Fine Music Magazine - July 2022 by 2MBS Fine Music Sydney

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I N D E X

12. High Five with Andrew Speight

05. Intermusicality: Philosophy, Romantic Literature and Music

By Barry O’Sullivan

Nicky Gluch explores Spinoza’s attitude to music

15. FineJazz Happenings July 2022 – Keith Pettigrew

06. The Ages of Excellence

16. Live Review: Orange Winter JazzFest

Michael Morton-Evans looks at the effect of age on music

By Barry O’Sullivan

08. First Person William Barton

18. Live Performance Review: A Chorus Line

Andrew Bukenya talks to Australia’s didgeridoo virtuoso

11. Volunteer Spotlight

20. CD Reviews N O T E S

Tessa Miles reviews the revival of the iconic musical

22. Program Guide F R O M

T H E

51. Composers List

E D I T O R

The musical event in Sydney this month will be the return of the Sydney Symphony Orchestra under the baton of its new Chief Conductor Simone Young to the Sydney Opera House Concert Hall. In addition to performing Mahler’s Resurrection Symphony the Orchestra will premiere an exciting new work from celebrated First Nations composer William Barton, who in the first part of a long interview with Andrew Bukenya, discusses the unique qualities of the didgeridoo, performing with classical orchestras, and his spiritual connection to his country and people through his music. June was an eventful month for jazz fans, and 2MBS Fine Music Sydney has been in the thick of it, partnering with SIMA, Jam-Orange, and Create New South Wales to launch the inaugural Orange Winter JazzFest. As official media partner for the event, we provided on-air promotions, profiled many of the artists performing there, and provided some of our jazz presenters as MCs to introduce numerous acts at the 55 different venues. You can read Barry O’Sullivan’s review of the performances on pages 16-17. Also this month, Keith Pettigrew profiles Ken Weatherly Jazz Scholar Kate Wadey, who was prominent in the Orange Winter JazzFest line-up, performing original compositions from her forthcoming album, Forever Like This. Listen to her interview with Barry on A Jazz Hour on 22 July, and read his review of her new CD. david.ogilvie@finemusicsydney.com

P R O G R A M M E R S

A N D

P R E S E N T E R S

JULY Charles Barton, Peter Bell, David Benham, Nena Beretin, Eddie Bernasconi, Xavier Bichon, Dan Bickel, Chris Blower, David Brett, Philip Bridges, John Buchanan, Rex Burgess, Lloyd Capps, Vince Carnovale, Ian Carswell, Adam Cockburn, Angela Cockburn, Liam Collins, Steve Coleman, Paul Cooke, Brian Cornish, Di Cox, George Cruickshank, Nick Dan, Jackson Day, Nev Dorrington, Brian Drummond, Andrew Dziedzic, Deborah Evans, Rita Felton, Michael Field, Owen Fisher, Jennifer Foong, Tom Forrester-Paton, Susan Foulcher, Nina Fudala, Carole Garland, David Garrett, Robert Gilchrist, Nicky Gluch, Albert Gormley, Jeremy Hall, John Hanna, Austin Harrison, Ross Hayes, Gerald Holder, Paolo Hooke, James Hunter, Leita Hutchings, Anne Irish, Sue Jowell, Ray Levis, Krystal Li, Dave Mac, Christina MacGuinness, Linda Marr, Meg Matthews, Stephen Matthews, Sue McCreadie, Sophie McCulloch, Neil McEwan, Jeannie McInnes, Ramsay McInnes, Angus McPherson, Maureen Meers, Camille Mercep, Heather Middleton, Gail Monjo, Simon Moore, Frank Morrison, Michael Morton-Evans, Richard Munge, Gerry Myerson, James Nightingale, Barry O’Sullivan, Derek Parker, Denis Patterson, Keith Pettigrew, Peter Poole, Frank Presley, Paul Roper, Daryl Rule, Marilyn Schock, Jon Shapiro, Alex Siegers, Julie Simonds, Chloe Sinclair, Elaine Siversen, Robert Small, Garth Sundberg, Jacky Ternisien, Anna Tranter, Robert Vale, Ron Walledge, Chris Wetherall, Stephen Wilson, Glenn Winfield, Chris Winner, Orli Zahava, Tom Zelinka, Vicky Zhang. PROGRAM SUBEDITORS Jan Akers, Di Cox, Noelene Guillemot, Elaine Siversen, Jill Wagstaff, Tony Wallace, Teresa White LIBRARIANS Jan Akers, Rex Burgess, Lynden Dziedzic, Peter Goldner, David Hilton, Sally Hunter, Phillip McGarn, Judy Miller, Susan Ping Kee, Jacky Ternisien, Ricky Yu.

2MBS FINE MUSIC SYDNEY

ORGANISATION DETAILS 2MBS Fine Music Sydney - We are Sydney’s Fine Music Broadcaster MUSIC BROADCASTING SOCIETY OF NSW CO-OPERATIVE LIMITED Editor David Ogilvie Assistant Editor Catherine Peake

Music Broadcasting Society of New South Wales Co-Operative Ltd is registered under the Co-operatives Act 1992 (NSW); owner and operator of Australia’s first community-operated stereo FM station, 2MBS-FM now known as 2MBS Fine Music Sydney. Our mission is to be Sydney’s preferred fine music broadcaster, broadcasting classical, jazz and other fine music genres for the enjoyment and encouragement of music. Another aim is to be part of Sydney’s cultural landscape networking with musical and arts communities to support and encourage local musicians and music education and to use our technical and broadcast resources to further this aim.

Designer Lyndon Pike

Mission Statement

Digital Content Coordinators Paul Cooke, Keith Pettigrew

Goals

Guide Management Coordinators (acting) James Nightingale and Elaine Siversen

2. To promote Australian musicians and composers, with a particular focus on the young

Program Guide Formatter Peter Bell

Vice Regal Patron: Her Excellency the Honourable Margaret Beazley AC QC, Governor of New South Wales

Proofreaders Pamela Newling, Catherine Peake Contributors Andrew Bukenya Paul Cooke Nicky Gluch Tessa Miles Michael Morton-Evans Pamela Newling James Nightingale Barry O’Sullivan Keith Pettigrew Robert Vale Cover Image William Barton by Keith Saunders Fine Music Studios 72-76 Chandos Street St Leonards, NSW 2065 Postal Address 72-76 Chandos Street St Leonards, NSW 2065 Phone 9439 4777 (9am–6pm) ABN 64 379 540 010

To share the love of fine music through broadcasting 1. To be Sydney’s preferred broadcaster of classical, jazz and other fine music genres 3. To develop a sustainable financial model for the organisation. HONORARY AND ARTISTIC PATRONS

Honorary Patron: Professor The Honourable Dame Marie Bashir AD CVO Artistic Patrons: Elena Kats-Chernin AO, Simon Tedeschi, Richard Tognetti AO, Brett Weymark OAM Emerging Artists Patron: Roger Benedict Young Composer Award 2019: Callum O'Reilly Young Virtuoso Award 2019: Justin Lu Stefan Kruger Scholar 2021: Leanne Jin Ken Weatherley Scholar 2021: Alex Siegers Artists in Residence 2021: The Sydney Cello Quartet Jazz Artist in Residence 2021: Anoesis PERSONNEL: It is important to note that apart from a small staff team, Fine Music Sydney functions through the involvement of dedicated volunteers who generously contribute their time and talents across all aspects of the radio station. BOARD OF DIRECTORS: Chair: Michael Morton-Evans Deputy Chair: Peter Poole Secretary: Robert Gilchrist Directors: Andrew Clark, Nicky Gluch, Sue Jowell, Jayson McBride, Sue Ping Kee Appointed Directors: Bruce Hambrett, Peter Stavrianos STAFF: Director of Operations: Mona Omar Studio & Production Manager: Sophie McCulloch Operations Coordinator: Michael Guilfoyle Digital Content Producer: Lyndon Pike Bookkeeper: Miriam Ho TECHNICAL ADVISORS: Honorary Technical Advisor: Max Benyon Broadcast Engineer: John Shenstone Broadcast Systems Engineer: Roger Doyle Information Technology Consultant Peter Bell Recording Engineer: Jayson McBride COMMITTEE CHAIRS: Jazz: Keith Pettigrew Fundraising: Sue Jowell Library: Sue Ping Kee Presenters: Michael Field Programming: James Nightingale Technical: Peter Bell Volunteers: Sue Nicholas Finance: Peter Poole Contents and concept of 2MBS Fine Music Sydney Copyright © 1975-2022

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Intermusicality: Philosophy, Romantic Literature and Music Nicky Gluch explores Spinoza’s attitude to music Historical Picture Archive / Alamy Stock Photo As some readers might know, since 2018 I have been working towards a PhD in musicology (and my thesis is in the process of being examined, so do wish me luck!). It is a Doctorate of Philosophy in the literal sense, for it takes as its theme the philosophy of musical leadership, with Baruch de Spinoza the principal subject. While the applicability of Spinoza’s ideas to conducting was never in question, about a year ago I was asked to substantiate whether Spinoza’s work had any direct ties to music. In researching this, I stumbled upon an article by a James C Morrison (as opposed to America’s James Douglas, or Australia’s James Lloyd) in which he claimed that Spinoza had no aesthetics: more, that his philosophy was ‘fundamentally alien to, even hostile towards, art and beauty’.

alone in considering this as somewhat different from pantheism but, for the sake of simplicity, let us accept that German Enlightenment thinkers understood Spinoza to be a pantheist. This association led to a fascinating rift in the intellectual circle known as the Pantheism Controversy (with Mendelssohn’s grandfather, Moses, one of the entangled). Within a generation, however, Spinoza’s pantheism came to be seen as deeply romantic. Goethe was attracted to the idea of an immanent, rather than transcendent God, and he influenced the Shelleys, who took further interest in Spinoza’s naturalism. But what has all this got to do with music? Well, I might be drawing a long bow, but I feel that Spinoza cannot be contra-aesthetics (and Australian professor Anthony Uhlmann strongly supports my case) if one considers that these proponents were not only writers but music lovers. It is not only that Eliot and the Shelleys attended numerous concerts and opera performances; no, they also wove music into their writing, using it as a form of powerful intertextuality to convey more than words ever could.

Now this struck a dissonant chord! If anything, Spinoza’s philosophy is ‘hostile’ to superstition, but that is not the same as imagination or any such synonym for creative fancy, of which Spinoza was a keen admirer. Further, and more personally, I would never have sought to apply Spinoza to conducting had I perceived his ideas as hostile to art. More fundamentally, I do not think that I, as an art lover, would have turned to a thinker who saw no place for creative practice. Pondering this, I recalled the names of key literary figures who had been proponents of Spinoza’s philosophy – Goethe, George Eliot, and Percy Bysshe Shelley. Surely these writers would not have advocated for someone alien to their craft? In this question lay the seeds of a program, prepared by Paul Cooke, which features as our Sunday Special on 3 July at 3:00pm.

On 3 July you will get to hear an array of works referenced by Shelley and Eliot, specifically in Eliot’s Jewish-themed novel, Daniel Deronda. The program begins with some Sephardic songs as a nod to Spinoza’s heritage, and ends with Mendelssohn’s Piano Concerto No 1, a favourite of Eliot’s and a nod to the ties that bind Spinoza to the German Romantics. Curious to learn more? Well then, visit the Sydney Conservatorium between 9 August and 9 October and you can view my library exhibition, I conduct, therefore I am, which further explores these themes.

To give some background, Spinoza’s allure to writers such as Goethe was his (perceived) pantheism. In his most famous book, Ethics, published in 1677, Spinoza defines God not as the great creator, but rather as the singular infinite which he terms Nature. Now I am not

Sunday Special 3 July at 3:00 pm

The Ages of Excellence Michael Morton-Evans looks at the effect of age on music

A recent report on the ages at which professional swimmers reached their peak showed that for sprint swimming events, men peak around 24 and women peak at roughly 22. Endurance swimmers peak about a year earlier for both sexes. Male and female marathoners are at their best at ages 30 and 29, respectively. Male and female triathletes peak at 27 years old. Meanwhile, with golfers the average age at which they reach their peak is the early thirties, and for footballers it’s between 27 and 29. So what then is the age that musicians reach their peak? The answer appears to be somewhere between seven and 100! Let’s have a look at a selection of professional musicians and determine if we can when they reached any form of perfection in their respective art. The first is obviously Mozart, who began composing at the age of five and would have gone on, I suspect, into old age had he not died at the age of 36. His music was pretty well perfect from the beginning. The extraordinary English composer Alma Deutscher also began composing at five. By seven she’d written a short opera, The Sweeper of Dreams, at nine a violin concerto, and at ten her first full-length opera, Cinderella. At 14 she appeared in America’s Carnegie Hall showcasing her own compositions. Last year, at the age of 16, she was admitted to the elite Viennese University of Music and the Arts conducting course, the youngest ever to have been so. Let’s hope she outlives Mozart. In the program The Ages of Excellence, which I have put together for broadcast on Sunday 24 July, I’ve taken 11 different musical examples of how excellence has been reached at various ages. I start with American violinist Joshua Bell, who gave his first public appearance at the age of six. It would appear that violinists have the second longest performing life of all musicians, after that of pianists.

When it comes to wind players, they can’t start early. They need to have gained all their second teeth before they can develop an embouchure. And it really takes until they are about 21 before stamina and good breath control is easier for them. Of course, none of this matters if you’re going to be a conductor, and the British conductor Daniel Harding made his professional debut with the City of Birmingham Symphony Orchestra when he was 19. He’s now 47 and much in demand. I once saw the 80-year-old Sir Thomas Beecham conduct seated in a chair, but it’s unusual to see conductors much beyond the age of 70, with a few exceptions, as there indeed are to all these rules. When it comes to singers, mezzo sopranos will start making their mark around the age of 24 or 25, though Cecilia Bartoli began taking the leads in operas at the age of 22. Twenty-five onwards is also about the age that light lyric tenors and sopranos will start making themselves felt. Australian tenor David Hobson gave his first professional performance at the age of 27. And that’s about the age that we start hearing new baritones. Their voice needs to mature longer than a tenor’s, rather like leaving red wine in the vat for longer for it to age. Placido Domingo is a good case in point. He began as a tenor and, as his voice slowly matured over the years, he became a baritone. At the age of 30 wind players reach their peak of performance. I showcase the Swedish trumpeter Håkan Hardenberger in this category. This is the age that heldentenors and full-throated sopranos come to the boil, singers such as Maria Callas. And then a decade later the Wagnerian singers make their grand appearance.

By the age of 50 we begin to see less and less of the lyric tenors and light sopranos, and stamina may become a problem with wind and brass players. As for the heavier voices, once they get into their 60s it’s beginning to get more difficult, as with baritones like Geraint Evans who retired at the age of 62. At this age string players are likely to think less Paganini and more Tosti. By their 80s pianists and conductors are still at it, but most others have now dropped by the wayside. The amazing American pianist Ruth Slenczynska has just produced a new CD at the ripe old age of 97, so as long as the arthritis doesn’t get you, you can go on sitting at the piano forever. The last word goes to the Polish American pianist Mieczyslaw Horazowski who had one of the longest professional careers known. He was still performing right up to his 100th birthday and died at the age of 101. The Ages of Excellence, Sunday Special, July 24

British composer and musician Alma Deutscher rehearses for her opera Cinderella, in Vienna, Austria, 18 November 2016.

dpa picture alliance / Alamy Stock Photo

07 07

First Person William Barton Andrew Bukenya talks to Australia’s didgeridoo virtuoso

William Barton is an Indigenous didgeridoo player who grew up on a cattle station near Mt Isa in northwest Queensland, learning the didgeridoo from his uncle, Arthur Peterson, an elder of the Wannyi, Lardil and Kalkadunga people. His catalogue of achievements started at the age of 17 with an invitation to perform with the Queensland Symphony Orchestra, and continued with landmark performances with the Philharmonic Orchestras of London and Berlin and at historic events at Westminster Abbey for Commonwealth Day 2019, Anzac Cove and the Beijing Olympics. His awards include Best Original Score for a Mainstage Production at the 2018 Sydney Theatre Awards and an ARIA in 2012 for Best Classical Album – Kalkadungu: Music for Didjeridu and Orchestra. In this, the first of two interviews with Fine Music Magazine, he discusses with Andrew Bukenya the unique qualities of the didgeridoo, his spiritual connection to his country and people through his music, and his collaborations with Western composers Peter Sculthorpe and Ross Edwards.

Before we begin, I’d just like to acknowledge that I’m conducting this interview here on Pannerong land. William, you have become a wonderful ambassador for your instrument, the didgeridoo. For people who know little about didgeridoos, if you had to list three main characteristics or adjectives to describe its uniqueness, what comes to mind for you?

keep on sustaining your culture. You keep on the breath of life, to the next generation of storytellers. And what I mean by that is like the mystery that I always loved as a young child listening to my uncles play and how powerful that was. That awe, that magic; I wanted to be a part of that. And it still is a mystery to me because the more you go in life, the more you become in tune with your instrument, but also not just the instrument, but where it comes from. Again, that branch of the tree, that tree of life and the passing of the culture from generation to generation.

A direct connection to the earth that flows through the trees, that branch of the tree that holds so much history of our ancestral song lines. And when that instrument or that tree, or branch of the tree, is gifted to you as a young person, or even if you’re older and you’re finding your journey in life, that tree is of knowledge, and has so much power and song and memory. Because, the tree, when there’s water, holds memories in it as well. And so when you keep on playing through that instrument, you

Photo by Keith Saunders

So it’s a tree, a tree of life.

You decided that this is it, the didgeridoo is really your life. Is it safe to say you would describe it as a calling? Yeah, it is a calling. I guess there’s a path that’s chosen for you, but also the path that I chose. So that makes it even more special, because that is my calling, to pass on the history of the instrument, even though I play in a very contemporary context. It doesn’t matter if I’m in Carnegie Hall or one of the magnificent, amazing concert halls in Europe. Sometimes people hear me say that we have our own natural amphitheatres of the Australian bushland as well. It’s not me alone out there on that solo, being the soloist in front of this big grand orchestra. It’s actually because when I’m successful, my people are successful, so are all those around me. That’s the way I look at it, because I’m in a position to do so. My uncle, my mum and dad and my elders gave me that gift to unite people in this modern day and age with this instrument, and that sort of links people together through the sound, the feeling, our history. So here you are, a musical or spiritual and physical ambassador for the Kalkadungu people. Going from nature’s orchestra, and learning at a very young age to appreciate all these different colours and feelings, and interpreting them for your instrument, did it feel completely natural to go from that ‘natural’ orchestra to a man-made orchestra? I feel I can answer that with confidence and say it felt natural, only because I was a young, innocent kid with so much responsibility on my shoulders when I walked into that first orchestral concert when I was 17 years old, at the University of Queensland. But I’ve been thinking of it very much lately and am trying to interpret it in words. I feel that you need the symphonic orchestra with all its classical instruments and sonic frequency to create the beauty and complexity of the Australian bushland. It’s so simple, yet so complex. It’s like the wind rustling through the trees and then the shimmering on the water, and all those things contribute to a technique, a violin technique, a vocal technique. And it’s the way of course, you know how you project your own embodiment.

To answer your question, it felt like a natural thing, but maybe it was a calling as well. I felt familiar with the classical sound because of mum playing music to me as a child and before I was born into the world. And so it was there, like the ingredients of the landscape were there. I just had to find the right composers to work with, then turn that world around. So it wasn’t tokenistic, you know? I wanted to be the voice in creating new repertoire for the classical world and make it real for our ancestors. I think of the amazing nationalist composers of the world like Mahler, Beethoven, Sibelius; they wrote about their landscape. They were elders of their landscape, even if they were young, they wrote about their landscape. And so both our people, and your people pass on that language of their own song lines of their own symphony of the world, in that bushland. Can you name some other composers that have influenced you? I worked with Peter Sculthorpe for the last ten years of his life, and so that was a big moment for me entering into the world of Australian classical repertoire. But I felt at home with his music and that of Ross Edwards. And, I say to people, classical music in Australia is only just over 200 years old. It’s very new, and so I think now we’re in a unique chapter in Australian history, and perhaps the world, the algorithm of the world where a lot more indigeneity is coming through in a very meaningful way with orchestras. So we’re seeing it here, and sister Deborah Cheetham’s been doing it as well.

Volunteer Spotlight Leita Hutchings Pamela Newling talks to Leita Hutchings When Leita first volunteered, she worked with Liz Terracini (then Station Manager) in the Fine Music Office. She says she really enjoyed seeing the machinations of the Station from the inside out. Leita ticked everything on the volunteer form because the only thing she really didn’t want to do was stuff envelopes. Imagine her surprise when she was told that she would start training to be a Presenter. She comments: “I didn’t even know I’d ticked that box!” Asked about the source of her love of music, Leita says: “I grew up in a house surrounded by natural bush. My Dad was a self-taught jazz pianist, and my mother was the daughter of a politician, so the fabric of my childhood was running barefoot in the bush with my brothers, through the house where Dad played for hours, then sitting at the table where Mum taught us table manners, fit to sit down with the Queen. Music is in my DNA.” Like many other presenters, Leita has broad musical tastes and says: “I like most forms of music. I really love 60s music, R&B, alternate soulers like Cleo Sol … a bit of the Stones when cooking, Kovacs, Mojo Juju … she was amazing live! Honestly, I could go on and on ... just not country or polka for me.” Of memorable performances, Leita recalls: “In 2021, I saw Vince Jones at the Sydney Con. From my seat, I was so close to the musicians; I could see them breathe; see their expressions immersed in their playing. And Vince Jones’ body language revealed his gratitude for being amongst those musicians, his empathy for the music, and all his gestures which revealed his humility. It was beautiful – he sang from a place much deeper than his heart.” Another outstanding performance recently came Leita’s way. At the time we talked, she was about to embark on hosting the Orange Winter Jazz Festival in June. She said “I’m really excited about that! It’ll be so great to be right in the middle of all those musicians; up close to the liveliness of producing that music, and then sharing that excitement with an audience … could life be much better?”

Illustration by Lyndon Pike

Alongside all this musical delight, Leita took a pause from Architecture Studies at 20, briefly worked in advertising, then became a teacher in the Arts: “I’ve renovated and flipped houses along the way too. I was working on a house about six years ago, when I decided I needed more music in my life, and volunteered at Fine Music.” She adds: “Art is an enduring interest for me. I have a girlfriend in the theatre also, so I’m fortunate – I get to see quite a bit of live theatre. I love live music and host a club once a month.” Urban Jazz Lounge – Saturdays 12.00 noon

High Five with Andrew Speight By Barry O’Sullivan Before relocating to the United States, Andrew Speight was a leading saxophone player on the Australian jazz scene. He came of age playing with visiting American jazz legends like Percy Heath, Nat Adderley, and Benny Carter as they passed through Sydney. These were friends and associates of his late father, musician and bandleader John Speight, the founding director of the Manly Jazz Festival. Of the five hundred entrants from around the world in the Thelonius Monk International Saxophone Competition in Washington D.C. USA, Andrew was the only non-American prize winner. Andrew has been leading jazz programs at Michigan State University and is now at San Francisco State University. Barry O’Sullivan caught up with him on a recent return visit to Australia.

What is your current musical project? My latest project is called the House of Bop. I started doing live streams every Sunday from week one of the Covid lockdown and so far I have done a hundred and six. I began playing solo saxophone at home, then moved to a friend’s backyard performing with my quintet. I moved it to my living room, and then turned it into a jazz club, incorporating a recording and video studio of the best quality I could design. In November of last year, I recorded my current jazz band. We’ve got at least three LPs of content that will come out shortly on vinyl at the audiophile level.

curriculums, both there and here. Many of the earlier jazz educators/sages have said that they weren’t invited to the jazz education party. Jazz education in America was remodeled or invented in the 1960s and refined in the 1970s to the current academic settings. In many ways, it has poorly summed up the first sixty years of jazz history and music and its learning practices. Unfortunately, the flight simulator system created for jazz education in America has such a cognitive bias. It often does not see or comprehend how to incorporate the oral traditions that existed in Jazz before 1960.

How has being a musician in the USA differed from your early Australian musical experiences? The first thing about being in America is you are a small fish in a big sea – the jazz world. In the USA, I was mentored and played with some of the undisputed jazz masters, so I spent my time documenting their music and performing with them while they were still around. There were also good musicians here in Australia whom I looked up, like James Morrison and Dale Barlow who were the main featured soloists in my father’s Young Northside Big Band.

What kind of music do you listen to at home, and what are your outside interests? My musical influences and listening at home now are classic jazz tracks by Charlie Parker, Dizzy Gillespie, Art Blakey, Horace Silver, Miles Davis, etc. I also love albums curated and produced by people like Quincy Jones. He has exquisite taste and gives musicians the freedom to be themselves and to push boundaries. I have also been listening to some great music from a couple of my students, one of whom, saxophonist Marco Albonetti, has produced what I think is a breathtaking tango album with an orchestra. I also listen to a classical saxophonist Kiyomi Sakura, another student of mine. I play around mechanically with my vintage Porsches at home, and I can talk to you at length about steam engines, steamships, locomotives, and ocean liners.

What are some of the aspects of the American music education syllabus that could be incorporated into our music education system? I have spent many years researching and documenting this. I am interested in returning to Australia and getting the oral tradition that was ignored for over sixty years back into the current

Who are your mentors and what external activities nourish your musical output?

The Manly Jazz Festival is scheduled for 1-3 October 2022. FineJazz at 2MBS Fine Music Sydney will be there.

One of my primary mentors is the famous Australian yachtsman Iain Murray who is a friend. He makes me think very differently about music and art. I still follow sailing and love Grand Prix and Formula One car racing. On this trip down to Sydney, along with the long-awaited get-together with family, one of my primary aims was to get the Manly Jazz Festival back on track as a live event in 2022. In 2007 my sister Caroline and I took over the reins as artistic Directors after my father passed. It is the longest-running jazz festival in Australia and one of the largest free jazz festivals in the world, with one of the most diverse and varied programs. The Manly Jazz Festival will be bigger and better and more innovative than ever this year. Online developments will make it state of the art for future festivals.

Illustration by Lyndon Pike

FineJazz Happenings Persistence yields to magic July 2022 – Keith Pettigrew Kate Wadey – Fine Music Sydney’s Weatherly Jazz Scholar (2019) In 2019, Fine Music Sydney awarded the inaugural Ken Weatherly Jazz Scholarship to songstress Kate Wadey. Ken had been a jazz presenter at Fine Music for five years and was a passionate jazz lover. It was his bequest that enable us to create an annual jazz scholarship for young Australian jazz musicians to further their careers in jazz. It comprises support, recording and promotion opportunities.

Her persistence though the trials of closed studios and venues, the magical diversion into motherhood, and stalled collaboration with musicians has led to an album of refined, gentle jazz with intelligent lyrics over stylish melodies. Each track was developed from the inkling of a tune to which Kate added lyrics, the whole being developed collaboratively. Each track has superb balance between the musicians and her sweet and assured vocals. But more about the music in Barry O’Sullivan’s CD review in this edition of Fine Music Magazine.

Kate Wadey was originally from Adelaide, where she completed her honours in acting, but has become a regular Sydneysider, with singing early and trad jazz and the American Songbook her passions. She was our inaugural recipient of the Weatherley Jazz Scholarship, and her project was to develop new songs in collaboration with local musicians, to record them and release a new CD Forever Like This. However, progress became complicated by the arrival of the pandemic. And then there was arrival of her baby son.

For this, Barry invited Kate into the studio as guest in his Friday program A Jazz Hour*. They discuss her musical background, the Weatherley Scholarship, and her musical influences. And a few tracks from her sublime album. Kate also has two release gigs to celebrate the new CD: Friday, 22 July at the Avoca Beach Theatre, in Avoca Beach (to be covered and reviewed by FineJazz in a later edition of the Fine Music Magazine) and Thursday, 28 July at Johnston Street Jazz, in Annandale. “A sweet, sure voice that exudes charm and sophistication.” An album of magic. No wonder she was our inaugural Weatherley scholar. *The interview can be heard on A Jazz Hour on 22 July at noon, or OnDemand.

Live Review Orange Winter JazzFest By Barry O’Sullivan SIMA and Jam-Orange with media partners 2MBS FineMusic Sydney

Orange, a beautiful and historic city in the Central Western region of New South Wales, is renowned for its award-winning restaurants, cool-climate wines, fabulous fresh produce, and well-known coffee roasters: it’s truly a foodie’s mecca! In June this year, it also became a music mecca with the inaugural Orange Winter JazzFest held on the weekend of June 10 – 12 in a variety of venues including three local churches, two hotels, the Orange Conservatorium, and the Orange Civic Theatre.

s on s i orr The M The JazzFest featured established musicians from Sydney and Melbourne, as well as a plethora of local artists and bands. Programmed and created by the Sydney Improvised Music Association (SIMA), in association with the Orange City Council and Create New South Wales, 2MBS Fine Music Sydney was the official media partner for the event, creating pre-production of on-air promotions, plus interviews with some of the artists performing there, as well as providing some of our jazz presenters as MCs to introduce numerous acts at the variety of venues. Some of the JazzFest highlights included the Friday night opening concert of vocalist and trumpeter Vince Jones and his band who traversed the huge catalog of popular songs he has recorded over the years, from his original compositions to some classic all-time favorites from the Great American Songbook. Saturday delivered a stellar performance from Freedman jazz fellow Hilary Geddes on guitar with her Quartet featuring original compositions from her debut album Parkside.

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Matt McMahon Big band favourites, Wanderlust, gave everyone a nostalgic thrill led by the legendary Miroslav Bukovsky on horns and featuring Jeremy Sawkins on the guitar with James Greening on the trombone.

Melbourne pianist and composer Andrea Keller and the legendary Sydney saxophonist Sandy Evans played a spectacular duet of their material, while the super-band of Australian contemporary jazz, This World, wowed its audience with Mike Nock on the piano and Melbourne’s Julien Wilson on saxophone.

The avant-garde was well represented by Phil Slater’s Dark Pattern, another super-group quintet of Sydney musicians, and the trio Lisathe, combining nostalgic pedal steel guitar melodies with electric bass grooves and exploratory percussion.

Providing a sneak peek into the future of jazz in Australia were the youthful musicians of Jahl Heshi led by Harry Sutherland on piano and Lachy Hamilton on saxophone. They gained many fans with music skillfully delivered.

There were so many opportunities to hear stunning solos, amazing duets, big band folk and bluegrass, Cajun music from Louisiana, the sway of Aloha No’s ukulele and pedal steel capturing the soul of Hawaii, to gypsy music and raucous hoedowns, that one found oneself immersed in a world of music far away and detached from the reality of life. Throw in a dusting of June snow, and you had a spectacular winter music wonderland that was so enjoyable to live in, even if only for a few days.

Vocalists Mahalia Barnes and Jo Fabro gave their audiences some deep soul and lots of funk, while the traditional ensembles, Queen Porter Stomp and Cope Street Parade reminded jazz fans of where and how it all began. Fine Music Sydney Ken Weatherley Scholar and vocalist Kate Wadey sang original compositions from her newly released album, as well as some standards, as did Emma Pask and her Quartet, to very appreciative and engaged audiences. There was jazz/roots fusion from The Vampires, and ethnic-inspired jazz fusion from The Eishan Ensemble led by tar player, Hamed Sadeghi. Visions of Nar, a progressive new voice in jazz with new music offering hope in the world and a celebration of new beginnings, was led by the pianist Zela Margossian, who also performed on a separate bill with her fabulous quintet.

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Photos by Deborah Evans

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Live Performance Review: A Chorus Line Tessa Miles reviews the revival of the iconic musical

One of the many shows affected in Australia was the Darlinghurst Theatre Company’s A Chorus Line. After many lockdowns and changes in cast, the show finally opened at The Sydney Opera House in March 2022, two years after it was set to open. The stories and characters of A Chorus Line are based on real life and explore the backstory of each character through vignettes. Each story integrates perfectly with the songs and dance numbers showcasing the struggles, hard work, hopes, fears and frustrations of each character. A Chorus Line was first performed in 1975 and was the longest running show on Broadway until Cats surpassed it in 1997. The show has been performed and revived all around the world including the West End and multiple times in Australia. Its iconic music has featured several times on the hit series Glee and the opening number I Hope I Get It has been a top trending dance number on TikTok amongst the dance and musical theatre communities. The show remains relevant since its first performance in 1975 and takes on an entirely different meaning since the pandemic and arts shut down.

A Chorus Line celebrates the art form of dance, and honours anybody who has worked hard to be in a show as part of the chorus. It shines a bright light on the unsung heroes, the performers in a chorus line or ensemble, who build the story, the vision, and the vocals, and help bring the story to life, often not receiving the recognition they deserve.

One of the standout performances is from Angelique Cassimatis who plays Cassie, a dancer who has found some success, but is looking to get back to her roots after failing to find work as a solo performer. Angelique, whose own career has a long list of credits, has a stunning solo moment performing an incredibly emotional dance number that translates the struggles, frustrations, fears, anxieties and desperation into movement.

Photo by Ben Catto

Those who have committed any time to learning dance can recognise the drive and hunger of the characters onstage just needing to be given that one shot. The song What I Did for Love towards the end of the show resonates with so many performers for whom dance is their first love.

A moment so breathtaking, it earned Angelique a mid-show standing ovation. Solo moments in musical theatre don’t typically receive such a thunderous spontaneous reception, and something I have only ever witnessed once for a vocal performance in Jagged Little Pill.

At the helm of the Darlinghurst Theatre Company’s production is Amy Campbell, whose phenomenal career gives her the experience to direct and choreograph such an iconic show. While Amy’s choreography stays true to the original, it adds a modern feel and celebrates the diversity of dance, allowing each performer to display their incredible athleticism, art, and technique.

While A Chorus Line has now closed, I hope its rave reviews and reception inspires production companies in Australia to revive iconic musical theatre shows and add a modern twist for a new audience.

CD REVIEWS Dora Pejacevic: Piano Concerto; Symphony Peter Donohoe, piano; BBC SO; Sakari Oramo, conductor Chandos CHSA 5299

Research into the work of minor composers of the early part of the 20th century has unearthed a few gems in recent years, and the music of the Croatian composer, Dora Pejačević is another welcome addition to the musical picture of the period. Pejačević had a privileged upbringing but was also caught up in the turbulence of the times, including nursing in the Great War, while demanding that her music be accepted on her own terms. This recording on the Chandos label brings us her only Piano Concerto and her only Symphony. These are works in the

Late Romantic style, featuring more than a little bombast and a full range of emotional characters. The CD liner notes are extensive and interesting, adding greatly to the understanding of the music and Pejačević’s story. The piano playing of Peter Donohoe is precise and pleasing and the BBC Symphony Orchestra is authoritatively led by Sakari Oramo on this sparkling recording. — James Nightingale

Fable

Jacinta Dennett, harp Move Records MCD 630

Jacinta Dennett is an Australian harpist, and this album gathers a number of compositions for solo harp by Australian women composers. They range chronologically from Peggy Glanville-Hicks’ Sonata for harp, written in 1950-51 for the Spanish harpist Nicanor Zabaleta and still performed by him more than 30 years later, to a work commissioned by Dennett, Alicia Grant’s Three pieces for harp, a depiction of a coastal environment. Other pieces which evoke aquatic themes are Miriam Hyde’s Sunlit waterfall and Johanna Selleck’s Spindrift. These are balanced

by Eve Duncan’s sparse and stifling The sun behind it, burning it, and Elena KatsChernin’s spooky Chamber of horrors. The title track, Fable, is a 1967 work by Helen Gifford: while it is a technical tour de force, the harmonics, glissandi, and other effects allow the composer ‘to suggest the mystery of an old legend, to conjure up the magic in fabled places, or the splendour of another age’. Comprehensive liner notes allow the listener to appreciate the different techniques employed to create a variety of moods. — Paul Cooke

Flor

Gretchen Parlato Artist release. Available from Bandcamp.

US singer/lyricist Gretchen Parlato’s outstanding 2021 release Flor comprises a set of pieces performed on her 2018 tour of Australia and New Zealand; some Brazilian bossa, some tunes reflecting her focus on motherhood and her own inner child, and an interpretation of a J S Bach minuet. On several tracks, Parlato either adds some vocalese, or some delightful and appropriate scatting. Think here of Bobby McFerrin, whose influence she acknowledges. Accompanying musicians include Brazilian guitarist and bossa exponent Marcel Camaro, creative

percussionist Leo Costa and jazz cellist Artyam Manukyan. Events in Parlato’s life which prevailed in the lead up to this recording were empowering. In 2014 when aged in her late 30s, she became a mother and put her career on hold. She has now re-emerged with a recording which evidences both her motherly joy and a new higher standard of performance, “a blossoming, an opening, an offering, a return.” Track five What does a lion say? says it all.

It has taken Kate Wadey three years to craft this recording from its initial beginnings as the first 2MBS Fine Music Sydney’s Ken Weatherly Scholar in 2019. Wadey is songwriter and vocalist on an album of delightful original compositions. These incorporate jazz piano-driven solos and creative collaborations with saxophonists Chris O’Dear and Justin Fermino, guitarists Ben Panucci, Arthur Washington and Peter Koopman, pianists Matt McMahon, Harry Sutherland and Andrew Scott, plus a slight hint of Antonín Dvořák on the title track. From the first track, If Only, the album’s tone is set to capture the affinity between the instrumentalist’s music and Wadey’s

voice. There is some genuine musical magic evident throughout, especially on the tracks, One More Chance, Expecting Song, and Forever Like This, which best showcase Wadey’s exceptional personal sound and torch song vocal approach. It is an album brimming with sublime vocals from Wadey, fine soloists, and some excellent arrangements from Andrew Scott and Sam Dobson (who also plays bass on the album). It is also released as a vinyl edition, available from Wadey’s website www.katewadey.com

— Robert Vale

Forever Like This Kate Wadey Release 28 July

— Barry O’Sullivan

Friday 1 July 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST with Vicky Zhang 09:00 DIVERSIONS IN FINE MUSIC Something borrowed Prepared by Elaine Siversen Zimbalist, E. Sarasateana (1947; transcr. Primrose). Roberto Diaz, va; Robert Koenig, pf. Naxos 8.557391 16 Piazzolla, A. Le grand tango (1982; transcr. Liarmakopoulos). Achilles Liarmakopoulos, tb; Roger Thompson, pf. Naxos 8.572596 11 Liszt, F. Ten songs by Robert and Clara Schumann, S569 (1874). Leslie Howard, pf. Hyperion CDS44559 22 Falla, M. de Suite populaire espagnole (transcr. Maréchal). André Navarra, vc; Erika Kilcher, pf.

13:00 A LIFE IN THREE PARTS Part 1 Prepared by Peter Poole

Williams, J. Main theme from Star Wars (1977). Boston Pops O/John Williams. Decca 478 9244

Beethoven, L. Marche funèbre, from Symphony no 3 in E flat, op 55 (1803; transcr. Liszt 1841). Leslie Howard, pf. Hyperion CDS44567 17

22:00 BAROQUE AND BEFORE The dawn of the ‘century of lights’ Prepared by Susan Foulcher

Fantasia in C minor, op 80, Choral (1807). Claire Rutter, sop; Matilde Wallevi, mezz; Marta Fontanals-Simmons, mezz; Peter Hoare, ten; Julian Davies, ten; Stephen Gadd, bar; City of London Choir; Royal PO/Hilary Davan Wetton. Naxos 8.572783 20 Equali in D minor, D and B flat (1812). Trombones of Australian Baroque Brass. Tubicium Records TR761901

Septet in E flat for winds and strings, op 20 (1799-1800). Members of Vienna Octet. Decca 478 2826 41 14:30 ON JEWISH THEMES Prepared by Paul Cooke Copland, A. Vitebsk: Study on a Jewish theme (1929). Peter Zazofsky, vn; Ross Harbaugh, vc; Paul Posnak, pf. Naxos 8.559102

Bernstein, L. Dybbuk (1974). Mel Ulrich, bar; Mark Risinger, bass; Nashville SO/Andrew Calliope CAL 5673 14 Mogrelia. Beethoven, L. Excerpts from Fidelio (1804/14; Naxos 8.559280 45 transcr. Sedlak). Melbourne Windpower/ Shostakovich, D. Piano trio no 2 in E minor, Richard Runnels. op 67 (1944). Oslo Trio. Move MD 3110 17 Simax PSC 1014 27 10:30 CONCERT HALL Prepared by Claire Zhong Koehne, G. Rain forest (1982). Australian Youth O/Christoph Eschenbach. ABC 426 478-2 15 Tchaikovsky, P. Violin concerto in D, op 35 (1878). Itzhak Perlman, vn; Philadelphia O/ Eugene Ormandy. EMI CMS 7 64922 2 37 Beethoven, L. Symphony no 2 in D, op 36 (1801-02). Berlin PO/Herbert von Karajan. DG 429 038-2 31 12:00 A JAZZ HOUR with Barry O'Sullivan Contemporary and modern sounds of 'now' in jazz from all corners of the globe with a focus on contemporary jazz from Australia and regular interviews with local and visiting musicians

16:00 FINE MUSIC DRIVE with James Hunter 19:00 FRIDAY JAZZ SESSION with Alex Siegers A focus on the current Sydney jazz scene mixed with a range of international jazz stars and an occasional guest interview 20:00 EVENINGS WITH THE ORCHESTRA Celebrating US Independence Day 4 July Prepared by Robert Small Grofé, F. Grand Canyon suite (1931). Cincinnati Pops O/Erich Kunzel. Telarc CD 80086

Dvorák, A. Symphony no 9 in E minor, op 95, From the New World (1893). Melbourne SO/ Tadaaki Otaka. ABC 476 4598 42 Gershwin, G. Piano concerto in F (1928; arr. Grofé). Andrew Balio, tpt; Jean-Yves Thibaudet, pf; Baltimore SO/Marin Alsop. Decca 478 2189 31

Blow, J. Poor Celadon, from Amphion Anglicus (1700). Iestyn Davies, ct; Stephen Pedder, vn; Julia Kuhn, vn; Mark Levy, va da gamba; William Carter, theorbo. Wigmore Hall Live WHLive 0065 4 Corelli, A. Sonata in D, op 5 no 1 (1700). Andrew Manze, vn; Richard Egarr, hpd. Harmonia Mundi HMX 2907541.45 12 Scarlatti, A. Forgive me love (1701-02). James Sanderson, ct; Chacona/Rosalind Halton. ABC 476 617-0 10 Dieupart, C. Suite no 1 in A (1701). Masahiro Arita, fl; Kiyomi Suga, fl; Masako Hirao, bass viol; Yasunori Imamura, theorbo; Chiyoko Arita, hpd. Denon CO-75957/8 16 Charpentier, M-A. The judgement of Solomon (1702). Nantes Vocal Ensemble; Ensemble Stradivaria/Paul Colleaux. Arion ARN 68037 37 Eccles, J. Suite: 'Made for the Queen's coronation' (1702). Mark Bennett, tpt; Members of Parley of Instruments/Peter Holman. Hyperion CDA66817 12 Bernier, N. Motet for Holy Communion (1703). Sara Macliver, sop; Taryn Fiebig, sop; Ensemble Battistin. 6 ABC 476 618-1 Bach, J.S. Prelude and fugue in C minor, BWV549 (1703). Michel Chapuis, org. LP Telefunken BC-25101-T/1-2

Saturday 2 July 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SATURDAY MORNING MUSIC with David Garrett 09:00 WHAT'S ON IN MUSIC Our weekly guide to musical events in and around Sydney

09:05 THE PIANO ALONE Prepared by Rita Felton Bach, J.S. Suite no 6 in D minor, BWV811, English (c1715). Angela Hewitt, pf. DG 442 9446 26

Jewel, F. Trombone blues. Allentown Band/ Ronald Demkee. AMP 87107 2

Barry, J. Born free. Greater Bendigo Concert Brass/Mark Ford. 4 Korngold, E. Sonata no 1 (1908-09). Geoffrey Walsingham WAL-9001-2 Tozer, pf. 12:00 URBAN JAZZ LOUNGE Chandos CHAN 9389 17 with Leita Hutchings Chaminade, C. Étude symphonique, op 28. New, hip, fun and traditional jazz: tons of cool Jonathan Plowright, pf. jazz, presented in a chilled and laid-back, Hyperion CDA 67903 6 lounge style 10:00 CENTRES OF MUSIC 18th century London Part 3 Prepared by Elaine Siversen Boyce, W. Anthem: Lord, Thou has been our refuge (1755). Edward Burrowes, treb; Timothy Burtt, treb; Alastair Cook, treb; Robin Blaze, ct; Rogers Covey-Crump, high ten; Mark Le Brocq, ten; Choir of St Paul’s Cathedral; Parley of Instruments/John Scott. Hyperion CDA67009 23 Stanley, J. Organ concerto in B minor, op 16 no 2 (pub. 1775). Ensemble Pian e Forte/ Antonio Frigé, org & dir. Nuova Era 7019 13 Linley, T. the Elder Elegy II: Ye sportive loves, that round me wait. Invocation/Timothy Roberts. Hyperion CDA66698 6 Linley, T. the Younger Violin concerto in F (c1772). Elizabeth Wallfisch, vn; Parley of Instruments/Peter Holman. Helios CDH55260 16 Arne, T. Where the bee sucks there lurk I, from The Tempest (1746). Emma Kirkby, sop; Academy of Ancient Music/Christopher Hogwood. Decca 476 2488 2 The soldier tir’d, from Artaxerxes (1762). Joan Sutherland, sop; Philomusica of London/ Granville Jones. Decca 475 6302 4 Keyboard concerto no 3 in A (pub. 1793). Parley of Instruments/Paul Nicholson, fp & dir. Helios CDH55251 17 11:30 ON PARADE Music that’s band Prepared by Owen Fisher

13:00 TREASURES OF THE VOICE Early and late 18th century operas Prepared by Rex Burgess Handel, G. Fronde tenere e belle ... Ombra mai fù, from Serse, HWV40 (1738); Where’er you walk, from Semele, HWV58 (1744). Andreas Scholl, ct; O of the Age of Enlightenment/Roger Norrington. Decca 466 196-2 8 Mozart, W. Lungi da te, from Mitridate, rè di Ponto, K87 (1770). Yvonne Kenny, sop; Darryl Poulsen, hn; Australian CO/Richard Tognetti. Sony SK 66282 8 Handel, G. Oh Lord, whose mercies numberless, from Saul, HWV53 (1738). Andreas Scholl, ct; Frances Kelly, hp; O of the Age of Enlightenment/Roger Norrington. Decca 466 196-2 6 Mozart, W. Ei parte ... Per pietà, from Così fan tutte, K588 (1790). Yvonne Kenny, sop; Darryl Poulsen, hn; James McCrow, hn; Australian CO/Richard Tognetti. Sony SK 66282 9 Handel, G. Vivi, tiranno! from Rodelinda, HWV19 (1725). Andreas Scholl, ct; O of the Age of Enlightenment/Roger Norrington. Decca 466 196-2 6 Mozart, W. L'amerò, sarò costante, from Il re pastore, K208 (1775). Yvonne Kenny, sop; Australian CO/Richard Tognetti. Sony SK 66282 6 Handel, G. Dall’ondoso periglio ... Aure, deh, per pietà spirate, from Julius Caesar in Egypt, HWV17 (1724). Andreas Scholl, ct; O of the Age of Enlightenment/Roger Norrington. Decca 466 196-2 6

14:00 MENTOR AND MENTEE Dvorák, A. Rusalka’s song to the moon. Black Loewe and Mayer Prepared by James Nightingale Dyke Mills Band/Roy Newsome. Chandos CHAN 4534 6 Loewe, C. Jungfrau Lorenz, op 33 no 1 (1834). Porter, C. Cole Porter medley. St Louis Brass Ruth Ziesak, sop; Cord Garben, pf. cpo 999 543-2 8 Quintet. Summit DCD 140 8 Mayer, E. Sonata in E flat. Aleksandra Trad. the lark in the clear air. Australian Brass/ Maslovaric, vn; Anne-Lise Longuemare, pf. Feminae 2012 18 Eric Banks. Australian Brass AB 195 3

14:30 SATURDAY MATINEE Orchestral Grandeur Prepared by Ron Walledge Glazunov, A. Ballet: The seasons, op 67 (1899). Suisse Romande O/Ernest Ansermet. Decca 480 0038 36 Debussy, C. La mer (1905). New Philharmonia O/Pierre Boulez. Sony SM2K 68 327

Mahler, G. Symphony no 8 in E flat, Symphony of a thousand (1906). Heather Harper, sop; Lucia Popp, sop; Arleen Auger, sop; Yvonne Minton, cont; Helen Watts, cont; René Kollo, ten; John Shirley-Quirk, bar; Martti Talvela, bass; Vienna State Opera Choir; Vienna Singverein; Vienna Boys’ Choir; Chicago SO/Georg Solti, conductor. DG 477 8825 1:20 17:00 SOCIETY SPOT Folk Federation of NSW with Kate Delaney 18:00 STAGE AND SCREEN Musical animals Prepared by Sue Jowell Bruns, G. Excerpts from The Jungle Book (1967). Phil Harris, Bruce Reitherman, Louis Prima, voices. EMI 5 10342 7 11 Lloyd Webber, A. Excerpts from Cats (1981). Elaine Paige, Sarah Brightman, John Gielgud, voices. Tring 300 11 John, E. and others. Excerpts from The lion king (1997). Jason Wheever, Jeremy Irons, Joseph Williams, Rowan Atkinson, Nathan Lane, voices. Disney 60858-7 17 Sherman, Richard - Sherman, Robert. Excerpts from The aristocats (1970). Eva Gabor, Maurice Chevalier, Phil Harris, Scatman Crothers, Liz English, voices. Disney 3586206 12 19:00 EMERGENT JAZZ with Keith Pettigrew Australian jazz of the 21st century featuring high school jazz combos, tracks from Sydney's pre-eminent jazz programs at UNSW and 'The Con' and new Australian and international jazz releases 20:00 THE LIFE OF A COMPOSER Arthur Honegger Prepared by Jacky Ternisien Honegger, A. Symphonic poem: Pastorale d’été, (1920). Bavarian RSO/Charles Dutoit. Erato 2292-45242-2 8

Widor, C-M. Three pieces (1909; arr. Rey). Alexei Ogrintchouk, ob; Alessandro Soccorsi, pf. Naxos 8.573764 12

String quartet in G minor, op 10 (1893). Huon Quartet. 26 Mozart, W. Overture to Idomeneo (1780). O of Virtuosi Tasmania Records 005 the Antipodes/Antony Walker. 15:00 SUNDAY SPECIAL Honegger, A. Sarabande, from Album des six ABC 476 6350 5 The Romantics and music (1920); Seven short pieces (1919-20). Marcelo Avison, C. Concerto in B flat for strings and Prepared by Paul Cooke Bratke, pf. continuo, op 6 no 2 (1758). Avison Ensemble/ Trad. Sephardic songs: Paxarico tú te llamas; Olympia OCD 487 9 Pavlo Beznosiuk. Durmo la nochada; Avrix mi, galancia; El paso Concerto da camera (1948). Amanda Muir, Naxos 8.557553-54 7 del mar rojo. La Rondinella. fl; Rachel Tolmie, cora; Bourbaki Ensemble/ Bach, J. Christian Concerto in F for oboe, Dorian DOR-93171 13 David Angell. strings and basso continuo. Burkhard Wirripang Wir 018 17 Glaetzner, ob; New Bach Collegium Musicum Mozart, W. Madamina, il catalogo è questo, from Don Giovanni, K527 (1787). Teddy Tahu Six poésies de Jean Cocteau (1920). Brigitte of Leipzig. Rhodes, bass-bar; Tasmanian SO/Ola Rudner. Balleys, mezz; Billy Eidi, pf. Capriccio 10 069 23 ABC 472 826-2 6 Timpani 1C1015 6 Boccherini, L. Guitar quintet no 9 in C, G453, Rossini, G. I palpiti, from Tancredi (1813; arr. String quartet no 1 (1916-17). Quatuor Ludwig. La ritirata di Madrid. Giangiacomo Pinardi, gui; Paganini; rev. Kreisler). Gil Shaham, vn; Akira Timpani 1C1011 27 Europa Galante. Eguchi, pf. Veritas 5 45606-2 34 Symphony no 3, Liturgique (1945-46). DG 447 640-2 10 Bavarian RSO/Charles Dutoit. Mozart, W. Là ci darem la mano (1787). Allegri, G. Psalm 50 (51): Miserere mei Deus Erato ECD 88045 30 Bryn Terfel, bass bar; Cecilia Bartoli, mezz; (arr. Roberts). Tallis Scholars/Peter Phillips. National Academy of Saint Cecilia O/MyungGimell CDGIM 041 14 22:00 SATURDAY NIGHT AT HOME Whun Chung. Prepared by Di Cox Decca 458 928-2 5 Haydn, J. On mighty pens uplifted soars the eagle aloft, from The Creation, Hob.XXI:2 Grieg, E. Incidental music to Sigurd Jorsalfar, Müller, A. Seven variations on Là ci darem (1796-98). Emma Kirkby, sop; Academy of op 22 (1872). Håkan Hagegård, bar; Bergen la mano, op 7 no 1. Richard Tognetti, vn; Erin Ancient Music/Christopher Hogwood. Vocal Ensemble; Bergen PO/Ole Kristian Helyard, pf. L’Oiseau-Lyre 478 7863 7 Ruud. ABC 481 8192 8 BIS CD-1740/42 35 Goldfaden, A. Raisins and almonds (arr. Hummel, J. Piano trio no 4 in G, op 65 (1814Collins). Mischa Elman, vn; Joseph Seiger, pf. Debussy, C. Danse sacrée et danse profane 15). Australian Trio. Vanguard OVC 8030 4 (1904; arr. Levental for two harps). Duo Bilitis. ABC 476 123-1 18 Brilliant Classics 95657 9 Beethoven, L. Ah! perfido ... Per pietà, non Schubert, F. Ständchen, D957 (1827). dirmi addio, op 65 (1796). Nicole Car, sop; Liszt, F. Transcendental studies (1852). László Astrid-Pilzecker, cont; Male voices of the Australian CO/Richard Tognetti. Simon, pf. Berlin Radio Choir; Bernd Casper, pf; Dietrich ABC 481 7430 12 BIS CD-369 1:05 Knothe, cond. Capriccio 10 152 9 6 Rossini, G. Nessun maggiore dolore, from Otello (1816). Frederica von Stade, sop; Nucci Sunday 3 July 12:00 CLASSIC JAZZ Condò, sop; Alfonso Leoz, ten; Philharmonia with Dave Mac O/Jesús López Cobos. The early days of jazz and ragtime as Philips 432 456-2 5 00:00 CLASSIC-ALL THROUGH recorded during the first 30 years of the 20th THE NIGHT Liszt, F. Ballade, from Wagner’s The flying century Dutchman (1843; transcr. 1872). Michele 06:00 SUNDAY MORNING MUSIC Campanella, pf. 13:00 WORLD MUSIC with James Nightingale Brilliant Classics 94610 6 Whirled Wide 09:00 MUSICA SACRA Verdi, G. Overture to Nabucco (1842). BBC with Orli Zahava Prepared by Stephen Matthews PO/Edward Downes. Showcases diverse music from cultures 8 Brossmann, A. Mass in A. Czech Ensemble around the world, both traditional and modern, Chandos CHAN 9510 Baroque/Roman Válek. featuring musicians from all corners of the Mendelssohn, F. Piano concerto no 1 in G ARTA Music 427220 26 globe, including Australia minor, op 25 (1831). Stephen Hough, pf; City of Birmingham SO/Lawrence Foster. Fischer, J. Introduction; Magnificat. Jaroslav 14:00 INTIMATE VOICES Hyperion CDA66969 20 Tuma, org. French String Quartets Part 1 ARTA Music 425523 6 Prepared by Jacky Ternisien 17:00 HOSANNA Zelenka, J. Laudate pueri. Ensemble Inegal; Prepared by Stephen Matthews Debussy, C. Sonata (1915). Jean-Pierre Prague Baroque Soloists/Adam Viktora. Rampal, fl; Pierre Pasquier, alto viol; Lily Hymns. Christ triumphant ever reigning; How Nibiru 01652231 10 Laskine, hp. shall I sing that majesty; Like a mighty river Bach, J.S. Quoniam tu solus sanctus; Erato 0630-13705-2 17 flowing. Choir of Wells Cathedral; Rupert Cum Sancto Spiritu. The Sixteen/Harry Arabesque no 2 (1891); First rhapsody (1911). Gough, org; Malcolm Archer, cond. Christophers. Hyperion CDP12101 9 Gervase de Peyer, cl; Gwenneth Pryor, pf. Coro COR 16073 8 Chandos CHAN 8526 11 10:00 THE CLASSICAL ERA Prepared by Meg Matthews

Sandström, S-D. Hear my prayer, O Lord. Baltic Voices; Estonian Philharmonic Chamber Choir; Talinn CO/Paul Hillier. Harmonia Mundi HMX 2908793 6 Harvey, J. The tree. Choir of St John’s College, Cambridge/Andrew Nethsingha. Signum SIGCD691

Graupner, C. Rejoice all the earth. Klaus Mertens, bass; Accademia Daniel/Shalev Ad-El. cpo 777 644-2 13 Byrd, W. Teach me O Lord; Exalt thyself O God. Magdalen College Choir, Oxford/John Harper. Alto ALC 4001-1 8

Lim, L. The alchemical wedding (1996). ELISION Ensemble; musicians of Ensemble Modern/Dominique My. ABC 456 687-2 18

12:00 SWING SESSIONS with John Buchanan Featuring bands of the 1930s swing era and the dance bands of the 1920s taken from Cresswell, L. Piano concerto (2009). Stephen radio broadcasts, transcriptions and recording sessions de Pledge, pf; New Zealand SO/Hamish McKeich. 13:00 MEANDERING ACROSS Naxos 8.573199 30 EUROPE Part 5 Vine, C. Trio for violin, cello and piano, The Austria village (2013). Benaud Trio. Prepared by Frank Morrison ABC 481 7164 17 Haydn, J. String quartet in D, op 76 no 5 (1797). The Lindsays. 22:00 JAZZ AFTER HOURS ASV QS 6145 21 with Sue Jowell Late night jazz, to listen and engage and relax

Bach, J. Christoph Meine Seele erhebt den Monday 4 July Hern; Allein Gott in der Höh sei Ehr; Herr Jesu Christ, dich zu uns wend. Stefano Molardi, org. Brilliant Classics 95803/24 4 00:00 CLASSIC-ALL THROUGH Mozart, W. Sancta Maria; Regina Angelorum, THE NIGHT from Litaniae Lauretanae in B flat, K109. 06:00 FINE MUSIC BREAKFAST Teatro Armonico Stuttgart; Chamber Choir of with Stephen Wilson Europe/Nicol Matt. Brilliant Classics 96137/8 5 09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1872 Prepared by Frank Morrison

18:00 THE PIANO SONATA Mozart Part 1 Prepared by Frank Morrison Mozart, W. Sonata in C, K279 (1775). Mitsuko Uchida, pf. Philips 422 115-2 14 Haydn, J. Sonata no 33 in C minor, Hob.XVI:20 (1771). Mikhail Pletnev, pf. Virgin 5 45254 2

Mozart, W. Sonata no 8 in A minor, K310 (1778). Alfred Brendel, pf. Philips 454 244-2 22 19:00 SUNDAY NIGHT CONCERT Prepared by Rex Burgess Mendelssohn, F. Overture: The Hebrides, op 26, Fingal’s Cave (1830). Queensland SO/ Wilfred Lehmann. ABC 481 2236 10

Dvorák, A. Quintet in A, op 5 (1872). Ivan Klansky, pf; Vlach Quartet Prague. Naxos 8.555377 24

20:30 NEW HORIZONS Prepared by Chloe Sinclair Barton, W. I dream of sacred ... I am my dream. William Barton, did; Southern Cross Soloists. ABC 476 4834 17

Schubert, F. Sonata in A minor, D537 (1817). Alfred Brendel, pf. Philips 410 605-2 23 Kreisler, F. Caprice viennois. Mischa Elman, vn; Joseph Seiger, pf. Vanguard OVC 8028 4 Mozart, W. Symphony no 41 in C, K551, Jupiter (1788). Cleveland O/George Szell. Sony SBK 46 333 26 14:30 DIANA’S OBOE Prepared by Chris Blower

Svendsen, J. Carnival in Paris, op 9 (1872). Bergen PO/Neeme Järvi. Chandos CHAN 10693 12

Bach, J.S. Concerto in A for oboe d’amore, strings and continuo BWV1055r (1730-38). Diana Doherty, ob d’amore; Ironwood. ABC 476 3673 15

Bizet, G. Suite no 1 from L’Arlésienne (1872). Julia Severus, pf. Naxos 8.570831-32 16

Tchaikovsky, P. Not a word, oh my love (1872). Nicolai Ghiaurov, bass; Zlatina Ghiaurov, pf. Decca 443 024-2

Raff, J. String octet in C, op 176 (1872). Academy of St Martin in the Fields Chamber Ensemble. Myaskovsky, N. Cello concerto in C minor, op Chandos CHAN 8790 24 66 (1944). Mstislav Rostropovich, vc; Moscow 10:30 CONCERT HALL PO/Kyrill Kondrashin. Prepared by Anne Irish Brilliant Classics 9240 27 d’Indy, V. Symphony no 2 in B flat, op 57 (1902-03). Iceland SO/Rumon Gamba. Chandos CHAN 10514 44

Wolf, H. Alles endet, was entstehet, from Lieder on poems by Michelangelo. Dietrich Fischer-Dieskau, bar; Daniel Barenboim, pf. DG 439 975-2 5

Brumby, C. South Bank overture (1985). Queensland SO/Werner Andreas Albert. Jade JADCD 1065 10 Beethoven, L. Piano concerto no 5 in E flat, op 73, Emperor (1809). Maurizio Pollini, pf; Vienna PO/Karl Böhm. DG 4790913 39

Vine, C. Oboe concerto (1996). Diana Doherty, ob; Tasmanian SO/Ola Rudner. ABC 476 226-7

Mozart, W. Quartet in F, K370 (1781). Diana Doherty, ob; Australian Trio. Fine Music concert recording 15 Jolivet, A. Sérénade (1945). Diana Doherty, ob; David Korevaar, pf. ABC 465 782-2 19 Hummel, J. Introduction, theme and variations in F, op 102 (1824). Diana Doherty, ob; Queensland SO/Werner Andreas Albert. ABC 456 681-2 14 16:00 FINE MUSIC DRIVE with Nicky Gluch 19:00 JAZZ PULSE with Chris Wetherall Jazz across the wide spectrum from early Louis to Coltrane, with plenty of Ellington and Basie, through to hard bop

Strauss, R. Tone poem: Also sprach Zarathustra, op 30 (1896). Sydney SO/Charles 20:00 STORMY MONDAY with Austin Harrison Mackerras. Sydney Symphony SSO 200705 34

22:00 JAZZ AFTER HOURS 13:00 JAZZ ABOUT TOWN Late night jazz, to listen and engage, and relax with Deborah Evans A sound gig guide to what's on in Sydney's jazz scene over the coming week. A selection Tuesday 5 July from jazz musicians who are About Town. 14:00 FAMILY CONNECTIONS Schoenberg and Zemlinsky Prepared by Frank Morrison Schoenberg, A. Phantasy, op 47 (1949). Yehudi Menuhin, vn; Glenn Gould, pf. Sony SMK 62 022 10 Zemlinsky, A. Piano trio in D minor, op 3 (1895). Beaux Arts Trio. Philips 434 072-2 28

14 Berwald, F. Duo in D minor (1858). Tobias Ringborg, vn; Åke Lundin, pf. Naxos 8.554286 18 Brahms, J. Four gypsy songs, op 112 (1891). RIAS Chamber Choir; Alain Planès, pf; Marcus Creed, cond. Harmonia Mundi HMG 501592/93 5 Mozart, W. Sonata no 12 in F, K332 (1778). Andreas Staier, fp. Harmonia Mundi HMX 2908601.30 21 Liszt, F. Concerto without orchestra, S524a (c1839). Leslie Howard, pf. Hyperion CDS44590 21 10:30 CONCERT HALL Prepared by Michael Gaynor

Schoenberg, A. Song of the wood dove, from Gurrelieder, op 13 (1907-11). Jessye Norman, mezz; Ensemble InterContemporain/Pierre Boulez. Sony SMK 62019 13 Six little pieces, op 19 (1911). Mitsuko Uchida, pf. Philips 473 686 2 7 Zemlinsky, A. String quartet no 3, op 19 (1924). LaSalle Quartet. DG 479 1976 23

Beethoven, L. Symphony no 7 in A, op 92 (1811-12). Vienna PO/Carlos Kleiber. DG 479 4110 39 12:00 JAZZ RHYTHM with Jeannie McInnes An eclectic blending of agreeable rhythm and melody from the New Orleans jazz roots through to recent decades, including many Australian bands

00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST with Stephen Wilson 09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by Rex Burgess Arne, T. Overture no 1 in E minor (pub. 1751). Academy of Ancient Music/Christopher Hogwood. L’Oiseau-Lyre 436 859-2 8 Westhoff, J. Sonata no 3 in D minor for violin and continuo (pub. 1694). Les Plaisirs du Parnasse. Alpha ALPHA 621 14 Kuhlau, F. Trio in D, op 86 no 2 (1827). Flute East Trio. Brilliant Classics 96087

Molter, J. Clarinet concerto no 3 in G. JeanSchoenberg, A. Transfigured night, op 4 Claude Veilhan, cl; Académie Sainte-Cécile O/ (1899; orch. 1917/43). Berlin PO/James Levine. Philippe Couvert. DG 469 804-2 29 Pierre Verany PV792011 12 16:00 FINE MUSIC DRIVE Onslow, G. String quartet in B flat, op 4 no 1. with Andrew Dziedzic Mandelring Quartet. cpo 999 329-2 19 19:00 THE JAZZ BEAT with Lloyd Capps 10:30 CONCERT HALL Smooth small group jazz from the 50s on, and Prepared by Paul Cooke with a visit from Miles Davis each week Wolf-Ferrari, E. Suite from The jewels of the

Mozart, W. Overture to The marriage of Figaro, K492 (1786). English Baroque Soloists/ 20:00 JUST IN with Michael Field John Eliot Gardiner. DG 478 4236 4 A selection from the latest recordings to arrive Brahms, J. Violin concerto in D, op 77 (1878). at the Fine Music Library Hilary Hahn, vn; Academy of St Martin in the Fields/Neville Marriner. Sony SK 89649 40

Wednesday 6 July

22:00 CHAMBER SOIRÉE Prepared by Albert Gormley Bach, J.S. Sonata in G minor, BWV1030b (c1720; arr.1736-37, from Flute sonata, BWV1030). Geoffrey Burgess, baroque ob; Nicholas Parle, hpd. Fine Music concert recording 17 Danzi, F. Quintet in F, op 56 no 3 (pub. 1821). Berlin Philharmonic Wind Quintet. BIS CD-552 23 Brahms, J. Quartet in A minor, op 51 no 2 (1873). Gabrieli String Quartet. Chandos CHAN 8562 31 Schubert, F. Piano trio no 2 in E flat, D929 (1827). Macquarie Trio. ABC 465 792-2 42

Madonna (1911). Royal PO/José Serebrier. ASV DCA 861 17

Cartellieri, A. Clarinet concerto no 3 in E flat (pub. 1797). Dieter Klöcker, cl; Prague CO/ Karel Stadtherr. MDG 301 1483-2 26 Gounod, C. Symphony no 2 in E flat (1856). Sinfonia Finlandia/Patrick Gallois. Naxos 8.557463 40 12:00 JAZZ SKETCHES with Robert Vale Focussing on contemporary jazz, often gathered from emerging cultures and Australian

13:00 IN CONVERSATION with Simon Moore Each week we meet one of the world’s great musicians, singers, composers or conductors, along with up-and-comers and some of the men and women who influence the arts landscape. The program goes live to air so you never quite know what’s going to happen. 14:00 FOUR GREAT CONDUCTORS Prepared by Derek Parker Rossini, G. Overture to The Italian girl in Algiers (1813). Royal Opera House O/Georg Solti. Decca 480 0952 7 Strauss, R. Dance of the seven veils, from Salome, op 54 (1905). Berlin PO/Herbert von Karajan. DG 474 281-2 10 Wagner, R. Siegfried idyll (1870). Philharmonia O/Otto Klemperer. EMI 5 62815 2

Mahler, G. Symphony no 5 in C sharp minor (1901-02). Vienna PO/Leonard Bernstein. DG 477 8825 1:15 16:00 FINE MUSIC DRIVE with Tom Forrester-Paton 19:00 PLANET JAZZ with Xavier Bichon A musical journey to different parts of the world where jazz meets other musical traditions, from Africa to Europe, with a slice of Australia 20:00 AT THE OPERA Prepared by Elaine Siversen Meyerbeer, G. Les Huguenots. Opera in five acts. Libretto by Eugène Scribe and Émile Deschamps. First performed Paris, 1836. LE COMPTE de NEVERS: John Pringle, bar RAOUL de NANGIS: Anson Austin, ten MARGUERITE de VALOIS: Joan Sutherland, sop VALENTINE: Amanda Thane, sop LE COMPTE de ST BRIS: John Wegner, bass-bar MARCEL: Clifford Grant, bass Australian Opera Ch; Australian Opera and Ballet O/Richard Bonynge. Opera Australia OPOZ56007CD 3:00

between Raoul and the woman whom he has saved, Valentine, daughter of Catholic leader, St Bris. She is promised to Nevers and has come to ask him to release her after the Queen has instructed her to break her engagement. She knows that Valentine is in love with Raoul and arranges a meeting between them, but Raoul thinks that Valentine is Nevers’ mistress and rejects her. The Catholic noblemen conspire to kill Raoul but Valentine has overheard the plot and warns his retainer, Marcel. The fight is averted when the Queen arrives. The marriage of Valentine and Nevers goes ahead. Raoul hears from the Queen that Valentine had asked Nevers to release her. He visits Valentine and she hides him when the Catholic noblemen arrive. He overhears them plan a massacre of the Huguenots on St Bartholomew’s night. Only Nevers refuses and he becomes a prisoner and is killed. Raoul rushes to the Huguenot leaders, who are ignorant of the massacre that has begun, and summons them to battle. Valentine begs Raoul to adopt her faith and marry her but he refuses to sacrifice his religion so she decides to become a Huguenot. The Huguenot forces are overwhelmed and women and children sheltering in a church are massacred by the Catholic forces. Raoul, Valentine and Marcel are killed in the churchyard when they are found by the troops of her father, St Bris. Too late, St Bris discovers that he has ordered the murder of his own daughter. Donizetti, G. Ancor non giunse ... Perchè non ho del vento ... Torna, torna o caro oggetto, from Rosmonda d’Inghilterra (1834). Joan Sutherland, sop; St Cecilia Academy O/John Pritchard. Decca 475 7981 9 23:30 MUSIC OF THE NIGHT Prepared by Dan Bickel Glass, P. Violin concerto (1987; arr. Dickson). Amy Dickson, sax; Royal PO/Mikel Toms. Sony 88697376792 26

Thursday 7 July 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN

The Count of Nevers, a Catholic leader, invites 06:00 FINE MUSIC BREAKFAST Raoul de Nangis, a Huguenot, to a banquet. with Simon Moore In a song contest, Raoul toasts an unknown beauty whom he has rescued from attackers and whom he now loves. Later, he is shocked to see Nevers greeting this woman in the garden. Queen Marguerite of Valois plans to end the religious divide by arranging a meeting

09:00 DIVERSIONS IN FINE MUSIC Romance and romantics Prepared by Krystal Li Delius, F. The walk to the Paradise Garden, from A village Romeo and Juliet (1907). Welsh National Opera O/Charles Mackerras. Argo 430 202-2 10 Nielsen, C. Hymnus amoris, op 12 (1896-97). Barbara Bonney, sop; John Mark Ainsley, ten; Lars Petersen, ten; Michael W. Hansen, bar; Bo Anker Hansen, bass; Copenhagen Boys Choir; Danish National Radio Choir; Danish National RSO/Ulf Schirmer. Decca 452 486-2 20 Liszt, F. Rapsodie espagnole (c1863). Leslie Howard, pf. Hyperion CDS44536 13 Ravel, M. Introduction and allegro for harp, flute, clarinet and string quartet (1906). Osian Ellis, hp; Melos Ensemble. Decca 421 154-2 10 Grieg, E. Sonata no 3 in C minor, op 45 (1887). Lydia Mordkovitch, vn; Elena Mordkovitch, pf. Chandos CHAN 9184

10:30 CONCERT HALL Prepared by Jacky Ternisien Respighi, O. Symphonic poem: Pines of Rome (1924). West Australian SO/Jorge Mester. ABC 442 348-2 23 Czerny, C. Piano concerto in F, op 28 (c1820). Tasmanian SO/Howard Shelley, pf & dir. Hyperion CDA68138 27 Bizet, G. Roma symphony (1860-68). Melbourne SO/John Lanchbery. ABC 456 669-2

12:00 JAZZ AFTER NOON with Sue Jowell Featuring swing to mainstream jazz with regular appearances from the Great American Songbook 13:00 SUBLIME Prepared by Anabela Pina Monteverdi, C. Toccata; Pur ti miro. Christina Pluhar, theorbo. Erato 5099923614024 6 Zipoli, D. Adagio. Sally Maer, vc; Alexandre Oguey, cora; Sinfonia Australis/William Motzing. ABC 476 5162 9 Maroufi, J. Kuku. Amir Farid, pf. Move MD 3380

Bach, J.S. Double violin concerto in D minor, BWV1043 (1730-31). Itzhak Perlman, vn; Isaac Stern, vn; New York PO/Zubin Mehta. Sony SMK 66 471 16

Enya. On your shore (1988; arr. Wells). Lisa Osmialowsky, penny whistle/fl; Sally Maer, vc. 5 ABC 481 2628

Gluck, C. Excerpts from Iphigénie en Tauride (1779; arr. Triebensee). Albion Ensemble. Helios CDH55037 20

Jenkins, K. Benedictus, from The armed man: a mass for peace (pub. 2001). National Youth Choir; London PO/Karl Jenkins. Virgin 8 11015 2 8

Viotti, G. Quartet in E minor (1818). Viotti String Quartet. Brilliant Classics 95264 26

14:00 MUSIC FOR ORPHEUS Prepared by Rex Burgess Offenbach, J. Overture to Orpheus in the Underworld (1858/74). London SO/Charles Mackerras. Mercury 434 352-2 9 Charpentier, M-A. Orpheus descending into Hell (1683). Henri Ledroit, ct; Guy de Mey, ten; Jacques Bona, bass; Ricercar Consort. Ricercar RIC 037011 16 Gluck, C. Chè farò senza Euridice? from Orfeo ed Euridice (1762). Janet Baker, mezz; London PO/Raymond Leppard. Erato 4509-98524-2 5 Hovhaness, A. Meditation on Orpheus, op 155 (1958). André Kostelanetz O/André Kostelanetz. LP CBS SBR 235868 13 Clérambault, L-N. Cantata: Orpheus (1710). Julianne Baird, sop; Music's Re-creation. 19 Meridian CDE 84182 Berlioz, H. The death of Orpheus (1827). Daniel Galvez-Vallejo, ten; Northern Region Choir; Lille NO/Jean-Claude Casadesus. Harmonia Mundi HMC 901542 13 Stravinsky, I. Ballet: Orpheus (1948). Royal Concertgebouw O/Neeme Järvi. 31 Chandos CHAN 7120 16:00 FINE MUSIC DRIVE with Peter Poole 19:00 THE NEW JAZZ STANDARD with Frank Presley A fresh perspective on modern music contributing to the standard jazz repertoire, with fine jazz interpretations from the world of pop, rock, film and contemporary jazz 20:00 THE WORLD OF A SYMPHONY Prepared by Di Cox Beethoven, L. Mödlinger dances, WoO17 nos 1-8 (1819). Eduard Melkus Ensemble. Archiv 439 964-2

Piccinni, N. Flute concerto in D (1769). Symphonia Perusina/Mario Ancillotti, fl & dir. Nuova Era 7026 14

Grétry, A-E-M. Je romps la chaine qui m'engage. Sumi Jo, sop; English CO/Richard Bonynge. Decca 440 679-2 5 Cherubini, L. Symphony in D (1815). London SO/Charles Mackerras. Carlton Classics 15656 91372 30 22:00 AUSTRALIAN PIANIST Stephanie McCallum Prepared by James Nightingale Schumann, R. Scenes from childhood, op 15 (1838). Stephanie McCallum, pf. ABC 476 3852 17 Alkan, C-V. Two nocturnes, op 57 (1859). Stephanie McCallum, pf. Toccata TOCC 0158 10 22:30 ULTIMA THULE Ambient and atmospheric music

Friday 8 July 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST with Vicky Zhang 09:00 DIVERSIONS IN FINE MUSIC Something borrowed Prepared by Rita Felton Paganini, N. Sonata and variations on a theme by Weigl (1824). Salvatore Accardo, vn; London PO/Charles Dutoit. DG 423 717-2 10 Kuhlau, F. Three rondos on themes from Mozart’s The marriage of Figaro (1823). Christian Lambour, pf. Schwann 310 120 15 Denisov, E. Death is a long sleep, variations on a theme by J. Haydn (1982). Ivan Monighetti, vc; Moscow CO/Paul Kogan. Melodiya SUCD 10-00107 13 Rameau, J-P. Suite from Dardanus (1739; arr. S. Cox). Septura. Naxos 8.573386 20 Brahms, J. Sonata in E flat, op 120 no 2 (1894 arr. Oguey). Alexander Oguey, cora; Neal Peres da Costa, pf. ABC 481 7026 22

10:30 CONCERT HALL Prepared by James Nightingale Bliss, A. Meditations on a theme of John Blow (1955). Royal PO/Barry Wordsworth. Argo 443 170-2 34 Gipps, R. Horn concerto, op 58 (1969). David Pyatt, hn; London PO/Nicholas Braithwaite. Lyrita SRCD 316 17 Sibelius, J. Symphony no 6 in D minor, op 104 (1923). Adelaide SO/Arvo Volmer. ABC 476 3946 31 12:00 A JAZZ HOUR with Barry O'Sullivan 13:00 A LIFE IN THREE PARTS Part 2 Prepared by Peter Poole Beethoven, L. Sanctus and Benedictus, from Missa solemnis in D, op 123 (1818). New Philharmonia Ch; London PO/Carlo Maria Giulini. EMI 1 66447 2 17 Grosse Fuge in B flat, op 133 (1825). Fine Arts Quartet. Naxos 8.574051 17 Calm sea and prosperous voyage, op 112 (1815). Willoughby Symphony Choir & O/ Stephen Mould. Fine Music concert recording

Sonata no 29 in B flat, op 106, Hammerklavier (1817-19). Murray Perahia, pf. DG 479 8353 41 14:30 POSTCARD FROM DENMARK Prepared by Anne Irish Lumbye, H. Champagne galop, op 14 (1845). Odense SO/Peter Guth. Unicorn-Kanchana DKP(CD)9089 2 Gade, N. Scandinavian folksongs (1842). Anker Blyme, pf. Marco Polo DCCD 9115 16 Nielsen, C. Springtime in Funen, op 42 (1921). Inga Nielsen, sop; Peter Grønlund, ten; Sten Byriel, bass-bar; St Anne's High School Children’s Ch; Danish National Radio Choir & SO/Leif Segerstam. Chandos CHAN 8853 18 Kuhlau, F. Variations on an Irish air: The last rose of summer, op 105 (1829). Per Øien, fl; Geir Henning Braaten, pf. LP Simax PN 2004 9 Glass, L. Sonata in F, op 5 (1889). Henrik Brendstrup, vc; Christina Bjorkoe, pf. cpo 999 548-2 19 Rung, H. In Denmark I was born (arr. Rung). Danish National Radio Choir/Stefan Parkman. Chandos CHAN 9464 4

Lumbye, H. Musical entertainment: A festive night at Tivoli (1861). Tivoli SO/Tamás Vetö. 11

Bach, J.S. Concerto in F, BWV971, Italian (1735). Ralph Kirkpatrick, hpd. DG 469 673-2 13

Holmboe, V. Seven folk ballads (1983). Bolette Roed, rec; Jesper Siveboek, gui. Dacapo 8.226143

Corelli, A. Sonata in B flat for recorder and continuo, op 5 no 11 (pub. 1700). Frans Brüggen, rec; Anner Bijlsma, vc; Gustav Leonhardt, hpd. Pro Arte CDD 291 7

Norgård, P. Two Hans Christian Andersen poems (2005). Danish National Vocal Ensemble/Søren Kinch Hansen. Dacapo 8.226051 5

Scarlatti, D. Sonata in B flat, Kk249. Ralph Kirkpatrick, hpd. Archiv 479 1045 4

25 Kozeluch, L. Piano concerto no 1 in F (1784). London Mozart Players; Howard Shelley, pf & dir. Hyperion CDA68154 27

Bach, J.S. Concerto in A minor for four harpsichords and strings, BWV1065. Kenneth Gilbert, hpd; Lars Ulrik Mortensen, hpd; Nicholas Kraemer, hpd; English Concert/ Trevor Pinnock, hpd & dir. Archiv 471 754-2 10

Saturday 9 July

Sørensen, B. Gondole for string trio (2010). Trio Aristos. BIS BIS-2269 19 Malling, O. The attack on Copenhagen, op 60. Bo Skovhus, bar; Danish NSO/Michael Schønwandt. Chandos 10249 5 Piazzolla, A. Allegro, from Aconcagua. James Crabb, acc; Tamara-Anna Cislowska, pf; Australian CO/Richard Tognetti. ABC 476 102-6 8 Palschau, J. Harpsichord concerto no 1 in C (1771). Lars Ulrik Mortensen, hpd; Concerto Copenhagen. Dacapo 8.226040 15

Martinu, B. Estampes (1958). Czech PO/Jirí Belohlávek. Supraphon 10 4140-2 18

00:00 CLASSIC-ALL THROUGH THE NIGHT

Dvorák, A. Symphony no 5 in F, op 76 (1875). London SO/István Kertész. Decca 417 597-2 41

11:30 ON PARADE 06:00 SATURDAY MORNING MUSIC Americana for bands with Stephen Wilson Prepared by Robert Small

22:00 BAROQUE AND BEFORE Baroque keyboard instruments Prepared by Andrew Dziedzic

09:00 WHAT'S ON IN MUSIC Our weekly guide to musical events in and around Sydney

Bach, C.P.E. Six new sonatinas, Wq63 (1753). 09:05 THE PIANO ALONE Prepared by Anne Irish Christopher Hogwood, clvd. Decca 444 162-2 11 Field, J. Sonata in A, op 1 no 2 (1801). Miceál Monteverdi, C. Gira il nemico, from Madrigals, O'Rourke, pf. Chandos CHAN 8787 14 bk 8, War and love (pub. 1638). Lambert Climent, ten; Francesc Garrigosa, ten; Daniel Chopin, F. Andante spianato (1831-32) and Carnovich, bass; Eunice Brandao, va da Grande polonaise brillante in E flat (1834), op gamba; Sergi Casademunt, va da gamba; Rolf 22. Martha Argerich, pf. Lislevand, theorbo; Lorenz Duftschmid, vle; DG 477 5430 13 Jordi Savall, va da gamba & dir. Hyde, M. Sonata in G minor (1941-4). Miriam Alia Vox AVSA 9884 B 6 Hyde, pf. Bach, J.S. Sonata in E, BWV1035 (1741). Pauliina Fred, fl; Aapo Häkkinen, clvd. Naxos 8.573376 11 Croft, W. Suite in C minor. Nicholas Parle, spinet. Fine Music concert recording 8 Ortiz, D. Four recercadas (arr. Thorn). Benjamin Thorn, rec; Wayne Madden, spinet. Move MD 3219 8 Locke, M. Suite no 4. Paul Nicholson, spinet; Fretwork. Virgin 5 45142 2 7 Handel, G. Sonata in F for violin and continuo (pub. 1732). Heather Stewart, vn; Helen Scott, vc; Günther Holler, virginals. Fine Music concert recording 10

Canberra School of Music CSM:16

10:00 CENTRES OF MUSIC Copenhagen Conservatory Prepared by Jennifer Foong Riisager, K. Overture: Erasmus Montanus, op 1, Danish pictures no 1 (1920). Aarhus SO/Bo Holten. Dacapo 8.226146 10 Jørgensen, A. Romance, op 21 (1916). Jesper Juul, tb; Danish NSO/Henrik Vagn Christensen. Dacapo 6.220526

Gudmundsen-Holmgreen, P. Bats’ ultrasound. Song Company. Song Company

Byrd, W. Fantasia. Nicholas Parle, virginals. MBS 26 CD 7

Williams, J. Call of the champions (2002; arr. Soper). United States Air Force Band/Larry H. Lang. Naxos 8.573405 5 Jenkins, J.W. American overture (1955). Lone Star Wind O/Eugene Migliaro Corporon. Naxos 8.570968 5 Bryant, S. Radiant joy (2006). Lone Star Wind O/Eugene Migliaro Corporon. Naxos 8.570968 5 Williams, J. Medley from Indiana Jones and the Temple of Doom; Main theme from Star Wars. Grimethorpe Colliery Band. RCA 74321 88393 2 9 12:00 URBAN JAZZ LOUNGE with Leita Hutchings 13:00 IN A SENTIMENTAL MOOD with Maureen Meers Nostalgic music and artists from the 30s, 40s and 50s and occasionally beyond, in a trip down many memory lanes 14:00 MENTOR AND MENTEE Reicha and Farrenc Prepared by James Nightingale Reicha, A. Variations for solo bassoon, accompanied by two violins, viola and cello. Jane Gower, bn; Madeleine Easton, vn; Alice Evans, vn; Galina Zinchenko, va; Catherine Jones, vc. Ars ARS 38 091 12

Farrenc, L. Grand variations on a theme by Count Gallenberg, op 25 (c1838). Jean Muller, pf; Solistes Européens/Christoph König. Naxos 8.574094 14 14:30 SATURDAY MATINEE Operetta in the afternoon Prepared by Paul Cooke Jones, S. The geisha. Musical comedy in two acts. Libretto by Owen Hall. Lyrics by Harry Greenbank. First performed London, 1896. REGINALD FAIRFAX: Christopher Maltman, bar O MIMOSA SAN: Lilian Watson, sop MARQUIS IMARI: Michael Fitchew, bar CAPTAIN KATANA: Harry Nicoll, ten WUN-HI: Richard Suart, bar JULIETTE DIAMANT: Sarah Vivian, sop MOLLY SEAMORE: Sarah Walker, mezz New London Light Opera Ch & O/Ronald Corp. Helios CDH55245 1:17 A shipload of English naval officers visits the Tea House of Ten Thousand Joys in search of tea and female company. Lieutenant Reginald Fairfax flirts with O Mimosa San, the head geisha. Marquis Imari, Chief of Police and Governor of the Province, wants to marry Mimosa but Mimosa has her own true love, Captain Katana. If Mimosa were to marry, Wun-Hi would lose his most profitable attraction. Wun-Hi's French interpreter, Juliette Diamant, is pursuing the Marquis. The leader of a party of English ladies is concerned that Reggie, who gives Mimosa a lesson in the Western art of kissing, is straying from his fiancée Molly Seamore and summons her. An angry Marquis orders the tea house to be closed and the geishas auctioned off. Mimosa suggests to Molly that she dress up as a geisha to win Reggie back. At the auction, out-manoeuvred by the English, the Marquis fails in his bid to purchase Mimosa but does succeed in buying Roli Poli, who is actually Molly. Later in the chrysanthemum gardens of the Imari palace, where the Marquis is determined to marry Molly, still in disguise as Roli Poli, Mimosa suggests substituting Juliette for Molly during the wedding ceremony. The Marquis thus ends up marrying Juliette, but accepts his fate philosophically. Molly is reunited with Reggie, happy to marry a British sailor rather than a foreign nobleman. Mimosa, having escaped the clutches of both Reggie and the Marquis, is free to marry Captain Katana. Planquette, R. Overture to Les cloches de Corneville (1866). New Philharmonia O/ Richard Bonynge. Decca 466 431-2 5

German, E. Excerpts from Merrie England (1902). June Bronhill, sop; William McAlpine, ten; Peter Glossop, bar; Leslie Fyson, bar; Eric Wilson-Hyde, bass; Williams Singers; O/ Michael Collins. EMI CD-CFPD 4710 14 Monkton, L. Moonstruck; The pipes of Pan; Soldiers in the park. Marilyn Hill Smith, sop; Southern FO/Robin White. Chandos FBCD 2005 10

22:00 SATURDAY NIGHT AT HOME Prepared by James Nightingale Haydn, M. Notturno in F. German Chamber Academy Neuss/Johannes Goritzki. cpo 999 512-2 16 Farrenc, L. Valse brillante, op 48; Nocturne, op 49 (1861-62). Konstanze Eickhorst, pf. cpo 999 879-2 12

Rameau, J-P. Suite from Naïs (1749). O of the Eighteenth Century/Frans Brüggen. Sullivan, A. Excerpts from Trial by jury (1866). Glossa GCD C81106 30 Rebecca Evans, sop; Pamela Helen Stephen, Schubert, F. Quintet in C, D956 (1828). mezz; Barry Banks, ten; Peter Savidge, bar; Richard Tognetti, vn; Helena Rathbone, vn; Gareth Rhys-Davies, bar; Richard Suart, bass; Caroline Henbest, va; Emma-Jane Murphy, vc; Donald Adams, bass; Welsh National Opera Melissa Barnard, vc. Ch & O/Charles Mackerras. ABC 476 102-6 55 Telarc 2CD-80404 32

Sunday 10 July

17:00 SOCIETY SPOT Organ Music Society of NSW with John Hanna

00:00 CLASSIC-ALL THROUGH THE NIGHT

18:00 STAGE AND SCREEN Prepared by Maureen Meers Coleman, C. Excerpts from Wildcat (1960). Lucille Ball, Keith Andes, Charles Braswell, voices. DRG - Sony CD 19119 A 741504 19

06:00 SUNDAY MORNING MUSIC with Peter Poole

Kander, J. Excerpts from Woman of the year (1981). Lauren Bacall, Harry Guardino, voices. Masterworks 88875 09800-2 12

Tallis, T. Mass for four voices. New York Polyphony. BIS CD-2037 20

Styne, J. Excerpts from Funny girl (1964). Barbra Streisand, Omar Sharif, voices. Columbia 50767 92000 19 19:00 EMERGENT JAZZ with Keith Pettigrew 20:00 THE LIFE OF A COMPOSER Frank Bridge Prepared by James Nightingale Bridge, F. The sea (1910-11). BBC NO of Wales/Richard Hickox. Chandos CHAN 10729(6) X 22 An Irish melody, Londonderry air (1908). Maggini Quartet. Naxos 8.553718

Dance poem (1913). BBC NO of Wales/ Richard Hickox. Chandos CHAN 10729(6) X

The hour glass (1919-20). Kathryn Stott, pf. Conifer CDCF 186 12 Britten, B. Variations on a theme of Frank Bridge, op 10 (1937). English Northern Sinfonia/Richard Hickox. ASV DC QS 6214 26 Bridge, F. Phantasm (1931). Kathryn Stott, pf; Royal PO/Vernon Handley. Conifer CDCF 175 26

09:00 MUSICA SACRA Prepared by Jacky Ternisien

Paisiello, G. Mass. St Petersburg Capella Soloists, Ch & O; Brass Ensemble Guy Touvron/Vladislav Chernushenko. Koch 3-1208-2 36 10:00 THE CLASSICAL ERA Prepared by Rex Burgess Galuppi, B. Sonata in E flat. Matteo Napoli, pf. Naxos 8.572490 12 Bach, C.P.E. Symphony no 1 in D, Wq183 no 1 (1775-76). Amsterdam Baroque O/Ton Koopman. Erato ECD 75550 11 Bach, J. Christian Symphony for double orchestra in E flat, op 18 no 1 (1779). Academy of Ancient Music/Simon Standage. Chandos CHAN 0540 14 Mozart, W. Sonata in F, K332 (1783). Grigory Sokolov, pf. DG 479 4342 27 Beethoven, L. Trio in C minor, op 9 no 3 (1797-98). Richard Tognetti, vn; Hartmut Lindemann, va; Patrick Demenga, vc. Fine Music concert recording 24 Albrechtsberger, J. Harp concerto in C (1773). Elizabeth Hainen, hp; Bulgarian National RO/Rossen Milanov. Avie AV 2221

Palestrina, G. da Sanctus; Benedictus; Agnus Dei, from Missa Papae Marcelli. Pro Cantione Antiqua/Mark Brown. DDD Stemra 94266 7

12:00 CLASSIC JAZZ with Dave Mac 13:00 WORLD MUSIC Whirled Wide with Carole Garland 14:00 INTIMATE VOICES French String Quartets Part 2 Prepared by Jacky Ternisien Ravel, M. Introduction and allegro (1906). Neville Amadio, fl; Kevin Murphy, cl; June Loney, hp; String Quartet of the Sydney SO/ Donald Hazelwood, vn & dir. LP RCA VRL1 0122 10 Suite from Mother Goose (1908-10; arr. McIntyre). Canberra Wind Soloists. ABC 434 718-2

String quartet in F (1902-03). Borodin String Quartet. Virgin VJ 7 9569-2 30 15:00 SUNDAY SPECIAL Chamber music of 1772 Prepared by Paul Cooke

Yunupingu, G. Wiyathul; Gurrumul history: Zarlino, G. Pater noster; Ave Maria. Ensemble I was born blind (arr. Veltheim). Geoffrey Plus Ultra/Michael Noone. Gurrumul Yunupingu, voice, gui; Sydney SO/ GCD/Glossa 921406 11 Erkki Veltheim. ABC/Skinnyfish 3764720 13 Mozart, W. Missa brevis in B flat, K275. Augsburg Cathedral Youth Chamber Choir; Barton, W. Kalkadoon man (1996). Amy Collegium Aureum/Reinhard Kammler. Dickson, sax; William Barton, did. DHM RD77090 15 ABC 481 7925 10 Stanhope, P. Ubi caritas. Sydney Chamber Choir/Paul Stanhope. ABC 481 6296 5

Mozart, W. Sonata no 3 in B flat, K281 (1775). Vladimir Horowitz, pf. DG 427 772-2 18

Mozart, W. Sonata no 14 in C minor, K457 (1784). Sviatoslav Richter, pf. Stradivarius STR 33343 24

A NNI V ERSA RY

Boccherini, L. String quintet in D minor, op 13 19:00 SUNDAY NIGHT CONCERT Prepared by Dan Bickel no 4 (1772). La Magnifica Comunità. Brilliant Classics 94386

Mozart, W. Sonatas all’epistola (1772): no 1 in E flat, K67; no 2 in B flat, K68; no 3 in D, K69. King's Consort; Robert King, org & dir. Hyperion CDA66377 8 Haydn, J. Grand duet no 6 in E, (1772; arr. Fossa from String quartets, Hob.III:9, 31). Jukka Savijoki, gui; Erik Stenstadvold, gui. apex 0927 494452 2 14 Vachon, P. String quartet, op 5 no 2 (1772). Rasumovsky Quartet. ASV GAU 151 11

Arnold, M. Four Cornish dances, op 91 (1966). Queensland SO/Andrew Penny. Naxos 8.553526

22:00 JAZZ AFTER HOURS with Deborah Evans

Monday 11 July

18:00 THE PIANO SONATA Mozart Part 2 Prepared by Frank Morrison

Pleyel, I. Sonata in B flat (c1787-88). Masha Dimitrieva, pf. Gramola 98816 12

250th

Edwards, R. Ulpirra suite (1993-98). Deborah de Graaff, cl; Len Vorster, perc. Walsingham WAL80442 13

00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 FINE MUSIC BREAKFAST with James Hunter 09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1929 Prepared by Gerald Holder Coates, E. Cinderella, a phantasy (1929). Royal Liverpool PO/Charles Groves. EMI 3 52356 2 15 Shostakovich, D. Suite from The bedbug, op 19 (1929; arr. Solin 1977). Rustem Hayroudinoff, pf. Chandos CHAN 9907 19

Janácek, L. Suite from The cunning little vixen (1921-23; arr. Breiner). New Zealand SO/ Martinu, B. String quartet no 3 (1929). Martinu Peter Breiner. Quartet. Naxos 8.570706 39 Naxos 8.553783 13 Rachmaninov, S. Symphonic dances, op 45 (1940). Philadelphia O/Eugene Ormandy. Sony SBK 48 279 34

20:30 NEW HORIZONS In celebration of NAIDOC Week Boccherini, L. Sonata in D, op 14 no 4 (1772). Prepared by Paul Cooke Emilio Moreno, vn; Aarón Zapico, hpd. Gifford, B. Djana (2020). Members of 15 Glossa GCD 920315 Ensemble Offspring. Mozart, W. Divertimento in B flat, K137 (1772; ABC ABCL0013 5 arr. Vienna Flautists). Vienna Flautists. Sculthorpe, P. Kakadu (2003). Alexa Murray, 14 Orfeo C 239 911 A cora; William Barton, did; Queensland SO/ Haydn, J. String quartet in F minor, Hob.III:35 Michael Christie. (1772). Quatuor Mosaïques. ABC 481 1293 16 25 Astrée E 8784 Bennett, L. Baiyan Woka (2009/20; arr. Veltheim). Genevieve Lacey, rec; Marshall 17:00 HOSANNA McGuire, hp. Prepared by Meg Matthews ABC ABCL0013 6 Hymns. Be still my soul; I vow to thee my Davies, P. Maxwell Time and the raven country. Cantillation; David Drury, org; Brett (1995). Royal PO/Peter Maxwell Davies. Weymark, cond. 14 ABC 980 103-3 10 Collins 14822

Lehár, F. A wreath of apple blossom; You are my heart’s delight, from The Land of Smiles (1929). Jussi Björling, ten; O/Nils Grevillius. Naxos 8.110722 7 Finzi, G. Eclogue (1929). Tom Poster, pf; Aurora O/Nicholas Collon. Decca 478 9357 11 Villa-Lobos, H. Études nos 2-7 (1929). Eduardo Fernández, gui. Decca 414 616-2

10:30 CONCERT HALL Prepared by Roman Benedict Adams, J. Shaker loops (1978/83). Bournemouth SO/Marin Alsop. Naxos 8.559031

Mozart, W. Sinfonia concertante no 2 in E flat, K364 (1779). Igor Oistrakh, vn; David Oistrakh, va; Moscow PO/Kyrill Kondrashin. Decca 470 258-2 33

Copland, A. Suite: Appalachian Spring (194344). Seattle SO/Gerard Schwarz. Delos DE 3154 24 12:00 SWING SESSIONS with John Buchanan

19:00 JAZZ PULSE with Chris Wetherall

14:00 FRANCK AND HIS PUPILS Prepared by Derek Parker Franck, C. Panis angelicus (1872; arr. Wells). David Hobson, ten; Teddy Tahu Rhodes, bassbar; Sinfonia Australis/Guy Noble. ABC 476 3284 3

20:00 STORMY MONDAY with Austin Harrison 22:00 JAZZ AFTER HOURS with Gail Monjo

13:00 FROM THE SERAGLIO Prepared by Paul Cooke Mozart, W. Overture to The abduction from the seraglio, K384 (1782). Staatskapelle Dresden/Karl Böhm. DG 469 666-2 4

Chausson, E. Poème, op 25 (1896). Christian Ferras, vn; Pierre Barbizet, pf; Belgian NO/ Georges Sébastian. DG 480 6655 19

Tuesday 12 July

Pierné, G. Piano concerto in C minor, op 12 (c1887). Dag Achatz, pf; Lorraine PO/Jacques Houtmann. BIS CD-381 20

Berlioz, H. Zaïde, from Album leaves no 1, op 19 no 1. Cecilia Bartoli, mezz; Jean-Yves Thibaudet, pf. Decca 455 981-2 4 Say, F. Sonata, op 7 (1996). Patricia Kopatchinskaja, vn; Fazil Say, pf. naïve V5146

Ropartz, J. Prélude funèbre. André Isoir, org. Calliope CAL 5922 6 d’Indy, V. Symphony on a French mountain air, op 25 (1886). François-Joël Thiollier, pf; NSO of Ireland/Antonio de Almeida. Naxos 8.550754 26

Cannabich, C. Excerpts from Les fêtes du Serailles. L’Arte del Mondo/Werner Ehrhardt. Ludi Musici LM002 11

Guilmant, A. Finale, from Sonata no 1 in D minor, op 42 (1874). Olivier Latry, org. naïve V 5338 7

Mozart, W. Ruhe sanft, mein holdes Leben; Trostlos schluchzet Philomele, from Zaïde, K344 (1780). Emma Kirkby, sop; Academy of Ancient Music/Christopher Hogwood. L’Oiseau-Lyre 478 7863 11 Royer, J-N-P. La Zaïde: Rondo; La chasse de Zaïde (1746). Yago Mahugo, hpd. Brilliant Classics 94479 9 Say, F. Violin concerto, op 25, 1001 nights in the harem, (2007). Friedemann Eichhorn, vn; German Radio PO/Christoph Eschenbach. Naxos 8.574085 28 14:30 IRISH CHAMBER MUSIC Prepared by Derek Parker Harty, H. Three pieces (1911). Sarah Francis, ob; Peter Dickinson, pf. LP Hyperion A66206 13 Field, J. Piano quintet in A flat (1815). David Juritz, vn; Jennifer Godson, vn; Sarah-Jane Bradley, va; Julia Desbruslais, vc; Míceál O'Rourke, pf. Chandos CHAN 9534 11 Guilfoyle, R. Music for clarinet and string trio. Brendan Doyle, cl; Hibernia String Trio. Dun Laoghaire County Council 23 Bayl, J. Jon Bayl’s reel. Renaissance Players/ Winsome Evans. Celestial Harmonies 14197-2 2 Stanford, C. Villiers Piano trio no 2 in G minor, op 73 (1899). Gould Piano Trio. Naxos 8.573388 31 16:00 FINE MUSIC DRIVE with Michael Field

Franck, C. Sonata in A (1886). Christian Ferras, vn; Pierre Barbizet, pf. DG 480 6655 8 Haydn, J. Divertimento: Il maestro e lo scolare, Hob. XVIIa:1. Jenö Jandó, Zsuzsa Kollár, pf. Naxos 8.553972 11 Janácek, L. Sonata (1914/21). David Saffir, vn; Albert Landa, pf. Fine Music tape archive 18 Schubert, F. Six moments musicaux, D780 (1823-28). Ingrid Haebler, pf. Decca 478 5859 25 10:30 CONCERT HALL Prepared by Elaine Siversen Walton, W. Ballet: The wise virgins, after J.S. Bach (1940). London PO/Bryden Thomson. Chandos CHAN 8871 20 Zamfir, G. Panpipes concerto no 1 in G. Gheorghe Zamfir, panpipes; Monte Carlo PO/ Lawrence Foster. LP Philips 412 221-1 16 Brahms, J. Serenade no 1 in D, op 11 (185758). London SO/István Kertész. Decca 448 200-2 46 12:00 JAZZ RHYTHM with Jeannie McInnes 13:00 JAZZ ABOUT TOWN with Deborah Evans

16:00 FINE MUSIC DRIVE with Michael Morton-Evans 19:00 THE JAZZ BEAT with Lloyd Capps 20:00 JUST IN with James Nightingale A selection from the latest recordings to arrive at the Fine Music Library 22:00 CHAMBER SOIRÉE Prepared by Di Cox Beethoven, L. Serenade in D, op 25 (1801). András Adorján, fl; Dmitry Sitkovetsky, vn; Gérard Caussé, va. Virgin VC 7 90755-2 24 Haydn, J. String quartet in G minor, Hob.III:74, Rider (1793). Emerson String Quartet. DG 471 327-2

Schubert, F. Fantasy in C, D934 (1827). David Oistrakh, vn; Vladimir Yampolski, pf. Brilliant Classics 8402 20 Weber, C.M. Clarinet quintet in B flat, op 34 (1815). Dieter Klöcker, cl; members of Consortium Classicum. Orfeo C314 941 A 27 Berwald, F. Piano trio in C (1853). Susan Tomes, pf; Gaudier Ensemble. Hyperion CDA66835 17

14:00 FROM THE SOUTH Part 5 The Tasmanian Symphony Orchestra Prepared by Ron Walledge

Wednesday 13 July

Nicolai, O. Overture to The merry wives of Windsor (1849). Tasmanian SO/Sebastian Lang-Lessing. ABC 481 0616 8 Mills, R. Violin concerto (1992). Barbara Jane Gilby, vn; Tasmanian SO/Richard Mills. 23 ABC 462 016-2 Handel, G. Suite no 1 in F, HWV348, from Water music (1717/36). Tasmanian SO/ Graham Abbott. 27 ABC 476 4300

12 Witt, F. Bassoon quartet in F. Members of Consortium Classicum. cpo 777 486-2 16 10:30 CONCERT HALL Prepared by Chris Blower Berwald, F. Serious and joyful fancies (1842). Royal PO/Ulf Björlin. EMI CDM 5 65073 2 8 Lalo, E. Symphonie espagnole, op 21 (1875). Sarah Chang, vn; Royal Concertgebouw O/ Charles Dutoit. EMI 5 55292 2 33 Respighi, O. Ballet: La boutique fantasque, after Rossini, op 40. Cincinnati SO/Jésus López-Coboz. Telarc 80396 42 12:00 JAZZ SKETCHES with Robert Vale 13:00 IN CONVERSATION with Simon Moore

Ravel, M. L'heure espagnole. Comic opera in one act with 21 scenes. Libretto by FrancNohain (Maurice-Étienne Legrand) based on his play. First performed Paris, 1911. RAMIRO: Gabriel Bacquier, bar TORQUEMADA: Jean Giraudeau, ten CONCEPCIÓN: Jane Berbié, sop GONZALVE: Michel Sénéchal, ten INIGO: José van Dam, bass French RTV NO/Lorin Maazel. DG 449 769-2

The muleteer, Ramiro, asks the clockmaker, Torquemada to repair his watch. As it is the day on which Torquemada tends the Toledo municipal clocks, Ramiro must wait. Chopin, F. Variations in B flat on Mozart’s Là Torquemada's wife, Concepción, takes ci darem la mano, from Don Giovanni, op 2 advantage of his absence on this day to plan (1827). Ian Munro, pf; Tasmanian SO/David assignations with gentlemen friends. The Porcelijn. action involves multiple concealments of ABC 465 424-2 17 Concepción lovers, a poet Gonzalve and a Mozart, W. Symphony no 41 in C, K551, banker Don Iñigo, in grandfather clocks which Jupiter (1788). Tasmanian SO/Sebastian Lang- are carried upstairs and downstairs by Ramiro. Lessing. Impressed by how easily Ramiro carries the ABC 476 4561 36 clocks (and their load) upstairs, Concepción is attracted to him. With Gonzalve and Don Iñigo 16:00 FINE MUSIC DRIVE now each stuck in clocks, Torquemada returns with Ross Hayes from his municipal duties. Both eventually escape and, to save face, they each purchase 19:00 PLANET JAZZ a clock. Concepción muses that she can wait with Xavier Bichon for the muleteer to appear regularly now that his watch is repaired. 20:00 AT THE OPERA 22:30 MUSIC OF THE NIGHT Prepared by Camille Mercep Prepared by Paul Cooke Adam, A. Le toréador. Opera in two acts. Libretto by Thomas-Marie-François Sauvage. First performed Paris, 1849.

CAROLIN: Sumi Jo, sop DON BELFLOR: Michel Trempont, bass TRACOLIN: John Aler, ten Jonathan Burgess, fl; Welsh National Opera O/Richard Bonynge. Decca 455 664-2 1:17 Carolin, the beautiful wife of the old and ugly former toreador, Don Belflor, is in love with Tracolin, a flute-player. Tracolin tells Don Belflor that he is admired by a dancer at the opera and arranges a meeting, meanwhile declaring his undying love for Carolin. Returning from his assignation, Belflor is accused of infidelity. He begs his wife’s pardon and promises to reform. She says she will forgive him, provided Tracolin lives with them to guarantee her husband’s good behaviour. The opera ends with all three delighted by the opportunities such an arrangement will provide. Variations; Act II Finale, from Giselle (1841). Academy of St Martin in the Fields/Neville Marriner. Brilliant Classics 94354 7

Qigang Chen. Reflection of a vanished time (1995-96). Yo-Yo Ma, vc; NO of France/ Charles Dutoit. Virgin 5 45549 2 25

Young, Miriama. Time and tide: Echoes of Sydney Harbour for brass trio, percussion and sound effects (2018). 2018 Sydney Symphony Fellows/Roger Bendedict. Fine Music concert recording 10 Messiaen, O. Quartet for the end of time (1940-41). Ensemble Liaison. Melba MR 301132 49

Thursday 14 July 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST with Simon Moore

09:00 DIVERSIONS IN FINE MUSIC Romance and romantics Prepared by James Nightingale Berlioz, H. Overture to Beatrice and Benedict (1860-62). Montreal SO/Charles Dutoit. Decca 452 480-2 8 Butterworth, G. Love blows as the wind blows, op 59 (1912). Robert Tear, ten; City of Birmingham SO/Vernon Handley. EMI 7 64731 2 10 Stenhammar, W. Two sentimental romances, op 28 (c1900). Semmy Stahlhammer, vn; Love Derwinger, pf. nosag 4049 11 Handel, G. Caro/Cara, nel tuo bel volto, from Atlanta, HWV35 (1736). Christiane Karg, sop; Romina Basso, mezz; Il Complesso Barocco/ Alan Curtis. 8 DHM 88875199812 Brahms, J. Variations on a theme by Schumann, op 23 (1861). Stephen Emmerson, Bernard Lanskey, pf. Tall Poppies TP154 17 Andrée, E. Piano trio in C minor (1860). Trio Nordica. IMCD 113 25 10:30 CONCERT HALL Prepared by Jacky Ternisien Bizet, G. Overture: Patrie, op 19 (1873). Melbourne SO/John Lanchbery. ABC 456 669-2

Godard, B. Piano concerto in E flat (1903). Stephen Coombs, pf; BBC Scottish SO/JeanYves Ossonce. Hyperion CDA66897 31

Polka italienne. Vyacheslav Gryaznov, pf. ArtSound recording

Glinka, M. Valse fantasie. Vyacheslav Gryaznov, pf. ArtSound recording

Mozart, W. Quintet in E flat, K407 (1782). Stephen Bell, hn; Peter Cropper, vn; Robin Ireland, va; Ronald Birks, va; Bernard GregorSmith, vc. ASV DCA 968 19

Grieg, E. Nocturne, op 54 no 4 (1891). Vyacheslav Gryaznov, pf. ArtSound recording

Chopin, F. Étude in C, op 10 no 1 (1833). Vyacheslav Gryaznov, pf. ArtSound recording

14:00 ALLONS ENFANTS DE LA PATRIE Prepared by Jacky Ternisien Rouget de Lisle, C-J. Hymn of La Marseillaise (c1792; arr. Berlioz 1830). Gordon Gietz, ten; Montreal Choir & SO/Charles Dutoit. Decca 475 097-2 8

Rachmaninov, S. Night is sorrowful, op 26 no 12 (1906); How peaceful, op 21 no 7 (c1902); Vocalise, op 34 no 14 (1915). Vyacheslav Gryaznov, pf. ArtSound recording 10

Beethoven, L. Piano trio no 10 in E flat, 14 variations on an original theme, op 44 (1802). Beaux Arts Trio. Philips 438 948-2 14 Lindblad, A. With a child’s prayer on his lips, from Dreams. Allmänna Sängen; Anders Widmark, pf; Cecilia Rydinger Alin, cond. BIS CD-1714 4 Mendelssohn, F. Overture: The Hebrides, op 26, Fingal's Cave (1830). Bamberg SO/Claus Peter Flor. RCA Victor RD 87905 10

Haydn, J. Symphony in B flat, Hob.I:85, Lindblad, A. Symphony no 1 in C (1832). Queen (c1785). O of the Age of Enlightenment/ Stockholm PO/Okko Kamu. Sigiswald Kuijken. LP Caprice CAP 1197 39 Virgin VC 7 90844-2 28 22:00 AUSTRALIAN PIANIST Marie-Antoinette. C’est mon ami. Isabelle Roger Woodward Poulenard, sop; Sandrine Chatron, hp. Prepared by James Nightingale Ambroisie AM 179 3

Dittersdorf, C. Excerpts from Symphony in C, Chopin, F. Fantaisie in F minor, op 49 (1841). Roger Woodward, pf. La prise de la Bastille. Concerto Köln. 11 Capriccio C 10280 20 Fine Music concert recording Debussy, C. Estampes (1903). Roger Monnot - Françaix. Le ça ira. Edith Piaf, Woodward, pf. voice. 15 Columbia 7905612 2 ABC 472 170-2 Cherubini, L. Hymne: À la victoire. Leeds Festival Ch; Wallace Collection/John Wallace. Nimbus NI 5175 6

Offenbach, J. Ballet: Gaîté parisienne (arr. Balbastre, C-B. Marche des Marseillois et Rosenthal 1938). Royal Opera House O/Georg l’air, ça ira. Olivier Latry, org. Solti. naïve V 5338 5 Decca 476 2724 39 Berlioz, H. Grande symphonie funèbre et triomphale, op 15 (1840). Jeffrey Budin, tb; 12:00 JAZZ AFTER NOON Montreal Symphony Ch & O/Charles Dutoit. with Sue Jowell 35 Decca 425 001-2 13:00 ARTSOUND: SLAVA’S PIANO 16:00 FINE MUSIC DRIVE Part 2 with Marilyn Schock Borodin, A. Nocturne, from String quartet no 2 in D (1885). Vyacheslav Gryaznov, pf. 19:00 THE NEW JAZZ STANDARD ArtSound recording 8 with Frank Presley

Tchaikovsky, P. Waltz of the flowers, from The nutcracker, op 71 (1892). Vyacheslav Gryaznov, pf. ArtSound recording 7

Lindblad, A. Overture to The rebels. Stockholm PO/Okko Kamu. LP Caprice CAP 1197

20:00 THE WORLD OF A SYMPHONY Prepared by Brian Drummond Eggert, J.N. Incidental music to Svante Sture (1812). Gävle SO/Gérard Korsten. Naxos 8.572457 14

22:30 ULTIMA THULE

Friday 15 July 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST with Vicky Zhang 09:00 DIVERSIONS IN FINE MUSIC Something borrowed Prepared by Paul Cooke Attrib. Vivaldi, A. Sonata, Il pastor do. Nigel Eaton, hurdy-gurdy; Lisa Povey, hpd. Saydisc CD-SDL 374 12 Schubert, F. Das Wandern, from Die schöne Müllerin, D795 no 1 (1823; arr. Diabelli); Die Forelle, D550 (c1817-20; arr. Diabelli); Heidenröslein, D257 (1815; arr. Diabelli); Ständchen: Leise flehen meine Lieder, from Schwanengesang, D957 no 4 (1828; arr. Mertz); Erlkönig, D328 (1815; arr. Diabelli). Neil Jenkins, ten; Jan Zácek, gui. Supraphon SU 3084-2 14

Britten, B. Temporal variations (1936; orch. Matthews 1993). Nicholas Daniel, ob; Northern Sinfonia/Steuart Bedford. 14 Naxos 8.557205 Schumann, R. Six pieces in canonic form, op 56 (1844-45; arr. Kirchner for piano trio). Vienna Brahms Trio. 17 Naxos 8.553837 Bach, J.S. Largo, from Organ sonata no 5, BWV529 (c1730; transcr. Feinberg). Nadia Koudasheva, pf. 7 Koudasheva 745110 910732 Falla, M. de Seven popular Spanish songs (1914-15; transcr. Kashkashian, Levin). Kim Kashkashian, va; Robert Levin, pf. 15 ECM 1975 10:30 CONCERT HALL Prepared by James Nightingale Joachim, J. Overture: Hamlet, op 4 (1853). Stuttgart RSO/Meir Minsky. 17 Naxos 8.554733 Grieg, E. Piano concerto in A minor, op 16 (1868). Amalie Malling, pf; Danish National RSO/Michael Schønwandt. Chandos CHAN 9699 31

14:30 PLEAS FOR TOLERANCE Prepared by Paul Cooke Halévy, F. Loin de son amie vivre sans plaisirs, from La Juive (1835). Juan Diego Flórez, ten; Milan Giuseppe Verdi Symphony Ch & O/Carlo Rizzi. 5 Decca 475 550-2 Liszt, F. Reminiscences of La Juive: Fantasie brillante, on themes from Halévy’s opera, S409a (1835). Leslie Howard, pf. 14 Hyperion CDS44545

To the distant beloved, op 98 (1816). Thomas Hampson, bar; Geoffrey Parsons, pf. EMI 5 75187 2 15 Sonata no 9 in A, op 47, Kreutzer (1803). Maxim Vengerov, vn; Itamar Golan, pf. Wigmore Hall live WHLive0056 39

22:00 BAROQUE AND BEFORE Peter Philips in the Low Countries Prepared by Elaine Siversen Philips, P. Motet: Salve Regina, vita, dulcedo, from Cantiones sacrae octonis vocibus (1613). Choir of Royal Holloway; English Cornett and Sackbut Ensemble/Rupert Gough. Hyperion CDA67945 6

Halévy, F. Rachel's aria: Il va venir, from La Pavana and galiarda dolorosa (1593). Anneke Juive (1835). Françoise Pollet, sop; Montpellier Uittenbosch, hpd. PO/Cyril Diederich. Etcetera KTC 1022 11 4 Erato 2292-45025-2 Sweelinck, J. Te Deum laudamus. Wallace, V. Grand duo on themes from Netherlands Chamber Choir; Bernard Halévy’s L’éclair. Rosemary Tuck, pf; Richard Winsemius, org; Peter Phillips, cond. Bonynge, pf. BFO Centre Netherlands Music A 3 12 15 Naxos 8.572774 Fantasy no 4 in D. Gustav Leonhardt, org. Halévy, F. Rachel, quand du Seigneur, from Harmonia Mundi GD 77148 14 La Juive (1835). Ben Heppner, ten; London Bull, J. In nomine. Joseph Payne, hpd. Voices; London SO/Myung-Whun Chung. BIS CD-539 8 DG 471 372-2 11 Philips, P. Filli leggiadra e belle (1598). Meyerbeer, G. Gypsy dance, from Les Parsons Affayre/Warren Trevelyan-Jones. Huguenots (1836). Barcelona SO/Michał 26 Fine Music concert recording Nesterowicz.

Schubert, F. Symphony no 6 in C, D589, Little Naxos 8.573076 5 C major (1817-18). Royal Concertgebouw O/ Pasculli, A. Fantasia on the opera Les Nikolaus Harnoncourt. Huguenots by Meyerbeer. Ivan Paisov, ob; Teldec 4509-91184-2 35 Natalia Shcherbakova, pf. Naxos 8.570567 11 12:00 A JAZZ HOUR with Barry O'Sullivan Meyerbeer, G. Ô beau pays de la Touraine; Sombre chimère; À ce mot seul s’anime, from 13:00 A LIFE IN THREE PARTS Les Huguenots (1836). Joan Sutherland, sop; Part 3 Kiri Te Kanawa, sop; Josephte Clément, sop; Prepared by Peter Poole Hugette Tourangeau, mezz; Ambrosian Opera Beethoven, L. Leonore overture to Fidelio, op Ch; New Philharmonia O/Richard Bonynge. 72 (1814). Tasmanian SO/Sebastian LangDecca 475 6302 13 Lessing. ABC 481 0616 14 16:00 FINE MUSIC DRIVE with James Hunter Finale from Fidelio Act II, op 72 (1814). Rita Auvinen, sop; Satu Vihavainen, sop; Peter Lindroos, ten; Jorma Silvasti, ten; Jorma Hynninen, bar; Tom Krause, bass; Bengt Rundgren, bass; Savonlinna Opera Festival Ch & O/Ulf Söderblom. BIS CD-373/374 13

Sinding, C. Symphony no 1 in D minor, op 21 (1890/95). Oslo PO/Øivin Fjeldstad. NKFCD 50016-2 40

19:00 FRIDAY JAZZ SESSION with Alex Siegers 20:00 EVENINGS WITH THE ORCHESTRA A concert from Oslo Prepared by Rex Burgess

Bull, J. Chromatic pavan. Nicholas Parle, virginals. MBS 26 CD

Eyck, J. Variations on Doen Daphne d’over schoone Maeght. Frans Brüggen, rec. LP Telefunken SMA 25073 9 Bull, J. The king’s hunt; My grief; My self. Trevor Pinnock, hpd. LP CRD 1050

Philips, P. Motet: O crux splendidior (pub. 1612). Choir of Winchester Cathedral; Parley of Instruments/David Hill. Hyperion CDA66643 6

Saturday 16 July 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SATURDAY MORNING MUSIC with David Garrett

Tchaikovsky, P. Fantasy overture: Romeo and 09:00 WHAT'S ON IN MUSIC Juliet (1869/79/80). Oslo PO/Mariss Jansons. Our weekly guide to musical events in and EMI 5 74113 2 19 around Sydney Janácek, L. Mládí (1924). Oslo PO Wind Soloists. Naxos 8.554173 17 Shostakovich, D. Cello concerto no 2 in G minor, op 126 (1966). Truls Mørk, vc; Oslo PO/ Vasily Petrenko. Ondine ODE 1218-2 36

09:05 THE PIANO ALONE Prepared by Jennifer Foong Mendelssohn, F. Fantasy in F sharp minor, op 28 (1833). Nikolai Demidenko, pf. Hyperion CDA66781/2 14

Chaminade, C. Theme and variations in A, op 13:00 TREASURES OF THE VOICE 89 (c1900). Peter Jacobs, pf. Australian choral composers Hyperion CDA66584 5 Prepared by Paul Cooke Schubert, F. Impromptu in G flat, D899 no 3 (1827). Imogen Cooper, pf. Ottavo OTR C78923 6 Brahms, J. Ballades, op 10 (1854). Wilhelm Kempff, pf. Philips 456 862-2 23 10:00 CENTRES OF MUSIC Three Choirs Festival Part 1: 1902-1921 Prepared by Paul Cooke Bantock, G. The witch of Atlas (1902). Royal PO/Vernon Handley. Hyperion CDA66450 15 Vaughan Williams, R. Five mystical songs. Simon Keenlyside, bar; Graham Johnson, pf. Naxos 8.557114 17 Delius, F. Dance rhapsody no 1 (1908; ed. Beecham). Welsh National Opera O/Charles Mackerras. Argo 433 704-2 13 Sibelius, J. Luonnotar, op 70 (1913). Anu Komsi, sop; Lahti SO/Sakari Oramo. BIS SACD 1962

Elgar, E. Cello concerto in E minor, op 85 (1919). Paul Watkins, vc; BBC PO/Andrew Davis. Chandos CHAN 10709 27 11:30 ON PARADE Music that’s band Prepared by Owen Fisher Sousa, J.P. Pathfinder of Panama march. Allentown Band/Ronald Demkee. AMP 21188 4 Binge, R. The watermill. National Band of New Zealand. Rayjon CDR 0045 4 Berlin, I. Irving Berlin showstoppers. Allentown Band/Ronald Demkee. AMP 23192

Forsyth, Michael. Recessional for grand occasions. Studio Brass Band of Sydney/Ken Bradley. Crombonis Australia 5 Sousa, J.P. Grand promenade at the White House, from Tales of a traveller. Allentown Band/Ronald Demkee. WWFM WWFM2 6 12:00 URBAN JAZZ LOUNGE with Leita Hutchings

Nathan, I. Come, merrily sing, from Don John of Austria (1847; arr. Mackerras). Sydney Phiharmonia Chamber Singers; Sydney SO/ Alexander Briger. ABC 476 4114 6 Grainger, P. County Derry air (1920). Joyful Company of Singers/Peter Broadbent; City of London Sinfonia/Richard Hickox. Chandos CHAN 9499 7 Bowen, C. Sweet silence after bells (2010). Sydney University Graduate Choir & O/ Christopher Bowen. SUGC recording 10 Thwaites, P. Five Shakespeare songs (2017). Carolyn Sampson, sop; James Gilchrist, ten; William Dazeley, bar; Ex Cathedra; Penelope Thwaites, perc; Tom Chapman, perc; Jeffrey Skidmore, cond. Somm SOMMCD 0612 14 Williamson, M. English eccentrics choral suite (1964). Joyful Company of Singers/Peter Broadbent. Naxos 8.557783 15 14:00 MENTOR AND MENTEE Vaughan Williams and Glanville-Hicks Prepared by James Nightingale Vaughan Williams, R. Phantasy quintet (1912). Garfield Jackson, va; Maggini Quartet. Naxos 8.555300 15 Glanville-Hicks, P. Sonata (1950). Marshall McGuire, hp. Tall Poppies TP112 10 14:30 SATURDAY MATINEE At the ballet Prepared by Paul Cooke Saint-Saëns, C. Ballet: Javotte (1896). Queensland O/Andrew Magrelia. Marco Polo 8.223612 1:00 Rameau, J-P. Pygmalion, acte de ballet (1748). Marie-Claude Chappuis, sop; Céline Scheen, sop; Eugénie Warnier, sop; Cyrille Dubois, ct; Arnold Schönberg Choir; Les Talens Lyriques/Christopher Rousset. Aparté AP155 47 Françaix, J. Ballet: Le roi nu (1935). Ulster O/ Thierry Fischer. Hyperion CDA67489 26 17:00 SOCIETY SPOT Classical Guitar Society with Sue McCreadie

18:00 STAGE AND SCREEN Prepared by Angela Cockburn Goodall, H. Excerpts from The hired man (1985). Paul Clarkson, Julia Hills, Richard Walsh, Clare Butt, voices; Live TO/Kate Young. TER-Orbis MUSC N69 18 Shire, D. Excerpts from Baby. Liz Callaway, Todd Graff, Beth Fowler, James Congdon, Martin Vidnovic, Catherine Cox, voices; Original Broadway O/Peter Howard. TER-Orbis MUSC N42 16 Loesser, F. Excerpts from Guys and dolls (1950). Emily Loesser, Gregg Edelman, Kim Criswell, Tim Flavin, Don Stephenson, voices; National SO/John Owen Edwards. TER-Orbis MUSC N47 16 19:00 EMERGENT JAZZ with Keith Pettigrew 20:00 THE LIFE OF A COMPOSER Erich Korngold Prepared by Frank Morrison Korngold, E. Overture to a drama, op 4 (1911). BBC PO/Matthias Bamert. Chandos CHAN 9631

Sonata no 1 (1908-09). Geoffrey Tozer, pf. Chandos CHAN 9389 17 Glück, das mir verblieb, from Die tote Stadt (1920). Renée Fleming, sop; English CO/ Jeffrey Tate. Decca 458 858-2 6 Quartet no 2 in E flat, op 26 (1934). Philippa Ibbotson, vn; Mark Denman, vn; Robert Gibbs, va; David Newby, vc. ASV DCA 1035 24 Symphony in F sharp, op 40 (1951). Philadelphia O/Franz Welser-Möst. EMI 5 56169 2

22:00 SATURDAY NIGHT AT HOME Love and the sea Prepared by Elaine Siversen Chausson, E. Poème de l'amour et de la mer, op 19 (1882-90). Françoise Pollet, sop; Monte Carlo PO/Armin Jordan. FNAC 592275 30 Glazunov, A. Fantasy: The sea, op 28 (1889). USSR SO/Yevgeny Svetlanov. Melodiya SUCD 10-00156 17 Pepusch, J. Cantata III: When love’s soft passion (1720). Bergen Barokk. BIS CD-965 11 Berlioz, H. Orchestral music from Romeo and Juliet, dramatic symphony, op 17 (1839). Chicago SO/Carlo Maria Giulini. EMI 5 85974 2 53

Sunday 17 July 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC with Robert Small 09:00 MUSICA SACRA Prepared by Elaine Siversen Lalande, M-R. de Super flumina Babilonis (1687). Véronique Gens, sop; Sandrine Piau, sop; Arlette Steyer, sop; Jean-Paul Fouchécourt, high ten; François Piolino, ten; Jérôme Corréas, bass; Les Arts Florissants Ch & O/William Christie. Harmonia Mundi HMC 901351 18 Jenkins, K. Sanctus, from The armed man: a mass for peace (pub. 2001). National Youth Choir; London PO/Karl Jenkins. Virgin 8 11015 2 7 Mozart, W. Vesperae solennes de confessore in C, K339 (1780). Kiri Te Kanawa, sop; Elizabeth Bainbridge, cont; Ryland Davies, ten; Gwynne Howell, bass; John Constable, org; London Symphony Ch & O/Colin Davis. Philips 422 520 2 (set) 29 10:00 THE CLASSICAL ERA Prepared by Frank Morrison Weber, C.M. Overture to Der Freischütz, op 77 (1817-21). Berlin PO/Herbert von Karajan. DG 419 070-2 11 Hook, J. Clarinet concerto in E flat (1812). Colin Lawson, cl; Parley of Instruments/Peter Holman. Helios CDH55261 20 Haydn, J. String quartet in B flat, Hob.III:40 (1782). Salomon Quartet. Hyperion CDA66682 18 Lortzing, A. Den hohen Herrscher würdig zu empfangen, from Zar und Zimmermann (1837). Thomas Quastoff, bass-bar; Berlin Opera Ch & O/Christian Thielemann. DG 471 493-2 10 Danzi, F. Quintet in E flat, op 67 no 3 (1824). Berlin Philharmonic Wind Quintet. BIS CD-532 17 Frøhlich, J. Symphony in E flat, op 33 (1833). Danish National RSO/Christopher Hogwood. Chandos CHAN 9609 34 12:00 CLASSIC JAZZ with Dave Mac 13:00 WORLD MUSIC Whirled Wide with Gerry Myerson

14:00 INTIMATE VOICES French String Quartets Part 3 Prepared by Jacky Ternisien Boïeldieu, A. Sonata in E flat, op 8 (pub. 1818). Hans Rudolf Stalder, cl; Zsuzsanna Sirokay, pf. Jecklin 578-2 12 Pleyel, I. Keyboard trio in A, B448 (1794). Trio 1790. cpo 777 544-2 14 Onslow, G. String quartet in G minor, op 46 no 3. Mandelring Quartet. cpo 999 329-2 27 15:00 SUNDAY SPECIAL First, last and in between Prepared by Elaine Siversen

200th

A NNI V ERSA RY Beethoven, L. Sonata no 31 in A flat, op 110 (1821-22). Dejan Lazić, pf. Channel Classics CCS SA 30511 18 Opferlied, op 121a (1822). Berlin Radio Choir & SO/Karl Anton Rickenbacher. Koch Schwann 3-1485-2 6 Schubert, F. Der Musensohn, D746b (1822); An die Entfernte, D765 (1822). Dietrich Fischer-Dieskau, bar; Gerald Moore, pf. DG 477 5765 5 Wer bist du, holdes Wesen; Freundlich bist du mir erschienen, from Alfonso and Estrella, D732 (1822). Elly Ameling, sop; Claes-Hakan Ahnsjö, ten; Rotterdam PO/Edo de Waart. LP Philips 9500 170 6 Mendelssohn, F. Violin concerto in D minor (1822). Gidon Kremer, vn; Orpheus CO. DG 427 338-2 22 Schubert, F. Frühlingsgesang, D740 (1822); Geist der Leibe, D747 (1822). Die Singphoniker. cpo 999 397-2

Psalms. No 131, Lord, I am not high minded; no 132, Lord, remember David. Choir of Salisbury Cathedral; John Challenger, org; David Halls, cond. Priory PRCD 1150 7 McKern, B. Magnificat; Nunc dimittis, from Westminster Service. Cathedral Singers; Andrej Kouznetsov, org; Brett McKern, cond. The Cathedral Singer TCS 04 13 Greene, M. Thou visitest the earth. Choir of New College, Oxford/Edward Higginbottom. CRD 3507 2 Stanford, C. Villiers The Lord is my shepherd. Choir of New College, Oxford/ Edward Higginbottom. CRD 3507

Hymns. Worship the Lord in the beauty of holiness; Lord, your almighty word. Cantus Choro; Norman Kaye, org; Peter Chapman, cond. Move MD 3142 6 Bach, J.S. Toccata and fugue in D minor, BWV565. Ton Koopman, org. Archiv 439 063-2

18:00 THE PIANO SONATA Mozart Part 3 Prepared by Frank Morrison Mozart, W. Sonata no 5 in G, K283 (1774). Ivo Pogorelich, pf. DG 479 4350 17 Dussek, J. Sonata in B flat, op 9 no 1 (1789). Christine Faron, fp. Fine Music concert recording 13 Mozart, W. Sonata no 11 in A, K331 (178183). Daniel Barenboim, pf. LP EMI EX 27 0324 3 23 19:00 SUNDAY NIGHT CONCERT Prepared by Anabela Pina

Praetorius, M. Six dances, from Terpsichore (pub. 1612). Collegium Terpsichore/Fritz 9 Neumeyer. Schwestergruss in F sharp minor, D762 (1822). DG 469 244-2 15 Jessye Norman, sop; Irwin Gage, pf. Sirmen, M. Violin concerto no 5 in B flat. Terri Philips 426 642-2 6 Baune, vn; Bay Area Women’s PO/JoAnn Des Tages Weihe, D763 (1822); Gott in der Natur, D757 (1822). Monteverdi Choir/John Eliot Gardiner. Philips 454 428-2 10

Beethoven, L. Piano sonata no 32 in C minor, op 111 (1822). Stephen Hough, pf. Hyperion CDA67686 25 17:00 HOSANNA Prepared by Richard Munge Hymns. O worship the King; Sun of my soul. Choir of St Paul’s Cathedral; Christopher Dearnley, org; John Scott, cond. Helios CDH 55036 7

Falletta. Newport Classic NCD 60102

Dauvergne, A. Concert de simphonies in F, op 3 no 2 (pub. 1751). Concerto Cologne. FNAC 592295 23 Bach, C.P.E. Oboe d'amore concerto in B flat, Wq164 (1765; reconstr. Arnold Mehl). Camerata Bern/Heinz Holliger, ob d’amore & dir. Philips 454 450-2 21

20:30 NEW HORIZONS Prepared by Nev Dorrington Eno, R. The turning year (2022). Roger Eno, pf; Scoring Berlin String Ensemble. DG 140 250 51 Harrison, M. In flight. Michael Harrison, pf. Fortuna Records 170 42-1 34 22:00 JAZZ AFTER HOURS with Deborah Evans

Monday 18 July

Stravinsky, I. Ballet: The rite of Spring (1913/47). Cleveland O/Riccardo Chailly. Decca 473 731-2

12:00 SWING SESSIONS with John Buchanan

00:00 CONTEMPORARY COLLECTIVE

13:00 MEANDERING ACROSS EUROPE Part 6 Hungary Prepared by Frank Morrison

03:00 CLASSICAL TILL DAWN

Kodály, Z. Dances of Galánta (1933). Hungarian State SO/Ádám Fischer. Nimbus NI 5284

09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by Elaine Siversen

06:00 FINE MUSIC BREAKFAST with Julie Simonds

Liszt, F. Hungarian rhapsody no 1 in E (1846). Jenö Jandó, pf. Naxos 8.554480 13

00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 FINE MUSIC BREAKFAST with Julie Simonds 09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1832 Prepared by Di Cox Mendelssohn, F. Overture: The Hebrides, op 26, Fingal’s Cave (1832). Scottish NO/ Alexander Gibson. Chandos CHAN 10412X 10

Lehár, F. Vilja, from The merry widow (1905). Joan Sutherland, sop; Ambrosian Light Opera Ch; New Philharmonia O/Richard Bonynge. ABC 468 513-2 7 Weiner, L. Twenty easy little pieces (arr. Fülep). Hagai Shaham, vn; Arnon Erez, pf. Hyperion CDA67735 12 Mertz, J. Serenade after Schubert (1845). Paolo Lambiase, gui; Piero Viti, gui. Nuova Era 7036 6

Berlioz, H. La captive, op 12 (1832). Catherine Bartók, B. Piano concerto no 1 (1926). Andras Schiff, pf; Budapest FO/Iván Fischer. Robbin, mezz; Lyon Opera O/John Eliot Apex 2564 67437-8 24 Gardiner. Apex 0927 49583 2

Schumann, R. Studies after caprices by Paganini, op 3 nos 1-6 (1832). Mariya Kim, pf. Hyperion CDA66597 13

Tuesday 19 July

14:30 ORCHESTRA BY ARRANGEMENT Prepared by Derek Parker

Bach, J.S. Chorale prelude, BWV654 (bef. Donizetti, G. Una furtiva lagrima, from L'elisir 1732; arr. Schoenberg). Sydney SO/Edo de d'amore (1832). Luciano Pavarotti, ten; English Waart. CO/Richard Bonynge. ABC 454 515-2 8 Decca 417 638-2 5 Shostakovich, D. Chamber symphony, op Glinka, M. Trio pathétique in D minor (1832). 73a, (1946; arr. Barshai from String quartet Borodin Trio. no 3 in F). Milan Giuseppe Verdi SO/Rudolf Chandos CHAN 8477 18 Barshai. Brilliant Classics 8212 35 Løvenskjold, H. Excerpt from La sylphide (1832). London SO/Richard Bonynge. Brahms, J. Piano quartet no 1 in G minor, Decca 452 769-2 8 op 25 (1861; arr. Schoenberg). London SO/ Geoffrey Simon. Sor, F. Concert piece, op 54 (pub. c1832). 40 Cala CACD 1006 Adam Holzman, gui. Naxos 8.553450 17 16:00 FINE MUSIC DRIVE with David Brett 10:30 CONCERT HALL Prepared by Gerald Holder 19:00 JAZZ PULSE Meyerbeer, G. Overture to Dinorah, The with Chris Wetherall pardon of Ploërmel (1859). New Zealand SO/ Darrell Ang. 20:00 STORMY MONDAY Naxos 8.573195 13 with Austin Harrison Napoleão, A. Piano concerto no 2 in E flat 22:00 JAZZ AFTER HOURS minor, op 31 (c1889). Artur Pizarro, pf; BBC with Eddie Bernasconi NO of Wales/Martyn Brabbins. Hyperion CDA67984 37

Rameau, J-P. Gavotte avec six doubles in A minor, from Nouvelles suites de pièces de clavecin (pub. c1727). Nicholas Parle, hpd. Fine Music concert recording 9 Haydn, J. Sonata no 47 in B minor, Hob. XVI:32 (1776). Geoffrey Lancaster, fp. Tall Poppies TP 216 18 Franck, C. Symphonic variations (1885). François-Joël Thiollier, pf; Arnhem PO/ Roberto Benzi. Naxos 8.553472 15 Boëllmann, L. Symphonic variations, op 23 (1897). Oliver Gledhill, vc; Jeremy Filsell, pf. Guild GMCD 7135 12 Anon. Marcia in D; Sonata. Annerös Hulliger, org; Andrea Marcon, org; Philip Swanton, org. Schwann 3-1047-2 7 Viviani, G. Sonata seconda. Daniel Mendelow, tpt; David Rumsey, org. MBS 12 CD

Liszt, F. Hungarian rhapsody no 9 in E flat, Carnival in Pest (c1847-85). Lazar Berman, pf. DG 480 7079 10 10:30 CONCERT HALL Prepared by Dan Bickel Delius, F. Over the hills and far away (1897). London PO/Thomas Beecham. Naxos 8.110906 13 Khachaturian, A. Violin concerto in D minor (1940). David Oistrakh, vn; Philharmonia O/ Aram Khachaturian. EMI CDC 5 55035 2 36 Prokofiev, S. Symphony no 7, op 131 (195052). Los Angeles PO/André Previn. Philips 426 3062 33 12:00 JAZZ RHYTHM with Jeannie McInnes 13:00 JAZZ ABOUT TOWN with Deborah Evans

14:00 OPERA IN CONCERT Prepared by Giovanna Grech Weber, C.M. Overture to Euryanthe (1823). Berlin PO/Herbert von Karajan. DG 419 070-2 9 Bellini, V. Eccomi ... Oh! quante volte, from I Capuleti e Montecchi (1830). Angela Gheorghiu, sop; Turin Regio Theatre Ch & O/ John Mauceri. 9 Decca 452 417-2 Verdi, G. Ne fiero anelito ... Fuggiam gli ardori inospiti, from Aïda, Act III (1871). Katia Ricciarelli, sop; Plácido Domingo, ten; La Scala TO/Claudio Abbado. 6 DG 415 268-2 Donizetti, G. O mio Fernando, from La favorite (1840). Lauris Elms, cont; West Australian SO/Geoffrey Arnold. ABC 476 4431

Massenet, J. Entr’acte, adagio and waltz, from Le roi de Lahore (1877). London SO/ Richard Bonynge. Decca 452 772-2 7 Mascagni, P. Mamma, quel vino è generoso, from Cavalleria rusticana (1890). Joseph Calleja, ten; BBC Concert O/Steven Mercurio. 4 Decca 478 3531 Verdi, G. È strano! Ah, fors’è lui, from La traviata (1852-53). Anna Netrebko, sop; Rolando Villazón, ten; Vienna PO/Carlo Rizzi. DG 477 5953 5 15:00 LESSER-KNOWN ITALIANS Prepared by James Nightingale Cimarosa, D. Overture to Il fanatico per gli antichi romani (1777). Toronto CO/Kevin Mallon. Naxos 8.570279 8

20:00 JUST IN with Charles Barton A selection from the latest recordings to arrive at the Fine Music Library 22:00 CHAMBER SOIRÉE Prepared by Gerald Holder Tchaikovsky, P. Sextet in D minor, op 70, Souvenir de Florence (1890/91-92). Yuri Bashmet, va; Natalia Gutman, vc; Borodin String Quartet. EMI 7 49775 2 34 Brahms, J. Trio in E flat for horn, violin and piano, op 40 (1865). Members of Nash Ensemble. crd 3489 30 Paganini, N. Caprice no 15 in E minor, op 1 (c1805). Sarah Chang, vn; Sandra Rivers, pf. EMI CDC 7 54352 2 3 Beethoven, L. Quartet in A minor, op 132 (1825). Goldner String Quartet. ABC 476 3542 48

Wednesday 20 July 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST with Stephen Wilson 09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by Jennifer Foong Uttini, F. Overture to Aline (1776). National Museum CO/Claude Génetay. Musica Sveciae MSCD 407 6

Porpora, N. Parto, ti lascio, o cara, from Germanico in Germania (1732). Cecilia Bartoli, Erlebach, P. Ich will euch wiedersehen. mezz; Il Giardino Armonico/Giovanni Antonini. Dorothée Mields, sop; Margaret Hunter, sop; Decca 478 1521 11 Alexander Schneider, alto; Andreas Post, ten; Esposito, M. Nocturne and waltz (c1912). Matthias Vieweg, bass; Les Amis de Philippe/ Miceál O’Rourke, pf. Ludger Rémy. Chandos CHAN 9675 5 cpo 777 346-2 10 Leo, L. Cantata: Angelica e Medoro (aft. Palschau, J. Harpsichord concerto no 2 in D 1730). Magdalena Kožená, mezz; Collegium (1771). Lars Ulrik Mortensen, hpd; Concerto 1704/Václav Luks. Copenhagen. 16 Dacapo 8.226040 PentaTone PTC 5186 725 24 Jommelli, N. Flute concerto in D. Carlo Ipata, Eybler, J. Omnes de Saba venient (1827). fl; Auser Musici. Vienna Boys Choir; Gerald Wirth, pf; Manolo Hyperion CDA67784 13 Cagnin, cond. ABC 476 5094 4 16:00 FINE MUSIC DRIVE Lawes, W. Royal consort suite no 2 in D with Andrew Dziedzic minor (c1630). Sigiswald Kuijken, vn; Lucy van 19:00 THE JAZZ BEAT Dael, vn; Wieland Kuijken, bass viol; Gustav with Lloyd Capps Leonhardt, bass viol; Toyohiko Satoh, theorbo. RCA GD 71954 14

Eberlin, J. Sigismundus (ed. Raum). Monica Groop, mezz; Christian Lindberg, tb; Ann Wallström, vn; Marit Bergman, vn; Olof Larsson, vc; Björn Gäfvert, org. BIS CD-548 5 Byström, T. Sonata no 1, op 1 (pub. 1799). Yoshiko Arai, vn; Izumi Tateno, pf. Finlandia FACD 012 14 10:30 CONCERT HALL Prepared by Michael Field Copland, A. Suite from Appalachian Spring (1943-44). Seattle SO/Gerard Schwarz. Delos DE 3154 24 Mozart, W. Flute concerto no 1 in G, K313 (1777). Johannes Walter, fl; Staatskapelle Dresden/Herbert Blomstedt. Berlin Classics 0012872BC 26 Tubin, E. Symphony no 2, Legendary (1937). Swedish RSO/Neeme Jarvi. BIS CD-304 32 12:00 JAZZ SKETCHES with Robert Vale 13:00 IN CONVERSATION with Simon Moore 14:00 PICTURES FROM FINLAND Prepared by Jacky Ternisien Kajanus, R. Symphonic overture (1926). Helsinki PO/Leif Segerstam. Ondine ODE 1112-2

Lindberg, M. Mano a mano (2004). Timo Korhonen, gui. Ondine ODE 1091-2 17 Crusell, B. Divertimento in C, op 9 (1822). Jouko Teikari, ob; Olavi Pälli, vn; Hannele Segerstam, vn; Pentti Mikkonen, va; Risto Poutanen, vc. Finlandia FACD 012 10 Sibelius, J. Finlandia, op 26 no 7 (1899/1900). Helsinki PO/Leif Segerstam. Ondine ODE 1037-2 9 Klami, U. Sea pictures, op 23 (1926-32). Turku PO/Jorma Panula. Naxos 8.553757 21 Rautavaara, E. Die erste Elegie (1993). Schola Cantorum of Oxford/James Burton. Hyperion CDA67787 9 Byström, T. Air russe varié (pub. 1799). Eero Heinonen, pf. Finlandia FACD 012 14 Palmgren, S. Pictures from Finland, op 24 (1908). Turku PO/Jacques Mercier. Finlandia 3984-28171-2 17

Turnage, M-A. Viola concerto, On opened ground (2001). Lawrence Power, va; London PO/Markus Stenz. LPO Live LPO - 0066 24

16:00 FINE MUSIC DRIVE with Tom Forrester-Paton 19:00 PLANET JAZZ with Xavier Bichon

Glass, P. The Low symphony, after David Bowie and Brian Eno (1992). Brooklyn PO/ Dennis Russell Davies. Point 438 150-2 43

20:00 AT THE OPERA Prepared by James Nightingale Massenet, J. Sapho. Opera in five acts. Libretto by Henri Cain and Arthur Bernede. First performed Paris, 1897. FANNY LEGRAND: Renée Doria, sop JEAN GAUSSIN: Gines Sirera, ten IRENE: Elya Waisman, sop DIVONNE: Giselle Ory, mezz Republican Guards SO/Roger Boutry. CDRG 103-2

Thursday 21 July 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN

2:09

At a party in Paris, the artists’ model, Sapho, whose real name is Fanny, meets Jean, a younger man from Provence. The awkward young man falls in love with the glamorous Fanny and they leave together. At Jean’s apartment, his parents and the young girl, Irene, encounter Fanny, whose dominating presence shows that Jean is now more concerned with her than with his family. At a restaurant, Jean encounters the artistic crowd at whose party he first met Fanny. They tease him with stories of her past lovers, driving him into confusion and rage. When Fanny arrives, Jean spurns her and leaves. Fanny rages at the gossiping artists. At their home, Jean finds and opens the box of letters that Fanny keeps. He forces her to read the letters to him and burn them one by one. Having discovered Fanny’s secrets, Jean leaves, angrily rejecting her. Returning to Avignon, he begs forgiveness from his mother. The provincial calm is interrupted by the arrival of Fanny, who has followed him. When Jean reminds her of her past and rejects her again, the defeated Fanny leaves. Returning to the home that she and Jean had shared, Fanny is collecting her belongings, preparing to leave, when Jean arrives and pleads with her, saying that he is now ready to abandon all family obligation to be with her. Reconciled, Jean falls asleep but Fanny cannot ask him to make such a terrible sacrifice and she quietly leaves. 22:30 MUSIC OF THE NIGHT Prepared by James Nightingale Boulanger, L. Nocturne (1911). Janine Jansen, vn; Itamar Golan, pf. Decca 478 2256

Shaw, C. Plan and elevation (pub. 2019). Attacca Quartet. Nonesuch ORANGE 14

06:00 FINE MUSIC BREAKFAST with Simon Moore 09:00 DIVERSIONS IN FINE MUSIC Romance and romantics Prepared by Jacky Ternisien Méhul, É-N. Overture to Mélidore et Phrosine (1794). Brittany O/Stefan Sanderling. ASV DCA 1140 11 Chabrier, E. Three romantic waltzes (1880-83). Kathryn Stott, pf; Elizabeth Burley, pf. Unicorn-Kanchana DKP 9158 14

12:00 JAZZ AFTER NOON with Sue Jowell 13:00 STORMS AND TEMPESTS Prepared by Rex Burgess Tchaikovsky, P. Overture in E minor: The storm, op 76 (1864). Detroit SO/Neeme Järvi. Chandos CHAN 9587 13 Liszt, F. The storm, from Three pieces for Saint Elizabeth, S693a (1862). Leslie Howard, pf. Hyperion CDS44583 7 Locke, M. Suite from The Tempest (1674). Academy of Ancient Music/Christopher Hogwood. L’Oiseau-Lyre 433 191-2 39 Beethoven, L. Sonata no 17 in D minor, op 31 no 2, The Tempest (1802). Roger Woodward, pf. Fine Music tape archive 22 14:30 EUROPEAN CONCERT Prepared by Derek Parker Halffter, R. Festive overture, op 21 (1952). Madrid Comunidad O/José Ramón Encinar. Naxos 8557623 7 Freitas Branco, L. Suite alentejana no 1 (1917). RTE NSO/Álvaro Cassuto. Naxos 8.570765 21

Massenet, J. Ivre d’amour; C ‘est l’amour; En méme temps que ton amour; Amours bénis; Avril est amoureux (1899-1908). Sally Silver, sop; Richard Bonynge, pf. Guild GMCD 7393 13

Bizet, G. Suite no 1 from L’Arlésienne. Mexico PO/Enrique Bátiz. Brilliant Classics 94404 19

Fauré, G. Suite: Dolly, op 56 (1906; arr.). Amsterdam Guitar Trio. Newton 8802093 14

(1782-83). Celia Craig, ob; Georgina Roberts, ob; David Rowden, cl; John Lewis, cl; Ben Hoadley, bn; Simone Walters, bn; Michael Dixon, hn; Lisa-Wynne Allen, hn. Fine Music concert recording 22

Koster, L. Waltz suite: Unter blühenden Linden (1920s). Estro Armonico Luxembourg Delibes, L. Pizzicati, from Sylvia Act III (1876). O/Jonathan Kaell. Naxos 8.573330 11 New Philharmonia O/Richard Bonynge. Decca 478 4746 3 Mozart, W. Serenade no 12 in C minor, K388

Taffanel, P. Wind quintet in G minor. ViennaBerlin Ensemble. Sony 88725443532 25 10:30 CONCERT HALL Prepared by Rosalind Vaughan Gershwin, G. Cuban overture (1932). New Zealand SO/James Judd. Naxos 8.559107 11 Bach, J.S. Keyboard concerto in D minor, BWV1052 (1735-40). Maria João Pires, pf; Gulbenkian Foundation CO/Michel Corboz. Erato ECD 40001 26

16:00 FINE MUSIC DRIVE with Sue Jowell 19:00 THE NEW JAZZ STANDARD with Frank Presley 20:00 THE WORLD OF A SYMPHONY Prepared by James Nightingale

Vaughan Williams, R. In the fen country Beethoven, L. Symphony no 3 in E flat, op 55, (1907). London PO/Bryden Thomson. 18 Eroica (1803). Tasmanian SO/David Porcelijn. Chandos CHAN 8502 ABC 461 918-2 47 Bowen, Y. Sonata no 3 in D minor, op 12 (1912). Danny Driver, pf. Hyperion CDA67751/2 20

Kreisler, F. Tambourin chinois, op 3 (1901). Natalie Chee, vn; Tamara-Anna Cislowska, pf. ABC ABCL 0005 4 Clarke, R. Lullaby (1909). Paul Coletti, va; Leslie Howard, pf. Hyperion CDA66687 4 Kelly, F. Serenade for flute, harp, horn and strings, op 7 (1911; arr. Latham). Douglas Mackie, fl; Geoff Lierse, hn; Marshall McGuire, hp; Tasmanian SO/Benjamin Northey. ABC 481 8890 20 Bowen, Y. Symphony no 2 in E minor, op 31 (1909) BBC PO/Andrew Davis. Chandos CHAN 10670 43 22:00 AUSTRALIAN PIANIST Tamara-Anna Cislowska Prepared by James Nightingale Haydn, J. Variations in F minor, Hob.VII:6 (1793). Tamara-Anna Cislowska, pf. MBS 42CD 14 Sculthorpe, P. Simori (1995). Tamara-Anna Cislowska, pf. ABC 481 1181 12 22:30 ULTIMA THULE

Rachmaninov, S. Variations on a theme of Corelli, op 42 (1931). Alexander Melnikov, pf. Harmonia Mundi HMC 901978 17

Dvorák, A. Symphonic variations, op 78 (1877). Scottish NO/Neeme Järvi. Chandos CHAN 8575

10:30 CONCERT HALL Prepared by Michael Field

Rachmaninov, S. Scherzo (1888). Cincinnati SO/Paavo Järvi. Telarc CD-80670 5

Elgar, E. Overture: In the south, op 50, Alassio (1903). Royal PO/Andrew Litton. Virgin VC 7 90727-2

Mendelssohn, F. Double concerto in D minor (1823). Gidon Kremer, vn; Martha Argerich, pf; Orpheus CO. DG 427 338-2 37 Edwards, R. Symphony no 3, Mater magna (2001). Melbourne SO/Markus Stenz. ABC 461 830-2 24 12:00 A JAZZ HOUR with Barry O'Sullivan 13:00 IT’S WINTER Prepared by Jacky Ternisien Castelnuovo-Tedesco, M. Overture: The winter’s tale, op 80 (1935). West Australian SO/Andrew Penny. Naxos 8.572501 14 Trad. On a cold winter’s day. Andrew Lawrence-King, hp. Harmonia Mundi HMX 29074111.14

Friday 22 July

Milhaud, D. Concertino of winter, op 327 (1953). Zdnek Pulec, tb; Prague RSO/Jaroslav Krombholc. Praga PR 250 012 12

00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST with Vicky Zhang 09:00 DIVERSIONS IN FINE MUSIC Something borrowed Prepared by Gerald Holder Telemann, G. Concerto in D for three trumpets and orchestra (arr. Leppard). Wynton Marsalis, tpt; English CO/Raymond Leppard. LP CBS M 42478 9 Müller, I. Trio, after a theme from Rossini’s Armida (c1828). Dieter Klöcker, cl; Martin Ostertag, vc; Edward Witsenburg, hp. Schwann CD 310 001 H1 11

Granados, E. Spanish dances nos 1-3 (18921900; orch. de Grignon). Eduardo Fernández, gui; Ulster O/Josep Caballé-Domenech. BBC Music BBC MM255 15 Saint-Saëns, C. Fantasy, op 95 (1893). Yolanda Kondonassis, hp. Telarc 80581

Kodály, Z. Suite from Háry János, op 15 (1927). Chicago SO/Neeme Järvi. Chandos CHAN 8877 25 16:00 FINE MUSIC DRIVE with Robert Gilchrist 19:00 FRIDAY JAZZ SESSION with Alex Siegers 20:00 EVENINGS WITH THE ORCHESTRA A night at the ballet Prepared by Peter Poole Thomas, A. Ballet music from Hamlet (1868). National PO/Richard Bonynge. LP Decca SXDL 7583 22 Massenet, J. Ballet music from Le Cid (1885). Israel PO/Jean Martinon. Decca 476 2742 18 Poulenc, F. Ballet: Les biches (1923). Ulster O/Yan Pascal Tortelier. Chandos CHAN 9023 20 Luigini, A. Ballet égyptien, op 12 (1875). London SO/Richard Bonynge. Decca 452 768-2 22

Westlake, N. Winter in the forgotten valley. Guitar Trek. ABC 432 698-2 12

Ravel, M. Ballet: Mother Goose (1910). Ulster O/Yan Pascal Tortelier. Chandos CHAN 9203 27

Richter, M. Winter 1-3, after A. Vivaldi’s The four seasons (2012). Daniel Hope, vn; Konzerthaus CO/André de Ridder. 11 DG 481 0044

22:00 BAROQUE AND BEFORE The charm of the Portuguese baroque era Prepared by Robert Gilchrist

14:00 FAMILY CONNECTIONS Neeme and Paavo Järvi Prepared by Frank Morrison Liszt, F. Piano concerto no 1 in E flat (1849/53/56). Geoffrey Tozer, pf; Suisse Romande O/Neeme Järvi. Chandos CHAN 9360

Stenhammar, W. Sentimental romance no 1 Bach, J.S. Sonata in G minor, BWV1013, after in A, op 28 no 1 (1910). Ulf Wallin, vn; Malmö Partita in A minor (aft. 1723; transcr. Bijlsma). SO/Paavo Järvi. BIS CD-550 6 Anner Bijlsma, piccolo vc. Harmonia Mundi RD 77998

Sibelius, J. Luonnotar, op 70 (1913). Soile Isokoski, sop; Gothenburg SO/Neeme Järvi. DG 447 760-2 8

Scarlatti, D. Sonata in D minor, Kk417; Sonata in E, Kk216; Sonata in F minor, Kk238; Sonata in B flat, Kk331. Jacqueline Ogeil, org. ABC 476 622-1 22 Magalhães, F. de Missa dilectus meus. William Byrd Choir/Gavin Turner. Hyperion CDA66218

Lesbio, A. Dexen que llore mi nino à 6. Huelgas Ensemble/Paul van Nevel. Sony 88697478442

Lobo, D. Missa vox clamantis á 6 (1639). Truro Cathedral Choir/Christopher Gray. Regent REGCD491 23

Anon, Portuguese. Quiem viese aquel dia. Huelgas Ensemble/Paul van Nevel. Shostakovich, D. Concerto for piano, trumpet Sony 88697478442 6 and strings, op 35 (1933). Jürgen Ellensohn, In feria sexta. Lectio III. Monica Piccinini, sop; tpt; Alexander Toradze, pf; Frankfurt RSO/ Manuel Vilas, hp. Paavo Järvi. Brilliant Classics 94428 11 Panclassics PC 10261 24

Escobar, P. de Salve Regina. Members of Hilliard Ensemble. Virgin 5 61394 2 10

Saturday 23 July

Weinberger, J. Polka and fugue, from Schwanda the bagpiper (1927; arr. Bainum). President's Own United States Marine Band/ Michael Colburn. Naxos 8.570243 8 12:00 URBAN JAZZ LOUNGE with Leita Hutchings

00:00 CLASSIC-ALL THROUGH THE NIGHT

13:00 IN A SENTIMENTAL MOOD 06:00 SATURDAY MORNING MUSIC with Maureen Meers Nostalgic music and artists from the 30s, 40s with Stephen Wilson and 50s and occasionally beyond, in a trip down many memory lanes 09:00 WHAT'S ON IN MUSIC Our weekly guide to musical events in and 14:00 MENTOR AND MENTEE around Sydney Fauré and Boulanger Prepared by James Nightingale 09:05 THE PIANO ALONE Prepared by Krystal Li Fauré, G. Theme and variations in C sharp minor, op 73 (1895). Imogen Cooper, pf. Scarlatti, D. Sonata in D, Kk96 (bef. 1746). Chandos CHAN 20235 15 Soyeon Lee, pf. Naxos 8.570010 5 Boulanger, L. D’un soir triste (1917). BBC PO/ Mompou, F. Seven songs and dances (1921- Yan Pascal Tortelier. Chandos CHAN 9745 11 62). Alicia de Larrocha, pf. Decca 433929-2 28 14:30 SATURDAY MATINEE Albéniz, I. Sonata no 3, op 68 (pub. 1886). Choral masterworks Alberto Guinovart, pf. Prepared by Elaine Siversen Harmonia Mundi HMI 987007 16 Mendelssohn, F. Oratorio: Elijah, op 70 (1846). Gwyneth Jones, sop; Janet Baker, 10:00 CENTRES OF MUSIC cont; Nicolai Gedda, ten; Dietrich FischerFrankfurt: 17th to 20th centuries Dieskau, bar; Wandsworth School Boys’ Choir; Prepared by Susan Foulcher Herbst, J. Danket dem Herren (1649). Bremen New Philharmonia Ch & O/Rafael Frühbeck de Burgos. Weser-Renaissance/Manfred Cordes. 2:19 cpo 999571-2 8 LP HMV SLS 935 Telemann, G. Viola concerto in G. Collegium Musicum 90/Simon Standage, va & dir. Chandos CHAN 0593 12 Pfitzner, H. Lieder, op 4 nos 1-4 (1888-89). Andreas Schmidt, bar; Rudolf Jansen, pf. cpo 999 364-2 10 Hindemith, P. Kleine Kammermusik, op 24 no 2 (1922). Michael Thompson Wind Quintet. Naxos 8.553851 13 Nusch-Nuschi dances, op 20 (1920-21). Melbourne SO/Werner Andreas Albert. ABC 999 006-2

String quartet no 4, op 22 (1921). Amar Quartet. Naxos 8.503290

11:30 ON PARADE Prepared by Michael Morton-Evans Gossez, A. Sur l’esplanade march. Garde Républicaine Cavalry Band naïve V 5386 3 Fucik, J. Overture: Marinarella, op 215. Royal Australian Navy Band/Phillip Anderson. Royal Australian Navy RAN-005 13

17:00 SOCIETY SPOT Sydney Schubert Society with Ross Hayes 18:00 STAGE AND SCREEN Prepared by Anabela Pina Burgon, G. Excerpts from Brideshead revisited. Philharmonia O/Geoffrey Burgon. Silva America SSD 1005 6

20:00 THE LIFE OF A COMPOSER Amy Beach Prepared by Jennifer Foong Beach, A. Ballad in D flat, op 6. Virginia Eskin, pf. Koch 3-7254-2 8 Brahms, J. Scherzo in C minor from FAE sonata, WoO2 (1853). Christian Ferras, vn; Pierre Barbizet, pf. DG 480 6655 5 Beach, A. Berceuse, op 40 no 2 (1903; arr. Koncz). Andreas Ottensamer, cl; Rotterdam PO/Yannick Nézet-Séguin. DG 481 0131 3 Ecstasy, op 19 no 2 (1892). Katherine Kelton, mezz; Catherine Bringerud, pf. Naxos 8.559191 2 Theme and variations in A minor for flute and string quartet, op 80 (1916). The Ambache. Chandos CHAN 9752 21 Quintet in F sharp, op 67 (1907). Martin Roscoe, pf; Endellion Quartet. ASV DCA 932

Symphony in E minor, op 32, Gaelic (1896). Detroit SO/Neeme Järvi. Chandos CHAN 8958 41 22:00 SATURDAY NIGHT AT HOME Prepared by Rex Burgess Mendelssohn, F. Violin concerto no 2 in E minor, op 64 (1844). Lu Siqing, vn; Melbourne SO/John Marcus. ABC 481 6757 27 Kuhlau, F. Grande sonate concertante in A, op 85 (1827). Alain Marion, fl; Pascal Rogé, pf. Denon 33CO-2046 28 Granados, E. Goyescas (1911). Alicia de Larrocha, pf. Decca 478 2826 57

Sunday 24 July

Fenton, G. Excerpts from Shadowlands. Choir of Magdalen College, Oxford; Janice Graham, 00:00 CLASSIC-ALL THROUGH vn; Michael Davis, vn; Rod McGrath, vc; Paul THE NIGHT Silverthorne, va; London SO/George Fenton. 06:00 SUNDAY MORNING MUSIC Angel CDQ 7 2435 55093 2 1 18 with Paul Roper Wiseman, D. Excerpts from Wilde. O/Debbie 09:00 MUSICA SACRA Wiseman. MCI Music OST-007 12 Prepared by Robert Small Robbins, R. Excerpts from A room with a view. Kiri Te Kanawa, sop; London PO/John Pritchard. Avan-Guard SBL 12588 15 19:00 EMERGENT JAZZ with Keith Pettigrew

Boccherini, L. Stabat Mater, op 61 (1781). Susan Gritton, sop; Sarah Fox, sop; Susan Bickley, mezz; Paul Agnew, ten; Peter Harvey, bass; Choir of King’s Consort; King’s Consort/ Robert King. Hyperion CDA67108 46

Scarlatti, D. Te Deum. Immortal Bach Ensemble; Lars Baunkilde, vle; Michael Dücker, theorbo; Leif Meyer, org; Morten Schuldt-Jensen, cond. Naxos 8.570382

10:00 THE CLASSICAL ERA Prepared by Di Cox Beethoven, L. 12 Contredanses (1800-01). Vienna Mozart Ensemble/Willi Boskovsky. Decca 436 782-2 11

15:00 SUNDAY SPECIAL The ages of excellence Prepared by Michael Morton-Evans

Tomkins, T. O sing unto the Lord a new song. Oxford Camerata/Jeremy Summerly. Naxos 8.553794 4

Mozart, W. Adagio in E, K261 (1776). Joshua Bell, vn; English CO/Peter Maag. Decca 436376-2 9

Haydn, J. Missa brevis Sancti Joannis de Deo. Choir of Winchester Cathedral; Brandenburg O/David Hill. Hyperion CDA66508

Borisova-Ollas, V. Wings of the wind (1998) London SO/Daniel Harding. EMI 5 72826 2 10

Rossini, G. Calm your fair looks. A beautiful enchanting gleam, from Semiramide (1823). Mozart, W. Andante and five variations in G, Cecilia Bartoli, mezz; La Fenice Theatre Ch & K501 (1786). Christoph Eschenbach, pf; Justus O/Ion Marin. Frantz, pf. Decca 436 075-2 10 DG 435 042-2 8 Donizetti, G. Una furtiva lagrima, from L’elisir Bach, C.P.E. Keyboard concerto in D, Wq45 d’amore (1832). David Hobson, ten; Tasmanian (1778). Concerto Armonico Budapest; Miklós SO/Marco Guidarini. Spányi, hpd &dir. ABC 476 6955 4 BIS BIS-1957 17 Schubert, F. Erlkönig, D328 (1815). Bryn Hummel, J. Piano trio no 7 in E flat, op 96 Terfel, bass-bar; Malcolm Martineau, pf. (c1822). Borodin Trio. DG 449 190-2 4 Chandos CHAN 9529 20 Riisager, K. Darduse, op 32 (1935-36). Haken Krommer, F. Oboe concerto in F, op 52 Hardenberger, tpt; Helsingborg SO/Thomas (1805). Sarah Francis, ob; London Mozart Dausgaard. Players/Howard Shelley. Marco Polo 8.224082 19 Hyperion CDA 66411 20 Weber, C.M. Ocean, thou mighty monster, Schubert, F. Frühlingsgesang, D740 (1822). from Oberon (1825-26). Maria Callas, sop; Die Singphoniker. Philharmonia O/Antonio Tonini. cpo 999 397-2 5 EMI CDC 7 54437 2 8 Giuliani, M. Introduction and variations on a Donizetti, G. Tombs of my ancestors, from favourite waltz, op 103 (pub. 1819). Ensemble Lucia di Lammermoor (1835). Ben Heppner, Urs Mächler. ten; Staatskapelle Dresden/Peter Schneider. Nuova Era 7194 10 ABC 480 6177 5 Reicha, A. Grand solo. Bruno Hoffmann, Puccini, G. Franchigia a Floria Tosca, from glass harp; Pro Musica O/Paul Angerer. Tosca (1900). Montserrat Caballé, sop; José LP Fono FSM 53233 15 Carreras, ten; Piero de Palma, ten; William Elvin, bass; Royal Opera House O/Colin Davis. 12:00 CLASSIC JAZZ Philips 434 986-2 17 with Dave Mac Mahler, G. Der Tamboursg’sell, from The youth’s magic horn (1901). Geraint Evans, bar; London PO/Wyn Morris. IMP PCD 1035 6

13:00 WORLD MUSIC Whirled Wide with Linda Marr

Mozart, W. Sonata no 19 in E flat, K302 (1778). Joseph Szigeti, vn; Mieczyslaw Horszowski, pf. Vanguard 08 8039 74

14:00 INTIMATE VOICES French String Quartets Part 4 Prepared by Jacky Ternisien Widor, C-M. Suite florentine (1919; arr. Reede). Thies Roorda, fl; Alessandro Soccorsi, pf. Naxos 8.573764

17:00 HOSANNA 12

Triebert, C-L. Fantasy on a Limousin air. Bert Lucarelli, ob; Simon Wynberg, gui. Price-Less D 21062 10 d’Indy, V. String quartet no 3 in D flat, op 96 (1928-29). Quatuor Joachim. Calliope CAL 3891.2 32

Stanford, C. Villiers O for a closer walk with God. Choir of Winchester Cathedral; Stephen Farr, org; David Hill, cond. Hyperion CDS44311/3 4

Tomkins, T. When David heard. Cambridge Singers/John Rutter. Collegium COLCD113 5 Jackson, F. Benedicite in G. Choir of Ely Cathedral; Jeremy Filsell, org; Paul Trepte, cond. Gamut GAMCD527 6 Hymn (East Acklam tune). For the fruits of His creation. Choir of Wells Cathedral; Rupert Gough, org; Malcolm Archer, cond. Hyperion CDP12101 2 Jackson, F. Prelude on East Acklam. Francis Jackson, org. Priory PRCD930 4 18:00 THE PIANO SONATA Mozart Part 4 Prepared by Frank Morrison Mozart, W. Adagio in B minor, K540 (1788). Alfred Brendel, pf. Philips 454 244-2 11 Kraus, J.M. Sonata in E flat (1785). Jacques Després, pf. Naxos 8.555771 20 Mozart, W. Sonata in D, K448 (1781). Murray Perahia, pf; Radu Lupu, pf. CBS MK 39511 22 19:00 SUNDAY NIGHT CONCERT Prepared by Dan Bickel Dvorák, A. Symphony no 3 in E flat, op 10 (1873). Scottish NO/Neeme Järvi. Chandos CHAN 8575 33 Mozart, W. Serenade in D, K250, Haffner (1776). Lucy van Dael, vn; O of the Eighteenth Century/Frans Brüggen. Philips 432 997-2 51 20:30 NEW HORIZONS Prepared by James Nightingale Abbott, K. Re-echo (2015). Julian Smiles, vc; Claire Edwardes, vibraphone. ABC 481 4828 5

Gyger, E. Giving voice (2012). Jenny DuckChong, mezz; Sally Walker, fl; Alexandre Oguey ob; Ewan Foster, va; Geoffrey Gartner, Jackson, F. Magnificat; Nunc dimittis in G. vc; Vladimir Gorbach, gui; Roland Peelman, Choir of St John’s College, Cambridge/Andrew cond. Nethsingha. Tall Poppies TP258 27 Signum SIGCD667 10 Stanley, J. Sonata (2016). Bernadette Harvey, pf. Tall Poppies TP 251

Edwards, R. Frog and star cycle: Double concerto (2015). Amy Dickson, alto sax; Colin Currie, perc; Sydney SO/Lothar Koenigs. ABC ABCL 0011 30 22:00 JAZZ AFTER HOURS with Deborah Evans

Monday 25 July 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 FINE MUSIC BREAKFAST with James Hunter

13:00 THOMAS HAMPSON, BARITONE Prepared by James Nightingale

Tuesday 26 July

Kern, J. The folks who live on the hill, from High, wide and handsome (1937). Thomas Hampson, bar; London Sinfonietta/John McGlinn. EMI 5 72550 2 5 Schubert, F. Uraniens flucht, D554 (1817). Thomas Hampson, bar; Graham Johnson, pf. Hyperion CDJ 33014 18 Barber, S. Dover Beach (1931). Thomas Hampson, bar; John Browning, pf. DG 435 867-2

09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1795 Prepared by Derek Parker

Bach, J.S. Cantata, BWV152: Tritt auf die Glaubensbahn (1714). Christoph Wegmann, treb; Thomas Hampson, bar; Concentus Musicus Vienna/Nikolaus Harnoncourt. Teldec 2564 69943-7 19

Salieri, A. Overture to Eraclito e Democrito (1795). Slovak RSO/Michael Dittrich. Naxos 8.554838 4

14:00 A RANGE OF REDS Prepared by Rex Burgess

Beethoven, L. Sonata no 1 in F minor, op 2 no 1 (1795). Stephen Kovacevich, pf. EMI 5 62700 2 15 Boccherini, L. Sonata in C, op 50 no 5, G374, La seguidilla (1795). Emilio Moreno, vn; Aarón Zapico, hpd. Glossa GCD 920315 12 Haydn, J. Keyboard trio in G, Hob.XV:25, Gypsy (1795). Beaux Arts Trio. Philips 454 098-2 17 Clementi, M. Sonata in G minor, op 34 no 2 (1795). Howard Shelley, pf. Hyperion CDA67814 22 Beethoven, L. Adelaïde, op 46 (1794-95); Zärtliche Liebe, WoO123 (c1795). Peter Schreier, ten; Walter Olbertz, pf. Teldec 8.44061 9

Copland, A. Suite from The red pony (1948). Buffalo PO/JoAnn Falletta. Naxos 8.559240 24 Handel, G. Fury with red sparkling eyes, from Alexander Balus HWV65 (1747). Marie-Nicole Lemieux, cont; Il Complesso Barocco/Alan Curtis. naïve V 5261 6 Corigliano, J. Suite from The red violin. Lara St John, vn; Timothy Gill, vc; Royal PO/Sarah Ioannides. Ancalagon ANC 133 25 Martinu, B. Three songs for The red seven cabaret (1921). Jana Wallingerová, mezz; Giorgio Koukl, pf. Naxos 8.572310 14

00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST with Julie Simonds 09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by Frank Morrison Fauré, G. Sonata no 1, op 109 (1917). Maria Kliegel, vc; Nina Tichman, pf. Naxos 8.557889 18 Khachaturian, A. Suite in three movements. Joan Yarbrough, pf; Robert Cowan, pf. Pantheon D 20910

Roman, J. Suite no 6 in B flat. Joseph Payne, hpd. BIS CD-669/670 7 Mozart, W. Fantasia in C minor, K475 (1785). Sviatoslav Richter, pf. Philips 454 170-2 14 Busi, G. Allegro from Sonata III. Luigi Celeghin, org; Bianka Pezic, org. Naxos 8.557131

Brahms, J. Piano trio no 3 in C minor, op 101 (1886). Macquarie Trio. ABC 472 668-2 22 10:30 CONCERT HALL Prepared by David Brett Beethoven, L. Overture to Egmont, op 84 (1810). London SO/Antal Dorati. Mercury 478 5092 8

Kats-Chernin, E. Velvet revolution (1999). Tall Walton, W. Cello concerto (1957). Raphael Poppies Ensemble. Wallfisch, vc; London PO/Bryden Thomson. Tall Poppies TP181 15 10:30 CONCERT HALL Chandos CHAN 8959 30 Glière, R. Suite from the red poppy, op 70 Prepared by Rex Burgess Brahms, J. Symphony no 1 in C minor, op 68 Strauss, R. Till Eulenspiegel’s merry pranks, (1927). BBC PO/Edward Downes. (1855-76). Gewandhaus O/Riccardo Chailly. Chandos CHAN 9160 26 op 28 (1894-95). Melbourne SO/Andrew Decca 478 5344 44 Davis. 16:00 FINE MUSIC DRIVE 12:00 JAZZ RHYTHM ABC 481 6754 15 with Stephen Wilson with Jeannie McInnes Prokofiev, S. Piano concerto no 4 in B flat, op 53 (1931). Vladimir Ashkenazy, pf; London SO/ 19:00 JAZZ PULSE 13:00 JAZZ ABOUT TOWN with Chris Wetherall André Previn. with Deborah Evans Decca 425 570-2 24 20:00 STORMY MONDAY 14:00 RARE BALLETS Brian, H. Symphony no 7 in C (1948). Royal with Austin Harrison Prepared by Elaine Siversen Liverpool PO/Charles Mackerras. Lord Berners. Ballet with chorus: Wedding EMI CDC 7 49558 2 42 22:00 JAZZ AFTER HOURS with Gail Monjo bouquet (1936). RTE Chamber Choir & 12:00 SWING SESSIONS Sinfonietta/Kenneth Alwyn. with John Buchanan Marco Polo 8.223716 33

Martinu, B. Suite no 2 from the ballet Spalícek (1931-33; rev. 1940). Brno State PO/Jirí Waldhans. Supraphon 1 10 1129 25

Destouches, A. Ballet: Les éléments. Academy of Ancient Music/Christopher Hogwood. L’Oiseau-Lyre 421 656-2

Glazunov, A. Ballet: Les ruses de l'amour, op 61 (1900). Mikhail Chernyakhobsky, vn; Victor Simon, vc; USSR RSO/Algis Ziuraitis. Melodiya MA 3010 52

Steffani, A. Io voglio provar. Daniela Mazzucato, sop; John Elwes, ten; Collectio Argentea Archiv 437 083-2 6

16:00 FINE MUSIC DRIVE with Michael Morton-Evans

Jadin, H. Sonata in B flat, op 4 no 1 (pub. 1795). Jean-Claude Pennetier, pf. Harmonia Mundi HMC 901189 15

19:00 PLANET JAZZ with Xavier Bichon 20

19:00 THE JAZZ BEAT with Lloyd Capps

Kreutzer, J. Grand trio, op 16. Alexa Still, fl; Robert Alemany, cl; JoAnn Falletta, gui. Koch 3-7404-2H1 19

20:00 JUST IN with David Garrett A selection from the latest recordings to arrive at the Fine Music Library

10:30 CONCERT HALL Prepared by Paul Cooke

22:00 CHAMBER SOIRÉE Prepared by Rex Burgess Biber, H. Harmonia artificiosa: partita 6. Members of Irish Baroque CO/Monica Huggett. Avie AV2202

Schubert, F. Sonata no 4 in A, D574 (1817). Lydia Mordkovitch, vn; Gerhard Oppitz, pf. Chandos CHAN 8544 22 Bruckner, A. String quintet in F (1879). Enrique Santiago, va; Melos Quartet. Harmonia Mundi HMC 901421

Vaughan Williams, R. Piano quintet in C minor (1903). Nash Ensemble. Hyperion CDA67381/2 31

Wednesday 27 July 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST with Stephen Wilson 09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by Jacky Ternisien Baur, J. Sonata in B flat, op 6 no 4, Chartres (1773). Marielle Nordmann, hp; Brigitte Haudebourg, hpd. Arion ARN 68285 8 Mouton, C. Excerpts from Pieces in C minor. Konrad Junghänel, lute. Harmonia Mundi 77037-2-RC 12

Glanville-Hicks, P. Ballet: Tragic celebration, Jephtha’s daughter (1966). Tasmanian SO/ Richard Mills. ABC 476 3222 16 Moszkowski, M. Piano concerto in E, op 59 (1898). Markus Pawlik, pf; Polish National RSO/Antoni Wit. Naxos 8.553989 38 Mozart, W. Symphony no 34 in C, K338 (1780); Minuet in C, K409 (1782). Haydn Sinfonietta, Vienna/Manfred Huss. BIS CD-2218

12:00 JAZZ SKETCHES with Robert Vale 13:00 IN CONVERSATION with Simon Moore 14:00 QUEENSLAND CALLING Prepared by Ron Walledge Mendelssohn, F. Overture: The Hebrides, op 26, Fingal’s Cave (1830). Queensland SO/ Wilfred Lehmann. ABC 481 2236 10 Rodrigo, J. Fantasia para un gentilhombre (1954). Leonard Grigoryan, gui; Queensland SO/Brett Kelly. ABC 480 6461 22

20:00 AT THE OPERA Prepared by Elaine Siversen Magnard, A. Guercoeur, op 12. Opera in three acts. Libretto by the composer. First performed Paris, 1931. GUERCOEUR: José van Dam, bass-bar GISELLE: Nadine Denize, mezz TRUTH: Hildegard Behrens, sop SUFFERING: Nathalie Stutzmann, cont HEURTAL: Gary Lakes, heldentenor Orfeón Donostiarra; Toulouse National Opera O/Michel Plasson. EMI 5 59828 2 3:03 Guercoeur, the democratic and wise leader of a medieval city, has died in battle defending his city-state. In Paradise, he begs to be able to return to earth to defend his people and to the love of his wife, Giselle. The Goddess of Truth grants his wish but the Goddess of Suffering demands that his pride be punished. On earth, he finds that Giselle is now the lover of his best friend, Heurtal, who intends to marry her and rule the people as a despot. Guercoeur forgives Giselle but she returns to the arms of her lover and Guercoeur is murdered by Heurtal’s supporters. Disillusioned with humanity, Guercoeur returns to Paradise, where he is greeted by the Goddess of Truth who explains that his pride has now been replaced by hope. She assures him that, despite human weaknesses, a great age of humanity lies ahead. Guercoeur’s body is buried and covered in flowers to sleep for ever. Ibert, J. Four songs of Don Quichotte (1932). José van Dam, bar; Jean-Philippe Collard, pf. EMI CDC 7 49288 2 11 23:30 MUSIC OF THE NIGHT Prepared by Chloe Sinclair Whitacre, E. Sleep. Elora Festival Singers/ Noel Edison. Naxos 8.559677 5

Prokofiev, S. Suite from Lieutenant Kijé, op 60 Westlake, N. Six fish (2004). Saffire. ABC 476 261-1 16 (1934). Queensland SO/Vladimir Verbitsky. ABC 476 3510 22 Chance, A. Mirroring (2021). Claire Edwardes, vibraphone. Bracanin, P. Clarinet concerto (1985). Floyd Move MD 3459 5 Williams, cl; Queensland SO/Richard Mills. ABC 446 476-2 19 Marshall-Hall, G. Symphony in E flat (1903). Queensland TO/Warren Bebbington. Move MD 3081 36 16:00 FINE MUSIC DRIVE with Lloyd Capps

Thursday 28 July 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST with Simon Moore 09:00 DIVERSIONS IN FINE MUSIC Romance and romantics Prepared by Chris Blower Mouret, J-J. Ballet: Les amours des dieux (1727). Symphonie du Marais/Hugo Reyne. Astrée E8650 12 Butterworth, G. Love blows as the wind blows, op 59 (1912). Robert Tear, ten; City of Birmingham SO/Vernon Handley. EMI 7 64731 2 10 Falla, M. de Suite from Love the magician (1915-25). Daniel Ligorio, pf. Naxos 8.555065 13 Wagner, R. Träume, from Wesendonck Lieder (1857-58). Marilyn Horne, mezz; Royal PO/ Henry Lewis. Decca 476 1223 6 Pann, C. Love letters (2000). Ying Quartet. Quartz QTZ 2003 20 Klughardt, A. Schilflieder, op 28 (1873). Albrecht Mayer, ob; Tabea Zimmerman, va; Markus Becker, pf. Decca 478 3564 19 10:30 CONCERT HALL Prepared by Claire Zhong Bax, A. Overture, elegy and rondo (1927). Slovak PO/Barry Wordsworth. Marco Polo 8.223102 24 Boyce, W. Concerto grosso in E minor. Hiro Kurasaki, vn; Richard Gwilt, vn; Nicholas Parle, hpd; London Baroque/Charles Medlam. EMI CDC 7 49799 2 11

Trad. The gold ring set. Jordi Savall, treble viol, lyra viol; Andrew Lawrence-King, baroque hp. Alia Vox AVSA 9878 12 Stevenson, J. The last rose of summer (arr. Wells). David Hobson, ten; Melbourne SO/ Benjamin Northey. 3 ABC 481 1981 Kelly, T. O’Carolan’s suite in Baroque style (1978). Irish CO/Fionnuala Hunt. 14 Black Box BBM1003 O'Carolan, T. Carolan's receipt for whiskey. Harp Consort/Andrew Lawrence-King. 10 DHM 05472 77375 2 Anon. Londonderry air (arr. Harty). Pan Hon Lee, vn; Ulster O/Bryden Thomson. 5 Chandos CHAN 6525 14:00 CHINA AND THE WEST Prepared by Paul Cooke Purcell, H. Excerpts from The fairy queen (1692). Belinda Montgomery, sop; Jamie Allen, ten; Cantillation; O of the Antipodes/Antony Walker. ABC 476 287-9 12 Tyzen, H. Farewell étude op 55. Chen Sa, pf; Taipei Chinese O/Chung Yiu-Kwong. BIS 1974 6 Weber, C.M. Overture; Funeral march; March, from Turandot (1809). Queensland PO/John Georgiadis. Naxos 8.550928 9 Ma, S. Amei suite (1981). Hsiao-mei Ku, vn; Ning Lu, pf. Naxos 8.570600 7 Tcherepnin, A. Five Chinese concert studies, op 52 (1934-36). Jenny Lin, pf. BIS CD-1110 18 Chen Yi. The ancient Chinese beauty (2008). Michala Petri, rec; Kremerata Baltica. OUR 8.226905 14

Elgar, E. Symphony no 1 in A flat, op 55 (1908). London PO/Adrian Boult. Lyrita SRCD.221 49

Dieren, B. van Symphony no 1, op 6, Chinese (1914). Rebecca Evans, sop; Catherine Wyn Rogers, cont; Nathan Vale, ten; Morgan Pearse, bar; David Soar, bass; BBC National Ch & O of Wales/William Boughton. Lyrita SRCD 357 40

12:00 JAZZ AFTER NOON with Sue Jowell

16:00 FINE MUSIC DRIVE with Marilyn Schock

13:00 SOUNDS LIKE IRELAND Prepared by Anabela Pina

19:00 THE NEW JAZZ STANDARD with Frank Presley

Arr. Courson - Berre. Fantasy on Vivaldi's O’stravaganza; Damhsaigh. Celtic Soloists; L'Orfanelle della Pieta. 7 Erato 3824572

20:00 THE WORLD OF A SYMPHONY Prepared by David Brett Wolf, H. Mignon's song, Kennst du das Land (1888). Christa Ludwig, cont; Erik Werba, pf. DG 459 335-2 6 Wagner, R. Overture to Tannhäuser (1845). Munich PO/Hans Knappertsbusch. DG 479 1148 16 Bruckner, A. Intermezzo in D minor (1879). Enrique Santiago, va; Melos Quartet. Harmonia Mundi HMC 901421 10 Strauss, R. Till Eulenspiegel’s merry pranks, op 28 (1895). Guy Baunstein, vn; Berlin PO/ Gustavo Dudamel. DG 479 1041 16 Mahler, G. Symphony no 4 in G (1900). Barbara Bonney, sop; Vienna PO/Riccardo Muti. Radio Nederland transcription 1:00 22:00 AUSTRALIAN PIANIST Alex Raineri Prepared by James Nightingale Beethoven, L. Sonata, op 81a, Les adieux (1810). Alex Raineri, pf. 17 Move MCD 536 Berg, A. Sonata, op 1. Alex Raineri, pf. Master Performers MP 025

22:30 ULTIMA THULE

Friday 29 July 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST with Vicky Zhang 09:00 DIVERSIONS IN FINE MUSIC Something borrowed Prepared by Peter Poole Grieg, E. Old Norwegian melody with variations, op 51 (1890; orch.1900/05). Gothenburg SO/Neeme Järvi. DG 427 321-2

Beethoven, L. Seven variations in E flat on the theme: Bei Männern, welche Liebe fühlen, from Die Zauberflöte by Mozart, WoO46 (1801). Zoe Knighton, vc; Amir Farid, pf. Move MD3356 10 Dukas, P. Variations, interlude and finale, on a theme of Jean-Philippe Rameau (1899-1902). Jean Hubeau, pf. Erato 2292454212 17

Doppler, F. Margarethe: Potpourri on Faust (arr. Guonod; pub.1865). Claudi Arimany fl: John Steele Ritter, pf. Capriccio C5296 14

Benjamin, A. Piano concerto, Quasi una fantasia (1949). Lamar Crowson, pf; London SO/Arthur Benjamin. Everest EVC 9029 27

Mozart, W. Mass no 19 in D minor, K626, Requiem: Realisations of five movements (compl. and ed. Finnissy, Druce, Beyer, Maunder, Levin). Elin Manahan Thomas, sop; Christine Rice, mezz; James Gilchrist, ten; Christopher Purves, bass-bar; Choir of King’s College, Cambridge; Academy of Ancient Music/Stephen Cleobury. Choir of King's College KGS0002 16

Howells, H. Suite, the B’s (1914). London SO/ Richard Hickox. Chandos CHAN 9557 32

10:30 CONCERT HALL Prepared by Michael Field Harty, H. A John Field suite (1939). Ulster O/ Bryden Thomson. Chandos CHAN 6583 20 Rodrigo, J. Summer concerto (1943). Michael Guttman, vn; Royal PO/José Serebrier. Resonance CD RSN 3069 22

16:00 FINE MUSIC DRIVE with Peter Poole

13:00 SALIERI AND MOZART Prepared by Derek Parker Salieri, A. Overture to Don Quixote (1770). Slovak RSO/Michael Dittrich. Naxos 8.554838 7 Mozart, W. Piano concerto no 21 in C, K467 (1785). Mitsuko Uchida, pf; English CO/Jeffrey Tate. Philips 475 7306 29 Salieri, A. Sinfonia in D, Il giorno onomastico (1775). London Mozart Players/Matthias Bamert. Chandos CHAN 9877 18 14:00 FOUR OF THE Bs Prepared by James Nightingale Bliss, A. Hymn to Apollo (1926/65). Ulster O/ Vernon Handley. Chandos CHAN 8818 11 Howells, H. Ralph’s pavane, from Howells’ clavichord bk 2 (1961). John McCabe, pf. Hyperion CDA66689 5 Benjamin, A. Le tombeau de Ravel (1958). Alan Vivian, cl; Susanne Powell, pf. Revolve AJM 1314 13

Bull, J. In Nomine, no 4. Pierre Hantal, hpd. Astrée E8838 4 Bevan, E. Browning, à 3. Fretwork. Virgin VJ 7 59691-2

Tye, C. Amavit eum Dominus, à 5. Hespèrion XX. Astrée E8708 3

19:00 FRIDAY JAZZ SESSION with Alex Siegers

I lift my heart to Thee, à 5. Cambridge University Chamber Choir/Timothy Brown. Gamut GAMCD 519 4

20:00 EVENINGS WITH THE ORCHESTRA Impossible dances Prepared by Roman Benedict

In Nomine no 19 à 5, Crye. Sarah Cunningham, treble viol; Margriet Tindemans, tenor viol; Erin Headley, bass viol; Dirk Freymuth, bass viol; Hille Perl, bass viol. CRD CRD 3487 2

Ravel, M. La valse (1921). Chicago SO/ Neeme Järvi. Chandos CHAN 241-44

Taverner, J. Missa Gloria tibi trinitas (c151030). The Sixteen/Harry Christophers. Hyperion CDA66134 40

Sibelius, J. Valse triste, op 44 no 1, from Brahms, J. Symphony no 3 in F, op 90 (1883). Incidental music to Kuolema (1903/04). Vienna PO/Leonard Bernstein. Queensland SO/Patrick Thomas. DG 410 083-2 42 Phonart PT 1001/3 12:00 A JAZZ HOUR with Barry O'Sullivan

Boothby, viol. Virgin VC 7 90722-2

Dowland, J. In Nomine, Farewell. Paul O'Dette, lute. Harmonia Mundi HMU907161

Strogers, N. In Nomine Pavin; Galliard to In Boulanger, L. D'un matin de printemps (1918). Nomine (1599). Musicians of Swanne Alley. 5 Virgin VC 7 91214-2 Women's PO/JoAnn Falletta. Koch 3 7169 2H1 5 Morley, T. Faire in a morne, o fairest morn (1600). Emily van Evera, sop; Christel Adams, J. Foxtrot: The chairman dances Thielmann, bass viol; Paul O'Dette, lute. (1985). San Francisco SO/Edo de Waart. 3 Nonesuch 979 144-2 12 Virgin VC 7 91214-2 Saint-Saëns, C. Symphonic poem: Danse macabre in G minor, op 40 (1874). Sydney SO/ Eugene Goossens. LP ABC/HMV OXLP 7620/21 7

Copland, A. Four dance episodes, from Rodeo (1942). Buffalo PO/JoAnn Falletta. Naxos 8.559240 19 Holst, G. St Paul’s suite, op 29 no 2 (1912-13). Saint Paul CO/Christopher Hogwood. Decca 440 376-2 13 Beethoven, L. Symphony no 7 in A, op 92 (1811-12). Berlin PO/Herbert von Karajan. DG 429 040-2 34 22:00 BAROQUE AND BEFORE Taking the name Taverner, J. Sanctus, from Missa gloria tibi Trinitas (c1510-30). Taverner Choir/Andrew Parrott. EMI CDC 7 49103-2 9 Gibbons, O. In Nomine, à 5. Fretwork. Virgin VJ 7 59691-2

Gurney, I. Ludlow and Teme (1920). Adrian Parsons, R. In Nomine, à 5. Fretwork. Thompson, ten; Iain Burnside, pf; Delmé String Amon Ra CD-SAR 29 2 Quartet. Pour down, you pow'rs divine; No grief is Hyperion CDA66385 21 like to mine. Michael Chance, ct; Richard Campbell, viol; Julia Hodgson, viol; Elizabeth Liddle, viol; William Hunt, viol; Richard

Jenkins, J. In Nomine no 2. Hespèrion XX. Astrée E8724 5 Byrd, W. The leaves be green (Browning). Sharyn Rubin, bass viol; Jonathan Rubin, lute. Gallo CD-540 3 Tye, C. In Nomines: no 11, Farewell my good I, for ever; no 4, Howld fast. His Majesty's Sagbutts and Cornetts. Hyperion CDH55406 4

Saturday 30 July 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SATURDAY MORNING MUSIC 09:00 WHAT'S ON IN MUSIC Our weekly guide to musical events in and around Sydney 09:05 THE PIANO ALONE Prepared by Frank Morrison Bartók, B. Suite, op 14 (1916). Murray Perahia, pf. Sony SX4K 63380

Poulenc, F. Improvisation nos: 1, 2, 3, 6, 7, 8, 12, 13, 15 (1932-59). Pascal Rogé, pf. Decca 417 438-2 17 Schubert, F. Sonata in A minor, D537 (1817). Alfred Brendel, pf. Philips 410 605-2 23 10:00 CENTRES OF MUSIC The Juilliard School, New York Part 1 Prepared by Rita Felton Telemann, G. Triple concerto in F, from Musique de table II (pub. 1733). Monica Huggett, vn; Alison Bury, vn; Roy Goodman, vn; Amsterdam Baroque O/Ton Koopman. Erato ECD 75394 13 Brouwer, L. Cuban landscape with rumba (c1985). Guitar Symphionetta/Leo Brouwer. Giulia GS20100 7 Schubert, F. Quartet no 12 in C minor, D703, Quartet movement (1820). Juilliard String Quartet. CBS M2YK 45617 12

Britten, B. Four French songs, op posth. (1928). Felicity Lott, sop; Scottish NO/Bryden Thomson. Chandos CHAN 8657 11 Shostakovich, D. Three fantastic dances, op 5 (1922). Jens Harald Bratlie, pf. Simax PSC 1014 4 Korngold, E. Prelude; Carnival music, from Violanta (1910). BBC PO/Matthias Bamert. Chandos CHAN 9631 10 Deutscher, A. Up in the sky; When the day falls into darkness, from Cinderella (2013-15; arr. Deutscher 2019). Alma Deutscher, pf. Sony 19075990192 7

Conduisez-moi vers celui que j’adore, from Robinson Crusoe; Dites-lui qu’on l’a Saint-Saëns, C. Symphony no 1 in E flat, op 2 remarqué; Vous aimez le danger ... Ah! que (1853). Vienna SO/Georges Prêtre. j’aime les militaires! from The Grand Duchess Erato 2292-45695-2 29 of Gerolstein (1867; arr. Gamley). Joan Sutherland, sop; Suisse Romande O/Richard 14:30 SATURDAY MATINEE Bonynge. Operetta in the afternoon Decca 475 6302 11 Prepared by Elaine Siversen

Offenbach, J. The daughter of the drum Rautavaara, E. Manhattan trilogy (2004). New major. Operetta in three acts. Libretto by Zealand SO/Pietari Inkinen. Alfred Duru and Henri Chivot. First performed Naxos 8.570069 18 Paris, 1879. Elgar, E. Cello concerto in E minor, op 85 (1918-19). Yo-Yo Ma, vc; London SO/André Previn. CBS M2K 44562 29 11:30 ON PARADE Prepared by Chris Blower Barry, J. Medley of themes from James Bond movies. Grimethorpe Colliery Band. RCA 74321 88393 2 6 Rodgers, R. Oklahoma! Sellers Engineering Brass Band. Soho SOHOCD051-2 3 You’ll never walk alone, from Carousel (1945). NSW Fire Brigades Brass Band/Mark Reay. NSW Fire Brigades NSWFBCD94 4 Sullivan, A. A Sullivan fantasy (arr. Langford). John Foster Black Dyke Mills Band/Roy Newsome. Chandos CHAN 4533 7 Lloyd Webber, A. Phantom of the opera (1986); Any dream will do, from Joseph and the amazing technicolour dreamcoat (1965; arr. Graham). NSW Fire Brigades Brass Band/ Mark Reay. NSW Fire Brigades NSWFBCD94 6 12:00 URBAN JAZZ LOUNGE with Leita Hutchings 13:00 BRIGHT YOUNG SPARKS Prepared by Michael Morton-Evans Mendelssohn, F. Sonata in G minor, op 105 (1821). Frederic Chiu, pf. Harmonia Mundi HMU 907117 18

have him released on condition that Stella marries Bambini. The wedding is about to take place but the bridal veil conceals the fact that Claudine has secretly taken Stella's place. Robert, who does not know of the substitution, intervenes to prevent the sacrifice of the one he loves and the subterfuge is discovered. The furious Duke orders everyone arrested. The main French army arrives. The Duke prudently changes his allegiance and Robert is freed to go to his Stella, and Claudine gives the faithful Griolet her hand and heart, and a double wedding can take place.

STELLA: Christiane Harbell, sop ROBERT: Étienne Arnaud, bar CLAUDINE: Monique de Pondeau, sop GRIOLET: André Mallabrera, ten MONTHABOR: Louis Musy, bass Théâtre des Folies-Dramatiques Choir & O/ Richard Blareau. Accord 461 673-2 1:37 The revolutionary French army is fighting the occupying Austrian army in Italy. Stella has been locked in a cupboard at the convent for singing a seditious song. When the pupils are evacuated, Stella is forgotten. A few French troops arrive finding the frightened Stella who is reassured by the dashing Lieutenant Robert. Claudine, in charge of the provisions, has also been left behind and the drum-major, Griolet, finds her very attractive. After the French soldiers leave, the Italians, the Duke of Volta and Marquis Bambini, arrive. The Duke decides that Stella should marry Bambini. She refuses but the Duke goes ahead with a party to celebrate the wedding. Monthabor comes face to face with the Duchess who is his ex-wife and mother of his daughter whose whereabouts are unknown. He realises that Stella is their daughter. Stella and Robert admit their mutual love. Stella announces to the assembled guests that she is French and Griolet’s daughter. The Austrian army attacks. Claudine and Robert take refuge at an inn run by her uncle, a strongly pro-French activist. Stella arrives with Griolet and Monthabor, all in disguise. Robert is arrested and the Duke agrees to

Les oiseaux dans la charmille, from The tales of Hoffmann (1881). Joan Sutherland, sop; Suisse Romande O/Richard Bonynge. Decca 475 6302 5 Excerpts from La périchole (1868). Frederica von Stade, mezz; Scottish CO/Antonio de Almeida. RCA 09026 68116 2 15 17:00 DIVERSE CHAMBER Prepared by James Nightingale Krommer, F. Clarinet quartet in B flat, op posth. Dieter Klöcker, cl; Members of Consortium Classicum. cpo 999 141-2

Koehne, G. Divertissment: trois pièces bourgeoises (1983). Australian String Quartet. ABC 442 347-2 12 Poulenc, F. Sonata (1940-48). Paul Watkins, vc; Ian Brown, pf. Hyperion CDA67255/6 22 18:00 STAGE AND SCREEN Prepared by Paul Cooke Deutsch, A. Music from High Sierra (1941; orch. Lange). Moscow SO/William Stromberg. Marco Polo 8.225169 13 Westlake, N. Music from Miss Potter (2006). Studio O/Benjamin Wallfisch. ABC 476 3658 13 Ellington, D. The Degas suite (1968). Duke Ellington O. WEA 255 402-2 27 19:00 EMERGENT JAZZ with Keith Pettigrew

20:00 THE LIFE OF A COMPOSER Astor Piazzolla Prepared by Krystal Li Piazzolla, A. Adiós nonino. Leonardo Sanchez, gui; Juan José Mosalini, ban; Osvaldo Calo, pf; I Fiamminghi/Rudolph Werthen. Telarc 80526

Suite, op 2 (1944). Adam Herd, pf. Master Performers MP 004

Gardel, Carlos. Mi Buenos Aires querido (1934); El dia que me quieras (1935). José Carbó, bar; Slava Grigoryan, gui; Leonard Grigoryan, gui. ABC 476 4833 8 Piazzolla, A. Concerto for bandoneon, string orchestra and percussion, Aconcagua (1979). Daniel Binelli, ban; Nashville SO/Giancarlo Guerrero. Naxos 8.572271 24 Le grand tango (1982). Trish O’Brien, vc; Renate Turrini, pf. MBS CD41 12 Yo soy Maria, from Maria de Buenos Aires. Ute Lemper, voice; Stefan Malzew, cl, pf, accordion; Vogler Quartet. ArkivMusic 30009 3

09:00 MUSICA SACRA Prepared by Di Cox Haydn, J. Ave Regina, in A, Hob.XXIIIb:3 (c1750-59). Marie-Claude Vallin, sop; Tölz Youth Choir; Bob van Asperen, org; L'Archibudelli/Bruno Weil. Sony SK 53 368 10 Zelenka, J. Missa Dei Filii (1740-41). Nancy Argenta, sop; Michael Chance, ct; Christoph Prégardien, ten; Gordon Jones, bass; Stuttgart Chamber Choir; Tafelmusik Baroque O/Frieder Bernius. Harmonia Mundi RD 77922 42 10:00 THE CLASSICAL ERA Prepared by Paul Cooke Danzi, F. Quartet in C, op 40 no 1 (pub. c1814). Robert Thompson, bn; Roger Coull, vn; David Curtis, va; John Todd, vc. CRD 3503 25 Beethoven, L. Maigesang (Mailied), op 52 no 4 (bef. 1796); Neue Liebe, neues Leben, op 75 no 2 (1809); From Goethe’s Faust, op 75 no 3 (bef. 1802); Wonne der Wehmut, op 83 no 1 (1810); Sehnsucht, op 83 no 2 (1810). Stephan Genz, bar; Roger Vignoles, pf. Hyperion CDA67055 12

15:00 SUNDAY SPECIAL From the Ballets Russes Prepared by Chris Blower Poulenc, F. Ballet: Les biches (1923). Ulster O/Yan Pascal Tortelier. Chandos CHAN 9023 20 Falla, M. de Ballet: The three-cornered hat (1919). Jan DeGaetani, mezz; New York PO/ Pierre Boulez. CBS MYK 44721 38 Debussy, C. Ballet: Jeux (1912). Cleveland O/ Pierre Boulez. DG 439 896-2 16 Stravinsky, I. Ballet: Pulcinella (1922/49). Diana Montague, mezz; Robin Leggate, ten; Mark Beesley, bass; Philharmonia O/Robert Craft. Naxos 8.557503 36 17:00 HOSANNA Prepared by Neil McEwan Vivaldi, A. Deus in adjutorium, from Vespers for San Marco. Namur Chamber Choir; Les Agrémens Baroque O/Leonardo Garcia Alarcón. Ambronay AMB 01500 8

Archer, M. Benedicite, omnia opera. Choir of Schubert, F. Symphony no 1 in D, D82 (1813). St Paul’s Cathedral/Andrew Carwood. Tangazo (1988). New World SO/Michael Tilson Swedish CO/Thomas Dausgaard. Hyperion CDA 68058 6 Thomas. BIS BIS-1989 27 Vaughan Williams, R. Come down, O love Decca 467 603-2 14 Clementi, M. Sonata in C, op 33 no 3 (1794). divine. Choir of Wells Cathedral; Rupert The four porteño seasons (1969). Nexas Howard Shelley, pf. Gough, org; Malcolm Archer, cond. Saxophone Quartet. Hyperion CDA67738 18 Hyperion CDP 12101 3 Da Vinci Classics 7.46160912547 27 Haydn, M. Incidental music to Voltaire’s Zaïre Stanford, C. Villiers Nunc dimittis in B flat. 22:00 SATURDAY NIGHT AT HOME (1777). German Chamber Academy Neuss/ Choir of St Paul’s Cathedral/Andrew Carwood. Johannes Goritzki. Prepared by Paul Cooke Hyperion CDA 68058 3 cpo 999 512-2 28 Franck, C. Piano concerto no 2 in B minor, op Schütz, H. Deine Zeugnisse sind 11 (1835). Martijn van den Hoek, pf; Arnhem wunderbarlich, SWV490, from Psalm 119. 12:00 CLASSIC JAZZ PO/Roberto Benzi. Collegium Vocale Gent/Phillippe Herreweghe. with Dave Mac Naxos 8.553472 32 Harmonia Mundi HMC 901895 6 13:00 WORLD MUSIC Smyth, E. Quartet in E minor (1902-12). Muffat, G. Toccata no 10 in D minor. René Whirled Wide Mannheim String Quartet. Saorgin, org. cpo 999 352-2 42 with Anna Tranter Harmonia Mundi HMU 190760 5 Janácek, L. Suite from Káta Kabanová (1920; arr. Breiner). New Zealand SO/Peter Breiner. Naxos 8.570556 38

Sunday 31 July 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC with Stephen Wilson

14:00 INTIMATE VOICES French String Quartets Part 5 Dutilleux, H. Sarabande et cortège (1942). Karen Geoghegan, bn; Philip Fisher, pf Chandos CHAN 10521 8 Caplet, A. Conte fantastique for harp and string quartet (1919). Laurence Cable, hp; Ensemble Musique Oblique. Harmonia Mundi HMC 901417 17 Milhaud, D. String quartet no 2, op 16 (1915). Arriaga String Quartet. Discover Int DICD 920290 29

Taylor, C. Glorious things of Thee are spoken. Choir of King’s College, Cambridge; Benjamin Bayle, org; Thomas Williamson, org; Stephen Cleobury, cond. EMI 5 7026 2 4 Cornelius, P. Liebe, Dir ergeb’ich mich; Thron der Liebe. Choir of Gonville and Caius College, Cambridge/David Trendell. Delphian DCD 34124 11

18:00 SOCIETY SPOT Sydney Society of Recorder Players Prepared by Susan Foulcher Handel, G. Augelletti, che cantate, from Rinaldo, HWV71 (1711). Joyce DiDonato, mezz; Abba Fusek, rec; Il Pomo d’Oro/Maxim Emelyanychev. Erato 01902 95928469 6 Schickhardt, J. Concerto no 1 in C for four treble recorders and basso continuo (1750). Sirena Recorder Quartet; Mogens Rasmussen, va da gamba; Fredrik Bock, baroque gui; Leif Meyer, hpd. BIS CD-1234 10 Telemann, G. Double concerto in F, TWV52:F1. Sergio Azzolini, bn; La Stagione Frankfurt/Michael Schneider, rec & dir. cpo 999 907-2 18 Handel, G. Sonata in C, HWV365 (pub. 1720). Genevieve Lacey, rec; Daniel Yeadon, vc; Neal Peres da Costa, hpd. ABC 476 5105 11

Fasch, J. Recorder concerto in F, FWV L. Tempesta di Mare; Philadelphia Baroque O/ Gwyn Roberts, Richard Stone, co-directors. Chandos CHAN 0791 8 19:00 SUNDAY NIGHT CONCERT Prepared by Derek Parker Ireland, J. Symphonic rhapsody: Mai-Dun (1920-21). London PO/Adrian Boult. Lyrita SRCD.240 11 Hoffmeister, F. Viola concerto in B flat. Victoria Chiang, va; Baltimore CO/Markand Thakar. Naxos 8.572162 21 Field, J. Piano concerto no 1 in E flat (1799). Míceál O'Rourke, pf; London Mozart Players/ Matthias Bamert. Chandos CHAN 9368 20 Schubert, F. Symphony no 4 in C minor, D417, Tragic (1816). Royal Concertgebouw O/ Hans Rosbaud. Radio Netherlands RCO 05001 30

20:30 NEW HORIZONS Looking at 2012 Prepared by Robert Small Dean, B. Electric preludes (2012). Richard Tognetti, electric vn; Australian CO/Brett Dean. ABC 481 9584 22 Hatzis, C. Overscript: Concerto for flute and chamber orchestra, arr. from Bach’s BWV1056/1 (1993/2012). Patrick Gallois, fl; Thessaloniki State SO/Alexandre Myrat. Naxos 8.573091 42 Anderson, J. The discovery of Heaven (2012). London PO/Ryan Wigglesworth. LPO Live LPO-0074 21 22:00 JAZZ AFTER HOURS with Deborah Evans

The following composers have works of at least five minutes on the July dates listed Abbott, K. b1971 24 Adam, A. 1803-1856 13 Adams, J. b1947 11,29 1860-1909 23 Albéniz, I. Albrechtsberger, J. 1736-1809 10 Alkan, C-V. 1813-1888 7 Allegri, G. 1582-1652 3 Anderson, J. b1967 31 Andrée, E. 1841-1929 14 Archer, M. b1952 31 1710-1778 2,6 Arne, T. Arnold, M. 1921-2006 10 Avison, C. 1709-1770 3

Copland, A. 1900-1990 1,11,20,25,29 1653-1713 1,8 Corelli, A. 25 Corigliano, J. b1938 Cornelius, P. 1824-1874 31 Corselli, F. 1702-1778 13 3 Cresswell, L. b1944 Croft, W. 1678-1727 8 Crusell, B. 1775-1838 20 Czerny, C. 1791-1857 7

Bach, C.P.E. 1714-1788 8,10,17,24 Bach, J. Christian 1735-1782 3,10 Bach, J.S. 1685-1750 1,2,3,4,5,7,8,15,17,18,21,22,25 Balbastre, C-B. 1727-1799 14 Bantock, G. 1868-1946 16 Barber, S. 1910-1981 25 1933-2011 30 Barry, J. Bartók, B. 1881-1945 18,30 Barton, W. b1981 3,10 1719-1773 27 Baur, J. 1883-1953 28 Bax, A. 1867-1944 23 Beach, A. Beethoven, L.1770-1827 1,3,4,5,7,8,10,12,1415,17, 9,21,24,25,26,28,29,31 Bellini, V. 1801-1835 19 Benjamin, A. 1893-1960 29 Bennett, L. b1960 10 1885-1935 28 Berg, A. 1888-1989 16 Berlin, I. Berlioz, H. 1803-1869 7,14,16,18 Bernier, N. 1665-1734 1 Bernstein, L. 1918-1990 1 Berwald, F. 1796-1868 5,12,13 1644-1704 12,26 Biber, H. 1838-1875 4,7,14,21 Bizet, G. 1891-1975 8,29 Bliss, A. Boccherini, L. 1743-1805 3,10,24,25 Boëllmann, L.1862-1897 19 Boïeldieu, A. 1775-1834 17 Borisova-Ollas, V. b1969 24 Borodin, A. 1833-1887 14 Boulanger, L. 1893-1918 23 16 Bowen, C. b1956 1884-1961 21 Bowen, Y. Boyce, W. 1711-1779 2,28 27 Bracanin, P. b1942 Brahms, J. 1833-1897 5,8,12,14,16,18,19,23,26,29 1876-1972 25 Brian, H. 1879-1941 9 Bridge, F. Britten, B. 1913-1976 9,15,30 Brossmann, A. 1731-1798 3 30 Brouwer, L. b1939 Bruckner, A. 1824-1896 26,28 Brumby, C. 1933-2018 4 Bruns, G. 1914-1983 2 b1972 9 Bryant, S. Bull, J. c1562-1628 15 Burgon, G. 1941-2010 23 1808-1871 26 Busi, G. 1885Butterworth, G. 1916 14,28 1543-1623 3,8 Byrd, W. Byström, T. 1772-1839 20 Cannabich, C. 1731-1798 11 1878-1925 31 Caplet, A. Cartellieri, A. 1772-1807 6 Castelnuovo-Tedesco, M. 1895-1968 22 Chabrier, E. 1841-1894 21 Chaminade, C. 1857-1944 2,16 27 Chance, A. b1994 Charpentier, M-A. 1643-1704 1,7 Chausson, E. 1855-1899 5,12,16 b1953 28 Chen Yi. Cherubini, L. 1760-1842 7,14 Chopin, F. 1810-1849 9,13,14 Cimarosa, D. 1749-1801 19 Clementi, M. 1752-1832 25,31 Clérambault, L-N. 1676-1749 7 Coates, E. 1886-1957 11 Coleman, C. 1605-c1664 9

Ch & O: Chorus & Orchestra CO: Chamber Orchestra FO: Festival Orchestra NO: National Orchestra NSO: National Symphony Orchestra PO: Philharmonic Orchestra RO: Radio Orchestra RSO: Radio Symphony

d’Indy, V. 1851-1931 3,12,24 Danzi, F. 1763-1826 5,17,31 Dauvergne, A. 1713-1797 17 Davies, P. Maxwell 1934-2016 10 b1961 31 Dean, B. Debussy, C. 1862-1918 2,3,14,31 Delius, F. 1862-1934 7,16,19 Denisov, E. 1929-1996 8 Destouches, A. 1672-1749 27 Deutsch, A. 1897-1980 30 30 Deutscher, A. b2005 Dieren, B. van 1884-1936 28 Dieupart, C. c1667-c1740 1 Dittersdorf, C. 1739-1799 14 Donizetti, G. 1797-1848 6,19,24 Doppler, F. 1821-1883 29 1865-1935 29 Dukas, P. Dussek, J. 1760-1812 17 Dutilleux, H. 1916-2013 31 Dvorák, A. 18411904 1,2,4,8,22,24 1702-1762 20 Eberlin, J. c1668-1735 1 Eccles, J. Edwards, R. b1943 10,22,24 Eggert, J.N. 1779-1813 14 1857-1934 16,22,28,30 Elgar, E. Ellington, D. 1899-1974 30 Eno, R. b1959 17 b1961 7 Enya. Erlebach, P. fl 1690-1700 20 Escobar, P. de c1465-c1535 22 c1590-1657 15 Eyck, J. Falla, M. de 1876-1946 1,15,28,31 Farrenc, L. 1804-1875 9 Fasch, J. 1688-1758 31 1845-1924 21,23,26 Fauré, G. 23 Fenton, G. b1949 1782-1837 9,11,31 Field, J. 1901-1956 11 Finzi, G. 1646-1717 3 Fischer, J. Françaix, J. 1912-1997 16 Franck, C. 1822-1890 12,19,30 Freitas Branco, L. 1890-1955 21 Frøhlich, J. 1806-1860 17 1872-1916 23 Fucik, J. Gade, N. 1817-1890 8 Galuppi, B. 1706-1785 10,13 Gardel, Carlos. 1890-1935 30 German, E. 1862-1936 9 Gershwin, G. 1898-1937 1,21 10 Gifford, B. b1965 1921-1999 8 Gipps, R. Giuliani, M. 1781-1829 24 Glanville-Hicks, P. 1912-1990 16,27 1864-1936 8 Glass, L. Glass, P. b1937 6,20 Glazunov, A. 1865-1936 2,16,26 Glière, R. 1875-1956 25 Glinka, M. 1804-1857 14,18 1714-1787 7 Gluck, C. Godard, B. 1849-1895 14 16 Goodall, H. b1958 Gounod, C. 1818-1893 6 Grainger, P. 1882-1961 16 Granados, E. 1867-1916 22,23 Graupner, C. 1683-1760 3 Grétry, A-E-M. 1741-1813 7 Grieg, E. 1843-1907 2,7,15,29 1892-1972 1 Grofé, F. Guilfoyle, R. b1958 11 Guilmant, A. 1837-1911 12 1890-1937 29 Gurney, I. b1968 24 Gyger, E. Halévy, F. Halffter, R.

1799-1862 15 1900-1987 21

Orchestra RTO: Radio & Television Orchestra RTV SO: Radio and Television Symphony Orchestra SO: Symphony Orchestra TO: Theatre Orchestra alto: male alto ban: bandoneon

Handel, G. 1685-1759 2,8,13,14,25,31 17 Harrison, M. 20th C 1879-1941 11,29 Harty, H. b1953 31 Hatzis, C. 1732-1809 Haydn, J. 3,4,10,12,14,17,19,21,24,25,31 Haydn, M. 1737-1806 9,31 Herbst, J. 1735-1812 23 Hindemith, P. 1895-1963 23 Hoffmeister, F. 1754-1812 31 Holmboe, V. 1909-1996 9 Holst, G. 1874-1934 29 Honegger, A. 1892-1955 2 Hook, J. 1746-1827 17 Hovhaness, A. 1911-2000 7 Howells, H. 1892-1983 29 Hummel, J. 1778-1837 3,4,24 1913-2005 9 Hyde, M. Ibert, J. Ireland, J.

1890-1962 27 1879-1962 31

Jackson, F. 1917-2022 1769-1802 Jadin, H. Janácek, L. 185410,12,15,30 1928 Jenkins, K. b1944 Joachim, J. 1831-1907 John, E. b1947 Jolivet, A. 1905-1974 Jommelli, N. 1714-1774 Jones, S. 1861-1946 Jørgensen, A. 1881-1947

24 27 7,17 15 2 4 19 9 9

Kajanus, R. 1856-1933 20 Kander, J. b1927 9 Kats-Chernin, E. b1957 25 Kelly, F. 1881-1916 21 1917-1985 28 Kelly, T. 1885-1945 25 Kern, J. Khachaturian, A. 1903-1978 19,26 1900-1961 20 Klami, U. Klughardt, A. 1847-1902 28 1882-1967 18,22 Kodály, Z. 1,30 Koehne, G. b1956 Korngold, E. 1897-1957 2,16,30 1889-1973 21 Koster, L. Kozeluch, L. 1747-1818 8 Kraus, J.M. 1756-1792 24 Kreutzer, J. 1790-1840 27 Krommer, F. 1759-1831 24,30 1786-1832 6,8,23 Kuhlau, F. Lalande, M-R. de 1657-1726 17 1823-1892 13 Lalo, E. c1587-1639 13 Landi, S. Lawes, W. 1602-1645 20 1870-1948 11,18 Lehár, F. 1694-1744 19 Leo, L. 1639-1709 22 Lesbio, A. b1966 3 Lim, L. Lindberg, M. b1958 20 Lindblad, A. 1801-1878 14 Linley, T. the Elder 1733-1795 2 Linley, T. the Younger 1756-1778 2 1811-1886 Liszt, F. 1,2,3,5,7,15,18,19,21,22 Lloyd Webber, A. b1948 2,30 Lobo, D. c1565-1646 22 Locke, M. c1621-1677 8,21 Loesser, F. 1910-1969 16 Loewe, C. 1796-1869 2 Lord Berners. 1883-1950 26 Lortzing, A. 1801-1851 17 1850-1906 22 Luigini, A. Lumbye, H. 1810-1874 8 Løvenskjold, H. 1815-1870 18 Ma, S. 1912-1987 28 Magalhães, F. de c1571-1652 22 Magnard, A. 1865-1914 27 Mahler, G. 1860-1911 2,6,24,28 Malling, O. 1848-1915 9 Maroufi, J. 1912-1993 7 Marshall-Hall, G. 1862-1915 27 Martinu, B. 1890-1959 8,11,25,26 Massenet, J. 1842-1912 19,20,21,22 1812-1883 2 Mayer, E. McKern, B. 20th c 17

bar: baritone bshn: basset horn bass: bass bn: bassoon bass bar: bass baritone cl: clarinet clvd: clavichord cont: contralto cora: cor anglais ct: counter-tenor

Méhul, É-N. 1763-1817 21 Mendelssohn, F. 1809-1847 3,14,16,17,18,22,23,27,30 1806-1856 18 Mertz, J. Messiaen, O. 1908-1992 13 Meyerbeer, G. 1791-1864 6,15,18 Milhaud, D. 1892-1974 22,31 b1949 13 Mills, R. 1696-1765 6 Molter, J. Mompou, F. 1893-1987 23 Monkton, L. 1861-1924 9 Monteverdi, C. 1567-1643 7,8 Moszkowski, M. 1854-1925 27 Mouret, J-J. 1682-1738 28 Mouton, C. 1626-c1692 27 Mozart, W. 1756-1791 2,3,4,5, 10,11,13,14,17,20,21,24,26,27,29 Muffat, G. 1653-1704 31 1767-1817 3 Müller, A. Müller, I. 1786-1854 22 Myaskovsky, N. 1881-1950 3 Napoleão, A. 1843-1925 Nathan, I. 1790-1864 Nicolai, O. 1810-1849 Nielsen, C. 1865-1931

18 16 13 7,8

O’Carolan, T. 1670-1737 Offenbach, J. 1819-1880 Onslow, G. 1784-1853 Ortiz, D. c1510-c1570

28 7,14,30 6,17 8

Paganini, N. 1782-1840 8 Paisiello, G. 1740-1816 10 Palestrina, G. da c1525-1594 10 Palmgren, S. 1878-1951 20 Palschau, J. 1741-1815 9,20 b1972 28 Pann, C. Parsons, R. c1530-1570 29 Pasculli, A. 1842-1924 15 Pepusch, J. 1667-1752 16 Pfitzner, H. 1869-1949 23 c1561-1628 15 Philips, P. Piazzolla, A. 1921-1992 1,9,30 Piccinni, N. 1728-1800 7 Pierné, G. 1863-1937 12 Planquette, R. 1848-1903 9 Pleyel, I. 1757-1831 10,17 Porpora, N. 1686-1768 19 1891-1964 2 Porter, C. Poulenc, F. 1899-1963 22,30,31 Praetorius, M. c1571-1621 17 Prokofiev, S. 1891-1953 19,25,27 Puccini, G. 1858-1924 24 Purcell, H. 1659-1695 28 Qigang Chen. b1951

Rachmaninov, S. 1873-1943 10,14,22 1822-1882 4 Raff, J. Rameau, J-P. 1683-1764 8,9,16,19 Rautavaara, E. 1928-2016 20,30 Ravel, M. 1875-1937 7,10,13,22,29 1770-1836 9,24 Reicha, A. Respighi, O. 1879-1936 7,13 22 Richter, M. b1966 Riisager, K. 1897-1974 9,24 Robbins, R. 1940-2012 23 Rodrigo, J. 1901-1999 27,29 1694-1758 26 Roman, J. Ropartz, J. 1864-1955 12 Rossini, G. 1792-1868 3,6,24 Rouget de Lisle, C-J. 1760-1836 14 Royer, J-N-P. c1705-1755 11 Saint-Saëns, C. 1835-1921 16,22,29,30 Salieri, A. 1750-1825 29 Sandström, S-D. b1942 3 Say, F. b1970 11 Scarlatti, A. 1659-1725 1 Scarlatti, D. 1685-1757 22,24 Schickhardt, J. c1682-1762 31 Schoenberg, A. 1874-1951 5 Schubert, F. 1797-1828 3,4,5,9,12,15,16,17,25,26,30,31 Schultze, J. 1733-1813 13 Schumann, R. 1810-1856 7,15,18 Schütz, H. 1585-1672 31 Sculthorpe, P. 1929-2014 10,21

db: double bass dbn: double bassoon did: didjeridu elec: electronic fl: flute fp: fortepiano gui: guitar hn: french horn hp: harp hpd: harpsichord

mand: mandolin mar: marimba mezz: mezzo-soprano narr: narrator ob: oboe org: organ perc: percussion pf: piano picc: piccolo rec: recorder

b1982 20 Shaw, C. Shire, D. b1937 16 Shostakovich, D.1906-1975 1,11,15,18,22 Sibelius, J. 1865-1957 8,16,20,22 Sinding, C. 1856-1941 15 Sirmen, M. 1745-1818 17 Smyth, E. 1858-1944 30 Sor, F. 1778-1839 18 Sousa, J.P. 1854-1932 16 Stanford, C. Villiers 1852-1924 11,17 1712-1786 2,24 Stanley, J. Steffani, A. 1654-1728 27 Stenhammar, W. 1871-1927 14,22 Strauss, R. 1864-1949 4,6,25,28 Stravinsky, I. 1882-1971 7,18,31 Styne, J. 1905-1994 9 Suk, J. 1874-1935 8 Sullivan, A. 1842-1900 9,30 Svendsen, J. 1840-1911 4 Sweelinck, J. 1562-1621 15 Sørensen, B. b1958 9 Taffanel, P. 1844-1908 21 Tallis, T. c1505-1585 10 Taverner, J. c1490-1545 29 Tchaikovsky, P.1840-1893 1,14,15,19,21 Tcherepnin, A. 1899-1977 28 Telemann, G. 1681-1767 22,23,30,31 Thomas, A. 1811-1896 22 Thwaites, P. b1944 16 Tomkins, T. 1572-1656 24 Triebert, C-L. 1820-1867 24 Tubin, E. 1905-1982 20 Turnage, M-A.b1960 20 Tyzen, H. 1938-2015 28 Uttini, F.

1723-1795 20

Vachon, P. 1731-1803 10 Vaughan Williams, R. 1872-1958 16,21,26 Verdi, G. 1813-1901 3,19 Villa-Lobos, H. 1887-1959 11 Vine, C. b1954 3,4 1755-1824 7 Viotti, G. Vivaldi, A. 1678-1741 31 Viviani, G. 1638-c1692 19 Wagner, R. Wallace, V. Walton, W. Weber, C.M.

1813-1883 6,28 1812-1865 15 1902-1983 12,26 1786-1826 12,17,19,24,28 Weinberger, J. 1896-1967 23 Weiner, L. 1885-1960 18 Weiss, S. 1686-1750 13 Westhoff, J. 1656-1705 6 Westlake, N. b1958 22,27,30 Widor, C-M. 1844-1937 2,24 Williams, J. b1932 1,9 Williamson, M. 1931-2003 16 Wiseman, D. b1963 23 Witt, F. 1770-1836 13 Wolf, H. 1860-1903 4,28 Wolf-Ferrari, E. 1876-1948 6 Young, Miriama. b1975 13 Yunupingu, G. 1971-2017 10 Zamfir, G. b1941 12 Zarlino, G. 1571-1590 10 Zelenka, J. 1679-1745 3,31 Zemlinsky, A. 1871-1942 5 Zimbalist, E. 1890-1985 1 Zipoli, D. 1688-1726 7

sax: saxophone sop: soprano tb: trombone ten: tenor timp: timpani tpt: trumpet treb: treble voice va: viola vc: cello vn: violin

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