November 2012
MAGAZINE A GREAT MUSICAL BOND
Sydney Symphony & Ashkenazy
YOUNG AT HEART
Simone Young on family, cricket & Bruckner
SIMON SAYS -
What makes a great piano?
THE GOOD AND THE BAD
The value of competitions
BROTHERLY LOVE Pinchgut’s Castor & Pollux
THE BLAKE PRIZE National Trust Centre - Watson Road, Observatory Hill, The Rocks, Sydney 2000 (02) 9258 0173 | www.shevingallery.com.au | Gallery Hours: Tues-Sun 11am-5pm CafĂŠ, Parking, Gallery shop
9 NOVEMBER16 DECEMBER Lakshma image: Tim Johnston,
Supported by The Blake Society Ltd
2012
CONTENTS
EDITOR’S DESK
Vol 39 No 11
At 11 am on 11 November 1918 the guns of the Western Front fell silent after more than four years’ continuous warfare. On Remembrance Day, Fine Music pays tribute to past and present service men and women with the airing of Benjamin Britten’s War Requiem in the Sunday Celestial Notes program The composition draws on works of revered war poet Wilfred Owen who was killed in action just one week before the end of the Great War.
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COVER STORY Robert Clark interviews the Sydney Symphony’s Managing Director, Rory Jeffes and Director of Artistic Planning, Peter Czornyj, on highlights of season 2013 and the celebration of conductor Vladimir Ashkenazy’s fifth year. Letters to the Editor Simon Says… Sydney Symphony 2013 Simone Young in Profile Castor & Pollux - Pinchgut Opera The Song Company What’s On in Sydney CD Reviews Swinging on the Vine Youth Development Program Highlights Program Directors, Committees, Staff Fine Music Friends Crossword and Trivia Quiz
Digital Channel – fine mus On Fine Mus between noon and 4pm weekdays you’ll find new trial programs covering classical up to 3pm and Jazz in Concert until 4pm.
War Requiem also features next year in the Sydney Symphony’s program coming under the baton of Vladimir Ashkenazy on two occasions. In this issue, Robert Clark reports on the full Sydney Symphony 2013 season. He interviews Managing Director, Rory Jeffes and Director of Artistic Planning, Peter Czornyj, on the many season highlights including the Australian debut of Norwegian violinist Vilde Frang - featured on our cover. Frang is recognised as one of the leading young violinists of her generation and this year won the Credit Suisse Young Artist Award and made her debut with the Vienna Philharmonic under Bernard Haitink. All up, more than 60 of the world’s top artists will perform with the Symphony over the season - and undoubtedly the most colourful of them all will be Dame Edna - in the role of narrator! Back to Remembrance Day - Simon Tedeschi pays his own tribute this year alongside the Sydney Omega Ensemble at the North Shore Synagogue - details are in our What’s On section. And, in his monthly column, you can find out what Simon says makes a good piano. Fine Music’s connection with Simon is set to continue with General Manager, Liz Terracini, announcing his encore year as station patron ‘The whole board is thrilled to say that Simon has agreed to be our patron again in 2013. He’s an amazing, energetic, impassioned personality and he’s had a strong connection with the station since his youth. We’re very proud to have Simon associated with us.’
Lizzie
Advertising & Sponsorship Registered Offices & Studios: 87 Chandos Street, St Leonards 2065 Tel: 02 9439 4777 Fax: 02 9439 4064 Web: finemusicfm.com Email: admin@finemusicfm.com Facebook, Twitter and YouTube: finemusicfm Frequency: 102.5 Transmitter: Governor Philip Tower, Circular Quay. ABN 64 379 540 010 Art Direction: Shoebox Design shoeboxdesign@gmail.com Printing: Megacolour, Unit 6, 1 Hordern Place. Camperdown, NSW, 2050 Advertising Enquiries: sponsorship@finemusicfm.com Editor: Lizzie Herbert Subeditor: Elaine Siversen Contributors: Robert Clark, Judy Deacon, Richard Gate, Lizzie Herbert, Kevin Jones, Genevieve Lang, Patrick D Maguire, Michael Morton-Evans, Randolph Magri-Overend, Derek Parker, Sophie Stevens-Radford, Elaine Siversen, Simon Tedeschi The views expressed by contributors to this magazine do not necessarily reflect or represent the views of the publisher, Fine Music 102.5. Cover image: Norwegian violinist Vilde Frang - guest artist Sydney Symphony 2013 © Marco Borggreve
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FINE MUSINGS Giving Thanks
November is the month of Remembrance - and thanksgiving. We know our listeners are passionate about Fine Music and our programs. Fine Music 102.5 is the station created by music lovers for music lovers. We would like to thank all our donors for their generous support that keeps us on air 24 hours a day, 7 days a week. All gifts make a difference and, your generosity • provides recording and broadcast opportunities for established and emerging artists • inspires talented young musicians to follow their dreams through our Youth Development program • could provide a named scholarship for an aspiring young musician • assists us to develop our future listening audiences A gift in memory of a loved one is a very special tribute as it recognises what they once loved and treasured. If you would like to know more about how to be a part of the future of Fine Music 102.5 please contact me on 9439 4901 or visit www.finemusicfm.com for more information. – Liz Terracini, General Manager, Fine Music 102.5 Special Offer We hope you take advantage of our special ‘thank you’ offer! Quote ‘2MBS’ when buying tickets for the 25 November Sydney Omega Ensemble concert – A Soldier’s Tale – at the Sydney Opera House and you’ll receive a generous 20 percent discount. Contact www.sydneyoperahouse.com or call 9250 7777
Jazz Hit
It was fantastic to have the support of such a reputable radio station taking part in our 2012 Manly Jazz Festival and we’re looking forward to extending that relationship in coming years. The Fine Music crew was at Manly recording our All Star concert - the centrepiece of the festival (aired on 6 October). For everyone to be able to re-live that great music and listen to the likes of American tenor sax Eric Alexander, Andrew Speight, Warwick Alder, Andrew Dickeson, Brendan Clarke and John Harkins and singer Tricia Evy from France, was a real pleasure for jazz fans. Our thanks to Kevin Jones, Lloyd Capps, Peter Mitchell and all the Fine Music jazz people who helped promote Manly Jazz and made 2012 another memorable festival. – Caroline Speight, Co-Artistic Director, Manly Jazz Festival
Letters to the Editor - editor@finemusicfm.com 87 Chandos Street, St Leonards, 2065 – by 20th of this month for consideration in next issue. The Los Angeles Guitar Quartet makes its debut with the Sydney Symphony in a concert full of Spanish colour, featuring Rodrigo’s Concierto andaluz. Plus music by Chávez, Falla and more! Michael Stern conductor
Thu 15 Nov 1.30pm Fri 16 Nov 8pm Sat 17 Nov 8pm
NOVEMBER AT THE INDEPENDENT THEATRE - Exclusive ticket offer for Friends of Fine Music 102.5 Sunday 4 November 3.30pm Sonus Piano Quartet: The Romantic Sunday Friday 9 November 7.30pm *Ronald Thomas and Gregory Kinda in Concert
Sydney Opera House, Concert Hall
Saturday 10 November 5pm & 7.30pm Carl Rafferty: Opera by Candlelight
Book Now! Tickets available online from $35*
Saturday 17 November 8pm The Metropolitan Orchestra Schubert Unfinished & Brahms 1
sydneysymphony.com or call 8215 4600 | Mon-Fri 9am-5pm Tickets also available at sydneyoperahouse.com 9250 7777 | Mon-Sat 9am-8.30pm Sun 10am-6pm *Booking fees of $7.50 – $8.95 may apply. Listen to audio clips & read programs at sydneysymphony.com Sydney Symphony concerts On Demand at bigpondmusic.com/sydneysymphony
Sunday 25 November 3pm New Sydney Wind Quintet: Quintopian Journey - Dance Courtesy of The Australian Elizabethan Trust, Friends of Fine Music (2MBS Friends) can access a generous discount - 10 percent less than advertised concessional price. Use promotional code ‘FM2012’ when purchasing a ticket to these concerts at The Independent. Visit independent.org.au or call 1300 302 604 for details and bookings. Friend’s card must be presented on ticket collection. *Discount does not apply to asterisked events.
Simon says:
LET’S BANG ON ABOUT PIANOS, SHALL WE? Pianos are individual beings, like us - they have flaws, bad days…
What makes a good piano? Despite this being [editor] Lizzie Herbert’s very first suggestion for an article in my monthly column, I resisted writing this for many months.
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Like a surgeon to whom watching a triple bypass in his sorely-needed hours of repose is anathema, talking/reading/writing/thinking about pianos is hardly (and unsurprisingly) my idea of recreation. The number of times I have been assailed with a book on – you guessed it, pianos – with a benign smile, continues to shock me. As an artist, I crave every item on the Passover plate – the bitter, the sweet, the vulgar and the hidden. Give me a book on John Waters, or water skinks, or spring chickens. But, please, no pianos. Originally, I commissioned myself to write an article on neglected Australian musicians, those who fell under the (unfortunately low) Australian radar. But I immediately realised that I would be beset with letters from the eminently worthy ones I had missed and without meaning to, become another persecutor. So, let’s bang on about pianos, shall we?
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Musos listen for the aesthetics of sound, tuners listen for the sound of aesthetics…
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In the next week, I will begin recording a Gershwin CD for ABC Classics. There are two pianos in the Goossens Hall, both Steinways – which is about as surprising as the sudden volley of rifle-fire at a military funeral. I was given the choice as to which one I wanted to record on. I played both of them for 15 minutes, but it only took me a few seconds to work out their case history. One of them is a true battle-horse - dynamic, scintillating, a ‘big’ sound, white-hot energy and the predictable fare of professional competitors: ideal for the ‘big’ Russian sound. The other one is swathed in a more muted, ‘inner’ sound, as if covered by a quilt. Schumann often uses the word innig in his compositions. There is no true English equivalent for this word, and I do not speak German. But, in my mind’s eye, I feel I know what it means. I want this record to sound intimate, nostalgic and loving, not bombastic in the slightest. So, I chose the second piano. But, as always it’s a matter of sacrifice. Like with the afikoman on the Passover plate, something scrumptious needs to be forfeited so that something better can be gained.
The Tedeschi hands. Photo - Brendan Read Unbeknownst to most, there exist two wars that are being concurrently fought in the piano world. One is between musicians (‘this piano sounds better’) and the other is between that most inscrutable of visitors, the piano technician (‘my piano has better sounds’), the scruffy sentinel who passes over pianos, fixes them and then leaves – a musical love-tryst (sometimes they don’t even take off their hat). It’s us feckless musicians who remain, duty-bound and wedded to our instruments. The wars also differ dynamically – musos listen for the aesthetics of sound while tuners listen for the sound of aesthetics. But they are equally fierce. Piano technicians have a tremendously welltuned predilection for certain variables that they have determined as important – size of the soundboard, overtones in the treble, curvature of the frame, type of wood. And they will defend their orthodoxy till their dying breath. If forced to be in the same room, the tension is palpable - you can even see the frost coming out of your own mouth. But none of this explains what, in my view, makes a good piano. I can only digress for so long without addressing the burning question. You see, I am not into brands. I will not immediately walk up to a Steinway without first listening to it, in much the same way as I recoil when asked what Yamahas sound like. Pianos are individual beings, like us. They have flaws, bad days, but are on the whole well intentioned. Richter was more than half right when he said that there is no such thing as a bad piano, only a bad pianist. But there are qualities, a set of variables that I always look for.
Singing tone is number one, especially in the middle of the instrument. I must be able to produce a good cantilena with minimum effort. Secondly – and every pianist is different in this respect – I like a light action. This is by no means universal, and perhaps I fall into the minority here. I have heard it expressed that a heavy action favours the poor sods who, like soldiers, train harder so that battle is easier. Not for me. In this sense, I like the German pianos, often of yesteryear, that were among the very first incarnation of ‘modern’ pianos (there being no such clear delineation between a ‘fortepiano’ and ‘piano’). I also like old American pianos like the Chickering for this reason. I also look for evenness of tone, this is very important for almost all repertoire. Often but not always, Japanese pianos fit the bill very well in this regard. I will often need a scintillating, brilliant upper register and Steinways are often the winner here. Pianos that possess all of these features are more often than not from the old dynasties - Hamburg Steinways or Boesendorfers. Like with string instruments, in the last few decades, there has been a renaissance of modern makers – in our own country and elsewhere that use a combination of ancient and modern techniques to create outstanding and distinctive flavours. Ron Overs is an example of a maker who continues to defy my expectations of a conventional piano sound. I find this exciting, and not just for reasons of cultural nationalism. Makers, along with musicians, have adjusted for the curious times in which we now live. Have I answered your question? - Simon Tedeschi
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CELEBRATING ASHKENAZY: Sydney Symphony 2013 Season ..a great musical bond (exists) “between musicians and conductor; musicians and musician..
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Ashkenazy’s love of Sibelius, then, formed the first pillar in the construction of the season. Czornyj explains: ‘We’re going to revisit Sibelius with Ashkenazy, including performances toward the very end of the season of the 5th Symphony, but to open the season we will be performing works that were not included in the Sibelius Festival in 2004. He was especially eager to present Sibelius’s Kullervo [a symphonic poem for vocalists, male chorus and orchestra] which is a very early work, but one that he loves and feels strongly about, and we’ll also perform the Lemminkäinen Suite.’ Ashkenazy will also conduct a variety of other works by important composers in his life, such as Beethoven’s Pastoral Symphony, Debussy’s La Mer, Walton’s Symphony No.1, Britten’s War Requiem and Richard Strauss’s Oboe Concerto; featuring German oboist-extraordinaire Hansjörg Schellenberger. November will see Ashkenazy’s close friend Pinchas Zukerman take the stage with him to perform Bruch’s Violin Concerto No. 1 and the Brahms’ Double Concerto with his wife, cellist Amanda Forsyth. Mahler’s Symphony No. 5 will also be performed in November, and Czornyj points out that Ashkenazy and the Sydney Symphony may be best remembered for their work performing and recording this composer. ‘I think in the five years, what is going to stand out as a major milestone in the relationship between Ashkenazy and the orchestra will be
Pinchas Zukerman. Photo - Cheryl Mazak
the two-year Mahler cycle from 2010 and 2011. So in 2013 we felt we really had to revisit that.’
Robertson) has “ a(David very, very lively and
creative mind when it comes to repertoire..
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Vladimir Ashkenazy. Photo - Keith Saunders The Symphony’s 2013 season is all about celebration, and in particular, the celebration of a very fruitful and transformative musical partnership between orchestra and conductor. It is the fifth year of Vladimir Ashkenazy’s tenure as Principal Conductor and Artistic Advisor, and this is something the orchestra is eager to commemorate. ‘It’s been wonderful for the orchestra to work so closely with Vladimir Ashkenazy,’ says Czornyj enthusiastically, ‘from his first concerts with the orchestra it was already clear that there was a great musical bond between musicians and conductor; musicians and musician. That’s remained, and it’s actually blossomed over the years. So in 2013, what we want to be doing is celebrating Ashkenazy, his favourite composers and his relationship with the orchestra.’
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With a six-city tour of China looming large on the horizon and a freshly-launched 2013 season making the rounds, I was surprised at how relaxed the Sydney Symphony’s Director of Artistic Planning appeared as we sat down to chat. Peter Czornyj chuckled airily at the logistical quandaries and last-minute emergencies that had made up his day so far (it was ten in the morning) and seemed happy to spend time discussing what lay ahead. The English-born Czornyj, who has filled similar posts at the Cleveland Symphony and the St. Louis Symphony over the past decade, is well-used to the challenges of orchestral management, but next year will also be an especially cheery time for the Sydney Symphony, so perhaps this is what keeps him in such high spirits.
David Robertson. Photo - Michael Tammaro There is another reunion that will be taking place in 2013, too. The Sydney Symphony’s Chief Conductor and Artistic Director designate David Robertson happens to be an old acquaintance of Peter Czornyj. ‘I’ve known David for ten years now. So I know how he approaches programming, and he has a very, very lively and creative mind when it comes to repertoire.’ Such an endorsement bodes very well for the future of the Symphony, and in anticipation, Robertson will conduct two large and ambitious concerts in July next year. Firstly, he will direct a performance of Verdi’s Requiem featuring an exciting line up of soloists and a huge chorus made up of the Sydney Philharmonia Choirs and the Tasmanian Symphony Orchestra Chorus. The following week he will return with an operain-concert performance of Wagner’s The Flying Dutchman. This event is something Czornyj is particularly looking forward to: ‘the great thing about opera-in-concert performances is that the orchestra is on the stage as opposed to the pit, so it becomes part of the drama; you feel that it is more present; that it is a player in the action. That itself creates another layer of tension and theatrical drive.’ The performance
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Dame Edna narrates Saint-Saëns’ Carnival of the Animals and Prokofiev’s Peter and the Wolf..
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Dame Edna These two concerts highlight the Sydney Symphony’s continuing efforts at creating diverse programmes for its wide-ranging audience. In 2013 there will be eleven different subscription series, each offering unique concert-going experiences. In its Kaleidoscope series for 2013, audiences can enjoy the enigmatic stylings of Dame Edna Everage narrating Saint-Saëns’ Carnival of the Animals and Prokofiev’s Peter and the Wolf. The series will also showcase a collaboration between Australian composer Nigel Westlake and singer-songwriter Lior, and Chinese composer Tan Dun will conduct his own score to three martial arts films projected on screen.
you engage with “ When China it has to be a lot
more than just taking the orchestra there..
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Tan Dun’s concerts with the orchestra is one of several collaborations with Chinese musicians taking place in 2013, including performances with conductor Long Yu and a Sydney Symphony commissioned concerto by Zhao Jiping for pipa musician Wu Man. As
the Symphony’s Managing Director Rory Jeffes explains, cross-cultural exchanges with the Asia-Pacific region are becoming increasingly important. ‘As the middle-class grows in China - and it’s growing exponentially at the moment - the desire to consume western culture, including our art-form, is growing enormously. So we’ve been working to build a profile across Asia; particularly in China. When you engage with China it has to be a lot more than just taking the orchestra there and performing, so we are commissioning music from Chinese composers involving Chinese musicians. Really what we want to do is to find ways for the future of classical music to bridge the culture of Chinese classical music with western-style classical music, and you do that by having soloists and conductors coming and performing with us and also through the commissioning of works that are representative of both cultures.’ Closer to home, the Sydney Symphony will continue to perform regionally across the state. Jeffes: ‘We put a great deal of effort in touring around regional New South Wales, and we’ll be undertaking a regional tour out west next year. We now have a major outdoor concert we do each year in Parramatta Park and we’ll be doing that again in February. We’re very aware that the orchestra belongs to everyone in NSW, not just those of us in Sydney, so we put a lot of work into getting out and about in terms of touring.’ Parramatta Park audiences will see a performance of a new work by Australian composer Graeme Koehne entitled High Art Concerto for Jazz Trumpet, which will feature the indefatigable jazz musician James Morrison. Other Australian works being performed next year include James Ledger’s The Madness and Death of King Ludwig and the afore-mentioned Westlake/Lior collaboration entitled Compassion. Jeffes is proud of the extent to which the Sydney Symphony promotes and performs Australian music, and sees much more of it featuring in programmes to come thanks to their incoming Chief Conductor: ‘It’s certainly something that David Robertson has talked about. It is his desire to be able to unearth the best Australian orchestral music from the last hundred years and reprise those works that have perhaps not seen the light of
day since their premieres.’
out for the debut “ ..look of violinist Vilde Frang
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will also feature video projections designed by New York-based video artist S Katy Tucker.
There is simply too much happening in the 2013 season to list everything, but some tips of what to look out for from Rory Jeffes include the Australian debut of violinist Vilde Frang, who will be performing Britten’s Violin Concerto and whom he describes as an ‘incredibly exciting violinist,’ the return of Arabella Steinbacher to perform Mendelsohnn’s Violin Concerto in E minor with Charles Dutoit, and Katie Noonan performing in Britten’s Les Illuminations. For Peter Czornyj, must see performances include the premiere of Mary Finsterer’s Lake Ice – Concerto for Double Bass and Orchestra featuring Kees Boersma, John Adams’s Saxaphone Concerto featuring Timothy McAllister, and a special performance of The Rite of Spring conducted by Charles Dutoit to mark the one-hundredth anniversary of its scandalous premiere in Paris. There seems much to celebrate with the Sydney Symphony in 2013. Not only the talent, the music and its tremendous partnership with Ashkenazy, but also the long-term future of the orchestra, which is clearly in good hands. – Robert Clark www.sydneysymphony.com
Arabella Steinbacher. Photo - Jiri Hronik
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PRESENTED IN ASSOCIATION WITH
A PERFECT COMBINATION
THE BEST SEATS AT THE MET IN THE ELEGANCE OF SYDNEY'S MAGNIFICENT ART-DECO
HAYDEN ORPHEUM, CREMORNE THE METROPOLITAN OPERA HD CAPTURED LIVE IN HIGH DEFINITION & SCREENING CONCURRENTLY WITH THE NEW YORK SEASON
OTELLO - VERDI SAT November 17 AT 11.30AM SUN November 18 AT 1PM THU November 22 AT 11.30AM
Verdi’s towering masterpiece, based on Shakespeare’s tragedy, makes its first Captured Live in HD appearance. Semyon Bychkov conducts an extraordinary cast led by Johan Botha in the title role of the jealous Moor of Venice, Cast: Renée Fleming (Desdemona), Johan Botha (Otello), Michael Fabiano (Cassio), Falk Struckmann (Iago)
THE TEMPEST
SAT December 1 AT 11.30AM SUN December 2 AT 1PM THU December 6 AT 11.30AM
Robert Lepage’s innovative production recreates the interior of the La Scala opera house as the magical island venue for the otherworldly arts of Prospero, the exiled Duke of Milan. Cast: Audrey Luna (Ariel), Isabel Leonard (Miranda), Iestyn Davies (Trinculo), Alek Shrader (Ferdinand), Alan Oke (Caliban), William Burden (King of Naples), Toby Spence (Antonio), Simon Keenlyside (Prospero)
MET OPERA 2012 - 2013 SEASON
La Clemenza di Tito (Mozart) - Sat/Sun December 15/16 & Thu 20 Un Ballo in Maschera (Verdi) - Sat/Sun January 12/13 & Thu 17 Aida (Verdi) - Sat/Sun January 26/27 & Thu 31 Les Troyens (Berlioz) - Sat/Sun February 9/10 & Thu 14 Maria Stuarda - Sat/Sun February 23/24 & Thu 28 FOR FURTHER INFO VISIT W W W.O R P H E U M .CO M . AU 6
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YOUNG AT HEART: Simone talks cricket, Bruckner and the Zero Symphony
I talk to Simone Young on the telephone during a break in rehearsals for the Sydney Symphony’s reprise of the 1973 Sydney Opera House opening concert. We’ve chatted before, years ago, and she still sounds energetic, engaging but has developed into a seriously serial chuckler. More on that later. Norman Lebrecht calls her a ‘real fighter’ but I find she’d rather conduct than fight. Her conducting skills were obvious from the moment she first picked up a baton on 20 April 1983 at the Lane Cove Town Hall. I remind her of the date and that it’s her 30th anniversary next year. They still haven’t put up a plaque at the Town Hall commemorating the occasion. It’s the middle of the Olympic fortnight so our conversation naturally gravitates towards sport and her love of cricket. ‘The last one-day series between Australia and England wasn’t anything to get excited about,’ she remarks. ‘There’s always a bit of a lull when you have a generation change. It happens in orchestras too. You have a big change-over and all the brass players leave… but usually (the new players) come into their own quickly.’ Simone’s also into tennis in a big way. ‘I’m a big fan of Roger Federer. Now that Yvann (her eldest daughter) has married a Scot… I also have to cheer for Andy Murray.
There’s a certain Scottish affiliation we have to observe.’ She chuckles! Her other daughter Lucy is 15 and part of the reason Simone will be relinquishing her posts at the Hamburg State Opera and Philharmonic Orchestra. The rumour that she is resigning to take up the Covent Garden post are ‘Nonsense. Ten years in one place is long enough,’ she explains. ‘I think everybody needs fresh ideas and impulses and it’s time to move on to new challenges, new sounds and new places. 2015 is also the year when Lucy finishes school. Suddenly I don’t have to spend large periods of time in one place. So I’ll be spending quite a bit of time travelling.’ She takes exception when I suggest that now that Sir Charles Mackerras has passed away she has become the senior Australian conductor. ‘Richard Bonynge is still there,’ she protests, ‘although he’s slowed down a bit in the last couple of years.’ Which is not the case with Simone. She’s about to embark on a concert mix of Mozart and Bruckner in New Zealand followed by the concerts in Brisbane with her own Hamburg Philharmonic performing Mahler’s Resurrection
Symphony and Wagner’s Das Rheingold. But at the moment she admits to being totally focused on Anton Bruckner’s symphonies. The Hamburg Philharmonic has ‘already recorded Bruckner’s 1,2,3,4 and 8 symphonies; the zero will also be released before Christmas. By the time I finish in 2015 we will have recorded all his 9 symphonies plus his 2 study symphonies.’ Zero symphony? ‘Outside of the Germanspeaking world it’s not generally performed. Bruckner sketched the zero between the first and second symphonies and then set it aside it’s the symphony in D minor (Die Nulte). There is also the double zero symphony in F minor and we’re recording that in October.’ I’m puzzled. The last time we chatted she showed a reluctance to record anything. Why the change? ‘I’ve become a fan of live recordings because I feel they’re a valid document of a musical opinion taken at a certain phase of a musician’s and orchestra’s life. We’ve recorded quite a lot in Hamburg. We’ve recorded the whole Ring cycle and Bruckner, of course, Brahms plus Mahler’s 2nd and 6th. We specialise in the little stuff.’ More chuckling! ‘Next year,’ she continues, ‘we’re doing something quite outrageous. We’re doing all 10 of Wagner’s major operas. One performance each in a three week period. That’s next May. And in January we’re also doing Rienzi in concert.’ I ask about her Irish and Croatian antecedents from her father who is now 91 and her mother who is 88. ‘They’re both in pretty good form and still live on the Northern Beaches. It’s always very nice to come out to Sydney and spend some time with them. Actually there’s one more thing I’m looking forward to post2015. I’d love to learn Irish. I have an Irish passport as well as my Australian one so I have a moral obligation to learn Irish.’ Chuckles galore! Now 51, I ask whether she has any grey hairs yet. ‘Yes,’ she replies. ‘But I also have a very good hairdresser.’ Oh dear, there’s that chuckle again! - Randolph Magri-Overend In 2013 Simone Young returns to the Sydney Symphony to conduct Wagner & Bruckner – more information:
Simone Young. Photo - Bertold Fabricius
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PINCHGUT OPERA PRESENTS RAMEAU’S
CASTOR& POLLUX BLOOD IS THICKER
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6, 8, 9 & 10 DECEMBER CITY RECITAL HALL ANGEL PLACE, SYDNEY
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CASTOR & POLLUX: BLOOD IS THICKER
Sydney’s Pinchgut Opera, now in its 11th year, brings to life a gem of the French baroque, never before heard in Australia – Rameau’s Castor & Pollux. Meet some of the newest members of the Pinchgut family, coming together specially for this year’s production. Romantic love lies at the heart of most operatic tales. Indeed, Rameau’s French baroque masterpiece Castor & Pollux starts in this vein, with twin brothers Castor and Pollux both in love with princess Téläire. Through various machinations, too numerous and complex – as befits any great opera! – to mention here, the brothers ultimately determine that their fraternal love is the greater force. ‘The strength of the brotherly love is a fascinating part of this opera,’ says director Kate Gaul. ‘And that one is mortal (Castor) and the other divine (Pollux), it’s very reflective of our dual natures.’ The twins of this year’s annual Pinchgut production are American haute-contre Jeffrey Thompson and New Zealand bass baritone Hadleigh Adams. ‘Castor has been on my wishlist for a long time,’ said Jeffrey. As an hautecontre, his is a rare type of high tenor voice. ‘This opera is perfectly written. The role of Castor, in the version we’re doing (from 1754) is hard and high, but gorgeous. And Rameau knew how to write for the haute-contre voice so it doesn’t sound high all the time.’ Australian soprano Celeste Lazarenko will perform the role of Téläire, the object of the twins’ desire. Her aria, ‘Tristes apprêts, pâles flambeaux’, (‘Wistful preparations, pale torches’) is one of the most well known and touching of all Rameau’s arias, or airs. Princess Téläire is grieving for the loss of her beloved
Celeste Lazarenko to perform as Téläire
The strength of the brotherly love is a fascinating part of this opera..
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Castor. ‘The first time I heard this aria, I had accidentally caught the wrong bus,’ confesses Celeste, who has recently returned to Australia after many years in the United Kingdom. ‘I was listening to it on my iPod and it so held my attention that I stayed on board until the end of journey.’ Needless to say, it certainly wasn’t Celeste’s intention to end up at Ikea that day, but such is the… ahem… transportive?... power of Rameau’s music! Antony Walker will again return to conduct the Orchestra of the Antipodes. He’s looking forward to introducing a new element in this opera to Pinchgut audiences. ‘Pinchgut’s focus is always on the music. But dance is an integral part of French baroque opera.’ This year, for the first time, two professional dancers will also appear on stage with the cast and chorus. ‘Erin [co-artistic director] and I both agree that this music needs the dancers in order to achieve the greatest drama possible. The totality of a compelling production can actually enhance the impact, understanding and appreciation of the music. Both movement and dance create another layer of dramatic fabric to support the music.’ Though a tradition of performing period dance does exist, Antony’s view is that some elements of Pinchgut’s productions needn’t be ‘to-the letter’ authentic. ‘If you have a production that is updated in many ways, as Pinchgut’s often are, then the dance component – if it’s slavishly authentic – seems a bit odd against what else is happening on the stage.’ But enough about dance. Let’s talk music! Antony says Rameau’s music has a sophisticated harmonic palette. ‘He builds up chords using a lot of dissonance, and then finally lets them resolve. He’ll do it over the course of an aria, or air, to great dramatic effect, using dissonant chords in a really delicious way. It’s a little bit like late Verdi with its immediate emotional appeal.’ Rameau’s treatment of the orchestra is also something very special. ‘He had at his disposal at the Paris opera, two whole sections of fantastic violinists. He treats them very virtuosically.’ Jean-Philippe Rameau (1683–1764) was known only as a composer of keyboard and chamber music, as well as the author of several controversial treatises on harmony, before he wrote his first opera, Hippolyte et Aricie. ‘I think one of the fascinating things about Rameau is that he started writing opera only at the age of 50! Most composers of his day – by the time they were 50 – were dead!’ quips Antony.
Hadleigh Adams: to perform as Pollux Over the next 30 years Rameau created more than 20 further stage works, revolutionising the classic style of French opera through his bold use of new orchestral colours, daring harmonies and dramatic declamation. First seen in 1737 but extensively revised in 1754, Castor & Pollux was considered Rameau’s masterpiece during his lifetime and survived longer in the repertoire than any of his other works. It is this version that Pinchgut will be presenting come December. – Genevieve Lang Rameau’s Castor & Pollux Pinchgut Opera 6, 8 & 10 December 7.30pm 9 December 5pm City Recital Hall Angel Place, Sydney Jeffrey Thompson Castor Hadleigh Adams Pollux Celeste Lazarenko Télaïre Margaret Plummer Phébé Paul Goodwin-Groen Jupiter Anna Fraser Cléone Richard Butler Mercure Antony Walker Conductor Kate Gaul Director Cantillation Chorus Orchestra of the Antipodes on period instruments Libretto by Pierre-Joseph Bernard, 1754 version. Sung in French with English surtitles www.pinchgutopera.com.au fineMusic FM 102.5
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Voices in Motion sydney PhilharMonia choirs 2013 season
Share the thrilling experience of our voiceS in motion
light & gold The music of Eric Whitacre featuring the composer conducting his own music
reMeMber Me Fiona Campbell sings Dido in Purcell’s Dido & aeneas
oPera’s triPle threat A birthday celebration for Verdi, Wagner and Britten featuring Cheryl Barker and Stuart Skelton
a cole Porter celebration concert Just one word: de-lovely!
tracing tiMe Vocal transformations of classic works with Paul Capsis, Genevieve Lacey, Kirsty McCahon and Marshall McGuire
Messiah The return of Handel’s celebration of the power of music to uplift and inspire with Miriam Allan, Sally-Anne Russell, Andrew Goodwin and Peter Coleman-Wright
Plus
Our first visit to Carriageworks in a program of baroque and new music and ChorusOz ® in Brahms’ a german requiem.
Photo: lisa tomasetti. sydney Philharmonia choirs is supported by the nsw government through arts nsw and the australian government through the australia council, its arts funding and advisory body.
For Full season details Visit www.sydneyPhilharMonia.coM.au or call 02 9251 2024 For a coPy oF our 2013 brochure.
sydney
philharmonia choirs Music Director Brett WeyMark
Uplift Yourself
The Song Company 2013 Sydney Concert Season In 2013, The Song Company, Australia’s leading vocal ensemble, turns to the element of ‘Air’ for inspiration as part of a four year cycle investigating Earth, Fire, Air and Water.
THE PROPHET collaboration with Joseph Tawadros Thursday 21 March 7.30pm Inspired by Gibran’s The Prophet by the Lebanese poet, philosopher and artist, this new collaboration with the singers of The Song Company delves into the origins of musical expression, guided by the writings of the author. It will feature voices, oud and percussion in music composed by Joseph Tawadros and influenced by both Eastern and Western traditions
Nigel North. Photo - Hanya Chlala DOWLAND’S LUTE with international lutenist Nigel North Thursday 5 September 7.30pm As a way of celebrating Dowland’s 450th anniversary in 2013, The Song Company has invited the greatest English lutenist of our time, Nigel North, for an all-out tribute to the elusive English master and his time. This tribute will brings together the greatest living lutenist of our times, and performing John Downland’s exquisite and moving music written for the lute.
All Sydney Events City Recital Hall Angel Place, Sydney Bookings : 8256 2222 or 1300 797 118 www.cityrecitalhall.com.au SYDNEY SUBSCRIPTION PACKAGES Adult Concession Under 30
$150 $135 $99
OF BIRDS AND ANGELS Angelic, magical Christmas music from Australia and the world Thursday 27 November 7.30pm The season concludes with a return to the extensive repertoire of Christmas music featuring a selection of angelic music from Germany, Italy and France and of course from Australia. Mirth and magic from all creatures celestial provide the substance of this trademark Song Company Christmas program. Ship to Shore Wednesday 7 November 7.30pm Tickets: $59 (concessions available) Enjoy The Song Company’s final Sydney concert of 2012 at the City Recital Hall - a rollicking, swashbuckling program of shanties and songs about the sea. The ensemble is joined by the extraordinarily talented Grigoryan Brothers on guitar. www.songcompany.com.au For Canberra, Newcastle and Wollongong subscriptions contact City Recital Hall.
Symphonic paSSageS
SubScription SerieS 2013 HigHligHts include: Piers lane performing Beethoven’s Piano concerto no. 5 natsuko Yosimoto performing Bruch’s scottish Fantasy Holst – the Planets and Rachmaninov – the Bells
chief conductor dr. nicholas Milton great value packages, easy parking and sydney’s exciting new venue – the concourse subscription Brochures available at the concourse Box office, wsoc@willoughby.nsw.com.au or phone 9777 7634
What’s On OPERA IN CONCERT TCHAIKOVSKY’S QUEEN OF SPADES Saturday 1 and Monday 3 December 7pm Sydney Opera House Tickets: $35-$139 Bookings: 8215 4600 www.sydneysymphony.com
FESTIVALS THE GLEBE MUSIC FESTIVAL Friday 9 November to Sunday 2 December Various venues Tickets: Available at the door www.glebemusicfestival.com The Glebe Music Festival covers all music genres with performances from local and international musicians. Artists for 2012 include acclaimed Bulgarian pianist Evgeny Genchev (below), guitarists Janet and Raffaele Agostino, Accordions Alfresco, Coro Innominata and many more. The Festival brings together musicians at different stages of their careers at a variety of venues including the charming and intimate Margaretta Cottage. Large choirs perform major choral works at St Scholastica’s Chapel and other venues include Gleebooks, St John’s Bishopthorpe, the Great Hall at the University of Sydney and the Old Court House.
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The Sydney Symphony presents Queen of Spades with Australian tenor Stuart Skelton (left) in the lead role for Tchaikovsky’s fantastic tragedy. Set in the aristocratic salons of 18th-century St Petersburg, there’s an angry young man - a damaged soul; a beautiful young woman he desires and; an obsession - gambling at cards. The secret to success is held by an aged countess, the ‘Queen of Spades’. But, despite ghostly interventions, it all ends badly and it wouldn’t be opera without a double suicide. Sydney last witnessed this opera in 1979 when it was staged by Australian Opera. Now Ashkenazy brings a concert version to the stage of the Concert Hall. Pre-concert talk by David Garrett in the Northern Foyer, 45 minutes before the performance.
CHAMBER MUSICA VIVA ANTHONY MARWOOD AND ALEKSANDER MADŽAR
CHAMBER TOP OF THE POPS! Sunday 11 November 4pm The North Shore Synagogue, 15 Treatts Road, Lindfield Tickets: $40-$60 Bookings: 9416 3710 www.trybooking.com/boxe info@nss.asn.au
Monday 5 November 7pm Saturday 10 November 2pm City Recital Hall, Angel Place Tickets: $38-$99 Bookings: 8256 2222 www.cityrecitalhall.com Like good wine and cheese, Marwood and Madžar (above) go really well together. In fact, rarely have two musicians clicked so well on stage. They’re so in sync, they’ve even been referred to as musical soul mates. Friends and collaborators for over twenty years, both are among the best on their instrument in the world. Marwood’s cerebral and expressive violin style is contrasted perfectly with the natural piano brilliance of Madžar. It’s a special connection: as if two old friends are getting together to have a laugh, share their secrets and generally chew the fat. With adventurous repertoire from Beethoven, Debussy and Schubert, they just seem to get each other. We’re pretty sure you’ll get them too.
International piano virtuoso Simon Tedeschi, acknowledged by critics and musical peers as one of the finest artists of his generation, is joined by the Sydney Omega Ensemble for a Remembrance Day concert. The SOE, directed by clarinettist David Rowden, has won popular and critical praise and redefined the city’s contemporary classical musical landscape since its inception seven years ago. The concert features favourites from Beethoven, Bruch, Schubert and Gershwin and a Remembrance Day tribute from dynamic and award-winning cantor Zvi Teichtahl, accompanied by pianist, educator and composer John Martin. On 25 November at the Sydney Opera House, the Sydney Omega Ensemble is again joined by Simon Tedeschi for A Soldier’s Tale. For tickets visit www.sydneyoperahouse.com
RECITAL ROGER WOODWARD PLAYS CHOPIN
RECITAL MILOŠ IN CONCERT Saturday 24 November 8pm City Recital Hall, Angel Place Tickets: $54-$72 Bookings: 8256 2222 www.cityrecitalhall.com
Saturday 17 November 2.30pm and 8pm The Concourse Concert Hall 409 Victoria Avenue, Chatswood Tickets: $49.50 Bookings 1300 795 012 www.theconcourse.com.au ROMAC (Rotary Oceania Medical Aid for Children), with Alan Jones AO as compere, presents Roger Woodward in concert playing Chopin. The matinee concert also features the recently-formed Ryde Hunters Hill Symphony Orchestra and Chopin’s Piano Concerto No. 1 under the direction of George Ellis (conductor) and Kirsten Williams (Concertmaster). One of Australia’s National Treasures, Roger Woodward, grew up in Chatswood – the suburb hosting this performance – and he is the founding director and professor of the School of Music and Dance at San Francisco State University. He is a passionate supporter of ROMAC and all proceeds from this recital support the charity which is Rotary Districts in Australia and New Zealand project assisting ‘forgotten’ children from Oceanic countries. For more information visit www.romac.org.au
Guitar virtuoso Miloš Karadagli´c makes his highly anticipated debut tour of Australia. His debut album, Mediterráneo, hit number one on the United Kingdom, United States and Australian classical charts, and also earned the Montenegrin his first gold disc in Hong Kong. The 28-year-old, hailed for brilliant technique and transcendent musicality, is the first classical guitarist signed to the prestigious Deutsche Grammophon label in 30 years. He studied at London’s Royal Academy of Music and became the first guitarist to win the Prince of Wales’ Prince’s Prize. Miloš has appeared at the Lucerne Festival, the Wigmore Hall and the Purcell Room, and been acknowledged with the Ivor Mairants Award and the Julian Bream Prize. His inspiring program includes works by Bach, Barrios, Villa-Lobos, Albéniz, Theodorakis and Domeniconi.
Miloš Karadagli´c, Photo – Olaf Heine, Deutsche Grammaphon The Sydney University Graduate Choir and massed choir of 500 singers, orchestra and soloists under the baton of conductor, Christopher Bowen OAM (left), once again present Sydney Sings Messiah. The concert follows hugely popular performances of 2007 and 2010 and this year’s concert is certain to be equally memorable and inspiring. The soloists are Angela Brun (soprano), Timothy Chung (alto), Pascal Herington (tenor) and Alexander Knight (bass).
CHORAL SYDNEY SINGS MESSIAH Sunday 18 November 3pm Sydney Town Hall, 456 Kent Street Tickets: $10-$35 Booking: 9351 7940 www.seymourcentre.com
The Sydney Town Hall provides a perfect backdrop with its rich musical history - until the 1970s it was the focal point of musicmaking in the city. Its Grand Organ, now 120 years old, which will join the orchestra for this performance, is one of the finest in the world.
JAZZ A MUSICIANS’ TRIBUTE TO GRAEME BELL 1914-2012 Sunday 2 December 3pm The Independent , 269 Miller Street, North Sydney Tickets: $28 Bookings: 1300 302 604 www.theindependent.org.au This tribute to the music and career of Graeme Bell, one of Australia’s greatest jazzmen, is compered by close friend and jazz identity John Buchanan and presented by musicians who knew Bell and were chosen to play in his bands over many years. Bell died on 13 June 2012 at the age of 97. The concert includes tunes from three eras of Bell’s career - the bands that toured Europe in 1947 and 1952, the early All Stars and his last band - the Reunion Band. Musicians include Paul Baker, Bob Barnard, Jim Elliott, Bob Henderson, Paul Furniss, Harry Harman, Jack Wiard, Robert Smith, Dieter Vogt, Neil Macbeth and Lawrie Thompson, and in keeping with one of Bell’s policies of using young up-and-coming musicians, Harry Sutherland. Net proceeds go to Parkinson’s NSW.
JAZZ SYDNEY SWINGS 9-24 November 7.30pm-9.30pm (6pm-8pm Sunday) Royal Botanic Garden, Fleet Steps Tickets: $39-$59 Bookings: 132 849 www.ticketek.com.au The Royal Botanic Garden Open Air Picnic Concert Series presents Sydney Swings – eight shows under the stars by the Harbour. Different leading artists appear each night and you will be spoiled for choice with shows from Kate Cebrano; a Tribute to Glenn Miller, Dorsey, Shaw & Co; Grace Knight; Crazy For Gershwin, Porter & Bernstein; The Harry James Angus Band; David Campbell; James Morrison and; the Big Band Finale. For this spectacular new open air swing concert series grab your friends, picnics and favourite wine, and arrive early to enjoy the sun set. fineMusic FM 102.5
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cd reviews Critic’s Pick
DARK WIND BLOWING: Songs of Love and Loss Christopher Saunders (tenor), Stefan Cassomenos (piano) Master Performers MP020
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The commercial success of ‘recital’ discs depends on a number of factors, including the popularity of at least one element, and it is possible that the sales of a recital consisting of songs by Ivor Gurney and Elena Kats-Chernin might be slender without the addition of settings by Roger Quilter and George Butterworth. Happily, however, the record producers cannot be accused of merely sweetening the mixture, for each group of songs informs and comments on the others.
LA TRAVIATA Opera Australia DVD - OPOZ 56029
✶✶✶✶ Various people had various doubts – or at least misgivings – about the proposal to perform La Traviata on a floating stage on Sydney Harbour. Would it work as a serious production? Would 14
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Butterworth is of course by far the most popular and accessible of art song composers, and the group of numbers from his settings of poems by Housman is in a popular sense the centrepiece of Christopher Saunders’s recital - but the least exciting to anyone interested in the genre: they are prefaced by the iridescent and melancholy music of Roger Quilter (illustrated here by seven of his settings of Elizabethan poems from 1908). Quilter was driven mad by war; so was Ivor Gurney, eight of whose three hundred song settings open the recital. Gurney also set poems from A Shropshire Lad, and it would have been interesting to have juxtaposed some of them with Butterworth’s infinitely better-known ones. But his quirkier settings (of, among others, Yeats, de la Mare and Belloc) are more melodically inventive than that of the other
two composers - though indeed even after eighty years one can still question whether the word ‘melody’ applies. The disc ends with settings by Elena Kats-Chernin of five nostalgic poems by Val Vallis, which fascinatingly have a melodic line as appealing as Quilter’s with an accompaniment as original and idiosyncratic as Gurney’s.
anyone pay to see it? Other similar ideas have been shown to work well - there have now been many seasons on the floating stage at Lake Constance - and looking back on the Sydney season, it can’t be counted as anything other than a triumph, not least for the many thousands of people who had never seen an opera before, and are now probable future patrons. Artistically? - well, that was a little difficult to gauge in the excitement of the spectacular live event. This DVD shows some drawbacks, but more successes.
Matthews was a little over-conscious of the need to compete with the spectacular setting; but Ms Matthews overdoing things is infinitely to be preferred to sopranos less dramatically talented. Gianluca Terranova gives a genuinely Italianate performance as Alfredo, and Jonathan Summers is beautifully in command of the two wonderful arias given to the pigheaded Germont pére.
To dispose of the drawbacks first: it’s difficult, viewing the film, to ignore the occasionally intrusive brightly lit buildings and advertisements which can occasionally appear behind the performers. More difficult to ignore the entirely necessary but ugly microphones, crawling across the cheeks of the singers, and in close-up often casting unpleasant shadows. No doubt technology will in time devise something less invasive - and in fact the performances are vivid enough to make both these distractions only very temporarily offensive. It’s possible to suggest that Emma
The steady, beautifully articulated singing, secure diction and intonation of Saunders reminds one of the voices of the British singers of the 1930s - voices like that of Gervase Elwes, the most distinguished singer of English artsongs; but with the addition of passionate conviction. Cassomenos accompanies him perfectly. This may be ‘caviar to the general’, but it is the very best caviar. - Derek Parker
The production mounted by Francesca Zambella takes full advantage of the setting - party-goers arriving in brightly-lit ferries, a display of fireworks (Violetta knew how to give a good party), and a single rocket mounting the sky as her soul flies upward at the end of the opera. Cheesy? - but wonderful. Yes, there are some uneasy moments when the vast space has to be held by three or four characters, but all in all nothing to make anyone but the most ferocious purist complain. Many people who were in the audience during the season will prize this DVD as a souvenir; but it is also one that is well worth a place on the shelf of those for whom Traviata is the most familiar opera of them all. – DP
BEETHOVEN – DIABELLI VARIATIONS, Op.125; ANDANTE FAVORI; FUR ELISE Gerard Willems, piano ABC Classics 476 4113
✶✶✶✶✶ The Diabelli Variations, and the Goldberg Variations by J S Bach, are the greatest sets of variations written for the keyboard. When the Beethoven variations were published, the music publisher Diabelli, who in effect commissioned the work, claimed that ‘the most original of structures and ideas, the boldest musical idioms and harmonies are here exhausted; every pianoforte effect based on a solid technique is here employed’. Probably because of the extraordinary originality of the
work, many pianists play it in an exaggeratedly violent manner, making more than is necessary of ‘the boldest musical idioms’ and the many pianoforte effects requiring a solid technique. It is to his credit that Gerard Willems, while observing closely Beethoven’s dynamic markings, avoids this approach and gives a restrained and musical realisation of the work, without losing sight of its profound and farreaching implications.His technique is certainly equal to the great demands made on it. I would count this as one of the best accounts of the variations that I have ever heard. The Stuart piano is excellently recorded. The two encore pieces are nicely played but scarcely belong in the same company as the Diabelli Variations. The release of this CD is indicative of how far
the Australian recording industry has come in recent years. Even as recently as twenty years ago, the release of a locally made recording of the Diabelli Variations which could compete with the best in the world market would have been most unlikely, the ABC and Willems are to be congratulated.- Richard Gate
THE FINEST MUSIC OF FRANCE Works by Debussy, Ravel, Bizet, Berlioz, Gounod, Faure, Massenet, Offenbach, Saint-Saens, Widor and others Various Australian artists and orchestras ABC Classics 476 4991
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This compilation was probably issued to coincide with the ABC’s request for listeners to nominate their favorite piece of French music. Its more useful purpose is to demonstrate the excellence with which, for the most part, Australian musicians treat French music. There are exceptional contributions from David Hobson (Hahn’s Infidelite), Yvonne Kenny
(Duparc’s Invitation au Voyage), the Australian String Quartet (movements from the Debussy and Ravel quartets), Stephanie McCallum (works by Satie), Sally-Anne Russell (an aria from Carmen), Emma Matthews (the Doll Song from The Tales of Hoffman) and many others. It is interesting to note how successfully some singers, Hobson, Kenny, for example, have mastered the cool, smooth, seamless French style of singing. Marjorie Lawrence was another excellent example of this, but it is clear from their performance of the Barcarolle from The Tales of Hoffmann that Joan Sutherland and Marilyn Horne did not master this style. The instrumentalists, too, are fine. The big
orchestral pieces are not always so successful. Ravel’s Bolero under Stuart Challender emits German stolidity rather than French elegance (despite some excellent solo playing) and Berlioz’s overture to Beatrice and Benedict (under Edo de Waart) lacks the true Berliozan tang. On the other hand, Debussy’s Prelude to the Afternoon of a Faun emerges beautifully under Jorge Mester (who is unfortunately not Australian) with the Melbourne Symphony Orchestra. Many listeners will already have CDs of this music, but for anyone who wants to hear how Australians handle French music, this compilation is recommended. – RG
BRAHMS A German Requiem, Op. 45 Nicole Car, soprano, Teddy Tahu Rhodes, bass-baritone, Melbourne Symphony Orchestra Chorus, Jonathan Grieves-Smith, chorus master, Melbourne Symphony Orchestra, Johannes Fritzsch, conductor ABC Classics 476 4811
✶✶✶ George Bernard Shaw is alleged to have said, in his early days as a music critic, that no one should be compelled to listen to this work more than once in a lifetime. This was just his little joke, and a rather poor one. The German Requiem is now regarded by many as a fine work full of moving and impressive music. It is not, like Verdi’s Requiem, suitable for liturgical use but is set to various extracts from Luther’s translation of the Bible. It is intended to be of comfort at the time of the death of a beloved. It is commendable of
Australian forces to have attempted a recording of so intensely a German work and, on the whole, the attempt is successful. Both the chorus and the orchestra give a musical and stylistic account of the Requiem. The orchestral playing is very fine and the choral singing sensitive and refined; unfortunately, the enunciation of the chorus is not always clear. Teddy Tahu Rhodes is the best of the soloists, singing firmly and with excellent enunciation. The soprano, on the other hand, does not enunciate clearly and lacks the blissful
radiance that the music requires and which was achieved by another Australian soprano, Florence Austral, in a famous disc of the 1920s. A serious fault, to me, is that the music is often too loud - whether this is because of the conductor or the recording engineers is not clear, but loudness is a common feature of musical performance these days. – RG fineMusic FM 102.5
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JAZZ CD REVIEWS
FOUR CLASSIC ALBUMS PLUS.. MEL POWELL - FOUR CLASSIC ALBUMS PLUS (Borderline, Thigamagig, Out On A Limb, The Mel Powell Bandstand, The Mel Powell Septet) Avid Jazz EMSC1063
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The first three albums (the best) were part of the legendary Vanguard sessions of mainstream jazz recorded under the supervision of John Hammond from 1953-57. Hammond, an enthusiastic advocate of the early Count Basie Orchestra, was also an unabashed admirer of its
LIVE AT THE JAZZ CORNER Rossano Sportiello, Nicki Parrott, Eddie Metz Arbors ARCD 19437
✶✶✶✶ Nicki Parrott raved over this album over lunch with me in Sydney earlier this year. She did not exaggerate! Forget such terms as mainstream or vintage, this is jazz piano - swinging, exciting and, at times, lyrical - as it is rarely heard these days. It’s a piano trio album of the highest order recorded live before an enthusiastic audience at The Jazz Corner in Hilton Head, South Carolina on January 28-29 last year. Italian-born Rossano Sportiello impresses me more with each new release. He is a consistent delight. His
star soloists including trumpeter Buck Clayton and trombonist Vic Dickenson. Another musician he admired was Mel Powell who at 18 was pianist and arranger with one of Benny Goodman’s greatest bands, was a member of Glenn Miller’s AAF band and would later leave jazz for film, classical and electronic music all before the age of 30! Influenced early by Teddy Wilson and Earl Hines he became very much his own man. These beautifully recorded and indispensable sessions - recorded with only one microphone hanging from the ceiling of a Masonic Temple in Brooklyn , New York show what a great pianist Powell was with his amazing technique, sophisticated harmonies emergence on the United States jazz scene - he was only introduced to American audiences in 2003 - has been like a breath of fresh air. One of his early mentors, that fine pianist and educator Barry Harris, described Sportiello as ‘the best stride piano player I have heard’. Listen to his irrepressible playing on Honeysuckle Rose as he strides through this Fats Waller tribute in a display which would have made another of his mentors, stride master Ralph Sutton, proud. But the 38-year-old Sportiello also has an intimate affinity with a ballad as he shows from staples from the Count Basie book from different eras, Li’l Darlin’ (the 1950s) and Blue And Sentimental (the 1930s). And to top it off there’s a tasteful medley of popular Chopin melodies. Parrott again shows she’s the real
and infectious swing. The 1954 Borderline and Thigamagig sessions were both trio dates: the first with Paul Quinichette (‘The Vice-Pres’) sounding more like Lester Young than the ‘President’ of the tenor saxophone himself with Bobby Donaldson on drums; on the second, a young Ruby Braff, a graduate from what he called ‘The University of Louis Armstrong’, shows what a soulful trumpet player he was then. Braff also plays beautifully on the 1955 session (Out On A Limb). Now if only someone would reissue the sessions with Dickenson, Braff and clarinettist Edmond Hall. – Kevin Jones
deal as a singer on Besame Mucho and Metz’s superb use of brushes and sticks highlights the helter skelter Spanish Eyes. Unpretentious and swinging, this is my kind of music. - KJ
IMPRESSIONS Botti has been on the jazz and pop apt description of what this album offers. It Chris Botti, trumpet and guests Chris scene for yonks. He’s been nominated for also includes the talents of Herbie Hancock Decca 3704070 Grammy Awards on two occasions and three on piano, country singer Vince Gill, classical
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of his albums have reached number one on the Billboard jazz chart. He even indulged in short touring stints with both Frank Sinatra and Buddy Rich. Now in his 50th year he’s had a longstanding recording relationship with Paul Simon and other singers of the ilk of Aretha Franklin, Natalie Cole, Bette Midler, Joni Mitchell, Roger Daltrey and others. He’s even hosted his own radio show back in the USA called Chill with Chris Botti where he focused mainly on music described as ‘smooth jazz with a touch of cool jazz.’ Add a tinge of pop and that’s an
cross-over tenor Andrea Bocelli and rock star Mark Knopfler. Add to that an orchestra that subtly does not impede into the talents of any of the guests on offer and you get a very adagio-like (to use a classical term) display of jazz/pop that is conducive to atmospheric late-night indulgences of single-malt-on-ice. It is a very relaxing album and Botti himself helps out with his unobtrusive trills and obbligatos. Recommended to all insomniacs and lovers of single malt…not to mention lovers of fine music. - Randolph Magri-Overend
SWINGING ON THE VINE PIG OF MY HEART
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‘I owe you Rocca my friend. If it wasn’t for you arriving an hour early and seeing those three misfits attempting to bundle Little J into the back of a ute who knows what would have happened to him?’ Looking at me in awe as I slowly empty the contents of the bottle down my throat, Rocca replies: ‘Not me but you. The sight of you erupting from the duck pond, grabbing a steel fence post, and roaring like a bull as you charged the ute must have scared the daylights out of them. No wonder they fled.’ ‘One must wash occasionally,’ I reply modestly. But I am suspicious. The Voice has taken my insufferable brother-in-law Clifford with her into Newcastle and refused my requests that she contact the police. I suppose I should be thankful for small mercies as it means Rocca and I can drink and eat the best Italian salamis and cheeses until we pass out in my Hunter Valley hideaway. Although an opinionated Rocca still swears no other trombone player can match the sound of Bill Harris with Woody Herman’s First Herd, he is, like myself, a great admirer of Teagarden, especially the heavy drinking devil-may-care
Jack Teagarden. Photo – William P. Gottlieb
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The sound of the muted trombone of Jack Teagarden soloing with his orchestra on a 1939 Columbia recording of Peg Of My Heart is momentarily drowned out by the clashing together of two chianti bottles as my good friend Rocca and I celebrate the rout of the pignappers. Little J belches contentedly as I again fill his bowl with the joyous bounty of the grape.
If there is one number that will always be associated with Teagarden it’s Basin Street Blues trombonist of the 1920s and 1930s. In those days, he never asked for a drink, but always said: ‘Give me a double.’ He would then look around for a place to play jazz. As Down Beat writer George Hoefer once wrote: ‘If he had gone to church on Sunday morning, he would have his trombone out, playing in the choir loft.’ He was addicted to the music; he used to carry around Louis Armstrong’s records of Cornet Chop Suey and Muskrat Rambler in his instrument case or under his overcoat and would play them any time he got within sight of a phonograph. Yet despite his love for jazz and just wanting to play it and nothing else, Teagarden suffered through having to play music he had no desire to play, especially from 1933 to 1938 after signing a five-year contract with Paul Whiteman to play with his enormous concert orchestra. Here he was buried under every imaginable instrument including a bicycle pump! After the end of another tedious night with Whiteman at the Drake Hotel in Chicago in 1938, Teagarden was eating ribs with Jimmy Dorsey, later to become a famous bandleader, in an all- night barbecue restaurant. Asked how he felt, Teagarden replied: ‘Fine. I’ve just had a good night’s sleep on the bandstand at the Drake.’ But it could all have been so different. Benny Goodman wanted Teagarden in his first band although how he would have coped with heavy drinking of both Bunny Berigan and the burly Teagarden is another matter. Whiteman held him to his contract although he allowed him to record on his own, including records with the Goodman band in April, 1935. He was scheduled to take the vocal on You’re A Heavenly Thing, but was so hung over Helen Ward sang instead although he did play trombone on the four sides recorded. Interestingly the finest trombone section Goodman ever had consisted of two who were heavily influenced by Teagarden - Lou McGarity and ‘Cutty’ Cutshall, both members of the King of Swing’s great 1940-42 band. McGarity played with the Goodman small groups and soloed on its and the orchestra’s recordings. Cutshall although he was a soloist with the band at live gigs was only heard soloing on one track with the band, a swinging opus by Mel Powell called I’m Here which featured a chase chorus by the two trombonists.
Jack Teagarden. Photo – William P. Gottlieb If there is one number that will always be associated with Teagarden it’s Basin Street Blues written by pianist Spencer Williams who named it after the street in which he lived as a youngster with his aunt. But where he lived was no ordinary house. It was called Mahogany Hall, probably the most famous brothel in Storyville, New Orleans’ red light area. The night before the famous 1931 recording date with the Charleston Chasers, a recording band under the nominal leadership of Goodman, Glenn Miller decided Basin Street Blues needed lyrics which he and Teagarden wrote finishing them in the early hours of the morning. It’s playing in the background as Rocca and I wash down our salami, cheese and salad rolls with copious quantities of chianti, a wonderful version from 1955 with Teagarden’s laid back vocals and superb trombone playing complemented by the beautiful tone of Bobby Hackett’s cornet. The album is the Capitol set Coast Concert, one of the great Dixieland albums, where the line-up included that fine clarinet player Matty Matlock and Abe Lincoln, another Teagarden-inspired trombonist. We cheer as the group bursts into Muskrat Ramble. This is the music we cut our jazz teeth on! No weeds from the pop garbage dump here. We each raise another bottle in exultation as Teagarden begins his solo. Little J snores contentedly. Memories are made of this. - Patrick D Maguire fineMusic FM 102.5
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SPECIAL EVENTS SPECIAL PRICES APPLY
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fineMusic FM 102.5
Youth Development Ahead of this month’s 2012 National Fine Music Network Final, FM 102.5’s Youth Development Manager, Judy Deacon, talks about the values and drawbacks of competition while former competitors – and one who rejects competition - offer their viewpoint. Why competitions? Becoming a successful artist is an expensive undertaking and competitions are one way of raising funds and building a future following. Learning punctuality, graciousness in success and defeat, suitable repertoire selection for various occasions and adapting to different venues also come with competing. The downside is dealing with the pressure of expectations of teachers, parents, family, colleagues and peers. It’s not necessary to win competitions to become a successful, working musician; competitions offer a showcase for emerging artists as they strive to do their best in what can be a challenging situation.
Ju Hwa Sandy Sin, NSW winner, percussion, 2007 - ‘Preparing for a competition was quite a challenge especially in the second stage where your playing gets recorded to be judged. I thought it was a good way to improve not only my playing but I have also learnt how to plan a program over the stages of the competition. I guess it’s the teething process for a musician in the real world. Also, broadcasting experience is something that musicians do not easily gain.’
important competitions are in the making of true artists. On one hand, winning a competition can be very beneficial as you can be given many opportunities for concerts and recitals and boost your confidence and profile, on the other hand, they can also ruin a great ‘artist-to-be’ career because of the lack of importance given to individuality and freedom of expression in many large competitions. The Fine Music network and FM 102.5 define perfectly what a good competition is - I did not feel the pressures of a competition because of performing the rounds in a studio live to air, however I was put through the hoops about how to play live on radio and how important it is communicating to an audience not directly in your hall or venue.’
Anna Da Silva Chen, NSW & National Winner, violin, 2011 - ‘Participating enabled me to perform, improve and refine my playing. Particularly in the finals, it was a worthwhile experience to push myself to perform to an audience and provide a clean, musically sophisticated recording. I enjoyed it so much! It is definitely something I can be proud of in the future, as it has contributed to the way I perform today.’
helpful to a certain extent as a musician cannot expect to forge a career with any degree of longevity by only performing in competitions. ‘Winning the Fine Music competition is a great honour. I see being recorded and broadcast as a great opportunity for all musicians to have a taste of what the life of a musician is like. As for competitions, I am unsure how large a role they will play in my future career. Rather, I will attempt to create more opportunities for public performances.’ Jonny Brewer - Graduate of the Guildhall School of Music and Drama & Royal College of Music, UK - ‘Competitions offer a good opportunity for young performers to boost their profile and raise money for studies. However, with music being such a competitive field, with people only as good as their last performance, I have always avoided competitions, feeling it would throw my confidence if anything were to go wrong. As a double bass player, my comfort zone is within an orchestral setting. While solo repertoire is enjoyable to play and necessary for auditions, in my view our instrument is more suited and in demand within an ensemble: perhaps why I might feel uncomfortable competing against a pianist, or violinist. ‘To have a private teacher make comments about your playing can be productive, but to be criticised in the public domain would be difficult for me. Perhaps some musicians are made to compete and others don’t have the nerve.’ – Judy Deacon
YOUTH BROADCASTS Wednesday 7 November 1pm – Camille Mercep presents Youth Development highlights Friday 9 November 1 .55 pm –Jeremy So, pianist plays Rachmaninoff and Scriabin at his Final Recital at the Sydney Conservatorium of Music. Free entry Sunday 25 November 7pm All participating stations simulcast of 2012 National Fine Music Network Final from Melbourne
Vatche Jambazian, NSW winner, piano, 2008 - ‘Competitions are always a challenge in all aspects whether it’s physical and/ or psychological and I can question how
Bo An Lu, NSW Winner, National Fine Music Network finalist, 2012, piano - ‘Competitions are an important forum for musicians to be able to hone their skills. They create an environment where people strive to perform to the best of their ability, and the element of competition is a source of motivation. However, I feel that competitions are only
Wednesday 28 November 1pm Andrew Bukenya presents highlights from the Sydney Eisteddfod Alf & Pearl Pollard Memorial Award finals www.sydneyeisteddfod.com.au Further information – contact Judy Deacon yd@finemusicfm.com fineMusic FM 102.5
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November Program highlights “Brigitte Engerer, who has died aged 59, A TRIO OF TRIBUTES Monday 26 at 2.30pm; Thursday 29 at brought deep colour and radiant beauty to her exquisite performances at the piano.” The 2pm; Friday 30 at 1pm
Ruggiero Ricci A long life of 94 years devoted to attaining the mastery of the violin through the constant study of Paganini’s music, ended on 6 August 2012. During his performing career, beginning at the age of ten and ending at age 85, Ruggiero Ricci performed more than 5,000 concerts and made around 500 recordings. His repertoire included about 60 concertos and he gave first performances of a number of contemporary works including Ginastera’s concerto. For him, Paganini was the gateway to achieving the highest violinistic skills and he constantly practised the 24 Caprices, returning to them, and the transcription works of the composer, every time he felt his technique decreasing. He also concentrated on the music of J S Bach, and he would give unaccompanied recitals where he would engage his audiences with Bach and Paganini alternately, completing the unaccompanied output of both composers on successive nights. He was an esteemed teacher at New York’s Juilliard School, and gave many masterclasses at summer schools. After retirement from performance, he continued to teach masterclasses and give private lessons. Ricci played on a 1734 Guarneri del Gesù violin. For him the Guarneri sound (as opposed to Stradivari) gave the required brilliance, colour and attack that he sought in his playing which you’ll hear in our tribute on Monday 26 at 2.30pm.
Telegraph, London The French pianist died on 23 June 2012. She began performing in public at the age of six and later studied at the Paris Conservatoire, where she gained the Premier Prix, and at the Moscow Conservatoire. She was plucked from relative obscurity by Herbert von Karajan. In 1980 he heard a recording that she had made of Schubert’s Wanderer Fantasy and offered her an audition. “I played for him in Belgium,” she remembered. “After I finished he simply mumbled ‘Sehr gut’, got up and left.” Moments later von Karajan’s assistant entered the room with an offer for her to play with the Berlin Philharmonic. Although she was trained in the Russian pianistic tradition, her style was unmistakably French. “My style is certainly not Russian,” she once said. “I need the transparency of the French piano and the rationality of French philosophy. But I need some of the Russian craziness in my playing.” Quoting again from The Telegraph: “So rare were her British appearances that Londonbased critics would travel to Europe to hear her, with one noting of her performance of Chopin Nocturnes in Spain two years ago that ‘each drama was on a grand scale, with each note weighted and balanced with fastidious authority’”. In our tribute on Thursday 29 at 2pm, hear Brigitte Engerer play Chopin as well as Liszt and Beethoven.
Brigitte Engerer
Dr Marilyn Meier Celebrated Hungarian pianist Béla Siki, who taught Dr Marilyn Meier at the University of Washington, described her as one of the most talented pianists of her generation. Born in Camden, NSW, to a Tongan mother and a father of German heritage, her immense musical talents were recognised early and she started piano lessons when she was just four years of age and, at 15 years, won the ABC-TV Quest 78 and went to the US where she studied for a Bachelor of Music (Hons) and Graduate Artist Diploma. During her career, she broadcast on radio and TV, performed with symphony and chamber orchestras, won awards, lectured in music and was an Australian Music Examinations Board examiner. In 2008 she was awarded a Royal Medal for Services to Culture by Tonga’s King George Tupou V. “Tonga is very dear to my heart . . . and over the past 20 years I have enjoyed organising tours of orchestras there and performing regularly in various concerts and at royal birthday celebrations,” she said at the time. Dr Meier was in regular demand as a performer and piano competition adjudicator. She recorded three albums on compact disc: Just Chopin, Liszt Legends and Country Gardens. Her research interests included piano and performance practices and techniques, the music of Frédéric Chopin and Tongan music. Marilyn Meier died from liver cancer on June 22 at the age of 48 and we pay tribute to her on Friday 30 at 1pm.
CONTINUING SERIES The Best of Decca: Thursdays 1 and 15 at 2pm Kawai Piano Series: Friday 9 at 1pm At the Opera –Legendary Met Performances: Wednesdays at 8pm (Puccini’s Turandot on 14th; Massenet’s Manon on 21st) 20
fineMusic FM 102.5
Thursday - 1st November 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 MUSIC FOR A NEW DAY including Arts Calendar at 7.30am with Simon Moore 9:00 DIVERSIONS IN FINE MUSIC Composer focus Prepared by Michael Morton-Evans Auber, D-F-E. Overture to Fra Diavolo (1830). Suisse Romande O/Ernest Ansermet. Decca 425 083-2 8 Pas classique (1830). London SO/Richard Bonynge. Decca 452 767-2
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Overture to Masaniello (1828). West Australian SO/David Measham. LP EMI SMP 0042 8 Cello concerto no 1 (c1804; orch. Gamley). Jascha Silberstein, vc. ABC 475 070-2 16 C’est l’histoire amoureuse, from Manon Lescaut (1856). Joan Sutherland, sop. Decca 475 6302
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Suisse Romande O/Richard Bonynge (2 above) Overture to The mason and the locksmith. West Australian SO/David Measham. LP EMI SMP 0042 6 10:00 MORNING CONCERT Prepared by Michael Morton-Evans Berwald, F. Overture to The Queen of Golconda (1868). Royal PO/Ulf Björlin. EMI CDM 5 65073 2
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Rimsky-Korsakov, N. Suite: Capriccio espagnol, op 34 (1887). Bolshoi SO/Alexander Lazarev. Erato 4509-94808-2 15
Forsyth, M. Prelude and fugue on the name of Glenn Gould (2007). Peter Tiefenbach, pf. Centrediscs CMCCD 13208 6
Stravinsky, I. Suite from The firebird (1910). Detroit SO/Antal Dorati. Decca 478 3170 44
Chatman, S. Nature songs II (2006): On the beach at night alone; Bitter for sweet; Woodland bells. Emily Cheung, sop; Natasha Neufeld, sop; Vancouver Chamber Choir; Linda Lee Thomas, pf; Jon Washburn, cond. Centrediscs CMCCD 13608 8
16:00 KEEPING YOU COMPANY including Arts Calendar at 5.00pm Prepared by Debbie Scholem
12:00 JAZZ, PURE AND SIMPLE with Maureen Meers
Contemporary and modern sounds of now in jazz from all corners of the globe
Covering the many aspects of jazz from Swing to Mainstream, with the Great American Songbook making regular appearances
20:00 EVENINGS WITH THE ORCHESTRA Orchestral works of Dvorák Prepared by Stephen Wilson
13:00 OPERA IN CONCERT Prepared by Giovanna Grech
Dvorák, A. Serenade in E for strings, op 22 (1875). London PO/Christopher Hogwood. Decca 448 981-2 31
Suppé, F. Overture to The beautiful Galathea (1865). New York PO/Leonard Bernstein. CBS MYK 44719 8 Verdi, G. Mia madre aveva … Piangea cantando … Ave Maria, from Otello (1887). Galina Gorchakova, sop; Kirov O/Valery Gergiev. Philips 446-405-2 12 Bizet, G. La cloche a sonné, from Carmen (1875). Richard Amner, ten; Ambrosian Opera Ch; London SO/Claudio Abbado. DG 419 636-2 5 Berlioz, H. Royal hunt and storm, from The Trojans (1856-58). City of Birmingham O/Louis Frémaux. EMI CDM 1 66434 2 9 Boito, A. Ballata e canzone: Ecco il mondo, son to spirito che nega, from Mefistofele (1868). Samuel Ramey, bass; Philharmonia O/ Donato Renzetti. Philips 420 184-2 6
Brumby, C. Piano concerto no 1 (1984). Wendy Pomeroy, pf; West Australian SO/Patrick Thomas. Jade JADCD 1049 32
Giordano, U. Carlo Gérard; Come sa amare! from Andrea Chenier (1896). Eva Marton, sop; Tullio Pane, ten; Giorgio Zancanaro, bar; Hungarian State Opera O/Giuseppe Patané. CBS 42369 10
Eybler, J. Symphony no 2 in D minor (c1780s). Geneva CO/Michael Hofstetter. cpo 777 104-2 27
14:00 THE BEST OF DECCA Prepared by Ron Walledge
19:00 JAZZ VIBES with Matt Bailey
Smetana, B. From Bohemia’s fields and groves, from My country (1875). Vienna PO/Nikolaus Harnoncourt. Teldec 0927-44890-2 14 Saint-Saëns, C. Concerto no 4 in C minor, op 44 (1875). Stephen Hough, pf; City of Birmingham SO/Sakari Oramo. Hyperion CDA67331/2 25 Dvorák, A. Symphony no 5 in F, op 76 (1875). Scottish NO/Neeme Järvi. Chandos CHAN 8552 40 22:00 CHAMBER SOIRÉE Prepared by Win Thompson Beethoven, L. Serenade in D, op 25 (1801). Susan Milan, fl; Levon Chilingirian, vn; Louise Williams, va. Chandos CHAN 9108 24 Jadin, L. Introduction and rondeau pastorale (1811-12). Marielle Nordmann, hp; Brigitte Haudebourg, pf. Arion ARN 68285 10 Franck, C. Sonata in A (1886). Lydia Mordkovitch, vn; Marina Gusak-Grin, pf. Chandos CHAN 9109
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Guastavino, C. Cantilena, Santa Fé para llorar (pub. 1951). Maria Isabel Siewers, gui; Stamic Quartet. 4 ASV DCA 933
11:30 A CANADIAN INTERLUDE Prepared by Elaine Siversen
Grieg, E. Holberg suite, op 40 (1885). Academy of St Martin in the Fields/Neville Marriner. Decca 478 3187 20
Morlock, J. Prelude and fugue (2007). David Swann, pf. Centrediscs CMCCD 13208 5
Holst, G. Ballet music from The perfect fool, op 39 (1921). London PO/Adrian Boult. Decca 478 3177 11
Weber, C.M. Introduction, theme and variations in B flat, op 34 (1815). Anthony Gigliotti, cl; Philarte Quartet. Pro Arte CDD 234
Chatman, S. How sweet and fair (2001): Go lovely rose; To daffodils. Vancouver Chamber Choir; Jeanette Jonquil, cl; Jon Washburn, cond. Centrediscs CMCCD 13608 5
Mozart, W. Piano concerto no 20 in D minor, K466 (1785). Clifford Curzon, pf; English CO/ Benjamin Britten. Decca 478 3168 33
Borodin, A. Quintet in F minor (1853-54). Ottó Kertész Jr, vc; New Budapest String Quartet. Marco Polo 8.223172 28
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Friday - 2nd November
Vera Tsu 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 MUSIC FOR A NEW DAY including Arts Calendar at 7.30am with Janine Burrus 9:00 DIVERSIONS IN FINE MUSIC Small forces Prepared by Paul Hopwood Bach, J.S. Sonata in G, BWV1027 (c1720). Paul Tortelier, vc; Robert Veyron-Lacroix, hpd. Elatus CDZ 7 625152 15 Dohnányi, E. Serenade, op 10 (1902). Donald Weilerstein, vn; Atar Arad, va; Paul Katz, vc. Pro Arte CDD 238 19 Grieg, E. String quartet in F (1891). Kontra Quartet. BIS CD-543 20 10:00 MORNING CONCERT Prepared by Sheila Catzel Bartók, B. Hungarian pictures, op 13 (1931). Philharmonia O/Neeme Järvi. Chandos CHAN8895 12 Goldmark, K. Violin concerto no 1 in A minor, op 28. Vera Tsu, vn; Razumovsky Sinfonia/Yu Long. Naxos 8.553579 36 Respighi, O. La boutique fantasque after Rossini (1919). Vienna FO/Antonio Janigro. Vanguard 08 9001 71 34 11:30 MORNING CONCERT ENCORE! Prepared by Sheila Catzel Bartók, B. Contrasts (1938). Michael Collins, cl; Susanne Stanzeleit, vn; Gusztav Fenyö, pf. ASV DCA 982 16 Rossini, G. A word to Paganini. Members of Ex Novo Ensemble. Giulia GS 201001 10 22
fineMusic FM 102.5
Luigi Cherubini
Laurent Korica
12:00 NOONTIME JAZZ with Peter Mitchell
20:00 THE ROMANTIC CENTURY Prepared by Robert Small
Accessible in-the-hammock jazz to ease you into the weekend
Tchaikovsky, P. Violin concerto in D, op 35 (1878). Laurent Korica, vn; Liège Royal PO/JeanJacques Kantorow. naïve V5280 33
13:00 SISTERS Prepared by Sheila Catzel Mozart, W. Double concerto in E flat, K365 (1779). Güher Pekinel, pf; Süher Pekinel, pf; Philharmonia O/Neville Marriner. Chandos CHAN 9711 25
Smetana, B. Triumphal symphony in E, op 6 (1853-54). Prague RSO/Vladimir Válek. Supraphon SU 3916-2 37
Ravel, M. Rhapsodie espagnole (1907). Katia Labèque, pf; Marielle Labèque, pf. KML 1111 16
Saint-Saëns, C. Cantata: Ivanhoe (1864). Marina de Liso, sop; Bernard Richter, ten; Pierre-Yves Pruvot, bar; Brussels PO of Flanders/Hervé Niquet. Glossa GCD 922210
Grechaninov, A. Piano trio no 1 in C minor, op 38 (1906). Bekova Sisters. Chandos CHAN 9461 33 Falla, M. de Spanish dances nos 1 and 2, from La vida breve (1913). Katia Labèque, pf; Marielle Labèque, pf. Philips 438 938-2 7 14:30 CHERUBINI’S SACRED MUSIC Prepared by Francis Frank Cherubini, L. Ave Maria (1816). Shu-Cheen Yu, sop; Queensland SO/Brett Kelly. ABC 476 261-0 4 Credo for 8 voices (1806). RCA Italiana Chamber Choir/Nino Antonellini. LP Italia 70051
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Mass for the coronation of Charles X (1825). Philharmonia Ch & O/Riccardo Muti. EMI 5 72786 2 51 16:00 KEEPING YOU COMPANY including Arts Calendar at 5.00pm Prepared by Shamistha de Soysa 19:00 FRIDAY JAZZ SESSION with Sally Cameron A focus on the current Sydney jazz scene mixed with a range of international jazz stars and a weekly a cappella item
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Bizet, G. Suite from Carmen (1873-74). Sydney SO/Matthias Bamert. ABC 434 714-2 8 22:00 BAROQUE AND BEFORE Prepared by Robert Small Purcell, H. Amphitryon, or The two Sosias (1690). Andrea Jeffrey, sop; Michelle Kettrick, sop; Nicole Bower, sop; Giles Tomkins, bass; Aradia Ensemble/Kevin Mallon. Naxos 8.570149 25 Bach, J.S. Violin concerto in E, BWV1042 (c1730). Australian CO; Richard Tognetti, vn & dir. ABC 476 5691 16 Vivaldi, A. The four seasons (pub. 1725; arr.) Dan Laurin, rec; Arte Dei Suonatori. BIS SACD-1605 40 Telemann, G. Musique de table III (1733). Australian CO/Nicholas Kraemer. Fine Music Tape Archive
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Saturday - 3rd November 0:00 CLASSIC-ALL THROUGH THE NIGHT
14:00 MUSICAL EXPLORATIONS Bridges between the centuries Prepared by Judy Ekstein
6:00 SATURDAY MORNING MUSIC with Stephen Wilson
Cherubini, L. Overture to Medea (1797). O della Toscana/Donato Renzetti. Europa 350-221 7
9:00 WHAT’S ON IN MUSIC Our weekly guide to musical events in and around Sydney
Symphony in D (1815). London SO/Charles Mackerras. Carlton Classics 15656 91372 30
9:30 SPOTLIGHT ON LIBOR PEŠEK AND THE ROYAL LIVERPOOL PHILHARMONIC Prepared by Ron Walledge Dvorák, A. Suite in A, op 98b, American (1895). Royal Liverpool PO. Virgin VC 7 90723-2
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Mahler, G. Adagio, from Symphony no 10 (1910). Czech PO. Virgin VCDS 7 91219-2 24 Strauss, R. Don Juan, op 20 (1888). Malcolm Stewart, vn. Virgin VC 7 91171-2 17 Dvorák, A. Symphony no 9 in E minor, op 95, From the New World (1893). Virgin VC 7 90723-2 44 Royal Liverpool PO (2 above)
Études-tableaux, op 33 (1911). John Lill, pf. Nimbus NI 5439
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15:30 MUSIC FOR WORDS Prepared by Rex Burgess Handel, G. Ode for St Cecilia’s Day, HWV76 (1739). Choir of King’s College, Cambridge; Academy of St Martin in the Fields/David Willcocks. Decca 460 287-2 52 Organ concerto in F, HWV295, The cuckoo and the nightingale (1739). Helmut Rilling, org; Wurtemberg CO/Jörg Foeber. Concerto Royale 206226-360 13
Libor Pesek, cond (all above) 11:30 ON PARADE Music that’s band Prepared by Owen Fisher Herold, F. Overture to Zampa. Cyfartha Band/ Simon Wright. Nimbus NI5470 9 Scott, B. A taste of honey. Living Brass/Ray Martin. LP RCA CAS 949 3 Lehar, F. Gold and silver waltz. Allentown Band/Ronald Demkee. AMP 96197
Rachmaninov, S. Romance in F, op 4 no 3 (1893); Lied in F minor (1890); Mélodie in D (1890); Danse oriental in A, op 2 no 2 (1892). Michael Grebanier, vc; Janet Guggenheim, pf. Naxos 8.550987 18
Clori, Tirsi e Fileno, HWV96 (1707). Lorraine Hunt, sop; Jill Feldman, sop; Drew Minter, ct; Paul O’Dette, archlute; Philhamonic Baroque CO/Nicholas McGegan. Harmonia Mundi HMU 907045 1:16 18:00 THE SYDNEY SOLOISTS play Beethoven and Dvorák Produced by Kerry Joyner RECORDED BY FINE MUSIC
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Alford, K. March fantasia: Colonel Bogey on parade. G.U.S. (Footwear) Band/Stanley Boddington. LP EMI TWO 195 4
Beethoven, L. Trio in G, op 9 no 1 (1797-98). 25 Dvorák, A. Serenade in D minor, op 44 (1878). 24 Sydney Soloists (2 above)
12:00 JAZZ THEN AND NOW with Michael Cooper
19:00 THE MAGIC OF STAGE AND SCREEN Prepared by Derek Parker
A diverse range of jazz from days gone by up to the present with wonderful Australians featured
Suppé, F. Excerpts from Boccaccio (1879). Alice Oelke, sop; Renata Holm, sop; Rudolph Schock, ten; Peter Manuel, ten; Rupert Glawitsch, ten; Ernst Krukowski, bar; Berlin SO/Frank Fox. 30
13:00 CHINESE MOSAIC + POSTCARDS FROM SHANGHAI Prepared by Paolo Hooke A monthly exploration of the best of Chinese classical, traditional and film music, incorporating material specially provided by Shanghai East Radio
Excerpts from Die schöne Galathée (1865). Anna Moffo, sop; Rose Wagemann, mezz; René Kollo, ten; Ferry Gruber, ten; Munich RO/Kurt Eichhorn. 27 Eurodisk 258 376 (2 above)
Felix Mendelssohn 20:00 LIVE AND LOCAL Musica Viva presents Amarcord: Tales of love and murder Produced by Peter Bell RECORDED BY FINE MUSIC 2 Donato, B. Chi la gagliarda. Encina, J. del Cucú, cucú, cucucú; Fata la parte. 2 Josquin Desprez. Scaramella va alla guerra. 2 Schütz, H. Cosi morir debb’io. 3 Lassus, O. de Matona mia cara; Une puce j’ay dedans l’oreille. 5 Gesualdo, C. Io tacerò. 3 Anon. Alla cazza. 1 Willaert, A. Madonna mia famme bon’ offerta. 3 Certon, P. La la la, je ne l’ose dire. 1 Gombert, N. Triste départ. 3 Anon. Quand je bois du vin clairet. 2 Janequin, C. La guerre. 7 Saint-Saëns, C. Saltarelle, op 74 (c1885). 6 Schubert, F. Der Geistertanz, D494 (1816). 2 Mendelssohn, F. Zigeunerlied (1873). 2 Marschner, H. Liebeserklärung eines Schneidergesellen (c1830). 4 Poulenc, F. Chanson à boire (1922). 4 Ludwig, M. Mordgeschichte; Feldpost; Ich liebte einst ein Mädchen; Rieke näht auf die Maschine, from Sechs Trivialleider von 1916 (2001). 12 Trad. Ein Jäger längs dem Weiher ging. 3 Barr - Macpherson. Waltzing Matilda. 4 Trad. Smedsvisa; Dry bones. 5 Amarcord (all above) 21:30 SHORTER SYMPHONIES Prepared by Rex Burgess Mendelssohn, F. War march of the priests, from Athalie, op 17 (1845). Queensland SO/ Patrick Thomas. EMI SMP 0020 5 String symphony no 12 in G minor (1823). London FO/Ross Pople. Hyperion CDS44081/3
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22:00 AFTER HOURS with Kevin Jones Laid back late night jazz to give a wonderfully snmooth end to the busy day; lay back, relax and enjoy. fineMusic FM 102.5
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Sunday - 4th November 0:00 CLASSIC-ALL THROUGH THE NIGHT
Pokorny, F. Horn concerto in D. Hermann Baumann, hn; Academy of St Martin in the Fields/Iona Brown. Philips 422 346-2 16
6:00 SUNDAY MORNING MUSIC with Terry McMullen 9:00 CELESTIAL NOTES Prepared by Rex Burgess Mondonville, J-J. de Venite exultemus (c1676). Colette Alliot-Lugaz, sop; Danielle Borst, sop; Michael Goldthorpe, ten; Jean Buclet, ten; Philippe Huttenlocher, bass; vocal ensembles; Jean-François Paillard CO/JeanFrançois Paillard. Erato 0630-11228-2 27 Biber, H. Sonata XV, The crowning of the blessed Virgin Mary, from Mystery sonatas (c1676). Susanne Lautenbacher, vn; Johannes Koch, va da gamba; Rudolf Ewerhart, org. Jagel 25407-82 14 Duruflé, M. Requiem (1947). Patricia Spence, mezz; Mark Blecke, ten; François le Roux, bar; Voices of Ascension Ch & O/Dennis Keene. Delos DE 3169 41 10:30 CHAMBER MASTERPIECES Prepared by George Segal Albinoni, T. Adagio in G minor. Håkan Hardenberger, tpt; Simon Preston, org. Philips 434 074-2
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Stravinsky, I. Octet (1923). European Soloists Ensemble/Vladimir Ashkenazy. Decca 473 810-2 14 Poulenc, F. Sextet for piano and wind quintet (1932-39). Ian Brown, pf; Nash Ensemble. Hyperion CDA67255/6 18 Tchaikovsky, P. String quartet no 3 in E flat minor, op 30 (1876). Franz Schubert Quartet. Nimbus NI 5380 43 12:00 SPEAK EASY, SWING HARD with Richard Hughes The Golden Era of jazz as seen through the knowledge and experience of one of Australia’s leading exponents
Kalliwoda, J. Oboe concertino in F, op 110 (1844). Diana Doherty, ob; Queensland O/ Werner Andreas Albert. ABC 456 681-2 16 Dvorák, A. Five songs for male choir, op 27 (1878). Lund University Male Choir/Janåke Larson. Caprice CAP 21423 13 Myslivecek, J. Violin concerto no 4 in B flat (c1772). Elizabeth Wallfisch, vn; Brandenburg O/ Roy Goodman. Hyperion CDA66840 17 Krommer, F. Italian concertino (1809). Dieter Klöcker, cl; Waldemar Wandel, cl; Stuttgart RSO/Wolf-Dieter Hauschild. Schwann 3-1077-2 12 Vanhal, J. Symphony in D (c1798). Václav Kunt, fl; Jan Kolár, ob; Karel Synek, bn; Prague CO/ Oldrich Vlcek. Supraphon 11 0756-2 27
Bach, J.S. Komm, Jesu, komm, BWV 229 (1730). Sette Voce/Peter Kooij. 9 Ramee 0906 Buxtehude, D. Prelude, fugue and chaconne 6 in C. Peter Kneeshaw, org. 18:00 CLASSICAL GUITAR SOCIETY For an encore Prepared by Dan Sharkey Giuliani, M. Rossiniana, op 119. Simon Powis, gui. Studio Teo 16 Villa-Lobos, H. Bachianas brasileiras no 5. David Nuttall, ob; Timothy Kain, gui. Tall Poppies TP119
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Assad, S. Jobiniana no 1. Eden Stell Guitar Duo. 6 Docker Records DR 228/280
17:00 HOSANNA Prepared by Meg Matthews Hymn: For all the saints. Choir of Wells Cathedral; Rupert Gough, org; Malcolm Archer, cond. Hyperion CDP 12101 4 Hymn: God be in my head. Choir of St. Patrick’s Cathedral, Dublin/John Dexter. PRBS 801
Simon Powis
José, A. Sonata (1933). Denis Azabagic, gui. Naxos 8.554555 17 Sojo, V. Que note quiera más. Lauro, A. Venezuelan waltz no 3.
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Brew Guitar Duo (2 above) ANU Studios 2
Hymns: Abide with me; Jerusalem the golden. Choir of Wells Cathedral; Rupert Gough, org; Malcolm Archer, cond. Hyperion CDP 12102 7
19:00 OPERA HIGHLIGHTS Prepared by Shamistha de Soysa Handel, G. Furibondo spira il vento, from Partenope (1730). Nathalie Stutzmann, cont; Hanover Band/Roy Goodman. 4 Newton 8802094
13:00 FOCUS ON FOLK Folk Federation of NSW with Kate Delaney
Gabrieli, G. Jubilate Deo. 5 Hassler, H. O Mensch bewein dein Sünde gross. 4 Schütz, H. Selig sind die Toten. 4
14:00 SUNDAY SPECIAL Bohemian delights Prepared by Frank Morrison
Kreuzchor Dresden/Martin Fläming (3 above) Ars Vivendi MRC016
Dreyschock, A. Piano concerto in D minor, op 137 (c1850). Piers Lane, pf; BBC Scottish SO/ Niklas Willén. Hyperion CDA67086 24
Psalm no 130: Out of the deep. Vienna Motet Choir/Bernhard Klebel. Christophorus CHE 0048-2 4
Lully, J-B. Scène deuxième, from Pastorale comique (1667). Gilles Ragon, ten; Michel Verchaeve, bar; Bernard Delétré, bass; Les Musiciens du Louvre/Marc Minkowski. 6 Erato 245 286-2
Psalm no 130, Out of the deep. Choir of Hereford Cathedral; Geraint Brown, org; Roy Massey, cond. Priory PRCD 290 3
Monteverdi, C. Dal mio permesso amato, from Prologue to Orfeo (1607). Efrat Ben-Nun, sop; Concerto Vocale/René Jacobs. 4 Harmonia Mundi HMX 2908150.52
Suk, J. Ten songs, op 15 (1899). Women of Prague Chamber Choir; Marian Lapsansky, Daniel Buranovsky, pf; Josef Pancík, cond. Chandos CHAN 9257 18 24
Zelenka, J. Capriccio no 5 in G (1729). NeuEröffnete O/Jürgen Sonnentheil. cpo 999 629-2 17
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Rameau, J-P. L’amour, from Anacréon (1757). Agnès Mellon, sop; René Shirrer, bar; Les Arts Florissants Ch & O/William Christie. Harmonia Mundi HMX 290605.07 11
Sunday - 4th / Monday - 5th November 19:30 SUNDAY NIGHT CONCERT Prepared by Chris Blower Bernstein, L. Overture to Candide (1956). Los Angeles PO/Zubin Mehta. Decca 475 7470 4 Sibelius, J. Scènes historiques, suite no 2, op 66 (1912). Scottish NO/Alexander Gibson. Chandos CHAN 6591 18 Vieuxtemps, H. Fantasia appassionata, op 35 (c1852). Misha Keylin, vn; Slovak RSO/Andrew Mogrelia. Naxos 8.570974 18
0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 MUSIC FOR A NEW DAY including Arts Calendar at 7.30am with James Hunter 9:00 DIVERSIONS IN FINE MUSIC Inspired by opera Prepared by Di Cox Sarasate, P. de Carmen fantasy, op 25 (c1883). Itzhak Perlman, vn; Royal PO/Lawrence Foster. EMI CBD 7 62988 2 12 Liszt, F. Waltz, after Gounod’s Faust (1861). Leslie Howard, pf. Hyperion CDA66371/72 9
Kuula, T. Suite: Son of a slave, op 14b (1912). BBC Concert O/Martyn Brabbins. Dutton CDLX 7272 11
Reicha, A. 18 Variations and a fantasy on Mozart’s Se vuol ballare, op 51 (1804). Jean-Pierre Rampal, fl; Isaac Stern, vn; Mstislav Rostropovich, vc. Sony SK 44568 17
Schubert, F. Symphony no 4 in C minor, D417, Tragic (1816). Philadelphia O/Eugene Ormandy. Sony SBK 60267 29
Castelnuovo-Tedesco, M. Paraphrase on Largo al factotum, from Rossini’s The barber of Seville. Gil Shaham, vn; Akira Eguchi, pf. DG 447 640-2 5
21:00 NEW HORIZONS Prepared by Phil Vendy Matalon, M. Trame VIII for marimba and six instruments (2008). Eriko Minami, mar; Les Siècles; François-Xavier Roth, dir. Musicales Actes Sud 19
Wagner, R. Freudig begrüssen wir, from Tannhäuser (1845). Slovak Philharmonic Choir; Slovak RSO/Johannes Wildner. Naxos 8.550507
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10:00 MORNING CONCERT Prepared by Sheila Catzel
Penderecki, K. Sextet for clarinet, horn, string trio and piano (2000). Ensemble Kheops. Fugo Libera FUG585 30
Massenet, J. Ballet music from Le Cid (1885). Israel PO/Jean Martinon. Decca 476 2742 18
Visman, B. Phoenix song (2010). Quirijn van Regteren Altena, db; Nieuw Ensemble/Ed Spanjaard. Radio Nederland MCCP124 15
Coleridge-Taylor, S. Violin concerto in G minor, op 80 (1912). Anthony Marwood, vn; BBC Scottish SO/Martyn Brabbins. Hyperion CDA67420 32
Rautavaara, E. Manhattan trilogy (2004). New Zealand SO/Pietari Inkinen. Naxos 8.570069 18
German, E. Symphony no 2 in A minor, Norwich (1893). National SO of Ireland/Andrew Penny. Marco Polo 8.223726 32
22:30 ULTIMA THULE
11:30 MORNING CONCERT REVISITED Prepared by Sheila Catzel
Ambient and atmospheric music: www. ultimathule.info for detailed playlist
German, E. Romance (1889). John Bradbury, cl; James Cryer, pf. Naxos 8.570539
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Coleridge-Taylor, S. Ballade in C minor, op 73 (1907). Marianne Thorsen, vn; Ian Brown, pf. Hyperion CDA67590 13 Massenet, J. Morceau du concours (1881/87). Paula Robison, fl; Samuel Sanders, pf. Vanguard OVC 4058 3 Meditation from Thaïs (1894; arr.) Guido Rimonda, vn; Cristina Canziani, pf. Chandos CHAN 10510 5 12:00 SWING SESSIONS with John Buchanan Featuring bands of the 1930s swing era and the dance bands of the 1920s taken from radio broadcasts, transcriptions and recording sessions Krzysztof Penderecki
13:00 LOST IN OBLIVION Prepared by Roselyn Liang Piazzolla, A. Oblivión. I Fiamminghi/Rudolph Werthen. Telarc 80526 4 Korngold, E. Suite from Much ado about nothing, op 11 (1920). Gil Shaham, vn; André Previn, pf. DG 439 886-2 13 Mozart, W. Ballet: Les petits riens, K299b (1778). Vienna Mozart Ensemble/Willi Boskovsky. Decca 436 782-2 21 Kats-Chernin, E. Sonata lost and found (1998). Lisa Moore, pf. Tall Poppies TP147 22 Handel, G. In sleep’s sweet oblivion, HWV134. Valerie Masterson, sop; Richard Adeney, fl; Roger Vignoles, pf. 8 Pearl SHE 9590 Wagner, R. Dawn and Siegfried’s Rhine journey, from Twilight of the gods (1869-74). Cleveland O/ George Szell. CBS M2YK 46466 12 14:30 CLARINET DELIGHTS Prepared by Frank Morrison Romberg, A. Quintet, op 57 (1819). Consortium Classicum/Dieter Klöcker, cl & dir. Orfeo C314 941 A 20 Saint-Saëns, C. Sonata, op 167 (1921). Gervase de Peyer, cl; Gwenneth Pryor, pf. Chandos CHAN 8526 15 Ireland, J. Trio in D (1912-14; ed. Fox). Robert Pane, cl; Alice Neary, vc; Sophia Rahman, pf. Naxos 8.570550 23 Rietz, J. Clarinet concerto in G minor, op 29. Thea King, cl; English CO/Andrew Litton. Hyperion CDD 22017 22 16:00 KEEPING YOU COMPANY including Arts Calendar at 5.00pm Prepared by David Brett 19:00 A TWIST OF JAZZ with Andrew Piper An easy mix of jazz from yesteryear to today, with some exciting twists and turns along the way and an emphasis on vocals. 20:00 STORMY MONDAY with Austin Harrison and Garth Sundberg 22:00 KEYBOARD CONTRASTS Prepared by Frank Morrison Rachmaninov, S. Suite no 2, op 17 (1900-01). Martha Argerich, pf; Gabriela Montero, pf. EMI 3 58472 2 22 Martucci, G. Quintet in C, op 45 (1878). Mario Borciani, pf; Giovane Quartetto Italiano. Claves 50-9210 36 Sinding, C. Sonata in B minor, op 91 (1909). Eva Knardahl, pf. BIS CD-36 24 Anglebert, J-H. Suite no 2 in G minor (pub. 1689). Elizabeth Farr, hpd. Naxos 8.570472-73 27 fineMusic FM 102.5
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Tuesday - 6th November The pedlars; Elegy. Dmitri Hvorostovsky, bar; Ossipov Russian Folk O/Nikolai Kalinin. Philips 454 395-2 10 On the seashore; Suo gan. Bryn Terfel, bassbar; Welsh National Opera O/Gareth Jones. DG 463 593-2 8 12:00 JAZZ RHYTHM with Jeannie McInnes An eclectic blending of agreeable rhythm and melody from the New Orleans jazz roots through to recent decades, including many Australian bands
Vlado Perlemuter 0:00 CONTEMPORARY COLLECTIVE
13:00 THE AGE OF ENLIGHTENMENT Prepared by Philip Lidbury
3:00 CLASSICAL TILL DAWN 6:00 MUSIC FOR A NEW DAY including Arts Calendar at 7.30am with Julie Simonds
Handel, G. Overture and ballet music from Ariodante (1735). Simon Preston, hpd; Colin Tilney, hpd; Academy of St Martin in the Fields/Neville Marriner. Decca 433 732-2 18
9:00 DIVERSIONS IN FINE MUSIC Pianist of choice: Vlado Perlemuter Prepared by Chris Blower Ravel, M. Pavane pour une infante défunte (1899). Nimbus NI7713/4 5 Chopin, F. Barcarolle, op 60 (1846). Nimbus NIM 5038
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Ravel, M. Valses nobles et sentimentales (1911). Nimbus NI7713/4 14 Chopin, F. Sonata no 2 in B flat minor, op 35 (1839). Nimbus NIM 5038 25 Vlado Perlemuter, pf (all above) 10:00 MORNING CONCERT Prepared by Shamistha de Soysa Satie, E. Parade, ballet réaliste (1917). Toulouse Capitole O/Michel Plasson. EMI CDC 7 49471 2 15 Haydn, J. Cello concerto no 2 in D (1783). YoYo Ma, vc; English CO. CBS M2K 44562 25 Adams, J. Harmonielehre (1985). City of Birmingham SO/Simon Rattle. EMI 5 55051 2
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11:30 BARITONE PAIRS Prepared by Phil Vendy Trad. The countryman’s joy. City Waites. London mourning in ashes. Richard Wistreich, bass-bar (2 above) Naxos 8.557672 26
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Mozart, W. Regina coeli in C, K276 (1777). Barbara Bonney, sop; Elisabeth von Magnus, cont; Uwe Heilmann, ten; Gilles Cachemaille, bass; Arnold Schoenberg Choir; Concentus Musicus Vienna/Nikolaus Harnoncourt. Teldec 4509-90494-2 7 Haydn, J. Sinfonia concertante in B flat, Hob.I:105 (1792). Anthony Robson, ob; Felix Warnock, bn; David Watkin, vc; O of the Age of Enlightenment/Elizabeth Wallfisch, vn & dir. Virgin 5 61301 2 21 Giuliani, M. Variations on a theme by Handel, op 107, Harmonious blacksmith. Pepe Romero, gui. Philips 454 262-2 7 Pleyel, I. Oboe quartet in B flat, op 28 no 2 (c1780). Feit Concertino. LP Schwann VMS 1043 16 Orlowski, M. Symphony in F. Warsaw CO/ Marek Sewen. Olympia OCD 380 11 14:30 DANISH ODYSSEY Prepared by Francis Frank Nielsen, C. Rhapsodic overture (1927). Scottish NO/Alexander Gibson. Chandos CHAN 6524 9 Gram, P. Adagio, from Poème lyrique, op 9 (1911). South Jutland SO/Matthias Aeschbacher. Dacapo 8.224713 9 Reesen, E. Variations on a theme of Schubert (1928). Aalborg SO/Bo Holten. Dacapo 8.226031 17
Carlos Chávez Gade, N. String octet in F, op 17 (pub. 1848). L’Archibudelli; Smithsonian Chamber Players. Sony SK 48307 29 Riisager, K. Fools’ paradise, suite II, op 33 (1940). Helsingborg SO/Thomas Dausgaard. Marco Polo 8.224082 14 16:00 KEEPING YOU COMPANY including Arts Calendar at 5.00pm Prepared by Brendan Walsh 19:00 THE JAZZ BEAT with Lloyd Capps Smooth small group jazz from the 50s on, and with a visit from Miles Davis each week 20:00 RECENT RELEASES with Derek Parker 22:00 BEYOND ROMANTICISM In threes Prepared by Phil Vendy Chávez, C. Symphony no 3 (1951-54). London SO/Eduardo Mata. Vox Cum Laude MCD 10002 30 Pilati, M. Three pieces (1929). Slovak RSO/ Adriano. Naxos 8.570873 15 Prokofiev, S. Piano concerto no 3 in C, op 26 (1917-21). Martha Argerich, pf; Berlin PO/ Claudio Abbado. DG 476 114-7 27 Hakanson, K. Three Karlfeldt partsongs, op 39 (1929). Hakån Hagegård, bar; Uppsala Academic Chamber Choir/Stefan Parkman. Chandos CHAN 9654 10 Martinu, B. Symphony no 3 (1944). Ukraine NSO/Arthur Fagen. Naxos 8.553350 29
Wednesday - 7th November 11:30 ART SONG Prepared by Jan Brown Schumann, R. Die Lowenbraut, op 31 no 1 (1840). Matthias Goerne, bar; Eric Schneider, pf. Decca 475 6012 9 Duparc, H. Au pays où se fait la guerre (1869). Kiri Te Kanawa, sop; Richard Amner, pf. CBS MK 76868 6 Schubert, F. Die liebe Farbe; Die bose Farbe, from Die schöne Müllerin, D795 no 16 (1823). Ian Bostridge, ten; Mitsuko Uchida, pf. EMI 5 57827 2 6
Richard Hickox 0:00 CONTEMPORARY COLLECTIVE
Brahms, J. In stiller Nacht, from 49 German folksongs (pub. 1894). Edith Mathis, sop; Karl Engel, pf. DG 439 441-2 3
3:00 CLASSICAL TILL DAWN 6:00 MUSIC FOR A NEW DAY including Arts Calendar at 7.30am with Troy Fil
12:00 THE SOUND OF JAZZ with Kevin Jones
9:00 DIVERSIONS IN FINE MUSIC Aspects of Baroque
Jazz from the 1930s to the present day, with tracks from the DownBeat magazine archives and recent releases
Benda, G. Sinfonia no 1 in D. Prague CO/ Christian Benda. Naxos 8.553408
13:00 YOUTH DEVELOPMENT HOUR Supported by St Catherine’s School, Waverley
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Zelenka, J. Lamentation of Jeremiah for Maundy Thursday(1732). Michael Chance, ct; Chandos Baroque Players. Hyperion CDA 66426 9 Brixi, F. Organ concerto no 1 in F. Ales Barta, org; Virtuosi di Praga/Oldrich Vlcek. Cantus CACD 8.00136D 21 Stamitz, J. Symphony in A (c1745). New Zealand CO/Donald Armstrong. Naxos 8.553194
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10:00 MORNING CONCERT Prepared by Angela Bell Beck, F. Sinfonia in G, op 1 no 5 (pub. 1758). New Zealand CO/Donald Armstrong. Naxos 8.554071 11 Dvorák, A. Serenade in D minor, op 44 (1878). Winds of Prague Philharmonia/Jakub Hrusa. Supraphon SU 3932-2 24 Monn, M. Cello concerto in G minor. Jian Wang, vc; Salzburg Camerata. DG 474 236-2 19 Beethoven, L. Symphony no 1 in C, op 21 (1800). Northern Sinfonia of England/Richard Hickox. ASV QS 6066 27
14:00 ROMANTIC SAMPLER Prepared by Brian Drummond Liszt, F. Étude no 3 in D flat, Un sospiro. William Wolfram, pf. Naxos 8.557014
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Tchaikovsky, P. Marche slave, op 31 (1876). London SO/André Previn. EMI CDM 1 66420 2 9 Chopin, F. Ballade no 4 in F minor, op 52 (183142). Ingolf Wunder, pf. DG 477 9634 12 Mendelssohn, F. Violin concerto in E minor, op 64 (1844). Henryk Szeryng, vn; London SO/ Antal Dorati. Mercury 434 339-2 26 15:00 IN CONVERSATION with Michael Morton-Evans What exactly does it take to make music? Leading musicians, composers and performers, both local and visiting from overseas, will be talking live on air telling us why they do it and how they do it. 16:00 KEEPING YOU COMPANY including Arts Calendar at 5.00pm Prepared by David Ogilvie 19:00 JAZZ STARS AND STRIPES with Peter Mitchell The stars of American jazz from bebop on with mainly small group low temperature jazz
José Carreras 20:00 AT THE OPERA Il corsaro Prepared by Andrew Bukenya Verdi, G. Il Corsaro. Opera in three acts. Libretto by Francesco Maria Piave after Byron. First performed Trieste 1848. CORRADO: José Carreras, ten MEDORA: Jessye Norman, sop GULNARA: Montserrat Caballé, sop SEID: Gian-Piero Mastromei, bar Ambrosian Singers; New Philharmonia O/ Lamberto Gardelli. Philips 475 6769 1:34 The Greek Corsair Corrado must leave his island and Medora, his lover, to fight the Turks. In disguise he infiltrates the Turkish camp, aiming to kill the Pasha Seid but is captured and sentenced to death. Gulnara, Seid’s concubine, falls in love with Corrado and as the Turks’ fleet burns in the harbour, she kills Seid and flees with Corrado to his island. Medora, believing Corrado is dead, has taken poison. She dies in his arms and broken hearted Corrado throws himself from a cliff into the sea. 22:00 GEOFFREY TOZER IN RECITAL FINE MUSIC PRODUCTION Scarlatti, D. Sonatas: in A; in B flat; in E. 8 Mozart, W. Sonata in A minor, K310 (1778). 15 Chopin, F. Barcarolle in F sharp minor, op 60 (1846); Impromptu no 3 in G flat, op 51 (1842); Nocturne in E flat, op 9 no 2 (1837); Scherzo no 2 in B flat minor, op 31 (1837). 30 Liszt, F. The bells of Geneva (1835). 6 Rachmaninov, S. Sonata no 2 in B flat minor, op 36 (1913). 23 Tozer, G. Improvisations on themes provided by his audience. 27 Geoffrey Tozer, pf (all above) 5UV Adelaide recording fineMusic FM 102.5
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Thursday - 8th November 11:30 FEATURING RITA STREICH Prepared by Elaine Siversen
15:00 NORTH AND SOUTH Prepared by Phil Vendy
Mozart, W. Vorrei spiegarvi, oh Dio! ... Ah conte, partite, K418 (1783). Bavarian RSO/ Charles Mackerras. DG 431 875-2
Strauss, J. II Roses from the south, op 388 (1880). Johann Strauss Ensemble/Russell McGregor. 9 ABC 476 4630
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Brahms, J. Mädchenlied, op 107 no 5 (1886); Vergebliches Ständchen, op 84 no 4 (1881); Wiegenlied, op 49 no 4 (1868). Günther Weissenborn, pf. DG 437 680-2 6 Rita Streich, sop (2 above) Rhapsody in E flat, op 119 no 4 (1892). Radu Lupu, pf. Decca 417 599-2
Albert Roussel 0:00 CONTEMPORARY COLLECTIVE
Strauss, R. Songs, op 69 (1918): Der Stern; Einerlei; Schlechtes Wetter. Rita Streich, sop; Erik Werba, pf. DG 437 680-2 7
3:00 CLASSICAL TILL DAWN 6:00 MUSIC FOR A NEW DAY including Arts Calendar at 7.30am with Simon Moore
12:00 JAZZ, PURE AND SIMPLE with Maureen Meers
9:00 DIVERSIONS IN FINE MUSIC Composer focus Prepared by Brian Drummond Roussel, A. Suite in F, op 33. Paris O/JeanPierre Jacquillat. EMI 5 65154 2 14 Concerto for small orchestra, op 34 (1926-27). Walloon Flanders Instrumental Ensemble/ Bruno Membrey. Cybelia CY 817 13 Divertissement for wind quintet and piano, op 6. Daniel Wiesner, pf; members of Czech Nonet. Praga Da Camera PRD 350 018 6 Suite no 2 from Bacchus et Ariane, op 43 (1930). Detroit SO/Neeme Järvi. Chandos CHAN 8996
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10:00 MORNING CONCERT Prepared by Stephen Wilson Dvorák, A. Symphonic poem: The wild dove, op 110 (1897). Czech PO/Charles Mackerras. Supraphon SU 4012-2 20 Mozart, W. Sinfonia concertante no 2 in E flat, K364 (1779). Thomas Katuska, va; Suk CO/Josef Suk, vn & dir. Vanguard OVC 7001 31 Suk, J. Serenade in E flat for strings, op 6 (1892). Prague Philharmonia/Jakub Hrusa. Supraphon SU 3882-2 29
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13:00 THE LESSER KNOWN OF THE 18TH CENTURY Prepared by Philip Lidbury
Rodgers, R. Suite from South Pacific (1958). O/Richard Hayman. Naxos 8.578039-40 15 Delius, F. North Country sketches (1914). Ulster O/Vernon Handley. Chandos CHAN 8413 29 16:00 KEEPING YOU COMPANY including Arts Calendar at 5.00pm Prepared by Marilyn Schock 19:00 JAZZ VIBES with Matt Bailey 20:00 EVENINGS WITH THE ORCHESTRA The symphonies of Tchaikovsky Prepared by Chris Blower Schumann, R. Overture to Manfred, op 115 (1848-49). Swedish CO/Thomas Dausgaard. BIS SACD-1619 11
Albicastro, H. Sonata, op 9 no 12, La follia. Ensemble 415. Harmonia Mundi HMC 905208 12
Reinecke, C. Overture; Prelude to Act IV; Prelude to Act V; Ballet music no 2; from King Manfred, op 93 (1866). Rhenish PO/Alfred Walter. Naxos 8.555397 26
Agrell, J. Flute concerto in D (c1750). Maria Bania, fl; Concerto Copenhagen/Andrew Manze. Chandos CHAN 0535 15
Holbrooke, J. Byron, op 39 (1904). Slovak Philharmonic Choir; Czecho-Slovak RSO (Bratislava)/Adrian Leaper. Marco Polo 8.223446 16
Walther, J.J. Sonata no 10, In imitation of a cuckoo. Elizabeth Wallfisch, vn; Rosanne Hunt, vc; Linda Kent, hpd. ABC 465 269-2 8
Tchaikovsky, P. Manfred symphony, op 58 (1886). Vienna PO/Lorin Maazel. Decca 466 671-2 55
Marsh, J. Symphony no 6 in D (1796). London Mozart Players/Matthias Bamert. Chandos CHAN 10458 18 14:00 ANCIENT SUITES Prepared by Sheila Catzel Respighi, O. Ancient airs and dances, suite no 1 (1917). Australian CO/Christopher LyndonGee. Omega OCD 1007 17 Rutter, J. Suite antique (1979). Andrew Nicholson, fl; John Birch, hpd; Royal PO/John Rutter. ucj 476 124-2 18 Foulds, J. Hellas, a suite of ancient Greece, op 45 (1932). London PO/Barry Wordsworth. Lyrita SRCS.212 18
22:00 CHAMBER SOIRÉE Prepared by Angela Bell Dussek, J. Quintet in F minor, op 41. Nepomuk Fortepiano Quintet. Brilliant Classics 93203 24 Avison, C. Sonata in G minor, op 1 no 2. Avison Ensemble. Divine Art 21214 10 Holbrooke, J. Trio in D, op 28. Mark Smith, hn; Kerenza Peacock, vn; Robert Stevenson, pf. Naxos 5.572649 27 Mozart, W. Sonata in E flat, K302. Gil Shaham, vn; Orli Shaham, pf. Canary Classics CC01 11 Pizzetti, I. String quartet no 2 in D. Lajtha Quartet. Naxos 8.570876 38
Friday - 9th November 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN
14:00 TAKE YOUR PARTNERS Prepared by Phil Vendy
6:00 MUSIC FOR A NEW DAY including Arts Calendar at 7.30am with Janine Burrus
Praetorius, M. Six dances, from Terpsichore (pub. 1612). Collegium Terpsichore/Fritz Neumeyer. DG 469 244-2 15
9:00 DIVERSIONS IN FINE MUSIC Small forces Prepared by Sheila Catzel
Moyzes, A. Pohronic dances, op 43. CzechoSlovak RSO/Ondrej Lenard. Marco Polo 8.223278 31
Kreutzer, J. Grand trio, op 16. Alexa Still, fl; Robert Alemany, cl; JoAnn Falletta, gui. Koch 3-7404-2H1 19
Mainerio, G. Five dances. Early Music Consort of London/David Munrow. Virgin 5 61288 2 11
Beethoven, L. Sonata no 8 in G, op 30 no 3 (1801-02). Itzhak Perlman, vn; Vladimir Ashkenazy, pf. Decca 421 453-2 18
Lehár, F. Waltz, from Eva (1911). Zurich Tonhalle O/Franz Lehár. Naxos 8.110857 4
Turina, J. Piano trio no 2 in B minor, op 76 (1933). Beaux Arts Trio. Philips 446 684-2 15
Philips, P. Passamezzo, Pavana and Galiarda (1592). Anneke Uittenbosch, hpd. Etcetera KTC 1022 13
10:00 MORNING CONCERT Prepared by Giovanna Grech
Grieg, E. Symphonic dances, op 64 (1896-98). Bergen PO/Ole Kristian Ruud. BIS CD-1740/42 34
Rossini, G. Sinfonia, from Semiramide (1823). London SO/Ion Marin. DG 437 813-2 10
16:00 KEEPING YOU COMPANY including Arts Calendar at 5.00pm Prepared by Brendan Walsh
Turina, J. La oración del torero, op 34 (1925). English CO/José Serebrier. ASV CD DCA 775 10
19:00 FRIDAY JAZZ SESSION with Sally Cameron
Berg, A. Violin concerto, To the memory of an angel (1935). Thomas Zehetmair, vn; Philharmonia O/Heinz Holliger. Teldec 2292-46449-2 28
20:00 THE ROMANTIC CENTURY Prepared by Denis Patterson
Beethoven, L. Symphony no 2 in D, op 36 (1801-02). CO of Europe/Nikolaus Harnoncourt. Teldec 2292-46452-2 34
Catalani, A. Danza delle Ondine (c1867). London SO/Richard Bonynge. Decca 452 767-2
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11:30 EARLY CHAMBER
Lalo, E. Norwegian fantasy (1878). Philippe Graffin, vn; Ulster O/Thierry Fischer. Hyperion CDA67294 14
12:00 NOONTIME JAZZ with Peter Mitchell 13:00 KAWAI PIANO SERIES 2012 Stephen Savage: a celebration RECORDED BY 4MBS-FM Beethoven, L. Rondo in C, op 51 no 1. Sonata no 30 in E, op 109 (1820). Sonata no 31 in A flat, op 110 (1820-21).
Flotow, F. The last rose of summer, from Martha (1847). Emma Matthews, sop; Monte Carlo PO/Brad Cohen. DG/ABC 476 3555 3 Gounod, C. Ballet music from Faust (1859). Royal Opera House O/Georg Solti. Decca 480 0952 16 Tárrega, F. Variations on The Carnival in Venice. Dimitri Illarionov, gui. Naxos 8.557293
Franck, C. Prelude, fugue and variation, op 18 (1862). Simon Preston, org. LP Argo 5BBA 1013-15 11 22:00 BAROQUE AND BEFORE For all the saints Prepared by Philip Lidbury
Handel, G. The trumpet’s loud clangor, from Ode for St Cecilia’s Day (1739). David Hobson, ten; Sinfonia Australis/Antony Walker. 3 ABC 472 151-2 7
Haydn, J. Cassation in C, op 1 no 6 (c1757-59). Nils-Erik Sparf, vn; Lars Brolin, va; Olof Larsson, vc; Jakob Lindberg, lute. BIS CD-360 16
Parry, H. Concert piece in G minor (1877). London PO/Matthias Bamert. Chandos CHAN 6610 10
Boyce, W. Overture from Ode for St Cecilia’s Day (1738). Hanover Band/Graham Lea-Cox. ASV GAU 176 3
Thomas, A. Overture to Raymond (1851). Detroit SO/Paul Paray. Mercury 475 6268
Kozeluch, L. Cassation in E flat for two clarinets, two horns and flute. Consortium Classicum. Orfeo 442 981 9
St Cecilia
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Litolff, H. Symphonic concerto no 3 in E flat, op 45, National hollandais (1846). Peter Donohoe, pf; BBC Scottish SO/Andrew Litton. Hyperion CDA67210 31
Purcell, H. Ode for St Cecilia’s Day: Hail! bright Cecilia (1692). Jeni Bern, sop; Susan Bissat, sop; Christopher Robson, ct; William Purefoy, ct; Ian Honeyman, ten; Thomas Guthrie, bass; Ch & O of the Golden Age/ Robert Glendon. Naxos 8.553444 17 Bach, J.S. Keyboard concerto no 7 in G minor, BWV1058 (c1738-39). St James’ Baroque Players/Ivor Bolton, hpd & dir. IMP PCD 901 14 Charpentier, M-A. Canticle in honour of St Xavier (1688). Nantes Vocal Ensemble; Ensemble Stradivaria/Paul Colleaux. Arion ARN 68037 18 Marais, M. La sonnerie de Sainte Geneviève du Mont de Paris (1723). Monica Huggett, vn; Christophe Coin, bass viol; Christopher Hogwood, hpd. 8 L’Oiseau-Lyre 436 185-2 Keiser, R. St Mark Passion: Part 2 (early 1700s) Juliette Bise, sop; Margrit Conrad, cont; Georg Jelden, ten; Ulrich Gilgen, bass; Bernese Ch & O/Jörg Ewald Dähler. Claves 50-9223/24 44 fineMusic FM 102.5
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Saturday - 10th November 0:00 CLASSIC-ALL THROUGH THE NIGHT
Anon. Dark eyes; Stenka Razin. Kaval Ch & O/ Atanas Margaritov. Decca 443 024-2 9
6:00 SATURDAY MORNING MUSIC with David Garrett
Mussorgsky, M. Scene and monologue of Boris; Duet of Boris and Shouyski; Scene of hallucinations, from Act II of Boris Godunov (1874). Nadya Dobriyanove, sop; Neli Bozhkove, mezz; Milen Paounov, ten; Bulgarian A Capella Choir; Sofia State PO/Emil Chakarov. LP Balkanton KKO 1004 21
9:00 WHAT’S ON IN MUSIC Our weekly guide to musical events in and around Sydney 9:30 SPOTLIGHT ON CLAUDE DEBUSSY Debussy, C. En bateau, from Petite suite (1889). Detroit SO/Paul Paray. Philips 446 484-2
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Suite bergamasque (1905). Dieter Goldmann, pf. Point Classics 26 72752 19 Sonata, mvt 2 (1916). Roger Bourdin, fl; Colette Legiën, va; Annie Challan, hp. Philips 446 484-2 6 Prelude to the afternoon of a faun (1894). Philadelphia O/Eugene Ormandy. CBS FLCD 9007
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Fireworks, from Preludes, bk 2 (1913). Cécile Ousset, pf. Berlin Classics BC 2171-2 5 Quartet no 1 in G minor, op 10 (1893). International String Quartet, New York. Pilz 160312-2
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Phone 9439 4777 or go to finemusicfm.com and follow the links to choose your music
Strauss, J. II Overture to A night in Venice (1883). 8
15:30 AT THE MOVIES Prepared by Pat Hopper
Kálmán, E. Excerpts from The gypsy princess (1915). Ingrid Kertesi, sop; Zsazsa Csonka, sop; János Berkes, ten. Naxos 8.550942 12
Salter, H. Excerpts from The prince who was a thief. Studio O/Hans Salter. Medallion ML 312 14 Bernstein, E. Soundtrack: The sweet smell of success. Studio O/Elmer Bernstein. Golden Stars GSS 5620 24 Styne, J. Excerpts from Some like it hot. Marilyn Monroe, Tony Curtis, voices. Varese Sarabande 302 066 59 52
La mer (1903-05). Philadelphia O/Eugene Ormandy. CBS FLCD 9007
A preview of forthcoming concerts
Reed, H. La fiesta mexicana (1949). . Perkins, F. Fandango (1952; arr. Werle).
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Dallas Wind Symphony/Howard Dunn (2 above) Reference RR-38CD 12:00 JAZZ THEN AND NOW with Michael Cooper 13:00 HISTORIC RECORDINGS Nicolai Ghiaurov 1929-2004 Prepared by Elaine Siversen Tchaikovsky, P. None but the lonely heart (1872); I bless you, woods. Zlatina Ghiaurov, pf. Decca 443 024-2 9 Borodin, A. Konchak’s aria, from Prince Igor (1890). London Symphony Ch & O/Edward Downes. Decca 455 632-2 7 Bizet, G. In the depths of the temple, from The pearl fishers (1863). Luciano Pavarotti, ten; National PO/Robin Stapleton. Decca 478 2346 7 30
14:00 LISTENERS’ CHOICE with Christina MacGuinness
Nicolai Ghiaurov, bass (all above)
16:30 MUSIC AT ST JAMES Produced by Debbie Scholem
11:30 ON PARADE
fineMusic FM 102.5
Novello, I. Excerpts from King’s rhapsody (1949). Vanessa Lee; Olive Gilbert; Ivor Novello, voices. Naxos 8.120781 18 Stolz, R. Ich liebe dich, from The magician of Bohemia (1937); Zwei Herzen, from Drievierteltakt; Du sollst der Kaiser meiner seele sein, from The favourite (1916). Ingrid Kertesi, sop; Zsazsa Csonka, sop; János Berkes, ten. Naxos 8.550943 12
Suite: Pour le piano (1901). Cécíle Ousset, pf. Berlin Classics BC 2171-2 13
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19:00 THE MAGIC OF STAGE AND SCREEN Prepared by Maureen Meers
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RECORDED BY FINE MUSIC
Handel, G. Gloria (c1707).
Elgar, E. Imperial march, op 32 (transcr. Martin). 5 Sibelius, J. Finlandia, op 267 (1899). 9 Guilmant, A. March on a theme of Handel. 7 Reger, M. Passacaglia in D minor. 6 Festing, M. Largo, allegro, aria and two variations (arr. Thalben-Ball). 6 Mozart, W. Fantasia in F minor, K608. 11 Cocker, N. Tuba tune. 5
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Bach, J.S. Magnificat, BWV243a (1723). Josie Ryan, sop; Anna Dowsley, cont; Andrei Leptev, ten; Alexander Knight, bass; Coro Innominata. 38 Judith Rough, sop (2 above) Concertato (3 above) O Jesulein süss, BWV493 (1736). Coro Innominata.
Andrew Kirk, org (all above) Regent REGCS 385
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Timothy Chung, cond (all above)
18:00 AUSTRALIAN COMPOSERS’ HOUR Chronicles Prepared by Oscar Foong
Bracanin, P. Symphony no 3 (1995/97). Queensland SO/Werner Andreas Albert. ABC 465 433-2
20:00 LIVE AND LOCAL Remember and rejoice Produced by Greg Ghavalas
Bach, J.S. Cantata, BWV196: Der Herr denket an uns, Wedding (1707-08). Josie Ryan, sop; Andrei Laptev, ten; Alexander Knight, bass; Coro Innominata. 14
17:00 COLOURS OF THE KING Program of the Organ Music Society of Sydney Prepared by Andrew Grahame
Stanhope, P. Sea chronicles (1998). Jane Sheldon, sop; Ironwood. ABC 476 3870
Hungarian Operetta O/Lászlo Kovács (3 above)
21:30 CLASSICAL INTERLUDE Prepared by Phil Vendy 20
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Stepán, J. Keyboard concerto in B flat. Andreas Staier, fp; Concerto Cologne. Teldec 4509-94569-2 22:00 AFTER HOURS with Kevin Jones
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Sunday - 11th November 0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 SUNDAY MORNING MUSIC with Robert Small 9:00 CELESTIAL NOTES Prepared by Elaine Siversen Britten, B. War Requiem, op 66 (1961). Heather Harper, sop; Philip Langridge, ten; Martyn Hill, ten; John Shirley-Quirk, bass; Choristers of St Paul’s Cathedral; Roderick Elms, org; London Symphony Ch & O and CO/Richard Hickox. Chandos CHAN 8983/2 1:25 10:30 CHAMBER MASTERWORKS Prepared by Win Thompson Beethoven, L. String trio in G, op 9 no 1 (179798). Oleg Kagan, vn; Yuri Bashmet, va; Natalia Gutman, vc. Live Classics LCL 141 31 Kuhlau, F. Sonata in C, op 83 no 2 (1827). Uwe Grodd, fl; Matteo Napoli, pf. Naxos 8.555346 20 Mozart, W. Quartet no 1 in G minor, K478 (1785). Kenneth Sillito, vn; Cecil Aronowitz, va; Kenneth Heath, vc; Benjamin Britten, pf. BBC BBCB 8005-2 31 12:00 CLASSIC JAZZ AND RAGTIME with John Buchanan The early days of jazz and ragtime as recorded during the first 30 years of the 20th century 13:00 WORLD MUSIC: Whirled Wide with Gerry Myerson Traditional and contemporary music from around the globe 14:00 SUNDAY SPECIAL The Faust legend Prepared by Rex Burgess Schubert, F. Scene from Faust, D126b (1814). Janet Baker, mezz; Dietrich Fischer-Dieskau, bar; members of RIAS Chamber Choir; Gerald Moore, pf. DG 435 596-2 7 Rachmaninov, S. Sonata no 1, op 28 (1907). Scott Davie, pf. ABC 476 3166 33 Schubert, F. The king in Thule, D367 (1816). Brigitte Fassbaender, mezz; Graham Johnson, pf. Hyperion CDJ33011 3 Marschner, H. The king in Thule (c1840). Olaf Bär, bar; Helmut Deutsch, pf. EMI 5 55393 2 4
Georg Solti
Leslie Howard
Roger-Ducasse, J. Symphonic fragment: In Marguerite’s garden (1905). Rhineland Palatinate PO/Leif Segerstam. Marco Polo 8.223641 12
18:00 SYDNEY SCHUBERT SOCIETY Liszt on Schubert Prepared by Ross Hayes
Schubert, F. Gretchens Bitte, D564 (1817). Barbara Bonney, sop; Geoffrey Parsons, pf. Teldec 4509-90873-2 4 Wolf, H. Gretchen before the Mater dolorosa (1878). Geraldine McGreevy, sop; Graham Johnson, pf. Hyperion CDA67130 6 Liszt, F. Mephisto waltz no 4 (1885). Leslie Howard, pf. Hyperion CDA 66201
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DG 463 483-2
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Mahler, G. Symphony no 8, Symphony of a thousand (1906). Heather Harper, sop; Lucia Popp, sop; Arleen Auger, sop; Yvonne Minton, cont; Helen Watts, cont; René Kollo, ten; John Shirley-Quirk, bar; Martti Tavela, bass; Vienna State Opera Ch; Vienna Singverein; Vienna Boys’ Choir; Chicago SO/Georg Solti. Decca 448 293-2 1:20 17:00 HOSANNA Prepared by Heather Sykes Hymns: Lord your almighty word; Firmly I believe and truly; Lead, kindly light. Cantus Choro; Norman Kaye, org; Geoffrey Cox, cond. Move MD 3142 8 Psalms: no 108, O God my heart is ready; no 121, I will light up mine eyes; no 56, Be merciful unto me; no 118, O praise the Lord and heaven. Choir of Wells Cathedral; Christopher Brayne, org; Anthony Crossland, cond. Priory PRCD 337 12 Zipoli, D. Misa San Ignacio. Ensemble Moxos, Bolivia/Raquel Maldonado. K617 232 21 From Compline: Miserere; Christe qui lux; O Lord, give ear; The Lord bless us. Guild GCMD 7108 13
Liszt, F. Die Forelle (1844). Leslie Howard, pf. Hyperion CDA66957/9 4 Wanderer fantasy, after Schubert, op 15 (1854). Victor Sangiorgio, pf; Queensland SO/En Shao. ABC 456 680-2 21 Erlkönig, S557a, by Schubert (transcr. c1837). 7 Trauermarsch: Grande marche funèbre, S428, by Schubert (transcr. 1846). 19 Leslie Howard, pf (2 above) Hyperion CDS44572 19:00 OPERA HIGHLIGHTS Prepared by Giovanna Grech Boîto, A. Son lo spirito che nega, from Mephistopheles (1868). John Wegner, bass-bar; State O of Victoria/Richard Divall. 4 ABC 461 884-2 Rimsky-Korsakov, N. Aria of the snow maiden, from The snow maiden (1898). Netania Davrath, sop; Vienna State Opera O/Vladimir Golschmann. 4 Vanguard 089080 72 Bizet, G. A mort! A mort! from Ivan IV (186265). Janine Micheau, sop; Henri Legay, ten; Michel Sénéchal, ten; Michel Roux, bar; Pierre Savignol, bar; Louis Noguera, bass; French National RT Ch & O/Georges Tzipine. 6 EMI CMS 7 69704 2 Puccini, G. Senza mamma, from Suor Angelica (1918). Miriam Gauci, sop; Belgian RT PO/ Alexander Rahbari. 5 Naxos 8.578066/67 Gounod, C. Delicious spring, from Polyeucte (1864). Roberto Alagna, ten; London PO/ Richard Armstrong. EMI 5 554772
fineMusic FM 102.5
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Sunday - 11th / Monday - 12th November 0:00 CLASSIC-ALL THROUGH THE NIGHT
Debussy, C. Doctor Gradus ad Parnassum; Jimbo’s lullaby; Serenade for the doll; The snow is dancing; The little shepherd; Golliwog’s cakewalk, from Children’s corner suite (1906-08). Falla, M. de Fantasía bética (1919).
6:00 MUSIC FOR A NEW DAY including Arts Calendar at 7.30am with Robert Small 9:00 DIVERSIONS IN FINE MUSIC Inspired by opera Prepared by Elaine Siversen Lovreglio, D. Fantasia on themes from Verdi’s La traviata, op 45. Colin Bradbury, cl; Oliver Davies, pf. ASV DCA 701 10
Craig Collinge 19:30 SUNDAY NIGHT CONCERT Prepared by Angela Bell Schumann, R. Overture to Manfred, op 115 (1849). Swedish CO/Thomas Dausgaard. BIS SACD-1619 11 Haydn, J. Divertimento in G, Hob.X:5 (1775). Haydn Sinfonietta. Schwann 3-1250-2 14 d’Albert, E. Piano concerto no 1 in B minor, op 2 (1884). Joseph Banowetz, pf; Moscow SO/ Dmitry Yablonsky. Naxos 8.553728 43 Debussy, C. Little suite (1889; arr. Busser). Queensland SO/Wilfred Lehmann. LP EMI SMP 0041
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21:00 NEW HORIZONS Prepared by Troy Fil Collinge, C. Vocal/piano project X (2012). Craig Collinge, vocals, pf, synthesizer, atmospheric effects. Fury CD 3 Westlake, N. Hinchinbrook riffs (2001). Duo 19. Move MD3355 9 Hillborg, A. Muoayiyaoum (1983). Swedish Radio Choir/Peter Dijkstra. Channel Classics CCS SA 32812 13 Pécou, T. Tremendum (2005/10). Percussions Clavier de Lyon; Ensemble Variances. Harmonia Mundi HMC 905269 22 Smith, H. Simultaneity (1991). austraLYSIS. Tall Poppies TP039
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Hirst, D. Linden nights (1991). Tape realised by the composer. Aust. Computer Music Association Vol 1 9 Del Tredici, D. Aeolian ballade (2008). Marc Peloquin, pf. Naxos 8.559680 13 Collinge, C. Tranquility C’s (2012). Craig Collinge, drums, pf, synthesizer, atmospheric effects. Fury CD 7 22:30 ULTIMA THULE 32
fineMusic FM 102.5
Juan Perez Floristan, pf (all above)
Liszt, F. Paraphrase on Verdi’s Rigoletto (1859). Daniel Barenboim, pf. Erato ECD 75477 7 Verdi, G. Ballet music from Macbeth (1847). Bologna Comunale TO/Riccardo Chailly. Decca 425 108-2 10 Thalberg, S. Grand concert fantasy on Verdi’s Il trovatore, op 77. Francesco Nicolosi, pf. Marco Polo 8.223367 10 Pasculli, A. Grand concerto on themes from The Sicilian Vespers by Verdi. Ivan Paisov, ob; Natalia Shcherbakova, pf. Naxos 8.570567 15 10:00 MORNING CONCERT Prepared by Frank Morrison Elgar, E. Overture: Cockaigne, op 40, In London town (1901). London SO/Charles Mackerras. Argo 430 835-2 14 Gounod, C. Ballet music from Faust (1859). Detroit SO/Paul Paray. Mercury 432 014-2 21 Myaskovsky, N. Symphony no 2 in C sharp minor, op 11 (1911). Russian Federation Academic SO/Yevgeny Svetlanov. Olympia OCD 732 47 11:30 THE FRENCH MÉLODIE Prepared by Rex Burgess Saint-Saëns, C. L’attente (c1855). Ann Murray, sop; Roger Vignoles, pf. Virgin VC 7 91179-2 2 Le chant de ceux qui s’en vent sur la mer (1860). John Aler, ten; John Van Buskirk, pf. Newport Classics NCD 60110
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Le pas d’armes du Roi Jean (1882). Didier Henri, bar. 5 La cloche (1855). Françoise Pollet, sop.
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Île de France NO/Jacques Mercier (2 above) Adès 204222 La fiancée du timbalier (1887). Felicity Lott, sop; Graham Johnson, pf. Harmonia Mundi HMC 901138 12 12:00 SWING SESSIONS with John Buchanan 13:00 DEUTSCHE WELLE CONCERT HOUR By courtesy of Radio Deutsche Welle Ravel, M. Sonatina in F sharp minor, Jeux d’eaux (1901).
14:00 BARD-BRED Prepared by Randolph Magri-Overend Tchaikovsky, P. Hamlet, fantasy overture after Shakespeare, op 67a (1888). Philadelphia O/Riccardo Muti. EMI CDC 7 49859 2 19 Freedman, H. Songs from Shakespeare (1972). Amadeus Chamber Singers; Elmer Iseler Singers; Lydia Adams, cond. Centrediscs CMCD 11206 16 Strauss, R. Tone poem: Macbeth, op 23 (1888). Scottish NO/Neeme Järvi. Chandos CHAN 8834 20 Quilter, R. Three Shakespeare songs, op 6 (1905): Come away, death; O mistress mine; Blow, blow thou winter wind. Benjamin Luxon, bar; David Willison, pf. 6 Chandos CHAN 8782 Liszt, F. Les adieux, reverie on Gounod’s Romeo and Juliet. Leslie Howard, pf. Hyperion CDA66861/2
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Elgar, E. Falstaff, symphonic study in C minor, op 68 (1913). Royal Scottish NO/Alexander Gibson. Chandos CHAN 6607 34 16:00 KEEPING YOU COMPANY including Arts Calendar at 5.00pm Prepared by Tom Forrester-Paton 19:00 A TWIST OF JAZZ with Andrew Piper 20:00 STORMY MONDAY with Austin Harrison and Garth Sundberg 22:00 KEYBOARD CONTRASTS Prepared by Denis Patterson Haydn, J. Sonata no 47 in B minor, Hob.XVI:32 (1776). Geoffrey Lancaster, fp. Tall Poppies TP 216 18 Nielsen, C. Three piano pieces, op 59 (1928). Mina Miller, pf. Hyperion CDA66231 11 Prokofiev, S. Sonata no 7 in B flat, op 83 (1942). Lang Lang, pf. Sony 88697719012
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Grieg, E. Cradle song; Margaret’s cradle song; I love thee, from Piano transcriptions of songs, op 41 (1884). Einar Steen-Nøkleberg, pf. 9 Naxos 8.553399 Weber, C.M. Sonata no 2 in A flat, op 39 (1816). Garrick Ohlsson, pf. Hyperion CDD22076 34 Liszt, F. Concerto pathétique in E minor for two pianos (1849; arr. Liszt 1856; rev. Bulow 1884). Eric Heidsieck, pf; Tania Heidsieck, pf. LP Metropole 2599 017 18
Tuesday - 13th November
Arcadi Volodos
Gwyneth Jones
0:00 CONTEMPORARY COLLECTIVE
11:30 ENCORE Prepared by Elaine Siversen
3:00 CLASSICAL TILL DAWN
Rachmaninov, S. Vocalise, op 34 no 14 (1912; arr.). Alan Vivian, cl; Susanne Powell, pf. Revolve AJM 1314 6
6:00 MUSIC FOR A NEW DAY including Arts Calendar at 7.30am with Julie Simonds
Glory to God in the highest; Gladsome light, from All night vigil, op 37 (1915). Cantillation/ Antony Walker. ABC 465 824-2 6
9:00 DIVERSIONS IN FINE MUSIC Pianist of choice: Arcadi Volodos Prepared by Barrie Brockwell Liszt, F. Hungarian rhapsody no 13 in A minor (1846-55). Sony 8869 7065-2 8 Schubert, F. Litanei: Liebesbotschaft (1853-55; arr. Liszt). 6 Horowitz, V. Variations on a theme from Bizet’s Carmen (1968; arr. 1991 Volodos).
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Prokofiev, S. Gavotte, op 95 no 2 (1942): Valse orientale, op 97 no 6 (1943), from Cinderella. 11 Sony SK 62691-2 (3 above) Schumann, R. From Bunte Blätter, op 99 (1836-49): Three little pieces; Five album leaves. Sony SK 60893 12 Volodos, A. Turkish march, after Mozart’s Rondo alla turca (1993). Sony SK 62691-2
Nicolas Flagello
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Arcadi Volodos, pf (all above) 10:00 MORNING CONCERT Prepared by Elaine Siversen Sullivan, A. Masquerade, from The merchant of Venice (1871). Emmanuel Lawler, ten; RTE Concert O/Andrew Penny. Marco Polo 8.223461 23 Williamson, M. Double concerto (1972). Malcolm Williamson, pf; Simon Campion, pf; Tasmanian SO/Barry Tuckwell. ABC 426 483-2 20 Rachmaninov, S. Symphony no 3 in A minor, op 44 (1935-36/38). Sydney SO/Vladimir Ashkenazy. Exton EXCL-00018 39
Preludes: in B minor, op 32 no 10 (1910); in C sharp minor, op 3 no 2 (1892). Roger Woodward, pf. LP HMV FC 290230
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12:00 JAZZ RHYTHM with Jeannie McInnes
Haydn, J. String quartet in F minor, op 55 no 2, The razor (1788). The Lindsays. ASV DCS 236 24 Beethoven, L. Piano trio no 5 in E flat, op 70 no 2 (1808). Moscow Conservatory Trio. Origin OR 009 30 Brahms, J. Quintet no 2 in G, op 111 (1890). Walter Trampler, va; Juilliard String Quartet. Sony SBK 89737 31 16:00 KEEPING YOU COMPANY including Arts Calendar at 5.00pm Prepared by Michael Morton-Evans 18:00 SYDNEY SYMPHONY 2012 Produced by Peter Kurti
13:00 FROM FRANKFURT Prepared by Brian Drummond Humperdinck, E. Prelude and opening scene, from Hansel and Gretel (1893). Gwyneth Jones, sop; Ann Murray, sop; Edita Gruberova, sop; Dresden Staatskapelle/Colin Davis. Philips 442 435-2 17 MacDowell, E. First modern suite, op 10, mvt 6 (c1881). James Barbagallo, pf. Marco Polo 8.223632 4 Quilter, R. Take, O take those lips away, op 23 no 4 (1919-21); Now sleeps the crimson petal, op 3 no 2. Lisa Milne, mezz; Anthony Rolfe Johnson, ten; Graham Johnson, pf. Naxos 8.557559-60 5 Grainger, P. Youthful suite (1899/1940-45). Sydney SO/John Hopkins. ABC 476 5957 26 14:00 EVOLVING CHAMBER Prepared by Elaine Siversen
What’s on in concerts during the next month 19:00 THE JAZZ BEAT with Lloyd Capps 20:00 RECENT RELEASES with Charles Barton 22:00 BEYOND ROMANTICISM Remembrance Prepared by Oscar Foong Vaughan Williams, R. Symphony no 3, Pastoral (1921). Patricia Rozario, sop; BBC SO/ Andrew Davis. Teldec 0630-13139-2 34 Poulenc, F. Mass in G (1939). RIAS Chamber Choir/Marcus Creed. Harmonia Mundi HMC 901588 18
Telemann, G. Corellisierende sonata in F. Florilegium/Neal Peres da Costa, hpd & dir. Channel Classics CCS 5093 8
Vaughan Williams, R. Flos campi suite (1925). Paul Silverthorne, va; Bournemouth Symphony Ch & O/Paul Daniel. Naxos 8.557276 20
Bach, C.P.E. Sonata à 3 in D minor, Wq146 (1731). Alain Marion, fl; Marzio Conti, fl; Daniele Roi, hpd. Fonè 89 F 04-28 CD 16
Flagello, N. Missa sinfonica (1957). National RSO of Ukraine/John McLaughlin Williams. Naxos 8.559347 35 fineMusic FM 102.5
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Wednesday - 14th November 0:00 CONTEMPORARY COLLECTIVE
20:00 AT THE OPERA Legendary Met performances, March 4, 1961 Prepared by Michael Tesoriero
3:00 CLASSICAL TILL DAWN 6:00 MUSIC FOR A NEW DAY including Arts Calendar at 7.30am with Stephen Wilson
Puccini, G. Turandot. Opera in three acts. Libretto by Giuseppe Ademi. First performed Milan, 1926.
9:00 DIVERSIONS IN FINE MUSIC Aspects of Baroque Prepared by Philip Lidbury Bach, J.S. Oboe d’amore concerto in D, BWV1053 (1735-40; reconstr. Mehl). Diana Doherty, ob d’amore; Ironwood. ABC 476 3673
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Concerto in F, BWV971, Italian (1735). András Schiff, pf. Decca 475 193-2 12 Jesu, joy of man’s desiring, from Cantata, BWV147 (1723). Choir of St John’s College, Cambridge; Peter White, org; George Guest, cond. Decca 448 902-2 7 Concerto in A, BWV1055 (1735-40). Maria João Pires, pf; Gulbenkian Foundation CO/Michel Corboz. Erato ECD 40001 13 10:00 MORNING CONCERT Prepared by Derek Parker Mozart, W. Overture to Les petit riens, K299b (1778). Norwegian National Opera O/Rinaldo Alessandrini. naïve OP 30479 3 Walton, W. Violin concerto in B minor (193839/43). Joshua Bell, vn; Baltimore SO/David Zinman. Decca 478 3156-67 31 Shostakovich, D. Symphony no 5 in D minor, op 47 (1937). National SO/Mstislav Rostropovich. DG 439 481-2
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Vladimir Ashkenazy, pf; Vovka Ashkenazy, pf (2 above) Decca 478 1090 12:00 THE SOUND OF JAZZ with Kevin Jones 34
fineMusic FM 102.5
Sergei Taneyev 13:00 AUSTRALIAN CHAMBER ORCHESTRA Produced by Simon Moore Highlights and previews of the month’s concerts including interviews with the key players 14:00 RUSSIAN THEMES Prepared by Francis Frank Taneyev, S. Overture on a Russian theme (1882). Novosibirsk Academic SO/Thomas Sanderling. Naxos 8.570584 17
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2:04
Turandot, a beautiful Chinese princess, insists that nobles wanting her hand must answer three questions she poses and if unsuccessful must die. Prince Calaf arrives incognito and recognises his old father Timur and the servant Liù, who loves him. Calaf offers to answer the questions and, to Turandot’s dismay, does so. She does not wish to marry Calaf but her father insists. Calaf offers to die if she can learn his name by dawn. Turandot orders her subjects to find it or be executed. Liù stabs herself rather than tell. Finally Calaf reveals his name and Turandot realises it is ‘love’.
Lyadov, A. Popular Russian songs, op 58 (1906). Suisse Romande O/Ernest Ansermet. Decca 480 0038 13
22:30 MUSIC OF THE DANCE Prepared by Bill Barry
Liszt, F. Bohemian song, from Two Russian melodies, arabesques (arr. 1842). Leslie Howard, pf. Hyperion CDA66984 8
Smetana, B. Three dances, from The bartered bride (1866). Cleveland O/George Szell. Sony SBK 48 279 11
Sviridov, G. Of the lost youth, from Five choruses to lyrics by Russian poets. Glinka A Cappella Choir of Leningrad/Vladimir Chernushenko. LP Melodiya C10 18857-8
Chopin, F. Polonaise in F sharp minor, op 44 (1841). Maurizio Pollini, pf. DG 477 5430 11 4
Arensky, A. Fantasia on Russian folksongs, op 48 (1899). Stephen Coombs, pf; BBC Scottish SO/Jerzy Maksymiuk. Hyperion CDA66624 9 15:00 IN CONVERSATION WITH with Michael Morton-Evans
11:30 PIANO VIGNETTES Prepared by Randolph Magri-Overend Ravel, M. La valse (1921). Spanish rhapsody (1907).
TURANDOT: Birgit Nilsson, sop CALAF: Franco Corelli, ten LIÙ: Anna Moffo, sop TIMUR: Bonaldo Giaiotti, bass Metropolitan Opera Ch & O/Leopold Stokowski. Melodram GM 5.0055
What exactly does it take to make music? Leading musicians, composers and performers, both local and visiting from overseas, will be talking live on air telling us why they do it and how they do it. 16:00 KEEPING YOU COMPANY including Arts Calendar at 5.00pm Prepared by Peter Kurti 19:00 JAZZ STARS AND STRIPES with Peter Mitchell
Ravel, M. Bolèro (1928). Melbourne SO/ Hiroyuki Iwaki. LP ABC 5ABCL 8001
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Sarasate, P. de Spanish dance in A, op 33, Navarra. David Oistrakh, vn; Igor Oistrakh, vn; Gewandhaus O/Franz Konwitschny. 6 DG 463 616-2 Alwyn, W. Suite of Scottish dances (1946). Royal Liverpool PO/David Lloyd-Jones. 8 Naxos 8.570704 Gottschalk, L. Grand tarantelle, op 67 (1868; arr. Kay). Reid Nibley, pf; Utah SO/Maurice Abravanel. 7 Vanguard OVC 4051 Adam, A. Excerpts from Giselle (1841). London SO/Richard Bonynge. Decca 452 767-2 19
Thursday - 15th November
Benjamin Britten
Pascal Rogé
Charles Auguste de Bériot
0:00 CONTEMPORARY COLLECTIVE
11:30 CELLO: DUO AND SOLO Prepared by Chris Blower
19:00 JAZZ VIBES with Matt Bailey
Offenbach, J. Duet in C, op 52 no 3 (1847). Alain Meunier, vc; Philippe Muller, vc. Arion ARN 68234 10
20:00 EVENINGS WITH THE ORCHESTRA Creative links: Latin influences Prepared by Judy Ekstein
Bach, J.S. Suite no 1 in G, BWV1007 (c1720). Steven Isserlis, vc. Hyperion CDA67541/2 16
Bériot, C-A. de Violin concerto no 3 in E minor, op 44 (1842). Philippe Quint, vn; Slovak RSO/Kirk Trevor. Naxos 8.570360 25
3:00 CLASSICAL TILL DAWN 6:00 MUSIC FOR A NEW DAY including Arts Calendar at 7.30am with Simon Moore 9:00 DIVERSIONS IN FINE MUSIC Composer focus Prepared by Keith Glendinning
12:00 JAZZ, PURE AND SIMPLE with Maureen Meers
Britten, B. Simple symphony, op 4 (1933-34). Academy of St Martin in the Fields/Neville Marriner. EMI 1664422 16 Les illuminations, op 18 (1939). Peter Pears, ten; English CO/Benjamin Britten. Decca 417 153-2 20 Mazurka elegiaca, op 23 no 2 (1941). Stephen Hough, pf; Ronan O’Hora, pf. Virgin VC 7 91203-2 8 Festival Te Deum, op 32 (1944). Choir of St John’s College, Cambridge/Christopher Robinson. Naxos 8.554791
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10:00 MORNING CONCERT Prepared by Michael Morton-Evans Wagner, R. Overture to Tannhäuser (1845). New York PO/Pierre Boulez. Sony SMK 64 108 14 Dvorák, A. Piano concerto in G minor, op 33 (1876). András Schiff, pf; Vienna PO/Christoph von Dohnányi. Decca 455 957-2 38 Pleyel, I. Symphony in C minor (1778). Capella Istropolitana/Uwe Grodd. Naxos 8.554696 28
Respighi, O. Trittico Botticelliano (1927). Accademia Bizantina/Carlo Chiarappa. Denon CO-78916
13:00 CHERUBINI’S SACRED MUSIC Prepared by Francis Frank
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Menotti, G. Piano concerto in F (1945). Earl Wild, pf; Symphony of the Air/Jorge Mester. Vanguard OVC 4029 33
Requiem in C minor (1817). Berlin Radio Ch; Berlin SO/Claus Peter Flor. RCA RD60059 49
Casella, A. Scarlattiana, op 44 (1926). Sun Hee You, pf; Rome SO/Francesco La Vecchia. Naxos 8.572416 30
14:00 THE BEST OF DECCA Prepared by Ron Walledge
22:00 CHAMBER SOIRÉE Prepared by Sheila Catzel
Glinka, M. Overture to Ruslan and Lyudmila (1842). London SO/Georg Solti. Decca 478 3199 5
Blanc, A. Septet, op 40 (1861). Members of Octuor de France. Caliope CAL 9384 27
Rimsky-Korsakov, N. Suite from Le coq d’or (1907). Cleveland O/Lorin Maazel. Decca 478-3185 27
Dohnányi, E. Sonata in C sharp minor, op 21 (1912). Peter Salaff, vn; Barry Snyder, pf. Pro Arte CDD 239 17
Saint-Saëns, C. Piano concerto no 4 in C minor, op 44 (1875). Pascal Rogé, pf; Philharmonia O/Charles Dutoit. Decca 478 3196
Alyabyev, A. Piano trio in A minor (pub. 1950). Borodin Trio. Chandos CHAN 8975 20
Cherubini, L. Marche réligieuse (1819). Philharmonia O/Riccardo Muti. EMI 5 72786 2
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Shostakovich, D. Symphony no 5 in D minor, op 47 (1937). Concertgebouw O/Bernard Haitink. Decca 478 3174 50 16:00 KEEPING YOU COMPANY including Arts Calendar at 5.00pm Prepared by David Ogilvie
Coleridge-Taylor, S. Piano quintet in G minor, op 1 (1893). Nash Ensemble. Hyperion CDA67590 26 Taneyev, A. String quartet no 3 in A, op 30 (1908). Talan Quartet. Olympia OCD 543 21 fineMusic FM 102.5
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Friday - 16th November 11:30 A RACHMANINOV INTERLUDE Prepared by Elaine Siversen Rachmaninov, S. Night (1900); The night is sad, op 26 no 12 (1906). Dmitri Hvorostovsky, bar; Mikhail Arkadiev, pf. Philips 446-666-2 7 Moment musical in B flat minor, op 16 no 1 (1896). Scott Davie, pf. ABC 472 671-2 8
Veronika Duderova 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 MUSIC FOR A NEW DAY including Arts Calendar at 7.30am with Janine Burrus 9:00 DIVERSIONS IN FINE MUSIC Small forces Prepared by Jan Brown Ireland, J. Phantasie in A minor (1906). Hartley Trio. Heritage HTGCD 218 11 Haydn, J. Quartet in D (c1765; arr. from String quartet op 2 no 2). Karin Schaupp, gui; members of Flinders Quartet. ABC 476 4435 18 Pleyel, I. Keyboard trio in A (1794). Trio 1790. cpo 777 544-2 14 Onslow, G. Variations on God save the King, from String quartet in G minor, op 9 no 1. Coull String Quartet. ASV DCA 808 10
12:00 NOONTIME JAZZ with Peter Mitchell 13:00 BACH REARRANGED Prepared by Angela Bell Bach, J.S. Sonata in G minor, BWV1001 (1720; arr. Evans). Winsome Evans, hpd. Celestial Harmonies 14268-2 17 Oboe concerto, from Cantatas, BWV105, 170 and 49 (1723-26; arr. Tarkmann). Trinity Baroque; English Concert/Albrecht Mayer, oboe & dir. Decca 478 1517 18 Sonata, BWV1003 (1720; arr. Despalj). Petrit Ceku, gui. Naxos 8.572033 23 Passacaglia in C minor, BWV582 (arr. d’Albert). Angela Hewitt, pf. Hyperion CDA67309 12 Trio sonata in G (arr. from BWV525 c1730). Members of Sydney Consort. Sydney Consort SC001
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10:00 MORNING CONCERT Prepared by Giovanna Grech
14:30 SYMPHONIC VARIATIONS Prepared by Sheila Catzel
Grétry, A-E-M. Overture to Le magnifique (1773). English CO/Richard Bonynge. Decca 440 844-2 11
Boëllmann, L. Symphonic variations, op 23 (1897). Oliver Gledhill, vc; Jeremy Filsell, pf. Guild GMCD 7135 12
Menotti, G. Violin concerto (1952). Ruggiero Ricci, vn; Pacific SO/Keith Clark. Reference RR-45CD 28
Franck, C. Symphonic variations (1885). Phillipe Entremont, pf; ORTF NO/Jean Martinon. Erato 2292-45088-2
Tchaikovsky, P. Francesca da Rimini, symphonic fantasy after Dante, op 32 (1876). SO of Russia/Veronika Dudarova. Olympia OCD 512 25 Respighi, O. Fountains of Rome (1914-16). Royal PO/Enrique Bátiz. Naxos 8.550539 17 36
Dissonance, op 34 no 13 (1912); At night in my garden, op 38 no 1 (1916); Daisies, op 38 no 3 (1916). Joan Rodgers, sop; Howard Shelley, pf. Chandos CHAN 9477 10
fineMusic FM 102.5
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Dvorák, A. Symphonic variations, op 78 (1877). London PO/Charles Mackerras. EMI 5 65026 2 22 d’Indy, V. Symphonic variations, Istar (1896). Loire PO/Pierre Dervaux. LP Pathé Marconi 2C 069-14043 13
Frumerie, G. de Symphonic variations, op 25 (1940-1). Norrköping SO/Lü Jia. Caprice CAP 21644 18 16:00 KEEPING YOU COMPANY including Arts Calendar at 5.00pm Prepared by Lloyd Capps 19:00 FRIDAY JAZZ SESSION with Sally Cameron 20:00 THE ROMANTIC CENTURY The Romantic Scots Prepared by Heather Sykes d’Albert, E. Cello concerto in C, op 20 (1899). Alban Gerhardt, vc; BBC Scottish SO/Carlos Kalmar. Hyperion CDA67544 22 Wallace, W. Grande duo on Halévy’s opera L’Éclair (1842) Rosemary Tuck, pf; Richard Bonynge, pf. Naxos 8.572774 15 Mackenzie, A. Suite: Pibroch, op 42 (1889). Malcolm Stewart, vn; Royal Scottish NO/David Davies. Hyperion CDA66975 24 Wallace, W. Creation symphony in C sharp minor (1896). BBC Scottish SO/Martyn Brabbins. Hyperion CDA66987 47 22:00 BAROQUE AND BEFORE Spain: The school of Castille and Victoria Prepared by Elaine Siversen Escobedo, B. de Missa Philippus Rex Hispaniae. Choir of Westminster Cathedral/ James O’Donnell. Hyperion CDA67046 31 Ortiz, D. Fantasia (pub. 1553; arr. LawrenceKing); Divisions on paradetas (pub 1553; arr. Lawrence-King). Andrew Lawrence-King, baroque hp. 7 Hyperion CDA66518 Victoria, T. de Magnificat primi toni (pub. 1600). Choir of St John’s College, Cambridge/ George Guest. LP Argo ZK 70-71 12 Cabezón, A. de Diferencias sobre la gallarda milenesa; Discante milenesa; Discante sobre la pavana italiana. Carlo Stella, org. 6 Nuova Era 7012/13 Victoria, T. de Office for the dead (1605). Magnificat/Philip Cave. Linn CKD 060 52
Saturday - 17th November 0:00 CLASSIC-ALL THROUGH THE NIGHT
Smetana, B. Dance of the comedians, from The bartered bride. Allentown Band/Ronald Demkee. AMP WWEM 1 5
6:00 SATURDAY MORNING MUSIC with Stephen Wilson
16:00 SYDNEY PHILHARMONIA IN CONCERT Produced by Ian Sappay; prepared by Peter Bell
Our weekly guide to musical events in and around Sydney
Chopin, F. Nocturne and polonaise. Stephen Archer, euphonium; Desford Colliery Band/ Ernest Woodhouse. LP Astor Top Brass GGS 1420 7
9:30 SPOTLIGHT ON CHARLES MACKERRAS Prepared by Oscar Foong
Haydn, J. Oratorio: The Creation (1796-98). Yvonne Kenny, sop; Richard Greager, ten; Grant Dickson, bass; Sydney Philharmonia Choir; Sydney SO/Peter Seymour. SPS recording 1:43
Foster, S. Old dog Tray. Pioneer Brass. Chandos CHAN 8571
18:00 DEUTSCHE WELLE CONCERT HOUR By courtesy of Radio Deutsche Welle
9:00 WHAT’S ON IN MUSIC
Nathan, I. Overture to Don John of Austria (arr. Mackerras). Sydney SO. ABC 442 377-2 9 Delius, F. On hearing the first cuckoo in spring (1912; ed. Beecham). Argo 433 704-2 7 The march of spring, from North Country sketches (1913-14). Argo 430 202-2
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Welsh National Opera O (2 above) Janácek, L. Suite from The cunning little vixen (1924; arr. Talich 1981). Vienna PO. Decca 478 3156-67 19 Sullivan, A. Climbing over rocky mountain; Poor wand’ring one; I am the very model of a modern Major-General; With cat-like tread, from The pirates of Penzance (1879). Welsh National Opera Ch & O. Telarc CD-80431 12 Haydn, J. Symphony in D minor. Hob.I:80 (c1784). Australian CO. Conifer CDCF 165 28 Mozart, W. Non più andrai; Hai già vinta la causa! ... Vedrò, mentr’io sospiro; Crudel! perché finora farmi languir così?; Tutto è disposto ... Aprite un po’ quegli occhi, from The marriage of Figaro (1786). Miah Persson, sop; Bryn Terfel, bass-bar; Scottish CO. DG 477 5886 16 Dvorák, A. Slavonic dance in E minor, op 72 no 2 (1886-87). Czech PO. Supraphon SU 3422-2 6 Charles Mackerras, cond (all above)
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12:00 JAZZ THEN AND NOW with Michael Cooper 13:00 CLASSIC VOICES Prepared by Shamistha de Soysa Strauss, R. Four last songs, op posth (1948). Jessye Norman, sop; Gewandhaus O/Kurt Masur. Philips 411 052-2 25 Mozart, W. Madamina, il catalogo è questo; Là ci darem la mano, from Don Giovanni (1787); Der Vogelfänger bin ich ja, from The magic flute (1791). Anna Netrebko, sop; Thomas Quasthoff, bass-bar; Staatskapelle Dresden/ Sebastian Weigle. DG 477 6297 12 Ravel, M. Asia, from Shéhérazade (1903). Magdalena Kozená, sop; Berlin PO/Simon Rattle. DG 479 0065 10 Kern, J. Ol’ man river, from Show boat (1927). Paul Robeson, bass; O/Ray Noble. ABC 480 5513 4 14:00 MUSICAL EXPLORATIONS Vienna: Mozart to Mahler and more Prepared by Stephen Schafer Zemlinsky, A. Suite from Cymbeline (1913). Gürzenich O/James Conlon. EMI 5 094562 17 Mahler, G. Das Lied von der Erde (transcr. Schoenberg 1920; compl. Riehn 1983). Birgit Remmert, sop; Hans Peter Blochwitz, ten; Ensemble Musique Oblique/Phillipe Herreweghe. Harmonia Mundi HMA 1951477 1:03
Copland, A. Appalachian spring (1938). Bloch, E. Schelomo, Hebrew rhapsody. Sol Gabetta, vc. German SO, Berlin/Leonard Slatkin (2 above) RDW transcription 19:00 THE MAGIC OF STAGE AND SCREEN Prepared by Elaine Siversen Sullivan, A. Excerpts from HMS Pinafore, or The lass that loved a sailor (1878). Elsie Morrison, sop; Marjorie Thomas, cont; Monica Sinclair, cont; Richard Lewis, ten; George Baker, bar; John Cameron, bar; Owen Brannigan, bass; Glyndebourne Festival Ch; Pro Arte O/ Malcolm Sargent. LP WRC LM 7043 50 20:00 LIVE AND LOCAL Ku-ring-gai Philharmonic Orchestra NSW Secondary Schools Concerto Competition 2012 Produced by Kerry Joyner RECORDED BY FINE MUSIC Tchaikovsky, P. Violin concerto in D, op 35, mvt 1 (1878). Victoria Wong, vn. 17 Quantz, J. Flute concerto in G. Brian Kim, fl. 17 Lalo, E. Cello concerto in D, mvt 1 (1876). Susan Blake, vc. 14 Prokofiev, S. Violin concerto in D, op 19, mvts 1 and 2 (1917). Cindy Chau, vn. 14 Lebrun, L. Oboe concerto no 1 in D minor 9 (1777). Ennes Mehmedbasic, ob.
11:30 ON PARADE Music that’s band Prepared by Owen Fisher
15:30 BALLET VIGNETTES Prepared by Randolph Magri-Overend
Bartók, B. Viola concerto, op. posth., mvts 2 9 and 3 (1945). Lisa Sung, va.
Sullivan, A. Overture to The yeomen of the guard. John Foster Black Dyke Mills Band; Besses o’ th’ Barn Band; I.M.I. Imperial Metals Band/Harry Mortimer. Chandos CHAN 8571 5
Ponchielli, A. Dance of the hours, from La gioconda (1876). Philharmonia O/Herbert von Karajan. EMI CDM 7 69041 2 10
Doppler, F. Double concerto in D (arr. Adorján). Anika Ng, fl; Naomi Ng, fl.
Monk, W. Abide with me. Big Brass Band/ Harry Mortimer. LP Decca PFS-443
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Verdi, G. Ballet music from Don Carlos (1867). Monte Carlo National Opera O/Antonio de Almeida. Philips 422 846-2 16
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Ku-ring-gai PO/Ron Prussing (all above) 22:00 AFTER HOURS with Kevin Jones fineMusic FM 102.5
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Sunday - 18th November 0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 SUNDAY MORNING MUSIC 9:00 CELESTIAL NOTES Prepared by Elaine Siversen Lully, J-B. Te Deum (1677). Le Concert Spirituel/Hervé Niquet. Naxos 8.554397
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Buxtehude, D. Te Deum laudamus. Bine Bryndorf, org. Dacapo 6.220520
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Handel, G. Te Deum in D, HWV283, Dettingen (1743). Alsfeld Vocal Ensemble; Concerto Polacco/Wolfgang Helbich. Naxos 8.554753 38 10:30 CHAMBER MASTERWORKS Prepared by Frank Morrison Goldmark, K. String quintet in A minor, op 9 (1860). Laszlo Mezö, vc; Lajtha Quartet. Hungaroton HCD 31556 36 Gounod, C. Six melodies (c1848). James Sommerville, hn; Rene Sharon, pf. Marquis ERAD 157
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Fauré, G. Trio in D minor, op 120 (1923). Augustin Dumay, vn; Frédéric Lodéon, vc; JeanPhilippe Collard, pf. EMI CMS 7 62545 2 20
Huguette, from The vagabond king (1925). Gladys Moncrieff, sop; Columbia Concert O. EMI 701712-2 3 Rose Marie, from Rose Marie (1924). Donald Smith, ten; Adelaide SO/John Lanchbery. EMI 1 66283 2 3 Fucik, J. March: Entry of the gladiators; Concert waltz: Winter storms; Tales of the Danube. Czech PO/Vaclav Neumann. LP Orfeo 25 Mahler, G. Songs of a wayfarer (1884). Thomas Hampson, bar; San Francsico SO/Michael Tilson Thomas. San Francisco Symphony 821936-0036-2 17 Dvorák, A. Concerto in B minor, op 104 (1895). János Starker, vc; London SO/Antal Dorati. Mercury 432 001-2 38 Slavonic dances, op 46 (1878). London SO/Jean Martinon. Decca 476 2742 36 17:00 HOSANNA Prepared by Keith Glendinning
12:00 SPEAK EASY, SWING HARD with Richard Hughes
Hymns: Praise my soul; O worship the King; There is a green hill; Immortal invisible. English Brass Ensemble. Helios CDH 55036 13
13:00 FOCUS ON FOLK Folk Federation of NSW with Paul Jackson
Wood, C. Evening service in F (1920). Helios CDH 55401
14:00 SUNDAY SPECIAL The Czech is in the ... music Prepared by George Segal Smetana, B. Vltava, from My country (1874). Prague RSO; Vladimir Válek, conductor. Supraphon SU 3916-2 12 Polka, from The bartered bride (1866). BBC PO/ Gianandrea Noseda. Chandos CHAN 10518 5 Furiant, from The bartered bride. Israel PO/ István Kertész. Decca 476 2453 2 Dance of the comedians, from The bartered bride. Berlin PO/Herbert von Karajan. DG 474 617-2 6 Biber, H. Passacaglia (pub. 1681). Nigel North, lute. Harmonia Mundi HMU 907134.35 7 38
Friml, R. Indian love call, from Rose Marie (1924). Joan Sutherland, sop; Ambrosian Light Opera Ch; New Philharmonia O/Richard Bonynge. LP EMI DTS 571/72 5
fineMusic FM 102.5
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Choir of St Paul’s Cathedral, London; Christopher Dearnley, org; John Scott, cond (2 above) Vaughan Williams, R. Festival Te Deum, from Communion service in G minor (1937). Choir of Westminster Abbey/Douglas Guest. Chandos CHAN 6550 7 Bach, J.S. Aria: Have mercy on me, my God, from St Matthew Passion (1727). Judit Németh, cont; Hungarian Festival Choir; Hungarian State SO/Géza Oberfrank. Naxos 8.553198 7 Wesley, S.S. The wilderness (1832). Choir of Clare College, Cambridge; James McVinnie, org; Christopher Robinson, cond. Naxos 8.570318 12 18:00 A FIELD OF TALL POPPIES with Julie Simonds A monthly program of recordings selected from the Tall Poppies label
19:00 OPERA HIGHLIGHTS Prepared by Jan Brown Schubert, F. Greetings, O sun, from Alfonso and Estrella (1822). Oliver Widmar, bar; Hungarian National PO/Jan Schultsz. 8 Hyperion CDA 67229 Bizet, G. Me voilà seule ... Comme autrefois, from The pearl fishers (1863). Maria Callas, sop; Conservatoire Concerts Society O/Georges Prêtre. 6 EMI 5 67701 2 Catalani, A. Ebben? Ne andrò lontana, from La Wally (1892). Yvonne Kenny, sop; Melbourne SO/Vladimir Kamirski. 4 ABC 454 511-2 Leoncavallo, R. O mio piccolo tavolo, from Zazà (1900). José Carreras, ten; London SO/ Jésus López-Cobos. 5 Philips 426 643-2 19:30 SUNDAY NIGHT CONCERT Prepared by Stephen Wilson Lully, J-B. Overture and suite from Amadis (1684). Collegium Aureum/Reinhard Peters. LP Harmonia Mundi HM 20322 23 Shaw, T. Violin concerto in G. Elizabeth Wallfisch, vn; Parley of Instruments/Peter Holman. Helios CDH55260 14 d’Indy, V. Symphony no 2 in B flat, op 57 (1902-03). Iceland SO/Rumon Gamba. Chandos CHAN 10514 44 21:00 NEW HORIZONS In your backyard Prepared by Oscar Foong Rue, R. From three nocturnal windows (1992). Peter Jenkin, cl; Roger Dean, sampler; Rik Rue, tape. 6 Tall Poppies TP086 Chesworth, D. Someplace. Tape realized by the composer. Natural Symphonies NS 531 16 Drummond, J. Sea, frogs and magpies (1994). Natural sounds. 8 Tall Poppies TP074 Bolleter, R. Myo sei: dark sky, for three ruined pianos (1993). Ross Bolleter, three ruined pf. Tall Poppies TP045 22 Bandt, R. Stargazer (c1983). Ros Bandt, amplified music boxes and tape. Move MD 3075
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Fredericks, I. Viable alternative (1983). Taped sounds. Tall Poppies TP074 19 22:30 ULTIMA THULE
Monday - 19th November Mendelssohn, F. Symphony no 3 in A minor, op 56, Scottish (1831-41). Vienna PO/Christoph von Dohnányi. Decca 460 239-2 37 11:30 TWO ON A STOOL Prepared by Elaine Siversen Bach, J. Christian Duet in F, op 18 no 6 (1781). Hans Fagius, David Sanger, org. BIS CD-273 8 Fauré, G. Dolly suite, op 56 (1894-97). Benjamin, A. Jamaican rumba (1938). Janet Hilton 0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 MUSIC FOR A NEW DAY including Arts Calendar at 7.30am with James Hunter
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Darryl Coote, Max Cooke, pf (2 above) Move MD 3158
Hamilton Harty
12:00 SWING SESSIONS with John Buchanan
Beethoven, L. Sonata no 3 in C, op 2 (1796). Murray Perahia, pf. Sony SK 64 397 26
13:00 FEATURING GUNDULA JANOWITZ Prepared by Rex Burgess
Bizet, G. In the depths of the temple, from The pearl fishers (1863). Jussi Björling, ten; Robert Merrill, bar; RCA Victor SO/Renato Cellini. 5 RCA GD 87799
9:00 DIVERSIONS IN FINE MUSIC Inspired by opera Prepared by Giovanna Grech
Weber, C.M. Overture to Oberon (1826). Israel PO/Zubin Mehta. Decca 475 7470 8
Kuhlau, F. Three rondos on themes from Mozart’s The marriage of Figaro (1823). Christian Lambour, pf. Schwann 310 120
Ozean, du Ungeheuer! from Oberon (1826). German Opera O/Ferdinand Leitner. Decca 467 910-2 9
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Gluck, C. Di questa cetra in seno, from I parnasso confuso (1765). Cecilia Bartoli, mezz; Akademie für Alte Musik/Bernhard Forck. Decca 473 380-2 5 Delius, F. Intermezzo and serenade, from Hassan (c1923; arr. Beecham). Northern Sinfonia of England/Richard Hickox. EMI 5 65067 2 5
Mozart, W. Vado, ma dove?, K583, insertion to Soler’s opera Il barbero di buon core (1789). Vienna SO/Wilfred Boettcher. DG 449 723-2 5 Gundula Janowitz, sop (2 above) Wagner, R. Prelude to Act I of Lohengrin (1848). Vienna PO/Zubin Mehta. Decca 475 7470
16:00 KEEPING YOU COMPANY including Arts Calendar at 5.00pm Prepared by David Brett
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Verdi, G. Qual notte ... Qui, qui sostiamo, from Attila (1846). Carlo Bergonzi, ten; Ambrosian Singers; Royal PO/Lamberto Gardelli. Philips 6747 193 13
Mozart, W. Bella mis fiamma ... Resta o cara, K528, insert to Jommelli’s opera Festa teatrale (1787). Vienna SO/Wilfred Boettcher. DG 449 723-2 13
10:00 MORNING CONCERT Prepared by Angela Bell
Gundula Janowitz, sop (2 above)
Weber, C.M. Clarinet concerto no 1 in F minor, op 73 (1811). Janet Hilton, cl; City of Birmingham SO/Neeme Järvi. Chandos CHAN 8305 21
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19:00 A TWIST OF JAZZ with Andrew Piper
Einsam in trüben Tagen; Euch lüften, from Lohengrin. German Opera O/Ferdinand Leitner. Decca 467 910-2
Parry, H. Elegy for Brahms (1897). London PO/ Matthias Bamert. Chandos CHAN 6610 13
Respighi, O. Carnival overture (1913). Slovak RSO/Adriano. Naxos 8.557820 9 Harty, H. Violin concerto (1908). Ralph Holmes, vn; Ulster O/Bryden Thomson. Chandos CHAN 7035
Rossini, G. Fantasy on William Tell (arr. Demerssemon, Berthélémy). Patrick Gallois, fl; Malcolm Messiter, ob; London FO/Ross Pople. DG 445 822-2 11
Lumbye, H. Musical entertainment: A festive night at Tivoli (1861). Tivoli SO/Tamás Vetö. Marco Polo 8.225223 11
Suk, J. Fantastické scherzo, op 25 (1903). Czech PO/Jirí Belohlávek. Chandos CHAN 8897 14
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14:00 FROM HANDEL TO HARTY Prepared by Christina MacGuinness Handel, G. Concerto grosso no 5 in D, op 6 no 6 (1739). Concentus Musicus Vienna/Nikolaus Harnoncourt. Teldec 242 616-2 16 Mozart, W. Laudate Dominum, from Vesperae solennes de confessore, K339 (1780). Sumi Jo, sop; Cologne Philharmonic Choir; Gürzenich O/James Conlon. Erato 8573-85772-2 4
20:00 STORMY MONDAY with Austin Harrison and Garth Sundberg 22:00 KEYBOARD CONTRASTS Prepared by Phil Vendy Magnard, A. Promenades, op 7 (1893). Stephanie McCallum, pf. Tall Poppies TP081
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Reubke, J. Sonata in B flat minor (1857). Jeremy Filsell, pf. Guild GMCD 7137
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Boëly, A. Fantasy and fugue in B flat. Douglas Lawrence, org. Move MD 3340 6 Martinu, B. Quintet no 1 (1933). Karel Kosárek, pf; Martinu Quartet. Naxos 8.557861 18 d’Albert, E. Eight pieces, op 5. Piers Lane, pf. Hyperion CDA66945 29 fineMusic FM 102.5
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Tuesday - 20th November Beethoven, L. Quintet in C, op 29, mvt 2 (1802). Pinchas Zukerman, va; Tokyo String Quartet. RCA 661 284-2 10 12:00 JAZZ RHYTHM with Jeannie McInnes
Nicolai, O. Overture to The merry wives of Windsor (1849). Vienna PO/Willi Boskovsky. Decca 436 785-2 9
3:00 CLASSICAL TILL DAWN 6:00 MUSIC FOR A NEW DAY including Arts Calendar at 7.30am with Julie Simonds 9:00 DIVERSIONS IN FINE MUSIC Pianist of choice: Howard Shelley Prepared by Paul Hopwood Chopin, F. Fantasy in F minor, op 49 (1841). Chandos CHAN 9018 13 Rachmaninov, S. Sonata no 2 in B flat minor, op 36 (1913). Hyperion CDS 44043 26 Clementi, M. Sonata in A flat, WO13 (1765). Hyperion CDA67632 14 Howard Shelley, pf (all above) 10:00 MORNING CONCERT Prepared by Shamistha de Soysa Tchaikovsky, P. Francesca da Rimini, symphonic fantasia after Dante, op 32 (1878). Oslo PO/Mariss Jansons. EMI 5 74113-2 22 Respighi, O. Concerto in modo misolidio (1925). Geoffrey Tozer, pf; BBC PO/Edward Downes. Chandos CHAN 9285 41 Haydn, J. Symphony in D, Hob.I:93 (1791). Les Musiciens du Louvre/Marc Minkowski. naïve V 5176 19
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Verdi, G. Elle ne m’aime pas, from Don Carlos (1867/84). Joseph Rouleau, bass; Royal Opera House O/John Matheson. LP Decca SAL 6637 10 Puccini, G. Signor, ascolta ... Non piangere Liù, from Turandot(1926). Renata Scotto, sop; Franco Corelli, ten; Royal Opera House O/ Francesco Molinari-Pradelli. EMI 7625 202 7 Saint-Saëns, C. Ballet music from Samson and Delilah (1877). Vienna SO/Jonel Perlea. Rainbow Classics MUD 8122 7 Handel, G. Lascia ch’io pianga, from Rinaldo (1711). Marilyn Horne, mezz. Erato 229245797 5 Puccini, G. Donna non vidi mai, from Manon Lescaut (1893). José Carreras, ten; London SO/ Jesús López-Cobos. Philips 432 692-2 2 Beethoven, L. Prisoners’ chorus, from Fidelio, op 72 (1804-14). Slovak Philharmonic Choir; Slovak RSO/Johannes Wildner. Naxos 8.550507 7 14:00 WATER MUSIC Prepared by Anne Irish Handel, G. Water music: Suite no 2 in D, HWV349 (1717/36). Tasmanian SO/Graham Abbott. ABC 476 4300
Weber, C.M. Overture and march from Turandot (1805-09).
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Hindemith, P. Symphonic metamorphoses on themes of Carl Maria von Weber (1943). 20
13:00 OPERA IN CONCERT Prepared by Giovanna Grech
Howard Shelley 0:00 CONTEMPORARY COLLECTIVE
15:00 VARIOUS VARIATIONS Prepared by Sheila Catzel
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Debussy, C. Reflets dans l’eau, from Images bk 1 (1905). Kathryn Stott, pf. Conifer CDCF 148 6
Philharmonia O/Neeme Järvi (2 above) Chandos CHAN 8766 Walton, W. Variations on a theme by Hindemith (1962-63). Robert St John Wright, vn; Dermont Crehan, vn; Norbert Blume, va; Rhydian Shaxson, vc; London PO/Jan LathamKoenig. Chandos CHAN 9106 24 16:00 KEEPING YOU COMPANY including Arts Calendar at 5.00pm Prepared by Andrew Dziedzic 19:00 THE JAZZ BEAT with Lloyd Capps 20:00 RECENT RELEASES with David Garrett 22:00 BEYOND ROMANTICISM Born on this day Prepared by Troy Fil Mahler, G. Der Trunkene im Frühling, from Das Lied von der Erde (1908-09). René Kollo, ten; Chicago SO/Georg Solti. 4 ABC 470 241-2 Sankey, S. Carmen fantasy after Bizet. Gary Karr, db; Adelaide SO/Patrick Thomas. ABC 438 612-2 15 Poulenc, F. Sonata. Paula Robison, fl; Ruth Laredo, pf. Musicmasters 67069-2 12 Sutherland, M. String quartet no 1 (c1939). Jonathan Allen, vn; Peter Exton, vn; Helen Sergeant, va; Susan Pickering, vc. Canberra School of Music CSM 7 24 Cooke, A. Suite from Jabez and the Devil (1959). London PO/Nicholas Braithwaite. Lyrita SRCD.203 18 Arioso and scherzo (1955). Dennis Brain, hn; Marjorie Lempfert, va; Carter String Trio. 8 BBC BBCL 4066-2
11:30 SLOW AND SUBLIME Prepared by Chris Blower
Dvorák, A. Symphonic poem: The water goblin, op 107 (1896). Czech PO/Charles Mackerras. Supraphon SU 4012-2 20
Haydn, J. String quartet in E flat, Hob.III:64, mvt 2 (1790). Kodály Quartet. Nimbus 8.550674 5
Gade, N. Watercolour sketches, vol. 2, op 19 (1850). Anker Blyme, pf. Marco Polo DCCD 9115 7
Sutherland, M. Five songs to poems of John Shaw Neilson (1936). Elizabeth Campbell, mezz; Anthony Fogg, pf. MBS 19 CD 10
Elgar, E. Sonata in E minor, op 82, mvt 2 (1918). Nigel Kennedy, vn; Peter Pettinger, pf. Chandos CHAN 8380 10
Strauss, Josef. Watercolours, op 258 (1869). Vienna PO/Claudio Abbado. DG 431 628-2 8
Sonata (1938-42). Margery Smith, sax; Daniel Herscovich, pf. Tall Poppies TP132 12
fineMusic FM 102.5
Wednesday - 21st November Bartók, B. Piano concerto no 3 (1945). Martha Argerich, pf; Royal Concertgebouw O/Claus Peter Flor. Radio Nederland RCO11004 23 Tchaikovsky, P. Symphony no 2 in C minor, op 17, Little Russian (1872). London SO/Geoffrey Simon. Chandos CHAN 8304 39 11:30 SOR FINGERS Prepared by Angela Bell Sor, F. Divertissement, op 23 (c1795). Adam Holzman, gui. Naxos 8.553340 13 Jan Sweenlinck 0:00 CONTEMPORARY COLLECTIVE
L’enouragement, op 34. Robert Kubica, gui; Wilma van Berkel, gui. Naxos 8.553302 14
3:00 CLASSICAL TILL DAWN
12:00 THE SOUND OF JAZZ with Kevin Jones
6:00 MUSIC FOR A NEW DAY including Arts Calendar at 7.30am with Trisha McDonald
13:00 AUTOPLAY Prepared by Phil Vendy
9:00 DIVERSIONS IN FINE MUSIC Aspects of Baroque Prepared by Frank Morrison Hellendaal, P. Concerto grosso in G minor, op 3 no 1 (pub. c1758). Combattimento Consort Amsterdam. NM Classics 92019 10 Sweelinck, J. Psalm 148. Netherlands Chamber Choir/Ton Koopman. BFO Centre Netherlands Music A 3 11 Eyck, J. Amaryllis, my lovely (I), from The flute’s garden of delight (pub. 1654). Eric Bosgraaf, rec. Brilliant 93391
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Schenck, J. Sonata in G minor, op 3 no 3 (1691). La Suave Melodia. Etcetera KTC 1356 11 Wassenaer, U. Concerto armonica no 2 in B flat. Combattimento Consort Amsterdam/J. W. de Vriend. NM Classics 92030 11 10:00 MORNING CONCERT Prepared by Jan Brown
Liszt, F. Hungarian rhapsody no 2 in C sharp minor (1847). Johanna Lohr, reproducing pf. Naxos 8.110678 12 Paderewski, I. Mélodie. Ignaz Paderewski, reproducing pf. Nimbus NI 8802 3 Strauss, R. Dance of the seven veils, from Salome, op 54 (1905). Richard Strauss, reproducing pf. Naxos 8.110678 9 Grieg, E. Piano concerto in A minor, op 16 (1868). Percy Grainger, reproducing pf; Sydney SO/John Hopkins. LP RCA VRL1 0168 29 14:00 LISTENERS’ CHOICE with Michael Morton-Evans Phone 9439 4777 or go to finemusicfm.com and follow the links to choose your music 15:00 IN CONVERSATION with Michael Morton-Evans
Mussorgsky, M. Gopak, from Sorochintsy Fair (1913; orch. Lyadov). Vienna PO/Valery Gergiev. Philips 468 526-2 2
What exactly does it take to make music? Leading musicians, composers and performers, both local and visiting from overseas, will be talking live on air telling us why they do it and how they do it.
Balakirev, M. Symphonic poem: Russia (186469). Philharmonia O/Yevgeny Svetlanov. Hyperion CDA66691-2 15
16:00 KEEPING YOU COMPANY including Arts Calendar at 5.00pm Prepared by Shamistha de Soysa
Victoria de los Angeles 19:00 JAZZ STARS AND STRIPES with Peter Mitchell 20:00 AT THE OPERA Legendary Met performances: 18 December, 1954 Prepared by Michael Tesoriero Massenet, J. Manon. Opera in five acts. Libretto by Henri Meilhac and Philippe Gille. First performed Paris, 1884. MANON LASCAUT: Victoria de los Angeles, sop CHEVALIER DES GRIEUX: Cesare Valletti, ten COMTE DES GRIEUX: Jerome Hines, bass LESCAUT: Fernando Corena, bass GUILLOTTE: Alessio de Paolis, ten Metropolitan Opera Ch & O/Pierre Monteux. Walhall WH 590 (mono) 2:31 In Amiens, Manon, on her way to a convent with her cousin Lescaut, resists elderly Guillot’s advances but elopes to Paris with the Chevalier des Grieux. Poverty does not suit her and she leaves him for a rich suitor. But when she hears from his father Count des Grieux that he has become a priest, she persuades him to return. But they have no money and Lescaut encourages Des Grieux to gamble. He wins against Guillot who accuses him of cheating and Manon of immorality. When police arrive, the Count des Grieux saves his son but Manon is sentenced to deportation. Manon dies in her lover’s arms. 23:00 CLASSICAL CHAMBER RECORDED BY FINE MUSIC Beethoven, L. Sonata no 1 in F, op 5 (1796). Susan Blake, vc; Geoffrey Lancaster, fp. 22 Mozart, W. Quintet in A, K581 (1789). Catherine McCorkill, cl; Helena Rathbone, vn; Alice Evans, vn; Caroline Henbest, va; Cameron Retchford, vc. 29 fineMusic FM 102.5
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Thursday - 22nd November 0:00 CONTEMPORARY COLLECTIVE
Kraus, J.M. A song to Rhenish wine. Martin Hummel, bar; Glen Wilson, pf. 3 Naxos 8.557452
3:00 CLASSICAL TILL DAWN 6:00 MUSIC FOR A NEW DAY including Arts Calendar at 7.30am with Simon Moore
Sibelius, J. Four pieces, op 115 (1929). Nils-Erik Sparf, vn; Bengt Forsberg, pf. BIS CD-625 10
9:00 DIVERSIONS IN FINE MUSIC Name the composer
Egge, K. Quartet no 1, op 5 (1933). Oslo String Quartet. Naxos 8.554384 20
Be the first to identify the mystery composer and win a CD. All other correct answers go in a draw for a second CD: 9439 4777 10:00 MORNING CONCERT Prepared by Elaine Siversen Sibelius, J. Karelia suite, op 11 (1893). Helsinki PO/Leif Segerstam. Ondine ODE 878-2 17
Fontijn, J. Mosaici (1964). Robert Groslot, pf. Duchesne 71482 11
19:00 JAZZ VIBES with Matt Bailey
Respighi, O. Prelude, chorale and fugue (1901). Slovak RSO/Adriano. Naxos 8.557820 18
Lekeu, G. Mon âme est triste jusqu’à la mort, molto adagio for string quartet (1887). Ensemble Musique Oblique. Harmonia Mundi 1901 455 14
20:00 EVENINGS WITH THE ORCHESTRA Nationalist composers: Bohemia Prepared by Denis Patterson
Rimsky-Korsakov, N. Scheherazade, symphonic suite, op 35 (1888). Samuel Magad, vn; Chicago SO/Daniel Barenboim. Apex 2564 67429-0 48 11:30 MASTER AND PUPIL Prepared by Elaine Siversen Rimsky-Korsakov, N. It was not the wind blowing from the heights, op 43 no 2 (1897); Dream on a summer’s night, op 56 no 2 (1898). Anna Netrebko, sop; Daniel Barenboim, pf. DG 477 8589 8 Respighi, O. Adagio con variazioni (1920). Luca Signorini, vc; Francesco Nicolosi, pf. Nuova Era 7191 11
Kerckhoven, A. van de Fantasia in F. Liuwe Tamminga, org. Accent ACC 10129 7 Hacquart, C. Sonata no 10 (pub. 1686). John Holloway, vn; Stanley Ritchie, vn; Andrew Manze, vn; John Toll, hpd, org; Nigel North, theorbo; Mary Springfels, bass viol. Harmonia Mundi HMU 907091 7 Bériot, C-A. de Violin concerto no 9 in A minor, op 104 (1854). Takako Nishizaki, vn; Belgian RT SO/Alfred Walter. Naxos 8.555104 15 14:30 A BAROQUE SANDWICH Prepared by Angela Bell
Suk, J. Serenade in E flat for strings, op 6 (1892). Prague Philharmonia/Jakub Hrusa. Supraphon SU 3882-2 29 Vorisek, J. Symphony in D, op 24 (1823). Scottish CO/Charles Mackerras. Hyperion CDA66800
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Martinu, B. The frescos of Piero della Francesca (1955). Basle SO/Vladimir Ashkenazy. Ondine ODE 1158-2 19 Benda, G. Sinfonia no 5 in G. Prague CO/ Christian Benda. Naxos 8.553408
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Krommer, F. Clarinet concerto in E flat, op 36 (pub. c1802). Nicolaus Esterházy Sinfonia/ Kálmán Berkes, cl & dir. Naxos 8.553178 22
Rimsky-Korsakov, N. A pressed flower; The nightingale and the rose, op 2 no 2 (1865-66). Sergei Larin, ten; Eleonora Bekova, pf. Chandos CHAN 9547 6
Boismortier, J. de Cinquième gentillesse, op 45. Le Concert Spirituel/Hervé Niquet. Naxos 8.554295 7
12:00 JAZZ, PURE AND SIMPLE with Maureen Meers
Hahn, R. To Chloris. David Hobson, ten; David McSkimming, pf. ABC DC476 5282 3
Mendelssohn, F. Sonata in F minor, op 4 (1825). Wilhelm Klepper, vn; Ernst Gröschel, pf. Onyx 66232 22
Bach, J.S. Double concerto in D minor, BWV1043 (1730-31). Julia Fisher, vn; Alander Sitkovetsky, vn; Academy of St Martin in the Fields. Decca 478 0650 15
Dussek, J. Sonata. Anna Lelkes, hp. Forum 462073-4-2
13:00 FROM BELGIUM Prepared by Frank Morrison Grétry, A-E-M. String quartet in C minor, op 3 no 6 (1761-65). Haydn Quartet. Koch 310 158 H1 9
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Guillaume Lekeu
16:00 KEEPING YOU COMPANY including Arts Calendar at 5.00pm Prepared by Marilyn Schock
Hasselmans, A. Marguerite at the spinning wheel, op 27. Louise Johnson, hp. Artworks AW017 4
15:00 NORTHERN CHAMBER Prepared by Francis Frank
Jongen, J. Allegro appassionato, op 79 (1925). Roger Benedict, va; Timothy Young, pf. Melba MR 301126 8
Crusell, B. Quartet no 2 in C minor, op 4 (1804). Thea King, cl; members of Allegri String Quartet. Hyperion CDA66077 18
fineMusic FM 102.5
22:00 CHAMBER SOIRÉE
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Schubert, F. Quartet no 13 in A minor, op 29 (1824). Brodsky String Quartet. IMP PCD 831 35 Ponce, M. Three Mexican popular songs. John Williams, gui. 7 BCI Music BCCD 298 Brahms, J. Quintet in B minor, op 115 (1891). Keith Puddy, cl; Delmé String Quartet. IMP PCD 883 40
Friday - 23rd November 11:30 ART SONG Prepared by Jan Brown Mendelssohn, Fanny. Du bist die Ruh, op 7 no 4 (1848). Susan Gritton, sop; Eugene Asti, pf. Hyperion CDA67110 3 Loewe, C. Esther, op 52 (1835). Ruth Ziesak, sop; Cord Garben, pf. cpo 999 543-2 15 Schubert, F. Der Winterabend, D938 (1828). Ian Bostridge, ten; Leif Ove Andsnes, pf. EMI 5 57901 2 7 12:00 NOONTIME JAZZ with Peter Mitchell Petri Sakari 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 MUSIC FOR A NEW DAY including Arts Calendar at 7.30am with Janine Burrus 9:00 DIVERSIONS IN FINE MUSIC Small forces Czerny, C. Brilliant fantasy no 2, after Schubert, op 339 (c1836). Andrew Clark, hn; Geoffrey Govier, fp. Helios CDH55074 17 Haydn, J. String quartet in G minor, op 74 no 3, Rider (1793). Henschel Quartett. Mediaphon MED 72.148 21 Myslivecek, J. Wind octet in E flat (1777). Virtuosi di Praga/Oldrich Vicek. Cantus CACD 8.00128 D 15 10:00 MORNING CONCERT Prepared by Keith Glendinning Strauss, R. Don Juan, op 20 (1888). Cleveland O/George Szell. Sony SBK 48 272 16 Falla, M. de Piano concerto (1923-26). Joaquin Soriano, pf; English CO/José Serebrier. ASV DCA 775 14 Grechaninov, A. Snowflakes, op 47 (1910). Ludmilla Kuznetsova, mezz; Russian State SO/ Valéry Polyansky. Chandos CHAN 9397 14 Sibelius, J. Symphony no 4 in A minor, op 63 (1911). Iceland SO/Petri Sakari. Naxos 8.554377 38
13:00 SELECT YOUR CLASSICS with Stephen Schafer
Graham Pushee
15:00 LATE CLASSICAL CONCERTOS Prepared by Stephen Schafer
Schumann, R. Scenes from childhood, op 15 (1838). Andreas Staier, pf. Harmonia Mundi HMC 901989 15
Weber, C.M. Clarinet concerto no 2 in E flat, op 74 (1811). City of London Sinfonia/Michael Collins, cl & dir. Chandos CHAN 10702 22
Tchaikovsky, P. Album for children, op 39 (1878; arr. Dubinsky, Turovsky). I Musici de Montréal/Yuli Turovsky. Chandos CHAN 9098 34
Chopin, F. Piano concerto no 2 in F minor, op 21 (1829). Lausanne CO/Christian Zacharias, pf & dir. MDG 340 1267-2 31
22:00 BAROQUE AND BEFORE
16:00 KEEPING YOU COMPANY including Arts Calendar at 5.00pm Prepared by Derek Parker
Praetorius, M. Four dances from Terpsichore (pub. 1612). Saffire. 9 ABC 476 5695
19:00 FRIDAY JAZZ SESSION with Sally Cameron
Handel, G. Excerpts from Julius Caesar in Egypt (1723-24). Graham Pushee, ct; Australian Brandenburg O/Paul Dyer. ABC 446 272-2 17
20:00 THE ROMANTIC CENTURY Seen but not heard Prepared by Chris Blower Mendelssohn, F. Six pieces for children, op 72 (pub. 1847). Martin Jones, pf. Nimbus NI 5070 8 Bizet, G. Children’s games, op 22 (1871). Consort of London/Robert Haydon Clark. Collins 11412 11 Mussorgsky, M. The nursery (1870-72). Irmgard Seefried, sop; Erik Werba, pf. DG 474 843-2
Bach, J.S. Orchestral suite no 3 in D, BWV1068 (c1717-23). Mainz CO/Günter Kehr. Mediaphon 25407-23 22
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Thomas, J. Scenes of childhood (1863). Lipman Harp Duo. Naxos 8.570372 10 Elgar, E. The wand of youth suite no 2, op 1b (1908). English String O/William Boughton. Nimbus NI 5450/3 16
Molter, J. Trumpet concerto no 1 in D. Guy Touvron, tpt; Slovak CO/Bohdan Warchal. Point Classics 267193-2 12 Schaffrath, C. Oboe sonata in D minor. Members of Berlin Baroque Trio. Capriccio 10142
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Buxtehude, D. Magnificat. Hanns-Friedrich Kunz, bass; Stuttgart Choir & Instrumental Ensemble/Helmuth Rilling. Mediaphon 25407-93 10 Telemann, G. Triple concerto in A. Wilbert Hazelzet, fl; Rémy Baudet, vn; Richte van der Meer, vc; Musica Amphion/Pieter-Jan Belder. Brilliant Classics 93167/1 26 fineMusic FM 102.5
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Saturday - 24th November 0:00 CLASSIC-ALL THROUGH THE NIGHT
14:00 LISTENERS’ CHOICE with Christina MacGuinness
6:00 SATURDAY MORNING MUSIC with Peter Bell
Phone 9439 4777 or go to finemusicfm.com and follow the links to choose your music
9:00 WHAT’S ON IN MUSIC Our weekly guide to musical events in and around Sydney
15:30 AT THE MOVIES Prepared by Nicholas Chaplin
9:30 SPOTLIGHT ON NIELS GADE Prepared by Francis Frank Gade, N. Overture: Echoes from Ossian, op 1 (1840). Danish National RSO/Dmitri Kitaienko. Chandos CHAN 9422 15 Three sacred choruses. Danish National Radio Choir/Jesper Grove Jørgensen. Chandos CHAN 9767 14 Octet in F, op 17 (pub. 1848). L’Archibudelli; Smithsonian Chamber Players. Sony SK 48307 29 Sonata no 1 in A, op 6 (1842). Dora Bratchkova, vn; Andreas Meyer-Hermann, pf. cpo 999 644-2 23 Symphony no 3 in A minor, op 15 (pub. 1847). Stockholm Sinfonietta/Neeme Järvi. BIS CD-338 27 11:30 ON PARADE Bands at the concert hall Prepared by Chris Blower Wagner, R. Procession to the Minster, from Lohengrin. Williams-Fairey Engineering Band. Delta 60357 7 Elgar, E. Pomp and circumstance march in G, op 39 no 4 (1907; arr. Wills). Arthur Wills, org; Cambridge Co-operative Band/David Read. Helios CDH88005 5 Lloyd Webber, A. Pie Jesu, from Requiem. Williams-Fairey Engineering Band. Delta 60357 4 Chabrier, E. España (1883; arr. Langford). John Foster Black Dyke Mills Band/Geoffrey Brand. Chandos CHAN 6539 5 Shostakovich, D. Folk festival, from The gadfly. Williams-Fairey Engineering Band. Delta 60357
16:30 AT THE BALLET Prepared by Raj Gopalakrishnan Villa-Lobos, H. Uirapurú (1917). Stadium SO of New York/Leopold Stokowski. Price-less D 24924 14 Williamson, M. Suite from The display (pub. 1964). Sydney SO/John Hopkins. ABC CD4 438 195-2 24 Stravinsky, I. The firebird (1910). Detroit SO/ Antal Dorati. Decca 478 3156-67 44
20:00 LIVE AND LOCAL Selby and Friends Produced by Tim Sadler; prepared by Peter Bell
18:00 AUSTRALIAN COMPOSERS’ HOUR Prepared by Janie Fitch
RECORDED BY FINE MUSIC
Grainger, P. Eastern intermezzo (1898-9/1933). Woof! Move MD 3222 2 Glanville-Hicks, P. Profiles from China (1945). Gerald English, ten; Roland Peelman, pf. Tall Poppies TP112 6 Boyd, A. Cloudy mountain (1981). Geoffrey Collins, fl; David Miller, pf. Tall Poppies TP127 8
Beethoven, L. Trio in B flat, WoO39 (1812). 6 Westlake, N. Trio (2003). 22 Lalo, E. Trio no 1 in C minor, op 7 (1850). 23 Brahms, J. Trio in B, op 8 (1853-54/89). 32 Niki Vasilakis, vn; Emma-Jane Murphy, vc; Kathryn Selby, pf (all above) 21:30 HIGHLIGHTS FROM MADAMA BUTTERFLY Prepared by Giovanna Grech
Trad. Sekar gadung (arr. Grainger 1932-33). Kirsten Boerema, mezz; Clifford Plumpton, bass; Woof! Move MD 3222 4
Puccini, G. Bimbi dagli occhi pieni di malia, from Madama Butterfly (1904). Miriam Gauci, sop; Yordy Ramiro, ten; Slovak RSO/ Alexander Rahbari. Naxos 8.578066/67 11
Gifford, H. Of old Angkor (1970). Richard Runnels, hn; Paul Sablinskis, mar. Move MD 3172
Un bel dì, from Madama Butterfly. Cheryl Barker, sop; O Victoria/Richard Bonynge. Melba MN-301085
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Sculthorpe, P. Koto music I (1973). Michael Hannan, amplified pf, pre-recorded tape loop. Tall Poppies TP152 6 Wesley-Smith, M. Balibo (1992). Geoffrey Collins, fl; tape. Tall Poppies TP069 15 19:00 THE MAGIC OF STAGE AND SCREEN Prepared by Maureen Meers
13:00 IN A SENTIMENTAL MOOD with Maureen Meers
Styne, J. Excerpts from Funny girl (1964). Barbra Streisand, Omar Sharif, voices. Columbia 507679 2000
fineMusic FM 102.5
Kathryn Selby Bock, J. Excerpts from Fiddler on the roof (1964). Julia Migenes, sop; Zero Mostel, Maria Karnilova, Bert Convy, voices. RCA RCDA-7060 19
12:00 JAZZ THEN AND NOW with Michael Cooper
Nostalgic music and artists from the 30s, 40s and 50s and occasionally beyond, in a trip down many memory lanes 44
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Hermann, B. Soundtrack: Vertigo (1958). Royal Scottish NO/Joel McNeely. Varese Sarabande VSD 5600 55
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Monnot, M. Excerpts from Irma la douce (1956). Zizi Jeanmaire, Roland Petit, Luc Davis, Colette Renard, voices; O/Alexander Faris. Sepia 1120 12
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Humming chorus, from Madama Butterfly. Opera Australia Ch; Australian Opera and Ballet O/Patrick Summers. 4 ABC 462 006-2 Addio fiorito asil, from Madama Butterfly. Joseph Calleja, ten; Giuseppe Verdi O/Riccardo Chailly. 2 Decca 475 250-2 Con onor muore, from Madama Butterfly. Cheryl Barker, sop; O Victoria/Richard Bonynge. Melba MN-301085 22:00 AFTER HOURS with Kevin Jones
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Sunday - 25th November Schütz, H. Saul, Saul, was verfolgst du mich? Alison Hill, sop; Meg Bragle, sop; Jeremy Budd, ten; Nicholas Mulroy, ten; Matthew Brook, bass; Stuart Young, bass; members of O Révolutionnaire et Romantique. Soli Deo Gloria SDG 705 4
0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 SUNDAY MORNING MUSIC with David Garrett 9:00 CELESTIAL NOTES Prepared by Heather Sykes Rossini, G. Petite Messe solennelle (1863). Krassimira Stoyanova, sop; Birgit Remmert, cont; Steve Davislim, ten; Hanno MüllerBrachmann, bass; RIAS Chamber Choir; Philip Mayers, pf; Philip Moll, pf; Ryoko Morooka, harmonium; Marcus Creed, cond. Harmonia Mundi HMX 2908250.79 1:20 10:30 CHAMBER MASTERWORKS Prepared by Judy Ekstein Françaix, J. L’heure du berger (1947). Gaudier Ensemble. Hyperion CDA67036 7 Milhaud, D. Scaramouche, op 165c (1937). Pekka Savijoki, sax; Margit Rahkonen, pf. BIS CD-209
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Mendelssohn, F. Quartet in E minor, op 44 no 2 (1837/39). Coull String Quartet. Hyperion CDS 44051/53 29 Fauré, G. Quintet no 2 in D minor, op 115 (1921). Jean-Phillipe Collard, pf; Parrenin Quartet. EMI CMS 7 62548 2 34 12:00 CLASSIC JAZZ AND RAGTIME with John Buchanan 13:00 WORLD MUSIC: Whirled Wide with Linda Marr 14:00 SUNDAY SPECIAL John Eliot Gardiner and Co Prepared by Stephen Schafer Beethoven, L. Overture to Coriolan, op 62 (1807). O Révolutionnaire et Romantique. Soli Deo Gloria SDG 705 7 Mozart, W. Piano concerto no 27 in B flat, K595 (1791). Malcolm Bilson, fp; English Baroque Soloists. Archiv 427 652-2 31 Mendelssohn, F. Mitten wir im Leben sind, op 23 no 3 (1830). Monteverdi Choir; O Révolutionnaire et Romantique. Soli Deo Gloria SDG 702 9 Massenet, J. Suite no 4: Scènes pittoresques (1874). Monte-Carlo National Opera O. Erato 4509-99771-2 17 Brahms, J. Symphony no 1 in C minor, op 68 (1855-76). O Révolutionnaire et Romantique. Soli Deo Gloria SDG 702 44
Kuhnau, J. Der Gerechte kömmt um (arr. J.S. Bach). Monteverdi Choir. Soli Deo Gloria SDG 156 8 Bach, J.S. Brandenburg concerto no 3 in G, BWV1048 (c1711-13). Soli Deo Gloria SDG 138 12 Vergnügte Ruh’, beliebte Seelenlust, from Cantata, BWV170 (1726). Michael Chance, ct. Soli Deo Gloria SDG 156 23 English Baroque Soloists (3 above) John Eliot Gardiner, cond (all above) 17:00 HOSANNA Prepared by Warwick Bartle Hymns: King of glory; How shall I sing that Majesty; O for a thousand tongues. Massed choirs; Martin How, org; Michael Laird Brass Ensemble/Lionel Deicers. Argo 421418-2 11 Gounod, C. Kyrie; Sanctus; Benedictus; Agnus Dei, from Messe solennelle de Sainte Cécile. Pilar Lorengar, ten; Heinz Hoppe, bass; Choeurs René Duclos; Henriette Puig-Roget, org; Conservatoire Concerts Society O/Jean-Claude Hartemann. EMI 5 74730 2 18 Howells, H. A hymn for St Cecilia; Like as the hart; Holy spirit ever dwelling. 11 Psalm 150: Praise God in his holiness. 2 Choir of Lincoln Cathedral; James Vivian, org; Colin Walsh, cond (2 above) Priory PRCD 454 Hymn: Let all the world. Massed Choirs; Martin How, org; Michael Laird Brass Ensemble/Lionel Deicers. Argo 421 418-2 6 Mulet, H. Carillon-sortie (1911). Francis Jackson, org. Chandos CHAN 6602 5 18:00 WHAT’S ON AT THE CON with Julie Simonds A monthly program of music, news and interviews from the Sydney Conservatorium 19:00 OPERA HIGHLIGHTS Prepared by David Rossell Puccini, G. In this palace, from Turandot (1920-24; compl. Alfano 1926). Katia Ricciarelli, sop; Plácido Domingo, ten; Vienna State Opera Ch; Vienna PO/Herbert von Karajan. DG 410 645-2 8
Edward Elgar Saint-Saëns, C. Spring that begins, from Samson and Delilah (1877). Lauris Elms, cont; West Australian SO/Geoffrey Arnold. ABC 442 371-2 6 Wagner, R. The time is up, from The flying Dutchman (1841). Bryn Terfel, bass-bar; Berlin PO/Claudio Abbado. DG 471 348-2 11 19:30 SUNDAY NIGHT CONCERT Prepared by Paul Hopwood Delibes, L. Suite from Coppélia (1870). New Philharmonia O/Charles Mackerras. EMI CDZ 7 62515 2 12 Arnold, M. Clarinet concerto no 1, op 20 (1948). Janet Hilton, cl; Bournemouth Sinfonietta/Norman Del Mar. EMI CDM 7 63491 2
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Elgar, E. Symphony no 1 in A flat, op 55 (19078). Royal PO/André Previn. Philips 464 359-2 52 21:00 NEW HORIZONS Prepared by Robert Small Ginastera, A. Cello concerto no 2, op 50 (1980). Mark Kosower, vc; Bamberg SO/Lothar Zagrosek. Naxos 8.572372 35 Davidson, R. Three sketches (1999). Stables Ensemble. Wirripang WIRR 037 10 Vine, C. Sonata no 3 (2007). Adam Herd, pf. Master Performers MP 004 22 Armanini, M. Rain in the forest (2001). Vivian Xia, yangquin; Latvian NSO/John Zoltek. Centrediscs CMCCD 13108 17 22:30 ULTIMA THULE fineMusic FM 102.5
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Monday - 26th November 11:30 FISCHER-DIESKAU’S SCHUBERT Prepared by Jan Brown Schubert, F. A funeral fantasy, D7 (1811). The paricide, D10 (1811).
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Dietrich Fischer-Dieskau, bar; Gerald Moore, pf (2 above) DG 477 5766 12:00 SWING SESSIONS with John Buchanan 13:00 ENGLISH COMPOSERS IN FOCUS Prepared by Mark Bosch Walton, W. Overture: Portsmouth Point (1925). London PO/Bryden Thomson. Chandos CHAN 8968
Martha Argerich 0:00 CLASSIC-ALL THROUGH THE NIGHT 6:00 MUSIC FOR A NEW DAY including Arts Calendar at 7.30am with Robert Small 9:00 DIVERSIONS IN FINE MUSIC Inspired by opera Prepared by Elaine Siversen Pasculli, A. Concerto on themes from La favorita by Donizetti. Heinz Holliger, ob; Gabriel Bürgin, pf. Philips 426 288-2
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10:00 MORNING CONCERT Prepared by Anne Irish
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Rachmaninov, S. Piano concerto no 3 in D minor, op 30 (1909). Martha Argerich, pf; Berlin RSO/Riccardo Chailly. Philips 464 732-2 41
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fineMusic FM 102.5
Britten, B. Four sea interludes, from Peter Grimes, op 33a (1944-45). Ulster O/Vernon Handley. Chandos CHAN 8473 16
Delius, F. In a summer garden (1908). London SO/Anthony Collins. Belart 461 3582 10 14
Liszt, F. Reminiscences of Lucrezia Borgia by Donizetti, version 2 (1848). William Wolfram, pf. Naxos 8.570137 24
Grieg, E. Symphony in C minor (1864). Gothenburg SO/Neeme Järvi. DG 427 321-2
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Bridge, F. Three idylls (1906). Coull Quartet. Hyperion CDA66718 15
Glinka, M. Serenade on themes from Anna Bolena by Donizetti (1832). Soloists of Bolshoi TO/Alexander Lazarev. Le Chant du Monde LDC 288 068 17
Gade, N. Overture: Hamlet, op 37 (1861). Danish National RSO/Dmitri Kitaienko. Chandos CHAN 9422
Sviatoslav Richter
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Elgar, E. Cello concerto in E minor, op 85 (1918-19). Jacqueline du Pré, vc; London SO/ John Barbirolli. EMI CZS 5 68132 2 30 14:30 A TRIBUTE TO RUGGIERO RICCI 19182012 Prepared by Chris Blower Sarasate, P. de Gipsy airs (1878). London SO/ Piero Gamba. Decca 433 905-2 8 Paganini, N. Witches’ dance, op 8 (arr. Kreisler). Louis Persinger, pf. Decca 458 191-2
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Respighi, O. Autumn poem (1920-25). Pacific SO/Keith Clark. Reference RR-15CD 15 Ernst, H. Studies nos 2, 3 and 4, from Six polyphonic studies for solo violin (1865). Dynamic CDS 28
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Wieniawski, H. Variations on an original theme, op 15 (1854). Joanna Gruenberg, pf. Unicorn-Kanchana UKCD 2048 10
Mendelssohn, F. Violin concerto in E minor, op 64 (1844). Netherlands RPO/Jean Fournet. Decca 417 687-2 28 Ruggiero Ricci, vn (all above) 16:00 KEEPING YOU COMPANY including Arts Calendar at 5.00pm Prepared by Tom Forrester-Paton 19:00 A TWIST OF JAZZ with Andrew Piper 20:00 STORMY MONDAY with Austin Harrison and Garth Sundberg 22:00 KEYBOARD CONTRASTS Chopin, F. Ballade no 1 in G minor, op 23 (1832). Arturo Benedetti Michelangeli, pf. Ermitage ERM 211-2
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Franck, C. Prelude, chorale and fugue (1887). Sviatoslav Richter, pf. Aura AUR 406-2 20 Kats-Chernin, E. Page turn (2000). Daniel del Pino, pf. 6 ABC 461 651-2 Brahms, J. Piano quartet no 3 in C minor, op 60 (1855-75). Quartet of Soloists of Camerata St Petersburg. High Definition Classics INF 30 35 Granados, E. Playera; Oriental, from Spanish dances, op 5 (1892-1900). Peter Schmalfuss, pf. 8 Pilz 160 332 Soler, A. Sonata in F sharp, no 79. Gilbert Rowland, hpd. Naxos 8.557937
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Schubert, F. Fantasy in F minor, D940 (1828). Gabriella Molnár, Erika Rézmüves, pf. Amadis 7152 18
Tuesday - 27th November
Mitsuko Uchida
Robert King. Photo - Keith Saunders
Felicity Lott
0:00 CONTEMPORARY COLLECTIVE
11:30 ITALIAN BAROQUE Prepared by Frank Morrison
15:00 MUSIC FROM SPAIN
3:00 CLASSICAL TILL DAWN 6:00 MUSIC FOR A NEW DAY including Arts Calendar at 7.30am with Julie Simonds 9:00 DIVERSIONS IN FINE MUSIC Pianist of choice: Mitsuko Uchida Prepared by Sheila Catzel Mozart, W. Sonata no 14 in C minor, K457 (1784). Philips 412 617-2 18 Schubert, F. Sonata no 13 in A, D664 (1819). Philips 475 6282 19 Debussy, C. Études from 12 Études (1915): no 2, pour les tierces; no 3, pour les quartes; no 4, pour les sixtes. 13 Mitsuko Uchida, pf (all above) Philips 456 982-2 10:00 MORNING CONCERT Prepared by Angela Bell Telemann, G. Overture in A minor, TWV55. Siri Rovatkay-Sohns, rec; Capella Agostino Steffani/Lajos Rovatkay. EMI 7 54554 2 25 Kodály, Z. Dances of Galánta (1933). Brno State PO/José Serebrier. BIS CD-875 16 Mozart, W. Piano concerto no 14 in E flat, K449 (1784). Mitsuko Uchida, pf; English CO/ Jeffrey Tate. Philips 473 313-2 22 Marsh, J. Symphony no 6 in D (1796). London Mozart Players/Matthias Bamert. Chandos CHAN 10458 18
Sammartini, G.B. Sonata in G. Brisbane Baroque Trio. Jade JADCD 1030
Falla, M. de Suite from The three-cornered hat (1919). Daniel Ligorio, pf. Naxos 8.555066 18 9
Locatelli, P. Sonata. André Navarra, vc; Erika Kilcher, pf. Calliope CAL 5673 17
Soler, A. Three sonatas (orch. R. Halffter). Alfonso Moreno, gui; Mexico State SO/Enrique Bátiz. LP HMV ESD 1651051 11
12:00 JAZZ RHYTHM with Jeannie McInnes
Arriaga, J. Symphony in D minor (1824). Scottish CO/Charles Mackerras. Hyperion CDA66800
13:00 NOT THAT WATER MUSIC Prepared by Phil Vendy
16:00 KEEPING YOU COMPANY including Arts Calendar at 5.00pm Prepared by Michael Morton-Evans
Telemann, G. Overture in C: Water music, Hamburg ebb and flow. King’s Consort/Robert King. Hyperion CDA66967 23
19:00 THE JAZZ BEAT with Lloyd Capps
Catalani, A. Dance of the water nymphs, from Loreley (1890). BBC PO/Gianandrea Noseda. Chandos CHAN 10634
22:00 BEYOND ROMANTICISM Prepared by Frank Morrison 6
Alwyn, W. String quartet no 2, Spring waters (1975). Quartet of London. Chandos CHAN 9219 22 Górecki, H. Broad waters, op 39 (1979). Lyra Chamber Ch/Lucy Ding. Nonesuch 7559 79348-2 15 Boyd, A. String quartet no 2, Play on the water (1973). Sydney Quartet. ABC 462 007-2 26 Stuck, J-B. The waters of Thomery (1711). Taryn Fiebig, sop; Ensemble Battistin. ABC 476 6181 16
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20:00 RECENT RELEASES with Stephen Wilson
Holland, D. Trio (1944). Shirin Lim, vn; Claire Oremland, vc; Greg Roberts, pf. Jade JADCD 1027 17 Britten, B. Les illuminations, op 18 (1939). Felicity Lott, sop; English CO/Steuart Bedford. Naxos 8.557206 22 Enescu, G. Sonata no 3 (1926). Patricia Kopatchinskaja, vn; Mihaela Ursuleasa, pf. naïve V 5193 27 Turina, J. El castillo de Almodover, op 65 (1915). Catrin Mair Williams, hp; Gran Canaria PO/Adrian Leaper. ASV DCA 1066 15 Dohnányi, E. Concert piece in D, op 12 (1905). János Starker, vc; Seattle SO/Gerard Schwarz. Delos DE 3095 24 fineMusic FM 102.5
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Wednesday - 28th November 11:30 SACRED VOICES Prepared by Elaine Siversen Ryba, J. Missa pastoralis in D (1788). Dagmar Vankátová, sop; Pavla Ksicová, cont; Vladimír Dolezal, ten; Václav Sibera, bass; Josef Ksica, org; Czech Madrigalists Ch & O/Frantisek Xaver Thuri. Naxos 8.554428 13 Hummel, J. Te Deum (1799). Patricia Wright, sop; Zan McKendree-Wright, cont; Patrick Power, ten; David Griffiths, bass; Tower Voices New Zealand; New Zealand SO/Uwe Grodd. Naxos 8.557193 12 Kurt Sanderling 0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 MUSIC FOR A NEW DAY including Arts Calendar at 7.30am with Troy Fil 9:00 DIVERSIONS IN FINE MUSIC Aspects of Baroque Prepared by Paul Hopwood
13:00 YOUTH DEVELOPMENT HOUR Supported by St Catherine’s School, Waverley 14:00 A PRAGUE AFFAIR Prepared by Randolph Magri-Overend Dvorák, A. Fanfare for the festive opening of the Regional Exhibition in Prague (1891). London Gabrieli Brass Ensemble/Christopher Larkin. Hyperion CDA66470 2
Bach, C.P.E. Sonata in A minor, Wq49 no 1, Württemberg (1742). Andreas Staier, hpd. Harmonia Mundi RD 77025 14
Smetana, B. Prague carnival (1883). BBC PO/ Gianandrea Noseda. Chandos CHAN 10413 6
Bach, J.S. Brandenburg concerto no 4 in G, BWV1049 (1720). Suk CO/Josef Suk, vn & dir. Vanguard OVC 7002/03 15
Dvorák, A. Five Prague waltzes (1879). Russian PO/Dmitry Yablonsky. Naxos 8.557352 9
Hertel, J. Bassoon concerto in A minor. Daniel Smith, bn; English CO/Philip Ledger. ASV CDQS 6177 17
Mozart, W. Symphony no 38 in D, K504, Prague (1786). English Sinfonia/Charles Groves. IMP PCD 892 36
Rosenmüller, J. Sonata VII a 4 (pub. 1682). The King’s Noyse. Harmonia Mundi HMU 907179 7 10:00 MORNING CONCERT Prepared by Derek Parker Beethoven, L. Overture to King Stephen, op 117 (1811). London SO/Yondani Butt. Nimbus NI 6144 7 Mozart, W. Piano concerto no 25 in C, K503 (1786). English CO/Murray Perahia, pf & dir. Sony SX4K 46 442 32 Tchaikovsky, P. Symphony no 4 in F minor, op 36 (1877). Leningrad PO/Kurt Sanderling. DG 447 423-2 44
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12:00 THE SOUND OF JAZZ with Kevin Jones
fineMusic FM 102.5
15:00 IN CONVERSATION with Michael Morton-Evans What exactly does it take to make music? Leading musicians, composers and performers, both local and visiting from overseas, will be talking live on air telling us why they do it and how they do it. 16:00 KEEPING YOU COMPANY including Arts Calendar at 5.00pm Prepared by Peter Kurti 19:00 JAZZ STARS AND STRIPES with Peter Mitchell 20:00 AT THE OPERA Prepared by Brendan Walsh Strauss, R. Die Frau ohne Schatten. Opera in three acts. Libretto by Hugo von Hoffmansthal. First performed Vienna, 1919.
Júlia Várady EMPEROR: Plácido Domingo, ten EMPRESS: Julia Varady, sop BARAK: José van Dam, bar HIS WIFE: Hildegard Behrens, sop Vienna State Opera Ch; Vienna PO/Georg Solti. Decca 436 243-2 3:16 As the Empress is the daughter of the SpiritKing she is barren and does not cast a shadow. She is ordered to return to her father while the Emperor is turned to stone. She offers the dyer Barak’s wife wealth and a young lover in exchange for her shadow. When the wife tells Barak she has renounced motherhood he attacks her. The Empress pities his distress and returns the shadow. All are transported to the Spirit-Kingdom. Though the Emperor is turned to stone, the Empress still refuses Barak’s wife’s shadow. Having shown humanity, she is given a shadow and all ends happily. 23:30 RAY RESNIK PLAYS FIRST RECORDINGS Produced by Edda Filson RECORDED BY FINE MUSIC Ray Resnik, now known as Ray Lemond, recorded a series of programs, each premiering one or more previously unrecorded piano works. Chaminade, C. Meditation in D flat, op 76 6 no 6. Carr-Boyd, A. Stars (1976). 12 8 Poulenc, F. Novelettes (1927-28). Ravel, M. Minuet in G on the name of Haydn 2 (1909). Ray Resnik, pf (all above)
Thursday - 29th November 0:00 CONTEMPORARY COLLECTIVE
12:00 JAZZ, PURE AND SIMPLE with Maureen Meers
3:00 CLASSICAL TILL DAWN
13:00 NO DRUMS, NO TRUMPETS Prepared by Stephen Wilson
6:00 MUSIC FOR A NEW DAY including Arts Calendar at 7.30am with Simon Moore
Wirén, D. Serenade for strings, op 11 (1937). Gothenburg RSO/Sixten Eckerberg. Caprice CAP 21761 14
9:00 DIVERSIONS IN FINE MUSIC Composer focus Prepared by Oscar Foong Donizetti, G. Ah! mes amis, quel jour de fête! … Pour mon âme quel destin! from The daughter of the regiment (1840). Juan Diego Flórez, ten; Nikola Mijailovic, bar; Milan Giuseppe Verdi Symphony Ch & O/Riccardo Frizza. Decca 473 440-2 7 Liszt, F. Grand fantasy I, from Reminiscences of Donizetti’s Lucrezia Borgia (1848). Leslie Howard, pf. Hyperion CDA67101/2 11 Donizetti, G. Excerpts from Maria Stuarda (1835). Edita Gruberova, sop; Munich RO/Elio Boncompagni. Nightingale NC180560-2 6 Sinfonia in D minor for the death of Capuzzi (1818; reconstr. Andreae). Camerata Budapest/ Lászlo Kovács. Marco Polo 8.223701 10 Mad scene, from Lucia di Lammermoor (1835). Joan Sutherland, sop; Rinaldo Pelizzoni, ten; Robert Merrill, bar; Cesare Siepi, bass; Santa Cecilia Academy Ch & O/John Pritchard. Decca 475 7981 16 10:00 MORNING CONCERT Janácek, L. Sinfonietta (1926). Slovak RSO/ Ondrej Lenárd. Naxos 8.550411 22 Mendelssohn, F. Psalm 42: Wie der Hirsch schreit, op 42 (1837). Eva-Maria Kuhrau, sop; Munich Oratorio Ch; Radio SO Pilsen/Andreas Hantke. Arte Nova 74321 37639 2 25 Rubinstein, A. Piano concerto no 4 in D minor, op 70 (1864). Larisa Shilovskaya, pf; Moscow SO/Alexander Anisimov. Amadis 7150 35 11:30 MENDELSSOHN IN MINOR MODE Mendelssohn, F. Movement in G minor; Andante in D minor; Fugue in D minor for violin and piano (1820). Nomos Duo. Naxos 8.554725
Albrechtsberger, J. Double concerto in F (arr. Behrend). Marianne Klatt, fl; Michael Tröster, gui; German Plucked-String CO/Siegfried Behrend. Thorofon CTH 2025 14 Mendelssohn, F. String symphony no 9 in C, Swiss (1823). Members of the Australian CO/ Richard Tognetti. Sony SK 57484 26 14:00 BRIGITTE ENGERER, 1952-2012 Fiery Russian emotionalism and cool French rationalism Prepared by Sheila Catzel Liszt, F. Pensée des morts, from Poetic and religious harmonies (1845-52). naïve V 5061 12 Chopin, F. Nocturnes: in G, op 37 no 2 (1840); in E, op 62 no 2 (1846). Harmonia Mundi HMG 501430.31 12
Sonata in F minor, op 4 (1825; arr. Nordmann). Patrice Fontanarosa, vn; Marielle Nordmann, hp. EMI 5 56359 2 18
20:00 EVENINGS WITH THE ORCHESTRA The symphonies of Tchaikovsky Prepared by Paul Hopwood Balakirev, M. Symphonic poem: Russia (186469). Philharmonia O/Yevgeny Svetlanov. Hyperion CDA66691-2 15 Arensky, A. Piano concerto in F minor, op 2 (1882). Stephen Coombs, pf; BBC Scottish SO/ Jerzy Maksymiuk. Hyperion CDA66624 26 Rimsky-Korsakov, N. Fairy tales, op 29 (187980). USSR SO/Yevgeny Svetlanov. Melodiya MA 23325 009 18
Beethoven, L. Sonata no 31 in A flat, op 110 (1821-22). Harmonia Mundi HMC 901346 20
Tchaikovsky, P. Symphony no 5 in E minor, op 64 (1888). London PO/Mstislav Rostropovich. EMI 5 65709 2 52
Chopin, F. Nocturne in G minor, op 37 no 1 (1840). Harmonia Mundi HMG 501430.31 7
22:00 CHAMBER SOIRÉE Prepared by Chris Blower
Brigitte Engerer, pf (all above) 15:00 FOREST DWELLERS Prepared by Angela Bell Curzon, F. Suite: Robin Hood (1936). CzechoSlovak RSO/Adrian Leaper. Naxos 8.554709 12 Bax, A. Nympholept (1912). Royal Scottish NO/ David Lloyd-Jones. Naxos 8.555343 16 Novák, V. Toman and the wood nymph, op 40 (1907). BBC PO/Libor Pesek. Chandos CHAN 9821 26
8
Karin Schaupp
16:00 KEEPING YOU COMPANY including Arts Calendar at 5.00pm Prepared by Shamistha de Soysa 19:00 JAZZ VIBES with Matt Bailey
Ysaÿe, E. Sonata in E, op 27 no 6 (1924). Dene Olding, vn. 7 Fine Music Tape Archive Beethoven, L. Quartet in F, op 18 no 1 (1800). Goldner String Quartet. ABC 476 3541 29 Boccherini, L. Quintet no 4 in D, Fandango (1798). Karin Schaupp, gui; Flinders Quartet. ABC 476 4435 24 Benjamin, A. Sonatina (pub. 1924). John Harding, vn; Ian Munro, pf. Tall Poppies TP134
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Biber, C. Sonata in D. Paul Plunkett, tpt; Julie Hewison, vn; Lucinda Moon, vn; Jenny Ingram, va; Miriam Morris, vc; Linda Kent, org. Move MD 3127 6 Mendelssohn, F. String octet in E flat, op 20 (1825). Members of Australian CO/Richard Tognetti. Sony SK 57484 30 fineMusic FM 102.5
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Friday - 30th November
Olivier Charlier
Ernest Chausson Sibelius, J. Symphony no 5 in E flat, op 82 (1915/19). Gothenburg SO/Neeme Järvi. BIS CD-222 34
Chopin, F. Barcarolle in F sharp, op 60 (184546). EMI 7 01796 2 9
11:30 THE FRENCH MÉLODIE Prepared by Rex Burgess
Liszt, F. Liebesträume (1845-49). Mala-Daki MAM 29464
9:00 DIVERSIONS IN FINE MUSIC Small forces Prepared by Chris Blower
Chausson, E. Les papillons, op 2 no 3; Le colibri, op 2 no 7, from Seven melodies (1882). Ann Murray, sop; Roger Vignoles, pf. Virgin VC 7 91179-2 4
Chopin, F. Fantasie-impromptu in C sharp minor, op 66 (1835). EMI 7 01796 2
Ravel, M. Pavane pour une infante défunte (1899; arr. Lynch). Prudence Davis, fl; Jeffrey Crellin, ob; Peter Lynch, gui. Move MD 3090 6
Dans la forêt du charme et de l’enchantement, op 36 no 2 (1898). Stephen Varcoe, bar; Graham Johnson, pf. Hyperion CDA66248 3
0:00 CONTEMPORARY COLLECTIVE 3:00 CLASSICAL TILL DAWN 6:00 MUSIC FOR A NEW DAY including Arts Calendar at 7.30am with Janine Burrus
Bruch, M. Kol nidrei, op 47 (c1881; arr. Neumann). Felix Schmidt, vc; Annette Cole, pf. IMP PCD 891 11
Réveil, op 11 no 2 (1883). Ann Murray, sop.
4
La caravane, op 14 (1887).
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Holst, G. St. Paul’s suite, op 29 no 2 (1912-13; arr. Walsh). Guitar Trek. ABC 432 698-2 13
Philip Langridge, ten; Roger Vignoles, pf (2 above) Virgin VC 7 91179-2
Mendelssohn, F. Quintet in C minor (1822; arr. Baermann). Consortium Classicum; Dieter Klöcker, cl & dir. Orfeo C314 941 A 22
Chanson perpetuelle, op 37 (1898). Jessye Norman, sop; Ronald Patterson, vn; Salvatore Sansalone, vn; Jean-Pierre Pigerre, va; Lane Anderson, vc; Michel Dalberto, pf. Erato 2292 45368-2 7
10:00 MORNING CONCERT Prepared by Stephen Wilson Salieri, A. Ballet: Pafio and Mirra (1778). Mannheim Mozart O/Thomas Fey. Hänssler 98.506 Lalo, E. Violin concerto in F, op 20 (1873). Olivier Charlier, vn; BBC PO/Yan Pascal Tortelier. Chandos CHAN 9758 50
Franz Liszt
fineMusic FM 102.5
13:00 TRIBUTE TO MARILYN MEIER 19642012 Prepared by Randolph Magri-Overend Liszt, F. Hungarian rhapsody no 12 (1853). Mala-Daki MAM 29464
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Debussy, C. Sarabande, from For the piano (1901). LP Chartreuse MAM 29464 5 Chopin, F. Waltz in A flat, op 34 (1835). EMI 7 01796 2
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Marilyn Meier, pf (all above) 14:00 SHORTER SYMPHONIES Prepared by Rex Burgess Bach, C.P.E. Symphony no 4 in G, Wq183 no 4 (1776). Amsterdam Baroque O/Ton Koopman. Erato ECD 75550 11 Boccherini, L. Symphony in D (1765). Ensemble 415/Chiara Banchini. Harmonia Mundi HMC 901291
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Holzbauer, I. Symphony in D minor. L’Orfeo Baroque O/Michi Gaigg. cpo 999 585-2 7
12:00 NOONTIME JAZZ with Peter Mitchell 24
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14:30 MAINLY HARP Prepared by Oscar Foong 11
Schubert, F. Overture to The magic harp, D644 (1820). Vienna SO/Nikolaus Harnoncourt. Apex 0927 498132 11
Friday - 30th November
David Lloyd Jones
Christa Ludwig
Handel, G. Harp concerto in B flat, op 4 no 6 (1735-36). Frances Kelly, hp; Brandenburg Consort/Roy Goodman. Hyperion CDA67291/92 13 Respighi, O. Suite for strings (1902; rev. di Vittorio). Laura Marzdori, vn; New York CO/ Salvatore di Vittorio. Naxos 8.572332 28 Alwyn, W. Harp concerto, Lyra angelica (1954). Royal Liverpool PO/David Lloyd Jones. Naxos 8.557647 28 16:00 KEEPING YOU COMPANY including Arts Calendar at 5.00pm Prepared by Oscar Foong
William Boyce
Liszt, F. Hungarian rhapsody no 14 in F minor (1852). Michele Campanella, pf. Philips 438 371-2 12 Brahms, J. Alto rhapsody, op 53 (1869). Christa Ludwig, cont; Vienna Singverein; Vienna PO/ Karl Böhm. DG 459 335-2 16 Schubert, F. Hungarian rhapsody in B minor, D817 (1824). Gerard Willems, pf. MBS 40 CD 4 Svendsen, J. Norwegian rhapsody no 4, op 22 (1877). Bergen SO/Karsten Andersen. NKFCD 50009-2 13
19:00 FRIDAY JAZZ SESSION with Sally Cameron
Saint-Saëns, C. Three rhapsodies on Breton songs, op 7 (1866). Hans Fagius, org. BIS CD-555 16
20:00 THE ROMANTIC CENTURY Romantic rhapsodies Prepared by Chris Blower
Glazunov, A. Oriental rhapsody, op 29 (1889). Moscow SO/Igor Golovchin. Naxos 8.553512 27
22:00 BAROQUE AND BEFORE Prepared by Angela Bell Wassenaer, U. Concerto armonico no 4. Aradia Ensemble. Naxos 8.555384
10
Blankenburg, Q. Cantata: L’apologie des femmes (1715). Maarten Koningsberger, bar; Academy of the Begynhof, Amsterdam. Globe GLO 5055 12 Hellendaal, P. Concerto grosso in D, op 3 no 5 (pub. c1758). Combattimento Consort Amsterdam. NM Classics 92019 17 Schenck, J. Sonata no 1 in B minor, from Nymphs of the Rhine, vol 1, op 8 (c1700). Les Voix Humaines. Naxos 8.554414 15 Handel, G. Concerto grosso in G minor, op 6 no 6 (1739). Emanuel Hurwitz, vn; Raymond Keenlyside, vn; Keith Harvey, vc; Leslie Pearson, hpd; English CO/ Raymond Leppard, hpd & dir. Philips 426 465-2 15 Boyce, W. Peleus and Thetis, a masque (1740). Opera Restor’d/Peter Holman. Hyperion CDA66935 41
Dvorák, A. Rhapsody in A minor, op 14 (1874). Slovak PO/Libor Pesek. Marco Polo HK 8.220420 17
Key
Music duration is shown after the record and citation SO: Symphony Orchestra PO: Philharmonic Orchestra NO: National Orchestra RO: Radio Orchestra FO: Festival Orchestra CO: Chamber Orchestra TO: Theatre Orchestra RSO: Radio Symphony Orchestra RTO: Radio & Television Orchestra Prom O: Promenade Orchestra
Ch & O: Chorus & Orchestra NSO: National Symphony Orchestra alto: male alto ban: bandoneon bar: baritone bshn: basset horn bass: bass bn: bassoon bass-bar: bass-baritone cl: clarinet clvd: clavichord
cont: contralto cora: cor anglais ct: counter-tenor db: double bass dbn: double bassoon elec: electronic eng horn: English horn fl: flute fp: fortepiano gui: guitar hn: French horn hp: harp
hpd: harpsichord mand: mandolin mar: marimba mezz: mezzo-soprano narr: narrator ob: oboe org: organ perc: percussion pf: piano rec: recorder sax: saxophone sop: soprano
tb: trombone ten: tenor timp: timpani tpt: trumpet treb: treble voice va: viola vc: cello vle: violone vn: violin
fineMusic FM 102.5
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The following composers have works of at least five minutes on the November dates listed Adam, A. 1803-1856 14 Adams, J. b1947 6 Agrell, J. 1701-1765 8 Albicastro, H. fl 1700-1706 8 Albinoni, T. 1671-1751 4 Albrechtsberger, J. 1736-1809 29 Alwyn, W. 1905-1985 14,27,30 Alyabyev, A. 1787-1851 15 Anglebert, J-H. 1635-1691 5 Arensky, A. 1861-1906 14,29 Armanini, M. 20th c 25 Arnold, M. 1921-2006 25 Arriaga, J. 1806-1826 27 Assad, S. b1952 4 Auber, D-F-E. 1782-1871 1 Avison, C. 1709-1770 8 Bach, C.P.E. 1714-1788 13,28,30 Bach, J. Christian 1735-1782 19 Bach, J.S. 1685-1750 2,4,9,10,14, 15,16,18,22,23,25,28 Balakirev, M. 1837-1910 21,29 Bandt, R. b1951 18 Bartók, B. 1881-1945 2,17,21 Bax, A. 1883-1953 29 Beck, F. 1734-1809 7 Beethoven, L. 1770-1827 1,3,7, 9,11,13,19,20,21,24,25,28,29 Benda, G. 1722-1795 7,22 Benjamin, A. 1893-1960 29 Berg, A. 1885-1935 9 Bériot, C-A. de 1802-1870 15,22 Berlioz, H. 1803-1869 1 Bernstein, E. b1922 10 Berwald, F. 1796-1868 1 Biber, C. 18th c 29 Biber, H. 1644-1704 4,18 Bizet, G. 1838-1875 1,2,10,11,18,23 Blanc, A. 1828-1885 15 Blankenburg, Q. 1654-1739 30 Boccherini, L. 1743-1805 29,30 Bock, J. b1928 24 Boëllmann, L. 1862-1897 16 Boëly, A. 1785-1858 19 Boismortier, J. de 1689-1755 22 Boito, A. 1842-1918 1 Bolleter, R. b1946 18 Borodin, A. 1833-1887 1,10 Boyce, W. 1711-1779 30 Boyd, A. b1946 24,27 Bracanin, P. b1942 10 Brahms, J. 1833-1897 8,13,22,24,25,26,30 Bridge, F. 1879-1941 26 Britten, B. 1913-1976 11,15,26,27 Brixi, F. 1732-1771 7 Bruch, M. 1838-1920 30 Brumby, C. b1933 1 Buxtehude, D. 1637-1707 4,18,23
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fineMusic FM 102.5
Cabezón, A. de 1510-1566 16 Carr-Boyd, A. b1938 28 Casella, A. 1883-1959 15 Catalani, A. 1854-1893 9,27 Chabrier, E. 1841-1894 24 Chaminade, C. 1857-1944 28 Charpentier, M-A. 1635-1704 9 Chatman, S. b1950 1 Chávez, C. 1899-1978 6 Cherubini, L. 1760-1842 3,15 Chesworth, D. b1958 18 Chopin, F. 1810-1849 6,7,14,17,20,23,26,29,30 Clementi, M. 1752-1832 20 Cocker, N. 1889-1953 10 Coleridge-Taylor, S. 1875-1912 5,15 Collinge, C. 20th c 11 Cooke, A. b1906 20 Crusell, B. 1775-1838 22 Curzon, F. 1899-1973 29 Czerny, C. 1791-1857 23 d’Albert, E. 1864-1932 11,16,19 d’Indy, V. 1851-1931 16,18 Davidson, R. b1965 25 Debussy, C. 1862-1918 10, 11,20,27 Del Tredici, D. b1937 11 Delibes, L. 1836-1891 25 Delius, F. 1862-1934 8,17,26 Dohnányi, E. 1877-1960 2,15,27 Donizetti, G. 1797-1848 29 Doppler, F. 1821-1883 17 Dreyschock, A. 1818-1869 4 Drummond, J. 20th c 18 Duparc, H. 1848-1933 7 Duruflé, M. 1902-1986 4 Dussek, J. 1760-1812 8,22 Dvorák, A. 1841-1904 1,3,4,7,8,15,16,17,18,20,28,30 Egge, K. 1906-1979 22 Elgar, E. 1857-1934 10,12,20,23,25,26 Enescu, G. 1881-1955 27 Ernst, H. 1814-1865 26 Escobedo, B. de c1510-1563 16 Eybler, J. 1765-1846 1 Eyck, J. c1590-1657 21 Falla, M. de 1876-1946 2,23,27 Fauré, G. 1845-1924 18,19,25 Festing, M. 1705-1752 10 Flagello, N. b1928 13 Fontijn, J. b1930 22 Forsyth, M. b1936 1 Foulds, J. 1880-1939 8 Françaix, J. 1912-1997 25 Franck, C. 1822-1890 1,9,16,26 Fredericks, I. b1943 18 Freedman, H. b1922 12 Frumerie, G. de 1908-1987 16 Fucik, J. 1872-1916 18
Gade, N. 1817-1890 6,20,24,26 German, E. 1862-1936 5 Gifford, H. b1935 24 Ginastera, A. 1916-1983 25 Giordano, U. 1867-1948 1 Giuliani, M. 1781-1829 4,6 Glanville-Hicks, P. 1912-1990 24 Glazunov, A. 1865-1936 30 Glinka, M. 1804-1857 15,26 Gluck, C. 1714-1787 19 Goldmark, K. 1830-1915 2,18 Górecki, H. b1933 27 Gottschalk, L. 1829-1869 14 Gounod, C. 1818-1893 9,12,18,25 Grainger, P. 1882-1961 13 Gram, P. 1881-1956 6 Granados, E. 1867-1916 26 Grechaninov, A. 1864-1956 2,23 Grétry, A-E-M. 1741-1813 16,22 Grieg, E. 1843-1907 1,2,9,12,21,26 Guilmant, A. 1837-1911 10
Stepán, J. 1726-1797 10 Stolz, R. 1880-1975 10 Strauss, J. II 1825-1899 8,10 Strauss, Josef. 1827-1870 20 Strauss, R. 1864-1949 3,8,12,17,21,23 Stravinsky, I. 1882-1971 1,4,24 Stuck, J-B. 1680-1755 27 Quantz, J. 1697-1773 17 Styne, J. 1905-1994 10,24 Quilter, R. 1877-1953 12 Suk, J. 1874-1935 4,8,19,22 Rachmaninov, S. 1873-1943 Sullivan, A. 1842-1900 13,17 Suppé, F. 1819-1895 1,3 3,5,7,11,13,16,20,26 Sutherland, M. 1897-1984 20 Rameau, J-P. 1683-1764 4 Svendsen, J. 1840-1911 30 Rautavaara, E. b1928 4 Sweelinck, J. 1562-1621 21 Ravel, M. 1875-1937 Mackenzie, A. 1847-1935 16 2,6,14,17,30 Taneyev, A. 1850-1918 15 Reed, H. b1910 10 Magnard, A. 1865-1914 19 Taneyev, S. 1856-1915 14 Mahler, G. 1860-1911 3,11,17,18 Reesen, E. 1887-1964 6 Tárrega, F. 1852-1909 9 Reger, M. 1873-1916 10 Mainerio, G. c1535-1582 9 Tchaikovsky, P. 1840-1893 2,4, Reicha, A. 1770-1836 5 Marais, M. 1656-1728 9 7,8,10,12,16,17,20,21,23,28,29 Reinecke, C. 1824-1910 8 Marsh, J. 1752-1828 8,27 Telemann, G. 1681-1767 Respighi, O. 1879-1936 Martinu, B. 1890-1959 2,13,23,27 2,8,15,16,19,20,22,26,30 6,19,22 Thalberg, S. 1812-1871 12 Reubke, J. 1834-1858 19 Martucci, G. 1856-1909 5 Thomas, A. 1811-1896 9 Rietz, J. 1812-1877 5 Massenet, J. 1842-1912 5,25 Thomas, J. 1826-1913 23 Riisager, K. 1897-1974 6 Matalon, M. b1958 4 Tozer, G. b1954-2009 7 Hacquart, C. 1640-1730 22 Mendelssohn, F. 1809-1847 Rimsky-Korsakov, N. 1844Turina, J. 1882-1949 9,27 1908 1,15,22,29 3,7,19,22,23,25,26,29,30 Hakanson, K. 1887-1929 6 Rodgers, R. 1902-1979 8 Menotti, G. 1911-2007 15,16 Handel, G. 1685-1759 Roger-Ducasse, J. 1873-1954 Vanhal, J. 1739-1813 4 Milhaud, D. 1892-1974 25 3,5,6,10,18,19,20,23,30 Vaughan Williams, R. 187211 Molter, J. 1696-1765 23 Harty, H. 1879-1941 19 1958 13,18 Mondonville, J-J. de 1711-1772 Romberg, A. 1767-1821 5 Haydn, J. 1732-1809 Verdi, G. 1813-1901 1,12,17,19,20 Rosenmüller, J. c1619-1684 28 4 6,9,11,12,13,16,17,20,23 Victoria, T. de 1548-1611 16 Rossini, G. 1792-1868 2,9,19,25 Hellendaal, P. 1721-1799 21,30 Monn, M. 1717-1750 7 Vieuxtemps, H. 1820-1881 4 Hermann, B. 1911-1975 24 Roussel, A. 1869-1937 8 Monnot, M. 1903-1961 24 Villa-Lobos, H. 1887-1959 24 Herold, F. 1791-1833 3 Rubinstein, A. 1829-1894 29 Morlock, J. b1969 1 Vine, C. b1954 25 Hertel, J. 1727-1789 28 Rue, R. b1950 18 Moyzes, A. 1906-1984 9 Visman, B. b1962 4 Hillborg, A. b1954 11 Mozart, W. 1756-1791 1,2,5,6, Rutter, J. b1945 8 Vivaldi, A. 1678-1741 2 Hindemith, P. 1895-1963 20 Ryba, J. 1765-1815 28 7,8,10,11,17,19,21,25,27,28 Volodos, A. b1972 13 Hirst, D. 20th c 11 Mussorgsky, M. 1839-1881 Vorisek, J. 1791-1825 22 Holbrooke, J. 1876-1958 8 Saint-Saëns, C. 1835-1921 10,23 Holland, D. 1913-2000 27 Myaskovsky, N. 1881-1950 12 1,2,3,5,15,20,25,30 Wagner, R. 1813-1883 Holst, G. 1874-1934 1,30 Myslivecek, J. 1737-1781 4,23 Salieri, A. 1750-1825 30 5,15,19,24,25 Holzbauer, I. 1711-1783 30 Salter, H. 1896-1994 10 Wallace, W. 1860-1940 16 Howells, H. 1892-1983 25 Sammartini, G.B. 1700-1775 27 Walther, J.J. c1650-1717 8 Nathan, I. 1790-1864 17 Hummel, J. 1778-1837 28 Sankey, S. b1927 20 Nicolai, O. 1810-1849 20 Walton, W. 1902-1983 Humperdinck, E. 1854-1921 13 Nielsen, C. 1865-1931 6,12 Sarasate, P. de 1844-1908 14,20,26 5,11,14,26 Novák, V. 1870-1949 29 Wassenaer, U. 1692-1766 Ireland, J. 1879-1962 5,16 Satie, E. 1866-1925 6 Novello, I. 1893-1951 10 21,30 Scarlatti, D. 1685-1757 7 Weber, C.M. 1786-1826 Jadin, L. 1768-1853 1 Offenbach, J. 1819-1880 15 Schaffrath, C. 1709-1763 23 1,12,19,20,23 Janácek, L. 1854-1928 17,29 Schenck, J. 1660-1712 21,30 Onslow, G. 1784-1853 16 Wesley-Smith, M. b1945 24 Janequin, C. c1485-1558 3 Schubert, F. 1797-1828 Orlowski, M. 1811-1861 6 Wesley, S.S. 1810-1876 18 Jongen, J. 1873-1953 22 4,7,11,13,18,22,23,26,27,30 Ortiz, D. c1510-c1570 16 Westlake, N. b1958 11,24 José, A. 1902-1936 4 Schumann, R. 1810-1856 Wieniawski, H. 1835-1880 26 7,8,11,13,23 Paganini, N. 1782-1840 26 Williamson, M. 1931-2003 Kalliwoda, J. 1801-1866 4 Sculthorpe, P. b1929 24 Parry, H. 1848-1918 9,19 13,24 Kálmán, E. 1882-1953 10 Shaw, T. 1755-1830 18 Wirén, D. 1905-1986 29 Kats-Chernin, E. b1957 5,26 Pasculli, A. 1842-1924 12,26 Shostakovich, D. 1906-1975 Wolf, H. 1860-1903 11 Pécou, T. b1965 11 Keiser, R. 1674-1739 9 14,15 Penderecki, K. b1933 4 Wood, C. 1866-1926 18 Kerckhoven, A. van de Sibelius, J. 1865-1957 Philips, P. c1561-1628 9 c1618-1701 22 4,10,22,23,30 Pilati, M. 1903-1938 6 Ysaÿe, E. 1858-1931 29 Kodály, Z. 1882-1967 27 Sinding, C. 1856-1941 5 Pizzetti, I. 1880-1968 8 Korngold, E. 1897-1957 5 Smetana, B. 1824-1884 Pleyel, I. 1757-1831 6,15,16 Zelenka, J. 1679-1745 4,7 Kozeluch, L. 1747-1818 9 1,2,14,18,28 Pokorny, F. 1729-1794 4 Kreutzer, J. 1778-1832 9 Zemlinsky, A. 1871-1942 17 Soler, A. 1729-1783 26,27 Ponce, M. 1882-1948 22 Krommer, F. 1759-1831 4,22 Zipoli, D. 1688-1726 11 Sor, F. 1778-1839 21 Ponchielli, A. 1834-1886 17 Kuhlau, F. 1786-1832 11,19 Stamitz, J. 1717-1757 7 Poulenc, F. 1899-1963 Kuhnau, J. 1660-1722 25 Stanhope, P. b 1969 10 4,13,20,28 Kuula, T. 1883-1918 4 Lalo, E. 1823-1892 9,17,24,30 Lebrun, L. 1752-1790 17 Lehár, F. 1870-1948 3 Lekeu, G. 1870-1894 22 Liszt, F. 1811-1886 5,7,11,12,13,14,21,26,29,30 Litolff, H. 1818-1891 9 Locatelli, P. 1695-1764 27 Loewe, C. 1796-1869 23 Lovreglio, D. 1841-1907 12 Ludwig, M. b1960 3 Lully, J-B. 1632-1687 4,18 Lumbye, H. 1810-1874 19 Lyadov, A. 1855-1914 14
Praetorius, M. c1571-1621 9,23 Prokofiev, S. 1891-1953 6,12,13,17 Puccini, G. 1858-1924 20,24,25 Purcell, H. 1659-1695 2,9
Dresden Staatskapelle
The Flying Dutchman
Mariss Jansons
Agrippina
Strauss
Chailly Berlin Riccardo Philharmonic Leipzig Gewandhaus Orchestra
Mozart
Brahms
Anna Netrebko The Marriage Handel
Michael Volle
of Figaro
Wagner Deutsches Symphonie-Orchester
Music in Germany May 3 - 21, 2013 From $8,690 per person
Academy Travel’s annual offering of top-level musical performances in Germany continues in 2013. Our best-ever line-up features exceptional artists and ensembles in a varied range of works, with a focus on the German musical tradition from Handel to Richard Strauss. The best available seats at five operas and four orchestral concerts are included in the tour price. Accommodation in selected four and five star hotels in Berlin (6 nights), Leipzig (3 nights), Dresden (3 nights), Weimar (1 night), Frankfurt (2 nights) and Baden-Baden (3 nights). The tour is led by Robert Gay, one of Australia’s most experienced and respected music educators and tour leaders.
Berlin
GERMANY Leipzig
Dresden
Weimar Frankfurt
For a detailed itinerary visit www.academytravel.com.au
Baden-Baden
tailored small group Journeys
Rienzi
Orlando Richard
Kent Nagano
Nine outstanding Performances In Berlin ❖ Wagner’s Der fliegende Hollander ❖ Handel’s Agrippina ❖ Berlin Philharmonic Orchestra, Mariss Jansons, Brahms and Bartok. In Leipzig ❖ Leipzig Gewandhaus Orchestra, Riccardo Chailly, all-Brahms concert In Dresden ❖ Halevy’s grand opera La juive ❖ Handel’s Orlando, conducted by Rene Jacobs In Frankfurt ❖ Wagner’s rarely performed Rienzi In Baden-Baden ❖ Deutsches Symphonie-Orchester, Kent Nagano, Richard Strauss and Brahms ❖ Mozart’s Marriage of Figaro, all-star cast led by Anna Netrebko
› Expert tour leaders › Maximum 20 in a group › Carefully planned itineraries Level 1, 341 George St Sydney NSW 2000 Phone: + 61 2 9235 0023 or 1800 639 699 (outside Sydney) Fax: + 61 2 9235 0123 Email: info@academytravel.com.au Web: www.academytravel.com.au
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Book & CD fair @ BALMAIN Thousands of books and CDs for sale!
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FINE MUSIC FRIENDS Benefactors
Mr Michael Ahrens, Mr Robert O Albert, Dr David Block, Mr Johann Bosch, Mr J D O Burns, Mrs L Alison Carr, Mr Michael Carter, Hon Mr Justice D Davies SC, The Berg Family Foundation, Frank Family Foundation, Ms Carolyn Gibbs, Prof Jacqueline Goodnow AC, Miss J E Hamilton, Mrs Freda Hugenberger, Ms AM Mackie, Dr Bill McKee, Mr John & Mrs Judith McKernan, Mrs Greta Moran, Ms Nola Nettheim, Hon Mr Justice B S O’Keefe AM, Mr K G Parker, Dr Peter E Power, Prof Jack Richards, Mrs Joyce Sproat, The Garrett Riggleman Trust, Mr R Walledge, Dr Richard Wingate, Anonymous 2
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Dr Anthony Adams, Mr Brian Adams, Mr Geoffrey Ainsworth, Evans Webb & Associates Pty Ltd, Mr John Bagnall, Mr Graham Barr, Mr M T Beck, Dr Kathrine Becker, Mr Russell Becker, Mr Max Benyon, Mr Anthony R Berg, Mrs Joan & Mr Ross Berglund, Mr David E W Blackwell, Mr M & Mrs L Blomfield, Dr Nancy Brennan, Mr Geoffrey Briot, Ms Jill Brown, Mr Mark Bryant, Mr Stephen Buck, Prof Elizabeth Burcher, Mr Rex Burgess, Ms Janine Burrus, Mrs E A Burton, Mr G K Burton SC, Mr Philip Butt, Mr Ian Cameron, Mrs Judith Campbell, Mrs L Alison Carr, Ms Chris Casey, Ms Deanne Castronini, Miss Emily Chang, Mr Roger Chapman, Dr Stephen K Chen, Mr Roger Cherry, Mr Peter Chorley, Dr Peter Chubb, Mr Gordon Clarke, Mr K G Coles, Mr Bernard Coles QC, Mr Phillip Cornwell, Mr Robin Cumming, Miss Sheila Darling, Mrs Susan Davey, Hon Mr Justice David Davies SC, Mr Geoffrey De Groen, Mr Lawrence D Deer, Mr Timothy Denes, Mr D J & Mrs C Dignam, Mr Alan Donaldson, Mrs Jennifer Dowling, Mr Peter Downes, Mr Peter Dunn, Mr Emyr Evans, Ms Elizabeth Evatt, Mr John Fairfax, Mr Ian Fenwicke, Mr Hugo D Ferguson, Prof Michael Field, Mr David Fisher, Dr Geoffrey Ford, Mr Francis Frank, Dr Sid French, Mr Ross Gittins, Mrs Inez Glanger, Mrs Betty Goh, Prof J Goodnow AC, Mr Gavin Gostelow, Mr Ray Grannall, Mr Michael J Guilfoyle, Mrs E W Hamilton, Mrs Emesini Hazelden, Mr Paul Hense, Ms Jill L N Hickson, Dr Peter Hook, Mr Roger Howard-Smith, Mr David E Hunt, Mr Robert Hunt, Mr David Hurwood, Mr John Hyde, Dr C P Ingle, Mrs Virginia Jacques, Ms Ruth Jeremy, Mr Ken Johnstone, Mr Christopher Joscelyne, Mr Michael Joseph, Dr Thomas E Karplus, Dr Keith Keen, Mr Paul L Kelly, Mrs Christine Kelly, Ms Patricia Kennedy, Prof Clive Kessler, Mr Roger Kingcott, Mr R J Lamble, Mr Stewart Lamond, Ms Sophie Landa, Mrs Sarah Lawrence, Mr Gregory Layman, Ms Judy Lee, Ms Annette Lemercier, Ms Karen Loblay, Dr David C Ludowici, Mrs Ruth G MacLeod, Mr Joseph Malouf, Mrs Anita Masselos, Miss Lynne Matarese, Mr J T McCarthy, Ms Elizabeth McDonald, Miss H M McElhone, Mr Phillip McGarn, Mr Alain G Middleton, Mr Nick Minogue, Mrs Greta Moran, Ms Bernice Murphy, Mr Hal Myers, Mr Christopher John Nash, Ms Natasha Ng, Mr Mark Nichols, Mr Ken Nielsen, Ms Christina O’Faillbhe, Hon Mr Justice B S O’Keefe AM, Asst Prof Robert Osborn, Prof Earl R Owen AO, Ms Susan Pearson, Mr Michael Pope, Prof R G H Prince, Dr Neil A Radford, Mr Thomas Douglas Randall, Ms Elsina Rasink, Mrs Angela M Raymond, Mr Brian L Regan, Mr Alex & Mrs Pam Reisner, Mr Grahame Reynolds, Mr Bruce Richardson, Mr R E Rowlatt, Mrs Mitzi L Saunders, Mrs Clara Schock, Ms Marilyn Schock, Mr John Sharpe, Mrs Linda Shoostovian, Dr William Thomas Sidwell, Mr John Simpson, Mr Alan Slade, Dr J M Stern, Mr John Stevenson, Mr I R Stubbin, Miss Jozy Sutton, Mr Mark Swan, Ms Catharine Swart, Mr Edmund Sweeney, Baroness Taube-Zakrzewski, Australian Elizabethan Theatre Trust, Mrs H F Thomas, Mr P A Thomas M. B. E., Miss Margaret Thompson, Mr Iain M Thompson, Mr Christopher A Thorndike, Dr Robin Torrence, Mrs Margaret Tuckson, Mrs Helen J Tweeddale, Mr Ronald Walledge, Mrs June Walpole, Dr Duff Watkins, Mr Roy Watterson, Ms Ellen M Waugh, Ms C A Webster, Drs Lourdes & Spencer White, Mr Neville Wilkinson, Mrs Elizabeth Wilkinson, Mr Cameron Williams, Ms Jocelyn Woodhouse, Mrs Robin Yabsley, Mr Nicholas Yates, Anonymous 12
Gold
Mr James Allsop, Mr Robert Baume, Dr Frances Booth, Mrs Barbara Brady, Sir Ron Brierley, Prof Colin Chesterman, Ms Elizabeth Collins, Prof Roger Covell, Mr Noel Craven, Dr Mark Cross, Mr Peter Deakin, Ms Pauline Duncan, Mrs Rosemary Dunstan, Dr Nita Durham, Mr Richard Farago, Ms Frances Farmer, Mr John Gibson, Mrs Anna E Gillespie, Mr Brett Hannath, Prof Jacqueline Huie, Mr Rod Hyland, Mrs Alison King, Mr Peter Kolbe, Mr Nicholas Korner, Mr Ian Lansdown, Mr Warren Lazer, Prof Norelle Lickiss, Mr Goldwyn Lowe, Ms Carmel Maguire, Mr Peter McGrath, Mrs E M McKinnon, Dr Andrew Mitterdorfer, Mr Tom Molomby, Mr Michael Morton-Evans OAM, Mr John Niland, Mr G Palmer, Mr Trevor Parkin, Mr Tim Perry, Dr Tri Pham, Mr Pino Re, Prof Jack Richards, Dr Janice Russell, Dr Roger Scurr, Mr Kenneth Shirriff, Mrs Petrina Slaytor, Mrs J R Strutt, Dr S Morris & Ms M Sullivan, Dr Phillip Taplin, Mrs Judy Timms, Mr Gary Vassallo, Mrs Xenia Voigt, Mr D & Mrs C Wall, Mrs C & Mr L Welyczko, Ms Ann Whyte, Mr Richard Wilkins, Hon F L Wright QC, Ms Denise Yim, Anonymous 4
Silver
Mr & Mrs Charles Abrams, Mr Robert O Albert, Miss Barbara Ames, Ms Meredith Ash, Mrs Patricia Azarias, Dr R & Mrs H Barnard, Mr William J Barry, Mr Jim Bates, Ms Sandra Batey, Mr Richard Bawden, Mr & Mrs J & M Beardow, Mr J & Mrs M Beattie, Dr David Bell, Mr John Boden, Prof Terry Bolin, Mr Stephen Booth, Mr David Brett, Mrs Halina Brett, Rev Peter G Carman, Ms Jane Chapman, Ms Joan Childs, Mr John Clayton, Prof Bruce Conolly, Mrs Jennifer Cook, Mrs Susana Cubas, Prof & Mrs S J Dain, Mrs Rhonda Dalton, Mr Brett Ayron Davies, Prof C E Deer, Mrs Elizabeth Donati, Dr Marie Dreux, Mrs Margaret Duguid, Hon J R Dunford QC, Mr Elwyn Dyer, Mr Paul Evans, Mr Michael Farry, Mr William G Fleming, Mr Stephen Fortescue, Ms Eleonore Fuchter, Mr Bill Gibson, Mr Roger Giles, Mrs M A Grant, Mr David Green, Mr R N Greenwell, Mr Jack Grimsley, Miss J E Hamilton, Dr A H Hardy, Ms Margaret Hext, Mr Peter Hillery, Mr Paolo Hooke, Mrs Diana R Hooper, Mr Paul Hopwood, Dr David Jeremy, Mr Andrew Kaldor, Ms Patricia Keating, Miss Linda Kepitis, Mr Gerhard Koller, Dr Mary Langcake, Ms M Laurie, Mr David Levitan, Dr Carolyn Lowry O AM, Mrs Meryll Macarthur, Mr D M C Madden, Mrs Elisabeth Manchur, Mr Richard Maynard, Mrs Patricia McAlary, Mr T M McDougall, Dr R McGuinness, Mr John & Mrs Judith McKernan, Mr Kevin McVicker, Ms Maureen Meers, Ms Judith Miller, Mr Andrew Nelson, Mr John Nowlan, Ms Maryanne Ofner, Mr Pieter Oomens, Mr Julius Opit, Mr Bradley Oyston, Dr Gordon H Packham, Mr Gerry Pasqual, Ms Beth Patterson, Mr Bert Percy, Ms Barbara Peretz, Ms Anne Pickles, Mrs Mavis Pirola, Mr Roger Porter, Mr Thomas Reiner, Dr John G Richards, Mr R C Richardson, Mrs Gail Robison, Mr A & Mrs E Roth, Mr Gabriel Roy, Mrs Robin J Ruys, Mr Gregory L Sachs, Mr Harvey Sanders, Mr D J Schluter, Dr Gideon Schoombie, Mr Eric Scott, Mr William Sharpe, Ms Abigail Sheppard, Mr Andrew Sims, Mr R A Stark, Prof Peter Stopher, Ms Lora Stopic, Mrs Caroline Storch, Mr Douglas G Thompson, Ms Kathryn Tiffen, Mrs Janine M Tindall, Mrs Christine Tracy, Mr Peter Van Raalte, Mrs Ilda Wade, Mr Alex Walter, Mr Chris Wetherall, Mr Robin Wever, Mrs Ellen M Wickens, Ass Prof Gerard Willems AM, Mr Geoffrey L Winter, Mrs Dorothy Wood, Mr Tony Woodhead, Prof Klaus A Ziegert, Mr Peter Zipkis, Anonymous 6
fineMusic FM 102.5
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crossword Across 1 Unlikely insipid cranial diagnosis refers to one who goes by the book (14) 10 Great reproduction from saltless fishtails (2-3) 11 FBI aims an attack on democratic socialist thinking (9) 12 Two continents combine as one (7) 13 Aridly surveyed without a tear shed (3-4) 14 U.S Law Officer encloses horned beast! What a to-do ! (5) 16 Unbelievably, aimless was the way the Tory led us (9) 19 Your computer is programmed to oppose the pathogenic agent (9) 20 Mouse causes a little scream in the middle of the cruise ship. He only looks for something (5) Compiled by Nevil Anderson
Name:_______________________________________________
22 Dealer does his thing in Marseilles but lacks purpose (7)
Address: _____________________________________________
25 Ultimate operator puts stop to drug addict (3,4)
Tel:______________ Email_______________________________ To go in the draw to win the CD, Noah - the self-titled debut album of tenor Noah Stewart - send your answers to the address below by 20 November. Please include your name and address on the back of the envelope. The Crossword, 87 Chandos Street St Leonards NSW 2065
27 Inexplicably, Sue drools over nonperfumed item. (9) 28 Royal leader invades big bang, then sweeps all before it (5) 29 Seem unromantic, maybe, but just not equal (14)
Down 2 Ready to go insect a communicator of information (9) 3 Business ways involve expenditure (5) 4 Venomous snake reminiscent of magic dragon and tallyman (4,5) 5 Snugly enclose bromide without alternative (5) 6 Unsure, Lyra mails belladonna lily (9) 7 Very, very coldly, even irascibly, but lacks supporters (5) 8 Perhaps Dane may add to the birthcelebration habit with this latest US card fad (4,3) 9 Is held carelessly for protection device (6) 15 Notice US braveness measure in proportion to worth (2,7) 17 Ensues postscripts maintain the tensions (9) 18 Aim too high over discharge (9) 19 Logically inferred Aldi boundaries contain deputy abbot (1,6) 21 Tasty shellfish whimpers (but we have no part in it) (6) 23 A Scot, so indifferent to pleasure or pain (5) 24 Used direction to discover light beige finish (5) 26 Ban mislabelled bread (5)
Crossword Solution MUSICAL TRIVIA with Michael Morton-Evans How well do you know the world of classical music? Test your knowledge with these musical brain teasers from Fine Music 102.5 presenter, Michael Morton-Evans 1. Whose Rondo a capriccio tells of the “Rage over a lost penny?” 2. Which 18th century British composer shot himself during a bout of deep depression and is buried in the crypt of St Paul’s Cathedral in London? 3. Which French composer was born into a family of pharmaceutical magnates, whose descendants still run France’s largest agrochemical corporation which partly bears his name? 4. What was an Ophicleide? 5. Which composer wrote a tone poem depicting his life, written as his String Quartet No 1, including in the finale a long, insistent note intended to simulate the ringing in his ears which heralded the onset of his deafness? 6. Name the two composers who wrote an opera with the title La Bòheme. 7. Name the French composer who died in 1937 while undergoing brain surgery. 8. In the Goldberg Variations of J S Bach how many variations are there to the original air? To go in the draw to win pianist Geoffrey Saba’s Schubert CD, send your answers to the address below by 20 November. Please include your name and address on the back of the envelope. The Quiz Master 87 Chandos Street St Leonards NSW 2065 october TRIVIA ANSWERS 1. Chronic Fatigue, 2. Claude Debussy, 3. Bedrich Smetana, 4. Originally an improvised cadence by a soloist. Later it became a written out passage to display performance skills of an instrumentalist or performer. 5. Henry Purcell, 6.Manuel de Falla, 7. Benjamin Britten, 8. Johann Strauss The Younger 56
fineMusic FM 102.5
-October 2012 Across: 6 Tiddler, 7 Pasta, 9 Well, 10 Underwrote, 11 Et cetera, 13 Thread, 15 Soma, 17 Meter, 18 Seem, 19 Stitch, 20 Delegate, 23 Baking soda, 26 Rend, 27 Train, 28 Art deco. Down: 1 Adulterant, 2 Allude, 3 Brad, 4 Operator, 5 User, 6 Tweet, 8 Actuate, 12 Acted, 14 Rose garden, 16 Outcast, 17 Mahogany, 21 Lean-to, 22 Tango, 24 Imam, 25 Oral.
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