Fine Music Magazine - April 2021 by 2MBS Fine Music Sydney

APRIL 2021 05

A Serious Musician Arthur Benjamin, beyond the Rumba

In Conversation with Kathryn Stott

Music for the Darkness Haydn’s Seven Last Words

Why Fine Music Jazz is Cool Part 6 in a series

FINE MUSIC SYDNEY

PODCAST SERIES FEATURING INTERVIEWS WITH EMMA DUNCH BRETT WEYMARK SUSIE PARK ALEXANDER BERLAGE NICOLE VAN BRUGGEN LISTEN NOW ON APPLE PODCASTS, SPOTIFY & GOOGLE PODCASTS

I N D E X

06. In Conversation

Mona Omar talks to Kathryn Stott, the Artistic Director of the Australian Festival of Chamber Music

08. The chameleon of the 20th Century Arthur Benjamin, a serious musician

12. Program Guide

Nicky Gluch illuminates Haydn’s Seven Last Words

38. Composer List

F R O M

Saxophonist Matt Keegan

42. Why Fine Music Jazz Is Cool Leita Hutchings presents Part 6 in the Why Jazz Is Cool series

44. CD Reviews

N O T E S

40. The Themes of Fine Jazz on Fine Music Sydney

41. Jazz in Conversation

10. Music for the Darkness

Paul Cooke looks beyond the Rumba

Chris Wetherall

Keith Pettigrew explores the magic behind our jazz presenters’ theme tunes

Krystal Li explores the musical ‘adaptations’ of Stravinsky

05.

39. Volunteer Spotlight

T H E

46. Listener Letters

47. Patrons

E D I T O R

A chance remark about ballet in a meeting at the radio station the other day reminded me that this year marks the 50th anniversary of the death of Stravinsky, who was credited with composing some of the most challenging ballet music of the 20th Century. His trilogy of Diaghilev commissions: The Firebird, Petrushka, and The Rite of Spring, were as ground-breaking for the art form as Tchaikovsky’s Swan Lake had been in 1876, the first time an exclusively symphonic composer had written a score for ballet. You can hear music from two of them, Firebird Suite no 2 and The Rite Of Spring in Krystal Li’s Sunday Special on the 11th of March. Suitably inspired, follow that up at the end of the month with Ray Lemond’s Music of the Dance, which features works by Adam, Maxwell-Davies, Alwyn and Turina, and while we’re on the subject, don’t forget that the Australian Ballet and its new artistic director David Hallberg are launching their 2021 season this month with Yuri Possokhov’s Anna Karenina and Alexei Ratmansky’s Harlequinade! david.ogilvie@finemusicsydney.com

P R O G R A M M E R S

A N D

P R E S E N T E R S

APRIL Rodrigo Azaola, Charles Barton, Peter Bell, Nina Beretin, Eddie Bernasconi, Dan Bickel, Chris Blower, David Brett, John Buchanan, Rex Burgess, Janine Burrus, Lloyd Capps, Vince Carnovale, Lyn Chong, Andrew Clark, Adam Cockburn, Angela Cockburn, Liam Collins, Paul Cooke, Di Cox, George Cruickshank, Nick Dan, Jackson Day, Nev Dorrington, Annabelle Drumm, Brian Drummond, Andrew Dziedzic, Rita Felton, Michael Field, Owen Fisher, Jennifer Foong, Tom Forrester-Paton, Susan Foulcher, Carole Garland, David Garrett, Robert Gilchrist, Nicky Gluch, Joe Goddard, Albert Gormley, Jeremy Hall, John Hanna, Austin Harrison, Ross Hayes, James Hunter, Leita Hutchings, Anne Irish, Sue Jowell, David Knapp, Ray Levis, Krystal Li, AnneLouise Luccarini, Christina MacGuinness, Meg Matthews, Stephen Matthews, Sue McCreadie, Neil McEwan, Jeannie McInnes, Terry McMullen, Angus McPherson, Maureen Meers, Camille Mercep, Simon Moore, Frank Morrison, Michael Morton-Evans, Richard Munge, Gail Monjo, James Nightingale, Barry O’Sullivan, Calogero Panvino, Derek Parker, Denis Patterson, Keith Pettigrew, Andrew Piper, Peter Poole, Frank Presley, Mark Renton, Katy Rogers-Davies, Paul Roper, Marilyn Schock, Jon Shapiro, Julie Simonds, Elaine Siversen, Robert Small, Garth Sundberg, Jacky Ternisien, Anna Tranter, Madilina Tresca, Robert Vale, Ron Walledge, Christopher Waterhouse, Chris Wetherall, Stephen Wilson, Glenn Winfield, Chris Winner, Orli Zahava, Tom Zelinka PROGRAM SUBEDITORS Jan Akers, Chris Blower, Maureen Chaffey, Di Cox, Elaine Siversen, Jill Wagstaff, Teresa White LIBRARIANS Jan Akers, Rex Burgess, Maureen Chaffey, Di Cox, Helen Dignan, Lynden Dziedzic, Peter Goldner, David Hilton, Dawn Jackson, Michael Marchbank, Phillip McGarn, Judy Miller, Helen Milthorpe, Susan Ping Kee, Mark Renton, Jacky Ternisien, Ricky Yu

FINE MUSIC SYDNEY

ORGANISATION DETAILS Fine Music Sydney - We are Sydney’s Fine Music Broadcaster MUSIC BROADCASTING SOCIETY OF NSW CO-OPERATIVE LIMITED

Editor David Ogilvie Assistant Editor Catherine Peake Designer Lyndon Pike Digital Content Coordinators Paul Cooke, Nicky Gluch, Keith Pettigrew Guide Management Coordinators (acting) James Nightingale and Elaine Siversen Program Guide Formatter Peter Bell Proof Readers Tessa Miles, Pamela Newling, Catherine Peake Contributors Paul Cooke Nicky Gluch Naomi Green Leita Hutchings Krystal Li Pamela Newling James Nightingale Mona Omar Barry O’Sullivan Keith Pettigrew Cover Image Kathryn Stott by Jacqui Ferry Fine Music Studios 72-76 Chandos Street St Leonards, NSW 2065 Postal Address PO Box 78, St Leonards, NSW 2065 Phone 9439 4777 (9am–6pm) ABN 64 379 540 010

Fine Music Sydney is owned and operated by the Music Broadcasting Society of New South Wales Co-operative Limited. Fine Music is a registered charitable organisation with a Charity Fundraising Number and is listed with the Register of Cultural Organisations. Fine Music Sydney is a Community Radio station and a member of the Community Broadcasting Association of Australia. Fine Music Sydney (formerly known as 2MBS and Fine Music 102.5) is Australia’s first stereo FM radio station. The station was officially opened on 1 February 1975 and we have now been on air for over 45 years. Fine Music Sydney plays an important role in encouraging emerging musicians and music lovers in their ambitions to be professional musicians or broadcasters. Fine Music Sydney is an integral part of Sydney’s cultural landscape promoting and encouraging an active live classical and jazz music scene in our community and supporting music education. The Fine Music Emerging Artist program includes: Artists in Residence, Young Composer Award, Young Virtuoso Award, Stefan Kruger Scholarship, Ken Weatherley Jazz Scholarship and our Emerging Artist Workshops and Fine Music Showcase broadcasts. Mission Statement To share the love of fine music through broadcasting Goals 1. To be Sydney’s preferred broadcaster of classical music, jazz and other specialist music genres 2. To maintain and improve high standards in all we do 3. To promote Australian musicians and composers, with particular focus on the young 4. To provide a supportive and enjoyable work environment for volunteers and staff 5. To develop a sustainable financial model for the organisation FINE MUSIC HONORARY AND ARTISTIC PATRONS Vice Regal Patron: Her Excellency the Honourable Margaret Beazley AC QC, Governor of New South Wales Honorary Patron: Professor The Honourable Dame Marie Bashir AD CVO Artistic Patrons: Elena Kats-Chernin, Simon Tedeschi, Richard Tognetti AO, Brett Weymark Emerging Artists Patron: Toby Thatcher Young Composer Award 2019: Callum O'Reilly Young Virtuoso Award 2019: Justinn Lu Stefan Kruger Scholar 2020: Harry Sdraulig Ken Weatherley Scholar 2020: Kate Wadey Artists in Residence 2019: Marais Project Associate Artist in Residence 2019: States of Chaos and Elysian Fields PERSONNEL: It is important to note that apart from a small staff team, Fine Music Sydney functions through the involvement of dedicated volunteers who generously contribute their time and talents across all aspects of the radio station. BOARD OF DIRECTORS: Chair: Michael Morton-Evans OAM Deputy Chair: Roger Doyle Secretary: Robert Gilchrist Directors: Nicky Gluch, Sue Jowell, Jayson McBride, Sue Ping Kee, Peter Poole Appointed Directors: Bruce Hambrett, Peter Stavrianos PUBLIC OFFICER: Rebecca Beare STAFF: General Manager: Michael Morton-Evans Marketing and PR Manager: Mona Omar Studio & Production Manager: Joe Goddard Office Manager: Sharon Sullivan Digital Content Producer: Lyndon Pike Executive Assistant:Tessa Miles General Assistant: Sophie McCulloch TECHNICAL ADVISORS: Honorary Technical Advisor: Max Benyon OAM Broadcast Engineer: John Shenstone Broadcast Systems Engineer: Roger Doyle Information Technology Consultant Peter Bell Recording Engineer: Jayson McBride

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COMMITTEE CHAIRS: Jazz: Jeannie McInnes Library: Sue Ping Kee Presenters: Michael Field Programming: James Nightingale Technical: Peter Bell Volunteers: Sue Nicholas Finance: Peter Poole

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Transmitter Governor Phillip Tower, Circular Quay

Arthur Benjamin, a serious musician

Paul Cooke looks beyond the Rumba

The musical world seemed to be Arthur Benjamin’s for the taking as pianist, composer, conductor and teacher. Born in Sydney in 1893, Benjamin grew up in Brisbane and attended Brisbane Grammar School, where he won a scholarship to attend the Royal College of Music in London. There, he studied composition with Charles Villiers Stanford, and his close friends included Herbert Howells, Arthur Bliss, Ivor Gurney and Leon Goossens. Members of this coterie enjoyed London’s cultural life, attending ballets and operas produced by Diaghilev and being most impressed by The Firebird. Benjamin was witty and urbane: Howells, whose Piano concerto No 1 was performed by Benjamin, remarked that he “could sustain [conversation] in three languages, of which ‘Australian’ was not one”; Michael Hurd, in his biography of Gurney, wrote that Benjamin was “relatively wealthy” and “directed his engaging talents with extraordinary skill and made money out of music”.

Britten’s Holiday Tales (1934) was dedicated to, and reflected, Benjamin’s own stylistic traits. But Britten’s rising star meant that Benjamin’s operatic endeavours tended to be overshadowed: it was difficult to compete with such as Peter Grimes. Matheson, for his part, encouraged Benjamin to try his hand at scoring music for films: his first was The Scarlet Pimpernel (1934) and nine more followed by the decade’s end.

After the end of the First World War, he accepted the position of Professor of Pianoforte at the Sydney Conservatorium but stayed for only a couple of years. In 1921, now back in England, he advanced his standing in his various disciplines. As pianist, intensive practice led to his first concert appearance in London in 1925; as composer, his first published work, a Pastoral Fantasy for string quartet, won a Carnegie Award intended to ‘encourage the publication of large scale British musical works’; but it was as a teacher that his reputation flourished. Benjamin visited Australia, Canada and the West Indies as adjudicator and examiner, exposing him to the Caribbean music that he would use most notably in his Jamaican Rumba. It is the composition for which he is best remembered: one that brought him popular acclaim, but also led to him being critically dismissed.

Seeking new challenges, Benjamin moved to Canada in 1938 and stayed there for the duration of the Second World War. He was appointed conductor of the newly created Canadian Broadcasting Corporation Symphony Orchestra and, in the words of Jean Coulthard, Benjamin “began to perform new music — both international and home grown. He organized the now famous ‘Proms Concerts’ of Vancouver and did his utmost to stimulate young composers”. During this time, Benjamin also completed several significant compositions, including his Symphony No 1. A sombre introduction is followed by violent drumbeats, which herald a dark mood that predominates throughout. Mátyás Seiber noted that “its intensely dramatic, at times violent character reflected, in the composer’s own opinion, the atmosphere of the war years”. An appropriate way to remember a talented and eclectic musician.

In 1926, Benjamin returned to his alma mater as a member of staff. Benjamin Britten, Muir Matheson and Australians Peggy Granville-Hicks and Miriam Hyde were among his piano students at RCM. Benjamin guided Britten ‘very gently through a very, very difficult musical adolescence’ as the latter realised that his gifts as a pianist were as accompanist rather than soloist.

The World of a Symphony, Thursday 1 April, 8 pm

In Conversation with Kathryn S Mona Omar talks to the Artistic Director of the Australian Festival of Chamber Music

You have managed three festivals during your time as Artistic Director. What’s been your vision for them? My vision was always to push the programming in a few different directions but to have artists coming to the festival who could add to those dimensions and integrate them with amazing expertise. Being such a large chamber festival, there are many musical relationships to plan, and right from the start, I aimed as high as I could in terms of which artists to invite. I also wanted to increase the number of international artists performing so that there were more opportunities to create new collaborations between them and Australian musicians. Given how far away Australia is, those opportunities don’t arise too often, and I’ve always felt that from both sides, this has been such an important part of coming together for all AFCM musicians. Building relationships between artists is so fundamental and many are still in contact with each other years later, which makes me happy. I also wanted to create lasting memories for our audiences so that the festivals they’ve attended stay with them long after they are over. It’s also crucial to any festival that it continues to grow and develop, so my ultimate vision was to be the best caretaker I could be during those years.

You have curated and produced several festivals internationally. How did you find the experience of curating a festival in Australia, given our geographical isolation? I’ve absolutely loved being so involved with Australian musicians and although it’s true you are very far away, given that we can all communicate in real time at any time of day or night, staying in touch is no issue. It has been especially rewarding to discover not only so many more wonderful musicians but also to expand my own personal knowledge of Australian music and culture. I never had any problem persuading international artists to come to Australia and for many that has been a dream come true. I’ve always considered it to be a privilege to have this fantastic opportunity to immerse myself in the musical scene of another country and the responsibility of directing AFCM as a non-Aussie has been immense! I’ve enjoyed it thoroughly and will miss it.

Photo by Andrew Rankin

Stott

A predominant theme in your career and the festivals is connection. How challenging was it developing a sense of connection with the musicians and audience in your online festival last year? I think overall that thoughts of connecting through musical experiences have surfaced more and more over the years. On a day-to-day basis it comes as second nature to most musicians, but sometimes we need to share that on a wider platform. The AFCM Online Festival was the brainchild of our Marketing Manager Sheridan Helft, and served to keep the AFCM family connected during the very dark early days of the pandemic. Given that we had all been working towards the live festival with tickets already on sale, and my own promotional trip to Australia, going online was a whole new experience for us. Initially we were all relieved the Festival was postponed to 2021 and not cancelled entirely, but it suddenly became clear there would be a very long gap with no sign of life from AFCM.

The festival celebrates its 30th anniversary this year. What are some of the highlights of the upcoming season? Yes, it’s still our anniversary and we’re not going to miss this opportunity to celebrate such a wonderful milestone! I’m particularly excited about our commissions this year, one of which is AFCM’s present to the Goldner String Quartet celebrating their 25th anniversary. Let’s not forget Beethoven who missed out on his 250th anniversary year, so it’s thrilling to have asked 25 Australian composers to each write a super-short variation on Ode to Joy for the Goldners. I’ve seen most of these and this is going to be sensational! Yorta Yorta composer Deborah Cheetham makes her Festival debut and has written a work paying tribute to the land on which the Festival takes place. She will perform this with David Greco and the Goldners in our opening concert. These are just a few highlights, but the main highlight is that the Festival is taking place! Sadly, it is impossible to bring out the international artists this year, but what an amazing line-up of Australian musicians! The scale of the Festival is still mighty, and as always will be a real feast. There are over 110 fantastic pieces of music to enjoy, providing comfort from our much-loved chamber works to the exhilaration of new discoveries. This festival will be your last as Artistic Director what’s next for you? Next will be navigating my return into a life free of COVID restrictions. I cannot wait!

The chameleon of the 20th Century Krystal Li explores the musical ‘adaptations’ of Stravinsky

In 1909, the impresario Sergei Diaghilev was among the audience of a concert in Saint Petersburg when two new works were premiered: Scherzo fantastique and Feu d’artifice. Diaghilev was on the verge of launching the Ballet Russes in Paris and had been on the hunt for emerging gifted composers. That night, he discovered Igor Stravinsky, who was then put to work orchestrating some of Chopin’s music for the ballet Les Sylphides. Meanwhile, Diaghilev was planning a stunning Russian ballet, The Firebird, for the 1910 season. Combining the Slavic folk legend of the firebird with the Russian tale of evil Koschei the Deathless, it was intended to capture the imaginations of French audiences who were gaining interest in Russian music. After many composers had turned down the project, Diaghilev chose to take a chance on Stravinsky. Armed with musical themes borrowed from his composition teacher Nikolai Rimsky-Korsakov, and displaying a similar level of orchestral prowess, Stravinsky worked hard to prove his merit. The music of The Firebird was something to behold. Before the ballet’s premiere on 25 June, Diaghilev remarked: “Mark him well. He is a man on the eve of celebrity”. Overnight, the newcomer transformed into a phenomenon in everyone’s mind. Stravinsky would go on to become one of the most influential composers of the 20th century, not simply for his ballet success, but for his commitment to the craft of composition. The Romantic sound of his early ballets paved the way for a more abrasive, modern and yet still nationalistic body of work, beginning in 1913 with The Rite of Spring, for which Stravinsky assembled a range of folk melodies, all connected to pagan rituals and emphasising spring. The folkish nature of this ‘peasant’ music had no choice but to merge with the avant-garde, in what the composer would later call “a kind of apotheosis of Russian rural music”. Stage design for the ballet The Firebird by I. Stravinsky. Artist: Pleshakov, Vladimir Photos by Andrew Scott (1891-1942) Heritage Image Partnership Ltd / Alamy Stock Photo

Very few composers have had

Stravinsky’s musical trajectory – his legacy of works boasts a wide range of styles, influences and traits.

Stravinsky’s time in Paris brought him closer to different musical personalities, in particular the key figure of Claude Debussy. Their sound worlds never seemed to intersect, even though they were both fascinated by each other’s music. Stravinsky wrote Symphonies of Wind Instruments in 1920, and dedicated it to Debussy, who had died in 1918. This was among the many works that marked his neo-classical phase, and it was during this period that Stravinsky considered he had undergone significant evolution. His shifting style played out alongside his movement around the world and across many residences, in France, Switzerland and the USA. However, by the end of 1939 he finally emigrated to the US, soon forging a connection with Robert Craft, a young Juilliard graduate who was eager to follow, and ultimately befriend the composer. Craft guided Stravinsky through the English-speaking world as the composer embarked on his first English opera, The Rake’s Progress. Stravinsky’s neo-classical period reached its peak with this opera, which featured a libretto by W.H. Auden and was inspired by a series of paintings displayed at a Hogarth exhibition. Very few composers have had Stravinsky’s musical trajectory – his legacy of works boasts a wide range of styles, influences and traits. He was constantly uprooting himself. Though his initial works were grounded in his Russian origins, when one moves around as often as he did, flexibility, curiosity and artistic integrity are what matter. Sunday Special: Stravinsky: 50 years on ... Sunday, 11 April 2021, 3:00-5:00pm

Music for the Darkness Nicky Gluch illuminates Haydn’s Seven Last Words

Photo - VJP / Alamy Stock Photo

Composing this intervallic music was Haydn’s task. It was not without challenge, for the tempo of the music was requested to be slow, and Haydn was concerned that the congregation would fatigue at listening to seven adagios. To achieve variety, he thus took inspiration from the seven utterances, allowing their individual rhythms to shape the thematic material of each musical response.

God saw that the light was good, and he separated the light from the darkness  Light. In a modern-day city, it is something we have in abundance, streaming out of windows and streetlamps, the roads lit up by cars at night. It is darkness which has become elusive, and yet it is darkness which is the more natural state, that which preceded everything, and to which we ultimately return.

‘Father, forgive them, for they know not what they do’. This first utterance is cast in B-flat major. It is lyrical and plaintive, a representation of Jesus’ plea to God. ‘Today you will be with me in paradise’ is heart wrenching. It is what Jesus says to the man being crucified beside him, and the music, in C minor, thus mourns.

The music of Easter, be one religious or not, offers an opportunity to contemplate not only the relationship between lamentation and exultation, but that between darkness and light. In the lead up to Good Friday, one can attend the remarkable service of Tenebrae where a series of psalms is sung, and 14 candles are successively extinguished. When all but one remains, and the church is in almost total darkness, the choir sings Benedictus; then the last candle is hidden and strepitus, or cacophony, ensues. The world has returned to the state before Creation.

‘Woman, behold, your son’ is warm and tender. In E major, it represents Jesus’ comforting of his mother, entrusting one of his disciples into her care, that she may still have a son on earth. ‘My God, my God, why hast thou forsaken me?’. These downtrodden words (taken from Psalm 22) are matched with anguished sound in the only movement that remains in a minor key.

Now the earth was formless and empty, darkness was over the surface of the deep… Joseph Haydn’s The Seven Last Words of Our Saviour on the Cross was a piece written for this darkness. It was commissioned by a priest of the Oratorio de la Santa Cueva, an underground church in Cadíz, Spain. Lest the white walls be too reflective, on Good Friday the church was draped with black cloth so that the only light came from the lamp hanging in the centre of the roof. The service was incredibly meditative, the priest sequentially reciting the seven last words (more aptly, sentences) of Jesus Christ, the interval between each being filled with music.

‘I thirst’ mocks with drop-like pizzicato, whilst ‘It is finished’ is built off a simple four-note theme. It sings, however, in its solemnity, leading to the final utterance ‘Father, into thy hands I commend my spirit’. The muted strings evoke a life slipping away, and yet the music is sweet, Jesus accepting of his fate and God’s protection. With Jesus’ death, the light that God created is extinguished. The earth trembles in a quake, grief not a mourning but a fragmentation. Music for Good Friday, Friday 2 April, 2-4 pm

Perform in

SYDNEY EISTEDDFOD 2021

M A Y- S E P INSTRUMENTAL SCHOLARSHIP (16-25 Yrs) Total Prize Value: $13,000 PIANO SCHOLARSHIP (16-26 Yrs) Total Prize Value: $13,500 NEW! JUNIOR PIANO SCHOLARSHIP (11-15 Yrs) Total Prize Value: $5,900 OPERA SCHOLARSHIP (35/ U) Total Prize Value: $61,000 SOLOS AND DUETS FOR STRINGS, WOODWIND AND BRASS INSTRUMENTAL GROUPS Orchestras Concert, Jazz and Stage Bands String Ensembles School Chamber Percussion Ensembles CLASSICAL SINGING CHOIRS PIANO

Sydney Eisteddfod offers performance opportunities, prizes and scholarships exceeding the value of $400,000.

Enter online now*

For a full list of events and conditions visit sydneyeisteddfod.com.au

+61 2 9261 8366 #sydneyeisteddfod *Entries close 12 March. Late fees apply, space permitting.

Sydney Eisteddfod, in partnership with Fine Music Sydney, will select four ﬁnalists across our three major senior scholarships above to compete in the 2021 Young Virtuoso State Finals

13:00 SOUNDS FROM LUSITANIA Prepared by Anabela Pina

Thursday 1 April

Andrada, M.L. de Placed face to face. Teresa Salgueiro, vc; Lusitania Ensemble. Farol Musica 2009 FAR92770 5

03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Simon Moore

Coelho, M. Tiento. Andrew Lawrence-King, hp. Virgin VC 7 91500-2 11

09:00 DIVERSIONS IN FINE MUSIC The instruments: Strings Prepared by Anabela Pina

Seixas, C. Sinfonia in B flat. Algarve O/Alvaro Cassuto. Naxos 8.557207 8

Trad. The gold ring set. Jordi Savall, treble viol, lyra viol; Andrew Lawrence-King, baroque hp. Alia Vox AVSA 9878 12

Almeida Mota, J. P. de Quartet in G, op 5 no 2; Andante minuetto allegro. Quarteto Capela. Movieplay MOV.3-11038 14

Veracini, F. Violin concerto in A à cinque (c1716). Accademia I Filarmonici/Alberto Martini. Naxos 8.553413 12 Hummel, J. Grande sonata, op 37a (1810). Alison Stephens, mand; Richard Burnett, pf. Amon Ra CD-SAR 53 18 Biber, H. Sonata in D minor for two violins, trombone and violone. Concentus Musicus Vienna/Nikolaus Harnoncourt. Archiv 479 1045 7 Bruch, M. Kol nidrei, op 47 (1881). Truls Mørk, vc; Radio France PO/Paavo Järvi. Virgin 5 45664 2 11 Gatayes, G. Sur l’air d’un bouquet de Romarin, op 79. Duo Vitare. Novart 01

Hidalgo, J. Esperar, sentir, morir. Mina Kanaridis, voice; Australian Brandenburg O/ Paul Dyer. ABC 476 3828 4 10:30 CONCERT HALL Prepared by Derek Parker Copland, A. An outdoor overture (1938). Pacific SO/Keith Clark. Varese-Sarabande VCD 47211

Vianna da Motta, J. Three improvisations on popular themes, op 18. Sequeira Costa, pf. LP Marco Polo 6.220307 13 14:00 APRIL 'NO' FOOLS Composers born in April Prepared by Jacky Ternisien Bergsma, W. Suite from the ballet, Gold and the Señor Commandante (1941). EastmanRochester O/Howard Hanson. Mercury 478 5092 14 Sanz, G. Suite española (arr. Yepes). Narciso Yepes, gui. DG 469 649-2 14 Ellington, D. New world a-comin (1943). Benjamin Wesner, cl; Jeffrey Biegel, pf; Brown University O/Paul Phillips. Naxos 8.573490 14 Bolling, C. Veloce. ABC 476 4837

Sentimentale, from Suite for flute and jazz piano; Irish melody (1975). ABC 481 0307 9 Jane Rutter, fl; David Mibus, pf (2 above)

Mozart, W. Piano concerto no 10 in E flat for piano duo and orchestra. Silver Garburg Piano Duo; Tasmanian SO/Alexander Mickelthwate. ABC 481 0245 25 Beethoven, L. Symphony no 6 in F, op 68 Pastoral (1808). Vienna PO/Karl Böhm. DG 479 1949 46

Rebel, J-F. Le tombeau de Monsieur de Lully (1695). Musica Antiqua Cologne/Reinhard Goebel. Archiv 415 298-2 16 Tosti, P. La serenata (1888); Non t’amo più! (1884); Luna d’estate (1911); Malia (1887). Luciano Pavarotti, ten; Leone Magiera, pf. Decca 466 350-2 13 Lachner, F. Wind quintet no 2 in E flat (1829). Vienna-Berlin Ensemble. DG 423 591-2 24

12:00 JAZZ, PURE AND SIMPLE 16:00 FINE MUSIC DRIVE With Maureen Meers including Arts Calendar at 5.00pm Swing to Mainstream, with the Great American 19:00 THE NEW JAZZ STANDARD Songbook making regular appearances With Frank Presley A fresh perspective on modern music contributing to the standard jazz repertoire, with fine jazz interpretations from the world of pop, rock, film and contemporary jazz

20:00 THE WORLD OF A SYMPHONY Prepared by Paul Cooke Howells, H. Piano concerto no 1 in C minor, op 4 (1912-14; compl. Rutter). Howard Shelley, pf; BBC SO/Richard Hickox. Chandos CHAN 9874 39 Britten, B. Holiday diary, op 5 (1934). Stephen Hough, pf. Decca 478 5364

Glanville-Hicks, P. Five songs by Housman (1944). Gerald English, ten; Roland Peelman, pf. Tall Poppies TP112 7 Klein, G. Fantasy and fugue (1943). Joan Berkhemer, vn; Daniel Rowland, vn; Frank Brakkee, va; Taco Kooistra, vc. Radio Netherlands 93007 8 Benjamin, A. Symphony no 1 (1944-45). Queensland SO/Christopher Lyndon-Gee. Marco Polo 8.223764 38 22:00 CELLO SONATA Prepared by James Nightingale Brahms, J. Cello sonata no 2 in F, op 99 (1886). Lynn Harrell, vc; Stephen Kovacevich, pf. EMI 5 56440 2 27 22:30 ULTIMA THULE Ambient and atmospheric music

Friday 2 April 06:00 GOOD FRIDAY MORNING MUSIC including Arts Calendar at 7.30am With Paul Roper 09:00 DIVERSIONS IN FINE MUSIC Al fresco Prepared by Elaine Siversen Grofé, F. Mississippi suite (1925). Hollywood Bowl SO/Felix Slatkin. EMI 5 74117 2 13 Kay, D. Hastings tryptich (1986). Christine Draeger, fl; Kathryn Lambert, pf. CDCD CDCD1 17 Schubert, F. Auf dem Strom, D943 (1828). Mark Padmore, ten; Richard Watkins, hn; Paul Lewis, pf. Harmonia Mundi HMU 907520 10 Lyadov, A. The enchanted lake, op 62 (1909). Queensland SO/Vladimir Verbitsky. ABC 438 880-2 9 Liszt, F. The fountains of the Villa d’Este, from Years of pilgrimage, 3rd year (1877). Alfred Brendel, pf. Philips 420 837-2

Alwyn, W. String quartet no 2, Spring waters (1975). Quartet of London. Chandos CHAN 9219 22 10:30 CONCERT HALL Prepared by Denis Patterson Rossini, G. Overture to William Tell (1829). Tasmanian SO/Ola Rudner. ABC 481 0616 12 Tchaikovsky, P. Violin concerto in D, op 35 (1878). Maxim Vengerov, vn; Berlin PO/ Claudio Abbado. Teldec 4509-90881-2 35 Balakirev, M. Symphony no 2 in D minor (1900-08). BBC PO/Vassily Sinaisky. Chandos CHAN 9727 35 12:00 A JAZZ HOUR With Barry O'Sullivan Contemporary and modern sounds of "now" in jazz from all corners of the globe with a focus on contemporary jazz from Australia and regular interviews with local and visiting musicians 13:00 AT SUNRISE Prepared by Stephen Wilson Delius, F. A song before sunrise (c1918). Northern Sinfonia of England/Richard Hickox. EMI 5 65067 2 6 Haydn, J. String quartet in B flat, Hob.III:78, Sunrise (1796-97). Semyon Kobets, vn; David Saffir, vn; Anne-Louise Comerford, va; Georg Pedersen, vc. Fine Music concert recording 22 Carlson, R. Bird calls at sunrise, before the storm (1995). Rosalind Carlson, pf. Aus Compositions for Piano RC1996CD 7 Sibelius, J. Night ride and sunrise, op 55 (1908). New Zealand SO/Pietari Inkinen. Naxos 8.570763 17 14:00 MUSIC FOR GOOD FRIDAY Prepared by Paul Cooke Wagner, R. Good Friday music, from Parsifal (1882). Philadelphia O/Christian Thielemann. DG 479 1120 13 Lotti, A. Crucifixus. Osnabruck Youth Choir; Franz-Josef Rahe, org; Johannes Rahe, cond. Carus 83.330 4

16:00 FINE MUSIC HOLIDAY including Arts Calendar at 5.00pm 19:00 FRIDAY JAZZ SESSION With Alex Siegers A focus on the current Sydney jazz scene mixed with a range of international jazz stars and an occasional guest interview 20:00 EVENINGS WITH THE ORCHESTRA Lovers of history and literature Prepared by Robert Small

Monteverdi, C. Il combattimento di Tancredi e Clorinda, from Eighth book of madrigals (pub.1638). Arcangelo/Jonathan Cohen. Hyperion CDA68019 20 Frescobaldi, G. Toccata and partite: Variations on La romanesca (pub.1614/15/28). Winsome Evans, hpd. Fine Music concert recording 14 Corelli, A. Recorder concerto in E minor, op 5 no 8 (arr. Geminiani). Maurice Steger, rec; English Concert/Laurence Cummings. Harmonia Mundi HMU 907523 14

Tchaikovsky, P. Fantasy overture: Romeo and Caccini, F. Lasciatemi qui solo (1618). Maria Juliet (1869/80). Sydney SO/José Serebrier. Christina Kiehr, sop; Concerto Soave. ASV DCA 612 20 Ambronay AMY025 7 Berlioz, H. The death of Cleopatra (1829). Rosamund Illing, sop; Melbourne SO/Heribert Saturday 3 April Esser. ABC 434 898-2 23 06:00 SATURDAY MORNING MUSIC Sullivan, A. Suite no 1: Victoria and merrie With David Garrett England (1897). Royal PO/Royston Nash. 11

Decca 436 816-2

Kálmán, E. Lovely Marquise; My dream, my dream, from Empress Josephine (1936). Marilyn Hill Smith, sop; Chandos Concert O/ Stuart Barry. Chandos CHAN 8978 10 Wagner, R. Prelude and love-death, from Tristan and Isolde (1857-59). Cleveland O/ George Szell. CBS M2YK 46466 17 Vaughan Williams, R. Three portraits from The England of Elizabeth (1957; arr. Matheson). London SO/André Previn. RCA GD 90506 18 22:00 BAROQUE AND BEFORE Prepared by Robert Gilchrist Riccio, G. Sonata à 4. La Fontegara Amsterdam. Globe GLO 5065 Strozzi, B. Hor ch’Apollo (1664). Maria Christina Kiehr, sop; Concerto Soave. Ambronay AMY025 Corrette, M. Concerto comique no 25, Les sauvages et la Fürstemberg (c1759). Florilegium/Neal Peres da Costa. Channel Classics CCS 7595

09:00 WHAT'S ON IN MUSIC Our weekly guide to musical events in and around Sydney 09:05 THE PIANO ALONE Prepared by Jennifer Foong Alkan, C-V. Une fusée: introduction et impromptu, op 55 (1859). Stephanie McCallum, pf. Toccata TOCC 0157

Chabrier, E. Bourée fantasque (1891). Angela Hewitt, pf. Hyperion CDA67515 7 Fauré, G. Barcarolle no 3 in G flat, op 42 (1885). Kathryn Stott, pf. Hyperion CDA66911/4

Chopin, F. Sonata no 2 in B flat minor, op 35, Funeral march (1839). Ronald Farren-Price, pf. Move MD 3147 27 10:00 MUSICAL JOURNEYS Prepared by Jennifer Foong Telemann, G. Overture in D, Darmstadt. Ensemble Cordia/Stefano Veggetti. Brilliant Classics 94104 17

Romberg, S. April snow, from Up Central Park (1945). Lois Hunt, sop; William Diehl, bar; Isabella Leonarda. Ave suavis dilectio (1676). Sigmund Romberg O. Liszt, F. Via Crucis (1878-79). Leslie Howard, Maria Christina Kiehr, sop; Concerto Soave. Naxos 8.110886 5 pf. Ambronay AMY025 8 Arban, J-B. Variations on The carnival of Hyperion CDS44518 29 Corelli, A. Violin sonata in D minor, op 5 no 7 Venice (arr. Hunsberger). Wynton Marsalis, Tallis, T. Sancte Deus. Osnabruck Youth (1700). Andrew Manze, vn; Richard Egarr, hpd. cornet; Eastman Wind Ensemble/Donald Choir; Franz-Josef Rahe, org; Johannes Rahe, Harmonia Mundi HMX 2907541.45 9 Hunsberger. cond. CBS MK 42137 8 Dowland, J. Go nightly cares (1612). James Carus 83.330 6 Strauss, R. An alpine symphony, op 64 (1911Bowman, ct; David Miller, lute; viols of King's Haydn, J. The seven last words of Jesus 15). David Bell, org; Berlin PO/Herbert von Consort. Christ, Hob.111:50-56 (1787). Kodály Quartet. Hyperion CDA66447 7 Karajan. Naxos 8.550346 54 DG 474 281-2 51

11:30 ON PARADE Music that’s band Prepared by Owen Fisher Walton, W. Crown Imperial march. Hendon Band/Donald Morrison. LP Contour 2870135 6 Godard, B. Berceuse de Jocelyn. John Maines, tb; Stanshawe (Bristol) Band/W.B. Hargreaves. LP Decca SB322 6 Wagner, R. Grand march from Tannhäuser. Grimethorpe Colliery Band/George Thompson. LP Astor GGS 937 4 Barsotti, T. Trombones on Broadway. Wingates Temperence Band/Dennis Smith. LP Astor GGS 1354 2 Warren, G. God of our fathers. Allentown Band/Ronald Demkee. AMP 21198

12:00 URBAN JAZZ LOUNGE With Leita Hutchings New, hip, fun and traditional jazz: tons of cool jazz, presented in a chilled and laid-back, lounge style 13:00 OPERA IN MINIATURE Prepared by James Nightingale

Stravinsky, I. Mavra. Opera in one act. Libretto by Boris Kochno after Pushkin. First performed Paris, 1922. PARASHA: Lyudmila Belobragina, sop HUSSAR: Nicolai Gutorovich, ten MOTHER: Anna Matyushina, cont NEIGHBOUR: Nina Postavnicheva, mezz Moscow RSO/Gennady Rozhdestvensky. DG 00289 479 5176 30 In the small Russian town of Kolomna at the beginning of the 19th century, Parasha sits with her needlework thinking of her lover, a handsome Hussar, who suddenly appears at the window. They lament their difficulty in meeting. Parasha has an idea. Her mother’s cook has died and she is unable to find a new one, even though the neighbours are helping in the search. Parasha suggests that the Hussar disguise himself as a woman, and she will hire him as the cook. The plan succeeds until one day, Parasha’s mother opens the kitchen door and finds the cook shaving. A neighbour runs in raising a hue and cry. The Hussar jumps out of the window and runs off with Parasha in pursuit. The conclusion of the opera is that she must have found him as neither of them has returned.

Rimsky-Korsakov, N. Mozart and Salieri, op 48. Musical drama in two scenes. Libretto by the composer after Pushkin. First performed Moscow, 1898. SALIERI: Pavel Gerdjikov, bar MOZART: Avram Andreev, ten Bulgarian National Choir; Raina Manolova, vn; Teodor Moussev, pf; Bulgarian National RSO/ Stoyan Angelov. Fidelio 1827 45 The composer, Antonio Salieri broods over the contrast between his long struggle as a composer and the effortless genius of Mozart. A meeting with Mozart intensifies his jealousy, seeing Mozart’s frivolity. Salieri invites Mozart to dinner and gives him poisoned wine. Mozart tells of a stranger’s commission to write a requiem and plays some to Salieri, who is moved. Still unrepentant, he is disturbed as Mozart leaves, remarking that genius and evil are incompatible. 14:30 SATURDAY MATINEE From Bohemia Prepared by Anne Irish Smetana, B. From Bohemia’s fields and groves, from My country (1875). Vienna PO/ Nikolaus Harnoncourt. Teldec 0927-44890-2 14 Suk, J. Fairy tale, op 16 (1899-1900). Czech PO/Jiri Bélohlávek. Chandos CHAN 9640 30 Dvorák, A. Symphonic variations, op 78 (1880). London SO/István Kertész. Decca 452 946-2

Mahler, G. Symphony no 5 in C sharp minor (1901-02). Sydney SO/Vladimir Ashkenazy. Sydney Symphony SSO201003 1:12 17:00 SOCIETY SPOT Folk Federation of NSW With Paul Jackson

Loewe, F. Why can’t the English?; A hymn to him; With a little bit of luck; Get me to the church on time; Why can’t the English?, from My fair lady. Rex Harrison. Columbia 40180 15 Sherman Bros. Feed the birds (Tuppence a bag); A spoonful of sugar, from Mary Poppins. Julie Andrews, sop. 8 Loewe, F. I wonder what the king is doing tonight, from Camelot. Richard Burton, voice. Sony 60542 2 19:00 EMERGENT JAZZ With Keith Pettigrew Australian jazz of the 21st century featuring high school jazz combos, tracks from Sydney's pre-eminent jazz programs at UNSW and "The Con" and new Australian and international jazz releases 20:00 THE LIFE OF A COMPOSER George Gershwin Prepared by Krystal Li Gershwin, G. Nobody but you, from La-LaLucille (1919). Simon Tedeschi, pf. ABC 481 0629 1 Swanee (1918). George Gershwin, pf. Naxos 8.120510 Lullaby (1919). Acacia Quartet. Fine Music concert recording

Rhapsody in blue (1924). Columbia SO/ Leonard Bernstein. CBS MYK 42611

Three preludes (1926). Jon Manasse, cl; Jon Nakamatsu, pf. Harmonia Mundi HMU 907508 7 An American in Paris (1928). Melbourne SO/ Jorge Mester. ABC 438 611-2 19 But not for me; Embraceable you; I got rhythm, from Girl crazy (1930). Kiri Te Kanawa, sop; New Princess TO/John McGlinn. EMI CDC 7 47454-2

18:00 MUSIC OF THE SCREEN There is nothing like a dame Prepared by Sue Jowell

Cuban overture (1932). Rochester PO/Jeff Rodgers, R. There is nothin’ like a dame, from Tyzik. South Pacific. Ken Darby Male Ch. Harmonia Mundi HMU 807441 11 RCA 83681 4 Summertime, from Porgy and Bess (1934). Hess, N. Theme from Ladies in lavender; Angel Blue, sop; Iain Burnside, pf. Ladies in lavender fantasy. Joshua Bell, vn; Opus Arte OA CD9020 D 3 Royal PO/Nigel Hess. Catfish Row (1936). Howard Shelley, pf; BBC Sony 92689 8 PO/Yan Pascal Tortelier. Robbins, J. At a castle in Shropshire (1992). Harry Rabinovitz and O. Orion 5339 5 Barry, J. James Bond theme; Goldfinger; Thunderball. Shirley Bassey, voice; Tom Jones, voice; John Barry O. Columbia; Capitol 6087; 81820

Chandos CHAN 9325

22:00 SATURDAY NIGHT AT HOME Prepared by Elaine Siversen Tchaikovsky, P. Serenade in C for strings, op 48 (1880). Academy of St Martin in the Fields/ Neville Marriner. Decca 478 2826 30

Beethoven, L. Septet in E flat for winds and 13:00 WORLD MUSIC: Whirled strings, op 20 (1799-1800). Gaudier Ensemble. Wide Hyperion CDA66513 41 With Anna Tranter Showcases diverse music from cultures Monteverdi, C. Gloria in excelsis Deo à 8, around the world, both traditional and modern, from Selva morale e spirituale (pub. 1640). featuring musicians from all corners of the Parsons Affayre/Warren Trevelyan-Jones. Fine Music concert recording 11 globe, including Australia Geminiani, F. Ballet: The enchanted forest (c1752). Milan Angelicum O/Newell Jenkins. LP Nonesuch LP H-71151 31

Sunday 4 April 06:00 SUNDAY MORNING MUSIC With Stephen Wilson

Bach, J.S. Easter oratorio, BWV249 (1725). Collegium Vocale Gent/Philippe Herreweghe. Harmonia Mundi HMX 2908826.55 42 Kuhnau, J. Mein Alter kömmt, ich kann nicht sterben. Opella Musica; Camerata Lipsiensis/ Gregor Meyer. cpo 777 868-2 13 10:00 THE CLASSICAL ERA Prepared by Rex Burgess Grétry, A-E-M. Flute concerto in C. Claude Monteux, fl; Academy of St Martin in the Fields/Neville Marriner. Decca 460 302-2 15

Lentz, N. Harpsichord concerto no 2 in C. Alexsander Puliaev, hpd; Van Wassenaer O/ Makoto Akatsu. BIS CD-984 12 Praeger, H. Introduction, theme and variations, op 21. Konrad Hünteler, fl; Reinbert Evers, gui. Pantheon D 14 112 10 Kuhlau, F. Suite from Elverhøj, op 100 (1828). Odense SO/Othmar Maga. Unicorn-Kanchana DKP9132 33 Wilms, J. Symphony no 6 in D minor, op 58 (c1823). Concerto Köln/Werner Ehrhardt. Archiv B0002998-02 31 12:00 CLASSIC JAZZ AND RAGTIME With Maureen Meers The early days of jazz and ragtime as recorded during the first 30 years of the 20th century

Gounod, C. Sanctus, from Mass for St Cecelia (1855). Choeurs René Duclos; Conservatoire Concerts SO/Jean-Claude Hartemann, Warner 50999 4 57467 2 7

Handel, G. Coronation anthem: Zadok the Priest. Choir of King’s College, Cambridge/ Haydn, J. Piano trio in A, Hob.XV:18 (1794). Stephen Cleobury. Erich Höbarth, vn; Christophe Coin, vc; Patrick Warner 50999 4 57467 2 7 5 Cohen, fp. Harmonia Mundi HMC 901314 19 18:00 SMALL FORCES Mozart, W. String quartet no 23 in F, K590 (1790). Salomon Quartet. Hyperion CDA66355 36

09:00 MUSICA SACRA Prepared by Stephen Matthews

Graf, C.E. Symphony in D, op 14 no 1 (pub.1776). New Dutch Academy/Simon Murphy. PentaTone PTC 5186 365

14:00 CLASSICAL STRING QUARTETS Prepared by Frank Morrison

Mozart, W. Kyrie; Gloria; Credo, from Coronation Mass. Ch Viennensis; Stuttgart PO/Peter Marshik. Capriccio C7161 14

15:00 SUNDAY SPECIAL My Redeemer liveth Prepared by Elaine Siversen Handel, G. The trumpet shall sound, from Messiah, HWV56 (1742). Franz Crass, bass; Maurice André, tpt; Munich Bach O/Karl Richter. Decca 478 4664 10 Roussel, A. Résurrection, symphonic prelude (1903). Rhineland Palatinate State PO/Pierre Stoll. Cybelia CY 801 11 Gounod, C. Third solemn Mass (for Easter) (1883). Choir of St Mary's Cathedral; Sydney Conservatorium Choir; Sydney Conservatorium Chorale; Jubilee Ch & O/ David Russell. Walsingham WAL 8011-2 38

Prepared by Frank Morrison

Martinu, B. Trio for flute, violin and piano (1937). Members of Feinstein Ensemble. Naxos 8.553459 16 Schubert, F. String trio in B flat, D581 (1817). Grumiaux Trio. Philips 438 700-2 20 Janácek, L. Mládi, for wind sextet (1924). Aurèle Nicolet, fl; Heinz Holliger, ob; Eduard Brunner, cl; Elmar Schmid, bass cl; Klaus Thunemann, bsn; Radovan Vlatkovic, hn. Denon 33CO-1474 17 19:00 SUNDAY NIGHT CONCERT Prepared by Rex Burgess Britten, B. Overture: Canadian carnival, op 19 (1939). English CO/Steuart Bedford. Naxos 8.557198 13 Chausson, E. Poème de l'amour et de la mer, op 19 (1882). Lauris Elms, cont; Sydney SO/ Robert Pikler. ABC 446 279-2 25

Foerster, J. Symphony no 4 in C minor, Easter Shostakovich, D. Symphony no 15 in A, op (1905). Prague SO/Václav Smetácek. 141 (1971). Vienna SO/Eliahu Inbal. LP Supraphon 1 10 0617 41 Denon CO-78948 43 Handel, G. I know that my Redeemer liveth, from Messiah, HWV56 (1742). Marilyn Horne, 20:30 NEW HORIZONS Prepared by Calogero Panvino mezz; Vienna Cantata O/Henry Lewis. Decca 448 9022 8 Trad. Pirin suite. Martenitsa Choir. Tall Poppies TP026 7 17:00 HOSANNA Ourkouzounov, A. Sonatina bulgarica (1995). Prepared by Stephen Matthews Zoë Black, vn; Daniel McKay, gui. Hymns. When morning guilds the skies; The Move MD3323 9 Lord ascendeth up on high; Spirit of mercy, Weissenberg, A. Sonata in a state of jazz truth and love. Choir of St John’s College/ (1982). Marc-André Hamelin, pf. George Guest. 19 Argo 483 1260 7 Hyperion CDA67656 Lewandowski, L. Psalm 42. Hungarian Radio Choir/Andor Izsák. DG 483 7724 6 Pärt, A. The woman with the alabaster box (1997). Tallis Scholars/Peter Phillips. Gimell GM 049 5 Hgul, F. A. Prelude and fugue. Pavel Kohout, org. Radioservis CRO 879-2 5

Lazarof, H. Tableaux (after Kandinsky) (1990); Symphony no 2 (1992). Garrick Ohlsson, pf; Seattle SO/Gerard Schwarz. Naxos 8.559159 48 22:00 JAZZ AFTER HOURS With Sue Jowell Late night jazz, to listen and engage and relax

Monday 5 April 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With James Hunter 09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1831 Prepared by Derek Parker Chopin, F. Scherzo no 1 in B minor, op 20 (1831-32). Nelson Freire, pf. Teldec 8.44075 8 Bellini, V. Sediziose voci ... Casta diva ... Ah! bello me ritorna, from Norma (1831). Joan Sutherland, sop; Royal Opera House Ch & O/ Francesco Molinari-Pradelli. Decca 414 450-2 13 Glinka, M. Rondino brillante in B flat on a theme by Bellini (1831). Victor Ryabchikov, pf. BIS CD-980 6 Kuhlau, F. Trio in G, op 119 (1831). Paul Fried, fl; Alan Weiss, fl; Bryan Pezzone, pf. Gold Tone GTR-006 18 Meyerbeer, G. Pas de cinq from Robert le Diable, Act II (1831). Barcelona SO/Miichal Nesterowicz. Naxos 8.573076 9

13:00 FRENCH CHAMBER MUSIC Prepared by Jacky Ternisien

Onslow, G. Grand septet in B flat for winds, double bass and piano, op 79 (1849). Nielsen Quintet; Marc Marder, db; Jean Hubeau, pf. apex 0927 49536 2 37 d’Indy, V. String sextet in B flat (1927). François Mereaux, va, Michel Poulet, vc; Quatuor Joachim. Calliope CAL 3891.2 22 Taffanel, P. Grande fantaisie on themes from Ambroise Thomas’s opera, Mignon. Sharon Bezaly, fl; Ervin Nagy, pf. BIS CD-1039 13

Poulenc, F. Sextet for winds and piano (193239). Athena Ensemble. Chandos CHAN 6543 20 15:00 KING ARTHUR Prepared by Stephen Wilson

Purcell, H. Suite from King Arthur (1691). Schumann, R. Allegro in B minor, op 8 (1831). Academy of St Martin in the Fields/Neville Marriner. Maurizio Pollini, pf. 19 DG 471 370-2 9 Capriccio C8001 Bax, A. Tone poem: Tintagel (1917-19). Sor, F. Six pieces, Voyons si c’est ça, op 45 London PO/Adrian Boult. (1831). Jason Vieaux, gui. 13 Naxos 8.553986 15 Belart 461 3542 Elgar, E. Suite from King Arthur (1923). 10:30 CONCERT HALL Bournemouth Sinfonietta/George Hurst. Prepared by Jennifer Foong Chandos CHAN 6582 23 Lully, J-B. Overture and suite from Amadis 16:00 FINE MUSIC DRIVE (1684). Collegium Aureum/Reinhard Peters. LP Harmonia Mundi HM 20322 23 including Arts Calendar at 5.00pm Czerny, C. Concerto in C for piano duet and orchestra, op 153. Liu Xiao Ming, pf; Horst Göbel, pf; Brandenburg State O/Nikos Athinäos. Christophorus CHE 0140-2 31 Schumann, R. Symphony no 4 in D minor, op 120 (1841/51; arr. Mahler). Bergen PO/Aldo Ceccato. BIS CD-394 28 12:00 SWING SESSIONS With John Buchanan Featuring bands of the 1930s swing era and the dance bands of the 1920s taken from radio broadcasts, transcriptions and recording sessions

Tuesday 6 April

Corrette, M. Trio sonata in G, op 14 no 5 (pub. 1742). Le Nouveau Quatuor. 03:00 CLASSICAL TILL DAWN Amon Ra CD-SAR 57 9 06:00 FINE MUSIC BREAKFAST Désargus, X. Au clair de la lune (1820). including Arts Calendar at 7.30am Marielle Nordmann, hp; Brigitte Haudebourg, With Julie Simonds pf. Arion ARN 68285 6 09:00 DIVERSIONS IN FINE MUSIC

19:00 JAZZ PULSE With Chris Wetherall Jazz across the wide spectrum from early Louis to Coltrane, with plenty of Ellington and Basie, through to hard bop 20:00 STORMY MONDAY With Austin Harrison

Colours of the keyboard Prepared by Rex Burgess

Couperin, F. Les petits ages, from Ordre 7 (pub. 1717). Bob van Asperen, hpd. EMI CDC 7 49945 2 10 Alkan, C-V. Introduction, variations and finale in D minor for right hand, from Trois grandes études, op 76 (c1838). Ronald Smith, pf. Arabesque Z 6604 23 Mozart, W. Lied der Trennung, K519 (1787); Abendfindung an Laura, K523 (1787). Barbara Bonney, sop; Geoffrey Parsons, pf. Teldec 2292-46334-2 11 Chopin, F. Polonaise-fantasie in A flat, op 61 (1845-46). Roger Woodward, pf. LP HMV OASD 7560 14 Prokofiev, S. Suite from Romeo and Juliet (1938; arr. Lindberg). Christian Lindberg, tb; Roland Pöntinen, pf. BIS CD-478 23 10:30 CONCERT HALL Prepared by Michael Morton-Evans Knopfler, M. Local hero saxophone concerto (1983). Amy Dickson, alto sax; Melbourne SO/Benjamin Northey. ABC 481 0118 21 Françaix, J. Ballet: Les malheurs de Sophie (1935). Ulster O/Thierry Fischer. Hyperion CDA67384 34 Clementi, M. Symphony no 3 in G, Great National. Philharmonia O/Francesco d’Avalos. ASV DCS 247 30 12:00 JAZZ RHYTHM With Jeannie McInnes An eclectic blending of agreeable rhythm and melody from the New Orleans jazz roots through to recent decades, including many Australian bands

22:00 JAZZ AFTER HOURS Late night jazz, to listen and engage, and relax 13:00 MOZART AND THE STRING QUARTET Prepared by Frank Morrison

Hummel, J. Piano trio no 2 in F, op 22 (1799). Simon Standage, vn; Pal Banda, vc; Susan Alexander-Max, fp. Naxos 8.557694 13

Cimarosa, D. Tormented by so many woes, from The sun virgin (1788). Cecilia Bartoli, mezz; Corrado Giuffredi, cl; I Barocchisti/ Diego Fasolis. Decca 478 6767 8 Myslivecek, J. Wind octet no 1 in E flat. Harmoniemusik of London. Virgin 5 61368 2

Mozart, W. String quartet no 12 in B flat, K172 (1773). Quartetto Italiano. Decca 478 5555 16 14:00 THE ANTONIOS Prepared by Jacky Ternisien Salieri, A. Overture to La locandiera (1773). London Mozart Players/Matthias Bamert. Chandos CHAN 9877 7 Bazzini, A. Three lyric pieces, op 41 (1863). Chloe Hanslip, vn; Caspar Frantz, pf. Naxos 8.570800 16 Vivaldi, A. Concerto grosso in F, RV567, from L’estro armonico (pub. 1711). Australian Brandenburg O/Paul Dyer. ABC 434 720-2 8 Ruiz-Pipó, A. Canzon y danzas: nos 1 and 2. Alberto Ponce, gui. Arion ARN 68212 7 Caldara, A. Quel buon pastor son io, from La morte d’Abel di quello nostro Redentore (1732). Cecilia Bartoli, mezz; Il Giardino Armonico/Giovanni Antonini. Decca 478 1521 10

Suite italienne (1932; arr. Rife). Eleonora Turovsky, vn; Yuli Turovsky, vc. Chandos CHAN 8652 Septet (1952-53). Columbia Chamber Ensemble/Igor Stravinsky. Sony SM3K 46 291-302

Divertimento (1934). Ray Chen, vn; Timothy Young, pf. Melba MR 301128 22 Lutyens, E. Lament of Isis on the death of Osiris, from op 74 (1969); Requiescat (in memoriam Igor Stravinsky) (1971). Jane Manning, sop; Jane’s Minstrels. NMC D011 10

Wednesday 7 April 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Janine Burrus 09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by Jacky Ternisien Viardot, Paul. Violin sonata no 1 in G, op 5 (1883). Reto Kuppel, vn; Wolfgang Manz, pf. Naxos 8.573607 17

Cartellieri, A. Parthia no 2 in E flat, sextet for winds (c1813-14). Consortium Classicum. MDG 301 1483-2 32

My river (1865); The gardener (1865); Water nymph (1865). Miriam Alexander, sop; Eric Schneider, pf. OEHMS OC 1876 12

19:00 THE JAZZ BEAT With Lloyd Capps Smooth small group jazz from the 50s on, and with a visit from Miles Davis each week 20:00 JUST IN With Michael Field A selection from the latest recordings to arrive at the Fine Music Library 22:00 CHAMBER SOIRÉE Igor Stravinsky Prepared by Paul Cooke Stravinsky, I. Excerpts from The firebird (1910; arr. Gottschick). Sabine Meyer, cl; Alliage Quintett. Sony 88875190972 20

12:00 JAZZ SKETCHES With Robert Vale Focussing on contemporary jazz, often gathered from emerging cultures and Australian 13:00 IN CONVERSATION With Simon Moore Each week we meet one of the world’s great musicians, singers, composers or conductors, along with up-and-comers and some of the men and women who influence the arts landscape. The program goes live to air so you never quite know what’s going to happen.

Stravinsky, I. Suite from The soldier's tale (1918). William Blount, cl; Frank Morelli, bn; Chris Gecker, cornet; Michael Powell, tb; Rolfe Schulte, vn; John Feeney, db; Gordon Gottlieb, 14:00 CHAILLY AND THE perc. CONCERTGEBOUW MusicMasters 01612-67152-2 25 Prepared by Ron Walledge

Salieri, A. Piano concerto in B flat (1773). Philharmonia O/Pietro Spada, pf & dir. ASV DCA 955 25

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm

Casella, A. Symphony no 2 in C minor, op 12 (1910). BBC PO/Gianandrea Noseda. Chandos CHAN 10605 49

Agrell, J. Flute concerto in D (c1750). Maria Bania, fl; Concerto Copenhagen/Andrew Manze. Chandos CHAN 0535 15

Wagenaar, J. Overture: Cyrano de Bergerac, op 23 (1905). Decca 425 833-2 14 Webern, A. Im sommerwind (1904). Radio Nederland RCO 08005

Shostakovich, D. Concerto for piano, trumpet and strings, op 35 (1933). Peter Masseurs, tpt; Ronald Brautigam, pf. Decca 433 702-2 22 Stravinsky, I. The song of the nightingale (1917). Radio Nederland RCO 08005 20 Mahler, G. Suite from orchestral works of J.S. Bach (1909). Decca 475 514-2 19 Franck, C. Symphonic variations (1885). Jorge Bolet, pf. Decca 421 714-2 17 Royal Concertgebouw O/Riccardo Chailly (all above) 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm

Altnikol, J. Sonata in C. Gregor Hollman, hpd. MD+G L 3318 13 19:00 PLANET JAZZ With Xavier Bichon Wranitzky, A. String sextet in G. Ensemble A musical journey to different parts of the Cordia. world where jazz meets other musical Brilliant Classics 94168 24 traditions, from Africa to Europe, with a slice of Australia 10:30 CONCERT HALL Prepared by Frank Morrison 20:00 AT THE OPERA Prokofiev, S. Russian overture, op 72 (1936). Prepared by James Nightingale USSR Ministry of Culture SO/Gennady Braunfels, W. Die Vögel, op 30. Opera in two Rozhdestvensky. acts. Libretto by composer. First performed Melodiya 10-00205 14 Munich, 1920. Weber, C.M. Bassoon concerto in F, op 75 NACHTIGALL: Hellen Kwon, sop (1811/22). Laurence Perkins, bn; Manchester RATEFREUND: Michael Kraus, bass Camerata/Douglas Boyd. HOFFEGUT: Endrik Wottrich, ten Hyperion CDA67288 18

WIEDHOPF: Wolfgand Holzmair, bar PROMETHEUS: Matthias Görne, bar Berlin Radio Ch; German SO/Lothar Zagrosek. Decca 448 679-2 2:19

Tsygankov, A. Mar Diandia. Tanya Jephtha, domra. 3

After the Nightingale welcomes the audience, two men, Good Hope and Loyal Friend, led by a Crow and a Jackdaw, encounter a Wren. Wren calls down the King of the Birds, Hoopoe, who laments that the birds no longer have a kingdom of their own. Loyal Friend proposes a solution: that the birds build a citadel between the gods above and men below and impose a tax upon the smoke of the sacrifices that nourish the gods. The Nightingale calls all the birds together and, at first, they attack the two men but, after Hoopoe gets them to listen to Loyal Friend, the birds are galvanised by the idea of a new home and set to work building their citadel. When built, the splendid citadel is visited by Prometheus, who warns the birds not to go against the will of Zeus and to abandon their folly. Instead of following his advice, the birds prepare for war but when a terrible storm falls down upon them, the citadel is destroyed and the birds forced to beg forgiveness from the omnipotent Zeus. Loyal Friend and Good Hope return to the world of men, changed by their experiences with the birds.

Hummel, J. Mandolin sonata in C, op 35 (1810). Dorina Frati, mand; Stefano Fiuzzi, pf. Dynamic CDS 128 17

Balfe, M. Come into the garden, Maud. Graham Titus, bar; Margaret Lion, pf. Griffin GCCD 4009

Fiorenza, N. Cello concerto in B flat. Catherine Jones, vc; Van Diemen’s Band/Julia Fredersdorff. ABC 481 6359 13

14:00 EUROPEAN VACATIONS Prepared by Jacky Ternisien

Hindemith, P. Hérodïade. Siegfried Mauser, pf; Frankfurt RSO/Werner Andreas Albert. cpo 999 220-2 22 23:00 MUSIC OF THE NIGHT Prepared by James Nightingale Hosokawa,T. Circulating ocean (2005). Lyon National O/Jun Märkl. Naxos 8.573276 21 Tanaka, K. Night bird (1996). Claude Delangle, sax. BIS CD 890

Lindquist, E. Mantra: Concerto for gamelan and sinfonietta (2016). Espen Aalberg, gamelan; Trondheim Sinfonietta/Kai Grinde Myrann. BIS CD 2340 25

Thursday 8 April 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Simon Moore 09:00 DIVERSIONS IN FINE MUSIC The instruments: Strings Prepared by Jacky Ternisien Albéniz, I. Asturias. Jacob Wielgosz, domra, gui. 7

Sydney Balalaika O/Victor Serghie (2 above) Sydney Balalaika Orch 2014

Saint-Saëns, C. Fantasy for violin and harp in A, op 124 (1907). Gérard Poulet, vn; Isabelle Moretti, hp. naive V 5129 12 Der makam-i Uzzal usules Devr-i kebir. Kudsi Erguner, ney; Hakan Gungor, kanun; Yurdal Tockan, oud; Derya Turkan, kemence; Murat Tokaç, tanbur; Fahrettin Yarkin, perc; Members of Hespèrion XXI/Jordi Savall. Alia Vox AVSA 9870 3 Haydn, J. Quartet in D for concertante guitar, violin, viola and cello (bef. 1765; arr. from String quartet, op 2 no 2). Karin Schaupp, gui; Member of Flinders Quartet. ABC 476 4435 23 10:30 CONCERT HALL Prepared by Angus McPherson Mozart, W. Symphony no 40 in G minor, K550 (1788). Tasmanian SO/Sebastian LangLessing. ABC 476 4561 28 Chaminade, C. Concertstück in C sharp minor, op 40 (1888). Danny Driver, pf; BBC Scottish SO/Rebecca Miller. Hyperion CDA68130 15 Franck, C. Symphony in D minor (1887-88). Philharmonia O/Carlo Maria Giulini. EMI CZS 7 67723 2 40 12:00 JAZZ, PURE AND SIMPLE With Maureen Meers 13:00 TENNYSON TO MUSIC Prepared by Derek Parker Bridge, F. Tears, idle tears (1905). Gerald Finley, bar; Roger Vignoles, pf. Hyperion CDA67181 5

Somervell, A. A cycle of songs, from Maud (1898). David Wilson-Johnson, bar; David Owen Norris, pf. Hyperion CDH55089 36

Offenbach, J. Ballet: Gaîté parisienne (1866; arr. Rosenthal 1938). Berlin PO/Herbert von Karajan. Decca 478 5630 29 Addinsell, R. Warsaw concerto (1941). Isador Goodman, pf; Melbourne SO/Patrick Thomas. ABC 476 4565 8 Granados, E. Galante, Orientale, Fandango and Villanesca, from Spanish dances, op 5 (1892-1900). Pro Arte Guitar Trio. ASV CD WHL 2061 16 Ireland, J. Chelsea Reach; Ragamuffin; Soho forenoons; Month’s mind, from London pieces. John Lenehan, pf. Naxos 8.553700 14 Mendelssohn, F. Symphony no 3 in A minor, op 56, Scottish (1842). CO of Europe/ Nikolaus Harnoncourt. Apex 2564 67391-0 40 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 THE NEW JAZZ STANDARD With Frank Presley 20:00 THE WORLD OF A SYMPHONY Prepared by Derek Parker Gounod, C. Suite concertante in A (1886). Roberto Prosseda, pf; Swiss Italian O/ Howard Shelley. Hyperion CDA67975 23 Wagner, R. O thou my gracious evening star, from Tannhäuser (1845). David Hobson, ten; Teddy Tahu Rhodes, bass bar; Sharon Kimmorley, pf. ABC 4764861 5

Lecocq, C. Ballet: Mam’zelle Angot (1872; Quilter, R. Now sleeps the crimson petal, op 3 arr. Jacob). National PO/Richard Bonynge. no 2. Benjamin Luxon, bar; Davis Willison, pf. Decca 442 9048 39 Chandos CHAN 8782 2 Berlioz, H. Le repos de la Sainte Famille: Britten, B. The splendour falls on castle walls, les pélerins etant venus, from L’enfance du from Serenade for tenor, horn and strings, Christ, op 25 (1850-54). Maitrîsse de Paris op 31 (1943). Anthony Rolfe Johnson, ten; Children’s Choir. 6 Michael Thompson, hn; Scottish NO/Bryden Halévy, F. Rachel, quand du Seigneur, from Thomson. La juive (1835). 7 Chandos CHAN 8657 3 Roberto Alagna, ten; Royal Opera House O/ Bertrand de Billy (2 above) EMI 5 57433-2

Bizet, G. Symphony in C (1855). French National RSO/Thomas Beecham. EMI CDC 7 47794 2

22:00 CLASSICAL INTERLUDE Mozart, W. Fantasia in D minor, K397 (c1782). John Champ, pf. ABC 446 059-2 5 Boccherini, L. Piano quintet in C, op 57 no 6 (1799; arr. attrib. R. Hoffstetter). Les Adieux. Harmonia Mundi GD77053 20

Bach, J.S. Brandenburg concerto no 6 in B flat, BWV1051 (1720). Brandenburg Consort/ Roy Goodman. Hyperion CDA66612 15 Schumann, R. Der arme Peter, I-II-III, op 53 no 3 (1840). Wolfgang Holzmair, bar; Imogen Cooper, pf. Philips 446 086-2 5 Strauss, R. Till Eulenspiegel’s merry pranks, op 28 (1895). London SO/Claudio Abbado. DG 429 492-2 15

22:30 ULTIMA THULE

Friday 9 April

Beethoven, L. Variations in G for piano trio on Muller’s Ich bin der Schneider Kakadu, op 121a (c1823). Isaac Stern, vn; Leonard Rose, vc; Eugene Istomin, pf. Sony SM2K 64513 18

03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Annabelle Drumm 09:00 DIVERSIONS IN FINE MUSIC Al fresco Prepared by Rex Burgess Dvorák, A. Overture: In nature’s realm, op 91 (1891). London SO/István Kertész. Decca 452 946-2 14 Janácek, L. In the mists (1912). Roland Pöntinen, pf. BIS CD-663-4

13:00 PROMINENT GERMAN COMPOSERS Prepared by Frank Morrison

Schubert, F. The shepherd on the rock, D965 (1828). Jennifer Bates, sop; Nigel Westlake, cl; David Bollard, pf. Tall Poppies TP011 12

14:00 THE BOHEMIANS Prepared by Ron Walledge Dussek, F. Piano concerto in E flat. Jan Novotný, pf; Pardubice State CO/Libor Pesek. LP Supraphon 1110 2850 G 21 Suk, J. Symphonic poem: Praga, op 26 (1904). Northwest German PO/Alun Francis. cpo 999 576-2 24 Martinu, B. Czech rhapsody (1945; arr. Teml). Bohuslav Matousek, vn; Czech PO/ Christopher Hogwood. Hyperion CDA67672 10 Novák, V. Toman and the wood-nymph, op 40 (1907). Brno State PO/Frantisek Jilek. Supraphon SU 3050-2 24

Thomson, V. Suite, from The plow that broke the plains (1936). New London O/Ronald Corp. Dvorák, A. String serenade in E, op 22 Hyperion CDH55169 16 (1875/78). Strings of Prague Philharmonia/ Jakub Hrusa. Schumann, R. Forest scenes, op 82 (1848Supraphon SU 3932-2 29 49). Marc-Andre Hamelin, pf. Hyperion CDA68030 23 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 10:30 CONCERT HALL Prepared by Andrew Clark 19:00 FRIDAY JAZZ SESSION With Alex Siegers Pfitzner, H. Overture to Das Katchen von Heilbrunn, op 17 (1905). Berlin Opera O/ 20:00 EVENINGS WITH THE Christian Thielemann. ORCHESTRA DG 449 571-2 17 Prepared by Rex Burgess Hummel, J. Bassoon concerto in F (1805). Wagner, R. Prelude to Act I, The Valery Popov, bn; Russian State SO/Valery mastersingers of Nuremburg (1866-67). New Polyansky. York PO. Chandos CHAN 9656 25 Sony SMK 64 108 11 Strauss, R. Symphony no 2 in F minor, op 12 Ravel, M. Valses nobles et sentimentales (1884). Royal Scottish NO/Neeme Järvi. (1910). Cleveland O. Chandos CHAN 10236 X 41 DG 449 213-2 15 12:00 A JAZZ HOUR Berlioz, H. Lélio, ou Le retour à la vie (1832). With Barry O'Sullivan Jean-Louis Barrault, narr; John Mitchinson, ten; John Shirley-Quirk, bar; London Symphony Ch & O.

Sony SM3K 64 103

Bartók, B. Music for strings, percussion and celesta (1936). BBC SO. Sony SM2K 64 100 30 Pierre Boulez, cond (all above) 22:00 BAROQUE AND BEFORE Prepared by Andrew Dziedzic Bach, J.S. Sonata in C minor for violin and continuo, BWV1024. Elizabeth Wallfisch, vn; Richard Tunnicliffe, vc; Paul Nicholson, hpd. Hyperion CDD22025 14 Attrib. Purcell, H. Cantata: When night her purple veil. Dietrich Fischer-Dieskau, bar; Benjamin Britten, pf; members of Alberni String Quartet. BBC BBCB 8003-2 15 Telemann, G. Flute concerto in G, TWVAnh.51:G1 (arr.). Maurice André, tpt; Munich Bach O/Karl Richter. Decca 478 4664 12 Biber, H. Credo, from Missa salisburgensis (c1682). Musica Antiqua Cologne/Reinhard Goebel; Gabrieli Consort and Players/Paul McCreesh. Archiv 457 611-2 15 Bach, J.S. Flute sonata in G minor, BWV1020 (c1720). Maxence Larrieu, fl; Rafael Puyana, hpd. Philips 438 809-2 11 Pool, P. Sonata III in C. Pavel Cerny, org. LBCD 71/74

Bach, J.S. Suite no 5 in C minor, BWV1011, from Six solo cello suites (c1721). David Pereira, vc. Tall Poppies TP017 29 Handel - Telemann. Concerto à quattro in D minor. Music ad Rhenum/Jed Wentz. Vanguard 99088 6

Saturday 10 April 06:00 SATURDAY MORNING MUSIC With Stephen Wilson 09:00 WHAT'S ON IN MUSIC Our weekly guide to musical events in and around Sydney 09:05 THE PIANO ALONE Prepared by Anne Irish Liszt, F. Overture to Wagner’s Tannhäuser (1845; transcr. 1848). Michele Campanella, pf. Brilliant Classics 94610 18 Chopin, F. Rondo in C minor, op 1 (1825). Idil Biret, pf. Naxos 8.554537 8

Schubert, F. Fantasy in C, D760, Wanderer (c1823). Kathryn Selby, pf. ABC 432 700-2 23 10:00 MUSICAL JOURNEYS Prepared by David Brett Milhaud, D. Music for Prague, op 415 (1965). Czech PO/Darius Milhaud. PRAGA PR 250 012 16 Doppler, F. - Doppler, K. Duo concertant for two flutes and orchestra,Souvenir de Prague. Claudi Arimany, fl; Clara Novakova, fl; City of Elche SO/Leonardo Martínez. Capriccio C5296 12 Mozart, W. Symphony no 38 in D, K504, Prague (1786; arr. Hummel). Diana Doherty, ob; Seraphim Trio. Fine Music concert recording 24 Rak, S. Remembering Prague. Stephan Rak, gui. Chandos CHAN 8622 5 Suk, J. Symphonic poem: Prague, op 26 (1904). BBC SO/Jírí Belohlávek. Chandos CHSA 5109 25 11:30 ON PARADE Prepared by Robert Small Lloyd Webber, A. Excerpt from Phantom of the opera (1986); Any dream will do, from Joseph and the amazing technicolour dreamcoat (1965; arr. Graham). NSW Fire Brigades Brass Band/Mark Reay. NSW Fire Brigades NSWFBCD94 6 Love changes everything; With one look. Rolls Royce Coventry Brass Band. 8 All I ask of you; Pie Jesu, from Requiem (1984). South Notts Brass Band.

Soho SOHOCD051-2 (2 above) Lennon - McCartney. A hard day’s night (1964; arr. Fernie). NSW Fire Brigades Brass Band/Mark Reay. NSW Fire Brigades NSWFB 2008 2 12:00 URBAN JAZZ LOUNGE With Leita Hutchings 13:00 IN A SENTIMENTAL MOOD With Maureen Meers Nostalgic music and artists from the 30s, 40s and 50s and occasionally beyond, in a trip down many memory lanes 14:00 SATURDAY MATINEE Operetta in the afternoon Prepared by Anne-Louise Luccarini Bréton, T. La Dolores. Operetta in three acts. Libretto by the composer after a drama by Josep Feliu i Codina. First performed Madrid, 1895.

PATRICIO: Enrique Baquerizo, bar CELEMIN: Tito Beltrán, ten DOLORES: Elisabete Matos, sop GASPARA: Raquel Pierotti, mezz LÁZARO: Plácido Domingo, ten MELCHOR: Manuel Lanza, bar SERGEANT ROJAS: Stefano Palatchi, bass Choir of Gran Teatro del Liceo; Children's Choir of Badalona Conservatorium; Barcelona SO; Catalonia NO/Antoni Ros Marbà. Decca 466 060-2 2:34 Patricio and Celemin arrive at the marketplace hoping to see Dolores, who serves in Gaspara’s inn. Gaspara’s godson, Lazaro, a student priest, is in love with Dolores. Patricio, also in love with Dolores, has paid for a fiesta in her honour. Celemin gossips about Dolores’ past love affair with Melchor. Festive crowds arrive, including Sergeant Rojas who joins them at the table. When Dolores brings them wine, Rojas is instantly smitten. Melchor quarrels with Dolores until he is interrupted by the start of the fiesta. Taking a guitar, he sings an insulting song about Dolores, causing her much distress. Patricio quickly calls for more music and all dance the jota. Melchor boasts to the three suitors that he has been Dolores’ lover. The suitors retreat when she appears. After an angry scene, Dolores agrees to see Melchor at ten that night to talk peace. She then learns from Patricio that Melchor has revealed her past. Feigning laughter and saying that it is a lie, she invites Patricio to call on her at ten that night, an invitation that she also offers separately to Celemin and Rojas. Lazaro tells Dolores that he is leaving the next day and confesses his love. Celemin overhears and calls out to everyone to come to listen. Lazaro, infuriated, threatens Celemin. Later, when Lazaro heroically saves the life of the foolish Rojas in the bullring, Dolores asks Lazaro to come to her room at ten o’clock. When he arrives, they fall into each other’s arms. Saying farewell, she urges him to leave quickly for the seminary. When Melchor enters, she rebuffs him and he becomes violent. Lazaro rushes back and they fight. By the time the others arrive in response to Dolores’ screams, Melchor lies dead. 17:00 SOCIETY SPOT Organ Music Society of Sydney With John Hanna 18:00 MUSIC OF THE SCREEN Prepared by Maureen Meers

Warren, H. On the Atchison,Topeka and the Santa Fe, from The Harvey girls (1946). Judy Garland, Cyd Charisse, voices. 9 Berlin, I. Excerpts from Easter Parade (1948). Fred Astaire, Judy Garland, Peter Lawford, Ann Miller, voices; MGM Studio O/ Johnny Green. Sony 88697638362 20 19:00 EMERGENT JAZZ With Keith Pettigrew 20:00 THE LIFE OF A COMPOSER Joseph Bodin de Boismortier Prepared by James Nightingale Boismortier, J. de Premier ballet, from Ballets de village, op 52. Le Concert Spirituel/ Hervé Niquet. Naxos 8.554295 9 Sonata in C minor/A minor, op 34 no 6 (pub. 1734). La Fontegara Amsterdam. Globe GLO 5033 7 La caverneuse; La transalpine; La valétudinaire; La sérénissime, from Pièces de clavecin, op 59 (1736). Umbra Lucis Ensemble. Brilliant Classics 95754 13 Flute suite no 6, op 35 (pub. 1731). Anne Savignat, fl; Christine Plubeau, bass viol; Beatrice Martin, hpd. Naxos 8.554457 10 Cantata no 4: Winter (1728). Sophie Boulin, sop; La Grande Écurie et La Chambre du Roy/Jean-Claude Malgoire. LP CBS SBR 235988 20 Sonata no 1 in D, op 91 (pub. 1742). American Baroque. Naxos 8.553414

Les voyages de l’amour: entrédes génies élémentaires. Naxos 8.554456

Première sérénade ou première simphonie françoise, op 39. Naxos 8.554295 33 Le Concert Spirituel/Hervé Niquet (2 above) 22:00 SATURDAY NIGHT AT HOME Prepared by James Nightingale Lekeu, G. Violin sonata in G (1891). Alina Ibragimova, vn; Cédric Tiberghien, pf. Hyperion CDA67820 34 Ravel, M. Piano concerto in G (1931). JeanEfflam Bavouzet, pf; BBC SO/Yan Pascal Tortelier. Chandos CHSA 5084 21

Strouse, C. Excerpts from Bye, bye birdie (1963). Janet Leigh, Dick van Dyke, AnnIreland, J. Sextet for clarinet, horn and string Margret, Bobby Rydell, Jesse Pearson, voices. quartet (1898). Robert Plane, cl; David Pyatt, RCA 8287654217 2 21 hn; Maggini Quartet. Naxos 8.570550 27

Haydn, J. Symphony in G, Hob.I:92, Oxford (1789). Freiburg Baroque O/René Jacobs. Harmonia Mundi HMX 2908601.30

Sunday 11 April

06:00 SUNDAY MORNING MUSIC With Robert Small

Schubert, F. String quartet in D minor, D810, Death and the maiden (1824). Emerson String Quartet. DG 423 398-2 37 15:00 SUNDAY SPECIAL Stravinsky: 50 years on Prepared by Krystal Li

Fauré, G. Messe basse (1881-82/86). Boys of King’s College Choir, Cambridge/Stephen Cleobury. EMI 5 57896 2 9 Bach, J. Christian Beatus vir, WarbE17 (1758). Joanne Lunn, sop; Elena Biscuola, cont; Georg Poplutz, ten; Thomas E. Bauer, bass; South German Chamber Choir; Concerto Cologne/Gerhard Jenemann. Carus 83.347 30 10:00 THE CLASSICAL ERA Prepared by Paul Cooke Tausch, F. Clarinet concerto no 2 in B flat, op 26 (pub. 1818). Thea King, cl; Nicholas Bucknall, cl; English CO/Leopold Hager. Hyperion CDA66504 23 Sor, F. Fantasy, op 16 (1823). Rafael Aguirre Miñarro, gui. Naxos 8.572064 15 Onslow, G. Piano trio in C minor, op 26 (pub. c1824) Trio Cascades. cpo 777 232-2 31 Vorisek, J. Sonata quasi una fantasia in B flat minor, op 20 (1824). Olga Tverskaya, pf. Opus 111 OP30241 18 Arriaga, J. Symphony in D minor (1824). Scottish CO/Charles Mackerras. Hyperion CDA66800 23 12:00 CLASSIC JAZZ AND RAGTIME With Dave Mac 13:00 WORLD MUSIC: Whirled Wide With Gerry Myerson 14:00 CLASSICAL STRING QUARTETS Prepared by Frank Morrison Hummel, J. Piano quartet in G, op posth (c1839). Micaela Comberti, vn; Jane Rogers, va; Pal Banda, vc; Susan Alexander-Max, fp. Naxos 8.557694 17

Stravinsky, I. Scherzo fantastique, op 3 (1908). Seattle SO/Gerard Schwarz. Naxos 8.571224

Le roi des étoiles (1911-12). Toronto Festival Singers; CBC SO/Igor Stravinsky. Sony SM3K 46 291-302 4 Suite no 2, from The firebird (1919). Royal Concertgebouw O/Mariss Jansons. RCO Live RCO 08002 22 Symphonies of wind instruments (1920/47). Northwest German Radio SO/Igor Stravinsky. Sony SM3K 46 291-302 9 Concerto for two pianos (1931-35). Igor Stravinsky, pf; Soulima Stravinsky, pf. Sony SM3K 46 291-302

Rachmaninov, S. Dnes’ spaseniye from All-night vigil, op 37. Choir of Clare College, Cambridge/Graham Ross. Harmonia Mundi. HMU 907655 2

09:00 MUSICA SACRA Prepared by Paul Cooke Porpora, N. In caelo stelle clare. Julia Lezhneva, sop; Il Giardino Armonico/Giovanni Antonini. Decca 478 5242 14

Stanford, C. Villiers Ye choirs of new Jerusalem. Choir of Jesus College, Cambridge; Bertie Baigent, org; Mark Williams, cond. Signum Classics SIGCD 409

No word from Tom, from The rake's progress (1951). Dawn Upshaw, sop; St Luke's O/David Zinman. Nonesuch 979 187-2 7 Ballet: The rite of Spring (1913/47). London SO/Robert Craft. Naxos 8.557501 32 17:00 HOSANNA Prepared by Meg Matthews Hymns: Come, ye faithful, raise the strain; Ye choirs of new Jerusalem. Choir of Wells Cathedral; Rupert Gough, org; Malcolm Archer, cond. Hyperion CDP 12103 6 Byrd, W. Haec dies. Choir of Clare College, Cambridge/Graham Ross. Harmonia Mundi HMU 907655 2 Praetorius, M. Halelujah! Christ has risen. Amarcord; Sagittariana, Dresden/Norbert Schuster. MBM LC 20940 7

Stravinsky, I. Psalm 150: Alleluia, laudate Dominum, from Symphony of Psalms (1930). Boys’ and men's voices from Russian State Academy Ch; Russian State SO of Moscow/ Igor Markevitch. Philips 442 583-2 11 Trad. Swing low sweet chariot (arr. Brown). Paul Robeson, bass; New Mayfair O/Clifford Greenwood. Regis RRC 1229 3 18:00 SMALL FORCES Prepared by Rita Felton Fauré, G. Dolly suite, op 56 (1906; arr.). Amsterdam Guitar Trio. Newton 8802093

Reicha, A. 18 Variations and a fantasia in G on Mozart’s Se vuol ballare, for flute, violin and cello, op 51 (c1806). Ensemble Schönbrunn. Globe GLO 5219 19 Schumann, R. Phantasiestücke in A minor, op 88 (1842). Borodin Trio. Chandos CHAN 8832/3 21 19:00 SUNDAY NIGHT CONCERT Prepared by Paul Cooke Bridge, F. The sea (1910-11). BBC NO of Wales/Richard Hickox. Chandos CHAN 10729(6) X 22 MacDowell, E. Piano concerto no 2 in D minor, op 23 (1884-86). Seta Tanyel, pf; BBC Scottish SO/Martyn Brabbins. Hyperion CDA67165 27 Frøhlich, J. Symphony in E flat, op 33 (1833). Danish National RSO/Christopher Hogwood. Chandos CHAN 9609 34 20:30 NEW HORIZONS Prepared by Krystal Li

Adès, T. Polaris: voyage for orchestra (2010). Melbourne SO/Markus Stenz. Handel, G. Excerpts from Judas Maccabaeus, ABC 481 0862 15 HWV63 (1747). Emma Kirkby, sop; Catherine Vasks, P. Plainscapes (2002). Latvian Radio Denley, mezz; Choir of New College, Oxford; Choir; Sandis Šteinbergs, vn; Guna Äboltina, King’s Consort/Robert King. Hyerion CDA66641/2 5 vc; Sigvards Klava, cond. Ondine ODE 1194-2 17 Haydn, J. Credo, from Harmoniemesse, Duncan, E. Butterfly modernism (2011). Hob.XXII:14 (1802). Joanne Lunn, sop; Sara Michael Kieran Harvey, pf; Silo String Quartet. Mingardo, cont; Topi Lehtipuu, ten; Brindley Move MD 3362 10 Sherratt, bass; Monteverdi Choir; English Baroque Soloists/John Eliot Gardiner. Philips 475-101-2 11

Barton, W. I dream of sacred ... I am my dream. William Barton, did; Southern Cross Soloists. ABC 476 4834 17

13:00 CLARINET, VIOLA, PIANO: 1910 Prepared by James Nightingale

Debussy, C. Première rapsodie for clarinet Puts, K. Symphony no 2 (2002). Peabody SO/ and piano (1910). Catherine McCorkill, cl; Marin Alsop. Kathryn Selby, pf. Naxos 8.559794 22 Fine Music concert recording 8 22:00 JAZZ AFTER HOURS With Deborah Evans

Dale, B. Phantasy for viola and piano, op 4 (1910). Yuko Inoue, va; Stephen Coombs, pf. Naxos 8.573167 20

Monday 12 April

Martinu, B A fairy-tale of Goldilocks (1910). Giorgio Koukl, pf. Naxos 8.572025 14

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Robert Small 09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1880 Prepared by Frank Morrison Brahms, J. Academic festival overture, op 80 (1880). Vienna PO/Leonard Bernstein. DG 410 031-2 10 Martucci, G. Three scherzos, op 53 (1880). Francesco Caramiello, pf. ASV DCA 897 13 Bottesini, G. Gran duo concertante (1880). Joshua Bell, vn; Edgar Meyer, db; Saint Paul CO/Hugh Wolff. Sony SK 60956 14 Mahler, G. Erinnerung, from Lieder und Gesäng aus der Jugendzeit (1880-87). Dietrich Fischer-Dieskau, bar; Daniel Barenboim, pf. EMI 4 76780 2

Bruch, M. Eight pieces for clarinet, viola and piano, op 83 (1910). Paul Meyer, cl; Gérard Caussé, va; François-René Duchable, pf. Erato 2292-45483-2 38 14:30 WOODWINDS PLUS Prepared by Paul Cooke Barber, S. Canzonetta for oboe and strings. Stéphane Rancourt, ob; Royal Scottish NO/ Marin Alsop. Naxos 8.559135 9 Mozart, W. Quintet in F, K90 (c1789; compl. Beyer). Béla Kovács, cl; József Balogh, bshn; members of Danubius Quartet. Naxos 8.550390 11 Maconchy, E. Concertino no 1 (1945). Thea King, cl; English CO/Barry Wordsworth. Hyperion CDA66634 14 Widor, C-M. Suite for flute and piano, op 34 (1898). Sharon Bezaly, fl; Love Derwinger, pf. BIS SACD-1639 17

Rigney, S. End point: duet (1997). Stephen Robinson, ob; Slava Grigoryan, gui. Tchaikovsky, P. Capriccio italien, op 45 4 (1880). London SO/Gennady Rozhdestvensky. ABC 476 227-1 Taffanel, P. Wind quintet in G minor. IMP PCD 875 17 Ensemble Wien-Berlin. Debussy, C. Piano trio no 1 in G (1880). Sony 88725443532 25 Australian Trio. ABC 476 123-1

10:30 CONCERT HALL Prepared by Gerald Holder Beethoven, L. Overture to Fidelio, op 72 (1814). Bavarian RSO/Colin Davis. CBS MDK 44790

Brahms, J. Piano concerto no 1 in D minor, op 15 (1854-58). Maurizio Pollini, pf; Vienna PO/Karl Böhm. DG 4790913 46

Tuesday 13 April 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Julie Simonds 09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by James Nightingale Clementi, M. Sonata in C, op 6 no 1 (1779). Genevieve Chinn, Allen Brings, pf. Centaur CRC 2046 16 Saint-Saëns, C. Violin sonata no 1, op 75 (1885). Sarah Chang, vn; Lars Vogt, pf. EMI 5 57679 2 24 Sweelinck, J. Hexachord fantasy. Gustav Leonhardt, org. Harmonia Mundi GD 77148 10 Schubert, F. Four songs from Die schöne Müllerin, D795 (1823). David Greco, bar; Erin Helyard, pf. ABC 481 8741 9 Prokofiev, S. Music for children, op 65 (1935). Boris Berman, pf. Chandos CHAN 8926

10:30 CONCERT HALL Prepared by Andrew Clark Korngold, E. Overture: Sursum corda, op 13 (1920). BBC PO/Matthias Bamert. Chandos CHAN 9317 20 Crusell, B. Clarinet concerto no 3 in B flat, op 11 (1812). Thea King, cl; London SO/Alun Francis. Helios CDH55203 26 Brahms, J. Symphony no 3 in F, op 90 (1883). West Australian SO/Asher Fisch. ABC 481 4413

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm

12:00 JAZZ RHYTHM With Jeannie McInnes

19:00 JAZZ PULSE With Chris Wetherall

13:00 SYDNEY SYMPHONY 2021 With Andrew Bukenya What's on in concerts during the next month

20:00 STORMY MONDAY With Austin Harrison 22:00 JAZZ AFTER HOURS With Gail Monjo

Mussorgsky, M. Pictures at an exhibition (1874; transcr. Stokowski). Bournemouth SO/ José Serebrier. Naxos 8.557645 29

14:00 ENGLISH CHAMBER Prepared by Derek Parker Holst, G. Seven Scottish airs (1907; arr. Alliage Quintet). Alliage Quintet. Sony 19075818372

Vaughan Williams, R. String quartet no 1 in G minor (1908/21). Maggini Quartet. Naxos 8.555300 30

12:00 SWING SESSIONS With John Buchanan

Bridge, F. Piano trio no 2 (1928-29). Jack Liebeck, vn; Alexander Chausian, vc; Ashley Wass, pf. Naxos 8.570792 32

Elgar, E. Piano quintet in A minor, op 84 (1918-19). Piers Lane, pf; Goldner String Quartet. Hyperion CDA67857

1782). Quartetto Eleusi. Brilliant Classics 94438 39

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 THE JAZZ BEAT With Lloyd Capps

Graziani, C. Sonata in E flat for cello and continuo, op 3 no 6. Antonio Meneses, vc; Gustavo Tavares, continuo vc; Rosana Lanzelotte, hpd. Sanctus SCS 002/3 21 10:30 CONCERT HALL Prepared by Jacky Ternisien

20:00 JUST IN With Robert Small A selection from the latest recordings to arrive at the Fine Music Library 22:00 CHAMBER SOIRÉE Prepared by Krystal Li Howells, H. Rhapsodic quintet, op 31 (1917). Thea King, cl; Britten String Quartet. Hyperion CDA66428 11 Hill, A. String quartet no 13 in E flat (1936). Dominion String Quartet. Naxos 8.573267 20 Taffanel, P. Wind quintet in G minor. Vienna Ensemble Berlin. Sony 88725443532 25 Dussek, J. Piano quintet in F minor, op 41 (1799). Nepomuk Fortepiano Quintet. Brilliant Classics 94377 24

Wagner, R. Overture to Tannhäuser (1845). New York PO/Pierre Boulez. Sony SMK 64 108 14 Moscheles, I. Piano concerto no 4 in E, op 64 (1823). Tasmanian SO/Howard Shelley, pf & dir. Hyperion CDA67430 26 Saint-Saëns, C. Symphony in F, Urbs Roma (1856). French RTO/Jean Martinon. Brilliant Classics 94360 41 12:00 JAZZ SKETCHES With Robert Vale 13:00 IN CONVERSATION With Simon Moore 14:00 TRAVELLERS Prepared by Ron Walledge

Mendelssohn, F. Overture: Calm sea and Alkan, C-V. Concert sonata in E, op 47 (1856). prosperous voyage, op 27 (1828). Vienna PO/ Yvan Chiffoleau, vc; Olivier Gardon, pf. Christoph von Dohnányi. Timpani IC 1013 32 Decca 460 239-2 12 Borodin, A. In the steppes of Central Asia (1880). Suisse Romande O/Ernest Ansermet. Decca 455 632-2 7

Wednesday 14 April

Elgar, E. Overture: In the South, op 50, Alassio (1904). Sydney SO/Vladimir Ashkenazy. Exton EXCL-00029

03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Janine Burrus 09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by Elaine Siversen

Gershwin, G. An American in Paris (1928). Minneapolis SO/Antal Dorati. Mercury 478 5092 16

Vaughan Williams, R. Songs of travel (1904). Thomas Allen, bar; City of Birmingham SO/ Matteis, N. Suite in E minor, from Ayres for Simon Rattle. violin, fourth part (pub. 1685). Cynthia O’Brien, EMI 7 64731 2 23 vn; Ruth Wilkinson, bass viol; Paul Thom, hpd. d’Indy, V. Symphony on a French mountain LP Larrikin LRF 069 14 song, op 25, Symphonie cévenole (1886). Piccinni, N. Tergi le belle lagrime, from Duncan Gifford, pf; Tasmanian SO/Sebastian Caesar in Egypt (1770). Raffaele Pe, ct; La Lang-Lessing. Lira di Orfeo/Luca Giardini. ABC 476 192-8 27 Glossa GCD 923516 7 16:00 FINE MUSIC DRIVE Campagnoli, B. String quartet no 1 in D. including Arts Calendar at 5.00pm Ensemble Symposium. Brilliant Classics 95037

Dragonetti, D. Double bass concerto in A. Gary Karr, db; Berlin RSO/Uros Lajovic. LP Schwann VMS 2063 16 Nardini, P. String quartet no 3 in B flat (pub.

19:00 PLANET JAZZ With Xavier Bichon 20:00 AT THE OPERA Prepared by Elaine Siversen

Rameau, J-P. Castor and Pollux. Opera in five acts. Libretto by Pierre-Joseph Bernard. First performed Paris, 1737. CASTOR: Jeffrey Thompson, ct POLLUX: Hadleigh Adams, bass TELAIRA: Celeste Lazarenko, sop PHOEBE: Margaret Plummer, sop JUPITER: Paul Goodwin-Groen, bass Cantillation/O of the AntipodesAntony Walker. Pinchgut Opera PG003 2:19 Two brothers have the same mother, but different fathers: Castor is mortal and Pollux immortal. Castor is in love with the beautiful princess, Telaira who loves him but is engaged to Pollux. Telaira’s wicked sister, Phoebe also loves Castor. Pollux offers Telaira to Castor but Castor dies defending her from a kidnapping organised by Phoebe. Phoebe offers to bring Castor back to life if Telaira renounces him but Pollux goes to his father Jupiter for help. Pollux takes the reluctant Castor’s place in the Underworld. However, Jupiter pleased with the loyalty of Pollux, releases him from Hades, gives Castor and Telaira immortality and sends Phoebe to Hades. Scène finale, from Les Indes galantes (1735). Sabine Devieilhe, sop; Samuel Boden, ten; Aimery Lefèvre, bar; Les Ambassadeurs/ Alexis Kossenko. Erato 50999 93414920 6 Anacréon, scene 5 (1757). Les Arts Florissants/William Christie. Harmonia Mundi HMA 1901316/18

23:00 MUSIC OF THE NIGHT Prepared by Calogero Panvino Ligeti, G. Atmospheres, from 2001 (1961). Yomiuri Nippon SO/Seiji Ozawa. Varese Sarabande VCD 47253 8 Scelsi, G. Quattro illustrazioni: nos I, II, III, IV (1953). Haydée Schvartz, pf. Mode 31 14 Ligeti, G. Lontano (1967). Benjamin Schmid, vn; Finnish RSO/Hannu Lintu. Ondine ODE 1213-2 16 Scelsi, G. Konx-om-pax (1969). Krakow Philharmonia Choir; Krakow Radio TO/Jürg Wyttenbach. Accord 476 1072 18

Thursday 15 April 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Simon Moore 09:00 DIVERSIONS IN FINE MUSIC The instruments: Strings Prepared by Jennifer Foong Vivaldi, A. Viola d’amore concerto in D minor, RV393. Garth Knox, va d’amore; Agnès Vesterman, vc. ECM New Series 2157 4764501 9 Trad. Yo m’enamorí d’un aire (arr. Savall). Arianna Savall, voice, gothic hp, Italian triple hp; Petter Udland Johansen, voice, hardingfele, mand; Sveinung Lilleheier, voice, gui, dobro; Miguel Àngel Cordero, voice, db; David Mayoral, voice, perc. ECM New Series 2227 278 4395 6 Gade, N. String quartet in F minor (1851). Ensemble MidtVest. cpo CPO 555 198-2 21 Marenzio, L. Villanella: Con la fronte fiorita. Giuseppe Zambon, ct; Ezequiel Maria Recondo, fl; Alberto Rasi, va da gamba; Bruno Re, va da gamba; Chiara Veneri, va da gamba; Massimo Lonardi, lute. Nuova Era 7012/13 3 Jacquet de la Guerre, E-C. Sonata I in D minor (1707). Lina Tur Bonet, baroque vn; Patxi Montero, bass viol; Kenneth Weiss, hpd. Panclassics PC 10380 16 Beethoven, L. Violin sonata no 6 in A, op 30 no 1 (1801-02). David Oistrakh, vn; Sviatoslav Richter, pf. Brilliant Classics 8402 24 10:30 CONCERT HALL Prepared by Rita Felton Rossini, G. Overture to The thieving magpie (1817). National PO/Riccardo Chailly. Decca 400 049-2 9 Paganini, N. Violin concerto no 1 in D, op 6 (1817-18). Salvatore Accardo, vn; London PO/ Charles Dutoit. DG 437 210 2 38

K620 (1791; transcr. Heindenreich). Melbourne Windpower/Richard Runnels. Move MD 3110 17

Gubaidulina, S. Ciacona (1962). Nikolai Demidenko, pf. Hyperion CDA66781/2

Scarlatti, D. Sonata, Kk162: Andante (transcr. Marchione). Goran Krivokapic, gui. Naxos 8.557809 7

Firsova, A. Stabat Mater (2014). The Sixteen/ Harry Christophers. Coro COR16127 9

Ives, C. Variations on America (c1891; arr. Topilow). Summit Brass. Summit DCD 171 7

Borisova-Ollas, V. Symphony no 1, The triumph of Heaven (2001). Norrköping SO/ Mats Rondin. 29 Liszt, F. Wanderer fantasy, by Schubert, S366 Phono Suecia PSCD 171 (1822; transcr. 1851). 22:00 HOROWITZ IN RECITAL Leslie Howard, pf; Budapest SO/Karl Anton Prepared by Derek Parker Rickenbacher. Hyperion CDS44597 22 Scarlatti, D. Piano sonata in D, Kk491. Sony 88697419402 4 14:00 APRIL ‘NO’ FOOLS Mozart, W. Piano sonata no 3 in B flat, K281 Composers born in April (1775). Prepared by Jacky Ternisien DG 427 772-2 18 Suppé, F. Overture to Poet and peasant (1846). Vienna PO/Zubin Mehta. CBS MK 44932

Tartini, G. Cello concerto in A (c1740). Mstislav Rostropovich, vc; Zurich Collegium Musicum/Paul Sacher. DG 429 098-2 15 Salzedo, C. Five poetical studies (1919). Alice Giles, hp. Tall Poppies TP137 20 Sculthorpe, P. Songs of sea and sky (1979). William Barton, did; Queensland SO/Michael Christie. ABC 476 192-1 16 Spohr, L. Double quartet no 1 in D minor, op 65 (1823). Academy of St Martin in the Fields Chamber Ensemble. Hyperion CDD22014 21 Prokofiev, S. Piano concerto no 3 in C, op 26 (1917-21). Julius Katchen, pf; London SO/ István Kertész. Decca 478 6420 26 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 THE NEW JAZZ STANDARD With Frank Presley 20:00 THE WORLD OF A SYMPHONY Prepared by James Nightingale

Dvorák, A. Symphony no 3 in E flat, op 10 (1873). Scottish NO/Neeme Järvi. Chandos CHAN 8575 33

Pelecis, G. Concertino bianco (1990). Tamara-Anna Cislowska, pf; Tasmanian SO/ Johannes Fritzsch. ABC 481 6295 15

12:00 JAZZ, PURE AND SIMPLE With Maureen Meers

Kats-Chernin, E. The three dancers (2014). Members of Australian World O. ABC 481 6430 23

13:00 TRANSCRIBED Prepared by Brian Drummond Mozart, W. Excerpts from The magic flute,

Kancheli, G. Piano quartet in l’istesso tempo (1997). Bridge Ensemble. ECM 1767 4618182 26

Rachmaninov, S. Polka de W.R. (1911). DG 419 499-2

Vladimir Horowitz, pf (all above) 22:30 ULTIMA THULE

Friday 16 April 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Annabelle Drumm 09:00 DIVERSIONS IN FINE MUSIC Al fresco Prepared by Madilina Tresca Sibelius, J. Nightride and sunrise, op 55 (1909). Royal Stockholm PO/Paavo Järvi. Virgin 5 45213 2 15 Strauss, J. II Tales from the Vienna Woods, op 325 (1868). Queensland SO/Vladimir Ponkin. ABC 432 250-2 12 Bennett, W. Sterndale Overture in F: The wood nymph, op 20 (1838). London PO/ Nicholas Braithwaite. Lyrita SRCD.206 14 Puccini, G. Chrysanthemums. Australian CO/ Richard Tognetti. Sony SK62855 8 Rodrigo, J. Música para un jardin (1957). Marco Socías, gui; Granada City O/Josep Pons. Harmonia Mundi 2908530.34 13 Smetana, B. From Bohemia’s fields and groves, from My country (1875). Vienna PO/ Nikolaus Harnoncourt. Teldec 0927-44890-2 14

Abbott, C. Blue Mountains air, suite no 10: Mountain winds. Janet Webb, fl; Ulpia Erdos, hp. Fine Music concert recording 4

19:00 FRIDAY JAZZ SESSION With Alex Siegers

Saturday 17 April

10:30 CONCERT HALL Prepared by Jacky Ternisien

20:00 EVENINGS WITH THE ORCHESTRA The Bavarian Radio Symphony Orchestra Prepared by Frank Morrison

Dvorák, A. Overture: Othello, op 93 (1891). Czech PO/Libor Pesek. Virgin VC7 91144-2 15

Wagner, R. Prelude to Parsifal (1882). Eugen Jochum, cond. DG 477 5445 14

Dussek, J. Piano concerto in B flat op 22 (1793). Andreas Staier, fp; Concerto Cologne. Capriccio 5072 24

Mendelssohn, F. Piano concerto no 2 in D minor, op 40 (1837). András Schiff, pf; Charles Dutoit, cond. Decca 414 672-2 22

Suk, J. Symphony no 1, op 14 (1897-99). BBC SO/Jirí Belohlávek. Chandos CHSA 5081 40 12:00 A JAZZ HOUR With Barry O'Sullivan 13:00 ORCHESTRAL COLLECTION Prepared by Michael Morton-Evans Handel, G. Music for the royal fireworks, HWV351 (1749). Le Concert des Nations/Jordi Savall. Astrée E 8512 23 Respighi, O. Suite from ballet, Belkis, Queen of Sheba (1934). Liège Royal PO/John Neschling. BIS BIS-2130 25 Beethoven, L. Incidental music to Kotzbue's King Stephan, op 117 (1811). Ambrosian Singers; London SO/Michael Tilson Thomas. CBS MK 76404 24 Strauss, J. II Emperor waltz, op 437 (1889). Queensland SO/Vladimir Ponkin. ABC 432 250-2 10 14:30 COMPOSED IN 1815 Prepared by Frank Morrison

Verdi, G. Sogno, o son desto?... Quando al mio son per te parlava, from The Sicilian Vespers (1855). Carlo Bergonzi, ten; Dietrich Fischer-Dieskau, bar; Jésus López-Cobos, cond. LP Orfeo S 028821A 10 Lutoslawski, W. Concerto for orchestra (1954). Mariss Jansons, cond. BR Klassik 900107

Schumann, R. Symphony no 1 in B flat, op 38, Spring (1841). Rafael Kubelik, cond. Sony SBK 48 269 35 Bavarian RSO (all above). 22:00 BAROQUE AND BEFORE At Thomasschule, Leipzig Prepared by Elaine Siversen Schein, J. Pavan (Suite XII); Pavan (Suite XVII). Laurence Cummings, org; Oxford Camerata/Jeremy Summerly. Naxos 8.553044 6 Suite no 3, from Banchetto musicale (pub. 1617). Collegium Terpsichore/Fritz Neumeyer. DG 469 244-2 9

06:00 SATURDAY MORNING MUSIC With David Garrett 09:00 WHAT'S ON IN MUSIC Our weekly guide to musical events in and around Sydney 09:05 THE PIANO ALONE Prepared by Frank Morrison Ravel, M. Sonatine (1903-05). Pascal Rogé, pf. Decca 440 836 2 12 Mendelssohn, F. Variations sérieuses in D minor, op 54 (1841). Murray Perahia, pf. CBS MK 42401 12 Rachmaninov, S. Sonata no 2 in B flat minor, op 36 (1913). Vladimir Ashkenazy, pf. Decca 414 417-2 26 10:00 MUSICAL JOURNEYS Prepared by Derek Parker Beethoven, L. Calm sea and prosperous voyage, op 112. Willoughby Symphony Ch & O/Stephen Mould. Fine Music concert recording 7 Nielsen, C. An imaginary journey to the Faroe Islands (1927). Danish NSO/Thomas Dausgaard. Dacapo 8.206002 10 Martinu, B. Symphony no 6, Fantaisies symphoniques (1951-53). Royal Concertgebouw O/Wolfgang Sawallisch. Radio Nederland RCO 08005 27 Busoni, F. Indian fantasy, op 44 (1915). Jeffrey Swann, pf; Montpellier PO/Gianfranco Masini, Arkadia CDAK 126.1 26

Fasch, J. Sanftes Brausen, süsses Sausen. Salieri, A. 26 Variations on La follia di Spagna Klaus Mertens, bar; Ofer Frenkel, ob; Gili Rinot, chalumeau; Christian Beuse, bn; Shalev Ippolitov-Ivanov, M. In the mountain pass, (1815). Philharmonia O/Pietro Spada. ASV DCA 955 23 Ad-El, cond. from Caucasian sketches, op 10 (1894). cpo 999 674-2 15 Armenian PO/Loris Tjeknavorian. Schubert, F. 12 Waltzes, D145 (1815-21). ASV DCA 773 8 Kuhnau, J. Sonata I, Il combattimento trà Vladimir Ashkenazy, pf. David e Goliath, from Musicalische Vorstellung Decca 443 579-2 11 11:30 ON PARADE Beethoven, L. Sonata no 4 in C, op 102 no 1 einiger biblischer Historien (pub. 1700). John Music that’s band Butt, org. (1815). Maria Kliegel, vc; Nina Tichman, pf. Prepared by Owen Fisher 14 Naxos 8.555787 15 Harmonia Mundi HMU 907133 Herbert, V. Indian Summer. Carl Bamford, Telemann, G. Double concerto in E minor Rossini, G. Sento un’interna voce, from flugelhorn; Band of Yorkshire Imperial Metals/ (1705-07). Peter Holtslag, treb rec; Rachel Elisabetta, Regina d’Inghilterra (1815). Trevor Walmsley. Brown, fl; Collegium Musicum 90/Simon Aleksandra Kurzak, sop; Warsaw Chamber LP Decca SB 306 4 Choir; Sinfonia Varsovia/Pier Giorgio Morandi. Standage. 13 Handy, W.C. St Louis Blues. Regimental Band Decca 478 3553 6 Chandos CHAN 0661 of Scots Guards/James Howe. Bach, J.S. Prelude and fugue in B minor, Weber, C.M. Clarinet quintet in B flat, op 34 LP Fontana STL 5442 3 BWV544 (1725-28). Piet Kee, org. (1815). Paul Meyer, cl; Carmina Quartet. 13 Bach, J.S. Toccata and fugue in D minor. Denon CO-78801 25 Chandos CHAN 0506 Brighouse and Rastrick Band/Geoffrey Brand. Cantata, BWV210: O holder Tag, erwünschte LP Chandos BBR 106 9 16:00 FINE MUSIC DRIVE Zeit (1736-41). Mária Zádori, sop; Capella including Arts Calendar at 5.00pm Savaria/Pál Németh. Harmonia Mundi QUI 903010 33

Tchaikovsky, P. March and Trepak, from Nutcracker suite. Fodens Motor Works Band/ James Scott. LP Decca SB 333 4

Argerich, pf. DG 476 114-7

18:00 MUSIC OF THE SCREEN Prepared by Paul Cooke

Strahan, D. Suite no 1, from documentary film Shell’s Australia: Amazing marsupials (1970). Bach, J.S. Arioso, from Cantata no 156. Steve Neville Amadio, fl; Donald Westlake, cl; Brian Reisteter, flugelhorn; Allentown Band/Ronald Dean, gui; Lennie Hutchinson, bass gui; Derek Demkee. Fairbrass, drum kit, maracas; John Sangster, AMP 20194 5 timp, xylophone, tabla, gourd; Derek Strahan, pf. 12:00 URBAN JAZZ LOUNGE Revolve RDS008 17 With Leita Hutchings Rollins, S. Alfie’s theme; On impulse; Alfie’s theme differently, from Alfie (1966). Sonny 13:00 ASPECTS OF NATURE Rollins, ten sax; Oliver Nelson, ten sax; Bob Prepared by Paul Cooke Fucik, J. Marinarella overture, op 215. Royal Ashton, ten sax; Jimmy Cleveland, tb; J.J. Johnson, tb; Phil Woods, alto sax; Danny Australian Navy Band/Phillip Anderson. Royal Australian Navy RAN-005 13 Bank, bar sax; Kenny Burrell, gui; Roger Kellaway, pf; Walker Booker, bass; Frankie Ireland, J. We’ll to the woods (1927). Dunlop, drums. Roderick Williams, bar; Iain Burnside, pf. Impulse! IMP 12242 18 Naxos 8.570467 8 Easdale, B. Suite from Adventure on! (1957). Mirto, G. Sailing through the North Sea. BBC NO of Wales/Rumon Gamba. Giorgio Mirto, gui; Florence String Ensemble/ Chandos CHAN 10636 19 Augusto Vismara. Brilliant Classics 94955 13 19:00 EMERGENT JAZZ With Keith Pettigrew Mozart, W. Divertimento in B flat, K439b no 4 (c1783/86). Wind Soloists of the 20:00 THE LIFE OF A COMPOSER CO of Europe. Paul Hindemith Teldec 2292-46472-2 15 Prepared by Di Cox Short, G. Mount Takhoma (1966). Hindemith, P. Symphonic metamorphoses of Northwest SO/Anthony Spain. themes by Carl Maria von Weber (1943). San Koch 3-7399-2 HI 12 Francisco SO/Herbert Blomstedt. Hummel, J. Serenade in E flat for wind sextet Decca 478 6787 20 and double bass. Consortium Classicum. Suite: Nobilissima visione (1938). Philharmonia Musikproduktion MD+G L 3440 18 O/Paul Hindemith. EMI CDH 7 63373 2 25 14:30 SATURDAY MATINEE Capriccio On hearing 'The last rose of summer' (1942); Prepared by Krystal Li Echo (1942-44). Robert White, ten; Samuel Sanders, pf. Lajtha, L. Capriccio, op 39, ballet in four Hyperion CDA66920 4 suites (1944). Pécs SO/Nicolás Pasquet. Naxos 8.573649 1:17 Violin concerto (1939). Dene Olding, vn; Queensland SO/Werner Andreas Albert. Stravinsky, I. Ballet: Pulcinella (1922/49). cpo 999 527-2 28 Diana Montague, mezz; Robin Leggate, ten; Mark Beesley, bass; Philharmonia O/Robert Morgenmusik for brass (1932). Malmö Brass Craft. Ensemble. Naxos 8.557503 36 BIS CD-159 6 Malipiero, G. Symphonic fragments, from Symphony: Mathis der Maler (1935). Berlin Il finto Arlecchino (1925). Veneto PO/Peter PO/Herbert von Karajan. Maag. EMI CDM 7 69242 2 27 Naxos 8.555515 10 22:00 SATURDAY NIGHT AT HOME Schumann, R. Carnaval, op 9 (1833-35; orch. Prepared by Rex Burgess Ravel). Minnesota O/Eiji Oue. Reference RR-79CD 10 Telemann, G. Suite in F, TWV55, Alster. Akademie für Alte Musick. 17:00 SOCIETY SPOT Harmonia Mundi HMC 901654 31 Classical Guitar Society Strauss, R. Suite from Der Rosenkavalier With Darryl Rule (arr. Strauss 1946). Vienna PO/Christian Thielemann. DG 479 1426

Ravel, M. Gaspard de la nuit (1908). Martha

Schubert, F. Symphony no 6 in C, D589, Little C major (1817-18). Australian CO/ Charles Mackerras. Omega OCD 1005 33

Sunday 18 April 06:00 SUNDAY MORNING MUSIC With Terry McMullen 09:00 MUSICA SACRA Prepared by Jacky Ternisien Franck, C. Alleluia, from Choeur de Pâques. Boys of King’s College Choir, Cambridge/ Stephen Cleobury. EMI 5 57896 2 10 Charpentier, M-A. Messe pour le Port Royal. Isabelle Poulenard, sop; Ludwig van Gyseghem, ten; Bernard Foccroulle, org; Capella Ricercar. Ricercar RIC 052034 46 10:00 THE CLASSICAL ERA Prepared by Denis Patterson Spohr, L. Overture: Das befreite Deutschland (1814). Swiss Italian O/Howard Shelley. Hyperion CDA67622 8 Sor, F. Sonata no 2 in C, op 15b (c1810). Marc Teicholz, gui. Naxos 8.553354

Arriaga, J. String quartet no 3 in E flat (1824). Camerata Boccherini. Naxos 8.557628 23 Hummel, J. Mandolin concerto in G (1799). Alison Stephens, mand; London Mozart Players/Howard Shelley. Chandos CHAN 9925 18 Gluck, C. Quel est l’audacieux, from Orphée et Eurydice (1774). David Hobson, ten; Opera Australia Choir; Australian Opera & Ballet O/ Marco Guidarini. ABC 462 006-2 9 Giuliani, M. Guitar concerto no 1 in A, op 30 (1808). Pepe Romero, gui; Academy of St Martin in the Fields/Neville Marriner. ABC 480 6461 22 Haydn, J. Symphony in G, Hob.I:47 (1772). Vienna CO/Ernst Märzendorfer. Musical Heritage Society OR H-201-249 20 12:00 CLASSIC JAZZ AND RAGTIME With Jeannie McInnes 13:00 WORLD MUSIC: Whirled Wide With Linda Marr

Monnikendam, M. Toccata. Richard Lea, org. Priory PRCD 1042 3

14:00 CLASSICAL STRING QUARTETS Prepared by Frank Morrison

18:00 SMALL FORCES Jadin, L-E. Introduction and Rondeau pastoral Prepared by Angus McPherson (1811-12). Marielle Nordmann, hp; Brigitte Bennett, W. Sterndale String quartet in G, Haudebourg, pf. Arion ARN 68285 10 WoO17 (1831). Villiers Quartet. Naxos 8.571379 19 Field, J. Piano quintet in A flat (1815). David Vaughan Williams, R. Six studies in English Juritz, vn; Jennifer Godson, vn; Sarah-Jane folk-song (1926). Amy Dickson, alto sax; Bradley, va; Julia Desbruslais, vc; Míceál Daniel de Borah, pf. O'Rourke, pf. 8 Chandos CHAN 9534 11 ABC 481 7925 Smyth, E. String quintet in E, op 1 (1884). Berwald, F. String quartet in G minor (1818). Joachim Griesheimer, vc; Mannheim String Chilingirian Quartet. CRD 3361 33 Quartet. cpo 999 352-2 26 15:00 SUNDAY SPECIAL 19:00 SUNDAY NIGHT CONCERT Yevgeny Mravinsky; legendary Prepared by Nicky Gluch performances Mozart, W. Symphony no 20 in D, K133 Prepared by Paolo Hooke (1772). English CO/Jeffrey Tate. Mozart, W. Overture to The marriage of EMI 5 55480 2 21 Figaro, K492 (1786). Melodiya/BMG 74321 25191 2

Tchaikovsky, P. Capriccio italien, op 45 (1880). Melodiya/BMG 74321 29409 2 14 Shostakovich, D. Symphony no 5 in D minor, op 47 (1937). Praga PR 256 016 43 Tchaikovsky, P. Symphony no 6 in B minor, op 74, Pathétique. DG 419 745-2 44 Leningrad PO/Yevgeny Mravinsky (all above) 17:00 HOSANNA Prepared by Richard Munge Hymns: The King of love my shepherd is; He is risen, He is risen. Choirs of St Paul’s Parish, K Street, Washington/Bruce Resnick, org; Jeffrey Smith, cond. Pro Organo 7090 11 Psalm: No 105: O give thanks unto the Lord. Choir of Norwich Cathedral; Neil Taylor, org; Michael Nicholas, cond. Priory PRCD 409 11 Brewer, H. Evening canticles in D. Choir of St Paul’s Cathedral; Christopher Dearnley, org; John Scott, cond. Hyperion CDA 66249 7 Boyle, M. Anthem: Thou, O God, art praised in Sion. Combined Choirs of Gloucester, Hereford and Worcester Cathedrals; David Briggs, org; Roy Massey, cond. Griffin GCCD 4023 7 Hymns: Praise to the holiest in the height; Christ is made the sure foundation. Choirs of St Paul’s Parish, K Street, Washington/Bruce Resnick, org; Jeffrey Smith, cond. Pro Organo 7090 16

Weinberg, M. Violin concerto G minor, op 67. Ilya Gringolts, vn; Warsaw PO/Jacek Kaspszyk. Warner Classics 08256 4 62248 3 8 30 Mendelssohn, F. Symphony no 5 in D minor, op 107, Reformation (1832). Vienna PO/ Christoph von Dohnányi. Decca 460 239-2 29 20:30 NEW HORIZONS Prepared by Nev Dorrington Vangelis. Juno to Jupiter (2020). Angela Gheorghiu, sop; Vangelis. Decca BO8HQ4XV7K 1:15 Caballé, M. Habanera; Like a dream (2018). Montserrat Caballé, sop; Vangelis. 10 22:00 JAZZ AFTER HOURS With David Knapp

Pilati, M. Tammurriata, from The echoes of Naples (1933). Francesco Manara, vn; Dario Candela, pf. Brilliant Classics 95352 3 Kodály, Z. Dances of Galánta (1933). Sydney SO/Tibor Paul. LP ABC RRCS 1472 16 Mayerl, B. Suite: The four aces (pub 1933). Ray Lemond, pf. Fine Music concert recording 12 10:30 CONCERT HALL Prepared by Derek Parker Alwyn, W. Overture: Derby day (1960). London SO/Richard Hickox. Chandos CHAN 9093

Mozart, W. Piano concerto no 24 in C minor, K491 (1786). Alfred Brendel, pf; Academy of St Martin in the Fields/Neville Marriner. Philips 420 906-2 29 Brahms, J. Symphony no 4 in E minor, op 98 (1884-85). Vienna PO/Leonard Bernstein. DG 410 084-2 44 12:00 SWING SESSIONS With John Buchanan 13:00 LOST IN THE MISTS OF TIME Prepared by Jacky Ternisien Luigini, A. Ballet égyptien, op 12 (1875). London SO/Richard Bonynge. Decca 452 768-2 22

Andlauer, E. Grand fantasy. Pierre Pfister, org. Arion ARN 68069 8

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With James Hunter 09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1933 Prepared by Gerald Holder Turina, J. Quartet in A minor, op 67 (1933). Menuhin Festival Piano Quartet. Claves CD 50-9403 15

Martin, F. Four short pieces (1933). Julian Bream, gui. EMI 7 54901 2 10

Borne, F. Fantasia brillante on themes from Bizet’s Carmen. Jane Rutter, fl; Gerard Willems, pf. ABC 476 6475 11

Monday 19 April

Holst, G. O spiritual pilgrim (1933). Holst Singers/Stephen Layton. Hyperion CDA66705

Shostakovich, D. Concerto for piano, trumpet and strings, op 35 (1933). James Thompson, tpt; Dmitri Shostakovich, pf; I Musici de Montréal/Maxim Shostakovich. Chandos CHAN 8357 20

Guiraud, E. Caprice (1884). Philippe Graffin, vn; Ulster O/Thierry Fischer. Hyperion CDA67294 12 14:00 BRAZILIAN COMPOSERS Prepared by James Nightingale Villa-Lobos, H. Suite populaire brésilienne (1908-12). Pepe Romero, gui. Decca 478 5669 21 Nazareth, E. Escorregando, tango brasileiro (1923). Arthur Moreira Lima, pf. Pro Arte CDD 144 2

Gnattali, R. Retratos (1956). Slava Grigoryan, gui; Leonard Grigoryan, gui. ABC 472 824-2 20 Guastavino, C. Three Argentinian romances (1903-04). Martha Argerich, pf; Mauricio Vallina, pf. EMI 3 58472 2 18 Machado, C. Musiques populaires brésiliennes (1973). Virginia Taylor, fl; Timothy Kain, gui. ABC 456 691-2 15 Villa-Lobos, H. Symphony no 4, Victory (1919). São Paulo SO/Isaac Karabtchevsky. Naxos 8.573151 31 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 JAZZ PULSE With Chris Wetherall 20:00 STORMY MONDAY With Austin Harrison 22:00 JAZZ AFTER HOURS With Eddie Bernasconi

Tuesday 20 April 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Julie Simonds 09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by Michael Morton-Evans Czerny, C. Andante and polacca, op 339 (1848). Andrew Clark, hn; Geoffrey Govier, fp. Helios CDH55074 11 Handel, G. Organ concerto in G minor, op 4 no 1 (1736). Academy of Ancient Music/ Richard Egarr, org & dir. Harmonia Mundi HMU 807446 16 Ponce, M. Sonata (1931). Franz Halász, gui; Debora Halász, pf. BIS CD-671 13 Poulenc, F. Sextet for piano and wind quintet (1932-39). Ian Brown, pf; Nash Ensemble. Hyperion CDA67255/6 18 Brahms, J. Viola sonata in E flat, op 120 no 2 (1894). Veronika Hagen, va; Paul Gulda, pf. DG 453 421-2 22 10:30 CONCERT HALL Prepared by Rita Felton Tchaikovsky, P. Symphonic fantasy, The tempest, op 18 (1873). Bournemouth SO/ Andrew Litton. Virgin VC 7 91140-2 24

Mozart, L. Horn concerto in D. Michael Thompson, hn; Leslie Pearson, hpd; Philharmonia O/Christopher Warren-Green. Nimbus NIM 5018 13 Skryabin, A. Symphony no 2 in C minor, op 29 (1902). BBC PO/Vassily Sinaisky. BBC Music MM 218 45 12:00 JAZZ RHYTHM With Jeannie McInnes 13:00 MOZART AND THE STRING QUARTET Prepared by Frank Morrison Wesley, S. String quartet in E flat. Salomon Quartet. Hyperion CDA66780 22 Kozeluch, L. Piano sonata in D minor, op 20 no 3 (1786). Christine Faron, fp. Schwann 3-1059-2 16 Mozart, W. String quartet no 13 in D minor, K173 (1773). Barylli Quartet. Westminster RC 8808678121735 17

Chaminade, C. Automne, op 35 no 2 (c1890). Peter Jacobs, pf. Hyperion CDA66584 7 Vivaldi, A. Violin concerto no 3 in F, RV293, Autumn, from The four seasons (pub. 1725). Felix Ayo, vn; I Musici. Newton 8802034 13 Nilsson, A. Autumn for string sextet (2004). Uppsala Chamber Soloists. Phono Suecia PSCD 190 18 Schubert, F. To the moon on an Autumn night, D614 (1818). Sibylla Rubens, sop; Ulrich Eisenlohr, pf. Naxos 8.557832 7 Coste, N. Excerpts from Feuilles d’automne, eight waltzes, op 41. Marc Teicholz, gui. Naxos 8.554355 20 Raff, J. Symphony no 10 in F minor, op 213, In autumn (1879). Slovak State PO/Urs Schneider. Naxos 8.555491 31 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 THE JAZZ BEAT With Lloyd Capps

22:00 CHAMBER SOIRÉE Prepared by Frank Morrison Haydn, J. String quartet in C, Hob.III:77, Emperor (1797). Amadeus Quartet. DG 410 866-2

Prokofiev, S. Quintet in G minor for oboe, clarinet and strings, op 39 (1924). Berlin Soloists. apex 0927 44395 2 22 Respighi, O. Violin sonata in B minor (c1917). Franco Gulli, vn; Enrica Cavallo, pf. Dynamic CDS 39 26 Schubert, F. Piano trio in B flat, D898 (1827). Beaux Arts Trio. Philips 438 700-2 35

Wednesday 21 April 03:00 CLASSICAL TILL DAWN

14:00 COLOURS OF AUTUMN Prepared by Jacky Ternisien Grieg, E. Overture: In Autumn, op 11 (1866/87). Gothenburg SO/Okko Kamu. BIS CD-200

20:00 JUST IN With Charles Barton A selection from the latest recordings to arrive at the Fine Music Library

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Janine Burrus 09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by Jennifer Foong Molter, J. Trumpet concerto no 2 in D. Niklas Eklund, tpt; Drottningholm Baroque Ensemble. Naxos 8.554375 13 Torelli, G. Sinfonia in C. La Serenissima/ Adrian Chandler. Avie AV2371

Avison, C. Concerto in C minor, op 4 no 8 (pub. 1755). Avison Ensemble/Pavlo Beznosiuk. Naxos 8.557905-06

Alabiev, A. The nightingale. Natalie Dessay, sop; Berlin SO/Michael Schønwandt. Virgin 363332 2 9 5 Arrigoni, C. Sonata in D. Catherine Finnis, vc; Paul Hooper, mand; John Gray, hpd. Fine Music tape archive 6 Aubert, J. Concerto grosso no 4 in E minor, op 26, Le carillon (1739). Collegium Musicum 90/Simon Standage. Chandos CHAN 0577 11 Zelenka, J. Sinfonia in A minor à eight concertanti (1723). Camerata Bern. Archiv 469 842-2

A PROFESSOR: Jaroslav Brezina, ten A COMPOSER: Ales Briscein, ten APPARITION OF POET: Ivan Kusnjer, bar; BBC Singers & SO/Jirí Belohlávek. DG 477 7387 2:03

10:30 CONCERT HALL Prepared by Michael Field Brahms, J. Liebeslieder-Walzer, from op 52 and op 65 (1874/77; arr. Brahms). Gewandhaus O/Riccardo Chailly. Decca 478 5344

Tchaikovsky, P. Piano concerto no 2 in G, op 44 (1880). Shura Cherkassky, pf; Berlin PO/ Richard Kraus. Philips 456 745-2 35 Stanford, C. Villiers Symphony no 2 in D minor, Elegiac (1882). Ulster O/Vernon Handley. Chandos CHAN 8991 36 12:00 JAZZ SKETCHES With Robert Vale 13:00 IN CONVERSATION With Simon Moore 14:00 SIX WOMEN COMPOSERS Prepared by Derek Parker Viardot, Pauline. Violin sonatina in A minor (1874). Reto Kuppel, vn; Wolfgang Manz, pf. Naxos 8.573607 11 Tailleferre, G. Hommage à Rameau (1964). Támmitam Percussion Ensemble; Aldo Orvieto, pf; Renato Maioli, pf; Guido Facchin, cond. Dynamic CDS 97 10 Musgrave, T. Concerto for orchestra (1967). Scottish NO/Alexander Gibson. Lyrita SRCD.253 20 Chaminade, C. Trio no 1 in G minor, op 11 (1881). Tzigane Piano Trio. ASV DCA 965 23 Lutyens, E. Chamber concerto no 1, op 8 (1939-40). Jane’s Minstrels/Roger Montgomery. NMC D011

Smyth, E. Serenade in D (1890). BBC PO/ Odaline de la Martinez. Chandos CHAN 9449 35 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 PLANET JAZZ With Xavier Bichon 20:00 AT THE OPERA Prepared by Peter Poole Janácek, L. The excursions of Mr Broucek. Opera in two parts. Libretto by F.S. Procházka and others after Svaopluk Cech. First performed Prague, 1920.

On his way home from a night at the inn, Mr Broucek finds himself transported to the moon, where he meets a strange collection of mathematicians, painters, musicians and poets, most of whom have counterparts in his terrestrial existence, including the poet Azurean, who resembles Mazal, his nonpaying poet tenant, and his betrothed, Etherea, who resembles Mazal’s earthly sweetheart Malinka, with whom he had been quarrelling. Etherea falls in love with Broucek. When he discovers that they live on dew, he is glad to find himself back in Prague, where Mazal and Malinka make up their quarrel. After another night at the inn, Broucek falls into an underground passage and is transported back to the 15th century, where he is arrested as a spy, but is taken under the protection of a citizen, Domsik. After a battle defending the Hussites, in which Domsik is killed, Broucek is accused of cowardice and is about to be burned. He wakes up back in the Prague of his own time, ready to boast about his exploits in saving the city. Nursery rhymes (1925-26). New London Chamber Choir; Clive Williamson, pf; Critical Band/James Wood. Hyperion CDA66893 15 22:30 MUSIC OF THE NIGHT Prepared by James Nightingale Hosokawa, T. Woven dreams (2009). Royal Scottish NO/Jun Märkl. Naxos 8.573276 18 Harvey, J. Tranquil abiding (1996). BBC Scottish SO/Ilan Volkov. NMC D141

Takemitsu, T. Rain tree sketch (1992). Satoko Inoue, pf. hat[now]ART 103 6 Tanaka, K. Prismes pour orchestre (1984). Malmö SO/Jun'ichi Hirokami. BIS CD-490 11 Tojima, M. Winter rondo (1979). Satoko Inoue, pf. hat[now]ART 103 11 Marcus, B. Music for Japan (1983). Ensemble Adapter. Ensemble Adapter 22

Thursday 22 April 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Simon Moore 09:00 DIVERSIONS IN FINE MUSIC The instruments: Strings Prepared by Madilina Tresca Bach, J.S. Violin concerto in A minor, BWV1041 (c1730). Julia Fisher, vn; Academy of St Martin in the Fields. Decca 478 0650 13 Strauss, R. Mein Elemer!, from Arabella (1933). Jane Eaglen, sop; Yuri Gandelsman, va; Israel PO/Zubin Mehta. Sony SK 60042 8 Carulli, F. Sonata, op 21 no 3. Richard Savino, gui. Naxos 8.553301

Vivaldi, A. Harp concerto in D minor. Marielle Nordmann, hp; Auvergne O/Jean-Jacques Kantorow. FNAC 592099 10 Schmitt, F. Légende, op 66 (1918). Eckart Schloifer, va; Rhineland State PO/Pierre Stoll. Cybelia CY 816 11 Falla, M. de Three dances (1905-19). Cello Octet Conjunto Ibérico/Elias Arizcuren. Canal Grande 9531 11 Geminiani, F. Sonata no 2 in C minor. Ede Banda, vc; László Karper, gui; János Sebestyen, hpd. LP Hungaroton SLPX 1201 10 10:30 CONCERT HALL Prepared by Jacky Ternisien Hérold, F. Overture to Zampa (1831). New Philharmonia O/Richard Bonynge. Decca 466 431-2 9 Kalkbrenner, F. Piano concerto no 2 in E minor, op 85 (1826). Tasmanian SO/Howard Shelley, pf & dir. Hyperion CDA67843 33 Magnard, A. Symphony no 3 in B flat minor, op 11 (1896). Toulouse Capitole O/Michel Plasson. EMI 5 72364 2 40 12:00 JAZZ, PURE AND SIMPLE With Maureen Meers 13:00 THEIR OTHER COMPOSITIONS Prepared by Jacky Ternisien

MATEJ BROUCEK: Jan Vacík, ten MAZAL/AZUREAN: Peter Straka, ten MALINKA/ETHEREA: Maria Haan, sop WÜRFL: Zdenek Plech, bass

Goldmark, K. Overture: Prometheus bound, op 38 (1889). Philharmonia O/Yondani Butt. ASV DCA 934 17

Canteloube, J. Poème (1918/37-8). Philippe Graffin, vn; Ulster O/Thierry Fischer. Hyperion CDA67294 15 Marcello, A. Concerto grosso no 6 in G (pub. 1738). Pierre Pierlot, ob; Alessandro Bonelli, ob; Sergio Penazzi, bn; Piero Toso, vn; Vito Prato, vn; I Solisti Veneti/Claudio Scimone. LP Erato/WRC S/6512 8

Grieg, E. Solveig’s song, from Peer Gynt (1875). Joan Sutherland, sop; New Philharmonia O/Richard Bonynge. ABC 468 513-2

Sinding, C. Piano trio no 2 in A minor, op 64 (1902). András Kiss, vn; Tamás Koó, vc; Ilona Prunyi, pf. Marco Polo 8.223283 27

Crusell, B. Sinfonia concertante in B flat, op 3 (1808). Anna-Maija Korsimaa-Hursti, cl; László Hara, bn; Ib Lanzky-Otto, hn; Tapiola Sinfonietta/Osmo Vänskä. 28 Dukas, P. Variations, interlude and finale, on a BIS CD-495 theme of Rameau (1899-1902). Jean Hubeau, Berwald, F. Symphony no 1 in G minor, Sinfonie sérieuse (1842). San Francisco SO/ pf. Erato 2292454212 17 Herbert Blomstedt. Decca 478 6787 33 Glinka, M. Trio pathétique in D minor (1832). Balfe, M. Rêves d'amour, rêves de gloire (1843). Sumi Jo, sop; English CO/Richard Bonynge. Decca 440 679-2 5

Leopold Wlach, cl; Karl Öhlberger, bn; Paul Badura-Skoda, pf. Westminster RC 8808678121735 16 14:30 LAND OF THE LONG WHITE CLOUD Prepared by Rodrigo Azaola Lilburn, D. A song of islands (1946). New Zealand SO/John Hopkins. Centre for NZ Music Trust 14 Farquhar, D. Partita (1957). Tessa Birnie, pf. LP Kiwi-Pacific SLD-19 6 McLeod, Jenny. Three celebrations (1983/2010). New Zealand SO/Uwe Grodd. Naxos 8.572671 18 Dixon, H. The enchanted garden (2003). Locana. Wirripang Wirr 014 10 Castro-Robinson, E. de Doggered (2015). Peter Sheridan, bass fl. Move MD 3403 3

Harris, Ross Symphony no 4, To the memory of Mahinarangi Tocker (2011). Robert Ashworth, va; Auckland PO/Brett Dean. Naxos 8.573044 29 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 THE NEW JAZZ STANDARD With Frank Presley 20:00 THE WORLD OF A SYMPHONY Prepared by Di Cox Nielsen, C. Overture: Helios, op 17 (1903). Gothenburg SO/Neeme Järvi. DG 447 757-2 9 Berlioz, H. Rêverie et caprice, op 8 (1841). Patrice Fontanarosa, vn; Berlin SO/Michael Schønwandt. EMI 5 55582 2 8

Stenhammar, W. Serenade in C, op 29. Uppsala Chamber Soloists. LCM C 115 10:30 CONCERT HALL Prepared by Michael Field

Respighi, O. Suite: The birds (1927). London SO/Antal Dorati. Mercury 478 5092 19 Reinecke, C. Flute concerto in D, op 283 (c1895). James Galway, fl; London PO/ Hiroyuki Iwaki. RCA RD 60450 21 Tchaikovsky, P. Symphony no 1 in G minor, op 13, Winter dreams (1866/74). New Philharmonia O/Riccardo Muti. EMI 7 67742 2 43

22:00 IN ERROR Prepared by Derek Parker

12:00 A JAZZ HOUR With Barry O'Sullivan

Coles, C. Overture: The comedy of errors (1911). BBC Scottish SO/Martyn Brabbins. Hyperion CDA67293 11

13:00 THE VENETIANS Prepared by Jacky Ternisien

Bishop, H. Four songs, from The comedy of errors (1821). Susan Gritton, sop; Musicians of the Globe/Philip Pickett. Decca 470 381-2 16 22:30 ULTIMA THULE

Friday 23 April 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Annabelle Drumm 09:00 DIVERSIONS IN FINE MUSIC Al fresco Prepared by James Nightingale Creston, P. Celebration overture, op 61 (1955). The President’s Own United States Marine Band/Gerard Schwarz. Naxos 8.573121 8 Cartellieri, A. Divertimento for winds and strings in E flat. Dieter Klöcker, cl; Consortium Classicum. MDG 301 1483-2 20 Peterson, John. Remembering Illawarra. Jeanell Carrigan, pf. Australian Music Centre VAST031.2 10 Villa-Lobos, H. Chôros no 7, Settimino for winds, violin and cello (1924). Members of São Paulo SO/John Neschling. BIS CD-1440 9 Suk, J. Summer impressions, op 22b (1902). Niel Immelman, pf. Meridian CDE 84317 13

Caldara, A. Sinfonia in C. Gail Henessy, ob; Rachel Chapin, ob; La Serenissima/Adrian Chandler. Avie AV2371 15 Marcello, A. Oboe concerto in C minor (transcr. Williams). John Williams, gui; Academy of St Martin in the Fields/Kenneth Sillito. CBS MK 39560 12 Pescetti, G. Serbati a grandi imprese, from Alessandro nelle Indie (1732). Xavier Sabata, ct; Vespres d’Arnadí/Dani Espasa. Aparté AP192 8 Marcello, A. Adagio. John Champ, pf. ABC 446 059-2 Vivaldi, A. Violin concerto in A, RV336. Stanley Ritchie, vn; Academy of Ancient Music/Christopher Hogwood. L'Oiseau-Lyre 436 172-2

14:00 THE BOHEMIANS Prepared by Ron Walledge Smetana, B. Dance of the comedians, from The bartered bride (1866). Berlin PO/Herbert von Karajan. DG 474 617-2 6 Suk, J. Serenade in E flat, op 6 (1892). Australian CO/Charles Mackerras. Conifer CDCF 170

Novák, J. Capriccio for cello and small orchestra (1958). Jirí Bárta, vc; Prague Philharmonia/Jakub Hrusa. Supraphon SU 3989-2

Janácek, L. Suite from The cunning little vixen (1921-23). Czech PO/Frántisek Jílek. Supraphon/Denon 38C37 7303 17

Smetana, B. Triumphal symphony in E, op 6 (1853-54). Prague RSO/Vladimir Válek. Supraphon SU 3916-2 37 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm

Gombert, N. Lament on the death of Josquin (pub. 1545). Piffaro Renaissance Band/Joan Kimball, Robert Wiemken. Archiv 447 107-2 5 Rore, C. de Anchor che col partire. Song Company/Roland Peelman. ABC 454 518-2

19:00 FRIDAY JAZZ SESSION With Alex Siegers 20:00 EVENINGS WITH THE ORCHESTRA Prepared by Nicky Gluch Castelnuovo-Tedesco, M. Overture: Julius Caesar, op 78 (1934). West Australian SO/ Andrew Penny. Naxos 8.572500 11

Harmonia Mundi GD 77148

Saturday 24 April

09:05 THE PIANO ALONE Prepared by Michael Morton-Evans 18

Shostakovich, D. Incidental music to Hamlet, op 32 (1932). Louise Winter, mezz; David Wilson-Johnson, bar; City of Birmingham SO/ Mark Elder. Cala CACD1021 45

Clementi, M. Piano sonata in F, op 23 no 2 (1790). Howard Shelley, pf. Hyperion CDA67729 14 Prokofiev, S. Five pieces from Cinderella (1942/44). Sviatoslav Richter, pf. Divox CDX-25252/3-2 14

22:00 BAROQUE AND BEFORE The Franco-Flemish school Prepared by Elaine Siversen

Schubert, F. Three heroic marches, D602: no 1 in B flat; no 2 in C; no 3 in D (1824). Duo Crommelynck. Claves 50-8802 21

Dufay, G. Vergine bella. Hilliard Ensemble. Hyperion CDA66370 4

10:00 MUSICAL JOURNEYS Prepared by Paul Cooke

Ciconia, J. O rosa bella (c1400). Newberry Consort. Harmonia Mundi HMU 907038 6 Binchois, G. De plus en plus; Filles à marier. Members of Ensemble Gilles Binchois/ Dominique Vellard. Virgin 5 45285 2 5 Crecquillon, T. Canzon francese. Andrea Marcon, org. Giulia GS 201010 3 Ockeghem, J. Missa: L’homme armé. Oxford Camerata/Jeremy Summerly. Naxos 8.554297 31 Susato, T. Pavane, La battaille (pub. 1551). New London Consort/Philip Pickett. L'Oiseau-Lyre 436 131-2 5 Josquin Desprez. Missa Pange lingua (c1515). Choir of Ormond College/Douglas Lawrence. Move MD 3130 26

Parry, H. Jerusalem (1916; arr. Langford). John Foster Black Dyke Mills Band; Geoffrey Brand, Roy Newsome, conductors. Chandos CHAN 6515 2

Clemens non Papa, J. Motet: Ego flos campi. Various. Amazing grace; When I survey the Tallis Scholars/Peter Phillips. wondrous Cross; O God our help in ages past; Gimell CDGIM 013 4 Now thank we all our God (arr. Mendelssohn). Grimethorpe Colliery Band. Sweelinck, J. Echo fantasy no 12 in A; Delta 6570 10 Toccata no 17 in A. Gustav Leonhardt, org.

Sibelius, J. Suite no 2 from The tempest, op 109 no 3 (1925). Gothenburg SO/Neeme Järvi. 06:00 SATURDAY MORNING MUSIC BIS CD-448 16 With Peter Bell Tchaikovsky, P. Fantasy overture: Romeo and Juliet (1869/80). Philharmonia O/Riccardo 09:00 WHAT'S ON IN MUSIC Our weekly guide to musical events in and Muti. EMI 7 67742 2 20 around Sydney Mendelssohn, F. Incidental music to A midsummer night’s dream, op 61 (1843). Gewandhaus O/Riccardo Chailly. Decca 481 0778

Monk, W. Abide with me (1861). Grimethorpe Colliery Band. Delta 60357 4

Debussy, C. Chansons de Bilitis (1897; arr Lenski 1901). Maria Cecilia Muñoz, fl; Tiffany Butt, pf. Ars ARS 38 129 9 Boyd, A. As I crossed a bridge of dreams (1975). Contemporary Singers/Antony Walker. ABC 481 7995 10

12:00 URBAN JAZZ LOUNGE With Leita Hutchings 13:00 IN A SENTIMENTAL MOOD With Maureen Meers Nostalgic music and artists from the 30s, 40s and 50s and occasionally beyond, in a trip down many memory lanes 14:00 PIANO QUINTET Prepared by James Nightingale Hahn, R. Piano quintet in F sharp minor (1921). Alexandre Tharaud, pf; Quatuor Parisii. Auvidis V 4848 26 14:30 SATURDAY MATINEE Prepared by Rex Burgess Schumann, R. Oratorio: Paradise and the peri, op 50 (1843). Barbara Bonney, sop; Alexandra Coku, sop; Bernarda Fink, mezz, cont; Christoph Prégardien, ten; Neil Archer, ten; Gerald Finley, bar; Cornelius Hauptmann, bass; Monteverdi Choir; O Révolutionnaire et Romantique/John Eliot Gardiner. DG 479 1044 1:36 Dukas, P. La péri (1912). Suisse Romande O/ Armin Jordan. Erato 2292-45221-2 22 Fauré, G. The birth of Venus, op 29. Sara Macliver, sop; Jenny Duck-Chong, mezz; Paul McMahon, ten; Teddy Tahu Rhodes, bar; Cantillation; Sinfonia Australis/Antony Walker. ABC 481 2646 24

17:00 SOCIETY SPOT Ries, F. Piano concerto in A flat, op 151, Gruss Sydney Schubert Society an den Rhein (1826). Christopher Hinterhuber, With Ross Hayes pf; New Zealand SO/Uwe Grodd. Naxos 8.557638 29 18:00 MUSIC OF THE SCREEN Haas, P. String quartet no 2, op 7, From Prepared by Paul Cooke the Monkey Mountain (1923; arr. Tognetti). Skinner, F.-Salter, H. The invisible man Australian CO/Richard Tognetti. returns (1940). Moscow SO/William J. Chandos CHAN 10016 33 Stromberg. 11:30 ON PARADE Prepared by Chris Blower Ball, E. Rhapsody no 2 on negro spirituals. John Foster Black Dyke Mills Band/Roy Newsome. Chandos CHAN 6539 9

Marco Polo 8.223747

Badalamenti, A. Twin Peak’s theme; Laura Palmer’s theme; Audrey’s dance, from Twin Peaks (1990). Al Regni, sax, cl, fl; Eddie Daniels, fl, cl; Vinnie Bell, gui; Eddie Dixon, gui; Angelo Badalamenti, pf, synthesisers; Kinny Landrum, synthesisers;Gnarly Tate, drums. Warner Bros 7599-263769-2 15 Morricone, E. Romanzo; Estate - 1908; Autunno - 1922; Regalo di nozze; Testamento; La polenta, from Novcento (1976). O/Ennio Morricone. Rambling Records RBCP-2842 17 19:00 EMERGENT JAZZ With Keith Pettigrew 20:00 THE LIFE OF A COMPOSER Ralph Vaughan Williams Prepared by Paul Cooke Vaughan Williams, R. Quintet in D for clarinet, horn, violin, cello and piano (1898). Nash Ensemble. Hyperion CDA67381/2 25 Five mystical songs (1911). Michael Leighton Jones, bar; Choir of Trinity College, University of Melbourne; Jonathan Bradley, pf; Tinalley Quartet/Michael Leighton Jones. ABC 476 6906 19

Sunday 25 April 06:00 SUNDAY MORNING MUSIC With Krystal Li 09:00 MUSICA SACRA Prepared by Nicky Gluch Delany, J. Mass in A flat (c1892). Jennifer Bates, sop; Elizabeth Campbell, mezz; David Hamilton, ten; Michael Hissey, bassbar; Choir of St Mary's Cathedral; Sydney Conservatorium Choir & Chorale; Jubilee Ch & O/David Russell, cond. Walsingham WAL 8010-2 54 10:00 THE CLASSICAL ERA Prepared by Chris Blower Salieri, A. Overture to Eraclito e Democrito (1795). Slovak RSO/Michael Dittrich. Naxos 8.554838 4 Clementi, M. Piano sonata in G minor, op 34 no 2 (1795). Howard Shelley, pf. Hyperion CDA67814 22 Rode, P. Violin concerto no 1 in D minor, op 3 (1795). Friedemann Eichhorn, vn; Jena PO/ Nicolás Pasquet. Naxos 8.572755 32

15:00 SUNDAY SPECIAL Soldier Composers Prepared by James Nightingale Dyson, G. Woodland suite. BBC SO/Richard Hickox. Chandos CHAN 10439 7 Braunfels, W. Two Hölderlin songs, op 27 (1916-18). Paul-Armin Edelmann, bar; Rhineland-Palatinate State PO/Gregor Bühl. Capriccio C5308 13 Schulhoff, E. Suite dansante en jazz (1931). Caroline Weichert, pf. Grand Piano GP723 17 Gurney, I. Ludlow and Teme (1920). Adrian Thompson, ten; Delmé String Quartet; Iain Burnside, pf. Hyperion CDA66385 21 Kelly, F. Serenade for flute, harp, horn and strings, op 7 (1911; arr. Latham). Douglas Mackie, fl; Geoff Lierse, hn; Marshall McGuire, hp; Tasmanian SO/Benjamin Northey. ABC 481 8890 20 Hindemith, P. Symphonia serena (1946). BBC PO/Yan Pascal Tortelier. Chandos CHAN 9217 30

17:00 HOSANNA Beethoven, L. Trio in C for two oboes and cor Prepared by Jeremy Hall Suite: Flos campi (1925). Roger Benedict, va; anglais, op 87 (1795). Vienna Philharmonic Guest, D. For the fallen. Choir of St John’s Cantillation; Sydney SO/Mark Wrigglesworth. Wind Group. College, Cambridge/Andrew Nethsingha. 22 Chandos CHAN 10872 Melba MR301131 20 Westminster RC 8808678121735 1 Haydn, J. Symphony in E flat, Hob.I:103, Suite for pipes (1939). Swedish Recorder Hymn: God our help in ages past. Choir of St Drumroll (1795). London Classical Players/ Quartet. Paul’s Cathedral, London; Huw Williams, org; Caprice CAP 21687 10 Roger Norrington. John Scott, cond. 28 Hyperion CDA67398 3 Symphony no 6 in E minor (1948). London SO/ EMI CDC 5 55002 2 Bryden Thomson. Burgon, G. Nunc dimittis. Choir of Jesus 12:00 CLASSIC JAZZ AND Chandos CHAN 8740 34 RAGTIME College, Cambridge; Rebecca Crawshaw. tpt; Robert Dixon, org; Mark Williams, cond. 22:00 SATURDAY NIGHT AT HOME With Dave Mac Signum SIGCD269 3 Prepared by Paul Cooke 13:00 WORLD MUSIC: Whirled Vaughan Williams, R. Lord, thou hast Dobrzynski, I. Piano concerto in A flat, op 2 Wide been our refuge. Choir of King’s College, (1824). Emilian Madey, pf; Polish RSO/Lukasz With Orli Zahava Cambridge; Alison Balsom, tpt; Douglas Borowicz. Tang, org; Stephen Cleobury, cond. Chandos CHAN 10778 (2) 41 14:00 CLASSICAL STRING KGS0004 8 QUARTETS Hummel, J. Septet no 1 in D minor for winds, Victoria, T. de Introit: Officium defunctorum Prepared by Frank Morrison strings and piano, op 74 (c1816). Capricorn. à 6. Choir of Christ Church St Laurence, Hyperion CDA66396 38 Spohr, L. Fantasy in B minor on themes Sydney/Neil McEwan. 6 of Danzi and Vogler, op 118 (1814). Sophie Schumann, R. Symphony no 3 in E flat, op Parry, C. Crossing the bar. Choir of St Paul’s Langdon, vn; Hugh Webb, hp. 97, Rhenish (1850). Royal Concertgebouw O/ Naxos 8.555365 12 Cathedral, London/John Scott. Ferdinand Leitner. Hyperion CDS44102 3 Radio Nederland RCO 06004 35 Rossini, G. Quartet no 1 in F (1804; arr. Berr). Willan, H. How they so softly rest. Choir of Michael Thompson Wind Quartet. Naxos 8.554098 11 Trinity College, Cambridge/Stephen Layton. Hyperion CDA67832 4 Cherubini, L. String quartet no 1 in E flat Lewis, G. The souls of the righteous. Choir of (1814). Quartetto David. BIS CD-1003 32 Jesus College, Cambridge; Benjamin Morris, org; Mark Williams, cond. Signum SIGCD328 8

Pärt, A. Da pacem, Domine. Polyphony/ Stephen Layton. Hyperion CDA68056

Hymn: Abide with me. Choir of Westminster Abbey; Robert Quinney, org; James O’Donnell, cond. Hyperion CDA68013 5 Thalben-Ball, G. Elegy. Christopher Herrick, org. Hyperion CDA67060 5 18:00 SMALL FORCES Prepared by Di Cox Verdi, G. String quartet in E minor (1873). Giovane Quartetto Italiano. Claves 50-9114 22 Mozart, W. Adagio and rondo in C for glass armonica, flute, oboe, viola and cello, K617 (1791). Marc Grauwels, flute; Dennis James, glass armonica; Brussels Virtuosi. Hyperion CDA66392 13 Boccherini, L. Guitar quintet no 4 in D, Fandango (1798). Karin Schaupp, gui; Flinders Quartet. ABC 476 4435 20 19:00 SUNDAY NIGHT CONCERT Prepared by Frank Morrison

Dean, B. Voices of angels. Andrej Power, vn; Laurence Power, va; Johannes Rostamo, vc; Rick Stotijn, db: Simon Crawford-Phillips, pf. BIS BIS-2344 28 22:00 JAZZ AFTER HOURS With Deborah Evans

Monday 26 April 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Robert Small

13:00 FROM BAVARIA Prepared by Stephen Wilson Elgar, E. Scenes from the Bavarian Highlands, op 27 (1893-94). Beecroft Festival Choir; Beecroft O/Allan Stiles. TBO TBO 002 25 Strauss, R. Dance suite after François Couperin’s keyboard works, op 107 (1923). Academy of St Martin in the Fields/Neville Marriner. Philips 446 696-2 28 14:00 ARGENTINIAN COMPOSERS Prepared by James Nightingale

09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1835 Prepared by Jacky Ternisien

Ginastera, A. Danzas argentinas, op 2 (1937; arr. Lopes 2006). Aquarelle Guitar Quartet. Chandos CHAN 10928 8

Auber, D-F-E. Overture to The bronze horse (1835). BBC PO/Yan Pascal Tortelier. Chandos CHAN 9765 7

Muslera, F. Nostalgia City (2015). Jay Byrnes, sax; Michael Kluger, acc. Saxophone Academy Sydney SASCD001 7

Rossini, G. La danza, Tarantella Napoletana (1835). Seunghee Lee, cl; Evan Solomon, pf. www.seunghee.com Lee 2013 3

Piazzolla, A. Three tangos (arr. Crabb). James Crabb, acc; Benjamin Martin, pf; Australian CO/Richard Tognetti. Chandos CHAN 10163

19 Spohr, L. Violin concerto no 13 in E, op 92 (1835). Ulf Hoelscher, vn; Berlin RSO/Christian Guastavino, C. Three Argentinian romances. Martha Argerich, pf; Mauricio Vallina, pf. Fröhlich. 18 cpo 999 187-2 14 EMI 3 58472 2

Donizetti, G. Mad scene, from Lucia di Lammermoor (1835). Joan Sutherland, sop; Rinaldo Pelizzoni, ten; Robert Merrill, bar; Cesare Siepi, bass; Santa Cecilia Academy Sperger, J. Double bass concerto in D. Ch & O/John Pritchard. Edicson Ruiz, db; Teresa Carreño Youth SO of Decca 475 7981 16 Venezuela/Christian Vásquez. Mendelssohn, F. Songs without words, bk 2, Philharmonie PHIL 06020 25 op 30 (1835). Daniel Barenboim, pf. Dukas, P. Symphony in C (1896). Suisse DG 453 061-2 16 Romande O/Armin Jordan. Cherubini, L. String quartet no 5 in F (1835). Erato 2292-45221-2 41 Quartetto David. BIS CD-1005 25 20:30 NEW HORIZONS Prepared by James Nightingale 10:30 CONCERT HALL Edwards, R. Gallipoli (2014). Australian String Prepared by Jennifer Foong Quartet. Halvorsen, J. Norwegian festival overture, op Ian Potter Foundation and Monash University 16. Bergen PO/Karsten Andersen. 11 NKFCD 50013-2 9 Gifford, H. Menin Gate (2005). Michael Kieran d’Albert, E. Cello concerto in C, op 20 (1899). Harvey, pf. Alban Gerhardt, vc; BBC Scottish SO/Carlos Move MD 3329 9 Kalmar. Body, J. Meditations on Michelangelo Hyperion CDA67544 22 (1982/2007). Martin Riseley, vn; New Zealand Dvorák, A. Symphonic variations, op 78 SO/Kenneth Young. (1880). London SO/István Kertész. Naxos 8.573198 19 Decca 452 946-2 23 Maclean, C. Et misericordia (1986). Sydney Beethoven, L. Symphony no 8 in F, op 93 Chamber Choir/Nicholas Routley. (1812). Berlin PO/Herbert von Karajan. Tall Poppies TP073 11 DG 429 040-2 26 Whitehead, G. Torua. Hilary Hahn, vn; Cory Smythe, pf. 12:00 SWING SESSIONS DG 479 1725 4 With John Buchanan Glazunov, A. Fantasy: The sea, op 28 (1889). USSR RSO/Gennady Provatorov. Melodiya MA 3010 16

Santórsola, G. Sonata no 4, Italiana. Anton Baranov, gui. Naxos 8.573306 15 Ginastera, A. Panambí, op 1 (1937). London SO/Gisèle Ben-Dor. Naxos 8.557582 39 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 JAZZ PULSE With Chris Wetherall 20:00 STORMY MONDAY With Austin Harrison 22:00 JAZZ AFTER HOURS With Gail Monjo

14:00 SOUNDS OF DETROIT Prepared by Ron Walledge

Tuesday 27 April

Strauss, R. Four symphonic interludes, from Intermezzo (1916). Neeme Järvi, cond. Chandos CHAN 9357 23

03:00 CLASSICAL TILL DAWN

Wednesday 28 April 03:00 CLASSICAL TILL DAWN

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Julie Simonds

Bizet, G. Suite from Carmen (1875). Paul Paray, cond. Mercury 475 6268 12

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Janine Burrus

09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by Elaine Siversen

Daugherty, M. Fire and blood (2003). Ida Kavafian, vn. Naxos 8.559372 28

09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by Rex Burgess

Poulenc, F. Theme and variations (1974). Deborah de Graaff, cl; Peter Sagar, pf. Fine Music concert recording

Mendelssohn, F. Sonata no 3 in A (1844). Heinrich Gurtner, org. Claves 50-715 10 Mozart, W. 12 Variations on La bergère Célimène, K374a (1781). Rachel Podger, vn; Gary Cooper, fp. Channel CCS SA 28109 17 Gambini, C. Memories of Paganini, op 50. Bruno Mezzena, pf. Dynamic CDS 05 25

Barber, S. Music for a scene from Shelley, op 7 (1935). Chandos CHAN 9908 10 Neeme Järvi, cond (2 above) Stravinsky, I. Ballet: The rite of Spring. Antal Dorati, cond. Decca 4783729 34 Detroit SO (all above) 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 THE JAZZ BEAT With Lloyd Capps

Boccherini, L. Quartet no 4 in A (1778). Paule 20:00 JUST IN van Parys, hpd; Jan van Mol, hpd. With David Garrett LP Pavane ADW 7062 7 A selection from the latest recordings to arrive Schubert, F. Impromptu in B flat, D935 no 3 at the Fine Music Library (1827). Clifford Curzon, pf. Decca 473 116-2 11 22:00 CHAMBER SOIRÉE Prepared by Albert Gormley 10:30 CONCERT HALL Albinoni, T. Sonata in B minor, op 4 no 6 Prepared by Angus McPherson (1711). Locatelli Trio. Carwithen, D. Overture: ODTAA (1945). Hyperion CDD22048 6 London SO/Richard Hickox. Ravel, M. Sonata in G for violin and piano Chandos CHAN 9524 8 (1923-27). Jennifer Pike, vn; Martin Roscoe, Coleridge-Taylor, S. Violin concerto in G pf. minor, op 80 (1912). Anthony Marwood, vn; Chandos CHAN 10667 18 BBC Scottish SO/Martyn Brabbins. Rimsky-Korsakov, N. Quintet in B flat for Hyperion CDA67420 32 winds and piano (1876). Hans Reznicek, Dvorák, A. Symphony no 9 in E minor, op 95, fl; Leopold Wlach, cl; Karl Öhlberger, From the New World (1893). Vienna PO/Kyrill bn; Gottfried von Freiberg, hn; Roland Kondrashin. Raupenstrauch, pf. Decca 400 047-2 43 Westminster RC 8808678121735 30 12:00 JAZZ RHYTHM With Jeannie McInnes 13:00 FOR A SMALL ROOM Prepared by Krystal Li Lalo, E. Chants russes (1879). Maria Kliegel, vc; Bernd Glemser, pf. Naxos 8.554469 6

Haydn, J. String quartet in B flat, Hob.III:40 (1782). Salomon Quartet. Hyperion CDA66682 18 Schubert, F. Piano trio in B flat, D898 (1827). Academy Trio. Fine Music concert recording 36

Rebel, J-F. Ballet: Les élémens (1737). Academy of Ancient Music/Christopher Hogwood. L’Oiseau-Lyre 421 656-2

Stradella, A. Overture and arias, from Moro per amore (1681). Chantal Santon Jeffery, sop; Galilei Consort/Benjamin Chénier. Alpha ALPHA 297 15 Schobert, J. Trio in B flat, op 16 no 1 (pub. 1761-67). Chiara Banchini, vn; Philipp Bosbach, vc; Luciano Sgrizzi, fp. Harmonia Mundi HMC 901294 15 Paisiello, G. Keyboard concerto no 8 in C (c1788). Pietro Spada, pf; Santa Cecilia CO. Brilliant Classics 94224 28 10:30 CONCERT HALL Prepared by Andrew Clark Mills, R. Overture with fanfare. West Australian SO/Richard Mills. ABC 434 713-2

Beethoven, L. Piano concerto no 4 in G, op 58 (1806). Maurizio Pollini, pf; Berlin PO/ Claudio Abbado. DG 479 0913 33 Cowen, F. Symphony no 3 in C minor, Scandinavian (1880). Czecho-Slovak State PO/Adrian Leaper. Marco Polo 8.223273 39 12:00 JAZZ SKETCHES With Robert Vale 13:00 IN CONVERSATION With Simon Moore 14:00 COLOURS OF AUTUMN Prepared by Jacky Ternisien Zamfir, G. Autumn colours. Gheorghe Zamfir, panpipes; Monte Carlo PO/Lawrence Foster. LP Philips 412 221-1 7 Respighi, O. Autumn poem (1920-25). Ruggiero Ricci, vn; Pacific SO/Keith Clark. Reference RR-15 15

Glazunov, A. Saxophone quartet, op 109 (1932). Rollin' Phones. BIS CD-466 27

Rochberg, G. Slow fires of autumn, op 66. Geoffrey Collins, fl; Alice Giles, hp. Tall Poppies TP031 16

Prokofiev, S. String quartet no 2 in F, op 92 (1941). Aurora String Quartet. Naxos 8.553136 21

Mahler, G. Lonely man in autumn, from Song of the earth (1908-09). Yvonne Minton, mezz; René Kollo, ten; Chicago SO/Georg Solti. ABC 470 241-2 10

Takemitsu, T. From me flows what you call time. Synergy; Sydney SO/Edo de Waart. ABC 454 516-2 28

Rautavaara, E. Autumn gardens (1999). Helsinki PO/Vladimir Ashkenazy. Ondine ODE 950-2 26

Thursday 29 April

Trad. Autumn field. Riley Lee, shakuhachi. Tall Poppies TP138 12 Larsson, L-E. Late autumn leaves, op 20 (1940). Stenhammar Quartet. Daphne 1035 21 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 PLANET JAZZ With Xavier Bichon 20:00 AT THE OPERA Prepared by Camille Mercep Donizetti, G. Ugo, Conte di Parigi (Hugo, Count of Paris). Opera in two acts. Libretto by Felice Romani. First performed Milan, 1832. LOUIS V, French king: Della Jones, cont BIANCA: Janet Price, sop ADELIA: Yvonne Kenny, sop HUGUES CAPET: Maurice Arthur, ten Geoffrey Mitchell Choir; New Philharmonia O/ Alun Francis. Opera Rara ORC 1 2:37 The Princess Bianca of Aquitaine is betrothed to the young king of France, Louis V. She, in fact, loves Hugues Capet, Count of Paris, who is regent until Louis comes of age. Bianca tells her sister, Adelia, that she wants to call off the marriage and return to her sick mother. The king, suspecting a relationship between Hugues and Bianca demands to know why she is refusing to marry him and sends for Hugues. He accuses them of being lovers. Hugues denies it saying he loves another, but will not reveal who it is and is immediately imprisoned. Knights and soldiers arrive at his prison cell to tell him that France stands behind him against the king. With the battle over, Hugues tells Louis that he has no designs on either the throne or Bianca, that it is Adelia that he loves. The king gives permission for their immediate marriage. Learning this, Bianca, in a jealous rage, vows revenge. As the wedding ceremony begins Bianca drinks poison, telling the horrified assembly that her death is her revenge. 23:00 MUSIC OF THE NIGHT Prepared by Paul Cooke Boyd, A. String quartet no 2, Play on the water (1973). Spring Quartet. ABC 462 007-2 26

Copland, A. Suite from Appalachian Spring (1943-44). Melbourne SO/Benjamin Northey. ABC 481 0863 25 12:00 JAZZ, PURE AND SIMPLE With Maureen Meers

03:00 CLASSICAL TILL DAWN

13:00 FOREST SCENES Prepared by Anne Irish

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Simon Moore

Schumann, R. Forest scenes, op 82 (184849). Wilhelm Kempff, pf. DG 435 045-2 23

09:00 DIVERSIONS IN FINE MUSIC The instruments: Strings Prepared by Peter Poole Bach, J.S. Double concerto in D minor, BWV1043 (1730-31). Helena Rathbone, vn; Richard Tognetti, vn; Australian CO/Richard Tognetti. ABC 476 569-1 14 Geminiani, F. Sonata in C for cello and continuo, op 5 no 3 (pub. 1746). Heinrich Schiff, vc; Jaap ter Linden, vc continuo; Ton Koopman, hpd. Philips 434 124-2 10 Bottesini, G. Duet for clarinet and double bass. James Campbell, cl; Joel Quarrington, db; Andrew Burashko, pf. Naxos 8.557042 10 Dragonetti, D. Andante and rondo for double bass and strings. Ludwig Streicher, db; Munich CO/Hans Stadlmair. Teldec 2292-42452-2 10 Debussy, C. Sonata for flute, viola and harp (1915). Bridget Bolliger, fl; Irena Morozova, va; Louise Johnson, hp. Fine Music concert recording 17 Fossa, F. de Guitar quartet no 1 in D (c1826). Kenneth Sillito, vn; Ian Jewel, va; Keith Harvey, vc; Simon Wynberg, gui. LP Chandos ABRD 1109 19 10:30 CONCERT HALL Prepared by Rita Felton Elgar, E. Serenade in E minor for strings, op 20 (1892). Sydney SO/Vladimir Ashkenazy. Exton EXCL-00030 12 Janácek, L. Suite from From the house of the dead (1927-28). Czech PO/Frántisek Jílek. Supraphon/Denon 38C37 7303 20 Boccherini, L. Symphony in C for grand orchestra, op 21 no 3 (1775). Paulo Pollastri, ob; Hélène Devilleneuve, ob; Sonig Tchakerian, vn; Bettina Mussumeli, vn; Glauco Bertagnin, vn; Gianantonio Viero, vc; Dagoberto Linhares, gui; I Solisti Veneti/ Claudio Scimone. Erato 2292-45486-2 24

Dvorák, A. Waldesruhe, op 68 (1891). Jacqueline du Pré, vc; Chicago SO/Daniel Barenboim. EMI CZS 5 68132 2 7 Wagner, R. Forest murmurs, from Siegfried, Act II (1856-71; arr. Hutschenruyter). Seattle SO/Gerard Schwarz. Naxos 8.572767 8 Gade, N. In the forest in B, op 41 (1861). Anker Blyme, pf. Marco Polo DCCD 9117 2 Tchaikovsky, B. Suite: The murmuring forest (1953). Saratov Conservatory SO/Kirill Ershov. Naxos 8.570195 13 14:00 WOLFGANG SAWALLISCH CONDUCTS Prepared by Ron Walledge Wagner, R. Overture to Rienzi, 49 (1838-40). Philadelphia O. EMI 5 56165 2 13 Strauss, R. Horn concerto no 2 in E flat, AV132 (1942). Dennis Brain, hn; Philharmonia O. EMI 7 47834 2 18 Wagner, R. Symphony in E (1834). Philadelphia O. EMI 5 56165 2

Brahms, J. Violin concerto in D, op 77 (1878). Frank Peter Zimmermann, vn; Berlin PO. EMI 5 55426 2 38 Schubert, F. Mass in C, D452 (1816). Lucia Popp, sop; Brigitte Fassbaender, cont; Adolf Dallapozza, ten; Dietrich Fischer-Dieskau, bass; Bavarian Radio Symphony Choir & O. EMI CDM 7 69222 2 26 Wolfgang Sawallisch, cond (all above) 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 THE NEW JAZZ STANDARD With Frank Presley

20:00 THE WORLD OF A SYMPHONY Prepared by Nicky Gluch Albrechtsberger, J. Partita in F. Jana Bousková, hp; South West German CO, Pforzheim/Vladislav Czarnecki. Brilliant Classics 99512

Glazunov, A. The sea, op 28 (1889-90; arr. Glazunov for two pianos, eight hands). Aurora Piano Quartet. Naxos 8.557717D 16

Ireland, J. A London overture (1936). London PO/Adrian Boult. Lyrita SRCD.240 12

Suk, J. Symphonic poem: Prague, op 26 Dreyfus, G. The seasons. Margaret Crawford, (1904). BBC SO/JiríBelohlávek. fl; Madeleine Dietrich, va; Glen Davies, perc. Chandos CHSA 5109 25 18 LP ABC PRX 5599 11 16:00 FINE MUSIC DRIVE Bruckner, A. Credo, from Mass in D minor Gade, N. Spring fantasia, op 23 (1852). Bodil including Arts Calendar at 5.00pm (1864). Joan Rodgers, sop; Catherine WynGobil, sop; Minna Nyhus, mezz; Ole Jensen, Rodgers, cont; Keith Lewis, ten; Alastair Miles, ten; Mogens Schmidt Johansen, bass; Eyvind 19:00 FRIDAY JAZZ SESSION bass; Corydon Singers & O; James O’Donnell, Moller, pf; Danish RSO/John Frandsen. With Alex Siegers org; Matthew Best, cond. EMI 5 66000 2 21 20:00 EVENINGS WITH THE Hyperion CDA66650 13 10:30 CONCERT HALL ORCHESTRA Liszt, F. Bénédiction de Dieu dans la solitude. Prepared by Michael Field The Concertgebouw goes modern Stephen Hough, pf. Prepared by Peter Poole Wallace, W. Suite: Pelléas et Mélisande Virgin 5 61129 2 18 (1900). BBC Scottish SO/Martyn Brabbins. Wagenaar, J. Overture: Cyrano de Bergerac, Bruckner, A. Symphony no 7 in E (1881-83). Hyperion CDH55465 16 op 23 (1905). Riccardo Chailly, cond. Columbia SO/Bruno Walter. Decca 425 833-2 14 Sony SMK 64 482 1:05 Berlioz, H. Harold in Italy, op 16 (1834). Antoine Tamestit, va; Les Musiciens du Skryabin, A. Le poème de l’extase, op 54 22:00 ONE, TWO, THREE Louvre/Marc Minkowski. (1908). Antal Dorati, cond. Prepared by Jacky Ternisien naïve V 5266 39 Radio Nederland RCO 08005 20 Bechon. Prelude; courante; gigue; sarabande. Mendelssohn, F. Symphony no 4 in A, op 90, Prokofiev, S. Piano concerto no 1 in D flat, Tommie Andersson, gui. Italian (1833). Gewandhaus O/Kurt Masur. op 10 (1912). Boris Berman, pf. Musica Rediviva MRCD 003 6 Teldec 243 463-2 29 Chandos CHAN 10522(2) 16 Ravel, M. Suite from Mother Goose (1908). Reger, M. Variations and fugue on a theme of 12:00 A JAZZ HOUR Simon Tedeschi, pf; Kevin Hunt, pf. Johann Adam Hiller, op 100 (1907). With Barry O'Sullivan ABC 275 2052 12 Chandos CHAN 8794 41 13:00 MUSIC OF THE DANCE Schubert, F. String trio in B flat, D471, Neeme Järvi, cond (2 above) Prepared by Ray Lemond Triosatz (1816). Sydney String Trio. Royal Concertgebouw O (all above) Fine Music concert recording 7 Adam, A. Excerpts from Giselle (1841). Kodály, Z. Dances of Galánta (1933). London SO/Richard Bonynge. Concertgebouw O/David Zinman. 22:30 ULTIMA THULE Decca 452 769-2 19 Philips 416 378-2 16 Davies, P. Maxwell Renaissance Scottish Friday 30 April 22:00 BAROQUE AND BEFORE dances (1973). Unicorn-Kanchana DKP(CD)9070 9 The great restorer: Matthew Locke Prepared by Paul Roper Dances from The two fiddlers (1978). 03:00 CLASSICAL TILL DAWN Unicorn-Kanchana DKP(CD)9070 7 Locke, M. Pavan à 6. London Cornett and 06:00 FINE MUSIC BREAKFAST Sackbut Ensemble. Scottish CO/Peter Maxwell Davies (2 above) including Arts Calendar at 7.30am EMI-Electrola CDM 7 63143-2 2 Alwyn, W. Elizabethan dances (1956-57). With Annabelle Drumm Suite no 4 in B flat, from The little consort Royal Liverpool PO/David Lloyd-Jones. 18 (1651) Udbhava Wilson Meyer, vn; Mimi 09:00 DIVERSIONS IN FINE MUSIC Naxos 8.570144 Mitchell, vn; Susanne Baumann, bass viol; Al fresco Koh, S. Korean dances (2002). Lone Star Fred Jacobs, theorbo. Prepared by Paul Cooke Wind O/Eugene Migliaro Corporon. Globe GLO 5027 6 Naxos 8.572837 17 Kuhlau, F. Variations on an Irish air: The last Jesu auctor clementie (c1640). Oliver rose of summer, op 105 (1829). Per Øien, fl; Turina, J. Danzas gitanas, op 55 (1930). BBC Johnston, treb; Philip Cave, ten; Henry Geir Henning Braaten, pf. PO/Juanjo Mena. Wickham, bass; Parley of Instruments/Peter LP Simax PN 2004 9 Chandos CHAN 10819 14 Holman, org & dir. Rawsthorne, A. Concertante pastorale Hyperion CDA 66373 2 14:30 SYMPHONIC DELIGHTS (1949). Conrad Marshall, fl; Rebecca Stamitz, J. Sinfonia pastorale in D, op 4 no 2. Lawes, W. Sett à 3 no 8 in D. Sigiswald Goldberg, hn; Northern CO/David LloydKuijken, vn; Wieland Kuijken, bass viol; Northern CO/Nicholas Ward. Jones. 14 Gustav Leonhardt, org. Naxos 8.553567 10 Naxos 8.554447 Sony SBK 63179 11 Dvorák, A. Violin concerto in A minor, op Kats-Chernin, E. Colours of the sea (2004). Locke, M. A symphony for Mercury’s 53 (1879). Richard Tognetti, vn; Nordic CO/ Meininger Trio. entrance; Hence, ye profane, and take your Profil PHO5019 11 Christian Lindberg. BIS CD-1708 31 dwellings up, from Cupid and death (1653). David Thomas, bass; Consort of Musicke; Alan Wilson, org; Anthony Rooley, lute & dir. Harmonia Mundi CDS 7 49623-2 4

Voluntaries: in F; in A minor; in D minor. Gustav Leonhardt, org. Sony SK 53981

Five -part things for His Majesty’s sagbutts and cornetts (1661). Michael Laird, cornett; Graham Whiting, cornett; Roger Brenner, sackbutt; Peter Goodwin, sackbutt; Peter Harvey, sackbutt. L'Oiseau-Lyre 433 191-2 10

Lucinda, winke, or vaile those eyes; Orpheus with his lute (1667). Patrizia Kwella, sop; Nigel Rogers, ten; Mark Caudle, bass viol; Anthony Bailes, theorbo. EMI-Electrola CDM 7 63143-2 4 Incidental music for The tempest (1674) Parley of Instruments/Peter Holman, hpd & dir. Hyperion CDA66667 11 Cooke, H. Put me not to rebuke, O Lord. The Sixteen; Symphony of Harmony and Invention/ Harry Christophers. Coro COR16041 11

Purcell, H. Sighs for our late sovereign King Charles the Second: If pray’rs and tears, the shields the Church of England only bears, Z380 (1685). Susan Gritton, sop; Mark Caudle, Locke, M. Suite no 4 in F, from Consort of bass viol; David Miller, lute; Robert King, org. fower parts (1660). Wendy Gillespie, viol; Hyperion CDS 44161/3 8 Richard Campbell; viol; Richard Boothby, viol; Locke, M. Suite in C (1673). Gary Cooper, William Hunt, viol; Julia Hodgson, viol; Paul hpd. Nicholson; spinet. ASV GAU 222 8 Virgin VC 5 45142-2 7

TOWN SVILLE 23 JULY TO 01 AUGUST 2021

Ye bold sons of earth, that attend upon fire; Dance of the cyclopes; All joy to fair Pysche in this happy place, from Psyche (1674) Catherine Bott, sop; Paul Agnew, ten; Christopher Robson, ten; Julian Podger, ten; Simon Grant, bar; Michael George, bass; New London Consort/Philip Pickett. L'Oiseau-Lyre 444 336-2 8 Purcell, H. On the death of his worthy friend, Mr Matthew Locke: What hope remains for us now he is gone? Z472 (1677). Susan Gritton, sop; Michael George, bass; Mark Caudle, bass-viol; David Miller, lute; Robert King, org. Hyperion CDA 66710 3

Celebrate music in the tropics Combine your love of classical music with a tropical getaway at the 30th anniversary Australian Festival of Chamber Music. Over 40 of Australia’s finest musicians will travel to Townsville for ten days of sublime music performances, island concerts and winter warmth. Enjoy concerts, conversations, masterclasses and more in a wonderfully relaxed and friendly atmosphere.

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The following composers have works of at least five minutes on the April dates listed Adam, A. 1803-1856 30 Addinsell, R. 1904-1977 8 Adès, T. b1971 11 Agrell, J. 1701-1765 7 Alabiev, A. 1787-1851 21 Albéniz, I. 1860-1909 8 Albinoni, T. 1671-1751 27 Albrechtsberger, J. 1736-1809 29 Alkan, C-V. 1813-1888 3,6,13 Almeida Mota, J. P. de 1744-c1817 1 Altnikol, J. 1720-1759 7 Alwyn, W. 1905-1985 2,19,30 Andlauer, E. 19th C 19 Arban, J-B. 1825-1889 3 Arriaga, J. 1806-1826 11,18 Arrigoni, C. 1697-1744 21 Auber, D-F-E. 1782-1871 26 Aubert, J. 1689-1753 21 Avison, C. 1709-1770 21 Bach, J. Christian 1735-1782 11 Bach, J.S. 1685-1750 4,9,16,17,22,29 Badalamenti, A. b1937 24 Balakirev, M. 1837-1910 2 Balfe, M. 1808-1870 22 Ball, E. 1903-1989 24 Barber, S. 1910-1981 12,27 Barry, J. b1933 3 Bartók, B. 1881-1945 9 Barton, W. b1981 11 Bax, A. 1883-1953 5 Bazzini, A. 1818-1897 6 Bechon. fl 1644-1657 29 Beethoven, L. 1770- 1827 1,3,9,12,15,16,17,25,26,28 Bellini, V. 1801-1835 5 Benjamin, A. 1893-1960 1 Bennett, W. Sterndale 1816-1875 16,18 Bergsma, W. 1921-1994 1 Berlin, I. 1888-1989 10 Berlioz, H. 1803-1869 2,8,9,22,30 Berwald, F. 1796-1868 18,22 Biber, H. 1644-1704 1,9 Binchois, G. c1400-1460 23 Bishop, H. 1786-1855 22 Bizet, G. 1838-1875 8,27 Boccherini, L. 1743-1805 8,25,27,29 Body, J. 1944-2015 25 Boismortier, J. de 1689-1755 10 Bolling, C. 1930-2020 1 Borisova-Ollas, V. b1969 15 Borne, F. 1840-1920 19 Borodin, A. 1833-1887 14 Bottesini, G. 1821-1889 12,29 Boyd, A. b1946 24,28 Boyle, M. 1902-1976 18 Brahms, J. 1833-1897 1,12,13,19,20,21,29 Braunfels, W. 1882-1954 7,25 Bréton, T. 1859-1923 10 Brewer, H. 1865-1928 18 Bridge, F. 1879-1941 8,11,13 Britten, B. 1913-1976 1,4 Bruch, M. 1838-1920 1,12 Bruckner, A. 1824-1896 29 Busoni, F. 1866-1924 17 Caballé, M. 1933-2018 18 Caccini, F. 1587-1640 2 Caldara, A. c1670-1736 6,23 Campagnoli, B. 1751-1827 14 Canteloube, J. 1879-1957 22 Carlson, R. b1937 2 Cartellieri, A. 1772-1807 6,23 Carulli, F. 1770-1841 22 Carwithen, D. 1922-2003 27 Casella, A. 1883-1947 7 Castelnuovo-Tedesco, M. 1895-1968 23 Chabrier, E. 1841-1894 3 Chaminade, C. 1857-1944 8,20,21 Charpentier, M-A. 1643-1704 18 Chausson, E. 1855-1899 4 Cherubini, L. 1760-1842 25,26 Chopin, F. 1810-1849 3,5,6,10 Ciconia, J. c1335-1411 23 Cimarosa, D. 1749-1801 6 Clementi, M. 1752-1832 6,13,24,25 Coelho, M. c1555-c1635 1

Key

Ch & O: Chorus & Orchestra CO: Chamber Orchestra FO: Festival Orchestra NO: National Orchestra NSO: National Symphony Orchestra PO: Philharmonic Orchestra RO: Radio Orchestra RSO: Radio Symphony

Coleridge-Taylor, S. 1875-1912 27 Coles, C. 1888-1918 22 Cooke, H. c1615-1672 30 Copland, A. 1900-1990 1,29 Corelli, A. 1653-1713 2 Corrette, M. 1707-1795 2,5 Coste, N. 1806-1883 20 Couperin, F. 1668-1733 6 Cowen, F. 1852-1935 28 Creston, P. 1906-1985 23 Crusell, B. 1775-1838 13,22 Czerny, C. 1791-1857 5,20

Haydn, J. 1732-1809 2,4,8,10,11,18,20,25,27 Hérold, F. 1791-1833 22 Hess, N. b1953 3 Hgul, F. A. 1706-1745 4 Hill, A. 1870-1960 13 Hindemith, P. 1895-1963 7,17,25 Holst, G. 1874-1934 13 Hosokawa, T. b1955 7,21 Howells, H. 1892-1983 1,13 Hummel, J. 17781837 1,6,8,9,11,17,18,24

d’Albert, E. 1864-1932 26 d’Indy, V. 1851-1931 5,14 Dale, B. 1885-1943 12 Daugherty, M. b1954 27 Davies, P. Maxwell 1934-2016 30 Dean, B. b1961 25 Debussy, C. 1862-1918 12,24,29 Delany, J. 1852-1907 25 Delius, F. 1862-1934 2 Désargus, X. 1768-1832 5 Dixon, H. 20th C 22 Dobrzynski, I. 1807-1867 24 Donizetti, G. 1797-1848 26,28 Dowland, J. c1563-1626 2 Dragonetti, D. 1763-1846 14,29 Dreyfus, G. b1928 30 Dukas, P. 1865-1935 22,24,25 Duncan, E. b1956 11 Dussek, F. 1731-1799 9 Dussek, J. 1760-1812 13,16 Dvorák, A. 1841-1904 3,9,15,16,26,27,29,30 Dyson, G. 1883-1964 25

Ippolitov-Ivanov, M. 1859-1935 17 Ireland, J. 1879-1962 8,10,17,30 Isabella Leonarda. 1620-1704 2 Ives, C. 1874-1954 15 Jacquet de la Guerre, E-C. c1666-1729 15

Easdale, B. Edwards, R. Elgar, E. Ellington, D.

1909-1995 17 b1943 25 1857-1934 5,13,14,26,29 1899-1974 1

Falla, M. de 1876-1946 22 Farquhar, D. 1928-2007 22 Fasch, J. 1688-1758 16 Fauré, G. 1845-1924 3,11,24 Field, J. 1782-1837 18 Fiorenza, N. c1700-1764 8 Firsova, A. b1986 15 Foerster, J. 1859-1951 4 Fossa, F. de 1775-1849 29 Françaix, J. 1912-1997 6 Franck, C. 1822-1890 7,8,18 Frescobaldi, G. 1583-1643 2 Frøhlich, J. 1806-1860 11 Fucik, J. 1872-1916 17 Gade, N. 1817-1890 15,30 Gambini, C. 1819-1865 27 Gatayes, G. 1774-1846 1 Geminiani, F. 1687-1762 3,22,29 Gershwin, G. 1898-1937 3,14 Gifford, H. b1935 25 Ginastera, A. 1916-1983 26 Giuliani, M. 1781-1829 18 Glanville-Hicks, P. 1912-1990 1 Glazunov, A. 1865-1936 25,27,30 Glinka, M. 1804-1857 5,22 Gluck, C. 1714-1787 18 Gnattali, R. 1906-1988 19 Godard, B. 1849-1895 3 Goldmark, K. 1830-1915 22 Gounod, C. 1818-1893 4,8 Graf, C.E. 1723-1804 4 Granados, E. 1867-1916 8 Graziani, C. d1787 14 Grétry, A-E-M. 1741-1813 4 Grieg, E. 1843-1907 20 Grofé, F. 1892-1972 2 Guastavino, C. 1912-2000 19,26 Gubaidulina, S. b1931 15 Guiraud, E. 1837-1892 19 Gurney, I. 1890-1937 25 Haas, P. 1899-1944 Hahn, R. 1875-1947 Halévy, F. 1799-1862 Halvorsen, J. 1864-1935 Handel, G. 1685-1759 Harris, Ross b1945 Harvey, J. 1939-2012

Orchestra RTO: Radio & Television Orchestra RTV SO: Radio and Television Symphony Orchestra SO: Symphony Orchestra TO: Theatre Orchestra alto: male alto ban: bandoneon

24 24 8 26 4,16,20 22 21

Jadin, L-E. 1768-1853 18 Janácek, L. 1854-1928 4,9,21,23,29 Josquin Desprez. c1450-1521 23 Kalkbrenner, F. 1785-1849 22 Kálmán, E. 1882-1953 2 Kancheli, G. 1935-2019 15 Kats-Chernin, E. b1957 15,30 Kay, D. b1933 2 Kelly, F. 1881-1916 25 Klein, G. 1891-1945 1 Knopfler, M. b1949 6 Kodály, Z. 1882-1967 19,30 Koh, S. b1970 30 Korngold, E. 1897-1957 13 Kozeluch, L. 1747-1818 20 Kuhlau, F. 1786-1832 4,5,30 Kuhnau, J. 1660-1722 4,16 Lachner, F. 1803-1890 1 Lajtha, L. 1890-1963 17 Lalo, E. 1823-1892 27 Larsson, L-E. 1908-1986 28 Lawes, W. 1602-1645 30 Lazarof, H. 1932-2013 4 Lecocq, C. 1832-1918 8 Lekeu, G. 1870-1894 10 Lentz, N. c1720-1782 4 Lewandowski, L. 18311896 4 Lewis, G. b1958 25 Ligeti, G. 1923-2006 14 Lilburn, D. 1915-2001 22 Lindquist, E. b1970 7 Liszt, F. 1811-1886 2,10,15,29 Lloyd Webber, A. b1948 10 Locke, M. c1621-1677 30 Loewe, F. 1901-1988 3 Luigini, A. 1850-1906 19 Lully, J-B. 1632-1687 5 Lutoslawski, W. 1913-1994 16 Lutyens, E. 1906-1983 6,21 Lyadov, A. 1855-1914 2 MacDowell, E. 1860-1908 11 Machado, C. b1953 19 Maclean, C. b1958 25 Maconchy, E. 1907-1994 12 Magnard, A. 1865-1914 22 Mahler, G. 1860-1911 3,7,28 Malipiero, G. 1882-1973 17 Marcello, A. 1684-1750 22,23 Marcus, B. b1952 21 Martin, F. 1890-1974 19 Martinu, B. 1890-1959 4,9,12,17 Martucci, G. 1856-1909 12 Matteis, N. d c1707 14 Mayerl, B. 1902-1959 19 McLeod, Jenny. b1941 22 Mendelssohn, F.1809-1847 8,14,16,17,18,23,26,27,30 Meyerbeer, G. 1791-1864 5 Milhaud, D. 1892-1974 10 Mills, R. b1949 28 Mirto, G. b1972 17 Molter, J. 1696-1765 21 Monteverdi, C. 1567-1643 2,3 Morricone, E. b1928 24 Moscheles, I. 1794-1870 14 Mozart, L. 1719-1787 20 Mozart, W. 1756-1791 1,4,6,8,10,12,15,17,18,19,20,25,27 Musgrave, T. b1928 21

bar: baritone bshn: basset horn bass: bass bn: bassoon bass bar: bass baritone cl: clarinet clvd: clavichord cont: contralto cora: cor anglais ct: counter-tenor

Strauss, J. II 1825-1899 16 Strauss, R. 18641949 3,9,17,22,26,27,29 Stravinsky, I. 1882-1971 3,6,7,11,17,27 Strouse, C. b1928 10 Strozzi, B. 1619-1677 2 Suk, J. 1874-1935 3,9,10,16,23,30 Sullivan, A. 1842-1900 2 Suppé, F. 1819-1895 15 Sweelinck, J. 1562-1621 13,23

Muslera, F. b1975 26 Mussorgsky, M. 1839-1881 12 Myslivecek, J. 1737-1781 6 Nardini, P. Nielsen, C. Nilsson, A. Novák, J. Novák, V.

1720-1793 1865-1931 b1954 1921-1984 1870-1949

Ockeghem, J. c1410-1497 Offenbach, J. 1819-1880 Onslow, G. 1784-1853 Ourkouzounov, A. b1970

14 17,22 20 23 9 23 8 5,11 4

Paganini, N. 1782-1840 15 Paisiello, G. 1740-1816 28 Pärt, A. b1935 4,25 Pelecis, G. b1947 15 Pescetti, G. c1704-1766 23 Peterson, John. b1957 23 Pfitzner, H. 1869-1949 9 Piazzolla, A. 1921-1992 26 Piccinni, N. 1728-1800 14 Ponce, M. 1882-1948 20 Pool, P. 1709-1795 9 Porpora, N. 1686-1768 11 Poulenc, F. 1899-1963 5,20,27 Praeger, H. 1783-1854 4 Praetorius, M. c1571-1621 11 Prokofiev, S. 1891-1953 6,7,13,15,20,24,27,30 Puccini, G. 1858-1924 16 Purcell, H. 1659-1695 5,30 Puts, K. b1972 11 Rachmaninov, S. 1873-1943 17 Raff, J. 1822-1882 20 Rameau, J-P. 1683-1764 14 Rautavaara, E. 1928-2016 28 Ravel, M. 1875-1937 9,10,17,27,29 Rawsthorne, A. 1905-1971 30 Rebel, J-F. 1666-1747 1,28 Reger, M. 1873-1916 30 Reicha, A. 1770-1836 11 Reinecke, C. 1824-1910 23 Respighi, O. 1879-1936 16,20,23,28 Ries, F. 1784-1838 24 Rimsky-Korsakov, N. 1844-1908 3,27 Rochberg, G. 1918-2005 28 Rode, P. 1774-1830 25 Rodrigo, J. 1901-1999 16 Rollins, S. b1930 17 Romberg, S. 1887-1951 3 Rossini, G. 1792-1868 2,15,16,25 Roussel, A. 1869-1937 4 Ruiz-Pipó, A. 1934-1997 6 Saint-Saëns, C.1835-1921 8,13,14 Salieri, A. 1750-1825 6,16 Salzedo, C. 1885-1961 15 Santórsola, G. 1904-1994 26 Sanz, G. 1640-1710 1 Scarlatti, D. 1685-1757 15 Scelsi, G. 1905-1998 14 Schein, J. 1586-1630 16 Schmitt, F. 1870-1958 22 Schobert, J. 1740-1767 28 Schubert, F. 1797-1828 2,4,9 ,10,11,13,16,17,20,24,27,29 Schulhoff, E. 1894-1942 25 Schumann, R. 1810-1856 5,9,11,16,17,24,29 Sculthorpe, P. 1929-2014 15 Seixas, C. 1704-1742 1 Short, G. 1938-1999 17 Shostakovich, D. 1906-1975 4,7,18,19,23 Sibelius, J. 1865-1957 2,16,23 Sinding, C. 1856-1941 22 Skryabin, A. 1872-1915 20,30 Smetana, B. 1824-1884 3,16,23 Smyth, E. 1858-1944 18,21 Somervell, A. 1863-1937 8 Sor, F. 1778-1839 5,11,18 Sperger, J. 1750-1812 25 Spohr, L. 1784-1859 15,18,25,26 Stamitz, J. 1717-1757 30 Stanford, C. Villiers 1852-1924 21 Stenhammar, W. 1871-1927 23 Stradella, A. 1639-1682 28 Strahan, D. b1935 17

Taffanel, P. 1844-1908 5,12,13 Tailleferre, G. 1892-1983 21 Takemitsu, T. 1930-1996 21,28 Tallis, T. c1505-1585 2 Tanaka, K. b1961 7,21 Tartini, G. 1692-1770 15 Tausch, F. 1762-1817 11 Tchaikovsky, B. 1925-1996 29 Tchaikovsky, P. 18401893 2,3,12,18,20,21,23 Telemann, G. 1681-1767 3,9,16,17 Thomson, V. 1896-1989 9 Tojima, M. b1971 21 Torelli, G. 1658-1709 21 Tosti, P. 1846-1916 1 Turina, J. 1882-1949 19,30 Vangelis. b1943 18 Vasks, P. b1946 11 Vaughan Williams, R. 1872-1958 2,13,14,18,24,25 Veracini, F. 1690-1768 1 Verdi, G. 1813-1901 16,25 Vianna da Motta, J. 1868-1948 1 Viardot, Paul. 1857-1941 7 Viardot, Pauline. 1821-1910 21 Victoria, T. de 1548-1611 25 Villa-Lobos, H. 1887-19591 9,23 Vivaldi, A. 1678-1741 6,15,20,22,23 Vorisek, J. 1791-1825 11 Wagenaar, J. 1862-1941 7,30 Wagner, R. 1813-1883 2,8,9,14,16,29 Wallace, W. 1860-1940 30 Walton, W. 1902-1983 3 Warren, G. 1828-1902 3 Warren, H. 1893-1981 10 Weber, C.M. 1786-1826 7,16 Webern, A. 1883-1945 7 Weinberg, M. 1919-1996 18 Weissenberg, A. 1929-2012 4 Wesley, S. 1766-1837 20 Widor, C-M. 1844-1937 12 Wilms, J. 1772-1847 4 Wranitzky, A. 1761-1820 7 Zamfir, G. Zelenka, J.

b1941 1679-1745

Music duration is shown after the record and citation

db: double bass dbn: double bassoon did: didjeridu elec: electronic fl: flute fp: fortepiano gui: guitar hn: french horn hp: harp hpd: harpsichord

mand: mandolin mar: marimba mezz: mezzo-soprano narr: narrator ob: oboe org: organ perc: percussion pf: piano picc: piccolo rec: recorder

sax: saxophone sop: soprano tb: trombone ten: tenor timp: timpani tpt: trumpet treb: treble voice va: viola vc: cello vn: violin

28 21

Volunteer Spotlight Chris Wetherall

Pamela Newling speaks with presenter and keen traveller, Chris Wetherall Chris Wetherall’s Jazz Pulse program live on Mondays at 7.00pm is an invitation to listeners to relax and enjoy the evening. His smooth English tones and easy manner make him a natural, but he expresses gratitude to his mentor and trainer, Jeannie McInnes, for her immense patience getting him started five years ago. Like many Fine Music volunteers, Chris had been a listener for at least 20 years. and, he says, “with rising frequency as ABC Classic FM became increasingly dumbed down”. Music has always been part of Chris’s life. His Dad, whom he describes as Mainstream and earlier, played lots of jazz. He says: “In the jazz culture wars of the 50s and 60s he would have been in the traditionalists’ camp with the ‘mouldy figs’, as the be-boppers called them... I guess Armstrong, Goodman, Basie and Ellington just rubbed off on me. He describes an inspired moment, when in his early teens his Dad began taking him along to Ellington concerts in and around London… magic times indeed. Each one-hour program takes about three hours to prepare and write. Chris describes the challenges as breath control, sound levels and balance. Keeping it interesting is another challenge. He says: “Jazz people can be quite off-putting to outsiders”, and quotes Lee Konitz’s comment, “spontaneity takes a lot of preparation”.

Photo supplied by Fine Music / Illustration by Lyndon Pike

Chris goes on to say that he knocked over Ben Webster’s coffee when still at school — “so nice about it, I have his autograph still”. He treasures a friendship with Oscar’s drummer, Ed Thigpen, who even took his drum kit over to a party at Chris’s flat.

Chris says: “the buzz of the station is one of the most enjoyable aspects of involvement with Fine Music – much missed during COVID. Easing of restrictions is so very welcome.”

Chris says he is beyond grateful to his wife, Patricia, who has walked this musical journey with him for 50+ years and remains his keenest critic each Monday for Jazz Pulse.

Working life involved corporate and self-employment in business in a variety of fields related to fashion, perfume, cosmetics and luxury goods. Retirement has provided more time to concentrate on music and other interests.

The return of live music is a relief and Chris enjoys the recent opportunity to go back to the City Recital Hall, particularly for small-scale chamber music. He says he tends to go classical in the mornings, jazz at sundown. Most played at home is Be-bop.

Pre-COVID, travel was a favourite pastime. Throughout his programs Chris references overseas jazz venues he’s attended. He says: “Outstanding performance moments would include the London scene in the 70s – Getz, the MJQ, the Duke and the Count; four years living in Copenhagen - so the Montmartre Club with Chet, Oscar and others; and many gigs in New York City when employed by an American company.”

The Themes of Fine Jazz on Fine Music Sydney Keith Pettigrew explores the magic behind our jazz presenters’ theme tunes Fine Music Sydney is the original FM radio station, broadcasting for over 45 years. Fine Jazz has been part of that picture all the way along, even with the parallel digital broadcasting. Each of our jazz presenters has their own delights from the 120-year history of jazz: 1900s classics; swing; post-war bebop; 60s cool; bossa nova; jazz from 21st century pop; jazz across the planet; and emergent jazz for tomorrow. This article concludes the short series on the magic of jazz, expressed by presenters’ theme tunes.

Classic Jazz and Ragtime – Sundays at midday with Dave Mac

Friday Jazz Session – Fridays at 7:00pm with Alex Siegers

Theme: Petite Fleur (Sidney Bechet 1952)

Theme: The New Message (Donald Byrd), Art Blakey and the Jazz Messengers, 1956

Petite Fleur was written by Sidney Bechet in 1952 after he had moved to France. This followed struggles to make music in the US, opening a tailor’s shop that became a hangout for jazz musicians, having contractual restrictions placed on his performing, and a very successful appearance at the 1950 Paris Jazz Fair. He was one of the very first jazz soloists to emerge from the big band era, even before Louis Armstrong made it a norm. The tune became hugely successful as an international hit in 1959 by UK’s Monty Sunshine and the Chris Barber’s Jazz Band. It was extremely popular in the US and Sweden, and subsequently recorded by Bob Crosby. Lyrics were added, and it became a hit in France by Danielle Darrieux. Petula Clark had a UK hit in 1964, but in French; it has not been recorded in English. It was popular at the cusp of changing musical tastes with the emergence of the Skiffle era and an interesting new band The Quarrymen, who became The Beatles. Interestingly, the Bechet recording of 1952 was at the beginning of the hi-fi era, perhaps the last of the greatest stars of early authentic New Orleans Jazz. It is a supreme example of that style using quality recording techniques, reflective of other musicians who feature on this program: Bunk Johnston, Louis Armstrong, Alberta Hunter and Duke Ellington.

The tune is from Art Blakey and The Jazz Messengers album Drum Suite. This has been described by critics as ‘a lost masterpiece’, with particular reference to The New Message. It was only released as a bonus track on the 2005 re-release of the album, although originally recorded in 1956-57. This music sat on a reel at Columbia for nearly 50 years before it was released to the public. For something which is so incredibly catchy, topping and tailing every episode of Friday Jazz Sessions as the theme tune, seems only fair to make up for all that lost time. Art Blakey was a drummer and bandleader who, with pianist and composer Horace Silver, formed the Jazz Messengers in the mid-1950s after working with renowned bebop musicians, including Thelonious Monk, Charlie Parker and Dizzy Gillespie. His approach was always to encourage young musicians and it became known as an incubator for young talent, featuring such greats as Wayne Shorter, Chick Corea, Keith Jarrett and Wynton Marsalis. The band has been described as the archetypal hard bop group. Even though this tune is relatively unknown, the opening head conveys a sense of the familiar. It is so steeped in jazz idiom that it is simultaneously known and brand new. Classic Jazz and Ragtime 11 April Friday Jazz Sessions 2 April

Jazz in Conversation: Saxophonist Matt Keegan Barry O’Sullivan talks to Matt Keegan about his 20 years in the world of music

The saxophonist Matt Keegan regularly performs throughout Australia and around the world. He has appeared on over fifty albums as a recording artist and is a featured soloist for many well-known groups both past and present. He has performed at music festivals and venues across the globe. His latest musical project, Vienna Dreaming, was initially inspired after he read the family tree researched by his aunt. She suggested to Matt that he attempt to create music with inspiration from the family history around his great grandfather Heini Portnoj, a Jewish musician refugee who fled from Vienna in 1938, leaving behind many of his friends and family. Portnoj found refuge in Australia where he eventually had a long and successful career as a pianist, conductor and opera singing teacher. Among Pornoj’s students was the legendary soprano Joan Carden.  offered the opportunity to be one of the Artists-inResidence at Bundanon, the former home of painter Arthur Boyd on the NSW South Coast.

Keegan won the prestigious MCA/Freedman Fellowship for Jazz in 2011 and has been composing and arranging music for over twenty years. He has written over 70 compositions which feature on a variety of albums, including Elysium and Cold Soul, which were commissioned for Fine Music Sydney’s Artists in Residence ensemble, Elysian Fields, led by Jenny Erickson.

“Having time at the Musicians cottage at Bundanon was critical,” Keegan says. “It gave me time to think about what parts of the story I wanted to focus on and what interested me... I took my clarinet or my sax and went for a walk each day in the forest and just let the music flow and wrote down the ideas. I guess I was visualising the story, like a movie in my mind.”

Erickson taught Keegan music at the International Grammar School in Sydney, and later in high school as choirmaster. Matt is currently a member of her crossover chamber jazz ensemble Elysian Fields. He went on to receive a Bachelor of Music with First Class Honours and a Master of Music (Performance) from the Sydney Conservatorium and is currently completing his doctorate at UNSW supervised by John Napier and Dr. Sandy Evans.

A studio recording of an elegant suite of electro-acoustic salon music was created by Keegan and engineered by Richard Belkner at the Free Energy Device Studios in Sydney. Released in 2018 it was received well by critics and gained multiple airplays around Australia. But Keegan resisted a live performance of the work until the team from the Sydney Improvised Music Association (SIMA) encouraged him to perform it for their JazzNOW Summer Program at Mary’s Underground.

The creation of the music for Vienna Dreaming began life more than five years ago when Keegan was

“I said to them if I am going to do this, I need some confidence. I need the universe to let me know everything is going to be all right,” says Keegan. “The date they gave me, February 28, 2021, turned out to be my late grandmother’s 100th birthday!” The universe had spoken! A Jazz Hour 26 February 2021 Listen back on demand. Photo courtesy of Matt Keegan

Why Fine Music Jazz Is Cool Leita Hutchings presents Part 6 in the Why Jazz Is Cool series

There are so many reasons Why Fine Music Jazz is Cool. There’s something about this place, a synergy, a magical fusion of energies, an explosion of talent and enthusiasm. So, I asked the questions: Why is Fine Music Sydney Jazz so cool and why are our jazz presenters so cool? ALEX SIEGERS, Friday Jazz Session

XAVIER BICHON, Planet Jazz

Is Jazz cool because its musicians are so unflappable, rolling with the punches, winging it, making it up on the fly? ‘Cos of the long history with all things illicit? Speakeasies, trouble with the law, promiscuity, adultery, drugs, alcohol, protests, and civil rights activism?

Jazz is cool because it can put you in a Sentimental Mood when you feel some Kind of Blue.

I only recently joined the Fine Music Jazz team and can confidently say it isn’t any of these things that makes our jazz so magnetic. It’s the indulgence, the commitment to self-expression, the obsession required to create art and the pleasure it brings to performers and audiences alike. It’s the curiosity, the desire to reinvent, to feel something different, be something different, and to open minds. It’s the emotion, the elation fine jazz brings players and listeners, how Strange Fruit can make you weep, how Benny Goodman makes you tap your feet, and how calm washes over you when you listen to Miles Davis. These things, in abundance, are the things that make Fine Music Jazz so cool.  KEITH PETTIGREW, Emergent Jazz Jazz is cool, awesome, popular, nice – a state of composure, removed from the mainstream, unconventional.  Overwhelmingly, it’s attitude. Jazz has always been a bit left-of-field, running its own trajectory outside mainstream music; cool pastels to fiery reds. We present the full range of jazz styles. Jazz. Is. Just. Cool. And Fine Jazz on Fine Music Sydney, is cooler still. You know Jazz is played all over the world? From the Equator to the Poles, from East to West, from coast to coast; need I say more?

Jazz is about freedom of expression – spontaneous and limitless. Jazz is never fancy or complicated on the surface, it seems both easy and alluring. Jazz is the embodiment of the cultural idea of cool; you know it when you hear it. Some of the coolest jazz music ever made was when Miles Davis improvised in 1957 the splendid score for Ascenseur pour l’échafaud (Lift to the Scaffold) by French director Louis Malle. What a gem! GAIL MONJO, Jazz After Hours Cool is a word from the 1930s meaning ‘intensely good’. Jazz is timeless and ever-morphing into new directions. Just listen to Jazz Sketches with Robert Vale, and Keith’s program Emergent Jazz. Why is it, that so many singers cover the great songs that came from the jazz songbook? Because they are sublime and beautiful and faultless; and either fun as heck, or heartbreaking to perform.

FRANK PRESLEY, The New Jazz Standard

SUE JOWELL, Jazz After Hours

It’s likely that the term ‘cool’ emerged from the jazz tradition as a way of labelling less frenetic or ‘hot’ jazz as it was then described.  It’s also likely that the sax hipster Lester Young, wearing a pork pie hat and with a smouldering cigarette parked among the struts of his saxophone, first coined the term ‘cool’. Nicknamed ‘Pres’, he forever embedded into the vernacular a way of describing anything that’s extra good. That’s how I would describe Fine Music’s jazz and its presenters.  If you want proof, check out Lloyd Capps and The Jazz Beat Tuesday nights at 7pm.

Watch the movie Society. The songs and lyrics by Cole Porter in the film illustrate every aspect of Jazz, ballads, love songs, Dixieland, and Trad; it’s all there. The chemistry between the stars is magical and the material Porter wrote for them, sublime. DAVID McFARLANE, Class Jazz and Ragtime If you’re feeling too hot, Jazz will cool you down. If you’re feeling too cold; Jazz will warm you up. Jazz is cool because listening to fine jazz is the ideal way to chill out.

ROBERT VALE, Jazz Sketches

Jazz helps you relax; it can make you want to dance; it energises your toes.

Cool is closely associated with Miles Davis’ 1949 landmark album Birth of the Cool. Over time it became one of the half dozen or so recognized, historical jazz categories. That’s what ‘cool jazz’ is to me.

Jazz is perfect for a romantic assignation or just having a good time with friends; there is a style of jazz to suit every mood and social occasion, and Jazz goes very well with every type of food and wine. Urban Jazz Lounge - Midday Saturdays

Illustration by Leita Hutchings

CD REVIEWS Johannes Brahms: Music for Clarinet and Piano Lloyd Van’t Hoff & Peter de Jager lloydvanthoff.com

COVID projects are to be commended; with musicians finding ways not to despair in the face of cancelled concerts and great uncertainty regarding when they’d be permitted to perform together. Clarinettist Lloyd Van’t Hoff, who came to prominence as the 2015 ABC Symphony Australia Young Performer of the Year, was meant to spend 2020 touring the country with Arcadia Winds. Instead, with his schedule cleared, he collaborated with pianist Peter de Jager to record Brahms’ glorious works for clarinet and piano. That this is a passion project is evident from the liner notes which provide the musicians’ personal

reflections on Brahms’ music. The recording is similarly intimate, Van’t Hoff and de Jager sounding as if they could be performing in your own living room. If this were a live broadcast, it would thus be most pleasing but as a mastered recording, I want something that repays repeat listening. That the musicians have fantastic technical capacity is without question, and Brahms’ music is well honoured by their performance. But there’s something missing, some extramusical element, which would have me coming back for more. - Naomi Green

All At Once

The Pocket Trio Independent

This debut recording is an emotionally charged and musically accomplished testament to the jazz trio. It contains six original compositions and one playful version of Harold Arlen’s Over the Rainbow, in a musical marriage of talent made in heaven. Bouncing and bounding between song form and freedom, this track alone could be the prime exhibit of the trio’s distinctly stimulating groupenergy. Born out of their regular Tuesday night gig, it delivers music that is never repetitive or stale. Their easy-going jamming seems to belie the fact that they are a relatively newly formed combo,

bringing a raft of influences from the jazz canon of Oscar Peterson and Bill Charlap to Ahmad Jamal, with subtle trio interplay and articulation. My favourite track, Pocket Dial, is a perfect example of where this trio performs with one voice. If you close your eyes it’s easy to imagine the close-knit interactions of the band. The music works so well because of the faultless balance.

Ensemble Q, led by co-artistic directors Trish and Paul Dean, is the chamber group in residence at the Queensland Conservatorium, where this CD was recorded live in 2017. Klaus Simon, who arranged the music for chamber ensemble, is a German musician who has produced editions of works by Mahler and Schoenberg. Mahler is, of course, famous for symphonies of extreme length which call for vast instrumental and sometimes vocal forces. While his Fourth Symphony is noticeably slimmer than the sprawling Third, this arrangement nevertheless comes as something of a revelation.

The employment of only 14 instrumentalists enhances the sense of humanity in the work, which culminates in a song expressing a child’s vision of Heaven, Das himmlische Leben, here sung by Greta Bradman. The symphony progresses towards this song in sections marked with relaxed tempi (adverbs such as moderately, leisurely, peacefully, and comfortably feature) suggesting Mahler’s influence on both the more atomised Webern and (especially in the third movement) the spiritual music of Pärt and Górecki.

- Barry O’Sullivan

Mahler 4 Ensemble Q

www.ensembleqaustralia.com

- Paul Cooke

CD REVIEWS Camargo Guarnieri: Chôros vol 1 / Seresta

Soloists; Sao Paolo Symphony Orchestra; Isaac Karabtchevsky, conductor NAXOS 8.574197 The wealth of styles of 20th century classical music available on disc continues to expand with this new recording on the Naxos label. Camargo Guarnieri is an important composer in Brazil, a musician who shaped the national musical culture through his compositions, teaching and writing. This recording presents four intriguing works for solo instruments with orchestra: Seresta (piano) and three titled Choro (one each for bassoon, flute and violin). The word choro usually applies to Brazilian street music, but Guarnieri has used the title to denote a concertante work. His music is wonderful in its imaginative soundscape, making use of sustained tonal pedal points and evoking the landscapes of Brazil by incorporating folk idioms, such as melodies reminiscent

Jazzified

James Donald Self Released Available on Bandcamp

When you take an acoustic folk guitarist through a campus jazz course, you get Jazzified. James Donald completed his UNSW Jazz degree and released his album Jazzified last year. He finished his degree falling head-over-heels in love with jazz, whilst realising how complex and emotional it can be. It is a showcase of talent from the UNSW jazz campus, with Donald composing most of the tracks and arranging some standards that range from New Orleans Swing to Jazz Fusion, from French Stan Getz vibes to 1950s Jazz-Pop groups to noir Jazz! There are three standout tracks. Dave Brubeck’s Take Five is given a fresh lease of life, with Donald’s guitar providing structure behind and interplay with

of sertão and baião and harmonies of caipira folk music. Guarnieri’s music is not in any way a copy of these traditional forms, however; the folk elements are fully incorporated into a musical style that is both personal and evocative. The performances from the Sao Paolo Symphony Orchestra are vividly engaging and the soloists – Olga Kopylova, piano, Alexandre Silvério, bassoon, Olga Nascimento, flute and Davi Graton, violin – are all superb in this enjoyable and intriguing recording. - James Nightingale

Greg Stopic’s sax. Cole Porter’s I Love You gets a warm treatment with Donald on guitar and Sarah Homeh’s soulful voice and bass playing. Razzberry Jam is an in-studio jam that emerged from a bunch of chords, through a classic Dorian progression, into a piece of strong improvisation. And there is an innovative voice-over-jazz story about Cluedo’s Mr Black. A treasure of an album, and a testament to the calibre of the UNSW jazz program. And James Donald’s new love of jazz.

- Barry O’Sullivan

LISTENERS' LETTERS

imageBROKER / Alamy Stock Photo

Variety Hour

Just wanted to say thank you for a particularly good and well-presented Hosanna today. Lovely variety of music, beautifully sung, perfect for the season. - Peter Jewkes

Jowell in the Crown

Sue Jowell is always wonderful, but yesterday she had the most wonderful ending to Drive: Noel Coward with some of the Carnival of Animals; Danny Kaye’s Little Fiddle (I used to perform as a ‘young bloke’), but best of all was Here’s To The Next Time which is her sign off. Brilliant. - Leigh

Love from the Beaver State

Greetings from USA, Oregon! Do you have a newsletter that I may subscribe to? I absolutely love the Ultima Thule programme, especially Mark Kundalini’s productions. - Robert Plata

Informer

I found Jeannie’s Jazz program today very well put-together - a great mix, and very well informed.

High Society

Please could you let John Hanna know how much I enjoy the monthly organ music programs on Society Spot.  He chooses great music and gives interesting background. My father was an organist, so this is always very special for me. - Clare

- Arnold

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