Fine Music Magazine - June 2022 by 2MBS Fine Music Sydney

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5 MAR Beethoven: Sonatas for Piano and Cello with Aura Go and Timo-Veikko Valve

20 MAR The Italian Baroque ACO Collective Erin Helyard – Guest Director

12 JUN Seraphim Trio with Christopher Moore

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I N D E X

05. E.T.A. Hoffmann – Harbinger of Romanticism By Paul Cooke

by Michael Morton-Evans

06. A regular Jazz Salon: Hallelujah!

14. High Five with Adrian Cunningham

by Virginia Ginnane

By Barry O’Sullivan

08. Ross Edwards Five Sound Worlds

16. FineJazz Happenings June 2022 – Keith Pettigrew

By Mary Moran

18. Orange Winter Jazz Festival Keith Pettigrew previews the 3 day event for jazz lovers

10. Two Bohemians and a Parisian

22. Live Performance Review: 9 to 5 – the Musical

Elaine Siversen looks at three composers from the Baroque and Classical eras

21. Volunteer Spotlight

24. CD Reviews N O T E S

13. Herbert Howells – The Composer who Nearly Wasn’t

Tessa Miles reviews the stage musical based on the Dolly Parton lead hit movie

27. Program Guide F R O M

T H E

55. Composers List

E D I T O R

June is a bumper month for jazz aficionados, with the Sydney Con Jazz Festival on Sunday 5 June, closely followed by the Orange Jazz Festival on the weekend of 10-12 June. With its stunning array of high-profile jazz musicians, the Orange event is destined to become a major feature on the touring network for Australian and international musicians. Both Festivals involve the Sydney Improvised Music Association (SIMA), which shares similar goals with Fine Music Sydney and strives to champion young local musicians to pursue a career in music. Fine Music Sydney is the broadcast partner at the Orange event, compering, interviewing, recording, and replaying highlights from the performances through our OnDemand streaming services. Check out sydneyconjazzfestival.com and owjf.com.au/ program/ for details of performances and bookings. Also this month, James Nightingale reviews the latest Ross Edwards CD featuring the Frog and Star Cycle & Symphonies nos 2 & 3 – three of Edwards’ most signif i cant orchestral works, while Mary Moran's art i cle on the composer Five Sound Worlds puts it all into context. Lastly, we would like to congratulate Mona Omar on her recent promotion; we wish her well in her new position of Director of Operations. david.ogilvie@finemusicsydney.com

P R O G R A M M E R S

A N D

P R E S E N T E R S

JUNE Charles Barton, Peter Bell, David Benham, Nena Beretin, Eddie Bernasconi, Xavier Bichon, Dan Bickel, Chris Blower, David Brett, Philip Bridges, John Buchanan, Rex Burgess, Lloyd Capps, Vince Carnovale, Ian Carswell, Adam Cockburn, Angela Cockburn, Liam Collins, Steve Coleman, Paul Cooke, Brian Cornish, Di Cox, George Cruickshank, Nick Dan, Jackson Day, Nev Dorrington, Brian Drummond, Andrew Dziedzic, Deborah Evans, Rita Felton, Michael Field, Owen Fisher, Jennifer Foong, Tom Forrester-Paton, Susan Foulcher, Nina Fudala, Carole Garland, David Garrett, Robert Gilchrist, Nicky Gluch, Albert Gormley, Jeremy Hall, John Hanna, Austin Harrison, Ross Hayes, Gerald Holder, Paolo Hooke, James Hunter, Leita Hutchings, Anne Irish, Sue Jowell, Ray Levis, Krystal Li, Dave Mac, Christina MacGuinness, Linda Marr, Meg Matthews, Stephen Matthews, Sue McCreadie, Sophie McCulloch, Neil McEwan, Jeannie McInnes, Ramsay McInnes, Angus McPherson, Maureen Meers, Camille Mercep, Heather Middleton, Gail Monjo, Simon Moore, Frank Morrison, Michael Morton-Evans, Richard Munge, Gerry Myerson, James Nightingale, Barry O’Sullivan, Derek Parker, Denis Patterson, Keith Pettigrew, Peter Poole, Frank Presley, Paul Roper, Daryl Rule, Marilyn Schock, Jon Shapiro, Alex Siegers, Julie Simonds, Chloe Sinclair, Elaine Siversen, Robert Small, Garth Sundberg, Jacky Ternisien, Anna Tranter, Robert Vale, Ron Walledge, Chris Wetherall, Stephen Wilson, Glenn Winfield, Chris Winner, Orli Zahava, Tom Zelinka, Vicky Zhang. PROGRAM SUBEDITORS Jan Akers, Di Cox, Noelene Guillemot, Elaine Siversen, Jill Wagstaff, Tony Wallace, Teresa White LIBRARIANS Jan Akers, Rex Burgess, Lynden Dziedzic, Peter Goldner, David Hilton, Sally Hunter, Phillip McGarn, Judy Miller, Susan Ping Kee, Jacky Ternisien, Ricky Yu.

2MBS FINE MUSIC SYDNEY

ORGANISATION DETAILS 2MBS Fine Music Sydney - We are Sydney’s Fine Music Broadcaster MUSIC BROADCASTING SOCIETY OF NSW CO-OPERATIVE LIMITED Editor David Ogilvie Assistant Editor Catherine Peake

Music Broadcasting Society of New South Wales Co-Operative Ltd is registered under the Co-operatives Act 1992 (NSW); owner and operator of Australia’s first community-operated stereo FM station, 2MBS-FM now known as 2MBS Fine Music Sydney. Our mission is to be Sydney’s preferred fine music broadcaster, broadcasting classical, jazz and other fine music genres for the enjoyment and encouragement of music. Another aim is to be part of Sydney’s cultural landscape networking with musical and arts communities to support and encourage local musicians and music education and to use our technical and broadcast resources to further this aim.

Designer Lyndon Pike

Mission Statement

Digital Content Coordinators Paul Cooke, Catherine Peake, Keith Pettigrew

Goals

Guide Management Coordinators (acting) James Nightingale and Elaine Siversen

3. To develop a sustainable financial model for the organisation.

Program Guide Formatter Peter Bell

To share the love of fine music through broadcasting 1. To be Sydney’s preferred broadcaster of classical, jazz and other fine music genres 2. To promote Australian musicians and composers, with a particular focus on the young

HONORARY AND ARTISTIC PATRONS Vice Regal Patron: Her Excellency the Honourable Margaret Beazley AC QC, Governor of New South Wales Honorary Patron: Professor The Honourable Dame Marie Bashir AD CVO

Proofreaders Pamela Newling, Catherine Peake

Artistic Patrons: Elena Kats-Chernin AO, Simon Tedeschi, Richard Tognetti AO, Brett Weymark OAM

Contributors Paul Cooke Virginia Ginanne Tessa Miles Mary Moran Michael Morton-Evans Pamela Newling James Nightingale Barry O’Sullivan Keith Pettigrew Elaine Siversen

Young Composer Award 2019: Callum O'Reilly

Cover Image Illustration by Lyndon Pike Fine Music Studios 72-76 Chandos Street St Leonards, NSW 2065 Postal Address 72-76 Chandos Street St Leonards, NSW 2065 Phone 9439 4777 (9am–6pm) ABN 64 379 540 010

Emerging Artists Patron: Roger Benedict Young Virtuoso Award 2019: Justin Lu Stefan Kruger Scholar 2021: Leanne Jin Ken Weatherley Scholar 2021: Alex Siegers Artists in Residence 2021: The Sydney Cello Quartet Jazz Artist in Residence 2021: Anoesis PERSONNEL: It is important to note that apart from a small staff team, Fine Music Sydney functions through the involvement of dedicated volunteers who generously contribute their time and talents across all aspects of the radio station. BOARD OF DIRECTORS: Chair: Michael Morton-Evans Deputy Chair: Peter Poole Secretary: Robert Gilchrist Directors: Andrew Clark, Nicky Gluch, Sue Jowell, Jayson McBride, Sue Ping Kee Appointed Directors: Bruce Hambrett, Peter Stavrianos STAFF: Director of Operations: Mona Omar Studio & Production Manager: Sophie McCulloch Operations Coordinator: Michael Guilfoyle Digital Content Producer: Lyndon Pike Bookkeeper: Miriam Ho TECHNICAL ADVISORS: Honorary Technical Advisor: Max Benyon Broadcast Engineer: John Shenstone Broadcast Systems Engineer: Roger Doyle Information Technology Consultant Peter Bell Recording Engineer: Jayson McBride COMMITTEE CHAIRS: Jazz: Keith Pettigrew Fundraising: Sue Jowell Library: Sue Ping Kee Presenters: Michael Field Programming: James Nightingale Technical: Peter Bell Volunteers: Sue Nicholas Finance: Peter Poole Contents and concept of 2MBS Fine Music Sydney Copyright © 1975-2022

2mbsfinemusicsydney.com Frequency 102.5 FM Transmitter Governor Phillip Tower, Circular Quay

E.T.A. Hoffmann Harbinger of Romanticism By Paul Cooke It’s common, especially in a sporting context, to speak of someone skilled in three fields as being a ‘triple threat’. Ernst Theodor Wilhelm (he later substituted Amadeus for Wilhelm) Hoffmann, whose death two centuries ago this month we are commemorating, could be regarded thus. I think it’s more appropriate, however, in terms of the range of talents he possessed, to think of him as a true Renaissance man. Hoffmann was born in Königsberg in 1776. His parents separated quite early in his life and he spent his childhood with his maternal grandmother. At the age of 16 he was sent to university to study law. This was against his wishes, but he came to enjoy the subject and ultimately ascended to the post of Kammergerichtsrat and sat in the Appeal Court. Another of his talents was as an artist, but his drawing skills saw him banished to the provinces (Plock, in New East Prussia) after caricatures he had made of the commanding officer of Posen fell into the wrong hands. In Plock he coped with the relative isolation by writing and composing, and then, in 1804, he secured a post in Warsaw. He regarded his time there as the happiest he had known: his work was exhausting but he still had time enough to compose in earnest, to buy instruments and sheet music for the musical society he set up, and to dream of a career in music. While in Warsaw his Symphony in E flat was premiered, on 3 August 1806, at a function which both celebrated the birthday of the King of Prussia and inaugurated a new concert hall. The Symphony owed much to Haydn in its formal design and orchestration and, while not a notable success, displayed a number of original features. Exactly ten years later his most successful opera, Undine, was premiered in Berlin and acclaimed, most notably by Carl Maria von Weber. In all, Hoffmann wrote nine operas and two masses, together with vocal, chamber, orchestral and piano compositions. He was, however, and probably knew himself to be, no Beethoven. Hoffmann’s time in Warsaw was not to last, as Napoleon captured the city in November 1806. A year of hand-tomouth existence in Berlin, also occupied by Napoleon, preceded his settling in Bamberg, where he began to write tales and reviews for the Leipzig newspaper Allgemeine musikalische Zeitung (AMZ): it is for these endeavours that he is best known.

As a reviewer his lasting legacy was in recognising Beethoven as a genius and as the apotheosis of Romanticism in ‘the most Romantic of all the arts’, noting how his ‘magnificent’ Fifth Symphony ‘carries the listener on and on in a continually ascending climax into the ghostly world of infinity!’ He was also an early champion of Bach and Gluck, and full of praise for Mozart, both the Requiem and Don Giovanni. The first tale Hoffman had published by AMZ was Ritter Gluck. Is the person who eventually identifies himself as the composer Gluck a ghost, or psychotic, or schizophrenic (or none of the above)? Hoffmann has been characterised as ‘Germany’s supreme storyteller’, and regarded as crucial to the development of horror, fantasy and crime genres. His creations, such as the ‘eccentric, wild and clever Kapellmeister’ Kreisler and the dancing doll Coppélia, were taken up by composers such as Schumann, Delibes and Offenbach, and are probably his most lasting legacy. Musica Sacra, Sunday 26 June, 9:00am and Sunday Special: Remembering E.T.A. Hoffman, Sunday 26 June 3:00pm

A regular Jazz Salon: Hallelujah! by Virginia Ginnane

At Balmain’s monthly Jazz Salon, retail therapist Miranda Fair from the Shire and singer-by-night has a shaky start on stage. “Why are we doing this?” she asks Leita Hutchings, host of the monthly gig and FineJazz presenter of the Urban Jazz Lounge on 2MBS Fine Music Sydney. Leita laughs in reply, “You said it was a good idea!” “Oh dear, I’ll make it up as I go,” shot back Miranda. So she did, and soon the risqué crooner has got us under her “thing, I mean skin”. Ol’ Blue Eyes would be blushing when he sang the Cole Porter classic back in 1954. Frank might not have held a candle to Miranda, but if he did she’d have grabbed it with both hands. As the celebrated arranger of I’ve Got You Under My Skin, Nelson Riddle once remarked, “Music for me is sex”. So bring it on. “It’s great not having to worry about the words!” she says looking so fab. Frocked in a crimson and gold velvetflocked mini with golden curls, gloves and sandals and legs up to here, Miranda’s imploring tones have us in the palm of her proverbial. “You’ve got me in the deepest part of me” she sings. Coming out of two years in the musical bat cave, the joy of spreading those wings again is infectious on a cold Thursday night in April. It was more like a party, and we were all there for the music, and maybe a little release. “There’s a dialogue that happens on these evenings, between the band members and their guest musicians and singers… it builds into something that’s magical; that’s when things get really exciting,” says Leita. The gig opens beneath the cathedral ceiling of the Uniting Church to a full house of devoted fans and their BYO evening picnic spread. There’s backing from the Repeat Offenders. Local pianist Jens Bagoien, looking sharp in a red cravat and tweed hat, warms the ivories in rhythm with Brian on drums, Les on double bass and Marcus on electric guitar. Beverly hugs the stage. She is but a sliver of mercury, crowned by a black and gold turban and donning a black sheath split to the knee. This serpentine Gloria Swanson was surely a hard act to follow for Ms Fair and the line-up. “Dance with me, make me sway,” sang Beverly, swaying with all the sultry balminess of a hot night in Cuba. Who needs Dean Martin? Although gee, he was a heartthrob. And just when global crises have made dreams a little hard to come by, Beverly makes it seem easy, evoking Satchmo with Give Me a Kiss to Build a Dream On. We love it all, clapping and tapping and often singing along with all the performers throughout the night, some turning up for the first time

and handing sheet music to the versatile band members who tune up to hit the right key. “The audience is always very appreciative,” says Norwegian-born Jens. Of the versatility required for a night of improvisation, he adds, “It’s inspiring but quite demanding to keep up with everyone!” But he’s only got himself to blame as he and two friends started the event about five years ago calling it ‘Toot Your Own Horn’. Although the name has changed, the philosophy to encourage performers to bring their own instrument on the night and just come and play or sing with the band is still trumpeted. A classically trained pianist, Jens loves the freedom of jazz. “You can never make a wrong note in jazz. It’s a very liberating form of music.”

Reckon! As we move from the New York jazz standards of the 50s and 60s, the evening draws to a close with a blast, as Despina belts out The House of the Rising Sun. LOUD. Hallelujah! How could you top that? Well, with a little audience participation as Leita offered the mike to takers to pump out just two words, Watermelon Man to the primal beat of the band playing Herbie Hancock’s standard from his debut album in 1962. My companion surprised himself with his vocal prowess. And me, I proved anyone can sing jazz! Well, up to a point! What a night. Soothing jazz in a house of the Lord. And heaven knows we need it. The Jazz Salon is held monthly at 344 Darling Street Balmain in Sydney. Join the Repeat Offenders on the third Thursdays, 16 June at 7pm.

Ross Edwards Five Sound Worlds By Mary Moran

Photo by Mark Mohell

Five little piano pieces (1976)

Having already profiled Felix Werder and Peggy Glanville-Hicks, we continue our series on Australia’s composers with the spotlight this month on the wellknown and much-performed Ross Edwards. Edwards has been prolific across so many genres that it is difficult to select just a few. We take a dive into five.

In the early seventies Edwards returned from the UK, disoriented and unable to compose. Perhaps this was a necessary struggle, not only for his eventual compositional progress but also for his broader legacy. While tutoring at Sydney University he met his future wife Helen, who has contributed significantly to his career. They moved to Pearl Beach in 1974 and to the soundscape of the surrounding natural world that would become a major influence on Edwards.

Five bird songs (2020) Windows and gardens became important during COVID and if you were lucky enough to experience bird life from yours then you may have taken the opportunity to connect vicariously with their sense of freedom. The observation that while people were locked down, birds were free to soar comes through strongly in Edward’s Five bird solos, as does the appreciation that the works are, by necessity, solos. Edwards wrote the suite of five movements for his friend, Amy Dickson, the Sydney-born, Londonbased classical saxophonist. Edwards uses birdsong as a springboard for his own melodic flight from a shutdown world.

1974 was also the year that the Nordoff Robbins (NR) music therapy approach was introduced into Australia. Edwards wrote these five pieces for Australia’s first NR therapist. Many a student of piano will recognise them as part of the Australian Music Examinations Board syllabus. Based on pentatonic scales from various countries, they are fun pieces that engage the student while requiring sound musical judgment. Five carols from Quem Quaeritis (1967)

Five symphonies (1991 – 2005)

Edwards has withdrawn most compositions from his student days. The Five Carols, developed as part of a nativity play when he was studying in Adelaide, are an exception and they are an important archive in helping us understand Edwards’ early influences.

Edwards composed his five symphonies between 1991 and 2005. The first symphony, Symphony da pacem domine, is a single, monolithic movement written in Edwards’ sacred style. At the time of writing this symphony, Edwards was profoundly affected both by the illness of Stuart Challender, conductor with the Sydney Symphony Orchestra, and by the Gulf War. A rhythmic pulse evolves and builds into an intensity that conveys the weight of grief and the desperate foreboding of war.

His early teachers included Richard Meale, Peter Sculthorpe, Peter Maxwell Davies, and Sandor Veress. Other early influences include his grandmother, who was a church organist, and his aunt, who had more of a traditional classical repertoire.

Symphonies Two through Five are multi-movement and they contrast Edwards’ two distinctive styles: the reflective, sacred, meditative style, with the more exuberant dance-like celebration.

Their collective influence can be heard in the Five Carols. Taking the traditional form of plainchant and weaving through Latin and Old English texts, Edwards creates a pure and beautiful sound structure for sopranos and altos.

Five chamber pieces (The Maninya series – 1986)

As Edwards approaches his eightieth birthday next year, we look forward to celebrating with more of his divine music.

In 1986 Edwards completed the Maninya series, five instrumental and vocal pieces, contrasting with his earlier sacred work. The fast dance-like chant makes use of drones, pentatonic and other gapped scales, and overlays fragments of meaningless text, to build a rhythmic buoyancy and corporeal energy. There are hints of African mbira music, Japanese, Indian and Indonesian scale, and Aboriginal chant and Sufic ritual-like repetition. The influence of the soundtapestry of the Australian natural world is more abstract than in other works but is still evident.

The World of a Symphony, Thursday 2 June 2022, 8:00pm

Two Bohemians and a Parisian Elaine Siversen looks at three composers from the Baroque and Classical eras

Mostly known today as a composer, Johann Kuhnau was also a novelist, translator, music theorist and lawyer, successfully combining these activities with his duties as Kantor at St Thomas’ Church and School in Leipzig. The immediate predecessor of Johann Sebastian Bach in the prestigious post, Kuhnau died 300 years ago on 5 June 1722. This remarkable man was born in a part of Bohemia that is now in present-day Saxony. As a child, he was sent to the Dresden court to study keyboard playing, composition, French and Italian, and later studied law at Leipzig University. During these years, he composed and performed and, at the age of 24, was appointed as organist of St Thomas’ Church. In 1701, aged 41 years, he became Thomaskantor and kept the position until his death 21 years later. Among his many pupils at Thomasschule were Johann Friedrich Fasch, Christoph Graupner and Johann David Heinichen.

A wide variety of musical devices were used by Kuhnau in these sonatas and in some other keyboard works. It is in the six sonatas that we find the most daring. Not only does he portray events such as the sounding of trumpets, and the hurling of David’s stone against Goliath, but he portrays the psychological states of some of the characters with changes of harmony and texture and uses imitations of operatic arias to portray emotions such as fear.

Kuhnau’s spare time was devoted to translating books from French and Italian into German, studying subjects such as mathematics, Hebrew and Greek, and writing novels and music treatises. Although he composed large-scale vocal works, including masses and operas, most of them are lost, but his keyboard works survive in four published collections. The best-known are the six Biblical sonatas, each based on a story from the Bible.

300 years ago, in the same month and in the same year that Kuhnau died, Jirí Antonin Benda was born into a family of notable Bohemian musicians on 30 June 1722. As a composer, he became the greatest of this long-lasting dynasty that has descendants performing as musicians today, thus surpassing the

longevity of the Bach family dynasty. After his family moved to a village near Potsdam in Prussia, Benda changed his name to the Germanic form, Georg Anton, and, at age 19 years, was appointed as second violinist in Frederick the Great’s chapel in Berlin. A year later, the King summoned Benda to his Potsdam court as a composer and arranger for the music of Georg’s older brother Franz, a composer and violinist. By this time, Franz and their brother, the violist and violinist Johann Georg, had been employed for several years at the court of Crown Prince Frederick of Prussia before he became King. Both remained in Berlin for the rest of their lives, but Georg moved after six years to take up the more prestigious post of Kapellmeister for the Duke of Gotha. He resigned his post at Gotha 22 years later, travelled for a while and then settled in a tiny hamlet in Saxe-Gotha-Altenberg, retiring from permanent employment. The compositions of Georg Benda included sinfonias, keyboard sonatas and concertos, violin sonatas and concertos as well as trio sonatas, flute sonatas and music for masonic rituals, but most were sacred music. He also wrote ten operas and several melodramas. It is generally acknowledged that his development of the German melodrama influenced Mozart. Benda had great success with this form of musical theatre and Ariadne auf Naxos of 1775 is considered to be his best work. It received enthusiastic praise in Germany and later through the whole of Europe. Critics noted its ‘originality, sweetness and ingenious execution’.

The death of the organist and composer Louis-Claude Daquin occurred in Paris on 15 June 1772, 250 years ago. He was a musical prodigy who performed at the court of Louis XIV at the age of six, conducted his own choral work, Beatus vir, at the age of eight, and became the organist, at age 12, of Saint-Chapelle, the royal chapel in Paris. He was reputed to be a dazzling performer at the keyboard and held various posts as organist in several Paris churches including that of titular organist of Notre Dame. Crowds flocked to hear Daquin play and he was known for the ‘unfaltering precision and evenness’ of his playing of both harpsichord and organ. Most of his surviving compositions are for these instruments, the most famous and most recorded being his organ Noëls. Johann Kuhnau: Baroque and Before Friday 3 June 10pm Georg Anton Benda: Sunday Special 12 June 3pm Louis-Claude Daquin: Dazzling Paris Organist Wednesday 15 June 2pm

Lebrecht Music & Arts / Alamy Stock Photo

Illustration by Lyndon Pike

Herbert Howells The Composer who Nearly Wasn’t by Michael Morton-Evans The result of all this was that Howells turned his attention to choral music. Earlier, he’d become an articled pupil of the organist of Gloucester Cathedral, Sir Herbert Brewer, along with the likes of Ivor Novello and Ivor Gurney. All three of them were brilliant enough to gain scholarships to the Royal College and it was that early training that brought Howells back to the church. Tragedy struck in 1935 when his son Michael died at the age of nine and Howells was devastated. He stopped composing for nearly two years, until he wrote his Fantasia for cello and orchestra, the score of which then lay forgotten in the Bodleian Library in Oxford for 45 years until rescued by the British cellist Gillian Matthews in 1982.

The Howells family was very poor, and young Herbert, when he came into the world in 1892, was a sickly child. By the time he was 24 the doctors had given him no more than six months to live, assuming that there was no way they could cure the cancer, but in 1916 a new experimental radium treatment was being tested and proved in Howell’s case to be a success. The cancer and its subsequent treatments also served as somewhat of a blessing in disguise, for it kept Howells away from the carnage of World War I and he went on to live to the ripe old age of 91. The name is synonymous with some of the greatest liturgical music in Britain throughout the 20th century, but for some reason the orchestral side of his output, despite being just as good, somehow got buried and neglected. People have often wondered why this was so, and one possible reason might be that Howells was overly sensitive to criticism. The slightest suggestion that something was wrong with a piece and he would withdraw it from circulation. His self-confidence was never very strong, despite the head of the Royal College of Music, the notoriously difficult Sir Charles Villiers Stanford, saying that he was the most brilliant student of his generation. Sir Arthur Bliss, who entered the college a year after Howells, was quoted as saying “I had to learn one of the most painful lessons of my life, that there are others who are born with more gifts than oneself.”

1944 saw the beginning of Howells’ great settings of the Anglican liturgy. He wrote glorious settings of time-honoured works for many cathedrals, although many people never realised that for at least 15 years after his son Michael’s death, most of his compositions were imbued with this tragedy. His great, and very personal, requiem Hymnus Paradisi, despite being written in 1938, had to be wormed out of him for public performance by his friend, Ralph Vaughan Williams, for the Three Choirs Festival in 1950. The interesting thing about Howells’ work is that during the last half of the 20th century his choral works fell on unreceptive times and his earlier orchestral works gained more prominence.

The last, and most likely reason, was Howells’ own error in thinking that the public didn’t want music of symphonic length and that the concert-going public’s attention span was not capable of appreciating new symphonic works. Of course he was wrong. That’s exactly what the public wanted.

Composer Focus, Tuesday 7 June at 1pm

High Five with Adrian Cunningham By Barry O’Sullivan Adrian Cunningham is an award-winning multi-instrumentalist, vocalist, and world traveller. Originally from Sydney and now based in New York, he is proving to be one of his country’s top exports. With fluent command of the saxophones, clarinet, and flute, he is one of the finest multi-instrumentalists in jazz today. Barry O’Sullivan recently posed these questions to Adrian about his musical life. What were your earliest musical experiences, and how did they determine moving toward music as a career?

What elements of the international music scene could you suggest that we could introduce here that may be lacking and could be of benefit?

The big defining moment was at a combined schools’ music camp towards the end of my last year of high school. It was purely a ‘classical’ music camp with us all playing in orchestras, but for the end-of-week concert I got together with my buddies, and we played a couple of Louis Armstrong-style traditional jazz tunes. All the students went nuts, and it was at this point I realised the powerful effect of this great music on people and thought to myself... “I could do this for a living!”

Well, specifically from my NYC experiences, I very much value the tradition of the music. Jazz is, after all, American. I’m all for musicians taking an art form and shaping it into something new, but with playing jazz and swing, I’d like to hear more of the tradition in the local scene. Bebop, sure, but also Swing and the New Orleans tradition. There are a hundred years of amazing history, and a lot of musicians (not all mind you!) only start listening halfway. Apart from your busy touring schedule, what are your other interests?

What was the motivation to further your career away from Australia?

Well, I love Tae Kwon Do and I’ve been doing it for a long time. It’s been hard to keep training because of COVID, but I’ve been doing my best in my own time. I also love travelling, which is lucky because I get to travel to perform. I’m always excited to explore a new city or country.

A year before moving, I visited NYC as a tourist, visiting the jazz clubs and getting a couple of lessons from the great players. I returned to Sydney inspired and the feeling stayed with me. After a couple of months back home, I thought to myself, “if I don’t try and live there, I’ll regret it”. And that was fourteen years ago.

What is your current musical project? Well, right now, I’m working on the business side of getting my band back on the road after two long years of lockdowns. My band, Professor Cunningham and His Old School, has just released a new CD of gospel music that I think turned out great, so we’ll be promoting that.

https://adriancunningham.com/home

Photo by Steven K Pope

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FineJazz Happenings June 2022 – Keith Pettigrew

SIMA’s Orange Winter JazzFest 10 to 12 June Elsewhere in this edition, you will see an outline of the Orange Winter Jazz Festival. What is important for FineJazz at Fine Music Sydney is our participation as broadcast partners with SIMA. Both SIMA and Fine Music Sydney have a focus on sharing excellent music with our audiences and promoting Australian musicians with an emphasis on the young. Our FineJazz programs cover everything from classic jazz and swing to jazz of the 21st century and our emerging jazz musicians. And at Orange, that is just what you will hear, from John Morrison’s Celebration of Swing to the Zela Margossian Quintet, and including the 2020 Fine Music Weatherly Jazz Scholar, Kate Wadey. Our FineJazz crew will be there compering performances and conducting green room interviews with the musicians. What is also exciting is that we will be able to provide recordings and interviews after the festival though our OnDemand services. But that is a story for another time. Jazz About Town – A sound gig guide The pandemic has decimated live performances across the musical world. This has been keenly felt among Sydney’s jazz venues, which all function on very slim margins. Indeed, the pandemic saw the closure of one renowned venue in Newtown, the Old 505. To bolster the return to live jazz and provide a new focus on our strategic goals of promoting Australian musicians, the FineJazz crew are bringing a new program to your ears. It is Jazz About Town, to be broadcast on Tuesdays at 1:00pm. The first episode will be on 28 June and will also be streaming OnDemand from our Fine Music website. The program will focus on the musicians who are playing Sydney gigs over the following week, and play their recent releases, with an occasional interview. This will be your audio gig guide; not every venue, not every musician, but enough to whet your appetite and plan the next week’s outings.

Isaxar / Alamy Stock Vector

It will be presented by Deborah Evans, an old hand at 2MBS but youthful enough to bounce around the venues. Many will know her as the delightful Sunday night presenter of the FineJazz program Jazz After Hours. She is an experienced broadcaster, having presented both at 2MBS as well as in regional NSW, where it wasn’t only music but included food programs. Jazz About Town, with Deborah Evans. Tuesdays at 1:00pm from 28 June and streaming OnDemand.

The Sydney Improvised Music Association (SIMA) was established in 1984 to support jazz and improvised music with opportunities for contemporary musicians in Sydney. As well as championing local musicians, it has consistently encouraged younger musicians to pursue a career in music. Its focus on Australian musicians and young emerging jazz performers aligns closely with Fine Music Sydney’s strategic goals. Fine Music’s jazz crew has been developing a working relationship with SIMA, which has culminated in Fine Music Sydney being the exclusive broadcast partner for the Orange Winter Jazz Festival. Planning started in November last year, at a time when COVID had sent most music performances into the dissonance of empty jazz venues being videocast into audience computer screens. Planning has been driven

by SIMA’s artistic director and jazz bassist Zoe Hauptmann, alongside Jam Orange’s Luke Wilkinson. Zoe has background in the enormous and high-profile Wangaratta Jazz Festival, as well as the Ettalong Jazz Festival. Luke leads an organisation called Jam Orange that is a crucial part of the Orange community and is a co-producer of the Orange Winter Jazz Festival. Orange is an ideal regional centre for a jazz festival. Just over three hours from Sydney and Canberra, the regional destination has successfully hosted other festivals, with strong community connection to arts and culture. This includes the Food of Orange District Festival, the Orange Wine Festival, the Orange Chamber Music Festival, and a Medieval Faire.

The Orange Winter Jazz Festival endeavours to shine the light on local and national jazz musicians, bringing major jazz talent to regional NSW, and creating a destination music festival. With its stunning array of high-profile jazz musicians, it is destined to become a major feature on the touring network for Australian and international musicians. Thanks to the early sign up from significant jazz artists like Vince Jones, Mahalia Barnes, Emma Pask, Ed Kuepper, Sandy Evans, Andrea Keller and Mike Nock, the event now stands with over 50 performances in eight intimate venues over the long weekend of 10 – 12 June.

There are two significant highliners, Vince Jones, and the John Morrison Celebration of Swing, as well as Wanderlust, Alister Spence, Matt McMahon, Jonathan Zwartz and Phil Slater. Fine Music Sydney’s Weatherley Scholar Kate Wadey will be there. Importantly, there is a trove of young emerging musicians, including Hilary Geddes, Max Alduca, Alex Inman-Hislop, Lachlan Hamilton, and Jacques Emery. Fine Music Sydney will be in attendance, compering, interviewing, and recording, and replaying highlights from the performances through our OnDemand streaming services. It will be a festival that won’t just amaze and entertain over the weekend, but will be available to listen to and read about, all the way till next year. Orange Winter Jazz Festival, 10-12 June, 2022 Program Guide DOWNLOAD

FOUNDERS’

STUDIO HIRE Are you a musician looking to record an audition for an application, or are you wanting to record your own music?

Illustration by Lyndon Pike

We have a studio ready for you to record in.

20 Find out more at finemusicsydney.com/foundersstudio

Volunteer Spotlight Chloe Sinclair Pamela Newling talks to Chloe Sinclair Chloe Sinclair became a Fine Music presenter just over a year ago. She was listening to the radio a lot during the first COVID lockdown and was looking for things to do that would expand her musical interests. “I thought it would be fun to get involved,” she says, “I have never done radio before, and I’ve really enjoyed learning the technical side of things, as well as getting my pronunciation right … and I love it!” Asked about the source of her love of music, Chloe comments that music was always playing in her home when she was growing up. “My parents, even though they had no musical training, let me follow my passion when I announced that I wanted to learn the violin at age five. My brother is a musician too, so clearly the encouragement to get involved in the arts worked!” Chloe explains a special moment in her musical journey: “In 2009 as a young performer, I was the youth soprano soloist for Peter Sculthorpe’s Rites of Passage – as part of the Canberra International Music Festival. This was only the second time the work had been performed since the opening of the Sydney Opera House in 1975. The Fitter’s Workshop venue has amazing acoustics, with an over seven-second reverb delay, creating an almost medieval quality ideal for haunting music. It was a thrill to meet Sculthorpe during rehearsal and he gave me a signed copy of the score (which I treasure). “The Omega Ensemble recently premiered my work Forest in the Sea at the Sydney Opera House as part of their CoLAB program. After the long Covid lockdown, having my piece performed by outstanding musicians at such an iconic venue overlooking the harbour, was a truly special moment!” This talented young musician has already done so much, so what about the future? Chloe is in the final stages of a Masters in Composition at the Sydney Conservatorium of Music, and plans to do a PhD in Composition next (after a well-earned break). “While I love performing, nothing can match the thrill of hearing your compositions come to life when played by skilled musicians,” she says. “I have a special affinity for choral music, having been a chorister in Gondwana Voices for several years – and I have had the privilege of writing songs for some of their choirs.”

Illustration by Lyndon Pike Chloe’s musical tastes lean towards more contemporary works – Nico Muhly is a favorite composer, for example. “There is so much Australian music to love, too,” she comments, “Paul Stanhope, William Barton, Sally Whitwell, Ella Macens, to name a few. Ideally, I want audiences to celebrate the music of living composers just as much as they do the classics.“ Her joy in life is music, in all its wonderful forms! As well as composing and studying, she runs the strings program at two Sydney schools teaching violin and viola, as well as teaching privately. She has recently started tutoring as a casual academic at the Sydney Conservatorium. Beyond music, Chloe says: “I love to unwind by cooking, running, and playing table tennis and chess with my partner – I can already beat him at table tennis, and one day I’ll finally beat him at chess, too!”

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Illustration by Lyndon Pike

Live Performance Review: 9 to 5 - the Musical Tessa Miles reviews the stage musical based on the Dolly Parton lead hit movie

9 to 5 is known as being one of Dolly Parton’s most iconic songs and movies, and it has been adapted into a musical, now playing at The Capital Theatre in Sydney. The musical sticks pretty closely to the story from the movie, following Doralee Rhodes (Erin Clare) as she deals with her sexist and disgusting boss, Frank Hart Jnr (Eddie Perfect) who continues to try and makes sexual advances towards her in the workplace; Judy Burnly (Casey Donovan) as she navigates working for the first time after splitting from her husband; and Violet Newstead (Marina Prior) as she works hard to get a promotion, only to be passed over again and again for her male colleagues. The three lead female characters bond over their experiences in the workplace and come together to get revenge on Hart, their boss. You will find yourself belly laughing at the shenanigans these women get themselves into all in the name of revenge, while also hiding any suspicious activities from Hart’s loyal admin assistant Roz Keith. Caroline O’Connor’s comedic performance as Roz Keith is raunchy and iconic and could be the sole reason you see this show.

The show has an exciting energy, toe-tapping musical numbers, incredible comedic timings and dazzling sets which help bring this movie-turned-musical to life. The performances from each of these big names are fun and joyous and make you shake your head knowing that some of these themes are still present in workplaces today. The show is a fun night out with your friends, but I definitely don’t recommend taking young children, which the audience was filled with on the night I went. While I hope the innuendos went over their heads the show is definitely for adults only! Still, it adds to the incredible line-up of newer musical theatre shows touring to Australia and is a great celebration of the return of theatre after COVID. And if you’re hoping to catch a glimpse of Dolly Parton in the show, you may be lucky!

Photo by Daniel Boud

CD REVIEWS Christopher Gordon: Chamber music Magic Fire Ensemble Magic Fire Music MFM 007

Christopher Gordon is an English-born Australian composer. He has been commissioned by ensembles such as the SSO, the ACO and the Omega Ensemble; has provided ballet and dance works for Graeme Murphy; and has composed music for numerous films, including Mao’s last dancer and Ladies in black. Such a curriculum vitae indicates a composer adept at writing approachable music: this collection of chamber music shows his work to be substantial and challenging as well. The Magic Fire Ensemble is a collective name for the musicians gathered for this album, and includes Louise Johnson (harp), Nick Byrne

(ophicleide) and cellist and conductor Umberto Clerici. The 14 compositions vary markedly in length and in instrumental forces. The brief Look away was commissioned by Nick Byrne, who describes it as ‘an elegant, introspective and musically economical piece’. In Dust, the notes played by the eight harpists provide cascading arpeggios and lingering sustained notes. Freefall is a symphony for an ensemble of 12 musicians: it is written in the octatonic scale and is notable for its propulsiveness and instrumental colour. — Paul Cooke

Rhythm Ross Edwards: Frog and star cycles of change Amy Dickson, saxophone; Colin Currie, percussion Sydney Symphony Orchestra; Melbourne Symphony Orchestra David Zinman, Markus Stenz, Lothar Koenigs, conductors. ABC Classic ABCL001

On this new recording, Ross Edwards’ Symphony no 2 joins Symphonies 1, 3 and 4 in the public sphere. Alongside this long-awaited release is his most recent orchestral work, the concerto for saxophone and percussion, Frog and star cycle, and a re-release of his Symphony no 3. The Symphony no 2, Earth spirit songs, though quite short in duration in symphonic terms, is reminiscent of the movements of Mahler’s symphonies with a solo voice leading the musical drama. The voice is that of Yvonne Kenny, for whom the piece was composed, and the

texts range from Hildegard of Bingen to Judith Wright. The longest work on the disc is the double concerto, Frog and star cycle, composed for London-based soloists, percussionist Colin Currie and Australian saxophonist, Amy Dickson. Their skills perfectly evoke Edwards’ famous Maninya and chant styles of writing, both using delicacy and rhythmic energy to fully bring to life Edwards’ vision of harmony between earth and heaven. — James Nightingale

Forest Field

Fergus McCreadie Trio Edition Records

At age 25, Scotsman Fergus McCreadie’s rise to prominence has indeed been meteoric. He came to jazz as a teenager following an unsuccessful stint with bagpipes. While later studying piano at the Royal Scotland Conservatory he formed the Fergus McCreadie Trio with fellow students, double bassist David Bowden and drummer Stephen Henderson. The just released album Forest Floor Is the trio’s third in a little over three years, each being comprised entirely of original works. On the back of the first two releases, McCreadie

and the Trio have won multiple national Scottish awards and are sought after as UK and European concert performers. McCreadie’s compositions reflect a deep passion for his homeland referencing elements of traditional Scottish culture, landscapes and history. Listen for his J S Bach-like structures and references to traditional Scottish jigs and dances. It is jazz bursting with vitality and assures his place as a significant contributor to world contemporary jazz. Especially recommended is The unfurrowed field.

What’s not to love about this album? A ten-piece orchestra of mainly young musicians, who since their debut album five years ago have developed into a tight outfit full of life and energy and as musically accomplished and engaging as any big band anywhere. Over those years, band members have progressed from students to members of noted bands: Judy Bailey’s Jazz Connection, Divergence and Jazzgroove Mothership Orchestra. All four of Power’s offspring have earned their own place making it a family affair, but also listen for pianist Robbie Mann, a wonderful new player who includes the stride style of Fats Waller. The Great Gatsby Orchestra

play the hot dance music of the 1920s, the music of Oliver, Armstrong, Morton and Ellington, and include Australian compositions such as those by Dave Dallwitz, Frank Coughlan and Frank Johnson. Shake That Thing takes its title track from a 1926 tune played Vince Giordano and his Nighthawks in the HBO series Boardwalk Empire. Hot jazz this certainly is. Lively, syncopated, and with a beat that makes you want to dance. This is a whole new generation bringing their own exuberance to swing with a sense of enjoyment that shines through.

— Robert Vale

Shake That thing

Geoff Power’s Great Gatsby Orchestra Bandcamp

— Jeannie McInnes

Wednesday 1 June 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Stephen Wilson 09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by Rex Burgess Schein, J. Suite no 3 in A for two treble, alto, tenor and bass instruments, from Banchetto musicali (pub. 1617). Collegium Terpsichore/ Fritz Neumeyer. Archiv 479 1045 9 Hasse, J. Cantata: Sweet Phyllis, my beloved. Julianne Baird, sop; Nancy Hadden, fl; Erin Headley, bass viol; Malcolm Proud, hpd. CRD 3488 14 Buxtehude, D. Trio sonata in B flat for violin, viola da gamba and continuo, BuxWV273. Musica Antiqua Cologne. Archiv 437 089-2 15 Lully, J-B. Suite no 1 from Le bourgeois gentilhomme (1670). Le Concert des Nations/ Jordi Savall. Alia Vox AVSA9807 17 Paisiello, G. Keyboard concerto no 2 in F (1781-83). Pietro Spada, pf; Saint Cecilia Academy CO. Brilliant Classics 94224 19 Cherubini, L. Ave Maria (1816). Rosalind Martin, sop; Catherine McCorkill, cl; Ian Munro, pf. Fine Music concert recording

10:30 CONCERT HALL Prepared by Mary Moran Hérold, F. Overture to Zampa (1831). New Philharmonia O/Richard Bonynge. Decca 466 431-2 9 Rachmaninov, S. Piano concerto no 3 in D minor, op 30 (1909). Simon Trpceski, pf; Royal Liverpool PO/Vasily Petrenko. Avie AV2192 42 Sibelius, J. Symphony no 5 in E flat, op 82 (1915). Adelaide SO/Arvo Volmer. ABC 476 3946 32 12:00 JAZZ SKETCHES with Robert Vale Focussing on contemporary jazz, often gathered from emerging cultures and Australian

at his father’s captors. Croesus is spared but taken to Cyrus who imprisons him. Atis pretends to be a captured Persian soldier who closely resembles Prince Atis but, unlike him, can speak. He assumes the name of Ermin and returns to the Lydian court bringing the news of the king’s capture. Prince Eliates sets about finding a ransom for Croesus. Princess Elmira, who had been rescued by 14:00 ASPECTS OF Croesus after her country, Media, had been MENDELSSOHN conquered by Cyrus, is in love with Atis and he Prepared by Derek Parker with her. Prince Orsanes desires Elmira, who Mendelssohn, F. Six preludes and fugues, op spurns him; he is desired by Princess Clerida, 35 (1832-37). Benjamin Grosvenor, pf. but he spurns her, and Clerida is desired by Decca 483 0255 16 Eliates, to whom she is indifferent. Orsanes, seeing a way to further his own ambitions, Piano trio no 2 in C minor, op 66 (1846). suggests that ‘Ermin’ should pretend to be Streeton Trio. STRONT 004 29 Atis, and, through the interpreter, Halimacus, can then declare himself unfit to rule because Violin concerto in E minor, op 64 (1844). Itzhak of his speechlessness, thus ceding the throne Perlman, vn; Concertgebouw O/Bernard to Orsanes. However, ‘Ermin’ must kill Atis. Haitink. ‘Ermin’ agrees but, when Cyrus prepares to EMI CMS 7 64922 2 28 execute Croesus, Atis, as the son of Croesus, Symphony no 3 in A minor, op 56, Scottish offers himself as an alternative victim. Cyrus is (1842). London SO/Peter Maag. implacable. Solon, the philosopher, points out Decca 478 2826 38 that, as Croesus' pride caused him to fall, so may Cyrus’ pride. Cyrus relents; a chastened 16:00 FINE MUSIC DRIVE Croesus is restored to his throne. Elmira and including Arts Calendar at 5.00pm Atis embrace, Orsanes is discomfited, Clerida with Tom Forrester-Paton turns to Eliates and everyone rejoices. 19:00 PLANET JAZZ Schubert, F. The stream’s lullaby, from Die with Xavier Bichon schöne Müllerin, D795 (1823). Werner Güra, A musical journey to different parts of the ten; Jan Schultsz, pf. world where jazz meets other musical Harmonia Mundi HMX 2908186.88 6 traditions, from Africa to Europe, with a slice 23:30 MUSIC OF THE NIGHT of Australia Prepared by Paul Cooke 20:00 AT THE OPERA Soler, A. Sonata no 90 in F sharp (pub. 1796). Prepared by Elaine Siversen Scott Ross, harpsichord. Keiser, R. Croesus. Opera in three acts. Erato 2292-45435-2 5 Libretto by Lucas von Bostel. First performed McKay, G. Suite on sixteenth century hymn Hamburg, 1730. tunes (1962). Ukraine NSO/John McLaughlin CROESUS, King of Lydia: Roman Trekel, bass Williams. CYRUS, King of Persia: Johannes Mannov, Naxos 8.559225 21 bass ATIS, Lydian prince: Werner Güra, ten Thursday 2 June ELIATES, Lydian prince: Markus Schäfer, ten ELMIRA, Princess of Media: Dorothea Röschmann, sop 00:00 CONTEMPORARY ORSANES, Lydian prince: Klaus Häger, bass COLLECTIVE CLERIDA, Lydian princess: Salomé Haller, sop 03:00 CLASSICAL TILL DAWN HALIMACUS; Graham Pushee, ct SOLON: Kwangchul Youn, bass 06:00 FINE MUSIC BREAKFAST Hanover Boys’ Choir; RIAS Chamber Choir; including Arts Calendar at 7.30am Akademie für Alte Musik/René Jacobs. Harmonia Mundi HMX 2908250.79 3:08 with Simon Moore 13:00 IN CONVERSATION with Simon Moore Each week we meet one of the world’s great musicians, singers, composers or conductors, along with up-and-comers and some of the men and women who influence the arts landscape. The program goes live to air so you never quite know what’s going to happen.

Croesus, King of Lydia, is defeated in a war against the Persian king, Cyrus. He is about to be put to death when his son Atis, who previously was unable to speak, suddenly finds he has the power of speech and shouts

09:00 DIVERSIONS IN FINE MUSIC The instruments: Brass Prepared by Anabela Pina Loeillet of London, J.B. Sonata in C. Joachim Schäfer, piccolo tpt; Bratislava Chamber Soloists/Anton Popovic. Christophorus CHE 0205-2

Holborne, A. Dance suite. Edward Tarr Brass Ensemble. Christophorus CHR 74562 7 Handel, G. Let the bright seraphim, from Samson, HWV57 (1743; arr. O’Neill); Eternal source of light divine, from Ode for the birthday of Queen Anne, HWV74 (1713; arr. O’Neill). Hannah Dahlenburg, sop; Zoe Wallace, vc; Phill O’Neill, cornet. PON 001 9 Hummel, J. Trumpet concerto in B, S49 (orig. 1802 version for trumpet and piano trio). David Elton, tpt; Seraphim Trio. Fine Music concert recording 18 Haydn, M. Concertino, mvt 4 from Serenade in D (1767). Johannes Hinterholzer, hn; Norbert Salvenmoser, tb; Salzburg Hofmusik/ Wolfgang Brunner. cpo 777 538-2 13

13:00 HIGHLIGHTS FROM 1887 Prepared by Michael Morton-Evans Chadwick, G. Overture: Melpomene (1887). Czech State PO/José Serebrier. Reference Recordings RR-64CD 13 Verdi, G. Piangea cantando nell’erma landa, from Otello (1887). Anna Netrebko, sop; Sara Mingardo, mezz; Mahler CO/Claudio Abbado. DG 474 8002 7 Tchaikovsky, P. Theme and variations, from Suite no 4, op 61, Mozartiana (1887). West Australian SO/Peter Eros. LP ABC 5ABCL 8001 16 Borodin, A. Yaroslavna's lament, from Prince Igor (1887). Netania Davrath, sop; Vienna State Opera O/Vladimir Golschmann. Vanguard 08908172 11 Dvorák, A. Piano quintet in A, op 81. Dene Olding, vn; Quian Zhao, vn; Irina Morozova, va; Julian Smiles, vc; Kathryn Selby, pf. Fine Music concert recording 33 14:30 FROM SOUTHBANK CENTRE, LONDON Prepared by Jacky Ternisien

Bach, C.P.E. Symphony in E flat, Wq179 Mechura, L. Quartet in E flat for French horns. (1757). O of the Age of Enlightenment/ Rebecca Miller. Horns of Czech PO. 12 Supraphon 11 0780-2 12 Signum SIGCD395 Mozart, W. Exsultate, jubilate, K165 (1773). Scheidt, S. Battle suite. Peter Walmsley, tpt; Danielle de Niese, sop; O of the Age of Catherine Walmsley, tpt; Louise Balletti, hn; Enlightenment/Charles Mackerras. Justin Kearin, tb; Matthew Walmsley, tuba. 14 Fine Music tape archive 9 Decca 478 1511 10:30 CONCERT HALL Prepared by Nina Fudala Roman, J. Suite in G minor, Sjukmans Musiquen (1727-28). National Museum CO/ Claude Génetay. Musica Sveciae PRCD 9047 25 Mozart, W. Piano concerto no 21 in C, K467 (1785). City of London Sinfonia/Howard Shelley, pf & dir. IMP PCD 832 29 Schubert, F. Symphony no 5 in B flat, D485 (1816). Vienna PO/Georg Solti. Decca 414 371-2 30 12:00 JAZZ AFTER NOON with Sue Jowell Featuring swing to mainstream jazz with regular appearances from the Great American Songbook

Telemann, G. Double concerto in A minor (1715-20). Marion Verbruggen, rec; Sara Cunningham, bass viol; O of the Age of Enlightenment/Monica Huggett, vn & dir. Harmonia Mundi HMT 7907093 15 Handel, G. Fronde tenere e belle ... Ombra mai fù, from Serse, HWV40 (1738); Where’er you walk, from Semele, HWV58 (1744); Such haughty beauties, from Saul, HWV58 (1738). Andreas Scholl, ct; O of the Age of Enlightenment/Roger Norrington. Decca 466 196-2 12

20:00 THE WORLD OF A SYMPHONY Symphony, Give peace, O Lord by Ross Edwards Prepared by Paul Cooke Monteverdi, C. Zefiro torna, from Sixth book of madrigals (pub. 1614). Sydney Chamber Choir/Nicholas Routley. Fine Music concert recording 4 Terpstra, K. Arise my love, my fair one (2012). Brisbane Chamber Choir/Graeme Morton. Tall Poppies TP239 4 Bach, J.S. Trio sonata no 6 in G, BWV530. Genevieve Lacey, rec; Linda Kent, chamber org. ABC 472 226-2 12 Edwards, R. Five carols from Quem quaeritis. Rhys Kitto, Margie Lattimore, Elizabeth Willis, soloists; Carlson Chorale. Carlson Chorale CC 003 11 Meale, R. Very high kings (1968). Sydney SO/ Stuart Challender. ABC 434 895-2 13 Stravinsky, I. Suite after Pergolesi (1925). Ray Chen, vn; Timothy Young, pf. Melba MR 301128 18 McCombe, C. Songs of truth and loneliness (1994). Ian Holtham, pf. Move MD 3239 17 Edwards, R. Symphony, Give peace, O Lord (1992). Sydney SO/David Porcelijn. ABC 438 610-2 29 22:00 AN AUSTRALIAN ENSEMBLE Beethoven, L. String quartet in F, op 18 no 1 (1800). Goldner String Quartet. ABC 476 3542 29 22:30 ULTIMA THULE Ambient and atmospheric music

Friday 3 June 00:00 CONTEMPORARY COLLECTIVE

Haydn, J. Symphony in B flat, Hob.I:85, Queen (c1785). O of the Age of Enlightenment/ 03:00 CLASSICAL TILL DAWN Sigiswald Kuijken. Virgin VC 790844-2 28 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am 16:00 FINE MUSIC DRIVE with Vicky Zhang including Arts Calendar at 5.00pm 09:00 DIVERSIONS IN FINE MUSIC with Peter Poole Something borrowed 19:00 THE NEW JAZZ STANDARD Prepared by Chris Blower with Frank Presley Respighi, O. Suite: Rossiniana (1925). Buffalo A fresh perspective on modern music PO/JoAnn Falletta. contributing to the standard jazz repertoire, Naxos 8.557711 21 with fine jazz interpretations from the world of pop, rock, film and contemporary jazz

Giuliani, M. Rossiniana no 3, op 121 (c1820). David Russell, gui. Telarc 80525 15 Glinka, M. Divertimento on themes from Bellini's La sonnambula (1832). Bolshoi TO soloists/Alexander Lazarev. Le Chant du Monde LDC 288 068 13 Bottesini, G. Allegro di concerto, Alla Mendelssohn. Joel Quarrington, db ; Andrew Burashko, pf. Naxos 8.554002 12 Mozart, W. Flute concerto in D, K314 (1777; arr. Simonds 2014 for flute, clarinet, horn and string quartet). Sydney Soloists. Fine Music concert recording 18 10:30 CONCERT HALL Prepared by Heathcliffe Auchinachie Debussy, C. La mer (1905). London SO/ Charles Mackerras. Centaur CRC 2090 24 Ponce, M. Concerto of the South (1941). Andrés Segovia, gui; Symphony of the Air/ Enrique Jordá. MCA MCAD 42067 25 Borodin, A. Symphony no 1 in E flat (1862-67). Czecho-Slovak RSO/Stephen Gunzenhauser. Naxos 8.550238 33 12:00 A JAZZ HOUR with Barry O'Sullivan Contemporary and modern sounds of 'now' in jazz from all corners of the globe with a focus on contemporary jazz from Australia and regular interviews with local and visiting musicians

Lekeu, G. Sonata in G (1891). Alina Ibragimova, vn; Cédric Tiberghien, pf. Hyperion CDA67820

Janácek, L. Suite: The beginning of a romance, op 3 (1891). Slovak PO/Libor Pesek. Naxos 8.555245 13 Dvorák, A. Romance, from String quartet no 5 in F minor, op 9 (1873). Lindsay String Quartet. ASV DCA 777 8 Castelnuovo-Tedesco, M. Romancero gitano (1951). Karin Schaupp, gui; Cantillation/Philip Chu. ABC 476 3627 23

14:00 FRANCK ASSOCIATES Prepared by James Nightingale d’Indy, V. Poem of the mountains, op 15 (1881). Stephanie McCallum, pf. ABC 461 798-2 20

Biblical sonata no 1: The battle between David and Goliath (pub. 1700). Colin Forbes, hpd. Fine Music concert recording 12 Magnificat anima mea Dominum in C. Miah Persson, sop; Akivo Tachikawa, alto; Gerd Türk, ten; Chiyuki Urano, bass; Bach Collegium Japan/Masaaki Suzuki. BIS CD-1011 20

Franck, C. Symphonic poem: Psyche (188788). Belgian RTV Choir; Liège O/Paul Strauss. Schein, J. Suite no 2 in D minor for two EMI 5 65162 2 47 treble, alto, tenor and bass instruments, from Banchetto musicale (pub. 1617). Hespèrion 16:00 FINE MUSIC DRIVE XX/Jordi Savall. including Arts Calendar at 5.00pm Erato 5 62028 2 8 with James Hunter Schelle, J. Psalm 103: Praise the Lord, my soul. King's Consort/Robert King. 19:00 FRIDAY JAZZ SESSION Hyperion CDA67260 11 with Alex Siegers A focus on the current Sydney jazz scene Schein, J. Suite no 10 in D minor for two mixed with a range of international jazz stars treble, alto, tenor and bass instruments, from and an occasional guest interview Banchetto musicale (pub. 1617). Royal Wind Music/Paul Leenhouts. 20:00 EVENINGS WITH THE Lindoro MPC-0712 9 ORCHESTRA Rosenmüller, J. Excerpts from Suite in C, Orchestras of the East Coast from Studentenmusik (pub. 1654). Mary Prepared by Robert Small Springfels, bass viol; Paul O'Dette, theorbo; Glanville-Hicks, P. Etruscan concerto (1954). King's Noyse/David Douglass. Caroline Almonte, pf; Tasmanian SO/Richard Harmonia Mundi HMU 907179 8 Mills. ABC 481 7995 15 Kuhnau, J. Tristis est anima mea. Soloists with King's Consort/Robert King. Tchaikovsky, P. Variations on a rococo Hyperion CDA67059 5 theme, op 33 (1876). Liwei Qin, vc; Melbourne SO/David Stanhope. Saturday 4 June ABC 456 356-2 19 Dvorák, A. Symphony no 7 in D minor, op 70 (1885). Sydney SO/Charles Mackerras. Sydney Symphony SSO 200705 36

13:00 BEGINNING OF A ROMANCE Prepared by Derek Parker

Finzi, G. Romance in E flat, op 11 (1928). Northern Sinfonia/Howard Griffiths. Naxos 8.553566

Duparc, H. Invitation to the journey (1870); Testament (1883); Ecstasy (1874). Sarah Walker, mezz; Roger Vignoles, pf. Hyperion CDA66323 11

Hanson, R. Violin concerto, op 21 (1948). Alwyn Elliott, vn; Queensland SO/Patrick Thomas. LP ABC AC 1048 40 22:00 BAROQUE AND BEFORE Kuhnau and Thomaskantors before him Prepared by Susan Foulcher

300th

00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SATURDAY MORNING MUSIC with David Garrett 09:00 WHAT'S ON IN MUSIC Our weekly guide to musical events in and around Sydney 09:05 THE PIANO ALONE Prepared by Rita Felton

A NNI V ERSA RY

Scarlatti, D. Sonata in E minor. Colleen Lee, pf. Naxos 8.570511 8

Kuhnau, J. Was Gott tut, das ist wohlgetan. Opella Musica; Camerata Lipsiensis/Gregor Meyer. cpo 555 190-2 11

Beethoven, L. Sonata no 6 in F, op 10 no 2 (1797). Angela Hewitt, pf. Hyperion CDA67797 16

Biblical sonata no 4: Hezekiah dying and restored to health (pub. 1700). John Butt, org. Harmonia Mundi HMU 907133 7 Wie schön leuchtet der Morgenstern. Soloists with King's Consort/Robert King. Hyperion CDA67059 14

Brahms, J. Ballades, op 10 (1854). Wilhelm Kempff, pf. Philips 456 862-2 23

10:00 CENTRES OF MUSIC 18th century London Part 2 Prepared by Elaine Siversen

13:00 TREASURES OF THE VOICE From Mozart's operas Prepared by Rex Burgess

14:00 CHAMBER MUSIC OF ALFRED HILL Prepared by Paul Cooke

Greene, M. Arise, shine, O Zion. Choir of St Alban’s Abbey/Peter Hurford. Argo ZRG832 11

Mozart, W. Sull’aria ... Ricevete, o padroncina, queste rose, from The marriage of Figaro, K492 (1786). Barbara Bonney, sop; Arleen Auger, sop; Drottningholm Court Theatre Ch & O/Arnold Östman. Decca 476 2649 4

Hill, A. Blue evening; Valse lente; Waltz caprice. Asmira Woodward-Page, vn; Scott Davie, pf. Artworks AW034 8

Dieupart, C. Suite no 2 in D, from Six suites for flûte du voix and harpsichord (1701). Ruth Wilkinson, rec; Linda Kent, hpd. Move MD 3161 10 Hellendaal, P. Concerto grosso in F, op 3 no 3 (pub. c1758). Combattimento Consort Amsterdam/Jan Willem de Vriend. NM Classics 92019 11 Handel, G. All we like sheep have gone astray, I know that my Redeemer liveth; Hallelujah, from Messiah, HWV56 (1742). Sara Macliver, sop; Winchester College Chapel Choir; Hong Kong PO/William Lacey. Naxos 8.557965 15 Hebden, J. Concerto no 3 in E minor for strings (c1745). Cantilena/Adrian Shepherd. Chandos CHAN 8339 8 Abel, C. String quartet in A, op 8 no 5 (1769). Salomon Quartet. Hyperion CDA66780 12 Bach, J. Christian Keyboard concerto in C, op 13 no 1 (pub. 1777). Ingrid Haebler, fp; Vienna Capella Academica/Eduard Melkus. Philips 456 064-2 13 11:30 ON PARADE Music that’s band Prepared by Owen Fisher Sullivan, A. A Sullivan fantasy. Black Dyke Mills Band/Roy Newsome. Chandos CHAN 4533 7 Mantia, S. All those endearing young charms. Michael Colburn, euphonium; American Serenade Band/Henry Charles Smith. Summit DCD 150 6 Meachem, F. American patrol. Allentown Band/Ronald Demkee. AMP 88115

Trad. Danny Boy. Grimethorp Colliery Band. RCA Victor 09026-68757-2 3 Judge - Williams. It’s a long way to Tipperary (1912). Band of the Coldstream Guards. Bridge 100-063-2 2 Powell, F. Pack up your troubles in your old kit bag (pub. 1915). Band of the Coldstream Guards. Bridge 100-063-2 2

Soave sia il vento, from Così fan tutte, K588 (1790). Véronique Gens, sop; Bernarda Fink, mezz; Pietro Spagnoli, bass; Concerto Cologne/René Jacobs. Harmonia Mundi HMX 2908150.52 3 Tamino mein! ... Wir wandelten durch Feuersgluten, from The magic flute, K620 (1791). Barbara Bonney, sop; Kurt Streit, ten; Robert Worle, ten; Petteri Saloma, bass; Drottningholm Court Theatre Ch & O/Arnold Östman. Decca 460 571-2 7 Hm hm hm hm!, from The magic flute. Wendy Dixon, sop; Kerry Elizabeth Brown, mezz; Rosemary Gunn, mezz; Michael Martin, ten; Roger Lemke, bar; Australian Opera and Ballet O/Richard Bonynge. ABC 446 276-2 7 Alla bella Despinetta, from Così fan tutte. Amanda Thane, sop; Fiona Janes, sop; Christine Douglas, sop; David Hobson, ten; David Brennan, bar; Stephen Bennet, bass; Australian Opera and Ballet O/Carlo Rizzi. ABC 434 140-2 4 Bei Männern, welche Liebe fühlen, from The magic flute. Edith Mathis, sop; Gottfried Hornik, ten; Berlin PO/Herbert von Karajan. DG 431 291-2 4 Ach Belmonte! Ach mein Leben! from The abduction from the seraglio, K384 (1782). Yvonne Kenny, sop; Lillian Watson, sop; Peter Schreier, ten; Wilfrid Gamlich, ten; Zurich Opera House Mozart O/Nikolaus Harnoncourt. Teldec 0630-13811-9 11 Sola, sola in buio loco, from Don Giovanni, K527 (1787). Gillian Sullivan, sop; Lisa Gasteen, sop; Fiona Janes, sop; David Hobson, ten; Douglas McNicol, bar; Stephen Bennett, bass; Australian Opera and Ballet O/ György Fischer. ABC 434 140-2 7

String quartet no 10 in E (1935). Sydney String Quartet. ABC 426 992-2 19 14:30 SATURDAY MATINEE Orchestral grandeur Prepared by Brian Drummond Bruckner, A. String quintet in F (1879). Enrique Santiago, va; Melos Quartet. Harmonia Mundi HMC 901421

Gradual: Locus iste (1869). City of Birmingham Symphony Ch/Simon Halsey. Conifer CDCF 192 3 Te Deum (1884). Judith Blegen, sop; Margarita Lilowa, mezz; Claes-Håkan Ahnsjö, ten; Peter Meven, bass; Vienna State Opera Ch; Josef Böck, org; Vienna PO/Zubin Mehta. Decca 425 075-2 21 Symphony no 8 in C minor (1884-87). Vienna PO/Herbert von Karajan. DG 00289 479 0528 1:13 17:00 SOCIETY SPOT Folk Federation of NSW with Kate Delaney 18:00 STAGE AND SCREEN John Barry Prepared by Sue Jowell Barry, J. Selection of Bond themes. Matt Munro, Shirley Bassey, voices. Columbia 6087 15 Excerpts from Born free. Royal Scottish NO/ John Barry. TCM Vol 7/10 12 Excerpts from Dances with wolves. Royal Scots Dragoon Guards; City of Prague PO. Silva Screen 1338 7 Excerpts from Out of Africa. Itzhak Perlman, vn; Pittsburg SO; Royal Scottish NO/John Williams. MCA 252945-2 8 Excerpts from Chaplin. English CO/John Barry. Epic 52986

19:00 EMERGENT JAZZ with Keith Pettigrew Australian jazz of the 21st century featuring high school jazz combos, tracks from Sydney's pre-eminent jazz programs at UNSW and 'The Con' and new Australian and international jazz releases

12:00 URBAN JAZZ LOUNGE with Leita Hutchings New, hip, fun and traditional jazz: tons of cool jazz, presented in a chilled and laid-back, lounge style

20:00 THE LIFE OF A COMPOSER Georges Bizet Prepared by Jacky Ternisien Bizet, G. Overture: Patrie, op 19 (1873). Detroit SO/Paul Paray. Mercury 475 6268

In the depths of the temple, from The pearl fishers (1863). David Hobson, ten; Teddy Tahu Rhodes, bass-bar; Sinfonia Australis/Thomas Woods. ABC 482 3700 6 Suite no 1 from L’arlésienne (1872). Royal PO/ Thomas Beecham. EMI CDC 7 47794 2 19 Children's games, op 22 (1871). Marylène Dosse, Annie Petit, pf. Pantheon D 10699 19 Suite from Carmen (1873-74; arr. Pepe Romero). Los Romeros. Philips 412 609-2

Roma symphony (1860-68). Melbourne SO/ John Lanchbery. ABC 456 669-2 33 22:00 SATURDAY NIGHT AT HOME Prepared by Chris Blower Saint-Saëns, C. Three symphonic pictures from the incidental music to La foi, op 130. Toulouse Capitole O/Michel Plasson. EMI 5 55584 2 33 Weber, C.M. Quintet in B flat, op 34 (1815). Nigel Westlake, cl; Dene Olding, vn; Dimity Hall, vn; Irina Morozova, va; Julian Smiles, vc. Fine Music concert recording 26 Verdi, G. Ballet: The lady and the fool (1854; arr. Mackerras). Philharmonia O/Charles Mackerras. HMV SOXLP.7595 54

Sunday 5 June 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC with James Nightingale 09:00 MUSICA SACRA Prepared by Stephen Matthews Haydn, M. Missa Sanctae Ursulae. Choir of the King’s Consort; King’s Consort/Robert King. Hyperion CDA 67510 44

10:00 THE CLASSICAL ERA Prepared by Meg Matthews Bach, C.P.E. Symphony in A, Wq182 no 4 (1773). Freiburg Baroque O/Andreas Staier. Harmonia Mundi RD77187 13 Haydn, J. Sinfonia concertante in B flat, Hob.I:105 (1796). Anthony Robson, ob; Felix Warnock, bn; David Watkin, vc; O of the Age of Enlightenment/Elizabeth Wallfisch, vn & dir. Virgin VC 7 91186 2 21 Mozart, W. Se il padre perdei, from Idomeneo (1780). Mojca Erdmann, sop; La Cetra Baroque O/Andrea Marcon. DG 477 8979 6 Haydn, J. Violin concerto in C, Hob.VIIa:1 (1761). O of the Age of Enlightenment/ Elizabeth Wallfisch vn & dir. Virgin VC 7 91186 2 18 Beethoven, L. Sonata no 30 in E, op 109 (1820). Gerard Willems, pf. ABC 465 077-2 20 Schubert, F. Symphony no 7 in B minor, D759, Unfinished (1822). Berlin PO/Nikolaus Harnoncourt. BPHR 1500 63 30 12:00 CLASSIC JAZZ with Dave Mac The early days of jazz and ragtime as recorded during the first 30 years of the 20th century 13:00 WORLD MUSIC Whirled Wide with Orli Zahava Showcases diverse music from cultures around the world, both traditional and modern, featuring musicians from all corners of the globe, including Australia 14:00 INTIMATE VOICES The violin Part 1 Prepared by Gerald Holder Bartók, B. Rhapsody no 1 (1928). József Szigeti, vn; Béla Bartók, pf. Vanguard OVC 8008

Ravel, M. Sonata no 1 in A (1897). Alina Ibragimova, vn; Cédric Tiberghien, pf. Hyperion CDA67820

Bach, J.S. Partita no 2 in D minor, BWV1004 (1720). Mark Lubotsky, vn. Collins 10782 31

15:00 SUNDAY SPECIAL Terrific Tchaikovsky Part 3 Britten, B. Hymn to St Cecilia. RIAS Chamber Prepared by Paolo Hooke Choir/Justin Doyle. Tchaikovsky, P. Excerpts from the ballet, Harmonia Mundi HMM 902285 11 The Nutcracker, op 71 (1892). Leningrad PO/ Yevgeny Mravinsky. Melodiya/BMG 25194 2

Piano concerto no 2 in G, op 44 (1879-80). Emil Gilels, pf; USSR SO/Yevgeny Svetlanov. Melodiya 17083 2 39 Symphony no 3 in D, op 29, Polish (1875). USSR SO/Yevgeny Svetlanov. Melodiya/BMG 34163 2 46 17:00 HOSANNA Prepared by Stephen Matthews Hymns. Praise to the Lord; I vow to thee my country. Choir of Trinity College, University of Melbourne/Michael Leighton-Jones. ABC 476 5682 6 Psalm. No 90, Lord thou hast been my refuge. Choir of St John’s College, Cambridge/George Guest. Decca 483 1290 6 Zelenka, J. Credo, from Missa Sanctae Caecilia. Ensemble Inegal; Prague Baroque Soloists/Adam Viktora. Nibiru 01672231 14 Haydn, M. Christus factus est. St Jacobs Chamber Choir; Ensemble Philidor/Eric Baude-Delhommais. BIS CD-859

Bach, J.S. Cantata, BWV76: Die Himmel erzählen die Ehre Gottes, part 1. Holland Boys’ Choir/Pieter Jan Leusink. Brilliant Classics 94365/20 19 18:00 SMALL FORCES Prepared by Rita Felton Ravel, M. Introduction and allegro for harp, flute, clarinet and string quartet (1906). PeterLukas Graf, fl; Hans Rudolf Stalder, cl; Ursula Holliger, hp; Die Kammermusiker Zürich. Claves 50-280 11 Mozart, W. Quintet in E flat, K407 (1782). Stephen Bell, hn; Peter Cropper, vn; Robin Ireland, va; Ronald Birks, va; Bernard GregorSmith, vc. ASV DCA 968 19 Brahms, J. Trio in A minor, op 114 (1891). Leopold Wlach, cl; Franz Kwarda, vc; Franz Holetschek, pf. Westminster RC 8808678121735 23 19:00 SUNDAY NIGHT CONCERT Prepared by Rex Burgess Bach, J. Christian Symphonie concertante in G, from Symphonies concertantes vol 4 (c1765). Hanover Band/Anthony Halstead. cpo 999 627-2 17 Mozart, W. Piano concerto no 9 in E flat, K271, Jeunehomme (1777). Maria João Pires, pf; Gulbenkian Foundation of Lisbon CO/ Theodor Guschlbauer. Erato 2292-45050-2 33

Janácek, L. Suite from The Makropulos affair (1922; arr. Breiner). Vesa-Matti Leppanen, vn; New Zealand SO/Peter Breiner. Naxos 8.570556 32

Britten, B. Te Deum in C (1934). Roy Phillips, treb; Choir of King’s College, Cambridge; James Lancelot, org; Philip Ledger, cond. Decca 478 5364 8

20:30 NEW HORIZONS A tribute to Nigel Butterley Part 3 Prepared by Paul Cooke

Korngold, E. Quartet no 2 in E flat, op 26 (1934). Philippa Ibbotson, vn; Mark Denman, vn; Robert Gibbs, va; David Newby, vc. ASV DCA 1035 24

Butterley, N. Of wood (1995). David Pereira, vc. Tall Poppies TP075 9

10:30 CONCERT HALL Prepared by Jennifer Foong

Atherton, M. Patina (2009). Jason Noble, cl; Claire Edwardes, vibraphone, perc. Wirripang Wirr 028 10

Liszt, F. Symphonic poem no 3: Les préludes (1848/53). Gewandhaus O/Kurt Masur. EMI CDM 1 66431 2 14

Butterley, N. Letter from Hardy’s Bay (1971). David Bollard, pf. LP Festival L 42018 13

Nielsen, C. Clarinet concerto, op 57 (1928). Niels Thomsen, cl; Danish National RSO/ Michael Schønwandt. Chandos CHAN 8894 26

String quartet no 3 (1980). Petra String Quartet. Canberra School of Music CSM:10

Batt-Rawden, A. Town Hall (2012). Alison Morgan, sop; Jenny Duck-Chong, mezz; Chronology Arts. New Music Network 20130715 8 Butterley, N. Goldengrove (1982). Melbourne SO/Isaiah Jackson. ABC 446 478-2 24 22:00 JAZZ AFTER HOURS with Sue Jowell Late night jazz, to listen and engage and relax

Monday 6 June

13:00 MEANDERING ACROSS EUROPE Part 3 Italy Prepared by Frank Morrison

Boccherini, L. String quintet in F, op 39 no 2 (1787). Ensemble 415. Harmonia Mundi HMA 1951334 18

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Robert Small 09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1934 Prepared by James Nightingale

Turina, J. Gypsy dances, op 84 (1934). Jordi Masó, pf. Naxos 8.557150 14 Glanville-Hicks, P. Three gymnopédies (1934). Sydney SO/Myer Fredman. ABC 442 374-2

12:00 SWING SESSIONS with John Buchanan Featuring bands of the 1930s swing era and the dance bands of the 1920s taken from radio broadcasts, transcriptions and recording sessions

Clementi, M. Sonata in F, op 13 no 5 (1785). Howard Shelley, pf. Hyperion CDA67729 12

00:00 CLASSIC-ALL THROUGH THE NIGHT

Vaughan Williams, R. Fantasia on Greensleeves (1934). English CO/Daniel Barenboim. DG 442 8333

Goossens, E. Symphony no 1, op 58 (1940). West Australian SO/Vernon Handley. ABC 476 763-2 42

Castelnuovo-Tedesco, M. Sonata, op 77, Homage to Boccherini (1934). Julian Bream, gui. EMI 5 55362 2 19

Rossini, G. La calunnia è un venticello, from The barber of Seville (1816). Nicolai Ghiaurov, bass; San Carlo TO, Naples/Silvio Varviso. ABC 480 5629 5 Respighi, O. Symphonic poem: The pines of Rome (1924). Minneapolis SO/Antal Dorati. Mercury 478 5092 19 Wolf-Ferrari, E. Trio no 2 in F sharp, op 7 (1900). Ilona Then-Bergh, vn; Gerhard Zank, vc; Michael Schäfer, pf. MD+G L 3310/11 26 14:30 A CONCERT IN TEL AVIV Prepared by Derek Parker Smetana, B. Overture to The bartered bride (1866). Israel PO/István Kertész. Decca 476 2453 6 Bartók, B. Hungarian sketches (1931). Israel PO/Zubin Mehta. Decca 466 691-2 12

Bernstein, L. Lonely town, from On the town (1944). Israel PO/Leonard Bernstein. DG 415 966-2 4 Bloch, E. Concerto grosso no 1 (1924-25). Israel CO/Yoav Talmi. Chandos CHAN 8593 24 Shostakovich, D. Violin concerto no 1 in A minor, op 99 (1947-55). Itzhak Perlman, vn; Israel PO/Zubin Mehta. EMI CDC 7 49814 2 35 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Julie Simonds 19:00 JAZZ PULSE with Chris Wetherall Jazz across the wide spectrum from early Louis to Coltrane, with plenty of Ellington and Basie, through to hard bop 20:00 STORMY MONDAY with Austin Harrison 22:00 JAZZ AFTER HOURS Late night jazz, to listen and engage, and relax

Tuesday 7 June 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Julie Simonds 09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by Gerald Holder Gottschalk, L. Grande tarantelle (1858-64, orch. Kay). Eugene List, pf; Vienna State Opera O/Igor Buketoff. LP Vox TV-S 34449 8 Bach, J. Christian Sonata in C minor, op 17 no 2 (1762). Robert Woolley, fp. Chandos CHAN 0543 17 Allworth, R. Voluntaries 1, 2 and 3 (1972-89). Lawrence Bartlett, org. Jade JADCD 1125 6 Schumann, R. Pictures from the east, op 66 (1848). Copenhagen Piano Duo. Danacord DACOCD 786 19 Byrd, W. The barley breake (arr. Byrd). Sophie Yates, virginals. Chandos CHAN 0574 8 Schubert, F. Sonata in A minor, D821, Arpeggione (1824). Alexandru Todicescu, va; Rachel Valler, pf. Fine Music concert recording 21

10:30 CONCERT HALL Prepared by Frank Morrison Atterberg, K. Suite pastorale, op 34 (1931). Swedish RSO/Kurt Atterberg. Swedish Society SCD 1021 20 Walton, W. Viola concerto (1928-29/36/61). Yehudi Menuhin, va; New Philharmonia O/ William Walton. EMI 5 65003 2 26

Ravel, M. Suite from Mother Goose (1908-10; arr. McIntyre). Canberra Wind Soloists. ABC 434 718-2 14

Bassani, G. Corda lingua in amore (1690). Philippe Jaroussky, ct; Ensemble Artaserse. Erato/Warner Classics 50999 693907 2 2 10

Sor, F. March, from Cendrillon, op 15c (1822). Norbert Kraft, gui. Naxos 8.554196 3

Barrière, J-B. Sonata no 2 in D minor á 3 for cello and continuo, from bk III (pub. 1733-39). Les Basses Réunies/Bruno Cocset. Alpha Alpha 330 9

Prokofiev, S. Suite no 1, from Cinderella, op 107 (1944). Ukranian State SO/Theodore Kuchar. 30 Brahms, J. Symphony no 3 in F, op 90 (1883). Naxos 8.550968-9 Vienna PO/István Kertész. 16:00 FINE MUSIC DRIVE Decca 448 200-2 37 including Arts Calendar at 5.00pm with Andrew Dziedzic 12:00 JAZZ RHYTHM with Jeannie McInnes An eclectic blending of agreeable rhythm and melody from the New Orleans jazz roots through to recent decades, including many Australian bands

19:00 THE JAZZ BEAT with Lloyd Capps Smooth small group jazz from the 50s on, and with a visit from Miles Davis each week

13:00 COMPOSER FOCUS Part 15 Herbert Howells Prepared by Michael Morton-Evans

20:00 JUST IN with Michael Field A selection from the latest recordings to arrive at the Fine Music Library

Howells, H. Piano concerto no 2 in C minor (1925). Kathryn Stott, pf; Royal Liverpool PO/ Vernon Handley. Hyperion CDA66610 27 A spotless rose. James Shaffran, bar; Choral Arts Society of Washington Ch & O; J. Reilly Lewis, org; Norman Scribner, cond. Naxos 8.555049 3 Elegy (1917). City of London Sinfonia/Richard Hickox. Chandos CHAN 9161 11 Chichester Service (1967). Choir of the Queen's College, Oxford; David Went, org; Matthew Owens, cond. ASV DCA 851 11 14:00 FRENCH INSPIRATIONS Myths, fairy tales, drama and poetry Prepared by Jacky Ternisien Dukas, P. Overture to Polyeucte (1891). BBC PO/Yan Pascal Tortelier. Chandos CHAN 241-32 15 Herz, H. Non più mesta: variations on themes from Rossini’s Cinderella. Earl Wild, pf. Vanguard OVC 4033 10 Saint-Saëns, C. Andromaque (1902). Monte Carlo PO/David Robertson. Auvidis V 4688 13 Debussy, C. Harmonie du soir; Le jet d’eau; La mort des amants, from Five poems of Baudelaire (1887-89). Stéphanie d’Oustrac, mezz; Pascal Jourdan, pf. Ambronay AMY042 13 Wagenaar, J. Overture: Amphitrion, op 45 (1938). Jean Decroos, vc; Royal Concertgebouw O/Riccardo Chailly. Decca 425 833-2

22:00 CHAMBER SOIRÉE Prepared by Albert Gormley Bach, J.S. Sonata in G minor, BWV1030b (1720s; arr. 1736-37 from Flute sonata, BWV1030). Geoffrey Burgess, baroque ob; Nicholas Parle, hpd. Fine Music concert recording 17 Danzi, F. Wind quintet in F, op 56 no 3 (pub. 1821). Berlin Philharmonic Wind Quintet. BIS CD-552 23 Brahms, J. String quartet in A minor, op 51 no 2 (1873). Gabrieli String Quartet. Chandos CHAN 8562 31 Schubert, F. Piano trio no 2 in E flat, D929 (1827). Macquarie Trio. ABC 465 792-2 42

Wednesday 8 June

Valentini, Giovanni. Sonata pro tabula in C à 6. Flanders Recorder Quartet; Musica Antiqua/Reinhard Goebel. Archiv 453 442-2 8 10:30 CONCERT HALL Prepared by Dan Bickel Janácek, L. Suite from Jenufa (1904; arr. Breiner). Vesa-Matti Leppanen, vn; New Zealand SO/Peter Breiner. Naxos 8.570555 31 Mozart, W. Piano concerto no 11 in F, K413 (1782-83). Berlin PO/Daniel Barenboim, pf & dir. Teldec 0630-13162-2 22 Magnard, A. Symphony no 1 in C minor, op 4 (1890). Toulouse Capitole O/Michel Plasson. EMI 5 72364 2 31 12:00 JAZZ SKETCHES with Robert Vale 13:00 IN CONVERSATION with Simon Moore

Koehne, G. Twilight on Dove Lake (c2013). Tasmanian SO/Benjamin Northey. HUSH 013 5

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Stephen Wilson 09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by Anabela Pina

Salas y Castro, E. Torquen presto fuego. Coro Exaudi de Cuba/Maria Felicia Pérez. Jade 32413-2 8

Broadstock, B. Festive overture (1981). Tasmanian SO/Ola Rudner. ABC 476 8041

03:00 CLASSICAL TILL DAWN

Gragnani, F. Quartet, op 8. Dieter Klöcker, cl; Heidrun Ganz, va; Sonja Prunnbauer, gui; Ihsan Turnagoel, gui. Koch 3 1612 2 20

14:00 FROM THE SOUTH Part 3 The Tasmanian Symphony Orchestra Prepared by Ron Walledge

00:00 CONTEMPORARY COLLECTIVE

Seixas, C. Sinfonia in B flat. Norwegian Baroque O. Virgin 5 45114 2

Dussek, J. Piano concerto in G, op 1 no 3 (bef. 1783). Ulster O/Howard Shelley, pf & dir. Hyperion CDA68027 14

Grieg, E. Suite: From Holberg’s time, op 40 (1884; orch. 1885). Tasmanian SO/Sebastian Lang-Lessing. ABC 476 4523 19 Chopin, F. Piano concerto no 2 in F minor, op 21 (1829). Ewa Kupiec, pf; Tasmanian SO/ Sebastian Lang-Lessing. ABC 476 4836 34

Beethoven, L. Symphony no 6 in F, op 68, Pastoral (1808). Tasmanian SO/David Porcelijn. ABC 461 919-2 39 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Ross Hayes 19:00 PLANET JAZZ with Xavier Bichon 20:00 AT THE OPERA Prepared by Elaine Siversen Meyerbeer, G. Margherita d’Anjou. Opera in two acts. Libretto by Felice Romani. First performed Milan, 1820. MARGHERITA d’ANJOU: Annick Massis, sop DUC de LAVARENNE: Bruce Ford, ten ISAURA: Daniela Barcellona, mezz GAMAUTTE: Fabio Previuati, bar RICHARD, DUKE OF GLOUCESTER: Pauls Putninś, bass GENERAL BELMONTE: Alastair Miles, bass Susanne Beer, vc; David Watkin, vc; Nicholas Bosworth, pf; London PO/David Parry. Opera Rara ORC 25 2:41 Margherita d’Anjou (Queen Margaret), widow of Henry VI, who was killed during the Wars of the Roses, had fled to France but had returned with an army in an attempt to reclaim the throne for her son. After her army was defeated, she fled to the Scottish Highlands. The French Duke, Lavarenne, has left his wife, Isaura, to be with Margaret with whom he is in love. Isaura, disguised as a man, follows as an assistant to the Queen’s physician, Gamautte. Richard, Duke of Gloucester, who drove Henry VI from the throne, pursues Margaret to Scotland. In an attempt to evade him, Margaret disguises herself as Gaumette’s wife. Lavarenne writes love letters to Margaret giving his disguised wife, Isaura, the disagreeable task of delivering them. Richard recognises Margaret in disguise and seizes her son. Gamautte and Lavarenne carry out a successful attack to rescue Margaret and her son. General Belmonte, who had switched allegiance from Margaret to Gloucester, now returns to her service, and Richard is defeated. The Queen and her son are saved and the penitent Lavarenne returns to his forgiving wife. En vain j’espère ... Idole de ma vie, from Robert le Diable (1831). Joan Sutherland, sop; Suisse Romande O/Richard Bonynge. Decca 475 6302 9

23:00 MUSIC OF THE NIGHT Prepared by Chloe Sinclair

10:30 CONCERT HALL Prepared by Elaine Siversen

Colgrass, M. Chaconne (1984). Rivka Golani, va; Toronto SO/Andrew Davis. SM5000 2-5087 26

Smetana, B. Overture and dances from The bartered bride (1866). London SO/Geoffrey Simon. LP Chandos ABRD 1149 24

Shore, H. Piano concerto: Ruin and memory (2010). Lang Lang, pf; China PO/Long Yu. Sony 88985348732 30

Thursday 9 June

Franck, C. Symphony in D minor, op 48 (188788). Royal Concertgebouw O/Karel Ancerl. Radio Nederland RCO 06004 37

00:00 CONTEMPORARY COLLECTIVE

12:00 JAZZ AFTER NOON with Sue Jowell

03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Simon Moore 09:00 DIVERSIONS IN FINE MUSIC The instruments: Brass Prepared by Paul Cooke Krufft, N. Sonata in E. Hermann Baumann, hn; Leonard Hokanson, pf. Philips 416 816-2 18 Zelenka, J. Capriccio no 2 in G (1729). Camerata Bern. Archiv 469 842-2

Spohr, L. Mary’s aria, from Des Heilands letzte Stunden (1834). Alison Smart, sop; Roger Montgomery, hn; Sophie Langdon, vn; Susan Dorey, vc; Hugh Webb, hp. Naxos 8.555365 7 Martinu, B. Sonatina (1956). Paul Goodchild, tpt; David Miller, pf. One M One 1M1CD1038 8 Sculthorpe, P. Port Arthur: In memoriam (1996). Mark Skillingon, tpt; Barbara Jane Gilby, vn; Tasmanian SO/David Porcelijn. ABC 476 4110

Balada, L. Concerto for four guitars and orchestra (1976). Versailles Guitar Quartet; Barcelona SO; Catalonia NO/Colman Pearce. Naxos 8.557049 21

Vivaldi, A. Combatta un gentil cor, from Tito Manlio, RV738 (1720); Agrigata da due venti, from Griselda, RV718 (1735). Maria Keohane, sop; Niklas Eklund, tpt; Wasa Baroque Ensemble. Naxos 8.555099 10 Piazzolla, A. Serie del angel (1962-65; arr. Senanes). Achilles Liarmakopoulos, tb; Edson Scheid, vn; Jiyun Han, vn; Raul Garcia, va; Arnold Choi, vc; Samuel Adams, db. Naxos 8.572596 18

13:00 ARTSOUND: SLAVA’S PIANO Prepared by Paul Cooke Recorded by Tim Lamble for ArtSound, Canberra Bach, J.S. Contrapunctus VIII, IX and XI, from The art of fugue, BWV1080 (1742-49). Vyacheslav Gryaznov, pf. ArtSound recording 20 Suite no 2 in A minor, BWV807, English (bef. 1725). Vyacheslav Gryaznov, pf. ArtSound recording 21 Filler: Leclair, J-M. Sonata in B flat (pub. 1723). Fabio Biondi, vn; Maurizio Naddeo, vc; Pascal Monteilhet, lute; Rinaldo Alessandrini, hpd. Arcana A 39 13 14:00 A QUARTET OF COMPOSERS Prepared by James Nightingale Haydn, J. String quartet in D minor, op 42 (1785). The Lindsays. ASV QS 6145 14 Mozart, W. Fantasia in C minor, K475 (1785). Sviatoslav Richter, pf. Philips 454 170-2 14 Vanhal, J. Double bass concerto in D (178284). Chi-Chi Nwanoku, db; Swedish CO/Paul Goodwin. Hyperion CDA67179 25 Mozart, W. Quartet no 1 in G minor, K478 (1785). Charmian Gadd, vn; Theodore Kuchar, va; Tim Hugh, vc; Boris Berman, pf. ABC 465 841-2 27 Dittersdorf, C. Sinfonia no 4 in F, The rescue of Andromeda by Perseus (1783), Failoni O/ Hanspeter Gmür. Naxos 8.553369 30 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Marilyn Schock

19:00 THE NEW JAZZ STANDARD with Frank Presley 20:00 THE WORLD OF A SYMPHONY Symphony no 1 by Jean Sibelius Prepared by Di Cox Tchaikovsky, P. Marche slave, op 31 (1876). London SO/Gennady Rozhdestvensky. IMP PCD 867 10 Busoni, F. Concert piece in D minor, op 31a (1890). Jean-François Antonioli, pf; Lausanne CO/Lawrence Foster. Claves 50-8806 20 Stenhammar, W. String quartet no 5 in C, op 29, Serenade (1910). Stenhammar Quartet. BIS CD-2009 19

Mozart, W. Grande sestetto after Sinfonia concertante in E flat, K364 (1779-80: arr. anon, 1808). Richard Tognetti, vn; Kirsten Williams, vn; Hartmut Lindemann, va; Colin Cornish, va; Cameron Retchford, vc; Rosemary Quinn, vc. Fine Music concert recording 30 Godowsky, L. Passacaglia, after Schubert (1927). David Stanhope, pf. Tall Poppies TP135 18 10:30 CONCERT HALL Prepared by Peter Poole Coleridge-Taylor, S. Overture: The song of Hiawatha, op 30 no 3 (1899). BBC NO of Wales/Rumon Gamba. Chandos CHAN 10797 11

Alfvén, H. Suite from The prodigal son (1957). Vaughan Williams, R. Oboe concerto in A minor (1944). David Theodore, ob; London National SO of Ireland/Niklas Willén. Naxos 8.555072 19 SO/Bryden Thomson. Chandos CHAN 9262 20 Sibelius, J. Symphony no 1 in E minor, op 39 Lloyd, G. Symphony no 7, Proserpine (1957(1899). Finnish RSO/Jukka-Pekka Saraste. RCA RD87765 38 59, orch. 1974). BBC Northern SO/Edward Downes. 22:00 AN AUSTRALIAN ENSEMBLE Lyrita REAM.1135 50 Prepared by Elaine Siversen 12:00 A JAZZ HOUR Beach, A. Quintet in F sharp minor, op 67 with Barry O'Sullivan (1907). Sally Whitwell, pf; Acacia Quartet. Fine Music concert recording 29 13:00 JANE SHELDON, SOPRANO Prepared by James Nightingale

22:30 ULTIMA THULE

Kats-Chernin, E. Eliza's aria, from Wild swans (2002). Jane Sheldon, sop; Tasmanian SO/Ola Rudner. ABC 480 6403 3

Friday 10 June

Couperin, F. Troisième leçon de Ténèbres (pub. 1717). Anna Fraser, sop; Jane Sheldon, sop; Salut! Baroque. Salut Baroque SAL009 13

00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Vicky Zhang 09:00 DIVERSIONS IN FINE MUSIC Something borrowed Prepared by Elaine Siversen Weber, C.M. Variations on a theme from Silvana, op 33. Dieter Klöcker, cl; Werner Genuit, pf. cpo 999 626-2 16 Satie, E. Trois gymnopédies (1888; arr. Miolin). Anders Miolin, alto gui. BIS CD-586

Sculthorpe, P. Maranoa lullaby, from a traditional Aboriginal theme (1984). Jane Sheldon, sop; Sinfonia Australis/David Stanhope. ABC 472 597-2

Nyman, M. Miserere, from The cook, the thief, his wife, and her lover (1989). Jane Sheldon, sop; Cantillation/Brett Weymark. ABC 472 597-2 11 Stanhope, P. Sea chronicles (1998). Jane Sheldon, sop; Ironwood. ABC 476 3870 20

Arban, J-B. Fantasy and variations on a cavatina from Beatrice di Tenda by Bellini (arr. Stanhope). Geoffrey Payne, tpt; Melbourne SO/Michael Halász. ABC 982 697-6 7

14:00 LESSER-KNOWN COMPOSERS Prepared by Jacky Ternisien Méhul, É-N. Overture to Bion (1800). Brittany O/Stefan Sanderling. ASV DCA 1140 10 Dragonetti, D. Allegro e andante e allegro. Michele Veronese, db; Luca Ferrini, pf. Newton 8802133 9 Aguado, D. Introduction and rondo, op 2 no 3. Anabel Montesinos, gui. Naxos 8.557294 10 Carafa, M. L’amica ancor non torna ... oh di sorte crudel, from Le nozze di Lammermoor (1829). Joyce DiDonato, mezz; Jean-Michel Bertelli, cl; Lyon National Opera Ch & O/ Riccardo Minas. Erato 08256 463656 2 3 9 Duport, J-L. Cello concerto no 2 in G (1785). Frédéric Lodéon, vc; Paris Orchestral Ensemble/Jean-Pierre Wallez. Erato NUM 75185 19 Blasco de Nebra, M. Sonata in B flat, op 1 no 2 (c1780). Javier Perianes, pf. Harmonia Mundi HMC 902046 9 Assmayer, I. Wind octet in E flat. Consortium Classicum. Schwann 310 002 H1 18 Kraus, J.M. Symphony in C (1778-79). Urban Svensson, vn; Swedish CO/Petter Sundkvist. Naxos 8.554472 22 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Robert Gilchrist 19:00 FRIDAY JAZZ SESSION with Alex Siegers 20:00 EVENINGS WITH THE ORCHESTRA The Suisse Romande Orchestra Prepared by Chris Blower Franck, C. Symphonic poem: Le chasseur maudit (1882). Suisse Romande O/Ernest Ansermet. Decca 452 890-2 15 Stravinsky, I. Apollon musagète (1928/47). Suisse Romande O/Neeme Järvi. Chandos CHAN 9240 30 Falla, M. de Nights in the gardens of Spain (1909-15). Alicia de Larrocha, pf; Suisse Romande O/Sergiu Comissiona. Decca 417 771-2 24 Dukas, P. Symphony in C (1896). Suisse Romande O/Armin Jordan. Erato 2292-45221-2 41

22:00 BAROQUE AND BEFORE The Renaissance in France Prepared by Andrew Dziedzic

Hanson, R. Sonata, op 12 (1938-40/63). Igor Hmelnitsky, pf. LP M7 MLF.196 22

14:00 CHAMBER MUSIC OF REINECKE Prepared by Paul Cooke

Ockeghem, J. Agnus Dei, from Missa L’homme armé. Oxford Camerata/Jeremy Summerly. Naxos 8.554297

10:00 CENTRES OF MUSIC Salzburg from Biber to Richard Strauss Prepared by Peter Poole

Reinecke, C. Introduzione ed allegro appassionato, op 256. Michael Collins, cl; Michael McHale, pf. Chandos CHAN 10844

Brumel, A. Rondeau: Du tout plongiet Fors seulement l'attente (after Johannes Ockeghem). Early Music Consort of London/ David Munrow. Virgin 5 61334 2 10 Josquin Desprez. Missa, Pange lingua (c1515). Sydney Chamber Choir/Nicholas Routley. Tall Poppies TP054 34

Biber, H. Sanctus-Benedictus, from Missa Salisburgensis (c1682). Gabrieli Consort & Players; Musica Antiqua Cologne/Reinhard Goebel. Archiv 457 611-2 8 Mozart, L. Trombone concerto in G (c1756). Northern Sinfonia; Alain Trudel, tb & dir. Naxos 8.553831 13 Haydn, M. Symphony no 29 in C (1784). Bournemouth Sinfonietta/Harold Farberman. LP Vox Cum Laude D-VCL 9085 23

Janequin, C. Mass: The battle (pub. 1532). Ensemble Clément Janequin; Ian Willem Jansen, org; Les Sacqueboutiers de Toulouse. Weber, C.M. Overture to Oberon (1826). Harmonia Mundi HMC 901536 22 Berlin PO/Herbert von Karajan. DG 419 070-2 9 Les cris de Paris (1528). Ensemble Clément Mozart, W. Symphony no 14 in A, K114 (1771). Janequin/Dominique Visse. Harmonia Mundi HMC 902028 6 English CO/Jeffrey Tate. EMI 5 55480 2 18 Phalèse, P. Dance suite. Edward Tarr Brass Strauss, R. Dance of the seven veils, from Ensemble. Christophorus CHR 74562 7 Salome, op 54 (1905). Vienna PO/Herbert von Karajan. Le Camus, S. Airs in A minor. Véronique Decca 478 5630 9 Gens, sop; Jean-Paul Fouchécourt, ten; Pascal Monteilhet, theorbo. 11:30 ON PARADE fnac 592294 17 Concert bands for grand occasions Prepared by Robert Small Francisque, A. Pavane and bransles (arr. Grandjany). Rachel Masters, hp. Hovhaness, A. Grand final processional, from Regent REGCD102 7 Symphony no 20, op 223, Three journeys to a holy mountain (1968). Ohio State Concert Band/Keith Brion. Saturday 11 June Delos DE 3158 7 00:00 CLASSIC-ALL THROUGH THE NIGHT

Alford, K. March: Colonel Bogey. RAAF Concert Ch & Band. Soho SOHOCD051-2

06:00 SATURDAY MORNING MUSIC Lovelock, W. Naval occasions. Concert Band of RAN/G.D.C. Coxon. with Stephen Wilson LP EMI SCXO 8015 7 09:00 WHAT'S ON IN MUSIC Sousa, J.P. President Garfield’s inaugural Our weekly guide to musical events in and march (1881). Central Band of the RAF/Keith around Sydney Brion. Naxos 8.559729 6 09:05 THE PIANO ALONE Prepared by Jennifer Foong

Handel, G. Suite no 2 in F, HWV427 (pub. 1720). Murray Perahia, pf. Sony SK 62785 8 Glinka, M. The last rose of Summer, from A greeting to my native land (1847). Victor Ryabchikov, pf. BIS CD-979 8

12:00 URBAN JAZZ LOUNGE with Leita Hutchings 13:00 IN A SENTIMENTAL MOOD with Maureen Meers Nostalgic music and artists from the 30s, 40s and 50s and occasionally beyond, in a trip down many memory lanes

Gade, N. Arabesque, op 27 (1854). Anker Blyme, pf. Marco Polo DCCD 9116 9

Sonata, op 167, Undine (1882). Sharon Bezaly, fl; Ronald Brautigam, pf. BIS SACD-1729 18 14:30 SATURDAY MATINEE Operetta in the afternoon Prepared by Elaine Siversen Offenbach, J. Orpheus in the Underworld. Operetta in two acts. Libretto by Hector Crémieux and Ludovic Halévy. First performed Paris, 1858. EURYDICE: Natalie Dessay, sop ARISTAEUS/PLUTO: Jean-Paul Fouchécourt, ten ORPHEUS: Yann Beuron, ten PUBLIC OPINION: Ewa Podles, mezz JUPITER: Laurent Naouri, bar Lyon National Choir & O; Grenoble CO/Marc Minkowski. EMI 5 56725 2 1:50 Eurydice is in love with the shepherd, Aristaeus, who is really the god Pluto, and her husband, Orpheus, is in love with Chloë, a shepherdess. Orpheus wants to get rid of his wife but keep it secret, fearing Public Opinion. Orpheus and Pluto plot to kill Eurydice so that Pluto may have her. Pluto, as Aristaeus, tricks her into walking into the trap and, as she dies, he changes to his true form. They descend into the Underworld. Public Opinion threatens Orpheus with ruin to his violin-teaching career unless he goes to rescue Eurydice. Orpheus reluctantly agrees. When Orpheus arrives in the Underworld, Jupiter announces that he is going to the Underworld to sort it out and consents to the other gods coming along. In the Underworld, Jupiter finds Eurydice’s prison and slips through the keyhole by turning into a beautiful, golden fly. He reveals himself promising to help her, but he wants her for himself. While the gods are partying, the disguised Eurydice sneaks in. They all dance with abandon to the Galop infernal (or the Can-can). Ominous violin music heralds the approach of Orpheus and Public Opinion. Orpheus must not look back, or he will lose Eurydice forever. Public Opinion keeps a close eye on him, to keep him from cheating, but Jupiter throws a lightning bolt, making him jump and look back but all ends happily with a reprise of the Galop.

Make the most of life, from Robinson Crusoe (1867). Natalie Dessay, sop; Les Éléments Choir; Toulouse Capitole O/Michel Plasson. Virgin 5 45506 2 4 Excerpts from La périchole (1868). Fredericke von Stade, mezz; Scottish CO/Antonio de Almeida. RCA 09026 68116 2 14 Duet in C, op 52 no 3 (1847). Alain Meunier, vc; Philippe Muller, vc. Arion ARN 68234 10 17:00 SOCIETY SPOT Organ Music Society of NSW with John Hanna 18:00 STAGE AND SCREEN Prepared by Maureen Meers Bock, J. Excerpts from Fiorello (1959). Tom Bosley, Patricia Wilson, Howard Da Silva, voices. Angel 72435 65023 2 20 Herman, J. Excerpts from Mack and Mabel (1974). Robert Preston, Bernadette Peters, voices. MCA MCLD 19089 11 Ross, J. Excerpts from The pajama game (1954). Doris Day, John Raitt, Carol Haney, Eddie Foy Jnr, voices. Collectables COL-CD-6699 20 19:00 EMERGENT JAZZ with Keith Pettigrew 20:00 THE LIFE OF A COMPOSER Darius Milhaud Prepared by James Nightingale Milhaud, D. The carnival of London, op 172 (1937). New London O/Ronald Corp. Hyperion CDA66594 28 Sonatine, op 76 (1922). Emily Benyon, fl; Andrew West, pf. Hyperion CDA67204 The creation of the world, op 81 (1923). Lausanne CO/Alberto Zedda. Virgin VC 7 91098-2

Piano concerto no 2, op 228 (1941). Michael Korstick, pf; Kaiserslautern RSO/Alun Francis. cpo 777 162-2 13 Viola sonata no 1, op 240 (1943-44). Gran Duo Italiano. Brilliant Classics 95232 14 Symphony no 6 (1955). Toulouse Capitole O/ Michel Plasson. DG 439 939-2 29

22:00 SATURDAY NIGHT AT HOME Prepared by James Nightingale Beethoven, L. Sonata in C, op 53, Waldstein (1803). Oliver She, pf. Move MCD 560 24

Pleyel, I. String sextet in F. Ensemble Urs Mächler. Sipario CS 28C 27 Mozart, W. Symphony no 7 in D, K45 (1768). Mozart Akademie Amsterdam/Jaap ter Linden. Brilliant Classics 94295 11

Kelly, F. Orchestral suite in E flat, German symphony (1906-08). Tasmanian SO/Benjamin Onslow, G. Grand septet in B flat for wind Northey. quintet, double bass and piano, op 79. Rudolf ABC 481 8890 28 Frei, db; Werner Bärtschi, pf; Stalder Quintet. Jecklin 554-2 31 Boulanger, L. D’un soir triste (1917); D’un matin printemps (1918). BBC PO/Yan Pascal Tortelier. Chandos CHAN 9745 15

12:00 CLASSIC JAZZ with Dave Mac

Debussy, C. String quartet in G minor, op 10 (1893). Huon Quartet. Virtuosi Tasmania Records 005 26

13:00 WORLD MUSIC Whirled Wide with Gerry Myerson

Haydn, J. Symphony in C, Hob.1:63, La Roxelane (1777). Il Giardino Armonico/ Giovanni Antonini. Alpha ALPHA 682

14:00 INTIMATE VOICES The violin Part 2 Prepared by Gerald Holder

Sunday 12 June 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC with Peter Poole 09:00 MUSICA SACRA Prepared by Jacky Ternisien Widor, C-M. Mass for two choirs and two organs, op 36. Choir of Westminster Cathedral; Hyperion chorus of baritones; Joseph Cullen, org; Andrew Reid, org; James O'Donnell, cond. Hyperion CDA66898 16 Fauré, G. Messe basse (1907). Béatrice Gaucet, sop; François-Henri Houbart, org; female voices of Groupe Vocal de France/ John Alldis. EMI 5 65562 2 10 Gounod, C. Messe chorale. Daniel Fuchs, org; Ensemble Vocale de Lausanne/Michel Corboz. apex 8573 89235 2 28 10:00 THE CLASSICAL ERA At sixes and sevens Prepared by Peter Poole Bach, J. Christian Sextet in C for oboe, two horns, violin, cello and keyboard. English Concert. Archiv 423 385-2 17 Wesley, S. Symphony no 6 in B flat (1802). Milton Keynes CO/Hilary Davan Wetton. Unicorn-Kanchana DKP9098 21

Corelli, A. Violin sonata in D minor, op 5 no 12, La folia (pub. 1700). Accademia Arcadia. Tall Poppies TP243 12 Vieuxtemps, H. Six morceaux, op 55 (pub. 1883). Reto Kuppel, vn. Naxos 8.573339 28 Paganini, N. Sonata no 3 in A, from Miscellany of sonatas (c1828). Luigi Alberto Bianchi, vn; Maurizio Preda, gui. Dynamic CDS 34 13 15:00 SUNDAY SPECIAL The greatest of the Benda dynasty Prepared by Elaine Siversen

300th

A NNI V ERSA RY Benda, G. Trio sonata in E. David Oistrakh, vn; Igor Oistrakh, vn; Vladimir Yampolsky, pf. DG 463 616-2 15 Cantata: Bald wird ihn die himmlische Jugend empfangen (1761). Dorothy Mields, sop; Britta Schwarz, cont; Jörn Lindemann, ten; Andreas Post, ten; Klaus Mertens, bass; Telemann CO Michaelstein/Ludger Rémy. cpo 999 650-2 16 Benda, F. Sonata no 23 in C minor. HansJoachim Berg, baroque vn; Naoko Akutagawa, hpd. Naxos 8.572307 13 Benda, G. Sonata no 9 in A minor (c1780). Timothy Roberts, fp. Hyperion CDA66649 12 Benda, J.G. Violin concerto in G. Josef Suk, vn; Suk CO/Christian Benda. Naxos 8.553902 10

Benda, G. Sinfonia no 12 in A. Prague CO/ Christian Benda. Naxos 8.553409 11

Tansman, A. Musique de cour. Sonja Prunnbauer, gui; RIAS Sinfonietta/Jiri Stárek. Koch 3 1612 2 19

Martinu, B. Variations on a Slovak theme (1959). Christian Benda, vc; Sebastian Benda, pf. Naxos 8.554503 11

Meyerbeer, G. Ballet: Les patineurs (1894; arr. Lamb, J. Topliner rag (1916). Joshua Rifkin, Lambert 1937). Israel PO/Jean Martinon. pf. Decca 476 2742 21 Decca 476 2445 4

Benda, G. Keyboard concerto in F minor. London Mozart Players/Howard Shelley, pf & dir. Hyperion CDA68361 19 17:00 HOSANNA Prepared by Meg Matthews Hymns. Come Holy Ghost, our souls inspire; I bind unto myself today; Holy, holy. Choir of Wells Cathedral; Rupert Gough, org; Malcolm Archer, cond. Hyperion CDP 12103 12 Grieg, E. Hail Star of the Sea (1898). Choir of Westminster Cathedral; Iain Simcock, org; James O’Donnell, cond. Hyperion CDA 66669 3 Gounod, C. Ave Maria (1859; arr. Mawby). Nicholas Keay, ten; Choir of Westminster Cathedral; Iain Simcock, org; James O’Donnell, cond. Hyperion CDA 66669 3 Elgar, E. Ave verum corpus (1887). Choir of Westminster Cathedral; Iain Simcock, org; James O’Donnell, cond. Hyperion CDA 66669 3 Zelenka, J. Credo; Sanctus; Benedictus; Agnus Dei, from Missa Sanctissimae Trinitatis (1736). Gabriela Eibenova, sop; Carlos Mena, alto; Makoto Sakurada, ten; Ensemble Inegal; Prague Baroque Soloists/Adam Viktora. Nibiru 01572231 31 18:00 SMALL FORCES Prepared by Frank Morrison Fauré, G. Sonata no 1 in D minor, op 109 (1917). Alban Gerhardt, vc; Cecile Licad, pf. Hyperion CDA67872 20 Myslivecek, J. Wind octet no 2 in E flat. Harmoniemusik of London. Virgin 5 61368 2

Bruch, M. Quintet in A minor, op posth. (1918). Vadim Gluzman, vn; Sandis Steinbergs, vn; Maxim Rysanov, va; Ilze Klava, va; Reins Birznieks, vc. BIS SACD-1852 24 19:00 SUNDAY NIGHT CONCERT Prepared by Anabela Pina He - Chen. Violin concerto, The butterfly lovers (1959). Takako Nishizaki vn; CzechoSlovak RSO/Kennneth Jean. Marco Polo 8.223350 26

Bax, A. Intermezzo: Dream in exile (1916). Ashley Wass, pf. Naxos 8.557439 12

Moscheles, I. Recollections of Ireland, op 69 (1826). Tasmanian SO/Howard Shelley. Hyperion CDA67430 15

Hill, M. Trio (1916). Goetz Richter, vn; Mina Choh, vc; Jeanell Carrigan, pf. Wirripang Wirr 112 23

20:30 NEW HORIZONS Prepared by Angus McPherson

10:30 CONCERT HALL Prepared by Jacky Ternisien

Einaudi, L. Burning. Ludovico Einaudi, pf; I Virtuosi Italiani. Decca 481 0173 5

Dvorák, A. Suite in A, op 98b, American (1895). Janácek PO/Dennis Burkh. Centaur CRC 2121 22

Ford, A. Lullaby and fire dance (2007). James Cuddeford, vn; Natsuko Yoshimoto, vn. Tall Poppies TP207 9

Wagenseil, G. Cello concerto in C. Györgyi Körösi, vc; Salieri CO/Tamás Pál. Arkadia CDAK 130.1 24

Brandman, M. Firestorm symphony (2009). Moravian PO/Petr Vronský. Navona Records NV6041 16

Debussy, C. Images (1905-12). Royal Concertgebouw O/Antal Dorati. Radio Nederland RCO 08005

Smetanin, M. If stars are lit (2010). Michael Duke, alto sax; David Howie, pf. Cala CACD77013 9

12:00 SWING SESSIONS with John Buchanan

Daugherty, M. Fire and blood (2003). Ida Kavafian, vn; Detroit SO/Neeme Järvi. Naxos 8.559372 28 Lim, L. Burning house (1995). Satsuki Odamura, voice, koto. Vox Australis VAST022-2

22:00 JAZZ AFTER HOURS with Deborah Evans

Monday 13 June 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with James Hunter 09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1916 Prepared by Michael Morton-Evans Wood, Haydn. Roses of Picardy (1916). Slovak RSO/Ernest Tomlinson. Naxos 8.554710

13:00 WIND COMBINATIONS Prepared by Elaine Siversen Telemann, G. Concerto in B flat for three trumpets and orchestra (arr. Leppard). Wynton Marsalis, tpt; English CO/Raymond Leppard. CBS M 42478 10 Schütz, H. Fili mi, Absalon, from Symphoniae sacrae, op 6 (pub. 1629). Bernard FabréGarrus, bass; Bernard Fourtet, tenor sackbutt; François Février, tenor sackbutt; Harry Ries, alto sackbutt; Richard Lester, bass sackbutt; Claire Giardelli, bass viol; Matthias Spaeter, chitaronne. Erato NUM 75234 5 Handel, G. Concerto no 1 in B flat for two wind bands and strings, HWV332 (1746-47). Academy of St Martin in the Fields/Neville Marriner. Decca 480 1388 15 Heinichen, J. Double concerto in E minor. Martin Stadler, ob; Hariett Herrle, ob; Fiori Musicali; Bremen Baroque O/Thomas Albert. cpo 999 637-2 8

Weber, B. Horn sextet no 3 in F. Horns of Czech PO. Grainger, P. The warriors (1916). Philip Martin, Supraphon 11 0780-2 11 Martin Jones, Richard McMahon, pf. Matiegka, W. Notturno, op 21 (1807). Debra Nimbus NI 5286 20 Wendells-Cross, fl; Robert Alemany, cl; JoAnn Griffes, C. Poem (1916). Joseph Mariano, fl; Falletta, gui. Eastman-Rochester O/Howard Hanson. Koch 3-75682-2 HI 30 Mercury 475 6274 9 6

Coates, E. The green hills of Somerset (1916). Cheryl Barker, sop; Queensland SO/Guillaume Tourniaire. Melba MR301129 4

Schumann, R. Overture to Manfred, op 115 (1848-49). Berlin PO/Raphael Kubelik. DG 463 2012 12

Tchaikovsky, P. The Sleeping Beauty, op 66a (1890; transcr. Rachmaninov; rev. Ziloti, Tchaikovsky). Julia Severus, Alina Luschtschizkaja, pf. Naxos 8.570418 20

Mozart, W. Clarinet concerto in A, K622 (1791). Thea King, basset cl; English CO/ Szymanowski, K. Nocturne and tarantella, op Jeffrey Tate. 28 (1915). Wanda Wilkomirska, vn; Tadeusz Hyperion CDA20199 31 Chmielevsky, pf. Walton, W. Symphony no 1 in B flat minor Muza PNCD 065 11 (1931-35). BBC SO/Adrian Boult.

Bizet, G. Suite no 1 from L’arlésienne. Mexico PO/Enrique Bátiz. Brilliant Classics 94404 19

14:30 THE MUSIC OF YOUNG POLAND Prepared by Paul Cooke

10:30 CONCERT HALL Prepared by Stephen Gard

Rozycki, L. Piano concerto no 1 in G minor, op 43 (1917-18). Jonathan Plowright, pf; BBC Scottish SO/Lukasz Borowicz. Hyperion CDA68066 32

Karlowicz, M. Symphony in E minor, op 7, Rebirth (1903). BBC PO/Gianandrea Noseda. Chandos CHAN 10171 40 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Michael Field

12:00 JAZZ RHYTHM with Jeannie McInnes

Joachim, J. Schottische melodie. Vaughan Jones, vn. First Hand FHR29 2

20:00 STORMY MONDAY with Austin Harrison

Lanner, J. Neue Wiener Ländler, op 1; Die Werber, op 103 (1825). Vienna Dance Quartet. Naxos 8.555689 14

22:00 JAZZ AFTER HOURS with Gail Monjo

Myslivecek, J. Ti parli in seno amore, from Farnace (1767). Vince Yi, ct; Armonia Atenea/ George Petrou. Decca 478 8094 8

Tuesday 14 June

Kraus, J.M. Rondo in F (1780). Jacques Després, pf. Naxos 8.555771

00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN

Haydn, J. Nocturne no 2 in F, Hob.II:26 (178894). Music Party/Alan Hacker. Decca 458 075-2 12

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Julie Simonds 09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by Rex Burgess Schumann, R. Fantasiestücke, op 12 (1837). Martha Argerich, pf. EMI 5 57101 2 24 Satie, E. Trois morceaux en forme de poire (1903). Alexandre Tharaud, Éric le Sage, pf. Harmonia Mundi HMC 902017.18 13 Buxtehude, D. Sonata in F, BuxWV 269. John Holloway, vn; Ursula Weiss, vn; Jaap ter Linden, va; Mogens Rasmussen, va; Lars Ulrik Mortensen, hpd, org. Naxos 8.557250 8

Skryabin, A. Sonata no 2 in G sharp minor, op 19 (1892-97). Ivo Pogorelich, pf. DG 479 4350 14

Strauss, Josef. Village swallows from Austria, op 164 (1864). Vienna SO/Robert Stolz. Eurodisc 258 663 7 14:00 FRENCH INSPIRATIONS Drama and fairy tales Prepared by Jacky Ternisien Mendelssohn, F. Overture and war march of the priests, from Athalie, op 74 (1845). Vienna PO/Christoph von Dohnányi. Decca 460 239-2 14 Massenet, J. Ballet music from Le Cid (1885). Academy of St Martin in the Fields/Neville Marriner. Brilliant Classics 94355 20 Lully, J-B. Excerpts from L’Amour médecin, comédie-ballet (1665). Isabelle Poulenard, sop; Agnès Mellon, sop; Bernard Delétré, bass; Les Musiciens du Louvre/Marc Minkowski. Erato 245 286-2 11 Massenet, J. Suite from Cendrillon (1899). Hong Kong PO/Kenneth Jean. Naxos 8.555986 10

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Michael Morton-Evans 19:00 THE JAZZ BEAT with Lloyd Capps

13:00 CENTRAL EUROPEAN MELODIES Prepared by Anabela Pina

19:00 JAZZ PULSE with Chris Wetherall

Alkan, C-V. Piano trio in G minor, op 30 (c1840). Trio Alkan. Brilliant Classics 95568

BBC Music MM308

Lalliet, T. Fantasy on Massenet's Le Cid. Bert Lucarelli, ob; Susan Jolles, hp. Price-Less D 21062 14

20:00 JUST IN with James Nightingale A selection from the latest recordings to arrive at the Fine Music Library 22:00 CHAMBER SOIRÉE Prepared by Frank Morrison Berwald, F. Quartet in E flat (1849). Frydén String Quartet. Caprice CAP 21334 20 Danzi, F. Wind quintet in G, op 67 no 1 (1824). Berlin Philharmonic Wind Quintet. BIS CD-532 17 Janácek, L. Sonata (1922). Frank Peter Zimmermann, vn; Alexander Lonquich, pf. EMI CDC 7 54305 2 19 Poulenc, F. Sonata (1918/45). Ronald van Spaendonck, cl; Laurent Lefèvre, bn. Naxos 8.553613 7 Mozart, W. Trio in E flat, K498, Kegelstatt (1786). James Campbell, cl; Rostislav Dubinsky, va; Luba Edlina, pf. Chandos CHAN 8655 22 Spohr, L. Double string quartet no 2 in E flat, op 77 (1827). Academy of St Martin in the Fields Chamber Ensemble. Hyperion CDD22014 27

Wednesday 15 June 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Stephen Wilson

09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by Jennifer Foong

Noël provençal in G (pub. 1757). René Saorgin, org. Harmonia Mundi HMX 2978199

Dauvergne, A. Concert de simphonies no 4 in Le coucou, from Premier livre du claveçin A, op 4 no 2 (pub. 1751). Concerto Cologne. (pub. 1735). Robert Aldwinckle, hpd. FNAC 592295 24 IMP PCD 850 Viviani, G. Sonata no 2 (1674). Mats Klingfors, bn; Niklas Eklund, tpt; Marc Ullrich, tpt; Tormod Dalen, vc; Knut Johannessen, org. Naxos 8.553593 7 Vorisek, J. Rhapsodie no 9 in G minor, op 1. Artur Pizarro, pf. Collins 14772 4 Strozzi, B. La sol fà mi rè dò, op 2 (pub. 1651). Jane Edwards, sop; Marshall McGuire, hp. Artworks AW033 5 Rolla, A. Duo concertante. Carl Pini, vn; Jane Hazelwood, va. Fine Music Tape Archive 17 Baermann, H. Notturno in F minor. Dario Zingales, cl; Florian Podgoreanu, pf. Brilliant Classics 95785

Biber, H. Scordatura sonata for two violins and basso continuo. Tafelmusik Baroque Soloists. CBC MVCD 1031 14 10:30 CONCERT HALL Prepared by Michael Field Rameau, J-P. Orchestral suite from Le temple de la gloire (1745). Philharmonia Baroque O/ Nicholas McGegan. Harmonia Mundi HMU 907121 34 Mendelssohn, F. Piano concerto no 2 in D minor, op 40 (1837). Murray Perahia, pf; Academy of St Martin in the Fields/Neville Marriner. CBS MK 42401 24 Antill, J. Suite from Corroboree (1946). Sydney SO/John Antill. LP ABC RRCS 133

12:00 JAZZ SKETCHES with Robert Vale 13:00 IN CONVERSATION with Simon Moore 14:00 DAZZLING PARIS ORGANIST Prepared by Elaine Siversen

250th

A NNI V ERSA RY Daquin, L-C. Noël sur les jeux d’anches. Olivier Latry, org. MBF 110

L'hirondelle, from Premier livre du claveçin (pub. 1735). Wanda Landowska, hpd. Pearl 9019 2 Noël êtranger; Noël en dialogue, duo, trio. Michel Chapuis, org. LP Telefunken SAWT 9596-A 9 14:30 PIANO IN CHAMBER Prepared by Elaine Siversen

Amelia reconciles Boccanegra with Fiesco and Gabriele. Their happiness does not last as Boccanegra is poisoned by Paolo. With his dying breath, Boccanegra blesses Amelia and Gabriele, nominating Gabriele as his successor. Già nella notte densa, from Otello (1887). Katia Ricciarelli, sop; Plácido Domingo, ten; Saint Cecilia Academy O/Gianandrea Gavazzeni. Sony 88697526902 10 22:30 MUSIC OF THE NIGHT Prepared by Dan Bickel

Adams, J. Fearful symmetries (1988). O of St Luke’s/John Adams. Boccherini, L. Quintet in A, op 57 no 1 (1799). Elektra Nonesuch 979218 -2 28 Ilario Gregoletto, fp; Ensemble Claviere. Brilliant Classics 94386 20 Reich, S. and Musicians. Music for 18 musicians. (1976). Elizabeth Arnold, Rebecca Fauré, G. Piano quartet no 1 in C minor, op 15 Armstrong, Pamela Fraley, voices; Virgil (1876-79). Domus. Blackwell cl, bass cl; Richard Cohen, cl, Hyperion CDA66166 29 bass cl; Shem Guibbory, vn; Ken Ishii, vc; Korngold, E. Piano trio in D, op 1 (1909). Gary Schall, mar, maracas; Bob Becker, Beaux Arts Trio. mar, xylophone; Russ Hartenberger mar, Philips 434 072-2 33 xylophone; Glen Velez, mar, xylophone; David Van Tieghem, mar, xylophone, pf; 16:00 FINE MUSIC DRIVE Larry Karush, pf, maracas; Steve Reich, pf, including Arts Calendar at 5.00pm mar; Jay Clayton, voice, pf; James Preiss, with Tom Forrester-Paton metallophone, pf; Nurit Tilles, pf; Steve Chambers, pf; Steve Reich, mar, pf & dir. 19:00 PLANET JAZZ ECM 821 417-2 57 with Xavier Bichon 20:00 AT THE OPERA Prepared by Camille Mercep Verdi, G. Simon Boccanegra. Opera in three acts. Libretto by Francesco Maria Piave. First performed Milan, 1857. SIMON BOCCANEGRA: Leo Nucci, bar PAOLO ALBIANI: Paolo Coni, bar PIETRO: Carlo Colombara, bass MARIA BOCCANEGRA: Kiri Te Kanawa, sop JACOPO FIESCO: Paata Burchuladze, bass AMELIA GRIMALDI: Anna Zoroberto, mezz GABRIELE ADORNO: Giacomo Aragall, ten La Scala Ch & O/Georg Solti. Decca 478 3705 2:05 The setting is 14th century Genoa. Boccanegra, a plebeian, is persuaded by Paolo and Pietro to stand as Doge of Genoa, a patrician position. By accepting their support, he hopes he will be able to win Maria, the daughter of the current Doge, Fiesco, who has imprisoned her in his home. Unknown to Boccanegra, she has borne him a daughter and has died. The baby disappears, adopted to become Amelia Grimaldi. Years later, Boccanegra discovers that she is his long-lost daughter, in love with the patrician Gabriele Adorno. As Doge, Boccanegra has made many enemies including Fiesco, Paolo, Pietro and Gabriele who are plotting to kill him.

Thursday 16 June 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Simon Moore 09:00 DIVERSIONS IN FINE MUSIC The instruments: Brass Prepared by Jennifer Foong Bizet, G. Habanera, from Carmen (1873-74; arr. Mendez). Phill O’Neill, cornet. PON 001 4 Strauss, R. Horn concerto no 2 in E flat (1942). Barry Tuckwell, hn; London SO/István Kertész. Decca 478 6420 20 Czerny, C. Andante and polacca, op 339 (1848). Andrew Clark, hn; Geoffrey Govier, fp. Helios CDH55074 11

Spohr, L. Mary’s aria, from Des Heilands letzte Stunden (1834). Alison Smart, sop; Roger Montgomery, hn; Sophie Langdon, vn; Susan Dorey, vc; Hugh Webb, hp. Naxos 8.555365 7

14:30 NATURE'S CONTRASTS Prepared by Elaine Siversen

22:00 AN AUSTRALIAN ENSEMBLE Prepared by Elaine Siversen

Poulenc, F. Trio (1922). Daniel Mendelow, tpt; Robert Johnson, hn; Ronald Prussing, tb. Fine Music concert recording 7

Antheil, G. Over the plains (1945). BBC PO/ John Storgårds. Chandos CHAN 10941 8

Mozart, W. String quartet no 19 in C, K465, Dissonance (1785). Gagliano Quartet. Fine Music concert recording 28

Schickele, P. A year in the Catskills (2009). 22:30 ULTIMA THULE Jane Kirchner, fl; Jared Hauser, ob; Cassandra Lee, cl; Cynthia Estill, bn; Leslie Norton, hn. Friday 17 June Naxos 8.559687 22

Monteverdi, C. Psalm 116/117: Laudate Dominum I, from Selva morale e sprituale (pub. 1641). The 24 (University of York); English Cornett and Sackbut Ensemble; I Fagiolini/Robert Hollingworth. Decca 4381654

Borodin, A. In the steppes of Central Asia (1880). Suisse Romande O/Ernest Ansermet. Decca 455 632-2 7 4

Mozart, W. Quintet in E flat, K452 for oboe, clarinet, bassoon, horn and piano (1784). Les Vents Français. Warner Classics 0825646231850 25 10:30 CONCERT HALL Prepared by Gerald Holder Chabrier, E. Rhapsody: España (1883). Montreal SO/Charles Dutoit. Decca 421 527-2

Reinecke, C. Violin concerto no 2 in G minor, op 141 (1877). Ingolf Turban, vn; Berne SO/ Johannes Moesus. cpo 777 105-2 34 Beethoven, L. Symphony no 7 in A, op 92 (1811-12). Vienna PO/Claudio Abbado. Decca 478 5365 42 12:00 JAZZ AFTER NOON with Sue Jowell 13:00 THE VIRTUOSIC HOROWITZ Prepared by Derek Parker Scarlatti, D. Sonata in E flat. Vladimir Horowitz, pf. CBS MK 42410

Mozart, W. Sonata no 10 in C, K330 (1783). Vladimir Horowitz, pf. DG 479 4649 17 Beethoven, L. Sonata no 28 in A, op 101 (1816). Vladimir Horowitz, pf. CBS MK 45572 21 Chopin, F. Sonata no 2 in B flat minor, op 35 (1837-39). Vladimir Horowitz, pf. CBS MK 42412 22 Schumann, R. Scenes from childhood, op 15. Vladimir Horowitz, pf. Philips 456 838-2 17

00:00 CONTEMPORARY COLLECTIVE

Abbott, C. Blue Mountains, suite no 1: Twilight 03:00 CLASSICAL TILL DAWN and dawn; Snow at Katoomba; Mountain winds. Janet Webb, fl; Ulpia Erdos, hp. 06:00 FINE MUSIC BREAKFAST Fine Music concert recording 14 including Arts Calendar at 7.30am Jenkins, K. Song of the plains (1995-2013). with Vicky Zhang London Philharmonic Choir; Adiemus SO of 09:00 DIVERSIONS IN FINE MUSIC Europe. Decca 5793828 10 Something borrowed Prepared by Di Cox d’Indy, V. Poem of the mountains, op 15 Liszt, F. Wanderer fantasy, after Schubert (1881). Stephanie McCallum, pf. ABC 461 798-2 20 (1851). Michel Béroff, pf; Gewandhaus O/Kurt Masur. 16:00 FINE MUSIC DRIVE EMI CZS 7 67214 2 20 including Arts Calendar at 5.00pm Chopin, F. Variations on a theme from with Marilyn Shock Rossini's Cinderella (1824; arr. H. Holliger). 19:00 THE NEW JAZZ STANDARD with Frank Presley 20:00 THE WORLD OF A SYMPHONY Symphony no 5 by Ferdinand Ries Prepared by James Nightingale Beethoven, L. Overture to Egmont, op 84 (1810). Gewandhaus O/Kurt Masur. Decca 478 6962 9 Ries, F. Sonatina in A minor, op 45 (1811-12). Susan Kagan, pf. Naxos 8.570796 8 Spohr, L. Violin concerto no 7 in E minor, op 38 (1814). Ulf Hoelscher, vn; Berlin RSO/ Christian Frölich. cpo 999 232-2 23 Schubert, F. Lodas Gespenst, D150 (1816). Dietrich Fischer-Dieskau, bar; Gerald Moore, pf. DG 477 5765 12 Haydn, J. Scena di Berenice, Hob.XXIVa:10 (1795). Sandrine Piau, sop; Il Giardino Armonico/Giovanni Antonini. Alpha Classics ALPHA 12

Heinz Holliger, ob; Ursula Holliger, hp. Philips 426 288-2

Bruch, M. Adagio in E minor on Celtic themes, op 56 (1890-91). Julius Berger, vc; Polish National RSO/Antoni Wit. EBS 6060 8 Paganini, N. Introduction and variations on Di tanti palpiti from Rossini's Tancredi, op 13 (arr. Kreisler). Ruggiero Ricci, vn; Louis Persinger, pf. Decca 458 191-2 10 Geminiani, F. Concerto grosso in E, after Corelli, op 5 no 11 (c1716). Academy of Ancient Music/Andrew Manze. Harmonia Mundi HMU 907261.62 8 Debussy, C. Little suite (1889; arr. Groningen Guitar Duo). Groningen Guitar Duo. Ottavo OTR C49135 14 Saint-Saëns, C. Fantasy after Weber’s Oberon (1850). Philippe Graffin, vn; Pascal Devoyon, pf. Helios CDH55353 16 10:30 CONCERT HALL Prepared by Frank Morrison

Beethoven, L. Sonata no 27 in E minor, op 90 Elgar, E. Wand of youth, suite no 1, op 1a (1907). Welsh National Opera O/Charles (1814). Angela Hewitt, pf. Hyperion CDA67797 13 Mackerras. Argo 433 214-2 20 Ries, F. Symphony no 5 in D minor, op 112. Zurich CO/Howard Griffiths. cpo 999 547-2 30

Servais, A-F. Cello concerto in B minor, op 5. Wen-Sinn Yang, vc; Munich RSO/Terje Mikkelsen. cpo 777 542-2 23 Raff, J. Symphony no 5 in E, op 177, Lenore (1872). Suisse Romande O/Neeme Järvi. Chandos CHSA 5135 40 12:00 A JAZZ HOUR with Barry O'Sullivan 13:00 IN CITIES AND ON THE STEPPES Prepared by Michael Morton-Evans Glazunov, A. Overture: Carnaval, op 45 (1892). Rumanian State O/Horia Andreescu. Marco Polo 8.220487 10 Borodin, A. In the steppes of Central Asia (1880). Armenian PO/Loris Tjeknavorian. Brilliant Classics 94410 8 Tchaikovsky, P. Tatyana’s letter scene, from Eugène Onegin (1879). Cheryl Barker, sop; Queensland SO/Guillaume Tourniaire. Melba MR301129 12 Arensky, A. Violin concerto in A minor, op 54 (1891). Sergei Stadler, vn; Leningrad PO/ Vladislav Chernushenko. Melodiya MA 3014 23 14:00 OPERA IN CONCERT Prepared by Giovanna Grech Thomas, A. Overture to Mignon (1866). Suisse Romande O/Ernest Ansermet. Decca 425 083-2

15:00 ITALIAN INFLUENCE ON MOZART Prepared by James Nightingale Cimarosa, D. Overture to Il fanatico per gli antichi romani (1777). Toronto CO/Kevin Mallon. Naxos 8.570279 8

Hasse, J. Ah! Che mancar mi sento (1781). Vivica Genaux, mezz; Capella Gabetta/Andrés Kerll, J. Passacaglia in D minor. Christa Rumsey, org. Gabetta, vn & dir. 7 Sony 88691944592 7 Move MD 3030 Carissimi, G. Suscitavit Dominus. Consortium Clementi, M. Sonata in B flat, op 2 no 6 Carissimi. (1779). Howard Shelley, pf. 7 Hyperion CDA67632 8 Naxos 8.555076 Jommelli, N. Se mai senti spirarti sul volto, from La clemenza di Tito (1753). Filippo Mineccia, ct; Nereydas/Javier Ulises Illán. Pan Classics PC 10352 11 Mozart, W. Symphony no 21 in A, K134 (1772). Amsterdam Baroque O/Ton Koopman. Erato 2292-45544-2 20 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with James Hunter

Verdi, G. Ascolta! Le porte dell’asil s'apron gia, from Don Carlo (1867). Carlo Bergonzi, ten; Dietrich Fischer-Dieskau, bar; Royal Opera House Ch & O/Georg Solti. Decca 421 314-2 6 Mozart, W. Ach ich liebte, war so glücklich!, from The abduction from the seraglio, K384 (1782). Yvonne Kenny, sop; Zurich Opera House Mozart O/Nikolaus Harnoncourt. Teldec 0630-13811-9 6 Meyerbeer, G. Popolo dell' Egitto, from Il crociato in Egitto. Alfredo Kraus, ten; Welsh National Opera Ch & O/Carlo Rizzi. Philips 442 785-2 9 Wagner, R. Prelude, from The mastersingers of Nuremberg (1866-67). Chicago SO/Daniel Barenboim. Teldec 4509-99595-2 10 Donizetti, G. Cruda, funesta smania, from Lucia di Lammermoor (1835). Dmitri Hvorostovsky, bar; Philharmonia O/Ion Marin. Philips 434 912-2 4

19:00 FRIDAY JAZZ SESSION with Alex Siegers

Dixit Dominus pour le Port Royal. Jill Feldman, sop; Ludwig van Gyseghem, ten; Capella Ricercar; Benoit Mernier, org. Ricercar RIC 052034 7

Massenet, J. Toi! Vous! … N'est ce plus ma main, from Manon (1884). Angela Gheorghiu, sop; Roberto Alagna, ten; Royal Opera House O/Richard Armstrong. EMI 5 56117 2 7

Arnold, M. Symphony no 4, op 71 (1960). London SO/Richard Hickox. Chandos CHAN 9290 41 Vaughan Williams, R. Concerto in A minor for oboe and strings (1944). Roger Winfield, ob; Northern Sinfonia of England/Richard Hickox. EMI CDC 7 49745 2 19 Holst, G. The planets, op 32 (1916). London Voices; London SO/Richard Hickox. IMP PCD 890 51 22:00 BAROQUE AND BEFORE Giacomo Carissimi and his pupils Prepared by Elaine Siversen Carissimi, G. Bel tempo per me se n’andò. Martyn Hill, ten; Trevor Jones, va da gamba; Robert Spencer, lute; Christopher Hogwood, hpd. LP L’Oiseau-Lyre DSLO 547 5 Kerll, J. Suite in D. John O’Donnell, hpd. Tall Poppies TP 121

Krieger, A. Ihr bleibet nicht Bestand verpflicht; Der Liebe Macht herrscht Tag und Nacht. Andreas Scholl, ct; Pablo Valetti, vn; Stephanie Pfister, vn; Alix Verzier, vc; Friederike Heumann, bass viol; Juan Manuel Quintana, bass viol; Karl Ernst Schröder, lute; Markus Märkl, hpd. Harmonia Mundi HMG 501505 8 Charpentier, M-A. Excerpts from The entertaining lunatics (1680). New Chamber Opera; Band of Instruments/Gary Cooper. ASV GAU 167 20

20:00 EVENINGS WITH THE ORCHESTRA Richard Hickox conducts Prepared by Rex Burgess 8

Carissimi, G. Oratorio: Jephte (bef. 1649). Nadia Caristi, sop; Annamaria Calciolari, sop; Keiko Morikawa, sop; Elena Biscuola, mezz; Paolo Costa, ct; Fabio Furnari, ten; Marco Scavazza, bar; Garrick Comeaux, bass; Members of Consortium Carissimi/Vittorio Zanon, org & dir. Naxos 8.557390 22

Scarlatti, A. Toccata (bef. 1700). Rosalind Halton, hpd. ABC 461 687-2 6 Fili e Clori (1699?). Jane Edwards, sop; Miriam Allan, sop; violins of Chaconna. ABC 461 687-2 17

Saturday 18 June 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SATURDAY MORNING MUSIC with David Garrett 09:00 WHAT'S ON IN MUSIC Our weekly guide to musical events in and around Sydney 09:05 THE PIANO ALONE Prepared by Anne Irish Schumann, R. Symphonic études, op 13 (1834-7). Alfred Brendel, pf. Vanguard OVC 4027 26 Gade, N. In the flower garden in G, from Four idylles, op 34 (1857). Anker Blyme, pf. Marco Polo DCCD 9116 2

Beethoven, L. Sonata no 31 in A flat, op 110 (1821-22). Vladimir Ashkenazy, pf. Decca 417 150-2 20 10:00 CENTRES OF MUSIC Copenhagen Conservatory Prepared by Jennifer Foong Hartmann, J.P.E. Praeludium (1844). Daniele Ruggieri, fl; Andrea Toschi, org. Brilliant Classics 95011 4 Gade, N. String quartet in D, op 63 (1888). Kontra Quartet. BIS CD-516 23 Nielsen, C. Suite from Maskarade (1904-06). Danish NSO/Thomas Dausgaard. Dacapo 8.206002 10

Mozart, W. Parto, parto, from La clemenza di Tito, K621 (1791). Yvonne Kenny, sop; Alan Vivian, cl; Australian CO/Richard Tognetti. Sony SK 66282 6 Glinka, M. The poor horse fell in the field, from A life for the Tsar (1836). Yelizaveta Antonova, cont; Bolshoi Theatre Ch & O/ Alexander Melik-Pshayev. Naxos 8.1111078 12 Wagner, R. Gerechter Gott, so ist’s entschieden schon!, from Rienzi (1838-40). Gundula Janowitz, sop; Berlin German Opera O/Ferdinand Leitner. DG 479 1241 9

Chabrier, E. O petite étoile! Quand on aime, est-il utile, from L’Étoile (1877). Colette Serenata in vano (1914). Bergen Wind Quintet. Alliot-Lugaz, sop; Lyons Opera O/John Eliot BIS CD-428 7 Gardiner. 6 Bentzon, N. Sonata, op 73 (1952). Ole Edvard EMI 7478898 Antonsen, tpt; Wolfgang Sawallisch, pf. Strauss, R. Introduction and opening scene, EMI 5 56367 2 12 from Der Rosenkavalier (1911). Régine Crespin, sop; Hilde Gueden, sop; Elisabeth Gade, N. Symphony no 6 in G minor, op 32 Söderström, sop; Heniz Holocek, ten; Vienna (1857). Stockholm Sinfonietta/Neeme Järvi. BIS CD-356 24 PO/Silvio Varviso. Decca JB 57 9 11:30 ON PARADE 14:00 CHAMBER MUSIC OF Music that’s band COPLAND Prepared by Owen Fisher Prepared by Paul Cooke Lloyd Weber, A. Memory, from Cats. Craig Bennet, soloist; Desford Colliery Band/Frank Renton. EMI 5 21450 2 5 Brown, N. Singin’ in the rain. Tredegar Town Band/Nicholas Childs. EMI 5 21452 2 4 Donizetti, G. Sextet, from Lucia di Lammermoor. Frank Kaderabek, tpt; Greg Seifert, tpt; Ezra Wenner, tpt; Jeffery Krause, tpt; Warren Wilson, tpt; Terry Stettler, tpt; Allentown Band/Ronald Demkee. AMP 88115 3 Berlioz, H. Overture to Le corsair. National Band of New Zealand. Rajon CDR 0045 8 Alford, K. On the quarterdeck. Band of HM Royal Marines. EMI 8 37188 2 3

Copland, A. Vitebsk: Study on a Jewish theme (1929). Peter Zazofsky, vn; Ross Harbaugh, vc; Paul Posnak, pf. Naxos 8.559102

Sextet for clarinet, piano and string quartet (1937). Corinne Stillwell, vn; Pamela Ryan, va; enhake. Naxos 8.559692 15 14:30 SATURDAY MATINEE At the ballet Prepared by Rita Felton Massenet, J. Manon (1884; arr. Lucas 1974) Royal Opera House O/Richard Bonynge. LP Decca 414 585-2 1:40 Delibes, L. Suite from Coppélia (1870). New Philharmonia O/Charles Mackerras. EMI CDZ 7 62515 2 12

12:00 URBAN JAZZ LOUNGE with Leita Hutchings

Dukas, P. Ballet: La Péri (1911). Ulster O/Yan Pascal Tortelier. Chandos CHAN 241-32 18

13:00 TREASURES OF THE VOICE Sopranos and contraltos in opera Prepared by Paul Cooke

17:00 SOCIETY SPOT Classical Guitar Society with Darryl Rule

Handel, G. Scherza infida!, from Ariodante (1735). Johannette Zomer, sop; Musica Amphion/Pieter-Jan Belder. Channel CCS SA 29209 9

18:00 STAGE AND SCREEN The musicals: Real people Prepared by Angela Cockburn Heneker, D. The biograph girl (1980). Sheila White, Jane Hardy, Bruce Barry, Ron Berglas, voices; original London cast/Michael Reed. TER Orbis MUS C N63 16 Hamlisch, M. They’re playing our song (1978). Tom Conti, Gemma Craven, voices; original London cast/Grant Hossack. TER Orbis MUS C N25 16 Berlin, I. Annie get your gun (1946). Judy Kaye, Barry Bostwick, David Green, Teri Ralston, Richard Lyndon; voices; National SO/ John Owen Edwards. TER Orbis MUS C N49 15 19:00 EMERGENT JAZZ with Keith Pettigrew 20:00 THE LIFE OF A COMPOSER Franz Berwald Prepared by Jennifer Foong Berwald, F. Overture to The Queen of Golconda (1868). Royal PO/Ulf Björlin. EMI CDM 5 65073 2

Concert piece (1827). Patrik Håkansson, bn; Gävle SO/Petri Sakari. Naxos 8.555370 12 Aulin, T. Cavatina (c1900). Semmy Stahlhammer, vn; Love Derwinger, pf. nosag 4049

Stenhammar, W. A ship is sailing (1909). Anne Sofie von Otter, mezz; Bengt Forsberg, pf. DG 449189-2 2 Norman, L. Three pianoforte pieces in scherzo form, op 12 (pub. 1866). Bengt Forsberg, pf. Acoustica ACCD-1016

Nielsen, C. Prelude to Sir Oluf (1906). Danish NSO/Thomas Dausgaard. Da Capo 6.220518 6 Berwald, F. Serenade (1825). Thomas Annmo, ten; Mikael Björk, db; Joakim Kallhed, pf; members of Arion Wind Quintet; members of Schein String Quartet. Naxos 8.553714 14 Piano quintet no 1 in C minor (1853). Susan Tomes, pf; Gaudier Ensemble. Hyperion CDA66835 23 Symphony no 3 in C, Singulière (1845). Malmö SO/Sixten Ehrling. BIS CD-795/796 29

22:00 SATURDAY NIGHT AT HOME Prepared by Elaine Siversen Beethoven, L. Serenade in D, op 25 (1801). Grigory Madativ, fl; David Oistrakh, vn; Mikhail Terian, va. Brilliant Classics 8402 26

Gluck, C. O del mio dolce ardor, from Paride ed Elena (1770). Magdalena Kozená, mezz; Prague PO/Michel Swierczewski. DG 471 334-2 3

Haydn, J. Concertino in C, Hob.XIV:11 (1760). Reinhard Goebel, vn; Alda Stuurop, vn; Charles Medlam, vc; Ton Koopman, hpd. Vaughan Williams, R. Serenade to music 7 (1938). Vancouver Bach Choir; Vancouver SO/ Philips 446 542-2 Bruce Pullan. Vanhal, J. Trio in E flat, op 20 no 5 (1781). CBC SMCD 5121 13 Deborah de Graaff, cl; Dimity Hall, vn; David Mozart, W. Serenade no 7 in D, K250, Haffner Miller, pf. 9 (1776). Liszt Ferenc CO/János Rolla, vn & dir. Fine Music concert recording Hungaroton HCD 12944

Jolivet, A. Serenade for wind quintet with principal oboe (1945). Bergen Wind Quintet. BIS CD-291 17

Sunday 19 June 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC with Robert Small 09:00 MUSICA SACRA Sacred music for the Hapsburgs Prepared by Robert Small Fux, J. Plaudite, sonat tuba (1736). Kurt Equiluz, ten; Stephen Keavy, tpt; Capella Caldara/Uwe Christian Harrer. Philips 422 997-2 18 Caldara, A. Stabat Mater. Parsons Affayre/ Warren Trevelyan-Jones. Vox Forris MMPA005 19 Haydn, J. Missa brevis Sancti Joannis de Deo in B flat, Hob.XXII:7, Little organ mass (1788). Lynda Russell, sop; Catherine WynRogers, cont; William Kendall, ten; Michael George, bass; Choir of Winchester Cathedral; Brandenburg O/David Hill. Hyperion CDA66508 16 10:00 THE CLASSICAL ERA Prepared by Di Cox Schubert, F. Six German dances, D820 (1824; arr. Webern). American SO/Leon Botstein. Koch 3-7307-2

Hummel, J. Piano quintet in E flat minor, op 87 (1802). Nepomuk Fortepiano Quintet. Brilliant Classics 94377 23

Boulanger, L. Faust et Hélène (1913). Lynne Dawson, sop; Janson Howard, bass; BBC PO/ Yan Pascal Tortelier. Chandos CHAN 9745 30 17:00 HOSANNA Prepared by Richard Munge Hymns. The King of love my shepherd is; My song is love unknown. Choir of Worcester Cathedral; Worcester Festival Choral Society; Paul Trepte, org; Donald Hunt, cond. Griffin GCCD 4024 6

Psalm. No 81, Sing we merrily unto God. Moscheles, I. Piano concerto no 2 in E flat, Choir of Norwich Cathedral; Neil Taylor, org; op 56 (c1822). Tasmanian SO/Howard Shelley, Michael Nicholas, cond. pf & dir. Priory PRCD 409 5 Hyperion CDA67276 31 Stanford, C. Villiers Te Deum; Jubilate in 12:00 CLASSIC JAZZ A. Choir of Ely Cathedral; Jeremy Filsell, org; with Dave Mac Paul Trepte, cond. Heritage HTGCD 219 12 13:00 WORLD MUSIC Fauré, G. Kyrie; Sanctus; Agnus Dei; In Whirled Wide Paradisum, from Requiem. Combined choirs with Carole Garland of Gloucester, Hereford and Worcester Cathedrals/Adrian Lucas. 14:00 INTIMATE VOICES Griffin GCCD 4023 14 The violin Part 3 Prepared by Gerald Holder Hymns. The Lord’s my shepherd; Thine be Ysaÿe, E. Sonata in A minor, op posth. (1915). the glory. Choir of Westminster Abbey; Robert Quinney, org; James O’Donnell, cond. Henning Kraggerud, vn; Bård Monsen, vn. 6 Naxos 8.570977 30 Hyperion CDA 68013 Beethoven, L. Sonata no 5 in F, op 24, Spring (1800-01). Itzhak Perlman, vn; Vladimir Ashkenazy, pf. Decca 421 453-2 24 15:00 SUNDAY SPECIAL Rarities of the Belle Époque Prepared by James Nightingale Chabrier, E. Habanera (1882). Vienna PO/ John Eliot Gardiner. DG 447 751-2 4 Clémencic de Grandval, M. Suite (1872). Juliette Hurel, fl; Hélène Couvert, pf. Alpha-Classics ALPHA 573 20

Koehne, G. Gothic toccata. Alistair Nelson, org. Soundwright Professional Audio 8 18:00 SMALL FORCES Prepared by Anne Irish

Boccherini, L. Guitar quintet no 4 in D, G448, Fandango (1798). Zoë Black, vn; Elizabeth Jones, vn; Ian Rathbone, va; Melissa Barnardi, vc; Slava Grigoryan, gui. Fine Music Concert Recording 16 Casals, P. Song of the birds (1972). Ofra Harnoy, vc; Orford String Quartet. Pro Arte CDD 418

Dukas, P. L’Ondine et le pecheur (c1884). Chantal Santon-Jeffrey, sop; Brussels PO/ Hervé Niquet. Palazzetto Bru Zane ES 1021 6

Brahms, J. Quintet in B minor, op 115 (1891). Deborah de Graaff, cl; Georg Pedersen vc; strings of Mozart Piano Quartet. ABC 472 672-2 35

Chausson, E. Poem, op 25 (1896). Lydia Mordkovitch, vn; Marina Gusak-Grin, pf. Chandos CHAN 10612 X 14

19:00 SUNDAY NIGHT CONCERT Prepared by Stephen Wilson

d’Indy, V. Choral varié (1903). Arno Bornkamp, sax; Netherlands RSO/JeanBeethoven, L. String trio in C minor, op 9 no 3 Bernard Pommier. Ottavo OTR C30589 9 (1797-98). Oleg Kagan, vn; Yuri Bashmet, va; Bonis, M. Piano quartet no 1, op 69 (1905). Natalia Gutman, vc. Live Classics LCL 141 27 Mozart Piano Quartet. MDG 643 1424-2 24

Rossini, G. Overture to Semiramide (1823). Prague Sinfonia O/Christian Benda. Naxos 8.570933 12 Copland, A. Concerto for clarinet, harp, piano and orchestra (1947-48) Martin Fröst, cl; Malmö SO/Lan Shui. BIS BIS-CD-893 18 Mahler, G. Symphony no 1 in D (1888/93/9698). Sydney SO/Vladimir Ashkenazy. Sydney Symphony SSO201001 52

Vianna da Motta, J. Symphony, op 13, À pátria (1895). Royal Liverpool PO/Álvaro Garcia, R. Lakeland (2000). Ruben Garcia, pf. Cassuto. 43 Close Tolerance Music CTM 105 12 Naxos 8.573495 20:30 NEW HORIZONS Prepared by Nev Dorrington

Lee - Leonard - Kats-Chernin. Wind song (2019). Riley Lee, shakuhachi; Christina Leonard, sax; Elena Kats-Chernin, pf. CD BABY B07R WLDHW4 1:03 Vangelis. Silent portraits I. Vangelis, pf. Polydor PRS 42011

22:00 JAZZ AFTER HOURS with Deborah Evans

Beethoven, L. Piano trio no 9 in E flat, WoO38 (c1791). Beaux Arts Trio. Philips 438 948-2

00:00 CLASSIC-ALL THROUGH THE NIGHT

09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1840 Prepared by Jacky Ternisien Lortzing, A. Overture to Hans Sachs (1840). Berlin RSO/A.F. Guhl. LP Marco Polo 6.220310 8 Liszt, F. Hungarian rhapsody no 1 in C sharp minor (1840). Michele Campanella, pf. Philips 438 371-2 14 Wagner, R. Gerechter Gott ... In seiner Blüte, from Rienzi (1840). Joan Sutherland, sop; National PO/Richard Bonynge. Decca 475 6302 7 Donizetti, G. Ballet music from La favorite (1840). Philharmonia O/Antonio de Almeida. Philips 422 844-2 19 Cavallini, E. Capriccios (1840): no 21 in B minor, op 5 no 4; no 26 in B flat, op 3 no 6; no 27 in G, op 5 no 3. Nicola Bulfone, cl. Naxos 8.573133-34 12

10:30 CONCERT HALL Prepared by Paul Cooke Elgar, E. Introduction and allegro, op 47 (1904-05). Capella Istropolitana/Adrian Leaper. Naxos 8.554409

00:00 CONTEMPORARY COLLECTIVE

Mendelssohn, F. Variations concertantes, op 17 (1829). Mischa Maisky, vc; Sergio Tiempo, pf. DG 471 565-2 8

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Robert Small

Schmidt, H. Piano concerto no 2 (2001). Christina Petrowska Quilico, pf; KitchenerWaterloo SO/Daniel Warren. Centrediscs CMCCD 17011 25

22:00 JAZZ AFTER HOURS with Eddie Bernasconi

Tuesday 21 June

13:00 MEANDERING ACROSS EUROPE Part 4 Germany Prepared by Frank Morrison Bach, J.S. Brandenburg concerto no 2 in F, BWV1047 (1720). Suk CO/Josef Suk, vn & dir. Vanguard OVC 7002/03 12

Monday 20 June

Alkan, C-V. Piano trio in G minor, op 30 (1840). Trio Alkan. Brilliant Classics 95568

12:00 SWING SESSIONS with John Buchanan

20:00 STORMY MONDAY with Austin Harrison

Brahms, J. Academic festival overture, op 80 (1880). Scottish CO/Charles Mackerras. Telarc 80450 10 Schumann, R. Three fantasy pieces, op 111 (1851). Mariana Izman, pf. Radio Nederland MCCP123 12 Strauss, R. Four last songs, op posth. (1948). Jessye Norman, sop; Gewandhaus O/Kurt Masur. Philips 411 052-2 26 14:30 TOUR TO BRAHMS Prepared by James Nightingale Sculthorpe, P. Irkanda IV (1961). Goldner String Quartet. Tall Poppies TP089 11 Benjamin, A. Pastorale, arioso and finale (1948). Ian Munro, pf. Tall Poppies TP 105 13 Boulanger, L. Soir sur la plaine (1913). Amanda Pitt, sop; Martyn Hill, ten; Peter Johnson, bar; New London Chamber Choir; Andrew Ball, pf; James Wood, cond. Hyperion CDA66726 9

03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Julie Simonds 09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by Elaine Siversen Busoni, F. Ten variations on Chopin’s C minor prelude (1884/1922). Wolf Harden, pf. Naxos 8.570891 13 Mozart, W. Sonata in D, K448 (1781). Murray Perahia, pf; Radu Lupu, pf. CBS MK 39511 22 Scarlatti, D. Sonata in D minor, Kk417. Jacqueline Ogeil, org. ABC 476 622-1

Sonata in A, K209. Nicholas Parle, hpd. Tall Poppies TP057

Haydn, J. Keyboard trio in G, Hob.XV:25, Gypsy (1795). Beaux Arts Trio. Philips 454 098-2 17 Debussy, C. Images I (1905). Claude Helffer, pf. Harmonia Mundi HMA 190954 15 10:30 CONCERT HALL Prepared by Rex Burgess Berlioz, H. Overture to Les francs-juges, op 3 (1827-28). San Diego SO/Yoav Talmi. Naxos 8.553034 12 Saint-Saëns, C. Piano concerto no 5 in F, op 103, Egyptian (1896). Duncan Gifford, pf; Tasmanian SO/Sebastian Lang-Lessing. ABC 476 192-8 29

Satie, E. Trois morceaux en forme de poire (1903). Alexandre Tharaud, pf; Éric le Sage, pf. Magnard, A. Symphony no 3 in B flat minor, Harmonia Mundi HMC 902017.18 13 op 11 (1896). Toulouse Capitole O/Michel Brahms, J. String quartet no 3 in B flat, op 67 Plasson. EMI 5 72364 2 40 (1876). New Budapest String Quartet. Hyperion CDA66652 35 12:00 JAZZ RHYTHM with Jeannie McInnes 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with David Brett 19:00 JAZZ PULSE with Chris Wetherall

13:00 COMPOSER FOCUS Part 16 Johann Svendsen Prepared by Michael Morton-Evans Svendsen, J. Romance in G, op 26 (1881). Marianne Thorsen, vn; Bergen PO/Neeme Järvi. Chandos CHAN 10693 8

Ravel, M. Trio in A minor (1914). Rotraud Schneider, vn; Anthea Scott-Mitchell, vc; Daniel Herscovitch, pf. Fine Music concert recording 25

Farrenc, L. Symphony no 3 in G minor, op 36 (1847). Solistes Européens, Luxembourg/ Christoph König. Naxos 8.573706 34

Dvorák, A. String quartet no 12 in F, op 96, American (1893). Goldner String Quartet. Fine Music concert recording 27

12:00 JAZZ SKETCHES with Robert Vale

Norwegian artists' carnival, op 14. Trondheim SO/Ole Kristian Ruud. Virgin 5 45128 2 7

Spohr, L. Nonet for strings and winds, op 31 (1813). Consortium Classicum/Dieter Klöcker. Orfeo C 155 871 A 28

String octet in A, op 3, mvts 2 and 3 (1866). Academy of St Martin in the Fields Chamber Ensemble. Chandos CHAN 9258 17

Wednesday 22 June

String quartet in A minor, op 1, mvt 3 (1865). Kontra Quartet. BIS CD-753 4 Allegro and Finale, from Symphony no 1 in D, op 4 (1865-66). Danish National RSO/Thomas Dausgaard. Chandos CHAN 9932 15 14:00 A CONCERT IN VENEZUELA Prepared by Derek Parker Revueltas, S. The night of the Mayas (1939). Simón Bolívar Youth O/Gustavo Dudamel. DG 477 8775 30

00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN

Mozart, W. Serenade no 13 in G, K525, Eine kleine Nachtmusik (1787). Tasmanian SO/ Geoffrey Lancaster, hpd & dir. ABC 434 899-2 20

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Stephen Wilson 09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by Brian Drummond Drouet, L. Introduction and variations on an English theme (1815-19). Marc Grauwels, fl; Catherine Michel, hp. Marco Polo 8.220441 11

20:00 JUST IN with Charles Barton A selection from the latest recordings to arrive at the Fine Music Library 22:00 CHAMBER SOIRÉE Prepared by Rex Burgess Buxtehude, D. Trio sonata in B flat for violin, viola da gamba and continuo, BuxWV273. Musica Antiqua Cologne. Archiv 437 089-2 15

1 (1740). Francesco Galligioni, vc; L’Arte dell’Arco. Brilliant Classics 95525

Witt, F. Septet in F for winds and strings, op 62. Consortium Classicum. cpo 777 486-2 24 10:30 CONCERT HALL Prepared by James Nightingale Saint-Saëns, C. Algerian suite, op 60 (187980). Monte Carlo PO/David Robertson. Auvidis V 4688 20

Hahn, R. Piano concerto in E (1931). Stephen Coombs, pf; BBC Scottish SO/Jean-Yves Mozart, W. Sonata no 21 in E minor, K304 Ossonce. (1778). Mark Steinberg, vn; Mitsuko Uchida, pf. Hyperion CDA66897 28 Decca 478 2540 16

14:00 FROM THE SOUTH Part 4 Tasmanian Symphony Orchestra Prepared by Ron Walledge Vivaldi, A. Guitar concerto in D, RV93 (arr. Behrend). Slava Grigoryan, gui; Tasmanian SO/Benjamin Northey. ABC 480 6461 11

Castellanos, E. Symphonic suite: Santa Cruz de Pacairigua. Simón Bolívar Youth O/Gustavo Bartlett, J. Sweet birdes deprive us never Dudamel. DG 477 7457 16 (pub. 1606). Emma Kirkby, sop; Anthony Rooley, lute. Prokofiev, S. Piano concerto no 2 in G minor, L’Oiseau-Lyre 478 7863 6 op 16 (1923). Yuja Wang, pf; Simón Bolívar SO Loeillet of London, J.B. Sonata in D, op 3 of Venezuela/Gustavo Dudamel. DG 479 1304 31 no 9 (pub. 1715). Håkan Hardenberger, tpt; Simon Preston, org. Stravinsky, I. Ballet: The rite of Spring (1913). Philips 434 074-2 6 Simón Bolívar Youth O/Gustavo Dudamel. DG 477 8775 34 Mahon, J. Clarinet concerto no 2 in F (c1775). Colin Lawson, cl; Parley of Instruments/Peter 16:00 FINE MUSIC DRIVE Holman. including Arts Calendar at 5.00pm Helios CDH55261 19 with Andrew Dziedzic Lanzetti, S. Sonata no 5 in A minor, op 19:00 THE JAZZ BEAT with Lloyd Capps

13:00 IN CONVERSATION with Simon Moore

Moscheles, I. Piano concerto no 2 in E flat, op 56 (c1822). Tasmanian SO/Howard Shelley, pf & dir. Hyperion CDA67276 31 Rachmaninov, S. Symphony no 2 in E minor, op 27 (1906-07). Tasmanian SO/Patrick Thomas. ABC 476 4565 47 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Lloyd Capps 19:00 PLANET JAZZ with Xavier Bichon 20:00 AT THE OPERA Prepared by Peter Poole

200th

A NNI V ERSA RY Offenbach, J. The tales of Hoffman. Opera in five acts. Libretto by Jules Barbier and Michel Carré. First performed Paris, 1881. NICKLAUSSE: Huguette Tourangeau, mezz HOFFMANN: Plácido Domingo, ten LINDORF, COPPELIUS, DR MIRACLE, DAPERTUTTO: Gabriel Bacquier, bar STELLA, OLYMPIA, ANTONIA, GUILIETTA: Joan Sutherland, sop Pro Arte Lausanne Choir; Chorale du Brassus; Suisse Romande Choir & O/Richard Bonynge. Decca 417 363-2 2:22 Drinking in a tavern with Nicklausse, the poet Hoffmann receives a letter from his love, Stella, a prima donna. His enemy Lindorf asks him to tell the story of his three love affairs. First, Hoffmann loves Olympia, a mechanical doll. He believes she is real until she is

broken by Coppelius. Then he loves Antonia, forbidden to sing at the risk of death. Urged on by the evil Dr Miracle, she sings for Hoffmann and dies in his arms. Finally, he loves Giulietta, a Venetian courtesan. When he kills her lover in a duel, Giulietta leaves with Dapertutto. The three women in these stories are really just different aspects of Stella so, when she finally appears, Hoffmann is drunk and she leaves him for Lindorf. Nicklausse, who has witnessed these affairs, becomes his muse and urges him to use his suffering to write great literature.

Piazzolla, A. Serie del angel (1962-65; arr. Gabriel Senanes). Achilles Liarmakopoulos, tb; Edson Scheid, vn; Jiyun Han, vn; Raul Garcia, va; Arnold Choi, vc; Samuel Adams, db. Naxos 8.572596 18

14:30 SCHUBERT IN CHAMBER Prepared by Derek Parker

Holmboe, V. Brass quintet, op 79 (1961). Swedish Brass Quintet. BIS CD-78 13

Sonata in D, D384 (1816; arr. Bergström). Gil Shaham, vn; Göran Söllscher, gui. DG 479 2565 15

Ballet from Orpheus in the Underworld (1858). Philharmonia O/Antonio de Almeida. Philips 422 057-2 18

10:30 CONCERT HALL Prepared by Jacky Ternisien

23:00 MUSIC OF THE NIGHT Prepared by James Nightingale

Mozart, W. A musical joke in F, K522 (1787). Robert Johnson, hn; Geoff O’Reilly, hn; Georges Lentz, vn; Hazelwood Quartet. Fine Music concert recording 18

Rimsky-Korsakov, N. Overture: Russian Easter festival, op 36 (1888). Cleveland O/ Lorin Maazel. Decca 480 6627 15

Szymanowski, K. Notturno e tarantella, op 28 Ravel, M. Piano concerto in G (1931). Jean(1915). Detlef Hahn, vn; Mark Fielding, pf. Efflam Bavouzet, pf; BBC SO/Yan Pascal ASV QS 6215 11 Tortelier. Skempton, H. Reflections (1999-2002). Chandos CHSA 5084 21 William Howard, pf. Smetana, B. Festive symphony, op 6 Orchid Classics ORC100116 13 (1854/81). ORF SO/Lothar Zagrosek. Reyk, B. van Light for the first time (2017). Marco Polo 8.223120 46 Ensemble Offspring. Offspring Bites 2 11 12:00 JAZZ AFTER NOON with Sue Jowell Lumsdaine, D. Mandala 5 (1989). West Australian SO/Albert Rosen. ABC 426 994-2

Thursday 23 June

Handel, G. Overture to Semele, HWV58 (1743). Australian Brandenburg O/Paul Dyer. ABC 456 689-2 7

00:00 CONTEMPORARY COLLECTIVE

Salieri, A. Concerto in C for flute, oboe and chamber ensemble (1774). Geoffrey Collins, fl; David Nuttall, ob; Dene Olding, vn; Dimity Hall, vn; Irena Morozova, va; David Pereira, vc; Dorith Herskovits, db; Paul Dyer, hpd. Fine Music concert recording 19

03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Simon Moore 09:00 DIVERSIONS IN FINE MUSIC The instruments: Brass Prepared by James Nightingale Langford, G. A Russian fantasy. Sellers Engineering Band/Phillip McCann. Chandos CHAN 4511

13:00 PAUL DYER, SOLOIST AND DIRECTOR Prepared by Jacky Ternisien

Lovelock, W. Trombone concertino (1955). Ian Hankey, tb; Queensland SO/Patrick Thomas. LP ABC AC 1007 11 Hubeau, J. Sonata for chromatic trumpet and piano (1943). Daniel Mendelow, tpt; Anthony Baldwin, pf. Fine Music concert recording 11

Kats-Chernin, E. Prelude and cube (2014). Jane Sheldon, sop; Brandenburg Choir, Australian Brandenburg O/Paul Dyer. ABC 481 6430 13 Albinoni, T. Oboe concerto in D minor, op 9 no 2. Kirsten Barry, ob; Australian Brandenburg O/Paul Dyer. ABC 476 2840

Carr-Boyd, A. Suite for Veronique (1982). Paul Dyer, hpd. Fine Music tape archive 10 Mozart, W. Symphony no 28 in C, K200 (1774). Australian Brandenburg O/Paul Dyer. Fine Music tape archive 19

Schubert, F. String quartet no 8 in B flat, D112 (1814). Vienna Konzerthaus Quartet. Westminster RC 8808678121735 27

Trio no 1 in B flat, D898 (1827). Hansheinz Schneeberger, vn; Thomas Demenga, vc; Jörg Ewald Dähler, fp. Claves 50-9112 41 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Sue Jowell 19:00 THE NEW JAZZ STANDARD with Frank Presley 20:00 THE WORLD OF A SYMPHONY Symphony no 5 by Jean Sibelius Prepared by David Brett Sibelius, J. Finlandia, op 26 no 7 (1899/1900). Helsinki PO/Leif Segerstam. Ondine ODE 1037-2

Busoni, F. Finnish melodies (1888). Hector Moreno, Norberto Capelli, pf. Dynamic CDS 96 11 Bruckner, A. Te Deum (1881-84). Maria Stader, sop; Sieglinde Wagner, cont; Ernst Haefliger, ten; Peter Lagger, bass; German Opera Choir, Berlin; Berlin PO/Eugen Jochum. Decca 478 3640 22 Sibelius, J. Symphonic poem: The oceanides, op 73 (1914). Bergen PO/Edward Gardner. Chandos CHSA 5178 10 Stravinsky, I. Suite no 1 from The firebird (1911). Bergen PO/Dmitri Kitaienko. Virgin 5 61322 2 22 Sibelius, J. Symphony no 5 in E flat, op 82 (1915-19) Royal Concertgebouw O/Paavo Berglund. Radio Nederland RCO12004 33 22:00 AN AUSTRALIAN ENSEMBLE Prepared by Elaine Siversen Thuille, L. Sextet in B flat, op 6 (1886-88). Guy Henderson, ob; Rachel Valler, pf; Sydney Wind Quartet. Fine Music concert recording 28 22:30 ULTIMA THULE

Friday 24 June 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Vicky Zhang 09:00 DIVERSIONS IN FINE MUSIC Something borrowed Prepared by Stephen Wilson Szymanowski, K. Nocturne and tarantella, op 28 (1915; orch. Fitelberg). Ilya Kaler, vn; Warsaw PO/Antoni Wit. Naxos 8.557981 12 Mahler, G. The two blue eyes, from Songs of a wayfarer (1884/92/96; orch. 1912). Markus Eiche, bar; Sydney SO/Vladimir Ashkenazy. Sydney Symphony SSO201001 5 Weber, C.M. Variations on a Norwegian air, op 22 (1806). Alexis Galpérine, vn; Jean-Louis Haguenauer, pf. Timpani 1C 1007 13 Strauss, R. Introduction and moonlight music, from Capriccio (1942; arr. Strauss 1945). Vienna PO/André Previn. DG 437 790-2 14 Czerny, C. Fantasy no 3, from Three brilliant fantasies after Schubert, op 339 (1836). Barry Tuckwell, hn; Daniel Blumenthal, pf. Etcetera KTC1121 19 Glazunov, A. The forest, op 19 (1882-87; arr. Glazunov for two pianos, eight hands). Aurora Piano Quartet. Naxos 8.557717D 17 10:30 CONCERT HALL Prepared by Michael Field Kuhlau, F. Suite from Elverhøj, op 100 (1828). Odense SO/Othmar Maga. Unicorn-Kanchana DKP(CD)9132 33 Kalliwoda, J. Oboe concertino in F, op 110 (1844). Diana Doherty, ob; Queensland SO/ Werner Andreas Albert. ABC 456 681-2 16 Glass, P. Symphony no 7 (2004). Bruckner O Linz/Dennis Russell Davies. Orange Mountain Music omm0061 35 12:00 A JAZZ HOUR with Barry O'Sullivan

13:00 FRENCH CHAMBER Prepared by Jacky Ternisien

15:00 FINNISH VIOLIN Prepared by James Nightingale

Couperin, F. Concert royal no 4 in E minor, from Concerts royaux in Troisième livre de pièces de clavecin (1714-15). Aurèle Nicolet, fl; Christiane Nicolet, fl; Manfred Sax, bn; Josef Ulsamer, va da gamba; Christiane Jaccottet, hpd. Archiv 427 119-2 14

Rautavaara, E. The fiddlers, op 1 (1952). Tapiola Sinfonietta/Jean-Jacques Kantorow. BIS CD-910 7

Devienne, F. Sonata in C, op 71 no 3 (1799). Burkhard Glaetzner, ob; Christine Schornsheim, pf. Berlin 0012852BC 18

Järnefelt, A. Berceuse. Margit Kirvessalo, vn; Turku PO/Jorma Panula. Naxos 8.555773 3 Sallinen, A. Quartet no 3, op 19 (1969). Voces Intimae String Quartet. BIS CD-41 12

Sibelius, J. Violin concerto in D minor, op 47 (1904). Adele Anthony, vn; Adelaide SO/Arvo David, Félicien. String quartet no 4 in E Volmer. minor, Unfinished (aft. 1869). Quatuor Cambini Canary Classics CC09 32 Paris. Ambroisie AM206 7 16:00 FINE MUSIC DRIVE Jolivet, A. Little suite (1941). Anna Noakes, fl; including Arts Calendar at 5.00pm with Robert Gilchrist Jonathon Barrett, va; Gillian Tingay, hp. 12

ASV DCA 948

14:00 OPERA IN CONCERT Prepared by Giovanna Grech Berlioz, H. Royal hunt and storm, from The Trojans (1863). Detroit SO/Paul Paray. Mercury 475 6268 9 Verdi, G. Addio del passato, from La traviata (1852-53). Anna Netrebko, sop; Vienna PO/ Carlo Rizzi. DG 477 5953 6 Donizetti, G. Orrida è questa notte, from Lucia di Lammermoor (1835). Jerry Hadley, ten; Thomas Hampson, bar; Welsh National Opera O/Carlo Rizzi. Teldec 9031-73283-2 11 Puccini, G. One fine day, from Madama Butterfly (1904). Joan Carden, sop; Queensland PO/Roderick Brydon. Walsingham WAL 8026-2CD

Glinka, M. Oriental dances in Chernomor's castle, from Ruslan and Ludmila (1842). USSR SO/Yevgeny Svetlanov. Melodiya SUCD 10-00166 7 Massenet, J. Allons! Li le faut, Adieu, notre petite table, from Manon (1884). Kiri Te Kanawa, sop; Royal Opera House O/Jeffrey Tate. EMI CDC 7 49863-2 4 Donizetti, G. Tombe degli avi miei, from Lucia di Lammermoor (1835). Joseph Calleja, ten; Milan Giuseppe Verdi SO/Riccardo Chailly. Decca 475 250-2 7

19:00 FRIDAY JAZZ SESSION with Alex Siegers 20:00 EVENINGS WITH THE ORCHESTRA Arranged by Webern and Schoenberg Prepared by Paul Cooke Bach, J.S. Fugue ricercata à 6 voci, from Musical offering, BWV1079 (1747; arr. Webern). Cleveland O/Christoph von Dohnányi. Decca 436 153-2

Schubert, F. Six German dances, D820 (1824; arr. Webern). American SO/Leon Botstein. Koch 3-7307-2

Bach, J.S. Prelude and fugue in E flat, BWV552, St Anne (pub. 1739; arr. Schoenberg). Sydney SO/Edo de Waart. ABC 454 515-2 16 Schubert, F. Tränenregen, D795 no 10, from Die schöne Müllerin; Die Wegweiser, D911 no 20, from Winterreise; Du bist die Ruh, D776; Ihr Bild, D957 no 9, from Schwanengesang (orch. Webern). Thomas Quasthoff, bass-bar; CO of Europe/Claudio Abbado. DG 479 1119 14 Schoenberg, A. Concerto for string quartet and orchestra, after Handel’s Concerto grosso, op 6 no 7 (1933). American String Quartet; New York Chamber SO/Gerard Schwarz. Apex 79675 2 21 Brahms, J. Piano quartet no 1 in G minor, op 25 (1861; arr. Schoenberg). London SO/ Geoffrey Simon. Cala CACD 1006 40

22:00 BAROQUE AND BEFORE The glamour and charm of the Portuguese Prepared by Robert Gilchrist

Dvorák, A. String quartet movement in F (1881). Chilingirian Quartet. Chandos CHAN 8874 10

Escobar, P. de Salve Regina. Members of the Hilliard Ensemble. Virgin 5 61394 2 10

Lehár, F. Tone poem: Fever (1915). Robert Gambill, ten; Volker Worlitzsch, vn; Hanover Radio PO/Klauspeter Seibel. cpo 999 423-2 13

Lôbo, D. Missa pro defunctis (1621). William Byrd Choir/Gavin Turner. Hyperion CDA66218 24 Coelho, M. Tiento for harp (arr.). Christopher Wilson, lute. Virgin VC 7 91500-2 11 Perez, D. Terzo notturno, from Mattutino de’ morti (pub.1774). Roberta Invernizzi, sop; Salvo Vitale, bass; Ghislieri Ch & O. Arcana A906 26 Anon. In feria sexta, Lectio III. Monica Piccinini, sop; Manuel Vilas, hp. Brilliant Classics 94428

Madre de Deus, F. da Antonya Flaciquia Gasipà - negro de Navdidad à 5. Huelgas Ensemble/Paul van Nevel. Sony 88697478442 18 Seixas, C. Sonata no 57 in A, from Eighty sonatas. Robert Woolley, hpd. Amon Ra CD-SAR 43 9

Saturday 25 June 00:00 CLASSIC-ALL THROUGH THE NIGHT

Novák, V. Sonatina, op 54 no 1, Spring (191920). Niel Immelman, pf. Meridian CDE 84555 9

Mozart, W. Fantasia in C minor, K475 (1785). Mitsuko Uchida, pf. Philips 422 115-2 13 Schubert, F. Moment musical in A flat, D780 no 6 (1823-28). Sviatoslav Richter, pf. Olympia OCD 286 12 Rachmaninov, S. Sonata no 2 in B flat minor, op 36 (1913). Steven Osborne, pf. Hyperion CDA67936 24 10:00 CENTRES OF MUSIC Prague Conservatory Prepared by Paul Cooke Weber, B. Variations in F. Meyrick Alexander, bass; John Wallace, tpt; Philharmonia O/ Christopher Warren-Green. Nimbus NI 7016 11

17:00 SOCIETY SPOT Sydney Schubert Society with Ross Hayes 18:00 STAGE AND SCREEN Prepared by Anabela Pina

Suk, J. Symphonic poem: Ripening, op Horner, J. Excerpts from the film The legend 34 (1912-17). Female voices of Czech Philharmonic Ch; Czech PO/Václav Neumann. of Zorro (2005). O/James Horner. 20 Supraphon 10 3640-2 031 39 Sony SK 97751 Jarre, M. Excerpts from the film A walk in the 11:30 ON PARADE clouds (1995). O/Maurice Jarre. Prepared by Michael Morton-Evans Milan 73138 35719-2 13 Langford, G. Sinfonietta. John Foster Black Madredeus. Excerpts from the film Lisbon Dyke Mills Band/Roy Newsome. story (1995). Teresa Salgueiro, voice; Chandos CHAN 4533 10 Madredeus. Prokofiev, S. Dance, from Romeo and Juliet, Parlophone 2564630947 12 op 64 (1935-36; arr Kreines). Chicago SO Trad. Excerpts from the film A boy called Brass/Dale Clevenger. sailboat (2018; arr. S. Grigoryan, L. Grigoryan). CSO-Resound CSOR 901 1101 2 Slava Grigoryan, gui; Leonard Grigoryan, gui. Fucik, J. Concertant overture: Marinarella, op ABC 481 7755 8 215 (1907). Royal Australian Navy Band/Phillip 19:00 EMERGENT JAZZ Anderson. Royal Australian Navy RAN-005 13 with Keith Pettigrew 12:00 URBAN JAZZ LOUNGE with Leita Hutchings

13:00 IN A SENTIMENTAL MOOD with Maureen Meers 06:00 SATURDAY MORNING MUSIC Nostalgic music and artists from the 30s, 40s with Stephen Wilson and 50s and occasionally beyond, in a trip down many memory lanes 09:00 WHAT'S ON IN MUSIC Our weekly guide to musical events in and 14:00 CHAMBER MUSIC OF LALO around Sydney Prepared by Paul Cooke 09:05 THE PIANO ALONE Prepared by Frank Morrison

Delius, F. Cantata: A mass of life (1904-05). Janice Watson, sop; Catherine Wyn-Rogers, mezz; Andrew Kennedy, ten; Alan Opie, bar; Bach Choir; Bournemouth SO/David Hill. Naxox 8.572861-62 1:38

Lalo, E. Chants russes (1879). Maria Kliegel, vc; Bernd Glemser, pf. Naxos 8.554469 6 Piano trio no 1 in C minor, op 7 (1849). Trio Henry. Pierre Verany PV 794031 21 14:30 SATURDAY MATINEE Prepared by Rex Burgess Bruckner, A. Te Deum (1881-84). Maria Stader, sop; Sieglinde Wagner, cont; Ernst Haefliger, ten; Peter Lagger, bass; German Opera Choir, Berlin; Berlin PO/Eugen Jochum. Decca 478 3640 22 Brahms, J. Seven songs for mixed choir, op 62 (1860). RIAS Chamber Choir/Marcus Creed. Harmonia Mundi HMG 501592/93 21

20:00 THE LIFE OF A COMPOSER Mieczyslaw Weinberg Prepared by Paul Cooke Weinberg, M. Lullaby, op 1 (1935). Allison Brewster Franzetti, pf. Grand Piano GP603 5 Shostakovich, D. Chamber symphony, op 110a (1960; arr. Barshai). Australian CO/ Richard Tognetti. Sony SK 62005 25 Weinberg, M. Sonata no 1, op 12 (1943). Grigory Kalinovsky, vn; Tatiana Goncharova, pf. Naxos 8.572320-21 21 Trumpet concerto, op 94 (1966-67). Andrew Balio, tpt; St Petersburg State SO/Vladimir Lande. Naxos 8.573190 26 Chamber symphony no 4 in B, op 153 (1992). Helsingborg SO/Thord Svedlund. Chandos CHSA 5146 33 22:00 SATURDAY NIGHT AT HOME Prepared by Rex Burgess Bach, C.P.E. Flute concerto in A, Wq168 (c1753). Konrad Hünteler, fl; Amsterdam Baroque O/Ton Koopman. Erato ECD 75536 18

Schumann, R. Études symphoniques, op 13 (1834-37). Alfred Brendel, pf. Vanguard OVC 4027 26

12:00 CLASSIC JAZZ with Dave Mac

13:00 WORLD MUSIC Grieg, E. String quartet no 1 in G minor, op 27 Whirled Wide (1877-78). Raphael Quartet. with Anna Tranter Olympia OCD 432 35 14:00 INTIMATE VOICES Mozart, W. Symphony no 38 in D, K504, The violin Part 4 Prague (1786). Academy of Ancient Music/ Prepared by Gerald Holder Christopher Hogwood. L’Oiseau-Lyre 421 085-2 32 Mozart, W. Sonata no 21 in E minor, K304 (1778). Hilary Hahn, vn; Natalie Zhu, pf. DG 477 5572 13 Sunday 26 June

Debussy, C. Sonata (1917). Christian Tetzlaff, vn; Leif Ove Andsnes, pf. Virgin 5 45122 2 13

00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC with Paul Roper 09:00 MUSICA SACRA Prepared by Paul Cooke

15:00 SUNDAY SPECIAL Remembering E.T.A. Hoffmann Prepared by Paul Cooke

200th

A NNI V ERSA RY Hoffmann, E.T.A. Miserere in B flat (1809). Camilla Nyland, sop; Arantxa Armentia, mezz; Lioba Braun, cont; Rodrigo Orrego, ten; Johannes Schmidt, bass; South German Vocal Ensemble; Concerto Bamberg/Rolf Beck. Schwann 3-1148-2 40 Janácek, L. The Lord's Prayer (1901-1906). William Kendall, ten; Choir of Gonville and Caius College, Cambridge; Helen Cole, hp; Michael Phillips, org; Geoffrey Webber, cond. ASV DCA 914 15 10:00 THE CLASSICAL ERA Prepared by Jacky Ternisien Gassmann, F. Overture to L'amore artigiano (1767). English CO/Richard Bonynge. Decca 440 844-2 7 Assmayer, I. Wind octet in E flat. Consortium Classicum. Schwann 310 002 H1 18 Mozart, F. Polonaises: no 1 in B minor; no 2 in E minor; no 3 in C minor; no 4 in G minor; no 5 in F minor, from Polonaises mélancoliques, op 17 (1811-14). Yarra Tal, pf. Sony 88985446942 22 Mozart, L. Trumpet concerto in D. Maurice André, tpt; Rouen CO/Albert Beaucamp. Decca 478 4664 13 Mozart, W. Sonata in B flat, K45 (1784). Richard Tognetti, vn; Erin Helyard, pf. ABC 481 8192

Schumann, R. Sonata no 2 in D minor, op 121 (1851). Yehudi Menuhin, vn; Hephzibah Menuhin, pf. Naxos 8.110771 28

200th

A NNI V ERSA RY Hoffmann, E.T.A. Overture and march, from Aurora (1812). Kölner Akademie/Michael Alexander Willens. cpo 777 208-2 9 Schumann, R. Excerpts from Fantasiestück (1837-49). Alfred Brendel, pf. Philips 456 727-2 16 Mahler, G. Feierlich und gemessen, ohne zu schleppen, from Symphony no 1 in D (1888/93/96-98). Sydney SO/Vladimir Ashkenazy. Sydney Symphony SSO 201001 10 Hoffmann, E.T.A. Sonata no 5 in C minor (1808). Luisa Guembes-Buchanan, pf. Del Aguila DA 55311 14 Busoni, F. Suite from Die Brautwahl, op 45 (1912). BBC PO/Neeme Järvi. Chandos CHAN 10302 27 Offenbach, J. The birds in the hedgerows, Doll song; Barcarolle, from The tales of Hoffmann (1881). Patricia Petibon, sop; Karine Deshayes, mezz; Lyon Opera Ch & O/Yves Abel. Decca 475 090-2 10 Hoffmann, E.T.A. Symphony in E flat (180506). Concerto Bamberg/Rolf Beck. Schwann 3-1148-2 21

Eybler, J. Symphony no 2 in D minor (c1780). Geneva CO/Michael Hofstetter. cpo 777 104-2 27

17:00 HOSANNA Prepared by Neil McEwan Palestrina, G. da Motet: Tu es Petrus (pub. 1567). Westminster Abbey Choir/Simon Preston. Archiv 479 1045 7 Rowlands, W. Hymn: Love divine. Lincoln Cathedral Congregational Choir; Andrew Post, org; Colin Walsh, cond. Cantoris Records CRCD 2382 3 Gibbons, C. Anthem: Not unto us, O Lord; Voluntary in C. Academy of Ancient Music Choir; Alastair Ross, org; Academy of Ancient Music/Richard Egarr. Harmonia Mundi HMU 807551 9 Josquin Desprez. Motet: Ave Maria. Tallis Scholars/Peter Phillips. Gimell CDGIM 202 5 Monteverdi, C. Excerpt from Vespers of the Blessed Virgin (1610). Ancient Music Vocal Ensemble ‘Antonio Il Verso’; Coro Madrigalia; Ensemble Elyma; Les Sacqueboutiers de Toulouse/Gabriel Garrido. K617 K617220/2 7 Hymn. O what their joy (1909). Choir of King's College, Cambridge; Benjamin Bayl, Thomas Williamson, org; Stephen Cleobury, cond. EMI 5 57026 8 Bruckner, A. Psalm 150 (1892). Juliet Booth, sop; Corydon Singers & O/Matthew Best. Hyperion CDA66599 8 18:00 SMALL FORCES Prepared by Rex Burgess Quantz, J. Sonata in C. Belinda Webster, fl; Heather Stewart, vn; Helen Scott, vc; Günther Holler, hpd. Fine Music concert recording 13 Mozart, W. Sonata no 20 in C, K303 (1778). Mark Steinberg, vn; Mitsuko Uchida, pf. Decca 478 2540 10 Caplet, A. Conte fantastique (1908). Laurence Cabel, hp; Ensemble Musique Oblique. Harmonia Mundi HMC 901417 17 Poulenc, F. Trio for oboe, bassoon and piano (1926). Members of Arcadia Ensemble. Fine Music concert recording 12 19:00 SUNDAY NIGHT CONCERT Prepared by Frank Morrison Satie, E. Ballet réaliste: Parade (1917). Toulouse Capitole O/Michel Plasson. EMI CDC 7 49471 2

Schumann, R. Violin concerto in D minor (1853). Joshua Bell, vn; Cleveland O/Christoph von Dohnányi. Decca 444 811-2 28

Lemba, A. Symphony in C sharp minor (1908). Scottish NO/Neeme Järvi. Chandos CHAN 8656

Stenhammar, W. String quartet no 5 in C, op 29, Serenade (1910). Stenhammar Quartet. BIS BIS-2009 19

20:30 NEW HORIZONS Prepared by James Nightingale

10:30 CONCERT HALL Prepared by Rex Burgess

Firsova, A. Tennyson fantasy, op 36 (2016). Tippett Quartet. Vivat 115 22

Handel, G. Concerto grosso no 12 in B minor, HWV330 (1739). English Concert/Trevor Pinnock. Archiv 479 1932 12

Firsova, E. Night songs, op 125 (2009). Hannah Pedley, mezz; Helen Vidovich, fl; Valerie Wellbanks, vc. Meridien CDE 84635

Mozart, W. Piano concerto no 20 in D minor, K466 (1785). Maria Joäo Pires, pf; Mozart O/ 9 Claudio Abbado. 31 Matthews, C. Pluto, the renewer (2000). Royal DG 479 0075 Scottish NO/David Lloyd-Jones. Koechlin, C. Le buisson ardent, part 1, op Naxos 8.555776 7 203 (1945); Le buisson ardent, part 2, op 171 (1938). Christine Simonin, ondes martenot; Edwards, R. Sonata (2011). Bernadette Stuttgart RSO/Heinz Holliger. Harvey, pf. 39 ABC 481 7683 11 SWR Music swr19046 Harvey, M.K. Fear (2011). Natsuko Yoshimoto, 12:00 SWING SESSIONS vn; Michael Kieran Harvey, pf. with John Buchanan Move MD 3368 11 13:00 BEECHAM’S LOLLIPOPS Matthews, D. A vision and a journey, op 60 Prepared by Stephen Wilson (1992-93/96-99). BBC PO/Rumon Gamba. Chandos CHAN 10487

22:00 JAZZ AFTER HOURS with Deborah Evans

Suppé, F. Overture to Poet and the peasant (1846). Los Angeles PO/Zubin Mehta. Decca 475 7470 9 Sibelius, J. Valse triste, op 44 no 1 (1903/04). Helsinki PO/Leif Segerstam. Ondine ODE 1112-2 6

Monday 27 June

Berlioz, H. Royal hunt and storm, from The Trojans (1856-58). New York PO/Pierre Boulez. Sony SM3K 64 103 9

00:00 CLASSIC-ALL THROUGH THE NIGHT

15:00 PROMETHEUS, GOD OF FIRE Prepared by Rex Burgess Beethoven, L. Overture to The creatures of Prometheus, op 43 (1800-01). Bavarian RSO/ Colin Davis. CBS MDK 44790 5 Schubert, F. Prometheus, D674 (1819; arr. Reger). Camilla Nylund, sop; Klaus Mertens, bar; North German Radio PO/Werner Andreas Albert. cpo 999 510-2 2 Wolf, H. Prometheus (1890). Dietrich FischerDieskau, bar; Munich RO/Stefan Soltész. Orfeo MP1902 8 Liszt, F. Symphonic poem no 5: Prometheus (1850-55). London PO/Bernard Haitink. Philips 438 751-2 13 Skryabin, A. Prometheus: The poem of fire, op 60 (1908-10). Sydney Philharmonia Choir; Roger Woodward, pf; Sydney SO/Diego Masson. ABC 481 1322 24 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Stephen Wilson 19:00 JAZZ PULSE with Chris Wetherall 20:00 STORMY MONDAY with Austin Harrison 22:00 JAZZ AFTER HOURS with Gail Monjo

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with James Hunter

Mozart, W. March in D, K249, Haffner (1776). O of the 18th Century/Frans Brüggen. Philips 432 997-2 4

09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1910 Prepared by Frank Morrison

Saint-Saëns, C. Symphonic poem: Le rouet 00:00 CONTEMPORARY d'Omphale, op 31 (1872). French National RTV COLLECTIVE O/Jean Martinon. apex 8573 89244 2 8 03:00 CLASSICAL TILL DAWN

Bridge, F. Phantasy in F sharp minor (1910). Martin Roscoe, pf; Maggini Quartet. Naxos 8.557283 12 Bartók, B. Two pictures, op 10 (1910). Chicago SO/Pierre Boulez. DG 445 825-2

Ravel, M. Two Hebrew melodies (1910). José van Dam, bar; Dalton Baldwin, pf. EMI 5 69299 2 6 Bruch, M. Eight pieces, op 83: nos 2,5,6 and 3 (1910). Catherine McCorkill, cl; Julian Smiles, vc; Kathryn Selby, pf. Fine Music Concert Recording 478 6419 18 Rachmaninov, S. Prelude in E minor, op 32 no 4 (1910). Vladimir Ashkenazy, pf. Decca 414 417-2 5

Debussy, C. Prelude to The afternoon of a faun (1892-94). Melbourne SO/Jorge Mester. ABC 476 4991 10

Tuesday 28 June

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Julie Simonds

Chabrier, E. Marche joyeuse (1888). BBC PO/ 09:00 DIVERSIONS IN FINE MUSIC Yan Pascal Tortelier. Colours of the keyboard Chandos CHAN 9765 4 Prepared by Michael Morton-Evans 14:00 RURAL LIFE Bach, J. Christian Piano concerto in G, op Prepared by James Nightingale 13 no 5 (pub. 1777). Ingrid Haebler, fp; Vienna Capella Academica/Eduard Melkus. Beethoven, L. Sonata no 15 in D, op 28, Philips 456 064-2 12 Pastoral (1802). Michael Houston, pf. Trust 2001-2003 25 Medtner, N. Knight errant, op 58 no 2 (1940). Dmitri Alexeev, pf; Nikolai Demidenko, pf. Poulenc, F. Chansons villageoises (1942). Hyperion CDA66654 11 Michel Piquemal, bar; Christine Lajarrige, pf. Naxos 8.553642 11 Pilati, M. Sonata. Mario Carbotta, fl; Roberto Vine, C. Piano trio, The village (2013). Benaud Cognazzo, pf. Nuova Era 7185 19 Trio. ABC 481 7164 17

Parry, H. Blest pair of sirens (1887). Vasari Singers; Jeremy Filsell, org; Jeremy Backhouse, cond. Naxos 8.572504 12 Soler, A. Concerto no 1 in C. Bernard Brauchli, clvd; Esteban Elizondo, clvd. Titanic Ti-152

Haydn, J. Sonata no 60 in C, Hob.XVI:50, English (1794-95). Mikhail Pletnev, pf. Virgin 5 45254 2 18 10:30 CONCERT HALL Prepared by Anne Irish Beethoven, L. Overture to The creatures of Prometheus, op 43 (1800-01). Vienna PO/ Claudio Abbado. Decca 478 5365 5 Dvorák, A. Cello concerto in A (1865). Steven Isserlis, vc; Mahler CO/Daniel Harding. Hyperion CDA67917 34 Sibelius, J. Symphony no 2 in D, op 43 (1901). Adelaide SO/Arvo Volmer. ABC 476 3945

12:00 JAZZ RHYTHM with Jeannie McInnes

10:30 CONCERT HALL Prepared by Dan Bickel

d’Indy, V. String quartet no 1 in D, op 34 (1890). Quatuor Joachim. Calliope CAL 3891-2 39

Beethoven, L. Overture to Leonore, op 72a no 3 (1814). Philharmonia O/Herbert von Karajan. EMI CDM 1 66426 2 15

Richter, F. Sonata no 4 in C, from Sonate da camera (1764). Pauliina Fred, fl; Heidi Peltoniemi, vc; Aapo Häkkinen, hpd. Naxos 8.572030 16 Fossa, F. de Trio no 1 in A, op 18 (1808). Martin Beaver, vn; Bryan Epperson, vc; Simon Wynberg, gui. Naxos 8.550760 26 Mendelssohn, F. String octet in E flat, op 20 (1825). Members of Soloists of Australia. Chandos CHAN 8488 32

Wednesday 29 June

14:00 MUSIC FOR A GREAT CITY Prepared by Derek Parker Svendsen, J. Carnival in Paris, op 9 (1872). Bergen PO/Neeme Järvi. Chandos CHAN 10693 12

00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN

Gershwin, G. An American in Paris (1928). Melbourne SO/Jorge Mester. ABC 438 611-2 19

Delius, F. Paris: The song of a great city (1899). Royal PO/Norman Del Mar. Unicorn-Kanchana DKP(CD)9108 26

09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by Frank Morrison Eybler, J. Overture (1804). Geneva CO/ Michael Hofstetter. cpo 777 104-2

Gabrieli, A. Aria della battaglia à 8 (1590). Philip Jones Brass Ensemble/Philip Jones. Decca 448 993-2 10 Philips, P. Fantasia in F (1582). Anneke Uittenbosch, hpd. Etcetera KTC 1022

Destouches, A. Ballet: Les éléments. Academy of Ancient Music/Christopher Hogwood. L’Oiseau-Lyre 421 656-2

20 Offenbach, J. Ballet: Gaîté parisienne (arr. Rosenthal 1938). Royal Opera House O/Georg Lanzetti, S. Sonata no 12 in D, op 1 (1740). Solti. Francesco Galligioni, vc; L’Arte dell’Arco. Decca 476 2724 39 Brilliant Classics 95525 18 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Michael Morton-Evans

Dittersdorf, C. String quartet no 3 in G (pub. 1789). Franz Schubert Quartet. cpo 999 038-2 18

19:00 THE JAZZ BEAT with Lloyd Capps

Ginastera, A. Harp concerto, op 25 (1956). Alice Giles, hp; Adelaide SO/David Porcelijn. ABC 454 506-2 23 Prokofiev, S. Symphony no 5 in B flat, op 100 (1944). Czech PO/Zdenék Kosler. Supraphon SU 4093-2 44 12:00 JAZZ SKETCHES with Robert Vale 13:00 IN CONVERSATION with Simon Moore 14:00 PICTURES FROM SWEDEN Prepared by Jacky Ternisien

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Stephen Wilson

13:00 JAZZ ABOUT TOWN with Deborah Evans

Ibert, J. Symphonic suite: Paris (1930). Montreal SO/Charles Dutoit. Decca 440 332-2

22:00 CHAMBER SOIRÉE Prepared by Gerald Holder

Berwald, F. Overture to Estrella de Soria (1841). Swedish RSO/Roy Goodman. Hyperion CDA67081/2

Aulin, V. Lullaby of the waves, op 7 no 1; Waltz, op 8 no 2; Scherzo, op 8 no 5; Mazurka, op 7 no 2. Solveig Funseth, pf. Swedish Society SCD 1043

Alfvén, H. Swedish rhapsody no 2, op 24 (1907). Stockholm PO/Neeme Järvi. BIS CD-395 10 Lidholm, I. Concertino (1954). Ulf Bergström, fl; Torleif Lännerholm, ob; Björn Uddén, cora; Kjell Bjurling, vc; Ingvar Lidholm, cond. Caprice CAP 21499 13 Stenhammar, W. Four Swedish songs, op 8 (1893-97). Peter Mattei, bar; Bengt-Ake Lundin, pf. BIS CD-654 9 Hallnäs, H. Partita amabile (1966). Göran Söllscher, gui. Caprice CAP 21514 9 Peterson-Berger, W. Four pieces from Frösöblomster (1919). Helsingborg SO/Okko Kamu. Naxos 8.553115 14 Atterberg, K. Symphony no 6 in C, op 31, Dollar (1927-28). Norrköping SO/Jun'ichi Hirokami. BIS CD-553 33 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Michael Field 19:00 PLANET JAZZ with Xavier Bichon

20:00 JUST IN with David Garrett A selection from the latest recordings to arrive at the Fine Music Library

20:00 AT THE OPERA Opera oscura: The triumph of duty Hasse, J. Attilio Regolo. Opera in three acts. Libretto by Pietro Metastasio. First performed Dresden, 1750. MARCUS ATTILIUS REGULUS: Axel Köhler, ct HAMILCAR: Randall Wong, ct ATTILIA: Martina Borst, mezz LICINIUS: Michael Volle, bar MANLIUS: Markus Schäfer, ten BARCE: Carmen Fuggiss, sop PUBLIUS: Sibylla Rubens, sop Capella Sagittariana/Frieder Bernius. Hänssler PHO7035 2:43 The Roman General, Marcus Attilius Regulus, captured by the Carthaginians, has been sent back to Rome with the Carthaginian ambassador Hamilcar to arrange peace. If unsuccessful, he will be killed on his return to Carthage. His daughter Attilia urges her husband, the Tribune Licinius, and the Consul Manlius to arrange Regulus’ freedom. Hamilcar is betrothed to Barce, who is held captive in Rome, but she is also loved by Publius, Regulus’ son and himself a Roman leader. Regulus appears before the Senate and disobeys his captors’ orders by urging Rome to reject Carthage’s peace plan. He remains aloof from his former Senate colleagues and his family. Barce pleads with Attilia to ask the Senators to reject Regulus’ advice. Regulus defends his position to his son and daughter, as well as Manlius (a former rival, now a friend) and Licinius. Learning that the Senate has voted as he recommended, he asks Publius to look after Attilia. Publius in turn frees Barce to return to Carthage with Hamilcar. They resolve to try to save Regulus from his fate. Regulus asks Manlius to act as a father towards Attilia and Publius, and to work with Publius in countering a popular uprising aimed at securing Regulus’ freedom. Grateful for Barce’s release, Hamilcar proposes an escape plan. Attilia and Publius argue that Regulus is not bound by his undertaking to return to Carthage. Regulus rejects both approaches, attempts to calm the people by appealing to the importance of duty and keeping one’s word and departs with his captors. Ballet music from Piramo e Tisbe, Act I (1768). La Stagione/Michael Schneider. Capriccio 60 043-2 6 23:00 MUSIC OF THE NIGHT Prepared by Paul Cooke Britten, B. Nocturnal after John Dowland, op 70 (1963). Jérémy Jouve, gui. Naxos 8.557597 19

Glanville-Hicks, P. Ballet: Tragic celebration, Jephtha’s daughter (1966). Tasmanian SO/ Richard Mills. ABC 476 3222 16 Hoddinott, A. Noctis equi, op 132 (1989). Mstislav Rostropovich, vc; London SO/Kent Nagano. Erato 2292-45489-2 21

13:00 GUITAR AND FRIENDS Prepared by Jacky Ternisien

Beauvais, W. Well-tempered chôros. George Koller, db; William Beauvais, gui; Alan Hetherington, perc. Centrediscs CMCCD 14809 15

00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN

Ponce, M. Prelude; Ballet; Gigue. Andrés Segovia, gui. DG 474 9612 10

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Simon Moore 09:00 DIVERSIONS IN FINE MUSIC The instruments: Percussion Prepared by Chris Blower Daugherty, M. Raise the roof (2003). Brian Jones, timp; Detroit SO/Neeme Järvi. Naxos 8.559372 13 Schultz, A. Winter ground (2000). Claire Edwardes, vibraphone. Tall Poppies TP193 12 Wesley-Smith, M. White Knight and Beaver (1984). Michael Askill, mar, xylophone; tape realized by the composer. Southern Cross SCCD 1021 9

Whitwell, S. Downsized. Sally Whitwell, perc, pf; Acacia Quartet. Fine Music concert recording 6 Lovelock, W. Suite for wind and percussion. Members of Queensland SO/Patrick Thomas. ABC AC 1007 13 Tippett, M. Prelude for brass bells and percussion (1962). Bournemouth SO/Richard Hickox. Chandos CHAN 9276 7 10:30 CONCERT HALL Prepared by Mary Moran Shostakovich, D. Festive overture, op 96 (1954). Sydney SO/Bernard Heinze. ABC RRCS 1472 6 Tchaikovsky, P. Violin concerto in D, op 35 (1878). Dene Olding, vn; Australian CO/ Vladimir Kamirsky. Fine Music tape archive 35

12:00 JAZZ AFTER NOON with Sue Jowell

Vivaldi, A. Guitar concerto in A. John Williams, gui; English CO/Charles Groves. CBS M2YK 45610 9

Thursday 30 June

Kats-Chernin, E. Percussion concerto, Golden kitsch. Claire Edwardes, perc; Melbourne SO/Benjamin Northey. ABC 481 6430

Dukas, P. Symphony in C (1896). Cincinnati SO/Jésus López-Cobos. Telarc 80515 41

Leone, G. Sonata for Neopolitan mandolin and guitar (arr. Lichtenberg, Schrader). Mirko Schrader, gui; Caterina Lichtenberg, mand. Schwann 3-6435-2 9 Paganini, N. Sonata no 5 in A, from Miscellany of sonatas (c1828). Luigi Alberto Bianchi, vn; Maurizio Preda, gui. Dynamic CDS 34 9 Schubert, F. Quartet (1814). Alexa Still, fl; Paul Neubauer, va; Ronald Thomas, vc; JoAnn Falletta, gui. Koch 3-7404-2H1 29 14:30 FROM GREAT BALLET SCORES Prepared by Derek Parker Lully, J-B. Overture, ritournelle and air, from Ballet d’Alcidiane et Polixandre (1658). Musica Antiqua Cologne/Reinhard Goebel. DG 463 446-2 4 Delibes, L. Suite from Sylvia (1876). New Philharmonia O/Charles Mackerras. EMI CDZ 7 62515 2 16 Adam, A. Excerpts from Giselle (1841). London SO/Richard Bonynge. Decca 452 769-2

Stravinsky, I. Suite no 2 from The firebird (1919). Royal Concertgebouw O/Mariss Jansons. RCO Live RCO 08002 22 Tchaikovsky, P. Suite from The Sleeping Beauty, op 66a (1888-89). Berlin PO/Mstislav Rostropovich. DG 429 097-2 20

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with David Brett 19:00 THE NEW JAZZ STANDARD with Frank Presley 20:00 THE WORLD OF A SYMPHONY Symphony no 5 by Ralph Vaughan Williams Prepared by David Brett Parry, H. Overture to an unwritten tragedy (1894). English Northern Philharmonia/David Lloyd-Jones. Hyperion CDA66515 11

Ravel, M. Rhapsodie espagnole (1907). Katia Labèque, pf; Marielle Labèque, pf. KML 1111 16 Sibelius, J. Violin concerto in D minor, op 47 (1904). Adele Anthony, vn; Adelaide SO/Arvo Volmer. Canary Classics CC09 32 Walton, W. Spitfire prelude and fugue (1942). Academy of St Martin in the Fields/Neville Marriner. Chandos CHAN 8870 9

Vaughan Williams, R. Symphony no 5 in D (1938-43/51). London SO/Bryden Thomson. Chandos CHAN 8554 39 22:00 AN AUSTRALIAN ENSEMBLE Mendelssohn, F. Piano trio no 2 in C minor, op 66 (1845). Seraphim Trio. Fine Music concert recording 29 22:30 ULTIMA THULE

The following composers have works of at least five minutes on the June dates listed Abbott, C. 1916-1994 Abel, C. 1723-1787 Adam, A. 1803-1856 Adams, J. b1947 Aguado, D. 1784-1849 Albinoni, T. 1671-1751 Alfvén, H. 1872-1960 Alkan, C-V. 1813-1888 Allworth, R. 1943-2017 Antheil, G. 1900-1959 Antill, J. 1904-1986 Arban, J-B. 1825-1889 Arensky, A. 1861-1906 Arnold, M. 1921-2006 Assmayer, I. 1790-1862 Atherton, M. b1950 Atterberg, K. 1887-1974 Aulin, V. 1860-1928

16 4 30 15 10 23 9,29 14,20 7 16 15 10 17 17 10,26 5 7,29 29

Copland, A. Corelli, A. Couperin, F. Czerny, C. d’Indy, V.

1900-1990 1653-1713 1668-1733 1791-1857 1851-1931

18,19 12 10,24 16,24 3,16,19,28

Danzi, F. 1763-1826 7,14 Daquin, L-C. 1694-1772 15 Daugherty, M. b1954 12,30 Dauvergne, A. 1713-1797 15 David, Félicien. 1810-1876 24 Debussy, C. 1862-1918 3,7,11,13,17,21,26,27 Delibes, L. 1836-1891 18,30 Delius, F. 1862-1934 25,28 Destouches, A. 1672-1749 29 Devienne, F. 1759-1803 24 Dieupart, C. c1667-c1740 4 Dittersdorf, C. 1739-1799 9,29 Donizetti, G. 1797-1848 20,24 Bach, C.P.E. 1714-1788 2,5,25 Dragonetti, D. 1763-1846 10 Bach, J. Christian 1735Drouet, L. 1792-1873 22 1782 4,5,7,12,28 1865Bach, J.S. 1685-1750 2,5,7,9,20,24 Dukas, P. 1935 7,10,18,19,30 Baermann, H. 1784-1847 15 Duparc, H. 1848-1933 3 Balada, L. b1933 9 Duport, J-L. 1749-1819 10 Barrière, J-B. 1707-1747 8 Dussek, J. 1760-1812 8 Barry, J. 1933-2011 4 Dvorák, A. 1841Bartlett, J. fl. 1606-1610 22 1904 2,3,13,21,25,28 Bartók, B. 1881-1945 5,6,27 Bassani, G. c1657-1716 8 Edwards, R. b1943 2,26 Batt-Rawden, A. b1984 5 Einaudi, L. b1955 12 Bax, A. 1883-1953 13 Elgar, E. 1857-1934 17,20 Beach, A. 1867-1944 9 Escobar, P. de c1465-c1535 24 Beauvais, W. b1956 30 Eybler, J. 1765-1846 26,29 Beethoven, L. 1770-1827 2,4,5,8,11,16,18,19,20,27,28,29 Falla, M. de 1876-1946 10 Benda, F. 1709-1786 12 Farrenc, L. 1804-1875 22 Benda, G. 1722-1795 12 Fauré, G. 1845-1924 12,15,19 Benda, J.G. 1713-1752 12 Finzi, G. 1901-1956 3 Benjamin, A. 1893-1960 20 Firsova, A. b1986 26 Bentzon, N. 1919-2000 18 Firsova, E. b1950 26 Berlin, I. 1888-1989 18 b1957 12 Berlioz, H. 1803-1869 18,21,24,27 Ford, A. Fossa, F. de 1775-1849 28 Berwald, F. 1796-1868 14,18,29 Francisque, A. c1575-1605 10 Biber, H. 1644-1704 11,15 Franck, C. 1822-1890 3,9,10 Bizet, G. 1838-1875 4,14 Fucik, J. 1872-1916 25 Blasco de Nebra, M. 1750-1784 10 Fux, J. 1660-1741 19 Bloch, E. 1880-1959 6 Boccherini, L. 1743-1805 6,15,19 Gabrieli, A. c1510-1586 29 Bock, J. b1928 11 Gade, N. 1817-1890 11,18 Bonis, M. 1858-1937 19 Garcia, R. 1954-2013 19 Borodin, A. 1833-1887 2,3,16,17 Gassmann, F. 1729-1774 26 Bottesini, G. 1821-1889 3 Geminiani, F. 1687-1762 17 Boulanger, L. 1893-1918 11,19,20 Gershwin, G. 1898-1937 28 Brahms, J. 1833-1897 Gibbons, C. 1615-1676 26 4,5,7,19,20,24,25 Ginastera, A. 1916-1983 29 Brandman, M. b1951 12 Giuliani, M. 1781-1829 3 Bridge, F. 1879-1941 27 Glanville-Hicks, P. 1912-1990 3,6,29 Britten, B. 1913-1976 5,6,29 Glass, P. b1937 24 Broadstock, B. b1952 8 Glazunov, A. 1865-1936 17,24 Bruch, M. 1838-1920 12,17,27 Glinka, M. 1804-1857 3,11,18,24 Bruckner, A. 1824-1896 4,23,25,26 Godowsky, L. 1870-1938 10 Brumel, A. c1460-c1515 10 Goossens, E. 1893-1962 6 Busoni, F. 1866-1924 9,21,23,26 Gottschalk, L. 1829-1869 7 Butterley, N. 1935-2022 5 Gounod, C. 1818-1893 12 Buxtehude, D. 1637-1707 1,14,21 Gragnani, F. 1767-1820 8 Byrd, W. 1543-1623 7 Grainger, P. 1882-1961 13 Greene, M. 1696-1755 4 Caldara, A. c1670-1736 19 Grieg, E. 1843-1907 8,25 Caplet, A. 1878-1925 26 Griffes, C. 1884-1920 13 Carafa, M. 1787-1872 10 Carissimi, G. 1605-1674 17 Hahn, R. 1875-1947 22 Carr-Boyd, A. b1938 23 Hallnäs, H. 1903-1984 29 Castellanos, E. 1915-1984 21 Hamlisch, M. 1948-2012 18 Castelnuovo-Tedesco, Handel, G. 1685-1759 M. 1895-1968 3,6 2,4,11,13,18,23,27 Cavallini, E. 1807-1874 20 Hanson, R. 1913-1976 3,11 Chabrier, E. 1841-1894 16,18 Harvey, M.K. b1961 26 Chadwick, G. 1854-1931 2 Hasse, J. 1699-1783 1,17,29 Charpentier, M-A. 1643-1704 17 Haydn, J. 1732-1809 Chausson, E. 1855-1899 19 2,5,9,11,14,16,19,21,28 Chopin, F. 1810-1849 8,16 Haydn, M. 1737-1806 2,5,11 Cimarosa, D. 1749-1801 17 Hebden, J. 1712-1765 4 Clémencic de Grandval, M.1828-1907 Heinichen, J. 1683-1729 13 19 Hellendaal, P. 1721-1799 4 Clementi, M. 1752-1832 6,17 Heneker, D. 1906-2001 18 Coelho, M. c1555-c1635 24 Herman, J. 1931-2019 11 Coleridge-Taylor, S. 1875-1912 10 Hérold, F. 1791-1833 1 Colgrass, M. 1932-2019 8

Ch & O: Chorus & Orchestra CO: Chamber Orchestra FO: Festival Orchestra NO: National Orchestra NSO: National Symphony Orchestra PO: Philharmonic Orchestra RO: Radio Orchestra RSO: Radio Symphony

Orchestra RTO: Radio & Television Orchestra RTV SO: Radio and Television Symphony Orchestra SO: Symphony Orchestra TO: Theatre Orchestra alto: male alto ban: bandoneon

Herz, H. 1803-1888 7 Hill, A. 1870-1960 4 Hill, M. 1889-1986 13 Hoddinott, A. 1929-2008 29 Hoffmann, E.T.A. 1776-1822 26 Holborne, A. fl c 1584-1602 2 Holmboe, V. 1909-1996 23 Holst, G. 1874-1934 17 Horner, J. 1953-2015 25 Hovhaness, A. 1911-2000 11 Howells, H. 1892-1983 7 Hubeau, J. 1917-1992 23 Hummel, J. 1778-1837 2,19 Ibert, J.

1890-1962 28

Janácek, L. 1854-1928 3,5,8,14,26 Janequin, C. c1485-1558 10 Jarre, M. 1924-2009 25 Jenkins, K. b1944 16 Jolivet, A. 1905-1974 18,24 Jommelli, N. 1714-1774 17 Josquin Desprez. c1450-1521 10,26 Kalliwoda, J. 1801-1866 Karlowicz, M. 1876-1909 Kats-Chernin, E. b1957 Keiser, R. 1674-1739 Kelly, F. 1881-1916 Kerll, J. 1627-1693 Koechlin, C. 1867-1950 Koehne, G. b1956 Korngold, E. 1897-1957 Kraus, J.M. 1756-1792 Krieger, A. 1634-1666 Krufft, N. 1779-1818 Kuhlau, F. 1786-1832 Kuhnau, J. 1660-1722

24 13 23,30 1 11 17 27 8,19 6,15 10,14 17 9 24 3

Lalliet, T. 1837-1892 14 Lalo, E. 1823-1892 25 Langford, G. 1930-2017 23,25 Lanner, J. 1801-1843 14 Lanzetti, S. 1710-1780 22,29 Le Camus, S. c1610-1677 10 Leclair, J-M. 1697-1764 9 Lehár, F. 1870-1948 25 Lekeu, G. 1870-1894 3 Lemba, A. 1885-1963 26 Leone, G. c1725-c1790 30 Lidholm, I. 1921-2001 29 Lim, L. b1966 12 Liszt, F. 1811-1886 6,17,20,27 Lloyd, G. 1913-1998 10 Lôbo, D. c1565-1646 24 Loeillet of London, J.B.1 680-1730 2,22 Lortzing, A. 1801-1851 20 Lovelock, W. 1899-1986 11,23,30 Lully, J-B. 1632-1687 1,14 Lumsdaine, D. b1931 22 Madre de Deus, F. da c1630-1688/90 24 Magnard, A. 1865-1914 8,21 Mahler, G. 1860-1911 19,26 Mahon, J. c1749-1834 22 Mantia, S. 1873-1951 4 Martinu, B. 1890-1959 9,12 Massenet, J. 1842-1912 14,17,18 Matiegka, W. 1773-1830 13 Matthews, C. b1946 26 Matthews, D. b1943 26 McCombe, C. b1967 2 McKay, G. 1899-1970 1 Meale, R. 1932-2009 2 Mechura, L. 1804-1870 2 Medtner, N. 1880-1951 28 Méhul, É-N. 1763-1817 10 Mendelssohn, F. 1809-1847 1,14,15,20,28,30 Meyerbeer, G. 1791-1864 8,12,17 Milhaud, D. 1892-1974 11 Monteverdi, C. 1567-1643 26 Moscheles, I. 1794-1870 12,19,22 Mozart, F. 1791-1844 26 Mozart, L. 1719-1787 11,26 Mozart, W. 1756-1791 2,3,4,5,8,9,1 0,11,12,14,16,17,18,21,22,23,25,26,27 Myslivecek, J. 1737-1781 12,14

bar: baritone bshn: basset horn bass: bass bn: bassoon bass bar: bass baritone cl: clarinet clvd: clavichord cont: contralto cora: cor anglais ct: counter-tenor

Nielsen, C. Norman, L. Novák, V. Nyman, M.

1865-1931 1831-1885 1870-1949 b1944

6,18 18 25 10

Ockeghem, J. c1410-1497 10 Offenbach, J. 1819-1880 11,22,26,28 Onslow, G. 1784-1853 12 Paganini, N. 1782-1840 12,17,30 Paisiello, G. 1740-1816 1 Palestrina, G. da c1525-1594 26 Parry, H. 1848-1918 28,30 Perez, D. 1711-1778 24 Peterson-Berger, W. 1867-1942 29 Phalèse, P. 1510-1573 10 Philips, P. c1561-1628 29 Piazzolla, A. 1921-1992 9,23 Pilati, M. 1903-1938 28 Pleyel, I. 1757-1831 12 Ponce, M. 1882-1948 3,30 Poulenc, F. 1899-1963 14,16,26,27 Prokofiev, S. 1891-1953 7,21,29 Quantz, J.

1697-1773 26

Rachmaninov, S. 1873-1943 1,22,25,27 Raff, J. 1822-1882 17 Rameau, J-P. 1683-1764 15 Rautavaara, E. 1928-2016 24 Ravel, M. 1875-1937 5,7,21,23,27,30 Reich, S. b1936 15 Reinecke, C. 1824-1910 11,16 Respighi, O. 1879-1936 3,6 Revueltas, S. 1899-1940 21 Reyk, B. van 20th C 22 Richter, F. 1709-1789 28 Ries, F. 1784-1838 16 Rimsky-Korsakov, N. 1844-1908 23 Rolla, A. 1757-1841 15 Roman, J. 1694-1758 2 Rosenmüller, J. c1619-1684 3 Ross, J. 1763-1837 11 Rossini, G. 1792-1868 6,19 Rozycki, L. 1884-1953 13 Saint-Saëns, C. 1835-1921 4,7,17,21,22,27 Salas y Castro, E. 1725-1803 8 Salieri, A. 1750-1825 23 Sallinen, A. b1935 24 Satie, E. 1866-1925 10,14,20,26 Scarlatti, A. 1659-1725 17 Scarlatti, D. 1685-1757 4,21 Scheidt, S. 1587-1654 2 Schein, J. 1586-1630 1,3 Schelle, J. 1648-1701 3 Schickele, P. b1935 16 Schmidt, H. b1975 20 Schoenberg, A. 1874-1951 24 Schubert, F. 1797-1828 1,2,5,7,16,19,23,24,25,30 Schultz, A. b1960 30 Schumann, R. 1810-1856 7,14,16,18,20,25,26 Schütz, H. 1585-1672 13 Sculthorpe, P. 1929-2014 20 Seixas, C. 1704-1742 8,24 Servais, A-F. 1807-1866 17 Shore, H. b1946 8 Shostakovich, D. 1906-1975 6,25,30 Sibelius, J. 1865-1957 1,9,23,24,27,28,30 Skempton, H.b1947 22 Skryabin, A. 1872-1915 14,27 Smetana, B. 1824-1884 6,9,23 Smetanin, M. b1958 12 Soler, A. 1729-1783 1,28 Sousa, J.P. 1854-1932 11 Spohr, L. 1784-1859 9,14,16,21 Stanford, C. Villiers 1852-1924 19 Stanhope, P. b1969 10 Stenhammar, W. 1871-1927 9,27,29 Strauss, Josef. 1827-1870 14 Strauss, R. 1864-1949 11,16,18,20,24

db: double bass dbn: double bassoon did: didjeridu elec: electronic fl: flute fp: fortepiano gui: guitar hn: french horn hp: harp hpd: harpsichord

mand: mandolin mar: marimba mezz: mezzo-soprano narr: narrator ob: oboe org: organ perc: percussion pf: piano picc: piccolo rec: recorder

Stravinsky, I. 1882 1971 2,10,21,23,30 Suk, J. 1874-1935 25 Sullivan, A. 1842-1900 4 Suppé, F. 1819-1895 27 Svendsen, J. 1840-1911 21,28 Szymanowski, K. 1882-1937 13,22,24 Tansman, A. 1897-1986 12 Tchaikovsky, P. 1840-1893 2,3,5,9,14,17,30 Telemann, G. 1681-1767 2,13 Thomas, A. 1811-1896 17 Thuille, L. 1861-1907 23 Tippett, M. 1905-1998 30 Turina, J. 1882-1949 6 Valentini, Giovanni. 1582/3-1649 8 Vangelis. b1943 19 Vanhal, J. 1739-1813 9,19 Vaughan Williams, R. 1872-1958 10,17,18,30 Verdi, G. 1813-1901 2,4,15,17,24 Vianna da Motta, J. 1868-1948 20 Vieuxtemps, H. 1820-1881 12 Vine, C. b1954 27 Vivaldi, A. 1678-1741 9,22,30 Viviani, G. 1638-c1692 15 Wagenaar, J. 1862-1941 7 Wagenseil, G. 1715-1777 13 Wagner, R. 1813-1883 17,18,20 Walton, W. 1902-1983 7,14,30 Weber, B. 1766-1842 13,25 Weber, C.M. 1786-1826 4,10,11,24 Weinberg, M. 1919-1996 25 Wesley, S. 1766-1837 12 Wesley-Smith, M. 1945-2019 30 Whitwell, S. b1974 30 Widor, C-M. 1844-1937 12 Witt, F. 1770-1836 22 Wolf, H. 1860-1903 27 Wolf-Ferrari, E. 1876-1948 6 Wood, Haydn. 1882-1959 13 Ysaÿe, E.

1858-1931 19

Zelenka, J.

1679-1745

sax: saxophone sop: soprano tb: trombone ten: tenor timp: timpani tpt: trumpet treb: treble voice va: viola vc: cello vn: violin

5,9,12