Fine Music Sydney Magazine - September 2020

SEPTEMBER 2020 05

A Celebration The Life and Legacy of Florent Schmitt

06

In Conversation with Pianist Jennifer Hou

36

Jazz Themes

The magic behind the theme tunes

39

Sam Gill

Working on a jazz pedigree

Fine Music Sponsorship We have a range of channels to help you communicate your message to our audience of 240,000+ listeners per week 20,000+unique 20,000+ uniquewebsite websitevisitors visitorsper permonth month 4000+ digital newsletter subscribers per week 1350+ magazine subscribers per month

Visit ďŹ nemusicsydney.com/sponsorship to view our cost-eective packages

I N D E X

06. In Conversation with Jennifer Hou We talk to the bright young pianist

A Celebration

The life and legacy of Florent Schmitt

The magic behind the theme tunes

37. A Life in Music

Remembering John Cran

08. Looking Back on the Sydney Olympics 05.

36. Jazz Themes

38. Volunteer Spotlight

A 20th anniversary reflection

Lyn Chong

09. Celebrating Alexander Arutiunian

39. Emerging Artist We talk to saxophonist Sam Gill

From Armenia with love

35. The Organ Music Society of Sydney Celebrating 70 years

10. Program Guide

40. Listener Letters

41. CD Reviews

34. Composer List

40. In Next Month’s Issue

42. Crossword

T H I S

M O N T H

A T

F I N E

M U S I C

43. Patrons

S Y D N E Y

Ordinarily everything would be a hive of activity here at the station in September as we would prepare to deliver our annual Celebration of Fine Music event. However, this year those plans have been rudely interrupted by Covid-19 and the subsequent restrictions placed on events. As a result, we decided to postpone our Emerging Artist programs until next year when we can give our artists a chance to showcase their talents in somewhat more normal circumstances. In the meantime, enjoy reading what Jennifer Hou, our 2017 Young Virtuoso Award winner has been up to since her win.

We are however, still preparing for our annual general meeting. This year we see David James, our board chair, step down after completing his term. His history as our first Station Manager meant that we celebrated our 45th birthday this year with a large amount of enthusiasm and focus on our founding members’ hard work in birthing Australia’s first FM station. This AGM will also see Christopher Waterhouse and Katy Rogers-Davies step down as they prepare to relocate from Sydney. The valuable input they bring to our board as active professionals within the Arts sector will be missed.

Finally, I would like to thank the following dedicated volunteers who were involved in the production of this month’s program.

Regards, Rebecca Beare

P R O G R A M M E R S

A N D

P R E S E N T E R S

SEPTEMBER Rodrigo Azaola, Charles Barton, Peter Bell, Nina Beretin, Eddie Bernasconi, Dan Bickel, Chris Blower, Adam Bowen, David Brett, John Buchanan, Rex Burgess, Janine Burrus, Lloyd Capps, Vince Carnovale, Lyn Chong, Andrew Clark, Adam Cockburn, Angela Cockburn, Liam Collins, Paul Cooke, Di Cox, George Cruickshank, Nick Dan, Jackson Day, Nev Dorrington, Annabelle Drumm, Brian Drummond, Andrew Dziedzic, Rita Felton, Michael Field, Owen Fisher, Jennifer Foong, Tom Forrester-Paton, Susan Foulcher, Carole Garland, David Garrett, Robert Gilchrist, Nicky Gluch, Joe Goddard, Albert Gormley, Jeremy Hall, John Hanna, Austin Harrison, Ross Hayes, James Hunter, Leita Hutchings, Anne Irish, Sue Jowell, David Knapp, Ray Levis, Krystal Li, Anne-Louise Luccarini, Christina MacGuinness, Meg Matthews, Stephen Matthews, Sue McCreadie, Neil McEwan, Jeannie McInnes, Terry McMullen, Angus McPherson, Maureen Meers, Camille Mercep, Simon Moore, Frank Morrison, Michael Morton-Evans, Richard Munge, Gail Monjo, James Nightingale, Barry O’Sullivan, Calogero Panvino, Derek Parker, Denis Patterson, Keith Pettigrew, Andrew Piper, Peter Poole, Frank Presley, Mark Renton, Katy Rogers-Davies, Paul Roper, Marilyn Schock, Jon Shapiro, Julie Simonds, Elaine Siversen, Robert Small, Garth Sundberg, Jacky Ternisien, Anna Tranter, Madilina Tresca, Robert Vale, Ron Walledge, Christopher Waterhouse, Chris Wetherall, Stephen Wilson, Glenn Winfield, Chris Winner, Orli Zahava, Tom Zelinka PROGRAM SUBEDITORS Jan Akers, Chris Blower, Maureen Chaffey, Di Cox, Elaine Siversen, Jill Wagstaff, Teresa White LIBRARIANS Jan Akers, Rex Burgess, Maureen Chaffey, Di Cox, Helen Dignan, Lynden Dziedzic, Peter Goldner, David Hilton, Dawn Jackson, Michael Marchbank, Phillip McGarn, Judy Miller, Rachel Miller, Helen Milthorpe, Susan Ping Kee, Mark Renton, Daria Sosna, Jacky Ternisien, Ricky Yu

03

FINE MUSIC SYDNEY

ORGANISATION DETAILS Fine Music Sydney - We are Sydney’s Fine Music Broadcaster MUSIC BROADCASTING SOCIETY OF NSW CO-OPERATIVE LIMITED Editor Rebecca Beare Assistant Editor Mona Omar Designer Lyndon Pike Digital Content Coordinators Paul Cooke, Nicky Gluch, Keith Pettigrew,

Fine Music Sydney is owned and operated by the Music Broadcasting Society of New South Wales Co-operative Limited. Fine Music is a registered charitable organisation with a Charity Fundraising Number and is listed with the Register of Cultural Organisations. Fine Music Sydney is a Community Radio station and a member of the Community Broadcasting Association of Australia. Fine Music Sydney (formerly known as 2MBS and Fine Music 102.5) is Australia’s first stereo FM radio station. The station was officially opened on 1 February 1975 and we have now been on air for over 45 years. Fine Music Sydney plays an important role in encouraging emerging musicians and music lovers in their ambitions to be professional musicians or broadcasters. Fine Music Sydney is an integral part of Sydney’s cultural landscape promoting and encouraging an active live classical and jazz music scene in our community and supporting music education. The Fine Music Emerging Artist program includes: Artists in Residence, Young Composer Award, Young Virtuoso Award, Stefan Kruger Scholarship, Ken Weatherley Jazz Scholarship and our Emerging Artist Workshops and Fine Music Showcase broadcasts.

Mission Statement To share the love of fine music through broadcasting Goals

Program Compiler Team Coordinator Chris Blower

1. To be Sydney’s preferred broadcaster of classical music, jazz and other specialist music genres

Proof Readers Eddie Bernasconi, Tessa Miles

3. To promote Australian musicians and composers, with particular focus on the young

Contributors Rex Burgess Paul Cooke Nicky Gluch John Hanna Pamela Newling James Nightingale Barry O’Sullivan Keith Pettigrew

5. To develop a sustainable financial model for the organisation

Cover Image Jennifer Hou by Jeffrey Cheah

Young Composer Award 2019: Callum O'Reilly

Fine Music Studios 72-76 Chandos Street St Leonards, NSW 2065 Postal Address: PO box 78, St Leonards, NSW 2065 Phone: 9439 4777 (9am–6pm) ABN: 64 379 540 010

2. To maintain and improve high standards in all we do 4. To provide a supportive and enjoyable work environment for volunteers and staff

FINE MUSIC HONORARY AND ARTISTIC PATRONS Vice Regal Patron: Her Excellency the Honourable Margaret Beazley AC QC, Governor of New South Wales Honorary Patron: Professor The Honourable Dame Marie Bashir AD CVO Artistic Patrons: Elena Kats-Chernin, Simon Tedeschi, Richard Tognetti AO, Brett Weymark Emerging Artists Patron: Toby Thatcher Young Virtuoso Award 2019: Justinn Lu Stefan Kruger Scholar 2020: Harry Sdraulig Ken Weatherley Scholar 2020: Kate Wadey Artists in Residence 2019: Marais Project Associate Artist in Residence 2019: States of Chaos and Elysian Fields PERSONNEL It is important to note that apart from a small staff team, Fine Music Sydney functions through the involvement of dedicated volunteers who generously contribute their time and talents across all aspects of the radio station.

BOARD OF DIRECTORS: Chair: David James Deputy Chair: Christopher Waterhouse Secretary: Katy Rogers-Davies Directors: Roger Doyle, Robert Gilchrist, Jayson McBride, Sue Ping Kee, Peter Poole Appointed Directors: David Jacobs, Peter Stavrianos

finemusicsydney.com

PUBLIC OFFICER : Rebecca Beare

Frequency 102.5 FM

STAFF: General Manager: Rebecca Beare Community Engagement Manager: Mona Omar Studio & Production Manager: Joe Goddard Office Manager: Sharon Sullivan Digital Content Producer: Lyndon Pike Executive Assistants: Eddie Bernasconi, Tessa Miles

Transmitter Governor Phillip Tower, Circular Quay

TECHNICAL ADVISORS: Honorary Technical Advisor: Max Benyon OAM Broadcast Engineer: John Shenstone Broadcast Systems Engineer: Roger Doyle Information Technology Consultant Peter Bell Recording Engineer: Jayson McBride COMMITTEE CHAIRS: General Manager: Rebecca Beare Jazz: Lloyd Capps Library: Rex Burgess Presenters: Michael Field Programming: James Nightingale Technical: Peter Bell Volunteers: Cynthia Kaye Finance: Peter Poole WHS: Rebecca Beare (acting) Contents and concept of Fine Music Sydney Copyright © 1975-2020

04

Celebrating Florent Schmitt The Life and Legacy of Florent Schmitt Written by Rex Burgess

English speakers coming across the word Apache are most likely to associate it with the Native American tribe of that name. For French speakers, though, Les Apaches also serves to identify a semi-organised gang-culture which existed in Paris during the early 1900s. That the term was then adopted by a group of Parisian musicians, writers and artists – which included Ravel, Stravinsky, Tristan Klingsor and the gregarious subject of this article, Florent Schmitt – is somewhat surprising, but it seems they all rather liked the idea of being thought of as hooligans!

Schmitt lived a long life (1870–1958) and for many years found himself at the centre of musical life in Paris. He maintained close friendships with many contemporary composers, including VillaLobos, Delius and Vaughan Williams, while also encouraging the careers of younger ones such as Arthur Honegger and his star pupil and biographer, Pierre-Octave Ferroud.

Bearing in mind the time in which he was writing, it is little surprise that Schmitt’s early works fit quite snugly within the Romantic idiom: the stylistic influence of Schumann is unmistakable, as is that of his teacher and mentor, Fauré. Yet even in these early years, we begin to discern a unique voice and the emergence of the forward-looking nature of Schmitt’s musicality.

Besides German Romanticism, Schmitt was also susceptible to Russian and Oriental influences, with some of his scores reflecting a penchant for broad and even slightly garish effects; however, they retain an interesting and original sensitivity.

Being in Paris, Schmitt also was one of many composers to come under Debussy’s spell, his manner of representing landscapes in sound bringing him close to that master’s impressionism.

As his style developed, Schmitt moved further away from impressionism in favour of a neo-classical architecture and more modern rhythmic and colouristic ideas. This was a trend which intensified during the inter-war years, as similarly reflected in the works of other French composers such as Honneger and Milhaud. As an aside, such was Stravinsky’s regard for Schmitt’s music that he once wrote to tell him that, for a time, he only listened to the music of Schmitt, Ravel and Debussy!

From having been one of the most performed French composers in the early 1900s, after World War II Schmitt fell into comparative neglect. Recent years, however, have seen quite a resurgence of interest in his music, with several conductors actively promoting it, including JoAnn Falletta and Yan Pascal Tortelier. With 2020 marking the 150th anniversary of his birth, we look forward to sharing more of his music with you.

Schmitt composed in most genres apart from opera, including a considerable amount of piano music. There are an impressive 138 opus numbers to his name and, being an accomplished pianist, it is not surprising that many of his piano works are technically quite challenging, described once by Alfred Cortot as “fistfuls of notes”. Yet this complexity is by no means merely padding; rather, it was intended to serve the music, making it, in Cortot’s words, “endlessly fascinating”.

Sunday 27 September at 3pm

05

In Conversation with Jennifer Hou Mona Omar speaks with the young pianist Photos by Jeffrey Cheah

What have you been up to since we saw you last in 2017?

So many exciting things have happened since we last saw each other! In 2018, I performed Rachmaninoff’s Rhapsody on a Theme of Paganini with Steven Hillinger and the North Sydney Symphony Orchestra. Later that month, I also completed my music honours degree.

At the end of 2018, I spent a month in London, under the generous support of a Big Brother Movement Youth Music scholarship and renowned teachers Ian Jones and Helen Krizos. I also successfully auditioned for a Master of Music at The Royal Academy of Music, The Royal College of Music, The Royal Northern College of Music and Guildhall. In 2019, I completed my law degree.

My penultimate and final year elective subjects took me to Zurich, Pune, and Beijing where I studied Law and Technology, Women, Gender and the Law, as well as Chinese International Business and Economic Law respectively. At the beginning of this year, I went to the United States for a second round of Masters auditions.

You participated in and won a variety of awards and scholarships. What opportunities do you feel awards and scholarships provide young and emerging musicians?

Participating in competitions and scholarship events is incredibly important, as it provides young and emerging musicians with so many opportunities. Firstly, it provides performance experience in an encouraging environment.

Playing for both your peers and for expert adjudicators means you not only gain experience performing in all sorts of different venues and learn to manage any bouts of performance anxiety, but you also receive constructive feedback which can improve your playing. Secondly, awards and scholarships can help realise musical endeavours. They can help fund personal development opportunities domestically and overseas, covering musical tuition fees for music festivals, masterclasses, auditions, or even a degree! My performance with The North Sydney Symphony Orchestra was directly linked to winning the 2017 Fine Music Young Virtuoso Award prize, and I will forever be incredibly appreciative of this opportunity. Furthermore, I would not have been able to undertake lessons and auditions in London without the support of a Big Brother Movement scholarship.

06 06

Participating in competitions

and scholarship events is incredibly important, as it provides young and emerging musicians with so many opportunities.

What repertoire do you most enjoy playing?

I love playing repertoire from the French Impressionist and Russian Romantic periods. It’s a life goal of mine to play through all the piano repertoire of Ravel, Debussy and Prokofiev. I also love playing Australian music. It’s always a delight to catch native birdsong in a melody, or see and hear the evocation of rainforests or bushland. I think it’s incredibly important to champion local contemporary music, and we are lucky that the Australian soundscape is truly unique and special.

You studied both Music and Law at the University of New South Wales. Do you feel there are any challenges to developing a full-time career as a musician in classical music?

I still dream of becoming a concert pianist. I took a very realistic approach, however, when deciding what to study at university and in forging my career goals.

Only a select few end up on the big stage, and the journey requires many years of freelancing, financial instability, and tough competition. My pragmatic views led me to study two degrees. I thought it would be safe to have a stable back-up plan whilst still being immersed in my true passion. Whilst balancing two degrees was incredibly difficult, studying law has enabled me to think and write critically, skills which have proven useful in my legal and musical academic research. It has also revealed career opportunities at the intersection of music and law, such as in areas of copyright law, which I am particularly interested in.

What’s next for you?

I am so pleased to have been offered a significant scholarship to study in the Master of Music program at the San Francisco Conservatory of Music. I’m extremely excited to move abroad and join a community of extremely talented young musicians who will no doubt inspire me to create music and collaborate on an array of interesting projects. Although I am incredibly sad to part with my beloved piano teacher of ten years, Dr. Bernadette Harvey, who has imparted gems of wisdom to me, I’m excited to work with my new teachers at SFCM. I will hopefully be heading to San Francisco at the end of October, subject to the ever-changing realities of the pandemic. Until then, I will sit tight and keep doing what I love: playing the piano!

07 07

Thursday 17 September at 8am

Looking Back at the Sydney Olympics 20th anniversary of the Sydney Olympics opening ceremony Written by Nicky Gluch Photo by Penny Tweedle

Penny Tweedie / Alamy Stock Photo

After Richard Mills’ Countdown Fanfare came an arrangement of Bruce Rowland’s The Man from Snowy River. Indigenous culture was celebrated through the segment Awakening with Yolngu elder, Djakapurra Munyarryun, providing the song and Wajarra man Ernie Dingo, the narration.

I’ll let you in on a secret, I was six in the year 2000, and nothing could have been more exciting than that Millennium year. My grandparents had just arrived in the country, the harbour was alight with fireworks and, nine months later, we hosted a remarkable Olympic Games.

Sitting in our 90s lounge room, watching the opening ceremony on a square TV, I told my grandparents that now they were officially Australian.

Deep Sea Dreaming was a celebration of our being girt by sea. The music was composed by Elena Kats-Chernin, and the Sydney Symphony and Sydney Children’s Choir were conducted by Simone Young. Who on that night would have thought that the battle for diverse leadership in the arts would have still waged on? Not me. For on that night, a woman conducted, a Malaysian-Australian (Chong Lim) composed, and while the daughter of Sicilian immigrants (Tina Arena) sang, an Indigenous woman (Cathy Freeman) lit the flame.

20 years later, what strikes me about the Millennium was how much of a place the Arts was given in the celebration.

The Olympics was heralded not by a sporting event, but by a performance of Mahler’s Symphony of a Thousand at the Homebush Superdome. Symphony Australia commissioned Brett Dean to write Amphitheatre, a dramatic scene for large orchestra, and Carl Vine collaborated with the Sydney Dance Company to produce Mythologia, a danced Olympic ode, with Greek text sung by the Sydney Gay & Lesbian Choir.

On the 20th anniversary of the opening ceremony, we celebrate the music of Sydney’s Millennium. And around the imperfections, we should take inspiration, because Sydney gave the world a dream.

When it came to the opening ceremony itself, music and Australia’s multiple identities (admittedly viewed from a 20th Century lens) were very much at the heart.

Tuesday 15 September at 1pm Tony Smith / Alamy Stock Photo

08

Celebrating Alexander Arutiunian From Armenia with love Written by Paul Cooke Photo by Tzolag Hovsepian

Tzolag Hovsepian / Hay Gir Publishing

If Alexander Arutiunian is known at all to audiences outside the former Soviet Union, it is because of his 1950 Concerto for Trumpet and Orchestra. It is quite possibly the best known trumpet concerto since those written by Haydn and Hummel in the early years of the instrument’s development. Philip Smith, former principal trumpet with the New York Philharmonic, has characterised its appeal: “...a flashy piece. It has a very gypsyish, Russian, Armenian kind of sound, with very soulful, beautiful melodies and plenty of exciting rapidtonguing kind of things.” The concerto was written for Arutiunian’s compatriot Zolak Vartisarian, who died in military action before it was finished. It was taken up by the virtuosic and influential Timofei Dokschitzer, who performed it widely and was the first to record it.

Arutiunian was born a century ago, on 23 September 1920, in the Armenian city of Yerevan. He studied piano and composition at the Yerevan conservatory, named for the composer Komitas, who had collected and published folk songs and church melodies, laying the foundations for the development of a classical Armenian style. Komitas, together with fellow Armenians Spendiarian and Khachaturian, had a major influence on Arutiunian’s music.

From 1946 to 1948, Arutiunian studied at the House of Armenian Culture in Moscow where he was influenced by the neo-classical and modernist leanings of Prokofiev. At the same time, he took note of the denunciations of some of the works of Prokofiev and Shostakovich by Stalin’s follower Andrei Zhdanov, and made sure that his compositions reflected not only his own Armenian culture but also the mainstream Russian tradition of Tchaikovsky and Rimsky-Korsakov.

09

His graduation piece, Cantata on the Homeland, was conservative enough to win him the Stalin Prize in 1949.

Arutiunian spent most of his life in Yerevan, teaching at the conservatory and continuing to compose, including a number of other works featuring brass instruments. An important late composition was his Violin Concerto, inspired by an earthquake which killed 25,000 people. Here his melodic and rhythmic gifts are tempered by introspection and a greater reliance on Baroque and Classical models.

Wednesday 23 September at 2pm

Artwork by Leita Hutchings

Tuesday 1 September TUESDAY 1 00:00 SOUNDTRACKS AT MIDNIGHT With Chris Winner 01:00 OASIS OF INSOMNIA With Adam Cockburn 02:00 ECLECTIC CHAIR With Liam Collins 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Julie Simonds 09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by Rex Burgess Telemann, G. Overture no 4, from Six overtures or suites for harpsichord, TWV 32:8 (1742). Roberto Loreggian, hpd.

Brilliant Classics 95150/34 11 Beethoven, L. Bagatelles, op 126 (1824).

Luisa Guembes-Buchanan, pf.

Del Aguila DA 55306 18 Brahms, J. Violin sonata no 2 in A, op 100 (1886). Anne-Sophie Mutter, vn; Lambert Orkis, pf.

DG 477 8767 19 Debussy, C. Trois ballades de François Villon (1910). Elly Ameling, sop; Dalton Baldwin, pf.

EMI CDM 7 64095 2 11 Vine, C. Piano sonata no 3 (2007). Adam Herd, pf.

Master Performers MP 004 22 10:30 CONCERT HALL Prepared by Denis Patterson Schumann, R. Overture: Manfred, op 115 (1848-49). Swedish CO/Thomas Dausgaard.

BIS SACD-1619 11 Elgar, E. Cello concerto in E minor, op 85 (1919). Jacqueline du Pré, vc; Philadelphia O/ Daniel Barenboim.

Sony SB2K 63247 31 Rachmaninov, S. Symphony no 3 in A minor, op 44 (1935-36/38). Sydney SO/Vladimir Ashkenazy.

Exton EXCL-00018 39 12:00 JAZZ RHYTHM With Jeannie McInnes 13:00 SYMPHONIC VARIATIONS Prepared by Sheila Catzel Boëllmann, L. Symphonic variations, op 23 (1897). Oliver Gledhill, vc; Jeremy Filsell, pf.

Guild GMCD 7135 12 Franck, C. Symphonic variations (1885).

Phillipe Entremont, pf; French NO/Jean Martinon.

Erato 2292-45088-2 16

Wednesday 2 September Dvorák, A. Symphonic variations, op 78 (1877). London PO/Charles Mackerras.

EMI 5 65026 2 22 d’Indy, V. Symphonic variations: Istar (1896).

Loire PO/Pierre Dervaux.

LP Pathé Marconi 2C069-14043 13 Frumerie, G. de Symphonic variations, op 25 (1940-41). Norrköping SO/Lü Jia. Caprice CAP 21644 18 14:30 CHILDREN’S CORNER Prepared by Jacky Ternisien Humperdinck, E. Concert overture, from The royal children (1910). Bamberg SO/Karl Anton Rickenbacher.

Virgin VC 7 91494-2 8 Corea, C. Excerpts from Children’s songs (1984; arr.). Nick Russoniello, sax; Acacia Quartet.

Fine Music concert recording 11 Bloch, E. Enfantines, ten pieces for piano (1923). Barbara Hornung, va; Danaë Killian, pf.

Move MCD 578 18 Bizet, G. Children's games, op 22 (1871).

Scottish NO/Alexander Gibson.

EMI CDM 1 66424 2 11 Chaminade, C. Excerpts from Album des enfants, opp 123, 126 (1906-07). Peter Jacobs, pf.

Hyperion CDA66846 8 Villa-Lobos, H. Fantasy on Children’s carnival (1920). Marco Antonio de Almeida, pf; Jena PO/David Montgomery.

Arte Nova 74321 54465 2 23 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm With Andrew Dziedzic 19:00 THE JAZZ BEAT With Lloyd Capps 20:00 RECENT RELEASES With Michael Field 22:00 CHAMBER SOIRÉE Prepared by Albert Gormley Zimmerli, P. The light guitar (2006). Tim Fain, vn; Pei-Yao Wang, pf.

Naxos 8.559662 15 Mendelssohn, F. String quintet no 1 in A, op 18 (1826/32). Danilo Rossi, va; Fine Arts Quartet.

Naxos 8.570488 33 Pleyel, I. Trio in E minor (1788). Trio 1790. cpo 777 544-2 18 Schumann, R. Fairy tales, op 132 (1853).

Catherine McCorkill, cl; Julian Smiles, vc; Kathryn Selby, pf.

Fine Music concert recording 15 Shostakovich, D. Quartet no 3 in F, op 73 (1946). Emerson String Quartet.

DG 463 284-2 28

10

WEDNESDAY 2 00:00 DREAD JUNCTION With Vince Carnovale 01:00 DREAD JUNCTION With Vince Carnovale 02:00 THE LOST HIGHWAY With Austin Harrison 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Janine Burrus 09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by Paul Cooke Valentini, Giuseppe. Violin concerto no 2 in D minor (pub. 1710). Stéphanie Pfister, vn; Ensemble 415/Chiara Banchini.

Zig-Zag Territoires ZZT2020801 12 Kreutzer, C. The mill wheel. Elen Xanthoudakis, sop; Jason Xanthoudakis, cl; Clemens Leske, pf.

Move MCD 472 5 Marais, M. Suite in G minor (1725). Marais Project.

Move MCD 424 12 Wagenseil, G. Harp concerto in G (1761).

Roberta Alessandrini, hp; Mantua O/Vittorio Parisi.

Naxos 8.553622 14 Mondonville, J-J. de Harpsichord pieces for voice and violin, op 5 (1748). Judith Nelson, sop; Stanley Ritchie, vn; William Christie, hpd.

Harmonia Mundi HMX 2908601.30 13 Arriaga, J. String quartet no 3 in E flat (1824). Camerata Boccherini.

Naxos 8.557628 23 10:30 CONCERT HALL Prepared by James Nightingale Wolf, H. Scherzo and finale (1877). Paris O/ Daniel Barenboim.

Apex 0927-49582-2 15 Mozart, W. Piano concerto no 12 in A, K414 (1782). London Mozart Players/Howard Shelley.

Chandos CHAN 9256 25 Schoenberg, A. Symphonic poem: Pelleas and Melisande, op 5 (1903). Scottish NO/ Matthias Bamert.

Chandos CHAN 8619 43 12:00 JAZZ SKETCHES With Robert Vale 13:00 IN CONVERSATION With Christopher Waterhouse 14:00 MUSIC ON A SHOESTRING Prepared by Stephen Wilson Dvorák, A. Seven interludes (1867). Russian PO/Dmitry Yablonsky.

Naxos 8.557352 23

Strauss, R. Dance suite op 107, after François Couperin’s keyboard works (1923).

Academy of St Martin in the Fields/Neville Marriner.

Philips 446 696-2 28 Delius, F. On hearing the first cuckoo in Spring (1911-12). English CO/Daniel Barenboim.

DG 442 833-3 7 Albrechtsberger, J. Double concerto in E (1770). Fritz Mayr, jew's harp; Dieter Kirsch, mandora; Munich CO/Hans Stadlmair.

Orfeo C 035 821 A 20 Mahler, G. Abscheid, from Das Lied von der Erde (1908-09; arr. Schoenberg 191824). Elizabeth Campbell, sop; David Nuttall, ob, cora; Robert Johnson, hn; Gordon Skinner, bn, contra bn; Dimity Hall, vn; Lorna Cummings, vn; Max McBride, db; Michael Askill, perc; Australia Ensemble/Dene Olding.

Fine Music concert recording 30 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm With Tom Forrester-Paton 19:00 A TWIST OF JAZZ With Robert Vale 20:00 AT THE OPERA Prepared by Angela Cockburn Donizetti, G. Roberto Devereux. Opera in three acts. Libretto by Salvatore Cammarano.

First performed Naples, 1837. ELIZABETH: Dimitra Theodossiou, sop DUKE OF NOTTINGHAM: Andrew Schroeder, bar SARA: Federica Bragaglia, sop ROBERT DEVEREUX: Massimiliano Pisapia, ten LORD CECIL: Luigi Albani, ten Bergamo Music Festival Ch & O/Marcello Rota.

Naxos 8.660222-23 2:07 Robert Devereux, Earl of Essex and Queen Elizabeth love each other. When he returns, against orders, from his disastrous commission in Ireland, Cecil and other advisers accuse him of treason and he is arrested. Elizabeth also suspects him, but not of treason, but of being unfaithful to her.

She confides in her friend, Sara, unaware that Sara is her rival. Essex is sentenced to death and Elizabeth waits anxiously for the ring she had given him for just such an unfortunate occasion. However, as Sara is about to return it on his behalf, she is delayed by her husband. She reaches Elizabeth as the canon shot is heard proclaiming his death.

Quilter, R. A children’s overture (1911).

Slovak RSO/Adrian Leaper.

Naxos 8.570575/76 11 Paganini, N. Violin concerto no 3 in E (1826).

Ernö Rózsa, vn; Slovak RSO/Michael Dittrich.

Naxos 8.554396 42 Walton, W. Symphony no 2 (1957-60).

London PO/Bryden Thomson.

Chandos CHAN 8772 29 12:00 JAZZ, PURE AND SIMPLE With Maureen Meers 13:00 THE PROLIFIC TELEMANN Prepared by Rex Burgess Telemann, G. Sonata in G, TWV43:G12.

Mario Folena, fl; Cristiano Contadin, bass viol; Rodney Prada, bass viol; Roberto Loreggian, hpd.

Brilliant Classics 95150/26 12 Telemann, G. Der Tag des Gerichts, Reflections 1 and 2, TVWV6:8 (1762). Ann Thursday 3 September Monoyios, sop; David Cordier, alto; Wilfried Jochens, ten; Stephen Schreckenberger, THURSDAY 3 bass; Rheinische Kantorei; Das Kleine 00:00 UNLEASH THE VINYL Konzert/Hermann Max. With Tom Zelinka Brilliant Classics 95150/43 41 01:00 GROOVESVILLE/25 O'CLOCK 14:00 OF MYTHS AND MEN With Ray Levis Prepared by Tom Forrester-Paton 03:00 CLASSICAL TILL DAWN Schubert, F. The lament of Ceres, D323 06:00 FINE MUSIC BREAKFAST (1815-16). Elizabeth Connell, sop; Graham including Arts Calendar at 7.30am Johnson, pf.

With Simon Moore Hyperion CDJ 33005 18 09:00 DIVERSIONS IN FINE MUSIC Franck, C. Psyché et Éros, from Psyché The instruments: Brass (1888). Philharmonia O/Carlo Maria Giulini.

Prepared by Chris Blower EMI CZS 7 67723 2 9 Vivaldi, A. Double concerto in C. Maurice Berlioz, H. La mort d’Orphée (1827). Daniel André, tpt; Marcel Lagorce, tpt; Jean-François Galvez Vallejo, ten; Northern Region Choir; Paillard CO/Jean-François Paillard.

Lille NO/Jean-Claude Casadesus.

Erato 2292-45062-2 13 Harmonia Mundi HMC 901542 13 Fuchs, K. Fire ice and summer bronze Wagner, R. Overture and Venusberg music, (1986). Timothy Jones, hn; members of from Tannhäuser (1845). Royal Scottish NO/ London SO. Neeme Järvi.

Naxos 8.559335 12 Chandos CHSA 5077 20 Desprez, F. Triptyque for three trombones.

Tinel, E. Feast in the Temple of Jupiter, op 21 Olaf Ott, tb; Ulrich Dieckmann, tb; Hermann no 3 (1881). Belgian NO/Daniel Sternefeld.

Baumer, tb.

LP Cultura 5074-2 19 BIS CD-604 18 Schubert, F. Der zürmenden Diana, D707 Danielsson, C. Concertante suite for tuba (1820). Thomas Hampson, bar; Graham and four horns (1977). Philip Hall, hn; Philip Johnson, pf.

Paine, hn; Nelson Green, hn; Sarah Galbraith, Hyperion CDJ 33014 6 hn; Peter Whish-Wilson, tuba; Adelaide SO/ Fauré, G. The birth of Venus, op 29. Brigitte David Stanhope.

Lafon, sop; Anna Holroyd, cont; Bruno Ranc, ABC 476 5251 13 ten; Jacques Bona, bass; Lyon Soloists; JeanMozart, W. Divertimento no 5 in C, K187.

Claude Pennetier, pf; Bernard Tétu, cond.

Australian Baroque Brass.

EMI 5 56728 2 23 Tubicium Records TR761901 9 16:00 FINE MUSIC DRIVE Kerry, G. Heart’s-clarion for trumpet including Arts Calendar at 5.00pm and strings (1998). Geoffrey Payne, tpt; With Stephen Wilson Tasmanian SO/David Porcelijn.

19:00 THE NEW JAZZ STANDARD ABC 476 2268 13 With Frank Presley 10:30 CONCERT HALL Prepared by Robert Gilchrist 22:30 TWENTIETH CENTURY CHAMBER Prepared by James Nightingale Sutherland, M. Violin sonata (1925). Marina Marsden, vn; Robert Chamberlain, pf.

Tall Poppies TP116 27 Benjamin, A. Suite (1927). Ian Munro, pf.

Tall Poppies TP 105 14 Goossens, E. Fantasy for nine wind instruments, op 36 (1924). Janet Webb, fl; Guy Henderson, ob; Lawrence Dobell, cl; Christopher Tingay, cl; John Cran, bn; Fiona McNamara, bn; Daniel Mendelow, tpt; Robert Johnson, hn; Clarence Mellor, hn.

ABC 476 7632 10 Howells, H. String quartet no 3, In Gloucestershire (1923). Britten Quartet.

EMI CDC 5 55349 2 30

11

20:00 THE WORLD OF A SYMPHONY Prepared by Nicky Gluch Wagner, R. Albumblatt für Frau Betty Schott, WWV108. Asher Fisch, pf.

Melba MR301141 5 Dvorák, A. Slavonic rhapsody, op 45 no 3 (1878). Detroit SO/Antal Dorati.

Decca 476 2453 13 Beethoven, L. Cello sonata no 3 in A, op 69 (1807-08). Zoe Knighton, vc; Amir Farid, pf.

Move MD3356 28 Brahms, J. Marienlieder, op 22 (1859-60).

Danish National Radio Choir/Stefan Parkman.

Chandos CHAN 9671 18 Dvorák, A. Symphony no 6 in D, op 60 (1880). London SO/István Kertész.

Decca 417 598-2 46 22:00 LATE NIGHT INTERLUDE Prepared by Rex Burgess Bach, J.S. Concerto in F, BWV971, Italian (1735). Amadeus Guitar Duo. Naxos 8.573440 14 Bach, J.S. Flute sonata in G, BWV525 (c1730). Barthold Kuijken, fl; Sigiswald Kuijken, vn; Wieland Kuijken, vc; Robert Kohnen, hpd.

Accent ACC 58019D 12 22:30 ULTIMA THULE With Jackson Day

Friday 4 September FRIDAY 4 00:00 MUTABLE CARAT With Nick Dan 01:00 THE LONG DIVISION With Joe Goddard 02:00 SIGNAL CRUNCH With Glenn Winfield 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Annabelle Drumm 09:00 DIVERSIONS IN FINE MUSIC Al fresco Prepared by Chris Blower Mendelssohn, F. Overture: The Hebrides, op 26, Fingal's Cave (1830). Concertgebouw O/ Otto Klemperer.

Memories HR 4248/49 10 Bloch, E. Poems of the sea (1922). István Kassai, pf.

Marco Polo 8.223288 10 Bishop, H. Lo, here the gentle lark (1819).

Alexander Murray, fl.

4

Flotow, F. The last rose of summer, from Martha (1847).

3 Joan Sutherland, sop; London SO/Richard Bonynge (2 above) Decca 480 4670 Hadley, H. The ocean, op 99 (1921). Ukraine NSO/John McLaughlin Williams.

Naxos 8.559064 14 Liszt, F. St Francis of Assisi preaching to the birds (1863). Nikolai Demidenko, pf.

Hyperion CDA66616 11 Glazunov, A. Fantasy: The sea, op 28 (1889).

USSR RSO/Gennady Provatorov.

Melodiya MA 3010 16 Basden, D. Dolphin Bay suite (1996). Philippa Robinson, cl; Josephine Allan, pf.

Innaminka 720 10 10:30 CONCERT HALL Prepared by Anne Irish Hartmann, E. Wedding music, op 2 (pub.

1876). Copenhagen PO/Bo Holten.

Dacapo 8.226041 7 Hyde, M. Piano concerto no 1 in E flat minor (1933). Miriam Hyde, pf; West Australian SO/ Geoffrey Simon.

ABC 446 285-2 30 Tchaikovsky, P. Symphony no 5 in E minor, op 64 (1888). Bavarian RSO/Mariss Jansons.

BR 900105 46 12:00 A JAZZ HOUR With Barry O'Sullivan 13:00 CLASSICAL SONATAS With Robert Gilchrist Bach, C.P.E. Flute sonata in E, Wq84 (c1749). Christopher Hyde-Smith, fl; Jane Dodd, hpd.

ASV QS 6205 14 Rossini, G. Sonata à quattro no 4 in B flat (1804). Haydn Philharmonia Soloists/Ezio Rojatti.

Nuova Era 7100/01 16 Mozart, W. Violin sonata no 33 in E flat, K481 (1785). Joseph Szigeti, vn; George Szell, pf.

Vanguard 08 8039 74 24 14:00 NIKOLAUS HARNONCOURT A great musician Prepared by Denis Patterson Handel, G. Concerto in G minor, op 3 no 3.

Teldec 242 599-2 9 Lanner, J. Mazurka: Sehnsuchts, op 89 (1834).

Sony 88697914112 9 Bach, J.S. Cantata, BWV19: Es erhub sich ein Streit (1726). Paul Esswood, alto; Kurt Equilux, ten; Max van Egmond, bass; Vienna Boys' Choir; Chorus Viennensis.

Teldec 2564 69943-7 20

12

Bach, J.S. Flösst mein Heiland, from Christmas oratorio, BWV248 (1734). Soloist from Vienna Boys Choir.

Teldec 4509 93705-2 6 Concentus Musicus Vienna (4 above) Haydn, J. Symphony in D, Hob.I:101, Clock (1793-94). Concertgebouw O. Teldec 243 675-2 28 Bach, J.S. Cantata, BWV185: Barmherziges Herze der ewigen Liebe (1715). Helmut Wittek, sop; Paul Esswood, alto; Kurt Equiluz, ten; Thomas Hampson, bass; Tölz Boys' Choir; Concentus Musicus Vienna.

Teldec 2564 69943-7 14 Mozart, W. Symphony no 31 in D, K297, Paris (1778). Concertgebouw O. Teldec 8.42817 23 Nikolaus Harnoncourt, cond (all above) 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm With James Hunter 19:00 FRIDAY JAZZ SESSION With Christopher Waterhouse Earl Hines You Can Depend On Me Ella Fitzgerald Rhythm Is My Business 4 J, Lawrence&A. Altman All or Nothing At All Frank Sinatra Big Band Vocal 3 Count Basie Every Tub Count Basie Every Tub 3 Donaldson & Lyman What Can I Say After I Say I'm Sorry Carmen McRae Live at Birdland West 5 Johnny Mercer & Hoagy Carmichael Skylark Kevin Mahogany&Ray Brown Trio Some of my Best Friends are Singers 6 Whiting & Mercer Too Marvellous For Words Stan Getz Early Autumn 3 Florian Ross OKAY James Muller&SCJO Okay 5 James Muller Kaboom James Muller&SCJO Okay 5 Al J. Neiberg & Ellis Reynolds I'm Confessin' That I Love You Rosemary Cloony Demi Centennial 5 20:00 EVENINGS WITH THE ORCHESTRA Prepared by Rex Burgess Gottschalk, L. Grand tarantelle, op 67 (1868; arr. Kay). Reid Nibley, pf; Utah SO/ Maurice Abravanel.

Vanguard OVC 4051 7 Hovhaness, A. Fantasy on Japanese woodprints, op 211 (1965). Ron Johnson, mar; Seattle SO/Gerard Schwarz.

Naxos 8.559717 14

Corigliano, J. Flute concerto, Pied Piper fantasy (1982). James Galway, fl; Eastman Philharmonia/David Effron.

RCA 6602-2-RC 37 Barber, S. Knoxville: Summer of 1915 (1947).

Dawn Upshaw, sop; St Luke's O/David Zinman.

Elecktra/Nonesuch 979 187-2 15 Ives, C. Symphony no 4 (1910-16). New Philharmonia O/Harold Farberman.

Vanguard 08 9098 71 35 22:00 BAROQUE AND BEFORE In the court of the well-beloved king Prepared by Paul Cooke Chédeville, N. Amusement of Mars.

Françoise Bois-Poteur, hurdy-gurdy; André Gabriel, musette; Mario Raskin, hpd.

Pierre Verany PV.788052 14 Mondonville, J-J. de Overture to Titon et l'Aurore (pub. 1753). Les Musiciens du Louvre/Marc Minkowski.

Erato 4509-98524-2 5 Rameau, J-P. La lyre enchantée divertissement, from Les surprises de l’amour (1748/57) Carolyn Sampson, sop; Ex Cathedra/Jeffrey Skidmore.

Hyperion CDA68035 13 Boismortier, J. de Chaconne, from Daphnis et Chloé. Le Concert Spirituel/Hervé Niquet.

Naxos 8.554456 5 Leclair, J-M. Violin sonata in A minor, op 5 no 7 (pub. 1734). Simon Standage, vn; Lars Ulrik Mortensen, hpd.

Chandos CHAN 0531 14 Mondonville, J-J. de Sonata en symphony no 1, op 3. Les Musiciens du Louvre.

Archiv 457 600-2 9 Rebel - Francoeur. Zélindor, roi des Sylphes, Scenes II and III. Bénédicte Tauran, sop; Aurore Bucher, sop; Mathias Vidam, ten; Ausionia/Frédérick Haas.

MBF 1108 21 Rebel, J-F. Ballet: Les élémens (1737).

Akademie für Alte Musik.

Harmonia Mundi HMC 902061 28

Kabalevsky, D. Four preludes, op 5 (1927) Alexandre Dossin, pf.

Naxos 8.570976 6 Mendelssohn, F. Songs without words, bk 6, op 67 (1843-45). Daniel Barenboim, pf.

DG 453 061-2 13 Schubert, F. Piano sonata in A minor, D784 (1823). Imogen Cooper, pf.

Ottavo OTR C68608 20 10:00 MUSICAL JOURNEYS Prepared by Jennifer Foong Nielsen, C. Overture: Helios, op 17 (1903).

Gothenburg SO/Neeme Järvi.

DG 447 757-2 9 Mussorgsky, M. St John’s night on Bald Mountain (1867; arr. Rimsky-Korsakov).

London SO/Georg Solti.

Decca 478 2826 11 Glanville-Hicks, P. Letters from Morocco (1952). Gerald English, ten; Tasmanian SO/ Antony Walker.

ABC 476 3222 14 Ravel, M. Rhapsodie espagnole (1907).

Vladimir Ashkenazy, pf; Vovka Ashkenazy, pf.

Decca 478 1090 15 Grofé, F. Grand Canyon suite (1931).

Cincinnati Pops O/Erich Kunzel.

Telarc 80086 32 11:30 ON PARADE Music that’s band Prepared by Owen Fisher Tartini, G. Variations on a theme by Corelli.

Allentown Band/Ronald Demkee.

AMP WWFM1 6 Strauss, J. II Chit chat polka. Camell Laird Band/James Scott.

LP Fontana STL 5531 3 Fauré, G. Tuscan serenade. Michael Colburn, euphonium; American Serenade Band/Henry Charles Smith.

Summit DCD 150 3 Anderson, L. Bugler’s holiday. Melbourne Fire Brigade Band/Mervyn Simpson.

LP W & G BS 5501 2 Newton, J. Capriccio. Williams Fairey Band/ Bryan Hurdley.

EMI 7243-5-21450-2 8 Saturday 5 September 12:00 URBAN JAZZ LOUNGE With Leita Hutchings SATURDAY 5 13:00 OPERA IN MINIATURE 00:00 CLASSIC-ALL THROUGH Prepared by James Nightingale THE NIGHT Cimarosa, D. L’impresario in angustie.

06:00 SATURDAY MORNING MUSIC Opera in one act. Libretto by Giuseppe Maria With David Garrett Diodati. First performed Naples, 1786. DON 09:00 WHAT'S ON IN MUSIC GRISOBOLO: Carlo Torriani, bass With Michael Field DON PERIZONIO FATTAPANE: Marco Filippo 09:05 THE PIANO ALONE Romano, bar Prepared by Jennifer Foong FIORDISPINA: Paola Cigna, sop Liszt, F. Introduction and Hungarian march, MERLINA: Lavinia Bini, sop after Széchényi (1872). Leslie Howard, pf.

GELINDO SCAGLIOZZI: Alejandro Escobar, Hyperion S44553 8 ten

13

DORALBA: Camilla Antonini, mezz STRABINIO: Luca Gallo, bass Bruno Maderna O/Aldo Salvagno.

Brilliant Classics 95746 1:17 The impresario Don Grisobolo is planning his next production with the assistance of his librettist Don Perizonio and the composer Gelindo. Their work is made more complicated by the fact that the three prima donnas of the company, Fiordispina, Merlina and Doralba, all have their own ideas of what their characters should do and go to great lengths to tell the composer, the poet and the impresario what should happen. As well as artistic tensions, the company is beset by romance with Doralba being wooed by Strabinio, Merlina courted by the composer, Gelindo, and poor Fiordispina finds herself in a tug-of-war between the attentions of the impresario and the librettist. The fate of the new production is sealed, however, by Don Grisobolo being declared bankrupt.

Piano sonata in F, R16. Victor Sangiorgio, pf.

Naxos 8.570718 3 14:30 SATURDAY MATINEE Peer Gynt Prepared by Chris Blower Grieg, E. Incidental music to Peer Gynt, op 23 (1874-75). Malmö Chamber Choir & SO/Bjarte Engeset.

Naxos 8.570871-72 1:40 Sinding, C. Seven caprices, op 44 (1898).

Helge Antoni, pf.

Etcetera KTC 1047 18 Holter, I. Violin concerto in A, op 22 (c1915).

Ragin Wenk-Wolff, vn; Royal PO/Per Dreier.

NKFCD 50020-2 23 17:00 SOCIETY SPOT Folk Federation of NSW With Paul Jackson 18:00 MUSIC OF THE SCREEN Prepared by Sue Jowell 19:00 EMERGENT JAZZ With Keith Pettigrew 20:00 THE LIFE OF A COMPOSER Walter Braunfels Prepared by James Nightingale Braunfels, W. Neues Federspiel, op 7. Marlis Petersen, sop; Eric Schneider, pf.

Capriccio C5251 10 Braunfels, W. Overture: Carnival, op 22 (1908-11). German State PO of RhinelandPalatinate/Gregor Bühl.

Capriccio C5308 9 Braunfels, W. Prelude and prologue of nightingale, op 30 no 3 (1913). Valentina Farcas, sop; Staatskapelle Weimar/Hansjörg Albrecht.

OEHMS OC1846 8

Braunfels, W. Farewell to the forest, op 30 no 1 (1913). Klaus Florian Vogt, ten; Staatskapelle Weimar/Hansjörg Albrecht.

OEHMS OC1846 5 Braunfels, W. String quartet no 1 in F, op 60.

Auryn Quartet. cpo 999 406-2 28 Braunfels, W. Prelude and fugue, op 36 (1922-25). German State PO of RhinelandPalatinate/Gregor Bühl.

Capriccio C5308 16 Braunfels, W. Sinfonia brevis, op 69 (1948).

Rhineland-Pfalz State PO/Gregor Bühl.

Capriccio C5354 31 22:00 SATURDAY NIGHT AT HOME From Commedia del ’Arte Prepared by Elaine Siversen Stravinsky, I. Suite from Pulcinella (1919-20).

Academy of St Martin in the Fields/Neville Marriner.

Decca 443 577-2 23 Lully, J-B. Marche; Chaconne, from Le bourgeois gentilhomme (1670). Musica Antiqua Cologne/Reinhard Goebel.

DG 463 446-2 5 Lully, J-B. La cérémonie des Turcs, from Le bourgeois gentilhomme. Gilles Ragon, ten; Michel Laplénie, ten; Michel Verschaeve, bar; Bernard Delétré, bass; Philippe Cantor, bass; Les Musiciens du Louvre/Marc Minkowski.

Erato 245 286-2 13 Sibelius, J. Incidental music to Scaramouche, op 71 (1913). Petra Vahle, va; Mats Levin, vc; Gothenburg SO/Neeme Järvi.

BIS CD-502 1:04 Milhaud, D. Scaramouche, op 165c (1937; arr. Milhaud for wind sextet). Nicholas Russoniello, sax; Sydney Omega Ensemble/ David Rowden.

Fine Music concert recording 10

Sunday 6 September SUNDAY 6 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC With Stephen Wilson 09:00 MUSICA SACRA Prepared by Stephen Matthews Bruckner, A. Mass no 3 in A minor. Ghent Collegium Choir; Choir of the Chapelle Royale; Champs-Élysées O/Philippe Herreweghe.

Harmonia Mundi HMX 2908848 56 10:00 THE CLASSICAL ERA Prepared by Rex Burgess Graaf, C. Symphony in D, op 14 no 1 (pub.

1776). New Dutch Academy/Simon Murphy.

PentaTone PTC 5186 365 8

Boïeldieu, A. Harp concerto in C (1801).

Marielle Nordmann, hp; Franz Liszt CO/JeanPierre Rampal.

Sony SK 58919 23 Reicha, A. Clarinet quintet in B flat (1820).

Wolfhard Pencz, cl; Amati Quartet.

Divox CDX 29105 28 Mozart, F. Romanze: In der Väter Hallen ruhte, op 12 (1808). Barbara Bonney, sop; Malcolm Martineau, pf.

Decca 475 6936 8 Danzi, F. Septet in E for two horns and string quartet, op 15 (pub. 1803). Consortium Classicum.

Orfeo C 674 081 A 23 Wesley, S. Symphony no 6 in B flat (1802).

London Mozart Players/Matthias Bamert.

Chandos CHAN 9823 18 12:00 CLASSIC JAZZ AND RAGTIME With Maureen Meers 13:00 WORLD MUSIC: Whirled Wide With Anna Tranter 14:00 PERSPECTIVES Flute Prepared by James Nightingale Bozza, E. Image, op 38 (1939). Marieke Schneemann, fl.

Brilliant Classics 95434 5 Vine, C. Flute sonata (1992). Geoffrey Collins, fl; David Miller, pf.

Tall Poppies TP120 13 Koechlin, C. Suite en quatour, op 55 (191115). Tatjana Ruhland, fl, Mila Georgieva, vn; Ingrid Philippi, va; Yaara Tal, pf.

SWR 19047 11 Bach, C.P.E. Flute concerto in A minor, Wq166 (c1750). Konrad Hünteler, fl; Amsterdam Baroque O/Ton Koopman.

Erato ECD 75536 23 15:00 SUNDAY SPECIAL A new life in a new land Prepared by Chris Blower Britten, B. Ballet: Plymouth town (1931). BBC SO/Grant Lewellyn.

Decca 478 5364 27 Liszt, F. Reminiscences after Bellini’s The Puritans (1836). William Wolfram, pf.

Naxos 8.572241 20 Thomson, V. Pilgrims and pioneers (1964).

New Zealand SO/James Sedares.

Naxos 8.559022 10 Foss, L. Three American pieces (1944).

Itzhak Perlman, vn; Boston SO/Seiji Ozawa.

EMI 5 55360 2 12 Fuchs, K. American rhapsody (2008). Paul Silverthorne, vn; London SO/JoAnn Falletta.

Naxos 8.559723 12

14

Dvorák, A. String quartet no 12 in F, op 96, American (1893). Simón Bolívar String Quartet.

DG 479 0429 27 17:00 HOSANNA Prepared by Stephen Matthews Rutter, J. Gloria Patri; O be joyful in the Lord.

Cambridge Singers; City of London Sinfonia/ John Rutter.

Decca 472 622-2 8 Samuel, R. Love bade me welcome; Bring us O Lord. Choir of New College, Oxford/ Robert Quinney.

Novum NCR 1391 8 Handel, G. Chorus; Arias, from Saul, HWV53. Cologne Chamber Choir; Collegium Cartusianum/Peter Newman.

Pourpre PPR18011 15 Muffat, M. Ciaccona in B; Fugue no 4 in G. Jaroslav Turna, org.

Arta Music 10 Bach, C.P.E. Gloria, from Magnificat.

Hänssler 98.337 11 18:00 SMALL FORCES Prepared by Frank Morrison Holst, G. Wind quintet in A flat, op 14 (1903).

Keith Bragg, fl; Christopher O'Neal, ob; Julian Farrell, cl; Richard Skinner, bn; Christopher Blake, hn.

Chandos CHAN 9077 15 Hoffmeister, F. Double bass quartet no 3 in D. Ernö Sebestyén, vn; Helmut Nicolai, va; Martin Ostertag, vc; Norbert Duka, db.

Naxos 8.572187 11 Sinding, C. Piano trio no 2 in A minor, op 64 (1902). András Kiss, vn; Tamás Koó, vc; Ilona Prunyi, pf.

Marco Polo 8.223283 27 19:00 SUNDAY NIGHT CONCERT Prepared by Rex Burgess Schmitt, F. La tragédie de Salomé, op 50 (1907). São Paulo SO/Yan Pascal Tortelier.

Chandos CHSA 5090 25 Chabrier, E. La Sulamite (1884). Suzanne Mentzer, mezz; female voices from ToulouseMidi-Pyrenees Choirs; Toulouse Capitole O/ Michel Plasson.

EMI 7 54004 2 17 Finzi, G. Cello concerto, op 40 (1955). Yo-Yo Ma, vc; Royal PO/Vernon Handley.

Lyrita SRCD.236 41 20:30 NEW HORIZONS Prepared by Calogero Panvino Dean, B. Carlo (1997). Swedish CO/H.K. Gruber.

BIS CD-1576 20 Rihm, W. Time chant no 2 (1991-92). Tianwa Yang, vn; Rheinland-Pfalz State PO/Darrell Ang. Naxos 8.573667 28

Pärt, A. Symphony no 4, Los Angeles (2008).

Los Angeles PO/Esa-Pekka Salonen.

ECM 476 3957 35 22:00 JAZZ AFTER HOURS With Sue Jowell

13:00 MUSIC OF THE DANCE Prepared by Katy Rogers-Davies Rameau, J-P. Gavottes pour les heures et les zéphirs, from Les Boréades (1763). Les Musiciens du Louvre/Marc Minkowski.

Archiv 479 1045 3 Dowland, J. Piper's pavane. Yasunori Monday 7 September Imamura, lute.

Etcetera KTC 1030 5 MONDAY 7 Massenet, J. Obéissons quand leur voix 00:00 CLASSIC-ALL THROUGH appelle, from Manon (1884). Lorina Gore, sop; THE NIGHT Tasmanian SO/Marko Letonja.

06:00 FINE MUSIC BREAKFAST ABC 481 6297 3 including Arts Calendar at 7.30am Fauré, G. Pavane, op 50 (1887). Sydney SO/ With James Hunter Patrick Thomas.

09:00 DIVERSIONS IN FINE MUSIC ABC 476 4565 6 A year in retrospect: 1834 Mendelssohn, Fanny. Il saltarello romano, op Prepared by Paul Cooke 6 no 4 (1847). Irene Barbuceanu, pf.

Kreutzer, C. Overture to Das Nachtlager von Schwann 3-1589-2 3 Granada (1834). Leipzig RSO/Zeljko Straka.

Ravel, M. Pavane pour une infante défunte Berlin Classics 0300249BC 10 (1899). Berlin PO/Herbert von Karajan.

Chopin, F. Fantasy-impromptu in C sharp DG 479 0540 7 minor, op 66 (1834). Benno Moiseiwitsch, pf.

Duruflé, M. Three dances for orchestra, op 6 Philips 456 907-2 5 (1936). Sydney SO/Jean-Pierre Jacquillat.

Burgmüller, N. Duo, op 15 (1834). Michael ABC 434 716-2 22 Collins, cl; Michael McHale, pf.

Hindemith, P. Suite of French dances (1958).

Chandos CHAN 10637 11 Philharmonia O/José Serebrier.

Alkan, C-V. Chamber concerto in C sharp ASV DCA 945 9 minor, op 10 no 2 (1834). Marc-André Respighi, O. Ancient airs and dances, suite Hamelin, pf; BBC Scottish SO/Martyn no 2 (1924). Australian CO/Christopher Brabbins.

Lyndon-Gee. Hyperion CDA66717 8 Omega OCD 1007 20 Paganini, N. Sonata per la gran viola (1834). 14:30 INSPIRED BY LITERATURE Roger Chase, va; Michiko Otaki, pf.

Prepared by Dan Bickel Naxos 8.572293 15 Glazunov, A. Salomé, op 90 (1908). Moscow Mendelssohn, F. Infelice, op 94 (1834). Janet SO/Igor Golovschin.

Baker, mezz; City of London Sinfonia/Richard Naxos 8.553838 18 Hickox.

Lambert, C. Suite, from Incidental music to Virgin VC 7 91123-2 10 Salome (1931). Nash Ensemble/David LloydMendelssohn, Fanny. String quartet in E flat Jones.

(1834). Erato Quartet Basle.

Hyperion CDA67239 10 cpo 999 679-2 20 Riley, T. Half-wolf dances mad in moonlight, 10:30 CONCERT HALL from Salome dances for peace (1986). Kronos Prepared by Jacky Ternisien Quartet.

Handel, G. Ouverture, from Semele, HWV58 Nonesuch 979 181-2 8 (1744). Il Complesso Barocco/Alan Curtis.

Strauss, R. Dance of the seven veils, from DHM 88875199812 7 Salome, op 54 (1905). Berlin PO/Herbert von Arnold, S. Incidental music to Macbeth Karajan.

(1778). Toronto Camerata/Kevin Mallon.

DG 474 281-2 10 Naxos 8.557484 18 Massenet, J. Il est doux, il est bon, from Lindpaintner, P. Bassoon concerto in F, op Hérodïade (1881). Angela Gheorghiu, sop; 44. Albrecht Holder, bn; Stuttgart PO/Nicolas Turin Regional O/John Mauceri.

Pasquet.

Decca 478 3964 5 Naxos 8.553456 22 Schmitt, F. La tragédie de Salomé, op 50 Fesca, F. Symphony no 1 in E flat, op 6 (1907). Detroit SO/Paul Paray.

(1810-12). North German Radio PO/Frank Mercury 478 5092 27 Beermann.

16:00 FINE MUSIC DRIVE cpo 999 889-2 32 including Arts Calendar at 5.00pm 12:00 SWING SESSIONS With Nicky Gluch With John Buchanan 19:00 JAZZ PULSE With Chris Wetherall

15

20:00 STORMY MONDAY With Austin Harrison 22:00 JAZZ AFTER HOURS With Adam Bowen

Tuesday 8 September TUESDAY 8 00:00 ECLECTIC CHAIR With Liam Collins 01:00 ECLECTIC CHAIR With Liam Collins 02:00 THE LONG DIVISION With Joe Goddard 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Julie Simonds 09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by James Nightingale Bach, J.S. Prelude and fugue no 24 in B minor, BWV869. Albert Landa, pf.

ABC 476 4556 12 Buxtehude, D. Nun lob, mein Seel, den Herren. Bine Bryndorf, org.

Dacapo 6.220520 6 Creston, P. Saxophone sonata, op 19 (1936).

Jean-Marie Londeix, sax; Pierre Pontier, pf.

EMI 5 72360 2 12 Debussy, C. En blanc et noir (1915). Robert Casadesus, pf; Gaby Casadesus, pf.

Philips 456 739-2 15 Hill, M. Waltz. Larry Sitsky, pf.

Tall Poppies TP049 2 Beach, A. Hermit thrush at eve, op 92 no 1; Hermit thrush at morn, op 92 no 2 (1922).

Virginia Eskin, pf.

Koch 3-7254-2 8 Dohnányi, E. Piano quintet in E flat minor, op 26 (1914). Martin Roscoe, pf; Vanbrugh Quartet.

ASV DCA 915 23 10:30 CONCERT HALL Prepared by Elaine Siversen Glazunov, A. Oriental rhapsody in G, op 29 (1889). USSR SO/Yevgeny Svetlanov.

Melodiya SUCD 10-00156 24 Holter, I. Violin concerto in A, op 22 (c1915).

Ragin Wenk-Wolff, vn; Royal PO/Per Dreier.

NKFCD 50020-2 23 Nielsen, C. Symphony no 4, op 29, The inextinguishable (1914-16). Danish RSO/ Herbert Blomstedt.

EMI 5 74188 2 34 12:00 JAZZ RHYTHM With Jeannie McInnes

13:00 AFTERNOON CHANSONS Prepared by Jacky Ternisien Hasselmans, A. Chanson de Mai: Romance sans paroles, op 40. Gabriella dall'Olio, hp.

Claves 50 9301 3 Ockeghem, J. Chanson: Au travail suis. Tallis Scholars/Peter Phillips.

Gimell 454 935-2 5 Koechlin, C. Chansons bretonnes, bk 2, op 115 (1931). Mats Lidström, vc; Bengt Forsberg, pf.

Hyperion CDA66979 10 Giraut de Bornelh. Leu chansoneta e vil. 2 Daniel, A. Chanson do-lh mot son plan e prim.

3 Martin Best Mediaeval Ensemble (2 above) Nimbus NIM 5002 Alkan, C-V. La chanson de la folle au bord de la mer, from Preludes, op 31 no 8 (pub. 1857).

Jack Gibbons, pf.

ASV DCS 227 5 Debussy, C. Excerpts from Trois chansons de Charles d'Orléans (1898; arr. Levin). Triton Trombone Quartet.

BIS CD-604 7 Josquin Desprez. Douleur me bat; Adieu mes amours, from Chansons. Ensemble Clément Janequin.

Harmonia Mundi HMX 290838.40 5 Debussy, C. Chansons de Bilitis (1897; arr.

Lenski 1901). Maria Cecilia Muñoz, fl; Tiffany Butt, pf.

Ars ARS 38 129 9 14:00 MUSICAL FAMILIES Vänskä family Prepared by Jennifer Foong Crusell, B. Introduction and Swedish air, op 12 (1804). Anna-Maija Korsimaa-Hursti, cl; Tapiola Sinfonietta/Osmo Vänskä.

BIS CD-495 11 Beethoven, L. Romance no 2 in F, op 50 (1798). Satu Vänskä, vn; Australian CO/ Richard Tognetti.

ABC 481 7430 7 Sibelius, J. The countess’s portrait (1906).

Tytti Vänskä, narr; Lahti SO/Osmo Vänskä.

BIS CD-1906/08 4 Sibelius, J. The lover (1894). Tom Nyman, ten; YL Male Voice Choir; Lahti SO/Osmo Vänskä.

BIS CD-1906/08 6 Ginastera, A. Impresiones do la Puna (1934).

Sharon Bezaly, fl; Australian CO/Richard Tognetti.

BIS CD-1789 7 Sandström, J. A short ride on a motorbike (1989). Christian Lindberg, tb; Lahti SO/Osmo Vänskä.

BIS CD-828 9

Tognetti, R. Flying (2017). Satu Vänskä, voice; Australian CO/Richard Tognetti.

ABC 481 5781 4 Schubert, F. String trio in B flat, D471, Triosatz (1816). Satu Vänskä, vn; Jeremy Williams, va; Patrick Murphy, vc.

Fine Music concert recording 8 Mozart, W. Misera, dove son! ... Ah! non son io che parlo, K369 (1781). Nicole Carr, sop; Australian CO/Richard Tognetti.

ABC 481 7430 6 Pizzetti, I. Preludio a un altro giorno (1952).

BBC Scottish SO/Osmo Vänskä.

Hyperion CDH55329 12 Sibelius, J. Symphony no 5 in E flat, op 82 (1915). Minnesota O/Osmo Vänskä.

BIS SACD 1986 31 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm With Michael Morton-Evans 19:00 THE JAZZ BEAT With Lloyd Capps 20:00 RECENT RELEASES With James Nightingale 22:00 CHAMBER SOIRÉE Prepared by Krystal Li Bax, A. Nonet for winds, strings and harp (1930). Nash Ensemble/Ian Brown.

Hyperion A66807 18 Weber, C.M. Trio in G minor for flute, cello and piano, op 63 (1819). Geoffrey Collins, fl; David Pereira, vc; David Bollard, pf.

Fine Music concert recording 19 Edwards, R. String quartet no 2, Shekina fantasy (2008/10). Goldner String Quartet.

ABC 481 7683 26 Beethoven, L. Horn sonata in F, op 17 (1800). Darryl Poulsen, hn; Neal Peres da Costa, fp.

Tubicium Records TR761901 15 Arensky, A. Piano trio no 1 in D minor, op 32 (1894). Australian Trio.

ABC 476 1231 32

Wednesday 9 September WEDNESDAY 9 00:00 SIGNAL CRUNCH With Glenn Winfield 01:00 SIGNAL CRUNCH With Glenn Winfield 02:00 UNLEASH THE VINYL With Tom Zelinka 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Janine Burrus

16

09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by Chris Blower Heinsius, M. Sinfonia in B flat, op 2 no 6. O Van Wassenaer/Makoto Akatsu.

BIS CD-984 12 Balbastre, C-B. Harpsichord sonata no 4 in D (1779). Concerto Rococo.

Pierre Verany PV794043 13 Dibdin, C. Tom Bowling, from The oddities (1789). Catherine Bott, sop; Parley of Instruments/Peter Holman.

Hyperion A67115 4 Hertel, J. Double concerto in E flat. Maurice Bourge, ob; Maurice André, tpt; Württemberg CO/Jörg Faerber.

EMI CMS 7 69880-2 18 Khandoshkin, I. Violin sonata in D, op 3 no 3 (c1800). Anastasia Khitruk, vn.

Naxos 8.570028 13 Vanhal, J. Flute quartet in B flat, op 7 no 2 (1779-80). Uwe Grodd, fl; Janaki String Trio.

Naxos 8.570234 19 10:30 CONCERT HALL Prepared by Denis Patterson Rossini, G. Overture to The thieving magpie (1817). Tasmanian SO/Ola Rudner.

ABC 476 2599 10 Paganini, N. Double concerto (1831). José Vicente Castelló, hn; Patrick de Ritis, bn; Würzburg PO/Enrico Calesso.

Naxos 8.573382 12 Rachmaninov, S. Symphony no 2 in E minor, op 27 (1906-07). Sydney SO/Vladimir Ashkenazy.

Exton EXCL-00018 60 12:00 JAZZ SKETCHES With Robert Vale 13:00 IN CONVERSATION With Christopher Waterhouse 14:00 DRESDEN’S MUSICAL HERITAGE With Stephen Matthews Weber, C.M. Invitation to the dance (1819; orch. Berlioz). Sydney SO/Tibor Paul.

ABC 442 377-2 10 Schumann, R. Three romances, op 94 (1849). Paul Meyer, cl; Eric Le Sage, pf.

Denon CO-75960 13 Hasse, J. Cantata: Sweet Phyllis, my beloved. Julianne Baird, sop; Nancy Hadden, fl; Erin Headley, bass viol; Malcolm Proud, hpd.

CRD 3488 14 Schütz, H. Psalm 98: Singet dem Herren ein neues Lied (pub. 1619). Stuttgart Chamber Choir; Musica Fiata of Cologne/Frieder Bernius.

Sony S2K 48042 8

Schumann, R. Humoreske, op 20 (1839).

Wilhelm Kempff, pf.

DG 435 045-2 27 Heinichen, J. Oboe concerto in A minor.

Martin Stadler, ob; Fiori Musicali; Bremen Baroque O/Thomas Albert. cpo 999 637-2 11 Hasse, J. Miserere in E minor. Greta de Reyghere, sop; Susanna Moncayo von Hase, cont; Ian Honeyman, ten; Dirk Snellings, bass; Il Fondamento/Paul Dombrecht.

Opus 111 OPS 30-80 24 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm With Ross Hayes 19:00 A TWIST OF JAZZ With Andrew Piper 20:00 AT THE OPERA Prepared by Elaine Siversen Rameau, J-P. Dardanus. Opera in four acts. Libretto by Charles-Antoine Leclerc de la Bruère. First performed Paris, 1739.

DARDANUS: John Mark Ainsley, ten IPHISE: Véronique Gens, sop ANTENOR: Laurence Naouri, bass-bar VENUS: Mireille Delunsch, sop TEUCER: Russell Smythe, bass Les Musiciens du Louvre Ch & O/Marc Minkowski.

DG 476 725-0 2:36 Venus asks the Pleasures to re-enact the story of Dardanus: Iphise loves Dardanus, her father’s enemy, but is unaware that her feelings are reciprocated. She has to marry Antenor. Ismenor allows Dardanus to assume his appearance in order to help Dardanus pursue his love for Iphise, who then unknowingly confesses her love to the disguised Dardanus. Antenor captures Dardanus, but Neptune sends a sea monster to avenge his imprisonment. Venus comes to the prison to rescue Dardanus and the Dreams tell him to slay the sea monster, which he does, saving Antenor’s life. Not recognising Dardanus in the dark, Antenor gives him a sword. Then Dardanus makes him promise not to force Iphise to marry him.

Teucer welcomes Antenor back to his palace, believing that he has killed the sea monster.

Antenor is embarrassed. Dardanus appears and Antenor recognises him and renounces his claim to Iphise. Venus appears with her retinue and all are reconciled.

Danse des sauvages; Chaconne, from Les Indes galantes (1735-36). Les Musiciens du Louvre/Marc Minkowski.

Archiv 479 1045 2 23:00 AUSTRALIANS IN CHAMBER Prepared by James Nightingale Hindson, M. Night pieces (1998). Stephen Robinson, ob; Elyane Laussade, pf.

Tall Poppies TP202 8

Clarke, R. Viola sonata (1919). Matthew Jones, va; Michael Hampton, pf.

Naxos 8.572579 21 Bozza, E. Idyll (1959). Deborah de Graaff, cl; Len Vorster, pf.

Walsingham WAL 8017-2 2 Westlake, N. Piano trio (2003). Niki Vasilakis, vn; Emma-Jane Murphy, vc; Kathryn Selby, pf.

Fine Music concert recording 21

Dohnányi, E. Variations on a nursery theme, op 25 (1915). Howard Shelley, pf; BBC PO/ Matthias Bamert.

Chandos CHAN 9733 25 Stravinsky, I. Ballet: Le baiser de la fée (1928/50). Hong Kong PO/David Atherton.

Virgin 5 61281 2 44 12:00 JAZZ, PURE AND SIMPLE With Maureen Meers 13:00 THE PROLIFIC TELEMANN Prepared by Rex Burgess Thursday 10 September Telemann, G. Overture in C: Water music, Hamburg ebb and flow (1723). King's Consort/ THURSDAY 10 Robert King.

00:00 GROOVESVILLE/25 O'CLOCK Hyperion CDA66967 23 With Ray Levis Telemann, G. Quilt, ihr überhäften Zähren.

02:00 OASIS OF INSOMNIA Dorothee Mields, sop; L’Orfeo Baroque O/ With Adam Cockburn Michi Gaigg.

03:00 CLASSICAL TILL DAWN Sony 88697901822 6 06:00 FINE MUSIC BREAKFAST Telemann, G. Sonata in G, TWV42:G8. Pierre including Arts Calendar at 7.30am Luigi Fabretti ob; Cristiano Contabin, treble With Simon Moore viol; Roberto Loreggian, hpd.

09:00 DIVERSIONS IN FINE MUSIC Brilliant Classics 95150/27 7 The instruments: Brass Telemann, G. Psalm 6: Oh Lord, chasten Prepared by Paul Cooke me not. Annette Markert, cont; Il Parnaso Goossens, E. Fantasy for nine wind Musicale. instruments, op 36 (1924). Janet Webb, fl; Christophorus CHR 77119 18 Guy Henderson, ob; Lawrence Dobell, cl; 16:00 FINE MUSIC DRIVE Christopher Tingay, cl; John Cran, bn; Fiona including Arts Calendar at 5.00pm McNamara, bn; Daniel Mendelow, tpt; Robert With Marilyn Schock Johnson, hn; Clarence Mellor, hn.

19:00 THE NEW JAZZ STANDARD ABC 476 7632 10 With Frank Presley Weber, C.M. Concertino in C for oboe and 20:00 THE WORLD OF A wind ensemble. Geoffrey Payne, tpt; members SYMPHONY of Melbourne SO/Michael Halász.

Prepared by Mark Renton ABC 982 6976 8 Brahms, J. Hungarian dances: no 1 in G Mozart, L. Sinfonia pastorale in G (c1750). minor; no 2 in B minor; no 5 in G minor (bef.

Edward Allen, hn; New Zealand CO/Donald 1872). Anne-Sophie Mutter, vn; Lambert Armstrong.

Orkis, pf.

Naxos 8.553347 12 DG 479 2949 9 Bingham, J. The snows descend (1997). Fine Dvorák, A. Slavonic dances, op 72 nos 2, 7 Arts Brass/Stephen Jackson. and 8 (1886). Julie Adam, Daniel Herscovitch, Naxos 8.570346 7 pf.

Neruda, J. Trumpet concerto in E flat.

Fine Music tape archive 11 John Wallace, tpt; Leslie Pearson, hpd; Schubert, F. The organ-grinder, from Philharmonia O/Christopher Warren-Green.

Winterreise, D911 no 24 (1827). Wolfgang Nimbus NI 7016 14 Holzmair, bar; Imogen Cooper, pf.

Beethoven, L. Horn sonata in F, op 17 Philips 476 2002 3 (1800). Darryl Poulsen, hn; Neal Peres da Schubert, F. Impromptu in G flat, op 90 no 3 Costa, fp.

(1828). Radu Lupu, pf.

Tubicium Records TR761901 15 Decca 478 5644 6 Arnold, M. Quintet for brass, op 73 (1961).

Trad. Swing low, sweet chariot (arr. Burleigh).

Philip Jones Brass Ensemble/Elgar Howarth. Nellie Melba, sop; Harold Craxton, pf.

Decca 468 803-2 12 Decca 482 8093 3 10:30 CONCERT HALL Suk, J. Serenade in E flat, op 6 (1892).

Prepared by Di Cox Prague Philharmonia/Jakub Hrusa.

Weber, C.M. Invitation to the dance (1819; Supraphon SU 3882-2 29 orch Berlioz). National PO/Richard Bonynge.

Williams, J. Main theme, from Star Wars.

Decca 452 768-2 11 Grimethorpe Colliery U.K. Coal Band.

RCA 74321 88393 2 3

17

Dvorák, A. Symphony no 9 in E minor, op 95 (1893). Berlin PO/Rafael Kubelik.

DG 479 4110 43 22:00 LATE NIGHT INTERLUDE With Nicky Gluch Stanford, C. Villiers String quintet no 1 in F, op 85 (1903). Garth Knox, va; RTE Vanbrugh Quartet.

Hyperion CDA67505 27 22:30 ULTIMA THULE With George Cruickshank

12:00 A JAZZ HOUR With Barry O'Sullivan 13:00 COMMEMORATING JOHN CRAN With David Brett Poulenc, F. Trio for oboe, bassoon and piano (1926). Guy Henderson, ob; Susanne Powell, pf.

Fine Music concert recording 13 Mozart, W. Bassoon concerto in B flat, K191 (1774). Sydney SO/Robert Pikler.

LP RCA VRL1 0078 18 Strahan, D. Suite no 3: The coming of man Friday 11 September (1973). Bill Frater, fl; Derek Fairbrass, perc; John Sangster, perc.

FRIDAY 11 Revolve RDS008 10 00:00 BASS CULTURE Mozart, W. Concert aria: Bella mia fiamma, With Tom Zelinka resta, o cara, K528 (1789). Jane Edwards, 01:00 THE LOST HIGHWAY sop; Janet Webb, fl; Guy Henderson, ob; With Austin Harrison Simon Blount, ob; Gordon Skinner, bn; 02:00 SOUNDTRACKS AT Sydney Mozart Society O/Donald Hazelwood.

MIDNIGHT Fine Music concert recording 10 With Chris Winner John Cran, bn (all above) 03:00 CLASSICAL TILL DAWN 14:00 BETWEEN TWO WORLDS 06:00 FINE MUSIC BREAKFAST Tchaikovsky’s orchestral works including Arts Calendar at 7.30am Prepared by Ron Walledge With Annabelle Drumm Tchaikovsky, P. Children's album, op 39 09:00 DIVERSIONS IN FINE MUSIC (1878; arr. Milman, Spivakov). Moscow Al fresco Virtuosi/Vladimir Spivakov.

Prepared by Rex Burgess RCA 09026 61964 2 27 Mendelssohn, F. Overture and War march of Tchaikovsky, P. Souvenir de Florence, op the priests, from Athalie, op 74 (1845). Vienna 70 (1890/91-92). Academy of St Martin in the PO/Christoph von Dohnányi.

Fields/Neville Marriner.

Decca 460 239-2 14 Decca 478 2826 27 Telemann, G. Overture in C: Water music, Tchaikovsky, P. Suite no 3 in G, op 55 Hamburg ebb and flow (1723). Bremen (1884). Vienna PO/Lorin Maazel.

Baroque O/Wolfgang Helbich.

Decca 476 2723 41 cpo 999 373-2 21 Tchaikovsky, P. Overture: 1812, op 49 Alwyn, W. Seascapes (1980). Elin Manahan (1880). Israel PO/Zubin Mehta.

Thomas, sop; John Turner, rec; Iain Burnside, Teldec 4509-90201-2 15 pf.

16:00 FINE MUSIC DRIVE Naxos 8.570201 11 including Arts Calendar at 5.00pm Wagner, R. Siegfried idyll (1870). San With Camille Mercep Francisco SO/Herbert Blomstedt.

19:00 FRIDAY JAZZ SESSION Decca 436 129-2 20 With Christopher Waterhouse Sculthorpe, P. Songs of sea and sky (198720:00 EVENINGS WITH THE 88; arr. 1988). Geoffrey Collins, fl; David ORCHESTRA Miller, pf.

Prepared by Rex Burgess MBS 13 15 Koechlin, C. The law of the jungle, op 175 10:30 CONCERT HALL (1936).

9 Prepared by James Nightingale Koechlin, C. Les bandar-log, op 176 (1939).

Sculthorpe, P. Mangrove (1979). Queensland 17 SO/Michael Christie.

Koechlin, C. The meditation of Purun Bhagat, ABC 476 1921 15 op 159 (1936).

14 Scharwenka, X. Piano concerto no 2 in C Koechlin, C. The spring running, op 95 (1925minor, op 56 (1881). Alexander Markovich, pf; 27).

32 Estonian National SO/Neeme Järvi.

Berlin RSO/David Zinman (4 above) Chandos CHAN 10814(2) 38 BMG Records 09026 61955 2 Beethoven, L. Symphony no 2 in D, op 36 Le buisson ardent, part 1, op 203 (1945). 13 (1801-02). Tasmanian SO/David Porcelijn.

Le buisson ardent, part 2, op 171 (1938). 26 ABC 461 917-2 29

18

Christine Simonin, ondes martenot; RSO Stuttgart of the SWR/Heinz Holliger (2 above) SWR Music 19046 22:00 BAROQUE AND BEFORE Prepared by Andrew Dziedzic Frescobaldi, G. Capriccio sopra La spagnoletta (pub. 1624-26). Gustav Leonhardt, org.

EMI CDC 7 69551-2 7 Campra, A. Opéra-ballet: L’Europe galante (1697). Rachel Yakar, sop; Marjanne Kweksilber, sop; René Jacobs, ct; La Petite Bande/Gustav Leonhardt.

Harmonia Mundi GD 77059 50 Bach, J.S. Flute sonata in E minor, BWV1034 (1724). Frans Brüggen, transverse fl; Anner Bijlsma, baroque vc; Gustav Leonhardt, hpd.

LP RCA RL 30426 14 Bach, J.S. Suite no 2 in C minor, BWV813, French (c1722-23). Gustav Leonhardt, hpd.

RCA GD 71963 12 Pepusch, J. Recorder sonata no 4 in F. Frans Brüggen, rec; Anner Bijlsma, baroque vc; Gustav Leonhardt, hpd.

LP Telefunken SMA 25073 7 Bach, J.S. Cantata, BWV170: Vergnügte Ruh’, beliebte Seelenlust (1726). Paul Esswood, ct; Hanover Boys Choir; Collegium Vocale; Leonhardt Consort/Gustav Leonhardt.

Teldec 2564 69943-7 23

Saturday 12 September SATURDAY 12 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SATURDAY MORNING MUSIC With Stephen Wilson 09:00 WHAT'S ON IN MUSIC With Peter Poole 09:05 THE PIANO ALONE Prepared by Anne Irish Liszt, F. Concert study no 3 in D flat, Un sospiro, from Three concert studies (c1848); Liebestraum no 3 in A flat, op 62 (1850).

Isador Goodman, pf.

ABC 432 210-2 9 Ibert, J. Little suite in fifteen pictures (1943).

Hae-won Chang, pf.

Naxos 8.554720 16 Beethoven, L. Piano sonata no 8 in C minor, op 13, Pathétique (1798). Radu Lupu, pf.

Decca 478 2826 22

10:00 MUSICAL JOURNEYS Prepared by Paul Cooke Glanville-Hicks, P. Letters from Morocco (1952). Gerald English, ten; Tasmanian SO/ Antony Walker.

ABC 476 3222 14 Vierne, L. Evenings abroad, op 56 (1928).

Yvan Chiffoleau, vc; Olivier Gardon, pf.

Timpani 2C2019 26 Hubay, J. Variations on a Hungarian theme, op 72. Hagai Shaham, vn; BBC Scottish SO/ Martyn Brabbins.

Hyperion CDA67367 16 Goossens, E. East of Suez, op 33 (1922).

Antony Gray, pf.

ABC 476 7636 26 11:30 ON PARADE Prepared by Robert Small Reed, A. El camino real (1985). Howard Ward, cond.

9 Holst, G. Suite no 2 in F for concert band (1911). David Worrall, cond.

12 Grainger, P. Irish tune from County Derry (1911). Howard Ward, cond.

5 Sydney Defence Wind O (all above) Fine Music concert recording 12:00 URBAN JAZZ LOUNGE With Leita Hutchings 13:00 IN A SENTIMENTAL MOOD With Maureen Meers 14:00 SHORTER SYMPHONIES Prepared by Chris Blower Beethoven, L. Symphony no 8 in F, op 93 (1812). CO of Europe/Nikolaus Harnoncourt.

Teldec 2292-46452-2 27 14:30 SATURDAY MATINEE Operetta in the afternoon Prepared by Elaine Siversen Sullivan, A. The Mikado. Operetta in two acts.

Libretto by W.S. Gilbert.

First performed London, 1885. MIKADO: Richard Alexander, bass YUM YUM: Taren Fiebig, sop NANKI-POO: Kanen Breen, ten KO-KO: Mitchell Butel, bar POO-BAH: Warwick Fyfe, bar KATISHA: Jacqueline Dark, cont Opera Australia Ch; O Victoria/Brian CastlesOnion.

Opera Australia OPOZ56016 1:28 Nanki-Poo, son of the Mikado, disguised as a wandering trombonist, arrives in Titipu looking for his beloved, Yum-Yum, a ward of Ko-Ko. Ko-Ko was condemned to death for flirting but is now Lord High Executioner. Pooh-Bah informs Nanki-Poo that Yum-Yum is to marry Ko-Ko that very day. The Mikado has just decreed that unless an execution is carried out in Titipu within a month, the town will be reduced to the rank of a village. Nanki-Poo, in despair over losing Yum-Yum, is preparing to commit suicide. Ko-Ko makes a bargain:

Nanki-Poo may marry Yum-Yum if, at the end of a month, he allows himself to be executed.

Ko-Ko would then marry the young widow.

Katisha arrives from the court, to claim NankiPoo as her husband. He rejects her and she swears vengeance.

It now turns out that the law states that when a married man is beheaded, his wife must be buried alive. Yum-Yum is now unwilling to marry so Nanki-Poo challenges Ko-Ko to behead him on the spot. Ko-Ko instead sends Nanki-Poo and Yum-Yum away to be wed and when the Mikado arrives in Titipu, he is presented with a false affidavit of the execution. The Mikado however is searching for his son who ‘goes by the name of NankiPoo’. When Katisha reads Nanki-Poo’s name on the death certificate of the executed man, the conspirators are sentenced to death.

Nanki-Poo will only reveal that he is still alive if Katisha is persuaded to marry Ko-Ko. Ko-Ko woos and wins Katisha and she begs for the Mikado's mercy for him and his accomplices.

Ko-Ko explains that when a royal command for an execution is given, the victim is, legally speaking, as good as dead and the Mikado agrees. Nanki-Poo and Yum-Yum then reappear. Everyone in Titipu celebrates.

Ballet: Pineapple Poll (arr. Mackerras 1951).

Philharmonia O/Charles Mackerras.

Decca 438 810-2 45 17:00 SOCIETY SPOT Organ Music Society of Sydney Prepared by John Hanna 18:00 MUSIC OF THE SCREEN Prepared by Maureen Meers 19:00 EMERGENT JAZZ With Keith Pettigrew 20:00 THE LIFE OF A COMPOSER Jean-Baptiste Lully Prepared by Rodrigo Azaola Lully, J-B. O lachrymae (c1664). Le Concert Spirituel/Hervé Niquet.

FNAC 592303 19 Lully, J-B. Pastorale comique, scène 2 (1667). Gilles Ragon, high ten; Michel Verchaeve, bar; Bernard Delétré, bass; Les Musiciens du Louvre/Marc Minkowski.

Erato 245 286-2 6 Lully, J-B. Ouverture; Pastorale; Menuet pour les faunes et dryades; Entree d’Apollon, from Les amants magnifiques (1670). Isabelle Poulenard, sop; Agnès Mellon, sop; Gilles Ragon, high ten; Michel Laplénie, ten; Michel Verschaeve, bar; Les Musiciens du Louvre/ Marc Minkowski.

Erato 245 286-2 20 Lully, J-B. Sarabande, from Ballet des plaisirs (1655). Musica Antiqua Cologne/Reinhard Goebel.

DG 463 446-2 2

19

Lully, J-B. Thésée, tragédie en musique (1675). Françoise Masset, sop; Symphonie du Marais/Hugo Reyne.

Astrée E 8650 12 Lully, J-B. Le perfide Renaud me fuit, from Armide (1686). Le Jardin Secret.

Coro COR 16060 5 Lully, J-B. Overture to Roland (1685). Les Talens Lyriques/Christophe Rousset.

Ambroisie AM 167 4 Lully, J-B. Plus j’observe ces lieux, from Armide. Howard Crook, ten; La Chappelle Royale O/Philippe Herreweghe.

Harmonia Mundi HMX 2908150.52 5 Lully, J-B. Excerpts from Amadis (1684).

Véronique Gens, sop; Benoit Porcherot, ct; David Witczak, bar; Les Chantres du Centre de Musique Baroque de Versailles; Musica Florea/Olivier Schneebeli.

MBF 1108 39 22:00 SATURDAY NIGHT AT HOME Prepared by Frank Morrison Haydn, J. Symphony in D, Hob.I:75 (c1781).

Esterházy O/David Blum.

Vanguard 08 9061 71 21 Saint-Saëns, C. Piano quartet in B flat, op 41 (1875). Quatuor Élyséen.

Arion ARN 68242 31 Dvorák, A. String quartet no 11 in C, op 61 (1881). Chilingirian Quartet.

Chandos CHAN 8837 35 Dussek, J. Piano concerto in C, op 29 (1795).

Ulster O/Howard Shelley, pf & dir.

Hyperion CDA68027 23

Sunday 13 September SUNDAY 13 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC With Terry McMullen 09:00 MUSICA SACRA Prepared by Rex Burgess Biber, H. Mystery sonatas nos 6 to 8 (c1676).

Musica Antiqua Cologne/Reinhard Goebel.

Archiv 479 1957 22 Bach, J.S. Magnificat in D, BWV243 (c172831). Elly Ameling, sop; Hanneke van Bork, sop; Helen Watts, cont; Werner Krenn, ten; Tom Krause, bar; Vienna Academy Choir; Stuttgart CO/Karl Münchinger.

Decca 478 2826 31 10:00 THE CLASSICAL ERA Prepared by Paul Cooke Paisiello, G. Overture to Nina (1789). Haydn Philharmonia/Ezio Rojatti.

Nuova Era 6726 6

Haydn, M. Divertimento in E flat for viola, cello and double bass (pub. c1970). Members of Salzburg Hofmusik. cpo 999 230-2 15 Beethoven, L. Grosse fuge in B flat, op 134 (1827). Cullan Bryant, Dmitry Rachmanov, pf.

Naxos 8.572519-20 17 Dragonetti, D. Double bass concerto in A. Gary Karr, db; Berlin RSO/Uros Lajovic.

LP Schwann VMS 2063 16 Hummel, J. Trio in A, op 78 (pub. c1818).

András Adorján, fl; Boris Pergamenschikow, vc; Pavel Gililov, pf.

Orfeo C 252 931 A 17 Rossini, G. Calm your fair looks, a beautiful enchanting gleam, from Semiramide (1823).

Cecilia Bartoli, mezz; La Fenice Theatre Ch & O/Ion Marin.

Decca 436 075-2 10 Méhul, É-N. Symphony no 2 in D (1808-09).

Rhenish PO/Jorge Rotter.

Marco Polo 8.223139 27 12:00 CLASSIC JAZZ AND RAGTIME With John Buchanan 13:00 WORLD MUSIC: Whirled Wide With Orli Zahava 14:00 PERSPECTIVES Bassoon Prepared by James Nightingale Arnold, M. Fantasy, op 86 (1966). Knut Sønstevold, bn.

BIS CD-122 4 Devienne, F. Bassoon sonata in F, op 24 no 3 (c1785). Klaus Thunemann, bn; Klaus Stoll, violone; Jörg Ewald Dähler, fp.

Claves 50-9207 9 Françaix, J. Wind quintet no 1 (1948).

Sydney Omega Ensemble.

Fine Music concert recording 21 Mozart, W. Bassoon concerto in B flat, K191 (1774). Karen Geoghegan, bn; BBC PO/ Gianandrea Noseda.

Chandos CHAN 10613 19 15:00 SUNDAY SPECIAL Variations on a theme of Kreutzer Prepared by Sheila Catzel Kreutzer, R. Grand quintet in C (1790-99).

Sarah Francis, ob; Allegri String Quartet.

Hyperion CDA66143 15 Kreutzer, C. Trio. Hans Rudolf Stalder, cl; Walter Stiftner, bn; Rolf Junghanns, fp.

Jecklin 587-2 22 Kreutzer, J. Grand trio, op 16. Alexa Still, fl; Robert Alemany, cl; JoAnn Falletta, gui.

Koch 3-7404-2H1 19 Beethoven, L. Violin sonata in A, op 47, Kreutzer (1803). Robert Mann, vn; Stephen Hough, pf.

Nimbus NI 2553/56 36

Janácek, L. Quartet no 1, Kreutzer sonata (1923). Lindsay String Quartet.

ASV DCA 749 17 17:00 HOSANNA Prepared by Meg Matthews Hymns: Fairest Lord Jesus; Lead us heavenly Father, lead us; Let us with a gladsome mind. Choir of St Andrew’s Cathedral; Mark Quarmby, org; Michael Deasey, cond.

STA 0201 8 Haydn, J. Kyrie; Sanctus; Agnus Dei; Dona nobis pacem, from Mass no 10 in C, Hob. XXII:9, In tempore belli or Paukenmesse (1796). Nancy Argenta, sop; Catherine Denley, cont; Mark Padmore, ten; Stephen Varcoe, bass; Collegium Musicum/Richard Hickox.

Chandos CHAN 0734(8) 9 Humperdinck, E. When at night I go to sleep, from Hansel and Gretel (1893). Anna Moffo, sop; Helen Donath, sop; Munich RO/Kurt Eichhorn.

BMG Classics GD 69294 3 Bruckner, A. Gloria, from Mass no 2 in E minor. Bavarian Radio Ch; members of Bavarian RO/Eugen Jochum.

DG 447 409-2 6 Pärt, A. The beatitudes. Theatre of Voices; Christopher Bowers-Broadbent, org; Paul Hillier, cond.

Harmonia Mundi HMU 907 182 8 Hymn: Guide me, O thou great Jehovah.

Choir of St Andrew’s Cathedral, Sydney; Mark Quarmby, org; Michael Deasey, cond.

STA 0201 3 Haydn, J. Three pieces for flute clock (1793) 5 Bach, J.S. Ricercar à 6, from A musical offering, BWV1079.

7 Harold Fabrikant, org (2 above) AM 97710 18:00 SMALL FORCES Prepared by Krystal Li Saint-Saëns, C. Tryptique, op 136 (1912).

Philip Graffin, vn; Pascal Devoyon, pf.

Hyperion CDA67100 12 Mendelssohn, F. Four pieces for string quartet, op 81 (1827-49). Ysaÿe Quartet.

Decca 473 255-2 21 Kapustin, N. Trio, op 86. Emanuel Ensemble.

Champs Hill Records CHRCD023 19 19:00 SUNDAY NIGHT CONCERT Prepared by Krystal Li Schmitt, F. La tragédie de Salomé, op 50 (1907). Detroit SO/Paul Paray.

Mercury 478 5092 27 Mozart, W. Double concerto no 10 in E flat, K365 (1779). Murray Perahia, pf; Chicago SO/ Georg Solti, pf & dir.

Decca 478 4884 25

20

Chausson, E. Symphony in B flat, op 20 (1889). Philharmonia O/Francesco d'Avalos.

ASV DCA 708 31 20:30 NEW HORIZONS Prepared by Krystal Li Fujii, K. Astronam quartet (2012-13). Motoko Mito, vn; Rieko Kohno, va; Yosuke Ozawa, vc; Takaaki Shibata, mand.

Woodnote Studio WNCD-1011 16 Harvey, M.K. Carpe diem (2015). Arabella Teniswood-Harvey, pf.

Move MD 3410 6 Abbott, K. Song cycle: No ordinary traveller (2006). Halcyon.

Move MCD 441 23 Golijov, O. Omaramor (1991). Alisa Weilerstein, vc.

Decca 478 5296 8 Aldridge, R. Clarinet concerto (2004). David Singer, cl; A Far Cry O. Naxos 8.559667 27 22:00 JAZZ AFTER HOURS With David Knapp

Monday 14 September MONDAY 14 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Robert Small 09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1934 Prepared by Frank Morrison Bax, A. Octet for horn, piano and string sextet (1934). Margaret Fingerhut, pf; Academy of St Martin in the Fields Chamber Ensemble.

Chandos CHAN 9602 16 Françaix, J. Flute quintet (1934). Mobius.

ASV DCA 1090 10 Rachmaninov, S. Rhapsody on a theme of Paganini, op 43 (1934). Mikhail Pletnev, pf; Philharmonia O/Libor Pesek.

Virgin VC 7 90724-2 24 Lehár, F. Meine Lippen, sie küssen so heiss, from Giuditta (1934). Anna Netrebko, sop; Prague Philharmonia/Emmanuel Villaume.

DG 477 7639 6 Korngold, E. String quartet no 2 in E flat, op 26 (1934). Philippa Ibbotson, vn; Mark Denman, vn; Robert Gibbs, va; David Newby, vc.

ASV DCA 1035 24 10:30 CONCERT HALL Prepared by Derek Parker Goldmark, K. Overture to Sappho, op 44 (1893). Bamberg SO/Fabrice Bollon. cpo 555 160-2 19

Franck, C. Symphonic variations (1885).

Clifford Curzon, pf; London PO/Adrian Boult.

Decca 473 116-2 15 Bax, A. Symphonic variations (1916-18).

Bournemouth SO/James Judd.

Naxos 8.570774 46 12:00 SWING SESSIONS With John Buchanan 13:00 MUSIC OF THE DANCE Prepared by Paul Cooke Koch, G. Dances from Spain: Lavender and gossip; Bargaining with the goat herd; The ferry’s wake. Gareth Koch, gui.

Artworks AW006 10 Strauss, R. Dance of the seven veils, from Salome, op 54 (1905). Vienna PO/Gustavo Dudamel.

DG 476 471-7 10 Chabrier, E. Souvenir de Brunehaut, valse (1862). Georges Rabol, pf.

Naxos 8.553010 13 Kodály, Z. Dances of Marosszék (1930).

Philharmonia Hungarica/Antal Dorati.

Decca 443 006-2 12 Molique, B. Introduction, andante and polonaise, op 43. Mario Ancillotti, fl; Piernarciso Masi, pf.

Dynamic CDS 104 14 Bax, A. Ballet: From dusk till dawn (1917).

London PO/Bryden Thomson.

Chandos CHAN 8863 20 14:30 Inspired by literature Prepared by Chris Blower Glinka, M. Serenade on themes from Donizetti’s opera, Anna Bolena (1832).

Alexander Petrov, bn; Igor Makarov, hn; Andrei Kevorkov, va; Erik Pozdeev, vc; Rustem Gabdulin, db; Natalia Tsekhovskaya, hp; Leonid Ogrinchuk, pf.

Olympia MKM 76 20 Finzi, G. Farewell to arms (1926-45). James Gilchrist, ten; Bournemouth SO/David Hill.

Naxos 8.570417 9 Tchaikovsky, P. Suite from The Queen of Spades (1890; arr. Lindberg). Christian Lindberg, tb; Roland Pöntinen, pf.

BIS CD-478 17 Parry, H. Blest pair of sirens. Roderick Elms, org; London Symphony Ch & O/Richard Hickox.

Chandos CHAN 8641/2 12 Reinecke, C. Flute sonata, op 167, Undine (c1885). Mario Ancillotti, fl; Piernarciso Masi, pf.

Dynamic CDS 104 22 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm With Michael Field

13:00 MUSIC OF THE SYDNEY OLYMPICS Prepared by Nicky Gluch Mahler, G. Allesvergängliche, from Symphony no 8 in E flat, Symphony of a thousand (1906).

Twyla Robinson, sop; Marina Shaguch, sop; Sara Macliver, sop; Dagmar Peckova, mezz; Bernadette Cullen, mezz; Simon O’Neill, ten; Markus Eiche, bar; Martin Snell, bass; Sydney Tuesday 15 September Philharmonia Choirs; Adelaide Symphony Ch; West Australian SO Ch; Sydney Children’s TUESDAY 15 Choir; Gondwana Voices; Sydney SO/Vladimir 00:00 SOUNDTRACKS AT Ashkenazy.

MIDNIGHT SSO recording 6 With Chris Winner Mills, R. Countdown fanfare. Sydney SO/ 01:00 OASIS OF INSOMNIA Richard Mills.

With Adam Cockburn Sony 5005345000 1 02:00 ECLECTIC CHAIR Dean, B. Amphitheatre (c2000). Melbourne With Liam Collins SO/Markus Stenz.

03:00 CLASSICAL TILL DAWN ABC 476 1606 11 06:00 FINE MUSIC BREAKFAST Vine, C. Scene I: The first Olympic Games. including Arts Calendar at 7.30am Sydney Gay and Lesbian Choir/Jonathan With Julie Simonds Welch.

09:00 DIVERSIONS IN FINE MUSIC Tall Poppies TP149 7 Colours of the keyboard Kats-Chernin, E. Heaven is closed (2000).

Prepared by Rita Felton Adelaide SO/David Stanhope.

Chopin, F. Fantasy-impromptu in C sharp ABC 481 6488 14 minor, op 66 (1835). Cristina Ortiz, pf.

Berlioz, H. Tibi omnes, from Te Deum.

IMP PCD 872 5 Sydney Children's Choir; Sing 2002 Choir; Bach, J.S. Six little preludes, BWV933-938 Sydney University Musical Society; Sydney (1720-21). Glenn Gould, pf.

Philharmonia Choirs; Sydney SO/Edo da LP CBS 35891 13 Waart.

Blom, D. River circles (1997-2017). Diana Sony 5005345000 8 Blom, hpd.

Stanhope, D. Olympic fireworks (2000).

Wirripang WIRR 089 11 Sydney Brass.

Liszt, F. Étude no 3 in G sharp minor, La Tall Poppies TP199 4 campanella (1851). Leslie Howard, pf.

14:00 TRIBUTE TO NELLO SANTI Hyperion CDS44505 5 Prepared by Frank Morrison Schumann, C. Piano sonata in G minor, op Verdi, G. La donna è mobile, from 22 (1833-38). Yoshiko Iwai, pf.

Rigoletto (1851). Carlo Bergonzi, ten; New Naxos 8.553501 20 Philharmonia O. Lawes, W. Fantasia-suite in D. Saskia LP Philips 6747 193 2 Coolen, rec; Rainer Zipperling, bass viol; Puccini, G. Non piangere, Liù, from Patrick Ayrton, hpd.

Turandot (1920-24). Paul Plishka, bass; New Globe GLO 5227 11 Philharmonia O. 2 Mozart, W. Piano sonata no 3 in B flat, K281 Verdi, G. Di’ tu se fedele, from Un ballo in (1774). Walter Gieseking, pf. maschera (1871). Wendy Eathorne, sop; LP EMI 1C 197-03 133/37 13 Brian Etheridge, bass; Franklyn Whiteley, 10:30 CONCERT HALL bass; John Alldis Choir; London SO. 3 Prepared by Robert Gilchrist Gounod, C. Quel trouble inconnu ... Salut!

Strauss, J. II Overture to Waldmeister (1895). demeure chaste et pure, from Faust (1859).

Sydney SO/Patrick Thomas.

New Philharmonia O. 6 LP Philips 411 143 9 Plácido Domingo, ten (3 above) Mozart, W. Flute concerto no 1 in G, K313 Sony 88875123122 (1778). Swedish CO/Patrick Gallois, fl & dir.

Verdi, G. Mercè, dilette amiche, from The Naxos 8.557011 24 Sicilian Vespers (1855). Joan Sutherland, sop; Elgar, E. Symphony no 1 in A flat, op 55 Conservatoire Society O. (1908). London PO/Adrian Boult.

Decca 421 305-2 4 Lyrita SRCD.221 49 Donizetti, G. Una furtiva lagrima, from L’elisir 12:00 JAZZ RHYTHM d’amore (1832). Plácido Domingo, ten; With Jeannie McInnes London SO. Sony 88875123122 5 19:00 JAZZ PULSE With Chris Wetherall 20:00 STORMY MONDAY With Austin Harrison 22:00 JAZZ AFTER HOURS With Gail Monjo

21

Nello Santi, cond (all above) 14:30 THE ART OF YO-YO MA Prepared by Di Cox Beethoven, L. Cello sonata no 1 in F, op 5 no 1 (1796). Emanuel Ax, pf.

CBS M2K 42446 26 Haydn, J. Cello concerto no 2 in D, Hob. VIIb:2 (1783). English CO. CBS M2K 44562 25 Dvorák, A. Piano trio no 4 in E minor, op 90, Dumky (1890-91). Young Uck Kim, vn; Emanuel Ax, pf.

CBS MK 44527 31 Yo-Yo Ma, vc (all above) 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm With Andrew Dziedzic 19:00 THE JAZZ BEAT With Lloyd Capps 20:00 RECENT RELEASES With Charles Barton 22:00 CHAMBER SOIRÉE Prepared by Rex Burgess Moscheles, I. Septet in D, op 88 (1832).

Walter Hermann, cl; Christoph Moinian, hn; Mayumi Shimizu, vn; Jaap Zeijl, va; Christoph Groth, vc; Volker Donandt, db; Caroline Weichert, pf.

Koch Schwann 3-1178-2 29 Schubert, F. Fantasy in C, D934 (1827).

David Oistrakh, vn; Vladimir Yampolski, pf.

Brilliant Classics 8402 20 Barber, S. Summer music, op 31 (1956).

Geoffrey Collins, fl; David Nuttall, ob; Nigel Westlake, cl; Gordon Skinner, bn; Robert Johnson, hn.

Fine Music concert recording 11 Beethoven, L. Cello sonata no 5 in D, op 102 no 2 (1815). Heinrich Schiff, vc; Till Fellner, pf.

Philips 462 601-2 20 Myaskovsky, N. String quartet no 4 in F minor, op 33 no 4 (1909-37). Taneyev Quartet.

Northern Flowers NFPMA 98005 30

Wednesday 16 September WEDNESDAY 16 00:00 DREAD JUNCTION With Vince Carnovale 01:00 DREAD JUNCTION With Vince Carnovale 02:00 THE LOST HIGHWAY With Austin Harrison 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Janine Burrus 09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by Jennifer Foong

Myslivecek, J. Overture no 2 in A for 2 horns, 2 oboes and strings (1772).

Archiv 479 1045 10 Gossec, F-J. Symphonie concertante du ballet de Mirza in D (1784). Martin Sandhoff, fl; Andrea Keller, vn.

Capriccio C8019 11 Concerto Köln/Werner Ehrhardt (2 above) Galuppi, B. Piano sonata in D minor. Matteo Napoli, pf.

Naxos 8.572672 10 Dieupart, C. Suite in A for recorder and basso continuo (pub. 1701). Frans Brüggen, rec; Anner Bijlsma, baroque vc; Gustav Leonhardt, hpd.

LP Telefunken SMA 25073 18 Wassenaer, U. Concerto no 4 in G, from Concerti armonici (pub. 1740). Brandenburg Consort/Roy Goodman.

Hyperion CDA66670 10 Onslow, G. Piano trio, op 14 no 3. Trio Cascades. cpo 777 232-2 20 10:30 CONCERT HALL Prepared by Michael Field Handel, G. Overture to Esther, HWV50b (1718/32). English CO/Richard Bonynge.

Decca 466 434-2 8 Brahms, J. Piano concerto no 2 in B flat, op 83 (1878-81). Garrick Ohlsson, pf; Melbourne SO/Tadaaki Otaka.

ABC 481 0409 51 Bernstein, L. Symphony no 1, Jeremiah (1942). Christa Ludwig, mezz; Israel PO/ Leonard Bernstein.

DG 415 964-2 25 12:00 JAZZ SKETCHES With Robert Vale 13:00 IN CONVERSATION With Christopher Waterhouse 14:00 FROM ROMANTIC RUSSIA Prepared by Frank Morrison Rubinstein, A. Cello sonata no 1 in D, op 18 (1852). Steven Isserlis, vc; Stephen Hough, pf.

RCA 09026 68290 2 23 Tchaikovsky, P. Piano trio in A minor, op 50, In memory of a great artist (1881-82). Borodin Trio.

Chandos CHAN 8975 50 Arensky, A. Symphony no 1 in B minor, op 4 (1883). USSR SO/Yevgeny Svetlanov.

Melodiya SUCD 10-00149 36 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm With Tom Forrester-Paton 19:00 A TWIST OF JAZZ With Robert Vale 20:00 AT THE OPERA Prepared by Camille Mercep Mascagni, P. Guglielmo Ratcliff. Opera in

22

four acts. Libretto by Andrea Maffei. First performed Milan, 1895. WILLIAM RATCLIFF: Angelo Villari, ten MARY RATCLIFF: Mariangela Sicilia, sop COUNT DOUGLAS: David Stout, bar LORD MacGREGOR: Gianluca Buratto, bass Wexford Festival Opera Ch & O/Francesco Cilluffo.

RTE lyric fm CD152 1:55 Set in 19th century Scotland, Mary, daughter of Scottish Lord MacGregor has rejected William Ratcliff. Ratcliff has sworn to fight any other man that Mary decided to marry and has killed two men in this way. She is now engaged to the Count Douglas and Ratcliff challenges him to a duel.

Douglas arrives to fight the duel and recognises Ratcliff as the mysterious stranger who had rescued him from an attack by bandits, He tries to thank Ratcliff who scorns his attempt and challenges him to fight. During the fight Ratcliff stumbles and falls, but Douglas spares his life. Ratcliff resolves to go to the castle to see Mary again. He arrives as she is preparing for her wedding to Douglas. She tells him to leave and, flying into a rage, he kills her. Her father hears her calls for help and is also killed.

Finally, Ratcliff kills himself.

Mascagni, P. Cherry duet, from L'amico Fritz (1891). Mafalda Favero, sop; Tito Schipa, ten; La Scala O/Giuseppi Antonicelli.

Nimbus NI 7801 9 Puccini, G. Preludio sinfonico, op 1 (1882).

London SO/Antonio Pappano.

EMI 5 57159 2 9 22:30 LATE NIGHT Prepared by James Nightingale Delius, F. String quartet, op 83 (1916).

Brodsky String Quartet.

ASV DCA 526 28 Schmidt, H. Nebula (2006). Heather Schmidt, pf.

Centrediscs CMCCD 19613 10 Greenbaum, S. Falling by degrees (2009).

NZTrio.

ABC 481 0504 17 Edwards, R. String quartet no 2, Shekina fantasy (2008/10). Goldner String Quartet.

ABC 481 7683 26

Thursday 17 September THURSDAY 17 00:00 UNLEASH THE VINYL With Tom Zelinka 01:00 GROOVESVILLE/25 0'CLOCK With Ray Levis

03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Simon Moore 09:00 DIVERSIONS IN FINE MUSIC The instruments: Brass Prepared by Jennifer Foong Handel, G. Suite in D. Trumpet Consort Friedemann Immer.

Harmonia Mundi RD 77027 8 Frescobaldi, G. Toccata no 3 (1637). English Cornett and Sackbut Ensemble/Robert Hollingworth.

Decca 438 165-4 4 Vaughan Williams, R. Tuba concerto in F minor (1954). Patrick Harrild, tuba; London SO/Bryden Thomson.

Chandos CHAN 9262 13 Albinoni, T. Adagio in G minor. Håkan Hardenberger, tpt; Simon Preston, org.

Philips 434 074-2 9 Hindemith, P. Tuba sonata (1955). Michael Lind, bass tuba; Steven Harlos, pf.

BIS CD-159 11 Fux, J. Plaudite, sonat tuba (1736). Kurt Equiluz, ten; Stephen Keavy, tpt; Capella Caldara/Uwe Christian Harrer.

Philips 422 997-2 18 Holst, G. Wind quintet in A flat, op 14 (1903).

Keith Bragg, fl; Christopher O'Neal, ob; Julian Farrell, cl; Richard Skinner, bn; Christopher Blake, hn.

Chandos CHAN 9077 15 10:30 CONCERT HALL Prepared by Peter Poole Berlioz, H. Overture: King Lear, op 4 (1831).

Scottish NO/Alexander Gibson.

Chandos CHAN 8316 14 Barber, S. Cello concerto, op 22 (1945).

Christian Poltéra, vc; Bergen PO/Andrew Litton.

BIS SACD-1827 27 Alwyn, W. Overture to a masque (1940).

London SO/Richard Hickox.

Chandos CHAN 9093 9 Bizet, G. Roma symphony (1860-68).

Melbourne SO/John Lanchbery.

ABC 456 669-2 33 12:00 JAZZ, PURE AND SIMPLE With Maureen Meers 13:00 THE PROLIFIC TELEMANN Prepared by Rex Burgess Telemann, G. Overture in F. Elisabeth Schollaert, ob; Jan Maebe, ob; Koen Coppé, bn; Collegium Instrumentale Brugense/Patrick Peire.

Brilliant Classics 95150/6 24 Telemann, G. Reflections 3 and 4, from The day of reckoning (1762). Ann Monoyios, sop; David Cordier, alto; Rheinische Kantorei; Das Kleine Konzert/Hermann Max. Brilliant Classics 95159/43 30

14:00 LOOKING IN THE REAR VIEW WINDOW Prepared by James Nightingale Villa-Lobos, H. Bachianas brasileiras no 5 (1938-45). Victoria de los Angeles, sop; eight cellists of French National RO/Heitor VillaLobos.

EMI CDH 7610152 11 Brahms, J. Variations in B flat on a theme

by Joseph Haydn, op 56b (1873). Alfons Kontarsky, Aloys Kontarsky, pf.

DG 479 1965 20 Pärt, A. Fratres (1977). Australian CO/Richard Tognetti.

ABC 481 5781 10 Rachmaninov, S. Rhapsody on a theme of Paganini, op 43 (1934). Howard Shelley, pf; Royal Scottish NO/Bryden Thomson.

Chandos CHAN 9192 24 Beethoven, L. Variations in F on Ein Mädchen oder Weibchen, from Mozart’s Die Zauberflöte, op 66 (1796). Steven Isserlis, vc; Robert Levin, fp.

Hyperion CDA67981/2 9 Busoni, F. Fantasia after Bach (1909). Igor Levit, pf.

Sony 88985424452 15 Hindemith, P. Symphonic metamorphoses on themes of Carl Maria von Weber (1943).

Philharmonia O/Neeme Järvi.

Chandos CHAN 8766 20 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm With Sue Jowell 19:00 THE NEW JAZZ STANDARD With Frank Presley 20:00 THE WORLD OF A SYMPHONY Prepared by James Nightingale Rossini, G. Overture to The barber of Seville (1816). Tasmanian SO/Ola Rudner.

ABC 481 0616 7 Schubert, F. Die Nonne, D208 (1815). Sarah Walker, mezz; Graham Johnson, pf.

Hyperion CDJ33008 8 Schubert, F. Rondo in A, D951 (1816).

Martha Argerich, pf; Lang Lang, pf.

DG 479 5096 14 Weber, C.M. Grand duo concertante, op 48 (1816). Michael Collins, cl; Piers Lane, pf.

Chandos CHAN 10615 19 Schubert, F. Abschied, D475 (1816). Dietrich Fischer-Dieskau, bar; Gerald Moore, pf.

DG 477 5765 5 Beethoven, L. String quartet in C minor, op 18 no 4 (1800). Goldner String Quartet.

ABC 476 3541 24 Schubert, F. Symphony no 4 in C minor, D417, Tragic (1816). Royal Concertgebouw O/ Nikolaus Harnoncourt.

Teldec 4509-91184-2 31

23

22:00 LATE NIGHT INTERLUDE Prepared by Rex Burgess Fauré, G. Pavane, op 50 (1887; arr. Lynch).

Prudence Davis, fl; Jeffrey Crellin, ob; Peter Lynch, gui.

Move MD 3090 7 Martinu, B. String trio no 1 (1923). Lendvai String Trio.

Stone records 5060192780079 20 22:30 ULTIMA THULE With Jon Shapiro

Friday 18 September FRIDAY 18 00:00 MUTABLE CARAT With Nick Dan 01:00 THE LONG DIVISION With Joe Goddard 02:00 SIGNAL CRUNCH With Glenn Winfield 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Annabelle Drumm 09:00 DIVERSIONS IN FINE MUSIC Al fresco Prepared by Dan Bickel Takemitsu, T. Toward the sea II. Petri Alanko, fl; Tapiola Sinfonietta/Okko Kamu.

Naxos 8.554185 12 Rachmaninov, S. The sea and seagulls, from Five études tableaux (1917; orch. Respighi 1929). Sydney SO/Vladimir Ashkenazy.

Exton EXCL-00018 7 Glazunov, A. Orchestral fantasy in E, op 28, The sea (1890). Royal Scottish NO/Neeme Järvi.

Chandos CHAN 7049 16 Rimsky-Korsakov, N. The Tsarina in a barrel at sea, from The tale of Tsar Saltan, op 57 (1890). Seattle SO/Gerard Schwarz.

Naxos 8.578269-70 7 Weber, C.M. Ocean! Thou mighty monster, from Oberon (1825-26). Joan Sutherland, sop; London SO/Richard Bonynge.

Decca 480 4670 8 Offenbach, J. Réverie au bord de la mer (1848; arr Geese). Guido Schiefen, vc; West German RO/Gérard Oskamp. cpo 777 069-2 6 Debussy, C. La mer (transcr. Griguoli).

Giorgia Tomassi, pf; Carlo Maria Griguoli, pf; Alessandro Stella, pf.

EMI 7 21119 2 21

Saturday 19 September 10:30 CONCERT HALL Prepared by Denis Patterson Britten, B. Four sea interludes, op 33a; Passacaglia, op 33b, from Peter Grimes (1945). London PO/Adrian Boult.

First Hand Records FHR06 24 Mozart, W. Double concerto in E flat, K365/316a (1779). Imogen Cooper, pf; Alfred Brendel, pf; Academy of St Martin in the Fields/Neville Marriner.

Philips 476 2095 25 Gounod, C. Symphony no 2 in E flat (1856).

Academy of St Martin in the Fields/Neville Marriner.

Philips 462 125-2 31 12:00 A JAZZ HOUR With Barry O'Sullivan 13:00 A SPANISH FIESTA Prepared by Marilyn Schock Glinka, M. Spanish overture no 1: Jota aragonesa (1845). London SO/Charles Mackerras.

Mercury 434 352-2 9 Tórroba, F. Moreno Sonatina in A. Andrés Segovia, gui.

DG 474 961-2 11 Soler, A. Piano sonatas: in G minor; in F; in D. Alicia de Larrocha, pf.

Decca 433 920-2 11 Rodrigo, J. Cuatro madrigales amatorios (pf 1948). Bernarda Fink, mezz; Anthony Spiri, pf.

Harmonia Mundi HMC 902133 7 Sarasate, P. de Carmen fantasy, op 25 (c1883). Graf Mourja, vn; Natalia Gous, pf.

Harmonia Mundi HMA 1951785 13 14:00 NIKOLAUS HARNONCOURT A great musician Prepared by Denis Patterson Richter, F. String quartet in B flat, op 5 no 2 (1768). Members of Concentus Musicus Vienna.

Teldec 8.41062 12 Mozart, W. Symphony no 24 in B flat, K182 (1773). Concentus Musicus Vienna.

Teldec 9031-74728-2 11 Bach, J.S. Cantata, BWV199: Mein Herze Schwimmt im Blut (1713-14). Barbara Bonney, sop; Concentus Musicus Vienna.

Teldec 2564 69943-7 24 Schubert, F. Symphony no 6 in C, D589, Little C major (1817-18). Royal Concertgebouw O. Teldec 4509-91184-2 35 Mozart, W. Mass in C, K317, Coronation (1779). Joan Rodgers, sop; Elisabeth von Magnus, cont; Josef Protschka, ten; László Polgár, bass; Arnold Schönberg Choir; Vienna Court Chapel Choir; Concentus Musicus Vienna.

Teldec 8.43535 26 Nikolaus Harnoncourt, cond (all above)

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm With James Hunter 19:00 FRIDAY JAZZ SESSION With Christopher Waterhouse 20:00 EVENINGS WITH THE ORCHESTRA Great conductors of the modern era Prepared by David Brett Rimsky-Korsakov, N. Overture: Russian Easter festival, op 36 (1888). Cleveland O. Decca 480 6627 15 Davies, P. Maxwell Violin concerto (1985).

Isaac Stern, vn; National O of France.

CBS MK 42449 31 Rachmaninov, S. Symphonic dances, op 45 (1940). Berlin PO. DG 410 894-2 34 Sibelius, J. Symphony no 6 in D minor, op 104 (1923). Pittsburgh SO. Sony SK 53268 27 Lorin Maazel, cond (all above) 22:00 BAROQUE AND BEFORE Music of North Germany before Sebastian Prepared by Elaine Siversen Praetorius, M. Christus der uns selig macht, from Musae Sioniae IV (pub. 1607). Early Music Consort of London/David Munrow.

Virgin 5 61289 2 8 Praetorius, M. Dances from Terpsichore (pub.

1612). New London Consort/Philip Pickett.

L’Oiseau-Lyre 414 633-2 9 Schütz, H. St John’s Passion (1666). Adam Riis, ten; Jakob Bloch Jespersen, bass-bar; Ars Nova Copenhagen/Paul Hillier.

Dacapo 8.204035 38 Schein, J. Suite no 3, from Banchetto musicale (pub. 1617). Collegium Terpsichore/ Fritz Neumeyer.

DG 469 244-2 9 Scheidt, S. Magnificat noni toni. Philip Swanton, org.

LP Motette M 1028 6 Bach, J. Christoph Wie bist du denn, o Gott?

Michael Schopper, bass; Members of Musica Antiqua, Cologne/Reinhard Goebel.

Archiv 419 253-2 12 Buxtehude, D. Toccata in F, BuxWV156. Julia Brown, org.

Naxos 8.557555 10 Buxtehude, D. Cantata: Jesu, meine Freude, BuxWV60. Emma Kirkby, sop; Suzie LeBlanc, sop; Peter Harvey, bass; Purcell Quartet.

Chandos CHAN 0691 13

24

SATURDAY 19 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SATURDAY MORNING MUSIC With David Garrett 09:00 WHAT'S ON IN MUSIC 09:05 THE PIANO ALONE Prepared by Jacky Ternisien Kuhlau, F. Sonatina in C, op 55 no 6 (pub.

1823). Jenö Jandó, pf.

Naxos 8.570710 11 Thalberg, S. Souvenir of Verdi's A masked ball, op 81. Francesco Nicolosi, pf.

Marco Polo 8.223367 9 Magnard, A. Promenades, op 7 (1893).

Stephanie McCallum, pf.

Tall Poppies TP081 29 10:00 MUSICAL JOURNEYS Prepared by Michael Morton-Evans Glinka, M. Spanish overture no 2: Memory of a summer night in Madrid (1851). Armenian PO/Loris Tjeknavorian.

ASV DCA 1075 10 Garrido, C. Peruvian suite (1986).

Norwegian RO/Miguel Harth-Bedoya.

Naxos 8.573759 8 Westlake, N. Suite from Antarctica (1992).

Tim Kain, gui; Tasmanian SO/David Porcelijn.

Tall Poppies TP169 22 Shostakovich, D. Suite from MoscowCheryomushki, op 105 (1959; arr. Cornall).

Philadelphia O/Riccardo Chailly.

London 452 597-2 20 Boccherini, L. Guitar quintet no 9 in C, La ritirata di Madrid (1798). Alexander Schneider, vn; Felix Galimir, vn; Michael Tree, va; David Soyer, vc; Alirio Diaz, gui.

Vanguard OVC 8006 23 11:30 ON PARADE Music that’s band Prepared by Owen Fisher Gounod, C. Adagio, from Faust. Allentown Band/Ronald Demkee.

AMP 2K 085 4 Tchaikovsky, P. Marche slave. Camel Laird Band/James Scott.

LP Fontana STL 5531 7 Baker, L. Remember me. Alan Morrison, cornet; Brighouse and Rastrick Band/David Hurst.

Didgeridoo HOT 1100 3 Joplin, S. The entertainer. Hendon Band/ Donald Morrison.

LP Astor GGS 1516 5 Alford, K. Colonel Bogey. Grimethorpe Colliery Band/Trevor Jones.

RCA Victor 09026-68757-2 3 12:00 URBAN JAZZ LOUNGE With Leita Hutchings

Sunday 20 September 13:00 COME TO THE OPERA Prepared by Derek Parker 14:30 SATURDAY MATINEE The red poppy Prepared by Di Cox Glière, R. Ballet: The red poppy (1926-27). St Petersburg State SO/André Anichanov.

Naxos 8. 553496-7 1:48 Tchaikovsky, P. String sextet in D minor, op 70, Souvenir de Florence (1890/91-92).

Paul Neubauer, va; Colin Carr, vc; Emerson Quartet.

Sony 88725470602 35 17:00 SOCIETY SPOT Classical Guitar Society Prepared by Sue McCreadie 18:00 MUSIC OF THE SCREEN Prepared by Adam Bowen 19:00 EMERGENT JAZZ With Keith Pettigrew 20:00 THE LIFE OF A COMPOSER William Alwyn Prepared by Paul Cooke Alwyn, W. Piano concerto no 1 (1930).

Howard Shelley, pf; London SO/Richard Hickox.

Chandos CHAN 9155 15 Alwyn, W. Suite from The history of Mr Polly (1949; arr. Ellerby). Royal Northern College of Music Wind O/Clark Rundell.

Naxos 8.572747 11 Alwyn, W. Trio (1951). Kate Hill, fl; Caroline Dearnley, vc; Julius Drake, pf.

Chandos CHAN 9152 14 Alwyn, W. Harp concerto, Lyra angelica (1954). Suzanne Willison, hp; Royal Liverpool PO/David Lloyd Jones.

Naxos 8.557647 28 Alwyn, W. String quartet no 1 in D minor (1955). Quartet of London.

Chandos CHAN 9219 23 Alwyn, W. Symphony no 5, Hydriotaphia (1973). London SO/Richard Hickox.

Chandos CHAN 9196 16 22:00 SATURDAY NIGHT AT HOME Prepared by Rex Burgess Telemann, G. Suite in F, Darmstadt. Ivo Hadermann, hn; Alex van Aeken, hn; Luc Loubry, bn; Collegium Instrumentale Brugense/Patrick Peire.

Brilliant Classics 94104 18 Korngold, E. Piano sonata no 1 (1908-09).

Geoffrey Tozer, pf.

Chandos CHAN 9389 17 Rimsky-Korsakov, N. Quintet in B flat for piano and winds (1876). Capricorn.

Hyperion CDA66163 29 Sibelius, J. Four legends of the Kalevala, op 22, Lemminkäinen suite (1896). Royal Stockholm PO/Paavo Järvi.

Virgin 5 45213 2 49

SUNDAY 20 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC With Robert Small 09:00 MUSICA SACRA Prepared by Jacky Ternisien Mendelssohn, F. Psalm 115: Not unto us, O Lord, op 31 (1830). Eiddwen Harrhy, sop; Hervé Lamy, ten; Peter Kooy, bar; La Chappelle Royale; Collegium Vocale; Leo van Doeselaar, org; Paris Orchestral Ensemble/ Philippe Herreweghe.

Harmonia Mundi 901272 17 Vivaldi, A. O qui cœli terraeque serenitas, RV631. Mária Zádori, sop; Capella Savaria/ Pál Németh.

Harmonia Mundi QUI 903063 10 Josquin Desprez. Missa Pange lingua (c1515). Choir of Ormond College/Douglas Lawrence.

Move MD 3130 26 10:00 THE CLASSICAL ERA Prepared by Di Cox Beethoven, L. Overture no 3 to Leonore (1805-06). Tasmanian SO/Sebastian LangLessing.

ABC 476 7736 14 Mozart, W. String quintet no 4 in G minor, K516 (1787). Cecil Aronowitz, va; Amadeus Quartet.

Westminster RC 8808678121735 32 Clementi, M. Piano sonata in C, op 14 no 1 (1786/1815). Genevieve Chinn, Allen Brings, pf.

Centaur CRC 2046 18 Schubert, F. Five minuets with six trios, D89 (1813). Eduard Melkus Ensemble.

Archiv 439 964-2 13 Bach, C.P.E. Oboe sonata in G minor, Wq135 (1735). Linda Walsh, ob; Susan Blake, vc; Paul Dyer, hpd.

Fine Music concert recording 9 Gluck, C. Se mai senti spirati sul volto, from La clemenza di Tito (1752). Magdalena Kozená, mezz; Prague PO/Michel Swierczewski.

DG 471 334-2 9 Hummel, J. Trumpet concerto in E (1803).

Geoffrey Payne, tpt; Melbourne SO/Michael Halász.

ABC 982 6976 17 12:00 CLASSIC JAZZ AND RAGTIME With Jeannie McInnes 13:00 WORLD MUSIC: Whirled Wide With Linda Marr 14:00 PERSPECTIVES Saxophone Prepared by James Nightingale

25

Piazzolla, A. Tango étude 4 (1987). Jay Byrnes, sax.

Saxophone Academy Sydney SASCD001 4 Schmitt, F. Légende, op 66 (1918). Arno Bornkamp, sax; Ivo Janssen, pf.

Globe GLO 5032 11 Rivier, J. Grave and presto. Swedish Saxophone Quartet.

Chamber Sound CSCD 96015 8 Edwards, R. Saxophone concerto: Full moon dances (2012). Amy Dickson, sax; Sydney SO/Miguel Harth-Bedoya.

ABC 481 1703 29 15:00 SUNDAY SPECIAL Once famous, now faded: Joachim Raff Prepared by Stephen Wilson Raff, J. Overture: Romeo and Juliet (1879; ed. MacDowell). Philharmonia O/Francesco d'Avalos.

ASV DCA 793 9 Raff, J. Six morceaux, op 85 (1859). Ingolf Turban, vn; Jascha Nemtsov, pf. cpo 999 768-2 20 Raff, J. Piano concerto in C minor, op 185 (1873). Jean-François Antonioli, pf; Lausanne CO/Lawrence Foster.

Claves 50-8806 35 Raff, J. Symphony no 3 in F, op 153, In the forest. Milton Keynes City O/Hilary Davan Wetton.

Hyperion CDA66628 45 17:00 HOSANNA Prepared by Richard Munge Hymns: Lord, your almighty word; Christ is our cornerstone. Cantus Choro; Norman Kaye, org; Geoffrey Cox, org; Peter Chapman, cond.

Move MD 3142 5 Psalm: No 49: O hear ye this, O ye people.

Choir of St John’s College, Cambridge; John Scott, org; George Guest, cond.

Decca 452 941-2 6 Friedell, H. Magnificat; Nunc dimittis in F. Choir of St Andrew’s Cathedral; Mark Quarmby, org; Michael Deasey, cond.

STA CDO 101 9 Stopford, P. Anthems: Teach me, O Lord; The spirit of the Lord. Choir of Truro Cathedral; Luke Bond, org; Christopher Gray, cond.

Regent REG 400 10 Gardiner, H. Balfour Evening hymn. Choir of St George’s Chapel, Windsor; Roger Judd, org; Timothy Byram-Wigfield, cond.

Delphian D 34048 6 Hymns: O Lord my God; Love divine, all loves excelling; Be Thou my vision. Aled Jones, bar; Choir of King’s College, Cambridge; Choir of Paisley Abbey.

BBC 982 797-3 9

Dupre, M. Chorale and fugue in F sharp minor, op 57. Jeremy Filsell, org.

Heritage H7G 219 7 18:00 SMALL FORCES Prepared by Rita Felton Grieg, E. String quartet in F (1891). Kontra Quartet.

BIS CD-543 20 Stravinsky, I. L’histoire du soldat (1919).

Ludmila Peterková, cl; Gabriela Demeterová, vn; Markéta Cibulková, pf.

Supraphon SU 3481-2 131 15 Boccherini, L. Guitar quintet no 4 in D, Fandango (1798). Karin Schaupp, gui; Flinders Quartet.

ABC 476 4435 20 19:00 SUNDAY NIGHT CONCERT Respighi, O. Three chorales of J.S. Bach (orch. Respighi). BBC PO/Edward Downes.

Chandos CHAN 9311 13 Mendelssohn, F. String symphony no 9 in C, Swiss (1823). Members of Australian CO/ Richard Tognetti.

Sony SK 57484 26 Berlioz, H. Harold in Italy: Symphony for viola and orchestra, op 16 (1834). Rivka Golani, va; San Diego SO/Yoav Talmi.

Naxos 8.553034 41 20:30 NEW HORIZONS Prepared by Nev Dorrington Belli, O. Four moons; Daguérrotypes; River path. Olivia Belli, pf.

1631 Recordings 1:04 Melnyk, L. Cloud no 81. Lubomyr Melnyk, pf.

Sony 8898 5315 5828 16 Belli, O. Still blue. Olivia Belli, pf.

1631 Recordings 6 22:00 JAZZ AFTER HOURS

Hasse, J. Eccomi alfine, from Artaserse (1730). Sonia Prina, mezz; Armonia Atenea/ George Petrou.

Decca 478 8099 4 Vinci, L. Serbati a grandi imprese, from Alessandro nell’Indie (1730). Xavier Sabata, ct; Vespres d’Arnadí/Dani Espasa.

Aparté AP192 4 Boismortier, J. de Suite in D, op 31 (1730).

Umbra Lucis Ensemble.

Brilliant Classics 95754 14 Murcia, S. de Fandango (1730s). Barry Mason, baroque gui.

Amon Ra SAR 45 4 Montéclair, M. de Deuxième concert (1730).

Jesse Read, bn, Doug McNames, vc; Karen Flint, hpd.

Etcetera KTC 1087 18 10:30 CONCERT HALL Prepared by Jennifer Foong Goldmark, K. Overture to Penthesilea, op 31 (1879). Bamberg SO/Fabrice Bollon. cpo 555 160-2 19 Haydn, J. Cello concerto no 1 in C, Hob. VIIIb:1 (c1761-65). Christoph Croisé, vc; Eurasian Soloists CO/Sherniyaz Mussakhan.

Avie AV2402 24 Saint-Saens, C. Symphonic poem no 1: Le rouet d’Omphale, op 31 (1871). Lille NO/Jun Märkl.

Naxos 8.573745 8 Sibelius, J. Symphony no 5 in E flat, op 82 (1915). London SO/Colin Davis.

RCA 09026 61963 2 30 12:00 SWING SESSIONS With John Buchanan 13:00 MUSIC OF THE DANCE Prepared by Chris Blower Rameau, J-P. Ballet music from Hippolyte et Aricie (1733). Les Arts Florissants/William Monday 21 September Christie.

Erato 3984-26129-2 20 MONDAY 21 Tomlinson, E. First suite of English folk 00:00 CLASSIC-ALL THROUGH dances (1951). Light Music Society O/Vivian THE NIGHT Dunn.

06:00 FINE MUSIC BREAKFAST EMI 7 64131 2 14 including Arts Calendar at 7.30am Machado, C. Brazilian folk dances. Guitar With James Hunter Trek.

09:00 DIVERSIONS IN FINE MUSIC ABC 476 3389 10 A year in retrospect: 1730 Bartók, B. Rumanian folk dances (1917).

Prepared by Jacky Ternisien Chicago SO/Georg Solti.

Bach, J.S. Concerto in A minor for flute, violin, Decca 478 3706 6 harpsichord and strings, BWV1044 (1730).

Lambert, C. Ballet: Romeo and Juliet (1924Aurèle Nicolet, fl; Gerhart Hetzel, vn; Munich 25). English Northern Philharmonia/David Bach O/Karl Richter.

Lloyd-Jones.

Archiv 479 1045 23 Hyperion CDA67545 30 Forqueray, A. Manuscrit de Lille in G (1730s; 14:30 Inspired by literature transcr. J-B-A Forqueray). Michèle Dévérité, Prepared by Paul Cooke hpd; Robert Kohnen, hpd.

Holst, G. Overture: Walt Whitman, op 7 Harmonia Mundi HMM 905286.89 11 (1899). Munich SO/Douglas Bostock.

Classico CLASS 284 7

26

Janácek, L. String quartet no 1, Kreutzer sonata (1923). Goldner String Quartet.

Fine Music concert recording 18 Haydn, J. Five Scottish songs. Judith Nelson, sop; Paul Elliott, ten; members of Academy of Ancient Music/Christopher Hogwood.

Decca 480 0388 8 Stevenson, S. Harp quartet. Savourna Stevenson, hp; Mairi Campbell, vn, va; Wendy Weatherby, vc.

Cooking Vinyl 192 16 Revueltas, S. Homage to Federico García Lorca (1937). Arturo Reyes, tpt; Mexico PO/ Fernando Lozano.

LP Forlane UM 3558 13 Newman, M. The pied piper (2008). Hal Ott, fl; Malibu Chamber Players.

Arts House MAHMR 1205201 17 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm With Stephen Wilson 19:00 JAZZ PULSE With Chris Wetherall 20:00 STORMY MONDAY With Austin Harrison 22:00 JAZZ AFTER HOURS With Eddie Bernasconi

Tuesday 22 September TUESDAY 22 00:00 ECLECTIC CHAIR With Liam Collins 01:00 ECLECTIC CHAIR With Liam Collins 02:00 THE LONG DIVISION With Joe Goddard 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Julie Simonds 09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by Elaine Siversen Handel, G. Violin sonata in F (pub. 1732).

Heather Stewart, vn; Helen Scott, vc; Günther Holler, virginals.

Fine Music concert recording 10 Bach, J.S. Triple concerto in D minor, BWV1063. Kenneth Gilbert, hpd; Lars Ulrik Mortensen, hpd; English Concert/Trevor Pinnock, hpd & dir.

Archiv 471 754-2 14 Soler, A. Concerto no 1 in C. Bernard Brauchli, clvd; Esteban Elizondo, clvd.

Titanic Ti-152 8 Cherubini, L. Sonata for two organs. Luigi Celeghin, org; Bianka Pezic, org.

Naxos 8.557131 8

Grainger, P. English dance (1921). Geoffrey Parsons, pf; Leslie Howard, pf; David Stanhope, pf.

ABC 481 1601 10 Ibert, J. Two interludes (1946). Eleanore Pameijer, fl; Kees Hülsmann, vn; Menno van Delft, hpd.

Olympia OCD 469 7 Rachmaninov, S. Suite no 2, op 17 (190001). Martha Argerich, pf; Nelson Freire, pf.

Philips 464 732-2 21 10:30 CONCERT HALL Prepared by Angus McPherson Brahms, J. Hungarian dance no 1 in G minor (1852). London SO/Neeme Järvi.

Chandos CHAN 8885 3 Edwards, R. Maninyas, violin concerto (1988). Dene Olding, vn; Sydney SO/Stuart Challender.

ABC 438 610-2 25 Mahler, G. Symphony no 1 in D, Titan (1888/93/96). New York PO/Kurt Masur.

Teldec 9031-74868-2 53 12:00 JAZZ RHYTHM With Jeannie McInnes 13:00 STORY TIME! Prepared by Rex Burgess Prokofiev, S. Peter and the wolf, op 67 (1936). Ralph Richardson, narr; London SO/ Malcolm Sargent.

Decca 478 5616 26 Poulenc, F. Babar the elephant (1945; orch.

Françaix). Jay Laga’aia, narr; Tasmanian SO/ Kenneth Young.

ABC 476 3686 28 14:00 ASPECTS OF EGYPT Strauss, J. II Egyptian march, op 335 (1869).

CSSR State PO/Alfred Walter.

Naxos 8.554525 4 Mozart, W. Four interludes, from Thamos, King of Egypt, K345 (1773-76). London SO/ Peter Maag.

Decca 466 500-2 18 Mendelssohn, F. Psalm 114: When Israel came out of Egypt, op 51 (1839). Gulbenkian Ch & O/Michel Corboz.

Erato 4509-94359-2 13 Arensky, A. Suite from ballet, Egyptian nights, op 50a (1902). USSR RSO/Boris Demchenko.

Melodiya MEL 45002-2 20 Saint-Saëns, C. Piano concerto no 5 in F, op 103, Egyptian (1896). Duncan Gifford, pf; Tasmanian SO/Sebastian Lang-Lessing.

ABC 476 1928 29 Luigini, A. Ballet égyptien, op 12 (1875).

London SO/Richard Bonynge.

Decca 452 768-2 22 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm With Michael Morton-Evans

19:00 THE JAZZ BEAT With Lloyd Capps 20:00 RECENT RELEASES With David Garrett 22:00 CHAMBER SOIRÉE Prepared by Paul Cooke Myslivecek, J. Octet no 3 in B flat. Sabine Meyer Wind Ensemble.

EMI 5 55512 2 9 Bloch, E. Violin sonata no 1 (1920). Leonard Friedman, vn; Allan Schiller, pf.

ASV DCA 714 31 Alyabyev, A. Piano trio in A minor (pub.

1950). Borodin Trio.

Chandos CHAN 8975 20 Brouwer, M. Clarinet quintet in A (2005).

Daniel Silver, cl; Maia String Quartet.

Naxos 8.559763 20 Stenhammar, W. String quartet no 1 in C, op 2 (1894). Stenhammar Quartet.

BIS BIS 2019 33

Wednesday 23 September

10:30 CONCERT HALL Prepared by Jacky Ternisien Kodály, Z. Theatre overture (1927).

Philharmonia Hungarica/Antal Dorati.

Decca 443 006-2 14 Mozart, F. Piano concerto in C, op 14 (1808).

Klaus Hellwig, pf; Cologne RSO/Roland Bader.

Schwann 311 004 H1 26 Stenhammar, W. Symphony no 2 in G minor, op 34 (1911-15). Gothenburg SO/Neeme Järvi.

DG 445 857-2 42 12:00 JAZZ SKETCHES With Robert Vale 13:00 IN CONVERSATION With Christopher Waterhouse 14:00 ALEXANDER ARUTIUNIAN Prepared by Frank Morrison A Centenary Event

1920 2020

Arutiunian, A. Violin concerto. Ilya Grubert, vn; Moscow CO/Constantine Orbelian.

WEDNESDAY 23 Chandos CHAN 9566 22 00:00 SIGNAL CRUNCH Arutiunian, A. Suite (1992). Verdehr Trio.

With Glenn Winfield Crystal Classics CD745 16 01:00 SIGNAL CRUNCH Arutiunian, A. Trumpet concerto (1950).

With Glenn Winfield Geoffrey Payne, tpt; Melbourne SO/John 02:00 UNLEASH THE VINYL Hopkins.

With Tom Zelinka ABC 982 697-6 15 03:00 CLASSICAL TILL DAWN 15:00 MOONSTRUCK 06:00 FINE MUSIC BREAKFAST Prepared by Stephen Wilson including Arts Calendar at 7.30am Haydn, J. Overture to Il mondo della luna, With Janine Burrus Hob.XXVIII:7 (1777). Tasmanian SO/Ola 09:00 DIVERSIONS IN FINE MUSIC Rudner.

Rescued from the shadows ABC 472 447-2 4 Prepared by Rex Burgess Schulhoff, E. Moonstruck. Gewandhaus O/ Graupner, C. Overture in G. Das Kleine Lothar Zagrosek.

Konzert/Hermann Max. Decca 444 182-2 24 cpo 999 592-2 19 Dvorák, A. Song to the moon, from Rusalka Hotteterre, J-M. Suite no 1 in D, from First (1900). Nicole Car, sop; Australian Opera and book of pieces for transverse flute, op 2 (pub. Ballet O/Andrea Molino.

1708). Philippe Alain-Dupré, transverse fl; ABC 481 2371 7 Philippe Pierlot, bass viol; Vincent Dumestre, Offenbach, J. Ballet, from The trip to the theorbo; Yasuko Uyama-Bouvard, hpd. moon. Philharmonia O/Antonio de Almeida.

Naxos 8.553707 17 Philips 422 057-2 18 Caldara, A. Cantata: Partenza amorosa 16:00 FINE MUSIC DRIVE (1716-36). Sergio Foresti, bar; Stile Galante/ including Arts Calendar at 5.00pm Stefano Aresi.

With Lloyd Capps Pan Classics PC10389 13 19:00 A TWIST OF JAZZ Galuppi, B. Piano sonata in D. Matteo Napoli, With Andrew Piper pf.

20:00 AT THE OPERA Naxos 8.572490 11 Prepared by Angela Cockburn Cartellieri, A. Clarinet quartet no 2 in E flat.

Britten, B. The turn of the screw, op 54.

Dieter Klöcker, cl; Consortium Classicum.

Opera in two acts. Libretto by Myfanwy Piper.

MDG 301 1483-2 19 First performed Venice, 1954. GOVERNESS: Jennifer Vyvyan, sop MILES: David Hemmings, treb FLORA: Olive Dyer, sop

27

MRS GROSE: Joan Cross, sop MISS JESSEL: Arda Mandikian, sop PETER QUINT: Peter Pears, ten English Opera Group O/Benjamin Britten.

Decca 478 5364 1:45 Based on the famous ghost story by Henry James, the plot tells of young governess who accepts a position as governess to two children on the understanding that she will never contact their guardian. Mrs Grose, the housekeeper, introduces her to the children, Miles and Flora. The governess relates to them immediately, especially to Miles. A letter arrives from Miles’ school, expelling him but not really explaining why.

During the night she sees a strange man on a tower in the grounds, and then later sees him looking in through a window. From her description Mrs Grose identifies him as Peter Quint, the guardian’s valet, who ‘made free’ with the previous governess, Miss Jessel.

Both seemed inappropriately close to the children. Miss Jessel left and then died, and Quint late died mysteriously on an icy road nearby. The governess becomes worried about Miles when he drifts into a trance-like state during a lesson. Later, by the lake, she becomes aware of the presence of Miss Jessel although Flora claims not to see her. At night the ghosts of Quint and Miss Jessel call to Miles and Flora who slip out to meet them.

The governess and housekeeper intervene but don't question the children.

Mrs Grose encourages the governess to write to the children's guardian in spite of the prohibition. The governess hesitates, but then sees Miss Jessel in the schoolroom and writes the letter. Miles, egged on by Quint, steals the letter that night and hides it.

Next morning Miles distracts the adults by playing the piano so that Flora can go to Miss Jessel by the lake. The women follow.

Mrs Grose can't see the ghost but she's sure that something is badly wrong and takes the girl away, then is very frightened by Flora's behaviour overnight. She agrees to take Flora to safety and tells the governess that Miles stole the letter. The governess confronts Miles. Quint pressures Miles not to betray him but Miles blurts out Quint's name. At the mention of his name, Quint's ghost vanishes and Miles falls dead.

22:00 ORCHESTRAL MUSIC OF THE 1980s Prepared by Chris Blower Brumby, C. Bassoon concerto (1982). Paul Blackman, bn; Adelaide SO/Patrick Thomas.

Jade JADCD 1062 20 Fuchs, K. Out of the dark (1986). Timothy Jones, hn; London SO/JoAnn Falletta.

Naxos 8.559224 15

Previn, A. Piano concerto (1985) Vladimir Ashkenazy, pf; Royal PO/André Previn.

Decca 425 107-2 32 Pickard, J. Sea-change (1988-89).

Norrkoping SO/Martyn Brabbins.

BIS BIS-1873 17 Brusa, E. Nittemero symphony (1985-88).

Ukraine NSO/Fabio Mastrangelo.

Naxos 8.555266 29

Thursday 24 September THURSDAY 24 00:00 GROOVESVILLE/25 O'CLOCK With Ray Levis 02:00 OASIS OF INSOMNIA With Adam Cockburn 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Simon Moore 09:00 DIVERSIONS IN FINE MUSIC The instruments: Brass Prepared by Madilina Tresca Koch, E. Monologue no 9 (1975). Morten Agerup, tuba.

Intim IMCD 096 6 Haydn, M. Concertino for horn and trombone in D (1767). Norbert Salvenmoser, tb; Johannes Hinterholzer, hn; Salzburg Hofmusik/Wolfgang Brunner. cpo 777 538-2 13 Albrechtsberger, J. Aria de passione Domine: O Traurigkeit, O Herzeleid (ed.

Hanlon). Monica Groop, mezz; Christian Lindberg, tb; Ann Wallström, vn; Marit Bergman, vn; Olof Larsson, vc; Björn Gäfvert, org.

BIS CD-548 8 Janácek, L. Capriccio for piano left hand and wind ensemble (1926). Vladislav Kozerka, tpt; Jan Fiser, tpt; Jirí Odcházel, tb; Jan Hyncica, tb; Antonin Keller, tb; Jan Novotny, tuba; Ivan Klánsky, pf; Tomás Koutnik, cond.

Praga Digitals PRD 250 316 18 Dittersdorf, C. Oboe concerto in D (arr.

Boldoczki). Gábor Boldoczki, tpt; Prague PO/ Emmanuel Villaume.

Sony 88985443362 12 Dvorák, A. Romantic pieces, op 75 (1887).

Kazimierz Machala, hn; Susan Teicher, pf.

Denon PAJ 101 22 10:30 CONCERT HALL Prepared by Dan Bickel Rimsky-Korsakov, N. Symphonic suite, from The legend of the invisible city of Kitezh (1905). Moscow SO/Igor Golovchin.

Naxos 8.553513 23

28

Glière, R. Harp concerto, op 74 (1943). Alice Giles, hp; Adelaide SO/David Porcelijn.

ABC 454 506-2 26 Nielsen, C. Symphony no 1 in G minor, op 7 (1890-93). Gothenburg SO/Myung-Whun Chung.

BIS CD-614/616 34 12:00 JAZZ, PURE AND SIMPLE With Maureen Meers 13:00 THE PROLIFIC TELEMANN Prepared by Rex Burgess Telemann, G. Concerto in A minor. Dan Laurin, rec; Frederico Guglielmo, vn; Claudia Combs, vn; Monica Pelliciari, vn: Gianni Maraldi, va; Mauro Moretto, db; Cristiano Contradin, bass viol; Roberto Loreggian, hpd.

Brilliant Classics 95150/17 15 Telemann, G. Trumpet concerto in D. Otto Sauter, tpt; Palatinate CO, Mannheim/Nicol Matt.

Brilliant Classics 95151/13 13 Telemann, G. Triple concerto in A, from Tafelmusik I (pub. 1733). Wilbert Hazelzet, fl; Rémy Baudet, vn; Richte van der Meer, vc; Musica Amphion/Pieter-Jan Belder.

Brilliant Classics 94104 26 14:00 FEATURING THE BRAHMS SEXTET Prepared by James Nightingale Vine, C. Café concertino (1984). Geoffrey Collins, fl; Nigel Westlake, cl; Dene Olding, vn; Irena Morozova, va; David Pereira, vc; David Bollard, pf.

Tall Poppies TP013 11 Fauré, G. Après un rêve, op 7 no 1 (1865).

Janet Baker, mezz; Geoffrey Parsons, pf.

Hyperion CDA66320 2 Brahms, J. Variations on an original theme, op 21 no 1. Ben Austin, pf.

Master Performers MP 025 18 Schumann, R. Fantasy pieces, op 73 (1849).

Paul Meyer, cl; Eric Le Sage, pf.

Denon CO-75960 11 Farrenc, L. Sextet in C minor, op 40 (1852).

Eric Le Sage, pf; Les Vents Français.

Warner Classics 0825646231850 24 Mendelssohn, F. Assai tranquillo (1835).

Richard Lester, vc; Susan Tomes, pf.

Hyperion CDA66478 2 Brahms, J. String sextet in G, op 36 (1865).

Dene Olding, vn; Dimity Hall, vn; Irina Morozova, va; Yvette Goodchild, va; Julian Smiles, vc; Timo-Veikko Valve, vc.

Fine Music concert recording 42 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm With Marilyn Schock 19:00 THE NEW JAZZ STANDARD With Frank Presley

20:00 THE WORLD OF A SYMPHONY Prepared by Chris Blower Chopin, F. Mazurkas, op 67 (1835-49).

Vladimir Ashkenazy, pf.

DG 477 8445 7 Brahms, J. Academic Festival overture, op 80 (1880). Berlin PO/Claudio Abbado.

DG 477 5424 10 Stanford, C. Villiers Magnificat anima mea Dominum; Nunc dimittis in B flat, op 10. Choir of Winchester Cathedral; Stephen Farr, org; David Hill, cond.

Hyperion CDA66964 7 Holst, G. Symphonic poem: Indra, op 13 (1903). London PO/David Atherton.

Lyrita SRCD 209 13 Vaughan Williams, R. In the fen country (1907). London PO/Bryden Thomson.

Chandos CHAN 8502 18 Handel, G. Sweet bird, from L’allegro, il penseroso, ed il moderato, HWV55 (1740).

Sandrine Piau, sop; Accademia Bizantina/ Stefano Montanari. naïve OP 30484 13 Stanford, C. Villiers Symphony no 5 in D, op 56, L’allegro ed il penseroso (1894).

Bournemouth SO/David Lloyd-Jones.

Naxos 8.570289 40 22:00 LATE NIGHT INTERLUDE Brahms, J. Cello sonata no 1 in E minor, op 38 (1862-65). Jonathan Aasgaard, vc; Martin Roscoe, pf.

Avie AV 2300 27 22:30 ULTIMA THULE With George Cruickshank

Friday 25 September FRIDAY 25 00:00 BASS CULTURE With Tom Zelinka 01:00 THE LOST HIGHWAY With Austin Harrison 02:00 SOUNDTRACKS AT MIDNIGHT With Chris Winner 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Annabelle Drumm 09:00 DIVERSIONS IN FINE MUSIC Al fresco Prepared by James Nightingale Giuliani, M. Grand sérénade, op 82 (pub.

1817). Nora Shulman, fl; Norbert Kraft, gui.

Naxos 8.554560 18 Sculthorpe, P. Island songs (2012). Amy Dickson, sax; Sydney SO/Benjamin Northey.

ABC 481 1703 18

Reed, A. El Camino Real. Royal Australian Navy Band/Andrew Stokes.

Royal Australian Navy RAN-004 11 Bridge, F. The sea (1910-11). BBC Welsh NO/Richard Hickox.

Chandos CHAN 10729(6) X 22 Haydn, J. Divertimento in F, Hob.II:23 (c1760). Péter Pongrácz, ob; Bertalan Hock, ob; Tibor Fülemile, bn; András Nagy, bn; András Medveczky, hn; Deszö Mesterházy, hn.

Hungaroton HRC 155 11 10:30 CONCERT HALL Prepared by Michael Field Pavlova, A. Old New York nostalgia (1998).

Aleksey Volkov, sax; Michail Poroshin, sax; Georgy Pleskatch, tpt; Yaroslav Krasnikov, vn; Andrey Chernishov, perc; Leonid Makarevich, pf; Moscow PO/Rossen Milanov.

Naxos 8.557674 22

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm With Camille Mercep 19:00 FRIDAY JAZZ SESSION With Christopher Waterhouse 20:00 EVENINGS WITH THE ORCHESTRA Prepared by Chris Blower Dvorák, A. String quartet in F, op 96, American (1893; orch. Rosenkrans). Royal PO/Charles Rosenkrans.

Telarc 80610 28 Mussorgsky, M. Pictures at an exhibition (1874; orch. Ravel 1922). Melbourne SO/ Markus Stenz.

ABC 465 681-2 36 Beethoven, L. String quartet no 14 in C sharp minor, op 131 (1826; orch. Mitropoulos).

Vienna PO/Leonard Bernstein.

DG 435 779-2 46 22:00 BAROQUE AND BEFORE Goldmark, K. Violin concerto no 1 in A minor, Wedlock tunes op 28 (1877). Nai-Yuan Hu, vn; Seattle SO/ Prepared by Rodrigo Azaola Gerard Schwarz.

Le Jeune, C. Te Deum, from Messe de Delos DE 3156 36 mariage (1600). Sydney University Chamber Haydn, J. Symphony in C, Hob.I:7, Midday Choir/Nicholas Routley.

(1761). Academy of Ancient Music/Christopher Fine Music concert recording 8 Hogwood.

Du Caurroy, E. Pavane for the king. Doulce L’Oiseau-Lyre 433 661-2 25 Mémoire/Denis Raisin-Dadre.

12:00 A JAZZ HOUR Astrée E 8660 4 With Barry O'Sullivan Bach, J.S. Cantata, BWV210: O holder Tag, 13:00 A SCANDANAVIAN SALON erwünschte Zeit (1736-41). Christine Schäfer, With David Brett sop; Musica Antiqua Cologne/Reinhard Lindeman, J.R. String quartet in D (1864).

Goebel.

Copenhagen String Quartet.

DG 459 621-2 30 LP Simax PN 2010 22 Lully, J-B. Excerpts from Persée (1682). Cyril Kraus, J.M. The Nordic widower. Martin Auvity, ct; Bruno Rostand, bass; Les Talens Hummel, bar; Glen Wilson, pf.

Lyriques/Christophe Rousset.

Naxos 8.557452 3 Ambroisie AM 167 18 Grieg, E. Andante con moto in C minor Roman, J. Drottningholm royal wedding music (1878). Ramy Koch, vn; Henk Lambooij, vc; (1744). National Museum CO, Stockholm/ Jet Röling, pf.

Claude Génetay.

Olympia OCD 432 10 Polar POLCD 361 57 Berwald, F. Piano trio in C (1853). Susan Tomes, pf; Gaudier Ensemble.

Saturday 26 September Hyperion CDA66835 17 14:00 BETWEEN TWO WORLDS Tchaikovsky’s orchestral works SATURDAY 26 Prepared by Ron Walledge 00:00 CLASSIC-ALL THROUGH Tchaikovsky, P. Capriccio italien, op 45 THE NIGHT (1880). Concertgebouw O/Bernard Haitink.

06:00 SATURDAY MORNING MUSIC Decca 478 5867 15 With Peter Bell Tchaikovsky, P. Piano concerto no 2 in G, 09:00 WHAT'S ON IN MUSIC op 44 (c1880; arr. Siloti). Emil Gilels, pf; New 09:05 THE PIANO ALONE Philharmonia O/Lorin Maazel.

Prepared by Paul Cooke Philips 456 796-2 36 Schubert, F. Klavierstück in E flat minor, Tchaikovsky, P. Manfred symphony, op 58 D946 no 1 (1828). Mitsuko Uchida, pf.

(1885). Vienna PO/Lorin Maazel.

Philips 475 628-2 10 Decca 480 6617 55 Schumann, R. Papillons, op 2 (1829-31).

Murray Perahia, pf.

Sony SX4K 63380 14

29

Hyde, M. Piano sonata in G minor (1941-44).

John Martin, pf.

Wirripang WIRR 052 25 10:00 MUSICAL JOURNEYS Along the Danube Prepared by Chris Blower Mozart, W. Violin concerto no 5 in A, K219, Turkish (1775). Cho-Liang Lin, vn; English CO/Raymond Leppard.

CBS MK 42364 30 Enescu, G. Rumanian rhapsody in D, op 11 no 2 (1901). BBC PO/Gennady Rozhdestvensky.

Chandos CHAN 9537 14 Liszt, F. Hungarian rhapsody no 1 in C sharp minor (1840). Michele Campanella, pf.

Philips 438 371-2 14 Strauss, J. II Tales from the Vienna Woods, op 325 (1868). Strauss FO/Ondrej Lenárd.

Naxos 8.578041-42 12 Fucik, J. Concert waltz: Tales of the Danube.

Czech PO/Vaclav Neumann.

LP Orfeo S 147 861 B 10 11:30 ON PARADE Prepared by Chris Blower Bantock, G. Comedy overture: The frogs.

Grimethorpe Colliery RJB Band/Peter Parkes.

Chandos CHAN 4553 8 Hamers, M. Chameleon. Oystein Baadsvik, tuba; Fanfare Band of the Royal Netherlands Army Mounted Regiments/Tijmen Botma.

BIS SACD1965 9 Sousa, J.P. When my dreams come true, fantasy (1929). Royal Norwegian Navy Band/ Keith Brion.

Naxos 8.559396 8 12:00 URBAN JAZZ LOUNGE With Leita Hutchings 13:00 IN A SENTIMENTAL MOOD With Maureen Meers 14:00 A TO Z IN 30 MINUTES Prepared by Stephen Wilson Abel, C. String quartet in A, op 8 no 5 (1769).

Salomon Quartet.

Hyperion CDA66780 12 Zimmermann, A. Symphony in B flat. l’arte del mondo/Werner Ehrhardt.

DHM G010003899299N 15 14:30 SATURDAY MATINEE St Paul Mendelssohn, F. Oratorio: Paulus, op 36 (1836). Melanie Diener, sop; Annette Markert, mezz; James Taylor, ten; Matthias Goerne, bass; La Chapelle Royale; Collegium Vocale; Champs-Élysées O/Philippe Herreweghe.

Harmonia Mundi HMX 2908336 2:09 Holst, G. St Paul’s suite, op 29 (1913).

English Sinfonia/Howard Griffiths.

Naxos 8.570339 12

17:00 SOCIETY SPOT Sydney Schubert Society Prepared by Ross Hayes 18:00 MUSIC OF THE SCREEN Prepared by Paul Cooke 19:00 EMERGENT JAZZ With Keith Pettigrew 20:00 THE LIFE OF A COMPOSER Edvard Grieg Prepared by Frank Morrison Grieg, E. Four piano pieces, op 1 (1861).

Einar Steen-Nøekleberg, pf.

Naxos 8.550881 13 Grieg, E. Violin sonata no 2 in G, op 13 (1867). Lydia Mordkovitch, vn; Elena Mordkovitch, pf.

Chandos CHAN 9184 21 Grieg, E. Holberg suite, op 40 (1884; orch.

1885). Israel CO/Yoav Talmi.

Chandos CHAN 8593 22 Grieg, E. String quartet no 1 in G minor, op 27 (1877-78). Raphael Quartet.

Olympia OCD 432 35 Grieg, E. Lyric suite, op 54 (1897/1905). Hallé O/John Barbirolli.

EMI M 1 66419-2 18 22:00 SATURDAY NIGHT AT HOME Prepared by Dan Bickel Mozart, W. Ballet: Les petits riens, K299b (1778). Vienna Mozart Ensemble/Willi Boskovsky.

Decca 436 782-2 21 Ravel, M. Menuet antique (1895). Ulster O/ Yan Pascal Tortelier.

Chandos CHAN 9129 6 Lyadov, A. The enchanted lake. Kirov O/ Valery Gergiev.

Philips 442 775-2 8 Prokofiev, S. Piano concerto no 3 in C, op 26 (1917-21). Byron Janis, pf; Moscow PO/Kyrill Kondrashin.

Mercury 434 333-2 27 Liszt, F. A Dante symphony (1857). Berlin Radio Women’s Choir; Berlin PO/Daniel Barenboim.

Teldec 9031-77340-2 50

Sunday 27 September SUNDAY 27 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC With Terry McMullen 09:00 MUSICA SACRA Prepared by Nicky Gluch Stanhope, P. Lux aeterna (1999). Cantillation/ Paul Stanhope.

ABC 476 3870 6

30

Fauré, G. Mass for the fishermen of Villerville (1881-82). Lausanne Vocal Ensemble; Marcelo Giannini, org; Sinfonia Varsovia/ Michel Corboz.

Mirare MIR 028 17 Gabrieli, G. Kyrie à 12, from The wedding of Venice to the sea, Ascension day (c1600).

King's Consort/Robert King.

Hyperion CDA67048 7 Holst, I. Mass in A minor (1927). Choir of Clare College, Cambridge.

Harmonia Mundi HMU 907576 21 10:00 THE CLASSICAL ERA Haydn and his pupils Prepared by Stephen Wilson Hänsel, P. String quintet in G. Zurich Chamber Ensemble.

Jecklin 608-2 23 Kraft, A. Cello concerto in C, op 4 (pub.

1792). Anner Bijlsma, vc; Tafelmusik O/Jean Lamon.

Harmonia Mundi RD 77757 20 Lessel, F. Variations. Wlodimierz Tomaszczuk, fl; Bydgoszcz PO/Zbigniew Chwedczuk.

Concerto 25014 7 Pleyel, I. Symphony in C minor (1778).

Capella Istropolitana/Uwe Grodd.

Naxos 8.554696 28 Haydn, J. Keyboard sonata no 33 in C minor, Hob.XVI:20 (1771). Sviatoslav Richter, pf.

Stradivarius STR 33343 28 12:00 CLASSIC JAZZ AND RAGTIME With John Buchanan 13:00 WORLD MUSIC: Whirled Wide With Carole Garland 14:00 PERSPECTIVES Viola Prepared by James Nightingale Grainger, P. Arrival Platform Humlet (1915).

Paul Coletti, va.

Hyperion A66687 3 Hindemith, P. Viola sonata, op 11 no 4 (1919). Heinrich Koll, va; Madoka Inui, pf.

Naxos 8.557606 16 Bruch, M. Piece in C sharp minor, op 83 no 3 (pub. 1910). Janet Hilton, cl; Nobuko Imai, va; Roger Vignoles, pf.

Chandos CHAN 8776 6 Walton, W. Viola concerto in A minor (192829/36/61). Nigel Kennedy, va; Royal PO/ André Previn.

EMI 5 62813 2 26 15:00 SUNDAY SPECIAL Remembering Florent Schmitt Prepared by Rex Burgess Schmitt, F. The haunted palace, op 49 (1905). São Paulo SO/Yan Pascal Tortelier.

Chandos CHSA 5090 14

Schmitt, F. Piano quintet in B minor, op 51 (1908). Florent Schmitt, pf; Calvet Quartet.

EMI CDC7 54240-2 15 Schmitt, F. Psalm 47: O clap your hands, all ye people (1904). Susan Bullock, sop; São Paulo Ch & SO/Yan Pascal Tortelier.

Chandos CHSA 5090 29 Schmitt, F. Feuillets de voyage, op 26 bk 2 (1903-13). Invencia Piano Duo. Grand Piano GP730X 15 Schmitt, F. Suite no 1, from Incidental music to Shakespeare’s Antony and Cleopatra, op 69a (1920). Buffalo PO/JoAnn Falletta.

Naxos 8.573521 22 Schmitt, F. Suite en rocaille, op 84 (1937).

Mirage Quintet.

Naxos 8.570444 14 17:00 HOSANNA Prepared by Jeremy Hall Lloyd, R. The call. Bede Singers/David Hill.

Priory PR 838 2 Hymn: O Thou, who camest from above.

Choir of Westminster Abbey; Robert Quinney, org; James O’Donnell, cond.

Hyperion A68013 3 Howells, H. Psalm 121. Choir of St John’s, Elora; Matthew Larkin, org; Noel Edison, cond.

Naxos 8.557781 3 Stanford, C. Villiers Magnificat; Nunc dimittis in A. Choir of St John’s College, Cambridge; Glen Dempsey, org; Andrew Nethsingha, cond.

Signum SIG588 12 Bach, J.S. Motet: Der Geist hilft unser Schwachheit auf, BWV226. Choir of St Thomas’ Church, Leipzig; Capella Thomana/ Georg Christoph Biller.

Decca 456 422-2 8 Mozart, W. Missa brevis in F, KV192. Cologne Chamber Choir; Collegium Cartusianum/Peter Neumann.

Warner Classics 0284582 12 Mendelssohn, F. Verleih uns Frieden. Choir of St Thomas’ Church, Leipzig; Leipzig Gewandhaus O/Georg Christoph Biller.

Rondeau ROP4029 5 Mendelssohn, F. Allegro maestoso e vivace, op 65. Ullrich Böhme, org.

Rondeau ROP6029 4 18:00 SMALL FORCES Prepared by Rex Burgess Bach, J.S. Trio sonata in C minor, BWV1079 (1747). Jean-Pierre Rampal, fl; Isaac Stern, vn; Leslie Parnas, vc; John Steele Ritter, hpd.

Sony SMK 64 509 18 Schumann, R. Three romances, op 94 (1849). David Nuttall, ob; Larry Sitsky, pf.

Tall Poppies TP041 15

Alkan, C-V. Grand duo concertant in F sharp minor, op 21 (1840). Dong-Suk Kang, vn; Olivier Gardon, pf.

Timpani IC 1013 21 19:00 SUNDAY NIGHT CONCERT Prepared by Frank Morrison Falla, M. de El Amor brujo (1915/16). New York PO/Leonard Bernstein.

CBS MYK 44721 26 Mozart, W. Piano concerto no 15 in B flat, K450 (1784). English CO/Murray Perahia, pf & dir.

Sony SX4K 46 443 25 Borodin, A. Symphony no 2 in B minor (186976). Rotterdam PO/Valery Gergiev.

Philips 422 996-2 31 20:30 NEW HORIZONS Prepared by James Nightingale Page, R. Being and time II: Tabula rasa (2011). Zubin Kanga, pf.

Move MD 3391 9 Ricketson, D. Time alone (2014). Claire Edwardes, vibraphone.

Move MD3416 10 Polias, P. Little secret (2018). Lamorna Nightingale, fl.

Private recording 4 Vinao, E. Arcanum (1996). Janet Youngdahl, sop; Absolute Ensemble/Kristjan Järvi.

BIS SACD-1187 1:01 22:00 JAZZ AFTER HOURS With David Knapp

Hummel, J. Te Deum (1799). Patricia Wright, sop; Zan McKendree-Wright, cont; Patrick Power, ten; David Griffiths, bass; Tower Voices New Zealand; New Zealand SO/Uwe Grodd.

Naxos 8.557193 12 André, J. Clarinet quartet in E flat, op 54 (1799). Anne Menzies, cl; Donald Hazelwood, vn; Peter Pfuhl, va; Patricia Mendelow, vc.

Fine Music concert recording 16 10:30 CONCERT HALL Prepared by Derek Parker Joachim, J. Overture: Hamlet, op 4 (1853).

Stuttgart RSO/Meir Minsky.

Naxos 8.554733 17 Walton, W. Viola concerto (1929). Nobuko Imai, va; BBC Welsh NO/Tadaaki Otaka.

BBC Music BBC MM295 25 Tchaikovsky, P. Symphony no 2 in C minor, op 17, Little Russian (1872). Concertgebouw O/Bernard Haitink.

Decca 478 5867 35 12:00 SWING SESSIONS With John Buchanan 13:00 MUSIC OF THE DANCE Prepared by Rodrigo Azaola Weber, C.M. Invitation to the dance, op 65 (1819; orch. Berlioz). Sydney SO/Tibor Paul.

ABC 476 6955 10 Dvorák, A. Three Slavonic dances, op 72 no 2 (1886). Julie Adam, Daniel Herscovitch, pf.

Fine Music tape archive 11 Mahler, G. Lonely man in autumn, from The song of the earth (1908-09). Yvonne Minton, Monday 28 September mezz; René Kollo, ten; Chicago SO/Georg Solti.

MONDAY 28 ABC 470 241-2 10 00:00 CLASSIC-ALL THROUGH Pugni, C. Pas de quatre (1845; arr.

THE NIGHT McDermott). London SO/Richard Bonynge.

06:00 FINE MUSIC BREAKFAST Decca 452 769-2 14 including Arts Calendar at 7.30am Minkus, L. Pas de dix, from Paquita (1881; With Robert Small arr. Lanchbery). Sydney SO/John Lanchbery.

09:00 DIVERSIONS IN FINE MUSIC LP HMV OASD 183425 17 A year in retrospect: 1799 Dukas, P. Ballet: La péri (1912). Ulster O/Yan Prepared by Jacky Ternisien Pascal Tortelier.

Salieri, A. Overture to Falstaff (1799). London Chandos CHAN 8852 18 Mozart Players/Matthias Bamert.

14:30 Inspired by literature Chandos CHAN 9877 4 Prepared by Jacky Ternisien Devienne, F. Oboe sonata in C, op 71 no Bernstein, L. Overture to Candide (1956).

3 (1799). Burkhard Glaetzner, ob; Christine West Australian SO/Benjamin Northey.

Schornsheim, pf.

ABC 481 7378 5 Berlin 0012852BC 18 Rameau, J-P. Excerpts from Incidental music Vogler, G. Sinfonia: La Scala (1799). National to Voltaire’s The Princess of Navarre (1745).

Museum CO/Claude Génetay.

Marilyn Hill-Smith, sop; Eiddwen Harrhy, sop; Musica Sveciae MSCD 407 21 Frances Chambers, sop; Judith Rees, sop; Beethoven, L. Eight variations on Tändeln Michael Goldthorpe, ct; Peter Savidge, bar; und Scherzen from Süssmayr’s Soliman II, Ian Caddy, bass; Richard Wigmore, bass; WoO76 (1799). Ronald Brautigam, fp.

English Bach Festival Singers & Baroque O/ BIS SACD-1673 8 Nicholas McGegan.

LP Erato STU 71283 16

31

Haydn, M. Excerpts from Incidental music to Voltaire’s Zaire (1777). German Chamber Academy Neuss/Johannes Goritzki. cpo 999 512-2 17 Rossini, G. Oh! patria! ... Di tanti palpiti, from Tancredi (1813). Cecilia Bartoli, mezz; Vienna Volksoper O/Giuseppe Patanè.

Decca 425 430-2 8 Rossini, G. I palpiti, from Tancredi (1813; arr.

Paganini; rev. Kreisler). Gil Shaham, vn; Akira Eguchi, pf.

DG 447 640-2 10 Gluck, C. Ballet: Semiramis (1765).

Tafelmusik/Bruno Weill.

Sony SK 53119 21 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm With David Brett 19:00 JAZZ PULSE With Chris Wetherall 20:00 STORMY MONDAY With Austin Harrison 22:00 JAZZ AFTER HOURS

Tuesday 29 September TUESDAY 29 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Julie Simonds 09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by Frank Morrison Stanford, C. Villiers Clarinet sonata, op 129.

Emma Johnson, cl; Malcolm Martineau, pf.

ASV DCA 891 21 Bach, J.S. Organ concerto in G, BWV592 (c1714). Marie-Claire Alain, org.

Erato 2292-45561-2 8 Martinu, B. Two pieces for harpsichord (1935). Christopher D. Lewis, hpd.

Naxos 8.573364 8 Gade, N. Piano sonata in E minor, op 28 (1839). Anker Blyme, pf.

Marco Polo DCCD 9116 19 Mozart, W. Quintet in E flat for piano and winds, K452 (1784). Robert Levin, fp; Academy of Ancient Music Chamber Ensemble.

Decca 455 994-2 25 10:30 CONCERT HALL Prepared by Rita Felton Humperdinck, E. Concert overture, from The royal children (1910). Bamberg SO/Karl Anton Rickenbacher.

Virgin VC 7 91494-2 8

Mozart, W. Violin concerto no 5 in A, K219, Turkish (1775). Miwako Abe, vn; Sydney Bach O/Alan Holley.

Fine Music concert recording 29 Sibelius, J. Symphony no 2 in D, op 43 (1901). Royal PO/Charles Mackerras.

Tring TRP013 43 12:00 JAZZ RHYTHM With Jeannie McInnes 13:00 MUSICA DA CAMERA Romberg, A. Clarinet quintet in E flat, op 57.

Thea King, cl; Britten String Quartet.

Hyperion CDA66479 23 Schubert, F. Der Hirt auf dem Felsen, D965 (1828). Hans Petter Bonden, cl; Lars Anders Tomter, va; Einar Henning Smebye, pf.

Simax PSC 1018 10 Chopin, F. Variations on a theme from Rossini's Cinderella (1824; arr. H. Holliger).

Heinz Holliger, ob; Ursula Holliger, hp.

Philips 426 288-2 4 Bach, C.P.E. Flute quartet no 1 in A minor, Wq93 (1788). Nicholas McGegan, fl; Catherine Mackintosh, va; Anthony Pleeth, vc; Christopher Hogwood, fp.

L’Oiseau-Lyre 433189-2 15 14:00 AWAY WITH THE FAIRIES Prepared by Stephen Wilson Ravel, M. Shéhérazade, fairy overture (1898).

Minnesota O/Eiji Oue. Reference RR-79 12 Suk, J. Pohádka, fairy tale suite, op 16 (18991900). Northwest German PO/Alun Francis. cpo 999 576-2 30 Massenet, J. Ah! gentle child, from Cinderella (1899). Patricia Petibon, sop; Lyon Opera O/ Yves Abel.

Decca 475 0902 9 Liszt, F. Wedding march and dance of the elves, from Mendelssohn's A midsummer night's dream (1849-50; arr.). Leslie Howard, pf.

Hyperion CDS44549 10 Schumann, R. Fairytale pictures, op 132 (1853). Marina Marsden, vn; Justine Marsden, va; Robert Chamberlain, pf.

Fine Music concert recording 15 Purcell, H. Suite from The fairy queen (1692).

Academy of St Martin in the Fields/Neville Marriner.

Capriccio C8001 32 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm With Nicky Gluch 19:00 THE JAZZ BEAT With Lloyd Capps 20:00 RECENT RELEASES 22:00 CHAMBER SOIRÉE Prepared by Frank Morrison

32

Stamitz, C. Oboe quartet in D, op 8. Paul Goodwin, ob; Terzetto.

Harmonia Mundi HMU 907220 15 Dvorák, A. String quintet in E flat, op 97 (1893). Raphael Ensemble.

Hyperion CDA66308 33 Kodaly, Z. Cello sonata, op 4 (1910). Pamela Smits, vc; Sabine Simon, pf.

Universe Classics HAC rec. 20201 18 Holst, G. Wind quintet in A flat, op 14 (1903).

Keith Bragg, fl; Christopher O'Neal, ob; Julian Farrell, cl; Richard Skinner, bn; Christopher Blake, hn.

Chandos CHAN 9077 15 Shostakovich, D. Piano trio in E minor, op 67 (1944). Dene Olding, vn; Julian Smiles, vc; David Bollard, pf.

Tall Poppies TP052 29

Wednesday 30 September WEDNESDAY 30 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am With Janine Burrus 09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by Jacky Ternisien Auber, D-F-E. Overture to La muette de Portici (1828). Polish National RSO/Richard Hayman.

Naxos 8.553264 10 Bochsa, N. Harp concerto no 1 in D minor, op 15. Lily Laskine, hp; Lamoureux Concerts Association O/Jean-Baptiste Mari.

Erato 2292-45084-2 21 Rossi, C. de Sinfonia. from Il sacrifizio di Abramo (1709; ed. Jackson). Bay Area Women’s PO/JoAnn Falletta.

Newport Classic NCD 60102 8 Graupner, C. Agitato da tempeste, from Dido, Königin von Karthago (1707). Anna Prohaska, sop; Il Giardino Armonica/Giovanni Antonini.

Alpha Classics ALPHA 250 3 Campra, A. Suite from L'Europe galante (1697). English CO/Raymond Leppard.

Decca 433 733-2 21 Müller, I. Clarinet quartet no 1 in B flat.

Friederike Roth, cl; Berolina Ensemble.

Naxos 8.572885 16 10:30 CONCERT HALL Prepared by Robert Gilchrist Purcell, H. Symphony, from The Indian queen (1695). Parley of Instruments/Roy Goodman.

Hyperion CDA67001/3 5

Holst, G. Suite: The planets, op 32 (1914-16).

Philharmonia O/William Boughton.

Nimbus NI 5450/3 50 Haydn, J. Symphony in G, Hob.I:54 (1774).

Philharmonia Hungarica/Antal Dorati.

Decca 425 915-2 27 12:00 JAZZ SKETCHES With Robert Vale 13:00 IN CONVERSATION With Christopher Waterhouse 14:00 WOMEN THROUGH THE AGES Prepared by Michael Morton-Evans Hildegard of Bingen. O viridissima Virga, from As a lily (c1150). Song Company.

Song Company recording 5 Caccini, F. Laudate Dominum. Benjamin Thorn, rec; Wayne Madden, spinet.

Move MD 3219 3 Strozzi, B. L’eraclito amoroso. Ensemble Incantato. cpo 999 533-2 9 Jacquet de la Guerre, E-C. Suite no 2 in G minor, from Pieces for harpsichord (1687).

Harmonia Mundi 74321 98282-2 2:19 Demophon, King of Thrace, asks the oracle how long the custom of the annual sacrifice of a virgin is to continue. The enigmatic reply is that it must occur every year that an ‘innocent usurper’ sits on the throne. His minister, Matusio, does not know that his daughter, Dircea, has secretly married the king’s elder son, Timante, and borne him a child. Equally ignorant of this, the king decrees that Dircea will be sacrificed. Demophon had chosen a foreign princess, Creusa, as the bride for Timante, and she is on her way to Thrace accompanied by Timante’s younger brother, Cherinto. He begins to fall in love with Creusa.

When they arrive in Thrace, Timante tells Creusa that he can’t marry her but doesn’t explain why. Enraged, Creusa encourages Cherinto to kill Timante in revenge. About to be sent abroad for her safety, Dircea is seized by guards and taken to the place of sacrifice.

Urging Creusa to continue her plan to marry Timante, Demophon tells Timante that Dircea will be freed if he does so. He refuses, and

Elizabeth Farr, hpd.

Naxos 8.557654 19 Farrenc, L. Clarinet trio in E flat, op 44 (185456). Deborah de Graaff, cl; Georg Pedersen, vc; Natalia Sheludiakova, pf.

Fine Music concert recording 27 Mendelssohn, Fanny. Overture (c1830).

Women's PO/JoAnn Falletta.

Koch 3 7169 2H1 11 Schumann, C. Soirées musicales, op 6 (1834-36). Yoshiko Iwai, pf.

Naxos 8.553501 22 Smyth, E. Possession (1913). Anthony Rolfe Johnson, ten; Graham Johnson, pf.

Helios CDDH55159 5 Crawford Seeger, R. Diaphonic suite no 2 (1930). Susan Heineman, bn; Maria Kitsopoulos, vc.

Naxos 8.559197 4 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm With Robert Gilchrist 19:00 A TWIST OF JAZZ With Robert Vale 20:00 AT THE OPERA Opera oscura: Metastasio in the provinces With Paul Roper Schuster, J. Demofoonte. Opera seria in three acts. Libretto by Pietro Metastasio. First performed Forli, 1776. DEMOPHON: Andreas Post, ten TIMANTE: Jörg Waschinski, ct MATUSIO: Jan Kobow, ten DIRCEA: Dorothée Mields, sop CREUSA: Marie Melnitzki, sop CHERINTO: Werner Buchin, ct La Ciaccona/Ludger Rémy.

Dircea is condemned to be sacrificed without further delay. Timante vows to fight for her release. Creusa visits Dircea in prison and promises to help the couple. Timante and his followers attempt to liberate Dircea as she is brought to the temple for the sacrifice, only for Timante to be taken prisoner also. He confesses that he has married Dircea and that they have a son. A furious Demophon orders them to be gaoled in separate cells.

Cherinto tells Timante that Creusa has persuaded Demophon to grant him and Dircea a pardon. Timante is so happy that he renounces his claim to the throne in favour of Cherinto, thus enabling him to marry Creusa.

However, Matusio arrives with a document stating that Dircea is Demophon’s daughter, thereby invalidating her marriage to Timante.

A distraught Timante renounces his wife and son, before another document is produced.

This declares that his father is not Demophon but in fact Matusio. Hence Timante and Dircea were free to marry all along, and Cherinto is the legitimate heir to the kingdom (and free to marry Creusa). As Timante is no longer the ‘innocent usurper’, the sacrificial tradition can also cease.

22:30 DAY’S END Prepared by Stephen Wilson Kodály, Z. Summer evening (1929-30).

Budapest PO/Zoltan Kodály.

DG 427 408-2 21 Puccini, G. Viene la sera, from Madama Butterfly (1904). Antoinette Halloran, sop; Rosario La Spina, ten; Queensland SO/ Stephen Mould.

ABC 476 6955 7

33

Chausson, E. Soir de fête, op 32 (1897-98).

BBC PO/Yan Pascal Tortelier.

Chandos CHAN 9650 14 Schumann, R. Evening pieces, op 73 (1849).

Steven Isserlis, vc; Dénes Varjon, pf.

Hyperion CDA67661 11 Haydn, J. Symphony in G, Hob. I:8, Evening (1761). Freiburg Baroque O/Petra Müllejans.

Harmonia Mundi HMX 2961767 27

The following composers have works of at least five minutes on the September dates listed Abbott, K. b1971 Abel, C. 1723-1787 Albinoni, T. 1671-1751 Albrechtsberger, J. 1736 - 1809 Aldridge, R. b1954 Alkan, C-V. 1813-1888 Alwyn, W. 1905-1985 Alyabyev, A. 1787-1851 André, J. 1775-1842 Arensky, A. 1861-1906 Arnold, M. 1921-2006 Arnold, S. 1740-1802 Arriaga, J. 1806-1826 Auber, D-F-E. 1782-1871

13 26 17 2,24 13 7,27 11,17,19 22 28 8,16,22 10 7 2 30

Bach, C.P.E. 1714-1788 4,6,20,29 Bach, J. Christoph 1642 - 1703 18 Bach, J.S. 1685-1750 3,4,8,11,13,15,18,21,22,25,27,29 Balbastre, C-B. 1727-1799 9 Bantock, G. 1868-1946 26 Barber, S. 1910-1981 4,15,17 Bartók, B. 1881-1945 21 Basden, D. b1957 4 Bax, A. 1883-1953 8,14 Beach, A. 1867-1944 8 Beethoven, L.1770-1827 1,3,8,10,11,12,13,15,17,20,25,28 Belli, O. b1979 20 Benjamin, A. 1893-1960 2 Berlioz, H. 1803-1869 3,15,17,20 Bernstein, L. 1918-1990 16 Berwald, F. 1796-1868 25 Biber, H. 1644-1704 13 Bingham, J. b1952 10 Bizet, G. 1838-1875 1,17 Bloch, E. 1880-1959 1,4,22 Blom, D. 20thc 15 Boccherini, L. 1743-1805 19,20 Bochsa, N. 1789-1856 30 Boëllmann, L. 1862-1897 1 Boïeldieu, A. 1775-1834 6 Boismortier, J. de 1689-1755 4,21 Borodin, A. 1833-1887 27 Brahms, J. 1833-1897 1,3,10,16,17,24 Braunfels, W. 1882-1954 5 Bridge, F. 1879-1941 25 Britten, B. 1913-1976 6,18,23 Brouwer, M. b1940 22 Bruch, M. 1838-1920 27 Bruckner, A. 1824-1896 6,13 Brumby, C. 1933-2018 23 Brusa, E. b1954 23 Burgmüller, N. 1810-1836 7 Busoni, F. 1866-1924 17 Buxtehude, D.1637-17078, 18 Caldara, A. c1670-1736 Campra, A. 1660-1744 Cartellieri, A. 1772-1807 Chabrier, E. 1841-1894 Chaminade, C.1857-1944 Chausson, E. 1855-1899 Chédeville, N.1705-1782 Cherubini, L. 1760-1842 Chopin, F. 1810-1849 Cimarosa, D. 1749-1801 Clarke, R. 1886-1979 Clementi, M. 1752-1832 Corea, C. b1941 Corigliano, J. b1938 Creston, P. 1906-1985 Crusell, B. 1775-1838 d’Indy, V. 1851-1931

23 11,30 23 6,14 1 13,30 4 22 24 5 9 20 1 4 8 8 1

Danielsson, C.1942-1989 Danzi, F. 1763-1826 Davies, P. Maxwell 1934-2016 Dean, B. b1961 Debussy, C. 1862-1918 Delius, F. 1862-1934 Desprez, F. 20th c

3 6

Key

18 6,15 1,8,18 2,16 3

Ch & O: Chorus & Orchestra CO: Chamber Orchestra FO: Festival Orchestra NO: National Orchestra NSO: National Symphony Orchestra PO: Philharmonic Orchestra RO: Radio Orchestra RSO: Radio Symphony

Devienne, F. 1759-1803 13,28 Dieupart, C. c1667-c1740 16 Dittersdorf, C. 1739-1799 24 Dohnányi, E. 1877-1960 8,10 Donizetti, G. 1797-1848 2 Dragonetti, D. 1763-1846 13 Dukas, P. 1865-1935 28 Dupre, M. 1886-1971 20 Duruflé, M. 1902-1986 7 Dussek, J. 1760-1812 12 Dvorák, A. 1841-1904 1,2,3,6,10,12,15,24,25,28,29 Edwards, R. b1943 8,16,20,22 Elgar, E. 1857-1934 1,15 Enescu, G. 1881-1955 26 Falla, M. de 1876-1946 27 Farrenc, L. 1804-1875 24,30 Fauré, G. 1845-1924 3,7,17,27 Fesca, F. 1789-1826 7 Finzi, G. 1901-1956 6,14 Forqueray, A. c1672-1745 21 Foss, L. 1922-2009 6 Françaix, J. 1912-1997 13,14 Franck, C. 1822-1890 1,3,14 Frescobaldi, G. 1583-1643 11 Friedell, H. 1905-1958 20 Frumerie, G. de 1908-1987 1 Fuchs, K. b1956 3,6,23 Fucik, J. 1872-1916 26 Fujii, K. b1956 13 Fux, J. 1660-1741 17 Gabrieli, G. c1556-1612 Gade, N. 1817-1890 Galuppi, B. 1706-1785 Gardiner, H. Balfour 1877-1950 Garrido, C. b1926 Ginastera, A. 1916-1983 Giuliani, M. 1781-1829 Glanville-Hicks, P. 1912-1990 Glazunov, A. 1865-1936 Glière, R. 1875-1976 Glinka, M. 1804-1857 Gluck, C. 1714-1787 Goldmark, K. 1830-1915 Golijov, O. b1960 Goossens, E. 1893-1962 Gossec, F-J. 1734-1829 Gottschalk, L. 1829-1869 Gounod, C. 1818-1893 Graaf, C. 1723-1803 Grainger, P. 1882-1961 Graupner, C. 1683-1760 Greenbaum, S. b1966 Grieg, E. 1843-1907 Grofé, F. 1892-1972

27 29 16,23 20 19 8 25 5,12 4,7,8,18 19,24 14,18,19 20,28 14,21,25 13 2,10,12 16 4 15,18 6 22 23 16 5,20,25,26 5

Hadley, H. 1871-1937 4 Hamers, M. b1962 26 Handel, G. 1685-1759 4,6,7,16,17,22,24 Hänsel, P. 1770-1831 27 Hartmann, E. 1836-1898 4 Harvey, M.K. b1961 13 Hasse, J. 1699-1783 9 Haydn, J. 1732-1809 4,12,13,15,21,25,27,30 Haydn, M. 1737-1806 13,24,28 Heinichen, J. 1683-1729 9 Heinsius, M. 1710-1764 9 Hertel, J. 1727-1789 9 Hildegard of Bingen.

1098-1179 30 Hindemith, P. 1895-1963 7,17,27 Hindson, M. b1968 9 Hoffmeister, F. 1754-1812 6 Holst, G. 1874-1934 6,12,17,21,24,26,29,30 Holst, I. 1907-1984 27 Holter, I. 1850-1941 5,8 Hotteterre, J-M. 1674-1763 23 Hovhaness, A. 1911-2000 4 Howells, H. 1892-1983 2 Hubay, J. 1858-1937 12

Hummel, J. 1778-1837 13,20,28 Humperdinck, E. 1854-1921 1,29 Hyde, M. 1913-2005 4,26 Ibert, J. Ives, C.

1890-1962 12,22 1874-1954 4

Jacquet de la Guerre, E-C. c1666-1729 Janácek, L. 1854-1928 Joachim, J. 1831-1907 Josquin Desprez. c1440-1521

30 13,21,24 28 8,20

Kabalevsky, D. 1904-1987 5 Kapustin, N. 1937-2020 13 Kats-Chernin, E. b1957 15 Kerry, G. b1954 3 Khandoshkin, I. 17471804 9 Koch, E. 1910-2009 24 Koch, G. b1962 14 Kodály, Z. 1882-1967 14,23,29,30 Koechlin, C. 1867-1950 6,8,11 Korngold, E. 1897-1957 14,19 Kraft, A. 1749-1820 27 Kreutzer, C. 1780-1849 2,7,13 Kreutzer, J. 1778-1832 13 Kreutzer, R. 1766-1831 13 Kuhlau, F. 1786-1832 19 Lambert, C. 1905-1951 7,21 Lanner, J. 1801-1843 4 Lawes, W. 1602-1645 15 Le Jeune, C. c1529-1600 25 Leclair, J-M. 1697-1764 4 Lehár, F. 1870-1948 14 Lessel, F. 1780-1838 27 Lindeman, J.R. 1822-1894 25 Lindpaintner, P. 1791-1856 7 Liszt, F. 1811-1886 4,5,6,12,26,29 Luigini, A. 1850-1906 22 Lully, J-B. 1632-1687 12,25 Lyadov, A. 1855-1914 26 Machado, C. b1953 21 Magnard, A. 1865-1914 19 Mahler, G. 1860-1911 2,15,22,28 Marais, M. 1656-1728 2 Martinu, B. 1890-1959 17,29 Mascagni, P. 1863-1945 16 Massenet, J. 1842-1912 29 Méhul, É-N. 1763-1817 13 Melnyk, L. b1948 20 Mendelssohn, F. 1809-1847 1,4,5,7,11,13,20,22,23,26,27 Mendelssohn, Fanny.

1805-1847 7,30 Milhaud, D. 1892-1974 5 Minkus, L. 1826-1917 28 Molique, B. 1802-1869 14 Mondonville, J-J. de 1711-1772 2,4 Montéclair, M. de 1667-1737 21 Moscheles, I. 1794-1870 15 Mozart, F. 1791-1844 6,23 Mozart, L. 1719-1787 10 Mozart, W. 1756-1791 2,3,4,8,11,13,15,18,20,22,26,27,29 Muffat, M. 1690-1770 6 Müller, I. 1786-1854 30 Mussorgsky, M. 18391881 5,25 Myaskovsky, N. 1881-1950 15 Myslivecek, J. 17371781 16,22 Neruda, J. 1707-1780 Newman, M. b1962 Newton, J. b1978 Nielsen, C. 1865-1931

10 21 5 5,8,24

Offenbach, J. 1819-1880 18 Onslow, G. 1784-1853 16

Paganini, N. 1782-1840 3,7,9 Page, R. b1956 27 Paisiello, G. 1740-1816 13 Parry, H. 1848-1918 14 Pärt, A. b1935 6,13,17 Pavlova, A. b1952 25 Pepusch, J. 1667-1752 11 Pickard, J. b1963 23 Pizzetti, I. 1880-1968 8 Pleyel, I. 1757-1831 1,27 Poulenc, F. 1899-1963 11,22 Praetorius, M. c1571-1621 18 Previn, A. 1929-2019 23 Prokofiev, S. 1891-1953 22,26 Puccini, G. 1858-1924 16,30 Pugni, C. 1802-1870 28 Purcell, H. 1659-1695 29,30 Quilter, R.

1877-1953 3

Rachmaninov, S. 1873-1943 1,9,14,17,18,22 Raff, J. 1822-1882 20 Rameau, J-P. 1683-1764 4,9,21,28 Ravel, M. 1875-1937 5,7,26,29 Rebel, J-F. 1666-1747 4 Reed, A. 1921-2005 12,25 Reicha, A. 1770-1836 6 Reinecke, C. 1824-1910 14 Respighi, O. 1879-1936 7,20 Revueltas, S. 1899-1940 21 Richter, F. 1709-1789 18 Ricketson, D. b1973 27 Rihm, W. b1952 6 Riley, T. b1935 7 Rimsky-Korsakov, N. 1844-1908 18,19,24 Rivier, J. 1896-1987 20 Rodrigo, J. 1901-1999 18 Roman, J. 1694-1758 25 Romberg, A. 1767-1821 29 Rossi, C. de fl 1707-10 30 Rossini, G. 1792-1868 4,9,13,17,28 Rubinstein, A.1829-1894 16 Rutter, J. b1945 6

Takemitsu, T. 1930-1996 18 Tartini, G. 1692-1770 5 Tchaikovsky, P. 1840-1893 4,11,14,16,19,25,28 Telemann, G. 1681-1767 1,3,10,11,17,19,24 Thalberg, S. 1812-1871 19 Thomson, V. 1896-1989 6 Tinel, E. 1854-1912 3 Tomlinson, E. 1924-2015 21 Tórroba, F. Moreno 1891-1982 18 Valentini, G. 1583-1649 Vanhal, J. 1739-1813 Vaughan Williams, R. 1872-1958 Vierne, L. 1870-1937 Villa-Lobos, H. 1887-1959 Vinao, E. b1960 Vine, C. b1954 Vivaldi, A. 1678-1741 Vogler, G. 1749-1814

bar: baritone bshn: basset horn bass: bass bn: bassoon bass bar: bass baritone cl: clarinet clvd: clavichord cont: contralto cora: cor anglais ct: counter-tenor

db: double bass dbn: double bassoon did: didjeridu elec: electronic fl: flute fp: fortepiano gui: guitar hn: french horn hp: harp hpd: harpsichord

Zimmerli, P. b1962 Zimmermann, A. c1741-1781

Saint-Saens, C. 1835-1921 12,13,21,22 Samuel, R. b1944 6 Sandström, J. b1954 8 Sarasate, P. de 1844-1908 18 Scharwenka, X. 1850-1924 11 Scheidt, S. 1587-1654 18 Schein, J. 1586-1630 18 Schmidt, H. b1974 16 Schmitt, F. 1870-1958 6,7,13,20,27 Schoenberg, A. 1874-1951 2 Schubert, F. 1797-1828 3,5,8,15,17,18,20,26,29 Schumann, C. 1819-1896 15,30 Schumann, R. 1810-1856 1,9,24,26,27,29,30 Schuster, J. 1748-1812 30 Schütz, H. 1585-1672 9,18 Sculthorpe, P. 1929-2014 11,25 Shostakovich, D. 1906-1975 1,19,29 Sibelius, J. 1865-1957 5,8,18,19,21,29 Sinding, C. 1856-1941 5,6 Smyth, E. 1858-1944 30 Soler, A. 1729-1783 18,22 Sousa, J.P. 1854-1932 26 Stamitz, C. 1745-1801 29 Stanford, C. Villiers

1852-1924 10,24,27,29 Stanhope, P. b 1969 27 Stenhammar, W. 1871-1927 22,23 Stevenson, S. b1961 21 Stopford, P. b1977 20 Strahan, D. b1935 11 Strauss, J. II 1825-1899 15,26 Strauss, R. 1864-1949 2,7,14 Stravinsky, I. 1882-1971 5,10,20 Strozzi, B. 1619-1664 30 Suk, J. 1874-1935 10,29 Sullivan, A. 1842-1900 12 Sutherland, M. 1897-1984 2

34

mand: mandolin mar: marimba mezz: mezzo-soprano narr: narrator ob: oboe org: organ perc: percussion pf: piano picc: piccolo rec: recorder

17,24 12 1,17 27 1,6,15,24 3,20 28

Wagenseil, G. 1715-1777 2 Wagner, R. 1813-1883 3,11 Walton, W. 1902-1983 3,27,28 Wassenaer, U. 1692-1766 16 Weber, C.M. 1786-1826 8,9,10,17,18,28 Wesley, S. 1766-1837 6 Westlake, N. b1958 9,19 Wolf, H. 1860-1903 2

Music duration is shown after the record and citation Orchestra RTO: Radio & Television Orchestra RTV SO: Radio and Television Symphony Orchestra SO: Symphony Orchestra TO: Theatre Orchestra alto: male alto ban: bandoneon

2 9

sax: saxophone sop: soprano tb: trombone ten: tenor timp: timpani tpt: trumpet treb: treble voice va: viola vc: cello vn: violin

1 26

The Organ Music Society of Sydney Celebrating 70 years of tradition Written by John Hanna Photo by Peter Meyer

Photo by Peter Meyer

Many members were church organists, others were theatre organ aficionados some of whom, like John Clancy and Rod Blackmore, became founders of the Theatre Organ Society of Australia (TOSA) in 1960. Many members played no instrument at all but simply liked organs or organ music.

The Organ Music Society of Sydney was constituted as the Organ Society of Sydney in 1950 and is therefore celebrating its 70th anniversary in 2020.

The prime mover in its establishment were, perhaps surprisingly, a doctor, Vincent Sheppard, and an acoustician, Howard Pollard. Both were organ students who wanted to advance the cause of the Organ Reform Movement, which was a reaction against the symphonic organs of the Romantic period, in preference to a return to the historic, classical North German organs which were musical instruments in their own right.

It was suggested to them that their goals would have more traction if they represented an organisation rather than acting as a couple of individuals.

Over the years this social/collegial aspect gradually overshadowed the original ambitions of the Society’s founders, and today the Society is an eclectic group of enthusiasts, professionals and students with wide ranging interests and backgrounds. At some point is was decided to change the name of the Organ Society of Sydney to The Organ Music Society of Sydney – largely due to an increasing number of enquiries from the general public about organ transplants!

In recent years the Society has recognised that a much greater focus on education and young people is fundamental to the survival of the art form, and a number of national academies have been organised, featuring top level local and international organists and tutors. The fruits of these initiatives are now becoming evident, with alumni from these academies currently holding appointments at major cathedrals in Australia and overseas, including Westminster Cathedral, St Alban’s Cathedral, Truro Cathedral and Hereford Cathedral amongst others. The quarterly Sydney Organ Journal, edited

by Peter Meyer, was established from the very beginning, and has evolved to be a highly respected publication that resides in libraries around the world.

Not all of Sydney’s organists were keen on the idea, but support was gained from Colin Sapsford at Christ Church St Laurence and Leonard Bell at St Stephen’s Macquarie Street, with eventual support from Hugh Bancroft at St Andrew’s Cathedral. Hence the Organ Society of Sydney was born for somewhat political reasons.

Membership was open to any person interested in the organ and thus the Society began with about 70 members with a wide range of age and educational attainments. The early committees represented the diversity of its membership.

They endeavoured to arrange an activity at least once a month, usually recitals in churches but occasionally a party or guest speaker in a member’s home. Opportunities were provided for younger members to gain performance experience and a prize fund was started with a £50 donation from a member. The Society organised dinners to welcome the occasional visiting virtuoso organists brought to Sydney by the ABC.

The Organ Music Society of Sydney is very grateful to maintain a presence on Fine Music Sydney’s Society Spot, compered by John Hanna, at 5pm on the second Saturday of each month.

35

Jazz Themes

The magic behind our jazz presenters’ theme tunes Written by Keith Pettigrew

Choosing jazz for our Fine Music Sydney audience is exciting and contemplative. Each of our presenters has their own musical preferences from the 120-year history of jazz: 1900s classic jazz; 50s bebop; 60s cool jazz; 90s European and Latin jazz; jazz versions of 21C pop; modern Australian; non-traditional instruments; and emergent jazz for tomorrow.

Our Fine Jazz catalogue has 48,000 jazz tracks, some the same with different musicians creating a different feel. And then there are the presenters’ own collections. In this series, we will bring you some of the magic that is jazz, expressed by presenters’ theme tunes.

The New Jazz Standard – Thursdays at 7pm with Frank Presley Theme: Hey Ya! (Outkast -2003) The concept of Frank Presley’s program is jazz interpretations of non-jazz music. Frank was reviewing the album The Blues of Joy by Adam Simmons from Origami. It reminded him of Sonny Rollins’s 1957 Way Out West, when Rollins used only saxophone, bass and drums to transform unlikely pop themes into sophisticated jazz. Simmons chose just the alto saxophone. Nevertheless, he embraced pop without compromising artistic integrity, swing, groove, interplay, or self-expression. “Perfect I thought, a catchy threeminute interpretation of the 1990s chart topper” Hey Ya! by Outkast from Origami. He embraced pop without compromising artistic integrity, swing, groove, interplay, or self-expression.

Jazz After Hours – Sundays and Mondays at 10pm Theme: Can’t We Be Friends (Kay Swift, lyrics Paul James -1929)

Jazz Rhythm – Tuesdays at midday with Jeannie McInnes Theme: Rockin’ In Rhythm (Duke Ellington and Harry Carney -1931) Most music has rhythm! But for Jeannie, what makes jazz speak to her whole being, making her move, is the talent of jazz musicians improvising within the melody, so that each rendition of a tune is unique. Jeannie felt her theme tune needed rhythm in name and spirit, and had been recorded by many different performers creating a variety of rhythms. Rockin’ in Rhythm by Ellington and Carney has been recorded by many in the 90 years since the Ellington in 1931, providing a different performer each week. From the original Ellington Orchestra, there are other big bands like the Swedish Harry Arnold Big Band and the Togo Orchestra, small groups like the Modern Jazz Quartet and Oscar Peterson Quartet, individuals like Joe Pass, vocalists Ella Fitzgerald and Maxine Sullivan, and very differently Miriam Makeba and Weather Report. For Jeannie, an ultimate example of “… variations on a theme”.

36

Jazz After Hours has a number of presenters with different styles but a common approach to late night jazz. For a theme tune, Sue Jowell (Sundays) suggested the first track from her very first jazz album, which of course was vinyl, and then her very first jazz CD. It was the satin smooth voice of Ella Fitzgerald, the distinctively rough voice of Louis Armstrong, with Oscar Petersen and his trio of Herb Ellis’ guitar, Ray Brown’s bass and Buddy Rich’s drums.

Some time ago, Sue was asked to fill in for another of our presenters, “… a big ask and even bigger shoes to fill”. Rather than mimic, she chose her own style. She hoped she would not lose audience, there would be few tracks to enjoy, and that “… we could still be friends”. Now she rejoices, starting each program with Sonny Stitt’s 1951 rendition. “Yes, we can be friends”.

A Life in Music Remembering John Cran Written by James Nightingale Illustration by Lyndon Pike

On 6 April this year, one of Sydney’s most respected wind players, the bassoonist John Cran, passed away at the age of 92. He had been a fixture in the Sydney Symphony Orchestra from 1957 — when he joined as second bassoon — until the mid 1990s, working with chief conductors from Eugene Goossens through to Edo de Waart. Cran became principal bassoonist in 1963 and was still leading the section three decades later.

He was the soloist in the SSO’s first performance of Mozart’s Bassoon Concerto in 1968, which they reprised in 1970, 1975 and 1990. Fittingly, Cran was one of the instrumentalists in the SSO’s 1993 recording of Goossens’ charming Fantasy for Nine Wind Instruments. He was also an inaugural member of the New Sydney Woodwind Quintet, whose other members were Neville Amadio, Donald Westlake, Clarrie Mellor and David Woolley: they toured for Musica Viva, visiting NSW regional centres and other state capitals.

Whether as an AMEB

examiner, a tutor for the Australian Youth Orchestra, or as a colleague

when playing in the SSO, he possessed a gentle authority which brought thoughtful encouragement to every situation.

John Cran was just as busy after he retired from the SSO. He accompanied the Sydney University Graduate Choir (including taking part in Verdi’s Requiem on his 90th birthday) and performed as soloist in Berwald’s Konzertstück with the Balmain Sinfonia. With the Ku-ring-gai Philharmonic Orchestra, he performed frequently as both soloist and rank-and-file player.

One of the orchestra’s bassoonists, Graeme Widmer, said: ‘I always made a point of asking him to play with KPO if the first bassoon part was unplayable for the rest of us!’

Cran volunteered his services with the Willoughby Symphony Orchestra, and was their principal bassoonist for more than 20 years. It was with them that I last saw him play, as late as last year. Willoughby’s conductor, Nicholas Milton has written how “I never ceased learning from his quiet grace, effortless wisdom, inimitable modesty and incomparable human and artistic legacy”. Milton’s words are testament to the impact Cran had across a wide range of musicians, and I was no exception.

Whether as an AMEB examiner, a tutor for the Australian Youth Orchestra, or as a colleague when playing in the SSO, he possessed a gentle authority which brought thoughtful encouragement to every situation. For him, teaching and mentoring always went hand in hand with playing: in his early twenties he had been a tutor at the first music camp in Western Australia held for young people, and this was followed by a lengthy association with the National Music Camp. He was also a worthy recipient of a Churchill Fellowship in 1975, “to investigate various methods in bassoon teaching”.

Cran’s love of the bassoon was passed on to his family as well, with his daughter, Lucinda, now working as a bassoonist with the Opera Australia Orchestra. Australia’s musical culture has been the richer for Cran’s presence and we salute the musicianship and character that have brought so much to so many.

Friday 11 September at 1pm

37

Volunteer Spotlight Lyn Chong Written by Pamela Newling Photo supplied by Lyn Chong Illustration by Lyndon Pike

Little did Lyn Chong know when she started piano lessons aged six, that she would become a programmer and presenter at Fine Music.

She describes very fond memories of her piano lessons when she first arrived in Australia. “My teacher was a wonderful lady in her 80s, who had a stern look about her that kept my 10-year-old self on best behaviour. I didn’t speak any English then, so there were lots of hand gestures. When I really didn’t get something, she just lifted my hands off the keys, and showed me by playing herself.

Compared to the smacking of pens across my fingers back in Korea, this gentle approach was something I got used to quickly.

“One time, she lifted my hands off the keys, stood up then walked right out of the music studio. She muttered something on the way out but I couldn’t understand it. I waited, slightly anxious. And then I saw her through the window, feeding the magpies in her backyard.

This was culture shock! To top it off, she gave me a new piece to learn, titled Two Little Birds

by Frank Hutchens. I adored this piece, and it won me a prize at a local competition. When she was entering me into the competition, she asked me if I wanted to win a trophy or money. In my 10 years with her, this was the only time she laughed out loud – because with a dead straight face, I replied, “money”.

Clearly, my English was improving, although I never imagined, that I someday would be on the radio!”

Lyn has a full-time career as a community pharmacist. In 2016 she volunteered for a position as a programmer. She says she was pleasantly surprised to get a reply back to her volunteer request, and then even more surprised by what she saw at the station during orientation — the space and the facilities were very impressive. Asked if she would like to try presenting, Lyn says: “I took the opportunity with both hands and, under Maureen Meers’ guidance, passed the audition and have been presenting for FM ever since.”

The opportunity to discover new music and expand her knowledge of music history is something Lyn describes as most satisfying about her involvement with the station. “It is always exciting to present a piece by a composer I have never come across before; I recall doing a program on George Enescu and loved what I heard. I also enjoy presenting works by contemporary composers. ”These days I keep my skills up by playing chamber music with ACMS (amateur chamber music society). Having other people around motivates me to practise!”

Also, she comments: “Fine Music is a huge network of volunteers, staff and the wider community. The sense of connection through music and volunteering, especially with the events of this year, feels even more important. I enjoy being a part of that.”

38

Emerging Artist Sam Gill Working on a jazz pedigree Written by Barry O'Sullivan Photo by Tony Ling

Sam Gill is a saxophonist and composer based in Sydney whose music explores the intersections of composed and improvised music. He appears with his own groups Coursed Waters and Scattered, is a member of the composer-performer collectives Mind on Fire and Microfiche and has duo projects with his brother vibraphonist Brad, electric bassist Joseph Franklin and drummer Simon Barker.

“My parents encouraged me to get involved in music from the early age of four. I started on piano and then added saxophone later through the school band program” His early jazz influences at 15 were listening to the all-time great sounds of John Coltrane, Miles Davis, and Hank Mobley. “ A leading retailer of jazz music had an excess of Blue Note records for sale at the time for about five dollars so I maxed out buying as many as I could.”

At the age of 16, he began lessons with the woodwind teacher, Paul Cutlan, a well known and highly regarded player on the Australian jazz scene. After attending live gigs at the Sound Lounge in Sydney organized by the Sydney Improvised Music Association, Sam realised there was a whole community of people involved in the performance of the music he loved. It was fun and he saw a career path in music.

“Through listening and exposure to professional musicianship it made sense to me to try to become a part of it,” says Sam. He auditioned successfully for and completed the Jazz Performance Degree course at the NSW Conservatorium of Music, where he also completed a Master of Performance Research Degree and is in his second year of Doctoral research.

In 2014 Sam travelled to Berlin and was exposed to improvised music with the local musicians.

“There was no jazz hierarchy evident in the scene there. Musicians of varying calibre played together. I was particularly taken with the use of the piano accordion played in jazz with a European Folk influence and decided I wanted to include that in my band Scattered.”

Photo by Tony Ling

Sam’s music has been platformed by a large number of curated series nationally and internationally. Recent performance highlights include the Copenhagen Jazz Festival, IBeam New York City, and The NOW NOW Festival in Sydney. He also manages and releases his music through his own label Radial Sounds.

He’s recently been nominated for a 2020 Freedman Jazz Fellowship by his musical peers and an APRA Art Music Award in the category of Award for Annual Excellence: Experimental Music, for the recording Many Altered Returns, an album of free jazz but also containing selections of refined premeditated, compositional order.

Other performance highlights have included appearances at Copenhagen Jazz Festival, the Australian Art Orchestra’s Meeting Points Series, SIMA’s International Women’s Jazz Festival, the Jazzgroove Association Featured Artist series, Converge Festival, Wollongong’s Speak Satellite Festival, and the world music ensemble Mara!

Sam has appeared on numerous recordings as a leader/co-leader, including his latest recording, Perspectival by Scattered (2020, Radial Sounds), the Coursed Waters debut Many Altered Returns (Earshift Music, 2019), Mind On Fire’s The Process of Unbecoming (self-released, 2017) and Microfiche’s eponymous debut (self-released, 2016). He’s also heard on the recording of Okay by the Sydney Conservatorium Jazz Orchestra as lead saxophonist released at the conclusion of the group’s USA tour with Australian guitarist James Muller in 2017.

Friday 4th September at 12pm

39

LISTENERS' LETTERS A Century of Memories

Spring Blossom

Hello at 2MBSFM,

I Want to thank presenter of Jazz programme 12 August 7pm for playing Blossom Dearie...loved her....and rarely heard these days. Thanks

I am writing to you on behalf of my mother Elva May Batt (nee BAIKIE) who is turning 100 on the 14th Sept - next month!

Mum is resident in a nursing home and enjoys listening to 2MBSFM classic music. While listening last week she realised she was listening to her own voice and story about her military service in Darwin during WW2. She was utterly thrilled to hear those memories being recalled as both she and husband Barry served in the forces. Mum asked me to pass on her sincere thanks for airing her recollections and as well the wonderful music you put to air that she loves. Listening is a very large part of her day to day life as she has very limited sight. Many thanks Jan Warner, Elva’s daughter

Lorraine

Light & Shade ‘Jazz Pure and Simple’ is an excellent program. ‘Looking in the Rearview Mirror’ and ‘Song and Dance’ are also very good and James Hunter is a superb presenter.

Photo courtesy of Jan Warner

Strike Up the Band!

Kudos to Mr. Owen Fisher for a lovely celebration of band music today. What a treat! As a former Sousaphone/tuba player, it was marvellous to hear such fine bands perform! Thanks again and may you long continue to produce such great programs.

..and a small brickbat - the ‘sting’ at the end of the jazz program is horrid. I know it only lasts a couple of seconds but it’s like fingernails down a blackboard.

Please change it!”

Matthew

Fresh Love the fresh new feel of the magazine; it’s lovely.

Linda

IN NEXT MONTH’S ISSUE In Conversation

The Bonn Accord

Why Summer Jazz is Cool

The Very Human Humanist

We talk with Saxophonist Justinn Lu

Louis Vierne

The music of Bruch and Beethoven

Exploring the man behind Beethoven’s music

Organist extraordinaire for the Vierne

40

Leita

CD REVIEWS

Another Look at Autumn John Martin Wirripang / Wirr 102

Live at the Sydney Opera House Joseph Tawadros ABC Classics 481 9241

Others Worlds

10 x10 x10 VOLUME1 Johannes Leubbers Dectet

Sydney pianist John Martin’s new album, Another Look at Autumn, features music of a wistful restlessness. The piano sound, recorded in Studio C at Fine Music Sydney, is clear and attractive with a lightness that suits the character of the works. The highlight of the CD for me is the opening track, Miriam Hyde’s Brownhill Creek in Spring, a piano miniature that despite its title fits perfectly with the autumnal spirit of the CD. The world premiere recordings of music by the late John Terry will be of great interest to his many friends and colleagues. Duets with Sally Whitwell (piano four hands) and Victoria JaconoGilmovich (violin) on music by Ann Carr-

Boyd add to the recording as a whole.

This recording is one for lovers of piano and those with a passion for supporting Australian music.

Last year, Australian oud virtuoso Joseph Tawadros performed a series of concerts with the Sydney Symphony. Now, there is a vibrant live recording that conveys both Tawadros’ virtuosity and his irrepressible character. The music is composed by Tawadros with the exception of one track penned by his brother James, himself a renowned performer on the riqq and bendir, Egyptian percussion instruments.

The balance of the mix favours Tawadros’ oud, with the brass sounding a little remote, faults due to the live nature of the performance. It’s hard to quibble with a recording that has such amazing energy,

audible in the enthusiastic applause. The highlight is the wonderful Concerto for Oud, which features a superb dialogue with the orchestra, due in part to the skills of its orchestrator, Jessica Wells, and the adventurous conductor, Benjamin Northey.

This recording of an innovative new body of work for the Johannes Luebbers Dectet began as a project to create ten new works, each a feature for one of the ten musicians in the ensemble, to celebrate ten years since JLD first came together. Each composition was written in dialogue with the featured performer, developing a collaborative approach to jazz composition and exploring how collaborative elements might innovate a composer’s practice. Blending the orchestral colors of flute, cor Anglais and oboe with the jazz sounds of the saxophone, piano, bass, and drums, the

Dectet delivers a truly unique sound. The two lengthy works, Other Worlds and View From the Hill are stand out pieces of composition and performance. This is a highly creative, stylistic and edifying album of music featuring some of the country’s best improvisers.

41

- James Nightingale

– James Nightingale

– Barry O’Sullivan

CROSSWORD Written by Julie Simonds

Down 2. A performance of a programme of music by a soloist or small group. (7) 3. Musical term for more (3) 4. Composer of 106 symphonies (5) 5. Get Your Gun (5) 6. “The Planets” composer (5) 7. Name of theatre at Star City (5) 9. Relating to or having the form or character of a symphony (9) 11. Beethoven’s 6th Symphony Nickname (8) 12. The concluding passage of a piece or movement (4) 13. This sport combines elements of gymnastics, dance and calisthenics (8) 15. Following the spectacular success of the first Rodgers and Hammerstein musical, Oklahoma! (1943), the pair sought to collaborate on another musical. (8) 17. A diatonic scale having half steps between the third and fourth and the seventh and eighth degrees and whole steps between the other adjacent degrees. (5) 18. to God. Handel’s Messiah (5) 21. Pleasantly smooth or soft; free from harshness.(6)

Across

23. Judy Garland & Gene Kelly sang For Me and My (3)

1. Tennessee Williams wrote about a Street (3)

24. Lupino worked as both a stage and screen actress. (3)

6. Bob Hawke’s first wife (5) 8. “Don’t Cry for Me Argentina” Song from musical (5) 10. A Jewish girl, disguises herself as a boy and enters an orthodox school and falls

in love with Avigdor, her classmate (5) 12. It’s a performance by musicians or singers for an audience. (7) 14. Chopin composed primarily for the…(5) 16. At a walking pace (7) 19. Jack Lemmon rom-com based on French stage musical, ...la Douce (4) 20. Former Python and creator of stage musical Spamalot, Eric

(4)

22. The name of the Carole King Musical (9) 23. Film and stage musical, and Dolls (4) 26. “Appalachian Spring” composer (7) 27. King Musical (4) 28. An Italian opera in four acts. The music was written by Verdi.

The libretto by Ghislanzoni. (4)

42

25. The musical “Mamma” (3)

FINE MUSIC PATRONS Fine Music Honour Roll (Bequest Received 2010–2020)

Gold Patrons ($1,000 -$2,499)

Dr Alison Burrell, Mr Keith John Cosack, Mr Paul de Leuil, Ms Jean Priscilla Deck, Mr Colin Enderby, Ms Rose Gibb, Mr David Henry James, Mr Leslie Kovacs, Mr Stefan Kruger, Mrs Myra Christina Polson, Mr Charles Herbert Stokes, Mr Ronald Tinslay, Mrs Rose Varga, Mrs Norma Walledge, Mr Ken Weatherley, Mr Colin Webb, Mr Barry Willoughby, Mr John Albert Wright

Mrs Marlene Baumgartner, Ms Meredith Brooks, Professor Elizabeth Burcher, Mr Noel Craven, Ms Inez Glanger, Mrs Mary Henderson, Mrs Georgina Horton, Mr David Jacobs, Mrs Philipa Johnson, Mrs Sylvia Laurent, Mr Balthasar Mair, Mr Verdon Morcom, Mr Andrew Patterson, Mr Gordon Stenning, R Sutherland

Fine Music Guardians (Known Future Bequests) Mr Geoffrey Anderson, Mr David Bell, Mr David Brett, Mrs Halina Brett, Mr Rex Burgess, Mr Lloyd Capps, Ms Marilyn Endlein, Mr Robin Gandevia, Mr Bruce Graham, Mr James Hunter, Mr David James, Ms Maureen Meers, Mr Glenn Morrison, Mr Desmond Mulholland, Mr Derek Parker, Dr Neil Radford, Mr Gregory Sachs, Ms Elaine Siversen, Mr Bruce Smith, Mr Anthony Tenney, Mr Ron Walledge

Titanium Patrons ($50,000 and above) Mr Michael Ahrens, Mr Max Benyon OAM, Mr Roger Doyle, Dr Jennifer Foong, Prof Clive Kessler

Platinum Patrons ($25,000 -$49,000) Mr Robert Albert, Mr Cameron Williams, Mr Ron Walledge

Diamond Patrons ($10,000 -$24,999) Mr Alan Ashburner, Mr Marco Belgiorno-Zegna, Mrs Barbara Brady, Mr David Brett, Mr David Brown, Mr David Burns, Mr Bernard Coles, Mrs Dorothy Curtis, Justice David Davies, Mr Paul Espie AO, Ms Jill Hickson Wran, Dr Janice Hirshorn, Mr Peter & Linda Kurti, Mrs Patricia McAlary, Ms Nola Nettheim, Dr Peter Power, Mr John Selby, Mr Roger Smith

Ruby Patrons ($5,000 -$9,999) Mrs Halina Brett, Ms Janine Burrus, Mr Lloyd Capps, Mr Roger Chapman, Mr Francis Frank, Mr Robin Gandevia, Ms Sue Jowell, Mr Ian McGaw, Ms Jeannie McInnes, Mrs Judith McKernan, Mr Charles McMonnies, Mr Anthony Strachan, Ms Wendy Trevor-Jones, Mr and Mrs Stephen and Therese Wilson

Emerald Patrons ($2,500 -$4,999) Ms Priscilla Adey, Ms Josephine Bastian, Mr David Bell, Mrs Alison Carr, Mr Ian De Jersey, Prof Christine Deer, Ms Louise Diamond, Mrs Margaret Epps, Prof Michael Field AM, Dr Christine Furedy, Ms Josephine Howie, Mrs Freda Hugenberger, Mrs Ann Jolly, Mr Donald (Kerry) Joyner, Mr Ian Juniper, Mrs Ros & Doug Keech, Ms Phyllis Koshland, Mr Reginald Lamble, Dr Peter Lindberg, Mr Ian Lloyd, Mr Melvyn Madigan, MrMichael Marchbank, Mr Ray McDonald, Ms Maureen Meers, Mr John Mitchell, Dr Andrew Mitterdorfer, Mr Michael Morton-Evans OAM, Mr Trevor Parkin, Ms Susan Ping Kee, Dr William Poate, Dr Catherine Ruff, Mr Jude Rushbrooke, Mr Gregory Sachs, Mr John Stevenson, Mr Richard Thompson, The Garrett Riggleman Trust, The Hon. Anthony Whealy, Mr Richard Wilkins, Dr Edward Wills

Silver Patrons ($500 -$999) Mr Scott Alexander, Dr Philip Bergersen, Mrs Sally Bertram, Mr Stephen Booth, Mr Colin Boston, Mr Barrie Brockwell, Mr Ron Burgess, Mr Mark Caine, Dr. Russell Cannon, Mrs Mary Jo Capps AM, Ms Mary Choate, Mr Robert Clark, Ms Wendy Cobcroft, Mrs Janet Cooke, Mrs Dianne Cox, Ms Prudence Davenport, Ms Julie Dowsley, Mr Geoff Drury, Hon John Dunford, Ms Ruth Edenborough, Mr John Fairfax, Dr David Gorman, Mrs Rachel Gross, Mrs Jann Howard, Mr Paul Jackson, Ms Cynthia Kaye, Ms Patricia Kennedy, Mr Geoffrey Lauridsen, Ms Annette Lemercier, Mrs Diana Long, Mrs E MacDonald, Dr Jim Masselos, Mr Jonathan Milford, Ms Joanne Ng, Mr Tony Norris, Ms Monica Olave, Mr David Polley, Ms Luiza Rebelo, Mr J Roberts, Mr John Sharpe, Mr John Sheehy, Mr Iain Thompson, Mr Larry Turner, Mr Peter van Raalte, Mr Kevin Vaughan, Ms Judy Wong-See, Prof Paul Wormell

Bronze Patrons ($250 -$499) Mrs Greta Allen, Ms Jacqueline Axford, Mr Peter Barker, Ms Jane Barnes, Mr Terrence Batterham, Mrs Susan Berger, Mr Adam Bowen, Mr David Branscomb, Mrs Alexandra Buchner, Ms Helina Burch, Ms Silvie Carraro, Miss Beryl Caten, Mr Steve Center, Dr Alastair Corbett, Mr Dom Cottam, Mrs Cox, Prof Stephen Dain, Ms Sharan Daly, Mr Peter Dexter, Mrs Melinda Dixon, Mrs Dorothy Dunn, Mr Lee Dunstan, Mr Michael Edwards, Ms Elizabeth Evatt, Mrs Maureen Evers, Mrs Rita Felton, Mr William Fleming, Dr Jill Forrest, Mr Tal Galapo, Mr Robert Gilchrist, Mr Joe Goozeff, Ms Josefa Green, Mrs Jocelyn Hackett, Mr Peter Halas, Ms Clare Harty, Mr James Harvey, Mr Les Hay, Mr Ian Herbert, Ms Margaret Hext, Mrs Judith Hinksman, Ms Ailsa Hocking, Mr William Hoekstra, Mr Philip Irons, Mr David James, Mrs Barbara Johnson, Mrs Pamela Kenny, Mrs Christine Kenworthy, Mr Stephen Kinsela, Mr Peter & Helen Klineberg, Mr Ian Knop, Mr Gerhard Koller, Ms Anne Lampe, Mr Richard Lamrock, Mrs Beatrice Lang, Mr Gregory Layman, Mr Philip Levy, Miss Valerie Lhuede, Mr Richard Lowson, Mr Geoffrey Magney, Dr Richard Manchester, Mr Hunter McEwen, Mrs Shirley McEwin, Dr Bill McKee, Mr Herbert Menka, Mrs Jacqueline Meyer, Mr Simon Moore, Mr Sanjiv Muttukumaru, Mrs SusanNicholas, Mr Ken Payne, Ms Christina Pender, Mr Ian Pfeffer, Mr Peter Poole, Mr James Poulos, Ms Sally Preston, Mr Mike Price, Mrs Robyn Raffles, Mr Gwynn Roberts, Mr Joseph Rooney, Ms Joan Rosenthal, Mrs Felicite Ross, Mr F Rothenfluh, Mr Michael Rutlidge, Mrs Rosalia Salpeter, Dr Gideon Schoombie, Ms Alexandra Shiga, Dr William Smith, Mr David Somerville, Mr Colin Spencer, Mrs Ruth Staples, Dr Catherine Stevens, Mrs Valerie Stoney, Mrs J Strutt, Dr Robin Torrence, Prof A Truswell, Mr Dietmar Tucha, Mr John Ulrick, Mr Jacobus Van Zijl, Miss Fiona Walker, Mr Brian Walters, Dr. Duff Watkins, Reverand Paul and Mrs Sarah Weaver, Dr Paul Whiting, Mr Donald Wilkins, Mr Jeffrey Willmott, Mr Alastair Wilson, Mr Bovey Zhang, Mr Michael Zolotarev

FOUNDERS’

STUDIO HIRE Are you a musician looking to record an audition for an application, or are you wanting to record your own music?

We have a studio ready for you to record in.

Find out more at finemusicsydney.com/foundersstudio