola, K272 (1777). 13 Prokofiev, S. Symphony-concerto in E minor for cello and orchestra, op 125 (1952). 37
6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Robert Small 9:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1847 Prepared by Paul Cooke Nathan, I. Overture to Don John of Austria (1847; arr. Mackerras). 9 Bennett, W. Sterndale Scherzo in E minor, op 27 (1847). 4 Offenbach, J. Duet in A minor, op 53 no 2 (1847). Liszt, F. Hungarian rhapsody no 2 in C sharp minor (1847; orch. Doppler).
8 12
Mendelssohn, Fanny. Six melodies for piano (1847). 19 Chopin, F. Cello sonata in G minor, op 65 (1847).
Arnalds, O. Living room songs (2011).
18
Frahm, N. Solo (2015).
31
Arnalds - Frahm. Trance frendz.
26
Frahm, N. Screws (2012). 11
Chant Antiphon, from the book of Job.
6
Landino, F. I’ veggio ch’a natura piacque.
4
Palestrina, G. da Motet: Vidi turbam magnam (1569).
8
Frescobaldi, G. Capriccio sopra ut, re, mi, fa, sol, la (pub. 1624-26). 9 Marcello, A. Trumpet concerto in D minor.
10
Giuliani, M. Gran duetto concertante, op 52. 15 Rossini, G. Miei rampolli femminini, from Cinderella (1817).
6
Puccini, G. O saro la più bella, from Manon Lescaut (1893). 9 Verdi, G. Overture to Nabucco (1842).
8
Respighi, O. Piano quintet in F minor (1957). 18 27
10:30 MORNING CONCERT Prepared by Gerald Holder
20:30 NEW HORIZONS Prepared by Neville Dorrington
22:00 AFTER HOURS JAZZ with Kevin Jones
14:00 ITALIAN COMPOSERS THROUGH THE AGES Prepared by Gael Golla
Tchaikovsky, P. Fantasy overture: Romeo and Juliet (1880). 20 Beethoven, L. Fantasia in C minor for piano, chorus and orchestra, op 80, Choral (1808).
18
Shostakovich, D. Symphony no 5 (1937).
44
12:00 SWING SESSIONS with John Buchanan
Menotti, G. Cantilena e scherzo (1977). 11 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Michael Field 19:00 JAZZ NICE ‘N EASY with Ken Weatherley 20:00 STORMY MONDAY with Austin Harrison and Garth Sundberg 22:00 THE AUSTRALIAN JAZZ SCENE with Susan Gai Dowling and Peter Nelson
13:00 MUSIC AND WAR Prepared by Gerald Holder Kodály, Z. Suite from Háry János, op 15 (1927).
24
Elgar, E. The spirit of England, op 80 (191517). 31 July 2016
fineMusic 102.5
35
Wednesday 20 July
Tuesday 19 July
Emil Tabakov - 2pm German Composers of the Classical Period
James de Preist - 10.30am Morning Coffee
0:00 CONTEMPORARY COLLECTIVE
14:00 GERMAN COMPOSERS OF THE CLASSICAL PERIOD Prepared by Phil Vendy
0:00 CONTEMPORARY COLLECTIVE
Goldberg, J. Harpsichord concerto in D minor. 38
6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Peter Kurti
3:00 CLASSICAL TILL DAWN 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Julie Simonds
Kreutzer, C. Grand septet in E flat for clarinet, horn and string quintet, op 62. 32
9:00 DIVERSIONS IN FINE MUSIC Artist of choice: David Stanhope Prepared by Elaine Siversen Faure, G. Ballade, op 19 (1881).
3:00 CLASSICAL TILL DAWN
14
Beck, F. Sinfonia in D, op 4 no 1 (1766).
20
Müller, I. Serenade for clarinet and guitar.
8
Tchaikovsky, P. Variations on a rococo theme, op 33 (1876). 19
Bach, C.P.E. Symphony no 3 in F, Wq183 no 3 (1775-76). 11
Stanhope, D. Concerto for band.
16
Weber, C.M. Polonaise brilliante in E, op 72, L’hilarité (1819; orch. Liszt).
10
16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Andrew Dziedzic
Kuhlau, F. Overture to The three brothers from Damascus (1830). 9 Schubert, F. Three heroic marches, D602 (181618). 23
Beethoven, L. Symphony no 8 in F, op 93 (1812; transcr. Liszt 1840/56). 23
19:00 THE JAZZ BEAT with Lloyd Capps
10:30 MORNING CONCERT Prepared by Elaine Siversen
20:00 RECENT RELEASES with Charles Barton
Sibelius, J. Tone poem: Tapiola, op 112 (1926). 19
22:00 CHAMBER SOIRÉE Prepared by Sheila Catzel
Mendelssohn, F. Three fantasies or caprices, op 16 (1826). 11
Fossa, F. de Guitar trio no 1 in A, op 18 (1808). 26
Weber, C.M. Flute trio, op 63 (1819).
Brahms, J. Double concerto in A minor, op 102 (1887). 35 Vaughan Williams, R. Symphony no 8 in D minor (1956). 28 12:00 JAZZ RHYTHM with Jeannie McInnes 13:00 PORTRAITS Prepared by Emyr Evans Hanson, R. Portrait of Australia, op 46. 5
Hummel, J. Piano trio no 2 in F, op 22 (1799). 14 Spohr, L. Lament about the three roses, op 41 no 4 (1815-16). 3
Sibelius, J. The Countess’ portrait (1906).
16
Arensky, A. Piano trio no 1 in D minor, op 32 (1894).
10:30 MORNING CONCERT Prepared by Michael Field
32
Pierné, G. Piano quintet in E minor, op 41 (1917).
Schumann, R. Overture to The bride of Messina, 8 op 100 (1850-51).
35
Respighi, O. Suite: The birds (1927).
4
Prokofiev, S. Alexis, from Four portraits in The gambler, op 49 (1931). 5 Françaix, J. 15 Portraits d’enfants d’Auguste Renoir (1972; arr. Françaix).
23
Glinka, M. Viola sonata in D minor (1825-28; compl. Borisovsky).
Liszt, F. Historical Hungarian portraits, nos 1 to 7 (1885). 23
14
Thomson, V. Tango lullaby, a portrait of Mlle Alvarez de Toledo, from Three portraits (1944; arr. Dushkin) 2 36
9:00 DIVERSIONS IN FINE MUSIC Music of 18th century Prepared by Jennifer Foong
For a detailed program guide and digital schedule visit: www.finemusicfm.com/program-schedule.html
20
Hindemith, P. The four temperaments (1940). 30 Weber, C.M. Symphony no 1 in C, op 19 (1807). 12:00 JAZZ SKETCHES with Robert Vale 13:00 YOUNG VIRTUOSI 14:00 IN CONVERSATION with Michael Morton-Evans
25
Wednesday 20 July
Thursday 21 July 14:00 OF KINGS AND QUEENS Prepared by Randolph Magri-Overend Walton, W. Coronation march: Crown imperial (1937). 10 Mussorgsky, M. Coronation scene, from Boris Godounov (arr. Shostakovich 1940). 6 Mozart, W. Piano concerto no 26 in D, K537, Coronation (1788).
31
Handel, G. Zadok the priest, from Four coronation 6 anthems, HWV258 (1727).
Ferdinand Leitner - 8pm At the Opera
Daniel Reuss - 10pm Differing Paths of the 20th Century
15:00 GLUCK EXPLORED Prepared by Michael Morton-Evans
0:00 CONTEMPORARY COLLECTIVE
Gluck, C. Mélodie, from Orpheus and Eurydice (1774; arr. Sgambati). 4 Divinités du Styx, from Alceste (1776). 5 Recitative: Figli, diletti figli!; Aria: Ah, per questo già stanco, from Alceste. 7 Symphony in G, Weimar.
14
6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Simon Moore
20:00 LIVE AND LOCAL Recorded by Kerry Joyner for FINE MUSIC Part 1: Sydney Soloists: Music for winds Gounod, C. Petit symphonie for winds (1885). 19
9:00 DIVERSIONS IN FINE MUSIC Two’s company Prepared by Michael Morton-Evans
Ravel, M. Le tombeau de Couperin (1917). 15
6
Haydn, J. Duo no 1 in F for two oboes.
Introduction to encore; Trio: Ah, lo veggo, from Paride ed Elena (1770)
3
O, del mio dolce ardor, from Paride ed Elena.
4
Martinu, B. Duo concertante for two violins and orchestra (1937). 18
Gavotte, from Iphigénie en Aulide (1774; arr. Shaw, Bumanis).
3
Handel, G. Alcina, HWV34. Opera in three acts. Based on Riccardo Broschi: L’isola di Alcina. First performed London,1735. 2:32 Concerto grosso in E minor, op 6 no 3 (1739). 12 23:00 ROMANTIC PIANO Prepared by Emyr Evans Mendelssohn, F. Piano trio no 1 in D minor, op 49 (1839). 28 Scherzo, from a Midsummer night’s dream (1842; arr. Rachmaninov). 4 Piano concerto no 1 in G minor, op 25 (1831). 20
23
19:00 THE NEW JAZZ STANDARD with Frank Presley
Overture to Euristeo.
20:00 AT THE OPERA Prepared by Colleen Chesterman
Tchaikovsky, P. Moscow: coronation cantata (1883).
3:00 CLASSICAL TILL DAWN
Mozart, W. Sinfonia concertante in E flat for violin, viola and orchestra, K364 (1779). 34
19:00 JAZZ STARS AND STRIPES with Peter Mitchell
33
16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm With Sue Jowell
Aria: Il Ciel mi vuol oppresso, from La Semiramide riconosciuta (1748). 5
16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Tom Forrester-Paton
Elgar, E. Coronation ode, op 44 (1902).
10
Giuliani, M. Grand duo concertant, op 85 (pub. 1817). 20 10:30 MORNING CONCERT Prepared by Michael Morton-Evans Castelnuovo-Tedesco, M. Overture: The winter’s tale, op 80 (1935). 14 Haydn, J. Trumpet concerto in E flat, Hob. Vlle:1(1796).
14
Taneyev, S. Symphony no 1 in E minor (1874). 34 Meyerbeer, G. Ballet: Les patineurs (1894; arr. Lambert 1937). 21 12:00 JAZZ, PURE AND SIMPLE with Maureen Meers
Mozart, W. Serenade in E flat, K375 (1781). 23 Part 2: A Mozart Quartet Mozart, W. Piano quartet in E flat, K493 (1786). 24 21:30 GREETINGS FROM IRELAND Prepared by Frank Morrison Field, J. Rondo in A flat (1812).
7
Harty, H. In Ireland (1915). 9 Stanford, C. Villiers Rondo in F for cello and orchestra (1869). 9 22:00 DIFFERING PATHS OF THE 20TH CENTURY Prepared by Robert Small Britten, B. Variations on a theme of Frank Bridge, op 10 (1937). 25 Stravinsky, I. Ballet: The firebird (1910).
50
Excerpts from Stabat Mater (1950).
15
Barber, S. Violin concerto, op 14 (1939-40).
23
Poulenc, F. Stabat Mater (1950).
35
13:00 20TH CENTURY CELLO Prepared by Emyr Evans Glazunov, A. Concerto ballata for cello and orchestra in C, op 108.
21
Sculthorpe, P. Requiem for cello alone (1979). 16 Debussy, C. Cello sonata (1915). Bridge, F. Elegy for cello and piano (1905).
12 4
July 2016
fineMusic 102.5
37
Friday 22 July
Saturday 23 July
0:00 CONTEMPORARY COLLECTIVE
0:00 CLASSIC-ALL THROUGH THE NIGHT
3:00 CLASSICAL TILL DAWN
6:00 SATURDAY MORNING MUSIC with Peter Bell
6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Janine Burrus
9:00 ORCHESTRAS AROUND THE WORLD Montreal Symphony Orchestra Prepared by Di Cox
9:00 DIVERSIONS IN FINE MUSIC Only strings Prepared by Sheila Catzel
Berlioz, H. Overture: Le corsaire, op 21 (1844). 8 Prokofiev, S. Suite from Lieutenant Kijé, op 60 (1934). 20
Beethoven, L. String trio in D, op 9 no 2 (179798). 24 Suk, J. Serenade in E flat for strings, op 6 (1892).
Ravel, M. Concerto for the left hand (1931). 19 Bizet, G. Symphony in C (1855).
24
10:30 SMALL FORCES Prepared by Frank Morrison
Respighi, O. Pastorale for violin and strings, from Pastorale by Guiseppe Tartini (1908). 12 Moeran, E.J. String trio in G.
Mendelssohn, F. Overture to Ruy Blas, op 95 (1839). Grieg, E. Holberg suite, op 40 (1884).
Andrew Litton - 10.30am Morning Coffee
Danzi, F. Wind quintet in B flat, op 56 no 1 (pub. 1821). 13
19:00 FRIDAY JAZZ SESSION with Sally Cameron 8 21
Tchaikovsky, P. Symphony no 5 in E minor, op 64 (1888). 49 12:00 A JAZZ HOUR with Barry O’Sullivan 13:00 OPERA IN CONCERT Prepared by Giovanna Grech
Shostakovich, D. String quartet no 11 in F minor, op 122 (1966). 18
20:00 THE ROMANTIC CENTURY In Russia Prepared by Phil Vendy
11:30 ON PARADE Prepared by Elaine Siversen
Balakirev, M. Tamara, symphonic poem (186782). 21
Holst, G. Suite no 1 in E flat for military band. 10
Arensky, A. Suite no 1 for two pianos, op 15 (1888).
12:00 JAZZ SATURDAY @ STUDIO A with Leita Hutchings
14
Taneyev, S. String quartet no 8 in C (1880-83). 39
Stanhope, D. Folksongs for band, suite no 1. 16
13:00 IN A SENTIMENTAL MOOD with Maureen Meers
Rossini, G. Overture to The journey to Rheims (1825). 7
Kalinnikov, Vasily. Symphony no 2 in A (1897). 40
Wagner, R. Wie duftet doch der Flieder, from Die Meistersinger von Nürnberg (1866-67). 7
22:00 BAROQUE AND BEFORE Prepared by Rex Burgess
Tchaikovsky, P. Adieu, forêts, from Jeanne d’Arc. 6
Dauvergne, A. Concert de simphonies in F, op 3 no 2 (pub. 1751). 23
Françaix, J. Fifteen portraits of children (c1980). 19
Anon. Patoureau m’ayme tu bien?; Hola, hola Charon (arr. Bataille). 9
Gnattali, R. Corta Jaca; Schottisch, from Portraits (1957). 8
Delibes, L. Viens Mallika, Flower duet, from Lakme (1883). 5 Verdi, G. La peregrina, from Don Carlos (1867). 15 Bellini, V. Ah! Forever I have lost you, from The Puritans. 4 Verdi, G. Di Provenza il mar, il suol, from La traviata (1853).
4
15:00 FEATURING THE NEW ZEALAND SYMPHONY ORCHESTRA Prepared by Madilina Tresca McLeod, J. The emperor and the nightingale (1985/2010).
28
Rózsa, M. Sinfonia concertante, op 29 (1966). 32 Lilburn, D. A birthday offering (1956).
12
Shostakovich, D. Piano concerto no 2 in F, op 102 (1957). 19 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with James Hunter
Susato, T. A selection of renaissance dances. 12 Anon. Quoi? Tu faignois amour (arr. Bataille); Qu’avons nous commis contre les dieux?; Mes yeux ou sont vos pleurs (arr. Bataille). 9 Bach, J.S. Air and variations in the Italian style, BWV989 (1714). 17
Morton, R. Le souvenir de vous me tue; Plus j’ay le monde regardé. 7 Regis, J. Puisque ma damme. Charles I, The Bold. Ma dame, trop vous mesprenés. 5 Dufay, G. Ne je ne dors. 5 Anon. En amours n’a si mon bien.
14:00 PORTRAITS Prepared by Emyr Evans Bartók, B. Two portraits, op 5 (1911).
Geminiani, F. Concerto grosso in D minor after Corelli op 5 no 12 La folia (c1716). 11
North, A. Concerto for piano and trumpet (19391957). 19
38
Beethoven, L. Trio in B flat for clarinet, cello and piano, op 11 (1797). 24
21
10:30 MORNING CONCERT Prepared by Giovanna Grech
33
2
Morton, R. Que pourrait plus. 5
For a detailed program guide and digital schedule visit: www.finemusicfm.com/program-schedule.html
12
Godowsky, L. Portrait, from Waltz masks (1911). 6 Holland, D. DSH self portrait (1992). 5 15:00 PEER GYNT Prepared by Di Cox Grieg, E. Peer Gynt, op 23 (1874-75; concert version arr. Hungnes). 1:53 Liszt, F. Piano sonata in B minor (1852-53).
29
17:30 ARTS IN FOCUS with Rebecca Gill Produced by Tom Forrester-Paton 18:00 SYDNEY SCHUBERT SOCIETY Prepared by Ross Hayes Godowsky, L. Passacaglia, after Schubert (1927). 18 Mertz, J. Serenade after Schubert (1845).
6
Ernst, H. Erlkönig, after Schubert, op 26 (1854). 4 Czerny, C. Fantasy no 1, from Three brilliant fantasies after Schubert, op 339 (1836).
16
Liszt, F. Allegro con spirito, from Soirées de Vienne, S427, after Schubert’s Valse caprice no 6 in A minor (1852). 7
Saturday 23 July
Sunday 24 July 0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 SUNDAY MORNING MUSIC with David Garrett 9:00 MUSICA SACRA Prepared by Elaine Siversen Guerrero, F. In exitu Israel.
14
Bach, J.S. Motet: Komm, Jesu, komm, BWV229. 9 Nicolai, O. Mass in D (1845).
31
10:00 THE CLASSICAL ERA Prepared by Frank Morrison Uttini, F. Overture to Aline (1776). Hertel, J. Bassoon concerto in A minor.
6 17
Benda, G. Harpsichord concerto in D (1779). 15 Mozart, W. Serenade no 13 in G, K525, Eine kleine Nachtmusik (1787). 19
Marita Solberg - 3pm Peer Gynt 19:00 THE MAGIC OF STAGE AND SCREEN Prepared by Maureen Meers Kander, J. Excerpts from Chicago (1975).
Pugnani, G. String quartet no 3 in A. 18
Various. Losing my mind, from Follies; I dreamed a dream, from Les Misérables ; Last night of the world, from Miss Saigon. 12
22
Bullock, E. Give us the wings of faith.
12:00 SYDNEY JAZZ CLUB PRESENTS Classic jazz and ragtime With John Buchanan
Hymns: Christ is made the sure foundation; Give 6 me the wings of faith.
Walton, W. Viola concerto (1928/36/61).
3
Bruckner, A. Ave Maria (1882).
4
Os justi (1879). 5
Hymn: For all the saints.
Charpentier, M-A. Ballet music from La descente d’Orphée aux Enfers (c1686). 5
Beethoven, L. Five variations on Rule Britannia, WoO79 (1803). 4
Mozart, W. Der Hölle Rache, from Die Zauberflöte K620 (1791). 3
Adelaïde, op 46 (1794-95).
17
Berlioz, H. D’amour l’ardente flamme, from The damnation of Faust, op 24 (1845-46). 10
Allegretto in B flat, WoO39 (1812). 5
16
Charpentier, M-A. Orpheus descending into Hell (1683). 16
6
22:00 SATURDAY NIGHT AT HOME Prepared by Paul Cooke Beach, A. Theme and variations in A minor for flute and string quartet, op 80 (1920). 21 Mendelssohn, F. String octet in E flat, op 20 (1832).
Victoria, T. de O lux et decus Hispaniae.
Verdi, G. Introduzione, La vita è inferno, O tu che in seno agli angeli, from La forza del destino (1862). 11
26
Hindemith, P. Concert music for string orchestra and brass instruments, op 50 (1930). 16
Beethoven, L. Grosse Fuge in B flat, op 133 (1826).
7
Lloyd Webber, W. Missa sanctae Mariae Magdalenae.
Weill, K. Alabama song, from The rise and fall of Mahagonny (1928). 3
Hindemith, P. Symphony in B flat (1951).
14:00 DOWN UNDER Prepared by Randolph Magri-Overend
Gibbons, O. Magnificat, from Second evening service.
Strauss, J. II Waltz: Mephisto’s cries from Hell, op 101 (1852). 7
Toch, E. Burlesken for piano, op 31 (1923). 9
Foss, L. Passacaglia (1940).
3
Berkeley, L. The Lord is my shepherd. 5
13:00 WORLD MUSIC: Whirled Wide
Hindemith, P. Kammermusik no 1, op 24 no 1 (1922). 15
17:00 HOSANNA Prepared by Jeremy Hall
Gossec, F-J. Symphonie à 17 parties (1809). 28
Bernstein, L. Excerpts from On the town (1944). 18 20:00 INFLUENCES AND CONNECTIONS Paul Hindemith Prepared by James Nightingale
Roger Woodward - 3pm Sunday Special
31
Schumann, R. Adagio and allegro in A flat, op 70 (1849). 8 Markevitch, I. The musical offering, after J.S. Bach (1950). 52
15:00 SUNDAY SPECIAL Featuring Edo De Waart Prepared by Denis Patterson Berlioz, H. Overture to Béatrice et Bénédict (1862). Strauss, R. Oboe concerto in D (1946).
4
18:00 CLASSICAL PIANO Prepared by Emyr Evans
An die ferne Geliebte, op 98 (1816).
26
Vine, C. Symphony no 5, Percussion (1995). 25 Schoenberg, A. Five orchestral pieces, op 19 (1909). 19
6 13
15 variations and a fugue in E flat on an original theme, op 35, Eroica (1802). 24 19:00 SUNDAY NIGHT CONCERT Mendelssohn, F. Overture to Ruy Blas, op 95 (1839).
8
14
8
Handel, G. Concerto in F for two wind groups and strings. 18 Berlioz, H. Symphonie fantastique, op 14 (1830).
54
20:30 NEW HORIZONS Prepared by Robert Small Cresswell, L. Piano concerto (2009).
30
Schubert, F. Der Vater mag wohl immer Kind mich nennen, from The twin brothers, D647 (1819). 5
Aho, K. Double bass concerto (2005).
28
Vines, N. Torrid nature scenes (2010).
24
Skryabin, A. Piano concerto in F sharp minor, op 20 (1896). 26
22:00 AFTER HOURS JAZZ with Kevin Jones July 2016
fineMusic 102.5
39
Monday 25 July
Tuesday 26 July
0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with James Hunter 9:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1727 Prepared by Derek Parker Vivaldi, A. Overture to Orlando Furioso, RV728 (1727). 5 Sol da te, mio dolce amore, from Orlando furioso, RV728 (1727). 10 Boismortier, J. de Tenor recorder concerto in D minor, op 15 no 6 (1727). 8 Bach, J.S. Cantata, BWV82: Ich habe genug (1727).
20
Karel Ancerl - 10.30am Morning Coffee
Vassily Sinaisky - 10.30 Morning Coffee 0:00 CONTEMPORARY COLLECTIVE
Sammartini, G. Violin sonata no 1 in G (1727). 10
15:00 ROMANTIC PIANO Prepared by Emyr Evans
Graupner, C. Der Herr hat mich gehabt im Anfang (1727-28). 13
Chopin, F. Prelude in C sharp minor, op 45 (1841). 5
Handel, G. Zadok the priest, HWV258 (1727). 6
Prelude no 15 in D flat, op 28, Raindrop (183639). 6
6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Julie Simonds
Bonporti, F. Concerto no 4 in B flat (c1727). 11
10:30 MORNING CONCERT Prepared by Derek Parker Wagner, R. Overture to Act I of Die Meistersinger von Nürnberg (1866-67). 11 Alwyn, W. Violin concerto (1937-39).
37
Franck, C. Symphony in D minor, op 48 (188788). 37 12:00 SWING SESSIONS with John Buchanan
Chopin, F. Impromptu no 4 in C sharp minor, op 66, Fantaisie-impromptu. 5 Piano concerto no 1 in E minor, op 11 (1830). 36
Ravel, M. Shéhérazade, fairy overture (1898). 12
Monti, V. Czárdás (arr. Parhamovsky).
6
19:00 JAZZ NICE ‘N EASY with Ken Weatherley
Brahms, J. Hungarian dance no 5 in G minor (1852-69; arr. Parhamovsky).
3
22:00 THE AUSTRALIAN JAZZ SCENE with Susan Gai Dowling and Peter Nelson
Bizet, G. In the depths of the holy temple, from The pearl fishers. 6 6
Saint-Saëns, C. Violin concerto no 3 in B minor, op 61 (1880). 29 10:30 MORNING CONCERT Prepared by Michael Field Prokofiev, S. Suite from Lieutenant Kijé, op 60 (1934). 21 Haydn, J. Violin concerto in G, Hob.VIIa:4 (1769).
17
Schmidt, F. Symphony no 1 in E (1896-99).
46
12:00 JAZZ RHYTHM with Jeannie McInnes
Borodin, A. Polovtsian dances, from Prince Igor (1890). 11
13:00 ONE IS ENOUGH Prepared by Anne Irish
Paganini, N. Moses-Fantasie for violin and piano. 9
Tchaikovsky, P. Piano concerto no 3 in E flat, op 75 (1893). 16
Saint-Saëns, C. Piano concerto no 5 in F, op 103, Egyptian (1896). 27 Ketèlbey, A. In a Persian market (1921).
6
Koechlin, C. Evening song; Hills at sunset; Rest before departure, from The Persian hours, op 65. 10 Verdi, G. Triumphal march, ballet music and chorus, from Aida (1871). 40
Beethoven, L. Violin sonata no 9 in A, op 47, Kreutzer (1803). 38 Wieniawski, H. Scherzo-tarantelle in G minor, op 16 (1856). 5
Tárrega, F. Arabian caprice. 5
Khachaturian, A. Adagio of Spartacus and Phrygia, from Spartacus (1943).
9:00 DIVERSIONS IN FINE MUSIC Artist of choice: Maxim Vengerov Prepared by Jennifer Foong
16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Stephen Wilson
20:00 STORMY MONDAY with Austin Harrison and Garth Sundberg
13:00 EASTERN FANTASIES Prepared by Marilyn Schock
3:00 CLASSICAL TILL DAWN
12
For a detailed program guide and digital schedule visit: www.finemusicfm.com/program-schedule.html
Schubert, F. Piano trio movement in B flat, D28 (1812). 10 Bottesini, G. Grande concerto (1880).
14
Rachmaninov, S. Piano trio élégïaque no 1 in G minor (1892). 13 Vivaldi, A. Cello concerto in D minor, RV407. 10 Beethoven, L. Piano trio no 7 in B flat, WoO39 (1812). 5 Langgaard, R. Violin concerto.
12
Wednesday 27 July
Tuesday 26 July
Edith Picht-Axenfeld - 10pm Chamber Soiree
Maxim Vengerov - 10.30pm Vengerov
14:30 INFLUENCED BY FOLK MUSIC Prepared by Gael Golla
0:00 CONTEMPORARY COLLECTIVE
Smetana, B. Overture to The bartered bride (1866).
14:00 IN CONVERSATION with Michael Morton-Evans
3:00 CLASSICAL TILL DAWN 7
Chopin, F. Three mazurkas, op 59 (1845). 9 Vaughan Williams, R. Suite for pipes (1939). 10 Britten, B. The foggy, foggy dew; O waly, waly, from Folk song arrangements (1943). 6 Falla, M. de Dances from The three-cornered hat (1919). 6
15:00 GLUCK EXPLORED Prepared by Michael Morton-Evans
6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Peter Kurti
Gluck, C. Sicilienne, from Armide (1777; transcr. 3 Stokowski). Excerpts from Iphigénie en Tauride (1779; arr. Triebensee). 20
9:00 DIVERSIONS IN FINE MUSIC Composers of the 18th century: Evolving musical forms Prepared by Madilina Tresca
Piccinni, N. Overture to Iphigenia en Tauride (1781).
8
Gluck, C. Symphony in D. 9
Barrett, J. Sonata in D from the play Tunbridge Walks (1703). 4
Suite du divertissement, from Iphigenia in Aulis (1774). 10
Handel, G. Violin sonata in B flat, HWV288 (170607). 9
16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Trisha McDonald
16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Derek Parker
Sonata in B flat, HWV28 (1707). 9
19:00 JAZZ STARS AND STRIPES with Peter Mitchell
19:00 THE JAZZ BEAT with Lloyd Capps
Sonata from Cantata BWV182 (1714; transcr. anon.).
Grieg, E. In folk style, op 63 no 1 (1869).
7
Bartók, B. Hungarian folk songs (1908-09; (transcr. Orszagh, Bartók).
10
Copland, A. Appalachian Spring (1938).
23
Vivaldi, A. Sonata no 1 in C, RV3 (1712).
20:00 RECENT RELEASES with David Garrett
2
Bach, J.S. Bereitet die Wege, bereitet die Bahn!, BWV132 (1715). 21
22:00 CHAMBER SOIRÉE Ravel, M. Introduction and allegro (1906).
16
10
Balakirev, M. Symphonic poem: Tamara (1867-82; transcr.). 19 Mozart, W. Divertimento in B flat, K439b no 1 (c1783). 23
Bach, J.S. Guitar sonata no 3 in C, BWV1005 (1720; transcr. Krivokapic). 19 10:30 MORNING CONCERT Prepared by Frank Morrison
20:00 AT THE OPERA Prepared by Annabelle Drumm Cilea, F. Adriana Lecouvreur. Opera in four acts. Libretto by Arturo Colautti. First performed Milan,1902. 2:14 22:30 MAXIM VENGEROV Focus on a genius Prepared by Emyr Evans Saint-Saëns, C. Havanaise, op 83 (1887). 9 Wieniawski, H. Scherzo-tarantelle in G minor, op 16 (1856). 5
Strauss, J. II Overture: Waldmeister (1895). 9
Massenet, J. Meditation, from Thaïs (1894; arr. 6 Parhamovsky).
Schumann, R. Sonata in F minor, op 14 (183536). 32
Spohr, L. Clarinet concerto no 3 in F minor (1821).
Waxman, F. Carmen fantasie (1947).
Janitsch, J. Quartet in F for winds and strings. 14
Shostakovich, D. Symphony no 5 in D minor, op 47 (1937). 46
Clarke, J. Suite in D (1705). 11
12:00 JAZZ SKETCHES with Robert Vale 13:00 YOUNG VIRTUOSI
27
10
Rachmaninov, S. Vocalise, op 34 no 14 (1915; 6 arr.Parhamovsky). Saint-Saëns, C. Introduction and rondo capriccioso, op 28 (1863). 9 Tchaikovsky, P. Violin concerto in D, op 35 (1878). July 2016
fineMusic 102.5
35
41
Friday 29 July
Thursday 28 July 0:00 CONTEMPORARY COLLECTIVE
0:00 CONTEMPORARY COLLECTIVE
3:00 CLASSICAL TILL DAWN
3:00 CLASSICAL TILL DAWN
6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Simon Moore
6:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Janine Burrus
9:00 DIVERSIONS IN FINE MUSIC Two’s company Prepared by Elaine Siversen
9:00 DIVERSIONS IN FINE MUSIC Only strings Prepared by Rebecca Zhong
Harty, H. In Ireland (1915). 9
Dvorák, A. Serenade in E for strings, op 22 (1875).
Offenbach, J. Duet in C for two cellos, op 53 no 3 (1847). 15
Sculthorpe, P. From Kakadu (1993; arr. McGuire). 11
Langlais, J. Pastorale and Rondo for two trumpets and organ (1982). 8 Bach, C.P.E. Concerto in E flat for forepiano and harpsichord, Wq47 (1788). 18 Brahms, J. Gestillte Sehnsucht, op 91 no 1; Geistiches Wiegenlied, op 91 no 2 (pub. 1884). 13 Nicolai, O. Duo horn sonata no 1 in F (1833-37). 16 10:30 MORNING CONCERT Prepared by Anne Irish
Hyde, M. Piano concerto no 1 in E flat minor, (1933).
30
Beach, A. Symphony in E minor, op 32, Gaelic (1896). 41 12:00 JAZZ, PURE AND SIMPLE with Maureen Meers 13:00 THOMASKANTOREN AND THOMANER Teachers and students at the St Thomas Choir, Leipzig. Prepared by Stephen Matthews
Falla, M. de Seven popular Spanish songs (1915; transcr. Maréchal, Llobet). 14
Geoffrey Simon - 9am Diversions in Fine Music 15:00 THE ART OF BACH IN LEIPZIG Prepared by Stephen Matthews
Schubert, F. String trio in B flat, D471 (1816). 16
Bach, J.S. Trio sonata no 1, BWV525 (c1730). 12 Sleepers, awake, from Cantata BWV140; Jesu, joy of man’s desiring, BWV147. 8 3
Prelude and fugue in G, BWV541; An Wasserflüssen Babylon, BWV653b. 9 Suite for two pianos, from St Matthew Passion. 19 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Marilyn Schock
Weber, C.M. Bassoon concerto in F, op 75 (1811/22).
Tobias, M. Motet: Aus der Tiefe.
Mozart, W. Piano concerto no 18 in B flat, K456. 29 Britten, B. Serenade, op 31 (1943).
8 33
Stanford, C. Villiers Symphony no 5 in D, op 56, L’allegro ed il penseroso (1894). 40
20:00 LIVE AND LOCAL Guests of the ACO Recorded by FINE MUSIC
Bach, J.S. Overture no 1 in C, BWV1066 (c1724). 20
Schelle, J. Motet: Komm, Jesu, komm, mein Leib ist müde. 4
Somervell, A. Violin concerto in G minor (1930).
13:00 ROMANTIC WIND CONCERTOS Prepared by Frank Morrison
Schein, J. Motet: Verleih uns Frieden gnädiglich. 3
Knüpfer, S. Motet: Mein Gott, betrübt ist meine Seele. 5
Clementi, M. Overture in D.
19:00 THE NEW JAZZ STANDARD with Frank Presley
7
2
10:30 MORNING CONCERT Prepared by Sheila Catzel
12:00 A JAZZ HOUR with Barry O’Sullivan
Fasch, J. Concerto in D for trumpet, two oboes, strings and continuo (c1710). 6
Calvisius, S. Motet: Praeter rerum seriem.
42
Hoffmeister, F. Double bass quartet no 3 in D. 11
Five Canons on the Goldberg Ground.
Mendelssohn, Fanny. Overture (c1830). 11
28
24
21:30 WIND INTERLUDE Prepared by Brian Drummond
Kuhnau, J. Tristis est anima mea. 5
Kalliwoda, J. Salon piece for oboe and piano, op 228. 10
Bach, J.S. Cantata, BWV140: Wachet auf.
13
Respighi, O. Wind quintet in G minor (1898). 15
Excerpts from St Matthew Passion, BWV244 (1727).
13
Bach, J.C.F. Cantata: Wachet auf.
16
22:00 DIFFERING PATHS OF THE 20TH CENTURY Prepared by Paul Cooke
Doles, J. Motet: Wer bin ich, herr.
8
Halvorsen, J. Fossegrimen, op 21 (1905).
30
Milhaud, D. Le création du monde op 81.
17
Homilius, G. Motet: Die Elenden sollen essen. 3
Holland, D. Violin sonata (1937). 15
Krebs, J. Motet: Erforsche mich, Gott, und erfahre mein Herz. 6
Hindemith, P. Symphony, The harmony of the world (1951). 37
Altnickol, J. Motet: Befiehl du deine Wege. 19
Birtwistle, H. Silbury air (1977).
15
For a detailed program guide and digital schedule visit: www.finemusicfm.com/program-schedule.html
17
Krommer, F. Oboe concerto in F, op 52 (1805). 20 Mercadante, S. Clarinet concerto in E flat.
17
14:00 OPUS 6 Prepared by Randolph Magri-Overend Handel, G. Concerto grosso no 8 in C minor, HWV326 (1739). Quilter, R. Come away, death, from Three Shakespeare songs, op 6 (1905).
14 3
Arnold, M. Trio, op 6 (1942). 11 Enescu, G. Violin sonata no 2, op 6 (1899).
22
Liszt, F. 12 Études for piano, op 6 (1826).
24
Grechaninov, A. Symphony no 1 in B minor, op 6 (1895). 34 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Brendan Walsh 19:00 FRIDAY JAZZ SESSION with Sally Cameron
Friday 29 July
Saturday 30 July
Gottfried von der Goltz - 10pm Baroque and Before
Imogen Cooper - 5.30pm Five By Two
20:00 THE ROMANTIC CENTURY Prepared by Denis Patterson
0:00 CLASSIC-ALL THROUGH THE NIGHT
Dvorák, A. Symphonic poem: The water goblin, op 107 (1896). 20
14:30 LOVE ACTUALLY Prepared by Randolph Magri-Overend
6:00 SATURDAY MORNING MUSIC with Arek Sinanian
Berlioz, H. Love scene, from Romeo and Juliet, op 17 (1839). 17
Cui, C. Concert suite for violin and orchestra, op 25 (1884). 21
9:00 ORCHESTRAS AROUND THE WORLD London Sinfonietta Prepared by Derek Parker
Borodin, A. String quartet no 2 in D (1881).
26
Saint-Saëns, C. Le Carnaval des animaux (1886). 23
Raff, J. Symphony no 5 in E, op 177, Lenore (1872).
40
Warren, H. Lullaby of Broadway. 15
22:00 BAROQUE AND BEFORE Handel’s ‘creditors’ Prepared by Paul Roper Handel, G. But oh! what art can teach, from A song for St Cecilia’s day (1739). Muffat, Gottlieb. Suite no 6 in G (1736).
Bach, J.S. Keyboard concerto no 5 in F minor, BWV1056. 11 Gershwin, G. Rhapsody in blue (1924; arr. Grofé). 16 Stravinsky, I. Reynard the fox (1922).
6 25
Handel, G. Concerto grosso no 8 in G, op 6 no 1 (1739). 11 Solemn march during the circumvection of the Ark of the Covenant; Glory to God! The strong cemented walls, from Joshua, HWV64 (1747). 7 Overture to Hercules (1744),
Finzi, G. I said to love, op 19b.
7
Telemann, G. Suite in B flat, from Musique de table (1732). 21
Stravinsky, I. Ragtime (1918).
16 4
10:30 MUSIC FOR SMALL FORCES Prepared by Derek Parker Mozart, W. Piano trio in B flat, K502 (1786).
22
Schubert, F. Fantasy in F minor, D940 (1828). 19 Handel, G. Viola d’amore sonata in C.
14
11:30 ON PARADE Prepared by Robert Small
14
Wagner, R. Prelude and love-death, from Tristan and Isolde (1857-59). 17 Schumann, R. A woman’s life and love, op 42 (1840). 21 Prokofiev, S. Suite from The love for three oranges, op 33b (1919).
16
Falla, M. de Love the magician, Andalusian gypsy scenes, ballet in one act (1915). 24 16:30 HORN AND CO Prepared by Chris Blower Mozart, W. Divertimento no 11 in D, K251 (1776). 25 Brahms, J. Trio in E flat for violin, horn and piano, op 40 (1865). 30 17:30 FIVE BY TWO
Reed, A. El Camino Real. 11
Arensky, A. Suite no 4 for two pianos, op 62. 13
Handel, G. A sinfony, Postillions; Ye sages! Welcome always to your king ... O misery! O terror! O hopeless grief, from Belshazzar, HWV61 (1745). 4
Whitacre, E. Godzilla eats Las Vegas!
Albinoni, T. Sinfonia in G for two oboes (arr. Camden).
Kuhnau, J. Sonata no 3 in F (1696).
13:00 FANDANGO Prepared by Michael Morton-Evans
10
Handel, G. Concerto grosso no 18 in A, op 6 no 11 (1739). 16
14
12:00 JAZZ SATURDAY @ STUDIO A with Leita Hutchings
Spohr, L. Double quartet no1 in D minor, op 65 (1823). 21
Boccherini, L. Guitar quintet no 4 in D, Fandango (1798). 17 Holst, G. A moorside suite. 15 Karlowicz, M. Returning waves, op 9 (1904). 24 Mozart, W. Clarinet concerto in A, K622.
8
27
Mozart, W. Concerto in E flat for two pianos, K365/316a (1779).
25
Marsh, J. Conversation symphony for two orchestras (ed. Graham-Jones).
13
19:00 THE MAGIC OF STAGE AND SCREEN with Annabelle Drumm July 2016
fineMusic 102.5
43
Saturday 30 July
Sunday 31 July
Roy Goodman - 10pm Saturday Night at Home
David Alan Miller - 8.30pm New Horizons
20:00 INFLUENCES AND CONNECTIONS George Frederick Handel Prepared by Elaine Siversen
0:00 CLASSIC-ALL THROUGH THE NIGHT
Zachow, F. Fantasia in D.
6
Keiser, R. Liebe sag’, was fängst du an? from Croesus (1710/30). 5 Handel, G. Overture to Almira in G minor, HWV1 (1705). 4 Buxtehude, D. Prelude in F sharp minor, BuxWV146. 9 Scarlatti, A. Caldo sangue, from Urbino (1705). 6 Corelli, A. Trio sonata in A, op 3 no 12 (pub. 1689).
7
Handel, G. Eternal source of light divine; Let rolling streams their gladness show, from Ode for the birthday of Queen Anne, HWV74 (1713). 8 Chandos anthem no 4: O sing unto the Lord a new song, HWV249 (1717-18). 15 Stanley, J. Voluntary in C, op 5 no 1 (pub. 1748).
8
18:00 SYDNEY SOCIETY OF RECORDER PLAYERS Prepared by Robert Small and Susan Bell
6:00 SUNDAY MORNING MUSIC with John Yates 9:00 MUSICA SACRA Prepared by Stephen Matthews
Hotteterre, J-M. Brunette en trio à 3.
4
Bach, J.S. Lutheran Mass in G minor, BWV235 (1737). 28
Ciconia, J. Virelai: Sus une fontayne en remirant.
8
Byrd, W. Mass for five voices (c1591).
Genzmer, H. Recorder sonata (1941). 11
24
10:00 THE CLASSICAL ERA Prepared by Andari Anggamulia
Angerer, P. Wie lieblich ist der Mai (1958).
Beethoven, L. String trio in G, op 9 no 1 (179798). 31 Haydn, J. String quartet in G minor, Hob.III:33 (1772). 27 Ries, F. Piano quintet in B minor, op 74.
21
Cherubini, L. Symphony in D.
30
12:00 SYDNEY JAZZ CLUB PRESENTS Classic jazz and ragtime with Jeannie McInnes
Pepusch, J. Excerpts from The Beggar’s opera. 11 Handel, G. Excerpts from Jephtha, HWV70 (1752).
12
22:00 SATURDAY NIGHT AT HOME Prepared by Jack Williams Haydn, J. String quartet in G, Hob.III:81 (1799).
Couperin, F. Pièces en concert (pub 1728; arr Bazelaire). 13 Mozart, W. String quartet no 15 in D minor, K421 (1783). 30
13:00 WORLD MUSIC: Whirled Wide 14:00 LIVE FROM THE JOAN A free concert of talented musicians from the Joan Sutherland Performing Arts Centre in Penrith 17:00 HOSANNA Prepared by Heather Sykes
Telemann, G. Trio sonata in G minor.
8
Veldhuis, J. ter The garden of love (2007).
7
19:00 SUNDAY NIGHT CONCERT Prepared by Sheila Catzel
Tchaikovsky, P. Symphonic fantasy, The tempest, op 18 (1873). 24 Chopin, F. Ballet: Les sylphides (arr. Fokine 1909).
28
20:30 NEW HORIZONS Prepared by Robert Small
Hadley, P. My beloved spake, from Song of Solomon.
8
Hymns: Guide me O thou great Redeemer; Great is thy faithfulness; There’s a wideness in God’s mercy; Breathe on me breath of God. 12
Schubert, F. Symphony no 4 in C minor, D417, Tragic (1816). 31
Psalms: no 95, O come let us sing to the Lord; no 22, My God look upon me; no 20, O give thanks. 15
Bach, J.S. Brandenburg concerto no 2 in F, BWV1047 (1720). 11
Sheppard, J. Anthems: In pace; Salvator mundi; In manus tuas. White, R. The Lord bless us.
44
Shanahan, I. Helical ribbon (1990). 1
Szymanowski, K. Violin concerto no 1, op 35 (1916). 24
Parry, H. Long since in Egypt’s plenteous land, from Judith. 24
Eyck, J. Excerpts from Amarilli variations (1644). 8
Lutoslawski, W. Overture for strings (1949). 5
Bononcini, G. Per la gloria d’adorarvi, from Griselda (1722; ed. Bonynge). 5 Handel, G. Coronation anthem no 1: Zadok the priest, HWV258 (1727). 6
6
14
For a detailed program guide and digital schedule visit: www.finemusicfm.com/program-schedule.html
Cresswell, L. Concerto for orchestra and piano quintet (1996). 27 Humberstone, J. Cycles and circles (2012). 18 Corigliano, J. Conjurer - Concerto for percussionist and string orchestra with optional brass (2007). 22:00 AFTER HOURS JAZZ with Kevin Jones
36
The following composers have works of at least five minutes on the July dates listed Adams, J. b1947 3 Aho, K. b1949 24 Albinoni, T. 1671-1751 11,30 Alkan, C-V. 1813-1888 9 Altnickol, J. 1720-1759 28 Alwyn, W. 1905-1985 25 Alyabyev, A. 1787-1851 3 Anderson, L. 1908-1975 5 Angerer, P. b1927 31 Antill, J. 1904-1986 17 Apostel, H. 1901-1972 13 Arensky, A. 1861-1906 3,13,16,19,22,30 Arnalds, O. b1986 17 Arnold, M. 1921-2006 29 Auber, D-F-E. 1782-1871 4 Aubert, J. 1689-1753 13
Carr-Boyd, A. b1938 1 Carulli, F. 1770-1841 3 Castelnuovo-Tedesco, M. 1895-1968 21 Chadwick, G. 1854-1931 7 Charpentier, M-A. 1635-1704 24 Chausson, E. 1855-1899 1 Cherubini, L. 1760-1842 1,13,31 Chopin, F. 1810-1849 9,12,16,18,26,31 Ciconia, J. c1335-1411 31 Ciurlionis, M. 1875-1911 7 Clarke, J. 1673-1707 26 Clementi, M. 1752-1832 29 Clérambault, L-N. 1676-1749 13 Bach, C.P.E. 1714-1788 Copland, A. 1900-1990 3,26 9,15,17,19,28 Corelli, A. 1653-1713 6,30 Bach, J.C.F. 1732-1795 28 Corigliano, J. b1938 31 Bach, J.S. 1685-1750 1,3,5,1 Couperin, F. 1668-1733 30 0,14,22,24,25,27,28,30,31 Cramer, J. 1771-1858 10 Balakirev, M. 1837-1910 Cresswell, L. 20th c 24,31 22,26 Cui, C. 1835-1918 29 Barber, S. 1910-1981 5, 21 Czerny, C. 1791-1857 23 Bartók, B. 1881-1945 1,15,23,26 Danzi, F. 1763-1826 3,10,23 Bax, A. 1883-1953 6 Dauvergne, A. 1713-1797 22 Beach, A. 1867-1944 5,23,28 David, Ferdinand. 1810Beck, F. 1734-1809 19 1873 17 Beethoven, L. 1770-1827 1,3, Debussy, C. 1862-1918 8,9,10,12,17,18,22,23,26,31 2,6,8,21 Bellini, V. 1801-1835 4 Delibes, L. 1836-1891 22 Bellsted, H. 1858-1926 2 Delius, F. 1862-1934 2 Benda, G. 1722-1795 24 Dessner, B. b1976 3 Berkeley, L. 1905-1989 15 Destouches, A. 1672-1749 11 Berlioz, H. 1803-1869 Dittersdorf, C. 1739-1799 13 9,15,23,24,30 Dohnányi, E. 1877-1960 1 Bernstein, L. 1918-1990 Doles, J. 1715-1797 28 10,16,23 Donizetti, G. 1797-1848 Birtwistle, H. b1934 28 4,8,15 Bizet, G. 1838-1875 2,23,25 Dvorák, A. 1841-1904 Blake, H. b1938 15 1,4,11,14,17,29 Blow, J. 1649-1708 9 Boccherini, L. 1743-1805 Elgar, E. 1857-1934 6,9,30 1,2,10,12,15,18,21 Bochsa, N. 1789-1856 12 Enescu, G. 1881-1955 29 Boïeldieu, A. 1775-1834 10 Eyck, J. c1590-1657 31 Boismortier, J. de 1689-1755 8,25 Falla, M. de 1876-1946 Bononcini, G. 1670-1747 14,26,29,30 11,30 Fasch, J. 1688-1758 28 Bonporti, F. 1672-1749 25 Faure, G. 1845-1924 19 Borodin, A. 1833-1887 Field, J. 1782-1837 5,21 4,8,15,17,25,29 Finnissy, M. b1946 10 Bottesini, G. 1821-1889 Finzi, G. 1901-1956 12,30 8,16,26 Foss, L. b1922 23 Boyce, W. 1711-1779 17 Fossa, F. de 1775-1849 19 Boyle, M. 1902-1976 17 Frahm, N. b1982 17 Brahms, J. 1833-1897 Françaix, J. 1912-1997 3,5,6,9,14,16,19,28,30 2,19,23 Bresnick, M. b1946 10 Franck, C. 1822-1890 9,15,25 Bridge, F. 1879-1941 2 Frescobaldi, G. 1583-1643 18 Britten, B. 1913-1976 Fucik, J. 1872-1916 9 9,14,21,26,28 Fux, J. 1660-1741 13 Brouwer, M. b1940 10 Bruch, M. 1838-1920 3,7 Gade, N. 1817-1890 16 Buxtehude, D. 1637-1707 30 Geminiani, F. 1687-1762 6,22 Byrd, W. 1543-1623 31 Genzmer, H. b1909 31 Gershwin, G. 1898-1937 1,30 Calvisius, S. 1556-1615 28 Giampieri, A. 1893-1963 17 Campra, A. 1660-1744 8 Gibbons, O. 1583-1625 17,24 Cannabich, C. 1731-1798 17 Gillis, D. 1912-1978 11 Canteloube, J. 1879-1957 10 Giuliani, M. 1781-1829 18,21 Carmichael, J. b1930 14 Glazunov, A. 1865-1936 1,21
Glière, R. 1875-1976 4 Glinka, M. 1804-1857 19 Gluck, C. 1714-1787 3,6,9,13,27 Gnattali, R. 1906-1988 23 Godowsky, L. 1870-1938 23 Goldberg, J. 1727-1756 19 Gossec, F-J. 1734-1829 24 Gounod, C. 1818-1893 8,15,21 Granados, E. 1867-1916 2 Grandi, A. c1575-1630 15 Graupner, C. 1683-1760 25 Grechaninov, A. 1864-1956 29 Grieg, E. 1843-1907 7,9,22,23,26 Guerrero, F. 1528-1599 24 Haas, P. 1899-1944 7 Hadley, P. 1899-1973 31 Halvorsen, J. 1864-1935 28 Handel, G. 1685-1759 8,9,12,17,21,24,25,27,29,30 Hanson, R. 1913-1976 19 Harris, W. 1883-1973 17 Harrison, B. b1969 10 Harty, H. 1879-1941 21,28 Haydn, J. 1732-1809 3,11,17,21,26,30,31 Haydn, M. 1737-1806 8,10,16,17 Henderson, M. b1941 17 Hertel, J. 1727-1789 24 Herzogenberg, H. 1843-1900 13,16 Higdon, J. b1962 3 Hindemith, P. 1895-1963 15,20,23,28 Hoffmeister, F. 1754-1812 13,29 Holbrooke, J. 1876-1958 8 Holland, D. 1913-2000 5,23,28 Holst, G. 1874-1934 12,23,30 Hovhaness, A. 1911-2000 9 Hultqvist, A. b1955 15 Humberstone, J. b1974 31 Hummel, J. 1778-1837 4,16,20 Humperdinck, E. 1854-1921 10 Hyde, M. 1913-2005 28 Janácek, L. 1854-1928 3 Janitsch, J. 1708-1763 26 Kalinnikov, Vasily. 18661901 22 Kalliwoda, J. 1801-1866 28 Kálmán, E. 1882-1953 1 Kander, J. b1927 23 Karlowicz, M. 1876-1909 30 Kats-Chernin, E. b1957 15 Ketèlbey, A. 1875-1959 25 Khachaturian, A. 1903-1978 25 Kodály, Z. 1882-1967 18 Koechlin, C. 1867-1950 25 Koehne, G. b1956 12 Korngold, E. 1897-1957 8,10 Kraus, J.M. 1756-1792 10 Krebs, J. 1713-1780 28 Kreutzer, C. 1780-1849 19 Krommer, F. 1759-1831 8,29 Kuhlau, F. 1786-1832 20 Kuhnau, J. 1660-1722 29 Lalo, E. 1823-1892 14
Langgaard, R. 1893-1962 26 Langlais, J. 1907-1991 28 Lanner, J. 1801-1843 4 Le Gallienne, D. 1915-1963 15 Lefanu, N. b1947 5 Lilburn, D. 1915-2001 22 Liszt, F. 1811-1886 3,8,9,18,19,23,29 Lloyd Webber, W. 19141982 24 Locatelli, P. 1695-1764 11,13 Loewe, F. 1901-1988 9 Lovenskjold, H. 1815-1870 7 Lutoslawski, W. 1913-1994 31 Lutyens, E. 1906-1983 5 MacKenzie, A. 1847-1935 1 Maconchy, E. 1907-1994 5,12 Magnard, A. 1865-1914 12,15 Mahler, G. 1860-1911 3,4,9 Marcello, A. 1684-1750 18 Markevitch, I. 1912-1983 23 Marsh, J. 1752-1828 30 Marshall-Hall, G. 1862-1915 12 Martinu, B. 1890-1959 4,21 Massenet, J. 1842-1912 27 Maxwell Davies, P. b1934 6,10 McLeod, J. b1934 22 Medins, J. 1890-1968 7 Medtner, N. 1880-1951 14 Mendelssohn, F. 1809-1847 2,3,4,12,15,20,22,23,24 Mendelssohn, Fanny. 18051847 18,28 Menotti, G. 1911-2007 18 Mercadante, S. 1795-1870 2,29 Mertz, J. 1806-1856 23 Meyerbeer, G. 1791-1864 21 Milhaud, D. 1892-1974 11,28 Moeran, E.J. 1894-1950 2,22 Monteverdi, C. 1567-1643 10 Monti, V. 1868-1922 26 Moore, K. b1979 10 Morton, R. c1430-c1476 22 Mouret, J-J. 1682-1738 8 Mozart, L. 1719-1787 8 Mozart, W. 1756-1791 1,2,3, 5,7,9,10,11,12,13,14,17,21,24 ,26,28,30 Muffat, Gottlieb. 1690-1770 29 Müller, I. 1786-1854 19 Musgrave, T. b1928 5 Mussorgsky, M. 1839-1881 21 Nas, M. b1972 14 Nathan, I. 1790-1864 18 Nicolai, O. 1810-1849 2,24,28 Nielsen, C. 1865-1931 7,13,16 North, A. 1910-1991 22 Offenbach, J. 1819-1880 15,16,18,28 Onslow, G. 1784-1853 1 Paganini, N. 1782-1840 25 Page, R. b1956 10 Palestrina, G. da c15251594 18
Palomo, L. b1938 14 Pann, C. b1972 11 Pepusch, J. 1667-1752 30 Pergolesi, G. 1710-1736 6 Piazzolla, A. 1922-1992 11 Piccinni, N. 1728-1800 27 Pichl, V. 1741-1805 9 Pierné, G. 1863-1937 19 Pleyel, I. 1757-1831 12 Potter, C. 1792-1871 8 Poulenc, F. 1899-1963 21 Prokofiev, S. 1891-1953 11,16,17,19,23,26,30 Puccini, G. 1858-1924 3,8,18 Pugnani, G. 1731-1798 24
Spohr, L. 1784-1859 2,4,17,27,30 Stanford, C. Villiers 18521924 2,21,29 Stanhope, D. b1951 19,23 Stanley, J. 1712-1786 30 Strauss, J. II 1825-1899 24,27 Strauss, R. 1864-1949 2,8,17,24 Stravinsky, I. 1882-1971 21,30 Suk, J. 1874-1935 22 Sumsion, H. 1899-1995 16 Suppé, F. 1819-1895 11 Susato, T. d c1561 22 Rachmaninov, S. 1873-1943 Svendsen, J. 1840-1911 7 12,16,26,27 Szymanowski, K. 1882-1937 31 Raff, J. 1822-1882 29 Rameau, J-P. 1683-1764 2,11 Taneyev, S. 1856-1915 Ravel, M. 1875-1937 5,15,21,22 2,9,12,14,21,23,25,26 Tausch, F. 1762-1817 1 Reed, A. b1921 30 Tchaikovsky, P. 1840-1893 Reger, M. 1873-1916 2 7,8,14,16,17,18,19,21,22,2 Reichardt, J. 1752-1814 3 6,27,31 Respighi, O. 1879-1936 Telemann, G. 1681-1767 1,29,31 1,3,18,20,22,28 Rheinberger, J. 1839-1901 3 Thomas, A. 1811-1896 4,15 Thomas, J. 1826-1913 1 Ries, F. 1784-1838 7,31 Rimsky-Korsakov, N. 1844- Thomson, V. 1896-1989 11 Tinel, E. 1854-1912 9 1908 11 Robinson, T. fl 1589-1609 1 Toch, E. 1887-1964 23 Tormis, V. b1930 7 Rodgers, R. 1902-1979 9 Roslavets, N. 1881-1944 5 Tubin, E. 1905-1982 7 Rossini, G. 1792-1868 Uttini, F. 1723-1795 24 2,3,9,15,18,22 Roussel, A. 1869-1937 15 Vainberg, M. 1919-1996 14 Rózsa, M. 1907-1995 22 Vaughan Williams, R. 1872Saint-Saens, C. 1835-1921 1958 19,26 Veldhuis, J. ter b1951 31 1,2,8,10,11,15,25,26,27,30 Saint-Saëns, C. 1835-1921 Veracini, F. 1690-1768 16 Verdi, G. 1813-1901 1,2,8,10,11,15,25,26,27,30 4,8,15,18,22,24,25 Salieri, A. 1750-1825 10 Villa-Lobos, H. 1887-1959 1,6 Sallinen, A. b1935 6 Sammartini, G. 1693-1750 25 Vine, C. b1954 24 Sarasate, P. de 1844-1908 14 Vines, N. b1976 24 Vitols, J. 1863-1948 7 Saygun, A. 1907-1981 7 Scarlatti, A. 1659-1725 13,30 Vivaldi, A. 1678-1741 Schaffrath, C. 1709-1763 2 8,11,25,26,27 Schein, J. 1586-1630 1 Wagner, R. 1813-1883 Schenck, J. 1660-1712 14 6,16,22,25,30 Schmidt, F. 1874-1939 26 Walton, W. 1902-1983 Schnittke, A. 1934-1998 5 7,21,23 Schoenberg, A. 1874-1951 Warlock, P. 1894-1930 2 7,24 Warren, H. 1893-1981 30 Schubert, F. 1797-1828 Waxman, F. 1906-1962 27 3,8,9,10,11,17,20,26,29,30 Weber, C.M. 1786-1826 Schultz, A. b1960 3 1,16,19,20,29 Schumann, C. 1819-1896 Webern, A. 1883-1945 7 4,5,10 Weir, J. b1954 5 Schumann, R. 1810-1856 Weiss, S. 1686-1750 11 2,3,8,12,20,23,26,30 Sculthorpe, P. b1929 1,21,29 Werner, G. 1693-1766 13 Shostakovich, D. 1906-1975 Wesley, S. 1766-1837 10 Wesley, S.S. 1810-1876 17 2,5,18,22,23,27 Westlake, N. b1958 11 Sibelius, J. 1865-1957 Whitacre, E. b1970 30 6,8,9,19 White, R. c1538-1574 31 Silvestrov, V. b1937 14 Widor, C-M. 1844-1937 17 Skryabin, A. 1872-1915 Wilson, N. b1973 15 10,14,24 Wise, J. 20th c 9 Smetana, B. 1824-1884 Wood, Haydn. 1882-1959 16 4,10,26 Smyth, E. 1858-1944 16 Somervell, A. 1863-1937 29 Zachow, F. 1663-1712 30 Zelenka, J. 1679-1745 10 Sparke, P. b1951 9
Key
Music duration is shown after the record and citation Orchestra ban: bandoneon SO: Symphony
Orchestra PO: Philharmonic Orchestra NO: National Orchestra RO: Radio Orchestra FO: Festival Orchestra CO: Chamber Orchestra TO: Theatre Orchestra RSO: Radio Symphony
RTO: Radio & Television Orchestra Prom O: Promenade Orchestra Ch & O: Chorus & Orchestra NSO: National Symphony Orchestra alto: male alto
bar: baritone bshn: basset horn bass: bass bn: bassoon bass-bar: bass-baritone cl: clarinet clvd: clavichord cont: contralto cora: cor anglais
ct: counter-tenor db: double bass dbn: double bassoon elec: electronic eng horn: English horn fl: flute fp: fortepiano gui: guitar hn: French horn hp: harp
hpd: harpsichord mand: mandolin mar: marimba mezz: mezzo-soprano narr: narrator ob: oboe org: organ perc: percussion pf: piano picc: piccolo rec: recorder July 2016
sax: saxophone sop: soprano tb: trombone ten: tenor timp: timpani tpt: trumpet treb: treble voice va: viola vc: cello vle: violone vn: violin
fineMusic 102.5
45
PERSONNEL MUSIC BROADCASTING SOCIETY OF NEW SOUTH WALES CO-OPERATIVE LTD Owner and operator of Australia’s first community operated stereo FM station, 2MBS-FM now known as Fine Music 102.5. The Objects of the Society are primarily to broadcast fine music and operate one or more FM broadcasting stations for the encouragement of music. Another is to be part of Sydney’s cultural landscape networking with musical and arts communities to support and encourage local musicians and music education and to use our technical and broadcast resources to further this aim. Our mission is to be Sydney’s preferred fine music broadcaster and to share the love of fine music through broadcasting. Member of the Community Broadcasting Association of Australia.
DIRECTORS Janine Burrus – Chair, Lloyd Capps – Deputy Chair, Andrew Dziedzic - Secretary, David Brett, Ian Dunbar, Jeannie McInnes, Simon Moore, Stephen Wilson STAFF Sue Ferguson - Financial Administrator, Michael Guilfoyle- Production Coordinator, Steve-Marc McCulloch - Program Coordinator, Morgan Merrel Relationships Manager, Liza Smith - Communications Manager.
COMMITTEE CHAIRS Programming - Chris Blower, Presenters - Ross Hayes, Technical - Roger Doyle, Volunteers - Sue Nicholas, Finance - David Brett, Jazz - Jeannie McInnes, Library - Susan Ping Kee, Under 30s Programs – Michael Field, Work Health and Safety - Dennis Oppenheim
FRIENDS OF FINE MUSIC ADMINISTRATOR Allen Ford YOUNG VIRTUOSI COORDINATOR Judy Deacon WORK EXPERIENCE COORDINATORS Paul Cooke and Christina Macguinness MAGAZINE DISTRIBUTION Sissi Stewart INTERNSHIP COORDINATOR Heather Middleton PROGRAM SUBEDITORS Jan Akers, Chris Blower, Di Cox, Colleen Chesterman, Noelene Guillemot, Gerald Holder, Susanne Hurst, Heather Phillips, Elaine Siversen, Halyna Van Ewyk, Jill Wagstaff, Teresa White
LIBRARIANS Jan Akers, Barbara Brady, Gaby Brown, Lynn Forrester, Valerie Haynes, David Hilton, Helen Milthorpe, Mike Marchbank, Phillip McGarn, Susan Ping Kee,
David Richardson, Gary Russ, Mark Renton, Manfred Stauber, Ray Thatcher, Anne Wiseman, Maria Gorelik, Helen Dignan, Lynden Dziedzic, Louise Levy, Grahame Manns
VOLUNTEER RECORDING ENGINEERS Peter Bell, Roger Doyle, Greg Ghavalas, George Hilgevoord, John Ingham, Jayson McBride, Tim Saddler, Greg
Simmons, Conan Tran, Peter Truong, Doug Jones
VOLUNTEER PROGRAMMERS AND PRESENTERS Meena Ahn, Andari Anggamulia, Charles Barton, Angela Bell, Peter Bell, Susan Bell, Chris Blower, David Brett, Barrie Brockwell, John Buchanan, Andrew Bukenya, Rex Burgess, Janine Burrus, Sarah Cachia, Sally Cameron, Lloyd Capps, Vince Carnovale, Sheila Catzel, Yola Center, Colleen Chesterman, Chloe Chung, Andrew Clark, Angela Cockburn, Liam Collins, Paul Cooke, Angus Cornwell, Marc Cottee, George Coumbis, Di Cox, George Cruickshank, Nick Dan, Kate Delaney, Nev Dorrington, Susan Gai Dowling, Annabelle Drumm, Brian Drummond, Andrew Dziedzic, Emyr Evans, Michael Field, Owen Fisher, Jennifer Foong, Tom Forrester-Paton, Francis Frank, Carole Garland, David Garrett, Robert Gilchrist, Nicky Gluch, Gael Golla, Andrew Grahame, Giovanna Grech, Jeremy Hall, Austin Harrison, Ross Hayes, Andre Hayter, Gerald Holder, Paul Hopwood, Richard Hughes, James Hunter, Leita Hutchings, Anne Irish, Paul Jackson, Kevin Jones, Rhiannon Jones, Sue Jowell, David Knapp, Peter Kurti, Ray Levis, Philip Lidbury, Linda Marr, Meg Matthews, Stephen Matthews, Randolph Magri-Overend, Trisha McDonald, Jeannie McInnes, Terry McMullen, Maureen Meers, Camille Mercep, Heather Middleton, Peter Mitchell, Simon Moore, Frank Morrison, Michael Morton-Evans, Richard Munge, Peter Nelson, James Nightingale, David Ogilvie, Josh Oshlack, Barry O’Sullivan, Calogero Panvino, Derek Parker, Denis Patterson, Peter Poole, Frank Presley, Katy RogersDavies, Paul Roper, Genji Sato-Fraser, Marilyn Schock, Debbie Scholem, Jon Shapiro, Dan Sharkie, Julie Simonds, Arek Sinanian, Elaine Siversen, Robert Small, Manfred Stäuber, Garth Sundberg, Heather Sykes, Anna Tranter, Madilina Tresca, Dimitri Tsahuridis, Robert Vale, Phil Vendy, Richard Verco, Ron Walledge, Brendan Walsh, Chris Wetherall, Ken Weatherley, Jack Williams, Alastair Wilson, Stephen Wilson, Glenn Winfield, Chris Winner, John Yates, Orli Zahava, Tom Zelinka, Rebecca Zhong, Alison Zhou
MEMBERSHIP The Music Broadcasting Society of NSW Co-Operative Ltd is registered under the Co-operatives Act 1992 (NSW). Annual membership fee is $22 and members are entitled to vote at Society general meetings. Enquiries - admin@finemusicfm.com VOLUNTEERS Fine Music’s many volunteers are supported by a small team of staff. To find out how to join our volunteers visit finemusicfm.com
46
July 2016
fineMusic 102.5
or call 9439 4777.
Fine music patrons & friends
Honorary Patron
Professor The Honourable Dame Marie Bashir AD CVO
Artistic Patrons Elena Kats-Chernin Simon Tedeschi Richard Tognetti
Titanium Patrons ($50,000+)
Mr Max Benyon OAM, Mr Roger Doyle, Anonymous 1
Platinum Patrons ($25,000-$49,999) Dr Bill McKee
Diamond Patrons ($10,000-$24,999) Mr Ron Walledge
Ruby Patrons ($5,000-$9,999)
Prof Clive Kessler, Frank Family Foundation
Emerald Patrons ($2,500-$4,999)
The Garrett Riggleman Trust, Mr J D O Burns, Mr Michael Ahrens, The Berg Family Foundation, Mr Anthony C Strachan, Dr Janice Hirshorn
Gold Patrons ($1000-$2499)
Mr Robert O Albert, Mrs Halina Brett, Ms Janine Burrus, Hon Mr Justice David Davies SC, Mrs Margaret Epps, The Holden Family Foundation, The Hon. Elizabeth L Fullerton SC, Miss J E Hamilton, Mrs Freda Hugenberger, Dr Peter Ingle, Ms Aino Mackie, Ms Jeannie McInnes, Mr Geoffery & Mrs Jean E Murphy, Ms Nola Nettheim, Mrs Joyce Sproat, Mr P M Weate, Mr Cameron Williams, Sydney Piano World, Anonymous1
Silver Patrons ($500-$999)
Dr H Bashir, Prof Dame Marie Bashir AD Cvo, Mrs Jan Bowen, Mrs A Buchner, The Radio Community Chest Inc, Mr Robert E S Clark, Mrs Elizabeth Donati, Dr Bernard Maybloom, Mrs Patricia McAlary, Mr J S Milford, Mr Ray Travers, Anonymous 3
Bronze Patrons ($250-$499)
Ms Fiona Barbouttis, Prof Peter Bayliss, Ms Baiba Berzins, Mr Claus Blunck, Mr Dom Cottam, Mrs Meila Hutchinson, Mr F Lister, Mr Ian K Lloyd, Mr M F Madigan, Dr Jim Masselos, Mr Philip Maxwell, Mr John Nowlan, Mrs Ruth A Staples, Mr John Stevenson, Assoc Prof Gerard Willems AM, Anonymous 1
Fine Music Friends for Life
Dr Anthony Adams, Mr Brian Adams, Mr Geoffrey Ainsworth, Evans Webb & Associates Pty Ltd, Mr John Bagnall, Mr Graham Barr, Mr M T Beck, Dr Kathrine Becker, Mr H J Benyon OAM, Mr Max Benyon OAM, Mr Anthony R Berg, Mrs Joan & Mr Ross Berglund, Mr David E W Blackwell, Mr M & Mrs L Blomfield, Mrs Barbara Brady, Dr Nancy Brennan, Mr Geoffrey Briot, Ms Jill Brown, Mr Mark Bryant, Mr Stephen Buck, Prof Elizabeth Burcher, Mr Rex Burgess, Ms Janine Burrus, Mrs E A Burton, Mr G K Burton SC, Mr Philip Butt, Mr Ian Cameron, Mrs Judith Campbell, Mrs L Alison Carr, Ms Chris Casey, Ms Deanne Castronini, Miss Emily Chang, Mr Roger Chapman, Dr Stephen K Chen, Mr Roger Cherry, Mr Peter Chorley, Dr Peter Chubb, Mr Gordon Clarke, Mr K G Coles, Mr Bernard Coles QC, Mr Phillip Cornwell, Mr Noel Craven, Mr Robin Cumming, Mrs Dorothy Curtis, Mrs Susan Davey, Hon Mr Justice David Davies SC, Mr Geoffrey De Groen, Mr Lawrence D Deer, Mr Timothy Denes, Mr D J & Mrs C Dignam, Mr Alan Donaldson, Mrs Jennifer Dowling, Mr Peter Downes, Mr Peter Dunn, Mr Emyr Evans, Ms Elizabeth Evatt, Mr John Fairfax, Mr Ian Fenwicke, Mr Hugo D Ferguson, Prof Michael Field AM, Mr David Fisher, Mr Francis Frank, Dr Sid French, Mr Ross Gittins, Mrs Inez Glanger, Mrs Betty Goh, Mr Ray Grannall, Mr Michael J Guilfoyle, Mrs E W Hamilton, Mrs Emesini Hazelden, Mr Paul Hense, Dr Peter Hook, Mr Roger Howard-Smith, Mr David E Hunt, Mr Robert Hunt, Mr David Hurwood, Mr John Hyde, Dr Peter Ingle, Mrs Virginia Jacques, Ms Ruth Jeremy, Mr Ken Johnstone, Mr Christopher Joscelyne, Mr Michael Joseph, Dr Thomas E Karplus, Dr Keith Keen, Mr Paul L Kelly, Mrs Christine Kelly, Ms Patricia Kennedy, Prof Clive Kessler, Mrs Frances Kevans, Mr Roger Kingcott, Mr R J Lamble AO, Mr Stewart Lamond, Ms Sophie Landa, Mrs Sarah Lawrence, Mr Gregory Layman, Ms Judy Lee, Ms Annette Lemercier, Ms Karen Loblay, Dr David C Ludowici, Mrs Ruth G MacLeod, Mr Joseph Malouf, Mrs Anita Masselos, Miss Lynne Matarese, Mr J T McCarthy, Ms Elisabeth McDonald, Mr Phillip McGarn, Mr Alain G Middleton, Mr Nick Minogue, Mrs Greta Moran, Ms Bernice Murphy, Mr Hal Myers, Mr Christopher John Nash, Ms Natasha Ng, Mr Mark Nichols, Mr Ken Nielsen, Assoc Prof Robert Osborn, Ms Susan Pearson, Mr Michael Pope, Prof R G H Prince, Dr Neil A Radford, Ms Elsina Rasink, Mrs Angela M Raymond, Mr Brian L Regan, Mr Alex & Mrs Pam Reisner, Mr Grahame Reynolds, Mr Bruce Richardson, Mrs Mitzi L Saunders, Mrs Clara Schock, Ms Marilyn Schock, Mr John Sharpe, Mrs Linda Shoostovian, Dr William Thomas Sidwell, Mr John Simpson, Mr Alan Slade, Dr J M Stern, Mr John Stevenson, Mr I R Stubbin, Miss Jozy Sutton, Mr Mark Swan, Mr Edmund Sweeney, Baroness Taube-Zakrzewski, Aust. Elizabethan Theatre Trust, Mrs H F Thomas, Mr P A Thomas AM M.B.E., Miss Margaret Thompson, Mr Iain M Thompson, Mr Christopher A Thorndike, Dr Robin Torrence, Mrs Helen J Tweeddale, Mr Richard Verco, Mr Edward J Wailes, Mr Ron Walledge, Mrs June Walpole, Dr Duff Watkins, Ms Ellen M Waugh, Drs Lourdes & Spencer White, Mr Neville Wilkinson, Mrs Elizabeth Wilkinson, Mr Cameron Williams, Ms Jocelyn Woodhouse, Ms Jill Wran, Mrs Robin Yabsley, Mr Nicholas Yates, Anonymous 11
Fine Music Gold & Silver Friends
Mr David W Allen, Mr James Allsop, Miss Barbara Ames, Mrs Patricia Azarias, Dr R & Mrs H Barnard, Ms Josephine M Bastian, Ms Sandra Batey, Mr Robert Baume, Mr & Mrs J & M Beardow, Mr John Boden, Mr Stephen Booth, Mr David Branscomb, Mr David Brett, Mrs Halina Brett, Sir Ron Brierley, Rev Peter G Carman, Rev’d Jane S Chapman, Ms Joan Childs, Ms Judy Christie, Ms Elizabeth Corbett, Mr John P Corsham, Prof Roger Covell, Mr Nicholas Cowell, Prof & Mrs S J Dain, Mrs Rhonda Dalton, Mr Brett Ayron Davies, Mr Peter Deakin, Prof C E Deer, Dr Nita Durham, Mrs Margaret Epps, Mr Paul Evans, Mr William G Fleming, Mrs Kathy Freedman, Ms Eleonore Fuchter, Mrs Winifred Green, Mr David & Mrs Alison Gyger, Ms Margaret Hext, Mr Peter Hillery, Mrs Diana R Hooper, Mr Paul Hopwood, Dr David Jeremy, Mr Gar Jones, Ms Cynthia Kaye, Mr Andrew J Kennedy, Mr Gerhard Koller, Mrs Beatrice Lang, Mr Ian Lansdown, Ms M Laurie, Mr Goldwyn Lowe, Mrs Meryll Macarthur, Mr Randolph & Mrs Jenny Magri-Overend, Mrs Lesley Malouf, Mrs Elisabeth Manchur, Mr Nikolas Margerrison, Mrs M A Marsh, Dr Charles Matthews, Mrs Patricia McAlary, Mr Peter McGrath, Dr R McGuinness, Mrs E M McKinnon, Ms Maureen Meers, Ms Judith Miller, Dr Andrew Mitterdorfer, Mr John K Morgan, Mr Michael Morton-Evans OAM, Mr Andrew Nelson, Mr John Niland, Mr John Nowlan, Mr Pieter Oomens, Mr Julius Opit, Mr G C Osborne, Dr Gordon H Packham, Mr Trevor Parkin, Mr Ken Paul, Mr Bert Percy, Dr Tri Pham, Ms Anne Pickles, Mrs Mavis Pirola, Mr Roger Porter, Mrs Shusila Rajasingham, Mr Pino Re, Mr Kenneth Reed, Dr John G Richards, Ms Janet Rowe, Dr Janice Russell, Mr Gregory L Sachs, Dr Gideon Schoombie, Dr Vivian Shanker, Dr Michael Shellshear, Mr R A Stark, Mr N A Stoke, Mr Anthony C Strachan, Mrs J R Strutt, Ms Raffaela Taranto, Mrs Judy Timms, Dr Jennifer Turner, Mr J J Veevers, Mr D & Mrs C Wall, Mr Linxiu Wang, Dr Barry Webby, Mrs C & Mr L Welyczko, Mr Richard Wilkins, Mrs Lynnette Windsor, Hon Mr Trent Zimmermann MP, Mr Peter Zipkis, Anonymous 8 July 2016
fineMusic 102.5
47
Crossword and Trivia 1
2
3
5
6
7
4
8
9 10
11
12
15
13
16
17
18
22
14
19
23
20
21
24
25
26
Compiled by Gwynn Roberts Name:_______________________________________________ Address: _____________________________________________ Tel: _________________________________________________ Email: _______________________________________________ To go in the draw to win a copy of SENSATIONS, featuring the music of Margaret Brandman, from Navona Recordings, email your crossword answers to: competitions@finemusicfm.com by 23 July 2016 The Crossword 72-76 Chandos Street St Leonards NSW 2065
ACROSS
DOWN
5. Aircraft dropped note for Russian composer (5) 6. Stole fat compound for a high pitched voice (8) 10. How some heard rumbling (7) 11. No robe woven for fairy king (6) 12. Mouth organs? (5) 13. Therein did he hesitate (8) 15. Marlowe’s doctor went to the opera without us (7) 17. Luke Lee plays a Hawaiian instrument (7) 18. I leave confusing tiny clues for conductor André (8) 20. Competing envy in grade selection (5) 22. Plucked in Vienna (6) 24. Hair pulled in industrial dispute (7) 25. Speaker begins choral work (8) 26. Extract from the inestimable Schumann songwriter (5)
1. Host for a Prom (6,4) 2. Composer of Liszt list (6) 3. Heavenly - where the reality loses its edges (8) 4. Composer of the double negative (4) 7. Dream about the man described thus in Josquin mass (5) 8. Lady Macbeth got him into trouble (12) 9. Beethoven has three peers ... (8,4) 14. … combined, then single makes it clearer (10) 16. Cutting edge suite by Prokofiev (8) 19. I need lots for a conductor (5) 21. Ms Holst - I’m gone, puzzled (6) 23. I do a right turn for Borodin’s prince (4)
CROSSWORD SOLUTION - JUNE 2016
Across: 1 AEOLIAN, 5 CONSORT, 9 RHODESIAN, 10 LUCIA, 11 LISTEN, 12 DECIBELS, 14 CHANGEOVER, 16 STET, 18 EXPO, 19 UNPLEASANT, 22 EPIGRAMS, 23 FAÇADE, 26 TAINT, 27 NOCTURNES, 28 AURALLY, 29 BITTERN Down: 1 ACRYLIC, 2 OBOES, 3 ICEBERGS, 4 NAIL, 5 CINDERELLA, 6 NELLIE, 7 ORCHESTRA, 8 TRANSIT, 13 DOWN AMPNEY, 15 AMPLIFIER, 17 CATAPULT, 18 ELEKTRA, 20 TREASON, 21 GRETEL, 24 ANNIE, 25 SCAB
MUSICAL TRIVIA WITH MICHAEL MORTON-EVANS
How well do you know the world of classical music? Test your knowledge with these musical brain teasers from Fine Music 102.5 presenter, Michael Morton-Evans. 1. In which year was the kettledrum first introduced into the orchestra? Was it 1670, 1770 or 1870? 2. Who invented the phonograph, the forerunner of the gramophone? 3. First built in 1732, how many times has the Royal Opera House, Covent Garden been burnt down and rebuilt? 4. Which instrument is responsible for the sound of the cuckoo in Delius’s work, On Hearing the First Cuckoo in Spring? 5. The title role of which opera did Camille Saint-Saens write specially for Dame Nellie Melba? 6. In Rimsky-Korsakov’s opera The Legend of Tsar Saltan, into what insect does the leading man turn? 7. Which well-known German cantata is based on 13th century Latin poems on the subject of love, drink and kindred pleasures? 8. At what time of day would you ideally play an aubade? TRIVIA ANSWERS
Dame Nellie Melba
1. 1670 2. Thomas Edison in 1877 3. Twice 4. Clarinet 5. Hèlène 6. A bee. 7 Carmina Burana 8. The morning, as opposed to serenade which is evening music.
48
July 2016
fineMusic 102.5
arts on screen YO U R V I P T I C K E T S T O T H E W O R L D ’ S B E S T.
............................................................................................................................................................................................... A stunning series of big screen events in Sydney’s most elegant cinemas. Great stage performances captured live in London, breathtaking tours of international galleries, spectacular Bolshoi Ballet productions , the world’s finest Opera presentations from the Metropolitan, New York and film festivals of new international films and retro classics.
JOIN OUR EMAIL CLUB FOR SPECIAL OFFERS! ORPHEUM.COM.AU The Hayden Orpheum is delighted to announce the 2016/17 season of The New York Metropolitan Opera. Featuring 4 new productions, 2 productions captured live in high definition for the very first time, a New York Met premiere and the finest performers to be heard at Lincoln Centre, the greatest opera company in the world presents a new season that is not to be missed. TRISTAN UND ISOLDE (WAGNER)
Simon Rattle conducts Nina Stemme and Australian Stuart Skelton. Nov 5/6/10.
RUSALKA (Dvorak) Kristine Opolais and Brandon Jovanovich. New production. April 22/23/27
DON GIOVANNI (MOZART) Simon Keenlyside stars with Hibla Gerzmava. Dec 3/4/8.
LA TRAVIATA (Verdi) Sonya Voncheva with Michael Fabiano. May 20/21/25
L’AMOUR DE LOIN (Saariaho)
IDOMENEO (Mozart)
NABUCCO (Verdi)
EUGENE ONEGIN (Tchaikovsky) Anna Netrebko with Dmitri Hvorostovsky. July 15/16/20
Met premiere. Susanna Phillips, Eric Owens, Tamara Mumford. Jan 28/29 & Feb 2 Placido Domingo stars with Liudmyla Monastyrska. Feb 18/19/23
ROMÉO ET JULIETTE (Gounod)
Vittorio Grigola and Diana Damrau reunite in this new production. March 18/19/23
RENEE FLEMING: DER ROSENKAVALIER
Matthew Polenzani with Elza van den Heever. June 17/18/22
DER ROSENKAVALIER (R.Strauss) Renee Fleming with Elina Garanca. August 5/6/10