Fine Music Magazine - February 2024 by 2MBS Fine Music Sydney

February 2024

Classics from Asia Drama in operas After Victor Hugo

The Leningrad Symphony Drama in operas A er Victor Hugo

Renaissance composer John Wilbye

I N D E X

04. Classics from Asia

14. High Five: Noel Mason

Josh Stenberg talks about his interest in Asian music.

Barry O’Sullivan interviews bassist Noel Mason

15. Volunteer Spotlight Pamela Newling

06. After Victor Hugo Elaine Siversen explores drama in operas ‘after Victor Hugo’

Laurie Smith talks with Fine Music’s Board Secretary

10. John Wilbye

16. Deep blues and a rich Australian songbook

Robert Small looks at the music of the late Renaissance composer

Alex Siegers and Casey Golden at Foundry 616

11. Commemorating three diverse musicians Cover photo: Chinese Opera performers, Ko Shan Theatre, Kowloon, Hong Kong, China.

46. 2024 Jazz Scholarships

12. World Radio Day

Mosaic & Lauren White

by Robert Gilchrist

Michael DeFreitas Alamy Stock Photo

18. CD Reviews

20. Program Guide

45. Composers List

48. Our People

49. Patrons

N O T E S F R O M T H E E D I T O R When we use the terms ‘classical music’ or even ‘fine music’, there is an unspoken assump on that we are referring to music from the European cultural tradi on; non-European music tends to be lumped together as ‘world music’ or even the patronising ‘ethnic music’. The Iranian-American composer Reza Vali argues in his book Return to the Origins, that “almost a century a er the end of colonialism, the dust of Eurocentric thinking s ll weighs heavily on the musical minds of the peoples of the world.” Sydney University Chinese studies academic Josh Stenberg will challenge these a tudes with a new monthly program en tled Classics from Asia, which will focus upon the classic and art music of Asia, broadly defined, including prac ces with their roots in litera , court, folk, and early modern cosmopolitan music-making. In line with our strategic commitment to support young Australian musicians, the 2024 FineJazz award recipients have now been nominated. The Ken Weatherley Jazz Scholarship has been awarded to bassist and vocalist Lauren White, and the Ar st-in-Residence award has gone to the Mosaic Jazz Collec ve, a young 10-piece jazz ensemble s ll on the Sydney Conservatorium jazz campus. We wish them all the very best of luck in their musical endeavours. Star ng this month, we welcome long me volunteer and first ever 2MBS Sta on Manager David James to the Fine Music Magazine team in the role of Designer. He replaces Lyndon Pike, whom we thank for his talented contribu ons to the Magazine’s design and layout over the last four years. david.ogilvie@finemusicsydney.com

C O N N E C T

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Classics from Asia Josh Stenberg talks about his interest in Asian music and his new Fine Music program Classics from Asia I was raised going to the opera in Germany and Canada, and classical music has always been an integral part of my social and leisure life. When I was sixteen years old, I le home to go to school in Hong Kong, and there I started learning a li le about Chinese music. Despite going to university in the United States, I have been involved in one way or another with Chinese music since that me, for some years shu ling back and forth, piecing together a living in culture and educa on.

Classics from Asia prepared and presented by Josh Stenberg Sunday 11 February at 6pm

During my graduate studies, I worked in varie es of Chinese musical theatre called xiqu that are (a li le controversially) most o en referred to as Chinese opera in English. For the Yangtze River form called kunqu and a Hokkien genre called liyuanxi I wrote English programs, translated sur tles, and arranged tours. Both are among the classical theatres of China, and on their stages much of China’s drama c canon is regularly enacted. That experience – and a more modest acquaintance with Vietnamese, Japanese, and Taiwanese art music – convinced me that the theatregoers and audiophiles of Western classical culture can easily appreciate the beauty of classical strands of Asian music, given an open mind and enough context. Some projects have taken me further afield. A large part of my work has been on varie es of Chinese theatre and literature abroad, a topic that’s taken me to Russia and Brazil, and for my PhD fieldwork, to Indonesia, where I was aﬃliated with an arts university and got to expand my taste for and understanding of classical Asian music tradi ons. A singing course I took gave me a par cular aﬀec on for Sundanese music, especially the tembang songs, and the zither-flute duos. Twenty-five years a er first moving to Hong Kong, I’m a Chinese studies academic at the University of Sydney, teaching Chinese literature, theatre, culture, and transla on. As an academic at a public university, I’d like to think part of my job is

outreach, to make the gems of Asian culture accessible to a wider audience, which is why I proposed the new program Classics from Asia. In this broadcast, we will be focusing upon the classic and art music of Asia, broadly defined, including prac ces with their roots in litera , court, folk, and early modern cosmopolitan music-making. It’s designed to help listeners find new enthusiasms among various classical tradi ons that developed and con nue to be prac ced outside Western art music. I hope that it can contribute something novel, because it seems to me that the Asian music that Western listeners are most easily exposed to are either crossover performers and crossna onal collabora ons, or the Asian orchestras that were developed in response to Western art music, especially counterpoint and the structure of the symphony orchestra. That too is a rich vein of music, but there are old and complex prac ces – orchestral, chamber, theatrical – that operate on their own terms and command respect and a en on. At the same me, the field is vast, the infrastructure gloriously mul lingual, and my own knowledge patchy, so I value feedback and sugges ons. Not least, I’ll be learning a lot myself.

Chinese Opera performer, Ko Shan Theatre, Kowloon, Hong Kong, China. Michael DeFreitas Alamy stock image

After Victor Hugo Elaine Siversen explores drama in operas ‘after Victor Hugo’ The literary works of one of the greatest of French novelists, Victor Hugo, have been the source of inspira on for opera composers who found the drama of Hugo’s novels aligned with their own sense of drama. Five operas with libre os based on Hugo’s novels have been composed but one, Il Giuramento by Verdi, is so obscure that most people are unaware of it. Victor-Marie Hugo (1802-1885) was a novelist, poet, ar st, and poli cian. His literary career spanned six decades and he le around 4,000 drawings. His most famous novels are The Hunchback of Notre Dame and Les Misérables, both of which have inspired 20th century musicals. In France, he is also known for his poetry collec ons. As a poli cal ac vist, he campaigned for social causes such as the aboli on of capital punishment and slavery and served in poli cs as a deputy and senator. His literary works show his opposi on to absolu sm, and many depict the condi ons in which the lower classes lived. Although France was a republic by then, his works par cularly highlight the corrupt ways of some monarchs and aristocrats. As an interna onally renowned author, his message may have helped to fuel changes in some European countries from absolute rulers to rule by the people. These themes are shown in a musical context in operas based on Hugo’s works.

At the Opera, Wednesdays 7, 14, 21, 28 at 8pm 06

VICTOR HUGO (1802-1885). French man of le ers. Photographed by Nadar, 1884. Alamy stock photo

This month, four operas will be broadcast including two by Giuseppe Verdi, the li le-known Ernani (7th) and the very popular Rigole o (21st). Ernani’s libre o is based on Hugo’s novel, Hernani. The concept of honour, and how it defines nobility, is at the core of the drama when a monarch ques ons his power and the manner in which he wields it. Rigole o is a more human drama. A father, who is trying to save his daughter from a lecherous duke, causes her death through his intrigues. It also shows the worst side of the upper class. The libre o is based on Hugo’s novel Le Roi s’amuse. This novel prompted an observa on that ‘Hugo was born to create stories for Verdi to turn into great operas’. And indeed, this is a powerful story and a great drama c opera.

One of the earliest opera composers to be inspired by Hugo was Gaetano Donize who composed Lucrezia Borgia (14th) based on Hugo’s novel of the same name. It, in turn, was based on the historical noblewoman, Lucrezia Borgia, born in 1480, the illegi mate daughter of Pope Alexander VI. She reigned as Governor of Spoleto, a post normally held by a cardinal. Rumours circulated that Lucrezia put poison into wine to kill her enemies. In the opera, her a empt to kill an enemy results in the death of her own son a er which she drinks the poisoned wine and dies. The historical Lucrezia died peacefully in bed. Why let history get in the way of a drama c story? Although best known by many for the gentle ballet sequence, The dance of the hours, the opera La Gioconda (28th) by Amilcare Ponchielli, is based on Hugo’s novel Angelo, tyrant de Padua. It is a drama c story of love and lust. While this lovely music is being heard, the scene being played out in another room is of an a empt to poison the heroine and the selfless way in which her rival in love, La Gioconda, saves her but cannot save herself.

The Leningrad Symphony Hitler, Stalin, and the ‘invasion’ theme by Paolo Hooke What are the inten ons of the composer? This ques on has never been more important than in rela on to the colossal Shostakovich Seventh Symphony Leningrad, a work long accused of being banal and bombas c, as li le more than programma c poster music. The so-called ‘invasion’ theme of the first movement has a racted the most a en on, regarded as a crude and overblown march in the style of Bolero. Ridiculed in Bartok’s Concerto for Orchestra, this infamous theme is repeated through a seemingly endless series of varia ons, developing from inoﬀensive humour into a monstrous muta on. Its mar al character has, of course, militaris c connota ons, but this could simultaneously indicate a destruc ve force approaching from a distance, or one whose presence and iden ty are only gradually recognized as the ‘enemy within’. The ‘invasion’ theme has been associated with the advance of Nazi forces upon Leningrad, an an -Nazi interpreta on seized upon by the Soviet leadership for propaganda purposes. Western interest was intense, the powerful symbolism of a symphony from a Leningrad under siege catching the popular imagina on. Shostakovich o en had to compose by candlelight, constantly interrupted by air-raids, in the midst of an ordeal which was to last 900 days and claim the lives of an es mated 700,000 civilians. The work was a massive propaganda coup for the regime: in the United States it was given 62 performances in 1942 alone. Photographs of the composer appeared in newspapers across the world, most notably on the cover of Time magazine showing the composer in his fireman’s helmet. The Leningrad acquired the legend of the ‘war symphony’ bringing the Soviet ba le against Nazism to the consciousness of the West. However, this blunt propaganda tool has served to obscure its true meaning, for in fact the Leningrad symphony was planned and begun before Hitler’s a ack on Russia in 1941, and consequently cannot simply be seen as a reac on to the Nazi invasion. This is proved by the fact that the Seventh Symphony was included in the program for the 1941-1942 season of the Leningrad Philharmonic Orchestra, before the German invasion of 22 June 1941. As addi onal evidence, in 1994 a sketch of the ‘invasion’ theme was discovered dated 26 June 1939. This so-called ‘invasion’ theme was in fact the ‘Stalin’ theme, known by those who were close to the composer. A er the war had begun, Shostakovich stated that it was the ‘Hitler’ theme and later when the work

was published, renamed it the ‘Evil’ theme since both Hitler and Stalin fi ed the criteria. If the ‘invasion’ theme had ini ally been mo vated by Stalin, then it is probable that the composer’s subconscious contained Hitler’s image as well. It is likely that Shostakovich came to think of the two tyrants as partners in evil, even more so a er they became allies in 1939. For Russians who lived under pre-war Stalinism the meaning was clear. Shostakovich explains in his memoir: “The ‘invasion’ theme has nothing to do with the a ack. I was thinking of other enemies of humanity when I composed the theme. Naturally, fascism is repugnant to me, but not only German fascism, any form of it is also repugnant. Hitler is a criminal, that’s clear, but so is Stalin. I suffer for everyone who was tortured, shot, or starved to death. There were millions of them in our country before the war with Hitler began. I have nothing against calling the Seventh the Leningrad symphony, but it’s not about Leningrad under siege, it’s about the Leningrad that Stalin destroyed, and that Hitler merely finished off.” The march is two things at once: on the surface an image of the Nazi invasion; on a deeper level a sa rical picture of 1930s Stalinism, par cularly the Great Terror of 1936-1938. This was an age of lies and betrayal, a long drawn out sweat of fear in which anyone at all could feel that they were the next vic m of the dreaded secret police. An era of insomnia and nerve-racked hypersensi vity, when prisons were overcrowded with supposed ‘enemies of the state’ tortured into signing false confessions. It was a me of suffoca ng sorrow, as Shostakovich describes: “Even before the war, in Leningrad there probably wasn’t a single family who hadn’t lost someone, a father, a brother, or if not a rela ve, then a close friend. Everyone had someone to cry over, but you had to cry silently, under your blanket, so that no one would see.” Therefore, a er understanding the inten ons of the composer, we can recognise the march as deliberately vulgar and repe ous – a universalised image of stupidity and crassness which assumes terrifying propor ons, a generalised picture of evil. In this light, the Leningrad is, in Shostakovich’s words, “about terror, slavery, the bondage of spirit. The Seventh is not just about fascism, but also about our [Soviet] system, about any tyranny and totalitarianism in general.”

The World of a Symphony, prepared and presented by Paolo Hooke Thursday 8 February 2024, 8pm Shostakovich Piano Sonata no. 2, opus 61 Shostakovich Symphony no. 7 in C major, opus 60 ‘Leningrad’

DMITRI SHOSTAKOVICH (1906-1975) Russian composer, about 1943 Alamy Stock Photo

John Wilbye

Robert Small looks at the music of the late Renaissance composer

John Wilbye (1574-1638) was one of the most accomplished composers of English madrigals at the end of the Renaissance. He never married, and spent most of his life away from London, in Suﬀolk. Nevertheless, he was held in high esteem as a composer, published two volumes of madrigals, and edited the Second Booke of Songes of John Dowland. He was a master of that most sublime form of music for unaccompanied voices, the sixpart madrigal. Wilbye’s enduring fame rests on his acute sensi vity to the text and the use of ‘false rela ons’ between the major and minor modes. As described by the Kennedy Centre for the Performing Arts: “John Wilbye was viewed as more apprecia ve of literary excellence in choosing texts for his music than other madrigalists. He abandoned abrupt contrasts and changes of mood for a prevailing tone, giving his madrigals an ar s c unity rare among English contemporaries. He was a master of rhythm, and in his passages. verbal accent is counterpoint to musical metre. He also experimented with sequence, recurring refrains, and thema c development, in such works as Adieu, Sweet Amaryllis and Draw On, Sweet Night. His skill in vocal orchestra on is seen in Sweet Honey Sucking Bees, where the full number of voices is not kept in constant play, but in ever-changing smaller groups. He some mes repeated substan al phrases or whole sec ons for structural clarifica on.” These quali es are appreciated to this day, with numerous recordings, and concert performances testament to Wilbye’s enduring musical appeal. For example, Draw on Sweet Night in six voices, published when the composer was 35, has become one of Wilbye’s most cherished works and has been recorded by the likes of I Fagiolini, The Tallis Scholars, and The Consort of Musicke. The text, as melancholy as anything John Dowland penned, is belied by the beauty and richness of Wilbye’s music: Draw on, Sweet Night, best friend unto those cares That do arise from painful melancholy. My life so ill through want of comfort fares, that unto thee I consecrate it wholly. Sweet Night, draw on! My griefs when they be told To shades and darkness find some ease from paining, And while thou all in silence dost enfold, I then shall have best ࢼme for my complaining.

Robert Small at Holy Trinity Church Colchester Film poster for Draw on Sweet Night

This leads to a fascina ng, and highly entertaining movie biopic of Wilbye’s life called Draw on Sweet Night. Music is the food of love, made in 2015, directed by Tony Bri en, and available on streaming pla orms in Australia. Tony Bri en’s movie is a wonderful recrea on of Wilbye’s me at Hengrave Hall, as music master to Sir Thomas Kytson and his family. The narra ve relies on contemporary records such as Kytson’s will, but with a healthy dose of postmodern thinking to plausibly help fill in the gaps in what is known of Wilbye’s life. Upon Sir Thomas’ death, Wilbye (who was le nothing in the will), le Hengrave to live in re rement at Mary Darcy's house in Colchester. He is buried in the graveyard of Holy Trinity Church, in Colchester town centre, where his plaque can be viewed on the wall of the church. 2MBS celebrates 450 years since the birth of John Wilbye with a special program on Baroque and Before, 10PM Friday 9 February 2024

Commemorating three diverse musicians

Paul Cooke looks at the work of French violinist and composer Pierre Rode, Australian musician Fritz Hart, and Scottish choir leader Hugh Roberton

At 2MBS Fine Music Sydney we commemorate the significant anniversaries of composers and performers, in music and, on occasion, in words. Some mes the anniversary is all-consuming, as when we celebrated the 250th anniversary of the birth of Beethoven in 2020. Some mes it's an opportunity to shine a light on largely unknown musicians – or, in this case, three.

Pierre Rode Alamy

The first of these is Pierre Rode, French violinist and composer, born 250 years ago on 16 February 1774. Taken to Paris, he a racted the a en on of the Italian Giovanni Ba sta Vio , and as a 16-year-old gave the first Paris performance of the la er's Violin concerto no 13. Two years later, he premiered Vio 's 17th and 18th violin concertos at the Théâtre de Monsieur in performances directed by the composer. Though Rode was appointed professor of violin at the newly established conservatoire (and ul mately collaborated on a manual of instruc on for the violin), his life was that of a peripate c musician. In 1799 in Madrid, he met Boccherini, who may have assisted him in the composi on of his Violin concerto no 6, while in 1802 in Germany, Spohr heard him and was greatly impressed by his playing. In 1812 he premiered Beethoven's Violin sonata, op 96. The work was dedicated to Rode, and the final movement wri en with his

style in mind, with Beethoven wri ng that, “I had to consider the playing of Rode. In our finales we like rushing and resounding passages, but this does not please R and this hinders me somewhat.”

and then an interna onal one with a visit to North America in 1926. Roberton was knighted in 1931. The Australian connec on? His son, also Hugh Stevenson Roberton, emigrated to New South Wales in 1922; in 1945 he published Now blame the farmer Rode's Violin concerto no 7 is probably (where he examined the eﬀect of the best known of his composi ons. farming prac ces on the environmental It was a favourite of Wieniawski, degrada on of the land), and from and one of a very few concertos 1956 to 1965 was minister for social by composers other than himself services in the Menzies government. that Paganini played. Rode was, however, regarded as having none of Paganini's exhibi onism, with his music balancing ‘brilliant display and aﬀec ve lyricism’, o en displaying melancholy tunefulness. The other two musicians whose anniversaries we are celebra ng were both born in February 1874. Both have an Australian connec on, though only the second is musical.

Hugh Roberton Alamy

Hugh Roberton was born and lived in Glasgow, whereas a young funeral undertaker and self-taught musician, and inspired by the Jubilee Singers from the United States, he founded in 1906 the Glasgow Orpheus Choir, which gave its final concert in 1951 on his re rement. Early repertoire included glees and folk song arrangements, but increasingly Roberton composed and arranged songs and part-songs, the most well-known being All in the April evening and Mingulay boat song. The choir achieved a na onal reputa on,

Fritz Hart Alamy

Fritz Hart, born near London on 11 February 1874, played a significant role in the development of Australian music, as composer, conductor, conservatorium teacher and director, and is deserving of a full program and ar cle dedicated to his influence. Suﬃce it to say now, that a er an educa on at the Royal College of Music and experience conduc ng opera, opere a, and musical comedy, he arrived in Australia in 1908 for a conduc ng engagement with J.C. Williamson, originally for one year but extended to four. He then joined the Conservatorium of Music in Melbourne, where he spent a quarter of a century. He worked with Nellie Melba, and his students included Margaret Sutherland and Peggy Glanville-Hicks: as a teacher and mentor, he was regarded as being encouraging to female composers. Listen to Sunday Special: Special Occasions on Sunday 18 February at 3:00pm to hear music of Rode, Roberton, Hart and more.

World Radio Day By Robert Gilchrist In November 1894, in the by Louise Levy basement of the Faculty of Science in Bordeaux, using a Hertz resonator equipped with a telephone, Albert Turpain sent and received his first wireless signal. He used Morse code over a distance of 25 metres, through four walls, each 50 cm thick. It was le to Guglielmo Marconi to patent the first tunable wireless receiver in 1900 and so commercialise this extraordinary new medium. The word ‘radio’ – derived from the La n word ‘radius’, meaning spoke of a wheel or beam of light – replaced the word ‘wireless’, around 1920. The introduc on of mobile phones in the late 1960s further expanded the scope of this ubiquitous medium. For many genera ons, radio has remained the most far reaching, easily accessible communica on medium informing and entertaining all sectors of society. In some parts of the world, radio has been used to fuel hatred, division, and conflict. Progressive legisla on and regulatory mechanisms have now been passed in many countries, resul ng in radio that broadcasts balanced news and independent journalism. The decision to choose 13 February as World Radio Day (WRD) coincides with the day that the UNESCO established its own ‘United Na ons Radio’ in 1946. The objec ves of WRD are to raise awareness amongst the

public and the media regarding the importance of radio. It’s also intended to encourage decision makers to establish and provide access to informa on through radio, as well as to enhance networking and interna onal coopera on among broadcasters. The 2024 World Radio Day serves to highlight the following: •

•

The indelible history of radio and its powerful impact upon news, poli cs, drama, music, sport, and more. The ongoing u litarian value of radio as a rela vely free and portable public safety net during emergencies and power outages brought on by natural and human-made disasters such as storms, earthquakes, floods, heat, wildfires, accidents, and warfare. The con nuing democra c value of radio to serve as a grassroots catalyst for connec ng with underserved groups that include migrants, religious minori es, and poverty-stricken popula ons. Radio also provides an instantaneous bellwether of public opinion conveying free speech expressed in a public forum.

UNESCO recognises and understands the tremendous variety of business models and technology architectures in radio around the world, including the independent nature of its companies and

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organisa ons, large and small, plus the idiosyncrasies of its on-air personali es. Thus, broadcasters are encouraged to bring their own culture, style and sensibili es to their celebra ons leading up to and during the February 13 event. World Radio Day is also an opportunity for radio sta ons to connect on-air with fellow broadcasters around the world. UNESCO invites radio sta ons to take the ini a ve for such broadcasts. It’s a truly remarkable achievement for a major mass communica ons medium to remain relevant a er 100 years and yet s ll be a force for freedom of expression, joy, and knowledge. As we proudly celebrate its story, let’s welcome radio’s future as it moves into the next century.

High Five: Noel Mason By Barry O’Sullivan Noel Mason is one of Australia’s most versa le and accomplished bassists. He has performed with many Australian jazz luminaries including Dale Barlow, Errol Buddle, James Morrison, and the late Bernie McGann. In 2015 he moved to New York to take a scholarship at the Manha an School of Music and had the privilege of studying and performing alongside many dis nguished American ar sts including Jason Moran, Mark Turner, Ari Hoenig, When did jazz music enter your life and who were the ar sts who influenced your style most? My interest in jazz began quite late in my musical development. I’d been exposed to other kinds of music through childhood from my father who listened to a lot of old blues and rock ‘n’roll. Through high school my brother started playing a lot of jazz and I wanted to be able to ‘hang’ so to speak. So that began my journey of trying to understand this music and play it competently. I was really inspired by the greats on my instrument who could play things I didn’t quite understand at the me. Paul Chambers and Ray Brown were the first bass players whose styles I really focused on trying to emulate. What are your current musical projects? Over the last couple of months, I’ve been touring with the Vampires. In amongst these shows I’ve also been booking more of my own gigs at diﬀerent venues around town. I also play in a couple of bands that have weekly residencies. Plus, I work a lot as a sideman, which is fun. I feel like it’s a healthy me for live music in Sydney right now, so I’m fortunate to be working most nights of the week. What are some of the challenges that may have confronted you as a musician so far, and how have you overcome them? To commit to a life in music means

going against the grain. The career path for a musician can be unpredictable and it can also take a long me to get established. As you get older, and your priori es change, it can present challenges. For example, my schedule can change dras cally week to week, so scheduling other commitments can some mes mean I have to make sacrifices. I’ve spent years priori zing my career but I’m star ng to ques on if I need to con nue doing so and to what extent. It’s a daily challenge, but it does keep things interes ng, and it’s anything but monotonous. What are some of your other interests outside of your musical career? I’m into fitness so have always tried to maintain a rou ne of some kind throughout my adult life. I’ve also always enjoyed animated films since childhood, and in my spare me will o en read. You are home alone on a Sunday night. What music would you choose to listen to and why? Depending on how I’m feeling, I’d try and find something new that I hadn’t heard before. Although if I was cooking dinner or doing admin or something, I’d be more concerned with se ng a mood and going for something I was already familiar with. Stan Getz, Eddie Harris, Ahmad Jamal would be there somewhere.

Volunteer Spotlight Pamela Newling Laurie Smith talks with Fine Music’s Board Secretary Why do you volunteer with 2MBS Fine Music Sydney? I have been a listener for decades and decided to volunteer in 2017 following my re rement. I began as recep onist, then helped edi ng and proof-reading for this magazine (Fine Music). I par cularly enjoyed seeking stories for this Volunteer Spotlight for about five years. There are so many interes ng people who volunteer at the sta on. They have diverse backgrounds – in IT, teaching, medicine, marke ng, PR, general management and more. Each brings unique and valuable skills and experience to the sta on that help make it such a success. I have also had a s nt as secretary of the Management Commi ee, and in recent years have joined the Board, serving as Board Secretary. Through all these roles, the magic factor at the sta on has been its people. It is a happy place to be because we are united by our shared love of music. Is there a link between your volunteering today and your professional career? Not in a musical sense. However, my ability to contribute does draw on the roles I had during my career in government, educa onal and not for profit organisa ons. Early on, I was fortunate to work in interes ng and varied secretarial roles including in the Philosophy

Department at Newcastle University and on a pos ng to the Australian Embassy in Cairo in the early 1970s. I wanted to travel, but not just as a tourist, and the experience of living in another culture was fascina ng. Back in Sydney, I moved into managerial roles at the Law Society of NSW, the University of NSW, and then with the Financial Services Ins tute of Australasia, where governance was a priority as we executed a merger between two membership associa ons and the sale of an educa on business. Where does your love of music come from? Music has been part of my life forever. It was always playing at home on radio and later, on the record player. My mother was a pianist with a beau ful contralto voice and was ac ve in church and community choirs. My father liked rich bass voices such as Paul Robeson; ‘screeching sopranos’ less so. I studied the piano but didn’t persevere with the required prac ce. I sang with the Newcastle Gilbert and Sullivan Society for a few years and in local choirs for Handel’s Messiah. What are some of your musical favourites? Choral and chamber music top the list, with jazz not far behind. Special moments for me started in

Newcastle in the 1970s, with live performances by Acker Bilk and Cleo Laine. Other highlights have included the joy of the opening of the Sydney Opera House and one of Dame Joan Sutherland’s final performances. Most recently, outstanding performances of Handel’s Samson, Verdi’s Requiem and Mahler’s Symphony No 1 have reminded me how lucky I am to have access to world class music in our beau ful city.

Deep blues and a rich Australian songbook Alex Siegers and Casey Golden at Foundry 616 By Virginia Ginnane Lightning split the sky above a line of wet plane trees as I stepped up from Harris St. Ul mo and hung a right at a stack of beer barrels into Foundry 616. Dark and mellow, the low-slung speakeasy with a gorgeous Yamaha grand piano and black table se ngs was an in mate escape from storm and stress. “It’s the classiest dive bar in Sydney,” enthuses Foundry’s sound guy Chris Wilson. Owner Peter Rechniewski, former Ar s c Director and cofounder of the Sydney Improvised Music Associa on (SIMA), laughs and adds “It’s the only real jazz club in the Sydney scene.” With world-class music. The recent roll call includes the James Morrison Sextet, the Mike Nock Quartet, Lionel Cole (launching his album With Love), Gregg Arthur, Mary Coughlan, and The Baker Boys. Since September 2013, Foundry 616 has showcased top- er Australian jazz ar sts and welcomed special interna onal guests, spotligh ng both current and future jazz luminaries, and suppor ng emergent and established musicians.

jacket are backed by ruched black curtains. It’s show me. The 2021 2MBS Fine Music Sydney Ken Weatherley Jazz Scholarship winner, Alex is passionate about reviving the songs of fine female songwriters of the past. “It’s become a bit of my mission to bring those great tunes back to the stage,” she tells us. Judy Bailey and Kerrie Biddell (both were her teachers at the Con), and Georgia Lee from the 60s, singing blues from the deep south (the Yarra River) are just three – and Alex is introducing some of her own. She wrote the lyrics for the story she sang supersonically to honour escapologist Harry Houdini, who made Australia’s first-ever powered flight – in Diggers Rest in Victoria!

Photo by Dave Stapleton

Mel ng moments Sca ng across octaves like a kite, Alex then synchs with Casey, his head down as his delicate notes and black and white fingers create sweet points with her voice. On finding those harmonious musical moments, Casey explains, “that’s the joy and the fun and the mystery of it all. In any ensemble music, you can get to those moments when it’s feeling good, where you telepathically go to the same place. They’re the moments you live for.” Dedicated to jazz Giving breath to this musical experience, Foundry 616 has a nurturing rela onship with the Sydney Conservatorium of Music, providing a regular gig for current students and recent graduates. “Peter Rechniewski is a great supporter of jazz and music in Sydney,” says Alex of the owner, also a former Fine Music presenter. Peter and Foundry 616 are now partnering

It’s show me Tonight, singer Alex Siegers and pianist Casey Golden will bless us with a cherished Australian songbook. Se ng the scene here, Alex in a gli ering strapless blue sheath and Casey in a pale linen

Who knew that? Then there was the crazy truck trip from Oodnada a to Woolloomooloo … you know the rest. This gal has ‘been everywhere.’ Alex opened the old chestnut with the memory of her mother laying a bet when she was a kid, that if she ever sang it in public, she’d get 100 bucks. She sang it – incredibly fast (“I move my mouth quickly”) – and Xmas was payback me.

Casey Golden

Here’s to the future

Alex Siegers

Of his me as 2MBS Fine Music’s Ar st-in-Residence in 2019 with States of Chaos, Casey says, “it was a very produc ve and prolific period for us as we had access to the great in-house studio at Fine Music. Also, the airplay we were ge ng gave us a good reason to record a lot of new music, so it was a valuable experience for us as a band.” Following the release of his new album Orbits, there will be more shows and new recordings planned later this year.

In Addi on, Alex will soon release her premiere album featuring the Australian tunes from her show. In recognising the value of the 2MBS scholarship, she says, “the Weatherley has been huge for me. Having an injec on of funds and the support of a successful sta on like 2MBS has meant I’ve been able to record my first solo album and 2MBS will be loudly and proudly promo ng it when it comes out, which will be a huge help. I may never have been able to do this without the scholarship.” And Alex’s dream for the future? “Singing as a soloist on stage in the Concert Hall at the Opera House would be amazing.” Which song? “Anything!” she laughs.

with Fine Music in the 2024 Weatherley Scholarship. It’s all an expression of Peter’s passion for jazz that stems from his schooldays. And his favourite form of jazz? “You can’t answer that. I like the whole tradi on from tradi onal jazz to the avant-garde and beyond.” Foundry 616 owner Peter Rechniewski

CD REVIEWS Night Thoughts Len Vorster, piano Move MCD 647

Hearing

Mike Nock - solo piano ABC MUSIC

Don’t Quit Now Jane Irving Independent

Chances are that you’ve heard Len Vorster. Born in South Africa, he has been resident in Australia for the last 40 years, and is a pianist, accompanist, and teacher. He has achieved recogni on for his recordings of de Falla (with Merlyn Quaife) and a two-piano version of Holst’s The Planets (with Robert Chamberlain) and has also recorded with Deborah de Graaﬀ and Lauris Elms. Night Thoughts took shape as a response to the extended COVID lockdowns in Melbourne: contemporary Australian composer Jillian Rose Tymms’s nocturne Silberstrief, wri en for Vorster, addresses the fear, isola on – and hope – felt by many. Two of the 15 items on

this recording were composed in the wake of the Spanish flu pandemic of a century ago – Bloch’s In the Night, mostly sombre and ending peacefully, and Hindemith’s Nachtstück, once again melancholic but featuring a sparkling middle sec on that reminds the listener that all is not dark in the night sky. Nocturnes by Tchaikovsky, Clara Schumann and Fauré, as well as more recent composi ons, a est to a though ully programmed, sensi vely played recital.

As the tle of pianist and composer Mike Nock’s newest recording indicates, it is all about the facility of perceiving sounds. More per nently, interpre ng them in a par cular way. Mike Nock has embraced a varied sixty-five-year musical journey, receiving many awards and honours throughout his lengthy career. The spontaneously delicate bijou opener Prologue is followed by Sunrise, from Nock’s first solo album in 1978. The improvisa on, Conundrum, then leads to Vale John, celebra ng the life and friendship the pianist experienced with the drummer/ bandleader John Pochée, who tragically died a few days before this recording. A stellar Nock improvisa on follows, then a delicate interpreta on of Jonathan Zwartz’s And in the Night Comes Rain, proving sonically blissful, followed by Bernie McGann’s iconic Spirit Song, interpreted sensi vely in reference to

the original. Journey Through an Imaginary Landscape takes us meanderingly towards a personal favourite on the album, Nock’s interpreta on of Bryce Rohde’s composi on, Windows of Arquez, at the album’s conclusion. The atmosphere of quiet that runs through this recording is reason alone to recommend it. There is more air given between notes than one might expect from a solo piano recording, as this session is all about becoming cognisant of sound. At all mes it is virtuosic and introspec ve, yet on occasions playful and melodic. This session of interpreta ons and improvisa ons gives the feeling of a con nua on of an in mate, unique, personal musical adventure.

Jane Irving’s’ ability to navigate the many sides of the jazz vocal genre is confirmed by this album of eleven engagingly diverse songs, some of which display her accomplished pianism and others, her superbly refined sca ng skill. Based in New York for just over a decade and having performed there in some of its top venues including Birdland, Zinc Bar and Mezzrow Jazz Club, where the album was launched, Don’t Quit Now reflects on the dark days of living in that metropolis during the COVID pandemic, while oﬀering a diverse and engaging musical journey through the jazz spectrum. Joining Irving on the session is Josh Richman on piano, her husband Kevin Hailey on bass, and Kayvon Gordon on drums. They provide no unnecessary adornment to the songs, yet they create the perfect

ambience for Irving to deliver her delicate interpreta ons. Her voice has an eﬀortless swing, revealing compassion and warmth when required. Favourites include the tle and opening track, where Irving oﬀers an interes ng take on an emo ve number under a cloak of restraint. On Someone’s Been Sending Me Flowers, Irving confirms her pianism, while providing an expressive and humorous rendi on showing her commitment to the musical diversity of jazz. The recording is highly recommended to lovers of vocal jazz, and delivers crea vity, originality, and emotional impact.

— Paul Cooke

— Barry O’Sullivan

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THURSDAY 1 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST with Simon Moore 09:00 DIVERSIONS IN FINE MUSIC Romantics, tributes and dedications Prepared by David Brett Bruch, M. Romance, op 85 (c1912). Rainer Moog, va; Rhenish PO/Wolfgang Balzer. EBS ebs6071 8 Berlioz, H. The burning flame of love, from The damnation of Faust, op 24 (1845-46). Yvonne Minton, mezz; Paris O/Daniel Barenboim. ABC 470 241-2 10 Elgar, E. Harmony music no 4: The farmyard (1878). Athena Ensemble. Chandos CHAN 241-33 12 Shankar, R. Morning love (1976). Jean-Pierre Rampal, fl; Ravi Shankar, sitar; Kamala Chakravarti, tanpura; Alla Rakha, tabla. Warner Classics 5 86555 2 12 Falla, M. de Suite from El amor brujo (191525). Daniel Ligorio, pf. Naxos 8.555065 13 Shostakovich, D. Romance, from The gadfly, op 97a. Barbara Jane Gilby, vn; Tasmanian SO/David Stanhope. ABC 534 3879 6 Tchaikovsky, P. Souvenir of a beloved place, op 42 (1878; arr. Parhamovsky). Maxim Vengerov, vn; Vag Papian, pf; Virtuosi. EMI 5 57164 2 18 10:30 CONCERT HALL Prepared by Anne Irish Rossini, G. Overture to The thieving magpie (1817). Philharmonia O/Carlo Maria Giulini. EMI 5 62802 2 11 Brahms, J. Piano concerto no 2 in B flat, op 83 (1881). Géza Anda, pf; Berlin PO/Herbert von Karajan. DG 474 838-2 49 Sibelius, J. Symphony no 7 in C, op 105 (1926). San Francisco SO/Herbert Blomstedt. Decca 478 6787 22 12:00 JAZZ AFTER NOON with Sue Jowell Featuring swing to mainstream jazz with regular appearances from the Great American Songbook 20

13:00 SWISS COMPOSERS Prepared by Jacky Ternisien Albicastro, H. Concerto à 4, op 7 no 2. Ensemble 415. Harmonia Mundi HMC 905208

20:00 THE WORLD OF A SYMPHONY Peter Tchaikovsky: Symphony no 3 Prepared by Brian Drummond 8

Martin, F. Overture and foxtrot; Étude no 3 (1924). Julie Adam, pf; Christine Logan, pf. ABC 476 260-1 12 Senfl, L. Tota pulchra es; Iam enim hiems; Et vox turturis, from Tota pulchra es. Ulrike Hofbauer, sop; Modena Consort. Pan Classics PC 10289 7 Schoeck, O. Sonata in D, WoO22 (1905). Ursula Bagdasarjanz, vn; Gisela Schoeck, pf. Gallo CD-1249 17 Dubugnon, R. Excerpts from Arcanes symphoniques, op 30 (2001-02) . French NO/ Laurent Petitgirard. Naxos 8.573687 13

Adam, A. Excerpts from Giselle Act I (1841). Czecho-Slovak RSO/Ondrej Lenárd. Naxos 8.550081 9 Tchaikovsky, P. Sérénade mélancolique in B minor, op 26 (1875). Ilya Kaler, vn; Russian PO/Dmitry Yablonsky. Naxos 8.557690 9 Schumann, R. Symphony no 3 in E flat, op 97, mvts 4 and 5, Rhenish (1850). Vienna PO/ Georg Solti. Decca 417 799-2 12 Glinka, M. Polka in E (1839). Francesco Bertoldi, pf. Nuova Era 7232

Tchaikovsky, P. Dances, from Oprichnik (1874). Ukraine NSO/Theodore Kuchar. Burkhard, W. Serenade, op 77 (1945). 6 Susanne Gärtner, fl; Werner Meienberg, cl; Jiri Naxos 8.554845 Stavicek, bn; Matthias Gugel, hn; Hansheinz Piano concerto no 1 in B flat minor, op 23, Schneeberger, vn; Christoph Schiller, va; mvts 2 and 3 (1874). Sviatoslav Richter, pf; Béatrice Wyganth, db; Mrina Paccagnella, hp; Leningrad PO/Yevgeny Mravinsky, Rudolf Kelterborn, cond. Melodiya 74321170832 13 Jecklin JD 647-2 23 Mussorgsky, M. Introduction and polonaise, 14:30 LANDSCAPES Prepared by Derek Parker Novák, V. Symphonic poem: In the Tatra Mountains, op 26 (1902). Royal Liverpool PO/ Libor Pesek. Virgin 5 45251 2 16

from Boris Godunov (1874). USSR Academic SO/Yevgeny Svetlanov. Melodiya MA 19303 7 Tchaikovsky, P. Symphony no 3 in D, op 29, Polish (1875). Bournemouth SO/Andrew Litton. Virgin VC 7 90761-2 47

Zador, E. Elegy, The plains of Hungary (1960). 22:00 YEHUDI MENUHIN Part 1 Budapest MÁV SO/Mariusz Smolij. Prepared by Gerald Holder Naxos 8.573800 10 Shankar, R. Prabhati (1966). Yehudi Menuhin, Davies, P. Maxwell An Orkney wedding, with vn; Alla Rakha, tabla. sunrise (1985). Nancy Crutcher Tunnicliffe, Warner Classics 5 86555 2 4 bagpipes; Max Hobart, vn; Boston Pops O/ Mendelssohn, F. Quartet no 2 in F minor, op John Williams. 2 (1823). Menuhin Festival Piano Quartet Philips 420 946-2 14 Ars FCD 368 312 22 Stravinsky, I. Concerto in E flat, Dumbarton Oaks (1937-38). Seattle SO/Gerard Schwarz. Naxos 8.571223 15

22:30 ULTIMA THULE Ambient and atmospheric music

Hovhaness, A. Symphony no 63, op 411, Loon Lake (1988). Royal Scottish NO/Stewart Robertson. Naxos 8.559336 26

FRIDAY 2

16:00 FINE MUSIC DRIVE with Peter Poole 19:00 THE NEW JAZZ STANDARD with Frank Presley A fresh perspective on modern music contributing to the standard jazz repertoire, with fine jazz interpretations from the world of pop, rock, film and contemporary jazz

00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST with Troy Fil 09:00 DIVERSIONS IN FINE MUSIC Journey through history Prepared by Anabela Pina Anon. Propiñan de Melyor; Lealtat, o lealtat; Quien tiene vida en esperança, from El

cancionero de la Colombina. Luiz Alves da Silva, ct; Lambert Climent, ten; Francesc Garrigosa, ten; Jordi Ricart, bar; Hesperion XX/Jordi Savall. Astrée E 8763 8 Seliger’s round; Watkins ale; Nutmeg and ginger. Musicians of the Globe/Philip Pickett. Philips 456 507-2 10 Caroso, F. Improvisation on La Monica. Latitude 37. ABC 476 4525

14:30 A KATS-CHERNIN CORNUCOPIA Prepared by Paul Cooke

22:00 BAROQUE AND BEFORE From the Low Countries Prepared by Andrew Dziedzic

Kats-Chernin, E. Four rags for IM (1996). Ian Munro, pf. Tall Poppies TP186 12

Sweelinck, J. Psalm 91: Qui en la garde du haut Dieu pour jamais se retire; Te Deum laudamus. Capella Amsterdam. Harmonia Mundi HMC 902033 19

Stairs (1983). Sydney SO/Hiroyuki Iwaki. Vox Australis VAST006-2

Charmer’s apprentice (2002). Stephen Robinson, ob; Elyane Laussade, pf. Tall Poppies TP202

Schenck, J. Sonata no 10 in G, from The nymphs of the Rhine vol 2, op 8 (pub. 1702). Susie Napper, va da gamba; Margaret Little, va da gamba. Naxos 8.554415 14

Weiss, S. Lute concerto in F (1731). Richard Stone, lute; Tempesta di Mare. Chandos CHAN 0707 14

Violet’s etude (2010); Poppy’s polka (2020). Claire Edwardes, mar, vibraphone. Move MD 3459 6

Albinoni, T. Oboe concerto in D minor, op 9 no 2. Kirsten Barry, ob; Australian Brandenburg O/Paul Dyer. ABC 476 2840

Tears from above; Courting the dragon, from Phoenix story (2007). Pei-Sian Ng; vc; Pei-Jee Schenck, J. Sonata no 9 in E minor, from The nymphs of the Rhine vol 2, op 8 (pub. Ng, vc. Melba MR 301113 15 1702). Daniel Yeadon, va da gamba; Jennifer Eriksson, va da gamba; Tommie Andersson, The gymnast; Darkness, from Unsent love theorbo. letters: meditations on Erik Satie (2017). Fine Music concert recording 9 Tamara-Anna Cislowska, pf. ABC 481 6430 6 Blankenburg, Q. Cantata: L'apologie des femmes (1715). Maarten Koningsberger, bar; Ornamental air (2007). Swedish CO/Michael Academy of the Begynhof, Amsterdam. Collins, basset cl & dir. Globe GLO 5055 12 Chandos CHAN 10756 22 Eyck, J. Amarilli mia bella. Genevieve Lacey, 16:00 FINE MUSIC DRIVE rec. with James Hunter ABC 481 6480 11

Molino, F. Trio no 1 in G for flute, viola and guitar, op 4 (1809). Sérénade à trois. cpo 777 448-2 14 Just, J. Sonata no 2 in F, op 13 (pub. 1781). Camerata Classica/Philip Swanton, fp & dir. Walsingham WAL 80422 12 10:30 CONCERT HALL Prepared by Jacky Ternisien Horneman, C. Overture to Aladdin (1864). Danish National RSO/Michael Schønwandt. Chandos CHAN 9373 11

Reincken, J. Was kann uns kommen für not an (1670). Jan Kleinbussink, org. NCRV 9087 13

Wassenaer, U. Concerto no 2 in B flat for string orchestra and basso continuo, from Concerti armonici (pub. 1740). Brandenburg Consort/Roy Goodman. Hyperion CDA66670 11

Méhul, É-N. Symphony no 1 in G minor (1808-09). Les Musiciens du Louvre/Marc Minkowski. Erato 2292-45026-2 26

19:00 FRIDAY JAZZ SESSION with Alex Siegers A focus on the current Sydney jazz scene mixed with a range of international jazz stars and an occasional guest interview

Stenhammar, W. Piano concerto no 1 in B flat minor, op 1 (1893). Love Derwinger, pf; Malmö SO/Paavo Järvi. BIS CD-550 46

20:00 EVENINGS WITH THE ORCHESTRA On original instruments Prepared by Robert Small

Verrijt, J. Que habitas in hortis, from Flammae divinae bk 1, op 5 (pub. 1649). Nico van der Meel, ten; Bas Ramselaar, bass; Musica Amphion/Pieter-Jan Belder, org & dir Brilliant Classics 95917 2

12:00 A JAZZ HOUR with Barry O'Sullivan Contemporary and modern sounds of 'now' in jazz from all corners of the globe with a focus on contemporary jazz from Australia and regular interviews with local and visiting musicians

Mozart, W. Clarinet concerto in A, K622 (1791). Craig Hill, cl; Australian Brandenburg O/Paul Dyer. ABC 476 1250 28

Croes, H-J. de Double concerto no 6 in B flat. Pol Vanwolleghem, fl; Georges Octors, vn; Belgian RTCO/Edgard Doneux. LP EMI 4C 161-96986/989 16

13:00 TWO’S COMPANY Prepared by Michael Morton-Evans Haydn, J. Duos nos 2 and 3 (pub 1800). Michel Portal, cl; Paul Meyer, cl. EMI 5 56732 2 19 Bax, A. Sonata (1928). Lorna McGhee, fl; Alison Nicholls, hp. Naxos 8.554507 19 Bush, G. Dialogue: A conversation (1960). Neil Black, ob; Geoffrey Bush, pf. Chandos CHAN 8819 15 Chopin, F. Sonata in G minor, op 65 (184546). Franz Bartolomey, vc; Madoka Inui, pf. Naxos 8.557708 30

Bach, C.P.E. Double concerto in E flat, Wq47 (1788). Neal Peres da Costa, fp; Australian Haydn Ensemble/Erin Helyard, hpd & dir. Fine Music concert recording 19 Berlioz, H. Symphonie fantastique, op 14 (1830). O Révolutionnaire et Romantique/John Eliot Gardiner. DG 479 1044 53 Porpora, N. Parto, ti lascio, o cara, from Germanico in Germania (1732). Cecilia Bartoli, mezz; Il Giardino Armonico/Giovanni Antonini. Decca 478 1521 11

SATURDAY 3 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SATURDAY MORNING MUSIC with David Garrett 09:00 WHAT'S ON IN MUSIC Our weekly guide to musical events in and around Sydney 09:05 THE PIANO ALONE Prepared by Anne Irish Satie, E. Je te veux (c1900). Pascal Rogé, pf. Decca 478 5644 5 21

Schumann, R. Variations on a theme by Clara 12:00 URBAN JAZZ LOUNGE Wieck, op 14 (1833). Byron Janis, pf. with Leita Hutchings Mercury 434 333-2 7 New, hip, fun and traditional jazz: tons of cool jazz, presented in a chilled and laid-back, Schumann, C. Variations on a theme of lounge style Robert Schumann, op 20 (1853). Helene Boschi, pf. Calliope CAL 9211

Beethoven, L. Sonata no 32 in C minor, op 111 (1822). Alfred Brendel, pf. Philips 438 374-2 26 10:00 CENTRES OF MUSIC Brussels Royal Conservatory, Part 4 Prepared by Elaine Siversen

13:00 THE GODDESS OF LOVE Prepared by Paul Cooke Schumann, R. Dedication, from Myrthen, op 25 (1840). Bryn Terfel, bass bar; Malcolm Martineau, pf. DG 447 042-2 18 Respighi, O. The birth of Venus, from Three Botticelli pictures (1927). London SO/Charles Mackerras. Carlton Classics 1565691372 6

Mozart, W. Sonata no 32 in B flat, K454 (1784). Igor Oistrakh, vn; Natalia Zertsalova, pf. Orff, C. Excerpts from Trionfo di Afrodite Melodiya MA 13689 21 (1950-51). Susan Roberts, sop; Lisa Griffith, sop; Thomas Dewald, ten; Ulrich Ress, ten; Ibert, J. Four songs of Don Quichotte (1932). Thomas Mohr, bar; Singakademie, Frankfurt; José van Dam, bar; Jean-Philippe Collard, pf. Frankfurt Kantorei; Figural Choir, Frankfurt; EMI CDC 7 49288 2 11 Cecilian Choir, Frankfurt; Royal Flemish PO, Kalliwoda, J. Salon piece, op 228. Paul Antwerp/Muhai Tang. Dombrecht, ob; Jos van Immerseel, pf. Wergo WER6275-2 17 Accent ACC 78330 D 10 Blow, J. A mournful masque, from Venus and Fuchs, R. Waltzes, op 110 nos 7 to 12 (1920). Adonis (1683; arr. Knight). Septura. Daniel Blumenthal, pf. Naxos 8.573386 16 Marco Polo 8.223474 12 Fauré, G. The birth of Venus, op 29 (rev.1895). Hodemont, L. Deus canticum novum; Sara Macliver, sop; Jenny Duck-Chong, mezz; Peccavi; In toto corde meo; O bone Jesu. Paul McMahon, ten; Teddy Tahu Rhodes, bar; Henri Ledroit, ct; François Fernandez, vn; Cantillation; Sinfonia Australis/Antony Walker. Philippe Pierlot, bass viol; Bernard Foccroulle, ABC 481 2646 24 org. Ricercar RIC 013028 11 14:30 SATURDAY MATINÉE Orchestral grandeur Canteloube, J. Poème (1918/37-38). Philippe Prepared by Rita Felton Graffin, vn; Ulster O/Thierry Fischer. Hyperion CDA67294 15 Foerster, J. Suite: Cyrano de Bergerac, op 55 (1903). Czech PO/Václav Smetácek. 11:30 ON PARADE LP Supraphon 1110 2456 39 Music that’s band Debussy, C. La mer (1903-05). St Cecilia Prepared by Owen Fisher Academy O/Leonard Bernstein. Puccini, G. One fine day, from Madam Butterfly. Allentown Band/Ronald Demkee. AMP 27183 3

DG 429 728-2

Mahler, G. Symphony no 6 in A minor (1904). Sydney SO/Vladimir Ashkenazy. Forsyth, M. Processional for grand occasions. Sydney Symphony live SSO201103 1:15 Studio Brass Band of Sydney/Ken Bradley. 17:00 SOCIETY SPOT Trombonis Australis TA-0001 4 Folk Federation of NSW Wagner, R. Procession to the minster. Black with Kate Delaney Dyke Mills Band/James Watson. 18:00 STAGE AND SCREEN Doyen DOY CD 060 6 Prepared by Sue Jowell Steadman-Allen, R. March: Crown of Bernstein, L. Excerpts from Wonderful town conquest. Black Dyke Mills Band/Peter Parkes. (1952). Rosalind Russell, Edith Adams, Jordan Doyen DOY CD 221 4 Bentley, George Gaynes, voices; O/Don Anderson, L. A trumpeter’s lullaby. Central Walker. Band of the Royal Air Force. Decca Broadway 440 014 602-2 19 AMP 99207 3 Excerpts from On the town (1944). Gregg Strauss, J. I Radetzky march. Ambulance Edelman, Tim Flavin, Ethan Freeman, Kim Service Band/Robert Heath. Criswell, Judy Kaye, voices; National SO/John AMBO AS01 3 Owen Edwards. Jay Masterworks JAY2 1231 20 22

Excerpts from Candide (1956). June Anderson, sop; Jerry Hadley, ten; London SO/ Leonard Bernstein. DG 447 958-2 11 Make our garden grow, from Candide (1956). Turtle Creek Chorale; Dallas Wind Symphony/ Timothy Seelig. Reference Recordings RR-49CD 4 19:00 EMERGENT JAZZ with Keith Pettigrew Australian jazz of the 21st century featuring high school jazz combos, tracks from Sydney's pre-eminent jazz programs at UNSW and 'The Con' and new Australian and international jazz releases 20:00 THE LIFE OF A COMPOSER Louis Spohr Prepared by Frank Morrison Spohr, L. Concertante no 1 in G (1806). Hansheinz Schneeberger, vn; Ursula Holliger, hp; English CO/Peter-Lukas Graf. Claves CD 50-208 23 Rondoletto in G, op 149 (1848). Howard Shelley, pf. Hyperion CDA 67947

Variations in A, op 8 (pub. 1807). Ernö Sebestyen, vn; Heidrun Ganz, vn; Wilfried Strehle, va; Martin Ostertag, vc. Schwann 311 088 10 Six German songs, op 103 (1838). Mary Saunders, sop; Peter Cokkinias, cl; Myron Romanul, pf. Centaur CRC 2016 17 Octet in E for winds and strings, op 32 (1814). Vienna Octet. Decca 466 580-2 25 Symphony no 2 in D minor, op 49 (1820). Singapore SO/Choo Hoey. Marco Polo 8.220360 29 22:00 SATURDAY NIGHT AT HOME Prepared by Di Cox Suk, J. Serenade in E flat for strings, op 6 (1892). Czech PO/Jiri Bélohlávek. Chandos CHAN 9640 30 Berwald, F. Quartet in E flat (1819). Joakim Kallhed, pf; members of Arion Wind Quintet. Naxos 8.553714 23 Schubert, F. Gesang der Geister über den Wassern, D714 (1821). Utrecht Vocal Soloists; Julia Jowett, va; Pascal Siffert, va; Harriet Overbeek, vc; Gé van Leeuwen, vc; Steven Wienjus, db; Ronald Brautigam, pf; Udo Reinemann, bar & dir. Globe CD GLO 5021 10 Kodály, Z. Suite from Háry János, op 15 (1927). Hungarian State SO/Ádám Fischer. Nimbus NI 5284 25

Rachmaninov, S. Suite no 2, op 17 (1900-01). 14:00 THE PIANO SONATA Martha Argerich, pf; Gabriela Montero, pf. Entartete sonatas, Part 1 EMI 3 58472 2 22 Prepared by James Nightingale

SUNDAY 4 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC with James Nightingale 09:00 MUSICA SACRA Prepared by Rex Burgess Leo, L. Salve Regina. Les Talens Lyriques/ Christophe Rousset, org & dir. Decca 460 020-2 19 Biber, H. Sonata no 3, The Nativity, from The rosary sonatas (c1676). Andrew Manze, vn; Richard Egarr, hpd. Harmonia Mundi HMX 2908250.79 7 Schubert, F. German Mass, D872 (1827). Vienna Boys' Choir; Ch Viennensis; Rudolf Scholtz, org; Vienna SO/Uwe Christian Harrer. Philips 468 312-2 28 10:00 THE CLASSICAL ERA Prepared by Anne-Louise Luccarini Salieri, A. 26 Variations on La folia di Spagna (1815). London Mozart Players/Matthias Bamert. Chandos CHAN 9877 18 Reicha, A. Wind quintet in G, op 88 no 3 (1811-17). Pro Arte Quintet. LP Gold Records 11 071 23 Mozart, W. Martern aller Arten, from The abduction from the seraglio, K384 (1782). Joan Sutherland, sop; Royal Opera House O/ Francesco Molinari-Pradelli. Decca 475 6302 9 Beethoven, L. Sonata no 10 in G, op 96 (1812/15). Josef Suk, vn; Jan Panenka, pf. Supraphon SU 4077-2 30 Schubert, F. Symphony no 5 in B flat, D485 (1816). Stockholm Sinfonietta/Neeme Järvi. BIS CD-387 30 12:00 CLASSIC JAZZ with Dave Mac The early days of jazz and ragtime as recorded during the first 30 years of the 20th century 13:00 WORLD MUSIC Whirled Wide with Carole Garland Showcases diverse music from cultures around the world, both traditional and modern, featuring musicians from all corners of the globe, including Australia

Zelenka, J. Psalm 113: In exitu Israel. Stuttgart Chamber Choir & Baroque O/Frieder Bernius. 11 Berg, A. Sonata (1907-08). Murray Perahia, pf. Carus 83.279 Sony SX4K 63380 10 Eccard, J. When to the temple Mary went. Choir of St Paul’s Cathedral, London; Huw Hindemith, P. Sonata no 1 (1936). Bernard Williams, org; John Scott, cond. Roberts, pf. 4 Nimbus NI 5459/60 26 Helios CDH55443 Ullmann, V. Sonata no 4 (1941). Christophe Sirodeau, pf. BIS CD-216 18

Bach, W.F. Chorale prelude: We Christian people have joy now. Filippo Turri, org. Brilliant Classics 95803/21 1

15:00 SUNDAY SPECIAL Charles Koechlin: teacher, composer, orchestrator Prepared by Rex Burgess

18:00 BOHEMIAN CHAMBER Prepared by Elaine Siversen

Tailleferre, G. Concertino (1927). Gillian Benet, hp; Women's PO/JoAnn Falletta. Koch 3 7169 2H1 16 Poulenc, F. Double concerto in D minor (1932). Sylviane Deferne, pf; Pascal Rogé, pf; Philharmonia O/Charles Dutoit. Decca 436 546-2 19 Sauguet, H. Ballet: Les forains (1945). Conservatoire Concerts Society O/Henri Sauguet. Le Chant du Monde LDC 278.300 27 Debussy, C. Khamma, dance legend (1912; orch. Koechlin 1913). SWR RSO, Stuttgart/ Heinz Holliger. SWR Music SWR19046CD 22

Biber, H. Scordatura sonata for two violins and basso continuo. Tafelmusik Baroque Soloists. CBC MVCD 1031 14 Biber, C. Sonata in D. Paul Plunkett, tpt; Julie Hewison, vn; Lucinda Moon, vn; Jenny Ingram, va; Miriam Morris, vc; Linda Kent, org. Move MD 3127 6 Richter, F. String quartet in B flat, op 5 no 2 (1768). Members of Concentus Musicus Vienna/Nikolaus Harnoncourt. Teldec 8.41062 12 Triebensee, J. Partita in E flat for wind octet. Collegium Musicum Prague. Supraphon 1111 2973G 21

Koechlin, C. The law of the jungle, op 175; The bandar-log, op 176 (1939). Berlin RSO/ David Zinman. BMG 09026 61955 2 26

19:00 JAZZ INTERACTION with Maddy Monjo Exploring contemporary jazz, covering new releases, contrasting performers, improvisation and the orchestra, all presented with social media presence; Listen, ask, share

17:00 HOSANNA Prepared by Stephen Matthews

20:00 SUNDAY NIGHT CONCERT Prepared by Dan Bickel

Hymn. O worship the Lord in the beauty of holiness! Choir of St Paul’s Cathedral, London; Huw Williams, org; John Scott, cond. Helios CDH55443 3

Mozart, W. Overture to Lucio Silla, K135 (1772). Academy of St Martin in the Fields/ Neville Marriner. EMI 4 64315 2 9

Wood, C. Hail gladdening light. Choir of King’s Prokofiev, S. Piano concerto no 2 in G minor, College, Cambridge/David Willcocks. op 16 (1912/23). Konstantin Shamray, pf; EMI 5 58088 4 Sydney SO/Kiril Karabits. ABC 476 6960 34 Parry, H. Psalm 84: O hail gladdening light. Choir of King’s College, Cambridge/David Martucci, G. Symphony no 1 in D minor, op Willcocks. 75 (1888-95). Rome SO/Francesco la Vecchia. EMI 5 58088 2 4 Naxos 8.570929 40 Silvestrov, V. Elegy; Prayer for Ukraine. Kyiv Chamber Choir/Mykola Hobdych. EGM 2359 485 8084 7 Mendelssohn, F. When Jesus our Lord. Choir of St Paul’s Cathedral, London; Huw Williams, org; John Scott, cond. Helios CDH55443 7 Darke, H. Evening Service in F. Choir of St Paul’s Cathedral, London/John Scott. Helios CDH55402 10

21:30 NEW HORIZONS Prepared by Paul Cooke Mustonen, O. Sonata (2006). Steven Isserlis, vc; Olli Mustonen, pf. BIS CD-2042 15 Kernis, A. Flute concerto (2015). Marina Piccinini, fl; Peabody SO/Leonard Slatkin. Naxos 8.559830 28 23

Wilcox, F. Vivre sa vie, composer’s cut (2017). 13:00 100% AUSTRALIAN MADE Prepared by Julie Simonds Ensemble Offspring. Move MD 3456 16 Hindson, M. The stars above us all. Tasmanian SO/Benjamin Northey. Tüür, E-S. Symphony no 8 (2010). Tapiola Hush Vol 13 6 Sinfonietta/Olari Elts. Ondine ODE 1303-2 26 Little Chrissietina’s magic fantasy. Miki 23:00 JAZZ AFTER HOURS Portraits with Eddie Bernasconi Late night jazz that presents a picture of individual jazz musicians or specific instruments. Listen, engage and unwind

MONDAY 5 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 FINE MUSIC BREAKFAST with James Hunter 09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1934 Prepared by Frank Morrison Bax, A. Sonata in B flat (1934). Janet Hilton, cl; Keith Swallow, pf. Chandos CHAN 8683 14 Prokofiev, S. Suite from Lieutenant Kijé, op 60 (1934). Montreal SO/Charles Dutoit. Decca 430506-2 20 Turina, J. Gypsy dances, op 84 (1934). Jordi Masó, pf. Naxos 8.557150 14

Tsunoda, vn; Caroline Almonte, pf. ABC 476 087-2

Technologic 135. Elektra String Quartet. ABC 476 5039

Grieg, E. Lyric suite, op 54 (1904). Royal PO/ Yondani Butt. ASV DCA 722 16 Mendelssohn, F. Violin concerto in E minor, op 64 (1844). Yehudi Menuhin, vn, London SO/Rafael Frühbeck de Burgos. EMI CDM 1 66433 2 27 Brahms, J. Symphony no 4 in E minor, op 98 (1885). Vienna PO/Carlos Kleiber. DG 477 5324 40 12:00 SWING SESSIONS with John Buchanan Featuring bands of the 1930s swing era and the dance bands of the 1920s taken from radio broadcasts, transcriptions and recording sessions 24

00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST with Julie Simonds

09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Hindson - Barton. Kalkadungu, mvts 1 and 2. Prepared by Elaine Siversen Sydney SO/Richard Gill. Grieg, E. Wedding day at Troldhaugen, op ABC 476 4834 8 65 no 6, from Lyric pieces bk 8 (1897). Eva Knardahl, pf. BIS CD-106

Hindson, M. Headbanger. Adelaide SO/ Kristjan Järvi. Private recording

House music, mvts 3 and 4. Alexa Still, fl; Oberlin O/Raphael Jiménez. Oberlin Music OH 44074

Mozart, W. Rondo in A minor, K511 (1787). Geoffrey Lancaster, fp. ABC 432 248-2 12

Soler, A. Concerto no 6 in D. Bernard Brauchli, org; Esteban Elizondo, hpd. Titanic Ti-152

14:00 FROM CLEVELAND Prepared by Derek Parker Rimsky-Korsakov, N. Overture: Russian Easter Festival, op 36 (1888). Cleveland O/ Lorin Maazel. Decca 480 6627 15 Smetana, B. Three dances, from The bartered bride (1866). Cleveland O/George Szell. Sony SBK 48 279 12 Stravinsky, I. Ballet: Card game (1935-36). Cleveland O/Igor Stravinsky. Sony SM3K 46 291-302 23

Webern, A. Three songs, op 23 (1934). Halina Brahms, J. Double concerto in A minor, Lukomska, sop; Charles Rosen, pf. op 102 (1887). David Oistrakh, vn; Mstislav Sony SM3K 45845 7 Rostropovich, vc; Cleveland O/George Szell. Korngold, E. Quartet no 2 in E flat, op 26 EMI 5 65701 2 34 (1934). Philippa Ibbotson, vn; Mark Denman, Mozart, W. Symphony no 41 in C, K551, vn; Robert Gibbs, va; David Newby, vc. Jupiter (1788). Cleveland O/George Szell. ASV DCA 1035 24 Sony SBK 46 333 26 10:30 CONCERT HALL Prepared by Rita Felton

TUESDAY 6

16:00 FINE MUSIC DRIVE with Andrew Dziedzic 19:00 JAZZ ABOUT TOWN with Deborah Evans A sound gig guide to what's on in Sydney's jazz scene over the coming week with music from jazz musicians who are About Town 20:00 STORMY MONDAY with Austin Harrison 22:00 JAZZ AFTER HOURS with Ramsay McInnes Late night jazz, to listen and engage, and relax

Beethoven, L. Sonata no 26 in E flat, op 81a, Les adieux (1809-10). Gerard Willems, pf. ABC 465 264-2 18 Schubert, F. Gretchen am Spinnrade, D118 (1814); Auf dem Wasser zu singen, D774 (1823). Barbara Bonney, sop; Geoffrey Parsons, pf. Teldec 4509-90873-2 8 Rachmaninov, S. Suite no 1, op 5, Fantasietableaux (1893). John Ogdon, pf; Brenda Lucas, pf. ASV DCA 636 25 10:30 CONCERT HALL Prepared by Chris Blower Reznicek, E. A comic overture (1922). West German RSO/Michail Jurowski. cpo 777 047-2 9 Saint-Saëns, C. Cello concerto no 1 in A minor, op 33 (1872). Ofra Harnoy, vc; Victoria SO/Paul Freeman. RCA RD 71003 20 Haydn, J. The seven last words of Christ on the cross, Hob.XX:1a (1787). Orchestral Ensemble of Paris/Armin Jordan. fnac Music 592195 53 12:00 JAZZ RHYTHM with Jeannie McInnes An eclectic blending of agreeable rhythm and melody from the New Orleans jazz roots through to recent decades, including many Australian bands 13:00 HARP IN CHAMBER Prepared by Jacky Ternisien Salzedo, C. Bolmimerie (1919). SHE: Seven Harp Ensemble. Tall Poppies TP204 12

Dauprat, L. Variations on a Scottish air, op 22. 20:00 JUST IN Sören Hermansson, hn; Erica Goodman, hp. with James Nightingale BIS CD-648 10 A selection from the latest recordings to arrive Caccini, G. Amarilli, mia bella. Jane Edwards, at the Fine Music Library sop; Marshall McGuire, hp. ABC 476 910-8 Arbeau, T. Belle qui tiens ma vie, after Arbeau. Andrew Lawrence-King, hp. Alia Vox AVSA 9895 A/F

Petrini, F. Duo in E flat, op 30 (c1793). JeanPierre Rampal, fl; Marielle Nordmann, hp. Sony SK 44552 10

22:00 CHAMBER SOIRÉE Prepared by Albert Gormley Tartini, G. Sonata in D for violin and continuo (c1745-60). Locatelli Trio. Hyperion CDA66485 20 Mozart, W. Clarinet quintet in A, K581 (1789). Gervase de Peyer, cl; Amadeus Quartet. DG 437 137-2 33

Attrib. Bach, J.S. Flute sonata in G minor, Pleyel, I. Octet in C for winds and strings. BWV1020 (arr.) Sally Walker, fl; Emily Granger, Consortium Classicum/Dieter Klöcker. hp. cpo 999 743-2 34 Avie AV2626 12 Schoenberg, A. Transfigured night, op 4 14:00 IN THE MYSTIC LAND OF (1899). Paul Neubauer, va; Colin Carr, vc; EGYPT Emerson Quartet. Prepared by Dan Bickel Sony 88725470602 27 Ketèlbey, A. In the mystic land of Egypt (1931). Laurence Dale, ten; Ambrosian Ch; London Promenade O/Alexander Faris. Philips 400 011-2 6 Berlioz, H. The death of Cleopatra (1829). Rosamund Illing, sop; Melbourne SO/Heribert Esser. ABC 434 898-2 23 Glass, P. Hymn to the sun, from Akhnaten (1984). Paul Esswood, ct; Philip Glass Ensemble/Michael Riesman. Sony SMK87977 6 Akhnaten and Nefertiti. Milagro Vargas, sop; Paul Esswood, ct; Philip Glass Ensemble/ Michael Riesman. Sony SMK87977 4 Window of appearances; Epilogue. Milagro Vargas, sop; Paul Esswood ct; Philip Glass Ensemble/Michael Riesman. Sony SMK87977 9 Arensky, A. Suite from ballet Egyptian nights, op 50a (1902). USSR RSO/Boris Demchenko. Melodiya MEL 45002-2 20 Mozart, W. Incidental music to Thamos, King of Egypt, K345 (1773-76). Janet Perry, sop; Marius van Altena, ten; Thomas Thomaschke, bass; Harry van der Kamp, bass; Nietherlands Chamber Choir; Collegium Vocale; Concertgebouw O/Nikolaus Harnoncourt. Teldec 8.42702 43 16:00 FINE MUSIC DRIVE with David Brett 19:00 THE JAZZ BEAT with Lloyd Capps Smooth small group jazz from the 50s on, and with a visit from Miles Davis each week

WEDNESDAY 7 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST with Stephen Wilson 09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by Gerald Holder Raupach, H. March; I go to my death, from Alceste (1758). Cecilia Bartoli, mezz; I Barocchisti/Diego Fasolis. Decca 478 6767 15 Boëly, A. Suite no 4 in F minor, from Suites in the style of the old masters op 16 (1854). Stephanie McCallum, pf. Toccata TOCC 0471 15 Mosonyi, M. Piano concerto in E minor (1844). Klára Körmendi, pf; Slovak State PO/ Robert Stankovsky. Marco Polo 8.223539 20 Hurlstone, W. Four characteristic pieces. John Bradbury, cl; James Cryer, pf. Naxos 8.570539 17 Benevoli, O. Miserere. Le Concert Spirituel/ Hervé Niquet. Naxos 8.553636 5

10:30 CONCERT HALL Prepared by Frank Morrison Stravinsky, I. Danses concertantes (1942). Montreal Sinfonietta/Charles Dutoit. Decca 473 810-2 20 Spohr, L. Violin concerto no 3 in C (1806). Ulf Hoelscher, vn; Berlin RSO/Christian Fröhlich. cpo 999 145-2 24 Schumann, R. Symphony no 2 in C, op 61 (1845-46; arr. Adorno). Royal PO/Dirk Joeres. BIS CD-1055 39 12:00 JAZZ SKETCHES with Robert Vale Focussing on contemporary jazz, often gathered from emerging cultures and Australian 13:00 IN CONVERSATION with Simon Moore Each week we meet one of the world’s great musicians, singers, composers or conductors, along with up-and-comers and some of the men and women who influence the arts landscape. 14:00 IN SCHUBERT’S WORKSHOP Prepared by Rex Burgess Schubert, F. Death and resurrection of Lazarus, D689 (1820). Antonia Fahberg, sop; Hidegard Limmer, sop; Gertraut Stocklassa, sop; Albert Gasner, ten; Friedrich Lenz, ten; Ernst Peter Molitorisz, bar; Munich Pro Musica Sacra Choirs & O/Helmut Banzhaf. Diem classic DIM 6110-2 51 Sonata in F sharp minor, D571, D604, D570b (1817; compl. Dullo). Romola Costantino, pf. LP MBS 4 20 Schubert - Berio. Rendering (1989-90). Royal Concertgebouw O/Nikolaus Harnoncourt. Radio Nederland RCO12004 35 Schubert, F. Allegretto in C minor, D900 (c1823). Ian Munro, pf. Tall Poppies TP079

16:00 FINE MUSIC DRIVE with Tom Forrester-Paton 19:00 PLANET JAZZ with Xavier Bichon A musical journey to different parts of the world where jazz meets other musical traditions, from Africa to Europe, with a slice of Australia

Loeillet of London, J.B. Sonata in D, op 3 no 20:00 AT THE OPERA 9 (pub. 1715). Håkan Hardenberger, tpt; Simon After Victor Hugo Preston, org. Prepared by Camille Mercep Philips 434 074-2 6 Verdi, G. Ernani. Opera in four acts. Libretto by Francesco Maria Piave after Victor Hugo's play Hermani. First performed Venice, 1844. 25

ERNANI: Plácido Domingo, ten DON CARLOS: Renato Bruson, bar ELVIRA: Mirella Freni, sop DON RUY GOMEZ DE SILVA: Nicolai Ghiaurov, bass La Scala Ch & O/Riccardo Muti. EMI 7 47083 8 2:08

09:00 DIVERSIONS IN FINE MUSIC Romantics, tributes and dedications Prepared by Elaine Siversen

Glinka, M. Variations on a theme from Alabiev's The nightingale (1833). Francesco Bertoldi, pf. Nuova Era 7232 7

Dvorák, A. Six songs, from Cypresses (1887). Thymos Quartet. Avie AV2234 16

Martinu, B. Butterflies and birds of paradise (1920). Giorgio Koukl, pf. Naxos 8.557918 16

Ernani, once a duke punished by his King Carlo, has become a bandit chief. He loves and is loved by Elvira who. against her will is betrothed to Silva. King Carlo also loves her. Ernani, disguised as a pilgrim, is offered the ancient laws of hospitality by Silva who refuses to hand him over to Carlo. Instead, he hands Elvira to the King as hostage and informs Ernani that his life is now forfeited to him. Ernani hands Silva a silver horn, vowing that, when it is sounded, he will kill himself. Carlo pardons his enemies and blesses the union of Ernani and Elvira. Their happiness is brief as the silver horn sounds three times. Disengaging himself from his beautiful bride, Ernani stabs himself and dies in Elvira's arms.

Rodrigo, J. Capriccio: Tribute to Sarasate (1944). Eva Léon, vn. Naxos 8.572648 8

14:00 ITALIAN FAVOURITES Prepared by Jacky Ternisien

Pepusch, J. Cantata: When loves soft passion. Salut! Salut! Baroque SAL002

Donizetti, G. Par che mi dica ancora, from Elisabetta al castello di Kenilworth (1829). Joyce DiDonato, mezz; Morgane Fauchois, glockenspiel; Lyon National Opera Ch & O/ Riccardo Minasi. Erato 08256 463656 2 3 8

Szymanowski, K. Romance in D, op 23 (1910). Detlef Hahn, vn; Mark Fielding, pf. ASV QS 6215

22:30 MUSIC OF THE NIGHT Prepared by James Nightingale Respighi, O. Dorian quartet for strings (1924). Barylli Quartet. Westminster RC 8808678121735 21 Fuga, S. Sonata no 2 (1972). Alessandro Milani, vn; Giacomo Fuga, pf. Naxos 8.573142 21

Holst, G. Egdon Heath, Homage to Thomas Hardy, op 47 (1927). London SO/Benjamin Britten. BBC Music BBCB 8007-2 15 Chopin, F. Études, op 10 nos 1-6 (1829-32). Maurizio Pollino, pf. DG 477 8445 14

Vaughan Williams, R. Romance et pastorale (c1914). Nash Ensemble. Hyperion CDA67381/2 9 10:30 CONCERT HALL Prepared by Derek Parker Bach, J.S. Overture no 2 in B minor, BWV1067 (c1739). Brandenburg Consort/Roy Goodman. Hyperion CDA66501 23 Vaughan Williams, R. Bass tuba concerto in F minor (1954). Peter Whish-Wilson, tuba; Adelaide SO/David Stanhope. ABC 476 525-1 13

Crawford, D. The nun’s picnic: Variations on a Glazunov, A. Symphony no 3 in D, op 33 theme sung by Tammy Wynette (2010). Zubin (1890). London SO/Yondani Butt. Kanga, pf. ASV DCA 903 46 Private recording 17 Schulhoff, E. Suite: Der Bürger als Edelmann 12:00 JAZZ AFTER NOON (1926). Michael Rische, pf; German SO, Berlin/ with Sue Jowell Gerd Albrecht. Hänssler Classic HC21042

THURSDAY 8 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST with Simon Moore

13:00 BIRDS AND BUTTERFLIES Prepared by Derek Parker

Scarlatti, D. Sonatas: in D minor, Kk9, Pastorale; in F, Kk6; in G, Kk13; in C minor, Kk11. Alicia de Larrocha, pf. Philips 456 886-2 18 Allegri, G. Psalm 51: Miserere mei Deus. Tallis Scholars/Peter Phillips. Gimell CDGIM 041 14 Bellini, V. Oboe concerto in E flat (pub. 1941). Diana Doherty, ob; Queensland SO/Werner Andreas Albert. ABC 456 681-2 7 Albinoni, T. Adagio in G minor (arr. for the film Gallipoli). Sydney SO/Edo de Waart. ABC 534 3879 10 Vivaldi, A. Violin concerto in E, RV269, Spring, from The four seasons (pub. 1725). Australian CO/Richard Tognetti, vn & dir. BIS BIS-2103 10 Verdi, G. Va pensiero ..., from Nabucco (1842). Nicolai Ghiaurov, bass; Ambrosian Singers; London SO/Claudio Abbado. Decca 478 5365 9 Bellini, V. O rendetemi la speme ... Qui la voce sua soave, from I Puritani (1835). Anna Netrebko, sop; Nicola Ulivieri, bass-bar; Andrea Concetti, bass; Mahler CO/Claudio Abbado. DG 474 8002 5 Puccini, G. None shall sleep, from Turandot (1920-24; compl. Alfano 1926). Luciano Pavarotti, ten; John Alldis Choir; Wandsworth School Boys’ Choir; London PO/Zubin Mehta. ABC 480 6177 3

Granados, E. The maiden and the nightingale. Respighi, O. Ancient airs and dances, suite John Champ, pf. ABC 446 059-2 6 no 3 (1924). Accademia Bizantina/Carlo Chiarappa. Liszt, F. Legend of St Francis of Assisi Denon CO-78916 18 preaching to the birds, from Légendes (1863). Leslie Howard, pf. 16:00 FINE MUSIC DRIVE Hyperion CDS44512 9 with Marilyn Schock Ghandar, A. Garden with birds (1998-99). Ian 19:00 THE NEW JAZZ STANDARD Munro, pf. with Frank Presley Tall Poppies TP145 10 Viardot, Pauline. The little bird. Miriam Alexandra, sop; Eric Schneider, pf. OEHMS OC 1878

Rossini, G. Overture to William Tell (1829). Tasmanian SO/Ola Rudner. ABC 481 0616 12

20:00 THE WORLD OF A SYMPHONY Dmitri Shostakovich: Symphony no 7 Prepared by Paolo Hooke

10:30 CONCERT HALL Prepared by Jacky Ternisien

Shostakovich, D. Sonata no 2, op 61 (1942). Vladimir Ashkenazy, pf. Decca B0001846-02 27

Thomas, A. Ballet music from Hamlet (1868). National PO/Richard Bonynge. LP Decca SXDL 7583 22

Symphony no 7 in C, op 60, Leningrad (1941). Chicago SO/Leonard Bernstein. DG 477 7587 1:25

Fibich, Z. Symphonic poem: Othello, op 6 (1873). Czech NSO/Marek Stilec. Naxos 8.573197 17

22:00 YEHUDI MENUHIN Part 2 Prepared by Gerald Holder

Prokofiev, S. Suite from Romeo and Juliet (1936). London SO/Claudio Abbado. Decca 478 5365 29

Berlioz, H. Overture: King Lear, op 4 (1831). Scottish NO/Alexander Gibson. Chandos CHAN 8316 14

Corona, F. Lully’s Turquerie as interpreted by an advanced script (2007). Alexis Kossenko, fl; Julien Léonard, vn; Gabriel Grosbard, va da gamba; Brice Sailly, hpd; Fernando Corona, elec. Leaf BAY67 7 Devienne, F. Flute concerto no 7 in E minor (1788). Marc Grauwels, fl; Walloon CO/ Bernard Labadie. Naxos 8.555918 18 Jadin, H. Sonate in D, op 5 no 2. Andreas Staier, pf. MBF 1108 12

12:00 A JAZZ HOUR with Barry O'Sullivan

Corigliano, J. Phantasmagoria, suite from The ghosts of Versailles (2000). Buffalo PO/ JoAnn Falletta. Naxos 8.559671 22

Mozart, W. Quartet in G minor, K 478 (1785). Menuhin Festival Piano Quartet. Mediaphon MED 72.117 25

13:00 ENDINGS Prepared by Stephen Gard

16:00 FINE MUSIC DRIVE with Julie Simonds

Strauss, R. Four last songs (1948). Rosamund Illing, sop; State O of Victora/ Richard Divall. 3MBS-FM recording 21

19:00 FRIDAY JAZZ SESSION with Alex Siegers

Boulanger, L. Cortège (1914). Yehudi Menuhin, vn; Clifford Curzon, pf. EMI CDM 7 64281 2

22:30 ULTIMA THULE

FRIDAY 9 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST with Stephen Gard

Kuhlau, F. Variations on an Irish air: The last rose of summer, op 105 (1829). Per Øien, fl; Geir Henning Braaten, pf. LP Simax PN 2004 9 Benjamin, A. A song with a sad ending, from Fantasies bk 1 (pub. 1933). Tamara-Anna Cislowska, pf. ABC 476 629-8 1

20:00 EVENINGS WITH THE ORCHESTRA Chopin’s piano concertos, Part 2 Prepared by Elaine Siversen Chopin, F. Variations on Là ci darem la mano, from Don Giovanni, op 2 (1827). Jan Lisiecki, pf; NDR Elb PO/Krzysztof Urbanski. DG 479 6824 18 Liszt, F. Hungarian rhapsody no 1 in F minor (1846; orch. Liszt, F. Doppler). London SO/ Antal Dorati. Mercury 432 015-2 11

Westlake, N. The last place on earth, from Antarctica (1991). Christine Douglas, sop; Philippe Anquetil, treb; Dene Olding, vn; David Bach, J.S. Triple concerto in D minor, Pereira, vc; Louise Johnson, hp; Timothy Kain, Purcell, H. Suite (transcr. Stokowski). Peter BWV1063. Kenneth Gilbert, hpd; Lars Ulrik gui; Studio O/Carl Vine. Dixon, vc; BBC PO/Matthias Bamert. Mortensen, hpd; English Concert;/Trevor 6 Chandos CHAN 9930 12 Tall Poppies TP012 Pinnock, hpd & dir. Quilter, R. Suite no 1: Where the rainbow Archiv 471 754-2 14 Eccles, J. Suite ‘made for the Queen's ends (1911). Northern Sinfonia/Richard Hickox. Coronation’ (1702). Mark Bennett, tpt; Glazunov, A. Ballet: Chopiniana, op 46 EMI CDC 7 49933 2 15 Members of Parley of Instruments/Peter (1893). German SO/Vladimir Ashkenazy. Holman. Decca 460 019-2 21 14:00 GHOSTS OF VERSAILLES Hyperion CDA66817 12 Prepared by Paul Cooke Cherubini, L. Overture to Lodoïska (1791). Bach, J. Christian Quintet in D for flute, oboe, Corigliano, J. Once there was a golden Zurich CO/Howard Griffiths. violin, viola and continuo, op 11 no 6 (1774). cpo 999 5212 11 bird, from She must stay, Marie-Antoinette’s Members of Concentus Musicus Vienna/ final aria, from The ghosts of Versailles Chopin, F. Piano concerto no 2 in F minor, Nikolaus Harnoncourt. (1991). Renée Fleming, sop; Philharmonia O/ op 21 (1829). Daniil Trifonov, pf; Mahler CO/ Teldec 8.41062 14 Sebastian Lang-Lessing. Mikhail Pletnev. Wesley, S. Symphony no 4 in D (1784). Milton Decca 478 5107 6 DG 479 7518 35 Keynes CO/Hilary Davan Wetton. Haydn, J. Symphony in B flat, Hob.I:85, The Unicorn-Kanchana DKP9098 13 Queen (c1785). O of the Age of Enlightenment/ 22:00 BAROQUE AND BEFORE French and Italian styles re-united Sullivan, A. Suite from Pineapple Poll (arr. Sigiswald Kuijken. Prepared by Elaine Siversen Mackerras, Duthoit 1951; arr. for winds). Virgin VC 790844-2 28 300th Eastman Wind Ensemble/Frederick Fennell. Mozart, W. Giunse alfin il momento; Porgi Decca 468 810-2 11 amor; E Susanna non vien! ... Dove sono, A NNI V ERSA RY 09:00 DIVERSIONS IN FINE MUSIC Journey through history Prepared by Peter Poole

Hurlstone, W. Sonata in F (1891). Peter Musson, bn; Stephen Emerson, pf. Continuum CCD 1079 17

from The marriage of Figaro, K492 (1786). Sara Macliver, sop; Tasmanian SO/Sebastian Lang-Lessing. ABC 476 5949 15

Couperin, F. Sixième concert, from Les goûts-réunis ou Nouveaux concerts (1724). Musica Ad Rhenum. Brilliant Classics 94489 12 27

Clérambault, L-N. Cantata: Zephyr et Flora (1716). Julianne Baird, sop; Music's Recreation. Meridian CDE 84182 15 Couperin, F. Huitième concert dans le goût théatral, from Les goûts-réunis ou Nouveaux concerts (pub. 1724). Owen Watkins, rec, baroque rec; Geoffrey Burgess, rec, baroque ob; Catherine Finnis, va da gamba; Nicholas Parle, hpd. Fine Music concert recording 21

10:00 CENTRES OF MUSIC Tall Poppies record label, Part 3 Prepared by James Nightingale

14:00 AUSTRALIAN ENSEMBLES Macquarie Trio Prepared by Elaine Siversen

Mozart, W. Minuet in G, K1 (1782). Geoffrey Tozer, pf. Tall Poppies TP001 2

Schubert, F. Piano trio movement in E flat, D897, Notturno (1828; pub. 1845). Macquarie Trio. ABC 465 792-2 11

Castelnuovo-Tedesco, M. Sonatina, op 205 (1965). Virginia Taylor, fl; Timothy Kain, gui. Tall Poppies TP003 13 Schubert, F. The shepherd on the rock, D965 (1828). Jennifer Bates, sop; Nigel Westlake, cl; David Bollard, pf. Tall Poppies TP011 12

Rameau, J-P. Cantata: Les amants trahis (1721). John Elwes, ten; Gregory Reinhart, bass-bar; Ageet Swiestra, vc; Marianne Müller, Haydn, J. Horn concerto no 1 in D, Hob.VIId:3 va da gamba; Yannick le Gaillard, hpd. (1762). Hector McDonald, hn; Academy of Le Chant du Monde LDC 278 774 21 Melbourne/Brett Kelly. Couperin, F. Neuvième concert: ritratto dell’ Tall Poppies TP042 18 amore, from Les goûts-réunis ou Nouveau Stravinsky, I. Chanson russe; Danse russe concerts (pub. 1724). Trio Sonnerie. (1922). Anna McMichael, vn; Daniel de Borah, Harmonia Mundi HMT 7907081 21 pf. Montéclair, M. de Cantata: La bergère Tall Poppies TP254 7 (pub.1728). Lavinina Bertotti, sop; Richard Cutlan, P. Perhaps next time (2011). Paul Tognetti, vn; Kate Clarke, baroque fl; Nicholas Cutlan, bass cl, soprano sax; Brett Hirst, bass; Parle, hpd. The Noise. Fine Music concert recording 9 Tall Poppies TP211 6 Couperin, F. Dixième concert, from Les Westlake, N. Suite from Antarctica (1992). goûts-réunis ou Nouveau concerts. Charivari Tim Kain, gui; Tasmanian SO/David Porcelijn. Agréable. Tall Poppies TP169 22 ASV GAU 159 8

SATURDAY 10

11:30 ON PARADE Prepared by Robert Small

Goodwin, R. March from The Battle of Britain (1969); Those magnificent men in their flying 00:00 CLASSIC-ALL THROUGH machines (1965); Theme from 633 Squadron THE NIGHT (1964). Central Band of the Royal Air Force. 7 06:00 SATURDAY MORNING MUSIC Decca 274 7512 Elgar, E. Pomp and circumstance march in C, with Stephen Wilson op 39 no 4 (1907). Central Band of the Royal 09:00 WHAT'S ON IN MUSIC Air Force. Our weekly guide to musical events in and Decca 274 7512 5 around Sydney Langford, G. Rhapsody (1975). Jonathan Hill, tb; Central Band of the Royal Air Force/ 09:05 THE PIANO ALONE Duncan Stubbs. Prepared by Jennifer Foong Chandos CHAN 10847 13 Mussorgsky, M. St John’s night on Bald Mountain (1867; ed. Rimsky-Korsakov 1886; transcr. Chernov). Boris Berezovsky, pf. Teldec 4509-96516-2 11 Moscheles, I. Two études, op 98 (1840). Piers Lane, pf. Helios CDH55387 7 Moszkowski, M. Barcarolle, op 27 no 1. Seta Tanyel, pf. Collins 15192 8

Grainger, P. The brisk young sailor (1937). Central Band of the Royal Air Force/Duncan Stubbs. Chandos CHAN 10847 2 12:00 URBAN JAZZ LOUNGE with Leita Hutchings

13:00 IN A SENTIMENTAL MOOD with Maureen Meers Nostalgic music and artists from the 30s, 40s Mendelssohn, F. Sonata in E, op 6 (1826). and 50s and occasionally beyond, in a trip Martin Jones, pf. down many memory lanes Nimbus NI 5070 22

Haydn, J. Piano trio no 39 in G, Hob.XV:25, Gypsy (1790). Macquarie Trio. Fine Music concert recording 16 14:30 SATURDAY MATINÉE Operetta in the afternoon Prepared by Elaine Siversen Millöcker, C. Gasparone. Operetta in three acts. Libretto by Friedrich Zell and Richard Genée. First performed Vienna, 1884. BABOLENO NASONI: Günter Wewel, bass SINDULFO: Willi Brokmeier, ten COUNTESS CARLOTTA: Anneliese Rothenberger, sop BENOZZO: Martin Finke, ten COUNT ERMINIO: Hermann Prey, bar Bavarian State Opera Ch; Munich RO/Heinz Wallberg. EMI 6 15067 2 1:22 The mayor, Baboleno Nasoni, has plans for his son, Sindulfo, to marry Countess Carlotta, a wealthy widow, so that he can pay his debts. The innkeeper, Benozzo, owes Nasoni back mortgage payments, but he can only make ends meet by engaging in petty smuggling as ‘Gasparone’. Count Erminio, who is staying at the inn, shows interest in Carlotta and she in him. The mayor, seeing his scheme in danger, quickly insinuates that the guest at his inn may be none other than the elusive Gasparone. Benozzo, disguised as Gasparone, kidnaps Sindulfo so that he can’t turn up at his wedding. He informs the wedding guests that he needs a large amount of money to obtain the bridegroom’s release from Gasparone but, in reality, he intends to pay off his debts with the money. Having twice proposed to Carlotta and been refused, Count Erminio disguises himself as a bandit and bursts in on Carlotta. Carlotta finds herself attracted to the ‘bandit’ who then abandons his disguise. They decide to marry and that she will tell the mayor that Gasparone has stolen her millions and she is now penniless. The fraudulent ransom money taken from the wedding guests pays all debts, and to ensure a perfectly happy ending, Sindulfo, after his release, is given a gun to hold, and he boasts to everyone that he has shot Gasparone.

The march of the seven Schwabians (1887; arr. Drescher); Jonathan's march (1890; arr. Schlögel). Johann Strauss O/Jack Rothstein. Chandos CHAN 10684(3) X 7 Pot-pourri, from The beggar student (1882). Anni Frind, sop; Marcel Wittrisch, ten; Wilhelm Strienz, bass; Ch & O/Bruno Seidler-Winkler. BBC 716 9 Strauss, J. II Graduation ball (1840; arr. Dorati). Vienna PO/Willi Boskovsky. Decca 436 781-2 34 17:00 SOCIETY SPOT Organ Music Society of NSW with Norbert Kelvin 18:00 STAGE AND SCREEN From fantasy Prepared by James Nightingale Nyman, M. Film score: Prospero’s books (1991). Sarah Leonard, sop; Michael Nyman Band/Michael Nyman. Decca 425 224-2 18 Shore, H. Soundtrack: The hobbit (2014). London Voices; Tiffin Voices; London PO/ Howard Shore. Decca 3715565 18 Arnold, D. Excerpts from Narnia (2010). Various Choirs; Studio O/David Arnold. Sony 88697811422 18 19:00 EMERGENT JAZZ with Keith Pettigrew 20:00 THE LIFE OF A COMPOSER Gabriel Pierné Prepared by James Nightingale Pierné, G. Piano concerto in C minor (1887). Jean-Efflam Bavouzet, pf; BBC PO/Juanjo Mena. Chandos CHAN 10633 19 Canzonetta, op 19 (1888). Michael Collins, cl; Michael McHale, pf. Chandos CHAN 10804 4 Concertpiece, op 39 (1901). Annie Challen, hp; Conservatoire Concerts Society O/André Cluytens. EMI 5 68220 2 14

22:00 SATURDAY NIGHT AT HOME Prepared by James Nightingale Brahms, J. Variations and fugue on a theme by Handel, op 24 (1861). Ian Holtham, pf. Move MD 3187 24

Bach, W.F. Trio in D (c1762). Marzio Conti, fl; Alain Marion, fl; Daniele Roi, hpd. Fonè 89 F 04-28 CD 16 12:00 CLASSIC JAZZ with Dave Mac

Telemann, G. Suite in B flat, The people’s overture. Collegium Musicum 90/Simon Standage. Chandos CHAN 0593 20

13:00 WORLD MUSIC Whirled Wide with Orli Zahava

Mozart, W. Quartet no 19 in C, K465 (1785). Australian String Quartet. Tall Poppies TP087 31

14:00 THE PIANO SONATA Entartete sonatas, Part 2 Prepared by James Nightingale

Bach, C.P.E. Magnificat in D , Wq215 (1749). Elizabeth Watts, sop; Wiebke Lehmkuhl, cont; Lothar Odinius, ten; Markus Eiche, bass; RIAS Chamber Choir; Akademie für Alte Musik, Berlin/Hans-Christoph Rademann. Harmonia Mundi HMC 902167 38

Hindemith, P. Sonata no 2 in G (1936). Ivo Janssen, pf. Globe GLO 5113 13

SUNDAY 11 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC 09:00 MUSICA SACRA Prepared by Paul Cooke Haydn, J. Salve Regina in E, Hob.XXIIIb:1 (c1756). Ann Monoyios, sop; Tölz Youth Choir; Tafelmusik/Bruno Weil. Sony SK 53 368 14 Shelley, B. Messe sans regretz (1997). Choir of St James' Church, Sydney/Warren Trevelyan-Jones. St James’ Church SJKS002 12 Handel, G. Silete venti, HWV242 (c1724). Miriam Allan, sop; Ironwood. ABC 476 4997 28 10:00 THE CLASSICAL ERA Prepared by Gerald Holder Hummel, J. Trumpet concerto in E (1803). Geoffrey Payne, tpt; Melbourne SO/Michael Halász. ABC 476 4110 16

Nardini, P. String quartet no 1 in A (pub. 1782). Quartetto Eleusi. Suite no 1 from Incidental music to Ramuntcho Brilliant Classics 94438 11 (1910). Lille NO/Darrell Ang. Weber, C.M. Concert piece (1823; transcr. Naxos 8.573609 18 Liszt). Leslie Howard, pf. Sonata in F sharp minor, op 46 (1922). Nicolas Hyperion CDA67203 17 Altstaedt, vc; José Gallardo, pf. Krommer, F. Quartet in E flat, op 21 no Naxos 8.572105 21 1 (1802). Dieter Klöcker, cl; Consortium Divertimenti on a pastoral theme (1931). BBC Classicum. PO/Juanjo Mena. cpo CPO 999 141-2 24 Chandos CHAN 10633 12 Schumann, R. Symphony no 4 in D Three pieces for trio (1937). Black Oak minor (1841 version). O Révolutionnaire et Ensemble. Romantique/John Eliot Gardiner. Cedille CDR90000212 21 Archiv 457 591-2 24

Braunfels, W. Bagetelles, op 5 nos 8 and 9. Tatjane Blome, pf. Capriccio C5361 7 Ullmann, V. Sonata no 5 (1943). Christophe Sirodeau, pf. BIS CD-2116 17 Schulhoff, E. Sonata no 1 (1924). Margaret Babinsky, pf. Capriccio C7297 16 15:00 SUNDAY SPECIAL Fine Music Showcase A program of live recordings made in the Founders' Studio at Fine Music Sydney by local jazz and classical musicians 17:00 HOSANNA Prepared by Meg Matthews Hymn. Jesus lover of my soul (1876). Huddersfield Choral Society; David Bell, org; Owain Arwel Hughes, cond. EMI MFP 6059 4 Handel, G. Behold the Lamb of God, from Messiah (1742). Monteverdi Choir; English Baroque Soloists/John Eliot Gardiner. Philips 434 297-2 3 Nisi Dominus; Salve Regina, HWV241 (1707). Arleen Auger, sop; Diana Montague, cont; John Mark Ainsley, ten; Simon Birchall, bass; Harry Bickett, org; Choir & O of Westminster Abbey/Simon Preston. Archiv 423 594-2 23 Mendelssohn, F. O Haupt voll Blut und Wunden. Michael Volle, bass; Stuttgart Chamber Choir & O/Frieder Bernius. Carus 83.204

Psalm 22: Mein Gott, warum hast du mich verlassen. Stuttgart Chamber Choir; German Philharmonic CO, Bremen/Frieder Bernius. Carus 83.204 8 18:00 CLASSICS FROM ASIA Prepared by Josh Stenberg Quintessential recordings from Asian music masters 29

19:00 JAZZ INTERACTION with Isobel Archer 20:00 SUNDAY NIGHT CONCERT Prepared by Frank Morrison

Handel, G. Where’er you walk, from Semele, HWV58 (1744). Mark Padmore, ten; English Concert/Andrew Manze. Harmonia Mundi HMU 907422 5

Kabalevsky, D. Suite from Colas Breugnon, op 24a (1938). Moscow SO/Vasily Jelvakov. Naxos 8.553411 21

Richter, F. Trio sonata in A minor, op 4 no 6 (1744). Members of Capricornus Consort, Basle/Peter Barczi.. Christophorus CHR 77409 10

Busoni, F. Violin concerto in D, op 35a (189697). Tanja Becker-Bender, vn; BBC Scottish SO/Garry Walker. Hyperion CDA68044 23

Hasse, J. Salve Regina (1744). James Bowman, ct; Kings Consort/Robert King. Helios CDH55354 17

Mozart, W. Symphony no 38 in D, K504, Prague (1787). Royal Concertgebouw O/ Nikolaus Harnoncourt. Teldec 9031-77596-2 38

Sammartini, G. Sonata in G, op 13 no 14 (pub. 1744). Michala Petri, rec; George Malcolm, hpd. Philips 476 7072 9

14:30 AN OFFENBACH POTPOURRI Prepared by Derek Parker Offenbach, J. Overture for large orchestra. Les Musiciens du Louvre/Marc Minkowski. DG 471 501-2 13 Ballet from The trip to the moon. Philharmonia O/Antonio de Almeida. Philips 422 057-2 18 Cello concerto in G, Militaire (1847). Guido Schiefen, vc; WDR RO, Cologne/Helmut Froschauer. cpo 777 069-2 24 Excerpts from Gaîté parisienne (1866; arr. Rosenthal 1938). Berlin RSO/Paul Strauss. DG 477 5349 25

21:30 NEW HORIZONS Prepared by Ben Behnam

Bach, C.P.E. Sonata in F sharp minor, Wq52 no 4 (1744). Danny Driver, pf. Hyperion CDA67908 17

16:00 FINE MUSIC DRIVE with Robert Gilchrist

Altmann, L. Holy fools (2018). Benaud Trio. de la Catessen DLC001 14

10:30 CONCERT HALL Prepared by Frank Morrison

19:00 JAZZ ABOUT TOWN with Deborah Evans

Bertram, M. Chant; Uranus, from Six bagatelles (2012). Michael Kieran Harvey, pf. Move MD 3407 9

Beethoven, L. Mödlinger dances, WoO17 (1819). Vienna Mozart Ensemble/Willi Boskovsky. Decca 436 782-2 17

20:00 STORMY MONDAY with Austin Harrison

Carmichael, J. Escapades (2011). Sylvie Leprohon, fl; Stephen Robinson, ob; Antony Gray, pf. Wirripang Wirr 071 14 Dean, B. Testament (2008). Tasmanian SO/ Sebastian Lang-Lessing. ABC 476 3222 15 Edwards, R. Five senses, five poems of Judith Wright (2012). Jenny Duck-Chong, mezz; Joshua Hill, perc; Bernadette Harvey, pf.. Halcyon 2019 17 Foster, G. Ballade (2009). Grant Foster, pf. Melba MR301147 14 23:00 JAZZ AFTER HOURS Portraits with Deborah Evans

MONDAY 12 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 FINE MUSIC BREAKFAST with Robert Small 09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1744 Prepared by Nina Fudala Roman, J. Suite in D, Little Drottningholm music (1744). National Museum CO/Claude Génetay. Musica Sveciae PRCD 9047 21 30

d’Albert, E. Cello concerto in C (1899). Christoph Henkel, vc; Berlin RSO/Jirí Stárek. Schwann CD 11628 23 Strauss, R. Sinfonia domestica, op 53 (190203). Cleveland O/George Szell. Sony SBK 53511 41 12:00 SWING SESSIONS with John Buchanan 13:00 ARTIST OF CHOICE Hector McDonald Prepared by Elaine Siversen Edwards, R. Maninya III (1985). Vernon Hill, fl; Alan Vivian, cl; David Nuttall, ob; Richard McIntyre, bn; Hector McDonald, hn. Canberra SM CSM 14 11 Haydn, J. Horn concerto no 1 in D, Hob.VIId:3 (1762). Hector McDonald, hn; Academy of Melbourne/Brett Kelly. Tall Poppies TP042 18 Seiber, M. Notturno (1944). Hector McDonald, hn; Susanne Powell, pf. Fine Music tape archive 9 Förster, C. Horn concerto in E flat (c1743). Hector McDonald, hn; Academy of Melbourne/ Brett Kelly. Tall Poppies TP042 13 Brahms, J. Trio in E flat, op 40 (1865). Hector McDonald, hn; John Harding, vn; Ian Munro, pf. Tall Poppies TP114 30

22:00 JAZZ AFTER HOURS with Gail Monjo

TUESDAY 13 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST with Julie Simonds 09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by Paul Cooke Turina, J. Symphonic rhapsody (1931). Joaquin Soriano, pf; English CO/José Serebrier. ASV DCA 775

Bach, J. Christian Sonata in E flat (1762; arr. M.C. Alain). John Foster, tpt; David Drury, org. ABC 476 639-8 8 Ropartz, J. Young girls, I, II, V. Stephanie McCallum, pf. ABC 461 798-2 10 Mendelssohn, Fanny. Three Byron songs (1836). Francine van der Heijden, sop; Ursula Dütschler, fp. Claves CD 50-9901 8 Bach, J.S. Toccata in C minor, BWV911 (bef. 1714). Trevor Pinnock, hpd. DG 479 1915 10 Howlett, M. Exhibits (1992). Neil Fisenden, fl; David Wickham, pf. Stone Records 5060192780437 10

Schumann, R. Concert sans orchestre (1836). Krenek, E. Concertino, op 27 (1924). KarlMaurizio Pollini, pf. Heinz Schütz, fl; Christoph Konez, vn; Maria DG 471 369-2 22 Prinz, pf; Academy of St Martin in the Fields/ Neville Marriner. 10:30 CONCERT HALL Chandos CHAN 10791 22 Prepared by Elaine Siversen Berg, A. String quartet, op 3 (1909-10). Gluck, C. Suite from Don Juan (1761). LaSalle Quartet. Rhenish CO/Jan Corazolla. DG 479 1976 19 Christophorus CHE 0064-2 19 Hoffmeister, F. Flute concerto no 17 in D. Joachim, J. Violin concerto no 2 in D minor, Bruno Meier, fl; Prague CO. op 11, In the Hungarian style (1861). Suyoen Naxos 8.573040 25 Kim, vn; Staatskapelle Weimar/Michael Wagenseil, G. Sonata no 1 in D (1764). Halász. Piccolo Concerto Vienna/Roberto Sensi. Naxos 8.570991 46 Accent ACC 24242 17 Weber, C.M. Symphony no 2 in C (1807). Academy of St Martin in the Fields/Neville 16:00 FINE MUSIC DRIVE Marriner. with Michael Morton-Evans Brilliant Classics 99935 18 19:00 THE JAZZ BEAT 12:00 JAZZ RHYTHM with Lloyd Capps with Jeannie McInnes 20:00 JUST IN 13:00 MAHLER EXPLORED with Michael Field Prepared by Michael Morton-Evans A selection from the latest recordings to arrive at the Fine Music Library Mahler, G. Piano quartet movement (c1877-

09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by Rex Burgess

78). Domus. Virgin VC 7 90739-2

22:00 CHAMBER SOIRÉE Prepared by Gerald Holder

10:30 CONCERT HALL Prepared by Jacky Ternisien

Salieri, A. Concerto in C (1774). Geoffrey Collins, fl; David Nuttall, ob; Dene Olding, vn; Dimity Hall, vn; Irena Morozova, va; David Pereira, vc; Dorith Herskovits, db; Paul Dyer, hpd. Fine Music concert recording 19

Fesca, F. Overture to Omar and Leila, op 28 (1822). North German Radio PO/Frank Beermann. cpo 999 889-2 9

Der Spielmann (1880-90). Joan Rodgers, sop; Linda Finnie, cont; Hans Peter Blochwitz, ten; Robert Hayward, bar; Bath Festival Ch; Waynflete Singers; Bournemouth SO/Richard Hickox. Chandos CHAN 9247 18 Spring morning (1882). Judith Raskin, sop; George Schick, pf. Sony SBK 60269 2

Bottesini, G. Gran duetto no 2 (1880). Wolfgang Güttler, db; Ernö Sebestyen, va. Schwann CD 311 042 H1 18

Quartet in A minor (1876). Gidon Kremer, vn; Giuliani, M. Serenata in G, op 127. Konrad Veronika Hagen, va; Clemens Hagen, vc; Oleg Hünteler, fl; Reinbert Evers, gui. Maisenberg, pf. Pantheon D 14 112 15 DG 477 8825 11 Haydn, J. Quartet in E flat, Hob.III:64 (1790). Winterlied, from Lieder und Gesänge (1880Australian String Quartet. 90). Teddy Tahu Rhodes, bass-bar; Sharolyn Fine Music concert recording 18 Kimmorley, pf. ABC 481 0484 5 Graun, C. Trio in D for horn, violin and basso continuo. Claude Maury, hn; Ricercar Consort. I went this morning over the fields, from Songs Ricercar RIC 049027 10 of a wayfarer (1884). Bernardette Greevy, Arensky, A. Piano trio no 1 in D minor, op 32 mezz; National SO of Ireland/János Fürst. Naxos 8.554156 4 (1894). Borodin Trio. Chandos CHAN 8477 32 14:00 AUSTRIAN ROUNDABOUT Prepared by Chris Blower Ziehrer, C. Overture to Ball at the court (1911). Slovak State PO/Christian Pollack. Marco Polo 8.225332 9 Hoffmeister, F. Parthia no 3 in B flat. Consortium Classicum. cpo 999 107-2

WEDNESDAY 14 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST with Stephen Wilson

Grétry, A-E-M. Overture to Le Magnifique (1773). English CO/Richard Bonynge. Decca 440 844-2 11 Caldara, A. Cantata: Porgete per pietà. Eugenia Boix, sop; La Ritirata/Josetxu Obregón. Glossa GCD 923108

Lanzetti, S. Sonata no 5 in A minor, op 1 (1736). Francesco Galligioni, vc; Roberto Loreggian, org. Brilliant Classics 95525 14 Dussek, J. Trio sonata in F for piano trio, op 20 no 3 (1793). Trio 1790. cpo 999 583-2 13 Duparc, H. Symphonic poem: Lénore (1875). Toulouse Capitole O/Michel Plasson. EMI 5 55385 2 13 Clementi, M. Sonata in E flat, op 7 no 1 (1782). Howard Shelley, pf. Hyperion CDA67632 11

Tchaikovsky, P. Theme and variations, from Suite no 4, op 61, Mozartiana (1887). West Australian SO/Peter Eros. LP ABC 5ABCL 8001 16 Monn, M. Cello concerto in G minor. Jacqueline du Pré, vc; London SO/John Barbirolli. EMI CZS 5 68132 2

Lachner, F. Symphony no 1 in E flat, op 32 (pub. 1828). Singapore SO/Choo Hoey. Marco Polo 8.220360 35 12:00 JAZZ SKETCHES with Robert Vale 13:00 IN CONVERSATION with Simon Moore 14:00 IBERIAN CHAMBER Prepared by Chris Blower Costa, L. Piano trio, op 15 (1937). Trio Pangea. Naxos 8.573402

Tórroba, F. Moreno Sonatina trianera for four guitars and castanets. Angelita Romero, castanets; Los Romeros. Philips 412 609-2 8 Arriaga, J. String quartet no 1 in D minor (1824). Camerata Boccherini. Naxos 8.557628 23 31

Sarasate, P. de Gypsy airs, op 20 no 1 (1878). Dallapiccola, L. Variations (1954). Royal Ruggiero Ricci, vn; Louis Persinger, pf. Concertgebouw O/Hans Rosbaud. Decca 458 191-2 8 Radio Netherlands RCO 05001 14 Mompou, F. Variations on a theme of Chopin (1938-57; arr. Lovelady). Slava Grigoryan, gui; Leonard Grigoryan, gui. ABC 476 6088 25

Castelnuovo-Tedesco, M. The daughter of the Regimnet, a fantasy on themes by Donizetti, op 110 (1941). Gran Duo Italiano. Brilliant Classics 95642 25

Granados, E. Piano trio, op 50 (1894). Beaux Arts Trio. Philips 446 684-2 25

Petrassi, G. Piano concerto (1936-39). Bruno Canino, pf; Rome SO/Francesco La Vecchia. Naxos 8.573073 32

16:00 FINE MUSIC DRIVE with Ross Hayes 19:00 PLANET JAZZ with Xavier Bichon 20:00 AT THE OPERA After Victor Hugo Prepared by Elaine Siversen Donizetti, G. Lucrezia Borgia. Opera in a prologue and two acts. Libretto by Felice Romani after Victor Hugo’s play Lucrezia Borgia. First performed Milan, 1833. LUCREZIA BORGIA: Joan Sutherland, sop DON ALFONSO D’ESTE: Robert Allman, bar GENNARO: Ron Stevens, ten MAFFIO ORSINI: Margreta Elkins, mezz Australian Opera Ch; Elizabethan Sydney O/ Richard Bonynge. Opera Australia OPOZ56006CD 2:15 Lucrezia Borgia, wife of Don Alfonso d’Este the Duke of Ferrara, goes in disguise to Venice hoping to find her illegitimate son, Gennaro, who has been reared by a fisher family. When they meet, he is fascinated by her until he discovers her identity as the notorious poisoner. He goes to Ferrara where he vandalises the Borgia coat-of-arms on the palace gates. Don Alfonso sentences Gennaro to death but, when Lucrezia pleads for his life, Alfonso suspects a love affair. Don Alfonso gives Gennaro poisoned wine, then leaves, but Lucrezia quickly gives Gennaro the antidote and pleads with him to leave Ferrara immediately. Gennaro, wishing to attend a banquet with Orsini, delays his departure until the next day. Seeking revenge on Alfonso, Lucrezia poisons the banquet wine, then makes her way into the banqueting hall to gloat over her hideous triumph until, horrified, she sees Gennaro. He refuses her antidote so she confesses their real relationship. Gennaro curses her and dies in agony. Lucrezia, surveying the ghastly scene, takes up a goblet of the poisoned wine and drinks it. 22:30 MUSIC OF THE NIGHT Prepared by Paul Cooke Satie, E. Nocturnes (1919). Aldo Ciccolini, pf. Erato 0825646047963 13 32

THURSDAY 15 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST with Simon Moore 09:00 DIVERSIONS IN FINE MUSIC Romantics, tributes and dedications Prepared by Michael Morton-Evans Smetana, B. Overture and dances from The bartered bride (1866). London SO/Geoffrey Simon. Chandos ABRD 1149 24 Castelnuovo-Tedesco, M. Sonata, op 77, Homage to Boccherini (1934). Julian Bream, gui. EMI 5 55362 2 19 Berlioz, H. Rêverie et caprice: romance, op 8 (1841). Igor Gruppmann, vn; San Diego SO/ Yoav Talmi. Naxos 8.553034 9 Strauss, R. Romance in F (1883). Heinrich Schiff, vc; Gewandhaus O/Kurt Masur. Philips 426 262-2 9 Foster, G. Rhapsody, war, peace love. Grant Foster, pf; Sydney SO/Julian Lee. EMI CDMID 166264 20 10:30 CONCERT HALL Prepared by Peter Poole Saint-Saëns, C. Suite in D, op 49 (1863). Paris Orchestral Ensemble/Jean-Jacques Kantorow. EMI 7 54913 2 19 Pleyel, I. Cello concerto in C, op 26. Ivan Monighetti, vc; Akademie für Alte Musik, Berlin/Stephan Mai. Harmonia Mundi HMX 2908601.30 22 Roussel, A. Symphony no 1, op 7, Forest poem (1908). Paris O/Christoph Eschenbach. Ondine ODE 1092-2 42 12:00 JAZZ AFTER NOON with Sue Jowell

13:00 NOCTURNES Prepared by Derek Parker Dvorák, A. Nocturne, op 40 (c1875). Kremlin CO/Misha Rachlevsky. Claves 50-9325 6 Haydn, J. Nocturne no 1 in C, Hob.II:25 (c1788-94). Karl Hochreither, positive org; Frieder Lang, positive org; Consortium Classicum/Dieter Klöcker. cpo 999 741-2 14 Shostakovich, D. Nocturne, from The gadfly suite, op 97a (1934; arr. Atovmyan). Sheku Kanneh-Mason, vc; City of Birmingham SO/ Mirga Gražinytė-Tyla. Decca 483 2948 5 Czerny, C. Grand nocturne brilliant, op 95 (c1826). Rosemary Tuck, pf; English CO/ Richard Bonynge. Naxos 8.573417 19 Schoeck, O. Summer night, pastoral intermezzo, op 58 (1945). I TEMPI CO/Gevorg Gharabekyan. Genuin GEN 18497 14 Debussy, C. Nocturnes. Cleveland Ch & O/ Pierre Boulez. DG 439 896-2 22 14:30 BELGIAN CLASSICS Prepared by Jacky Ternisien Grétry, A-E-M. Overture to Le Magnifique (1773). English CO/Richard Bonynge. Decca 466 434-2 10 Van Maldere, P. Trio sonata no 1. André Siwy, vn; Yaga Siwy, vn; Simone Vierset, hpd. LP Alpha Brussels BRB 9 9 Franck, C. Panis angelicus (1872). Elisabeth Schwarzkopf, sop; Ambrosian Singers; Philharmonia O/Charles/Mackerras. EMI CDM 7 63574 2 5 Jongen, J. Soleil à midi, op 33 (1908); Sarabande triste, op 58 (1918). Marcelle Mercenier, pf. LP Musique en Wallone MW 80012 13 Gossec, F-J. Symphony in F, op 12 no 6 (pub. 1769). London Mozart Players/Matthias Bamert. Chandos CHAN 9661 15 Hasselmans, A. Caprice: Gitana, op 21. Floraleda Sacchi, hp. Brilliant Classics 94625

Ysaÿe, E. String quintet in B minor, à mon frère Théophile (1894). Vlad Bogdanas, va; Kryptos Quartet. Etcetera KTC 4034 20 16:00 FINE MUSIC DRIVE with Sue Jowell 19:00 THE NEW JAZZ STANDARD with Frank Presley

Beethoven, L. Sonata no 4 in C, op 102 no 1 (1815). Zoe Knighton, vc; Amir Farid, pf. Move MD3356 16

20:00 THE WORLD OF A SYMPHONY Gustav Mahler: Symphony no 10 Prepared by Rex Burgess Mahler, G. Suite from orchestral works by J.S. Bach (1910; arr.). Berlin RSO/Jésus LópezCobos. Schwann CD 11637 24 Busoni, F. Fantasia after Bach's BWV253 (1909). Igor Levit, pf. Sony 88985424452 15 Mahler, G. Symphony no 10 in F sharp minor (1910; compl. Barshai). Sydney SO/Vladimir Ashkenazy. Sydney Symphony SSO201202 1:13 22:00 YEHUDI MENUHIN Part 3 Prepared by Gerald Holder Brahms, J. Hungarian dance no 1 in G minor (arr. Joachim). Yehudi Menuhin, vn; Marcel Gazelle, pf. EMI 5 62821 2 3

10:30 CONCERT HALL Prepared by Chris Blower Mendelssohn, F. Overture to Athalia, op 74 (1845). Bamberg SO/Claus Peter Flor. RCA Victor RD 87905 8 Glière, R. Horn concerto in B flat, op 91 (1950; arr. Nakariakov). Sergei Nakariakov, flügelhorn; Jena PO/Andrey Boreyko. Teldec 8573-85558-2 24 Beethoven, L. Symphony no 3 in E flat, op 55, Eroica (1803). Berlin PO/Herbert von Karajan. DG 429 037-2 50 12:00 A JAZZ HOUR with Barry O'Sullivan 13:00 THE LARK ASCENDING Prepared by Marilyn Schock

Beethoven, L. Sonata in A minor, op 23 (1800). Yehudi Menuhin, vn; Wilhelm Kempff, pf. DG 459 433-2 23

Vaughan Williams, R. Norfolk rhapsody no 1 in E minor (1905-06). Academy of St Martin in the Fields/Neville Marriner. Decca 442 8341 11

22:30 ULTIMA THULE

Serenade to music (1939). Pearl Berridge, sop; Elaine Blighton, sop; Janet Delpratt, sop; Marilyn Richardson, sop; Lauris Elms, mezz; Ruth Gurner, mezz; Helen McKinnon, mezz; Suzanne McLeod, mezz; Ronald Dowd, ten; Gerald English, ten; Raymond McDonald, ten; David Parker, ten; Lyall Bevan, bass; Robert Dawe, bass; Graham McIntosh, bass; Donald Shanks, bass; Sydney SO/Patrick Thomas. ABC 476 4565 12

FRIDAY 16 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST with Troy Fil 09:00 DIVERSIONS IN FINE MUSIC Journey through history Prepared by Paul Cooke Trad. Chanterai d'aquetz trobadores. Renaissance Players/Winsome Evans. Tall Poppies TP229

Tallis, T. Spem in alium à 40. Huelgas Ensemble/Paul van Nevel. Sony 88697478442

Campion, T. Go, silly note. Musicians of the Globe/Philip Pickett. Philips 456 507-2 9 Biber, H. Sonata VI (pub. 1681). Romanesca. Harmonia Mundi HMU 907134.35 14 Duval, F. Les génies (1736; ed. Washburn). Bay Area Women’s PO/JoAnn Falletta. Newport Classic NCD 60102 11 Hummel, J. Caprice, op 49 (c1810). Howard Shelley, pf. Chandos CHAN 9807 10

Fantasia on a theme by Thomas Tallis (1910). Academy of St Martin in the Fields/Neville Marriner. Decca 442 8341 14 The lark ascending (1914/20). Michael Dauth, vn; Sydney SO/Mark Wigglesworth. Melba MR301131 15 14:00 CHAMBER MISCELLANY Prepared by Sheila Catzel Kreutzer, J. Grand trio, op 16. Alexa Still, fl; Robert Alemany, cl; JoAnn Falletta, gui. Koch 3-7404-2H1 19

Delius, F. String quartet (1916). Britten Quartet. EMI CDC 5 55349 2 29 16:00 FINE MUSIC DRIVE with James Hunter 19:00 FRIDAY JAZZ SESSION with Alex Siegers 20:00 EVENINGS WITH THE ORCHESTRA Dangerous women Prepared by Dan Bickel Chausson, E. Viviane, op 5 (1882/87). BBC PO/Yan Pascal Tortelier. Chandos CHAN 9650 12 Smetana, B. Sárka, from My country (1875). Prague RSO/Vladimir Válek. Supraphon SU 3916-2 10 Gould, M. Fall River legend (1947). EastmanRochester O/Howard Hanson. Mercury 432-016-2 21 Dittersdorf, C. Symphony no 3 in G, Actaeon transformed into a stag (pub. 1767). Failoni O/ Hanspeter Gmür. Naxos 8.553368 23 Dvorák, A. Symphonic poem: The wood dove, op 110 (1896). Scottish NO/Neeme Järvi. Chandos CHAN 8666 20 Balakirev, M. Symphonic poem: Tamara (1882). Philharmonia O/Yevgeny Svetlanov. Hyperion CDA66586 22 22:00 BAROQUE AND BEFORE Venice before Giovanni Gabrieli Prepared by Charles Barton Willaert, A. Motet: Christus resurgens. Oxford Camerata/Jeremy Summerly. Naxos 8.553211 4 Missa Christus resurgens. Oxford Camerata/ Jeremy Summerly. Naxos 8.553211 41 Gabrieli, A. Ricercar arioso. Philip Swanton, org. LP Thorofon Capella MTH 287 4 Ricercar arioso. His Majestys Sagbutts and Cornetts/Timothy Roberts. Hyperion CDA67167 12

Franck, C. Quintet in F minor (1878). Werner Bärtschi, pf; Amati Quartet. Divox CDX 29001 35

Rore, C. de Anchor che col partire; Lieta vivo e contenta; Veni dolce Himineo. Song Company; Tommie Andersson, lute; Roland Peelman, cond. ABC 454 518-2 8

Röntgen, J. Trio no 14 in C minor (1928). Offenburg String Trio. Naxos 8.573384 21

Anchor che col partire. Members of Attaignant Consort/Kate Clark. Ramée RAM 0706 4

Blanc, A. Romance, op 43b. Jeremy Polmear, Gabrieli, A. Missa Pater peccavi. His Majestys ob; Stephen Stirling, hn; Richard Saxel, pf. Consort of Voices; His Majestys Sagbutts and Oboe Classics CC2022 4 Cornetts/Timothy Roberts. Hyperion CDA67167 28 33

Hymn. O God our help in ages past. Grimethorpe Colliery Band/Robert Childs. Delta 60357/3 1

SATURDAY 17 00:00 CLASSIC-ALL THROUGH THE NIGHT

Ponsford, S. Turris fortissima. Cory Band/ 06:00 SATURDAY MORNING MUSIC Robert Childs. Doyen DOY CD 264 9 with David Garrett 09:00 WHAT'S ON IN MUSIC Our weekly guide to musical events in and around Sydney 09:05 THE PIANO ALONE Prepared by Jacky Ternisien Bach, J.S. Suite no 1 in D minor, BWV812, French (c1722). Angela Hewitt, pf. Hyperion CDA67121/2 15 Chabrier, E. Ronde champêtre (1870); Mélancolie (1881); Tourbillon (1881); Mauresque (1881). Angela Hewitt, pf. Hyperion CDA67515

Beethoven, L. Sonata no 28 in A, op 101 (1816). Angela Hewitt, pf. Hyperion CDA67974 23 10:00 CENTRES OF MUSIC Cleveland Institute of Music, Part 2 Prepared by Jennifer Foong Brouwer, M. Pulse: A 50th anniversary fanfare (2003). Royal Liverpool PO/Gerard Schwarz. Naxos 8.559250 6 Chopin, F. Rondo in C, op posth. 73 (1828). Daniil Trifonov, pf; Sergei Babayan, pf. DG 479 7518 9 Tchaikovsky, P. Sérénade mélancolique in B minor, op 26 (1875). Ilya Kaler, vn; Russian PO/Dmitry Yablonsky. Naxos 8.557690 9 Kuerti, A. Six arrows (1974). Réa Beaumont, pf. Shrinking Planet SPP 0089 16 Higdon, J. Trio (2003). Anne Akiko Meyers, vn; Alisa Weilerstein, vc; Adam Neiman, pf. Naxos 8.559298 13 Bloch, E. Sonata no 1 (1920). Donald Weilerstein, vn; Vivian Hornik Weilerstein, pf. Arabesque Z 6605 27

Cooder, R. Excerpts from Primary colors. Ry Cooder, gui; Studio O/Tom Pasatieri. MCA Records MCAD-11775 7 19:00 EMERGENT JAZZ with Keith Pettigrew

12:00 URBAN JAZZ LOUNGE with Leita Hutchings

20:00 THE LIFE OF A COMPOSER Benjamin Frankel Prepared by Paul Cooke

13:00 HISTORIC RECORDINGS Jascha Heifetz Prepared by Paul Cooke

Frankel, B. Trio, op 10. Paul Dean, cl; Markus Stocker, vc; Kevin Power, pf. cpo 999 384-2 18

Brahms, J. Hungarian dance no 17 in F minor (c1850-60). Jascha Heifetz, vn; Brooks Smith, pf. RCA CD87965 4

Carriage and pair (1950). New London O/ Ronald Corp. Hyperion CDA66968

Prokofiev, S. Violin concerto no 2 in G minor, op 63 (1935). Jascha Heifetz, vn; Boston SO/ Serge Koussevitsky. Naxos 8.110942 26

Violin concerto, op 24, In memory of the six million (1951). Ulf Hoelscher, vn; Queensland SO/Werner Andreas Albert. cpo 999 422-2 26

Bagatelles for 11 instruments, op 35 (1959). Franck, C. Sonata in A (1886). Jascha Heifetz, Queensland Symphony Chamber Players. vn; Artur Rubenstein, pf, cpo 999 384-2 10 Naxos 8.110990 25 Curse of the werewolf (1961). Royal Liverpool PO/Carl Davis. 14:00 AUSTRALIAN ENSEMBLES Naxos 8.557850 34 Acacia Quartet Symphony no 5, op 46 (1967). Queensland Prepared by Elaine Siversen SO/Werner Andreas Albert. Debussy, C. String quartet in G minor, op 10 cpo 999 240-2 18 (1893). Acacia Quartet. Fine Music concert recording 27 22:00 SATURDAY NIGHT AT HOME 14:30 SATURDAY MATINEE At the ballet Prepared by Jacky Ternisien Puccini, G. Ballet: La bohème (arr. Hocking). West Australian SO/Dobbs Franks. ABC 476 1999 1:57 Milhaud, D. Ballet: The ox on the roof, op 58 (1919). Ulster O/Yan Pascal Tortelier. Chandos CHAN 9023 16 17:00 SOCIETY SPOT Classical Guitar Society with Sue McCreadie

Prepared by Frank Morrison Handel, G. Love in Bath (arr. Beecham). Royal PO/Thomas Beecham. EMI CDM 7 63374 2 48 Hoffmeister, F. String quartet in F, op 14 no 1 (1791). Aviv Quartet. Naxos 8.555952 18 Dvorák, A. Symphony no 6 in D, op 60 (1880). London PO/Mstislav Rostropovich. EMI 5 65705 2 49

SUNDAY 18

18:00 STAGE AND SCREEN Prepared by Anabela Pina

00:00 CLASSIC-ALL THROUGH THE NIGHT

11:30 ON PARADE Music that’s band Prepared by Owen Fisher

Silvestri, A. Excerpts from Forrest Gump. O/ Alan Silvestri. Epic Soundtrax 477369 2 15

06:00 SUNDAY MORNING MUSIC with Robert Small

Fucik, J. Florentinee march. Allentown Band/ Ronald Demkee. AMP WWFM 1 4

Williams, J. Love theme, from Superman (1978). Royal Scottish NO/John Debney. Sony 88697290382 5

09:00 MUSICA SACRA Prepared by Robert Small

Strauss, R. Festive music for Vienna. Williams-Fairey Engineering Band. Delta 60357

Shaiman, M. Excerpts from The American President. O/Artie Kane. MCA Soundtracks MCAD-11380 17

Arlen, H. Over the rainbow, from The Wizard of Oz. Grimethorpe Colliery Band/Robert Childs. Delta 60357/2 4 34

Horner, J. Excerpts from The perfect storm. Studio O/James Horner. Sony Music Soundtrax SK 89282 8

Hasse, J. Salve Regina (1744). James Bowman, ct; King’s Consort/Robert King. Helios CDH55354 17 Gesualdo, C. Motets: Ave, dulcissima Maria; Peccantem me quotidie (pub. 1603). Ensemble Vocal Européen de La Chapelle Royale/ Philippe Herreweghe. Harmonia Mundi HMC 901320 9

Monteverdi, C. Confitebor terzo alla francese, from Selva morale e spirituale (1640). Les Arts Florissants/William Christie. Harmonia Mundi HMA 1901316/18 7

Rode, P. Violin concerto no 4 in A, op 6 (17981800). Friedemann Eichhorn, vn; Jena PO/ Nicolás Pasquet. Naxos 8.570767 23

Scarlatti, A. O di Betlemme altera. Deborah York, sop; King’s Consort/Robert King. Helios CDH55354 19

Roberton, H. All in the April evening; Nightfall in Skye. Philharmonic Chamber Choir/David Temple. Helios CDH88008 6

10:00 THE CLASSICAL ERA Prepared by Frank Morrison Mozart, W. Piano quartet no 1 in G minor, K478 (1785). Melos Quartet. Decca 478 3703 26 Krommer, F. Clarinet concerto in E flat, op 36 (1803). Emma Johnson, cl; Royal PO/Günther Herbig. ASV CD DCA 763 22 Mendelssohn, Fanny. Sonata in C minor (1824). Heather Schmidt, pf. Naxos 8.570825 14 Schubert, F. Ellens Gesang I: Raste, Krieger in D flat, D837 (1825). Jessye Norman, sop; Irwin Gage, pf. Philips 426 642-2 9 Beethoven, L. Symphony no 7 in A, op 92 (1811-12). Vienna PO/Carlos Kleiber. DG 479 4110 39 12:00 CLASSIC JAZZ with Dave Mac 13:00 WORLD MUSIC Whirled Wide with Ian Carswell 14:00 THE PIANO SONATA Entartete sonatas, Part 3 Prepared by James Nightingale Schulhoff, E. Sonata no 3 (1926). Caroline Weichert, pf. Grand Piano GP631 16 Ullmann, V. Sonata no 6 (1943). Christophe Sirodeau, pf. BIS BIS2116 11 Schoenberg, A. Six little pieces for piano, op 19 (1911). Mitsuko Uchida, pf. Philips 473 686 2 7 Hindemith, P. Sonata no 3 in B flat (1936). Ivo Janssen, pf. Globe GLO 5113 19 15:00 SUNDAY SPECIAL Special occasions Prepared by Elaine Siversen

Haydn, J. Symphony in G, Hob.I:54 (1774). Cologne CO/Helmut Müller-Brühl. Naxos 8.554108 26

A cradle song from Barra: The fidgety bairn; Highland cradle song: O hush thee, my babie. Linda Finnie, mezz; Anthony Legge, pf. Chandos CHAN 8749 6 Saint-Saëns, C. Danse macabre in G minor, op 40 (1874; arr. Lemare). David Drury, org. ABC 432 527-2 9

18:00 COMPOSER FOCUS Henryk Wieniawski Prepared by Michael Morton-Evans Wieniawski, H. Variations on an original theme, op 15 (1854). Ruggiero Ricci, vn; Joanna Gruenberg, pf. Unicorn-Kanchana UKCD 2048 10 Légende in G minor, op 17 (1859). Ray Chen, vn; Noreen Polera, pf. Sony 88697808122 8 Violin concerto no 2 in D minor, op 22 (1862). Wanda Wilkomirska, vn: Warsaw National PO/ Witold Rowicki. Olympia OCD 309 24

Hart, F. Idyll, op 169 (1949). Ronald Woodcock, vn; Adelaide SO/Graham Abbott. Canberra SM CSM:38 18

Polonaise no 1 in D, op 4 (pub. 1853). Leila Josefowicz, vn; Academy of St Martin in the Fields/Neville Marriner. Philips 454 440-2 6

Brahms, J. Neue Liebeslieder-Walzer, op 65 (1874). Los Angeles Vocal Arts Ensemble; Raúl Herrera, pf; Armen Guzelimian, pf. Nonesuch 79008-2 21

Souvenir of Moscow, op 6 (1853). Ruggiero Ricci, vn; Joanna Gruenberg, pf. Unicorn-Kanchana UKCD 2048 7

17:00 HOSANNA Prepared by Richard Munge Hymn. Forty days and forty nights. Choir of Wells Cathedral; Rupert Gough, org; Malcolm Archer, cond. Hyperion CDP 12103 2 Psalm. No 39: I said I will take heed to my ways. Choir of St John’s College, Cambridge; John Scott, org; George Guest, cond. Decca 452 941-2 5 McKern, B. Magnificat; Nunc dimittis. Cathedral Singers; Andrej Kouznetsov, org; Brett McKern, cond. TCS CD 004 13 Mendelssohn, F. Anthem: I waited for the Lord. Connor Burrows, treb; Edmund Hill, treb; Choir of St Paul’s Cathedral, London; Andrew Lucas, org; John Scott, cond. Hyperion SPCC 2000 5 Hymn. Lord Jesus think on me. Choir of St Paul’s Cathedral, London; Christopher Dearnley, org; John Scott, cond. Helios CDH55036

Finzi, G. Anthem: Lo, the full, final sacrifice, op 26. John Bowen, ten; Roland Robertson, bass; Choir of King’s College, Cambridge; Richard Farnes, org; David Willcocks, cond. ABC 484 0848 14 Hymn. The day thou gavest Lord is ended. Choir of St Paul’s Cathedral, London; Christopher Dearnley, org; John Scott, cond. Hyperion SPCC 2000 3 Alcock, W. Andante grazioso. Daniel Cook, org. Priory PRCD 1008 4

19:00 JAZZ INTERACTION with Isobel Archer 20:00 SUNDAY NIGHT CONCERT Prepared by Chris Blower Schubert, F. Overture to Alfonso und Estrella, D732 (1821-22). L’Orfeo Baroque O/Michi Gaigg. DHM G010003653330K 6 Smyth, E. Double concerto (1926). Richard Watkins, hn; Sophie Langdon, vn; BBC PO/ Odaline de la Martinez.. Chandos CHAN 9449 28 Goldmark, K. Rustic wedding symphony, op 26 (1877). Royal PO/Yondani Butt. ASV DCA 791 48 21:30 NEW HORIZONS Prepared by James Nightingale Keller, A. Love in solitude (2017). Ensemble Offspring. Offspring bites 2 15 Fitkin, G. Pawn (2004). Sacconi Quartet. Signum SGCD518 20 Adams, John Luther. Nunataks (2007). Lisa Moore, pf. Cantaloupe music CA21115 8 Walton, E. Hunger (1996). Continuum Ensemble/Nicholas Kok. NMC D221

Walker, G. Sinfonia no 3 (2002). National SO/ Gianandrea Noseda. National Symphony Orchestra NSO0007 15 23:00 JAZZ AFTER HOURS Portraits with Maddy Monjo 35

13:00 ONLY STRINGS Prepared by Di Cox

MONDAY 19

Karlowicz, M. Serenade for string orchestra, op 2 (1897). BBC PO/Gianandrea Noseda. Chandos CHAN 10171 21

00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 FINE MUSIC BREAKFAST with James Hunter 09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1881 Prepared by Paul Cooke

Paganini, N. Quartet no 1 in A minor, op 4 no 1 (1806-16). Anthea Gifford, gui; Mozart String Trio. Denon CO 77069 22

Martucci, G. Fantasia, op 51 (1881). Francesco Caramiello, pf. ASV DCA 1092

Rheinberger, J. Anima nostra, op 133 no 1; Meditabor, op 133 no 2; Laudate Dominum, op 133 no 3 (1881). Choir of Gonville and Caius College, Cambridge/Geoffrey Webber. ASV DCA 989 9 Chaminade, C. Trio no 1 in G minor, op 11 (1881). Tzigane Piano Trio. ASV DCA 965 23 10:30 CONCERT HALL Prepared by Jacky Ternisien Castelnuovo-Tedesco, M. Overture: Antony and Cleopatra, op 134 (1947). West Australian SO/Andrew Penny. Naxos 8.572500 18 Boccherini, L. Symphony in A, op 12 no 6 (1776). London Mozart Players/Matthias Bamert. Chandos CHAN 10604 24 Mendelssohn, F. Double piano concerto no 2 in A flat (1824). Stephen Coombs, pf; Ian Munro, pf; BBC Scottish SO/Jerzy Maksymiuk. Hyperion CDA66567 41 12:00 SWING SESSIONS with John Buchanan

Arnold, M. Peterloo overture, op 97 (1967). BBC Concert O/Vernon Handley. Sony 88875181702 10

Granados, E. El amor y la muerte, from Goyescas (pub. 1911). Alicia de Larrocha, pf. Decca 433 920-2 12 Pfitzner, H. Lieder, op 4 nos 1 to 4 (1888-89). Andreas Schmidt, bar; Rudolf Jansen, pf. cpo 999 364-2 10 Schumann, R. Fantasiestücke, op 12 (1837). Martha Argerich, pf. EMI 5 57101 2 24 10:30 CONCERT HALL Prepared by Derek Parker

Trumpet concerto, op 125 (1982). John Wallace, tpt; Bournemouth Sinfonietta/Norman Del Mar. EMI CDM 7 63491 2 8

Tchaikovsky, P. Suite no 1 in D minor, op 43 (1878-79). Prague SO/Jirí Belohlávek. Supraphon 11 0969-2 37

Lyrita SRCD 201

12:00 JAZZ RHYTHM with Jeannie McInnes

Stamitz, J. Viola concerto in G. Jan Peruska, va; Prague Philharmonia/Jirí Belohlávek. Fantasy on a theme of John Field, op 116 16 (1975). John Lill, pf; Royal PO/Vernon Handley. Supraphon SU 3929-2 Sony 88875181702 22 Sibelius, J. Symphony no 5 in E flat, op 82 (1915). Minnesota O/Osmo Vänskä. Four Scottish dances, op 59 (1957). London BIS SACD 1986 31 PO/Malcolm Arnold. 11

Symphony no 2, op 40 (1953). Royal PO/ Vernon Handley. Sony 88875181702 30 16:00 FINE MUSIC DRIVE with Michael Field 19:00 JAZZ ABOUT TOWN with Deborah Evans 20:00 STORMY MONDAY with Austin Harrison 22:00 JAZZ AFTER HOURS with Eddie Bernasconi

TUESDAY 20 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST with Julie Simonds

Muffat, G. Toccata no 4, from Apparatus musico-organisticus (pub.1690). Martin Haselböck, org. Naxos 8.553917

Fauré, G. Sonata no 1 in D minor, op 109 (1917). Paul Tortelier, vc; Jean Hubeau, pf. 19 Mozart, W. Duo no 1 in G, K423 (1783). Arthur Erato 2292-45738-2 Grumiaux, vn; Arrigo Pelliccia, va. Roman, J. Suite no 6 in B flat. Joseph Payne, Philips 422 513-2 15 hpd. 7 Bach, J.S. Prelude, fugue and allegro in E flat, BIS CD-669/670

Saint-Saëns, C. Septet in E flat, op 65 (1881). Paul Archibald, tpt; Marcia Crayford, vn; Jeremy Williams, vn; Roger Chase, va; BWV998 (1735-45). Jakob Lindberg, lute. Christopher van Kampen, vc; Rodney Slatford, BIS CD-587/588 13 db; Ian Brown, pf. Virgin VC 7 90751-2 18 Schubert, F. String quartet movement no 12 in C minor, D703 (1816?). Melos Quartet. MacDowell, E. Three songs, op 11: My love, DG 419 879-2 10 we sat together; You love me not; On high, where the stars are shining (1881). Thomas 14:30 MUSIC OF MALCOLM Hampson, bar; Armen Guzelimian, pf. ARNOLD Teldec 9031-72168-2 6 Prepared by Paul Cooke MacFarren, W. Concert piece in E minor (1881). Tasmanian SO/Howard Shelley, pf & dir. Hyperion CDA67720 12

09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by Frank Morrison

13:00 SPANISH ROMANTICS Prepared by Krystal Li Granados, E. Valses poéticos (1887). Luis Fernando Pérez, pf. Mirare MIR 138 14 Turina, J. Piano quartet in A minor, op 67 (1931). Members of Nash Ensemble. Hyperion CDA67889 16 Falla, M. de Seven Spanish popular songs (1915). Victoria de los Angeles, sop; Gonzalo Soriano, pf. EMI CMS 5 65061 2 12 Albéniz, I. Sevilla, op 47 no 3 (1886). John Williams, gui. Sony 88697529852 5 José, A. Suite ingenua (1931). Alberto Rosado, pf; Strings of Castile and León SO/ Alejandro Posada. Naxos 8.557634 10 Guridi, J. Ten Basque songs (1941). Basque NO/Miguel Gómez Martínez. Claves 50-9709 21

14:30 PRAGUE ORCHESTRAS Prepared by Derek Parker

09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Tchaikovsky, P. Romeo and Juliet, fantasy Prepared by Jennifer Foong overture after Shakespeare (1869/80). Czech Mouret, J-J. Fanfares (c1729). Pierre Pierlot, PO/Semyon Bychkov. ob; Paul Hongne, bn; Maurice André, tpt; Decca 483 0636 19 Anne-Marie Beckensteiner, hpd; Collegium Musicum Paris/Roland Douatte. Martinu, B. Double violin concerto in Decca 478 4664 9 D (1950). Bohuslav Matousek, vn; Régis Pasquier, vn; Czech PO/Christopher Hogwood. Hyperion CDA67671

Verdi, G. The four seasons, from The Sicilian Vespers. Czecho-Slovak RSO/Ondrej Lenárd. Naxos 8.553272 30 Prokofiev, S. Symphony no 1 in D, op 25, Classical (1916-17). Czech PO/Zdenék Kosler. Supraphon SU 4093-2 14 16:00 FINE MUSIC DRIVE with Andrew Dziedzic 19:00 THE JAZZ BEAT with Lloyd Capps 20:00 JUST IN with Charles Barton A selection from the latest recordings to arrive at the Fine Music Library 22:00 CHAMBER SOIRÉE Prepared by Paul Cooke Schumann, C. Six songs from Jucunde, op 23 nos 1 to 6 (1852-53). Zoe Knighton, vc; Amir Farid, pf. Move MD 3461 15 Bacewicz, G. String quartet no 4 (1951). Silesian Quartet. Chandos CHAN 10904(2) 20 Danzi, F. Trio in F, op 24. Heiko Deckert, bn; Deborah Sturmann, hn; Philipp Naegele, vn. RBM 463 168 26 Stravinsky, I. Divertimento (1934). Ray Chen, vn; Timothy Young, pf. Melba MR 301128 22 Smetana, B. Piano trio in G minor, op 15 (1855/57). Benaud Trio. Melba MR301142 29

WEDNESDAY 21 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST with Stephen Wilson

Cabanilles, J. Tiento de falsas de octavo tono. John Butt, org. Harmonia Mundi HMU 907047 5 Vogler, G. Ballet suite no 2. London Mozart Players/Matthias Bamert. Chandos CHAN 10504 9 Corselli, F. Recitative, aria and andantino, from A ti, invisible ruiseñor canora (1749). Nuria Rial, sop; El Concierto Español/Emilio Moreno. Glossa GCD C80307 12

sax; Synergy Percussion. Song Company recording

Bellini, V. Casta diva, from Norma (1831; arr.). Amy Dickson, sax; London Session O/ Chris Walden. Sony 88725479572 6 Decruck, F. Dances autour du monde for alto sax and piano (1943). HD Duo. Saxophone Classics CC4002 12 Nyman, M. Where the bee dances (1991). Amy Dickson, sax; Royal PO/Mikel Toms. Sony 88697376792 16 15:00 THREE BY TWO Prepared by Derek Parker Prokofiev, S. Sonata in C, op 56 (1932). James Ehnes, vn; Amy Schwartz Moretti, vn. Chandos CHAN 10787(2) 14

Glazunov, A. Fantasia, op 104 (1919-20). Van Maldere, P. Trio sonata no 4. André Siwy, Joan Yarbrough, pf; Robert Cowan, pf. Pantheon D 20910 28 vn; Yaga Siwy, vn; Simone Vierset, hpd. Mozart, W. Sonata no 18 in G, K301 (1778). LP Alpha Brussels BRB 9 9 Joseph Szigeti, vn; Mieczyslaw Horszowski, Hellendaal, P. Concerto grosso in F, op 3 pf. no 4 (pub. c1758). Combattimento Consort Vanguard 08 8039 74 11 Amsterdam/Jan Willem de Vriend. NM Classics 92019

Scharwenka, X. Sonata in E minor, op 46a (c1878). Colin Carr, vc; Seta Tanyel, pf. Collins 14482 21 10:30 CONCERT HALL Prepared by Michael Field Franck, C. Symponic poem: Les éolides (1875-76). Suisse Romande O/Ernest Ansermet. DG DG 476 2800 11 Mozart, W. Sinfonia concertante in E flat, K364 (1779). Charmian Gadd, vn; Glenn Donnelly, va; Concertante Ensemble/ Christopher Bearman. Fine Music concert recording 33 Prokofiev, S. Cantata: Alexander Nevsky, op 78 (1939). Jard van Nes, mezz; Montreal Symphony Ch & O/Charles Dutoit. Decca 430506-2 38 12:00 JAZZ SKETCHES with Robert Vale 13:00 IN CONVERSATION with Simon Moore 14:00 AUSTRALIAN SAXOPHONISTS Prepared by James Nightingale Schulhoff, E. Esquisses de jazz (1927). Nick Russoniello, sax; Golden Age Quartet. Da Vinci Classics C00633 12 Brophy, G. O Prema, from Gethsemane (2010). Song Company; Christina Leonard,

16:00 FINE MUSIC DRIVE with Tom Forrester-Paton 19:00 PLANET JAZZ with Xavier Bichon 20:00 AT THE OPERA After Victor Hugo Prepared by Camille Mercep Verdi, G. Rigoletto. Opera in three acts. Libretto by Francesco Piave after Victor Hugo's play Le roi s'amuse. First performed Venice, 1851. RIGOLETTO: Alan Opie, bar DUKE OF MANTUA: Paul O’Neill, ten COUNT MONTERONE: Gennadi Dubinsky, bass SPARAFUCILE: David Parkin, bass GILDA: Emma Matthews, sop Opera Australia Ch & O/Giovanni Reggioli. Opera Australia OPOZ56011CD 2:10 The Duke of Mantua, a lecherous philanderer, seduces wives and daughters while his hunchbacked jester, Rigoletto, mocks their husbands and fathers. But, the tables turn on the jester when a furious father, Count Monterone, whose daughter has been dishonoured by the Duke, curses him. The curse is realised when the Duke seduces Rigoletto's beautiful daughter, Gilda, the only true joy in his miserable life. Vowing revenge, Rigoletto hires Sparafucile, an assassin, to kill the Duke. Tragically, however, his daughter is killed instead. 37

Berlioz, H. The captive, op 12 (1832). Véronique Gens, sop; Lyon Opera O/Louis Langrée. Virgin 5 45422 2 8 22:30 MUSIC OF THE NIGHT Prepared by James Nightingale Schoeck, O. Summer night, pastoral intermezzo for string orchestra, op 58 (1945). I TEMPI CO/Gevorg Gharabekyan. Genuin GEN 18497 14 Holloway, R. Serenade in C, op 41 (1979). Nash Ensemble. Hyperion CDA66930 25

10:30 CONCERT HALL Prepared by Chris Blower Tommasini, V. Ballet: The good-humoured ladies, after Scarlatti (1917). Concert Arts O/ Robert Irving. EMI 5 65911 2 15 Saint-Georges, J. Violin concerto in A, op 5 no 2 (pub. 1755). Takako Nishizaki, vn; Cologne CO/Helmut Müller Brühl. Naxos 8.555040 25 Sibelius, J. Symphony no 2 in D, op 43 (1901). Adelaide SO/Arvo Volmer. ABC 476 3945

Edwards, R. Mantras and night flowers (1985- 12:00 JAZZ AFTER NOON 2001). Bernadette Harvey, pf. with Sue Jowell Tall Poppies TP220 19 13:00 BELGIAN COMPOSERS Ligeti, G. String quartet no 1, Métamorphoses Prepared by Jacky Ternisien nocturnes (1953-54). Hagen Quartet. DG 474 327-2 20 Benoit, P. Overture to The king of Alders (c1859). Royal Flanders PO/Frédéric Grime, H. Night songs (2012). Hallé O/Jamie Devreese. Phillips. Marco Polo 8.223827 8 NMC D199 6 Vieuxtemps, H. Greeting to America, op 56 (1843). Misha Keylin, vn; Slovak RSO/Andrew Mogrelia. THURSDAY 22 Naxos 8.570974 13 Gossec, F-J. Symphonie concertante in D. Lily Laskine, hp; Odette Le Dentu, hp; JeanFrançois Paillard CO/Jean-François Paillard. Erato 0630-13705-2 12

00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST with Simon Moore

Servais, A-F. Souvenir de Spa, op 2. Smithsonian Chamber Players. EMI CDC 7 49009 2

09:00 DIVERSIONS IN FINE MUSIC Romantics, tributes and dedications Prepared by Jacky Ternisien

Grétry, A-E-M. Overture to Le tableau parlant (1769). Les Paladins/Jerome Correas. naïve OP 30532 4

Massenet, J. Overture to Phèdre (1900). Detroit SO/Paul Paray. Mercury 475 6268

Lemmens, J. Scherzo, from Symphony concertante. Eugène Gigout, Britannic org. OEHMS Classics OC 843 5

Schumann, R. Fantasy pieces, op 73 (1849). David Nuttall, ob d'amore; Larry Sitsky, pf. Tall Poppies TP041 12

Benoit, P. Flute concerto, op 43a, Symphonic tale (1865). Gaby van Riet, fl; Royal Flanders PO/Frédéric Devreese. Marco Polo 8.223827 20

Arcas, J. Fantasy on themes from La traviata. Jérémy Jouve, gui. Naxos 8.557597 8

14:30 TEACHERS AND STUDENTS Prepared by Paul Cooke

Gounod, C. Va! je t’ai pardonné ... Nuît d’hyménée, from Romeo et Juliette (1867). Anna Netrebko, sop; Roberto Alagna, ten; Metropolitan Opera Ch & O/Plácido Domingo. DG 477 9903 11 Fauré, G. Dolly suite, op 56 (1893-97). PierreAlain Volondat, Patrick De Hooge, pf. Naxos 8.553638 14 Taffanel, P. Wind quintet in G minor. ViennaBerlin Ensemble. Sony 88725443532 25 38

Oboussier, R. Antigone, recitative, aria and elegy after Sophocles (1939). Elsa Cavelti, cont; Suisse Romande O/Ernest Ansermet. Decca 480 0814 16 Jarnach, P. Das Amrumer Tagebuch, op 30 (1947). Tamara-Anna Cislowska, pf. Fine Music concert recording 10 Busoni, F. Death of Faust, from Doktor Faust (1924; compl. and ed. Jarnach). William Cochran, ten; Bavarian RSO/Ferdinand Leitner. DG 427 413-2 4

Improvisation on the Bach chorale Wie wohl is mir, o Freund der Seele (1916). Isabel von Vintschger, pf; Jürg von Vintschger, pf. Jecklin JD 579-2 15 Reinecke, C. Symphony no 3 in G minor, op 227 (c1890). Brandenburg State O, Frankfurt/ Heribert Beissel. Christophorus CHE 0162-2 35 16:00 FINE MUSIC DRIVE with Marilyn Schock 19:00 THE NEW JAZZ STANDARD with Frank Presley 20:00 THE WORLD OF A SYMPHONY Amy Beach: Symphony in E minor, Gaelic Prepared by David Brett Chopin, F. Rondo in E flat, op 16 (1832). Mikhail Pletnev, pf. DG 477 8445 10 Beach, A. Sleep, little darling, op 29 no 3 (1894). Katherine Kelton, mezz; Catherine Bringerud, pf. Naxos 8.559191 4 Dreaming, op 15 (1892). Alan Feinberg, pf. Argo 430 330-2 6 Dvorák, A. Suite in A, op 98b, American (1894). Russian PO/Dmitry Yablonsky. Naxos 8.557352 17 MacDowell, E. Piano concerto no 2 in D minor, op 23 (1884-86). Thomas Tirino, pf; Bulgarian RSO/Vassil Kazandjiev. Centaur CRC 2149 29 Beach, A. Symphony in E minor, op 32, Gaelic (1896). Detroit SO/Neeme Järvi. Chandos CHAN 8958 41 22:00 YEHUDI MENUHIN Part 4 Prepared by Gerald Holder Turina, J. Sextet, op 7, Andalusian scene (1912). Christine Busch, vn; Paul Coletti, va; Anna Deutschler, va; members of Menuhin Festival Piano Quartet. Claves 50-9403 11 Quartet in A minor, op 67 (1933). Menuhin Festival Piano Quartet. Claves 50-9403 15 22:30 ULTIMA THULE

Mozart, F. Polonaise no 1 in C minor; Polonaise no 2 in A minor; Polonaise no 3 in F minor; Polonaise no 4 in G minor, from Polonaises mélancoliques, op 22 (1815-18). Yaara Tal, pf. Sony 88985446942 20

FRIDAY 23 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST with Stephen Gard 09:00 DIVERSIONS IN FINE MUSIC Journey through history Prepared by Jennifer Foong Schubert, F. Overture in C minor for string quintet. Gyozo Mathe, va; Kodály Quartet. Naxos 8.557126 9 Pleyel, I. Concerto in D (c1788). Wolfgang Brunner, fp; Leonore von Stauss, fp. Profil Medien PH18087 19 Stanford, C. Villiers Sonata, op 129. Emma Johnson, cl; Malcolm Martineau, pf. ASV DCA 891 21 Verdi, G. Ballet music from Macbeth (1847). London SO/Antonio de Almeida. Philips 422 846-2 10

Rachmaninov, S. Symphony no 3 in A minor, op 44 (1935-36). BBC PO/Gianandrea Mozart, L. Trio sonata no 4 in G for two violins Noseda. Chandos CHAN 10677 41 and basso continuo. London Baroque. Harmonia Mundi HMC 901395 9 22:00 BAROQUE AND BEFORE Mozart, F. Six songs, op 21 (1820). Barbara Hesperion XXI and the Hilliard Bonney, sop; Malcolm Martineau, pf. Ensemble Decca 475 6936 13 Prepared by Glenys Eddy Mozart, W. Symphony no 6 in F, K43 (1766). Northern CO/Nicholas Ward. Naxos 8.550872 13 14:30 PURCELL’S THEATRE MUSIC Prepared by Derek Parker Purcell, H. Music for a while shall all your cares beguile, from Oedipus (1692). Andrew Dalton, ct; Freek Borstlap, bass viol; Anneke Uittenbosch, hpd. Etcetera KTC 1013 3 Suite from King Arthur (1691). Collegium Aureum/Reinhard Peters. LP Harmonia Mundi HM 20322 16

Turina, J. Cantilena, from Triptico (1929). Marilyn Richardson, sop; Geoffrey Parsons, pf. Suite from The Gordian knot unty’d (1691). LP ABC/WRC R 02423 5 Aradia Ensemble/Kevin Mallon. Naxos 8.570149 17 Koechlin, C. Septet (1937). Manfred Preis, alto sax; Gerhard Stempnik, cora; Berlin Suite from Dioclesian (1690). Academy of St Philharmonic Wind Quintet. Martin in the Fields/Neville Marriner. BIS CD-536 16 Capriccio C8001 13 10:30 CONCERT HALL Prepared by Michael Field Dvorák, A. Slavonic rhapsody in A flat, op 45 no 3 (1878). Scottish NO/Neeme Järvi. Chandos CHAN 9002 12 Stamitz, C. Double clarinet concerto in B flat, op 91. Tomoko Takashima, cl; Nicolaus Esterházy Sinfonia/Kálmán Berkes, cl & dir. Naxos 8.553584 19 Strauss, R. An alpine symphony, op 64 (1915). Melbourne SO/Andrew Davis. ABC 481 6754

12:00 A JAZZ HOUR with Barry O'Sullivan 13:00 WITH THE MOZART FAMILY Prepared by Jacky Ternisien Mozart, L. Sinfonia burlesca. Eduard Melkus Ensemble. Archiv 427 122-2 10 Mozart, W. Divertimento no 13 in F, K253 (1776). Hansjörg Schellenberger, ob; Burkhard Rohde, ob; Günter Piesk, bn; Henning Trog, bn; Gerd Seifert, hn; Manfred Klier, hn. Orfeo C 152 861 A 15

Beethoven, L. Violin concerto in D, op 61 (1806). Isabelle Faust, vn; O Mozart/Claudio Abbado. Harmonia Mundi HMC902105 41

Suite of musicks and dances, from The fairy queen (1692; arr Balsom). Alison Balsom, tpt; English Concert/Trevor Pinnock. EMI 4 40329 2 14 Ayres and dances, from Dido and Aeneas (1689). Tasmanian Symphony Chamber Players/Geoffrey Lancaster. ABC 456 667-2 17 16:00 FINE MUSIC DRIVE with Lloyd Capps 19:00 FRIDAY JAZZ SESSION with Alex Siegers 20:00 EVENINGS WITH THE ORCHESTRA Italian orchestras and conductors, Part 2 Prepared by Chris Blower Schubert, F. Overture to The magic harp, D644 (1820). Vienna PO/Riccardo Muti. EMI CDC 7 54873 2 11

Anon. Saltarello 1; Saltarello 2; Lamento di Tristano (c14th C). Hesperion XXI/Jordi Savall. Alia Vox AV 9848 9 Sumer is icumen in; Sainte Marie Viergene; Crist and Sainte Marie; Sainte Nicolas; Fuweles in the Frith (13th C). Hilliard Ensemble/Paul Hillier, bass & dir. Harmonia Mundi HMC 901154 7 Encina, J. del Pavana; El que rige y el regido; Levanta Pascual; Triste España sin ventura. Hesperion XXI/Jordi Savall. Alia Vox A 9838 17 Tallis, T. Mass for four voices. Hilliard Ensemble/Paul Hillier, bass & dir. ECM New Series 1341

Anon. Sibil-La Valenciana (15th-16th C). Montserrat Figueras, sop; La Capella de Catalunya; Hesperion XXI/Jordi Savall. Alia Vox AV 9849 24 Mouton, C. Canarie; Chaconne; Gauotte; L’impromptu allemande; La promenade prélude (17th C). Hopkinson Smith, lute. Astree E 8831 14 Purcell, H. Lost in my quiet; I spy Celia; Since time so kind to us does prove; Here’s that will challenge all the fair; When the cock begins to crow (17th C). Hilliard Ensemble/Paul Hillier, bar & dir. Emergo Classics EC 3332-2 13

SATURDAY 24 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SATURDAY MORNING MUSIC with Stephen Wilson

Liszt, F. Totentanz (1849-50). Arturo Benedetti 09:00 WHAT'S ON IN MUSIC Michelangeli, pf; RAI SO, Rome/Gianandrea Our weekly guide to musical events in and Gavazzeni. around Sydney Memoria ABM 999-001 18 39

09:05 THE PIANO ALONE Prepared by Rita Felton Liszt, F. Sonata in B minor (1852-53). Rhondda Gillespie, pf. LP Chandos ABRD 1042

Granados, E. Danza caracteristica. Thomas Rajna, pf. LP CRD 1035 6 Beethoven, L. Sonata no 26 in E flat, op 81a, Les adieux (1809-10). Jörg Demus, fp. LP Harmonia Mundi HM 2.476 18 10:00 CENTRES OF MUSIC The Saxon court at Dresden, 17th C, Part 1 Prepared by Elaine Siversen Schütz, H. Singet dem Herren ein neues Lied; Jauchzet dem Herren, alle Welt (pub. 1619). Stuttgart Chamber Choir; Musica Fiata, Cologne/Frieder Bernius. Sony S2K 48042 9 Albert, H. Turpe senex miles, turpe senilis amor; Veneris miseras resonare querelas. Andreas Scholl, ct; Pablo Valetti, vn; Alix Verzier, vc; Karl Ernst Schröder, lute; Markus Märkl, hpd. Harmonia Mundi HMC 901505 9 Krieger, J. Trio sonata in G for two violins and continuo. Members of Akademie für Alte Musik, Berlin. Harmonia Mundi HMG 501835 6

Grainger, P. Colonial song (1912). Hawthorn Band/Ken MacDonald. Walsingham WAL 9000-2 7

Arnold, M. Music from Trapeze (1956). O/Muir Matheson. ÉI ACMEM95 10

Strauss, R. Festive music for Vienna (1943). Summit Brass/Carl Topilow. Pro Arte CDD 318 11

Gold, M. The vampires of Venice, from Doctor Who, series 5 (2010). BBC National O of Wales/Ben Foster. Silva Screen SILCD 1345 14

12:00 URBAN JAZZ LOUNGE with Leita Hutchings

19:00 EMERGENT JAZZ with Keith Pettigrew

13:00 IN A SENTIMENTAL MOOD with Maureen Meers Nostalgic music and artists from the 30s, 40s and 50s and occasionally beyond, in a trip down many memory lanes 14:00 AUSTRALIAN ENSEMBLES Goldner String Quartet Prepared by Elaine Siversen Dvorák, A. String quartet no 12 in F, op 96, American (1893). Goldner String Quartet. Fine Music concert recording 27 14:30 SATURDAY MATINÉE Choral masterworks Prepared by Elaine Siversen Brahms, J. Song of destiny, op 54 (186871). Sydney University Graduate Choir & O/ Christopher Bowen. SUGC recording 15 Saint-Saëns, C. Calme des nuits, op 68 no 1 (1882). Sydney University Graduate Chamber Choir & O/Christopher Bowen. SUGC recording 5

Mein Herz ich liebe dich; Fleug, Psyche, fleug. Annette Dasch, sop; members of Akademie für Haydn, J. Oratorio: The seasons, Hob.XXI:3 Alte Musik, Berlin. (1801). Harmonia Mundi HMG 501835 8 Oratorio: The seasons, Part 1: Spring. 32 Walther, J.G. Jesu, meine Freude. Philip Oratorio: The seasons, Part 2: Summer. 33 Swanton, org. FSM FCD 96 506/07 XVII 13 Oratorio: The seasons, Part 3: Autumn. 29 Bernhard, C. Wahre Traum; Scheiden bringt Oratorio: The seasons, Part 4: Winter. 26 Leiden. Martin Hummel, bar; Karl-Ernst Amy Corkery, sop; Paul Morris, ten; Michael Schröder, lute. Halliwell, bass; Sydney University Graduate Naxos 8.555935 6 Choir & O/Christopher Bowen. Heinichen, J. Concerto grosso in F, S235. Musica Antiqua Cologne/Reinhard Goebel. Archiv 479 1110 17 Schütz, H. Ich hab mein Sach Gott heimgestellt. Dorothee Mields, sop; Ulrike Hofbauer, sop; David Erler, alto; Georg Poplutz, ten; Andreas Wolf, bass; Stefan Maass, theorbo; Matthias Müller, violone, va da gamba; Choir; Ludger Rémy, org. Carus 83.254 11

SUGC recording

2:01

17:00 SOCIETY SPOT Sydney Schubert Society with Ross Hayes 18:00 STAGE AND SCREEN Prepared by Paul Cooke

11:30 ON PARADE Prepared by Michael Morton-Evans

Shostakovich, D. Suite from The golden mountains, op 30a (1931). Belgian RT Ch; Karol Golebiowsky, org; Belgian RSO/José Serebrier. RCA RD60226 12

Clarke, H. Bride of the waves. Royal Australian Navy Band/Steven Stanke. Royal Australian Navy RAN-014

North, A. Music from A streetcar named Desire (1951). O/Ray Hendorf. ÉI ACMEM72 17

20:00 THE LIFE OF A COMPOSER Johann Halvorsen Prepared by Jennifer Foong Halvorsen, J. Norwegian festival overture, op 16. Bergen PO/Karsten Andersen. NKFCD 50013-2 9 Passacaille in G minor, after Handel’s Suite no 7 in G minor (1897). Renaud Capuçon, vn; Gautier Capuçon, vc. Virgin 5 455762 0 6 Fossegrimen, op 21 (1905). Ragnhild Hemsing, hardanger fiddle; Melina Mandozzi, vn; Bergen PO/Neeme Jarvi. Chandos CHAN 10664 30 Norwegian dance no 3 (pub. 1915). Oslo PO/ Karsten Andersen. Norwegian Cultural Centre NKFCD 50014-25 Sinding, C. Boat song, op 11 no 1. Bodil Arnesen, sop; Erling Ragnar Eriksen, pf. Naxos 8.553905

Grieg, E. Funeral march in memory of Rikard Nordraak (1866; arr. Halvorsen). Bergen PO/ Ole Kristian Ruud. BIS CD-1740/42 8 Halvorsen, J. Norwegian rhapsody no 2. Bergen PO/Karsten Andersen. NKFCD 50013-2 12 Dance of the little trolls; Entry of the trolls into the blue mountain, from Scenes from Norwegian fairy tales, op 37 (1925). Iceland SO/Bjarte Engeset.. Naxos 8.557018 5 Symphony no 2 in D minor, Fatum (1923). Bergen PO/Neeme Järvi. Chandos CHAN 10614 28 22:00 SATURDAY NIGHT AT HOME Prepared by Rex Burgess Telemann, G. Overture in F, Alster. Andrew Clark, hn; New London Consort/Philip Pickett. Decca 455 621-2 33 Schubert, F. Fantasy in C, Sei mir gegrüsst, D934 (1827). Isaac Stern, vn; Daniel Barenboim, pf. Sony SM2K 64528 26 Dohnányi, E. Sextet in C for clarinet, horn, piano and string trio, op 37 (1935). Endymion Ensemble. ASV DCA 943 30

Strauss, R. Four symphonic interludes, from Intermezzo, op 72 (1924). Vienna PO/ André Previn. DG 437 790-2 24

SUNDAY 25 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC with Peter Poole

Bach, C.P.E. Sinfonia in G, Wq182 no 1 (1773). Capella Istropolitana/Christian Benda. Naxos 8.553285 11 12:00 CLASSIC JAZZ with Dave Mac

Greene, M. Lord, let me know mine end. Choir of St Paul’s Cathedral, London; Simon Johnson, org; Andrew Carwood, cond. Decca 4831531 6

13:00 WORLD MUSIC Whirled Wide with Linda Marr 14:00 THE PIANO SONATA Entartete sonatas, Part 4 Prepared by James Nightingale

Schulhoff, E. Sonata no 3 (1927). Margaret Babinsky, pf. 18 Bizet, G. Te Deum (1858). Katarina Jovanovic, Capriccio C7297 Schoenberg, A. Five piano pieces, op 23 sop; Philippe Do, ten; Mark Schnaible, bass; Northern Region Choir; Lille NO/Jean-Claude (1923). Diane Killian, pf. Move MCD 513 11 Casadesus. Naxos 8.572270 18 Ullmann, V. Sonata no 7 (1944). Christophe Sirodeau, pf. Britten, B. Te Deum in C (1934). Choir of BIS BIS2116 24 St John’s College, Cambridge/Christopher Robinson. 15:00 SUNDAY SPECIAL Naxos 8.554791 7 Australian landscape Charpentier, M-A. Te Deum (c1690; transcr. Prepared by James Nightingale Lambert). Elsa Saque, sop; Jana Silva, sop; Sutherland, M. Haunted hills (1950). John Williams, ct; Fernando Serafim, ten; Melbourne SO/John Hopkins. Philippe Huttenlocher, bar; José Oliveira ABC 481 9111 15 Lopes, bass; Bernard Gabel, tpt; Antoine Sibertin-Blanc, org; Gulbenkian Foundation of Sculthorpe, P. Port Essington (1977). Helena Rathbone, vn; Cameron Retchford, vc; Lisbon Symphony Choir & O/Michel Corboz. Erato 2292-45083-2 28 Australian CO/Richard Tognetti, vn & dir. ABC 481 1293 15 10:00 THE CLASSICAL ERA Munro, I. Clarinet quintet, Songs from the Prepared by Di Cox bush (2009). David Rowden, cl; Omega 09:00 MUSICA SACRA Prepared by Jacky Ternisien

Kuhlau, F. Overture to The magic harp, op 27 (1820). Danish National RSO/Michael Schønwandt. Chandos CHAN 9648 11

Ensemble. ABC 481 4667

Carr-Boyd, A. The bells of Sydney Harbour (1979). David Kinsela, org. Beethoven, L. Sonata no 5 in F, op 24, Spring Southern Cross SCCD 1022 11 (1805). Joseph Szigeti, vn; Claudio Arrau, pf. Stanhope, P. Quartet no 3, From the Vanguard 08 8063 74 22 Kimberley (2014-15). Australian String Quartet. Boccherini, L. Quintet no 1 in D minor (1797). Elizabeth Blumenstock, vn; Anthony Martin, vn; Katherine Kyme, va; Elisabeth Le Guin, vc; Richard Savino, gui. Harmonia Mundi HMU 907039 25 Paisiello, G. Nel cor più non mi sento, from L’amor contrastato (1789; ed. Bonynge). Joan Sutherland, sop; Philomusica of London/ Granville Jones. Decca 475 6302 4 Schubert, F. Impromptu in B flat, D935 no 3 (1827). Joshua Tsai, pf. Fine Music tape archive 13 Krommer, F. Oboe concerto in F, op 37 (1803). Sarah Francis, ob; London Mozart Players/Howard Shelley. Hyperion CDA 66411 22

ABC ABCL0034

Gibbons, O. Magnificat; Nunc dimittis, from The Second Service. Oxford Camerata; Laurence Cummings, org; Jeremy Summerly, cond. Naxos 8.553130 10

Edwards, R. Etymalong (1984). Bernadette Harvey, pf. Tall Poppies TP212 6 Sculthorpe, P. Great Sandy Island (1998). Adelaide SO/James Judd. ABC 481 1293 23

Palestrina, G. da Kyrie; Agnus Dei, from Missa emendemus in Melius. Choir of Westminster Cathedral/Martin Baker. Hyperion CDA67938

Byrd, W. Civitas sancti tui. Voces8. Voces8 Records VCM129A

Wesley, S.S. Wash me thoroughly from my wickedness. Choir of St John’s College, Cambridge; John Challenger, org; Andrew Nethsingha, cond. Chandos CHAN 10751 5 Hymn. The duteous day now closeth. Choir of Winchester Cathedral/David Hill. Herald HAVPCD257 4 Brahms, J. Chorale prelude: Herzlich tut mich verlangen. Konstantin Volostnov, org. Naxos 8579147 4 18:00 BEETHOVEN IN CHAMBER Prepared by Dan Bickel Beethoven, L. Trio in B flat, op 11 (1797). Benny Goodman, cl; Fritz Magg, vc; Leon Pommers, pf. Music Masters 5027-2-C 19 String quartet no 14 in C sharp minor, op 131 (1826). Melos Quartet. DG 415 676-2 36 19:00 JAZZ INTERACTION with Eddie Bernasconi 20:00 SUNDAY NIGHT CONCERT Prepared by Rex Burgess Cherubini, L. Symphony in D (1815). Zurich CO/Howard Griffiths. cpo 999 5212 33 Mozart, W. Concert aria: Ch'io mi scordi di te? .... Non temer, amato bene, K505 (1790). Joan Carden, sop; John Winther, pf; O of Sydney/ John Harding. ABC 446 276-2 11

Corigliano, J. Violin concerto, The red violin (2003). Michael Ludwig, vn; Buffalo PO/JoAnn Purcell, H. Remember not, Lord, our offences. Falletta. Naxos 8.559671 39 Cambridge Singers/John Rutter. 17:00 HOSANNA Prepared by Jeremy Hall

Collegium B0000031HJ

Hymn. There’s a wideness in God’s mercy. Choir of Wells Cathedral; Rupert Gough, org; Malcolm Archer, cond. Hyperion CDP12105 4

21:30 NEW HORIZONS Prepared by James Nightingale Riain, Ailis Ní. Soberado. Xenia Pestova Bennett, toy piano. NMC D270

3 41

Illean, L. Weather a rare blue (2018). Explore Ensemble. Huddersfield Contemporary Records HCR29CD 11

10:30 CONCERT HALL Prepared by Rita Felton

Grieg, E. Suite no 2, op 55, from Peer Gynt (1874-75). Malmö SO/Bjarte Engeset. Smalley, R. Quintet (2003). Roger Smalley, pf; Naxos 8.570236 17 Australian String Quartet. Prokofiev, S. Violin concerto no 1 in D, op 19 Melba MR 301112 21 (1916-17). Gil Shaham, vn; London SO/André Bellamy, M. Behind the transparent surface (2020). Ensemble Musikfabrik. Huddersfield Contemporary Records HCR28CD 19 Chin, U. Cello concerto (2008-09/13). Alban Gerhardt, vc; Seoul PO/Myung-Whun Chung. DG 481 0971 28 23:00 JAZZ AFTER HOURS Portraits with Isobel Archer

Previn. DG 447 758-2 Sibelius, J. Symphony no 2 in D, op 43 (1901). Royal PO/Charles Mackerras. Tring TRP013

13:00 MUSIC FOR COR ANGLAIS Prepared by Ron Walledge

MONDAY 26

06:00 FINE MUSIC BREAKFAST with Robert Small 09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1879 Prepared by Gerald Holder

Sutherland, M. Quartet (1956). Ben Opie, cora; Thibaud Pavlovic-Hobba, vn; Helen Ireland, va; Zoe Knighton, vc. ABC ABCL0013 14

Brumby, C. Scena (1988). Barry Davis, cora; Liszt, F. Rosario (1879). Netherlands Chamber Strings of Queensland SO/Richard Mills. ABC 442 374-2 9 Choir; Leo van Doeselaar, harmonium; Uwe Gronostay cond. 14:00 JOHN ELIOT GARDINER Globe GLO 5070 9 Prepared by Jacky Ternisien Dvorák, A. Czech suite, op 39 (1879). Detroit SO/Antal Dorati. Decca 414 370-2 24

Fauré, G. Berceuse in D, op 16 (1879; arr. Nelson). Juliette Maxwell, accordion; Concordia Mandolin and Guitar Ensemble/ Basil Hawkins. Move MCD 557 3 Sullivan, A. Poor wand'ring one; How beautifully blue the sky; When the foeman bares his steel, from The pirates of Penzance (1879). Rebecca Evans, sop; Julie Gossage, mezz; John Mark Ainsley, ten; Richard van Allan, bass; Welsh National Opera Ch & O/ Charles Mackerras. Telarc CD-80431 9 Scharwenka, X. Four Polish dances, op 47 (pub 1879). Seta Tanyel, pf. Collins 14742 14 Widor, C-M. Toccata, from Organ symphony no 5 in F minor, op 42 no 1 (1879). Jennifer Chou, org. ABC 476 4621 7 Elgar, E. Four dances (1879). Athena Ensemble. Chandos CHAN 241-33 42

19:00 JAZZ ABOUT TOWN with Deborah Evans 20:00 STORMY MONDAY with Austin Harrison

TUESDAY 27

Koechlin, C. Sonata, op 185 (1942). Lajos Lencsés, cora. SWR Music 19047CD 22

00:00 CLASSIC-ALL THROUGH THE NIGHT

16:00 FINE MUSIC DRIVE with Stephen Wilson

22:00 JAZZ AFTER HOURS with Gail Monjo

12:00 SWING SESSIONS with John Buchanan

Donizetti, G. Concertino in G. Jeremy Polmear, cora; Diana Ambache, pf. Meridian CDE 84147

Mozart, W. Piano concerto no 8 in C, K246, Lützow (1776). Malcolm Bilson, fp; English Baroque Soloists/John Eliot Gardiner. Archiv 415 990-2 21

Schumann, R. Overture, scherzo and finale, op 52 (1841). O Révolutionnaire et Romantique/John Eliot Gardiner. Archiv 457 591-2 17 Elgar, E. Introduction and allegro, op 47 (1904-05). Küchl-Quartett & O/John Eliot Gardiner. DG 479 1044 13 Ravel, M. Asie, from Shéhérazade (1903). Barbara Hendricks, sop; Lyon Opera O/John Eliot Gardiner. EMI CDC 7 49689 2 9 Grainger, P. The warriors (1913-16). Philharmonia O/John Eliot Gardiner. DG 445 860-2

Elgar, E. Overture: In the South, op 50, Alassio (1903). Vienna PO/John Eliot Gardiner. DG 479 1044

Bach, J.S. Come, Jesus, come, BWV229 (1730). Monteverdi Choir; Instrumentalist, Friends of Monteverdi Choir/John Eliot Gardiner. Philips 446 116-2 9

00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST with Julie Simonds 09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by Rex Burgess Bach, J.S. Wachet auf, ruft uns die Stimme, BWV645, from Schübler chorales (1749). John O’Donnell, org. Tall Poppies TP140 4 Westoff, J. Sonata no 2 in A minor (pub. 1696). Jonas Zschenderlein, vn; Alexander von Heissen, hpd. DHM G0100039235199 11 Schubert, F. Fantasy in F minor, D940 (1828). Elizabeth Powell, Ffrangon Davies, pf. Fine Music tape archive 17 Koechlin, C. Au loin, op 20 no 2 (1895-96). Michael Korstick, pf. SWR Music 19047CD 7 Hart, F. Sonata no 1 in D minor, op 7 (1911). Susan Collins, vn; Stephanie McCallum, pf. Toccata TOCC 0470 13 Ravel, M. Gaspard de la nuit (1908). Benjamin Grosvenor, pf. Decca 478 3206 21 Busoni, F. J.S. Bach’s chorale prelude: Wachet auf, ruft uns die Stimme (arr. c1914). John Buttrick, pf. Jecklin JD 623-2 4 10:30 CONCERT HALL Prepared by Elaine Siversen Masek, V. Sinfonia in D sharp (c1780s). Prague CO/Frantisek Vajnar. LP Supraphon 1110 2809 G

David, Ferdinand. Violin concerto no 4 in E, op 23. Hagai Shaham, vn; BBC Scottish SO/ Martyn Brabbins. Hyperion CDA67804 26

Bax, A. Nonet for winds, strings and harp (1930). Harmonia Ensemble/Giuseppe Grazioli. Giulia GS 201009 21

Grofé, F. Grand Canyon suite (1931). Cincinnati Pops O/Erich Kunzel. Telarc CD 80086

Rózsa, M. String trio, op 1 (1927). Tippett Quartet. Naxos 8.572903 30

12:00 JAZZ RHYTHM with Jeannie McInnes

WEDNESDAY 28

13:00 FINE MUSIC NOTES with Iris Zeng Highlights of Fine Music on air for February 14:00 AN ORCHESTRAL CONCERT Prepared by Derek Parker Haydn, J. Overture to Die Feuersbrunst, Hob.XXIXa:4 (c1773-79). Haydn Sinfonietta, Vienna/Manfred Huss. Schwann 3-1723-2 8 Gossec, F-J. Suite from Sabinus. Les Agrémens/Guy van Waas. MBF 1108

Britten, B. Piano concerto, op 13 (1945). Sviatoslav Richter, pf; English CO/Benjamin Britten. Decca 478 5364 34

00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST with Stephen Wilson

12:00 JAZZ SKETCHES with Robert Vale 13:00 IN CONVERSATION with Simon Moore 14:00 WITH THE HOLLIGERS Prepared by Jacky Ternisien Martin, F. Three dances (1970). Heinz Holliger, ob; Ursula Holliger, hp; Academy of St Martin in the Fields String Quintet; Academy of St Martin in the Fields/Neville Marriner. Philips 434 105 2 17 Pasculli, A. Homage to Bellini, after Bellini’s Il pirata, La sonnambula. Heinz Holliger, cora; Ursula Holliger, hp. Philips 426 288-2 8

09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by James Nightingale

Bach, J.S. Oboe d’amore concerto in D, BWV1053 (reconstr. Mehl). Camerata Bern/ Heinz Holliger, ob d’amore & dir. Philips 454 450-2 18

Bach, W.F. Sinfonia in F. Salzburg Chamber PO/Yoon K. Lee. Naxos 8.553289 11

Debussy, C. Sonata (1915). Peter-Lukas Graf, fl; Serge Collot, va; Ursula Holliger, hp. Claves 50-280 17

Balbastre, C-B. La gentry: Badine; Gaiement. Koechlin, C. Déclin d’amour op 13 no 1 (1894). Juliane Banse, sop; Gunter Tueffel, va Sophie Yates, hpd. Chandos CHAN 0777 4 d’amore; SWR RSO, Stuttgart/Heinz Holliger. SWR Music SWR19046 6 Lassus, O. de O Mensch, gedenck. Song Messager, A. Suite from The two pigeons Fauré, G. Chanson de Mélisande, op 80 Company/Roland Peelman. (1886). Royal Opera House O/Charles ABC 481 1091 6 (1898, orch. Koechlin). Juliane Banse, sop; Mackerras. SWR RSO, Stuttgart/Heinz Holliger. EMI CDZ 7 62515 2 23 Rossi, C. de Sinfonia, from Il sacrifizio SWR Music SWR19046 4 di Abramo (1709; ed. Jackson). Bay Area Mozart, W. Symphony no 41 in C, K551, Britten, B. Temporal variations (1936). Heinz Jupiter (1788). Australian CO/Richard Tognetti. Women’s PO/JoAnn Falletta. Holliger, ob; András Schiff, pf. Newport Classic NCD 60102 8 ABC 481 2880 34 Decca 478 5364 14 Erlebach, P. Sonata terza. Stylus 16:00 FINE MUSIC DRIVE Mozart, W. Adagio in C, K580a (1789); Phantasticus. with Michael Morton-Evans Alpha ALPHA 612 14 Divertimento no 3 in E flat, K166 (1773). Members of the Holliger Wind Ensemble. Viardot, Pauline. Les ombres de minuit; Les 19:00 THE JAZZ BEAT Philips 422 505-2 23 deux roses; Les étoiles. Laetitia Grimaldi, sop; with Lloyd Capps Ammiel Bushakevitz, pf. 16:00 FINE MUSIC DRIVE 20:00 JUST IN BIS BIS-2546 12 with Robert Gilchrist with David Garrett Eberl, A. Piano trio in B flat, op 8 no 2. Pleyel A selection from the latest recordings to arrive 19:00 PLANET JAZZ Trio. at the Fine Music Library Christophorus CHE 0131-2 23 with Xavier Bichon 22:00 CHAMBER SOIRÉE Prepared by Anne-Louise Luccarini Beethoven, L. Sonata no 5 in F, op 24, Spring (1801-02). Augustin Dumay, vn; Maria João Pires, pf. DG 479 5964 24 Haydn, J. Flute quartet in G, op 5 no 2. Members of Australian Haydn Ensemble/Skye McIntosh, vn & dir. Fine Music concert recording 12 Farrenc, L. Sextet in C minor for piano and wind quintet, op 40 (1852). Éric le Sage, pf; Les Vents Français. Warner Classics 0825646231850 24

10:30 CONCERT HALL Prepared by Paul Cooke Suk, J. Tale of a winter’s evening, op 9 (1894). Berlin Comic Opera/Kirill Petrenko. cpo 777 3642 15 Haydn, J. Cello concerto no 1 in C, Hob. VIIIb:1 (c1761-65). Christoph Croisé, vc; Eurasian Soloists CO/Sherniyaz Mussakhan. Avie AV2402 24 Le Flem, P. Symphony no 1 in A (1908). Brittany O/Claude Schnitzler. Timpani 1C 1021 44

20:00 AT THE OPERA After Victor Hugo Prepared by Elaine Siversen Ponchielli, A. La Gioconda. Opera in four acts. Libretto by Arrigo Boito after Victor Hugo’s play Angelo, tyrant of Padua. First performed Milan, 1876. LA GIOCONDA: Renata Tebaldi, sop ENZO GRIMALDO: Carlo Bergonzi, ten LAURA ADORNO: Marilyn Horne, mezz ALVISE BADOERO: Nicolai Ghiuselev, bass BARNABA: Robert Merrill, bar Saint Cecilia National Academy Ch & O/ Lamberto Gardelli. Decca 430 042-2 2:35 43

La Gioconda is in love with the exiled nobleman, Enzo, who has returned to Venice in disguise because of his love for Laura, wife of Alvise. The spy, Barnaba, jealous of Gioconda’s love for Enzo, accuses Gioconda’s mother of being a witch but she is saved by Laura. Barnaba then tells Alvise of Enzo’s love for Laura. Gioconda confronts Laura but recognises her mother’s protector. Alvise orders Laura to take poison, but Gioconda substitutes a sleeping potion and takes Laura’s body to her home, where Enzo is waiting. Laura and Enzo escape as Barnaba arrives to claim Gioconda, but she foils him by stabbing herself. Puccini, G. Si, mi chiamano Mimi ... O soave fanciulla, from La bohème (1896). Renata Tebaldi, sop; Carlo Bergonzi, ten; Academy of St Cecilia O/Tullio Serafin. Decca 470 280-2 10

Brahms, J. Klavierstücke, op 118 (bef. 1893). Wilhelm Kempff, pf. Philips 456 862-2 22

Dixon, H. The enchanted garden (2003). Locana. Wirripang Wirr 014 10

Vaughan Williams, R. Serenade to music (1939). Norma Burrowes, sop; Sheila Armstrong, sop; Susan Longfield, sop; Marie Hayward, sop; Alfreda Hodgson, mezz; Gloria Jennings, mezz; Shirley Minty, mezz; Meriel Dickinson, mezz; Ian Partridge, ten; Bernard Dickerson, ten; Wynford Evans, ten; Kenneth Bowen, ten; John Carol Case, bar; John Noble, bar; Richard Angas, bass; Christopher Keyte, bass; London PO/Adrian Boult. EMI CDC 7 63098 2 13

Coates, E. Ballet: The enchanted garden (1938). BBC Concert O/John Wilson. ASV WHL 2112 20

10:30 CONCERT HALL Prepared by Frank Morrison Respighi, O. Three Botticelli pictures (1927). London SO/Charles Mackerras. Carlton Classics 15656 91372 20

Geminiani, F. Ballet: The enchanted forest (c1752). Milan Angelicum O/Newell Jenkins. LP Nonesuch H-71151 31 16:00 FINE MUSIC DRIVE with Sue Jowell 19:00 THE NEW JAZZ STANDARD with Frank Presley 20:00 THE WORLD OF A SYMPHONY Joseph Haydn: Symphony no 92 Prepared by James Nightingale

Ravel, M. Gaspard de la nuit (1908). Martha Argerich, pf. EMI 5 57101 2 18

Mozart, W. Quintet in A, K581 (1789). Bennett, W. Sterndale Piano concerto no 1 in Wolfgang Meyer, basset cl; Quatuor D minor, op 1 (1832; ed. Byers). Malcolm Binns, Mosaïques. pf; London PO/Nicholas Braithwaite. Naive V 5059 32 Lyrita SRCD 204 24 Beethoven, L. Cantata on the ascension of Mozart, W. Serenade no 3 in D, K185, Antretter Emperor Leopold II, WoO88 (1790). Judith (1773). Salzburg CO/Harald Nerat. Howarth, sop; Jean Rigby, mezz; John Mark Naxos 8.550413 38 Ainsley, ten; José van Dam, bass; Corydon Singers; Corydon O/Matthew Best. 12:00 JAZZ AFTER NOON Hyperion CDA66880 23 with Sue Jowell

Britten, B. Suite, from Death in Venice, op 88 (1973-74, arr. Bedford). English CO/Steuart Bedford. Chandos CHAN 8363 27

13:00 SEPARATELY AND TOGETHER Yuja Wang and Leonidas Kavakos Prepared by Derek Parker

THURSDAY 29

Fauré, G. Ballada in F sharp, op 19. Yuja Wang, pf. DG 479 4954 12

23:00 MUSIC OF THE NIGHT Prepared by Paul Cooke Mahler, G. Adagietto, from Symphony no 5 in C sharp minor (1901-02). Sinfonia Australis/ Antony Walker. ABC 481 0773 10

Haydn, J. Trio in F, Hob.XV:17 (1790). Wilbert Hazelzet, fl; Christiaan Norde, vc; Jacques Ogg, fp. Globe GLO 5061 17 Clementi, M. Sonata in E flat, op 23 no 1 (1790). Howard Shelley, pf. Hyperion CDA67729

Haydn, J. Symphony in G, Hob.I:92, Oxford Weber, C.M. Grand duo concert in E flat, op 48 (1789). Freiburg Baroque O/René Jacobs. (1815-16). Andreas Ottensamer, cl; Yuja Wang, Harmonia Mundi HMX 2908601.30 30 pf. DG 483 6069 16 22:00 YEHUDI MENUHIN, Part 5 Prepared by Gerald Holder Dutilleux, H. L’arbre des songes (1983-85).

00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST with Simon Moore 09:00 DIVERSIONS IN FINE MUSIC Romantics, tributes and dedications Prepared by Anne-Louise Luccarini

Shankar, R. Swara-kākali (1966). Yehudi Leonidas Kavakos, vn; Rotterdam PO/Valery Menuhin, vn; Ravi Shankar, sitar. Gergiev. Radio Netherlands Worldwide RPHO2008-125 Warner Classics 5 86555 2

Brahms, J. Sonata no 1 in G, op 78 (1878-79). Bach, J.S. Sonata no 3 in E, BWV1016 (bef. 1725). Yehudi Menuhin, vn; Hepzibah Leonidas Kavakos, vn; Yuja Wang, pf. Decca 478 6442 28 Menuhin, pf. Naxos 8.110964 17 Mozart, W. To put you from my mind, K505 14:30 ENCHANTMENTS (1780). Cecilia Bartoli, mezz; András Schiff, pf; 22:30 ULTIMA THULE Prepared by Stephen Gard Vienna CO/György Fischer. Decca 430 513-2

Danzi, F. Quintet in F, op 56 no 3 (pub. 1821). Berlin Philharmonic Wind Quintet. BIS CD-552 23 Tchaikovsky, P. Tatyana’s letter scene, from Eugene Onegin (1879). Marilyn Richardson, sop; Queensland SO/Vladimir Kamirski. ABC 434 138-2 13 44

Chávez, C. Enchantment and sarabande, from The daughter of Colchis (1947). Mexico PO/ Fernando Lozano. LP Forlane UM 3552 10 Lyadov, A. The enchanted lake, op 62 (1909). Queensland SO/Vladimir Verbitsky. ABC 476 3510 9

The following composers have works of at least five minutes on the February dates listed Adam, A. 1803-1856 Adams, John Luther. b1953 Albert, H. 1604-1651 Albicastro, H. fl. 1700-1706 Albinoni, T. 1671-1751 Allegri, G. 1582-1652 Altmann, L. b1979 Arcas, J. 1832-1882 Arensky, A. 1861-1906 Arnold, D. b1962 Arnold, M. 1921-2006 Arriaga, J. 1806-1826

1 18 24 1 2,8 8 11 22 6,13 10 19,24 14

Bacewicz, G. 1909-1969 20 Bach, C.P.E. 1714-1788 2,10,12,25 Bach, J. Christian 1735-1782 9,13 Bach, J.S. 1685-1750 8,9,13,17,19,26,28,29 Bach, W.F. 1710-1784 11,28 Balakirev, M. 1837-1910 16 Bax, A. 1883-1953 2,5,27 Beach, A. 1867-1944 22 Beethoven, L. 1770-1827 3,4,6,12,15,16,17,18,23,24,25,27,29 Bellamy, M. b1978 25 Bellini, V. 1801-1835 8,21 Bennett, W. Sterndale 1816-1875 29 Benoit, P. 1834-1901 22 Berg, A. 1885-1935 4,13 Berlioz, H. 1803-1869 1,2,6,9,15,21 Bernhard, C. 1628-1692 24 Bernstein, L. 1918-1990 3 Bertram, M. b1935 11 Berwald, F. 1796-1868 3 Biber, C. 1681-1749 4 Biber, H. 1644-1704 4,16 Bizet, G. 1838-1875 25 Blankenburg, Q. 1654-1739 2 Bloch, E. 1880-1959 17 Blow, J. 1649-1708 3 Boccherini, L. 1743-1805 19,25 Boëly, A. 1785-1858 7 Bottesini, G. 1821-1889 13 Brahms, J. 1833-1897 1,5,10,12,18,24,29 Braunfels, W. 1882-1954 11 Britten, B. 1913-1976 25,27,28 Brophy, G. b1953 21 Brouwer, M. b1940 17 Bruch, M. 1838-1920 1 Brumby, C. 1933-2018 26 Burkhard, W. 1900-1955 1 Bush, G. 1920-1998 2 Busoni, F. 1866-1924 11,15,22 Byrd, W. 1543-1623 25 Caldara, A. c1670-1736 14 Campion, T. 1567-1620 16 Canteloube, J. 1879-1957 3 Carmichael, J. b1930 11 Caroso, F. fl c1600 2 Carr-Boyd, A. b1938 25 Castelnuovo-Tedesco, M. 1895-1968 10,14,15,19 Chabrier, E. 1841-1894 17 Chaminade, C. 1857-1944 19 Charpentier, M-A. 1643-1704 25 Chausson, E. 1855-1899 16 Chávez, C. 1899-1978 29 Cherubini, L. 1760-1842 9,25 Chin, U. b1961 25 Chopin, F. 1810-1849 2,8,9,17,22 Clarke, H. 1867-1945 24 Clementi, M. 1752-1832 14,29 Clérambault, L-N. 1676-1749 9 Coates, E. 1886-1957 29 Cooder, R. b1947 17 Corigliano, J. b1938 9,25 Corona, F. b1970 9 Corselli, F. 1702-1778 21 Costa, L. 1879-1960 14

Ch & O: Chorus & Orchestra CO: Chamber Orchestra FO: Fesঞval Orchestra NO: Naঞonal Orchestra NSO: Naঞonal Symphony Orchestra PO: Philharmonic Orchestra RO: Radio Orchestra RSO: Radio Symphony

Couperin, F. Crawford, D. Croes, H-J. de Cutlan, P. Czerny, C.

1668-1733 b20th C 1705-1786 b1964 1791-1857

9 7 2 10 15

Dallapiccola, L. 1904-1975 14 Danzi, F. 1763-1826 20,29 Darke, H. 1888-1976 4 Dauprat, L. 1781-1861 6 David, Ferdinand. 1810-1873 27 Davies, P. Maxwell 1934-2016 1 Dean, B. b1961 11 Debussy, C. 1862-1918 3,4,15,17,28 Decruck, F. 1896-1954 21 Delius, F. 1862-1934 16 Devienne, F. 1759-1803 9 Dittersdorf, C. 1739-1799 16 Dixon, H. 20th C 29 Dohnányi, E. 1877-1960 24 Donizetti, G. 1797-1848 7,14,26 Dubugnon, R. b1968 1 Duparc, H. 1848-1933 14 Dussek, J. 1760-1812 14 Dutilleux, H. 1916-2013 29 Duval, F. 1672-1728 16 Dvorák, A. 1841-1904 8,15,16,17,22,23,24,26 d’Albert, E. 1864-1932 12 Eberl, A. Eccles, J. Edwards, R. Elgar, E. Encina, J. del Erlebach, P. Eyck, J.

1765-1807 28 c1668-1735 9 b1943 11,12,21,25 1857-1934 1,10,26 1468-1529 23 fl 1690-1700 28 c1590-1657 2

Falla, M. de Farrenc, L. Fauré, G. Fesca, F. Fibich, Z. Finzi, G. Fitkin, G. Foerster, J. Förster, C. Foster, G. Franck, C. Frankel, B. Fuchs, R. Fuga, S.

1876-1946 1,20 1804-1875 27 1845-1924 3,20,22,29 1789-1826 14 1850-1900 9 1901-1956 18 b1963 18 1859-1951 3 1693-1745 12 b1945 11,15 1822-1890 16,17,21 1906-1973 17 1847-1927 3 1906-1994 7

Gabrieli, A. Geminiani, F. Gesualdo, C. Ghandar, A. Gibbons, O. Giuliani, M. Glass, P. Glazunov, A. Glière, R. Glinka, M. Gluck, C. Gold, M. Goldmark, K. Goodwin, R. Gossec, F-J. Gould, M. Gounod, C. Grainger, P. Granados, E. Graun, C. Greene, M. Grétry, A-E-M. Grieg, E. Grime, H. Grofé, F. Guridi, J.

c1510-1586 16 1687-1762 29 c1561-1613 18 b1943 8 1583-1625 25 1781-1829 13 b1937 6 1865-1936 8,9,21 1875-1956 16 1804-1857 8 1714-1787 13 b1969 24 1830-1915 18 1925-2003 10 1734-1829 15,22,27 1913-1996 16 1818-1893 22 1882-1961 24,26 1867-1916 8,14,20,24 1704-1759 13 1696-1755 25 1741-1813 14,15 1843-1907 5,6,24,26 b1981 21 1892-1972 27 1886-1961 20

Halvorsen, J. Handel, G. Hart, F.

1864-1935 1685-1759 1874-1949

Orchestra RTO: Radio & Television Orchestra RTV SO: Radio and Television Symphony Orchestra SO: Symphony Orchestra TO: Theatre Orchestra alto: male alto ban: bandoneon

24 11,12,17 18,27

Hasse, J. 1699-1783 12,18 Hasselmans, A. 1845-1912 15 Haydn, J. 1732-1809 2,6,9,10,11,12,13,15,18,24,27,28,29 Heinichen, J. 1683-1729 24 Hellendaal, P. 1721-1799 21 Higdon, J. b1962 17 Hindemith, P. 1895-1963 4,11,18 Hindson, M. b1968 5 Hodemont, L. c1575-1636 3 Hoffmeister, F. 1754-1812 13,17 Holloway, R. b1943 21 Holst, G. 1874-1934 8 Horneman, C. 1840-1906 2 Horner, J. 1953-2015 17 Hovhaness, A. 1911-2000 1 Howlett, M. b1931 13 Hummel, J. 1778-1837 11,16 Hurlstone, W. 1876-1906 7,9

Moszkowski, M. 1854-1925 10 Mouret, J-J. 1682-1738 21 Mouton, C. 1626-c1692 23 Mozart, F. 1791-1844 23 Mozart, L. 1719-1787 23 Mozart, W. 1756-1791 2,3,4, 5,6,8,9,10,11,18,19,21,23,25,26,27,28,29 Muffat, G. 1653-1704 20 Munro, I. b1963 25 Mussorgsky, M. 1839-1881 1,10 Mustonen, O. b1967 4

Ibert, J. Illean, L.

1890-1962 b1983

3 25

Jadin, H. Jarnach, P. Joachim, J. Jongen, J. José, A. Just, J.

1769-1802 1892-1982 1831-1907 1873-1953 1902-1936 c1750-1791

9 22 13 15 20 2

Kabalevsky, D. Kalliwoda, J. Karlowicz, M. Kats-Chernin, E. Keller, A. Kernis, A. Ketèlbey, A. Kodály, Z. Koechlin, C.

1904-1987 11 1801-1866 3 1876-1909 19 b1957 2 b1973 18 b1960 4 1875-1959 6 1882-1967 3 1867-1950 4,23,26,27,28 1897-1957 5 1900-1991 13 1790-1840 16 1652-1735 24 1759-1831 11,18,25 b1938 17 1786-1832 9,25

Korngold, E. Krenek, E. Kreutzer, J. Krieger, J. Krommer, F. Kuerti, A. Kuhlau, F. Lachner, F. Langford, G. Lanzetti, S. Lassus, O. de Le Flem, P. Lemmens, J. Leo, L. Ligeti, G. Liszt, F.

1803-1890 14 1930-2017 10 1710-1780 14 1532-1594 28 1881-1984 28 1823-1881 22 1694-1744 4 1923-2006 21 1811-1886 8,9,23,24,26 Loeillet of London, J.B. 1680-1730 7 Lyadov, A. 1855-1914 29 MacDowell, E. MacFarren, W. Mahler, G. Martin, F. Martinu, B. Martucci, G. Masek, V. Massenet, J. McKern, B. Méhul, É-N. Mendelssohn, F.

1860-1908 19,22 1826-1905 19 1860-1911 3,13,15,28 1890-1974 1,28 1890-1959 8,20 1856-1909 4,19 1755-1831 27 1842-1912 22 b1972 18 1763-1817 2 1809-1847 1,4,5,10,11,16,19 Mendelssohn, Fanny. 1805-1847 13,18 Messager, A. 1853-1929 27 Milhaud, D. 1892-1974 17 Millöcker, C. 1842-1899 10 Molino, F. 1775-1847 2 Mompou, F. 1893-1987 14 Monn, M. 1717-1750 14 Montéclair, M. de 1667-1737 9 Monteverdi, C. 1567-1643 18 Moscheles, I. 1794-1870 10 Mosonyi, M. 1815-1870 7

bar: baritone bshn: basset horn bass: bass bn: bassoon bass bar: bass baritone cl: clarinet clvd: clavichord cont: contralto cora: cor anglais ct: counter-tenor

Nardini, P. North, A. Novák, V. Nyman, M.

1720-1793 1910-1991 1870-1949 b1944

11 24 1 10,21

Offenbach, J. Orff, C. Oboussier, R.

1819-1880 1895-1982 1900-1957

12 3 22

Paganini, N. Palestrina, G. da Pasculli, A. Pepusch, J. Petrassi, G. Petrini, F. Pfitzner, H. Pierné, G. Pleyel, I. Ponchielli, A. Ponsford, S. Porpora, N. Poulenc, F. Prokofiev, S. Puccini, G. Purcell, H.

1782-1840 19 c1525-1594 25 1842-1924 28 1667-1752 8 1904-2003 14 1744-1819 6 1869-1949 20 1863-1937 10 1757-1831 6,15,23 1834-1886 28 b1983 17 1686-1768 2 1899-1963 4 1891-1953 4,5,9,17,20,21,26 1858-1924 17,28 1659-1695 9,23

Quilter, R.

1877-1953

Rachmaninov, S. 1873-1943 3,6,23 Rameau, J-P. 1683-1764 9 Raupach, H. 1728-1778 7 Ravel, M. 1875-1937 26,27,28 Reicha, A. 1770-1836 4 Reincken, J. 1623-1722 2 Reinecke, C. 1824-1910 22 Respighi, O. 1879-1936 3,7,8,29 Reznicek, E. 1860-1945 6 Rheinberger, J. 1839-1901 19 Richter, F. 1709-1789 4,12 Rimsky-Korsakov, N. 1844-1908 5 Roberton, H. 1874-1952 18 Rode, P. 1774-1830 18 Rodrigo, J. 1901-1999 8 Roman, J. 1694-1758 12,20 Röntgen, J. 1855-1932 16 Ropartz, J. 1864-1955 13 Rore, C. de c1516-1565 16 Rossi, C. de fl. 1670-1710 28 Rossini, G. 1792-1868 1,8 Roussel, A. 1869-1937 15 Rózsa, M. 1907-1995 27 Saint-Georges, J. 1745-1799 22 Saint-Saëns, C. 1835-1921 6,15,18,19 Salieri, A. 1750-1825 4,13 Salzedo, C. 1885-1961 6 Sammartini, G. 1693-1750 12 Sarasate, P. de 1844-1908 14 Satie, E. 1866-1925 3,14 Sauguet, H. 1901-1989 4 Scarlatti, A. 1659-1725 18 Scarlatti, D. 1685-1757 8 Scharwenka, X. 1850-1924 21,26 Schenck, J. 1660-1712 2 Schoeck, O. 1886-1957 1,15,21 Schoenberg, A. 1874-1951 6,18,25 Schubert, F. 1797-1828 3,4,6,7,10,18,19,23,24,25,27 Schulhoff, E. 1894-1942 7,11,18,21,25 Schumann, C. 1819-1896 3,20

db: double bass dbn: double bassoon did: didjeridu elec: electronic fl: flute fp: fortepiano gui: guitar hn: french horn hp: harp hpd: harpsichord

mand: mandolin mar: marimba mezz: mezzo-soprano narr: narrator ob: oboe org: organ perc: percussion pf: piano picc: piccolo rec: recorder

Schumann, R.

1810-1856 1,3,7,11,13,20,22,26 Schütz, H. 1585-1672 24 Sculthorpe, P. 1929-2014 25 Seiber, M. 1905-1960 12 Senfl, L. c1486-c1543 1 Servais, A-F. 1807-1866 22 Shaiman, M. b1959 17 Shankar, R. 1920-2012 1,29 Shelley, B. b1975 11 Shore, H. b1946 10 Shostakovich, D. 1906-1975 1,8,15,24 Sibelius, J. 1865-1957 1,20,22,26 Silvestri, A. 20th C 17 Silvestrov, V. b1937 4 Smalley, R. 1943-2015 25 Smetana, B. 1824-1884 5,15,16,20 Smyth, E. 1858-1944 18 Soler, A. 1729-1783 6 Spohr, L. 1784-1859 3,7 Stamitz, C. 1745-1801 23 Stamitz, J. 1717-1757 20 Stanford, C. Villiers 1852-1924 23 Stanhope, P. b1969 25 Stenhammar, W. 1871-1927 2 Strauss, J. II 1825-1899 10 Strauss, R. 1864-1949 9,12,15,23,24 Stravinsky, I. 1882-1971 1,5,7,10,20 Suk, J. 1874-1935 3,28 Sullivan, A. 1842-1900 9,26 Sutherland, M. 1897-1984 25,26 Sweelinck, J. 1562-1621 2 Szymanowski, K. 1882-1937 8 Taffanel, P. Tailleferre, G. Tallis, T. Tartini, G. Tchaikovsky, P.

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1898-1944 4,11,18,25

Van Maldere, P. 1729-1768 15,21 Vaughan Williams, R. 1872-1958 8,16,29 Verdi, G. 1813-1901 7,8,20,21,23 Viardot, Pauline. 1821-1910 28 Vieuxtemps, H. 1820-1881 22 Vivaldi, A. 1678-1741 8 Vogler, G. 1749-1814 21 Wagenseil, G. Wagner, R. Walker, G. Walther, J.G. Walton, E. Wassenaer, U. Weber, C.M. Webern, A. Weiss, S. Wesley, S. Westlake, N. Westoff, J. Widor, C-M. Wieniawski, H. Wilcox, F. Willaert, A. Williams, J.

1715-1777 13 1813-1883 3 1922-2018 18 1684-1748 24 b20th C 18 1692-1766 2 1786-1826 11,13,29 1883-1945 5 1686-1750 2 1766-1837 9 b1958 9,10 1656-1705 27 1844-1937 26 1835-1880 18 b20th C 4 c1490-1562 16 b1932 17

Ysaÿe, E.

1858-1931

Zador, E. Zelenka, J. Ziehrer, C.

1894-1977 1679-1745 1843-1922

1 4 13

sax: saxophone sop: soprano tb: trombone ten: tenor ঞmp: ঞmpani tpt: trumpet treb: treble voice va: viola vc: cello vn: violin

2024 Jazz Scholarships By Keith Pe grew

The 2MBS Fine Music Sydney jazz scholarships reflect our strategic commitment to young Australian musicians. Again, this year, they a racted some extraordinary young talent. Nine applica ons for the two awards le the FineJazz crew with very diﬃcult choices. On one hand, two trumpeters, a saxophonist, a guitarist, and a double bassist; on the other, a ten-piece emerging jazz orchestra, a polished quintet, an emergent quintet, and vocalist in trio. All warrant support from Fine Music Sydney, and that will happen through our FineJazz programs. The 2024 FineJazz award recipients have now been nominated: 2024 Ken Weatherley Jazz Scholarship

at UCLA, and the Siena Interna onal Jazz Workshop in Italy. There is also a family connec on, with her mother growing up in Louisiana, and her uncle playing blues in New Orleans. Not just bass, she has also studied voice. You may well have heard her at the Sydney Opera House’s Bennelong Restaurant, Restaurant Hubert, the Melbourne Jazz Fes val, Johnston Street Jazz, or even with the Sydney Theatre Company, Marvel Studios, or Ne lix. Her Weatherley Scholarship project is recording an album that reflects her American and Australian roots, fusing the inspira on of classic swing, bossa nova, and New Orleans blues. It will reflect the essence of Australian jazz, synthesising influences from all over the world to create new composi ons and sounds from the Australian jazz landscape with a goal to entertain, tell stories, and leave listeners inspired. Look out for her performances at

This award was established following a generous bequest from passionate jazz lover and former 2MBS Fine Music Sydney presenter, Ken Weatherley. It is intended for outstanding young jazz musicians to further their careers in Jazz. Our 2024 scholar is bassist and vocalist, Lauren White. Lauren spent her school life playing in orchestras, choirs, state music ensembles and the Schools Spectacular. At 18, she received the Jann Rutherford Award for young women in jazz, and was mentored by jazz bassist Zoe Hauptmann, who became the inspira on for Lauren’s jazz career. Mentored also by jazz bassist, Nicki Parro , she was a finalist for the James Morrison ‘Genera ons in Jazz’ Vocal Scholarship in 2018. She graduated from the Sydney Conservatorium of Music in 2020 in Jazz Performance. Along the way, she has also studied at the Herb Alpert School of Music 46

2024 Jazz Artists in Residence - Mosaic

Foundry 616, with whom we are partnering in this year’s scholarship. 2024 Jazz Ar st-in-Residence The Ar st-in-Residence program is designed to support jazz ensembles with ac ve promo on, on-air and in print, and provide extensive rehearsal opportuni es. This year’s award goes to a young 10-piece jazz ensemble who are all s ll on the Sydney Conservatorium jazz campus, the Mosaic Jazz Collec ve. Mosaic emerged from a Sydney Conservatorium workshop, taking inspira on from the Australian jazz heavyweights, 10 Part Inven on. It is made up of tenor saxophones and clarinets, trumpets and flugelhorns, drums, and bass, with the co-leaders Lee Orszaczky, Chiara Mino o ,and Ravi Trachtenberg-Ray playing trombone, baritone sax and piano respec vely.

Their focus is on original Australian composi ons with deliberate emphasis on new material from women composers, challenging the stereotype of old male jazz musicians, and including the gender and racially diverse, neurodiverse, and people with disabili es. With this approach, they intend to reflect the current pa erns of Australia, music being for everyone to enjoy. Their project is to release a new album of freshly commissioned works, relying on 2MBS Fine Music Sydney for promo onal opportuni es, interviews, background ar cles, and broadcast of their music to achieve audience reach and engagement. There will be some crowdfunding to help fund the recording of their new material, for release at the end of 2024. Along the way, they will have regular performances at Foundry 616 through the good oﬃces of venue owner, Peter Rechnieweski. FineJazz is proud to support this diverse group of young jazz musicians as it takes its place in the challenging world of Sydney jazz.

2024 Ken Weatherley Jazz Scholar - Lauren White

Our People Editor David Ogilvie Assistant Editor Catherine Peake Designer David James Junior Designer Iris Zeng

Guide Management Coordinators James Nigh ngale Elaine Siversen Program Guide Forma er Peter Bell Proofreaders Catherine Peake Laurie Smith Tony Wallace

Contributors Paul Cooke Robert Gilchrist Virginia Ginnane Paolo Hooke Barry O’Sullivan Keith Pe grew Elaine Siversen Robert Small Laurie Smith Josh Stenberg

PROGRAMMERS AND PRESENTERS FEBRUARY: Jack Anthony, Isobel Archer, Charles Barton, Ben Behnam, David Benham, Nena Bere n, Eddie Bernasconi, Xavier Bichon, Dan Bickel, Chris Blower, Veronica Bondarew, David Bre , John Buchanan, Rex Burgess, Clay Caplice, Lloyd Capps, Vince Carnovale, Ian Carswell, Sheila Catzel, Adam Cockburn, Angela Cockburn, Liam Collins, Paul Cooke, Brian Cornish, Di Cox, George Cruickshank, Nick Dan, Kate Delaney, Brian Drummond, Andrew Dziedzic, Deborah Evans, Rita Felton, Michael Field, Troy Fil, Owen Fisher, Jennifer Foong, Tom Forrester-Paton, Nina Fudala, Stephen Gard, Carole Garland, David Garre , Robert Gilchrist, Albert Gormley, Jeremy Hall, Aus n Harrison, Ross Hayes, Gerald Holder, Paolo Hooke, Stephen Howard, James Hunter, Leita Hutchings, Anne Irish, Sue Jowell, Norbert Kelvin, Jules Laurent, Ray Levis, Anne-Louise Luccarini, Dave Mac, Chris na Macguinness, Linda Marr, Stephen Ma hews, Meg Ma hews, Sue McCreadie, Neil McEwan, Ramsay McInnes, Jeannie McInnes, Maureen Meers, Camille Mercep, Maddy Monjo, Gail Monjo, Andrew Mooney, Simon Moore, Mary Moran, Frank Morrison, Michael Morton-Evans, Richard Munge, James Nigh ngale, Barry O’Sullivan, Derek Parker, Keith Pe grew, Anabela Pina, Peter Poole, Frank Presley, James Ranieri, Marilyn Schock, Alex Siegers, Julie Simonds, Elaine Siversen, Robert Small, Josh Stenberg, Garth Sundberg, Jacky Ternisien, Robert Vale, Stephen Wilson, Glenn Winfield, Toby Wong, Orli Zahava, Iris Zeng, Claire Yang Zhong. PROGRAM SUBEDITORS Jan Akers, Di Cox, Noelene Guillemot, Elaine Siversen, Jill Wagstaﬀ, Tony Wallace, Teresa White. LIBRARIANS Jan Akers, Rex Burgess, Lynden Dziedzic, Peter Goldner, Sal Greco, Phillip McGarn, Judy Miller, Susan Ping Kee, Jacky Ternisien, Ricky Yu DIRECTORS: Chair: Simon Moore OAM; Secretary: Pamela Newling; Deputy Chair: Michael Field AM, Deborah Evans, Neil McEwan AM, Mary Moran, Robert Small, John Xuereb COMMITTEE CHAIRS: Management: Robert Small; Finance: Peter Poole; Jazz: Keith Pe grew; Library: Sue Ping Kee; Marke ng: Robert Gilchrist; Presenters: Michael Field AM; Programming: Chris Blower; Technical: John Xuereb; Volunteers: Laurie Smith; WHS: David Edmonds STATION OPERATIONS: Transmi er: Max Benyon OAM and John Shenstone; Studio opera ons: Roger Doyle, Rob Tregea and Stephen Wilson; IT: Peter Bell; Recording Engineer: Jayson McBride

STAFF: Director of Opera ons: Mona Omar; Opera ons Coordinator: Michael Guilfoyle; Finance Administrator: Miriam Ho Vice Regal Patron: Her Excellency the Honourable Margaret Beazley AC KC, Governor of New South Wales Honorary Patron: Professor The Honourable Dame Marie Bashir AD CVO ARTISTIC PATRONS: Elena Kats-Chernin AO, Simon Tedeschi, Richard Togne AO, Bre Weymark OAM Emerging Ar sts Patron: Roger Benedict 2024 EMERGING ARTISTS: Ar sts in Residence: Outback Brass and Mosaic (Jazz); Ken Weatherley Jazz Scholar: Lauren White; Stefan Kruger Scholar: Cassandra Doyle; Young Virtuoso: Teresa Yang

2MBS Fine Music Sydney Patrons Fine Music Honour Roll (bequests received) Ms Nancy Kathleen Muir Bell, Mr Hubert Thomas Brown, Mr Ronald Walter Burgess, Dr Alison Burrell, Ms Patricia, Mary Conder, Mr Paul de Leuil, Ms Jean Priscilla Deck, Ms Hazel Alice Dunstan, Mr Heinz Georg Gager, Ms Rose Gibb, Mr Trevor Jarvie, Mr David Henry James, Ms Angelika Lange, Ms Valerie Bre Morris, Ms Margaret Helen Ralph, Mr John Selby, Mr Ronald Tinslay, Mr Simon Peter Paul Van Den Beld, Mrs Rose Varga, Mr Philip Magennis Weate, Mr Kenneth John William Weatherley, Mr Colin Webb, Mr Barry Willoughby Fine Music Circle (known future bequests) Mr Geoﬀrey Anderson, Mr David Bell, Mr David Bre , Mrs Halina Bre , Mr Rex Burgess, Mr Lloyd Capps, Ms Marilyn Endlein, Mr Robin Gandevia, Mr Bruce Graham, Mr James Hunter, Mr David James, Ms Maureen Meers, Mr Glenn Morrison, Mr Desmond Mulholland, Mr Derek Parker, Dr Neil Radford, Ms Elaine Siversen, Mr Bruce Smith, Mr Anthony Tenney, Mr Ron Walledge Titanium Patrons ($50,000 +) Mr Michael Ahrens, Mr Max Benyon OAM, Mr Roger Doyle, Dr Jennifer Foong, Family Frank Founda on, Prof Clive Kessler, Anonymous: 0 Pla num Patrons ($25,000-$49,999) Mr Robert Albert AO, Mr David Brown, Mrs Dorothy Cur s, Ms Jill Hickson AM, Mr Roger Howard-Smith, The Garre Riggleman Trust, Mr Ron Walledge, Mr Cameron Williams, Anonymous: 2 Diamond Patron ($10,000-$24,999) Mr David Bre , Dr Janice Hirshorn, Dr Thomas Karplus, Mr Colin Pren ce, Mr James Roberts, Anonymous: 1 Ruby Patron ($5,000-$9,999) The Belalberi Founda on Pty Limited, Mr Roger Chapman, Mr Noel Craven, Jus ce David Davies SC, Mr Peter Kur , Mr Charles McMonnies, Anonymous: 3 Emerald Patron ($2,500-$4,999) Mrs Barbara Brady, Mr Ian de Jersey, Assoc Prof Winsome Evans OAM, Mr Tom and Mrs Sherry Gregory, Mr Doug Keech, Mr Peter S nson, Ms Wendy Trevor Jones, Mr Richard Wilkins, Anonymous: 2

Gold Patron ($1,000-$2,499) Dr Anne Amigo, Mrs Susan Berger, Mrs Mary Jo Capps AM, Ms Alison Carmine, Mr Michael Chesterman, Mr James Cox, Mr Paul Espie, Emeritus Prof Michael Field AM MD, Dr Chris ne Furedy, Mr Robert Gilchrist, Mr Michael Guilfoyle, Ms Sophie Landa, Ms Anne e Lemercier, Mr Ian Lloyd, Mr Kevin and Mrs Deidre McCann, Mr Ray McDonald, Ms Jeannie McInnes, Mrs Judith McKernan, Ms Nola Ne heim, Ms Mona Omar, Mr Trevor Parkin, Mr Andrew Pa erson, Ms Susan Ping Kee, Dr William Poate, Dr Oscar Stanley, Mr John Stevenson, Jus ce Anthony Whealy KC, Mr Stephen Wilson, Anonymous: 15 Silver Patron ($500-$999) Ms Brigi e Beck, Mrs Halina Bre , Ms Meredith Brooks, Mrs Alexandra Buchner, Ms Joan Childs, Mr Robert Clark, Mrs Kate Dixon, Hon John Dunford KC, Mr John Fairfax AO, Mr David Farr, Dr David Gorman, Mr John Hearne, Mr William Hoekstra, Ms Jann Howard, Mrs Roslyn Keech, Dr Carolyn Lowry OAM, Mr Melvyn Madigan, Mr Michael Marchbank, Mr Michael Morton-Evans OAM, Mr Peter Poole, Mr Paul Roper, Mr David Routley, Mrs Catherine Ruff, Mr Anthony Strachan, Dr Duff Watkins, Mr Ronald Wilkins, Anonymous: 30 Bronze Patron ($250-$499) Ms Jacqui Axford, Ms Jane Barnes, Ms Ruth Bernard, Mrs Sally Bertram, Mr John Boden, Mr Colin Boston, Mr Hank Brisbane, Hon John Bryson KC, Ms Ruth Campbell, Mr Lloyd Capps, Mrs Sheila Catzel, Ms Wendy Cobcro , Mr Dom Co am, Mr Francis Crumplin BMath(Hons), Mr Peter Dexter AM, Mr Hugo Ferguson, Mrs Mary Finn, Mrs Jocelyn Hacke , Mr Les Hay, Dr Jonathan Hillman, Ms Ailsa Hocking, Mr James Hunter, Ms Ruth Jeremy, Mr Thomas Jones, Ms Cynthia Kaye, Mrs Alison King, Mr Peter Klineberg, Mr Ian Knop AM, Mr Ian Lansdown, Mr Glenn Leembruggen, Mr Geoffrey Magney, Mr Colin Manoy, Mr Hunter McEwen, Mrs Shirley McEwin, Ms Alison Meldrum, Dr Andrew Mi erdorfer, Mr Simon Moore OAM, Mr Raymond Newell, Ms Chris na Pender, Mr Ian Pont, Mr Joseph Rooney, Dr Peter Shea, Dr William Smith, Ms Mei Wah So, Mrs Elizabeth Terracini, Mr Alastair Wilson, Mr Clive Woodworth, Mr Alex and Mrs Amely Zaininger, Anonymous: 53

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