Fine Music Magazine - May 2022 by 2MBS Fine Music Sydney

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5 MAR Beethoven: Sonatas for Piano and Cello with Aura Go and Timo-Veikko Valve

20 MAR The Italian Baroque ACO Collective Erin Helyard – Guest Director

12 JUN Seraphim Trio with Christopher Moore

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I N D E X

05. Joachim Raff The Forgotten Romantic

12. From ‘accidental musician’ to shining star – Melody Gardot

06. Remembering Nigel Butterley

15. FineJazz Happenings

By Robert Gilchrist

James Nightingale looks at the work of an elder statesmen of Australian classical music

08. The Wizard of Catalonia Stephen Gard investigates Isaac Albéniz

N O T E S

17. Volunteer Spotlight – MBS and Me

David Garrett looks back on his association with 2MBS Fine Music since its inception in 1975

Tessa Miles reviews the cultural exploration based around Alanis Morissette’s hit song.

By Michael Morton-Evans

21. CD Reviews

Keith Pettigrew reveals all things jazz related for the month of May

18. Live Performance Review: Jagged Little Pill the Musical

11. The Miracle that was Gaetano Donizetti

17. Volunteer Spotlight

By Louise Levy

22. Program Guide F R O M

T H E

50. Composers List

E D I T O R

We regret that the front cover and intended interview of violinist Charmian Gadd had to be postponed at the last minute pending the outcome of a COVID test last week. We wish her well and hope that we can interview her at a later date. Instead, we have featured American jazz singer Melody Gardot, a relatively unknown name in Australia although she toured here with Diane Krall in 2010. Louise Levy sketches her career since the near-death collision with a Jeep in 2003 put her in hospital for an extended period; advice from a therapist that music could aid her recovery paradoxically kick-starting a a stellar career. Louise’s enthusiasm for Gardot is infectious; listen to the soulful Love Me Like A River Does and you’ll understand why. In other articles this month, Michael Morton-Evans describes the tragically short but musically prolific life of Gaetano Donizetti, Stephen Gard shares some insights into the works of Isaac Albéniz, whose life was also similarly cut short, and James Nightingale remembers the elder statesman of Australian classical music, Nigel Butterley, who died in February this year. Next month we’ll be covering two major jazz festivals, the Orange Jazz Festival, which is slated to become as big as Wangaratta, and the Sydney Con Jazz Festival; both are SIMA events. david.ogilvie@finemusicsydney.com

P R O G R A M M

E R S

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P R E S E N T E R S

May Charles Barton, Peter Bell, David Benham, Nena Beretin, Eddie Bernasconi, Xavier Bichon, Dan Bickel, Chris Blower, David Brett, Philip Bridges, John Buchanan, Rex Burgess, Lloyd Capps, Vince Carnovale, Ian Carswell, Adam Cockburn, Angela Cockburn, Liam Collins, Steve Coleman, Paul Cooke, Brian Cornish, Di Cox, George Cruickshank, Nick Dan, Jackson Day, Nev Dorrington, Brian Drummond, Andrew Dziedzic, Deborah Evans, Rita Felton, Michael Field, Owen Fisher, Jennifer Foong, Tom Forrester-Paton, Susan Foulcher, Nina Fudala, Carole Garland, David Garrett, Robert Gilchrist, Nicky Gluch, Albert Gormley, Jeremy Hall, John Hanna, Austin Harrison, Ross Hayes, Gerald Holder, Paolo Hooke, James Hunter, Leita Hutchings, Anne Irish, Sue Jowell, Ray Levis, Krystal Li, Dave Mac, Christina MacGuinness, Linda Marr, Meg Matthews, Stephen Matthews, Sue McCreadie, Sophie McCulloch, Neil McEwan, Jeannie McInnes, Ramsay McInnes, Angus McPherson, Maureen Meers, Camille Mercep, Heather Middleton, Gail Monjo, Simon Moore, Frank Morrison, Michael Morton-Evans, Richard Munge, Gerry Myerson, James Nightingale, Barry O’Sullivan, Derek Parker, Denis Patterson, Keith Pettigrew, Peter Poole, Frank Presley, Paul Roper, Daryl Rule, Marilyn Schock, Jon Shapiro, Alex Siegers, Julie Simonds, Chloe Sinclair, Elaine Siversen, Robert Small, Garth Sundberg, Jacky Ternisien, Anna Tranter, Robert Vale, Ron Walledge, Chris Wetherall, Stephen Wilson, Glenn Winfield, Chris Winner, Orli Zahava, Tom Zelinka, Vicky Zhang. PROGRAM SUBEDITORS Jan Akers, Di Cox, Noelene Guillemot, Elaine Siversen, Jill Wagstaff, Tony Wallace, Teresa White LIBRARIANS Jan Akers, Rex Burgess, Lynden Dziedzic, Peter Goldner, David Hilton, Sally Hunter, Phillip McGarn, Judy Miller, Susan Ping Kee, Jacky Ternisien, Ricky Yu.

2MBS FINE MUSIC SYDNEY

ORGANISATION DETAILS 2MBS Fine Music Sydney - We are Sydney’s Fine Music Broadcaster MUSIC BROADCASTING SOCIETY OF NSW CO-OPERATIVE LIMITED Editor David Ogilvie Assistant Editor Catherine Peake

Music Broadcasting Society of New South Wales Co-Operative Ltd is registered under the Co-operatives Act 1992 (NSW); owner and operator of Australia’s first community-operated stereo FM station, 2MBS-FM now known as 2MBS Fine Music Sydney. Our mission is to be Sydney’s preferred fine music broadcaster, broadcasting classical, jazz and other fine music genres for the enjoyment and encouragement of music. Another aim is to be part of Sydney’s cultural landscape networking with musical and arts communities to support and encourage local musicians and music education and to use our technical and broadcast resources to further this aim.

Designer Lyndon Pike

Mission Statement

Digital Content Coordinators Paul Cooke, Catherine Peake, Keith Pettigrew

Goals

Guide Management Coordinators (acting) James Nightingale and Elaine Siversen

3. To develop a sustainable financial model for the organisation.

Program Guide Formatter Peter Bell

To share the love of fine music through broadcasting 1. To be Sydney’s preferred broadcaster of classical, jazz and other fine music genres 2. To promote Australian musicians and composers, with a particular focus on the young

HONORARY AND ARTISTIC PATRONS Vice Regal Patron: Her Excellency the Honourable Margaret Beazley AC QC, Governor of New South Wales Honorary Patron: Professor The Honourable Dame Marie Bashir AD CVO

Proofreaders Pamela Newling, Catherine Peake

Artistic Patrons: Elena Kats-Chernin AO, Simon Tedeschi, Richard Tognetti AO, Brett Weymark OAM

Contributors Paul Cooke Stephen Gard David Garrett Robert Gilchrist Louise Levy Tessa Miles Michael Morton-Evans James Nightingale Keith Pettigrew

Young Composer Award 2019: Callum O'Reilly

Cover Image imageBROKER / Alamy Stock Photo Fine Music Studios 72-76 Chandos Street St Leonards, NSW 2065 Postal Address 72-76 Chandos Street St Leonards, NSW 2065 Phone 9439 4777 (9am–6pm) ABN 64 379 540 010

Emerging Artists Patron: Roger Benedict Young Virtuoso Award 2019: Justin Lu Stefan Kruger Scholar 2021: Leanne Jin Ken Weatherley Scholar 2021: Alex Siegers Artists in Residence 2021: The Sydney Cello Quartet Jazz Artist in Residence 2021: Anoesis PERSONNEL: It is important to note that apart from a small staff team, Fine Music Sydney functions through the involvement of dedicated volunteers who generously contribute their time and talents across all aspects of the radio station. BOARD OF DIRECTORS: Chair: Michael Morton-Evans Deputy Chair: Peter Poole Secretary: Robert Gilchrist Directors: Andrew Clark, Nicky Gluch, Sue Jowell, Jayson McBride, Sue Ping Kee Appointed Directors: Bruce Hambrett, Peter Stavrianos STAFF: Acting Station Manager: Mona Omar Studio & Production Manager: Sophie McCulloch Operations Coordinator: Michael Guilfoyle Digital Content Producer: Lyndon Pike Bookkeeper: Miriam Ho TECHNICAL ADVISORS: Honorary Technical Advisor: Max Benyon Broadcast Engineer: John Shenstone Broadcast Systems Engineer: Roger Doyle Information Technology Consultant Peter Bell Recording Engineer: Jayson McBride COMMITTEE CHAIRS: Jazz: Keith Pettigrew Fundraising: Sue Jowell Library: Sue Ping Kee Presenters: Michael Field Programming: James Nightingale Technical: Peter Bell Volunteers: Sue Nicholas Finance: Peter Poole Contents and concept of 2MBS Fine Music Sydney Copyright © 1975-2022

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Joachim Raff The Forgotten Romantic By Robert Gilchrist I had a friend at university named Graham Bell, who played double bass. For my 21st birthday, he gave me an LP of the works of Carl Ditters von Dittersdorf. I fell in love with the music of this composer, whom I had never heard of before. It was this experience that taught me about the magic to be found in the work of little-known composers. Joachim Raff is another neglected genius, and a symphonist of uncommon gifts; his 200th birthday is on 27 May 2022. Raff was born and spent most of his life in the German part of Switzerland. In his youth, music was a mere hobby – he began his career as a schoolteacher. But his musical gifts couldn’t be ignored for long. Aged only 21, he sent a few of his pieces to Mendelssohn, who quickly wrote to his publisher saying, “Raff’s composition is elegant and faultless throughout and in the most modern style.” Raff’s ambition to study with Mendelssohn was unfortunately never realised due to the composer’s untimely death. A big fan of Franz Liszt, Raff walked 80 kilometres in the rain from his home to Basle to attend a recital by Liszt. Impressed by Raff’s tenacity and his musical skills, Liszt urged him to accompany him on a tour through Switzerland. He soon became Liszt’s pupil and assistant. Amongst other things, he helped his master with the orchestration of several of his symphonic poems. By way of returning the favour, Liszt arranged for a performance in Weimar of Raff’s opera King Alfred. Despite this achievement, poverty became Raff’s closest friend. The premiere in Weimar of Raff’s Symphony no 3, In the Forest, was a tremendous success. It was described as ‘the best symphony of modern times, one of the very few which can go down in posterity with the works of Beethoven and Schumann’. After one performance at which the composer was present, ‘a complete hurricane went through the house’ and Raff mounted the podium ‘amidst barbaric jubilation from the audience’. In 1877, Raff became director of the fledgling Frankfurt Conservatory, where he proved to be as progressive an educator as he was a composer. He quickly persuaded Clara Schumann to teach piano, the only woman on the faculty that first year. Soon Raff found others to join her, and he even oversaw the creation of a class for women composers – the first of its kind in Germany.

Lebrecht Music & Arts / Alamy Stock Photo It was around this time that he embarked on his most ambitious project: a cycle of four symphonies, one for each season. Unfortunately, Raff did not live to complete the last of these, his Winter Symphony, which was prepared for performance and publication by his friend, conductor Max Erdmannsdörfer. At the time of his death, of a heart attack in his sleep in Frankfurt in 1882, only Brahms and Wagner enjoyed a reputation that could match that of his. Yet within a few short years, Raff’s music had lapsed into obscurity. Only the initiative of adventurous recording companies and radio stations like 2MBS Fine Music Sydney have remedied this ignorance! Sunday Special, Celebrating Joachim Raff Sunday 22 May 3:00pm

Remembering Nigel Butterley James Nightingale looks at the work of an elder statesmen of Australian classical music

In February 2022, the Australian composer Nigel Butterley died after a long illness. He was one of the elder statesmen of Australian classical music, a man of generosity and acute insight which he shared freely. The details of his life were beautifully given in an obituary by Elliott Gyger, author of The Music of Nigel Butterley, for Limelight Magazine in February, a piece that I recommend for anyone wishing to find out more about the man himself. Fine Music will be remembering Butterley through his music in three New Horizons programs at the end of May and beginning of June, each program featuring one of his orchestral masterpieces.

perhaps Butterley’s most neo-classical work. The tone colours evoke the string music of Vaughan Williams and Tippett at the same time as looking back to the sounds of the English viol consorts of the 17th century, particularly when the final movement uses the form of a chaconne to unfold the music which ends in the radiant G major of Tallis’ original motet. The third major orchestral piece featured in our series Remembering Nigel Butterley is From Sorrowing Earth, a work prefaced by a poem by Kathleen Raine, a poet whose work has been highly important to Butterley’s music. It is perhaps Butterley’s most successful orchestral work, and this may be due to the relationship to Raine’s poetry. Although Raine does not use Butterley’s title, her poem foreshadows a journey from desolation to recovery. This narrative shape provides an opportunity for Butterley to indulge in one of his most conventional formal structures, a long introduction leading to a massive climax followed by a rather more optimistic epilogue.

The world of Butterley’s music is defined by his literary interests and his quiet spirituality. All three of the works featured in New Horizons are marked by these preoccupations. The first to be written was The Meditations of Thomas Traherne, dating from 1968. Thomas Traherne was a 17th century English poet and theologian, known for poetry that prefigured the Romantic expressions of love and admiration for the natural world of the late 19th century. Shared in Butterley’s music and Traherne’s poetry is a sense of naive or childlike contemplation of the world. Butterley does this on two levels: firstly, in his use of musical space and time; and secondly, with more obvious connection to children, through the inclusion of a mass of recorders in the central movement. This work is perhaps the one piece in which similarities with other Australian composers of the time, especially Peter Sculthorpe, might be made with Butterley’s music. For much of the rest of his work, there are very large differences in approach.

As we remember Butterley later this month, we will enjoy the sounds of a truly individual musical voice, portrayed by one of his strongest collaborators and proponents, Isaiah Jackson. The beauty and generosity of these recordings are a testament to an artistic partnership of true understanding and a musical voice whose like we may never see again. Nigel Butterley Remembered programs:

Completely different, but also featuring the influence of English poetry, is Goldengrove (1982). The words of another poet-priest, Gerald Manley Hopkins, underpin the conception of the piece but there is another layer of Goldengrove found through the inclusion of a quotation from a motet by Thomas Tallis. This work for string orchestra is lambent in its tonal harmony and is

20:30 Sundays, 22 and 29 May and 5 June as part of New Horizons.

Photo courtesty of Josh Raymond

The Wizard of Catalonia Stephen Gard investigates Isaac Albéniz

Illustration by Lyndon Pike

Isaac Manuel Francisco Albéniz y Pascual was a child prodigy. Born 1860 in the Catalan village of Camprodon, Albéniz was playing piano by the age of four. He was home-schooled, somewhat negligently: his father took young Isaac on a concert tour of Spain when the boy was just nine.

Some believe that Albéniz was driven to an early grave by the frenetic and vexing Coutts: Albeniz died in 1909, aged 48. Coutts demanded that Albéniz compose in the lofty Wagnerian manner, alien to the Spaniard’s earthy spirit, though not beyond his ability. Later opinion points to the composer’s gluttony, obesity, penchant for the cigar fortissimo, and chronic intestinal disorders; Albéniz suffered kidney failure. Perhaps Coutts and incontinence were joint culprits.

Albéniz had a vagabond youth, running away several times from his tyrannical parent and earning his keep as a pianist. As a teenager he took ship and voyaged abroad with his father, a customs official, performing in Europe, North America, and Latin America. This wanderlust brought Albéniz familiarity with a great many styles of music, and a spreading reputation as an extraordinary pianist. He studied with Franz Liszt, and at conservatories in Leipzig and Brussels. He also attracted the attention and support of wealthy patrons.

Save for its Prelude, Merlin was not performed in the composer’s lifetime and the score was long believed lost. ‘Buried’ might be a better word. José De Eusebio reconstructed Merlin from a litter of sketches, photo-negatives, piano reductions, and error-ridden proofs. A studio recording of the opera was released in 1999, with Eusebio conducting Orquesta Sinfónica de Madrid.

Young Albéniz knew little of musical theory. He had learned his craft ‘by ear’. Yet that sensitive organ had absorbed much. His composition teacher Felipe Pedrell said of Albéniz: “I determined never again to talk to him about rules, chords, resolutions, and other technical hieroglyphics; but to dwell on a fine and cultivated taste, merely seeing to it that so extraordinary an intelligence was correctly guided … These theories of instrumentation were not written for you … in the end they will paralyse your natural genius.”

The tale of King Arthur, Morgan le Fay, Merlin the Sorcerer, and the knights of fabled Camelot is familiar mythic fare. The libretto is negligible, the texts mannered and often absurd. Coutts gave Albéniz a tortured lyric to set. One example will suffice: When flowerets of the marigold and daisy are enfolden And wingless glow-moth stars of love englimmer all the glades, The paynim fairies footing forth in every forest olden Dance hand in hand the saraband with fair enchanted maids!

Pedrell compared Albéniz to a wineskin, ‘holding a fragrant vintage gilded by the Mediterranean sun.’ It was Pedrell who encouraged Albéniz to explore Spanish musical idioms, resulting in the Chants d’Espagne (1892). Inspired by the fioritura of folkloric guitar, composed for the piano and transcribed for the guitar, it has become part of the guitar repertoire. The art of Isaac Albéniz inscribed Spain indelibly on the modern musical map. The suite Iberia (1906-1909) remains his pieza de resistencia.

The score is rich in innovation and interest. Gregorian plainchant a cappella; chromatic tympani in anticipation of Impressionists like Debussy. “Audacious string-writing, a new and ambitious treatment of the voice,” notes Eusebio. “Here is an opera, ground-breaking in many respects.” A Wagnerian influence is clear in the leitmotifs, and Merlin is through-composed; there are no ‘separable’ numbers, no show-stopping da capo arias.

In the 1890s, Albéniz tried his hand at composing zarzuelas, traditional Spanish light opera then enjoying a revival. Often in financial straits – he lost a fortune speculating on the stock market – Albéniz found he could earn more by setting English libretti for the London stage. The Magic Opal (1893) was theatrically a flop, but with renewed interest in Albéniz, has since been revived and acclaimed. This comic opera brought him to the attention of the banker and dilettante librettist Francis MoneyCoutts, who paid Albéniz a handsome retainer but insisted that he compose opera for no-one else. Their collaboration produced Henry Clifford and the successful Pepita Jiminez. They planned a trilogy based on Le morte d’Arthur of which only the first part, Merlin, was completed.

How ‘English’ is this English opera on an English theme by a cosmopolitan Spanish composer who claimed to have Moorish blood? Not very. Isaac Albéniz’ orchestral warmth and colour, his Romany rhythms, his melodies both supple and subtle translate us to an enchanted realm of his own. At the Opera, Wednesday 18 May 2022, 8:00pm

The Miracle that was Gaetano Donizetti By Michael Morton-Evans

Born in a windowless cellar in a straggle of houses clinging to the hillside of the northern Lombardy town of Bergamo in 1797, it’s a miracle that the ragged child christened Domenico Gaetano Maria Donizetti survived long enough to be the musical genius he became. His health was never good, and he was to die at the age of 51, but from the age of nine, when his musical talents were first discovered, until his death, Donizetti had completed 65 operas, 22 piano works, 31 chamber works, nine concerti, 11 orchestral works and three choral pieces.

himself resulted in unevenness in his compositions and deterioration of his home life. There were whispers of nights spent cruising parks and back alleys, of women preying on his weakness for orgies. He was always pretty earthy, but his letters from that time began to take an increasingly obscene turn. It has been deduced that he was suffering from satyriasis, a condition that often accompanies the latter stages of syphilis. Nevertheless, operas continued to flow and during his time as Professor of Composition at the Naples Conservatoire he became Neapolitan enough to have written some of the most popular songs of the day, but was always to be considered an outsider there, a foreigner. Then tragedy struck again in 1830. Both his parents died, and then a year later, after just three years of marriage, his wife Virginia died of cholera.

Mind you, the young Donizetti never doubted his brilliance. When he was 14 he authored a poem which included the lines “I, in a very modest manner, shall walk about with bowed head; I’ll have rave reviews; I can become immortal; My mind is vast, my genius swift; And at composing a thunderbolt am I.” Well, his genius was certainly swift. He had the facility to compose at great speed, and often would have a hand in the libretto as well. His father, the local pawnbroker, had wanted him to become a scientist, but the hold of music was too strong for the boy, who neglected his studies to compose quartets and church music. In 1818, aged 21, his first opera was performed in Venice. Entitled Enrico di Borgogna, in English Henry of Burgundy, it was received by an appreciative audience, but didn’t make much of a mark on the musical world. It wasn’t until some thirteen years later that he really scored his first major success with Anna Bolena which premiered in Milan.

Little surprise that Donizetti’s operas were inspired by the happenings of his own life and the life around him. Though he was greatly influenced by Bellini and Rossini, he carved a niche for himself. Through his childless Lucia and the doomed Anne Boleyn, he became the third prong of those bel canto giants pre-Verdi. He is remembered for his expressive vocabulary, which allowed the singers of his time to display their special vocal talents. So much so, in fact, that after his death a great many singers refused to appear in his operas on the grounds that the demands on their voices was too great. A perfect example of this was Anna Bolena, who Maria Callas brought back to the world stages, where it is now a staple of many opera companies.

But with success also came tragedy. Three years earlier Donizetti had married Virginia Vasselli, the daughter of a rich family that had befriended him on his first visit to Rome. A year later she had delivered them a son, but he was badly handicapped and died after a few weeks. Two other babies were later stillborn. And the pace at which Donizetti was driving

For Italian composers of this period, moving to Paris became the ultimate marker of international fame. Both Bellini and Rossini died there, while Verdi spent several years living in the French capital. So did Donizetti. One of the great attractions was the relative freedom from censorship which plagued

Italian opera and caused the cancellation of more than one of his operas. Paris helped Donizetti to expand his musical range on a scale no other city offered, not even Vienna, where in 1842 he was given the post of Imperial Kapellmeister. The job involved a little light composing and some teaching, enabling him to write at least two more operas. However, bad health was increasingly taking its toll, and finally, he was diagnosed with cerebro-spinal syphilis. His demise over the next few years was slow and painful. In 1845 he was struck by paralysis, and not long afterwards doctors diagnosed dementia. Donizetti began to grow incoherent and was taken to an asylum. He lost his sense of balance and kept falling over, and wept constantly, believing that he was in jail. His friends in Bergamo finally brought him to his hometown, where he stayed at Baroness Scotti’s palace until he died in 1848, aged just 51. Donizetti’s greatest characteristic as a composer, and his greatest weakness, was his facility. He wrote with incredible speed, more than once completing an entire opera and libretto within a fortnight. But from his humble beginnings, by the time of his death he had made an international name for himself. More than 4000 people were present at his funeral, the procession composing of the numerous clergy of Bergamo, the most illustrious members of the community and the entire civic guard of the town. Three military bands accompanied the coffin playing some of the bestknown melodies from his operas. Composer Focus. 1pm, Tuesday, May 17. Stock Illustrations Ltd / Alamy Stock Photo

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From ‘accidental musician’ to shining star – Melody Gardot By Louise Levy

Living with the Covid pandemic, I have changed my habits. One thing I like to do at home nowadays is to listen to jazz musicians, and one of my favourite singer-songwriters is the stunning Melody Gardot.

and one live album, Live in Europe. Her fifth studio album Sunset in the Blue included performances recorded with the Royal Philharmonic Orchestra and a bonus track, Little Something, featuring Sting.

I first heard Gardot’s album My One and Only Thrill at 2MBS Fine Music. It prompted me to look for more about her online, where I found articles detailing the surprising and illuminating journey of her life.

In 2015, in a 15-minute live interview with Marco Gandolfi, the editor of Music-News.com, Gardot shows her thoughtfulness about the sound of her music, her band and the ‘politics’ in her songs. She explains that she liked being aware of ‘consciousness’ as a songwriter and talks about the history of some of the songs and their meaning, giving the examples of Louis Armstrong’s Pennies from Heaven during the depression, and Billie Holiday’s Strange Fruit which protested the lynching of Black Americans.

Born in New Jersey in 1985 to a single mother who worked as a photographer, Gardot started learning music when she was nine, including the piano. At 16 she began performing in bars on Fridays and Saturdays for four-hour stretches, playing an eclectic selection of songs, from The Mamas & the Papas to Radiohead and Duke Ellington. Then, bi-lingual in French and English, at the age of 18 she started studying fashion at the Community College of Philadelphia.

In another YouTube video, You Must Know Melody Gardot , Michael Palmisano talks about her life and explains her ‘badass jazz attitude’. Then he watches Gardot and her band playing Love Me Like a River Does. At the beginning, he mentions her stick sitting next to her piano, then he watches and listens to Gardot and her band performing the song. It was magic! Afterwards, he talks in awe of her music.

In November 2003, she had a bicycle accident when she was hit by a car, sustaining serious head, spinal, and pelvic injuries, spending the following year in hospital. A therapist suggested Gardot should use music to help her recovery, so she learnt the guitar and wrote her own songs during rehabilitation.

As the music industry started to collapse last year, Gardot tried to find ways to help other musicians. One way was to create a global orchestra of musicians and to perform the re-releases From Paris with Love. The musicians were paid and afterwards the track was donated to a charity called Protégé Ton Soignant.

In 2005, she self-released Some Lessons: The Bedroom Sessions, her debut EP. The autobiographical song Some Lessons included the poignant lines, “To think that I could have fallen / A centimeter to the left / Would not be here to see the sunset”. It’s worth noting here that she found sitting up for long periods very painful, so consequently learned guitar lying on her back!

So, if you spend some time looking at the different sides of Melody Gardot, you will see she is a shining star. And didn’t I mention it? She has a fabulous voice!

The following year Gardot followed this up with an independent studio album called Worrisome Heart. She was now focused on music and went on to release another four studio albums, four listed EPs,

imageBROKER / Alamy Stock Photo

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Isaxar / Alamy Stock Vector

FineJazz Happenings May 2022 – Keith Pettigrew

Friday Jazz Sessions Of the 15 jazz programs on 2MBS Fine Music Sydney, two are notable for the wide range of jazz they broadcast. On Monday’s Jazz Pulse, Chris Wetherall delights his audience with anecdotes and surprising by-the-ways from the full range of jazz, from Louis to Coltrane, with a good touch of Ellington and Basie. And there is current jazz from Australian musicians. “Everything from J to Z, with lots in between” is Chris’s byline. On Friday’s Friday Jazz Session, Alex Siegers covers a wide spectrum, recently celebrating jazz greats such as Carmen McRae, Astrud Gilberto, and Aretha Franklin. Alex is a graduate of the Sydney Conservatorium as a jazz singer and is heading back to the campus to complete her Honours. So, she’s working with Heath Auchinachie, who, while a classical guitarist, has a fondness for obscure pressings of jazz recordings. Sometimes you’ll hear a twohanded program; sometimes it will be Alex’s delightful presence with playlist from Heath; and then there’ll be a bit of Heath and his own elegant self. Stay tuned to Fridays. Showcasing Women in Jazz The role of women throughout jazz history has been problematic. Attitudes have been stilted: jazz dens are places of debauchery; a woman’s part is just to add glamour; a woman’s role is to provide a safe home; men play jazz, and women sing. Female vocalists having been stigmatised as non-musicians for decades by instrumentalists, their input undermined simply because they didn’t write the song, compose the harmony, execute the improvisation, or solo that instrument. For some, it has just been a men’s club.

However, women add finesse, style, emotion, pathos, and intelligence to jazz, just as they have contributed to other genres. Male singers tend to croon: female songstresses add lyrics that not only tell a human story, but in a voice that can improvise just as any saxophone. Australian jazz legend Sandy Evans has been driving Women In Jazz festivals for years and running workshops for young women who otherwise would get lost in the vagaries of remnant stereotypes. And now, a burst from a young Sydney bassist and vocalist. Sarah Homeh is a recent UNSW jazz graduate and is curating a series of six events at Marrickville’s Gasoline Pony “Showcasing Women In Jazz”. She has gathered young jazz women to perform the work of great jazz women, forebears and contemporary alike. Think Ella Fitzgerald, Billie Holiday, Nina Simone, Sarah Vaughan, Bessie Smith. Sarah’s project endeavours to dismantle stereotypes of women in music, validating the contributions made, past and present. Eventually, she doesn’t want any showcasing of women in jazz, achieving a music community that supports everyone, without discrimination on gender, race, or sexuality. Misquoting Simone de Beauvoir from her famous book The Second Sex, “I hope someday this concert series is outdated”. Emergent Jazz on 2MBS Fine Music is proud to have broadcast Sarah and her daring “Showcasing Women in Jazz”. Check out the two remaining shows on the first Thursday in May and June: Women Vocalists in Jazz, and 21st Century Women in Jazz.

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16 Find out more at finemusicsydney.com/foundersstudio

Volunteer Spotlight MBS and Me David Garrett looks back on his association with 2MBS Fine Music since its inception in 1975 M is for music. That’s where it started for me. Playing recorder, singing in choirs, and listening. In the 1950s I was an Australian boy growing up in Geneva, Switzerland, where I heard my first concerts – from the Orchestre de la Suisse Romande, for example – and even performed in concerts myself. And I listened to our family’s vinyl LPs, played on the radiogram from its single speaker. B is for broadcasting. My early memories of music broadcasting include listening to ‘stereo’ broadcasts, two radios side by side, each tuned to one of the Sydney ABC stations – AM was all there was – one broadcasting the left, one the right channel. Stereo, in the early 1960s, was still a novelty, and became one of the goals of FM pioneers (Stereo FM Radio was the first title of our program guide). For me in broadcasting, music – the MBS kind – is the message. The medium was to be FM – and we were its pioneers for Australia. Eventually I worked for the ABC, but MBS came first. That irresistible founder of MBS, the late Trevor Jarvie, popped his head around my office door one day at the University of Sydney, and asked me to write program notes for concerts at the Cell Block Theatre, recorded in case we actually got a radio station! Those notes were among the first of my thousands. S is for Society, and thus I was recruited to the enthusiastic band of volunteers MBS has always been. It was 1975 and I was teaching history. In 1976, MBS was in its first full year on air, having persuaded government that Australia should have FM, and launched an all-music first FM station. That year I changed my music hobby into my job. Part of my job as Administrator of Sydney Philharmonia Society was programming concerts and writing about music for Sydney’s busiest choral organisation. In 1985 I made a segue to artist and repertoire planning for the ABC, for all six capital city symphony orchestras, until 2003. All their concerts were broadcast – the ABC soon followed MBS into FM. But my own broadcasting, occasional radio features aside, was on 2MBS, not ABC. In the late 1980s I also served on the Board of the Music Broadcasting Society and as treasurer for some years. Music has been my profession, singing in choirs and broadcasting an amateur’s passion.

Illustration by Lyndon Pike I’m a historian too, not least of music (my doctoral thesis was about the ABC, music and orchestras in the 1930s). For the 40th anniversary of 2MBS I wrote some of its history, for the website, but programming and presentation are my main contribution. Words about Music is the name I gave a hands-on training course at the Australian Youth Orchestra’s national music camp, offered each year by my successors since 1992. Radio presentation overlaps with my hundreds of pre-concert talks all over Australia. COVID suspended concerts, but not our broadcasts. During lockdown I was sometimes the sole person to enter the station that day, presenting the only three of 24 hours of music broadcast ‘live’. I still get up long before dawn on weekends, once a fortnight, to listen to music I choose, present and hope others will enjoy. That’s the mission of MBS, that means so much to me.

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Illustration by Lyndon Pike

Live Performance Review: Jagged Little Pill the Musical Tessa Miles reviews the cultural exploration based around Alanis Morissette’s hit song.

In a world full of jukebox musicals, another was added to the mix in 2019 with Jagged Little Pill. If the name sounds familiar, it’s because it’s the title track from the 1995 Alanis Morissette album. While some may assume this musical is about Morissette’s life, they will be mistaken, but the fury of the album matches the feeling and themes of the show. After its September 2021 opening was disrupted by COVID lockdowns, the show opened in December 2021 for a strictly limited two-week run, marking the reopening of The Theatre Royal Sydney, and is set to return in July 2022. Jagged Little Pill was the winner of two of its twelve Tony nominations and won the Grammy in 2021 for Best Musical Theatre Album. Morissette would only greenlight the musical if it moved her, spurred her to grow and asked something on multiple levels, and that it did. While most musicals may be sunshine and rainbows, Jagged Little Pill highlights the struggles of a seemingly perfect suburban American family highlighting real world themes of drug use, sexual assault, and identity – both gender and cultural, while facing demons and trauma from the past. What better album to adapt to a stage show like this than Jagged Little Pill?

Natalie Bassingthwaite as Mary Jane Healy and Tim Draxl as her husband Steve lead a young cast, most of whom are making their theatre debuts or are fresh out of high school or full-time study, giving this show an exciting energy from the very first note. But the standout cast member is Maggie McKenna, best known for their role as Muriel Heslop in Muriel’s Wedding the Musical. McKenna, who plays the queer non-binary best friend Jo to Frankie Healy, the adopted daughter of Mary Jane and Steve Healy, deserves an award for their portrayal of this role and their performance of You Oughta Know which earned them a mid-show standing ovation – something I have never witnessed before and I’ve seen Hamilton seven times! While this show deals with a lot of heavy themes, there is a balance of comedy and lightness that ties the show together. Bassingthwaite also delivers a stellar performance, backed up by an ensemble member during Uninvited at the peak of the show. It is a shame that this musical was initially only playing in Sydney for an extremely limited time. I believe this show is important for many to see, as it challenges the characters’ and the audience’s views on a variety of real-world issues. Jagged Little Pill is now playing in Melbourne and will return to The Theatre Royal Sydney in July. The show has the potential to be a standout musical of 2022, and hopefully by the time it returns to Sydney it will have all the kinks ironed out. If you have teenage children or grandkids, get yourself and them a ticket to this show to have your perspective challenged, if not just to see Maggie McKenna’s outstanding performance. To ZMQ, good on ya!

Photo by Daniel Boud

CD REVIEWS Philip Glass: Symphony no 14 LGT Young Soloists Orange Mountain Music OMM 0161

Late in his career, Philip Glass has become something of a symphonist. He composed his first at the age of 55 and the latest, Symphony no 14, subtitled Liechtenstein Suite, at 84. This latest will please fans of Glass, but won’t do much to allay criticism that he writes the same piece over and over again. More engaging is Glass’s first Piano Concerto, subtitled Tirol, which opens the disc. Performed by Martin James Bartlett, a young English pianist with an impressive CV, the concerto has more of the energy and direction that we expect

of Glass’s music. The performance by the LGT Soloists, an ensemble of young string players brought together by the sponsor, LGT private bank (owned by the Liechtenstein royal family) and led on this recording by Alexander Gilman, lacks a unified approach to the intonation and articulation in places, perhaps understandable in a ‘project’ ensemble. In conclusion, the disc didn’t live up to my hopes for it. — James Nightingale

Rhythms of Change Claire Edwards, percussion Move Records MD 3459

Claire Edwardes is a percussionist — described by Canberra’s City News as ‘the sorceress of percussion’ — and artistic director of Ensemble Offspring. She is conscious of the need to address the imbalance in representation of female and Indigenous composers, and Rhythms of Change, like her Ensemble’s Offspring Bites 2, consists of commissioned works by female-identifying Australian composers for either marimba or vibraphone. Some of the compositions are intended for emerging percussionists, and include Maria Grenfell’s melodically and rhythmically inventive Stings and Wings (one of its movements inspired by music she had written for the documentary Quoll Farm); Bree van

Reyk’s spare but resonant Slipstream; and Anne Cawrse’s varied Dance Vignettes. A couple of the pieces reflect upon COVID-19, with Receptor, by Peggy Polias, echoing the spikes and spirals of the virus itself, and Mirroring, by Alice Chance, examining the gap between the real and the virtual forced upon us by various lockdowns. Ella Macens’ Falling Embers, for vibraphone and crotales (small, tuned metal disks), meditates on recent bushfires, illustrating in shimmering detail the ‘final glow before life burns out’.

— Paul Cooke

Sunday 1 May

Beethoven, L. Rondino in E flat, WoO25 (1793). European CO Wind Soloists. ASV COE 807

00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC with James Nightingale 09:00 MUSICA SACRA Prepared by Stephen Matthews Zelenka, J. Missa 1724 (arr. Luks). Collegium Vocale 1704; Collegium 1704/Václav Luks. Accent ACC 24363 47 Gabrieli, A. Domine, quid multiplicati. Ensemble Officium/Wilfred Rombach. Naxos 8.554791

Bach, J.S. Cantata, BWV86: Wahrlich, wahrlich, ich sage euch (1724). Holland Boys Choir/Pieter Jan Leusink. Brilliant Classics 94365/23 14

14:00 INTIMATE VOICES Reicha’s quintets for wind Part 1 Prepared by Elaine Siversen

10:00 THE CLASSICAL ERA Prepared by Meg Matthews Mozart, W. Overture to La clemenza di Tito (1791). Staatskapelle Dresden/Karl Böhm. DG 429 878-2 5 I go, but my dearest make peace again with me (1791). Teresa Berganza, sop; Joachim Müller, basset cl; Staatskapelle Dresden/Karl Böhm. DG 429 878-2 7 Puschmann, J. Organ concerto in D. Filip Dvorák, org; Musica Figuralis/Marek Cermak. Arta F10 222 10 Sinfonia in B flat. Musica Figuralis/Marek Cermák. Arta F10 222 20 Benda, G. Sonata no 13 in E flat. Jarmila Kozderková, pf. Classic Records 1060-2 11 Haydn, J. Keyboard trio in G minor, Hob. XV:19 (1793). Beaux Arts Trio. Philips 454 098-2 15 Beethoven, L. Symphony no 6 in F, op 68, Pastoral (1808). Academy of Ancient Music/ Christopher Hogwood. L’Oiseau-Lyre 421 416-2 41 12:00 CLASSIC JAZZ with Dave Mac The early days of jazz and ragtime as recorded during the first 30 years of the 20th century 13:00 WORLD MUSIC Whirled Wide with Carole Garland Showcases diverse music from cultures around the world, both traditional and modern, featuring musicians from all corners of the globe, including Australia

Reicha, A. 18 Variations and a fantasy in G on Mozart’s Se vuol ballare, op 51 (1804). Geoffrey Collins, fl; Dene Olding, vn; Julian Smiles, vc. Fine Music concert recording 16 Wind quintet in E flat, op 88 no 2 (1817). Michael Thompson Wind Quintet. Naxos 8.550432

15:00 SUNDAY SPECIAL Australians play Elgar Prepared by James Nightingale

Like to the damask rose (1892). Yvonne Kenny, sop; Caroline Almonte, pf. ABC 476 158-1

String quartet in E minor, op 83 (1918).Goldner String Quartet. Hyperion CDA67857 28

Mina (1932-33). Piers Lane, pf. Hyperion CDA67857 Variations on an original theme, op 36, Enigma (1899). Sydney SO/Vladimir Ashkenazy. Exton EXCL-00029

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Messiaen, O. Fantasie. Elizabeth Sellars, vn; Kenzi Fujimura, pf. Move MD 3369 8 Fauré, G. Sicilienne, op 78 (1898; arr. Kain). Virginia Taylor, fl; Timothy Kain, gui. Tall Poppies TP003 4

19:00 SUNDAY NIGHT CONCERT Prepared by Rex Burgess Schmidt, F. Introduction; Interlude; Carnival music, from Notre Dame (1914). Malmö SO/ Vassily Sinaisky. Naxos 8.570828 15 Bottesini, G. Grand double bass concerto in F sharp minor (c1878). Thomas Martin, db; English CO/Andrew Litton. Naxos 8.570397 23 Wagner, R. The ring, without words (1850-76; arr. Leinsdorf). Sydney Youth O/Alexander Briger. Fine Music concert recording 43 20:30 NEW HORIZONS Prepared by Paul Cooke

17:00 HOSANNA Prepared by Stephen Matthews Hymns. Be still my soul; Be Thou my vision; Lord of earth and all creation. Choir of Trinity College, University of Melbourne/Michael Leighton. ABC 476 5682 10 Hymn. I said I will take heed to my ways. Choir of St John’s College, Cambridge/George Guest. Decca 452 941-2 5 Zelenka, J. Sanctus; Agnus Dei, from Missa Omnium sanctorum. Stuttgart Chamber Choir; Tafelmusik/Frieder Bernius. Carus 83.279 12 Haydn, M. Ave Regina. Chamber Choir of St Jacob's Church Stockholm; Ensemble Philidor/ Eric Baude-Delhommais. BIS CD-859 9

Dvorák, A. String quartet in F, op 96, American (1893). Brodsky Quartet. Chandos CHAN 10801

Danzi, F. Wind quintet in G minor, op 56 no 2 (pub. 1821). Vienna-Berlin Ensemble. DG 423 591-2 14

Elgar, E. Overture: In the South, op 50, Alassio (1904). Sydney SO/Vladimir Ashkenazy. Exton EXCL-00029

Sea pictures, op 37 (1899). Elizabeth Campbell, mezz; Adelaide SO/Nicholas Braithwaite. ABC 476 796-6

18:00 SMALL FORCES Prepared by Rita Felton

Edwards, R. Arafura arioso (2006). SHE: Seven Harp Ensemble. Tall Poppies TP204

Patterson, P. Cello concerto, op 90 (2002). Raphael Wallfisch, vc; South-West German CO, Pforzheim/William Boughton. Nimbus NI 5815 24 Moore, K. Blackbird song (2018). Ensemble Offspring. ABC 481 9361 9 Tulve, H. The perfume of the myrtle rises. Charles Barbier, ct; Taniel Kirikal, ct; Ensemble Vox Clamantis; Ensemble Hortus Musicus/Jaan-Elk Tulve. ECM 2243 14 Dean, B. Beggars and angels (c1999). Melbourne SO/Markus Stenz. ABC 476 160-6 22:00 JAZZ AFTER HOURS with Sue Jowell Late night jazz, to listen and engage and relax

13:00 MEANDERING ACROSS EUROPE Part 1: SPAIN Prepared by Frank Morrison

09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by Gerald Holder

00:00 CLASSIC-ALL THROUGH THE NIGHT

Arriaga, J. String quartet no 1 in D minor (1824). Camerata Boccherini. Naxos 8.557628 23

Beethoven, L. Sonata no 14 in C sharp minor, op 27 no 2, Moonlight (1801). Radu Lupu, pf. Decca 478 2826 17

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with James Hunter

Rodrigo, J. Four love songs (1947). Montserrat Caballé, sop; Miguel Zanetti, pf. LP Acanta EA 29.334 7

Hyde, M. Trio in G (1948). Christine Draeger, fl; Anne Brisk, cl; James Muir, pf. Walsingham 2WAL8036-2 11

09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1934 Prepared by Dan Bickel

Murcia, S. de Two guitar pieces (c1730-32). Tommie Andersson, gui. Fine Music concert recording 6

Soler, A. Concerto no 2 in A minor. Bernard Brauchli, clvd; Esteban Elizondo, clvd. Titanic Ti-152 12

Falla, M. de Four Spanish pieces (1909). Daniel Ligorio, pf. Naxos 8.555065 16

Martinu, B. Concertino (Divertimento) in G (1926). Siegfried Rapp, pf; Sondershausen Loh O/Gerhardt Wiesenhütter. Praga PRD 250 316 21

Monday 2 May

Durkó, Z. Sinfonietta (1983). Philip Jones Brass Ensemble. Chandos CHAN 8490 11

Khachaturian, A. Pepo (1934). Armenian PO/ Albéniz, I. Suite: Iberia (1906-08; orch. Arbós). Minneapolis SO/Antal Dorati. Loris Tjeknavorian. ASV DCA 966 5 Mercury 478 5092

Weiner, L. Divertimento no 1 for string orchestra, op 20 (1934). Budapest CO/ Giovanni Pacor. Interopera-Art Agent PBS 12360

14:30 SORROWFUL SONGS Prepared by Derek Parker

Gershwin, G. Porgy and Bess transcriptions (1934; arr. Heifetz). Gil Shaham, vn; Akira Eguchi, pf. DG 447 640-2 16

Staatskapelle Dresden/Giuseppe Sinopoli. DG 480 0478 29

Purcell, H. Dido’s lament, from Dido and 11 Aeneas (1689). Renée Fleming, sop; Edin Ibert, J. Flute concerto, op 15 (1934). Manuela Karamazov, lute. Wiesler, fl; Helsingborg SO/Phillipe Auguin. Decca 478 1077 4 BIS CD-529 21 Strauss, R. Metamorphosen (1944-45).

Turina, J. Gypsy dances, op 84 (1934). Jordi Masó, pf. Naxos 8.557150 14 10:30 CONCERT HALL Prepared by Rita Felton

Górecki, H. Symphony no 3, op 36, Symphony of sorrowful songs (1976). Yvonne Kenny, sop; Adelaide SO/Takuo Yuasa. ABC 472 040-2 51 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Nicky Gluch

Dvorák, A. Overture: In nature’s realm, op 91 19:00 JAZZ PULSE (1891). Vienna State Opera O/László Somogyi. with Chris Wetherall Westminster 471 266-2 15 Jazz across the wide spectrum from early Bruch, M. Violin concerto no 1 in G minor, op Louis to Coltrane, with plenty of Ellington and 26 (1868). Lydia Mordkovitch, vn; London SO/ Basie, through to hard bop Neeme Järvi. Chandos CHAN 8667 24 20:00 STORMY MONDAY with Austin Harrison Prokofiev, S. Symphony no 6 in E flat minor, op 111 (1945-47). Los Angeles PO/André Previn. Philips 420 934-2 41

12:00 SWING SESSIONS with John Buchanan Featuring bands of the 1930s swing era and the dance bands of the 1920s taken from radio broadcasts, transcriptions and recording sessions

Rachmaninov, S. Variations on a theme of Corelli, op 42 (1931). Daniil Trifonov, pf. DG 479 4970 18 10:30 CONCERT HALL Prepared by Elaine Siversen Grieg, E. Symphonic dances, op 64 (1898). Academy of St Martin in the Fields/Neville Marriner. hänssler 98.128 31 Benoit, P. Flute concerto, op 43a, Symphonic tale (1865). Gaby van Riet, fl; Royal Flanders PO/Frédéric Devreese. Marco Polo 8.223827 20 Vaughan Williams, R. Symphony no 4 in F minor (1931-34). New Philharmonia O/Adrian Boult. EMI CDC 7 63098 2 33 12:00 JAZZ RHYTHM with Jeannie McInnes An eclectic blending of agreeable rhythm and melody from the New Orleans jazz roots through to recent decades, including many Australian bands 13:00 COMPOSER FOCUS Part 13 John Rutter

Rutter, J. Suite for strings (1973). Royal Ballet Sinfonia/David Lloyd-Jones. 22:00 JAZZ AFTER HOURS 12 Late night jazz, to listen and engage, and relax Naxos 8.554186 Distant land. Royal PO/John Rutter. ucj 476 124-2 6 Tuesday 3 May 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Julie Simonds

Candlelight carol (1985). Idea of North. ABC 476 5169

I wish you Christmas. Cambridge Singers; Farnham Youth Choir; Royal PO/John Rutter. Collegium COLCD 133 4 Beatles concerto (1979). Peter Rostal, pf; Paul Schaefer, pf; Royal PO/John Rutter. ucj 476 124-2 24

14:00 THE OTHER SIDE OF REYNALDO HAHN Prepared by Stephen Wilson Hahn, R. Overture: Mozart (1926) Radio France Lyric O/Pierre-Michel le Conte. Gaîté Lyrique 201372 Piano quintet in F sharp minor (1921). Alexandre Tharaud, pf; Quatuor Parisii. Auvidis V 4848 Sonata in C (1926). Charles Stewart, vn; Stephen Coombs, pf. Hyperion CDH55379

13:00 IN CONVERSATION with Simon Moore Each week we meet one of the world’s great musicians, singers, composers or conductors, along with up-and-comers and some of the men and women who influence the arts landscape. The program goes live to air so you never quite know what’s going to happen.

Wednesday 4 May

00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Stephen Wilson

14:00 FROM BRITTANY Prepared by Paul Cooke

09:00 DIVERSIONS IN FINE MUSIC String quartet no 2 in F (1939). Quatuor Parisii. Rescued from the shadows Auvidis V 4848 24 Prepared by Rex Burgess Nocturne in E flat (1906). Charles Stewart, vn; Locatelli, P. Violin concerto in A, op 3 no 11, from The art of the violin (pub. 1733). Elizabeth Stephen Coombs, pf. Hyperion CDH55379 6 Wallfisch, vn; Raglan Baroque Players/ Nicholas Kraemer. Piano concerto in E (1931). Stephen Coombs, Hyperion CDS44391/3 18 pf; BBC Scottish SO/Jean-Yves Ossonce. Hyperion CDA66897 28 Galuppi, B. Arripe alpestri ad vallem (c1750). Gérard Lesne, ct; Il Seminario Musicale. 16:00 FINE MUSIC DRIVE Virgin VC 5 45030 2 20 including Arts Calendar at 5.00pm Sammartini, G. Sonata in G (1745). Mario with Andrew Dziedzic Carbotta, fl; Roberto Cognazzo, hpd. 19:00 THE JAZZ BEAT with Lloyd Capps Smooth small group jazz from the 50s on, and with a visit from Miles Davis each week 20:00 JUST IN with Michael Field A selection from the latest recordings to arrive at the Fine Music Library 22:00 CHAMBER SOIRÉE Prepared by Albert Gormley Bach, J.S. Cello suite no 1 in G, BWV1007 (c1720). Pablo Casals, vc. LP HMV RLS 712 16

Nuova Era 7022

Cherubini, L. Overture to Lodoïska (1791). Zurich CO/Howard Griffiths. cpo 999 5212 11 Paisiello, G. Il mio ben quando verrà, from Nina, o sia La pazza per amore (1789). Mojca Erdmann, sop; La Cetra Baroque O/Andrea Marcon. DG 477 8979 7 Cartellieri, A. Quartet in D. Dieter Klöcker, cl; Consortium Classicum. MDG 301 1483-2 16 10:30 CONCERT HALL Prepared by Frank Morrison

Bottesini, G. Gran duetto no 3 (1836-39). Joel d’Indy, V. Saugefleurie, op 21 (1884). Quarrington, db; Harold Hall Robinson, db. Württemberg PO/Gilles Nopre. Naxos 8.557042 12 Marco Polo 8.223659 16 Campagnoli, B. String quartet no 2 in B flat. Ponce, M. Piano concerto (1912). Jorge Ensemble Symposium. Federico Osorio, pf; Mexico State SO/Enrique Brilliant Classics 95037 10 Bátiz. Berwald, F. Grand septet in B flat for winds ASV DCA 926 20 and strings. Gaudier Ensemble. Bruckner, A. Symphony no 1 in C minor Hyperion CDA66834 22 (1866). Vienna PO/Claudio Abbado. Bliss, A. Conversations for flute, oboe and Decca 478 5365 46 string trio (1920). Nicholas Daniel, ob; Michael 12:00 JAZZ SKETCHES Cox, fl; members of Maggini Quartet. Naxos 8.557108 15 with Robert Vale Focussing on contemporary jazz, often Dvorák, A. Piano quintet in A, op 81 (1887). gathered from emerging cultures and Susan Collins, vn; Tony Gault, vn; Roger Australian Benedict, va; Catherine Hewgill, vc; TamaraAnna Cislowska, pf. Fine Music concert recording

Cras, J-E. Quintet for flute, harp and string trio (1928). Michel Moraguès, fl; Isabelle Moretti, hp; members of Quatuor Parisii. naïve V 5129 21 Langlais, J. Suite brève (1947). Kevin Bowyer, org. Nimbus NI 5408

Bourgault-Ducoudray, L-A. Rhapsodie cambodgienne (1882). Slovak RSO/Adriano. Marco Polo 8.225234 17 Ropartz, J. Psalm 136 (1897). Île de France Regional Vittoria Choir; Eric Lebrun, org; Nancy Symphonic and Lyric O/Michel Piquemal. Naxos 8.555656 15 Le Flem, P. Piano quintet (1909). Musicians of Aquitaine National Centre for Chamber Music. Cybelia CY 815 40 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Tom Forrester-Paton 19:00 PLANET JAZZ with Xavier Bichon A musical journey to different parts of the world where jazz meets other musical traditions, from Africa to Europe, with a slice of Australia 20:00 AT THE OPERA Prepared by Elaine Siversen

Mozart, W. Il sogno di Scipione, K126. Theatrical serenade (azione teatrale) in one act. Libretto by Pietro Metastasio after Cicero’s Somnium Scipionis. First performed Salzburg, 1 May 1772 (incomplete). First performed (complete) Salzburg, 1979. SCIPIONE: Peter Schreier, ten FORTUNA: Edita Gruberova, sop COSTANZA: Lucia Popp, sop PUBLIO: Claes Ahnsjö, ten EMILIO: Thomas Moser, ten Salzburg Chamber Choir; Mozarteum O/ Leopold Hager. Philips 422 531-2 1:52

In a dream, Scipio (Scipio Africanus the Younger) has to decide which goddess he wants to guide him through his life: Fortune, the provider of the world’s good things, or the reliable, trustworthy Constancy. He finds himself in the temple of heaven where he recognises his uncle and adoptive father, Publio (Scipio Africanus the Elder), who assures him that only the mortal bodies of the heroes are dead; their spirits are alive and immortal. Publio speaks of the rewards that await the blessed in heaven and Scipio’s father, Emilio, speaks of the frailty of mortals and shows him the earth, a tiny speck amid the innumerable stars of the universe. Fortune tries to persuade him to choose her, telling him of her power to destroy and create, to corrupt innocence and empower evil, but also to bring him good luck. Constancy says that only she can bestow the power of loyalty and that evil cannot always defeat virtue. Scipio chooses Constancy and is eager to join the heroes in the temple of heaven but learns that he must return to earth to suffer and conquer before he merits a place in Paradise. Furious at being rejected, Fortune calls plagues down on Scipio but he prevails against Fortune, waking in his palace, feeling the presence of Constancy beside him. Laudate Dominum, from Vesperæ de Dominica, K321 (1779). Lucia Popp, sop; Ambrosian Singers; English CO/Georg Fischer. EMI CDM 7 69546 2

Venga la morte, from Idomeneo, K490 (1781). Munich RSO/Peter Schreier, ten & dir. Philips 464 880-2 8

Thursday 5 May 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Simon Moore 09:00 DIVERSIONS IN FINE MUSIC The instruments: Woodwinds Prepared by Anabela Pina Anon. O’monaciello. Gabriella Aiello, voice, castanets; Peter Rabanser, baroque gui, colascione; Ensemble Oni Wytars. DHM 90882219075 4 Warlock, P. Capriol suite (1926-28). Musica Dolce/Clas Pehrsson, rec & dir. BIS CD-8 10 Fernandes, G. Eso rigo e repente; Xicochi conetzintle. La Compañia/Danny Lucin, cornetto & dir. ABC 476 4955 6 Rossini, G. Overture to La gazza ladra (1817; arr. Carulli). Debra Wendells Cross, fl; Robert Alemany, cl; JoAnn Falletta, gui. Virginia Arts Festival VA901 10 Roman, J. Oboe d’amore concerto in D. Alf Nilsson, ob d’amore; Anders Öhrwal, hpd; Stockholm Sinfonietta/Jan-Olav Wedin. BIS CD-165 16

Mozart, W. Trio in E flat, K498, Kegelstatt (1786). James Campbell, cl; Rostislav Dubinsky, va; Luba Edlina, pf. Misera, dove son? … Ah! non son io che parlo, Chandos CHAN 8655 22 K369 (1781). Edita Gruberová, sop; Vienna Barsanti, F. Corn rigges are bonny; Gilderoy; CO/György Fischer. Decca 430 300-2 7 The highland laddie; Clout the caldron; Johnny Faa (pub.1742, arr. McGuiness). Chris 22:30 MUSIC OF THE NIGHT MacDougall, ten; Chris Norman, fl, whistle; Prepared by Chloe Sinclair Joanna Parker, vn; Sarah Bevan-Baker, vn; Katherine McGillivray, va; Alison McGillivray, Schoenberg, A. Transfigured night, op 4 (1899; orch. 1917/43). Berlin PO/James Levine. vc; Ninian Perry, db; Elizabeth Kenny, DG 469 804-2 29 gui, theorbo; Concerto Caledonia/David McGuiness, hpd & dir. Britten, B. String quartet no 3, op 94 (1975). Linn CKD 140 10 Lindsay String Quartet. ASV DCA 608 29 10:30 CONCERT HALL Higdon, J. Impressions (2003). Cypress String Quartet. Naxos 8.559298 27

Prepared by Derek Parker

Smetana, B. Overture and dances from The bartered bride (1866). London SO/Geoffrey Simon. LP Chandos ABRD 1149 24 Harty, H. Piano concerto (1922). Malcolm Binns, pf; Ulster O/Bryden Thomson. Chandos CHAN 7035 38

Hoffmann, E. Symphony in E flat (1805-06). Concerto Bamberg/Rolf Beck. Schwann 3-1148-2 21 12:00 JAZZ AFTER NOON with Sue Jowell Featuring swing to mainstream jazz with regular appearances from the Great American Songbook 13:00 AUSTRALIAN VIOLIN Prepared by James Nightingale Holland, D. Sonata (1937). Asmira Woodward-Page, vn; Scott Davie, pf. Artworks AW034 Martin, C. Violin solo II (1997). Marianne Rothschild, vn. Salisbury Records SR171119

Schultz, A. Violin concerto, op 55 (1996). Jennifer Pike, vn; Tasmanian SO/Richard Mills. ABC 476 4519 34 14:00 IN BRONZE OR IN THE ZOO Prepared by Michael Morton-Evans Auber, D-F-E. Overture to The bronze horse (1835). Czecho-Slovak PO/Richard Hayman. Naxos 8.553264 8 Duarte, J. Birds, op 66. Antigoni Goni, gui. Naxos 8.554554 10 Tavener, J. The tiger (1985). Choir of St John’s College, Cambridge/Christopher Robinson. Naxos 8.555256 5 Sandström, J. The singing apes of Khao Yai. Sons of Orpheus/Robert Sund. BIS CD-733 7 Wilder, A. Tuba suite no 1, Effie the elephant (1959). Peter Whish-Wilson, tuba; Adelaide SO/David Stanhope. ABC 476 525-1 13 Delibes, L. The nightingale. Joan Sutherland, sop; Richard Bonynge, pf. Decca 475 6302 5 Waller, T. (Fats) Alligator crawl. Simon Tedeschi, pf. Sony SK89233

15:00 WINTER WASSAIL Prepared by Brian Drummond Larsson, L-E. The winter's tale, four vignettes (1937-38). Stockholm Sinfonietta/Jan-Olav Wedin. BIS CD-165 10 Byrne, M. In a winter landscape (2009). Peter Sheridan, fl, elec. Move MD 3349 5 Bax, A. Winter legends (1930). Ashley Wass, pf; Bournemouth SO/James Judd. Naxos 8.572597 38

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Peter Poole

09:00 DIVERSIONS IN FINE MUSIC Something borrowed Prepared by Chris Blower

19:00 THE NEW JAZZ STANDARD with Frank Presley A fresh perspective on modern music contributing to the standard jazz repertoire, with fine jazz interpretations from the world of pop, rock, film and contemporary jazz 20:00 THE WORLD OF A SYMPHONY Prepared by Paul Cooke Franck, C. Chorale no 3 in A minor (1890; transcr.). Stephen Hough, pf. Hyperion CDA66918 11 Widor, C-M. Suite florentine (1919; arr. Reede). Thies Roorda, fl; Alessandro Soccorsi, pf. Naxos 8.573764

Vierne, L. Piano quintet, op 42 (1917). François Kerdoncuff, pf; Quatuor Phillips. Timpani 2C 2019 30 Moore, D. The willow song, from Ballad of Baby Doe (1956). Amelia Farrugia, sop; Sharolyn Kimmorley, pf. Fine Music tape archive 4 Tournemire, C. Symphony no 6, op 48 (1918). Daniel Galvez-Vallejo, ten; Namur Symphonic Choir; Brussels Polyphonic Choir; Liège PO/ Pierre Bartholomée. Naïve V4911 53 22:00 P.S. QUARTET NUMBER 8 Prepared by James Nightingale Edwards, R. Maninya I (1981-86). Jenny Duck-Chong, mezz; Geoffrey Carter, vc. Halcyon 2013 11 Sculthorpe, P. String quartet no 8 (1968). Goldner String Quartet. Tall Poppies TP089 15 22:30 ULTIMA THULE Ambient and atmospheric music

Friday 6 May 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Vicky Zhang

Holst, G. Mars, from The planets, op 32 (1914-16; arr. Sauer). Summit Brass. Summit Records DCD 171

Deutscher, A. Up in the sky; When the day falls into darkness; The star of hope, from Cinderella (2012-15; arr. Deutscher 2019). Alma Deutscher, pf. Sony 19075990192 11 Prokofiev, S. Five pieces from Cinderella (1943). Lydia Mordkovitch, vn; Nicholas Walker, pf. Chandos CHAN 10526 19 Bassi, L. Fantasy on themes from Verdi’s Rigoletto (1885). Seunghee Lee, cl; Arlene Shrut, pf. Summit Records DCD 276 13 Paganini, N. Variations on The carnival of Venice (1829). Franco Mezzena, vn; Adriano Sebastiani, gui. Dynamic CDS 03 13 Mozart, W. Horn concerto in E flat, K495 (1786; arr. Simonds 2014 for flute, clarinet, horn and string quartet). Sydney Soloists. Fine Music concert recording 16

Allen, G. Diversions 11 and 12 (1992-94). Joy Harrison, ob; Jack Harrison, cl; Jill Mowson, bn. Jade JADCD 1053 4 Beethoven, L. Quintet in E flat, op 16 (1796). Lothar Koch, ob; Karl Leister, cl; Günter Piesk, bn; Gerd Seifert, hn; Jörg Demus, pf. DG 439 852-2 26 14:00 OPERA IN CONCERT Prepared by Giovanna Grech Heuberger, R. Overture to The opera ball (1898). Vienna PO/Willi Boskovsky. Decca 436 785-2 7 Verdi, G. Uldino! Uldin! Mentre gonfiarsi l'anima, from Attila (1846). Adrian Martin, ten; Samuel Ramey, bass; Philharmonia O/ Donato Renzetti. Philips 420 184-2 8 Rossini, G. Caro padre, madre amata, from The Turk in Italy (1814). Emma Matthews, sop; Melbourne SO/Andrea Molino. ABC 481 4236 5 Offenbach, J. Va, pour Kleinzach, from The tales of Hoffmann (1881). Plácido Domingo, ten; Suisse Romande O/Richard Bonynge. Decca 440 844-2 6

10:30 CONCERT HALL Prepared by David Brett

Donizetti, G. Ballet music, from La favorita (1840). London SO/Richard Bonynge. Decca 452 772-2 9

Hovhaness, A. Symphony no 4 for wind orchestra, op 165 (1958). Royal Scottish Academy of Music and Drama Wind O/Keith Brion. Naxos 8.559207 20

Delibes, L. Viens Malika ... Dôme épais le jasmin, from Lakmé (1883). Joan Sutherland, sop; Jane Berbié, mezz; Monte Carlo NO/ Richard Bonynge. Decca 440 844-2 6

Thalberg, S. Piano concerto in F minor, op 5 (c1830). Francesco Nicolosi, pf; Razumovsky SO/Andrew Mogrelia. Naxos 8.553701 29

Cherubini, L. Nemici senza cor, from Medea (1797). Gwyneth Jones, sop; Bruno Prevedi, ten; St Cecilia Academy O/Lamberto Gardelli. Decca 440 844-2 5

Chausson, E. Symphony in B flat, op 20 (1889-90). BBC PO/Yan Pascal Tortelier. Chandos CHAN 9650 33

Mussorgsky, M. Just one last tale, from Boris Godunov (1874). Sergei Larin, ten; Philharmonia O/Gennady Rozhdestvensky. Chandos CHAN 9603 5

12:00 A JAZZ HOUR with Barry O'Sullivan Contemporary and modern sounds of 'now' in jazz from all corners of the globe with a focus on contemporary jazz from Australia and regular interviews with local and visiting musicians 13:00 WINDS IN THE CHAMBER Prepared by Gerald Holder Arnold, M. Three sea shanties (1943). Vega Wind Quintet. LDR LDRC 1002 7 Cambini, G. Wind quintet no 1 in B. Avalon Wind Quintet. Naxos 8.553410 15

15:00 ARTISTRY OF THE BEAUX ARTS TRIO Prepared by Frank Morrison Haydn, J. Keyboard trio in F, Hob.XV:37 (1766). Beaux Arts Trio. Philips 454 098-2

Schubert, F. Piano quintet in A, D667, The trout (1819). Samuel Rhodes, va; Georg Hörtnagel, db; Beaux Arts Trio. Philips 475 439-2 39 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with James Hunter

19:00 FRIDAY JAZZ SESSION with Alex Siegers A focus on the current Sydney jazz scene mixed with a range of international jazz stars and an occasional guest interview 20:00 EVENINGS WITH THE ORCHESTRA National styles/National orchestras Prepared by Robert Small Batterham, A. Trumpet concerto (2020). David Elton, tpt; Sydney String Virtuosi/ Umberto Clerici. ABC 485 56939 18 Walton, W. Symphony no 1 in B flat minor (1931-35). London SO/Colin Davis. LSO Live LSO 0681 46 Debussy, C. La mer (1903-05). Lyon NO/Jun Märkl. Naxos 8.570759 25 Higdon, J. Viola concerto (2014). Roberto Díaz, va; Nashville SO/Giancarlo Guerrero. Naxos 8.559823 22 22:00 BAROQUE AND BEFORE Gone too soon Prepared by Susan Foulcher Gibbons, O. The cry of London, parts 1 and 2. Red Byrd; Fretwork. Virgin VC 7 90849-2 7

William Carter, baroque gui; Richard Egarr, hpd. Wigmore Hall Live WHLive0065 13 Thy hand Belinda ... When I am laid in earth, from Dido and Aeneas, Z626 (1690). Barbara Bonney, sop; Academy of Ancient Music/ Christopher Hogwood. ABC 480 5996 5 Excerpts from Funeral music for Queen Mary (1695). Baroque Brass of London; Brandenburg Consort/David Hill. Decca 475 050-2

Saturday 7 May 00:00 CLASSIC-ALL THROUGH THE NIGHT

Three viol consort pieces. Fretwork. Virgin VC 7 90849-2

Humfrey, P. O give thanks unto the Lord; O Lord my God; Lift up your heads. Drew Minter, ct; Rogers Covey-Crump, ten; John Potter, ten; David Thomas, bass; Choir of Clare College, Cambridge; Romanesca/Nicholas McGegan. Harmonia Mundi HMU 907053 29

Pepusch, J. Would you have a young virgin?; What shall I do to show how much I love her?, from The beggar’s opera (1728). Patrizia Kwella, sop; Paul Elliott, ten; Broadside Band/ Jeremy Barlow. Harmonia Mundi HMC 901071 9 Handel, G. Suite no 1, HWV348, from Water music (c1715/36). Le Concert des Nations/ Jordi Savall. Astrée E 8512 20 11:30 ON PARADE Music that's band Prepared by Owen Fisher

06:00 SATURDAY MORNING MUSIC Trad. Mexican hat dance. Ian Williams, cornet; with David Garrett Cory Band/Robert Childs. Doyen DOY 264 5 09:00 WHAT'S ON IN MUSIC Anderson, L. Belle of the ball. Allentown Our weekly guide to musical events in and Band/Ronald Demkee. around Sydney AMP 2E 119 3 09:05 THE PIANO ALONE Glinka, M. Overture to Ruslan and Ludmila. Prepared by Rita Felton Grimethorpe Colliery Band/Robert Childs. Grieg, E. Lyric pieces, bk 3, op 43 (1886). Leif Ove Andsnes, pf. Virgin VC 7 59300 2 14

Prelude and ground; Fantasia. Paul Nicholson, Bach, J.S. Concerto in F, BWV971, Italian org. (1735). Angela Hewitt, pf. Virgin VC 7 90849-2 8 DG 429 975-2 13 Excerpts from First set of madrigals (1612). Hyde, M. Sonata in G minor (1941-44). Miriam Emma Kirkby, sop; Members of Consort of Hyde, pf. Musick/Anthony Rooley. Canberra School of Music CSM:16 22 Decca 476 7227 10 10:00 CENTRES OF MUSIC O clap your hands. Choir of Christ Church St 18th century London Part 1 Laurence; David Drury, org; Neil McEwan, Prepared by Elaine Siversen cond. Walsingham WAL 8014-2

Loeillet of London, J.B. Sonata in C minor for recorder and basso continuo. Frans Brüggen, rec; Nikolaus Harnoncourt, va da gamba; Gustav Leonhardt, hpd. LP Telefunken SMA 25073 8

Paisible, J. Sonata prima in D minor. Sally Melhuish, rec; Hans-Dieter Michatz, rec; Tim Bloomfield, bass vn; Monika Kornell, hpd. Salut SAL001 7

Grim 2015

Sousa, J.P. March from The Mikado. Allentown Band/Ronald Demkee. AMP 2D 059

Trad. Rhapsody on negro spirituals. Black Dyke Mills Band/Roy Newsome. Chandos CHAN 4528 8 12:00 URBAN JAZZ LOUNGE with Leita Hutchings New, hip, fun and traditional jazz: tons of cool jazz, presented in a chilled and laid-back, lounge style 13:00 TREASURES OF THE VOICE Showcasing Jan DeGaetani Prepared by Rex Burgess

Brahms, J. Five songs, op 72 (1877). Jan Croft, W. Hymn: O God, our help in ages past. DeGaetani, mezz; Gilbert Kalish, pf. Cantillation; David Drury, org; David Russell, Arabesque Z6 141 10 cond. ABC 476 5095 2 Schumann, R. Er und Sie, op 78 no 2; Ich bin dein Baum, op 101 no 3; Heiss mich The burial service (pub. 1724). Choir of St nicht reden, op 98a no 5; Singet nicht in Purcell, H. Suite from The fairy queen (1692). Paul's Cathedral, London/John Scott. Trauertönen, op 98a no 7. Jan DeGaetani, Hyperion CDA66606 13 Camerata Kilkenny. mezz; Leslie Gunn, bar; Gilbert Kalish, pf. RTE lyric fm CD156 12 Babell, W. Recorder concerto no 2 in D. Dan Nonesuch 7559-71364-2 13 Strike the viol, from Come ye sons of Art away, Laurin, rec; Van Wassenaer O/Makoto Akatsu. Carter, E. Dust of snow; The Rose family, BIS CD-985 7 Z323 (1694); Here the deities approve, from from Three poems of Robert Frost (1942). Jan Welcome to all pleasures, Z339 (1683); Fairest Eccles, J. Suite, ‘made for the Queen's DeGaetani, mezz; Gilbert Kalish, pf. coronation’ (1702). Mark Bennett, tpt; isle, from King Arthur, Z628 (1691). Iestyn Nonesuch 7559-79248-2 2 Davies, ct; Pamela Thorby, rec; Tabea Debus, Members of Parley of Instruments/Peter Brahms, J. Four serious songs, op 121 Holman. rec; Bojan Cicic Pedder, vn; Stephen Pedder, (1896). Jan DeGaetani, mezz; Gilbert Kalish, Hyperion CDA66817 12 vn; Julia Kuhn, va; Mark Levy, va da gamba; pf. Arabesque Z6 141 18

Schumann, R. In der Nacht, op 74 no 4 (1849). Jan DeGaetani, mezz; Leslie Gunn, bar; Gilbert Kalish, pf. Nonesuch 7559-71364-2 6

The last time I saw Paris, from the film Lady be good. Thomas Hampson, bar; London Sinfonietta/John McGlinn. EMI 6 98335 2 4

Sunday 8 May

Schubert, F. Rondeau brillant in B minor, D895 (1826). Adele Anthony, vn; Jonathan Feldman, pf. Naxos 8.554148 15

00:00 CLASSIC-ALL THROUGH All the things you are, from Very warm for May. THE NIGHT Ella Fitzgerald, voice. Verve 529 907 2 3 06:00 SUNDAY MORNING MUSIC with Vicky Zhang 19:00 EMERGENT JAZZ with Keith Pettigrew 09:00 MUSICA SACRA Australian jazz of the 21st century featuring Prepared by Jacky Ternisien high school jazz combos, tracks from Sydney's Fauré, G. Messe basse (1881-2/86). Boys pre-eminent jazz programs at UNSW and 'The of King’s College Choir, Cambridge/Stephen Con' and new Australian and international jazz Cleobury. releases EMI 5 57896 2 9

14:30 SATURDAY MATINEE Orchestral grandeur Prepared by Paul Cooke

20:00 THE LIFE OF A COMPOSER Florent Schmitt Prepared by Jacky Ternisien

Caron, F. Sanctus, from Mass Clemens et benigna. Huelgas Ensemble/Paul Van Nevel. DHM G010003387846U 4

Schmitt, F. Sonatine en trio, op 85 (1935). Emmanuel Pahud, fl; Paul Meyer, cl; Éric Le Sage, pf. EMI 5 57948 2 8

Saint-Saëns, C. Mass, op 4 (1855; arr. Roques). Isabel Balmori-Padesca, sop; Annelise Theodoloz, cont; Laurent Dami, ten; Alain Clement, bar; Stephan Imboden, bass; Ensemble Vocale de Lausanne; Marie-Claire Alain, org; André Luy, org; Michel Corboz, cond. apex 8573 89235 2 40

14:00 AUSTRALIAN PERFORMERS Prepared by James Nightingale Graf, F.H. Flute quartet in G, op 5 no 5 (pub. c1775). Members of Australian Haydn Ensemble. Fine Music concert recording 11

Sullivan, A. Overture to The pirates of Penzance (1879). Adelaide SO/James Christiansen. ABC 480 4510

Bax, A. Tone poem: Tintagel (1917-19). London PO/Adrian Boult. Belart 461 3542

Gardner, J. Symphony no 1 in D minor op 2 (1947). Royal Scottish NO/David Lloyd-Jones. Naxos 8.570406 41 Gunning, C. Music from the film Rebecca (1997). Julia Bradshaw, vc; BBC PO/Rumon Gamba. Chandos CHAN 10625 7 Waxman, F. Film score: Rebecca (1940). Viktor Simciscko, vn; Slovak RSO/Adriano. Naxos 8.557549 1:13 17:00 SOCIETY SPOT Folk Federation of NSW with Carole Garland

In memoriam Gabriel Fauré, op 72 (1922). Rhineland State PO/Pierre Stoll. Cybelia CY 816 15 Fauré, G. Masques et bergamasques, op 112 (1919). Orpheus CO. DG 449 186-2 14 Schmitt, F. Retour à la terre; Si mes poches; Trois goélettes, from Á contre-voix for six choirs of mixed voices a cappella, op 104 (1943). Groupe Vocal de France/John Aldis. EMI CDC 7 54452 2 6 Feuillets de voyage, bk 2, op 26 (1903-13). Invencia Piano Duo. Grand Piano GP730X 15 Massenet, J. Suite from Cendrillon (1899). Hong Kong PO/Kenneth Jean. Naxos 8.555986 10

10:00 THE CLASSICAL ERA Prepared by Peter Poole Stamitz, C. Viola concerto in D, op 1 (pub. 1774). Jan Peruska, va; Prague Philharmonia/ Jirí Belohlávek. Supraphon SU 3929-2 21 Hook, J. Keyboard concerto in D, op 1 (pub. 1771; arr. Holman). Parley of Instruments Baroque O/Paul Nicholson, pf & dir. Hyperion CDA66700 15

Crusell, B. Clarinet concerto no 1 in E flat, op 1 (1803). Emma Johnson, cl; Royal PO/ Günther Herbig. ASV DCA 763 23 Schmitt, F. Saxophone quartet, op 102 (1941). 18:00 STAGE AND SCREEN Deffayet Quartet. Prepared by Sue Jowell Carulli, F. Fantasy in G on themes from EMI 5 72360 2 15 Bellini's Il pirata, op 337. Jean-Pierre Rampal, Kern, J. Excerpts from shows pre-1920. Kiri fl; Alexandre Lagoya, gui. Suite no 1 from Incidental music to Te Kanawa, sop; Rebecca Luka, Hugh Panaro, 11 Shakespeare’s Antony and Cleopatra, op 69a CBS MK 42130 voices. EMI 6 98335 7 15 (1920). Buffalo PO/JoAnn Falletta. Byström, T. Sonata no 1, op 1 (pub. 1799). Naxos 8.573521 22 Yoshiko Arai, vn; Izumi Tateno, pf. Excerpts from Showboat. Ava Gardner, 14 Barbara Cook, Anita Darian, voices; John Rait, 22:00 SATURDAY NIGHT AT HOME Finlandia FACD 012 bar; Paul Robeson, bass. Beethoven, L. Cantata on the ascension of Prepared by Chris Blower Sony 6 1877 14 Emperor Leopold II, WoO88 (1790). Judith Lanchbery, J. Music from the film Tales of Howarth, sop; Jean Rigby, mezz; John Mark Excerpts from Roberta. Kathryn Grayson, Beatrix Potter (1970). Royal Opera House O/ Ainsley, ten; José van Dam, bass; Corydon sop; Kiri Te Kanawa, sop; Eddy Duchin, Fred John Lanchbery. Singers & O/Matthew Best. Astaire, voices. EMI 7 54537 2 52 Hyperion CDA66880 23 EMI/PRISM 6 98335/1341 12 Schubert, F. Octet in F for strings and wind, Excerpts from Swingtime. Matthew Scott, Kate D803 (1824). Ensemble Carl Stamitz/Jean12:00 CLASSIC JAZZ Baldwin, voices. with Dave Mac Louis Sajot. PS Classics 1211 6 Pierre Verany PV.790033 1:02

19:00 SUNDAY NIGHT CONCERT Prepared by Anabela Pina

13:00 WORLD MUSIC Whirled Wide with Orli Zahava

Moszkowski, M. Five Spanish dances, bk 1, op 12. London SO/Ataúlfo Argenta. Decca 478 2826 14

14:00 INTIMATE VOICES Reicha’s quintets for wind Part 2 Prepared by Elaine Siversen Reicha, A. Trio for three cellos (1807). Han Bin Yoon, vc; Kacper Novak, vc; Justine Metral, vc. Alpha ALPHA 369 26 Clarinet quintet in B flat (1820). Wolfhard Pencz, cl; Amati Quartet. Divox CDX 29105 28 15:00 SUNDAY SPECIAL Fine Music Showcase A program of live recordings made in the Founders' Studio at Fine Music Sydney by local jazz and classical musicians.

Wranitzky, P. Cello concerto in C, op 27 (pub. 1794). Chiara Enderle, vc; Munich CO/Howard Griffiths. Sony 88875127122 22 Respighi, O. Ancient airs and dances, suite no 2 (1924). Australian CO/Christopher Lyndon-Gee. Omega OCD 1007 20 Clementi, M. Symphony no 1 in C. Philharmonia O/Francesco d’Avalos. ASV DCS 247 20:30 NEW HORIZONS Prepared by Angus McPherson

17:00 HOSANNA Prepared by Meg Matthews Hymns. Lord of all hopefulness; O Thou who camest from above. Choir of Winchester Cathedral; David Dunnett, org; David Hill, cond. Herald HAVPCD 185 5 Psalms. No 121; no 67. Choir of Winchester Cathedral; David Dunnett, org; David Hill, cond. Herald HAVPCD 185 4 Palestrina, G. da Kyrie; Sanctus; Benedictus; Agnus Dei, from Missa Papae Marcelli (pub. 1567). The Sixteen/Harry Christophers. Collins Classics 50092 13 Monteverdi, C. Laudate pueri; Magnificat, from Venetian Vesper music (1640). Taverner Consort Choir & Players/Andrew Parrott. EMI CDC 7 47016 2 21 Brahms, J. Begräbnisgesang, op 13 (1858). Stuttgart Chamber Choir; members of German Philharmonic CO/Frieder Bernius. Carus 83.201 5

Beath, B. Lagu, lagu, manis (1993). Gary Williams, vc; Betty Beath, pf. Jade JADCD 1036

Aho, K. Double bass concerto (2005). Eero Munter, db; Lahti SO/Jaakko Kuusisto. BIS BIS-1866 28 22:00 JAZZ AFTER HOURS with Deborah Evans

Monday 9 May

Khachaturian, A. Trio for clarinet, violin and piano (1932). Eimer Trio. Dynamic CDS60 16

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Robert Small

Dvorák, A. String quartet in F, op 96, American (1893). Takács Quartet. Decca 476 2802

Tabakova, D. Concerto for cello and strings (2008). Kristina Blaumane, vc; Lithuanian CO/ Maxim Rysanov. ECM 2239 476 4826 21

00:00 CLASSIC-ALL THROUGH THE NIGHT

09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1892 Prepared by Michael Morton-Evans

Sarasate, P. de Scottish airs, op 34 (1892). Adele Anthony, vn; Akira Eguchi, pf. Canary CC07 9 Arensky, A. Suite no 2, op 23, Silhouettes (1892). Stephen Coombs, pf; Ian Munro, pf. Hyperion CDA66755 15

Tchaikovsky, P. Suite from The nutcracker, op 71a (1892). Vienna PO/Herbert von Karajan. Decca 478 5630 22 Catalani, A. Ebben? ne andrò lontana, from La Wally (1892). Maria Callas, sop; Philharmonia O/Tullio Serafin. EMI CDC 7 54702 2

Brahms, J. Six pieces, op 118 (1892). Radu Lupu, pf. Decca 478 5609 23 10:30 CONCERT HALL Prepared by Frank Morrison Bartók, B. Dance suite (1923). Hungarian State SO/Ádám Fischer. Nimbus NI 5309 18

Kats-Chernin, E. The witching hour, concerto for eight double basses and orchestra (2016). Kees Boersma, db; Timothy Dunin, db; Alex Henery, db; Max McBride, db; Kirsty McCahon, db; Matthew McDonald, db; Robert Nairn, db; Caro Vigilante, db; Australian World O/Alexander Briger. ABC 481 6430 25

18:00 SMALL FORCES Prepared by Frank Morrison

Kozeluch, L. Wind sextet no 3 in E flat. Consortium Classicum. Orfeo 442 981

Leoncavallo, R. No Pagliaccio non son, from I Pagliacci (1892). Luciano Pavarotti, ten; Westminster Symphonic Choir; Philadelphia O/Riccardo Muti. Philips 442 601-2 6

Ibert, J. Flute concerto (1934). James Galway, fl; Royal PO/Charles Dutoit. RCA RD 60450 19 Dvorák, A. Symphony no 6 in D, op 60 (1880). Baltimore SO/Marin Alsop. Naxos 8.570995 46 12:00 SWING SESSIONS with John Buchanan 13:00 FROM CZECHOSLOVAKIA Prepared by Derek Parker Zelenka, J. Ouverture in F à 7 concertanti (1723). Camerata Bern. Archiv 469 842-2 22 Tuma, F. Partita in C minor à tre. Concerto Italiano/Rinaldo Alessandrini. naïve OP 30436 14 Vanhal, J. Violin concerto in G. Josef Suk, vn; Suk CO/Josef Vlach. Supraphon 32C37-7571 18 14:00 PICTURES FROM NORWAY Prepared by Jacky Ternisien Halvorsen, J. Norwegian festival overture, op 16. Bergen PO/Karsten Andersen. NKFCD 50013-2 9 Grieg, E. Lyric pieces, bk 8, op 65 nos 2 and 6 (1896). Gerard Willems, pf. ABC 481 1702 8 Svendsen, J. Norwegian rhapsody no 3, op 21 (1876). Bergen PO/Neeme Järvi. Chandos CHAN 10711 9 Lindeman, J.R. String quartet in D (1864). Copenhagen String Quartet. LP Simax PN 2010 22

Sinding, C. Spring day, op 75 no 3; Narcissus, op 90 no 3; Amber, op 19 no 2; Little Kirsten, op 18 no 4; A bird cried, op 18 no 5. Bodil Arnesen, sop; Erling Ragnar Eriksen, pf. Naxos 8.553905 9

10:30 CONCERT HALL Prepared by James Nightingale

Grieg, E. Holberg suite, op 40 (1884). Australian CO/Richard Tognetti. Sony SK 53356

Rigney, S. Lapis lazuli: guitar concerto (19851990). Slava Grigoryan, gui; Mara Miller, vn; O Victoria/Brett Kelly. ABC 476 227-1 21

Alnaes, E. Piano concerto in D, op 27. Piers Lane, pf; Bergen PO/Andrew Litton. Hyperion CDA67555 32 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Michael Field

Bridge, F. Mid of the night (1903). BBC NO of Wales/Richard Hickox. Chandos CHAN 10729(6) X 26

Beethoven, L. Symphony no 7 in A, op 92 (1811-12). Tasmanian SO/David Porcelijn. ABC 461 920-2 36 12:00 JAZZ RHYTHM with Jeannie McInnes

19:00 JAZZ PULSE with Chris Wetherall

13:00 YOUNGER THAN 21 Prepared by Jacky Ternisien

20:00 STORMY MONDAY with Austin Harrison

Bizet, G. Overture, First overture (c1855; arr. d'Almeida). Montreal SO/Charles Dutoit. Decca 452 102-2 13

22:00 JAZZ AFTER HOURS with Gail Monjo

Liszt, F. Allegro di bravura, op 4 no 1 (1824). Leslie Howard, pf. Hyperion CDS44501 9

Tuesday 10 May

Beethoven, L. Music for a knightly ballet, WoO1 (1790-91). Nicolaus Esterházy Sinfonia/ Béla Drahos. Naxos 8.553431 13

00:00 CONTEMPORARY COLLECTIVE

Barber, S. Dover Beach, op 3 (1931). Teddy Tahu Rhodes, bass-bar; Australian String Quartet. ABC 476 4363 10

03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Julie Simonds 09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by Rex Burgess Handel, G. Suite no 5 in E, HWV430, The harmonious blacksmith (pub. 1720). Alicia de Larrocha, pf. Philips 456 886-2 13 Martinu, B. Oboe quartet (1947). Diana Doherty, ob; Seraphim Trio. Fine Music concert recording

Bizet, G. Symphony in C (1855). Montreal SO/ Charles Dutoit. Decca 452 102-2 33 Saint-Saëns, C. Piano quintet in A minor, op 14 (1855). Ensemble Musique Oblique. Harmonia Mundi HMC 901472 30 15:00 A VIGIL FOR HUGO ALFVÉN Prepared by Elaine Siversen

Pergolesi, G. Concerto for two harpsichords and strings. Ignacio Prego, hpd; Daniel Oyarzabal, hpd; La Ritirata/Josetxu Obregón. Glossa GCD 923106 12 Debussy, C. Jeux (1913; arr. Bavouzet). Vladimir Ashkenazy, pf; Vovka Ashkenazy, pf. Decca 478 1090 17 Ropartz, J. Sonatine. Laura Chislett, fl; David Miller, pf. Walsingham WAL 8018-2 CD 16 Brahms, J. Rhapsody in B minor, op 79 no 1 (1879). Ivo Pogorelich, pf. DG 479 4350 11

Alfvén, H. Swedish rhapsody no 1, op 19, Midsummer vigil (1903). Stockholm PO/ Neeme Järvi. BIS CD-385 14 I kiss your white hand (1909). Anne Sofie von Otter, mezz; Bengt Forsberg, pf. DG 449189-2 5 Symphony no 3 in E, op 23 (1905). Royal Scottish NO/Niklas Willén. Naxos 8.553729 35

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Michael Morton-Evans 19:00 THE JAZZ BEAT with Lloyd Capps 20:00 JUST IN with James Nightingale A selection from the latest recordings to arrive at the Fine Music Library 22:00 CHAMBER SOIRÉE Prepared by Frank Morrison Ysaÿe, E. String trio, op posth., Le chimay (1927). Henning Kraggerud, vn; Lars Anders Tomter, va; Ole-Eirik Ree, vc. Naxos 8.570977 18 Pixis, J. Grand sonata, op 35. Jean-Louis Capezzali, ob; Chia Chou, pf. Pierre Verany PV794101 21 Turina, J. Piano trio no 1, op 35 (1927). Beaux Arts Trio. Philips 446 684-2

Reicha, A. Quintet in E flat, op 88 no 2 (181117). Academia Wind Quintet of Prague. Hyperion CDD22006 16 Mendelssohn, F. String quintet no 1 in A, op 18 (1826/32). Danilo Rossi, va; Fine Arts Quartet. Naxos 8.570488 33

Wednesday 11 May 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Stephen Wilson 09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by Anabela Pina Rittler, P. Ciaccona à 7 (1678). Australian Brandenburg O/Paul Dyer. ABC 481 6488

Ariosti, A. Viola d’amore sonata in D (1724). Members of Sydney Consort. Sydney Consort SC002 8 Devienne, F. Sonata in C, op 70 no 1 (179899). Peter Bree, ob; Roderick Shaw, pf. Etcetera KTC 1084 14 Pfeiffer, J. Overture in G. Batzdorf Hofkapelle Ensemble. Accent ACC 24218

Logy, J. Suite in G (arr. Söllscher). Göran Söllscher, gui. DG 474 815-2 9 Timmer, J. Concerto in B flat à 5. Andrés Gabetta, vn; Capella Gabetta. DHM 88875194662 18 Peter, J. Der Herr ist mein Theil; Es ist ein köstlich Ding; Ich will dir ein Freudenopfer thun. Sharon Baker, sop; Cynthia Sieden, sop; Boston Baroque/Martin Pearlman. Telarc 80452 5 10:30 CONCERT HALL Prepared by Jennifer Foong Haydn, J. Overture to Il mondo della luna, Hob.XVIII:7 (1777). Concentus Musicus Vienna/Nikolaus Harnoncourt. Teldec 2292-44196-2 4 Sibelius, J. Tone poem: En saga, op 9 (1892/1901). Lahti SO/Osmo Vänskä. BIS CD-800

Boccherini, L. Cello concerto no 7 in G (pub. 1770). Anner Bijlsma, vc; Concerto Amsterdam/Jaap Schröder. apex 0927 49805 2 16 Magnard, A. Symphony no 3 in B flat minor, op 11 (1896). Toulouse Capitole O/Michel Plasson. EMI 5 72364 2 40 12:00 JAZZ SKETCHES with Robert Vale 13:00 IN CONVERSATION with Simon Moore 14:00 FROM THE SOUTH Part 1 Tasmanian Symphony Orchestra Prepared by Ron Walledge Rodrigo, J. Concierto de Aranjuez (1939). Dinah Woods, cora; Karin Schaupp, gui; Tasmanian SO/Benjamin Northey. ABC 480 6461 23 Kats-Chernin, E. Suite: Wild swans. Jane Sheldon, sop; Tasmanian SO/Ola Rudner. ABC 481 6430 37 Williamson, M. Concerto in A minor for two pianos and strings (1971) Piers Lane, pf; Tasmanian SO/Howard Shelley, pf & dir. Hyperion CDA68011/2 20 Mendelssohn, F. Symphony no 5 in D minor, op 107, Reformation (1832). Tasmanian SO/ Sebastian Lang-Lessing. ABC 476 3623 30

20:00 AT THE OPERA Prepared by Angela Cockburn

Thursday 12 May

Charpentier, M-A. Médée. Opera in a prologue and five acts. Libretto by Thomas Corneille. First performed Paris, 1693. MÉDÉE: Jill Feldman, sop JASON: Gilles Ragon, ten CRÉUSE: Agnès Mellon, sop KING CRÉON: Jacques Bona, bass ORONTE: Philippe Cantor, bar Les Arts Florissants/William Christie, hpd & dir. Harmonia Mundi HMC 901139/41 3:01 Pursued by the Thessalonians because of Medea’s crimes, Jason and Medea seek refuge in Corinth. After ten years of marriage and two children, Medea complains that Jason is deserting her for Creusa but he vows that he is paying her attention in order to ensure that her doting father, King Creon, will continue to protect them. However, Jason falls in love with Creusa who is betrothed to Oronte, prince of Argos. Oronte arrives with his army and Jason leads them and the Corinthian army to victory against the Thessalonians. Creon tells Medea that she must leave Corinth but that her two children will remain with Creusa. Creusa confesses her love to Jason. Now aware that Creusa will marry Jason, Oronte promises to help Medea who is planning revenge for her rejection. Medea summons demons who bring her a poisoned robe for Creusa. Creon is angry that Medea has not left Corinth but, through witchcraft, she makes Créon insane. When news arrives of Créon's madness and death, Medea touches Creusa's poisoned robe with her wand and it bursts into flames. Poisoned, Creusa dies in Jason's arms. Medea now appears in a flying chariot, pulled by dragons, to announce to Jason that she has stabbed their children. She leaves as the palace of Corinth bursts into flames. Motet pour les trépassés. Parsons Affayre/ Dan Walker. Vox Foris MMPA004 10 23:30 MUSIC OF THE NIGHT Prepared by Dan Bickel Adams, J. Shaker loops (1978/83). Bournemouth SO/Marin Alsop. Naxos 8.559031

00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Simon Moore 09:00 DIVERSIONS IN FINE MUSIC The instruments: Woodwinds Prepared by Paul Cooke Prokofiev, S. Overture on Hebrew themes, op 34 (1919/34). James Campbell, cl; Eleonora Turovsky, vn; Rivka Golani, va; Borodin Trio. Chandos CHAN 8924 10 Mozart, W. Concert aria: Schön lacht der holde Frühling, K580 (1789). Rosalind Martin, sop; Catherine McCorkill, cl; Ian Munro, pf. Fine Music concert recording 8 Rameau, J-P. Concert no 5, from Pièces de clavecin en concerts, op 2 no 2 (pub. 1741). Rachel Brown, fl; Mark Caudle, bass viol; James Johnstone, hpd. Chandos CHAN 0544 13 Pilati, M. Sonata. Mario Carbotta, fl; Roberto Cognazzo, pf. Nuova Era 7185 19 d’Indy, V. Choral varié, op 55 (1903). Sigurdur Flosason, sax; Iceland SO/Rumon Gamba. Chandos CHAN 10585 10 Schumann, R. Sonata in A minor, op 105 (1851; arr. Oguey). Alexander Oguey, cora; Neal Peres da Costa, pf. ABC 481 7026 20 10:30 CONCERT HALL Prepared by Gerald Holder Bach, J. Christian Sinfonia in B flat, op 18 no 2, Overture to Lucio Silla (c1781). Failoni O/ Hanspeter Gmür. Naxos 8. 553367 9 Dvorák, A. Piano concerto in G minor, op 33 (1876). Rudolf Firkusny, pf; Vienna State Opera O/László Somogyi. Westminster 471 266-2 38 Sibelius, J. Symphony no 5 in E flat, op 82 (1915/19). Vienna PO/Leonard Bernstein. DG 427 647-2 36 12:00 JAZZ AFTER NOON with Sue Jowell

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Ross Hayes 19:00 PLANET JAZZ with Xavier Bichon

13:00 ARTSOUND: LATITUDE 37 The Genesis of Corelli Prepared by Paul Cooke Recorded by Tim Lamble for ArtSound, Canberra

Corelli, A. Trio sonata in F, op 1 no 7. Latitude 37. ArtSound recording Cazzati, M. Passacaglia. Latitude 37. ArtSound recording

Perti, G. Fuga à due. Latitude 37. ArtSound recording Stradella, A. Trio sonata in D minor. Latitude 37. ArtSound recording 10 Corelli, A. Trio sonata in A minor. Latitude 37. ArtSound recording 5 Cazzati, M. Capriccio sopra sedici note, op 18 no 13. Latitude 37. ArtSound recording 4 Vitali, G. Toccata and ciaccona in C for violone. Latitude 37. ArtSound recording

Laurenti, L. Trio sonata in F, op 1 no 12. Latitude 37. ArtSound recording

Corelli, A. Trio sonata in D, op 1 no 11. Latitude 37. ArtSound recording

Bartók, B. Six Rumanian dances (1915; arr. Székely). Dene Olding, vn; Kathryn Selby, pf. Fine Music concert recording 5

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Marilyn Schock 19:00 THE NEW JAZZ STANDARD with Frank Presley 20:00 THE WORLD OF A SYMPHONY Prepared by Di Cox Novák, V. Moravian-Slovak suite, op 32 (1903). Brno PO/Karel Sejna. Supraphon 11 0682-2

Shostakovich, D. Two fables of Krylov, op 4 (1922). Larissa Dyadkova, mezz; female voices of Gothenburg Opera Ch; Gothenburg SO/Neeme Järvi. DG 439 860-2 9 Medtner, N. Piano quintet in C, op posth. (1951). Dmitri Alexeev, pf; New Budapest Quartet. Hyperion CDA66744 25 Shostakovich, D. Symphony no 10 in E minor, op 93 (1953). Moscow PO/Kirill Kondrashin. Melodiya 74321199522

49 Filler: Scarlatti, A. Concerto in C for recorder, two violins, cello and basso continuo. Tamara 22:00 P.S. QUARTET NUMBER 9 Prepared by James Nightingale Lalo, rec; La Ritirata/Josetxu Obregón. Glossa GCD 923106 7 Stanhope, P. Piano trio no 1, Dolcissomo uscignolo (2007). Members of University of 14:00 WORKS BY MR HOOK Queensland Chamber Players. Prepared by Derek Parker ABC 481 8914 13 Hook, J. The lass of Richmond Hill. Deborah Sculthorpe, P. String quartet no 9 (1975). Riedel, sop; Arcadia Lane O/Richard Bonynge. Goldner String Quartet. Melba MR301118 2 Tall Poppies TP089 13 Clarinet concerto in E flat (1812). Colin Lawson, cl; Parley of Instruments/Peter Holman. Helios CDH55261

Trio, op 83 no 4 (c1797). Michael Scott, fl; Josef Hanic, ob; Gabor Reeves, cl. Fine Music tape archive

22:30 ULTIMA THULE 20

Keyboard concerto in D, op 1 (pub. 1771; arr. Holman). Parley of Instruments Baroque O/ Paul Nicholson, pf & dir. Hyperion CDA66700 15 The nightingale. Deborah Riedel, sop; Arcadia Lane O/Richard Bonynge. Melba MR30118 3 15:00 GOOD FRIENDS Prepared by James Nightingale Brahms, J. Sonata no 1 in E minor, op 38 (1862-65). Sol Gabetta, vc; Hélène Grimaud, pf. DG 479 0090 26 Schumann, R. Trio no 3 in G minor, op 110 (1851). Christian Tetzlaff, vn; Tanja Tetzlaff, vc; Leif Ove Andsnes, pf. EMI 0 94180 2 28

Friday 13 May 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Vicky Zhang 09:00 DIVERSIONS IN FINE MUSIC Something borrowed Prepared by Elaine Siversen Falla, M. de Suite populaire espagnole (transcr. Maréchal). André Navarra, vc; Erika Kilcher, pf. Calliope CAL 5673 14 Milhaud, D. Saudades do Brasil: dance suite, op 67 (1921; transcr. Kuisma). Markus Leoson, mar; Niklas Sivelöv, pf. Caprice CAP 21743 12

Debussy, C. La mer, op 58 (transcr. Griguoli). Giorgia Tomassi, pf; Carlo Maria Griguoli, pf; Alessandro Stella, pf. EMI 7 21119 2 21 Chopin, F. Introduction and polonaise brillante in C, op 3 (1829; transcr. Trio Chausson). Trio Chausson. Mirare MIR 089

Mozart, W. Excerpts from The magic flute, K620 (1791; transcr. Heindenreich). Melbourne Windpower/Richard Runnels. Move MD 3110 17 10:30 CONCERT HALL Prepared by James Nightingale Mendelssohn, F. String symphony no 9 in C, Swiss (1823). Members of the Australian CO/ Richard Tognetti. Sony SK 57484 26 Bloch, E. Baal Shem (1923; orch. 1939). Joshua Bell, vn; Baltimore SO/David Zinman. Decca 478 2826 14 Ben-Haim, P. Symphony no 2 (1945). NDR Radio PO/Israel Yinon. cpo 777 677-2 44 12:00 A JAZZ HOUR with Barry O'Sullivan 13:00 THE SOUND OF BELGIUM Prepared by Jacky Ternisien Grétry, A-E-M. Overture to Le Magnifique (1773). English CO/Richard Bonynge. Decca 466 434-2 10 Lemmens, J. Marche triomphale in D. Stanislas Deriemaeker, org. NCRV 9089

Lekeu, G. Three poems (1892). Rachel Yakar, sop; Alice Ader, pf. Harmonia Mundi 1901 455

Benoit, P. Flute concerto, op 43a, Symphonic tale (1865). Gaby van Riet, fl; Royal Flanders PO/Frédéric Devreese. Marco Polo 8.223827 20 Hasselmans, A. Barcarolle no 2, Gondoliera, op 39; Romance without words, May song, op 40; Petite valse, op 25. Floraleda Sacchi, hp. Brilliant Classics 94625 11 Singelée, J-B. First quartet for saxophones, op 53 (1857). Rollin' Phones. BIS CD-466 20 14:30 SERENADE Prepared by Di Cox Larsson, L-E. Little serenade, op 12 (1934). Swedish CO/Petter Sundkvist. Naxos 8.553715 11

Mozart, W. Serenade in C minor, K388 (1782). Monteverdi, C. Altri canti d’amor, from Madrigals, bk 8, War and love (pub. 1638). Sydney Wind Ensemble. Fine Music concert recording 21 Members of La Capella Reial de Catalunya/ Schubert, F. Ständchen, D920 (1827). Utrecht Jordi Savall, va da gamba & dir. Alia Vox AVSA 9884 B 10 Vocal Soloists; Ronald Brautigam, pf; Udo Reinemann, bar & dir. Globe GLO 5021

Mendelssohn, F. Serenade and allegro giocoso in B minor, op 43. Stephen Hough, pf; City of Birmingham SO/Lawrence Foster. Hyperion CDA66969 13 Tchaikovsky, P. Serenade in C for strings, op 48 (1880). Australian CO/Carl Pini. Omega OCD 1010 29 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Robert Gilchrist

Handel, G. Chaconne in G, HWV435 (pub. 1733). Hille Perl, va da gamba; La Folia Baroque O. DHM G0100036503747 10 Marais, M. La sonnerie de Sainte Geneviève du Mont de Paris (pub. 1723). Alice Harnoncourt, vn; Nikolaus Harnoncourt, va da gamba; Herbert Tachezi, hpd. Harmonia Mundi HMC 90414 9

19:00 FRIDAY JAZZ SESSION with Alex Siegers 20:00 EVENINGS WITH THE ORCHESTRA From the ballet theatre Prepared by Chris Blower Rebel, J-F. Ballet: Les élémens (1737). Australian CO/Christopher Hogwood. Fine Music tape archive

Couperin, F. Huitième concert dans le goût théatral, from Les goûts-réünis ou Nouveaux concerts (pub. 1724). Owen Watkins, rec, baroque rec; Geoffrey Burgess, baroque ob, rec; Catherine Finnis, va da gamba; Nicholas Parle, hpd. Fine Music concert recording 21

Saturday 14 May 00:00 CLASSIC-ALL THROUGH THE NIGHT 23

Mozart, W. Ballet: Les petits riens. Academy of St Martin in the Fields/Neville Marriner. EMI 4 64317 2 22 Glazunov, A. Ballet: The seasons (1899). Concert Arts O/Robert Irving. EMI 5 65911 2 36 Shostakovich, D. Suite from ballet, The bolt, op 27a (1933). Russian State SO/Dmitri Yablonsky. Naxos 8.555949 29 22:00 BAROQUE AND BEFORE The viola da gamba Prepared by Andrew Dziedzic Jenkins, J. Fantasia suite for violin, bass viol and organ. Latitude 37. ABC 481 2100 12 Attrib. Purcell, H. Cantata: When night her purple veil (arr. Britten). John Shirley-Quirk, bass-bar; Nona Liddell, vn; Ivor McMahon, vn; Ambrose Gauntlett, va da gamba; Martin Isepp, pf, hpd. Heritage HTGCD 283/4 16

Bernstein, E. Main theme, from The magnificent seven. Royal Scottish NO/Joel McNeely. Sony 88697161052 5 Bernstein, L. Overture to Candide (1956). New York PO/Leonard Bernstein. CBS MYK 44773 4 Williams, J. Music for Jane Eyre (1971). Boston Pops O/John Williams. Philips 420 946-2

Whitacre, E. The River Cam (2011). Julian Lloyd Webber, vc; London SO/Eric Whitacre. Decca 279 6323 12 11:30 ON PARADE Prepared by Robert Small Sousa, J.P. Vautour overture (1886). Royal Norwegian Navy Band/Keith Brion. Naxos 8.559397 5 Humoresque on Kern’s Look for the silver lining (1922). Royal Norwegian Navy Band/ Keith Brion. Naxos 8.559397 6 Jazz America (1925). Royal Norwegian Navy Band/Keith Brion. Naxos 8.559397 8

March: Flags of freedom (1918); The lily bells 06:00 SATURDAY MORNING MUSIC (1880/95). Royal Norwegian Navy Band/Keith Brion. with Stephen Wilson Naxos 8.559396 5 09:00 WHAT'S ON IN MUSIC 12:00 URBAN JAZZ LOUNGE Our weekly guide to musical events in and with Leita Hutchings around Sydney 09:05 THE PIANO ALONE Prepared by Jennifer Foong Busoni, F. Fantasie after J.S. Bach (1909). Geoffrey Tozer, pf. Chandos CHAN 9394 10 Brahms, J. Rhapsody in B minor, op 79 no 1 (1879). Artur Rubinstein, pf. Larrikin CD DDC 935 8

13:00 IN A SENTIMENTAL MOOD with Maureen Meers Nostalgic music and artists from the 30s, 40s and 50s and occasionally beyond, in a trip down many memory lanes 14:00 AUSTRALIAN PERFORMERS Prepared by James Nightingale

Bach, J.S. Partita in E minor, BWV830 (1731). Vladimir Ashkenazy, pf. Decca 478 2163 31

Piazzolla, A. Milonga del angel (arr. Crabb). James Crabb, acc; Benjamin Martin, pf; Australian CO/Richard Tognetti. Chandos CHAN 10163 7

10:00 CENTRES OF MUSIC Composers associated with New York Prepared by Rita Felton

Edwards, R. Concerto for guitar and strings (1995). Karin Schaupp, gui; Tasmanian SO/ Richard Mills. ABC 480 6461 19

Gershwin, G. Cuban overture (1932). Rochester PO/Jeff Tyzik. Harmonia Mundi HMX2908541.42

11 Lawes, W. Royall consort sett no 2 in D minor. Barber, S. Adagio for strings, op 11 (1936). Lucinda Moon, baroque vn; Laura Moore, va Indianapolis SO/Raymond Leppard. da gamba; Hannah Lane, hp; Latitude 37. Decca 458 157-2 7 ABC 481 2100 14 Stravinsky, I. Symphony in C (1939-40). CBC Bach, J.S. Sonata no 2 in D, BWV1028 SO/Igor Stravinsky. (c1721). August Wenzinger, va da gamba; Fritz Sony SM3K 46 291-302 27 Neumeyer, hpd. Archiv 479 1045 15

14:30 SATURDAY MATINEE Operetta in the afternoon Prepared by Elaine Siversen

20:00 THE LIFE OF A COMPOSER Nicolai Rimsky-Korsakov Prepared by James Nightingale

Allegri, G. Miserere à 5 and à 4. Cantillation/ Antony Walker. ABC 476 5055 12

Strauss, J. II The gypsy baron. Operetta in three acts. Libretto by Ignaz Schnitzer. First performed Vienna, 1885.

Rimsky-Korsakov, N. String quartet in F, op 12 (1875). Lyric Quartet. Meridian CDE 84293 20

Tavener, J. In alium. Eileen Hulse, sop; Maria Kliegel, vc; Ulster O/Takuo Yuasa. Naxos 8.554388 15

SÁNDOR BARINKAY: Nicolai Gedda, ten CZIPRA: Gertrude Schuster, cont SÁFFI: Elisabeth Schwarzkopf, sop with Hermann Prey, ten; Erich Kunz, bar Philharmonia Ch & O/Otto Ackermann. HMV/WRC R 05388 1:40

Cantata: The mermaid of Switez, op 44 (1897). Elena Mitrakova, sop; Dmitri Kortchak, ten; Moscow Academy of Choral Art Ch; Moscow SO/Vladimir Ziva. Brilliant Classics 94495 16

Sándor Barinkay returns from exile to claim his estate and, as the new local squire, is elected chief of the gypsies. He begins to dress as a gypsy baron. The fortune-telling Romany Queen, Czipra, tells Sándor that his future wife will discover a hidden treasure. He falls in love with Czipra’s daughter, Sáffi who dreams of the treasure’s location. When Czipra reveals that Sáffi is the daughter of the last Pasha of Hungary and the rightful owner of the treasure, Sándor says that he cannot marry one so exalted. Men are being recruited for the army and Sándor marches away with them. After successful battles, Sándor and others come back as heroes who have been raised to the nobility. So Sáffi and Sándor are able to marry. Waltz: On the beautiful blue Danube, op 314 (1867). New York Vocal Arts Ensemble; Raymond Beegle, conductor. Arabesque Z 6586 7 Suite from Die Fledermaus (1874; arr. Davis). London PO/Carl Davis. Virgin VC 7 90716-2 27 17:00 SOCIETY SPOT Organ Music Society of NSW with John Hanna 18:00 STAGE AND SCREEN Prepared by Maureen Meers Styne, J. Exceprts from Gypsy (1959). Ethel Merman, Land Bradbury, Jack Klugman, voices. Columbia SK60848 18 Herbert, V. Excerpts from Sweethearts; The Royal sea, a champagne gallop (1969). Eastman-Dryden O/Donald Hunsberger Arabesque 26724 14 Herman, J. Excerpts from Dear world (1969). Angela Lansbury, voice. Sony SK 48220 19 19:00 EMERGENT JAZZ with Keith Pettigrew

Hindu song (1898). Jane Rutter, fl; David Mibus, pf. ABC 481 0307

Marfa’s scene and aria, from The Tsar’s bride, Act II (1899). Galina Vishnevskaya, sop; London PO/Mstislav Rostropovich. EMI 5 65716 2 6 Suite from The golden cockerel (1909). Czecho-Slovak RSO/Donald Johanos. Naxos 8.553247

10:00 THE CLASSICAL ERA Prepared by Di Cox Cherubini, L. Overture to Lodoïska (1791). Zurich CO/Howard Griffiths. cpo 999 5212 11 Stamitz, C. Clarinet concerto no 3 in B flat. Sabine Meyer, cl; Academy of St Martin in the Fields/Iona Brown. EMI CDC 7 54842 2 14 Schubert, F. Ständchen, D920 (1827). Utrecht Vocal Soloists; Ronald Brautigam, pf; Udo Reinemann, bar & dir. Globe CD GLO 5021 6

22:00 SATURDAY NIGHT AT HOME Prepared by James Nightingale

Beethoven, L. 14 Variations in E flat, op 44 (1803). Isaac Stern, vn; Leonard Rose, vc; Eugene Istomin, pf. Sony SM2K 64510 14

Farrenc, L. Piano quintet no 1 in A minor, op 30 (1839). Ironwood. ABC 481 9887 31

Bach, C.P.E. Flute quartet no 1 in A minor, Wq93 (1788). Les Adieux. DHM GD 77052 17

Glanville-Hicks, P. Sonata (1950). Marshall McGuire, hp. Artworks AW036 10

Clementi, M. Sonata in D, op 40 no 3 (pub. 1802). Nikolai Demidenko, pf. Hyperion CDA66808 20

Sutherland, M. Sonatina (1956). David Lockett, pf. ABC 441 934-2

Haydn, J. Symphony in D, Hob.I:101, Clock (1794). Hanover Band/Roy Goodman. Hyperion CDA66528 25

Beach, A. Sonata, op 34 (1898). Tasmin Little, vn; John Lenehan, pf. Chandos CHAN 20030 28

12:00 CLASSIC JAZZ with Dave Mac

Françaix, J. Ballet: Les demoiselles de la nuit (1947). Ulster O/Thierry Fischer. Hyperion CDA67489 37

13:00 WORLD MUSIC Whirled Wide with Anna Tranter

Sunday 15 May 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC with Robert Small 09:00 MUSICA SACRA Prepared by Robert Small Byrd, W. Infelix ego. Choir of St James' Church, Sydney/Warren Trevelyan-Jones. St James’ Church SKJS005 16 Bach, J.S. Motet: Komm, Jesu, komm, BWV229 (1730). Monteverdi Choir; English Baroque Soloists/John Eliot Gardiner. Erato 2292-45979-2 10

14:00 INTIMATE VOICES Reicha’s quintets for wind Part 3 Prepared by Elaine Siversen Reicha, A. Piano trio in D minor, op 101 no 2 (1824). Trio Medici. Alpha ALPHA 369 32 Oboe quintet in F, op 107 (1821-26). Sarah Francis, ob; Allegri String Quartet. Hyperion CDA66143 24 15:00 SUNDAY SPECIAL Schubert: Revisiting some masterpieces Prepared by Elaine Siversen Schubert, F. Six moments musicaux, D780 (1823-28). András Schiff, fp. ECM 481 1572 27 Winterreise, bk 1, D911 nos 1-12 (1827). Jonas Kaufmann, ten; Helmut Deutsch, pf. Sony 88883795652 39

Piano trio no 1 in B flat, D898 (c1828). Beaux Arts Trio. Philips 442 9375 36

Andrée, E. Piano quartet in A minor (1865). Thorunn Osk Marinosdottir, va; Trio Nordica. IMCD 113 23

Auf dem Strom, D943 (1828). Peter Pears, ten; 19:00 SUNDAY NIGHT CONCERT Dennis Brain, hn; Noel Mewton-Wood, pf. Prepared by Stephen Wilson BBC BBCL 4066-2 8 Pfeiffer, J. Overture in G. Hofkapelle Ensemble, Batzdorf. 17:00 HOSANNA Accent ACC 24218 17 Prepared by Richard Munge

Widor, C-M. Suite, op 34 (1877). Maria Cecilia Muñoz, fl; Tiffany Butt, pf. Ars ARS 38 129 17 10:30 CONCERT HALL Prepared by Rex Burgess Dukas, P. Overture to Polyeucte (1891). BBC PO/Yan Pascal Tortelier. Chandos CHAN 241-32 15

Edwards, R. Violin concerto: Maninyas (1988). Dene Olding, vn; Sydney SO/Stuart Challender. ABC 438 610-2 25

Westlake, N. Spirit of the wild, concerto for oboe (2016). Diana Doherty, ob; Sydney SO/ Nigel Westlake. ABC 481 7899 22

Beethoven, L. Symphony no 6 in F, op 68, Pastoral (1808). La Chambre Philharmonique/ Psalm. No 90: Lord, thou hast been my refuge. Choir of St John’s College, Cambridge; Emmanuel Krivine. naïve V 5258 40 John Scott, org; George Guest, cond. Decca 452 941-2 5 20:30 NEW HORIZONS Wood, C. Magnificat; Nunc dimittis in F. Choir Prepared by Nev Dorrington of St Paul’s Cathedral; Christopher Dearnley, Vangelis. El Greco (1998). Montserrat org; John Scott, cond. Hyperion CDA 66249 9 Caballé, sop; Vangelis. Warner Music 39842 51072 1:13 Gardiner, H. Evening hymn. Choir of St Paul’s Zeus almighty. Vangelis. Cathedral; Andrew Lucas, org; John Scott, Decca 485 6511 11 cond. Hyperion SPCC 2000 6 22:00 JAZZ AFTER HOURS

Brahms, J. Symphony no 1 in C minor, op 68 (1855-76). Scottish CO/Charles Mackerras. Telarc 80450 45

Hymns. All creatures of our God and king; Glorious things of Thee are spoken. Cantus Choro; Norman Kaye, org; Peter Chapman, cond. Move MD 3032 7

Mathias, W. Anthem: Let the people praise thee, O God. Choir of St Paul’s Cathedral; Andrew Lucas, org; John Scott, cond. Hyperion SPCC 2000 5

Walton, W. Gloria, from Missa brevis. Oliver LePage-Dean, treb; Geoffrey Silver, ten; Choir of St John’s College, Cambridge/Christopher Robinson. Naxos 8.557557-58 3 Berkeley, L. Anthem: The Lord is my shepherd. Benjamin Durrant, treb; Christopher Robinson, cond. Naxos 8.557557-58 4 Hymns. Ye servants of the Lord; All people that on earth do dwell. Choir of Sydney Church of England Grammar School; Robert Fox, org; Keith Mitchell, cond. MBS 25 4 Franck, C. Cantabile. Daniel Hyde, org. Priory PRCD 748

18:00 SMALL FORCES Prepared by Anne Irish Gade, N. Trio movement in B flat (1839). Sophie Rowell, vn; Julian Smiles, vc: Kathryn Selby, pf. Fine Music concert recording 11 Crusell, B. Quartet no 1 in E flat, op 2 (1803). Thea King, cl; members of Allegri String Quartet. Hyperion CDA66077 20

with Deborah Evans

Monday 16 May

13:00 MEANDERING ACROSS EUROPE Part 2: FRANCE Prepared by Frank Morrison Chaminade, C. Trio no 1 in G minor, op 11 (1881). Tzigane Piano Trio. ASV DCA 965 23 Ravel, M. Two Hebrew melodies (1914). Barbara Hendricks, sop; Lyon Opera O/John Eliot Gardiner. EMI CDC 7 49689 2 5 Satie, E. Gymnopédies 1-3 (1888). Reinbert de Leeuw, pf. Philips 462 162-2 16

00:00 CLASSIC-ALL THROUGH THE NIGHT

Grétry, A-E-M. String quartet in G, op 3 no 5 (1761-65). Haydn Quartet. Koch CD 310 158 H1 10

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with James Hunter 09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1877 Prepared by Jacky Ternisien Strauss, E. Waltz: Glow-worms, op 161 (1877). Johann Strauss O/Jack Rothstein. Chandos CHAN 10684(3) X 10 Hubay, J. Fantaisie brillante on Bizet’s Carmen, op 3 no 3 (1877). Livia Sohn, vn; Benjamin Loeb, pf. Naxos 8.570202

12:00 SWING SESSIONS with John Buchanan

Roussel, A. Divertissement for piano and wind quintet (1906). Éric Le Sage, pf; Les Vents Français. Warner Classics 0825646231850 7 Chabrier, E. Pastoral suite (1888). Ulster O/ Yan Pascal Tortelier. Chandos CHAN 8852 19 14:30 FROM THREE ERAS Prepared by Derek Parker

Vivaldi, A. Violin concerto no 1 in E, RV269, Spring, from The four seasons (pub. 1725). Brahms, J. Warum ist das Licht gegeben dem Felix Ayo, vn; I Musici. Newton 8802034 12 Mühseligen, op 74 no 1 (1877). MDR Leipzig Mozart, W. Symphony no 36 in C, K425, Linz Radio Choir/Herbert Blomstedt. Decca 478 5609 11 (1783). English Baroque Soloists/John Eliot Dvorák, A. Theme and variations in A flat, op Gardiner. Philips 422 419-2 42 36 (1877). William Howard, pf. Chandos CHAN 9044

Janácek, L. Suite for strings (1877). Janácek CO. Chandos CHAN 10678 19

Tchaikovsky, P. Suite from Swan Lake, op 20 (1877). Israel PO/Zubin Mehta. Teldec 4509-90201-2 30

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with David Brett

12:00 JAZZ RHYTHM with Jeannie McInnes 13:00 COMPOSER FOCUS Part 14 Gaetano Donizetti Prepared by Michael Morton-Evans

19:00 JAZZ PULSE with Chris Wetherall

Donizetti, G. Sinfonia in D minor for the death of Capuzzi (1818; reconstr. Andreae). Camerata Budapest/Lászlo Kovács. Marco Polo 8.223701 10

20:00 STORMY MONDAY with Austin Harrison 22:00 JAZZ AFTER HOURS with Eddie Bernasconi

Sonata in F (c1820). Jeremy Polmear, ob; Diana Ambache, pf. Meridian CDE 84147 10

Tuesday 17 May

Piangete voi, from Anna Bolena (1830). Cristina Gallardo-Domas, sop; Munich RO/ Maurizio Barbacini. Teldec 8573-86440-2 10

00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Julie Simonds 09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by Elaine Siversen Stanley, J. Organ concerto in D, op 16 no 1 (pub. 1775). Ensemble Pian e Forte/Antonio Frigé, org & dir. Nuova Era 7019 11 Scarlatti, A. Toccata in G. Rinaldo Alessandrini, hpd. Arcana A3 Scarlatti, D. Sonata in E minor, Kk402. András Schiff, pf. Decca 421 422-2

22:00 CHAMBER SOIRÉE Prepared by Rex Burgess

Mozart, W. Trio in E flat, K498, Kegelstatt (1786; transcr.). Gidon Kremer, vn; Kim Kashkashian, va; Valery Afanassiev, pf. DG 415 483-2 21 Ries, F. Variations in A minor on a Cossack song, op 40 no 1 (pub. 1818). Michael Tsalka, fp. Naxos 8.573628 10 Grieg, E. Sonata in E minor, op 7 (1865). Leif Ove Andsnes, pf. Virgin VC 7 59300 2 19 10:30 CONCERT HALL Prepared by Jacky Ternisien Tobias, R. Overture to Julius Caesar (1896). Scottish NO/Neeme Järvi. Chandos CHAN 8656 10 Cherubini, L. Symphony in D (1815). Zurich CO/Howard Griffiths. cpo 999 5212 34 Khachaturian, A. Flute concerto (1940; arr. Rampal). Emmanuel Pahud, fl; Zürich Tonhalle O/David Zinman. EMI 5 57487 2 38

Symphony for four hands. Pietro Spada, Giorgio Cozzolino, pf. LP RCA RL 31441

Una furtiva lagrima, from L’elisir d’amore (1832). Juan Diego Flórez, ten; Valencia Community O/Daniel Oren. Decca 4780314

Da tutti abbandonata ... Ah! Se il mio cor tremò giammai, from Maria Stuarda (1835). Joan Sutherland, sop; Luciano Pavarotti, ten; Bologna Comunale TO/Richard Bonynge. Decca 475 7981 7 14:00 CONCERNING CHILDREN Prepared by Rex Burgess Debussy, C. Ballet for children: The toy box (1913; orch. Caplet). Montreal SO/Charles Dutoit. Decca 444 386-2 33 Schumann, R. Scenes from childhood, op 15 (1838). Marc-André Hamelin, pf. Hyperion CDA68030 20 Mussorgsky, M. The nursery (1870). Anatoli Safinlin, bass; Nikolai Demidenko, pf. Hyperion CDA66775 15 Respighi, O. The fantastic toyshop, after Rossini, op 40 (1919). Cincinnati SO/Jésus López-Coboz. Telarc 80396 42 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Andrew Dziedzic 19:00 THE JAZZ BEAT with Lloyd Capps 20:00 JUST IN with Charles Barton A selection from the latest recordings to arrive at the Fine Music Library

Bach, J.S. Sonata in E minor for violin and continuo, BWV1023 (aft. 1723). Catherine Mackintosh, vn; Jennifer Ward Clarke, vc; Maggie Cole, hpd. Chandos CHAN 0602/3 11 Dohnányi, E. Piano quintet no 2 in E flat minor, op 26 (1914). Schubert Ensemble of London. Hyperion CDA66786 25 Koechlin, C. Sonata, op 58 (1911-16). Alexander Ott, ob; Hans-Georg Gaydoul, pf. SWR Music SWR19047CD 28 Beethoven, L. String quartet in A, op 18 no 5 (1800). Goldner String Quartet. ABC 476 3542 32 Hovhaness, A. The flowering peach, op 125 (c1954). Gail Lehto, cl; Craig Young, alto sax; Jeanne Norton, hp; Timothy Sivils, perc; Sarah Smith, perc. Delos DE 3158 15

Wednesday 18 May 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Stephen Wilson 09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by Jennifer Foong Wright, D. Trio concerto. Roger Webster, cornet; Norman Law, tb; Robert Childs, euphonium; John Foster Black Dyke Mills Band/Peter Parkes. Chandos CHAN 8793 12 Corrette, M. Sonata in E minor, Les amusements d'Apollon chez le roi Admète, from Harpsichord sonatas with violin accompaniment, op 25 no 4 (1742). Utako Ikeda, fl; Paul Nicholson, hpd. Amon Ra CD-SAR 57 13 Sainte-Colombe, A. Concert no 44, Tombeau les regrets. Wieland Kuijken, bass viol; Jordi Savall, bass viol. Astrée E 7729 7 Spontini, G. Divertimento. Sören Hermansson, hn; Erica Goodman, hp. BIS CD-648

Erlebach, P. Fürchtet euch nicht. Dorothée Mields, sop; Margaret Hunter, sop; Alexander Schneider, alto; Andreas Post, ten; Matthias Vieweg, bass; Les Amis de Philippe/Ludger Rémy. cpo 777 346-2 10

20:00 AT THE OPERA Prepared by Camille Mercep

Becker, D. Sonata in F à 5 for two violins, two violas and continuo (pub.1678). Musica Antiqua Cologne/Reinhard Goebel. Archiv 459 619-2 7

MERLIN: Carlos Álvarez, bar KING ARTHUR: Plácido Domingo, ten MORGAN LE FAY: Jane Henschel, cont NIVIAN: Ana Maria Martínez, sop Spanish National Choir; Madrid Community Choir; Madrid SO/José de Eusebio. Decca 467 096-2 2:16

Wranitzky, A. String sextet in G. Ensemble Cordia. Brilliant Classics 94168 24 10:30 CONCERT HALL Prepared by Michael Field Mendelssohn, F. Overture: Calm sea and prosperous voyage, op 27 (1828). Bamberg SO/Claus Peter Flor. RCA Victor RD 87905 12 Saint-Saëns, C. Piano concerto no 2 in G minor, op 22 (1868). Stephen Hough, pf; City of Birmingham SO/Sakari Oramo. Hyperion CDA67331/2 22 Villa-Lobos, H. Symphony no 2, Ascensão (1917- 44). São Paulo SO/Isaac Karabtchevsky. Naxos 8.573829 49 12:00 JAZZ SKETCHES with Robert Vale 13:00 IN CONVERSATION with Simon Moore 14:00 A SYDNEY CONCERT Prepared by Derek Parker Berlioz, H. Overture to The flight into Egypt, from The childhood of Christ, op 25 (1850-54). Sydney SO/Robert Pikler. Chandos CHAN 6587 7 Coates, E. Ballet: The enchanted garden (1938). Sydney SO/John Lanchbery. LP HMV ESD 7062 16 Mozart, W. Piano concerto no 27 in B flat, K595 (1791). Konstantin Shamray, pf; Sydney SO/Nicholas Milton. ABC 476 6960 32 Rachmaninov, S. Symphony no 2 in E minor, op 27 (1906-07). Sydney SO/Edo de Waart. ABC 462 012-2 56 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Tom Forrester-Paton 19:00 PLANET JAZZ with Xavier Bichon

Albéniz, I. Merlin. Opera in three acts, part 1 of the King Arthur trilogy. Libretto by Francis Money-Coutts. First performed Barcelona, 1950.

Merlin is determined that Arthur will be crowned King of England. He urges the crowd to choose a new king, but is told that divine providence will reveal the heir to the throne. The Archbishop reads the inscription on the sword Excalibur: ‘He who frees it from the stone will be the new king’. A tournament is organised. Arthur, who has left his own sword behind on his way to the tournament, sees Excalibur and easily pulls it from the stone. Merlin tells the crowd that Arthur is the son of Queen Igraine and all proclaim him King, except Morgan Le Fay and her followers. Arthur confesses his love for Guinevere to Merlin who warns him that danger lies there. Morgan foresees that Guinevere will be Arthur’s consort, which will bring about the destruction of the crown. She plots to get rid of Merlin whose magic protects Arthur. Nivian, a Saracen slave-girl, asks Morgan to help her win her freedom from Merlin. She and her sisters seduce the gnomes whose gold Merlin then steals. Morgan tells her of the power of Merlin’s wand and the weakness of the rock at the entrance of the gnomes’ grotto and that he must be imprisoned there. Meanwhile, Arthur has entrusted Merlin to ask formally for Guinevere’s hand, but Merlin plans to make Arthur forget her. First, he must steal more gold from the gnomes, so he calls for Nivian. Arousing Merlin’s desires with her dancing, she asks to hold his wand. He gives it to her, unaware that she knows its secret. As he enters the gnomes’ cavern, Nivian invokes the spirit of freedom, striking the rock at the entrance. She disappears into the forest, leaving Merlin imprisoned in the cavern. d’Indy, V. The enchanted forest, op 8 (1878). Iceland SO/Rumon Gamba. Chandos CHAN 10464 14 Wagner, R. Forest murmurs, from Siegfried (1856-71). Cleveland O/George Szell. CBS M2YK 46466 7

23:00 REMEMBERING GEORGE CRUMB 1929-2022 Prepared by Paul Cooke Crumb, G. Night music I (1964). John Harding, vn; David Stanhope, pf. LP MBS 5 10 Cello sonata (1955). Pieter Wispelwey, vc. Channel CCS SA 27909 12 Black angels (1970). Kronos Quartet. Nonesuch 7559-79242-2

Excerpts from Makrokosmos, vol II: 12 Fantasy pieces after the zodiac (1973). Rachel Kiyo Iwaasa, pf. Redshift Music TK423 12

Thursday 19 May 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Simon Moore 09:00 DIVERSIONS IN FINE MUSIC The instruments: Woodwinds Prepared by Jennifer Foong Pierné, G. Introduction and variations on a popular rondo (1930). Netherlands Saxophone Quartet. LP CBS 71087 8 David, Ferdinand. Bassoon concertino in B flat, op 12. Klaus Thunemann, bn; Academy of St Martin in the Fields/Neville Marriner. Philips 446 096-2 9 Dvorák, A. Serenade in D minor, op 44 (1878). Winds of Prague Philharmonia/Jakub Hrusa. Supraphon SU 3932-2 24 Moscheles, I. Concertante in F. Marc Grauwels, fl; Joris van den Hauwe, ob; Belgian RTV SO/André Vandernoot. Naxos 8.555977 14 Farrenc, L. Sextet in C minor for piano and wind quintet (1852). Kathryn Selby, pf; members of Omega Ensemble. Fine Music concert recording 25 10:30 CONCERT HALL Prepared by Peter Poole Massenet, J. Ballet music from Le Cid (1885). Israel PO/Jean Martinon. Decca 476 2742 18 Marx, J. Romantic piano concerto in E (191819). Marc-André Hamelin, pf; BBC Scottish SO/Osmo Vänskä. Hyperion CDA66990 37

Méhul, É-N. Symphony no 1 in G minor (1808-09). Les Musiciens du Louvre/Marc Minkowski. Erato 2292-45026-2 26 12:00 JAZZ AFTER NOON with Sue Jowell

15:00 IN CLASSICAL STYLE Prepared by James Nightingale Michl, J. Quartet no 3 in E flat (c1780-89). Ben Hoadley, bn; Hall String Trio. Naxos 8.574054 14

Schubert, F. Sonata in A, D664 (c1819). Jayson Gillham, pf. 13:00 EVOKING ANCIENT WORLDS ABC 481 2682 20 Prepared by Anabela Pina Haydn, J. Symphony in D, Hob.1:96, Miracle Monteverdi, C. Moresca; Lasciate i monti, balletto; Ecco pur ch’a voi ritorno, ballo, from L'Orfeo (1607). Patrizia Kwella, sop; Anthony Rolfe-Johnson, ten; Lawrence Dale, ten; Alan Woodrow, ten; Monteverdi Choir; English Baroque Soloists/John Eliot Gardiner. Erato 2292-45984-2 1

(1791; arr. Salomon). Ensemble of the Classic Era. ABC 472 561-2 21

Dimitrie Cantemir Mss. No 214: Taksim and makam, Rast Murass’a. Hespérion XXI/Jordi Savall.. Alia Vox AVSA 9895 7

19:00 THE NEW JAZZ STANDARD with Frank Presley

Maroufi, J. Armenian rhapsody; Kuku. Amir Farid, pf. Move MD 3380 11 Theodorakis, M. The girl’s dance; Love dance, from Carnaval suite-ballet. Philharmonia O/Charles Dutoit. Decca 475 6130

Ponce, M. Three popular Mexican folksongs. John Williams, gui. LP CBS SBR 235970 5 Zhu, Xiaogu. Love in spring. Takako Nishizaki, vn; Shanghai Conservatory SO/ Fang Chengwu. Naxos 8.554334 9 14:00 FAMILY CONNECTIONS Alessandro and Domenico Scarlatti Prepared by Frank Morrison Scarlatti, D. Sonata in D, Kk491. Murray Perahia, pf. Sony SK 62785

Scarlatti, A. Sinfonia no 2 in D. Vladislav Kozderka, tpt; Jarmila Janecková-Sevciková; Musica Barocca di Praga. Milan Vlcek SY 0002-2 131 9

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Sue Jowell

20:00 THE WORLD OF A SYMPHONY Prepared by James Nightingale Wagner, R. Prelude to Tristan and Isolde (1859). West Australian SO/Simone Young. ABC 476 6811 11 Thalberg, S. Les soirées de Pausilippe, op 75 (1865). Ivo Janssen, pf. Ottavo OTR C50178 6

Clori e Mirtillo. Sandrine Piau, sop; Gérard Lesne, ct; Il Seminario Musicale. Virgin 5 45126 2 9

00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Vicky Zhang 09:00 DIVERSIONS IN FINE MUSIC Something borrowed Prepared by Di Cox Czerny, C. Fantasy no 1, from Three brilliant fantasies after Schubert, op 339 (1836). Barry Tuckwell, hn; Daniel Blumenthal, pf. Etcetera KTC1121 16 Respighi, O. Pastorale for violin and strings, after Tartini (1908). Ingolf Turban, vn; English CO/Marcello Viotti. Claves 50-9017 12 Spohr, L. Variations in B flat on a theme from Alruna (1809). Thea King, cl; English CO/ James Judd. Hyperion CDD 22017 8

Fossa, F. de Grand duet no 9 in E, on themes from Haydn’s String quartet, Hob.III:8. Jukka Puccini, G. Bimba, bimba, non piangere, from Savijoki, gui; Erik Stenstadvoid, gui. Madama Butterfly (1904). Leontyne Price, sop; apex 0927 49444 2 20 Elizabeth Bainbridge, mezz; Plácido Domingo, Rachmaninov, S. Variations on a theme of ten; New Philharmonia O/Nello Santi. Corelli, op 42 (1902/13/41). Scott Davie, pf. RCA RD 85999 16 ABC 472 671-2 19 Martucci, G. Fantasia, op 51 (1881). Satie, E. A new satiesfaction, featuring Satie’s Francesco Caramiello, pf. Gymnopédie no 1 (1917; arr. Koncz). Made in ASV DCA 1092 12 Berlin. Respighi, O. Piano quintet in F minor (1902). Decca 483 3852 5 Massimo Palumbo, pf; Nuovo Quartetto 10:30 CONCERT HALL Modigliani. Nuova Era SP 108 18 Prepared by Rex Burgess Martucci, G. Symphony no 2 in F, op 81 (1904). Rome SO/Francesco La Vecchia. Naxos 8.570930 45

22:00 P.S. QUARTET NUMBER 11 Scarlatti, D. Toccata in D minor, Kk141. Agnes Prepared by James Nightingale Szakály, cimbalom; Rózsa Farkás, cimbalom. Barton, W. Petrichor. William Barton, did; Hungaroton HCD 31571 4 Kurilpa String Quartet. 12 Scarlatti, A. Sonata in A minor. Members of Il ABC 481 1909 Giardino Armonico/Giovanni Antonini. Teldec 4509-93157-2

Friday 20 May

Sculthorpe, P. String quartet no 11, Jabiru dreaming (1990). Goldner String Quartet. Tall Poppies TP090 14 22:30 ULTIMA THULE

Beethoven, L. Overture to Coriolan, op 62 (1807). Bavarian RSO/Colin Davis. CBS MDK 44790 10 Strauss, R. Death and transfiguration, op 24 (1888-89). London SO/Claudio Abbado. DG 429 492-2 26 Kats-Chernin, E. The witching hour, concerto for eight double basses and orchestra (2016). Kees Boersma, db; Timothy Dunin, db; Alex Henery, db; Max McBride, db; Kirsty McCahon, db; Matthew McDonald, db; Robert Nairn, db; Caro Vigilante, db; Australian World O/Alexander Briger. ABC 481 6430 25 Diamond, D. Symphony no 1 (1940). Seattle SO/Gerard Schwarz. Delos DE 3119 22

Avison, C. Concerto grosso no 11 in G, after Domenico Scarlatti. Academy of St Martin in the Fields/Neville Marriner. Philips 438 806-2 14

12:00 A JAZZ HOUR with Barry O'Sullivan 13:00 AUSTRALIAN PERFORMERS Prepared by James Nightingale Jolivet, A. Harp concerto, op 25 (1952). Alice Giles, hp; Adelaide SO/David Porcelijn. ABC 454 506-2 18 Debussy, C. Piano trio no 1 in G (1880). Australian Trio. Walsingham WAL8040-2 22 Bach, J.S. Keyboard concerto no 7 in G minor, BWV1058 (1738). Angela Hewitt, pf; Australian CO/Richard Tognetti. Hyperion CDA67607/8 14 14:00 FRENCH FAVOURITES Prepared by Jacky Ternisien Ravel, M. Boléro (1928). Sydney SO/Stuart Challender. ABC 476 4991 15 Satie, E. Trois gnossiennes (1890); Gnossienne no 4 (1891); Gnossienne no 5 (1889). Katia Labèque, pf. KML 1120 15 Chabrier, E. España (1883). Vienna PO/John Eliot Gardiner. DG 447 751-2 6 Fauré, G. Cantique de Jean Racine, op 11 (1865). Choir of St John’s College Cambridge/ Christopher Robinson. Brilliant Classics 94412 5 Dukas, P. Symphonic poem: The sorcerer's apprentice (1897). Toulouse Capitole O/Michel Plasson. EMI 5 55385 2 11 Bizet, G. Suite from Carmen (1875). Royal Opera House O/Alexander Gibson. Decca 480 6620 24 Marais, M. Tombeau pour M. de Sainte Colombe. Jordi Savall, bass viol; Jérôme Hantaï, bass viol; Rolf Lislevand, theorbo; Pierre Hantaï, hpd. Auvidis/Valois V 4640

19:00 FRIDAY JAZZ SESSION with Alex Siegers

Copland, A. Dance symphony (1925). Bournemouth SO/Marin Alsop. Naxos 8.559359

09:05 THE PIANO ALONE Prepared by Anne Irish Godowsky, L. Concert paraphrase on Die Fledermaus (1907). Piers Lane, pf. Hyperion CDA66785 12 17

Bartók, B. Ballet: The miraculous mandarin, op 19 (1926). Bournemouth Symphony Ch & O/Marin Alsop. Naxos 8.557433 33 Brahms, J. Variations on a theme by J. Haydn, op 56a, St Antoni chorale (1873). London PO/Marin Alsop. Naxos 8.557430 19 Harris, R. Symphony no 4, Folk song symphony (1939). Colorado Ch & SO/Marin Alsop. Naxos 8.559227 41 22:00 BAROQUE AND BEFORE In Sweden and Denmark Prepared by Elaine Siversen Pedersøn, M. Mass, from Pratum spirituale (1620). Hilliard Ensemble/Paul Hillier. BIS CD-389 11 Niewerth, H. Allemande, courante, sarabande. Tommie Andersson, lute. Musica Rediviva MRCD 003

Agrell, J. Flute concerto in D (c1750). Maria Bania, fl; Concerto Copenhagen/Andrew Manze. Chandos CHAN 0535 15 Roman, J. Swedish Mass (1752). Hillevi Martinpelto, sop; Anne Sofie von Otter, mezz; Mikael Samuelson, bar; Stockholm (Adolf Fredrik) Bach Choir; Drottningholm Baroque Ensemble/Anders Öhrwall. Proprius PRCD 9920 46

Schubert, F. Klavierstück in E flat, D946 no 2 (1828). Maria João Pires, pf. DG 457 550-2 12 Debussy, C. Suite bergamasque (1905). Claudio Arrau, pf. Philips 434 626-2 24 10:00 CENTRES OF MUSIC Mannheim: The next generation Prepared by Jennifer Foong Stamitz, C. Clarinet concerto no 10 in B flat. Sabine Meyer, cl; Academy of St Martin in the Fields/Iona Brown. EMI CDC 7 54842 2 17 Cannabich, C. Symphony no 50 in D minor, op 10 (pub. 1772). Nicolaus Esterházy Sinfonia/Uwe Grodd. Naxos 8.554340 9 Filtz, A. Sinfonia in A à 8, Sinfonie périodique no 2. Saarland Radio CO/Karl Ristenpart. EMI CDZ 25 2240 2 14 Wendling, J. Flute quartet in G. Australian Haydn Ensemble. Fine Music concert recording 11 Beck, F. Sinfonia in E flat, op 1 no 4 (pub. 1758). New Zealand CO/Donald Armstrong. Naxos 8.554071 8 Lebrun, L. Oboe concerto in D minor. Heinz Holliger, ob; Camerata Bern/Thomas Füri. LP Archiv 2723 068 19 11:30 ON PARADE Music that’s band Prepared by Owen Fisher

Bizet, G. Toreador’s march, from Carmen. Sellers Engineering Band/Norman Law. Chandos CHAN 4527 2

Scheibe, J. Sinfonia in D à 16. Concerto Copenhagen/Andrew Manze. Chandos CHAN 0550 11

Mendelssohn, F. O for the wings of a dove. Besses o’ th’ Barn Band/Roy Newsome. Chandos CHAN 4529 6

Saturday 21 May

Saint-Saëns, C. The tortoise; The elephant; The fossils, from The carnival of the animals. Black Dyke Mills Band/Peter Parkes. Chandos CHAN 4524 4

Buxtehude, D. Te Deum laudamus, BuxWV218. Wolfgang Rübsam, org. Naxos 8.555991

Saint-Saëns, C. The carnival of the animals, op 128 (1886). Ensemble Musique Oblique. Harmonia Mundi HMC 901472 24 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with James Hunter

20:00 EVENINGS WITH THE ORCHESTRA Marin Alsop conducts Prepared by Rex Burgess

00:00 CLASSIC-ALL THROUGH THE NIGHT

Bach, J.S. Toccata and fugue in D minor, BWV565. Brighouse and Rastrick Band/ 06:00 SATURDAY MORNING MUSIC Geoffrey Brand. Chandos CHAN 6561 with David Garrett 09:00 WHAT'S ON IN MUSIC Our weekly guide to musical events in and around Sydney

Trad. Waltzing Matilda. Black Dyke Mills Band/ Roy Newsome. Chandos CHAN 4528 3

12:00 URBAN JAZZ LOUNGE with Leita Hutchings 13:00 TREASURES OF THE VOICE Prepared by Paul Cooke Buxtehude, D. Cantata: Ich suchte des Nachts, BuxWV50. Helmut Krebs, ten; Dietrich Fischer-Dieskau, bar; Fred Schweinfurter, ob; Else Göhrum-Jennewein, vn; Bertha Krimm, vn; Hermann Klaiss, vc; Hermann Werdermann, hpd. Hänssler 94.218 15

Rodgers, R. Excerpts from The girlfriend. Barbara King, Mark Hutchinson, Jill Pert, John Gower, voices; 1987 original revival cast/ Martin Gates. Ter-Orbis Mus C N68 18

Mozart, W. Divertimento no 17 in D for two violins, viola, bass and two horns, K334 (1779-80). Scottish CO Ensemble/Alexander Janiczek. Linn CKD 376 47

Henderson, R. Excerpts from Good news. Kim Huber, Ann Morrison, Michael Gruber, Linda Michelle, voices; National SO/Craig Barna. Ter-Orbis Mus C N54 14

Dvorák, A. Cello concerto in B minor, op 104 (1895). Steven Isserlis, vc; Mahler CO/Daniel Harding. Hyperion CDA67917 39

Sunday 22 May

19:00 EMERGENT JAZZ with Keith Pettigrew

Schubert, F. The shepherd on the rock, D965 (1828). Cecelia Wasson, sop; Robert Alemany, 20:00 THE LIFE OF A COMPOSER cl; JoAnn Falletta, gui. Pablo de Sarasate Koch 3-75682-2 HI 13 Prepared by Jennifer Foong Saint-Saëns, C. La nuit, op 114 (1900). Sarasate, P. de Homage to Rossini, op 2. Natalie Dessay, sop; Île de France Regional Tianwa Yang, vn; Markus Hadulla, pf. Vittoria Choir; Pierre Blazy, fl; Île de France Naxos 8.570192 12 NO/Jacques Mercier. Sony 88875192992 11 Zigeunerweisen, op 20 (1878). Anne-Sophie Mutter, vn; French NO/Seiji Ozawa. Ravel, M. Madagascan songs (1922-26). EMI CDC 7 47318 2 8 Jessye Norman, sop; Michel Debost, fl; Moszkowski, M. Guitars, op 45 no 2 (arr. Renaud Fontanarosa, vc; Dalton Baldwin, pf. EMI 5 69299 2 13 Sarasate). Ruggiero Ricci, vn; Ernest Lush, pf. Decca 458 191-2 3 14:00 AUSTRALIAN PERFORMERS Zimbalist, E. Sarasateana (arr. 1947; transcr. Prepared by James Nightingale Primrose). Roberto Diaz, va; Robert Koenig, Telemann, G. Bassoon sonata in E minor. Matthew Wilkie, bn; Kees Boersma, db; Neal Peres da Costa, hpd. Melba MR 301124 8 Hummel, J. Piano trio no 4 in G, op 65 (pub. c1814). Australian Trio. ABC 476 123-1 18 14:30 SATURDAY MATINEE At the ballet Prepared by Robert Gilchrist Hérold, F. Ballet: La fille mal gardée (1828; arr. Lanchbery). Royal Opera House O/John Lanchbery. Decca 430 849-2 1:35 Falla, M. de Ballet: The three-cornered hat (1919). Jill Gomez, sop; Philharmonia O/Yan Pascal Tortelier. Chandos CHAN 8904 39 17:00 SOCIETY SPOT Classical Guitar Society with Sue McCreadie 18:00 STAGE AND SCREEN Prepared by Angela Cockburn Kander, J. Excerpts from The rink. Liza Minelli, Chita Rivera, Scott Holmes, Jason Alexander, voices; original Broadway cast/Paul Gemignani. Ter-Orbis Mus C NZ1 18

pf. Naxos 8.557391

Rodrigo, J. Capriccio, Tribute to Sarasate (1944). Eva Léon, vn. Naxos 8.572648 8 Sarasate, P. de Andalusian romance. Grevillea Ensemble. 2MBS-FM recording

Concert fantasy on themes from Mozart’s The magic flute, op 54. Gil Shaham, vn; Akira Eguchi, pf. DG 447 640-2 12

00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC with Paul Roper 09:00 MUSICA SACRA Prepared by Paul Cooke Pärt, A. Psalm 129 (130): De profundis clamavi ad te, Domine (1980). David James, ct; John Potter, ten; Paul Hillier, bar; David Bevan, bass; Christopher Bowers-Broadbent, org; Albert Bowen, perc. ECM 1325 7 Dupré, M. Versets on Ave Maris Stella, from Vespers of the Virgin, op 18 (1918). Students of Newcastle University Conservatorium of Music, sopranos; Michael Dudman, org. ABC 461 754-2 9 Victoria, T. de Requiem for six voices (1605). Sydney University Chamber Choir/Neil McEwan. LP ABC/Festival L 38676 39 10:00 THE CLASSICAL ERA Prepared by Jacky Ternisien

Marschner, H. Overture to The vampire (1828). Tasmanian SO/Sebastian LangLessing. Mackenzie, A. Pibroch suite, op 42 (1889). Malcolm Stewart, vn; Royal Scottish NO/David ABC 476 7736 Davies. Hauff, W. Horn quintet in E flat. Nury Hyperion CDA66975 24 Guarnaschelli, hn; Signum Quartet. Capriccio C 5059 Sarasate, P. de Spanish dance, Navarra, op 33 (1889). David Oistrakh, vn; Igor Oistrakh, vn; Vladimir Yampolski, pf. Brilliant Classics 8402 6 Carmen fantasy, op 25 (c1883). Itzhak Perlman, vn; Royal PO/Lawrence Foster. EMI CDB 7 62988 2 12 22:00 SATURDAY NIGHT AT HOME Prepared by Elaine Siversen Mendelssohn, F. Symphony no 1 in C minor, op 11 (1824; transcr. Busoni). Anthony Paratore, pf; Joseph Paratore, pf. LP Schwann VMS 1031 27

Eggert, J. Incidental music for Granberg's play Svante Sture (1812). Gävle SO/Gérard Korsten. Naxos 8.572457 14 Abel, C. Aria: Frena la nelle lagrime. Emma Kirkby, sop; Charles Medlam, va da gamba. EMI CDC 7 49799 2 10 Ries, F. Introduction and rondo in E flat in gypsy style, op 184 (pub 1837). Michael Tsalka, pf. Naxos 8.573628 9 Wolf, E. Symphony in F. Franz Liszt CO/ Nicolás Pasquet. Naxos 8.557132 24

Kuhlau, F. Piano concerto in C, op 7 (c1811). Amalie Malling, pf; Danish National RSO/ Michael Schønwandt. Chandos CHAN 9699 33 12:00 CLASSIC JAZZ with Dave Mac 13:00 WORLD MUSIC Whirled Wide with Ian Carswell 14:00 INTIMATE VOICES Reicha’s quintets for wind Part 4 Prepared by Elaine Siversen Reicha, A. Two andantes and adagio, for English horn and wind quintet (1819). Fodor Quintet. Ottavo OTR C69031 18 Wind quintet in A minor, op 100 no 5 (1820). Michael Thompson Wind Quintet. Naxos 8.550432 37 15:00 SUNDAY SPECIAL Celebrating Joachim Raff Prepared by Paul Cooke

Brahms, J. Geistliches Lied. Corydon Singers; John Scott, org; Matthew Best, cond. Helios CDH55346 5

20:30 NEW HORIZONS Nigel Butterley remembered Part 1 Prepared by James Nightingale

Chorale prelude no 11: O Welt, ich muss dich lassen. Roger Fisher, org. Gema LCO8418 4

Williams, Chris. Two episodes. Jeanell Carrigan, pf. Australian Music Centre VAST031.2

Rheinberger, J. Kyrie, from Cantus missae, op 109. Choir of St Alban's Cathedral; Thomas Trotter, org; Matthew Best, cond. Lammas LAMM 167D 4

Butterley, N. Orphei mysteria (2008). Alison Morgan, sop; Jenny Duck-Chong, mezz; Sally Walker, fl; Peter Smith, cl; Alexander Oguey, ob; Victoria Jacono-Gilmovich, vn; James Wannan, va; Geoffrey Gartner, vc; Giuseppe Zangari, gui; Matthew Wood, cond. Halcyon 889211561537 24

Bruckner, A. Ecce sacerdos magnus. Corydon Singers; Thomas Trotter, org; Matthew Best, cond. Hyperion CDA66062

Decca 478 5703

Mellos, A. Sonata (2016). Bernadette Harvey, pf. Mendelssohn, F. Verlieh uns Frieden. Choir 15 of St Thomas Church Leipzig; Gewandhaus O/ Tall Poppies TP251 Georg Christoph Biller. Gyger, E. Creator alme siderum (2011). Song Rondeau ROP4029 5 Company/Antony Pitts. 1equalmusic 1EMIIT 4 Bruckner, A. Os justi. Voces8. Mendelssohn, F. Hear my prayer. Oliver Brown, treb; Choir of St John’s College, Cambridge; Edward Picton-Turbervill, org; Andrew Nethsingha, cond. Chandos CHAN10872 11 18:00 SMALL FORCES Prepared by Rex Burgess

Raff, J. Concertino in G, op 76, Ode to Spring (1857). Jean-François Antonioli, pf; Lausanne CO/Lawrence Foster. Claves CD 50-8806 15

Bach, J.S. Sonata no 1 in B minor, BWV1014 (bef. 1725). Catherine Mackintosh, vn; Maggie Cole, hpd. Chandos CHAN 0602/3 12

Grand sonata no 4, op 129 (1866). Ingolf Turban, vn; Jascha Nemtsov, pf. cpo 777 006-2 16

Gross, E. Mandigar I (1987). Adrian Hooper, mand; Paul Hooper, mand; Joyce Bootsma, mandola; Barbara Hooper, gui. Jade JADCD 1031 9

Bach, J.S. Chaconne, from Partita no 2 in D minor, BWV1004 (1720; orch. Raff 1873). BBC PO/Leonard Slatkin. Chandos CHAN 9835 13 Raff, J. Die Stern, WoO53 (1880). Sångkraft Chamber Choir; Noorlands Opera SO/Andrea Quinn. Starling CDS 1089-2 25 Symphony no 8 in A, op 205, Frühlingsklänge (1878). Slovak State PO/Urs Schneider. Marco Polo 8.223362 42 17:00 HOSANNA Prepared by Jeremy Hall Hymn. Now thank we all our God. Choir of Trinity College, Cambridge; Andrew Lamb, org; Richard Marlow, cond. Sony 88697573572 3 Mendelssohn, F. Laudate pueri, op 39 no 2. Choir of Trinity College, Cambridge; Mark Williams, org; Richard Marlow, cond. Chandos CHAN10363 6

Ravel, M. Sonata in memory of Claude Debussy (1920-22). Richard Tognetti, vn; Patrick Demenga, vc. Fine Music concert recording 21 Elgar, E. Harmony music no 2 (1878). Athena Ensemble. Chandos CHAN 241-33 10 19:00 SUNDAY NIGHT CONCERT Prepared by Frank Morrison

The Pleiades at midnight (2013). Alison Morgan, sop; Jenny Duck-Chong, mezz; Laura Chislett Jones, fl; Jason Noble, cl; Geoffrey Gartner, vc; Joshua Hill, perc. Tall Poppies TP236

Butterley, N. From sorrowing earth (1991). Melbourne SO/Isaiah Jackson. ABC 446 478-2 26 22:00 JAZZ AFTER HOURS with Deborah Evans

Monday 23 May 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Robert Small 09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1856 Prepared by Frank Morrison Lalo, E. Sonata (1856). Valentin Radutiu, vc; Per Rundberg, pf. Hänssler CD98.654 25

Balakirev, M. Symphonic poem: Russia Glinka, M. Waltz-Fantasy (1856). Armenian (1864-69). Philharmonia O/Yevgeny Svetlanov. PO/Loris Tjeknavorian. Hyperion CDA66691-2 15 ASV DCA 1075 9 Mozart, W. Piano concerto no 19 in F, K459 (1784). English CO/Murray Perahia, pf & dir. Sony SX4K 46 443 28 Vaughan Williams, R. Symphony no 5 in D (1938-43/51). London SO/Bryden Thomson. Chandos CHAN 8554 39

Dargomizhsky, A. Mad scene and death of the miller, from Rusalka (1856). Georgi Pozemkovsky, ten; Feodor Chaliapin, bass; London SO/Max Steinmann. EMI CDH 7 61009-2 9 Gottschalk, L. Apothéose, op 29 (1856). Philip Martin, pf. Hyperion CDA67118 12

Bruch, M. String quartet in C minor, op 9 (1856). Isos Quartet. Schwann 3-6486-2 25 10:30 CONCERT HALL Prepared by Paul Cooke Ordonez, K. Sinfonia in G minor. Toronto Camerata/Kevin Mallon. Naxos 8.557482 15

20:00 STORMY MONDAY with Austin Harrison

13:00 CINDERELLA Prepared by Jacky Ternisien Rossini, G. Overture to La cenerentola (1817). European Wind Soloists/Patrick de Ritis. Naxos 8.573259 8

22:00 JAZZ AFTER HOURS with Gail Monjo

Tuesday 24 May

Coates, E. Cinderella, a phantasy (1929). BBC PO/Rumon Gamba. Chandos CHAN 9869 15

00:00 CONTEMPORARY Bowen, Y. Viola concerto in C minor, op 25. COLLECTIVE Lawrence Power, va; BBC Scottish SO/Martyn Brabbins. 03:00 CLASSICAL TILL DAWN Hyperion CDA67546 36 06:00 FINE MUSIC BREAKFAST Berwald, F. Symphony no 2 in D (1842). including Arts Calendar at 7.30am Helsingborg SO/Okko Kamu. Naxos 8.553051 32 with Julie Simonds 12:00 SWING SESSIONS with John Buchanan 13:00 RETURN AND RONDO Prepared by James Nightingale Fauré, G. Prelude to Pénélope (1913). BBC PO/Yan Pascal Tortelier. Chandos CHAN 9416 8 Hummel, J. Rondo brillant in B flat, op 98 (1822). London Mozart Players/Howard Shelley. Chandos CHAN 10216 16 Boulanger, L. Four songs (1916). Cyrille Dubois, ten; Tristan Raës, pf. Aparté AP224 14 Dvorák, A. Rondo in G minor, op 94 (1891). Steven Isserlis, vc; Stephen Hough, pf. Hyperion CDA67529 7 Hovhaness, A. Symphony no 25, op 275, Odysseus (1973). Polyphonia O/Alan Hovhaness. Crystal Classics CD807 36 14:30 MUSIC OF THREE ERAS Prepared by Derek Parker

Prokofiev, S. Five pieces from Cinderella (1943). Lydia Mordkovitch, vn; Nicholas Walker, pf. Chandos CHAN 10526 19

09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by Michael Morton-Evans Weckmann, M. Four variations on Die lieblichen Blicke. Gisela Gumz, clvd. Hungaroton HCD 31185

Weber, C.M. Concert piece in F minor, op 79 (c1821). Nikolai Demidenko, pf; Scottish CO/ Charles Mackerras. Hyperion CDA66729 16 Beethoven, L. Eight variations on Une fièvre brûlante from Grétry’s Richard Coeur-de-Lion, WoO72 (1797). Ronald Brautigam, fp. BIS SACD-1673 6 Waghalter, I. Sonata in F minor, op 5. Irmina Trynkos, vn; Giorgi Latsabidze, pf. Naxos 8.572809 20 Bach, C.P.E. 12 Variations on La folia. Robert Woolley, hpd. Hyperion CDA67035 8 Grainger, P. The warriors, for six hands on one piano (1916). Philip Martin, Martin Jones, Richard McMahon, pf. Nimbus NI 5286 20

Corelli, A. Concerto grosso in D, op 6 no 7 (1712). Philharmonia Baroque O/Nicholas McGegan. Harmonia Mundi HMU 907015 8

10:30 CONCERT HALL Prepared by Elaine Siversen

Wagner, R. Siegfried idyll (1870). Australian CO/Richard Tognetti. ABC 481 4571 18

Wallfisch, vn; Raglan Baroque Players/ Nicholas Kraemer. Hyperion CDS44391/3

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Stephen Wilson

Haydn, J. Symphony in D, Hob.I:31, Hornsignal (c1765). Academy of Ancient Music/Christopher Hogwood. L’Oiseau-Lyre 430 082-2

Bach, J.S. Suite no 1 in C, BWV1066 (1717). Akademie Für Alte Musik. Mozart, W. Serenade no 7 in D, K250, Haffner Harmonia Mundi HMG 501578.79 26 (1776). Liszt Ferenc CO/János Rolla. Locatelli, P. Violin concerto in D, op 3 no 12, Hungaroton HCD 12944 58 from The art of the violin (pub. 1733). Elizabeth

19:00 JAZZ PULSE with Chris Wetherall

12:00 JAZZ RHYTHM with Jeannie McInnes

Deutscher, A. Up in the sky; When the day falls into darkness; The star of hope, from Cinderella (2012-15; arr. Deutscher 2019). Alma Deutscher, pf. Sony 19075990192 11 Chopin, F. Variations on Non più mesta, from Rossini’s Cinderella (arr. Adams, Giacomantonio). Genevieve Lacey, rec; Karin Schaupp, gui. ABC 476 524-9 7 Massenet, J. Ballet music from Cendrillon (1899). Academy of St Martin in the Fields/ Neville Marriner. Brilliant Classics 94355 21 14:30 QUARTET PERSPECTIVES Prepared by James Nightingale Farrenc, L. Piano quintet no 1 in A minor, op 30 (1839). Ironwood. ABC 481 9887 31 Schubert, F. String quartet no 12 in C minor, D703, Quartettsatz. Vienna Konzerthaus Quartet. Westminster RC 8808678121735 11 Respighi, O. Il tramonto (1914). Sena Jurinac, sop; Barylli Quartet. Westminster RC 8808678121735

Schulhoff, E. Concerto for string quartet and wind ensemble, WV97 (1930). Leipzig String Quartet; German SO Berlin/Roland Kluttig. Capriccio C7297 22 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Michael Morton-Evans 19:00 THE JAZZ BEAT with Lloyd Capps 20:00 JUST IN with David Garrett A selection from the latest recordings to arrive at the Fine Music Library

22:00 CHAMBER SOIRÉE Prepared by Gerald Holder

10:30 CONCERT HALL Prepared by Gerald Holder

Haydn, J. String quartet in D, Hob.III:3 (bef. 1764). Kodály Quartet. Naxos 8.550398 16

Rossini, G. Overture to Semiramide (1823). Prague Sinfonia O/Christian Benda. Naxos 8.570933 12

String quartet in C, op 76 no 3, Emperor (c1799). Vienna Konzerthaus Quartet. Westminster RC 8808678121735

Dvorák, A. Violin concerto in A minor, op 53 (1879). Frank Peter Zimmermann, vn; London PO/Franz Welser-Möst. EMI 7 54872 2 31

Bruch, M. Eight pieces, op 83 nos 2, 5, 6, 3 (1910). Catherine McCorkill, cl; Julian Smiles, vc; Kathryn Selby, pf. Fine Music concert recording 18 Chausson, E. Quartet in A, op 30. Philippe Graffin, vn; Toby Hoffman, va; Gary Hoffman, vc; Pascal Devoyon, pf. Hyperion CDA66907 35 Beethoven, L. Grosse Fuge in B flat, op 133 (1825-26). Lindsay String Quartet. ASV DCS 403 16

Wednesday 25 May

12:00 JAZZ SKETCHES with Robert Vale 13:00 IN CONVERSATION with Simon Moore 14:00 FROM THE SOUTH Part 2 Tasmanian Symphony Orchestra Prepared by Ron Walledge Grieg, E. Suite no 1 from Peer Gynt, op 46 (1874-75). Tasmanian SO/Sebastian LangLessing. ABC 476 4523 15

00:00 CONTEMPORARY COLLECTIVE

Vine, C. Oboe concerto (1996). Diana Doherty, ob; Tasmanian SO/Ola Rudner. ABC 476 226-7

03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Stephen Wilson 09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by Brian Drummond Croes, H-J. de Double concerto no 6 in B flat. Pol Vanwolleghem, fl; Georges Octors, vn; Belgian RTV CO/Edgard Doneux. LP EMI 4C 161-96986/989 16 Nau, S. Pavan and galliard. Parley of Instruments Renaissance Violin Band/Peter Holman. Hyperion CDA66806 7 Schnittelbach, N. Ciaconna in A for solo violin and continuo. Ensemble Echo du Danube/Christian Zincke. Naxos 8.557679 10 Marsh, J. Symphony no 6 in D (ed. GrahamJones). Chichester Concert/Ian GrahamJones. Olympia OCD 400 20 Hook, J. Trio, op 83 no 4 (c1797). Members of Sydney Wind Quintet. Fine Music Tape Archive 7 Burton, J. Sonata no 1 in D (1776). Ian Hobson, pf. Arabesque Z 6594

Skryabin, A. Symphony no 2 in C minor, op 29 (1901). Scottish NO/Neeme Järvi. Chandos CHAN 8462 40

Schubert, F. Incidental music to Rosamunde, D797 (1823). Tasmanian SO/Sebastian LangLessing. ABC 476 4740 23 Mills, R. Cello concerto (1990). Sue-Ellen Paulsen, vc; Tasmanian SO/Richard Mills. ABC 462 016-2 25 Mozart, W. Symphony no 40 in G minor, K550 (1788). Tasmanian SO/Sebastian LangLessing. ABC 476 4561 28 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Lloyd Capps 19:00 PLANET JAZZ with Xavier Bichon 20:00 AT THE OPERA Prepared by James Nightingale Ibert, J. Persée et Andromède. Opera in two acts. Libretto by Nino (Michel Veber). First performed Paris, 1929. CATHOS: Philippe Roillon, bass-bar ANDROMÈDE: Annick Massis, sop PERSÉE: Yann Beuron, ten Strasbourg PO/Jan Latham-Koenig. Avie AV 0008

Shield, W. String quartet in C minor, op 3 no 6 Dawn breaks over the island ruled by the hideous dragon, Cathos. He guards (c1800). Salomon Quartet. Hyperion CDA66780 12 Andromeda, who has been banished by

the gods of Olympus. As the sea nymphs announce the rising of the sun, Andromeda awakes and attempts to spark pity in the dragon. She laments her fate, alone on the island. Her self-pity is broken by the arrival of Perseus on his flying steed, Pegasus. The hero introduces himself without any sense of humility and when the furious Cathos appears, Perseus first tries to turn the dragon to stone with the head of Medusa. When this doesn’t work, he draws his sword and despite the protestations of Andromeda, Perseus slices the dragon in two. With his dying breath Cathos speaks his love for Andromeda. The girl is touched by Cathos’ words and refuses to leave with the pretentious Perseus, who abandons her. From the broken shell of the dragon, a handsome prince emerges and the pair sing a love duet accompanied by the song of the sea nymphs. Bertoni, F. Orfeo ed Euridice. Opera in three acts. Libretto by Ranieri de’ Calzabigi. First performed Vienna, 1762. ORFEO: Delores Ziegler, mezz EURIDICE: Cecilia Gasdia, sop IMENEO: Bruce Ford, ten Ambrosian Opera Choir; I Solisti Veneti/ Claudio Scimone. ARTS 447118-2 1:05 The grieving Orfeo resolves to go to Hades to find his deceased wife, Euridice. Imeneo, the god of marriage, appears and announces that the gods, moved by Orfeo’s grief, have decided to allow him to bring Euridice back on condition that he does not look at her until they have returned. At the entrance to Hades, the Furies bar Orfeo’s way but he calms them by playing his lyre and singing an eloquent song of his grief. They relent and allow Orfeo to pass into the Underworld. In the Elysian Fields, the Blessed Spirits dance and the Shades bring in his veiled wife. On the journey to the upper world, Euridice becomes agitated because Orfeo will not look at her and fears that he no longer loves her. Unable to resist her anguished pleas, Orfeo turns and, as he embraces her, she dies once more. Overcome with grief, Orfeo plans to take his own life. Imeneo appears, saying that because Orfeo has passed the test of faith and constancy, Euridice is restored to life. Gluck, C. Excerpts from Orfeo ed Euridice (1762). Iestyn Davies, ct; Arcangelo/Jonathan Cohen. Hyperion CDA67924 13 Haydn, J. Filomena abbandonata, from L’anima del filosofo, HobXXVII:13. Greta Bradman, sop; English CO/Richard Bonynge. Decca 481 1894 5

Schubert, F. Orpheus (Lied des Orpheus, als er in die Hölle ging), D474 (1816). Dietrich Fischer-Dieskau, bar; Gerald Moore, pf. DG 477 5765 4 22:30 MUSIC OF THE NIGHT Prepared by James Nightingale Roussel, A. Suite no 2 from Bacchus et Ariadne, op 43 (1930). Detroit SO/Neeme Järvi. Chandos CHAN 8996 19 Williamson, M. Haifa watercolours (1974). Antony Gray, pf. ABC 472 902-2 11 Bacewicz, G. String quartet no 7 (1965). Silesian Quartet. Chandos CHAN 10904(2) 16 Norgård, P. Echo zone I-III. Safri Duo. Chandos CHAN 9330

Krenek, E. Symphony, op 137 Pallas Athene (1954). Rheinland-Pfalz State PO/Karl-Heinz Steffens. Capriccio C5379 23

Thursday 26 May 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Simon Moore 09:00 DIVERSIONS IN FINE MUSIC The instruments: Woodwinds Prepared by James Nightingale

Kreutzer, R. Grand quintet in C (1790-99). Sarah Francis, ob; Allegri String Quartet. Hyperion CDA66143 15 Lago, G. Ciudades (2011). Amstel Saxophone Quartet. Challenge Records CC72534 11 10:30 CONCERT HALL Prepared by Rex Burgess Janácek, L. Idyll for string orchestra (1878). Rotterdam PO/James Conlon. Erato ECD 88095 29 Edwards, R. Piano concerto (1982). Dennis Hennig, pf; Queensland SO/Myer Fredman. ABC 426 483-2 18 Chausson, E. Symphony in B flat, op 20 (1889-90). Nancy Symphonic and Lyric O/ Jérôme Kaltenbach. Naxos 8.553652 34 12:00 JAZZ AFTER NOON with Sue Jowell 13:00 LONDON PRIDE Prepared by Michael Morton-Evans Coward, N. London pride (1941). Catherine Bott, sop; David Owen Norris, pf. Hyperion CDA67457 6 Coates, E. London suite (1932). London Pops O/Frederick Fennell. Mercury 478 5092 15 Ireland, J. Chelsea Reach, from London pieces. John Lenehan, pf. Naxos 8.553700

Hilliam - McEachern. Changing of the Guard. Peter Dawson, bass-bar; brass band. EMI CDMID 166187 7

14:00 TARTINI: MASTER VIOLINIST Prepared by Elaine Siversen Tartini, G. Sonata no 6, Senti lo mare. Elizabeth Wallfisch, vn. ABC 465 269-2

Cello concerto in A (c1740). Mstislav Rostropovich, vc; Collegium Musicum Zürich/ Paul Sacher. DG 479 2561 15 Sonata in G minor for violin and continuo, Devil's trill (pub. 1734). Nicola Benedetti, vn; Catherine Rimer, vc; Thomas Dunford, theorbo; Christian Curnyn, hpd. Decca 476 4342 14 Violin concerto in A, D96. Giuliano Carmignola, vn; Venice Baroque O/Andrea Marcon. Archiv 474 5172 18 15:00 MUSIC OF THE SEA Prepared by Rex Burgess Hanson, H. Summer seascape no 2 (1965). Adriana Linares, va; Philadelphia Virtuosi CO/ Daniel Spalding. Naxos 8.559251 8 Elgar, E. Sea pictures, op 37 (1897-99). Margreta Elkins, mezz; Queensland SO/ Werner Andreas Albert. ABC 446 279-2 22 Glazunov, A. Fantasy: The sea, op 28 (1889). Moscow SO/Igor Golovchin. Naxos 8.553512 22 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Marilyn Schock

19:00 THE NEW JAZZ STANDARD Sullivan, A. When a felon’s not engaged in with Frank Presley his employment, from The pirates of Penzance Davis, C. Nocturne based on themes from Hotel du Lac (1986; arr. Carl Davis 2010). Amy (1879). Owen Brannigan, bass; D’Oyly Carte 20:00 WORLD OF A SYMPHONY Dickson, sax; Melvyn Tan, pf; Philharmonia O/ Opera Ch; Royal PO/Isadore Godfrey. Prepared by David Brett ABC 480 4510 3 Carl Davis. Bruckner, A. Mass in C (c1842). Ludmila Carl Davis CDC010 11 Maconchy, E. Overture: Proud Thames Kuznetzova, mezz; Ludmila Golub, org. Couperin, F. Septième concert, from Nouveau (1952). London PO/Vernon Handley. Chandos CHAN 9863 12 Lyrita SRCD 288 6 concerts ou Les goûts-réunis (1724). Jesse Wagner, R. Prelude to Tristan and Isolde Read, bn, Doug McNames, vc; Karen Flint, Gibbons, O. The cries of London. Theatre of (1859). West Australian SO/Simone Young. hpd. Voices; Fretwork/Paul Hillier. ABC 476 6811 11 Etcetera KTC 1087 16 Harmonia Mundi HMU 807214 7 Mahler, G. Quartet in A minor, op 33 (c1876Chausson, E. Andante et allegro (1881). Vaughan Williams, R. London (1957-58). 78). Nicola Benedetti, vn; Tom Dunn, va; Michael Collins, cl; Michael McHale, pf. John Mark Ainsley, ten; Gareth Hulse, ob. Leonard Elschenbroich, vc; Alexei Grynyuk, pf. Chandos CHAN 10901 9 Hyperion CDA67168 2 Decca 478 3529 12 Arnold, M. Flute concerto no 2, op 111 Wagner, R. Siegfried idyll (1870). Royal (1972). Karen Jones, fl; London Musici/Mark Scottish NO/Neeme Järvi. Stephenson. Chandos CHSA 5060 15 Sony 88875181702 13 Bruckner, A. Symphony no 3 in D minor Holley, A. Rosella (singing to his mate) (1999). (1888-89). Staatskapelle Dresden/Eugen Christine Draeger, fl. Jochum. Australian Institute of Music www.aim.com.au3 Brilliant Classics 92084 55

22:00 P.S. QUARTET NUMBER 14 Prepared by James Nightingale

12:00 A JAZZ HOUR with Barry O'Sullivan

Boyd, A. Cloudy mountain (1981). Geoffrey Collins, fl; David Miller, pf. Tall Poppies TP127 8

13:00 MUSICAL VOYAGES Prepared by Jacky Ternisien

Sculthorpe, P. String quartet no 14 (1998). Goldner String Quartet. Tall Poppies TP206 18 22:30 ULTIMA THULE

d’Indy, V. Tableaux de voyage, op 36 (1899; orch. 1892). Iceland SO/Rumon Gamba. Chandos CHAN 10514 18 Mendelssohn, F. Calm sea and prosperous voyage. Harry Goss-Custard, Britannic org. OEHMS Classics OC 841 14 Corigliano, J. Voyage (1983). James Galway, fl; Eastman Philharmonia/David Effron. RCA 6602-2-RC 8

Friday 27 May 00:00 CONTEMPORARY COLLECTIVE

Berwald, F. Serenade (1825). Thomas Annmo, ten; Mikael Björk, db; Joakim Kallhed, pf; members of Arion Wind Quintet; members of Schein String Quartet. Naxos 8.553714 14 Alfvén, H. Symphony no 5 in A minor, op 54 (1942-53). Norrköping SO/Niklas Willén. Naxos 8.557612 54 22:00 BAROQUE AND BEFORE Antonio Stradella, his peers and his assassins! Prepared by Robert Gilchrist Stradella, A. Sonata in D. Vladislav Kozderka, tpt; Musica Barocca di Praga. Milan Vlcek SY 0002-2 131 8

03:00 CLASSICAL TILL DAWN

Duparc, H. L'invitation au voyage (1870). Rosamund Illing, sop; David McSkimming, pf. Chandos CHAN 9427 4

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Vicky Zhang

14:30 CONCERTO GROSSO AND SYMPHONY Prepared by Derek Parker

Carissimi, G. Motet: Usquequo peccatores for three choirs, two violins, lute and basso continuo (1672). Consortium Carissimi/Garrick Comeaux. Naxos 8.573258 20

Bach, J.S. Brandenburg concerto no 5, BWV1050 (1720-21). Angela Hewitt, pf; Australian CO/Richard Tognetti. Hyperion CDA67607/8

Porpora, N. Concerto in A minor with cello and violin obbligato. Musica Perduta/Renato Criscuolo, vc & dir. Brilliant Classics 95279 10

09:00 DIVERSIONS IN FINE MUSIC Something borrowed Prepared by Stephen Wilson Britten, B. Soirée musicales, op 9 (1936). National PO/Richard Bonynge. Decca 478 5364 10 Thalberg, S. Memories of Beethoven, grand fantasy on Symphony no 7, op 39 (c1835). Francesco Nicolosi, pf. Naxos 8.553701 17 Hurlstone, W. Variations on a Hungarian air (1896). London PO/Nicholas Braithwaite. Lyrita SRCD 208 11 Stradella, A. Pietà, signore (arr. Reynolds). Dmitri Hvorostovsky, bar; Academy of St Martin in the Fields/Neville Marriner. Philips 456 543-2 8 Liszt, F. Totentanz: paraphrase on Dies irae, S126 (1849/53/59). Sergio Tiempo, pf; Swiss Italian O/Ion Marin. Avanti 54147006 10382 14 Stravinsky, I. Excerpts from The firebird (1910; arr. Gottschick). Sabine Meyer, cl; Alliage Quintet. Sony 88875190972 20 10:30 CONCERT HALL Prepared by Michael Field Massenet, J. Suite no 1, op 13 (1865). Hong Kong PO/Kenneth Jean. Naxos 8.555986 24 Edwards, R. Oboe concerto, Bird spirit dreaming (2002). Diana Doherty, ob; Melbourne SO/Arvo Volmer. ABC 476 3768

Sibelius, J. Symphony no 1 in E minor, op 39 (1899). New Zealand SO/Pietari Inkinen. Naxos 8.572305 40

Haydn, J. Symphony in G, Hob.I:47 (1772). Australian CO/Christopher Hogwood. Fine Music tape archive 23 Corelli, A. Concerto grosso, op 6 no 11 (pub. 1714). Australian CO/John Harding. Fine Music tape archive 9

Stradella, A. Souls in purgatory (c1680). Emma Kirkby, sop; Evelyn Tubb, sop; David Thomas, bass; Richard Wistreich, bass; Consort of Musicke/Anthony Rooley. Musica Oscura 070984 41

Legrenzi, G. Sonata sesta à 4. Rare Fruits Mozart, W. Symphony no 40 in G minor, K550 Council/Manfredo Kraemer. Ambronay AMY028 8 (1788). Australian CO/Richard Tognetti. ABC 481 2880 31 Cesti, A. Cantata: Pria ch’adori. Concerto Vocale. Foster, G. Eight voyages. Grant Foster, pf. 17 EMI CDMID 166264 24 LP Harmonia Mundi HM 1018 Pierné, G. Voyage au pays du tendre (1936). Carol Wincenc, fl; Peter Carter, vn; David Saturday 28 May Roth, vn; Keith Lovell, va; Bruno Schrecker, vc; Vanessa McKeand, hp; Edmon Colomer, cond. Virgin VC 7 90721-2 11 00:00 CLASSIC-ALL THROUGH THE NIGHT 16:00 FINE MUSIC DRIVE 06:00 SATURDAY MORNING MUSIC including Arts Calendar at 5.00pm with Peter Bell with Robert Gilchrist 19:00 FRIDAY JAZZ SESSION with Alex Siegers 20:00 EVENINGS WITH THE ORCHESTRA A Swedish smorgasbord Prepared by Paul Cooke Munktell, H. Dala suite, op 22. Gävle SO/ Tobias Ringborg. Sterling CDS-1066-2 23 Crusell, B. Concertino in B flat (1829). László Hara, bn; Tapiola Sinfonietta/Osmo Vänskä. BIS CD-495 19

09:00 WHAT'S ON IN MUSIC Our weekly guide to musical events in and around Sydney 09:05 THE PIANO ALONE Prepared by Frank Morrison Hummel, J. La bella capricciosa, polonaise, op 55 (c1810). Howard Shelley, pf. Chandos CHAN 9807 13 Granados, E. Coloquio en la reja, from Goyescas (pub. 1911). Alicia de Larrocha, pf. Decca 433 920-2 11 Ravel, M. Le tombeau de Couperin (1913-17). Jean-Yves Thibaudet, pf. Decca 433515-2 24

10:00 CENTRES OF MUSIC Madrid Royal Conservatory Prepared by Paul Cooke

14:00 FEATURING JAMES CRABB Prepared by James Nightingale

Casals, P. Sardana (1927). Sheku KannehMason, vc; Guy Johnston, vc; Cellos of the City of Birmingham SO. Decca 483 2948 6 Roldán, A. Suite from La rebambaramba (1927-28). New World SO/Michael Tilson Thomas. Argo 436 737 - 2

Tárrega, F. Fantasia on themes of Verdi's La traviata. Silvina Strano, gui. Walsingham 2WAL80282 7 Bretón, T. El aceite de ricino; El niño está dormido; Seguidillas: Por ser la Virgen de la paloma, from La verbena de la paloma (1894). Alicia de la Victoria, sop; Norma Lerer, cont; Carlo del Monte, ten; José Granados, bar; José le Matt, bass-bar; Julio Catania, bass; Jésus Coiras, bass; Spanish RTV Choir & SO/ Igor Markevitch. Philips 432 824-2 9 Falla, M. de Suite no 1 from The threecornered hat (1919). Ulster O/Josep CaballéDomenech. BBC Music BBC MM255 9 Albéniz, I. La vega: Spanish fantasy (1897). Esteban Sánchez, pf. Brilliant Classics 9255 18 Turina, J. Piano trio no 1, op 35 (1926). Members of Nash Ensemble. Hyperion CDA67889

11:30 ON PARADE Prepared by Michael Morton-Evans Pezel, J. Sonatinas nos 69 and 71 (1875; arr. Block). John Foster, tpt; Joram Levy, tpt; David Drury, org. ABC 476 639-8 5 Clarke, H. Bride of the waves. Royal Australian Navy Band/Steven Stanke. Royal Australian Navy RAN-014

Arnold, M. March: HRH the Duke of Cambridge, op 60a (1957; orch. Lane). Royal Ballet Sinfonia/Barry Wordsworth. ASV WHL 2128 3 Howarth, E. English dances. Stockholm Philharmonic Brass Ensemble. Classical Communications CCL CDG1263 11 12:00 URBAN JAZZ LOUNGE with Leita Hutchings 13:00 IN A SENTIMENTAL MOOD with Maureen Meers Nostalgic music and artists from the 30s, 40s and 50s and occasionally beyond, in a trip down many memory lanes

Piazzolla, A. Death of the angel (arr. Crabb). James Crabb, acc; Benjamin Martin, pf; Australian CO/Richard Tognetti. Chandos CHAN 10163 3 Kats-Chernin, E. The three dancers (2014). Members of Australian World O. ABC 481 6430 23 14:30 SATURDAY MATINEE Choral masterworks Prepared by Susan Foulcher Todd, W. Among angels (2006). Tenebrae; English CO/Nigel Short. Signum SIGCD298 15 Reger, M. Three five-part motets, op 110: My breath is corrupt; O Lord, rebuke me not; O death, how bitter is the remembrance (19091912). Danish National Radio Choir/Stefan Parkman. Chandos CHAN 9298 42 Brahms, J. Excerpts from Seven songs for mixed choir, op 62 (1860). RIAS Chamber Choir/Marcus Creed. Harmonia Mundi HMG 501592/93 14 Tallis, T. O sacrum convivium (ed. Brett). The Sixteen/Harry Christophers. Chandos CHAN 0513 4 Dufay, G. Mass for St Anthony of Padua. Pomerium/Alexander Blachly. Archiv 447 772-2 1:02 17:00 SOCIETY SPOT Sydney Schubert Society with Ross Hayes 18:00 STAGE AND SCREEN Prepared by Paul Cooke Shearmur, E. Excerpts from The governess (1998). Ofra Haza, voice; O/Edward Shearmur. Sony SK60685 22 Gray, B. Excerpts from UFO: Survival (1970). O/Barry Gray. Silva Screen SILCD1597 8

Ogdon, J. Theme and variations. John Ogdon, pf. Warner Classics 7 04637 2

Lloyd, G. Piano concerto no 1, Scapegoat (1963). Martin Roscoe, pf; BBC PO/George Lloyd. Albany TROY037-2 25 IV, from The vigil of Venus (1980). Welsh National Opera Ch & O/George Lloyd. Argo 430 329-2 10 Diversions on a bass theme (1986). Grimethorpe Colliery RJB Band/Peter Parkes. Chandos CHAN 4553 12 The forest of Arden, symphonic sketch (1987). City of London Wind Ensemble/Geoffrey Brand. LDR LDRC 1001 11 Symphony no 9 (1969). BBC PO/George Lloyd. BBC Music BBC MMIII 29 22:00 SATURDAY NIGHT AT HOME Prepared by Rex Burgess Corelli, A. Concerto grosso in C, op 6 no 10 (1712). Philharmonia Baroque O/Nicholas McGegan. Harmonia Mundi HMU 907015 11 Dvorák, A. Serenade in E for strings, op 22 (1875). Academy of St Martin in the Fields/ Neville Marriner. Decca 466 459-2 28 Saint-Saëns, C. Piano quintet in A minor, op 14 (1855). Ironwood. ABC 481 9887 32 Hovhaness, A. Symphony no 39 for guitar and orchestra, op 321 (1978). Michael Long, gui; KBS SO/Vakhtang Jordanina. Koch 3-7208-2 H1 41

Sunday 29 May 00:00 CLASSIC-ALL THROUGH THE NIGHT

Bliss, A. Suite from Christopher Columbus (1949; arr. Adriano). Czecho-Slovak RSO/ Adriano. Marco Polo 8.223315 25

06:00 SUNDAY MORNING MUSIC with Stephen Wilson

19:00 EMERGENT JAZZ with Keith Pettigrew

Schmitt, F. Psalm 47: O clap your hands, all ye people (1904). Susan Bullock, sop; São Paulo Symphony Choir & O/Yan Pascal Tortelier. Chandos CHSA 5090 29

20:00 THE LIFE OF A COMPOSER George Lloyd Prepared by Paul Cooke Lloyd, G. Excerpts from Iernin (1934). Marilyn Hill Smith, sop; BBC Singers; BBC Concert O/ George Lloyd. Albany TROY 121/2/3 14

09:00 MUSICA SACRA Prepared by Elaine Siversen

Vivaldi, A. Psalm 111: Beatus vir, RV795. Maria Soledad de la Rosa, sop; Mariana Florès, sop; Joëlle Charlier, mezz; Evelyn Ramírez, cont; Fabián Schofrin, ct; Alejandro Meerapfel, bass; Namur Chamber Choir; Les Agrémens/Leonardo García Alarcón. Ambronay AMY029 26 10:00 THE CLASSICAL ERA Prepared by Rex Burgess Mozart, W. Fantasia in C minor, K475 (1785). Mitsuko Uchida, pf. Philips 422 115-2 13 Haydn, J. Piano trio in C, Hob.XV:27 (bef. 1797). Borodin Trio. Chandos CHAN 8655 20 Schubert, F. Fantasie in F minor, D940 (1828). Murray Perahia, pf; Radu Lupu, pf. CBS MK 39511 19 Weber, C.M. Grand duo concertant, op 48 (1815-16). Dieter Klöcker, cl; Werner Genuit, pf. cpo 999 626-2 21 Beethoven, L. Piano concerto no 4 in G, op 58 (1805-06). Dejan Lazić, pf; Australian CO/ Richard Tognetti. Channel Classics CCS SA 30511 36 12:00 CLASSIC JAZZ with Dave Mac 13:00 WORLD MUSIC Whirled Wide with Gerry Myerson

Ysaÿe, E. Sonata in A minor, op 27 no 2 (1923). Lydia Mordkovitch, vn. Chandos CHAN 10612 X

Onslow, G. Wind quintet in F, op 81 no 3. Stalder Quintet. Jecklin 554-2 21 Reicha, A. Grand quintet for bassoon and string quartet (1826). Daniel Smith, bn; Coull Quartet. ASV DCA 613 34 15:00 SUNDAY SPECIAL Dies irae: a terrifying quotation Prepared by James Nightingale Haydn, J. Symphony in E flat, Hob.I:103, Drumroll (1795). Les Musiciens du Louvre/ Marc Minkowski. naïve V 5176 29 Anon. Secuencia dies irae. Grupo de Musica Alfonso X el Sabio/Luis Lozano Virumbrales. Sony G010002952370M 7

Ligeti, G. Car horn prelude and opening of Scene 1: Dies irae, from Le grand macabre (1996). Laura Claycomb, sop; Charlotte Hellekant, mezz; Graham Clark, ten; Willard White, bar; Philharmonia O/Esa-Pekka Salonen. Sony S2K 62312 7 Rachmaninov, S. The Isle of the Dead, op 29 (1909). Sydney SO/Vladimir Ashkenazy. Exton EXCL-00018 20 17:00 HOSANNA Prepared by Neil McEwan

Hymn. Before the ending of the day. Choir of King’s School, Canterbury; Matthew Morgan, org; Howard Ionascu, cond. Priory LC 03490 1 18:00 SYDNEY SOCIETY OF RECORDER PLAYERS Prepared by Susan Foulcher Ferrabosco, A. the elder Three versions of In nomine. B-Five Recorder Consort. Coviello Classics COV92108 6 Harrison, H. Sylvan. Alicia Crossley, bass rec; Joshua Hill, perc. Move MCD 624 8 Chance, A. Inhaltations. Alicia Crossley, bass rec. Move MCD 624 8

Wells, J. The clockmaker. Alicia Crossley, bass rec. Charpentier, M-A. Prelude to Te Deum. Jean- Move MCD 624 6 François Paillard CO/Jean-François Paillard. Ferrabosco, A. the younger Selection of Erato 825646143443 2 dances. Sofie Vanden Eyne, lute; B-Five Phillips, P. Ascendit Deus. Choir of Westminster Cathedral/David Hill. Hyperion CDA66643

Clarke, J. Hymn: The head that once was crowned with thorns. Choir of King’s School, Canterbury; Matthew Morgan, org; Howard Ionascu, cond. Priory LC 03490 2 Lassus, O. de Kyrie; Gloria, from Missa Bell’ amfitrit’ altera. The Sixteen/Harry Christophers. Coro COR16053

14:00 INTIMATE VOICES Reicha’s quintets for wind Part 5 Prepared by Elaine Siversen

Lully, J-B. Dies irae (1683). Le Concert Spirituel/Hervé Niquet. FNAC Music 592303

Liszt, F. Totentanz, S525 (1849; version 1). Leslie Howard, pf. Hyperion CDS44517 14

Recorder Consort. Coviello Classics COV92108

19:00 SUNDAY NIGHT CONCERT Prepared by Di Cox Janácek, L. Lachian dances (1925). Slovak RSO/Ondrej Lenárd. Naxos 8.550411 19 Arnold, M. Guitar concerto (1958-59). Julian Bream, gui; City of Birmingham SO/Simon Rattle. EMI 7 54661 2 23

Drury, D. Improvisation of an original theme. David Drury, org. Walsingham 8021-2 5

Mozart, W. Serenade no 9 in D, K320, Posthorn (1779). Cleveland O/George Szell. CBS MYK 45509 39

Nixon, J. Psalm 113. Choir of St Paul’s Cathedral, Melbourne; Lachlan Redd, org; Philip Nicholls, cond. SPC 2018 3

20:30 NEW HORIZONS Nigel Butterley remembered Part 2 Prepared by Robert Small

Friedell, H. Magnificat in F. Choir of St Paul’s Cathedral, Melbourne; Siegfried Franke, org; Philip Nicholls, cond. SPC 2018 4 Gibbons, O. O clap your hands. Choir of Westminster Abbey; Robert Quinney, org; John O’Donnell, cond. Hyperion CDA67858

Hymn: Now shall the praises of the Lord be sung. Clerkes of Oxenford/David Wulstan. Caliope CAL 3611 1 Scarlatti, D. Te Deum. The Sixteen/Harry Christophers. Coro COR16003 5 Messiaen, O. Transport de joie. Andrew Davis, org. IMP PCD 1082

Butterley, N. The white-thoated warbler (1965). Ian Shanahan, rec; Diana Blom, hpd. Tall Poppies TP142 2 Meditations of Thomas Traherne (1968). Melbourne SO/Isaiah Jackson. ABC 446 478-2

Gubaidulina, S. Dialogue: I and you, violin concerto no 3 (2018). Vadim Repin, vn; Gewandhaus O/Andris Nelsons. DG DG 4861457 21 Cage, J. Excerpts from Sonatas and interludes (1946-50). Nigel Butterley, pf. Tall Poppies TP025 22:00 JAZZ AFTER HOURS with Deborah Evans

sop; James Bowman, ct; Jonathan Kenney, ct; Rogers Covey-Crump, high ten; Charles Daniels, ten; Michael George, bass; Charles Pott, bass; King's Consort/Robert King. Hyperion CDA66456 18

Monday 30 May 00:00 CLASSIC-ALL THROUGH THE NIGHT

Szymanowski, K. Songs of the fairy-tale princess, op 31 (1915). Jadwiga Gadulanka, sop; Jerzy Marchwinski, pf. Muza PNCD 067 19

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with James Hunter 09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1845 Prepared by Paul Cooke Wagner, R. Overture to Tannhäuser (184245). Cleveland O/George Szell. CBS M2YK 46466 13 Schumann, C. Pièce fugitive, op 15 no 3 (1845). Hélène Boschi, pf. Calliope CAL 9211

Weiner, L. Prince Csongor and the Devil’s sons, op 10 (1913) .Chicago SO/George Solti. Decca 478 3706 11 Korngold, E. Suite from The Prince and The Pauper (1937). London SO/Andre Previn DG 471 347-2 22 14:30 CHINESE COMPOSERS Prepared by James Nightingale

van Bree, J. Allegro in D minor for four string quartets (1845). Viotta Ensemble/Viktor Liverman. NM Classics NM92094 11 Liszt, F. Songs from Schiller’s William Tell (1845). Matthew Polenzani, ten; Julius Drake, pf. Hyperion CDA67782 15 Mertz, J. Ständchen; Liebesbotschaft (1845). Raphaella Smits, gui. Accent ACC2 8863 D 10 Chopin, F. Sonata no 3 in B minor, op 58 (1845). Dinu Lipatti, pf. LP World Record Club LP/731 25 10:30 CONCERT HALL Prepared by James Nightingale Ellington, D. Suite from The river (1970). Detroit SO/Neeme Järvi. Chandos CHAN 9154 27 Ward, R. Saxophnoe concerto (1983). James Houlik, tenor sax; North Carolina SO/Gerhardt Zimmermann. Koch 3-7390-2 H1 14 Dvorák, A. Symphony no 9 in E minor, op 95, From the New World (1893). Melbourne SO/ Tadaaki Otaka. ABC 476 4598 42

Du Ming-Xin. The goddess of River Luo, symphonic fantasia. Hong Kong PO/Kenneth Jean. Hong Kong 8.240233 17 Trad. The singing maiden from afar; A Land of beauty; The fairy maiden scatters flowers. Shu-Cheen Yu, sop; Sinfonia Australis/Antony Walker. ABC 472 223-2 13 Yu, J. Future of water. Choristers of St Paul’s Cathedral, Wellington; New Zealand SO/ Kenneth Young. Move MD 3327 7 Trad. River of sorrow (arr. Xiuwen Peng). Claude Delangle, sax; Taipei Chinese O/En Shao. BIS CD-1790 8 Wang, Li-san. Sonatina. Eileen Huang, pf. ASV DCA 1031 7 Chen - He. Violin concerto, Butterfly lovers (1959). Tang Baodi, vn; Central Philharmonic Society of China O/Yuan Fang. Olympia OCD 701 28 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Nicky Gluch 19:00 JAZZ PULSE with Chris Wetherall

12:00 SWING SESSIONS with John Buchanan

20:00 STORMY MONDAY with Austin Harrison

13:00 OF PRINCES AND PRINCESSES Prepared by Rex Burgess

22:00 JAZZ AFTER HOURS with Gail Monjo

Tcherepnin, N. Prelude from The distant princess. Russian NO/Mikhail Pletnev. Newton 8802037

Tuesday 31 May 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Julie Simonds 09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by Peter Poole Mouret, J-J. Fanfares in D for four trumpets, timpani and organ. Matthias Nagel, org; Trumpet Consort Friedemann Immer. Harmonia Mundi RD 77027 9 Debussy, C. Pour le piano (1894/1901). Noël Lee, pf. Auvidis V 4440 12 Schmitt, F. Légende, op 66 (1918). Arno Bornkamp, sax; Ivo Janssen, pf. Globe GLO 5032 11 Martinu, B. Butterflies and birds of paradise (1920). Emil Leichner, pf. Supraphon 11 1010-2 16 Lloyd Webber, W. Sonatina. Philip Dukes, va; Sophia Rahman, pf. ASV DCA 961 8 Boëly, A. Suite no 1, from 24 pieces for piano, op 20 (1857) Stephanie McCallum, pf Toccata TOCC 0471 22 10:30 CONCERT HALL Prepared by Paul Cooke Pugnani, G. Overture no 4 in B flat. Academia Montis Regalis/Luigi Mangiocavallo. Opus 111 OPS 30-151 17 Saint-Saëns, C. Violin concerto no 3 in B minor, op 61 (1880). Philippe Graffin, vn; BBC Scottish SO/Martyn Brabbins. Hyperion CDA67074 30 Boughton, R. Symphony no 3 in B minor (1937). BBC PO/Edward Downes. BBC Music 15656 91892 36 12:00 JAZZ RHYTHM with Jeannie McInnes 13:00 CELEBRATING STRINGS Prepared by Derek Parker Barber, S. Adagio for strings, op 11a (1936). Australian CO/Richard Tognetti. Sony SK 48252 9 Dvorák, A. Nocturne in B for strings, op 40 (1875). Detroit SO/Antal Dorati. Decca 414 370-2 8

Purcell, H. Ode for the wedding of Prince George of Denmark and Princess Anne, Z325 (1683). Gillian Fisher, sop; Tessa Bonner,

Elgar, E. Serenade in E minor for strings, op 20 (1892). Royal PO/Pinchas Zukerman. Decca 478 9386 13

Boïeldieu, A. Maintenant, observons ... Viens, at the Fine Music Library gentille dame, from La dame blanche (1825). 22:00 CHAMBER SOIRÉÉ Piotr Beczala, ten; Lyon NO/Alain Altinoglu. 9 Prepared by Di Cox Janácek, L. Suite for strings (1877). Janácek DG 479 4101 Smetana, B. Trio in G minor, op 15 (1855). CO. Bizet, G. Children's games, op 22 (1871). Marina Marsden, vn; Catherine Hewgill, vc; Chandos CHAN 10678 19 Consort of London. Collins 11412 11 David Miller, pf. Arnold, M. Symphony for strings, op 13 Fine Music concert recording 29 (1947). BBC Concert O/Vernon Handley. Couperin, F. L'anguille, from Ordre 22 (pub. Krommer, F. Octet-Partita in F, op 57 (1806). Sony 88875181702 20 1730). Christophe Rousset, hpd. 3 Sydney Wind Octet. Vivaldi, A. Concerto in F for violin and strings, Harmonia Mundi HMC 901445.46 Fine Music concert recording 19 RV293, Autumn, from The four seasons (pub. Gounod, C. Little symphony in B flat (1885). Beethoven, L. Mödlinger dances, WoO17 nos 1725). Midori Seiler, vn; Akademie für Alte Athena Ensemble. Musik Berlin/Clemens-Maria Nuszbaumer. Chandos CHAN 6543 20 1-8 (1819). Eduard Melkus Ensemble. Archiv 439 964-2 14 Harmonia Mundi HMX 2908601.30 11 16:00 FINE MUSIC DRIVE Scarlatti, D. Three pieces. Swedish 14:30 CRUISING ALONG THE including Arts Calendar at 5.00pm Saxophone Quartet. SEINE with Peter Poole Chamber Sound CSCD 96015 10 Prepared by Jacky Ternisien Glinka, M. Trio pathétique in D minor, 19:00 THE JAZZ BEAT Dukas, P. Overture to Polyeucte (1891). BBC for clarinet, cello, and piano (1832). Trio with Lloyd Capps PO/Yan Pascal Tortelier. d'Amsterdam. Chandos CHAN 241-32 15 20:00 JUST IN Koch 3-7015-2 HI 15 with Robert Small Poulenc, F. The story of Babar, the little Boccherini, L. Quintet no 9 in C, La ritirata di A selection from the latest recordings to arrive Madrid (1798). Alexander Schneider, vn; Felix elephant (1945). Antony Gray, pf. ABC 481 1835 21 Galimir, vn; Michael Tree, va; David Soyer, vc; Alirio Diaz, gui. Vanguard OVC 8006

Lanmas / Alamy Stock Photo

The following composers have works of at least five minutes on the May dates listed Abel, C. 1723-1787 Adams, J. b1947 Agrell, J. 1701-1765 Aho, K. b1949 Albéniz, I. 1860-1909 Alfvén, H. 1872-1960 Allegri, G. 1582-1652 Alnaes, E. 1872-1932 Andrée, E. 1841-1929 Arensky, A. 1861-1906 Ariosti, A. 1666-1729 Arnold, M. 1921-2006 Arriaga, J. 1806-1826 Auber, D-F-E. 1782-1871 Avison, C. 1709-1770

22 11 20 8 2,18,28 10,27 15 9 15 9 11 6,26,29,31 2 5 19

Babell, W. c1690-1723 7 Bacewicz, G. 1909-1969 25 Bach, C.P.E. 1714-1788 15,24 Bach, J. Christian 1735-1782 12 Bach, J.S. 1685-1750 1,3,7 ,13,14,15,17,20,21,22,24,27 Balakirev, M. 1837-1910 22 Barber, S. 1910-1981 10,14,31 Barsanti, F. 1690-1772 5 Bartók, B. 1881-1945 9,13,20 Barton, W. b1981 19 Bassi, L. 1833-1871 6 Batterham, A. b1968 6 Bax, A. 1883-1953 5,7 Beach, A. 1867-1944 14 Beath, B. b1932 8 Beck, F. 1734-1809 21 Becker, D. 1623-1679 18 Beethoven, L. 1770-1827 1,3,6,8,10,15,17,20,24,29,31 Ben-Haim, P. 1897-1984 13 Benda, G. 1722-1795 1 Benoit, P. 1834-1901 3,13 Berlioz, H. 1803-1869 18 Bertoni, F. 1725-1813 25 Berwald, F. 1796-1868 3,23,27 Bizet, G. 1838-1875 10,20,31 Bliss, A. 1891-1975 3,28 Bloch, E. 1880-1959 13 Boccherini, L. 1743-1805 11,31 Boëly, A. 1785-1858 31 Boïeldieu, A. 1775-1834 31 Bottesini, G. 1821-1889 1,3 Boughton, R. 1878-1960 31 Boulanger, L. 1893-1918 23 Bourgault-Ducoudray,L-A. 1840-1910 4 Bowen, Y. 1884-1961 23 Boyd, A. b1946 26 Brahms, J. 1833-1897 7,8,9,10,12,14,16,20,22,28 Bretón, T. 1859-1923 28 Bridge, F. 1879-1941 10 Britten, B. 1913-1976 4,27 Bruch, M. 1838-1920 2,23,24 Bruckner, A. 1824-1896 4,22,26 Burton, J. 1730-1785 25 Busoni, F. 1866-1924 14 Butterley, N. 1935-2022 22,29 Buxtehude, D. 1637-1707 20,21 Byrd, W. 1543-1623 15 Byrne, M. b1963 5 Byström, T. 1772-1839 8 Cambini, G. 1746-1825 6 Campagnoli, B. 1751-1827 3 Cannabich, C. 1731-1798 21 Carissimi, G. 1605-1674 27 Cartellieri, A. 1772-1807 4 Carulli, F. 1770-1841 8 Casals, P. 1876-1973 28 Cazzati, M. c1620-1677 12 Cesti, A. 1623-1669 27 Chabrier, E. 1841-1894 16,20 Chaminade, C. 1857-1944 16 Chance, A. b1994 29 Charpentier, M-A. 1643-1704 11 Chausson, E. 1855-1899 6,24,26 Cherubini, L. 1760-1842 4,6,15,17 Chopin, F. 1810-1849 13,24,30 Clarke, H. 1867-1945 28 Clementi, M. 1752-1832 8,15 Coates, E. 1886-1957 18,24,26

Ch & O: Chorus & Orchestra CO: Chamber Orchestra FO: Festival Orchestra NO: National Orchestra NSO: National Symphony Orchestra PO: Philharmonic Orchestra RO: Radio Orchestra RSO: Radio Symphony

Copland, A. 1900-1990 Corelli, A. 1653-1713 Corigliano, J. b1938 Corrette, M. 1707-1795 Couperin, F. 1668-1733 Coward, N. 1899-1973 Cras, J-E. 1879-1932 Croes, H-J. de 1705-1786 Croft, W. 1678-1727 Crumb, G. 1929-2022 Crusell, B. 1775-1838 Czerny, C. 1791-1857

20 12,23,27,28 27 18 13,26 26 4 25 7 18 8,15,27 20

d’Indy, V. 1851-1931 4,12,18,27 Danzi, F. 1763-1826 1 Dargomizhsky, A. 1813-1869 23 David, Ferdinand. 1810-1873 19 Davis, C. b1936 26 Dean, B. b1961 1 Debussy, C. 1862-1918 6,10,13,17,20,21,31 Delibes, L. 1836-1891 5,6 Deutscher, A. b2005 6,24 Devienne, F. 1759-1803 11 Diamond, D. 1915-2005 20 Dohnányi, E. 1877-1960 17 Donizetti, G. 1797-1848 6,17 Drury, D. b1961 29 Du Ming-Xin. b1928 30 Duarte, J. 1919-2004 5 Dufay, G. c1397-1474 28 Dukas, P. 1865-1935 16,20,31 Dupré, M. 1886-1971 22 Durkó, Z. 1934-1997 2 Dvorák, A. 1841-1904 1,2,3,8 ,9,12,16,19,21,23,25,28,30,31 Eccles, J. c1668-1735 7 Edwards, R. b1943 1,5,14,15,26,27 Eggert, J. 1779-1813 22 Elgar, E. 1857-1934 1,22,26,31 Ellington, D. 1899-1974 30 Erlebach, P. fl 1690-1700 18 Falla, M. de 1876-1946 2,13,21,28 Farrenc, L. 1804-1875 14,19,24 Fauré, G. 1845-1924 7,8,20,23 Fernandes, G. 1570-1629 5 Ferrabosco, A. the elder 1543-1588 29 Ferrabosco, A. the younger c1575-1628 29 Filtz, A. 1730-1760 21 Fossa, F. de 1775-1849 20 Foster, G. b1945 27 Françaix, J. 1912-1997 14 Franck, C. 1822-1890 5,15 Gabrieli, A. c1510-1586 1 Gade, N. 1817-1890 15 Galuppi, B. 1706-1785 4 Gardiner, H. 1877-1950 15 Gardner, J. 1917-2011 7 Gershwin, G. 1898-1937 2,14 Gibbons, O. 1583-1625 6,26,29 Glanville-Hicks, P. 1912-1990 14 Glazunov, A. 1865-1936 13,26 Glinka, M. 1804-1857 7,23,31 Gluck, C. 1714-1787 25 Godowsky, L. 1870-1938 21 Górecki, H. 1933-2010 2 Gottschalk, L. 1829-1869 23 Gounod, C. 1818-1893 31 Graf, F.H. 1727-1795 7 Grainger, P. 1882-1961 24 Granados, E. 1867-1916 28 Gray, B. 1908-1984 28 Grétry, A-E-M. 1741-1813 13,16 Grieg, E. 1843-1907 3,7,9,17,25 Gross, E. 1926-2011 22 Gubaidulina, S. b1931 29 Gunning, C. b1944 7 Hahn, R. 1875-1947 Halvorsen, J. 1864-1935 Handel, G. 1685-1759 Hanson, H. 1896-1981 Harris, R. 1898-1979

Orchestra RTO: Radio & Television Orchestra RTV SO: Radio and Television Symphony Orchestra SO: Symphony Orchestra TO: Theatre Orchestra alto: male alto ban: bandoneon

3 9 7,10,13 26 20

Harrison, H. 20th c 29 Harty, H. 1879-1941 5 Hasselmans, A. 1845-1912 13 Hauff, W. 1755-1807 22 Haydn, J. 1732-1809 1,6,15,19,24,25,27,29 Haydn, M. 1737-1806 1 Henderson, R. 1896-1970 21 Herbert, V. 1859-1924 14 Herman, J. 1931-2019 14 Hérold, F. 1791-1833 21 Heuberger, R. 1850-1914 6 Higdon, J. b1962 4,6 Hoffmann, E. 1776-1822 5 Holland, D. 1913-2000 5 Holst, G. 1874-1934 6 Hook, J. 1746-1827 8,12,25 Hovhaness, A. 1911-2000 6,17,23,28 Howarth, E. b1935 28 Hubay, J. 1858-1937 16 Humfrey, P. 1647-1674 6 Hummel, J. 1778-1837 21,23,28 Hurlstone, W. 1876-1906 27 Hyde, M. 1913-2005 3,7 Ibert, J. Ireland, J.

1890-1962 2,9,25 1879-1962 26

Janácek, L. 1854-1928 16,26,29,31 Jenkins, J. 1592-1678 13 Jolivet, A. 1905-1974 20 Kander, J. b1927 21 Kats-Chernin, E. b1957 8,11,20,28 Kern, J. 1885-1945 7 Khachaturian, A. 1903-1978 2,8,17 Koechlin, C. 1867-1950 17 Korngold, E. 1897-1957 30 Kozeluch, L. 1747-1818 8 Krenek, E. 1900-1991 25 Kreutzer, R. 1766-1831 26 Krommer, F. 1759-1831 31 Kuhlau, F. 1786-1832 22 Lago, G. b1960 26 Lalo, E. 1823-1892 23 Lanchbery, J. 1923-2003 7 Langlais, J. 1907-1991 4 Larsson, L-E. 1908-1986 5,13 Lassus, O. de 1532-1594 29 Laurenti, L. 1693-1757 12 Lawes, W. 1602-1645 13 Le Flem, P. 1881-1984 4 Lebrun, L. 1752-1790 21 Legrenzi, G. 1626-1690 27 Lekeu, G. 1870-1894 13 Leoncavallo, R. 1858-1919 9 Ligeti, G. 1923-2006 29 Lindeman, J.R. 1822-1894 9 Liszt, F. 1811-1886 10,27,29,30 Lloyd Webber, W. 1914-1982 31 Lloyd, G. 1913-1998 28 Locatelli, P. 1695-1764 4,24 Loeillet of London, J.B. 1680-1730 7 Logy, J. 1650-1721 11 Lully, J-B. 1632-1687 29 Mackenzie, A. 1847-1935 21 Maconchy, E. 1907-1994 26 Magnard, A. 1865-1914 11 Mahler, G. 1860-1911 26 Marais, M. 1656-1728 13,20 Maroufi, J. 1912-1993 19 Marschner, H. 1795-1861 22 Marsh, J. 1752-1828 25 Martinu, B. 1890-1959 3,10,31 Martucci, G. 1856-1909 19 Marx, J. 1882-1964 19 Massenet, J. 1842-1912 7,19,24,27 Mathias, W. 1934-1992 15 Medtner, N. 1880-1951 12 Méhul, É-N. 1763-1817 19 Mellos, A. 20th C 22 Mendelssohn, F. 1809-1847 10,11,13,18,21,22,27 Mertz, J. 1806-1856 30 Messiaen, O. 1908-1992 1 Michl, J. 1745-1816 19 Milhaud, D. 1892-1974 13

bar: baritone bshn: basset horn bass: bass bn: bassoon bass bar: bass baritone cl: clarinet clvd: clavichord cont: contralto cora: cor anglais ct: counter-tenor

Mills, R. b1949 25 Monteverdi, C. 1567-1643 8,13 Moore, K. b1979 1 Moscheles, I. 1794-1870 19 Moszkowski, M. 1854-1925 8 Mouret, J-J. 1682-1738 31 Mozart, W. 1756-1791 1,4,5,6,1 2,13,16,17,18,21,22,23,25,27,29 Munktell, H. 1852-1919 27 Murcia, S. de 1673-1739 2 Mussorgsky, M. 1839-1881 6,17 Nau, S. 1600-1661 Niewerth, H. d1699 Norgård, P. b1932 Novák, V. 1870-1949

25 20 25 12

Offenbach, J. 1880 6 Ogdon, J. 1937-1989 Onslow, G. 1784-1853 Ordonez, K. 1734-1786

181928 29 23

Paganini, N. 1782-1840 6 Paisible, J. 1650-1721 7 Paisiello, G. 1740-1816 4 Palestrina, G. da c1525-1594 8 Pärt, A. b1935 22 Patterson, P. b1947 1 Pedersøn, M. c1580-1628 20 Pepusch, J. 1667-1752 7 Pergolesi, G. 1710-1736 10 Perti, G. 1661-1756 12 Peter, J. 1746-1813 11 Pfeiffer, J. 1697-1761 11,15 Piazzolla, A. 1921-1992 14 Pierné, G. 1863-1937 19,27 Pilati, M. 1903-1938 12 Pixis, J. 1788-1874 10 Ponce, M. 1882-1948 4,19 Porpora, N. 1686-1768 27 Poulenc, F. 1899-1963 31 Prokofiev, S. 1891-1953 2,6,12,24 Puccini, G. 1858-1924 19 Pugnani, G. 1731-1798 31 Purcell, H. 1659-1695 6,13,30 Puschmann, J. 1738-1794 1 Rachmaninov, S. 1873-1943 3,18,20,29 Raff, J. 1822-1882 22 Rameau, J-P. 1683-1764 12 Ravel, M. 1875-1937 16,20,21,22,28 Rebel, J-F. 1666-1747 13 Reger, M. 1873-1916 28 Reicha, A. 1770-1836 1,8,10,15,22,29 Respighi, O. 1879-1936 8,17,19,20,24 Ries, F. 1784-1838 17,22 Rigney, S. b1960 10 Rimsky-Korsakov,N. 1844-1908 14 Rittler, P. 1637-1690 11 Rodgers, R. 1902-1979 21 Rodrigo, J. 1901-1999 2,11,21 Roldán, A. 1900-1939 28 Roman, J. 1694-1758 5,20 Ropartz, J. 1864-1955 4,10 Rossini, G. 1792-1868 5,24,25 Roussel, A. 1869-1937 16,25 Rutter, J. b1945 3 Saint-Saëns, C.1835-1921 8,10,18,20,21,28,31 Sainte-Colombe, A. c1630-1701 18 Sammartini, G. 1693-1750 4 Sandström, J.b1954 5 Sarasate, P. de 1844-1908 9,21 Satie, E. 1866-1925 16,20 Scarlatti, A. 1659-1725 12,17,19 Scarlatti, D. 1685-1757 17,19,29,31 Scheibe, J. 1708-1776 20 Schmidt, F. 1874-1939 1 Schmitt, F. 1870-1958 7,29,31 Schnittelbach, N. 1633-1667 25 Schoenberg, A. 1874-1951 4 Schubert, F. 1797-1828 6,7,13,15,19,21,24,25,29 Schulhoff, E. 1894-1942 24

db: double bass dbn: double bassoon did: didjeridu elec: electronic fl: flute fp: fortepiano gui: guitar hn: french horn hp: harp hpd: harpsichord

mand: mandolin mar: marimba mezz: mezzo-soprano narr: narrator ob: oboe org: organ perc: percussion pf: piano picc: piccolo rec: recorder

Schultz, A. b1960 5 Schumann, C. 1819-1896 30 Schumann, R. 1810-1856 7,12,17 Sculthorpe, P. 1929-2014 5,12,19,26 Shearmur, E. b1966 28 Shield, W. 1748-1829 25 Shostakovich, D. 1906-1975 12,13 Sibelius, J. 1865-1957 11,12,27 Sinding, C. 1856-1941 9 Singelée, J-B. 1812-1875 13 Skryabin, A. 1872-1915 25 Smetana, B. 1824-1884 5,31 Soler, A. 1729-1783 3 Sousa, J.P. 1854-1932 14 Spohr, L. 1784-1859 20 Spontini, G. 1774-1851 18 Stamitz, C. 1745-1801 8,15,21 Stanhope, P. b1969 12 Stanley, J. 1712-1786 17 Stradella, A. 1639-1682 12,27 Strauss, E. 1835-1916 16 Strauss, J. II 1825-1899 14 Strauss, R. 1864-1949 2,20 Stravinsky, I. 1882-1971 14,27 Styne, J. 1905-1994 14 Sullivan, A. 1842-1900 7 Sutherland, M. 1897-1984 14 Svendsen, J. 1840-1911 9 Szymanowski, K. 1882-1937 30 Tabakova, D. b1980 8 Tárrega, F. 1852-1909 28 Tartini, G. 1692-1770 26 Tavener, J. 1944-2013 5,15 Tchaikovsky, P. 1840-1893 9,13,16 Tcherepnin, N. 1873-1945 30 Telemann, G. 1681-1767 21 Thalberg, S. 1812-1871 6,19,27 Theodorakis, M. 1925-2021 19 Timmer, J. 1711-1762 11 Tobias, R. 1873-1918 17 Todd, W. b1970 28 Tournemire, C. 1870-1939 5 Tulve, H. b1992 1 Tuma, F. 1704-1774 9 Turina, J. 1882-1949 2,10,28 van Bree, J. 1801-1857 30 Vangelis. b1943 15 Vanhal, J. 1739-1813 9 Vaughan Williams, R. 1872-1958 3,22 Verdi, G. 1813-1901 6 Victoria, T. de 1548-1611 22 Vierne, L. 1870-1937 5 Villa-Lobos, H. 1887-1959 18 Vine, C. b1954 25 Vivaldi, A. 1678-1741 16,29,31 Waghalter, I. 1881-1949 24 Wagner, R. 1813-1883 1,18,19,23,26,30 Walton, W. 1902-1983 6 Wang, Li-san. b1933 30 Ward, R. 1917-1994 30 Warlock, P. 1894-1930 5 Waxman, F. 1906-1967 7 Weber, C.M. 1786-1826 24,29 Weckmann, M. 1619-1674 24 Weiner, L. 1885-1960 2,30 Wells, J. b1974 29 Wendling, J. 1723-1797 21 Westlake, N. b1958 16 Whitacre, E. b1970 14 Widor, C-M. 1844-1937 5,16 Wilder, A. 1907-1980 5 Williams, Chris. b1986 22 Williams, J. b1932 14 Williamson, M. 1931-2003 11,25 Wolf, E. 1735-1792 22 Wood, C. 1866-1926 15 Wranitzky, A.1761-1820 18 Wranitzky, P. 1756-1808 8 Wright, D. fl 1709-1735 18 Ysaÿe, E. Yu, J.

1858-1931 10,29 b1957 30

Zelenka, J. 1679-1745 1,9 Zhu, Xiaogu. 1941-2000 19 Zimbalist, E. 1890-1985 21

sax: saxophone sop: soprano tb: trombone ten: tenor timp: timpani tpt: trumpet treb: treble voice va: viola vc: cello vn: violin

Illustration by Lyndon Pike