20th Annual Friends of Friends Photography Auction by fwabphoto

20th

ANNUAL FRIENDS OF FRIENDS PHOTOGRAPHY AUCTION Benefit for Childrenâ&#x20AC;&#x2122;s Healthcare in Asia

December 12, 2018

20th ANNUAL FRIENDS OF FRIENDS PHOTOGRAPHY AUCTION Benefit for Children’s Healthcare in Asia

AUCTION DATE

Wednesday, December 12, 2018 5:00 – 6:00 pm Guided Walk-Through (special admission required) with June Bateman, Miwako Tezuka and Alice Sachs Zimet

6:00 – 7:00 pm Cocktail Reception & Silent Auction Books

7:00 – 8:30 pm Live & Silent Auction Prints Artist of the Year Award: Irving Penn

LOCATION

The Highline Loft 508 West 26th Street, #5D, New York, NY 10001

$100 donation for live/absentee bids $125 donation for Guided Walk-Through, plus the above $250 donation for a special print by Don Farber, plus all of the above

NOTE: Due to a change in venue, seats will be more limited this year. We encourage you to purchase admission tickets early. In exchange for the donation, you will receive an auction catalog and a paddle number.

AUCTIONEER

Rick Wester, Rick Wester Fine Art

ADMISSION

HORS D’OEUVRES PROVIDED BY

Saffron 59

ONLINE CATALOG Register for admission and view all of the artwork in the catalog at www.fwabphotoauction.org, with links to each artist’s homepage. FOR INQUIRIES, CONTACT

FRIENDS WITHOUT A BORDER 1123 Broadway, #1210, New York, NY 10010 T (212) 691-0909 F (212)337-8052 fwab@fwab.org A not - for-profit corporation under sections 501 (a) and 501 (c) (3) of the Internal Revenue Code.

Cover: © Irving Penn, Gypsy Mother with Two Young Children, Extremadura Digital Photography courtesy of Don Penny, NYC Catalog Printed by Dual Graphics

FOREWORD

s a photographer with an outrageous dream to build a children’s hospital in the war-torn country of Cambodia, I turned to my colleagues in the art world for help.

Our first “charity auction,” which took place at Howard Greenberg Gallery’s old location in Soho, offered artworks of various forms. Then, a group of professionals in the field of photography gathered to dedicate their time and helped improve the Friends of Friends Photography Auction. I never imagined that our project would be supported by so many artists and art lovers for so many years. Many developments took place during those twenty years. It was not unusual to stand in front of a fax machine for days just to send one page of a document or message to Cambodia because of a poor telephone connection before the age of emails. Young doctors and nurses, hired before the opening of Angkor Hospital for Children, have become mothers and fathers, or even grandparents, as well as well-trained and experienced mentors for the next generation of medical professionals. Friends Without A Border, born in a corner of my studio, has become a full-fledged nonprofit organization with supporters around the globe. Over the years, you have helped more than a million children receive treatment and saved thousands of lives at Angkor Hospital for Children and now at Lao Friends Hospital for Children in Laos. I am so grateful to everybody who made this happen. The 20th anniversary of this event is a great testament to how “Art Can Make a Difference.”

Kenro Izu Founder, Friends Without A Border

nquestionably, Irving Penn (1917-2009) was one of the most prolific, respected, and influential photographers of the 20th century. Over the course of a nearly seventy-year career, Penn pioneered new styles in fashion, advertising, and editorial photography, all with his elegant aesthetic simplicity. While invariably seeking to distill the essence of his subject, striking compositions of fashion models set against neutral backdrops and portraits taken in a tightly-angled corner became his signature. Born to Russian émigrés in New Jersey, Penn studied design with Alexey Brodovitch, an influential teacher and a visionary art director at Harper’s Bazaar. He bought his first camera, a Rolleiflex, with the earnings from drawings published in the magazine. In 1943, Penn was hired as a graphic designer at Vogue by another legendary art director, Alexander Liberman, who encouraged him to begin taking photographs. After volunteering with the American Field Service during the last years of WWII, he quickly developed a reputation for his striking style in still life and portraiture. At a time when photography was primarily understood as a means of communication, Penn approached it with an artist’s eye and expanded the creative potential of the medium. Known for both his meticulous attention to detail and a rigorous work ethic, Penn initiated a revival of platinum-palladium printing. With a relative downturn in the glossy magazine market during the 1960s, Penn concentrated on his personal work and experimented with platinum-palladium printing. His large scale pictures of cigarette butts from 1972 were the first series he conceived specifically for this printing process. Curator John Szarkowski selected fourteen of these photographs to mount Penn’s first solo exhibition at MoMA in 1975. This single exhibition overcame a strong prejudice against commercial photographers being welcomed into the museum, back when photography had yet to become one of the main pillars of contemporary art. Penn regularly donated his work to the Friends Photography Auction from the early days, helping to heighten the event’s reputation. For a small charity organization, receiving a donation print from such a preeminent artist was truly a humbling experience. With our deep appreciation for his generosity and encouragement, we are honored to present the Artist of the Year Award to Mr. Irving Penn.

Irving Penn at work in New Guinea, 1970 Photograph by Lisa Fonssagrives-Penn © The Lisa Fonssagrives-Penn Trust

ARTIST OF THE YEAR AWARD: IRVING PENN

FRIENDS WITHOUT A BORDER

Photos © Adri Berger

t might be said that Friends Without A Border was developed in the darkroom of a photographer’s imagination. The photographer, Kenro Izu, founded the organization soon after capturing images of the Angkor monuments in Cambodia – a photo shoot that forever changed his life, as well as the lives of countless children in Southeast Asia. The illness and death of children that Kenro witnessed roughly 25 years ago in Cambodia compelled him to take action. He summoned friends, fellow photographers and donors and persuaded them to help him organize a nonprofit organization to build pediatric hospitals in regions where modern medicine was not readily available. Since then, Friends has built two pediatric facilities, Angkor Hospital for Children (AHC) in Cambodia and Lao Friends Hospital for Children (LFHC) in Lao PDR. Operation of AHC was handed over to local management in 2013, as planned. The focus of Friends is currently on LFHC, which opened in 2015. Situated in the UNESCO World Heritage site of Luang Prabang, LFHC has already earned a reputation in the region for providing top-quality, compassionate pediatric care and has become a source of pride for the local community. A growing caseload testifies to the important role LFHC plays in the region. And our caseload has grown dramatically. Our doctors and nurses treated nearly 18,500 children in the Outpatient Department and Emergency Room last year – 25 percent more than they did in 2016. Nearly 2,100 children were hospitalized as inpatients, a 56-percent increase from 2016. Doctors and nurses from around the world volunteer at LFHC and not only treat children, but also train and mentor Lao doctors and nurses. Together, they are transforming LFHC into a medically sophisticated facility. Our staff is now tackling several complex diagnostic and therapeutic procedures. The facility has opened clinics to treat children with thalassemia, an inherited blood disorder, and children with developmental disabilities – services which were not previously available in the region. Additionally, an expanded Neonatal Unit is scheduled to open later this year. Our hospital, which will be conveyed to the Luang Prabang Provincial Hospital in 2025, is clearly helping to shape the future of health care in Lao PDR. Thank you to the artists, contributors, committee members, sponsors, supporters, and volunteers of the 2018 Friends of Friends Photography Auction and of all the past years. Each of you has helped inherit the spirit and compassion of Friends Without A Border – proof that among friends, there truly are no borders!

FRIENDS WITHOUT A BORDER BOARD MEMBERS

David Chang Alex Chanthasoto Nerou Cheng, CPA Kenro Izu Stephen Joester Philippe Lajaunie Matthew Magenheim, Chair Michael Malcolm Denis Martin

Tina Patterson David Pritchard Susan Rafte Jonathan Spector, MD MPH Michael Stern Timothy M. Weiner, MD Steven Williamson Amy Yang

NEW YORK OFFICE

JAPAN OFFICE

Akiko Arai Chief Administrative Officer

Kazumi Akao, RN

Gary Kane Manager of Communications and Development

LAO FRIENDS HOSPITAL FOR CHILDREN

Nicole Pagourgis Executive Director

Simon Young, MB BS (Hans) FACEM MPHTM Executive Director

SPECIAL PRINT Brothers by Don Farber

It is our pleasure to present this limited-edition print, generously donated by Don Farber exclusively for the 20th Annual Friends of Friends Photography Auction.

Price $250 Edition of 30 Pigment print Year of Image: 1989 Year of print: 2018 Image size 12 x 8 on 14 x 11 paper, presented in 17 x 14 museum board Signed, titled, dated and editioned in pencil on the recto; Embossed with Friends Without A Border stamp The prints are made available courtesy of Chelsea Photographic Services.

THANKS Friends Without A Border would like to express profound gratitude to everyone who makes this Friends of Friends Photography Auction possible: all participating photographers, contributors, committee members and sponsors. PARTICIPATING ARTISTS

Berenice Abbott (S31) William Abranowicz (S46) Peter Agron (S91) Michael Amoruso (S65) Dick Arentz (S56) Steve Babbitt (S69) Shane Balkowitsch (S89) Tom Baril (5) Adri Berger (S72) Michael P. Berman (S53) Alvin Booth (26) Paul Caponigro (S106) Verónica G. Cárdenas (S74) Skott Chandler (S45) Michael Clinton (S38) John Coplans (11) Valdir Cruz (S51) Carlton Davis (S58) Margo Davis (S102) Cy DeCosse (17) Monica Denevan (S54) Frances F. Denny (S73) Todd Dobbs (S104) Sam Dole (S70) Lisa Elmaleh (S42) Brian English (S40) Elliott Erwitt (22) Walker Evans (S44) Don Farber (Special Print) Harold Feinstein (24) Sandi Fellman (S57) Tom Finke (S62) Lucas Foglia (S68) Gerald Förster (S75) Frank Fournier (S93) Sheva Fruitman (S52) Phyllis Galembo (7) Elsa Gary (S50) Vincent Giordano (S67) Burt Glinn (12) Orestes Gonzalez (S77) Bob Gruen (S94) Barry Guthertz (S66) Seth Harwood (S80) Patricia Heal (S41) Eric Hessler (S64) Hiro (28) Eikoh Hosoe (20) Takeshi Ijima (S111) Kenro Izu (16, S114) Yumiko Izu (S90) Steve Joester (S96) Nancy Jo Johnson (S84) Ellen Kaplowitz (27) Michael Kenna (3) Oliver Klink (S112) Hengki Koentjoro (S55)

Koichiro Kurita (S109) Masatomo Kuriya (S36) Elliott Landy (S101) Joseph Lawton (S85) Arthur Leipzig (1) Eileen Lerner (S110) Jeff Liao (21) Rita Maas (S97) Vivian Maier (2) George McClintock (S71) Steve McCurry (15) Amanda Means (S92) Barbara Mensch (6) Eric Meola (19) Joel Meyerowitz (9) Hiromitsu Morimoto (S113) Daido Moriyama (23) Martin Munkacsi (S43) Ruben Natal-San Miguel (8) Ruth Orkin (S61) Luciana Pampalone (S107) Wendy Paton (S32) Irving Penn (30) Don Penny (S87) Penumbra Foundation (S88) Viviana Peretti (S83) Sean Perry (S100) José Picayo (25) Todd Pickering (S33) Herb Ritts (13) Sheila Rock (S35) Janet Russek (S60) Kenshu Sannohe (S82) Lynn Saville (18) David Scheinbaum (S108) Peter Serling (S48) Pierre Sernet (S47) Raphael Shammaa (S78) Takeshi Shikama (S37) Sarah Silver (S98) Jack Spencer (S79) Ayano Sudo (S99) Hiroshi Sugimoto (14) Kunié Sugiura (29) Mark Swope (S63) Ed and Deanna Templeton (S76) Charles Traub (S39) Carmen Troesser (S49) Kwong Chi Tseng (S95) Frank Varney (S81) Odino Vignali (S105) Hiroshi Watanabe (4) William Wegman (S34) John Willis (S86) Masao Yamamoto (S59) Hai Zhang (S103) George Zimbel (10)

CONTRIBUTORS

21st Editions John A. Bennette Caroline Burnett Brenda Edelson Estate of Burt Glinn Estate of Vincent Giordano Tom Finke Orestes Gonzalez Howard Greenberg Harold Feinstein Photography Trust Herb Ritts Foundation John T. Hill John Coplans Trust Ron Kurtz Nike Lanning John Maloof George McClintock Muna Tseng Dance Projects, Inc. Lester Nafzgar Nazraeli Press Andrea Raisfeld Ruth Orkin Photo Archive Saul Leiter Foundation Pak So Jasmine Swope The Irving Penn Foundation AUCTION COMMITTEE MEMBERS

June Bateman John A. Bennette Alicia Colen Jeanne Conlon Thierry Demont Brian English Margit Erb Tom Finke Howard Greenberg Jeffrey Hirsch Kenro Izu Yumiko Izu Debra Joester George McClintock Rachel Peart José Picayo Barbi Anne Reed Deborah Rogal Miwako Tezuka Gregory Wakabayashi Rick Wester Alice Zimet

Live

AUCTION

Arthur Leipzig (1918-2014) Rain, 1945 Gelatin silver print; printed later 9 13/16 x 11 3/8 Photographer’s stamp with signature in pencil on the verso Framed Estimate $3,500 Donated by the artist courtesy of Howard Greenberg Gallery

Vivian Maier (1926-2009) Self-Portrait, Chicago, 1966 Gelatin silver print; printed in 2016 11 15/16 x 12 Photographer’s collection stamp signed by John Maloof with date, print date, and edition number in ink on the verso Edition no. 4/15 Estimate $2,500 Donated by John Maloof courtesy of Howard Greenberg Gallery

Michael Kenna Mekong River Boats, Luang Prabang, Laos, 2015 Gelatin silver print; printed in 2016 8x8 Signed, dated and editioned in pencil on the mount recto; Photographer’s stamp with signature, title, date and edition in pencil on the mount verso Edition no. 4/45 Estimate $2,500 Donated by the artist courtesy of Robert Mann Gallery

Hiroshi Watanabe El Arbolito Park, Quito, Ecuador 2002 Toned gelatin silver print; printed in 2004 10 x 10 Signed, dated and editioned in pencil on the verso Edition no. 13/30 Estimate $3,500 Donated by the artist courtesy of Benrubi Gallery

Tom Baril Middle Falls #2, 2001 Gelatin silver print; printed in 2002 18 3/8 x 23 5/16 Signed in pencil on the recto; Photographerâ&#x20AC;&#x2122;s stamp with signature, title, date and edition in ink on the verso Edition no. 5/25 Estimate $3,000 Donated by the artist

Barbara Mensch Bridge Lagoon 2003 Toned gelatin silver prints; printed in 2018 15 x 15 Signed, titled and dated in pencil on the verso Artist proof no. 2/2 Estimate $5,000 Donated by the artist The image is included in the upcoming book titled In the Shadow of Genius: The Brooklyn Bridge and Its Creators (Fordham University Press/Empire State Editions, 2018).

Phyllis Galembo Dodo Masquerade, Burkina Faso 2009 C-print (Fuji Crystal archive); printed in 2018 20 x 20 Signed, titled, dated and editioned in ink on the verso Edition no. 3/6 Estimate $3,000 Donated by the artist courtesy of Steven Kasher Gallery The image is included in a book titled Maske (Chris Boot, 2010/Aperture, 2016).

Ruben Natal-San Miguel Stop & Frisk 2013 Harlem, NYC Kodak Endura Metallic C-print; printed in 2016 20 x 30 Signed, titled and editioned in ink on the verso Artist proof Estimate $3,500 Donated by the artist

Joel Meyerowitz Provincetown, 1977 C-print; printed in 1980 9 9/16 x 7 9/16 Signed, titled and dated in ink on the verso Frame courtesy of Museum and Gallery Services Estimate $8,000 Donated by Howard Greenberg courtesy of Howard Greenberg Gallery

George Zimbel Man and the Flatiron Building NYC 2001 Gelatin silver print 11 5/8 x 8 Signed and dated in ink on the recto Estimate $5,500 Donated by the artist courtesy of Stephen Bulger Gallery

John Coplans (1920-2003) Self-Portrait, Interlocking Fingers, No. 19, 2000 Gelatin silver print; printed in 2003 22 x 17 15/16 Signed, titled and editioned in pencil on the verso Artist proof Frame courtesy of CHV Arts & Services Estimate $8,500 Donated by John Coplans Trust courtesy of Galerie Nordenhake (Berlin)

Coplans’ best known series of self-portraits represents an archetypal everyman, a study of the naked body, which examines the almost taboo subject of aging.

Burt Glinn (1925-2008) Elizabeth Taylor with Hands; Suddenly Last Summer 1959 Gelatin silver print; printed in 1975 12 11/16 x 19 Signed in ink on the recto; Printer’s label with annotation in pencil on the verso Frame courtesy of CHV Arts & Services Estimate $6,500 Donated by Estate of Burt Glinn courtesy of Magnum Photos The image was taken while Glinn covered the filming of Suddenly Last Summer in S’Agaró, Spain.

Herb Ritts (1952-2002) Djimon - Censored, Los Angeles 1990 Gelatin silver print 19 3/4 x 14 3/4 Signed, titled and editioned in pencil by the artist on the mount verso Edition no. 9/25 Frame courtesy of Fine Art Frameworks Estimate $6,000 Donated by Herb Ritts Foundation

Hiroshi Sugimoto Fiesta Drive-In, Pico Rivera, 1993 Selenium toned gelatin silver print; printed in 2009 16 5/8 x 21 3/8 Signed in pencil on the recto; Blindstamp with negative number and edition in the margin Edition no. 4/25 Frame courtesy of Drummond Framing Estimate $30,000 Donated by the artist Negative no. 725. The image appears in the book HIROSHI SUGIMOTO: THEATERS (Damiani and Matsumoto Editions, 2016), page 106.

Steve McCurry Young Man Walks Behind Elephant, Sri Lanka, 1995 C-print; printed in 2018 17 x 11 1/2 Signed and dated in ink on the verso Frame courtesy of Fine Art Frameworks Estimate $3,000 Donated by the artist The Sri Lankan elephant, a subspecies of Asian Elephants, is native to Sri Lanka. Since fewer than ten percent of males have tusks, poaching is not the threat as it is in other countries. Elephants have been an integral part of the culture for over two millennia.

Kenro Izu Kailash #75, Tibet 2000 Platinum-palladium print; printed in 2004 13 1/8 x 19 1/8 Signed and dated with negative number and edition in pencil on the recto; Photographerâ&#x20AC;&#x2122;s stamp with signature, title, edition, negative number and date in ink on the mount verso Edition no. 54 Estimate $3,000 Donated by the artist courtesy of Howard Greenberg Gallery

Cy DeCosse Rainy Day Crocus 1999 Platinum-palladium print 19 3/8 x 19 3/8 Photographerâ&#x20AC;&#x2122;s copyright stamp with signature, title and date in pencil on the verso Edition no. 4/30 Estimate $3,000 Donated by Brenda Edelson

Lynn Saville Grand Central from Madison Avenue from the series Grand Central Revealed 2017 Pigment print; printed in 2018 22 x 16 1/2 Signed, titled, dated and editioned in ink on the verso Edition no. 2/5 Estimate $3,000 Donated by the artist courtesy of Yancey Richardson Gallery The series was commissioned by the MTA: Arts Design for a public solo exhibition at Grand Central Terminal, with its images displayed in light boxes.

Eric Meola Storm Updraft (Sandhills, Nebraska) 2013 Pigment print; printed in 2018 14 x 21 Signed, dated and editioned in ink on the recto Artist proof no. 1/5 Estimate $2,000 Donated by the artist This is the cover image of the upcoming book titled FIERCE BEAUTY: Storms of the Great Plains.

Eikoh Hosoe Kimono #2, 1963 Gelatin silver print; printed in 1988 12 x 8 1/16 Signed in ink on the recto; Signed and titled in pencil on the verso Estimate $3,300 Donated by the artist

Jeff Liao Central Park New York 2016 Pigment prints Each 20 x 12 Signed and editioned in pencil on the verso Edition no. 8/12 Estimate $2,500 Donated by Nazraeli Press The four prints, representing each season, come inside a custom clamshell box, as a special edition of the book (Nazraeli, 2017).

Elliott Erwitt Spain. Valencia. 1952 Gelatin silver print; printed in 2018 17 9/16 x 11 3/4 Signed and titled in pencil on the verso Frame courtesy of Museum and Gallery Services Estimate $7,500 Donated by the artist courtesy of Edwynn Houk Gallery “The picture was taken in 1952 while I was still doing my military service in the U.S. Army while stationed in Europe. These were friends of mine living in Spain that I visited during a furlough. During my time in the Army, I took some of my better freelance pictures and did not have to worry about paying the rent.” from NY Times Lens Blog, May 6, 2011

Daido Moriyama Cherry Blossom 1972 Gelatin silver print; printed in 2018 10 1/2 x 15 11/16 Signed in pencil on the verso Estimate $3,000 Donated by the artist courtesy of Daido Moriyama Photo Foundation

Harold Feinstein (1931-2015) Coney Island Teenagers 1949 Gelatin silver print; printed in 2011 7 3/4 x 12 Signed in ink on the recto Edition no. 3/20 in a limited edition realized to 15 Framed Estimate $4,800 Donated by Harold Feinstein Photography Trust As an 18-year-old Feinstein used to roam the beach of his native Coney Island with a Leica camera and respond to callings, “Hey mister, take my picture!” This is one of his most iconic images and was published repeatedly throughout his life. It appears on the cover of the award-winning book titled Harold Feinstein: A Retrospective (Nazraeli, 2012) and is also prominently featured in the upcoming documentary film about Feinstein’s life and work titled Last Stop, Coney Island.

JosĂŠ Picayo Phil/Back 2015 Pigment print on Japanese handmade paper; printed in 2018 19 5/16 x 14 1/2 Signed in pencil on the recto Edition no. 2/40 Framed Estimate $2,700 Donated by the artist The image was included in the artistâ&#x20AC;&#x2122;s solo exhibition at Robin Rice Gallery in 2015.

Alvin Booth Gum Print #16051159 2016 Gum bichromate print; printed in 2018 19 x 13 Signed and editioned in pencil on the recto Edition no. 4/7 Framed Estimate $5,000 Donated by the artist and Nike Lanning courtesy of Fahey/Klein Gallery

Ellen Kaplowitz Morocco Sahara Desert 1999 C-print; printed in 2018 25 1/2 x 40 Edition no. 1/5 Framed Estimate $7,500 Donated by the artist

Hiro Akiko in Rudi Gernreich Sheath, India, 1966 Pigment print; printed in 2011 16 x 12 Signed and editioned in pencil on the verso Edition no. 9/18 Frame courtesy of Fine Art Frameworks Estimate $18,000 Donated by the artist The image was taken while shooting in India for Harper’s Bazaar. This print is from a special edition created on the occasion of the artist’s work being acquired by The J. Paul Getty Museum.

Kunié Sugiura Stacks-Irises B3 1997 Toned gelatin silver print; printed in 1997 24 x 20 Signed in ink on the verso Unique photogram Framed Estimate $13,000 Donated by the artist courtesy of Taka Ishii Gallery Sugiura was one of the rare artists in the 1960s to have studied photography in art school. Her experimental works often explore photography’s relationship with drawing and painting. The artist’s exhibition titled 50-Year Retrospective in NY was held at Tokyo Photographic Art Museum in 2018.

Irving Penn (1917-2009) Gypsy Mother with Two Young Children, Extremadura 1965 Gelatin silver print; printed in 1986 10 1/2 x 10 3/8 Signed by the artist and titled in ink with original credit stamp on the verso From an edition of 8 Frame courtesy of Drummond Framing Estimate $25,000 Donated by The Irving Penn Foundation This is an unpublished image from the series of gypsies in Extremadura, Spain, made on assignment for Vogue magazine. Penn set up a daylight studio in a barn near the gypsiesâ&#x20AC;&#x2122; encampment. The unique environment allowed Penn to form a more intimate relationship with his subjects. This series would prove to be a milestone, and the success of its method would inspire him to construct a portable tent studio when he photographed in other parts of the world.

Silent AUCTION

S31

Berenice Abbott (1898-1991) Nightview, New York, 1932 Photogravure 12 5/8 x 9 15/16 Emboss and numbered in pencil on the recto Edition no. 100/125 Estimate $1,500 Donated by Ron Kurtz courtesy of Howard Greenberg Gallery

S32

Wendy Paton Le Louvre from the series Keep It Moving 2008 Pigment print; printed in 2013 9 x 13 Signed in pencil on the verso Artist proof Framed Estimate $1,200 Donated by the artist The series was exhibited at Artsource International (2010) and The National Arts Club (2012).

S31

S32

S33

Todd Pickering Succulent 2015 Ultrachrome print; printed in 2018 13 x 9 3/4 Signed in pencil on the recto Edition no. 1/50 Estimate $450 Donated by the artist courtesy of Anne Reed Gallery

S33

S34

William Wegman Grey Duo 2016 Pigment print; printed in 2016 9 7/8 x 7 1/2 Signed in pencil on the recto Edition no. 3/30 Estimate $750 Donated by the artist

S35

Sheila Rock Arc 2003 Pigment print; printed in 2018 10 5/8 x 8 7/8 Signed, titled and editioned in ink on the recto Edition no. 2/20 Estimate $650 Donated by the artist The image was taken during a performance of Hamlet by the Arc Dance Company at The Landmark Theatre, Ilfracombe, England. Arc was founded by the celebrated Danish choreographer Kim Brandstrup.

S34

S35

S36

Masatomo Kuriya King Protea, 1989 Cibachrome; printed in 1989 17 1/2 x 14 Signed in ink on the recto Edition no. 21/25 Framed Estimate $2,000 Donated by the artist courtesy of Yancey Richardson Gallery

S36

S37

Takeshi Shikama Kyoto: Tadasunomori #2 from the series Contemplation 2017 Platinum-palladium print; printed in 2018 7 1/2 x 7 1/2 Signed, titled, dated and editioned in pencil on the recto Edition no. 4/9 Estimate $2,400 Donated by the artist Shikama is known for examining the spirituality found in nature. This series was inspired by once-in-a-lifetime encounters in the forest, â&#x20AC;&#x153;when nature compels me to take her photograph.â&#x20AC;?

S37

S38

Michael Clinton Burmese Dusk 2002 Iris print; printed in 2004 12 x 8 Signed and editioned in pencil on the recto Edition no. 15/30 Estimate $800 Donated by the artist

S38

S39

Charles Traub Dominican Republic 1989 C-print; printed in 2004 16 x 11 Signed, titled and dated in ink on the verso Edition no. 2/10 Estimate $3,000 Donated by the artist and John A. Bennette

S39

S40

Brian English Jain Buddha from the series Buddha 2000 Gelatin silver print; printed in 2000 6 15/16 x 8 7/8 Signed, titled and editioned in pencil on the mount verso Edition no. 5/25 Estimate $750 Donated by the artist courtesy of Throckmorton Fine Art

S40

S41

Patricia Heal Hallway from the series Finding Peabrook 2014 GiclĂŠe print; printed in 2014 7 x 5 1/2 Photographerâ&#x20AC;&#x2122;s label with signature in ink on the verso Edition no. 2 Estimate $1,000 Donated by the artist The series is a visual narrative of the artistâ&#x20AC;&#x2122;s enchanting home hidden in untouched forests, where a babbling brook runs through the property. Depicting its quirky interiors or the nature surrounding it, Heal calls Peabody her version of Neverland.

S41

S42

Lisa Elmaleh Cypress, 2007 Gelatin silver print from glass plate; printed in 2009 7 15/16 x 10 Signed, titled, dated and editioned in ink on the verso Edition no. 2/7 Estimate $1,200 Donated by the artist

S42

Elmaleh is a leading practitioner of wet plate collodion and other antique photographic processes using large format cameras and printing in gelatin silver from glass plates. Her work has been widely exhibited and has appeared in publications including Harpers Magazine, Smithsonian Magazine, and CNN.

S43

Martin Munkacsi (1896-1963) Roof Baby, New York, 1940 Gelatin silver print; printed in 2007 11 3/4 x 9 3/16 Estate stamp signed by Joan Munkacsi with title, date, print date and edition in pencil on the verso Edition no. 6/40 Estimate $1,200 Donated by Lester Nafzgar courtesy of Estate of Martin Munkacsi and Howard Greenberg Gallery

S44

Walker Evans (1903-1975) Houses and Billboards, Atlanta, 1936 Pigment print; printed 2018 22 x 27 15/16 Titled with annotation by John T. Hill in ink on the recto Estimate $1,500 Donated by John T. Hill

S43

Originally taken for the Farm Security Administration, this is one of the most well-known images by Evans.

S44

S45

Skott Chandler Big Presidents Heads, Hermosa, SD from the series The Roadside Attractions in South Dakota 2018 Pigment print 11 1/16 x 16 1/2 Signed, titled, dated and editioned in pencil on the verso Artist proof Estimate $500 Donated by the artis

S45

S46

William Abranowicz Dexter Avenue Parsonage, Montgomery, AL. May 16, 2017 from the series This Far No Further: A Photographic History of Voting Rights Pigment print 17 1/2 x 23 1/2 Signed in ink on the verso Artist proof no. 5 Framed Estimate $2,200 Donated by the artist and Andrea Raisfeld courtesy of Art + Commerce Martin Luther King, Jr. and his family lived at a parsonage on Dexter Avenue while he was pastor in Montgomery, AL. It was there he became the leader of the Montgomery Bus Boycott movement in 1955. The parsonage was bombed while his family was living there.

S46

S47

Pierre Sernet Kate, Ashokan Lake, New York from the series One (a.k.a. Guerrilla Tea) 2004 GiclĂŠe print; printed in 2008 21 1/2 x 27 1/8 Signed in ink on the verso; Photographerâ&#x20AC;&#x2122;s label with signature, titled, date, edition and size on the back of frame Edition no. 2/10 Framed Estimate $5,500 Donated by the artist courtesy of ARCO Gallery Sernet plays on the juxtaposition of out of context and incompatible cultures or environments by inviting randomly selected guests at different locations to a traditional Japanese tea ceremony performed by the artist in a stylized cubic tea room. The image was shown at the Palais de Tokyo Contemporary Museum of Art (Paris).

S47

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Peter Serling Watermelon is SWEET 2010 Pigment print; printed in 2018 15 5/8 x 18 15/16 Signed, titled and dated in pencil on the verso Artist proof Estimate $1,700 Donated by the artist

S48

S49

Carmen Troesser Blood Oranges 2016 Pigment print; printed in 2018 15 x 15 Signed, titled and editioned in ink on the recto Edition no. 6/10 Estimate $1,200 Donated by the artist The image was taken in a series dedicated to the women in the artistâ&#x20AC;&#x2122;s family, spaces they inhabited, the food they created in those spaces, and the colors they chose to use in those spaces. The image was one of twenty with which Troesser won 1st place in the 2017 FoodPhoto Festival in Vejle, Denmark.

S49

S50 Elsa Gary

Sunrise in Patagonia 2017 Five-layer ultra-gloss metal print with floating frame; printed in 2018 15 3/4 x 23 3/4 Signed, titled, dated and editioned in ink on the verso Edition no. 1/15 Estimate $800 Donated by the artist The image was taken in Torres del Paine National Park in Patagonia, Chile.

S50

S51

Valdir Cruz Wellspring of the Baia Banita River, IV 2010 Gelatin silver print; printed in 2010 10 1/16 x 7 15/16 Signed, titled, dated and editioned in pencil on the verso Artist proof Estimate $1,500 Donated by the artist The image is included in a book titled Bonito – Confins do Novo Mundo (Capivara Editora, 2010), page 65.

S51

S52

Sheva Fruitman Parrot Tulip 1999 Toned gelatin silver print; printed in 1999 4 1/2 x 3 7/16 Signed and dated in pencil on the verso Estimate $750 Donated by the artist courtesy of Staley-Wise Gallery Taken on 4x5” positive/negative Polaroid, this print is uniquely toned. The image is in the collection of the Victoria & Albert Museum.

S52

S53

Michael P. Berman One Two Birds Nine Pots 2018 Pigment print 12 x 18 Signed in pencil on the recto; Signed, dated and editioned in ink on the verso Edition no. 1/18 Estimate $750 Donated by the artist courtesy of Obscura Gallery

S53

Eej Khairkhan Uul, an island of shear granite cliffs rising thousands of feet out of the Gobi Desert, is known as the “mother mountain” in Mongolia. It is a sacred place for pilgrimage, believed to aid in fertility and to offer power in the protection of children. At its heart lay nine pots that are a series of desert pools revered as the hermitage of the monk Ravdan.

S54

Monica Denevan Eclipse, Burma 2014 Gelatin silver print; printed in 2018 14 15/16 x 15 1/16 Signed, titled, dated and editioned in pencil on the verso Edition no. 8/25 Estimate $1,100 Donated by the artist courtesy of Scott Nichols Gallery The image was recently exhibited at Scott Nichols Gallery and at AIPAD.

S55

Hengki Koentjoro Plantation 2011 Pigment print; printed in 2018 20 x 20 Photographerâ&#x20AC;&#x2122;s stamp with signature, title, edition and location in pencil on the verso Edition no. 1/15 Estimate $950 Donated by the artist

S54

The image was taken in a mountainous village of Ciwidey in West Java province, Indonesia, where fog always appears in the late afternoon.

S56

Dick Arentz Yew Trees, Painswick, England 2000 Platinum-palladium print; printed in 2000 8 x 19 1/4 Signed in ink on the verso; Titled and editioned in pen on the recto Edition no. 13/50 Framed Estimate $1,675 Donated by George McClintock

S55

This is the cover image of the artistâ&#x20AC;&#x2122;s book titled British Isles (Nazraeli, 2002). The print comes with a signed copy of the book donated by the artist.

S56

S57

Sandi Fellman A Rebours #7 c. 1982 Unique Polaroid ER print 24 x 20 Signed and titled in ink on the recto Framed Estimate $4,500 Donated by the artist and John A. Bennette

S58

Carlton Davis Mountain Laurel 2016 Pigment print; printed in 2018 17 15/16 x 12 11/16 Signed, titled and dated in ink on the verso Estimate $1,500 Donated by the artist The image is part of a series inspired by still life painter Charles Ethan Porter (1847-1923). Davis explores the similarities and differences between himself and Porter, the two African-American artist from Hartford, CT.

S57

S58

S59

Masao Yamamoto Nakazora #992 2002 Toned gelatin silver print; printed in 2002 8 3/4 x 5 3/4 Photographerâ&#x20AC;&#x2122;s stamp with signature, date and edition number in pencil on the verso Edition no. 7/40 Estimate $1,200 Donated by the artist

S59

S60

Janet Russek Ideal Hosiery, Grand Street 2009 Pigment print; printed in 2017 14 5/8 x 22 Signed in pencil on window mat; Signed, titled, dated and editioned in pencil on the verso Edition no. 2/18 Estimate $2,000 Donated by the artist courtesy of Scheinbaum & Russek Ltd. The image is included in a book titled Remnants: Photographs of the Lower East Side (Radius Books, 2017). Taken during a time of radical change with gentrification, it shows the shared Chinese and Jewish cultures that remain in the neighborhood.

S61

Ruth Orkin (1921-1985) Mist over Sheep Meadow, Central Park, NYC, 1971 Pigment print 12 1/2 x 18 1/2 Photographerâ&#x20AC;&#x2122;s blindstamp embossed; Estate stamp with signature of executrix, Mary Engel, with title, date and copyright date in pencil on the verso. Estimate $1,200 Donated by Ruth Orkin Photo Archive courtesy of Howard Greenberg Gallery

S61

S62

Tom Finke Tennoji Zoo 2018 Gelatin silver print 7 7/8 x 11 3/4 Signed, titled, dated and editioned in pencil on the verso Artist proof Estimate $1,200 Donated by the artist The image is included in a book titled Japan: Footprints in Time 1997-2010 (Sokyusha, 2015).

S62

S63

Mark Swope (1953-2016) Railroad Tracks, Coney Island, NY 2013 Pigment print; printed in 2013 11 x 13 3/4 Signed in pencil on the verso Edition no. 2/10 Framed Estimate $1,200 Donated by Jasmine Swope courtesy of Craig Krull Gallery

S63

S64

Eric Hessler The First Week of Our New Life 2017 Unique gelatin silver print; printed in 2018 5 7/8 x 8 5/8 Signed and dated in pencil on the verso Estimate $900 Donated by the artist The image depicts two young men who had just arrived in the U.S. from Vietnam and were recruited to work in a busy New Orleans tourist spot.

S64

S65

Michael Amoruso Morning Bath, Saratoga Springs, NY 2004 Gelatin silver print; printed in 2018 8 15/16 x 8 15/16 Signed and titled in pencil on the verso Edition no. 3/10 Estimate $500 Donated by the artist

S65

S66

Barry Guthertz Tuscan Landscape 2012 Pigment print; printed in 2017 15 x 22 1/2 Signed, titled and editioned in pencil on the verso Edition no. 6/25 Estimate $700 Donated by the artist

S66

S67

Vincent Giordano (1952-2010) Untitled 1970â&#x20AC;&#x2122;s Gelatin silver print; printed in 1970â&#x20AC;&#x2122;s 2 13/16 x 4 3/16 Signed in pencil on the verso Framed Estimate $500 Donated by Estate of Vincent Giordano

S67

S68

Lucas Foglia Frontcountry 2010 Pigment print 9 x 12 Signed and editioned in ink on the verso Edition no. 13/25 Estimate $750 Donated by Nazraeli Press The print comes with the Special Edition of the book in a custom clamshell box (Nazraeli, 2014).

S68

S69

Steve Babbitt For Women 2014 Pigment print; printed in 2018 14 1/16 x 9 1/8 Signed, dated and editioned in pencil on the verso Edition no. 5/20 Estimate $400 Donated by the artist courtesy of Gallery 24 The image was taken in Istanbul.

S69

S70

S71

Sam Dole

George McClintock

Soldier with Scar, 2012 from the series Men of Action

Shiva and Parvati 2018

Wet plate collodion tintype; printed in 2012 4 1/4 x 3 1/4 Signed in ink on the verso Framed Estimate $850 Donated by the artist

Tintype 10 x 8 Signed, titled and dated in ink on the back of frame Framed Estimate $600 Donated by the artist

Depicting 1:6 scale toys photographed with the wet plate collodion process, Dole draws upon the heroic archetype and its various representations throughout the history of art, photography, and society.

This sculpture fragment, found at an abandoned Hindu temple in India many decades ago by a relative, is a family heirloom.

S71

S72

Adri Berger Spectrum of Noise 2001 Giclée print; printed in 2003 21 x 15 1/2 Signed and titled in pencil on the recto Estimate $900 Donated by the artist courtesy of Big Tree Café & Gallery (Luang Prabang)

S72

S73

Frances F. Denny Bikini So Teeny 2015 Pigment print; printed in 2018 13 3/4 x 11 Signed and editioned in pencil on the verso Artist proof Estimate $1,600 Donated by the artist courtesy of ClampArt

S73

S74

Verónica G. Cárdenas Santa Maria de Alotepec, Oaxaca, México, 2015 Pigment print; printed in 2018 12 x 18 1/16 Signed in ink on the verso Estimate $600 Donated by the artist The image was taken in a rural town of Oaxaca, where people let their chickens and roosters roam freely, knowing that everyone respects each other’s animals.

S74

S75

Gerald FĂśrster Widow â&#x20AC;&#x201C; Papua New Guinea from the series Light Years 1995 Gelatin silver print; printed in 1997 23 x 19 Signed in pencil on the verso Edition no. 2/9 Estimate $3,500 Donated by the artist

S75

S76

Ed and Deanna Templeton Contemporary Suburbium Gelatin silver prints Each 11 x 14 Signed and editioned in pencil on the verso Edition no. 16/25 Estimate $1,500 Donated by Nazraeli Press The two prints, one by each artist, come with the Special Edition of the book in a custom clamshell box (Nazraeli, 2017). Agave 2004 by Deanna Templeton (left) Kathy, Suburbia 2015 by Ed Templeton (right)

S76

S77

Orestes Gonzalez Bel Air in Havana 2016 Pigment print; printed in 2018 15 x 18 3/4 Signed, titled and dated in ink on the verso Artist proof Estimate $900 Donated by the artist The image taken in a 1957 Chevy automobile shows the vantage point Gonzalez had as a 4-year-old sitting in his Dad’s car on the way to the airport to board a plane for the U.S. to start a new life.

S77

S78

Raphael Shammaa Bois dans l’Aubrac, France 2012 Pigment print; printed in 2018 14 x 21 Signed, titled and dated in pencil on the recto: Photographer’s sticker on the verso Edition no. 2/5 Estimate $750 Donated by the artist

S78

S79

Jack Spencer Four Silos 2007 Pigment print; printed in 2011 13 x 17 3/16 Signed in ink on the recto Edition no. 73/280 Estimate $850 Donated by 21st Editions The print comes with a boxed copy of Jack Spencer: Prism Series Book No. 3 (21st Editions, 2011).

S79

S80

Seth Harwood Marer #4 2018 Pigment print 11 x 11 Signed, titled and editioned in pencil on the verso Edition no. 1/25 Estimate $500 Donated by the artist

S80

S81

Frank Varney Long Walk Home 2016 Pigment print; printed in 2017 10 11/16 x 16 Signed, titled, dated and editioned in ink on the verso Edition no. 2/50 Estimate $500 Donated by the artist The image was taken at CM Ranch in Dubois, Wyoming. When a horse throws a shoe, the cowboy is forced to walk home.

S81

S82

Kenshu Sannohe Lucie 2017 Gelatin silver print; printed in 2018 10 7/8 x 16 3/16 Signed and dated with location in ink on the verso Edition no. 1 Estimate $500 Donated by the artist

S82

S83

Viviana Peretti Nataly from the series Dancing Like a Woman 2013 Pigment print; printed in 2018 7 13/16 x 11 3/4 Signed and dated with location in pencil on the verso Edition no. 1/12 Estimate $950 Donated by the artist The image was taken during the National Bambuco Gay Pageant in Bogota, Colombia, where young drag queens dance ‘bambuco’, a regional dance of the Andes with the theme of love. The image has been exhibited at National Portrait Gallery and Somerset House in London.

S83

S84

Nancy Jo Johnson Poppies for Sale 1997 Gelatin silver print; printed in 1999 11 3/4 x 17 3/8 Signed in ink on the verso Edition no. 2/2 Estimate $900 Donated by the artist The image was taken on the Tibetan plateau while covering “Out of Tibet” for Life magazine.

S84

S85

Joseph Lawton Cairo, Egypt 1990 Gelatin silver print; printed c. 1995 11 5/8 x 17 9/16 Signed and titled in pencil on the verso Edition no. 2/12 Estimate $1,000 Donated by the artist

S85

S86

John Willis Recycled Realities #54 2001 Gelatin silver print; printed c. 2004 7x7 Signed in pencil on the verso; Signed in ink on the mount verso Estimate $2,000 Donated by the artist The image was taken at a 100-year-old paper recycling plant. The print comes with a copy of book titled Recycled Realities, co-authored by Tom Young (Center for American Places, 2004).

S86

S87

Don Penny Temple Tiger, Pelkhor Choede Monastery, Tibet from the series Dark Corners/Hidden Places 2014 Pigment print; printed in 2016 10 3/16 x 15 5/16 Sgined in pencil on the recto; Signed, titled and dated in pencil on the verso Artist proof Estimate $500 Donated by the artist

S87

S88

A studio portrait session for a 8x10 tintype Estimate $400 Donated by Penumbra Foundation You will receive a one-of-the-kind 8x10â&#x20AC;? tintype after a personal session at Penumbra Foundation in NYC. Considered by many to be the Polaroid of the 19th century, the tintype is made almost instantaneously through a process that uses hand-poured chemicals on an enameled sheet of metal. Tintypes, often found today in near original condition, were passed down as family heirlooms and are valued for their time-tested archival stability.

S88

S89

Shane Balkowitsch Brave Heart Woman: Floris White Bull, Standing Rock, Hunkpapa Lakota 2018 Wet plate scan on glass 14 x 11 Signed and titled with annotation on the back of plate Unique Estimate $500 Donated by the artist courtesy of Nostalgic Glass Wet Plate Studio Floris White Bull is an advocate for the Hunkpapa Lakota tribe, and her struggles were documented in the film Awake: A Dream from Standing Rock.

S89

S90

Yumiko Izu Icarus 29, 2016 Platinum-palladium print; printed in 2018 13 5/8 x 10 1 /2 Signed, titled and editioned in pencil on the recto Edition no. 5/15 Estimate $2,000 Donated by the artist courtesy of Howard Greenberg Gallery

S91

Peter Agron Man with a Scarf c. 2012 Tea toned gelatin silver print; printed in 2013 6 x 4 1/16 Signed in ink on the recto and in pencil on the verso Edition no. 1/5 Estimate $1,100 Donated by the artist

S92

Amanda Means Water Glass 2, 2004 (Variant) Gelatin silver print; printed in 2016 22 x 17 7/8 Signed, titled and editioned in pencil on the verso Edition no. 4/20 Estimate $2,500 Donated by the artist courtesy of JHB Gallery Means was awarded a 2017 Guggenheim Fellowship for her recent abstractions. The artistâ&#x20AC;&#x2122;s work is in the collection of Whitney Museum of American Art, San Francisco Museum of Modern Art and The Museum of Fine Arts Houston.

S93

S92

Frank Fournier Turn of a Year, Turn of a Century, Turn of a Millennium, Times Square, NYC, Midnight December 31st, 1999 or 0h00 AM January 01st, 2000 Pigment print; printed in 2018 13 1/2 x 20 Photographerâ&#x20AC;&#x2122;s blindstamp on the recto; Signed, titled and dated in pencil on the verso Estimate $2,500 Donated by the artist courtesy of Contact Press Images

S93

S94

Bob Gruen John Lennon, NYC T-shirt, NYC, 1974 Pigment print; printed in 2018 16 x 11 9/16 Signed, titled and dated in ink on the recto Estimate $900 Donated by the artist Being one of the most respected rock and roll photographers of all time, Gruen’s images have appeared worldwide in wide array of formats, including magazine covers, posters, T-shirts and postage stamps.

S94

S95

Kwong Chi Tseng (1950-1990) New York, NY, 1979 (World Trade Center) from the series East Meets West Gelatin silver print; printed in 2008 7 7/16 x 7 3/18 Estate stamp signed by Muna Tseng with title, edition and date on the verso Edition no. 226/500 Estimate $1,000 Donated by Muna Tseng Dance Projects, Inc. Born in Hong Kong, Tseng created this decade-long conceptual performance series in his brief yet prolific career. He was also known for capturing the creative spirit of the 1980s downtown art scene. The artist’s work is in the collections of the Guggenheim, the Walker, and M+ Hong Hong.

S96

Steve Joester Bob Marley “Happy” 1976 Pigment print; printed in 2018 18 9/16 x 13 15/16 Signed, dated and editioned in pencil on the recto Edition no. 13/25 Estimate $1,000 Donated by the artist

S96

The image was taken during a performance at the Hammersmith Odeon in London.

S97

Rita Maas 16.30 from the series 20th Century Plastics 1993-2016 Pigment print; printed in 2016 15 1/4 x 12 3/4 Signed in pencil on the verso Edition no. 1/5 Framed Estimate $1,500 Donated by the artist In this series, Maas photographed 8x10 transparencies that had deteriorated over time. Forces of nature and the passage of time allowed the once-fixed vibrant dyes to become freely comingled, forming an abstract image.

S97

S98

Sarah Silver Sara Mearns 2012 Principal NYCB Pigment print; printed in 2018 14 1/4 x 11 1/4 Signed and titled in ink on the recto Estimate $1,000 Donated by the artist The image was taken for a cover story on New York City Balletâ&#x20AC;&#x2122;s principal ballerina Sara Mearns for June 2012 issue of Dance Magazine.

S99

Ayano Sudo Itâ&#x20AC;&#x2122;s Morphinâ&#x20AC;&#x2122; Time! 2017 Pigment print; printed in 2018 9 1/4 x 7 1/8 Signed, titled and dated in pencil on the verso Artist proof Estimate $700 Donated by the artist courtesy of MEM Inc.

S99

S100 Sean Perry

Apollo 2007 Platinum-palladium print; printed in 2017 9 15/16 x 10 Signed, titled, dated and editioned in pencil on the recto Edition no. 2/17 Estimate $1,500 Donated by the artist courtesy of Stephen L. Clark Gallery

S101 Elliott Landy

Bob Dylan, Woodstock, NY 1968 – Infrared S100

Pigment print; printed in 2018 15 3/8 x 22 1/2 Signed in ink on the recto; Photographer’s copyright stamp on the verso Estimate $2,000 Donated by the artist The image was taken outside of Dylan’s Byrdecliffe home.

S101

S102

Margo Davis Oaxacan Girl with Carved Combs 2001 Gelatin silver print; printed in 2001 12 7/16 x 10 1/16 Photographer’s stamp with signature, title and date in pencil on the verso Edition no. 2/10 Estimate $900 Donated by the artist courtesy of Throckmorton Fine Art

S102

S103

Hai Zhang Untitled from the series Aged Innocence 2014 Pigment print; printed in 2018 7 1/2 x 10 Signed in pencil on the verso Edition no. 1/8 Estimate $500 Donated by the artist courtesy of Nineteensixtyeight The image was taken in Guangzhou, China.

S104

Todd Dobbs Approaching Winter Storm 2011 Pigment print; printed in 2015 5 7/8 x 5 7/8 Signed, titled, dated and editioned in pencil on the mount verso Edition no. 2/10 Estimate $600 Donated by the artist

S104

The image was taken with a pinhole camera.

S105

Odino Vignali Il delicato equilibrio dell’Anima (The Delicate Balance of the Soul) 2008 Pigment print; printed in 2018 19 5/8 x 29 1/2 Signed, dated and editioned in pencil on the verso Edition no. 3/12 Estimate $900 Donated by the artist courtesy of Tevere Art Gallery (Rome) The image was taken on Chaupaty Beach in Girgaon, India. This is the cover image of the book titled Il delicato equilibrio dell’Anima (Blurb, 2011).

S105

S106

Paul Caponigro Two Pears 1999 Gelatin silver print; printed in 2005 7Â˝x9Â˝ Signed in pencil on window mat and the mount recto Estimate $6,000 Donated by Caroline Burnett courtesy of Scheinbaum & Russek Ltd.

S106

S107

Luciana Pampalone Sleeping Sea Plane 2017 Pigment print; printed in 2018 12 x 18 Signed in ink on the recto Edition no. 1/20 Framed Estimate $1,400 Donated by the artist The image was taken at Peconic Bay in Hampton, NY

S107

S108

David Scheinbaum Rabbi A.M. Eisenbach, 41 Essex Street, New York, NY 2000 Gelatin silver print; printed in 2017 7 1/16 x 9 7/16 Signed, titled, dated and editioned in pencil on the verso and window mat Artist proof Estimate $1,800 Donated by the artist courtesy of Scheinbaum & Russek Ltd. The image is included in a book titled Remnants: Photographs of the Lower East Side (Radius Books, 2017).

S108

S109

Koichiro Kurita Stones in the Lake II from the series Chi Sui Ki (Earth, Water, Air) 1998 Platinum-palladium print on handmade gampi paper; printed in 2010 7 11/16 x 9 11/16 Signed and editioned in pencil on the recto; Signed, titled, dated and editioned with location in pencil on the verso Edition no. 2/20 Estimate $1,500 Donated by the artist courtesy of Robert Klein Gallery The image was taken at Lake Superior, MN.

S109

S110

Eileen Lerner Camelot, Thailand 2017 Pigment print; printed in 2018 11 x 11 Signed in pencil on the verso Edition no. 1/10 Framed (as shown) Estimate $700 Donated by the artist The image was taken in Khao Sok National Park in Thailand, where a karst landscape is a home to an endangered species of the Dipterocarp trees.

S110

S111

Takeshi Ijima Physis #01 2018 Pigment print 11 3/4 x 11 3/4 Signed in pencil on the recto Edition no. 1/30 Framed Estimate $1,000 Donated by the artist

S111

This image is of the mother of a shaman in Karakorum, Mongolia.

S112

Oliver Klink Javeena and Ganesha #4 from the series InterActions 2016 Piezography inkjet print; printed in 2017 20 x 13 Signed and editioned in pencil on the recto Edition no. 7/15 Estimate $1,500 Donated by the artist Javeena, whose father is a mahout in Jaipur, India, was raised with elephants and shows the bond she has built with them over the years. A story of Javeena was published in The Campanile.

S112

S113

Hiromitsu Morimoto Marble Stairs 2018 Platinum-palladium print 9 5/16 x 8 5/16 Signed in pencil on the recto Estimate $1,000 Donated by the artist courtesy of Jayne Baum Gallery

S113

S114 Kenro Izu

Angkor #26, Ta Prohm, Cambodia, 1993 Platinum-palladium print; printed in 2016 13 1/8 x 19 1/8 Signed and dated with negative number and edition in pencil on the recto; Photographerâ&#x20AC;&#x2122;s stamp with signature, title, edition, negative number and date in ink on the mount verso Edition no. 94 Estimate $2,000 Donated by the artist courtesy of Friends Without A Border

S114

SILENT AUCTION BOOKS We are pleased to present the following books for silent auction on the evening of December 12th. This auction ends five minutes before the live auction starts, and bids must be placed on site. B201 Robert Adams, From the Missouri West Steidl, 2018 132 pp., 62 b/w illustrations, 13.5 x 15.5”, hardcover in slipcase. Courtesy of the publisher Guide value: $125

B207 Tom Finke, America: Footprints in Time 1982-2012 Sokyusha, 2015 Signed limited edition of 600, 80 pp., b/w illustrations with text in Japanese and English, 9.6 x 10.4”, hardcover. Courtesy of the artist Guide value: $60

B202 Robert Adams, Perfect Places and Perfect Company Edited by Joshua Chuang Steidl, 2018 108 pp., 55 b/w tritone illustrations, 12.5 x 10.25”, hardcover in slipcase. Courtesy of the publisher Guide value: $85

B208 Tom Finke, Japan: Footprints in Time 1997-2010 Sokyusha, 2015 Signed limited edition of 600, 72 pp., b/w illustrations with text in Japanese and English, 9.6 x 10.4”, hardcover. Courtesy of the artist Guide value: $60

B203 Richard Billingham, Ray’s a Laugh Scalo, 2001 First edition, 112 pp., numerous color illustrations, 11.25 x 8.5”, hardcover in good condition; small rubbing marks on the corners of the dust jacket. Donated by Pak So Guide value: $578 B204 Bill Burke: I Want to Take Picture Twin Palms Publishers, 2007 64 pp., 60 color illustrations, 15.2 x 11.8”, hardcover. Courtesy of Howard Greenberg Gallery Guide value: $65 B205 Edward Burtynsky, China Essays by Marc Mayer, Ted C. Fishman and Mark Kingwell Steidl, 2005 Currently out of print. Signed first edition, 148 pp., 12 x 15”, hardcover in near mint condition. Donated by Pak So Guide value: $325 B206 Henri Cartier-Bresson, The Decisive Moment Essay by Clément Chéroux Steidl, 2018 Second edition, 160 pp. with additional 48 booklet pp. 126 illustrations, 14.5 x 10.75”, hardcover in slipcase. Courtesy of the publisher Guide value: $125

B209 Frank Gohlke, Accommodating Nature: The Photographs of Frank Gohlke Text by John Rohrbach, Frank Gohlke and Rebecca Solnit Center for American Places, 2007 176 pp., 9.8 x 11.2”, hardcover. Courtesy of Howard Greenberg Gallery Guide value: $65 B210 Orestes Gonzalez, Julio’s House Essay by Roula Seikaly Kris Graves Projects, LLC 2017 Signed first edition, 60 pp., 35 b/w and color illustrations, 8.5 x 10”, hardcover. Courtesy of the artist Guide value: $40 B211 John Gossage, Looking Up Ben James: A Fable Text by Martin Parr Steidl, 2016 192 pp., 115 b/w and 18 color illustrations, 16.25 x 13”, hardcover. Courtesy of the publisher Guide value: $65 B212 Dave Heath, Washington Square Stanley/Barker, 2016 104 pp., 47 tritone illustrations, 10.8 x 8.5”, hardcover. Courtesy of Howard Greenberg Gallery Guide value: $45

B213 Michael Kenna, France Nazraeli, 2014 Limited signed and numbered edition of 250, 312 pp., 275 illustrations, hardcover in clamshell box. Courtesy of the publisher Guide value: $250 B214 Gleb Kosorukov, Heroes of Labour Steidl, 2017 160 pp., 100 color illustrations, 13 x 9.5”, hardcover. Courtesy of the publisher Guide value: $65 B215 Saul Leiter, Early Color Steidl, 2015 Currently out of print. Sixth edition, 158 pp., 100 color illustration, 8.2 x 8”, hardcover. Courtesy of Saul Leiter Foundation Guide value: $85 B216 Saul Leiter, In My Room Steidl, 2017 First edition, 192 pp., 85 b/w illustrations, 8.2 x 8”, hardcover. Courtesy of Saul Leiter Foundation Guide value: $65 B217 Joel Meyerowitz, Morandi’s Objects Damiani, 2016 116 pp., 65 illustrations, 12.8 x 10”, hardcover. Courtesy of Howard Greenberg Gallery Guide value: $50 B218 Arnold Newman: One Hundred Introduction by Gregory Heisler Radius Books/ Howard Greenberg Gallery, 2018 224 pp., 100 b/w illustrations, 12 x 10”, hardcover. Courtesy of the publisher Guide value: $60 B219 Ruth Orkin, A Retrospective Texts by Miles Barth and Mary Engel The Estate of Ruth Orkin, 1995 40 pp., 43 b/w illustrations, 11 x 8.5”, softcover. An exhibition catalog, International Center of Photography, May-July 1995 Courtesy of the publisher Guide value: $125

B220 Shoji Ueda, Collection l’oiseau rare – photographies, 1930-1970 de Shoji Ueda Filigranes Editions, 2000 First edition, 64 pp., b/w illustrations with text in French, 6.7 x 5.2”, paperback in fine condition. Donated by Pak So Guide value: $225 B221 Various Artists, A Vision Shared: A Portrait of America 1935-1943 Edited by Hank O’Neil Steidl, 2017 384 pp, 396 b/w illustrations, 11 x 9.5”, hardcover. Courtesy of the publisher Guide value: $75 B222 Various Artists, NZ Library Set Three Nazraeli, 2017 A set of six 15 x 12” books, signed and numbered, limited edition of 350, printed on uncoated Japanese art paper, hardcovers individually slipcased. • Bevan Davies, New York, 1975 (48 pp., 20 duotone plates) • Katy Grannan, Hundreds of Sparrows: Volume One (48 pp., 33 color plates) • Anthony Hernandez, Discarded (68 pp., 35 color plates) • John Humble, Manifest Destiny (56 pp., 43 color plates) • Sage Sohier, Americans Seen (64 pp., 51 duotone plates) • Mark Steinmetz, Angel City West Volume Two (64 pp., 51 duotone plates) Courtesy of the publisher Guide value: $900 B223 Philip Volkers, Dust to Dawn: Photographic Adventures at Burning Man Kehrer, 2018 216 pp., 147 color and 4 b/w illustration, 12.7 x 11”, hardcover. Courtesy of the publisher Guide value: $60 B224 Colin Westerbeck, A Democracy of Imagery Including 100 photographs by various artists Steidl/ Howard Greenberg Library, 2016 136 pp., 11.3 x 11.4”, hardcover. Courtesy of the publisher Guide value: $50

20th ANNUAL FRIENDS OF FRIENDS PHOTOGRAPHY AUCTION Absentee and Phone Bid Form

December 12, 2018

Name:

Bidder Number _________ Friends Without A Border 1123 Broadway, #1210 New York, NY 10010 tel 212-691-0909 fax 212-337-8052 fwab@fwab.org

Address: Tel: Fax: Email: Special Instructions: Phone or Absentee (Please circle one) Note that phone bids can only be placed for live lots. LOT NUMBER ARTIST NAME PRINT TITLE

YOUR TOP BID FOR ABSENTEE & EMERGENCY BID FOR PHONE

$ $ $ $ $ $ $ $ Total Bid Amount $

Shipping and Handling (within the U.S.) $ 50

Entry Fee or Special Print by by Don Farber $ 100 or $250

Note: – Valid credit card information is required in order to place absentee/phone bids. – You will be notified by Friends if you made a successful bid within a few days of the event.

Delivery Options:  By UPS Ground Service with insurance for the final amount in the U.S. (Additional $50 charge)  Pick up at the office of Friends Without A Border by December 21 (Friday)  Arrange a shipment for overseas Please execute these bids on my behalf Signature: Date: Payment by:

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HOSTS FOR GUIDED WALK-THROUGH June Bateman of June Bateman Fine Art has been a private art dealer, consultant, and gallery owner specializing in Fine Art Photography of the 20th and 21st Century since 1999. She has mounted and curated dozens of wellreceived exhibitions at her SoHo gallery and elsewhere, and been a lecturer and portfolio reviewer for nearly twenty years, including at the International Center of Photography, Parsons, The New School, and The Palm Springs FotoFest in New York. Dr. Miwako Tezuka is Consulting Curator of Reversible Destiny Foundation established in 2010 by artist Arakawa and poet/author Madeline Gins to promote their work and philosophy in the areas of art, architecture

and writing. Formerly, she was Gallery Director of Japan Society in New York (2012–15) and Curator of Contemporary Art at Asia Society Museum in New York (2005–12). She has curated numerous exhibitions, including Maya Lin: A River is a Drawing (2018); LOVE Long: Robert Indiana and Asia (2018); Garden of Unearthly Delights: Works by Ikeda, Tenmyouya & teamLab (2014); Rebirth: Recent Work by Mariko Mori (2013); Yoshitomo Nara: Nobody’s Fool (2010); Yang Fudong: Seven Intellectuals in a Bamboo Forest (2009). She is also Co-Director of PoNJAGenKon, a global online network of scholars and curators in the field of post-1945 Japanese art.

NOTICES AND INFORMATION All property is “as is” and all transactions are final. Neither Friends Without A Border (Friends) nor the artist makes any express or implied warranty or representation as to the condition of any lot offered in the auction. No statement made at any time, whether oral or written, shall constitute such a warranty or representation. Descriptions of condition are not warranties. If there is a report on the condition, it will be indicated for each lot on www.fwabphotoauction. org and available at the auction. You can also contact Friends for a report on the condition of any prints. Friends staff, board members and volunteers may bid at the auction for themselves, or they may execute bids for absentees. Auction donations are tax deductible above the guide value. No refund or exchange is accepted.

BIDDING PROCEDURES LIVE AUCTION The auctioneer will accept live auction bids from those present at the auction, in addition to absentee and phone bids. The highest bidder acknowledged by the auctioneer will obtain the item. If matching bids are entered by two or more parties, the first bid received will take precedence. In the event of any dispute between bidders, the auctioneer will have final discretion and his record shall be binding and conclusive. If the auctioneer decides that the bidding is below the minimum required for the article offered, he may reject the bid and withdraw the article from the auction.

Alice Sachs Zimet, President, Arts + Business Partners, began to collect photography in 1985. Zimet is Chair, Photography Collections Committee, Harvard Art Museums; board member, Magnum Foundation; and on the acquisition committee at the International Center of Photography (ICP), where she also serves on the faculty. Since 1999, she consults collectors and photographers and offers workshops at various sites including ICP, Phillips, Sotheby’s, FotoFest, Palm Springs Photo Festival, NYU and many more. Collector profiles include Artsy, Art + Auction and Private Air Magazine. Prior, she was Director, Worldwide Cultural Affairs, The Chase Manhattan Bank (1979-1999).

ABSENTEE AND PHONE BIDS Absentee and phone bidders must fax the “Absentee and Phone Bid Form” with valid credit card information to the Friends office by 12:00 pm EST on December 12. Friends staff will contact you to acknowledge the receipt of your bids. Please indicate if the bid is an absentee or phone bid on the form. Potential bidders must completely fill out all fields on the form in order for bids to be accepted. Placing an absentee bid is considered authorization for charging the credit card, should you win the item. Phone bids can be placed only for live lots. Phone bids can be placed only for live lots. Please note that volunteers helping with phone bids cannot facilitate placing bids on silent lots. You must provide us with a phone number where you can be reached on the night of the auction, as well as list of the lots that you are interested in bidding on. In case of any problem with phone lines, we advise you to provide emergency bids on the form. You will be contacted one hour before your first lot will be auctioned and you will be bidding live via telephone with other bidders during the live auction.

SHIPPING AND PICKUP Winners will be contacted within a couple of days of the event to arrange for shipping or to schedule a pickup of the item(s) at the Friends office. Winners pay a shipping and handling fee of $50 within the U.S. For overseas shipping, Friends will contact winners with an estimated shipping cost.