Fine Music Magazine - April 2022 by 2MBS Fine Music Sydney

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5 MAR Beethoven: Sonatas for Piano and Cello with Aura Go and Timo-Veikko Valve

20 MAR The Italian Baroque ACO Collective Erin Helyard – Guest Director

12 JUN Seraphim Trio with Christopher Moore

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I N D E X

05. Ruddygore with a Y

14. Jean-Phillipe Rameau – Father of French Baroque

Angela Cockburn looks at the original version of a Gilbert and Sullivan comic opera.

By Michael Morton-Evans

16. High Five – The Precious Energy of Barney McAll

06. Baroque Dance Suites Catherine Peake looks at an aspect of social life in the 17th and 18th centuries

08. A Sophisticated Romantic Paul Cooke explores Peggy Glanville-Hicks’ long journey

Barry O’Sullivan talks to Barney McAll about his music, Mooroolbark, and his time in the Big Apple.

21. Fine Jazz Happenings Keith Pettigrew talks about International Jazz Day, 30 April

10. First Person – Western Sydney Orchestra 22. So Loose, but so Tight:

Virginia Ginnane reviews the charms of the Zela Margossian Quintet

Catherine Peake speaks with the newly formed Western Sydney Philharmonic Orchestra.

19. Volunteer Spotlight

24. CD Reviews N O T E S

26. Program Guide F R O M

T H E

53. Composers List

E D I T O R

A new youth orchestra, the Western Sydney Philharmonic, was launched in February. To be known as the West Phil, its official home will be the Parramatta Town Hall, but it will play on concert stages from Penrith to Campbelltown to the Blue Mountains. It joins an expanding (and sometimes confusingly titled) collection of orchestras catering for the increasing appetite for classical music in the Western suburbs, some of which are further from Parramatta than Vaucluse. Speaking to the Sydney Morning Herald, the Lord Mayor of Parramatta said that the establishment of West Phil will “help foster a new generation of professional performers and, with the pending redevelopment of Riverside Theatres, will help lift Parramatta’s profile as the premier arts and cultural precinct outside the Sydney CBD”. The Riverside development will certainly help, but as Fine Music presenter and music educator Julie Simonds says, “it’s not only a question of tutoring and mentoring young musicians, it’’s about the lack of suitable venues in the Western suburbs for the orchestras to perform in.” In this month’s issue, Catherine Peake talks to the orchestra’s founders, Artistic Director Kristian Winther and Chair Max Holzner about their plans for the new venture. david.ogilvie@finemusicsydney.com

P R O G R A M M E R S

A N D

P R E S E N T E R S

APRIL Charles Barton, Peter Bell, David Benham, Nena Beretin, Eddie Bernasconi, Xavier Bichon, Dan Bickel, Chris Blower, David Brett, Philip Bridges, John Buchanan, Rex Burgess, Lloyd Capps, Vince Carnovale, Ian Carswell, Adam Cockburn, Angela Cockburn, Liam Collins, Steve Coleman, Paul Cooke, Brian Cornish, Di Cox, George Cruickshank, Nick Dan, Jackson Day, Nev Dorrington, Brian Drummond, Andrew Dziedzic, Deborah Evans, Rita Felton, Michael Field, Owen Fisher, Jennifer Foong, Tom Forrester-Paton, Susan Foulcher, Nina Fudala, Carole Garland, David Garrett, Robert Gilchrist, Nicky Gluch, Albert Gormley, Jeremy Hall, John Hanna, Austin Harrison, Ross Hayes, Gerald Holder, Paolo Hooke, James Hunter, Leita Hutchings, Anne Irish, Sue Jowell, Ray Levis, Krystal Li, Dave Mac, Christina MacGuinness, Linda Marr, Meg Matthews, Stephen Matthews, Sue McCreadie, Sophie McCulloch, Neil McEwan, Jeannie McInnes, Ramsay McInnes, Angus McPherson, Maureen Meers, Camille Mercep, Heather Middleton, Gail Monjo, Simon Moore, Frank Morrison, Michael Morton-Evans, Richard Munge, Gerry Myerson, James Nightingale, Barry O’Sullivan, Derek Parker, Denis Patterson, Catherine Peake, Keith Pettigrew, Peter Poole, Frank Presley, Paul Roper, Daryl Rule, Marilyn Schock, Jon Shapiro, Alex Siegers, Julie Simonds, Chloe Sinclair, Elaine Siversen, Robert Small, Garth Sundberg, Jacky Ternisien, Anna Tranter, Robert Vale, Ron Walledge, Chris Wetherall, Stephen Wilson, Glenn Winfield, Chris Winner, Orli Zahava, Tom Zelinka, Vicky Zhang. PROGRAM SUBEDITORS Jan Akers, Di Cox, Noelene Guillemot, Elaine Siversen, Jill Wagstaff, Tony Wallace, Teresa White LIBRARIANS Jan Akers, Rex Burgess, Lynden Dziedzic, Peter Goldner, David Hilton, Sally Hunter, Phillip McGarn, Judy Miller, Susan Ping Kee, Jacky Ternisien, Ricky Yu.

2MBS FINE MUSIC SYDNEY

ORGANISATION DETAILS 2MBS Fine Music Sydney - We are Sydney’s Fine Music Broadcaster MUSIC BROADCASTING SOCIETY OF NSW CO-OPERATIVE LIMITED Editor David Ogilvie Assistant Editor Catherine Peake

Music Broadcasting Society of New South Wales Co-Operative Ltd is registered under the Co-operatives Act 1992 (NSW); owner and operator of Australia’s first community-operated stereo FM station, 2MBS-FM now known as 2MBS Fine Music Sydney. Our mission is to be Sydney’s preferred fine music broadcaster, broadcasting classical, jazz and other fine music genres for the enjoyment and encouragement of music. Another aim is to be part of Sydney’s cultural landscape networking with musical and arts communities to support and encourage local musicians and music education and to use our technical and broadcast resources to further this aim.

Designer Lyndon Pike

Mission Statement

Digital Content Coordinators Paul Cooke, Catherine Peake, Keith Pettigrew

Goals

Guide Management Coordinators (acting) James Nightingale and Elaine Siversen

3. To develop a sustainable financial model for the organisation.

Program Guide Formatter Peter Bell

To share the love of fine music through broadcasting 1. To be Sydney’s preferred broadcaster of classical, jazz and other fine music genres 2. To promote Australian musicians and composers, with a particular focus on the young

HONORARY AND ARTISTIC PATRONS Vice Regal Patron: Her Excellency the Honourable Margaret Beazley AC QC, Governor of New South Wales Honorary Patron: Professor The Honourable Dame Marie Bashir AD CVO

Proofreaders Pamela Newling, Catherine Peake

Artistic Patrons: Elena Kats-Chernin AO, Simon Tedeschi, Richard Tognetti AO, Brett Weymark OAM

Contributors Angela Cockburn Paul Cooke Viriginia Ginnane Michael Morton-Evans Pamela Newling James Nightingale Barry O’Sullivan Catherine Peake Keith Pettigrew

Young Composer Award 2019: Callum O'Reilly

Cover Image Illustration by Lyndon Pike Photo of West Phil. by Rauri Campbell Fine Music Studios 72-76 Chandos Street St Leonards, NSW 2065 Postal Address 72-76 Chandos Street St Leonards, NSW 2065 Phone 9439 4777 (9am–6pm) ABN 64 379 540 010

Emerging Artists Patron: Roger Benedict Young Virtuoso Award 2019: Justin Lu Stefan Kruger Scholar 2021: Leanne Jin Ken Weatherley Scholar 2021: Alex Siegers Artists in Residence 2021: The Sydney Cello Quartet Jazz Artist in Residence 2021: Anoesis PERSONNEL: It is important to note that apart from a small staff team, Fine Music Sydney functions through the involvement of dedicated volunteers who generously contribute their time and talents across all aspects of the radio station. BOARD OF DIRECTORS: Chair: Michael Morton-Evans Deputy Chair: Peter Poole Secretary: Robert Gilchrist Directors: Andrew Clark, Nicky Gluch, Sue Jowell, Jayson McBride, Sue Ping Kee Appointed Directors: Bruce Hambrett, Peter Stavrianos STAFF: Acting Station Manager: Mona Omar Studio & Production Manager: Sophie McCulloch Operations Coordinator: Michael Guilfoyle Digital Content Producer: Lyndon Pike Bookkeeper: Miriam Ho TECHNICAL ADVISORS: Honorary Technical Advisor: Max Benyon Broadcast Engineer: John Shenstone Broadcast Systems Engineer: Roger Doyle Information Technology Consultant Peter Bell Recording Engineer: Jayson McBride COMMITTEE CHAIRS: Jazz: Keith Pettigrew Fundraising: Sue Jowell Library: Sue Ping Kee Presenters: Michael Field Programming: James Nightingale Technical: Peter Bell Volunteers: Sue Nicholas Finance: Peter Poole Contents and concept of 2MBS Fine Music Sydney Copyright © 1975-2022

2mbsfinemusicsydney.com Frequency 102.5 FM Transmitter Governor Phillip Tower, Circular Quay

Ruddygore with a Y Angela Cockburn looks at the original version of a Gilbert and Sullivan comic opera.

The opera directly followed the smash hit The Mikado and it opened to mixed reviews. Some changes were made along with the name change, and the season rolled on, but somehow the idea got around that it was a failure. Gilbert firmly quashed that idea: “We were credited, or discredited, with one conspicuous failure, Ruddigore, or The Witch’s Curse. Well, it ran eight months and, with the sale of the libretto, put £7,000 into my pocket.” D’Oyly Carte, too, wasn’t arguing with full houses. So why the problems? As far as the actual performances go, at opening Grossmith was ill and Leonora Braham was newly pregnant and not at her best, so that may have had something to do with it. But mostly it was the second act. Even then, everyone loved the newly reformed Sir Despard and Mad Margaret (Jessie Bond in a role with real emotional depth). But the interval was long, as the elaborate picture gallery was set up, and it didn’t really work effectively as an entire chorus shuffled into place. What’s odd is that at the time the technology existed to do this well; transformation scenes had been a theatrical staple for well over a century, and Pepper’s Ghost’s effect had been around for a while. The most innovative technology seems to have been the light on Sullivan’s baton in the darkened scene. On top of that, the heroine is a prig, and the tenor, whom you expect to be a hero, is a cad, and unlike Mad Margaret and the Murgatroyd family, neither has much of a story arc and neither is very likeable; their running gags are a bit thin by Act II and I think that’s the real heart of the problem.

Our operetta this month is a very special performance of Gilbert and Sullivan’s Ruddygore. Yes, that’s Ruddygore with a “y”. I’m sure you’ll remember the story: when it was advertised there was mild public outcry at the inclusion of a swearword in the title, so the spelling was changed to Ruddigore. If you happen to own an original poster, or better still the first night programme which had the original spelling, you’ve probably got quite a valuable souvenir.

Lebrecht Music & Arts / Alamy Stock Photo

The music is another matter: there’s a splendid operatic mad scene, a clever patter song sending up patter songs, and of course the spooky and highly dramatic Ghosts’ High Noon. So, did the changes made under pressure really improve things? The short-lived New Sadler’s Wells company decided to find out, and with the help of scholar David Russell Hulme put on a production restored to its original first night form. That’s what we’re going to hear on Saturday 30 April at 2.30 pm. And if you join me for Ruddygore with a Y, I’ll tell you what Gilbert really said about the name change. Saturday Matinée Saturday 30 April at 2.30 pm

Baroque Dance Suites

Developing throughout the 17th century, a standard set of contrasting dances came to be recognised as a suite: Allemande (German, moderate, duple metre), Courante (French, quick, triple metre), Sarabande (Spanish, slow, triple metre) and Gigue (English, lively and fast, duple metre). The dances were played in that order, which was probably established by early Baroque composer Johann Jakob Froberger, or possibly by his publisher working in the interests of standardisation.

As a popular form of music during the Baroque, the dance suite emerged from the medieval period as music to play and listen to rather than dance to. Rapidly settling into a format of several dances linked by the same key, the dance suite proved to be as popular with composers as with listeners. Most composers of the era produced dance suites, and many are still played and listened to today.

The format of the suite was later expanded to include other dances such as the popular Minuet, the Bourrée and the Gavotte, which were also formulaic but allowed a broader scope for the composer. Liberties could be taken with dance titles and the order in which they were played, with the suite itself known as a partita in Germany and sonata da camera in Italy. It could also have its own title as with Handel’s Water Music.

The first compositions to be recognised as dance suites started to appear in the late 16th and early 17th centuries. Moving on from the casual Medieval and Renaissance habit of playing a couple of dances back-to-back, it gradually came to mean a set of dances played as one piece. Each separate dance had its own characteristic tempo and metre, and each was attributed a country of origin.

Lanmas / Alamy Stock Photo

The popularity of the dance suite came about primarily through its reception in domestic settings as a form of entertainment and often participation. The performances could be managed by amateurs in their own homes and became an important part of the social life of the times. Suites were composed for solo instruments such as harpsichord and lute, as well as for small groups and larger ensembles. The keyboard proved to be a popular instrument for the genre, with François Couperin publishing four books of suites (which he called ordres) for harpsichord, and Handel writing more than 20 keyboard suites. J.S. Bach wrote partitas for harpsichord and as well as for numerous other instruments. Moving into the realm of professional musicians, the regular inclusion of an overture in a dance suite led to the orchestral suite becoming popular, with J.S. Bach renowned for his four orchestral suites and Telemann a particularly prolific composer of the form. A dance suite could also be incorporated in a larger work such an opera, of which Purcell’s Abdalazar is an example. As to actual dancing to a dance suite, this became popular at the court of court of Louis XIV, the ‘Sun King’, but was not a primary consideration for most composers. The dance suite was essentially a Baroque form and by 1750, it had given way in popularity to new musical forms such as the symphony and concerto. The dance suite didn’t make a return to favour until the 19th and 20th centuries, by which time it sounded completely different. Baroque Dance Suites, Thursday 7 April, 1:00pm

A Sophisticated Romantic Paul Cooke explores Peggy Glanville-Hicks’ long journey

Perhaps the restrictions, lockdowns and closed borders of the past couple of years can give us some inkling of what life was like for Australian musicians wanting to make their way in the world in the early-to-mid twentieth century. In the 1930s and 1940s, air travel was limited and sea travel was time-consuming. Neither would have been affordable, so it meant making one’s way in unfamiliar locations for long periods without the physical support of family at hand.

She also became involved in numerous activities to promote new music, such as the League of Composers Committee, and then became music critic of the New York Herald Tribune for ten years. She saw that the “only problem with being a music critic is that you spend an awful lot of time listening to other people’s music and not writing any of your own!”. Nevertheless, the security of the position and the support of those in her circle, such as Virgil Thomson, Paul Bowles and Colin McPhee, meant that this was the most fertile period of her composing career.

After studying composition with Fritz Hart in Melbourne (and assisting in the production of many of his operas), Peggy Glanville-Hicks headed overseas in 1932 and studied at the Royal College of Music in London with Ralph Vaughan Williams, who felt that she was one of only a few of his students who would go on to become major composers. Praise came, too, from her compatriot Esther Rofe, also studying at the RCM, who reminisced in 1988 that “Peggy’s songs were rather beautiful. They had a mystic quality, an ‘other’ quality. They were removed. They were a mood that came and passed by.” Further study followed, briefly with Egon Wellesz in Vienna and then in Paris with Nadia Boulanger.

She rejected serialism and turned to melody and rhythm, rather than harmony, as the cornerstones of her music: “Music should be horizontal because it takes place in time. It’s a sequence of one thing following another, not one crash after another of vertical dissonance.” In this she was much influenced by Indian and Far Eastern music, something that may have been given its initial impetus by a stopover in Bombay (now Mumbai), when she met with veena virtuoso Narayana Menon. Her 1954 opera The Transposed Heads incorporates Hindu folk music sources into a contemporary classical framework.

World War II saw her return to Australia in 1940 but opportunities were not forthcoming, and the following year she moved to the United States, where she lived until 1959. She was unable to devote herself solely to composition, initially having to survive on music copying and odd jobs and handouts from the violinist Yehudi Menuhin and, occasionally, her family (she set out from New York in June 1952 to go to Melbourne to visit her now-ailing parents, but her mother had died a couple of weeks before she arrived).

By the time she came to write her final opera, Sappho, completed in 1963, she had moved to Athens, seeking to concentrate on composing and making a study of traditional Greek music. A brain tumour brought an end to her composing career a few years later and she ultimately returned to Australia, where she inspired a new generation of composers. Joseph Machlis, writing in 1961, suggested that she had “found her way to a sophisticated romanticism that is akin, in its clarity and simplicity, to the tradition of Satie”. There is a hardwon stillness and serenity at the heart of many of her compositions.

Illustration by Lyndon Pike

First Person Western Sydney Orchestra Catherine Peake speaks with Artistic Director Kristian Winther and Chair Max Holzner from the newly formed Western Sydney Philharmonic Orchestra, or the West Phil.

It has been exciting news to hear that Western Sydney will now have its own orchestra, with the new Western Sydney Philharmonic Orchestra launched on 21 February. How did it all come about and what will be its significance for the people of Western Sydney?

As co-founders of the West Phil, can you tell us something about yourselves?

K: I might let Max answer this one.

K: I’m a violinist and conductor with eclectic experience as soloist, chamber musician, orchestral musician and leader. I’ve worked a lot with various youth music programs and orchestras.

M: Kristian and I obviously have somewhat different points of abstraction or entry on this. Speaking for myself, I began teaching in Parramatta in 2011. It wasn’t long before I started looking for opportunities for my students outside the studio. The combination of prohibitive fees and the tyranny of distance from Western Sydney meant that there weren’t many high-quality options comparable to those enjoyed by students outside Western Sydney and to the sorts of opportunities Kristian and I had benefited from growing up. This greatly dismayed me!

M: Looking back over the years of my engagement with music, I am struck by how restless I was. There is probably something quintessentially middle-European (which I would attribute to my late father) about my innate distrust or suspicion towards specialisation. Oftentimes, and for better or worse, this has set me at odds with the demands of music as profession, and it’s certainly been a force in propelling me from one facet of music to the next – whether performing, musicology, conducting, teaching, business, and now increasingly governance.

So for me, the genesis of West Phil lies in early attempts to create for quality my own students, accessible opportunities through collaboration with stakeholders and teachers in and around Parramatta. From the outset the view was to the community and broader engagement.

However, I’m more at peace with this tendency of mine these days and I see how a venture and organisation like West Phil can only ever be the product of not only such a personal journey, but also of the critical involvement of people with a huge array of different strengths and skill sets. Our Board is a fine exemplar of this. In fact, our patron, Kim Williams AM, embodies this in some senses: a remarkable background and journey, with music as the central thread. I am incredibly grateful for this.

Kristian’s involvement elevated everything. He’s one of the finest performers Australia’s ever produced, and he has an innate talent for teaching and engaging with students. Our work together served to show us both the stakes – the potential to help create and foster something sustainable and world-class, that truly belongs to the region, and of which the community can lay claim to and be proud.

Krist

tian Winther and Max Holzner Photo by Ruari Campbell

West Phil You plan to focus on student musicians performing alongside professional musicians in the orchestra. Can you let us know how the music and education programs will work?

K: This year the orchestra will consist of young players performing and rehearsing alongside one or two professional musicians per section (ie viola, horn, clarinet etc). We’ll be holding intensive three-to-five-day projects of full day rehearsals culminating in a public performance on the final day. What can we expect in the first year of the West Phil, and what are the long-term plans?

Do you have anything else you’d like to add?

K: We’re really excited to be a part of the constellation of great youth music groups in Australia. When one considers the sheer number of highly talented young players in Sydney and Western Sydney, there is unquestionably the need for more capable youth orchestra initiatives in the region, and we’re proud to be filling the breach! The overwhelming response we’ve had from parents and students and teachers in the region certainly would suggest that this is something to be very excited about. M: As fortunate as Kristian and I are to have the support of such a capable and passionate Board and Patron, it is worth mentioning that West Phil’s mission is made inestimably easier by the enormous groundswell of support we are receiving. As much as the pandemic threw a two-year spanner into planning, coming out the other end we have been bowled over by the huge amount of goodwill and enthusiasm of prospective students, parents, teachers, leaders, and businesses in the region. We are deeply grateful and it is a continual source of inspiration to the both of us in our work going forward.

M: Kristian? K: The music we perform this year will be from composers including Tchaikovsky, Bartok, Shostakovich and Mahler. Alongside the youth-focussed group, long term we’re aiming to establish a professional orchestra which will act as a potential employment base for ‘graduates’ of the orchestra, which will also feature some younger musicians who are simultaneously in the youth philharmonic.

(L-R) Max Holzner, Kristian Winther, India Culey, Beth Condon, Jennifer Wang, Lawrence Wei, Harry Wang. Photo by Ruari Campbell

Jean-Phillipe Rameau Father of French Baroque By Michael Morton-Evans

Dubbed by Voltaire ‘our hero of the semiquavers’, JeanPhilippe Rameau amazed and enchanted 18th century French audiences. He was one of the truly multifaceted musicians of his day, acclaimed for his innovative and popular operas. But he was also known as one of the greatest organists in France and his theoretical writings about music continue to influence musical thinkers to this day, some three centuries later. The intention was that Rameau should become a lawyer, but he showed such outstanding musical ability at a very early age that his father allowed him to take lessons on the organ, violin, and harpsichord. But then sex reared its head, a love affair with a local girl went wrong and the young Rameau had to go into temporary exile in Italy to hide from her enraged family. It didn’t do him any harm however. He took the opportunity to become acquainted with Italian music of the period, which would stand him in good stead with his own operas yet to come. Despite all this early talent, Rameau was a late starter when it came to composition. He was 39 before he started composing the works for which he is best known. Luckily, he managed to avoid William Walton’s advice many years later that all sensitive composers should die at the age of 37, to escape the critical damnation of failing to live up to their early promise! In fact, had he done so he wouldn’t have composed nine tenths of his music or his theoretical writings. Nor would he have become perhaps the most important figure in French musical history. His first was the Treaty on Harmony, published in 1722. This extraordinary tome set out theories of chord formation and a lot more besides. It has formed the basis of harmony teaching ever since. Rameau moved to Paris to supervise the printing of the work and he remained there for the rest of his life.

He was a formal man with a frosty manner. He lived frugally, though he was known to love money and, in his lifetime, earned a large fortune. He had a reputation for arrogance and sarcasm, and his manner could be best described as obstreperous. It is said that on his deathbed he reproved the priest for intoning his prayers out of tune! In 1745, at the age of 58, he was appointed composer of the King’s chamber music, but he was allowed to go on writing his own operas and this was the time when the world was gifted the likes of Platée and the Princess of Navarre. Platée is an interesting case history. It prompted one man to ask whether Rameau was either a brave musician or a fool. The work might easily have been interpreted as a mockery of its dedicatees and the undoing of his career. It was composed for the wedding celebration of the French Dauphin and the Infanta of Spain, Maria Theresa, in 1745. Maria Theresa was almost universally recognised as pretty ugly. The principal character Platée, who happens to be the bride in a mock wedding, is a vain, unattractive marsh-nymph. Luckily for him, nobody seemed to notice the similarity. It could just as easily have been an ‘off with his head’ moment in history. Rameau was well protected by the Court, which was just as well because in 1752 there broke out in Paris what has become known as La guerre des bouffons (the war of the comedians) .The Italian composer Pergolesi had brought his opera La serva padrona to Paris and a war broke out between the partisans of French and Italian music. Rameau was the chosen leader of the pro-French party and was to make many enemies during this time, though in the end he admitted the virtues of Italian opera, even going as far as to say that were he 20 years younger he would go to Italy and take Pergolesi as his model. Not everyone at that time realised that he had spent some time in Italy in his youth and picked up his knowledge of Italian opera there.

The pre-eminent French music critic of the early 20th century, Alexis Roland Manuel, had this to say of Rameau: “As strict a scientist as any, he also lived the dream life of the poet. He was completely a man of his period, with a desire to systematise everything and leave nothing to chance where his music was concerned. He always went carefully and thoroughly through his compositions and invented that genuinely French expression ‘to use art to conceal art’. A fellow critic of Manuel’s time, George Jean-Aubry thought that Rameau embodied the most astonishing balance of science, will-power, and imagination. He wrote: “It may be that Rameau is crabbed and savage because his problems force him into solitude, but how much the more thoroughly does the most vivid feeling pierce through in a thousand places.”

King Louis XV had two deaths to mourn in 1764. First his beloved mistress and adviser Madame de Pompadour died of tuberculosis at the age of 42, and not long afterward his favourite composer caught typhoid fever and died just short of his 81st birthday. It must be said that Rameau’s music pretty well died with him outside France, until the mid-20th century when brave impresarios began to reconsider his operas and ballets. Prejudice played a big part here. For two centuries AngloSaxon historians from Charles Burney onwards have shown a distinct lack of sympathy. As recently as 1928 one critic wrote that Rameau’s music was unenterprising, stiff, archaic, and lacking in spontaneity and charm. Happily, we are learning better these days. Composer Focus, Tuesday, 19 April, 1pm.

Lebrecht Music & Arts / Alamy Stock Photo

High Five – The Precious Energy of Barney McAll Barry O’Sullivan talks to Barney McAll about his music, Mooroolbark, and his time in the Big Apple. Australian jazz pianist and composer Barney McAll moved to New York City in 1997 to join legendary saxophonist Gary Bartz’s band, after completing a Bachelor of Music at the Victorian College of the Arts in Melbourne; contemporaries included pianists Paul Grabowsky, Tony Gould and Mike Nock. Further studies followed in New York with Barry Harris and Mulgrew Miller, as well as in Cuba with Chucho Valdes and Ramón Valle. Awarded the Australia Council Fellowship in 2007, he was the recipient of the Peggy Glanville-Hicks composer residency in Sydney in 2015, and the same year won Best Jazz Album for his album Mooroolbark at the ARIA Music Awards. How extensively was music a part of your life growing up in those early years in Mooroolbark, Melbourne, and whose influences did you absorb there? Maybe I intuitively felt music was my ticket to the future while I was growing up in Mooroolbark, but I didn’t know that at the time. I was just immersing myself in Black American music and learning it by listening and absorbing it. Later when I moved to New York, I started getting hired by the people who were heavily involved in the real lineage of Black music – that was surreal to me. Len Barnard, who is the brother of Bob Barnard, lived close to my family home and dropped several fantastic albums over to my brother John, who is also a pianist. I took a deep dive into Pinetop Smith, Mary Lou Williams, Bud Powell and Miles Davis. I can still sing many of the heads and solos on those records note for note. Maybe I learned to swing by listening to these albums, or maybe some genetic Celtic funk exists? But it was always a quest to learn about this music I loved so much and I’m still on that quest. Mooroolbark was somehow a cul de sac of jazz, soul, and blues… in the eastern suburbs. Who knew? Exit was your first recording as a leader. How did it eventuate? Exit came about after I had first visited New York. While in New York, I vowed to always document where I was at musically and I continue to do this in my life. As a result of just being in that incredible city, I started writing music as a way to express all the feelings I had. These songs I then recorded, and they became part of Exit, but I didn’t have the full album. I was back visiting Australia and Vincent Herring and Jimmy Cobb were in town. Martin Jackson asked them if they would record some songs with me. What an honour to record with Jimmy Cobb and Vincent Herring, and strangely all the

songs fit together. This is the second part of Exit. The last part is when I went into the ABC studios in Sydney. I then had a full album that looked at my life and musical vision at that time. Musical life is full of challenges. What are those that may have confronted you, and how have you overcome them? Firstly, I have been confronted by learning the instrument and learning to sing with it. This has been thirty years of exploration and I feel I am finally getting to a place where I can connect with the music I hear, in the present moment, much more authentically than before. It’s still an enigma, but I am at least able to express myself through my instrument. In a way that helps me. I recently came across the term “audiation” and it means, in some ways, the ability to think in sound, to connect with what you hear and translate it as directly as possible through your instrument. Money is another one. I have done okay considering the obstacles but the striving and sheer survival has taught me a lot of music. The struggle became music. Many of my compositions are catharsis of a kind of sonic documentation of something I’m going through. The streaming services, the internet in general, and now the Covid crisis have really decimated many musicians’ livelihoods and so a lot of musicians are changing occupations. I tell all my students to pay no attention to streaming rates. Avoid the noise of the internet and make sure your music is the very best it can be in your internal estimation or, if not, in the estimation of someone you can trust. Anything else kills the chrysalis.

17 17

Illustration by Lyndon Pike based on cover art by Tokio Aoyama

What are your current musical projects? I have just released my new album called Precious Energy, which features Gary Bartz, The Hiatus Kaiyote Rhythm Section, Laneous, and Rita Satch. I have another new album coming out later this year called A Corona of Thorns which will be released as a music NFT album. I also have some fantastic remixes of the Precious Energy album coming together and lastly, I have another trio project that I am working on, which is a secret but very exciting.

I recently came across the term “audiation” and it means, in some ways, the ability to think in sound, to connect with what you hear and translate it as directly as possible through your instrument.

Illustration by Lyndon Pike based on cover art by Tokio Aoyama

What are some beneficial aspects, that are not currently present in the Australian music scene, that could be introduced to enhance it? More grants and more support for our decimated industry, more arts funding, more support for individual musicians and more priority for Australian music to be used in the media; in films, and anywhere else. It feels like music is the most crucial and most under-supported thing to me. Music is perceived as free, just stream it. It’s not, it’s blood sweat, and tears. There are some very greedy, short-sighted, and exploitative entrepreneurs and politicians who should be keelhauled for what they have done to music, and they will be, spiritually. Barney McAll’s Non-Compliance Trio will appear at Phoenix Park Central on Sunday 3 April https://phoenixcentralpark.com.au https://barneymcall.com/

Volunteer Spotlight Deborah Evans Pamela Newling speaks with Deborah Evans, Jazz programmer and presenter From a musical family, Deborah Evans has been surrounded by music all her life. She started volunteering with 2MBS in 2008, because she loved the jazz. She originally presented both Jazz and Classical programs, but she says: “At my core I’m a jazz person. I think it’s the improvisation, intimacy and surprise combined with the versatility of the musicians.” Following a 10-year hiatus, when Deborah bought a small farm in rural NSW, she returned to Sydney and also resumed her involvement with Fine Music. Jazz After Hours was the time slot that was available on her return. She comments: “There is an intimacy to late night radio that I have come to love. Jazz After Hours is my ‘special place’ where I get to have a conversation with my listeners and share my music.” Having been involved with other radio stations, Deborah describes 2MBS facilities as second to none. She also comments on the dedication of volunteers, and pays tribute to Volunteer Coordinator, Sue Nicholas, who she says “is extraordinary and keeps us all on the same page”. She goes on to say that she loves being part of the JazzCrew and contributing via the Jazz Committee. “I think the whole package is inspiring – people, music, community.” Deborah’s musical tastes encompass Jazz, Classical, Blues, 70s Rock, Latin and Bluegrass. Classical Composers – Bach, Beethoven, Chopin, Debussy, Dvorak and Khachaturian, to name a few – are favourites. She says that “with Jazz it is about the performers – Joe Chindamo, Keith Jarrett, James Morrison, Paul Grabowsky, Mike Nock, Ingrid James, Oscar Peterson, Vince Jones, and new discoveries, like Amanda Suwondo, are exciting”. Memorable performances that Deborah mentions are: “The first time I heard Vince Jones performing at a pub in Melbourne in the early 80s, and anything by the ACO. The last couple of years have been tough on musicians, but they’ve also been tough for people like me who thrive on being in the audience.”

Illustration by Lyndon Pike

Ever on the go… away from 2MBS Deborah finds time to: “Go to gigs, swim, sail and spend time with my four grandchildren. I love cooking and do great dinner parties. On the creative side I make silver jewellery and am just getting into pottery. I have always travelled a lot, both domestically and internationally for both work and pleasure. I’m looking forward to being a tourist again.” From late June, Deborah will be also be presenting a new FineJazz program on Tuesdays. It will be called Jazz About Town and will feature the music of established jazz musicians playing at live gigs in the coming week. It will be like a ‘sound’ version of a gig guide. There will be more details closer to the launch. Jazz After Hours, Sundays 10.00pm

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Illustration by Lyndon Pike

Cienpies Design / Alamy Stock Vector

Fine Jazz Happenings Keith Pettigrew talks about International Jazz Day, 30 April

In November 2011, UNESCO officially designated 30 April as International Jazz Day to highlight the role of jazz in uniting people in all corners of the globe. International Jazz Day is chaired and led by UNESCO Director General, and the legendary jazz pianist and composer Herbie Hancock.

International Jazz Day 2022 at 2MBS FineMusic Sydney

International Jazz Day brings together communities, schools, artists, historians, academics, and jazz enthusiasts all over the world to celebrate and learn about jazz and its roots, future and impact. It raises awareness of the need for intercultural dialogue and mutual understanding; and reinforce international cooperation and communication.

This year’s celebration is on Saturday 30 April, and again we will stream a week-in-a-day of FineJazz, with specials in each program celebrating the Day. Our programs cover the wide sweep that is jazz: from Classic Jazz of the 20s and 30s; Swing jazz of the prewar era; post-war crooners and the great American Songbook; the emergence of Bebop and west coast cool; modern world jazz from Europe and the Middle East; emerging new jazz standards as jazz interprets pop music; local musicians and interviews; right up to the jazz that is emerging from our jazz campuses.

Last year, FineJazz at 2MBS FineMusic Sydney participated in this global event with a streamed broadcast of the week’s FineJazz programs back-to-back.

Each year on 30 April, this international art form is recognised for promoting peace, dialogue among cultures, diversity, and respect for human rights and human dignity; eradicating discrimination; fostering gender equality; and promoting freedom of expression.

We will also be interspersing our FineJazz programs with excerpts from a History of Australian Jazz, a subject that deserves special listening, from the larrikins to the greats. The details will appear on our International Jazz Day webpage, 2MBSFineMusicSydney.com/JazzDay/. Until then, check out the video of the 2021 International Jazz Day Virtual Global Concert.

International Jazz Day in 2019 focussed on Melbourne, with special events happening at the Sydney Opera House. Despite COVID, 2020 and 2021 saw over 190 countries participating in the worldwide celebration, with a spectacular All-Star Global Concert webcast for the first time featuring artists performing from cities across the globe.

A Week-In-A-Day. Too much FineJazz is not enough. 2MBS FineMusic Sydney. Jazz CD Reviews We are gathering our FineJazz resources into one hot spot on the 2MBS FineMusic Sydney website. It is easy to remember 2MBSFineMusicSydney.com/ jazz/. Or look for Jazz on [Music We Play] from our homepage menu. Last month, we relaunched Jazz Birthdays, a spot to see who has had a birthday during March. This month, we are consolidating recent reviews of Jazz CDs. It will be the only place you need to visit to check out great jazz reviews.

So loose, but so tight: Virginia Ginnane reviews the charms of the Zela Margossian Quintet

Downstairs at Mary’s Underground (formerly The Basement), and a walk from Sydney’s Circular Quay past pubs pumping with life at last, red lights glow on a stage that’s hosted some of the world’s great stars of jazz. Welcome to SIMA’s Jazz:Now Summer Festival. As the Zela Margossian Quintet takes that hallowed stage in late February, the audience, starved of fine live music is primed for release. Thanks to the Quintet, the release was glorious.

It was not an easy birth during the ‘Covid hurdles’ as Zela described them with the constant canning of plans. But The Road, recorded in two bursts at the end of 2020 and in June 2021 is finally here. “I call it the Covid album,” laughs Zela.

And the feeling was mutual. “It was amazing! I was so happy to put the music out there after waiting so long,” said Zela, the quintet leader speaking to 2MBS FineMusic Sydney about the first live gig for the band since last June and the first time they’d played together in six months. “The spark that we get on stage is remarkable, I love that!” she said of the Quintet that was first formed in 2017. The Road ahead It was a night of a gorgeous fusion of cool jazz and Middle Eastern folk harmonies from this gifted Beirutborn Armenian composer who has made Australia her home. “It’s my passion to fuse these harmonies together and apply them in my melodies.” Zela’s haunting piano melody opens the set with Refuge, richly interwoven with the entrancing and exotic threads and charms of Stuart Vandegraaff’s sax and Alexander Inman-Hislop’s drums, Jacques Emery’s Double Base and Adem Yilmaz on percussion. All so loose, but so tight and played with such shared respect and delicate restraint. “They just love playing together,” laughed my companion. Their performance marks the launch, much longed-for by the Quintet and their fans, of the band’s second album, The Road on the US label Ropeadope, following their Aria-nominated debut album Transitions, in 2019.

And with this album comes a stronger sense of purpose for her. “This time I was more grounded and knew what direction I was heading towards,” Zela explains. “Whereas with the first album I didn’t have any expectations and I just put out my feelings to express myself.” Freedom of jazz It was the expression of those feelings that switched her to jazz from the tight mould of classical piano she studied in her Masters degree at Armenia’s Yerevan Komitas State Conservatory. “With the freedom of expression in jazz, you can take any tune and you can make it your own, and that’s what I missed in my classical years.” Now there are no rules. “I just want my music to touch people,” she says. “I write very organically, if it feels right I try it with the band – and the band members are fantastic human beings and musicians! And I owe them a lot for bringing the sound out as I would imagine it in my head.” Featuring eight tracks, the title track The Road represents for Zela “the journey we take in life and all the experiences and acquaintances we get along the way”. Adding too that, “it’s true for my band members and myself that we are discovering each other every time we perform and go on tours, it’s really lovely”. Her deep emotional drive to offer ‘a feeling of comfort and hope’ in both her composition and the Quintet’s performance is further reflected in titles such as Gratitude and others. Gratitude for the small things like running water 24/7 that she didn’t have as a child growing up in Beirut. And security. Ceasefire from her first album played in tribute to the suffering in Ukraine draws on Zela’s own experience of sheltering in basements in Beirut from enemy fire.

The final track on The Road, the ravishingly joyous harmony On Ya, is an Aussie salute. This tiny track makes the album a little shy of 47 minutes, short enough for the US record label to press a 12-inch vinyl in the future. To ZMQ, good on ya!

CD REVIEWS Isolation Emancipation Mace Francis Plus 11 Independent

This new album with its bold brass section was conceived by Mace Francis in his COVID19 safety bubble of Perth W.A. It was there he had the space and time to get creative arranging ten upbeat tunes for a twelve-piece band reminiscent of the recordings of the Marty Paich + 11 album from 1960 which featured the legendary Art Pepper on saxophone. Mace Francis employs a hint of Nelson Riddle, a tilt to Count Basie, definitively some Duke Ellington, a splash of “cool school” Gerry Mulligan, a little of Thad Jones, and a hint of Charles Mingus. But, mostly it’s just Mace’s music to make you happy. Five of the charts are purely instrumental, the remaining five are with vocals strongly supplied by Lucy Iffla on the tracks, Casserole For Two, Squint Your Eyes, Home On the Range, I’m In The Mood For Love, and less successfully on

In My Solitude, where she doesn’t quite gain command when battling the band. But overall it’s a fun outing with some superb solos from Gemma Farrell on alto saxophone, Jayden Blockley on the soprano, and Tahlia Denn’s French Horn. Harry Mitchell’s pianism is superb throughout and Bronton Ainsworth’s drumming technique is perfect for the big band sound required. Mace Francis also provides some trombone, this being the first time he has played on his own recorded music – his tenth album release. While not always strictly in the Marty Paich mode, but never the less successful in its own right, the album is a coherent and engaging one that stands up well to repeated listening revealing a little more each time.

“The qualities of the violoncello are exactly those of the beloved dreamer whom we know as Schumann.” So wrote the musicologist Donald Tovey. How appropriate then that for their most recent duo venture, having previously essayed Mendelssohn and Beethoven to acclaim, Zoe Knighton and Amir Farid have recorded works by Robert and Clara Schumann. Robert played the cello in his youth and his writing in both chamber and orchestral settings reflects his familiarity with the instrument’s qualities. One of his works here, Pieces in Folk Style, was written specifically for the cello; the other, Fantasy Pieces, was written

originally for clarinet. Both were intended to be played by gifted amateurs at home, but that doesn’t mean that they are lacking in imagination in their conception or expression in their performance. Clara’s contributions, mostly intended as gifts to Robert, were all originally settings of poems for voice and piano. Knighton’s playing ranges from quiet and unadorned to spirited and joyful, Farid’s is understated and sympathetic. The CD booklet helpfully provides the texts of the songs, thus providing a context for the music. Recommended.

– Barry O’Sullivan

Schumann Cello

Zoe Knighton, cello; Amir Farid, piano Move MD 3461

— Paul Cooke

Smaller Worlds Casey Golden Bandcamp

This new album is a collection of simple, original melodies for solo jazz piano. It may not be jazz to you, but that depends on your ears and sensibilities. You may commune with the spirits of Bill Evans, Keith Jarrett, or even Chick Corea. Whether these greats were looking for harmonies, ideas, precursors, anticipations, or even validation, they turned to Stravinsky and Mozart. Bach famously was an improviser, the idiom of the day. Golden’s musical roots emulsify with classical music. He has a solid performance and recording history in improvisation and belongs to a family thoroughly steeped in the jazz tradition, The Barnards. His newest recording, Smaller Worlds, contains elements from both musical spheres. The album has songs written at various times over the past ten years by Golden. While

most of it was not composed for solo piano, throughout the first year of the pandemic and the ensuing isolation, Golden found all these chosen songs evolved to work best for him as solo pieces. There are delicate musical moments of contemplation on Recluse. There are playfully brief music interludes, Antique (Interlude) and Counter-Earth (Interlude), on a tack laced piano with a harpsichord effect. There’s also Golden’s superb pianism on Unmentionable, but what stands out primarily is placing honesty, passion, originality, and personal experience at the centre of his art. – Barry O’Sullivan

Haydn Piano Sonatas, Volume 10 Jean-Efflam Bavouzet, piano Chandos CHAN 20191

Volume 10 of Jean-Efflam Bavouzet’s cycle of sonatas by Joseph Haydn brings to audiences the inventiveness and variety of the composer’s keyboard works. On this disc, and in other volumes, Bavouzet brings together sonatas from across Haydn’s lifetime that share an ethos or character. The sound is delightfully clear and crisp with the articulation of every note sounding true and precise. This precision brings Haydn’s originality to the fore, especially in works of such unusual form and character as the Sonata no 45 in A major, a piece in which each movement seems

to grow out of the previous one: the stunning finale, a theme and variations on a minuet, amazes in its capacity to evade the listener’s expectations. The climax of the disc is the Sonata no 60 in C major, the only one of Haydn’s keyboard works to reach beyond the range of the Viennese keyboards of the day. Composed in London it was dedicated to Clementi’s student Thérèse Jansen. I greatly enjoyed this recording and highly recommend it. — James Nightingale

Friday 1 April 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am 09:00 DIVERSIONS IN FINE MUSIC Something borrowed Prepared by Chris Blower Handel, G. Water music, HWV348-50 (1717; arr.). Crispian Steele-Perkins, tpt; Leslie Pearson, org. LDR 1006 19 Bruch, M. Kol Nidrei, op 47 (1881; arr. Gingold). David Garrett, vn; Alexander Markovich, pf. DG 479 0933

Holst, G. St Paul's suite, op 29 no 2 (1912-13; arr. Walsh). Guitar Trek. ABC 432 698-2 13 Nielsen, C. Little suite in A minor, op 1 (1888/89; arr. Zapolski). Zapolski Quartet. Chandos CHAN 9635 15 Prokofiev, S. Suite from Romeo and Juliet (1938; arr. Lindberg). Christian Lindberg, tb; Roland Pöntinen, pf. BIS CD-478 23 10:30 CONCERT HALL Prepared by Frank Morrison Khachaturian, A. Suite from Masquerade (1941). Scottish NO/Neeme Järvi. Chandos CHAN 8542 16 Eybler, J. Clarinet concerto in B flat. Eduard Brunner, cl; Bamberg SO/Hans Stadlmair. Tudor 782 25

Rimsky-Korsakov, N. The Tsarina in a barrel at sea, from The tale of Tsar Saltan, op 57 (1890). Seattle SO/Gerard Schwarz. Naxos 8.578269-70 7

Barber, S. Violin concerto, op 14 (1939-40). Dene Olding, vn; Melbourne SO/Hiroyuki Iwaki. ABC 476 7182 23

Scarlatti, A. On the shore of the Tyrrhenian Sea (1697). James Sanderson, ct; Chacona/ Rosalind Halton. ABC 476 617-0 7

Bernstein, L. Symphonic dances, from West Side story (1957). West Australian SO/ Benjamin Northey. ABC 481 7378 24

Smetana, B. Song of the sea (1877). Czech Philharmonic Ch/Josef Veselka. LP Supraphon MS 112 1143 8

Higdon, J. All things majestic (2011). Nashville SO/Giancarlo Guerrero. Naxos 8.559823

Rachmaninov, S. The sea and seagulls, from Five études-tableaux (1917; orch. Respighi 1929). Sydney SO/Vladimir Ashkenazy. Exton EXCL-00018 7

Copland, A. Quiet city (1939). William Harrod, cora; Philip Collins, tpt; Cincinnati Pops O/Erich Kunzel. Telarc 80339 9

Purcell, H. They that go down to the sea in ships (1685). Choir of Christ Church Cathedral, Oxford; Trevor Pinnock, org; English Concert/ Simon Preston. Archiv 459 487-2 10

Hovhaness, A. And God created great whales, op 229 no 1 (1970). Philharmonia O/ David Amos. Crystal Classics CD810 13

14:00 FRENCH CLASSICAL MUSIC Prepared by Derek Parker Gossec, F-J. Symphonie concertante after the ballet Mirza (1784). Andrea Keller, vn; Martin Sandhoff, fl; Concerto Köln/Werner Ehrhardt. Capriccio C8019 11 Méhul, É-N. Symphony no 3 in C (1809). Gulbenkian Foundation O/Michel Swierczewski. Nimbus NI 5184/5 24 Pleyel, I. Cello concerto in C, op 26. Ivan Monighetti, vc; Akademie für Alte Musik Berlin/ Stephan Mai. Harmonia Mundi HMX 2908601.30 22 Devienne, F. Flute concerto no 1 in D (1782). Swedish CO/Patrick Gallois, fl & dir. Naxos 8.573230 18

Reicha, A. Symphony in F (1808). Beethoven Beach, A. Symphony in E minor, op 32, Gaelic Academie/Jan Caeyers. Audivis-Valois V 4834 36 (1896). Detroit SO/Neeme Järvi. Chandos CHAN 8958 41 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm 12:00 A JAZZ HOUR with James Hunter with Barry O'Sullivan Contemporary and modern sounds of 'now' 19:00 FRIDAY JAZZ SESSION in jazz from all corners of the globe with a with Alex Siegers focus on contemporary jazz from Australia A focus on the current Sydney jazz scene and regular interviews with local and visiting mixed with a range of international jazz stars musicians and an occasional guest interview 13:00 THE SEA 20:00 EVENINGS WITH THE Prepared by Rex Burgess ORCHESTRA Mendelssohn, F. Overture: Calm sea and An American century prosperous voyage, op 27 (1828). Vienna PO/ Prepared by Robert Small Carl Schuricht. Gershwin, G. An American in Paris (1928). Decca 482 4955 12 Melbourne SO/Jorge Mester. ABC 438 611-2 19

22:00 BAROQUE AND BEFORE Le Concert Spirituel Prepared by Susan Foulcher Philidor, Anne. Sonate pour la flûte à bec, from Les concerts royaux (1712). Hugo Reyne, rec; Adrian Brown, flûte de voix; Vincent Dumestre, theorbo; Philippe Pierlot, va da gamba. fnac music 592332 8 Leclair, J-M. Violin sonata in D, op 9 no 3 (pub. 1743). Convivium. Hyperion CDA67068 15 Lalande, M-R. de Deitatis majestatem (c1681). Emmanuelle de Negri, sop; Dagmar Šašková, sop; Sean Clayton, ct; Cyril Auvity, ten; André Morsch, bass; Ensemble Aedes; Le Poème Harmonique/Vincent Dumestre. Alpha Alpha 968 27 Blavet, M. Sonata in E minor, op 3 no 3 (1740). Masahiro Arita, fl; Masako Hirao, bass viol; Chiyoko Arita, hpd. Denon CO-75957/8 7 Mouret, J-J. Excerpts from Ballet héroïque: Les amours des dieux; Excerpts from battle scene, from Jupiter et Niobé, dieuxième entrée (1727). Françoise Masset, sop; Symphonie du Marais/Hugo Reyne. Astrée E8650 12 Rebel, J-F. Ballet: Les élémens. Musica Antiqua Cologne/Reinhard Goebel. Archiv 479 1045

Campra, A. Cantata: Les femmes (pub. 1708). Maarten Koningsberger, bar; Academy of the Begynhof, Amsterdam. Globe GLO 5055 13

Saturday 2 April 00:00 CLASSIC-ALL THROUGH THE NIGHT

Puccini, G. O mio babbino caro. American Serenade Band/Henry Charles Smith. Summit DCD 150 2

14:30 SATURDAY MATINEE Orchestral grandeur Prepared by Elaine Silversen

Handy, W.C. St Louis blues. St Louis Brass Quintet. Summit DCD 140 3

Bruckner, A. Symphony no 0 in D minor, Nullte (1863-64; rev 69). Saarbrücken RSO/ Stanislaw Skrowackewski. Brilliant Classics 92084 45

06:00 SATURDAY MORNING MUSIC Verdi, G. Grand march, from Aïda. Allentown with David Garrett Band/Ronald Demkee. AMP 93149 5 09:00 WHAT'S ON IN MUSIC Williams, J. Theme from Schindler's list. Our weekly guide to musical events in and Greater Bendigo Concert Brass/Mark Ford. around Sydney Walsingham WAL 9001-2 4 09:05 THE PIANO ALONE 12:00 URBAN JAZZ LOUNGE Prepared by Rita Felton with Leita Hutchings Bach, J.S. Toccata and fugue in D minor, New, hip, fun and traditional jazz: tons of cool BWV565 (bef. 1708; arr. Cortot, Hough). jazz, presented in a chilled and laid-back, Stephen Hough, pf. lounge style Hyperion CDA67890 9 Beethoven, L. Sonata no 8 in C minor, op 13, 13:00 TREASURES OF THE VOICE The high voice in the Baroque Pathétique (1798). Yundi Li, pf. DG 476 5049 25 Prepared by Rex Burgess Chopin, F. Polonaise-fantasie in A flat, op 61 Steffani, A. Amami, e vederai, from Niobe, Queen of Thebes (1688); Si, si, riposa, o caro (1845-46). Roger Woodward, pf. LP HMV OASD 7560 14 ... Palpitanti sfere belle, from Alarico il Baltha (1687). Cecila Bartoli, sop; Rosario Conte, lute; 10:00 CENTRES OF MUSIC I Barrochisti/Diego Fusolis. The court of Frederick II of Prussia Part 2 Decca 478 4732 10 Prepared by Elaine Siversen Buxtehude, D. Muss der Tod denn auch Quantz, J. Concerto in G minor for recorder, entbinden, from Fried-und freudenreiche flute and strings. Collegium Pro Musica/ Hinfahrt, BuxWV76. Andreas Scholl, ct; Stefano Bagliano, rec & dir. Concerto di Viole/Basel Consort. Brilliant Classics 95386 18 Harmonia Mundi HMG 501651 8 Graun, C. Misero pargoletto, from Handel, G. Son qual stanco pellegrino, from Demoföonte (1746). Cecilia Bartoli, mezz; Il Arianna in Creta, HWV32 (1734). Emma Giardino Armonico/Giovanni Antonini. Kirkby, sop; Brandenburg Consort/Roy Decca 478 1521 10 Goodman. Hyperion CDA67128 8 Benda, F. Sonata no 32 in E. Hans-Joachim Berg, baroque vn; Naoko Akutagawa, hpd. Lascia ch’io pianga, from Rinaldo, HWV7a Naxos 8.572307 16 (1711). Emma Matthews, sop; New Zealand CO/Donald Armstrong. Benda, G. Sinfonia no 9 in A. Prague CO/ Artworks AW029 4 Christian Benda. Naxos 8.553409 12 Gluck, C. Excerpts from Antigono, scene and arias (1756). Samuel Mariño, ct; Handel FO/ Frederick II. Sonata for flute and basso Michael Hofstetter. continuo. Collegium Musicum 90/Simon Orfeo C998201 20 Standage. Chandos CHAN 0541 8 14:00 DANISH CHAMBER MUSIC Fasch, C. Triple concerto in E. John Prepared by Paul Cooke Anderson, ob; John Wallace, tpt; Peter Gade, N. Sonata no 2 in D minor, op 21 Thomas, vn; Philharmonia O/Christopher (1849). Dora Bratchkova, vn; Andreas MeyerWarren-Green. Nimbus NI 7016 15 Hermann, pf. cpo 999 644-2 18 11:30 ON PARADE Nielsen, C. Serenata in vano (1914). Athena Music that’s band Ensemble. Prepared by Owen Fisher Chandos 10454 X 7 Berlioz, H. Overture: Le corsaire, op 21. Black Dyke Mills Band/Peter Parkes. Chandos CHAN 6561 8

Adagio to symphony no 3 in D minor (1876). Royal Scottish NO/Georg Tintner. Naxos 8.554430 21 Symphony no 5 in B flat (1875-76). Royal Concertgebouw O/Riccardo Chailly. Decca 433 819-2 1:15 17:00 SOCIETY SPOT Folk Federation of NSW with Paul Jackson 18:00 STAGE AND SCREEN True crimes Prepared by Sue Jowell Bradshaw, M. Excerpts from Bright star. Steve Martin, Edie Brickell, voices. Ghostlight 84501-02 12 Kander, J. Excerpts from Chicago. Chita Rivera, Gwen Verdon, Richard Gere, Renée Zellweger, Cheryl Clark, Mary McCarty, voices. Sony 6618 14 Sondheim, S. Excerpts from Sweeney Todd. Paul Gemignanim, Angela Lansbury, Victor Garber, voices. Masterworks 41695 6 Lutvak, S. Excerpts from A gentleman’s guide to love and murder. Bryce Pinkham, Jefferson Mays, Catherine Walker, voices. Ghostlight 8-44820 10 Gainsbourg, S. Theme from Bonnie and Clyde. David Whitaker O. Warner 2737

Theme from Bonnie and Clyde. Georgie Fame, voice. CBS 3124

19:00 EMERGENT JAZZ with Keith Pettigrew Australian jazz of the 21st century featuring high school jazz combos, tracks from Sydney's pre-eminent jazz programs at UNSW and 'The Con' and new Australian and international jazz releases 20:00 THE LIFE OF A COMPOSER Charles-Louis-Eugène Koechlin Prepared by Jacky Ternisien Koechlin, C. Vers la voûte étoilée, op 129 (1929-33, orch. 1939). Stuttgart RSO/Heinz Holliger. SWR Music SWR19046CD 13

Chansons bretonnes, bk 3, op 115 (1932). Peter Bruns, vc; Roglit Ishay, pf. SWR Music SWR19047CD

Fauré, G. Suite from Pelléas et Mélisande, op 80 (1898). Loire PO/Marc Soustrot. Pierre Verany PV 792051 17 Koechlin, C. Through the streets; Roses in the midday sun; Arabesques, from Les heures persanes, op 65 (1913-19). Kathryn Stott, pf. Chandos CHAN 9974 10 L’hiver, op 8 no 2; L’été, op 1 no 5; Le printemps, op 1 no 4 (1890-95). Claudette Leblanc, sop; Boaz Sharon, pf. Hyperion CDH55163 6 Tailleferre, G. Sonata (1957). Isabelle Moretti, hp. Harmonia Mundi 7905184 9 Koechlin, C. Sonatine for saxophone and piano, op 194b no 2 (1943). Duo Disecheis. Brilliant Classics 9266 10 Symphonic poem: The Spring running, op 95 (1908-27) Stuttgart RSO/Heinz Holliger. SWR Music SWR19046CD 33 22:00 SATURDAY NIGHT AT HOME Prepared by Chris Blower

10:00 THE CLASSICAL ERA Prepared by Meg Matthews Mozart, W. Overture to The abduction from the seraglio, K384 (1782). Zurich Opera House Mozart O/Nikolaus Harnoncourt. Teldec 0630-13811-9 4 Gluck, C. Symphony in G, Weimar. Orfeo Baroque O/Michi Gaigg. cpo 777 411-2 14 Crusell, B. Clarinet concerto no 3 in B flat, op 11 (c1807). Emma Johnson, cl; English CO/ Gerard Schwartz. ASV DCA 784 26 Haydn, J. Keyboard trio in D, Hob.XV:7 (1785). Beaux Arts Trio. Philips 454 098-2 15 Beethoven, L. Excerpts from ballet, The creatures of Prometheus, op 43 (1800-01). Scottish CO/Charles Mackerras. Hyperion CDA66748 41 Mozart, W. Martern aller Arten, from The abduction from the seraglio, K384. Joan Sutherland, sop; Royal Opera House O/ Francesco Molinari-Pradelli. Decca 475 6302

Handel, G. Love in Bath (arr. Beecham). Royal 12:00 CLASSIC JAZZ AND RAGTIME PO/Thomas Beecham. EMI CDM 7 63374 2 48 with Dave Mac The early days of jazz and ragtime as Beethoven, L. Ten variations on Müller’s song recorded during the first 30 years of the 20th Ich bin der Schneider Kakadu for piano trio, op century 121a. Macquarie Trio. Fine Music concert recording 19 13:00 WORLD MUSIC Rubinstein, A. Symphony no 6 in A minor, op 111 (c1880). Hamburg SO/Heribert Beissel. LP Turnabout TV-S 34577 47

Sunday 3 April 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC with James Nightingale 09:00 MUSICA SACRA Prepared by Stephen Matthews Haydn, M. German Mass. Vienna Chamber Choir/Michael Prinz. Carus 83.2354 18 Graupner, C. Passion cantata. Ex Tempore Soloists Ensemble; Mannheim Hofkapelle Baroque O/Florian Heyerick. cpo 555 170-2 35

Whirled Wide with Ian Carswell Showcases diverse music from cultures around the world, both traditional and modern, featuring musicians from all corners of the globe, including Australia 14:00 INTIMATE VOICES Cello and piano Part 1 Prepared by Anne Irish Dvorák, A. Sonatina in G, op 100 (1893). Christian Poltéra, vc; Kathryn Stott, pf. BIS SACD 1947 20 Isaacs, M. Elegy (1987). Trish O’Brien, vc; Mark Isaacs, pf. MBS 41 5 Schubert, F. Sonata in A minor, D821, Arpeggione (1824). Mstislav Rostropovich, vc; Benjamin Britten, pf. Decca 443 575-2 28 15:00 SUNDAY SPECIAL Terrific Tchaikovsky Prepared by Paolo Hooke Tchaikovsky, P. Ballet: Swan Lake Act IV, op 20 (1875-76). State SO/Yevgeny Svetlanov. Melodiya/BMG 74321170822 19

Francesca da Rimini, symphonic fantasia after Dante, op 32 (1876). USSR SO/Yevgeny Svetlanov. Melodiya/BMG 74321 34163 2 23 Grand sonata in G, op 37 (1878). Sviatoslav Richter, pf. Melodiya/BMG 74321 29469 2 31 Symphony no 2 in C minor, op 17, Little Russian (1872). USSR SO/Yevgeny Svetlanov. Melodiya/BMG 74321 36163 2

17:00 HOSANNA Prepared by Stephen Matthews Hymns. O sacred head sore wounded; Glory be to Jesus; All my hope in God is founded. Choir of Trinity College, University of Melbourne/Michael Leighton Jones. ABC 476 5682 9 Wesley, S.S. Psalm 42: Like as the hart. Choir of St John’s College, Cambridge/ George Guest. Decca 483 1290

Stewart, C. Psalm 23: The Lord is my shepherd. Choir of St John’s College, Cambridge/George Guest. Decca 483 1290

Zelenka, J. Credo, from Missa omnium sanctorum. Stuttgart Chamber Choir; Tafelmusik/Frieder Bernius. Sony 8895439412-9

Haydn, M. Motets: Stern auf diesem Lebensmeere; Sei, Mutter der Barmherzigkeit. Vienna Chamber Choir; Robert Kovacs, org; Johannes Prinz, cond. Carus 83.354 5 Gibbons, O. Almighty and everlasting God. Choir of York Minster/Robert Sharpe. Regent REG544 2 Bach, J.S. Cantata, BWV67: Halt im Gedächtnis Jesum Christ. Holland Boys Choir/Pieter Jan Leusink. Brilliant 94365/39

18:00 SMALL FORCES Prepared by Rita Felton Sculthorpe, P. Quartet no 17 (2007). Goldner String Quartet. Tall Poppies TP206 19 Carulli, F. Duo in C, op 104 no 3. Jean-Pierre Rampal, fl; Alexandre Lagoya, gui. CBS MK 42130 6 Locatelli, P. Concerto grosso in F, op 1 no 1 (pub.1721). Raglan Baroque Players/Elizabeth Wallfisch, Nicholas Kraemer. Hyperion CDD22066 7

Franck, C. Piano trio in B minor, op 2 no 4 (1839-42). Bekova Sisters. Chandos CHAN 9742 19 19:00 SUNDAY NIGHT CONCERT Prepared by Rex Burgess Dvorák, A. Symphonic poem: The golden spinning wheel, op 109 (1896). London SO/ István Kertész. Decca 452 946-2 26 Mozart, W. Piano concerto no 22 in E flat, K482 (1785). Piers Lane, pf; Queensland SO/ Johannes Fritzsch. ABC 481 0248 35

Kabalevsky, D. Poem of struggle (1930). Gnesin Academy Ch; Russian PO/Dmitry Yablonsky. Naxos 8.557794

14:30 ROMANTIC BAROQUE Prepared by James Nightingale 9

Gershwin, G. Embraceable you, from Girl crazy (1930). Sarah McKenzie, voice; Simon Tedeschi, pf. ABC 481 0629 7 Nin, J. Suite espagnole (1930). David Pereira, vc; David Bollard, pf. Tall Poppies TP010 9

Orff, C. Cantata: Der gute Mensch (1930). Czech Philharmonic Ch; Instrumental Ensemble/Václav Smetácek. Honegger, A. Symphony no 5, Di tri re (1950). LP Supraphon 1 12 1137 11 Danish NSO/Neeme Järvi. Chandos CHAN 9176 21 10:30 CONCERT HALL Prepared by Derek Parker 20:30 NEW HORIZONS Telemann, G. Suite in F, Alster. Akademie für Prepared by Angus McPherson Alte Musick. Abbott, K. Symphony no 1, Souls of fire. Kiev Harmonia Mundi HMC 901654 31 PO/Robert Ian Winstin. Walton, W. Viola concerto (1929). Nobuko erm ERM-6827 27 Imai, va; BBC NO of Wales/Tadaaki Otaka. Westlake, N. Suite: The glass soldier (2008). BBC Music BBC MM295 25 Geoffrey Payne, tpt; Melbourne SO/JeanBorodin, A. Symphony no 2 in B minor (1869Louis Forestier. 76). Seattle SO/Gerard Schwarz. Move MD 3318 25 Naxos 8.572786 27 Dean, B. Epitaphs (2010). Brett Dean, va; Doric String Quartet. 12:00 SWING SESSIONS Chandos CHAN 10873 22 with John Buchanan Featuring bands of the 1930s swing era and Sculthorpe, P. Threnody (1991/92). David the dance bands of the 1920s taken from Pereira, vc. Tall Poppies TP017 7 radio broadcasts, transcriptions and recording sessions 22:00 JAZZ AFTER HOURS 13:00 MUSIC AND WAR Part 1 with Sue Jowell Late night jazz, to listen and engage and relax Prepared by Gerald Holder Kelly, F. Elegy in memoriam Rupert Brooke (1915). Tasmanian SO/Johannes Fritzsch. Monday 4 April ABC 481 8890 9 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with James Hunter 09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1930 Prepared by Dan Bickel Hutchens, F. Quintet in E minor (1930). Joyce Hutchinson, pf; Austral String Quartet. LP Festival L 42018 15 Turina, J. Danzas gitanas, op 55 (1930). Azahar Ensemble. Profil Medien PH18073 13 Holst, G. Hammersmith (1930). University of Georgia Wind Ensemble/John P. Lynch. Naxos 8.572231 13

Stephan, R. Eine Lieder nach verschiedenen Dichtern (1913-14). Tehila Nini Goldstein, sop; Hinrich Alpers, pf. Sony 88985363442 2 Coles, C. Behind the lines (1917). BBC Scottish SO/Martyn Brabbins. Hyperion CDA67293

Moeran, E.J. A dream of death; Come away, death (1925). Roderick Williams, bar; John Talbot, pf. Chandos CHAN 10596(2) 5 Holst, G. Mars, from The planets, op 32 (1914-16; arr. Sauer). Summit Brass. Summit DCD 171

Messiaen, O. Quartet for the end of time (1941). Amici Ensemble. Naxos 8.554824 46

Telemann, G. Suite in G minor, La musette. Akademie für Alte Musick. Harmonia Mundi HMC 901654 12 Schumann, R. Six studies in canonic form, op 56 (1845; arr. Anderszewski). Piotr Anderszewski, pf. Virgin 642022 20 Scarlatti, A. Lidio e Clori (c1699). Jane Edwards, sop; James Sanderson, ct; violins from Chacona. ABC 461 687-2 15 Parry, H. Partita in D minor (1877-86). Benjamin Nabarro, vn; Tim Horton, pf. Hyperion CDA68243

Grieg, E. Suite: From Holberg’s time, op 40 (1884; orch. 1885). Tasmanian SO/Sebastian Lang-Lessing. ABC 476 4523 19 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Nicky Gluch 19:00 JAZZ PULSE with Chris Wetherall Jazz across the wide spectrum from early Louis to Coltrane, with plenty of Ellington and Basie, through to hard bop 20:00 STORMY MONDAY with Austin Harrison 22:00 JAZZ AFTER HOURS Late night jazz, to listen and engage, and relax

Tuesday 5 April 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Julie Simonds 09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by Gerald Holder Bach, J. Christian Piano concerto in F, op 1 no 3 (1763). Ingrid Haebler, fp; Vienna Capella Academica/Eduard Melkus. Philips 438 712-2 12 Mussorgsky, M. St John’s night on Bald Mountain (1867; ed. Rimsky-Korsakov 1886; transcr. Chernov). Boris Berezovsky, pf. Teldec 4509-96516-2 11

Mozart, W. Quartet in E flat, K493 (1786). Aiko Goto, vn; Jeremy Williams, va; Tim Nankervis, vc; Brenda Jones, pf. Fine Music concert recording 25 Beethoven, L. Sonata no 12 in A flat, op 26 (1801). Stephen Kovacevich, pf. EMI 5 62700 2 18 Hotteterre, J-M. Suite no 1 in G minor, from Pieces for transverse flute bk 2, op 5 (pub. 1715). Philippe Allain-Dupré, fl; Philippe Pierlot, bass viol; Yasuko Uyama-Bouvard, hpd. Naxos 8.553708 15 10:30 CONCERT HALL Prepared by Dan Bickel

Beethoven, L. Ten variations in G on Müller’s Ich bin der Schneider Kakadu, op 121a (c1803/ c1816). Pinchas Zukerman, vn; Jacqueline du Pré, vc; Daniel Barenboim, pf. EMI CMS 7 63124 2 19 Franck, C. Sonata in A (1886). Jacqueline du Pré, vc; Daniel Barenboim, pf. EMI CZS 5 68132 2 29 Elgar, E. Cello concerto in E minor, op 85 (1918-19). Jacqueline du Pré, vc; London SO/ John Barbirolli. EMI CZS 5 68132 2 30 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Andrew Dziedzic

Berlioz, H. Tristia, op 18 (1831/48). Monteverdi 19:00 THE JAZZ BEAT Choir; O Révolutionnaire et Romantique/John with Lloyd Capps Eliot Gardiner. Smooth small group jazz from the 50s on, and Philips 446 676-2 18 with a visit from Miles Davis each week Poulenc, F. Pastoral concerto (1927-28). 20:00 JUST IN Zuzana Ruzicková, hpd; Czech PO/Kurt with Michael Field Sanderling. Supraphon SU 4117-2 28 A selection from the latest recordings to arrive at the Fine Music Library Rimsky-Korsakov, N. Symphony no 3 in C, op 32 (1886). Bergen PO/Dmitri Kitaienko. Chandos CHAN 9229 37

22:00 CHAMBER SOIRÉE Prepared by Albert Gormley

12:00 JAZZ RHYTHM with Jeannie McInnes An eclectic blending of agreeable rhythm and melody from the New Orleans jazz roots through to recent decades, including many Australian bands

Buxtehude, D. Sonata in B flat, BuxWV273. John Holloway, vn; Ursula Weiss, vn; Jaap ter Linden, va; Mogens Rasmussen, va; Lars Ulrik Mortensen, hpd, org. Naxos 8.557250 14

13:00 COMPOSER FOCUS Part 11 Ignaz Pleyel Prepared by Michael Morton-Evans Pleyel, I. String quartet in A, op 2 no 1 (1784). Ensō Quartet. Naxos 8.557496 17 Sonatina no 5 in G. Martin Souter, pf. Gift of Music CCL CDG1187

Overture to Die Fee Urgele. Pro Musica CO/ Paul Weigold. Ars Produktion ARS 38816 7 Symphony in G, op 68 (1804). London Mozart Players/Matthias Bamert. Chandos CHAN 9525 24 14:00 THE ARTISTRY OF JACQUELINE DU PRÉ Prepared by Frank Morrison Bach, J.S. Suite no 1 in G, BWV1007 (c1720). Jacqueline du Pré, vc. EMI CZS 5 68132 2 19 Bruch, M. Kol nidrei, op 47 (1881). Jacqueline du Pré, vc; Gerald Moore, pf. EMI CZS 5 68132 2 10

Chaminade, C. Trio no 2 in A minor, op 34 (1887). Tzigane Piano Trio. ASV DCA 965 23 Saint-Saëns, C. String quartet no 2 in G, op 153 (1918). Fine Arts Quartet. Naxos 8.572454 29 Pierné, G. Cello sonata in F sharp minor, op 46 (1919). Mats Lidström, vc; Bengt Forsberg, pf. Hyperion CDA66979 25 Beethoven, L. Octet in E flat, op 103 (c179293). Vienna Philharmonic Wind Group. Westminster RC 8808678121735 22

Wednesday 6 April 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Stephen Wilson

09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by Rex Burgess Tartini, G. Flute concerto in G (c1720). Neil McLaren, fl; Cambridge Baroque Camerata. Amon Ra CD-SAR 52 8 Merula, T. Hor ch’è tempo di dormire. Sara Mingardo, cont; Concerto Italiano/Rinaldo Alessandrini. naïve OP 30395 9 Devienne, F. Trio no 5 in G (c1790). Sara Ligas, fl; Salvatore Rea, va; Vladimiro Atzeni, vc. Brilliant Classics 95686 13 Cambini, G. Sinfonia concertante in D (c1780). Raffaele Giuliani, fl; Mauro Catalano, vn; Malgorzata Graczyk, vn; Milan CO/Paolo Vaglieri. Nuova Era 7059 16 Spontini, G. Excerpts from Fernando Cortez (1809). Angeles Gulin, sop; Bruno Prevedi, ten; Carlo del Bosco, bass; Italo d'Amico, bass; RAI National Choir & SO/Lovro von Matacic. Gala GL 100.706 17 Schobert, J. Trio in B flat, op 16 no 1 (pub. 1761-67). Chiara Banchini, vn; Philipp Bosbach, vc; Luciano Sgrizzi, fp. Harmonia Mundi HMC 901294 15 10:30 CONCERT HALL Prepared by David Brett Telemann, G. Overture in F, Alster. Collegium Musicum 90/Simon Standage. Chandos CHAN 0547 28 Ravel, M. Piano concerto in D for the left hand (1931). Leon Fleisher, pf; Boston SO/ Seiji Ozawa. Sony SK 47 188 19 Tchaikovsky, P. Symphony no 2 in C minor, op 17, Little Russian (1872). London PO/ Mstislav Rostropovich. EMI 5 65709 2 35 12:00 JAZZ SKETCHES with Robert Vale Focussing on contemporary jazz, often gathered from emerging cultures and Australian 13:00 IN CONVERSATION with Simon Moore Each week we meet one of the world’s great musicians, singers, composers or conductors, along with up-and-comers and some of the men and women who influence the arts landscape. The program goes live to air so you never quite know what’s going to happen.

14:00 TRIBUTE TO SAINT HUBERT Prepared by Jacky Ternisien Gottschalk, L. Overture: Young Henry’s hunt, after Méhul (1861; reconstr. & ed. Rosenberg). John Contiguglia, pf; Richard Contiguglia, pf; Angela Draghicescu, pf; Chin-Ming Lin, pf; Joshua Pepper, pf; Hot Springs Festival SO/ Richard Rosenberg. Naxos 8.559320 11 Locatelli, P. Violin concerto in F, op 4 no 8, Hunting horn (pub.1735). Raglan Baroque Players/Elizabeth Wallfisch, vn & dir. Hyperion CDA67041/2 9 Deisenroth, F. Seven hunting marches. Munich Parforce Horn Players. Orfeo C 034-821 A

Beethoven, L. Sonata no 18 in E flat, op 31 no 3, The hunt (1802). John Chen, pf. Kawai 2004 0911 23 Haydn, J. Symphony in D, Hob.I:73, The hunt (1781). Philharmonia Hungarica/Antal Dorati. Decca 425 925-2 25 Schubert, F. Huntsman’s love song, D909 (1827). Gerald Finley, bar; Graham Johnson, pf. Hyperion CDJ33036 5 Mozart, W. String quartet no 17 in B flat, K458, The hunt (1784). Quartetto Italiano. Decca 478 5555 28 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Tom Forrester-Paton 19:00 PLANET JAZZ with Xavier Bichon A musical journey to different parts of the world where jazz meets other musical traditions, from Africa to Europe, with a slice of Australia 20:00 AT THE OPERA Prepared by Peter Poole Verdi, G. Nabucco. Opera in four acts. Libretto by Temistocle Solera. First performed Milan, 1842. NABUCCO: Tito Gobbi, bar ABIGAILLE: Elena Suliotis, sop ISMAELE: Bruno Prevedi, ten FENENA: Dora Carral, sop ZACCARIA: Carlo Cava, bass Vienna State Opera Ch; Vienna Opera O/ Lamberto Gardelli. Decca 417 407-2 2:01 The Hebrews are taken prisoner by Assyrian king, Nabucco. His supposed daughter, Abigaille, is in love with the Hebrew Ismaele. He loves her sister Fenena, whom he saves from death ordered by the high priest Zaccaria. Abigaille discovers she is not

Nabucco's daughter, but of slave birth. She plots against Fenena who has converted to the Hebrew faith and been appointed regent. Nabucco is reported killed and Abigaille demands the crown but Nabucco is alive and proclaims himself both king and god. He is struck down by a thunderbolt and goes mad. Abigaille seizes the throne, tricks Nabucco into signing the death warrant of Fenena and the Hebrews, then has him imprisoned. Nabucco prays to the God of the Hebrews for forgiveness, is restored to sanity, stops the execution and frees the Hebrews. Abigaille repents and takes poison. Ella mi fu rapita, from Rigoletto (1851). Francisco Araiza, ten; Ambrosian Opera Ch; English CO/Alberto Zedda. Philips 420 070-2 11 La donna è mobile, from Rigoletto (1851). Plácido Domingo, ten; Piera Cappuccili, bar; Nicolai Ghiaurov, bass; Vienna PO/Carlo Maria Giulini. DG 477 6292 3 22:30 MUSIC OF THE NIGHT Prepared by Paul Cooke

Anon. Sonata: Folias. Música Tempura/Adrian Rodriguez van der Spoel. Etcetera KTC 1384 10 Chopin, F. Nocturne in E flat, op 9 no 2; Mazurka, op 7 no 1 (1830-31; transcr. Bolliger). Scott Marshall, ob; Phillip Bolliger, gui. MBS 31 7 Dittersdorf, C. Double bass concerto in E flat. Edicson Ruiz, db; Teresa Carreño Youth SO of Venezuela/Christian Vásquez. Philharmonie PHIL 06020 17 Zuckert, J. Sonata VI. Kenneth Frazer, baroque vc; Duncan Fox, baroque violone; Pedro Caldeira Cabral, gui; Marcos Magalhães, hpd. Tradisom TRAD034 13 Zhu, Xiaogu Love in spring. Takako Nishizaki, vn; Shanghai Conservatory SO/Fang Chengwu. Naxos 8.554334 9 Hummel, J. Grande sonata, op 37a (1810). Alison Stephens, mand; Richard Burnett, fp. Amon Ra CD-SAR 53 18 10:30 CONCERT HALL Prepared by James Nightingale

Fleischer, T. Symphony no 4, op 51, A moving Schulhoff, E. Moonstruck. Gewandhaus O/ shadow (2000). Eyal Sela, folk winds; Yinon Lothar Zagrosek. Muallem, folk perc; Prague PO/Jiri Mikula. 24 Vienna Modern Masters VMM 3053 23 Decca 444 182-2 Gershwin, G. Piano concerto in F (1925). Marez Oyens, T. de String quartet, Peter Donohoe, pf; City of Birmingham SO/ Contrafrictus (1981). Dufy Quartet. BFO A-18 10 Simon Rattle. EMI CDC 7 54280 2 32 Williamson, M. Epitaphs for Edith Sitwell Haydn, J. Symphony in G, Hob. I:8, Evening (1966). Erica Kennedy, vn; Janet Rutherford, (1761). Freiburg Baroque O/Petra Müllejans. va; Tasmanian SO/Richard Mills. 27 ABC 476 3222 7 Harmonia Mundi HMX 2961767 Somers, H. The merman of Orford (1978). Robert Cram, fl; Bardyhl Gievori, hn; Tom Wiebe, vc; Russell Hartenberger, perc; Les Dala, cond. Centrediscs CMCCD 15309 43

13:00 BAROQUE DANCE SUITES Prepared by Catherine Peake

Thursday 7 April

Handel, G. Music for the royal fireworks, HWV351 (1749). King's Consort/Robert King. Hyperion CDA66350 20

00:00 CONTEMPORARY COLLECTIVE

Purcell, H. Suite from Abdelazer (1695). Academy of Ancient Music/Christopher Hogwood. L’Oiseau-Lyre 433 191-2 16

03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Simon Moore 09:00 DIVERSIONS IN FINE MUSIC The Instruments: Strings Prepared by Anabela Pina Wilder, P. Arthur's dump. Sirinu. Griffin GCD4013

12:00 JAZZ AFTER NOON with Sue Jowell Featuring swing to mainstream jazz with regular appearances from the Great American Songbook

Bach, J.S. Violin partita no 3 in E, BWV1006 (1720). Richard Tognetti, vn. ABC 476 8051 19 Telemann, G. Suite in A minor. Clas Pehrsson, rec; Anders Öhrwall, hpd; Drottningholm Baroque Ensemble. BIS CD-210

14:30 IRISH CHAMBER MUSIC Prepared by Derek Parker Harty, H. Three pieces (1911). Sarah Francis, ob; Peter Dickinson, pf. LP Hyperion A66206 13 Field, J. Piano quintet in A flat (1815). David Juritz, vn; Jennifer Godson, vn; Sarah-Jane Bradley, va; Julia Desbruslais, vc; Míceál O'Rourke, pf. Chandos CHAN 9534 11 Guilfoyle, R. Music for clarinet and string trio. Brendan Doyle, cl; Hibernia String Trio. Dun Laoghaire County Council 23 Bayl, J. Jon Bayl’s reel. Renaissance Players/ Winsome Evans. Celestial Harmonies 14197-2 2 Stanford, C. Villiers Trio no 2 in G minor, op 73 (1899). Gould Piano Trio. Naxos 8.573388 31

Karg-Elert, S. Tone poem, Totentanz, op 70 no 2 (c1910). Johannes Matthias Michel, harmonium. cpo 999 522-2 5 22:30 ULTIMA THULE Ambient and atmospheric music

Friday 8 April 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am 09:00 DIVERSIONS IN FINE MUSIC Something borrowed Prepared by Elaine Siversen

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Peter Poole

Pasculli, A. Fantasia on Donizetti's Poliuto. Ivan Paisov, ob; Natalia Shcherbakova, pf. Naxos 8.570567 14

19:00 THE NEW JAZZ STANDARD with Frank Presley A fresh perspective on modern music contributing to the standard jazz repertoire, with fine jazz interpretations from the world of pop, rock, film and contemporary jazz

Chopin, F. Fantasia in A on Polish themes, op 13 (1828). Idil Biret, pf; Slovak State PO/ Robert Stankovsky. Naxos 8.554541 16

20:00 THE WORLD OF A SYMPHONY Prepared by Paul Cooke Howells, H. Like as the hart desireth the waterbrooks (1941). Elin Manahan Thomas, sop; The Sixteen/Harry Christophers. UCJ 179 5732 7 Beethoven, L. Symphony no 9 in D minor, op 125, Choral, mvt 2 (1822-24; transcr. Liszt 1864). Leslie Howard, pf. Hyperion CDS44566 14

Czerny, C. Brilliant fantasy no 1, after Schubert, op 339 (c1836). Andrew Clark, hn; Geoffrey Govier, pf. Helios CDH55074 17 Saint-Saëns, C. Fantasy after Weber’s Oberon (1850). Philippe Graffin, vn; Pascal Devoyon, pf. Helios CDH55353 16 Thalberg, S. Memories of Beethoven, grand fantasy on Symphony no 7, op 39 (c1835). Francesco Nicolosi, pf. Naxos 8.553701 17 10:30 CONCERT HALL Prepared by Jacky Ternisien

Brian, H. Cello concerto (1964). Raphael Wallfisch, vc; BBC Concert O/Martin Yates. Epoch CDXL 7263 22

Respighi, O. Overture: Belfagor (1925). BBC PO/Edward Downes. Chandos CHAN 9311 12

Nielsen, C. Sonata no 2, op 35 (1912). Lydia Mordkovitch, vn; Clifford Benson, pf. Chandos CHAN 8598 22

Ponce, M. Chapultepec (1929/34). State of Mexico SO/Enrique Bátiz. ASV DCA 926 15

Simpson, R. Symphony no 4 (1970-72). Bournemouth SO/Vernon Handley. Hyperion CDA66505

Bériot, C-A. de Violin concerto no 2 in B minor, op 32 (1835). Philippe Quint, vn; Slovak RSO/Kirk Trevor. Naxos 8.570360 28

22:00 THE MUSIC OF POETRY Prepared by Paul Cooke d’Indy, V. Poem of the mountains, op 15 (1881). Stephanie McCallum, pf. ABC 461 798-2 20

Berwald, F. Symphony no 2 in D, Sinfonie capricieuse (1842). Malmö SO/Sixten Ehrling. BIS CD-795/796 28 12:00 A JAZZ HOUR with Barry O'Sullivan

13:00 ARTISTRY OF THE EMERSON STRING QUARTET Prepared by Frank Morrison Mozart, W. Quartet no 17 in B flat, K458, Hunt (1784). Emerson String Quartet. DG 445 598-2 26 Britten, B. Quartet no 2 in C, op 36 (1945). Emerson String Quartet. Decca 481 5204 29 14:00 BEFORE THE REVOLUTION Prepared by Rex Burgess Kalinnikov, V. The cedar and the palm, symphonic picture (1897-98). Scottish NO/ Neeme Järvi. Chandos CHAN 8805 13 Prokofiev, S. Sonata no 4 in C minor, op 29 (1913). Boris Berman, pf. Chandos CHAN 8926 17 Glazunov, A. Violin concerto in A minor, op 82 (1904). Ursula Bagdasarjanz, vn; Lugarno RO/Leopoldo Casella. Gallo CD-1250 21 Arensky, A. Quintet in D, op 51 (1900). Piers Lane, pf; Goldner String Quartet. Hyperion CDA67965 24 Rachmaninov, S. The bells, choral symphony, op 35 (1913). Elli Bertolotti, sop; Marcus Bertolotti, ten; David Hidden, bass; Willoughby Symphony Choir & O/Nicholas Milton. Fine Music concert recording 34 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Robert Gilchrist 19:00 FRIDAY JAZZ SESSION with Alex Siegers 20:00 EVENINGS WITH THE ORCHESTRA Marin Alsop conducts Prepared by Chris Blower Barber, S. Overture: The school for scandal, op 5 (1933). Royal Scottish NO/Marin Alsop. Naxos 8.559024 9 Bartók, B. Dance suite, Sz77 (1923). Bournemouth SO/Marin Alsop. Naxos 8.557433

Gershwin, G. Piano concerto in F (1928; arr. Grofé). Andrew Balio, tpt; Jean-Yves Thibaudet, pf; Baltimore SO/Marin Alsop. Decca 478 2189 31 Adams, J. Berceuse élégïaque (1991). Bournemouth SO/Marin Alsop. Naxos 8.559031

Brahms, J. Symphony no 4 in E minor, op 98 (1885). London PO/Marin Alsop. Naxos 8.570233 42

22:00 BAROQUE AND BEFORE Young Handel in Italy Prepared by Elaine Siversen

Raff, J. La fileuse, op 157 no 2 (1870). Philip Martin, pf. Hyperion CDA67379 4

Handel, G. Se la belessa; Crede l’uom ch’egli riposi, from Il trionfo del tempo e del disinganno, HWV46a (1707). Sara Mingardo, cont; Concerto Italiano/Rinaldo Alessandrini. naïve V 5307 9

Schumann, R. Humoreske, op 20 (1839). András Schiff, pf. ECM 1806/07 28

Suite from Rodrigo, HWV5 (1706). Parley of Instruments/Peter Holman. Hyperion CDA67053 16 Psalm 109 (110): Dixit Dominus domino meo, HWV232 (1707). The Sixteen/Harry Christophers. Chandos CHAN 0517 33

10:00 CENTRES OF MUSIC Norway Part 2 Prepared by Peter Poole Sinding, C. The maiden in the poppy field, op 50 no 5; The dark wine, op 128 no 3; Barcarolle, op 128 no 4. Bodil Arnesen, sop; Erling Ragnar Eriksen, pf. Naxos 8.553905 7

Svendsen, J. String quartet in A minor, op 1 Sonata in B flat for violin and continuo, (1865). Kontra Quartet. HWV288 (1706-07). Hiro Kurosaki, vn; London BIS CD-753 26 Baroque/Charles Medlam. EMI CDC 7 49799 2 9 Løvenskjold, H. Excerpt from La sylphide (1832). London SO/Richard Bonynge. Qual’insolita luce ... Caddi, è ver, from La Decca 452 769-2 8 Resurrezione, HWV47 (1708); Fra l’ombre e gl’orrori, from Aci, Galatea e Polifemo, HWV72 Tveitt, G. Welcome with honour; Langeleik tune; Hardanger ale, from A hundred (1708). Christopher Purves, bass; Arcangelo/ Hardanger tunes, op 151 (1955). Iceland SO/ Jonathan Cohen. Hyperion CDA 67842 12 Bjarte Engeset. Naxos 8.557018 9 Sinfonia; Pensieri, voi mi tomentate, from Agrippina, HWV6 (1709). Julia Lezhneva, sop; Grieg, E. Symphony in C minor (1864). Malmö SO/Bjarte Engeset. Il Giardino Armonico/Giovanni Antonini. 33 Decca 478 6766 10 Naxos 8.557991

14:00 FLUTE AND FRIENDS Prepared by Paul Cooke Hummel, J. Trio in A, op 78 (pub. c1818). András Adorján, fl; Boris Pergamenschikow, vc; Pavel Gililov, pf. Orfeo C 252 931 A 17 Villa-Lobos, H. Sextuor mystique (1917). Jacques Castagner, fl; Robert Casier, ob; Jean-Marie Londeix, alto sax; Ramón de Herrera, gui; Lily Laskine, hp; Henriette PuigRoget, celesta. EMI 5 72360 2 8 14:30 SATURDAY MATINEE Operetta in the afternoon Prepared by Elaine Siversen Zeller, C. Der Vogelhändler. Operetta in three acts. Lyrics by Moritz West and Ludwig Held. First performed Vienna, 1891. ADAM: Sebastian Reinthaller, ten CRISTEL: Birgid Steinberger, sop LORD STANISLAUS: Jörg Schneider, ten BARON WEPS: Eduard Lehmann, ten PRINCESS MARIE: Ingrid Habermann, sop ADELAIDE: Marika Lichter, sop Mörbisch Festival Ch & O/Rudolf Bibl. OEHMS Classics OC 220 1:20

Adam, a handsome bird seller from the Tyrol, and Christel, the postal clerk in a Bavarian village, are betrothed. When the Elector Vieni, o cara, from Agrippina, HWV6 (1709). 11:30 ON PARADE decides not to come to the town’s festival, Christopher Purves, bass; Arcangelo/Jonathan Prepared by Robert Small Stanislaus, an impecunious Guards officer, Cohen. suggests to his uncle Baron Weps, the Hunt Copland, A. Quiet city (1940; arr. Hyperion CDA67842 2 Hunsberger). Phillip Koch, cora; Wynton Master, that he, Stanislaus, impersonate the Cantata: Sento là che ristretto, HWV161 Marsalis, tpt; Eastman Wind Ensemble/Donald Elector and take the money which is set aside for the festival’s ceremonial maiden. Electress(1709). Judith Nelson, sop; René Jacobs, Hunsberger. ct; Wieland Kuijken, baroque vc; Konrad CBS MK 44916 11 Princess Marie, accompanied by Adelaide, arrives in disguise because she believes that Junghänel, theorbo; William Christie, hpd. Khachaturian, A. Armenian dances. Eastman the Elector is coming to the festival to seduce LP Harmonia Mundi HM 1004 13 Wind Ensemble/Frederick Fennell. the ceremonial maiden. At the festival, Adam Mercury 478 5092 6 is informed that Christel is the ceremonial Saturday 9 April Grainger, P. Hill song no 2 (1901-07). maiden. She believes that Stanislaus is the Eastman Wind Ensemble/Frederick Fennell. Elector. Marie, hoping to save Adam from Mercury 478 5092 6 embarrassment, offers him a bouquet of roses 00:00 CLASSIC-ALL THROUGH Sousa, J.P. The Washington Post (1889). and Adam somehow believes himself to have THE NIGHT Eastman Wind Ensemble/Frederick Fennell. been promised to Marie and Christel to the 06:00 SATURDAY MORNING MUSIC Mercury 478 5092 2 Elector. He publicly breaks off his engagement with Stephen Wilson to Christel. 12:00 URBAN JAZZ LOUNGE Christel gets permission from Marie to find 09:00 WHAT'S ON IN MUSIC with Leita Hutchings Adam a job at Court. Adelaide asks the Our weekly guide to musical events in and Hunt Master to arrange a marriage between 13:00 IN A SENTIMENTAL MOOD around Sydney herself and Stanislaus, whom she adores. with Maureen Meers 09:05 THE PIANO ALONE Nostalgic music and artists from the 30s, 40s Stanislaus, still pretending to be the Elector, continues to pursue Christel. When Baron and 50s and occasionally beyond, in a trip Handel, G. Suite no 3 in D minor, HWV428 Weps announces the wedding of Adelaide and down many memory lanes (pub. 1720). Murray Perahia, pf. Stanislaus, Christel identifies Stanislaus as the Sony SK 62785 13 imposter. Adam believes Stanislaus has made Rachmaninov, S. Polichinelle, from Five a legitimate offer of marriage to Christel but fantasy pieces, op 3 no 4 (1892). Roger Christel tells Adam that she is promised only Woodward, pf. to him. Adam rejects her so Christel decides Warner 9031774722 3 to accept Stanislaus' proposal. All turns out

well when Adam and Christel finally settle their Five lyrics. Hanna Hipp, mezz; Emma Abbate, pf. differences and resume their engagement. Resonus RES10209 20 d’Albert, E. The departure. Comic opera in

10:00 THE CLASSICAL ERA Prepared by Peter Poole

GILFEN: Hermann Prey, bar LUISE: Edda Moser, sop TROTT: Peter Schreier, ten Philharmonia Hungarica/János Kulka. EMI 4 64329 2

Bach, J. Christian Sonata in A, op 17 no 5 (1762). Robert Woolley, fp. Chandos CHAN 0543 11

one act. Libretto by Ferdinand Sporck. First performed Frankfurt, 1898.

After many years of marriage, the passion has faded for Gilfen and Luise. Gilfen has postponed his departure for a journey a number of times because he fears that his wife will be unfaithful. So, he has never departed. Trott, a friend of the couple, is in love with Luise. He finally persuades Gilfen to undertake the long-planned journey. Gilfen (who has guessed Trott's motives) takes leave of his wife and fakes his departure. Trott immediately seizes the opportunity but Luise rejects him. Gilfen returns to find (much to his surprise and delight) that his wife has been faithful to him. Now it is Trott's turn to depart and Gilfen and Luise decide to renew their love. Heuberger, R. Overture to The opera ball (1898). Vienna PO/Willi Boskovsky. Decca 436 785-2 7 17:00 SOCIETY SPOT Organ Music Society of NSW with John Hanna 18:00 STAGE AND SCREEN Prepared by Maureen Meers Leigh, M. Excerpts from The man of La Mancha (1965). Richard Kiley, Robert Rounsville, Irving Jacobson, Joan Diener, Ray Middleton, voices; Niel Warner, cond. Decca 012 159 387-2 18 Henderson, R. Excerpts from Good news (1927). Kim Huber, Ann Morrison, Linda Michele, Michael Gruber, Wayne Bryan, Hal Davis, voices; National SO/Craig Barna. TER Orbis Mus C N54 13 Rodgers, R. Excerpts from South Pacific (1949). Mary Martin, voice; Ezio Pinza, bass. Columbia SMK 60722 19 19:00 EMERGENT JAZZ with Keith Pettigrew 20:00 THE LIFE OF A COMPOSER Ildebrando Pizzetti Prepared by James Nightingale Pizzetti, I. Lédipo re di Sofocle (1903). BBC Scottish SO/Osmo Vänskä. Hyperion CDH55329 18

Piano concerto (1930). Susanna Stefani Caetani, pf; Robert Schumann PO/Oleg Caetani. Naxos 8.570874

Il giardino di Afrodite; Piena sorgeva la luna (1942-43). Danish National Radio Chamber Choir/Stefan Parkman. Chandos CHAN 8964 8 Clitennestra (1962-64). Thessaloniki State SO/ Myron Michailidis. Naxos 8.572013 5 22:00 SATURDAY NIGHT AT HOME Prepared by James Nightingale Schubert, F. String quartet no 6 in D, D74 (1813). Melos Quartet. DG 419 879-2 23 Saint-Saëns, C. Ballet music from Les barbares (1901). O Victoria/Guillaume Tourniaire. Melba MR301130

Borodin, A. Petite suite (1885). Marco Rapetti, pf. Brilliant Classics 94410

Mozart, W. Incidental music to Thamos, King of Egypt, K345 (1773-76). Janet Perry, sop; Marius van Altena, ten; Thomas Thomaschke, bass; Harry van der Kamp, bass; Netherlands Chamber Choir; Collegium Vocale; Concertgebouw O/Nikolaus Harnoncourt. Teldec 8.42702 43

Sunday 10 April

Corrette, M. Laudate Dominum, after Vivaldi’s Spring (1766). Colette Alliot-Lugaz, sop; Régis Oudot, ten; Philippe Huttenlocher, bass; Lyon Vocal and Instrumental Ensemble/ Guy Cornut. LP Erato STU 70914 21 Bach, C.P.E. Sonata in A, Wq55 no 4 (1765). Christopher Hinterhuber, pf. Naxos 8.557450 13 Haydn, M. Horn concertino in D (176062). Johannes Hinterholzer, hn; Salzburg Hofmusik/Wolfgang Brunner. cpo 777 538-2 15 Manfredini, V. Let not those eyes, from Carlo Magno (1764). Cecilia Bartoli, mezz; JeanMarc Goujon, fl; I Barocchisti/Diego Fasolis. Decca 478 6767 9 Haydn, J. Symphony in D, Hob.I:13 (1763). Cologne CO/Helmut Müller-Brühl. Naxos 8.554762 20 12:00 CLASSIC JAZZ AND RAGTIME with Dave Mac 13:00 WORLD MUSIC Whirled Wide with Anna Tranter 14:00 INTIMATE VOICES Cello and piano Part 2 Prepared by Anne Irish

00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC with Peter Poole 09:00 MUSICA SACRA Prepared by Jacky Ternisien Pedersøn, M. Mass. Hilliard Ensemble/Paul Hillier. BIS CD-389 11 Titelouze, J. Magnificat quinti toni. Joseph Payne, org. Naxos 8.553215 5 Hummel, J. Mass in D, op 111 (1808). Collegium Musicum 90/Richard Hickox. Chandos CHAN 0681

Gluck, C. Suite from Don Juan (1761). Rhenish CO/Jan Corazolla. Christophorus CHE 0064-2

Grainger, P. Scandinavian suite (1902). Andreas Brantelid, vc; Christian Ihle Hadland, pf. BIS BIS-2120 16 Sibelius, J. Malinconia, op 20 (1900). Torleif Thedéen, vc; Folke Gräsbeck, pf. BIS CD-817 12 Grieg, E. Sonata in A minor, op 36 (1883). Steven Isserlis, vc; Stephen Hough, pf. RCA 09026 68290 2 25 15:00 SUNDAY SPECIAL Schubert: Revisiting some masterpieces Prepared by Elaine Siversen Schubert, F. Fantasy in C, D760, Wanderer (c1823). Kathryn Selby, pf. ABC 432 700 2 23 Die schöne Müllerin, D795 (1823). Olaf Bär, bar; Geoffrey Parsons, pf. EMI CDC 7 47947-2 1:05

String quartet no 1 in A (1906). Lajtha Quartet. Naxos 8.570876 28

Sonata in A minor, D821, Arpeggione (1824). Yuri Bashmet, va; Martha Argerich, pf. DG 479 5096 24 17:00 HOSANNA Prepared by Meg Matthews Hymn. Ride on, ride on in majesty. Cantus Choro; Norman Kaye, org; Peter Chapman, cond. Move MD 3062 2 All glory, laud and honour. Choir of King’s College, Cambridge; Richard Farnes, org; Stephen Cleobury, cond. Decca B0006647-2 4 My song is love unknown. Choir of Wells Cathedral; Rupert Gough, org; Malcolm Archer, cond. Hyperion CDP 12101

Haydn, J. Benedictus, from Mass no 10 in C, Hob.XXII.9, Paukenmesse. English Baroque Soloists/John Eliot Gardiner. Philips 475 101-2 6 Bach, J.S. Excerpts from Cantata, BWV182: Himmelskönig sei willkommen. Makoto Sakurada, ten; Peter Kooij, bass; Bach Collegium Japan; Masaaki Suzuki. BIS SACD-9055 19 Rachmaninov, S. Come, let us worship God, our King; Glory to God in the highest, from Vespers, all-night vigil, op 37. St Petersburg Chamber Choir/Nikolai Korniev. Philips 442 344-2 15 18:00 SMALL FORCES Prepared by Frank Morrison Corelli, A. Sonata in A, op 5 no 6 (pub. 1700). Eduard Melkus, vn; Garo Atmacayan, vc; Capella Academica Vienna. Archiv 427 161-2 10 Briccialdi, G. Quintet in D, op 124. Avalon Wind Quintet. Naxos 8.553410 16 Bridge, F. String sextet, op 47. Academy of St Martin in the Fields Chamber Ensemble. Chandos CHAN 9472 27 19:00 SUNDAY NIGHT CONCERT Prepared by Anabela Pina Rossini, G. Overture to The thieving magpie (c1817). Prague Sinfonia O/Christian Benda. Naxos 8.570933 10 Granados, E. Suite on Galician songs (1899). Barcelona SO/Pablo González. Naxos 8.573263 30 Hoffmeister, F. Double concerto in E flat. Walter Boeykens, cl; Anne Boeykens, cl; New Belgian CO/Jan Caeyers. Harmonia Mundi HMC 1901433 23

Dittersdorf, C. Symphony in C, The four ages of the world (pub. 1767). Failoni O/Hanspeter Gmür. Naxos 8.553368 17 20:30 NEW HORIZONS Prepared by Paul Cooke Brophy, G. Mantras (2003). Tasmanian SO/ Kenneth Young. ABC 476 3222 15 Kaipainen, J. Vento, op 58 (1998). Mika Väyrynen, acc. Naxos 8.555790

Izarra, A. Pitangus sulphuratus (1987/2007). Sharon Bezaly, fl; Australian CO/Richard Tognetti. BIS CD-1789 15 Higdon, J. Voices (1993). Nicholas Kitchen, vn; Melissa Kleinbart, vn; Hsin-Yun Huang, va; Wilhelmina Smith, vc. Naxos 8.559298 18 Sheng, B. The phoenix (2004). Shana Blake Hill, sop; Seattle SO/Gerard Schwarz. Naxos 8.559610 24 22:00 JAZZ AFTER HOURS with Deborah Evans

Monday 11 April 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Robert Small 09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1887 Prepared by James Nightingale Chausson, E. Viviane, op 5 (1882; rev.1887). BBC PO/Yan Pascal Tortelier. Chandos CHAN 9650 12 Parry, H. Blest pair of sirens (1887). Vasari Singers; Jeremy Filsell, org; Jeremy Backhouse, cond. Naxos 8.572504 12 Fauré, G. Pavane, op 50 (1887). Melbourne SO/Willem van Otterloo. ABC 442 377-2 7 Verdi, G. Già nella notte densa, from Otello (1887). Katia Ricciarelli, sop; Plácido Domingo, ten; Saint Cecilia Academy O/Gianandrea Gavazzeni. Sony 88697526902 10 Granados, E. Poetic waltzes (1887). Douglas Riva, pf. Naxos 8.554629 15

Chaminade, C. Piano trio no 2 in A minor, op 34 (1887). Trio Chausson. Mirare MIR 163 24 10:30 CONCERT HALL Prepared by Paul Cooke Wallace, W. Symphonic poem no 1: The passing of Beatrice (1892). BBC Scottish SO/ Martyn Brabbins. Hyperion CDA66848 16 Prokofiev, S. Piano concerto no 2 in G minor, op 16 (1923). Yuja Wang, pf; Simón Bolívar SO of Venezuela/Gustavo Dudamel. DG 479 1304 31 Dobrzynski, I. Symphony no 2, op 15, Characteristic (1834-62). Polish RSO/Lukasz Borowicz. Chandos CHAN 10778 (2) 36 12:00 SWING SESSIONS with John Buchanan 13:00 MUSIC AND WAR Part 2 Prepared by Gerald Holder Beethoven, L. Wellington’s victory, op 91 (1813). Czecho-Slovak RSO/Ondrej Lenard. Naxos 8.570154-55 15 Butterworth, G. Bredon Hill (1911-12); On the idle hill of summer (1911-12). Bryn Terfel, bassbar; Malcolm Martineau, pf. DG 445 946-2 8 Villa-Lobos, H. Symphony no 4, Victory (1919). São Paulo SO/Isaac Karabtchevsky. Naxos 8.573151 31 Schubert, F. Marche militaire in B flat, D733 no 3 (1818). Nina Walker, pf; Adrian Farmer, pf. Nimbus NI 5485 8 Jenkins, K. The armed man; Save me from the bloody man; Hymn before action; Charge!, from The armed man: A mass for peace (pub. 2001). National Youth Choir; London PO/Karl Jenkins. Virgin 8 11015 2 18 14:30 EARLY CLASSICAL Prepared by James Nightingale Bach, J. Christian Sinfonia in E for double orchestra, op 18 no 5 (c1781). Failoni O/ Hanspeter Gmür. Naxos 8. 553367 15 Vanhal, J. Oboe quartet in F, op 7 no 1 (1771). Emma Black, ob; Zoe Black, vn; Ann HarveyNagl, va; Peter Trefflinger, vc. ABC 481 9359 18 Mozart, W. Popoli di Tessaglià! … lo non chiedo, eterni Dei, K316 (1778). Elfriede Hobarth, sop; Vienna CO/György Fischer. Decca 430 300-2 10

Boccherini, L. String quintet in F, op 13 no 3 (1772). La Magnifica Comunità. Brilliant Classics 94386 20 Haydn, J. Symphony in F minor, Hob.I:49, La Passione (1768). Australian CO/Richard Tognetti. ABC 481 8572 18 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Julie Simonds

Mozart, W. Violin concerto no 3 in G, K216 (1775). Joshua Bell, vn; English CO/Peter Maag. Decca 436376-2 25 Beethoven, L. Symphony no 6 in F, op 68, Pastoral (1808). Australian CO/Richard Tognetti. ABC 481 9075 42 12:00 JAZZ RHYTHM with Jeannie McInnes

19:00 JAZZ PULSE with Chris Wetherall

13:00 CARNIVAL OF THE INSECTS Prepared by Jacky Ternisien Vaughan Williams, R. Overture to The wasps, Aristophanic suite (1909). Bournemouth SO/Kees Bakels. Naxos 8.578281-82

20:00 STORMY MONDAY with Austin Harrison 22:00 JAZZ AFTER HOURS with Gail Monjo

Berlioz, H. A delightful flea, from The damnation of Faust, op 24 (1845-46). Samuel Ramey, bass; Munich RO/Julius Rudel. Naxos 8.555355 3

Tuesday 12 April

Mussorgsky, M. Mephistopheles' song of the flea (1879). John Wegner, bass-bar; O Victoria/Richard Divall. ABC 480 5513 4

00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Julie Simonds

Shostakovich, D. Five pieces, from The gadfly, op 97 (1955; arr. Borisovsky). Lawrence Power, va; Simon Crawford-Phillips, pf. Hyperion CDA67865 17

09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by Rex Burgess

Schumann, R. Papillons, op 2 (1829-31). Murray Perahia, pf. Sony SX4K 63380 14 Fauré, G. Papillon, op 77 (1884). Maria Kliegel, vc; Nina Tichman, pf. Naxos 8.557889

Brahms, J. Variations on a theme by Paganini Sablier, E. Papillons. Élodie Sablier, pf. elodiesablier.com EL0002 bk 1, op 35 (1862-63). Idil Biret, pf.

Bach, J.S. Fantasia in A minor, BWV922. Diana Petech, hpd. Giulia GS 201026

Naxos 8.550350

Bottesini, G. Capriccio, op 19 (1835-39). Davide Botto, db; Davide Ghio, db; Elda Laro, pf. Chandos CHAN 10867 14 Stravinsky, I. Three movements from Petrushka (1911/47). Katia Labeque, pf; Marielle Labeque, pf. Philips 420 822-2

Debussy, C. Sonata (1917). Frank Peter Zimmermann, vn; Alexander Lonquich, pf. EMI CDC 7 54305 2 14 Beethoven, L. Sonata no 26 in E flat, op 81a, Les adieux (1809-10). Paul Lewis, pf. Harmonia Mundi HMC 901909.11 17 10:30 CONCERT HALL Prepared by James Nightingale Sculthorpe, P. Mangrove (1979). Queensland SO/Michael Christie. ABC 476 192-1 15

Sørensen, B. Rosenbad, from Papillons trilogy (2013). Katrine Gislinge, pf; Stenhammar Quartet. Dacapo 8.226135 25 14:30 CONCERTANTE Prepared by Derek Parker Viotti, G. Sinfonia concertante no 1 in F (1786). Roberto Baraldi, vn; Alberto Martini, vn; Accademia dei Filarmonici/Aldo Sisillo. Naxos 8.553861 26 Stravinsky, I. Danses concertantes (1942). Columbia CO/Robert Craft. Sony SM3K 46 291-302 18 Cannabich, C. Sinfonia concertante in C. Camerata Bern/Thomas Füri. LP Archiv 2723 068 9 Mozart, W. Sinfonia concertante no 2 in E flat, K364 (1779). Christopher Moore, va; Australian CO/Richard Tognetti, vn & dir. BIS SACD 1754 29

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Michael Morton-Evans 19:00 THE JAZZ BEAT with Lloyd Capps 20:00 JUST IN with Robert Small A selection from the latest recordings to arrive at the Fine Music Library 22:00 CHAMBER SOIREÉ Prepared by Frank Morrison Müller, I. Grand duo brilliant. Dieter Klöcker, cl; Werner Genuit, pf. cpo 999 626-2 12 Boccherini, L. String quintet in B flat, op 11 no 1, G271 (1771). La Magnifica Comunità. Brilliant Classics 94386 23 Bliss, A. Piano quartet (1915). Peter Donohoe, pf; Laurence Jackson, vn; Martin Outram, va; Michal Kaznowski, vc. Naxos 8.555931 16 Nielsen, C. Wind quintet, op 43 (1922). Athena Ensemble. Chandos 10454 X

Brahms, J. String sextet no 1 in B flat, op 18 (1863). Yehudi Menuhin, vn; Robert Masters, vn; Cecil Aronowitz, va; Ernst Wallfisch, va; Maurice Gendron, vc; Derek Simpson, vc. EMI 5 74956 2 38

Wednesday 13 April 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Stephen Wilson 09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by Anabela Pina Salomon, J. Romance in D (c1795). Simon Standage, vn; English Concert/Trevor Pinnock. Archiv 427 316-2 4 Portugal, M. Você trata amor em brinco. Sandra Medeiros, sop; Joanna Seara, sop; L’Avventura London/Žak Ozmo. Hyperion CDA67904 5 Lebrun, L. Clarinet concerto in B flat. Dieter Klöcker, cl; Munich CO/Hans Stadlmair. Schwann 3-6422-2 H1 18

Meder, J.V. Sonata di battaglia. Musica Antiqua Cologne/Reinhard Goebel. Archiv 459 619-2

Séjan, L-N. Duo concertante no 1, op 10 (pub. 1828). Marielle Nordmann, hp; Brigitte Haudebourg, pf. Arion ARN 68285 13 Duval, F. Les génies (1736; ed. Washburn). Bay Area Women’s PO/JoAnn Falletta. Newport Classic NCD 60102 11 Graziani, C. Sonata in F for cello and continuo, op 3 no 4. Antonio Meneses, vc; Gustavo Tavares, continuo vc; Rosana Lanzelotte, hpd. Sanctus SCS 002/3 14 10:30 CONCERT HALL Prepared by Anne Irish

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Ross Hayes

Bach, J.S. Prelude and fugue in A minor, BWV543. Christopher Herrick, org. Hyperion CDA66791/2 10

19:00 PLANET JAZZ with Xavier Bichon

23:15 MUSIC OF THE NIGHT Prepared by James Nightingale

20:00 AT THE OPERA Prepared by James Nightingale

Kokkonen, J. String quartet no 2 (1964-66). Sibelius Academy String Quartet. BIS CD-458 17

Massenet, J. Marie-Magdeleine. Opera in three acts. Libretto by Louis Gallet. First performed Paris, Good Friday 1873. MARIE-MAGDALEINE: Régine Crespin, sop JESUS: Louis Roney, ten JUDAS: Joseph Rouleau, bass Daniel Roth, org; Sacred Music Society of America Choir & O/Anthony Morss. BellaVoce BLV 107.239 1:35

At an oasis near the town of Magdala, the Rimsky-Korsakov, N. Overture: Russian women are fetching water in a beautiful Easter festival, op 36 (1888). Paris O/ garden. The women talk of the Nazarene Gennady Rozhdestvensky. with awe but the men dismiss Jesus as an EMI CDM 1 66428 2 16 imposter. The men try to flirt with Marie, Tchaikovsky, P. Violin concerto in D, op 35 nicknamed Marie-Magdaleine but today their (1878). James Ehnes, vn; Sydney SO/Vladimir advances are ignored. She has renounced Ashkenazy. earthly pleasures and is waiting for Jesus to Sydney Symphony SSO201206 35 arrive at Magdala. This confession is mocked by all and Judas cruelly tells her that the Sibelius, J. Symphony no 6 in D minor, only task of a woman is to be loved. Marieop 104 (1923). Danish National RSO/Leif Magdaleine ignores them and when Jesus Segerstam. Chandos CHAN 8965 32 arrives he reproaches the crowd for mocking a repentant sinner. As Marie-Magdaleine bows 12:00 JAZZ SKETCHES before him, Jesus raises her up and tells her with Robert Vale to return home and prepare for him to stay at her home. When Jesus arrives at Marie13:00 IN CONVERSATION Magdaleine’s house, Judas scolds Jesus for with Simon Moore staying at the house of a courtesan, saying that it adds fuel to the fire of their enemies. 14:00 WEST AUSTRALIAN Jesus answers by stating that one of the SYMPHONY ORCHESTRA Part 4 disciples will betray him. Servants enter with Prepared by Ron Walledge a table of food for Jesus and his disciples and Mills, R. Overture with fanfare. West they take their places for the Last Supper. Australian SO/Richard Mills. ABC 434 713-2 10 At Golgotha, Jesus is hanging on the cross. As he is mocked by the crowd, he asks his Respighi, O. Rossiniana (1925). West Heavenly Father to forgive them. MarieAustralian SO/Jorge Mester. Magdaleine approaches and is blessed by ABC 442 348-2 26 Jesus who gives her comforting words before Carmichael, J. Trumpet concerto. Kevin he dies. The next morning, at the sepulchre, Johnston, tpt; West Australian SO/David women come bearing fresh herbs and find Measham. Marie-Magdaleine, who has been waiting all ABC 442 374-2 24 night for Jesus’ return. A radiant light appears and Jesus comes to Marie-Magdaleine and Wagner, R. Prelude to Tristan and Isolde tells her to preach the Gospel of Christ. She (1859). West Australian SO/Simone Young. ABC 476 6811 11 cries out that Christ lives and, as the vision of Brahms, J. Symphony no 3 in F, op 90 (1883). Jesus disappears, the believers sing a hymn of salvation. West Australian SO/Asher Fisch. ABC 481 4413

Stainer, J. Oratorio: The crucifixion (1887). Robert Tear, ten; Benjamin Luxon, bar; Westminster Singers and Congregation; John Scott, org; Richard Hickox, cond. EMI CDC 7 47502 2 1:10

Martinsson, R. Cello concerto no 1 (2005). Mats Lidström, vc; Norrköping SO/Mats Rondin. Daphne 1029 24

Thursday 14 April 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Simon Moore 09:00 DIVERSIONS IN FINE MUSIC The instruments: Strings Prepared by Paul Cooke Garth, J. Cello concerto no 2 in B flat, op 1 (pub. 1760). Alexander Baillie, vc; European Union CO/Dmitri Demetriades. Helios CDH55035 11 Domeniconi, C. Koyunbaba. Antigoni Goni, gui. Naxos 8.553774 12 Schubert, F. Rondo in B minor, D895 (1826). Donald Hazelwood, vn; Rachel Valler, pf. LP MBS 10 16 Thomas, Augusta. Carillon sky (2006). Baird Dodge, vn; Chicago SO MusicNOW Ensemble/Oliver Knussen. Nimbus NI 6258 8 Mouret, J-J. Motet: How long, O Lord (1742). Sara Macliver, sop; Ensemble Battistin. ABC 476 6182 10 Hill, A. String quartet no 15 in A minor (1937). Dominion String Quartet. Naxos 8.573416 22 10:30 CONCERT HALL Prepared by Rex Burgess Wagenaar, J. Overture: Cyrano de Bergerac, op 23 (1905). Royal Concertgebouw O/ Riccardo Chailly. Decca 425 833-2 14 Mendelssohn, F. Violin concerto in E minor, op 64 (1844). Itzhak Perlman, vn; Concertgebouw O/Bernard Haitink. EMI CMS 7 64922 2

Ives, C. Symphony no 2 (1902-10). Nashville SO/Kenneth Schermerhorn. Naxos 8.559076 42 12:00 JAZZ AFTER NOON with Sue Jowell 13:00 ARTSOUND: KRISTIAN WINTHER Prepared by Paul Cooke Recorded by Tim Lamble for ArtSound, Canberra Bach, J.S. Sonata no 1 in G minor, BWV1001 (1720). Kristian Winther, vn. ArtSound recording 14 Partita in A minor, BWV1002 (1720). Kristian Winther, vn. ArtSound recording 23 Sonata no 2 in A minor, BWV1003 (1720). Kristian Winther, vn. ArtSound recording 17 14:00 COMPOSED AT 21 Prepared by Jacky Ternisien Mendelssohn, F. Overture: The Hebrides, op 26, Fingal's Cave (1830). Sydney SO/Stuart Challender. ABC 446 279-2 10 Mitten wir im Leben sind, op 23 no 3 (1830). Monteverdi Choir; O Révolutionnaire et Romantique/John Eliot Gardiner. Sol Deo Gloria SDG 702 9 Franck, C. Grand caprice, op 5 (1843). Stephen Hough, pf. Hyperion CDA66918

Paganini, N. Sonata concertata (1803). Gil Shaham, vn; Göran Söllscher, gui. DG 437 837-2 14 Chopin, F. The sad stream, op 74 no 3; The messenger, op 74 no 7; The warrior, op 74 no 10; Lithuanian song, op 74 no 16 (1831). Annette Celine, sop; Felicia Blumenthal, pf. Olympia OCD 629 10 Handel, G. Suite from Rodrigo, HWV5 (1706). Parley of Instruments/Peter Holman. Hyperion CDA67053 16 Mozart, W. Piano concerto no 9 in E flat, K271, Jeunehomme (1777). Maria João Pires, pf; Gulbenkian Foundation CO/Theodor Guschlbauer. Erato 2292-45050-2 33 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Marilyn Schock 19:00 THE NEW JAZZ STANDARD with Frank Presley

20:00 THE WORLD OF A SYMPHONY Music for Easter Prepared by Jacky Ternisien

Böhm, T. Nel cor più non mi sento in D, op 4, after Paisiello. Michel Debost, fl; Barton Weber, pf. LP Orfeo S 018822 H 10

Rimsky-Korsakov, N. Overture: Russian Easter festival, op 36 (1888). Paris O/Gennady Rozhdestvensky. EMI CDM 1 66428 2 16

Granados, E. Valses poéticos, from Cantos/ Valses de amor (1887; arr. Williams). John Williams, gui. CBS MK 44794 8

Bach, J.S. Sinfonia, from Easter oratorio, BWV249 (1725; arr.). Leon Goossens, ob; Fitzwilliam String Quartet. Chandos CHAN 7132

Bach, J.S. Well-tempered percussionists, from The well-tempered clavier, BWV870, 882, 875 (arr. Norgård). Safri Duo, perc. Chandos CHAN 9482 8

Couperin, F. Motet in D for Easter Day. Judith Nelson, sop; Emma Kirkby, sop; Jane Ryan, bass viol; Christopher Hogwood, org. L’Oiseau-Lyre 430 283-2 6 Bach, J.S. Easter chorales, BWV625629, from The little organ book (1713-15). Francesco Cera, org. Brilliant Classics 94639 14 Liszt, F. Easter hymn, from Lassen’s music to Goethe’s Faust, (1878-79). Leslie Howard, pf. Hyperion CDS44549 4 Charpentier, M-A. Chant joyeux du temps de Pâques. Le Concert Spirituel/Hervé Niquet. Naxos 8.554453 13 Foerster, J. Symphony no 4 in C minor, op 54, Easter eve (1905). Slovak RSO/Lance Friedel. Naxos 8.557776 47 22:00 THE MUSIC OF POETRY Prepared by Paul Cooke Turina, J. El poema de una sanluqueña, op 28 (1923). Macarena Martínez, vn; Juan Escalera, pf. Brilliant Classics 95626 20 Bantock, G. Pagan poem (1930). Kenneth Smith, fl; Paul Rhodes, pf. ASV DCA 862 5 22:30 ULTIMA THULE

Friday 15 April 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am 09:00 DIVERSIONS IN FINE MUSIC Something borrowed Prepared by Di Cox Liszt, F. Fantasy on themes from Beethoven’s The ruins of Athens (c1848-52). Philip Thomson, pf; Hungarian State O/Kerry Stratton. Hungaroton HCD 31525 11

Minkus, L. Pas de dix, from Paquita (1881; arr. Lanchbery). Sydney SO/John Lanchbery. LP HMV OASD 183425 17 Herz, H. Non più mesta: Variations on themes from Rossini’s Cinderella. Earl Wild, pf. Vanguard OVC 4033 10 Eberl, A. Variations on a Russian theme. Dmitri Sokolov, vc; Yuri Martinov, pf. Christophorus CHE 0131-2 15 10:30 CONCERT HALL Prepared by Dan Bickel Liszt, F. Symphonic poem no 2: Tasso (1849/50-51). London PO/Bernard Haitink. Philips 438 751-2 21 Glière, R. Harp concerto, op 74 (1943). Alice Giles, hp; Adelaide SO/David Porcelijn. ABC 454 506-2 26 Nielsen, C. Symphony no 4, op 29, The Inextinguishable (1914-16). Royal Scottish O/ Bryden Thomson. Chandos CHAN 9047 36 12:00 A JAZZ HOUR with Barry O'Sullivan 13:00 GOOD FRIDAY SPECIAL St Matthew Passion Prepared by Meg and Stephen Matthews Bach, J.S. St Matthew Passion, BWV244. Cornelia Samuelis, sop; Bogna Bartosz, cont; Paul Agnew, ten; Klaus Mertens, bass; Boys Choir of Breda Church of the Sacraments; Amsterdam Baroque O/Ton Koopman. Challenge Records CC 702232 2:34 Haydn, J. Sonata VII for string quartet: Father into your hands I commend my spirit, from The seven last words on the cross (1787). Quatuor Mosaïques. Astrée E8803 9 16:00 FINE MUSIC HOLIDAY including Arts Calendar at 5.00pm with James Hunter 19:00 FRIDAY JAZZ SESSION with Alex Siegers

20:00 EVENINGS WITH THE ORCHESTRA Prepared by Rex Burgess

10:00 CENTRES OF MUSIC Mannheim: The early years Prepared by Jennifer Foong

Rutter, J. Shadows (1979). Jeremy Huw Williams, bar; Stewart French, gui. Naxos 8.557922

Wagenaar, J. Symphonic poem: Saul and David, op 24 (1906). Royal Concertgebouw O/ Riccardo Chailly. Decca 425 833-2 12

Stamitz, J. Orchestral trio in B flat, op 1, no 5. Camerata Bern/Thomas Füri. LP Archiv 2723 068 14

14:00 EXALTATION Prepared by Paul Cooke

Mahler, G. Cantata: The song of lament (1880/92-99). Susan Dunn, sop; Markus Baur, treb;Brigitte Fassbaender, cont; Werner Hollweg, ten; Andreas Schmidt, bar; Dusseldorf Municipal Music Association Choir; Berlin RSO/Riccardo Chailly. DG 477 8825 1:04 Stravinsky, I. Ballet: Petrushka (1910/47). Royal Concertgebouw O/Riccardo Chailly. Decca 473 731-2 35 22:00 BAROQUE AND BEFORE Prepared by Andrew Dziedzic Lechner, L. History of the Passion and sufferings of our Saviour and Redeemer, Jesus Christ. Spandau Choir/Martin Behrmann. LP Turnabout TV34175 27 Graun, C. The death of Jesus (1754-55). Mária Zádori, sop; Márta Fers, sop; Martin Klietmann, ten; Klaus Mertens, bar; Cantamus Chamber Choir, Halle; Capella Savaria/Pál Németh. Harmonia Mundi QUI 903061 1:19 Bach, J.S. Erbarme dich, from St Matthew Passion, BWV244 (c1727). Sally-Anne Russell, cont; O of the Antipodes/Antony Walker. ABC 476 118-3 6

Saturday 16 April 00:00 CLASSIC-ALL THROUGH THE NIGHT

Richter, F. Sinfonia in G á 4 (c1755). New Dutch Academy/Simon Murphy. PentaTone PTC 5186 029 18 Holzbauer, I. Quintet in B flat for flute, violin, violetta, cello and harpsichord. Members of Concentus Musicus Vienna/Nikolaus Harnoncourt. Teldec 8.41062 14 Toeschi, C. Violin concerto in D. Saarland Radio CO/Karl Ristenpart. EMI CDZ 2 52240 2 12 Richter, F. Oboe concerto in G minor (1741). Xenia Löffler, baroque ob; Capricornus Consort Basle/Peter Barczi. Christophorus CHR 77409 10 Stamitz, J. Sinfonia in D á 4 (c1750). Academy of Ancient Music/Richard Egarr. ABC 481 0615 12 11:30 ON PARADE Music that’s band Prepared by Owen Fisher Foster, S. Memories of Stephen Foster. Allentown Band/Ronald Demkee. AMP 2B 229 Roberton, H. All in the April evening. Grimethorpe Colliery Band. Delta 60357

Mozart, W. Blue rondo à la turka. WilliamsFairey Engineering Band. Delta 60357 4 Foster, S. Jeanie with the light brown hair. Cory Band/Robert Childs. Doyen DOY 215 3

Trad. Danny Boy (arr. Grainger). Grimethorpe Colliery Band/Robert Childs. 06:00 SATURDAY MORNING MUSIC GRIM 2015 3 with David Garrett 12:00 URBAN JAZZ LOUNGE 09:00 WHAT'S ON IN MUSIC with Leita Hutchings Our weekly guide to musical events in and around Sydney 13:00 TREASURES OF THE VOICE Music for baritone 09:05 THE PIANO ALONE Prepared by Paul Cooke Prepared by Anne Irish Busoni, F. Es stand in alten Zeiten, from Des Debussy, C. Suite: Children’s corner (1906Sangers Fluch, op 39 (1878). Martin Bruns, 08). Pascal Rogé, pf. bar; Ulrich Eisenlohr, pf. Decca 478 5616 17 Naxos 8.557245 18 Satie, E. Trois gymnopédies (1888). Joanna Rameau, J-P. L'amour, from Anacréon (1757). MacGregor, pf. Agnès Mellon, sop; René Shirrer, bar; Les Arts Warner 2564 67263-5 8 Florissants Ch & O/William Christie. Tchaikovsky, P. Suite from The Nutcracker, Harmonia Mundi HMX 290605.07 11 op 71a (1892). Stephanie McCallum, pf. ABC 476 4689 24

Phillips, L. Exaltation: Chassidic air and dance (1930s). Anne Gilby, ob; Isin Cakmakcioglu, vn; Rachel Atkinson, vc; Robert Chamberlain, pf. ABC 481 9111 14 Bloch, E. Visions and prophecies (1936). Rachel Valler, pf. MBS 27 CD 12 14:30 SATURDAY MATINEE At the ballet Prepared by Rita Felton Koehne, G. Ballet: 1914 (1997). State O of Victoria/Mark Summerbell. ABC 465 209-2 1:02 Stravinsky, I. Ballet: The firebird (1910). New Philharmonia O/Ernest Ansermet. Decca 443 572-2 48 Ravel, M. Suite from Mother Goose (1908-11). Montreal SO/Charles Dutoit. Decca 478 5616 28 17:00 SOCIETY SPOT Classical Guitar Society with Darryl Rule 18:00 STAGE AND SCREEN Prepared by Angela Cockburn Schwartz, S. Excerpts from Godspell (1971). Darren Day, Glyn Kerslake, Ruthie Henshall, John Barrowman, Jacqueline Dankworth, Elizabeth Sastre, Samantha Shaw, Claire Burt, voices; Stephen Schwartz, cond. Ter-Orbis Mus C N10 19 Bricusse, L. Excerpts from Scrooge (1992). Anthony Newley, Tom Watt, Jon Pertwee, Stratford Johns, voices; original cast; Stuart Pedlar, cond. Ter-Orbis Mus C N26 17 Lloyd Webber, A. Excerpts from Jesus Christ Superstar (1970). Dave Willetts, Clive Rowe, Issy Van Randwyck, Ethan Freeman, Christopher Biggins, Clive Carter, Paul Collis, voices; National SO/Martin Yates. Ter-Orbis Mus C N29 14 19:00 EMERGENT JAZZ with Keith Pettigrew 20:00 THE LIFE OF A COMPOSER Henryk Wieniawski Prepared by Jennifer Foong Wieniawski, H. Légende in G minor, op 17 (1859). Ray Chen, vn; Noreen Polera, pf. Sony 88697808122 8

Souvenir of Moscow, op 6 (1853). Ruggiero Ricci, vn; Joanna Gruenberg, pf. Unicorn-Kanchana UKCD 2048 7 Rubinstein, A. Ja tot, katoramu vnimala, from The demon (1875). Dmitri Hvorostovsky, bar; Kirov O/Valery Gergiev. Philips 438 872-2 3 Wieniawski, J. - Wieniawski, H. Grand duo polonais in G, op 5 (1853). Liv Migdal, vn; Marian Migdal, pf. Naxos 8.573404 16 Vieuxtemps, H. Capriccio, op 61 (pub. 1883). Hartmut Lindemann, va. Tacet 21 3 Joachim, J. Romanze, op 2 no 1 (c1850). Daniel Hope, vn; Sebastian Knauer, pf. DG 477 9301 5

Dvorák, A. Trio no 4 in E minor, op 90, Dumky (1891). Natsuko Yoshimoto, vn; Timo-Veikko Valve, vc; Kathryn Selby, pf. Fine Music concert recording 32

Sunday 17 April 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC with Robert Small 09:00 MUSICA SACRA Prepared by Robert Small and Susan Foulcher

Attrib. Crecquillon, T. Congratulamini mihi omnes. English Cornett and Sackbut Ensemble/David Skinner. Ernst, H. Study no 4 dedicated to Vieuxtemps, Obsidian CCL 712 3 from Six polyphonic studies for solo violin Lassus, O. de Aurora lucis rutilat (pub. (1865). Ruggiero Ricci, vn. Dynamic CDS 28 3 1604). Choir of Trinity College, University of Melbourne/Michael Leighton Jones. Liszt, F. The fisher lad, from Three songs from ABC 472 310 2 6 William Tell (1845). Anne Schwanewilms, sop; Vaughan Williams, R. Five mystical songs Charles Spencer, pf. Onyx 4103 4 (1911). Henry Herford, bar; Guildford Choral Society; Philharmonia O/Hilary Davan Wetton. Wieniawski, H. Three études-caprices, op Hyperion CDA66306 18 18 nos 2, 5 and 4. David Oistrakh, vn; Igor Byrd, W. Haec dies (pub. 1591). Choir of Oistrakh, vn. DG 463 616-2 9 Trinity College, University of Melbourne/ Michael Leighton Jones. Ysaÿe, E. Andante in B minor for string quintet ABC 472 310 2 3 (1893). Vlad Bogdanas, va; Kryptos Quartet. Etcetera KTC 4034 13 Handel, G. Excerpts from Messiah, HWV56 (1742). Emma Moore, sop; Robert Small, ten; Wieniawski, H. Polonaise no 2 in A, op 21 Alexander Knight, bar; Andrew del Riccio, tpt; (pub. 1870). Krzysztof Jakowicz, vn; Krystyna Radio Community Chest Combined Church Borucinska, pf. choirs; Tim Chung, cond. Olympia OCD 309 8 Radio Community Chest HM2015 21 Violin concerto no 2 in D minor, op 22 (1862). Wanda Wilkomirska, vn; Warsaw National PO/ 10:00 THE CLASSICAL ERA Prepared by Di Cox Witold Rowicki. Olympia OCD 309 24 Beethoven, L. Mödlinger dances, WoO17 nos 1 to 8 (1819). Eduard Melkus Ensemble. 22:00 SATURDAY NIGHT AT HOME Archiv 439 964-2 14 Prepared by Elaine Siversen Sperger, J. Double bass concerto in D. Rojas, D. Chamber concerto for marimba and Edicson Ruiz, db; Teresa Carreño Youth SO of orchestra (c2013). Claire Edwardes, marimba; Venezuela/Christian Vásquez. Metropolitan O/Sarah-Grace Williams. Philharmonie PHIL 06020 25 Fine Music concert recording 24 Mozart, W. Sonata in D, K448 (1781). Murray Strauss, R. Violin sonata in E flat, op 18 Perahia, pf; Radu Lupu, pf. (1887-88). Kirsten Williams, vn; Tamara-Anna CBS MK 39511 22 Cislowska, pf. Fine Music concert recording 29 Haydn, J. Divertimento in D for baryton, horns and strings, Hob.X:2 (c1775). Members of Vivaldi, A. Psalm 110: Dixit Dominus, RV594. Haydn Sinfonietta/Manfred Huss. Margaret Dixon-McIvor, sop; Katherine BIS CD-1796/98 18 Capewell, cont; Anson Austin, ten; Grahame Tier, bass; Sydney Philharmonia Motet Choir; Schubert, F. The shepherd on the rock, D965 (1828). Jane Edwards, sop; Nicole Harris, cl; Australian CO/Peter Seymour. Fine Music concert recording 28 Christine Logan, fp. Fine Music concert recording 11

Kraus, J.M. Sinfonia in E flat (c1784). National Museum CO/Claude Génetay. Musica Sveciae MSCD 407

12:00 CLASSIC JAZZ AND RAGTIME with Dave Mac 13:00 WORLD MUSIC Whirled Wide with Orli Zahava 14:00 INTIMATE VOICES Cello and piano Part 3 Prepared by Anne Irish Chopin, F. Polonaise brillante in C, op 3 (1829-33; arr.). Mstislav Rostropovich, vc; Martha Argerich, pf. DG 477 8445

Beethoven, L. Variations in F on Ein Mädchen oder Weibchen, from Mozart’s Die Zauberflöte, op 66 (1796). Daniel MüllerSchott, vc; Angela Hewitt, pf. Hyperion CDA67755 10 Bruch, M. Kol nidrei, op 47 (1881). Jacqueline du Pré, vc; Gerald Moore, pf. EMI CZS 5 68132 2 10 Strauss, R. Sonata in F, op 8 (1882-83). Mischa Maisky, vc; Pavel Gililov, pf. DG 477 7465

15:00 EASTER SUNDAY SPECIAL Prepared by Tom Forrester-Paton Telemann, G. Cantata for the second day of Easter. Klaus Mertens, bar; Il Concertino Cologne. Brilliant Classics 94104 10 Poulenc, F. Quatre motets pour un temps de pénitence (1938-39). Schola of St Stephen’s Cathedral, Brisbane/James Goldrick. Fine Music concert recording 13 Mahler, G. Symphony no 2 in C minor, Resurrection (1884-86/93-96). Emma Matthews, sop; Michelle DeYoung, mezz; Sydney Philharmonia Choirs; Sydney SO/ Vladimir Ahskenazy. Sydney Symphony SSO201203 1:24 17:00 HOSANNA Prepared by Richard Munge Hymn. He is risen, He is risen. Parish Choirs of St Paul’s Parish, K. Street, Washington, D.C; Bruce Neswick, org; Jeffrey Smith, cond. Pro Organo 7090 4 Come, ye faithful, raise the strain. Choir of Wells Cathedral; Rupert Gough, org; Malcolm Archer, cond. Hyperion CDP 12103 3 Psalm. No 137, By the waters of Babylon. Choir of King’s College, Cambridge/David Willcocks. EMI 9 68957 2 3

Finzi, G. Magnificat, op 36. Rosie Fellows, sop; Timothy Pride, alto; Choir and Lay Clerks of Winchester Cathedral; Simon Bell, org; Andrew Lumsden, cond. Regent REG 395 10 Carol. This joyful Eastertide. Choir of Bath Abbey; Marcus Sealy, org; Peter King, cond. Priory PRCD 421 3 Stanford, C. Villiers The Lord is my shepherd. Choir of Guildford Cathedral; Peter Weight, org; Andrew Millington, cond. Priory PRCD 257 9 Hymns. Cross of Jesus, cross of sorrow; Ye choirs of New Jerusalem; Praise, my soul, the King of Heaven. Choir of St Paul’s Cathedral, London; John Scott, org; Barry Rose, cond. Guild GMCD 7106 9 Bach, J.S. Prelude and fugue in G, BWV541. Timothy Byram-Wigfield, org. Regent REGCD 200 8 18:00 SMALL FORCES Prepared by Anne Irish Bax, A. Elegiac trio (1916). Nash Ensemble. Hyperion CDA66807 10 Chopin, F. Sonata in G minor, op 65 (1847). Jacqueline du Pré, vc; Daniel Barenboim, pf. EMI CZS 5 68132 2 27 Crusell, B. Quartet no 2 in C minor, op 4 (1804). Thea King, cl; members of Allegri String Quartet. Hyperion CDA66077 18 19:00 SUNDAY NIGHT CONCERT Prepared by Stephen Wilson Arnold, M. Water music, op 82b (1964). BBC Concert O/Vernon Handley. Sony 88875181702 9 Rachmaninov, S. Piano concerto no 2 in C minor, op 18 (1901). Roger Woodward, pf; Sydney SO/Charles Dutoit. ABC 481 1322 33 Mozart, W. Symphony no 36 in C, K425, Linz (1783). Prague PO/Jirí Belohlávek. Harmonia Mundi HMC 901891 39 20:00 NEW HORIZONS Prepared by Nev Dorrington Howard, L. All of us (2022). Luke Howard, pf; Budapest Art O. Mercury KX 50

Granados, E. Epílogo, Serenata del espectro, from Goyescas (pub. 1911). Alicia de Larrocha, pf. Decca 433 920-2 8

Monday 18 April 00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with James Hunter 09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1772 Prepared by Jacky Ternisien Myslivecek, J. Overture no 2 in A for two horns, two oboes and strings (1772). Concerto Köln/Werner Ehrhardt. Archiv 479 1045 10 Mozart, W. Variations in F, K138a (1772). Geoffrey Lancaster, fp. Tall Poppies TP009

Traetta, T. Ombra cara, amorosa; Io resto sempre a piangere; Finito è il mio tormento, from Antigona, Act II (1772). Olga Peretyatko, sop; Basle SO/Ivor Bolton. Sony 19075919052 10 Bach, C.P.E. Oboe concerto in E flat, Wq165 (1772). Hans-Peter Westermann, ob; Freiburg Baroque O/Thomas Hengelbrock. Harmonia Mundi RD77187 23 Haydn, J. Grand duet no 2 in G (1772; arr. Fossa from String quartets, Hob.III:9, 21, 27). Jukka Savijoki, gui; Erik Stenstadvold, gui. apex 0927 494452 2 15 Vachon, P. String quartet in D, op 7 no 2 (1772). Rasumovsky Quartet. ASV GAU 151 14 10:30 CONCERT HALL Prepared by Paul Cooke Castillon, A. Esquisses symphoniques, op 15 (1872). Monte Carlo PO/Georges Prêtre. EMI 7 63943 2 23 Howells, H. Piano concerto no 2 in C minor (1925). Kathryn Stott, pf; Royal Liverpool PO/ Vernon Handley. Hyperion CDA66610 27 Haydn, J. Symphony in B flat, Hob.I:71 (c1780). Hanover Band/Roy Goodman. Hyperion CDA66526

12:00 SWING SESSIONS with John Buchanan

Frahm, N. Old friends, new friends (2021). Nils Frahm, pf. 13:00 MUSIC AND WAR Part 3 Leiter LTR 010 35 Prepared by Gerald Holder 22:00 JAZZ AFTER HOURS with Deborah Evans

Englund, E. Symphony no 1, War symphony (1946). Turku PO/Pertti Pekkanen. LP Finlandia FA 304 34

Haydn, J. Mass no 10 in C, Hob.XXII:9, In time of war (1796). Netania Davrath, sop; Hilde Rössl-Majdan, cont; Anton Dermota, ten; Walter Berry, bass; Richard Harand, vc; Anton Heiller, org; Vienna State Opera Ch & O/Mogens Wöldike. Vanguard 08 2021 71 42 14:30 NORDIC SURVEY Prepared by James Nightingale Svendsen, J. Norwegian rhapsody no 4, op 22 (1877). Bergen PO/Neeme Järvi. Chandos CHAN 10711 12 Mäntyjärvi, J. Four Shakespeare songs (1984). Kampin Laulu Chamber Choir/Timo Kahtovaara. Kampin Laulu KLCD-001 12 Sigurbjörnsson, T. To Manuela (1981). Manuela Wiesler, fl. BIS CD-456

Andrée, E. Piano trio in G minor (1884). Trio Nordica. IMCD 113 25 Langgaard, R. Symphony no 13, Belief in wonders (1946-47). Danish NSO/Thomas Dausgaard. Dacapo 6.220517 28 16:00 FINE MUSIC HOLIDAY including Arts Calendar at 5.00pm with David Brett 19:00 JAZZ PULSE with Chris Wetherall 20:00 STORMY MONDAY with Austin Harrison 22:00 JAZZ AFTER HOURS with Eddie Bernasconi

Tuesday 19 April 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Julie Simonds

09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by Elaine Siversen

Overture to Castor et Pollux (1737). Les Talens Lyriques/Christophe Rousset. L’Oiseau-Lyre 455 293-2 4

Debussy, C. Piano trio in G (1880). Florestan Trio. Hyperion CDA67114 20

La Dauphine. Wanda Landowska, hpd. Naxos 8.111055

Ballet: Les fêtes de Polymnie (1745). Vierne, L. Westminster carillon, from Fantasy Symphonie du Marais/Hugo Reyne. pieces, op 54 no 6 (pub. 1926) Simon Preston, Astrée E8650 10 org. DG 479 1926 7 14:00 INCIDENTALLY ... Sibelius, J. Incidental music to Procopé’s play Baermann, C. Fantasie brillante, op 7. Dario Belshazzar's feast, op 51 (1906). Lilli Paasikivi, Zingales, cl; Florian Podgoreanu, pf. Brilliant Classics 95785 14 mezz; Lahti SO/Osmo Vänskä. BIS CD-735 20 Soler, A. Sonata no 30 in G. Gilbert Rowland, Bax, A. Incidental music to Clifford Bax’s hpd. Naxos 8.553465 9 play Golden eagle (1946). Richard Nunn, pf; London PO/Bryden Thomson. Mozart, W. Ch'io mi scordi di te? K505 (1786). Chandos CHAN 9003 12 Teresa Berganza, mezz; Geoffrey Parsons, pf; Beethoven, L. Incidental music to Kotzbue's London SO/John Pritchard. Decca 430 300-2 10 play König Stephan, op 117 (1811). Ambrosian Singers; London SO/Michael Tilson Thomas. Schubert, F. Sonata in F sharp minor, D571, CBS MK 76404 24 D604, 570b (1817; compl. Dullo). Romola Grabu, L. Incidental music for Rochester's Costantino, pf. LP MBS 4 20 play Valentinian (1684). Parley of Instruments Renaissance Violin Band/Peter Holman. 10:30 CONCERT HALL Hyperion CDA66667 12 Prepared by Steve Coleman Bizet, G. Incidental music to Daudet’s play Wagner, R. Overture to The flying Dutchman, WWV63 (1841). Chicago SO/Georg Solti. Decca 417 752-2 11

L'arlésienne (1872). Consort of Voices; Consort of London/Robert Haydon Clark. Collins 11412 42

Spohr, L. Clarinet concerto no 3 in F minor, WoO19 (1821). Karl Leister, cl; Stuttgart RSO/ Rafael Frühbeck de Burgos. Orfeo C 088 201 A 28

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Andrew Dziedzic

Dvorák, A. Symphony no 9 in E minor, op 95, From the New World (1893). Vienna PO/Kyrill Kondrashin. Decca 400 047-2 43 12:00 JAZZ RHYTHM with Jeannie McInnes 13:00 COMPOSER FOCUS Part 12 Jean-Philippe Rameau Prepared by Michael Morton-Evans Rameau, J-P. Gavotte. Elizabeth Anderson, hpd. Move MD 3078 7

19:00 THE JAZZ BEAT with Lloyd Capps 20:00 JUST IN with Charles Barton A selection from the latest recordings to arrive at the Fine Music Library 22:00 CHAMBER SOIRÉE Prepared by Rex Burgess Mozart, W. String quartet in B flat, K458, The hunt (1784). Diemen Quartet. Fine Music concert recording 24

Holst, G. Quintet in A minor, op 3 (1903). Christopher O'Neal, ob; Julian Farrell, cl; L'Impatience. John Elwes, ten; Les Dominos Christopher Blake, hn; Richard Skinner, bn; Baroque Ensemble. Le Chant du Monde LDC 278 774 14 Anthony Goldstone, pf. 17 Rossignols amoureux, from Hippolyte et Aricie Chandos CHAN 9077 Tavares, G. Ladainha for cello octet (2009). (1733). Kathrin Graf, sop; Peter Lukas Graf, fl; Raffaele Altwegg, vc; Michio Kobayashi, hpd. Cellists of Metropolitan O. 10 Claves 50-604 7 Fine Music concert recording Overture to Les Indes galantes (1735). Les Talens Lyriques/Christophe Rousset. L’Oiseau-Lyre 455 293-2 4

Shostakovich, D. Quartet no 10 in A flat, op 118 (1964). Emerson String Quartet. DG 463 284-2 22

Brahms, J. Piano trio no 1 in B, op 8 (1853/89). Macquarie Trio. ABC 472 668-2

Wednesday 20 April 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Stephen Wilson 09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by Jennifer Foong Stratico, M. Violin concerto in G minor. Giulano Carmignola, vn; Venice Baroque O/ Andrea Marcon. Archiv 477 6606 21 Triebensee, J. Trio in C. Marilyn Zupnik, ob; Kathryn Greenbank, ob; Elizabeth Starr, cora. ASV QS 6192 10 Greene, M. Voluntary VIII in C minor. David Kinsela, org. Walsingham WAL 8030-2 4 Ryba, J. Pastorely. Magdalena Kozená, mezz; Capella Regia Musicalis/Robert Hugo. Archiv 477 8365 11 Ferguson, L. Sonata in D for four hands (c1817). Alexander Bakhchiyev, Yelena Sorokina, pf. Chandos CHAN 9418 11 Manfredini, F. Concerto grosso in C, op 3 no 12 (1719-28). Les Amis de Philippe/Ludger Rémy. cpo 999 638-2 7 Vachon, P. String quartet in D, op 7 no 2 (1772). Rasumovsky Quartet. ASV GAU 151 14 10:30 CONCERT HALL Prepared by Michael Field Rimsky-Korsakov, N. Capriccio espagnol, op 34 (1887). Gothenburg SO/Neeme Järvi. DG 423 604-2 16 Mendelssohn, F. Double concerto no 1 in E (1823). Stephen Coombs, pf; Ian Munro, pf; BBC Scottish SO/Jerzy Maksymiuk. Hyperion CDA66567 30 Atterberg, K. Symphony no 3 in D, op 10, West coast pictures (1914-16). Hanover Radio PO/Ari Rasilainen. cpo 999 640-2 37 12:00 JAZZ SKETCHES with Robert Vale

13:00 IN CONVERSATION with Simon Moore 14:00 THE ARTISTRY OF DAVID OISTRAKH Prepared by Frank Morrison Bruch, M. Scottish fantasy, op 46 (1880). David Oistrakh, vn; London SO/Jascha Horenstein. Decca 470 258-2 31 Hindemith, P. Sonata no 1 in E flat, op 11 no 1 (1918). David Oistrakh, vn; Vladimir Yampolski, pf. Brilliant Classics 8402 8 Mozart, W. Duo no 1 in G, K423 (1783). Igor Oistrakh, vn; David Oistrakh, va. Decca 470 258-2 16 Prokofiev, S. Violin concerto no 1 in D, op 19 (1916-17). David Oistrakh, vn; Moscow PO/ Kyrill Kondrashin. Brilliant Classics 9239 20 Schumann, R. Piano trio no 1 in D minor, op 63 (1847). David Oistrakh, vn; Sviatoslav Knushevitzky, vc; Lev Oborin, pf. Brilliant Classics 8402 32 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Tom Forrester-Paton

Handel, G. Sinfonia, from Jephtha, HWV70 (1752). English CO/Richard Bonynge. Decca 466 434-2 3

Mazzoli, M. Impromptu, Thomas’s piece (2016). Joshua Bell, vn; Kaprálová O. Sony 88985396692

Higdon, J. Impressions (2003). Cypress String Quartet. Naxos 8.559298 27 Muhly, N. By all means (2004). Omega Ensemble/Gordon Hamilton. ABC 481 8617

Saariaho, K. De la terre (1991). Minna Pensola, vn; Marko Myöhänen, elec. Ondine ODE 1242-2

00:00 CONTEMPORARY COLLECTIVE

20:00 AT THE OPERA Prepared by Camille Mercep

03:00 CLASSICAL TILL DAWN

Montéclair, M. de Jephté. Opera in a prologue and five acts. Libretto by L’Abbé Simon-Joseph Pellegrin. First performed Paris, 1732.

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Simon Moore 09:00 DIVERSIONS IN FINE MUSIC The instruments: Strings Prepared by Jennifer Foong 2:30

The opera is based on the Biblical story of Jephthah, who is chosen as leader of the Israelites as they prepare to attack the people of Ephraim. Jephthah vows to God that, if he is victorious, he will sacrifice the first person he sees on his return from battle. Ammon, the leader of the Ephraimites, is being held captive at Jephthah’s palace and has fallen in love with Jephthah’s daughter, Iphis. When the news of Jephthah’s victory arrives, Iphis guiltily confesses to her mother that she is in love with Ammon. Jephthah is horrified when the first person he sees on returning from the battle, is Iphis. He tells of her of his vow and she prepares herself to be sacrificed. Ammon swears he will lead an army to save her but

Respighi, O. Five pieces (1906). Tanja Becker-Bender, vn; Péter Nagy, pf. Hyperion CDA67930

Bach, C.P.E. Trio sonata no 2 in D, Wq94 (1788). Nicholas McGegan, fl; Catherine Mackintosh, va; Anthony Pleeth, vc; Christopher Hogwood, pf. L’Oiseau-Lyre 433189-2 15

Waft her angels, from Jephtha, HWV70 (1752). 10:30 CONCERT HALL Mark Padmore, ten; English Concert/Andrew Prepared by Peter Poole Manze. Harmonia Mundi HMU 907422 6 Fauré, G. Suite from Pelléas et Mélisande, op 80 (1898). Loire PO/Marc Soustrot. 23:00 MUSIC OF THE NIGHT Pierre Verany PV 792051 17 Prepared by Angus McPherson Rosetti, F. Flute concerto in D. Jean-Pierre

Thursday 21 April

19:00 PLANET JAZZ with Xavier Bichon

JEPHTÉ: Jacques Bona, bass-bar AMMON: Mark Padmore, ten IPHISE: Sophie Daneman, sop PHINÉE: Nicolas Rivenq, bass Les Arts Florissants/William Christie. Harmonia Mundi HMC 901424.25

she rejects his offer. He and his men burst into the temple as the Israelites are preparing the sacrifice. They are struck by a bolt of fire from Heaven. The priest Phineas declares that God is pleased with Iphis and her life is spared.

Mendelssohn, F. String symphony no 10 in B minor (1823). London Concertante. Zum CD0722 10 Rameau, J-P. Le berger fidèle (1728). Isabelle Poulenard, sop; Daniel Cuiller, vn; Thérèse Kipfer, vn; Marianne Müller, va da gamba; Yannick le Gaillard, hpd. Le Chant du Monde LDC 278 774 14

Rampal, fl; Prague CO/Martin Turnovsky. Supraphon SU 3648-2 17

Elgar, E. Symphony no 1 in A flat (1907-08). London PO/Georg Solti. Decca 421387-2 49 12:00 JAZZ AFTER NOON with Sue Jowell 13:00 OPERA IN CONCERT Prepared by Giovanna Grech Mozart, W. Overture to The magic flute, K620 (1791). Berlin PO/Herbert von Karajan. DG 431 291-2 7 Massenet, J. Toi! Vous! … N'est ce plus ma main, from Manon (1884). Angela Gheorghiu, sop; Roberto Alagna, ten; Royal Opera House O/Richard Armstrong. EMI 5 56117 2 7 Bellini, V. Qui la voce ... Vien, diletto, from I Puritani (1835). Renata Scotto, sop; Philharmonia O/Manno Wolf-Ferrari. LP HMV ASD 4022 6 Verdi, G. La vita é inferno … O tu, che in seno, from The force of destiny (1862). José Carreras, ten; Philharmonia O/Giuseppe Sinopoli. DG 459 362-2 6 Berlioz, H. Ballet music, from The Trojans (1856-58). National PO/Richard Bonynge. Decca 452 772-2 10 Wagner, R. O! du mein holder Abendstern, from Tannhäuser, 70 (1845). Bryn Terfel, bassbar; Berlin PO/Claudio Abbado. DG 449 190-2 6

Bloch, E. Meditation hébraïque (1923-24). Yuli Puccini, G. E lucevan le stelle, from Tosca (1900). Giuseppe di Stefano, ten; La Scala O/ Turovsky, vc. Chandos CHAN 8800 6 Victor de Sabata. Sarabandas 54009 3 Alwyn, W. Concerto grosso no 2 in G (1948). Mascagni, P. Mamma, quel vino è generoso, Andrew Watkinson, vn; Edward Roberts, vn; from Cavalleria rusticana (1890). Joseph Matthew Souter, va; Susan Dorey, vc; City of Calleja, ten; BBC Concert O/Steven Mercurio. London Sinfonia/Richard Hickox. 4 Chandos CHAN 8866 14 Decca 478 3531

14:00 AUSTRALIAN PERFORMERS Prepared by James Nightingale

Friday 22 April

Kelly, F. Serenade, op 7 (1911; arr. Latham). Douglas Mackie, fl; Geoff Lierse, hn; Marshall McGuire, hp; Tasmanian SO/Benjamin Northey. ABC 481 8890 20

00:00 CONTEMPORARY COLLECTIVE

Debussy, C. Suite bergamasque (1905). Roger Woodward, pf. ABC 472 170-2 18

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am

03:00 CLASSICAL TILL DAWN

Mageau, M. The furies (1995). Wendy Lorenz, pf; Queensland SO/Lyn Williams. VMM 3036 20

09:00 DIVERSIONS IN FINE MUSIC Something borrowed Prepared by Stephen Wilson

Hurlstone, W. Sonata in F (1891). Peter Musson, bn; Stephen Emerson, pf. Continuum CCD 1079

Strauss, J. II Potpourri no 1, from Jabuka (1894; orch. Pollack). Slovak State PO/ Christian Pollack. Naxos 8.660216-17 14

Mozart, W. Symphony no 41 in C, K551, Jupiter (1788). Australian CO/Richard Tognetti. Pikler, G. Trio for flute, clarinet and piano ABC 481 4571 34 (1996; arr The Power of Three). The Power of Three. 16:00 FINE MUSIC DRIVE ABC/Three Bracelets 94504 47232 13 including Arts Calendar at 5.00pm Granados, E. Six pieces based on Spanish with Sue Jowell folk songs. Alicia de Larrocha, pf. Decca 433 920-2 25 19:00 THE NEW JAZZ STANDARD with Frank Presley Bach, J.S. Harp concerto in G, BWV973 (1714; arr. Zabaleta). Nicanor Zabaleta, hp; 20:00 THE WORLD OF A English CO/Garcia Navarro. SYMPHONY DG 469 544-2 8 Prepared by Di Cox Avison, C. Concerto grosso in D minor after Stravinsky, I. Scherzo fantastique, op 3 Scarlatti (pub. 1744). Berlin Ensemble. (1908). Seattle SO/Gerard Schwarz. Schwann CD 316 015 F1 8 Naxos 8.571224 13 Lyadov, A. Variations on a Polish folk theme, Glière, R. Harp concerto, op 74 (1943). Alice op 51 (1901). Stephen Coombs, pf. Giles, hp; Adelaide SO/David Porcelijn. Hyperion CDA66986 12 ABC 454 506-2 26 10:30 CONCERT HALL Glazunov, A. Saxophone quartet, op 109 Prepared by Michael Field (1932). Rollin' Phones. BIS CD-466 27 Mozart, W. Six German dances, K571 (1789). Tasmanian SO/Ola Rudner. Prokofiev, S. Symphony no 6 in E flat minor, ABC 472 826-2 12 op 111 (1945-47). Los Angeles PO/André Previn. Grechaninov, A. Cello concerto, op 8 (1895). Philips 420 934-2 41 Alexander Ivashkin, vc; Russian State SO/ Valery Polyansky. 22:00 THE MUSIC OF POETRY Chandos CHAN 9559 17 Prepared by Paul Cooke Mahler, G. Symphony no 4 in G (1900). Chausson, E. Poème, op 25 (1896). Philippe Emma Matthews, sop; Sydney SO/Vladimir Graffin, vn; Pascal Devoyon, pf; Chilingirian Ashkenazy. Quartet. Sydney Symphony SSO201102 54 Hyperion CDA67028 15 Dukas, P. The sorcerer’s apprentice (1897; arr 12:00 A JAZZ HOUR with Barry O'Sullivan Staub). Yuja Wang, pf. DG 4790052 10 13:00 IT’S SO TRAGIC! Prepared by Jennifer Foong 22:30 ULTIMA THULE Brahms, J. Tragic overture, op 81 (1880/81). Berlin PO/Claudio Abbado. DG 429 765-2 13

Medtner, N. Sonata tragica in C minor, op 39 no 5 (1918-20). Nikolai Demidenko, pf. Hyperion CDA66636 12 Bach, J.S. Cantata: Gottes Zeit ist die allerbeste Zeit, Actus tragicus, BWV106 (1707). Ruth Holten, sop; Michael Chance, ct; Anthony Rolfe Johnson, ten; Stephen Varcoe, bass; Monteverdi Choir; Anthony Robson, ob; Richard Earle, ob; Crispian Steele Perkins, tpt; Alison Bury, vn, violino piccolo; Angela East, vc; English Baroque Soloists/John Eliot Gardiner. Decca 478 3640 19 Tintner, G. Trauermusik (Musica tragica) (1939). Helen Huang, pf. Naxos 8.570258

Schubert, F. Symphony no 4 in C minor, D417, Tragic (1816). Royal Concertgebouw O/ Nikolaus Harnoncourt. Teldec 4509-91184-2 31 14:30 A CHAMBER CONCERT Prepared by Derek Parker Bach, J.S. Sonata no 3 in E, BWV1016 (bef. 1725). Christian Ferras, vn; Celiny ChailleyRichez, pf. DG 480 6655 19 Beethoven, L. Piano trio no 10 in E flat, op 44 (1802). Beaux Arts Trio. Philips 438 948-2 14 Boccherini, L. Quintet no 7 in E minor (c1798). Richard Savino, gui; Artaria Quartet. Harmonia Mundi HMU 907069 21 Mozart, W. String quartet no 23 in F, K590 (1790). Quartetto Italiano. Decca 478 5555 28 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Robert Gilchrist 19:00 FRIDAY JAZZ SESSION with Alex Siegers 20:00 EVENINGS WITH THE ORCHESTRA Conducted by Charles Mackerras Prepared by Paul Cooke Respighi, O. Three Botticelli pictures (1927). London SO/Charles Mackerras. Carlton Classics 15656 91372 20 Dvorák, A. Cello concerto no 2 in B minor, op 104 (1894-95). Raphael Wallfisch, vc; London SO/Charles Mackerras. Chandos CHAN 8662 40 Wagner, R. Liebestod, from Tristan und Isolde (1857-59). Birgit Nilsson, sop; Sydney SO/Charles Mackerras. ABC 476 644-0 7

Sibelius, J. Symphony no 2 in D, op 43 (1901). Royal PO/Charles Mackerras. Tring TRP013

Debussy, C. Suite bergamasque (1905). Claudio Arrau, pf. Philips 434 626-2 24

14:30 SATURDAY MATINEE Choral masterpieces Prepared by James Hunter

Handel, G. Oratorio: Acis and Galatea, 10:00 CENTRES OF MUSIC HWV49a (1718). Joan Sutherland, sop; NSW Conservatorium of Music: early years Peter Pears, ten; David Galliver, ten; Owen Prepared by Paul Cooke Brannigan, bass; St Anthony Singers; Gabrielli, D. Ricercare in D minor. Mauro Valli, Hill, A. Symphony no 4 in C minor, The pursuit Philomusica of London/Adrian Boult. vc. of happiness (1955). Melbourne SO/Wilfred LP L’Oiseau-Lyre/WRC ST 4183/4 1:25 Brilliant Classics 95685 7 Lehmann. Ode for St Cecilia’s day, HWV76 (1739). Marco Polo 8.220345 19 Pagliardi, G. Ad’arma, ad bella. Monica Lucy Crowe, sop; Nathalie Stutzmann, cont; Piccinini, sop; Manuel Vilas, hp. Holland, D. String quartet (1996). Orpheus David Bates, ct; Anders J. Dahin, ten; Richard Brilliant Classics 94428 10 String Quartet. Croft, ten; Neil Baker, bar; Luca Tittoto, bass; Jade JADCD 1068 29 members of the Choir of Les Musiciens Geminiani, F. Ballet: The enchanted forest (c1752). Milan Angelicum O/Newell Jenkins. Agnew, R. Sonata poème (pub. 1936). Larry du Louvre; Les Musiciens du Louvre/Marc LP Nonesuch H-71151 31 Sitsky, pf. Minkowski. Canberra School of Music CSM:19 8 naïve V5183 53 Corelli, A. Concerto grosso in D (1714). Australian CO/David Stanhope. Hill, M. Aboriginal themes (1971). Norma 17:00 SOCIETY SPOT Fine Music tape archive 11 Hunter, cont; Alan McKie, bar; Adelaide SO/ Sydney Schubert Society Henry Krips. Vivaldi, A. Beatus vir, in C, RV597. Jennifer with Ross Hayes LP ABC AC 1013 26 Smith, sop; Isobel Buchanan, sop; Helen 18:00 STAGE AND SCREEN Watts, cont; Ian Partridge, ten; John Shirley11:30 ON PARADE Disney musicals Quirk, bass; Choir of King’s College; David Prepared by Michael Morton-Evans Prepared by Sue Jowell Briggs, org; Richard Farnes, org; English CO/ Ganne, L. Marche lorraine. Grimethorpe Stephen Cleobury. Churchill - Smith - Harline. Excerpts from Decca 443 455-2 28 Colliery Band/Peter Parkes. Snow White and the seven dwarves (1937). Chandos CHAN 4542 4 Adriana Caselotti, voice. Corelli, A. Concerto grosso in F, op 8 no 6, Satie, E. Gymnopédie no 1 (1888; arr. Walt Disney 025 9 Fatto per la notte di natale (pub. 1714). Ulrich Graham). Grimethorpe Colliery Band/Peter Grehling, vn; Otto Schaernack, vn; Gerhard Loesser, F. Excerpts from Hans Christian Parkes. Stenzel, vc; Fritz Neumeyer, hpd; Capella Andersen (1952). Danny Kaye, voice. Chandos CHAN 4542 3 Coloniensis/August Wenzinger. Snapper 013 14 DG 479 0648 14 Langford, G. An Offenbach fantasy. Rodgers, R. Excerpts from Cinderella (1957). Ziani, M. Alma redemptoris Mater (1711). Jean Grimethorpe Colliery Band/Peter Parkes. Julie Andrews, sop; Dorothy Stickney, Howard Chandos CHAN 4542 10 Nirouët, ct; Capella Caldara/Uwe Christian Lindsay, voices. Sousa, J.P. The kaffir on the Karroo; In the Harrer. Masterworks 5 Philips 422 997-2 8 land of the golden fleece, from Tales of a Menken, A. Excerpts from Beauty and the traveller (1911). Royal Artillery Band/Keith Beast (1991). Jerry Orbach, Angela Lansbury, Brion. voices. Saturday 23 April Naxos 8.559093 10 Walt Disney 60957 6 12:00 URBAN JAZZ LOUNGE Wallace, O. Excerpts from The Lady and 00:00 CLASSIC-ALL THROUGH with Leita Hutchings the Tramp (1955). Peggy Lee, George Givot, THE NIGHT voices. 13:00 IN A SENTIMENTAL MOOD Walt Disney 027 7 06:00 SATURDAY MORNING MUSIC with Maureen Meers with Stephen Wilson Nostalgic music and artists from the 30s, 40s 19:00 EMERGENT JAZZ and 50s and occasionally beyond, in a trip with Keith Pettigrew 09:00 WHAT'S ON IN MUSIC down many memory lanes Our weekly guide to musical events in and 20:00 THE LIFE OF A COMPOSER around Sydney 14:00 DREAMS Alban Berg Prepared by Paul Cooke Prepared by Paul Cooke 09:05 THE PIANO ALONE Prepared by Frank Morrison Beach, A. Les rêves de Columbine, op 65 Berg, A. Sonata, op 1 (1908). Allison Brewster (1907). Virginia Eskin, pf. Franzetti, pf. Mozart, W. Rondo in A minor, K511 (1787). Northeastern NR 223 16 Naxos 8.570401 11 Mitsuko Uchida, pf. Philips 422 115-2 11 Woolrich, J. The kingdom of dreams (1989). Wolf, H. Three poems of Michelangelo (1897). James Turnbull, ob; Huw Watkins, pf; Claire John Shirley-Quirk, bar; Benjamin Britten, pf. Liszt, F. Fantasy on themes from Mozart’s Jones, hp. BBC 8011-2 12 The marriage of Figaro (1842; arr. Busoni). Quartz QTZ 2081 9 Berg, A. Three pieces, op 6 (1914-15). London Vladimir Horowitz, pf. Larrikin DDC 931 14 SO/Antal Dorati. Mercury 478 5092 18 22:00 BAROQUE AND BEFORE Corelli, his student and peers Prepared by Robert Gilchrist

Three fragments from Wozzeck, op 7 (1924). Dunja Vejzovic, mezz; Royal Concertgebouw O/Gerd Albrecht. Radio Nederland RCO 08005 20 Gershwin, G. Catfish Row, from Symphonic suite Catfish Row (1936). Howard Shelley, pf; BBC PO/Yan Pascal Tortelier. Chandos CHAN 9325 6 Berg, A. Adagio, from Chamber concerto (1925). Nigel Westlake, cl; Dene Olding, vn; David Bollard, pf. Entr’acte ESCD 6507 13 Violin concerto: To the memory of an angel (1935). Isabelle Faust, vn; O Mozart/Claudio Abbado. Harmonia Mundi HMC902105 28 22:00 SATURDAY NIGHT AT HOME Prepared by Rex Burgess Delius, F. Paris: The song of a great city (1899). BBC SO/Andrew Davis. Teldec 4509-90845-2 22

10:00 THE CLASSICAL ERA Prepared by Jacky Ternisien Myslivecek, J. Overture to Romolo ed Ersilia (1773). Orfeo Baroque O/Michi Gaigg. cpo 777 050-2 9 Druschetzky, G. Partita in D sharp (pub. 1783). Collegium Musicum of Prague. Supraphon 11 0097-2 11 Benda, G. Cantata: Cephalus und Aurore. Emma Kirkby, sop; Timothy Roberts, fp. Hyperion CDA66649 9 Krumpholtz, J-B. Variations on an air by Mozart, op 10, after Serenade in D, Haffner (c1780). Jan Walters, hp. ASV GAU 209 8 Wranitzky, A. String sextet in G. Ensemble Cordia. Brilliant Classics 94168 24 Vorisek, J. Sonata quasi una fantasia in B flat minor, op 20 (1824). Olga Tverskaya, pf. Opus 111 OP30241 18

Kozeluch, L. Sinfonia concertante in E flat. Siegfried Goethel, tpt; Walter Meuler, db; Akashi Ochi, mand; Werner Genuit, pf; Academy of St Martin in the Fields/Iona Brown. Holst, G. Symphony in F, op 8, The Cotswolds EMI CDM 7 69389 2 28 (1899-1900). Munich SO/Douglas Bostock. Classico CLASS 284 27 12:00 CLASSIC JAZZ AND Britten, B. Serenade, op 31 (1943). Thomas Edmonds, ten; Hector McDonald, hn; Australian CO/Max MacBride. Fine Music tape archive 24

Arnold, M. String quartet no 1, op 23 (1949). Maggini Quartet. Naxos 8.557762 19 Vaughan Williams, R. The lark ascending (1914/20). Dimity Hall, vn; Sinfonia Australis/ Antony Walker. ABC 472 984-2 17

Sunday 24 April

13:00 WORLD MUSIC Whirled Wide with Linda Marr 14:00 INTIMATE VOICES Cello and piano Part 4 Prepared by Anne Irish Mendelssohn, F. Song without words in D, op 109 (1843). Luca Fiorentini, vc; Stefania Redaelli, pf. Brilliant Classics 94368 5

00:00 CLASSIC-ALL THROUGH THE NIGHT 06:00 SUNDAY MORNING MUSIC 09:00 MUSICA SACRA Prepared by Paul Cooke Smyth, E. Mass in D (1891/1925). Eiddwen Harrhy, sop; Janis Hardy, cont; Dan Dressen, ten; James Bohn, bass; Plymouth Festival Ch & O/Philip Brunelle. Virgin VC 7 91188-2 17 Rutter, J. Wedding canticle, Psalm 128 (2004). Choir of Clare College, Cambridge; Daniel Pailthorpe, fl; Stewart French, gui; Timothy Brown. cond. Naxos 8.557922 6 Croft, W. Te Deum in D (1709). Choir of St Paul's Cathedral, London; Parley of Instruments/John Scott. Hyperion CDA66606

RAGTIME with Dave Mac

Beethoven, L. Sonata no 4 in C, op 102 no 1 (1815). Mstislav Rostropovich, vc; Sviatoslav Richter, pf. Philips 464 677-2 15 Saint-Saëns, C. The swan, from The carnival of the animals (1886; arr.). Christian Poltéra, vc; Kathryn Stott, pf. Chandos CHAN 10552 3 Franck, C. Sonata in A (1886). Jacqueline du Pré, vc; Daniel Barenboim, pf. EMI CZS 5 68132 2 29

15:00 SUNDAY SPECIAL Ferde Grofé and symphonic jazz Prepared by Paul Cooke

150th

A NNI V ERSA RY Grofé, F. Suite: Mississippi, a tone journey (1926). BBC Concert O/Keith Lockhart. BBC Music BBC MM316 13 Gershwin, G. Rhapsody in blue (1924; orch. Grofé). Al Gallodoro, cl, bass cl, sax; Lincoln Mayorga, pf; Harmonie Ensemble/Steven Richman. Harmonia Mundi HMU 907492 16 Carpenter, J. Skyscrapers (1926). Victor SO/ Nathaniel Shilkret. Naxos 8.120644 22 Shilkret, N. The nymphs. Anna Pasetti, hp. Brilliant Classics 95925 4 Creation, from Genesis suite (1945). Tovah Feldshuh, Barbara Feldon, David Margulies, Fritz Weaver, Isaiah Shefferm, narrators; Ernst Senff Choir; Berlin RSO/Gerard Schwarz. Naxos 8.559442 11 Bechet, S. La colline du delta, rhapsodieballet (1954; arr. and orch. Calvi). Claude Luter, sop sax; O/Gerard Calvi. Vogue 74321134142 24 Grofé, F. Suite: Death Valley. Capitol SO/ Ferde Grofé. EMI 5 74117 2 17 17:00 HOSANNA Prepared by Neil McEwan Byrd, W. Haec dies. Cambridge Singers/ John Rutter. Collegium COLCD 107

Vaughan Williams, R. Light’s glittering morn. Choir of Christchurch St Laurence, Sydney; Peter Jewkes, org. Christ Church St Laurence CCSL CD06 6 Haydn, J. Kyrie; Gloria, from Mass in C, Hob.XXII:8, Mariazell (1782). Choir of Trinity College, New York; Rebel Baroque O/J. Owen Burdick. Naxos 8.508009 13 Tallis, T. Dum transisset sabbatum. La Chapelle du Roi/Alistair Dixon. Brilliant Classics 93612/4

Schütz, H. Singet dem Herrn ein neues Lied. Choir of Dresden Cathedral/Kurt Bauer. Brentwood Communications Inc. BCCD 314 5 Gabrieli, G. Canzona 12. Taverner Consort/ Andrew Parrot. Virgin 5 61934 2 3

Vaughan Williams, R. Te Deum in G. Choir of Westminster Abbey/James O’Donnell. Hyperion CDA67643 7

Monday 25 April

18:00 SMALL FORCES Prepared by Rex Burgess

00:00 CLASSIC-ALL THROUGH THE NIGHT

Bach, J.S. Sonata in D, BWV1028 (c1720). Catherine Finnis, va da gamba; Nicholas Parle, hpd. Fine Music concert recording 13

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Robert Small

Enescu, G. Concert piece (1903-06). John Gould, va; Merran McLaren, pf. Fine Music tape archive 9 Reicha, A. 18 Variations and a fantasy in G on Mozart’s Se vuol ballare, op 51 (1804). Geoffrey Collins, fl; Dene Olding, vn; Julian Smiles, vc. Fine Music concert recording 16 Tartini, G. Sonata in G minor, Devil’s trill (pub. 1734). David Oistrakh, vn; Frida Bauer, pf. Brilliant Classics 8402 14 19:00 SUNDAY NIGHT CONCERT Prepared by Frank Morrison Bach, C.P.E. Sinfonia in A, Wq182 no 4 (1773). Capella Istropolitana/Christian Benda. Naxos 8.553285 13 Lalo, E. Cello concerto in D minor (1877). János Starker, vc; London SO/Stanislaw Skrowaczewski. Mercury 432 010-2 23 Glière, R. Symphony no 2 in C minor, op 25 (1907). New Jersey SO/Zdenek Macal. Delos DE 3178 46 20:30 NEW HORIZONS Prepared by James Nightingale Wilcox, F. Uncovered ground (2015). Ensemble Offspring. Move MD 3456

Holley, A. Hammerings II (1993). Shefali Pryor, ob. Hammerings Records HR-2015-2 10

Tarkiainen, O. The Earth, Spring’s daughter (2014-15). Virpi Räisänen, mezz; Lapland CO/ John Storgards. Ondine ODE 1353-2 42 22:00 JAZZ AFTER HOURS with Deborah Evans

Browne, D. Epitaph on Salathiel Pavy (1913). Martyn Hill, ten; Clifford Benson, pf. Helios CDH55237 5

09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1900 Prepared by Frank Morrison

Monteverdi, C. Volgendo il ciel ... Movete al mio bel suon, from Madrigals bk 8, War and Love (pub. 1638). Members of La Capella Reial de Catalunya/Jordi Savall. Alia Vox AVSA 9884 B 12

Suk, J. Four pieces for violin and piano, op 17 (1900). Members of Nash Ensemble. Helios CDH55416 17

14:30 SOME COLOURFUL CHARACTERS Prepared by Rex Burgess

Wallace, W. Suite: Pelleas and Melisande (1900). BBC Scottish SO/Martyn Brabbins. Hyperion CDH55465 16 Reger, M. Sonata in A flat, op 49 no 1 (1900). Michael Collins, cl; Michael McHale, pf. Chandos CHAN 10970 20 Puccini, G. Love and music, from Tosca (1900). Kiri Te Kanawa, sop; New Zealand Broadcasting Corporation Little SO/Juan Matteucci. Decca 430 325-2 3 Arensky, A. Piano quintet in D, op 51 (1900). Piers Lane, pf; Goldner String Quartet. Hyperion CDA67965 24 10:30 CONCERT HALL Prepared by James Nightingale Novák, V. Eternal longing, op 33 (1903-04). Royal Liverpool PO/Libor Pesek. Virgin 5 45251 2 20 Bacewicz, G. Violin concerto no 4 (1951). Joanna Kurkowicz, vn; Polish RSO/Lukasz Borowicz. Chandos CHAN 10673 27 Sibelius, J. Symphony no 1 in E minor, op 39 (1899). Adelaide SO/Arvo Volmer. ABC 476 3944 36

Cloud rim (1994). Christine Draeger, fl; Kathryn 12:00 SWING SESSIONS Lambert, pf. with John Buchanan Streeton’s Noon 1 3 Panufnik, R. Cantator and Amanda (2011). Amy Harman, bn; Sacconi Quartet. Signum SIGCD673 14

Shostakovich, D. String quartet no 8 in C minor, op 110 (1960). Voces Intimae String Quartet. BIS CD-26 22

13:00 MUSIC AND WAR Part 4 Prepared by Gerald Holder Haydn, J. Symphony in G, Hob.I:100, Military (1794). Les Musiciens du Louvre/Marc Minkowski. naïve V 5176 23 Adams, J. The wound-dresser (1988). Sanford Sylvan, bar; Chris Gekker, tpt; Naoko Tanaka, vn; O of St Luke’s/John Adams. Elektra Nonesuch 979218-2 19

Cornelius, P. Overture to The barber of Baghdad (1858). Staatskapelle Dresden/Hans Vonk. Berlin Classics 0300249BC 8 Nielsen, C. Suite from Aladdin, op 34 (191819). South Jutland SO/Niklás Willén. Naxos 8.557164 25 Griffes, C. The pleasure dome of Kubla Khan, op 8 (1912-17). Seattle SO/Gerard Schwartz. Naxos 8.559724 11 Corigliano, J. Flute concerto, Pied piper fantasy (1982). James Galway, fl; Eastman Philharmonia/David Effron. RCA 6602-2-RC 37 16:00 FINE MUSIC HOLIDAY including Arts Calendar at 5.00pm with Stephen Wilson 19:00 JAZZ PULSE with Chris Wetherall 20:00 STORMY MONDAY with Austin Harrison 22:00 JAZZ AFTER HOURS with Gail Monjo

Tuesday 26 April 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Julie Simonds 09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard Prepared by Michael Morton-Evans Kozeluch, L. Sonata in G minor, op 15 no 1 (1785). Christine Faron, fp. Schwann 3-1059-2 19

Brahms, J. Variations on a theme by Schumann, op 23 (1861). Stephen Emmerson, Bernard Lanskey, pf. Tall Poppies TP154 17 Mozart, W. Sonata in F, K13 (1764). Rachel Podger, vn; Gary Cooper, fp. Channel CCS SA 28109 14

15:00 THREE FEASTS Prepared by Derek Parker Rautavaara, E. Our joyful’st feast (2008). Latvian Radio Choir/Sigvards Kļava. Ondine ODE 1223-2

09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows Prepared by Brian Drummond 5

Handel, G. Concerto grosso in C, HWV318, Alexander’s feast (1736). Akademie Für Alte Bernstein, L. Sonata (1942). Jon Manasse, cl; Musik. Harmonia Mundi HMC901685 13 Jon Nakamatsu, pf. Harmonia Mundi HMU 907508 11 Purcell, H. The Yorkshire feast song: Of old, Pixis, J. Grand sonata, op 35. Jean-Louis Capezzali, ob; Chia Chou, pf. Pierre Verany PV794101 21 10:30 CONCERT HALL Prepared by Jennifer Foong Spohr, L. Overture to Der Alchymist (182930). Berlin RSO/Christian Fröhlich. cpo 999 093-2 8 Respighi, O. Concerto gregoriano (1921). Vadim Brodsky, vn; Rome SO/Francesco La Vecchia. Brilliant Classics 94394 32 Schmidt, F. Symphony no 3 in A (1927-28). Chicago SO/Neeme Järvi. Chandos CHAN 9000 42 12:00 JAZZ RHYTHM with Jeannie McInnes 13:00 FRENCH WOMEN COMPOSERS Prepared by Jacky Ternisien Duval, F. Les génies (1736; ed. Washburn). Bay Area Women’s PO/JoAnn Falletta. Newport Classic NCD 60102 11 Jacquet de la Guerre, E-C. Suite no 6 in G, from Pieces for harpsichord, (1707). Elizabeth Farr, hpd. Naxos 8.557654 15

when heroes thought it base (1690). Gillian Fisher, sop; Susan Hamilton, sop; James Bowman, ct; Nigel Short, ct; Rogers CoveyCrump, ten; Charles Daniels, ten; Michael George, bass; Robert Evans, bass; King's Consort/Robert King. Hyperion CDA66587 36

Sablier, E. Vertigo; Visages (2013). Élodie Sablier, pf. Élodie Sablier 2013 11 Farrenc, L. Symphony no 2 in D, op 35 (1845). Solistes Europeéns, Luxembourg/ Christoph König. Naxos 8.573706 33

Monn, M. Violin concerto in B flat (1747). Camerata Bern/Thomas Füri, vn & dir. Archiv 410 599-2 16 Marsh, J. Symphony no 7 in E flat, La chasse (1790). London Mozart Players/Matthias Bamert. Chandos CHAN 10458 10 Wikmanson, J. String quartet in E minor, op 1 no 2 (c1790). Chilingirian Quartet. CRD 3361 21

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Michael Morton-Evans

Pinto, G. Grand sonata in C minor, 'inscribed to his friend John Field' (1803). Riko Fukuda, fp. Olympia OCD 494 20

19:00 THE JAZZ BEAT with Lloyd Capps

10:30 CONCERT HALL Prepared by Frank Morrison

20:00 JUST IN with David Garrett A selection from the latest recordings to arrive at the Fine Music Library 22:00 CHAMBER SOIRÉE Prepared by Gerald Holder Danzi, F. Sextet in E for two horns and string quartet, op 15 (pub. 1803). Members of Consortium Classicum. Orfeo C 674 081 A 23 Bax, A. Fantasy sonata (1917). Ashan Pillai, va; Alison Nicholls, hp. Naxos 8.554507 23 Smetana, B. Piano trio in G minor, op 15 (1855/57). Benaud Trio. Melba MR301142 29

Barbara. Pierre; Dis, quand reviendras-tu? Anne Sofie von Otter, mezz; Brad Mehldau, pf. Beethoven, L. String quartet no 14 in C sharp naïve V 5241 8 minor, op 131 (1826). Goldner String Quartet. ABC 476 3542 39 Bonis, M. Sonata in C sharp minor (1904). Maria Cecilia Muñoz, fl; Tiffany Butt, pf. Ars ARS 38 129 18 Renié, H. Legend (1901). Lavinia Meijer, hp. Radio Nederland MCCP122 11

Gibbs, J. Sonata in D minor, op 1 no 1 (c1746). Locatelli Trio. Hyperion CDA66583

Wednesday 27 April

00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Stephen Wilson

Gershwin, G. An American in Paris (1928). BBC PO/Yan Pascal Tortelier. Chandos CHAN 9325 19 Schumann, R. Cello concerto in A minor, op 129 (1850). Alban Gerhardt, vc; Berlin RSO/ Hannu Lintu. Hyperion CDA67583 22 Balakirev, M. Symphony no 1 in C (1864-97). BBC PO/Vassily Sinaisky. Chandos CHAN 9667 42 12:00 JAZZ SKETCHES with Robert Vale 13:00 IN CONVERSATION with Simon Moore 14:00 WEST AUSTRALIAN SYMPHONY ORCHESTRA Part 5 Prepared by Ron Walledge Brumby, C. Festival overture on Australian themes. West Australian SO/Richard Mills. ABC 442 374-2 9 Hill, A. Piano concerto. David Bollard, pf; West Australian SO/Georg Tintner. LP ABC/Festival L42019 24 Bernstein, L. Symphonic dances, from West Side story (1957). West Australian SO/ Benjamin Northey. ABC 481 7378 24 Castelnuovo-Tedesco, M. Overture: As you like it, op 166 (1953). West Australian SO/ Andrew Penny. Naxos 8.572501 12 Brahms, J. Symphony no 4 in E minor, op 98 (1884). West Australian SO/Asher Fisch. ABC 481 4413 39

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Lloyd Capps

Thursday 28 April

19:00 PLANET JAZZ with Xavier Bichon

00:00 CONTEMPORARY COLLECTIVE

20:00 AT THE OPERA Prepared by Elaine Siversen

03:00 CLASSICAL TILL DAWN

Gounod, C. The Queen of Sheba. Opera in five acts. Libretto by Jules Barbier and Michel Carré. First performed Paris, 1862. BALKIS: Suzanne Sarroca, sop SOLOMON: Gérard Serkoyan, bass ADONIRAM: Gilbert Py, ten AMROU: Jean-Paul Caffi, ten PHANOR: Henry Amiel, bar METHOUSAËL: Jean Tezenas, bass Toulouse Capitole Choir & O/Michel Plasson. Gala GL 100.734 1:52 Balkis, Queen of Sheba, betrothed to Solomon, arrives at his court in Jerusalem and is impressed by its magnificence. She asks to meet the builder and is introduced to Adoniram, the master builder now in charge of the construction of Solomon¹s temple. At a later meeting, they fall in love and Balkis asks the King to delay the signing of their wedding agreement, leading him to wonder about her commitment. Balkis and Adoniram plan to leave Jerusalem together but, while Adironam waits at their meeting place, he is mortally wounded by three disaffected workers, Amrou, Phanor and Méthousaël. Balkis arrives to find the dying Adoniram. They embrace; he dies and Balkis mourns over his body.

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am with Simon Moore 09:00 DIVERSIONS IN FINE MUSIC The instruments: Strings Prepared by James Nightingale Haydn, J. Octet in G for baryton, horns and strings, Hob.X:5 (1775). Members of Haydn Sinfonietta/Manfred Huss. BIS CD-1796/98 14 Saint-Saëns, C. Fantasy in A minor, op 95 (1893). Markus Klinko, hp. EMI CDC 7 54467 2 9 Carulli, F. Sonata, op 21 no 2. Richard Savino, gui. Naxos 8.553301

Dohnányi, E. Concert piece in D, op 12 (1903-04). Raphael Wallfisch, vc; London SO/ Charles Mackerras. Chandos CHAN 8662 24 14:00 CLASSICAL SELECTIONS Prepared by Peter Poole Giuliani, M. Serenade in G, op 127. Mikael Helasvuo, fl; Jukka Savijoki, gui. BIS CD-412 16 Bach, J.C.F. Cantata: Die Amerikanerin (pub. 1776). Magdalena Kozená, mezz; Musica Antiqua Cologne/Reinhard Goebel. DG 479 2557 11 Chopin, F. Rondo in C minor, op 1 (1825). Idil Biret, pf. Naxos 8.554537 8 Ries, F. Sextet, op 142. Dieter Klöcker, cl; Karl Hartmann, bn; Nury Guarnaschelli, hn; Wolfgang Güttler, db; Edward Witsenburg, hp; Werner Genuit, pf. Schwann 310 001 H1 20

Pugnani, G. Quintet no 2 in F for flute, violin, 20 viola, cello and harpsichord, op 1. Ensemble L'Astrée. Beethoven, L. Duo for viola and cello in E flat, Symphonia SY 93S21 10 WoO32, with two obbligato eyeglasses (1796Vedel, A. By the waters of Babylon. Parsons 97). Heinrich Koll, va; Milan Karanovic, vc. Naxos 8.557606 13 Affayre/Warren Trevelyan-Jones, Andrei Laptev. Castelnuovo-Tedesco, M. The lark for violin Vox Foris MMPA003 12 and piano, op 64 (1931). Gran Duo Italiano. Brilliant Classics 95642 12 Benda, F. Sonata in F (arr. Munclinger). JeanPierre Rampal, fl; Viktorie Svihlikova, hpd. Edwards, R. Gallipoli (2014). Australian String Supraphon SU 3648-2 9 Quartet. Boccherini, L. Quintet no 4 in D, Fandango Ian Potter Foundation/Monash University 11 (1798). Lucinda Moon, vn; Alice Evans, vn; Va! je t’ai pardonné ... Nuit d’hymnénée, from 10:30 CONCERT HALL Caroline Henbest, va; Cameron Retchford, vc; Roméo et Juliette (1867). Anna Netrebko, sop; Prepared by Derek Parker Tommie Andersson, gui. Rolando Villazón, ten; Dresden Staatskapelle/ Fine Music concert recording 19 Berlioz, H. Overture: Les francs-juges, op 3 Nicola Luisotti. (1827-28). Montreal SO/Charles Dutoit. 16:00 FINE MUSIC DRIVE DG 477 6457 13 Decca 452 480-2 12 including Arts Calendar at 5.00pm 22:30 MUSIC OF THE NIGHT Korngold, E. Between two worlds: Judgement with Robert Gilchrist Prepared by Chloe Sinclair Day (1944). Alexander Frey, pf; Berlin RSO/ 19:00 THE NEW JAZZ STANDARD John Mauceri. Busoni, F. Sonata no 2 in E minor, op 36a with Frank Presley Decca 444 170-2 30 (1898). Cristiano Rossi, vn; Marco Vincenzi, pf. Dynamic CDS 87 29 Brahms, J. Symphony no 2 in D, op 73 (1877). 20:00 THE WORLD OF A Columbia SO/Bruno Walter. Ricketson, D. Time alone (2014). Claire SYMPHONY Sony SMK 64 471 41 Prepared by David Brett Edwardes, vibraphone, electronics. Move MD 3416

Ropartz, J. Un prélude dominical et Six pièces á danser pour chaque jour de la semaine (1928-29). Stephanie McCallum, pf. Toccata TOCC 0326 28 Vasks, P. Plainscapes (2002). Latvian Radio Choir; Sandis Šteinbergs, vn; Guna Äboltina, vc; Sigvards Klava, cond. Ondine ODE 1194-2 17

12:00 JAZZ AFTER NOON with Sue Jowell 13:00 THREE DOHNÁNYIS Prepared by Nicky Gluch Strauss, J. II Zeitgeister, op 25 (1846). Polish State PO/Oliver Dohnányi. Marco Polo 8.223205 8 Mozart, W. Oboe concerto in C, K314 (1777). Jon Mack, ob; Cleveland O/Christoph von Dohnányi. Decca 466 247-2 22

Mendelssohn, F. String symphony no 6 in E flat (1821). London FO/Ross Pople. Hyperion CDS44081/3 12 Zelter, C. Viola concerto in E flat (1779). New Dutch Academy/Simon Murphy, va & dir. PentaTone PTC 5186 787 24 Bach, J.S. Mache dich, mein Herze, rein, from St Matthew Passion, BWV244 (c1727). Teddy Tahu Rhodes, bar; O of the Antipodes/Antony Walker. ABC 476 227-2 6

Mendelssohn, F. Overture: The Hebrides, op 26, Fingal’s Cave (1830). Vienna PO/Carl Schuricht. Decca 482 4955 10 Moscheles, I. Anticipations of Scotland: A grand fantasy, op 75 (1828). Tasmanian SO/ Howard Shelley. Hyperion CDA67276 15 Mendelssohn, F. Symphony no 3 in A minor, op 56, Scottish (1842). Tasmanian SO/ Sebastian Lang-Lessing. ABC 476 3623 39 22:00 THE MUSIC OF POETRY Prepared by Paul Cooke Debussy, C. Suite bergamasque (1905). Roger Woodward, pf. ABC 472 170-2 18 Sjögren, E. Poem (c1900). Semmy Stahlhammer, vn; Elisabeth Böstrom, pf. nosag 4049

22:30 ULTIMA THULE

Friday 29 April 00:00 CONTEMPORARY COLLECTIVE 03:00 CLASSICAL TILL DAWN 06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am 09:00 DIVERSIONS IN FINE MUSIC Something borrowed Prepared by Brian Drummond Stravinsky, I. Suite from Pulcinella (1919-20). Academy of St Martin in the Fields/Neville Marriner. Decca 443 577-2 23 Bach, J.S. Concerto no 1 in D, after Vivaldi, BWV972 (1713-14). Nicholas Parle, hpd. MBS 26 8 Reicha, A. 18 Variations and a fantasy on Mozart’s Se vuol ballare, op 51 (1804). JeanPierre Rampal, fl; Isaac Stern, vn; Mstislav Rostropovich, vc. Sony SK 44568 17 Grainger, P. Fantasy on George Gershwin’s Porgy and Bess for two pianos (pub. 1951). Bilder Duo. Grand Piano GP633 21 Borne, F. Fantasia brillante on themes from Bizet’s Carmen. Jane Rutter, fl; Gerard Willems, pf. ABC 476 6475 11

10:30 CONCERT HALL Prepared by Michael Field Janácek, L. Sinfonietta (1926). Sydney SO/ Charles Mackerras. Sydney Symphony SSO 200705 25 Mozart, W. Piano concerto no 14 in E flat, K449 (1784). Alfred Brendel, pf; I Solisti di Zagreb/Antonio Janigro. Vanguard OVC 4015 22 Dvorák, A. Symphony no 7 in D minor, op 70 (1884-85). London SO/Antal Dorati. Mercury 478 5092 37 12:00 A JAZZ HOUR with Barry O'Sullivan 13:00 PROFILE: PEGGY GLANVILLE-HICKS Prepared by James Nightingale Glanville-Hicks, P. Pastoral (1936). Jeanell Carrigan, pf. Wirripang Wirr 109 2 Profiles from China (1945). Gerald English, ten; Roland Peelman, pf. Tall Poppies TP112 6 Sonata (1950). Marshall McGuire, hp. Tall Poppies TP112

Etruscan concerto (1954). Caroline Almonte, pf; Tasmanian SO/Richard Mills. ABC 476 3222 15 Overture and scene from Sappho Act I (1963). Deborah Polaski, sop; Roman Trekel, bar; Wolfgang Koch, bass-bar; Jacquelyn Wagner, sop; Bettina Jensen, sop; Maria Markina, mezz; Gulbenkian Ch & O/Jennifer Condon. Toccata TOCC 0154-55 18 14:00 A LONDON CONCERT Prepared by Derek Parker Elgar, E. Overture: In the South, op 50, Alassio (1903). Royal PO/Andrew Litton. Virgin VC 7 90727-2

Delius, F. The walk to the Paradise Garden, from A village Romeo and Juliet (1907). Royal PO/Thomas Beecham. Naxos 8.110906 7 Tchaikovsky, P. Piano concerto no 1 in B flat minor, op 23 (1875/79/89). Ronan O'Hora, pf; Royal PO/James Judd. Harrods HSCD4 36 Goldmark, K. Rustic wedding symphony, op 26 (1877). Royal PO/Yondani Butt. ASV DCA 791 47 16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm with Peter Poole 19:00 FRIDAY JAZZ SESSION with Alex Siegers

20:00 EVENINGS WITH THE ORCHESTRA BBC Scottish Symphony Orchestra Prepared by Peter Poole Coles, C. From the Scottish Highlands (190507). BBC Scottish SO/Martyn Brabbins. Hyperion CDA67293 13 Saint-Saëns, C. Violin concerto no 1 in A, op 20 (1859). Philippe Graffin, vn; BBC Scottish SO/Martyn Brabbins. Hyperion CDA67074 13 Mackenzie, A. Scottish concerto, op 55. Steven Osborne, pf; BBC Scottish SO/Martyn Brabbins. Hyperion CDA67023 28 Gurney, I. Under the greenwood tree; Orpheus; Spring, from Four Elizabethan songs (1912). Christopher Maltman, bar; BBC Scottish SO/ Martyn Brabbins. Hyperion CDA67065 7 Dohnányi, E. Concert piece in D, op 12 (1903-04). Alban Gerhardt, vc; BBC Scottish SO/Carlos Kalmar. Hyperion CDA67544 24 Pizzetti, I. La pisanella (1917). BBC Scottish SO/Osmo Vänskä. Hyperion CDH55329 23 22:00 BAROQUE AND BEFORE Good ‘burgers' Brade, W. Der Koeniginnen Intrada (1617). Echo du Danube. Accent ACC 24185 2 Praetorius, H. Magnificat (1602). Choir of Winchester Cathedral; Mark Caudle, bass vn; William Hunt, vle; Timothy Byram-Wigfield, org; London Cornett and Sackbut Ensemble/ Martin Neary. EMI CDC 7 4783-2 7 Brade, W. Paduana; Galliard (1614). Hespérion XX/Jordi Savall. Harmonia Mundi CDS 7 49246-8

Weckmann, M. Psalm 125 (126): Wenn der Herr die Gefangenen zu Zion erlösen wird. Johanna Koslowsky, sop; Alexander Schneider, ct; Hans Jörg Mammel, ten; Wolf Matthias Friedrich, bass; Cantus Köln/Konrad Junghänel. Harmonia Mundi HMC 902034 10 Scheidemann, H. Pavana lachrymae in D minor. Andreas Staier, hpd. Harmonia Mundi HMC 901898 5 Keiser, R. Caro bene, idolo amato; So woltest du wohl einen Ehgemahl ... Amor, fache nicht die Flammen, from Die Grossmütige Tomyria. Gabriele Fontana, sop; Christoph Prégardien, ten; Stefan Dahlberg, ten; Alan Cemore, bar; Linde Consort/Hans-Martin Linde. EMI CDS 7 49466 2 8

Mattheson, G. Fughetta in C minor; Fugue in G (1735). Gisela Gumz, clvd. Hungaroton HCD 31185 4 Telemann, G. Hamburg captain’s music: Ihr rüstigen Wächter (1755). Mechthild Bach, sop; Silke Stapf, sop; Mechthild Georg, cont; Susanna Lena Norin, cont; Gerd Türk, ten; Jacob Winter, ten; Michael Schopper, bass; Raimund Nolte, bass; La Stagione/Michael Schneider. cpo 999 211-2 59

Saturday 30 April 00:00 CLASSIC-ALL THROUGH THE NIGHT

Fauré, G. Chansons: Aprés une rêve, op 7 no 1 (c1878); Au bord de l'eau, op 8 no 1 (1875); Les berceaux, op 23 no 1 (1879); Notre amour, op 23 no 2 (c.1878); Le secret, op 23 no 3 (1880-81); Donc, ce sera par un clair jour d'été, from La bonne chanson, op 61 (1892-94). Barbara Hendricks, sop; Michel Dalberto, pf. EMI CDC 7 49841 2 15 Gounod, C. Ballet music from Faust (1859). New Philharmonia O/Charles Mackerras. EMI CDZ 7 62515 2 17 11:30 ON PARADE Prepared by Peter Poole Gounod, C. Marche militaire la ronde (arr. Sharpe). Jonathan Beatty, tb; Grimethorpe Colliery Band/Peter Parkes. Chandos CHAN 4542 3

06:00 SATURDAY MORNING MUSIC Holst, G. Mars, from The planets (1914-16). with Peter Bell RAN Band/Brian O’Kane, Matthew Klohs. RAN Band 2018 Nov 8 09:00 WHAT'S ON IN MUSIC Our weekly guide to musical events in and around Sydney 09:05 THE PIANO ALONE Prepared by Gerald Holder Haydn, J. Sonata no 6 in C, Hob.XVI:10 (bef. 1767). Jenö Jandó, pf. Naxos 8.553824 9

Kelly, F. Elegy in memorium Rupert Brooke (1915-16; arr. Stanke). RAN Band/Brian O’Kane, Matthew Klohs. RAN Band 2018 Nov 11 Bernstein, E. March, from The great escape (1963). Grimethorpe Colliery Band. RCA 74321 88393 2 2

Bartók, B. Dance suite (1923). Jenö Jandó, pf. 12:00 URBAN JAZZ LOUNGE Naxos 8.554718 15 with Leita Hutchings Beethoven, L. 15 Variations and a fugue in E flat on an original theme, op 35, Eroica (1802). Jenö Jandó, pf. Naxos 8.550676 25 10:00 CENTRES OF MUSIC Teachers at the Paris Conservatoire Prepared by Jacky Ternisien Massenet, J. Suite no 4: Scènes pittoresques (1874). Monte Carlo National Opera O/John Eliot Gardiner. Erato 2292-45859-2 17 Bourgault-Ducoudray, L-A. Rhapsodie cambodgienne (1882). Slovak RSO/Adriano Baumann. Marco Polo 8.225234 17

13:00 AUSTRALIAN PERFORMERS Prepared by James Nightingale Bridge, F. String quartet no 4 (1937). Goldner String Quartet. Hyperion CDA67726 23 Schumann, R. Minnespiel, op 101 (1852). Song Company; Josephine Allen, pf; Roland Peelman, cond. Fine Music concert recording 22 Sculthorpe, P. Nourlangie (1989). Karin Schaupp, gui; Tasmanian SO/Richard Mills. ABC 476 7627 21 Rachmaninov, S. Bohemian caprice, op 12 (1892/1894). Sydney SO/Vladimir Ashkenazy. Exton EXCL-00018 17

Sancan, P. Mouvement, op 19. Olivier Cazal, pf. SOUNDscapes SSCD 922 3 Rode, P. Introduction and variations on a Tyrolean air. Friedemann Eichhorn, vn; Jena PO/Nicolás Pasquet. Naxos 8.573054 11

14:30 SATURDAY MATINÉE Operetta in the afternoon Prepared by Angela Cockburn Sullivan, A. Ruddygore. Operetta in two acts. Libretto by W.S. Gilbert. First performed London, 1887. DAME HANNAH: Joan Davies, cont SIR RODERICK MURGATROYD: Thomas Lawlor, bass ROSE MAYBUD: Marilyn Hill Smith, sop SIR RUTHVEN MURGATROYD: Gordon Sandison, bar RICHARD DAUNTLESS: David Hillman, ten MAD MARGARET: Linda Ormiston, mezz SIR DESPARD MURGATROYD: Harold Innocent, bass New Sadler’s Wells Opera Ch & O/Simon Phipps. MCA Classics MCAD2 11010 1:29 Years before, Dame Hannah had discovered that her betrothed, Sir Roderic Murgatroyd, was one of the ‘bad baronets’ of Ruddygore. Centuries before, a witch being burnt at the stake, cursed all future baronets of Ruddygore. They were to commit a crime every day or perish in agony. Robin Oakapple is too shy to declare his love for Dame Hannah’s niece, Rose. Robin is actually Sir Ruthven Murgatroyd who fled his home 20 years previously to avoid inheriting the baronetcy and its curse. Richard Dauntless, Robin's foster-brother, arrives after ten years at sea. He offers to speak to Rose on Robin’s behalf but falls in love with her and proposes immediately. Rose accepts but Robin points out Richard’s many flaws so she breaks the engagement and accepts Robin. Mad Margaret has been driven to madness by her love for the current baronet Sir Despard Murgatroyd. Richard discloses that Despard's elder brother Ruthven is alive and the elated Despard transfers the baronetcy to Ruthven. Rose, horrified at Robin's true identity, breaks off the engagement and accepts Richard. Despard takes up with his old love Mad Margaret. Robin (now Sir Ruthven) leaves for Ruddygore Castle and tries unsuccessfully to be a bad baronet. Robin's weak crimes stir his ancestral ghosts from their usual haunt in the castle's portrait gallery. The curse requires them to ensure that their successors are duly committing a crime every day and to torture them to death if they fail. They are not pleased to learn that the baronet's crimes range from filing a false income tax return to forging his own will. Robin's uncle, the late Sir Roderic Murgatroyd, orders him to ‘carry off a lady’ that day or perish in horrible agony. Robin tells his servant Adam to go to the village and abduct any lady! Adam unfortunately chooses to abduct Dame Hannah who proves formidable

and Robin cries out for his uncle's protection. Sir Roderic appears and recognises his former love. They enjoy a brief reunion interrupted by Robin saying that under the terms of the curse, a Baronet of Ruddygore can die only by refusing to commit a daily crime. Refusing is therefore ‘tantamount to suicide’ but suicide is a crime. Thus, he reasons, his predecessors ought never to have died at all. Roderic follows this logic and agrees, stating that he is practically alive. Robin is now free of the curse and Rose happily resumes her engagement to him while Roderic and Dame Hannah embrace. The ghosts’ high noon, from Ruddygore (1887). Tasmanian SO/Andrew Greene. ABC 476 5104

Overture to The sapphire necklace (1864). RTE Concert O/Andrew Penny. Marco Polo 8.223461 10 Excerpts from Trial by jury (1866). Rebecca Evans, sop; Pamela Helen Stephen, mezz; Barry Banks, ten; Peter Savidge, bar; Gareth Rhys-Davies, bar; Donald Adams, bass; Richard Suart bass; Welsh National Opera Ch & O/Charles Mackerras. Telarc 2CD-80404 32 17:00 CLASS ACTS Sydney schools in concert Recordings from Sydney schools submitted to the station and curated for your enjoyment

18:00 STAGE AND SCREEN Prepared by Anabela Pina

Impromptu in A (1885). Michael Ponti, pf. LP Vox/Record Society S/6538-39-40

Danna, M. Excerpts from Life of Pi (2012). Bombay Jayashri, voice; Unknown O. Sony 88725477252 7

Suite from The Nutcracker, op 71 (1892). Montreal SO/Charles Dutoit. Decca 478 4746 19

Various. Excerpts from La vie en rose (2007). Edith Piaf, Jil Aigrot, voices. EMI 3 86782 2 15

Symphony no 6 in B minor, op 74, Pathétique (1893). Swedish CO/Thomas Dausgaard. BIS SACD-1959 43

Coulais, B. Excerpts from The chorus (2004). Jean-Baptiste Maunier, voice; Les Petits Chanteurs de Saint-Marc; Bulgarian SO/Bruno Coulais. WB Records 5046-76916-2 9 Various. Excerpts from, Chocolat (2000). Juliette Binoche, Judi Dench, Alfred Molina, Lena Olin, Johnny Depp, Carrie-Anne Moss, Peter Stormare, John Wood, Leslie Caron, voices. Sony Music Soundtrax SK 8947 2 21

22:00 SATURDAY NIGHT AT HOME Prepared by Gerald Holder Falla, M. de Ballet: El amor brujo (1915). Ginesa Ortega, mezz; Joan Martin, cont; Joan Cabero, ten; Inaki Fresán, bar; Barcelona Free Theatre CO/Josep Pons. Harmonia Mundi 2908530.34 37 Chopin, F. Sonata no 2 in B flat minor, op 35. Maurizio Pollini, pf. Philips 456 940-2 23

19:00 EMERGENT JAZZ with Keith Pettigrew

Clementi, M. Symphony no 3 in G, Great National. Philharmonia O/Francesco d’Avalos. ASV DCS 247 30

20:00 THE LIFE OF A COMPOSER Peter Tchaikovsky Prepared by Rita Felton

Brahms, J. Trio in A minor, op 114 (1891). Peter Schmidl, cl; Teodora Miteva, vc; Madoka Inui, pf. Naxos 8.557232 24

Tchaikovsky, P. Overture: The storm, op 76 (1864). Concertgebouw O/Bernard Haitink. Decca 478 5867 12 Piano concerto no 1 in B flat minor, op 23 (1875/79). Martha Argerich, pf; Berlin PO/ Claudio Abbado. DG 449 816-2 32

The following composers have works of at least five minutes on the April dates listed Adams, J.L. b1953 Abbott, K. b1971 Adams, J. b1947 Agnew, R. 1891-1944 Alwyn, W. 1905-1985 Andrée, E. 1841-1929 Arensky, A. 1861-1906 Arnold, M. 1921-2006 Atterberg, K. 1887-1974 Avison, C. 1709-1770

Coulais, B. Couperin, F. Croft, W. Crusell, B. Czerny, C.

27 3 8,25 23 21 18 8,25 17,23 20 22

Bacewicz, G. 1909-1969 25 Bach, C.P.E. 1714-1788 10,18,21,24 Bach, J. Christian 1735-1782 5,10,11 Bach, J.C.F. 1732-1795 28 Bach, J.S. 1685-1750 2,3,5, 7,10,12,13,14,15,17,22,24,28,29 Baermann, C. 1810-1885 19 Balakirev, M. 1837-1910 27 Bantock, G. 1868-1946 14 Barbara. 1930-1997 26 Barber, S. 1910-1981 1,8 Bartók, B. 1881-1945 8,30 Bax, A. 1883-1953 17,19,26 Beach, A. 1867-1944 1,23 Bechet, S. 1897-1959 24 Beethoven, L. 1770-1827 2,3,5,6,7,11,12,17,19,22,24,26,28,30 Bellini, V. 1801-1835 21 Benda, F. 1709-1786 2,28 Benda, G. 1722-1795 2,24 Berg, A. 1885-1935 23 Bériot, C-A. de 1802-1870 8 Berlioz, H. 1803-1869 2,5,21,28 Bernstein, L. 1918-1990 1,26,27 Berwald, F. 1796-1868 8 Bizet, G. 1838-1875 19 Blavet, M. 1700-1768 1 Bliss, A. 1891-1975 12 Bloch, E. 1880-1959 16,21 Boccherini, L. 1743-1805 11,12,22,28 Böhm, T. 1794-1881 15 Bonis, M. 1858-1937 26 Borne, F. 1840-1920 29 Borodin, A. 1833-1887 4,9 Bottesini, G. 1821-1889 12 Bourgault-Ducoudray, L-A. 1840-1910 30 Brade, W. 1560-1630 29 Bradshaw, M. b1983 2 Brahms, J. 1833-1897 8,12,13,19,22,26,27,28,30 Brian, H. 1876-1972 7 Briccialdi, G. 1818-1881 10 Bricusse, L. 1931-2021 16 Bridge, F. 1879-1941 10,30 Britten, B. 1913-1976 8,23 Brophy, G. b1953 10 Bruch, M. 1838-1920 1,5,17,20 Bruckner, A. 1824-1896 2 Brumby, C. 1933-2018 27 Busoni, F. 1866-1924 16,27 Butterworth, G. 1885-1916 11 Buxtehude, D. 1637-1707 2,5 Cambini, G. 1746-1825 6 Campra, A. 1660-1744 1 Cannabich, C. 1731-1798 12 Carmichael, J. b1930 13 Carpenter, J. 1876-1951 24 Carulli, F. 1770-1841 3,28 Castelnuovo-Tedesco, M.1895-1968 27,28 Castillon, A. 1838-1873 18 Chaminade, C. 1857-1944 5,11 Charpentier, M-A. 1643-1704 14 Chausson, E. 1855-1899 11,21 Chopin, F. 1810-1849 2,7,8,14,17,28,30 Clementi, M. 1752-1832 30 Coles, C. 1888-1918 4,29 Copland, A. 1900-1990 1,9 Corelli, A. 1653-1713 10,22 Corigliano, J. b1938 25 Cornelius, P. 1824-1874 25 Corrette, M. 1707-1795 10

Ch & O: Chorus & Orchestra CO: Chamber Orchestra FO: Festival Orchestra NO: National Orchestra NSO: National Symphony Orchestra PO: Philharmonic Orchestra RO: Radio Orchestra RSO: Radio Symphony

b1954 1668-1733 1678-1727 1775-1838 1791-1857

30 14 24 3,17 8

d’Albert, E. d’Indy, V. Danna, M. Danzi, F. Dean, B. Debussy, C.

1864-1932 9 1851-1931 7 b1958 30 1763-1826 26 b1961 3 1862-1918 12,16,19,21,23,28 Deisenroth, F. 1903-1997 6 Delius, F. 1862-1934 23,29 Devienne, F. 1759-1803 1,6 Dittersdorf, C. 1739-1799 7,10 Dobrzynski, I. 1807-1867 11 Dohnányi, E. 1877-1960 28,29 Domeniconi, C. b1947 14 Druschetzky, G. 1745-1819 24 Dukas, P. 1865-1935 21 Duval, F. ?1673-1728 13,26 Dvorák, A. 1841-1904 3,16,19,22,29 Eberl, A. Edwards, R. Elgar, E. Enescu, G. Englund, E. Eybler, J.

1765-1807 b1943 1857-1934 1881-1955 1916-1999 1765-1846

15 28 5,21,29 24 18 1

Falla, M. de Farrenc, L. Fasch, C. Fauré, G. Ferguson, L. Field, J. Finzi, G. Fleischer, T. Foerster, J. Foster, S. Frahm, N. Franck, C. Frederick II.

1876-1946 1804-1875 1736-1800 1845-1924 c1755-1823 1782-1837 1901-1956 b1946 1859-1951 1826-1864 b1982 1822-1890 1712-1786

30 26 2 2,11,21,30 20 7 17 6 14 16 17 3,5,14,24 2

Gabrielli, D. 1651-1690 22 Gade, N. 1817-1890 2 Gainsbourg, S. 1928-1991 2 Garth, J. 1722-1816 14 Geminiani, F. 1687-1762 22 Gershwin, G. 1898-1937 1,4,7,8,23,24,27 Gibbs, J. 1699-1788 27 Giuliani, M. 1781-1829 28 Glanville-Hicks, P. 1912-1990 29 Glazunov, A. 1865-1936 8,21 Glière, R. 1875-1956 15,21,24 Gluck, C. 1714-1787 2,3,10 Goldmark, K. 1830-1915 29 Gossec, F-J. 1734-1829 1 Gottschalk, L. 1829-1869 6 Gounod, C. 1818-1893 27,30 Grabu, L. fl 1665-1694 19 Grainger, P. 1882-1961 9,10,29 Granados, E. 18671916 10,11,15,18,22 Graun, C. 1704-1759 2,15 Graupner, C. 1683-1760 3 Graziani, C. d1787 13 Grechaninov, A. 1864-1956 22 Grieg, E. 1843-1907 4,9,10 Griffes, C. 1884-1920 25 Grofé, F. 1892-1972 24 Guilfoyle, R. b1958 7 Gurney, I. 1890-1937 29 Handel, G.

1685-1759 1,2,7,8,9,14,17,20,23,26 Harty, H. 1879-1941 7 Haydn, J. 1732-1809 3,6,7,10,11,15,17,18,24,25,28,30 Haydn, M. 1737-1806 3,10 Henderson, R. 1896-1970 9 Herz, H. 1803-1888 15

Orchestra RTO: Radio & Television Orchestra RTV SO: Radio and Television Symphony Orchestra SO: Symphony Orchestra TO: Theatre Orchestra alto: male alto ban: bandoneon

Heuberger, R. 1850-1914 9 Higdon, J. b1962 1,10,20 Hill, A. 1870-1960 14,23,27 Hill, M. 1889-1986 23 Hindemith, P. 1895-1963 20 Hoffmeister, F. 1754-1812 10 Holland, D. 1913-2000 23 Holley, A. b1954 24 Holst, G. 1874-1934 1,4,19,23,30 Holzbauer, I. 1711-1783 16 Honegger, A. 1892-1955 3 Hotteterre, J-M. 1674-1763 5 Hovhaness, A. 1911-2000 1 Howard, L. 20th C 17 Howells, H. 1892-1983 7,18 Hummel, J. 1778-1837 7,9,10 Hurlstone, W. 1876-1906 21 Hutchens, F. 1892-1965 4 Isaacs, M. Ives, C. Izarra, A.

b1958 3 1874-1954 14 b1959 10

Jacquet de la Guerre, E-C. c1666-1729 26 Janácek, L. 1854-1928 29 Jenkins, K. b1944 11 Joachim, J. 1831-1907 16 Kabalevsky, D. 19041987 4 Kaipainen, J. 1956-2015 10 Kalinnikov, V. 1870-1927 8 Kander, J. b1927 2 Karg-Elert, S. 1877-1933 7 Keiser, R. 1674-1739 29 Kelly, F. 1881-1916 4,21,30 Khachaturian, A. 1903-1978 1,9 Koechlin, C. 1867-1950 2 Koehne, G. b1956 16 Kokkonen, J. 1921-1996 13 Korngold, E. 1897-1957 28 Kozeluch, L. 1747-1818 24,26 Kraus, J.M. 1756-1792 17 Krumpholtz, J-B. 1747-1790 24 Lalande, M-R. de 1657-1726 1 Lalo, E. 1823-1892 24 Langford, G. 1930-2017 23 Langgaard, R. 1893-1952 18 Lassus, O. de 1532-1594 17 Lebrun, L. 1752-1790 13 Lechner, L. c1553-1606 15 Leclair, J-M. 1697-1764 1 Leigh, M. 1928-2014 9 Liszt, F. 1811-1886 15,23 Lloyd Webber, A. b1948 16 Locatelli, P. 1695-1764 3,6 Loesser, F. 1910-1969 23 Lutvak, S. b1959 2 Lyadov, A. 1855-1914 22 Løvenskjold, H. 1815-1870 9 Mackenzie, A. 1847-1935 29 Mageau, M. b1934 21 Mahler, G. 1860-1911 15,17,22 Manfredini, F. 1684-1762 20 Manfredini, V. 1737-1799 10 Mäntyjärvi, J. b1963 18 Marez Oyens, T. de 1932-1996 6 Marsh, J. 1752-1828 27 Martinsson, R. b1956 13 Massenet, J. 1842-1912 13,21,30 Meder, J.V. 1649-1719 13 Medtner, N. 1880-1951 22 Méhul, É-N. 1763-1817 1 Mendelssohn, F. 18091847 1,14,20,21,24,28 Menken, A. b1949 23 Merula, T. c1595-1665 6 Messiaen, O. 1908-1992 4 Mills, R. b1949 13 Minkus, L. 1826-1917 15 Moeran, E.J. 1894-1950 4 Monn, M. 1717-1750 27 Montéclair, M. de 1667-1737 20

bar: baritone bshn: basset horn bass: bass bn: bassoon bass bar: bass baritone cl: clarinet clvd: clavichord cont: contralto cora: cor anglais ct: counter-tenor

Monteverdi, C. 1567-1643 25 Moscheles, I. 1794-1870 28 Mouret, J-J. 1682-1738 1,14 Mozart, W. 1756-1791 3,5,6,8,9,11 ,12,14,17,18,19,20,21,22,23,26,28,29 Muhly, N. b1981 20 Müller, I. 1786-1854 12 Mussorgsky, M. 1839-1881 5 Myslivecek, J. 1737-1781 18,24 Nielsen, C. Nin, J. Novák, V.

1865-1931 1,2,7,12,15,25 1879-1949 4 1870-1949 25

Orff, C.

1895-1982 4

Paganini, N. 1782-1840 Pagliardi, G. 1637-1702 Panufnik, R. b1968 Parry, H. 1848-1918 Pasculli, A. 1842-1924 Pedersøn, M. c1580-1628 Philidor, Anne. 1681-1728 Phillips, L. 1899-2002 Pierné, G. 1863-1937 Pikler, G. 1910-2011 Pinto, G. 1785-1806 Pixis, J. 1788-1874 Pizzetti, I. 1880-1968 Pleyel, I. 1757-1831 Ponce, M. 1882-1948 Portugal, M. 1762-1830 Poulenc, F. 1899-1963 Praetorius, H. 1560-1629 Prokofiev, S. 1891-1953 Pugnani, G. 1731-1798 Purcell, H. 1659-1695 Quantz, J.

14 22 24 4,11 8 10 1 16 5 22 27 26 9,29 1,5 8 13 5,17 29 1,8,11,20,21 28 1,7,26

1697-1773 2

Rachmaninov, S. 1873-1943 1,8,10,17,30 Rameau, J-P. 1683-1764 16,19,21 Ravel, M. 1875-1937 6,16 Rebel, J-F. 1666-1747 1 Reger, M. 1873-1916 25 Reicha, A. 1770-1836 1,24,29 Renié, H. 1875-1956 26 Respighi, O. 1879-1936 8,13,21,22,26 Richter, F. 1709-1789 16 Ricketson, D. b1973 27 Ries, F. 1784-1838 28 Rimsky-Korsakov, N. 18441908 1,5,13,14,20 Rode, P. 1774-1830 30 Rodgers, R. 1902-1979 9,23 Rojas, D. b1974 16 Ropartz, J. 1864-1955 27 Rosetti, F. 1746-1792 21 Rossini, G. 1792-1868 10 Rubinstein, A. 1829-1894 2 Rutter, J. b1945 16,24 Ryba, J. 1765-1815 20 Saariaho, K. b1952 20 Sablier, E. b1980 26 Saint-Saëns, C. 1835-1921 5,8,9,28,29 Satie, E. 1866-1925 16 Scarlatti, A. 1659-1725 1,4 Scheidemann, H. c1595-1663 29 Schmidt, F. 1874-1939 26 Schobert, J. 1740-1767 6 Schubert, F. 1797-1828 3,6,9,10,11,14,17,19,22 Schulhoff, E. 1894-1942 7 Schumann, R.1810-1856 4,9,12,20,27,30 Schwartz, S. b1948 16 Sculthorpe, P. 1929-2014 3,12,30 Séjan, L-N. 1786-1849 13 Sheng, B. b1955 10 Shilkret, N. 1895-? 24 Shostakovich, D. 1906-1975 12,19,25 Sibelius, J. 1865-1957

db: double bass dbn: double bassoon did: didjeridu elec: electronic fl: flute fp: fortepiano gui: guitar hn: french horn hp: harp hpd: harpsichord

mand: mandolin mar: marimba mezz: mezzo-soprano narr: narrator ob: oboe org: organ perc: percussion pf: piano picc: piccolo rec: recorder

10,13,19,22,25 Simpson, R. 1921-1997 7 Sinding, C. 1856-1941 9 Sjögren, E. 1853-1918 28 Smetana, B. 1824-1884 1,26 Smyth, E. 1858-1944 24 Soler, A. 1729-1783 19 Somers, H. 1925-1999 6 Sondheim, S. 1930-2021 2 Sousa, J.P. 1854-1932 23 Sperger, J. 1750-1812 17 Spohr, L. 1784-1859 19,26 Spontini, G. 1774-1851 6 Stainer, J. 1840-1901 13 Stamitz, J. 1717-1757 16 Stanford, C. Villiers 1852-1924 7,17 Steffani, A. 1654-1728 2 Stratico, M. 1728-1783 20 Strauss, J. II 1825-1899 22,28 Strauss, R. 1864-1949 16,17 Stravinsky, I. 1882-1971 12,15,16,21,29 Suk, J. 1874-1935 25 Sullivan, A. 1842-1900 30 Svendsen, J. 1840-1911 9,18 Sørensen, B. b1958 12 Tailleferre, G. 18921983 2 Tallis, T. c1505-1585 24 Tarkiainen, O. b1985 24 Tartini, G. 1692-1770 6,24 Tavares, G. b 20th C 19 Tchaikovsky, P. 1840-1893 3,6,13,16,29,30 Telemann, G. 1681-1767 4,6,7,17,29 Thalberg, S. 1812-1871 8 Thomas, Augusta. b1964 14 Tintner, G. 1917-1999 22 Titelouze, J. c1563-1633 10 Toeschi, C. 1724-1788 16 Traetta, T. 1727-1779 18 Triebensee, J. 1772-1846 20 Turina, J. 1882-1949 4,14 Tveitt, G. 1908-1981 9 Vachon, P. 1731-1803 18,20 Vanhal, J. 1739-1813 11 Vasks, P. b1946 27 Vaughan Williams, R.1872-1958 12,17,23,24 Vedel, A. 1767-1806 28 Verdi, G. 1813-1901 6,11,21 Vierne, L. 1870-1937 19 Villa-Lobos, H. 1887-1959 9,11 Viotti, G. 1755-1824 12 Vivaldi, A. 1678-1741 16,22 Vorisek, J. 1791-1825 24 Wagenaar, J. 1862-1941 14,15 Wagner, R. 1813-1883 13,19,21,22 Wallace, O. 1887-1963 23 Wallace, W. 1860-1940 11,25 Walton, W. 1902-1983 4 Weckmann, M. 1619-1674 29 Wesley, S.S. 1810-1876 3 Westlake, N. b1958 3 Wieniawski, H. 1835-188016 Wikmanson, J. 1753-1800 27 Wilcox, F. b20thC 24 Wilder, P. c1500-1553 7 Williamson, M. 1931-2003 6 Wolf, H. 1860-1903 23 Woolrich, J. b1954 23 Wranitzky, A.1761-1820 24 Ysaÿe, E.

1858-1931 16

Zelenka, J. Zeller, C. Zelter, C. Zhu, Xiaogu Ziani, M. Zuckert, J.

1679-1745 1842-1898 1758-1832 1941-2000 c1653-1715 fl. 1742

sax: saxophone sop: soprano tb: trombone ten: tenor timp: timpani tpt: trumpet treb: treble voice va: viola vc: cello vn: violin

3 9 28 7 22 7