FJORDE MAGAZINE ISSUE 18

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THE INTERNATIONAL ISSUE XVIII

CHRISTOPHER BATES / SHELLEY CAUDILL / CITY BLIS / DESTINATION NOW / STONE ROSE


one thousand cranes


exposing local fashion

one thousand cranes (melbourne central) level 1 lonsdale bridge, 300 lonsdale street, melbourne vic 3000 www.onethousandcranes.com.au


EXCLUSIVE FASHION DEALS www.cityblis.com



FJ O R D E

CONTENTS

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30 FROM LONDON TO LA

CHRISTPHER BATES

Shelley Caudill is trulys a professional artist, talented at all things creative

The journey is worth the reward for Christopher Bates

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CLASSIC LONDON EDGE

The American working class

Stunning silhouettes paired with a classic London edge

STONE, COLOUR, WOOD

COLOURS OF AFRICA

When the elements come together beauty is everywhere

Africa comes alive

EDITOR’S DESK

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HOW TO: TRAVEL ON A BUDGET

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HEALTH & WELLBEING

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62 DESTINATION NOW

Six of the best spots to visit around the world

100 STONE ROSE

A rose amongst contrete giants

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FJORDE STYLE: MEN

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BEAUTY: ALL OVER

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ALL TIED UP

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BLACKMIRROR DESIGNS

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RAYS OF THE SUN

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Meet the new neighbours, making waves all over the world

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STOCKISTS

INDEPENDENTLY GLOBAL

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FJORDE STYLE: WOMEN

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COVER Photographer Jon Lee Hairstylist Tasha Claryssa Humennyj-Jameson Make Up Artist Jon Lee Models Ciru [Greyology] & Claryssa [Bella]



FJ O R D E

CO N T R I B U TO R S

EDITORS

CREATIVE DIRECTOR

ONLINE EDITOR

Patrick Price

Ben Anderson

Irish Rivera

CONTRIBUTORS

PHOTOGRAPHY

MAKE-UP & HAIR

Anna Gilfillan Goerge Seraphim Jamie-Maree Shipton Kristina Bond

An.drew & Mansfield Photography Jon Lee

Joe Robles Melina Aguire

ART

STYLE ME 365 Bianca Barragan Clayrssa Humennyj-Jameson

Lauren Roberts Lucy Pilz Natash Pitra Nik Addams Reuben Cheok

STYLING

FJORDE GRAPHICS

CONTACT US

EDITOR-IN-CHIEF Patrick Price pa.price@fjordemagazine.com

CREATIVE DIRECTOR Ben Anderson enquiries@fjordemagazine.com

enquiries@fjordemagazine.com

ONLINE EDITORIAL

ADVERTISING

MARKETING

Irish Rivera irish@fjordemagazine.com

Lachlan Taylor ltaylor@fjordemagazine.com

Lachlan Taylor ltaylor@fjordemagazine.com

GENERAL ENQUIRIES

SUBMISSIONS FJORDE accepts submissions from freelance artists, photographers, designers and journalists, however, we cannot reply to every submission. Please see www.fjordemagazine.com for submission guidelines.

FJORDE Magazine will assume no responsibility for consequences that may result in the use of, or reliance on, the published information. No responsibility is taken for the content, images or advertisements. No part of FJORDE magazine may be reproduced without the written permission of the publisher. Copies of this publication may not be sold. The opinions expressed herein are not necessarily those of the publishing staff. Reproduction in whole or part is prohibited without the permission of the publishers. Articles received with no name, address and phone number(s) will not be published. Articles received will only be published by approval of the editorial team. FJORDE Magazine reserves the right to shorten and or edit received articles and letters. FJORDE Magazine does not accept responsibility on articles written by various columnists and writers.

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FJ O R D E

E D I TO R ’ S D E S K

WORLD WIDE STYLE Over the last three years we’ve delved into the rich tapestry that is Australian design, culture, lifestyle, music and the list goes on. So as 2013 comes to a close, we end our third year taking a look at the wide world around us. Exploring those creative souls from our neighboring nations we reached out to designers, innovating thinkers and as many inspired thinkers from Los Angels, Zanzibar, New York, Toronto, London and many more. With so much talent out there we couldn’t fit it all in this one issue. This issue showcases the talent of just a few like Christopher Bates, Shelley Caudill and the guys behind the innovative project City Blis. Not to mention

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the inspired photo editorials from Jon Lee shot on location for FJORDE in Zanzibar off the coast of Tanzania. So stay tuned in 2014 for more international installments from all those creative around the world and here in Australia. From everyone here at the FJORDE team we hope you have a happy Christmas and a safe new year with all your family, friends and loved ones. Best wishes from everyone at FJORDE Magazine.

Patrick


SPRING 2013

THE INTERNATIONAL

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BRIDE BRIDE NOW

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SUBSCRIBE

Welcome FJORDE’s newest venture FJORDE Bride by staying up to date with the latest bridal news and fashions. Simply subscribe for free here: www.fjordebride.com

FJORDE Bride brings you wedding fashion, accessories, advice on the greatest areas in Australia to take those memorable snaps, tips and tricks, and of course the greatest bridal dress designers Australia has to offer! All encased in the FJORDE style you’ve become familiar with – class, elegance and sophistication.


FJ O R D E

H O W T O : T R AV E L O N A B U D G E T

HOW TO:

TRAVEL ON A BUDGET BY: LAUREN ROBERTS

TRAVELLING CHEAP ISN’T IMPOSSIBLE. NOR DOES IT MEAN THAT YOUR TRIP WITH FEATURE RICKETY TRAM RIDES INTO NO-WHERE AND SHARING A DORM ROOM WITH SEVENTEEN SWEATY BACKPACKERS (ALTHOUGH IT’S ALL IN THE SPIRIT OF ADVENTURE, RIGHT?). HERE’S A LITTLE BIT OF ADVICE

1. Hit up the group-buying websites. Group buying websites like All the Deals (http:// www.allthedeals.com.au/) make their money by selling large quantities of goods/services for bargain prices. Hotel and travel deals on these sites are often 80% off the regular price. When buying, use a little bit of buyer-beware a lot of these deals have itty bitty fineprint and are non-refundable.

5. Travel the longer way from place to place. Take the ferry instead of the speed boat back from the Thai islands or take the bus instead of a taxi from one end of London to the other. 6. When booking hotels over the phone,

ask for an extra night free. There is no harm in asking and you will often be pleasantly surprised.

7. Don’t eat out for every meal. Quite often, travellers will eat out three meals a day. Try just search for the cheapest flights. This is to limit yourself to three meals out every two especially true when travelling around Europe days. The savings will add up fast and you can by air. If you are heading on a backpacking explore local supermarkets (and laugh at the adventure and want to see a few different, different items on the shelves) and fall in love exciting places - book as you go. Last minute with bakeries. flights can be astoundingly cheap and you may end up seeing somewhere that you never 8. Barter (even in countries where it is not imagined. common place). Know the prices before you 3. If you’re organised, buy well in advance. go and ask for a better price. If people give you a weird look or a bit of attitude, smile a Buying cruise deals, for example, a year lot and say you’re a tourist. before you leave can result in major money 2. Don’t be fussy about where you go –

savings.

4. Try couch surfing (safely) or stay with

a “friend of a friend” even for a few nights. When you think about it, accommodation is often the biggest chunk of one’s budget. Staying with a crazy aunt of friend of a friend can have major financial benefits. And you get to live like a local for a while. Couchsurfing (https://www.couchsurfing.org/) connects travellers with couches to sleep on. It is not for everyone, and make sure that you only stay with the most secure people that you find. Stay safe, but I have found some lifelong friends from snoozing on their couch for a few nights.

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9. Ask for local advice. Ask the taxi drivers, the woman behind the counter of the supermarket and especially tourists what they think. 10. Do a lot of research beforehand. Figure

out what you want to see or do on the few few days of your adventure. This means that you can score yourself a good deal to see the show you want to see/ride the elephants at the start of your holiday rather than panicking and paying an inflated price because they see your desperation at the end of the trip.


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FJ O R D E

SACRED SITES

SACRED SITES BY: GEORGE SERAPHIM

OUR BLUE PLANET. EARTH. WE ARE A DOT AMIDST AN OCEAN OF CLUSTERED STARS ALL HELD TOGETHER BY AN IMMENSE SUPER GIANT BLACK HOLE AT THE CENTRE OF OUR GALAXY. THIS WE KNOW, OUR SCIENTISTS HAVE PROVED IT. HOWEVER, THERE ARE STILL MANY QUESTIONS YET UNANSWERED AS TO THE ORIGIN OF OUR SPECIES. WHO ARE WE? AND WHERE DID WE COME FROM? SOME SAY GOD AND SOME SAY WE EVOLVED FROM PRIMATES.

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Throughout history many cultures have asked the same underlying questions and have even centralised their entire civilisation based on unique scripture which attempted to answer and even glorify their own existence in the universe. Maybe they knew the answers, and we are yet to uncover them.

overwhelming reasoning that our modern historical records are completely inaccurate. This may be a large statement to make but it is for certain that we will eventually uncover the truth to who built them and why. This will most certainly expand our own perception of ourselves and our place within the universe.

Now known to be connected via invisible magnetic lines sit ancient sacred temples and perfect geometric structures which exemplify societies who defined themselves spiritually through sacred geometric Architecture. The sacred sites of Earth, built eons ago by what seem to be ancient peoples with an extraordinary consciousness. We previously thought such cultures were unrelated to each other because of the vast distances between them, such as the Egyptians and the Mayans, however, we are now finding that the similarities in gridding, placement, architecture & construction techniques are far to close to ignore and that they were all interconnected in some way shape or form and what once might have been another human civilisation living here altogether before the last great ice age of our time. A proposition which sets remarkable insights as to the true origin of our own species.

Sacred sites are a wonder as much as they are a mystery and for certain they radiate magical energy. The giant pyramids in Giza for instance were built over what are called magnetic lay lines which wrap themselves around the earth and intersect with each other to form areas where energy is greatly heightened. One reason these temples are built on such intersections is because they have many therapeutic benefits for those keen to bask in their ambience. The amplification of the earth’s bio field throughout these sacred sites might have also been used to generate power as some have suggested. It means that people will just naturally congregate to these places without really knowing why. Sure one reason is to admire the beauty of such ancient lands, however they are also being laden with huge amounts of uplifting and very healing type of energy which has enormous benefits on all levels, even on consciousness.

Ancient sacred sites surround us eternally, whether they be based in Egypt, South America, China, Bosnia, Japan, Cambodia, Great Britain and many other places including many underwater Pyramidal sites as well as even recently in Antarctica, pyramidal architecture seems to point to an

These places are not just places to visit, they most certainly hold some important answers regarding our own humanity, and as such when visiting them, one will most certainly be moved by the potential that a people can have if they all work together as one.


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FJ O R D E

FJ O R D E S T Y L E

WOMEN STYLE REUBEN CHEOK [WWW.REUBENCHEOK.COM]

BLACK & WHITE GRAPHICS Colour has taken a backseat to this latest season’s trend for womenswear. The ever predictable revolving trend is no doubt the consumer’s standard “go-to” when the warmer weather hits. But the hottest trend is the statement black and white prints and patterns, whether if themed in a simple style, or inspired by mod styling, the key is keeping it monchromatic monotony. Oscar de la Renta kept things simple by pairing up matching a sharply tailored suit jackets and pants in thin black and white stripes. But if that is just too plain and boring, follow Michael Kor’s take by mixing black and white patterns, featured in a long-sleeved dress with black panelling, contrasted against black and white stripes in differing

widths. Other key pieces from his collection contained checked print and exaggerated houndstooth designs - all in black and white. The hottest trend right now, ironically harks back to the 60’s or mod styling - think bouffant hairstyles, short hems and bold prints. Louis Vuitton plastered their models in daring black and white mod checkerboard patterned dresses in boxy shapes, or the same patterned skirt, but paired with a simple black, figure-hugging top for a more contemporary interpretation. Moschino took mod styling to the umpteenth degree with flirty black and white striped dresses, teamed with retro accessories such as oversized sunglasses and bowlers with cute box bags with feminine white gloves.

CAMO PRINT

Donna Karen’s DKNY label epitomises urban cool effortlessly, with her cleverly crafted camouflage mini print dress in a muted colour palette. But by teaming these figure hugging dresses that accentuate the feminine silhouette with edgy wedge sneakers, leather knapsacks and baseball caps, the camouflage print demonstrates that the ladies can pull off this trend and own it as well! Edun mimics the camouflage print in an almost colourful splatter of paint, that was found on their slouchy, cargo-inspired shorts. By reinterpreting this trend with The essence of turning essentially an uniform lightweight blouses in military colours and into a casual urban style with street-cred, is flat sandals, this is not only simply perfect for by steering clear of the usual items of clothing the warmer weather, but brings a welcomed that typically feature camouflage print and breath of freshness to a trend not traditionally embrace it’s insertion into feminine pieces showcased in women’s wear that shouts that is flirty, clean, but with a lot of sass! “feminine” and “sexy.” We all know that fashion trends evolve constantly. But the greatest feat has been the tearing down of traditional trends, which stereotypically segregated to specific genders. Not anymore! With the “groundbreaking” style rule change for men with their floral trend for spring/summer which typically has been relegated to the perennial women’s spring/summer trend, women now can have a go with a standard fashion trend in menswear. Not only can women have fun with this trend, but they can actually make camo print sexy!

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SPRING 2013

MEN STYLE NAUTICAL PRINT Like the perennial “military” theme that constantly revolves and evolves with every passing year, so has the classic and loved “nautical” influence that has permeated through every man’s wardrobe. Who can blame it? With it’s traditional colour palette of navy, white and red, nautical pieces are extremely easy to wear and most mere males are comfortable in utilising key nautical pieces like Breton striped tops, boat shoes with pea coats.

However, due to its enduring and perpetual staple in most men’s wardrobes, one can be hard pressed to classify this as a “trend.” But saying that, with fashion that is continually evolving and recycling past relics, designers have modernised pieces and crafted a contemporary spin to keep things fresh and in line with current and acceptable trends for men this season.

DENIM

Denim. Is that even a trend? “That’s hardly groundbreaking!” I hear you all collectively say! Why, of course not if the automatic response was confined to leg wear (i.e. jeans). But this extremely wearable fabric has been utilised and applied to a myriad of pieces in the form of new washes, detailing and panelling. There are several examples of denim showcased on this season’s runways that redefined the use of this versatile material such as oversized shorts, denim blazers and suit jackets to even waistcoats and trousers. Take Acne’s example of oversized dark denim shorts, reconstructed formal wear in denim that had a raw and edgy look that was sharp but relaxed at the same time. For a more sports luxe feel (another 2013 trend), follow Valentino’s runway take with

Keep an eye out for a few important elements that keeps this nautical theme fresh and modern. Nautical stripes continue to be a force within 2013. Not only confined to this trend, we have seen the emergence of stripes from across all styles and trends. But to keep it in line with the theme, the Breton stripes in differing degrees in widths have been featured in Louis Vuitton’s pre spring 2014 collection as example. The stripes can be confined to specific areas or even on print-blocking pieces, where multiple stripes in either vertical or horizontal are integrated within the same item. The take home message is mixing and matching the classic Breton striped t-shirt or top with something non-nautical, like a bold coloured shorts, or the relaxed denim jeans with loafers for yet another casual-smart look.

sharply tailored shirts in Japanese denim, paired with the classic crisp white shirt and sneakers and camouflage totes and carry bags (yet another 2013 trend!) Conversely Versace and Dsquared2 went the next step and featured sleeveless denim vests and waistcoats underneath tailored blazers for a layered look. By incorporating gaudy detailing like leopard-print collars or plain shirts with a denim collar or panels, they demonstrate that even minute presentations of denim are just as useful and pivotal as embracing the fabric as a whole, whilst encapsulating and invigorating the denim trend for this season. If formal denim suits and jackets in a dark wash pushes the boundaries a little too much for you, stick with youthful brands that have expanded their range of denim.

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FJ O R D E

FJ O R D E B E A U T Y : A L L O V E R T H E W O R L D

ALL OVER THE WORLD LUMINESCE ADVANCED NIGHT REPAIR The French surely know how to make beautiful skin, and this velvety textured nighttime facial transformer is no different. Utilising the latest in patented technology with the power of 200+ Human growth factors, Luminesce Advanced Night Repair works its anti-ageing magic overnight: when you skin is at its ‘rejuvenation peak’: and will have you waking up to ‘just-had-8hours-of-sleep’ kind of skin. Even those who are sleep deprived will benefit from this hydrating, wrinkle defying pot-of-gold, and will have you playing Tom-foolery at your 7.30am business meetings because your skin will look that refreshed!

LA ROCHE POSAY UVIDEA MELT IN BB CREAM SPF50 SPF is my Achilles heel. As too, are BB creams. So, when the planets align, and BB cream meets high protection SPF: life almost becomes complete. This is the case with this French beauty- La Roche Posay UVIDEA melt in BB Cream- a BB cream formulated to give you an everyday flawless coverage, whilst protecting against premature ageing (via SPF50+). A soft, easily blendable texture, La Roche Posay BB cream is a wondrous invention that is the perfect accompaniment to any make-up look. Providing high coverage and light-reflecting pigments, this natural looking BB cream hides an array of skin issues and boosts your skin’s glow.

GOLDWELL DUALSENSES BLONDE AND HIGHLIGHTS SERUM SPRAY Goldilocks had us all fooled: living the ‘blonde-life’ isn’t as easy as she made it out to be. Blonde is high-maintenance man. But, it doesn’t have to be with Goldwell Dualsenses Blonde and Highlights Serum Spray. Maintaining your colour is all that much easier thanks to a one step spray that will have you preaching at the hair-gods in no time. This ultra-fine shine spray provides hair with extordinary colour brilliance, minus the weightiness of product. Containing ColourChromaComplex: an innovative fade stop formula: your locks regenerate, increase in vibrancy and colour is prolonged. Being innately lazy when it comes to maintaining my colour, this serum spray has become my (hair) BFF and will become a staple in your life too.

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SPRING 2013

THE AROMATHERAPY CO CHEF’S CANDLE Hands up who has never burnt something in the kitchen? Let’s be honest with ourselves: we have all done it! Those pesky odours that permeate the whole house: fish, curries, charred potatoes: we have all been there, done it, regretted it, and had to live with the stench for hours after. Enter the Natural Chef’s Candle, from New Zealand based company The Aromatherapy Company and your kitchen will be completely transformed, and no longer lay claim to the perils of off-putting odours. This deodorizing candle absorbs all those horrid aromas that cooking has to offer, and replaces it with the delicate, yet sharp layer of Lemongrass, Lime and Bergamont: a much more inviting and desired scent to enlighten the senses. It is truly a fantastic inclusion to any kitchen. THE BODY SHOP COCONUT BODY BUTTER With Summer entering our lives, a Coconut scent is all but necessary for every Australian girl. Leaving your skin supple, soft and hydrated for hours, The Body Shop Coconut Body Butter is a never fail party trick for those suffering from moisturedraining skin or even normal skin looking for a preservative-free hydration injection. This long-time favourite of mine, is a Summer staple thanks to its pungent Coconutty tang that translates in to some serious nasal-nirvana. Not to be outdone by a smell, it also needs to be mentioned that heals even the most Sahara-ed of bodies, leaving your skin like an oasis of suppleness, perfect for the Summer struts along the beach.

NEUTROGENA BEACH DEFENCE SUNSCREEN SPRAY SPF 50+ Single ladies rejoice: no longer will you remain a slave to the awkward ‘slap on the back’ sunscreen application. Neutrogena Beach Defence Sunscreen Spray SPF 50+ is your Summer saviour thanks to an innovative nozzle that takes the guess work out of sunscreen, and leaves you more time to soak up the vitamin D, without fear of burning a hand print on your back. Providing superior skin protection, with a subtle tropical scent, this spray-on broad spectrum SPF is clinically proven to protect against the harsh Australian sun, whilst leaving your skin drenched in hydration, smelling like summer and is the perfect size to fit in any beach bag. Sun protection just got a whole lot less awkward!

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C H R I S T O P H E R B AT E S

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SUMMER 2013

CHRISTOPHER BATES BY NATASA PITRA

Christopher Bates hit the fashion world in 2008, and was featured as one of the top six leading menswear designers in Canada (Sharp Magazine, September 2009). In 2012, Bates was selected as the only menswear designer in the Mercedes-Benz Startup program and was awarded with a sponsored show at World MasterCard Fashion week in Toronto. The spark ignited when Bates was a child. He loved clothes and had ideas for his own designs. Beginning sketching naturally and by the time he hit 13 years he already had a sketchbook full of designs. He decided to follow his passion and researched the best design schools in the world and chose Istituto Marangoni in Milan. The Italian design aesthetic was most inline with his own. Describing it as ‘an incredible experience, immensely challenging’, with no prior knowledge of sewing or making patterns and his drawing skills rudimentary, he still persevered. Bates had great ideas and was willing to work hard, explaining that his instructors were incredible and the program gave him exactly what he needed to start his line – which was his goal from day one.

“I have had several major setbacks. Particularly when 3 of my stockists went out of business in 2009. One of them owed me a lot of money that I was never able collect a penny of. It could have put me out of business, but I persevered. Ultimately, I believe no one can stop you, but yourself.” Bates’ drive to succeed is evident through his amazing accomplishments, creative designs and the fact he still perseveres to be nothing but the best. With thoughtful little design touches on classic menswear, Bates has really set the benchmark in the mens’ fashion world. With a busy schedule he comments “There is no such thing as an average day besides living fast and on the edge. Every single day is unique and challenging and I wouldn’t have it any other way.” Bates’ ultimate goal is to create a leading international designer fashion brand - For further information please visit: www. christopherbates.com Christopher Bates is available at Holt Renfrew, Gotstyle Menswear, The Coop Ink, Style Faux Pas, and IMAGO Boutique.

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Photographer Kareen Mallon (Portrait) & Sam Grant (Lookbok Images)

ANYONE WHO HAS EVER TRIED TO LAUNCH A FASHION DESIGN CAREER KNOWS HOW GRUELING IT CAN BE. THE FASHION INDUSTRY IS A HIGHLY PROMINENT FIELD, YIELDING A COMPETITIVE ENVIRONMENT THAT IS GREATLY GUARDED, SECRETIVE, AND DIFFICULT TO INFILTRATE. SO, WHEN INTERNATIONAL DESIGNERS MAKE IT THROUGH, IT IS NO WONDER THEY ARE WELL RESPECTED; AS BEHIND THE DESIGNS, LIGHTS, CAMERAS AND SUPPOSING GLAMOROUS LIFE – IT IS THE JOURNEY THROUGH THEIR IMPECCABLE HARD WORK THAT REALLY SHINES THROUGH.


FJ O R D E

C H R I S T O P H E R B AT E S

TOP FIVE Q&A WITH CHRISTOPHER BATES WHAT INSPIRES YOU? I’m inspired by life. Some of my key sources of inspiration are: music, movies, literature, art, architecture, automotive, fashion, the past, the future, military, robotics, and anatomy. WHEN DESIGNING, DO YOU BEGIN WITH A SKETCH OR DO YOU START WITH FABRIC, THEN GO ON TO DESIGN A PIECE? I typically start with a sketch, but I keep an ideal fabric in mind. After I complete my designs I hunt for the right fabrics. Finding the perfect fabrics is an intense and draining experience. WHAT WOULD BE YOUR BEST ADVICE FOR ANY ASPIRING DESIGNERS OUT THERE? Be confident in yourself. Every single person you meet will have ideas on what you should design and how you should run your business. If you don’t have a master-plan and stick to it, you will fail. FAVORITE FABRIC TO WORK WITH AND WHY? My favourite fabric is cotton. It’s natural, comfortable, and easy to work with. WINTER OR SUMMER? Summer. In Summer I’m able to use more of my favourite fabrics like cotton, linen and lightweight merino wool. I also use lot’s of colour, which is needed in menswear.

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F R O M LO N D O N TO L A

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SHELLEY CAUDILL IS TRULY A PROFESSIONAL ARTIST, TALENTED AT ALL THINGS CREATIVE. SHE IS A ONEWOMAN SHOW WITH HER OWN INTERNATIONAL FASHION LABEL. WE CAUGHT UP WITH HER TO FIND OUT ABOUT HER BRAND, HOW HER DESIGNS COME TO LIFE AND HER LOVE OF LEATHER JACKETS. BY ANNA GILFILLAN

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After a trip to Berlin in April 2011 I put my FJORDE: Tell us about your journeystudying, working as a stylist, then deciding to first collection together. I was so infiltrated by art in the two weeks that I was there I just create your own fashion label. could no longer suppress my own creativity SHELLEY: I moved to London soon after I and had to start designing again. So as soon as got out of school. I remember the fist time I I returned I put my first collection together. went down Bond St. My goal was to see every great painting I had ever studied in school and F: Describe your typical working day. see the fashion in all the countries. Returning home I swore I was going to go back to school S: I spend a lot of time on the computer staying in touch with people and accounts in to study fashion design. the morning and working on my website. I spend the rest of the time sewing, designing That did not happen as planned. I soon got and filing orders. a job as a bank manager. After 2 years I got bored out of my mind and decided I was F: How have your travels around the world heading west. I packed my bags to move to influenced your design style and personal California to become a painter. I landed a ascetic? day job as an Advertising Sales Assistant at Cosmopolitan Magazine. After a year I S: Seeing the world stimulated me to realised I was just putting off my dream so create something that honored true artistic I quit. I enrolled myself into the Fashion expression and love for the craft of design Institute of Design and merchandising In LA, without worrying about the outcome. while launching a swimwear line. I met a lot Seeing so many styles in so many countries of stylists while having my swimwear line and just enforced a belief that there is endless that is what lead me into styling. I met a well creativity and style. Just to stay true to know stylist and for many years assisted her. oneself. I branched off on my own and started doing editorial, fashion cookbooks, music videos and stuff like that. Now I mainly work on commercials.


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I started collecting vintage leather jacket when I was in High School. I would always alter them to fit and look the way I wanted S: I moved here 12 years ago to be a painter them to. So.... I just started to make my own and really haven’t been able to live anywhere based on what I wanted. I work and travel else. I did move to NY for 2 of those years, a lot so I wanted a jacket that was versatile but the weather just brought me back. I get and lightweight. So I made a jacket that was so much more accomplished when it is sunny almost like a shirt. It can be layered with all the time. I now go to NY at least 4 times a something else or stuffed in you purse until year because I always miss that city. I do a lot it gets chilly out. The first Jacket I made had of traveling when I can to clear my head and two left arms, because I forgot to flip over the see new places. I always gets so Inspired when sleeve pattern. I get away to new places. F: What does the future hold for Shelley F: Tell us about the inspiration behind your Caudill designs? latest F/W 2013 collection S: Well, I think I am going to continue S: For F/W 2013 I wanted every thing black making anything and everything out of leather and white with a Modern MOD look. All the and just hope to expand my market. I really pieces are pretty minimalist and Modern with like to keep things simple and just make great clean lines. Jackets that people love to wear. F: Why did you decide to base yourself in LA?

F: Where did your love of leather jackets come from? S: I have always been obsessed with leather Jackets and Handbags. I pretty much think everything is better if it is in leather. Not really sure why.

To see the collection and find your perfect leather jacket check out http:// www. shelleycaudilldesigns.com

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I N D E P E N D E N T LY G L O B A L

I N D E P E N D E N T LY GLOBAL BY NIK ADDAMS

OUR WORLD AS WE KNOW IT IS SHRINKING, METAPHORICALLY SPEAKING. THIS SHOULD NOT EXACTLY COME AS NEWS. EXPONENTIAL ADVANCES IN THE TECHNOLOGICAL REALM IN PARTICULAR HAVE MEANT THAT, FOR BETTER OR FOR WORSE, WE’RE NOW MORE LIKELY TO BE CONNECTED WITH SOMEONE IN THE NEIGHBOURING CONTINENT RATHER THAN SOMEONE IN THE NEIGHBOURING HOUSE.

The online experience is grounded in the notion of connectivity but at an inherently autonomous level. There have been significant flow-on effects from this increasing interconnectedness, not the least of which relate to the way in which business is conducted in traditional commercial sectors, and of which the retail sector in particular has become a paragon. Interestingly, this has come about in two distinctly different yet equally influential and linked ways. Generally speaking, national borders are more porous than ever before, allowing for expansion of both multi-national and homegrown chains. Simultaneously, the sustained and consistent growth of online retail has meant that consumers now have more choice than ever before. The point of convergence between these two ideas is buying power: competitively low prices between companies with higher buying power mean, quite simply, that the little guys are missing out. The paradox here is clear. As the market becomes more saturated, more voices are not being heard. Many smaller design houses have suffered this same fate. But even the

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larger chain stores have had a rough few post-GFC years. This is especially true in the design sector, where items here are viewed as disposable, luxury goods. Many of the chains though have the backing of shareholders, the luxury of affording celebrity endorsements, a committed customer base enabled by loyalty schemes, and, of course, a global reach. The vast majority of labels, however, do not have any of these back-up measures. Too many talented independent designers struggle to even penetrate their home market – higher manufacturing costs leave less for marketing and publicity. The proliferation of online stores has not made it easier in that environment, either. So what’s a local indie to do? The magic of making a purchase from a local, independent designer is that doing so not only supports the local creative scene, but also makes a contribution to the much more personal stories being told by these designers, through every piece of every collection. It is these stories that add rich layers to the creative scene of any city, which is very much a community in itself. Yet the

visibility of these designers and their ability to share their stories is being blurred by higher rents for retail spaces and a struggle to keep up with the turnover and exposure of the bigger brands. The notion of visibility is the driving force behind online community Cityblis. Founded in 2010 with financial support of small business and customs-related government bodies in both the EU and the US, the brains behind this start-up have heeded the calls of independent designers, fashion bloggers and fashion lovers alike to create a truly unique online community. Headquartered in New York and with satellite offices in Australia and Sweden, Cityblis invites independent designers to create a webshop in their virtual mall. There are already over 3000 labels available, and that number is growing. What makes this different to sites like Lookbook, however, is that each designer can create their own webshop. Upon acceptance of their invitation, each label is assigned a graphic designer to help them create a unique webshop that best represents them and their story. No two labels have the same store. This level of personalisation

extends to the fact that customers can communicate directly with each designer. Designers on the other side of the world can share their stories, and customers can engage them in almost the same level of interaction as having a physical store would allow. Further webshop is linked to social networks so that each designer can maintain an active social media presence and further connect with their audience. For shoppers, the site offers three different viewing streams based on what is happening when users log in, to engage them with the wider Cityblis community. In June, the site launched an online fashion pressroom. The first of its kind, this hub provides reporters and bloggers access to the latest news and designs from the designers in the Cityblis community, and is updated daily. With this service, Cityblis is aiming to bring its growing base of independent labels to its growing global audience. And in protecting the integrity of their labels, as well as providing an incredibly user-friendly shopping experience, Cityblis has become a hub of story telling and sharing in an industry where personality is now all to easily drowned out.

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ALL TIED UP

ALL TIED UP BY KRISTINA BOND

IN OUR FAST-PACED, TIMEPOOR, MONEY-TALKS WORLD WHICH WE LIVE IN, FASHION IS CONSTANTLY SHIFTING AND ADAPTING TO SOCIETY’S DEMANDS. BIG BRANDS ALL AROUND THE WORLD ARE CONCERNED WITH ONLY ONE THING – REVENUE. IT IS VERY RARE TO COME ACROSS A FASHION DESIGNER WHO IS A TRUE ARTIST OR COUTURIER THAT ENTHRALS THEMSELF COMPLETELY IN THEIR ART, AND TAKES INSPIRATION FROM THE WORLDS OF ART, INDUSTRIAL DESIGN, AND ARCHITECTURE. ONE SUCH DESIGNER IS JONATHAN MEIZIER, CREATOR AND FOUNDER OF “TITLE OF WORK”. At first glance, the “Title of Work” collection immediately resembles an art exhibition which would normally be viewed in a gallery. Each piece is like a work of art - skilfully constructed with immaculate precision and superior quality. The collection consists of a vast range of neckties, bow ties, jewellery, pocket square and scarves, yet

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Jonathan believes that being based in New York also has a huge influence on his designs, “Metaphorically, if the planet is a human body, I consider New York City to be the beating heart. It is in constant movement. Each microcosm of this city is unique and relevant - manicured to desolate, cobblestones It’s no wonder that this is a collection created to cement, brimming with energy that literally by a well-travelled, cultured and creative bounces off the buildings... I find inspiration man, “An artist by nature, I would deface Dr. on a daily basis from these surroundings”. In Seuss books with my own illustrations. At a grandiose city like New York, fashion is at Syracuse University, I studied film production, the core of the culture and it tends to be more art history and art direction, and post-college refined and judicious, just like the landscape lived in London and Vienna. Never having of the NYC skyline. “I believe living in New attended fashion school, all of my training York keeps one on the forefront of kinetic has been ’on the job’ and I’ve had the good movement. The city of Paris is beautiful, yet fortune of working with some of the best moves slowly - and I would imagine my work pattern and sample makers, learning through would reflect that “says Jonathan. trial and error” says Jonathan of his early With his collection, Jonathan has masterfully years. In 2011, Jonathan decided to return to his roots to reinvent the men’s luxury category carved out a niche market of his own. Perhaps in a different era like the “Roaring with ‘Title of Work’ employing a modern approach to menswear, with couture detailing Twenties” (1920) it was quiet commonplace for distinguished gentlemen to be adorned and the use of non-conventional materials. by extravagant accessories such as pocket “My objective was to create a collection of men’s accessories that explored both design as watches and boutonnières but these days men don’t tend to dress in such a refined manner well as social concepts” says Jonathan of his unless they have a special occasion. However collection, “It was also extremely important for me to create ‘Title of Work’ with a specific recently, designers like Ralph Lauren and blockbuster movies such as The Great Gatsby identity, and a finely curated point of view, have revived the 1920’s polished gentlemen’s to tell one story from beginning to end. The look and added a modern twist to the classic phrase ‘title of work’ has meaning in the art style. The era which was draped in luxury world and we used the visual language from and extravagance has facilitated Jonathan’s that world - replete with the red dot- which unique brand proposition, “I wanted to create symbolizes that a piece has been sold”. a specific identity with a keenly curated point of view, and felt that the necktie was a perfect canvas to showcase incongruous elements not typically associated with this ‘symbol of each item is distinctively unique, perhaps due the handcrafted nature of every piece. The aesthetic is defined by an architectural silhouette, modern embroidery and beadwork, with progressive and contemporary fabrications.

refinement’. Compared to women, men are more traditional by nature, and I believe that tie is the one accessory that men can still use to push the envelope. The concept of adding diamonds, or sterling silver to a tie, while keeping it somewhat refined, is a grand and constant challenge. As one can see from the collection, ‘title of work’ transcends typical fashion trends into the world of art and architecture”. The opportunities for growth are almost endless for Jonathan. He is currently developing a fragrance and expanding the collection,” I see the collection taking on many forms. In addition to creating a full line of jewellery, I am currently designing a bag collection; beautifully finished with hand cast hardware. Also, I am in the process of creating a fragrance, which is very exciting indeed, as I am a bit obsessed with my sense of smell”. Fashion always has boundaries – something that is fashionable in London may not necessarily be trending in America. For Jonathan Meizier, the most important thing is to take inspiration from his own world and stay true to himself, “Fashion happens to be very subjective, so I end up mainly competing with myself- as long as I keep ahead of my own curve, I’m in a decent position. It is very easy to get caught up in the race, so I strive to remain centred and focused on my path”.

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PHOTOGRAPHER AN.DREW & MANSFIELD PHOTOGRAPHY SHOT: SAN DIEGO, CALIFORNIA

DOLCETTI Top $269 DOLCETTI Pants $340 GOORIN BROS Hat $145 ELOS SHOES Boots $225


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S.E.W. DESIGNS Jacket $825 MARCUS HANISH Top $325 GOORIN BROS Hat $165

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S.E.W. DESIGNS Top $200 MARCUS HANISH Pant $315 ELOS SHOES $195

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iCTZN Coat $1300 S.E.W. DESIGNS Shorts $350

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DOLCETTI Jacket $1175 MARCUS HANISH Top $325

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iCTZN Pants $525

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RG SANCHEZ Jacket $2250 DOLCETTI Top $220 RG SANCHEZ Pants $750

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MARCUS HANISH Top $325 MARCUS HANISH Pants $675

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Photographer AN.Drew & Mansfield Photography / Hairstylist Joe Robles / Makeup Artist Melina Aguire / Stylist Blanca Barragan / Assistant Carlos Chavez / Model Whitney Danielle

iCTZN TEE $175 DOLCETTI Top $460

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CLASSIC LONDON EDGE

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CLASSIC LONDON EDGE BY ANNA GILFILLAN

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CLASSIC LONDON EDGE

FRESH OUT OF FASHION SCHOOL, ANNE-SOPHIE KOHLER FOUNDED SCALINE LONDON IN 2010 AND IT HAS SINCE FLOURISHED INTO AN INTERNATIONALLY RECOGNISED FASHION BRAND APPRECIATED ON A GLOBAL SCALE. INSPIRED BY KOHLER’S FRENCH AND GERMAN ROOTS WHILE STILL STAYING TRUE TO THEIR EAST LONDON HOME, SCALINE IS EASILY RECOGNISABLE FOR THEIR STUNNING SILHOUETTES PAIRED WITH A CLASSIC LONDON EDGE.

Anne-Sophie Koehler

They are popular for their lightweight stretchy fabrics that makes for elegant clothing that is actually functional to wear. I caught up with Alessia Gotti to talk about about their current collection and what it’s like to work in the the global fashion world. FJORDE: What has been the journey like from when the company was founded until now? ANNE-SOPHIE: We have learned a lot about market and continuously added new lines, which is very exciting. F: What have been some of the major challenges?

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A: East London is a very inspiring place. It is a pool of creatives and nothing ever stays the same which means the exploration never stops. F: Do you believe that London is still one of the fashion capital of the world? Why or why not? A: Yes, I definitely think so. English people like to express themselves with their clothes, they pay a lot of attention to it. This together with its great heritage in fashion makes it still the fashion capital of the world for me.

A: Sourcing high quality jersey fabrics can be a challenge but fortunately we found reliable F: Can you tell us about the most recent suppliers- mainly in Italy. collection and some of the main ideas behind that? F: What have been some of the main influences behind the designs? A: The last collection was all about cropped tops and flared trousers. These are classic A: I like classic silhouettes, but like to see and flattering looks from the past. Fashion them in different fabrics and added details. always picks up elements from the past but We use a lot of structured jersey- which is interpretates it in a modern way. I always keep very luxurious and comfortable. our customer in mind who wants to make a statement whilst looking elegant and feeling A black blazer made of woolen jersey with a nice fit and , in my eyes, combines all features comfortable. It has a slightly more modern approach- it is all about Industrial elegance or a modern fashion statement should have. in other words the urban professional. I always keep the customer in mind- her needs F: What are your aspirations for the future of and her likes. the company? F: I see strong European influences in the pieces, particularly German and French- what A: We will keep exploring the market, adding is it about European cultures that has been so more lines, working with different fabrics and possibly collaborations as this is a great way influential? to discover new areas. A: Germans have a functional approach to F: Do you have any plans to open a store here dressing whereas French like the elegance. in Australia? Scaline mixes both. F: Has working online, pitching to a global audience and selling internationally affected the company and the designs? A: Yes, every country has its own market. We experienced large difference in order preferences. Design-wise, we simply cannot please every country and decided to focus on our main target group, which are cosmopolitan woman in need of transitional wardrobe pieces.

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F: Scaline London is based in East London, is this local culture still important to the brand? In what way?

A: Not for the moment unfortunately...but you never know. For the time being you can find the collection online and they do ship to Australia! http:// www.scalinelondon.com/home.html


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BLACKMIRROR DESIGNS BY JAMIE-MAREE SHIPTON

CREATIVE PROCESS VARY THE WORLD OVER, FROM SMALL DESIGN STUDIOS TO LARGE FASHION HOUSES, EACH PROCESS IS A UNIQUE EXERCISE IN CREATIVE CONSTRUCTION. INDEED IT IS THE WORLD’S FASHION CAPITALS, MILAN, NEW YORK, SYDNEY, AND LONDON, THAT DESIGNERS FLOCK TO IN ORDER TO GET THEIR START. AND IT’S WITHIN THESE PLACES, FILLED WITH DIVERSE INFLUENCES AND COMMON CREATIVES, THAT DESIGNERS OFTEN FIND THEIR DRIVING INSPIRATIONS.

London based designer Marianna Nardin of Blackmirror Designs has a unique design journey that showcases the power of a fashion capital in facilitating and developing creative pathways. Born in Italy, Marianna says her “passion for fashion”, started when she was a child, from the entire afternoons she would spend designing and sewing clothes for her doll collection. This then lead her to undertake artistic and fashion studies at the Institute of Art in Venice. After finishing her first degree as an art teacher, she went on to complete her studies with specialisations in decoration and painting. During her studies Marianne says she carried on with experimentations in the field of fashion, blending her art backgrounds with her design passions by treating fashion as sculpture and employing new materials and fabrics which were outside the boundaries of traditional. She developed a keen passion for gothic-Victorian fashion and alternative outfits and it was in 2003 when she decided a move to London would help her to find herself and develop her line further. She describes London as being the right environment to pursue her gothic, burlesque and alternative influences. And indeed it was conducive to her design process as a year later in 2004 she launched the Blackmirror Design clothing line.

perks and it is indeed the ever-vibrant cultural environment that affords young designers several opportunities. In comparison to Italy she says it is harder for a young designer to make an impact, where the usual known names dominate the fashion scene and indeed she wouldn’t have been able to achieve what she has if she had stayed, albeit it may have taken a lot longer.

When asked about the concept of international, Marianne acknowledges that these days the market has become global and the role that Internet has played in becoming a selling tool. She says it’s an amazing sale channel that allows her to reach international buyers scattered around the globe. She also agrees that this has influenced the way her business is conducted. Including current plans to launch an online global marketing campaign she hopes will give more visibility to her designs. She also affords the opportunities to be published by several magazines, national and international, as further building an “international-feel” to the Blackmirror brand. With this international scope Marianne divulges that indeed it does make designing difficult if you are trying to address women as a uniform customer, they are not. “The female silhouette is not considered in the same way in all cultures” she explains, and this certainly illuminates that as the market for her Despite being born in Italy in is in London that product expands her design approach must Marianne has found her footing and developed change and develop. Instead of focusing on a strong sense of identity for her collection. trends, or certain images or body shapes, she However she says she doesn’t consider the instead takes an aesthetic approach that makes brand as British, as it still includes influences her line appreciated by all sorts of women. from several foreign trends and movements. “I believe people appreciate my designs for She makes a note to point out however that their sensuality which is far from being vulgar she never follows trends of the moment. What and for their versatility. They are inspired she prefers, and what being an artist allows by fashion from ages past, where women her, is the freedom and independence to take expressed their sensuality through elegance, influence from many sources and to express without showing too much of their bodies. herself without the expectation or obligation I still believe that women do not need to be of following the masses. Therefore indeed naked to be sexy.” London may have opened up the doors for Marianne’s collection to flourish, but it did not And thus this is just one story of how pigeon-hole her into designing only for certain designing in one of the world’s fashion capitals has afforded a small designer her trends and tastes. She goes on to explain that niche. of course being a designer in London has its

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DESTINATION NOW BY LAUREN ROBERTS

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SPAIN Spain is one of the most beautiful places in Western Europe. What’s not to love about Spain? The gorgeous Spanish accents, the guilt-free (and expected) afternoon siesta, the sangria, the sandy beaches of San Sebastian, thrill of bullfighting, the crowded marketplaces, the romantic old towering villages and the bustle of Madrid are sure to seduce every traveller. For the adventurous, Pamplona’s Running of the Bulls is an essential experience. The traditional cooking classes hosted in most cities are worth immersing oneself in – learn to make tapas, paella and sangria. Local residents are full of enthusiasm and stories – lots of culture in the busy streets. For the romantics, the gorgeous food and Spanish dancing is sure to seduce. Sport fanatics will be inspired by the deep love of football and the passionate games that spontaneously pop up at most parks and beaches.

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LONDON London, London, London. London is one of the most unforgettable places to be immersed in. The London Eye, the British Museum, the Tate Modern Art Gallery, Buckingham Palace the London Dungeon, Madame Tussaud’s Wax Museum and the opportunity to see the royal jewels are some of the many things the capital offers. Theatre is infamous in London; with several different shows performed all over the city every night of the week. Shopping is like no-where else in the world, from Harrod’s toy stores to the exclusive boutiques off the West-End strip, there is literally something for everyone. A variety of bars and clubs appeal to a diversity of tastes from the band-aoke (singing karaoke with a live backing band) hosted in Shepherd’s Bush, to the cocktail bars in Mayfair and the pubs in Piccadilly… variety in London is sure to impress.

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GERMANY Germany is rich in culture. Berlin has a fascinating past and there is a lot to see beyond the wall. Interesting but confronting tours leave the city centre and take groups out to see the concentration camps and graveyards of the Nazi era. The Berlin Wall, once a symbol of oppression, is now covered in bold graffiti and messages of hope. Munich, from the September 21, is filled with enthusiastic Octoberfest revellers. The town is overrun by beer tents, lederhosen and party-goers. Any other time of year, Munich is unrecognisable – a classic town of museums, churches and breathtaking castles nested in the woods just a bus trip away. Around Christmas-time, Germany (the country who gave the world gingerbread) in transformed into a Winter Wonderland. Outdoor ice-rinks are dotted around the country and gorgeous Christmas marketplaces full of hot wine, cheery faces and homemade gifts are everywhere.

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FIJI Fiji is just as picturesque as the postcards claim. Lush greenery and soft white soft sand cover majority of the 333 Fijian islands. A place to relax, the easy-going island vibe is easy to get swallowed up in. Diving, snorkelling, walking, exploring, day cruises and hikes are just some of the many tropical adventures that Fiji has in store. Fiji is the perfect place to explore; with hidden caves and secret waterfalls all accessible with a knowledgeable guide, walking shoes and a sense of adventure. The villiage culture is very different to the hustle and bustle of city life and the traditional cooking, friendly local residents and pristine blue beaches need to be immersed in. The Coral Coast is where most tourists visit, spending their days exploring the stunning oceans and sipping cocktails on the beach. Viti Levu, unofficially considered the Fijian mainland, boasts a number of nightclubs and fancy restaurants as well the perks of most developed tourist spots.

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HONG KONG Hong Kong is an eccentric and busy place to visit. The wild nightlife is just as it portrayed in Hollywood movies and the open bars, strip clubs and all-night tattoo parlours are hidden underneath the high-rise buildings. The food in Hong Kong is incredible, with everything from street carts to five star restaurants The packed marketplaces bring out the need to haggle with locals and hidden treasures are often hidden amongst clothing and accessories that the proprietors will wave in your face. The Ladies Market and Temple Street Night Markets are the best places to shop, but neither is for the inexperienced barterer and the long strip of stalls can keep the shopping enthusiast occupied for hours. To bring out the child in everyone, Hong Kong Disneyland is fun for all ages and offers a chance to wear Mickey Mouse ears, ride on rollercoasters and get a photo taken with Buzz Lightyear. A tour of the temples reveals a lot about Thai culture and the tall skyscrapers and Clock Tower are worth learning a bit about, not just admiring.

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KOH SAMUI Koh Samui is only a ferry-ride away from the wild Full Moon Parties that draw tourists internationally. These parties are not for the faint-of-heart and feature a long strip of beach, glow-in-the-dark paint, an excessive amount of alcohol, thousands of holiday-makers, loud music and an open drug-use policy. Koh Samui itself, however, is picturesque in its beauty. The tuk-tuk rides around the island are a cheap and fun way to travel. The beaches are a main drawing card, and the beautiful coast is easy to spend all day on. Fresh food markets, shopping villages, temples, beach parties, massages, pampering and incredible Thai food are just some of the many things that tourists can experience at Koh Samui. There is also the opportunity to trek amongst the wildlife or drive four wheel quad bikes down the mountain tops.

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STYLE ME

STYLE ME

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image by filip konikowski FK Photography


S TO N E , CO LO U R , WOOD P H OTO G R A P H E R J O N L E E S TO N E TOW N , Z A N Z I B A R



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Photographer Jon Lee / Hairstylist Claryssa Humennyj-Jameson / Makeup Artist Jon Lee / Model Claryssa [Bella Model], Ciru [Greyology] & Joyce [SuraZuri]

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D E A R N E W YO R K . . .

DOUBLE PA

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COLOURS OF AFRICA AGE SPREAD

PHOTOGRAPHER JON LEE PINGWE, ZANZIBAR: BASED OUT OF MATLAI BOUTIQUE HOTEL

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Photographer Jon Lee / Makeup Artist Jon Lee / Model Joyce [SuraZuri]

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isit the Gusto & Élan boutique and mention Fjorde Magazine to receive a free gift!



R AY S O F THE SUN

P H OTO G R A P H E R J O N L E E M U Y U N I , Z A N Z I B A R ; B AS E D O U T O F S U N S H I N E M A R I N E LO D G E


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SUMMER 2013

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Photographer Jon Lee / Makeup Artist Jon Lee / Model Claryssa [Bella Model] & Ciru [Greyology]

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S TO N E ROSE BY BEN ANDERSON

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SPRING 2013

Amongst the rhythmic noises of New York City exists a place of quite serenity and classical elegance, Stone Rose quantifies the refined nature of the casual after work drink to an intimate date taking in the romance of city. Set in the Time Warner building, Stone Rose was aptly named for the touches of stone and rosewood used throughout its design, Stone Rose Lounge is the epitome of masculine elegance. Designed to resemble the classically timeless hotel lounge, Stone Rose is set amongst candlelit seating and finished with majestic views of Manhattan’s Central Park, Columbus Circle and the city’s famous skyline.

A frequent haunt when I find myself in New York, Stone Rose welcomes its patrons in with refined service, subtly traditional bar food with a modern twist and most importantly an impressive list of single malts. But if scotch is not your thing, they host a stocked bar of wines, beers and delicious cocktails to sample.

STONE ROSE LOUNGE Time Warner Center 10 Columbus Circle, 4th Floor New York, NY 10019 +1 (212) 823-9770 info@stoneroselounge.com www.stoneroselounge.com

While some lounges can offer the standard drinks to its patron’s Stone Rose channels the style, elegance and class of a time often forgotten. So if you find yourself in New York City make your way down to Stone Rose for a drink, it’s not only a beautifully set lounge, but a place to sit back, relax and take the city in.

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THE INTERNA

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M AG A Z I N E .C O M


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STO C K I ST

CITYBLIS www.cityblis.com DOLCETTI www.dolcettiboutique.com ELOS SHOES www.elosshoes.com GOORIN BROS www.goorin.com GUSTO & ELAN www.gustoandelan.com.au iCTZN www.ictzn.com MARCUS HANISH www.salonandboutiquedemarcus.com MINA & KATUSHA www.minaandkatusha.com.au MIREA SWIMWEAR www.mirea.com.au MOLLY & POLLY SWIMWEAR www.mollyandpollyswim.com.au MUSTAFA HASSANALI www.mustafahassanali.net ONE THOUSAND CRANES www.onethousandcranes.com.au RG SANCHEZ SEW DESIGNS www.sewfashiondesign.com ZURI COLLECTIONSS

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WINTER 2013

T? U R G IN L Y T S A IN STUCK

FKILO L L O W E IN T U L RO NEW

REFREsh E N’dRsyhcONINdITIO NE R IN sTaN T Y O U soft & refreshed hair NE I h s s s e l t h Weig

R

NEW

ROUGh R E B B U RdaBLE dRy pa sTE MOL P A S S I O N

sTRONG hOLd & separation subtle MaTT EFFEc T

Visit www.schwarzkopf-professional.com or call 1800 624 000 for more information. TERMS & CONDITIONS APPLY TO ALL COMPETITIONS LIKE US | SCHWARZKOPF PROFESSIONAL AUSTRALIA W W W. FJ O R D E M A G A Z I N E . C O M

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