Fine Music Sydney Magazine - January 2021 by 2MBS Fine Music Sydney

JANUARY 2021

The Patient Scarlatti 300 Years For Griselda

In Conversation

Geoffery Gurrumul A foot in both worlds

with musical explorer Susie Bishop

What Is Jazz?

An Imprecise PrĂŠcis

I N D E X

06. In Coversation

42. Gurrumul

08. A Kaleidoscope of Stories

44. Emerging Artist

39. Volunteer Spotight

46. The Themes of Fine Jazz on Fine Music Sydney

The Australian icon whose music melded multiple cultures

Mona Omar talks to the ARIA award nominee and musical explorer Elaine Siversen outlines Opera on Fine Music Sydney in 2021

05.

James Hunter

The Patient Scarlatti

Barry O’Sullivan discovers the bottom line with bassist Elsen Price

The magic behind our jazz presenters’ theme tunes

40. What is Jazz? An Imprecise Précis

Nicky Gluch & Paul Cooke explore 300 Years For Griselda

Keith Pettigrew defining jazz

10. Program Guide

48. Listener Letters

50. Crossword

38. Composer List

49. CD Reviews

51. Patrons

N O T E S

F R O M

T H E

51. Programmers & Presenters

E D I T O R

As we bid good riddance to the annus horribilis 2020, I will be taking over the Editorship of the Magazine from this month onwards. I have had a long and close association with the radio station since 2003, having been a regular presenter, Chair of various Committees including Deputy Chair of the Board, and recently writing for the Magazine. I look forward to the challenges 2021 will bring, but assure you that as always, the focus will remain on the music, the lifeblood of our radio station, with articles related to the programs that we will be featuring each month. The most obvious stylistic change is the different treatment of type - which will either be ranged left in articles with columns, or free-flowing around images and photographs to give a friendlier, more relaxed feel. As the Magazine will be available on a variety of digital platforms, we have aimed at maximum readability, but the ultimate test will be how it is received by you, our readers, so please feel free to contact me with your comments. Our General Manager Rebecca Beare will step aside from the Magazine to concentrate on Fundraising and Sponsorship, with particular emphasis on young and emerging musicians. We extend our thanks and appreciation for her time in the Editor’s chair. Here’s to a productive and happier 2021! David Ogilvie david.ogilvie@finemusicsydney.com

T H I S

M O N T H

A T

F I N E

M U S I C

S Y D N E Y

We begin this new year after some well-deserved rest and holiday cheer with a new addition to our Magazine team. This month I would like to invite you all to welcome David Ogilvie to our Magazine team as the newly appointed editor. David brings a wealth of experience to this team and we all look forward to his monthly editorial insights. Here at Fine Music Sydney, we start 2021 with a fresh enthusiasm for our own events and those of our Arts Partners. I encourage you to keep your ears tuned into our regular promotions and your eyes peeled to our magazine, EDM and website over the coming months as we announce more events including the launch of our 2021 Emerging Artist programs. Finally, I would like to thank all the dedicated volunteers who were involved in the production of this month’s program. Regards, Rebecca Beare

FINE MUSIC SYDNEY

ORGANISATION DETAILS Fine Music Sydney - We are Sydney’s Fine Music Broadcaster MUSIC BROADCASTING SOCIETY OF NSW CO-OPERATIVE LIMITED

Editor David Ogilvie Assistant Editor Mona Omar Designer Lyndon Pike

Fine Music Sydney is owned and operated by the Music Broadcasting Society of New South Wales Cooperative Limited. Fine Music is a registered charitable organisation with a Charity Fundraising Number and is listed with the Register of Cultural Organisations. Fine Music Sydney is a Community Radio station and a member of the Community Broadcasting Association of Australia. Fine Music Sydney (formerly known as 2MBS and Fine Music 102.5) is Australia’s first stereo FM radio station. The station was officially opened on 1 February 1975 and we have now been on air for over 45 years. Fine Music Sydney plays an important role in encouraging emerging musicians and music lovers in their ambitions to be professional musicians or broadcasters. Fine Music Sydney is an integral part of Sydney’s cultural landscape promoting and encouraging an active live classical and jazz music scene in our community and supporting music education. The Fine Music Emerging Artist program includes: Artists in Residence, Young Composer Award, Young Virtuoso Award, Stefan Kruger Scholarship, Ken Weatherley Jazz Scholarship and our Emerging Artist Workshops and Fine Music Showcase broadcasts.

Digital Content Coordinators Paul Cooke, Nicky Gluch, Keith Pettigrew

Mission Statement

Guide Management Coordinators (acting) James Nightingale and Elaine Siversen

1. To be Sydney’s preferred broadcaster of classical music, jazz and other specialist music genres

Program Guide Formatter Peter Bell

To share the love of fine music through broadcasting Goals 2. To maintain and improve high standards in all we do 3. To promote Australian musicians and composers, with particular focus on the young 4. To provide a supportive and enjoyable work environment for volunteers and staff 5. To develop a sustainable financial model for the organisation

Proof Readers Tessa Miles, Pamela Newling, Elaine Siversen

FINE MUSIC HONORARY AND ARTISTIC PATRONS

Contributors Paul Cooke Nicky Gluch Pamela Newling James Nightingale Barry O’Sullivan Keith Pettigrew Elaine Siversen

Honorary Patron: Professor The Honourable Dame Marie Bashir AD CVO

Cover Image Susie Bishop by Matt Kemp/Lyndon Pike

Artists in Residence 2019: Marais Project

Fine Music Studios 72-76 Chandos Street St Leonards, NSW 2065

Vice Regal Patron: Her Excellency the Honourable Margaret Beazley AC QC, Governor of New South Wales Artistic Patrons: Elena Kats-Chernin, Simon Tedeschi, Richard Tognetti AO, Brett Weymark Emerging Artists Patron: Toby Thatcher Young Composer Award 2019: Callum O'Reilly Young Virtuoso Award 2019: Justinn Lu Stefan Kruger Scholar 2020: Harry Sdraulig Ken Weatherley Scholar 2020: Kate Wadey Associate Artist in Residence 2019: States of Chaos and Elysian Fields PERSONNEL It is important to note that apart from a small staff team, Fine Music Sydney functions through the involvement of dedicated volunteers who generously contribute their time and talents across all aspects of the radio station.

Postal Address: PO box 78, St Leonards, NSW 2065

BOARD OF DIRECTORS: Chair: Michael Morton-Evans OAM Deputy Chair: Roger Doyle Secretary: Robert Gilchrist Directors: Nicky Gluch, Sue Jowell, Jayson McBride, Sue Ping Kee, Peter Poole Appointed Directors: Bruce Hambrett, Peter Stavrianos

Phone: 9439 4777 (9am–6pm)

PUBLIC OFFICER : Rebecca Beare

ABN: 64 379 540 010

STAFF: General Manager: Rebecca Beare Community Engagement Manager: Mona Omar Studio & Production Manager: Joe Goddard Office Manager: Sharon Sullivan Digital Content Producer: Lyndon Pike Executive Assistants: Eddie Bernasconi, Tessa Miles

finemusicsydney.com

TECHNICAL ADVISORS: Honorary Technical Advisor: Max Benyon OAM Broadcast Engineer: John Shenstone Broadcast Systems Engineer: Roger Doyle Information Technology Consultant Peter Bell Recording Engineer: Jayson McBride

Frequency 102.5 FM Transmitter Governor Phillip Tower, Circular Quay

COMMITTEE CHAIRS: General Manager: Rebecca Beare Jazz: Jeannie McInnes Library: Rex Burgess Presenters: Michael Field Programming: James Nightingale Technical: Peter Bell Volunteers: Sue Nicholas Finance: Peter Poole WHS: Rebecca Beare Contents and concept of Fine Music Sydney Copyright © 1975-2020

The Patient Scarlatti Nicky Gluch & Paul Cooke explore 300 Years For Griselda Painting - Cowper Frank Cadogan: The Patient Griselda

How’s this for a COVID boredom-buster? Gather some friends together and, at an appropriate social distance, tell each other stories to pass the time and keep at bay (perhaps thereby making sense of) the troubles of the world. This was the premise behind the structure of The Decameron, a 14th century collection of novellas by the Italian writer Giovanni Boccaccio: ten young people take shelter just outside the city of Florence, at the time affected by the ravages of the Black Death. Over a period of ten days, each tells ten stories which juxtapose moral absolutes with the messiness of everyday life. The stories on the tenth day are about “those who acted with liberality or magnificence”; the tenth story on the tenth day – in other words, the last story of all – concerns Griselda, a figure from European folklore who has become a byword for patience and obedience. Gualtiero, nobleman and ruler, marries Griselda, a commoner, and she is forced to undergo a variety of cruel trials to prove her steadfastness. Griselda’s story was taken up by many writers, including Petrarch, Chaucer, and Shakespeare (who used many elements of the story in The Winter’s Tale). Literature spun art, from the panel paintings in London’s National Gallery to Frank Cadogan Cowper’s Pre-Raphaelite study. Most recently, Margaret Atwood has written an irreverent and entertaining short story, “The Impatient Griselda”, as part of The New York Times Magazine’s Decameron Project, inspired by the COVID pandemic. Atwood’s work is a nod to the story’s far from feminist themes. 18th century adaptations, though far more faithful to the original attempted, if not to empower Griselda, to soften Gualtiero’s Machiavellianism. As King of Sicily, it was not he who was questioning his wife’s fidelity but his people. In proving that love would triumph, he was teaching a lesson to his dissenters.

Artepics / Alamy Stock Photo

This was apparently a winning formula, as Apostolo Zeno’s 1701 libretto inspired a total of 35 operas in the 18th and 19th centuries! Antonio Maria Bononcini’s 1718 setting was so faithful to Zeno’s text, that only a few arias were altered or omitted. Antonio’s brother, Giovanni, was a little more liberal, maintaining Zeno’s plot but setting a re-written text by Paolo Antonio Rolli. His 1722 opera was a hit, with arias name-dropped in contemporary literature. Between the Bononcinis’ is a setting by Alessandro Scarlatti. Premiered at the Teatro Capranica in Rome in January 1721, this year we celebrate the opera’s 300th anniversary. It remains a lesser-known work, perhaps, as suggested by Brian Trowell in 1968, because it took so much longer for Scarlatti’s music to be revived than that of his contemporary, Handel. The pity in this, as Trowell puts it, is that it overlooks the individuality of Scarlatti’s compositional style, the “brevity and point, an alertness of rhythm and an epigrammatic wit not often to be found in the broader flow of Handel’s grand manner”. This style provides the recitatives of Griselda with a vivid rhetoric, whilst Scarlatti’s harmonic attention allows for beautifully balanced ensemble scenes. In an age where large-scale productions might still be some months off, Fine Music’s opera broadcasts have the advantage of uncapped audiences, and no issues of budget. It’s the prime place for hidden beauties to be exposed. Wednesday 20 January at 8pm

In Conversation with Susie Bishop Mona Omar talks to the ARIA award nominee and musical explorer Photos by Matt Kemp

You perform regularly as a soprano, violinist and guitarist with a number of high-profile ensembles. What do you enjoy most about performing with other ensembles?

the program that was the most helpful as it was more the cumulative effects of performance experience, masterclass opportunities and tutorials that really helped me to focus my skills. One of the highlights however was participating in a masterclass with Ermonella Jaho.

I love bouncing off the energy that new and different artists bring with them. There’s something deeply satisfying about playing with the musicians whom you know and love, however I do also enjoy those little forays into exciting new territories when I am working with artists for the first time. It’s always fraught with more anticipation and perhaps a little fear of the unknown, but I feel that as we sound each other out and bounce off each other’s ideas we find new sound worlds and explore different musical terrain.

You co-founded Chaika, the nomadic folk jazz fusion ensemble. In 2019 the ensemble’s third LP, Arrow, was nominated for a Best World Music Album ARIA Award. What was it like working on this LP compared to the first two and what does the nomination mean to you as a musician who has recorded a number of albums? It feels so incredibly validating to get an ARIA award nomination for Arrow as it is official recognition of our collaborative musicianship and innovation. A lot of the material was written at the Bundanon Trust artist retreat which was the first opportunity we’d ever had to work collaboratively on new material for an intensive period. All the different creative voices in the ensemble intermingled to generate some unique music. The Balkan flavour that was the biggest influence in our two earlier and more traditional releases is still there, but it is more elusive amongst a blend of jazz, indie, European trad music and other elements that are not so easy to define or categorise. Another influencing factor for our ARIA nomination was the invaluable advice and direction we had from our producer Llew Kiek who helped guide us to the next level with our arrangements.

In 2019 you took part in Pacific Opera’s Associate Artist Program for talented young singers. As part of the program, you were awarded a cash prize of $15,000 ($5,000 per year for three years). What made you apply for the program? What part of the program was the most valuable for you? The Prue Kennard scholarship came as a huge surprise to me, and I believe it was the result firstly of the gentle and well-considered guidance of my singing teacher Andrew Dalton, compounded with the intensive and focussed training that Pacific Opera gave me. I auditioned for PO at the suggestion of Andrew and it was a juggle trying to fit it into my busy freelance schedule, but it was without question one of the most valuable experiences I’ve had as an opera singer. It is pretty hard to pinpoint one part of

Did you find yourself working, writing and recording more during the pandemic and the subsequent downtime? I definitely created more during this period, working on some of my original music with my sister and with Chaika. I also took part in some interesting collaborative recording projects instigated by Trevor Brown as part of his improvisers’ collective, as well as making time for knitting, painting watercolours, spinning and dying wool, and gardening amongst other things. I think what the COVID pandemic has highlighted for me is that, as a performer, you spend a lot of time thinking about the needs and expectations of others, but it is important to make time for those little projects that are purely for my own state of happiness. What projects do you have planned for the new year? Next year will begin with a new production from Force Majeure which will be premiered as part of the Sydney Festival in January. The project is called The Last Season and it’s a collaboration between some incredible actors, young dancers and musicians. I will be singing some stunning music by composer Kelly Ryall, inspired by the music of Vivaldi’s Four Seasons. I am also in the process of recording a new album with the Miriam Lieberman Trio which we will be touring early next year, and Chaika also has new music in the pipeline. I am also really looking forward to joining Jenny Eriksson on the Musica Viva program Da Vinci’s Apprentice, and taking the project live to schools.

I think what the COVID pandemic has highlighted for

me is that, as a performer, you spend a lot of time thinking about the needs and expectations of others, but it is important to make time for those little projects that are purely for my own state of happiness.

Photos by Matt Kemp

A Kaleidoscope of Stories Elaine Siversen outlines Opera on Fine Music Sydney in 2021 Image via Yogi Black / Alamy Stock Photo

Expect tales of glory, intrigue, revolution, murder and the fortunes of war along with love stories, fairy stories and legends, fantasy and slapstick comedy, and every other facet of life framed in glorious music!

Another themed week of each month will be the Literature theme that we have also enjoyed during 2020. It includes a wide variety of operas from every musical era showing how the written word, from ancient to modern times, has inspired composers throughout the ages.

We’ll be celebrating anniversaries of some opera premieres: Alessandro Scarlatti’s Griselda (300 in January), Weber’s Der Freischütz (200 in June), Grétry’s Zemire et Azor (250 in September), Mozart’s Ascanio in Alba (250 in October), Janácek’s Káta Kabanová (100 in November) and, in December, the 150th anniversary of the one of the most well-known and loved operas, Verdi’s Aïda.

The monthly Opera in Miniature series (first Saturday at 1pm) is an opportunity to hear some of the shorter operas at perhaps a more convenient time for many listeners. We begin in January with Mozart’s first opera, Apollo et Hyacinthus, composed by him at the age of 11 years. Based on a mythological story by Ovid, this opera is followed in later months by comedies such as Gustav Holst’s At the Boar’s Head (Falstaff and his carousing, according to Shakespeare) and Gioachino Rossini’s Signor Bruschino, also described as an operatic farce. As we know, Rossini was an expert in depicting farcical situations. This short opera involves Signor Bruschino’s son who has been betrothed to a young lady by correspondence!

Composer anniversaries are also being recognised with two operas in May by Daniel-François-Esprit Auber (died 1871), one opera in October by Alexander Zemlinsky (born 1871) and two operas in December by Camille Saint-Saëns (died 1921) including Samson and Delilah. In 2020, we were unable to broadcast some special operas due to the COVID-19 lockdown but these, and all others that were affected, have been rescheduled for 2021 so that you won’t miss out on operas that you were hoping to hear.

Some of the other operas in this series are a little more serious and include Rimsky-Korsakov’s depiction of the relationship between Mozart and Salieri, and the tragic opera, Dido and Aeneas, with glorious music by Henry Purcell.

A special feature during 2021 will be the opportunity to hear rare operas from Gaetano Donizetti. This is the result of a generous donation to the Fine Music library of hundreds of opera recordings. The majority of the Donizetti operas are on the high quality Opera Rara label and we are delighted to be able to present these operas on the fourth week of every month from January to November. They will be programmed and presented by Camille Mercep who is an operatic singer and singing teacher with a great knowledge of this repertoire.

Capriccio, the last opera of Richard Strauss, is another highlight of Opera in Miniature. It’s a light-hearted scenario in which a poet and a musician vie for the love of a countess who is unable to decide between them or between words and music. Operas on Fine Music Sydney in 2021 will bring a kaleidoscope of stories, trivial and serious, all presented for your enjoyment.

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Keyboard concerto in G (1765). Eckart Sellheim, fp; Collegium Aureum. EMI CDC 7 47527 2

Friday 1 January 00:00 CLASSIC-ALL THROUGH THE NIGHT

14:00 ONE WORK COMPOSER Vincent d’Indy Prepared by Stephen Wilson

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Annabelle Drumm 09:00 DIVERSIONS IN FINE MUSIC Al fresco Prepared by Elaine Siversen Sculthorpe, P. Earth cry (1986). William Barton, did; New Zealand SO/James Judd. Naxos 8.557382 14 Lumsdaine, D. Prelude from Mutawingi 1 (1995). Tape realised by the composer. Tall Poppies TP091 5 Doppler, F. Idylle: Birds of the woods, op 21. Daniele Ruggieri, fl; Andrea Toschi, harmonium. Brilliant Classics 95011

Sibelius, J. Five country dances, op 106 (1925). Nils-Erik Sparf, vn; Bengt Forsberg, pf. BIS CD-625 19 Bartók, B. Out of doors (1926). Murray Perahia, pf. Sony SX4K 63380

Gal, H. Serenade for clarinet, violin and cello, op 93 (1935). Shelley Levy, cl: Joanne Green, vn; Cressida Nash, vc. Toccata Classics TOCC 0377 20 10:30 CONCERT HALL Prepared by Denis Patterson Wagner, R. Overture and Venusberg music, from Tannhäuser (1845). Royal Scottish NO/ Neeme Järvi. Chandos CHSA 5077 20 Paderewski, I. Piano concerto in A minor, op 17 (1888). Piers Lane, pf; BBC Scottish SO/ Jerzy Maksymiuk. Hyperion CDA66452 35 Haydn, J. Symphony in D, Hob. I:86 (1779). Heidelberg SO/Thomas Fey. Hänssler CD 98.268 26 12:00 A JAZZ HOUR With Barry O'Sullivan 13:00 JOHANN SCHOBERT Prepared by Di Cox Schobert, J. Sonata no 1 in E flat, op 6 no 1 (pub. 1766). Four Nations Ensemble. ASV GAU 172 14 Trio in F, op 16 no 4 (pub. 1761-67). Chiara Banchini, vn; Philipp Bosbach, vc; Luciano Sgrizzi, fp. Harmonia Mundi HMC 901294 17

d’Indy, V. The enchanted forest, op 8 (1878). Iceland SO/Rumon Gamba. Chandos CHAN 10464 14 Poem of the mountains, op 15 (1881). Stephanie McCallum, pf. ABC 461 798-2

Fantasy on French popular themes, op 31 (1888). Württemberg PO/Jean-Marc Burfin. Marco Polo 8.223659 14 String quartet no 1 in D, op 35 (1890). Quatuor Joachim. Calliope CAL 3891.2 39 Symphony on a mountain song, Cévenole, op 25 (1886). Catherine Collard, pf; French Radio PO/Marek Janowski. apex 0927 49809 2 24 16:00 FINE MUSIC HOLIDAY including Arts Calendar at 5.00pm With Camille Mercep

O Ierusalem aurea civitas. Heather Lee, sop; Mina Kanaridis, sop; Paul Jarman, taragotto; Kim Cunio, reed org & dir. ABC 476 570-5 23 Dufay - Machaut - Anon. Six pieces for soprano, lute and recorder. Solveig Faringer, sop; Clas Pehrsson, rec; Jörgen Rörby, lute. BIS CD-135 13 Tallis, T. Lamentations of Jeremiah I. Parsons Affayre/Warren Trevelyan-Jones. Vox Foris MMPA002 8 Dufay, G. Ecclesiae militantis; Salve flos Tusce gentis (c1434). Huelgas Ensemble/ Paul van Nevel. Harmonia Mundi HMG 501700 11 Gaude gloriosa Dei Mater (ed. Dunkley). The Sixteen/Harry Christophers. Chandos CHAN 0513 17 Lassus O. de Sussanna un jour (arr. Burnett). John Kitchen, virginals. ASV GAU 134

Infelix ego. Parsons Affayre/Warren Trevelyan-Jones. Vox Foris MMPA002

19:00 FRIDAY JAZZ SESSION With Alex Siegers

Saturday 2 January

20:00 EVENINGS WITH THE ORCHESTRA Celebration, festivity and heritage Prepared by Robert Small

00:00 CLASSIC-ALL THROUGH THE NIGHT

France, S. Heritage overture (2001). Sydney SO/Colin Piper. Tall Poppies TP177 5

06:00 SATURDAY MORNING MUSIC With David Garrett

Smetana, B. Festive symphony, op 6 (1854/81). ORF SO/Lothar Zagrosek. Marco Polo 8.223120

Byrd, W. Fantasia CCLXI. Gabriele Cassone, natural tpt; Antonio Frigé, org. Nuova Era 7053 9

09:00 WHAT'S ON IN MUSIC 46

Glanville-Hicks, P. Ballet: Tragic celebration, Jephtha’s daughter (1966). Tasmanian SO/ Richard Mills. ABC 476 3222 16 Rachmaninov, S. Piano concerto no 3 in D minor, op 30 (1909). Roberto Cominati, pf; Sydney SO/Edvard Tchivzhel. ABC 454 975-2 41

09:05 THE PIANO ALONE Prepared by Jennifer Foong Sibelius, J. Six impromptus, op 5 (1893). Erik T. Tawaststjerna, pf. BIS CD-153 15 Ravel, M. Pavane pour une infante défunte, M19 (1899). Menahem Pressler, pf. DG 479 8756 8

22:00 BAROQUE AND BEFORE Prepared by Robert Gilchrist

Paderewski, I. Nocturne in B flat, op 15 (c1888). Karol Radziwonowicz, pf. Harmonia Mundi LCD 2781073/75

Hildegard of Bingen. O beata infantia alio modo. Sinfonye/Stevie Wishart. Decca 476 5117 3

Schubert, F. Piano sonata no 12 in F minor, D625 (1818). Sviatoslav Richter, pf. Olympia OCD 286 21

Columba aspexit. Emma Kirkby, sop; Emily van Evera, sop; Poppy Holden, sop; Judith Stell, sop; Doreen Muskett, hurdy-gurdy. Hyperion CDS44251 5

10:00 MUSICAL JOURNEYS Prepared by Jennifer Foong Goldmark, K. Overture: In Italy, op 49 (1904). Philharmonia O/Yondani Butt. ASV DCA 934 12

Doppler, K. The recent Hungarian music pearls (pub.1863). Claudi Arimany, fl; Márta Gulyás, pf. Capriccio C5296 11 Ketèlbey, A. In the mystic land of Egypt (1931). Vernon Midgley, ten; Ambrosian Singers; Philharmonia O/John Lanchbery. EMI 1 66443 2 6 Liszt, F. Les cloches de G*****, from Album d'un voyageur, bk I, Impressions et poésies (1834-38). Leslie Howard, pf. Hyperion CDS44507 12 German, E. Welsh rhapsody (1904). National SO of Ireland/Andrew Penny. Marco Polo 8.223726 19 Dvorák, A. Suite in A, op 98b, American (1895). Royal PO/Antal Dorati. Decca 448 981-2 20 11:30 ON PARADE Music that’s band Prepared by Owen Fisher Coates, E. Dambusters march. CWS (Manchester) Band/Alex Mortimer. LP Fontana STFL 547

son Hyacinthus was killed by Apollo. However, Apollo witnessed the murder by Zephyrus who is a rival of Apollo for the affections of Melia. Apollo transforms Zephyrus into a wind and he is borne away. As Melia laments her brother's death, Apollo transforms the body of Hyacinthus into beautiful flowers that rise from his grave: the hyacinth. 14:30 SATURDAY MATINEE Music for a wedding Prepared by Elaine Siversen Roman, J. Drottningholm music: music for a royal wedding (1744). Helsingborg SO/Andrew Manze. BIS CD-1602 1:10 Crusell, B. Bassoon concertino in B flat (1829). Karen Geoghegan, bn; BBC PO/ Gianandrea Noseda. Chandos CHAN 10613

Alfvén, H. Symphony no 2 in D, op 11 (189798). Stockholm PO/Neeme Järvi. BIS CD-385 54 3

Grieg, E. Elegiac melody no 2, Spring. Hanwell Band/Eric Bravington. LP Columbia SCX 6541

Trad. Amazing grace. Luton Girls’ Choir; Cory Band/H.A. Kenny. LP Columbia SCX 3335

17:00 SOCIETY SPOT Folk Federation of NSW With Roger Fyfe 18:00 MUSIC OF THE SCREEN Prepared by Sue Jowell

Turner Classics 81227 1965-2

Mozart, W. Apollo et Hyacinthus, K38. Opera in three acts. Libretto by Rufinus Widl. First performed, Salzburg, 1767. OEBALUS: Andrew Kennedy, ten MELIA: Kiara Ek, sop HYACINTHUS: Sophie Bevan, sop APOLLO: Lawrence Zazzo, ct ZEPHYRUS: Christopher Ainslie, ct Classical Opera O/Ian Page. Linn CKD 398

1:17

Rodgers, R. Excerpts from The King and I (1956). Marnie Nixon, sop; Deborah Kerr, Rex Thompson, voices; O/Alfred Newman. Capitol 740 6 Loewe, F. Excerpts from My fair lady (1956; film 1964). Marnie Nixon, sop; Audrey Hepburn, Rex Harrison, voices; O/André Previn. Columbia 40180 8 Rodgers, R. Shall we dance?, from The King and I (1956). Marnie Nixon, sop; Deborah Kerr, Yul Brynner, voices. Capitol 740 4

When a flash of lightning destroys the altar as he is making sacrifice to the god Apollo, King 19:00 EMERGENT JAZZ Oebalus believes that it is a sign of Apollo's With Keith Pettigrew wrath. Hyacinthus assures his father that it need not be an evil omen which Apollo himself confirms. Later Zephyrus tells Oebalus that his

Janácek, L. Youth for wind sextet (1924). Sue Newsome, bass cl; Sydney Omega Ensemble/ David Rowden, cl & dir. Fine Music concert recording 18 Theme and variations, Zdenka’s variations (1880). Roland Pöntinen, pf. BIS CD-663-4 10 Four male-voice folk choruses (1893). Male voices of Moravian Teachers Choir/Lubomir Máti. Naxos 8.553623 11 Mamicko, mám tezkou hlavu ... Kdo to je?, from Jenufa (1904). Renée Fleming, sop; Yvona Skvárová, cont; Kirill Terentiev, vn; Mariinsky TO/Valery Gergiev. Decca 475 8070 14 Piano sonata: 1st October 1905, From the street (1905). Rudolf Firkusny, pf. DG 449 764-2 12 String quartet no 2, Intimate letters (1928). Talich Quartet. Calliope CAL 3333 25 Suite from The cunning little vixen (1921-23). Czech PO/Frántisek Jílek. Supraphon/Denon 38C37 7303 17

Brown, N. Excerpts from Singin' in the rain (1952). Debbie Reynolds, Betty Noyes, Donald O’Connor, Gene Kelly, voices; MGM Studio O. Rimsky-Korsakov, N. Polonaise, from 7 Christmas Eve. Fairey Band/Kenneth Denison. Turner Classics 85226-2 LP Decca SB 318 4 Bernstein, L. Excerpts from West Side story (1957; film 1961). Marnie Nixon, sop; Rita Porter, C. Seven songs. Allentown Band/ Moreno, Richard Beymer, Russ Tamblyn, Ronal Demkee. AMP 23192 9 voices; MGM Studio O. Columbia OL 5670 14 12:00 URBAN JAZZ LOUNGE Loewe, F. Excerpts from Brigadoon (1947; film With Leita Hutchings 1954). Carol Richards, voice; O/Johnny Green. 13:00 OPERA IN MINIATURE Mozart’s first opera Prepared by Elaine Siversen

20:00 THE LIFE OF A COMPOSER Leos Janácek Prepared by Krystal Li

22:00 SATURDAY NIGHT AT HOME Prepared by Elaine Siversen Saint-Saëns, C. Suite algérienne, op 60 (1880). Swiss Italian O/Francis Travis. Chandos CHAN 9837 20 Chausson, E. Poème de l'amour et de la mer, op 19 (1882-90). Jessye Norman, sop; Lane Anderson, vc; Monte Carlo PO/Armin Jordan. Erato 2292 45368-2 28 Ravel, M. String quartet in F (1902-03). Australian String Quartet. ABC 434 721-2

Debussy, C. Preludes, book 1 (1910). Noël Lee, pf. Auvidis V 4440 38

Sunday 3 January 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC With Stephen Wilson 09:00 MUSICA SACRA Prepared by Stephen Matthews Palestrina, G. da Missa Viri Galilaei. Ensemble Vocal European; Ensemble Organum Peres/Philippe Herreweghe. Harmonia Mundi HMX 2908826.55

Kuhnau, J. Weicht, ihr Sorgen, aus dem Herzen. Opella Musica; Camerata Lipsiensis/ Gregor Meyer. CPO 555 260-2 13

15:00 SUNDAY SPECIAL The Schumanns in Rotterdam, 9 December 1853 Prepared by Elaine Siversen

Homilius, G. Organ chorale. Felix Marangoni, org. Brilliant 94458 2

Schumann, R. B-A-C-H fugue no 2 (1845). Gordon Atkinson, org. Move MD 3333 7 Beethoven, L. Piano sonata no 23 in F minor, op 57, Appassionata (1804). Maria João Pires, pf. Erato 2292-45079-2 21

10:00 THE CLASSICAL ERA Prepared by Rex Burgess Albrechtsberger, J. Harp concerto in C (1773). Elizabeth Hainen, hp; Bulgarian National RO/Rossen Milanov. Avie AV 2221

Dvorák, A. Bagatelle, op 47 no 5 (1878). Rudolph Firkusny, pf; Juilliard String Quartet. CBS M2YK45672 4

Bach, J. Christian Vauxhall songs (c1769). Jennifer Vyvyan, sop; Boyd Neel O/Thurston Dart, org & dir. Decca 482 5387 19

Schumann, C. Variations on a theme of Robert Schumann, op 20 (1853). Helene Boschi, pf. Calliope CAL 9211 10

Of a sunlit morning, op 23 no 2; Secretive whispers here and there, op 23 no 3 (184243). Susan Gritton, sop; Eugene Asti, pf. Beethoven, L. Piano sonata no 12 in A flat, op Hyperion CDA67249 7 26 (1801). Gerard Willems, pf. Schumann, R. String quartet in A, op 41 no 3 ABC 465 264-2 19 (1842). Fine Arts Quartet. Arriaga, J. String quartet no 2 in A (1824). Naxos 8.570151 32 Camerata Boccherini. Piano quintet in E flat, op 44 (1842). Idil Biret, Naxos 8.557628 23 pf; Borusan Quartet. Soler, A. Sonata no 30 in G. Gilbert Rowland, Naxos 8.571305 31 hpd. Naxos 8.553465 9 17:00 HOSANNA Prepared by Stephen Matthews Weber, C.M. Symphony no 2 in C (1807). Academy of St Martin in the Fields/Neville Marriner. Brilliant 99935 18 12:00 CLASSIC JAZZ AND RAGTIME With Maureen Meers

Hymns: Praise my soul the King of Heaven; Come thou long expected Jesus; O for a closer walk with God. Choir of St John’s College, Cambridge/George Guest. Argo 483 1260 7

Lewandowski, L. Psalm 23. Hungarian Radio Choir; Márton Levente Horváth, org; Andor Izsák, cond. DG 483 7724 4

13:00 WORLD MUSIC: Whirled Wide With Gerry Myerson

Pärt, A. Magnificat. Tallis Scholars/Peter Phillips. Gimell CDGIM049

14:00 FOR SOLO PIANO Prepared by Jennifer Foong

Fischer, J. Casper. Praeludium fugues. Pavel Alkan, C-V. Introduction and impromptu, from Kohout, org. Une fusée, op 55 (1859). Stephanie McCallum, Radioservuis CRO879-2 7 pf. Toccata TOCC 0157 8 Ristori, G. Kyrie, Gloria and Credo, from Mass in C. Saxon Vocal Ensemble; Batzdorfer Chabrier, E. Bourée fantasque (1891). Angela Hofkapelle/Matthias Jung. Hewitt, pf. CPO 555200-2 14 Hyperion CDA67515 7 Kent, J. Hear my prayer. 6 Fauré, G. Barcarolle no 3 in G flat, op 42 (1885); Barcarolle no 4 in A flat, op 44 (1886). Chapple, S. O come let us sing unto the Lord. 4 Kathryn Stott, pf. Hyperion CDA66911/4 11 Handel and Haydn Society Ch/Harry Christophers (2 above) Chopin, F. Piano sonata no 2 in B flat minor, Coro COR16145 op 35, Funeral march (1839). Ronald FarrenPrice, pf. Move MD 3147

18:00 SMALL FORCES Prepared by Frank Morrison Glinka, M. Trio pathétique in D minor (1832). Borodin Trio. Chandos CHAN 8477 18

Bach, C.P.E. Flute quartet no 1 in A minor, Wq93 (1788). Les Adieux. DHM GD 77052 17 Clarke, R. Prelude, allegro and pastorale (1941). Patricia McCarty, va; Peter Hadcock, cl. Northeastern NR 212 CD 15 19:00 SUNDAY NIGHT CONCERT Prepared by Rex Burgess Wagner, R. Overture to The flying Dutchman (1841). Chicago SO/Daniel Barenboim. Teldec 4509-99595-2 11 Berlioz, H. La mort d’Orphée (1827). Daniel Galvez Vallejo, ten; Northern Region Choir; Lille NO/Jean-Claude Casadesus. Harmonia Mundi HMC 901542 13 Rott, H. Symphony in E (1878). Cincinnati PO/Gerhard Samuel. Hyperion CDA66366 58 20:30 NEW HORIZONS Prepared by Calogero Panvino Smalley, R. Piano quintet (2003). Roger Smalley, pf; Australian String Quartet. Melba MR 301112

Finsterer, M. Tract (1993). Julia Ryder, vc. ABC 456 682-2 6 Smalley, R. Trio for horn, violin and piano (2001-02). Darryl Poulsen, hn, Paul Wright, vn; Roger Smalley, pf. Melba MR 301112 22 Salonen, E-P. Cello concerto (2017). Yo-Yo Ma, vc; Los Angeles PO/Esa-Pekka Salonen. Sony 19075928482 35 22:00 JAZZ AFTER HOURS With Sue Jowell

Monday 4 January 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Robert Small 09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1850s Prepared by Derek Parker Meyerbeer, G. Overture to Le prophète (c1850; arr.). Stephanie McCallum, Erin Helyard, pf. www.trptk.com TTK0005

Liszt, F. Symphonic poem no 4: Orpheus (1853-54). London PO/Bernard Haitink. Philips 438 751-2 11

Honegger, A. Pacific 231 (1923). Danish NSO/Neeme Järvi. Chandos CHAN 9176

Berwald, F. Piano trio in C, fragment (c1850). Kálmán Dráfi, pf; Joszef Modrian, vn; György Kertész, vc. Naxos 8.555002 7

Constable, R. Locomotive music (1993). Steven Morton, mar; Michael Beeton, mar; Michael Robertson, mar; Timothy Constable, mar. Jade JADCD 1045 9

Liszt, F. Six consolations (1850). Sonya Hanke, pf. Fine Music tape archive

Wagner, R. In fernem Land, from Lohengrin (1848). Plácido Domingo, ten; Hans Sotin, bass; Vienna State Opera Ch; Vienna PO/ Georg Solti. DG 477 6292 7 Gade, N. Watercolour sketches, vol 2, op 19 (1850). Anker Blyme, pf. Marco Polo DCCD 9115 7 Saint-Saëns, C. Fantasy after Weber’s Oberon (1850). Philippe Graffin, vn; Pascal Devoyon, pf. Helios CDH55353 16 10:30 CONCERT HALL Prepared by Derek Parker Arne, T. Overture no 7 in D (pub. 1751). Academy of Ancient Music/Christopher Hogwood. L’Oiseau-Lyre 436 859-2

Rachmaninov, S. Piano concerto no 2 in C minor, op 18 (1901). Daniil Trifonov, pf; Philadelphia O/Yannick Nézet-Séguin. DG 483 5335 35 Alwyn, W. Symphony no 1 (1949). London SO/Richard Hickox. Chandos CHAN 9155 41 12:00 SWING SESSIONS With John Buchanan 13:00 STEAMING AHEAD Prepared by Stephen Wilson Rossini, G. Un petit train de plaisir comicoimitatif (1857-68). Marco Sollini, pf. Chandos CHAN 10520 11 Dreyfus, G. Suite from A steam train passes (1974). Queensland SO/George Dreyfus. Move MD 3098 10 Alkan, C-V. Le chemin de fer, op 27 (1844). Idil Biret, pf. Naxos 8.571288 7 Glinka, M. Travelling song (1840). Lina Mkrtchyan, mezz; Yevgeny Talisman, pf. opus OPS 30-227

Britten, B. Night mail (1936). Nigel Hawthorne, narr; Nash Ensemble/Lionel Friend. Hyperion CDA66845

14:00 A PASTORAL PROMENADE Prepared by Jacky Ternisien

Tuesday 5 January 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Julie Simonds

Howells, H. Pastoral rhapsody (1923). London 09:00 DIVERSIONS IN FINE MUSIC SO/Richard Hickox. Colours of the keyboard Chandos CHAN 9410 12 Prepared by Rex Burgess Bonazzi, F. Pastorale for two organs. Luigi Mozart, W. Violin sonata in E minor, K304 Celeghin, org; Bianka Pezic, org. (1778). Augustin Dumay, vn; Maria João Pires, Naxos 8.557131 5 pf. Harrison, L. Seven pastorales (1952). Brooklyn PO/Dennis Russell Davies. MusicMasters 01612-67089-2

DG 479 5964

Hanson, H. Pastorale (1948-49). Jonathan Blumenfeld, ob; Jacqueline Pollauf, hp; Philadelphia Virtuosi CO/Daniel Spalding. Naxos 8.559251 7 Scarlatti, A. Cantata pastorale (1716). Miriam Allen, sop; James Sanderson, ct; Chacona/ Rosalind Halton. ABC 476 617-0 16 Liszt, F. Pastorale, from Meyerbeer's The prophet (1849-50). Leslie Howard, pf. Hyperion CDS44539 12 Respighi, O. Pastorale for violin and strings, after Pastorale by Tartini (1908). Ingolf Turban, vn; English CO/Marcello Viotti. Claves 50-9017 12 Holford, F. Pastorale (1951). Graham Powning, ob; Joyce Hutchinson, pf. LP ABC AC 1049

Chabrier, E. Suite pastorale (1880). Vienna PO/John Eliot Gardiner. DG 447 751-2 19 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm With Nicky Gluch 19:00 JAZZ PULSE With Chris Wetherall 20:00 STORMY MONDAY With Austin Harrison 22:00 JAZZ AFTER HOURS A tribute to Adam Bowen

Debussy, C. Images, set I (1905). Walter Gieseking, pf. EMI 5 65855 2 15 Villa-Lobos, H. Children’s carnival (1920). Sonia Rubinsky, pf; Tatiana Rankovich, pf. Naxos 8.555717 15 Takemitsu, T. Rain spell (1980). Robert Aitken, fl; Joaquin Valdepenñas, cl; Erica Goodman, hp; David Swan, pf; Robin Engelman, vibraphone. Naxos 8.555859

Brahms, J. Four ballads, op 10. Ivo Janssen, pf. GLOBE GLO 5036 26 10:30 CONCERT HALL Prepared by Jacky Ternisien Veracini, F. Overture no 1 in B flat (1716). Musica Antiqua Cologne/Reinhard Goebel. Archiv 439 937-2 14 Pichl, V. Symphony in D, Diana (1769-70). London Mozart Players;/Matthias Bamert. Chandos CHAN 9740 17 Enescu, G. Rumanian rhapsody in A, op 11 no 1 (1901). SBS Youth O/Matthew Krel. YME YME 1 12 Litolff, H. Symphonic concerto no 4 in D minor, op 102 (c1852). Peter Donohoe, pf; Bournemouth SO/Andrew Litton. Hyperion CDA66889 38 12:00 JAZZ RHYTHM With Jeannie McInnes 13:00 FROM NORTHERN EUROPE Prepared by Frank Morrison Nielsen, C. Flute concerto (1926). Toke Lund Christiansen, fl; Danish National RSO/Michael Schønwandt. Chandos CHAN 8894 18

Grieg, E. Four piano pieces, op 1 (1867). Eva Knardahl, pf. BIS CD-107 14 Berwald, F. Overture to The Queen of Golconda (1868). Royal PO/Ulf Björlin. EMI CDM 5 65073 2

Brahms, J. Trio in A minor for clarinet, cello and piano, op 114 (1891). Nigel Westlake, cl; Julian Smiles, vc; David Bollard, pf. Fine Music concert recording 24

Cavallini, E. Capriccio no 19 in F, op 4 no 6 (1840). Nicola Bulfone, cl. Naxos 8.573133-34 8 Debussy, C. Syrinx (1913). Emmanuel Pahud, fl. EMI 5 56982 2

Spohr, L. Symphony no 10 in E flat (1857). Swiss Italian O/Howard Shelley. Hyperion CDA67802 26

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Janine Burrus

Brahms, J. Cello sonata no 1 in E minor, op 38 (1862-65). Mischa Maisky, vc; Pavel Gililov, pf. DG 459 677-2 27

09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by Jacky Ternisien

Beethoven, L. Piano sonata no 32 in C minor, op 111 (1822). Paul Lewis, pf. Harmonia Mundi HMC 901909.11 27

Desmarets, H. Excerpts from Venus and Adonis (c1697). Les Talens Lyriques/ Christophe Rousset. Ambroisie AM 167 11 Cabanilles, J. Tiento de batalla on the eighth tone. John Butt, org. Harmonia Mundi HMU 907047 8 Hebden, J. String concerto no 6 in D minor (c1748). Cantilena/Adrian Shepherd. Chandos CHAN 8339 10

Rubinstein, A. Symphonic Poem: Ivan the Terrible, op 79 (1869). Slovak State PO/Robert Agrell, J. Flute concerto in D (c1750). Maria Stankovsky. Naxos 8.555476 23 Bania, fl; Concerto Copenhagen/Andrew Manze. 16:00 FINE MUSIC DRIVE Chandos CHAN 0535 15 including Arts Calendar at 5.00pm Wranitzky, P. Symphony in C minor, op 11 With Andrew Dziedzic (pub. 1791). London Mozart Players/Matthias 19:00 THE JAZZ BEAT With Lloyd Capps 20:00 JUST IN With Michael Field A selection from the latest recordings to arrive at the Fine Music library 22:00 CHAMBER SOIRÉE Prepared by Albert Gormley Shostakovich, D. String quartet no 7 in F sharp minor, op 108 (1960). Emerson String Quartet. DG 463 284-2 12 Boccherini, L. String quintet in F, op 20 no 3 (1775). La Magnifica Comunità. Brilliant Classics 94386 22 Saint-Saëns, C. Suite for cello and piano, op 16 (1862). Luigi Piovano, vc; Luisa Prayer, pf. Eloquentia EL 1024 26 Bartók, B. String quartet no 2, op 17 (191417). Vermeer Quartet. Naxos 8.557543-44 26

Bamert. Chandos CHAN 9916

Dornel, L-A. Concert calotin (c1723). Jesse Read, bn, Doug McNames, vc; Karen Flint, hpd. Etcetera KTC 1087 16 10:30 CONCERT HALL Prepared by Jennifer Foong Arnold, M. The smoke overture, op 21 (1948). London PO/Malcolm Arnold. Reference RR-48CD 12 Bottesini, G. Double bass concerto no 2 in B minor (pub. 1950). Ludwig Streicher, db; Munich CO/Hans Stadlmair. Teldec 2292-42452-2 ME 16 Brahms, J. Serenade no 2 in A, op 16 (185859). London SO/István Kertész. Decca 478 6420 29 Schumann, R. Symphony no 4 in D minor (1841). O Révolutionnaire et Romantique/John Eliot Gardiner. Archiv 457 591-2 24

13:00 WRITTEN FOR ONE Prepared by Krystal Li Biber, H. Passacaglia in G minor (c1675). Elizabeth Wallfisch, vn. Hyperion CDA67238 9

Wednesday 6 January

Sibelius, J. Seven songs, op 17 (c1894). Anne Sofie von Otter, mezz; Bengt Forsberg, pf. 00:00 CONTEMPORARY BIS CD-457 13 COLLECTIVE 14:00 COLLECTION: 1820-1870 03:00 CLASSICAL TILL DAWN Prepared by James Nightingale

Schubert, F. Psalm 23: Gott ist mein Hirt, D706 (1820). Sydney University Graduate Chamber Choir; Amy Johansen, org; Christopher Bowen, cond. SUGC recording 6

12:00 JAZZ SKETCHES With Robert Vale

Kodály, Z. Sonata for solo cello, op 8 (1915). Miklós Perényi, vc. Hungaroton HCD 31046 32 14:00 THE STORM Prepared by Stephen Wilson Tchaikovsky, P. Overture: The storm, op 76 (1864). Concertgebouw O/Bernard Haitink. Decca 478 5867 12 Beethoven, L. Piano sonata in D minor, op 31 no 2, The tempest (1801-02). Ray Lemond, pf. Fine Music concert recording

Handel, G. Da tempeste il legno infranto, from Julius Caesar, HWV17 (1724). Joan Sutherland, sop; London New SO/Richard Bonynge. Decca 475 6302 6 Vivaldi, A. Violin concerto in E flat, RV253, La tempesta di mare. Felix Ayo, vn; I Musici. Newton 8802034 9 Liszt, F. Der Sturm, from Three pieces for Saint Elisabeth, S693a (1862). Leslie Howard, pf. Hyperion CDS44583 7 Berlioz, H. Royal hunt and storm, from The Trojans (1856-58). NSW Conservatorium School of Opera; Sydney SO/Robert Pikler. Chandos CHAN 6587 11 Abbott, C. Blue Mountains air, suite no 4: Storm in a teacup. Janet Webb, fl; Ulpia Erdos, hp. Fine Music concert recording 7 Lemmens, J. Grand fantasia in E minor, The storm. Harry Goss-Custard, org. OEHMS Classics OC 841 15 Schubert, F. God in the storm, D985 (c1827). Elly Ameling, sop; Janet Baker, mezz; Peter Schreier, ten; Dietrich Fischer-Dieskau, bar; Gerald Moore, pf. DG 435 596-2 5 Fucik, J. Concert waltz: Winter storms. Czech PO/Vaclav Neumann. LP Orfeo S 147 861 B

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm With Tom Forrester-Paton

Alfonzetti, G. Daybreak in shadow (2011). Arrebato Ensemble. Vitamin AE001 7

19:00 PLANET JAZZ With Xavier Bichon

Giuliani, M. Sonata in C. Dieter Klöcker, cl; Sonja Prunnbauer, gui. Dabringhaus Grimm MD&G L 3319 15

20:00 AT THE OPERA Prepared by Elaine Siversen

Weiss, S. Lute concerto in F (1731). Richard Stone, lute; Tempesta di Mare. Chandos CHAN 0707 14

Mozart, W. Così fan tutte, K588. Opera in two acts. Libretto by Lorenzo da Ponte. First performed Vienna, 1790. FIORDIGLIO: Véronique Gens, sop DORABELLA: Bernada Fink, mezz FERRANDO: Werner Güra, ten GUGLIELMO: Marcel Boone, bass DESPINA: Graciela Oddone, sop DON ALFONSO: Pietro Spagnoli, bass Cologne Chamber Choir; Concerto Cologne/ René Jacobs. Harmonia Mundi HMX 2908409.16 3:03 Fiordiligi and Dorabella are engaged to Ferrando and Guglielmo and are passionately in love. Don Alfonso bets the two men that their fiancées would prove false to them if the opportunity were to be offered. The men pretend that they are ordered abroad but return in disguise to court the ladies. With Don Alfonso’s plotting and the wiles of their servant Despina, each lady yields to the other’s lover. The ruse is revealed, the lovers eventually make up. Don Alfonso has won his bet, affirming Così fan tutte (Women all do it).

Narváez, L. de Conde claros con diferencias, from Los seys libros del Delphin de música en cifras para vihuela (1538). Toyohiko Satoh, vihuela. Channel Classics CCS 3091 5 Rodrigo, J. Fantasia para un gentilhombre (1954). Pepe Romero, gui; Academy of St Martin in the Fields/Neville Marriner. Decca 478 5669 21 Castaldi, B. Follia; Capriccio detto bischizzoso (1622). Le Poème Harmonique/ Vincent Dumestre, theorbo & dir. Alpha ALPHA 320 9 Various. La petite mer, Cantando desa manera. Amar Saadna, chant, gui, palmas; Joseph Saadna, chant, gui, palmas; Thierry Robin, gui, oud. Silex Y225035 7 10:30 CONCERT HALL Prepared by Anne Irish

Ravel, M. Cinq mélodies populaires grecques (1904-06). James Gilchrist, ten; Alison Nicholls, hp. Hyperion CDA67725 8 Fampas, D. Three Greek dances: Sousta (1958). Eva Fampas, gui. Naxos 8.573322 4 Czerny, C. Concert variations on The march of the Greeks from Rossini's The siege of Corinth, op 138 (pub. 1827). Rosemary Tuck, pf; English CO/Richard Bonynge. Naxos 8.573417 16 14:30 INTO THE WIND Prepared by Stephen Wilson Trad. Blow the wind southerly. Bryn Terfel, bass-bar; O at Temple Square/Mack Wilberg. DG 479 1073 4 Sparke, P. Wind, from Symphony no 1. Royal Australian Navy Band/Phillip Anderson. Royal Australian Navy RAN-004 9 Debussy, C. Dialogue of the wind and the sea, from La mer (1905). London SO/Charles Mackerras. Centaur CRC 2090 8 Carr-Boyd, A. West wind (1994). Glenn Murray, vn; Ann Carr-Boyd, pf. Jade JADCD 1069

Isaacs, M. The wind in the willows (2012). Geoffrey Collins, fl; Huw Jones, ob; Dimity Dvorák, A. Scherzo capriccioso, op 66 (1883). Hall, vn; Julian Smiles, vc; Melina van London PO/Mstislav Rostropovich. Leeuwen, hp; Phillip South, perc; Peter Neville, EMI 5 65705 2 14 perc; Mark Isaacs, pf. Sehnsucht nach dem Frühling, K596 (1791); hush.org.au HUSH014 9 Spohr, L. Clarinet concerto no 3 in F minor, Der Frühling, K597 (1791); Das Veilchen, K476 WoO19 (1821). Karl Leister, cl; Stuttgart RSO/ Peterson-Berger, W. Symphony no 2, (1785); Abendempfindung an Laura, K523 Journey on the southerly winds (1910). (1787). Werner Güra, ten; Christoph Berner, pf. Rafael Frühbeck de Burgos. 28 Norrköping SO/Michael Jurowski. Harmonia Mundi HMC 901979 12 Orfeo C 088 201 A 45 Atterberg, K. Symphony no 1 in B minor, op 3 cpo 999 564-2 23:30 MUSIC OF THE NIGHT (1909-11/13). Swedish RSO/Stig Westerberg. 16:00 FINE MUSIC DRIVE Prepared by Calogero Panvino Sterling CDS-1010-2 40 including Arts Calendar at 5.00pm Schoenberg, A. Transfigured night, op 4 With Stephen Wilson 12:00 JAZZ, PURE AND SIMPLE (1899). Concertgebouw O/Otto Klemperer. Memories HR 4248/49

Thursday 7 January 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Simon Moore 09:00 DIVERSIONS IN FINE MUSIC The instruments: Strings Prepared by Anabela Pina

With Maureen Meers

13:00 SOUNDS ALL GREEK TO ME Prepared by Jacky Ternisien Theodorakis, M. Zorba’s dance, from Zorba the Greek. City of Prague PO/Nic Raine. ABC 534 3879 4 Berlioz, H. Scène heroïque: La révolution grècque (1825-26). Ruud van der Meer, ten; Lieuwe Visser, bass; Dutch Radio Symphony Ch & O/Jean Fournet. Denon CO-72886 21 Mouquet, J. Divertissement grec, op 23 (1908). Sara Ligas, fl; Luca Nurchis, pf. Brilliant Classics 95505

Tzortzinakis, K. Four Greek images (1975). Eva Fampas, gui. Naxos 8.573322 6

19:00 THE NEW JAZZ STANDARD With Frank Presley 20:00 THE WORLD OF A SYMPHONY Prepared by Paul Cooke Parry, H. Violin sonata in D (1889). Erich Gruenberg, vn; Roger Vignoles, pf. Helios H55266 18 Joachim, J. Overture: Heinrich N, op 7 (1854). London PO/Leon Botstein. Carlton Classics 30367 02092 15 Kelly, F. Elegy in memoriam Rupert Brooke (1915). Tasmanian SO/Johannes Fritzsch. ABC 481 8890 9

Smyth, E. Mrs Waters’ aria, from The boatswain’s mate (1914-15). Eiddwen Harrhy, sop; Plymouth FO/Philip Brunelle. Virgin VC 7 91188-2 9 Tovey, D. Symphony in D, op 32 (1913). Malmö Opera O/George Vass. Toccata Classics TOCC 0033

22:00 CHAMBER INTERLUDE Berg, A. Lyric suite (1926). New Zealand String Quartet. Naxos 8.557374 29 22:30 ULTIMA THULE With Jon Shapiro

Friday 8 January 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Annabelle Drumm 09:00 DIVERSIONS IN FINE MUSIC Al fresco Prepared by Rex Burgess Prokofiev, S. Summer day, op 65 (1941). Scottish CO/José Serebrier. Resonance RSN 3069 15 Berlioz, H. On the lagoons, from Summer nights, op 7 no 3 (1840-41). Gilles Cachemaille, bar; Lyon Opera O/John Eliot Gardiner. Apex 0927 49583 2 7 Delius, F. In a summer garden (1908). Welsh National Opera O/Charles Mackerras. Argo 430 202-2 14 Suk, J. Summer impressions, op 22b (1902). Margaret Fingerhut, pf. Chandos CHAN 9026/7 13 Barber, S. Knoxville: Summer of 1915 (1947). Dawn Upshaw, sop; St Luke's O/David Zinman. Elecktra/Nonesuch 979 187-2 15 Westlake, N. Refractions at Summer Cloud Bay (1989). Australia Ensemble. Fine Music tape archive 14 10:30 CONCERT HALL Prepared by Angus McPherson Haydn, J. Symphony in G, Hob.I:100, Military (1793-94). Hanover Band/Roy Goodman. Nimbus NI 7024 24

Williamson, M. Concerto in A minor for two pianos and strings (1971). Piers Lane, pf; Howard Shelley, pf; Tasmanian SO/Howard Shelley. Hyperion CDA68011/2 20 Vaughan Williams, R. Symphony no 5 in D (1938-43/51). Royal PO/Yehudi Menuhin. Virgin VC 90733-2 39 12:00 A JAZZ HOUR With Barry O'Sullivan

Benjamin, A. North American square dance (1951). Symphony Nova Scotia/Georg Tintner. CBC Enterprises 2-5088 12 Bennett, Robert. Suite of old American dances (1949). Lone Star Wind O/Eugene Migliaro Corporon. Naxos 8.570968 19 Copland, A. Old American songs, set 1 (1950). Thomas Hampson, bar; Saint Paul CO/ Hugh Wolff. Teldec 9031-77310-2 12 Gould, M. American symphonette no 2 (1938-39). Leon Rapier, tpt; Louisville O/Jorge Mester. Albany Records TROY 013-14 10 14:00 THE SEA Prepared by Stephen Wilson Britten, B. Four sea interludes, from Peter Grimes, op 33 (1945). Royal Opera House O/ Benjamin Britten. ABC 480 7301 16 Chausson, E. Poème de l'amour et de la mer, op 19 (1882). Lauris Elms, cont; Sydney SO/ Robert Pikler. ABC 446 279-2 25 Glazunov, A. The sea, op 28 (1889-90; arr. Glazunov for two pianos, eight hands). Aurora Piano Quartet. Naxos 8.557717D 16

Sibelius, J. Symphonic poem: The oceanides, op 73 (1914). Bergen PO/Edward Gardner. Chandos CHSA 5178 10 Weber, C.M. Ocean! Thou mighty monster, from Oberon (1825-26). Joan Sutherland, sop; London SO/Richard Bonynge. Decca 480 4670 8 Debussy, C. La mer: three symphonic sketches (1903-05). Sydney SO/Gianluigi Gelmetti. ABC 476 595-7 24

19:00 FRIDAY JAZZ SESSION With Alex Siegers 20:00 EVENINGS WITH THE ORCHESTRA Prepared by Rex Burgess Beethoven, L. Calm sea and prosperous voyage, op 112 (1815). Willoughby Symphony Choir & O/Stephen Mould. Fine Music concert recording 7

13:00 AMERICAN SONGS AND DANCES Prepared by Elaine Siversen

Schubert, F. Am Meer, from Schwanengesang, D957 (1823). Mark Padmore, ten; Paul Lewis, pf. Harmonia Mundi HMU 907520

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm With James Hunter

Mozart, W. Piano concerto no 20 in D minor, K466 (1785). Ian Munro, pf; Willoughby SO/ Nicholas Milton. Fine Music concert recording 30 Mendelssohn, F. Symphony no 2 in B flat, op 52, Hymn of praise (1840). Sarah Jones, sop; Angela Brun, sop; Brad Cooper, ten; Willoughby Symphony Ch & O/Nicholas Milton. Fine Music concert recording 1:13 22:00 BAROQUE AND BEFORE The Devil’s violin Prepared by Andrew Dziedzic Veracini, F. Overture no 2 in F (c1716). Accademia I Filarmonici/Alberto Martini. Naxos 8.553412

Locatelli, P. Violin concerto in C minor, op 3 no 2, from The art of the violin (pub. 1733). Elizabeth Wallfisch, vn; Raglan Baroque Players/Nicholas Kraemer. Hyperion CDS44391/3 19 Tartini, G. Sonata in G minor, Devil’s trill (pub. 1734). Accademia Arcadia. Tall Poppies TP243 19 Sammartini, G. Concerto grosso no 8 in G minor, op 5 no 8. Ensemble 415/Chiara Banchini. Harmonia Mundi HMA 1901245 11 Vivaldi, A. Double concerto in D minor, RV514. Viktoria Mullova, vn; Giuliano Carmignola, vn; Venice Baroque O/Andrea Marcon. Archiv 479 1045 11 Corelli, A. Sonata in G minor, op 5 no 5 (1700). Chiara Banchini, vn; Kathy Gohl, vc; Luciano Contini, theorbo; Jesper Christensen, hpd. Harmonia Mundi 901307 11 Valentini, Giuseppe. Concerto no 11 in A minor for four violins (pub. 1710). Olivia Centurioni, vn; Odile Edouard, vn; David Plantier, vn; Ensemble 415/Chiara Banchini, vn & dir. Zig-Zag Territoires ZZT2020801 19

There's a Cabinet meeting and a formal reception, but the angry Scaphio and Phantis, Saturday 9 January along with the Public Exploder, are plotting revolution. Some members of the Flowers 00:00 CLASSIC-ALL THROUGH Vangelis. Theme from Chariots of fire (1981). of Progress are enjoying the attention of the THE NIGHT NSWFB 2008 2 island girls. The King explains the origin of the stories in the paper to Sophy (he wrote them 06:00 SATURDAY MORNING MUSIC NSW Fire Brigades Brass Band/Mark Reay (all himself) and they fall into each other’s arms. With Stephen Wilson above) The three plotters return with a rebellious NSW Fire Brigades 09:00 WHAT'S ON IN MUSIC crowd; everything is just too perfect to be tolerated. The King asks Zara what to do, and 12:00 URBAN JAZZ LOUNGE 09:05 THE PIANO ALONE she remembers one more feature of Britain's With Leita Hutchings Prepared by Anne Irish greatness, Government by Political Party, Stenhammar, W. Three fantasies, op 11 13:00 IN A SENTIMENTAL MOOD which makes sure nothing is ever really done (1895). Lars Roos, pf. With Maureen Meers as one party always undoes what the other Philips 456 401-2 15 party puts in place. Everyone is delighted. 14:00 ROMANTIC TRIO Nielsen, C. Chaconne, op 32 (1916). Mina Suite no 1 from Victoria and Merrie England, Mendelssohn, Fanny. Piano trio in D, op 11 Miller, pf. (1897). Hyperion CDA66231 10 (1846). Oliver Butterworth, vn; Michael Evans, Royal PO/Royston Nash. Grieg, E. Lyric pieces, bk 5, op 54 (1891). Leif vc; Frank Wibaut, pf. 11 Hyperion CDH55078 27 Decca 436 816-2 Ove Andsnes, pf. Virgin VC 7 59300 2 23 14:30 SATURDAY MATINEE 17:00 SOCIETY SPOT Organ Music Society of NSW Operetta in the afternoon 10:00 MUSICAL JOURNEYS With John Hanna Prepared by Angela Cockburn Prepared by David Brett Sullivan, A. Utopia limited or The flowers of 18:00 MUSIC OF THE SCREEN d’Indy, V. Pictures of travel, op 36 (1889). progress. Operetta in two acts. Libretto by Prepared by Maureen Meers Württemberg PO/Gilles Nopre. W.S. Gilbert. First performed, London, 1893. Marco Polo 8.223659 17 Gershwin, G. Rhapsody in blue. 16 KING PARAMOUNT: Kenneth Sandford, bar Borodin, A. In the steppes of Central Asia Rózsa, M. Spellbound concerto. Isidor SCAPHIO: John Reed, voice (1880). Armenian PO/Loris Tjeknavorian. Goodman, pf. 8 Brilliant Classics 94410 8 PHANTIS: John Ayldon, bass-bar Melbourne SO/Patrick Thomas (2 above) PRINCESS ZARA: Pamela Field, sop Sculthorpe, P. From Kakadu (1983). Jonathan LADY SOPHY: Lyndsie Holland, cont Philips 420 849-2 Paget, gui. CAPTAIN FITZBATTLEAXE: Meston Reid, ten De Paul, G. Barn dance, from Seven brides Move MD 3378 12 D'Oyly Carte Opera Ch; Royal PO/Royston for seven brothers. Adolph Deutsch, cond. 6 Saint-Saëns, C. Fantasy: Africa, op 89 (1891). Nash. Rózsa, M. Theme from Ben Hur. Miklós Stephen Hough, pf; City of Birmingham SO/ London 436 816-2 1:51 Rózsa, cond. 6 Sakari Oramo. Utopia is an idyllic South Pacific island with a Warners Movie Music 81227202 (2 above) Hyperion CDA67331/2 10 lazy, langorous lifestyle for everyone except Porter, C. Wunderbar; Why can’t you Stravinsky, I. Italian suite, from Pulcinella the Public Exploder, and two malevolent Wise behave?; Where is the life that once I led?, (1920). Mischa Maisky, vc; Martha Argerich, pf. Men, Scaphio and Phantis, whose job is to from Kiss me Kate. Kathryn Grayson, sop; Ann DG 477 5323 18 spy on the king and keep him in line. The King Miller, voice; Howard Keel, bar. himself is a great admirer of all things British: Gottschalk, L. Symphony no 1, A night in Membran 221848-207 13 he has hired an English governess, Lady the tropics (1859; reconstr. Rosenberg). Hot MGM Studio O (3 above) Sophy, for his two younger daughters, and Springs Festival SO/Richard Rosenberg. Naxos 8.559320 16 sent the eldest, Zara, to be educated at Girton 19:00 EMERGENT JAZZ College, Cambridge. His feelings for Lady With Keith Pettigrew 11:30 ON PARADE Sophy are not returned because she believes Prepared by Robert Small what she's read about him in the local scandal 20:00 THE LIFE OF A COMPOSER Zoltán Kodály sheet, the Palace Peeper. Lloyd Webber, A. Any dream will do, from Prepared by James Nightingale Zara returns, bringing with her six men, Joseph and the amazing technicolour dream the Flowers of Progress, who represent all coat (1965; arr. Graham). Kodály, Z. Sonatina (1921-22). David Pereira, NSWFBCD94 4 the good things about British culture: army, vc; David Bollard, pf. Tall Poppies TP010 8 Hammond, A. One moment in time (1988; arr. navy, law, the city, drainage-and-roads, and censorship. Zara is in love with one of Bernearts). Suite from Háry János, op 15 (1927). Berlin NSWFB 2008 4 them, Captain Fitzbattleaxe, who embodies RSO/Ferenc Fricsay. the Army. Zara is shocked at the influence DG 427 408-2 23 Various. Swinging sixties (arr. Power). of Scaphio and Phantis over the King, and NSWFBCD94 5 The cricket's wedding (1928). Vilma persuades him to let the Flowers of Progress Suppé, F. Overture to Poet and peasant take over the day-to-day running of the island Medgyaszay, sop; Béla Bartók, pf. Hungaroton HCD 12326-28 3 (1846; arr. Reece). and declare it a Company Limited. NSWFBCD94 6 Kander, J. New York, New York (1977; arr. Richards). NSWFB 2008 3

Evening song (1939); King Ladislaus’ men (1927). Gondwana Voices/Mark O’Leary. Gondwana Voices CDGV001 6 Variations on a Hungarian folksong, The peacock (1939). Chicago SO/Neeme Järvi. Chandos CHAN 8877 25

10:00 THE CLASSICAL ERA Prepared by Paul Cooke Fesca, F. Potpourri no 2, op 11. Diogenes Quartet. cpo 777 482-2 8

Dussek, J. Piano sonata in E flat, op 44, Hungarian folk music nos 15, 12, 27 (1938-39). Farewell (1800). Ian Hobson, pf. Lucia Popp, sop; Geoffrey Parsons, pf. Arabesque Z 6594 29 Orfeo C 363 941 B 7 Crusell, B. Clarinet concerto no 2 in F minor, Fantasia cromatica (1950). Hartmut Lindemann, va. Tacet 21

Symphony (1931-60s). Philharmonia O/ Yondani Butt. ASV DCA 924

22:00 SATURDAY NIGHT AT HOME Prepared by James Nightingale Debussy, C. La mer (1905). Alexander Melnikov, Olga Pashchenko, pf. Harmonia Mundi HMM 902302

Sutherland, M. Violin concerto (1954). Leonard Dommett, vn; Melbourne SO/Patrick Thomas. ABC 426 993-2 25 Farrenc, L. Piano trio no 1 in E flat (1843). Neave Trio. Chandos CHAN 20139 35 Milhaud, D. Le carnaval de Londres, op 172 (1937). New London O/Ronald Corp. Hyperion CDA66594 28

Sunday 10 January 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC With Terry McMullen 09:00 MUSICA SACRA Prepared by Paul Cooke Cherubini, L. Motet for eight voices: Nemo gaudeat (1781). Italian RT Chamber Choir; Giuseppe Agostini, org; Nino Antonellini, cond. LP Italia 70051 7 Rodrigo, J. Canticle of St Francis of Assisi (1982). Madrid Comunidad Ch & O/José Ramón Encinar. Naxos 8.557223 19 Vivaldi, A. Gloria in D, RV588. Lynda Russell, sop; Patrizia Kwella, sop; Anne Wilkens, mezz; Kenneth Bowen, ten; Choir of St John’s College, Cambridge; Wren O/George Guest. Decca 443 455-2 28

op 5, Grand (1808). Thea King, cl; London SO/ Alun Francis. Helios H55203 25 Beethoven, L. Duo in E flat, WoO32, with two obbligato eyeglasses (1796-97). Heinrich Koll, va; Milan Karanovic, vc. Naxos 8.557606 13 Mozart, F. Romanze: In der Väter Hallen ruhte, op 12 (1808). Barbara Bonney, sop; Malcolm Martineau, pf. Decca 475 6936 8 Haydn, J. Symphony in C, Hob. I:90 (1788). Suisse Romande O/Ernest Ansermet. Decca 480 0378 25 12:00 CLASSIC JAZZ AND RAGTIME With Dave Mac

17:00 HOSANNA Prepared by Richard Munge Hymns: Brightest and best of the sons of the morning; From the Eastern mountains. Choir of Wells Cathedral; Rupert Gough, org; Malcolm Archer, cond. Hyperion CDP12103 6 Blair, H. Evening service in B minor. Choir of St Paul’s Cathedral; Christopher Dearnley, org; John Scott, cond. Helios CDH 55401 11 Carols. Ding dong merrily on high; Now comes the dawn; Misere nobis. George Gibbon, treb; Choir of King’s College, Cambridge/Stephen Cleobury. KGS 0001

Stopford, P. Born in a stable; I wonder as I wander. Choir of Truro Cathedral; Luke Bond, org; Christopher Gray, cond. Recent REG 400 9 Hymns: O worship the Lord in the beauty of holiness; Hail to the Lord’s anointed. Choir of Christ Church St Laurence, Sydney; Peter Jewkes, org; Neil McEwan, cond. CCSL 05 9

13:00 WORLD MUSIC: Whirled Wide With Orli Zahava

Dubois, T. Toccata. Michael Harris, org. York 109

14:00 FOR SOLO PIANO Prepared by Jacky Ternisien Grieg, E. Holberg suite, op 40 (1884). ABC 481 1702

Ravel, M. Sonatine. ABC 476 5696

Beethoven, L. Piano sonata no 17 in D minor, op 31 no 2, The tempest (1802). ABC 465 264-2 23 Gerard Willems, pf (all above) 15:00 SUNDAY SPECIAL Musical landmarks Prepared by Elaine Siversen Weber, C.M. Clarinet quintet in B flat, op 34 (1813-15). Alan Hacker, cl; members of The Music Party. L’Oiseau-Lyre 444 167-2 29 Liszt, F. Symphonic poem no 3: Les préludes (1848/53). Suisse Romande O/Neeme Järvi. Chandos CHAN 9360 15 Rachmaninov, S. Prelude in C sharp minor, op 3 no 2 (c 1892); Lilacs, op 21 no 5 (1914). 6 Études-tableaux, op 39: no 4 in B minor; no 6 in A minor (1916-17). 6 Sergei Rachmaninov, reproducing pf (2 above) Telarc 80489

Gorécki, H. Symphony no 3, op 36, Symphony of sorrowful songs (1976). Yvonne Kenny, sop; Adelaide SO/Takuo Yuasa. ABC 472 040-2 51

18:00 SMALL FORCES Prepared by Rita Felton Poulenc, F. Sextet for wind quintet and piano (1931). Elizabeth Powell, pf; Sydney Wind Quintet. LP Cherry Pie LA07889 17 Satie, E. Gnossienne no 1 (1889). Ensemble Saraband. Dou-Tak NT098 6 Brahms, J. String sextet no 2 in G, op 36 (1864). Jascha Heifetz, vn; Israel Baker, vn; William Primrose, va; Virginia Majewski, va; Gregor Piatigorsky, vc; Gabor Rijto, vc. RCA GD87965 29 19:00 SUNDAY NIGHT CONCERT Prepared by Paul Cooke Grieg, E. Holberg suite, op 40 (1884-85). Academy of St. Martin in the Fields/Neville Marriner. Decca 442 8196 20 Hummel, J. Bassoon concerto in F (1805). Claudio Gonella, bn; Italian International O/ Diego Dini-Ciacci. Naxos 8.554280 27

Enescu, G. Symphony no 1 in E flat, op 13 (1905). BBC PO/Gennady Rozhdestvensky. Chandos CHAN 9507 35

Beethoven, L. Piano sonata no 30 in E, op 109 (1820). Arthur Schnabel, pf. EMI CHS 763765 2 21

20:30 NEW HORIZONS Prepared by Krystal Li

Schubert, F. String quartet in C minor, D703, Quartettsatz (1820). Tokyo String Quartet. Harmonia Mundi HMU 807427 12

Shaw, C. Plan & elevation (pub. 2019). Attacca Quartet. Nonesuch ORANGE Takemitsu, T. Spirit garden (1994). Bournemouth SO/Marin Alsop. Naxos 8.557760

10:30 CONCERT HALL Prepared by Paul Cooke

Schubert, F. Overture to Rosamunde, D797 (1823). Vienna PO/Pierre Monteux. Decca 482 4955 10

Corigliano, J. Fern Hill, from A Dylan Thomas trilogy (1960/99). Ty Jackson, treb; Thomas Allen, bar; Nashville Symphony Ch & O/ Leonard Slatkin. Naxos 8.559394 14 Morris, C. Forest over sea (2013). Lisa-Maree Amos, alto fl; Peter Sheridan, bass fl; Carolyn Morris, pf. Move MD 3375 15 Wesley-Smith, M. Alice in the garden of live flowers (2006). SHE: Seven Harp Ensemble. Tall Poppies TP204 6 Bogdanovic, D. Concerto for guitar and strings. Dimitri Illarionov, gui; The Seasons O/ Vladislav Bulakhov. Doberman DO500 16 22:00 JAZZ AFTER HOURS With Deborah Evans

Monday 11 January 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With James Hunter 09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1820 Prepared by Frank Morrison Mendelssohn, F. Violin sonata in F (1820). Nomos Duo. Naxos 8.554725 13 Hummel, J. Variations in F, op 97 (1820). Christopher Hinterhuber, pf; Gävle SO/Uwe Grodd. Naxos 8.557845 17

Mägi, E. Piano concerto (1953). Ada Kuuseoks, pf; Estonian NSO/Arvo Volmer. Toccata TOCC 0054 23

19:00 JAZZ PULSE With Chris Wetherall 20:00 STORMY MONDAY With Austin Harrison 22:00 JAZZ AFTER HOURS With Gail Monjo

Tuesday 12 January 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN

Raff, J. Symphony no 7 in B flat, op 201, In the 06:00 FINE MUSIC BREAKFAST Alps (1875). Philharmonia Hungarica/Werner including Arts Calendar at 7.30am Andreas Albert. With Julie Simonds cpo 999 289-2 50 09:00 DIVERSIONS IN FINE MUSIC 12:00 SWING SESSIONS Colours of the keyboard With John Buchanan Prepared by James Nightingale 13:00 NOT QUITE A SYMPHONY Prepared by James Nightingale Brahms, J. Theme and variations in D minor, from String sextet, op 18 (1860). Ian Holtham, pf. Tall Poppies TP 219 9 Mendelssohn, F. Die Liebende schreibt, op 86 no 3 (1851; arr. Maisky). Mischa Maisky, vc; Sergio Tiempo, pf. DG 471 565-2 3

Kats-Chernin, E. Unsent love letters (2017). Tamara-Anna Cislowska, pf. ABC 481 6430 5 Couperin, L. Suite in G, from Pièces de clavecin. Bob van Asperen, hpd. Aeolus AE-10124

Catoire, G. Quartre morçeaux, op 12. MarcAndré Hamelin, pf. Hyperion CDA67090 13

Copland, A. Clarinet sonata (1986). Paul Schumann, C. Three romances, op 22 (1853). Meyer, cl; Eric Le Sage, pf. Denon CO-18016 18 Lisa Batiashvili, vn; Alice Sara Ott, pf. DG 479 0086 9 Czerny, C. Rondino no 6 in E flat on an Brahms, J. Serenade no 2 in A, op 16 (1858- original theme, op 42, Les jours passées (1823). Martin Jones, pf. 59). London SO/István Kertész. 11 Decca 466 459-2 30 Nimbus NI 5872/3 14:00 MAINLY CLASSICAL CHAMBER Prepared by Frank Morrison Mozart, W. Clarinet quintet in A, K581 (1789). Wolfhard Pencz, cl; Amati Quartet. Divox CDX 29105 31 Elgar, E. String quartet in E minor, op 83 (1918). Brodsky String Quartet. ASV DCA 526 27 Arnold, M. Divertimento for flute, oboe and clarinet, op 37 (1952). East Winds. Naxos 8.570294 9

Paganini, N. Ghiribizzi (1820). Marco Tamayo, Schubert, F. Piano trio in E flat, D929 (1827). gui. Naxos 8.557598 9 Beaux Arts Trio. Philips 438 700-2 41 Rossini, G. In these last moments, from Maometto Secondo (1820). Ekaterina Siurina, 16:00 FINE MUSIC DRIVE sop; Elina Garanca, mezz; Matthew Polenzani, including Arts Calendar at 5.00pm ten; Bologna Comunale TO/Robert Abbado. With Michael Field ABC 480 8016 6

Chaminade, C. Piano trio no 1 in G minor, op 11 (1881). Tzigane Piano Trio. ASV DCA 965 23 10:30 CONCERT HALL Prepared by Frank Morrison Britten, B. Four sea interludes, from Peter Grimes, op 33a (1944-45). Ulster O/Vernon Handley. Chandos CHAN 8473 16

Shostakovich, D. Concerto for piano, trumpet and strings, op 35 (1933). William Vacchiano, tpt; André Previn, pf; New York PO/Leonard Bernstein. CBS MPK 44850 22 Tchaikovsky, P. Symphony no 4 in F minor, op 36 (1877). London SO/Gennady Rozhdestvensky. IMP PCD 867 44

12:00 JAZZ RHYTHM With Jeannie McInnes 13:00 SYDNEY SYMPHONY 2021 With Andrew Bukenya 14:00 THE PLANETS Prepared by Frank Morrison Novák, V. Moravian-Slovak suite, op 32 (1903). Brno PO/Karel Sejna. Supraphon 11 0682-2

Brahms, J. Double concerto in A minor, op 102 (1887). Issac Stern, vn; Leonard Rose, vc; Philadelphia O/Eugene Ormandy. Sony SM2K 66 941 34 Holst, G. Suite: The planets, op 32 (1916). Boston Pops O/John Williams. Decca 478 9244 50 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm With Michael Morton-Evans 19:00 THE JAZZ BEAT With Lloyd Capps

09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by Elaine Siversen

14:00 RUSSIAN CHAMBER MUSIC 1830-1950 Prepared by Frank Morrison

Hook, J. Clarinet concerto in E flat (1812). Colin Lawson, cl; Parley of Instruments/Peter Holman. Helios CDH55261 20

Glinka, M. Grand sextet in E flat for double bass, piano and string quartet (1832). Capricorn. Hyperion CDA66163 25

Banister, John. The musick att the Bath (1663; compl. Holman). Parley of Instruments Renaissance Violin Band/Peter Holman. Hyperion CDA66667 10

Rachmaninov, S. Piano trio no 1 in G minor, Élégïaque (1892). Moscow Conservatory Trio. Origin OR 009 14

Linley, T. the elder Elegy II: Ye sportive loves, that round me wait. Invocation/Timothy Roberts. Hyperion CDA66698 6 Linley, T. the younger Violin concerto in F (c1772). Elizabeth Wallfisch, vn; Parley of Instruments/Peter Holman, Helios CDH55260 16 Pepusch, J. Sonata no 4 in F for recorder and basso continuo. Frans Brüggen, rec; Anner Bijlsma, baroque vc; Gustav Leonhardt, hpd. LP Telefunken SMA 25073 7

20:00 JUST IN With James Nightingale

Cramer, J. Piano quintet in B flat, op 79 (1832). Nepomuk Fortepiano Quintet. Brilliant Classics 94377

22:00 CHAMBER SOIRÉE Prepared by Krystal Li

10:30 CONCERT HALL Prepared by Rita Felton

Hummel, J. Cello sonata in A, op 104. Jirí Bárta, vc; Hamish Milne, pf. Hyperion CDA67521 23

Rameau, J-P. Suite from Les Boréades (1764). O of the 18th Century/Frans Brüggen. Philips 420 240-2 33

Vine, C. Piano trio, The village (2013). Benaud Bartók, B. Violin concerto no 1 (c1908). Trio. Gyorgy Pauk, vn; Polish NSO/Antoni Wit. ABC 481 7164 17 Naxos 8.554321 22 Taneyev, S. String trio in E flat, op 31 (1911). Haydn, J. Symphony in D, Hob.I:101, Clock Jerusalem String Trio. (1793-94). Royal PO/Thomas Beecham. Meridian CDE 84149 28 EMI 1 66449 2 28 Lutoslawski, W. Dance preludes (1954/59). Sydney Omega Ensemble/David Rowden. Fine Music concert recording 10 Dvorák, A. Piano quintet in A, op 81 (B155). Dene Olding, vn; Quian Zhao, vn; Irina Morozova, va; Justine Marsden, va; Julian Smiles, vc; Kathryn Selby, pf. Fine Music concert recording 33

Wednesday 13 January 00:00 CONTEMPORARY COLLECTIVE

12:00 JAZZ SKETCHES With Robert Vale 13:00 RHAPSODY Prepared by Derek Parker Dvorák, A. Slavonic rhapsody in G minor, op 45 no 2 (1878). Czech PO/Václav Neumann. Teldec 8.44072 12 Vaughan Williams, R. Norfolk rhapsody no 1 in E minor (1905-06). London PO/Bryden Thomson. Chandos CHAN 8502 12

03:00 CLASSICAL TILL DAWN

Enescu, G. Romanian rhapsody in A, op 11 no 1 (1901). Romanian RTO/Iosif Conta. Marco Polo 8.223146 12

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Janine Burrus

Gershwin, G. Rhapsody in blue (1924). Columbia SO/Leonard Bernstein, pf & dir. CBS MYK 42611 16

Myaskovsky, N. String quartet no 3 in D minor, op 33 no 3 (1910/30). Leningrad Taneyev Quartet. Melodiya MA 3006 27 Goedicke, A. Concert étude, op 49. Ole Edvard Antonsen, tpt; Wolfgang Sawallisch, pf. EMI 5 56367 2 3 Stravinsky, I. Wind octet (1922-23/52). Members of London Sinfonietta/Esa-Pekka Salonen. Sony SK 45 965 14 Prokofiev, S. Cello sonata in C, op 119 (1949). Torleif Thedéen, vc; Roland Pöntinen, pf. BIS CD-386 25 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm With Ross Hayes 19:00 PLANET JAZZ With Xavier Bichon 20:00 AT THE OPERA Prepared by Peter Poole Giordano, U. Andrea Chénier. Opera in four acts. Libretto by Luigi Illica. First performed Milan, 1896. ANDREA CHÉNIER: Luciano Pavarotti, ten GÉRARD: Leo Nucci, bar MADDALENA: Montserrat Caballé, sop Welsh National Opera Ch; National PO/ Riccardo Chailly. Decca 410 117-2 1:47 At a ball, Andrea sings of the suffering of the poor, outraging the privileged guests but inspiring a servant Gérard. Chénier and a Countess's daughter, Maddalena, fall in love and join the revolution. Gérard, infatuated with Maddalena, fights Chénier and is wounded. Believing he is dying, he advises Chénier to flee from his revolutionary enemies and to save Maddalena. Gérard recovers and Chénier is arrested. Gérard is about to sign the death warrant when he recalls that Chénier’s inspired verse awakened his own patriotism, but his desire for Maddalena overwhelms his good intentions. Chénier pleads his loyalty,

Maddalena offers herself to Gérard to save Chénier’s life, but the mob thirsts for blood. Maddalena bribes her way into prison and, taking the place of a condemned woman, goes to the guillotine with Chénier. 22:00 MUSIC OF THE NIGHT Prepared by James Nightingale

Farrenc, L. Wind sextet in C minor, op 40 (1852). Eric Le Sage, pf; Les Vents Français. Warner Classics 0825646231850 24

Berlioz, H. Symphonie fantastique, op 14 (1830). London SO/Colin Davis. Philips 442 290-2 56

10:30 CONCERT HALL Prepared by Michael Morton-Evans

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm With Marilyn Schock

Schubert, F. Overture to Alfonso and Estrella, D732 (1822). Staatskapelle Dresden/Willi Boskovsky. EMI 1 66445 2 6

Webern, A. Quartet, op 22 (1930). Robert Marcellus, cl; Abraham Weinstein, sax; Daniel Majeske, vn; Charles Rosen, pf; Pierre Boulez, Haydn, J. Symphony in G, Hob.I:100, Military cond. (1793-94). Capella Istropolitana/Barry Sony SM3K 45845 9 Wordsworth. Schoenberg, A. String quartet no 3, op 30 Naxos 8.550139 25 (1927). Fred Sherry String Quartet. Ries, F. Piano concerto in A flat, op 151, Gruss Naxos 8.557533 31 an den Rhein (1826). Christopher Hinterhuber, Berg, A. Suite from Lulu (1934). Ludwig O/ Barbara Hanningan, sop & dir. Alpha Alpha 293 35 Gubaidulina, S. Silence (1991). Members of Telesto Trio. Telesto Trio D125 20 Ligeti, G. Double concerto (1972). Jacques Zoon, fl; Douglas Boyd, ob; CO of Europe/ Claudio Abbado. DG 449-215-2 16

Thursday 14 January 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Simon Moore 09:00 DIVERSIONS IN FINE MUSIC The instruments: Woodwinds Prepared by Jacky Ternisien Gounod, C. Little symphony in B flat (1885). Athena Ensemble. Chandos CHAN 6543 20 Schulze, W. Snúningur, three pictures for orchestra (1980). Alfred Hertel, heckelphone; Polish RT SO Krakow/Szymon Kawalla. VMM 3001 14 Edwards, R. Love duet, from Oboe concerto. Diana Doherty, ob; Alexandre Oguey, cora; Sinfonia Australis/Mark Summerbell. ABC 481 0116 5 Rutter, J. Spirit of the plains; Varanasi Ganga; Yugali: Pan and the Brolgas; Alhambra: Flute song in the Islamic garden; Inside the Taj Mahal. Jane Rutter, fl. ABC 481 1090 17

pf; New Zealand SO/Uwe Grodd. Naxos 8.557638

Turina, J. Sinfonia sevillana, op 23 (1920). Cincinnati SO/Jésus López-Cobos. Telarc 80574 22 12:00 JAZZ, PURE AND SIMPLE With Maureen Meers 13:00 IMPROMPTUS Prepared by Jacky Ternisien Charlton, R. Five impromptus (1984). Sydney Guitar Quartet. Fine Music concert recording 9 Martinu, B. Two impromptus (1959). Elaine Funaro, hpd. Centaur CRC 2517 5 Poulenc, F. Five impromptus (1922/39). Pascal Rogé, pf. Decca 460 329-2

Bennett, Richard. Five impromptus (1974). Craig Ogden, gui. Nimbus NI 5390 8 Massenet, J. Two impromptus. Jean-Efflam Bavouzet, pf. Chandos CHSA 5084 5 Jersild, J. Nine impromptus (1987). Kim Sjøgren, vn; Lars Hannibal, gui. OUR 8.226902

Vorisek, J. Impromptu, op 7 no 1 (1824). Olga Tverskaya, pf. Opus 111 OP30241 5

19:00 THE NEW JAZZ STANDARD With Frank Presley 20:00 THE WORLD OF A SYMPHONY Prepared by Derek Parker Liszt, F. Symphonic poem no 3: Les préludes (1848). Vienna PO/Giuseppe Sinopoli. DG 478 4234 16 Chopin, F. Polonaise-fantasy in A flat, op 61 (1845-46). Nikolai Demidenko, pf. Hyperion CDA66597 14 Wagner, R. Forest murmurs, from Siegfried (1856-71). Philadelphia O/Eugene Ormandy. RCA Victrola VD87819 9 Berlioz, H. Excerpts from The Trojans, Act V (1863). Janet Baker, mezz; Bernadette Greevy, cont; Keith Erwen, ten; Gwynne Howell, bar; Ambrosian Opera Ch; London SO/Alexander Gibson. EMI 5 62788 2 25 Liszt, F. Symphony on Dante’s Divine comedy (1866). Gillian Keith, sop; Female voices of City of Birmingham Symphony Ch; BBC PO/ Gianandrea Noseda. Chandos CHAN 10524 42 22:00 ROMANTIC SONATA Franck, C. Violin sonata in A (1886). Gil Shaham, vn; Gerhard Oppitz, pf. DG 429 729-2

22:30 ULTIMA THULE With George Cruickshank

Friday 15 January 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN

14:00 FRENCH ORCHESTRAL MUSIC Prepared by Frank Morrison

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Annabelle Drumm

Milhaud, D. Ballet: The ox on the roof, op 58 (1919). Lyon Opera O/Kent Nagano. Erato 2292-45820-2 20

09:00 DIVERSIONS IN FINE MUSIC Al fresco Prepared by Madilina Tresca

Pleyel, I. Violin concerto in D (1787). Sebastian Bohren, vn; O di Padova e del Veneto/Luca Bizzozero. Sony 88843040932 34

Sutherland, M. Outdoor overture (1953). Queensland SO/Patrick Thomas. LP ABC AC 1007

Sor, F. Sérénade, op 37 (1828-29). Marc Teicholz, gui. Naxos 8.553722

Field, J. Fantasie on a Russian air, In the garden (1823). Míceál O'Rourke, pf. Chandos CHAN 9315

Wagner, R. Klingsor’s magic garden and flower maidens, from Parsifal (1882). The Britannic Organ. OEHMS Classics OC 844 13 Haydn, J. Katherin dances nos 4,12, 6 and 8, Hob.IX:11 (1792). Boskovsky Ensemble/Willi Boskovsky. Vanguard OVC 8016 8 Carulli, F. Two nocturnes, op 131. Leopoldo Saracino, gui; Massimo Palumbo, fp. Nuova Era 7174 20 Mozart, W. Serenade no 6 in D, K239, Serenata notturna (1776). Orpheus CO. DG 431 689-2

10:30 CONCERT HALL Prepared by Daphne Li Smetana, B. The Moldau, from My country (1874-79). Vienna PO/James Levine. DG 419 768-2 12 Grieg, E. Piano concerto in A minor, op 16 (1868). Dinu Lipatti, pf; Philharmonia O/Alceo Galliera. Philips 456 892-2 29 Beethoven, L. Symphony no 6 in F, op 68, Pastoral (1808). West-Eastern Divan O/Daniel Barenboim. Decca 478 3511 41 12:00 A JAZZ HOUR With Barry O'Sullivan 13:00 BESIDE THE SEASIDE Prepared by Ray Lemond Mills, R. Seaside dances (1989). Queensland SO/Richard Mills. ABC 432 251-2 24 Sousa, J.P. Manhattan Beach (1893; arr. Langford). Band of the Blues and Royals/E.W. Jeanes. Chandos CHAN 6517 2 Barber, S. Dover Beach, op 3 (1931). Teddy Tahu Rhodes, bass-bar; Australian String Quartet. ABC 476 4363 10 Glass, P. Trial 1: Mr Bojangles, from Einstein on the beach (1975). Philip Glass Ensemble/ Michael Riesman. Elektra 7559-79323-2 16 14:00 GENERATIONS OF GERMAN COMPOSERS Prepared by James Nightingale

Bach, J.S. Magnificat in D, BWV243 (173235). Miah Persson, sop; Yukari Nonoshita, sop; Akivo Tachikawa, alto; Gerd Türk, ten; Chiyuki Urano, bass; Bach Collegium Japan/ Masaaki Suzuki. BIS CD-1011 28 Haydn, M. String quintet in G (1773). L'Archibudelli. Sony SK 53987

Schumann, R. The bard's curse, op 139 (1852). Edda Moser, sop; Doris Soffel, mezz; Josef Protschka, ten; Walton Grönroos, bar; Walter Berry, bass; Choir of Dusseldorf State Musicians; Dusseldorf Symphonic/Heinz Wallberg. EMI 7 69453 2 38 Hindemith, P. Symphonic metamorphoses on themes by Carl Maria von Weber (1943). London SO/Claudio Abbado. Decca 478 5365 21 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm With James Hunter

Ortiz, D. Fantasia (pub. 1553; arr. LawrenceKing); Divisions on paradetas (pub. 1553; arr. Lawrence-King) Andrew Lawrence-King, baroque harps. Hyperion CDA66518 7 Victoria, T. de Magnificat primi toni. Choir of St John’s College, Cambridge/George Guest. LP Argo ZK 70-71 12 Cabezón, A. de Diferencias sobre la gallarda milenesa; Discante sobre la pavana italiana. Carlo Stella, org. Nuova Era 7012/13 6 Victoria, T. de Office for the dead (1605). Magnificat/Philip Cave. Linn CKD 060 52

Saturday 16 January 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SATURDAY MORNING MUSIC With David Garrett

19:00 FRIDAY JAZZ SESSION

09:00 WHAT'S ON IN MUSIC

20:00 EVENINGS WITH THE ORCHESTRA Conductors of the Vienna Philharmonic Orchestra Prepared by Frank Morrison

09:05 THE PIANO ALONE Prepared by Frank Morrison

Chabrier, E. Suite pastorale (1880). John Eliot Gardiner, cond. DG 447 751-2 19 Strauss, R. Dance of the seven veils, from Salome, op 54 (1905). André Previn, cond. DG 437 790-2 10 Mozart, W. Violin concerto no 1 in B flat, K207 (1773). Itzhak Perlman, vn; James Levine, cond. DG 427 813-2 21 Mahler, G. Ich atmet’ einen linden Duft. Kathleen Ferrier, cont; Bruno Walter, cond. Decca 421 299-2 3 Strauss, J. II Overture: The woodruff (1895). Claudio Abbado, cond. DG 431 628-2 9 Brahms, J. Symphony no 1 in C minor, op 68 (1876). István Kertész, cond. Decca 448 197-2 47 Vienna PO (all above)

Brahms, J. Rhapsody in B minor, op 79 no 1 (1879). Radu Lupu, pf. Decca 417 599-2 10 Falla, M. de Four Spanish pieces (1909). Alicia de Larrocha, pf. Decca 466 128-2 16 Debussy, C. Suite bergamasque (1905). Claudio Arrau, pf. Philips 434 626-2 24 10:00 MUSICAL JOURNEYS Prepared by Derek Parker Nielsen, C. Rhapsodic overture: a fantasy journey to the Faroes (1927). Gothenburg SO/Neeme Järvi. DG 447 757-2 9 d’Indy, V. Mediterranean dyptich (1921). Buffalo PO/JoAnn Falletta. Beau Fleuve

Sieg, S. Farewell; Good news, from African suite no 3 (2003). Amsterdam Loeki Stardust Quartet. Radio Nederland MCCP123 6

22:00 BAROQUE AND BEFORE Spain: The school of Castille and Victoria Prepared by Elaine Siversen

Campra, A. Suite from L'Europe galante (1697). English CO/Raymond Leppard. Decca 433 733-2 21

Escobedo, B. de Missa Philippus Rex Hispaniae (1556). Choir of Westminster Cathedral/James O’Donnell. Hyperion CDA67046

Britten, B. Canadian carnival, op 19 (1939). Wesley Warren, tpt; City of Birmingham O/ Simon Rattle. Decca 478 5364 14

Grofé, F. Death Valley suite. Capitol SO/Ferde Grofé. EMI 5 74117 2 17

Violin concerto in C (1777). Takako Nishizaki, vn; New Zealand SO/Uwe Grodd. Naxos 8.570334 30

11:30 ON PARADE Music that’s band Prepared by Owen Fisher

Non temer. Barbara Bonney, sop; ClaesHåkan Ahnsjö, ten; Drottningholm Court TO/ Thomas Schuback. Musica Sveciae MSCD 424 8

Quilter, R. A children’s overture. Black Dyke Mills Band/Roy Newsome. 8 Joplin, S. The entertainer. Hendon Band/ Donald Morrison. 5 Ellington, D. Mood indigo. Desford Colliery Band/Ernest Woodhouse. 6 LP Astor GH 641 (3 above)

Sinfonia buffa (c1770). Swedish CO/Petter Sundkvist. Naxos 8.110029 17 Trio in D (1787). Jaap Schröder, vn; Kari Ottesen, vc; Lucia Negro, fp. Musica Sveciae MSCD 415

Legrand, M. Sweet gingerbread man. James Shepherd Versatile Brass/Ray Woodfield. LP Decca SB 321 3

Du temps, qui detruit tout, VB58. Monica Groop, mezz; Helsinki Baroque O/Aapo Häkkinen. Naxos 8.572865

Puccini, G. Musetta’s waltz song, from La bohème. Allentown Band/Ronald Demkee. AMP 27183 3

Overture to King Gustav III's funeral cantata, VB42. Helsinki Baroque O/Aapo Häkkinen. Naxos 8.572865 6

12:00 URBAN JAZZ LOUNGE With Leita Hutchings

Symphony in C minor, Funèbre (1792). Swedish CO/Petter Sundkvist. Naxos 8.554777

13:00 COME TO THE OPERA Prepared by Derek Parker Are you an opera fan? If not why not? Together, the story and the song make for great entertainment as well as great art. Derek Parker tells the story of Wagner’s Die Meistersinger and plays some of the music that makes it a great opera. 14:30 SATURDAY MATINEE Ballet double bill Prepared by Elaine Siversen Lehár, F. Ballet: The merry widow (1905; arr. Lanchbery, Abbott). State O of Victoria/John Lanchbery. ABC 465 426-2 1:17 Offenbach, J. Ballet: Le papillon (1860). London SO/Richard Bonynge. LP Decca SXL 6588 55 17:00 SOCIETY SPOT Classical Guitar Society With Darryl Rule 18:00 MUSIC OF THE SCREEN 19:00 EMERGENT JAZZ With Keith Pettigrew 20:00 THE LIFE OF A COMPOSER Joseph Martin Kraus Prepared by Di Cox Kraus, J.M. Overture for The king’s birthday (1782). Drottningholm Court TO/Thomas Schuback. Musica Sveciae MSCD 424 5

Gossec, F-J. Motet for the feast of St Louis: Terribilis est. Kareen Durand, sop; Cyril Auvity, ct; James Oxley, ten; Alain Buet, bar; Namur Chamber Choir; Les Agrémens/Jean-Claude Malgoire. MBF 1108 16 Vivaldi, A. Gloria in D, RV589 (1715). Elizabeth Vaughan, sop; Janet Baker, cont; Choir of King’s College, Cambridge; Roger Lord, ob; Kenneth Heath, vc; Andrew Davis, hpd; John Langdon, org; Academy of St Martin in the Fields/David Willcocks. Decca 458 623-1 29 10:00 THE CLASSICAL ERA Prepared by Denis Patterson

22:00 SATURDAY NIGHT AT HOME Prepared by Rex Burgess Khachaturian, A. Suite no 1 from Spartacus (1943). Scottish NO/Neeme Järvi. Chandos CHAN 8927 26 Borodin, A. Trio in G for two violins and cello. Alexander Detisov, vn; Alexander Polonsky, vn; Alexander Osokin, vc. Brilliant Classics 94410 19 Khachaturian, A. Suite no 2 from Spartacus (1943). Scottish NO/Neeme Järvi. Chandos CHAN 8927 21 Borodin, A. String quartet no 2 in D (1881). Takács Quartet. Decca 476 2802 27 Khachaturian, A. Suite no 3 from Spartacus (1943). Scottish NO/Neeme Järvi. Chandos CHAN 8927 16

Sunday 17 January

Auber, D-F-E. Overture to La muette de Portici (1828). Polish National RSO/Richard Hayman. Naxos 8.553264 10 Porpora, N. In caelo stelle clare. Julia Lezhneva, sop; Il Giardino Armonico/Giovanni Antonini. Decca 478 5242 14 Arne, T. Trio sonata no 6 in B minor (1757). Collegium Musicum 90. Chandos CHAN 0666 8 Boïeldieu, A. Harp concerto in C (1801). Lily Laskine, hp; Jean-François Paillard CO/ JeanFrançois Paillard. Erato 2292-45084-2 21 Field, J. Piano concerto no 6 in C (c1819). Benjamin Frith, pf; Northern Sinfonia/David Haslam. Naxos 8.554221 31 Weber, C.M. Symphony no 1 in C, op 19 (1807). Academy of St Martin in the Fields/ Neville Marriner. Brilliant 99935 25 12:00 CLASSIC JAZZ AND RAGTIME With Jeannie McInnes 13:00 WORLD MUSIC: Whirled Wide With Linda Marr

00:00 CLASSIC-ALL THROUGH THE NIGHT

14:00 FOR SOLO PIANO Prepared by Frank Morrison

06:00 SUNDAY MORNING MUSIC With Robert Small

Schoenberg, A. Three piano pieces (1894). Mitsuko Uchida, pf. Philips 456 982-2 14

09:00 MUSICA SACRA Prepared by Jacky Ternisien

Skryabin, A. Piano sonata no 2 in G sharp minor, op 19 (1892-97). Ivo Pogorelich, pf. DG 479 4350 14

Rousseau, J-J. Salve Regina (1752). Carolyn Sampson, sop; Ex Cathedra/Jeffrey Skidmore. Mozart, W. Piano sonata no 14 in C minor, Hyperion CDA68035 10 K457 (1784). Sviatoslav Richter, pf. Stradivarius STR 33343 24

15:00 SUNDAY SPECIAL A Barry Tuckwell retrospective Prepared by James Nightingale Elgar, E. Coronation march, op 65 (1911). London SO/Barry Tuckwell. IMP PCD 913 10 Cherubini, L. Sonata no 2 for horn and strings (1804). Barry Tuckwell, hn; Academy of St Martin in the Fields/Neville Marriner. EMI 5 69395 2 7 Haydn, M. Horn concertino in D (c1775). English CO/Barry Tuckwell, hn & dir. EMI 5 69395 2 16 Poulenc, F. Elegy in memory of Dennis Brain (1957). Barry Tuckwell, hn; Daniel Blumenthal, pf. Etcetera KTC 1135 9

Poulenc, F. Videntes stellam. Voces8. Signum

Marenzio, L. Tribus miraculis. Choir of St Paul’s Cathedral/John Scott. Hyperion CDA67269

00:00 CLASSIC-ALL THROUGH THE NIGHT

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Robert Small

Alain, R. Cana’s guest. Choir of Merton College, Oxford/Benjamin Nicholas. Delphian B07G1SMW4H

Hymn: Song of thankfulness and praise. Choir of Trinity College, Cambridge; Andrew Lamb, org; Richard Marlow, cond. Sony 88697573572 4 Bach, J.S. In dir ist Freude, BWV615. MarieClaire Alain, org. Warner Classics 3 18:00 SMALL FORCES Prepared by Angus McPherson

Graun, C. Horn concerto in D. Barry Tuckwell, Lim, L. Fertility (1989). Carl Rosman, cl; hn; Academy of St Martin in the Fields/Iona Rosanne Hunt, vc. Brown. Decca 417 406-2 9 ABC 456 687-2 Isaacs, M. So it does (1985). Australia Britten, B. Serenade for tenor, horn and Ensemble. strings, op 31 (1943). Peter Pears, ten; Barry Tall Poppies TP002 Tuckwell, hn; London SO/Benjamin Britten.

Decca 421 393-2

Canteloube, J. Danse (1953). Barry Tuckwell, hn; Daniel Blumenthal, pf. Etcetera KTC 1135 2 17:00 HOSANNA Stopford, P. Coventry carol. Ecclesium Choir/ Philip Stopford. Priory PRCD 1019 4 Hymn. As with gladness men of old. Choir of Trinity College, Cambridge/Richard Marlow. Conifer 75605517542/2 2 Praetorius, H. Magnificat quinti toni. Voces8. Signum SIGCD291 6 Dove, J. The three kings. Choir of Westminster Abbey/James O’Donnell. Hyperion CDA7716

Mendelssohn, F. Excerpts from Christus, op 97. Choir of St Thomas, Leipzig; Gewandhaus O/Georg Christoph Biller. Rondeau ROP4029 7 Warlock, P. Bethlehem Down. Choir of Jesus College, Cambridge/Mark Williams. Signum SIGCD269 4 Rogier, P. Videntes stellam magi. Magnificat; His Majesty’s Sagbutts and Cornetts/Philip Cave. Linn CKD 348 6

19:00 SUNDAY NIGHT CONCERT Prepared by Nicky Gluch Liszt, F. Symphonic poem no 4: Orpheus (1853-54). New Zealand SO/Michael Halász. Naxos 8.553355 11 Spohr, L. Clarinet concerto no 2 in E flat, op 57 (1810). Michael Collins, cl; Swedish CO/ Robin O’Neill. Hyperion CDA67509 25 Glazunov, A. Symphony no 2 in F sharp minor, op 16 (1886). Moscow SO/Alexander Anissimov. Naxos 8.553769 45 20:30 NEW HORIZONS Prepared by Nev Dorrington Howard, L. Ten sails (2015). Madje Noordhus, tpt; Luke Howard, pf. Hobbledehoy B01ATNR5BE 35 Richter, M. Voices (2020). Max Richter, pf. Decca B088JKWKOP 26 Schuster, O. Tristesse telescopique (2015). Oskar Schuster, pf. Recordjet B015YQPAOK 25 22:00 JAZZ AFTER HOURS

09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1789 Prepared by Gerald Holder Mozart, W. Six German dances, KV571 (1789). Concentus Musicus Vienna/Nikolaus Harnoncourt. Sony 88697914112 11 Dibdin, C. Tom Bowling (1789; arr. Britten). Peter Pears, ten; Benjamin Britten, pf. BBC BBCB 8006-2 5

Brahms, J. Clarinet quintet in B minor, op 115 Mozart, W. Sinfonia concertante no 1 in E flat, (1891). David Rowden, cl; Huy-Nguyen Bui, vn; Airena Nakamura, vn; Ewen Foster, va; Teije K297b (c1778). Derek Wickens, ob; Robert Hylkema, vc. Hill, cl; Martin Gatt, bn; English CO/Barry Fine Music concert recording 35 Tuckwell, hn & dir. ABC 480 7301

Monday 18 January

Viotti, G. Violin concerto no 16 in E minor (pub. 1789-90). Symphonia Perusina/Franco Mezzena, vn & dir. Dynamic CDS 680 (103) 27 Haydn, J. Fantasia in C, Hob.XVI:4 (1789). András Schiff, pf. Teldec 0630-17141-2 6 Peter, J. Sinfonia in G (1789). EastmanRochester O/Howard Hanson. Mercury 434 337-2

Pleyel, I. Sonata in B for four hands, B5203 (1789-90). Wolfgang Brunner, Leonore von Stauss, fp. Profil Medien PH18087 11 10:30 CONCERT HALL Prepared by Dan Bickel Rimsky-Korsakov, N. Fairy tales, op 29 (1879-80). USSR SO/Yevgeny Svetlanov. Melodiya MA 23325 009 18 Bartók, B. Piano concerto no 1 (1926). Zoltán Kocsis, pf; Budapest FO/Iván Fischer. Philips 416 831-2 22 Rodrigo, J. Soleriana (1953). Mexico State SO/Enrique Bátiz. EMI 5 65901 2 42 12:00 SWING SESSIONS With John Buchanan 13:00 FROM ONE VOICE TO ANOTHER Prepared by Michael Morton-Evans Verdi, G. Di Provenza il mar, il suol, from La traviata (1853). Plácido Domingo, bar; Valencia Comunitat O/Pablo Heras-Casado. Sony 88875123122 4

Mendelssohn, F. Hear my prayer (1844). Felicity Palmer, sop; Heinrich Schütz Choir and Chorale; Gillian Weir, org; Roger Norrington, cond. Decca 480 2475 10 Mozart, W. Venga pur, minacci e frema, from Mitridate, rè di Ponte, K87 (1770). Andreas Scholl, ct; O of the Age of Enlightenment/ Roger Norrington. Decca 466 196-2 7 Massenet, J. Pleurez mes yeux!, from Le Cid (1885). Grace Bumbry, sop; Stuttgart RSO/ Stefan Soltész. Orfeo C 081 841 A 5

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm With Stephen Wilson

13:00 CHAMBER HOUR Prepared by James Nightingale Haydn, J. Keyboard trio in D, Hob.XV:16 (1790). Beaux Arts Trio. Philips 454 098-2 17

19:00 JAZZ PULSE With Chris Wetherall

Schumann, R. Violin sonata no 1 in A minor, op 105 (1851). Lydia Mordkovitch, vn; Gerhard Oppitz, pf. Chandos CHAN 8529 17

20:00 STORMY MONDAY With Austin Harrison 22:00 JAZZ AFTER HOURS With Eddie Bernasconi

Martinu, B. Piano quintet no 1 (1933). Karel Kosárek, pf; Martinu Quartet. Naxos 8.557861 18

Tuesday 19 January

Verdi, G. Jeder Knabe kann mein Schwert mir 00:00 CONTEMPORARY entreisser, from Otello (1887). Lauritz Melchior, COLLECTIVE ten; New SO/John Barbirolli. LP Seraphim/WRC R.03835 5 03:00 CLASSICAL TILL DAWN Dall’ aule ragglanti di vano splendor, Luisa 06:00 FINE MUSIC BREAKFAST Miller, Act I. Shirlery Verrett, mezz; RCA including Arts Calendar at 7.30am Italiana Opera Ch & O/Fausto Cleva. With Julie Simonds RCA GD86646(2) 6 09:00 DIVERSIONS IN FINE MUSIC Bach, J.S. Schlafe, mein Liebster, from Colours of the keyboard Christmas oratorio, BWV248 (1734). Marilyn Horne, mezz; Vienna Cantata O/Henry Lewis. Prepared by Michael Morton-Evans Decca 448 9022 10 Ries, F. Swedish national air and variations, op 52. Christopher Hinterhuber, pf; Gävle SO/ 14:00 RONDO Uwe Grodd. Prepared by Jacky Ternisien Naxos 8.557844 15 Bach, C.P.E. Rondo in C minor, Wq59 no 4 Haydn, J. Organ concerto no 2 in C, Hob. (1784). Geoffrey Lancaster, fp. XVIII:8 (c1750). Gábor Lehotka, org; Budapest ABC 432 248-2 6 Strings. Brubeck, D. Blue rondo à la turk (1959; arr. by Hungaroton HCD 31175 12 Drapkin). Rastrelli Cello Quartet. d’Indy, V. Piano trio no 2, op 98 (1929). Ilona Genuin GEN 15364 3 Prunyi, pf; members of New Budapest Quartet. Weber, C.M. Rondo brillante in B flat, op 62 Marco Polo 8.223691 21 (1819). Jean Martin, pf. Hough, S. Sonata for cello and piano left Arion ARN 268240 6 hand, Les adieux (fp. 2013). Steven Isserlis, Chopin, F. Rondo in C, op 73 (1828). vc; Stephen Hough, pf. Amsterdam Guitar Trio. Hyperion CDA68079 20 Newton 8802093 10 Bach, C.P.E. Sonata no 5 in B flat, Wq130 (1746-47). Alain Marion, fl; Daniele Roi, hpd. 14:30 FACETS OF RESPIGHI Fonè 89 F 02-26 CD 12 Prepared by Stephen Wilson Respighi, O. Ballet: The magic pot (1920). Jakub Francisci, treb; Slovak RSO/Adriano. Naxos 8.570741 25 Piano quintet in F minor (1902). Massimo Palumbo, pf; Nuovo Quartetto Modigliani. Nuova Era SP 108 18 Notturno, from Six pieces (c1936). Yolanda Kondonassis, hp. Telarc 80533 6 Concerto gregoriano for violin and orchestra (1921). Vadim Brodsky, vn; Rome SO/ Francesco La Vecchia. Brilliant Classics 94394 32

10:30 CONCERT HALL Prepared by Gerald Holder Wagner, R. Overture to The flying Dutchman, WWV63 (1841). Chicago SO/Georg Solti. Decca 417 752-2 11 Mozart, W. Piano concerto no 1 in F, K37 (1767). Australian CO/Geoffrey Lancaster, fp & dir. Fine Music tape archive 17 Mahler, G. Symphony no 1 in D, Titan (1888/93/96). New York PO/Kurt Masur. Teldec 9031-74868-2 12:00 JAZZ RHYTHM With Jeannie McInnes

14:00 REFLECTIONS ON RENAISSANCE ARTISTS Prepared by Robert Small Berlioz, H. Overture to Benvenuto Cellini, op 23 (1836-38). Montreal SO/Charles Dutoit. Decca 452 480-2 10 Body, J. Meditations on Michelangelo for solo violin and strings (1982/2007). Martin Riseley, vn; New Zealand SO/Kenneth Young. Naxos 8.573198 19 Respighi, O. Three Botticelli pictures (1927). Accademia Bizantina/Carlo Chiarappa. Denon CO-78916 19 Meulemans, A. Symphony no 4, Rembrandt (1951). Jozef Slys, org; Antwerp PO/Frederik Devreese. LP Culture 5072-5 36 Zimmer, H. Suite from The Da Vinci code, parts 1-4. Valentina Nafornita, voice; Neue Wiener Stimmen; Rusanda Panfili, vn; Marie Spaemann, vc; Vienna RSO/Martin Gellner. Sony 819075899052 21 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm With Andrew Dziedzic 19:00 THE JAZZ BEAT With Lloyd Capps 20:00 JUST IN With Charles Barton 22:00 CHAMBER SOIRÉE Prepared by Frank Morrison Myslivecek, J. Octet no 1 in E flat. Sabine Meyer Wind Ensemble. EMI 5 55512 2 16 Schumann, R. Piano trio no 1 in D minor, op 63 (1847). Borodin Trio. Chandos CHAN 8832/3 35 Mozart, W. Clarinet quintet in A, K581 (1789). Kálmán Berkes, cl; Eder Quartet. Teldec 8.44051 30 Prokofiev, S. Violin sonata no 1 in F minor, op 80 (1938-46). Gidon Kremer, vn; Martha Argerich, pf. DG 431 803-2 29

Wednesday 20 January 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Janine Burrus 09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by Jennifer Foong Hertel, J. Double concerto in E flat. Maurice Bourge, ob; Maurice André, tpt; Württemberg CO/Jörg Faerber. EMI CMS 7 69880-2 18

Sibelius, J. Songs, op 50 (1906). Elisabeth Söderstrom, sop; Tom Krause, bar; Irwin Gage, pf; Vladimir Ashkenazy, pf. Decca 476 1725 15 Glazunov, A. Violin concerto in A minor, op 82 (1904-05). Chloë Hanslip, vn; Swiss Italian O/ Alexander Vedernikov. Hyperion CDA67940 21 14:00 THE SIBLINGS IN CHAMBER Prepared by Jacky Ternisien Boulanger, L. Cortège (1914); D’un matin de printemps (1918). Laura Chislett, fl; David Miller, pf. Walsingham WAL 8018-2 CD 7 Boulanger, N. Three pieces for cello and piano (1914). Muses Trio. musestrio.com 903494 44380

Hotteterre, J-M. Suite no 4 (pub. c1725). Little Haydn, M. Divertimento in D for wind sextet (1786). Consortium Classicum. Consort Amsterdam. 10 Etcetera KTC-1005 16 Schwann 310 002 H1 Mendelssohn, F. Piano trio no 2 in D minor, Torelli, G. Concerto grosso in C minor, op 8 op 66 (1845). Renaud Capuçon, vn; Gautier no 8 (pub. 1709). Mariana Sirbu, vn; I Musici. Philips 432 118-2 7 Capuçon, vc; Nicholas Angelich, pf. EMI 3 58472 2 31 Manfredini, V. Let not those eyes, from Carlo Bach, J.C.F. Trio sonata in F. London Magno (1764). Cecilia Bartoli, mezz; JeanBaroque. Marc Goujon, fl; I Barocchisti/Diego Fasolis. 10 Decca 478 6767 9 BIS BIS-1995 Bach, J. Christian Trio in G (pub. c1800). Mayr, J. S. Divertimento in E flat for two clarinets, basset horn, bassoon and two horns Alain Marion, fl; Marzio Conti, fl; Daniele Roi, hpd. (rev. Ballola). Camerata Strumentale Italiana. 9 LP Italia ITL 70010 20 Fonè 89 F 04-28 Dollé, C. Sonata in G minor, op 1 no 6 (1737). London Baroque. BIS CD-1855 10 10:30 CONCERT HALL Prepared by Michael Field Weber, C.M. Overture to Ruler of the spirits, op 27 (1811). Staatskapelle Dresden/Gustav Kuhn. Brilliant 99935 6 Clementi, M. Piano concerto in C, op 33 no 3. Bruno Canino, pf; Rome SO/Francesco La Vecchia. Naxos 8.573273 21 Rachmaninov, S. Symphony no 2 in E minor, op 27 (1906-07). Sydney SO/Edo de Waart. ABC 462 012-2 56 12:00 JAZZ SKETCHES With Robert Vale 13:00 EARLY 20TH CENTURY GEMS Prepared by James Nightingale Ravel, M. Rhapsodie espagnole (1907). Olga Kharitonova, pf; Igor Machlak, pf. Move MD 3185 15

Milhaud, D. La création du monde (1923; arr. Seidenburg). Turtle Island String Quartet; Ying Quartet. Telarc 80630 11 Haydn, J. Baryton trio in D, Hob.XI:97, Birthday (c1766). Munich Baryton Trio. Claves 50-609

3:02

Gualtiero, King of Sicily, married a poor shepherdess, Griselda. The marriage was deeply unpopular with the king's subjects and when a daughter, Costanza, was born, the king had to pretend to have her killed while secretly instead sending her to be brought up by Prince Corrado of Apulia. Now, faced with another rebellion from the Sicilians, Gualtiero is forced to renounce Griselda and promises to take a new wife. Costanza, unaware of her true parentage, is the proposed bride. She is in despair because she is in love with Roberto. The courtier, Ottone, is in love with Griselda and follows her when she is banished to her home in the country. She angrily rejects his advances. Gualtiero foils an attempt by Ottone to kidnap Griselda and allows her back to the court but only as Costanza's slave. Ottone still pursues Griselda and Gualtiero promises him her hand as soon as he himself has married Costanza. Griselda declares she would rather die and, moved by her faithfulness, Gualtiero takes her back as his wife. He reveals the true identity of Costanza and allows her to marry Roberto. Arias with solo trumpet. Judith Nelson, sop; Dennis Ferry, tpt; Gordon Murray, hpd. Harmonia Mundi HMA 1905137 15 23:30 MUSIC OF THE NIGHT Prepared by Calogero Panvino Schoenberg, A. Six little pieces for piano, op 19 (1911). Mitsuko Uchida, pf. Philips 473 686 2 7 Piano concerto, op 42 (1942). Theo Bruins, pf; Royal Concertgebouw O/Gustav König. Radio Netherlands RCO 05001 19

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 PLANET JAZZ With Xavier Bichon 20:00 AT THE OPERA Prepared by Elaine Siversen Scarlatti, A. Griselda. Opera in three acts. Libretto by Apostolo Zeno. First performed, Rome, January 1721. GUALTIERO: Lawrence Zazzo, ct GRISELDA: Dorothea Röschmann, sop COSTANZA: Veronica Cangemi, sop OTTONE: Silvia Tro Santafé, mezz CORRADO: Kobie van Rensburg, ten ROBERTO: Bernarda Fink, mezz Akademie für Alte Musik Berlin/René Jacobs.

Harmonia Mundi HMM 931805.07

Thursday 21 January 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Simon Moore 09:00 DIVERSIONS IN FINE MUSIC The instruments: Strings Prepared by Jennifer Foong Schubert, F. Overture in C minor for string quintet. Gyozo Mathe, va; Kodály Quartet.. Naxos 8.557126 9

Vivaldi, A. Concerto in B flat for oboe and violin, RV548. David Reichenberg, ob; Simon Standage, vn; English Concert/Trevor Pinnock, hpd & dir. Archiv 415 674-2 10 Trad. Der makam-i Huseyni Sema’i. Kudsi Erguner, ney; Hakan Gungor, kanun; Yurdal Tockan, oud; Dimitri Psonis, santur; Derya Turkan, kemence; Murat Tokaç, tanbur; Fahrettin Yarkin, perc; Members of Hespèrion XXI/Jordi Savall. Alia Vox AVSA 9870 8 Müller, I. Trio, after a theme from Rossini’s Armida (c1828). Dieter Klöcker, cl; Martin Ostertag, vc; Edward Witsenburg, hp. Schwann 310 001 H1 11 Suk, J. Serenade in E flat for strings, op 6 (1892). Los Angeles CO/Neville Marriner. Decca 466 459-2 24 Chausson, E. Chanson perpetuelle, op 37 (1898). Jessye Norman, sop; Ronald Patterson, vn; Salvatore Sansalone, vn; JeanPierre Pigerre, va; Lane Anderson, vc; Michel Dalberto, pf. Erato 2292 45368-2 7 Mendelssohn, F. Variations concertantes, op 17 (1829). Mischa Maisky, vc; Sergio Tiempo, pf. DG 471 565-2 8 10:30 CONCERT HALL Prepared by Peter Poole Grainger, P. Youthful suite (1899/1940-45). Sydney SO/John Hopkins. ABC 476 595-7 26 Westlake, N. Suite from Antarctica (1992). Tim Kain, gui; Tasmanian SO/David Porcelijn. Tall Poppies TP169 22 Grieg, E. Symphony in C minor (1863-64). Bergen PO/Ole Kristian Ruud. BIS CD-1740/42 34 12:00 JAZZ, PURE AND SIMPLE With Maureen Meers 13:00 MY COUNTRY ‘TIS OF THEE Prepared by Derek Parker Rouget de Lisle, C-J. La Marseillaise (c1792; arr. Berlioz). Andrea Guiot, sop; Claude Cales, bar; Les Petits Chanteurs à la Croix de Bois/ Jean-Pierre Jacquillat. EMI CDM 1 66434-2 7 Haydn, J. The emperor’s hymn, from String quartet, op 76 no 3 (1797). Parley of Instruments/Peter Holman. Hyperion CDA67150 5 Verdi, G. Va pensiero, from Nabucco (1842). Nicolai Ghiaurov, bass; Ambrosian Singers; London SO/Claudio Abbado. Decca 478 5365 9

Chopin, F. Étude in C minor, op 10 no 12 Revolutionary (1831). Valentina Lisitsa, pf. Decca 478 7697 3 Smetana, B. Tabor, from Má vlast (1878). Vienna PO/Nikolaus Harnoncourt. Teldec 0927-44890-2 14 Alexandrov, A. National anthem of the Russian Federation (1944-49; arr. Yachinov). Red Army Choir/Vikto Eliseev. FGL 479 2311 3

Glazunov, A. Andante lugubre: To the memory of N. Rimsky-Korsakov, from Two preludes, op 85 no 2 (1908). Moscow SO/Igor Golovschin. Naxos 8.553857 12 Stravinsky, I. Symphony in E flat, op 1 (1907). Russian NO/Mikhail Pletnev. DG 453 434-2 35 22:00 PROKOFIEV INTERLUDE

Ives, C. Variations on America (c1891; orch. Schuman). Bournemouth SO/José Serebrier. Naxos 8.559083 7

Prokofiev, S. Violin sonata no 1 in F minor, op 80 (1938-46). Gidon Kremer, vn; Martha Argerich, pf. DG 431 803-2 29

14:00 FRENCH NOCTURNES AND MORE Prepared by James Nightingale

22:30 ULTIMA THULE With Jackson Day

Koechlin, C. Two nocturnes for flute, horn and piano, op 75 (1920). Tatjana Ruhland, fl; Joachim Sänsch, hn; Yaara Tal, pf. SWR MUSIC SWR19047CD 6 Septet (1937). Gerhard Stempnik, ob; Manfred Preis, cl; Berlin Philharmonic Wind Quintet. BIS CD-536 16 Poulenc, F. Nocturnes (1930-35). Antony Gray, pf. ABC 481 1835 20 Sextet for piano and wind quintet (1932-39). Eva Knardahl, pf; Gothenburg Wind Quintet. BIS CD-24 18 Debussy, C. String quartet in G minor, op 10 (1893). Australian String Quartet. ABC 476 690-4 27 Nocturnes (1897-99). Royal Concertgebouw O/Bernard Haitink. Philips 438 742-2 24 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm With Sue Jowell 19:00 THE NEW JAZZ STANDARD With Frank Presley 20:00 THE WORLD OF A SYMPHONY Prepared by James Nightingale Rimsky-Korsakov, N. Suite from The golden cockerel (1909). Czecho-Slovak RSO/Donald Johanos. Naxos 8.553247 26 Taneyev, S. String quartet no 5 in A (1903). Carpe Diem String Quartet. Naxos 8.573010 24 Lyadov, A. Variations on a Polish folk theme, op 51 (1901). Stephen Coombs, pf. Hyperion CDA66986 12

Friday 22 January 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Annabelle Drumm 09:00 DIVERSIONS IN FINE MUSIC Al fresco Prepared by James Nightingale Reed, A. El Camino Real. Royal Australian Navy Band/Andrew Stokes. Royal Australian Navy RAN-004 11 Zemlinsky, A. Maiblumen blühten überall (c1898). Soile Isokoski, sop; Torsten Janick, vn; Rose Kaufmann, vn; Mile Kosi, va; Urara Seo, va; Daniel Cahen, vc; Sylvia Borg, vc. EMI 5 86079 2 9 Villa-Lobos, H. Chôros no 2 (1924). Emmanuel Pahud, fl; Paul Meyer, cl. EMI 5 57948 2

Sculthorpe, P. Quamby (2000). Adelaide SO/ James Judd. ABC 481 1293 23 Williamson, M. The bridge that Van Gogh painted and the French Camargue (1975). Antony Gray, pf. ABC 472 902-2 9 Dvorák, A. Serenade in D minor for winds, op 44 (1878). Oslo PO Wind Soloists. Naxos 8.554173 23 10:30 CONCERT HALL Prepared by Michael Field Tchaikovsky, P. Capriccio italien, op 45 (1880). Concertgebouw O/Bernard Haitink. Decca 478 5867 15

Mozart, W. Horn concerto no 3 in E flat, K447 (1784-87). Frank Lloyd, hn; Northern Sinfonia/ Richard Hickox. Chandos CHAN 9150 15

Concerto piccolo for wind quintet and string orchestra, op 35 (1967). Nordic CO/Christian Lindberg. BIS CD-1538 11

Corelli, A. Violin sonata in E minor, op 5 no 8 (pub. 1700). François Fernandez, vn; Glen Wilson, hpd. Naxos 8.557799 11

Ravel, M. Ballet: Daphnis and Chloe (1912). Chicago Symphony Ch & O/Bernard Haitink. CSO-Resound CSOR 901 906 53

Cello concerto, op 29 (1965). Maria Kliegel, vc; Gävle SO/Petter Sundkvist. Swedish Society SSACD 1131 30

Legrenzi, G. Sonata sesta à 4. Rare Fruits Council/Manfredo Kraemer, vn & dir. Ambronay AMY028 8

12:00 A JAZZ HOUR With Barry O'Sullivan

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm With Camille Mercep

13:00 CELEBRATING GURRUMUL Prepared by Paul Cooke Yunupingu, G. Galiku: Flag. Michael Hohnen, db; Craig Pilkington, gui. Skinnyfish SFGU080201 8 Gurrumul history: I was born blind. Sydney SO/Erkki Veltheim. ABC/Skinnyfish 3764720 7 Trad. Amazing grace. Ben Hamptmann, Tony Floyd, Michael Hohnen, Erkki Veltheim. Skinnyfish SFGU 150803 3 Yunupingu, G. Ngarrpiya: Octopus (arr. Hohnen, Veltheim). O/Erkki Veltheim. Skinnyfish SFGU 180413

Geoffrey Gurrumul Yunupingu, voice, gui (all above) 13:30 BORN IN BELGIUM Prepared by Frank Morrison Grétry, A-E-M. String quartet in G, op 3 no 5 (1761-65). Haydn Quartet. Koch 310 158 H1 10 Gossec, F-J. Symphony in D (pub. 1776). London Mozart Players/Matthias Bamert. Chandos CHAN 9661 12

19:00 FRIDAY JAZZ SESSION With Alex Siegers 20:00 EVENINGS WITH THE ORCHESTRA Prepared by Nicky Gluch

Gabrieli, G. Canzon 27 à 8 (pub.1608). Philip Jones Brass Ensemble/Philip Jones. Decca 448 993-2 449 180-2 3

Saturday 23 January 00:00 CLASSIC-ALL THROUGH THE NIGHT

Rodrigo, J. Summer concerto (1943). Michael Guttman, vn; Royal PO/José Serebrier. ASV DCA 855 21

06:00 SATURDAY MORNING MUSIC With Peter Bell

Prokofiev, S. Suite: Summer night, op 123 (1950). Russian NO/Mikhail Pletnev. DG 445 830-2 20

09:00 WHAT'S ON IN MUSIC

Vivaldi, A. Violin concerto no 2 in G minor, RV315, Summer, from The four seasons (pub. 1725). Barbara Jane Gilby, vn; Tasmanian Symphony Chamber Players/Geoffrey Lancaster. ABC 472 424-2 11 Suk, J. A summer’s tale, op 29 (1907-09). Alison Teale, cora; Helen Vigurs, cora; BBC SO/Jirí Belohlávek. Chandos CHSA 5109 54 22:00 BAROQUE AND BEFORE Prepared by Rodrigo Azaola

09:05 THE PIANO ALONE Prepared by Michael Morton Evans Scarlatti, D. Sonata in F minor, Kk466. Vladimir Horowitz, pf. CBS MK 42410

Field, J. Sonata in A, op 1 no 2 (1801). Pietro Spada, pf. Arts 47178-2 12 Liszt, F. Hungarian rhapsody no 9, Carnival at Pest (1846). Emil Gilels, pf. Philips 456 796-2 10 Albéniz, I. Iberia: bk III (1907). Esteban Sánchez, pf. Brilliant Classics 9255

Ysaÿe, E. Poeme élégïaque (1902). Jerrold Rubenstein, vn; Belgian NO/Mendi Rodan. Schwann 311099 H1 15

Willaert, A. O iubar, nostrae specimen salutis (pub. 1542). Cinquecentro Renaissance Vokal. Hyperion CDA67749 12

Franck, C. Symphonic poem: Le chasseur maudit (1883). Belgian NO/André Cluytens. EMI 5 65153 2 15

Monteverdi, C. Lamento d’Arianna, from Sixth book of madrigals (pub. 1614). Delitiae Musicae/Marco Longhini. Naxos 8.555312/13 19

Rabaud, H. Maroûf, Savetier du Caire, dances for orchestra (1914). Loire PO/Pierre Dervaux. EMI CDM 7 63951 2 15

Cavalli, F. Prison scene duets, from L’Ormindo Act III (1644). Fiona Campbell, mezz; David Walker, ct; Ironwood/Neal Peres da Costa. Vexations 840 840-1101 14

Mozart, W. Ruhe sanft, mein holdes Leben, from Zaïde, K344 (1779). Beverly Sills, sop; London PO/Aldo Ceccato. DG 471 766-2 8

Vivaldi, A. Bassoon concerto no 23 in G minor, RV495. Daniel Smith, bn; Zagreb Soloists/Tonko Ninic. ASV DCA 734 10

Liszt, F. Capriccio alla turca, from Beethoven’s The ruins of Athens (1846). Leslie Howard, pf. Hyperion CDS44549

14:30 SPOTLIGHT ON BO LINDE Prepared by Elaine Siversen Linde, B. A merry overture, op 14 (c1953). Gävle SO/Petter Sundkvist. Swedish Society SSACD 1132 6 The meadow where you kissed me; Apple trees and pear trees. Anne Sophie von Otter, sop; Bengt Forsberg, pf. DG 474 700-2 3

Schütz, H. Small sacred concertos (1639). Suite Boulogne, op 32 (1966). Gävle SO/Petter Concerto Vocale/René Jacobs. Sundkvist. Harmonia Mundi HMX 2971310 14 Swedish Society SSACD 1132 15 Scarlatti, A. Lidio and Chloe. Jane Edwards, I am tired to death; Is it you, most beloved sop; James Sanderson, ct; Chacona/Rosalind child; Take me; May we be happy. Anne Halton. Sophie von Otter, sop; Bengt Forsberg, pf. ABC 476 617-0 15 DG 474 700-2 12

10:00 MUSICAL JOURNEYS Prepared by Rodrigo Azaola

Couperin, F. Sonata, La sultane (pub. c1728). Musica Antiqua Cologne/Reinhard Goebel. Archiv 415 298-2 11 Rossini, G. I am here at last in Babylon, from Semiramide (1823). Vivica Genaux, mezz; Paris Orchestral Ensemble/John Nelson. Virgin 5 45545 2 11

Saint-Saëns, C. Vois ma misère, hélas, from Samson et Dalila (1877). Roberto Alagna, ten; London Voices; Royal Opera House O/ Bertrand de Billy. EMI 5 57012 2 9 Strauss, R. Dance of the seven veils, from Salome, op 54 (1905). Sydney SO/Stuart Challender. ABC 434 716-2 10 Debussy, C. Two arabesques (1888). Kathryn Stott, pf. Conifer CDCF 148 8 11:30 ON PARADE Great British bands Prepared by Robert Small Sullivan, A. A Sullivan fantasy (arr. Langford). John Foster Black Dyke Mills Band/Roy Newsome. Chandos CHAN 4533 7 Grainger, P. Colonial song. Royal Northern College of Music Wind O/Timothy Reynish. Chandos CHAN 9549 6

Finzi, G. Cantata: Dies natalis (1938-39). Martyn Hill, ten; City of London Sinfonia/ Richard Hickox. Virgin VC 7 90718-2 24

18:00 MUSIC OF THE SCREEN 19:00 EMERGENT JAZZ With Keith Pettigrew 20:00 THE LIFE OF A COMPOSER Zdenek Fibich Prepared by Frank Morrison

10:00 THE CLASSICAL ERA Prepared by Di Cox

The quarrel between Shrovetide and Lent, from Studies of paintings, op 56 no 2 (189899). Radoslav Kvapil, pf. Unicorn-Kanchana DKP9149 5

Fields/Iona Brown. EMI CDC 7 54842 2

Bach, J. Christian Sinfonia in D for double Fibich, Z. Overture: A night at Karlstejn Castle orchestra, op 18 no 3 (c1781). Failoni O/ (1886). Czech NSO/Marek Stilec. Hanspeter Gmür. Naxos 8.573310 10 Naxos 8. 553367 11 String quartet no 1 in A (1874). Talich Quartet. Stamitz, C. Clarinet concerto no 3 in B flat. Calliope CAL 3332 23 Sabine Meyer, cl; Academy of St Martin in the

Quintet in D for clarinet, horn, violin, cello and piano, op 42 (1893). Endymion Ensemble. ASV DCA 943 36 Symphony no 1 in F, op 17 (1883). Razumovsky SO/Andrew Mogrelia. Naxos 8.553699

Whelan, W. Riverdance (arr. Farr). Mike Kilroy, 22:00 SATURDAY NIGHT AT HOME euphonium; Grimethorpe Colliery Band/Gary Prepared by Paul Cooke Cutt. Chandos CHAN 4545 6 Foote, A. Nocturne and scherzo for flute and string quartet (1918). Jeani Muhonen Foster, fl; Elgar, E. Pomp and circumstance march in C, Da Vinci Quartet. op 39 no 4 (1907). Central Band of the Royal Naxos 8.559014 13 Air Force. Decca 2747512 5 Ries, F. Piano concerto in C, op 123 (1806). Christopher Hinterhuber, pf; New Zealand SO/ Uwe Grodd. 12:00 URBAN JAZZ LOUNGE Naxos 8.557638 32 With Leita Hutchings 13:00 IN A SENTIMENTAL MOOD With Maureen Meers 14:00 CAPLET QUINTET Prepared by James Nightingale Caplet, A. Quintet for piano and winds (1898). Claire Désert, pf; Moraguès Quintet. Le Chant du Monde LDC2781116 27 14:30 SATURDAY MATINEE Prepared by James Nightingale Bach, C.P.E. Cantata: The last sufferings of the Saviour, Wq233(1769). Barbara Schlick, sop; Greta de Reyghere, sop; Catherine Patriasz, cont; Christoph Prégardien, ten; Max van Egmond, bass; Collegium Vocale Gent; La Petite Bande/Sigiswald Kuijken. Harmonia Mundi 88697 57627 2 2:00

d’Indy, V. Trio for clarinet, cello and piano, op 29 (1887). Amici Ensemble. Naxos 8.557347 36 Goldmark, K. Symphony no 2 in E, op 35 (1887). Philharmonia O/Yondani Butt. ASV DCA 934 32

Sunday 24 January 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC With Terry McMullen 09:00 MUSICA SACRA Prepared by Nicky Gluch

Mozart, W. Piano concerto no 14 in E flat, K449 (1784). Malcolm Bilson, fp; English Baroque Soloists/John Eliot Gardiner. Archiv 413 463-2 21

Vivaldi, A. Magnificat anima mea Dominum, in G minor, RV610. Suzette Leblanc, sop; Danièle Forget, sop; Richard Cunningham, ct; Henry Ingraam, ten; Tafelmusik Baroque Chamber Choir & O/Jean Lamon. 14

17:00 SOCIETY SPOT Sydney Schubert Society With Ross Hayes

Vasks, P. Dona nobis pacem (1996-97). Estonian Philharmonic Chamber Choir;Tallinn CO/ Paul Hillier. Harmonia Mundi HMX 2908793 15

Schubert, F. Sei mir gegrüsst, D741 (182122). Dietrich Fischer-Dieskau, bar; Gerald Moore, pf. DG 477 5765 4 Fantasy in C, D934 (1827). Lydia Mordkovitch, vn; Gerhard Oppitz, pf. Chandos CHAN 8544 26 Weber, C.M. Symphony no 2 in C (1807). London Classical Players/Roger Norrington. EMI 5 55348 2 19 Haydn, M. Die Verwandlungen; Der Obersulzer Wein. Die Singphoniker. cpo 999 333-2

Mozart, W. Quartet in B flat, K458, Hunt (1784). Sydney String Quartet Fine Music concert recording NI 5455/6 27 12:00 CLASSIC JAZZ AND RAGTIME With Dave Mac 13:00 WORLD MUSIC: Whirled Wide With Anna Tranter 14:00 FOR SOLO PIANO Prepared by Jennifer Foong Fauré, G. Ballade for solo piano, op 19 (187779). Kathryn Stott, pf. Hyperion CDA66911/4 14 Rachmaninov, S. Andante cantabile in B minor, from Moments musicaux, op 16 (1896). Howard Shelley, pf. Hyperion CDS 44042 6 Schubert, F. Impromptus, D899: no 3 in G flat; no 4 in A flat (1827). Imogen Cooper, pf. Ottavo OTR C78923 13 Schumann, R. Piano sonata no 2 in G minor, op 22 (1838). Angela Hewitt, pf. Hyperion CDA67780 20 15:00 SUNDAY SPECIAL Cellist composers Prepared by Elaine Siversen

Offenbach, J. Suite, op 54 no 2 in E. Andrea Noferini, vc; Giovanni Sollima, vc. Brilliant Classics 2CD 94475 21

108 (1886-88). Augustin Dumay, vn; Maria João Pires, pf. DG 479 5964 22

Excerpts from Gaîté parisienne (1866; arr. Rosenthal 1938). Berlin RSO/Paul Strauss. DG 477 5349 25

Poulenc, F. Elegy (1957). André Cazalet, hn; Pascal Rogé, pf. Decca 443 968-2 11

Cello concerto in G (1847). Ofra Harnoy, vc; Cincinnati SO/Erich Kunzel. RCA RD 71003 21

19:00 SUNDAY NIGHT CONCERT Prepared by Frank Morrison

Sullivan, A. Overture di ballo (1870/89). Royal Liverpool PO/Charles Groves. EMI CDM 7 64726 2 12 Poor, wandering one; I am the very model of a modern major-general; When the foeman bares his steel, from The pirates of Penzance (1879). Debra Hays, sop; Meredyth Rawlins, mezz; Carroll Freeman, ten; Eric Schilling, bar; Eric Johnson, bass; members of Eastman Chorale; Rochester PO/Mark Elder. Pro Arte CDD 480 12 Cello concerto in D (1866; reconstr. Mackerras, Mackie). Julian Lloyd Webber, vc; London SO/Charles Mackerras. EMI CDM 7 64726 2 17 17:00 HOSANNA Hymn, Jesus, good above all other. Choir of Winchester Cathedral; David Dunnett, org; David Hill, cond. Herald HAVP 185 3 Stanford, C. Villiers Magnificat; Nunc dimittis in G. Choir of Winchester Cathedral; Stephen Farr, org; David Hill, cond. Hyperion CDS44312 8 Wesley, S.S. Ascribe unto the Lord. Choir of St Paul’s Cathedral; Huw Williams, org; John Scott, cond. Hyperion CDA67269 15 Biebl, F. Ave Maria. Choir of Trinity College, Melbourne/Michael Leighton Jones. ABC 472 3102 8 Handl, J. Pater noster. Choir of St James’ Church, Sydney/Warren Trevelyan-Jones. SJKS 005 4 Hymn: Lead, kindly light. Choir of Winchester Cathedral; David Dunnett, org; David Hill, cond. Herald HAVP 185 3

Mendelssohn, F. Overture to A midsummer night’s dream, op 21 (1826). Concertgebouw O/Otto Klemperer. Memories HR 4248/49 12 Elgar, E. Cello concerto in E minor, op 85 (1918-19). Jaqueline du Pré, vc; London SO/ John Barbirolli. EMI CDC 7 47329 -2 30 Skryabin, A. Symphony no 2 in C minor, op 29 (1901). Scottish NO/Neeme Järvi. Chandos CHAN 8462 40 20:30 NEW HORIZONS Prepared by James Nightingale Yoshimatsu, T. Saxophone concerto, op 93, Albireo mode (2004-5). Nobuya Sugawa, sop sax; BBC PO/Yutako Sado. Chandos CHAN 10466 23 Ichiyanagi, T. Flowers blooming in summer (1982). Alice Giles, hp; Arnan Wiesel, pf. Schwann 3-1765-2 7 Miyoshi, A. Phénomène sonore I (1984). Tomoe Kawabata, pf; Aura Go, pf. Master Performers MP 015

Tanada, F. Duo (2006). Marie Kobayashi, mezz; Claude Delangle, sop sax. BIS CD-1630

Takemitsu, T. Eyes closed, I & II (1979/89). Roger Woodward, pf. ABC 446 739-2 18 Hosokawa, T. Circulating ocean (2005). Lyon National O/Jun Märkl. Naxos 8.573276 21 22:00 JAZZ AFTER HOURS With Deborah Evans

Monday 25 January

Mendelssohn, F. Sonata in A, op 65 no 3, mvt 00:00 CLASSIC-ALL THROUGH THE NIGHT 1. Ullrich Böhme, org. Rondeau ROP4029 7 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am 18:00 SMALL FORCES With James Hunter Prepared by Rex Burgess Beethoven, L. Trio in B flat for clarinet, cello 09:00 DIVERSIONS IN FINE MUSIC and piano, op 11 (1797). Deborah de Graaff, cl; A year in retrospect: 1780 Georg Pedersen, vc; Len Vorster, pf, Prepared by Jacky Ternisien Fine Music concert recording 21 Brahms, J. Violin sonata no 3 in D minor, op

Cimarosa, D. Overture to Il falegname (1780). Nicolaus Esterházy Sinfonia;/ Alessandro Amoretti. Naxos 8.570508

Clementi, M. Sonata in E flat, op 6 no 2 (1780-81). Susan Alexander-Max, fp. Naxos 8.570475

Bach, C.P.E. Symphony in D, Wq183 no 1 (1780). English Concert/Andrew Manze. Harmonia Mundi HMX 2908601.30 11 Mozart, W. 12 Variations in E flat on La belle françoise, K353 (1780; arr.). Alice Giles, hp. Fine Music concert recording 8 Haydn, J. Oboe concerto in C, Hob.VIIg:C1 (1780-90). Derek Wickens, ob; Royal PO/ Elgar Howarth. ASV CD ACA 1003 22 Martini, J. Plaisir d’amour (1780). Yvonne Kenny, sop; Melbourne SO/Vladimir Kamirski. ABC 476 4621 3 Boccherini, L. String quartet in A, op 32 no 6 (1780). Quartetto Borciani. Naxos 8.555043 17 10:30 CONCERT HALL Prepared by Robert Gilchrist Sullivan, A. Overture to The sapphire necklace (1864). RTE Concert O/Andrew Penny. Marco Polo 8.223461 10 Edwards, R. Maninyas, violin concerto (1988). Dene Olding, vn; Sydney SO/Stuart Challender. ABC 438 610-2 25 Moeran, E.J. Symphony in G minor (1937). Ulster O/Vernon Handley. Chandos CHAN 8577 46 12:00 SWING SESSIONS With John Buchanan 13:00 INSPIRED BY LITERATURE Prepared by Paul Cooke Hurlstone, W. Suite from Incidental music to The magic mirror (1900). London PO/ Nicholas Braithwaite. Lyrita SRCD 208 25 Schubert, F. Der Hirt auf dem Felsen, D965 (1828). Hans Petter Bonden, cl; Lars Anders Tomter, va; Einar Henning Smebye, pf. Simax PSC 1018 10 Franck, C. Symphonic poem: Le chasseur maudit (1884). Czech PO/Jean Fournet, Supraphon 11 0613-2011 14 Liszt, F. Ballade in B minor (1853). Leslie Howard, pf. Hyperion CDS44512 13

Beethoven, L. Fantasia in C minor, op 80, Choral (1807). Susan Scheinpflug, sop; Kerstin Klein, sop; Andrea Pitt, cont; Albrecht Sack, ten; Ekkehard Wagner, ten; Reinhard Decker, bass; Bavarian Radio Choir; Middle German Radio Choir; Menahem Pressler, pf; Gewandhaus O/Kurt Masur. Decca 478 6962 18

Handel, G. Organ concerto no 13 in F, HWV295, The cuckoo and the nightingale (1739). Nicholas Parle, org; London Baroque/ Charles Medlam. EMI CDC 7 49799 2 13

14:30 IN MARCH STYLE Prepared by Stephen Wilson

Albéniz, I. Suite española, op 47 (1896). Katia Labèque, pf; Marielle Labèque, pf. Philips 438 938-2 13

Meyerbeer, G. Overture in the march style (1862). Hanover Radio PO/Michail Jurowski. cpo 999 168-2 16 Beethoven, L. Three marches, op 45 (1804). Cullan Bryant, Dmitry Rachmanov, pf. Naxos 8.572519-20 17 Wagner, R. American Centennial march (1876). Hong Kong PO/Varujan Kojian. LP Marco Polo 6.220114

Schumann, R. Piano trio in A minor, op 88, Fantasiestücke (1842). Vienna Brahms Trio. Naxos 8.553837 19

Chopin, F. Cello sonata in G minor, op 65 (1847). Elizabeth Neville, vc; Daniel Herscovitch, pf. Wirripang Wirr 048

10:30 CONCERT HALL Prepared by David Brett

Stravinsky, I. Suite from Pulcinella (1919-20). Academy of St Martin in the Fields/Neville Schumann, R. Funeral march, op 44 no 2 Marriner. (1842; arr. Grützmacher). Francesco Dillon, vc; Decca 443 577-2 23 Emanuele Torquati, pf. Nielsen, C. Clarinet concerto, op 57 (1928). Brilliant Classics 94328 7 Kevin Banks, cl; Bournemouth SO/Kees 12

Elgar, E. Pomp and circumstance military marches, op 39 (1901-30). BBC PO/Andrew Davis. Chandos CHAN 10709 29 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm With David Brett 19:00 JAZZ PULSE With Chris Wetherall 20:00 STORMY MONDAY With Austin Harrison 22:00 JAZZ AFTER HOURS With Gail Monjo

Tuesday 26 January 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Julie Simonds 09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by Elaine Siversen Bach, C.P.E. Sonata in B minor, Wq63 no 4 (1753). Christopher Hogwood, clvd. Decca 444 162-2 10

Bakels. Naxos 8.554189

Schumann, R. Symphony no 3 in E flat, op 97, Rhenish (1850). Royal Concertgebouw O/ Ferdinand Leitner. Radio Nederland RCO 06004 35

14:00 DISTINGUISHED MUSICIANS OF THE PAST Prepared by Elaine Siversen Berlioz, H. Sanctus, from Requiem, op 5 (1837). Ronald Dowd, ten; Wandsworth School Boys’ Choir; London Symphony Ch & O/Colin Davis. Philips 416383-2 11 Brahms, J. Clarinet sonata in F minor, op 120 no 1 (1894). Donald Westlake, cl; Geoffrey Parsons, pf. LP RCA VRL1 0341 23 Schubert, F. Auf dem Strom, D943 (1828). Peter Pears, ten; Dennis Brain, hn; Noel Mewton-Wood, pf. BBC BBCL 4066-2 8 Williamson, M. Organ concerto (1961). Malcolm Williamson, org; London PO/Adrian Boult. Lyrita SRCD.280 27 Lehár, F. Let’s all now awaken memories ... There once lived a vilia, from The merry widow (1905). June Bronhill, sop; Sadlers Wells Opera Ch&O/William Reid. EMI 5 75996 2 6 Lanchbery, J. Excerpts from The Tales of Beatrix Potter. Royal Opera House O/John Lanchbery. EMI 7 54637 2 31

12:00 JAZZ RHYTHM With Jeannie McInnes

16:00 FINE MUSIC HOLIDAY including Arts Calendar at 5.00pm With Michael Morton-Evans

13:00 COMPOSER PORTRAIT Prepared by James Nightingale

19:00 THE JAZZ BEAT With Lloyd Capps

Boyd, A. Goldfish through summer rain (1978). Geoffrey Collins, fl; David Miller, pf. Tall Poppies TP127 5 Uluru mourns (1996). David Pereira, vc. Tall Poppies TP096

As I crossed a bridge of dreams (1975). Ars Nova Copenhagen/Paul Hillier. Ars Nova 6.220597 11 Cloudy mountain (arr. Lee, McGuire). Riley Lee, shakuhachi; Marshall McGuire, hp. ABC 465 757-2 7 Meditations on a Chinese character (1996). David Barmby, ct; Geoffrey Collins, fl; Riley Lee, shakuhachi; Nathan Waks, vc; Marshall McGuire, hp; Daryl Pratt, perc; Tamara-Anna Cislowska, pf; Elena Kats-Chernin, pf; Mark Knoop, cond. ABC 462 007 2 22

20:00 JUST IN With David Garrett 22:00 CHAMBER SOIRÉE Prepared by Paul Cooke Popper, D. Fantasy on little Russian songs, op 43. Maria Kliegel, vc; Raimund Havenith, pf. Naxos 8.557943 12 Bach, J.S. Oboe sonata in G minor, BWV1030b (1736-37). Diana Doherty, ob; Linda Kent, hpd. ABC 476 3673 18 Medtner, N. Violin sonata no 1 in B minor, op 21 (1910). Lydia Mordkovitch, vn; Geoffrey Tozer, pf. Chandos CHAN 9293 21 Witt, F. Septet in F for clarinet, horn, bassoon, two violins, viola, cello and double bass, op 62. Consortium Classicum. cpo 777 486-2 24 Shostakovich, D. String quartet no 2 in A, op 68 (1944). Borodin String Quartet. EMI CDC 7 49267 2 38

Wednesday 27 January 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN

Dvorák, A. Serenade for winds in D minor, op 44 (1878). London PO/Christopher Hogwood. Decca 448 981-2 24

but he finally learns the truth and, after overcoming all obstacles, they are allowed to marry.

Janácek, L. Idyll for string orchestra (1878). Rotterdam PO/James Conlon. Erato ECD 88095 29

Ah fermate! Perche nonchiusi al di, from Gabriella di Vergy (1869). Ludmilla Andrew, sop; Christian du Plessis, bar; Geoffrey Mitchell Choir; Royal PO/Alun Francis. Opera Rara ORC3 8

14:00 MUSICAL POEMS Prepared by Jacky Ternisien

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Janine Burrus 09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by Rex Burgess Graupner, C. Overture in B flat (c1743). JeanClaude Veilhan, chalumeau; Ensemble Mensa Sonora/Jean Maillet. Pierre Verany PV794114 19 Schobert, J. Keyboard quartet in F minor, op 7 no 2 (1764). Chiara Banchini, vn; Véronique Méjean, vn; Philipp Bosbach, vc; Luciano Sgrizzi, fp. Harmonia Mundi HMC 901294 13 Grétry, A-E-M. Je romps la chaîne qui m’engage, from L’amant jaloux (1778). Sumi Jo, sop; English CO/Richard Bonynge. Decca 458 927-2 6 Wassenaer, U. Concerto for strings, no 6 in E. Combattimento Consort Amsterdam/Jan Willem de Vriend. NM Classics 92030 8 Jadin, H. Sonata in B flat, op 4 no 1 (pub. 1795). Jean-Claude Pennetier, pf. Harmonia Mundi HMC 901189 15 Veracini, F. Violin concerto in D (1712). Accademia I Filarmonici/Alberto Martini, vn & dir. Naxos 8.553413 18 10:30 CONCERT HALL Prepared by Frank Morrison Dvorák, A. Overture: Othello, op 93 (1891). Czech PO/Libor Pesek. Virgin VC7 91144-2 15

Debussy, C. Jeux, poème dansé (c1912-13). Cleveland Ch & O/Lorin Maazel. Decca 480 6630 17 Chausson, E. Poème de l'amour et de la mer, op 19 (1882). Lauris Elms, cont; Sydney SO/ Robert Pikler. ABC 446 279-2 25 Demessieux, J. Poème, op 9 (1949). Jeremy Filsell, org; BBC Concert O/Barry Wordsworth. Guild GMCD 7136 13 Canteloube, J. Poème (1918/37-38). Philippe Graffin, vn; Ulster O/Thierry Fischer. Hyperion CDA67294 15 Saint-Saëns, C. Five poems of Ronsard (1921). Tassie Christoyannis, bar; Jeff Cohen, pf. Aparté AP132 15 Stravinsky, I. Symphonic poem: Song of the nightingale (1924). London SO/Antal Dorati. Mercury 470 643-2 22 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm With Lloyd Capps 19:00 PLANET JAZZ With Xavier Bichon 20:00 AT THE OPERA Prepared by Camille Mercep Donizetti, G. Zoraida di Granata. Opera in two acts. Libretto by Bartolomeo Merelli and Jacopo Ferretti. First performed in Rome, 1822.

KING ALMUZIR: Bruce Ford, ten ZORAIDA: Majella Cullagh, sop Haydn, J. Cello concerto no 1 in C, Hob.VIIb:1 ABENAMET: Paul Austin Kelly, ten (c1761-65). Heinrich Schiff, vc; Academy of St ALI: Matthew Hargreaves, bass-bar ALMANZOR: Dominic Natoli, bass Martin in the Fields/Neville Marriner. Philips 420 923-2 23 INES: Cristina Pastorello, mezz Geoffrey Mitchell Choir; Academy of St Martin Shostakovich, D. Symphony no 5 in D in the Fields/David Parry. minor, op 47 (1937). Philharmonia O/Vladimir Opera Rara ORC 17 3:05 Ashkenazy. Signum SIGCD135

12:00 JAZZ SKETCHES With Robert Vale 13:00 FROM BOHEMIA AND MORAVIA Prepared by Krystal Li

In the 15th Century, the murderous King of Granada, Almuzir wishes to marry Zoraida, the daughter of the late king. She, however, loves Abenamet, the victorious General of the Moors. Almuzir does everything to part the lovers and sentences Abenamet to death. To save him, Zoraida agrees to marry Almuzir. Abenamet accuses her of being unfaithful

23:30 MUSIC OF THE NIGHT Prepared by Paul Cooke McLeod, J. The song of Dionysius for percussion and piano (1989). Red Note Ensemble. Delphian DCD34155

Rovsing Olsen, P. In the depth of the night for chamber orchestra, op 61 (1968). Odense SO/Bo Holten. Dacapo 8.226038 14

Thursday 28 January 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Simon Moore 09:00 DIVERSIONS IN FINE MUSIC The Instruments: Strings Prepared by Madilena Tresca Abel, C. Overture to Sinfonia in C for strings, op 1 no 2 (pub. 1763). Australian Haydn Ensemble/Skye McIntosh. Fine Music concert recording 9 Mozart, W. Ridente la calma, K152 (1772-75). Merlyn Quaife, sop; Jochen Schubert, gui. Move MD 3115 3 Paine, J. Larghetto and humoreske, op 32 (1877). Joseph Silverstein, vn; Jules Eskin, vc; Virginia Eskin, pf. Northeastern NR 219 17 Giuliani, M. Serenata in G, op 127. Konrad Hünteler, fl; Reinbert Evers, gui. Pantheon D 14 112 15 Vieuxtemps, H. Capriccio for solo viola, op 61 (pub. 1883). Roger Chase, va. Naxos 8.572293 3 Spohr, L. Fantasy in C minor, op 53. Gabriella dall'Olio, hp. Claves 50-9301

Beethoven, L. Violin sonata no 1 in D, op 12 no 1 (1797-98). Sophie Rowell, vn; Kristian Chong, pf. Fine Music concert recording 22

10:30 CONCERT HALL Prepared by Jacky Ternisien Gamley, D. Overture on colonial themes (1987). Band of Second Military District HQ; Sydney SO/William Reid. LP Philips 834 740-1 15

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm With Marilyn Schook

Sculthorpe, P. Mountains (1981). Gudrun Beilharz, pf. Move MD 3031 4

19:00 THE NEW JAZZ STANDARD With Frank Presley

Sutherland, M. Haunted hills (1953). Melbourne SO/Patrick Thomas. ABC 446 285-2

Dreyschock, A. Piano concerto in D minor, op 20:00 THE WORLD OF A 137 (c1850). Piers Lane, pf; BBC Scottish SO/ SYMPHONY Prepared by Paul Cooke Niklas Willén. Hyperion CDA67086 24 Enescu, G. Dixtuor, op 14 (1906). Oslo PO Wind Soloists. Magnard, A. Symphony no 2 in E, op 6 Naxos 8.554173 20 (1893). Toulouse Capitole O/Michel Plasson. EMI 5 72364 2 40 Boulanger, N. Fantasy (1912). David Greilsammer, pf; French Radio PO/Steven 12:00 JAZZ, PURE AND SIMPLE Sloane. With Maureen Meers naïve V 5224 20 13:00 ISAAC ALBÉNIZ REVISITED Prepared by Elaine Siversen Albéniz, I. Granada; Sevilla; Asturias from Suite española no 1, op 47 (pub. 1886/1918). Alirio Diaz, gui. Vanguard 08 9003 72 14

Piston, W. Three pieces (1926). Diane Ridell, fl; Marla Swift, cl; George Dreyfus, bn. Move MD 3071 9 Dukas, P. Ballet: La péri (1911). Ulster O/Yan Pascal Tortelier. Chandos CHAN 241-32 18

Piano sonata no 4, op 72 (pub. 1887). Alberto Guinovart, pf. Harmonia Mundi HMI 987007 19

Bernstein, L. Violin sonata (1939). Arnold Steinhardt, vn; Victor Steinhardt, pf. Naxos 8.559235 15

Barcarolle; Absence. José Carreras, ten; Lorenzo Bava, pf; Ensemble Wien. DG 474 591-2

Piston, W. Symphony no 6 (1955). Seattle SO/ Gerard Schwarz. Naxos 8.559161 26

Bajo la palmera; Córdoba, from Songs of Spain, op 232 (1896). Pro Arte Guitar Trio. ASV WHL 2061 11 Evocación; El puerto; El Corpus en Sevilla, from Iberia bk 1 (1906). Jean-Francois Heisser, pf. Naxos 8.557064 18 Almería, from Iberia bk 2 (1905-08). Trio Campanella. Naxos 8.557064

Azulejos (1909; compl. Granados). Guillermo González, pf. Naxos 8.570553 10 Rapsodia española, op 70 (1911; arr. C. Halffter). Alicia de Larrocha, pf; London PO/ Rafael Frühbeck de Burgos. Decca 433 905-2 18 15:00 CHAMBER DELIGHTS Salieri, A. Concerto in C for flute, oboe and chamber ensemble (1774). Geoffrey Collins, fl; David Nuttall, ob; Dene Olding, vn; Dimity Hall, vn; Irena Morozova, va; David Pereira, vc; Dorith Herskovits, db; Paul Dyer, hpd. Fine Music concert recording 19 Mozart, W. String quintet no 3 in C, K515 (1787). Louise Williams, va; The Lindsays. ASV DCA 992 35

22:00 FOR PIANO AND WINDS Prepared by Elaine Siversen Thuille, L. Sextet for piano and wind quintet, op 6 (1886-88). Guy Henderson, ob; Rachel Valler, pf; Sydney Wind Quartet. Fine Music concert recording 28 22:30 ULTIMA THULE With George Cruickshank

Friday 29 January 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Annabelle Drumm 09:00 DIVERSIONS IN FINE MUSIC Al fresco Prepared by Paul Cooke Kuhlau, F. Overture to The elf’s hill, op 100 (1828). Odense SO/Othmar Maga. Unicorn-Kanchana DKPCD 9110 11 Arne, T. The morning. Emma Kirkby, sop; Parley of Instruments/Roy Goodman. Hyperion CDA66237 8

Takemitsu, T. Toward the sea (1981; arr. Crossley). Alicia Crossley, rec; Joseph Littlefield, gui. Move MCD 508

Boyce, W. Concerto grosso in E minor. Hiro Kurasaki, vn; Richard Gwilt, vn; Nicholas Parle, hpd; London Baroque/Charles Medlam. EMI CDC 7 49799 2 11 d’Indy, V. Poem of the mountains, op 15 (1881). Stephanie McCallum, pf. ABC 461 798-2 20 10:30 CONCERT HALL Prepared by Michael Field Wagner, R. Forest murmurs, from Siegfried Act II (1856-71; arr. Hutschenruyter). Seattle SO/Gerard Schwarz. Naxos 8.572767 8 Offenbach, J. Cello concerto in G, Concerto militaire (1847). Catalin Ilea, vc; Rumanian RSO/Emil Simon. Olympia OCD 422 29 Strauss, R. Tone Poem: Ein Heldenleben, op 40 (1897-98). Royal Concertgebouw O/Mariss Jansons. RCO Live RCO 04005 45 12:00 A JAZZ HOUR With Barry O'Sullivan 13:00 IN PROVENCE Prepared by Jacky Ternisien Perry, W. Lavender fields and vineyards, from Toujours Provence: A musical guidebook for orchestra and piano (2018). Michael Chertock, pf; Slovak PO/Paul Phillips. Naxos 8.573954 5 Chaminade, C. Attente, au pays de Provence; Nice-la-belle. Anne Sofie von Otter, mezz; Bengt Forsberg, pf. DG 471 331-2 5 Bridge, F. Vignettes de Marseille (1925). Kathryn Stott, pf. Conifer CDCF 186 11 Anon. Sibilla provençale. Monserrat Figueras, sop; La Capella Reial/Jordi Saval. Astrée E 8705 13 Bizet, G. Suite no 2 from L’arlésienne (1872). Cleveland O/Lorin Maazel. Decca 480 6620 16

14:00 YOUNG ROMANTICS Prepared by Robert Small Mendelssohn, Fanny. Overture (c1830). Women's PO/JoAnn Falletta. Koch 3 7169 2H1 11 Mendelssohn, F. String symphony no 9 in C, Swiss (1823). Members of Australian CO/ Richard Tognetti. Sony SK 57484 26

Salve flos Tuscae gentis à 4 (c1435). David James, ct; Michael Chance, ct; Rogers CoveyCrump, ten; John Potter, ten; Leigh Nixon, ten; Charles Daniels, ten; Michael George, bass; Paul Hillier, bass & dir. EMI CDC 7 47628 2 7

Binchois, G. Je me recommande humblement; Adieu mes tres belles; Amoureux suy à 3. Emmanuel Bonnardot, fiddle; Randall Schumann, C. Three romances, op 11 (1839). Cook, fiddle; Pierre Hamon, rec, tambourine; Yoshiko Iwai, pf. Jan Walters, hp; Dominique Vellard, lute & dir. Naxos 8.553501 14 Virgin VC 5 45285-2 5 Berlioz, H. Sacred song, op 2 no 6 (1828). Dufay, G. Nuper rosarum flores à 4 (1436). Alexander Yudenkov, ten; South-West Cantillation/Brett Weymark. German Radio Vocal Ensemble & SO/Sylvain ABC 472 881-2 6 Cambreling. hänssler 93.210 7 Ghizeghem, H. De tous bien plane (c144580). Peter Gritton, ct; Robert Hollingworth, Beach, A. Dreaming, op 15 (1892). Alan ct; John Bowen, ten; Roderick Williams, bar; Feinberg, pf. Steven Player, lute. Argo 430 330-2 6 Cantoris CRCD2365 5 Bennett, W. Sterndale. Overture: The Busnois, A. Regina coeli laetare. Binchois Naiades, op 15 (1836). Philharmonia O/ Consort/Andrew Kirkman. Nicholas Braithwaite. Hyperion CDA 67129 6 Lyrita SRCD.206 13 Dufay, G. Resvelons nous, resvelons, Brahms, J. Piano sonata no 1 in C, op 1 amoureux; Puisque celle qui me tient en (1852-53). Anatol Ugorski, pf. prison. Andrew Watts, sop shawm; Martin DG 479 1965 31 Pope, slide tpt; Peter Davies, alto shawm. L‘Oiseau Lyre 478 8118 2 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm Bedyngham, J. Le serviteur hault guerdonné. With Peter Poole Margaret Philpot, cont; Rogers Covey-Crump, ten; Paul Elliott, ten. 19:00 FRIDAY JAZZ SESSION L’Oiseau-Lyre 478 8126 7 With Alex Siegers Dufay, G. Le serviteur hault guerdonné. John York Skinner, ct; David Thomas, bass; Lewis 20:00 EVENINGS WITH THE Jones, fl. ORCHESTRA L‘Oiseau Lyre 480 1819 6 Prepared by Peter Poole Handel, G. Overture and ballet music from Alcina, HWV34 (1735). Academy of St Martin in the Fields/Neville Marriner. Decca 480 1388 22 Minkus, L. La Bayadère (1877). London SO/ Richard Bonynge. Decca 452 769-2 12 Rachmaninov, S. Symphonic dances, op 45 (1940). Philadelphia O/Eugene Ormandy. Sony SBK 48 279 34 Walton, W. Ballet: The quest (1943/58; ed. Palmer). London PO/Bryden Thomson. Chandos CHAN 8871 42 22:00 BAROQUE AND BEFORE Good Burgundy Dufay, G. Se la face ay pale (c1433-35) Chiaroscuro; Nigel Rogers, ten & dir. Nuova Era 6741

Missa se la face ay pale à 4 (1452-58). Diabolus in Musica/Antoine Guerber. Alpha 908

J’ay grant dolour. Christopher Kite, org. L’Oiseau-Lyre 478 8118

de la Rue, P. Delicta juventutis et ignorantias (c1507). David James, ct; Rogers CoveyCrump, ten; John Potter, ten; Paul Hillier, bass. EMI CDC 7 54082-2 9

Saturday 30 January 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SATURDAY MORNING MUSIC With Krystal Li

09:00 WHAT'S ON IN MUSIC Bon jour, bon moys, bo’e sepmayne. Studio for 09:05 THE PIANO ALONE Early Music. EMI-Electrola CDM8 26493-2 3 Prepared by Derek Parker

Bach, J.S. Prelude and fugue in G, BWV541 (aft. 1712; transcr. D’Albert). Hyperion CDA67709 6 Godowsky, L. Concert paraphrase on Die Fledermaus (1907). Hyperion CDA66785 12 d’Albert, E. Piano sonata in F sharp minor, op 10. . Hyperion CDA66945 27 Brahms, J. Cradle song. Hyperion CDA67279

Piers Lane, pf (all above) 10:00 MUSICAL JOURNEYS Prepared by Derek Parker Wagner, R. Dawn; Siegfried’s Rhine journey, death and funeral march, from Götterdämmerung Act I (1869-74). Seattle SO/Gerard Schwarz. Naxos 8.572767 27 Westlake, N. Suite from Antarctica (1992). Tim Kain, gui; Tasmanian SO/David Porcelijn. Tall Poppies TP169 22 Offenbach, J. Ballet from The trip to the moon. Philharmonia O/Antonio de Almeida. Philips 422 057-2 18 Adès, T. Polaris: voyage for orchestrßa (2010). Andrew Macleod, picc; Melbourne SO/Markus Stenz. ABC 481 0862 15 11:30 ON PARADE Prepared by Robert Small Suppé, F. Overture to Poet and peasant (1846; arr. Reece).

Various. Swinging sixties (arr. Power).

Walters, H. Hootenanny (1922).

Goodwin-Meacham-Siebert Three marches: Aces high; American patrol; Rover’s return. 9 NSW Fire Brigades Brass Band/Mark Reay (all above) NSW Fire Brigades 12:00 URBAN JAZZ LOUNGE With Leita Hutchings 13:00 OUTBACK Prepared by Stephen Wilson Antill, J. An outback overture (1954). New Zealand SO/James Judd. Naxos 8.570241 8 Hurst, M. Swagman's promenade (1965). ABC 442 374-2 6 Ireland, J. Suite from The overlanders (194647; ed. Mackerras). Unicorn-Kanchana UKCD 2062 21

West Australian SO/David Measham (2 above) detective. At the suggestion of a local Notary, Ernest and Ludwig fight a ‘Statutory Duel’, Schulz, R. Outback. Melbourne Mandolin O/ drawing cards to decide the winner. Ludwig Slava Iourgaev. Move MCD 410 11 wins. Rudolf learns of the plot, which he finds very depressing. Ludwig suggests that he and Sculthorpe, P. The song of Tailitnama Rudolf fight a rigged 'Statutory Duel' making (1974/84). Elizabeth Campbell, mezz; Anthony sure Ludwig wins so that he will be the Grand Fogg, pf. Duke who gets deposed the following day. MBS 19 10 Julia insists that then she must marry Ludwig Barton - Hindson. Kalkadungu (bef. 2008). in place of Lisa. William Barton, did; Sydney SO/Richard Gill. Next day Julia and Ludwig arrive at the palace ABC 476 4834 24 with their wedding party. The Baroness tries to claim Ludwig for herself, and, of course, the 14:30 SATURDAY MATINEE Prince of Monte Carlo and his daughter turn Operetta in the afternoon up at just this moment. The Notary turns out to Prepared by Angela Cockburn have made a mistake in the rules of the duel. Sullivan, A. The Grand Duke or The Statutory Ludwig didn't win after all, Rudolf is still the Duel. Operetta in two acts. Libretto by W.S. Grand Duke, and everyone ends up with the Gilbert. First performed, London, 1896. right partner after all. GRAND DUKE RUDOLPH: John Reed, bar Overture di ballo (1870); March and graceful ERNEST DUMMKOPF: Meston Reid, ten dance, from Henry VIII (1877). Philharmonia LUDWIG: Kenneth Sandford, bar O/Charles Mackerras. DR TANNHÄUSER, the notary: Michael Decca 436 813-2 21 Rayne, bar Sullivan - Johnson. Ballet from Thespis Act II PRINCE OF MONTE CARLO: John Ayldon, (1871, orch. Neal). D’Oyly Carte Opera O/John bar Pryce-Jones. PRINCESS MONTE CARLO: Barbara Lilley, TER Classics TER2 1188 8 sop BARONESS VON KRAKENFELDT: Lyndsie 17:00 BOLERO Holland, cont Prepared by Jacky Ternisien JULIA JELLICOE: Julia Goss, sop Chopin, F. Bolero in C, op 19 (1839). Elisabeth LISA: Jane Metcalf, mezz Powell, pf. D’Oyly Carte Opera Ch; Royal PO/Royston Fine Music concert recording 8 Nash. Liszt, F. Bolero (1844). Gerald Finley, bass Decca 436 813-2 1:39 bar; Julius Drake, pf. In the tiny Middle European country of Hyperion CDA67956 8 Pfennig-Halbpfennig a troupe of actors, led Sainz de la Maza, E. Bolero. Alirio Diaz, gui. by Ernest Dumkopff, is involved in a plot to 4 assassinate the depressed and parsimonious Vanguard 08 9003 72 Grand Duke Rudolf, who is preparing for his wedding to Caroline, Baroness von Krakenfeldt. She is rich but keen on strict economy. The Baroness discovers that Rudolph was betrothed in infancy to the Princess of Monte Carlo, which could present a problem, but the engagement only holds until the Princess is 21, which is tomorrow, and there is next to no chance of her turning up now. The theatre troupe is rehearsing for a performance of Troilus and Cressida with English actress Julia in the lead. The soubrette, Lisa, and the comedian, Ludwig, are dressed up and ready to marry, but all the parsons are off at the ducal palace. Ernest is confident that he will win the election which will follow the coup and become Grand Duke, and Julia assumes that, as leading lady, she will be the Grand Duchess. However, Ludwig, by mistake, has given away the details of the conspiracy to the Grand Duke's private

Boïeldieu, A. Boléro, from La fête de la village voisin (1816). Sumi Jo, sop; English CO/ Richard Bonynge. Decca 458 927-2 3

Bernard, J. Taste of the blood of Dracula (1970). Philharmonia O/Neil Richardson. Silva Screen FILMCD 714 17 19:00 EMERGENT JAZZ With Keith Pettigrew 20:00 THE LIFE OF A COMPOSER Ralph Vaughan Williams Prepared by Peter Poole Vaughan Williams, R. Overture to Aristophanic suite, The wasps (1909). Queensland SO/Patrick Thomas. LP ABC 5ABCL 8001

Fantasia on a theme by Thomas Tallis (1910). Australian CO; ACO2/Richard Tognetti. aco.com.au 2007-2009 16 Whither must I wander?, from Songs of travel (1904). Bryn Terfel, bass-bar; Malcolm Martineau, pf. DG 445 946-2 4 Silent noon (1901; arr. Kauffmann). Choir of Trinity College, University of Melbourne; Jonathan Bradley, pf; Michael Leighton Jones, cond. ABC 476 6906 5 Oboe concerto in A minor (1944). Neil Black, ob; English CO/Daniel Barenboim. DG 442 8333 19 Romance, from Tuba concerto (1954). Julian Lloyd Webber, vc; Academy of St Martin in the Fields/Neville Marriner. Philips 442 8415 5 Come down, O love divine. Elora Festival Singers; Thomas Fitches, org; Noel Edson, cond. Naxos 8.554826 4 O clap your hands (1920). Choir of Trinity College, University of Melbourne; Australian Chamber Brass Ensemble; Jonathan Bradley, org; Michael Leighton Jones, cond. ABC 476 6906 3

Cochereau, P. Boléro (1936). Emmanuel Curt, English folk song suite (1923). Central Band of perc; Florent Jodelet, perc; Olivier Latry, org. the Royal Air Force/Duncan Stubbs. Decca 478 5364 13 Chandos CHAN 10847 11 Ravel, M. Boléro (1928). Katia Labèque, pf; Loch Lomond (1931). Timothy Reynolds, Marielle Labèque, pf. ten; Choir of Trinity College, University of KML 1111 15 Melbourne/Michael Leighton Jones. ABC 476 6906 4 18:00 MUSIC OF THE SCREEN Mass in G minor (1921). Choir of Clare Prepared by Paul Cooke College, Cambridge; Ashok Gupta, org; Khachaturian, A. Prisoner no. 127 (1945). Timothy Brown, cond. Armenian PO/Loris Tjeknavorian. Naxos 8.572465 23 ASV DCA 966 18 Nyman, M. Excerpts from The cook, the thief, 22:00 SATURDAY NIGHT AT HOME Prepared by Elaine Siversen his wife and her lover (pub. 1989). Michael Nyman Band. Argo 436 820-2 19

Villa-Lobos, H. Bachianas brasileiras no 5 (1938-45). Victoria de los Angeles, sop; Eight cellists of French National RO/Heitor VillaLobos. EMI CDH 7610152 11 Mahler, G. Suite from orchestral works by J.S. Bach (1910). Berlin RSO/Jésus López-Cobos. Schwann CD 11637 24 Bach, J.S. Goldberg variations, BWV988 (1741). Angela Hewitt, pf. Hyperion CDA67305 1:19

Sunday 31 January

Boccherini, L. Symphony no 18 in F, op 35 no 4 (c1782). London FO/Ross Pople. Hyperion CDA66903 12 12:00 CLASSIC JAZZ AND RAGTIME With Dave Mac

06:00 SUNDAY MORNING MUSIC With Peter Poole 09:00 MUSICA SACRA Prepared by Michael Morton-Evans Walton, W. The Twelve, an anthem for the Feast of any Apostle (1964-65). Westminster Singers; City of London Sinfonia/Richard Hickox. Chandos CHAN 8824 13 Verdi, G. Four sacred pieces (pub. 1898). Elena Filipova, sop; Hungarian State Opera Ch & O/Pier Giorgio Morandi. Naxos 8.550944-45 40 10:00 THE CLASSICAL ERA Prepared by Di Cox

Kohaut, C. Lute concerto in F. Hopkinson Smith, lute; Chiara Banchini, vn; David Plantier, vn; David Courvoisier, va; Roel Dieltiens, vc. Astrée E 8641 14 Mozart, W. Variations on Ah, vous dirai-je, Maman, K265 (1781-82). Ian Holtham, pf. Move MD 3246 12 Crusell, B. Clarinet concerto no 3 in B flat, op 11 (1812). Karl Leister, cl; Lahti SO/Osmo Vänskä. BIS CD-345 24 Haydn, M. Offertorium pro festo SS. Innocentium. Eva Marton, sop; Katalin Szõkefalvy-Nagy, sop; Györ Girls Choir; Györ PO/Miklós Szábo. Hungaroton HCD 11678-2 7

Schubert, F. Sonata in F minor, D625, Unfinished (1818). Ian Holtham, pf. Tall Poppies TP 219

Enescu, G. Sonata in F sharp minor, op 24 no 1 (1924). Tamás Vesmás, pf. Manu MANU 1443 25 15:00 SUNDAY SPECIAL Prepared by James Nightingale Beethoven, L. Prisoners’ chorus, from Fidelio, op 72 (1804-14). Opera Queensland Ch; Queensland SO/Johannes Fritzsch. ABC 476 3489 7 Berlioz, H. The captive, op 12 (1832). Véronique Gens, sop; Lyon Opera O/Louis Langrée. Virgin 5 45422 2 8

Sibelius, J. The captive queen, op 48 (1906). Dominante Choir; Lahti SO/Osmo Vänskä. BIS CD-1906/08 9 Puccini, G. Excerpts from Tosca (1900). Roberto Alagna, ten; James Savage-Hanford, ten; Gwynne Howell, bass; Royal Opera House Ch & O/Antonio Pappano. Archiv 410 599-2 13 Smyth, E. The Prison: Symphony for soprano, bass-baritone, chorus and orchestra (192930). Sarah Brailey, sop; Dashon Burton, bassbar; Experiential Ch & O/James Blachly. Chandos CHSA 5279 1:04

Haydn, J. String quartet in G minor, op 74 no 3 (1793). Schuppanzigh Quartet. 17:00 HOSANNA Accent ACC 24223 24 Prepared by Meg Matthews Schubert, F. Der Gondelfahrer, D809 (1824). Utrecht Vocal Soloists; Udo Reinemann, bar;

Liszt, F. Funeral march and cavatina, from Lucia di Lammermoor (1835-36). Leslie Howard, pf. Hyperion CDS44538 12

Arne, T. Excerpts from Artaxerxes, Act III (1762). Christopher Robson, ct; Patricia Spence, mezz; Parley of Instruments/Roy Goodman. Hyperion CDD22073

Hymns. Praise my soul; Be thou my vision; For the beauty of the earth. Cantus Choro;

Norman Kaye, org; Peter Chapman, cond. Move MD 3032 8 Schubert, F. Kyrie; Gloria, from Mass in G, D167. Thomas Puchegger, treb; Jörg Hering, ten; Harry van der Kamp, bass; Vienna Boys Choir; Ch Viennesis; Arno Hartmann, org; O of the Age of Enlightenment/Bruno Weil. Sony 090 380 2001 6 Mozart, W. Laudate Dominum, from Vesperae solennes de confessore, K339. Emma Kirkby, sop; Choir of Winchester Cathedral; Winchester College Quiristers; Academy of Ancient Music/Christopher Hogwood. L’Oiseau-Lyre 443 200-2

13:00 WORLD MUSIC: Whirled Wide with Carole Garland 14:00 FOR SOLO PIANO Prepared by Elaine Siversen

00:00 CLASSIC-ALL THROUGH THE NIGHT

Bach, C.P.E. Sinfonia in G, Wq182 no 1 (1773). English Concert/Trevor Pinnock. Archiv 415 300-2

Ronald Brautigam, pf. Globe CD GLO 5021

Lasst uns mit geschungnen Händen, K623a. Male voices of Leipzig Radio Choir; Staatskapelle Dresden/Peter Schreier. 5 Schubert, F. Credo; Sanctus, from Mass no 2 in G, D167. Thomas Puchegger, treb; Jörg Hering, ten; Harry van der Kamp, bass; Vienna Boys Choir; Ch Viennesis; Arno Hartmann, org; O of the Age of Enlightenment/Bruno Weil. Sony 090 380 2001 5 Tavener, J. The Lamb; Song for Athene. Choir of The Temple Church/Stephen Layton. Decca 478 6424 9 Schubert, F. Benedictus; Agnus Dei. Thomas Puchegger, treb; Jörg Hering, ten; Harry van der Kamp, bass; Vienna Boys Choir; Ch Viennesis; Arno Hartmann, org; O of the Age of Enlightenment/Bruno Weil. Sony 090 380 2001 9 Mozart, W. Ave verum corpus, K618. Choir of King’s College Cambridge; Stephen Layton, org; Stephen Cleobury, cond. EMI CDC7 49672-2 3 18:00 SYDNEY SOCIETY OF RECORDER PLAYERS Dowland revisited Prepared by Susan Foulcher Rütti, C. Introduction, from The Dowland suite (2012).

Dowland, J. Excerpts from Lachrimae: Captain Digorie Piper his galiard; Lachrimae verae; M. Henry Noel his galiard; M. Buctons galiard; M. George Whitehead his almand (1604). 10 Rütti, C. Chanson avec deux oiseaux, from The Dowland suite (2012). 6 Dowland, J. Excerpts from Lachrimae: Lachrimae coactae; M. Nicholas Gryffith his galiard; Mistresse Nichols almand (1604). 6 Rütti, C. Fantasia; With the King of Denmark, from The Dowland suite (2012). 14

Dowland, J. Excerpts from Lachrimae: Lachrimae gementes; Sir John Souch his galiard; The Earle of Essex galiard (1604), 7 Rütti, C. Sir John’s jig, from The Dowland suite (2012). 7 B-Five Recorder Consort (all above) Coviello Classics COV91415 19:00 SUNDAY NIGHT CONCERT Prepared by Peter Poole Glazunov, A. Summer, from The seasons, op 34 (1901). Sydney SO/Wilfred Lehmann. ABC 442 377-2 12

Tchaikovsky, P. The seasons, op 37a (1876, arr. Edward Grigoryan). Slava Grigoryan; gui; Leonard Grigoryan, gui. ABC 481 7108 44 Spohr, L. Symphony no 9 in B minor, op 143, The seasons (1850). Slovak State PO/Alfred Walter. Marco Polo 8.223454 27 20:30 NEW HORIZONS The power of words and music Prepared by Robert Small Coelho, T. The writer’s hand (2011). Song Company. New Music Network 20130715 7

Bracegirdle, L Violin concerto. Michael Dauth, vn; Sydney Youth O/Alexander Briger. Fine Music tape archive 36 Westlake, N. Compassion, Symphony of songs (2013). Lior Attar, voice; Sydney SO/ Nigel Westlake. ABC 481 0678 41 22:00 JAZZ AFTER HOURS With Deborah Evans

The following composers have works of at least five minutes on the January dates listed Abbott, C. 1916-1994 6 Abel, C. 1723-1787 28 Adès, T. b1971 30 Agrell, J. 1701-1765 6 Albéniz, I. 1860-1909 23,26,28 Albrechtsberger, J. 1736-1809 3 Alfonzetti, G. 20th C 7 Alfvén, H. 1872-1960 2 Alkan, C-V. 1813-1888 3,4 Alwyn, W. 1905-1985 4 Antill, J. 1904-1986 30 Arne, T. 1710-1778 4,17,29,31 Arnold, M. 1921-2006 6,11 Arriaga, J. 1806-1826 3 Atterberg, K. 1887-1974 7 Auber, D-F-E. 1782-1871 17 Bach, C.P.E. 1714-1788 3,18,19,23,25,26,31 Bach, J. Christian 1735-1782 3,20,24 Bach, J.C.F. 1732-1795 20 Bach, J.S. 1685-1750 15,18,26,30 Banister, John. C1662-1736 13 Barber, S. 1910-1981 8,10,15 Bartók, B. 1881-1945 1,5,13,18 Beach, A. 1867-1944 29 Bedyngham, J. 1422-c1460 29 Beethoven, L.1770-1827 3,5,6,10,11,15,24,25,28,31 Benjamin, A. 1893-1960 8 Bennett, Richard. 1936-2012 14 Bennett, Robert. 1894-1981 8 Bennett, W. Sterndale 1816-1875 29 Berg, A. 1885-1935 7,13 Berlioz, H. 1803-1869 3,6,7,8,14,19,26,29,31 Bernard, J. b1925 30 Bernstein, L. 1918-1990 2,28 Berwald, F. 1796-1868 4,5 Biber, H. 1644-1704 6 Biebl, F. 1906-2001 24 Binchois, G. c1400-1460 29 Bizet, G. 1838-1875 29 Blair, H. 1864-1932 10 Boccherini, L. 1743-1805 5,24,31 Body, J. b1944 19 Bogdanovic, D. b1955 10 Boïeldieu, A. 1775-1834 17 Borodin, A. 1833-1887 9,16 Bottesini, G. 1821-1889 2,6 Boulanger, L. 1893-1918 20 Boulanger, N. 1887-1979 20,28 Boyce, W. 1711-1779 29 Boyd, A. b1946 26 Bracegirdle, L b1952 31 Brahms, J. 1833-1897 2,5,6,10,11,12,15,16,17,24,26,29 Bridge, F. 1879-1941 29 Britten, B. 1913-1976 8,12,16,17,30 Brown, N. 1896-1964 2 Busnois, A. c1430-1492 29 Byrd, W. 1543-1623 1 Cabanilles, J. 1644-1712 6 Cabezón, A. de 1510-156 15 Campra, A. 1660-1744 16 Canteloube, J. 1879-1957 27 Caplet, A. 1878-1925 23 Carr-Boyd, A. b1938 7 Carulli, F. 1770-1841 15 Castaldi, B. 1581-1649 7 Catoire, G. 1861-1926 12 Cavalli, F. 1602-1676 22 Cavallini, E. 1807-1874 6 Chabrier, E. 1841-1894 3,4,15 Chaminade, C. 1857-1944 12 Charlton, R. b1955 14 Chausson, E. 1855-1899 2,8,21,27,30 Cherubini, L. 1760-1842 10,17 Chopin, F. 1810-1849 3,14,18,26,30 Clarke, R. 1886-1979 3 Clementi, M. 1752-1832 20 Coelho, T. b1983 31 Constable, R. 20th C 4 Copland, A. 1900-1990 8,12 Corelli, A. 1653-1713 8,22 Corigliano, J. b1938 10 Couperin, F. 1668-1733 23 Couperin, L. c1626-1661 12 Cramer, J. 1771-1858 13 Crusell, B. 1775-1838 2,10,31

Key

Ch & O: Chorus & Orchestra CO: Chamber Orchestra FO: Festival Orchestra NO: National Orchestra NSO: National Symphony Orchestra PO: Philharmonic Orchestra RO: Radio Orchestra RSO: Radio Symphony

Czerny, C.

1791-1857 7,12

d’Albert, E. 1864-1932 30 d’Indy, V. 1851-1931 1,9,16,19,23,27,29 de la Rue, P. c1460-1518 29 De Paul, G. 1919-1988 9 Debussy, C. 1862-1918 5,7,8,9,16,21,23,27,30 Delius, F. 1862-1934 8 Demessieux, J. 1921-1968 27 Desmarets, H. 1661-1741 6 Dollé, C. fl c1735-1755 20 Donizetti, G. 1797-1848 27 Doppler, F. 1821-1883 1 Doppler, K. 1825-1900 2 Dornel, L-A. c1680-c1756 6 Dove, J. b1959 17 Dowland, J. c1563-1626 31 Dreyfus, G. b1928 4 Dreyschock, A. 1818-1869 28 Dubois, T. 1837-1924 10 Dufay, G. c1400-1474 1,29 Dukas, P. 1865-1935 28 Dussek, J. 1760-1812 10 Dvorák, A. 1841-1904 7,12,13,22,27 Edwards, R. b1943 25 Elgar, E. 1857-1934 11,17,23,24,25 Ellington, D. 1899-1974 16 Enescu, G. 1881-1955 5,10,13,28,31 Escobedo, B. de c1510-1563 15 Falla, M. de 1876-1946 16 Farrenc, L. 1804-1875 9,14 Fauré, G. 1845-1924 3,24 Fesca, F. 1789-1826 10 Fibich, Z. 1850-1900 23 Field, J. 1782-1837 15,17,23 Finsterer, M. b1962 3 Finzi, G. 1901-1956 24 Fischer, J. Casper c1670-1746 3 Foote, A. 1853-1937 23 Franck, C. 1822-1890 14,22,25 Fucik, J. 1872-1916 6 Gabrieli, G. c1556-1612 22 Gade, N. 1817-1890 4 Gal, H. 1890-1987 1 Gamley, D. 1924-1998 28 German, E. 1862-1936 2 Gershwin, G. 1898-1937 9,13 Ghizeghem, H. c1445-c1480 29 Giordano, U. 1867-1948 13 Giuliani, M. 1781-1829 7,28 Glanville-Hicks, P. 1912-1990 1 Glass, P. b1937 15 Glazunov, A. 1865-1936 8,17,20,21,31 Glinka, M. 1804-1857 3,13 Godowsky, L. 1870-1938 30 Goldmark, K. 1830-1915 23 Górecki, H. 1933-2010 10 Gossec, F-J. 1734-1829 17,22 Gottschalk, L. 1829-1869 9 Gould, M. 1913-1996 8 Gounod, C. 1818-1893 14 Grainger, P. 1882-1961 21,23 Graun, C. 1704-1759 17 Graupner, C. 1683-1760 27 Grétry, A-E-M. 1741-1813 22,27 Grieg, E. 1843-1907 5,9,10,15,21 Grofé, F. 1892-1972 16 Gubaidulina, S. b1931 13 Handel, G. 1685-1759 6,26,29 Hanson, H. 1896-1981 4 Harrison, L. 1917-2003 4 Haydn, J. 1732-1809 1,8,10,13,14,15,18,19,20,21,25,27,31 Haydn, M. 1737-1806 15,17,20,24,31 Hebden, J. 1712-1765 6 Hertel, J. 1727-1789 20 Hildegard of Bingen. 1098-1179 1 Hindemith, P. 1895-1963 15 Holst, G. 1874-1934 12 Homilius, G. 1714-1785 3 Honegger, A. 1892-1955 4 Hook, J. 1746-1827 13 Hosokawa, T. b1955 24 Hotteterre, J-M. 1674-1763 20

Orchestra RTO: Radio & Television Orchestra RTV SO: Radio and Television Symphony Orchestra SO: Symphony Orchestra TO: Theatre Orchestra alto: male alto ban: bandoneon

Hough, S. b1961 Howard, L. 20th C Howells, H. 1892-1983 Hummel, J. 1778-1837 Hurlstone, W. 1876-1906 Hurst, M. b1925

19 17 4 10,11,12 25 30

Ichiyanagi, T. b1933 Ireland, J. 1879-1962 Isaacs, M. b1958 Ives, C. 1874-1954

24 30 7,17 21

Jadin, H. Janácek, L. Jersild, J. Joachim, J.

27 2,27 14 4,7

1769-1802 1854-1928 1913-2004 1831-1907

Kelly, F. 1881-1916 7 Kent, J. 1911-1994 3 Ketèlbey, A. 1875-1959 2 Khachaturian, A. 1903-1978 16,30 Kodály, Z. 1882-1967 6,9 Koechlin, C. 1867-1950 21 Kohaut, C. 1726-1784 31 Kraus, J.M. 1756-1792 16 Kuhlau, F. 1786-1832 29 Kuhnau, J. 1660-1722 3 Lanchbery, J. 1923-2003 26 Legrenzi, G. 1626-1690 22 Lehár, F. 1870-1948 8,16,26 Lemmens, J. 1823-1881 6 Ligeti, G. 1923-2006 13 Lim, L. b1966 17 Linde, B. 1933-1970 22 Linley, T. the elder 1733-1951 3 Linley, T. the younger 1756-1778 13 Liszt, F. 1811-1886 4,6,10,14,17,23,25,30,31 Litolff, H. 1818-1891 5 Locatelli, P. 1695-1764 8 Loewe, F. 1901-1988 2 Lutoslawski, W. 1913-1994 12 Lyadov, A. 1855-1914 21 Mägi, E. b1922 11 Magnard, A. 1865-1914 28 Mahler, G. 1860-1911 19 Manfredini, V. 1737-1799 20 Martinu, B. 1890-1959 19 Massenet, J. 1842-1912 18 Mayr, J. S. 1763-1845 20 McLeod, J. b1934 27 Medtner, N. 1880-1951 26 Mendelssohn, F. 1809-1847 8,11,17,18,20,21,24,29 Mendelssohn, Fanny. 1805-1847 9,29 Meulemans, A. 1884-1966 19 Meyerbeer, G. 1791-1864 4,25 Milhaud, D. 1892-1974 9,14,20 Mills, R. b1949 15 Minkus, L. 1826-1917 29 Miyoshi, A. b1933 24 Moeran, E.J. 1894-1950 25 Monteverdi, C. 1567-1643 22 Morris, C. 20th C 10 Mouquet, J. 1867-1946 7 Mozart, F. 1791-1844 10 Mozart, W. 1756-1791 2,5,6,8,11,15,17,18,19,22,23,24,28,31 Müller, I. 1786-1854 21 Myaskovsky, N. 1881-1950 13 Myslivecek, J. 1737-1781 19 Nielsen, C. 1865-1931 5,9,16,26 Novák, V. 1870-1949 12 Nyman, M. b1944 30 Offenbach, J. 1819-1880 16,24,29 Ortiz, D. c1510-c1570 15 Paderewski, I. 1860-1941 1 Paganini, N. 1782-1840 11 Paine, J. 1839-1906 28 Palestrina, G. dac 1525-1594 3 Parry, H. 1848-1918 7 Pärt, A. b1935 3 Pepusch, J. 1667-1752 13 Perry, W. b1930 29 Peter, J. 1746-1813 18 Peterson-Berger, W. 1867-1942 7

bar: baritone bshn: basset horn bass: bass bn: bassoon bass bar: bass baritone cl: clarinet clvd: clavichord cont: contralto cora: cor anglais ct: counter-tenor

Pichl, V. 1741-1805 5 Piston, W. 1894-1976 28 Pleyel, I. 1757-1831 14,18 Popper, D. 1843-1913 26 Porpora, N. 1686-1768 17 Porter, C. 1891-1964 2,9 Poulenc, F. 1899-1963 10,14,17,21,24 Praetorius, H. 1560-1629 17 Prokofiev, S. 1891-1953 8,13,19,21,22 Puccini, G. 1858-1924 31 Quilter, R.

1877-1953 16

Rabaud, H. 1873-1949 23 Rachmaninov, S. 1873-1943 1,4,10,13,20,24,29 Raff, J. 1822-1882 11 Rameau, J-P. 1683-1764 13 Ravel, M. 1875-1937 2,7,20,22,30 Reed, A. 1921-2005 22 Respighi, O. 1879-1936 4,18,19 Richter, M. b1966 17 Ries, F. 1784-1838 14,19,23 Rimsky-Korsakov, N. 1844-1908 18,21 Ristori, G. 1692-1753 3 Rodgers, R. 1902-1979 2 Rodrigo, J. 1901-1999 7,10,18,22 Rogier, P. c1561-1596 17 Roman, J. 1694-1758 2 Rossini, G. 1792-1868 4,11,23 Rott, H. 1858-1884 3 Rouget de Lisle, C-J. 1760-1836 21 Rousseau, J-J. 1712-1778 17 Rovsing Olsen, P. 1922-1982 27 Rózsa, M. 1907-1995 9 Rubinstein, A. 1829-1894 5 Rutter, J. b1945 14 Rütti, C. b1949 31 Saint-Saëns, C. 1835-1921 2,4,5,9,23,27,30 Salieri, A. 1750-1825 28 Salonen, E-P. b1958 3 Sammartini, G. 1693-1750 8 Scarlatti, A. 1659-1725 4,20,22 Schobert, J. 1740-1767 1,27 Schoenberg, A. 1874-1951 6,13,17,20 Schubert, F. 1797-1828 2,5,6,11,14,21,24,25,26,31 Schulz, R. 20th C 30 Schulze, W. b1952 14 Schumann, C. 1819-1896 3,11,29 Schumann, R. 1810-1856 2,3,6,15,19,24,25,26 Schuster, O. 20th C 17 Schütz, H. 1585-1672 22 Sculthorpe, P. 1929-2014 1,9,22,30 Shaw, C. b1982 10 Shostakovich, D. 1906-1975 5,12,26,27 Sibelius, J. 1865-1957 1,2,5,8,20,31 Sieg, S. b1966 16 Skryabin, A. 1872-1915 17,24 Smalley, R. 1943-2015 3 Smetana, B. 1824-1884 1,15,21 Smyth, E. 1858-1944 7,31 Sor, F. 1778-1839 15 Sparke, P. b1951 7 Spohr, L. 1784-1859 5,7,17,28,31 Stamitz, C. 1745-1801 24 Stanford, C. Villiers 1852-1924 24 Stenhammar, W. 1871-1927 9 Stopford, P. b1977 10 Strauss, J. II 1825-1899 15 Strauss, R. 1864-1949 15,23,29 Stravinsky, I. 1882-1971 9,13,21,26 Suk, J. 1874-1935 8,22 Sullivan, A. 1842-1900 9,23,24,25,30 Suppé, F. 1819-1895 9,30 Sutherland, M. 1897-1984 9,29

Tzortzinakis, K. 1950-1989 7 Valentini, Giuseppe. 1681-1753 8 Vasks, P. b1946 24 Vaughan Williams, R. 1872-1958 19588,13,24,30 Veracini, F. 1690-1768 5,8,27 Verdi, G. 1813-1901 21,25,31 Victoria, T. de 1548-1611 15 Villa-Lobos, H. 1887-1959 5 Vine, C. b1954 12 Viotti, G. 1755-1824 18 Vivaldi, A. 1678-1741 6,8,10,17,21,22,24 Vorisek, J. 1791-1825 14 Wagner, R. 1813-1883 1,3,4,14,15,19,25,29 Walters, H. 1918-1984 30 Walton, W. 1902-1983 21,29,31 Wassenaer, U. 1692-1766 27 Weber, C.M. 1786-1826 3,8,10,17,18,20,24 Webern, A. 1883-1945 13 Weiss, S. 1686-1750 7 Wesley-Smith, M. 1945-2019 10 Wesley, S.S. 1810-1876 24 Westlake, N. b1958 8,21,31 Whelan, W. b1950 23 Willaert, A. c1490-1562 22 Williamson, M. 1931-2003 8,22,26 Witt, F. 1770-1836 26 Wranitzky, P. 1756-1808 6 Yoshimatsu, T. b1953 24 Ysaÿe, E. 1858-1931 22,27 Yunupingu, G. 1971-2017 22 Zemlinsky, A. 1871-1942 Zimmer, H. b1957

Takemitsu, T. 1930-1996 5,10,24,29 Tallis, T. c1505-1585 1 Tanada, F. b1961 24 Taneyev, S. 1856-1915 12,21 Tartini, G. 1692-1770 8 Tavener, J. b1944 31 Tchaikovsky, P. 1840-1893 6,12,22,31 Thuille, L. 1861-1907 28 Torelli, G. 1658-1709 20 Tovey, D. 1875-1940 7 Turina, J. 1882-1949 14

Music duration is shown after the record and citation

db: double bass dbn: double bassoon did: didjeridu elec: electronic fl: flute fp: fortepiano gui: guitar hn: french horn hp: harp hpd: harpsichord

mand: mandolin mar: marimba mezz: mezzo-soprano narr: narrator ob: oboe org: organ perc: percussion pf: piano picc: piccolo rec: recorder

sax: saxophone sop: soprano tb: trombone ten: tenor timp: timpani tpt: trumpet treb: treble voice va: viola vc: cello vn: violin

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Volunteer Spotlight James Hunter

Pamela Newling talks to keen surfer, Breakfast presenter, & chamber music lover, James Hunter

Photo supplied by Fine Music / Illustration by Lyndon Pike

An inveterate traveller, James has been on air more than usual during 2020, as the result of Covid restrictions. While frustrating for James, it has been to the benefit of Fine Music listeners. James exudes enthusiasm for his broadcasting. He says: “… love presenting all programs. I particularly enjoy Breakfast and Drive, being able to select my own music, the much faster pace including the constant mental arithmetic challenges for (hopefully) accurate timings.” For the Breakfast listener, James provides a cheerful awakening that is both calm and rejuvenating. Similarly, for Drive, even the traffic and weather conditions are delivered in a soothing style. Other Fine Music programs he sometimes presents are Musica Sacra, The Classical Era, Diversions in Fine Music and Concert Hall. James started as a presenter in 2010, but his association with the station began long before. “I had always listened to 2MBS prior to living overseas. I moonlighted as a presenter of classical music at ASTRO (Asia Satellite TV and Radio) during my time in Asia” he says. A considerable part of James’ professional career was spent working for a multinational advertising agency in Sydney and then, with the same company, for many years managing offices in Asia, Dubai, Budapest and finally Istanbul. After his return to Sydney he was a consultant in communication. James comments: “I applied to 2MBS on my return, but was told there were no vacancies for presenters. A few years later I met Michael Ingamells who invited me to audition – thankfully successfully.” Apart from presenting, James has been involved in training, various working groups and committees and other areas in the development of a more professional station output, as well as writing for promos and other station communications. When asked about his involvement and enjoyment with the station, James replies: “Always fun to be at the station, love the people, the enthusiasm and the bonhomie. I am in awe of the vast musical knowledge of so many of our volunteers, and with background research for my programs, I’m constantly rewarded with the discovery of new (to me) musical delights.”

James finds it hard to say what music is his favourite. His response is: “Probably chamber music of the Viennese Classical style, with a growing passion for the Baroque – especially Handelian opera. Not to mention a little Soul and Rock. And since you’ve asked, the last instrument I played was the ukulele at age 12!” One very special musical moment that remains with James is “Lucking in on tickets to the gala first night of the Amazonas Opera Season, at the astonishing Manaus Opera House (Saint Saens’ Samson and Delilah), just two hours after returning from a week of seriously getting back to nature in the steamy Amazon rain forest. Total culture shock, but a totally enriching experience.” As to on-air bloopers, James quotes the famous song: “Regrets, I’ve had a few, but then again, too few to mention. I did what I had to do, and saw it through without exemption.” As for James’ enjoyment of life outside the radio station: “Travel aside“, he says, “I enjoy surfing and the odd game of golf. I have been a member of Royal Sydney for most of my life. Love my food and my wine!”

What is Jazz? – An Imprecise Précis Keith Pettigrew explores the definition of jazz

Fine Music Sydney has broadcast jazz since it first received its community FM radio licence 45 years ago. This series of articles covers the eras of jazz, as the style emerged from the remnants of Confederate marching bands, an expression of race, popular music, the dance hall, breaking traditions, creating new traditions, and improvising. What’s in a Name? The name Jazz has mixed and curious beginnings. It is thought to have originated 1895 in New Orleans when the Spasm Band advertised themselves as the “Razzy Dazzy Spasm Band”. A competing band was promoted as the “Razzy Dazzy Jazzy Band” to avoid street violence. The term was used in the better brothels of New Orleans that provided music and dancing. What is the sound of jazz?

Does improvisation differentiate jazz?

Is it brass? Not so. The instruments of jazz include the brass of trumpet and trombone to the woodwind of saxophone and clarinet, to more unusual instruments like sousaphone and didgeridoo. So, is it wind? No! From piano to Hammond organ to jazz violin, double bass or bass guitar. Oh, it must have strings! No, but there will usually be a strong rhythm provided by bass and drums. Is there any instrument that isn’t used in jazz? Hardly. There are examples of clapping and the jaw harp.

Not quite! The classical composers created cadenzas, to allow musicians to improvise within the structure of the set piece. But so disappointed were composers in the outcome that they scored the improvisation! Today, many classical performances are frozen in exactitude. Some composers kept the score open, even sketchy. Bach was amongst these. FineMusic has many examples of Bach concertos, improvised by French pianist Jacques Loussier. Indeed, there are more pieces of Loussier’s improvisation in the classical collection than the jazz library.

What makes jazz different?

To many, improvisation may sound like the musician has lost the plot and left the auditorium. But listen closely to the rhythms and syncopation to discover that ornamentation that lies within. The journey often starts with a simple deviation from the melody, an harmonic progression, each note transports the original theme without losing track.

Rhythm! Well, no. There might always be a rhythmic grounding to establish the tune. But then, it will often feature improvisation that moves the soundscape into syncopated patterns, and return. Oh, improvisation? Well, yes. There will nearly always be a core melody, and improvisation around it, varying from small amounts of ornamentation to extensive departures that allow the musician to have wide expression.

The sound of jazz is varied, and has progressed from firm structures, through freeform, and onto emotive improvised soundscapes that draw the listener from a melody into a wonderous journey of delight! All the time, it is toe-tapping!

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Eras of Jazz Overall, there are broadly some recognisable jazz eras: • Ragtime: from 1895 through to early 1920s; • Dixieland: from 1917 through the Depression; • Swing: the heydays of the late-1920s to World War II; • Big Band: from the Depression years through post-WWII; • Bebop: the WWII era to the mid 1950s; • Cool Jazz: of the 1950s and 1960s; • Bossa Nova and Free Jazz: of the 1960s; • Jazz Fusion, European and Scandinavian: 1970s and late 20th century. • 21st century: we have had 20 years of innovation and improvisation. Jazz is now! Future chapters of this Imprecise Precis will explore the music and musicians of these eras.

Indicative Jazz Eras Ragtime Dixieland Swing Big Band Bebop Cool Jazz Bossa Nova Free Jazz Jazz Fusion European Scandinavian 21st Century 1890

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Gurrumul

Paul Cooke explores the Australian icon whose music melded multiple cultures Photo by Trevor Collens / Alamy Stock Photo Illustration by Lyndon Pike

“One world is Balanda, the other world is Yolngu.” This is how Geoffrey Gurrumul Yunupingu, born 50 years ago this month, described the ‘different worlds’ he lived in. Articles in The Guardian have described him as having “a foot in both worlds” and “an unlikely career on the edge of two worlds”, but what I think is notable about Gurrumul’s life is the extent to which he brought these worlds closer together through his music. Balanda is the European world. Gurrumul’s Yolngu world is centred on Galiwin’ku, an Indigenous community of just over 2,000 people situated on Elcho Island in north-east Arnhem Land – about 550 kilometres from Darwin if you are a waak (crow) but twice that distance by road and then sea. Elcho was the inspiration for Neil Murray’s “My Island Home”, a song that was performed at the closing ceremony of the Sydney Olympic Games. This region, while not without interactions with the European world, is nevertheless one with multiple clans and tribes and very strong connections to traditional culture. In this culture, songs with a regular repetition of rhythmic words are vitally important in transmitting knowledge: as Catherine J Ellis wrote in Aboriginal Music: Education for Living, music is “a guide to life. Every task, every object, every social relationship has a song”. Gurrumul, born blind, was unable to participate in many normal childhood activities, but learnt hundreds of songs from tribal elders as well as the stories and history of his people. He taught himself a number of instruments – not only the yidaki (or didgeridoo) but also guitar, keyboards and drums – and later played and sang Indigenous-inflected music with Yothu Yindi as well as reggae-based songs in local languages with Saltwater Band.

Illustration by Leita Hutchings

Photo by Trevor Collens / Alamy Stock Photoo

In 2008, he released his first album, Gurrumul. The songs, sung mostly in Indigenous languages, focused on love of country and a spiritual connection with the land. What set his music apart and resonated with listeners, however, was his “unearthly”, “angelic”, “sublime” voice, which “—like all the best tenor voices —combines robustness and fragility along with an emotion-laden timbre that conveys passion and a deep sadness”. The ‘different worlds’ tugged at him. His family was happy for him to be the bridge between two cultures but concerned that he wouldn’t be able to maintain his increasingly important responsibilities within the Galiwin’ku community: in 2011, 44% of the population were under the age of 20. At the same time, Gurrumul was being acclaimed both nationally and internationally, and being encouraged to broaden his musical horizons. Michael Hohnen, his musical partner and a classically-trained double bass player, and arranger and conductor Erkki Veltheim, worked closely with him and the ultimate result of their collaboration was Djarimirri (Child of the Rainbow). Released in 2018, a year after his death, it was the first Aboriginal language album to top Australian music charts. Here ancient chants relating to specific Yolngu totems and culture are set against orchestral arrangements owing much to the Minimalist tradition of Nyman, Pärt and others. The music is intellectually stimulating; Gurrumul’s singing is exciting. In “Waak (Crow)”, his voice “prickles and then sighs, glides and pushes up and away”. As Quincy Jones said, truly “one of the most unusual and emotional and musical voices I’ve ever heard”. Friday 22 January 1pm

Emerging Artist - Elsen Price Barry O’Sullivan discovers the bottom line with bassist Elsen Price Photo by Matthew Syres

In jazz, as in most music, the bass is the bottom line. It’s both part of the rhythmic foundation of the music, along with the drums, and the sonic glue that binds everything together.

“There’s an international network of forward thinking double bass players from various backgrounds and genres including jazz that foster connections through the power of the internet”, says Elsen.

Elsen Price is an Australian double bassist and composer based in Sydney, growing up in a small town, Bithramere, just outside of Tamworth. At birth Elsen had corrective surgery on his hands and up to the age of five, received treatment for Syndactyly - a condition where two or more fingers or toes are fused together. Although he was told after surgery that he would have difficulty with fine motor skills as an adult, he became involved in community orchestras and student string groups to work on this condition, playing violin as a self-taught eight-year-old.

To date he has released two recordings, Descent of the Free on ABC Music and The Life Long Day Dreamer on Rippa Recordings. On these he performs solo on electric bass and double bass, with overdubs and loops conjuring up an entire world of sound, expression, and emotion, which almost defies any categorisation other than experimental.

In addition, the Tamworth Music Festival, with its programmed high energy fiddle events every year, provided him with music inspiration. On completion of his high schooling and after an unsuccessful three month foray into an apprenticeship as a motor mechanic, he joined a covers band in Armidale performing mainly over weekends. In 2008 he successfully auditioned and won the double bass/electric bass role in the NSW Police Band and was awarded a full-time position after completing his 18 month trial. During his two years performing with it, Elsen successfully auditioned and won a scholarship for the NSW Conservatorium, and commenced Classical Music Studies there on double bass under the tuition of Alex Henery (SSO). “When I studied classical bass at the Sydney Conservatorium, I made an effort to try and take in as much as I could,” he says. “Bach was definitely a highlight for me there,” Since graduating, Elsen has pursued a career specialising in New and World Music, performing works by Andrew Batt-Rawden, David Hush, P. Kellach Waddle, Elena Kats-Chernin, Keyna Wilkins and many others. He also has collaborated with many traditional ethnic performers from Iraq, Syria, Turkey and Armenia, as well as visiting the United Kingdom in 2019 and participating in performances and workshops in London and Edinburgh.

As a featured artist, Elsen has performed both locally and internationally at BassEurope (Prague), Yilan International Art Festival (Taipei), Audio Foundation (Auckland), Sydney Festival, Vivid Festival, and MONA and Woodford Folk Festivals. He has composed music for the Australian Film Dead Sunrise for which he won a Silver Award for his solo performance on the soundtrack. He has also had solo works for double bass published on by Recital Music UK. Elsen has become a committee member of the political group, The Arts Party, hoping to alleviate, confront, and possibly eliminate, some of the challenges that musicians face playing live music in NSW. He also intends to lobby for better representation and support for music in government policy. “Simply speaking about these issues makes people aware of them. In Australia, music is a sixty million dollar industry, covering everything from small pub gigs right up to international productions and tours. The more informed you can be from a musician’s point of view and even from a music lover’s point of view is very important.” As for the future, Elsen has many plans in the pipeline and is currently collaborating on a number of different projects, true to his nature in working in a diverse range of genres and musical settings, performing in live gigs around Sydney, teaching at private schools and working with Sydney composer Keyna Wilkins who has written a work for bass and loop pedal.  “I’m still developing my solo set and thinking up new ways to do what I do,” he says. Friday 15 January 12pm

Thereâ&#x20AC;&#x2122;s an international network of

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Photo by Matthew Syres

The Themes of Fine Jazz on Fine Music Sydney

Keith Pettigrew continues exploring the magic behind our jazz presenters’ theme tunes Illustration by Lyndon Pike

Fine Jazz on Fine Music Sydney embraces 15 programs, presented by 18 jazz enthusiasts. Each presenter has their own focus from the 120-year history of jazz: 1900s classics; swing; 50s bebop; 60s cool jazz; bossa nova; jazz from 21C pop; Middle Eastern; and emergent jazz for tomorrow. This short series brings you the magic of jazz, expressed by presenter’s theme tunes. Emergent Jazz – Keith Pettigrew on Saturdays at 7:00pm Theme: Welcome To Country (William Barton & James Morrison, 2019) Emergent Jazz celebrates new Australian musicians, perhaps giving students of our jazz campuses their first broadcasting. It also airs new Australian music, released for community radio by musicians sitting just outside the commercial music sector. “Welcome To Country” symbolises an open welcome. This musical welcome presents the essence of the jazz trio. William Barton’s quintessentially Australian didgeridoo provides an earthy driving and percussive bass line. James Morrison’s trumpet hits the highlights with clarity and tonality, and presents the essence of jazz history, a trumpet with pure and reaching notes, and an Australian jazz icon. The piece was played as the Welcome To Country at the International Jazz Day held in Melbourne last year, again a hallmark event in the modern chronicles of jazz and Australian jazz. The Jazz Beat – Lloyd Caps on Tuesdays at 7:00pm Theme: So What (Miles Davis Sextet, 1959) The Jazz Beat has for over a decade, always featured a Miles Davis track. And what better theme than the opening track from the best-selling Kind Of Blue, an album that for Lloyd is so important in the pantheon of jazz recordings, and considered by many as the definitive jazz album. Musically, “So What” starts with a gentle repetitive riff of Paul Chamber’s double bass. It opens up to include the other stunning musicians on the album, Bill Evans, Cannonball Adderly, John Coltrane, Jimmy Cobb and Wynton Kelly, culminating with Miles Davis’s quintessential modal minimalist solo. It has become a blueprint for all modal jazz, the very essence of “cool jazz”, revealing new complexities and subtleties on each listening. “So What” sets the theme, inventiveness, and magic that listeners hear every Tuesday evening.

Planet Jazz – Xavier Bichon on Wednesdays at 7:00pm Theme: If I Were A Bell (Franck Loesser, 1950) by Judy Bailey Planet Jazz brings to Fine Music the diversity of modern jazz from around the world, with an emphasis on European jazz. Xavier has a background in French radio, from which he brings the musical frisson of prestigious jazz artists performing for radio. Think Richard Galliano meeting Miles Davis. “If I Were A Bell” was written for Guys and Dolls, but brought to renown by Miles Davis on Relaxin’ With Miles Davis Quintet, where Miles is joined by a tenor sax player, John Coltrane. It became a Miles Davis specialty, appearing on many live session recordings. Xavier chose Judy Bailey’s recording as it infuses a welcoming atmosphere, pays tribute to the legacy of Miles Davis and has a strong Australian connection (even though she was born in NZ).

LISTENERS' LETTERS

Glassical Gas

Kettle O’Fish

Please, please, Fine Music Sydney, can I beg you not to become like the ABC and clutter your morning music program with chatter, as has been happening sometimes recently. You have been one of my two favourites for morning listening and now I have fled ABC Classic Breakfast definitively (after 40 years of listening to it or its predecessors) because of the chatter and the constant reading of banalities from their chat line (is the number of chats they get one of their KPIs in the new dumbing down ABC?), not to mention their slide towards ‘classic light’. Please, can you remain a refuge for those who want a classical music program to be just that - classical music.

Just wanted to say my husband and I are enjoying Alex Siegers’ Friday Jazz Session. She is quite a different kettle of fish from Christopher Waterhouse but her music programming is excellent. However, and this is only purely constructive criticism, back announcing is most important, Alex. I’ll say no more. Anyway, we can always log into the Fine Music website if we miss any artist names during the program. Thanks for Friday night jazz . . . rock on! - Anthea Doe

London Calling I listened to Bob Gilchrist’s Fine Music Drive program on 30th September, in London, via your streaming service. I wanted to let you know that I enjoyed it very much. It is much better than Classic FM in the UK. Well done!

- Stephen FitzGerald

Eine kleine Ebenmusik Sad. I know that you have to broadcast certain musicians to get money. But is sad to listen Mozart’s 40th symphony (and many other works) played as if the notes had lost their soul, as if the music had been put in a blender, and the result is Mozart’s mushy music. Flat, Flat, Flat... Rushed and lifeless. I know it’s not your fault. But is sad.

- Mark

- Mike

CD REVIEWS Phantasy & Folksong Ensemble Q Ensemble Q Live

Led by clarinettist Paul Dean and cellist Trish Dean, Ensemble Q is the resident chamber group at Queensland Conservatorium, Griffith University. The live recording Phantasy & Folksong brings to disc performances of Benjamin Britten, Luciano Berio, Krzysztof Penderecki and Osvaldo Golijov. The major work is Folksongs by Berio, a piece consisting of twelve folksongs arranged for mezzo-soprano with seven instruments. The songs come from all over Europe and are sung in their native

languages, the unifying feature being the inventive chamber orchestration. The singing from Lotte Betts-Dean carries the folksongs with humour and feeling, while the excitement generated by the instruments, especially the percussion, is equally infectious. The other highlight of the CD is The Quartet by Penderecki, a piece which needs a superb clarinettist to pull it off and in Paul Dean, Ensemble Q has exactly that. A superb recording of 20th Century music.

A debut release from Australian and indigenous group, Yulugi. They capture the scale of the cosmos and the sounds of our landscape. Their music explores the improvisation of flute, piano and didgeridoo. Yulugi means have fun in Northern NSW Gilmaroi, and is Keyna Wilkins, a classically trained AustralianBritish pianist and flautist who branched into flamenco, jazz and improvisation; and Gumaroy Newman, an indigenous songman from the Gamilaroi and Wakka Wakka nations, playing the Yidaki, a northern NSW didgeridoo.

The opening track starts with a fast didgeridoo bass rhythm, but quickly adds an uptempo tuneful jazz flute, exploring the sounds of the didgeridoo, with flute and didgeridoo trilling magically. The second track introduces Wilkins’ piano, reminiscent of the Keith Jarrett. Tracks include Newman’s voiced story-telling, including the importance to the future of Australia and to indigenous culture of looking after the land.

ABC Classic have released another album dedicated to French music, this time to French cello sonatas. The performers are David Berlin, principal cellist with the Melbourne Symphony Orchestra, and Benjamin Martin, one of Australia’s finest chamber musicians. Sonatas by Chopin, Louise Farrenc and Saint-Saens are the focus of the disc and they provide a satisfying survey of 19th century chamber music, presented in chronological order. Interestingly, the second work, the sonata by Farrenc, is the most Classical in its style and compositional approach.

The instruments are well balanced and the performances, especially the cello playing, are of the highest quality. This recording is definitely one for fans of the cello and for lovers of Romantic chamber music. The final item on the CD is SaintSaens’ The Swan, a favourite of the cello repertoire, providing a lighter moment against the weight of the featured sonatas.

- James Nightingale

Yulugi

Chasing Stars To The Mother Tree

This is virtuoso playing, and worthy of any Australian collection. - Keith Pettigrew

French Cello Sonatas

David Berlin & Benjamin Martin ABC Classics

- James Nightingale

CROSSWORD

COMPOSERS

Written by Julie Simonds

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Julie Simonds

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He was was the torch-bearer at Beethoven’s funeral. He wrote over 1000 pieces of music. (8) Paraguayan virtuoso classical guitarist and composer (7) “Il rapimento di Cefalo”, “Euridice” and “Ave Maria” (7) She was the first successful American female composer of large-scale art music. Her “Gaelic” Symphony, premiered by the Boston Symphony Orchestra in 1896 (5) 8 In 1942 was appointed Master of the King’s Music (3) 10 The Telephone, or L’Amour à trois is an English-language comic opera in one act. (7) 11 He never composed for the guitar but many of his piano pieces were transcribed for guitar.Asturias (Leyenda), Granada, Sevilla, Cadiz, Córdoba, Cataluña, Mallorca, and Tango in D (7) 13 His best known work is “Adagio for Strings “ (6) 14 “Babe, Pig in the City” composer (8) 15 His ballet score “Cendrillon” received over one hundred performances. (3) 16 He’s best-known for his substantial operatic output ,including “Peter Grimes”, “Billy Budd”and “The Turn of the Screw” (7) 20 He took a Short Ride in a Fast Machine (5) 21 Charlie Parker Jr. nickname (4)

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for "In a Monastery was was the torch-bearer at Beethovenʼs funeral. 1 He(8) 2 BestGarden" known (8) for “In a Monastery Garden” ed his compositions with BWV. (4) He wrote 5 He catalogued his compositions with BWV. (4) over 1000 pieces of music. (8) Mad Max" and Max 2"“Mad (3) Max” and “Mad Max Paraguayan virtuoso classical guitarist and composer 3 2” 6 "Mad Composed (3) wright, composer, actor,playwright, singer, andcomposer, actor, singer, (7) and social wit, 7 English hose volume of work includes thanincludes more "Il rapimento Cefalo", 4 than whose volumemore of work 50 playsdiand an "Euridice" and "Ave Maria" (7) an impressive screenplays, She was the first successful American female catalogue impressiveofcatalogue of screenplays,5musical theater pieces, ter pieces, short stories, and poetry. (6) (6) composer of large-scale art music. Her "Gaelic" short stories, and poetry. estival Overture and German Requiem Symphony, 9 Academic Festival Overture and German Requiempremiered by the Boston Symphony his works. (6) Orchestra in 1896 (5) are just 2 of his works. (6) opera was "Dialogues des Carmélites" In 1942 was(7) appointed Master of the King's Music (3) 8 Carmélites” 12 His second opera was(7) “Dialogues des Joy" was adapted use as the was adapted for use The 10 as 17 Hisfor“Ode to Joy” theTelephone, or L'Amour à trois is an Englishnion's anthem language comic opera in one act. (7) (9) European Union’s anthem (9) f "Carmen" (5) 11 He never composed for the guitar but many of his 18 Composer of “Carmen” (5) ony No.1" was at age eight (6) was written at age piano pieces 19written His “Symphony No.1” eight (6) were transcribed for guitar.Asturias arily for two of orchestral works, (Leyenda), 22his Known primarily for two of his orchestral works, Granada, Sevilla, Cadiz, Córdoba, d "Joyeuse marche" (8) and “Joyeuse marche” (8) Cataluña, Mallorca, and Tango in D (7) “España” udes "Night23 andHis Day" andincludes "I've Got“Night You and Day”13 work andHis best known work is "Adagio for Strings " (6) kin." (6) “I’ve Got You Under My Skin.” (6) 14 "Babe, Pig in the City" composer (8) s the first Impressionist composer, His ballet score "Cendrillon" received over one 24 He is seen as the first Impressionist15composer, vigorously rejected the term. (7) hundred although he vigorously rejected the term. (7) performances.(3) 16 He's best-known for his substantial operatic output,including "Peter Grimes", "Billy Budd"and "The Turnof the Screw" (7) 20 He took a Short Ride in a Fast Machine (5) 21 Charlie Parker Jr. nickname (4)

FINE MUSIC PATRONS Fine Music Honour Roll (Bequest Received 2010–2020)

Gold Patrons ($1,000 -$2,499)

Dr Alison Burrell, Mr Keith John Cosack, Mr Paul de Leuil, Ms Jean Priscilla Deck, Mr Colin Enderby, Ms Rose Gibb, Mr David Henry James, Mr Leslie Kovacs, Mr Stefan Kruger, Mrs Myra Christina Polson, Mr Charles Herbert Stokes, Mr Ronald Tinslay, Mrs Rose Varga, Mrs Norma Walledge, Mr Ken Weatherley, Mr Colin Webb, Mr Barry Willoughby, Mr John Albert Wright

Mrs Marlene Baumgartner, Ms Meredith Brooks, Professor Elizabeth Burcher, Mr Noel Craven, Ms Elizabeth Dooley, Ms Inez Glanger, Mrs Mary Henderson, Mrs Georgina Horton, Mr David Jacobs, Mrs Philipa Johnson, Mrs Sylvia Laurent, Mr Balthasar Mair, Mr Andrew Patterson, Ms Mimi Roberts, Mr Gordon Stenning, Mr R Sutherland

Fine Music Guardians (Known Future Bequests) Mr Geoffrey Anderson, Mr David Bell, Mr David Brett, Mrs Halina Brett, Mr Rex Burgess, Mr Lloyd Capps, Ms Marilyn Endlein, Mr Robin Gandevia, Mr Bruce Graham, Mr James Hunter, Mr David James, Ms Maureen Meers, Mr Glenn Morrison, Mr Desmond Mulholland, Mr Derek Parker, Dr Neil Radford, Mr Gregory Sachs, Ms Elaine Siversen, Mr Bruce Smith, Mr Anthony Tenney, Mr Ron Walledge

Titanium Patrons ($50,000 and above) Mr Michael Ahrens, Mr Max Benyon OAM, Mr Roger Doyle, Dr Jennifer Foong, Prof Clive Kessler

Platinum Patrons ($25,000 -$49,000)

Mr Scott Alexander, Dr Philip Bergersen, Mrs Sally Bertram, Mr Stephen Booth, Mr Colin Boston, Mr Barrie Brockwell, Mr Ron Burgess, Mr Mark Caine, Dr Russell Cannon, Mrs Mary Jo Capps AM, Ms Mary Choate, Mr Robert Clark, Ms Wendy Cobcroft, Mrs Janet Cooke, Mrs Di Cox, Ms Prudence Davenport, Ms Julie Dowsley, Mr Geoff Drury, Mr John Fairfax, Dr David Gorman, Mrs Rachel Gross, Mr Paul Hopwood, Mrs Jann Howard, Ms Cynthia Kaye, Ms Patricia Kennedy, Mr Geoffrey Lauridsen, Ms Annette Lemercier, Mrs Diana Long, Mrs E MacDonald, Dr Jim Masselos, Mrs Robin McIntyre, Mr Jonathan Milford, Ms Joanne Ng, Mr Tony Norris, Ms Monica Olave, Mr David Polley, Ms Luiza Rebelo, Mr J Roberts, Mr John Sharpe, Mr John Sheehy, Mr Iain Thompson, Mr Larry Turner, Mr Kevin Vaughan, Ms Judy Wong-See, Prof Paul Wormell

Bronze Patrons ($250 -$499)

Mr Robert Albert AO, Mr Ron Walledge, Mr Cameron Williams

Diamond Patrons ($10,000 -$24,999) Mr Alan Ashburner, Mr Marco Belgiorno-Zegna, Mrs Barbara Brady, Mr David Brett, Mr David Brown, Mr David Burns, Mr Bernard Coles QC, Mrs Dorothy Curtis, Justice David Davies, Mr Paul Espie AO, Ms Jill Hickson Wran, Dr Janice Hirshorn, Mr Roger Howard-Smith, Mr Peter Kurti, Mrs Patricia McAlary, Ms Nola Nettheim, Dr Peter Power, Mr John Selby

Ruby Patrons ($5,000 -$9,999) Foundation, Mr Robin Gandevia, Mr John Holden, Ms Sue Jowell, Mrs Halina Brett, Ms Janine Burrus, Mr Lloyd Capps, Mr Roger Chapman, The Family Frank Foundation, Mr Francis Frank, Mr Robin Gandevia, Mr John Holden, Ms Sue Jowell, Ms Jeannie McInnes, Mrs Judith McKernan, Mr Charles McMonnies, Ms Wendy Trevor-Jones, Mr Stephen and Mrs Therese Wilson

Emerald Patrons ($2,500 -$4,999) Alison Carr, Mr Ian De Jersey, Prof Christine E Deer AM, Ms Louise Diamond, Professor Michael Field AM, The Berg Family Foundation, Dr Christine Furedy, Mr Stephen Garrett, Ms Josephine Howie, Mrs Freda Hugenberger, Mrs Ann Jolly, Mr Donald (Kerry) Joyner, Mr Ian Juniper, Mrs Doug Keech, Ms Phyllis Koshland, Mr John Lamble, Dr Peter Lindberg, Mr Ian Lloyd, Mr Melvyn Madigan, Mr Ray McDonald, Mr Ian McGaw, Ms Maureen Meers, Mr John Mitchell, Dr Andrew Mitterdorfer, Mr Michael Morton-Evans OAM, Mr Trevor Parkin, Ms Susan Ping Kee, Dr William Poate, Dr Catherine Ruff, Mr Jude Rushbrooke, Mr Gregory Sachs, Mr John Stevenson, Mr Anthony Strachan, Mr Richard Thompson, The Hon. Anthony Whealy QC, Mr Richard Wilkins, Dr Edward Wills

P R O G R A M M E R S

Silver Patrons ($500 -$999)

Ms Jacqui Axford, Mr Peter Barker, Ms Jane Barnes, Mr Terrence Batterham, Mrs Susan Berger, Mr Tad Boniecki, Mr Adam Bowen, Mr David Branscomb, Mrs Alexandra Buchner, Ms Helina Burch, Ms Silvie Carraro, Miss Beryl Caten, Dr Alastair Corbett, Mr Dom Cottam, Mrs T Cox, Prof Stephen Dain, Ms Sharan Daly, Mr Peter Dexter, Mrs Melinda Dixon, Mrs Dorothy Dunn, Mr Lee Dunstan, Mr Michael Edwards, Mrs Maureen Evers, Mr William Fleming, Dr Jill Forrest, Mr Tal Galapo, Mr Robert Gilchrist, Mr Joe Goozeff, Ms Josefa Green, Mrs Jocelyn Hackett, Mr Peter Halas, Ms Clare Harty, Mr James Harvey, Mr Les Hay, Ms Rosemary Heal, Mr Ian Herbert, Ms Margaret Hext, Ms Ailsa Hocking, Mr William Hoekstra, Mr Paul Jackson, Ms Ruth Jeremy, Mrs Barbara Johnson, Mr Ernest Jones, Mrs Pamela Kenny, Mrs Christine Kenworthy, Mr Stephen Kinsela, Mr Peter & Helen Klineberg, Mr Ian Knop, Mr Gerhard Koller, Ms Anne Lampe, Mr Ian Land, Mrs Beatrice Lang, Mr Gregory Layman, Miss Valerie Lhuede, Mr Richard Lowson, Mr Geoffrey Magney, Dr Richard Manchester, Mr Hunter McEwen, Mrs Shirley McEwin, Dr Bill McKee, Mr Herbert Menka, Dr Michael Messer, Mrs Jacqueline Meyer, Mr Peter Miller, Mr Simon Moore, Mr Sanjiv Muttukumaru, Ms Sarah Neal, Mrs Sue Nicholas, Mr Ken Payne, Ms Christina Pender, Mr Ian Pfeffer, Mr Peter Poole, Mr James Poulos, Ms Sally Preston, Mr Mike Price, Mrs Robyn Raffles, Mr Joseph Rooney, Mrs Felicite Ross, Mr F Rothenfluh, Mr Michael Rutlidge, Mr Ian Savins, Dr Gideon Schoombie, Ms Julia Scott-Wane, Ms Alexandra Shiga, Dr William Smith, Mr David Somerville, Mr Colin Spencer, Dr Catherine Stevens, Mrs Valerie Stoney, Mrs J Strutt, Ms Kathryn Tiffen, Dr Robin Torrence, Prof A Truswell, Mr Dietmar Tucha, Mr Peter van Raalte, Miss Fiona Walker, Mr Brian Walters, Dr. Duff Watkins, Dr Paul Whiting, Mr Donald Wilkins, Mr Jeffrey Willmott, Mr Alastair Wilson, Mr Michael Zolotarev

A N D

P R E S E N T E R S

JANUARY Rodrigo Azaola, Charles Barton, Peter Bell, Nina Beretin, Eddie Bernasconi, Dan Bickel, Chris Blower, Adam Bowen, David Brett, John Buchanan, Rex Burgess, Janine Burrus, Lloyd Capps, Vince Carnovale, Lyn Chong, Andrew Clark, Adam Cockburn, Angela Cockburn, Liam Collins, Paul Cooke, Di Cox, George Cruickshank, Nick Dan, Jackson Day, Nev Dorrington, Annabelle Drumm, Brian Drummond, Andrew Dziedzic, Rita Felton, Michael Field, Owen Fisher, Jennifer Foong, Tom Forrester-Paton, Susan Foulcher, Carole Garland, David Garrett, Robert Gilchrist, Nicky Gluch, Joe Goddard, Albert Gormley, Jeremy Hall, John Hanna, Austin Harrison, Ross Hayes, James Hunter, Leita Hutchings, Anne Irish, Sue Jowell, David Knapp, Ray Levis, Krystal Li, AnneLouise Luccarini, Christina MacGuinness, Meg Matthews, Stephen Matthews, Sue McCreadie, Neil McEwan, Jeannie McInnes, Terry McMullen, Angus McPherson, Maureen Meers, Camille Mercep, Simon Moore, Frank Morrison, Michael Morton-Evans, Richard Munge, Gail Monjo, James Nightingale, Barry O’Sullivan, Calogero Panvino, Derek Parker, Denis Patterson, Keith Pettigrew, Andrew Piper, Peter Poole, Frank Presley, Mark Renton, Katy Rogers-Davies, Paul Roper, Marilyn Schock, Jon Shapiro, Julie Simonds, Elaine Siversen, Robert Small, Garth Sundberg, Jacky Ternisien, Anna Tranter, Madilina Tresca, Robert Vale, Ron Walledge, Christopher Waterhouse, Chris Wetherall, Stephen Wilson, Glenn Winfield, Chris Winner, Orli Zahava, Tom Zelinka PROGRAM SUBEDITORS Jan Akers, Chris Blower, Maureen Chaffey, Di Cox, Elaine Siversen, Jill Wagstaff, Teresa White LIBRARIANS Jan Akers, Rex Burgess, Maureen Chaffey, Di Cox, Helen Dignan, Lynden Dziedzic, Peter Goldner, David Hilton, Dawn Jackson, Michael Marchbank, Phillip McGarn, Judy Miller, Helen Milthorpe, Susan Ping Kee, Mark Renton, Jacky Ternisien, Ricky Yu

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