Fine Music Magazine - July 2021 by 2MBS Fine Music Sydney

JULY 2021 06

In Conversation

Revolutionary

with Adele Schonhardt, Co-Director of the Melbourne Digital Concert Hall

The music of uprising

Great Jazz

Ella Fitzgerald favourites from the FineMusic Jazz Crew

The Magic of Music A tribute to Marcel Proust

FINE MUSIC SYDNEY

PODCAST SERIES FEATURING INTERVIEWS WITH EMMA DUNCH BRETT WEYMARK SUSIE PARK ALEXANDER BERLAGE NICOLE VAN BRUGGEN LISTEN NOW ON APPLE PODCASTS, SPOTIFY & GOOGLE PODCASTS

I N D E X

12. Great Jazz from FineMusic: Ella Fitzgerald

06. In Conversation Catherine Peake talks to Adele Schonhardt, Co-Director of the Melbourne Digital Concert Hall

Favourite Albums from the FineMusic Jazz Crew

14. The Magic of Music Captured in Words

09. Alexander Zemlinsky Michael Morton Evans looks at the at the tumultous liaison of a once forgotten composer

05. A Remarkable Woman

16. Volunteer Spotlight Xavier Bichon

10. Revolutionary

Angela Cockburn explores the music of uprising

Elaine Siversen highlights an exceptional career

18. Live Review

Nicky Gluch and Paul Cooke pay tribute to Marcel Proust

20. CD Reviews

Pamela Newling talks to Xavier about a lifelong love of jazz

22. Listeners Letters

N O T E S

F R O M

23. Program Guide 48. Composers List

T H E

E D I T O R

Part of Fine Music’s role has always been to support local musical events and initiatives. This month, Tessa Miles reviews Music in the Sky, ‘a journey from sunset to dreaming, space and sunrise; exciting all senses with live motion graphics and choreographed digital projection.’ It sounds wonderful, but it reminded me of the controversies surrounding Fantasia (1941), Disney’s ambitious animated attempt to popularise classical music. With overwhelmingly positive reviews from the film community and the public, the most strident criticism came from composers and music critics, who argued that presenting the classics with visual images robbed the musical pieces of their integrity, or indeed the listeners of their own interior imagery. We shall see whether Music in the Sky still enrages traditionalists who can’t stomach graphic accompaniment to Beethoven and Schubert, but the question the SMH reviewer posed about Fantasia in 1941 is still relevant: “can there be any relation between great music and great animated imagery... If there cannot be, what validity has the ballet?” You may have noticed that the station ID has been modified from Fine Music Sydney to 2MBS Fine Music Sydney. To explain the Board’s reasoning behind this move, I can do no better than to quote our Chairman, Michael Morton-Evans: “Research has shown us that as so many people remember and refer to us as 2MBS despite the name changes, it seemed sensible to add it to our call sign. It also aligns us with the other volunteer run radio stations in Melbourne and Brisbane and will hopefully open the doors to some national East Coast sponsorship.” david.ogilvie@finemusicsydney.com

P R O G R A M M E R S

A N D

P R E S E N T E R S

JULY Rodrigo Azaola, Charles Barton, Peter Bell, Nina Beretin, Eddie Bernasconi, Dan Bickel, Chris Blower, David Brett, John Buchanan, Rex Burgess, Janine Burrus, Lloyd Capps, Vince Carnovale, Lyn Chong, Andrew Clark, Adam Cockburn, Angela Cockburn, Liam Collins, Paul Cooke, Di Cox, George Cruickshank, Nick Dan, Jackson Day, Nev Dorrington, Annabelle Drumm, Brian Drummond, Andrew Dziedzic, Rita Felton, Michael Field, Owen Fisher, Jennifer Foong, Tom Forrester-Paton, Susan Foulcher, Carole Garland, David Garrett, Robert Gilchrist, Nicky Gluch, Joe Goddard, Albert Gormley, Jeremy Hall, John Hanna, Austin Harrison, Ross Hayes, James Hunter, Leita Hutchings, Anne Irish, Sue Jowell, David Knapp, Ray Levis, Krystal Li, AnneLouise Luccarini, Christina MacGuinness, Meg Matthews, Stephen Matthews, Sue McCreadie, Neil McEwan, Jeannie McInnes, Terry McMullen, Angus McPherson, Maureen Meers, Camille Mercep, Simon Moore, Frank Morrison, Michael Morton-Evans, Richard Munge, Gail Monjo, James Nightingale, Barry O’Sullivan, Calogero Panvino, Derek Parker, Denis Patterson, Keith Pettigrew, Andrew Piper, Peter Poole, Frank Presley, Mark Renton, Katy Rogers-Davies, Paul Roper, Marilyn Schock, Jon Shapiro, Julie Simonds, Elaine Siversen, Robert Small, Garth Sundberg, Jacky Ternisien, Anna Tranter, Madilina Tresca, Robert Vale, Ron Walledge, Christopher Waterhouse, Chris Wetherall, Stephen Wilson, Glenn Winfield, Chris Winner, Orli Zahava, Tom Zelinka PROGRAM SUBEDITORS Jan Akers, Chris Blower, Di Cox, Elaine Siversen, Jill Wagstaff, Teresa White LIBRARIANS Jan Akers, Rex Burgess, Di Cox, Helen Dignan, Lynden Dziedzic, Peter Goldner, David Hilton, Dawn Jackson, Michael Marchbank, Phillip McGarn, Judy Miller, Helen Milthorpe, Susan Ping Kee, Mark Renton, Jacky Ternisien, Ricky Yu

FINE MUSIC SYDNEY

ORGANISATION DETAILS Fine Music Sydney - We are Sydney’s Fine Music Broadcaster MUSIC BROADCASTING SOCIETY OF NSW CO-OPERATIVE LIMITED Editor David Ogilvie Assistant Editor Catherine Peake Designer Lyndon Pike Digital Content Coordinators Paul Cooke, Nicky Gluch, Keith Pettigrew Guide Management Coordinators (acting) James Nightingale and Elaine Siversen Program Guide Formatter Peter Bell Proof Readers Tessa Miles, Pamela Newling, Catherine Peake Contributors Dan Bickel Angela Cockburn Paul Cooke Nicky Gluch Sue Jowell Sophie McCulloch Tessa Miles Gail Monjo Michael Morton-Evans James Nightingale Barry O’Sullivan Catherine Peake Keith Pettigrew Alex Siegers Elaine Siversen Cover Image Lisa Jamison/Lyndon Pike Fine Music Studios 72-76 Chandos Street St Leonards, NSW 2065 Postal Address PO Box 78, St Leonards, NSW 2065 Phone 9439 4777 (9am–6pm) ABN 64 379 540 010

Fine Music Sydney is owned and operated by the Music Broadcasting Society of New South Wales Co-operative Limited. Fine Music is a registered charitable organisation with a Charity Fundraising Number and is listed with the Register of Cultural Organisations. Fine Music Sydney is a Community Radio station and a member of the Community Broadcasting Association of Australia. Fine Music Sydney (formerly known as 2MBS and Fine Music 102.5) is Australia’s first stereo FM radio station. The station was officially opened on 1 February 1975 and we have now been on air for over 45 years. Fine Music Sydney plays an important role in encouraging emerging musicians and music lovers in their ambitions to be professional musicians or broadcasters. Fine Music Sydney is an integral part of Sydney’s cultural landscape promoting and encouraging an active live classical and jazz music scene in our community and supporting music education. The Fine Music Emerging Artist program includes: Artists in Residence, Young Composer Award, Young Virtuoso Award, Stefan Kruger Scholarship, Ken Weatherley Jazz Scholarship and our Emerging Artist Workshops and Fine Music Showcase broadcasts. Mission Statement To share the love of fine music through broadcasting Goals 1. To be Sydney’s preferred broadcaster of classical music, jazz and other specialist music genres 2. To maintain and improve high standards in all we do 3. To promote Australian musicians and composers, with particular focus on the young 4. To provide a supportive and enjoyable work environment for volunteers and staff 5. To develop a sustainable financial model for the organisation FINE MUSIC HONORARY AND ARTISTIC PATRONS Vice Regal Patron: Her Excellency the Honourable Margaret Beazley AC QC, Governor of New South Wales Honorary Patron: Professor The Honourable Dame Marie Bashir AD CVO Artistic Patrons: Elena Kats-Chernin, Simon Tedeschi, Richard Tognetti AO, Brett Weymark Emerging Artists Patron: Toby Thatcher Young Composer Award 2019: Callum O'Reilly Young Virtuoso Award 2019: Justinn Lu Stefan Kruger Scholar 2020: Harry Sdraulig Ken Weatherley Scholar 2020: Kate Wadey Artists in Residence 2019: Marais Project Associate Artist in Residence 2019: States of Chaos and Elysian Fields PERSONNEL: It is important to note that apart from a small staff team, Fine Music Sydney functions through the involvement of dedicated volunteers who generously contribute their time and talents across all aspects of the radio station. BOARD OF DIRECTORS: Chair: Michael Morton-Evans OAM Deputy Chair: Roger Doyle Secretary: Robert Gilchrist Directors: Nicky Gluch, Sue Jowell, Jayson McBride, Sue Ping Kee, Peter Poole Appointed Directors: Bruce Hambrett, Peter Stavrianos STAFF: Station Manager: Ray Kington Marketing and PR Manager: Mona Omar Studio & Production Manager: Joe Goddard Office Manager: Sharon Sullivan Digital Content Producer: Lyndon Pike Executive Assistant:Tessa Miles General Assistant: Sophie McCulloch TECHNICAL ADVISORS: Honorary Technical Advisor: Max Benyon OAM Broadcast Engineer: John Shenstone Broadcast Systems Engineer: Roger Doyle Information Technology Consultant Peter Bell Recording Engineer: Jayson McBride COMMITTEE CHAIRS: Fundraising: Sue Jowell Jazz: Jeannie McInnes Library: Sue Ping Kee Presenters: Michael Field Programming: James Nightingale Technical: Peter Bell Volunteers: Sue Nicholas Finance: Peter Poole Contents and concept of Fine Music Sydney Copyright © 1975-2021

finemusicsydney.com Frequency 102.5 FM Transmitter Governor Phillip Tower, Circular Quay

A remarkable woman Elaine Siversen highlights an exceptional career

Rossini admired the Spanish tenor, Manuel Garcia, so much that he created the role of Count Almaviva for him in The barber of Seville which premiered in 1816. Five years later, the Paris premiere of Otello took place with Garcia as Otello. It was in this same opera that Garcia’s daughter, Pauline, made her operatic debut as Desdemona in London in 1839. She had been trained in singing by her father and was, by this time, an acclaimed mezzo-soprano with a successful recital career in Paris. Pauline Viardot was one of the most exceptional mezzo-sopranos of the early 19th century who had great charisma on stage and a vocal range that allowed her to sing many operatic soprano roles. Her opera career was acclaimed and several roles were created for her, among them that of Fidès in Meyerbeer’s Le prophète (1849) which was a great triumph. After she encouraged Gounod to begin writing operas, he created the title role for her in his first opera, Sapho (1851).

Madame Pauline Viardot-Garcia as Leonora in Donizetti’s Favorita, 1840 Florilegius / Alamy Stock Photo

Among the instrumentalists whom she accompanied was the renowned Belgian violinist, Charles de Bériot, also a family member. He became the second husband of Viardot’s sister, Maria Malibran. Maria had been taught singing by their father, Manuel Garcia, and he had ambitions for her to be the world’s greatest soprano. She was well on the way to fulfil his ambition with such a brilliant career that, by the age of 17, she had received acclaim in Paris, London, Europe and New York. However, at the age of 28, she collapsed on stage and died as the result of injuries sustained in an earlier fall from a horse.

As her voice aged, Viardot began to concentrate on her teaching career, for which she composed around 50 songs (although she had never intended to be a composer). She continued to give recitals and, in 1870, when she was 49, Brahms persuaded her to give the first public performance of his Alto rhapsody. Seven years later, when Saint-Saëns wrote Samson and Delilah, he had Viardot in mind to sing the title role but she declined because she felt that her voice had aged too much for opera. Nevertheless, Saint-Saëns dedicated the opera to her.

Despite this tragedy, Bériot remained close to the family. Early in her career, Pauline had married the writer Louis Viardot, who became her manager. Their son, Paul, a promising violinist, was mentored by Bériot, who was influential in gaining a place for the young man to study at the Brussels Conservatoire with Hubert Léonard, Bériot’s successor as chief violin instructor. The Viardots also had three daughters, one of whom became a pianist and composer and two who became concert singers.

Viardot’s other friends included many in the Paris artistic circle including Liszt and Chopin. She had studied piano with Liszt, who had a high opinion of her and considered that she could have made a career as a solo pianist. Instead, Viardot confined herself to playing duets with Chopin and accompanying singers and instrumentalists.

Why do we celebrate the 200th anniversary of the birth of Pauline Viardot? To ensure that her name, largely unknown, is remembered. Viardot was one of the most remarkable women of the age and this short article cannot do justice to her accomplishments.

Melbourne Digital Concert Hall – In Conversation Catherine Peake talks to Adele Schonhardt, Co-Director of the Melbourne Digital Concert Hall. Melbourne Digital Concert Hall (MDCH) was launched in 2020 as a response to the COVID crisis. How does it work?

A mission of MDCH is to support musicians with the use of technology. What role do you see technology playing in the musical landscape of the future?

MDCH is a live streaming platform that Chris Howlett and I created to support Australian musicians. We founded the company in March last year when we saw the impact of COVID-19 on our friends and colleagues. We couldn’t just sit back and watch them lose all their income, so we came up with the idea of streaming their concerts online and selling tickets so that people could watch safely from home.

As Chair and former Chair of 3MBS, the Melbourne sister station to Fine Music FM, Chris and I have long been aware of the crucial role that technology plays in drawing the music community together. We see it as a great equaliser, enabling musicians to reach fans everywhere, regardless of distance or circumstance. Livestreaming is the logical next step, particularly as the internet becomes more powerful and reliable.

With the help of many partners and supporters, we’ve since presented almost 400 concerts, enabling over 700 musicians and arts workers nationally to earn more than $1.4 million.

We’re so lucky to enjoy an enormous wealth of talent here in Australia. From emerging artists to established soloists and ensembles, we’re determined to bring you the full spectrum of talent, to make expensive technology accessible to everyone, and importantly, to ensure that the artists themselves remain front and centre when it comes to ticket income.

The concept is straightforward: you buy a ticket to enjoy a high-quality live-streamed concert at home; we pass on the full ticket price to the performers, with a modest booking fee keeping the cameras rolling. All MDCH livestreams come with 72-hour access, so you can also watch later if you’re busy on the night.

With COVID restrictions easing, what are the challenges of managing both online and live audiences? There are only benefits. Indeed, we see the hybrid model of in-person/online viewing as the way of the future. Not only can you see your favourite musicians live, even if distance, health or caring responsibilities prevent you from attending in person, it also gives you full flexibility if you do plan to go along but something comes up. Can’t get to the venue after all? Switch to a digital ticket and watch the next day.

artists around the country – see the Melbourne Chamber Orchestra in action, bask in the glorious sounds of Latitude 37 and the Flinders Quartet, or travel with us to the Australian Festival of Chamber Music. We’re excited about the season to come and hope you’ll join us, wherever you may be.

We see technology as a great

equaliser, enabling musicians to

reach fans everywhere, regardless

Importantly, it also safeguards artists and venues against sudden changes, as we saw recently with the Australian World Orchestra. They couldn’t get to Melbourne in lockdown, so we streamed their Sydney concert to their Victorian audience instead, picking up hundreds of international fans along the way.

of distance or circumstance.

What’s next for MDCH? MDCH is now organising concerts in other states, including NSW. What can Sydney Fine Music audience members expect from your 2021 season? We’re streaming 300 concerts nationally this year, so you have a wealth of opportunities to build your own season. Not only will you experience wonderful Sydney groups like the Australian Haydn Ensemble, Bach Akademie Australia, or Willoughby Symphony; you’ll also find Jane Rutter, Jenny Eriksson, Thomas Rann and Edward Neeman on the platform, plus a range of other NSW favourites in the months to come. And if you enjoy their music, you can branch out and discover great

What started as an emergency response to a crisis has grown beyond our wildest imaginings. We thought we might be lucky enough to raise a few thousand dollars for Australian musicians. Instead, we’ve witnessed a huge outpouring of support and seen many thousands of friends form a community around our artists when they needed it most. It’s been an incredibly touching and inspiring experience. Every day, we receive messages from music lovers everywhere asking us to keep MDCH going. That’s exactly what we plan to do, making the platform bigger and better as we go along so that you can enjoy the best live music and support artists from around the country, wherever you happen to be. To learn more, visit https://melbournedigitalconcerthall.com

Lebrecht Music & Arts / Alamy Stock Photo

Alexander Zemlinsky – the forgotten notch on Alma’s bedpost Michael Morton-Evans looks at the tumultuous liaison of a once forgotten composer

Zemlinsky is one of those composers who are not that well known these days, but whose work was held in high regard during his lifetime. He had been admitted to the Vienna Conservatory at the age of 13 and it was clear that he was musically talented. Johannes Brahms heard his compositions and was instrumental in persuading a publisher to publish his work. He went on to teach the young Arnold Schoenberg counterpoint and the two were to become lifelong friends. Despite Mahler having stolen his lover, he regarded the older man with enormous admiration and modelled his Lyric Symphony op 18 on Mahler’s Das Lied von der Erde. In 1911 he took over the operatic wing of the German Theatre in Prague and remained there for 16 years, before going to Berlin where, during the 1920s, he worked principally as a conductor.

I guess most music lovers have heard the cruel but funny song that American mathematics professor Tom Lehrer wrote about Alma Schindler: Her lovers were many and varied / from the day she began her beguine / There were three famous ones whom she married and God knows how many between. Our Alma had quite a varied love life at a time when a woman with multiple husbands and lovers was frowned upon. Composer Gustav Mahler, architect Walter Gropius, and novelist Franz Werfel all fell for her, and all three liaisons ended in either death or divorce. But there was a fourth lover that history has ignored, a composer largely forgotten in the musical world these days, but who became her composition teacher and took her virginity at the age of 21. He was Alexander von Zemlinsky. With a large aquiline nose and narrow little eyes hidden behind rimless spectacles, he was strangely unprepossessing to look at and yet young Alma, no Boticelli Venus herself, loved him and gave herself to him, ensuring however that their relationship remained a guarded secret.

His career came to a shuddering halt when the Nazis came to power, and Zemlinsky fled to America, but by now he was a broken man. He composed only a few works during the next couple of years and then, following a series of serious strokes, he died in 1942. The musical world almost immediately forgot him. It was not until the 1970s that his central works were performed and began to be recorded. His major works are now regularly played on this and other classical music radio stations around the world and are a perfect snapshot of the great changes that took place in the musical world between the 1890s and 1940s.

Alma used to tease Zemlinsky constantly about his ugly features, taunting him with remarks like how she could easily replace him ten times over; unsurprisingly he began to get a little tired of the ribbing and the relationship started to cool. She recorded in her diary that he was ‘dreadfully ugly, almost chinless’, and he in turn felt nauseated by her vanity, her salon and the ‘cliques of sclerotic souls’ she associated with.  Some 12 months later, while at a cocktail party in Vienna, Alma was introduced to the 40-year-old Gustav Mahler and that was that.

Michael Morton-Evans

Revolutionary Angela Cockburn explores the music of uprising

On Sunday 11 July – which is as close to Bastille Day as a Sunday Special could get – I’ll be taking a look through the centuries at what composers do when the People take to the streets. You’ll find Paris gets more than its fair share of idealistic violence – it’s those narrow streets, so easy to barricade. London doesn’t really figure, in part because the People – in the shape of the House of Commons – were already represented in Parliament from 1341, and in part because the People – in the shape of the Lord Mayor and his Aldermen – controlled who could and who could not enter the walled City.

reflect popular sentiment, though sometimes the words are chosen (or changed) to manipulate popular sentiment instead. The Marseillaise and We Shall Overcome fall into this category. Other composers are inspired by the cries of Liberty and Freedom to create major works in support of the uprising of the day, sometimes using a choir to capture the raw feel of the revolutionaries in the street, but still employing classical musical conventions. Smetana had already written his Song of Freedom when he helped man the barricades in Prague in 1848, and Strauss’ Freedom March comes into this group, too.

When you start to look at how composers interact with revolution on their doorstep, there’s a range of responses, which, on the whole, match up with the different ways of making a living from music.

After the event is when the major works start to be created, often commissioned by whichever side won. Berlioz, who wandered out to see what was going on during the three days of the 1830 revolution (taking his gun with him just in case), wrote his Grande symphonie funèbre et triomphale ten years later. He was paid a lot of money by the government to celebrate a regime he didn’t really approve of and created a massive work for

The rawest, and arguably some of the most powerful music appears to come from the People themselves: or at least from the musicians they’d hear in the tavern or playing dance music at a wedding. It’s catchy, you can roar it out while marching along, and the words seem to

military bands to perform as they processed in the streets where the revolutionaries had fought. Wagner, who rather over-enthusiastically took part in the Dresden uprising (despite working for the local royal court at the time) thought the Berlioz work was unsurpassable. Clara Schumann, also caught up in the Dresden revolt, made a brave foray into the streets on a family rescue mission, and created one little musical comment that same year setting the song Forwards. The most expansive works are those written for fictionalised accounts, and of course that includes the music created for film and stage versions of Victor Hugo’s Les Miserables, a work which explores the humanity behind the politics, the despair, and the bravado. Honneger and Claude-Michel Schönberg both created some memorable music that brings that sprawling story to life. Join me – Angela Cockburn – for all this and more: Composers in Revolt starting in 1588 and finishing around 1968. 11 July, Sunday Special, 3pm

The Storming of the Bastille, 14 July 1789. Etching, French, 1817. French etching by Jean-Louis Prieur, 1817.

11 11

The Granger Collection / Alamy Stock Photo

Great Jazz from FineMusic: Ella Fitzgerald Favourite Albums from the FineMusic Jazz Crew

Last month, our focus on great jazz from FineMusic centred on improvisation. When we talk with others, our minds are full of themes, ideas, and patterns. We develop a narrative of words, hopefully actively listening to others in the conversation. Whenever we talk, we improvise. Sometimes, we read someone else’s words, but we are improvising on the intonation.

There are great men and women singers and scat singers. Al Johnson, Louis Armstrong, Cab Calloway, Jelly Roll Morton; Aileen Stanley, Betty Carter, and Sarah Vaughan. And of course, perhaps the greatest, Ella Fitzgerald. Nominated by three of our jazz presenters for their favourite jazz albums, Ella Fitzgerald is often referred to as the First Lady of Song and the Queen of Jazz. Her voice was characterised as pure of tone with impeccable diction, timing, and intonation. But it was perhaps her improvisational ability, revealed in her scatting, that cast her as such a prominent jazz figure.

So too with great jazz singing. The words and the tune may sit on the score, but the great singers see the words, and hear the rhythm and sense the syncopation. They give life and meaning to the poetry and the melody. When the words are insufficient, they make the voice the instrument, lyric and word free, syllables in a stream that affect articulation and resonance.

The Favoured Albums Ella & Louis Los Angeles 1956 Verve Nominated by Sue Jowell – Jazz After Hours - Sundays at 10:00pm While Fitzgerald and Armstrong had collaborated in the 1940s, this was the first of three remarkable albums. Eleven ballads of slow or moderate tempo were selected by the founder of Verve Records, but Armstrong was given final say on key and song selection. He chose well, with standards from Gershwin, Berlin, Carmichael and Harburg to name but a few. Armstrong’s gravel voice matched against Fitzgerald’s unadulterated silky tones together with swinging Oscar Peterson piano and his trio, flamboyant Buddy Rich drums, soulful Ray Brown Bass, and indispensable Herb Ellis guitar makes this album an essential in any jazz library. Nothing gets better than this.

Fitzgerald and Pass…Again Studio album 1976 Pablo

Twelve Nights in Hollywood Crescendo Club , West Hollywood 2009 Verve

Nominated by Gail Monjo – Jazz After Hours Mondays at 10:00pm

Nominated by Alex Siegers – Friday Jazz Session – Fridays at 7:00pm

Fitzgerald had recorded a live album in London in 1974, including guitarist Joe Pass, considered by some as her best work. The following year she recorded for German television with Pass. Her voice was getting deeper but not declining, perhaps her strongest period. Whereas Armstrong’s gravelly voice contrasted with Fitzgerald’s voice, Joe Pass’s guitar worked to support and embellish it. It comprises 14 tracks, including a wordless Rain from Eugene Ford, Ellington’s Ain’t Got Nothing but the Blues, Lew Brown’s That Old Feeling, Rodgers & Hart’s You Took Advantage of Me and Jones & Kahn’s The One I Love. Her rendition of King & Stewart’s Tennessee Waltz has a decided swing.

Performed over ten nights in May 1961 and two nights in June 1962, the collection was not released till 2009, and perhaps captures vocalist Ella Fitzgerald at her peak. It is full of 76 brilliantly rendered songs, irrepressible warmth and humour, and stunning, breakneck scatting. Her backing quartet is Lou Levy on piano, Herb Ellis on guitar, Gus Johnson on drums, and Wilfred Middlebrooks on bass. The recording tapes lay forgotten in the vault for almost half a century, perhaps because of a previous, slightly butchered selection Ella in Hollywood, released in 1961. Its emergence is a combination of producer’s neglect, a jazz sleuth’s obsession, and a string of happy coincidences.

In the words of Fitzgerald’s biographer, Geoffrey Mark Fidelman, “Fitzgerald and Pass... Again is an almost perfect album”. In Gail’s words, “Fitzgerald’s voice is as much an instrument as Pass’ guitar”.  Together they’re flawless. For my money Ain’t Got Nothin’ but the Blues is the favourite. Ella sounds both sad and annoyed.

What makes these recordings truly exhilarating is hearing Fitzgerald at her rhythmic and inventive best. The New York Times described her improvising as “higher, lower, faster, more syncopated, more harmonically complex than usual…” This perfectly captures the joy this album brings to listeners. As the LA Times reviewed, you can imagine her “framed by a halo of lighting and smoke, beaming through a lilting melody, or sassily improvising about the sound, and the sense that she was having the time of her life.” Highlights might include Strayhorn’s Take the A Train which will never sound the same after Fitzgerald’s seven minutes of scatting. Perhaps the doo-woop spoof of Rodgers & Hart’s Blue Moon with off-the-cuff lyrics. There’s Goodman’s Stomping at the Savoy with powerful control and inventive scatting. Energy and warmth personified.

Fabulous.

The Magic of Music Captured in Words Nicky Gluch and Paul Cooke pay tribute to Marcel Proust

Book 5: By the time he was 25, Proust was a published author. While attempting to write his first novel, however, he became entangled with the Dreyfus affair. Proust sympathised with Dreyfus – the soldier from the Alsace region who shared his mother’s Jewish faith – but the affair divided French society in very ugly ways. In 1899, Proust discovered the art criticism of John Ruskin, and found a new sense of purpose, spurred further by the death of his parents in 1903 and 1905.

Book 1: On 10 May 1871, the Treaty of Frankfurt was signed, establishing the agreement between France and Prussia in the aftermath of the War of 1870. Exactly two months later, Jeanne Clémence Proust (née Weil), whose family was from the recently-ceded Alsace region, gave birth to a son, naming him Marcel. On 5 August, Proust was baptised in his father’s Catholic faith. In every other way, he was his mother’s son, their bond only strengthened by his weak health. Book 2: Musical Interlude #1 — What music did Proust hear in his childhood? Did it include Wagner and Beethoven, the two composers he mentions most often in his novel? Was he aware of Fauré’s first violin sonata, premiered in 1877? Or, through his mother’s family, of Naumbourg and David, composers in the Parisian Jewish tradition…

Book 6: Musical Interlude #3 — In 1911, increasingly bedridden, Proust took out a subscription to a théâtrophone, enabling him to listen to live opera performances via telephone. Regarding Beethoven’s late quartets and the music of Franck as his “principal spiritual nourishment”, in 1916 Proust arranged for an ensemble led by Gaston Poulet to perform string quartets in his bedroom. Such engagements with music allowed him to develop a “gift for describing music as sensory engagement, for emulating its flow in his own prose, and for giving voice to the interior monologue of a listener in the act of confronting something new”.

Book 3: From the age of 11, Proust studied at the Lycée Condorcet. There, he wrote for the class magazine, and came under the influence of his philosophy teacher, Alphonse Darlu. His most lasting education, however, occurred outside the classroom. His schoolfriends were the children of society hostesses, and Proust delighted in attending their salons, including at Versailles! Upon graduating, surprisingly for someone so ill, Proust served a year in the military at Orléans, enjoying the experience for its discipline and comradeship.

Book 7: At the age of 38, Proust began writing his magnum opus, In Search of Lost Time. It was his attempt to put on paper his philosophy, as elucidated by narrative drawn from his life and shaped by an allegorical search for truth. The book is a timepiece, capturing the politics of the Third Republic and its social mores, but ultimately, time beat Proust. He died before the final volumes could be revised, which made the book’s message ring all the more true.

Book 4: Musical Interlude #2 — Through his attendance at salons, Proust met many contemporary composers and wrote articles about them, including Saint-Saëns and Reynaldo Hahn (who set to music Proust’s Portraits de musiciens, and poems about Chopin, Gluck, Schumann and Mozart). In 1907 he himself hosted a concert, which included music from Couperin through to Chabrier, with an emphasis on Fauré, who was unfortunately unable to attend.

Pacific Press Media Production Corp. / Alamy Stock Photo

Sunday Special, Celebrating Marcel Proust Sunday, 25 July, 3-5pm

Everett Collection Historical / Alamy Stock Photo

Volunteer Spotlight Xavier Bichon Pamela Newling talks to Xavier about a life in jazz How could a Parisian not love jazz with parents like Xavier’s? He believes his love of music comes from listening to Edith Piaf LPs on rotation at home because “they were the only records my parents ever bought!” Growing up in Paris, Xavier’s teenage work experience in a major French radio station involved “mostly bringing coffee to star presenters, but also my first musical frisson seeing prestigious classical and jazz artists performing live in a small studio”. He continues: “As a teenager, I was exposed to a lot of 80s pop and rock music but gradually I embraced jazz in my early twenties. Paris has always been a great city for intimate jazz gigs.” Outstanding musical memories are many, such as the chance to see English guitar legend Eric Clapton perform his favourite blues songs by Robert Johnson, Muddy Waters and Bo Diddley. This was the catalyst for Xavier learning to play guitar.

I regard it as a privilege to

present a program for which I am

encouraged to showcase my passion for contemporary jazz.

“As for guitar, I have been playing for a very long time, but I tend to play the same stuff over and over. I enjoy playing jazz and blues on my Epiphone Joe Pass (a sixstring electric guitar) and I hope to join a jazz band again to play in local jazz clubs (if there are any left)!”

Fast-forward to the year 2000, when Xavier settled ‘Down Under’ and began a broadcast career with  SBS Radio. He first produced and presented the youth music program, Alchemy, and then became producer/journalist for SBS’s French Program, which included interviews with European jazz, pop and classical artists.

In addition to jazz, Xavier enjoys listening to classical music, especially Baroque composers. He cites two exquisite live performances, one by cellist Yo-Yo Ma who in 2019 presented his ‘Bach Project’ in Melbourne performing all six of J.S. Bach’s suites for solo cello. Of the other, viola da gamba master Jordi Savall’s Sydney concert with ancient music ensemble Hesperion XXI, together with his children Ferran and Arianna, he says, “the 500-yearold music they performed together was moving, sensitive and sublime!”

Xavier says: “One of my great joys in jazz is that it absorbs influences from different musical cultures, including the rich musical legacy of France and USA. Planet Jazz showcases the diversity of modern jazz music that is produced around the world, Australia included. I regard it as a privilege to present a program for which I am encouraged to showcase my passion for contemporary jazz.”

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Live Performance Review Tessa Miles reviews Music in the Sky at the UNSW Roundhouse

An event created during the pandemic and promoted as an ‘immersive evening, accompanied by a 6-piece orchestra’, Music in the Sky was the inaugural event of Buzz Events and Co at the UNSW Roundhouse on the last weekend of May. This brand-new live music experience combined lights and visuals, akin to Vivid, with classical and contemporary music. The performance featured pianist Luke Howard, who narrowly missed being locked down in Melbourne, and the 6-piece ensemble, The Nano Symphony. The idea behind Music in the Sky is to slow down, recover from the collective struggles of the previous year, and embrace the possibilities of what the future can bring us. The ensemble performed pieces by Debussy and Eric Satie as well as contemporary classical compositions. Each piece of music was curated by event Creator and Executive Producer Keith Hong, Luke Howard and The Nano Symphony’s Neil and Catherine Thompson. The music is designed to take the audience on a journey from sunset to sunrise with imagery projected onto the white sheets strategically placed above the audience on the second-level railing above, and puzzle-like screens onstage surrounding the performers. I must admit I was expecting a more immersive light show as depicted in the promotional imagery, but the visuals of sunsets, space and the cosmos, fields and forests, and the finale of sunrise creating the hopes of new beginnings and possibilities, helped deliver the promised immersive experience. In addition to the imagery and music, the performance also included contemporary dance choreography, illustrating the journey from sunset to sunrise the audience was being led on. The choreography and technically strong dancers helped tie the experience together, representing different emotions that music and visuals alone cannot quite illustrate.

My only complaint was when the dancers performed in front of the stage and the choreography included floor work. The audience members lucky enough to be in the first two rows would have been able to see the dancers unrestricted, but I was unable to see all the choreography which did spoil the experience a little. Music in the Sky served as a great reminder to slow down and embrace the future, as life speeds up around us as we adjust to a new normal. Buzz Events and Co did a great job on their first event and have the potential to create even better immersive experiences in the future – worth keeping an eye open for their future creations if you’re a fan of similar events. Fine Music Sydney served as an event supporter, and after months of promotion it was great to escape for one evening, slow down, and see this concept finally brought to life.

Photos via Music In The Sky

CD REVIEWS Alchemy

Andrew Blanch and Ariel Nurhadi ABC 481 9101

Andrew Blanch and Ariel Nurhadi are two young Sydney-based classical guitarists who studied with Timothy Kain and Minh Le Hoang at the Australian National University, Canberra, where they met. They have been performing together since 2014, and Alchemy, a recently released collection of duo guitar works and arrangements, is their debut album. This album displays their talent with works from nine composers, spanning the ages from the French Baroque with Jean Philippe Rameau (1683-1764) to the late Australian composer/guitarist Philip Houghton (1954-2017). The album’s title, Alchemy, is the name of a short piece from Houghton’s Three

Duets, which was the first work that they performed together. In addition to its historical span, Alchemy takes us on a journey around the world, with works from France (Rameau and Debussy), Spain (Albéniz, Falla and Granados), Brazil (Gnattali), Argentina (Piazzolla), and Australia (Houghton and Madlem). The two guitarists demonstrate their instinctive rapport and the works in this album are beautifully executed. This disc is a must-have for those who appreciate guitar music. - Dan Bickel

Bower

Genevieve Lacey and Marshall McGuire ABC 4855894

The latest recording from Australia’s recorder virtuoso Genevieve Lacey is a beautiful collaboration with harpist Marshall McGuire. The attractive CD, with artwork by Gracia Haby and Louise Jennison, brings together Renaissance and Baroque music with contemporary and experimental styles tied together in an almost ambient aesthetic. Compiled during 2020, these Melbourne musicians have created an expression of comfort and solace that is at once whimsical, peaceful and enchanting. They have collaborated with a long list of Australian composers and exploratory musicians to build an album that is a journey of love and tender whispers from the harp

and recorder. The tracks flow from one to another with such grace that it feels impolite to play a single track or to dip in and out of the music. Bower is a genuine and heartfelt album that brings the warmth and character of these fine musicians together in music of hope, peace and solace in troubled times. A recording that welcomes and rewards close listening. - James Nightingale

Whole Lotta Love: The Music of Led Zeppelin

Calvaire, Franceschini, Hays and Le Fleming This is jazz! The quartet of drummer Chesky Records Obed Clavaire with Bob Francschini on saxophone, Kevin Hays on piano and Orlando Le Fleming on double bass play jazz arrangements, nine of Led Zeppelin’s most famous tracks including Immigrant Song, Kashmir, and Whole Lotta Love. Led Zeppelin tore into the world of popular music culture in the late 60s. The crown from the Beatles was handed to them, and deservedly so from a progressive perspective! In this album we have energetic and enthusiastic interpretation of Zeppelin.

Carefully crafted cover versions are genuinely welcomed, warm and wholesome renditions. Instrumentations are deliciously shaped to capture the feel of the true nature of Zeppelin but with an authentic cool jazz vibe. Let this genuine cross-pollination continue, with heart, soul and spirit! - Sophie McCulloch.

Raymond Hanson: Complete Piano Works Tonya Lemoh Grand Piano GP860-61

Red Door Ade Ishs Self-released

Revisit

Amanda Suwondo Independent

Raymond Hanson was a composer regarded by Larry Sitsky as belonging to an ‘in between generation’, not conservative but not radical either. He studied at the NSW Con and then lectured there for nearly three decades and is perhaps best remembered for that. This double CD gathers all his music for solo piano, from his first published work through to a couple of late miniatures. The major work is undoubtedly his Piano Sonata, a comparatively early piece: inspired by the invasion of Paris in the Second World War, it is by turns astringent and sombre, demonstrating

an affinity with the music of Hindemith (a composer and musicologist Hanson promoted among his students). Also worthy of note are his Episodes on an English Folk Song, which goes well beyond Percy Grainger and Vaughan Williams in its variations, and one of several works inspired by the natural world, Preludes — first recorded, perceptively, by Walter Gieseking for the ABC in 1952. An album worth seeking out; a composer worthy of re-appraisal. - Paul Cooke

The pandemic has had many impacts on the world of music. One imaginative response was from Melbourne’s RMIT University to provide a creative outlet for the sound and live production students. The Red Door project was conceived by pianist Ade Ishs, and the album has been released as Red Door. Joining Ishs is bassist David Gallagher and drummer Adam Donaldson. The album reflects the essence of jazz in the coming together of three outstanding musicians working together in an open honest lively and spontaneous way. All tracks were onetake, three being composed by Ishs, with one by Gallagher.

While a traditional jazz piano trio, Something Unspoken reveals a classical inflection and influence. It was formed out of battling inner demons, anxiety being diminished by a sense of hope – that something unspoken. Florence Street creates a sense of reflection and fondness, colourful memories and intimate rewards. Siam Valley is Gallagher’s composition, and presents a complex chord structure that allows the bass to shine with delightful syncopation and meandering melodies.

This Indonesia-born now Sydney-based pianist/composer leads her trio through a series of original compositions with influences from travels and tutors in both America and Australia. Her colleagues on the outing, drummer Gian Timothy Gho and the bassist Muhamed Mehmedbasic, provide the icing on the cake with equally fine musicianship as their leader. From the effervescence of her original compositions All the Way to Chino and Santa Monica’s Night to the slower paced The First Time, the trio take us on a modern contemporary jazz journey with the mood of the album proving truly captivating due to its individual character. Texture, improvisation and tone are at the heart of each piece with Suwondo’s

compositions well beyond the realm of the ordinary, and her charm gives it an energy which leaves the listener ready for more. She clearly has tons of technique with an assertive touch, and her pianism bubbles along with warmth and swing alongside the deep-tone rhythmic spin of Mehmedbasic’s bass and the endlessly skillful and at times captivating drumming of Gho.

The album has warmth and superb interplay between the three musicians. - Keith Pettigrew

This is a very impressive debut from a trio with promise of an equally exciting musical journey to come. - Barry O’Sullivan

LISTENERS' LETTERS

imageBROKER / Alamy Stock Photo

New Beginnings

Thank you for the absolutely beautiful music programme this morning. We have moved house from regional NSW to Sydney and are still unpacking. Temporarily without a music system my Tivoli radios have been filling in, sending music right through the echo chamber that is our new home. The Mozart now is particularly glorious. Many, many thanks to all, transmitter donation on way. - Meg

Bravo, Brahms

The Brahms Symphony no 3 arranged for piano quartet was a great idea, and revealed what beautiful music it is, sometimes hidden by what some say is Brahms’ turgid orchestration. For me, the man can’t put a foot wrong, and I’ve got recordings of just about everything he wrote. Best wishes to all at MBS and thanks again. - Ken P.

The Name Game

Long-time subscriber, first time sending in a message. Very happy to hear 2MBS back in the name! Great music as well, keep up the good work! - George

12:00 JAZZ, PURE AND SIMPLE With Maureen Meers Swing to Mainstream, with the Great American Songbook making regular appearances

Thursday 1 July 00:00 CONTEMPORARY COLLECTIVE

13:00 SOME PICTURES Prepared by Derek Parker

03:00 CLASSICAL TILL DAWN

Kuula, T. Three fairy-tale pictures, op 19 (1912). Eero Heinonen, pf. BIS 198 15

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Simon Moore 09:00 DIVERSIONS IN FINE MUSIC The instruments: Strings Prepared by Anabela Pina Cunningham, P. The gentle light that wakes me. Nicola Benedetti, vn; Aly Bain, fiddle; Phil Cummingham, pf. Decca 478 6690 6 Monteverdi, C. Pur ti miro. Nuria Rial, sop; Philippe Jaroussky, ct; Christina Pluhar, hp; L’Arpeggiata. Virgin Classics 361 4024 4 Haydn, J. Quartet in D for concertante guitar, violin, viola and cello (bef. 1765; arr. from String quartet, op 2 no 2). Karin Schaupp, gui; members of Flinders Quartet. ABC 476 4435 23 Neumann, H. Variations on a theme of Paisiello, op 22 (1825). Dieter Klöcker, cl; Sonja Prunnbauer, gui. Dabringhaus Grimm MD&G L 3319

Schmelzer, J. Sonata for three violins. John Holloway, vn; Stanley Ritchie, vn; Andrew Manze, vn; Mary Springfels, bass viol; Nigel North, theorbo; John Toll, hpd, org. Harmonia Mundi HMU 907091 8 Vanhal, J. Double bass concerto in D (178284). Ludwig Streicher, db; Innsbruck CO/ Othmar Costa. Teldec 2292-42452-2 ME 15 Sor, F. Divertissement, op 23 (c1795). Adam Holzman, gui. Naxos 8.553340 13 10:30 CONCERT HALL Prepared by Peter Poole Auric, G. Suite from film, Thomas l’imposteur (1964). Jacques Tchamkerten, ondes martenot; Slovak RSO/Adriano. Marco Polo 8.225066 13 Kalkbrenner, F. Piano concerto no 2 in E minor, op 85 (1826). Tasmanian SO/Howard Shelley, pf & dir. Hyperion CDA67843 33 Magnard, A. Symphony no 2 in E, op 6 (1893). BBC Scottish SO/Jean-Yves Ossonce. Hyperion CDD22068 36

Ibert, J. Little suite in 15 pictures (1943). Haewon Chang, pf. Naxos 8.554720 16 Dvorák, A. Poetic tone pictures, op 85 (1889). William Howard, pf. Chandos CHAN 9044 17 Mussorgsky, M. Pictures at an exhibition (1874). Julius Katchen, pf. Decca 425 961-2 30 14:30 ITALIAN INSPIRATIONS Prepared by Jacky Ternisien Goldmark, K. Overture: In Italy, op 49 (pub. 1904). Irish National SO/Stephen Gunzenhauser. Naxos 8.550745

Stravinsky, I. Suite italienne (1933; arr. Dushkin). Sophie Rowell, vn; Julian Smiles, vc: Kathryn Selby, pf. Fine Music concert recording 17 Brumby, C. Fresca rosa novella; Quel rosignuol; DI giugno, from Three Italian songs (1979). Jenny Dawson, sop; Sue Witham, pf. CBCD 0104 7 Tchaikovsky, P. Capricio italien, op 45 (1880). Israel PO/Zubin Mehta. Teldec 4509-90201-2 16 Mendelssohn, F. Symphony no 4 in A, op 90, Italian (1833). Tasmanian SO/Sebastian Lang-Lessing. ABC 476 3623 28 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 THE NEW JAZZ STANDARD With Frank Presley A fresh perspective on modern music contributing to the standard jazz repertoire, with fine jazz interpretations from the world of pop, rock, film and contemporary jazz 20:00 THE WORLD OF A SYMPHONY Prepared by Paul Cooke Kalinnikov, Vasily. The nymphs (1889). Budapest SO/Antal Jancsovics. Marco Polo 8.223135

Borodin, A. Ne málo vrémen proshló s tekh por, from Prince Igor (1887). Krassimira Stoyanova, sop; Munich RO/Pavel Baleff. Orfeo C 830 111A 10 Tchaikovsky, P. Piano concerto no 3 in E flat, op 75 (1893). Geoffrey Tozer, pf; London PO/Neeme Järvi. Chandos CHAN 9130 16 Lekeu, G. Violin sonata in G (1891). Alina Ibragimova, vn; Cédric Tiberghien, pf. Hyperion CDA67820 34 Kalinnikov, Vasily. Symphony no 1 in G minor (1895). Ukraine NSO/Theodore Kuchar. Naxos 8.553417 39 22:00 A MANDOLIN INTERLUDE Prepared by Elaine Siversen Calace, R. Suite no 3, op 98 (c1900). Alison Stephens, mand; Sue Mossop, mand; Richard Burnett, pf. Amon Ra SAR 53 14 Kuwahara, Y. Song of the Japanese autumn (1990). Michelle Wright, mand; Melbourne Mandolin O/Fred Witt. Move MD3159 12 22:30 ULTIMA THULE Ambient and atmospheric music

Friday 2 July 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Annabelle Drumm 09:00 DIVERSIONS IN FINE MUSIC Something borrowed Prepared by Jacky Ternisien Bach, J.S. Sinfonia from Cantata, BWV174, Ich liebe den Höchsten von ganzem Gemüte (1729). O of the Antipodes/Antony Walker. ABC 476 1923 6 Paganini, N. Variations on Rossini’s Non più mesta accanto al fuoco, from Cinderella, op 12 (1819). Salvatore Accardo, vn; London PO/ Charles Dutoit. DG 423 717-2 12 Langford, G. An Offenbach fantasy. Grimethorpe Colliery Band/Peter Parkes. Chandos CHAN 4542 10

Respighi, O. Ancient airs and dances, suite no 1 (1917). Australian CO/Christopher Lyndon-Gee. Omega OCD 1007 17

Poulenc, F. Mozart’s A musical joke (1925; transcr.). Antony Gray, pf. ABC 481 1835

Kats-Chernin, E. Re-invention no 2 for tenor recorder (2004; based on BWV775 by J.S. Bach; Re-invention no 5 for bass recorder (2004; based on BWV777 by J.S. Bach). Genevieve Lacey, rec; Flinders Quartet. Flinders Quartet 10 10:30 CONCERT HALL Prepared by Derek Parker Wagner, R. Overture and Venusberg music, from Tannhäuser (1845). Royal Scottish NO/ Neeme Järvi. Chandos CHSA 5077 20 Giuliani, M. Guitar concerto no 2 in A, op 36. Pepe Romero, gui; Academy of St Martin in the Fields/Neville Marriner. Philips 454 262-2 32 Haydn, J. Symphony in D, Hob.I:31, Hornsignal (c1765). Academy of Ancient Music/Christopher Hogwood. L’Oiseau-Lyre 430 082-2

12:00 A JAZZ HOUR With Barry O'Sullivan Contemporary and modern sounds of 'now' in jazz from all corners of the globe with a focus on contemporary jazz from Australia and regular interviews with local and visiting musicians 13:00 CLASSICAL CHAMBER Prepared by Frank Morrison Field, J. Piano quintet in A flat (1815). David Juritz, vn; Jennifer Godson, vn; Sarah-Jane Bradley, va; Julia Desbruslais, vc; Míceál O'Rourke, pf. Chandos CHAN 9534 11 Devienne, F. Oboe sonata in F, op 70 no 2 (1798-99). Peter Bree, ob; Roderick Shaw, fp. Etcetera KTC 1084 13 Reicha, A. String quartet in E, op 95 no 1 (1801-08). Girard Quartet. Alpha ALPHA 369 30 14:00 AUSTRALIAN CONTRASTS Prepared by Ron Walledge Sutherland, M. Haunted hills (1953). Melbourne SO/Patrick Thomas. ABC 446 285-2

Koehne, G. Powerhouse, op 2 (1993). Sydney SO/Edo de Waart. ABC 462 012-2 12 Mills, R. Seaside dances (1989). Queensland SO/Richard Mills,. ABC 432 251-2 24 Brumby, C. Bassoon concerto (1982). Paul Blackman, bn; Adelaide SO/Patrick Thomas. 20 Jade JAD 1062

Marshall-Hall, G. Symphony in E flat (1903). Queensland TO/Warren Bebbington. Move MD 3081 36 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 FRIDAY JAZZ SESSION With Alex Siegers A focus on the current Sydney jazz scene mixed with a range of international jazz stars and an occasional guest interview 20:00 EVENINGS WITH THE ORCHESTRA Prepared by Robert Small Beach, A. Piano concerto in C sharp minor, op 45 (1897-99). Danny Driver, pf; BBC Scottish SO/Rebecca Miller. Hyperion CDA68130 35 Gershwin, G. An American in Paris (1928). Melbourne SO/Jorge Mester. ABC 438 611-2 19 Barber, S. Violin concerto, op 14 (1939-40). Dene Olding, vn; Melbourne SO/Hiroyuki Iwaki. ABC 476 7182 23

Lambert, M. Of a secret fire. Les Arts Florissants/William Christie. Harmonia Mundi HMA 1901316/18

Handel, G. Music for the royal fireworks, HWV351 (1749). Le Concert des Nations/Jordi Savall. Astrée E 8512 23 Telemann, G. Endure the yoke of death!; Final aria: In the slough of hell, full of fire and sulphur. Bente Vist, sop; Dan Laurin, rec; Susanna Laurin, rec; Maria Lindal vn; Lisa Bodén, vn; Anders Modigh, vc; Margit Schultheis, double harp; Leif Meyer, hpd. BIS CD-855 11 Schildt, M. Like fire. Lars Ulrik Mortensen, hpd. BIS CD-391 4 Bach, J.S. Cantata BW34: Oh, eternal fire, oh origin of love (1727-29). Bach Collegium, Japan/Masaaki Suzuki. BIS BIS-9052 16 Handel, G. Flaming rose, ornament of the earth, HWV210 (1724-27). Emma Kirkby, sop; London Baroque/Charles Medlam. EMI CDC 7 47400 2 5

Racks, gibbets, sword and fire, from Theodora, Bernstein, L. Excerpts from West Side Story HWV68 (1750). Christopher Purves, bass; (1960). Kiri Te Kanawa, sop; Tatania Troyanos, Arcangelo/Jonathan Cohen. mezz; Jose Carreras, ten; Kurt Ollman, bar; Hyperion CDA67842 4 Ch & O/Leonard Bernstein. DG 469 1152 18

Diamond, D. Rounds for string orchestra (1944). Seattle SO/Gerard Schwarz. 14 Delos DE 3189 22:00 BAROQUE AND BEFORE The fire of love Prepared by Susan Foulcher Anon. The less I love, the less I burn; Then what a deal for you, from Bottegari Lute book. Ellen Hargis, sop; Paul O’Dette, lute; King’s Noyse/David Douglas. Harmonia Mundi HCX3957127 7 Solage. Fumeux fume. Huelgas Ensemble/ Paul van Nevel. Sony 88697478442 8 Flecha, M. El Viejo The fire. Sara Macliver, sop; La Compañia/Dany Lucin. ABC 476 595-5 12

Saturday 3 July

00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SATURDAY MORNING MUSIC With David Garrett 09:00 WHAT'S ON IN MUSIC Our weekly guide to musical events in and around Sydney 09:05 THE PIANO ALONE Prepared by Jennifer Foong Chabrier, E. Aubade (1883). Kathryn Stott, pf. 4 Unicorn-Kanchana DKP 9158 Godowsky, L. Passacaglia (1927). Rian de Waal, pf. 17 Hyperion CDA66496

Anon. Dance: Sweet loving fire, from Caroso's Balakirev, M. Mazurka no 7 in E flat minor Il ballarino. Broadside Band/Jeremy Barlow. (1906). Nicholas Walker, pf. Hyperion CDA66244 2 ASV DCA 940 7 Le Jeune, C. What water, what air, what fire. Schumann, R. Piano sonata no 2 in G minor, Huelgas Ensemble/Paul Van Nevel. op 22 (1838). Angela Hewitt, pf. DHM G010003838957S 6 Hyperion CDA67780 20 Praetorius, M. Bransle de la torche XV, two versions, from Terpsichore (pub. 1612). New London Consort/Philip Pickett. 3 L’Oiseau Lyre 414 6323-2

10:00 MUSICAL JOURNEYS Prepared by Andrew Clark Elgar, E. Three Bavarian dances (arr. Parkes). John Foster Black Dyke Mills Band/Peter Parkes. Chandos 4507 14 Montsalvatge, X. Barcelona blues (1956-61). Jordi Masó, pf; Miquel Villalba, pf. Naxos 8.572636 5

MAGUELONNE: Susannah Waters, sop FAIRY GODMOTHER: Elizabeth Vidal, sop PRINCE CHARMING: Jean-Luc Viala, ten COUNT BARIGOULE: Paul Austin Kelly, ten Members of Geoffrey Mitchell Choir/Nicolas Kok, pf & dir. Opera Rara ORR 212 1:03

This is the Cinderella fairytale without the evil stepmother. Marie is a servant in the house of her father, Baron de Pictordu. The Prince Strauss, J. II Overture to A night in Venice is looking for a wife and, disguised as a (1883). Slovak State PO/Alfred Walter. beggar, he calls at the house asking for food Naxos 8.553936 8 and money. He falls in love with Marie as she Fall, L. Rose of Istanbul (1916). Vienna SO/ offers him the few coins she has. When he Robert Stolz. returns later, disguised as his valet Barigoule, Eurodisc 258 667 6 to deliver an invitation to a ball that evening, Tchaikovsky, P. Souvenir de Florence, op 70 Marie falls in love with him. After the sisters (1891). Australian CO/Carl Pini. and the Baron leave for the ball, Marie’s Omega OCD 1010 35 fairy godmother appears turning a pumpkin into a carriage, mice into horses, lizards into Esposito, M. Five Irish folk tunes, from My footmen, and a rat into a coachman, and Irish sketchbook. Miceal O’Rourke, pf. Chandos CHAN 9675 12 giving Marie a beautiful gown and slippers to wear. She reminds Marie to be back by 11:30 ON PARADE midnight or the spell will break. Music that’s band When Marie arrives at the ball, she and the Prepared by Owen Fisher Prince recognise each other as the one with whom they have fallen in love. Singing and Fauré, G. Pavane. Roy Newsome, cond. Chandos CHAN 4533 6 dancing take place and when the crowd leave Rossini, G. Overture to The thieving magpie. for the buffet, the Prince and Marie have a moment alone. They kiss but then Marie Edward Heath, cond. Chandos CHAN 4534 11 realises that midnight has come and leaves abruptly losing a slipper as she rushes off. Black Dyke Mills Band (2 above) The next morning, word comes that the Prince Barrat, B. March of the cobblers. Grimethorpe wishes to marry the lady whose slipper was Colliery Band/Trevor Jones. left behind at the ball. The Prince arrives at RCA Victor 09026-68757-2 3 the Pictordu house and directs Barigoule to try the slipper on each lady. As the slipper fits Taylor, C. Cha cha: Pepito. Hendon Band/ neither of the sisters, the Prince decides that Ronald Morisson. LP Colour 2870135 2 the mysterious lady wasn't from this home and starts to leave but Barigoule remembers that Sousa, J.P. King cotton. Band of HM Royal there were three ladies. It is soon revealed Marines/Vivian Dunne. LP EMI TWO 235 3 that the third sister is in the kitchen. Marie is brought into the room and the slipper is 12:00 URBAN JAZZ LOUNGE a perfect fit. The Prince immediately asks With Leita Hutchings Marie to marry him, and her family asks her New, hip, fun and traditional jazz: tons of cool to forgive them for their treatment of her. The jazz, presented in a chilled and laid-back, Fairy Godmother returns to bid happiness to lounge style the young couple. 13:00 OPERA IN MINIATURE Prepared by Elaine Siversen

Viardot, Pauline. Cendrillon. Chamber operetta in three acts. Libretto by composer. First performed Paris, 1904. BARON DE PICTORDU: André Cognet, bar MARIE/CINDERELLA: Sandrine Piau, sop ARMELINDE: Jean Rigby, mezz

Enigma; The little flower; The little bird; Alone; The stars. Miriam Alexandra, sop; Eric Schneider, pf. OEHMS OC 1878 14 14:30 SATURDAY MATINEE Prepared by Chris Blower Weber, C.M. Symphony no 1 in C, op 19 (1807). Academy of St Martin in the Fields/ Neville Marriner. Brilliant 99935 25

Wagner, R. Dawn; Siegfried’s Rhine journey, death and funeral march from Twilight of the gods, (1869-74). Seattle SO/Gerard Schwarz. Naxos 8.572767 27 Mahler, G. Symphony no 7 in E minor (1906). Philharmonia O/Giuseppe Sinopoli. DG 477 8825 1:27 17:00 SOCIETY SPOT Folk Federation of NSW 18:00 STAGE AND SCREEN Best of British Prepared by Sue Jowell Bart, L. Fings ain’t wot they used to be. Max Bygraves, bar. Spectrum 544 200-2 2 Excerpts from Oliver. Georgia Brown, voice; Cast and O. Spectrum 544 200-2 11 Bricusse - Newley. Excerpts from The roar of the greasepaint, the smell of the crowd. Gilbert Price, voice. RCA 60351 9 Excerpts from Stop the world, I want to get off. Anna Quayle, voice. Decca 422 820 261-2 10 Anthony Newley, voice (2 above) The Candy Man, from Willy Wonka. Aubrey Woods, voice. HIPD 40020 3 Bricusse, L. If I ruled the world, from Pickwick. Harry Secombe, bar. TER 1205

Excerpts from Doctor Doolittle. Anthony Newley, voice; Rex Harrison, voice. Philips 534500-2

Bricusse - Edward - Mancini. You and me, from Victor/Victoria. Julie Andrews, sop; Robert Preston, voice. SIL 1517 3 Bricusse, L. Fill the world with love, from Goodbye Mr Chips. Cast & O.

19:00 EMERGENT JAZZ With Keith Pettigrew Australian jazz of the 21st century featuring high school jazz combos, tracks from Sydney's pre-eminent jazz programs at UNSW and 'The Con' and new Australian and international jazz releases 20:00 THE LIFE OF A COMPOSER Hector Berlioz Prepared by Jacky Ternisien Berlioz, H. Overture: Waverley, op 1 (182728). Montreal SO/Charles Dutoit. Decca 452 480-2 10

La mort de Sardanapale (1830). Daniel Galvez Vallejo, ten; Northern Region Choir; Lille NO/ Jean-Claude Casadesus. Harmonia Mundi HMC 901542 6 Reicha, A. Wind quintet in E flat, op 88 no 2 (1811-17). Academia Wind Quintet of Prague. Hyperion CDD22006 16 Berlioz, H. Rêverie et caprice: romance, op 8 (1841). Igor Gruppmann, vn; San Diego SO/ Yoav Talmi. Naxos 8.553034 9 Rêveries passions; Un bal, from Symphonie fantastique, op 14 (1830; transcr. Liszt). François-René Duchâble, pf. EMI 5 72356 2 19 Vous soupirez, Madame? ... Nuit paisible et sereine, from Beatrice and Benedict (186062). April Cantelo, sop; Helen Watts, mezz; London SO/Colin Davis. Decca 480 2594 12 Grande symphonie funèbre et triomphale, op 15 (1840). Jeffrey Budin, tb; Montreal Symphony Ch & O/Charles Dutoit. Decca 425 001-2 35 22:00 SATURDAY NIGHT AT HOME Prepared by Elaine Siversen Mozart, W. Serenade no 6 in D, K239, Serenata notturna (1776). English Concert/ Andrew Manze. Harmonia Mundi HMX 2907280 14 Laudate Dominum, from Solemn Vespers of the confessor, K339 (1780). Barbara Bonney, sop; English Concert Choir & O/Trevor Pinnock. Decca 476 2649 5 Tchaikovsky, P. Suite no 4 in G, op 61, Mozartiana (1887). Detroit SO/Neeme Järvi. Chandos CHAN 9514 25 Brahms, J. Piano quartet no 2 in A, op 26 (1861-62). Marc-André Hamelin, pf; Leopold String Trio. Hyperion CDA67471/2 50 Grieg, E. Holberg suite' op 40. Oslo Camerata/Stephan Barratt-Due. Naxos 8.557890

Sunday 4 July 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC With Stephen Wilson 09:00 MUSICA SACRA Prepared by Stephen Matthews

Zelenka, J. Missa 1724. Collegium Vocale 1704; Collegium 1704. Accent ACC 24363 47 Charpentier, M-A. Precatio pro filo Regis. Ensemble Pierre Robert. Alpha 138 8 10:00 THE CLASSICAL ERA From the 1770s Prepared by Rex Burgess Haydn, J. Salve Regina in G minor Hob. XXIII.1 (1771) Dorothea Röschmann, sop; Bernarda Fink, cont; Helmut Wildhaber, ten; Klaus Mertens, bass; Hugo Distler Choir; Elizabeth Ullmann, org; Vienna Academy/ Martin Haselböck. Novalis 150 095-2 17 Salieri, A. Piano concerto in B flat (1778). Andreas Staier, fp; Concerto Cologne. Teldec 4509-94569-2 25 Boccherini, L. String quintet in E, op 13 no 5 (1771). Alexander Schneider, vn, Felix Galimir, vn; Michael Tree, va; David Soyer, vc, Lynn Harrell, vc. Vanguard OVC 8006 24 Bach, J. Christian Sonata in C minor, op 17 no 2 (1773). Ian Hobson, pf. Arabesque Z 6594 11 Mozart, W. Symphony no 29 in A, K201 (1774). Mozart Akademie Amsterdam/Jaap ter Linden. Brilliant Classics 94295 31 12:00 CLASSIC JAZZ AND RAGTIME With Maureen Meers The early days of jazz and ragtime as recorded during the first 30 years of the 20th century 13:00 WORLD MUSIC: Whirled Wide With Anna Tranter Showcases diverse music from cultures around the world, both traditional and modern, featuring musicians from all corners of the globe, including Australia 14:00 TRIOS Prepared by Jennifer Foong Alkan, C-V. Piano trio in G minor, op 30 (1840). Dong-Suk Kang, vn; Yvan Chiffoleau, vc; Olivier Gardon, pf. Timpani IC 1013 21

Mendelssohn, F. Piano trio no 1 in D minor, op 49 (1839). Isaac Stern, vn; Leonard Rose, vc; Eugene Istomin, pf. Sony SMK 64519 28 15:00 SUNDAY SPECIAL In honour of NAIDOC week Prepared by Paul Cooke Spagnoletti, E. Cooey: an Australian song (arr. Divall). John Bolton-Wood, bar; State O of Victoria/Richard Divall. ABC 461 826-2 3 Trad. Aboriginal Nananla Kutuja; Bangee rang an-an-ah; Warrego lament; Jabbin jabbin. Harold Blair, ten; unnamed musicians. ABC 479 7872 8 Maranoa lullaby (arr. Sculthorpe). Anne Sofie von Otter, mezz; Brodsky Quartet. Challenge Classics CC 72007 3 Sutherland, M. Haunted hills (1953). Melbourne SO/Patrick Thomas. ABC 446 285-2

Schultz, A. Hermannsburg, scene 1, from Journey to Horseshoe Bend (2003). John Stanton, voice; Aaron Pederson, voice; Sydney Children’s Choir; Ntaria Ladies Choir; Sydney Philharmonia Motet Choir; Sydney SO/ David Porcelijn. ABC 476 226-2 11 Russell, T. Nucoorilma. Ensemble Offspring. Private recording 5 Simpson, N. Wilga’s last dance (2019). Royal Australian Navy Band. ABC 481 9111 4 Sheppard, E. Kooranginy. Ensemble Offspring. Private recording

Cheetham, D. Excerpts from Eumeralla, a war requiem for peace (2019). Deborah Cheetham, sop; Linda Barcan, mezz; Don Bemrose, bar; Melbourne SO Ch; Consort of Melbourne; Dhungala Children’s Choir; Melbourne SO/ Benjamin Northey. ABC 481 9111 6 Gifford, B. Excerpts from Music for the Dreaming (2018). Ensemble Offspring. ABC 481 7660

Barton - Hindson. Kalkadungu (fp 2008). William Barton, did; Sydney SO/Richard Gill. ABC 476 4834 24 17:00 HOSANNA Prepared by Stephen Matthews

Haydn, J. Flute trio in G, Hob.IV:2, London (1794). Jean-Pierre Rampal, fl; Isaac Stern, vn; Hymns. Jerusalem; Sweet sacrament divine; I, the Lord of sea and sky. Choir of the Abbey Mstislav Rostropovich, vc. CBS 37786 4 School, Tewkesbury; Carleton Etherington, org; Benjamin Nicholas, cond. Guild GMCD 7223 11

Howells, H. Magnificat; Nunc dimittis. Choir of St John’s College, Cambridge/Christopher Robinson. Brilliant 95928/12 7 Bortnyansky, D. Cherubic hymn. Yurlov Academic Choir/Stanislav Gusev. Brilliant 95969/1 Hymns. Spirit of truth; Jesus, you notice. Oulainen Youth Choir/Tapani Tirila. Alba NCD46

Schack-Arnott - Ward. In landscape. Freya Schack-Arnott, vc; Benjamin Ward, db. Private recording 13 Stroppa, M. Spirali. Arditti String Quartet. Montaigne MO 782042 19

Ward, B. Hesperus. Benjamin Ward, db. Private recording 20

22:00 JAZZ AFTER HOURS With Sue Jowell Late night jazz, to listen and engage and relax

Charpentier, M-A. Kyrie, from Messe pour le Port-Royal (H5). Capella Ricercar. Ricercar RIC126 12 Bruckner, A. O justi. Latvian Radio Choir/ Sigvards Klava. Ondine ODE1362-2 4

Monday 5 July 00:00 CLASSIC-ALL THROUGH THE NIGHT

Bairstow, E. Blessed city, heavenly Salem. Tewkesbury Abbey Schola Cantorum; Carleton 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am Etherington, org; Simon Bell, cond. Regent REG543 9 With Robert Small 18:00 SMALL FORCES Prepared by Derek Parker Purcell, H. Suite from The fairy queen (1689; arr. Alliage Quintett). Bärbel Hammer-Shäfer, perc; Alliage Quintett. Sony 19075818372 13 Villa-Lobos, H. String quartet no 15 (1954). Bessler-Reis Quartet. Le Chant du Monde LDC 278948 16 Mozart, W. Piano trio no 1 in B flat, K254 Divertimento (1776). Augustin Dumay, vn; Jian Wang, vc; Maria João Pires, pf. DG 479 5964 22 19:00 SUNDAY NIGHT CONCERT Prepared by Rex Burgess Respighi, O. Ballad of the gnomes (1920). Lydia Mordkovitch, vn; BBC PO/Edward Downes. Chandos CHAN 9232 15 Mozart, W. Ch’io mi scordi di te ... Non temer, K505 (1786). Joan Sutherland, sop; Richard Bonynge, pf; National PO/Douglas Gamley. Decca 475 6302 11 Bruckner, A. Symphony no 1 in C minor (1866). Royal Scottish NO/Georg Tintner. Naxos 8.554430 55 20:30 NEW HORIZONS Prepared by Calogero Panvino Schack-Arnott, F. Tapestries. Freya SchackArnott, vc, tape. Private recording 9 Panvino, C. Kontakt. Nicholas Young, pf. Private recording

Donatoni, F. La souris sans sourire. Arditti String Quartet. Montaigne MO 782042 16

09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1907 Prepared by Derek Parker Grainger, P. Molly on the shore, from British folk-music settings (1907). Bournemouth Sinfonietta/Kenneth Montgomery. Chandos CHAN 8377 4 Debussy, C. Images, bk 2 (1907). Gordon Fergus-Thompson, pf. ASV DCA 695 15 Delius, F. The walk to the Paradise Garden, from A village Romeo and Juliet (1907). Royal Scottish NO/David Lloyd-Jones. Naxos 8.557143 9 Saint-Saëns, C. Fantasy in A, op 124 (1907). Renaud Capuçon, vn; Marie-Pierre Langlamet, hp. Virgin 5 45602 2 13 Stenhammar, W. Ballad: Florez och Blanzeflor, op 3 (1907-19). Ingvar Wixell, bar; Swedish RSO/Stig Westerberg. EMI CDM 5 65081 2 8 Bridge, F. Three idylls (1907). Goldner String Quartet. Hyperion CDA67726 14 Ravel, M. Rhapsodie espagnole (1907). Robert Chamberlain, pf; Darryl Coote, pf. Move MCD 460 15 10:30 CONCERT HALL Prepared by Frank Morrison Glazunov, A. Song of fate, op 84 (1908). USSR SO/Yevgeny Svetlanov. Melodiya SUCD 10-00023 15 Schumann, R. Violin concerto in D minor (1853). Joshua Bell, vn; Cleveland O/Christoph von Dohnányi. Decca 444 811-2 28

Roussel, A. Symphony no 1, op 7, Forest poem (1908). Paris O/Christoph Eschenbach. Ondine ODE 1092-2 42 12:00 SWING SESSIONS With John Buchanan Featuring bands of the 1930s swing era and the dance bands of the 1920s taken from radio broadcasts, transcriptions and recording sessions 13:00 SEA, WAVES, TIDES Prepared by James Nightingale Stanhope, P. Sea chronicles (1998). Jane Sheldon, sop; Ironwood. ABC 476 3870 20 Dutilleux, H. At the mercy of the waves (1946). John Chen, pf. Naxos 8.557823

Miyagi, M. Spring sea (1929; arr. McGuire). Riley Lee, shakuhachi; Marshall McGuire, hp. ABC 476 4870 7 Young, Miriama. Time and tide (2018). Jenna Smith, tpt; Aidan Gabriels, hn; Amanda Tillett, tb; Sami Butler, perc. ABC 481 9111 10 Liszt, F. St Francis of Paola walking on the waves (1863). Nikolai Demidenko, pf. Hyperion CDA66616 9 Elgar, E. Sea pictures, op 37 (1897-99). Sarah Connolly, mezz; BBC SO/Andrew Davis. Chandos CHSA5140 (2)

14:30 MOZART IN PARIS Prepared by Derek Parker Mozart, W. Symphony no 31 in D, K297, Paris (1778). Mozart Akademie Amsterdam/ Jaap ter Linden. Brilliant Classics 94295 18 Piano sonata no 8 in A minor, K310 (1778). Maria João Pires, pf. DG 427 768-2 20 Bach, J. Christian Symphonie concertante in E flat (c1765). Hanover Band/Anthony Halstead. cpo 999 627-2 12 Mozart, W. Double concerto in C, K299 (1778). Suzanne Kaiser, fl; Mara Galassi, hp; Freiburg Baroque O/Gottfried von der Goltz. Harmonia Mundi HMC 901897 29 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 JAZZ PULSE With Chris Wetherall Jazz across the wide spectrum from early Louis to Coltrane, with plenty of Ellington and Basie, through to hard bop

20:00 STORMY MONDAY With Austin Harrison

13:00 PARDON MY FRENCH Prepared by Jacky Ternisien

Lalo, E. Overture to Le roi d'Ys (1875). Suisse 22:00 JAZZ AFTER HOURS Romande O/Ernest Ansermet. Late night jazz, to listen and engage, and relax Decca 425 083-2 12 Gaultier, E. Pieces in D minor. Jakob Lindberg, lute. BIS CD-201

Tuesday 6 July 00:00 CONTEMPORARY COLLECTIVE

Ravel, M. Asie, from Shéhérazade (1903). Margaret Price, sop; London SO/Claudio Abbado. DG 427 314-2 10

03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Julie Simonds

Jadin, H. String quartet, op 2 no 1 (1796). Rasumovsky Quartet. ASV GAU 151 18

09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by Rex Burgess Galuppi, B. Sonata no 1 in F (1781). Jörg Ewald Dähler, hpd. Claves 50-603 11 Alkan, C-V. Marche funèbre, op 26 (1844). Vincenzo Maltempo, pf. Brilliant Classics 95568 11 Castelnuovo-Tedesco, M. Toccata, op 83 (1935). Enrico Dindo, vc; Alessandro Marangoni, pf. Naxos 8.573881

Respighi, O. Four songs. Andrea Catzel, sop; Reinild Mees, pf. Channel CCS 11998 12

Bochsa, N. Harp concerto no 1 in D minor, op 15. Lily Laskine, hp; Lamoureux Concerts Association O/Jean-Baptiste Mari. Erato 2292-45084-2 21 Françaix, J. Ballet: Les demoiselles de la nuit (1947). Ulster O/Thierry Fischer. Hyperion CDA67489 37 15:00 PACIFIC CROSSINGS 1985 Prepared by Brian Drummond Brumby, C. South Bank overture (1985). Queensland SO/Werner Andreas Albert. Jade JADCD 1065 10 Muczynski, R. Wind quintet, op 45 (1985). Stanford Woodwind Quintet. Naxos 8.559001 12

Westlake, N. Omphalo centric lecture (1985). Ives, C. Three quarter-tone pieces (1921). Joel Michael Askill, mar, cymbal, shaker, slit drums. Sachs, pf; Cheryl Seltzer, pf. Southern Cross SCCD 1021 9 Naxos 8.559194 11 Smeaton, B. Eleni I and II (1985). Melbourne Bowen, Y. Piano sonata no 5 in F minor, op 72 SO/Bruce Smeaton. (pub. 1923). Stephen Hough, pf. ABC 836 224-2 5 Hyperion CDA66838 22 Williams, J. Tuba concerto (1985). Øystein 10:30 CONCERT HALL Baadsvik, tuba; Singapore SO/Anne Manson. Prepared by Anne Irish BIS CD-1515 17 Coates, E. Suite: Summer days (1919). New 16:00 FINE MUSIC DRIVE Philharmonia O/Adrian Boult. including Arts Calendar at 5.00pm Lyrita SRCD 246 12 Beethoven, L. Triple concerto in C, op 56 (1803-04). Itzhak Perlman, vn; Yo-Yo Ma, vc; Berlin PO/Daniel Barenboim, pf & dir. EMI 5 55516 2 35 Gade, N. Symphony no 1 in C minor, op 5 (1840-42). Danish National RSO/Dmitri Kitaienko. Chandos CHAN 9422 36 12:00 JAZZ RHYTHM With Jeannie McInnes An eclectic blending of agreeable rhythm and melody from the New Orleans jazz roots through to recent decades, including many Australian bands

19:00 THE JAZZ BEAT With Lloyd Capps Smooth small group jazz from the 50s on, and with a visit from Miles Davis each week 20:00 JUST IN With Michael Field A selection from the latest recordings to arrive at the Fine Music Library 22:00 CHAMBER SOIRÉE Prepared by Albert Gormley Mozart, W. Violin sonata no 27 in G major/ minor, K379 (1781). Pinchas Zukerman, vn; Marc Neikrug, pf. RCA RD 60447 19

Edwards, R. Incantations (1985/2006). New Sydney Wind Quintet. NSW Quintet NSWQ 2007 13 Shostakovich, D. String quartet no 5 in B flat, op 92 (1952). St Petersburg String Quartet. Sony SMK 66 592 29 Haydn, J. Trio in D, Hob.XI:97 (c1766). Balázs Kakuk, baryton; Péter Lukács, va; Tibor Párkányi, vc. Hungaroton HCD 31174 23 Schumann, R. Piano quartet in E flat, op 47 (1842). Dimity Hall, vn; Hartmut Lindemann, va; Susan Blake, vc; Kathryn Selby, pf. Fine Music concert recording 25

Wednesday 7 July 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am 09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by Elaine Siversen Krufft, N. Sonata in E. Hermann Baumann, hn; Leonard Hokanson, pf. Philips 416 816-2 18 Benda, F. Violin concerto in D. Josef Suk, vn; Suk CO/Christian Benda. Naxos 8.553902 22 Lhoyer, A. de Duo concertant in A, op 31 no 1 (1814). Matteo Mela, gui; Lorenzo Micheli, gui. Naxos 8.570146 14 Albicastro, H. Trio sonata, op 8 no 9. Chiara Banchini, vn; Véronique Méjean, vn; Hendrike ter Brugge, vc; Christine Franzen, theorbo; Gordon Murray, hpd. Harmonia Mundi HMC 905208 12 Dussek, J. Piano sonata in G, op 35 no 2 (1797). Geoffrey Govier, fp. Olympia OCD 430 13 10:30 CONCERT HALL Prepared by Di Cox Shostakovich, D. Ballet suite no 1 (1949). Royal Scottish NO/Neeme Järvi. Chandos CHAN 7000/1 14 Franck, C. Symphonic variations (1885). Jorge Bolet, pf; Concertgebouw O/Riccardo Chailly. Decca 421 714-2 17 Korngold, E. Symphony in F sharp, op 40 (1951-52). BBC PO/Edward Downes. Chandos CHAN 9171 52

tells Blanche of her dream that they would die together. Confiding Blanche to the care of Mother Marie, the Prioress dies. Blanche is too upset to fulfill her duty of prayer. A revolutionary mob breaks into the convent and the nuns are expelled. Marie persuades the 13:00 IN CONVERSATION nuns to swear a vow of martyrdom. Blanche, With Simon Moore the sole dissenter, escapes to the house of her Each week we meet one of the world’s great executed father. While Marie goes to see her, musicians, singers, composers or conductors, the other nuns are arrested. Amid the mayhem along with up-and-comers and some of the of the Place de la Révolution, they march to men and women who influence the arts the guillotine, singing the Salve Regina. As landscape. The program goes live to air so you Constance mounts the scaffold, Blanche steps never quite know what’s going to happen. from the crowd and joins the procession to share their death. 14:00 THE SYMPHONIES OF Senza mamma, from Suor Angelica (1918). SIBELIUS Lesley Garrett, sop; London Session O/Paul Prepared by Ron Walledge Daniel. Sibelius, J. Rakastava, op 14 (1911). EMI 5 57628 2 5 Gothenburg SO/Neeme Järvi. 12:00 JAZZ SKETCHES With Robert Vale Focussing on contemporary jazz, often gathered from emerging cultures and Australian

BIS CD-312

Suite from Pélleas et Mélisande, op 46 (1905). Iceland SO/Petri Sakari. Chandos CHAN 9158 29 The captive queen, op 48 (1906). Dominante Choir; Lahti SO/Osmo Vänskä. BIS CD-1906/08 9 Belshazzar’s feast, op 51 (1906). Helsinki PO. Ondine ODE 878-2 14 Symphony no 4 in A minor, op 63 (1911). Danish National RSO. Chandos CHAN 8943 40 Leif Segerstam, cond (2 above) 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 PLANET JAZZ With Xavier Bichon A musical journey to different parts of the world where jazz meets other musical traditions, from Africa to Europe, with a slice of Australia 20:00 AT THE OPERA Prepared by Angela Cockburn Poulenc, F. Dialogues of the Carmélites. Opera in three acts. First performed Milan, 1957. BLANCHE: Catherine Dubosc, sop MARQUIS DE LA FORCE: José Van Dam, bass-bar PRIORESS: Rita Gorr, mezz CONSTANCE: Brigitte Fournier, sop MOTHER MARIE: Martine Dupuy, mezz Lyon Opera O/Kent Nagano. Virgin 7 59227 2 2:32 During the French Revolution, Blanche, the neurotic daughter of the Marquis de la Force, seeks refuge in a Carmelite convent. As the old Prioress lies gravely ill, a nun, Constance,

23:00 MUSIC OF THE NIGHT Prepared by Angus McPherson Pärt, A. Tabula rasa (1976). Leslie Hatfield, vn; Rebecca Hirsch, vn; Ulster O/Takuo Yuasa. Naxos 8.554591 24 Penderecki, K. Partita (1972). Helga Bohnstedt, gui; Wolfgang Bargel, gui; Annemarie Schmeisser, hp; Norber Brenner, db; Elzbieta Stefanska-Lukowicz, hpd; South West RSO/Krzysztof Penderecki. Erato ECD 75321 18 Moore, K. Fern (2012). Ensemble Offspring. www.ensembleoffspring.com 20151222 12

Thursday 8 July 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Simon Moore 09:00 DIVERSIONS IN FINE MUSIC The instruments: Strings Prepared by James Nightingale Frescobaldi, G. Aria detta ballata. Andrew Lawrence-King, baroque hp. Hyperion CDA66518 9 Telemann, G. Viola concerto in G. Collegium Musicum 90/Simon Standage, va & dir. Chandos CHAN 0593 12 Schulhoff, E. String quartet no 1 (1924). Petersen Quartet. Capriccio C7297 16 Giuliani, M. Variazioni concertanti, op 130. Groningen Guitar Duo. Ottavo OTR C118818 10

Tawadros, Joseph. Upon the wind (orch. Joseph Tawadros, Richard Tognetti). Christopher Moore, va ; Joseph Tawadros, oud; James Tawadros, req, bendir; Matt McMahon, pf; Australian CO/Richard Tognetti. ABC 476 4745 8 Clarke, R. Piano trio (1921). Andrew Watkinson, vn; David Waterman, vc; Martin Roscoe, pf. ASV DCA 932 23 10:30 CONCERT HALL Prepared by Derek Parker Smetana, B. Overture and dances from The bartered bride (1866). London SO/Geoffrey Simon. LP Chandos ABRD 1149 24 Saint-Saëns, C. Piano concerto no 5 in F, op 103 (1896). Philippe Entremont, pf; Toulouse Capitole O/Michel Plasson. CBS M2YK 45624 29 Martinu, B. Symphony no 6, Fantaisies symphoniques (1951-53). Royal Concertgebouw O/Wolfgang Sawallisch. Radio Nederland RCO 08005 27 12:00 JAZZ, PURE AND SIMPLE With Maureen Meers 13:00 LES SIX Prepared by Jacky Ternisien Milhaud, D. Suite provençale, op 52b (1936). Toulouse Capitole O/Michel Plasson. DG 435 437-2 14 Auric, G. Violin sonata in G (1936). Frank Peter Zimmermann, vn; Alexander Lonquich, pf. EMI CDC 7 54541 2 17 Tailleferre, G. Harp sonata. Elinor Bennet, hp. Nimbus NI 5441 11 Honegger, A. Cello concerto (1929). Christian Poltéra, vc; Malmö SO/Tuomas Ollila-Hannikainen. BIS CD-1617 15 Durey, L. Sonatine, op 25 (1929). Emily Benyon, fl; Andrew West, pf. Hyperion CDA67204

Auric - Milhaud - Poulenc - Tailleferre - Honegger. Ballet: The marriage on the Eiffel Tower (1921). Philharmonia O/Geoffrey Simon. Chandos CHAN 8356 21 Poulenc, F. Sextet for piano and wind quintet (1932-39). Athena Ensemble. Chandos CHAN 6543 20

15:00 SAME TIME, DIFFERENT PLACE St Petersburg to Prague 1875 Prepared by Brian Drummond

22:00 HOLLAND PLAYS HOLLAND Holland, D. Piano miniatures no 1 (1975). Jade JADCD 1029 11

Rimsky-Korsakov, N. Procession of the nobles, from Mlada (1875). Bolshoi Ch & SO/ Alexander Lazarev. Erato 4509-91723-2 5 Rubinstein, A. Ballet music, from The demon (1875). Minnesota O/Eiji Oue. Reference RR-71 9 Dvorák, A. Nocturne in B for strings, op 40 (1875). Detroit SO/Antal Dorati. Decca 414 370-2 8 Mussorgsky, M. Trepak, from Songs and dances of death (1875-77). Sergei Leiferkus, bar; Semion Skigin, pf. Conifer 75605 51229 2 5 The misunderstood one (1875). Aage Haughland, bass; Poul Rosenbaum, pf. Chandos CHAN 9336-8

Fibich, Z. Toman and the wood nymph, op 49 (1875). Czech NSO/Marek Stilec. Naxos 8.573197 13 Smetana, B. Sárka, from Má vlast. Vienna PO/James Levine. DG 419 768-2 9 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 THE NEW JAZZ STANDARD With Frank Presley 20:00 THE WORLD OF A SYMPHONY Prepared by Di Cox Massenet, J. Ballet music from Le Cid (1885). City of Birmingham SO/Louis Frémaux. EMI 5 65150 2 20

Northbridge sketches (1995). Jade JADCD 1053

Dulcie Holland, pf (2 above) 22:30 ULTIMA THULE

Friday 9 July 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN

13:00 IN BOHEMIA, FROM BAROQUE TO MODERN Prepared by Jacky Ternisien Neruda, J. Concerto in E flat for corno di caccia, strings and continuo (c1760; arr. Boldoczki). Gábor Boldoczki, tpt; Prague PO/ Emmanuel Villaume. Sony 88985443362 14 Myslivecek, J. Wind octet no 1 in E flat. Harmoniemusik of London. Virgin 5 61368 2

Mahler, G. The two blue eyes, from Songs of a wayfarer (1884). Yvonne Minton, mezz; Chicago SO/Georg Solti. ABC 470 241-2 5

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Annabelle Drumm

Martinu, B. Concertino for piano trio and string orchestra (1933). Dresden Trio; New Berlin CO/Martin Fischer-Dieskau. BIS CD-578 19

09:00 DIVERSIONS IN FINE MUSIC Something borrowed Prepared by Chris Blower

14:00 TRACING THE MUSICAL HERITAGE Prepared by Chris Blower

Bernstein, L. Suite from West Side story (1960; arr. Gale). Center City Brass Quintet. Chandos CHAN 4554 18 Servais, A-F. Grand fantasy after Rossini's The barber of Seville, op 6 (arr.). Wen-Sinn Yang, vc; Munich RSO/Terje Mikkelsen. cpo 777 542-2 14 Beethoven, L. Sonata in F for cor anglais and piano, op 17 (1800; arr. Oguey). Alexander Oguey, cora; Neal Peres da Costa, pf. ABC 481 7026 17 Liszt, F. March to the scaffold, from Sinfonie fantastique, op 14 by Berlioz (1830; transcr. 1865). Leslie Howard, pf. Hyperion CDS44569 12

Mozart, W. Piano concerto in A, K414 (1782; arr. Mozart for piano and string quartet 1783). d’Indy, V. Piano trio no 2, op 98 (1929). Ilona Australia Ensemble. Prunyi, pf; members of New Budapest Quartet. Fine Music concert recording 19 Marco Polo 8.223691 21 10:30 CONCERT HALL Franck, C. Symphonic poem: The accursed Prepared by Dan Bickel huntsman (1882). Paris O/Daniel Barenboim. DG 476 2800 16 Kodály, Z. Dances of Galánta (1933). Buffalo PO/JoAnn Falletta. Ravel, M. Introduction and allegro for harp, 17 flute, clarinet and string quartet (1906). Ursula www.bpo.org Holliger, hp; Peter-Lukas Graf, fl; Hans Rudolf Dohnányi, E. Piano concerto no 2 in B minor, Stalder, cl; Die Kammermusiker Zürich. op 42 (1946-47). Martin Roscoe, pf; BBC Claves 50-280 11 Scottish SO/Fedor Glushchenko. 30 Debussy, C. Songs of Bilitis (1897-98). Régine Hyperion CDA66684 Crespin, sop; John Wustman, pf. Bartók, B. Concerto for orchestra (1943). Decca 460 973-2 10 Chicago SO/Georg Solti. Decca 478 3706 35 Chausson, E. Symphony in B flat, op 20 (1889-90). Detroit SO/Paul Paray. Mercury 475 6268 31 12:00 A JAZZ HOUR With Barry O'Sullivan

Albéniz, I. España, op 165 (1906-08). Esteban Sánchez, pf. Brilliant Classics 9255

Asturias, op 47 no 5, from Suite española (1886; arr. Segovia); Zambra granadina, from 12 Characteristic pieces, op 92 (pub. 1889). Alirio Diaz, gui. Vanguard 08 9003 72 8 Canteloube, J. Excerpts, from Songs of the Auvergne, bk 5 (1923-30). Sara Macliver, sop; Queensland O/Brett Kelly. ABC 476 570-3 14 d’Indy, V. Piano quintet in G minor, op 81 (1924). Ilona Prunyi, pf; New Budapest Quartet. Marco Polo 8.223691 21 Triple concerto in E flat, op 89 (1926). KarlHeinz Schütz, fl; Robert Nagy, vc; Maria Prinz, pf; Academy of St Martin in the Fields/Neville Marriner. Chandos CHAN 10791 20 Franck, C. Panis angelicus (1872). Choir of St John’s College, Cambridge/Christopher Robinson. Brilliant Classics 94412 3 Symphonic poem: What you hear on the mountain (1846). Belgian Radio TO/Alfred Walter. Schwann 311 105 H1 22 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 FRIDAY JAZZ SESSION

20:00 EVENINGS WITH THE ORCHESTRA Bavarian Radio Symphony Orchestra Prepared by Frank Morrison Mozart, W. Piano concerto no 20 in D minor, K466 (1785). Christian Zacharias, pf; David Zinman, cond. EMI CDC 7 49899 2 29 Honegger, A. Symphonic Poem: Pastorale d’été (1920). Charles Dutoit, cond. Erato 2292-45242-2 8 Bavarian RSO (2 above) Borodin, A. Polovtsian dance: Born on wings of gentle breezes, from Prince Igor (1887). Bavarian Radio Ch & SO/Esa-Pekka Salonen. ABC 480 8207 3 Lutoslawski, W. Cello concerto (1968-70). Heinrich Schiff, vc; Witold Lutoslawski, cond. Philips 416 817-2 23 Bizet, G. Au fond du temple saint, from The pearl fishers (1863). Carlo Bergonzi, ten; Dietrich Fischer-Dieskau, bar; Jésus LópezCobos, cond. Orfeo S 028821A 6 Schumann, R. Symphony no 2 in C, op 61 (1845-46). Rafael Kubelik, cond. Sony SBK 48 269 39 Bavarian RSO (3 above)

Bach, J.S. Passacaglia and fugue in C minor, BWV582. Matthias Havinga, org. Brilliant Classics 9269 15

Barry, J. Theme from Out of Africa. City of Prague SO/Nic Raine. ABC 534 3879 4

Biber, H. Passacaglia (pub. 1681). Andrew Manze, vn. Harmonia Mundi HMU 907134.35 10

Respighi, O. Brazilian impressions (1928). Philharmonia O/Geoffrey Simon. Chandos CHAN 8317 19

Fischer, J. Caspar Passacaglia in D minor (1738). Kurt Ison, org. Con Alma BAR964 7

Villa-Lobos, H. New York skyline (1939). Nelson Freire, pf. Decca 478 3533

Handel, G. Passacaglia (arr. Halvorsen). Alexandra Koll, vn; Heinrich Koll, va. Naxos 8.557606

d’Indy, V. Mediterranean dyptich (1921). Buffalo PO/JoAnn Falletta. Beau Fleuve

Mayone, A. Ricercar. Jan Walters, hp. ASV GAU 193

Bach, J.S. Ricercar à 6, from A musical offering, BWV1079 (1747; arr. Holliger). Aurèle Nicolet, fl; Heinz Holliger, ob; Eduard Brunner, cl; Elmar Schmid, bass cl; Klaus Thunemann, bn; Radovan Vlatkovic, hn. Denon 33CO-1474 7

Saturday 10 July 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SATURDAY MORNING MUSIC With Peter Bell 09:00 WHAT'S ON IN MUSIC Our weekly guide to musical events in and around Sydney

22:00 BAROQUE AND BEFORE Exploring variation and fugal forms Prepared by Andrew Dziedzic Frescobaldi, G. Aria di passacaglia (arr. Lislevand, Walser-Breuss & Johnsen). Rolf Lislevand, lute; Concerto Stella Matutina. Sony G010003871434P 7

09:05 THE PIANO ALONE Prepared by Anne Irish Czerny, C. Sonatine in G, op 251 (c1830). Martin Jones, pf. Nimbus NI 5872/3 15

Sances, G. Lament on the passacaglia. Soloists of the Capella Musicale di S. Petronio/ Mozart, W. 12 Variations in C on Ah, vous Sergio Vartalo. dirai-je, Maman, K265 (1781-82). Christoph Naxos 8.553318 9 Eschenbach, pf. Philips 456 763-2 8 Muffat, G. Passacaglia in G minor, from Apparatus Musico-Organisticus (1690). Andreas Staier, hpd. Harmonia Mundi HMC 902143

Kapsberger, J. Passacaglia (1623). Catacoustic Consort/Annalisa Pappano. Naxos 8.557538

Mendelssohn, F. Albumleaf, op 117 (c1837). Daniel Barenboim, pf. DG 453 061-2 5

Schubert, F. Fantasy in C, D760, Wanderer (1823). Leslie Howard, pf. Hyperion CDA67203 23

Marini, B. Passacaglia for 4. Irish Baroque O Chamber soloists/Monica Huggett. Avie AV2202 5 Conforti, G. Ricercar del quarto tono. Amsterdam Loeki Stardust Quartet. L’Oiseau-Lyre 430 246-2

Gabrielli, D. Ricercare in D minor for cello solo. Mauro Valli, vc. Brilliant Classics 95685 7

10:00 MUSICAL JOURNEYS Prepared by David Brett Sculthorpe, P. Island songs (2012). Amy Dickson, sax; Sydney SO/Benjamin Northey. ABC 481 1703 18 Xian, Xianghai. Piano concerto, Yellow River (1940; arr. China Central PO 1970). Eileen Huang, pf; China Central PO/Hu Bing Xu. ASV DCA 1031 23

11:30 ON PARADE Prepared by Robert Small Ketèlbey, A. Fanfare for a ceremonial occasion.

Hurst, M. Proud horizons; Pacific haven; Swagman’s promenade. 16 Lovelock, W. Naval occasions.

Dunn, V. Supreme Command fanfare.

Concert Band of RAN/G.D.C. Coxon (all above) LP EMI SCXO 8015 12:00 URBAN JAZZ LOUNGE With Leita Hutchings 13:00 IN A SENTIMENTAL MOOD With Maureen Meers Nostalgic music and artists from the 30s, 40s and 50s and occasionally beyond, in a trip down many memory lanes 14:00 VIOLA SONATA Bowen, Y. Viola sonata no 2 in F, op 22 (1906). Lawrence Power, va; Simon Crawford-Phillips, pf. Hyperion CDA67651-52

14:30 SATURDAY MATINEE Operetta in the afternoon Prepared by Elaine Siversen Straus, O. The chocolate soldier. Operetta in three acts. Libretto by Rudolf Bernauer and Leopold Jacobson. First performed Vienna, 1908. BUMERLI: Johannes Martin Kränzle, bar NADINA POPOFF: Caroline Stein, sop ALEXIUS SPIRIDOFF: John Dickie, ten MASCHA: Martina Borst, mezz AURELIA POPOFF: Gertraud Wagner, sop Handel Collegium Cologne; Cologne WDR RO/Siegfried Köhler. Capriccio C5089 1:28 In 1885, Serbia and Bulgaria are at war. Nadina Popoff, daughter of the Bulgarian Colonel Popoff, is engaged to Major Alexius Spiridoff. Bumerli, a soldier, who has escaped the battle, climbs in through her bedroom

window. He is in a Serbian uniform but tells Nadina that he is a Swiss mercenary. She threatens to call for help but he points his revolver at her. When he puts it down, she grabs it and threatens him but he shows her that he has only chocolates in his ammunition pouch. Amused, Nadina calls him ‘little chocolate soldier’. Some Bulgarian soldiers arrive in pursuit of Bumerli who has hidden and Nadina assures them that she has not seen the intruder. Nadina's mother, Aurelia, and her young cousin, Mascha, find civilan clothes for Bumerli so that he can escape and each, unknown to the others, slips a photo of herself into his jacket pocket. The heroes are being welcomed home after the war is over. Nadina finds that Alexius is not the hero she imagined but is boastful and selfcentred. The ladies are embarrassed when Popoff tells them of a Swiss soldier in the Serbian army who told them a very funny story of escaping from a battle by hiding in a house where he was sheltered by three ladies who all fell in love with him. Bumerli returns and secretly returns the borrowed clothes to the ladies. Alone with Nadina, Bumerli confesses that he was drawn back by his love for her but he will now leave as she is to be married. Nadina asks for the return of her photograph but Bumerli had not looked in the pocket. When the ladies retrieve the photos, Nadina has Mascha’s instead and flies into a jealous fury when she finds a compromising message on the back. She declares that she no longer loves Alexius and the wedding is cancelled. Alexius challenges Bumerli to a duel, thinking that he will not accept but when Bumerli accepts, Alexius, terrified, thinks he might be happier with Mascha instead. It is soon revealed that Bumerli is the son of a wealthy Swiss businessman and therefore a suitable husband for Nadina. Excerpts from A waltz dream (1907). Unnamed soloists; Vienna Volksoper Ch & O/ Franz Bauer-Theussl. Essential Media Group 94232 00242 36 Why should a woman have no relationship?, from A woman who knows what she wants (1932). Angela Denoke, voice; Staatskapelle Dresden/Christian Thielemann. DG 479 0050 4 Heaven in a song; You must have music, from Land without music (1935). Richard Tauber, ten. Conifer TQ 122 5 17:00 SOCIETY SPOT Organ Music Society of Sydney With John Hanna

18:00 STAGE AND SCREEN Prepared by Maureen Meers Porter, C. Excerpts from Kiss me Kate (1949). New Broadway cast; O/Paul Gemignani. DRG 12988 13 Loesser, F. Excerpts from Guys and dolls (1955). Marlon Brando, voice; Jean Simmons, voice; Frank Sinatra, voice; Vivienne Blaine, voice; Nelson Riddle O; Albert Sendrey O. Blue Moon BMCD 3507 16 Ross, J. Excerpts from The pajama game (1959). Doris Day, voice; John Raitt, voice; Carol Haney, voice; Eddie Foy Jnr, voice. Collectibles COL-6599 19 19:00 EMERGENT JAZZ With Keith Pettigrew 20:00 THE LIFE OF A COMPOSER Ethel Smyth Prepared by James Nightingale Smyth, E. Violin sonata, op 7. Tasmin Little, vn; John Lenehan, pf. Chandos CHAN 20030 24 Schumann, C. Romance in B minor (1856). Helene Boschi, pf. Calliope CAL 9211 5 Smyth, E. The march of the women (1911). Eiddwen Harrhy, sop; Plymouth Festival Ch & O/Philip Brunelle. Virgin VC 7 91188-2 3 Possession (1913). Anthony Rolfe Johnson, ten; Graham Johnson, pf. Hyperion CDA66709 5 Mrs Waters’ aria, from The boatswain’s mate (1914-15). Eiddwen Harrhy, sop; Plymouth FO/ Philip Brunelle. Virgin VC 7 91188-2 9 Symphony: The prison. Sarah Brailey, sop; Dashon Burton, bass-bar; Experiential Ch & O/James Blachly. Chandos CHSA 5279 1:04 22:00 SATURDAY NIGHT AT HOME Prepared by James Nightingale Haydn, J. Symphony no 35 in B flat, Hob.I:35, II Giardino Armonico/Giovanni Antonini. ALPHA 684 19 Benjamin, A. Sonatina (1924). Jane Peters, vn; Rachel Valler, pf. MBS 27 CD 17

Nielsen, C. Wind quintet, op 43 (1922). New Sydney Wind Quintet. www.nswq.com.au 26

Sunday 11 July 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC With Terry McMullen 09:00 MUSICA SACRA Prepared by Paul Cooke Tallis, T. Spem in alium. Choir of King’s College, Cambridge/Stephen Cleobury. Decca 478 3640

Schubert, F. Mass no 6 in E flat, D950 (1828). Immortal Bach Ensemble; Leipzig CO/Morten Schuldt-Jensen. Naxos 8.570381 46 10:00 THE CLASSICAL ERA Prepared by Di Cox Wranitzky, P. Ten German dances. Eduard Melkus Ensemble. Archiv 439 964-2 8 Krommer, F. Clarinet concerto in E flat, op 36 (1803). Walter Boeykens, cl; New Belgian CO/ Jan Caeyers. Harmonia Mundi HMA 1901433 22 Hummel, J. Piano trio no 1 in E flat, op 12 (c1803). Borodin Trio. Chandos CHAN 9529 21 Bach, C.P.E. Symphony no 4 in G, Wq183 no 4 (1775-76). Amsterdam Baroque O/Ton Koopman. Erato ECD 75550 11 Kraus, J.M. A song about rain. Birgid Steinberger, sop; Martin Hummel, bar; Glen Wilson, pf. Naxos 8.557452 4 Boccherini, L. Guitar quintet no 4 in D, Fandango (1798). Karin Schaupp, gui; Flinders Quartet. ABC 476 4435 20 Haydn, J. Symphony in B flat, Hob.I:77 (c1782). Hanover Band/Roy Goodman. Hyperion CDA66525 12:00 CLASSIC JAZZ AND RAGTIME With Dave Mac

Hummel, J. Piano concerto in B minor, op 89 (1819). Stephen Hough, pf; English CO/Bryden Thomson. 13:00 WORLD MUSIC: Whirled Chandos CHAN 8507 36 Wide With Gerry Myerson Grainger, P. The power of Rome and the Christian heart. BBC PO/Richard Hickox. Chandos CHAN 9839 14

14:00 TRIOS Prepared by Jennifer Foong

Vangelis. Symphonic poem: Make your dream last longer than the night. 15

Herzogenberg, H. Trio in D, op 61 (1889). Ingo Goritzki, ob; Barry Tuckwell, hn; Ricardo Requejo, pf. Claves 50 803 25

Seeger, P. We shall overcome. Joan Baez, sop. 4

Saint-Saëns, C. Piano trio no 1 in F, op 18 (1863). Beaux Arts Trio. Philips 434 071-2 30 15:00 SUNDAY SPECIAL Composers in revolt Prepared by Angela Cockburn Trad. An old song on the Spanish Armada. Richard Wistreich, bass-bar; The City Waites. Naxos 8.557672 2 Bécourt. Ah! Ca ira, from Chansons de la Révolution. Les Sans Culottes. 7 Productions ASIN B004 5 Rouget de Lisle, C-J. La Marseillaise (1872 arr. Liszt). Leslie Howard, pf. Hyperion CDS44530 5 Berlioz, H. Grande symphonie funèbre et triomphale, op 15 (1840). Joseph Alessi, tb; Royal Northern College of Music Wind O/ Timothy Reynish. Chandos CHAN 9897 33 Honegger, A. The death of Eponine; The assault, from the film Les misérables (1934; ed. Adriano). Slovak RSO/Adriano. Marco Polo 8.223181 5 Schönberg, C-M. Do you hear the people sing, from Les misérables (1980). Anthony Warlow Vocal Ensemble; Philharmonia O/ Martin Koch. First Night Records MIZ CD1 2 Fiennes, M. You’re wondering now, from Death in Paradise. Smetana, B. Song of freedom (1824-84). Czech Radio Ch; pf.

1 3

Strauss, J. I Freedom march, op 226 (1848). Vienna PO/Zubin Mehta. Sony 88875035492 3 Schumann, C. Forwards, from Three songs for mixed choir on poems by Geibel (1848). Heidelberg Madrigal Choir/Gerald Kegelmann. Bayer BR 100 041CD 1 Dupont, P. L’air du chant des soldats, from Chants de révolte. Rosalie Dubois, voice. 3 Saint-Martin, L. de Toccata de la Libération. June Nixon, org. Walsingham WAL 8002-2 8 Stevens, B. Symphony no 1, op 7, A symphony of liberation (1945). BBC PO/ Edward Downes. Meridian CDE 84124

17:00 HOSANNA Prepared by Meg Matthews Hymns. My song is love unknown; God, your glory we have seen in your Son. Choir of St James, Sydney; John Foster, flugelhorn obligato; David Drury, org. St James Church recording 9 Byrd, W. Lord make Thy servant, Elizabeth our queen, rejoice in Thy strength; Ave verum corpus. Tallis Scholars/Peter Phillips. Gimmel 454 993-2 7 Bach, J.S. Motet: O praise the Lord all ye nations, from Psalm 117, BWV230. Pygmalion/ Raphaël Pichon. Harmonia Mundi HMM 902657 6 I worship thee my God, most high; Dearest Lord Jesus, come and take me; Come sweet death. Peter Schreier, ten; Karl Richter, org. 6 Finzi, G. God is gone up, op 27 no 2. Choir of St John’s College Cambridge/Christopher Robinson. Naxos 8.555 792 4 Menotti, G. Opening scene from Amahl and the night visitors (1951). Lorna Haywood, sop; James Rainbird, treb; Royal Opera House O/ David Syrus. TER Classics TER 1124 9 MacMillan, J. Gloria, from Missa Dunelmi. Choir of Durham Cathedral; Francesco Massey, org; James Lancelot, cond. Priory PRCD 1078 7 18:00 SMALL FORCES Prepared by Rex Burgess Couperin, F. Treizième concert, from Nouveau concerts ou Les goûts-réunis (1724; arr.). Jesse Read, bn, Doug McNames, vc. Etcetera KTC 1087 9 Bach, J.S. Flute sonata no 6 in E, BWV1035 (c1741). Vernon Hill, fl; Jodie Ring, pf. Fine Music concert recording 11 Debussy, C. Suite bergamasque (1890/1905; arr. E. Grigoryan). Slava Grigoryan, gui; Leonard Grigoryan, gui. ABC 476 6088 17 Françaix, J. String trio (1933). Lendvai String Trio. Stone records 5060192780079 14 19:00 SUNDAY NIGHT CONCERT Prepared by Derek Parker

Goldmark, K. Overture to Penthesilea, op 31 (1879). Bamberg SO/Fabrice Bollon. cpo CPO 555 160-2 19

Dittersdorf, C. Viola concerto in F. Petr Pribyl, va; Miroslava Svobodová, hpd; South Bohemia Chamber PO/Ondrej Kukal. Campion RRCD 1342 25 Vaughan Williams, R. Symphony no 5 in D (1938-43/51). London SO/Bryden Thomson. Chandos CHAN 8554 39 20:30 NEW HORIZONS Prepared by Krystal Li Abbott, K. Earth lullaby (2017). Riley Lee, shakuhachi; Enigma Quartet. ABC 481 7998 10 Dessner, B. Suite for harp (2016). Lavinia Meijer, hp. Sony G0100035642352 12 Bruce, D. The north wind was a woman (2009). Nora Fischer, sop; North Wind Ensemble; Dover Quartet. Signum SIGCD599

Lim, L. Koto (1993). ELISION Ensemble/ Sandor Gorli. ABC 456 687-2 12 Palmer, G. Cello concerto: Breaking the silence (2015). Catherine Hewgill, vc; Verbrugghen Ensemble/John Lynch. Shachihata 2015

22:00 JAZZ AFTER HOURS With Deborah Evans

Monday 12 July 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With James Hunter 09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1820 Prepared by Frank Morrison Mendelssohn, F. Violin sonata in F (1820). Jean-Jacques Kantorow, vn; Jacques Rouvier, pf. Denon CO 78964 13 Rossini, G. Del periglio al fero aspetto, from Maometto II (1820-23). Marilyn Horne, mezz; Turin RSO/Alberto Zedda. CBS MK 44820 5 Berwald, F. Concert piece in F, op 2 (1820). Klaus Thunemann, bn; Academy of St Martin in the Fields/Neville Marriner. Philips 446 096-2 11

Hummel, J. Variations in F, op 97 (1820). Christopher Hinterhuber, pf; Gävle SO/Uwe Grodd. Naxos 8.557845 17 Schubert, F. String quartet in C minor, D703, Quartettsatz (1820). Tokyo String Quartet. Harmonia Mundi HMU 807427 12 Beethoven, L. Piano sonata no 30 in E, op 109 (1820). Gerard Willems, pf. ABC 465 077-2 20 10:30 CONCERT HALL Prepared by Elaine Siversen

20:00 STORMY MONDAY With Austin Harrison

13:00 SYDNEY SYMPHONY 2021 With Andrew Bukenya What's on in the SSO’s 2021 concert season.

22:00 JAZZ AFTER HOURS With Gail Monjo

14:00 HISTORIC COINCIDENCES Prepared by Frank Morrison Rossini, G. Overture to Semiramide (1823). San Francisco Opera O/Gaetano Merola. Naxos 8.110142 12

Tuesday 13 July 00:00 CONTEMPORARY COLLECTIVE

Bach, J.S. Keyboard concerto in D minor, BWV1052 (1740). Glenn Gould, pf; Royal Concertgebouw O/Dimitri Mitropoulos. Radio Netherlands RCO 05001 20

03:00 CLASSICAL TILL DAWN

Glazunov, A. Ballet: Chopiniana, op 46 (1893). German SO/Vladimir Ashkenazy. Decca 460 019-2 21

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Julie Simonds

Edwards, R. Violin concerto, Maninyas (1988). Adele Anthony, vn; Adelaide SO/Arvo Volmer. Canary Classics CC09 26

09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by Derek Parker

Reinecke, C. Symphony no 3 in G minor, op 227 (c1890). Brandenburg State O, Frankfurt/ Heribert Beissel. Christophorus CHE 0162-2 35 12:00 SWING SESSIONS With John Buchanan

Pichl, V. Sinfonia in D, Diana (by 1803). Toronto CO/Kevin Mallon. Naxos 8557761

Schubert, F. Symphony no 3 in D, D200 (1815). City of London Sinfonia/Richard Hickox. Walton, W. Crown Imperial (1937; arr. 24 Palmer). Martin Baker, org.; English CO/Martin IMP PCD 848 Giordano, U. Vicino a te s’acquieta, from Neary. Cantoris-Griffin CSACD3050 6 Andrea Chénier (1895). Eva Marton, sop; José Carreras, ten; János Tóth, bass; Hungarian Bach, J.S. Trio sonata in C for two violins and piano, BWV1037. David Oistrakh, vn; Igor State O/Giuseppe Patanè. CBS M2K 42369 8 Oistrakh, vn; Vladimir Yampolski, pf. Brilliant Classics 8402

13:00 EAST OF THE DANUBE Prepared by Frank Morrison

Britten, B. 12 Variations on a theme (1931). Stephen Hough, pf. Decca 478 5364 9 22

Krumpholtz, J-B. Harp concerto in B flat. Klará Nováková, hp; Bratislava RSO/Oliver Dohnányi. Brilliant Classics 99512 24 Triebensee, J. Partita in E flat for wind octet. Collegium Musicum Prague. Supraphon 1111 2973G 21 Kozeluch, L. Piano sonata no 21 in E flat, op 17 no 3 (1785). Kemp English, fp. Grand Piano GP647 15

Liszt, F. Hungarian rhapsody no 2 in C sharp minor, S244 (1847; orch. Doppler). Vienna PO/ Giuseppe Sinopoli. DG 478 4234 12

Handel, G. Harpsichord concerto in A, op 6 no 11 (1739). English Concert/Trevor Pinnock, hpd & dir. Archiv 410 899-2 17 Mendelssohn, Fanny. Three melodies for piano nos 1, 2, 5 (1847). Irene Barbuceanu, pf. Schwann 3-1589-2 9 Mozart, W. Sonata in D for two pianos, K448 (1781). Murray Perahia, pf; Radu Lupu, pf. CBS MK 39511 22 10:30 CONCERT HALL Prepared by Elaine Siversen

Stravinsky, I. Ballet: The rite of Spring (1921 version). Concertgebouw O/Eduard Van Beinum. Decca 478 3729 32 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 THE JAZZ BEAT With Lloyd Capps

20:00 JUST IN With James Nightingale A selection from the latest recordings to arrive at the Fine Music Library 22:00 CHAMBER SOIRÉE Prepared by Rex Burgess

Stravinsky, I. The song of the nightingale (1917). Columbia SO/Robert Craft. Sony SM3K 46 291-302 19

Saint-Saëns, C. Violin sonata no 2 in E flat, op 102 (1896). Philippe Graffin, vn; Pascal Devoyon, pf. Hyperion CDA67100 22

Korngold, E. Violin concerto in D, op 35 (1945). Gil Shaham, vn; London SO/André Previn. DG 439 886-2 25

Farrenc, L. Sextet in C minor for piano and wind quintet (1852). Kathryn Selby, pf; Omega Ensemble. Fine Music concert recording 25

Tchaikovsky, P. String quartet no 1 in D, op 11 (1871). Franz Schubert Quartet. Nimbus NI 5380 28

Rimsky-Korsakov, N. Symphony no 3 in C, op 32 (1886). USSR Academic SO/Yevgeny Svetlanov. Melodiya MA 3016 39

Jolivet, A. Sérénade (1945). Diana Doherty, ob; David Korevaar, pf. ABC 465 782-2 19

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm

12:00 JAZZ RHYTHM With Jeannie McInnes

Gyrowetz, A. Symphony in C, op 6 no 1 (c1790). Czech Chamber PO/Petr Chromcák. Alto ALC 1301 25 15:00 ROMANTIC CHAMBER Prepared by Elaine Siversen Smetana, B. Piano trio in G minor, op 15 (bef. 1803/55/57). Smetana Trio. Supraphon SU 3810-2 27

19:00 JAZZ PULSE With Chris Wetherall

Roussel, A. Quartet in D, op 45 (1932). Aurelia Saxophone Quartet. Etcetera KTC 1088

David, Félicien. String quartet no 1 in F minor 12:00 JAZZ SKETCHES (1868). Quatuor Cambini. With Robert Vale Ambroisie AM206 25 13:00 IN CONVERSATION With Simon Moore

Wednesday 14 July

14:00 ALLONS ENFANTS DE LA PATRIE Prepared by Jacky Ternisien

00:00 CONTEMPORARY COLLECTIVE

Offenbach, J. Overture to La vie parisienne (1866; arr. Dorati). Sydney SO/Patrick Thomas. ABC 476 4565 5

03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Janine Burrus 09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by Anabela Pina

Bach, J.S. Suite no 5 in G, BWV816, French (1725; arr. Groningen Guitar Duo). Groningen Guitar Duo. Ottavo OTR C118818 16

Gershwin, G. An American in Paris. Vejvanovsky, P. Serenata XXVII. John Foster, Melbourne SO/Jorge Mester. 19 tpt; Matthew Manchester, tpt; Stan Kornel, vn; ABC 534 3879 Williamson, M. Paris, from Travel diaries. Australian Baroque Brass; Sydney Consort. Tubicium Records TR761903 10 Antony Gray, pf. ABC 472 902-2 10 Zuccari, C. Flute sonata in G (pub. 1747). Mario Carbotta, fl; Roberto Cognazzo, hpd. Nuova Era 7022 7 Paisiello, G. Keyboard concerto no 2 in F (1781-83) Pietro Spada, pf; Santa Cecilia CO. Brilliant Classics 94224 19 Richter, F. Trio sonata in D, op 3 no 3 (1763). Members of Capricornus Consort Basel/Peter Barczi. Christophorus CHR 77409 10 Capelli, G. Ciel nemico, from I fratelli riconosciuti (1726). Philippe Jaroussky, ct; Le Concert d’Astrée/Emmanuel Haïm. Virgin 3 95242 2 7 Beck, F. Sinfonia in F, op 1 no 2 (pub.1758). New Zealand CO/Donald Armstrong. Naxos 8.554071 12 Gatayes, G. Sur l’air d’un bouquet de romarin, op 79. Duo Vitare. Novart 01 13 10:30 CONCERT HALL Prepared by Jacky Ternisien Bizet, G. Overture: Patrie, op 19 (1873). Melbourne SO/John Lanchbery. ABC 456 669-2

Couperin, F. The French, from The nations (1726). Musica Antiqua Cologne/Reinhard Goebel. LP DG 410 901-1 20 Liszt, F. La Marseillaise (1872; transcr.). Leslie Howard, pf. Hyperion CDS 44530 5 Roger-Ducasse, J. French suite (1907). Rhineland Palatinate PO/Leif Segerstam. Marco Polo 8.223641 19 Rouget de Lisle, C-J. Hymn of the Marseillaise (c1792; arr. Berlioz 1830). Gordon Gietz, ten; Montreal Symphony Choir & O/ Charles Dutoit. Decca 475 097-2 8 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 PLANET JAZZ With Xavier Bichon 20:00 AT THE OPERA Prepared by Elaine Siversen

Vivaldi, A. Ottone in villa, RV729. Opera in three acts. Libretto by Domenico Lalli. First performed Vicenza, 1713.

Auric - Milhaud - Poulenc - Tailleferre OTTONE: Sonia Prina, cont Honegger. Ballet: The marriage on the Eiffel Tower (1921). Philharmonia O/Geoffrey Simon. CAIO SILIO: Julia Lezhneva, sop Chandos CHAN 8356 21 CLEONILLA: Verónica Cangemi, sop Devienne, F. Flute concerto no 1 in D (1782). TULIA/OSTILIO: Roberta Invernizzi. sop DECIO: Topi Lehtipuu, ten Swedish CO/Patrick Gallois, fl & dir. Naxos 8.573230 18 Il Giardino Armonico/Giovanni Antonini. naïve OP 30493 2:15 Offenbach, J. Ballet: Gaîté parisienne (1866; Ottone is in love with Cleonilla, who is arr. Rosenthal 1938). Berlin PO/Herbert von attracted to the page Ostilio (Tulia in disguise). Karajan. Decca 478 5630 29 He has replaced Caio Sillo in Cleonilla’s

affections. Tulia loves Caio to whom she was once betrothed; he has abandoned her. Her thoughts turn to revenge. Cleonilla declares her love for Ostilio. Caio hears this and is in despair. Decio tells Ostilio that Caio is his rival. Caio’s declaration of love for Cleonilla is dismissed by her. He puts his feelings in a letter, gives it to Cleonilla, only to have it snatched from her by Ottone. Cleonilla says the letter is intended for Tulia; Ottone believes her. She continues to ignore Caio and when Ostilio arrives, she declares her love. An enraged Caio attacks Ostilio with a dagger but Cleonilla intervenes. Ottone arrives and Ostilio is revealed as Tulia, so he insists that Caio and Tulia must marry and all is resolved. 22:30 MUSIC OF THE NIGHT Prepared by Paul Cooke Henze, H. Telemanniana (1967). Rolf Plagge, pf; North West German PO/Gerhard Markson. cpo 999 322-2 13 Duncan, E. Four blackboard pieces (2007). Danae Killian, pf; Silo String Quartet. Move MD 3362 14 Brouwer, M. Clarinet quintet in A (2005). Daniel Silver, cl; Maia String Quartet. Naxos 8.559763 20 Lord, J. Boom of the tingling strings (2002). Nelson Goerner, pf; Odense SO/Paul Mann. EMI 3 90528 2 37

Thursday 15 July 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Simon Moore 09:00 DIVERSIONS IN FINE MUSIC The instruments: Strings Prepared by Jennifer Foong Halvorsen, J. Passacaille in G minor, after Handel’s Suite no 7 in G minor (1897). Renaud Capuçon, vn; Gautier Capuçon, vc. Virgin 5 45576 2 6 Gade, N. Trio movement in B flat (1839). Sophie Rowell, vn; Julian Smiles, vc: Kathryn Selby, pf. Fine Music concert recording 11

Johansen, P. Penselstrøk. Arianna Savall, voice, gothic hp, Italian triple hp; Petter Udland Johansen, voice, hardingfele, mand; Sveinung Lilleheier, voice, gui, dobro; Miguel Àngel Cordero, voice, db; David Mayoral, voice, perc. ECM New Series 2227 278 4395 5 Nielsen, C. String quartet no 4 in F, op 44 (1919). Kontra Quartet. BIS CD-503/04 24 Svendsen, J. Romance for violin and strings, op 26 (1880). Kenneth Sillito, vn; Academy of St Martin in the Fields Chamber Ensemble. Chandos CHAN 9258 7 Grieg, E. Cello sonata in A minor, op 36 (1883). Steven Isserlis, vc; Stephen Hough, pf. RCA 09026 68290 2 25 10:30 CONCERT HALL Prepared by Peter Poole Telemann, G. Overture in F sharp minor. Collegium Musicum 90/Simon Standage. Chandos CHAN 0661 17 Kraus, J.M. Violin concerto in C (1777). Takako Nishizaki, vn; New Zealand SO/Uwe Grodd. Naxos 8.570334 30

Hindemith, P. Trauermusik (1936). Brett Dean, Paisiello, G. Mandolin concerto in C. Ugo va; Queensland SO/Werner Andreas Albert. Orlandi, mand; I Solisti Veneti/Claudio cpo 999 492-2 8 Scimone. LP Erato NUM 75248 14 Schubert, F. Duo in A minor, D947, Lebensstürme (1828). Anne Queffélec, Imogen 22:30 ULTIMA THULE Cooper, pf. apex 0927 49812 2 11

Friday 16 July Reger, M. String trio in A minor, op 77b (1904). Gernot Süssmuth, vn; Stefan Fehlandt, va; Hans-Jakob Eschenburg, vc. 00:00 CONTEMPORARY Naxos 8.570785 24 COLLECTIVE Schumann, R. Symphony no 1 in B flat, 03:00 CLASSICAL TILL DAWN op 38, Spring (1841). Swedish CO/Thomas Dausgaard. 06:00 FINE MUSIC BREAKFAST BIS SACD-1569 31 including Arts Calendar at 7.30am With Annabelle Drumm

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 THE NEW JAZZ STANDARD With Frank Presley 20:00 THE WORLD OF A SYMPHONY Prepared by James Nightingale

Honegger, A. Pacific 231, from Three symphonic movements (1924). Bavarian RSO/ Charles Dutoit. Strauss, R. Tone poem: Also sprach 6 Zarathustra, op 30 (1896). Sydney SO/Charles Erato 2292-45242-2 Mackerras. Shostakovich, D. Two pieces for string Sydney Symphony SSO 200705 34 quartet (1931). Borodin Quartet. apex 0927 49815 2 6 12:00 JAZZ, PURE AND SIMPLE Kabalevsky, D. Poem of struggle (1930). With Maureen Meers Gnesin Academy Ch; Russian PO/Dmitry 13:00 PERCHANCE TO DREAM Yablonsky. Prepared by Derek Parker Naxos 8.557794 9 Liszt, F. Dreams of love 1-3 (1845-49). Marilyn Prokofiev, S. Violin concerto no 2 in G minor, Meier, pf. op 63 (1935). Lisa Batiashvili, vn; CO of Mala-Daki MAM 29464 16 Europe/Yannick Nézet-Séguin. DG 479 8529 26 Gross, E. Sunset, moon, dreams, op 18 (1971). Adelaide Singers; Members of West Australian SO/Patrick Thomas. LP ABC 1009 16 Duke, D. Soliloquies and dreams. Alan Rinehart, gui. Novascribe N.S. 204

Boyd, A. As I crossed a bridge of dreams (1975). Sydney Chamber Choir/Nicholas Routley. Tall Poppies TP127 10

Rodrigo, J. Adagio, from Concierto de Aranjuez (1939; arr. Ashby). Dorothy Ashby, hp. Philips 814 197-2 10 Poulenc, F. Flute sonata (1956-57; orch. Berkeley). Sharon Bezaly, fl; The Hague Residency O/Neeme Järvi. BIS BIS-1679 11 Vivaldi, A. Winter, from The four seasons, RV297 (pub.1725; arr. Chédeville). Palladian Ensemble. Linn CKD 070 8 Brahms, J. Theme and variations in D minor (1860). Garrick Ohlsson, pf. Hyperion CDA67777 10 Höller, K. Sweelinck variations, op 56 (195051). Bavarian RSO/Eugen Jochum. DG 002894775488 23

Ravel, M. Le tombeau de Couperin (1913Roslavets, N. Three dances. Solomia Soroka, 17;arr.). Pro Arte Guitar Trio vn; Arthur Greene, pf. ASV CD WHL 2063 17 Naxos 8.557903 9 10:30 CONCERT HALL Mosolov, A. Elegiaco poco stentato; Adagio, Prepared by Chris Blower from Two nocturnes, op 15 (1926). Roger Woodward, pf. Celestial Harmonies 13255-2

Myaskovsky, N. Symphony no 16 in F, op 39, Aviation (1936). Russian Federation SO/ Yevgeny Svetlanov. 46 Smetana, B. Dreams (1875). Kathryn Stott, pf. Warner Classics 69689-8 Chandos CHAN 10430 30 22:00 MANDOLIN INTERLUDE Prepared by Elaine Siversen 14:30 FROM DARK TO LIGHT Bach, J.S. Prelude and fugue no 22 in B flat minor, BWV867, from The well-tempered clavier, bk 1. Albert Landa, pf. ABC 476 4556 6

09:00 DIVERSIONS IN FINE MUSIC Something borrowed Prepared by Paul Cooke

Carr-Boyd, A. Three fantastic dances after Shostakovich (1993). Sydney Mandolins/ Adrian Hooper. Jade JADCD 1037 12

Tchaikovsky, P. Hamlet, fantasy overture after Shakespeare, op 67a (1888). Philadelphia O/ Riccardo Muti. EMI CDC 7 49859 2 19 Bach, C.P.E. Cello concerto in B flat, Wq171 (1751). Anner Bijlsma, vc; O of the Age of Enlightenment/Gustav Leonhardt. Virgin VC 7 90800-2 25 German, E. Suite: The seasons (1899). RTE Concert O/Andrew Penny. Marco Polo 8.223695 39 12:00 A JAZZ HOUR With Barry O'Sullivan

13:00 LESSER-KNOWN EARLY COMPOSERS Prepared by Jacky Ternisien Bellinzani, P. Sonata in D minor, op 3 no 12. Musica Antiqua Toulon/Christian Mendoze, rec & dir. Pierre Verany PV794112 13 Kraft, A. Cello concerto in C, op 4 (pub. 1792). Anner Bijlsma, vc; Tafelmusik O/Jean Lamon. Harmonia Mundi RD 77757 20 Abel, C. Aria: Frena la nelle lagrime. Emma Kirkby, sop; Charles Medlam, va da gamba. EMI CDC 7 49799 2 10 Neubauer, F. Symphony in B flat, op 8 no 6. Czech Chamber PO/Petr Chromcák. Alto ALC 1301 21 André, J. Clarinet quartet in E flat, op 54 (1799). Anne Menzies, cl; Donald Hazelwood, vn; Peter Pfuhl, va; Patricia Mendelow, vc. Fine Music concert recording 16 14:30 THRIVING IN EXILE Prepared by James Nightingale Panufnik, A. Sinfonia concertante for flute, harp and strings. Aurèle Nicolet, fl; Osian Ellis, hp; Menuhin FO/Andrzej Panufnik. LP EMI EMD 5525 21 Kuhlau, F. Violin sonata in F minor, op 33 (1821). Christina Åstrand, vn; Per Salo, pf. Dacapo 8.226083 23 Henselt, A. Love poem, op 3. Piers Lane, pf. Hyperion CDA67495 7 Ben-Haim, P. Concerto grosso (1931). NDR Radio PO/Israel Yinon. cpo 777 677-2 29 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 FRIDAY JAZZ SESSION

22:00 BAROQUE AND BEFORE Music in the Vatican Prepared by Elaine Siversen Mazzocchi, V. Lauda Jerusalem. Cantus Cölln; Concerto Palatino/Konrad Junghänel. Harmonia Mundi HMC 902001 6

Grieg, E. Holberg suite, op 40 (1884; orch. 1885). Israel CO/Yoav Talmi. Chandos CHAN 8593 22

Fauré, G. Dolly suite, op 56 (1893-96; orch. Rabaud). BBC PO/Yan Pascal Tortelier. Chandos CHAN 9416 17 Schubert, F. Wanderer fantasy, D760 (1822; orch. Liszt). Jorge Bolet, pf; London PO/Georg Solti. Decca 425 689-2 22

09:05 THE PIANO ALONE Prepared by Derek Parker Saint-Saëns, C. Waltz, from Danse macabre, op 40 (1874, arr. Liszt, Horowitz). DG 479 0052 8 Ravel, M. La valse (1921). DG 477 8795

Brahms, J. Variations on a theme of Paganini, op 35 (1863). DG 477 8795

Scarlatti, D. Salve Regina (c1717). James Bowman, ct; King's Consort/Robert King, Hyperion CDA66875 13

Yuja Wang, pf (all above)

Nanino, G. Diffusa est gratia. Doron David Sherwin, cornett; Andrea Marcon, org. Giulia GS 201010 4 Lorenzani, P. Litany of Our Lady. Le Concert Spirituel. Naxos 8.553648 9 Allegri, G. Psalm 50 (51): Miserere mei Deus. Tallis Scholars/Peter Phillips. Gimell GIM 041 14 Frescobaldi, G. Aria detta la Frescobalda (c1620). Rafael Puyana, hpd. Mercury 462 959-2 5 Palestrina, G. da Missa Papae Marcelli (pub. 1567). Choir of Westminster Abbey/Simon Preston. Archiv 439 961-2 32 Arcadelt, J. O felici occhi miei; Il bianco e dolce cigno. Capella Antiqua, Munich/Konrad Ruhland. Pro Arte CDD 286 3

Saturday 17 July 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SATURDAY MORNING MUSIC With David Garrett 09:00 WHAT'S ON IN MUSIC Our weekly guide to musical events in and around Sydney

Albeniz, I. Triana, from Iberia, bk II (190608). DG 479 0052 5

Frescobaldi, G. Toccata avanti il ricercar; Toccata per la levatione; O Jesu mi dulcissime, from Missa Hodie Christus natus est. Angus Smith, ten; Paula Chateauneuf, chitarrone; Timothy Roberts, org; Archiv 437 833-2 7

Anerio, F. Christe redemptor omnium. Choir of Westminster Cathedral/James O'Donnell. Hyperion CDA66417 8

20:00 EVENINGS WITH THE ORCHESTRA Prepared by Chris Blower

Chaminade, C. Autumn (c1890; orch. Uy). Michael Guttman, vn; Royal PO/José Serebrier. ASV DCA 855

Albéniz, I. Suite española, op 47 (1886; orch. Frühbeck de Burgos). Mexico State SO/ Enrique Bátiz. ASV DCA 888 42

Strauss, J. II Tritsch-tratsch-polka, op 214 (1858, arr. Cziffra). DG 479 0052 3 10:00 MUSICAL JOURNEYS Prepared by Jennifer Foong Gade, N. Overture: Echoes from Ossian, op 1 (1840). Danish National RSO/Dmitri Kitaienko. Chandos CHAN 9075 15 Albéniz, I. Malagueña, from Memories of travels, op 71 no 6 (pub. 1887; arr. Kreisler). Ida Haendel, vn. ABC 461 900-2 4 German, E. Glorious Devon (1905). Peter Dawson, bass bar. ASV AJA 5114 3 Svendsen, J. Carnival in Paris, op 9 (1872). Bergen PO/Neeme Järvi. Chandos CHAN 10693 12 Dvorák, A. Symphony no 1 in C minor, op 3, The bells of Zlonice (1865) Berlin PO/Rafael Kubelik. DG 469 550-2 48 11:30 ON PARADE Music that’s band Prepared by Owen Fisher Anon. Hymn tune: St Clements. Carlton Main (Frickley) Band/Robert Oughton. LP Grosvenor GRS 1043 1 Tchaikovsky, P. Finale to 1812 Overture. Allentown Band/Ron Demkee. AMP 2K 085

Waldteufel, E. Grenadiers waltz. GUS (Footwear) Band/Stanley Boddington. LP Columbia TWO 364

Prieto, J. The wedding waltz. Len Withington, euphonium; Wingates Temperance Band/ Dennis Smith. LP Astor GGS 1354 2

Sousa, J.P. Humoresque on Jerome Kern’s Look for the silver lining. Allentown Band/ Ronald Demkee. AMP 20059 8 12:00 URBAN JAZZ LOUNGE With Leita Hutchings

Ibert, J. Suite from Golgotha (1935). Slovak RSO/Adriano. Marco Polo 8.223287 35

13:00 STUDENTS OF NADIA BOULANGER Prepared by Jacky Ternisien Kapralova, V. April preludes, op 13 (1937). Bengt Forsberg, pf. dB Productions dBCD170 10 Bauer, M. Symphonic suite for strings, op 33 (1940). Ambache CO. Naxos 8.559253 11 Jacopo da Bologna - Landini, F. Non al suo amante; Dolcie signiore; La bionda trezza. Judith Malafronte, mezz; Newberry Consort. Harmonia Mundi HMU 907038 9 Glanville-Hicks, P. Harp sonata (1950). Marshall McGuire, hp. Tall Poppies TP112

Hindemith, P. Suite: Nobilissima visione, suite (1938). Carol Rosenberger, pf; Royal PO/ James dePreist. Delos DE 1006 22 Musgrave, T. Excursions: eight duets for piano, four hands (1965). Thea Musgrave, Malcolm Williamson, pf. Lyrita SRCD.253 8 Glanville-Hicks, P. Concertino da camera (1948). Tall Poppies Ensemble/David Stanhope. Tall Poppies TP133 9 14:30 SATURDAY MATINEE Prepared by Angus McPherson Britten, B. Ballet: The prince of the pagodas, op 57. O of Royal Opera House/Benjamin Britten. Decca 28-29 1:41 Debussy, C. Jeux, poème dansé (c1912-13). Cleveland O/Lorin Maazel. Decca 480 6630 17 Sculthorpe, P. Music for Bali (1968). Tasmanian SO/Richard Mills. ABC 476 7627

McPhee, C. Toccata for orchestra: TabuhTabuhan. Eastman-Rochester O/Howard Hanson. Mercury 36 17 17:00 SOCIETY SPOT Classical Guitar Society With Sue McCreadie

Grabowsky, P. Molokai (1999). Jonathan Ryan, voice; Shelley Scown, voice; Christine Sullivan, voice; members of Victorian PO/Paul Grabowsky, pf & dir. ABC 461 700-2 20

Sunday 18 July 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC With Robert Small

19:00 EMERGENT JAZZ With Keith Pettigrew

09:00 MUSICA SACRA Prepared by Jacky Ternisien

20:00 THE LIFE OF A COMPOSER Anton Arensky Prepared by Di Cox

Widor, C-M. Mass for two choirs and two organs, op 36. Choir of Westminster Cathedral; Hyperion Chorus of Baritones; Joseph Cullen, org; Andrew Reid, org; James O'Donnell, cond. Hyperion CDA66898 16

Arensky, A. Overture to The dream on the Volga (1891). Ukraine NSO/Theodore Kuchar. Naxos 8.554843 7 Suite no 1 for two pianos, op 15 (1888). Joan Yarbrough, pf; Robert Cowan, pf. Pantheon D 07183 14 Variations on a theme by Tchaikovsky, op 35a (1894). St Petersburg Camerata/Saulius Sondeckis. Sony SMK 58 976 14 Violin concerto in A minor, op 54 (1891). Sergei Stadler, vn; Leningrad PO/Vladislav Chernushenko. Melodiya MA 3014 23 Piano trio no 1 in D minor, op 32 (1894). Australian Trio. ABC 476 123-1

Suite from ballet Egyptian nights, op 50a (1902). USSR RSO/Boris Demchenko. Melodiya MEL 45002-2 20 22:00 SATURDAY NIGHT AT HOME Prepared by Rex Burgess Vivaldi, A. Concerto in D for two violins, lute and continuo, RV93 (c1730). Nils-Erik Sparf, vn; Tullo Galli, vn; Kari Otteson, vc; Alf Petersén, violone; Jakob Lindberg, archlute; Maria Wieslander, org. BIS CD-290 10

Dufay, G. Ave, Maris Stella. The Parsons Affayre/Dan Walker. Vox Foris MMPA004

Schubert, F. Mass no 1 in F, D105 (1814). Immortal Bach Ensemble; Leipzig CO/Morten Schuldt-Jensen. Naxos 8.572279 33 10:00 THE CLASSICAL ERA Prepared by Paul Cooke Martines, M. Sinfonia in C (1770). Bay Area Women’s PO/JoAnn Falletta. Newport Classic NCD 60102 15 Pleyel, I. Sonata in D (c1783-84). Masha Dimitrieva, pf. Gramola 98816 14 Bellini, V. Paraphrase for clarinet, clarinet piccolo and piano, from La sonnambula (1831). Alessandro Carbonare, cl; Gilbert Monier, cl picc; Andrea Dindo, pf; Quatuor Z. Harmonia Mundi HMA 1951722 12 Teyber, A. Horn concerto in E flat (c1782). Hector McDonald, hn; Academy of Melbourne/ Brett Kelly. Tall Poppies TP042 16 Arriaga, J. Erminia. Rosamund Illing, sop; Melbourne SO/Heribert Esser. ABC 434 898-2 14

Alkan, C-V. Symphony, from 12 studies in minor keys, op 39, Études nos 4-7 (pub. 1857). Schubert, F. Piano trio no 1 in B flat, D898 Jack Gibbons, pf. ASV DCS 227 27 (1827). Isaac Stern, vn; Leonard Rose,vc; Eugene Istomin, pf. Respighi, O. Concerto all’antica (pub. 1923). Sony SM2K 64516 38 Ingolf Turban, vn; English CO/Marcello Viotti. Claves CD 50-9017 28 12:00 CLASSIC JAZZ AND Schubert, F. String quartet in G, D887 (1826). RAGTIME With Jeannie McInnes Australian String Quartet: William Hennessy, vn; Elinor Lea, vn; Keith Crellin, va; Janis 13:00 WORLD MUSIC: Whirled Laurs, vc. Wide Fine Music concert recording 47 With Linda Marr

18:00 STAGE AND SCREEN Prepared by Paul Cooke

14:00 TRIOS Prepared by Jennifer Foong

17:00 HOSANNA Prepared by Richard Munge

Leclair, J-M. Trio sonata in D, op 2 no 8 (pub c1728). Fenwick Smith, fl; Laura Jeppesen, bass viol; John Gibbons, hpd. Naxos 8.557440-41 9

Hymn. All my hope on God is founded. Combined Choir of St Mary’s Cathedral, St Andrew’s Cathedral and St James’ Church, Sydney; David Drury, org. Soundwright 4

Tchaikovsky, P. Piano trio in A minor, op 50, In memory of a great artist. Beaux Arts Trio. Philips 422 400-2 47 15:00 SUNDAY SPECIAL Pauline Viardot, family and friends Prepared by Elaine Siversen

Psalm. No 84: O how amiable are thy dwellings. Choir of Westminster Abbey; Simon Preston, org; William McKie, cond. 4 No 24: The earth is the Lord’s. Choir of St John’s College, Cambridge; Jonathon Beilby, org; George Guest, cond. 3 Decca 452 941-2 (2 above)

Viardot, Pauline. My river (1865); Water nymph (1865). Miriam Alexandra, sop; Eric Schneider, pf. OEHMS OC 1878 10 Garcia, M. E non lo vedo, from La figlia dell’aria (1826). Cecilia Bartoli, mezz; International Chamber Soloists; O La Scintilla/ Adám Fischer. Decca 475 9077 7 Rossini, G. Assisa a’ pie d’un salice, from Otello (1816). Julia Lezhneva, sop; Warsaw Chamber Opera Choir; Sinfonia Varsovia/Marc Minkowski. naïve V 5221 9 Liszt, F. Three concert studies (1840). Elisso Wirssaladze, pf. Live Classics LCL 341-2 18 Malibran, M. Rataplan. Cecilia Bartoli, mezz; Benjamin Forster, drum; O La Scintilla/Adám Fischer. Decca 475 9077 2 Bériot, C-A. de Violin concerto no 5 in D, op 55 (c1848). Philippe Quint, vn; Slovak RSO/ Kirk Trevor. Naxos 8.570360 15 Viardot, Pauline. Early in the morning (1865); Two roses (1865). Miriam Alexandra, sop; Eric Schneider, pf. OEHMS OC 1878 4 Violin sonatina in A minor (1874). Reto Kuppel, vn; Wolfgang Manz, pf. Naxos 8.573607 11 Havanaise; Hai luli! Cecilia Bartoli, mezz; Jean-Yves Thibaudet, pf. Decca 455 981-2

Viardot, Paul. Violin sonata no 2 in B flat (1902). Reto Kuppel, vn; Wolfgang Manz, pf. Naxos 8.573607 19

Howells, H. Magnificat; Nunc dimitis, from St Paul’s service. Choir of St Paul’s Cathedral, London; Christopher Dearnley, org; John Scott, cond. Hyperion SPCC 2000 12 Schubert, F. Anthem: The Lord is my shepherd.

Tchaikovsky, P. Symphony no 3 in D, op 29, Polish (1875). London PO/Mstislav Rostropovich. EMI 5 65709 2 46 20:30 NEW HORIZONS Prepared by Nev Dorrington Roedelius, H-J. Piano piano (1991). HansJoachim Roedelius, pf. BUREAU B BB 067 48 Marchal - Tullett. Lissom (2018). Ed Tullett, voice; Julien Marchal, pf. Whales Records BO7GNMPNHN 33 Evgrafov, D. Nothing to say (2015). Dmitry Evgrafov, various instruments. 130 701 Records CD13-21 5 22:00 JAZZ AFTER HOURS With Lyn Chong

Monday 19 July

Britten, B. Missa brevis. Duncan McLaren, solo chorister; Edward Stevens, solo chorister; Dominic Spencer, solo chorister. 10

00:00 CLASSIC-ALL THROUGH THE NIGHT

Choristers of Canterbury Cathedral; Michael Harris, org; David Flood, cond. YORK CD 120 (2 above)

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Robert Small

Hymns. The day thou gavest Lord is ended; O praise ye the Lord. Choir of Worcester Cathedral; Worcester Festival Choral Society; Paul Trepte, org; Donald Hunt, cond. Griffin GCCD 4024 5 Wesley, S. Organ piece: Choral song and fugue. Ashley Grote, org. Priory PRCD 1153 7 18:00 SMALL FORCES Prepared by Frank Morrison Diamond, D. Quintet in B minor (1937). David Gilbert, fl; Kees Kooper, vn; Paul Doktor, va, Fred Sherry, vc; Mary Louise Boehm, pf. LP Turnabout TV-S 34508 13 Beethoven, L. Sextet in E flat for two horns and string quartet, op 81b (c1795). Gaudier Ensemble. Hyperion CDA66513 16 Clarke, R. Piano trio (1921). Bekova Sisters. Chandos CHAN 9844 25 19:00 SUNDAY NIGHT CONCERT Prepared by Nicky Gluch Mozart, W. Minuet in C, K103.13 (1770). Vienna Mozart Ensemble/Willi Boskovsky. Philips 422 506-2 2 Tchaikovsky, B. Piano concerto (1971). Olga Solovieva, pf; Pavel Alfyorov, db; Russian Academy of Music CO/Timur Mynbaev. Naxos 8.557727 35

09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1854 Prepared by Jacky Ternisien Moniuszko, S. Overture to The Hetman’s mistress (1854; orch. Moskowski). Warsaw PO/Antoni Wit. Naxos 8.572716 7 Wieniawski, H. Variations on an original theme, op 15 (1854). Joshua Bell, vn; Samuel Sanders, pf. Decca 475 6715 13 Strauss, J. II Tales of the ball, op 150 (1854). Polish State PO/Oliver Dohnányi. Marco Polo 8.223205 8 Brahms, J. Ballade, op 10 no 4 (1854). Ivo Janssen, pf. Globe GLO 5036 11 Fry, W. Niagara symphony (1854). Royal Scottish NO/Tony Rowe. Naxos 8.559057 14 Berlioz, H. L’impériale, op 26 (1854). Montreal Symphony Choir & O/Charles Dutoit. Decca 475 097-2

Rubinstein, A. Three pieces, op 11 no 2 (1854). Yuri Semenov, vc; Eleonora Teplukhina, pf. Melodiya SUCD 10-00505

10:30 CONCERT HALL Prepared by Chris Blower Elgar, E. Suite no 2 from The wand of youth, op 1b (1908). Ulster O/Bryden Thomson. Chandos CHAN 8318 18 Lalo, E. Symphonie espagnole, op 21 (1873). Anne-Sophie Mutter, vn; French NO/Seiji Ozawa. EMI CDC 7 47318 2 33 Beethoven, L. Symphony no 2 in D, op 36 (1801-02). Vienna PO/Simon Rattle. EMI 5 57445 2 32 12:00 SWING SESSIONS With John Buchanan 13:00 A CENTURY OF TANGO Prepared by Denis Patterson Albéniz, I. Tango, from España, op 165 no 2 (1890; arr. Kreisler). David Frühwirth, vn; Henri Sigfridsson, pf. Avie AV0042 3 Keane, R. The tiger tango, no 3, from Save the animals suite. Piers Lane, pf. Hyperion CDA67967 3

Elegy (1960). Pascal Rogé, pf; Jean-Philippe Collard, pf. Decca 443 968-2 7 Pastoral concerto (1927-28). Zuzana Ruzicková, hpd; Czech PO/Kurt Sanderling. Supraphon SU 4117-2 28

Séverac, D. de L’infidèle (1900); Chanson de Blaisine (c 1900); L’éveil de Pâques (1899). François Le Roux, bar; Graham Johnson, pf. Hyperion CDA66983 9 Alkan, C-V. Concerto for piano solo, from 12 Studies in minor keys, op 39 nos 8 to 10 (1857). Stephanie McCallum, pf. MBS 24 49

09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by Frank Morrison

Swann, D. Twosome: Kang And Jag (Kangaroo Tango/Jaguar), from The bestiary of Flanders and Swann (bef.1961). Michael Flanders, bar; Donald Swann, ten & pf. EMI 5099960845924 2

Chopin, F. Piano sonata no 2 in B flat minor, op 35 (1837-39). Andrei Gavrilov, pf. EMI CDC 7 47344-2 23

Corrette, M. Organ concerto in F, op 26 no 5 (pub. 1756). René Saorgin, org; Nice Baroque McDowall, C. Theatre of tango (2011). Jeremy Ensemble/Gilbert Bezzina. Huw Williams, bar; Tamás Kocsis, vn; Ulster Harmonia Mundi HMA 2905148 9 O/George Vass. Poulenc, F. Violin sonata (1943). Tasmin Little, Dutton Epoch CDLX 7292 19 vn; Piers Lane, pf.

Poulenc, F. Suite from ballet, Les biches (1923; transcr.). Antony Gray, pf. ABC 481 1835 15

Roussel, A. The spider's banquet, op 17 (1913). Conservatoire Concerts Society O/ André Cluytens. EMI 5 68220 2 17

22:00 JAZZ AFTER HOURS With Eddie Bernasconi

Krutoy, I. Tango mio (c 2017). Anna Netrebko, sop; Los Angeles Session O/William Ross. Panorama 479 7679 4

14:30 THE PLEASURES OF POULENC Prepared by Derek Parker

Weber, C.M. Overture to Der Freischütz (1821). New Zealand SO/Antoni Witt. Naxos 8.570296

Tchaikovsky, P. Piano concerto no 2 in G, Four movements from The misunderstood op 44 (1880). Daniel Dodds, vn; Catherine policeman, piano suite (1929). Antony Gray, pf. Hewgill, vc; Garrick Ohlsson, pf; Sydney SO/ ABC 481 1835 7 Vladimir Ashkenazy. Sydney Symphony SSO201301 47 Concerto in G minor for organ, strings and timpani (1938). Simon Preston, org; Adelaide Enescu, G. Orchestral suite no 2, op 20 SO/Nicholas Braithwaite. (1915). Rumanian National Radio O/Horia ABC 432 529-2 22 Andreescu. Olympia OCD 495 25 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 12:00 JAZZ RHYTHM With Jeannie McInnes 19:00 JAZZ PULSE With Chris Wetherall 13:00 100 YEARS OF FRENCH MUSIC 20:00 STORMY MONDAY 1830-1930 With Austin Harrison Prepared by Rex Burgess

Serebrier, J. Flute concerto with tango (2008). Tuesday 20 July Sharon Bezaly, fl; Australian CO/Richard Tognetti, vn & dir. BIS CD-1789 22 00:00 CONTEMPORARY COLLECTIVE Weill, K. Sailors' tango, from Happy end (1929). Carole Farley, sop; Roger Vignoles, pf. 03:00 CLASSICAL TILL DAWN ASV DCA 790 5 06:00 FINE MUSIC BREAKFAST Kats-Chernin, E. Slicked back tango (1996). including Arts Calendar at 7.30am Lorelei Dowling, bn, Elena Kats-Chernin, pf. With Julie Simonds ABC 481 6430 2

Piazzolla, A. History of the tango, op 66 (1986). Geoffrey Collins, fl; Alice Giles, hp. Tall Poppies TP031 19

10:30 CONCERT HALL Prepared by Elaine Siversen

EMI 5 73115 2

Scarlatti, A. Harpsichord toccata in G. Rinaldo Alessandrini, hpd. Arcana A3

Copland, A. Piano quartet (1950). Charles Rex, vn; Rebecca Young, va; Alan Stepansky, vc; Israela Margalit, pf. EMI 5 55405 2 20

Ravel, M. Pavane pour une infante défunte (1899; arr. Lynch). Prudence Davis, fl; Jeffrey Crellin, ob; Peter Lynch, gui. Move MD 3090 6 14:30 OLD KING COLE Prepared by Derek Parker Vaughan Williams, R. Ballet: Old King Cole (1923). London PO/Adrian Boult. Belart 461 3542 19 Mozart, W. Violin concerto no 1 in B flat, K207 (1773). Anne-Sophie Mutter, vn; Academy of St Martin in the Fields/Neville Marriner. EMI 5 62825 2 21 Bach, J.S. Sonata no 1 in G minor, BWV1001 (1720). David Oistrakh, vn. Brilliant Classics 8402 17 Barber, S. Violin concerto, op 14 (1939-40). Joshua Bell, vn; Baltimore SO/David Zinman. Decca 478 2826 23 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm

20:00 JUST IN With Charles Barton A selection from the latest recordings to arrive at the Fine Music Library 22:00 CHAMBER SOIRÉE Prepared by Frank Morrison Beach, A. Piano quintet in F sharp, op 67 (1907). Martin Roscoe, pf; Endellion Quartet. ASV DCA 932 27 Beethoven, L. Octet in E flat, op 103 (1792). European CO Wind Soloists. ASV COE 807 21 Dohnányi, E. Cello sonata in B flat, op 8 (1899). Paul Katz, vc; Barry Snyder, pf. Pro Arte CDD 239 23 Zaniboni, A. Sonata for mandolin and harp (1772). Stephen Lalor, mand; Louise Johnson, hp. Fine Music concert recording 7 Fuchs, R. Clarinet quintet in E flat, op 102 (1914). Paul Meyer, cl; Carmina Quartet. Denon CO-78801 30

Mouret, J-J. Symphonies de chasse (c1729). André Both, hn; La Grande Écurie et La Chambre du Roy/Jean-Claude Malgoire, LP CBS SBR 235988 8 Dollé, C. Deuxième suite in C minor, op 2 (1737). Wieland Kuijken, va da gamba; Sigiswald Kuijken,va da gamba; Robert Kohnen, hpd. Accent ACC 67808 D

10:30 CONCERT HALL Prepared by Michael Field Schoenberg, A. Suite in G (1934). German Chamber PO/Mario Venzago. Virgin VC 7 91173-2 32 Brahms, J. Double concerto in A minor (1887). Steven Isserlis, vc; Academy of St Martin in the Fields/Joshua Bell, vn & dir. Sony 88985321792 33 Haydn, J. Symphony in D, Hob.I:73, Hunt (c1781). Esterházy O/David Blum. Vanguard 08 9061 71 20 12:00 JAZZ SKETCHES With Robert Vale 13:00 IN CONVERSATION With Simon Moore

Wednesday 21 July

14:00 THE SYMPHONIES OF SIBELIUS Prepared by Ron Walledge

00:00 CONTEMPORARY COLLECTIVE

Sibelius, J. Historical scenes II, op 66 (1912). Gothenburg SO/Neeme Järvi. BIS CD-295 18

03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Janine Burrus 09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by Jennifer Foong Albinoni, T. Concerto with two oboes in G, op 9 no 6. Anthony Robson, ob; Catherine Latham, ob; Collegium Musicum 90/Simon Standage. Chandos CHAN 0602 9 Vitali, T. Flute sonata in B minor. Brisbane Baroque Trio. Grevillea GRV 1082 7 Kraus, J.M. Rondo in F (1780). Jacques Després, pf. Naxos 8.555771

Sony 19075821552

19:00 THE JAZZ BEAT With Lloyd Capps

Eccles, J. I burn, I burn, from The comical history of Don Quixote (1694). Simone Kermes, sop; Enrico Casazza, vn; La Magnifica Comunità/Enrico Casazza. Sony 88875111382 3

Suite from Swanwhite, op 54 (1909). Iceland SO/Petri Sakari. Chandos CHAN 9158 19 Symphonic poem: The oceanides, op 73 (1914). Bergen PO/Edward Gardner. Chandos CHSA 5178 10 Night ride and sunrise, op 55 (1908). New Zealand SO/Pietari Inkinen. Naxos 8.570763 17 The bard, op 64 (1913). Masayo Matsuo, hp; Gothenburg SO/Neeme Järvi. BIS 384 8 Symphony no 5 in E flat, op 82 (1915/19). Vienna PO/Leonard Bernstein. DG 427 647-2 36 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 PLANET JAZZ With Xavier Bichon

Graun, J. Quintet in A minor for traverso, oboe, viola, cello and obbligato harpsichord. Notturna/Christopher Palameta, ob & dir.

20:00 AT THE OPERA Prepared by James Nightingale Rimsky-Korsakov, N. The Tsar’s bride. Opera in four acts. Libretto by the composer and I.F. Tyumenev. First performed Moscow, 1899. MARFA: Marina Shaguch, sop IVAN LYKOV: Evgeny Akimov, ten GRIGORY GRIAZNOY: Dimitri Hvorostovsky, bar YELISEY BOMELIUS: Nikolai Gassiev, ten LYUBASHA: Olga Borodina, mezz Kirov Ch & O/Valery Gergiev. Philips 462 618-2 2:29 Brooding over his rejection by Marfa, a merchant’s daughter who is betrothed to her longtime sweetheart Lykov, the adventurer Griaznoy asks the physician Bomelius for a love potion. His jealous mistress Lyubasha asks Bomelius for a potion that will destroy Marfa’s beauty. At Marfa’s wedding to Lykov, Gryaznoy offers her a drink, but Lyubasha has substituted her potion. It is learned that Marfa has been chosen by the Tsar as his wife. Lykov is falsely accused of poisoning her and is executed. Marfa loses her mind. Gryaznoy confesses to betraying Lykov and administering the potion. When Lyubasha confesses that she has substituted her own potion he stabs her. As he is led away to execution, Marfa believes he is Lykov. Skryabin, A. Piano sonata no 5, op 53 (1907). Yuki Matsuzawa, pf. Pianissimo PP 10394

23:00 MUSIC OF THE NIGHT Prepared by James Nightingale Shostakovich, D. Quartet no 15 in E flat minor, op 144 (1974). Emerson String Quartet. DG 463 284-2 35 Denisov, E. Four pieces for flute and piano (1977). Manuela Wiesler, fl; Roland Pöntinen, pf. BIS 419 10 Firsova, E. Meditation in the Japanese garden, op 54 (1991). Marsyas Trio. Meridian CDE 84635

Thursday 22 July 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Simon Moore

09:00 DIVERSIONS IN FINE MUSIC The instruments: Strings Prepared by Paul Cooke Howells, H. Three dances (1915). Malcolm Stewart, vn; Royal Liverpool PO/Vernon Handley. Hyperion CDA66610 14 Grenfell, M. Di primavera (1998/2001). Karin Schaupp, gui; Claire Edwardes, mar. ABC 481 7995 8 Salzédo, C. Ballade, op 28 (pub. 1913). Judy Loman, hp. Naxos 8.554561 10 Campagnoli, B. String quartet no 6 in C. Ensemble Symposium. Brilliant Classics 95037 17 Loeffler, C. La cloche fêlée (1893). Anne Sofie van Otter, mezz; Antoine Tamestit, va; Bengt Forsberg, pf. Naïve V 5343 8 Brahms, J. Viola sonata in F minor, op 120 no 1 (1894). Josef Kluson, va; Sachiko Kayahara, pf. Praga Digitals PRD250177 22 10:30 CONCERT HALL Prepared by Jennifer Foong Telemann, G. Overture suite in D. English Concert/Trevor Pinnock. Archiv 437 558-2 25 Bowen, Y. Rhapsody, op 74 (c1924). Raphael Wallfisch, vc; BBC Concert O/Martin Yates. Epoch CDXL 7263 24 Dvorák, A. Symphony no 3 in E flat, op 10 (1873). Slovak PO/Stephen Gunzenhauser. Naxos 8.550268 34 12:00 JAZZ, PURE AND SIMPLE With Maureen Meers 13:00 SAME TIME, DIFFERENT PLACE London to Leipzig 1836 Prepared by Brian Drummond MacFarren, G. Overture: Chevy Chace (1836). English Northern Philharmonia/David Lloyd-Jones. Hyperion CDA66515 8 Mendelssohn, F. Auf Flügein des Gesanges, op 34 no 2 (1836). Olaf Bär, bar; Geoffrey Parsons, pf. EMI 5 55345 2 3 Bennett, W. Sterndale Overture: The Naiades, op 15 (1836). Philharmonia O/ Nicholas Braithwaite. Lyrita SRCD.206

14:00 A BEETHOVEN CONCERT Prepared by Rex Burgess Beethoven, L. Overture to Coriolan, op 62 (1807). Gewandhaus O/Kurt Masur. Decca 478 6962 8 Piano concerto no 4 in G, op 58 (1806). Paul Lewis, pf; BBC SO/Jirí Belohlávek. Harmonia Mundi HMC 902053/55 33 Fantasia in C minor, op 80, Choral (1807). German State Opera Choir; Berlin PO/Daniel Barenboim. EMI 5 55516 2 20 Symphony no 3 in E flat, op 55, Eroica (1803). Vienna PO/Simon Rattle. EMI 5 57445 2 50 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 THE NEW JAZZ STANDARD With Frank Presley 20:00 THE WORLD OF A SYMPHONY Prepared by Frank Morrison Dvorák, A. String quartet no 7 in A minor, op 16 (1874). Chilingirian Quartet. Chandos CHAN 8826 27 Chabrier, E. Larghetto (1875). Ronald Janezic, hn; Vienna PO/John Eliot Gardiner. DG 447 751-2 10 Mahler, G. Der Spielmann (1880-90). Joan Rodgers, sop; Linda Finnie, cont; Hans Peter Blochwitz, ten; Robert Hayward, bar; Bath Festival Ch; Waynflete Singers; Bournemouth SO/Richard Hickox. Chandos CHAN 9247 18 Lehár, F. Violin concertino in B minor (1888). Latica Honda-Rosenberg, vn; Hanover Radio PO/Klauspeter Seibel. cpo 999 423-2 17

Friday 23 July 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Annabelle Drumm 09:00 DIVERSIONS IN FINE MUSIC Something borrowed Prepared by Stephen Wilson Strauss, J. II Waltz: Memories of Covent Garden, op 329 (1867). Vienna PO/Willi Boskovsky. Decca 436 783-2

Beethoven, L. 12 Variations on a theme by Handel from Judas Maccabaeus, WoO45 (1796). Anssi Karttunen, vc; Tuija Hakkila, pf. apex 0927-49595-2 12 Britten, B. Lachrymae, reflections on a song of John Dowland, op 48a (1950). Rivka Golani, va; I Musici de Montréal/Yuli Turovsky. Chandos CHAN 8817 16 Mozart, W. Alla turca, from Piano sonata no 11 in A, K331 (1781-83; arr. Fourés). Zurich CO/Daniel Hope, vn & dir. DG 479 8376 3 Weber, C.M. Variations on a Norwegian air, op 22 (1806). Alexis Galpérine, vn; Jean-Louis Haguenauer, pf. Timpani 1 C 1007 13 Liszt, F. Fantasy on Hungarian folk songs, S123 (c1852-55). Leslie Howard, pf; Budapest SO/Karl Anton Rickenbacher. Hyperion CDS44598 16

Glinka, M. Variations on a theme from Bellini's The Capulets and Montagues (1832). Brahms, J. Symphony no 3 in F, op 90 (1883). Francesco Bertoldi, pf. London PO/Marin Alsop. Nuova Era 7232 11 Naxos 8.557430 37 10:30 CONCERT HALL 22:00 STRING QUINTET Prepared by Michael Field Bruch, M. String quintet, op posth. (1918). Chadwick, G. Symphonic sketches (1895Ensemble Ulf Hoelscher. 1904). Eastman-Rochester O/Howard Hanson. cpo 999 451-2 26 Mercury 475 6274 31 22:30 ULTIMA THULE

Mozart, W. Double concerto in C, K299 (1778). Jane Rutter, fl; Louise Johnson, hp; Sydney Bach O/Richard Bonynge. ABC 476 6475 29 Bennett, W. Sterndale Symphony in G minor, op 43 (1864). London PO/Nicholas Braithwaite. Lyrita SRCD.206 24

Schumann, R. Fantasy in C, op 17 (1836-38). Vladimir Ashkenazy, pf. Decca 443 322-2 30

12:00 A JAZZ HOUR With Barry O'Sullivan 13:00 CLASSICAL ERA STRING QUARTETS Prepared by Frank Morrison Hummel, J. Wind octet-partita in E flat (1803). Albion Ensemble. Helios CDH55037 14 Janitsch, J. Sonata in A minor, op 7 no 2 (1751). Tempesta di Mare Chamber Players/ Gwyn Roberts. Chandos CHAN 0820 10 Haydn, J. String quartet in D, Hob.III:49, Frog (1787). Salomon Quartet. Hyperion CDA66822 30 14:00 TRACING THE MUSICAL HERITAGE Prepared by Chris Blower Glière, R. Concerto in F minor for coloratura soprano, op 82 (1943). Natalie Dessay, sop; Berlin SO/Michael Schønwandt. EMI 5 56565 2 14 Rachmaninov, S. Capriccio on gypsy themes, op 12 (1892/94). Queensland SO/Vladimir Verbitsky. ABC 438 880-2 20 Arensky, A. Suite no 2, op 23, Silhouettes (1892). Danish National RSO/Neeme Järvi. Chandos CHAN 8898 19 Violin concerto in A minor, op 54 (1891). Ilya Gringolts, vn; BBC Scottish SO/Ilan Volkov. Hyperion CDA67642 19 Rimsky-Korsakov, N. Suite from The tale of Tsar Saltan, op 57 (1903). Philharmonia O/ Vladimir Ashkenazy. Decca 478 5616 19 Capriccio espagnol, op 34 (1887). Seattle SO/ Gerard Schwarz. Naxos 8.572788 16 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 FRIDAY JAZZ SESSION 20:00 EVENINGS WITH THE ORCHESTRA Prepared by Rex Burgess Myaskovsky, N. Silence in F minor, op 9 (1909). Russian Federation SO/Yevgeny Svetlanov. Warner Classics 69689-8 21 Violin concerto in D minor, op 44 (1938). Vadim Repin, vn; Kirov O/Valery Gergiev. Philips 473 343-2 37 Symphony no 8 in A, op 26 (1925). Russian Federation SO/Yevgeny Svetlanov. Warner Classics 69689-8 52

Françaix, J. Suite: Napoléon for piano four hands (1954). Martin Jones, Adrian Farmer, pf. Nimbus NI 5880/2 27

22:00 BAROQUE AND BEFORE Spanish composers of the Renaissance and Baroque eras Prepared by Robert Gilchrist Victoria, T. de Popule meus. Kings’ Singers. Naxos 8.572987 6 Murcia, S. de Suite in D minor (pub. 1732). Barry Mason, baroque gui. Amon Ra SAR 45 15 Scarlatti, D. Dir vorrei. Kate Eckersley, sop; Peter Fender, vn; Iona Davies, vn. Unicorn-Kanchana DKP(CD)9119 15 Narváez, L. de Fantasia XIII del primo tono; Ya se asienta el rey Ramiro; Fantasia XIV del primo tono; Diferéncias XXII, from Los seys libros del delphín (pub.1538). Gregory Pikler, gui. Fine Music concert recording 7 Flecha, M. El Viejo The little negress. Isabel Palacios, mezz; Andrew King, ten, Joseph Cornwell, ten; Michael George, bar; New London Consort/Philip Pickett. L’Oiseau-Lyre 444 810-2 10 Soler, A. Fandango in D minor. Jacques Ogg, hpd. Globe GLO 5060 15 Hidalgo, J. Ay amor, ay ausencia! Marta Almajano, sop; Juan Carlos Rivera, archlute, gui; Ventura Riso, bass viol. Harmonia Mundi 1957028 6 Ortiz, D. Four recercadas (arr. Thorn). Benjamin Thorn, rec; Wayne Madden, spinet. Move MD 3219 8 Scarlatti, D. Pur nel sonno almen tel’ora (1730). Cyrille Gerstenhaber, sop; Ensemble XVIII-21, Musique des Lumières/JeanChristophe Frisch. Astrée E 8673 26

Saturday 24 July

06:00 SATURDAY MORNING MUSIC With Stephen Wilson 09:00 WHAT'S ON IN MUSIC Our weekly guide to musical events in and around Sydney

Tchaikovsky, P. Capriccio italien, op 45 (1880). London SO/Gennady Rozhdestvensky. IMP PCD 875

Bax, A. Tone poem: Tintagel (1919). Royal Scottish NO/David Lloyd-Jones. Naxos 8.557599 15 Schubert, F. Piano quintet in A, op 114, Trout (1819). Charmian Gadd, vn; Irina Morozova, va; Julian Smiles, vc; Max McBride, db; Kathryn Selby, pf. Fine Music concert recording 33 11:30 ON PARADE Prepared by Chris Blower Ball, E. Rhapsody on Negro spirituals no 2 (1973). John Foster Black Dyke Mills Band/ Roy Newsome. Chandos CHAN 6539 9 Barry, J. Medley of themes from James Bond movies. Grimethorpe Colliery Band. RCA 74321 88393 2 6 Puccini, G. Doretta’s aria, from La rondine (arr. Parkes). Mark Walters, flugel hn; Grimethorpe Colliery Band/Peter Parkes. Chandos CHAN 4552 4 Elgar, E. Pomp and circumstance march in D, op 39 no 1 (1901; arr. Wills). Arthur Wills, org; Cambridge Co-operative Band/David Read. Helios CDH88005 5

13:00 IN A SENTIMENTAL MOOD With Maureen Meers Nostalgic music and artists from the 30s, 40s and 50s and occasionally beyond, in a trip down many memory lanes 14:00 SATURDAY MATINEE Liszt’s Christus Prepared by Dan Bickel

09:05 THE PIANO ALONE Prepared by Jacky Ternisien Edelmann, J. Piano sonata in C, op 8 no 1 (1779). Sylvie Pécot-Douatte, pf. Calliope CAL 9296 13

Holst, G. Beni Mora, Oriental suite, op 29 no 1 (1909-10). London PO/Adrian Boult. Lyrita SRCD.222 17

12:00 URBAN JAZZ LOUNGE With Leita Hutchings

00:00 CLASSIC-ALL THROUGH THE NIGHT

Poulenc, F. Suite from The masked ball (1932). Antony Gray, pf. ABC 481 1835

10:00 MUSICAL JOURNEYS Prepared by Rita Felton

Liszt, F. Oratorio: Christus (1836-66). Gächinger Kantorei Stuttgart; Krakow Chamber Choir; Stuttgart RSO/Helmuth Rilling. hänssler 98.121 2:42

Legend of St Francis of Assisi preaching to the Haydn, J. String quartet in D, Hob.III:67, The birds, from Legends (1863). Leslie Howard, pf. lark (1790). The Lindsays. 19 Hyperion CDS44512 9 ASV DCS 236 17:00 SOCIETY SPOT Sydney Schubert Society With Ross Hayes 18:00 STAGE AND SCREEN Prepared by Paul Cooke Johnson, L. Excerpts from The avengers. O/ Laurie Johnson. Edsel EDSD 2017/1 12 O’Connor, M. Song of the Liberty bell, from Liberty!: The American revolution. Mark O'Connor, vn; Yo-Yo Ma, vc; Nashville SO/ Kenneth Schermerhorn. Sony SK 63216 7 Mancini, H. Breakfast at Tiffany's (1961). O/ Henry Mancini. BMG 74321 698782 35 19:00 EMERGENT JAZZ With Keith Pettigrew 20:00 THE LIFE OF A COMPOSER Mario Castelnuovo-Tedesco Prepared by Paul Cooke Castelnuovo-Tedesco, M. Questo fu il carro della morte, op 2 (1913). Jordi Masó, pf. Naxos 8.555856 5 Overture: The merchant of Venice, op 76 (1933). West Australian SO/Andrew Penny. Naxos 8.572501 15 Sonata, op 77, Homage to Boccherini (1934). Julian Bream, gui. EMI 5 55362 2 19 Shakespeare duets, op 97 (1937). Valentina Coladonato, sop; Mirko Guadagnini, ten; Filippo Bettoschi, bar; Claudio Proietti, pf. Brilliant Classics 95548 12 Ballade, op 107 (1940). Francesca Dego, vn; Francesca Leonardi, pf. DG 481 7297 12 Sonatina, op 205. Virginia Taylor, fl; Timothy Kain, gui. Tall Poppies TP003 13 Cello concerto in F (1935). Raphael Wallfisch, vc; Koncerthaus O Berlin/Nicholas Milton. cpo 555 074-2 32 22:00 SATURDAY NIGHT AT HOME Prepared by Chris Blower Beethoven, L. Cantata on the death of Emperor Joseph II, WoO87 (1790). Janice Watson, sop, Jean Rigby, mezz; John Mark Ainsley, ten; José van Dam, bass; Corydon Singers & O/Matthew Best. Hyperion CDA66880 41

Mahler, G. Symphony no 4 in G (1900). Emma Matthews, sop; Sydney SO/Vladimir Ashkenazy. Sydney Symphony SSO201102 54

13:00 WORLD MUSIC: Whirled Wide With Orli Zahava 14:00 TRIOS Prepared by Jennifer Foong

Sunday 25 July

Devienne, F. Sonata in G minor, op 24 no 5 (c1785). Klaus Thunemann, bn; Klaus Stoll, violone; Jörg Ewald Dähler, fp. Claves 50-9207 8

00:00 CLASSIC-ALL THROUGH THE NIGHT

Scarlatti, D. Sonata: Moderato, Kk030. Amsterdam Guitar Trio. Emergo Classics EC 3939-2

06:00 SUNDAY MORNING MUSIC With Terry McMullen 09:00 MUSICA SACRA Prepared by Nicky Gluch Telemann, G. Cantata: Ach Herr, strafe mich nicht. René Jacobs, ct; Members of Kuijken Consort. LP Accent ACC 7912 20 Gabrieli, G. Jubilate Deo à 8 voci. Philip Swanton, org. LP Thorofon Capella MTH 287

12:00 CLASSIC JAZZ AND RAGTIME With Dave Mac

Cherubini, L. Credo for eight voices (1806). Italian RT Chamber Choir/Giuseppe Agostini; Nino Antonellini, org. LP Italia 70051 27 10:00 THE CLASSICAL ERA Prepared by Jacky Ternisien Weber, C.M. Overture to Euryanthe (1823). Staatskapelle Dresden/Marek Janowski. Berlin Classics 0300249BC 9 Aguado, D. Introduction and rondo, op 2 no 3. Anabel Montesinos, gui. Naxos 8.557294 10

Schubert, F. Piano trio no 2 in E flat, D929 (1827). Beaux Arts Trio. Philips 442 9375 41 15:00 SUNDAY SPECIAL Celebrating Marcel Proust Prepared by Paul Cooke Pierné, G. Violin sonata, op 36 (1900). Olivier Charlier, vn; Jean Hubeau, pf. Erato 2292-45525-2 22 Holmès, A. Trois petites pieces (1897). Laura Chislett, fl; David Miller, pf. Walsingham WAL 8018-2 7 Liszt, F. Isoldens Liebestod, after Wagner’s Tristan und Isolde (1867). Leslie Howard, pf. Hyperion CDS44538 7 Saint-Saëns, C. Violin sonata no 1 in D minor, op 75. Michiko Kamiya, vn; Ian Brown, pf. Naxos 8.554401-02 21 Fauré, G. Nocturne no 6 in D flat, op 63 (1894). Kathryn Stott, pf. Hyperion CDA66911/4

9 Arnold, S. Incidental music to Macbeth (1778). Hahn, R. L’heure exquise, from Chansons Toronto Camerata/Kevin Mallon. grises (1887-90). Alice Coote, mezz; Graham Naxos 8.557484 18 Johnson, pf. Bach, J. Christian Sonata in G, op 17 no 1 Hyperion CDA67962 2 (1762). Robert Woolley, fp. La barcheta, from Venice (1901). Anne Sofie Chandos CHAN 0543 12 von Otter, mezz; Bengt Forsberg, pf. Rigel, H-J. Flight from Egypt. Isabelle DG 463 479-2 3 Poulenard, sop; Philippe Do, ct; Alain Buet, À Chloris (1916). Stéphanie d’Oustrac, mezz; bar; Versailles Baroque Music Centre Singers; Pascal Jourdan, pf. O des Folies Françoises/Olivier Schneebeli. Ambronay AMY042 3 MBF 1108 19 Franck, C. Cello sonata in A (1886; transcr. Jadin, H. String quartet, op 2 no 1 (1796). Ma). Yo-Yo Ma, vc; Kathryn Stott, pf. Rasumovsky Quartet. Sony SK 87287 27 ASV GAU 151 18 Ravel, M. Pavane pour une infante défunte Haydn, J. Symphony in G, Hob.I:88 (c1787). (1899). Guitar Trek. Friedrich Dolezal, vc; Austro-Hungarian Haydn ABC 442 508-2 6 O/Adám Fischer. Nimbus NI 5417/8 22

17:00 HOSANNA Prepared by Jeremy Hall

19:00 SUNDAY NIGHT CONCERT Prepared by Frank Morrison

Hymn. Sun of my soul, thou Saviour dear. Choir of Wells Cathedral; Rupert Gough, org; Malcolm Archer, cond. Hyperion CDP12102 4

Dittersdorf, C. Sinfonia no 6 in D (1783). Failoni O/Hanspeter Gmür. Naxos 8.553369 20

Walford Davies, H. Psalm 91. Choir of St Paul’s Cathedral, London; Andrew Lucas, org; John Scott, cond. Hyperion CDS44107 5 Bairstow, E. Save us, O Lord. Choir of St John’s College Cambridge; Paul Provost, org; David Hill, cond. Hyperion CDA67497 5 Tallis, T. Te lucis ante terminum. Cambridge Singers/John Rutter. Collegium COLCD 131 2 Moore, P. Evening prayers. Vasari Singers/ Jeremy Backhouse. Guild BOO3U24VB4 6 Rheinberger, J. Abendlied. Cambridge Singers/John Rutter. Collegium COLCD 131

Gardiner, H. Evening hymn. Choir of St Paul’s Cathedral, London; Simon Johnson, org; Andrew Carwood, cond. Decca 483 1736 7 Sheppard, J. In manus tuas. Cambridge Singers/John Rutter. Collegium COLCD 131

Rietz, J. Clarinet concerto in G minor, op 29. Thea King, cl; English CO/Andrew Litton. Hyperion CDD 22017 22 Prokofiev, S. Symphony no 6 in E flat, op 111 (1947). Ukranian State SO/Theodore Kuchar. Naxos 8.553069 41 20:30 NEW HORIZONS Prepared by James Nightingale Adams, J.L. Become river (2017). Seattle SO/ Ludovic Morlot. Cantaloupe CA21161 15 Lim, L. Extinction events and dawn chorus (2018). Sophie Schafleitner, vn; Klangforum Wein/Peter Rundel. Kairos 0015020KAI 40 Penderecki, K. Quartet for clarinet and string trio (1993). Ensemble Q. Ensemble Q Live 18 To, C. Avialae (2015). Ensemble Offspring. Ensemble Offspring Offspring Bites 2 9 22:00 JAZZ AFTER HOURS With Deborah Evans

Monday 26 July

Joubert, J. O Lorde, the maker of all things. Choir of St Paul’s Cathedral, London; Andrew Lucas, org; John Scott, cond. Hyperion CDA66519 4

00:00 CLASSIC-ALL THROUGH THE NIGHT

Pärt, A. Littlemore tractus. Estonian Philharmonic Chamber Choir/Paul Hillier. Harmonia Mundi B00B489BR0

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With James Hunter

Hymn. God that madest earth and heaven. Choir of Trinity College, Cambridge/Richard Marlow. Conifer B019GRELFM 2 18:00 SMALL FORCES Prepared by Angus McPherson Haydn, J. String quartet in C, Hob.III:39, The bird (1781). Jerusalem Quartet. Harmonia Mundi HMX 2962030 20 Castelnuovo-Tedesco, M. The lark, op 64 (1931). Gran Duo Italiano. Brilliant Classics 95642 12 Messiaen, O. The blackbird (1951). Juliette Hurel, fl; Hélène Couvert, pf. naïve V 4925 6 Brophy, G. Beautiful birds (2019). Ensemble Offspring. ABC 481 9361 15

09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1851 Prepared by Gerald Holder Liszt, F. Wanderer fantasy by Schubert (1822; transcr. 1851). Leslie Howard, pf; Budapest SO/Karl Anton Rickenbacher. Hyperion CDS44597 22 Verdi, G. La donna è mobile, from Rigoletto (1851). Andrea Bocelli, ten; Israel PO/Zubin Mehta. Decca 478 7732 2 Berwald, F. Piano trio no 2 in F minor (1851). Marieke Blankestijn, vn; Christopher Marks, vc; Susan Tomes, pf. Hyperion CDA66834 22 Joachim, J. Violin concerto in G minor in one movement, op 3 (1851). Suyoen Kim, vn; Staatskapelle Weimar/Michael Halász. Naxos 8.570991 20

Liszt, F. Scherzo and march (1851). Nikolai Demidenko, pf. Hyperion CDA66616 14 10:30 CONCERT HALL Prepared by David Brett Holst, G. Hammersmith (1923). Royal Scottish NO/David Lloyd-Jones. Naxos 8.553696

Prokofiev, S. Piano concerto no 3 in C, op 26 (1917-21). Martha Argerich, pf; Swiss-Italian O/Charles Dutoit. DG 477 9884 29 Dvorák, A. Symphony no 8 in G, op 88 (1889). Baltimore SO/Marin Alsop. Naxos 8.572112

12:00 SWING SESSIONS With John Buchanan 13:00 EAST OF THE DANUBE Prepared by Frank Morrison Rosetti, A. Oboe concerto in C (1781-82). Kurt W. Meier, ob; Zurich CO/Johannes Moesus. cpo 777 631-2 21 Richter, F. String quartet in B flat, op 5 no 2 (1768). Members of Concentus Musicus Vienna/Nikolaus Harnoncourt. Teldec 8.41062 12 Benda, G. Harpsichord concerto in G (bef.1766). Antonin Novák, vn; Vojtech Jouza, vn; Karel Spelina, va; Frantisek Sláma, vc; Frantisek Posta, db; Josef Hála, hpd. Supraphon 11 1001-2 20 Dussek, J. Piano quintet in F minor, op 41 (1799). Nepomuk Fortepiano Quintet. Brilliant Classics 94377 24 Suk, J. Serenade in E flat, op 6 (1892). Australian CO/Charles Mackerras. Conifer CDCF 170

15:00 INFLUENCED BY WEBER Prepared by Paul Cooke Taffanel, P. Fantasy on Weber’s Der Freischütz. Sharon Bezaly, fl; Ervin Nagy, pf. BIS CD-1039 11 Clarke, R. Viola sonata (1918). Paul Coletti, va; Leslie Howard, pf. Hyperion CDA66687 21 Hindemith, P. Symphonic metamorphosis on themes by Carl Maria von Weber (1943). Royal Concertgebouw O/Riccardo Chailly. Radio Nederland RCO11004 22 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm

19:00 JAZZ PULSE With Chris Wetherall

12:00 JAZZ RHYTHM With Jeannie McInnes

20:00 STORMY MONDAY With Austin Harrison

13:00 DREAMING Prepared by Derek Parker Moret, N. Violin concerto, Dreaming (1988). Anne-Sophie Mutter, vn; Boston SO/Seiji Ozawa. DG 431 626-2 20

22:00 JAZZ AFTER HOURS With Gail Monjo

Tuesday 27 July

Sculthorpe, P. Cello dreaming (1998). EmmaJane Murphy, vc; Australian CO/Richard Tognetti. Chandos CHAN 10063 16

00:00 CONTEMPORARY COLLECTIVE

Houghton, P. From the Dreaming (1991/97). Jane Rayner, fl; Peter Lynch, gui. Novascribe LR0001 14

03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Julie Simonds 09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by Elaine Siversen

May, B. Frog dreaming. Australian SO/Brian May. Southern Cross SCCD 1019 33

14:30 CONDUCTOR AND PIANIST Daniel Barenboim Schubert, F. Impromptu in F minor, D935 no 1 Prepared by Jacky Ternisien Wagner, R. Overture to Tannhäuser (1845). (1827). Maria João Pires, pf. DG 457 550-2 12 Chicago SO/Daniel Barenboim. Teldec 4509-99595-2 15 Czerny, C. Brilliant fantasy no 2, after Schubert, op 339 (c1836). Andrew Clark, hn; Geoffrey Govier, fp. Helios CDH55074 17 Weckmann, M. Four variations on Die lieblichen Blicke. Gisela Gumz, clvd. Hungaroton HCD 31185

Stanley, J. Organ concerto in D minor op 16 no 4 (pub. 1775). Ensemble Pian e Forte; Antonio Frigé, org & dir. Nuova Era 7019 10

Schubert, F. Rondo in B minor, D895, Rondo brillant (1826). Isaac Stern, vn; Daniel Barenboim, pf. Sony SM2K 64528 16 Mendelssohn, F. Songs without words, bk 4, op 53 (1841). Daniel Barenboim, pf. DG 453 061-2 16

Elgar, E. Cello concerto in E minor, op 85 (1919). Jacqueline du Pré, vc; Philadelphia O/ Daniel Barenboim. 31 Boccherini, L. Quartet no 3 in G minor for two Sony SB2K 63247 harpsichords (1778). Paule van Parys, hpd; 16:00 FINE MUSIC DRIVE Jan van Mol, hpd. including Arts Calendar at 5.00pm LP Pavane ADW 7062 9 Beethoven, L. Piano sonata no 23 in F minor, 19:00 THE JAZZ BEAT op 57, Appassionata (1804). Nicolai Evrov, pf. With Lloyd Capps Fine Music concert recording

10:30 CONCERT HALL Prepared by Rita Felton Bach, J.S. Orchestral suite no 3 in D, BWV1068 (c1731). Australian CO/Richard Tognetti. Sony SK 53356 21 Hummel, J. Trumpet concerto in E flat (1803). Gordon Webb, tpt; Sydney SO/Robert Pikler. LP RCA VRL1 0078 20 Rachmaninov, S. Symphony no 3 in A minor, op 44 (1935-36/38). Sydney SO/Vladimir Ashkenazy. Exton EXCL-00018 39

Schubert, F. Piano quintet in A, D667, Trout (1819). John Harding, vn; Robert Pikler, va; Lois Simpson, vc; Walter Sutcliffe, db; Romola Costantino, pf. LP AWA RSRS 1508 35 Shostakovich, D. String quartet no 3 in F, op 73 (1946). Borodin String Quartet. EMI CDC 7 49267-2 34

Wednesday 28 July 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Janine Burrus 09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by Rex Burgess Rousseau, J-J. Four airs for two clarinets (1770). Michel Portal, cl; Paul Meyer, cl. EMI 5 56732 2 8 Clérambault, L-N. Cantata: Medée (pub. 1710). Rachel Yakar, sop; Reinhard Goebel, vn; Wilbert Hazelzet, fl; Charles Medlam, bass viol; Alan Curtis, hpd. Archiv 437085-2 20 Mattheson, J. Suite no 6 (pub. 1714). Bradford Tracey, hpd. LP EMI 1C 065-99 875 12 Gossec, F-J. Symphonie à 17 parties in F (1809). Concerto Köln/Werner Ehrhardt. Capriccio C8019 24 Jadin, H. String quartet, op 1 no 3 (1797). Rasumovsky Quartet. ASV GAU 151 15 10:30 CONCERT HALL Prepared by Dan Bickel

20:00 JUST IN With David Garrett A selection from the latest recordings to arrive at the Fine Music Library

Grieg, E. Norwegian dances, op 35 (pub 1887; orch. Sitt). Royal Scottish NO/Bjarte Engeset. Naxos 8.557854 18

22:00 CHAMBER SOIRÉE Prepared by Gerald Holder

Strauss, R. Horn concerto no 2 in E flat, AV132 (1942). Barry Tuckwell, hn; London SO/ István Kertész. Decca 478 6420 20

Mozart, W. Horn quintet, in E flat, K407 (1782). Anneke Scott, hn; Ironwood. ABC 481 1244

Fauré, G. Violin sonata no 2 in E minor, op 108 (1916-17). Dong-Suk Kang, vn; Pascal Devoyon, pf. Naxos 8.550906 23

Pettersson, A. Symphony no 7 (1968). Norrköping SO/Leif Segerstam. BIS CD-580 12:00 JAZZ SKETCHES With Robert Vale 13:00 IN CONVERSATION With Simon Moore

14:00 CONCERTANTE Prepared by Brian Drummond Kozeluch, L. Sinfonia concertante in E flat. Jean-Paul Leroy, tpt; Leonardo Colonna, db; Bonifacio Bianchi, mand; Franco Angeleri, pf; I Solisti Veneti/Claudio Scimone. LP Erato STU 71305 32 Moscheles, I. Sonata concertante in G, op 79 (1828). András Adorján, fl; Noël Lee, pf. LP Orfeo S 049832 H 16 Viotti, G. Quartetto concertante, op 3 no 6 in E (1783-86). Viotti String Quartet. Brilliant Classics 95264 15

The Mayor gives the King the keys of the city, honouring his word. The wives and families of the doomed men take their final farewells. The Queen takes pity on Aurelio, his wife, and their infant son and intercedes. The English officers join with their Queen, and King Edward allows the six burghers their freedom, resulting in general rejoicing. Rossini, G. Air de danse no 2: Ballet music from The siege of Corinth (1826). Monte Carlo National Opera O/Antonio de Almeida. Philips 422 843-2 8

22:30 MUSIC OF THE NIGHT Brouwer, L. Three concertante dances (1958- Prepared by Calogero Panvino 59). Debora Halász, pf; Franz Halász, gui. Puccini, G. E lucevan le stelle, from Tosca BIS CD-671 15 (1900; arr. Drapkin). Rastrelli Cello Quartet. 4 Mozart, W. Sinfonia concertante no 1 in E flat, Genuin GEN 15364 K297b (c1778). Derek Wickens, ob; Robert Cage, J. String quartet in four parts (1950). Hill, cl; Martin Gatt, bn; English CO/Barry LaSalle Quartet. Tuckwell, hn & dir. DG 423 245-2 21 Decca 421 393-2 31 Donatoni, F. Marches (1979). Marshall McGuire, hp. 16:00 FINE MUSIC DRIVE ABC 456 696-2 9 including Arts Calendar at 5.00pm 19:00 PLANET JAZZ With Xavier Bichon 20:00 AT THE OPERA Prepared by Camille Mercep Donizetti, G. The siege of Calais. Opera in three acts. Libretto by Salvadore Cammarano. First performed Naples, 1836. EUSTACHIO de SAINT-PIERRE: Christian du Plessis, bar AURELIO: Della Jones, mezz ELEONORA: Nuccia Focile, sop ARMANDO: Mark Glanville, bass KING EDOUARDO: Russell Smythe, bar QUEEN ISABELLA: Eiddwen Harrhy, sop GENERAL EDMONDO: John Treleaven, ten Geoffrey Mitchell Choir; Philharmonia O/David Parry. Opera Rara ORC 9 2:04 The action centres upon English King Edward III’s 1346 siege upon the French coastal city of Calais. The citizens of Calais boldly continue to refuse to surrender so Edward sends an envoy with terms of a compromise. The British will spare the people and city of Calais under one condition: they must choose six citizens of noble birth to die as an example to all rebellious cities of France. The French are horrified but Eustachio silences them and says the demand will be met. Six Frenchmen, including father and son Eustachio and Aurelio, volunteer to be sacrificed. King Edward is overjoyed that he shall have three crowns: those of France, Scotland and England. The hostages are taken to the King’s tent and prepare to meet their doom.

Carter, E. String quartet no 1 (1951). Juilliard String Quartet. Sony 88725443532 42

Donatoni, F. Cloches III (1991). Aldo Orvieto, pf; Renato Maioli, pf; Támmitam Percussion Ensemble/Guido Facchin. Dynamic CDS 97 8

Thursday 29 July

Chopin, F. Étude in C sharp minor, op 10 no 4 (1832). 2 Ravel, M. Alborada del gracioso (1905). 6 Safri Duo, perc (2 above) Chandos CHAN 9482 Ricketson, D. Hol, Spannen, Luiden (1997). Claire Edwardes, mar, perc. Tall Poppies TP193 18 Glanville-Hicks, P. Sonata for piano and percussion (1952). Susanne Powell, pf; CSM Percussion Ensemble/Michael Askill. Canberra School of Music CSM 24 11 10:30 CONCERT HALL Prepared by Frank Morrison Mozart, W. Overture to The magic flute, K620 (1791). Academy of St Martin in the Fields/Neville Marriner. EMI CDM 1 66423 2

Arensky, A. Piano concerto in F minor, op 2 (1882). Stephen Coombs, pf; BBC Scottish SO/Jerzy Maksymiuk. Hyperion CDA66624 26 Korngold, E. Symphony in F sharp, op 40 (1951-52). BBC PO/Edward Downes. Chandos CHAN 9171 52 12:00 JAZZ, PURE AND SIMPLE With Maureen Meers 13:00 100 YEARS OF FRENCH MUSIC: 1830-1930 Prepared by Rex Burgess

Saint-Saëns, C. Piano concerto no 4 in C minor, op 44 (1875). Pascal Rogé, pf; Philharmonia O/Charles Dutoit. Decca 478 2826

03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Simon Moore 09:00 DIVERSIONS IN FINE MUSIC The Instruments: Percussion Prepared by Brian Drummond

Lovelock, W. Suite for wind and percussion. Members of Queensland SO/Patrick Thomas. LP ABC AC 1007 13 Tórroba, F. Moreno Sonatina trianera for four guitars and castanets. Angelita Romero, castanets; Los Romeros. Philips 412 609-2 8 Milhaud, D. Percussion concerto, op 109 (1929-30). Rainer Kuisma, perc; Norrköping SO/Gustaf Sjökvist.

Farrenc, L. Piano quintet no 2 in E, op 31 (1840). Quintetto Bottesini. Brilliant Classics 94815 31

00:00 CONTEMPORARY COLLECTIVE

Mozart, L. Sleigh ride. Liszt Ferenc CO, Budapest/Frigyes Sándor. White Label HRC 066

BIS CD-149

Poulenc, F. Chansons gaillardes (1925-26). Michel Piquemal, bar; Christine Lajarrige, pf. Naxos 8.553642 12 Franck, C. Chorale no 3 in A minor, from Trois chorales (1890). Peter Hurford, org. Argo 410 165-2 12 14:30 ORCHESTRAL MASTERPIECES Prepared by Denis Patterson Elgar, E. Overture: In the South, op 50, Alassio (1903). Vienna PO/John Eliot Gardiner. DG 479 1044

Rachmaninov, S. Symphony no 2 in E minor, op 27 (1906-07). Sydney SO/Vladimir Ashkenazy. Exton EXCL-00018 1:00

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 THE NEW JAZZ STANDARD With Frank Presley 20:00 THE WORLD OF A SYMPHONY Prepared by Di Cox Abel, C. Overture: Sinfonia in C for strings, op 1 no 2 (pub. 1763). Australian Haydn Ensemble/Skye McIntosh. Fine Music concert recording 9 Bach, J. Christian Quintet in D for flute, oboe, violin, viola and continuo, op 11 no 6 (1774). Members of Concentus Musicus Vienna/ Nikolaus Harnoncourt. Teldec 8.41062 14 Clementi, M. Piano concerto in C (c1790). Felicja Blumenthal, pf; Prague SO/Alberto Zedda. Brana Records BR 0008 23 Marsh, J. String quartet in B flat. Salomon Quartet. Hyperion CDA66780 17 Cramer, J. Sonata in C, op 57 (pub. 1817). John Khouri, pf. Entr’acte ESCD 6503 20 Haydn, J. Symphony in D, Hob.I:104, London (1795). London Classical Players/Roger Norrington. EMI CDC 5 55002 2 27 22:00 MANDOLIN INTERLUDE Prepared by Elaine Siversen Barbella, E. Mandolin concerto in D. Anna Torge, mand; Cologne Academy/Michael Alexander Willens. Ars Produktion ARS 38 092 9 Hummel, J. Mandolin sonata in C, op 35 (1810). Dorina Frati, mand; Stefano Fiuzzi, pf. Dynamic CDS 128 17 22:30 ULTIMA THULE

Friday 30 July 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Annabelle Drumm

09:00 DIVERSIONS IN FINE MUSIC Something borrowed Prepared by Elaine Siversen

Satie, E. Ballet réaliste: Parade (1917; arr.). London SO/Antal Dorati. Mercury 478 5092 14

Avison, C. Concerto grosso in D after Scarlatti (pub. 1744). Berlin Ensemble. Schwann 316 015 F1

Honegger, A. Symphony no 5, Di tre re (1950). Bavarian RSO/Charles Dutoit. Erato ECD 88045

Bach, J.S. Concerto in D minor after Vivaldi, BWV596 (c1714). Michel Chapuis, org. LP Telefunken BC 25102-T/2 10 Britten, B. Nocturnal after John Dowland, op 70 (1963). Eduardo Fernández, gui. Decca 478 5364 20 Saint-Saëns, C. Fantasy after Weber’s Oberon (1850). Philippe Graffin, vn; Pascal Devoyon, pf. Helios CDH55353 16 Liszt, F. Excerpts from Six songs after Schubert’s Winterreise. Leslie Howard, pf. Hyperion CDS44378 22

Milhaud, D. Saudades do Brasil, suite of dances, op 67 (1920-21). Alexandre Tharaud, pf. Naxos 8.553443 20 Tailleferre, G. Concertino (1927). Gillian Benet, hp; Women's PO/JoAnn Falletta. Koch 3 7169 2H1 16 Poulenc, F. Cello sonata (1948). Georg Pedersen, vc; Stephanie McCallum, pf. Fine Music concert recording

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 19:00 FRIDAY JAZZ SESSION

10:30 CONCERT HALL Prepared by Michael Field Bizet, G. Suite no 2 from L’arlésienne (1872). London SO/Rafael Frühbeck de Burgos. IMP PCD 905 17 Monn, M. Cello concerto in G minor. Jacqueline du Pré, vc; London SO/John Barbirolli. EMI CZS 5 68132 2

Sibelius, J. Symphony no 1 in E minor, op 39 (1899). Danish National RSO/Leif Segerstam. Chandos CHAN 9107 43 12:00 A JAZZ HOUR With Barry O'Sullivan

20:00 EVENINGS WITH THE ORCHESTRA Prepared by Peter Poole Bax, A. Tone poem: Tintagel (1917-19). Royal Scottish NO/David Lloyd-Jones. Naxos 8.578269-70 15 Bridge, F. The sea (1910-11). BBC National O of Wales/Richard Hickox. Chandos CHAN 10729(6) X 22 Hanson, H. Symphony no 7, A sea symphony (1977). Seattle Symphony Chorale; Seattle SO/Gerard Schwarz. Delos DE3705 18

13:00 TRANSCRIBED Prepared by Brian Drummond

Karlowicz, M. Returning waves, op 9 (1904). New Zealand SO/Antoni Witt. Naxos 8.570295 24

Beethoven, L. Nocturne, op 42 (1796-97; transcr. Primrose). Roberto Diaz, va; Robert Koenig, pf. Naxos 8.557391 13

Arnold, M. The Padstow lifeboat march, op 94 (1967). Grimethorpe Colliery Band/Malcolm Arnold. Sony 88875181702 5

Stravinsky, I. Three movements from Petrushka (1921; transcr. Stravinsky). Simon Trpceski, pf. EMI 5 75202 2 17

Delius, F. Sea drift (1903-04). Bryn Terfel, bass-bar; Bournemouth Symphony Ch & O/ Richard Hickox. Chandos CHAN 9214 26

Respighi, O. Roman festivals (1928-29; transcr. Patterson). The President’s Own United States Marine Band/Michael Colburn. Altissimo ALT63132 24

22:00 BAROQUE AND BEFORE Luther’s ‘miniature bible’ Prepared by Paul Roper

14:00 ERIK SATIE AND FRIENDS Prepared by Jacky Ternisien Auric, G. Ouverture (1920). London SO/Antal Dorati. Mercury 478 5092 8 Durey, L. Hommage à Eric Satie (1916). François Le Roux, bar; Graham Johnson, pf. Hyperion CDA67257 3

Pohle, D. Sonata à 6. Annette Sichelschmidt, vn; Eva Maria Röll, va; Detlef Reimers, sackbuts; Michael McCraw, curtal; Lee Santana, chitarrone. Christoph Lehmann, org; Roland Wilson, cornett & dir. Harmonia Mundi 0542 77183-2 4 Schütz, H. Psalm 100 (101): Jauchzet dem Herren alle Welt, SWV 493 (1671). Song Company; David Drury, org; Roland Peelman, cond. Celestial Harmonies 13139-2 6

Weckmann, M. Toccata no 3 in E minor. Timothy Roberts, hpd. Hyperion CDA 66847

Chandos CHAN 9524

Boccherini, L. Guitar quintet no 9 in C, La ritirata di Madrid (1798). Pepe Romero, gui; Schelle, J. Ach mein herzliebes Jesulein. Academy of St Martin in the Fields Chamber Gundula Anders, sop; Mona Spägele, sop; Lee Ensemble. Santana, chitarrone, Christopher Lehmann, Philips 438 769-2 27 org. Rojas, D. Piano concerto no 1, Harmonia Mundi 05472 77298-2 4 Latinamericanismos (2006). Daniel Rojas, pf; 3

PIETRO, PRINCE OF PALERMO: Horst Günter/Hans Quest, ten FIAMETTA: Rita Streich/Evy Gotthardt, sop LAMBERTUCCIO: Gustav Neidlinger/Rudolf Fenner, ten North German Hamburg Choir; Hamburg RO/ Wilhelm Schüchter. Membran Music Ltd 223983-311 1:58

In 14th century Florence, the erotic novellas of the poet Boccaccio cause a stir and the 31 locals are divided into the female fans of his 11:30 ON PARADE scandalous tales and their jealous husbands. Prepared by Robert Small Boccaccio’s excuse for pursuing the ladies Schütz, H. Psalm 119 (120): Wohl denen, die is his ‘research’. A plot is hatched by the Reed, A. El camino real (1985). 9 ohne Wandel leben, SWV 482-492 (1671). Wagner, R. Elsa’s procession to the cathedral, husbands to chase Boccaccio from the city Moritz Bartels, treb; Hendrik Müller, treb; and have him locked up. Boccaccio has other from Lohengrin (1846-48). 7 Markus Bothe, treb; Sebastian Barth, treb; plans, including one to win the hand of the David James, ct; Ashley Stafford, ct; John Grainger, P. Irish tune from County Derry; Ye Lambertuccio’s foster daughter, Fiametta, Potter, ten; Leigh Nixon, ten; Paul Hillier, bass; banks and braes; I’m seventeen come Sunday. who is the illegitimate daughter of the Duke Gordon Jones, bass; Hanover Boy’s Choir; 10 of Tuscany. Fiametta is summoned to the Detlef Bratschke, rec; Elisabeth Schwanda, Sydney Defence Wind O/Howard Ward (all court to marry a royal husband. Fortunately, rec; Christina Ahrens, rec; Roland Wilson, above) the royal in question is none other than cornett; Bruce Dickey, cornett; Harry Ries, tb; Fine Music concert recording Pietro, Prince of Palermo, who has been in Michael Mulcahy, tb; Charles Toet, tb; Richard Florence attempting to emulate Boccaccio’s Lister, tb; Ingrid Seifert, vn; Richard Gwilt, 12:00 URBAN JAZZ LOUNGE seductions. Pietro is willing to forgo the vn; Charles Medlam, vc; Richard Campbell, With Leita Hutchings marriage in favour of the slightly reformed va; William Hunt, violone; Stephen Stubbs; Boccaccio who has found favour with the chitarrone; John Toll, org; Heinz Hennig, cond. 13:00 THE PRIX DE ROME Duke. Boccaccio writes a play for the Tuscan Virgin 7243 4 82100-2 1:20 Prepared by Jacky Ternisien Court celebrating their betrothal. Hérold, F. Overture to Zampa (1831). New Overture to Morning, noon and night in Philharmonia O/Richard Bonynge. Saturday 31 July Vienna (1844). Royal Scottish NO/Neeme Decca 466 431-2 9 Järvi. Hillemacher, P. Soupir; Ici-bas; Sérénade. Chandos CHSA 5110 8 00:00 CLASSIC-ALL THROUGH John Mark Ainsley, ten; Graham Johnson, pf. Overture to The beautiful Galathea (1865). THE NIGHT Hyperion CDA67523 8 New York PO/Leonard Bernstein. 06:00 SATURDAY MORNING MUSIC Massenet, J. Suite from ballet Le Cid (1885). CBS MYK 44719 8 Academy of St Martin in the Fields/Neville With Krystal Li Marriner. 17:00 ITALIAN DELIGHTS 09:00 WHAT'S ON IN MUSIC Brilliant Classics 94355 20 Prepared by Frank Morrison Our weekly guide to musical events in and Hüe, G. Fantasie. Paul Fried, fl; Robert Thies, Boccherini, L. String quartet in D, op 32 no 3 around Sydney pf. (pub. 1781). Esterházy Quartet. Golden Tone GTCD 005 8 Teldec 4509-95988-2 14 09:05 THE PIANO ALONE Delvincourt, C. Excerpts from Prepared by Peter Poole Respighi, O. Overture to Belfagor (1925). Croquembouches (1926). Sophia BBC PO/Edward Downes. Brahms, J. Three intermezzi, op 117 (1892). Gülbadamova, pf. Chandos CHAN 9311 12 Marc-André Hamelin, pf. 8 Hyperion CDA67471/2 16 Danacord DACOCD 729 Rossini, G. Alle voci della gloria (1813). Debussy, C. String quartet in G minor, op 10 Samuel Ramey, bass; Welsh National Opera Moeran, E.J. Theme and variations (1920). (1893). Australian String Quartet. Ch & O/Gabriele Ferro. Iris Loveridge, pf. 27 Teldec 9031-73242-2 11 Lyrita REAM 1103 12 ABC 476 690-4 Weckmann, M. Sonata à 4. Jean Tubéry, cornett, Stéphanie Pfister, vn; Martin Bauer, bass viol; Krzysztof Lewandowski, bn. Alpha 179 6

North Sydney SO/Maria Lindsay. Fine Music concert recording

Chopin, F. Piano sonata no 2 in B flat minor, op 35 (1840). Marc-André Hamelin, pf. Hyperion CDA67706 22

14:30 SATURDAY MATINEE Operetta in the afternoon Prepared by Elaine Siversen

10:00 MUSICAL JOURNEYS Prepared by Paul Cooke Copland, A. Three Latin-American sketches (1959-71). New PO/Aaron Copland. Sony SM2K 47236 11 Carwithen, D. Suffolk suite (1964). London SO/Richard Hickox.

Suppé, F. Boccaccio. Operetta in three acts. Libretto by Friedrich Zell (aka Camillo Walzel) and Richard Genée after a play based on The Decameron by Giovanni Boccaccio. First performed Vienna, 1879. GIOVANNI BOCCACCIO: Rupert Glawitsch/ Erwin Linder, bar

Vivaldi, A. Violin concerto in F, RV286, Per la solennita di San Lorenzo. I Solisti delle Settimane Musicali Internazionali di Napoli; Salvatore Accardo, vn & dir. EMI CDC 7 49320 2 16

18:00 STAGE AND SCREEN Prepared by Peter Poole Schmidt, F. Introduction; Interlude; Carnival music, from Notre Dame (1914). Malmö SO/ Vassily Sinaisky. Naxos 8.570828 15

Concert royal no 4 in E minor (1714-15). Aurèle Nicolet, fl; Christiane Nicolet, fl; Manfred Sax, bn; Josef Ulsamer, va da gamba; Christiane Jaccottet, hpd. Archiv 427 119-2 14

Second lesson for Tenebrae (bef. c1717). Emma Kirkby, sop; Jane Ryan, bass viol; Newman, A. Music from The hunchback of Notre Dame (1939; reconstr. Morgan). Moscow Christopher Hogwood, org. L’Oiseau-Lyre 430 283-2 12 Symphony Ch & O/William Stromberg. Naxos 8.570187 39 The apotheosis of Monsieur Lully (pub. 1724). Various instrumentalists; Robert Kohnen, hpd, 19:00 EMERGENT JAZZ narr. With Keith Pettigrew RCA RD 71054 38 20:00 THE LIFE OF A COMPOSER François Couperin Prepared by Rex Burgess

The apotheosis of Corelli (1724). Marco Gaggini, hpd; Gian Luca Rovelli, hpd. Brilliant Classics 95752

Couperin, F. Four movements from the Second order of Harpsichord pieces (pub. 1713). Sophie Yates, hpd. Chandos CHAN 0545 12

Au temple de l’amour; A l’ombre d’un ormeau (1724). Isabelle Desrochers, sop; Karina Gauvin, sop; Sandrine Rondot, sop; Vincent Lecornier, bass; Capriccio Stravagante/Skip Sempé. naïve V5197 7

Sonata, La sultane (pub. c1728). Musica Antiqua Cologne/Reinhard Goebel. Archiv 415 298-2

22:00 SATURDAY NIGHT AT HOME Prepared by Derek Parker Dvorák, A. Serenade in E for strings, op 22 (1875). Academy of St Martin in the Fields/ Neville Marriner. Decca 466 459-2 28 Mozart, W. Serenade no 8 in D, K286, Notturno (1776-77). London SO/Peter Maag. Decca 466 500-2 16 Chopin, F. Ballet: Les sylphides (arr. Douglas 1909). Philharmonia O/Robert Irving. EMI CDM 1 66427 2 28 Beethoven, L. Sonata no 8 in C minor, Pathétique (1798). Christoph Eschenbach, pf. EMI CDM 1 66426 2 21 Tchaikovsky, P. Variations on a Rococo theme, op 33 (1876). Mstislav Rostropovich, vc; Berlin PO/Herbert von Karajan. DG 479 4110 19

The following composers have works of at least five minutes on the July dates listed Abbott, K. b1971 11 Abel, C. 1723-1787 16,29 Adams, J.L. b1953 25 Aguado, D. 1784-1849 25 Albéniz, I. 1860-1909 9,16 Albeniz, I. 1860-1909 17 Albicastro, H. fl 1700-1706 7 Albinoni, T. 1671-1751 21 Alkan, C-V. 1813-1888 4,6,17,20 Allegri, G. 1582-1652 16 André, J. 1775-1842 16 Anerio, F. c1560-1614 16 Arensky, A. 1861-1906 17,23,29 Arnold, S. 1740-1802 25 Arriaga, J. 1806-1826 18 Auric, G. 1899-1983 1,8,30 Avison, C. 1709-1770 30 Bach, C.P.E. 1714-1788 11,16 Bach, J. Christian 1735-1782 4,5,25,29 Bach, J.S. 1685-1750 2,9,11,13,14,15,20,27,30 Bairstow, E. 1874-1946 4,25 Balakirev, M. 1837-1910 3 Ball, E. 1903-1989 24 Barbella, E. 1718-1777 29 Barber, S. 1910-1981 2,20 Barry, J. 1933-2011 24 Bart, L. 1930-1999 3 Bartók, B. 1881-1945 9 Bauer, M. 1855-1955 17 Bax, A. 1883-1953 24,30 Beach, A. 1867-1944 2,20 Beck, F. 1734-1809 14 Beethoven, L. 1770-1827 6,9,1 2,18,19,20,22,23,24,27,30,31 Bellini, V. 1801-1835 18 Bellinzani, P. 1690-1757 16 Ben-Haim, P. 1897-1984 16 Benda, F. 1709-1786 7 Benda, G. 1722-1795 26 Benjamin, A. 1893-1960 10 Bennett, W. Sterndale 1816-1875 22,23 Bériot, C-A. de 1802-1870 18 Berlioz, H. 1803-1869 3,11,19 Bernstein, L. 1918-1990 2,9 Berwald, F. 1796-1868 12,26 Biber, H. 1644-1704 9 Bizet, G. 1838-1875 9,14,30 Boccherini, L. 1743-1805 4,11,27,31 Bochsa, N. 1789-1856 6 Borodin, A. 1833-1887 1 Bortnyansky, D. 1751-1825 4 Bowen, Y. 1884-1961 6,10,22 Boyd, A. b1946 15 Brahms, J. 1833-1897 3,16,17,19,21,22,31 Bricusse, L. b1931 3 Bridge, F. 1879-1941 5,30 Britten, B. 1913-1976 13,17,18,23,30 Brophy, G. b1953 25 Brouwer, L. b1939 28 Brouwer, M. b1940 14 Bruce, D. b1970 11 Bruch, M. 1838-1920 22 Bruckner, A. 1824-1896 4 Brumby, C. 1933-2018 1,2,6 Byrd, W. 1543-1623 11 Cage, J. 1912-1992 28 Calace, R. 1863-1934 1 Campagnoli, B. 1751-1827 22 Canteloube, J. 1879-1957 9 Capelli, G. 1648-1726 14 Carr-Boyd, A. b1938 15 Carter, E. 1908-2012 28 Carwithen, D. 1922-2003 31 Castelnuovo-Tedesco, M. 1895-1968 6,24,25 Chabrier, E. 1841-1894 22 Chadwick, G. 1854-1931 23 Chaminade, C. 1857-1944 16 Charpentier, M-A. 1643-170 44 Chausson, E. 1855-1899 8 Cheetham, D. b1964 4 Cherubini, L. 1760-1842 25 Chopin, F. 1810-1849 20,31 Clarke, R. 1886-1979 8,18,26 Clementi, M. 1752-1832 29 Clérambault, L-N. 1676-1749 28 Coates, E. 1886-1957 6

Conforti, G. fl 1550-1570 9 Copland, A. 1900-1990 20,31 Corrette, M. 1707-1795 20 Couperin, F. 1668-1733 11,14,31 Cramer, J. 1771-1858 29 Cunningham, P. b1960 1 Czerny, C. 1791-1857 10,27 d’Indy, V. 1851-1931 8,9,10 David, Félicien. 1810-1876 13 Debussy, C. 1862-1918 5,8,11,17,31 Delius, F. 1862-1934 5,30 Delvincourt, C. 1888-1947 31 Denisov, E. 1929-1996 21 Dessner, B. b1976 11 Devienne, F. 1759-1803 2,14,25 Diamond, D. 1915-2005 2,18 Dittersdorf, C. 1739-1799 11,25 Dohnányi, E. 1877-1960 9,20 Dollé, C. fl c1735-1755 21 Donatoni, F. 1927-2000 4,28 Donizetti, G. 1797-1848 28 Dufay, G. c1397-1474 18 Duke, D. b1950 15 Duncan, E. b1956 14 Durey, L. 1888-1979 8 Dussek, J. 1760-1812 7,26 Dutilleux, H. 1916-2013 5 Dvorák, A. 1841-1904 1,8,17,22,26,31 Edelmann, J. 1749-1794 24 Edwards, R. b1943 6,12 Elgar, E. 1857-1934 3,5,19,24,27,29 Enescu, G. 1881-1955 20 Esposito, M. 1855-1929 3 Evgrafov, D. 20th C 18 Fall, L. 1873-1925 3 Farrenc, L. 1804-1875 13,29 Fauré, G. 1845-1924 3,16,25,27 Fibich, Z. 1850-1900 8 Field, J. 1782-1837 2 Firsova, E. b1950 21 Fischer, J. Caspar c 1670-1746 9 Flecha, M. El Viejo 1481-1553 2,23 Françaix, J. 1912-1997 6,11,24 Franck, C. 1822-1890 7,8,9,25,29 Frescobaldi, G. 1583-1643 8,9,16 Fry, W. 1813-1864 19 Fuchs, R. 1847-1927 20 Gabrieli, G. c1556-1612 25 Gabrielli, D. 1651-1690 9 Gade, N. 1817-1890 6,15,17 Galuppi, B. 1706-1785 6 Garcia, M. 1775-1832 18 Gardiner, H. 1877-1950 25 Gatayes, G. 1774-1846 14 Gaultier, E. 1575-1651 6 German, E. 1862-1936 16 Gershwin, G. 1898-1937 2,14 Gifford, B. b1965 4 Giordano, U. 1867-1948 13 Giuliani, M. 1781-1829 2,8 Glanville-Hicks, P. 1912-1990 17,29 Glazunov, A. 1865-1936 5,12 Glière, R. 1875-1956 23 Glinka, M. 1804-1857 23 Godowsky, L. 1870-1938 3 Goldmark, K. 1830-1915 1,11 Gossec, F-J. 1734-1829 28 Grabowsky, P. b1958 17 Grainger, P. 1882-1961 10,31 Graun, J. 1702-1771 21 Grenfell, M. b1969 22 Grieg, E. 1843-1907 3,15,16,28 Gross, E. 1926-2011 15 Gyrowetz, A. 1763-1850 12 Halvorsen, J. 1864-1935 15 Handel, G. 1685-1759 2,9,13 Hanson, H. 1896-1981 30 Haydn, J. 1732-1809 1,2,4,6,10,11,21,23,24,25,29 Henselt, A. 1814-1889 16 Henze, H. 1926-2012 14 Hérold, F. 1791-1833 31 Herzogenberg, H. 1843-1900 11 Hidalgo, J. 1612-1685 23 Hillemacher, P. 1852-1933 31 Hindemith, P. 1895-1963 15,17,26

Holland, D. 1913-2000 8 Höller, K. 1907-1987 16 Holmès, A. 1847-1903 25 Holst, G. 1874-1934 24,26 Honegger, A. 1892-1955 8,9,15,30 Houghton, P. 1954-2017 27 Howells, H. 1892-1983 4,18,22 Hüe, G. 1858-1948 31 Hummel, J. 1778-1837 10,11,12,23,27,29 Hurst, M. b1925 10

Mozart, L. 1719-1787 29 Mozart, W. 1756-1791 3,4,5,6,9,10,13,20,23,27,28,29,31 Muczynski, R. 1929-2010 6 Muffat, G. 1653-1704 9 Murcia, S. de 1673-1739 23 Musgrave, T. b1928 17 Mussorgsky, M. 1839-1881 1 Myaskovsky, N. 1881-1950 15,23 Myslivecek, J. 1737-1781 9

Ibert, J. Ives, C.

1890-1962 1,17 1874-1954 6

Jadin, H. Janitsch, J. Joachim, J. Johansen, P. Johnson, L. Jolivet, A.

1769-1802 6,25,28 1708-1763 23 1831-1907 26 b1971 15 b1927 24 1905-1974 13

Narváez, L. de fl 1530-1550 23 Neruda, J. 1707-1780 9 Neubauer, F. c1750-c1796 16 Neumann, H. 1792-1861 1 Newman, A. b1941 31 Nielsen, C. 1865-1931 10,15

Kabalevsky, D. 1904-1987 15 Kalinnikov, Vasily. 1866-1901 1 Kalkbrenner, F. 1785-1849 1 Kapralova, V. 1915-1940 17 Kapsberger, J. c1580-1651 9 Karlowicz, M. 1876-1909 30 Kats-Chernin, E. b1957 2 Kodály, Z. 1882-1967 9 Koehne, G. b1956 2 Korngold, E. 1897-1957 7,13,29 Kozeluch, L. 1747-1818 12,28 Kraft, A. 1749-1820 16 Kraus, J.M. 1756-1792 15,21 Krommer, F. 1759-1831 11 Krufft, N. 1779-1818 7 Krumpholtz, J-B. 1747-1790 12 Kuhlau, F. 1786-1832 16 Kuula, T. 1883-1918 1 Kuwahara, Y. 1946-2003 1 Lalo, E. 1823-1892 6,19 Langford, G. 1930-2017 2 Le Jeune, C. c1529-1600 2 Leclair, J-M. 1697-1764 18 Lehár, F. 1870-1948 22 Lekeu, G. 1870-1894 1 Lhoyer, A. de 1768-1852 7 Lim, L. b1966 11,25 Liszt, F. 1811-1886 5,9,13,14,15,18,23,24,25,26,30 Loeffler, C. 1861-1935 22 Loesser, F. 1910-1969 10 Lord, J. 1941-2012 14 Lorenzani, P. 1640-1713 16 Lovelock, W. 1899-1986 10,29 Lutoslawski, W. 1913-1994 9 MacFarren, G. 18131887 22 MacMillan, J. b1959 11 Magnard, A. 1865-1914 1 Mahler, G. 1860-1911 3,9,22,24 Mancini, H. 1924-1999 24 Marini, B. c1587-1663 9 Marsh, J. 1752-1828 29 Marshall-Hall, G. 1862-1915 2 Martines, M. 1744-1812 18 Martinu, B. 1890-1959 8,9 Massenet, J. 1842-1912 8,31 Mattheson, J. 1681-1764 28 May, B. 1934-1997 27 Mazzocchi, V. 1597-1646 16 McDowall, C. b1951 19 McPhee, C. 1901-1964 17 Mendelssohn, F. 1809-1847 1,4,12,27 Mendelssohn, Fanny. 1805-1847 13 Menotti, G. 1911-2007 11 Messiaen, O. 1908-1992 25 Milhaud, D. 1892-1974 8,29,30 Mills, R. b1949 2 Miyagi, M. 1894-1956 5 Moeran, E.J. 1894-1950 31 Moniuszko, S. 1819-1872 19 Monn, M. 1717-1750 30 Montsalvatge, X. 1912-2002 3 Moore, K. b1979 7 Moore, P. b1943 25 Moret, N. 1921-1998 27 Moscheles, I. 1794-1870 28 Mosolov, A. 1900-1973 15 Mouret, J-J. 1682-1738 21

Key Ch & O: Chorus & Orchestra CO: Chamber Orchestra FO: Festival Orchestra NO: National Orchestra NSO: National Symphony Orchestra PO: Philharmonic Orchestra RO: Radio Orchestra RSO: Radio Symphony

Offenbach, J. 1819-1880 14 Ortiz, D. c1510-c1570 23 O’Connor, M. b1961 24 Paganini, N. 1782-1840 2 Paisiello, G. 1740-1816 14,15 Palestrina, G. da c1525-1594 16 Palmer, G. b1947 11 Panufnik, A. 1914-1991 16 Pärt, A. b1935 7,25 Penderecki, K. b1933 7,25 Pettersson, A. 1911-1980 28 Piazzolla, A. 1921-1992 19 Pichl, V. 1741-1805 12 Pierné, G. 1863-1937 25 Pleyel, I. 1757-1831 18 Porter, C. 1891-1964 10 Poulenc, F. 1899-1963 2,7,8,16,19,20,24,29,30 Prokofiev, S. 1891-1953 15,25,26 Purcell, H. 1659-1695 4 Rachmaninov, S. 1873-1943 23,27,29 Ravel, M. 1875-1937 5,6,8,16,17,20,25,29 Reed, A. 1921-2005 31 Reger, M. 1873-1916 15 Reicha, A. 1770-1836 2,3 Reinecke, C. 1824-1910 12 Respighi, O. 1879-1936 2,4,6,10,17,30,31 Richter, F. 1709-1789 14,26 Ricketson, D. b1973 29 Rietz, J. 1812-1877 25 Rigel, H-J. 1741-1799 25 Rimsky-Korsakov, N. 1844-1908 13,21,23 Rodrigo, J. 1901-1999 16 Roedelius, H-J. b1934 18 Roger-Ducasse, J. 1873-1954 14 Rojas, D. b1974 31 Rosetti, A. c1750-1792 26 Roslavets, N. 1881-1944 15 Ross, J. 1763-1837 10 Rossini, G. 1792-1868 3,12,13,18,28,31 Rouget de Lisle, C-J. 1760-1836 11,14 Rousseau, J-J. 1712-1778 28 Roussel, A. 1869-1937 5,13,20 Rubinstein, A. 1829-1894 8,19 Saint-Martin, L. de 1886-1954 11 Saint-Saëns, C. 1835-1921 5,8,11,13,17,25,29,30 Salieri, A. 1750-1825 4 Salzédo, C. 1885-1961 22 Sances, G. c1600-1679 9 Satie, E. 1866-1925 30 Scarlatti, A. 1659-1725 20 Scarlatti, D. 1685-1757 16,23 Schack-Arnott, F. 20thC 4 Schmelzer, J. c1620-1680 1 Schmidt, F. 1874-1939 31 Schoenberg, A. 1874-1951 21 Schubert, F. 1797-1828 10,1 1,12,13,15,16,17,18,24,25,27 Schulhoff, E. 1894-1942 8 Schultz, A. b1960 4 Schumann, C. 1819-1896 10 Schumann, R. 1810-1856 3,5,6,9,15,22 Schütz, H. 1585-1672 30 Sculthorpe, P. 1929-2014 10,27 Serebrier, J. b1938 19 Servais, A-F. 1807-1866 9 Séverac, D. de 1872-1921 20

Sheppard, E. b1993 4 Shostakovich, D. 1906-1975 6,7,15,21,27 Sibelius, J. 1865-1957 7,21,30 Skryabin, A. 1872-1915 21 Smetana, B. 1824-1884 8,12,15 Smyth, E. 1858-1944 10 Solage. fl 1370-90 2 Soler, A. 1729-1783 23 Sor, F. 1778-1839 1 Sousa, J.P. 1854-1932 17 Stanhope, P. b1969 5 Stanley, J. 1712-1786 27 Stenhammar, W. 1871-1927 5 Stevens, B. 1916-1983 11 Straus, O. 1870-1954 10 Strauss, J. II 1825-1899 3,19,23 Strauss, R. 1864-1949 15,28 Stravinsky, I. 1882-1971 1,13,30 Stroppa, M. b1959 4 Suk, J. 1874-1935 26 Suppé, F. 1819-1895 31 Sutherland, M. 1897-1984 2,4 Svendsen, J. 1840-1911 15,17 Taffanel, P. 1844-1908 26 Tailleferre, G. 1892-1983 8,30 Tallis, T. c1505-1585 11 Tawadros, Joseph. b1983 8 Tchaikovsky, B. 1925-1996 18 Tchaikovsky, P. 1840-1893 1,3,12,16,18,20,24,31 Telemann, G. 1681-1767 2,8,15,22,25 Teyber, A. 1756-1822 18 To, C. b1994 25 Tórroba, F. Moreno 1891-1982 29 Triebensee, J. 1772-1846 12 Vangelis. b1943 11 Vanhal, J. 1739-1813 1 Vaughan Williams, R. 1872-1958 11,20 Vejvanovsky, P. c1635-1693 14 Viardot, Paul. 1857-1941 18 Viardot, Pauline. 1821-1910 3,18 Victoria, T. de 1548-1611 23 Villa-Lobos, H. 1887-1959 4 Viotti, G. 1755-1824 28 Vitali, T. 1663-1745 21 Vivaldi, A. 1678-1741 14,16,17,31 Wagner, R. 1813-1883 2,3,27,31 Waldteufel, E. 1837-1915 17 Walton, W. 1902-1983 13 Ward, B. 20th C 4 Weber, C.M. 1786-1826 3,20,23,25 Weckmann, M. 1619-1674 27,30 Wesley, S. 1766-1837 18 Westlake, N. b1958 6 Widor, C-M. 1844-1937 18 Wieniawski, H. 1835-1880 19 Williams, J. b1932 6 Williamson, M. 1931-2003 14 Wranitzky, P. 1756-1808 11 Xian, Xianghai. 1905-1945 10 Young, Miriama. b1975

Music duration is shown after the record and citation Orchestra RTO: Radio & Television Orchestra RTV SO: Radio and Television Symphony Orchestra SO: Symphony Orchestra TO: Theatre Orchestra alto: male alto ban: bandoneon

bar: baritone bshn: basset horn bass: bass bn: bassoon bass bar: bass baritone cl: clarinet clvd: clavichord cont: contralto cora: cor anglais ct: counter-tenor

db: double bass dbn: double bassoon did: didjeridu elec: electronic fl: flute fp: fortepiano gui: guitar hn: french horn hp: harp hpd: harpsichord

mand: mandolin mar: marimba mezz: mezzo-soprano narr: narrator ob: oboe org: organ perc: percussion pf: piano picc: piccolo rec: recorder

Zaniboni, A. d1767 20 Zelenka, J. 1679-1745 4 Zuccari, C. 1704-1792 14

sax: saxophone sop: soprano tb: trombone ten: tenor timp: timpani tpt: trumpet treb: treble voice va: viola vc: cello vn: violin

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