Fine Music Magazine - March 2024

SYDNEY

WEDNESDAY 22 MAY 2024

SYDNEY OPERA HOUSE

04. Schubert’s 8 th Symphony: An unfinished masterpiece Rex Burgess

06. He Came, He Sor, He Conquered

Michael Morton-Evans looks at the intriguing life of guitarist Fernando Sor

08. The World of a Symphony: Shostakovich’s 8 Paolo Hooke

16. C D R e ev v i ie w ws 19. Program Guide

47. Composers List

NOTES FROM THE EDITOR

10. High Five: pianistcomposer Felix Bornholt

12 . What a Weatherley

Keith Pettigrew talks to singer Alex Seigers

14 . The (Big) Band After Swing

Ken Raphael

17. Volunteer Profile

Laurie Smith talks Work Health and Safety with David Edmonds

49. Our People

50. Patrons

Alex Siegers sings jazz, a capella, and sacred music. She also works as an educator, conductor, vocal arranger, arts administrator, arts marketer, music librarian and 2MBS Fine Music Sydney jazz presenter. This month will see the release of her debut album, From Here, recorded in our Founders Studio as part of the 2MBS Jazz Scholarship which she was awarded in 2021. She has recorded music from Tim Nikolsky’s first itera on of the Australian Jazz Real Book, which spans 60 years of Australian jazz history from the 1950s to 2010s, by women and men, instrumentalists, and vocalists; each composi on a li le piece of Australiana. Keith Pe grew talks to Alex about this ambi ous project, her extensive travels, and also reviews the debut album. There is an undoubted fascina on surrounding unfinished musical works. Bruckner and Mahler both died while working on their symphonies Nine and Ten respec vely, while Schubert lived on for six years a er stopping work on his Eighth, leaving only the first two movements and twenty bars of the scherzo, for musical detec ves to puzzle over the inevitable ques on of ‘what if?’ Unperformed ll thirty-seven years a er his death, Schubert’s Unfinished is today amongst the most frequently played in the en re orchestral repertory. Rex Burgess inves gates.

david.ogilvie@finemusicsydney.com

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Cover photo: Singer Alex Seigers

Schubert’s 8th Symphony: An unfinished masterpiece

By Rex Burgess

While there are others, including fragments of a Beethoven Tenth, there are three unfinished symphonies which may be seen as standing out from the crowd: Schubert’s Eighth, Bruckner’s Ninth, and Mahler’s Tenth. Bruckner and Mahler both died while working on their symphonies, while Schubert lived on for six years a er stopping work on his Eighth, by mid-November 1822 at the latest. The first two movements had been completed, along with twenty bars of the scherzo, at which point its composi on was interrupted and never returned to.

One sugges on is that he was later unable to recover the work’s sense of unity. The fact that in 1823 he gave the score away uncondi onally as a token of gra tude to his friend Anselm Hϋ enbrenner may support this idea.

There are numerous other theories about why work on the symphony was abandoned. One of them points to Schubert’s feelings of uncertainty in composing instrumental music during the years

1818 to 1822, when he le twice as many incomplete fragments as he did complete larger instrumental works.

Another sugges on is that this uncertainty stemmed from his confronta on with Beethoven’s instrumental music, for which he had a profound respect, perhaps even awe. Although they never met, there’s li le doubt that Schubert quite venerated the older man, so much so that his first significant instrumental work to appear in print, a set of varia ons for piano duet issued in April 1822, is inscribed: “Dedicated to Herr Ludwig van Beethoven by his devoted worshipper and admirer.”

A further theory suggests that Schubert may well have considered the symphony sufficiently finished with the first two movements for him to dispense with the usual four movement format, although this theory is on rather shaky ground, there being no evidence that Schubert ever contemplated developing a new kind of symphony in two movements. However, there is consensus among cri cs that in this symphony there is something quite new, not only in Schubert’s composi ons, but for all music. As George Grove wrote in 1900, “In no other piece of music, perhaps, is the feeling so en rely produced that one has been in communica on with the very person of the composer, himself.” One may add that Schubert repeated this communion in several movements of his masterly Death and the Maiden quartet, composed in 1824 a er he realised that the illness he was suffering from was terminal.

Of the work’s two completed movements, Grove described the first as ‘full of agita on and distress’, while the second ‘dreams of the pastures of the blessed’. The symphony overall was interpreted as ‘a certain premoni on of death and a vision of heaven’, albeit that Schubert’s fatal illness did not emerge ll very late in 1822, a er he’d stopped working on the symphony.

As might be expected, there have been various a empts to complete it, star ng with its second performance, in Vienna on December 17, 1866, when the finale of his Third Symphony in D was added. Then in 1928 the Columbia Record Company considered offering a prize for the best comple on of it, but then replaced this with a prize for the best new symphony a er the manner of Schubert, won by the Swedish composer Kurt A erberg with his Symphony no. 6 in C, opus 31.

Readers interested to learn more about this outstanding work may wish to consult Mar n Chrusid’s book: Schubert: Symphony in B Minor (“Unfinished”).

Unperformed ll thirty-seven years a er his death, Schubert’s ‘Unfinished’ today is amongst the most frequently played in the en re orchestral repertory.

The World of a Symphony, 8pm Thursday, March 21st.

He Came, He Sor, He Conquered

Michael Morton-Evans looks at the intriguing life of the 19th century’s greatest guitarist, Fernando Sor. he

St Valen ne’s Day, 14 February 1778, saw the birth in Barcelona of Josep Fernando Macari Sor, arguably the most important player, teacher, and composer for the guitar in its 19th century Golden Age. Not only was he a musical genius, he was also the supreme pragma st, as we shall shortly see.

Sor’s musical life began as a choirboy in a local monastery where legend has it that he wrote his first full mass, though no record of it has yet been found. As a teenager he studied at the military academy in Barcelona, and at 19, produced his first opera, Telemachus on the Isle of Calypso. Ironically, Telemachus in Greek means ‘far from ba le’, something which shortly was to be far from the truth for the young man.

At first, he was offered a job as court organist to the Duchess of Alva and music teacher to her children, which suited him just fine because he was, by all accounts, par al to the high life. But this agreeable musical life came crashing down when Napoleon’s French army suddenly invaded Spain, and Sor, who had le the military academy as a trained officer, was immediately put in charge of a troop of soldiers. It wasn’t long, however, before he realised that the French were going to win, and it was now that his pragma sm manifested itself. He abandoned the Spanish army and accepted a post with the occupa on government, doing exactly what, history doesn’t record.

This move, as one might expect, had seriously compromised Sor in Spain, so when the invading French were driven out of the country by Britain’s Duke of Wellington, he retreated with the French army over the Pyrenees and ended up in Paris, where he established himself as a concert guitarist.

Never happy in one place for too long, Sor le Paris a er two years for London where he became a favourite of one of King George III’s sons, under whose auspices a fad developed for his songs and guitar pieces. He then added ballet to his repertoire, and his Cendrillon (Cinderella) of 1822 became the most popular ballet of its me. It’s believed that this was the first ballet to be produced by the fledgling Bolshoi Ballet company in 1823 with Sor there to see it.

The Russians loved it and him, and Sor decided to stay in Russia for the next three years, before returning to Paris, where he spent the rest of his life. He died there in 1839, aged 61, and although some reports say that he died in poverty, largely forgo en by the musical world, the more likely event was that he spent the rest of his days teaching the guitar and wri ng copious amounts of music for the instrument.

Nowadays we know Fernando Sor solely for his guitar music. Sadly, all his other works, including ballets, string quartets, symphonies, and masses, have disappeared.

World of a Symphony: Shostakovich’s Symphony No. 8

“A great tragic ballad of our terrible mes, an epic and anguished song expressing the boundless ordeals of a human heart,” wrote musicologist Boris Asafyev about the Symphony No. 8 in C minor opus 65 by

Dmitri Shostakovich.

Shostakovich composed his Eighth Symphony in 1943 during World War Two. The war years represented rela ve freedom for ar sts living in the Soviet Union as it became acceptable to depict grief and devasta on. In his disputed but reliable memoirs Tes mony, Shostakovich wrote; “And then the war came, and the sorrow became a common one. We could talk about it, we could cry openly, cry for our lost ones. People stopped fearing tears…Even before the war, in Leningrad there probably wasn’t a single family who hadn’t lost someone, a father, a brother, or if not a rela ve, then a close friend. Everyone had someone to cry over, but you had to cry silently, under your blanket, so that no one would see. Everyone feared everyone else, and the sorrow oppressed and suffocated us. It suffocated me too. I had to write about it, I felt that it was my responsibility, my duty. I had to write a requiem for all those who died, who had

suffered. I had to describe the horrible extermina on machine and express protest against it … the Seventh and Eighth symphonies are my requiem.”

The Eighth Symphony is sha ering in its impact. This great tragic symphony is built on contrasts between music at mes violently intense and at others unremi ngly bleak. It is a symphony of agonised despair, which tries to escape the burden of unspoken anguish, only to remain trapped in the mire of suffering. It is a shocking symphony not only about the me of war but of peace me tragedy.

As the composer recounts in Tes mony; “The war brought much new sorrow and much new destruc on, but I haven’t forgo en the terrible pre-war years. That is what all my symphonies, beginning with the Fourth, are about, including the Seventh and Eighth.” Shostakovich goes on to say that “The majority of my symphonies are

by Paolo Hooke

tombstones. Too many of our people died and were buried in places unknown to anyone, not even their rela ves. I’m willing to write a composi on for each of the vic ms, but that’s impossible, and that’s why I dedicate my music to them all.’’

In the penul mate movement the symphony shi s from C minor to C major. A violinist in the Leningrad Philharmonic Orchestra, Yakov Milkis, commended the composer for this transi on and recounts Shostakovich replying to him; “My dear friend, if you only knew how much blood that C major cost me.” Shostakovich was silent and Milkis was le with the feeling he had “touched on something very sacred and private.”

However, the change to C major, associated with a journey from darkness to light, does not represent victory in the Eighth Symphony, rather there is an emp ness in the final movement which suggests survival.

Boris Asafyev captures the mood; “Suddenly, in the hush there is one lonely heart alive and bea ng that sings fluently and tenderly, as a bo omless spring streaming through the rocks of a craggy mountain cliff: ‘I am alive.’”

In his Eighth Symphony, a profoundly moving explora on of human suffering, Shostakovich showed himself to be the tragic poet of 20th century music.

World of a Symphony

Thursday 14 March 2024, 8 pm

Aram Khachaturian Symphony no 2 in E minor (first movement)

Dmitri Shostakovich Piano Quintet in G minor opus 57

Dmitri Shostakovich Symphony no 8 in C minor opus 65

Image: Alamy

Dimitri Shostakovich and Yevgeny Mravinsky with the Leningrad Philharmonic Orchestra. Together they would premier eight of the composers fifeteen symphonies.

High Five: Pianist/Composer

Felix Bornholdt

Felix Bornholdt is a New Zealand pianist and composer. An ac ve figure in the Australian improvised music scene, Felix is also a member of the pop band Lime Cordiale and spends much of each year touring in the USA, Europe, and UK. His debut solo piano record, Man Overboard was released in June 2023.

What early childhood musical experiences and memories led you to play the piano?

Growing up, my dad played records in the house from waking un l bed; it was a wide selec on with a lot of ECM, Bach, Gregorian chant, Palestrina masses, and then some seriously out-there recordings by groups like the Art Ensemble of Chicago, Don Cherry, and Pharaoh Sanders. If there was a unifying feature, it was all fairly fringe music and always cranked at high volume. Hearing Keith Jarre ’s Köln Concert for the first me was a huge moment for me. I have memories of trying to play it for friends in high school and ran ng about all the mythology surrounding it – the fact that he hadn’t slept for days, had to drive, nearly didn’t make the gig, then the piano was the wrong one and the gig almost didn’t happen! They were uninterested, but that record more than anything made me want to become a pianist.

What have some of the highlights of your musical journey been so far?

When I moved from Wellington to Sydney, I felt like I had just arrived in New York. I was going out nearly every night and hearing people like Mike Nock, The Catholics, and Sandy Evans – the people that I had admired all through high school. It was totally intoxica ng and deeply inspiring. As part of the pop world, I’m overseas on tour for about four months each

year. There are some enormous highs in playing shows in places with such a deep musical history as London and New York, and the general pinch-me-ness of somehow ge ng to see so much of the world by being a pianist.

You are well-versed in a variety of musical genres, what does jazz mean to you?

I was on tour in the US a few months ago and stopped by the gallery Corbe vs Dempsey in Chicago. A couple of weeks earlier I’d been in New Zealand, and the saxophonist Peter Brötzmann had just died. My dad, uncle and I had been listening to some of his music and leafing through a book of his graphic design work. He did a lot of album covers and posters, including the cover for his own record Nipples, which is the only record produced by Manfred Eicher that doesn’t appear on the ECM label. I walked into the office of this gallery in Chicago, and that same book was open on a desk. When I men oned this to Mr. Corbe , he pointed to a chair on which Peter Brotzman’s saxophone case was si ng. They had been conduc ng their own Brotzman memorial on the other side of the world. We talked for an hour or so; these guys had an encyclopedic knowledge of all this improvised music that had been coming out of New Zealand in the 80s and 90s – in Chicago!

I men on this because it gave me a profound sense of jazz being this strange global community, Black American music that has had a very deep and las ng interna onal influence.

What is your latest musical project and how did it evolve?

I’ve just released my first solo piano recording, Man Overboard. In part, it is a collec on of works that are thinking about living and making music in the South Pacific. When I was in school, I was part of a two-week expedi on, ini ated by the Sir Peter Blake Trust, to the Kermadec Islands, which is a remote volcanic region three days sail North from New Zealand. An experience like that changes how you see yourself in the world and in this case, it got me thinking a lot about water and about living in what are aqua c na ons.

You are home alone on a Sunday evening and want to relax listening to some of your favourite music. What would you choose?

I’ve always been enamoured with the sound and format of the solo piano. There’s a record by the pianist Jon Balke called Warp which is solo piano with strange threads of electronics running behind it. I’m also completely unable to escape Glenn Gould’s Goldberg Varia ons; I love them both – the ‘55 recording for the morning and the ‘81 for the evening. There’s also a curious recording by h hunt called Playing Piano for Dad that I find oddly compelling; it’s almost like listening to someone prac sing, or being recorded covertly. Some mes he stops in the middle of a piece, and you hear the chair creaking, or some faint words being spoken off-mic. It’s startlingly in mate and very beau ful.

– Barry O’Sullivan

Photo credit: Lih Tsan

Keith Pe grew talks to Alex Siegers about the Weatherley Scholarship and all things Jazz

Alex Siegers sings. She sings jazz, a capella, and sacred music; oh, and jazz. She also works as an educator, conductor, vocal arranger, arts administrator, arts marketer, and music librarian. And she is a jazz presenter on 2MBS Fine Music Sydney. Many fingers and many pies.

In 2021, Alex was awarded the 2MBS Ken Weatherley Jazz Scholarship that, a er a slightly tortured and Covid-struck pathway, is about to come to frui on. March 2024 will see the release of her debut album, recorded in our Founders Studio as part of the Scholarship.

Alex started singing as a child. A favourite was Zombie by the Cranberries. There are a couple of canonical family videos of her singing: Waltzing Ma lda in the backyard as a 2-year-old, and Supercalifragilis cexpialidocious at pre-school. Then Year One choir when in kindergarten.

Life takes its own path, and Alex emerged at the Sydney Conservatorium of Music, comple ng her Bachelor of Music / Bachelor of Arts. In 2015, she went on an interna onal exchange to the University of California, recording a deligh ul a capella-style project with Jon Nathan.

So welcome 2021. Despite travelling far and wide, and living overseas mul ple mes, Alex was drawn back to Australia. While not overly patrio c, she recognises Australia’s natural beauty, egalitarian spirit, and even lovable larrikinism; all so magne c. “From Cockerawombeeba Creek near Wauchope NSW, to Tangambalanga VIC, just past Yackandandah and Baranduda; our ny na ve bees and our towering tallowwoods; our art, literature and design, kitsch, and the classic. Love it all. We have a deep and complex history, and so many incredible stories to share,” she says. And there is an Aussie jazz canon that is as diverse and exci ng.

Alex’s Weatherley project

While Alex was studying with Kerrie Biddell at the Sydney Conservatorium, Tim Nikolsky released the first itera on of the Australian Jazz Real Book (AJRB), and the whole history of Australian jazz music was at her finger ps. However, many of the recordings of these classic tunes aren’t readily available, and of the few held in physical library collec ons, are only available for listening in person.

Alex’s project was to record some of this great Australian jazz, otherwise lost to listeners. She selected music spanning 60 years of Australian jazz history from the 1950s to 2010s, by women and men, instrumentalists and vocalists, each composi on a li le piece of Australiana. As well as music wri en by jazz musicians, she included two selec ons from the Australian classical canon

reimagined as jazz tunes, one by Carl Vine and one by Elena KatsChernin, important pieces in her own musical development.

The Scholarship provided funds for hire of the 2MBS Founders Studio and recording with 2MBS sound engineer, Jayson McBride. She drew together musicians she knew who had worked together, par cularly with a singer, and who were at home in the ‘standard’ jazz world, given the tunes being championed. Drummer Andrew Dickeson has worked with so many greats of the Australian scene, and lots of great singers. Pianist Aaron Blakey was a well-known performer from Alex’s me on the Conservatorium campus, and bassist Jacob Graham is a talented young player who was the last piece of the puzzle. Whilst developing the Weatherley project, she was on campus studying for an honours degree, which culminated with an outstanding thesis on the role of vibrato in jazz. During this me, she was mentored by Jo Lawry, who took her out of her crea ve and technical comfort zone, while Virna Sanzone coached her through the vulnerability of singing, and performing from the heart. These mentors gave Alex an addi onal perspec ve to bring to the project.

A fierce recording schedule led to 80 takes over two days, relying on a significant planning effort with arrangements and the interpre ve skills of the musicians. It was mixed by Richie B, a respected Sydney wizard, and mastered by Michael Lynch.

During the recordings, Dickeson suggested that the theme and spirit of the project might interest ABC Jazz, and so this album of Australian Jazz Standards has been picked up for release by ABC as part of its 2024 releases.

I asked her if the Weatherley Scholarship had contributed to her career path: “The money and support from 2MBS have been integral to this project happening,” she replied. “Without this scholarship, I would not have been able to record a debut jazz album. Having the on-site support and exper se of a place to record, a sound engineer and a hugely suppor ve jazz and administra ve team was what got this project over the line.”

The (Big) Band after Swing

By Ken Raphael

The Swing Era was synonymous with dance. The 1930 Depression led to the collapse of the record industry, and radio emerged as the core entertainment. Big bands were broadcast to at-home dance par es. As big bands emerged from radio studios into dance halls following the Depression, so was born the Swing Era, its dance, and its big bands.

Death knocked at the door of the big US swing bands in December 1946; Woody Herman and seven other bands called it quits and let him in. This demise had been coming for some me. There is fairly universal agreement that the causes were a combina on of the effects of the war, the dra , petrol ra oning, midnight curfews, and the amusement tax of 20% on all night clubs that included dancing. To this should be added the lack of men to dance with.

Then there was the growing ennui amongst the musicians who were restricted by their band’s par cular ‘sound’, lack of solo opportuni es, and overworked harmonic formulae. Even when the bands did play, they were restricted from recording by the AFM (the musician’s union) from 19421944.

To these causes should be added the growing resistance of black musicians to the indigni es they had to suffer whilst on the road, and their desire to create their own more virtuosic music that allowed me for individual expression. They, and

an increasing number of younger white musicians, wanted to play music for listening, not dancing to.

This explana on is not exhaus ve. The rise of the crooner and the fading out of tradi onal dancing styles in favour of jive, and the expense of maintaining a large orchestra all played their part. Of course, ‘swing’ bands s ll existed, ‘cryovacked’ for an ageing audience.

Benny Goodman ran with pickup bands un l 1950, and the Glen Miller Orchestra was recons tuted in 1956. Some would include the con nued success and popularity of Count Basie and Duke Ellington, although Basie disbanded for a me in 1948, and again in 1950. But they never fi ed the swing formula, being at their hearts crea ve jazz bands.

Although there was a mainstream increase in small jazz groups, the line used to trace the development of non-swing bands can start with any number of musicians, arrangers, or composers. The ones proposed in this ar cle are not sacrosanct,

but it would be hard to exclude any of them.

Of immediate no ce is Claude Thornhill.

The Terre Haute pianist and arranger served his appren ceship with the bands of Benny Goodman and Glenn Miller, played on early Billie Holiday recordings and with Ray Noble. He formed his own band in 1939 and used as its theme the former A Fountain in Havana, wri en for Noble and now re tled Snowfall.

His posi on as an inaugural post-swing bandleader was determined by the musicians that he gathered around him.

First came Gil Evans in 1941, whose arrangements built on the musical vision that was Thornhill’s own. This is best illustrated by their early collabora on on Buster’s Last Stand, described by Allen Lowe as ‘a bravura swinger unlike anything else of its me’.

Thornhill disbanded his orchestra in 1942 but re-established it at the war’s end. Evans returned and brought along in short order Lee Konitz, Gerry Mulligan, and Red

Rodney. The band made some iconic bebop recordings including Anthropology, Robins Nest, and Donna Lee. All the musicians who played with Thornhill in this short-lived post-war band acknowledged their debt to him as a man who saw the future of jazz but respected its past.

Whilst Thornhill was working with one group of future icons, Woody Herman surrounded himself with another. In 1947 he formed the Four Brothers Band, also known as The Second Herd. Their saxophone sec on was Zoot Sims, Serge Chaloff, Herbie Steward, and Stan Getz, while other musicians included Al Cohn, Gene Ammons, Lou Levy, Oscar Pe ford, and Shelley Manne.

Their sound is unmistakably ‘Big Band’ with mul ple instruments playing in unison. On recordings, each tune was sequestered within the typical 3-minute me frame required for the 78 rpm records. Clearly a big band sound, but without the edge of get-up-and-dance. There is no doubt that the arrangements have escaped the confinement of that which was Swing

Del Courtney Orchestra, US big band of the 30s and 40s

Image: Alamy

CD REVIEWS

Orawa Orava Quartet

DG 485 9116

From Here

Alex Siegers ABC Jazz

Man Overboard

Felix Bornholdt

h ps://felixbornholdt.com/store

Both ensemble and album are named a er a mountainous region on the polish-Slovak border. Two members of the Orava Quartet are of Polish heritage and grew up listening to Orawa, in which composer Wojciech Kilar realised his dream of ‘crea ng a piece inspired by a highlander band’. This release by the Brisbane-based quartet also features music by Schulhoff, Shostakovich and Australian Luke Howard. The opening work is Schulhoff’s String Quartet No 1, which has been described as a ‘highly drama c musical mystery tour’. While it shows an awareness of the experiments of both Schoenberg and Bartok, it also echoes Janácek in its ‘passionate alterna on of bursts of energy and spells of medita on’. Shostakovich is represented by the rarely

performed String Quartet No 6 – mostly tranquil in tone but with undercurrents of tension, it suggests the calm before the storm of his later symphonies and quartets. The program concludes with four short composi ons by Luke Howard. They are reminiscent of instrumental pieces by Arvo Pärt and in keeping with the mood of the final movements of the quartets which precede them. While Hymn has been praised for its beauty, I found Andamooka Sta on to be the most evoca ve.

Paul Cooke

What makes this debut album from Alex Siegers so fascina ng is not just that it explores Australia’s heritage of jazz standards, or that it contributes to that jazz canon with style and grace, it is also an emo ve expression of a great voice. Alex has dived into the Australian Jazz Real Book: 60 years of Australian jazz history from the 50s, some 1700 Australian jazz tracks that speak to the diverse, the larrikin, and the sen mental. She has taken jazz tunes that are uniquely Australian, arranged some good stories, as well as contributed some fresh lyrics.

Alex’s voice is superbly ar culated, including within the sca ng and vocalese tracks. Her vocal presence is clear and works confidently with the piano of Aaron Blakey, the bass of Jacob Graham, and the drums of Andrew Dickeson. From the warmth of Spirit Song, the curious but intriguing story of the first Australian flight in Diggers Rest, to the La n influenced Intersec on, this is an album of sublime skill and adventure. It is Alex’s postcard to the world, From Here.

— Keith Pe grew

The solo piano recording is always challenging for the ar st. Firstly, finding the right piano and then the perfect space to record in, hoping that space, piano and me will harmoniously all come to frui on exactly as planned. Bornholdt was fortunate to find a Steinway Model D Grand in the perfect space at the Independent Theatre, Sydney, and the right me to record. On his solo debut, he lures his listeners into his web as he blends superb technique into the expanse of his crea vity. Something is dazzling about his touch. Space and me rework into a melodic dance, atonality sings beside formal structure, and harmony strikes a rich chord. Bornholdt never ceases to be inven ve with his eleven original composi ons beau fully engineered and mixed by Ross A’Hern. With sumptuous cover artwork by John Pile, a bonus insert artwork by Brendan O’Brien,

and inspira on and composi on tles connected to a nau cal voyage Bornholdt par cipated in as a youth of fi een to the remote volcanic island of Raoul, this package is occasionally mysterious, always shimmering, and complete. Standout tracks abound – Palais Waipapa, What Was It That Woke You and Credo – all are glorious gems. But there is much more to behold throughout this poe cally ar culated and courageously well-executed impressive musical offering. A vinyl and digital release that comes highly recommended

— Barry O’Sullivan

Volunteer Profile: David Edmonds

Laurie Smith talks to 2MBS Fine Music Sydney’s Work Health and Safety officer.

David, what brought you to 2MBS as a volunteer? What roles have you had at the sta on?

I’ve listened to 2MBS since the late 1970s and delivered this magazine to subscribers from the early 2000s un l hand delivery concluded a few years ago. I then assisted Elaine Siversen, transcribing LP notes to CD format as the sta on began to digi se its library, and with Sue Ping-Kee, entering new CDs into the library data base.

Around 2010, I joined a new safety policy commi ee under Sue Nicholas, ini a ng and upda ng safety procedures. Since 2017 I have been on the WHS Commi ee as Secretary, and more recently, Chair. In these la er roles I have drawn more directly on aspects of my professional experience: the iden fica on and mi ga on of safety hazards and compliance with regulatory requirements. (I had re red from my career in the pharmaceu cal industry in 2017 where I had worked in R&D, manufacturing. tes ng and regulatory roles.)

Adjunct to my professional work I was ac ve in the Royal Australian Chemical Ins tute which provided useful background for my contribu ons as a volunteer at 2MBS.

Where does your love of music come from?

My parents were not concert goers, so the sources of my interest are unknown. My earliest musical recollec on is listening to a 2SM Sydney kids’ show that was always introduced by the gallop of the Willam Tell overture and finished with the Angelus, preceded by the Schumann-Liszt Widmung. I learned the piano and flute in school years but did not progress to any significant playing competence.

I a ended school concerts by the Sydney Symphony Orchestra (SSO) in the mid ‘50s and took out subscrip ons to SSO Youth concerts for some 10 years. I have subscribed to Opera Australia since 1977 and the SSO orchestral and piano recitals since the early ‘90s.

I started to collect classical LPs in the late ‘50s. This accelerated with memberships of the World Record and Australian Record Clubs, and I s ll collect CDs to this day, in par cular, reissued recordings from the ‘golden decade’ from 1955 to 1965. My bookshelves also reflect these interests.

What music do you enjoy the most?

All good quality music from Monteverdi to the modern day. I have no pet hates, although it took me a while to enjoy Brahms and even longer to like and enjoy Puccini.

Are there performances or recordings that stay forever in your memory?

I’ve been fortunate to have a ended many memorable performances over the years: Donald Smith and Lauris Elms in Il Trovatore in 1964, Tristan und Isolde under Carlos Kleiber in 1976, Ashkenazy playing Chopin op 25 Etudes in his 20s, Bryn Terfel performing Falstaff for Opera Australia in the ‘90s, and not least the recent OA Brisbane Ring cycle. Regarding recorded works, those of Sir Thomas Beecham and Fritz Reiner and, despite limited sound, Toscanini’s Verdi Requiem, Otello and Falstaff are among my favourites.

FRIDAY 1

00:00 CONTEMPORARY COLLECTIVE

03:00 CLASSICAL TILL DAWN

06:00 FINE MUSIC BREAKFAST with Troy Fil

09:00 DIVERSIONS IN FINE MUSIC

Journey through history

Prepared by Anabela Pina

Anon. Our Mother, full of grief. Música Tempora/Andrian Rodriguez van der Spoel.

Etcetera KTC 1384

Pastoreta yohepe auta. Capilla de Indias/ Tiziana Palmiero.

KTC K617

Capelli, G. Ciel nemico, from I fratelli riconosciuti (1726). Philippe Jaroussky, ct; Le Concert d’Astrée/Emmanuelle Haïm.

Virgin 3 95242 2

Campagnoli, B. Flute quartet no 1 in D (c1790). Gabriele Formenti, ; Ensemble Il Demetrio.

Boccherini, L. Guitar quintet no 4 in D, Fandango (1798). Rolf Lislevand, gui; José de Udaeta, castanets; Le Concert de Nations/ Jordi Savall.

Barret, R. Fantasy on Donizetti's Lucrezia Borgia (arr. Price). Bert Lucarelli, ob; Manhattan String Quartet.

Romaniello, L. Suite. Raffaele La Ragione, mand; Giacomo Ferrari, pf.

10:30 CONCERT HALL

Prepared by Frank Morrison

Satie, E. Ballet: Relâche (1924). New London O/Ronald Corp.

Stamitz, C. Viola concerto in D, op 1 (pub. 1774). Tabea Zimmermann, va; European Union CO/Dmitri Demetriades.

Magnard, A. Symphony no 3 in B at minor, op 11 (1896). Toulouse Capitole O/Michel Plasson.

12:00 A JAZZ HOUR

with Barry O'Sullivan

Contemporary and modern sounds of 'now' in jazz from all corners of the globe with a focus on contemporary jazz from Australia and regular interviews with local and visiting musicians

13:00 SCHUBERT’S OCTET

Octet, D803, completed March 1824

Prepared by Ross Hayes

Schubert, F. Sonata in A minor, D784 (1823). Imogen Cooper, pf.

Ottavo OTR C68608

Der Sieg, D805 (1824). Dietrich FischerDieskau, bar; Gerald Moore, pf.

DG 477 5765

Octet in F for winds and strings, D803 (1824). Academy of Ancient Music Chamber Ensemble.

14:30 FOCUS ON NEVILLE MARRINER

Prepared by Jacky Ternisien

Suppé, F. Overture to The Light Calvary (1866). Academy of St Martin in the Fields/ Neville Marriner.

EMI CDC 7 54056 2

Ibert, J. Concertino de camera (1935). John Harle, sax; Academy of St Martin in the Fields/ Neville Marriner.

EMI 5 72110 2

Purcell, H. Sonata in G minor. Neville Marriner, vn; George Malcolm, hpd.

OVC 2002/3

Arne, T. Cantata: Bacchus and Ariadne (1755). Robert Tear, ten; Academy of St Martin in the Fields/Neville Marriner.

Decca 452 973-2

Grieg, E. Symphonic dances, op 64 (1898). Academy of St Martin in the Fields/Neville Marriner.

hänssler CD 98.128 31

Handel, G. Concerto grosso in D, op 6 no 5 (1739). Trevor Connah, vn; Thurston Dart, hpd; Andrew Davis, org; Academy of St Martin in the Fields/Neville Marriner, vn & dir

Decca 478 5623

16:00 FINE MUSIC DRIVE with James Hunter

19:00 FRIDAY JAZZ SESSION with Alex Siegers

A focus on the current Sydney jazz scene mixed with a range of international jazz stars and an occasional guest interview

20:00 EVENINGS WITH THE ORCHESTRA

French orchestral dances

Prepared by Robert Small

Ravel, M. Valses nobles et sentimentales (1911). Ulster O/Yan Pascal Tortelier.

Chandos CHAN 9203

Chaminade, C. Ballet: Callirhoë, op 37 (1888). BBC Concert O/Martin Yates.

Dutton CDLX 7339 1:02

Debussy, C. Printemps, symphonic suite (1887; orch. Busser). Montreal SO/Charles Dutoit.

Decca 444 386-2 16

Poulenc, F. Suite française d’après Claude Gervaise (1935). Lille NO/Jean-Claude Casadesus.

Naxos 8.554241 12

22:00 BAROQUE AND BEFORE Celbrating 50 years of the Academy of Ancient Music

Prepared by Andrew Dziedzic

Locke, M. Suite from The tempest (1674). Academy of Ancient Music/Christopher Hogwood.

L’Oiseau-Lyre 433 191-2 39

Bach, J.S. Cantata, BWV202: Weichet nur, betrübte Schatten, Wedding (c1718-23). Emma Kirkby, sop; Academy of Ancient Music/ Christopher Hogwood. L’Oiseau-Lyre 478 7863 27

Vivaldi, A. Violin concerto in E minor, RV277, Il favorito. Stanley Ritchie, vn; Academy of Ancient Music/Christopher Hogwood.

L’Oiseau-Lyre 436 172-2 13

Handel, G. Jubilate in D for the Peace of Utrecht 1713 (1713). Emma Kirkby, sop; Judith Nelson, sop; Charles Brett, ct; Rogers CoveyCrump, ten; Paul Elliott, ten; David Thomas, bass; Choir of Christ Church Cathedral, Oxford; Academy of Ancient Music/Simon Preston.

L’Oiseau-Lyre 414 413-2 19

Geminiani, F. Concerto grosso in C, after Corelli, op 5 no 3 (c1716). Academy of Ancient Music/Andrew Manze.

Harmonia Mundi HMU 907261.62 11

SATURDAY 2

00:00 CLASSIC-ALL THROUGH THE NIGHT

06:00 SATURDAY MORNING MUSIC with David Garrett

09:00 WHAT'S ON IN MUSIC

Our weekly guide to musical events in and around Sydney

09:05 THE PIANO ALONE

Prepared by Anne Irish

Handel, G. Chaconne in G, HWV435 (1733). Angela Hewitt, pf.

Hyperion CDA67736 7

Ibert, J. Little suite in 15 pictures (1943). Haewon Chang, pf.

Naxos 8.554720 16

Chopin, F. Waltz in D at, op 28 no 15, Minute (1846-47). Roger Woodward, pf. Warner Music 450990318-2

Schumann, R. Forest scenes, op 82 (184849). Wilhelm Kempff, pf.

DG 435 045-2 23

10:00 CENTRES OF MUSIC

Hot Springs Music Festival, Arkansas

Prepared by Elaine Siversen

Gottschalk, L. Célèbre tarantelle (1868; ed. Rosenberg). Michael Gurt, pf; Hot Springs Festival SO/Richard Rosenberg.

Naxos 8.559320 6

Reser, H. Suite for banjo and orchestra (192230). Don Vappie, banjo; Hot Springs Music Festival SO/Richard Rosenberg.

Naxos 8.559647

Gottschalk, L. Overture: Young Henry’s hunt, after Méhul (1861; reconstr. Rosenberg). John Contiguglia, pf; Richard Contiguglia, pf; Angela Draghicescu, pf; Chin-Ming Lin, pf; Joshua Pepper, pf; Hot Springs Festival SO/Richard Rosenberg.

Naxos 8.559320

Opera: Escenas campestres cubanas (185960; reconstr. Rosenberg). Anna Noggle, sop; Darryl Taylor, ten; Richard Ziebarth, bass-bar; Hot Springs Festival SO/Richard Rosenberg.

Naxos 8.559320

Suesse, D. Jazz nocturne (1931). Peter Mintun, pf; Hot Springs Music Festival SO/ Richard Rosenberg.

Naxos 8.559647

Gottschalk, L. Symphony no 1, A night in the tropics (1859; reconstr. Rosenberg). Hot Springs Festival SO/Richard Rosenberg.

Naxos 8.559320

Gershwin, G. Rhapsody in blue (1924; orch. Grofé 1926). Tatiana Roitman, pf; Hot Springs Music Festival SO/Richard Rosenberg.

Naxos 8.559647

11:30

Music that’s band

Prepared by Owen Fisher

Lovatt-Cooper, P. Home of legends. Cory Band/Robert Childs. Doyen DOY CD 290

Anderson, L. Home stretch. Allentown Band/ Ronald Demkee. AMP

Elgar, E. Pomp and circumstance march, op 39 no 1. Grimethorpe Colliery Band/Robert Childs.

Grim G2015 3

Glinka, M. Theme from Ruslan and Ludmilla. Cory Band/Robert Childs.

Doyen DOY CD 239 5

Gould, M. Marches, from West Point symphony. Allentown Band/Ronald Demkee. AMP 200 59 9

12:00 URBAN JAZZ LOUNGE

with Leita Hutchings

New, hip, fun and traditional jazz: tons of cool jazz, presented in a chilled and laid-back, lounge style

13:00 FROM THE 18TH CENTURY

Prepared by Chris Blower

Albinoni, T. Sonata in G minor for violin and continuo, op 4 no 5 (1711). Locatelli Trio.

Hyperion CDD22048 10

Bach, J.S. Trio sonata in G for transverse ute, violin and continuo (arr. from BWV525, c1730). Members of Sydney Consort. Sydney Consort SC001

Guillemain, L-G. Sonata in A minor, op 5 no 1 (1739). Paul Wright, vn; Sophie Gent, vn.

ABC 476 6996

Bach, J. Christian Sonata in E at (1762; arr. M.C. Alain). John Foster, tpt; David Drury, org. ABC 476 639-8

Mozart, W. Sonata no 28 in E at, K380 (1781). Fabio Biondi, vn; Olga Tverskaya, pf. Opus

Beethoven, L. Sonata no 6 in F, op 10 no 2 (1797). Angela Hewitt, pf.

14:30 SATURDAY MATINEE

Orchestral grandeur: Pioneer of Czech national music

Prepared by Elaine Siversen

Smetana, B. Overture to The bartered bride (1866). Buffalo PO/JoAnn Falletta. www.bpo.org

Symphonic poem: Hakon Jarl, op 61 (186061). Prague RSO/Vladimir Válek. Supraphon SU 3916-2

From my life (1880; orch. Szell). London SO/ Geoffrey Simon.

LP Chandos ABRD 1149

Vysehrad, from Má vlast (1872-74). Vienna PO/Nikolaus Harnoncourt.

Teldec 0927-44890-2

Vltava, from Má vlast (1874). Vienna

Sárka, from Má vlast (1875). Vienna PO/ Nikolaus Harnoncourt.

Teldec 0927-44890-2 11

From Bohemia’s elds and groves, from Má vlast (1875). Vienna PO/Nikolaus Harnoncourt. Teldec 0927-44890-2 14

Tabor, from Má vlast (1878). Vienna PO/ Nikolaus Harnoncourt.

Teldec 0927-44890-2

Blanik, from Má vlast (1879). Vienna PO/ Nikolaus Harnoncourt.

14

Teldec 0927-44890-2 15

17:00 SOCIETY SPOT

Folk Federation of NSW with Gerry Myerson

18:00 STAGE AND SCREEN

Prepared by Sue Jowell

Allen, P. The boy from Oz. Hugh Jackman, voice.

Decca 9867 184 4

Arlen, H. Excerpts from The Wizard of Oz. Judy Garland, Ray Bolger, Bert Lahr, Jack Haly, voices; MGM Studio O. Classic Soundtracks 002 10

McCarthy, J. Broadway melody, from Dear Mr Gable. Judy Garland, voice. Naxos 8.12563 3

Chaplin, S. Can this be the end of the rainbow. Judy Garland, voice.

Naxos 8.12563

3

Meyer, G. Excerpts from Me and my gal. Judy Garland, Gene Kelly, George Murphy, voices; Studio O/George Stoll.

Sony 638552 12

Various. Excerpts from Meet me in St Louis. Judy Garland, Margaret O’Brien, voices; Studio O/George Stoll.

Warner Archive 39412 11

Excerpts from Live at the London Palladium. Judy Garland, Liza Minnelli, voices.

EMI 19126 9

19:00 EMERGENT JAZZ

with Keith Pettigrew

Australian jazz of the 21st century featuring high school jazz combos, tracks from Sydney's pre-eminent jazz programs at UNSW and 'The Con' and new Australian and international jazz releases

20:00 THE LIFE OF A COMPOSER

Joseph Haydn

Prepared by Frank Morrison

Haydn, J. Divertimento in G, Hob.II:2 (c175354). Haydn Sinfonietta, Vienna/Manfred Huss. Koch Schwann 3-1481-2 19

Double concerto in F, Hob.XVIII:6 (bef. 1766).

Salvatore Accardo, vn; Bruno Canino, hpd; English CO/Edo de Waart.

Philips 438 797-2

Trio in A at, Hob.XV:14 (1789). Yuuko Shiokawa, vn; Boris Pergamentchikov, vc; András Schiff, pf.

Decca 444 862-2

Das Leben ist ein Traum, Hob.XXVIa:21. Christian Gerhaher, bar; Gerold Huber, pf. Sony 88691935432

21

Sonata no 60 in C, Hob.XVI:50, English (179495). Mikhail Pletnev, pf.

Virgin 5 45254 2

Symphony in D, Hob.I:104, London (1795).

22:00 SATURDAY NIGHT AT HOME

Prepared by Rex Burgess

Bach, J.S. Partita no 5 in G, BWV829 (172531). Rosalyn Tureck, pf.

Philips 456 976-2

Canteloube, J. Songs of the Auvergne (192330). Isobel Buchanan, sop; Australian CO/Max McBride.

Koechlin, C. The burning bush, op 203, 171 (1938/45). Rhineland Palatinate PO/Leif

Schoenberg, A. Trans gured night, op 4 (1899). Walter Trampler, va; Yo-Yo Ma, vc; Juilliard String Quartet.

ten; Stephen Collardelle, ten; Étienne Bazola, bar; Nicolas Brooymans, bass; Ensemble Correspondances/Sébastien Daucé.

Harmonia Mundi 902280.81 30

10:00 THE CLASSICAL ERA

Prepared by Anne-Louise Luccarini

Ries, F. Flute sonata in E at, op 86 no 1 (1819). Duo Estense.

Brilliant Classics 96132 8

Haydn, M. Divertimento in D (1764). Mihai Zágoni, cl; Mircea Neamtu, tb; Ioan Silaghi, bn, Ecaterina Botàr, hpd; Oradea PO/Romeo Rîmbu.

Olympia OCD 485 52

Danzi, F. Sinfonia concertante in B at, op 41 (1814). Paul Meyer, cl; Franz Liszt CO/JeanPierre Rampal, & dir.

Denon CO-78911 20

Mozart, W. Sinfonia concertante no 2 in E at, K364 (1779). Veronika Hagen, va; Salzburg Camerata Academica/Augustin Dumay, vn & dir.

DG 459 675-2 31

12:00 CLASSIC JAZZ

with Dave Mac

The early days of jazz and ragtime as recorded during the rst 30 years of the 20th century

13:00 WORLD MUSIC

Whirled Wide

with Linda Marr

Showcases diverse music from cultures around the world, both traditional and modern, featuring musicians from all corners of the globe, including Australia

14:00 THE PIANO SONATA

SUNDAY 3

00:00 CLASSIC-ALL THROUGH THE NIGHT

06:00 SUNDAY MORNING MUSIC with James Nightingale

09:00 MUSICA SACRA

Prepared by Rex Burgess

Lorenzani, P. Motet for The Elevation. Le Concert Spirituel/Hervé Niquet.

Naxos 8.553648

Alkan, C-V. Impromptu on a chorale of Luther, op 69 (c1871). Kevin Bowyer, org. Brilliant Classics 95568

Sonatas of Johann Nepomuk Hummel, Part 1

Prepared by Jennifer Foong

Joachim, J. Overture to Demetrius (arr. Brahms). Silke-Thora Matthies, pf; Christian Köhn, pf.

Naxos 8.555849

Czerny, C. Rondino no 10 on a theme from Mozart's K304, op 98. Christian Lambour, pf.

Schwann 310 120 11

Herz, H. Variations on Non più mesta, from Rossini’s Cinderella. Earl Wild, pf.

Vanguard OVC 4033 10

Hummel, J. Sonata no 1 in C, op 2 no 3 (1792). Ian Hobson, pf.

Arabesque Z 6564

15:00 SUNDAY SPECIAL

Pioneer of Czech national music

Prepared by Jacky Ternisien

Smetana, B. Overture to Libuse (1881). Prague SO/Ondrej Lenárd.

apex 0927 44354 2 8

Fantasia on Czech folksongs; Polka in F sharp minor and A minor, from Czech dances, bk 1; Hulán, from Czech dances, bk 2. Kathryn Stott, pf.

Chandos CHAN 10430 21

Prague carnival (1883). BBC PO/Gianandrea Noseda.

Chandos CHAN 10413 6

My star; The swallows arrived; The sunset (1878). Female voices of Czech Philharmonic Ch/Josef Veselka.

LP Supraphon MS 112 1143 7

Piano trio in G minor, op 15 (1855/57).

Australian Trio.

ABC 476 123-1 29

Triumphal symphony in E, op 6 (1853-54). Prague RSO/Vladimir Válek.

Supraphon SU 3916-2 37

17:00 HOSANNA

Prepared by Neil McEwan

Schütz, H. Psalm 137: An den Wassern zu Babel (pub. 1619). Stuttgart Chamber Choir & soloists; Musica Fiata/Frieder Bernius.

Sony S2K 48042 5

Pott, F. Forty days and forty nights. Cantus Choro; Norman Kaye, org; Peter Chapman, cond.

Move MD 3062 3

Psalm. No 19: The heavens declare the glory of God. Choir of Exeter Cathedral; Paul Morgan, org; Andrew Millington, cond.

Priory PRCD 1045 4

Penalosa F. de Credo; Sanctus; Agnus Dei, from Missa, Nunca fué pena mayor. Choir of Westminster Cathedral/James O’Donnell.

Hyperion CDA 66629 15

Bach, J.S. Motet: Fürchte dich nicht, ich bin bei dir, BWV228. Monteverdi Choir/John Eliot Gardiner.

Monteverdi Productions SDG 716 9

Purcell, H. Jehova, quam multi sunt hostes mei (c1680). Choir of Christ Church Cathedral, Oxford; English Concert/Simon Preston.

Archiv 459 487-2 8

Blow, J. Salvator mundi. Choir of Christ Church St Laurence, Sydney; Peter Jewkes, org; Neil McEwan, cond.

CCSL CD06 4

Ireland, J. My song is love unknown. Choir of Wells Cathedral; Rupert Gough, org; Malcom Archer, cond.

Hyperion CDP 12101 3

18:00 BOHEMIAN CHAMBER

Prepared by Elaine Siversen

Kalliwoda, J. Salon piece, op 228. Jean-Louis Capezzali, ob; Chia Chou, pf.

Pierre Verany PV794101

Foerster, J. Piano trio no 2 in B at, op 38 (1894). Janácek Trio.

Supraphon SU4079-2

Schulhoff, E. Sextet (1924). Raphael Ensemble.

19:00

JAZZ INTERACTION

with Maddy Monjo

Exploring contemporary jazz, covering new releases, contrasting performers, improvisation and the orchestra, all presented with social media presence; Listen, ask, share

20:00 SUNDAY NIGHT CONCERT

Prepared by Dan Bickel

Mozart, W. Ballet music from Idomeneo, K367 (1781). Academy of Ancient Music/Christopher Hogwood.

Glière, R. Harp concerto, op 74 (1938). Alice Giles, hp; Adelaide SO/David Porcelijn.

Bruch, M. Symphony no 2 in F minor, op 36 (pub. 1870). Gewandhaus O/Kurt Masur.

21:30 NEW HORIZONS

Prepared by Paul Cooke

Higdon, J. Soprano saxophone concerto (2006). Carrie Koffman, sax; Hartt School Wind Ensemble/Glen Adsit.

Bingham, J. Byron, violent progress (2008).

Downes, A. Sonata, op 99 (2008). Peter

23:00 JAZZ AFTER HOURS

Portraits with Eddie Bernasconi

Late night jazz that presents a picture of individual jazz musicians or speci c instruments. Listen, engage and unwind

13:00 100% AUSTRALIAN MADE

Prepared by Julie Simonds

Charody, C. Lunacy; The lost world, from Limbo. Sonja Schebeck, vn; Chloe Charody, pf.

Private recording

Pas de deux; Wedded to the sea, from Morning blossoms. Netherlands SO/Tecwyn Evans.

8

Harrison, S. ... under the circle of the moon ... (2004). Peter Sheppard Skærved, vn; Mihailo Trandilovski, vn. Toccata

0304

Goehr, A. When Adam fell, op 89 (2011). BBC

Knussen.

00:00 CLASSIC-ALL THROUGH THE NIGHT

06:00 FINE MUSIC BREAKFAST with James Hunter

09:00 DIVERSIONS IN FINE MUSIC

A year in retrospect: 1874

Prepared by Frank Morrison

Sarasate, P. de Concert fantasy on Gounod’s Faust (1874). Gil Shaham, vn; Jonathan Feldman, pf.

DG 463 483-2 11

Massenet, J. Picturesque scenes (1874). Suisse Romande O/Neeme Järvi.

Chandos CHSA 5137 16

Brahms, J. Liebeslieder-Walzer, op 52a (1874). Silke-Thora Matthies, Christian Köhn, pf.

Naxos 8.553140 24

Strauss, J. II So muss allein ich bleiben. O je O je, from Die Fledermaus (1874). Gundula Janowitz, sop; Renate Holm, sop; Eberhard Waechter, bar; Vienna PO/Karl Böhm.

Decca 467 407-2

Fibich, Z. String quartet no 1 in A (1874). Talich Quartet.

Calliope CAL 3332 23

10:30 CONCERT HALL

Prepared by Derek Parker

Boïeldieu, A. Overture to La dame blanche (1825). Estonian NSO/Neeme Järvi.

Chandos CHAN 20151

Dittersdorf, C. Viola concerto in F. Petr Pribyl, va; Miroslava Svobodová, hpd; South Bohemia Chamber PO/Ondrej Kukal.

Campion RR 1342

Mahler, G. Symphony no 1 in D, Titan (1888/93/96-98). Bavarian RSO/Rafael Kubelik.

DG 477 8825

12:00 SWING SESSIONS

with John Buchanan

Featuring bands of the 1930s swing era and the dance bands of the 1920s taken from radio broadcasts, transcriptions and recording sessions

Private recording

Charody - Maleki. Migrant child; Brother; Estrangement, from Truth in a cage. Caitlin Redding, sop; Kunal Lahiry, pf.

8

Private recording 11

Charody, C. My Australia. Sydney SO/Pietari Inkinen.

Private recording 9

Castle in the sky. Van-Anh Nguyen, pf.

Private recording

5

Dance of the rebird, from The carnival. Sonja Schebeck, vn.

Private recording 5

14:00 FROM THE TATRA MOUNTAINS

Prepared by Paul Cooke

Novák, V. Symphonic poem: In the Tatra Mountains, op 26 (1902). Royal Liverpool PO/ Libor Pesek.

Virgin 5 45251 2 16

Paderewski, I. Danses polonaises, op 5 (c1883). Karol Radziwonowicz, pf.

Harmonia Mundi LCD 2781073/75

12

Dvorák, A. Gypsy songs, op 55 (1880). Bernarda Fink, mezz; Roger Vignoles, pf. Harmonia Mundi HMX 2908186.88 13

Karlowicz, M. Eternal songs, op 10 (1906). New Zealand SO/Antoni Witt.

Naxos 8.570295 28

Schelling, E. Nocturne: Ragusa (1926). Jonathan Plowright, pf.

Hyperion CDA 67903 7

Kilar, W. Orawa (1986). Orava Quartet. DG 485 9116 9

Szymanowski, K. Violin concerto no 2, op 61 (1933). Roman Lasocki, vn; Polish State PO/ Karol Stryja.

Marco Polo 8.223291 23

16:00 FINE MUSIC DRIVE with Andrew Dziedzic

19:00 JAZZ ABOUT TOWN with Deborah Evans

A sound gig guide to what's on in Sydney's jazz scene over the coming week with music from jazz musicians who are About Town

20:00 STORMY MONDAY with Austin Harrison

22:00 JAZZ AFTER HOURS

with Ramsay McInnes

Late night jazz, to listen and engage, and relax

TUESDAY 5

00:00 CONTEMPORARY COLLECTIVE

03:00 CLASSICAL TILL DAWN

06:00 FINE MUSIC BREAKFAST with Robert Small

09:00 DIVERSIONS IN FINE MUSIC

Colours of the keyboard

Prepared by Elaine Siversen

Rachmaninov, S. Russian rhapsody in E minor (1891). Lilya Zilberstein, pf; Alexander Mogilevsky, pf.

Warner Classics 0825646235940 9

Bach, J.S. Sonata in E minor for violin and continuo, BWV1023 (aft. 1723). Locatelli Trio.

Hyperion CDD22025

Corrette, M. Organ concerto in G, op 26 no 1 (pub. 1756). Jean-Patrice Brosse, org; Concerto Rococo.

10

13:00 PIONEER OF CZECH MUSIC

Music for the piano, Part 1

Prepared by Elaine Siversen

Smetana, B. Character pieces, op 1 nos 3 and 4 (1847-48). Peter Schmalfuss, pf.

Thorofon CTH 2005 7

Concert study in G sharp minor, At the sea (1861). Leif Ove Andsnes, pf.

EMI 3 41682 2 5

Macbeth and the witches (1859). Tamara-Anna Cislowska, pf.

ABC 476 6301

10

Dreams (1875). Kathryn Stott, pf. Chandos CHAN 10430 30

14:00 ALMOST AN ORCHESTRA

The nonet

Prepared by George Nevin Mozart, W. Grand nonet, after Sinfonia concertante no 1 in E at, K297b (1778; arr. Roman Benedict). 2018 Sydney Symphony Fellows/Roger Benedict.

Fine Music concert recording 30 Parry, H. Nonet in B at for winds (1877).

Debussy, C. Piano trio no 1 in G (1880). Trio Chausson.

Mirare MIR 163

Pierre Verany PV793113

Haydn, J. Sonata no 47 in B minor, Hob. XVI:32 (1776). Geoffrey Lancaster, fp.

Britten, B. A charm of lullabies, op 41 (1947). Magdalena Kozená, mezz; Malcolm Martineau, pf.

DG 471 581-2

Grieg, E. Holberg suite, op 40 (1884). Gerard Willems, pf.

ABC 481 1702

10:30 CONCERT HALL

Prepared by Anne-Louise Luccarini Bernstein, L. Ballet: Fancy free (1944). Paul Searle-Barnes, pf; Paul Turner, drums; Bournemouth SO/Andrew Litton.

Virgin VC 7 91433-2

Stravinsky, I. Concerto in E at, Dumbarton Oaks (1939). Lliure Theatre CO/Josep Pons.

901609

Mendelssohn, F. Symphony no 3 in A minor, op 56, Scottish (1842). Tasmanian SO/ Sebastian Lang-Lessing.

ABC 476 3623

12:00 JAZZ RHYTHM

with Jeannie McInnes

An eclectic blending of agreeable rhythm and melody from the New Orleans jazz roots through to recent decades, including many Australian bands

Czerny, C. Nonet for winds, strings and piano (1850). Claudius Tanski, pf; Consortium Classicum.

MDG 301 0518-2

David, Félicien. Nonet in C minor (1839). London Gabrieli Brass Ensemble/Christopher Larkin.

Hyperion CDA66470

16:00 FINE MUSIC DRIVE with David Brett

19:00 THE JAZZ BEAT

with Lloyd Capps

Smooth small group jazz from the 50s on, and with a visit from Miles Davis each week

20:00 JUST IN

with Michael Field

A selection from the latest recordings to arrive at the Fine Music Library

22:00 CHAMBER SOIRÉE

Prepared by Albert Gormley

Leclair, J-M. Première recréation de musique, op 6 (pub. 1736). Rachael Beesley vn; Julia Fredersdorff, vn; Rosanne Hunt, vc; Jaqueline Ogeil, hpd, org.

Tall Poppies TP194

David, Félicien. String quartet no 2 in A (c1869). Quatuor Cambini.

29

23

Reicha, A. Grand quintet (1826). Jane Gower, bn; Madeleine Easton, vn; Alice Evans, vn; Galina Zinchenko, va; Catherine Jones, vc.

38

WEDNESDAY 6

00:00 CONTEMPORARY COLLECTIVE

03:00 CLASSICAL TILL DAWN

06:00 FINE MUSIC BREAKFAST with Stephen Wilson

09:00 DIVERSIONS IN FINE MUSIC

Rescued from the shadows

Prepared by Gerald Holder

Platti, G. Sonata no 8 in C minor (1730-40).. Elaine Funaro, fp.

Wildboar WLBR9901 12

Scheidt, S. Battle suite. Peter Walmsley, tpt; Catherine Walmsley, tpt; Louise Balletti, hn; Justin Kearin, tb; Matthew Walmsley, tuba. Fine Music tape archive 9

Sor, F. Six petites pièces, op 5 (pub.1815-18). Norbert Kraft, gui.

Naxos 8.554196

16

Demantius, C. Prophecy of the sufferings and death of Jesus Christ. Spandauer Kantorei/ Martin Behrmann. LP

Poole, A. Division on the Polewheele’s ground. Vittorio Ghielmi, bass viols; Luca Pianca, lute.

Harmonia Mundi HMI 987066 5

Zimmermann, A. String quartet no 3 in F, op 3. Musica Aeterna Soloists.

Naxos 8.553952 21

10:30 CONCERT HALL

Prepared by Noelene Guillemot

Rimsky-Korsakov, N. Overture: Russian Easter Festival, op 36 (1888). Paris O/ Gennady Rozhdestvensky.

EMI CDM 1 66428 2 16

Sibelius, J. Violin concerto in D minor, op 47 (1903/05). David Oistrakh, vn; Stockholm FO/ Sixten Ehrling.

Testament SBT 1032 31

Mozart, W. Symphony no 41 in C, K551, Jupiter (1788). Dresden State O/Colin Davis. Philips 410 046-2 35

12:00 JAZZ SKETCHES

with Robert Vale

Focussing on contemporary jazz, often gathered from emerging cultures and Australian

13:00 IN CONVERSATION

with Simon Moore

Each week we meet one of the world’s great musicians, singers, composers or conductors, along with up-and-comers and some of the men and women who in uence the arts landscape.

14:00 18TH CENTURY BLOCKBUSTERS

Prepared by James Nightingale

Bach, C.P.E. Symphony in E at, Wq179 (1757-62). Akademie für Alte Musik.

Harmonia Mundi HMG 501711 11

Pergolesi, G. Stabat Mater (1736). Barbara Bonney, sop; Andreas Scholl, ct; Les Talens Lyriques/Christophe Rousset.

Decca 466 134-2 36

Telemann, G. Sonata in A minor for oboe and continuo, TWV41:a3. Salut! Baroque. Salut! Baroque SAL007 7

Gluck, C. Ballo: The dance of the blessed spirits; Arioso: Che puro ciel! from Orfeo ed Euridice (1762) Iestyn Davies, ct; Arcangelo/ Jonathan Cohen.

Mozart, W. Quartet no 1 in G minor, K478 (1785). Charmian Gadd, vn; Irina Morozova, va; Michael Goldschlager, vc; Kathryn Selby, pf.

Fine Music concert recording 25

Haydn, J. Symphony in B at, Hob.I:85, Queen (c1785). Amsterdam Baroque O/Ton Koopman.

Erato 2292-45807-2

16:00 FINE MUSIC DRIVE with Tom Forrester-Paton

19:00 PLANET JAZZ

with Xavier Bichon

A musical journey to different parts of the world where jazz meets other musical traditions, from Africa to Europe, with a slice of Australia

20:00 AT THE OPERA

From Bohemia and Moravia

Prepared by Camille Mercep

Smetana, B. The bartered bride. Opera in three acts. Libretto by Karel Sabina. First performed Prague, 1866.

MARENKA: Dana Burešová, sop

KECAL: Jozef Benci, bass

MICHA: Gustav Bela ek, bass

JENIK: Tomáš Juhás, ten

VASEK: Aleš Vorá ek, ten BBC Singers; BBC SO/Jirí Belohlávek.

Harmonia Mundi HMC 902119.20 2:16 Marenka learns that her parents have planned a rich marriage for her, suggested by the marriage broker Kecal, who proposes Vasek, the second son of Tobias Micha. His rst son had left home years before because of his stepmother and he is now presumed dead. Marenka, having promised to marry the penniless Jenik, refuses to acknowledge the contract. Vasek, shy and stuttering, has been sent to woo Marenka, whom he does not know, so she takes the opportunity to warn him that his prospective bride will lead him a dance, frightening him off. Kecal offers to buy off Jenik, who agrees to accept the money offered and renounce Marenka on condition that no one will marry Marenka except a son of Micha. Everyone blames Jenik for giving up Marenka for money and Marenka is desolate. She signs the contract to marry Micha’s son. Unknown to all, Jenik is Micha’s eldest son. Eventually, Jenik’s identity is revealed. As Micha's son he is, by the terms of the contract, entitled to marry Marenka. When this becomes clear, Marenka understands his actions and embraces him.

22:30 MUSIC OF THE NIGHT

Prepared by Dan Bickel

Janácek, L. On the overgrown path (1901-08). Rudolf Firkusny, pf.

DG 449 764-2 44

Dvorák, A. String quartet no 8 in E, op 80 (1876). Chilingirian Quartet.

Chandos CHAN 8755 26

Martinu, B. Piano trio no 2 in D minor (1950). Smetana Trio.

Supraphon SU 3927-2 15

THURSDAY 7

00:00 CONTEMPORARY COLLECTIVE

03:00 CLASSICAL TILL DAWN

06:00 FINE MUSIC BREAKFAST with Simon Moore

09:00 DIVERSIONS IN FINE MUSIC

Romantics, tributes and dedications

Prepared by David Brett

Rossini, G. Overture to The Italian girl in Algiers (1816). Philharmonia O/Herbert von Karajan.

EMI CDM 1 66417 2 8

Vaughan Williams, R. Youth and love, from Songs of travel (1904). Bryn Terfel, bass-bar; Malcolm Martineau, pf.

DG 445 946-2 4

Beethoven, L. Trio in B at, op 97, Archduke (1810-11). Itzhak Perlman, vn; Lynn Harrell, vc; Vladimir Ashkenazy, pf.

EMI CDC 7 47010 2 37

Puccini, G. Che gelida manina ... O soave fanciulla, from La bohème (1896). Joseph Calleja, ten; Suisse Romande O/Marco Armiliato.

Decca 478 2720 5

Dvorák, A. String quartet no 12 in F, op 96, American (1893). Keller Quartet. apex 0927 44355 2 25

10:30 CONCERT HALL

Prepared by Paul Cooke

Sibelius, J. Tone poem: Tapiola, op 112 (1926). Gothenburg SO/Neeme Järvi. BIS CD-312 19

Haydn, M. Duo concertante (1760-61). Stephen Shingles, va; Simon Preston, org; Academy of St Martin in the Fields/Neville Marriner.

Decca 436 222-2 31

Taneyev, S. Symphony no 1 in E minor (1874). Novosibirsk Academic SO/Thomas Sanderling.

Naxos 8.570336 34

12:00 JAZZ AFTER NOON

with Sue Jowell

Featuring swing t0o mainstream jazz with regular appearances from the Great American Songbook

13:00 DANISH CHAMBER

Prepared by Chris Blower

Nielsen, C. Fantasy piece (c1885). Lars Kristian Holm Brynildsen, cl; Leif Ove Andsnes, pf.

BIS CD-428 4

Fantasy pieces, op 2 (1889). Steinar Hannevold, ob; Leif Ove Andsnes, pf.

BIS CD-428

Kuhlau, F. Sonata in C, op 83 no 2 (1827).

Uwe Grodd, ; Matteo Napoli, pf.

Gade, N. String quartet in D, op 63 (1888). Kontra Quartet. BIS CD-516

14:00 A TALE OF FOUR CITIES

Prepared by Chris Blower

Lully, J-B. Overture and suite from Amadis (1684). Collegium Aureum/Reinhard Peters.

LP Harmonia Mundi HM 20322

Alkan, C-V. Piano concerto, op 39 (pub. 1857; orch. Klindworth). Dmitry Feofanov, pf; Razumovsky SO/Robert Stankovsky.

Naxos 8.553702

Chausson, E. Symphony in B at, op 20 (1890). Loire PO/Marc Soustrot.

Pierre Verany PV 792051

Karlowicz, M. Violin concerto in A, op 8 (1902). Ilya Kaler, vn; Warsaw PO/Antoni Wit. Naxos 8.572274

16:00 FINE MUSIC DRIVE

with Peter Poole

19:00 THE NEW JAZZ STANDARD

with Frank Presley

A fresh perspective on modern music contributing to the standard jazz repertoire, with ne jazz interpretations from the world of pop, rock, lm and contemporary jazz

20:00 THE WORLD OF A SYMPHONY

Felix Mendelssohn: Symphony no 1

Prepared by Brian Drummond

Mendelssohn, F. Overture in B at (1824).

Mendelssohn, Fanny. Sonata in C minor (1824). Heather Schmidt, pf.

Mendelssohn, F. String symphony no 12 in G minor (1823). Northern CO/Nicholas Ward.

8.553163

Double concerto no 1 in E (1823). Anthony Paratore, pf; Joseph Paratore, pf; RIAS Sinfonietta/Uros Lajovic.

Schwann 11088

Andante and rondo capriccioso in E minor, op 14 (1824). Murray Perahia, pf.

Symphony no 1 in C minor, op 11 (1824). Gewandhaus O/Kurt Masur.

Teldec 2292-44933-2 29

22:00 SONG CYCLE PLUS

Prepared by Paul Cooke

Dvorák, A. Ballade, op 15 (1885). Graham Wood, vn; David Bollard, pf.

Tall Poppies TP056 6

Mahler, G. Lieder eines fahrenden Gesellen (1883-85). Thomas Hampson, bar; Wolfram Rieger, pf.

Radio Nederland transcription 20

22:30 ULTIMA THULE

Ambient and atmospheric music

FRIDAY 8

00:00 CONTEMPORARY COLLECTIVE

03:00 CLASSICAL TILL DAWN

06:00 FINE MUSIC BREAKFAST with Stephen Gard

09:00 DIVERSIONS IN FINE MUSIC

Journey through history

Prepared by Peter Poole

Woodcock, R. Recorder concerto no 2 in A. Dan Laurin, rec; Van Wassenaer O/Makoto Akatsu, vn & dir.

BIS CD-985

Locke, M. Five-part things for the cornetts. Edward Tarr Brass Ensemble.

Christophorus CHR 74562

Haym, N. Have mercy upon me, O God (c1700). Philippa Hyde, sop; Parley of Instruments/Peter Holman. Chandos

Bach, J. Christian Sonata in B at, op 5 no 1 (pub. 1766). Diana Weston, square pf.

Devienne, F. Sonata in B at, op 70 no 3 (1798-99). Peter Bree, ob; Roderick Shaw, fp. Etcetera KTC 1084

Dauprat, L. Variations on a Scottish air, op 22. Sören Hermansson, hn; Erica Goodman, hp.

Coleridge-Taylor, S. Ballade in C minor, op 73 (1907). Marianne Thorsen, vn; Ian Brown, pf. Hyperion

10:30 CONCERT HALL

Prepared by Jacky Ternisien

Mendelssohn, Fanny. Overture (c1830). Women's PO/JoAnn Falletta.

Koch 3 7169 2H1

Hyde, M. Piano concerto no 1 in E at minor (1934). Miriam Hyde, pf; West Australian SO/ Geoffrey Simon.

ABC 481 7995 30

Sutherland, M. Outdoor overture (1953).

Queensland SO/Patrick Thomas.

LP ABC AC 1007

4

Mayer, E. Symphony no 4 in B minor (184950; arr. Malzew). New Brandenburg PO/Stefan Malzew.

Capriccio C5339 37

12:00 A JAZZ HOUR with Barry O'Sullivan

13:00 SCHUBERT’S ROSAMUNDE

String quartet, D804, completed March 1824

Prepared by Ross Hayes

Schubert, F. Incidental music to Rosamunde, D797 (1824). Tasmanian SO/Sebastian LangLessing.

ABC 476 4740 23

String quartet no 13 in A minor, D804 (1824). Vienna Konzerthaus Quartet.

Westminster RC 8808678121735 37

Prayer, D815 (1824). Elly Ameling, sop; Janet Baker, mezz; Peter Schreier, ten; Dietrich Fischer-Dieskau, bar; Gerald Moore, pf.

DG 435 596-2

16 German dances, D783 (1824). Imogen Cooper, pf.

11

Ottavo OTR C78923 12

14:30 INTERNATIONAL WOMEN’S DAY

Prepared by Chris Blower

Isabella Leonarda. Trio sonata no 7 (1693). Concerto Soave.

Ambronay AMY025 5

Caccini, F. Prologue to La liberazione di Ruggiero dall ‘isola di Alcina (pub. 1625). Francesca Lombardi, sop; Emanuela Galli, sop; Gabriella Martellacci, cont; Elena Biscuola, mezz; Raffaele Giordani, ten; Mauro Borgioni, bar; Yiannis Vassilakis, bar; Mauro Borgioni, bass; Allabastrina; La Pifarescha/ Elena Sartori.

Glossa GCD 923902 9

Farrenc, L. Grand variations on a theme by Count Gallenberg, op 25 (c1838). Jean Muller, pf; European Soloists/Christoph König. Naxos 8.574094 14

Mayer, E. Sonata in E at. Aleksandra Maslovaric, vn; Anne-Lise Longuemare, pf. Feminae 18

Bonis, M. Album for the very young (1913). Nathalia Milstein, pf.

Palazzetto Bru Zane BZ2006 13

Williams, G. Carillons (1965/73). Anthony Camden, ob; London SO/Charles Groves.

Lyrita SRCD 323 11

Younan, E. The fertile crescent (2021). Croissants & Whiskey.

ABC ABCL0055 9

16:00 FINE MUSIC DRIVE with Robert Gilchrist

19:00 FRIDAY JAZZ SESSION with Alex Siegers

20:00 EVENINGS WITH THE ORCHESTRA

Piano concertos for the left hand, Part 1

Prepared by Elaine Siversen

Korngold, E. Excerpts from The snowman (1908; orch. Zemlinsky, 1910). Peter Manning, vn; BBC PO/Matthias Bamert.

Chandos CHAN 9631 23

Zemlinsky, A. Symphonic songs, op 20 (1929). Willard White, bar; Royal Concertgebouw O/Riccardo Chailly.

Korngold, E. Military march in B at (1917).

PO/Matthias Bamert.

Chandos CHAN 9508

Incidental music to Much ado about nothing (1918). Mineria SO/Carlos Miguel Prieto. Naxos 8.570791

Overture: Sursum corda, op 13 (1920). BBC PO/Matthias Bamert.

Chandos CHAN 9317

Piano concerto in C sharp for the left hand, op 17 (1923). Marc-André Hamelin, pf; BBC Scottish SO/Osmo Vänskä.

22:00 BAROQUE AND BEFORE

John Wilbye and Jeremiah Clarke

Prepared by Elaine Siversen

Wilbye, J. Ye that do live in pleasure; Draw on sweet night (1609). Sarum Consort.

Naxos 8.572582

Ferrabosco, A. the younger Divisions on O sacra convivium. Elizabeth Rumsey, treble viol; Susan Christie, treble viol; Catherine Upex, tenor viol; Fiona Ziegler, tenor viol; Imogen Granwal, bass viol; Joëlle Morton, bass viol.

Fine Music concert recording 7

Wilbye, J. Weep, O mine eyes; Adieu, sweet Amaryllis; Lady, when I behold the roses; O wretched man (1598). Members of Consort of Musicke/Anthony Rooley.

Decca 476 7227

Jenkins, J. Fantasia suite. Lucinda Moon, baroque vn; Laura Moore, va da gamba; Donald Nicholson, chamber org.

10

ABC 481 2100

12

Wilbye, J. Cruel, behold my heavy ending; Oft have I vowed; Lady, your words do spite me. King’s Singers.

EMI CDC 7 49265 2

10

Purcell, H. Sonata no 6 in G minor, Ciaccona, from Ten sonatas in four parts (pub.1697). Rachael Beesley, vn; Julia Fredersdorff, vn; Rosanne Hunt, vc; Jaqueline Ogeil, hpd, org. Tall Poppies TP194 8

Clarke, J. Come, come along for a dance and a song (1695-96). Ruth Holton, sop; Charles Daniels, ten; Simon Birchall, bass; Parley of Instruments Choir & Baroque O/Roy Goodman.

Hyperion CDA66578 23

Suite in D (bef. 1705). Håkan Hardenberger, tpt; Simon Preston, org.

Philips 434 074-2

Dic mihi saeve puer. Suzie Le Blanc, sop; Charles Medlam, vc; John Toll, hpd.

Linn CKD 008

Prince of Denmark’s march (pub. 1700); Trumpet aire (pub. 1700). David Kinsela, org.

LP Aura 821

SATURDAY 9

00:00 CLASSIC-ALL THROUGH THE NIGHT

06:00 SATURDAY MORNING MUSIC with Stephen Wilson

09:00 WHAT'S ON IN MUSIC

Our weekly guide to musical events in and around Sydney

09:05 THE PIANO ALONE

Prepared by Jennifer Foong

Dvorák, A. Dumka, op 12 no 1 (1884). Kathryn Stott, pf.

Chandos CHAN 10493 4

Suk, J. Love song, op 7 no 1 (1891-93). Ivan Moravec, pf.

Supraphon 10 3895-2 131 7

Smetana, B. Macbeth and the witches, op posth. (1859). Peter Schmalfuss, pf.

Thorofon CTH 2005 9

Dussek, J. Sonata in E at, op 44, Farewell (1800). Ian Hobson, pf.

Arabesque Z 6594 29

10:00 CENTRES OF MUSIC

Finlandia Records

Prepared by Paul Cooke

Sibelius, J. Finlandia anthem for mixed voices; Finlandia anthem for male voices; Sing now to the Creator; Blow wind, blow gently; Fire on the island; The broken voice; My heart’s song; The dream; In memory of Albert Edefelt. Candomino Choir/Tauno Satomaa.

Finlandia FACD 918 6 17

Palmgren, S. Piano concerto no 3, op 41, Metamorphoses (1914). Matti Raekallio, pf; Turku PO/Jacques Mercier.

Finlandia 3984-28171-2 18

Byström, T. Sonata no 1, op 1 (pub. 1799). Yoshiko Arai, vn; Izumi Tateno, pf.

Finlandia FACD 012 14

Nielsen, C. Symphony no 2, op 16, The four temperaments (1901-02). Finnish RSO/JukkaPekka Saraste.

Finlandia 8573-85574-2 32

11:30 ON PARADE

University wind ensembles

Prepared by Robert Small

France, S. Kroger march (1998). Lawrence University Wind Ensemble/Robert Levy. Tall Poppies TP177 3

Whitacre, E. October. Youngstown State University Symphonic Wind Ensemble/ Stephen L. Gage.

8.570946 7

Gorb, A. Awayday (1996). University of Georgia Wind Ensemble/John P. Lynch.

8.572231 6

Gould, M. Saint Lawrence suite (1958). Janis Porietis, tpt; William Muñoz, tpt; University of Kansas Wind Ensemble/Scott Weiss. Naxos 8.572629 10

12:00 URBAN JAZZ LOUNGE with Leita Hutchings

13:00 IN A SENTIMENTAL MOOD with Maureen Meers

Nostalgic music and artists from the 30s, 40s and 50s and occasionally beyond, in a trip down many memory lanes

14:00 FRENCH TRIO WITH PIANO

Prepared by Jacky Ternisien

Saint-Saëns, C. Trio in F, op 18 (1863). Marcia Crayford, vn; Christopher van Kampen, vc; Ian Brown, pf.

Virgin VC 7 90751 2 27

14:30 SATURDAY MATINEE

Operetta in the afternoon

Prepared by Elaine Siversen

Offenbach, J. Les bavards. Operetta in two acts. Libretto by Charles Nuitter. First performed Paris, 1863.

ROLAND: Aimé Doniat, ten

SARMIENTO: René Terrasson, bass

BÉATRIX: Lina Dachary, mezz

INÈS: Huguette Boulangeot, sop

French Radio Lyric Ch & O/Marcel Couraud. LP Erato DUE 20240

58

Seville in the 17th century. A poor poet, Roland, loves Inès who lives with her uncle Sarmiento and his talkative wife Béatrix. Roland, who is also talkative, gains entrance to the house and overwhelms Sarmiento with a ood of chatter. Sarmiento introduces his wife to Roland in order to keep his wife quiet. After many surprise developments, Roland wins the hand of Inès, Béatrix grows less talkative and Sarmiento pays Roland’s debts.

Overture to Orpheus in the Underworld (1858/74). City of Birmingham SO/Louis Frémaux.

EMI CDM 1 66418 2 10

Les brigands. Operetta in three acts. Libretto by Henri Meilhac and Ludovic Halévy. First performed Paris, 1869.

DUKE OF MANTUA: Francis Rousseff, bar

PRINCESS OF GRANADA: Hélène Vanura, mezz

FALSCAPPA: Robert Manuel, ten

DUKE’S TREASURER: Jacques Duby, ten

FIORELLA: Danièle Perriers, sop

Les Récréations Lyrique O/Daniel Mourruau. LP Bourg BG 2001 48

The Duke of Mantua is to marry the Princess of Granada and her escort is to be paid three million in settlement of a debt the court of Mantua owes to the court of Granada. A band of brigands, led by Falscappa, is short of money. They take over the inn where the two parties are to meet and pose as the innkeepers. They capture the Mantuan envoys, and disguised in their clothing, receive the Princess and her courtiers, whom they also take prisoner. In Mantua, the Duke’s treasurer has embezzled the three million. The fake envoys arrive and the Duke recognises Falscappa’s daughter, Fiorella, who once saved his life. When Falscappa demands the money, the treasurer is evasive. Falscappa realises that the money does not exist and becomes enraged. The real envoys from Granada arrive and the plot is revealed. Fiorella reminds the Duke of his debt to her and he allows the brigands to go free.

Ballet from Orpheus in the Underworld (1858). Philharmonia O/Antonio de Almeida.

Philips 422 057-2 18

17:00 SOCIETY SPOT

Organ Music Society of NSW with Norbert Kelvin

18:00 STAGE AND SCREEN

Prepared by Paul Cooke

Hermann, B. Taxi driver: a night-piece for orchestra (1975; arr. Palmer). Los Angeles PO/ Esa-Pekka Salonen.

Sony SK 62700 7

Salter, H. Corky; Electro-biology, from Man made monster (1941; orch. Stromberg). Slovak RSO/William Stromberg.

Marco Polo 8.225124

Mandel, J. Excerpts from I want to live (1958). O/Johnny Mandel.

Ryko RCD 10743 15

Skinner, F. Son of Frankenstein (1939; orch. Morgan). Moscow SO/William Stromberg.

Marco Polo 8.223747 26

19:00 EMERGENT JAZZ

with Keith Pettigrew

20:00 THE LIFE OF A COMPOSER

Mel Bonis

Prepared by James Nightingale

Bonis, M. La chanson du rouet (1895).

François Dumont, pf.

Palazzetto Bru Zane BZ 2006 3

Élève-toi mon âme; Ave Maria. Laetitia Grimaldi, sop; Ammiel Bushakevitz, pf.

BIS CD-2546 6

Sonata in C sharp minor, op 64 (1904). Juliette Hurel, ; Hélène Couvert, pf.

Alpha ALPHA 573 16

Quartet no 1 in B at, op 69 (c1905). Mozart Piano Quartet.

MDG 643 1424-2 24

Chansons. Yann Beuron, ten; David Zobel, pf.

Palazzetto Bru Zane BZ 2006 17

Sonata, op 67 (1905). Victor Julien-Laferriére, vc; Théo Fouchenneret, pf.

Palazzetto Bru Zane BZ 2006 16

Tone poems: Le rève de Cléopâtra; Ophélie; Salomé. Toulouse Capitole NSO/Leo Hussain.

Palazetto Bru Zane BZ 2006 17

Six pieces (1930). Roberto Prosseda, Alessandra Ammeda, pf.

Palazetto Bru Zane BZ 2006 7

22:00 SATURDAY NIGHT AT HOME

Prepared by James Nightingale Stölzel, G. Cantata: Seid willkommen, schöne Stunden. Dorothee Mields, sop; Elisabeth Graf, cont; Knut Schoch, ten; Ekkehard Abele, bass: Telemann Collegium, Michaelstein/ Ludger Rémy.

cpo 77094-2 35

Schumann, C. Sonata in G minor (1841-42).

Yoshiko Iwai, pf.

Naxos 8.553501 20

Haydn, J. Quartet in F minor, Hob.III:35 (1772). Emerson String Quartet.

DG 471 327-2 20

Mayer, E. Symphony no 6 in E (1853). Bremerhaven PO/Marc Niemann.

SUNDAY 10

00:00 CLASSIC-ALL THROUGH THE NIGHT

06:00 SUNDAY MORNING MUSIC

09:00 MUSICA SACRA

Prepared by Paul Cooke

Sullivan, A. Sing, O Heavens (1869). Choir of Keble College, Oxford; Garin Plumley, org; Mark La in, cond.

Priory PRCD61 15

Böhm, G. Christ lag in Todesbanden. Gustav Leonhardt, org.

Sony SK 66262 5

Leighton, K. Missa Cornelia, op 81 (1980). St Catharine’s Girls’ Choir, Cambridge; William Fairbairn, org; Edward Wickham, cond.

Resonus RES 10170 12

Bach, J.S. Cantata, BWV33: Allein zu dir, Herr Jesu Christ (1724). Walter Gambert, treb; René Jacobs, ct; Marius van Altena, ten; Max van Egmond, bass; Hanover Boys’ Choir; Leonhardt Consort/Gustav Leonhardt.

Teldec 2564 69943-7 21

10:00 THE CLASSICAL ERA

Prepared by Gerald Holder

Gluck, C. Suite from Don Juan (1761). Rhenish CO/Jan Corazolla.

Christophorus CHE 0064-2 19

Mozart, W. Sonata no 2 in F, K280 (1775), Grigory Sokolov, pf.

DG 479 4342 22

Donizetti, G. String quartet no 11 in C (1821). Revolutionary Drawing Room.

cpo 999 279-2 17

Hummel, J. Sonata in D, op 50 (1810-14). Marta Mazzini, ; Stefano Fiuzzi, pf.

Dynamic CDS 128 19

Beethoven, L. Symphony no 2 in D, op 36 (1801-02). Sydney SO/Eugene Goossens. LP ABC/HMV OXLP 7620/21 33

12:00 CLASSIC JAZZ with Dave Mac

13:00 WORLD MUSIC

Whirled Wide with Gerry Myerson

14:00 THE PIANO SONATA

Sonatas of Johann Nepomuk Hummel, Part 2

Prepared by Jennifer Foong

Schubert, F. Three heroic marches, D602 (1816-18). Isabel Beyer, Harvey Dagul, pf. Four Hands Music FHMD 891

Czerny, C. Variations on a theme by Rode, op 33 (1830). Melvyn Tan, pf.

Onyx ONYX 4156

Hummel, J. Sonata no 3 in E at, op 13 (pub. 1805). Howard Shelley, pf. Chandos

15:00 SUNDAY SPECIAL

Pioneer of Czech music

Prepared by Anne-Louise Luccarini

Smetana, B. Sonata in E minor, op 58. Martha Argerich, Lilya Zilberstein, pf; Anton Gerzenberg, Daniel Gerzenberg, pf. EMI 7 21119 2

Symphonic poem: Wallenstein's camp, op 14 (1859). Czech PO/Karel Sejna.

1915-2 001

Souvenirs of Bohemia in the form of polkas, op 12 (1859-60). András Schiff, pf. Teldec 3984-21261-2

The three riders (1862); The renegade I; The renegade II. Miroslav Svejda, ten; Jindrich Jindrák, bar; Jaroslav Horácek, bass; Czech Philharmonic Ch/Josef Veselka.

Quartet no 1 in E minor, From my life (1880).

Song of the sea (1877). Czech Philharmonic Ch/Josef

Vok’s aria, from The devil’s wall (1882). Mariusz Kwiecie , bar; Polish RSO/ ukasz Borowicz.

Vivaldi, A. Excerpts from Stabat Mater. Michael Chance, ct; English Concert/Trevor Pinnock.

Archiv 453 428-2 7

Bach, J.S. Excerpts from Motet: Jesu Meine Freude, BWV227. Pygmalion/Raphaël Pichon. Harmonia Mundi HMM 902657 12

Telemann, G. Excerpts from Cantata: Jesu meine Freude. Rheinische Kantorei; Das Kleine Konzert/Hermann Max.

Capriccio 10 853 16

Lloyd Webber, A. Pie Jesu, from Requiem (1985). Barbara Bonney, sop; Choir of Uppingham School; English Sinfonia/Neil Page.

Decca 455 645-2 3

Schultz, A. Magni cat, op 79 (2009). Brisbane Chamber Choir/Graeme Morton.

Tall Poppies TP239 8

Walton, W. Excerpt from The wise virgins, after J.S. Bach (1943). City of Birmingham SO/ Louis Frémaux.

18:00 CLASSICS FROM ASIA

Prepared by Josh Stenberg

Classics from Asia, quintessential recordings from Asian music masters

19:00 JAZZ INTERACTION

with Isobel Archer

20:00 SUNDAY NIGHT CONCERT

Prepared by Frank Morrison

Milhaud, D. La création du monde, op 81 (1923). Ulster O/Yan Pascal Tortelier. Chandos CHAN 9023 16

Dittersdorf, C. Double bass concerto no 1 in D (1766). Chi-Chi Nwanoku, db; Swedish CO/ Paul Goodwin.

Hyperion CDA67179

19

Goldmark, K. Rustic wedding symphony, op 26 (1877). Royal PO/Yondani Butt.

ASV DCA 791 48

21:30 NEW HORIZONS

Prepared by Ben Behnam

Grandage, I. Black dogs (2008). Dale Barltrop, vn; Francesca Hiew, vn; Stephen King, va; Sharon Grigoryan, vc; Slava Grigoryan, gui. ABC 481 5428

Hindson, M. Rush (2015). Benaud Trio. ABC 481 7164

Jesse, G. Latin ute suite (2018). Virginia Taylor, ; Simon Tedeschi, pf. Move

Holley, A. King Street (2009). James Nightingale, sax.

Hammering Records HR 2015-2 9

Munro, I. O Traurigkeit (2020). Sue-Ellen Paulsen, vc; Tasmanian SO/Brett Kelly.

ABC 485 5303 12

23:00 JAZZ AFTER HOURS

Portraits with Deborah Evans

17:00 HOSANNA

Prepared by Meg Matthews

Haydn, J. Hymn: Glorious things of Thee are spoken. Cantus Choro; Norman Kaye, org; Peter Chapman, cond.

Howell, R. Poly (2006). Sunwrae Ensemble/ Rae Howell. Sunwrae 13

Howlett, M. At Triton’s call (2013). Lotte Latukefu, mezz; Louise Scott, pf. Wirripang

MONDAY 11

00:00 CLASSIC-ALL THROUGH THE NIGHT

06:00 FINE MUSIC BREAKFAST with Robert Small

09:00 DIVERSIONS IN FINE MUSIC

A year in retrospect: 1849

Prepared by Jacky Ternisien

Nicolai, O. Overture to The merry wives of Windsor (1849). Tasmanian SO/Sebastian Lang-Lessing.

ABC 476 4621 8

Smetana, B. Sonata in E minor, op 58 (1849). Martha Argerich, Lilya Zilberstein, pf; Anton Gerzenberg, Daniel Gerzenberg, pf. EMI 7 21119 2 11

Schumann, R. Three romances, op 94 (1849). Albrecht Mayer, ob; Markus Becker, pf.

Decca 478 3564 14

Adam, A. Ah! vous dirai-je, maman; Avec son petit air, from Le toréador (1849). Sumi Jo, sop; John Aler, ten; Michel Trempont, ten; Jonathon Burgess, ; Welsh National Opera O/Richard Bonynge.

Decca 458 927-2 15

Strauss, J. I Frederica polka, op 239; Alice polka op 238; Almacks quadrille, op 243 (1849) London SO/John Georgiadis.

Chandos CHAN 8739 11

Lalo, E. Piano trio no 1 in C minor, op 7 (1849). Trio Henry.

Pierre Verany PV 794031 22

10:30 CONCERT HALL

Prepared by Nina Fudala

Martines, M. Sinfonia in C (1770). Bay Area Women’s PO/JoAnn Falletta.

Newport Classic NCD 60102 15

Farrenc, L. Overture no 1 in E minor, op 23 (1834). European Soloists/Christoph König. Naxos 8.574094 7

Schumann, C. Piano concerto in A minor, op 7 (1835-36). Veronica Jochum, pf; Bamberg SO/Joseph Silverstein.

Pro Arte CDD 395

Price, F. Symphony no 1 in E minor (1932). Philadelphia O/Yannick Nézet-Séguin.

DG 486 20296

12:00 SWING SESSIONS

with John Buchanan

13:00 AMERICAN CHAMBER

Prepared by Derek Parker

Price, F. Negro songs in counterpoint for string quartet (c1947). Catalyst Quartet. Azica ACD-71346

Beach, A. Romance, op 23 (1893). trioW. Naxos 8.551438

Barber, S. Sonata, op 6 (1932). Paul Watkins, vc; Huw Watkins, pf. Chandos

Copland, A. Sonata (1943). Peter Zazofsky, vn; Paul Posnak, pf.

Naxos 8.559102

Bloch, E. Prelude (1925). Braimah KannehMason, vn; Ayla Sahin, vn; Alinka Rowe, va; Sheku Kanneh-Mason, vc.

Decca 485 0241

Castelnuovo-Tedesco, M. Violin sonata quasi una fantasia, op 56 (1929). Gran Duo Italiano.

14:30 FRENCH ORCHESTRAL

Prepared by Peter Poole

Méhul, É-N. Overture to Mélidore et Phrosine (1794). Brittany O/Stefan Sanderling.

ASV DCA 1140

Gounod, C. Suite concertante in A (1886). Roberto Prosseda, pf; Swiss Italian O/Howard Shelley.

Hyperion CDA67975

d’Indy, V. Concerto for piano, ute, cello and strings (1926). Jean-Jacques Wiederker CO/ Frédérick Bouaniche.

Milhaud, D. Symphony no 6 (1955). Toulouse Capitole O/Michel Plasson.

439 939-2

16:00 FINE MUSIC DRIVE with Robert Gilchrist

19:00 JAZZ ABOUT TOWN with Deborah Evans

20:00 STORMY MONDAY with Austin Harrison

22:00 JAZZ AFTER HOURS with Gail Monjo

TUESDAY 12

00:00 CONTEMPORARY COLLECTIVE

03:00 CLASSICAL TILL DAWN

06:00 FINE MUSIC BREAKFAST with Simon Moore

09:00 DIVERSIONS IN FINE MUSIC

Colours of the keyboard

Prepared by Paul Cooke

Haydn, J. Variations in F minor, Hob.XVII:6 (1793). Angela Hewitt, pf.

Hyperion CDA67736 17

Godard, B. Introduction and allegro, op 49 (1880). Tasmanian SO/Howard Shelley, pf & dir.

Hyperion CDA68043

Vierne, L. Carillon de Westminster, from 24 Pièces de fantaisie (1926-27). Olivier Latry, org.

naïve V 5338 7

Ranish, J. Sonata in B minor. Kenneth Smith, ; Paul Rhodes, pf. ASV DCA 739

Tintner, G. Sonata in F minor (c1930). Helen Huang, pf. Naxos 8.570258

Mendelssohn, Fanny. Piano trio in D minor, op 11 (1846-47). Kaleidoscope Chamber

10:30 CONCERT HALL

Prepared by Theia Ng

Mozart, W. Overture to Lucio Silla, K135 (1772). Royal Concertgebouw O/Nikolaus Harnoncourt.

Apex 0927 498132

Higdon, J. Violin concerto (2008). Hilary Hahn, vn; Royal Liverpool PO/Vasily Petrenko.

DG 477 8777

Gounod, C. Ballet music from Faust (1859). Royal Opera House O/Georg Solti.

Decca 480 0952

Schubert, F. Symphony no 8 in B minor, D759, Un nished (1822). Sydney SO/Gianluigi Gelmetti.

Sydney Symphony SSO 200803

12:00 JAZZ RHYTHM with Jeannie McInnes

13:00 PIONEER OF CZECH MUSIC

Music for the piano, Part 2

Prepared by Elaine Siversen

Smetana, B. Czech dances I (1877-79). Radoslav Kvapil, pf.

Unicorn-Kanchana DKP 9139 13

Furiant, from Czech dances II (1879). Ivan Moravec, pf.

Supraphon 10 3895-2 131 6

Three salon polkas, op 7 (1854). András Schiff, pf.

Teldec 3984-21261-2 12

Rondo in C for two pianos eight hands. Martha Argerich, Lilya Zilberstein, pf; Anton Gerzenberg, Daniel Gerzenberg, pf. EMI 7 21119 2 4

Bagatelles and impromptus (1844). Radoslav Kvapil, pf.

Unicorn-Kanchana DKP 9139 16

14:00 DVORAK’S SYMPHONIES

Part 1

Prepared by Ron Walledge

Dvorák, A. Rhapsody in A minor, op 14 (1874). Slovak PO/Libor Pesek.

Marco Polo HK 8.220420 18

Cello concerto in A (1865). Steven Isserlis, vc; Mahler CO/Daniel Harding.

Hyperion CDA67917 34

Smetana, B. Sárka, from My country (1875). Vienna PO/Nikolaus Harnoncourt.

Teldec 0927-44890-2 11

Dvorák, A. Symphony no 1 in C minor, op 3, The bells of Zlonice (1865). Berlin PO/Rafael Kubelik.

DG 469 550-2 48

16:00 FINE MUSIC DRIVE with Michael Morton-Evans

19:00 THE JAZZ BEAT with Lloyd Capps

20:00 JUST IN with James Nightingale

A selection from the latest recordings to arrive at the Fine Music Library

22:00 CHAMBER SOIRÉE

Prepared by Gerald Holder

Dohnányi, E. String quartet no 2 in D at, op 15 (1906). Kodály Quartet.

Hungaroton HCD 11853 26

Biber, H. Sonata III for violin and continuo (pub. 1681). Romanesca.

Harmonia Mundi HMU 907134.35 13

Weber, C.M. Clarinet quintet in B at, op 34 (1815). Dieter Klöcker, cl; members of Consortium Classicum.

Orfeo C314 941 A 27

Mozart, W. Sonata in E at, K58 (1773). Walter Barylli, vn; Paul Badura-Skoda, pf. Westminster RC 8808678121735 8

Brahms, J. Piano quartet no 1 in G minor, op 25 (1857-61). Members of Australia Ensemble. Fine Music tape archive 39

WEDNESDAY 13

00:00 CONTEMPORARY COLLECTIVE

03:00 CLASSICAL TILL DAWN

06:00 FINE MUSIC BREAKFAST with Stephen Wilson

09:00 DIVERSIONS IN FINE MUSIC

Rescued from the shadows

Prepared by Rex Burgess

Blow, J. Ode on the death of Mr Henry Purcell (1695). James Bowman, ct; Michael Chance, ct; King’s Consort/Robert King.

Helios CDH55447

22

Lanzetti, S. Sonata in A, op 2 no 5 (1740). Francesco Galligioni, vc; Giuseppe Barutti, vc continuo; Roberto Loreggian, chamber org.

Brilliant Classics 95525 14

Stamitz, C. Flute concerto in G. Jean-Pierre Rampal, ; Prague CO/Vaclav Neumann.

Bottesini, G. Passione amorosa for violin, double bass and piano (1870). Members of Le

Busoni, F. Chaconne, after Bach’s Partita in D minor, BWV1004. Polina Leschenko, pf.

Avanti 5414706 10272

10:30 CONCERT HALL

Prepared by Derek Parker

Kozeluch, L. Sinfonia in A, À la française (c1779-1787). Czech Chamber PO/Marek Štilec.

Naxos 8.574047

Dukas, P. The sorcerer’s apprentice (1897). Czecho-Slovak RSO/Kenneth Jean.

Naxos 8.557930-31

Rubinstein, A. Piano concerto no 4 in D minor, op 70 (1864/72). Czecho-Slovak State PO/Robert Stankovsky.

Marco Polo 8.223382

Dittersdorf, C. Symphony in B at. Czech Chamber PO/Petr Chrom ák.

12:00 JAZZ SKETCHES

with Robert Vale

13:00 IN CONVERSATION with Simon Moore

14:00 CHAMBER TO ENTERTAIN

Prepared by Sheila Catzel

Grechaninov, A. Sonata in E minor, op 113 (1927). Natalia Savinova, vc; Victor Yampolsky, pf.

Hyperion CDA67295

19

Raff, J. Duo on themes from Wagner’s Lohengrin, op 63 no 3 (1853). Livia Sohn, vn; Benjamin Loeb, pf. Naxos 8.570202

9

Farrenc, L. Sextet in C minor, op 40 (1852). Kathryn Selby, pf; Omega Ensemble. Fine Music concert recording 25

Berwald, F. Quintet no 1 in C minor (1853). Susan Tomes, pf; Gaudier Ensemble.

Hyperion CDA66835

23

Devienne, F. Quartet in A minor, op 66 no 1. Alexis Kossenko, ; Quatuor Cambini.

MBF 1108 15

Haydn, J. Keyboard trio in G, Hob.XV:41. Beaux Arts Trio.

Philips 454 098-2

16:00 FINE MUSIC DRIVE

with Ross Hayes

19:00 PLANET JAZZ with Xavier Bichon

20:00 AT THE OPERA

From Bohemia and Moravia

Prepared by Camille Mercep

17

orphan befriended by the knight, she resolves to set Dalibor free.

Disguising herself as a boy, Milada nds employment with Dalibor's jailer, Beneš. She charms the jailer into allowing her into the dungeon where Dalibor is being held, to give him his friend's violin. The knight is dreaming, and initially thinks Milada is a reincarnation of his beloved Zden k. The jailer, realising that he has been tricked, informs the king who orders Dalibor's death. Milada, waiting outside the prison, hears the tolling of the bell that signals Dalibor's execution. She storms the castle with her followers to rescue Dalibor. She is wounded and dies in his arms. Dalibor stabs himself and is united in death with his beloved. Beethoven, L. O namenlose Freude, from Fidelio, op 72 (1804-14). Charlotte Margiono, sop; Peter Seiffert, ten; CO of Europe/Nikolaus Harnoncourt.

Teldec 0630-10031- 2 4

Smetana, B. Overture to Libuse (1881). Prague SO/Ondrej Lenárd.

apex 0927 44354 2 8

23:00 MUSIC OF THE NIGHT

Prepared by James Nightingale

Harvey, J. Body Mandala (2006). BBC Scottish SO/Ilan Volkov.

Fox, E. Quasi una fantasia (1983). Gold eld Ensemble.

NMC D254 14

Matthews, D. The music of dawn, op 50 (1989-90). BBC PO/Rumon Gamba.

Chandos CHAN 10487 27

Smetana, B. Dalibor. Opera in three acts. Libretto by Josef Wenzig and Ervín Špindler. First performed Prague, 1868.

DALIBOR: Robert Jones, ten

MILADA: Pauline Tinsley, sop

JITKA: April Cantelo, sop

BENEŠ: Don Garrard, bass

BBC Ch & O/Vilem Tausky.

Gala GL 100.785 2:30

Dalibor, a Czech knight, is on trial before the king for having murdered the burgrave (count) of Ploskovice in revenge for the execution of his friend, the musician Zden k. At the trial the burgrave's sister, Milada, demands his execution. As Dalibor is brought in, the crowd rises in support of him and tells of his friend's capture and murder. His sentence is reduced from death to lifetime imprisonment. Milada realises that she is falling in love with Dalibor, and with Jitka, an

THURSDAY 14

00:00 CONTEMPORARY COLLECTIVE

03:00 CLASSICAL TILL DAWN

06:00 FINE MUSIC BREAKFAST with Simon Moore

09:00 DIVERSIONS IN FINE MUSIC

Romantics, tributes and dedications

Prepared by Elaine Siversen

Dvorák, A. Overture: In nature’s realm, op 91 (1891). Czech PO/Václav Neumann.

Supraphon SU 4058-2 15

Stuck, J-B. The reconciled lover (1706). Taryn Fiebig, sop; Ensemble Battistin.

ABC 476 594-1

Ysaÿe, E. Sonata in G, op 27 no 5 (1924). Oscar Shumsky, vn.

12

7715 9

Brahms, J. Alto rhapsody, op 53 (1869). Jessye Norman, sop; Choral Arts Society of Philadelphia; Philadelphia O/Riccardo Muti. Philips 426 253-2 12

Poulenc, F. Sonata, To the memory of Sergei Proko ev (1962). Gareth Hulse, ob; Ian Brown, pf.

Hyperion CDA67255/6 13

Thalberg, S. Memories of Beethoven, grand fantasy on Symphony no 7, op 39 (c1835).

Francesco Nicolosi, pf.

Naxos 8.553701

10:30 CONCERT HALL

Prepared by Noelene Guillemot

Bizet, G. Suite no 1 from L'arlésienne (1872). Philharmonia O/Herbert von Karajan.

EMI CDM 1 66424 2 17

Brahms, J. Double concerto in A minor, op 102 (1887). David Oistrakh, vn; Mstislav Rostropovich, vc; Cleveland O/George Szell.

EMI 5 65701 2

Haydn, J. Symphony in D, Hob.I:31, Hornsignal (c1765). Academy of Ancient Music/Christopher Hogwood.

12:00 JAZZ AFTER NOON

with Sue Jowell

13:00 FINNISH CHAMBER

Prepared by Chris Blower

Crusell, B. Quartet no 1 in E at, op 2 (1803). Thea King, cl; members of Allegri String Quartet.

Hyperion CDA66077 20

Sibelius, J. Quartet in D minor, Voces Intimae, op 56 (1908-09). Gabrieli String Quartet.

Chandos CHAN 8742 34

14:00 FROM THE BASS CLEF

Prepared by Rose Granam-Hilliard

Paganini, N. Bravura variations on Dal tuo stellato soglio, from Rossini’s Moses, op 24 (1818-19; arr. Karr). Gary Karr, db; Berlin RSO/ Uros Lajovic.

LP Schwann VMS 2063

Bottesini, G. Double bass concerto no 2 in B minor (pub. 1950). Ludwig Streicher, db; Munich CO/Hans Stadlmair.

Teldec 2292-42452-2 ME 16

Kozeluch, L. Sinfonia concertante in E at. Siegfried Goethel, tpt; Walter Meuter, db; Akashi Ochi, mand; Werner Genuit, pf; Consortium Classicum; Academy of St Martin in the Fields/Iona Brown.

EMI CDM 7 69389 2 28

15:00 IN A ROMANTIC MOOD

Prepared by Phil Vendy

Lekeu, G. Larghetto (1892). Isabelle Veyrier, vc; Ensemble Musique Oblique.

Harmonia Mundi 1901 455 9

Rubinstein, A. Nocturne, op 11 no 2 (1854). Nobuko Imai, va; Roland Pöntinen, pf. BIS CD-358 7

Gounod, C. Six melodies (1840). Peter Damm, hn; Peter Rösel, pf.

Berlin Classics 0012882BC 7

Foerster, J. Piano trio no 1 in F minor, op 8 (1883). Janácek Trio.

Supraphon SU4079-2 30

16:00 FINE MUSIC DRIVE with Marilyn Schock

19:00 THE NEW JAZZ STANDARD with Frank Presley

20:00 THE WORLD OF A SYMPHONY

Dmitri Shostakovich: Symphony no 8

Prepared by Paolo Hooke

Khachaturian, A. Symphony no 2 in E minor, mvt 1 (1943 version). Royal Scottish O/Neeme Järvi.

Chandos CHAN 8945 16

Shostakovich, D. Piano quintet in E minor, op 57 (1940). Elisabeth Leonskaja, pf; Borodin Quartet.

Teldec 4509-98414-2 34

Symphony no 8 in C minor, op 65. Leningrad PO/Yevgeny Mravinsky.

BBC Legends BBCL 4002-2 1:00

22:00 SONG CYCLE PLUS

Prepared by Paul Cooke

Honnoré, L. Morceau de concert (1890). Lawrence Power, va; Simon Crawford-Phillips, pf.

Hyperion CDA68165 7

Fauré, G. La bonne chanson (1892-94). Elizabeth Campbell, mezz; David Miller, pf. Fine Music concert recording 19

22:30 ULTIMA THULE

FRIDAY 15

FRIDAY 15 00:00

09:00 DIVERSIONS IN FINE MUSIC

Journey through history

Prepared by Paul Cooke

Dittersdorf, C. Sinfonia in A (1780s). Lisbon Metropolitan O/Álvaro Cassuto.

Naxos 8.570198

13

Danzi, F. Wind quintet in G minor, op 56 no 2 (1821). Farkas Quintet Amsterdam. Radio Nederland MCCP124

Bennett, W. Sterndale Overture: The May queen (1844). London PO/Nicholas Braithwaite.

13

Lyrita SRCD 206 6

Rubinstein, A. Akrostichon no 1, op 37 (c1856). Joseph Banowetz, pf.

Naxos 8.570942

19

Grainger, P. Four settings from Songs of the North. Martyn Hill, ten; Penelope Thwaites, pf. Chandos CHAN 9610

10

Frankel, B. Quintet, op 28 (1956). Paul Dean, cl; Australian String Quartet. cpo 999 384-2

10:30 CONCERT HALL

Prepared by Jennifer Foong

Cimarosa, D. Overture to I due baroni di Rocca Azzura (1783). Haydn Philharmonia/ Ezio Rojatti.

Nuova Era 6726

Hiller, F. Piano concerto no 2 in F sharp minor, op 69 (1843). Tasmanian SO/Howard Shelley, pf & dir.

Hyperion CDA67655

18

11

20

Massenet, J. Suite no 1, op 13 (1865). Hong Kong PO/Kenneth Jean.

Naxos 8.555986

24

Mendelssohn, F. Symphony no 5 in D minor, op 107, Reformation (1832). Gewandhaus O/ Kurt Masur.

Teldec 2292-44933-2

12:00 A JAZZ HOUR with Barry O'Sullivan

13:00 SCHUBERT’S DEATH AND THE MAIDEN

String quartet, D810, completed March 1824

26

Prepared by Ross Hayes Schubert, F. Abendstern, D806 (1824). Anthony Rolfe Johnson, ten; Graham Johnson, pf.

Hyperion CDJ 33006 3

Au ösung, D807 (1824). Dietrich FischerDieskau, bar; Gerald Moore, pf.

DG 477 5765 3

String quartet no 14 in D minor, D810, Death and the maiden (1824). Vienna Konzerthaus Quartet.

Westminster RC 8808678121735 39

Gondelfahrer, D808 (1824). Janet Baker, mezz; Gerald Moore, pf.

EMI CDM 5 65009 2 2

Der Gondelfahrer, D809 (1824). Die Singphoniker.

cpo 999 397-2

Sonata in A minor, D821, Arpeggione (1824). Mstislav Rostropovich, vc; Benjamin Britten, pf. Decca 443 575-2 28

Wanderers Nachtlied II, D768 (1824). Heinrich Schlusnus, bar; Sebastian Peschko, pf. Nimbus NI 7883

14:30 CLEOPATRA AND THE ROMANS

Prepared by Jacky Ternisien Ireland, J. Themes from Julius Caesar (1942; arr. Bush). London PO/Adrian Boult.

Lyrita SRCD.240

Schmitt, F. Suite no 2 from Incidental music to Shakespeare’s Antony and Cleopatra, op 69b (1920). Buffalo PO/JoAnn Falletta.

Naxos 8.573521

Schumann, R. Julius Caesar, overture to Shakespeare’s play, op 128 (1851). Polish National RSO/Johannes Wildner. Naxos 8.550608

Castelnuovo-Tedesco, M. Overture to Antony and Cleopatra, op 134 (1947). West Australian SO/Andrew Penny.

Berlioz, H. The death of Cleopatra (1829). Rosamund Illing, sop; Melbourne SO/Heribert Esser. ABC 434 898-2

16:00 FINE MUSIC DRIVE with James Hunter

19:00 FRIDAY JAZZ SESSION with Alex Siegers

20:00 EVENINGS WITH THE ORCHESTRA

In the forest

Prepared by Dan Bickel

Wagner, R. Forest murmurs, from Siegfried (1856-71). Philadelphia O/Eugene Ormandy. RCA Victrola VD87819

Glazunov, A. The forest, fantasy, op 19 (1887). Moscow SO/Alexander Anissimov.

Naxos 8.554293

Vaughan Williams, R. In Windsor Forest (1931). Bournemouth Symphony Ch; Bournemouth Sinfonietta/Norman Del Mar.

EMI CDC 7 49738 2

Ciurlionis, M. In the forest (1900). Slovak PO/ Juozas Domarkas.

Marco Polo 8.223323 15

Bax, A. The happy forest (1914-21). Ulster O/ Bryden Thomson.

Chandos CHAN 8307 10

Lilburn, D. Tone poem: Forest (1936). New Zealand SO/James Judd.

Naxos 8.557697 16

Sibelius, J. Tone poem: Tapiola, op 112 (1926). San Francisco SO/Herbert Blomstedt. Decca 478 6787

22:00 BAROQUE AND BEFORE

How doth the city sit solitary ... Cavalieri, E. del Hierusalem, convertere ad Dominum tuum (1599). Le Poème Harmonique/Vincent Dumestre, theorbo & dir. Alpha 011

Tinctoris, J. Aleph: Quomodo sedet sola civitas (c1506). Orlando Consort.

Metronome MET CD 1015

Couperin, F. Vau: et egressus est a lia Sion omnis decor eius (1713-17). Emma Kirby, sop; Jane Ryan, bass viol; Christopher Hogwood, org.

L’Oiseau-Lyre 444 169-2

Zelenka, J. Sinfonia, from Gesù al Calvario, ZWV62 (1735). Das Kleine Konzert/Hermann Max.

Capriccio 10 887/88

Victoria, T. de Heth: Cogitavit Dominus dissipare murum liæ Sion; Lamed: Matribus suis dixerunt: Ubi est triticum et vinum? (1585). La Colombina/Josep Cabre, bar & dir. Glossa GCD 922002

Charpentier, M-A. Aleph: Ego vir videns paupertatem meam in virga indignationis ejus, H136 (c1678). Sandrine Piau, sop; Ian Honeyman, ten; Peter Harvey, bass; Il Seminario Musicale/Gérard Lesne, ct & dir. Virgin VC 5 45075-2

Handel, G. Sonata, from Brockes Passion, HWV48 (1718). Capella Savaria/Nicholas McGegan, hpd & dir.

Brilliant Classics 92003 4

Lassus, O. de Heth: Misericordiæ Domini quia non sumus consumpti (1585). Pro Cantione Antiqua/Bruno Turner.

Hyperion CDA 66321/22 7

Zelenka, J. Aleph: Quomodo obscuratum est aurum, ZWV53 no 6 (1722). Jaap Schröder, vn; Hans Rudolf Stalder, chalumeau; Walter Stiftner, bn; Brian Franklin, violone; Joseph Pelrine, lute, theorbo; Gottfried Bach, org; René Jacobs, ct & dir.

Harmonia Mundi GD 77112 12

Phinot, D. Incipit oratio Jeremiæ prophetæ: Recordare, Domine, quid acciderit nobis, à 8

(1548). Brabant Ensemble/Stephen Rice.

12

Bach, J.S. Chorale: O Mensch, bewein dein Sür de gross, BWV622 (1713-14). Martin Gester, org.

316020 4

C. Psalm 51: Miserere mei, Deus (1611). Hilliard Ensemble.

SATURDAY 16

00:00 CLASSIC-ALL THROUGH THE NIGHT

06:00 SATURDAY MORNING MUSIC with David Garrett

09:00 WHAT'S ON IN MUSIC

Our weekly guide to musical events in and around Sydney

09:05 THE PIANO ALONE

Prepared by Jacky Ternisien

Bach, C.P.E. Sonata in A minor, Wq57 no 2 (1770); March in G, BWVAnh124 (bef. 1725). Marc-André Hamelin, pf. Hyperion CDA68381/2 11

Alkan, C-V. Sonatine, op 61 (1861). MarcAndré Hamelin, pf.

Haydn, J. Sonata no 59 in E at, Hob.XVI:49 (1789-90). Marc-André Hamelin, pf.

10:00 CENTRES OF MUSIC

Cleveland Institute of Music, Part 2

Prepared by Jennifer Foong

Liszt, F. Two concert études, S145 (1863). Daniil Trifonov, pf.

DG 479 5529 7

Bloch, E. Suite hébraïque (1951). Donald Weilerstein, vn; Vivian Hornik Weilerstein, pf. Arabesque Z 6605 11

Babin, V. Hillandale waltzes. Murray Khouri, cl; Rosemary Barnes, pf.

Portrait Continuum CCD 1014 10

Proko ev, S. Romeo and Juliet before departure, from Romeo and Juliet, op 64 (1935-36; transcr. Babayan). Martha Argerich, pf; Sergei Babayan, pf.

DG 479 9854 9 8

Saint-Georges, J. Symphonie concertante in G, op 13 (1782). Miriam Fried, vn; Jaime Laredo, vn; London SO/Paul Freeman.

LP CBS SBR 235692 15

Dohnányi, E. Piano quintet in C minor, op 1 (1895). Cleveland Quartet; Barry Snyder, pf. Pro Arte CDD 238 28

11:30

ON PARADE

Music that’s band

Prepared by Owen Fisher

Sousa, J.P. Intaglio waltzes. Allentown Band/ Ronald Demkee.

AMP 20059

Nero, P. The hot canary. Cory Band/Robert Childs.

Doyen DOY CD 264

Grainger, P. Shepherd’s hey. Massed bands of Fodens Motor Works, Fairey Aviation, Morris Motors/Harry Mortimer.

Decca 452 939-2

17:00 SOCIETY SPOT

Classical Guitar Society with Sue McCreadie

18:00 STAGE AND SCREEN

Prepared by Anabela Pina

Knop er, M. Excerpts from The princess bride. Guy Fletcher, Mark Knop er, voices; Unknown O.

Warner Bros 25610-2

Preisner, Z. Excerpts from When a man loves a woman. Sinfonia Varsovia/Wojciech Michniewski.

13

2

Lennon - McCartney. Hey, Jude. Parramatta City Band.

Soundwarp

Smetana, B. Dance of the comedians, from The bartered bride. Allentown Band/Ronald Demkee.

12:00 URBAN JAZZ LOUNGE with Leita Hutchings

13:00 HISTORIC RECORDINGS

Earl Wild

Prepared by Paul Cooke

Handel, G. Air and variations, HWV43, The harmonious blacksmith (pub. 1720; arr. Wild). Earl Wild, pf.

Sony SK 62036

Steiner, M. Symphonie moderne from the lm, Four wives (1939). Earl Wild, pf; National PO/ Charles Gerhardt.

RCA

Wild, E. Seven virtuoso études based on songs by George Gershwin (1976). Earl Wild, pf.

Philips 456 991-2

Rachmaninov, S. Piano concerto no 4 in G minor, op 40 (1926/41). Earl Wild, pf; Royal PO/Jascha Horenstein.

14:00 FRENCH TRIO WITH PIANO

Prepared by Jacky Ternisien

Farrenc, L. Trio in E at, op 44 (1854-56). Deborah de Graaff, cl; Georg Pedersen, vc; Natalia Sheludiakova, pf. Fine Music concert recording

14:30 SATURDAY

MATINEE

At the ballet

Prepared by Elaine Siversen Davis, C. Ballet: Aladdin (1995-2000). Malaysian PO/Carl Davis.

Naxos 8.557898-99 2:06

Vine, C. Ballet: The silver rose (1997). Michael Kieran Harvey, pf; Sydney SO/Edo de Waart.

ABC 480 6403

Hollywood Records HR-61606-2 11

Howard, J.N. Excerpts from Dying young. Kenny G, sax; James Newton Howard, pf; Greater Los Angeles O/Marty Paich.

Arista 18692-2

Pike, N. Excerpts from Return to me. Joey Gian, voice; O/Nicholas Pike.

13

RCA Victor 09026-63680-2 16

19:00 EMERGENT JAZZ with Keith Pettigrew

20:00 THE LIFE OF A COMPOSER

Samuel Barber

Prepared by Paul Cooke

Barber, S. Agnus Dei, op 11 (1967). Cantillation/Antony Walker.

ABC 465 824-2

Violin concerto, op 17 (1939-40). Hilary Hahn, vn; Saint Paul CO/Hugh Wolff.

Sony SK89029

Knoxville: Summer of 1915, op 24 (1947). Julia Bullock, sop; Philharmonia O/Christian Rief.

Nonesuch 0 75597 92817 6

Sonata in E at, op 26 (1949). Eric Parkin, pf. Chandos CHAN 9177

Despite and still, op 41 (1968-69). Thomas Hampson, bar; John Browning, pf.

DG 435 867-2

Symphony no 2, op 19 (1944/47). Royal Scottish NO/Marin Alsop.

Naxos 8.559024

22:00 SATURDAY NIGHT AT HOME

Prepared by Helen Milthorpe

Saint-Saëns, C. Piano concerto no 4 in C minor, op 44 (1875). Stephen Hough, pf; City of Birmingham SO/Sakari Oramo.

Hyperion CDA67331/2

Scarlatti, A. Silentio, auri volanti (c1697). Vivien Hamilton, sop; Chacona/Rosalind Halton.

ABC 461 687-2

Clementi, M. Symphony no 3 in G, WoO34, Great National. Philharmonia O/Francesco d’Avalos.

ASV DCS 247

Beethoven, L. Septet in E at for winds and strings, op 20 (1799-1800). Vienna Symphony Chamber Musicians.

Schwann CD 311 050 H1 40

SUNDAY 17

00:00 CLASSIC-ALL THROUGH THE NIGHT

06:00 SUNDAY MORNING MUSIC with Robert Small

09:00 MUSICA SACRA

Prepared by Robert Small

Pachelbel, J. Magni cat in C. King’s Singers; Charivari Agréable/Kah-Ming Ng.

Signum SIGCD198 20

Holst, I. Three Psalms (1943). Choir of Clare College, Cambridge; Dmitri Ensemble/Graham Ross.

Harmonia Mundi HMU 907576 16

Handel, G. Gloria (c1707). Josie Ryan, sop; Concertato/Timothy Chung.

Fine Music concert recording 16

Shelley, B. Agnus, from Messe sans regretz (1997). Choir of St James' Church, Sydney/ Warren Trevelyan-Jones.

St James’ Church SJKS002 2

10:00 THE CLASSICAL ERA

Prepared by Frank Morrison

Carvalho, J. de Sousa Overture to L’amore industrioso (1769). Algarve O/Alvaro Cassuto. Naxos 8.557207 9

Crusell, B. Concertino in B at (1829). Klaus Thunemann, bn; Academy of St Martin in the Fields/Neville Marriner.

Philips 446 096-2 18

Kozeluch, L. Sonata no 21 in E at, op 17 no 3 (1785). Kemp English, fp.

Grand Piano GP647 15

Arriaga, J. String quartet no 1 in D minor (1824). Camerata Boccherini.

Naxos 8.557628 23

Schubert, F. Am Meer, from Schwanengesang, D957 (1828). Bryn Terfel, bass-bar; Malcolm Martineau, pf. Marquis 81257 2 5

Mendelssohn, F. String symphony no 11 in F (1823). Northern CO/Nicholas Ward. Naxos 8.553163 38

12:00 CLASSIC JAZZ with Dave Mac

13:00 WORLD MUSIC Whirled Wide with Ian Carswell

14:00 THE PIANO SONATA

Sonatas of Johann Nepomuk Hummel, Part 3

Prepared by Jennifer Foong

Pleyel, I. Sonata in G (c1787-88). Masha

Dimitrieva, pf.

Gramola 98816

Schubert, F. Klavierstücke, D946 (1828). András Schiff, pf.

Philips 456 925-2

Hummel, J. Sonata no 3 in F minor, op 20 (c1807). Hae-won Chang, pf.

15:00 SUNDAY SPECIAL

Missa solis

Prepared by James Nightingale

Edwards, R. Dawn mantras (2005). Jane Sheldon, sop; Sydney Children’s Choir; Cantillation; Jim Franklin, shakuhachi; Rixon Thomas, cora; Matthew Doyle, did; Ian Cleworth, perc; Brian Nixon, perc; Lyn Williams,

481 1909

Kats-Chernin, E. Sunshine journal (2011).

Sculthorpe, P. Songs of sea and sky (1987/88). Nigel Westlake, cl; David Bollard, pf.

J. Shaker loops (1978/83).

Westlake, N. Missa solis: Requiem for Eli (2010). Liam Crisanti, treb; Melbourne

& O/Nigel Westlake.

17:00 HOSANNA

Prepared by Richard Munge

Hymn. I bind unto myself today. Choir of Wells Cathedral; Rupert Gough, org; Malcolm Archer, cond.

Hyperion CDP 12103

Psalm. No 130, Out of the deep have I called unto Thee. Choir of St John’s College, Cambridge; John Scott, org; George Guest, cond.

Decca 452 941-2

Stanford, C. Villiers Magni cat for double choir, op 164. Choir of Westminster Cathedral/ James O’Donnell. Hyperion

Hymn. Love divine, all loves excelling. Choir of St Paul’s Cathedral, London; John Scott, org; Barry Rose, cond.

Stanford, C. Villiers Blessed are those that are unde led in the way. Cambridge Singers/ John Rutter.

Collegium COLCD 302A 3

Psalm. No 126, When the Lord turned again. Choir of Salisbury Cathedral; John Challenger, org; David Halls, cond.

Priory PRCD 1150

Stanford, C. Villiers The souls of the just are in the hand of God, op 38. Choir of St Paul’s Cathedral, London/Andrew Carwood.

Decca 483 1531

The Lord is my shepherd (1886). Choir of New College, Oxford/Edward Higginbottom.

CRD 3507

Hymn. There is a green hill far away. Geoffrey Shaw, bass; Choir of St Paul’s Cathedral, London; Christopher Dearnley, org; John Scott, cond.

Helios CDH 55036

Bach, J.S. Have mercy, my God, BWV721. James Lancelot, org.

Priory PRCD 1179

18:00 COMPOSER FOCUS

César Cui

Prepared by Michael Morton-Evans

Cui, C. Concert suite, op 25 (1884). Takako Nishizaki, vn; Hong Kong PO/Kenneth Schermerhorn.

LP Marco Polo 6.220308 21

Orientale, from Kaleidoscope, op 50 no 9 (1893) Gregor Piatigorsky, vc; Ralph Berkowitz, pf. Naxos 8.111069

Fair spring, op 66 no 4. Ludmila Kuznetsova, mezz; Russian State SO/Valery Polyansky.

Chandos CHAN 10201

Three scherzos, op 82 (pub. 1910). Russian State SO/Valery Polyansky.

Chandos CHAN 10201 19

19:00 JAZZ INTERACTION

with Isobel Archer

20:00 SUNDAY NIGHT CONCERT

Prepared by Chris Blower

Bach, J.S. Passacaglia and fugue in C minor, BWV582 (c1708-12; transcr. Stokowski). Sydney SO/Robert Pikler.

Chandos CHAN 6532

Schubert, F. Sonata in A minor, D821, Arpeggione (1824; orch. Davidson). Patricia Pollett, va; Queensland PO/Werner Andreas Albert.

Tall Poppies TP084

Albéniz, I. Suite española, op 47 (1886; orch. Frühbeck de Burgos). Mexico State SO/ Enrique Bátiz.

ASV DCA 888

21:30 NEW HORIZONS

Prepared by Anne-Louise Luccarini

Reich, S. Different trains (1988). Kronos Quartet.

Nonesuch 979 176-2 27

Finsterer, M. Nyx (1996). Pittsburgh New Music Ensemble. ABC ABCL 0026D 12

Andres, T. Everything happens so much (2016). Boston SO/Andris Nelsons.

Naxos 8.559874 12

Higdon, J. Soprano saxophone concerto (2006). Carrie Koffman, sax; Hartt School Wind Ensemble/Glen Adsit.

Naxos 8.572889 16

Adès, T. Lieux retrouvés: Les eaux, la montagne, les champs et la ville (2009). Steven Isserlis, vc; Thomas Adès, pf.

23:00 JAZZ AFTER HOURS

Portraits with Maddy Monjo

MONDAY 18

00:00 CLASSIC-ALL THROUGH THE NIGHT

06:00 FINE MUSIC BREAKFAST with James Hunter

09:00 DIVERSIONS IN FINE MUSIC

A year in retrospect: 1925

Prepared by Paul Cooke

Rodrigo, J. Song and dance (1925). Artur Pizarro, pf.

Naxos 8.557923

Marx, J. Idylle Concertino on the pastoral fourth (1925). Bochum SO/Steven Sloane. Naxos 8.573831

7

15

Pijper, W. Sonata (1925). Felicia van den End, ; Daria van den Bercken, pf.

Radio Nederland MCCP123

Poulenc, F. Napoli (1925). Pascal Rogé, pf. Decca 460 329-2

10

11

Hanson, H. The lament for Beowulf, op 25 (1925). Eastman School of Music Ch; Eastman-Rochester O/Howard Hanson.

Mercury 478 5092

18

Sibelius, J. Five country dances, op 106 (1925). Nils-Erik Sparf, vn; Bengt Forsberg, pf. BIS CD-625 19

10:30 CONCERT HALL

Prepared by Jacky Ternisien

Harty, H. A comedy overture (1906). Ulster O/ Takuo Yuasa.

Naxos 8.557731 13

Scharwenka, X. Piano concerto no 1 in B at minor, op 32 (1876). Marc-André Hamelin, pf; BBC Scottish SO/Michael Stern.

Hyperion CDA67508

Roussel, A. Symphony no 1, op 7, Forest poem (1908). Paris O/Christoph Eschenbach. Ondine ODE 1092-2

12:00 SWING SESSIONS

with John Buchanan

13:00 AUSTRALIAN CHAMBER

Prepared by James Nightingale

Skipworth, L. Quartet (2020). Diana Doherty, ob; Streeton Trio.

Cygnus Arioso CA004

Stanhope, P. Quartet no 3, From the Kimberley (2014-15). Australian String Quartet. ABC ABCL 0034

Hill, M. Trio (1916). Goetz Richter, vn; Mina Choh, vc; Jeanell Carrigan, pf.

Wells, J. Sati (2016; arr. Wells 2022). Sally

14:30 THE 18TH CENTURY ORCHESTRA

Prepared by Derek Parker

Holzbauer, I. Overture to Günther von Schwarzburg (1777). Freiburg Baroque O/ Gottfried von der Goltz. DG 486 3502

Wilms, J. Sinfonia concertante in C (1814).

Universelle/Andreas Spering.

Stamitz, J. Symphony in D, op 3 no 2 (pub. 1757). New Zealand CO/Donald Armstrong.

Saint-Georges, J. Violin concerto in A, op 5 no 2 (1775). Rachel Barton Pine, vn; Encore CO of the Chicago Youth SO/Daniel Hege. Cedille

Wranitzky, P. Symphony in D, op 36 (1799).

16:00 FINE MUSIC DRIVE with Michael Field

19:00 JAZZ ABOUT TOWN with Deborah Evans

20:00 STORMY MONDAY with Austin Harrison

22:00 JAZZ AFTER HOURS with Eddie Bernasconi

TUESDAY 19

00:00 CONTEMPORARY COLLECTIVE

03:00 CLASSICAL TILL DAWN

06:00 FINE MUSIC BREAKFAST with Robert Small

09:00 DIVERSIONS IN FINE MUSIC

Colours of the keyboard

Prepared by Frank Morrison

Bach, C.P.E. Fantasia in B at, Wq61 no 3 (1785-86). Gustav Leonhardt, clvd.

Pro Arte D 248 7

Dussek, J. Trio sonata in B at for piano, violin and cello, op 24 no 3 (1793). Trio 1790. cpo 999 583-2 15

Skryabin, A. Fantasy (1893; arr. Rozhdestvensky). Viktoria Postnikova, pf; The Hague Residency O/Gennady Rozhdestvensky.

Chandos CHAN 9728 9

Busoni, F. Finnish melodies (1888). Hector Moreno, Norberto Capelli, pf.

Dynamic CDS 96

Meyer, L. Second piece, from The country organists manual. Pierre P ster, org. Arion ARN 68069

Messiaen, O. Three melodies (1930). Frederica von Stade, mezz; Martin Katz, pf. BMG 09026 62711 2 6

Bloch, E. Sonata (1935). István Kassai, pf. Marco Polo 8.223289

10:30 CONCERT HALL

Prepared by Gerald Holder

Kodály, Z. Theatre overture (1927). BBC PO/ Yan Pascal Tortelier.

Chandos CHAN 9811 15

Spohr, L. Clarinet concerto no 3 in F minor (1821). Karl Leister, cl; Stuttgart RSO/Rafael Frühbeck de Burgos.

Orfeo C 088 201 A 28

Gounod, C. Symphony no 2 in E at (1856). Sinfonia Finlandia/Patrick Gallois.

Naxos 8.557463

12:00 JAZZ RHYTHM

with Jeannie McInnes

13:00 A COLERIDGE-TAYLOR COLLECTION

Prepared by George Nevin

Coleridge-Taylor, S. Petite suite de concert, op 77 (1910). RTÉ Concert O/Adrian Leaper. Marco Polo 8.223516

Piano quintet in G minor, op 1 (1893).

Members of Nash Ensemble.

Hyperion CDA67590 26

Scènes de ballet (1906). Robin Ruys, pf.

Fine Music concert recording

Nonet in F minor for piano, strings and wind, op 2, Gradus ad Parnassum (c1893). Kaleidoscope Chamber Collective. Chandos CHAN 20242

14:30 INSPIRED BY PAINTINGS

Prepared by Jacky Ternisien

13

26

Respighi, O. Three Botticelli pictures (1927). London SO/Charles Mackerras.

Carlton Classics 15656 91372 20

Stravinsky, I. No word from Tom, from The rake’s progress (1951). Diana Damrau, sop; Munich RSO/Dan Ettinger.

Virgin 5 193132 2 9

Granados, E. La maja de Goya, from Tonadillas en un estilo antiguo (arr. Llobet). Karin Schaupp, gui.

ABC 476 226-9 5

Liszt, F. Symphonic poem no 11, Battle of the Huns (1857). London PO/Bernard Haitink.

Philips 438 754-2 15

Granados, E. Coloquio en la reja, from Goyescas (pub. 1911). Alicia de Larrocha, pf.

Decca 433 920-2 11

Rachmaninov, S. The Isle of the Dead, op 29 (1909). Sydney SO/Vladimir Ashkenazy.

Exton EXCL-00018 20

16:00 FINE MUSIC DRIVE with Andrew Dziedzic

19:00 THE JAZZ BEAT with Lloyd Capps

20:00 JUST IN with Charles Barton

A selection from the latest recordings to arrive at the Fine Music Library

22:00 CHAMBER SOIRÉE

Charles Villiers Stanford

Prepared by Paul Cooke

Stanford, C. Villiers Quartet no 1 in F, op 15 (1879). David Adams, va; Gould Piano Trio. Naxos 8.573388 30

Sonata, op 129 (1911). Robert Plane, cl; Benjamin Frith, pf.

Naxos 8.570416

String quintet no 1 in F, op 85 (1903). Garth Knox, va; RTÉ Vanbrugh Quartet. Hyperion

19

Caoine, a lament, op 54 no 1 (1894). Paul Barritt, vn; Catherine Edwards, pf.

Hyperion CDA67024 7

Serenade, nonet in F for winds and strings, op 95 (1905). Capricorn. Hyperion CDA66291

WEDNESDAY 20

00:00 CONTEMPORARY COLLECTIVE

03:00 CLASSICAL TILL DAWN

06:00 FINE MUSIC BREAKFAST with Stephen Wilson

09:00 DIVERSIONS IN FINE MUSIC

Rescued from the shadows

Prepared by Jennifer Foong

Ru natscha, J. Overture from Incidental music to Schiller's play The bride of Messina (c1850). BBC PO/Gianandrea Noseda.

Chandos CHAN 10665

Tomásek, V. Eclogue in E, op 51 no 5. Pavel

1 11 1488

Ciardi, C. La carneval russe. Karl-Bernhard Sebon, ; Berlin RSO/Uros Lajovic. Schwann 11608

Pixis, J. Grand sonata, op 35. Jean-Louis Capezzali, ob; Chia Chou, pf.

Blasco de Nebra, M. Sonata in E minor, op 1 no 6 (c1780). Javier Perianes, pf.

HMC 902046

David, Félicien. Quartet no 2 in A (c1869). Julien Chauvin, vn; Karine Crocquenoy, vn; Pierre-Éric Nimylowycz, va; Atsushi Sakaï, vc. Ambroisie AM206

10:30 CONCERT HALL

Prepared by Michael Field

Ciurlionis, M. In the forest (1900). Slovak PO/ Juozas Domarkas.

Marco Polo 8.223323

Mozart, W. Piano concerto no 20 in D minor, K466 (1785). Ian Munro, pf; Willoughby SO/ Nicholas Milton.

Fine Music concert recording 30

Strauss, R. Symphony-suite from Ariadne auf Naxos (1912, arr. Ochoa 2010). Buffalo PO/ JoAnn Falletta.

14:00

STANFORD

AND THE SYMPHONY

Prepared by Chris Blower

Joachim, J. In memoriam H. von Kleist, op 13. Stuttgart RSO/Meir Minsky.

Naxos 8.554733 10

Reinecke, C. Prelude to Act V, from King Manfred, op 93 (1866). Rhenish PO/Alfred Walter.

Naxos 8.555397 5

Kiel, F. Three romances for viola and piano, op 69. Zaslav Duo. Music & Arts 1087(2) 8

Parry, H. Bridal march, The birds (1883). London SO/Adrian Boult.

Lyrita SRCD 220 5

Schumann, R. Papillons, op 2 (1829-31). Cristina Ortiz, pf.

IMP PCD 899 15

Brahms, J. Sonata in E at, op 120 no 2 (1894). Alan Hacker, cl; Richard Burnett, pf. Amon Ra SAR 37 19

Stanford, C. Villiers Symphony no 4 in F, op 31 (1889). Ulster O/Vernon Handley.

Chandos CHAN 8884 44

16:00 FINE MUSIC DRIVE

with Tom Forrester-Paton

19:00 PLANET JAZZ

with Xavier Bichon

20:00 AT THE OPERA

From Bohemia and Moravia

Prepared by Elaine Siversen

Janácek, L. The cunning little vixen. Opera in three acts. First performed Brno, 1924.

GAMEKEEPER: Dalibor Jedli ká, bass VIXEN/YOUNG VIXEN: Lucia Popp, sop

FOX: Eva Randová, sop Vienna State Opera Ch; Bratislava Children’s Choir; Vienna PO/Charles Mackerras.

Decca 417 129-2 1:29

Strauss, R. The Marschallin’s monologue, from Der Rosenkavalier Act I (1911). Lucia Popp, sop; Bamberg SO/Horst Stein. Eurodisc 258938 8

Handel, G. Vinto è l'amor, from Ottone, HWV15 (1723); O, had I Jubal’s lyre, from Joshua (1748). Lucia Popp, sop; English CO/ Georg Fischer.

EMI CDM 7 69546 2 7

22:30 MUSIC OF THE NIGHT

Prepared by Paul Cooke

McDowall, C. The moon dances (2003). Anna Noakes, ; Caroline Palmer, pf.

Dutton Epoch CDLX7210 15

Sibelius, J. Two serenades, op 69 (1912). Anne-Sophie Mutter, vn; Staatskapelle Dresden/André Previn.

DG 447 895-2 13

Reyk, B. van Light for the rst time (2017). Ensemble Offspring; pre-recorded sound/ Claire Edwardes.

Ensembleoffspring.com

784927 459812 11

Bridge, F. Isabella (1907). BBC NO of Wales/ Richard Hickox.

Chandos CHAN 10729(6) X 18

Thompson, B. Quartet no 2, From darkness into light (2002). Apollo Saxophone Quartet.

Celestial Harmonies 13263-2 26

THURSDAY 21

00:00 CONTEMPORARY COLLECTIVE

03:00 CLASSICAL TILL DAWN

06:00 FINE MUSIC BREAKFAST with Simon Moore

09:00 DIVERSIONS IN FINE MUSIC Romantics, tributes and dedications

Prepared by James Nightingale

Berlioz, H. Dance of the will-o’-the-wisps, from The damnation of Faust, op 24 (1854-56). Berlin PO/Herbert von Karajan.

DG 474 617-2 6

12:00 JAZZ SKETCHES

Vale

13:00 IN

The gamekeeper catches the vixen in the wood and takes her home. Rejecting the advances of the family dog, she tries to rouse the hens to revolution, then kills them and escapes. Now notorious, she is spotted by villagers walking home from the pub, but evades the gamekeeper's gun. She meets a fox and has a litter of cubs, before being shot by a poacher. Returning to the clearing where he rst caught the vixen, the gamekeeper sees one of her cubs and is reminded of the great cycle of life.

Polignac, A. de Chant d’amour; Jardin du roi; Ne me regarde pas. Laetitia Grimaldi, sop; Ammiel Bushakevitz, pf.

BIS CD-2546 11

Haydn, J. Keyboard trio in D minor, Hob. XV:23 (1795). Beaux Arts Trio.

Philips 454 098-2 20

Strauss, R. Romance in F (1883). Mischa Maisky, vc; Pavel Gililov, pf.

DG 477 7465 11

Debussy, C. Deux arabesques (1888). Kathryn Stott, pf.

Conifer CDCF 148 8

d’Indy, V. String sextet in B at (1927). François Mereaux, va, Michel Poulet, vc; Quatuor Joachim.

Calliope CAL 3891.2

10:30 CONCERT HALL

Prepared by Anne Irish

Gade, N. Overture: Echoes from Ossian, op 1 (1840). Danish National RSO/Dmitri Kitaienko.

Chandos CHAN 9422

Mendelssohn, F. Double concerto in D minor (1823). Gidon Kremer, vn; Martha Argerich, pf; Orpheus CO.

DG 427 338-2

Schubert, F. Symphony no 5 in B at, D485 (1816). Australian CO/Charles Mackerras.

12:00 JAZZ

AFTER NOON

with Sue Jowell

13:00 WORLD POETRY DAY

Prepared by Chris Blower

Holst, G. Overture: Walt Whitman, op 7 (1899). Munich SO/Douglas Bostock.

Classico CLASS 284

Britten, B. Six settings of W.H. Auden (193741). James Geer, ten; Robin Tritschler, ten; Benjamin Hullett, ten; Malcolm Martineau, pf. Decca 478 5364

Barber, S. Music for a scene from Shelley, op 7 (1935). Detroit SO/Neeme Järvi. Chandos CHAN 9908

Beach, A. Three Browning songs, op 44 (1899-1900). Stacey Alleaume, sop; Erica Kennedy, vn; Amir Farid, pf. Move MCD 613

MacDowell, E. Six idylls after Goethe, op 28 (pub. 1887). James Barbagallo, pf.

14:00 DVORÁK: PIANO AND STRINGS

Prepared by Elaine Siversen

Dvorák, A. Slavonic dance in F, op 46 no 4, Sousedská (1878). Duo Crommelynck, pf. Claves CD 50-9107

String sextet in A, op 48 (1878). Josef Kluson, va; Michal Kanka, vc; Panocha Quartet.

Supraphon 11 1461-2 131 33

Theme and variations in A at, op 36 (1877). William Howard, pf. Chandos CHAN 9044

15:00 BY THE SHORE

Prepared by Noelene Guillemot

Grainger, P. Molly on the shore (1907). Light Music Society O/Vivian Dunn. EMI

7 63520 2

Debussy, C. La mer (1903-05). Montreal SO/

Charles Dutoit.

Decca 478 3691

Satie, E. The dreamy sh (1901). Jean-Yves Thibaudet, pf.

Decca 470 290-2

Dvorák, A. Symphonic poem: The water goblin, op 107 (1896). Scottish NO/Neeme Järvi.

Chandos CHAN 8552

16:00 FINE MUSIC DRIVE with Marilyn Schock

19:00 THE NEW JAZZ STANDARD with Frank Presley

20:00 THE WORLD OF A SYMPHONY

Franz Schubert: Symphony no 8

Prepared by Rex Burgess

Beethoven, L. Overture to The consecration of the house, op 124 (1822). Berlin PO/Herbert von Karajan.

DG 445 112-2

Weber, C.M. Concert piece in F minor, op 79 (1821). Peter Rösel, pf; Staatskapelle Dresden/ Herbert Blomstedt.

Brilliant Classics 99935

Mendelssohn, F. Violin concerto in D minor (1822). Gidon Kremer, vn; Orpheus CO.

DG 427 338-2

Rossini, G. Sinfonia, from Semiramide (1823). London SO/Ion Marin.

DG 437 813-2

Kuhlau, F. Concertino in F minor, op 45 (1821). Ib Lanzky-Otto, hn; Frøydis Ree Wekre, hn; Odense SO/Othmar Maga.

Unicorn-Kanchana DKPCD 9110

Schubert, F. Symphony no 8 in B minor, D759, Un nished (1822). Scottish CO/Charles Mackerras.

Telarc 80502

22:00 SONG CYCLE PLUS

Prepared by Paul Cooke

Casella, A. War music (1915). Hector Moreno, Norberto Capelli, pf.

Dynamic CDS 96

Respighi, O. The sunset (1914). Magdalena Kozená, mezz; Henschel Quartet.

DG 471 581-2

22:30 ULTIMA THULE

FRIDAY 22

00:00 CONTEMPORARY COLLECTIVE

03:00 CLASSICAL TILL DAWN

06:00 FINE MUSIC BREAKFAST with Stephen Gard

09:00 DIVERSIONS IN FINE MUSIC

Journey through history

Prepared by Jennifer Foong

Scarlatti, D. Concerto grosso no 7 in G minor (arr. Avison; 1744). Academy of St Martin in the Fields/Neville Marriner.

Philips 438 806-2 12

Lully, J-B. The war, from Alceste Act III (1674). Felicity Palmer, sop; Anne-Marie Rodde, sop; Bruce Brewer, ten; François Loup, ten; Max van Egmond, bass; Marc Vento, bass; Chorale Raphael Pasquet; La Grande Écurie et la Chambre du Roy/Jean-Claude Malgloire.

LP CBS SBR 235828 6

Telemann, G. Sonata in C minor, from Essercizii musici (pub. 1739-40). Owen Watkins, rec; Geoffrey Burgess, ob; Kate Morgan, vc; Tamara Rozek, hpd.

Wranitzky, A. String sextet in G. Ensemble

Puccini, G. Preludio sinfonico (1876). Berlin RSO/Riccardo Chailly.

Mendelssohn, Fanny. Piano quartet in A at (1822). Kaleidoscope Chamber Collective.

Chandos CHAN 20256

10:30 CONCERT HALL

Prepared by Michael Field

Respighi, O. Metamorphoseon, theme and variations (1930). Philharmonia O/Geoffrey Simon.

LP Chandos ABRD 1142

Salieri, A. Triple concerto in D (c1770). Heinz Holliger, ob; Thomas Demenga, vc; Camerata Bern/Thomas Füri, vn & dir.

Archiv 410 599-2

Roussel, A. Symphony no 1, op 7, The poem of the forest (1904-06). Rhineland Palatinate State PO/Leif Segerstam. Cybelia

801

12:00 A JAZZ HOUR

with Barry O'Sullivan

13:00 CHARLES VILLIERS STANFORD

Music for the voice

Prepared by Stephen Matthews

Stanford, C. Villiers Three songs from The Spanish gypsy, op 1. Stephen Varcoe, bar; Clifford Benson, pf.

Hyperion CDA67123 5

Sailing at dawn, from Songs of the eet, op 117; The ght; The night went down, from The revenge: a ballad of the eet; Drakes drum, from Songs of the sea, op 91. Gerald Finley, bar; BBC National Ch & O of Wales/Richard Hickox.

Chandos CHSA 5043 19

To the soul; Joy!, shipmate joy!, from Songs of faith, op 97; The compleat virtuoso; The absent barber, from Nonsense rhymes. Roderick Williams, bar; Andrew West, pf.

Somm Sommcd 0627 11

The bluebird. Cambridge Singers; City of London Sinfonia/John Rutter.

Collegium CSCD 500 4

Pater noster; Te Deum in B at. Winchester Cathedral Choir; Stephen Farr, org; David Hill, cond.

14:00 SOME OF STANFORD’S STUDENTS

Prepared by Paul Cooke Clarke, Rebecca. Sonata (1918). Paul Coletti, va; Leslie Howard, pf.

Hyperion CDA66687

Gurney, I. The cloths of heaven; In Flanders; Epitaph; Sleep. Christopher Saunders, ten; Stefan Cassomenos, pf.

Master Performers MP 020

Benjamin, A. Piano concertino (1927). Lamar Crowson, pf; London SO/Arthur Benjamin. Everest EVC 9029

Goossens, E. Nature poems, op 25 (1919).

Gray, pf. ABC 476 763-6

Howells, H. In green ways (1915). Yvonne Kenny, sop; London SO/Richard Hickox.

CHAN 9557

Bainton, E. Quartet in A (1915). Austral String Quartet.

30802

16:00 FINE MUSIC DRIVE with Lloyd Capps

19:00 FRIDAY JAZZ SESSION with Alex Siegers

20:00

EVENINGS WITH THE ORCHESTRA

Italian orchestras and conductors

Prepared by Chris Blower

Wagenaar, J. Overture: Cyrano de Bergerac, op 23 (1905). Royal Concertgebouw O/ Riccardo Chailly.

Decca 425 833-2

Veracini, F. Overture no 2 in F (c1716). Accademia I Filarmonici/Alberto Martini. Naxos 8.553412

Cantata, BWV1: Wie schön leuchtet der Morgenstern (1725). Kurt Equiluz, ten; Max van Egmond, bass; Vienna Boys' Choir; Ch Viennensis; Concentus Musicus Vienna/ Nikolaus Harnoncourt.

Teldec 2564 69943-7 25

SATURDAY 23

14

22

Mozart, W. Piano concerto no 20 in D minor, K466 (1785). Maria Joäo Pires, pf; O Mozart/ Claudio Abbado.

DG 479 0075 31

Brahms, J. Symphony no 4 in E minor, op 98 (1885). Royal Concertgebouw O/Carlo Maria Giulini.

22:00 BAROQUE AND BEFORE

For the Feast of the Annunciation

Prepared by Charles Barton

Victoria, T. de Motet: Ne timeas Maria. Gruppo Vocale Ars Cantica/Marco Berrini.

Sarx SX 001-2

Gastoldi, G. Missa, Ne timeas Maria. Gruppo Vocale Ars Cantica; Riccardo Doni, org; / Marco Berrini, cond.

Sarx SX 001-2

Praetorius, M. Wie schön leuchtet der Morgenstern. Choir of Westminster Cathedral, Parley of Instruments/David Hill.

Hyperion CDA 66200

Bach, J.S. Chorale prelude: Wie schön leuchtet uns der Morgenstern, BWV739. John O’Donnell, org. Tall Poppies TP166

Kuhnau, J. Cantata: Wie schön leuchtet der Morgenstern. Soloists; King's Consort/Robert King.

Hyperion CDA67059

Biber, H. Rosary sonata no 1, The annunciation (c1676). John Holloway, vn; Tragicomedia.

Virgin VCD 7 90838-2

Buxtehude, D. Chorale fantasia on Wie schön leuchtet der Morgenstern. David Rumsey, org. LP Davan LCDS 1001

Bach, J.S. Chorale prelude: Wie schön leuchtet der Morgenstern, BWV763. Hans Fagius, org.

BIS CD-439

00:00 CLASSIC-ALL THROUGH THE NIGHT

06:00 SATURDAY MORNING MUSIC with Stephen Wilson

09:00 WHAT'S ON IN MUSIC

Our weekly guide to musical events in and around Sydney

09:05 THE PIANO ALONE

Prepared by Rita Felton

Schumann, R. Theme and variations in E at, Ghost variations, WoO24 (1854). Igor Levit, pf. Sony 88985424452 11

Mendelssohn, F. Variations sérieuses in D minor, op 54 (1841). Kathryn Selby, pf. ABC 432 700-2 13

Mozart, W. Sonata no 12 in F, K332 (1783). Geoffrey Lancaster, fp.

Tall Poppies TP022 25

10:00 CENTRES OF MUSIC

The Saxon court at Dresden, 17th-18th C, Part 2

Prepared by Elaine Siversen

Schütz, H. Tue wohl deinem Knechte, dass ich lebe, SWV483; Zeige mir, Herr, den Weg deiner Rechte, SWV484, from Schwanengesang (pub. 1671). Collegium Vocale Gent; Concerto Palatino/Phillippe Herreweghe.

Harmonia Mundi HMC 901895.96 11

Nauwach, J. Jetztund kömpt die Nacht herbey; Ach Liebste, lass uns eilen (1627). Andreas Scholl, ct; Alix Verzier, vc; Karl Ernst Schröder, lute; Markus Märkl, hpd.

Harmonia Mundi HMG 501505 7

Quantz, J. Double ute concerto in G. Jed Wentz, ; Marion Moonen, ; Musica ad Rhenum/Florian Deuter.

Vanguard 99040 15

Heinichen, J. Alma Mater redemptoris (1726). Axel Köhler, ct; Musica Antiqua Cologne/ Reinhard Goebel.

Archiv 447 092-2 8

Zelenka, J. Sinfonia in A minor à 8 concertante (1723). Camerata Bern.

Archiv 469 842-2 24

Bach, W.F. Harpsichord concerto in A minor (c1733). Il Convito/Maude Gratton, hpd & dir. Mirare MIR 162 14

11:30 ON PARADE

Prepared by Michael Morton-Evans

Proko ev, S. Dance, from Romeo and Juliet, op 64 (1935-36; arr. Kreines). Chicago SO brass/Dale Clevenger.

CSO-Resound CSOR 901 1101 2

Langford, G. Sinfonietta. John Foster Black Dyke Mills Band/Roy Newsome.

Chandos CHAN 4533 10

Fucik, J. Overture to Marinarella, op 215.

Royal Australian Navy Band/Phillip Anderson.

12:00 URBAN JAZZ LOUNGE with Leita Hutchings

13:00 IN A SENTIMENTAL MOOD with Maureen Meers

Nostalgic music and artists from the 30s, 40s and 50s and occasionally beyond, in a trip down many memory lanes

14:00 FRENCH TRIO WITH PIANO

Prepared by Jacky Ternisien

Lalo, E. Trio no 3 in A minor, op 26 (1880). Barbican Piano Trio.

14:30 SATURDAY MATINEE

Choral masterworks

Prepared by Chris Blower

Bach, J.S. Cantata, BWV182: Himmelskönig sei willkommen (1714). Paul Esswood, alto; Kurt Equiluz, ten; Robert Holl, bass; Tölz Boys' Choir; Concentus Musicus Vienna/Nikolaus Harnoncourt.

Teldec 2564 69943-7

Hadley, P. Lenten cantata (1962). John Mark Ainsley, ten; Donald Sweeney, bass; Choir of Gonville and Caius College, Cambridge; Richard Hill, org; Geoffrey Webber, cond.

Handel, G. Chandos anthem no 8: O come let us sing unto the Lord, HWV253 (1717-18). Susan Gritton, sop; Iestyn Davies, ct; Thomas Hobbs, ten; Choir of Trinity College; O of the Age of Enlightenment/Stephen Layton.

Hyperion CDA67926

Bruckner, A. Mass in F minor (1867-68). Juliet Booth, sop; Jean Rigby, mezz; John Mark Ainsley, ten; Gwynne Howell, bass; Corydon Singers & O/Matthew Best.

Hyperion CDA66599

17:00 SOCIETY SPOT

Sydney Schubert Society with Ross Hayes

18:00 STAGE AND SCREEN

Remembering Jim Parker

Prepared by Paul Cooke

Parker, J. Excerpts from The House of Eliott. O/Jim Parker.

Soundtrack Music Records 7 89841 2 24

Excerpts from The history of Tom Jones, a foundling. Pro Arte O of London/Jim Parker.

BBC Worldwide Music OCD 012 17

Excerpts from Midsomer murders; Theme from Midsomer murders. Celia Sheen, theremin; Instrumental Ensemble.

SilvaScreen SILCD 1476 14

19:00 EMERGENT JAZZ

with Keith Pettigrew

20:00 THE LIFE OF A COMPOSER

Enrique Granados

Prepared by Jennifer Foong

Granados, E. Andaluza, from 12 Spanish dances, op 37 (1892-1900; arr.). Xavier de Maistre, hp; Lucero Tena, castanets.

Sony 88985450452 3

Zapateado, from Six pieces based on Spanish folk songs. Alicia de Larrocha, pf.

Decca 433 920-2

Piano trio, op 50 (1894). Beaux Arts Trio. Philips 446 684-2 25

Eight poetic waltzes (1887). Benjamin Grosvenor, pf.

Decca 478 5334

La maja de Goya, from Tonadillas al estilo antiguo, (1911; arr. Llobet). Karin Schaupp, gui. ABC 476 3338

Allegro de concierto, op 46 (1903). Douglas Riva, pf.

Naxos 8.554628

Falla, M. de Asturiana, from Seven Spanish popular songs (1915). Victoria de los Angeles, sop; Gonzalo Soriano, pf.

EMI CMS 5 65061 2

Granados, E. Improvisation, Reverie (1916). Enrique Granados, reproducing pf.

Fonè 90 F 14 CD

Liliana, a lyric poem (1911-21; arr. Casals). Barcelona SO/Pablo González.

Naxos 8.573265

El fandango de candil; Quejas o la maja y el ruiseñor; El amor y la muerte, from Goyescas (pub. 1911). Alicia de Larrocha, pf.

Decca 433 920-2

22:00 SATURDAY NIGHT AT HOME

Prepared by Di Cox

Schumann, R. Carnaval, op 9 (1834-45; arr. Glazunov and others). Suisse Romande O/ Ernest Ansermet.

Decca 480 0038

Weber, C.M. Clarinet quintet in B at, op 34 (1811-15). Members of Omega Ensemble. Fine Music concert recording 26

Franck, C. Symphonic poem: Le chasseur maudit (1883). Christian Ivaldi, pf; Noel Lee, pf.

Bruch, M. Violin concerto no 1 in G minor, op 26 (1868). Gil Shaham, vn; Philharmonia O/ Giuseppe Sinopoli.

DG 427-656-2

Massenet, J. Ballet music from Le Cid (1885). Israel PO/Jean Martinon.

SUNDAY 24

00:00 CLASSIC-ALL THROUGH THE NIGHT

06:00 SUNDAY MORNING MUSIC with Peter Poole

09:00 MUSICA SACRA

Prepared by Jacky Ternisien

Fayrfax, R. Magni cat regale. Ars Nova Copenhagen/Paul Hillier.

Zipoli, D. Gloria, from Mass San Ignacio. Ex

Mozart, W. Mass no 6 in C, K167, Trinitatis (1773). Leipzig Radio Choir; MichaelChristfried Winkler, org; Leipzig RSO/Herbert Kegel.

Philips 422 264-2 32

10:00 THE CLASSICAL ERA

Prepared by Di Cox

Rossini, G. Overture to William Tell (1829). Tasmanian SO/Ola Rudner. ABC 481 0616

Bach, C.P.E.

in E at, Wq47 (1788). Neal Peres da Costa, fp;

Pleyel, I. Quintet in C, Nocturne (1788).

Onslow, G. Piano trio in D, op 14 no 3 (pub. 1818). Trio Cascades.

cpo 777 232-2 20

Haydn, J. Quartet in C, Hob.III:39, Bird (1781).

Australian String Quartet.

Fine Music concert recording 18

Hummel, J. Trumpet concerto in E (1803). Håkan Hardenberger, tpt; Academy of St Martin in the Fields/Neville Marriner.

Philips 420 203-2 18

12:00 CLASSIC JAZZ with Dave Mac

13:00 WORLD MUSIC

Whirled Wide with Orli Zahava

14:00 THE PIANO SONATA

Sonatas of Johann Nepomuk Hummel, Part 4

Prepared by Jennifer Foong

Haydn, J. Variations in F minor, Hob.XVII:6 (1793). Angela Hewitt, pf.

Mozart, W. Fantasia in C minor, K396 (1782; compl. Stadler). Stephen Hough, pf.

Hyperion CDA67598

Hummel, J. Sonata no 5 in F sharp minor, op 81 (1819). Pavel Gililov, pf.

Orfeo C 252 931 A 29

15:00 SUNDAY SPECIAL

Charles Villiers Stanford: 1852-1924

Prepared by Chris Blower

Stanford, C. Villiers A welcome march, op 87 (1903). Ulster O/Howard Shelley.

Hyperion

Te Deum; Jubilate; Magni cat; Nunc dimittis, from Service in B at, op 10 (1879). Choir of Westminster Abbey; Robert Quinney, org; James O’Donnell, cond.

Hyperion

Postlude, op 105 nos 2 and 3. Christopher Dearnley, org.

Motette 10911

Fantasy in A minor (1922). Stephen Stirling, hn; RTÉ Vanbrugh Quartet.

Hyperion CDA67434

Brahms, J. Song of destiny, op 54 (186871). Monteverdi Choir; O Révolutionnaire et Romantique/John Eliot Gardiner.

702

Hurlstone, W. Sonata in F (1891). Peter Musson, bn; Stephen Emerson, pf.

Continuum CCD 1079

Stanford, C. Villiers Prince Madoc’s farewell (1893); The fairy loch, op 77 no 2 (1901); The chieftain of Tyrconnell (1892). Christopher Maltman, bar; BBC Scottish SO/Martyn Brabbins.

Clarinet concerto in A minor, op 80 (1904). Janet Hilton, cl; Ulster O/Vernon Handley.

17:00 HOSANNA

Prepared by Jeremy Hall

Stainer, J. God so loved the world, from The 40

Cruci xion. Choir of Guildford Cathedral/Barry Rose.

Warner Classics 5757582 4

Hymn. All glory, laud and honour. Choir of King’s College, Cambridge; Richard Farnes, org; Stephen Cleobury, cond.

Decca 4522522 4

Gibbons, O. Hosanna to the Son of David. Oxford Camerata/Jeremy Summerly.

Naxos 8.553130

Bairstow, E. The lamentation. Choir of Jesus College, Cambridge; Benjamin Morris, org; Mark Williams, cond.

Signum SIGCD 409 9

Plainchant. Ubi caritas et amor. Choir of Trinity College, Melbourne/Michael Leighton Jones.

ABC 28948169702 3

Briggs, D. Ubi caritas et amor. Choir of Trinity College, Melbourne/Michael Leighton Jones.

ABC 28948169702

Nardone, P. I give you a new commandment. Choir of Trinity College, Melbourne; John O’Donnell, org; Michael Leighton Jones, cond. ABC 28948169702

Caldara, A. Cruci xus à16 voci. The Sixteen/ Harry Christophers.

Coro COR16053

Tallis, T. Salvator mundi, salva nos II. Tallis Scholars/Peter Phillips.

Gimell GIM006

Trad. Were you there? (arr. Lloyd). Bede Singers/David Hill.

Priory B000L 2134T4

Hymn. When I survey the wondrous cross. Choir of King’s College, Cambridge; Richard Farnes, org; Stephen Cleobury, cond.

Decca 452 2522

Bach, J.S. Fantasia on Valet will ich dir geben, BWV735. Marie-Claire Alain, org.

Erato 2564699028

18:00 INTIMATE AND ROMANTIC

Prepared by Derek Parker

Mendelssohn, Fanny. Piano quartet in A at (1822). Kaleidoscope Chamber Collective.

Chandos CHAN 20256

Chopin, F. Nocturne in F sharp minor, op 48 no 2 (1841). Maria João Pires, pf.

DG 477 8445

Glinka, M. Trio pathétique in D minor (1832). Sarah Watts, cl; Laurence Perkins, bn; Martin, Roscoe, pf.

Hyperion CDA68263

Debussy, C. Petite suite (1886-89). VineyGrinberg Piano Duo.

ABC 481 7789

19:00 JAZZ INTERACTION with Eddie Bernasconi

20:00 SUNDAY NIGHT CONCERT

Prepared by Rex Burgess

Beethoven, L. Overture no 3 to Leonore, op 72a (1806). New York PO/Leonard Bernstein.

CBS MK 42222 13

Piano concerto no 4 in G, op 58 (1806). Jayson Gillham, pf; Adelaide SO/Nicholas Carter.

ABC 481 8533 35

Symphony no 4 in B at, op 60 (1806). Vienna PO/Andris Nelsons.

DG 483 7071 9 34

21:30 NEW HORIZONS

Prepared by James Nightingale

Edwards, R. The harp and the moon (2008). Emily Granger, hp.

Avie AV2495 7

Skipworth, L. Oboe quartet (2020). Diana Doherty, ob; Streeton Trio.

Cygnus Arioso CA004 15

Mazzoli, M. Still life with avalanche (2008). Eighth Blackbird.

Cedille CDR 90000133 9

Lang, D. Just (after song of songs) (2014). Trio Mediaeval; Garth Knox, va; Agnès Vesterman, vc; Sylvain Lemetre, perc.

Louth Contemporary Music LCMS 1502 13

Higdon, J. Trio (2003). Anne Akiko Meyers, vn; Alisa Weilerstein, vc; Adam Neiman, pf. Naxos 8.559298 13

Gubaidulina, S. The light of the end (2003).

23:00 JAZZ AFTER HOURS

Portraits with Isobel Archer

MONDAY 25

00:00 CLASSIC-ALL THROUGH THE NIGHT

06:00 FINE MUSIC BREAKFAST with Robert Small

09:00 DIVERSIONS IN FINE MUSIC

A year in retrospect: 1909

Prepared by Gerald Holder

Ponce, M. Scherzino (1909; arr. Zarate). Leslie Enlow, gui; Carlo Pezzimenti, gui. ASV DCA 1053

Rachmaninov, S. The Isle of the Dead, op 29 (1909). Royal PO/Enrique Bátiz.

Webern, A. Five movements for string quartet, op 5 (1909). LaSalle Quartet.

DG 479 1976

Busoni, F. Fantasie after J.S. Bach (1909).

11

Geoffrey Tozer, pf.

Chandos CHAN 9394

Vierne, L. Rhapsody, op 25 (1909). Pascale Zanlonghi, hp.

Timpani 2C2019

Foerster, J. Wind quintet in F, op 95 (1909). Fodor Quintet.

10:30 CONCERT HALL

Prepared by Jennifer Foong

Cimarosa, D. Overture to I due baroni di Rocca Azzura (1783). Haydn Philharmonia/ Ezio Rojatti.

Nuova Era 6726

Hiller, F. Piano concerto no 2 in F sharp minor, op 69 (1843). Tasmanian SO/Howard Shelley, pf & dir.

Massenet, J. Suite no 1, op 13 (1865).

Mendelssohn, F. Symphony no 5 in D minor, op 107, Reformation (1832). Gewandhaus O/ Kurt Masur.

Teldec 2292-44933-2

12:00 SWING SESSIONS

with John Buchanan

13:00 MUSIC FOR COR ANGLAIS

Adapted from other sources

Prepared by Ron Walledge

Bach, J.S. Cor anglais concerto, from Cantata, BWV54 (1714; arr. Tarkmann). English Concert/Albrecht Mayer, cora & dir.

Decca 478 1517

Beethoven, L. Sonata in F, op 17 (1800; arr. Oguey). Alexander Oguey, cora; Neal Peres da Costa, pf.

ABC 481 7026

Vaughan Williams, R. Six studies in English folksong (1926; arr. Stanton for cor anglais and string quartet).

Schumann, R. Sonata in A minor, op 105 (1851; arr. Oguey). Alexander Oguey, cora; Neal

Finzi, G. Let us garlands bring, op 18. Roderick Williams, bar; Iain Burnside, pf.

Naxos 8.557644 15

Ferguson, H. Sonata no 2, op 10 (1946). Oliver Lewis, vn; Jeremy Filsell, pf. Guild GMCD 7120 16

Peerson, M. The fall of the leaf. Christopher Kite, virginals.

Hyperion CDA66067 2

Finzi, G. The fall of the leaf, op 20 (1929). Northern Sinfonia/Richard Hickox.

EMI 7 64721 2 11

Ferguson, H. Adagio, from The dream of the Rood, op 19 (1958-59). Anne Dawson, sop; London Symphony Ch & O/Richard Hickox. Chandos CHAN 9082 7

Finzi, G. Cello concerto in A minor, op 40 (1951-52). Tim Hugh, vc; Northern Sinfonia/ Howard Grif ths.

Naxos 8.555766 37

16:00 FINE MUSIC DRIVE with Stephen Wilson

19:00 JAZZ ABOUT TOWN with Deborah Evans

20:00 STORMY MONDAY with Austin Harrison

22:00 JAZZ AFTER HOURS with Gail Monjo

TUESDAY 26

00:00 CONTEMPORARY COLLECTIVE

03:00 CLASSICAL TILL DAWN

06:00 FINE MUSIC BREAKFAST with Julie Simonds

09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard

Prepared by Rex Burgess

Bach, J.S. Partita no 3 in A minor, BWV827 (1725-31). Rosalyn Tureck, pf.

Philips 456 976-2 21

Busoni, F. Toccata (1921). Geoffrey Tozer, pf.

Chandos CHAN 9394 10

Couperin, F. Le Parnasse ou L’Apothéose de Corelli (1724). Marco Gaggini, hpd; Gian Luca Rovelli, hpd.

Brilliant Classics 95752 13

10:30 CONCERT HALL

Prepared by Frank Morrison

Kodály, Z. Dances of Galánta (1933). Hungarian State SO/Ádám Fischer.

Nimbus NI 5284

14:00 FINZI AND FERGUSON

Prepared by Paul Cooke

Ferguson, H. Octet for winds and strings, op 4 (1933). Nash Ensemble.

Ravel, M. Tzigane (1922-4). Tasmin Little, vn; Piers Lane, pf.

EMI 5 73115 2 11

Hahn, R. Quintet in F sharp minor (1921). Alexandre Tharaud, pf; Quatuor Parisii.

Auvidis V 4848 26

17

Bach, J. Christian Bassoon concerto in B at. Daniel Smith, bn; English CO/Philip Ledger. ASV QS 6177 22

Herzogenberg, H. Symphony no 1 in C minor, op 50 (1885). North German Radio PO/Frank Beermann.

cpo 777 122-2

12:00 JAZZ RHYTHM with Jeannie McInnes

13:00 FINE MUSIC NOTES with Iris Zeng

Highlights of Fine Music on air for March

14:00 DVORÁK’S SYMPHONIES

Part 2

Prepared by Ron Walledge

42

Smetana, B. Overture and dances from The bartered bride (1866). London SO/Geoffrey Simon.

LP Chandos ABRD 1149

24

Dvorák, A. Seven interludes (1867). Russian PO/Dmitry Yablonsky.

Naxos 8.557352

Liszt, F. Hungarian rhapsody no 3 in D (1846-47; orch. 1854-58 Liszt, F. Doppler). Staatskapelle Weimar/Arthur Fagen.

Naxos 8.570230

Dvorák, A. Symphony no 2 in B at, op 4 (1865). Czech PO/Libor Pesek.

23

9

Virgin 5 45127 2 55

16:00 FINE MUSIC DRIVE with Michael Morton-Evans

19:00 THE JAZZ BEAT with Lloyd Capps

20:00 JUST IN with David Garrett

A selection from the latest recordings to arrive at the Fine Music Library

22:00 CHAMBER SOIRÉE

Prepared by Anne-Louise Luccarini

Enescu, G. Octet in C, op 7 (1900). Voces String Quartet; Euterpe String Quartet. Marco Polo 8.223147 41

Spohr, L. Nonet for strings and winds, op 31 (1813). Consortium Classicum/Dieter Klöcker. Orfeo C 155 871 A 28

Mozart, W. String duo no 1 in G, K423 (1783). Gidon Kremer, vn; Kim Kashkashian, va. DG 415 483-2 17

Beethoven, L. Quintet in E at for piano and winds, op 16 (1796). Robert Levin, fp; Academy of Ancient Music Chamber Ensemble.

Decca 455 994-2 27

WEDNESDAY 27

00:00 CONTEMPORARY COLLECTIVE

03:00 CLASSICAL TILL DAWN

06:00 FINE MUSIC BREAKFAST with Stephen Wilson

09:00 DIVERSIONS IN FINE MUSIC

Rescued from the shadows

Prepared by James Nightingale

Barsanti, F. Concerto grosso in D, op 3 no 4 (1743). Zdenek Tylsar,hn; Bedrich Tylsar, hn; Frantisek Thuri, hpd; Dvorák CO/Libor Pesek.

Supraphon 10 3907-2

11

Taverner, J. In pace, in idipsum. The Sixteen/ Harry Christophers.

Hyperion CDS44401/10

Herzogenberg, H. Variations on a theme of J. Brahms, op 23 (1875). Duo Nadàn. Brilliant Classics 95647

Assandra, C. Duo seraphim (1608). Maria Christina Kiehr, sop; Concerto Soave. Ambronay AMY025

Gade, N. Trio movement in B at (1839). Sophie Rowell, vn; Julian Smiles, vc: Kathryn Selby, pf.

Brillon de Jouy, A. Sonata no 2 in B at (c1760-70). Nicolas Horvath, pf.

Witt, F. Septet in F for winds and strings, op 62. Consortium Classicum. cpo 777 486-2

10:30 CONCERT HALL

Prepared by Derek Parker

Beethoven, L. Overture to Egmont, op 84 (1809-10). Simon Bolívar SO of Venezuela/ Gustavo Dudamel.

DG 479 0250

Romero, A. Fuga con pajarillo, from Suite for strings no 1. Simón Bolívar Youth O of Venezuela/Gustavo Dudamel.

DG 477 7457

Rachmaninov, S. Piano concerto no 3 in D minor, op 30 (1909). Yuja Wang, pf; Simón Bolívar SO of Venezuela/Gustavo Dudamel.

DG 479 1304

Debussy, C. La mer, three symphonic sketches (1903-05). Vienna PO/Gustavo Dudamel.

DG 476 4717 25

12:00 JAZZ

SKETCHES

with Robert Vale

13:00 IN CONVERSATION with Simon Moore

14:00 DOUBLE TROUBLE

Prepared by Chris Blower

Bach, J. Christian Sinfonia in E for double orchestra, op 18 no 5 (c1781). Failoni O/ Hanspeter Gmür.

Naxos 8. 553367

Maconchy, E. Symphony for double string orchestra (1953). London SO/Vernon Handley.

Lyrita SRCD 288 22

Vaughan Williams, R. Fantasia on a theme by Thomas Tallis (1910/19). Queensland SO/ Patrick Thomas.

ABC 472 984-2 15

Martinu, B. Concerto for double string orchestra, piano and timpani (1938). Vláclav Mazácek, timp; Jaroslav Saroun, pf; Czech PO/Jirí Belohlávek.

Chandos CHAN 8950 22

Kerry, G. Nocturne for double chamber orchestra (1995). Tasmanian SO/David Porcelijn.

ABC 476 226-8 11

Tippett, M. Concerto for double string orchestra (1938-39). Scottish CO/Michael Tippett.

Virgin VC 7 90701-2

16:00 FINE MUSIC DRIVE with David Brett

19:00 PLANET JAZZ with Xavier Bichon

20:00 AT THE OPERA

From Bohemia and Moravia

Prepared by Elaine Siversen

Janácek, L. From the house of the dead. Opera in three acts. Libretto by the composer after Fyodor Dostoesky’s novel. First performed, Brno, 1930.

GORYANCHIKOV: Dalibor Jedli ka, bass

COMMANDANT: Antonin Švorc, bar

ALYEYA: Jaroslava Janská, sop

SHISHKOV: Václav Zitek, bar

LUKA/FILKA: Ji i Zahradni , ten Vienna State Opera Ch and O/Charles Mackerras.

Decca 430 375-2 1:31

A political prisoner, the nobleman Alexander Petrovich Goryanchikov, arrives at a Siberian prison camp and is ogged after being interrogated by the Commandant. The prisoners have found an eagle with a broken wing and begin to tease it. They admire its de ance and decide to look after it. As various prisoners relate the crimes that have brought them to Siberia, Goryantchikov is dragged in, near death, after his ogging.

After recovering, Goryanchikov befriends a young Tartar, Alyeya, and teaches him to read and write. A prisoner, resentful of Goryanchikov having the means to buy tea, attacks him, but Alyeya gets injured during the scuf e. In the prison hospital, Luka dies from tuberculosis and Shishkov recognises him as Filka who had boasted in their village that he had dishonoured Shishkov’s wife. Although this was a lie, Shishkov murdered his wife. Other prisoners recount their crimes. The Commandant informs Goryanchikov that he has been pardoned and apologises for the ogging. As Goryanchikov is freed, the prisoners release the eagle whose wing has now fully healed. The guard orders them back to work.

Nursery rhymes (1925/27). Song Company; Hans-Dieter Michatz, rec, ; Lisa Keaton, ; Lawrence Dobell, cl; Phililp Arkinstall, cl; Peter Moore, bn; Natasha Woodley, bn; Brian Nixon, perc; Jean-Bernard Marie, pf.

Fine Music concert recording

22:00 MUSIC OF THE NIGHT

Prepared by James Nightingale

Vasks, P. Episodes and perpetual singing (1985). Trio Palladio.

15

Ondine ODE 1343-2 28

Kos, B. Fatamorgana (2004). Ensemble Offspring.

www.ensembleoffspring.com 16

Gubaidulina, S. Quintet (1957). Kai Vogler, vn; Mira Wang, vn; Ulrich Eichenauer, va; Peter Bruns, vc; Rieko Aizawa, pf.

BiS CD-898 31

Harvey, J. Wheel of emptiness (1997). Ictus/ Georges Octors.

Cypres CYP5604 14

Eötvös, P. Alle vittime senza nome (2016). Frankfurt RSO/Peter Eötvös.

THURSDAY 28

00:00 CONTEMPORARY COLLECTIVE

03:00 CLASSICAL TILL DAWN

06:00 FINE MUSIC BREAKFAST with Simon Moore

09:00 DIVERSIONS IN FINE MUSIC

Romantics, tributes and dedications

Prepared by Jacky Ternisien

Verdi, G. Fantasy on A masked ball (arr. Genin). Patrick Gallois, ; Fabrice Pierre, hp; Richard Friedman, vn; London FO/Ross Pople.

DG 445 822-2

12

Granados, E. Three Spanish dances (18921900). Alicia de Larrocha, pf.

Decca 414 557-2

Campra, A. Cantata: Énée et Didon (pub. 1714). Les Arts Florissants/William Christie.

12

Harmonia Mundi HMA 1901316/18 15

Minkus, L. The kingdom of the shades, from La bayadère (1877). London SO/Richard Bonynge.

Decca 478 4746

12

Ravel, M. Le tombeau de Couperin (1913-17). Harold Gombert, ob; New York PO/Pierre Boulez.

Sony SMK 45962 17

Mozart, W. Divertimento in D, K136 (1772; arr. Kain). Guitar Trek.

ABC 432 698-2

10:30 CONCERT HALL

Prepared by Rita Felton

Berlioz, H. Overture: King Lear, op 4 (1831). Polish State PO/Kenneth Jean.

Naxos 8.550231

Szymanowski, K. Violin concerto no 2, op 61 (1933). Wanda Wilkomirska, vn; Warsaw National PO/Witold Rowicki.

Muza PNCD 064 22

Mendelssohn, F. Symphony no 3 in A minor, op 56, Scottish (1842). O of the Eighteenth Century/Frans Brüggen.

Glossa GCD 921117

12:00 JAZZ AFTER NOON with Sue Jowell

13:00 SWEDISH CHAMBER

Prepared by Chris Blower

Wirén, D. Piano trio no 1, op 6 (c1927). Stockholm Arts Trio.

BIS CD-582

Sjögren, E. Sonata no 4 in E minor, op 47 (1904-06). Tobias Ringborg, vn; Anders Kilström, pf.

Caprice CAP 21714

Berwald, F. Quartet in A minor (1849). Frydén String Quartet.

Caprice CAP 21334 20

14:00 INSPIRED BY CARNIVALS

Prepared by Jacky Ternisien

Berlioz, H. Overture: Roman carnival, op 9 (1844). Sydney SO/Willem van Otterloo.

ABC 442 377-2

Arnold, M. Carnival of the animals, op 72 (1960). Royal PO/Vernon Handley.

Sony 88875181702

Rossini, G. Un enterrement en carnaval (1857-68). Marco Sollini, pf.

Chandos CHAN 10520

Rimsky-Korsakov, N. Carnival procession chorus, from The Snow Maiden (1898). Bolshoi Ch & SO/Alexander Lazarev.

Erato 4509-91723-2

Smetana, B. Prague carnival (1883). BBC PO/ Gianandrea Noseda.

Chandos CHAN 10413

Paganini, N. Variations on The carnival of Venice (1829). Franco Mezzena, vn; Adriano Sebastiani, gui.

15:00 WINDS AND STRINGS

Prepared by James Nightingale

Ligeti, G. Six bagatelles for wind quintet (1953). Members of Omega Ensemble.

Fuga, S. Sonata no 3 (1989). Sergio Lamberto, vn; Giacomo Fuga, pf. Naxos 8.573142

Nyman, M. String quartet no 2 (1988). Balanescu Quartet.

Argo 433 093-2

16:00 FINE MUSIC DRIVE with Sue Jowell

19:00 THE NEW JAZZ STANDARD with Frank Presley

20:00 THE WORLD OF A SYMPHONY

Vincent d’Indy: Symphony no 3

Prepared by David Brett Berlioz, H. Love scene, from Romeo and Juliet, op 17 (1839). Polish State PO/Kenneth Jean.

Naxos 8.550231

Franck, C. Prelude, fugue and variationS, op 18 (1862). Hans Fagius, org; Mats Jansson, pf. BIS CD-551

d’Indy, V. Chanson, op 19 (1884). Lawrence Power, va; BBC NO of Wales/Thierry Fischer. Hyperion CDA67690

Wagner, R. Siegfried’s Rhine journey, from Twilight of the gods (1869-74). Sydney SO/ Charles Mackerras.

ABC 476 644-0

13

Ravel, M. Piano concerto in D (1931). Alicia de Larrocha, pf; London PO/Lawrence Foster.

Decca 478 6966

19

Canteloube, J. Bailèro, from Songs of the Auvergne, series 1 (1923-30). Kiri Te Kanawa, sop; English CO/Jeffrey Tate.

Decca 478 6419

d’Indy, V. Symphony no 3, op 73, De bello gallico (1916-18). Strasbourg PO/Theodor Guschlbauer.

Auvidis V4686

22:00 SONG CYCLE PLUS

Prepared by Paul Cooke

Vaughan Williams, R. Romance. Matthew Jones, va; Michael Hampton, pf.

Naxos 8.572579

Gurney, I. Ludlow and Teme (1920). Adrian Thompson, ten; Iain Burnside, pf; Delmé String Quartet.

Hyperion CDA66385

22:30 ULTIMA THULE

7

34

5

21

FRIDAY 29

00:00 CLASSIC-ALL THROUGH THE NIGHT

06:00 FINE MUSIC BREAKFAST with Troy Fil

09:00 DIVERSIONS IN FINE MUSIC

A Good Friday Journey through history

Prepared by Elaine Siversen

Palestrina, G. da Stabat Mater à 8.

Cantillation/Antony Walker.

ABC 476 5055 11

Biber, H. Rosary sonata no 10, The Cruci xion (c1676). Julia Schröder, baroque vn; Lautten Compagney.

DHM 88985344082 9

Bach, J.S. Sad Passiontide is here once more, BWV450; Jesus mine, what agony assails you, BWV487, from Schemelli’s songbook (pub. 1736). Peter Schreier, ten; Karl Richter, org.

LP Archiv 2533458 8

Janitsch, J. Sonata da camera in G minor for ute, violin, viola and continuo, op 4 no 21, Passionsquartett. Members of Tempesta di Mare.

Chandos CHAN 0820 18

Mozart, W. Motet, Ave Verum Corpus in D, K618 (1791). Sydney Philharmonia Choir; Sydney SO/Stuart Challender. ABC 476 595-7

Liszt, F. Air du Stabat Mater, from Two transcriptions after Rossini, S553 (1847). Leslie Howard, pf.

Hyperion CDS44554 6

Stainer, J. Excerpts from The Cruci xion (1887). Richard Lewis, ten; Owen Brannigan, bass; Choir of St John’s College, Cambridge; Brian Runnett, org; George Guest, cond.

Decca 478 3640

10:30 CONCERT HALL

Prepared by Jacky Ternisien

Rott, H. Pastoral prelude in F (1880). Gürzenich O/Christopher Ward.

Capriccio C5408

Rodrigo, J. Concierto pastoral (1977). Patrick Gallois, ; Philharmonia O/Ion Marin.

DG 435767-2 24

Beethoven, L. Symphony no 6 in F, op 68, Pastoral (1808). CO of Europe/Nikolaus Harnoncourt. Teldec

12:00 A JAZZ HOUR with Barry O'Sullivan

13:00 ST JOHN PASSION

First performance on Good Friday, 7 April 1724

Prepared by Tom Forrester-Paton

20:00 EVENINGS WITH THE ORCHESTRA

With the Hallé Orchestra

Prepared by Derek Parker

Britten, B. Young Apollo, op 16 (1939). Nikolai Lugansky, pf; Hallé O/Kent Nagano, Apex 2564 673917 7

Bridge, F. Enter Spring (1926-27). Hallé O/ Mark Elder.

Hallé HLL 7528

21

Mahler, G. Songs from Des knaben Wunderhorn (1892-93). Dietrich Henschel, bar; Hallé O/Kent Nagano.

Apex 2564 67538-9 27

Elgar, E. Symphony no 2 in E at, op 63 (1911). Hallé O/James Loughran.

ASV QS 6087 58

22:00 BAROQUE AND BEFORE

Music for Easter

Prepared by Glenys Eddy Gibbons, O. Hosanna to the Son of David; I am the Resurrection and the Life (c17th C). Stile Antico.

Harmonia Mundi HMU 807555 7

Visit to the Sepulchre (c1200). Mina Kanarides, sop; Song Company/Roland Peelman.

Song Company 44

Palestrina, G. da Lamentations and Responsories (16th C). Musica Contexta. Chandos Records CHAN 0617 38

Victoria, T. de Excerpts, from Lamentations for Holy Saturday (c1540). The Sixteen/Harry Christophers.

Collins 15182 20

Schubert, F. Three piano pieces, D946 (1828). Imogen Cooper, pf.

10:00 CENTRES OF MUSIC

Tall Poppies record label, Part 4

Prepared by James Nightingale

Schumann, R. Album for the young, op 68 no 22 (1848). Geoffrey Tozer, pf.

Tall

Sutherland, M. Sonata (1949). Nigel Westlake, cl; David Bollard, pf.

Benjamin, A. Pastorale, arioso and nale (1948).

Rzewski, F. To the earth (1985). Claire Edwardes, perc.

Tall

Kats-Chernin, E. Still life (2001). Patricia Pollett, va; Stephen Emmerson, pf. Tall

Tanner, P. Home by eleven. Mix’T Trio. Tall

Mozart, W. Quartet no 19 in C, K465 (1785). Australian String Quartet.

11:30 ON PARADE

Prepared by Paul Cooke

Hovhaness, A. Grand nal processional, from Symphony no 20, op 223, Three journeys to a holy mountain (1968). Ohio State Concert Band/Keith Brion.

Telemann, G. Cantata for the rst day of Easter, Klaus Mertens, bar; Il Concertino Cologne.

94104

Haydn, J. The seven last words of Christ on the cross, Hob.XX:1a (1787). Paris Orchestral Ensemble/Armin Jordan. Fnac

Bach, J.S. St John Passion, BWV245 (1724). St John Passion Part 1.

St John Passion Part 2. 1:13

Elizabeth Watts, sop; Sarah Connolly, cont; James Gilchrist, ten; Andrew Kennedy, ten; Ashley Riches, bar; Matthew Rose, bass; Christopher Purves, bass; Academy of Ancient Music & Choir/Richard Egarr, hpd & dir.

ABC 481 0850 1:45

16:00 FINE MUSIC HOLIDAY with Peter Poole

19:00 FRIDAY JAZZ SESSION with Alex Siegers

SATURDAY 30

00:00 CLASSIC-ALL THROUGH THE NIGHT

06:00 SATURDAY MORNING MUSIC with Peter Bell

09:00 WHAT'S ON IN MUSIC

Our weekly guide to musical events in and around Sydney

09:05 THE PIANO ALONE

Prepared by Gerald Holder

Mozart, W. Allegro and andante in F minor, K608 (1791). Imogen Cooper, Anne Queffélec, pf.

Ottavo OTR C129242 9

Brahms, J. Fantasy, op 116 nos 1 to 5 (1892). Imogen Cooper, pf.

Ottavo OTR C39027 16

Ives, C. Fugue in C (1896; transcr. Sinclair). The President’s Own United States Marine Band/Timothy Foley. Naxos

Simpson, R. Volcano, symphonic study for brass band (1978). John Foster Black Dyke Mills Band/Peter

12:00 URBAN JAZZ LOUNGE

with Leita Hutchings

13:00 VENICE THROUGH ENGLISH EYES

Prepared by Paul Cooke

Sullivan, A. Masquerade, from The merchant of Venice (1871). Emmanuel Lawler, ten; RTÉ Concert O/Andrew Penny.

Marco Polo 8.223461 23

Head, M. Three songs of Venice (1976). Catherine Wyn-Rogers, mezz; Christopher Glynn, pf.

Alwyn, W. Overture: The Moor of Venice (1956; arr. Wright). Williams Fairey Band/Bryan Hurdley.

Chandos CHAN 4547 10

Dench, C. Sulle scale delle Fenice (1986-89). Laura Chislett, Vox Australis VAST 007-2 11

Britten, B. String quartet no 3, op 94 (1975). Belcea Quartet.

EMI 5 57968 2 26

14:30 SATURDAY MATINEE

Operetta in the afternoon

Prepared by Angela Cockburn

Sullivan, A. The gondoliers. Operetta in two acts. Libretto by W.S. Gilbert. First performed London, 1889.

DUKE OF PLAZA-TORO: John Reed, bar

DUCHESS OF PLAZA-TORO: Gillian Knight, cont

CASILDA: Jennifer Toye, sop

DON ALHAMBRA: Kenneth Sandford, bass

LUIZ: Jeffrey Skitch, ten

MARCO PALMIERI: Thomas Round, ten

GIUSEPPE PALMIERI: Alan Style, bar

TESSA: Joyce Wright, mezz

GIANETTA: Mary Sansom, sop

D’Oyly Carte Opera Company Ch; New SO/ Isidore Godfrey.

Decca 425 177-2 2:09

The Duke and Duchess of Plaza-Toro arrive in Venice from Spain with their daughter Casilda who, as a baby, was married to the son and heir of the King of Barataria. The infant prince was taken by Don Alhambra to Venice and, as the King has died, the hidden prince is now king. Casilda is now the reigning queen of Barataria but she is secretly in love with Luiz, their drummer. Don Alhambra explains that the prince was raised by the gondolier, Baptisto Palmieri, a drunkard, who eventually forgot which boy was his own son and which boy was the prince. The two boys, Marco and Giuseppe, are now gondoliers. They have just married Tessa and Gianetta respectively. Don Alhambra informs them that one of them is the King of Barataria, but no one knows which. The gondoliers agree to go to Barataria at once, acting as one individual until the actual king is identi ed. Don Alhambra neglects to mention that the King is married to Casilda. In Barataria, Don Alhambra breaks the news that one of the gondoliers had married Casilda when they were babies and therefore is an unintentional bigamist. The Duke and Duchess of Plaza-Toro arrive with Casilda and Luiz. Don Alhambra nds the nurse who cared for the young prince. She happens to be Luiz's mother. She hid the prince and gave Don Alhambra her own son instead. Thus, the king is neither Marco nor Giuseppe, but Luiz.

Casilda nds that she is already married to the man she loves and the two gondoliers surrender their crown to Luiz and, although a little disappointed that neither will be a king, they can return happily to Venice with their wives.

Schumann, C. Evening in Venice, from Three songs on poems by Geibel (1848). Heidelberg Madrigal Choir/Gerald Kegelmann.

Bayer BR 100 041CD 6

Porter, C. We open in Venice, from Kiss me Kate (1948). Julie Lee Goodwin, sop; Kerrie Anne Greenland, mezz; Caleb Vine, ten; Rob Mallett, bar; Sydney Philharmonia Festival Ch & O/Brett Weymark.

Fine Music concert recording 2

17:00 CLASS ACT

Sydney schools in concert

Prepared by Stephen Gard

Recordings from Sydney schools submitted to the station and curated for your enjoyment

18:00 STAGE AND SCREEN

Prepared by Jacky Ternisien

Various. Excerpts from A clockwork orange. Various performers.

Warner Bros 927 256-2 21

Lloyd Webber, A. Excerpts from Evita. Madonna, Antonio Banderas, voices.

Warner Bros 9362-46346-2 15

Morricone, E. Excerpts from Once upon a time in the West (1968). Cinema Italiano soloists & O. Recording Arts 5X056

19:00 EMERGENT JAZZ with Keith Pettigrew

20:00 THE LIFE OF A COMPOSER

Hector Berlioz

Prepared by Jacky Ternisien

Berlioz, H. Overture: Les Francs-juges, op 3 (1827-28). Montreal SO/Charles Dutoit.

Decca 452 480-2

La mort de Sardanapale (1830). Daniel Galvez Vallejo, ten; Northern Region Choir; Lille NO/ Jean-Claude Casadesus.

Harmonia Mundi HMC 901542 6

Reicha, A. Quintet in E at, op 88 no 2 (181117). Academia Wind Quintet of Prague.

Hyperion CDD22006

Berlioz, H. Excerpts from Symphonie fantastique, op 14 (1830; trancrs. Liszt). François-René Duchâble, pf.

EMI 5 72356 2

The death of Cleopatra (1829). Anne Pashley, sop; St Anthony Singers; English CO/Colin Davis.

Decca 443 461-2 22

Harold in Italy, op 16 (1834). Antoine Tamestit, va; Les Musiciens du Louvre/Marc Minkowski.

22:00 SATURDAY NIGHT AT HOME

Lamentations of Jeremiah for Tenebrae

Prepared by Peter Poole

300th ANNIVERSARY

Kuhnau, J. Sonata VI, La tombe di Giacob, from Musicalische Vorstellung einiger biblischer Historien (pub. 1700). John Butt, hpd.

Harmonia Mundi HMU 907133 13

Mozart, W. Divertimento no 15 in B at, K287, Lodron night music (1777). Camerata Bern. Novalis 150 040-2 35

Schoenberg, A. Trans gured night, op 4 (1899). English CO/Daniel Barenboim.

Heinichen, J. Lamentations of the prophet Jeremiah (1724). Axel Köhler, ct; Jörg Dürmüller, ten; Raimond Nolte, bass; Musica Antiqua Cologne/Reinhard Goebel. Archiv 447 092-2 35

SUNDAY 31

00:00 CLASSIC-ALL THROUGH THE NIGHT

06:00 SUNDAY MORNING MUSIC

with James Nightingale

09:00 MUSICA SACRA

Prepared by Elaine Siversen

Schütz, H. Surrexit Pastor bonus. Dresden Cathedral Choir; Capella Fidicinia; Hans Otto, org; Rudolph Mauersberger, cond.

LP Eurodisc 80625 PK 6

Charpentier, M-A. Chant joyeux du temps de Pâques. Le Concert Spirituel/Hervé Niquet.

Naxos 8.554453 13

Bach, J.S. Cantata, BWV4: Christ lag in Todesbanden (1707). TodesbandenStaatlichen Music School Choir; Maria Jung, org; Bach FO 1950/Fritz Lehmann.

Archiv 479 1045 25

Franck, C. Alleluia, from Choeur de Pâques. Boys of King’s College Choir, Cambridge/ Stephen Cleobury.

EMI 5 57896 2 10

10:00 THE CLASSICAL ERA

Prepared by Peter Poole

Boccherini, L. Quintet no 4 in G, Fandango Richard Savino, gui; Peter Mund, castanets; Artaria Quartet. Harmonia

907026 21

Haydn, J. String quartet in E at, Hob.III:64 (1790). Vienna Konzerthaus Quartet.

Westminster RC 8808678121735

Fasch, C. Triple concerto in E. John Anderson, ob; John Wallace, tpt; Peter Thomas, vn; Philharmonia O/Christopher Warren-Green.

Nimbus NI 7016

22

Bach, J.S. Osteroratorium, BWV249. Stuttgart Chamber Choir; Stuttgart Baroque O/Frieder Bernius.

Carus 83.212 40

15

Dussek, J. Duo concertant in E at, op 72 (1811). Masumi Nagasawa, hp; Richard Egarr, fp.

Etcetera KTC1436

21

Gossec, F-J. Symphony in F, op 12 no 6 (pub. 1769). London Mozart Players/Matthias Bamert.

Chandos CHAN 9661

15

Mozart, W. Mass no 12 in C, K258, Spaur (1776). Regina Schudel, sop; Ulla Groenewold, cont; Peter Maus, ten; Berthold Possemeyer, bass; RIAS Chamber Choir & Sinfonietta/Uwe Gronostay.

12:00 CLASSIC JAZZ with Dave Mac

13:00 WORLD MUSIC

Whirled Wide with Carole Garland

14:00 THE PIANO SONATA

Sonatas of Johann Nepomuk Hummel, Part 5: Sonata no 6 composed March, 1824

Prepared by Jennifer Foong

Reicha, A. Harmonie no 20, from Practische Beispiele (1803). Ivan Ili , pf.

Chandos CHAN 10950

Weber, C.M. Eight variations on the Air de ballet from Castore e Polluce, op 5 (1804).

Hummel, J. Sonata no 6 in D, op 106 (1824).

15:00 EASTER SUNDAY SPECIAL

Prepared by Stephen Matthews

Haydn, M. Responsories for Easter Saturday. Purcell Choir; members of Orfeo O/György Vashegyi. Brilliant

Zelenka, J. Missa Paschalis. Ensemble Inégal; Prague Baroque Soloists/Adam Viktora.

Nibiru 01582231

Handel, G. The Heaven of the Messiah, from Messiah. Radio Community Chest Choir; Sydney Messiah O/Tim Chung. Radio Community Chest HM2015 13

17:00 HOSANNA

Prepared by Neil McEwan

Byrd, W. Motet: Haec dies (pub. 1591). Choir of Trinity College, University of Melbourne/ Michael Leighton Jones.

ABC 472 310-2 3

Anon. Resurrexit: Gregorian chant Mode IV. Choir of Christ Church St Laurence; Peter Jewkes, org; Neil McEwan, cond.

CCSL CD06 4

Beethoven, L. Gloria and Credo, from Mass in C, op 86 (1807). Hanne-Lore Kuhse, sop; Annelies Burmeister, cont; Peter Schreier, ten; Theo Adam, bass; Robert Köbler, org; MDR Choir, Leipzig; Gewandhaus O/Herbert Kegel.

Teldec 8.41286 22

Gesangbuch, M. The day of Resurrection. Choir of King’s College Cambridge; Peter Marley, org; Stephen Cleobury, cond. Decca (complete Argo recordings) 2

Howells, H. Magni cat: Collegium regale. Choir of King’s College Cambridge; Peter Marley, org; Stephen Cleobury, cond.

Decca (complete Argo recordings) 5

Trad. Now the green blade riseth (arr. Lindley). Choir of Christ Church St Laurence; Jeremy Woodside, org; David Russell, cond.

CCSL CD06 3

Victoria, T. de Regina coeli laetare. The Sixteen/Harry Christophers.

Collins 15012 3

Pitts, A. Thou wast present as on this day (in the tomb) (c2008 rev. 2011). Song Company; Antony Pitts, dir. www.song.company 1EMIIT 2

Bertali, A. Sonata à 13. Les Cornets Noirs/ Johannes Strobl.

Audite 97.539 4

18:00 SYDNEY SOCIETY OF RECORDER PLAYERS

Spotlight on Susanne Fröhlich and Quartet New Generation

Prepared by Susan Foulcher

Ferrabosco, A. the younger Fantasia. Quartet New Generation. edition zeitklang ez-24026 5

Mensingh, M. Wicked (2001). Quartet New Generation. edition zeitklang ez-24026 5

Yun, I. The visitor of the idyll (1993). Susan Fröhlich, rec.

orlando records OR0040 6

Bruckner, A. Vexilla regis (1892). Quartet New Generation.

Genuin GEN 89143 6

Moravec, P. Mortal esh (2008). Quartet New Generation.

Genuin 89143

5

Denner, K. engrave V (2017). Susan Fröhlich, rec.

orlando records OR0040 8

Childs, M.E. Parterre (2011). Quartet New Generation.

Genuin GEN 12249 8

Shostakovich, D. Fugue no 1 in C minor, from 24 Preludes and fugues, op 87 (1950-51; arr.).

Quartet New Generation.

Genuin GEN 12249 3

Bach, J.S. Contrapunctus IX à 4 alla duodecima, BWV1080. Quartet New Generation.

Genuin GEN 12249 3

19:00 JAZZ INTERACTION

with Isobel Archer

20:00 SUNDAY NIGHT CONCERT

Prepared by Paul Cooke

Rameau, J-P. Suite from Les Indes galantes. O of La Chapelle Royale/Philippe Herreweghe. Harmonia Mundi HMP390808 15

Poulenc, F. Concerto in G minor for organ, strings and timpani (1938). Simon Preston, org; Adelaide SO/Nicholas Braithwaite. ABC 432 529-2

22

Dvorák, A. Symphony no 6 in D, op 60 (1880). London SO/István Kertész.

Decca 417 598-2 46

21:30 NEW HORIZONS

The modern concerto

Prepared by Robert Small

Glass, P. Piano concerto no 3 (2017). Alexey Botvinov, pf; New Century CO/Daniel Hope.

DG 486 4128 35

Terracini, P. Concerto for brass (2003/10). Sydney Brass/Paul Terracini.

Tall Poppies TP224 14

MacMillan, J. Oboe concerto (2010). Britten Sinfonia/Nicholas Daniel, ob & dir.

Harmonia Mundi HMU 807573 24

Perry, W. Latin ophicleide, from Brass from the past: Ophicleide concerto (2012). Nick Byrne, ophicleide; RTÉ NSO of Ireland/Paul Phillips.

Naxos 8.573105 8

23:00 JAZZ AFTER HOURS

Portraits with Deborah Evans

Onslow, G. Toccata in C, op 6 (1811). Howard Shelley, pf.

The following composers have works of at least five minutes on the March dates listed

Adam, A. 1803-1856 11

Adams, J. b1947 17

Adès, T. b1971 17

Albéniz, I. 1860-1909 17

Albinoni, T. 1671-1751 2

Alkan, C-V. 1813-1888 3,7,16

Alwyn, W. 1905-1985 30

Andres, T. b1985 17

Arlen, H. 1905-1986 2

Arne, T. 1710-1778 1

Arnold, M. 1921-2006 28

Arriaga, J. 1806-1826 17

Babin, V. 1908-1972 16

Bach, C.P.E. 1714-1788 6,16,19,24

Bach, J. Christian 1735-1782 2,8,26,27

Bach, J.S. 1685-1750

1,2,3,5,10,17,22,23,25,26,29,31

Bach, W.F. 1710-1784 23

Bainton, E. 1880-1956 22

Bairstow, E. 1874-1946 24

Barber, S. 1910-1981 11,16,21

Barret, R. b1959 1

Barsanti, F. 1690-1772 27

Bax, A. 1883-1953 15

Beach, A. 1867-1944 11,21

Beethoven, L. 1770-1827

2,7,10,16,21,24,25,26,27,29,31

Benjamin, A. 1893-1960 22,30

Bennett, W. Sterndale 1816-1875 15

Berlioz, H. 1803-1869 15,21,28,30

Bernstein, L. 1918-1990 5

Berwald, F. 1796-1868 13,28

Biber, H. 1644-1704 12,22,29

Bingham, J. b1952 3

Bizet, G. 1838-1875 14

Blasco de Nebra, M. 1750-1784 20

Bloch, E. 1880-1959 16,19

Blow, J. 1649-1708 13

Boccherini, L. 1743-1805 1,31

Böhm, G. 1661-1733 10

Boïeldieu, A. 1775-1834 4

Bonis, M. 1858-1937 8,9

Bottesini, G. 1821-1889 13,14

Brahms, J. 18331897 4,12,14,20,22,24,30

Bridge, F. 1879-1941 20,29

Brillon de Jouy, A. 1724-1824 27

Britten, B. 1913-1976 5,21,29,30

Bruch, M. 1838-1920 3,23

Bruckner, A. 1824-1896 23,31

Busoni, F. 1866-1924 13,19,25,26

Buxtehude, D. 1637-1707 22

Byström, T. 1772-1839 9

Caccini, F. 1587-1640 8

Campagnoli, B. 1751-1827 1

Campra, A. 1660-1744 28

Canteloube, J. 1879-1957 2,28

Capelli, G. 1648-1726 1

Carvalho, J. de Sousa 1745-1798 17

Casella, A. 1883-1947 21

Castelnuovo-Tedesco, M. 1895-1968 11,15

Chaminade, C. 1857-1944 1

Charody, C. b1984 4

Charpentier, M-A. 1643-1704 3,15,31

Chausson, E. 1855-1899 7

Childs, M.E. b1957 31

Chopin, F. 1810-1849 24

Ciardi, C. 1818-1877 20

Cimarosa, D. 1749-1801 15,25

Ciurlionis, M. 1875-1911 15,20

Clarke, J. 1674-1707 8

Clarke, Rebecca. 1886-1979 22

Clementi, M. 1752-1832 16

Coleridge-Taylor, S. 1875-1912 8,19

Copland, A. 1900-1990 11

Corrette, M. 1707-1795 5

Couperin, F. 1668-1733 15,26

Crusell, B. 1775-1838 14,17

Cui, C. 1835-1918 17

Czerny, C. 1791-1857 3,5,10

Danzi, F. 1763-1826 3,15

Dauprat, L. 1781-1861 8

David, Félicien. 1810-1876 5,20

Ch & O: Chorus & Orchestra

CO: Chamber Orchestra

FO: Fes val Orchestra

NO: Na onal Orchestra

NSO: Na onal Symphony Orchestra

PO: Philharmonic Orchestra

Hindson, M. b1968 10

Holley, A. b1954 10

Holst, G. 1874-1934

Holst, I. 1907-1984

Holzbauer, I. 1711-1783

Honnoré, L. 1859-1901?

Hovhaness, A. 1911-2000

Howard, J.N. b1951

Howell, R. b1979

Howells, H. 1892-1983 22,31

Howlett, M. b1931

Hummel, J. 1778-1837

3,10,17,24,31

Hurlstone, W. 1876-1906 24

Hyde, M. 1913-2005 8

Ibert, J. 1890-1962 1,2

Ireland, J. 1879-1962 15

Isabella Leonarda. 1620-1704 8

Ives, C. 1874-1954 30

Janácek, L. 1854-1928 6,20,27

Janitsch, J. 1708-1763 29

Jenkins, J. 1592-1678 8

Jesse, G. b1955 10

Joachim, J. 1831-1907 3,20

Kalliwoda, J. 1801-1866 3

Karlowicz, M. 1876-1909 4,7

Kats-Chernin, E. b1957 17,30

Kerry, G. b1954 27

Khachaturian, A. 1903-1978

Kiel, F. 1821-1885 20

Kilar, W. 1932-2013 4

Knopfler, M. b1949 16

Kodály, Z. 1882-1967 19,26

Koechlin, C. 1867-1950 2

Korngold, E. 1897-1957 8

Kos, B. b1934 27

Kozeluch, L. 1747-1818

Kuhlau, F. 1786-1832

Kuhnau, J. 1660-1722

Lalo, E. 1823-1892

Lang, D. b1957

Langford, G. 1930-2017

Lanzetti, S. 1710-1780

Lassus, O. de 1532-1594

Leclair, J-M. 1697-1764

Leighton, K. 1929-1988

Lekeu, G. 1870-1894

Munro, I. b1963

Nauwach, J. c1595-c1630

Nicolai, O. 1810-1849

Nielsen, C. 1865-1931

Novák, V. 1870-1949

Nyman, M. b1944 28

Offenbach, J. 1819-1880

Onslow, G. 1784-1853

Pachelbel, J. 1653-1706

Paderewski, I. 1860-1941

Paganini, N. 1782-1840 14,28

Palestrina, G. da c1525-1594

Palmgren, S. 1878-1951

Parker, J. 1934-2023

Parry, H. 1848-1918 5,20

Peñalosa, F. de c1470-1528

Pergolesi, G. 1710-1736

Perry, W. b1930

Phinot, D.

Pijper, W. 1894-1947

Pike, N. b1955

Pixis, J. 1788-1874

Platti, G. 1700-1763

Pleyel, I. 1757-1831 17,24

Polignac, A. de 1876-1962

Poole, A. c1629-1692

Poulenc, F. 1899-1963 1,14,18,31

Preisner, Z. 1798-1848 16

Price, F. 1887-1953

Prokofiev, S. 1891-1953

Puccini, G. 1858-1924

Purcell, H. 1659-1695 1,3,8

Quantz, J. 1697-1773

Rachmaninov, S. 1873-1943 5,16,19,25,27

Raff, J. 1822-1882

Rameau, J-P. 1683-1764

Ranish, J. 1692-1777

Ravel, M. 1875-1937 1,26,28

Reich, S. b1936 17

Reicha, A. 1770-1836 5,30,31

Reser, H. 1896-1965 2

Respighi, O. 1879-1936 19,21,22

Reyk, B. van b1978 20

Ries, F. 1784-1838 3

Rimsky-Korsakov, N. 1844-1908 6

Rodrigo, J. 1901-1999 18,29

Romaniello, L. 1860-1916 1

Romero, A. 1928-2007 27

Rossini, G. 1792-1868 7,21,24,28

Rott, H. 1858-1884 29

Roussel, A. 1869-1937 18,22

Rubinstein, A. 1829-1894 13,14,15

Rufinatscha, J. 1812-1893 20

Rzewski, F. 1938-2021 30

Saint-Georges, J. 1745-1799 16,18

Saint-Saëns, C. 1835-1921 9,16

Skipworth, L. b1982 18,24

Skryabin, A. 1872-1915 19

Smetana, B. 1824-1884 2,3,5,6,9,10,11,12,13,16,26,28

Sor, F. 1778-1839 6

Sousa, J.P. 1854-1932 16

Spohr, L. 1784-1859 19,26

Stainer, J. 1840-1901 29

Stamitz, C. 1745-1801 1,13

Stamitz, J. 1717-1757 18

Stanford, C. Villiers 1852-1924 17,19,20,22,24

Stanhope, P. b1969 18

Steiner, M. 1888-1971 16

Stölzel, G. 1690-1749 9

Strauss, J. I 1804-1849 11

Strauss, R. 1864-1949 20,21

Stravinsky, I. 1882-1971 5,19

Stuck, J-B. 1680-1755 14

Suk, J. 1874-1935 9

Sullivan, A. 1842-1900 10,30

Suppé, F. 1819-1895 1

Sutherland, M. 1897-1984 30

Szymanowski, K. 1882-1937 4,28

Taneyev, S. 1856-1915 7

Taverner, J. c1490-1545 27

Telemann, G. 1681-1767 6,10,22,29

Terracini, P. b1957 31

Thalberg, S. 1812-1871 14

Thompson, B. b1944 20

Tinctoris, J. c1435-1511? 15

Tintner, G. 1917-1999 12

Tippett, M. 1905-1998 27

Tomásek, V. 1774-1850 20

Vasks, P. b1946

27

Vaughan Williams, R. 1872-1958 15,25,27

Veracini, F. 1690-1768

22

Verdi, G. 1813-1901 28

Victoria, T. de 1548-1611 15,29

Vierne, L. 1870-1937 12,25

Vine, C. b1954 16

Vivaldi, A. 1678-1741 1,10

Wagenaar, J. 1862-1941

Wagner, R. 1813-1883

b1962 3,12,17,24

Hill, M. 1889-1986 18

Hiller, F. 1811-1885 15,25

Orchestra

RTO: Radio & Television Orchestra

RTV SO: Radio and Television Symphony Orchestra

SO: Symphony Orchestra

Magnard,

Mahler, G. 1860-1911

Mandel, J. 1925-2020

Martines, M. 1744-1812

Martinu, B. 1890-1959

Marx, J. 1882-1964

Massenet, J. 1842-1912

Matthews, D. b1943

Mayer, E. 1812-1883

Mazzoli, M. b1980

McDowall, C. b1951

Méhul, É-N. 1763-1817 11

Mendelssohn, F. 1809-1847 5,7,15,17,21,23,25,28

Mendelssohn, Fanny. 1805-1847 7,8,12,22,24

Mensingh, M. b1975 31

Messiaen, O. 1908-1992 19

Meyer, G. b1979 2

Meyer, L. 1807-1869 19

Milhaud, D. 1892-1974 10,11

Minkus, L. 1826-1917 28

Moravec, P. b1957 31

Morricone, E. 1928-2020 30

Mozart, W. 1756-1791 2,3,5,6,10,12,20,22,23,24,26,28,30,31

bar: baritone

bshn: basset horn

bass: bass

bn: bassoon

bass bar: bass baritone

cl: clarinet

clvd: clavichord

Salieri, A. 1750-1825 22

Sarasate, P. de 1844-1908 4

Satie, E. 1866-1925 1,21

Scarlatti, A. 1659-1725 16

Scarlatti, D. 1685-1757 22

Scharwenka, X. 1850-1924 18

Scheidt, S. 1587-1654 6

Schelling, E. 1876-1939 4

Schmitt, F. 1870-1958 15

Schoenberg, A. 1874-1951 2,30

Schubert, F. 1797-1828 1,8,10,12,15,17,21,30

Schulhoff, E. 1894-1942 3

Schultz, A. b1960 10

Schumann, C. 1819-1896 9,11,30

Schumann, R. 1810-1856 2,11,15,20,23,25

Schütz, H. 1585-1672 23,31

Sculthorpe, P. 1929-2014 17

Shostakovich, D. 1906-1975 14

Sibelius, J. 1865-1957 6,7,9,14,15,18,20

Simpson, R. 1921-1997 30

Sjögren, E. 1853-1918 28

Skinner, F. 1897-1968 9

db: double bass

dbn: double bassoon did: didjeridu

elec: electronic

fl: flute

fp: fortepiano

gui: guitar

mand: mandolin mar: marimba

22

15,28

Weber, C.M. 1786-1826 12,21,23,31

Webern, A. 1883-1945 25

Wells, J. b1974 18

Wesley-Smith, M. 1945-2019 18

Westlake, N. b1958

Whitacre, E. b1970

Wilbye, J. 1574-1638

Wild, E. 1915-2010

Williams, G. 1906-1977

Wilms, J. 1772-1847

17

16

18

Wirén, D. 1905-1986 28

Witt, F. 1770-1836

Woodcock, R. c1690-1728

Wranitzky, A. 1761-1820

9

8

8

27

22

Wranitzky, P. 1756-1808 18

Younan, E. b1994 8

Ysaÿe, E. 1858-1931 14

Yun, I. 1917-1995 31

Zelenka, J. 1679-1745 15,23,31

Zemlinsky, A. 1871-1942

Zimmermann, A. c1741-1781

Zipoli, D. 1688-1726 24

6

8

8

RO: Radio Orchestra

RSO: Radio Symphony

TO: Theatre Orchestra alto: male alto

ban: bandoneon

cont: contralto

cora: cor anglais

ct: counter-tenor

hn: french horn

hp: harp

hpd: harpsichord

mezz: mezzo-soprano

narr: narrator ob: oboe

org: organ perc: percussion

pf: piano

picc: piccolo

rec: recorder

sax: saxophone

sop: soprano

tb: trombone

ten: tenor

mp: mpani

tpt: trumpet

treb: treble voice

va: viola

vc: cello

vn: violin

ALegacyLasting

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