Fine Music Sydney Magazine - August 2020

AUGUST 2020 05

Song of his People The Life and Legacy of Samuel Coleridge-Taylor

06

In Conversation with Composer Ella Macens

36

The Classical Guitar Society, Sydney An overview of the Society’s history

38

Sullivan Before Gilbert A deep musical soul

FOUNDERS’

STUDIO HIRE Are you a musician looking to record an audition for an application, or are you wanting to record your own music?

We have a studio ready for you to record in.

Find out more at finemusicsydney.com/foundersstudio

I N D E X

O F

M A G A Z I N E

06. In Conversation with Ella Macens

38. Sullivan Before Gilbert A deep musical soul

We talk to the emerging Sydney Composer

05 Song of his People The Life and Legacy of Samuel Coleridge-Taylor

39. Emerging Artist Freyja Garbett

08. Programming in the Time of COVID

40. Volunteer Spotlight

09. A Life in Music

41. Why Live Jazz is Cool

Ross Hayes

Snaphots of 1920 and 1820

Part 2 in the Why Jazz Is Cool series

Remembering cellist Lynn Harrell

36. Classical Guitar Society, Sydney An overview of the Society’s history

10. Program Guide

42. Listeners’ Letters

43. CD Review

35. Composer List

42. In Next Month’s Issue

44. Crossword

T H I S

M O N T H

A T

F I N E

M U S I C

45. Patron’s List

S Y D N E Y

Although we can’t deliver our emerging artist programs this year, we are taking the time to catch up with our alumni over the coming months. This month we interview 2017 Young Composer Award winner Ella Macens (page 6). I hope you enjoy these interviews. We receive a great deal of positive feedback daily - for which we are very grateful, letting us know that you are reading and listening at home. I want to take this opportunity to wish you and your family well during these uncertain times.

Despite the very many challenges that we have encountered over the last six months, we have persevered and found new ways of broadcasting in a COVID-19 inspired digital revolution. I am proud to have led an extremely diverse team of staff and volunteers through a significant period of change management with a focus on digital transformation in 2020. This hard work has prepared us to be on a level playing field with our peers in a competitive market. I hope you have been enjoying our Supporter Platform and that you too join me in thanking our wonderful team for their collective dedication and loyalty during these difficult times. Finally I would like to take this opportunity to thank the dedicated volunteers listed below who were involved in delivering this months program.

Regards, Rebecca Beare

P R O G R A M M E R S

&

P R E S E N T E R S

PROGRAMMERS AND PRESENTERS FOR AUGUST Rodrigo Azaola, Charles Barton, Peter Bell, Dan Bickel, Chris Blower, Adam Bowen, David Brett, John Buchanan, Andrew Bukenya, Rex Burgess, Janine Burrus, Lloyd Capps, Vince Carnovale, Lyn Chong, Adam Cockburn, Angela Cockburn, Liam Collins, Paul Cooke, Di Cox, George Cruickshank, Nick Dan, Jackson Day, Nev Dorrington,Annabelle Drumm, Brian Drummond, Andrew Dziedzic, Rita Felton, Michael Field, Owen Fisher, Jennifer Foong, Tom Forrester-Paton, Susan Foulcher, Carole Garland, David Garrett, Robert Gilchrist, Nicky Gluch, Joe Goddard, Albert Gormley, Giovanna Grech, Jeremy Hall, John Hanna, Austin Harrison, Ross Hayes,Paulo Hooke, Paul Hopwood, James Hunter, Leita Hutchings, Anne Irish, Sue Jowell, David Knapp, Ray Levis, Ray Lemond, Krystal Li, Anne-Louise Luccarini, Christina Macguinness, Linda Marr, Meg Matthews, Stephen Matthews, Neil McEwan,Jeannie McInnes, Terry McMullen, Angus McPherson, Maureen Meers, Camille Mercep, Simon Moore, Frank Morrison, Michael Morton-Evans, Richard Munge, Gerry Myerson, James Nightingale, Barry O’Sullivan, Calogero Panvino, Derek Parker, Denis Patterson, Keith Pettigrew, Anabela Pina, Andrew Piper, Peter Poole, Frank Presley, Mark Renton, Darryl Rule, Paul Roper, Marilyn Schock, Debbie Scholem, John Shapiro, Julie Simonds, Elaine Siversen, Robert Small, Garth Sundberg,Jacky Ternisien, Anna Tranter,Madilina Tresca, Robert Vale,Richard Verco, Ron Walledge, Christopher Waterhouse, Chris Wetherall, Stephen Wilson, Glenn Winfield, Chris Winner, Orli Zahava, Tom Zelinka, Iris Zeng PROGRAM SUBEDITORS Jan Akers, Chris Blower, Maureen Chaffey, Di Cox, Elaine Siversen, Jill Wagstaff, Teresa White LIBRARIANS Jan Akers, Rex Burgess, Maureen Chaffey, Di Cox, Helen Dignan, Lynden Dziedzic, Peter Goldner, David Hilton, Dawn Jackson, Michael Marchbank, Phillip McGarn, Judy Miller, Rachel Miller, Helen Milthorpe, Susan Ping Kee, Mark Renton, Daria Sosna, Jacky Ternisien, Ricky Yu

03

FINE MUSIC SYDNEY

ORGANISATION DETAILS Fine Music Sydney - We are Sydney’s Fine Music Broadcaster MUSIC BROADCASTING SOCIETY OF NSW CO-OPERATIVE LIMITED Editor Rebecca Beare Assistant Editor Mona Omar Designer Lyndon Pike Digital Content Coordinators Paul Cooke, Keith Pettigrew, Nicky Gluch

Fine Music Sydney is owned and operated by the Music Broadcasting Society of New South Wales Cooperative Limited. Fine Music is a registered charitable organisation with a Charity Fundraising Number and is listed with the Register of Cultural Organisations. Fine Music Sydney is a Community Radio station and a member of the Community Broadcasting Association of Australia. Fine Music Sydney (formerly known as 2MBS and Fine Music 102.5) is Australia’s first stereo FM radio station. The station was officially opened on 1 February 1975 and we have now been on air for over 45 years. Fine Music Sydney plays an important role in encouraging emerging musicians and music lovers in their ambitions to be professional musicians or broadcasters. Fine Music Sydney is an integral part of Sydney’s cultural landscape promoting and encouraging an active live classical and jazz music scene in our community and supporting music education. The Fine Music Emerging Artist program includes: Artists in Residence, Young Composer Award, Young Virtuoso Award, Stefan Kruger Scholarship, Ken Weatherley Jazz Scholarship and our Emerging Artist Workshops and Fine Music Showcase broadcasts.

Mission Statement To share the love of fine music through broadcasting

Program Compiler Team Coordinator Chris Blower

Goals

Proof Readers Eddie Bernasconi, Tessa Miles

2. To maintain and improve high standards in all we do

Contributors Chris Blower Paul Cooke Nicky Gluch Leita Hutchings Krystal Li Pamela Newling Mona Omar Barry O’Sullivan Darryl Rule Julie Simonds

1. To be Sydney’s preferred broadcaster of classical music, jazz and other specialist music genres 3. To promote Australian musicians and composers, with particular focus on the young 4. To provide a supportive and enjoyable work environment for volunteers and staff 5. To develop a sustainable financial model for the organisation FINE MUSIC HONORARY AND ARTISTIC PATRONS Vice Regal Patron: Her Excellency the Honourable Margaret Beazley AC QC, Governor of New South Wales Honorary Patron: Professor The Honourable Dame Marie Bashir AD CVO Artistic Patrons: Elena Kats-Chernin, Simon Tedeschi, Richard Tognetti AO, Brett Weymark Emerging Artists Patron: Toby Thatcher Young Composer Award 2019: Callum O'Reilly

Cover Image Ella Macens by Darwin Gomez

Young Virtuoso Award 2019: Justinn Lu

Fine Music Studios 72-76 Chandos Street St Leonards, NSW 2065 Australia

Ken Weatherley Scholar 2020: Kate Wadey

Postal Address: PO box 78, St Leonards, 2065 Phone: 9439 4777 (9am–6pm) ABN: 64 379 540 010

finemusicsydney.com

Stefan Kruger Scholar 2020: Harry Sdraulig Artists in Residence 2019: Marais Project Associate Artist in Residence 2019: States of Chaos and Elysian Fields PERSONNEL It is important to note that apart from a small staff team, Fine Music Sydney functions through the involvement of dedicated volunteers who generously contribute their time and talents across all aspects of the radio station.

BOARD OF DIRECTORS: Chair: David James Deputy Chair: Christopher Waterhouse Secretary: Katy Rogers-Davies Directors: Roger Doyle, Robert Gilchrist, Jayson McBride, Sue Ping Kee, Peter Poole Appointed Directors: David Jacobs, Peter Stavrianos PUBLIC OFFICER : Rebecca Beare

Frequency 102.5 FM

STAFF: General Manager: Rebecca Beare Community Engagement Manager: Mona Omar Studio & Production Manager: Joe Goddard Office Manager: Sharon Sullivan Digital Content Producer: Lyndon Pike Executive Assistants: Eddie Bernasconi, Tessa Miles

Transmitter Governor Phillip Tower, Circular Quay

TECHNICAL ADVISORS: Honorary Technical Advisor: Max Benyon OAM Broadcast Engineer: John Shenstone Broadcast Systems Engineer: Roger Doyle Information Technology Consultant Peter Bell Recording Engineer: Jayson McBride COMMITTEE CHAIRS: General Manager: Rebecca Beare Jazz: Lloyd Capps Library: Rex Burgess Presenters: Michael Field Programming: James Nightingale Technical: Peter Bell Volunteers: Cynthia Kaye Finance: Peter Poole WHS: Rebecca Beare (acting) Contents and concept of Fine Music Sydney Copyright © 1975-2020

04

Song of his People The Life and Legacy of Samuel Coleridge-Taylor Written by Paul Cooke

The decision to devise a program of Samuel Coleridge-Taylor’s music was made quite some time ago but, fittingly, this article is being written in the wake of the worldwide Black Lives Matter protests. Coleridge-Taylor was born on 15 August 1875 in London, the son of an English woman and a Sierra Leonean man. The latter was a medical student who returned to Sierra Leone upon graduating, unaware that he had fathered a child.

Coleridge-Taylor was brought up by his mother and her extended family, who recognised his musical talents.

From 1890 he attended the Royal College of Music, initially as a violinist but graduating in composition and conducting.

His composition teacher was Charles Villiers Stanford, who regarded him as one of his most brilliant students. During this time, he composed piano and clarinet quintets and other, mostly chamber, works, and he twice gained the Lesley Alexander composition prize. ColeridgeTaylor did experience incidents of racism both at school and at the RCM and, as a consequence, suffered from insecurity and shyness, but he was fortunate that he was able to study in an environment that recognised and furthered his abilities.

In 1898 his cantata Hiawatha’s Wedding Feast was premiered to a rapturous reception from critics and public alike. Choral music was inclined to be religious or serious, but this was regarded as a breath of fresh air characterised as “a big,

New York orchestral players

dubbed Coleridge-Taylor the ‘African Mahler’ in acknowledgement of his conducting abilities

World History Archive / Alamy Stock Photo

lovely orchestral sound buoying up the excitement of a massed bank of voices singing a melody which flowed more or less continuously”. Its success brought about many commissions for further cantatas (including a couple of sequels), none of which had quite the same impact. Nevertheless, the Hiawatha trilogy was staged at the Royal Albert Hall every year from 1924 until the outbreak of World War II: families would come to see it “in fancy dress with feather headdresses, embroidered tunics, and their hair in plaits”.

05

By this time, Coleridge-Taylor had become increasingly aware of his heritage. He had been entranced by the spirituals of the visiting African-American Fisk Jubilee Singers, and had met the AfricanAmerican poet Paul Laurence Dunbar. These influences were incorporated into numerous compositions: “What Brahms has done for the Hungarian folk music, Dvorák for the Bohemian, and Grieg for the Norwegian, I have tried to do for these Negro melodies.” He made three visits to the United States, where he was fêted. African-Americans had only been freed from slavery in the 1860s and Coleridge-Taylor’s achievements, rare among people of African origin in the West, were a model to which they might aspire if they were permitted entrance to musical institutions.

New York orchestral players dubbed Coleridge-Taylor the ‘African Mahler’ in acknowledgement of his conducting abilities. In compositional terms, however, the melodic and rhapsodic traits of Dvorák are a more appropriate comparison and can be discerned in his last major work, the Violin Concerto. It was premiered in Connecticut in June 1912, but the composer was unable to attend. He died of pneumonia in September of that year; his funeral featured a wreath in the shape of Africa, sent by the ‘sons and daughters’ of West Africa resident in London.

Saturday 15 August at 8pm

In Conversation with Ella Macens Krystal Li and Mona Omar speak to emerging Sydney composer Ella Macens Written by Krystal Li and Mona Omar Photos by Darwin Gomez

A lot has happened since you won the Fine Music Young Composer Award in 2017. What have been some career highlights from the past three years?

Wow, so much has happened since that time! Interviews like this one are a nice opportunity to sit and reflect. At the time of winning the Fine Music Young Composer Award I was in my second year of a Master of Music (Composition) degree, working with a collection of Australia’s most outstanding musicians and ensembles as part of the Sydney Conservatorium of Music’s inaugural Composing Women Program. One of these ensembles was the Tasmanian Symphony Orchestra for whom I was composing my second orchestral piece titled The Space Between Stars. In 2018 the work was premiered by the Sydney Conservatorium of Music Symphony Orchestra, and in 2019 the Sydney Symphony Orchestra performed the work in the Sydney Opera House Concert Hall! The Space Between Stars has since been released on ABC Classics CD Women of Note Volume 2 (read Paul Cooke’s review of the album on page 43), which marks the first commercial release of my music! I was in an Uber driving through the innerwest the first time I heard it! The driver didn’t believe me when I said it was my music (I must admit, even I was caught off guard!). He wasn’t satisfied until he viewed my website for proof.

Photo by Darwin Gomez

06

Photo by Darwin Gomez

You draw on a range of influences for your music. Can you tell us about these influences and how they impact your compositions?

My Latvian heritage is very inspiring and influential in my compositions. I grew up surrounded by Latvian folk music and Baltic choral music. My Latvian identity unwaveringly weaves its way into most of my works. I am also equally inspired by my love of indie-pop, postrock, minimalist classical and electronic, and ambient music. Nearly all of my works originally began as pop songs at the piano with sung lyrics and melodies which I then orchestrated out into a more classical context. On a broader level I am very influenced by nature, spirituality, yoga philosophies and my own personal experiences of suffering and chronic illness. Composing has become my outlet for processing these experiences and opens a space to find stillness in chaos, security in uncertainty, and light in darkness.

What kind of stories do you like to tell with your music?

The real, honest ones. My works have always explored personal events or experiences taking place at the time of composing a work, and over the past few years more specifically these have been deeply centred around notions of healing as a result of my experiences living with chronic lymes disease. My works tell stories of the courage witnessed in others, the grief of losing loved ones, the beauty of nature, the magic of landscapes and the mystery of the unknown. The Space Between Stars for example, in all of its depth, intensity and sensitivity, was born out of my fascination with the night sky, constellations and the great unknown that surrounds it. Whilst I was composing this work, my grandfather ArtĹŤrs passed away and a very dear friend was diagnosed with cancer. The piece then organically became more dignified, solemn and sentimental as it explored notions of disbelief, grief and longing. I am currently writing a new work for the Flinders Quartet titled A Love Worth Fighting For. This will be my first piece composed specifically to explore my relationship with someone else, in this case a very special friend with whom my life parted earlier this Photo by xxxxxxxxxxx year How do you think the events of this year have affected the classical music industry in Australia?

Gosh, I think the full extent of this will continue to unfold for years to come. What I do know is that we are a strong, fierce community with the courage to take risks and be bold in our gestures, and we will find a way back to one another and to our concert halls. Our supporters haven’t gone anywhere - they are cheering us on whether we are holding concerts via Zoom or not, and the crowds will roar when venues reopen and we can revel in the joy and thrill of live music once again. The Australian music industry more broadly is bursting with vivacity and charm, from the performing artists to the producers, publicists and the production teams that bring it all to life. Whilst we have each other we are strong. I only wish we had more faith in the Government to support us as we build ourselves back up after such a challenging time.

Thursday 20 August at 8am

07

Programming in the Time of COVID Snapshots of 1920 and 1820 Written by Nicky Gluch and Paul Cooke

One of the highlights of working on the Programming Committee at Fine Music Sydney is devising the special anniversary programs that will go to air each month. It’s our opportunity to celebrate birthdays of composers, premieres of works, unique occasions, all guided by the calendar. So, what to do when COVID- 19 threw a spanner into the schedule? Well, with all the talk of the similarity between this pandemic and the Spanish Flu of 1918-20, we started wondering what Fine Music could have (metaphorically) broadcast 100 years ago? And what about 200?

For 1920, we have limited ourselves to looking at some of the Australian composers whose works were composed or performed in Sydney, usually at the Town Hall or the Con. Benno Moiseiwitsch, one of a significant number of artists to tour Australia that year, performed Dierdre’s Lament, a piano composition dedicated to him by its composer, Roy Agnew, on 26 August. Earlier that month, Moiseiwitsch’s Australian-born wife, violinist Daisy Kennedy, had played The Old Chinese Folk Song by Eugene Goossens: he was not Australian but his music may have been promoted by other Belgian musicians active in Sydney, and he did go on to play a seminal role in Australian music in the 1940s and 1950s.

There were other composers active in 1920 who are much better known for their later work: John Antill, composer of Corroboree, wrote and provided designs for a ‘lyric masque’, testament to his dual careers as musician and mechanical draughtsman; Arthur Benjamin, famous for the Jamaican Rumba of 1938, was very active composing and performing instrumental, chamber and orchestral music. William G. James, later to achieve recognition for his Australian Christmas Carols, wrote an operetta; and May Brahe, whose Bless This House was published in 1927, composed and had performed numerous works for voice and piano. Brahe was one of a significant number of women whose compositions were being performed at this time.

08

For 1820, it was a matter more of determining what classical music colonists may have been familiar with: the first public concert in Sydney didn’t take place until 1826, when Tempest Margaret Paul sang Thomas Arne’s soprano showcase, The Soldier Tir’d. It is probable than the music of Arne and of Charles Dibdin, active in London’s Drury Lane, was well known to many settlers. We do know that the First Fleet surgeon George Worgan (son of John Worgan, who was a friend of Handel and performer at Vauxhall Gardens) brought a piano (later given to Elizabeth Macarthur) with him on the HMS Sirius, with a likely repertoire of Mozart, Haydn, early Beethoven, Scottish music and lighter pieces. Matthew Flinders was an accomplished flautist familiar with the music of Pleyel, Rosetti, Hoffmeister and Deviennes.

Not only free settlers were interested in music. In 1796, the ex-convict Robert Sidaway staged William Shield’s The Poor Soldier, the first opera performed in Sydney. And in 1820, the recently arrived convict François Girard set himself up as a dance master specialising in the quadrille, examples of which were composed locally in the years that followed.

To hear a selection of these works, tune in to Saturday & Sunday Morning Music during the month of August.

Wondering which musicians were affected by the Spanish Flu? Look out for November’s edition of Fine Music magazine!

Saturday 1 August at 6am

A Life in Music Remembering cellist Lynn Harrell Written by Nicky Gluch Photo courtesy of Lynn Harrell

“My best performances are when the instrument is just part of me, when I’m still utilizing the mechanics of the box [but it’s just] a stop-gap between what’s inside me and what I want to communicate, when I feel what the music is trying to say.”

To read interviews with Lynn Harrell is to encounter a deep, musical soul. The son of musicians, Harrell was raised, in a way not uncommon to the 1940s, at an emotional arm’s length. It was his childhood cello teacher, Lev Aronson, who thus inspired in him a love for music and for life. Aronson, a Holocaust survivor, was to be a profound influence on Harrell’s musical sensibilities, teaching him to harness the cello’s subtleties as well as its strengths; in 1994, Harrell received the opportunity to honour Aronson when he performed at the first official commemoration of the Holocaust by the Holy See. Harrell was orphaned at the tender age of 18. His late father, baritone Mack Harrell, had been one of the founders of the Aspen Music Festival and through his connections, Harrell was able to audition for the Cleveland Orchestra. In many ways the orchestra became his adolescent home, and after only two years, Harrell was promoted to principal cellist. He held the position until 1971, before embarking on a solo and teaching career.

It was through his teaching that Harrell met his second wife, Helen Nightengale. Together, they founded HEARTbeats, an organisation that uses music to help children better cope with, and recover from, the challenges of poverty and war.

Aside from this voluntary act, Nightengale and Harrell also collaborated on the film Cello, about an aging cellist who suffers from ALS (Amyotrophic Lateral Sclerosis). That Harrell would take a thespian turn in his 70s was evidence of a man who saw seniority as a time for new opportunities. His body had been slowing, and he had planned to retire at the end of the season, before COVID cut it short. A month later, Harrell died at his home. We remember him at a time when the world could not.

Saturday 15 August at 2.30pm

Photo courtesy of Lynn Harrell

09

Saturday 1 August SATURDAY 1 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SATURDAY MORNING MUSIC With David Garrett 09:00 WHAT'S ON IN MUSIC With James Hunter 09:05 THE PIANO ALONE Prepared by Paul Cooke Beethoven, L. Sonata in D, op 6 (1797).

Cullan Bryant, Dmitry Rachmanov, pf.

Naxos 8.572519-20 6 Alwyn, W. Sonata alla toccata (1947). Peter Donohoe, pf.

Naxos 8.557590 10 Bach, J.S. Partita in D, BWV828 (1731).

Angela Hewitt, pf.

Hyperion CDA67191/2 32 10:00 MUSICAL JOURNEYS Prepared by Rodrigo Azaola Debussy, C. La mer (1905). Cleveland O/ Pierre Boulez.

DG 439 896-2 24 Janácek, L. Symphonic poem: The Danube (1923-28). Jana Valásková, sop; Zdenek Husek, va; Slovak PO/Libor Pesek.

Naxos 8.555245 17 Britten, B. Four sea interludes, from Peter Grimes, op 33a (1945). New Zealand SO/Myer Fredmann.

Naxos 8.578017-18 16 Xianghai, X. Piano concerto, Yellow River (1940; arr. China Central PO 1970). Eileen Huang, pf; China Central PO/Hu Bing Xu. ASV DCA 1031 23 11:30 ON PARADE Prepared by Owen Fisher Coates, T. Little tycoon march. Allentown Band/Ronald Demkee.

AMP 2K 085 4 Clark, J. Tyrolean tubas. Cammell Laird Band/ James Scott.

LP Fontana STL 5531 3 Forsyth, M. The Trojans at Carthage.

Parramatta City Brass Band/Jonathan Gatt.

AET 2016 5 Miller, G. American patrol. Melbourne Fire Brigade Band/Mervyn Simpson.

LP W&G BS5501 3 Berlioz, H. Overture: Le corsaire. National Band of New Zealand.

Ray-Jon CDR-0045 8 12:00 URBAN JAZZ LOUNGE With Leita Hutchings 13:00 OPERA IN MINIATURE Prepared by Elaine Siversen Pergolesi, G. La serva padrona. Opera in two acts. Libretto by Gennaro Federico. First performed Naples, 1733, SERPINA: Julianne Baird, sop UBERTO: John Ostendorf, bass-bar

Philomel Baroque CO/Rudolph Palmer.

Omega OCD 1016 22 Uberto, an elderly bachelor, is angry and impatient with his maidservant, Serpina, because she has not brought him his chocolate. Serpina has become so arrogant that she thinks she is the mistress of the household. Indeed, when Uberto calls for his hat, wig and coat, Serpina forbids him from leaving the house, adding that from he will now have to obey her orders. Uberto thereupon orders his servant Vespone to find him a woman to marry so that he can rid himself of Serpina. Serpina convinces Vespone to trick Uberto into marrying her. She informs Uberto that she is to marry a military man named Tempesta. She will be leaving his home and apologises for her behaviour. Vespone, disguised as Tempesta, arrives and, without saying a word, demands 4,000 crowns for a dowry. Uberto refuses to pay such a sum.

Tempesta threatens him to either pay the dowry or marry the girl himself. Uberto agrees to marry Serpina. Serpina and Vespone reveal their trick; but Uberto realises that he has loved the girl all along. They will marry after all and Serpina will now be the true mistress of the household.

Rebel - Francoeur. Zélindor, roi des Sylphes.

Opera in two acts. Libretto by FrançoisAugustin de Paradis de Moncrif. First performed Versailles, 1745.

ZYRPHÉE: Bénédicte Tauran, sop ZÉINDOR: Mathias Vidam, ten ZYLIM: Arnaud Richard, bass Ausionia/Frédérick Haas, Mira Glodeanu.

MBF 1108 51 The sylph, Zulim, chides Zélindor, king of the sylphes, for loving a mortal. Zélindor then confesses to Zulim his fear that Zyrphée may not love him in return. Zulim tries to convince Zélindor of Zyrphée’s love. As Zyrphée enters, Zélindor makes himself and Zulim invisible.

Zyrphée sings of her love for Zélindor wishing that a dream that she had would come true.

She recounts how she saw him turning rocks and trees into singing and dancing nymphs.

Zélindor, still invisible, orders the rocks and trees to become nymphs who sing and dance to entertain Zyrphée. She appeals to Zélindor to reveal himself and protests that she will always love him. He explains that he must remain invisible because Fate has decreed that, once she sees him, she must marry him or reject him, and she will no longer be attractive to anyone else. Zyrphée remains eager to see him, and now, convinced of her love, Zélindor appears before her. On seeing him, Zyrphée loves him even more and asks him never to disappear again. Zélindor, overjoyed by her love, admits that his warning was merely to test her love. They sing of their

10

happiness together and Zélindor calls on all the elements to celebrate his union with Zyrphée in a final ballet 14:30 SATURDAY MATINEE With Annabelle Drumm Delibes, L. Ballet: Coppélia (1870). Suisse Romande O/Richard Bonynge.

Decca 478 4749 1:35 Shchedrin, R. Ballet: Carmen suite after Bizet (1967). Ukrainian State SO/Theodore Kuchar.

Naxos 8.553038 45 17:00 SOCIETY SPOT With Gerry Myerson 18:00 MUSIC OF THE SCREEN Prepared by Adam Bowen 19:00 EMERGENT JAZZ With Keith Pettigrew 20:00 THE LIFE OF A COMPOSER Prepared by James Nightingale Schmitt, F. Le palais hanté, op 49 (1905). São Paulo SO/Yan Pascal Tortelier.

Chandos CHSA 5090 14 Schmitt, F. Rhapsodie parisienne for piano four hands, WoO (1900). Invencia Piano Duo. Grand Piano GP730X 6 Schmitt, F. Légende, op 66 (1918). Arno Bornkamp, sax; Netherlands RSO/JeanBernard Pommier.

Ottavo OTR C30589 11 Schmitt, F. Suite en rocaille, op 84 (1937).

Mirage Quintet.

Naxos 8.570444 14 Schmitt, F. A contre-voix, six choirs for mixed voices a cappella, op 104 (1943). Groupe Vocal de France/John Alldis.

EMI CDC 7 54452 2 14 Schmitt, F. In memoriam Gabriel Fauré, op 72 (1922). Rhineland State PO/Pierre Stoll.

Cybelia CY 816 15 Schmitt, F. Suite, op 133 (1955). Håkan Hardenberger, tpt; Roland Pöntinen, pf.

Philips 426 144-2 11 Schmitt, F. Suite no 2 from Incidental music to Shakespeare’s Antony and Cleopatra, op 69b (1920). Buffalo PO/JoAnn Falletta.

Naxos 8.573521 24 22:00 SATURDAY NIGHT AT HOME Prepared by Elaine Siversen James, W. Ballet: The debutante (c1970).

Sydney SO/Dobbs Franks.

LP ABC AC 1052 13 Antill, J. Suite from ballet, Corroboree (1946).

Sydney SO/John Antill.

LP HMV OASD 7554 23 Mills, R. Pas de deux, from Snugglepot and Cuddlepie ballet (c1987). Queensland SO/ Richard Mills.

ABC 480 6403 4 Lanchbery, J. Ballet: The sentimental bloke (1985). State O of Victoria/John Lanchbery.

ABC 456 684-2 1:10

Sunday 2 August SUNDAY 2 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC With Peter Poole Mascagni, P. Prelude and Intermezzo, from Cavalleria rusticana (1890; arr. Mangani).

European Wind Soloists; Patrick de Ritis, conductor.

Naxos 8.573259 9 Busoni, F. Finnish melodies (1888). Hector Moreno, Norberto Capelli, piano four hands.

Dynamic CDS 96 11 Lully, J-B. Ballet des Plaisirs (1655). Aradia Baroque Ensemble; Kevin Mallon, conductor.

Naxos 8.554003 13 Pergolesi, G. Salve Regina in A minor (1736). Barbara Bonney, soprano; Les Talens Lyriques; Christophe Rousset, conductor.

Decca 466 134-2 10 Vivaldi, A. Oboe concerto in C, RV451. Hans Peter Westermann, oboe; Sonatori de la Gioiosa Marca.

Opus 111 OP 30379 9 Hill, A. Waiata poi. Peter Dawson, bassbaritone; unnamed Ch&O. EMI CDMID 166187 3 Tchaikovsky, P. August: the harvest, from The seasons, op 37b no 8 (1875-78). Slava Grigoryan, Leonard Grigoryan, classical guitar.

Which Way Music WWM014 4 Sullivan, A. Masquerade, from The merchant of Venice (1871). Emmanuel Lawler, tenor; RTE Concert O; Andrew Penny, conductor.

Marco Polo 8.223461 23 Vierne, L. Marche triomphale du centenaire de Napoléon I (1921). Christopher BowersBroadbent, organ; London Gabrieli Brass Ensemble; Christopher Larkin, conductor.

Hyperion CDA66275 8 Brahms, J. Three songs for six-part mixed choir, op 42 (1859). RIAS Chamber Choir; Marcus Creed, conductor.

Harmonia Mundi HMG 501592/93 9 Korngold, E. Suite from Elizabeth and Essex (1939). London SO; André Previn, conductor.

DG 471 347-2 14 Vaughan Williams, R. Nocturne and scherzo (1906). Nash Ensemble.

Hyperion CDA67381/2 10 Fauré, G. Pie Jesu, from Requiem, op 48 (1888; rev. 1893/1900). Aled Jones, treble; Andrew Goodwin, organ.

ABC 476 3685 4 Hupfeld, H. As time goes by (1931; 2017 version). Vera Lynn, contralto; Aled Jones, tenor; Nick Kendall, guitar; City of Prague PO; James Morgan, conductor.

Decca 5745171 3 Pleyel, I. Flute sonata no 4 in A. Jenny Thomas, flute; Martin Souter, piano.

Gift of Music CCL CDG1187 14 Mozart, W. Symphony in D, K46a (c1768).

Academy of Ancient Music; Jaap Schröder, violin and co-director; Christopher Hogwood, harpsichord and co-director.

L’Oiseau-Lyre 421 135-2 6 09:00 MUSICA SACRA Prepared by Stephen Matthews Schubert, F. Mass no 5 in A flat, D678.

Choir of Collegium Ghent; Choir of La Chapelle Royale; Champs-Élysées O/Philippe Herreweghe.

Harmonia Mundi HMX 2908847 42 Humfrey, P. Psalm 137: By the waters of Babylon. Choir of King’s College, Cambridge; John Scott, org; George Guest, cond.

Argo 483 1285 13 10:00 THE CLASSICAL ERA Prepared by Rex Burgess Hummel, J. Septet no 2 in C for winds, strings and piano, op 114, Military (1829). Capricorn.

Hyperion CDA66396 31 Schumann, R. Carnaval, op 9 (1833-35).

Mitsuko Uchida, pf.

Philips 473 686-2 32 Donizetti, G. Mad scene, from Lucia di Lammermoor (1835). Jennifer McGregor, sop; West Australian SO/David Measham.

CBS 462 793-2 16 Paganini, N. Violin concerto no 5 in A minor (1830; arr. Mompellio). Franco Gulli, vn; O dell'Angelicum/Luciano Rosada.

Il Canale DC-U30 32 12:00 CLASSIC JAZZ AND RAGTIME With Maureen Meers 13:00 WORLD MUSIC: Whirled Wide With Linda Marr 14:00 SYDNEY QUARTETS Prepared by Chris Blower Schubert, F. String quartet movement in C minor, D703, Quartettsatz (1820).

Fine Music concert recording 10 Bridge, F. Three idylls (1907).

Hyperion CDA67726 14 Kats-Chernin, E. Pitter patter (2016). Diana Doherty, ob; Elena Kats-Chernin, pf.

ABC 481 6430 3 Dvorák, A. String quartet no 12 in F, op 96, American (1893).

Fine Music concert recording 27 Goldner String Quartet (all above) 15:00 SUNDAY SPECIAL Prepared by Paul Cooke Reinhardt, K. Horn concerto in E flat.

Academy of St Martin in the Fields/Iona Brown.

Decca 417 406-2 9 Poulenc, F. Elegy in memory of Dennis Brain (1957). Daniel Blumenthal, pf.

Etcetera KTC 1135 9

11

Porter, C. Do I love you? (arr. Shearing).

George Shearing, pf.

Concord CCD-42010 5 Britten, B. Serenade for tenor, horn and strings, op 31 (1943). Peter Pears, ten; London SO/Benjamin Britten.

ABC 480 7301 24 Banks, D. Trio for horn, violin and piano (1962). Brenton Langbein, vn; Maureen Jones, pf.

Ex Libris 6059 15 Noble, R. The very thought of you (arr. Lyall).

Imogen Manins, vc; Ben Robertson, db; David Jones, perc; Tony Gould, pf; strings of the Tasmanian SO/Graeme Lyall.

ABC 270 765-2 5 Barry Tuckwell, hn (all above) Damase, J-M. Rhapsody for horn and orchestra (1987). Ben Jacks, hn; O Victoria/ Barry Tuckwell.

Melba MR 301117 15 Mozart, W. Quintet in E flat, K452 (1784).

Derek Wickens, ob; Robert Hill, cl; Martin Gatt, bn; Barry Tuckwell, hn; John Ogdon, pf.

Decca 421 393-2 23 17:00 HOSANNA Prepared by Stephen Matthews Rutter, J. All things bright and beautiful; O praise the Lord of Heaven. Cambridge Singers; City of London Sinfonia/John Rutter.

Decca 472 622-2 9 Stanford, C. Villiers Te Deum in C. Choir of New College, Oxford/Robert Quinney.

Novum NCR 1391 8 Handel, G. Excerpts from Joseph and his brethren. Choir of Winchester Cathedral; Gottingen FO/Nicholas McGegan.

PBP 11 13 Bach, J.S. Fantasia on a rondo in C minor, BWV918; Fantasia and fugue in A minor, BWV904. Jaroslav Tuma, org.

Arta Music 13 Haydn, J. Chorus; Trio, from The Creation.

Hanssler 98.337 9 18:00 SMALL FORCES Prepared by Frank Morrison Mozart, W. Oboe quartet in F, K370 (1780-81).

Robin Canter, ob; London Baroque.

Amon Ra CD SAR 34 15 Martinu, B. String sextet (1932). Kenneth Sillito, vn; Malcolm Latchem, vn; Robert Smissens, va; Stephen Tees, va; Stephen Orton, vc; Roger Smith, vc.

Chandos CHAN 8771 15 Ries, F. Trio in B flat, op 28. Jürgen Demmler, cl; Markus Tillier, vc; Peter Grabinger, pf.

Naxos 8.553389 23

Alkan, C-V. Chamber concerto in A minor, op 10 no 1 (1832). Marc-André Hamelin, pf; BBC Scottish SO/Martyn Brabbins.

Hyperion CDA66717 14 Rossini, G. Cuius animam, from Stabat Mater (1832). Donald Smith, ten; Queensland SO/ Vanco Cavdarski.

EMI 1 66283 2 6 Field, J. Nocturne no 17 in E (1832). Benjamin Frith, pf.

Naxos 8.550762 11 Cramer, J. Piano quintet in B flat, op 79 (1832). Nepomuk Fortepiano Quintet.

Brilliant Classics 94377 20 10:30 CONCERT HALL Prepared by Angus McPherson Dean, B. Pastoral symphony (2000/02).

Swedish CO/Heinz Karl Gruber.

BIS CD-1576 17 Rodrigo, J. Concierto pastoral (1977). James Galway, fl; Philharmonia O/Eduardo Mata.

RCA RD 60450 25 Beethoven, L. Symphony no 6 in F, op 68, Pastoral (1808). Academy of Ancient Music/ Christopher Hogwood.

L’Oiseau-Lyre 421 416-2 40 12:00 SWING SESSIONS With John Buchanan 13:00 MUSICAL [TOUR DE FRANCE] Prepared by Jacky Ternisien Ibert, J. Paris, symphonic suite (1930).

Montreal SO/Charles Dutoit.

Decca 440 332-2 13 Moscheles, I. Divertimento à la savoyarde in A, op 78 (1829). Kazunori Seo, fl; Makoto Ueno, pf.

Naxos 8.573175 9 Berlioz, H. Le jeune pâtre breton (1834).

Joan Monday 3 August Sutherland, sop; Barry Tuckwell, hn; Richard Bonynge, pf.

MONDAY 3 Decca 421 552-2 4 00:00 CLASSIC-ALL THROUGH Coste, N. Souvenirs de Flandres, op 5 THE NIGHT (c1835). Frédéric Zigante, gui.

06:00 FINE MUSIC BREAKFAST Naxos 8.554194 19 With Robert Small Wood, Haydn. Roses of Picardy (1916; 09:00 DIVERSIONS IN FINE MUSIC arr. Rotar). Teddy Tahu Rhodes, bass-bar; Prepared by Chris Blower Southern Cross Soloists.

Glinka, M. Divertimento brillante on themes ABC 481 6826 4 from Bellini’s opera La sonnambula (1832).

Weissenberg, A. En Avril à Paris, from Six Alexei Bruni, vn; Mikhail Moshkunov, vn; arrangements of Charles Trenet songs. MarcAndrei Kevorkov, va; Erik Pozdeev, vc; Rustem André Hamelin, pf.

Gabdulin, db; Leonid Ogrinchuk, pf.

Hyperion CDA67656 3 Olympia MKM 76 13 Meyerbeer, G. Ô beau pays de la Touraine Donizetti, G. Venti scudi?; Una furtiva ... Sombre chimère ... À ce mot seul s’anime, lagrima, from L’elisir d’amor (1832). Juan Diego from Les Huguenots (1836). Joan Sutherland, Flórez, ten; Mariusz Kwiecien, bar; Valencia sop; Kiri Te Kanawa, sop; Josephte Clément, Community O/Daniel Oren. sop; Hugette Tourangeau, mezz; Ambrosian Decca 478 0314 14 Opera Ch; New Philharmonia O/Richard Bonynge.

Decca 475 6302 13 Guilmant, A. Noël languedocien, Communion 19:00 SUNDAY NIGHT CONCERT Prepared by Rex Burgess Telemann, G. Double concerto in F, TWV 52:F1. Sergio Azzolini, bn; La Stagione Frankfurt; Michael Schneider, rec & dir. cpo 999 907-2 18 Schubert, F. Excerpts from Fernando (1815).

Edith Mathis, sop; Gabriele Sima, mezz; Heiner Hopfner, ten; Robert Holl, bass-bar; ORF Choir & SO/Lothar Zagrosek.

LP Orfeo S 109 841 A 23 Ginastera, A. Panambí, op 1 (1937). London SO/Gisèle Ben-Dor. Naxos 8.557582 39 20:30 NEW HORIZONS Prepared by Calogero Panvino Sivelöv, N. Suite for marimba (1995). Markus Leoson, mar.

Caprice CAP 21743 9 Panvino, C. Kontakt. Nicholas Young, pf.

Private recording 4 Rigacci, P. Clair for vibraphone (1955).

Markus Leoson, vibraphone.

Caprice CAP 21743 6 Barret, R. Tract (1984-96). Ian Pace, pf.

NMC D066 31 Eyser, E. Four short pieces for cimbalom (1994). Markus Leoson, cimbalom.

Caprice CAP 21743 9 Leoson, M. Ex machina for marimba with additional percussion (2003). Markus Leoson, mar.

Caprice CAP 21743 4 Panvino, C. Sonata 101. Nicholas Young, pf.

Private recording 20 22:00 JAZZ AFTER HOURS With Sue Jowell

12

no 2 in F minor, op 60. Robert Delcamp, org.

Naxos 8.557614 5 Mondonville, J-J. de Daphnis et Alcimadure, pastorale languedocienne (1754). Symphonie du Marais/Hugo Reyne.

Astrée E8650 8 14:30 TREBLE SIX Prepared by Derek Parker Dvorák, A. String sextet in A, op 48 (1878).

Boston Symphony Chamber Players. apex 7559 79679 2 33 Mendelssohn, F. Sextet in D for strings and piano, op 110 (1824). Andra Darzins, va; Wolfgang Wagner, db; Bartholdy Piano Quartet, Naxos 8.550966 31 Boccherini, L. String sextet in E, op 23 no 3 (1776). Mayumi Seiler vn; Iris Juda, vn; Diemut Poppen, va; Werner Dickel, va; Richard Lester vc; Howard Penny, vc.

Brilliant Classics 94386 17 16:00 FINE MUSIC DRIVE With Nicky Gluch 19:00 JAZZ PULSE With Chris Wetherall 20:00 STORMY MONDAY With Austin Harrison 22:00 JAZZ AFTER HOURS With Adam Bowen

Tuesday 4 August TUESDAY 4 00:00 SOUNDTRACKS AT MIDNIGHT With Chris Winner 01:00 OASIS OF INSOMNIA With Adam Cockburn 02:00 ECLECTIC CHAIR With Liam Collins 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST With Julie Simonds 09:00 DIVERSIONS IN FINE MUSIC Prepared by Rex Burgess Boëly, A. Suite no. 4 in F minor, op 16 (1854).

Stephanie McCallum, pf.

Toccata TOCC 0471 15 Dussek, J. Duetto in F, op 26 (1794). Masumi Nagasawa, hp; Richard Egarr, pf.

Etcetera KTC1436 17 Couperin, F. Les petits ages, from Ordre 7 (pub. 1717). Bob van Asperen, hpd.

EMI CDC 7 49945 2 10 Copland, A. Sextet (1937). Wonkak Kim, cl; Brent Williams, vn; Corinne Stillwell, vn; Pamela Ryan, va; Jayoung Kim, vc; Eun-Hee Park, pf.

Naxos 8.559692 15

Szymanowski, K. Sonata no 1 in C minor, op 8 (1903-04) Rafal Blechacz, pf.

DG 477 9548 25 10:30 CONCERT HALL Prepared by Denis Patterson Adam, A. Overture to Giralda (1850). New Philharmonia O/Richard Bonynge.

Decca 466 431-2 8 Goldmark, K. Violin concerto no 1 in A minor, op 28 (1877). Nai-Yuan Hu, vn; Seattle SO/ Gerard Schwarz.

Delos DE 3156 36 Roussel, A. Symphony no 2 in B flat, op 23 (1921). French NO/Charles Dutoit.

Erato ECD 88226 38 12:00 JAZZ RHYTHM With Jeannie McInnes 13:00 OPERA IN CONCERT Prepared by Giovanna Grech Mascagni, P. Gli aranci olezzano, from Cavalleria rusticana (1890). Slovak Philharmonic Ch; Slovak RSO/Alexander Rahbari.

Naxos 8.553963 8 Bizet, G. Elle est là ... La voix d’un amant fidèle, from La jolie femme de Perth (1866).

Juan Diego Flórez, ten; Bologna Comunale Theatre Ch & O/Roberto Abbado.

Decca 478 5948 6 Gounod, C. Jewel song, from Faust (1859).

Amelia Farrugia, sop; BBC SO/Alexander Briger.

Decca 987 5237 5 Ponchielli, A. Dance of the hours, from La Gioconda (1876). Berlin PO/Herbert von Karajan.

DG 474 617-2 11 Meyerbeer, G. Overture to Dinorah (1859).

New Zealand SO/Darrell Ang. Naxos 8.573195 13 Verdi, G. Return victorious, from Aïda (1871).

Rita Hunter, sop; Tasmanian SO/Dobbs Franks.

ABC 438 196-2 8 14:00 MUSICAL FAMILIES Prepared by Jennifer Foong Halffter, R. Concert overture, op 5 (1932).

María Elena Barrientos, pf; Madrid Comunidad O/José Ramón Encinar.

Naxos 8557623 10 Halffter, R. Suite: The baker’s dawn, op 12a (1940). Madrid Comunidad O/José Ramón Encinar.

Naxos 8557623 15 Halffter, E. Homenaje a R. Halffter (1988).

Guillermo González, pf.

Naxos 8.570006-07 4 Halffter, C. Fantasia on a sonority of Handel.

Madrid SO/Pedro Halffter-Caro.

Marco Polo 8.225032 17 Halffter, C. Veni Creator Spiritus. Coro Santo Tomás de Aquino; Madrid SO/Pedro Halffter-

Caro.

Marco Polo 8.225032 5 Halffter, E. Danza de la gitana (1931). Alicia de Larrocha, pf.

Decca 433 929-2 4 Halffter, C. Fandango. Guitar Symphonietta/ Leo Brouwer.

Giulia GS20100 14 Halffter, E. Rapsodia portuguesa (1938). Juh Hee Suh, pf; Frankfurt RSO/Muhai Tang. cpo 999 493-2 16 Halffter, R. Violin concerto, op 11 (1940).

Henryk Szeryng, vn; Royal PO/Enrique Bátiz.

ASV DCA 871 20 16:00 FINE MUSIC DRIVE With Ross Hayes 19:00 THE JAZZ BEAT With Lloyd Capps 20:00 RECENT RELEASES With Michael Field 22:00 CHAMBER SOIRÉE Prepared by Albert Gormley Albinoni, T. Sonata in G minor, op 4 no 5 (1711). Locatelli Trio.

Hyperion CDD22048 10 Beethoven, L. Violin sonata in F, op 24, Spring (1805). Alina Ibragimova, vn; Cédric Tiberghien, pf.

Wigmore Hall Live 0041 24 Schubert, F. Piano trio no 1 in B flat, D898 (c1828). Beaux Arts Trio.

Philips 442 937-5 36 Ravel, M. String quartet in F (1902). Kodály Quartet.

Naxos 8.550249 27 Boccherini, L. Oboe quintet in D minor, op 55 no 6 (1797). Lajos Lencsés, ob; Parisii Quartet.

Brilliant Classics 94386 12

Wednesday 5 August WEDNESDAY 5 00:00 DREAD JUNCTION With Vince Carnovale 01:00 DREAD JUNCTION With Vince Carnovale 02:00 THE LOST HIGHWAY With Austin Harrison 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST With Janine Burrus 09:00 DIVERSIONS IN FINE MUSIC Prepared by Paul Cooke Tartini, G. Violin concerto in A minor. Nicola Benedetti, vn; Scottish CO/Christian Curnyn.

Decca 476 4342 15 Clementi, M. Sonatina in G, op 36 no 5 (1797). Howard Shelley, pf.

Hyperion CDA67814 7 Leclair, J-M. Violin sonata in A minor, op 5 no 7 (pub. 1734). Simon Standage, vn; Lars Ulrik

13

Mortensen, hpd.

Chandos CHAN 0531 14 Boccherini, L. Oboe quintet in in A, op 55 no 4 (1797). Lajos Lencsés, ob; Parisii Quartet.

Brilliant Classics 94386 12 Giacomelli, G. Sposa, non mi conosci, from Merope (1734). Cecilia Bartoli, mezz; Il Giardino Armonico/Giovanni Antonini.

Decca 478 2558 10 Ries, F. Piano quintet in B minor, op 74.

Nepomuk Fortepiano Quintet.

Brilliant Classics 94377 21 10:30 CONCERT HALL Prepared by Jennifer Foong Balakirev, M. Overture on three Russian themes (1858-1881). Philharmonia O/Yevgeny Svetlanov.

Hyperion CDA66586 9 Saint-Saens, C. Marche héroïque, op 34 (1870). Lille NO/Jun Märkl.

Naxos 8.573745 7 Weber, C.M. Piano concerto no 1 in C, op 11 (1810). Nikolai Demidenko, pf; Scottish CO/ Charles Mackerras.

Hyperion CDA66729 20 Dvorák, A. Symphony no 6 in D, op 60 (1880).

London SO/István Kertész.

Decca 417 598-2 46 12:00 JAZZ SKETCHES With Robert Vale 13:00 IN CONVERSATION With Christopher Waterhouse 14:00 FEATURING THE CLASSICAL PERIOD Prepared by Frank Morrison Mozart, W. Overture to Lucio Silla (1772).

London SO/Peter Maag.

Decca 466 500-2 9 Weber, C.M. Quintet in B flat, op 34 (1815).

Kálmán Berkes, cl; Eder Quartet.

Teldec 8.44051 23 Dittersdorf, C. Symphony in C, The four ages of the world (pub. 1767). Failoni O/Hanspeter Gmür.

Naxos 8.553368 17 Krommer, F. Quartet in E flat, op 46 no 2 (1804). Eckart Hübner, bn; Johannes Lüthy, va; Steuart Eaton, va: Reinhard Latzko, vc. cpo 999 297-2 21 Bellini, V. Care compagne ... Come per me sereno ... Sovra il sen, from La sonnambula (1831). Joan Sutherland, sop; Royal Opera House Ch & O/Francesco Molinari-Pradelli.

Decca 414 450-2 8 Bach, W.F. Harpsichord concerto in D (c1760).

London Baroque.

Harmonia Mundi HMC 901558 15 Pugnani, G. Quintet no 2 in C for two violins, two flutes and two horns (c1768). Ensemble L'Astrée.

Symphonia SY 93S21 14

Mozart, W. Trio in E flat for clarinet, viola and piano, K498, mvt 1 (1786). Wolfgang Meyer, bshn; Anita Mitterer, va; Patric Cohen, pf.

Naive V 5059 20 Danzi, F. Concertino in B flat, op 47 (pub.

1818). Andreas Ottensamer, cl; Albrecht Mayer, cora; Potsdam Chamber Academy.

Decca 481 4711 16 Trad. Shpil Klezmer. Di Galitzyaner Klezmorim.

Art ACD 016 8 Yu, J. Concerto on Chinese themes (2003).

Robert Schubert, cl; Victorian College of Arts Strings/Marco van Pagee.

Move MD 3351 20 Gragnani, F. Quartet, op 8. Dieter Klöcker, cl; Heidrun Ganz, va; Sonja Prunnbauer, gui; Ihsan Turnagoel, gui.

Koch 3 1612 2 20 10:30 CONCERT HALL Prepared by Paul Cooke Bax, A. November woods (1917). Royal Scottish NO/David Lloyd-Jones.

Naxos 8.557599 17 Paderewski, I. Piano concerto in A minor, op 17 (1888). Piers Lane, pf; BBC Scottish SO/ Jerzy Maksymiuk.

Hyperion CDA66452 35 Schubert, F. Symphony no 5 in B flat, D485 (1816). Australian CO/Charles Mackerras.

Omega OCD 1005 31 12:00 JAZZ, PURE AND SIMPLE With Maureen Meers 13:00 THE PROLIFIC TELEMANN Prepared by Rex Burgess Telemann, G. Quartet in D minor, from Tafelmusik II (pub. 1733). Pieter-Jan Belder, rec; Wilbert Hazelzet, fl; Kate Clark, fl; Richte van der Meer, vc; Pieter-Jan Belder, hpd.

Brilliant Classics 94104 14 Telemann, G. Cantata, TVWV 20:57, The schoolmaster. Reiner Süss, bass; Choir of St Thomas, Leipzig; Roland Munch, hpd; Berlin Thursday 6 August CO/Heinz Rögner.

Brilliant Classics 95150 9 THURSDAY 6 Telemann, G. Kaum wag ich es, TWV1:992 00:00 UNLEASH THE VINYL (1762). Dorothy Mields, sop; Elisabeth Graf, With Tom Zelinka cont; Knut Schoch, ten; Ekkehard Abele, 01:00 GROOVESVILLE/25 O'CLOCK bass; Michaelstein Chamber Choir; Telemann With Ray Levis Collegium Michaelstein/Ludger Rémy.

03:00 CLASSICAL TILL DAWN cpo 777 064-2 12 06:00 FINE MUSIC BREAKFAST 14:00 PARDON MY FRENCH With Simon Moore Prepared by Jacky Ternisien 09:00 DIVERSIONS IN FINE MUSIC Marais, M. Three old French dances. James Prepared by Anabela Pina Kortum, fl; Rosemarie Barnes, hp; Taverner Handel, G. Sinfonia, from Alcina; Where’re Consort. you walk, from Semele (arr. Pluhar).

Fine Music tape archive 5 L’Arpeggiata. d’Indy, V. Symphony on a French mountain Erato 2958 11639 9 song, op 25, Symphonie cévenole (1886).

Duncan Gifford, pf; Tasmanian SO/Sebastian Lang-Lessing.

ABC 476 1928 27 16:00 FINE MUSIC DRIVE With Tom Forrester-Paton 19:00 A TWIST OF JAZZ With Lloyd Capps 20:00 AT THE OPERA Prepared by James Nightingale Handel, G. Agrippina, HWV6 (1709). Opera in three acts. Libretto by Vincenzo Grimani. First performed Venice, 1709.

CLAUDIUS: Marcos Fink, bass-bar AGRIPPINA: Alexandrina Pendatchanska, sop NERONE: Jennifer Rivera, mezz OTTONE: Bejun Mehta, ct POPPEA: Sunhae Im, sop Academie für Alte Musik/René Jacobs.

Harmonia Mundi HMC 902088 3:22 Believing her husband Emperor Claudius has died, Agrippina plots to install Nerone, son of her first marriage, on the throne. But Claudius has been saved by his general Ottone and has promised him the throne. Agrippina discovers that Ottone, loving Poppæa, does not want to rule. Knowing Claudius also desires Poppæa, Agrippina tells her that Ottone has promised her to Claudius in order to get the throne and Poppæa, furious at this treachery, confronts Claudius. But seeing Ottone’s grief, she suspects he is innocent and reveals Agrippina’s plot. Nerone then declares his love for her, while Agrippina convices Claudius to punish Ottone by giving Nerone the throne.

Poppæa, reconciled with Ottone, hides him in her bedroom, where Nerone arrives to woo her, only to be overheard by Claudius, whom she has also concealed. Nerone is punished, the two lovers rejoice and Claudius thwarts Agrippina’s plot by remaining emperor.

Respighi, O. Symphonic poem: Fountains of Rome (1917). Philharmonia O/Yan Pascal Tortelier.

Chandos CHAN 8989 17

14

Hurst, M. Three traditional French songs.

Adelaide Singers/Patrick Thomas.

LP ABC AC 1014 5 Strauss, J. II If you please! French polka, op 372.

5 Strauss, Josef. Moulinet, French polka, op 57 (1858).

4 Vienna PO/Willi Boskovsky (2 above) Decca 478 2826 Bach, J.S. Suite no 2 in C minor, BWV813, French (c1722-23). Gustav Leonhardt, clvd.

Philips 422 349-2 11 Bach, J.S. Suite no 5 in G, BWV816, French (1725; arr. Groningen Guitar Duo). Groningen Guitar Duo. Ottavo OTR C118818 16 Wranitzky, P. Grand characteristic symphony for the peace with the French Republic, op 31 (1797). London Mozart Players/Matthias Bamert.

Chandos CHAN 9916 31 16:00 FINE MUSIC DRIVE With Peter Poole Reznicek, E. A comic overture (1922). West German RSO; Michail Jurowski, conductor. cpo 777 047-2 9 Bax, A. Overture to a picaresque comedy (1930). London PO; Bryden Thomson, conductor Chandos CHAN 8494 11 Liszt, F. The Lorelei, S273 (1841). Kiri Te Kanawa, soprano; Roger Vignoles, piano.

Decca 478 6419 6 Liszt, F. How, they said, S276 (1842). Kiri Te Kanawa, soprano; Roger Vignoles, piano.

Decca 478 6419 2 Weinberger, J. Polka and fugue, from Schwanda the bagpiper (1927; arr. Bainum).

The President's Own United States Marine Band; Michael Colburn, conductor.

Naxos 8.570243 8 Britten, B. Moderato and nocturne from sonatina romantica (1940). Stephen Hough, piano.

Virgin VC 7 91203-2 8 Bach, J.S. Concerto movement in D, BWV1045. Brandenburg Consort; Roy Goodman, director.

Hyperion CDA66502 5 Strozzi, B. L’Eraclito amoroso: Udite amanti (1651). Magdalena Kozená, mezzo-soprano; Private Musicke; Pierre Pitzi, conductor.

DG 477 8764 8 Saint-Saëns, C. Caprice on Danish and Russian airs, op 79 (1887). Members of Nash Ensemble.

Hyperion CDA67431/2 11 Beethoven, L. Bagatelle in E flat, op 33 no 1 (1801-02). Mikhail Pletnev, piano.

DG 457 493-2 3

Beethoven, L. Bagatelle in C, op 33 no 2 (1801-02). Mikhail Pletnev, piano.

DG 457 493-2 3 Beethoven, L. Bagatelle in F, op 33 no 3 (1801-02). Mikhail Pletnev, piano.

DG 457 493-2 2 Beethoven, L. Bagatelle in A, op 33 no 4 (1801-02). Mikhail Pletnev, piano.

DG 457 493-2 3 Beethoven, L. Bagatelle in C, op 33 no 5 (1801-02). Mikhail Pletnev, piano.

DG 457 493-2 3 Tchaikovsky, P. Festival coronation march in D (1883). Scottish NO; Neeme Järvi, conductor.

Chandos CHAN 8476 5 Arne, T. Rise, Glory, rise, from Rosamond (1733). Emma Kirkby, soprano; Academy of Ancient Music; Christopher Hogwood, director.

L’Oiseau-Lyre 443 200-2 7 Mendelssohn, F. String symphony no 3 in E minor (1821). Australian Brandenburg O; Shunske Sato, guest director; ABC 481 4952 10 Sarasate, P. de Gipsy airs (1878). Ruggiero Ricci, violin; London SO; Piero Gamba, conductor.

Decca 433 905-2 8 Chabrier, E. España (1883). Suisse Romande O; Ernest Ansermet, conductor.

Decca 452 890-2 7 Fauré, G. Après un rêve, op 7 no 1 (1865). Kiri Te Kanawa, soprano; Richard Amner, piano.

CBS MK 76868 3 Fauré, G. Nell, op 18 no 1 (1878). Kiri Te Kanawa, soprano; Richard Amner, piano.

CBS MK 76868 2 Chávez, C. Republican overture: Chapultepec (1935). Royal PO; Enrique Bátiz, conductor.

ASV DCA 738 6 Westlake, N. Songs from the forest (1994).

Slava Grigoryan, Leonard Grigoryan, guitars; Joel Westlake, double bass.

ABC 476 574-4 7 Purcell, H. Five songs, from Orpheus Britannicus (arr. Britten 1960). Felicity Lott, Susan Gritton, soprano; James Bowman, countertenor; John Mark Ainsley, Ian Bostridge, Anthony Rolfe Johnson, tenor; Richard Jackson, Simon Keenlyside, baritone; Graham Johnson, piano.

Hyperion CDA67061/2 12 19:00 THE NEW JAZZ STANDARD With Frank Presley 20:00 THE WORLD OF A SYMPHONY Prepared by Nicky Gluch Vaughan Williams, R. Partita for double string orchestra (1946-8). London PO/Adrian Boult.

Decca 460 357-2 21 Bantock, G. Prometheus unbound. John

Foster Black Dyke Mills Band/Geoffrey Brand.

Chandos CHAN 4510 10 Westlake, N. Suite from Antarctica (1992).

Slava Grigoryan, gui; Melbourne SO/Nigel Westlake.

ABC 476 574-4 24 Le Gallienne, D. Four divine poems of John Donne (1950). Elizabeth Campbell, mezz; Anthony Fogg, pf.

Fine Music concert recording 12 Vaughan Williams, R. Symphony no 7, Sinfonia Antartica (1949-52). Patricia Rozario, sop; BBC Women’s Ch & SO/Andrew Davis.

Teldec 0630-13139-2 43 22:00 LATE NIGHT INTERLUDE Prepared by Rex Burgess Blow, J. O turn not those fine eyes away (pub. 1700). John Mark Ainsley, ten; Timothy Roberts, hpd.

Hyperion CDA66646 4 Blow, J. Ode on the death of Mr Henry Purcell (1695). James Bowman, ct; Michael Chance, ct; King’s Consort/Robert King.

Helios CDH55447 22 22:30 ULTIMA THULE With Jackson Day

(2001). John Martin, pf.

Wirripang WIRR 097 13 Beath, B. Walking in sunshine (1981). Susan Lorette Dunn, sop; Bronwyn Clark, mezz; Betty Beath, pf.

Jade JADCD 1035 6 10:30 CONCERT HALL Prepared by Anne Irish Debussy, C. Little suite (1889; arr. Büsser).

Ulster O/Yan Pascal Tortelier.

Chandos CHAN 8756 13 Brahms, J. Piano concerto no 2 in B flat, op 83 (1881). Géza Anda, pf; Berlin PO/Herbert von Karajan.

DG 474 838-2 49 Sibelius, J. Symphony no 7 in C, op 105 (1926). Adelaide SO/Arvo Volmer.

ABC 476 3945 20 12:00 A JAZZ HOUR With Barry O'Sullivan 13:00 AUSTRALIAN CHAMBER MUSIC Prepared by James Nightingale Sutherland, M. Clarinet sonata (1949). Nigel Westlake, cl; David Bollard, pf.

Tall Poppies TP004 8 Westlake, N. Mosstrooper Park (2006). Slava Grigoryan, gui; Leonard Grigoryan, gui.

Friday 7 August ABC 481 7031 25 Boyd, A. Cloudy mountain (1981). Geoffrey FRIDAY 7 Collins, fl; David Miller, pf.

00:00 MUTABLE CARAT Tall Poppies TP127 8 With Nick Dan Greenbaum, S. Book of departures (2008).

01:00 THE LONG DIVISION NZTrio.

With Joe Goddard ABC 481 0504 11 02:00 SIGNAL CRUNCH 14:00 NIKOLAUS HARNONCOURT With Glenn Winfield Prepared by Denis Patterson 03:00 CLASSICAL TILL DAWN Marais, M. La sonnerie de Sainte Geneviève 06:00 FINE MUSIC BREAKFAST du Mont de Paris (pub. 1723). Alice With Annabelle Drumm Harnoncourt, vn; Nikolaus Harnoncourt, va da 09:00 DIVERSIONS IN FINE MUSIC gamba; Herbert Tachezi, hpd.

Prepared by Elaine Siversen Harmonia Mundi HMC 90414 9 Monteverdi, C. Zefiro torna, from Scherzi Rameau, J-P. Premier concert, from Pièces musicali (pub.1632). Guy de Mey, ten; Martin de clavecin en concert (pub. 1741). Lars Klietmann, ten; Capella Savaria/Nicholas Fryden, vn; Nikolaus Harnoncourt, va da McGegan. gamba; Gustav Leonhardt, hpd.

Hungaroton HCD 12952 6 Vanguard 08 2023 71 8 Sculthorpe, P. Songs of sea and sky (1987Biber, H. Battalia (pub. 1673). Concentus 88; arr. 1988). Geoffrey Collins, fl; David Miller, Musicus Vienna. pf.

Archiv 437 081-2 8 MBS 13CD 15 Mozart, W. Ei parte ... Senti!, from Così fan Chatman, S. Creatures of earth and sky tutte, K588 (1790). Charlotte Margiono, sop; (1992). Julia Nolan, sax; Sandra Friesen, pf.

Royal Concertgebouw O. Centrediscs CMCCD 14709 10 Teldec 0630-10031- 2 9 MacDowell, E. Sea pieces, op 55 (1898).

Mozart, W. Six German dances, K571 (1789).

Robin Ruys, pf.

Concentus Musicus Vienna.

Fine Music concert recording 21 Sony 88697914112 11 Vivaldi, A. Flute concerto in F, RV433, La Schumann, R. Fantasy in C, op 131 (1853). tempesta di mare. Jean-Pierre Rampal, fl; I Thomas Zehetmair, vn; Royal Concertgebouw Solisti Veneti/Claudio Scimone.

O. CBS M2YK 45623 7 Radio Nederland RCO11004 16 Carr-Boyd, A. Moonbeams kiss the sea

15

Strauss, J. II Overture to The gypsy baron.

Vienna SO. Teldec 4509-98821-2 9 Bach, J.S. Cantata, BWV112: Der Herr ist mein getreuer Hirt (1731). Markus Huber, treb; Paul Esswood, alto; Kurt Equiluz, ten; Ruud van der Meer, bass; Tölz Boys Choir; Concentus Musicus Vienna.

Teldec 2564 69943-7 14 Haydn, J. Symphony in C, Hob.I:97 (1792).

Royal Concertgebouw O. Radio Nederland RCO12004 26 Nikolaus Harnoncourt, cond (7 above) 16:00 FINE MUSIC DRIVE With James Hunter 19:00 FRIDAY JAZZ SESSION With Christopher Waterhouse 20:00 EVENINGS WITH THE ORCHESTRA Prepared by Robert Small Vivaldi, A. Recorder concerto in F, RV433, La tempesta di mare. Marion Verbruggen, rec; Philharmonia Baroque O/Nicholas McGegan.

Harmonia Mundi HMU 907040 6 Debussy, C. La mer: three symphonic sketches (1903-05). Sydney SO/Gianluigi Gelmetti.

ABC 476 5957 24 Glazunov, A. Fantasy: the sea, op 28 (1889).

Moscow SO/Igor Golovchin.

Naxos 8.553512 22 Bridge, F. Suite: The sea (1911). Ulster O/ Vernon Handley.

Chandos CHAN 8473 22 Klami, U. Sea pictures, op 23 (1926-1932).

Turku PO/Jorma Panula.

Naxos 8.553757 21 Britten, B. Four sea interludes, from Peter Grimes, op 33a (1944-45). Ulster O/Vernon Handley.

Chandos CHAN 8473 16 22:00 BAROQUE AND BEFORE Prepared by Susan Foulcher Handel, G. Second overture in G minor; Vedrai s'a tuo dispetto, from Almira, HWV1 (1705). Brandenburg Consort/Roy Goodman.

Hyperion CDA66860 9 Handel, G. Suite from Almira (arr. Holman).

Parley of Instruments/Peter Holman.

Hyperion CDA67053 14 Keiser, R. Excerpts from Croesus. Dorothea Röschmann, sop; Werner Güra, ten; Roman Trekel, bass; RIAS Chamber Choir; Akademie für Alte Musik/René Jacobs.

Harmonia Mundi HMX 2908250.79 10 Handel, G. Suite in C minor, HWV446 (c170306; arr. David Vine). Monika Kornel, hpd; Diana Weston, hpd.

Michatz-Kornel 20100323 10

Mattheson, J. My life is gone; Rest gently, beloved mind, from The ill-fated Cleopatra (1704). Regula Muhlemann sop; La Folia Baroque O. Sony 88985407012 6 Handel, G. Oboe concerto no 3 in G minor, HWV287 (1703-05). English Concert/Trevor Pinnock.

Archiv 479 1932 9 Handel, G. Suite in G minor, HWV453 (1705; arr. Holman). Parley of Instruments/Peter Holman.

Hyperion CDA67053 9 Telemann, G. Double concerto in E minor (1705-07). Peter Holtslag, rec; Rachel Brown, fl; Collegium Musicum 90/Simon Standage.

Chandos CHAN 0661 13 Graupner, C. Four songs from Dido, Queen of Carthage (1707). Anna Prohaska, sop; Il Giardino Armonica/Giovanni Antonini.

Alpha Classics 250 8 Handel, G. Suite from Florindo and Daphne (1705-06). Frank de Bruine, ob; Parley of Instruments/Peter Holman.

Hyperion CDA67053 16

Alkan, C-V. Le chemin de fer, op 27 (1844).

Idil Biret, pf.

Naxos 8.571288 7 Spohr, L. Notturno in C for winds and Turkish band, op 34 (1815). Consortium Classicum/ Dieter Klöcker.

Orfeo C 155 871 A 28 11:30 ON PARADE Prepared by Robert Small Holst, G. Hammersmith (1930).

13 Gorb, A. Awayday (1996).

6 Puts, K. Millenium canons (2002; arr. Spede).

8 University of Georgia Wind Ensemble/John P. Lynch (all above) Naxos 8.572231 12:00 URBAN JAZZ LOUNGE With Leita Hutchings 13:00 IN A SENTIMENTAL MOOD With Maureen Meers 14:00 SHORTER SYMPHONIES Prepared by Rex Burgess Mahler, G. Adagio, from Symphony no 10 (1910). Gustav Mahler Youth O/Bernard Haitink.

Radio Nederland transcription 25 14:30 SATURDAY MATINEE Saturday 8 August Prepared by Elaine Siversen Sullivan, A. The pirates of Penzance.

SATURDAY 8 Operetta in two acts. Libretto by W.S. Gilbert.

00:00 CLASSIC-ALL THROUGH First performed London, 1879.

THE NIGHT FREDERIC; Leonard Osborn, ten 06:00 SATURDAY MORNING MUSIC RUTH: Ella Halman, cont With Nicky Gluch MABEL: Muriel Harding, sop 09:00 WHAT'S ON IN MUSIC MAJOR-GENERAL STANLEY: Martyn Green, With Peter Poole bar 09:05 THE PIANO ALONE PIRATE KING: Darrell Fancourt, bass-bar Prepared by Anne Irish D’Oyly Carte Opera Company; New Ravel, M. La valse (1921). Louis Lortie, pf.

Promenade O/Isidore Godfrey.

Chandos CHAN 7004/5 11 Naxos 8.110196/7 1:22 Liszt, F. Consolation no 3 in D flat. Jorge At the end of his 21st year and his Bolet, pf. apprenticeship, Frederic leaves the pirate Philips 456 814-2 4 band when Ruth reveals that he should have Haydn, J. Variations on the hymn Gott erhalte been apprenticed as a ship’s pilot, not a pirate. den Kaiser, Hob.XVII:13 (1797-99). Paul He meets a group of beautiful young girls and Badura-Skoda, pf. he and Mabel fall in love. The pirates capture Astrée E 7714 8 the girls. The Major-General arrives and, Chopin, F. Sonata no 2 in B flat minor, op 35, having heard that the pirates of Penzance Funeral march (1839). Vladimir Ashkenazy, pf. are orphans and that they release captured Decca 448 123-2 25 seamen who are orphans, the Major-General 10:00 MUSICAL JOURNEYS tells them he is also an orphan and the girls Prepared by Paul Cooke are his daughters. The pirates release them.

Holst, G. Oriental suite, Beni Mora (1909-10). The Sergeant of Police and his corps arrive to Royal Scottish NO/David Lloyd-Jones. capture the pirates. The Pirate King and Ruth Naxos 8.553696 17 come to tell Frederic that he is still bound to Lalo, E. Chants russes (1879). Maria Kliegel, his apprenticeship as it was worded to end vc; Bernd Glemser, pf. on his 21st birthday and, as he was born on Naxos 8.554469 6 29 February, only five birthdays have passed.

Delius, F. Paris: the song of a great city Frederic rejoins the pirates and informs the (1900). BBC SO/Andrew Davis.

Pirate King of the Major-General's deception.

Teldec 4509-90845-2 22 The pirates attack and the police are easily

16

defeated. The Sergeant demands that the pirates yield ‘in Queen Victoria's name’ and, overcome with loyalty, they do so. Frederic and Mabel are reunited, and the Major-General is happy to marry his daughters to the pirates who turn out to be noble born.

Excerpts from Patience (1881). Yvonne Dean, sop: Margaret Mitchell, sop; Ella Halman, mezz; Ann Drummond-Grant, cont; Neville Griffiths, ten; Martyn Green, bar; Peter Pratt, bar; Darrell Fancourt, bass-bar; Alan Styler, bass; D’Oyly Carte Opera Company Ch; New Promenade O/Isidore Godfrey.

Naxos 8.111311/12 16 Excerpts from The gondoliers (1889).

Columbia Light Opera Company soloists, Ch & O/Joseph Batten.

Naxos 8.110317-18 36 17:00 SOCIETY SPOT Prepared by John Hanna 18:00 MUSIC OF THE SCREEN Prepared by Maureen Meers 19:00 EMERGENT JAZZ With Keith Pettigrew 20:00 THE LIFE OF A COMPOSER Prepared by Rodrigo Azaola Schütz, H. Così morir debb’io. Cantus Cölln/ Konrad Junghänel.

Harmonia Mundi HMG 501686 3 Schütz, H. O dolcezze amarissime d’amore, from Italian madrigals, op 1 (1611). Dresden Chamber Choir/Hans-Christoph Rademann.

Carus 83.237 3 Schütz, H. Fiamma ch’allaia; Ride la primavera; Fuggi o mio core. Cantus Cölln/ Konrad Junghänel.

Harmonia Mundi HMG 501686 9 Schütz, H. Lobe den Herren, meine Seele, SWV 39, from Psalmen Davids, op 2 (pub.1619). Dorothee Mields, sop; Lautten Compagney/Wolfgang Katschner.

DHM G010003941603M 5 Schütz, H. Musikalische exequien, op 7 (1635). La Chapelle Royale/Philippe Herrweghe.

Harmonia Mundi HMG 501261 35 Schütz, H. Symphoniae sacrae III (pub.

1650): Komm, heiliger Geist, Herre Gott; Es ging ein Sämann aus, zu säen seinen Samen.

Monika Frimmer, sop; Maria Zedelius, sop; Mieke van der Sluis, sop; Michael Chance, ct; John Elwes, ten; Christoph Prégardien; ten; David Thomas, bass; Cornelius Hauptmann, bass; Stuttgart Chamber Choir; Annette Sichelschmidt, vn; Ghislaine Wauters, vn; Bernhard Junghänel, curtal; Musica Fiata/ Frieder Bernius.

Harmonia Mundi RD 77910 16 Schütz, H. History of the joyous and victorious Resurrection of our only Saviour and Redeemer Jesus Christ (c1623). Johan Linderoth, ten; Ars Nova Copenhagen;

Concerto Copenhagen; Sirius Viols/Paul Hillier.

Dacapo 8.204035 44 22:00 SATURDAY NIGHT AT HOME Prepared by Frank Morrison Hoffmeister, F. Viola concerto in D. Victoria Chiang, va; Baltimore CO/Markand Thakar.

Naxos 8.572162 21 Mendelssohn, F. String quartet no 2 in A minor, op 13 (1827). Sorrel Quartet.

Chandos CHAN 9555 32 Schubert, F. Piano sonata in A minor, D845 (1825). Ingrid Haebler, pf.

Decca 478 5859 36 Bach, J.S. Brandenburg concerto no 1 in F, BWV1046 (1720). Brandenburg Consort/Roy Goodman, vn & dir.

Hyperion CDA66611 20

12:00 CLASSIC JAZZ AND RAGTIME With John Buchanan 13:00 WORLD MUSIC: Whirled Wide With Gerry Myerson 14:00 SYDNEY QUARTETS Prepared by Chris Blower Wolf, H. Italian serenade in G (1887).

Fine Music concert recording 7 Schubert, F. String quintet in C, D956 (1828).

János Starker, vc.

LP 7 Records MLF 351 48 Sydney String Quartet (2 above) 15:00 SUNDAY SPECIAL Prepared by Neil McEwan Korngold, E. Straussiana (1953). North West German PO. cpo 999 150-2 5 Volkmann, R. Overture to Richard III, op 68 Sunday 9 August (c1870). North West German PO. cpo 999 151-2 15 SUNDAY 9 Stravinsky, I. Feu d'artifice, fantasy for large 00:00 CLASSIC-ALL THROUGH orchestra, op 4 (1908). Bavarian Youth O. THE NIGHT Bljo G.5819 4 06:00 SUNDAY MORNING MUSIC Wagner, S. Overture to The blacksmith from With Robert Small Marienberg (1923). Rheinland State PO. 09:00 MUSICA SACRA cpo 999 003-2 14 Prepared by Rex Burgess Hindemith, P. Kammermusik no 5, viola Telemann, G. Motet: Halt, was du hast. concerto, op 36 no 4 (1927). Brett Dean, va; Magdeburg Chamber Choir & Baroque O/ Queensland SO. Lothar Hennig. cpo 999 492-2 19 Raum Klang RKS 59803 7 Goetz, H. Piano concert no 2 in B flat, op 18 Hasse, J. Salve Regina in E flat (1767).

(1867). Volker Banfield, pf; Hanover Radio PO. Barbara Bonney, sop; Bernarda Fink, mezz; cpo 999 098-2 37 Musica Antiqua Cologne/Reinhard Goebel.

Busoni, F. Dance waltz, op 53 (1920). North DG 453 435-2 15 West German RSO. Vaughan Williams, R. Sancta civitas cpo 999 161-2 11 (1926). Andrew Staples, ten; Matthew Brook, Werner Andreas Albert, cond (all above) bar; Bach Choir; Choristers of Winchester 17:00 HOSANNA Cathedral; Quiristers of Winchester College; Prepared by Meg Matthews Bournemouth SO/David Hill.

Hymns: O Thou who camest from above; I Naxos 8.572424 31 heard the voice of Jesus say; Praise to the 10:00 THE CLASSICAL ERA Lord, the Almighty. Choir of Westminster Prepared by Paul Cooke Abbey; Robert Quinnet, org; James O’Donnell, Schubert, F. Fantasy in C, D934 (1827). Adele cond.

Anthony, vn; Jonathan Feldman, pf.

Hyperion CDA 68013 8 Naxos 8.554148 25 Biber, H. Excerpts from Missa Christi Pleyel, I. Symphony in C minor (1778). Capella resurgentis, New York Collegium/Andrew Istropolitana/Uwe Grodd.

Parrott.

Naxos 8.554696 28 Kleos KL 5135 16 Kraus, J.M. Rondo in F (1780). Jacques Wesley, S.S. Ascribe unto the Lord. Choir of Després, pf.

Clare College, Cambridge; James McVinnie, Naxos 8.555771 9 org; Christopher Robinson, cond.

Beethoven, L. Trio in C, op 87 (1795).

Naxos 8.570318 13 Guy Henderson, ob; Claire Fox, ob; Peter White, R. Motet: Christe qui lux es et dies.

Newberry, cora.

Singers of Christ Church St Laurence/Neil LP ABC R02424 21 McEwan.

Paisiello, G. Keyboard concerto no 4 in G ABC 476 5106 5 minor (c1788). Pietro Spada, pf; Santa Cecilia CO. Brilliant Classics 94224 26

17

Ireland, J. Greater love hath no man. Choir of St Paul’s Cathedral; Andrew Lucas, org; John Scott, cond.

Hyperion CDA 66374 7 Handel, G. Angels ever bright and fair, from Theodora (1750). Sara McCliver, sop; O of the Antipodes/Brett Weymark.

ABC 476 4362 4 18:00 SMALL FORCES Prepared by Rita Felton Mozart, W. Oboe quartet in F, K370 (1781).

Lothar Koch, ob; Members of Amadeus Quartet.

DG 437 137-2 15 Farrenc, L. Sextet in C minor for piano and winds (1852). Kathryn Selby, pf; Omega Ensemble.

Fine Music concert recording 25 Telemann, G. Quartet in G, from Tafelmusik I (pub. 1733). Wilbert Hazelzet, fl; Frank de Bruine, ob; Rémy Baudet, vn; Jaap ter Linden, vc; Pieter-Jan Belder, hpd.

Brilliant Classics 94104 14 19:00 SUNDAY NIGHT CONCERT Prepared by Krystal Li Gluck, C. Ballet: Alessandro. Musica Antiqua Köln/Reinhard Goebel.

Archiv 479 1045 24 Eller, H. Violin concerto in B minor (193334/37/64). Baba Skride, vn; Estionan NSO/ Olari Elts.

Ondine ODE 1321-2 23 Rachmaninov, S. Symphonic dances, op 45 (1940). Sydney SO/Vladimir Ashkenazy.

Exton EXCL-00018 35 20:30 NEW HORIZONS Prepared by Krystal Li Reich, S. New York counterpoint (1985).

Robert W. Stevenson, cl.

Artifact Music ART 004 11 Torke, M. Corner in Manhattan (2000). Ying Quartet.

Quartz QTZ 2003 20 Ligeti, G. San Francisco polyphony (1974).

Benjamin Schmid, vn; Finnish RSO/Hannu Lintu.

Ondine ODE 1213-2 14 Pärt, A. Symphony no 4, Los Angeles (2008).

Los Angeles PO/Esa-Pekka Salonen.

ECM 476 3957 35 22:00 JAZZ AFTER HOURS With David Knapp

Monday 10 August MONDAY 10 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 FINE MUSIC BREAKFAST With James Hunter

09:00 DIVERSIONS IN FINE MUSIC Prepared by Frank Morrison Holst, G. Three pieces for oboe and string quartet (1896/1910). Sarah Francis, ob; English String Quartet.

LP Chandos ABRD 1114 13 Brahms, J. Four serious songs, op 121 (1896). Hans Hotter, bar; Gerald Moore, pf.

EMI 5 62807 2 17 Dvorák, A. Symphonic poem: The noon witch, op 108 (1896). London SO/István Kertész.

Decca 452 946-2 14 Reger, M. Humoresken, op 20 (1896). Markus Pawlik, pf.

Naxos 8.553331 14 Wolf, H. Du sagst mir, dass ich keine Fürsten sei, from Italian songbook no 28 (1896; transcr. Heyse). Christa Ludwig, cont; Daniel Barenboim, pf.

DG 459 335-2 1 Chausson, E. Poème, op 25 (1896). Christian Ferras, vn; Pierre Barbizet, pf; Belgian NO/ Georges Sébastian.

DG 480 6655 19 10:30 CONCERT HALL Prepared by Derek Parker Elgar, E. Overture: Cockaigne, op 40, In London Town (1901). Philharmonia O/Owain Arwel Hughes.

ASV QS 6162 17 Saint-Saëns, C. Piano concerto no 5 in F, op 103, Egyptian (1896). Magda Tagliaferro, pf, Lamoureux Concerts O/Jean Fournet.

Philips 438 959-2 29 Mozart, W. Symphony no 40 in G minor, K550 (1788). Australian CO/Richard Tognetti.

ABC 465 425-2 35 12:00 SWING SESSIONS With John Buchanan 13:00 SATIE RE-VISITED Prepared by Jacky Ternisien Satie, E. Gnossiennes: nos 1 to 4 (1889-91; arr. Miolin). Anders Miolin, gui.

BIS CD-586 11 Satie, E. La belle excentrique (1920). JeanPierre Armengaud, pf; Toulouse Capitole O/ Michel Plasson.

EMI CDC 7 49471 2 8 Satie, E. Tendrement; L’omnibus automobile; Ludions, chanson du chat. Régine Crespin, sop; Philippe Entremont, pf.

LP CBS 76967 10 Satie, E. Gnossienne no 5 (1891). Ensemble Saraband.

Dou-Tak NT098 4 Satie, E. Gymnopédies: nos 1 and 3 (1888; orch. Debussy). Orpheus CO. DG 449 186-2 6 Satie, E. Ballet réaliste: Parade (1917; arr.).

Pascal Rogé, Jean-Philippe Collard, pf.

Decca 455 401-2 11

18

14:00 MADE IN AMERICA Prepared by Frank Morrison Gershwin, G. Piano concerto in F (1925).

Roberto Szidon, pf; London PO/Edward Downes.

DG 477 5439 32 Copland, A. El Salón México (1934-36). New Philharmonia O/Aaron Copland.

CBS MK 42429 11 Barber, S. Summer music, op 31 (1956).

Reykjavik Wind Quintet.

Chandos CHAN 9174 11 Foster, S. Jeannie with the light brown hair (1854; arr. Rorem); Old folks at home (1851; arr. Swenson). Taryn Fiebig, sop; Juan Jackson, ten; Andrew Greene, pf.

ABC 476 6169 8 Beach, A. Piano quintet in F sharp, op 67 (1907). Martin Roscoe, pf; Endellion Quartet.

ASV DCA 932 27 Gottschalk, L. Symphony no 1, A night in the tropics (1859). Utah SO/Maurice Abravanel.

Vanguard OVC 4051 19 16:00 FINE MUSIC DRIVE With Michael Field 19:00 JAZZ PULSE With Chris Wetherall 20:00 STORMY MONDAY With Austin Harrison 22:00 JAZZ AFTER HOURS With Gail Monjo

Tuesday 11 August TUESDAY 11 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST With Julie Simonds 09:00 DIVERSIONS IN FINE MUSIC Prepared by James Nightingale Grainger, P. Hill song no 1 (1901-02).

Penelope Thwaites, John Lavender, pf.

Pearl SHE CD 9623 16 Boulanger, N. Three pieces (1911). Paul Jacobs, org.

Naxos 8.573524 9 Hanson, R. Two songs, op 7 (1939). Lisa Harper-Brown, sop; David Wickham, pf.

Stone Records 5060192780390 5 Turina, J. Sextet for piano and strings, op 7, Scène andalouse (1912). Nash Ensemble.

Hyperion CDA67889 12

Mendelssohn, F. Piano sonata in G minor, op 105 (1827). Benjamin Frith, pf.

Naxos 8.553358 20 Schulhoff, E. Violin sonata no 2 (1927). Gidon Kremer, vn; Oleg Maisenberg, pf.

Apex 2564 67391-2 16 10:30 CONCERT HALL Prepared by Jacky Ternisien Charpentier, M-A. Ouverture. Ensemble Correspondances/Sébastien Daucé.

Harmonia Mundi HMC 902169 6 Adam, A. Excerpts from Giselle (1841).

London SO/Richard Bonynge.

Decca 452 769-2 19 Tortelier, P. Double concerto (1950). Arto Noras, vc; Maud Martin Tortelier, vc; BBC PO/ Yan Pascal Tortelier.

Chandos CHAN 9898 26 Godard, B. Oriental symphony, op 84 (1884).

Royal Scottish NO/Martin Yates.

Dutton CDLX 7274 28 12:00 JAZZ RHYTHM With Jeannie McInnes 13:00 SYDNEY SYMPHONY 2020 With Andrew Bukenya 14:00 TWO ERAS CONTRASTED Prepared by James Nightingale Liszt, F. Fantasy on motifs from Bellini’s La sonnambula (1841). Leslie Howard, pf.

Hyperion CDS44547 15 Hummel, J. Piano trio no 1 in E flat, op 12.

Australian Trio.

ABC 476 1231 21 Bach, C.P.E. Sinfonia no 2 in E flat, Wq183 no 2 (1775-76). English CO/Raymond Leppard.

Philips 426 081-2 12 Clementi, M. Piano sonata in E flat, op 9 no 3 (1783). Susan Alexander-Max, fp.

Naxos 8.557695 17 Reinecke, C. Trio in B flat for clarinet, horn and piano, op 274 (c1905). Trio Slaskie.

DUX 1219 26 Dvorák, A. Symphonic poem: The wild dove, op 110 (1897). Czech PO/Charles Mackerras.

Supraphon SU 4012-2 20 16:00 FINE MUSIC DRIVE With Michael Morton-Evans 19:00 THE JAZZ BEAT With Lloyd Capps 20:00 RECENT RELEASES With James Nightingale 22:00 CHAMBER SOIRÉE Prepared by Krystal Li Saint-Saëns, C. Fantasy in A, op 124 (1907).

Gérard Poulet, vn; Isabelle Moretti, hp. naive V 5129 12 Bruce, D. The consolation of rain. Camerata Pacifica.

Signum SIGCD599 23 Grieg, E. Andante con moto in C minor (1878).

Ramy Koch, vn; Henk Lambooij, vc; Jet Röling, pf.

Olympia OCD 432 10

Schubert, F. Sonata in A minor, D821, Arpeggione (1823; arr. Duka). Norbert Duka, db; Phillip Moll, pf.

Naxos 8.572187 22 Berwald, F. String quartet no 3 in E flat (1849).

Yggdrasil Quartet.

BIS CD-759 22 Janácek, L. Capriccio (1928). Matthew van Emmerik, tuba; Mark Kruger, pf; Australian Chamber Brass/Fabian Russell.

Summit DCD 539 20

14:00 HARNESSING THE BREATH Prepared by Albert Gormley Collins, B. Concerto for cornet and brass band (2019). Chase Hawkins, cornet; Pacific Brass/Andrew McWade.

Private recording 16 Hanson, R. Trombone concerto (1955). Ian Hanckey, tb; Queensland SO/Patrick Thomas.

LP ABC AC 1007 17 Shostakovich, D. Concerto for piano, trumpet and strings, op 35 (1933). William Vacchiano, tpt; André Previn, pf; New York PO/Leonard Bernstein.

Wednesday 12 August CBS MPK 44850 22 15:00 POLISH JOURNEY WEDNESDAY 12 Prepared by Andrew Dziedzic 00:00 SIGNAL CRUNCH Doppler, F. Airs valaques: Fantasy for flute With Glenn Winfield and orchestra. Claudi Arimany, fl; Murcia 03:00 CLASSICAL TILL DAWN Regional SO/Virginia Martínez.

06:00 FINE MUSIC BREAKFAST Capriccio C5301 12 With Janine Burrus Górecki, H. Broad waters, op 39 (1979). Lira 09:00 DIVERSIONS IN FINE MUSIC Singers/Lucy Ding.

Prepared by Elaine Siversen Nonesuch 7559 79348-2 15 Benda, F. Sonata no 23 in C minor. HansTansman, A. Piano concerto no 2 (1927).

Joachim Berg, baroque vn; Naoko Akutagawa, David Greilsammer, pf; French Radio PO/ hpd.

Steven Sloane.

Naxos 8.572307 13 naïve V 5224 27 Benda, G. Sinfonia no 1 in D. Prague CO/ 16:00 FINE MUSIC DRIVE Christian Benda.

With Andrew Dziedzic Naxos 8.553408 10 19:00 A TWIST OF JAZZ Jadin, L. Introduction and Rondeau pastorale With Andrew Piper (1811-1812). Marielle Nordmann, hp; Brigitte 20:00 AT THE OPERA Haudebourg, pf.

Prepared by Elaine Siversen Arion ARN 68285 10 Massenet, J. Manon. Opera in five acts.

Jadin, H. Sonata in D, op 5 no 2 Andreas Libretto by Henri Meillac and Philippe Gille.

Staier, pf.

First performed Paris, 1884.

MBF 1108 12 MANON: Angela Gheorghiu, sop Kreutzer, R. Grand quintet in C (1790-99).

LESCAUT: Earle Patriarco, bar Sarah Francis, ob; Allegri String Quartet.

GUILLOT DE MORFONTAINE: Gilles Ragon, Hyperion CDA66143 15 ten Kreutzer, J. Grand trio, op 16. Alexa Still, fl; CHEVALIER DES GRIEUX: Roberto Alagna, Robert Alemany, cl; JoAnn Falletta, gui. ten Koch 3-7404-2H1 19 COMTE DES GRIEUX: José van Dam, bass10:30 CONCERT HALL bar Prepared by James Nightingale Monnaie Choir & SO/Renato Balsadonna.

Weber, C.M. Overture to Der Freischütz EMI 5 57005 2 2:42 (1821). Tasmanian SO/Sebastian LangManon, being escorted to a convent by her Lessing. cousin Lescaut, resists the advances of the ABC 476 7736 10 elderly Guillot but elopes to Paris with the Dyson, G. Violin concerto (1941). Lydia Chevalier des Grieux. Poverty does not suit Mordkovitch, vn; City of London Sinfonia/ her and she leaves him for a rich suitor. When Richard Hickox. she hears from his father Count des Grieux Chandos CHAN 241-5 43 that he has become a priest, she induces him Krommer, F. Symphony no 3 op 62 (1808). to return. But they have no money and Lescaut Swiss Italian O/Howard Griffiths. encourages Des Grieux to gamble. He wins cpo 555 099-2 29 against Guillot who accuses him of cheating 12:00 JAZZ SKETCHES and Manon of immorality. When police arrive, With Robert Vale the Count des Grieux saves his son but 13:00 IN CONVERSATION Manon is sentenced to deportation. Manon With Christopher Waterhouse dies in her lover’s arms.

19

23:00 AUSTRALIANS IN CHAMBER Prepared by James Nightingale Vine, C. Flute sonata (1992). Geoffrey Collins, fl; David Miller, pf.

Tall Poppies TP120 13 Beach, A. Piano trio in A minor, op 150 (1920).

Elizabeth Layton, vn; Naomi Butterworth, vc; Diana Ambache, pf.

Chandos CHAN 9752 15 Koechlin, C. In the romantic forest, from 15 pieces, op 180 (1942). Barry Tuckwell, hn; Daniel Blumenthal, pf.

ASV DCA 716 5 Jolivet, A. Serenade for wind quintet (1945).

Emma Scholl, fl; Shefali Pryor, ob; David Rowden, cl; Matthew Ockendon, bn; Euan Harvey, hn; .

Fine Music concert recording 18

Thursday 13 August THURSDAY 13 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST With Simon Moore 09:00 DIVERSIONS IN FINE MUSIC Prepared by Paul Cooke Süssmayr, F. Concerto movement in D (1792; compl. Freyhan). Thea King, cl; English CO/ Leopold Hager.

Hyperion CDA66504 10 Couperin, F. Concert royal no 2 in D (171415). Aurèle Nicolet, fl; Josef Ulsamer, va da gamba; Christiane Jaccottet, hpd.

Archiv 427 119-2 11 Lutoslawski, W. Dance preludes (1954-59).

David Rowden, cl; Sydney Omega Ensemble.

Fine Music concert recording 10 Hummel, J. Wind octet-partita in E flat (1803).

Albion Ensemble.

Helios CDH55037 14 Heinze, G. Concert piece in F. Thea King, cl; English CO/James Judd.

Hyperion CDD 22017 14 Howells, H. Oboe sonata (1942). Sarah Francis, ob; Peter Dickinson, pf.

LP Hyperion A66206 20 10:30 CONCERT HALL Prepared by Elaine Siversen Vaughan Williams, R. Aristophanic suite: The wasps (1909). Royal Liverpool PO/James Judd.

Naxos 8.572304 26

Saint-Saëns, C. Cello concerto no 1 in A minor, op 33 (1872). Maria Kliegel, vc; Bournemouth Sinfonietta/Jean-François Monnard.

Naxos 8.553039 19 Marshall-Hall, G. Symphony in E flat (1903).

Queensland TO/Warren Bebbington.

Move MD 3081 36 12:00 JAZZ, PURE AND SIMPLE With Maureen Meers 13:00 LOOKING IN THE REAR VIEW MIRROR Prepared by James Nightingale Grieg, E. Holberg suite, op 40 (1884).

Australian CO/Richard Tognetti.

Sony SK 53356 19 Debussy, C. Homage to Rameau (1908).

Alexandre Tharaud, pf.

Harmonia Mundi HMX 2908379.81 7 Tailleferre, G. Hommage à Rameau (1964).

Aldo Orvieto, pf; Renato Maioli, pf; Támmitam Percussion Ensemble/Guido Facchin.

Dynamic CDS 97 10 Stravinsky, I. Italian suite, from Pulcinella (1920). Francesca Dego, vn; Francesca Leonardi, pf.

DG 481 7297 18 Arensky, A. Suite no 3 for two pianos, op 33, Variations (1894). Stephen Coombs, pf; Ian Munro, pf.

Hyperion CDA66755 26 Milhaud, D. Le carnaval de Londres, op 172 (1937). New London O/Ronald Corp.

Hyperion CDA66594 28 15:00 SONG AND DANCE Prepared by James Nightingale Telemann, G. Ich weiss, dass mein Erlöser lebt. Markus Schäfer, ten; Cologne CO/Helmut Müller-Brühl.

Naxos 8.557615 11 Telemann, G. Suite in G minor. Peter Bree, ob; Dries Munnik, vc; Christian Lambour, hpd.

Etcetera KTC 1083 13 Glanville-Hicks, P. Thirteen ways of looking at a blackbird (1948). Lisa Harper-Brown, sop; David Wickham, pf.

Stone Records 5060192780390 12 Glanville-Hicks, P. Ballet: Tragic celebration, Jephtha’s daughter (1966). Tasmanian SO/ Richard Mills.

ABC 476 3222 16 16:00 FINE MUSIC DRIVE With Marilyn Schock 19:00 THE NEW JAZZ STANDARD With Frank Presley 20:00 THE WORLD OF A SYMPHONY Prepared by Di Cox Halvorsen, J. Entry march of the Boyars (1893). Bergen PO/Neeme Järvi.

Chandos CHAN 241-44 4

20

Sibelius, J. Karelia suite (1893). Royal PO/ Charles Mackerras.

Tring TRP013 16 Sinding, C. Piano concerto in D flat, op 6 (1889/90). Eva Knardahl, pf; Oslo PO/Øivin Fjeldstad.

NKF 50016-2 31 Svendsen, J. Dreams, after Wagner's Wesendonck Lieder (1872). Chicago SO/ Neeme Järvi.

Chandos CHAN 241-44 4 Nielsen, C. Springtime in Funen, op 42 (1921).

Inga Nielsen, sop; Peter Grønlund, ten; Sten Byriel, bass-bar; St Anne's High School Children’s Ch; Danish National Radio Ch & SO/Leif Segerstam.

Chandos CHAN 8853 18 Nielsen, C. Symphony no 3, op 27, Sinfonia espansiva (1910-11). Kirsten Schulz, sop; Peter Rasmussen, bar; Danish RSO/Herbert Blomstedt.

EMI 5 74188 2 36 22:00 LATE NIGHT INTERLUDE Prepared by Rex Burgess Britten, B. Two insect pieces (1935). Heinz Holliger, ob; András Schiff, pf.

Decca 478 5364 6 Britten, B. Canticle I: My beloved is mine, op 40 (1947). Philip Langridge, ten; Steuart Bedford, pf.

Naxos 8.557202 7 Britten, B. Phantasy quartet, op 2 (1932).

Janet Craxton, ob; Gabrieli String Quartet.

Decca 478 5364 13 22:30 ULTIMA THULE With George Cruickshank

Friday 14 August FRIDAY 14 00:00 BASS CULTURE With Tom Zelinka 01:00 LOST HIGHWAY With Austin Harrison 02:00 ECLECTIC CHAIR With Liam Collins 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST With Annabelle Drumm 09:00 DIVERSIONS IN FINE MUSIC Prepared by Rex Burgess Mendelssohn, F. Overture: The Hebrides, op 26, Fingal’s Cave (1832). Scottish NO/ Alexander Gibson.

Chandos CHAN 10412X 10 Haydn, J. String quartet in B flat, Hob.III:78, Sunrise (1795). Chanterelle Quartet.

Fine Music concert recording 23

Schubert, F. To the setting sun, D457 (181617). Margaret Price, sop; Graham Johnson, pf.

Hyperion CDJ33015 7 Debussy, C. Symphonic sketches: La mer (1905). London SO/Charles Mackerras.

Centaur CRC 2090 24 Janácek, L. In the mists (1912). Roland Pöntinen, pf.

BIS CD-663-4 15 10:30 CONCERT HALL Prepared by Paul Hopwood Rossini, G. Overture to Torvaldo e Dorliska (1815). New Philharmonia O/Richard Bonynge.

Decca 466 431-2 8 Bach, J.S. Violin concerto in E, BWV1042 (bef. 1730). Itzhak Perlman, vn; English CO/ Daniel Barenboim.

EMI CDB 7 62988 2 20 Schubert, F. Symphony no 9 in C, D944, Great C major (1825-28). Scottish CO/Charles Mackerras.

Telarc CD-80502 55 12:00 A JAZZ HOUR With Barry O'Sullivan 13:00 TWO FOR NINE Prepared by Derek Parker Spohr, L. Nonet in F for winds and strings, op 31 (1813). Nash Ensemble.

CRD 3354 29 Francaix, J. Nonet after Mozart’s quintet in E flat for piano and winds, K452 (1995).

Sebastian Bohren, vn; CHAARTS Chamber Artists.

Sony 88985317172 24 14:00 BETWEEN TWO WORLDS Prepared by Ron Walledge Tchaikovsky, P. Francesca da Rimini, op 32 (1876). USSR SO/Yevgeny Svetlanov.

Melodiya 74321170922 23 Tchaikovsky, P. Marche slave, op 31 (1876).

London SO/André Previn.

EMI CDM 1 66420 2 9 Tchaikovsky, P. Piano concerto no 1 in B flat minor, op 23 (1875/79). Martha Argerich, pf; Berlin PO/Claudio Abbado.

DG 449 816-2 32 Tchaikovsky, P. Symphony no 3 in D, op 29, Polish (1875). Concertgebouw O/Bernard Haitink.

Decca 478 5867 44 16:00 FINE MUSIC DRIVE With Camille Mercep 19:00 FRIDAY JAZZ SESSION With Christopher Waterhouse 20:00 EVENINGS WITH THE ORCHESTRA Prepared by Rex Burgess Ravel, M. Valses nobles et sentimentales (1911). Ulster O/Yan Pascal Tortelier.

Chandos CHAN 9203 17 Ravel, M. Tableau I, from Daphnis et Chloé

Alkan, C-V. Études, op 35 no 1 to 5 (pub.

1847). Stephanie McCallum, pf.

Tall Poppies TP055 18 Boëly, A. Suite no 2, from 24 Pieces for piano, op 20 (1857). Stephanie McCallum, pf.

Toccata TOCC 0471 32 10:00 MUSICAL JOURNEYS Prepared by Michael Morton-Evans Liszt, F. Obermann Valley, from Years of pilgrimage, year 1 (1848-64). Stephanie McCallum, pf.

ABC 476 1248 13 Wagner, R. Siegfried’s Rhine journey, from Götterdämmerung (1869-74). Staatskapelle Berlin/Karl Elmendorff.

DG 479 1148 9 Schmitt, F. Feuillets de voyage for piano four hands, op 26 bk 2 (1903-13). Invencia Piano Duo. Grand Piano GP730X 15 Offenbach, J. Ballet music, from The trip to the moon. Philharmonia O/Antonio de Almeida.

Philips 422 057-2 18 11:00 ON PARADE Prepared by Owen Fisher Arditi, L. The kiss. Foden’s Motor Works Band/Michael Fowles.

LP EMI TWO195 3 Trad. Jig: The Irish washerwoman. Black Dyke Mills Band/Nicholas Childs.

Chandos CHAN 4533 3 Jewel, F. Trombone blues. Allentown Band/ Ronald Demkee.

AMP 2K085 2 LeGrand, M. Sweet gingerbread man. Cory Band/Phillip Harper.

LP Polydor 2485 014 3 Herbert, V. March of the toys. Brighouse and Rastrick Band/David King.

LP Grosvenor GRS 1023 4 Trad. Phil the fluter’s ball. Black Dyke Mills Band/Nicholas Childs.

Chandos CHAN 4528 3 Sousa, J.P. March: King cotton. Allentown Band/Ronald Demkee.

AMP 24024 3 Trad. A hunting medley (arr. Mortimer).

Fodens Motor Works Band/Michael Fowles.

LP Polydor 2485 014 4 Saturday 15 August Moore, T. Believe me, if all those endearing young charms. Cory Band/Phillip Harper.

SATURDAY 15 LP EMI 054-06-301 3 00:00 CLASSIC-ALL THROUGH Whitman, S. Silver threads among the gold.

THE NIGHT Grimethorpe Colliery Band/David Thornton.

06:00 SATURDAY MORNING MUSIC LP Astor GGS 797 4 With David Garrett Bach, J.S. Chorale, from St Matthew Passion.

09:00 WHAT'S ON IN MUSIC Carlton Main Frickley Colliery Band/Ian With Robert Gilchrist Porthouse.

09:05 THE PIANO ALONE LP Astor GH 641 1 Prepared by Jacky Ternisien

(1909-12). Zurich Tonhalle O/Lionel Bringuier.

DG 479 5524 25 Ravel, M. Shéhérazade (1903). Barbara Hendricks, sop; Philippe Bernold, fl; Lyon Opera O/John Eliot Gardiner.

EMI CDC 7 49689 2 16 Ravel, M. Piano concerto in G (1931). JeanYves Thibaudet, pf; Montreal SO/Charles Dutoit.

Decca 452 448-2 23 Ravel, M. Suite from Mother Goose (1908-11).

Montreal SO/Charles Dutoit.

Decca 478 5616 28 22:00 BAROQUE AND BEFORE Prepared by Andrew Dziedzic Bach, J.S. Harpsichord concerto in F, BWV1057 (arr.). Philip Pickett, rec; Rachel Beckett, rec; English Concert/Trevor Pinnock.

Archiv 471 754-2 17 Handel, G. Harpsichord suite no 2 in F, HWV427 (1720). Erin Helyard, hpd.

ABC 481 5711 10 Heinichen, J. Concerto in G à 4. Epoca Barocca. cpo 777 115-2 9 Mondonville, J-J. de Sonata in D, op 3 no 4 (1734). Arion Ensemble.

ATMA 2 9717 14 Telemann, G. Suite no 1 in E minor. Quatuor Ricercar.

Ricercar RIC 043020 19 Vivaldi, A. Concerto for viola d’amore, two horns, two oboes, bassoon, harpsichord and double bass. Claude Maury, hn; Ricercar Consort.

Ricercar RIC 049027 11 Dieupart, C. Suite no 1 in A, from Six suites for flûte à voix and harpsichord (1701). Ruth Wilkinson, flûte à voix; Linda Kent, hpd.

Move MD 3161 14 Avison, C. Sonata in C minor/major, op 5 no 2 (1756). London Baroque.

Amon Ra SAR 14 8 Bach, J.S. Triple concerto in A minor, BWV1065. Kenneth Gilbert, hpd; Lars Ulrik Mortensen, hpd; Nicholas Kraemer, hpd; English Concert/Trevor Pinnock.

Archiv 471 754-2 10

21

Trad. H-tiddly-hi-ti. Grimethorpe Colliery Band/David Thornton.

LP Astor GGS 797 2 Martini, J. Trombone blues. Carlton Main Frickley Colliery Bans/Ian Porthouse.

AMP GGS 085 5 12:00 URBAN JAZZ LOUNGE With Leita Hutchings 13:00 COME TO THE OPERA Prepared by Derek Parker 14:30 SATURDAY MATINEE Prepared by Frank Morrison Mendelssohn, F. Cello sonata no. 1 in B flat, op 45 (1838) Bruno Cannino, pf.

Decca 430 198-2 25 Brahms, J. Piano trio in C, op 87 (1880-82).

Itzhak Perlman, vn; Vladimir Ashkenazy, pf.

EMI 7 54725 2 28 Tchaikovsky, P. Pezzo capriccioso, op 62 (1887). Cleveland O/Lorin Maazel.

Decca 480 6617 8 Beethoven, L. Piano trio in B flat, op 97, Archduke (1810-11). Itzhak Perlman, vn; Vladimir Ashkenazy, pf.

EMI CDC 7 47010-2 37 Dvorák, A. Cello concerto in B minor, op 104 (1895). Philharmonia O/Vladimir Ashkenazy.

Decca 455 957-2 42 Lynn Harrell, vc (all above) 17:00 SOCIETY SPOT Prepared by Darryl Rule 18:00 MUSIC OF THE SCREEN Prepared by Adam Bowen 19:00 EMERGENT JAZZ With Keith Pettigrew 20:00 THE LIFE OF A COMPOSER Prepared by Paul Cooke Coleridge-Taylor, S. Clarinet quintet in F sharp minor, op 10 (1895). Kelly Burke, cl; Janet Orenstein, vn; John Fagial, vn; Scott Rowls, va; Brooks Whitehouse, vc.

Centaur CRC 2691 27 Coleridge-Taylor, S. Andante, from Three fours, valse suite, op 71 (1909). London PO/ Barry Wordsworth.

Lyrita SRCD.214 3 Coleridge-Taylor, S. Hiawatha’s wedding feast, op 30 no 1 (1898). Anthony Rolfe Johnson, ten; Bournemouth Symphony Ch & O/Kenneth Alwyn.

EMI 7 63516 2 34 Coleridge-Taylor, S. Ballade in C minor, op 73 (1907). Marianne Thorsen, vn; Ian Brown, pf.

Hyperion CDA67590 13 Coleridge-Taylor, S. Violin concerto in G minor, op 80 (1912). Anthony Marwood, vn; BBC Scottish SO/Martyn Brabbins.

Hyperion CDA67420 32

Schubert, F. Der Gondelfahrer, D809 (1824).

Utrecht Vocal Soloists; Ronald Brautigam, pf; Udo Reinemann, bar & dir.

Globe CD GLO 5021 3 Mozart, W. Piano sonata no 11 in A, K331 (1781-83). Brian Chapman, pf.

Tonart TPCD 950531 23 12:00 CLASSIC JAZZ AND RAGTIME With Jeannie McInnes 13:00 WORLD MUSIC: Whirled Wide With Anna Tranter 14:00 A TRIBUTE TO GRAHAM POWNING With Paolo Hooke Hyde, M. Nightfall and merrymaking (1955).

Graham Powning, ob; Joyce Hutchinson, pf.

LP ABC AC 1049 8 Powning, G. Chant d’amour; Étude gymnastique; Aubade; Elegy for John Briot Sunday 16 August (1972). Graham Powning, cora.

Fine Music concert recording 8 SUNDAY 16 Powning, G. Noah's prayer (1981). Janelle 00:00 CLASSIC-ALL THROUGH Cummins, narr.

THE NIGHT Fine Music tape archive 18 06:00 SUNDAY MORNING MUSIC Holford, F. Summer madrigal (1954); Dance With Paul Roper for a gnome (1951). Joyce Hutchinson, pf.

09:00 MUSICA SACRA LP ABC AC 1049 3 Prepared by Jacky Ternisien Beethoven, L. Wind quintet in E flat (c1793; Bach, J.S. Allein Gott in der Höh’ sei Ehr’, arr. Zellner 1862). Douglas Eyre, bn; Anthony BWV662 (1708-17). Marcel Dupré, org.

Buddle, hn; Amanda Parsons, hn; Deborah Mercury 478 8388 6 Hart, hn.

Biber, H. Missa Salisburgensis (c1682).

Fine Music concert recording 13 Musica Antiqua Cologne/Reinhard Goebel; Graham Powning, ob (3 above) Gabrieli Consort and Players/Paul McCreesh 15:00 SUNDAY SPECIAL Archiv 479 1957 47 Prepared by Paulo Hooke 10:00 THE CLASSICAL ERA Shostakovich, D. Symphony no 4 in C Prepared by Di Cox minor, op 43 (1935-36). Moscow PO/Kirill Bach, C.P.E. Sinfonia in A, Wq182 no 4 Kondrashin.

(1773). English Concert/Trevor Pinnock.

Melodiya 7432 11984 02 60 Archiv 415 300-2 12 Shostakovich, D. Symphony no 5 in D Haydn, J. Cassation in C, Hob.III:6. Chiara minor, op 47 (1937). National SO/Mstislav Banchini, vn; David Plantier, vn; Roel Dieltiens, Rostropovich. vc; Hopkinson Smith, lute.

DG 445 577-2 46 Astrée E 8641 13 17:00 HOSANNA Mozart, W. Variations on Ah, vous dirai-je, Prepared by Richard Munge Maman, K265 (1781-2). Ian Holtham, pf.

Hymns: There is a green hill far away; Move MD 3246 12 Immortal, invisible, God only wise. Geoffrey Crusell, B. Clarinet concerto no 3 in B flat, Shaw, bass. op 11 (1812). Karl Leister, cl; Lahti SO/Osmo Helios CDH 55036 6 Vänskä.

Harwood, B. Evening service in A flat, op 6.

BIS CD-345 24 Helios CDH 55402 8 Haydn, M. Offertorium pro festo SS Choir of St Paul’s Cathedral; Christopher Innocentium (1787). Györ Girls Choir; Györ Dearnley, org; John Scott, cond (2 above) PO/Miklós Szábo.

Wesley, S.S. Anthem: Thou wilt keep Him in Hungaroton HCD 11678 7 perfect peace. Choir of Winchester Cathedral; Haydn, J. String quartet in G, op 54 no 1 Philip Scriven, org; David Hill, cond.

(1788). Schuppanzigh Quartet.

Herald HAVPCD 275 4 Accent ACC 24223 17 22:00 SATURDAY NIGHT AT HOME Prepared by Rex Burgess Enescu, G. Orchestral suite no 2, op 20 (1915). Rumanian National RO/Horia Andreescu.

Olympia OCD 495 25 Fauré, G. The birth of Venus, op 29 (1882).

Brigitte Lafon, sop; Anna Holroyd, cont; Bruno Ranc, ten; Jacques Bona, bass; Lyon Soloists; Jean-Claude Pennetier, pf; Bernard Tétu, cond.

EMI 5 56728 2 23 Saint-Saëns, C. Piano concerto no 5 in F, op 103, Egyptian (1896). Philippe Entremont, pf; Toulouse Capitole O/Michel Plasson.

CBS M2YK 45624 29 Schubert, F. String quartet in A minor, D804, Rosamunde (1824). Australian String Quartet.

Fine Music concert recording 35

22

Stanford, C. Villiers Anthem: Arise, shine, for Thy light is come. Choir of St Alban’s Cathedral; Andrew Lucas, org.

Priory FCM 1 5 Duruflé, M. Sanctus; Pie Jesu; Agnus Dei; In Paradisum, from Requiem. Choirs of Gloucester, Hereford and Worcester Cathedrals; David Briggs, org; Adrian Lucas, cond.

Griffin GCCD 4023 14 Hymns: Glorious things of Thee are spoken; God be in my head; The day Thou gavest, Lord, is ended. Choir of Worcester Cathedral; Worcester Festival Choral Society; Paul Trepte, org; Donald Hunt, cond.

Griffin GCCD 4024 8 Fjellestad, J. Toccata. Richard Lea, org.

Priory PRCD 1042 6 18:00 SMALL FORCES Prepared by Krystal Li Clementi, M. Piano trio, op 21 no 1 (pub.

1788). Trio Fauré.

Dynamic CDS 93 13 Albéniz, I. Songs of Spain, op 232 (1896; arr.).

Pro Arte Guitar Trio.

ASV WHL 2061 25 Bax, A. Oboe quintet (1922). Artaria. www.artaria.co 17 19:00 SUNDAY NIGHT CONCERT Prepared by Nicky Gluch Pugnani, G. Overture no 5 in E flat. Academia Montis Regalis/Luigi Mangiocavallo.

Opus 111 OPS 30-151 15 Mozart, W. Double concerto in E flat, K365 (1779). Silver Garburg Piano Duo; Tasmanian SO/Alexander Mickelthwate.

ABC 481 0245 25 Prokofiev, S. Symphony no 6 in E flat minor, op 111 (1945-47). Los Angeles PO/André Previn.

Philips 420 934-2 41 20:30 NEW HORIZONS Prepared by Nev Dorrington Haigh, R. Creatures of the deep (2017).

Robert Haigh, pf.

Unseen Worlds 17 37 Haigh, R. The silence of ghosts (2015). Robert Haigh, pf.

Siren Records 04 36 Brouwer, O. LP3 (2019). Oliver Brouwer, pf.

1631 Recordings B081 634XFZ 13 22:00 JAZZ AFTER HOURS With David Knapp

Monday 17 August MONDAY 17 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 FINE MUSIC BREAKFAST With Robert Small

09:00 DIVERSIONS IN FINE MUSIC Prepared by Jacky Ternisien Dvorák, A. Overture to Kate and the Devil, op 112 (1899). CSSR State PO/Robert Stankovsky.

Marco Polo 8.223272 9 Balakirev, M. Reminiscences of Glinka’s opera A life for the Tsar (1899). Nicholas Walker, pf.

ASV DCA 940 12 Sibelius, J. Six songs, op 36 (1899). Anne Sofie von Otter, mezz; Bengt Forsberg, pf.

BIS CD-457 12 Rimsky-Korsakov, N. Suite from Tsar Saltan (1899). Queensland SO/Vladimir Verbitsky.

ABC 476 3510 22 Hurlstone, W. Trio in G minor (1899). Murray Khouri, cl; Peter Musson, bn; Stephen Emerson, pf.

Continuum CCD 1079 24 10:30 CONCERT HALL Prepared by Jennifer Foong Arriaga, J. Overture to The happy slaves (1824). Scottish CO/Charles Mackerras.

Hyperion CDA66800 8 Saint-Saens, C. Symphonic poem no 4: La jeunesse d’Hercule, op 50 (1877). Lille NO/ Jun Märkl.

Naxos 8.573745 16 Weber, C.M. Piano concerto no 2 in E flat, op 32 (1812). Nikolai Demidenko, pf; Scottish CO/ Charles Mackerras.

Hyperion CDA66729 21 Balakirev, M. Symphony no 2 in D minor (1900-08). Philharmonia O/Yevgeny Svetlanov.

Hyperion CDA66586 37 12:00 SWING SESSIONS With John Buchanan 13:00 HARMONY AND ORNAMENT Prepared by Albert Gormley Corelli, A. Concerto da camera in F, op 6 no 12 (pub. 1714). New Dutch Academy CO/ Simon Murphy.

PentaTone PTC 5186 031 15 Purcell, H. Suite from Dioclesian (1690).

Academy of St Martin in the Fields/Neville Marriner.

Capriccio C8001 13 Vivaldi, A. Violin concerto in C, RV180, Il piacere (1740). Academy of Ancient Music/ Andrew Manze.

Harmonia Mundi HMU 907230 10 Bach, J.S. Double concerto in D minor, BWV1043 (bef. 1730). Arthur Grumiaux, vn; Herman Krebbers, vn; Les Solistes Romands/ Arpad Gerecz.

Philips 420 700-2 15

23

14:00 CLERICS AND THEIR PROFANE MUSIC Prepared by Anabela Pina Sanz, G. El pajarillo. Montserrat Figueras, sop; Tembembe Ensamble Continuo; Capella Reial de Catalunya; Hesperion XXI/Jordi Savall.

Alia Vox AVSA 9876 7 Zipoli, D. Suite in F. Maurice André, tpt; JeanFrançois Paillard CO/Jean-François Paillard.

Erato 2292-45062-2 12 Hita, A. de Aria no 4: Amor, sólo tu encanto, from La Briseida (1768). María Bayo, sop; Les Talens Lyriques/Christophe Rousset.

Naïve E 8885 7 Soler, A. Fandango. L’Arpeggiata/Christina Pluhar.

Virgin 5099967851621 9 Steffani, A. Orlando generoso. I Barocchisti/ Diego Fasolis.

Decca 478 5741 7 Kircher, A. Tarantellas: La Carpinese; Napoletana, Tono hypodorico; Antidotum tarantulae. Lucilla Galeazzi, voice; L’Arpeggiata/Christina Pluhar.

Alpha SA 503 8 15:00 SONG AND DANCE Prepared by James Nightingale Brahms, J. Seven songs for mixed choir, op 62 (1860). RIAS Chamber Choir/Marcus Creed.

Harmonia Mundi HMG 501592/93 21 Brahms, J. Waltzes, op 39 (1867). Martha Argerich, pf; Alexandre Rabinovitch, pf.

Teldec 4509-92257-2 7 Stanhope, P. Dancing on clouds (2018). ACO Collective.

ABC 481 7374 5 Stanhope, P. Sea chronicles (1998). Jane Sheldon, sop; Ironwood.

ABC 476 3870 20 16:00 FINE MUSIC DRIVE With Stephen Wilson 19:00 JAZZ PULSE With Chris Wetherall 20:00 STORMY MONDAY With Austin Harrison 22:00 JAZZ AFTER HOURS With Eddie Bernasconi

Tuesday 18 August TUESDAY 18 00:00 SOUNDTRACKS AT MIDNIGHT With Chris Winner 01:00 OASIS OF INSOMNIA With Adam Cockburn 02:00 ECLECTIC CHAIR With Liam Collins

03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST With Julie Simonds 09:00 DIVERSIONS IN FINE MUSIC Prepared by Rita Felton Bach, J.S. Fantasia in G, BWV572 (1717).

Marcel Dupré, org.

Mercury 478 8388 14 Kabalevsky, D. Piano sonata no 3, op 46 (1946). Gabriele Gorog, pf.

Dynamic CDS72 16 Bach, J.S. Flute sonata in E, BWV1035 (c1741). Frans Brüggen, transverse fl; Anner Bijlsma, baroque vc; Gustav Leonhardt, hpd.

LP RCA RL 30426 14 Granados, E. Piano quintet in G minor, op 49 (1898). Thomas Rajna, pf; Alberni Quartet.

LP CRD 1035 15 Liszt, F. Concerto pathétique in E minor (1849; arr. Liszt 1856; rev. Bulow 1884). Eric Heidsieck, pf; Tania Heidsieck, pf.

LP Metropole 2599 017 18 Byrd, W. Rowland or Lord Willoughby’s welcome home. Trevor Pinnock, hpd.

LP CRD 1050 3 10:30 CONCERT HALL Prepared by Dan Bickel Vaughan Williams, R. Aristophanic suite: The wasps (1909). Bournemouth Sinfonietta/ Norman Del Mar. EMI CDM 5 65130 2 25 Strauss, R. Violin concerto in D minor, op 8 (1880-82). James Ehnes, vn; Melbourne SO/ Andrew Davis.

ABC 481 7471 31 Khachaturian, A. Symphony no 3 (1947).

BBC PO/Fedor Gluschenko.

Chandos CHAN 9321 25 12:00 JAZZ RHYTHM With Jeannie McInnes 13:00 GERMANY FROM BAROQUE TO CLASSICAL Prepared by Albert Gormley Telemann, G. Flute concerto in E (c1718).

Academy of Ancient Music/Christopher Hogwood.

L'Oiseau-Lyre 411 949-2 16 Handel, G. Concerto grosso no 9 in F, HWV327 (1739). English Concert/Trevor Pinnock.

Archiv 479 1932 14 Bach, C.P.E. Quartet no 1 in A minor, Wq93 (1788). Nicholas McGegan, fl; Catherine Mackintosh, va; Anthony Pleeth, vc; Christopher Hogwood, fp.

L’Oiseau-Lyre 433189-2 15 Haydn, J. Symphony in D, Hob.I:10 (c1761).

Philharmonia Hungarica/Antal Dorati.

Decca 425 900-2 13

Mozart, W. Piano concerto no 11 in F, K413 (1782-83). English CO/Murray Perahia, pf & dir.

Sony SX4K 46 442 23 14:30 INTO THE TWENTIETH CENTURY Prepared by Robert Gilchrist Elgar, E. Serenade in E minor for strings, op 20 (1892). Australian CO/Richard Tognetti.

Sony SK 53356 12 Ives, C. Piano sonata no 1 (1902-08). Peter Lawson, pf.

Virgin VC 7 59316 2 39 Hill, A. Symphony no 3 in B minor, Australia (1951). Queensland SO/Wilfred Lehmann.

Marco Polo 8.223537 27 16:00 FINE MUSIC DRIVE With Andrew Dziedzic 19:00 THE JAZZ BEAT With Lloyd Capps 20:00 RECENT RELEASES With Charles Barton 22:00 CHAMBER SOIRÉE Prepared by Rex Burgess Schubert, F. Quintet in C, D956 (1828). Mark Lubotsky, vn; Michelle Walsh, vn; Theodore Kuchar, va; Julian Smiles, vc; Alexander Ivashkin, vc.

ABC 465 841-2 53 Spohr, L. Quintet in C minor, op 52 (1820).

John Wion, fl; Arthur Bloom, cl; Donald MacCourt, bn; Howard Howard, hn; Mary Louise Boehm, pf.

LP Turnabout TV-S 34506 28 Myaskovsky, N. String quartet no 4 in F minor, op 33 no 4 (1909-37). Taneyev Quartet.

Northern Flowers NFPMA 98005 30

Wednesday 19 August WEDNESDAY 19 00:00 DREAD JUNCTION With Vince Carnovale 01:00 DREAD JUNCTION With Vince Carnovale 02:00 THE LOST HIGHWAY With Austin Harrison 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST With Janine Burrus 09:00 DIVERSIONS IN FINE MUSIC Prepared by Jennifer Foong Graupner, C. Overture in B flat (c1743). JeanClaude Veilhan, chalumeau; Ensemble Mensa Sonora/Jean Maillet.

Pierre Verany PV794114 19 Fasch, J. Trio sonata in G minor. Members of Epoca Barocca. cpo 777 204-2 12

24

Abel, C. Flute concerto no 5 in G. Melissa Farrow, fl; Australian Haydn Ensemble/Skye McIntosh.

Fine Music concert recording 16 Myslivecek, J. Ti parli in seno amore, from Farnace (1767). Vince Yi, ct; Armonia Atenea/ George Petrou.

Decca 478 8094 8 Hotteterre, J-M. Brunette en trio à 3 (pub.

1721). Trio Avium.

Hearing Places HP002 4 Mayr, S. Sinfonia in B flat (1800). I Virtuosi Italiani/Franz Hauk.

Naxos 8.573484 6 Witt, F. Horn quartet in E flat. Consortium Classicum. cpo 777 486-2 14 10:30 CONCERT HALL Prepared by Michael Field Respighi, O. Ancient airs and dances, suite no 2 (1924). Australian CO/Christopher Lyndon-Gee. Omega OCD 1007 20 Dyson, G. Concerto leggiero (1951). Eric Parkin, pf; City of London Sinfonia/Richard Hickox.

Chandos CHAN 9076 25 Pavlova, A. Symphony no 2, For the new millennium (1997/2002). Yaroslav Krasnikov, vn; Tchaikovsky RSO of Moscow/Vladimir Fedoseyev.

VH1985 8.557566 38 12:00 JAZZ SKETCHES With Robert Vale 13:00 IN CONVERSATION With Christopher Waterhouse 14:00 PIERRE BOULEZ, CONDUCTOR Prepared by Jacky Ternisien Stravinsky, I. Song of the nightingale (1917).

Royal Concertgebouw O. Radio Netherlands RCO 05001 21 Debussy, C. Dances sacred and profane (1904). Alice Chalifoux, hp; Cleveland O. Sony SM2K 68 327 10 Mahler, G. Verlorne Müh’, from Youth’s magic horn (1893). Magdalena Kozená, mezz; Christian Gerhaher, bar; Cleveland O. DG 477 9060 3 Ligeti, G. Piano concerto (1985-86).

Pierre-Laurent Aimard, pf; Ensemble InterContemporain.

DG 439 808-2 23 Mahler, G. Symphony no 4 in G (1900).

Juliane Banse, sop; William Preucil, vn; Cleveland O. DG 477 9528 54 Pierre Boulez, cond (all above) 16:00 FINE MUSIC DRIVE With Tom Forrester-Paton 19:00 A TWIST OF JAZZ With Andrew Piper

20:00 AT THE OPERA Prepared by Angela Cockburn Mozart, W. Don Giovanni, K527. Opera in two acts. Libretto by Lorenzo da Ponte. First performed Prague, 1787.

DON GIOVANNI: Teddy Tahu Rhodes, bar LEPORELLO: Conal Coad, bass DONNA ANNA: Rachelle Durkin, sop THE COMMENDATORE: Daniel Sumegi, bass-bar DON OTTAVIO: Henry Choo, ten DONNA ELVIRA: Jacqueline Dark, cont ZERLINA: Taryn Fiebig, sop MASETTO: Andrew Jones, bar Opera Australia Ch; Australian Opera and Ballet O/Mark Wigglesworth.

Opera Australia OP0Z56025CD 2:38 Don Giovanni, attempting to seduce Donna Anna, kills her father, the Commendatore. Her fiance Don Ottavio swears to find the killer.

Donna Elvira, believing herself to be the Don’s fiancee, arrives and his servant Leporello lists the Don's conquests. Don Giovanni tries to seduce the peasant girl Zerlina but his lust is thwarted when Elvira warns the girl. Her fiance, Masetto, pursues the Don. Elvira, Anna and Ottavio join forces. Increasingly disturbed, the Don invites the statue of the dead Commendatore to dine with him. The statue arrives and, in a drunken state, Don Giovanni grasps the hand and is pulled into hell.

23:00 PERSPECTIVES Prepared by James Nightingale Shlomowitz, M. Hi hat and me (2010). Claire Edwardes, perc.

Tall Poppies TP223 5 Harvey, M.K. Homage to Liszt (2011). Eugene Ughetti, perc; Michael Kieran Harvey, pf.

Move MD 3368 8 Tailleferre, G. Hommage à Rameau (1964).

Aldo Orvieto, pf; Renato Maioli, pf; Támmitam Percussion Ensemble/Guido Facchin.

Dynamic CDS 97 10 Glanville-Hicks, P. Sonata for piano and percussion (1952). Susanne Powell, pf; CSM Percussion Ensemble/Michael Askill.

Canberra School of Music CSM:24 11 Kats-Chernin, E. Golden kitsch (2009). Claire Edwardes, perc; Melbourne SO/Benjamin Northey.

ABC 481 6430 18

Thursday 20 August THURSDAY 20 00:00 UNLEASH THE VINYL With Tom Zelinka 01:00 GROOVESVILLE/25 0'CLOCK With Ray Levis 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST

With Simon Moore 09:00 DIVERSIONS IN FINE MUSIC Prepared by Jennifer Foong Fasch, J. Chalumeau concerto in B flat.

Accademia Daniel/Shalev Ad-El. cpo 999 674-2 11 Salieri, A. Quartets from the opera Palmira (1796-97). Christoff Ogg, cl; Regula Schneider, bshn; Markus Niederhauser, bshn; Andreas Ramseier, bshn.

Claves CD 50-9212 7 Blavet, M. Flute sonata in D minor, op 2 no 2, La Vibray (1750). Rachel Brown, fl; Mark Caudle, bass viol; James Johnstone, hpd.

Chandos CHAN 0544 11 Beethoven, L. Trio in C, op 87 (1794). Marilyn Zupnik, ob; Greenbank, ob; Elizabeth Starr, cora.

ASV QS 6192 22 Bottesini, G. Duet for clarinet, double bass and orchestra (1865). Emma Johnson, cl; Thomas Martin, db; English CO/Andrew Litton.

Naxos 8.570397 8 Bach, J.S. Oboe d’amore concerto, from Cantata, BWV209 (c1734; arr. Tarkmann).

English Concert/Albrecht Mayer, ob d’amore & dir.

Decca 478 1517 19 10:30 CONCERT HALL Prepared by Peter Poole Elgar, E. The wand of youth, suite no 2, op 1b (1907). Welsh National Opera O/Charles Mackerras.

Argo 433 214-2 17 Thalberg, S. Piano concerto in F minor, op 5 (c1830). Tasmanian SO/Howard Shelley, pf & dir.

Hyperion CDA67915 26 Stanford, C. Villiers Symphony no 5 in D, op 56, L’allegro ed il penseroso (1894).

Bournemouth SO/David Lloyd-Jones.

Naxos 8.570289 40 12:00 JAZZ, PURE AND SIMPLE With Maureen Meers 13:00 THE PROLIFIC TELEMANN Prepared by Rex Burgess Telemann, G. Triple concerto in D. Otto Sauter, tpt; Franz Wagnermeyer, tpt; Kenji Tamiya, tpt; Palatinate Chamber O/Nicol Matt.

Brilliant Classics 94104 9 Telemann, G. Oratorio: Jauchze, jubilier und singe, TVWV15:5 (1730). Ursula ReinhardtKiss, sop; Rosemarie Lang, cont; Eberhard Büchner, ten; Siegfried Lorenz, bar; Herman Christian-Polster, bass; Leipzig Radio Choir & SO/Wolf-Dieter Hauschild.

Brilliant Classics 95150/48 46 14:00 LOOKING IN THE REAR MIRROR Prepared by James Nightingale Bennett, Richard. Partita (1995).

Philharmonia O/Richard Hickox.

25

Chandos CHAN 10389 18 Ravel, M. Le tombeau de Couperin (1913-17).

Jean-Yves Thibaudet, pf.

Decca 433 515-2 24 Respighi, O. Ancient airs and dances, suite no 2 (1924). Australian CO/Christopher Lyndon-Gee. Omega OCD 1007 20 Poulenc, F. Suite française d’après Claude Gervaise (1939). Pascal Rogé, pf.

Decca 460 329-2 12 Milhaud, D. Le carnaval d'Aix, op 83b (1926).

Jack Gibbons, pf; New London O/Ronald Corp.

Hyperion CDA66594 19 Debussy, C. Hommage à Haydn (1909).

Roger Woodward, pf.

ABC 472 170-2 2 Prokofiev, S. Symphony no 1 in D, op 25, Classical (1917). Sydney SO/Vladimir Ashkenazy.

Exton EXCL-00042 14 16:00 FINE MUSIC DRIVE With Sue Jowell 19:00 THE NEW JAZZ STANDARD With Frank Presley 20:00 THE WORLD OF A SYMPHONY Prepared by James Nightingale Sibelius, J. Six pieces, op 79 (1915). Nils-Erik Sparf, vn; Bengt Forsberg, pf.

BIS CD-525 20 Schoenberg, A. Five orchestral pieces, op 16 (1909). Royal Concertgebouw O/Mariss Jansons.

Radio Nederland RCO11004 17 Debussy, C. The engulfed cathedral, from Preludes, bk 1 (1910). Duncan Gifford, pf.

ABC 476 2900 6 Butterworth, G. Six songs from A Shropshire lad (1911). Bryn Terfel, bass-bar; Malcolm Martineau, pf.

DG 445 946-2 14 Atterberg, K. String quartet no 2, op 11 (1918). Saulesco Quartet.

Swedish Society SCD 1021 19 Sibelius, J. Symphony no 5 in E flat, op 82 (1915). Adelaide SO/Arvo Volmer.

ABC 476 3946 32 22:00 LATE NIGHT INTERLUDE Prepared by Rex Burgess Schumann, R. Six concert studies after caprices of Paganini, op 10 (1833). Nikolai Petrov, pf.

Melodiya MA 18947 27 22:30 ULTIMA THULE With Marc Cottee

Friday 21 August FRIDAY 21 00:00 MUTABLE CARAT With Nick Dan 01:00 THE LONG DIVISION With Joe Goddard 02:00 SIGNAL CRUNCH With Glenn Winfield 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST With Annabelle Drumm 09:00 DIVERSIONS IN FINE MUSIC Prepared by Dan Bickel Bliss, A. River music (1959). Finzi Singers/ Paul Spicer.

Chandos CHAN 8980 7 Carr-Boyd, A. Murray River (1995). Sydney Guitar O/Christopher Keane.

Jade JAD 1059 5 Delius, F. Summer night on the river (1911).

Bournemouth Sinfonietta/Norman Del Mar. Chandos CHAN 6502 7 Thomson, V. Suite from The River (1934).

Symphony of the Air/Leopold Stokowski.

Vanguard OVC 8013 24 Mussorgsky, M. Dawn over the Moscow River, from Khovanshchina (1872; arr. RimskyKorsakov). USSR SO/Yevgeny Svetlanov.

Melodiya SUCD 10-00178 6 Koehne, G. Time is a river. Paul Dean, cl; Tasmanian SO/Richard Mills.

ABC 481 1480 17 Sibelius, J. The breaking of the ice on the Oulu River (1899). Lasse Pöysti, narr; YL Male Voice Choir; Lahti SO/Osmo Vänskä.

BIS CD-1906/08 11 10:30 CONCERT HALL Prepared by Mark Renton Zádor, E. Dance overture (1965). MÁV SO/ Mariusz Smolij.

Naxos 8.573800 8 Mozart, W. Double concerto in C, K299 (1778). Karlheinz Zoeller, fl; Nicanor Zabaleta, hp; Berlin PO/Ernst Märzendorfer.

DG 463 648-2 29 Bruckner, A. Symphony no 1 in C minor (1866). Vienna PO/Claudio Abbado.

Decca 478 5365 46 12:00 A JAZZ HOUR With Barry O'Sullivan 13:00 THE MIGHTY FIVE With Robert Gilchrist Rimsky-Korsakov, N. Capriccio espagnol, op 34 (1887). Cleveland O/Lorin Maazel.

Decca 480 6627 16 Mussorgsky, M. Pictures at an exhibition (1924). Simon Tedeschi, pf.

ABC 481 1963 45 Cui, C. Song of the most holy Theotokos, op 93. Holst Singers/Stephen Layton.

Hyperion CDA67756 8

Balakirev, M. Overture to Incidental music for King Lear (1859). BBC PO/Vassily Sinaisky.

Chandos CHAN 9667 11 Rimsky-Korsakov, N. Overture to The Tsar’s bride (1898-99). Philharmonia O/Yondani Butt.

ASV DCA 1024 6 Rimsky-Korsakov, N. Fantasia on Serbian themes, op 6 (1867). Philharmonia O/Yondani Butt.

ASV DCA 1024 7 Borodin, A. Polovtsian dances, from Prince Igor (1887). Sydney Philharmonia Motet and Symphonic Choirs; Sydney Philharmonia O/ Antony Walker.

ABC 476 3521 14 15:00 SEA PICTURES Prepared by Ray Lemond Bloch, E. Poems of the sea (1922). Istvan Kassai, pf.

Marco Polo 8.223288 10 Chausson, E. Poem of love and the sea, op 19 (1893). Linda Finnie, mezz; Ulster O/Yan Pascal Tortelier.

Chandos CHAN 8952 29 Glazunov, A. Fantasy: The sea, op 28 (1889).

USSR RSO/Gennady Provatorov.

Melodiya MA 3010 16 16:00 FINE MUSIC DRIVE With James Hunter 19:00 FRIDAY JAZZ SESSION With Christopher Waterhouse 20:00 EVENINGS WITH THE ORCHESTRA Prepared by David Brett Verdi, G. Overture to Nabucco (1842). La Scala PO. Sony SBK 89738 7 Leoncavallo, R. No Pagliaccio non son, from I pagliacci (1892). Luciano Pavarotti, ten; Westminster Symphonic Choir; Philadelphia O. Philips 442 601-2 6 Tchaikovsky, P. Fantasy overture: Romeo and Juliet (1869/80). Philharmonia O. EMI 7 67742 2 20 Mozart, W. Violin concerto no 2 in D, K211 (1775). Anne-Sophie Mutter, vn; Philharmonia O. EMI 5 62825 2 21 Brahms, J. Symphony no 3 in F, op 90 (1883).

Philadelphia O. Philips 426 253-2 38 Verdi, G. Se quel guerrier io fossi ... Celeste Aïda, from Aïda (1871). Plácido Domingo, ten; New Philharmonia O. EMI CDC 7 49929 2 4 Strauss, Josef. Waltz: Music of the spheres, op 235 (1868). Vienna PO. DG 474 900-2 10 Riccardo Muti, cond (all above) 22:00 BAROQUE AND BEFORE Prepared by Elaine Siversen

26

Lully, J-B. Ballet des plaisirs (1655). Aradia Baroque Ensemble/Kevin Mallon.

Naxos 8.554003 13 Lambert, M. Ombre de mon amant. Anne Sofie von Otter, mezz; Les Arts Florissants/ William Christie.

Archiv 477 8610 5 Cavalli, F. Ombra mai fu, from Serse (1654).

Concerto Vocale/René Jacobs, ct & dir.

Harmonia Mundi HMX 290605.07 4 Lully, J-B. Excerpts from L’Amour médecin, comédie-ballet (1665). Isabelle Poulenard, sop; Agnès Mellon, sop; Bernard Delétré, bass; Les Musiciens du Louvre/Marc Minkowski.

Erato 245 286-2 11 Lully, J-B. Excerpts from Le bourgeois gentilhomme (1670). Musica Antiqua Cologne/ Reinhard Goebel.

DG 463 446-2 3 Lully, J-B. Excerpts from Amadis (1684).

Véronique Gens, sop; Benoit Porcherot, ct; David Witczak, bar; Les Chantres du Centre de Musique Baroque de Versailles; Musica Florea/Olivier Schneebeli.

MBF 1108 39 Lully, J-B. Te Deum (1677). Le Concert Spirituel/Hervé Niquet.

Naxos 8.554397 29

Saturday 22 August SATURDAY 22 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SATURDAY MORNING MUSIC With Peter Bell 09:00 WHAT'S ON IN MUSIC 09:05 THE PIANO ALONE Prepared by Jennifer Foong Bach, J.S. Suite no 6 in D minor, BWV811, English (bef. 1725). Murray Perahia, pf.

Sony SK 60276 24 Clementi, M. Sonata in C, op 2 no 2 (1779).

Howard Shelley, pf.

Hyperion CDA67632 11 Mendelssohn, F. Fantasy in F sharp minor, op 28 (1833). Nikolai Demidenko, pf.

Hyperion CDA66781/2 14 10:00 MUSICAL JOURNEYS Prepared by Jennifer Foong Mendelssohn, F. Overture: The Hebrides, op 26, Fingal’s Cave (1832). Scottish NO/ Alexander Gibson.

Chandos CHAN 10412X 10 Saint-Saëns, C. Havanaise, op 83 (1887; transcr. Yo-Yo Ma). Yo-Yo Ma, vc; Kathryn Stott, pf.

Sony SK 87287 9

Nielsen, C. Saga-dream, op 39 (1908).

Gothenburg SO/Neeme Järvi.

DG 447 757-2 9 Beethoven, L. Lochnager, from 12 Scottish songs, WoO 156 (1824-25). Edith Mathis, sop; Alexander Young, ten; Dietrich FischerDieskau, bar; Andreas Roehn, vn; Georg Donderer, vc; Karl Engel, pf.

DG 480 0385 4 Borodin, A. In the steppes of Central Asia (1880). Ukraine National RSO/Theodore Kuchar.

Naxos 8.557456 8 Ketèlbey, A. In a Chinese temple garden (1925). Jean Temporley, mezz; Ambrosian Singers; Philharmonia O/John Lanchbery.

EMI 1 66443 2 7 Rimsky-Korsakov, N. Capriccio espanol, op 34 (1887). London SO/Ataúlfo Argenta.

Decca 478 2826 15 Gershwin, G. An American in Paris (1928).

Minneapolis SO/Antal Dorati.

Mercury 478 509-2 16 11:30 ON PARADE Prepared by Chris Blower Puccini, G. Nessun dorma, from Turandot (1920-24; compl. Alfano 1926; arr.). Hawthorn Band/Ken MacDonald.

Walsingham WAL 9000-2 3 Donizetti, G. Quando rapito in estasio, from Lucia di Lammermoor (arr. Parkes). Phillip McCann, cornet; John Foster Black Dyke Mills Band/Peter Parkes.

Chandos CHAN 4502 4 Weinberger, J. Polka and fugue, from Schwanda the bagpiper (1927; arr. Bainum).

President's Own United States Marine Band/ Michael Colburn.

Naxos 8.570243 8 Nicolai, O. Overture to The merry wives of Windsor (1849; arr.). Black Dyke Mills Band.

Music Digital 6249 8 12:00 URBAN JAZZ LOUNGE With Leita Hutchings 13:00 IN A SENTIMENTAL MOOD With Maureen Meers 14:00 GIGUES Prepared by Jacky Ternisien Bach, J.S. Gigue, from Suite no 2 in A minor, BWV807, English (c1725; transcr. Neumann).

Renaud Capuçon, vn; Gautier Capuçon, vc.

Virgin 3 32626 2 3 Hässler, J.W. Grande gigue in D minor, op 31.

Olga Tverskaya, fp.

Opus111 OPS 30-178 6 Murcia, S. de A gigue of Corelli. Paul O’Dette, gui; Pat O’Brien, gui; Steve Player, gui; Andrew Lawrence-King, hp, psaltery; Pedro Estevan, perc.

Harmonia Mundi HMX 2907212 3

Loeillet of London, J.B. Gigue (transcr.

Godowsky). Konstantin Scherbakov, pf.

Marco Polo 8.223795 4 Ponce, M. Gigue. Andrés Segovia, gui.

DG 474 961-2 5 Charpentier, M-A. Gigue française, from Concerts in four parts for viols, H545. Les Arts Florissants/William Christie.

Erato 3984-25485-2 1 14:30 SATURDAY MATINEE Prepared by Paul Cooke Dyson, G. Nebuchadnezzar (1935). Mark Padmore, ten; Neal Davies, bass-bar; BBC Symphony Ch/Richard Hickox.

Chandos CHAN 10439 48 Bridge, F. Enter Spring (1927). New Philharmonia O/Benjamin Britten.

BBC BBCB 8007-2 20 Vaughan Williams, R. Antiphon, from Five mystical songs (1911). Henry Herford, bar; Guildford Choral Society; Philharmonia O/ Hilary Davan Wetton.

Hyperion CDA66306 3 Dyson, G. Praise (1935). Choir of King’s College, Cambridge; Parker Ramsay, org; Stephen Cleobury, cond.

King's College KGS0004 2 Foulds, J. Hellas, a suite of ancient Greece, op 45 (1932). London PO/Barry Wordsworth.

Lyrita SRCS.212 18 Vaughan Williams, R. Five Tudor portraits (1935). Jean Rigby, mezz; John Shirley-Quirk, bar; London Symphony Ch & O/Richard Hickox.

Chandos CHAN 9593 45 17:00 SOCIETY SPOT Prepared by Ross Hayes 18:00 MUSIC OF THE SCREEN Prepared by Paul Cooke 19:00 EMERGENT JAZZ With Keith Pettigrew 20:00 THE LIFE OF A COMPOSER Prepared by Frank Morrison Mendelssohn, F. String symphony no 1 in C (1821). Northern CO/Nicholas Ward.

Naxos 8.553161 12 Mendelssohn, F. Piano quartet in C minor, op 1 (1822). Domus.

Virgin VC 7 91183-2 26 Mendelssohn, F. Auf Flügein des Gesanges, op 34 no 2 (1836). Olaf Bär, bar; Geoffrey Parsons, pf.

EMI 5 55345 2 3 Mendelssohn, F. Violin sonata in F minor, op 4 (1823). Nomos Duo. Naxos 8.554725 20 Mendelssohn, F. Piano concerto no 1 in G minor, op 25 (1831). András Schiff, pf; Bavarian RSO/Charles Dutoit.

Decca 414 672-2 19

27

Mendelssohn, F. Incidental music to A midsummer night’s dream, op 61 (1843).

Gewandhaus O/Riccardo Chailly.

Decca 481 0778 29 22:00 SATURDAY NIGHT AT HOME Prepared by Dan Bickel Dvorák, A. Overture: Hussite, op 67 (1883).

London SO/István Kertész.

Decca 417 597-2 14 Strauss, R. Oboe concerto in D (1945/48).

Heinz Holliger, ob; New Philharmonia O/Edo de Waart.

Philips 438 733-2 26 Franck, C. Rédemption (1871-72). Belgian NO/André Cluytens.

EMI 5 65153 2 13 Tchaikovsky, P. Manfred symphony, op 58 (1885). London PO/Mstislav Rostropovich.

EMI 5 65709 2 1:00

Sunday 23 August SUNDAY 23 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC With Terry McMullen 09:00 MUSICA SACRA Prepared by Nicky Gluch Gubaidulina, S. Exalt in God (1980). North German Radio Choir; Ivan Monighetti, vc; Elbtonal Percussion; Christian Schmitt, org; Philipp Ahmann, cond.

BIS BIS-2276 9 Bach, J.S. Lutheran Mass in G minor, BWV235 (1735). Bach Collegium Japan/ Masaaki Suzuki.

BIS 2081 25 Poulenc, F. Mass in G (1937). Mark Harris, treb; Choir of Winchester Cathedral/Martin Neary.

EMI CDC 7 49559-2 20 10:00 THE CLASSICAL ERA Prepared by Chris Blower Hérold, F. Overture to Zampa (1831). Detroit SO/Paul Paray.

Mercury 478 5092 7 Fossa, F. de Guitar trio no 3 in F, op 18 (1808).

Simon Wynberg, gui; Martin Beaver, vn; Bryan Epperson, vc.

Naxos 8.550760 27 Méhul, É-N. Symphony no 2 in D (1808-09).

Les Musiciens du Louvre/Marc Minkowski.

Erato 2292-45026-2 24 Rousseau, J-J. Four airs for two clarinets (1770). Michel Portal, cl; Paul Meyer, cl.

EMI 5 56732 2 8 Onslow, G. String quartet in B flat, op 4 no 1.

Mandelring Quartet. cpo 999 329-2 19

Boïeldieu, A. Harp concerto in C (1801).

Marielle Nordmann, hp; Franz Liszt CO/JeanPierre Rampal.

Sony SK 58919 23 12:00 CLASSIC JAZZ AND RAGTIME With John Buchanan 13:00 WORLD MUSIC: Whirled Wide With Orli Zahava 14:00 FOCUS ON STENHAMMAR Prepared by Paul Cooke Stenhammar, W. The girl came home from meeting her lover, op 4b no 1 (1893). Barbara Bonney, sop; Antonio Pappano, pf.

Decca 466 762-2 5 Stenhammar, W. Symphony no 1 in F (190203). Gothenburg SO/Neeme Järvi.

DG 445 857-2 50 15:00 SUNDAY SPECIAL Prepared by Di Cox Elgar, E. Introduction and allegro for strings, op 47 (1905). Australian CO/David Stanhope.

Fine Music tape archive 14 Britten, B. Variations on a theme of Frank Bridge, op 10 (1937). English Northern Sinfonia/Richard Hickox.

ASV DC QS 6214 26 Tippett, M. Fantasia concertante on a theme of Corelli (1953). Barry Griffiths, vn; Ian Rhodes, vn; Mats Lidström, vc; Royal PO/ Charles Groves.

ASV RPO 8020 19 Vaughan Williams, R. Fantasia on a theme of Thomas Tallis (1910). Queensland SO/Patrick Thomas.

ABC 476 4565 15 Sullivan, A. Cello concerto in D (1866; reconstr. Mackerras, Mackie). Julian Lloyd Webber, vc; London SO/Charles Mackerras.

EMI CDM 7 64726 2 17 Britten, B. Variations and fugue on a theme of Purcell, op 34, The young person's guide to the orchestra (1946). London SO/Benjamin Britten.

Decca 478 5616 17 17:00 HOSANNA Prepared by Jeremy Hall Bertalot, J. Lord of the dance. Choir of St Thomas Church, New York/John Scott.

Pro Organo BNOK0Z8 3 Bairstow, E. Psalm 84, How amiable are Thy tabernacles. Choir of St Paul’s Cathedral; Andrew Lucas, org; John Scott, cond.

Hyperion CDS44107 4 Britten, B. Festival Te Deum in E. Choir of Jesus College, Cambridge; Benjamin Morris, org; Mark Williams, cond.

Hyperion SIGCD409 6 Walton, W. Jubilate Deo. Choir of St Paul’s Cathedral; Simon Johnson, org; Andrew Carwood, cond.

Decca 483 1736 4 Howells, H. Like as the hart. Cambridge Singers; Wayne Marshall, org; John Rutter, cond.

Collegium COLCD134 5 Palestrina, G. da Sicut cervus. Cambridge Singers/John Rutter.

Collegium COLCD134 3 Fauré, G. Cantique de Jean Racine. Choir of Westminster Cathedral; Ian Simcock, org; James O’Donnell, cond.

Hyperion CDA66669 6 Chausson, E. Tota pulchra est. George Bartle, treb; Paul Trepte, org.

Herald HAVPCD159 4 Pärt, A. The deer’s cry. Polyphony/Stephen Layton.

Hyperion CDA68056 4 Hymn: All my hope on God is founded.

Cambridge Singers; Wayne Marshall, org; John Rutter, cond.

Collegium COLCD118 3 Howells, H. Paean. Alastair Carey, org.

Raven OAR-630 7 18:00 SMALL FORCES Prepared by Rex Burgess Bach, J.S. Trio sonata in C minor, BWV1079 (1747). Isaac Stern, vn; Jean-Pierre Rampal, fl; Leslie Parnas, vc; John Steele Ritter, hpd.

Sony SMK 64 509 18 Schumann, R. Three romances, op 94 (1849).

David Nuttall, ob; Larry Sitsky, pf.

Tall Poppies TP041 15 Alkan, C-V. Grand duo concertant in F sharp minor, op 21 (1840). Dong-Suk Kang, vn; Olivier Gardon, pf.

Timpani IC 1013 21 19:00 SUNDAY NIGHT CONCERT Prepared by Frank Morrison Berlioz, H. Overture to Beatrice and Benedict (1860-62). Philharmonia O/Jean-Philippe Rouchon.

ASV DCA 895 8 Cui, C. Budrys and his sons, op 98 (1915).

Andrei Baturkin, bar; Russian State SO/Valery Polyansky.

Chandos CHAN 10201 6 Salieri, A. Piano concerto in B flat (1773).

Philharmonia O/Pietro Spada, pf & dir.

ASV DCA 955 25 Sibelius, J. Symphony no 1 in E minor, op 39 (1899). Danish National RSO/Leif Segerstam.

Chandos CHAN 9107 43 20:30 NEW HORIZONS Prepared by James Nightingale Gribbin, D. Merrow Sang. RTE Vanbrugh Quartet.

NMC D185 10 Stanley, Jane. Round the bay (2013). Jenny Duck-Chong, mezz; Laura Chislett Jones, picc, fl; Geoffrey Gartner, vc; William Jackson, perc.

28

Tall Poppies TP236 4 Stanley, Jane. Helix reflections. Ensemble Offspring. www.ensembleoffspring.com 5 Vasks, P. Lonely angel (2019). Trio Palladio.

Ondine ODE 1343-2 15 Skempton, H. Images. William Howard, pf.

Orchid ORC100116 27 Boyd, A. Yuya (2006). Alicia Crossley, rec; Acacia Quartet.

Move MCD 587 7 Thorvaldsdottir, A. Ro (2013). Riot Ensemble.

HCR 20CD 12 22:00 JAZZ AFTER HOURS With David Knapp

Monday 24 August MONDAY 24 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 FINE MUSIC BREAKFAST With James Hunter 09:00 DIVERSIONS IN FINE MUSIC Prepared by Derek Parker Cherubini, L. Sinfonia, from Il Giulio Sabino (1786). Auser Musici/Carlo Ipata.

Hyperion CDA67893 10 Boccherini, L. Symphony in C (1786). New Berlin CO/Michael Erxleben.

Brilliant Classics 94386 14 Ponchielli, A. Cielo e mar, from La Gioconda (1786). Rolando Villazón, ten; Giuseppe Verdi SO/Daniele Callegari.

Decca 478 8583 5 Kozeluch, L. Piano sonata no 23 in C, op 20 no 2 (1786). Kemp English, fp.

Grand Piano GP647 14 Pleyel, I. Symphony in F, op 136 (1786).

Sebastian Bohren, vn; Padova and Veneto O/ Luca Bizzozero.

Sony 88843040932 19 Mozart, W. Piano trio no 5 in C, K548 (1788).

Moscow Conservatory Trio.

Origin OR 009 19 10:30 CONCERT HALL Prepared by Derek Parker Tchaikovsky, P. Hamlet, fantasy overture after Shakespeare, op 67 (1888). Vienna PO/Lorin Maazel.

Decca 480 6617 17 Ireland, J. Piano concerto in E flat (1930).

Piers Lane, pf; Ulster O/David Lloyd-Jones.

Hyperion CDA67296 24 Franck, C. Symphony in D minor (1887-88).

French National RO/Thomas Beecham.

EMI 5 62948 2 39 12:00 SWING SESSIONS With John Buchanan 1

3:00 NEAPOLITAN GREATS Prepared by Anabela Pina Scarlatti, A. Il giardino d’Amore. Serge Tizac, tpt; Les Passions/Jean-Marc Andrieu.

Ligia Digital Lidi 0202167-06 5 Pergolesi, G. Cantata: Questo è il piano.

Marianne Pizzolato, cont; St Cecilia National Academy O/Antonio Pappano.

DG 477 9337 13 Fiorenza, N. Concerto in D. La Ritirata/ Josetxu Obregón.

Glossa GCD 923106 10 Cimarosa, D. Double concerto in G. Aurèle Nicolet, fl; Christiane Nicolet, fl; Stuttgart CO/ Karl Münchinger.

Decca 460 302-2 18 Di Majo, G. Sonata for Neapolitan mandolin and guitar. Caterina Lichtenberg, mand; Mirko Schrader, gui.

Schwann 3-6435-2 7 14:00 DRAMATIC RUSSIANS Prepared by Ron Walledge Borodin, A. In the steppes of Central Asia (1880). Suisse Romande O/Ernest Ansermet.

Decca 455 632-2 7 Shostakovich, D. Suite from The gadfly, op 97a (1934). Philadelphia O/Riccardo Chailly.

London 452 597-2 31 Rachmaninov, S. Symphonic dances, op 45 (1942). Peter Donohoe pf; Martin Roscoe, pf.

Naxos 8.557062 32 Prokofiev, S. Suite from The love for three oranges, op 33a (1919). Philadelphia O/ Eugene Ormandy.

Sony SBK 53 261 16 Stravinsky, I. Suite no 1 from The firebird (1911). New York PO/Leonard Bernstein.

CBS MYK 42540 21 16:00 FINE MUSIC DRIVE With David Brett 19:00 JAZZ PULSE With Chris Wetherall 20:00 STORMY MONDAY With Austin Harrison 22:00 JAZZ AFTER HOURS With Gail Monjo

Tuesday 25 August TUESDAY 25 00:00 ECLECTIC CHAIR With Liam Collins 02:00 ECLECTIC CHAIR With Liam Collins 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST With Julie Simonds 09:00 DIVERSIONS IN FINE MUSIC Prepared by Elaine Siversen

Mozart, W. Fantasia in F major/minor, K594 (1790). Simon Preston, org.

LP Argo 5BBA 1013-15 10 Boehm, T. Nel cor più non mi sento, op 4.

Christine Draeger, fl; June Tyzack, pf.

Fine Music tape archive 11 Bach, J.S. Fantasia and fugue in A minor, BWV904 (c1725). Ralph Kirkpatrick, hpd.

DG 469 673-2 7 Jolivet, A. Arioso barocco (1968). Anthony Plog, tpt; Hans-Ola Ericsson, org.

BIS CD-565 9 Fauré, G. Piano trio in D minor, op 120 (1923).

Florestan Trio.

Hyperion CDA67114 19 Schubert, F. Fantasy in C, D760, Wanderer (1823). Leslie Howard, pf.

Hyperion CDA67203 23 10:30 CONCERT HALL Prepared by Jacky Ternisien Tchaikovsky, P. Romeo and Juliet, fantasy overture after Shakespeare (1869/80). Czech PO/Semyon Bychkov.

Decca 483 0636 19 Mercadante, S. Flute concerto in E (1813).

Jean-Pierre Rampal, fl; English CO/Claudio Scimone.

LP Erato STU 71320 21 Ives, C. Variations on America (c1891; orch.

Schuman). Bournemouth SO/José Serebrier.

Naxos 8.559083 7 Spohr, L. Symphony no 2 in D minor, op 49 (1820). Slovak State PO/Alfred Walter.

Marco Polo 8.223454 31 12:00 JAZZ RHYTHM With Jeannie McInnes 13:00 SONG AND DANCE Prepared by James Nightingale Mozart, W. Cantata: You who honour the Creator of the infinite universe, K619 (1791).

Wolfgang Holzmair, bar; Imogen Cooper, pf.

Philips 454 475-2 8 Mozart, W. Ballet: Les petits riens. Academy of St Martin in the Fields/Neville Marriner.

EMI 4 64317 2 22 Saint-Saens, C. Five poems of Ronsard (1921). Tassie Christoyannis, bar; Jeff Cohen, pf.

Aparté AP132 15 Saint-Saens, C. Sarabande, op 93 no 1 (1892). Lille NO/Jun Märkl.

Naxos 8.573745 6 14:00 ROMANTIC INITIATIVES Cherubini, L. Overture to Lodoïska (1791).

Zurich CO/Howard Griffiths. cpo 999 5212 11 Weber, C.M. Piano concerto no 1 in C, op 11 (1810). Nikolai Demidenko, pf; Scottish CO/ Charles Mackerras.

Hyperion CDA66729 20

29

Franck, C. Symphonic poem: The accursed huntsman (1882). Paris O/Daniel Barenboim.

DG 476 280-0 16 Schumann, R. Liederkreis, op 39 (1840). Olaf Bär, bar; Geoffrey Parsons, pf.

EMI CDC 7 47397 2 24 Berlioz, H. Three scenes from Romeo et Juliet, op 17 (1839). Montreal Symphony Ch & O/Charles Dutoit.

Decca 425 001-2 40 16:00 FINE MUSIC DRIVE With Michael Morton-Evans 19:00 THE JAZZ BEAT With Lloyd Capps 20:00 RECENT RELEASES With David Garrett 22:00 CHAMBER SOIRÉE Prepared by Paul Cooke Klughardt, A. Schilflieder, op 28 (1873).

Albrecht Mayer, ob; Tabea Zimmerman, va; Markus Becker, pf.

Decca 478 3564 19 Hill, A. String quartet no 5 in E flat, The allies (1920). Australian String Quartet.

Marco Polo 8.223746 30 Villa-Lobos, H. Trio for oboe, clarinet and bassoon (1921). Neil Black, ob; Thea King, cl; Robin O'Neill, bn.

Hyperion CDA66295 19 Schubert, F. Piano quintet in A, D667, Trout (1819). Members of Nash Ensemble.

IMP PCD 868 45

Wednesday 26 August WEDNESDAY 26 00:00 SIGNAL CRUNCH With Glenn Winfield 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST With Janine Burrus 09:00 DIVERSIONS IN FINE MUSIC Prepared by Rex Burgess Corbett, W. Suite in D. Frank de Bruine, ob; Mark Bennett, tpt; Michael Laird, tpt; Parley of Instruments/Peter Holman.

Hyperion CDA66817 14 Westhoff, J. Violin sonata in A, La guerra (pub. 1682). Reinhard Goebel, vn; Jaap ter Linden, bass viol; Konrad Junghänel, theorbo; Henk Bouman, hpd.

Archiv 437 089-2 12 Stuck, J-B. The waters of Thomery (1711).

Taryn Fiebig, sop; Ensemble Battistin.

ABC 476 6181 16 Visée, R. de Suite in G minor. Robert Clancy, baroque gui.

Fine Music concert recording 8 Jadin, H. Sonata in D, op 5 no 2 Andreas Staier, pf.

MBF 1108 12

Schobert, J. Quartet in F minor, op 7 no 2 (1764). Chiara Banchini, vn; Véronique Méjean, vn; Philipp Bosbach, vc; Luciano Sgrizzi, fp.

Harmonia Mundi HMC 901294 13 10:30 CONCERT HALL Prepared by Denis Patterson Williams, J. Main title, from Star wars. Los Angeles PO/Zubin Mehta.

ABC 534 3879 5 Mendelssohn, F. Concerto in D minor (1823).

Polina Leschenko, pf; Australian CO/Richard Tognetti.

BIS SACD-1984 35 Rachmaninov, S. Symphony no 1 in D minor, op 13 (1895). Sydney SO/Vladimir Ashkenazy.

Exton EXCL-00018 43 12:00 JAZZ SKETCHES With Robert Vale 13:00 IN CONVERSATION With Christopher Waterhouse 14:00 PUPILS OF ANTONIO SALIERI Prepared by Stephen Wilson Schubert, F. Five German dances and seven trios with coda, D90 (1813). I Musici de Montréal/Yuli Turovsky.

Chandos CHAN 8928 16 Mozart, F. Romanze: In der Väter Hallen ruhte, op 12 (1808). Barbara Bonney, sop; Malcolm Martineau, pf.

Decca 475 6936 8 Reicha, A. Symphony in C minor. Beethoven Academie/Jan Caeyers.

Audivis-Valois V 4834 22 Weigl, J. Concertino. Hans Wolfgang Dünschede, fl; Günter Zorn, ob; Dieter Klöcker, cl; Karl Hartmann, bn; Wolfgang Güttler, db; Edward Witsenburg, hp.

Schwann 310 001 H1 20 Hummel, J. Fantasie (c1833). Laurent Verney, va; Claire Marie le Guay, pf.

Pierre Verany PV793121 8 Süssmayr, F. Cantata: Das Namenfest (c1799). Hugarian Radio Children’s Choir & soloists; Budapest SO/Lászlo Csányi.

White Label HRC 066 31 16:00 FINE MUSIC DRIVE With Lloyd Capps 19:00 A TWIST OF JAZZ With Andrew Piper 20:00 AT THE OPERA Prepared by James Nightingale Janácek, L. Káta Kabanová. Opera in three acts. Libretto by Vincenc Cervinka. First performed Brno, 1921.

TICHON: Vladimír Krejcík, ten KABANICHA: Nadezda Kniplová, cont KÁTA: Elisabeth Söderström, sop BORIS: Petr Dvorsky, ten DIKOY: Dalibor Jedlicka, bass

Vienna PO/Charles Mackerras.

Decca 475 7518 2:20 Oppressed by her marriage to the weak Tichon and dominated by a bullying motherin-law, Kabanicha, Káta, who longs for the freedom of her youth, yields to temptation and has a brief affair with Boris, nephew of the merchant Dikoy. Unnerved by a storm, she confesses to her husband in public, bids farewell to Boris, who is being sent to Siberia by his uncle, and throws herself into the river.

Krommer, F. Clarinet quartet in B flat, op posth. Dieter Klöcker, cl; Consortium Classicum. cpo CPO 999 141-2 19 23:00 AUSTRALIANS IN CHAMBER Prepared by James Nightingale Fauré, G. Élégie, op 24 (1880). Chloë Miller, vc; Scott Davie, pf.

Fine Music concert recording 6 Glanville-Hicks, P. Sonata for piano and percussion (1952). Susanne Powell, pf; CSM Percussion Ensemble/Michael Askill.

Canberra School of Music CSM:24 11 Charlton, R. Stoneworks (1970). Saffire.

ABC 476 7012 17 Françaix, J. Wind quintet (1948). Canberra Wind Soloists.

ABC 456 357-2 18

op 109 (1934). Eugene Rousseau, sax; Paul Kuentz CO/Paul Kuentz.

DG 453 991-2 14 Giuliani, M. Grand duo concertant, op 85 (pub. 1817). Mikael Helasvuo, fl; Jukka Savijoki, gui.

BIS CD-411 20 10:30 CONCERT HALL Prepared by James Nightingale Higdon, J. All things majestic (2011). Nashville SO/Giancarlo Guerrero.

Naxos 8.559823 23 Reinecke, C. Flute concerto in D, op 283 (c1895). James Galway, fl; London PO/ Hiroyuki Iwaki.

RCA RD 60450 21 Brahms, J. Symphony no 4 in E minor, op 98 (1884). West Australian SO/Asher Fisch.

ABC 481 4413 39 12:00 JAZZ, PURE AND SIMPLE With Maureen Meers 13:00 THE LYONNAIS Prepared by Jacky Ternisien Jarre, M. Overture, from Lawrence of Arabia.

Queensland SO/Colin Harper.

ABC 534 3879 4 Widor, C-M. Suite florentine (1919; arr.

Reede). Thies Roorda, fl; Alessandro Soccorsi, pf.

Naxos 8.573764 12 Leclair, J-M. Overture no 1 in G, op 13 (pub.

Thursday 27 August 1753). Purcell Quartet.

Chandos CHAN 0542 12 THURSDAY 27 Marchand, L. Suite in G minor, from Pièces 00:00 GROOVESVILLE/25 O'CLOCK de clavecin, bk 2 (1703). Ketil Haugsand, hpd.

With Ray Levis Simax PSC 1007 13 02:00 UNLEASH THE VINYL Jarre, M. Main theme, from Ghost. Royal PO/ With Tom Zelinka Tolga Kashif.

03:00 CLASSICAL TILL DAWN Sony 88697161052 5 06:00 FINE MUSIC BREAKFAST Widor, C-M. Symphony no 5 in F minor, op 42 With Simon Moore no 1 (1879). Daniel Chorzempa, org.

09:00 DIVERSIONS IN FINE MUSIC Philips 410 054-2 35 Prepared by Madilina Tresca 14:30 DANCE TIME Giampieri, A. The Carnival of Venice. Emma Prepared by Stephen Wilson Johnson, cl; Gordon Back, pf.

Glinka, M. Dances in Naina's castle, from ASV QS 6124 7 Ruslan and Ludmila (1842). USSR SO/ Bach, J.S. Brandenburg concerto no 5 in D, Yevgeny Svetlanov.

BWV1050 (c1720). Jaime Martin, fl; Kenneth Melodiya SUCD 10-00166 15 Sillito, vn; Jakob Lindberg, theorbo; Academy Sweelinck, J. Ballet of the Grand Duke. Kurt of St Martin in the Fields/Murray Perahia, pf Ison, org. & dir.

KJI CDKJ001 5 Sony SK 87326 21 Sarasate, P. de Navarra, Spanish dance Allen, G. Diversions 11 and 12 (1992-94). Joy in A, op 33 (1889). David Oistrakh, vn; Harrison, ob; Jack Harrison, cl; Jill Mowson, Igor Oistrakh, vn; Gewandhaus O/Franz bn.

Konwitschny.

Jade JADCD 1053 4 DG 463 616-2 6 Alwyn, W. Autumn legend (1954). Rachel Giuliani, M. Introduction, theme with Pankhurst, cora; Royal Liverpool PO/David variations and polonaise. Pepe Romero, gui; Lloyd-Jones.

Academy of St Martin in the Fields/Neville Naxos 8.570704 11 Marriner.

Glazunov, A. Saxophone concerto in E flat, Philips 454 262-2 20

30

Shostakovich, D. Four waltzes, op 97c (1955). Andras Adorján, fl; Eduard Brunner, cl; Wassilij Lobanow, pf.

Tudor 727 10 Stravinsky, I. Divertimento after the ballet Le baiser de la fée (1934/49) Royal Concertgebouw O/Gennady Rozhdestvensky.

Radio Nederland RCO11004 24 16:00 FINE MUSIC DRIVE With Marilyn Schock 19:00 THE NEW JAZZ STANDARD With Frank Presley 20:00 THE WORLD OF A SYMPHONY Prepared by Chris Blower Sullivan, A. Suite from The tempest, op 1 (1861). BBC PO/Richard Hickox.

Chandos CHAN 9859 28 Sullivan, A. Overture to The sapphire necklace (1864). RTE Concert O/Andrew Penny.

Marco Polo 8.223461 10 Sullivan, A. The masque at Kenilworth (1864). Sally Silver, sop; Louise Winter, mezz, Nico Darmanin, ten, Donald Maxwell, bassbar; John Powell Singers; Victoria Opera Northwest/Richard Bonynge.

Dutton CDLX 7310 38 Sullivan, A. Symphony in E, Irish (1866).

Royal Liverpool PO/David Lloyd-Jones.

Naxos 8.570351 35 22:00 LATE NIGHT INTERLUDE Beethoven, L. Cello sonata in A, op 69 (180708). Alfred Hornung, vc; Yuri Rozum pf.

Oz Classique 23396RH 27 22:30 ULTIMA THULE With George Cruickshank

Friday 28 August FRIDAY 28 00:00 BASS CULTURE With Tom Zelinka 01:00 LOST HIGHWAY With Austin Harrison 02:00 ECLECTIC CHAIR With Liam Collins 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST With Annabelle Drumm 09:00 DIVERSIONS IN FINE MUSIC Prepared by James Nightingale Holst, G. A Moorside suite. Grimethorpe Colliery RJB Band/Garry Cutt.

Chandos CHAN 4553 15 Weber, C.M. Divertimento assai facile, op 38 (1816). Martin Maria Krüger, gui; Klaus Schilde, pf.

Calig CAL 50912 15 Dvorák, A. Overture: In nature’s realm, op 91 (1891). Ulster O/Vernon Handley.

Chandos CHAN 7123 14 Sculthorpe, P. From Saibai (1997). David Pereira, vc; Ian Munro, pf.

Tall Poppies TP136 10 Bax, A. A mountain mood (1915). Ashley Wass, pf.

Naxos 8.557769 6 Hoffmeister, F. Serenade for wind octet.

Amadeus Wind Players/John Gray.

Fine Music concert recording 20 10:30 CONCERT HALL Prepared by Michael Field Catalani, A. Contemplazione (1878). Rome SO/Francesco La Vecchia.

Naxos 8.573072 12 Thomson, V. Suite from The River (1934).

Symphony of the Air/Leopold Stokowski.

Vanguard OVC 8013 24 Tchaikovsky, P. Symphony no 3 in D, op 29, Polish (1875). Russian Federation State SO/ Yevgeny Svetlanov.

Emergo Classics EC 3627-2 48 12:00 A JAZZ HOUR With Barry O'Sullivan 13:00 SONG AND DANCE Prepared by James Nightingale Schubert, F. Uraniens flucht, D554 (1817).

Thomas Hampson, bar; Graham Johnson, pf.

Hyperion CDJ 33014 18 Schubert, F. Five minuets and six trios, D89 (1813). Kodály Quartet.

Naxos 8.557126 14 Ravel, M. Histoires naturelles (1906). Bernard Kruysen, bar; Noël Lee, pf.

Auvidis V 4700 15 Ravel, M. Menuet, from Le tombeau de Couperin (1917; orch. Ravel 1919). Adelaide SO/David Stanhope.

ABC 481 0408 5 14:00 BETWEEN TWO WORLDS Prepared by Ron Walledge Tchaikovsky, P. Valse; Polonaise, from Eugene Onegin (1879). Royal Opera House O/ Colin Davis, Philips 442 893-3 11 Tchaikovsky, P. Violin concerto in D, op 35 (1878). Maxim Vengerov, vn; Berlin PO/ Claudio Abbado.

Teldec 4509-90881-2 35 Tchaikovsky, P. Variations on a rococo theme, op 33 (1876). Mstislav Rostropovich, vc; Royal Concertgebouw O/Kyrill Kondrashin.

Radio Nederland RCO 06004 18 Tchaikovsky, P. Symphony no 4 in F minor, op 36 (1877). Russian NO/Mikhail Pletnev.

DG 479 1429 44 16:00 FINE MUSIC DRIVE With Camille Mercep 19:00 FRIDAY JAZZ SESSION With Christopher Waterhouse

31

20:00 EVENINGS WITH THE ORCHESTRA Prepared by Chris Blower Strauss, R. Tone poem: Thus spake Zarathustra, op 30 (1895-96). Los Angeles PO/Zubin Mehta.

Decca 475 7470 33 Prokofiev, S. Scythian suite, op 20 (1915). Los Angeles PO/André Previn.

Philips 420 934-2 20 Suk, J. Serenade in E flat for strings, op 6 (1892). Los Angeles CO/Neville Marriner.

Decca 466 459-2 24 Stravinsky, I. Ballet: The rite of spring (1913/47). Los Angeles PO/Esa-Pekka Salonen.

Decca 478 3729 33 22:00 BAROQUE AND BEFORE Prepared by Rodrigo Azaola Scarlatti, A. E pur vuole il cielo e amore.

Sandrine Piau, sop; Gérard Lesne, ct; Il Seminario Musicale.

Virgin 5 45126 2 10 Mouret, J-J. Ballet: Les amours des dieux (1727). Symphonie du Marais/Hugo Reyne.

Astrée E8650 12 Handel, G. Cantata: Venus and Adonis, HWV85 (c1700). Philippa Hyde, sop; Parley of Instruments/Peter Holman.

Chandos CHAN 0776 10 Charpentier, M-A. Quel prix de mon amour, from Médée (1693). Jill Feldman, sop; Les Arts Florissants Ch & O/William Christie.

Harmonia Mundi HMX 290605.07 5 Rameau, J-P. Rossignols amoureux, from Hippolyte et Aricie (1733). Kathrin Graf, sop; Peter Lukas Graf, fl; Raffaele Altwegg, vc; Michio Kobayashi, hpd.

Claves 50-604 7 Desmarets, H. Excerpts from Venus and Adonis (1697). Les Talens Lyriques/Christophe Rousset. naïve V5197 7 Schein, J. Amor, das liebe Räuberlein, from Diletti pastorali (pub. 1624). Cantus Cölln/ Konrad Junghänel.

Harmonia Mundi RD77088 4 Ariosti, A. Cantatas, from The flowering and fading of love (1723-24): no 1, La rosa; no 5, Il naufragio. Musica Solare.

Naxos 8.557573 21 Monteverdi, C. Lamento d’Arianna. Anne Sofie von Otter, sop; Jakob Lindberg, theorbo.

Archiv 457617-2 11 Purcell, H. O solitude. Anne Sofie von Otter, sop; Jacob Lindberg, theorbo.

Archiv 479 1045 5 Visée, R. de Suite in G. Eric Bellocq, gui; Massimo Moscardo, gui; Concert Spirituel.

Naxos 8.553745 15

Saturday 29 August SATURDAY 29 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SATURDAY MORNING MUSIC 09:00 WHAT'S ON IN MUSIC 09:05 THE PIANO ALONE Prepared by Frank Morrison Fauré, G. Ballade, op 19 (1877-79). Kathryn Stott, pf.

Hyperion CDA66911/4 14 Holland, D. Piano miniatures no 1 (1975).

Dulcie Holland, pf.

Jade JADCD 1029 11 Haydn, J. Piano sonata no 62 in E flat, Hob. XVI:52 (1794-95). Mikhail Pletnev, pf.

Virgin 5 45254 2 23 10:00 MUSICAL JOURNEYS Prepared by Chris Blower Ibert, J. Paris, symphonic suite (1930).

Montreal SO/Charles Dutoit.

Decca 440 332-2 13 Waldteufel, E. Waltz: Tres jolie (1878). Slovak State PO/Alfred Walter.

Naxos 8.578041-42 9 Strauss, R. Munich memorial waltz (1939/45).

Detroit SO/Neeme Järvi.

Chandos CHAN 9606 9 Ziehrer, C. Viennese girls, op 388 (1888).

Vienna PO/Mariss Jansons.

Sony 88875174772 10 Doppler, F. Hungarian pastoral fantasy, op 26 (arr. Killönen). Sinfonia Finlandia/Patrick Gallois, fl & dir.

Naxos 8.570378 11 Enescu, G. Rumanian rhapsody in A, op 11 no 1 (1901). Detroit SO/Antal Dorati.

Decca 476 2453 13 Ippolitov-Ivanov, M. Turkish fragments, op 62 (1930). Singapore SO/Choo Hoey.

Marco Polo 8.220217 15 11:30 ON PARADE Prepared by Robert Small Dvorák, A. Serenade in E, op 22 (1875; arr.

Mikkelson).

10 Gillingham, D. No shadow of turning. 10 Colgrass, M. Carlos stares at the water and becomes a bubble, from Winds of Nagul. 3 Rimsky-Korsakov, N. Flight of the bumblebee (1900).

1 Ohio State University Wind Symphony/Russel Mikkelson (all above) Naxos 8.570244 12:00 URBAN JAZZ LOUNGE With Leita Hutchings 13:00 LIGHT AND AIRY Prepared by Ross Hayes Handel, G. Let the bright seraphim, from Samson, HWV57 (1742). Kiri Te Kanawa, sop; Crispian Steele-Perkins, tpt; English CO/Barry Rose.

ABC 442 981-2 6

Vaughan Williams, R. The lark ascending (1914/20). Dimity Hall, vn; Sinfonia Australis/ Antony Walker.

ABC 472 984-2 17 Campion, T. Author of light (1613). James Bowman, ct; David Miller, lute; viols of King's Consort.

Hyperion CDA66447 3 Mozart, W. Flute concerto no 1 in G, K313 (1777). Johannes Walter, fl; Staatskapelle Dresden/Herbert Blomstedt.

Berlin Classics 0012872BC 26 14:00 SCHERZOS Prepared by Jacky Ternisien Hurlstone, W. Scherzo (c1895). Einar Jóhannesson, cl; Philip Jenkins, pf.

Chandos CHAN 9079 4 Beethoven, L. Scherzo in G, WoO32 no 3 (1799-1800). Aart Bergwerff, org.

NCRV NCR9088 2 Llobet, M. Scherzo-vals. Andrew Blanch, gui. www.andrewblanch.com 4 Suk, J. Fantastické scherzo, op 25 (1903).

Buffalo PO/JoAnn Falletta.

Naxos 8.572323 15 14:30 SATURDAY MATINEE Prepared by Elaine Siversen Sullivan, A. Princess Ida. Operetta in three acts. Libretto by W.S. Gilbert. First performed London, 1884.

PRINCESS IDA: Elizabeth Harwood, sop PRINCE HILARION: Philip Potter, ten KING HILDEBRAND: Kenneth Sandford, bar CYRIL: David Palmer, ten FLORIAN: Jeffrey Skitch, bar KING GAMA: John Reed, bar D’Oyly Carte Opera Company Ch; Royal PO/ Malcolm Sargent.

Decca 436 810-2 1:24 Princess Ida has founded a women's university and teaches that women are superior to men and should rule in their stead.

Prince Hilarion had been betrothed to Princess Ida in infancy and his father, King Hildebrand, has stated that he will go to war against King Gama if his daughter Ida doesn’t appear when they visit the court. Hilarion sneaks into the university with two friends, Cyril and Florian, aiming to collect his bride. They disguise themselves as women students, but are soon discovered. When Ida falls into a stream, she is rescued by Hilarion but she condemns him and his friends to death for breaching the sanctity of the university. King Hildebrand arrives with Ida’s brothers in chains. He tells Ida that if she doesn’t become Hilarion’s wife, he will execute her brothers. Ida mobilises her students to go to war but they are too afraid.

Her father, King Gama, says that he has been treated with great luxury by King Hildebrand and suggests that Hilarion and his friends should fight it out with Ida’s three brothers

32

for his right to marry her. Ida is insulted but agrees. Hilarion and his friends are the victors and finally Ida admits that she is wrong, that she loves Hilarion and will marry him.

Excerpts from The Yeomen of the Guard (1888). Muriel Harding, sop; Ann DrummondGrant, cont; Leonard Osborn, ten; Martyn Green, bar; D’Oyly Carte Opera Company Ch & O/Isidore Godfrey.

Naxos 8.111311/12 10 Sullivan, A. Excerpts from The pirates of Penzance (1879). Debra Hays, sop; Meredyth Rawlins, mezz; Carroll Freeman, ten; Eric Schilling, bar; Eric Johnson, bass; Members of Eastman Chorale; Rochester PO/Mark Elder.

Pro Arte CDD 480 33 17:00 FROM BOHEMIA Prepared by Di Cox Novák, V. Slovak suite, op 32 (1903). Royal Liverpool PO/Libor Pesek.

Virgin 5 45251 2 32 Martinu, B. Suite no 1 from Spalícek (193132/37-40). Liidia Ilves, pf; Estonian NSO/ Neeme Järvi.

Chandos CHAN 10885 22 18:00 MUSIC OF THE SCREEN Prepared by Paul Cooke 19:00 EMERGENT JAZZ With Keith Pettigrew 20:00 THE LIFE OF A COMPOSER Prepared by Peter Poole Walton, W. Suite no 2 from Façade (1920/7779). London PO/Jan Latham-Koenig.

Chandos CHAN 9148 11 Walton, W. Magnificat; Nunc dimittis (1975).

Choir of St John’s College, Cambridge; Christopher Whitton, org; Christopher Robinson, cond.

Naxos 8.555793 6 Walton, W. The wise virgins, suite after J. S. Bach (1943). English Northern Philharmonia/ David Lloyd-Jones.

Naxos 8.555868 18 Walton, W. Overture: Portsmouth Point (1925). New Philharmonia O/William Walton.

EMI 5 65003 2 5 Walton, W. Suite from Richard III (1955; arr.

Mathieson). New Philharmonia O/William Walton.

EMI 5 65003 2 10 Walton, W. Capriccio burlesco (1968). Florida PO/James Judd.

Harmonia Mundi HMU 907070 7 Walton, W. String quartet in A minor (194447). Doric String Quartet.

Chandos CHAN 10661 27 Walton, W. Excerpts from Belshazzar’s feast (1930-31/48/57). Peter Coleman-Wright, bar; London Symphony Ch & O/Colin Davis.

LSO Live LSO0681 13

Walton, W. Music for children (1945). London PO/Bryden Thomson.

Chandos CHAN 8968 17 22:00 SATURDAY NIGHT AT HOME Prepared by Paul Cooke Gipps, R. Symphonic poem: Knight in armour, op 8 (1940). BBC Welsh NO/Rumon Gamba.

Chandos CHAN 20078 10 Nielsen, C. String quartet no. 3 in E flat, op 14 (1899). Oslo String Quartet.

Naxos 8.553907 30 Mozart, W. Clarinet quintet in A, K581 (1789).

Wolfgang Meyer, bshn; Quatuor Mosaïques.

Naive V 5059 32 Martucci, G. Piano concerto no 2 in B flat minor, op 66 (1884-85). Francesco Caramiello, pf; Philharmonia O/Francesco d'Avalos.

ASV DCA 691 41

Sunday 30 August SUNDAY 30 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC With Peter Poole 09:00 MUSICA SACRA Prepared by Jacky Ternisien Cavalli, F. Dixit Dominus, from Vespero dell Domeniche (pub. 1675). Claudio Monteverdi Choir; La Pifarescha/Bruno Gini.

Dynamic CDS 7714 6 Cherubini, L. Requiem in memory of Louis XVI (1816). Ambrosian Singers; Philharmonia O/Riccardo Muti.

EMI 5 72786 2 49 10:00 THE CLASSICAL ERA Prepared by Paul Cooke Kraus, J.M. Overture in D minor (1792).

Swedish CO/Petter Sundkvist.

Naxos 8.554777 10 Haydn, J. String quartet in F, Hob.III:48, Dream (1787). Salomon Quartet.

Hyperion CDA66822 20 Lebrun, L. Oboe concerto no 3 in C. Bart Schneemann, ob; Radio CO/Jan Willem de Vriend.

Channel CCS SA 21404 21 Chopin, F. Rondo in C, op posth 73 (1828).

Daniil Trifonov, pf; Sergei Babayan, pf.

DG 479 7518 9 Tausch, F. Suite no 1, op 22. Boxwood & Brass.

Resonus RES10177 23 Fesca, F. Symphony no 2 in D, op 10 (1809-13). North German Radio PO/Frank Beermann. cpo 999 869-2 25 12:00 CLASSIC JAZZ AND RAGTIME

With Jeannie McInnes 13:00 WORLD MUSIC: Whirled Wide With Carole Garland 14:00 COMPOSER PORTRAIT Prepared by James Nightingale Greenbaum, S. City lights, a mile up (2013).

Tasmanian SO/Benjamin Northey. hush.org.au HUSH013 7 Greenbaum, S. Cloud 8 (2000). Duo Histoire. www.duohistoire.com 7 Greenbaum, S. But I want the harmonica. Ian Holtham, pf.

Move MD 3239 8 Greenbaum, S. 800 million heartbeats (2007).

NZTrio.

ABC 481 0504 8 Greenbaum, S. Sonata (2013). VineyGrinberg Piano Duo. ABC 481 4591 21 15:00 SUNDAY SPECIAL Prepared by Chris Blower Poulenc, F. Ballet: Les biches (1923). Ulster O/Yan Pascal Tortelier.

Chandos CHAN 9023 20 Prokofiev, S. Suite from Chout, op 21 (1920).

London SO/Claudio Abbado.

Decca 478 5365 25 Ravel, M. Suite no 2 from Daphnis and Chloë (1912). Sydney SO/Willem van Otterloo.

ABC 438 195-2 16 Satie, E. Ballet: Parade (1917; arr.). London SO/Antal Dorati.

Mercury 478 5092 14 Stravinsky, I. Ballet: The rite of Spring (1913/47). Detroit SO/Antal Dorati.

Decca 478 3156 34 17:00 HOSANNA Prepared by Meg Matthews Psalms: no 24: The earth is the Lord's; no 12: Help, Lord, for the godly are no more. Scottish Philharmonic Singers; John Langdon, org; Ian McCrorie.

SCS Music 2830 5 Biber, H. Kyrie; Gloria, from Missa Alleluia.

Gradus ad Parnassum/Konrad Junghänel.

DHM 88697 56865-2 9 Bernstein, L. Excerpts from Chichester Psalms (1965). Soloists of Vienna Boys Choir; Israel PO/Leonard Bernstein.

DG 457 757-2 10 Handel, G. Utrecht Jubilate, HWV279 (1713). Choir of St Paul’s Cathedral; Parley of Instruments/John Scott.

Hyperion CDA 67009 16 Mendelssohn, F. Psalm 100: Praise the Lord, all the world. Stuttgart Chamber Choir/Frieder Bernius.

Carus 83.203 5 Vaughan Williams, R. All people that on earth do dwell. Choir of King’s College,

33

Cambridge; The Wallace Collection; Benjamin Bayl, org.

EMI 5 57026 2 5 18:00 SOCIETY SPOT Prepared by Susan Foulcher Sieg, S. Inxaxheba. Saskia Coolen, rec; Flanders Recorder Quartet.

Aeolus AE-10276 13 Virgiliano, A. Ricercata (c1600). Walter van Hauwe, rec.

Channel Classics CCS 3392 3 Dowland, J. Lachrimae antiquae. Royal Wind Music.

Lindoro MPC 0119 6 Bach, J.S. Gigue, from Partita no 3 in E, BWV1006 (arr. Brüggen). Bolette Roed, rec.

Ondine ODE 1323-2D 2 Loevendie, T. Recorder concerto, Reminiscence (2015-16). Erik Bosgraaf, rec; Holland Baroque O. Brilliant Classics 95906 18 Sieg, S. Farewell; Good news, from African suite no 3 (2003). Amsterdam Loeki Stardust Quartet.

Radio Nederland MCCP123 6 19:00 SUNDAY NIGHT CONCERT Prepared by Peter Poole Graupner, C. Overture in D. Das Kleine Konzert/Hermann Max. cpo 999 592-2 29 Bach, J.S. Harpsichord concerto in D minor, BWV1052 (1735-40). Mahan Esfahani, hpd; Concerto Köln.

Archiv 479 4481 23 Bruckner, A. Missa solemnis in B flat (1854).

Johanna Winkel, sop; Sophie Harmsen, mezz; Sebastian Kohlhepp, ten; Ludwig Mettelhammer, bar; RIAS Chamber Choir; Academy of Ancient Music/Lukasz Borowicz.

Accentus ACC 30429 31 20:30 NEW HORIZONS Prepared by Robert Small Morlock, J. Revenant (2002). Europa Ritrovata.

Arcana A116 12 Sieg, S. Mathongo amnandi. African suite no 24 (2018). Seldom Sene.

Brilliant Classics 95956 14 Fontijn, J. La fenêtre ouverte (1996). Europa Ritrovata.

Arcana A116 19 Nasopoulou, A. Ten dipoles (2016). Seldom Sene.

Brilliant Classics 95956 27 Polymeneas-Liontiris, T. Sun bleached (2018). Europa Ritrovata.

Arcana A116 9 22:00 JAZZ AFTER HOURS With Sue Jowell

Monday 31 August MONDAY 31 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 FINE MUSIC BREAKFAST With Robert Small 09:00 DIVERSIONS IN FINE MUSIC Prepared by Peter Poole Haydn, J. Andante and variations in F minor, Hob.XVII:6 (1793). Paul Badura-Skoda, fp.

Astrée E 7714 15 Neefe, C. Sechs leichte Stücke, from Mozart’s opera Die Zauberflöte (1793). Cullan Bryant, Dmitry Rachmanov, pf.

Naxos 8.572519-20 15 Beethoven, L. 12 Variations on Mozart’s Se vuol ballare, WoO40 (1793). Daniel Sepec, vn; Andreas Staier, pf.

Harmonia Mundi HMC 901919 11 Mozart, W. Symphony no 27 in G, K199 (1773). Australian Brandenburg O/Paul Dyer.

Fine Music tape archive 17 Bortnyansky, D. Romance of Paul and Virginie (1793). Sergej Larin, ten; Eleonora Bekova, pf.

Chandos CHAN 9906 7 Hoffmeister, F. Flute concerto no 22 in G (bef.

1793). Bruno Meier, fl; Prague CO. Naxos 8.573040 24 10:30 CONCERT HALL Prepared by Dan Bickel Strauss, R. Tone poem: Macbeth, op 23 (1888/91). Aarhus SO/Norman Del Mar. ASV DCA 750 19

Ravel, M. Piano concerto in D for the left hand (1931). Krystian Zimerman, pf; London SO/Pierre Boulez.

DG 449 213-2 18 Glière, R. Symphony no 2 in C minor, op 25 (1907). Czecho-Slovak RSO/Keith Clark.

Naxos 8.550899 48 12:00 SWING SESSIONS With John Buchanan 13:00 CHAMBER HOUR Prepared by Anne Irish Giuliani, M. Grand quintet in C, op 65.

Richard Savino, gui; Artaria Quartet.

Harmonia Mundi HMU 907069 17 Rachmaninov, S. Romance; Hungarian dance, from Salon pieces, op 6 (1893). Dene Olding, vn; Vladimir Ashkenazy, pf.

SSO recording 11 Berwald, F. Piano quintet no 1 in C minor (1853). Uppsala Chamber Soloists; Bengt-Åke Lundin, pf.

Naxos 8.553970 26 14:00 THE KING’S SON Prepared by James Nightingale Schumann, R. Violin sonata no 2 in D minor, op 121 (1851). Lydia Mordkovitch, vn; Gerhard Oppitz, pf.

Chandos CHAN 8529 32 Verdi, G. Caro nome, from Rigoletto (1851).

Lorina Gore, sop; Tasmanian SO/Marko Letonja.

ABC 481 6297 5

34

Brahms, J. Songs, op 47 nos 1 to 4 (1868).

Dietrich Fischer-Dieskau, bar; Daniel Barenboim, pf.

DG 447 501-2 8 Mendelssohn, F. Piano trio no 1 in D minor, op 49 (1839). Macquarie Trio.

ABC 456 191-2 29 Moscheles, I. Gems, after Paganini, vol. 2.

Bruno Mezzena, pf.

Dynamic CDS 05 11 Schumann, R. The King’s son, op 116 (1851).

Sibykka Rubens, sop; Ingeborg Danze, cont; Christoph Prégardien, ten; Adolph Seidel, bar; Yorck Felix Speer, bass; Saarbrücken Chamber Choir; German Radio PO/George Grün.

Hänssler 93-270 25 16:00 FINE MUSIC DRIVE With Peter Poole 19:00 JAZZ PULSE With Chris Wetherall 20:00 STORMY MONDAY With Austin Harrison 22:00 JAZZ AFTER HOURS With Eddie Bernasconi

The following composers have works of at least five minutes on the August dates listed Abel, C. 1723-1787 Adam, A. 1803-1856 Albéniz, I. 1860-1909 Albinoni, T. 1671-1751 Alkan, C-V. 1813-1888 Alwyn, W. 1905-1985 Antill, J. 1904-1986 Arensky, A. 1861-1906 Ariosti, A. 1666-c1729 Arriaga, J. 1806-1826 Atterberg, K. 1887-1974 Avison, C. 1709-1770

19 4,11 16 4 3,8,15,23 1,27 1 13 28 17 20 14

Bach, C.P.E. 1714-1788 11,16,18 Bach, J.S. 1685-1750 1,2,6,7,8,14, 16,17,18,20,22,23,25,27,30 Bach, W.F. 1710-1784 5 Balakirev, M. 1837-1910 5,17,21 Banks, D. 1923-1980 2 Bantock, G. 1868-1946 6 Barber, S. 1910-1981 10 Barret, R. b1959 2 Bax, A. 1883-1953 6,16,28 Beach, A. 1867-1944 10,12 Beath, B. b1932 7 Beethoven, L. 1770-1827 1,3,4,9,15,16,20,27,31 Bellini, V. 1801-1835 5 Benda, F. 1709-1786 12 Benda, G. 1722-1795 12 Bennett, Richard. b1936 20 Berlioz, H. 1803-1869 1,23,25 Bernstein, L. 1918-1990 30 Berwald, F. 1796-1868 11,31 Biber, H. 1644-1704 7,9,16,30 Bizet, G. 1838-1875 4 Blavet, M. 1700-1768 20 Bliss, A. 1891-1975 21 Bloch, E. 1880-1959 21 Boccherini, L. 1743-1805 3,4,5,24 Boehm, T. 1794-1881 25 Boëly, A. 1785-1858 4,15 Boïeldieu, A. 1775-1834 23 Borodin, A. 1833-1887 21,22,24 Bortnyansky, D. 17511825 31 Bottesini, G. 1821-1889 20 Boulanger, N. 1887-1979 11 Boyd, A. b1946 7,23 Brahms, J. 1833-1897 7,10,15,17,21,27,31 Bridge, F. 1879-1941 2,7,22 Britten, B. 1913-1976 1,2,7,13,23 Bruce, D. b1970 11 Bruckner, A. 1824-1896 21,30 Busoni, F. 1866-1924 9 Butterworth, G. 18851916 20 Carr-Boyd, A. b1938 Catalani, A. 1854-1893 Cavalli, F. 1602-1676 Charlton, R. b1955 Charpentier, M-A. 1704 11,28 Chatman, S. b1950 Chausson, E. 1855-1899 Cherubini, L. 1760-1842 Chopin, F. 1810-1849 Cimarosa, D. 1749-1801 Clementi, M. 1752-1832 Coleridge-Taylor, S. 1912 15 Collins, B. 20th c Copland, A. 1900-1990 Corbett, W. c1675-1748 Corelli, A. 1653-1713 Coste, N. 1806-1883 Couperin, F. 1668-1733 Cramer, J. 1771-1858 Crusell, B. 1775-1838 Cui, C. 1835-1918 d’Indy, V. 1851-1931 Damase, J-M. 1928-2013 Danzi, F. 1763-1826 Dean, B. b1961 Debussy, C. 1862-1918 1,7,13,14,19,20

Key

7,21 28 30 26 16357 10,21 24,25,30 8,30 24 5,11,16,22 187512 4,10 26 17 3 4,13 3 16 21,23 6 2 6 3

Ch & O: Chorus & Orchestra CO: Chamber Orchestra FO: Festival Orchestra NO: National Orchestra NSO: National Symphony Orchestra PO: Philharmonic Orchestra RO: Radio Orchestra RSO: Radio Symphony

Delibes, L. 1836-1891 1 Delius, F. 1862-1934 8,21 Desmarets, H. 16611741 28 Di Majo, G. 1732-1770 24 Dieupart, C. c1667-c1740 14 Dittersdorf, C. 17391799 5 Donizetti, G. 1797-1848 2,3 Doppler, F. 1821-1883 12,29 Dowland, J. c1563-1626 30 Duruflé, M. 1902-1986 16 Dussek, J. 1760-1812 4 Dvorák, A. 1841-1904 2,3,5,10,11,15,17,22,28,29 Dyson, G. 1883-1964 12,19,22 Elgar, E. Eller, H. Enescu, G. Eyser, E.

1857-1934 1887-1970 1881-1955 b1932

10,18,20,23 9 15,29 2

Farrenc, L. 1804-1875 Fasch, J. 1688-1758 Fauré, G. 1845-1924 15,23,25,26,29 Fesca, F. 1789-1826 Field, J. 1782-1837 Fiorenza, N. c1700-1764 Fjellestad, J. b1984 Fontijn, J. b1930 Fossa, F. de 1775-1849 Foster, S. 1826-1864 Foulds, J. 1880-1939 Francaix, J. 1912-1997 Françaix, J. 1912-1997 Franck, C. 1822-1890

9 19,20

Gershwin, G. 1898-1937 Giacomelli, G. 1692-1740 Giampieri, A. 1893-1963 Gillingham, D. b1947 Ginastera, A. 1916-1983 Gipps, R. 1921-1999 Giuliani, M. 1781-1829 Glanville-Hicks, P. 1990 13,19,26 Glazunov, A. 1865-1936 Glière, R. 1875-1976 Glinka, M. 1804-1857 Gluck, C. 1714-1787 Godard, B. 1849-1895 Goetz, H. 1840-1876 Goldmark, K. 1830-1915 Gorb, A. b1958 Górecki, H. 1933-2010 Gottschalk, L. 1829-1869 Gragnani, F. 1767-c1812 Grainger, P. 1882-1961 Granados, E. 1867-1916 Graupner, C. 1683-1760 Greenbaum, S. b1966 7,30 Gribbin, D. b1957 Grieg, E. 1843-1907 Gubaidulina, S. b1931 23 Guilmant, A. 1837-1911

10,22 5 27 29 2 29 27,31 1912-

Halffter, C. b1930 Halffter, E. 1905-1989 Halffter, R. 1900-1987 Handel, G. 1685-1759 2,5,6,7,14,18,28,29,30 Hanson, R. 1913-1976 Harvey, M.K. b1961 Harwood, B. 1859-1949 Hasse, J. 1699-1783 Hässler, J.W. 1747-1822 Haydn, J. 1732-1809 2,7,8,14,16,18,29,30,31 Haydn, M. 1737-1806 Heinichen, J. 1683-1729 Heinze, G. 1820-1904 Hérold, F. 1791-1833 Higdon, J. b1962 Hill, A. 1870-1960 Hindemith, P. 1895-1963 Hita, A. de 1722-1787

4 4 4

30 3 24 16 30 23 10 22 14,26 14,26 22,24,25

7,21,27 31 3,27 9 11 9 4 8 12 10 6 11 18 7,19,30 23 11,13 3

12 19 16 9 22 16 14 13 23 27 18,25 9 17

Hoffmeister, F. 1812 8,28,31 Holland, D. 1913-2000 Holst, G. 1874-1934 Howells, H. 1892-1983 Humfrey, P. 1647-1674 Hummel, J. 1778-1837 Hurlstone, W. 1876-1906 Hurst, M. b1925 Hyde, M. 1913-2005

1754-

Ibert, J. 1890-1962 Ippolitov-Ivanov, M. 1935 29 Ireland, J. 1879-1962 Ives, C. 1874-1954

3,29 1859-

Jadin, H. Jadin, L. James, W. Janácek, L. Jarre, M. Jolivet, A.

12,26 12 1 1,11,14,26 27 12,25

1769-1802 1768-1853 1895-1977 1854-1928 1924-2009 1905-1974

Kabalevsky, D. 1987 18 Kats-Chernin, E. b1957 19 Keiser, R. 1674-1739 Ketèlbey, A. 1875-1959 Khachaturian, A. 1978 18 Kircher, A. 1602-1680 Klami, U. 1900-1961 Klughardt, A. 1847-1902 Koechlin, C. 1867-1950 Koehne, G. b1956 Korngold, E. 1897-1957 Kozeluch, L. 1747-1818 Kraus, J.M. 1756-1792 Kreutzer, J. 1778-1832 Kreutzer, R. 1766-1831 Krommer, F. 1759-1831 Lalo, E. 1823-1892 Lanchbery, J. 1923-2003 Le Gallienne, D. 1963 6 Lebrun, L. 1752-1790 Leclair, J-M. 1697-1764 Leoncavallo, R. 1919 21 Ligeti, G. 1923-2006 Liszt, F. 1811-1886 Loevendie, T. b1930 Lully, J-B. 1632-1687 Lutoslawski, W. 1994 13

29 8,10,28 13,23 2 2,11,13,26 17 6 16

9,24 18,25

1904-

7 22 190317 7 25 12 21 9 24 9,30 12 12 5,12,26 8 1 191530 5,27 18589,19 11,15,18 30 21 1913-

MacDowell, E. 18601908 7 Mahler, G. 1860-1911 8,19 Marais, M. 1656-1728 7 Marchal, J. b1965 16 Marchand, L. 1669-1732 27 Marshall-Hall, G. 18621915 13 Martinu, B. 1890-1959 2,29 Martucci, G. 1856-1909 29 Mascagni, P. 1863-1945 4 Massenet, J. 1842-1912 12 Mattheson, J. 1681-1764 7 Mayr, S. 1763-1845 19 Méhul, É-N. 1763-1817 23 Mendelssohn, F. 18091847 3,8,11,14,15,22,26,31 Mercadante, S. 17951870 25 Meyerbeer, G. 17911864 3,4 Milhaud, D. 1892-1974 13,20 Mondonville, J-J. de 17111772 3,14 Monteverdi, C. 15671643 7,28 Morlock, J. b1969 30 Moscheles, I. 1794-1870 3,31 Mouret, J-J. 1682-1738 28 Mozart, F. 1791-1844 26 Mozart, W. 1756-1791 2,5,6,7,9

,10,16,18,19,21,24,25,29,31 Mussorgsky, M. 18391881 21 Myaskovsky, N. 18811950 18 Myslivecek, J. 1737-1781 19 Nasopoulou, A. b1972 30 Neefe, C. 1748-1798 Nicolai, O. 1810-1849 Nielsen, C. 1865-1931 Noble, R. 1903-1978 Novák, V. 1870-1949

31 22 13,22,29 2 29

Offenbach, J. 1819-1880 15 Onslow, G. 1784-1853 23 Paderewski, I. 1941 6 Paganini, N. 1782-1840 Paisiello, G. 1740-1816 Panvino, C. b1972 Pärt, A. b1935 Pavlova, A. b1952 Pergolesi, G. 1710-1736 Pleyel, I. 1757-1831 Polymeneas-Liontiris, T. b1981 30 Ponchielli, A. 1834-1886 Porter, C. 1891-1964 Poulenc, F. 1899-1963 Powning, G. b1949 Prokofiev, S. 1891-1953 16,20,24,28,30 Pugnani, G. 1731-1798 Purcell, H. 1659-1695 Puts, K. b1972 Rachmaninov, S. 1943 9,24,26,31 Rameau, J-P. 1683-1764 Ravel, M. 1875-1937 4,8,14,20,28,30,31 Reger, M. 1873-1916 Reich, S. b1936 Reicha, A. 1770-1836 Reinecke, C. 1824-1910 Reinhardt, K. c1711-1767 Respighi, O. 1879-1936 Ries, F. 1784-1838 Rigacci, P. 20th c Rimsky-Korsakov, N. 1908 17,21,22 Rodrigo, J. 1901-1999 Rossini, G. 1792-1868 Rousseau, J-J. 1712-1778 Roussel, A. 1869-1937 Rutter, J. b1945

18602 9 2 9 19 24 9,24 4,24 2 2,20,23,30 16 5,16 17 8 18737,28 10 9 26 11,27 2 5,19,20 2,5 2 18443 3,14 23 4 2

Saint-Saëns, C. 18351921 5,10,11,13,15,17,22,25 Salieri, A. 1750-1825 20,23 Sanz, G. 1640-1710 17 Sarasate, P. de 18441908 27 Satie, E. 1866-1925 10,30 Scarlatti, A. 1659-1725 28 Schmitt, F. 1870-1958 1,15 Schobert, J. 1740-1767 26 Schoenberg, A. 18741951 20 Schubert, F. 1797-1828 2,4,6,8,9,11,14,15,18,25,26,28 Schulhoff, E. 1894-1942 11 Schumann, R. 1810-1856 2,7,20,23,25,31 Sculthorpe, P. 1929-2014 7,28 Shchedrin, R. b1932 1 Shlomowitz, M. b1975 19 Shostakovich, D. 19061975 12,16,24,27 Sibelius, J. 1865-1957 7,13,17,20,21,23 Sieg, S. b1966 30 Sinding, C. 1856-1941 13 Sivelöv, N. b1968 2 Skempton, H. b1947 23 Soler, A. 1729-1783 17

Spohr, L. 1784-1859 Stanford, C. Villiers 1924 16,20 Steffani, A. 1654-1728 Strauss, J. II 1825-1899 Strauss, Josef.

1870 21 Strauss, R. 1864-1949 18,22,28,29,31 Stravinsky, I. 1882-1971 13,19,24,27,28,30 Stuck, J-B. 1680-1755 Suk, J. 1874-1935 Sullivan, A. 1842-1900 Süssmayr, F. 1766-1803 Sutherland, M. 1984 7 Sweelinck, J. 1562-1621 Szymanowski, K. 1937 4

bar: baritone bshn: basset horn bass: bass bn: bassoon bass bar: bass baritone cl: clarinet clvd: clavichord cont: contralto cora: cor anglais ct: counter-tenor

db: double bass dbn: double bassoon did: didjeridu elec: electronic fl: flute fp: fortepiano gui: guitar hn: french horn hp: harp hpd: harpsichord

35

mand: mandolin mar: marimba mezz: mezzo-soprano narr: narrator ob: oboe org: organ perc: percussion pf: piano picc: piccolo rec: recorder

17 7 1827-

26 28,29 8,23,27,29 13,26 189727 1882-

Tailleferre, G. 1892-1983 13,19 Tansman, A. 1897-1986 12 Tartini, G. 1692-1770 5 Tausch, F. 1762-1817 30 Tchaikovsky, P. 18401893 14,15,21,22,24,25,28 Telemann, G. 1681-1767 2,6,7,9,13,14,18,20 Thalberg, S. 1812-1871 20 Thomson, V. 1896-1989 21,28 Thorvaldsdottir, A. b1977 23 Tippett, M. 1905-1998 23 Torke, M. b 1961 9 Tortelier, P. 1914-1990 11 Turina, J. 1882-1949 11 Vasks, P. b1946 23 Vaughan Williams, R. 18721958 6,9,13,18,22,23,29,30 Verdi, G. 1813-1901 4,21,31 Villa-Lobos, H. 18871959 25 Vine, C. b1954 12 Visée, R. de c1660-c1720 26,28 Vivaldi, A. 1678-1741 7,14,17 Volkmann, R. 1815-1883 9 Wagner, R. 1813-1883 Wagner, S. 1869-1930 Waldteufel, E. 1915 29 Walton, W. 1902-1983 Weber, C.M. 1786-1826 Weigl, J. 1776-1846 Weinberger, J. 1967 22 Wesley, S.S. 1810-1876 Westhoff, J. 1656-1705 Westlake, N. b1958 White, R. c1538-1574 Widor, C-M. 1844-1937 Williams, J. b1932 Witt, F. 1834-1888 Wolf, H. 1860-1903 Wranitzky, P. 1756-1808

15 9 183729 5,12,17,25,28 26 18969 26 6,7 9 27 26 19 9 6

Xianghai, X. 1905-1945 1 Yu, J. Z ádor, E. Ziehrer, C. Zipoli, D.

b1957

sax: saxophone sop: soprano tb: trombone ten: tenor timp: timpani tpt: trumpet treb: treble voice va: viola vc: cello vn: violin

6

1894=1977 21 1843-1922 29 1688-1726 17

Music duration is shown after the record and citation Orchestra RTO: Radio & Television Orchestra RTV SO: Radio and Television Symphony Orchestra SO: Symphony Orchestra TO: Theatre Orchestra alto: male alto ban: bandoneon

8,14,18,25 1852-

The Classical Guitar Society, Sydney An overview of the Society’s history Written by Darryl Rule Photos courtesy of The Classical Guitar Society

The Classical Guitar Society Sydney (CGS) celebrated its 25th Anniversary in 2016, with over 150 members, an over-subscribed Summer School, a CGS Orchestra and Friends Extravaganza and an international concert program. CGS has a collection of fine handmade guitars, a well-stocked library of publications and CDs, and a monthly broadcast slot on Fine Music Sydney. It’s fair to say that the society has become one of the most active of its kind in Australia.

The society began in 1991 with a handful of people meeting in Hornsby, Sydney, as the North Shore Guitar Society. With increasing numbers joining from all over the Greater Sydney region, it was decided that the collective should be called the Classical Guitar Society Sydney (CGS).

Photo courtesy of The Classical Guitar Society

The first concert hosted by the CGS was the Sydney Guitar Quartet in October 1991. The quartet comprised members who later became big names not only in the society circle, but in the greater Australian musical landscape. Christopher Keane, currently President of the society, Raffaele and Janet Agostino, whose involvement with the society is beyond measure, with Raffaele as Artistic Director, and Janet running the ensemble program of the society. The other member of the quartet member was Richard Charlton, who is well known to not only guitar enthusiasts but also to classical music lovers everywhere in Australia — his contribution to the society has been immense.

36

The society has always

prided itself on being a

breeding ground for young

talent. The monthly meetings

always finish up with a playlist, which is a perfect opportunity for teachers to let their young students practice performing their pieces, useful for exam preparation

The society is well regarded locally and internationally, particularly through its Summer School event, which began as a two-day course and subsequently expanded into its present fiveday format in 1995. The annual event attracts entrants of all levels from all over Australia, New Zealand, and even a few from further afield including the UK and the USA. Photo courtesy of The Classical Guitar Society

From the earliest days, the Classical Guitar Society Sydney hosted performances from both local and international artists, some of whom are legends. A young Slava Grigoryan attracted an audience of over 200, which is almost unheard of nowadays!

Performers who have graced the stage for society concerts include (amongst many others) William Kannenigiser (USA), Carlos Bonell (UK), Pavel Steidl (Czech), Denis Azabagic (USA), Vincent Lindsey-Clark (England) and, of course, Australians Timothy Kain and Dr Harold Gretton.

Becoming a breeding ground for young talent has been a proud achievement for the society. Monthly meetings finish with a playlist, providing an opportunity for teachers to let their young students practise performing, which is useful exam preparation.

By carefully nurturing young talent, the society’s alumni is impressive, with youngsters to professionals conquering overseas stages, winning competitions and graduating with postgraduate degrees from some of the finest music institutions in the world.

Until April 2020, the CGS met monthly in Crows Nest. Like all public gatherings around the world, these meetings were put on hold due to the health crisis and potential dangers of the COVID-19 pandemic. The society has moved to an online format and members now have the opportunity to submit video recordings of their performances for ‘Virtual Playlist’ hosted on YouTube. This initiative has provided the means to ensure that the society can continue to do what it has always done best — to create a platform where enthusiasts of the classical guitar can get together and support, contribute and disseminate ideas, performances, and discussions of the queen of the plucked instruments, the classical guitar. Read the full article here.

Saturday 15 August at 5pm

37

Sullivan Before Gilbert A deep, musical soul Written by Chris Blower

Janzig/England / Alamy Stock Photo

Sir Arthur Sullivan is famous the world over as the composer who joined with the librettist W.S. Gilbert to create the fourteen Gilbert and Sullivan operas. Lesser known is that Sullivan was recognised for his serious music before he ever thought of composing comic works.

Born in 1842, Sullivan showed musical talent from an early age. At the age of 11, he became a chorister at the Chapel Royal and, in 1856, was awarded the first Mendelssohn Scholarship to study at the Royal Academy of Music followed by the Leipzig Conservatory.

It was in Leipzig that, inspired by Mendelssohn’s music for A Midsummer Night’s Dream, Sullivan composed incidental music for Shakespeare’s The Tempest, which he conducted at his graduation. After his return to London, the work was performed at the Crystal Palace, to huge acclaim.

Shortly afterwards, Sullivan began writing an opera, The Sapphire Necklace. It was, however, never performed, and only a couple of vocal numbers and the Overture have Tony Smith / Alamy Stock Photo

survived. To earn a living, Sullivan thus turned to writing songs and hymns, a profitable endeavour in the Victorian era. He also wrote incidental music for theatres, and choral and orchestral works for provincial music festivals. One such work was composed for the Birmingham Music Festival: a masque based on the visit in 1575 of Queen Elizabeth I to the home of Robert Dudley, Earl of Leicester.

The music of Kenilworth very clearly signals the brand of tuneful music for which Sullivan was to be so famous later.

A further effort to establish himself as a serious orchestral composer resulted in the composition of a symphony. It followed a visit in 1863 to Ireland, where his father was born. Sullivan wrote to his mother, “the other night as I was jolting home … through the wind & rain on an open jolting car the whole first movement of a Symphony came into my head with a real Irish flavour about it - besides scraps of the other movements.” How charmingly Victorian!

Thursday 27 August at 8 pm

38

Emerging Artist Freyja Garbett We take a look at an eclectic jazz talent Written by Barry O'Sullivan Photo by Tim Kent / Lyndon Pike

Freyja Garbett is a compositional storyteller.

Growing up in Otford on the South Coast of New South Wales with her brother, the award-winning trumpeter/composer Nick Garbett. At the age of six she began lessons on the violin from her ‘severely addicted audiophile’ father, then progressed to classical piano lessons at the age of nine through the Suzuki method.

After completing her eighth grade in AMEB music examinations while still at Wollongong High School of the Performing Arts, Freyja’s interest in jazz developed alongside that of her brother’s interest. She investigated the jazz music workshops at the Wollongong Conservatorium under the tutorship of Eric Dunan and Nick Southcott, her piano teacher.

After some time spent in and out of playing she completed a brief music course in Lismore, then successfully auditioned for the Berklee College of Music in Boston, USA, a college where students explore interdisciplinary approaches to music, dance, theatre, film, business, healthcare, education, and technology. For Freyja, it seemed like the perfect fit for what she wanted to achieve musically focussing on a broader sphere, not just jazz.

“Going to Berklee at that stage of my life really felt like being thrown in at the deep end, and I had to work hard to keep my scholarship. The experience was life-changing, and I met so many like-minded people from across the world.”

Freyja graduated with honours and was the top student of her year.

For the funding of her debut album, a friend suggested that she source financing via an Indigogo project which she successfully achieved.

“My musical concept for my debut recording was to attempt to blend all of my interests in music together. Growing up, I was not only captured by the sound of bebop and traditional/modern jazz, but also of hiphop, indie rock, and the sound of synthesizers.”

Freyja recorded the album at Free Energy Devices Studios and 301 Studios in Sydney in 2019 under the guidance of the producer/musician, Matt Keegan with final mixes done by Richard Belkner.

Her heady compositions for the project drew influences from a vast range of styles and musicians, listing pianists and composers Fred Hersch, Gerald Clayton, and Maria Schneider, along with the likes of Flying Lotus, J Dilla, and Snarky Puppy.

“The pieces on my debut album, Maya, are an exploration of an electro-acoustic approach to jazz composition and improvisation,” Freyja explains.

“These compositions are springboards for improvisation and creativity. An added element to my approach is that all of the musicians can manipulate their instrument’s sound drastically and the arrangements of the pieces can be expanded upon, therefore creating ambient textures of the studio produced music that I listen to. On stage, we have the facility to offer audiences a fiery multi-dimensional performance.”

Previously sharing both performances and recordings with artists in the New York and Boston scenes, including Dave Fiuczynski’s Planet MicroJam, Garbett’s recent accolades include a commission by the Sydney Improvised Music Association and APRA AMCOS to compose and perform with the Sydney Women’s Jazz Collective at the Sydney International Women’s Jazz Festival.

Freya Garbett’s compositions are rich, mature, and immersive, serving as a foreword to a long and promising career, and have already opened up exciting opportunities for her and her associated group of musicians to come in 2020.

Friday 7 August at 12pm

39

Volunteer Spotlight Ross Hayes Written by Pamela Newling Photo courtesy of Fine Music Sydney

Since 2012, Ross has been regularly presenting on Fine Music Sydney. His favourite programs are Sydney Schubert Society and Diversions in Fine Music.

Contemplating retirement 10 or so years ago, Ross was given the advice ’Don’t just retire, rewire‘.

Heeding this advice he began attending lectures at the Northside Opera Study Group in Lindfield.

Through the opera group connection and the Sydney Schubert Society, a Fine Music programmer and presenter approached him and said, “Ross, you have a nice voice and like classical music. Maybe you’d like to become a presenter?” This ’ah ha‘ moment fitted his lifelong involvement in public speaking and his growing interest in music. At that time, Fine Music was short of presenters so he began training to go on air immediately.

Ross’s rich voice and mastery of languages delight his audience. He claims not to be a natural with foreign languages, confessing that he studied French for the Leaving Certificate but failed the oral! His approach to pronunciation of French is to channel a native speaker—the way they push their lips forward, shrug and gesture—and that provides the rhythm of the language. He says: “The same with Italian—they have that sort of lilting with their language. For Russian, I channel a Russian engineer who used to work for me and with whom I’d been to Russia three times.”

Other sources include the station’s own database (using native speakers of the respective language) and a specialist website. Spanish language is occasionally the source of good-humoured arguments between presenters. Argentinian and Spanish pronunciation varies significantly—as one presenter whose Argentinian wife will attest!

Ross’s interest in music began with playing guitar in his teens. At that stage he was a fan of Jimmy Hendrix, who was known for ’playing the guitar upside down and back-to-front‘. A Sydney Town Hall concert performance by Andre Segovia, who revolutionised the guitar for classical music, is an enduring memory for him. His classical interests were heightened when at 50 his children gave him a Walkman CD player with AM/FM and he was able to listen to Fine Music and ABC Classics.

He now claims Schubert and Beethoven as favourites.

Ross found a passion for public speaking in 1974 in his final year of university, when he joined a Rostrum public speaking club. This was confidenceboosting in tutorial presentations and became a hobby that continues today. He attends Rostrum weekly and also belongs to two Toastmasters clubs, winning the trophy for the Oatley Toastmaster’s ’International Speech Contest‘ with the topic What Makes Teenagers Cry?

A serendipity moment in one of Ross’s trips to France was to discover Haydn’s oratorio, The Creation being performed in the cathedral of the port city of Caen, just opposite where he and his wife were staying.

Ross’s professional career was as a mineral processing engineer. As he explains: geologists find the minerals, mining engineers dig it up and process engineers turn it into a saleable product: for example, they make coal that’s clean, gold ingots that gleam and copper concentrates that are sold overseas. Ross continues to enjoy doing a little bit of work along those lines—if it fits in with all the other things he’s doing!

40

Why Live Jazz Is Cool Part 2 in the Why Jazz Is Cool series Written by Leita Hutchings Artwork by Leita Huchings

It’s so fresh to see live music again! The ambience of goodwill and coloured lights of a club or café … and students from the Con who startle with talent beyond their years, fresh from Covid hibernation, who’ve polished their trumpets and honed their musicality like young gods and goddesses. We, the entertained, salute you with cocktails, beers and wines for our listening pleasure—a bonus!

We in the audience are buzzing with excitement and anticipation, and feeling as tall as Marvel superheros; why should we miss out? Collectively, we have a new appreciation for our liberty! We smile with our eyes—this is real smiling, the type that crinkles your face. We’ve forgotten when live music was so good. It makes for a rare atmosphere, and we count ourselves blessed and lucky to be among the select few attending. We’re feeling fluent and breezy and cool, just like audiences have for thousands of years in villages and palaces across the eons, only it’s better— because it’s jazz!

A vibe and hum are happening. The owner cries with relief, from enduring this fight against commerce and germ warfare, and gives a moving welcome. And then the music kicks-off and dazzles! And we delight in the surprises that only jazz can offer.

I find myself chatting with Harry and the Harry Ashton Band between sets. Harry laughs with a distant look in his eye when I ask him why he likes jazz. He strums his guitar as he says “Not because it’s complex … I’ve heard some people say they like jazz because it’s the most complex form of performance on an instrument, while still retaining groove and feel. I agree with that, but that’s not why I like it. Every song is really open to interpretations, it’s emotional without necessarily the need for lyricism.”

Harry does a little ambling finger work across strings, of no particular song …and explains that: ”…right at the start I had a friend at high school who was into jazz.

I wasn’t into instruments then because I didn’t have the understanding of harmony to appreciate what was happening. But his singing and his tone were special. So I started listening to all this 50s music, like Russ Freeman and Pacific. I was hanging out with my school friend Yanick. We were graduating and he was talking about going to the Con. He was into heaps of jazz and, by association, I was listening to everything he was listening to. So that started the chain.” The Harry Ashton Band start another set of cool sweet jazz. Another set of slinky vibes and sultry vocals, and people smile from the enjoyment of just being, and dancing, and drinking, and moving with the jazz. We always knew it was cool; now it’s even better, because it’s LIVE jazz!

Saturday 8 August at 12pm

Artwork by Leita Hutchings

41

LISTENERS' LETTERS Safe Haven Just a compliment on the lovely music and covid-free zone you’ve created. So nice to not have be reminded of covid and other horrible things happening in the news every five minutes! I used to listen to this radio station a lot when I lived at home with my parents many years ago.

Nice to reconnect with those times Kim, Jamisontown

Supporting Thank you for the wonderful music, information about artists and for supporting musicians young and old.

Sarah, North Curl Curl

Beautiful Thank you for your beautiful music.

Helina, Roseville

IN NEXT MONTHS ISSUE In Conversation

Celebrating Alexander Arutiunian

Going For Gold

A Principal Bassoonist

We talk with pianist Jennifer Hou

Looking back at the Sydney Olympics

Remembering John Cran

Celebrating Florent Schmitt

The Themes of Fine Jazz on Fine Music

42

CD REVIEWS The Australian Dictionary of Biography describes Frederick Septimus Kelly (18811916) as “oarsman, musician and soldier” and indeed he fulfilled these roles with distinction, including winning a gold medal in the 1908 Olympic Games. As a musician, he wanted to become “a great player and a great composer”, an ambition that was cut short by his death on the Western Front.

Frederick Septimus Kelly: Orchestral Works Tasmanian Symphony Orchestra ABC 481 8890

Maya

Freya Garbett Septet Art As Catharsis

Women of Note: A Century of Australian Composers.

Volume 2

lineage). There is also the Serenade, premiered in 1912, in Kelly’s words “not very original, perhaps” but pleasant listening, and his best-known work, the moving Elegy in memoriam Rupert Brooke.

- Paul Cooke

This release features three of his major orchestral works, the earliest of which was premiered at his graduation recital in 1908, the modestly-titled Orchestral Suite in E-flat major (here rendered as German Symphony in recognition of its musical

Freya Garbett is a graduate of the Berklee College of Music. Listing her influences as the pianists Fred Hersch, Gerald Clayton, and Maria Schneider she has factored in the alternative indie sounds of Flying Lotus, rapper J Dilla, and Snarky Puppy just to stir up the mix a little. Her debut recording is a spectacular immersive waltz through some rich jazz laden landscapes with an electro-acoustic approach to jazz composition and improvisation. The theme of spirituality, together with a mellifluous approach, conceptually unifies the album making it poignant and stimulating. Her compositional creativity and pianism

adroitness give the disc its singular sound combined with the creative improvisational contributions from her line up of talented musicians. With it, Garbett has proven herself a fresh voice to be reckoned with,as well as an artist of superlative skill and vision.

Like its predecessor, this release includes compositions by Dulcie Holland, Miriam Hyde and Margaret Sutherland. It also features six world premiere recordings among its other selections. One of these is a piece dating back to the 1930s but not recorded until the composer’s centenary year in 1999: this is Linda Phillips’ chamber work Exaltation (Chassidic Air and Dance), with the oboe in particular, reflecting Jewish musical influences.

Other compelling pieces are Ella Macens’ The Space Between Stars, where the SSO conveys “the energy and magic of our night sky”, and Mary Finsterer’s double bass concerto, Lake Ice — Missed Tales I. And it is to be hoped that the extracts from Deborah Cheetham’s Eumerella, a War requiem for peace herald a complete recording.

– Barry O’Sullivan

Notable composers indeed, and worth seeking out.

– Paul Cooke

ABC 481 9111

43

CROSSWORD Written by Julie Simonds

Down 1 Founder & Artistic Director of Sydney Shakespeare company (4) 2 Who? The Lovelies What? Dancing When?

The Forties Where? (6) 3 Hammers an instrument (7) 4 The girl from Galga, formally Lush (7) 5 A Hitchcock film is enough for Andrew Denton (4) 6 Steinbeck looks East (4) 11 Jack Thompson & Russell Crowe star in The Sum of -- (2) 13 James Dean’s last and biggest (5) 15 Barry Tuckwell’s instrument (4) 16 Composer of Babe, Babe- Pig in the City, & Horseplay (8) 17 First name of jazz trumpeter (5) 20 Even the Prime Minister called her what Humphries made her (4) 22 By the look of it, this social reformer likes his play in reverse (8) 24 2/3 egg, for example (2) 25 What one needs to compose variations (5) 26 Composer, viola player and now MSO composer in residence 2003 (4)

Across

27 Top of the score (7)

3 First name of composer of opera Lindy (4)

28 Jon English broke the rock-star mode in mini- series ---- the Wind (7)

5 Adams composed A Short --- in a Fast Machine (4) 7 Cockney flowergirl in My Fair Lady (5)

32 Lake in South Australia (4)

8 What’s new in Italian? (5)

33 Film - The ---- Must be Crazy (4)

9 The sad state of Sullivan’s chord (4) 10 Without discordant quality, clear & true (4) 12 Hosted the long-running program on Fine Music, Speak Easy and Swing Hard. (6) 14 Fast- paced author of Dead Sea Scrolls (7) 17 In 1970 this synthesiser revolutionised music (4) 18 To question most of a task (3) 19 Yothu (5) 21 Hemingway’s Old Man and the --- (3) 23 Somewhat latent ability (6) 29 One of Alcotts Little Women (3) 30 Four coloured friends in a big red car (3,7) 31 First name of former Fine Music Jazz Presenter and body builder (5) 32 This bird is two strokes under par (5) 34 Author of About a Boy (6) 35 Sculthorpe composed --- Music (3) 36 Television didn’t kill it, after all (5) 37 Where the musicians play at the opera and ballet (3) 38 Judith Wright’s profession (4)

44

Fine Music Sponsorship We have a range of channels to help you communicate your message to our audience of 240,000+ listeners per week 20,000+unique website visitors per month 4000+ digital newsletter subscribers per week 1350+ magazine subscribers per month

Visit ďŹ nemusicsydney.com/sponsorship to view our cost-eective packages

45

FINE MUSIC PATRONS Fine Music Honour Roll (Bequest Received 2009-2019)

Gold Patrons ($1,000 -$2,499)

Dr Alison Burrell, Mr Keith John Cosack, Mr Paul de Leuil, Ms Jean Priscilla Deck, Mr Colin Enderby, Ms Rose Gibb, Mr David Henry James, Mr Leslie Kovacs, Mr Stefan Kruger, Mrs Myra Christina Polson, Mr Michael Patrick Sheehan, Mr Charles Herbert Stokes, Mr Ronald Tinslay, Mrs Rose Varga, Mrs Norma Walledge, Mr Ken Weatherley, Mr Colin Webb, Mr Barry Willoughby, Mr John Albert Wright

Mrs Marlene Baumgartner, Ms Meredith Brooks, Professor Elizabeth Burcher, Mr Noel Craven, Ms Inez Glanger, Mrs Mary Henderson, Mrs Georgina Horton, Mr David Jacobs, Mrs Philipa Johnson, Mrs Sylvia Laurent, Mr Balthasar Mair, Mr Verdon Morcom, Mr Andrew Patterson, Mr Gordon Stenning, R Sutherland

Silver Patrons ($500 -$999)

Fine Music Guardians (Known Future Bequests)

Mr Michael Ahrens, Mr Max Benyon OAM, Mr Roger Doyle, Dr Jennifer Foong, Prof Clive Kessler

Mr Scott Alexander, Dr Philip Bergersen, Mrs Sally Bertram, Mr Stephen Booth, Mr Colin Boston, Mr Barrie Brockwell, Mr Ron Burgess, Mr Mark Caine, Dr. Russell Cannon, Mrs Mary Jo Capps AM, Ms Mary Choate, Mr Robert Clark, Ms Wendy Cobcroft, Mrs Janet Cooke, Mrs Dianne Cox, Ms Prudence Davenport, Ms Julie Dowsley, Mr Geoff Drury, Hon John Dunford, Ms Ruth Edenborough, Mr John Fairfax, Dr David Gorman, Mrs Rachel Gross, Mrs Jann Howard, Mr Paul Jackson, Ms Cynthia Kaye, Ms Patricia Kennedy, Mr Geoffrey Lauridsen, Ms Annette Lemercier, Mrs Diana Long, Mrs E MacDonald, Dr Jim Masselos, Mr Jonathan Milford, Ms Joanne Ng, Mr Tony Norris, Ms Monica Olave, Mr David Polley, Ms Luiza Rebelo, Mr J Roberts, Mr John Sharpe, Mr John Sheehy, Mr Iain Thompson, Mr Larry Turner, Mr Peter van Raalte, Mr Kevin Vaughan, Ms Judy Wong-See, Prof Paul Wormell

Platinum Patrons ($25,000 -$49,000)

Bronze Patrons ($250 -$499)

Mr Robert Albert, Mr Cameron Williams, Mr Ron Walledge

Mrs Greta Allen, Ms Jacqueline Axford, Mr Peter Barker, Ms Jane Barnes, Mr Terrence Batterham, Mrs Susan Berger, Mr Adam Bowen, Mr David Branscomb, Mrs Alexandra Buchner, Ms Helina Burch, Ms Silvie Carraro, Miss Beryl Caten, Mr Steve Center, Dr Alastair Corbett, Mr Dom Cottam, Mrs Cox, Prof Stephen Dain, Ms Sharan Daly, Mr Peter Dexter, Mrs Melinda Dixon, Mrs Dorothy Dunn, Mr Lee Dunstan, Mr Michael Edwards, Ms Elizabeth Evatt, Mrs Maureen Evers, Mrs Rita Felton, Mr William Fleming, Dr Jill Forrest, Mr Tal Galapo, Mr Robert Gilchrist, Mr Joe Goozeff, Ms Josefa Green, Mrs Jocelyn Hackett, Mr Peter Halas, Ms Clare Harty, Mr James Harvey, Mr Les Hay, Mr Ian Herbert, Ms Margaret Hext, Mrs Judith Hinksman, Ms Ailsa Hocking, Mr William Hoekstra, Mr Philip Irons, Mr David James, Mrs Barbara Johnson, Mrs Pamela Kenny, Mrs Christine Kenworthy, Mr Stephen Kinsela, Mr Peter & Helen Klineberg, Mr Ian Knop, Mr Gerhard Koller, Ms Anne Lampe, Mr Richard Lamrock, Mrs Beatrice Lang, Mr Gregory Layman, Mr Philip Levy, Miss Valerie Lhuede, Mr Richard Lowson, Mr Geoffrey Magney, Dr Richard Manchester, Mr Hunter McEwen, Mrs Shirley McEwin, Dr Bill McKee, Mr Herbert Menka, Mrs Jacqueline Meyer, Mr Simon Moore, Mr Sanjiv Muttukumaru, Mrs SusanNicholas, Mr Ken Payne, Ms Christina Pender, Mr Ian Pfeffer, Mr Peter Poole, Mr James Poulos, Ms Sally Preston, Mr Mike Price, Mrs Robyn Raffles, Mr Gwynn Roberts, Mr Joseph Rooney, Ms Joan Rosenthal, Mrs Felicite Ross, Mr F Rothenfluh, Mr Michael Rutlidge, Mrs Rosalia Salpeter, Dr Gideon Schoombie, Ms Alexandra Shiga, Dr William Smith, Mr David Somerville, Mr Colin Spencer, Mrs Ruth Staples, Dr Catherine Stevens, Mrs Valerie Stoney, Mrs J Strutt, Dr Robin Torrence, Prof A Truswell, Mr Dietmar Tucha, Mr John Ulrick, Mr Jacobus Van Zijl, Miss Fiona Walker, Mr Brian Walters, Dr. Duff Watkins, Reverand Paul and Mrs Sarah Weaver, Dr Paul Whiting, Mr Donald Wilkins, Mr Jeffrey Willmott, Mr Alastair Wilson, Mr Bovey Zhang, Mr Michael Zolotarev

Mr Geoffrey Anderson, Mr David Bell, Mr David Brett, Mrs Halina Brett, Mr Rex Burgess, Mr Lloyd Capps, Ms Marilyn Endlein, Mr Robin Gandevia, Mr Bruce Graham, Mr James Hunter, Mr David James, Ms Maureen Meers, Mr Glenn Morrison, Mr Desmond Mulholland, Mr Derek Parker, Dr Neil Radford, Mr Gregory Sachs, Ms Elaine Siversen, Mr Bruce Smith, Mr Anthony Tenney, Mr Ron Walledge

Titanium Patrons ($50,000 and above)

Diamond Patrons ($10,000 -$24,999) Mr Alan Ashburner, Mr Marco Belgiorno-Zegna, Mrs Barbara Brady, Mr David Brett, Mr David Brown, Mr David Burns, Mr Bernard Coles, Mrs Dorothy Curtis, Justice David Davies, Mr Paul Espie AO, Ms Jill Hickson Wran, Dr Janice Hirshorn, Mr Peter & Linda Kurti, Mrs Patricia McAlary, Ms Nola Nettheim, Dr Peter Power, Mr John Selby, Mr Roger Smith

Ruby Patrons ($5,000 -$9,999) Mrs Halina Brett, Ms Janine Burrus, Mr Lloyd Capps, Mr Roger Chapman, Mr Francis Frank, Mr Robin Gandevia, Ms Sue Jowell, Mr Ian McGaw, Ms Jeannie McInnes, Mrs Judith McKernan, Mr Charles McMonnies, Mr Anthony Strachan, Ms Wendy Trevor-Jones, Mr and Mrs Stephen and Therese Wilson

Emerald Patrons ($2,500 -$4,999) Ms Priscilla Adey, Ms Josephine Bastian, Mr David Bell, Mrs Alison Carr, Mr Ian De Jersey, Prof Christine Deer, Ms Louise Diamond, Mrs Margaret Epps, Prof Michael Field AM, Dr Christine Furedy, Ms Josephine Howie, Mrs Freda Hugenberger, Mrs Ann Jolly, Mr Donald (Kerry) Joyner, Mr Ian Juniper, Mrs Ros & Doug Keech, Ms Phyllis Koshland, Mr Reginald Lamble, Dr Peter Lindberg, Mr Ian Lloyd, Mr Melvyn Madigan, MrMichael Marchbank, Mr Ray McDonald, Ms Maureen Meers, Mr John Mitchell, Dr Andrew Mitterdorfer, Mr Michael Morton-Evans OAM, Mr Trevor Parkin, Ms Susan Ping Kee, Dr William Poate, Dr Catherine Ruff, Mr Jude Rushbrooke, Mr Gregory Sachs, Mr John Stevenson,Mr Richard Thompson, The Garrett Riggleman Trust, The Hon. Anthony Whealy, Mr Richard Wilkins, Dr Edward Wills

46

FOR THE LOVE OF MUSIC Make your final act an overture – become a Fine Music Sydney Bequestor and join a group of passionate philanthropists who pledge a bequest with the knowledge that they are securing the future of classical music for future generations to come.

Throughout our 45-year history Bequests have facilitated significant strides forward funding studio refurbishments and equipment purchases, broadcast opportunities for emerging and established ensembles as well as awards and scholarships to support emerging musicians.

Your financial gift will enable us to keep broadcasting the music we all love and value. Please contact us today to discuss leaving a gift to Fine Music Sydney in your will.

02 9439 4777

finemusicsydney.com/bequest