Fine Music Sydney Magazine - February 2021 by 2MBS Fine Music Sydney

FEBRUARY 2021 05

Russian Master

The career of Yevgeny Mravinsky

In Conversation

with the Metropolitan Orchestra

Listening to the Birds Messiaenâ&#x20AC;&#x2122;s avian fascination

Why Vintage Jazz is Cool Part 5 in a series

I N D E X

06. In Conversation

38. Listening to the Birds

08. Music for the People

40. The Themes of Fine Jazz on Fine Music Sydney

Dan Bickel shares Messiaen’s avian fascination

Mona Omar in conversation with the Metropolitan Orchestra Paul Cooke explores the life and legacy of Michael Praetorius

05.

The magic behind our jazz presenters’ theme tunes

10. Bohemia

Ron Walledge introduces Czech Bohemia of the 17th & 18th Centuries

A Master of Russian Music

37. Volunteer Spotlight

Nicky Gluch examines the career of Yevgeny Mravinsky

42. Why Vintage Jazz is Cool Part 5 in Leita Hutching’s Why Jazz Is Cool series

Robert Small

12. Program Guide

44. Listener Letters

45. CD Reviews

36. Composer List

44. This Month at Fine Music

46. Crossword

N O T E S

F R O M

T H E

47. Patrons

E D I T O R

As the music world slowly recovers from the devastating impact that Covid-19 has had on the industry, it’s worth noting that despite the enforced closure of major live classical concert venues in 2020, our musicians, organisations and orchestras have responded to the challenge in numerous creative and diverse ways despite shaky support from the Government. We talked to Sarah-Grace Williams, chief conductor of The Metropolitan Orchestra, which was forced to close its doors last year in early March, and asked her how they had coped when faced with the prospect of cancelling their entire season. Read about their chamber concert, streaming solutions and plans for 2021 on page 6. Over the years, the jazz component in Fine Music Sydney‘s broadcast output has steadily increased, particularly with the introduction of our digital stream and more recently with the advent of new digital platforms. We present jazz right across the genre spectrum from 1900 classics, through 60s cool to modern and emerging musicians. To reflect this we will be devoting more space in the Magazine to articles on the subject of jazz, as well as increasing the number of jazz CDs reviewed. David Ogilvie david.ogilvie@finemusicsydney.com

P R O G R A M M E R S

A N D

P R E S E N T E R S

FEBRUARY Rodrigo Azaola, Charles Barton, Peter Bell, Nina Beretin, Eddie Bernasconi, Dan Bickel, Chris Blower, Adam Bowen, David Brett, John Buchanan, Rex Burgess, Janine Burrus, Lloyd Capps, Vince Carnovale, Lyn Chong, Andrew Clark, Adam Cockburn, Angela Cockburn, Liam Collins, Paul Cooke, Di Cox, George Cruickshank, Nick Dan, Jackson Day, Nev Dorrington, Annabelle Drumm, Brian Drummond, Andrew Dziedzic, Rita Felton, Michael Field, Owen Fisher, Jennifer Foong, Tom Forrester-Paton, Susan Foulcher, Carole Garland, David Garrett, Robert Gilchrist, Nicky Gluch, Joe Goddard, Albert Gormley, Jeremy Hall, John Hanna, Austin Harrison, Ross Hayes, James Hunter, Leita Hutchings, Anne Irish, Sue Jowell, David Knapp, Ray Levis, Krystal Li, Anne-Louise Luccarini, Christina MacGuinness, Meg Matthews, Stephen Matthews, Sue McCreadie, Neil McEwan, Jeannie McInnes, Terry McMullen, Angus McPherson, Maureen Meers, Camille Mercep, Simon Moore, Frank Morrison, Michael Morton-Evans, Richard Munge, Gail Monjo, James Nightingale, Barry O’Sullivan, Calogero Panvino, Derek Parker, Denis Patterson, Keith Pettigrew, Andrew Piper, Peter Poole, Frank Presley, Mark Renton, Katy Rogers-Davies, Paul Roper, Marilyn Schock, Jon Shapiro, Julie Simonds, Elaine Siversen, Robert Small, Garth Sundberg, Jacky Ternisien, Anna Tranter, Madilina Tresca, Robert Vale, Ron Walledge, Christopher Waterhouse, Chris Wetherall, Stephen Wilson, Glenn Winfield, Chris Winner, Orli Zahava, Tom Zelinka PROGRAM SUBEDITORS Jan Akers, Chris Blower, Maureen Chaffey, Di Cox, Elaine Siversen, Jill Wagstaff, Teresa White LIBRARIANS Jan Akers, Rex Burgess, Maureen Chaffey, Di Cox, Helen Dignan, Lynden Dziedzic, Peter Goldner, David Hilton, Dawn Jackson, Michael Marchbank, Phillip McGarn, Judy Miller, Helen Milthorpe, Susan Ping Kee, Mark Renton, Jacky Ternisien, Ricky Yu

FINE MUSIC SYDNEY

A master of Russian music

Nicky Gluch examines the career of Yevgeny Mravinsky

ORGANISATION DETAILS Fine Music Sydney - We are Sydney’s Fine Music Broadcaster MUSIC BROADCASTING SOCIETY OF NSW CO-OPERATIVE LIMITED

Editor David Ogilvie Assistant Editor Mona Omar Designer Lyndon Pike

Fine Music Sydney is owned and operated by the Music Broadcasting Society of New South Wales Cooperative Limited. Fine Music is a registered charitable organisation with a Charity Fundraising Number and is listed with the Register of Cultural Organisations. Fine Music Sydney is a Community Radio station and a member of the Community Broadcasting Association of Australia. Fine Music Sydney (formerly known as 2MBS and Fine Music 102.5) is Australia’s first stereo FM radio station. The station was officially opened on 1 February 1975 and we have now been on air for over 45 years. Fine Music Sydney plays an important role in encouraging emerging musicians and music lovers in their ambitions to be professional musicians or broadcasters. Fine Music Sydney is an integral part of Sydney’s cultural landscape promoting and encouraging an active live classical and jazz music scene in our community and supporting music education. The Fine Music Emerging Artist program includes: Artists in Residence, Young Composer Award, Young Virtuoso Award, Stefan Kruger Scholarship, Ken Weatherley Jazz Scholarship and our Emerging Artist Workshops and Fine Music Showcase broadcasts.

Digital Content Coordinators Paul Cooke, Nicky Gluch, Keith Pettigrew

Mission Statement

Guide Management Coordinators (acting) James Nightingale and Elaine Siversen

1. To be Sydney’s preferred broadcaster of classical music, jazz and other specialist music genres

Program Guide Formatter Peter Bell Proof Readers Tessa Miles, Pamela Newling Contributors Dan Bickel Lloyd Capps Paul Cooke Nicky Gluch Leita Hutchings Pamela Newling James Nightingale Mona Omar Keith Pettigrew Ron Walledge Cover Image Sarah-Grace Williams by Nathaniel Fay from Oneski Digital Fine Music Studios 72-76 Chandos Street St Leonards, NSW 2065 Postal Address: PO Box 78, St Leonards, NSW 2065 Phone: 9439 4777 (9am–6pm) ABN: 64 379 540 010

finemusicsydney.com Frequency 102.5 FM

To share the love of fine music through broadcasting Goals 2. To maintain and improve high standards in all we do

Illustration by Lyndon Pike

3. To promote Australian musicians and composers, with particular focus on the young 4. To provide a supportive and enjoyable work environment for volunteers and staff 5. To develop a sustainable financial model for the organisation FINE MUSIC HONORARY AND ARTISTIC PATRONS Vice Regal Patron: Her Excellency the Honourable Margaret Beazley AC QC, Governor of New South Wales Honorary Patron: Professor The Honourable Dame Marie Bashir AD CVO Artistic Patrons: Elena Kats-Chernin, Simon Tedeschi, Richard Tognetti AO, Brett Weymark Emerging Artists Patron: Toby Thatcher Young Composer Award 2019: Callum O'Reilly Young Virtuoso Award 2019: Justinn Lu Stefan Kruger Scholar 2020: Harry Sdraulig Ken Weatherley Scholar 2020: Kate Wadey Artists in Residence 2019: Marais Project Associate Artist in Residence 2019: States of Chaos and Elysian Fields PERSONNEL It is important to note that apart from a small staff team, Fine Music Sydney functions through the involvement of dedicated volunteers who generously contribute their time and talents across all aspects of the radio station. BOARD OF DIRECTORS: Chair: Michael Morton-Evans OAM Deputy Chair: Roger Doyle Secretary: Robert Gilchrist Directors: Nicky Gluch, Sue Jowell, Jayson McBride, Sue Ping Kee, Peter Poole Appointed Directors: Bruce Hambrett, Peter Stavrianos PUBLIC OFFICER : Rebecca Beare STAFF: General Manager: Rebecca Beare Community Engagement Manager: Mona Omar Studio & Production Manager: Joe Goddard Office Manager: Sharon Sullivan Digital Content Producer: Lyndon Pike Executive Assistant:Tessa Miles TECHNICAL ADVISORS: Honorary Technical Advisor: Max Benyon OAM Broadcast Engineer: John Shenstone Broadcast Systems Engineer: Roger Doyle Information Technology Consultant Peter Bell Recording Engineer: Jayson McBride COMMITTEE CHAIRS: General Manager: Rebecca Beare Jazz: Jeannie McInnes Library: Rex Burgess Presenters: Michael Field Programming: James Nightingale Technical: Peter Bell Volunteers: Sue Nicholas Finance: Peter Poole WHS: Rebecca Beare Contents and concept of Fine Music Sydney Copyright © 1975-2021

Transmitter Governor Phillip Tower, Circular Quay

his music deemed too formalist, in 1948 he was denounced for a second time. Before this, however, after Stalin’s death in 1953, Mravinsky premiered another five of his symphonies as well as his first violin and cello concerti, but when Shostakovich chose the Babi Yar massacre as the subject of his Symphony No. 13, Mravinsky felt pressured to decline. To denounce antisemitism was to criticise the State, and Mravinsky, best placed and yet not entitled to make a political statement, chose to protect his career over taking a moral stand. To Shostakovich, this was betrayal and the two men cut ties.

Yevgeny Mravinsky was a Soviet conductor. By this I mean not simply that he was a citizen of the Union, but that his life and career were intricately linked with its history. Born in 1903 into an aristocratic family, Mravinsky was a teenager during the Russian Revolution. In 1918, his father died, and he and his mother found themselves at the mercy of the State, which did not look kindly upon those of the upper class. Had the State had its way, he would have been barred from the Leningrad Conservatory but his half-aunt, Alexandra Kollontai, a Bolshevik politician, intervened. She wrote directly to Alexander Glazunov, requesting that Mravinsky be taken on as a composition student.

Was Mravinsky, then, merely a Soviet pawn? He might have been, had his allegiance not also been to music. With the power of his position and an orchestra truly at his command, he tirelessly sought musical perfection. Everything was honed, with rigid back and stern posture, a tyrant, thus, in appearance. Yet in his hands lay the music, tangible, as if a string was at the end of his baton. Through his simple, though somewhat inelegant, technique he became a master of Russian music, but his privilege was also to be trusted to correctly represent ‘European’ music. The audience would recognise the music’s ‘inherent’ Soviet values, because it followed through his body. He thus became a trusted interpreter of Brahms, whose Symphony No. 4 was permitted for its dramatic power which united tragedy and passion.

It was with the baton, however, and not the pen, that Mravinsky was to make his name. In 1938, he was appointed principal conductor of the Leningrad Philharmonic Orchestra. The following year, the Soviet Union signed the MolotovRibbentrop pact and set further in motion the events which would lead to World War II. By the end of the war, the Soviets and the West would be opposed; classical music now lay on two sides of the Iron Curtain. Mravinsky’s life became a game of chess: professional security lay with remaining at the helm of the Leningrad Philharmonic, but to do so meant staying on the right side of Stalin. He had managed it once before, taking the daring risk (he blamed youth) to premiere Shostakovich’s Symphony No. 5. The triumph of that performance had secured Shostakovich’s pardon and Mravinsky’s career but repeat success was never guaranteed. Indeed, Shostakovich continued to walk a fine line;

It was one of the last works Mravinsky was to conduct. He gave his final concert on 6 March 1987 and died the following January after 50 years as the Leningrad Philharmonic’s chief conductor. Twenty-two months later, the Berlin Wall would fall. Sunday Specials starting Sunday 21 February at 3pm

In Conversation with The Metropolitan Orchestra Mona Omar talks to TMO Artistic Director and Chief Conductor, Sarah-Grace Williams about performing in 2021 and beyond

The Metropolitan Orchestra returned to the stage in October after a 10-month hiatus. How challenging has it been organising concerts in the pandemic era? The hiatus from March to November without a concert is the longest The Metropolitan Orchestra has gone without a performance since we began back in 2009. We were lucky in that we were able to at least perform one Met Concert on 7 March before everything was locked down only days later. After that, we had to cancel everything for the year, which was terribly disappointing for all of us, particularly considering the enormous amount of work it takes to put a complete season together. It was very difficult to prepare for our return to the stage with the continued restrictions and uncertainty around Covid. After much planning, it was decided that the best way to return to live performance would be with a smaller chamber concert which gave us more flexibility to consider and adapt to the erratic changes caused by Covid and the ensuing effects these had on audience numbers. It was also a great opportunity to understand how we need to manage the many regulations and requirements so that we could deliver a Covid-safe event (which are many and quite complicated). It was a steep learning curve, but in the end we delivered a really engaging, intimate, safe and very successful performance. This concert also marked the orchestraâ&#x20AC;&#x2122;s first digital live stream of a concert performance. Was this introduction a result of the restricted audience numbers? Will it remain a part of your 2021 concert season offering? The idea to live stream our performances was a direct result of the significantly reduced audience numbers. It meant that we could only host less than a quarter of the regular audience numbers than we would normally be allowed. Streaming allows us to reach a wider audience and deliver live performance to those who may find it difficult to attend our events. This fits perfectly with our mission to make great music more accessible to more people. Live

streaming requires a significant amount of technical awareness and infrastructure, but we are hoping to continue live streaming in 2021, although it may not happen for all performances. We will have to make decisions regarding streaming on a concert-byconcert basis. The other exciting benefit of streaming is that each concert is available for anyone to watch after the event, in its live stream format, free from our video gallery here . A mission of the orchestra is to support Australian artists â&#x20AC;&#x201C; orchestral players, composers, conductors and soloists. Is there anything you can tell us about your planned partnerships and development programs for musicians? One of our primary charters is to support and develop Australian musicians. We believe there are simply not enough prime opportunities for our many talented artists to showcase their wares in a professional live performance environment. Whether it is composers, soloists or young musicians with loads of passion and dedication, we are committed to giving them as many opportunities as possible. We have a range of initiatives to develop and support our significant depth of supremely talented Australian artists this year. Many of these were scheduled for 2020, so we are excited to be bringing these to fruition in 2021, depending on what happens with Covid of course. In addition to featuring Australian soloists and Australian composers, including six world/Australian premieres and a composer in residence programme in 2021, we also have several planned specific development programs (we will be making announcements on these over coming months), including an artist in residence program and a winter string music camp. We are also hoping to re-launch our very successful composer development program later in the year, which will continue into 2022.

Photos by Nathaniel Fay from Oneski Digital

What do you have planned for the 2021 concert season? Our 2021 program will be a little different from previous years. What we have learnt from the challenges of Covid, is that we need to be flexible and ready to change and adapt to new rules and regulations as they are applied. Planning and organising orchestral concerts takes a great deal of work and pre-planning, much of which is very difficult to modify once the wheels are in motion. Our 2021 program will be more flexible, allowing scope to handle potentially reduced audience numbers without having to incur potentially huge financial losses. We are planning five Met Concerts, four chamber concerts and four kids Cushion Concert weekends (all cushion concerts were postponed in 2020). Pending further relaxation of current Covid rules, these performances will go ahead, fingers crossed. We know that the many new challenges that Arts organisations have to face as a result of Covid will continue through this year. Now more than ever, people need access to great live music. We will do all we can to continue delivering on these needs.

Wednesdays at 1pm

Music for the People Paul Cooke explores the life and legacy of Michael Praetorius

The death of Duke Heinrich Julius in 1613 saw Praetorius seconded to the court of Elector Johann Georg of Saxony at Dresden, where he was exposed to recent innovations in Italian music. His Polyhymnia caduceatrix of 1619 shows the influence of Giovanni Gabrieli and Claudio Monteverdi in its increased ornamentation and denser scoring, representing “the fusion of the German chorale with the combined Venetian polychoral and Palestinian melodic styles”.

“Music is a precious gift of God. When I hear music, joy bubbles up inside of me. Anyone who does not respond to this gift is a clod and not fit to be called a man.” Coarse though he may have been of tongue, Martin Luther very much lived up to his words. An accomplished musician, he had sung Gregorian chant in his school choir and performed secular songs with his friends, and both became incorporated into Lutheran worship. Luther himself composed 36 hymns based on German texts and his musical adviser, Johann Walter, composed the first collection of chorales for the Lutheran church.

Praetorius desired to make publicly available the music he had created or compiled. He concentrated mostly on church music and published no secular works other than Terpsichore, a collection of more than 300 French dance melodies which is, ironically, perhaps the music most closely associated with him these days. Praetorius also published three volumes of his writings, Syntagma musicum, where he discussed contemporary German music, musical instruments and performance. It has enabled instrument makers to make precise reconstructions and has been of much value in determining how music of the 17th century was played.

Over the next 200 years a succession of Lutheran composers – the most notable of whom were Praetorius, Schütz, Buxtehude and Bach – produced intricate works which proclaimed the gospel. These were written and required performance, but at the same time encouraged the participation of the congregation. This was crucial, as Luther’s reforms included making the communion service comprehensible and participatory, an offering from the congregation rather than from a priest on its behalf. Michael Praetorius, whose father had been a pupil of Luther and a colleague of Walter, was born in about 1571. He studied philosophy and theology at the University of Frankfurt an der Oder, experimenting, in his own words, “with various forms of art before settling for music at a later stage”. During his schooldays in Creuzberg, he’d had lessons with Michael Voigt; in Frankfurt he shared an interest in Protestant hymns with Bartholomäus Gesius and, in 1587, was appointed organist of St Marien, where he remained for three years.

By the time Praetorius finally returned to Wolfenbüttel he was in ill health, possibly because of overwork, and he was soon relieved of his services. He died 400 years ago, on 15 February 1621, and is buried in the city’s Marienkirche, in a vault beneath the organ. Friday 19 February, 8pm

Praetorius reappears in the annals of 1595, when he was appointed organist for Duke Heinrich Julius of Wolfenbüttel. In 1604, he was promoted to court Kapellmeister, an appointment that ushered in a very busy period for him: not only did it necessitate much travel throughout Germany – allowing him to establish himself as a talented conductor, organist and musicologist – but it also led to the publication of his Musae Sioniae (1605-12), a nine-volume collection of more than 1200 chorale and song settings.

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The Bohemians Ron Walledge introduces Czech Bohemia of the 17th & 18th Centuries

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importantly, in persuading composers to record in their works the sights and sounds of their beautiful country.

From 12 February onwards, the second and fourth Friday afternoons will feature music from Bohemia, which is now the western province of the Czech Republic. Once it was a kingdom in its own right, with Prague as its capital, and one of its kings will be forever remembered as Good King Wenceslas.

In our series of programs, you will hear among others from Smetana, Dvorak, Suk, Novak, Martinu, as well as family Benda and the technically Moravian Janacek. Both Suk and Novak were pupils of Dvorak, and in the early 1900s Novak was considered his musical heir, particularly in Britain. The first program concludes with Suk’s overwhelming Asrael symphony, Asrael being the angel of death, and the symphony a response to the deaths of his wife (Dvořák’s daughter) and Dvořák himself.

It is not, however, allied with the ‘Bohemians’ of Paris, nor with Mimi of the frigid hand! Bohemia has a history of musical activity going back to at least the 12th century; in 1254, the records of Prague’s St. Vitus Cathedral mention the acquisition of a new organ and in 1343, that there were about 100 choral performers.

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In the final program we shall feature Mahler, who described himself as a Bohemian to the Germans, a German to the Austrians and a Jew to the World.

The 17th and 18th centuries were the flowering periods of Bohemian musical development, with the Prague Conservatorium founded in 1811. Soon the Romantic period arrived, and it had the same effect as in other countries, in stimulating an interest in native folk music, the use of the Czech language in opera and, most

Free

13:00 A NIGHT IN VENICE Prepared by Derek Parker

Monday 1 February

Tuesday 2 February

00:00 CLASSIC-ALL THROUGH THE NIGHT

Strauss, J. II Overture: A night in Venice (1883). Vienna PO/Mariss Jansons. Sony 88875174772

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Robert Small

Giampieri, A. Carnival of Venice. Michael Collins, cl; Piers Lane, pf. Chandos CHAN 10615 7

09:00 DIVERSIONS IN FINE MUSIC Schumann, C. Evening in Venice, from Three songs for mixed choir on poems by Geibel A year in retrospect: 1932 (1848). Heidelberg Madrigal Choir/Gerald Prepared by Derek Parker Kegelmann. Bauer, M. Duo, op 25 (1932). Jeremy Polmear, Bayer BR 100 041 6 ob; Eli Eban, cl. Naxos 8.559253 9 Liszt, F. Gondoliera, from Venice and Naples (1859). Stephanie McCallum, pf. Coates, E. Knightsbridge march, from London ABC 476 124-8 5 everyday (1932). West Australian SO/David Sullivan, A. Masquerade, from The merchant Measham. ABC 481 1143 5 of Venice (1871). Emmanuel Lawler, ten; RTE Concert O/Andrew Penny. Respighi, O. Ancient airs and dances, suite Marco Polo 8.223461 23 no 3 (1932). Philharmonia Hungarica/Antal 14:00 TWO NORDIC PEERS Dorati. 19 Sibelius, J. Suite from Belshazzar’s feast, op Mercury 478 5092

Turina, J. Fantasía italiana, op 75 (1932). Jordi 51 (1906). New Zealand SO/Pietari Inkinen. Naxos 8.570763 15 Masó, pf. Naxos 8.572141 12 Nielsen, C. Flute concerto (1926). Toke Lund Christiansen, fl; Danish National RSO/Michael Poulenc, F. Double concerto in D minor Schønwandt. (1932). Joshua Pierce, pf; Dorothy Jonas, pf; 18 Chandos CHAN 8894 Polish RTSO/David Amos. Kleos KL 5121 19 Sibelius, J. Karelia suite (1893). Royal PO/ Khachaturian, A. Trio for clarinet, violin and piano (1932). Dominique Vidal, cl; Christophe Boulier, vn; Miklos Schön, pf. 16 REM 311304 10:30 CONCERT HALL Prepared by Anne Irish Brumby, C. Paean (1975). Sydney SO/Patrick Thomas. 6 ABC 476 4565

Charles Mackerras. Tring TRP013

Nielsen, C. Little suite, op 1 (1888/89). Danish National RSO/Ulf Schirmer. Decca 452 486-2 16 Sibelius, J. Three lyric pieces, op 41 (1904). Erik T. Tawaststjerna, pf. 11 BIS 153

Nielsen, C. Symphony no 2 in B minor, op 16, The four temperaments (1901-02). Gothenburg Lalo, E. Cello concerto in D minor (1876). Paul SO/Myung-Whun Chung. Tortelier, vc; City of Birmingham SO/Louis 34 BIS 614/616 Frémaux. EMI 7 69457 2

Rachmaninov, S. Symphony no 2 in E minor, op 27 (1906-07). Royal Concertgebouw O/ Kyrill Kondrashin. Radio Nederland RCO 08005 48 12:00 SWING SESSIONS With John Buchanan Featuring bands of the 1930s swing era and the dance bands of the 1920s taken from radio broadcasts, transcriptions and recording sessions

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 JAZZ PULSE With Chris Wetherall 20:00 STORMY MONDAY With Austin Harrison and Garth Sundberg 22:00 JAZZ AFTER HOURS

03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Julie Simonds 09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by Rex Burgess Sweelinck, J. Echo fantasia in the ionian mode. Kurt Ison, org. KJI KJ001 10 Debussy, C. Préludes, bk I, nos 7-10 (190910). Walter Ginsberg, pf. EMI 5 65855 2 14 Schubert, F. Four canzonas, D688 (1820). Lucia Popp, sop; Geoffrey Parsons, pf. BBC Music BBCL 4025-2 12 Bax, A. Sonata for two pianos (1929). Ashley Wass, pf; Martin Roscoe, pf. Naxos 8.570413 22 Salzedo, C. Harp sonata. Alice Giles, hp; Arnan Wiesel, pf. Schwann 3-1765-2 12 Alkan, C-V. Aesop’s feast, from 12 studies in minor keys, op 39 no 12 (pub. 1857). Stephanie McCallum, pf. 10 ABC 461 798-2 10:30 CONCERT HALL Prepared by David Brett Prokofiev, S. Suite from The love for three oranges, op 33 (1919). Vienna PO/Constantin Silvestri. EMI 5 74115 2 17 Lutoslawski, W. Cello concerto (1968-70). Heinrich Schiff, vc; Bavarian RSO/Witold Lutoslawski. 23 Philips 416 817-2 Brahms, J. Symphony no 4 in E minor, op 98 (1885). Royal Concertgebouw O/Carlo Maria Giulini. Radio Nederland RCO 08005 43 12:00 JAZZ RHYTHM With Jeannie McInnes An eclectic blending of agreeable rhythm and melody from the New Orleans jazz roots through to recent decades, including many Australian bands

13:00 MOZART AND THE STRING QUARTET Prepared by Frank Morrison Dussek, J. Piano quintet in F minor, op 41 (1799). Nepomuk Fortepiano Quintet. Brilliant Classics 94377 24 Viotti, G. Violin sonata no 5 in E flat, op 4 (pub. 1788). Felix Ayo, vn; Corrado de Bernart, pf. Dynamic DM8026 15 Mozart, W. String quartet no 8 in F, K168 (1773). Quartetto Italiano. Decca 478 5555 15 14:00 THE GLORY OF BERLIOZ Prepared by Derek Parker Berlioz, H. Overture: Roman carnival, op 9 (1844). Cleveland O/Lorin Maazel. Decca 480 6621 9 Symphonie fantastique, op 14 (1830). O Révolutionnaire et Romantique/John Eliot Gardiner. DG 479 1044 53 Night of rapture, from The Trojans (1856-58). Angela Gheorghiu, sop; Roberto Alagna, ten; Royal Opera House O/Richard Armstrong. EMI 5 56117 2 8 Grande symphonie funèbre et triomphale, op 15 (1840). John Alldis Choir; Denis Wick, tb; London SO/Colin Davis. Philips 416 283-2 35

Dvorák, A. Piano trio no 4 in E minor, op 90, Dumky (1890-91). Young Uck Kim, vn; Yo-Yo Ma, vc; Emanuel Ax, pf. CBS MK 44527 31

13:00 IN CONVERSATION With Simon Moore Each week we meet one of the world’s great musicians, singers, composers or conductors, along with up-and-comers and some of the Saint-Saëns, C. Violin sonata no 1 in D minor, men and women who influence the arts op 75. Michiko Kamiya, vn; Ian Brown, pf. landscape. The program goes live to air so you Naxos 8.554401-02 21 never quite know what’s going to happen.

Wednesday 3 February 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Janine Burrus 09:00 DIVERSIONS IN FINE MUSIC From the shadows Prepared by Jacky Ternisien Dankowski, A. Symphony in E flat (c1788). Warsaw CO/Marek Sewen. Olympia OCD 380 15 Araia, F. The shepherd who in shadowy night, from Seleuco (1744). Cecilia Bartoli, mezz; Pier Luigi Febretti, ob; I Barocchisti/Diego Fasolis. Decca 478 6767 10 Müthel, J. Keyboard concerto no 5 in B flat (c1767). Marcin Swiatkiewicz, hpd; Arte Dei Suonatori. BIS BIS-2179 24

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm

Jadin, H. Piano sonata in B flat, op 4 no 1 (pub. 1795). Jean-Claude Pennetier, pf. Harmonia Mundi HMC 901189 15

19:00 THE JAZZ BEAT With Lloyd Capps Smooth small group jazz from the 50s on, and with a visit from Miles Davis each week

Campagnoli, B. Flute quartet no 3 in G (c1790). Gabriele Formenti, fl; Ensemble Il Demetrio. Brilliant Classics 95399 14

20:00 JUST IN With Michael Field A selection from the latest recordings to arrive at the Fine Music Library

10:30 CONCERT HALL Prepared by Gerald Holder

22:00 CHAMBER SOIRÉE Prepared by Albert Gormley Shostakovich, D. String quartet no 8 in C minor, op 110 (1960). Kronos Quartet. Nonesuch 7559-79242-2 20 Beethoven, L. Wind octet in E flat, op 103 (1792). Mozzafiato/Charles Neidich, cl & dir. Sony SK 53367 22

Horneman, C. Ouverture héroïque (1867). Danish National RSO/Michael Schønwandt. Chandos CHAN 9373 13 Langgaard, S. Piano concerto in E minor (c1885). Oleg Marshev, pf; Danish PO/ Matthias Aeschbacher. Danacord DACOCD 535 34 Nielsen, C. Symphony no 4, op 29, The inextinguishable (1914-16). Danish National RSO/Ulf Schirmer. Decca 452 486-2 36

Kay, D. Three canzonas (1972). David Cubbin, 12:00 JAZZ SKETCHES fl; Ian Bolton, va. Canberra School of Music CSM 7 14 With Robert Vale World-wide contemporary jazz including contributions from Australian artists and those from culturally emerging nations

14:00 LE PAPILLON Prepared by Frank Morrison Kodály, Z. Suite from Háry János, op 15 (1927). Hungarian State SO/Adám Fischer. Nimbus NI 5284 25 Hummel, J. Piano concerto in A minor, op 85 (c1816). Stephen Hough, pf; English CO/ Bryden Thomson. Chandos CHAN 8507 30 Offenbach, J. Ballet: Le papillon (1860). London SO/Richard Bonynge. LP Decca SXL 6588 55 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 PLANET JAZZ With Xavier Bichon 20:00 AT THE OPERA Prepared by Camille Mercep Weber, C.M. Oberon. Opera in three acts. Libretto by James Robinson Planché. First performed London, 1826. SIR HUON OF BORDEAUX: Plácido Domingo, ten OBERON: Donald Grobe, ten REIZA: Birgit Nilsson, sop Bavarian Radio Ch & SO/Rafael Kubelik. DG 419 038-2 2:19 The elf-king Oberon is determined not to return to Titania, queen of the fairies, until he finds two truly faithful lovers. While helping a knight exiled from Charlemagne’s court, a task that involves a magic horn, threatened slavery, shipwreck and the threat of execution, Oberon finds two such lovers in Reiza and Huon of Bordeaux. Invitation to the dance, op 65 (1819; orch. Berlioz). Berlin PO/Herbert von Karajan. DG 419 070-2

Leise, leise, fromme Weise, from Der Freischütz (1821; arr.). Sabine Meyer, cl; Zurich Opera O/Franz Welser-Möst. 4 EMI 5 56137 2 Mendelssohn, F. Overture to A midsummer night’s dream, op 21 (1826). London SO/André Previn. EMI CDM 1 66433 2 12

Anon. Next to the fountain is Lianor (arr. FariaPeixoto). Sete Lágrimas, voice; Pedro Castro, ob, fl; Inês Moz Caldas, fl; Denys Stetsenko, Stravinsky, I. Introitus: TS Eliot in memorium vn; Duncan Fox, vle; Eurico Machado, gui; (1965). Gregg Smith Singers; Columbia Tiago Matias, theorbo, gui; Hugo Sanches, Chamber Ensemble/Igor Stravinsky. theorbo, lute, vihuela; Fernando Marques Sony SM3K 46 291-302 4 Gomes, perc; Filipe Faria, Sérgio Peixoto, Schoenberg, A. Three pieces for piano, op 11 co-conductors. (1909). Glenn Gould, pf. MU Records MU 0103 3 CBS MPK 45558 15 10:30 CONCERT HALL Pierrot Lunaire (1912). Erika Stiedry-Wagner, Prepared by Jacky Ternisien voice; Rudolf Kolisch, vn, va; Leonard Posella, Grétry, A-E-M. Overture to Le Magnifique fl, picc; Kalman Bloch, cl, bass cl; Stefan (1773). English CO/Richard Bonynge. Auber, vc; Eduard Steuermann, pf. 10 Omega MPK 45695 34 Decca 466 434-2 23:00 MUSIC OF THE NIGHT Prepared by Calogero Panvino

Webern, A. Dormi, Jesu! Unnamed sop; Joe Shiner, cl. BBC MM339 1

Thursday 4 February 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Simon Moore 09:00 DIVERSIONS IN FINE MUSIC The instruments: Woodwinds Prepared by Anabela Pina Schultze, J. Concerto in B flat à 5. Ensemble 1700/Dorothee Oberlinger, rec & dir. DHM 88875134062 13 Triebert, C-L. Fantasy on a Limousin air. Bert Lucarelli, ob; Simon Wynberg, gui. Price-Less D 21062 10 André, J. Clarinet quartet in E flat, op 54 (1799). Anne Menzies, cl; Donald Hazelwood, vn; Peter Pfuhl, va; Patricia Mendelow, vc. Fine Music concert recording 16 Albrechtsberger, J. Concertino in D (arr. Hooper). Michael Scott, picc; Sydney Mandolins/Adrian Hooper. Jade JAD CD 1124 14 Fiala, J. Divertimento in D sharp for ten winds. Jirí Krejci, ob; Otto Trnka, ob; Václav Kyzivát, cl; Antonín Myslik, cl; Zdenek Tylsar, hn; Emmanuel Hrdina, hn; Frantisek Herman, bn; Vilem Horák, bn; Jirí Seidl, dbn; Frantisek Kimel, cora; Ivan Séquard, cora; Miroslav Kejmar, tpt; Frantisek Vajnar, cond. LP Supraphon 1111 2973G 11 Vanerovsky, F. Quartet in F. Christoff Ogg, cl; Regula Schneider, bshn; Markus Niederhauser, bshn; Andreas Ramseier, bshn. Claves 50-9212 11

Dubois, T. Piano concerto no 2 in F minor (1897). Cédric Tiberghien, pf; BBC Scottish SO/Andrew Manze. Hyperion CDA67931 28 Dukas, P. Symphony in C (1895-96). BBC PO/ Yan Pascal Tortelier. Chandos CHAN 241-32 41 12:00 JAZZ, PURE AND SIMPLE With Maureen Meers Covering the many aspects of jazz from Swing to Mainstream, with the Great American Songbook making regular appearances 13:00 OPUS FIFTY Prepared by Derek Parker Beethoven, L. Romance no 2 in F, op 50 (1798). Vienna Mozart Ensemble/Willi Boskovsky, vn & dir. Decca 436 782-2

Hummel, J. Flute sonata in D, op 50 (181014). Marta Mazzini, fl; Stefano Fiuzzi, pf. Dynamic CDS 128 19 Sor, F. Le calme: Caprice, op 50 (c1832). Jeffrey McFadden, gui. Naxos 8.553985

Haydn, J. String quartet no 4 in F sharp, Hob. III:47 (1787). Kodály Quartet. Naxos 8.553984 18 14:00 THEY CAME TO AUSTRALIA Prepared by Stephen Wilson Nathan, I. Overture to Don John of Austria (arr. Mackerras). Sydney SO/Charles Mackerras. ABC 442 377-2 9 Lovelock, W. Trumpet concerto (1968). Geoffrey Payne, tpt; Melbourne SO/John Hopkins. ABC 982 697-6 17

Kats-Chernin, E. Suite: Wild swans (2003). Jane Sheldon, sop; Tasmanian SO/Ola Rudner. ABC 481 6430 37 Hanmer, R. Blue Hills rhapsody (1956). Queensland SO/Ronald Hanmer. ABC 442 374-2

Marshall-Hall, G. Symphony in E flat (1903). Queensland TO/Warren Bebbington. Move MD 3081 36 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 THE NEW JAZZ STANDARD With Frank Presley 20:00 THE WORLD OF A SYMPHONY Prepared by Paul Cooke Liszt, F. Symphonic poem no 5: Prometheus (1850/55). London PO/Bernard Haitink. Philips 438 751-2 13 Mendelssohn, F. Cello sonata no 2 in D, op 58 (1843). Mischa Maisky, vc; Sergio Tiempo, pf. DG 471 565-2 25 MacDowell, E. Piano concerto no 1 in A minor, op 15 (1882). Eugene List, pf; Vienna State Opera O/Carlos Chávez. BMG Records MCD 80086 26 Wagner, R. Hier sitz ih zur Wacht, wahre den Hof, from Götterdämmerung (1869-74). Josef Greindl, bass; RIAS SO Berlin/Leopold Ludwig. DG 479 1241 7 Raff, J. Symphony no 3 in F, op 153, In the forest (1869). Slovak State PO/Urs Schneider. Naxos 8.555491 38 22:00 ANDSNES: A SHORT RECITAL Prepared by Derek Parker Haydn, J. Piano sonata no 32 in C sharp minor, Hob.XVI:36 (1780). Leif Ove Andsnes, pf. EMI 5 56756-2 12 Liszt, F. Ballade no 2 in B minor (1853). Leif Ove Andsnes, pf. EMI 5 57002 2 14 22:30 ULTIMA THULE Ambient and atmospheric music

Chopin, F. Piano sonata no 3 in B minor, op 58 (1844). Martha Argerich, pf. DG 477 7557 27

Friday 5 February 03:00 CLASSICAL TILL DAWN

Martinu, B. Two harpsichord pieces (1935). Monika Knoblochová, hpd. Supraphon SU 3805-2 7

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Annabelle Drumm 09:00 DIVERSIONS IN FINE MUSIC Al fresco Prepared by Elaine Siversen Edwards, R. Ulpirra suite (1993-98). Deborah de Graaff, cl; Len Vorster, perc. Walsingham WAL80442 13 Carr-Boyd, A. Beneath the yellow moon (2004-05). Susan Blake, vc; John Martin, pf. Jade JADCD 1106 17 Sculthorpe, P. Kakadu (2003). Alexa Murray, cora; William Barton, did; Queensland SO/ Michael Christie. ABC 481 1293 16 Charlton, R. Capricorn skies. Guitar Trek. Tall Poppies TP221 21 Abbott, C. Mount Wilson; Mount York, from Blue Mountains air. Janet Webb, fl; Ulpia Erdos, hp. Fine Music concert recording 12

Mendelssohn, F. Piano quartet no 2 in F minor, op 2 (1823). Menuhin Festival Piano Quartet. Ars FCD 368 312 22 14:30 MUSIC FROM NORWAY Prepared by Paul Cooke Grieg, E. Four Norwegian dances, op 35 (1881). Gothenburg SO/Neeme Järvi. DG 478 5182 17 Sinding, C. Legende in B flat, op 46 (1900). Andrej Bielow, vn; NDR Radio PO Hanover/ Frank Beermann. cpo 777 114-2 7 Borgstrøm, H. Violin sonata in G, op 19 (1906). Jonas Båtstrand, vn; Helge Kjekshus, pf. Simax PSC 1237 31 Halvorsen, J. Symphony no 3 in C (1929). Bergen PO/Neeme Jarvi. Chandos CHAN 10664 26 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm

10:30 CONCERT HALL Prepared by Jennifer Foong

19:00 FRIDAY JAZZ SESSION With Alex Siegers An hour of the best in jazz with a weekly 'album of the week' feature and a guide to Bach, J. Christian Piano concerto in B flat, op upcoming live jazz gigs in Sydney 7 no 4 (pub. 1770). Ingrid Haebler, fp; Vienna Capella Academica/Eduard Melkus. 20:00 EVENINGS WITH THE Philips 438 712-2 10 ORCHESTRA Featuring Barry Tuckwell Grieg, E. Symphonic dances, op 64 (1896Prepared by Robert Small 98). Bergen PO/Ole Kristian Ruud. Rameau, J-P. Overture to Platée (1745). Les Talens Lyriques/Christophe Rousset. L’Oiseau-Lyre 455 293-2 4

BIS 1740/42

Lachner, F. Symphony no 1 in E flat, op 32 (pub. 1828). Singapore SO/Choo Hoey. Marco Polo 8.220360 35

Strauss, R. Horn concerto no 2 in E flat, AV132 (1942). Barry Tuckwell, hn; London SO/ István Kertész. Decca 478 6420 20 Mozart, W. Sinfonia concertante no 1 in E flat, K297b (c1778). Derek Wickens, ob; Robert Hill, cl; Martin Gatt, bn; English CO/Barry Tuckwell, hn & dir. Decca 421 393-2 31

12:00 A JAZZ HOUR With Barry O'Sullivan 13:00 KEYBOARD CONTRASTS Prepared by Frank Morrison Galuppi, B. Sonata for two organs. Luigi Celeghin, org; Bianka Pezic, org. Naxos 8.557131

Kodály, Z. Cello sonata, op 4 (1910/21). Miklós Perényi, vc; Jenö Jandó, pf. Hungaroton HCD 31046

Williamson, M. Concerto for two pianos and strings (1972). Malcolm Williamson, pf; Simon Campion, pf; Tasmanian SO/Barry Tuckwell. ABC 426 483-2 20

Elgar, E. Variations on an original theme, op 36, Enigma (1898-99). London SO/Barry Tuckwell. IMP PCD 913 30 Saint-Saëns, C. Concert piece, op 94 (1887). Ben Jacks, hn; Queensland O/Barry Tuckwell. Melba MR 301117 9 22:00 BAROQUE AND BEFORE Prepared by Robert Gilchrist Donato, B. Alma felice che sovente torni. Huelgas Ensemble/Paul van Nevel. Sony SK 45 942

Costeley, G. Noblesse gist au coeur du vertueux, Chanson à 4. Huelgas Ensemble/ Paul Van Nevel. DHM 88985411762 11 Flecha, M. El Viejo The fire; The pump. Christopher Robinson, ct; Isabel Palacios, mezz; Andrew King, ten; Joseph Cornwell, ten; Michael George, bar; Simon Grant, bass; New London Consort/Philip Pickett. L’Oiseau-Lyre 444 810-2 21 Holborne, A. The night watch; Fairy round; The choyce; Heigh ho holiday. Jakob Lindberg, lute. BIS CD-211 6 Three Elizabethan dances (pub. 1599). Atlantic Brass Quintet. Summit DCD 119 4 Byrd, W. Lamentations. Clerks of the Choir of New College, Oxford/Edward Higginbottom. Collins 14872 12 The barley breake (arr. Byrd). Sophie Yates, virginals. Chandos CHAN 0574 8 Soriano, A. Play, my little guitar, from The little guitar (1900). Rolando Villazón, ten; Madrid Comunidad O/Plácido Domingo. Virgin 365474 2 8 4 Victoria, T. de Salve Regina (pub. 1576). Gabrieli Consort/Paul MCreesh. Decca 478 3640 12 Du Caurroy, E. Fantasie no 25 à 4. Hespèrion XX. Alia Vox AVSA 9895 A/F 2 Dowland, J. Pavana Johan Douland. Nigel North, lute. Naxos 8.570449 7 In this trembling shadow, from A pilgrim’s solace (pub.1612). Emma Kirkby, sop; Anthony Rooley, lute. L’Oiseau-Lyre 478 7863 8

Tessier, G. In a grove most rich to shade. Emily Van Evera, sop; Paul O'Dette, lute. Harmonia Mundi HMC905192 5 Mancinus, T. Anchor che col partire. Capella Antiqua, Munich/Konrad Ruhland. Pro Arte CDD 286 2

Saturday 6 February

Mozart, W. Rondo no 3. Gordon Higginbottom, hn; James Shepherd Versatile Brass/Dennis Wilby. LP Decca SB314 3 Franck, C. Panis angelicus. Ian Richards, tb; Manchester CWS Band/Alex Mortimer. LP Fontana STL 5480 4 Rimmer, W. March: Viva Birkinshaw. Black Dyke Mills Band/Peter Parkes. LP Decca SB 334 4

06:00 SATURDAY MORNING MUSIC Herbert, V. Excerpts from The wizard of the With David Garrett Nile. Allentown Band/Ronald Demkee. 09:00 WHAT'S ON IN MUSIC AMP 99207 7 Our weekly guide to musical events in and 12:00 URBAN JAZZ LOUNGE around Sydney With Leita Hutchings 09:05 THE PIANO ALONE 13:00 OPERA IN MINIATURE Prepared by Jennifer Foong Prepared by Elaine Siversen Franck, C. Prelude, aria and finale (1886/7). Holst, G. At the Boar's Head, op 42. Opera Stephen Hough, pf. Hyperion CDA66918 20 in one act. Libretto by the composer. First performed Manchester, 1925. Scarlatti, D. Sonata in D, Kk96. Vladimir PRINCE HAL: Phillip Langridge, ten Horowitz, pf. CBS MK 42410 4 FALSTAFF: John Tomlinson, bass MISTRESS QUICKLY: Elise Ross, sop Chopin, F. Piano sonata no 3 in B minor, op DOLL TEARSHEET: Felicity Palmer, mezz 58 (1844). Jayson Gillham, pf. Peter Hall, ten; David Wilson-Johnson, bar; ABC 481 2682 25 Richard Suart, bar; Michael George, bass; Men's Voices of Liverpool PC; Royal Liverpool 10:00 MUSICAL JOURNEYS PO/David Atherton. Prepared by Jennifer Foong EMI 5 65127 2 51 Wagner, R. Overture to The flying Dutchman Singing and drinking in the Boar’s Head (1841). Berlin PO/Claudio Abbado. DG 471 348-2 11 Tavern are interrupted by the arrival of Falstaff, quarrelling with Prince Hal and Poins about Riisager, K. Summer rhapsody (on Danish their attempts at highway robbery. News folk melodies) (1943). Aarhus SO/Bo Holten. comes that civil war has begun. The King’s Dacapo 8.226148 12 captains are searching for Falstaff and, as Müller, I. Duo concertante, op 28, Souvenir de the men are preparing to go to war, Mistress Dobbéran. Friederike Roth, cl; Wenzel Fuchs, Quickly, the inn keeper, sends Doll Tearsheet, Falstaff’s mistress, for a final meeting with him. cl; Erika le Roux, pf. Naxos 8.572885 7 The wandering scholar, op 50. Opera in one Liszt, F. Venezia e Napoli (1859). Marc-André Hamelin, pf. Hyperion CDA67760 18 Tchaikovsky, P. Capriccio italien, op 45 (1880). Concertgebouw O/Bernard Haitink. Decca 478 5867 15 Grieg, E. Four Norwegian dances, op 35 (1881). Gothenburg SO/Neeme Järvi. DG 478 5182 17 11:30 ON PARADE Music that’s band Prepared by Owen Fisher Lehár, F. Gold and silver waltz. GUS (Footwear) Band/Stanley Boddington. LP EMI TWO 256

act. Libretto by Clifford Bax. First performed Liverpool, 1934.

LOUIS: Michael Rippon, bar ALISON: Norma Burrowes, sop FATHER PHILIPPE: Michael Langdon, bass PIERRE, a wandering scholar: Robert Tear, ten English Opera Group; English CO/Steuart Bedford. EMI 5 65127 2 24 While Louis is away from home, his wife Alison is entertaining Father Philippe with a tasty spread of food. A hungry wandering scholar, Pierre, arrives hoping for food, but Alison turns him away. When Louis is heard returning unexpectedly, she quickly hides the food and Father Philippe makes himself scarce. Pierre

returns with Louis and, and still hoping to get something to eat, Pierre lets slip that he knows there is some pork in the house which is news to Louis. Alison accuses Pierre of making the pork appear by magic. Louis finds Father Philippe and drives him out of the house. Louis leaves Pierre eating pork and follows Alison upstairs to engage in the entertainment for which Father Philippe was hoping.

Rodgers, R. A cockeyed optimist, from South Pacific. Mary Martin, voice. CBS 41695 2

14:30 SATURDAY MATINEE Prepared by Di Cox

Excerpts from Chicago. Queen Latifah, Catherine Zeta-Jones, voices. Sony 6618

Grieg, E. Sigurd Jorsalfar, op 56 (1892). Royal PO/Yondani Butt. ASV DCA 722 Kuhlau, F. Suite from Elverhøj, op 100 (1828). Odense SO/Othmar Maga. Unicorn-Kanchana DKP(CD)9132

I’m in love with a wonderful guy, from South Pacific. Mitzi Gaynor, voice. RCA 83681 3 Kander, J. Excerpts from Chicago. Gwen Verdon, Jerry Orbach and company, voices. CBS 41692 9

19:00 EMERGENT JAZZ With Keith Pettigrew

20:00 THE LIFE OF A COMPOSER Ottorino Respighi Prepared by Krystal Li

Alfvén, H. Symphonic poem: A legend of The Skerries, op 20 (1904). Royal Scottish NO/ Niklas Willén. Naxos 8.553729 18

Respighi, O. Ancient airs and dances, suite no 1 (1917). Australian CO/Christopher Lyndon-Gee. Omega OCD 1007 17

Sibelius, J. Scaramouche, op 71 (1913). Bendik Goldstein, va; Roi Ruottinen, vc; Turku PO/Leif Segerstam. Naxos 8.573511 1:11

Piano quintet in F minor (1902). Massimo Palumbo, pf; Nuovo Quartetto Modigliani. Nuova Era SP 108 18

17:00 SOCIETY SPOT Folk Federation of NSW With Paul Jackson

Aretusa (1911). Janet Baker, mezz; City of London Sinfonia/Richard Hickox. Collins 13492 12

Liszt, F. Piano sonata in B minor (1852-53). Paul Lewis, pf. Harmonia Mundi HMX 2908456.57 30

Sunday 7 February 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC With Stephen Wilson 09:00 MUSICA SACRA Prepared by Stephen Matthews

Kuhnau, J. Gott, sei mir gnädig nach deiner Güte. Opella Musica; Camerata Lipsiensis/ Gregor Meyer. cpo 555 260-2 11

Three fantasies, op 11 (1895). Lucia Negro, pf. BIS CD-554 16

10:00 THE CLASSICAL ERA Prepared by Rex Burgess Mozart, W. Fantasia in C minor, K475 (1785). Rachel Valler, pf. Fine Music tape archive 13

String quartet no 5 in C, Serenade, op 29 (1910). Stenhammar Quartet. BIS BIS-2009 19

Haydn, J. String quartet in C, Hob.III:77, Emperor (1797). Goldner String Quartet. Fine Music concert recording

The song (1920-1921). Iwa Sörenson, sop; Anne Sofie von Otter, mezz; Stefan Dahlberg, ten; Per-Arne Wahlgren, bar; Swedish Radio Choir; State Academy of Music Chamber Choir, Stockholm; Adolf Fredrick Music School Children's Choir; Swedish RSO/Herbert Blomstedt. Caprice CAP 21358 35

Beethoven, L. Choral fantasia in C minor, op 80 (1807). German State Opera Choir; Berlin PO/Daniel Barenboim, pf & dir. EMI 5 55516 2 20

Strouse, C. Let’s go to the movies, from Annie. Aileen Quinn, Ann Reinking, Albert Finney, voices; Ch & O. Columbia 38000 5

Un sogno; La najade from Four songs on the Reicha, A. Symphony in F (1808). Beethoven Paradise poem by Gabriele d’Annunzio (1920). Academie/Jan Caeyers. Leonardo di Lisi, ten; Reinild Mees, pf. Audivis-Valois V 4834 36 Channel CCS 14998 7

Rodgers, R. Do-re-mi, from The sound of music. Mary Martin and children, voices. CBS 41695 6

Roman festivals (1928). Cincinnati SO/Jésus López-Cobos. Telarc 80356 24

The lonely goatherd, from The sound of music. Julie Andrews, sop. RCA 67965-2

22:00 SATURDAY NIGHT AT HOME Prepared by Elaine Siversen

Loewe, F. Without you; Show me, from My fair lady. Julie Andrews, sop; John Michael King, voice. Columbia 40180 5

1670 2020

Piano concerto no 2 in D minor, op 23 (190407). Niklas Sivelöv, pf; Malmö SO/Mario Venzago. Naxos 8.572259 26

18:00 MUSIC OF THE SCREEN Better on the big screen Prepared by Sue Jowell

Loesser, F. Excerpts from Guys and Dolls. Jean Simmons, Marlon Brando, Frank Sinatra, Vivian Blaine, voices. Brunswick 45805 9

A Sesquarcentenary Event

Cardoso, M. Missa Miserere. Ensemble Vocal Stenhammar, W. Overture: Excelsior!, op 13 (1896). Gothenburg SO/Neeme Järvi. European/Philippe Herreweghe. 13 Harmonia Mundi HMX 2908826.55 44 DG 445 857-2

Concerto gregoriano for violin and orchestra (1921). Vadim Brodsky, vn; Rome SO/ Francesco La Vecchia. Brilliant Classics 94394 32

15:00 SUNDAY SPECIAL Wilhelm Stenhammar, born 1871 Prepared by Paul Cooke

Hoffmeister, F. Serenade for wind octet. Amadeus Wind Players/John Gray. Fine Music concert recording 20

17:00 HOSANNA Prepared by Stephen Matthews

12:00 CLASSIC JAZZ AND RAGTIME With Maureen Meers The early days of jazz and ragtime as recorded during the first 30 years of the 20th century

Lewandowski, L. Psalm 25. Hungarian Radio Choir; Márton Levente Horváth, org; Andor Izsák, cond. DG 483 7724 6

Mozart, W. Clarinet quintet in A, K581 (1789). Gervase de Peyer, cl; Amadeus Quartet. DG 437 137-2 33

13:00 WORLD MUSIC: Whirled Wide With Anna Tranter Showcases diverse music from cultures Rimsky-Korsakov, N. Scheherazade, around the world, both traditional and modern, symphonic suite after 1001 Nights, op 35 (1888). Samuel Magad, vn; Chicago SO/Daniel featuring musicians from all corners of the globe, including Australia Barenboim. Apex 2564 67429-0 48 14:00 SONATA Mendelssohn, F. Octet in E flat, op 20 (1825). Prepared by Elaine Siversen Vienna Octet. Pierné, G. Cello sonata in F sharp minor, op Decca 478 2826 33 46 (1919). Mats Lidström, vc; Bengt Forsberg, pf. Hyperion CDA66979 25

Hymns: Behold the great Creator makes Himself a house of clay; Brightest and best of the sons of the morning. Choir of St John’s College, Cambridge/George Guest. Argo 483 1260 6

Pärt, A. Which was the Son of ... Tallis Scholars/Peter Phillips. Gimell CDGIM049

Pachelbel, J. Ciacona in F. Pavel Kohout, org. Radioservuis CRO879-2 8 Suk, J. Kyrie; Gloria; Credo, from Mass in B. Saxon Vocal Ensemble; Batzdorfer Hofkapelle/Mattias Jung. ArcoDiva UP 0117-20231

Avison, C. Sound the loud timbrel; Hark! The vesper hymn is stealing a Russian air. Handel and Haydn Society Ch/Harry Christophers. Coro COR16145 6

18:00 SMALL FORCES Prepared by Frank Morrison Mozart, W. Keyboard trio no 1 in B flat, K254, Divertimento (1776). Arion Trio. BIS CD-513/514 17 Grieg, E. String quartet in F (1891). Kontra Quartet. BIS CD-543 20 Janácek, L. Mládi (1924). Aurèle Nicolet, fl; Heinz Holliger, ob; Eduard Brunner, cl; Elmar Schmid, bass cl; Klaus Thunemann, bn; Radovan Vlatkovic, hn. Denon 33CO-1474 17 19:00 SUNDAY NIGHT CONCERT Prepared by Rex Burgess Liszt, F. Hungarian fantasia (1853). Cyprien Katsaris, pf; Philadelphia O/Eugene Ormandy. EMI CDM 1 66431 2 15 Strauss, R. Allein! Weh, ganz allein, from Elektra (1908). Amy Shuard, sop; Royal Opera House O/Edward Downes. Decca 480 0952 11 Koechlin, C. Les heures persanes, op 65 (1913-19, orch. 1921). SWR RSO Stuttgart/ Heinz Holliger. SWR Music SWR19046CD 58

09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1840 Prepared by Frank Morrison Gade, N. Overture: Echoes from Ossian, op 1 (1840). Danish National RSO/Dmitri Kitaienko. Chandos CHAN 9075 15 Donizetti, G. Salut à la France! from The daughter of the Regiment (1840). Kathleen Battle, sop; Paris Opéra-Bastille Ch & O/ Myung-Whun Chung. DG 479 1116 9 Ernst, H. Elégie sur la mort d’un objet chéri, op 10 (1840). Ilya Grubert, vn; Russian PO/ Dmitry Yablonsky. Naxos 8.557565 6 Chopin, F. Piano sonata no 2 in B flat minor, op 35 (1840). Marc-André Hamelin, pf. Hyperion CDA67706 22 Schumann, R. Three duets, op 43 (1840). Carolyn Sampson, sop; Iestyn Davies, ct; Joseph Middleton, pf. BIS BIS-2279 6 Alkan, C-V. Piano trio in G minor, op 30 (1840). Dong-Suk Kang, vn; Yvan Chiffoleau, vc; Olivier Gardon, pf. Timpani IC 1013 21

20:30 NEW HORIZONS

10:30 CONCERT HALL Prepared by Vicky Zhang

Gubaidulina, S. Viola concerto (1996). Yuri Bashmet, va; Mariinsky TO/Valery Gergiev. DG 471 494-2 35

Herschel, W. Symphony no 13 in D (1762). London Mozart Players/Matthias Bamert. Chandos CHAN 10048 12

Berio, L. Sequenza XIV (2002). Darrett Adkins, vc. Naxos 8.557661-63

Vaughan Williams, R. The lark ascending (1914/20). Nigel Kennedy, vn; City of Birmingham SO/Simon Rattle. EMI 5 62813 2 18

Gubaidulina, S. String quartet no 2 (1987). Arditti String Quartet. Disques Montaigne 789007 11 Edwards, R. Violin concerto, Maninyas (1988). Adele Anthony, vn; Adelaide SO/Arvo Volmer. Canary Classics CC09 26 22:00 JAZZ AFTER HOURS With Sue Jowell

Monday 8 February 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With James Hunter

Holst, G. Suite: The planets, op 32 (1914-16). Montreal SO/Charles Dutoit. Decca 417 553-2 53 12:00 SWING SESSIONS With John Buchanan 13:00 WINTER MUSIC Prepared by Derek Parker Prokofiev, S. Winter bonfire, op 122 (194950). Paisley Abbey Boy Choristers; Scottish CO/José Serebrier. ASV DCA 760 18 Westlake, N. Winter in the forgotten valley. Guitar Trek. ABC 432 698-2 12 Britten, B. Winter words, op 52 (1953). Ian Bostridge, ten; Antonio Pappano, pf. EMI 4 33430 2 21

14:00 PAYING HOMAGE Prepared by Jennifer Foong Revueltas, S. Homage to Federico García Lorca (1937). Arturo Reyes, tpt; Mexico PO/ Fernando Lozano. LP Forlane UM 3558 13 Grieg, E. Homage march, from Three orchestral pieces from Sigurd Jorsalfar, op 56 (1872). Eva Knardahl, pf. BIS CD-109 10 Panufnik, A. Homage to Chopin: Five pieces (1949; transcr. 1966). Hanna Turonek, fl; Polish CO/Mariusz Smolij. Naxos 8.570032 13 Debussy, C. Homage to Rameau (1908). Alexandre Tharaud, pf. Harmonia Mundi HMX 2908379.81

Duruflé, M. Chant donné: Hommage à Jean Gallon (1949). Friedhelm Flamme, org. cpo 777 042-2 1 Charpentier, M-A. Excerpt from Hommage pastoral au Roi Soleil. Cassandre Berthon, sop; Valérie Gabail, sop; Robert Getchell, ct; Jean-François Novelli, ten; Jean-Baptiste Dumora, bass; Ensemble Amarillis/Héloise Gaillard. naïve V5197 3 Turina, J. Homage to Tárrega, op 69 (1932). Owen Thomson, gui. Move MD 3243 4 Moszkowski, M. Fantasy, op 5, Homage to Schumann. Seta Tanyel, pf. Collins 15192 9 Arnold, M. Suite from Homage to the Queen, op 42 (1953). BBC PO/Rumon Gamba. Chandos CHAN 10550 20 Guridi, J. Homage to Walt Disney (1956). Ricardo Requejo, pf; Basque NO/Miguel Gómez Martínez. Claves 50-9709 24 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 JAZZ PULSE With Chris Wetherall 20:00 STORMY MONDAY With Austin Harrison and Garth Sundberg 22:00 JAZZ AFTER HOURS With Gail Monjo

Tuesday 9 February 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Julie Simonds 09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by James Nightingale Debussy, C. Pour le piano (1894-1901). Boris Berman, pf. Chandos CHAN 9294 14 Haydn, J. Piano sonata no 33 in C minor, Hob.XVI:20 (1771). Mikhail Pletnev, pf. Virgin 5 45254 2 18

Mozart, L. Serenade in D for trumpet, trombone and orchestra (1762). Guy Touvron, tpt; Michel Becquet, tb; RIAS Sinfonietta/Emö Sebestyen. LP Schwann Musica Mundi MS 2005 F 47 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 THE JAZZ BEAT With Lloyd Capps 20:00 JUST IN With Robert Small A selection from the latest recordings to arrive at the Fine Music Library 22:00 CHAMBER SOIRÉE Prepared by Krystal Li

Klaus Thunemann, bn; Lucio Buccarella, db; Christiane Jaccottet, hpd. Archiv 479 1045 19 Riotte, P. Notturno (c1815). Ernö Sebestyen, vn; Edward Witsenburg, hp. Schwann 310 001 H1 15 Onslow, G. Piano trio in G minor, op 3 no 3 (c1807). Trio Cascades. cpo 777 232-2 25 10:30 CONCERT HALL Prepared by Jacky Ternisien Goldmark, K. Overture to Penthesilea, op 31 (1879). Bamberg SO/Fabrice Bollon. cpo 555 160-2 19 Saint-Georges, J. Symphony no 1 in G, op 11 no 1 (bef. 1780). London SO/Paul Freeman. LP CBS SBR 235692 14

Bridge, F. Cello sonata in D minor (1913-17). Bernard Gregor-Smith, vc; Yolande Wrigley, pf. ASV DCA 796 23 Debussy, C. Rhapsodie (1909-19). JeanMarie Londeix, alto sax; French National Haydn, J. Divertimento in F, Hob.II:23 (c1760). Radio TO/Jean Martinon. Edwards, R. Mantras and night flowers (1985- Péter Pongrácz, ob; Bertalan Hock, ob; EMI 5 72360 2 10 2001). Bernadette Harvey, pf. Tibor Fülemile, bn; András Nagy, bn; András Moszkowski, M. Piano concerto in E, op 59 Tall Poppies TP220 19 Medveczky, hn; Deszö Mesterházy, hn. (1898). Piers Lane, pf; BBC Scottish SO/Jerzy Hungaroton HRC 155 11 Nielsen, C. Violin sonata no 1 in A, op 9 Maksymiuk. (1895). Lydia Mordkovitch, vn; Clifford Benson, Couperin, F. Suite no 2 from Pièces de Hyperion CDA66452 37 pf. violes (1728). Jordi Savall, bass viol; Ariane Chandos CHAN 8598 23 Maurette, bass viol; Ton Koopman, hpd. 12:00 JAZZ SKETCHES Alia Vox AVSA9893 20 With Robert Vale 10:30 CONCERT HALL Bliss, A. Clarinet quintet (1931). Janet Hilton, 13:00 IN CONVERSATION Prepared by Derek Parker cl; Lindsay String Quartet. With Simon Moore Brahms, J. Violin concerto in D, op 77 (1878). Chandos CHAN 8683 29 Itzhak Perlman, vn; Chicago SO/Carlo Maria 14:00 SYMPHONIC DANCES Mendelssohn, F. String octet in E flat, op 20 Giulini. Prepared by Derek Parker EMI CMS 7 64922 2 43 (1825). Members of Australian CO/Richard Hindemith, P. Symphonic dances (1937). BBC Tognetti. Tippett, M. Symphony no 1 (1944-5). Sony SK 57484 31 PO/Yan Pascal Tortelier. Bournemouth SO/Richard Hickox. Chandos CHAN 9530 28 Chandos CHAN 9333 37 Orbón, J. Symphonic dances (1957). Asturias Wednesday 10 February 12:00 JAZZ RHYTHM SO/Maximiano Valdés. With Jeannie McInnes Naxos 8.557368 16 03:00 CLASSICAL TILL DAWN Grieg, E. Symphonic dances, op 64 (1896/98). 13:00 SYDNEY SYMPHONY 2021 06:00 FINE MUSIC BREAKFAST Bergen PO/Ole Kristian Ruud. Produced by Andrew Bukenya including Arts Calendar at 7.30am BIS CD-1740/42 34 What's on in concerts during the next month With Janine Burrus Rachmaninov, S. Symphonic dances, op 45 14:00 A MOZART FAMILY 09:00 DIVERSIONS IN FINE MUSIC (1940). Sydney SO/Vladimir Ashkenazy. CONCERT Exton EXCL-00018 35 Rescued from the shadows Prepared by Stephen Wilson Prepared by Elaine Siversen 16:00 FINE MUSIC DRIVE Mozart, W. String quintet no 3 in C, K515 Bach, J. Christoph Aria in A minor. Philip including Arts Calendar at 5.00pm (1787). Donald Hazelwood, vn; Carl Pini, vn; Jane Hazelwood, va; Alexander Todicescu, va; Swanton, org; Annerös Hulliger, org. Schwann 3-1284-2 8 19:00 PLANET JAZZ Rohan de Korte, vc. With Xavier Bichon Fine Music concert recording 38 Bach, W.F. Duet no 5 in E flat, F58 (c1770). Mozart, F. Piano concerto in C, op 14 (1808). Wolfgang Schulz, fl; Hansjörg Schellenberger, 20:00 AT THE OPERA Prepared by Elaine Siversen Klaus Hellwig, pf; Cologne RSO/Roland Bader. ob. 12 Schwann 311 004 H1 26 Sony SK 58 965 Chabrier, E. Le roi malgré lui. Opera in three Zelenka, J. Trio sonata no 4 in G minor. acts. Libretto by Emile de Najac and Paul Heinz Holliger, ob; Maurice Bourgue, ob; Burani. First performed Paris, 1887. Kuhnau, J. Sonata II, from Frische ClavierFrüchte (1696). John Butt, hpd. Harmonia Mundi HMU 907097 7

HENRI DE VALOIS: Gino Quilico, bar LE COMTE DE NANGIS: Peter Jeffes, ten DUC DE FRITELLI: Jean-Philippe Lafont, bar COUNT LASKI: Chris DeMoor, bass BASILE: Andre Battedou, ten MINKA: Barbara Hendricks, sop ALEXINA: Isabel Garcisanz, sop Radio France Philharmonic Ch & O/Charles Dutoit. Erato 2292-45792-2 2:12

22:30 MUSIC OF THE NIGHT Prepared by Paul Cooke

12:00 JAZZ, PURE AND SIMPLE With Maureen Meers

Brouwer, M. Aurolucent circles (2002). Evelyn Glennie, perc; Royal Liverpool PO/Gerard Schwarz. Naxos 8.559250 27

13:00 MEXICAN COMPOSITIONS Prepared by Frank Morrison

In the 15th Century, the Polish people have elected a French noble, Henri de Valois, as their king. In disguise, he waits for his coronation but is homesick and doesn’t wish to be king. The nobility, led by Count Laski, are opposing his elevation and are supporting another claimant to the throne, the Archduke of Austria. The Duke of Fritelli has become Henri's chamberlain while remaining in league with Laski. A Polish lady, Alexina, whom Henri had known intimately in Venice, has become Fritelli’s wife in order to cover up the affair. She tells Fritelli that all preparations have been made to kidnap Henri. Earlier, Nangis, Henri’s friend, had been visited by Minka, whom he loves, but he hid her when others entered the room. She overheard the conversation between Fritelli and Alexina which she now relays to the disguised king. Fritelli confesses but Henri says that he wants to join the plot and that Fritelli is to introduce him as Count de Nangis. To the horror of the conspirators, Henri (as Nangis) tells them that the only way to ensure that the king does not return is to kill him that very night and Henri is chosen to do the deed. At an inn between Krakow and the Polish frontier, the innkeeper Basile is preparing to receive the new king of Poland. Fritelli arrives, informing him that the new king will not be Henri but the Archduke of Austria. Basile says it's all the same to him. Cries of 'long live the Archduke' are echoed by a stranger who has entered: Henri, making his escape from Poland. He is stunned to learn that he won't be able to complete his escape because all of the coaches have been sent off to meet the Archduke; he has to settle for a cart and an old nag. Henri hides when Alexina arrives. She tells Fritelli that she has changed sides and sent the Archduke back to Austria. Fritelli accuses her of continuing her Venetian affair. After many misconceptions about who has been murdered and who has not been murdered, the identity of the real king is revealed and Henri is reconciled to becoming king and receiving the acclamation of all assembled.

Bracanin, P. Symphony no 3 (1995/97). Queensland SO/Werner Andreas Albert. ABC 465 433-2 34

Toutes les fleurs (1889). Alice Coote, mezz; Graham Johnson, pf. Hyperion CDA67962 5

Eliasson, A. Fogliame for violin, viola, cello and piano (1990). Norrbotten NEO. BIS BIS-2270 22

Thursday 11 February

20:00 THE WORLD OF A SYMPHONY Prepared by Derek Parker

Halffter, R. Suite: The baker’s dawn, op 12a (1940). Madrid Comunidad O/José Ramón Encinar. Naxos 8557623 15 Padilla, J. de Lamentation for Maundy Thursday. Westminster Cathedral Choir; Andrew Watts, dulcian; Andrew LawrenceKing, hp; Iain Simcock, org; James O’Donnell, cond. Helios CDH55317 14 Ponce, M. Concierto del sur (1929-40). Eduardo Fernández, gui; English CO/Enrique Garcia Asensio. ABC 480 6461 24

03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Simon Moore 09:00 DIVERSIONS IN FINE MUSIC The instruments: Woodwinds Prepared by Jacky Ternisien Gounod, C. Little symphony in B flat (1885). Athena Ensemble. Chandos CHAN 6543 20 Schulze, W. Three pictures for orchestra, Snúningur (1980). Alfred Hertel, heckelphone; Polish RTSO, Krakow/Szymon Kawalla. VMM 3001 14 Edwards, R. Love duet, from Oboe concerto. Diana Doherty, ob; Alexandre Oguey, cora; Sinfonia Australis/Mark Summerbell. ABC 481 0116 5 Rutter, Jane. Spirit of the plains; Varanasi Ganga; Yugali: Pan and the Brolgas; Alhambra; Flute song in the Islamic; Inside the Taj. Jane Rutter, fl. ABC 481 1090 17 Farrenc, L. Wind sextet in C minor, op 40 (1852). Eric Le Sage, pf; Les Vents Français. Warner Classics 0825646231850 24

14:00 ISADOR GOODMAN’S FIRST SYDNEY RECITAL February 1930 Prepared by Anne Irish Bach, J.S. Organ prelude and fugue in A minor, BWV543 (transcr. Liszt). Artur Pizarro, pf. Collins 14982 8 Chopin, F. Piano sonata no 3 in B minor, op 58 (1844). Martha Argerich, pf. DG 477 7557 27 Ravel, M. Miroirs (1905). Pascal Rogé, pf. Decca 440 836 2 28 Skryabin, A. Étude in B minor, from 12 Études, op 8 no 3 (1894). Gordon FergusThompson, pf. ASV DCA 882 2 Debussy, C. Pagodes, from Estampes (1903). Roger Woodward, pf. ABC 472 170-2

Albéniz, I. Triana, from Iberia, bk 2 (pub. 1909). Alicia de Larrocha, pf. Decca 417- 795-2

10:30 CONCERT HALL Prepared by Derek Parker

Brahms, J. Variations and fugue on a theme by Handel, op 24 (1861). Claudio Arrau, pf. Philips 432 302-2 29

Novák, V. Overture: Marysa, op 18 (1898). Brno State PO/Jirí Pinkas. LP Supraphon 1110 2486 12

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm

Eberl, A. Piano concerto in C, op 32. Riko Fukuda, fp; Cologne Academy/Michael Alexander Willens. cpo 777354-2 35 Bizet, G. Roma symphony (1860-68). Melbourne SO/John Lanchbery. ABC 456 669-2

19:00 THE NEW JAZZ STANDARD With Frank Presley

Lutyens, E. The valley of Hatsu-Se: Fuyukomori, op 62 (1965). Jane Manning, sop; Jane’s Minstrels. NMC D011 14

Barber, S. Adagio for strings, op 11 (1936-38). Detroit SO/Neeme Järvi. Hovhaness, A. Symphony no 2, op 132, Chandos CHAN 241-44 9 Mysterious mountain (1955). Royal Liverpool PO/Gerard Schwartz. Menotti, G. Piano concerto in F (1945). Earl Telarc 80604 20 Wild, pf; Symphony of the Air/Jorge Mester. Vanguard OVC 4029 33 Liszt, F. Tristia (transcr. from Vallée d’Obermann) (1840). Trio Chausson. Koechlin, C. Chansons bretonnes bk 1, op Mirare MIR 089 18 115 (1932). Peter Bruns, vc; Roglit Ishay, pf. SWR Music SWR19047 11 10:30 CONCERT HALL Ibert, J. Bacchanale (1956). City of Birmingham SO/Louis Frémaux. EMI 5 66010 2

14:00 THE BOHEMIANS Prepared by Ron Walledge Smetana, B. From Bohemia’s fields and groves, from My country (1875). Prague RSO/ Vladimir Válek. Supraphon SU 3916-2 13 Benda, F. Flute concerto in G. Neil McLaren, fl; Cambridge Baroque Camerata. Amon Ra SAR 52 19 Novák, V. In the Tatras, op 26 (1902). Czech PO/Karel Sejna. Supraphon 11 0682-2 17

Prepared by David Brett

Suk, J. Symphony in C minor, op 27, Asrael (1905-06). Royal Liverpool PO/Libor Pesek. Debussy, C. Dances sacred and profane 8 (1904). Alice Chalifoux, hp; Cleveland O/Pierre Virgin VC 7 91221-2 1:02 Hahn, R. String quartet no 1 in A minor (1939). Boulez. 16:00 FINE MUSIC DRIVE Sony SM2K 68 327 10 Quatuor Parisii. including Arts Calendar at 5.00pm Auvidis V 4848 18 Haydn, J. Cello concerto no 1 in C, Hob.VIIb:1 19:00 FRIDAY JAZZ SESSION Antheil, G. Symphony no 5, Joyous (1947-48). (c1761-65). Jacqueline du Pré, vc; English CO/ With Alex Siegers Daniel Barenboim. BBC PO/John Storgårds. 26 20:00 EVENINGS WITH THE Chandos CHAN 10941 24 EMI CMS 7 63283 2 ORCHESTRA Strauss, R. Symphonia domestica, op 53 22:00 KISSEN: A SHORT RECITAL Prepared by Rex Burgess (1902-03). Berlin PO/Zubin Mehta. Prepared by Derek Parker CBS MK 42322 46 Janácek, L. Jealousy, original prelude to Bach, J.S. Chaconne in D minor, from Partita Jenufa (1894). Czech State PO/José Serebrier. 12:00 A JAZZ HOUR no 2, BWV1004 (1720; transcr. Busoni). Reference RR-75 6 Sony 88697301102 15 With Barry O'Sullivan Suite from The house of the dead (1927-28). Liszt, F. Hungarian rhapsody no 12 (1846-85). 13:00 CELEBRATING MICHAEL Frántisek Jílek, cond. Philips 456 871-2 10 PRAETORIUS Supraphon/Denon 38C37 7303 20 1571-1621 Yevgeny Kissin, pf (2 above) Sinfonietta (1926). Prepared by Elaine Siversen Chandos CHAN 8897 23 22:30 ULTIMA THULE

Friday 12 February 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Annabelle Drumm

Taras Bulba, rhapsody after Gogol (1915-18). Chandos CHAN 9080 23 Praetorius, M. Es ist ein' Ros' entsprungen. 3 Jirí Belohlávek, cond (2 above) Praetorius, M. - Bach, J.S. Wachet auf, ruft uns die Stimme, 4 Tallis Scholars/Peter Phillips (2 above) Gimell 454 910-2

09:00 DIVERSIONS IN FINE MUSIC Al fresco Prepared by Rex Burgess

Praetorius, M. Der Tag vertreibt die finster Nacht. Huelgas Ensemble/Paul van Nevel. Sony SK 48 039 4

Ives, C. From the steeples and the mountains (1901-02). London Gabrieli Brass Ensemble/ Christopher Larkin. Hyperion CDA66517 4

Dances from Terpsichore (pub. 1612). Early Music Consort of London/David Munrow. Virgin 5 61289 2 23

Billingham, J. From hidden valleys to open sea (2016). Tallowdale CO. Tallowdale Music TMJLB001 14

Hymn of the three young boys (1607). Chorale Audite Nova de Paris; Les Saqueboutiers; George Delvalée, org; Jean Sourisse, cond. LP Erato STU 71408 19

Berwald, F. Reminiscence of the Norwegian mountains (1842). Gävle SO/Petri Sakari. Naxos 8.555370 9

Glagolitic Mass (1926). Elisabeth Söderström, sop; Drahomira Drobková, cont; Frantisek Livora, ten; Richard Novák, bass; Prague Philharmonic Ch; Jan Hora, org; Charles Mackerras, cond. Supraphon/Denon 33C37 7448 40 Czech PO (4 above) 22:00 BAROQUE AND BEFORE Italian composers Prepared by Andrew Dziedzic Gesualdo, C. Benedictus, from Sacrae cantiones, bk II (1603). Berlin Vocal Consort/ James Wood. Harmonia Mundi HMC 902123 5 Marenzio, L. Sestina: Sola angioletta starsi in treccie à l’ombra, from Il quinto libro de madrigali à cinque voce (pub. 1585). Barbara Schlick, sop; René Jacobs, ct; Marius van Altena, ten; Guy de Mey, ten; Michiel ten Houte de Lange, ten; Harry van der Kamp,

bass; Konrad Junghänel, theorbo. Harmonia Mundi HMA 1901065

Monteverdi, C. Gloria in excelsis Deo à 8, from Selva morale e spirituale (pub. 1640). Parsons Affayre/Warren Trevelyan-Jones. Fine Music concert recording 11

Porter, C. I love Paris (pub. 1953). Roberto Alagna, ten; Jean Reno, voice; Paris SO/Yvan Cassar. DG 477 5569 2

Mozart, W. Symphony no 31 in D, K297, Paris (1778). Freiburg Baroque O/Gottfried von der Goltz. Striggio, A. Ecce beatam lucem (c1561/1568). Harmonia Mundi HMC 901897 16 I Fagiolini/Robert Hollingworth. Decca 478 2734 8 11:30 ON PARADE Caccini, F. Opera: La liberazione di Ruggiero dall ‘isola di Alcina (pub. 1625). Emanuela Galli, sop; Francesca Lombardi, sop; Elena Biscuola, mezz; Gabriella Martellacci, cont; Raffaele Giordani, ten; Mauro Borgioni, bar; Yiannis Vassilakis, bar; Allabastrina; La Pifarescha/Elena Sartori, hpd & dir. Glossa GCD 923902 1:19

Prepared by Robert Small

Jenkins, J.W. American overture (1955). 5 Bryant, S. Radiant joy (2006). Naxos 8.570968 (2 above) Nixon, R. Fiesta del Pacifico (1960). Fred Hamilton, gui. Naxos 8.572837 9 Trad. Star-Spangled Banner (2004, arr. Williams).

Saturday 13 February

Sousa, J.P. Washington Post march (1889). 3

00:00 CLASSIC-ALL THROUGH THE NIGHT

Naxos 8.570968 (2 above)

06:00 SATURDAY MORNING MUSIC Lone Star Wind O/Eugene Migliaro Corporon (all above). With Stephen Wilson 12:00 URBAN JAZZ LOUNGE With Leita Hutchings

09:00 WHAT'S ON IN MUSIC Our weekly guide to musical events in and around Sydney 09:05 THE PIANO ALONE Prepared by Anne Irish Bach, J.S. Concerto in F, BWV971, Italian (1735). Vladimir Ashkenazy, pf. Decca 478 6773 12 Liszt, F. Mephisto waltz no 1 (1859-60). Stephen Hough, pf. Virgin 5 61129 2

Chopin, F. Piano sonata no 3 in B minor, op 58 (1844). Dinu Lipatti, pf. Philips 456 892-2 25 10:00 MUSICAL JOURNEYS Prepared by David Brett Delius, F. Paris: The song of a great city (1899-1900). Aarhus SO/Bo Holten. Danacord DACO 728 21 Gershwin, G. An American in Paris (1928). James Thomson, tpt; Montreal SO/Charles Dutoit. Decca 425 111-2 19 Williamson, M. Paris, from Travel diaries. Antony Gray, pf. ABC 472 902-2 10 Svendsen, J. Carnival in Paris, op 9 (1872). Bergen PO/Neeme Järvi. Chandos CHAN 10693 12

13:00 IN A SENTIMENTAL MOOD With Maureen Meers Nostalgic music and artists from the 30s, 40s and 50s and occasionally beyond, in a trip down many memory lanes 14:00 DUTCH CHAMBER Prepared by Stephen Wilson Bouman, H. Harpsichord concerto in D (1997). Baroque Muse; Hendrik Bouman, hpd & dir. Arya H200911 12 Röntgen, J. Trio for flute, oboe and bassoon, op 86 (1917). Linos Ensemble. cpo 777 127-2 13 14:30 SATURDAY MATINEE Operetta in the afternoon: An Offenbach double bill Prepared by Elaine Siversen Offenbach, J. The daughter of the drummajor. Operetta in three acts. Libretto by Alfred Duru and Henri Chivot. First performed Paris, 1879. STELLA: Christiane Harbell, sop ROBERT: Etienne Arnaud, bar MOTHABOR: Louis Musy, bass CLAUDINE: Monique de Pondeau, sop GRIOLET: Andre Mallabrera, ten Théatre des Folies-Dramatiques Choir & O/ Richard Blareau. Accord 461 673-2 22 1:37

The revolutionary French army is fighting the occupying Austrian army in Italy. Stella has been locked in a cupboard at the convent for singing a seditious song. When the pupils are evacuated, Stella is forgotten. A few French troops arrive finding the frightened Stella who is reassured by the dashing Lieutenant Robert. Claudine, in charge of the provisions, has also been left behind and is jealous of the obvious attraction between Stella and Robert. The drum-major, Griolet, tries in vain to attract her interest. Monthabor tells of his unhappy marriage. After the soldiers leave, the Duc della Volta and Marquis Ernesto Bambini arrive and, when the Duke learns that Stella has been left alone with enemy soldiers, he hustles her away intending her to marry Bambini. Stella refuses. Although the French army arrives and Robert, Monthabor and Griolet take temporary residence in the palace, the Duke goes ahead with a party to celebrate Stella’s wedding. Monthabor comes face-to-face with the Duchess, who is his ex-wife and mother of his daughter, whose whereabouts are unknown. Stella and Robert admit their mutual love. Monthabor suspects that Stella is their long-lost child and, after questioning her about her childhood, he realises that she is his daughter. Stella announces to the assembled guests that she is French and the daughter of the drum-major. She has decided to follow her real father but at this point the Austrian army attacks. Claudine and Robert take refuge at an inn run by her uncle, a strongly pro-French activist. Stella arrives with Griolet and Monthabor, all in disguise. Robert is arrested and the Duke agrees to have him released on condition that Stella marries Bambini. The wedding is about to take place but the bridal veil conceals the fact that Claudine has secretly taken Stella's place. Robert, who does not know of the substitution, intervenes to prevent the sacrifice of the one he loves and the subterfuge is discovered. The furious Duke orders everyone arrested but, as the police lead Robert and Claudine away, the main French army arrives. The Duke prudently changes his allegiance and Robert is freed to go to his Stella and Claudine gives the faithful Griolet her hand and heart, and a double wedding can take place. Ba-ta-clan. Operetta in one act. Libretto by Ludovic Halévy. First performed Paris, 1855. FÉ-NI-HAN: Rémy Corazza, ten FÉ-AN-NICH-TON: Hugette Boulangeot, sop KÉ-KI-KA-KO: Raymond Amade, ten KO-KO-RI-KO: René Terrasson, bass NARRATOR: Jean Desailly

Philippe Caillard Chorale; Jean-François Paillard O/Marcel Couraud. Erato DUE 20240 40 The Emperor Fé-ni-han is facing an insurrection. Because he does not speak Chinese, he has accidentally had the five most virtuous people in the land impaled. He is in fact a Frenchman, Anastase Nourrisson. In order to avoid execution, he had been forced to assume the role of Emperor. Other French persons are involved: Ké-ki-ka-ko who is the Viscount Alfred Cérisy, once shipwrecked on the coast of China, captured, tortured and condemned to only repeat the rebels' song Ba-ta-clan; Fé-an-nich-ton, a singer; and Virginie Durand, who was captured by the Emperor’s soldiers. Virginie and Alfred having met, decide to run away but are captured and sentenced to death. Anastase now decides to run away with Virginie and Alfred. Ko-ko-ri-ko, the leader of the insurrection, is also of French origin and he is ready to provide the means for their escape in order to become Emperor. All ends happily with a reprise of the Ba-ta-clan anthem, and Anastase, Virginie and Alfred departing for France. 17:00 SOCIETY SPOT Organ Music Society of Sydney With John Hanna 18:00 MUSIC OF THE SCREEN Prepared by Maureen Meers Herman, J Excerpts from Hello Dolly. Barbara Streisand, Walter Matthau and Michael Crawford, voices; Lennie Hayton, cond; Lionel Newman, cond. Philips 810 368-2 50 Loewe, F. Prelude and overture, from Camelot. O/Alfred Newman. Warner Bros 3102-2

19:00 EMERGENT JAZZ With Keith Pettigrew

Fortuna e speranza, from Nitocri (1722). Cecilia Bartoli, mezz; Sol Cabetta, vc; Capella Gabetta/Andrés Gabetta. Decca 483 2473 10 Clori, mia bella Clori. Andrew Rädley, ct; Sounds Baroque/Julian Perkins. Avie AV2197

Missa Laetare (1729). Max Emanuel Cencic, treb; Jean Nirouët, ct; Kurt Equiluz, ten; Ernst Jankowitsch, bass; Vienna Boys’ Choir; Ch Viennensis; Capella Caldara/Uwe Christian Harrer. Philips 422 997-2 42 22:00 SATURDAY NIGHT AT HOME Prepared by James Nightingale Haydn, M. Notturno solenne in E flat (c1772). German Chamber Academy Neuss/Johannes Goritzki. cpo 999 512-2 11 Brahms, J. Piano quintet in F minor, op 34 (1861-64). Lucinda Collins, pf; Australian String Quartet. Fine Music concert recording 45 Scarlatti, A. Now that the splendid rays of Phoebus (1704). Jane Edwards, sop; Chacona/Rosalind Halton. ABC 476 617-0

Roussel, A. Serenade, op 30 (1925). Mirage Quintet. Naxos 8.570444 16 Kodály, Z. Suite from Háry János, op 15 (1927). Hungarian State SO/Adám Fischer. Nimbus NI 5284 25

Sunday 14 February

20:00 THE LIFE OF A COMPOSER Antonio Caldara Prepared by James Nightingale Caldara, A. Cantata: Il Sansone (1716-36). Sergio Foresti, bar; Stile Galante/Stefano Aresi. Pan Classics PC 10389 13 Per tanti obbligazioni Signor, from Sancio Panza governatore dell'isola Barattaria (c1733). Emiliano González Toro, ten; La Ritirata/Josetxu Obregón. Glossa GCD 923104

Cantata: There is no pain in love. Max Emanuel Cencic, ct; Ornamente 99/Karsten Erik Ose. Capriccio 67 124 13

Sonata quarta in B flat, op 1 no 4 (pub. 1693). Schola Cantorum Basiliensis. Glossa GCD 922514 9

00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC With Robert Small 09:00 MUSICA SACRA Prepared by Paul Cooke Rutter, J. Gloria (1974). Choirs of King’s, Gonville and Caius Colleges, Cambridge; City of Birmingham SO/Stephen Cleobury. EMI 5 57952 2 18 Cherubini, L. Marche funèbre (1820). SwissItalian RO/Diego Fisolis. Amadeo 8.554749 7

Handel, G. Anthem for the Foundling Hospital: Blessed are they that considereth the poor and needy, HWV268. Judith Nelson, sop; Emma Kirkby, sop; Shirley Minty, cont; James Bowman, ct; Martyn Hill, ten; David Thomas, bass; Choir of Christ Church Cathedral, Oxford; Academy of Ancient Music/Simon Preston. L’Oiseau-Lyre 421 654-2 29 10:00 THE CLASSICAL ERA Prepared by Paul Cooke Kreutzer, C. Fantasy for bassoon and orchestra. Karen Geoghegan, bn; BBC PO/ Gianandrea Noseda. Chandos CHAN 10613 10 Haydn, J. String quartet no 61 in D minor, Hob.III:76, Fifths. Kodály Quartet. Naxos 8.550129 20 Hofmann, L. Sinfonia in C. Northern CO/ Nicholas Ward. Naxos 8.553866 19 Reicha, A. Piano trio in C, op 101 no 3 (pub. 1824). Guarneri Trio. Supraphon SU 3024-2 131 28 Field, J. Piano concerto no 3 in E flat (c1805). Míceál O'Rourke, pf; London Mozart Players/ Matthias Bamert. Chandos CHAN 9495 33 12:00 CLASSIC JAZZ AND RAGTIME With Dave Mac 13:00 WORLD MUSIC: Whirled Wide With Gerry Myerson 14:00 SONATA Prepared by Elaine Siversen Haydn, J. Piano sonata no 48 in C, Hob. XVI:35 (1780). Marc-André Hamelin, pf. Hyperion CDA67710 19 Archduke Rudolph of Austria. Clarinet sonata in A, op 2 (1822). Ricardo Morales, cl; Susan Kagan, pf. Koch 3-7339-2-H1 36 15:00 SUNDAY SPECIAL Fine Music Showcase A program of live recordings made in the Founders Studio at Fine Music Sydney by local jazz and classical musicians. 17:00 HOSANNA Prepared by Meg Matthews Hymns: Love divine all loves excelling; O perfect love. Choir of Wells Cathedral; Rupert Gough, org; Malcolm Archer, cond. Hyperion CDP 12105 6

Cooper - Walker. Psalm 55: Hear my prayer O God. Choir of Wells Cathedral; Christopher Brayne, org; Anthony Crossland, cond. Priory PRCD 337 6 Mendelssohn, F. Psalm 55: Hear my prayer (1844). Jeremy Budd, treb; Choir of St Paul’s Cathedral; Andrew Lucas, org; John Scott, cond. Hyperion CDA 66 439 12 Purcell, H. Psalm 102, verse 1: Hear my prayer, O Lord. Farrant, R. Hide not Thou Thy face, from Psalm 27 verse 10, Lord, for thy tender mercy’s sake (1568).

Cambridge Singers/John Rutter (2 above) Collegium COLCD 107 Jommelli, N. Excerpts from Requiem in E for four voices, strings and continuo (1756). Il Gardelino Vocal Ensemble & Baroque O/Peter van Heyghen. Amuz 1076 18 Langlais, J. La Nativité. Philip Matthias, org. Chartreuse CR 1092 5 18:00 SMALL FORCES Prepared by Rita Felton Grieg, E. String quartet in F (1891). Kontra Quartet. BIS CD-543 20 Mozart, W. Horn quintet in E flat, K407 (1782). Barry Tuckwell, hn; Kenneth Sillito, vn; Kenneth Essex, va; Ian Jewel, va; Kenneth Harvey, vc. Decca 421 393-2 19 Boccherini, L. Cello sonata no 2 in C minor. Steven Isserlis, vc; Maggie Cole, hpd. Virgin VC 7 90805-2 8 Spike, K. Wombat dance (2005). Leah Lock, fl; Deborah de Graaff, cl; Kristofer Spike, pf. spikekarpf@aol.com 8 19:00 SUNDAY NIGHT CONCERT Prepared by Paul Cooke Chabrier, E. Suite pastorale (1888). Detroit SO/Paul Paray. Mercury 478 5092 16 Crusell, B. Clarinet concerto no 3 in B flat, op 11 (1812). Thea King, cl; London SO/Alun Francis. Helios CDH55203 26 Tchaikovsky, P. Symphony no 7 in E flat (1882). London PO/Neeme Järvi. Chandos CHAN 9130 41

20:30 NEW HORIZONS Prepared by Krystal Li Glass, P. Company (1983). Kronos Quartet. Nonesuch 979 111-2 8 Verbey, T. Lied (2007). Jörgen van Rijen, tb; Royal Concertgebouw O/Marcus Stenz. Radio Nederland RCO12004 19 Muhly, N. No uncertain terms (2017). Omega Ensemble/Gordon Hamilton. ABC 481 8617 15 Guonadóttir, H. Iridescence (2009). Hildur Guonadóttir, vc, synthesiser programming; Skuli Sverrisson, bass gui; Jóhan Jóhannsson, org. DG Digital-only 11 Torke, M. Rapture, percussion concerto (1998-2001). Colin Currie, perc; Royal Scottish NO/Marin Alsop. Naxos 8.559167 28 22:00 JAZZ AFTER HOURS With Deborah Evans

Monday 15 February 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Robert Small 09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1945 Prepared by Gerald Holder Prokofiev, S. Ode on the end of war, op 105 (1945). USSR Ministry of Culture SO/Gennady Rozhdestvensky. Melodiya 10-00205 13 Montsalvatge, X. Canción de cuna para dormir a un negrito; Canto negro, from Five negro songs (1945). Victoria de los Angeles, sop; Conservatoire Concerts Society O/Rafael Frühbeck de Burgos. EMI CMS 5 65061 2 4 Bartók, B. Rhapsody no 2 (1922/45). Dene Olding, vn; Max Olding, pf. Fine Music tape archive 12 Britten, B. Four sea interludes, from Peter Grimes, op 33a (1945). BBC PO/Edward Gardner. Chandos CHAN 10658 16 Poulenc, F. Chansons françaises (1945-46). Groupe Vocale de France/John Aldis. EMI 5 65151 2 19

Lutoslawski, W. Folk melodies (1945; arr. Bream). Julian Bream, gui. EMI 7 54901 2 16

Ireland, J. Concertino pastorale (1939). London PO/Adrian Boult. Lyrita SRCD.242

10:30 CONCERT HALL Prepared by Michael Morton-Evans

Milhaud, D. Fantaisie pastorale, op 188 (1939). Michael Korstick, pf; Kaiserslautern RSO/Alun Francis. cpo 777 162-2 10

Fasch, J. Overture in F, FWV K: F1. Tempesta di Mare/Gwyn Roberts, Richard Stone. Chandos CHAN 0791 20 Arnold, M. Guitar concerto, op 67 (1959). Eduardo Fernandez, gui; English CO/Barry Wordsworth. Decca 430 233-2 23 Myaskovsky, N. Symphony no 4 in E minor, op 17 (1918). SO of the Russian Federation/ Yevgeny Svetlanov. Warner Classics 69689-8 41 12:00 SWING SESSIONS With John Buchanan

Iturralde, P. Memorias. Juan M. Jiménez, sop sax; Esteban Ocaña, pf. Naxos 8.573429 10 Vivaldi, A. Concerto in C for recorder and strings, RV443. Genevieve Lacey, rec; Australian Brandenburg O/Paul Dyer. ABC 476 9233 8 Gershwin, G. Three preludes for piano (1925; transcr. Cohn, Falletta). Debra Wendells Cross, fl; Robert Alemany, cl; JoAnn Falletta, gui. Virginia Arts Festival VA901

Nielsen, C. Wind quintet, op 43 (1922). Athena Ensemble. Chandos CHAN 10454 X

Spike, K. Lament (2005). Leah Lock, fl; Deborah de Graaff, cl; Kristofer Spike, pf. spikekarpf@aol.com 10

Roman, J. Oboe d’amore concerto in D. Alf Nilsson, ob d’amore; Anders Öhrwal, hpd; Stockholm Sinfonietta/Jan-Olav Wedin. BIS CD-165 16 14:30 PASTORALES Prepared by Derek Parker Bach, J.S. Pastorale in F, BWV590 (bef. 1727). E. Power Biggs, org. CBS MYK 44722

Auric, G. La pastorale (1924). German Radio PO Saarbrücken Kaiserslautern/Christoph Poppen. hänssler 93.265 39 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 JAZZ PULSE With Chris Wetherall 20:00 STORMY MONDAY With Austin Harrison and Garth Sundberg 22:00 JAZZ AFTER HOURS With Eddie Bernasconi

13:00 WOODWIND CONTRASTS Prepared by Mark Renton

Nielsen, C. Incidental music from The mother, op 41 (1912). Athena Ensemble. Chandos CHAN 10454 X

10:30 CONCERT HALL Prepared by Dennis Patterson Strauss, R. Till Eulenspiegel’s merry pranks, op 28 (1894-95). Vienna PO/Fritz Reiner. Decca 480 5006 15 Dvorák, A. Violin concerto in A minor, op 53 (1879). Anne-Sophie Mutter, vn; Berlin PO/ Manfred Honeck. DG 479 1060 34 Bruch, M. Symphony no 3 in E, op 51 (pub. 1887). Gewandhaus O/Kurt Masur. Philips 462 164-2 32 12:00 JAZZ RHYTHM With Jeannie McInnes 13:00 MOZART AND THE STRING QUARTET Prepared by Frank Morrison Grétry, A-E-M. String quartet in G, op 3 no 5 (1761-65). Haydn Quartet. Koch 310 158 H1 10

03:00 CLASSICAL TILL DAWN

Danzi, F. Piano quintet in F, op 53 (pub. 1821). Love Derwinger, pf; members of Berlin Philharmonic Wind Quintet. BIS CD-532 24

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Julie Simonds

Mozart, W. String quartet no 9 in A, K169 (1773). Festetics Quartet. Hungaroton HCD 31443-45 19

09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by Michael Morton-Evans

14:00 THE LUTE AND HER FAMILY Prepared by Derek Parker

Tuesday 16 February

Czerny, C. Andante and polacca (1848). Jean-Jacques Justafré, hn; François-René Duchable, pf. Pierre Verany PV793091 12 Telemann, G. Sonata no 6 in G (pub. 1728). Hans-Dieter Michatz, fl; Linda Kent, hpd. Move MD 3196 11 Hummel, J. Grande Sonate in A, op 104(1824). Pal Banda, vc; Susan AlexanderMax, fp. Naxos 8.557694 23 Handel, G. Suite in F, HWV427 (1720). Laura Alvini, hpd. Nuova Era 7033/34 9 Busoni, F. Fantasia contrappuntistica (1910-12). Pinuccia Giarmanà, pf; Alessandro Lucchetti, pf. Nuova Era 7161 28

Zamboni, G. Lute sonata, op 1 (pub 1718). Edin Karamazov, lute. Decca 478 1077 8

Shankar, R. Sitar concerto (1976). Ravi Shankar, sitar; Terence Emery, bongos; London SO/André Previn. Warner Classics 5 86555 2

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 THE JAZZ BEAT With Lloyd Capps 20:00 JUST IN With Charles Barton A selection from the latest recordings to arrive at the Fine Music Library 22:00 CHAMBER SOIRÉE Prepared by Frank Morrison Beethoven, L. Piano trio in C minor, op 1 no 3 (1794-95). Pinchas Zukerman, vn; Jacqueline du Pré, vc; Daniel Barenboim, pf. EMI CMS 7 63124-2 26 Roussel, A. Sérénade, op 30 (1925). Czech Nonet. Praga Da Camera PRD 350 018 16 Howells, H. Sonata for clarinet and piano (1949). Thea King, cl; Clifford Benson, pf. Hyperion CDA66044 21 Boccherini, L. Cello sonata in C, G7. Luigi Puxeddu, vc; Federico Bracalente, vc continuo. Brilliant Classics 94386 10 Goldmark, K. String quintet in A minor, op 9 (1860). László Mezö, vc; Lajtha Quartet. Hungaroton HCD 31556 37

Fasch, J. Lute concerto in D minor. Hopkinson Wednesday 17 February Smith, lute; Chiara Banchini, vn; David Plantier, vn; David Courvoisier, va; Roel 03:00 CLASSICAL TILL DAWN Dieltiens, vc. 16 06:00 FINE MUSIC BREAKFAST Astrée E 8641 including Arts Calendar at 7.30am Giuliano, G. Mandolin concerto in B flat. With Janine Burrus Artemandoline. DHM 19075841512 10 09:00 DIVERSIONS IN FINE MUSIC Boccherini, L. Guitar quintet no 2 in E (1798). Pepe Romero, gui; Academy of St Martin in the Fields Chamber Ensemble. Philips 438 769-2 15 Tawadros, Joseph. Remember (2012; orch. Joseph Tawadros,Tognetti). Christopher Moore, va; Joseph Tawadros, oud; James Tawadros, req, bendir; Matt McMahon, pf; Australian CO/Richard Tognetti, vn & dir. ABC 476 4745 9 Reser, H. Suite for banjo and orchestra (192230). Don Vappie, banjo; Hot Springs Music Festival SO/Richard Rosenberg. 11 Naxos 8.559647

Rescued from the shadows Prepared by Jennifer Foong

Heinichen, J. Concerto in F. Musica Antiqua Köln/Reinhard Goebel. Archiv 479 1110 17 Braun, J. Sonata quarta in G. Marion TreupelFrank, fl; Sergio Azzolini, bn; Francesco Galliono, va; Axel Wolf, gui. DHM G010003676387M 10 Marsh, J. Conversation symphony in E flat for two orchestras (1778). London Mozart Players/ Matthias Bamert. Chandos CHAN 10458 11

Viotti, G. Quartetto concertante, op 3 no 6 in E (1783-86). Viotti String Quartet. Brilliant Classics 95264 15 Zelenka, J. Sonata no 5 in F à due bassi (1719-22). Ingo Goritzki, ob; Burkhard Glaetzner, ob; Knut Sönstevold, bn; Achim Beyer, vn; Siegfried Pank, bass viol; Walter Bernstein, hpd. Berlin 0012852BC 17 Aubert, J. Concerto grosso no 4 in E minor, op 26, Le carillon (1739). Collegium Musicum 90/Simon Standage. Chandos CHAN 0577 11 10:30 CONCERT HALL Prepared by Michael Field Handel, G. Occasional suite in D. English Concert/Trevor Pinnock. Archiv 479 1932 15 Bruch, M. Scottish fantasy, op 46 (1880). Nicola Benedetti, vn; BBC Scottish SO/Rory Macdonald. Decca 478 6690 31 Strauss, R. Suite: Le bourgeois gentilhomme, op 60 (1918). English CO/Jeffrey Tate. EMI CDC 7 47992 2 37 12:00 JAZZ SKETCHES With Robert Vale 13:00 IN CONVERSATION With Simon Moore 14:00 A RUSSIAN ADVENTURE Prepared by James Nightingale Rachmaninov, S. Rhapsody on a theme of Paganini, op 43 (1934). Yuja Wang, pf; Mahler CO/Claudio Abbado. DG 477 9308 23 Stravinsky, I. Suite from The soldier's tale (1918). William Blount, cl; Frank Morelli, bn; Chris Gecker, cornet; Michael Powell, tb; Rolfe Schulte, vn; John Feeney, db; Gordon Gottlieb, per. MusicMasters 01612-67152-2 25 Shostakovich, D. Violin concerto no 2 in C sharp minor, op 129 (1967). David Oistrakh, vn; Moscow PO/Gennady Rozhdestvensky. Brilliant Classics 9239 28 Rimsky-Korsakov, N. Night on Mount Triglav, from Mlada (1872). Moscow SO/Igor Golovschin. Naxos 8.553789 34 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 PLANET JAZZ With Xavier Bichon

20:00 AT THE OPERA Prepared by James Nightingale

Thursday 18 February

Roussel, A. Padmâvatî. Opera in two acts. Libretto by Louis Laloy. First performed Paris, 1923. PADMÂVATÎ: Marilyn Horne, cont RATAN-SEN: Nicolai Gedda, ten ALAOUDDIN: José van Dam, bar Toulouse Capitole O /Michel Plasson. EMI 3 81867 2

1:43

At palace of the Chitoor, in Chittorgarh, the Prince, Ratan-Sen awaits the arrival of the Sultan of the Mogols, Alaouddin. The watchman proclaims the Sultan’s progress through the gates of the city, as the crowds gather, crowds who doubt the goodwill of the Mogol whose army is encamped on the far edge of the plain. Ratan-Sen meets the Sultan, who assures him that his motives are entirely peaceful. Ratan-Sen treats the Sultan to the dancing of his warriors, female slaves and palace women but none please the Sultan, whose curiosity will only be sated by the sight of the famous beauty, Padmâvatî. Ratan-Sen explains that she is his lawful wife and Alaouddin questions if she is as beautiful as her reputation suggests. Padmâvatî appears and after her beauty is revealed, Alaouddin names the price of peace to be the person of the Queen. Ratan-Sen immediately calls for war and the city erupts into chaos as Padmâvatî laments the disaster about to overtake the city. After the battle, a wounded and dying Ratan-Sen returns to Padmâvatî and, after a poignant farewell, she ends her husband’s life and his burial rites begin. As Padmâvatî submits to the flames of the funeral pyre, Alaouddin arrives, in time only to contemplate the scene of despair. 22:00 MUSIC OF THE NIGHT Prepared by James Nightingale Gubaidulina, S. Symphony: Stimmen ...Verstummen (1986). Royal Stockholm PO/ Gennady Rozhdestvensky. Chandos CHAN 9183 34 Saariaho, K. Ballade (2005). Gloria Cheng, pf. Harmonia Mundi HMU 907578 6 Dallapiccola, L. Frammenti sinfonici, from Marsia (1947), BBC PO/Gianandrea Noseda. Chandos CHAN 10258 20 Adams, J.L. Four thousand holes. Stephen Drury, pf; Scott Deal, perc. Cold Blue Music CB0035 33 Feldman, M. Cello and orchestra (1972). Siegfried Palm, vc; Saarbrücken RSO/Hans Zender. cpo 999 483-2 19

03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Simon Moore 09:00 DIVERSIONS IN FINE MUSIC The instruments: Woodwinds Prepared by Jennifer Foong Telemann, G. Concerto in G. Masahira Arita, fl; Hans Peter Westermann, ob; Erich Hoeprich, chalumeau; Dane Roberts, db; David Sinclair, db; La Stravaganza of Cologne/Andrew Manze. Denon CO-78933 9

Potter, C. Symphony no 8 in E flat (1828). Milton Keynes CO/Hilary Davan Wetton. Unicorn-Kanchana DKP CD 9091 35

Takemitsu, T. Toward the sea (1981). Robert Aitken, fl; Norbert Kraft, gui. Naxos 8.555859 11

Turina, J. Jardin de niños, op 63 (1931). Jordi Masó, pf. Naxos 8.570026 15

12:00 JAZZ, PURE AND SIMPLE With Maureen Meers

Glass, P. Suite from Dracula (1998). Carducci String Quartet. Naxos 8.559766 19

10:30 CONCERT HALL Prepared by Jennifer Foong

13:00 CLASSIC CHAMBER Prepared by Elaine Siversen

Sculthorpe, P. Cello dreaming (1998). EmmaJane Murphy, vc; Australian CO/Richard Bach, J. Christian Quintet in D for flute, oboe, Tognetti. violin, viola and continuo, op 11 no 6 (1774). Chandos CHAN 10063 16 Members of Concentus Musicus Vienna/ Yoshimatsu, T. Symphony no 3, op 75 (1991Nikolaus Harnoncourt. 95). BBC PO/Sachio Fujioka. Teldec 8.41062 14 Chandos CHAN 9737 45 Spohr, L. Double quartet no 3 in E minor, op 22:00 RICHTER: A SHORT RECITAL 87 (1832-33). Academy of St Martin in the Prepared by Derek Parker Fields Chamber Ensemble. Hyperion CDD22014 35 Chopin, F. Scherzo no 2 in B flat minor, op 31

Koechlin, C. Wind septet, op 165 (1937). O Città Aperta Wind Ensemble/Filippo Farinelli. Brilliant Classics 9266 15

Hummel, J. Quartet in E flat (1808). Alan Hacker, cl; members of The Music Party. L’Oiseau-Lyre 444 167-2 30

Weber, C.M. Andante and Hungarian rondo in E flat, op 35 (1813). Valery Popov, bn; Russian State SO/Valery Polyansky. Chandos CHAN 9656 9

14:30 FIRES Prepared by Derek Parker

Trad. Chanterai d'aquetz trobadores. Winsome Evans, shawms, bombardes; Sarah Penicka, shawm; Nick Wales, vielle; Cyrus Meurant, vielle; Michael Hooper, chitarra moresca; Allegra Giagu, castanets; Tony Lewis, tapan, darabukk; Renaissance Players/Winsome Evans. Tall Poppies TP229 7 Lambardi, F. Canto del Dio pane e i suoi silvani. Christopher Robson, alto; Andrew King, ten; John Mark Ainsley, ten; Michael George, bar; Keith McGowan, crumhorn; Giles Lewin, crumhorn; Penny Pay, crumhorn; Andrew Watts, crumhorn; David Roblou, regal; Philip Pickett, cond. L’Oiseau-Lyre 425 610-2 8 Françaix, J. Five exotic dances (1961). Guido Bäumer, sax; Aladár Rácz, pf. Odradek ODRCD337 6 Lachner, F. Wind quintet no 2 in E flat (1829). Vienna-Berlin Ensemble. DG 423 591-2 24 10:30 CONCERT HALL Prepared by Jacky Ternisien Grétry, A-E-M. Overture to Le Magnifique (1773). English CO/Richard Bonynge. Decca 466 434-2 10 Beach, A. Piano concerto in C sharp minor, op 45 (1897-99). Danny Driver, pf; BBC Scottish SO/Rebecca Miller. Hyperion CDA68130 35

Stravinsky, I. Fireworks, op 4 (1908). Royal Concertgebouw O/Hans Werner Henze. Radio Netherlands RCO 05001 4 Debussy, C. Prelude no 24, from bk 2: Fireworks (1913; orch. Matthews). Berlin PO/ Simon Rattle. EMI 5 58045 2 5 Stravinsky, I. Excerpts from The firebird (1910; arr. Gottschick). Sabine Meyer, cl; Alliage Quintett. Sony 88875190972 20 Standford, P. Celestial fire (1968). Royal Ballet Sinfonia/Barry Wordsworth. ASV WHL 2128 14 Flecha, M. El Viejo The fire. Sara Macliver, sop; La Compañia/Dany Lucin. ABC 476 595-5 12 Skryabin, A. Prometheus: The poem of fire, op 60 (1908-10). Sydney Philharmonia Choirs; Roger Woodward, pf; Sydney SO/Diego Masson. ABC 481 1322 24 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 THE NEW JAZZ STANDARD With Frank Presley 20:00 THE WORLD OF A SYMPHONY Prepared by James Nightingale Wada, K. Folkloric dance suite (1987). Malmö SO/Jun'ichi Hirokami. BIS CD-490 18

(1837). Sviatoslav Richter, pf. Olympia OCD 338

Prokofiev, S. Five pieces from Cinderella (1942/44). Sviatoslav Richter, pf. Divox CDX-25252/3-2 14 22:30 ULTIMA THULE

Handel, G. Overture to Esther, HWV50 (1718/32). King's Consort/Robert King. Hyperion CDA66797

Tchaikovsky, P. Piano concerto no 3 in E flat, op 75 (1893). Geoffrey Tozer, pf; London PO/ Neeme Järvi. Chandos CHAN 9130 16 Holst, G. St Paul’s suite, op 29 no 2 (1912-13). Saint Paul CO/Christopher Hogwood. Decca 440 376-2 13 Brahms, J. Serenade no 1 in D, op 11 (1858). London SO/István Kertész. Decca 478 6420 47 12:00 A JAZZ HOUR With Barry O'Sullivan 13:00 MUSICAL RIVERS Prepared by Jacky Ternisien Fucik, J. Concert waltz: Tales of the Danube. Czech PO/Vaclav Neumann. LP Orfeo S 147 861 B 10

Friday 19 February 03:00 CLASSICAL TILL DAWN

Vianna da Motta, J. Chula do Douro, op 9 no 2. Royal Liverpool PO/Álvaro Cassuto. Naxos 8.573495 2

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Annabelle Drumm 09:00 DIVERSIONS IN FINE MUSIC Al fresco Prepared by Madilina Tresca

Strauss, J. II Concert arabesque on The blue Danube waltz (1867; arr. Schulz-Evler 1906). Isador Goodman, pf. LP Philips 6768 327 9

d’Indy, V. The enchanted forest, op 8 (1878). Iceland SO/Rumon Gamba. Chandos CHAN 10464 14

Koetsier, J. Metamorphoses on a theme from Smetana’s The Moldau, op 102 (1985). Alice Giles, hp; Budapest Brass Quintet. Koch Schwann 3-1173-2 8

Sor, F. Divertissement, op 23 (c1795). Adam Holzman, guitar. Naxos 8.553340 13

Weill, K. Complainte de la Seine (1934). Teresa Stratas, sop; Richard Woitach, pf. Nonesuch 979 019-2

Carlson, R. Waterfall in spring (1997). Christine Draeger, fl; Kathryn Lambert, pf. CDCD CDCD1 10

Rauski, J. March of the Sambre et Meuse Regiment (1915). Garde Républicaine Military Band. naïve V 5386 5

Larsson, L-E. Pastoral suite (1938). Stockholm SO/Stig Westerberg. Swedish Classics SCD 1051

Verdi, G. O fatidica foresta, from Giovanna d’Arco Act I (1845). Anna Netrebko, sop; Turin Regio TO/Gianandrea Noseda. DG 479 1052 2 Elgar, E. Serenade in E minor for strings, op 20 (1892). Australian CO/Richard Tognetti. Sony SK 53356 12

Mussorgsky, M. Dawn over the Moscow River, from Khovanshchina (1872; arr. Shostakovich). USSR SO/Yevgeny Svetlanov. Melodiya SUCD 10-00178 6 Elgar, E. Severn suite, op 87a (1930). London SO/Richard Hickox. Chandos CHAN 9156/7 18 Whitacre, E. The River Cam (2011). Julian Lloyd Webber, vc; London SO/Eric Whitacre. Decca 279 6323 12

14:30 CLASSICAL QUINTETS Prepared by Elaine Siversen Kreutzer, R. Grand quintet in C (1790-99). Sarah Francis, ob; Allegri String Quartet. Hyperion CDA66143 15

Archiv 479 1045

Christmas Mass. Boys' Choir and Congregational Choir of Roskilde Cathedral; Gabrieli Consort and Players/Paul McCreesh. Archiv 439 250-2 1:19

Mozart, W. String quintet in G minor, K516 (1787). Quatuor Talich. Harmonia Mundi DVL109.1 34

Saturday 20 February

Reicha, A. Wind quintet in B flat, op 88 no 5 (1811-17). Academia Wind Quintet of Prague. Hyperion CDD 22006 32

00:00 CLASSIC-ALL THROUGH THE NIGHT

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 FRIDAY JAZZ SESSION With Alex Siegers 20:00 EVENINGS WITH THE ORCHESTRA Conductors of the Chicago Symphony Orchestra Prepared by Frank Morrison Bartók, B. Music for strings, percussion and celesta (1936). Georg Solti, cond. Decca 478 3706 27 Tchaikovsky, P. Marche slave, op 31 (1876). Fritz Reiner, cond. RCA 0902661958 2 10 Verdi, G. Ave Maria, piena di grazia, from Otello (1887). Kiri Te Kanawa, sop; Elzbieta Ardam, cont; Luciano Pavarotti, ten; Georg Solti, cond. Decca 478 6419 5 Stravinsky, I. Suite from Petrushka (1947). Carlo Maria Giulini, cond. EMI 5 85974 2 25

09:05 THE PIANO ALONE Prepared by Frank Morrison Mozart, W. Rondo in D, K485 (1786). Claudio Arrau, pf. Philips 422 056-2 8

Prokofiev, S. Piano sonata no 8 in B flat, op 84 (1939-44). Emil Gilels, pf. Philips 456 796-2 32 10:00 MUSICAL JOURNEYS Prepared by Derek Parker

Oaks (1937-38). Montreal Sinfonietta/Charles Dutoit. Decca 440 327-2 15

Chicago SO (all above)

Liszt, F. Tarantella, from Venezia e Napoli (1859). Jorge Bolet, pf. Decca 425 689-2 10 Tchaikovsky, P. String sextet in D minor, op 70, Souvenir de Florence (1890/91-92). Yuri Bashmet, va; Natalia Gutman, vc; Borodin String Quartet. EMI 7 49775 2 34 11:30 ON PARADE Music that’s band Prepared by Owen Fisher

Six dances from Terpsichore (1612). Collegium Terpsichore/Fritz Neumeyer.

13:00 COME TO THE OPERA With Derek Parker Are you an opera fan? If not why not? Together, the story and the song make for great entertainment as well as great art. Derek Parker tells the story of Strauss’ Die Fledermaus and plays some of the music that makes it a great opera.

Lanchbery, J. Ballet: The sentimental bloke (1985). State O of Victoria/John Lanchbery. ABC 456 684-2

19:00 EMERGENT JAZZ With Keith Pettigrew

09:00 MUSICA SACRA Prepared by Jacky Ternisien

14:00 SONATA Prepared by Elaine Siversen

20:00 THE LIFE OF A COMPOSER Karol Szymanowski Prepared by Di Cox

Mozart, W. Mass no 2 in D minor, K65 (1769). Helen Donath, sop; Annette Markert, cont; Uwe Heilmann, ten; Andreas Schmidt, bass; Michael-Christfried Winkler, org; Leipzig Radio Choir & SO/Herbert Kegel. Philips 422 264-2 15

Brahms, J. Viola sonata in E flat, op 120 no 2 (1894). Veronika Hagen, va; Paul Gulda, pf. DG 453 421-2 22

Szymanowski, K. Concert overture in E, op 12 (1904-05/12-13). Polish Radio NSO/Jacek Kasprzyk. EMI CDM 5 65082 2 13 Masques: Three poems for piano, op 34 (1916). Andrzej Stefanski, pf. Muza PNCD 066 Symphony no 4, op 60, Symphonie concertante (1932). Marco Polo 8.223290

Roxana’s song, from King Roger (1926). Barbara Zagórzanka, sop. Marco Polo 8.223294

Polish State PO/Karol Stryja (2 above)

12:00 URBAN JAZZ LOUNGE With Leita Hutchings

14:30 SATURDAY MATINEE Prepared by Elaine Siversen

Mozart, W. Symphony no 38 in D, K504, Prague (1786). Rafael Kubelik, cond. Mercury 478 5092 24

Praetorius, M. Magnificat per omnes versus super ut re mi fa sol la. Huelgas Ensemble/ Paul van Nevel. Sony SK 48 039 18

Doughty, G. Air and variations: My grandfather’s clock. Men o’ Brass: Fairey Aviation; Fodens Motor Works; Morris Motors/ Harry Mortimer. LP EMI SCX 1240 5 Gershwin, G. Symphonic Gershwin: An American in Paris; Rhapsody in blue; Cuban overture. Allentown Band/Ronald Demkee. AMP 23192 8

Cowen, F. Indian rhapsody (1903). CzechoSlovak State PO/Adrian Leaper. Wagner, R. Prelude, Liebestod, from Tristan 16 and Isolde (1857-59). Daniel Barenboim, cond. Marco Polo 8.223273 Teldec 4509-99595-2 17 Stravinsky, I. Concerto in E flat, Dumbarton

22:00 BAROQUE AND BEFORE Celebrating Michael Praetorius Prepared by Elaine Siversen

Harry Mortimer and his All-Star Brass (2 above)

09:00 WHAT'S ON IN MUSIC Our weekly guide to musical events in and around Sydney

Purcell, H. Overture to The Indian queen (1695). Bournemouth Sinfonietta/Ronald Thomas. Chandos CHAN 8424

Clark, M. Tyrolean tubas. Eight tuba soloists. LP Columbia SCX 3484 3 Monckton, L. Overture: The Arcadians. LP EMI NTS 145

06:00 SATURDAY MORNING MUSIC With David Garrett

Brahms, J. Scherzo in E flat minor, op 4 (1851). Claudio Arrau, pf. Philips 432 302-2

Rimmer, W. The Cossack march. Virtuoso Brass Band/Eric Ball. LP Virtuoso VR 73022 3

1:10

Koehne, G. Ballet: The selfish giant (1983). Queensland PO/Stephen Barlow. Tall Poppies TP 115 45 Tivoli dances (2005). Tasmanian SO/Richard Mills. ABC 476 650-2 21 17:00 SOCIETY SPOT Classical Guitar Society With Darryl Rule 18:00 MUSIC OF THE SCREEN Prepared by Elaine Siversen Nyman, M. Film score: Prospero’s books (1991). Sarah Leonard, sop; Maian Angel, sop; Ute Lempe, sop; Deborah Conway, cont; Michael Nyman Band/Michael Nyman, pf & dir. 55 Decca 425 224-2

Notturno e tarantella, op 28 (1915). Detlef Hahn, vn; Mark Fielding, pf. ASV QS 6215 11

Gossec, F-J. Excerpts from Messe des morts (1760). Roberta Invernizzi, sop; Maite Arruabarrena, mezz; Howard Crook, ten; Claude Darbellay, bass; Gruppo Vocale Cantemus; Swiss-Italian Radio Ch & O/Diego Fasolis. Naxos 8.554750-51 40 10:00 THE CLASSICAL ERA Prepared by Denis Patterson Scarlatti, D. Sonata in D minor, Kk90. Accademia Arcadia. Tall Poppies TP 243

Bellini, V. Oboe concerto in E flat (by 1825). Anthony Camden, ob; City of London Sinfonia/ Nicholas Ward. Naxos 8.553433 9

Ballet pantomime, op 55 (1935). Henryk Grychnik, ten; Polish State Philharmonic Ch & Halévy, F. Come dolce a me favelli, from Clari O/Karol Stryja. (1828). Cecilia Bartoli, mezz; Ada Pesch, vn; O Naxos 8.553686 29 La Scintilla/Adám Fischer. Decca 475 9077 5 22:00 SATURDAY NIGHT AT HOME Field, J. Sonata in A, op 1 no 2 (1801). Pietro Prepared by Rex Burgess Spada, pf. Telemann, G. Quartet in G, from Tafelmusik Arts 47178-2 12 I (pub. 1733). Wilbert Hazelzet, fl; Frank de Bruine, ob; Rémy Baudet, vn; Jaap ter Linden, Dittersdorf, C. Sinfonia no 6 in D (1783). Failoni O/Hanspeter Gmür. vc; Pieter-Jan Belder, hpd. 20 Brilliant Classics 94104 14 Naxos 8.553369

Rachmaninov, S. Piano sonata no 1, op 28 (1907). Scott Davie, pf. ABC 476 316-6 33 15:00 SUNDAY SPECIAL Yevgeny Mravinsky: legendary performances Prepared by Paolo Hooke Sibelius, J. The swan of Tuonela, legend for orchestra, op 22 no 3, from Lemminkaïnen suite (1893-96). BMG/Melodiya 74321 25191 2 9 Tchaikovsky, P. Excerpts from The nutcracker, op 71 (1891-92). BMG/Melodiya 74321 25194 2

Mussorgsky, M. Dawn on the Moscow River, prelude to Act I, from Khovanshchina (187481). BMG/Melodiya 74321 25191 2 5 Bruckner, A. Symphony no 9 in D minor (1887-96). BMG/Melodiya 74321 25193 2 59 Leningrad PO/Yevgeny Mravinsky (all above) 17:00 HOSANNA Prepared by Richard Munge Hymns: Forty days and forty nights; Lord Jesus, think on me. Choir of Wells Cathedral; Rupert Gough, org; Malcolm Archer, cond. Hyperion CDP 12103 4

Dvorák, A. Serenade in E, op 22 (1875). Strings of Philharmonia O/Christopher Warren-Green. Chandos CHAN 6526 30

Weber, C.M. Sagt, woher stammt Liebeslust (1821). Patrizia Cigna, sop; Adriano Sebastiani, gui. Brilliant Classics 95323 6

Goss, J. Psalm 23: The Lord is my shepherd. Choir of King’s College, Cambridge; David Willcocks, org. Classics for Pleasure 50999 9 68957 2.6 2

Schubert, F. Moments musicaux, nos 1-6, D780 (1823-28). Alfred Brendel, pf. Decca 478 6968 28

Hummel, J. Piano quintet in E flat minor, op 87 (1802). Nepomuk Fortepiano Quintet. Brilliant Classics 94377 23

Berlioz, H. Harold in Italy, op 16 (1834). Antoine Tamestit, va; Les Musiciens du Louvre, Grenoble/Marc Minkowski. naïve V 5266

Beethoven, L. Symphony no 1 in C, op 21 (1800). Tasmanian SO/David Porcelijn. ABC 461 917-2 25

Stanford, C. Villiers Te Deum; Jubilate in C. Choir of Ely Cathedral; Jeremy Filsell, org; Paul Trepte, cond. Heritage HTGCD 219 11

Sunday 21 February 00:00 CLASSIC-ALL THROUGH THE NIGHT

12:00 CLASSIC JAZZ AND RAGTIME With Jeannie McInnes 13:00 WORLD MUSIC: Whirled Wide With Linda Marr

06:00 SUNDAY MORNING MUSIC With Paul Roper

Purcell, H. Anthem: O God, Thou art my God. Toby Hunt, treb; Oscar Pavey, treb; David Bates, alto; Roy Rashbrook, ten; Andrew Yeats, ten; Martin Oxenham, bass. 4 Greene, M. Lord, let me know mine end. Nathaniel Morley, treb; Leo Greenlees, treb. 6 Ireland, J. Anthem: Greater love hath no man. Benjamin Irvine-Capel, treb; Edward Grint, bass. 7

Choir of St Paul’s Cathedral; Andrew Carwood, org; Simon Johnson, cond (3 above) Decca 483 1531 Harwood, B. Anthem: O how glorious. Choir of St Mary’s Cathedral, Edinburgh/Timothy Byram-Wigfield. Priory FCM 1 7 Hymns: Come down, O love divine; Praise to the Lord, the Almighty. Choir of Westminster Abbey; Robert Quinney, org; James O’Donnell, cond. Hyperion CDA 68013 6 Widor, C-M. Toccata, from Organ symphony no 5. Simon Preston, org. Decca 430 091-2 6 18:00 SMALL FORCES Prepared by Angus McPherson

Monday 22 February 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With James Hunter 09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1740 Prepared by Jacky Ternisien Richter, F. Grande simphonie no 7 in C (c1740). Academy of Ancient Music/Richard Egarr. ABC 481 0615 13

Lanzetti, S. Sonata no 5 in B flat, op 1 (1740). Francesco Galligioni, vc; L’Arte dell’Arco. Bruch, M. Piece in E flat, op 83 no 8 (pub. 16 1910). Janet Hilton, ct; Nobuko Imai, va; Roger Brilliant Classics 95525 Vignoles, pf. Braun, J. Suite in E minor (1740). Marion Chandos CHAN 8776 5 Treupel-Frank, fl. Beethoven, L. Piano trio in D, op 70 no 1, Ghost (1808). Pinchas Zukerman, vn; Jacqueline du Pré, vc; Daniel Barenboim, pf. EMI CMS 7 63124 2 27 Kats-Chernin, E. Five chapters (2015). Tamara-Anna Cislowska, pf; Acacia Quartet. Fine Music concert recording 21 19:00 SUNDAY NIGHT CONCERT Prepared by Nicky Gluch Mozart, W. Symphony no 29 in A, K201 (1774). Australian CO/Richard Tognetti. Sony SK 53356

Tchaikovsky, P. Piano concerto no 2 in G, op 44 (1880). Shura Cherkassky, pf; Berlin PO/ Richard Kraus. Philips 456 745-2 35 Barber, S. Symphony no 1, op 9 (1935-36). Detroit SO/Neeme Järvi. Chandos CHAN 8958 22 20:30 NEW HORIZONS Prepared by Nev Dorrington Evgrafov, D. Collage/Pereehali (2015). 13071 Fat Cat CD13-21

The quiet observation; The return (2016). 13071 Fat Cat Records DA13-33 30 Surrender. 13071 Fat Cat Records LP13-41

DHM G010003676387M

Handel, G. Organ concerto in B flat, HWV306 (1740). Simon Preston, org; English Concert/ Trevor Pinnock. ABC 434 896-2 19 Or let the merry bells ring around, from L’allegro, il penseroso ed il moderato, HWV55 (1740). Carolyn Sampson, sop; Bach Choir; English Concert/David Hill. BIS SACD-1732 4 Quentin, J-B. Trio sonata in four parts, op 15 (c1740). Arion Ensemble. ATMA ATM 2 9717 15 10:30 CONCERT HALL Prepared by Paul Cooke Grétry, A-E-M. Overture to Le Magnifique (1773). English CO/Richard Bonynge. Decca 466 434-2 10 Granados, E. Piano concerto in C minor, Patetico (1910). Melani Mestre, pf; BBC Scottish SO/Martyn Brabbins. Hyperion CDA67918 36 Tippett, M. Symphony no 2 (1956-57). Bournemouth SO/Richard Hickox. Chandos CHAN 9299

12:00 SWING SESSIONS With John Buchanan

Dmitry Everafov, pf (all above)

13:00 MUSIC FOR PRINCES Prepared by Derek Parker

22:00 JAZZ AFTER HOURS With Deborah Evans

Borodin, A. Polovtsian dances, from Prince Igor (1887). Royal Liverpool Philharmonic Choir & O/Charles Mackerras. Virgin VC 7 91174-2 14

Korngold, E. Suite from The Prince and the pauper (1937). London SO/André Previn. DG 471 347-2 22

Poulenc, F. Sextet (1932-39). Eva Knardahl, pf; Gothenburg Wind Quintet. BIS CD-24 18

Immortality, op 27 (1933). Cornelia Hübsch, sop; Charles Spencer, pf. CAPRICCIO C3004 10

Veracini, F. Overture no 2 in F (c1716). Accademia I Filarmonici/Alberto Martini. Naxos 8.553412

Schmitt, F. Suite from Oriane et le Prince d'Amour, op 83 (1938). Rhineland State PO/ Pierre Stoll. Cybelia CY 816 19

Chopin, F. Piano sonata in B flat minor, op 35 (1839). Louis Lortie, pf. Chandos CHAN 10588 22

Suite for two violins, cello and piano left hand, op 23 (1930). Joseph Silverstein, vn; Jaime Laredo, vn; Yo-Yo Ma, vc; Leon Fleisher, pf. Sony SK 48253 38

Praeger, H. Introduction, theme and variations, op 21. Konrad Hünteler, fl; Reinbert Evers, gui. Pantheon D 14 112 10

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm

Spontini, G. Divertimento. Sören Hermansson, hn; Erica Goodman, hp. BIS CD-648

Britten, B. Ballet: The prince of the pagodas Act II, op 57 (1957) London Sinfonietta/Oliver Knussen. Virgin VCD 7 91103-2 27 14:30 CLASSICAL CHAMBER Prepared by Elaine Siversen Boccherini, L. Guitar quintet no 3 in D flat (c1797). Artaria Quartet; Richard Savino, gui. Harmonia Mundi HMU 907039 24 Haydn, J. Symphony in G, Hob.I:94, Surprise (1791; arr. Salomon for piano trio c1798). Ensemble of the Classic Era. ABC 472 561-2 22 Reicha, A. Wind quintet in A minor, op 100 no 5 (1820). Michael Thompson Wind Quintet. Naxos 8.550432 37 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 JAZZ PULSE With Chris Wetherall 20:00 STORMY MONDAY With Austin Harrison and Garth Sundberg 22:00 JAZZ AFTER HOURS With Gail Monjo

Tuesday 23 February 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Julie Simonds 09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by Elaine Siversen Pleyel, I. Sonata in G for four hands B5203 (1789-90). Wolfgang Brunner, Leonore von Stauss, fp. Profil Medien PH18087 10 Schumann, R. Violin sonata no 3 in A minor, Wo0 2 (1853). Ulf Wallin, vn; Roland Pöntinen, pf. BIS SACD 1784 21 Dupré, M. Prelude and fugue in A flat, op 36 no 2 (1938). Marcel Dupré, org. Mercury 478 8388 10

10:30 CONCERT HALL Prepared by Anne Irish Wagner, R. Overture to Rienzi (1838-40). Vienna PO/Karl Böhm. DG 477 5445 12 Schumann, R. Cello concerto in A minor, op 129 (1850). Jacqueline du Pré, vc; New Philharmonia O/Daniel Barenboim. EMI CZS 5 68132 2 25 Beethoven, L. Symphony no 6 in F, op 68, Pastoral (1808). New York PO/Leonard Bernstein. CBS MK 42222 44 12:00 JAZZ RHYTHM With Jeannie McInnes 13:00 MUSIC OF THE DANCE Prepared by Ray Lemond Moszkowski, M. Spanish dances, bk I, op 12 (1876). London SO/Ataulfo Argenta. Decca 443 580-2 14 Bartók, B. Dance suite (1923). Chicago SO/ Georg Solti. Decca 478 3706 16 Debussy, C. Danse sacrée et danse profane (1904). Vera Badings, hp; strings of the Royal Concertgebouw O/Bernard Haitink. Philips 438 742-2 9 Lane, P. Cotswold dances. Royal Ballet Sinfonia/Gavin Sutherland. Marco Polo 8.225185 Britten, B. Mont Juic: Suite of Catalan dances, op 9 (1937). English CO/Steuart Bedford. Naxos 8.557198

19:00 THE JAZZ BEAT With Lloyd Capps 20:00 JUST IN With David Garrett A selection from the latest recordings to arrive at the Fine Music Library 22:00 CHAMBER SOIRÉE Prepared by Paul Cooke Mozart, W. Horn quintet in E flat, K407 (1782). Barry Tuckwell, hn; Kenneth Sillito, vn; Kenneth Essex, va; Ian Jewel, va; Kenneth Harvey, vc. Decca 421 393-2 19 Dvorák, A. Piano trio no 1 in B flat, op 21 (1875). Macquarie Trio Australia. ABC 476 7176 34 Hartmann, J.P.E. Flute sonata in B flat, op 1 (1825). Henrik Wenzel Andreasen, fl; Anna Oland, pf. Naxos 8.553333 26 Shostakovich, D. String quartet no 2 in A, op 68 (1944). St Petersburg String Quartet. Sony SK 64584 35

Wednesday 24 February 15

03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am

Praetorius, M. Six dances, from Terpsichore (pub. 1612). Collegium Terpsichore/Fritz Neumeyer. DG 469 244-2 15 14:30 MUSIC OF KORNGOLD Prepared by Paul Cooke Korngold, E. Prelude, from Die tote Stadt, op 12 (1920). Karen Robertson, sop; Tibor Pazmany, org; Bruckner O Linz; Caspar Richter. ASV DCA 1074 7 Violin concerto in D, op 35 (1945). Nicola Benedetti, vn; Bournemouth SO; Kirill Karabits. Decca 478 3529 26

09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by Rex Burgess Galuppi, B. Sonata in D. Matteo Napoli, pf. Naxos 8.572263 10 Schobert, J. Trio in F, op 16 no 4 (pub. 176167). Chiara Banchini, vn; Philipp Bosbach, vc; Luciano Sgrizzi, fp. Harmonia Mundi HMC 901294 17 Campra, A. Cantata: Énée et Didon (pub. 1714). Les Arts Florissants/William Christie. Harmonia Mundi HMA 1901316/18 15

10:30 CONCERT HALL Prepared by Robert Gilchrist Delany, J. Overture to Captain Cook (1888). Adelaide SO/Carl Pini. LP ABC AC 1036 9 Beethoven, L. Piano concerto no 1 in C, op 15 (1795). Martha Argerich, pf; Swiss-Italian O/Alexandre Rabinovitch-Barakovsky. DG 477 9884 34 Kalinnikov, Vasily. Symphony no 1 in G minor (1895). Ukraine NSO/Theodore Kuchar. Naxos 8.553417 39 12:00 JAZZ SKETCHES With Robert Vale 13:00 IN CONVERSATION With Simon Moore 14:00 AUSTRALIAN REFLECTIONS ON K595 Prepared by James Nightingale Benjamin, A. Concertino (1927). Lamar Crowson, pf; London SO/Arthur Benjamin. Everest EVC 9029 15 Haydn, J. String quartet in C, Hob.III:72 (1793). Australian String Quartet. Fine Music concert recording

Arensky, A. Piano quintet in D, op 51 (1900). Piers Lane, pf; Goldner String Quartet. Hyperion CDA67965 24 Vine, C. Piano sonata no 1 (1990). Michael Kieran Harvey, pf. Tall Poppies TP190 16 Mozart, W. Piano concerto no 27 in B flat, K595 (1791). Imogen Cooper, pf; Australian CO/Richard Tognetti. Philips 476 209-5 PM3 31 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 PLANET JAZZ With Xavier Bichon

20:00 AT THE OPERA Prepared by Camille Mercep Donizetti, G. Gabriella di Vergy. Opera in three acts. Libretto by Andrea Leone Tottola. First performed Naples, 1869. GABRIELLA: Ludmilla Andrew, sop FAYEL, COUNT OF VERGY: Christian du Plessis, bar RAOUL DE COUCY: Maurice Arthur, ten KING PHILLIP II: John Tomlinson, bass ALMEIDE: Joan Davies, sop Geoffrey Mitchell Choir; Royal PO/Alun Francis. 1:58 Opera Rara ORC3 After the reported death of her beloved, Raoul, at the Crusades, Gabriella has married Fayel, Count of Vergy. An unknown knight arrives at Fayel’s castle to announce the arrival of King Phillip II of France. Gabriella is overcome to discover that she has been deceived as she recognises Raoul who reproaches her for infidelity. The King arrives, proposing to reward Raoul for saving his life by having him marry Almeide, Flayel’s sister. Gabriella sends for Raoul in secret to tell him she still loves him, but their meeting is overheard by Almeide, who immediately sends for Flayel. Furious, he challenges Raoul to a duel and banishes Gabriella to a dungeon. Raoul is killed by Fayel who cuts out his heart and presents it to Gabriella in an urn. She goes mad and, cursing Flayel, dies from a broken heart. A te sola, from Gabriella di Vergy (1826). Della Jones, ten; Royal PO/Alun Francis. Opera Rara ORC3 9 Quel guardo il cavaliera, from Don Pasquale (1843). Angela Gheorghiu, sop; Turin Regio Theatre Ch & O/John Mauceri. Decca 452 417-2 6 22:30 MUSIC OF THE NIGHT Prepared by Paul Cooke Lim, L. The alchemical wedding (1996). ELISION Ensemble; musicians of Ensemble Modern/Dominique My. ABC 456 687-2 18 Takemitsu, T. Bryce (1976). Robert Aitken, fl; Erica Goodman, hp; Sanya Eng, hp; Robin Engelman, marimba; John Wyre, perc. Naxos 8.555859 11

Lutoslawski, W. Symphony no 4 (1992). Polish National RSO/Antoni Wit. Naxos 8.553202 21

Thursday 25 February 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Simon Moore 09:00 DIVERSIONS IN FINE MUSIC The instruments: Woodwinds Prepared by Madilina Tresca Alwyn, W. Autumn legend (1954). Nicholas Daniel, cora; City of London Sinfonia/Richard Hickox. Chandos CHAN 9065 12 Haydn, M. Flute concerto in D (1766). IstvánZsolt Nagy, fl; Austro-Hungarian Haydn O/ Adám Fischer. Nimbus NI 5392 14 Formosa, R. Domino (1983). Roslyn Dunlop, E flat cl. 4 Fine Music concert recording Verdi, G. Capriccio (1838). Patrick De Ritis, bn; Würzburg PO/Enrico Calesso. Naxos 8.573382 13 Allen, G. Diversions 11 and 12 (1992-94). Joy Harrison, ob; Jack Harrison, cl; Jill Mowson, bn. Jade JADCD 1053 4 Piston, W. Clarinet concerto (1967). Paul Dean, cl; Queensland SO/Richard Mills. ABC 476 4465 12 Bach, J.S. Sonata sopr’il Soggetto reale, from The musical offering, BWV1079 (1747). Janet See, fl; John Holloway, vn; Jaap ter Linden, vc; Davitt Moroney, hpd. Harmonia Mundi HMX 2908601.30 18 10:30 CONCERT HALL Prepared by Elaine Siversen Pierné, G. Suite no 1, from Ramuntcho (1908). Lorraine PO/Jacques Houtmann. BIS CD-381 20

Paganini, N. Violin concerto no 1 in D, op 6 (1815). Alexander Markov, vn; Saarbrücken RSO/Marcello Viotti. Britten, B. Cello suite no 3, op 87 (1972). Truls Erato 2292-45788-2 34 Mørk, vc. Virgin 5 45399 23 Tchaikovsky, P. Serenade in C for strings, op 48 (1880). Australian CO/Carl Pini. Dallapiccola, L. Tartiniana seconda (1956). Omega OCD 1010 29 Luca Fanfori, vn; Maria Clementi, pf. Brilliant Classics 94967 11 12:00 JAZZ, PURE AND SIMPLE With Maureen Meers

20:00 THE WORLD OF A SYMPHONY Prepared by James Nightingale

13:00 TIME OF DAY Prepared by Jacky Ternisien Suppé, F. Overture to Morning, noon and night in Vienna. Sydney SO/Joseph Post. LP ABC RRCS 1472

Haydn, J. Symphony no 6 in D, Hob: I:6 Le matin (1761). Australian Haydn Ensemble/ Skye McIntosh. ABC 481 2806 25 Arne, T. The morning. Emma Kirkby, sop; Parley of Instruments/Roy Goodman. Hyperion CDA66237 8 Glass, P. Morning passages, from The hours (2002; arr. Barclay, Dickson). Amy Dickson, sax; Catherine Milledge, pf. Sony 88985411942 6 Debussy, C. From dawn to noon on the sea, from La mer (1905). London SO/Charles Mackerras. Centaur CRC 2090 9 Damase, J-M. Variations, Early morning (1980). Anna Noakes, fl; Gillian Tingay, hp. ASV DCA 898 9 Dvorák, A. Symphonic poem: The noon witch, op 108 (1896). London SO/István Kertész. Decca 478 6420

14:30 PROKOFIEV’S PIANO CONCERTO NO 3 Prepared by James Nightingale Prokofiev, S. Preludes, op 34 (1933). Lazar Berman, pf. DG 480 7075 18 Rachmaninov, S. Russian rhapsody (1891). John Ogdon, pf; Brenda Lucas, pf. ASV DCA 636 10 Roslavets, N. Cello sonata no 1 (1921). Lachezar Kostov, vc; Viktor Valkov, pf. Naxos 8.570996

Mozart, W. Overture to Lucio Silla, K135 (1772). Royal Concertgebouw O/Nikolaus Harnoncourt. Apex 0927 498132

Gluck, C. Suite du divertissement, from Iphigenia in Aulis (1774). Rhenish CO/Jan Corazolla. Christophorus CHE 0064-2 10 Haydn, J. Octet in G for baryton, horns and strings, Hob.X:5 (1775). Members of Haydn Sinfonietta/Manfred Huss. BIS CD-1796/98 14 Keyboard sonata no 38 in F, Hob.XVI:23 (1773). Geoffrey Lancaster, fp. Tall Poppies TP208

Dittersdorf, C. Oboe concerto in G (c1770). Heinz Holliger, ob; Camerata Bern/Thomas Füri. Archiv 410 599-2 15

Stravinsky, I. Septet for clarinet, bassoon, horn, piano and string trio (1953). European Soloists Ensemble/Vladimir Ashkenazy. Decca 473 810-2 11 Prokofiev, S. Piano concerto no 2 in G minor, op 16. Yuki Takao, pf; Sydney SO/Edvard Tchivzhel. ABC 454 975-2 33 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 THE NEW JAZZ STANDARD With Frank Presley

10:30 CONCERT HALL Prepared by Michael Field

Vaughan Williams, R. Serenade to music (1939). Norma Burrowes, sop; Sheila Armstrong, sop; Susan Longfield, sop; Marie Hayward, sop; Alfreda Hodgson, mezz; Gloria Mozart, W. String quartet no 6 in B flat, K159 Jennings, mezz; Shirley Minty, mezz; Meriel (1773). Barylli Quartet. Dickinson, mezz; Ian Partridge, ten; Bernard Westminster RC 8808678121735 15 Dickerson, ten; Wynford Evans, ten; Kenneth Haydn, J. Symphony in C, Hob.I:60, Il distratto Bowen, ten; John Carol Case, bar; John Noble, bar; Richard Angas, bass; Christopher (1774). Vienna Haydn Sinfonietta/Manfred Keyte, bass; London PO/Adrian Boult. Huss. 13 30 EMI CDC 7 63098 2 BIS SACD-1815 22:00 UCHIDA: A SHORT RECITAL Prepared by Derek Parker Schubert, F. Impromptu in C minor, D899 no 1 (1827). Philips 473 686 2 10 Mozart, W. Piano sonata in C, K309 (1777). Philips 422 115-2 16 Mitsuko Uchida, pf (2 above)

Ireland, J. We’ll to the woods (1927). Roderick Chausson, E. Poème de l'amour et de la mer, Williams, bar; Iain Burnside, pf. op 19 (1882). Lauris Elms, cont; Sydney SO/ Naxos 8.570467 8 Robert Pikler. ABC 446 279-2 25 Mirto, G. Sailing through the North Sea. Giorgio Mirto, gui; Florence String Ensemble/ 14:00 THE BOHEMIANS Augusto Vismara. Prepared by Ron Walledge Brilliant Classics 94955 13 Smetana, B. Overture to The bartered bride Mozart, W. Divertimento in B flat, K439b no 4 (1866). Prague SO/Ondrej Lenárd. (c1783/86). Wind Soloists of the CO of Europe. apex 0927 44354 2 7 Teldec 2292-46472-2 15 Janácek, L. Idyll for string orchestra (1878). Short, G. Mount Takhoma (1966). Northwest Los Angeles CO/Gerard Schwarz. SO/Anthony Spain. Nonesuch 79033-2 27 Koch 3-7399-2 HI 12 Reicha, A. Grand solo for harmonica and Hummel, J. Serenade in E flat for wind sextet orchestra. Bruno Hoffmann, glass hp; Pro and double bass. Consortium Classicum. Musica O/Paul Angerer. Musikproduktion MD+G L 3440 18 LP Fono FSM 53233 15

22:30 ULTIMA THULE

Friday 26 February 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Annabelle Drumm 09:00 DIVERSIONS IN FINE MUSIC Al fresco Prepared by James Nightingale Fucik, J. Overture: Marinarella, op 215. Royal Australian Navy Band/Phillip Anderson. Royal Australian Navy RAN-005 13

Stravinsky, I. Concerto in E flat, Dumbarton Oaks (1937-38). Nash Ensemble/Elgar Howarth. EMI 5 72698 2 15 Alfvén, H. Symphony no 2 in D, op 11 (189798). Stockholm PO/Neeme Järvi. BIS CD-385 54 12:00 A JAZZ HOUR With Barry O'Sullivan 13:00 THE PIKLER FAMILY Prepared by Stephen Wilson Mozart, W. Wind quintet after Piano sonata in B flat, K570 (1789; arr. George Pikler). Guy Henderson, ob; Sydney Wind Quartet. Fine Music concert recording 14 Falla, M. de Three popular songs (1915; arr. Chadwick). Jane Rutter, fl; Louise Johnson, hp. ABC 476 6475 5 Buxtehude, D. Suite in E minor, BuxW236 (transcr. Bream). Fine Music concert recording 8 Gregory Pikler, gui (2 above)

Martinu, B. Suite from Juliette (1939). Czech PO/Charles Mackerras. Supraphon SU 3994-2 13 Biber, H. Sonata in B flat, Peasants' churchgoing. Concentus Musicus Vienna/Nikolaus Harnoncourt. Archiv 437 081-2 6 Dvorák, A. Symphony no 8 in G, op 88 (1889). Berlin PO/Herbert von Karajan. EMI CDM 7 64325 2 36 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 FRIDAY JAZZ SESSION With Alex Siegers 20:00 EVENINGS WITH THE ORCHESTRA Prepared by Nicky Gluch Saint-Saëns, C. The carnival of the animals (1886). David Strange, vc; Anthony Goldstone, pf; Ian Brown, pf; Royal PO/Owain Arwel Hughes. ASV QS 6124 22 Milhaud, D. Ballet: Le boeuf sur le toit, op 58 (1919). London SO/Antal Dorati. Mercury 478 5092 19 Haydn, J. Symphony in C, Hob.I:82, Bear (1786). Austro-Hungarian Haydn O/Adám Fischer. 25 Nimbus NI 5419/20 Glière, R. Suite from The bronze horseman (1949). BBC PO/Edward Downes. Chandos CHAN 9379 46 22:00 BAROQUE AND BEFORE Prepared by Rodrigo Azaola Mielczewski, M. Magnificat on the third tone. Les Traversées Baroques. Le Couvent K617226 8

Speer, D. Seven brass pieces, from Neugebachene Taffel-Schnitz. Haarlem Trumpet Consort. Teldec 8.42977 ZK

Stölzel, G. Cantata: Aus der Tiefe rufe ich, Herr, zu dir. Dietrich Fischer-Dieskau, bar; Else Göhrum-Jennewein, vn; Bertha Krimm, vn; Marianne Ott, vn; Hermann Klaiss, vc; Hermann Werdermann, hpd. Hänssler 94.218 13 Zelenka, J. Capriccio no 4 in A (1729). Camerata Bern. Archiv 469 842-2

Fux, J. Plaudite, sonat tuba. Martin Klietman, ten; Edward H. Tarr, tpt; Capella Savaria; Pál Németh, cond. Hungaroton HCD 31134 17 Erlebach, P. Ach dass ich Wassers genug hätte. Dorothée Mields, sop; Margaret Hunter, sop; Alexander Schneider, alto; Andreas Post, ten; Matthias Vieweg, bass; Les Amis de Philippe/Ludger Rémy. cpo 777 346-2 14

Castelnuovo-Tedesco, M. Three Mediterranean preludes, op 176 (1955). Dick Hoogeveen, gui. Etcetera KTC 1150 11 Josquin Desprez. Plus nulz regretz. Song Company/Nicholas Routley. Tall Poppies TP077 10 Infante, M. Andalusian dances (1921). Karin Lechner, Sergio Tiempo, pf. EMI 3 58472 2 16 Dufay, G. Nuper rosarum flores à 4. Cantillation/Antony Walker. ABC 472 881-2

Kalomiris, M. Rhapsody no 2, Night song (1921). Aris Garoufalis, pf. LP Concert Athens CP 925 11 Camilleri, C. Études bk 1 (1962). Rhondda Gillespie, pf. LP Vista VPS 1003 10 11:30 ON PARADE Prepared by Derek Parker

Arnold, M. Little suite no 2 for brass band, op Biber, H. Harmonia artificiosa partita 6. Irish 93 (1967). Grimethorpe Colliery Band/Elgar Baroque O Chamber Soloists/Monica Huggett. Howarth. Avie AV2202 16 Sony 88875181702 6 Vaughan Williams, R. Variations for brass band. John Foster Black Dyke Mills Band/ Saturday 27 February Geoffrey Brand. Chandos CHAN 4510 12 00:00 CLASSIC-ALL THROUGH Anon. Farewell, from the American Brass THE NIGHT Journal (1987). Summit Brass. 1 06:00 SATURDAY MORNING MUSIC Pro Arte CDD 318 With Peter Bell Saint-Saëns, C. Marche militaire française, 09:00 WHAT'S ON IN MUSIC Our weekly guide to musical events in and around Sydney

from Suite algérienne (arr. Hargreaves). Grimethorpe Colliery Band/Peter Parkes. Chandos CHAN 4542

09:05 THE PIANO ALONE Prepared by Michael Morton-Evans

12:00 URBAN JAZZ LOUNGE With Leita Hutchings

Foster, G. Legend: The passionate affair between a Persian prince and an English lady. Grant Foster, pf. EMI CDMID 166264 19

13:00 IN A SENTIMENTAL MOOD With Maureen Meers Nostalgic music and artists from the 30s, 40s and 50s and occasionally beyond, in a trip down many memory lanes

Beethoven, L. Andante in F, WoO57, Andante favori (1803). Gerard Willems, pf. ABC 476 4113 8 Schumann, R. Carnival jest from Vienna, op 26 (1839). Timothy Young, pf. Fine Music concert recording 22 10:00 MUSICAL JOURNEYS Mediterranean shores Prepared by Rodrigo Azaola Glanville-Hicks, P. Letters from Morocco (1952). Gerald English, ten; Tasmanian SO/ Antony Walker. 15 Tall Poppies TP112

14:00 SATURDAY MATINEE Prepared by Elaine Siversen Handel, G. Oratorio: Jephtha, HWV70 (1752). Lynne Dawson, sop; Ruth Holton, sop; Anne Sofie von Otter, cont; Michael Chance, ct; Nigel Robson, ten; Stephen Varcoe, bar; Monteverdi Choir; English Baroque Soloists/ John Eliot Gardiner. 2:38 DG 479 1044

He shall feed his flock, from Messiah, HWV56 (1741). Arleen Augér, sop; Anne Sofie von Otter, cont; English Concert/Trevor Pinnock. ABC 442 9812 6 17:00 SOCIETY SPOT Sydney Schubert Society Prepared by Ross Hayes

Boccherini, L. Symphony in E flat, op 12 no 2 (1771). New Philharmonia O/Raymond Leppard. 27 Philips 438 314-2

Byrd, W. Sanctus, Benedictus, Agnus Dei, from Mass for four voices. Magnificat/Philip Cave. Linn BKD233 9

Clementi, M. Piano sonata in G, op 40 no 1 (1802). Howard Shelley, pf. Hyperion CDA67819 25

12:00 CLASSIC JAZZ AND RAGTIME With Dave Mac

Civitas sancti tui. Choir of Westminster Cathedral/James O’Donnell. Hyperion CDA 66850

Grieg, E. Symphonic dances, op 64 (1896/98). 13:00 WORLD MUSIC: Whirled Bergen PO/Ole Kristian Ruud. Wide BIS CD-1740/42 34 With Orli Zahava

18:00 MUSIC OF THE SCREEN Prepared by Paul Cooke Kilar, W. Phantasms of love; The kiss; Love remains; End credits, from The portrait of a lady (1996). O/Stephen Konicek, Nic Raine. London 455 011-2 14 Westlake, N. The competition, from the soundtrack of Paper planes (2015). Riley Lee, shakuhachi; Michael Kieran Harvey, pf; Melbourne SO/Nigel Westlake. ABC 481 1477 9 Frankel, B. The prisoner (1955). Royal Liverpool PO/Carl Davis. Naxos 8.557850

Farrenc, L. Sextet in C minor for piano and wind quintet (1852). Kathryn Selby, pf; Omega Ensemble. Fine Music concert recording 25

19:00 EMERGENT JAZZ With Keith Pettigrew 20:00 THE LIFE OF A COMPOSER Joachim Raff Prepared by Paul Cooke Raff, J. Overture to King Alfred, WoO14 (1848-49). Suisse Romande O/Neeme Järvi. 14 Chandos CHSA 5135 Duo on themes from Wagner’s Lohengrin, op 63 no 3 (1853). Livia Sohn, vn; Benjamin Loeb, pf. Naxos 8.570202 9 Grand sonata no 4, op 129 (1866). Ingolf Turban, vn; Jascha Nemtsov, pf. cpo 777 006-2 16 La fileuse, op 157 no 2 (1870). Philip Martin, pf. Hyperion CDA67379 4 String octet in C, op 176 (1872). Academy of St Martin in the Fields Chamber Ensemble. Chandos CHAN 8790 24 Die Tageszeiten, op 209 (1877). Sangkraft Chamber Choir; Tra Nguyen, pf; Norrlands Opera SO/Andrea Quinn. Sterling CDS-1089-2 41 22:00 SATURDAY NIGHT AT HOME Prepared by Paul Cooke Thalberg, S. Piano concerto in F minor, op 5 (c1830). Francesco Nicolosi, pf; Razumovsky SO/Andrew Mogrelia. 29 Naxos 8.553701

Sunday 28 February 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC With Terry McMullen 09:00 MUSICA SACRA Prepared by Nicky Gluch Bernstein, L. Missa brevis (1988). Paulo Mestre, ct; São Paulo Symphony Ch & O/ Marin Alsop. Naxos 8.559742 11 Boccherini, L. Stabat Mater, G532, version 1 (1781). Agnès Mellon, sop; Ensemble 415/ Chiara Banchini. Harmonia Mundi HMG 501933.34 43 10:00 THE CLASSICAL ERA Prepared by Di Cox

Twist, J. How shall we sing in a strange land? Choir of St James Church, Sydney/Warren Trevelyan-Jones. 8

14:00 SONATA Prepared by Elaine Siversen Tchaikovsky, P. Piano sonata in G, op 37 (1878). Michael Ponti, pf. LP Vox/Record Society S/6529-30-31 28 Moscheles, I. Grand sonata concertante in A, op 44 (1818). András Adorjan, fl; Noël Lee, pf. LP Orfeo S 049832 H 27 15:00 SUNDAY SPECIAL Birds and music: Olivier Messiaen Prepared by Dan Bickel Messiaen, O. Abîme des oiseaux, from Quartet for the end of Time (1939). Paul Meyer, cl. Denon CO- 78917 Exotic birds (1956). Netherlands Wind Ensemble Chandos CHAN 9301/2

Esenvalds, E. Amazing grace. Choir of Trinity College, Cambridge/Stephen Layton. Hyperion CDA 68083 5 18:00 SMALL FORCES Prepared by D Cox Bach, J.S. Suite no 5 in G, BWV816, French (1725; arr. Groningen Guitar Duo). Groningen Guitar Duo. Ottavo OTR C118818 16 Mozart, W. Trio in E flat for clarinet, viola and piano, K498, Kegelstatt (1786). Antony Morf, cl; Claudio Veress, va; Ilse von Alpenheim, pf. BIS CD-513/514 20

Smetana, B. String quartet no 2 in D minor (1882-83). Lindsay String Quartet. ASV DCA 777 17 19:00 SUNDAY NIGHT CONCERT Prepared by Frank Morrison

Debussy, C. La mer (1905). London SO/ The alpine chough; The tawny owl; The Charles Mackerras. Arriaga, J. Overture to Nonetto, op 1 (c1817). woodlark, from Catalogue of the birds (1959). Centaur CRC 2090 24 Peter Cundall, narr; Michael Kieran Harvey, pf. Le Concert des Nations/Jordi Savall. 28 Mozart, W. Violin concerto no 1 in B flat, K207 Astrée E 8532 8 Move MD3299 (1773). Isaac Stern, vn; Columbia SO/George Éclairs sur l'au delà (1991). Sydney SO/David Sor, F. Divertissment, op 38. Robert Kubica, Szell. Porcelijn. gui; Wilma van Berkel, gui. Sony SM3K 66 475 21 1:02 Naxos 8.553302 9 ABC 442 510-2 Mendelssohn, F. Symphony no 3 in A 17:00 HOSANNA Pleyel, I. Clarinet concerto in B flat. Paul minor, op 56, Scottish (1831-41). Vienna PO/ Meyer, cl; Franz Liszt CO/Jean-Pierre Rampal. Hymn: Dear Lord and Father of mankind. Christoph von Dohnányi. Denon CO-78911 23 Choir of Westminster Abbey; Daniel Cook, org; Decca 460 239-2 37 4 Reicha, A. Variations on a theme of Gluck, op James O’Donnell, cond. 20:30 NEW HORIZONS 87 (bef. 1815). Dorde Radevski, pf. Lang, C.S. Psalm 137. Choir of St James Prepared by James Nightingale Alpha ALPHA 369 15 Church, Sydney/Warren Trevelyan-Jones. 3 Reyk, B. van Light for the first time (2017). Grétry, A-E-M. String quartet in E flat, op 3 no Purcell, H. Magnificat; Nunc dimittis in G Ensemble Offspring. 2 (1761-65). Haydn Quartet. minor. Choir of Christ Church Cathedral www.ensembleoffspring.com 11 Koch CD 310 158 H1 8 Oxford/Simon Preston. Tann, H. In the theatre of air. Marsyas Trio. Archiv 459 487-2 8 Berwald, F. Concert piece in F, op 2 (1820). NMC NMC248 16 Klaus Thunemann, bn; Academy of St Martin Hear my prayer, O Lord. Choir of Westminster Harvey, M.K. Piano sonata no 5, Greta. in the Fields/Neville Marriner. Abbey/James O’Donnell. Michael Kieran Harvey, pf. Philips 446 096-2 11 Hyperion CDA 67792 2 Move MD 3452 31 Schubert, F. Die Nachtigall, D724 (1821). Die Wesley, S.S. Wash me throughly from my Dean, B. Water music (2003/04). Raschèr Singphoniker. wickedness. Choir of St John’s College, Saxophone Quartet/H.K. Gruber. cpo 999 397-2 5 Cambridge; John Challenger, org; Andrew BIS CD 1576 24 Nethsingha, cond. 5 22:00 JAZZ AFTER HOURS Chandos CHAN 10751

With Deborah Evans

The following composers have works of at least five minutes on the February dates listed Abbott, C. 1916-1994 5 Adams, J.L. b1953 17 Albéniz, I. 1860-1909 11 Albrechtsberger, J. 1736-1809 4 Alfvén, H. 1872-1960 6,26 Alkan, C-V. 1813-1888 2,8 Alwyn, W. 1905-1985 25 André, J. 1775-1842 4 Antheil, G. 1900-1959 11 Araia, F. 1709-c1770 3 Archduke Rudolph of Austria. 1788-1831 14 Arensky, A. 1861-1906 24 Arne, T. 1710-1778 25 Arnold, M. 1921-2006 8,15,27 Arriaga, J. 1806-1826 28 Aubert, J. 1689-1753 17 Auric, G. 1899-1983 15 Avison, C. 1709-1770 7 Bach, J. Christian 1735-17825 18 Bach, J. Christoph 1642-1703 10 Bach, J.S. 1685-1750 11,13,15,25,28 Bach, W.F. 1710-1784 10 Barber, S. 1910-1981 11,21 Bartók, B. 1881-1945 15,19,23 Bauer, M. 1855-1955 1 Bax, A. 1883-1953 2 Beach, A. 1867-1944 18 Beethoven, L. 1770 - 1827 2,4,7,16,21,23,24,27 Bellini, V. 1801-1835 21 Benda, F. 1709-1786 12 Benjamin, A. 1893-1960 24 Berio, L. 1925-2003 7 Berlioz, H. 1803-1869 2,20 Bernstein, L. 1918-1990 28 Berwald, F. 1796-1868 12,28 Biber, H. 1644-1704 26 Billingham, J. b1986 12 Bizet, G. 1838-1875 11 Bliss, A. 1891-1975 9 Boccherini, L. 1743-1805 14,16,22,28 Borgstrøm, H. 1866-1925 5 Borodin, A. 1833-1887 22 Bouman, H. b1951 13 Bracanin, P. b1942 10 Brahms, J. 1833 - 1897 2,9,11,13,19,20,21 Braun, J. 1728-1740 17,22 Bridge, F. 1879-1941 9 Britten, B. 19131976 8,15,22,23,24 Brouwer, M. b1940 10 Bruch, M. 1838-1920 16,17,21 Bruckner, A. 1824-1896 21 Brumby, C. 1933-2018 1 Bryant, S. b1972 13 Busoni, F. 1866-1924 16 Buxtehude, D. 1637-1707 26 Byrd, W. 1543-1623 5,28 Caccini, F. 1587-1640 12 Caldara, A. c1670-1736 13 Camilleri, C. b1931 27 Campagnoli, B. 1751-1827 3 Campra, A. 1660-1744 24 Cardoso, M. 1566-1630 7 Carlson, R. b1937 19 Carr-Boyd, A. b1938 5 Castelnuovo-Tedesco,M. 1895-1968 27 Chabrier, E. 1841-1894 10,14 Charlton, R. b1955 5 Chausson, E. 1855-1899 26 Cherubini, L. 1760-1842 14 Chopin, F. 1810-1849 5,6,8,11,13,18,23 Clementi, M. 1752-1832 27 Costeley, G. c1530-1606 5 Couperin, F. 1668-1733 9 Cowen, F. 1852-1935 20 Crusell, B. 1775-1838 14 Czerny, C. 1791-1857 16 d’Indy, V. 1861-1931 19 Dallapiccola, L. 1904-1975 17,24 Damase, J-M. 1928-2013 25 Dankowski, A. c1760-aft1800 3 Danzi, F. 1763-1826 16 b1961 28 Dean, B.

Key

Ch & O: Chorus & Orchestra CO: Chamber Orchestra FO: Festival Orchestra NO: National Orchestra NSO: National Symphony Orchestra PO: Philharmonic Orchestra RO: Radio Orchestra RSO: Radio Symphony

Debussy, C. 1862-1918 2,8,9,10,11,12,18,23,25,28 Delany, J. 1852-1907 24 1862-1934 13 Delius, F. Dittersdorf, C. 1739-1799 21,25 Donato, B. c1525-1603 5 Donizetti, G. 1797-1848 8,24 Dowland, J. c1563-1626 5 Dubois, T. 1837-1924 4 Dufay, G. c1397-1474 27 Dukas, P. 1865-1935 4 Dupré, M. 1886-1971 23 Dussek, J. 1760-1812 2 Dvorák, A. 1841 - 1904 2,16,20,23,25,26 Eberl, A. Edwards, R. Elgar, E. Eliasson, A. Erlebach, P. Ernst, H. Evgrafov, D.

1765-1807 11 b1943 5,7,9 1857-1934 5,19 1947-2013 10 fl 1690-1700 26 1814-1865 8 20th C 21

Farrenc, L. 1804-1875 Fasch, J. 1688-1758 Feldman, M. 1926-1987 Fiala, J. 1748-1816 Field, J. 1782-1837 Flecha, M. [El Viejo] 1481-1553 Foster, G. b1945 Françaix, J. 1912-1997 Franck, C. 1822-1890 Frankel, B. 1906-1973 Fucik, J. 1872-1916 Fux, J. 1660-1741

11,27 15,16 17 4 14,21 5,18 27 18 6 27 19,26 26

Gade, N. 1817-1890 8 Galuppi, B. 1706-1785 5,24 Gershwin, G. 1898-1937 13,15,20 Giampieri, A. 1893-1963 1 Giuliano, G. 18th C 16 Glanville-Hicks, P. 1912-1990 27 Glass, P. b1937 14,18,25 Glière, R. 1875-1956 26 Gluck, C. 1714-1787 25 Goldmark, K. 1830-1915 10,16 Gossec, F-J. 1734-1829 21 Gounod, C. 1818-1893 11 Granados, E. 1867-1916 22 Greene, M. 1696-1755 21 Grétry, A-E-M. 17411813 4,16,18,22,28 Grieg, E. 18431907 5,6,7,8,10,14,27 Gubaidulina, S. b1931 7,17 Guonadóttir, H. b1982 14 Guridi, J. 1886-1961 8 Hahn, R. 1875-1947 11 Halffter, R. 1900-1987 11 Halvorsen, J. 1864-1935 5 Handel, G. 1685-1759 14,16,17,19,22,27 Hanmer, R. 1917-1994 4 Hartmann, J.P.E. 1805-1900 23 Harvey, M.K. b1961 28 Harwood, B. 1859-1949 21 Haydn, J. 1732-1809 4,7,9,12,14,22,24,25,26 Haydn, M. 1737-1806 13,25 Heinichen, J. 1683-1729 17 Herbert, V. 1859-1924 6 Herman, J 13 Herschel, W. 1738-1822 8 Hindemith, P. 1895-1963 10 Hoffmeister, F. 1754-1811 27 Hofmann, L. 1738-1793 14 Holborne, A. fl c1584-1602 5 Holst, G. 1874-1934 6,8,19 Horneman, C. 1840-1906 3 Hovhaness, A. 1911-2000 12 Howells, H. 1892-1983 16 Hummel, J. 1778-1837 3,4,16,18,21,26 Ibert, J. Infante, M. Ireland, J. Iturralde, P.

1890-1962 1883-1958 1879-1962 1929-2020

Jadin, H. Janácek, L.

1769-1802 3 1854-1928 7,12,26

Orchestra RTO: Radio & Television Orchestra RTV SO: Radio and Television Symphony Orchestra SO: Symphony Orchestra TO: Theatre Orchestra alto: male alto ban: bandoneon

11 27 15,21,26 15

Jommelli, N. 1714-1774 14 Josquin Desprez. c1450-1521 27 Kalinnikov, Vasily. 1866-1901 24 Kalomiris, M. 1883-1962 27 Kander, J. b1927 6 Kats-Chernin, E. b1957 4,21 Kay, D. b1933 2 Khachaturian, A. 1903-1978 1 Kilar, W. 1932-2013 27 Kodály, Z. 1882-1967 3,5,13 Koechlin, C. 1867-1950 7,11,18 Koehne, G. b1956 20 Koetsier, J. 1911-2006 19 Korngold, E. 1897-1957 22,23 Kreutzer, C. 1780-1849 14 Kreutzer, R. 1766-1831 19 Kuhlau, F. 1786-1832 6 Kuhnau, J. 1660-1722 7,9 Lachner, F. 1803-1890 5,18 Lalo, E. 1823-1892 1 Lambardi, F. c1587-1642 18 Lanchbery, J. 1923-2003 20 Lane, P. b1950 23 Langgaard, S. 1852-1914 3 Langlais, J. 1907-1991 14 Lanzetti, S. 1710-1780 22 Larsson, L-E. 1908-1986 19 Lehár, F. 1870-1948 6 Lewandowski, L. 1831-1896 7 Lim, L. b1966 24 Liszt, F. 1811-1886 1,4,6,7,11,12,13,20 Loesser, F. 1910-1969 6 Loewe, F. 1901-1988 6 Lovelock, W. 1899-1986 4 Lutoslawski, W. 1913-1994 2,15,24 Lutyens, E. 1906-1983 12 MacDowell, E. 1860-1908 4 Marenzio, L. 1553-1599 12 Marsh, J. 1752-1828 17 Marshall-Hall, G. 1862-1915 4 Martinu, B. 1890-1959 5,26 Mendelssohn, F. 18091847 3,4,5,6,9,14,28 Menotti, G. 1911-2007 11 Messiaen, O. 1908-1992 28 Mielczewski, M. c16001651 26 Milhaud, D. 1892-1974 15,26 Mirto, G. b1972 26 Monckton, L. 1861-1924 20 Monteverdi, C. 1567-1643 12 Moscheles, I. 1794-1870 28 Moszkowski, M. 1854-1925 8,10,23 Mozart, F. 1791-1844 9 Mozart, L. 1719-1787 9 Mozart, W. 1756-1791 2,5,6,7,9, 13,14,16,19,20,21,23,24,25,26,28 Muhly, N. b1981 14 Müller, I. 1786-1854 6 Mussorgsky, M. 1839-1881 19,21 Müthel, J. 1728-1788 3 Myaskovsky, N. 1881-1950 15 Nathan, I. Nielsen, C. Nixon, R. Novák, V. Nyman, M.

1790-1864 1865-1931 1921-2009 1870-1949 b1944

4 1,3,9,15 13 11,12 20

Offenbach, J. 1819-1880 3,13 Onslow, G. 1784-1853 10 Orbón, J. 1925-1991 10 Pachelbel, J. 1653-1706 7 Padilla, J. de c1590-1664 11 Paganini, N. 1782-1840 25 Panufnik, A. 1914-1991 8 Pärt, A. b1935 7 Pierné, G. 1863-1937 7,25 Piston, W. 1894-1976 25 Pleyel, I. 1757-1831 23,28 Ponce, M. 1882-1948 11 Potter, C. 1792-1871 18 Poulenc, F. 1899-1963 1,15,23 Praeger, H. 1783-1854 24 Praetorius, M. c1571-1621 12,19,23 Prokofiev, S. 1891-1953 2,8,15,18,20,25

bar: baritone bshn: basset horn bass: bass bn: bassoon bass bar: bass baritone cl: clarinet clvd: clavichord cont: contralto cora: cor anglais ct: counter-tenor

Purcell, H.

1659-1695 28

Quentin, J-B. 1718-c1750 22 Rachmaninov, S. 1873-1943 1,10,17,21,25 Raff, J. 1822-1882 4,27 Ravel, M. 1875-1937 11 Reicha, A. 1770-1836 7,14,19,22,26,28 Reser, H. 1896-1965 16 Respighi, O. 1879-1936 1,6 Revueltas, S. 1899-1940 8 Reyk, B. van 20th C 28 Richter, F. 1709-1789 22 Riisager, K. 1897-1974 6 Rimsky-Korsakov, N. 1844-1908 6,17 Riotte, P. 1776-1856 10 Rodgers, R. 1902-1979 6 Roman, J. 1694-1758 15 Röntgen, J. 1855-1932 13 Roslavets, N. 1881-1944 25 Roussel, A. 1869-1937 13,16,17 b1945 14 Rutter, J. Rutter, Jane. b1958 11

Wada, K. b1962 18 Wagner, R. 1813-1883 4,6,19,23 Weber, C.M. 1786-1826 3,18,21 Westlake, N. b1958 8,27 Whitacre, E. b1970 19 Widor, C-M. 1844-1937 21 Williamson, M. 1931-2003 5,13 Yoshimatsu, T. b1953

Zamboni, G. fl 1700 Zelenka, J. 1679-1745

16 10,17,26

Saariaho, K. b1952 17 Saint-Georges, J. 1745-1799 10 Saint-Saëns, C. 1835-1921 2,5,26 Salzedo, C. 1885-1961 2 Scarlatti, A. 1659-1725 13 Scarlatti, D. 1685-1757 21 Schmitt, F. 1870-1958 22 Schobert, J. 1740-1767 24 Schoenberg, A. 1874-1951 3 Schubert, F. 1797-1828 2,20,25 Schultze, J. 1733-1813 4 Schulze, W. b1952 11 Schumann, C. 1819-1896 1 Schumann, R. 1810-1856 8,23,27 Sculthorpe, P. 1929-2014 5,18 Shankar, R. 1920-2012 16 Short, G. 1938-1999 26 Shostakovich, D. 1906-1975 2,17,23 Sibelius, J. 1865-1957 1,6,21 Sinding, C. 1856-1941 5 Skryabin, A. 1872-1915 18 Smetana, B. 1824-1884 12,26,28 Sor, F. 1778-1839 4,19,28 Speer, D. 1636-1707 26 Spike, K. b1959 14,15 1784-1859 18 Spohr, L. Spontini, G. 1774-1851 24 Standford, P. b1939 18 Stanford, C. Villiers 1852-1924 21 Stenhammar, W. 1871-1927 7 Stölzel, G. 1690-1749 26 Strauss, J. II 1825-1899 1,19 Strauss, R. 1864-1949 5,7,12,16,17 Stravinsky, I. 1882-1971 17,18,19,20,25,26 Striggio, A. c1535-1592 12 Strouse, C. b1928 6 Suk, J. 1874-1935 7,12 Sullivan, A. 1842-1900 1 Suppé, F. 1819-1895 25 Svendsen, J. 1840-1911 13 Sweelinck, J. 1562-1621 2 Szymanowski, K. 1882-1937 20 Takemitsu, T. 1930-1996 18,24 Tann, H. b1947 28 Tawadros, Joseph. b1983 16 Tchaikovsky, P. 1840-1893 6,14,19,20,21,25,28 Telemann, G. 1681-1767 16,18,20 Thalberg, S. 1812-1871 27 Tippett, M. 1905-1998 9,22 Torke, M. b1961 14 Triebert, C-L. 1820-1867 4 Turina, J. 1882-1949 1,19 Twist, J. b1982 28 4 Vanerovsky, F. d1834 Vaughan Williams, R. 1872-1958 8,26,27 Veracini, F. 1690-1768 24 Verbey, T. b1959 14 Verdi, G. 1813-1901 25 Victoria, T. de 1548-1611 5 Vine, C. b1954 24 Viotti, G. 1755-1824 2,17 Vivaldi, A. 1678-1741 15

Music duration is shown after the record and citation

db: double bass dbn: double bassoon did: didjeridu elec: electronic fl: flute fp: fortepiano gui: guitar hn: french horn hp: harp hpd: harpsichord

mand: mandolin mar: marimba mezz: mezzo-soprano narr: narrator ob: oboe org: organ perc: percussion pf: piano picc: piccolo rec: recorder

sax: saxophone sop: soprano tb: trombone ten: tenor timp: timpani tpt: trumpet treb: treble voice va: viola vc: cello vn: violin

Volunteer Spotlight Robert Small

Pamela Newling talks to specialist expert in recorder music, Robert Small

Robert gives an affectionate description of his love of music, which began ‘as a kid’ when listening, with his Mum, to the latest World Record Club LPs when they arrived in the mail. La Mer, The Moldau, Grieg’s Piano Concerto - all the classics. He took up the recorder and soon after joined the Sydney Society of Recorder Players (SSRP) in 1983. This remains a passionate interest and Robert loves to present the Society’s program, which was his introduction to the station. Robert began programming in 2003 and presenting in 2005. He says: “I took on presenting because my programs were in specialist areas like recorder music where some background knowledge, interest and enthusiasm make a big difference to the engagement of the listener. I felt I could do a much better job of this than some of the duty presenters rostered to my programs.” Another program he really enjoys presenting is Sunday Morning Music because of the freedom it offers the presenter—more freedom than other programs. His warm voice and happy disposition also welcome listeners to Fine Music Breakfast. Robert says of his involvement with the station: “I enjoy the richness of the experience. The radio station is a truly extraordinary enterprise to be involved in, full of knowledgeable and fascinating people to talk with about music and all sorts of other things. I love the way the place brings together kindred spirits so willing to have a chat and make friends. The clockwork precision and organisation of the place never ceases to amaze me. I freely admit to relying on the security I think we all feel from such a safety blanket. Of course I have also increased my knowledge of music (that’s an understatement!), honed my skills of engagement, and constantly relearned managing complex technology that doesn’t stand still. It is also a place where I have been

I enjoy the richness of the

experience. The radio station is a

Photo supplied by Fine Music / Illustration by Lyndon Pike

encouraged to give back to the community, whether sitting on the board or committees, or training new presenters, or presenting Enjoy Learn and Discuss talks.” Asked about unforgettable music experiences, Robert says: “Listening to Vaughan William’s Tallis Fantasia for the first time was an absolute revelation, so mystical, other worldly and spiritual.” And another: “Playing trumpet in the Turrumburra Concert Band for the first time was nearly better than sex. The rush of blood, the excitement, the fear, the teamwork, the sheer joy of making music, wow!” A consultant metallurgist by profession, Robert plays recorder in Consort 8, Sydney’s ‘unique renaissance band’ and volunteers with St Pauls Burwood Parish Pantry. His busy life currently excludes time for sailing and trumpeting.

truly extraordinary enterprise to be involved in

Listening To The Birds Dan Bickel shares Messiaen’s avian fascination Illustration by Lyndon Pike

Birds have long been associated with human music-making in almost all cultures. Some musicologists believe that birdsong – which employs rhythm, pitch relations and note combinations – had a major influence on music’s development, not only through imitation but also through inspiration, for example by reflecting the moods of a landscape.

Le merle noir, for flute and piano, was based on the blackbird’s song, and was followed by Réveil des oiseaux, Oiseaux exotiques and Catalogue d’oiseaux (a two and a half hour composition for piano, which incorporates the songs of 77 different species). Messiaen’s opera Saint-François d’Assise (he preferred to call it a ‘spectacle’) is testimony to both his dual inspirations and saw him travelling to Assisi (and New Caledonia!) to research birdsong.

There is a rich tradition of imitating birdsong in European music, with the nightingale and the cuckoo being especially popular. Some composers have incorporated recordings of birds into their music, such as Respighi with the nightingale in The Pines of Rome and the Finnish composer Einojuhani Rautavaara with nesting birds and migrating swans in his atmospheric Cantus Arcticus. Other music reflects bird behaviour, like the scratching hen in Rameau’s La gallina and the soaring flight depicted in Vaughan Williams’ well-known The Lark Ascending.

Messiaen travelled widely, both to attend musical events and to make tape recordings of exotic birds in the wild. In 1988, he attended the Australian Bicentennial celebrations and was delighted to be able to observe and record lyrebirds in Sherbrook Forest outside Melbourne. When told that the lyrebird steals other birds’ songs, he took offence. “No bird steals another bird’s song,” he protested. “It’s a lie. It’s a transcription!” The sounds of both lyrebird and kookaburra can be found in his Éclairs sur l’Au-Delà... (Illuminations of the Beyond...)

The 20th century composer who is probably most associated with birdsong is the French composer Olivier Messiaen. Fascinated by birds from an early age, this interest was encouraged by one of his teachers, Paul Dukas, who reportedly urged his pupils to “listen to the birds”. While a prisonerof-war during World War II, Messiaen composed and performed his Quatuor pour la fin du temps. He and the cellist would arrange their military watches so they could listen to the birds of the dawn chorus, and the composition included music which imitated the songs of the blackbird and the nightingale, played respectively by the clarinet and violin.

Messiaen’s evocations of birdsong are not, however, simple transcriptions but tone poems evoking the landscape, its colours and atmosphere. It has been remarked that: “Messiaen was a more conscientious ornithologist than any previous composer, and a more musical observer of birdsong than any previous ornithologist”.

Messiaen was a distinctive composer who was inspired both by the beauty of the natural world and by his deeply held Roman Catholic faith. In his music, he concentrated on the theology of joy, divine love and redemption rather than on sin. He saw birdsong as a direct link to the music of Heaven, with his duty being to portray it as accurately as possible. Birdsong is notated precisely in his compositions written after 1950:

Fine Music Sydney’s Birds and Music series will feature compositions by Messiaen in February, by Takashi Yoshimatsu (Japan) in April, and by John Luther Adams (USA) in June. Sunday Specials starting Sunday 28 February at 3pm

The Themes of Fine Jazz on Fine Music Sydney

Keith Pettigrew continues exploring the magic behind our jazz presenters’ theme tunes

Illustration by Lyndon Pike

Fine Jazz has been part of Fine Music Sydney since the original broadcasting licence 45 years ago. Each of our 18 jazz presenters has their own focus from the 120-year history of jazz: 1900s classics; swing; 50s bebop; 60s cool jazz; bossa nova; jazz from 21C pop; Middle Eastern; and emergent jazz for tomorrow. This short series brings you the magic of jazz, expressed by presenters’ theme tunes.

Jazz Sketches – Robert Vale on Wednesdays at noon Theme: Groove Waltz (McCoy Tyner, 1963) McCoy Tyner Groove Waltz was released by McCoy Tyner on his third album Nights of Ballads and Blues in 1963. It followed his producer’s request to record “more straightforward jazz albums”, exhibiting a reserved elegance and tenderness that reveals the other side of his personality—a lover of melody and standards. At that time, he was halfway through a 5-year stint as pianist in the John Coltrane Quartet which yielded the landmark recordings A Love Supreme, Crescent, and Live at the Village Vanguard. The album has been described as providing room to develop classic statements on highlights like Monk’s Round Midnight, Ellington and Strayhorn’s Satin Doll, and Parker’s Star Eyes. Tyner and Bill Evans are considered by many to be the two most formative jazz pianist/composers of the second half of the 20th century. The tune Groove Waltz was stylistically new at the time, consistent with Robert’s playlist for Jazz Sketches. Noon daily, 7pm Monday to Saturday and 10pm on Sundays and Monday

Swing Sessions – John Buchanan on Mondays at noon Theme: Blue Room (Rogers & Hart, 1926) by Benny Goodman Blue Room was written as a show tune for a 1926 musical The Girl Friend by Rodgers and Hart. Recorded by The Revelers in 1926 and the Hamilton Sisters in 1927, its popularity increased when the Dorsey Brothers released it in 1933 and subsequently recorded in 1938 by Benny Goodman and his Orchestra as part of a Live at Carnegie Hall jazz concert. The event has been described as “the single most important jazz or popular music concert in history: jazz’s ‘coming out’ party to the world of ‘respectable’ music”. This was the era of swing. It was the popular music of the day. It was dance music. It was also the era of bands playing live-to-air on the radio. It epitomises John’s love and engagement with the music of these pre-war post-depression times. Happy cheerful dancing music on the radio. Jazz Pure and Simple – Maureen Meers on Thursday at noon Theme: Sophisticated Lady (Duke Ellington, 1932) by Don Burrows In writing this tune, Duke Ellington was inspired by three of his grade-school teachers. “They taught all winter and toured Europe in the summer. To me that spelled sophistication,” he said. It was composed in 1933 as an instrumental, featuring alto sax, clarinet, trombone and piano. Lyrics were added by Tin Pan Alley lyricist Mitchell Parish to Ellington’s lilting melody, telling the sorry tale of a wealthy love-lost socialite, smoking, drinking, never thinking of tomorrow. Ellington approved of Parish’s lyrics, calling them “wonderful— but not entirely fitted to my original conception”. It proved to be one of Ellington’s most popular and lucrative compositions. Don Burrows released it in 1992 as part of a three LP album. Burrows was central in the acceptance of jazz as a musical form to be “treated with the same seriousness accorded to other performing arts. ... For most Australians, he is … the embodiment of local jazz.” A stunning relaxed tune, befitting Maureen and her 1000 editions of Jazz, Pure & Simple.

Why Vintage Jazz is Cool Part 5 in Leita Hutching’s Why Jazz Is Cool series Illustration by Leita Hutchings

Could anything be cooler than Satchmo making “them big eyes”, or Miles Davis in a white singlet blowing his trumpet, body bent in uncanny grace? Is there anything more divine than Billie Holiday’s beautiful profile, her gaze set determinedly into the future, wearing an elegant coat and smoking? These were the celebrities of Jazz one hundred years ago, the early warriors of the Black Lives Matter movement. In their war on colour discrimination, the war against poverty, segregation, distribution of wealth, rights, and respect; all those pretty dresses, all those crisp suits and beautiful smiles, all the polish and perfection, belie the relevance and importance of the underlying politics. And as often happens, with the recognition of a new movement came a new expression in art, fashion, and music, the fusion of which became jazz. As Stanley Crouch puts it, “Jazz predicted the civil rights movement more than any other art in America”. One way to describe the quantum leap that happened musically is to look how the orchestra became the group, that instead of playing as a team, favoured a musician or solo. While Classical music generally defines the composition, tempo and expression of a piece, Jazz favours improvisation and individual interpretation. Amongst the complex chords, and delicate harmonies that Jazz prefers, the biggest innovation was the freshness, the improvisation, the play. You’re never guaranteed that what you’ve heard will ever be repeated exactly in the same way again, even with the same artist. Take Round Midnight composed by Thelonious Monk in 1941 and listen to his recording. Then to Till Bronner’s. Then Miles Davis. Then Ella Fitzgerald, and follow that by Michel Petrucciani, Andrea Motis,

Photo by Matthew Syres

JYOSHI, Samantha Farrell and Hank Jones … Each has a new attitude, with subtle nuances; each expresses their version. So, there are these musicians fooling around, just trying out stuff that appeals to them. They develop an understanding of musical progression and look to each other to express it; knowing their instruments so well, their hands just reach for the right chords or notes. These guys were the original Garage Band artists! It makes me laugh to think how punk rock is to jazz in concept.

FOUNDERS’

STUDIO HIRE Are you a musician looking to record an audition for an application, or are you wanting to record your own music?

Imagine it being illegal to hire a musician for your group because he was black … that’s what Benny Goodman did. It’s a musical genre, with a heritage forged in blood and politics and despair, but equally in musical innovation.

We have a studio ready for you to record in.

And just as fashion and politics evolve, music evolves also, and here we are with a beautiful expression of all that coolness, with artists like Najponk Trio, the Marsalis family and thousands of other amazing jazz artists. But without Satchmo and Lady Day and a hundred other vintage artists, we wouldn’t have the plethora of jazz today; they’re the real heroes of jazz. So, while your fingers are sticky and sweet with chocolate, celebrating the tradition of Valentine’s Day, think of the sweet sounds of a romantic, vintage singer like Billie Holliday; perhaps combine them - romance isn’t all chocolate and roses. Saturdays at 12 noon

Find out more at finemusicsydney.com/foundersstudio 42

CD REVIEWS

LISTENERS' LETTERS

Caroline Shaw: Is a Rose; The Listeners

Anne Sofie von Otter, Avery Amereau, Dashon Burton,Philharmonia Baroque Orchestra and Chorale, Nicholas McGegan PBP-12 8-5218800316-4

Switcher I know you’re closed but please look into this... for the past months I’ve almost given up on your station for the beautiful music you used to have before. I listen to 100.6 London. It’s incredible. They have at present the top 300 & I’ve stayed up many nights just to listen to that incredible music. PLEASE take the time to listen to it... HAPPY NEW YEAR when you read this..

A collaborator with Anne Sofie von Otter once commented how her concerts and recordings had introduced her to so much beautiful music. Von Otter’s repertoire is extremely wide-ranging, and here she sings on an album of works composed by Caroline Shaw and performed by the Philharmonia Baroque Orchestra as part of its New Music for Old Instruments initiative. Both compositions are informed by the spirit of Handel. Is a Rose, the more immediately appealing work, is a setting of three poems by Shaw, Jacob Polley, and Robert Burns. It features von Otter and a string orchestra augmented by

Peer Group

- Jo Licciardello

Thank you, Roy, for sending me the excellent new recording from the Peer Gynt suite.  I am now listening to it with pleasure but have turned off the radio to do so. They are a very interesting and talented group.

Let ‘er Rip! I would like to compliment Mr.Mcewan on today’s Concert Hall program. Absolutely beautiful music with interesting commentary. The Smetana and Borodin pieces have some exciting “let’er rip!” segments for the brass and percussion especially. Most enjoyable! Many thanks to you and the programmers.

- Jenny Blackman

With Lots of Plum Trees

Kind regards and Happy New Year!

Can u please play “Home among the Gumtrees”?

- Linda

- Tahlia

Harp of Glass

Bell Ringer

Is the glass harmonica played with other instruments? Did many composers write for the glass harmonica. Is it still used?

Thank you for the wonderful jazz program with Graham Bell - so many very happy memories. Many, many thanks.

- Margaret

- Anonymous

T H I S

M O N T H

A T

F I N E

M U S I C

Finally, I would like to thank the dedicated volunteers who were involved in the production of this month’s program. Regards, Rebecca Beare, General Manager

This is music at once approachable but rewarding. - Paul Cooke

Claudia Barainsky, John Bradbury; BBC Philharmonic; Omer Meir Wellber Chandos CHAN 20169

Here at Fine Music Sydney, in February we are excited to launch our Emerging Artist packages. After a year’s break we are ready to invite Sydney artists to apply for our Artist in Residence and Kruger and Weatherley Scholarship packages.

We encourage the emerging artists of Sydney to apply for our Emerging Artist programs in 2021. Fine Music Sydney plays an important role in encouraging young musicians and music lovers in their ambitions to become professional musicians or broadcasters. Fine Music Sydney is an integral part of Sydney’s cultural landscape promoting and encouraging an active live classical music scene in our community and supporting music education.

The Listeners is a work for vocal soloists Avery Amereau and Dashon Burton, chorus and orchestra. Its theme is the way humans have, in Shaw’s words, “for centuries and millennia … looked out at the stars and wondered about the beyond” and it intersperses its settings of poetry with excerpts from a speech by Carl Sagan and a record launched into space on the Voyager probe.

Paul Ben-Haim: Symphony No.1; Pan; Pastorale variée

S Y D N E Y

It brings me great joy to see the buzz of our young, emerging artists and established musicians coming and going from our studios while their lively music drifts up the stairs into our offices. Watching these artists evolve from behind the scenes while they use this precious resource is by far the most enjoyable part of my role as General Manager. At Fine Music Sydney we continue to focus on our goal to promote Australian musicians and composers, with a deeper focus on young and emerging artists.

oboe and harpsichord, conveying both luxury and restraint.

The music of Paul Ben-Haim is not well known outside of the Jewish world, however a few significant CDs are now beginning to appear, including a new recording of his Symphony No. 1 on the Chandos label. Ben-Haim was born in Germany but was forced to flee in the 1930s, settling in Palestine and later becoming a central figure in the music world of the newly formed Israel. This recording from the BBC Philharmonic, conducted by Omer Meir Wellber, comprises three impressive works. Pan, a tone poem for soprano and orchestra,

based on a poem by Heinrich Lautensack, is a lush and beautiful work, exquisitely performed by Claudia Barainsky on this recording. The Pastorale Variée for clarinet and strings is a work in which Ben-Haim felt that he had at last found his own voice in his adopted homeland. Composed during World War II, the Symphony No.1 is a striking and exciting work that Ben-Haim believed was impacted by the era’s “dreadful ravages of diabolical forces”.

The birthplace of this album by the Miles Davis Nonet was a 1948 weekly late-night radio broadcast from a New York nightclub. Live performances, then known as Birth of the Cool, were recorded individually, but it was not until 1951 that the 12 single acetates were incorporated into a 10” long playing record.

and French horn providing harmonies. This created a rich harmony, more lyrical, a gentler tempo, blending the horns rather than them playing off each other. This was the birth of cool.

A highly recommended recording. - James Nightingale

The Birth Of Cool Miles Davis Capitol

The instrumentation was a deliberate move from the sounds of big bands and bebop: pairing trumpet and alto saxophone, baritone saxophone and tuba providing counterpoint, and trombone

The continued success of Birth of the Cool is largely due to inspired compositions and arrangements by Gil Evans, John Lewis, Miles Davis and Gerry Mulligan. Birth of the Cool is of historic and artistic importance as well as being a great jazz collection. - Lloyd Capps

CROSSWORD

FINE MUSIC PATRONS

COMPOSERS

Written by Julie Simonds

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He was was the torch-bearer at Beethoven’s funeral. He wrote over 1000 pieces of music. (8) Paraguayan virtuoso classical guitarist and composer (7) “Il rapimento di Cefalo”, “Euridice” and “Ave Maria” (7) She was the first successful American female composer of large-scale art music. Her “Gaelic” Symphony, premiered by the Boston Symphony Orchestra in 1896 (5) 8 In 1942 was appointed Master of the King’s Music (3) 10 The Telephone, or L’Amour à trois is an English-language comic opera in one act. (7) 11 He never composed for the guitar but many of his piano pieces were transcribed for guitar.Asturias (Leyenda), Granada, Sevilla, Cadiz, Córdoba, Cataluña, Mallorca, and Tango in D (7) 13 His best known work is “Adagio for Strings “ (6) 14 “Babe, Pig in the City” composer (8) 15 His ballet score “Cendrillon” received over one hundred performances. (3) 16 He’s best-known for his substantial operatic output ,including “Peter Grimes”, “Billy Budd”and “The Turn of the Screw” (7) 20 He took a Short Ride in a Fast Machine (5) 21 Charlie Parker Jr. nickname (4)

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for "In a Monastery was was the torch-bearer at Beethovenʼs funeral. 1 He(8) 2 BestGarden" known (8) for “In a Monastery Garden” ed his compositions with BWV. (4) He wrote 5 He catalogued his compositions with BWV. (4) over 1000 pieces of music. (8) Mad Max" and Max 2"“Mad (3) Max” and “Mad Max Paraguayan virtuoso classical guitarist and composer 3 2” 6 "Mad Composed (3) wright, composer, actor,playwright, singer, andcomposer, actor, singer, (7) and social wit, 7 English hose volume of work includes thanincludes more "Il rapimento Cefalo", 4 than whose volumemore of work 50 playsdiand an "Euridice" and "Ave Maria" (7) an impressive screenplays, She was the first successful American female catalogue impressiveofcatalogue of screenplays,5musical theater pieces, ter pieces, short stories, and poetry. (6) (6) composer of large-scale art music. Her "Gaelic" short stories, and poetry. estival Overture and German Requiem Symphony, 9 Academic Festival Overture and German Requiempremiered by the Boston Symphony his works. (6) Orchestra in 1896 (5) are just 2 of his works. (6) opera was "Dialogues des Carmélites" In 1942 was(7) appointed Master of the King's Music (3) 8 Carmélites” 12 H is second opera was(7) “Dialogues des Joy" was adapted use as the was adapted for use The 10 as 17 Hisfor“Ode to Joy” theTelephone, or L'Amour à trois is an Englishnion's anthem language comic opera in one act. (7) (9) European Union’s anthem (9) f "Carmen" (5) 11 He never composed for the guitar but many of his 18 Composer of “Carmen” (5) ony No.1" was at age eight (6) was written at age piano pieces 19written His “Symphony No.1” eight (6) were transcribed for guitar.Asturias arily for two of orchestral works, (Leyenda), 22his Known primarily for two of his orchestral works, Granada, Sevilla, Cadiz, Córdoba, d "Joyeuse marche" (8) and “Joyeuse marche” (8) Cataluña, Mallorca, and Tango in D (7) “España” udes "Night23 andHis Day" andincludes "I've Got“Night You and Day”13 work andHis best known work is "Adagio for Strings " (6) kin." (6) “I’ve Got You Under My Skin.” (6) 14 "Babe, Pig in the City" composer (8) s the first Impressionist composer, His ballet score "Cendrillon" received over one 24 He is seen as the first Impressionist15composer, vigorously rejected the term. (7) hundred although he vigorously rejected the term. (7) performances.(3) 16 He's best-known for his substantial operatic output,including "Peter Grimes", "Billy Budd"and "The Turnof the Screw" (7) 20 He took a Short Ride in a Fast Machine (5) 21 Charlie Parker Jr. nickname (4)

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