LIFESTYLE TRAVEL LEISURE ENTERTAINMENT LOUNGE
PREMIUM LIFESTYLE MAGAZINE
www.fwdlife.in ISSUE 8 VOL 03 SEPTEMBER 2014
The Onam that Was
` 100
Man of the Metropolis
Digging deep for buried tales
At the heart of art with Jitesh Kallat
Cut the Comedy
SmARTy Pants The illusions of conniving canvases are out to play
Rewind to the days of parody paroles
the road taken
For Sumit Sawhney, CEO and Managing Director of Renault, there’s no terrain left unexplored
Tale of Two Cities From Olans to Kasavu, Priyamani dishes about Onam.
2014 SEPTEMBER
1
• Thiruvananthapuram: East Fort, 0471-2472922 | Pazhavangadi, 0471-2572117 | Pattom, 0471-2543611 | Peroorkada, 0471-2539377 • Nedumangadu: Market Junction, 0472-2803505 • Kollam: Chinnakada, 0474-2752005 • Pathanamthitta: K.P. Road, 0468-2270555 • Thiruvalla: Near KSRTC, 0469-2604060 • Kottayam: Rajiv Gandhi Complex, 0481-2303555 • Thodupuzha: 04862-226699 • Kochi: M.G. Road, 0484-2353295 | Lulu Mall, 0484-2728777 • Kodungallur: Vadakkenada, 0480-2801771 • Chavakkad: Bypass Junction, 0487-2500000 • Thrissur: Palace Road, 0487-2323971 | High Road, 0487-2420011, 2440460 • Palakkad: G.B. Road, 0491-2524500 | T.B. Road, 0491-2500101 • Coimbatore: Cross Cut Road, 0422-2482222 • Bengaluru: Jayanagar, 080-41666842 2 SEPTEMBER 2014 Shop online: www.joscogroup.com | office@joscogroup.com | /JoscoGroup
2014 SEPTEMBER
3
LIFESTYLE TRAVEL LEISURE ENTERTAINMENT LOUNGE
Chief Mentor Padma Shri Mammootty Corporate Office Forward Media Director Sony Joy 9th Floor Director & CEO Arun Balachandran* Bhageeratha Square Editor Abraham Tharakan Banerji Road, Cochin- 682 018 Assitant Editor Atheena Wilson Vice President Sameer Hamsa Zonal Office Legal Advisor Adv. Aginov Mathappan Forward Media 1006 -Ivory Court 1, Essel Towers, Editorial Manager Lekshmy Vijayan M.G Road, Gurgaon, Features Writers Maria John Haryana-122002 Simna Nahas Rakhi Jerly Forward Media Contributing Copy Editor Anoop Sankar Flat No.7, 4th Floor Layout Assistants Vishnu Haridas Dhanush Kutti Co- Op Housing Society, 15th Road Bandra West, Sojan Sunny Mumbai 400050 Jinson Abraham Chief Photographer Photographers Revonex Printed at Circulation Babu.G S.T Reddiar & Sons (EKM) Circulation Assistant Siju Mathew Manager Marketing Christeena Thiruvinkal For Advertising info@fwdmedia.in Rajesh Nair +91 98090 10111 Manager Client Relations Amrutha Vijay Assitant Manager Marketing Manager H.R & Finance Office Assistant
Rameez Rahim Anu Justin K.R. Digith
Initiative To show our thanks, every month we will send you a range of luxury brands and invitations to join us at exclusive FWD Life events.
Register now at fwdlife.in SPEAK TO US
0484 4015 835
Subscriptions
858 906 0777
TALK TO FWD LIFE We would love to hear what you think of FWD Life magazine as well as your views on different topics such as your shopping habits, beauty regime and travel experiences, so we are inviting you to join our online reader panel.
Visit & Subscribe www.fwdlife.in
Printer & publisher: Jose Thomas Pattara, Muhamma, Alappuzha on behalf of Forward Media Private Limited from Bhagheeratha Square, Banerji Road, Cochin. Printed at S.T. Reddiar & Sons, Cochin-18. All rights reserved. FWD Life is fully protected by copyright and nothing may be reproduced fully or in part without permission. All inputs, text, image or illustration, are accepted on the understanding that no liability is incurred. All characters in any fictional story are purely imaginary and no references or allusion are intended to apply to any living person or persons. The views and opinions expressed or implied in this magazine are those of the authors and do not necessarily reflect those of Forward Media Private Limited. All photographs unless otherwise indicated, are used for illustrative purposes only. This magazine is intended for mature audience-reader. Discretion is advised. Director & CEO: Arun Balachandran * Responsible for selection of news under the PRB Act.
4
SEPTEMBER 2014
2014 SEPTEMBER
5
editor’s note MY PICK
share our experiences
The New Ice Age
i
f you have not gotten drenched in a bucket of ice, then you are behind the new ice age that has gripped the world. From former President George Bush to Indian tennis star Sania Mirza, everyone has been posting online videos of themselves dumping ice over their head in the name of charity. The now viral “ Ice Bucket challenge “ is a fundraiser/ awareness program for Amyotrophic Lateral Sclerosis ( Lou Gehrig’s disease). Those affected by this lose their motor functions and ultimately end up with total paralysis. The mind remains sharp. Life expectancy is typically two to five years from the time of diagnosis. The exact cause is not understood and there is no cure or treatment that stops or reverses this disease. The Challenge has raised around $ 41.8 million in a month’s time, for the A.L.S Association. This association is a Washington-based non-profit organization that funds global research to find treatments and a cure for the disease. The monsoon is winding up, but that doesn’t mean we’re not going to stop being drenched. Editor Abraham Tharakan
I would love to know what you think of the magazine.
E-mail me at abraham@fwdmedia.in 6
SEPTEMBER 2014
2014 SEPTEMBER
7
CONTENTS
September /2014
exclusive
Behind the Scene
Photographer Toonus Model Priyamani Stylist Vinaya Make up Renju Renjimar Image manipulation Jemini Ghosh
31 THE BOLD AND THE BEAUTIFUL You cannot resist having a conversation with the poised Priyamani. She’s very outspoken, confident, and undoubtedly candid. She shared her experiences about Kerala, its culture and Onam.
46 The Onam that was 56 We’re digging deep to retrieve all the elements of Onam that have been lost in the sands of time.
Cut the Comedy!
Things are so modern, perhaps it’s time to rewind to the days of old fashioned humor.
and the 74 Beauty Briefcase
The Fashion Police spotted some looks that deserve to be flaunted and some outfits that should be packed away.
FWD LifeTakes no responsibility for unsolicited photographs or material. All photographs, unless otherwise indicated are used for illustrative purposes only. Views and opinions expressed in the articles are of the authors subjects and do not necesserally reflect those of the editors or publishers. While the editors do their utmost to verify information published, they do not accept responcibility for its absolute accuracy. In matters which may be sub judice, FWD Media takes no legal stand. FWD Life cannot be held responsible for products, product information, pictures, illustrations etc Any information received by us through responses by users / subscribers to the short messaging services (SMS) key codes or such other subscription service of ours will be used in whole or part, in our publications (other than contact information), for our research, individual marketing, strategic client analysis and for other internal purposes and all copyrights in such information will vest with us. Your contact information shall not be sold, traded, rented or in any way divulged to any third party unless we are legally bound to do the same.
8
SEPTEMBER 2014
2014 SEPTEMBER
9
chat WITHIN 34 PORTRAITS A PORTRAIT
Subhash Maheshwar’s narration through light and time.
of the 40 man metropolis
In conversation with the indelible Jitish Kallat.
44 RAPT IN RAP The venture into a genre that ‘s still alien in the land of Kochi.
68 Stiches in time
Regal Tales
Can a few rural women and an investment banker revolutionize fashion? The story of Anneha would make you say ‘Yes!’
living
party
of 88 Haven heritage
94 MOving mountains
life 100 fwd cover launch
The Travancore Palace has its charm of traditions. A blend of traditional style with modern amenities.
Although they say it’s about the emotional strength, it’s also the greatest achievement of celebrating one’s vigour.
The August issue cover launch of FWD Life magazine was held at Le Meridien.
10
SEPTEMBER 2014
62 34 relationship Secret to long lasting love
98
2014 SEPTEMBER
11
Notes From All over news A glance through the major happenings in August.
gossip Know the latest from the showbiz industry in case you missed it!
launch New ventures and products are being featured for your info.
Miss Kerala 2014 The 15th edition of Reliance Trends Miss Kerala is to be held on 3rd September at Camelot Convention Centre in Alleppy. Established in 1999 as a platform for young Malayali beauties to prove their worth as true youth ambassadors of the state, the Miss Kerala pageant handpicks contestants auditioning from Cochin, Trivandrum and Calicut. The girls are groomed by an expert panel of achievers before they sashay down the ramp in ensembles designed by designer Aslam Khan.
Waffle Mania Set in the verdant paths of Panampilly Nagar, Asif Ali’s Waffle Street is a must walk in for authentic Belgian waffles, crepes and ice cream donuts. The atmosphere is open and quite welcoming, best suited for an evening out with friends. The eatery was inaugurated by the leading star Prithviraj and MLA, Hibi Eden. It aims to serve the best waffles in the perfect ambience just as the name suggests. The actor started the venture along with two of his friends and is hoping to start many more by trying his luck in the restaurant business.
Vstar launches New Logo
FIAT introduces Punto EVO Redefining design language for premium hatchback, FIAT’s new Punto Evo is a perfect blend of great design and style from world-renowned Italian designers with the highest level of European engineering standards. Featuring all new dynamic exteriors and premium harmonious interiors, the car comes fully loaded with many first-in-segment features and best-in-class ground clearance. Ex-showroom Kochi price of the New Punto Evo starts at Rs 4,70,160 and appeals to the style conscious customers with evolved taste who enjoy life to the fullest.
12
SEPTEMBER 2014
V Star, the renowned inner wear brand has launched a new logo. The ‘star’ symbol concealed in the alphabet ‘V’ indicates that there is a star in each and V Star innerwear serve to bring out that brighter personality within each one. This new logo stands for the international quality of V Star products. The first V Star brand outlet is getting ready to be opened at Centre Square Mall at M.G. Road Kochi shortly. The brands products are also enjoying good sales in gulf countries like Saudi Arabia, Qatar, Kuwait, UAE, Bahrain and Muscat.
2014 SEPTEMBER
13
tit bits Panama Canal turns 100 The world’s greatest engineering feat, the Panama Canal was officially opened 100 years ago on 15th August. The S.S Ancon was the first ship to steam through it from the Atlantic to the Pacific side. It was built to reduce the time to travel around the southern tip of South America. The faster transport between the Atlantic and Pacific was good news for commerce and defense in the area. A century later, the Panama Canal still serves as a vibrant part of international trade and contributes to military power. More than 900,000 ships have used it since the opening in 1914.
London: The most expensive city
Men spend more secretly than women The common assumption is that women are bigger shopaholics than men, and they usually try to hide the habit from their partners. But now, a recent study has revealed that it is men who spend more secretly than women. In a survey by voucher cloud, 22% of women admitted to hiding shopping from their partners. However, for men the percentage was double. Avoiding arguments, not wanting to cause unnecessary worry and guilt were the reasons cited for keeping shopping habits secret. Lying about the price of a particular item is the most popular method for women. Men would rather hide the purchase and destroy receipts too.
14
SEPTEMBER 2014
A recent survey conducted by TRIPADVISOR has declared London as the most expensive city to spend your holidays. After comparing prices in 48 tourist destinations, it was found that an evening out in the English capital and an overnight stay at a 4-star hotel will cost you around $523. The annual TripIndex cities have also revealed that Europe houses the world’s top 10 most expensive destinations, while Asia boasts of the list’s most affordable cities for travelers.
tit bits Jennifer Lawrence dating Chris Martin? It is probably the most unexpected rumor we have heard in a while. E! News has reported that ‘The Hunger Games’ star Jennifer Lawrence is “seeing” Coldplay singer Chris Martin. Both the actress and the musician are newly single – Lawrence split up with her ‘X-Men’ co-star Nicolas Hoult for the second time, while Martin has “consciously uncoupled” from his wife of 11 years, Gwyneth Paltrow. Apparently, multiple sources have confirmed the news, though there has been no official announcement.
Scientists create see-through mice Mice can be a nuisance when they raid your kitchen, but they are mainstays of biomedical research as their basic biology is similar to ours. Now, researchers have found a way to study the inner working of the body by using transparent mice! This new method can reveal better details than X-rays and MRI scans. It is useful in mapping the details of the nervous system or the spread of cancer within lab animals. It might also help doctors analyze biopsy samples from people someday. The see-through effect is achieved by pumping chemicals through blood vessels and passages in the brain or spinal cord. These chemicals either form a mesh to hold tissue in place or wash out the fats that make tissue block light. It takes about a week to create a transparent mouse.
World’s first smartphone turns 20 The IBM Simon Personal Communicator looks like a chunky black box, but it was the world’s first modern smartphone. The device that combined mobile phone technology with a wide range of computer features went on sale to the public on 16th August, 1994. London’s Science Museum has put it on display in its new information age gallery, to mark its 20th anniversary. The Simon wasn’t called a smartphone 20 years ago, but it had many features we enjoy on our phones today. It had a calendar could take notes and send e-mails.
2014 SEPTEMBER
15
Luxury
Interior
Disclaimer: Price and features are subject to change. Buyers are advised to act on data after cross-checking
Lord Buddha in Dhyana Mudra This brass statue of Lord Buddha weighs 9 kilos and the sculptured robe is decorated with lotus flowers. price Rs 24,025/- appx.
GoodEarth cushion cover Price on request
Décor goes desi Give an ethnic makeover to your home this festive season. Bring home some handcrafted products that add vibrancy and colour to your rooms.
Tulsi Patchwork Cover Price Rs 945/- appx. CHEVRON NAPKINS Bold and bright, these Yellow Chevron Napkins are a sunny addition to any table setting. We love the print detail of the chevron stripes with small-carved wood ball detail.Price Rs 600/- appx.
‘Pochampalli’ chair, GoodEarth Recline on something traditional and inspired by peacock motifs. The legs have a sturdy balance and excellent carving. Price Rs. 19,500/- appx.
16
SEPTEMBER 2014
Box from Fabindia. Made of jute and sabai grass, you can use this furniture piece as a coffee table or a stylish storage box Price Rs 3,000/-
Kid’s sofa from The Charcoal Project The upholstered couch has a tufted back and is decked with brass and floral studs Price Rs 45,000/-
Dhokra and Warli Handpanited Key Holder This ethinic key holder is made out of Mango wood with white finish and framed with Dhokra work of brass metal . There is a Madhubani painting in the centre of the frame which is in the form of the key chain holder. Price Rs 990/-
Mint Embellished Storage Trunk A chest of drawers is a must-have in any room. The mint embellished storage trunk has unique traditional design and perfect finish. Price Rs 10, 406/-
Bright yellow solid Imbuia nest of tables A flamboyant yellow that will set its mark in any room. It has a Victorian charm with its contours and its distinct legs, that have an extra detail of foot prints on its base. Price on request
2014 SEPTEMBER
17
Women Fashion
an ornate onam
Looking forward to some style inspiration for this Onam? Check out some traditional motifs and designs that have been given a twist to suit the spirit of the festival...
Black Kathakali clutch. Price : Rs 3,300 /- appx
Disclaimer: Price and features are subject to change. Buyers are advised to act on data after cross-checking
Kathakali design sling bag Price : Rs 1,300/- appx
Motifs inspired by Kathakali faces. Price : Rs 70,000/- appx
Bib collar necklace - Curio Cottage price on request
18
SEPTEMBER 2014
Gucci Joy Boston Bag with Snowman and Elephant Print price on request
Wholesome Bling Watch inspired by green coconut leaves and peacock feather Price : Rs 3,568/- appx Brass Cuff, inspired by peacock feathers Price : Rs 2,282/- appx
Tiger cuff, Curio Cottage, Price : Rs 3,500/- appx
Christian Louboutin Bollywood Suede Pump price on request
Linen scarf inspired by Kerala beaches. Price : Rs 4,500 /- appx
2014 SEPTEMBER
19
Women
Grooming
the onam
oomph
L’Oréal Paris Color Riche Vernis Rs 612/- appx.
Fill your make up kitty with FWD’s favourite beauty products that can tide you through festive celebrations this month
Disclaimer: Price and features are subject to change. Buyers are advised to act on data after cross-checking
Label M color makeover set Price Rs 1,526/- appx.
Chanel’s Illusion d’Ombre Rs 2,795/-
The Body Shop Honey Bronze Brilliance powder Price Rs 1,322/- appx. Lakmé Eye colour quartet Price Rs 995/-
20
SEPTEMBER 2014
Estée Lauder Pure Color Illuminating Powder Gelee Price Rs 3,246/-
Dior Addict It lash mascara Price Rs 2,240/Shiseido smoothing lip pencil Price Rs 1,293/-
Smashbox jet set waterproof eye liner Price Rs 1,350/- appx. MAC Hey, Sailor! Price Rs 950/-
Ciaté Crème Paint Pot Price Rs 970.32/- appx. Urban Decay 24/7 Glide-On Eye Pencil Price Rs 1553 appx.
2014 SEPTEMBER
21
Men Fashion
The Stud FActor It’s a fusion of colors & embellishments this Onam. Ditch the monotones this season and get a little festive!
Disclaimer: Price and features are subject to change. Buyers are advised to act on data after cross-checking
Prada embellished wallet Price Rs 26,503
Paul Smith printed case for iPad Price Rs 11, 635 appx.
Small Elephant Print pre tied Bowtie for Men Price Rs 1,633 appx.
Salvatore Ferragamo Gancio Bit Moccasins Price Rs 31,310 appx
HERMES Elephant Buckle Belt Price Rs 35,972
22
SEPTEMBER 2014
2014 SEPTEMBER
23
Interview
Priyamani
The Bold and the Beautiful You cannot resist having a conversation with the poised Priyamani . She is very outspoken, confident, and undoubtedly candid. Revealing her interests apart from acting, she shared her experiences about Kerala, its culture and Onam. Text: Simna Nahas Photos: Toonus
T
alented, confident and ever charming, Priyamani conquered the hearts of Malayalees with the versatile roles she donned. Born into a Tamil Brahmin family and brought up in Bangalore, her love for Malayalam movies is at its peak. She etched on our minds the poignant
24
SEPTEMBER 2014
Malavika from Thirakkatha and the vibrant Padmashree from Pranchiyettan and The Saint. Her courage to deal with criticisms helped her with her comebacks. She entered with great strength and confidence into the film industry. You started your modelling days at college, how and when did you know
movies were also something in your pocket? I had no plans to join the industry, it all happened by chance. I did get a lot of calls post TV commercials that I did in Chennai as well as Kerala, but I didn’t want to enter into films immediately, I was studying then. In fact, my first movie audition was for Fazil sir’s movie opposite Fahad. Faazil
sir was quite pleased with the audition, he wanted me to sign the film immediately. But I couldn’t do that because of my exams; I lost that opportunity. The movie was in fact Fahad’s launchpad. After my exams, I got a chance for Bharathiraja sir’s movie, and that’s how I got into the industry. In the evolution of the movie world, what changes can you see in movies and the life of actresses in general? In terms of the story, there is a lot of originality. Talking about the life of an actress, I’m quite relieved that there are more heroine oriented films coming up. Though a hero romancing the heroine is the given formula, it is slowly changing. With an initialisation of heroine oriented movies, I hope it continues. How is that you deal with the criticism of critics and what is the one stereotype that was common? Of late, there hasn’t been any criticism per say. Initially, when Bhaarathiraja sir’s film released, I hadn’t been to any acting classes. My acting school was none other than Bharathiraja sir himself. He used to enact every expression for the heroine, hero and all the artists involved in the film. What I did was just follow what he showed me. Initially, people said I was overacting, and the expressions were too loud and things like that. But for my next film with Balu Mahendra sir, the very same people wrote I was a dark horse in the film, and I had done a good job. What is your opinion on glamorous roles, must every actress go for it? When it comes to glamour we are in an industry where a certain amount of it is required. I would say that there should be a balance between performance and glamour. We have to look nice in front of the camera; we can’t look shabby. If actresses go for over-glamorous roles, kudos to them! They are confident that they can carry if off. I would say they
should go for it. Can you share any movie experiences where you really had to challenge yourself to play a scene or role? It has to be three films; Paruthiveeran, Thirakkatha and Charulatha. Paruthiveeran was a one of a kind film. If we had to redo the film, it wouldn’t come out as good as it already is. We all were very raw at that point of time. It was the first time I was acting like a village girl and experiencing the village atmosphere. All thanks to Ameer; he helped me a lot with dubbing, acting, expressions and minute body language. Thirakkatha was about the life of an actress who was cancer-stricken. It was quite challenging to act out the frailness of the character suffering from chemotherapy sessions. Ranjith sir helped me a lot with that. The makeup man took 3 hours to do look for a cancer patient. I remember the first time I walked into the set, the moment they saw me the entire crew went silent. For Charulatha, acting as conjoined twins was not easy. We had to re-shoot every shot we took. In the movie, I had a body double. We took Deepika, a girl who matched my height and body. She was of great help. But it was tough for all of us physically and mentally because we had to shoot every scene twice. These three roles were hard and they challenged me.
Whether it is a ten minute or two-hour narration.It is not in my hands whether the movie becomes a hit or a flop. If I like the story and I am convinced, then I would sign up for it. You’re in the show D for Dance, and you have an impeccable fashion sense. Can you talk about the style that you emulate? I would always go for something in vogue. I like to keep myself updated by reading about various fashion designers or any other fashion related articles. I can say that the 70’s and 80’s look is coming back to style. In fact, there are movies coming out based on that period, time, term. We can see the fashion that was in trend at that point of time.
How do you know you are perfectly suitable for a role in a movie? The moment they tell me a story, if it catches my attention for the entire duration, I will take it up.
2014 SEPTEMBER
25
Interview
Priyamani
film being a remake of some other movie. It is always the other films that are remakes of Malayalam films. Speaking of Kerala, the heart and soul of Kerala is its coconut trees and greenery. The other things that are exclusive to Kerala are tapioca, jackfruit and banana chips. You won’t get the originality of its flavour anywhere else How do you celebrate your Onam when you’re away You’ve got a flair for dance, what role does dance play in your life? Dance definitely played and still plays an important role in my life. From a very young age, I was into dancing, especially because it’s like an extra-curricular activity. I have not learnt a particular form, but I am interested in freestyle. It improves the body’s flexibility. There was one film in Telugu, a heroine-oriented film which required a lot of fight sequences. Dance helped me a lot because fighting is also like dance choreography. The only difference is that the postures and the way you move are different.
from Kerala? I have not celebrated Onam in the traditional way, but my mom makes one or two traditional dishes. When it comes to Onasadya, I am a diehard fan of Olan. I can live with Olan 365 days in a year. I also like avail and payasam. It is the first year I had a proper Sadya. I did not eat my breakfast so that I could have a fulfilling meal. I also like the Set mundu and Kasavu sari that is solely part of Kerala’s culture. It is at its best in Kerala, and you won’t look good if you try to replicate it.
Apart from acting is there anything else there any other passion? I am an avid ‘animalholic’, especially dogs and cats. I have a chow chow, and his name is Mocha. He is adorably cute and like a ball of fur. When I go for shoots, my mum takes care of him. He is more attached to her. He is not mischievous as such. I strongly believe pets should be on their own. They should do whatever they want.
What’s the biggest lesson in life that the world of filmdom has taught you? Don’t believe anyone blindly. In my initial years, I have fallen for the words of people. They promise to do something, and they don’t live up to it. You believe because of the respect you have for that person and just fall for a small word of promise. It’s a very tricky industry; you need to be very careful about whom you are dealing with and how you deal with them. That is what I have learnt over the years.
Hailing from Kerala, what’s the one stand out factor of Kerala’s culture and Malayalam movies? About Malayalam movies, hands down, its originality. You can’t get it anywhere else other than in Malayalam. As far as I know, till date I haven’t heard of a Malayalam
Upcoming projects At the moment, we are on the finishing stages of Sibi Malayil sir’s film Jnangalude Veettil Athithikkal opposite Jayaram sir and my Kannada film Ambareesha with Darshan. It’s complete and is getting ready for release.
26
SEPTEMBER 2014
Quickies A Hollywood role you would love to don? Keanu Reeves’s role in Speed or Meryl Streep’s role in Devil wears Prada A Malayalam Movie that should be nominated for the Oscars Manichitrathaazhu, Akkare akkare akkare, His Highness Abdulla. The list is never ending. A book that’s on your nightstand The Dan Brown series A funny thing that no one knows about you? I am petrified of lizards and cockroaches A song that’s currently playing on your phone? Aysha from Thattathin Marayathu The ultimate dance party number for you? One Two Three Four Get on the Dance Floor A current fashion trend that you enjoy? High wasted pants, pencil skirts, knee-length skirt A role that has defined your lifetime of success? Paruthiveeran Any roles you would love to play sometime in the future? An out and out comedy role and a villain role
2014 SEPTEMBER
27
maKEOVER
crimson tides Photography : Toonus Model : Priyamani Stylist : Vinaya Make up: Renju Renjimar Image manipulation: Jemini Ghosh Special Thanks: Thari, Chennai.
Automotive Partner
28
SEPTEMBER 2014
2014 SEPTEMBER
29
maKEOVER
All in She’s wearing an asymmetrical dress with a hint of red at the hem. She makes a statement with a beaded headband. 30
SEPTEMBER 2014
maKEOVER
Fresh Slate Casually she dons a charcoal top with striped harem pants. A maroon vest for the final touch.
2014 SEPTEMBER
31
Flair for Flares In a flared candy pink striped dress, the flair for details is in those buttons.
32
maKEOVER SEPTEMBER 2014
2014 SEPTEMBER
33
Feature
Subhash Maheshwar
PORTRAITS WITHIN
A PORTRAIT There’s more to the model and the dress she dons in a photograph. ‘I was Here’ is the photographic memories of characters from the past. Text: Atheena Wilson Photos: Subhash Maheshwar
T
he roads of Kochi are intertwined, but as you untangle and stumble upon them, you’ll wander and then wonder. You see some things with an old-fashioned charm,
34
SEPTEMBER 2014
and you can’t seem to find the change losing somehow. There are many people whose names you’ll remember in a street and everyone will say ‘chetta’ and ‘chechi’, but their faces are as lost as footprints on a busy street.
Cross T.D Road one day and you’ll see Usha as she’s making a fresh barter for handmade pappadams from the spicy ones to the salty classic ones. Maybe across another lane you’ll spot Sarojom, who views Kochi through the 56 years of change as she sits among the towering clay pots. Plastic and metal have never intimidated her as she still caters clay pots to the wholesalers. In the evening as you stroll by Fort Kochi, you may pass by a green painted verandah, a few painted canvases, and an artist with dreadlocks and a long beard. Though he was a part of those days of political fervor, Joseph Edmund is still tugging on to his easel and painting away. Each stroke will never surpass the Kochi that swept by 60 years on his canvas of life. But all these stories may leap from lips until they were preserved in photos. “Through my travels, there are people who I met at the junction of life; they were more than just characters.” A tale of theirs led to Subhash Maheshwar’s concept of photojournalism with fashion. In the collection ‘I was Here,’ the photographs connect people who transpose through different eras of fashion, but are linked by a common factor, a lungi. You can’t help but notice; these photos are just beyond pretty faces. Just a simple gaze at these photos, you realise there are people who live in the background of these photos. Beyond framing the photograph, they framed a past. As you look through the photographs, there’s a juxtaposition of two worlds all bound in earthen tones but still has the audacity of a few bright colors. In a low-lit photograph, a model sprawled herself on the ground with a psychedelic print top and seated on the corner is a man famously known as Disco Johnson. He started the first disco club in 1975 called Disco Boys, and now history is etched with the tattered retro posters. In another photo, the model wears a green kaftan and behind her is George, the wrestler. He participated in competitions held across
the State till 1969 before shifting to amateur wrestling. During the late sixties, he participated in myriads of competitions across the state. Earlier the Travancore and Cochin Maharajas employed court wrestlers. Those days the renowned wrestlers were Nickel Jamal and Kayamkulam Dayanadan, but Nickel Jamal was George’s ‘asan.’ The idea rooted from John Ettan’s story. Back in the eighties, the Hippie culture had reached its peak. The Casino hotel played tunes that people jitterbugged to the whole night. John Ettan’s grandfather was so famous for creating music that brought out the merriest times of Fort Kochi. But now John Ettan irons clothes for a living and he plays his violin in solitude. A few passers-by stop to hear familiar tunes played across generations. At an electric pole of worn out wires and a rusted stand, John Ettan was first spotted by Subhash. The photograph personifies one’s youth but more importantly dwindled dreams. Symbolically, there’s a sharp contrast between the foreground and background. An innovation in the model’s fashion set against the rustic settings. The tattered stalls, rusted sewing machine, wheels, aging pillars and the retro like posters interpret themselves in different cuts. They stiched these elements into colored blouses, asymmetrical tulip sarongs, paisley harem pants and plaid short -waisted dresses. Being raised in Fort Kochi, Subhash’s influence rooted from of the people who he met. It gave him the strong initiation of character study. Going just beyond body language, he said, “They have some of the most powerful expressions. In fashion photography everything has a particular character. Study it, and you’ll recognize its beauty.” The models have powerful eye contact while all of his characters are nonchalant towards the camera.Subhash signifies,
“They had their moments of success and limelight and fashion but now it’s time for the next generation.” G.S. Narendranath, the traditional medicine man, grew up in the perimeters of his store. A long time ago it was realized as a landmark but now it’s lost in the bustle of Fort Kochi. The doors will be soon closing after a run of 150 years as his son has pursued his degree in Engineering and won’t be taking up the business anymore. Meanwhile, at another lane of Kochi, the shutters have been pulled up. At Padma Tailoring shop, the models stare so confidently at the camera, but there’s Balachandran busy peddling
away on the sewing machine as he can no longer spin dreams of a confident future. In the advent of ready-mades, it has needled away into his business. As he folds the last freshly tailored garments so may the business. But some photographs take you back in time. In the photograph that depicts Rajan, he’s been a part of a 300 year Dhobikhanna business. He journeys through a time Hindu and Muslim riots were nefarious. They had to wash clothes for the Britishers. Until now they are one of the oldest worker’s unions. At present most of the washed clothes reach nooks and corners of Kochi. There are so many characters that portray lives across the twelve photos of the calendar. Subhash Maheshwar spent three weeks on research, listened to the stories and framed them in portraits. They were stories beyond words narrated in light and time.
2014 SEPTEMBER
35
Interview
Sumit Sawhney
The Road Taken
There’s no terrain that’s out of his bound whether it’s flying or taking long car rides across India. Mr. Sumit Sawhney, CEO and Managing Director of Renault, believes good communications should result in a good conversation. Text: Atheena Wilson Photos: Suneesh Suresh
j
ust like branding goes beyond advertisements, so does this interview. At first it seemed like an interview that forayed into intense business talks but then a few surprises came along. Mr. Sumit Sawhney proved that you could build castles in the sky. It’s Onam; Renault has got its sweepstakes and bumper prizes by giving out free Dusters, but to him having a conversation with customers is the most rewarding part of his Onam visit. Becoming the CEO of Renault, you’ve confronted different kinds of scenarios. Do you think the market was simple earlier, if not how has it changed? The market has not become more complicated rather the customer expectations are changing. Consumers are looking forward to global products that are efficient and reliable on all perimeters. Such an outlook is helping us. Renault is the youngest brand in this country. In a short span of time, it crossed one lakh in a short period. When we look it at an economic perspective, it applies to any country. The automotive business is a cyclical business. Because of the economic reasons we saw some challenges but our challenges in India were political. We were going through politico-economic challenges. Now, the political situation has stabilized. We now have a common width for majority. The economic indicators such as stable forex, stock markets responding positively as regard to the Foreign direct investment.Now is the time we will see the economy moving. I
36
SEPTEMBER 2014
think the government has made the point very clear, with the two plus three model. Two years of constructing the economy and three years of growth. Specifically for Renault, it’s important to build a strong runway, good products in terms of quality segmentation and networks. There goes the phrase, ‘Think globally and act locally.’ As you mentioned that Renault caters to a range of markets, how do you differentiate and still identify the common thread among them? As you rightly said, you need to be both global and local. The common thread for and Indian consumer that applies in Kerala too is the fact that buying a car for an Indian is not an expense, but an investment, unlike Western countries. In India, a consumer looks forward to the product of quality, strength, and fuel efficiency and last, but not the least which is a derogative of efficiency, cost of ownership. They look at matters such as fuel efficiency and service charges. In ‘God’s Own Country’, how is Kerala’s market faring? MPV ( Multi -Purpose Vehicle) is our targeted segment. With the work that is happening on the infrastructure and what the government is talking about, there will be an intercity movement and travel, and as you know Indians have big families. I was doing business analysis; Kerala has one of the biggest MVP population from
a percentage point of view. We would be making a very strong entry into that segment. You’re quite a young brand, and the reach is growing. One of the factors that contributed to the phenomenon? We want to make sure customers experience the product, and they become the brand ambassadors. Gang of Dusters was a platform for constant interactions, drives and events. We have service camps, a typical manufacturer will provide services but we organized face-to-face interactions with 25,000 families. This year we will be conversing with our customers. We want to be a brand that stands for technology, innovation and strength. A great emphasis is given to customers; does the market’s demand call for a change or innovation in the brand cater to the market? We could not be a one car company, but we won’t be having cross batch products. Acceptance of our other models is in our scheme. We got Fluence and Koleos- they are image drivers that offer a different perspective. Having launched five cars at a go, we are expanding our network. Duster saw an instant success. We had a smaller network and a bigger team. We are getting ready for the next big leap. We want to cross the market share of 5 %. Do we have a game plan, yes. Do we have a network, yes.
Every day, in spite of running a busy schedule, I am connected to every customer. If there’s a concern or positive feedback, that’s a joy. The customer gave inputs about the Duster AWD, I think it’s a great opportunity. The Renault Chief Operating Officer said, “Doing too many cars is a waste of energy, waste of resources, we want to be focused.” What role does Renault play in sustainable Development? Renault as a brand globally committed to the environment. We have our zero emission cars, all are existing cars and it meets the highest level of environment and efficiency standards. There is the ZE or electrical cars. We are future ready. Usually work and personal life is never mixed, but what’s a personal motto in your life that reflects you as a CEO? As a professional, I would say I look forward to a strong team and also build strong managers. As an individual it’s important to impact many people’s lives. Bring the best out each person, and help them achieve their goals. This motto of mine is to keep them motivated to give them a cause to bring out innovation and creativity in the business. What’s the most complex and gratifying part of your job? It’s a fairly demanding job. If you see an aircraft it has to catch its speed so as the
2014 SEPTEMBER
37
Interview
Sumit Sawhney
altitude, so it requires multitasking and a lot of compromise. The passion for driving that’s what kept me in the industry. I had it from my childhood. Actually there’s no distinct memory. As a child I was given a car, I had a trainer who trained me everything. Fortunately, I have never crashed any of my cars. I started with finance and then went into the car business. I love to drive in all terrains. I am always there during the launches, so I can drive the tested cars. You mentioned, “I love to drive in all terrains.” Have you ever steered away just for leisure? I have driven from the North to the South of Kerala. I have done this in places across the country whether it’s the Northeast or extreme North, Jammu and Kashmir or the extreme East, Kutch. Any road not taken? ( He laughs) Good question. Place I would love to drive and have not driven. I would love to do a trip to the neighbouring countries like Nepal, Bhutan and Burma, I can do some cross country travel. Just like roads, are there interests that
38
SEPTEMBER 2014
have been temporary side-lined? I don’t have the time to follow my passion. I love travelling; it comes with my job. I love aviation too. Also, I am fairly engaged in philanthropy. You mentioned about that long ride across Kerala earlier, any juncture of that trip that mesmerized you? Once I was driving from Kochi to Trivandrum, it was during the monsoons. The ride was good; I drove from Calicut to Kochi, I stopped by at a resort. That was the first time I realized it was God’s own country.I was fascinated by the seas and nature. When I stopped at Thrissur, I saw a few temples and elephants. That ride from Calicut to Kochi was memorable. I love the local food too, Idiyappam and stew. The TVS-Renault Dealership came up with an innovative design to personalize the Duster. If you could customize your car how would you do it? If you are asking about my dream, I will not limit my imagination. I have a passion for both aviation and cars. So I would like to customize a car that I can drive on the road and can also fly. I’ll call it The Sumit’s Car.
Quickies The car you would love to drive for your cross country trip? Any of the Renault cars Something you love about cars? Its speed First car you owned? The first car, a Premier Padmini Would you like to collect vintage cars? Instead of vintage cars I look forward to new exciting cars. A few of my family members collect vintage cars. Your favourite car movie? Italian Job and Fast Furious are the best.
RENAULT kannur
5/3346a, Mavoor Road, Mob: 8111 88 9311
RENAULT thrissur
NH 47 Bypass, Mannuthy, Thrissur Mob: 8129 23 8888
RENAULT thiruvanathapuram
NH 47 Bypass, Muthathara, Mob: 8129 01 8888
RENAULT calicut
5/3346a, Mavoor Road, Mob: 8129 55 8888
RENAULT KOCHI
2014 SEPTEMBER
NH 47 Bypass, Kochi. Mob: 8129 24 8888 (Kalamassery), 8129 11 8888 (Vyttila)
39
In Conversation Jitish Kallat
T
he Urban Indian city is a collection of dreams that get muddled with the chaos of day to day survival. Skyscrapers tower over every tall dream, noise permeates through every thought and the heat sticks to you like an angry aunt. What we dismiss as a daily occurrence, Indian artist Jitish Kallat translates into masterpieces that prod and question. His artwork addresses the contrasting ideas of the urban fabric through symbols and imagery that are not afraid to be molded by various media. Through renders that seem to search for the self within the city and the city within oneself, Jitish Kallat has made the world sit up and take notice. FWD met with the artist in Fort Kochi to talk about art and his role as the curator of the upcoming Kochi Biennale. It was a typical Kochi monsoon day with the rain beating a fervent rhythm on the windows of the Kochi Biennale office. All fears of the imminent interview vanished as Jitish Kallat walked into the room with a big smile on his face. Over steaming cups of tea on the kitchen table, with the rain soaked green outside, the conversation flowed freely. Dressed as casually as the conversation in a polo-tee and shorts, Jitesh Kallat was easy to talk to and had none of the airs associated with a world renowned artist. From childhood memories of Kerala to the impending collision of our Galaxy, nothing was out of Kallat’s radar. The artist was an interviewer’s delight.
Discovery “How is my Malayalam?” Jitish Kallat surprises me with the question and explains his connection with God’s own country. Though born and brought up in Mumbai, summer vacations were almost always at his grandparent’s house in Kerala. That was a time for discovering a part of himself that was denied to him in Mumbai; ancestry. Our lives are a series of discoveries that is passed on from generation to generation. His discoveries and enquiries have led him to be the artist that he is today. Inspiration
40
SEPTEMBER 2014
man of the metropolis At some core fundamental level art is not only in the “arts”. It encompasses all of us and our experiences. Maradona’s famous goal was a moment of pure artistry. In conversation with the indelible Jitish Kallat. Text: Maria John Photos: Jitish Kallat for his art could come from anywhere, explains the artist. It could be anything from a chance experience on the street, recognizing that two very divergent historical occurrences have taken place on the same date but 108 years apart and maybe even realizing that the moon looks like a roti. Every moment in time, everything we see, taste, touch or think of is germinal for the future and is an artistic statement in itself. “The fundamental singular thought would be to stay open to any stimuli (not just information) that could transform ones understanding of the world.” Would he then define his art? Kallat is quick to respond that the word ‘define’ means to confine. “There could be a new definition every morning for something that is provisional for the day.” To define
all of one’s work is like creating boundaries which limits its possibilities. This receptiveness and openness shines through his usage of mixed media. When you talk, you pick the words you use instinctively. Likewise a certain experience can only be articulated through a certain form, be it a video, photograph or a drawing. “The idea decides the media to a certain extent as in its own germination there lies the secret of its realization”. The creative process differs from person to person. Jitish Kallat strongly believes in the power of observation and questioning. As his thoughts take form in his studio there is only one thing that he needs; a calm breath. The external world has no hold on his creative process: a tree could fall or something could collapse,
as long as he is centered. Jitish Kallat recognizes that his previous works are still alive when starting on a new project. “Each canvas is a nibble of a much larger work. The new project sometimes is the awakened ghost of a previous work or the baby delivered by one. “He does not have any favorites among his productions but there are works of his that still continue to hold so much promise of reinterpretation that they remain close to his heart like Public Notice 3, Epilogue or Artist Making a Local Call. Dabbling in different media and addressing a million thoughts, one does wonder how an artist realizes when an art work is complete.” Some artwork will clearly tell you,” claims Kallat. It is an instinctive response. In a sense all creative processes are not meant to end. They are not destined to closure. But we close it when there is nothing more to be said. Jitish Kallat seems to be in constant conversation with his art.
is enriched by its relationship to a whole range of disciplines. Movements in art are normally described after like ten years and if the same is to be said of the art today, it is a legacy of modernism where the richness of an idea is not in itself but in its relationship to other ideas.” Jitish Kallat is not the average twitter-facebook-instagram guy but he understands that social media is bringing about a great change. He believes that the internet and social media is creating a new brain, a single library. “It is creating what one might call a single reference bank but also a global neural network” says Kallat. So who is a true artist I ask Kallat. “You mean an interesting artist. An interesting artist is somebody who asks interesting questions at the risk of the
art work not seeming interesting and yet subtly possessing the potential to subtly transform the perception of the viewer. The word artist is such an ornamental category it should be soon taken out of the dictionary,” he says with a smile. Followed by that subtle smile he mentions that anybody is an artist and the most important tool of an artist is the question mark. Every moment of questioning is a moment of art. In your journey through life, those ideas become your coordinates. Even if it’s a scientist exploring or a tennis player trying to figure out a complex movement in the air, that is a moment of artistic epiphany. “You have questions all the time and if it stays with you, it has the potential to generate something. When a productive state of uncertainty can
Art today We live in an age where every moment is an experience which is being archived by millions of people. “Information is being generated out of every experience. A reason why mediums or disciplines don’t remain isolated anymore is because information traffics all boundaries. No idea can travel on its own today. In today’s world an experience that harnesses off many experiences is often the only way to articulate. In fact even the field of visual arts
2014 SEPTEMBER
41
In Conversation Jitish Kallat
prolong itself into a larger enquiry is when art happens. “
The Kochi Biennale Jitish Kallat was in his studio when he got the call from the eight member advisory committee to the Kochi Biennale, many of whom are artists he deeply respects. The call was totally unexpected and his instinctive response was to say yes. “The message must have gone through my brain, touched my heart and returned as my reply” says the artist. In the next one day he did think back and forth about his decision. He would have to make a seismic shift to his yearly plans. There would be an almost complete closing of any commitments and exhibitions. But instinct has more power than analysis because he is in Kochi now without a single regret. His days are now busy with meeting artists and organizing the event. Jitish Kallat believes that the Biennale is a tool to look at the potential of art in a scenario where the community is unfamiliar but extremely interested and much focused. I must have had a quizzical look as he said, “Absolutely! Even more focused than the audience at conventional centres”. He recites a baffling experience from the first Kochi Biennale when watching a
42
SEPTEMBER 2014
twenty six minute long video. There were around four artists in the room and twelve non artists. Nobody left the room in the duration and was totally rooted in the show. “I didn’t know whether to look at the video or watch the people. That was very important to me.” He understood that the Biennale had the potential to be the space to ask and resolve large questions. What does he expect and want to achieve from the upcoming Biennale? Jitish Kallat is frank, “I don’t think there is a nuts and bolts answer for that. I’m not working with those questions. I’m not thinking in those terms. One thing I would like to do is have the memory of the last biennale as a resource. It should develop to create dialogue within the community”. One should look at the Biennale as a process and not as an end in itself. Biennale
2014 means a lot of different things to the artist. On one level it is the fantastic potential to explore the prospects of the unfamiliar. On another it is a great platform to address big questions. Of course then there is all that art to enjoy. It is not all about instantly recognizing and admiring art or doing the gallery walk. It is the bewilderment of non recognition that is an exciting part of viewing. The Kochi Biennale is the ideal ground for that. Jitish Kallat is a flaneur who believes he has a responsibility towards society as an artist. The Kochi Biennale is close to his heart and his enthusiasm is infectious. He is just about to meet an artist at a venue. The rain has eased for the moment and I walk out with him. We are still talking and the conversation has now reached the Andromeda galaxy that is going to collide with the Milkyway. Jitish Kallat brings a lot to the Biennale especially his openness and readiness to take life as it comes. As the interview started, it ends with a big smile.
2014 SEPTEMBER
43
Interview
Sanju Jaison
RAPT IN RAP
It is easy to jump on the bandwagon and follow suit, but it takes confidence and courage to deviate from the norms and take up a career that is considered completely foreign.
Text: Simna Nahas Photos: Sanju Jaison
s
anju Jaison also known as San Jaimt, is the young, talented Malayali rapper who started rapping at the age of fifteen. His passion to send out positive and meaningful messages to the world through his rap gained him immense popularity. His debut album ‘ We’re Sorry’ was a hit that gained him followers from all over the world. His skill to deliver words in rhythm, rhyme and patterns of meanings gave him opportunity to work with some of the professional musicians like Alphonse Joseph, Gopi Sundar, and Sivamani. He jammed a few tunes in some movies like The Hitlist, Face to Face and Mr. Fraud. The chat with San Jaimt proved him to be a jovial, warm-hearted young man who has a strong desire to make this world a better place. He is quick witted and has a broad smile on his face that makes him
44
SEPTEMBER 2014
stand out from the crowd. He is struck by reality and doesn’t look for ways that are unrealistic to wash out the evil, but gives out his views and positive messages through his rap that is basic enough to be comprehended by anyone. With an introduction and quick exchange of information, a conversation extended over a cup of coffee. For some, rap is about expressing oneself, for others it is a way to show anger. What does rap mean to you? If you look at the origin of rap it has more of an aggressive nature but to me rap is a medium to send out a message. I see it as a good source to reach out to people by taking up the current issue which people can relate to easily. I don’t use rapping for aggressiveness but if you want to say something against an odd situation, it is definitely a good medium.
My work ‘We’re Sorry’ is a dedication to Nirbhaya. I wanted to bring out the emotions that a women and child goes through when faced by such atrocities. I portrayed it in such a way that my message to the people was that we can’t do anything about it other than staying safe and cautious when walking on the streets. Bad people are there everywhere, and it is the basic nature of human beings. If someone disrespects a woman, we can’t do anything about it other than advice him. India is a victim to such atrocities. I realise that this happens a lot more in democratic countries because of the laws pertaining to that country. I strongly believe that if there were strict laws in our country people wouldn’t dare to rape. How did rap occur to you? During my school days, my friends and I found rapping very cool, and I thought why not try, I wanted to know how rapping
would sound if I did it. I wanted to experiment with it, I just started to write lyrics. With the support and encouragement from a couple of my friends it all began. What is your driving force when you step into the studio? I just need a beat to start off, and the subject I choose is very important to me. Sometimes I would write my lyrics on the spot with the beat, and I’ll be in the mood to deliver my message. In your opinion, what misconceptions does rap have? A common misconception about rap is that people think it is just talking about something that doesn’t make any sense, which is not true. The words and the kind of the content rap have are very meaningful. In India, it’s less recognised because the general audience is not very much used to it. In India, rap should have both beat and orchestra to make it sound interesting, whereas in the West it’s the lyrics that’s a standout in rap. It just requires the beat and the content. How well is Kerala embracing rap? (He laughs) Kerala is embracing it well, and I love Kerala. The audience is not very open to the idea of rap, but the young generation is picking up on it. The biggest challenge is to get an audience who listens to rap music; then you would get positives and negatives on your work and that would in turn help you to grow. The works I did get
a lot of criticism as well as appreciation. I am improving day by day with their suggestions and comments. Alphonse Joseph introduced me into the movie fraternity, and Gopi Sundar is the one who encouraged me to rap in Malayalam. With his support, I rapped in Malayalam for ‘Neya payisayilla’ remix in ABCD and also did a Malayalam rap in Srinath Rajendran’s movie Koothara. What advice do you have for aspiring rappers? There are a lot of young underground rappers and what I feel is that they are not focused on a particular subject. Rather than mimicking the international rappers who talk about money, luxury and cars, they have to rap about issues that are happening around them. For example, if you rap about being ‘I wanna be a Gangster’, people over here will find it difficult to relate it with their lives. But if you choose a subject that is relevant to that particular area, it will also help a person who doesn’t enjoy rap to relate more easily. You should be very picky when you choose a subject. There should be some communication with the audience. Only then will there be a good music production. Some other themes that you would like to venture? My next album is called ‘WIN’; The theme of the album is never to give up. It talks about the struggles you have to go through in life and how you win in the end no matter what. I am also working on another album ‘LOVE,’ it is to show the relationship between parents and kids. I wanted to do something different because we don’t get to hear many songs that talk about it and I have done fewer songs like that. Music is a never ending expression of life.
Quickies A quality that you look in a rapper Attitude The must have in a good lyric Lots of rhymes, metaphors, multi-syllable words Your inspiration No doubt, the God of Rap- Eminem Growing up, who were some of the artists you listened to other than Eminem? Chamillionaire, Nas Who do you think in India would pull off rap well? Brodha V You’re all time favourite rap song Lose Yourself An artist you want to work with in future A.R Rahman A message to send out to the world of rap Don’t be a copycat
2014 SEPTEMBER
45
46
SEPTEMBER 2014
the onam
THat was
The benevolent and judicious king Mahabali willingly went down to the netherworld to protect his kingdom and people. We’re digging deep to retrieve all the elements of Onam lost in the sands of time. Text Pushpa M and Atheena Wilson Illustrations Orion Champadiyil
o
nam is a festival that amazes everyone around the world. Despite having a strong mythological background. It has been celebrated annually for hundreds of years now. If we had to rewind to an Onam of the recent past, would it be wrong to say that it has become too commercialized? Mavelli’s posters align the roads, and advertisers have considered him as a strategy to employ the festival as a seasonal marketing technique. For some reason, Maveli has become a lot more pot-bellied. Is it because Santa Claus comes to town? These days the wishes are done through facebook and SMSes. Most of us may not even take an effort to wish personally. Many realize it’s Onam when the TV has the special promotions and wishes, or just when all the ladies scatter around in a frenzy to buy new sarees and mundus. Do we actually know why we celebrate Onam without the standard stories being narrated to us? The origin seems so lost, but it’s a wonderful miracle that we are still so rooted to this harvest festival. There are symbolical meanings and stories of relevance behind every single motif or elements that we celebrate in our Onams. It’s quite interesting how myths, the history and so many cultural interests have made this the most distinct festival of Kerala. Being a part of the new generation, we must dig deep to make it more celebratory affair. After all, Maveli would love his homecoming to be in the old fashioned style.
2014 SEPTEMBER
47
Pookalam The flower shower always settles on the ground.
Over time, it stands out as a decoration prepared to welcome Mavelli. There have been changes in the elements of a pookalam. Artificial flowers and coconut shavings are being used. It’s become a competitive game of design now.
How Flaunt your design skills. You can follow some of the lost traditions by drawing your Pooklam design with chalk or clay on the Atham day. On Chitira,which is the second day of Onam, a second layer with orange or yellow flower petals is added to the Pookalam. On the day of Thriketa, add a variety off five to six flowers. On the final day or the tenth day, which would be the Thiruvaonam day, embellish it with lamps. What Pookalam can be divided into two words, ‘ Poo’ and ‘Kalam’. Known as the magic carpet, every intricate design has a particular story, from the flowers for each ring to the relevance of each ring. Starting from Atham, every day a ring of flowers and leaves are added to the Pookkalam making it grow till it reaches its final shape on the Thiruvonam day. Symbolically the ten rings or steps represent the ten deities in the Hindu pantheon. First step is Ganesha, second is Shiva and Shakti, third Shiva, fourth Brahma, fifth Pancha Boothangal, sixth for Shanmughan or Muruga, seventh step is for Guru, eighth step is for Ashtadigpalakar, ninth is for Indra and tenth is for Lord Vishnu. There is also a belief that the floral carpet symbolically represents the fight between Asuras (demons) and Devas (gods).
48
SEPTEMBER 2014
Why It’s one of the most welcome gestures. It is more importantly a ritual to receive Mahabali. The rings are supposed to signify the presence of gods and goddesses. It plays a pivotal role in the portrayal of a deity. Where Pookalams are now everywhere from verandahs to offices. Traditionally, it was in the courtyard. When It’s called the Athappokalam because the ritual commences from the morning of Atham day and continues till the morning of the tenth day, Thiruvonam day. Trivia Thumba is the most important flower as it symbolizes light that radiates in the morning and it is a flower that people prefer to adorn and worship Lord Shiva. During Onam time, nature is in full bloom, and there is no dearth of flowers for the Athappoo. Thumba, Thulasi, Kadali, Mukkutti, Chethi, Shankupushpam, Manthaaram, Jemanthi and Chembarathi are some of the main flowers used. A flower is dedicated to each day of Onam and dominates the decorations of that day. Thus, when you head to the flower market, remember there’s a flower for each day.
Thiruvathira The dance that’s got you going in circles.
Thiruvathira is about to set Guinness records for beating mass dances like flash mobs. Earlier it was a dance of few, and now everyone from married women to young girls performs, the dance of luck has certainly gone against all odds.
How Take part in a dance if you are single! The dance of ten to twelve members’ involves movements in a circular pattern, accompanied by rhythmic clapping of the hands to the tune of the Thiruvathirapattu. Encourage a family member to sing the first line of the Thiruvathirapattu (song), while the rest repeat it in chorus. The songs are often narrations from the folk epics. As you start dancing in circles, few of you will move in a clockwise direction and the others in the opposite direction all the while bending down to clap your hands on both sides and then coming up to greet your co-dancers with a smile. When On the occasion of Onam, Thiruvathira is a group dance that women perform. There’s not time of the day but a time of your life! The unmarried young girls believe that the Kaikottikali dance will bring them luck in marriage and a happy life.
Why The dance is a moment to escape from the mundane routine of life. The dance has a predominant amorous charm, and it’s performed by maids in order to attain everlasting marital bliss. According to Kerala legend, it is the Thiruvathirakali that brought the deity of love, Kamadeva back to life after Lord Shiva’s ire reduced him to ashes. The songs used here based itself on Krishna-Leela or Shakunthalam.
What Thiruvathirakali or Kaikottikali is an extremely popular folk dance performed by the maidens of Kerala. Thiruvathirakali is regarded as an extremely elegant dance form as the Lasya or the beauty element predominates. Greater emphasis is given to the rhythmic movements than mudra, and thiruvathira songs are well reputed for their literary flourish. Trivia The Kerala Kasavu known as ‘Mundum Neryathum.’ However, the style of the fabric also finds its original essence from the Graeco Roman culture known as ‘Palmyrene’. This attire consists of a long piece of fabric with colored gold border crossed over the upper body as a long garment and pinned onto to the left side of the shoulder. You can adorn your hair with Jasmine, a flower sacred to Vishnu.
Where Perform it anywhere but technically it should be performed around a Nilavilakku (a ceremonial lamp) placed at the center on a small flower carpet. This dance revolves both clockwise and anti- clockwise around the lamp that represents female energy. With stunning synchronization and music for the occasion, a dance is composed.
2014 SEPTEMBER
49
vallam kalli The snakes decide to go for an ecstatic swim.
There’s nothing devious about these boats. Earlier it was a boat that safely and secretly transported Sadhyas. Now the snake boats are all charged for racing and followed by cheers. It’s no longer a secret affair anymore.
What Vallam Kalli is the traditional boat race in Kerala. It is a form of canoe racing that uses paddle war canoes. Vallam Kali features these longboats that are also the traditional boats of Kerala. The race of the Chundan Vallam (snake boat) is a major event. Hence, Vallam Kali is also known as the Snake Boat Race and is a major tourist attraction.
Why There’s a story behind this. About 10 kilometers up the river Pamba from Aramulla, the head of the Karoomana Nambudari family offered his daily prayers. He was waiting to feed a poor man to complete the ritual. After a long wait, he closed his eyes and prayed to Lord Krishna. As he opened his eyes, the boy stood before. He bathed, clothed and fed him. The Brahmin was startled when the boy vanished. Despite the endless hunt for him, the Nambadoori couldn’t find him and concluded that the boy was God. To commemorate the event, he began to bring food to the Arumualla temple. To protect food from the river pirates, they made snake boats to accompany the entourage.
50
SEPTEMBER 2014
When Conducted during the season of the harvest festival, Onam, after the prosperous monsoon season.
Trivia The boat’s rowing team has a structure too. It has a Kaarnavan / Karanaadhan who is the village leader and three main oarsmen who control the movement of the boat with a 12-foot-long main rudder-oar (Adanayampu). Sitting in pairs along the length of the boat, the 64 oarsmen represent 64 art forms (or on occasion 128 oarsmen). The boat moves smoothly and reduces absorption of water when oiled with a mixture of fish oil, coconut shells carbon and eggs.
Where The Nehru Trophy Boat Race is a popular Vallam Kali event held in the Punnamada Lake near Alappuzha.
How Learn the sport and have some sportsman spirit by learning to cheer for it. There are 25 singers in a row at the middle of the boat between the oarsmen. Towards the end of the boat, there is a platform for eight people to stand. It is from here that the main singer leads the song to the fast rhythm of `Vanchipattu’ or boatmen’s song. They represent the Ashtadikpalakas (the Devas or Gods, who guard the eight directions). Learn the famous Kuchelavritham Vanchipattu, a devotional song written by Ramapurathu Warrier.
2014 SEPTEMBER
51
Pulli kalli The tigers are on a friendly prowl
The Pullikalli has taken a few turns in the costume party. Earlier they painted faces but now the men settle for masks and false teeth. The tigers may have received a makeover, but they’re still out to dance.
How They popularised the folk genre with steps and body language peculiar to a tiger being stalked by a hunter, enacting a play of the hunter and the beast. Try enjoying while dressing up in yellow and black clothes and take the effort to paint your face with acrylics. This hunter and his victim Pulis dance together with interesting steps and make the atmosphere colorful and energetic. Try imitating them, don’t just be an observer or a bystander! What Pulikalli also known as Kaduvaakali, is a folk art form of Kerala in which artists paint themselves with tiger stripes of yellow, red and black, and dance to the rhythm of traditional percussion instruments such as thakil, udukku and chenda, as they escape from the hunters, usually known as Hunter Saypu. The word Saypu is used to mention the British in Kerala. Trivia A particular combination of tempera powder and varnish or enamel is used to make the paint. Applying the second coat of paint for enhanced design, the entire procedure takes at least five to seven hours. A large number of artists gather to apply paint on the tigers.
52
SEPTEMBER 2014
Why The origin of Pulikali dates back to over 200 years, when the King Ramavarma is said to have introduced the folk art during Muharram. Mohemeddan soldiers of the British army stationed in Thrissur in the Pattalam (army) area used to celebrate Muharram with great fervor. Along with the celebrations, they used to perform the art form decked as tigers with peculiar steps resembling the tiger, then known as ‘Pulikkettikali’ which was immensely enjoyed by the locals. Pulikalli in Thrissur is held in memory of this event. When Celebrated during Thiruvonam, unlike the tigers that are out on the prowl at night, the Pulikkali groups or ‘sangams’ go out to play during the afternoons. Don’t settle for a lazy siesta after that sumptuous Sadhya ! Where From all four corners of Thrissur, the Pullakalli groups move in a procession, dancing, pouncing and shaking their bellies to the beat of the drums through the streets to Swaraj Round, Thrissur. Just when you thought only the elephants enjoy their Thrissur Pooram, the tigers enjoy an Onam.
Onakalikal The Onam Olympics is on!
Followed by a grand Sadhya is the siesta, but in the past Onam was celebrated on ground and there was no other way to end a meal without a few games.
How Beyond the game of tug of war, play other games. We recommend Panthukali, the most important out-door game. The ball is made by wrapping up layers of dried-up plantain leaves with some pebbles inside for giving the required weight, the whole thing is tied with plantain fiber or coconut fiber to the size of a tennis ball. Divide yourself into two groups. A stick called natta is planted at one end of the court that is an open space. At the other end, the line is drawn to demarcate the limit beyond which the ball can be thrown. The one who holds planted stick serves the ball. The adversaries from the other side try to catch it. If they succeed, the man who served the ball is delivered out. If the catch is missed, then he gets another chance. By throwing the ball at the stick and hitting it, you win.
What Onakalikal is a collective name for the numerous games played on the occasion of Onam. After a sumptuous Onasadhya, its the ideal time to indulge in a little bit of merriment and energetic people of Kerala make the most of it. There are numerous games such as Kayyan Kali and Attakalam.
Why According to legend, Kerala witnessed its golden era during the reign of King Mahabali. Regarding the King, the subjects and everybody in the state were happy and prosperous. So much so that even the gods under Indra became jealous of Mahabali. Thus, games lead to happiness. As as we all know, games are not only about child’s play but it naturally lifts everyone’s spirit of fun.
When Before you doze off to a long nap, enjoy a few games after the Sadhya. After all who wants to sleep on a day of awesome celebration? During the late afternoon when the sun is less harsh is an apt time for outdoor games. Enjoy the swing games when there is a breeze, and there’s wind in your hair. Just in case it rains, never fail to play indoor games.
Trivia Despite all the peace, Onam can get a little feisty with a few brawls. Onakalikal also includes combats, which are essentially a show of strength and physical might of the people of Kerala. Kayyankali and Attakalam are two such combats. Where Whether it’s a game of chess or Oonjalattam, the games never seem to cease. Indoors or outdoors there are games for the different temperaments!
2014 SEPTEMBER
53
Sadhya
The meal of all three courses has run its course through history!
Earlier kitchens were active, and hotels were closed on Onam. These days, hotels are being opened, and kitchens are being closed. We can have Onasadhya during any time, any day of the Onam season.
What The meal is a time when everyone gathers together. A meal that compromises of appetizers, main meal and desserts. The word itself means a banquet in Malayalam. You would be surprised to know that earlier Onasadhya was not so sumptuous, never a great spread. There were only six items such as Kaalan, Olan, Erissery. Now it comprises of a small yellow banana, Sarkari Upperi, Upperi, Pappad, Mango pickle, Injipuli, Lime pickle , Thoran, Olan , Avail , Pachadi, Kichadi, Erissery, Kottukarry, salt, rice, Parippu, Sambar, Kalan, Rasam, Pal Payasam, Palada Pradhaman, buttermilk. Why There is a saying that serving a sadhya is an art and eating a sadhya is even a bigger art. It is a wide spread, and each element has distinct tastes and significance. A meal is not just an extravagant spread. More than that, you will be surprised at this assortment of dishes. How does it not create chaos in your taste buds but a symphony? Did you know the Kaalan’s sour taste will well go with Olan? The Puliyinchi can be enjoyed before the main course for it will increase your appetite. After Parippu and ghee, you can take Sambar along with rice. Then Rasam followed by Payasam. Finally, you need to have some buttermilk, it improves one’s digestion. That is the order. Earlier the meal was sometimes followed by Vettila Murukkan, chewing of betel leaf with lime and arecanut. It helps in digestion and also cleanses the palate.
54
SEPTEMBER 2014
Where Enjoy eating your sadhya at home or your neighbourhood. There’s no fine dining table. In the old fashioned way, a true sadhya must be enjoyed when you sit cross-legged on the floor. Long gone are the days; folding cloth into long panels and everyone settled on the floor for a meal, and they had to bend each time they scoop a dish from the leaf.
How Serving on a ‘Naakila’ is an Onasadhya. Its narrow end should face towards the left-hand side of the diner and the wider part to the right-hand side. Uppery and other small items termed as ‘Thoducurris’ are to be served on the left side, Placed on the right side of the leaf, Aviyal and other curries are the frequently taken curries. The meal is quite a spread but with it comes the rules on how it’s served. On the bottom left half of the leaf, a small banana is placed, next to the pappadam, followed by the Sarakara varatti and banana chips. Then you serve the pickles succeeding the Thoran, Pachadi and Khichadi’s, followed by side dishes such as Erissery, Aviyal and Olan. The Parippu curry is then served with ghee, followed by Sambhar, Kalan, Moru curry, and Rasam. Finally, it’s dessert time; there are usually two to three varieties of payasam: Pazham Ada Pradhamam, Pal Payasam, Ada Pradhamamn etc. Food is eaten with the right hand, without cutlery. Instead, the fingers are cupped to form a ladle. As the meals are served on Banana leaves, the leaf is folded and closed once the meal is finished. Closing the leaf away from you signifies - complete satisfaction with the food and closing it towards you would mean a signal to the cooks that it needs improvement.
When Traditionally, the people of the neighbourhood spend the night before helping the cooks. It encourages social interaction. They also volunteer to serve the food to the guests. The host prepares the sadhya before ten o’ clock in the morning, and by noon on Thiruvonam day, the sadhya is served.
Trivia In North Kerala, non-veg items are important. Koottukari is another special item for them. Erissery is not that much of a favourite in Ernakulam. While Pulyinji is Northern, Injikkary is Southern. Injikkary is prepared by slicing ginger that has to be fried and crushed before cooking. Region wise there are many other peculiarities, for example, a big onion is a must for Sambar in South Kerala, but in the North they never add onions in their Sambar. Although the custom was to use traditional and seasonal vegetables, it has become common practice to include vegetables such as carrots, pineapples and beans in the dishes. Typically not using onions and garlic in the sadhya is the tradition.
2014 SEPTEMBER
55
Feature
Parody Parole
Cut the Comedy! There was a time, when comedy was on cassettes. You had a ‘reel’ good time listening to all those parodies. Things are so modern now and perhaps it’s time to rewind to the days of old fashioned humor.
Text: Simna Nahas Photos: Various Sources
c
omedy and parody are two things equally enjoyed by every Malayali. The advent of satirical approach to the everyday happenings and issues around the city brought in an entire new genre of humour into the comic world. People started to witness how humour can bring attention to serious and controversial issues happening in the society. It was a new experience for the creators of such mimics as they realised how much the audience was enjoying and appreciating the effort. It takes great effort, time and practice to bring in a subtle wittiness in every aspect of life and bring out an enormous piece of comedy. Little did we know when the parody king Nadirsha was asked to write a few carol songs and Onnapaatukal that we would get a humour packed cassette called ‘Onnathinidakku Puttu Kachavadam’. Yes!
56
SEPTEMBER 2014
in 1992, the cassette that made every Malayali laugh their heart out came into being with three fathers; Dileep, Nadirsha and Abi. The content was exceptionally hilarious that it is considered a classic from the 20th century. The kind of reception it experienced was beyond the imagination of its makers. Malayali’s welcomed them like how they would welcome Maveli every Onam season. With consecutive hits for three years, the series experienced an expansion to ‘De Maaveli Kombathu’ and many more series added onto the existing package. It was the biggest hits of those times. The theme of the series varied according to the current happenings in the society. When the roads of Kerala faced neglect from the concerned authorities, the idea of Maveli coming out of the pot holes on the roads and going back to them came to the minds of these creators. Other issues faced by the panchayat’s and cities
Illustration by: Leeza John
were also the themes of these cassettes. Looking from the perspective of every human being, these people brought out socially relevant issues into the limelight by way of humour and satire. Isn’t it challenging to bring out a product that has no visual to entertain people? From the sound effects to the dialogues and distinct voices of people, it was perfect in the production. People never experienced a lag in the content. A picture drew on everyone’s imagination by these artists. Audience going back to them every Onam was the proof that they never got bored of the content and the audio drama. Since the visual was not present, the voices were made very prominent and close to the voices of famous stars in order to make people know who is speaking. It is important to know the person speaking in order to understand the line of the story. Every year they came up with new themes to give people a different experience.
was so enormous that people experienced a cultural shift. As the transition from cassettes to CD’s to television channels was inevitable, the creators too were bound to grow and evolve with their baby production. Most of the stars present in the Malayalam film industry were once part of this production. They grew with this and in fact, this little star tried to continue its lineage through others who followed it. But now it has almost come to closure.
Decline of Comedy
There was a time when we realised Onam had only arrived when the cassettes hit the market. The enthusiasm that people had for preparing sadhya, arranging pookalam and playing vadamvalli and other games equals the enthusiasm for listening to these parodies. People would rush to the stores to buy the latest edition so much so that it became an integral part of Onam. The impact of these cassettes
With the decline in cassettes and CD’s, parodies too came to an end. Gone are the days when parodies were a rage among the Malayalees. “Parodies are not there anymore simply because we stopped” said Nadirsha “Two of my favourite compositions are the one I sung praising Yesudas and a parody about drunkard’s life. “Despite the effort and hard work of a number of people who worked behind these cassettes, it was a victim to the piracy attack.” The original suffered a great amount of loss. At this point, there was a shift from audio to video. The Onam programs started airing directly on channels making it convenient for both the audience and its makers. A genre that everybody enjoyed was mimicking politicians, by acting and bringing out societal issues. They gave these artists a few threats, but also direct appreciation from these politicians for the humour they
“Specialaayi swalpam arikitti onam naallil athu kazhukkan eduthappo mannamadichu kirungipoyi” Nadirsha in reference to the quality of rice in ration shops in Kerala
“Ente vaamana ninnaku nooru nanniyundu ee bhuminnu nere paadhallathilleku enne chavitti thazhuthiyallo, innikku ishtaayi onnum kaanendallo” Dileep as maaveli in innocents voice Onnathinedayil puttukachavadam vol 1
Old- Fashioned Humor
bring out in serious issues. Both the mannerism and the voice is the component present in them. Channel needs politicians, and people are enjoying them like any other programs. Another controversy that they faced was disguising male artists into female characters. “No matter what you try to do, the act that you perform on stage should not be vulgar in terms of dressing,” said Kalabhavan Madhu, “It has come to a point where some programs show whatever they wish to do which is not right.” He added, “There was a time when Jayaram and others performed as female characters that did not give a disgusting feeling to anyone, In fact, people enjoyed that act very much, not being vulgar is a strong component to that.”
Between the Lines Though satire has evolved and changed in its course and has taken different forms, right from the beginning what they try to do is throw lights at relevant matters , No matter what they say and show they try to bring out a message from the act. Even though, it had the recognition as an entertainment medium; it also sent out good messages . It would be the one medium where people can laugh and reduce their stress as well as get a good message out of it. Like any other medium, satire and comedy programs too is an effective source to send out positive messages to the world.
“Ente maaveli inni paadhallathinnu varumbo ee kothikkine kollan enthengillum marunnu kondu tharanam” Abi in his famous thatha voice Onnathinedayil puttukachavadam vol 1
2014 SEPTEMBER
57
Entertainment
Homely Food
A Throw back to Old School Cinema FWD Life magazine catches up with Director Anoop Kannan about his latest movie and finds out why his second movie is sans any star cast.
a
fter a flurry of calls and trying to get a free time slot amidst a busy schedule, Anoop Kannan is excited to talk about his latest project Homely Meals. The teasers of the movie are a collage of various yesterday hits. It’s a delightful play on the release of the movie in theaters. The most obvious question and the one he is very
58
SEPTEMBER 2014
happy to answer, why his current project is a host to newcomers especially after his debut project had Megastar Mammootty in the title role? The answer according to him is very simple,” The story demands it.” Elaborating, he says that the preshooting elements such as the story, script and screenplay play an important part in the success of the movie. “ There is no compromise in these elements; therefore, I
am able to create a movie in which I don’t have to compromise. “ Debutant Vipin Atly, who plays the lead role, also handles the story, screenplay and dialogues. The cast includes Manoj K Jayan, Kailash,Suraj Venjaarumoodu, Srinda Ashab, Nedumudi Venu, Salim Kumar. There is a saying “ Variety is the spice of life.” Enjoy your cravings for movies this Onam, Homely Meals is being released.
2014 SEPTEMBER
59
FWD Cheats
Smarty Pants
FACE WEST TO GET BEST Wouldn’t you appreciate an artist if he could turn your face into an apartment? No kidding, Salvador Dali was beyond successful into turning Mae West’s face into a beautiful and in fact a fancy little living room of an apartment. Those luscious curly curtains to the red plump curvy sofa to a centrepiece fireplace and black and white framed paintings on either side of the wall! The artist should thank West for having the right features that catered to his dream apartment.
SmARTY
Pants Does art imitate man or man imitates art?
FISHES OR BIRDS? Do you have trouble saying red bulb blue bulb red bulb blue bulb? No worries, where your lips fail your eyes succeed. Stare at the painting for continuous two minutes you will know the point where the birds end and fishes start. But trust me, that’s not what M C Escher wanted. If you fail to cast an eye over the painting, you ought to visit an ophthalmologist immediately.
60
SEPTEMBER 2014
FACE OFF Our minds often stumble at the sight of some epic masterpieces from great artists and transform ourselves into an art filled world. Don’t take it hard on artists who want to experiment with your body. But in an effort to do that they might take advantage of you and before you know it you would be in a pool of paint. But that is okay it’s just to create an unreality from the reality. Alex Meade is so obsessed with two-dimensional paintings she turned real people into mere paintings. It is just a beautiful sight but beware the next time you see an artist if you are allergic to certain types of paint.
PAINT THE WORLD This painting is a masterpiece from the master Rene. If not explained by the right person, it would be blind leading the blind. Can’t wish for anything more than those perfect windows, curtains and landscape for one’s house. He was famous for his painting, C’est ne pas une Pipe. Painted is just an object of our vision and not the real thing. Magritte’s work frequently displays a collection of ordinary objects in an unusual context, giving new meanings to familiar things. The use of objects as other than what they seems typified in his painting, His work is known for challenging observers’ preconditioned perceptions of reality. In the real world, we hardly get to see a picture perfect landscape like that, but he was smart enough to paint the perfect world. We bet you did not spot the canvas in this painting!
PARROT TALKS Okay, this is not a Scarlett Macaw, she’s not even a Miss Scarlet. At first you may be wondering, what’s so peculiar about this photograph? It’s nature’s gift; we know that procreation is as repetitive as the chatterbox’s words. If you take a closer look, it’s a woman covered in body paint. Johannes Stötter, an Italian artist, bagged himself the Bodypainting World Championship for this. We’re just warning you, please do not think it’s art if you do random face paintings.It’s not that hard to draw some whiskers on!
2014 SEPTEMBER
61
62
SEPTEMBER 2014
Regal Tales Photographer: Jinson Abraham Model: Divya Mary Cyriac Make up & Hair: Jeena Location Courtesy: The Brunton Boatyard, Fort Kochi
2014 SEPTEMBER
63
Plush in Purple She dons a multi layered skirt in the hues of violet and magenta with a rich brocade blouse.
64
SEPTEMBER 2014
Emerald Enchantment She wears a cascading green anarkali with the royal touch of gold thread embroidery.
2014 SEPTEMBER
65
Beyond Borders An elegant black saree defined by intricate borders and the finest brocade blouse.
66
SEPTEMBER 2014
Black Beauty A classic tailored black dress embellished with metallic accessories.
2014 SEPTEMBER
67
In Conversation Ann Joseph
Stitches
in time Can a few rural women and investment banker revolutionize fashion? The story of Anneha would make you say ‘Yes!’ FWD had a stirring conversation with Ann Joseph, who took us through her plans for ‘development through design.’
Text: Rakhi Jerly Photos: Dananjai Ravi
A
n economics graduate who has worked for the likes of Goldman Sachs may not be your ideal candidate for a trendsetter. However, Ann Joseph can easily break all that stereotyping – this Malayali is gearing up to bring
68
SEPTEMBER 2014
the ‘Kerala Kasavu’ to mainstream fashion. I met Ann at Café Papaya to find out how ‘Anneha’ happened. The conversation left me in awe as I realized how simple ideas can bring significant changes to the society. Ann wanted to do something that
interested her and made life meaningful – a nine to five investment banking job did not fit the bill. The corporate life was not the best way to give back to the society – that was always her passion. When she left Bangalore and came to Kochi, Ann knew she wanted to do something on the lines of development, especially women’s empowerment. But the dream wasn’t to be a social activist and hold placards or join rallies. ‘Then how?’ was the question. When one interest couldn’t give all the answers, Ann decided to mash it up with another and so, designing was introduced to the plan. But, Ann didn’t want to be just another designer or boutique owner. During her graduation days, Kerala government’s Kudumbasree program had caught her attention, and she thought it was quite an effective initiative. “These are women who are in their comfort zone, but at the same time trying to earn an income through self-employment,” says Ann. She decided to pursue this angle and approached the Kudumbasree officials. Ms. Tanie Thomas steered into provide all the support from the officials. Surprisingly,
they were quite welcoming and gave her the go ahead. Now, the challenge that lay ahead was convincing the Kudumbasree women to work with her. Ann says; “I was quite particular that it has to be women from a rural area. Only then would it make sense.” Several units did not think of this as a feasible idea, except ‘Tip-Top Fashion Dress Making Unit’ in Edathala. The five ladies here – Ajitha Reji, Sheeja Sajeev, Farisha Sakeer, Fathima Kunjumohammed and Sreedevi Gopi – decided to give it a try despite their doubts. The government decided to chip in too and granted them a zero interest loan. After several consultations with people in the field of fashion and design, Ann zeroed in on ‘Kerala Kasavu’ as the fabric she wanted to create her designs. But it was not the usual sarees, salwars and skirts she had in mind. Ann wanted the ‘Kasavu’ to be a daily wear casual dressing options. Kurtas, tunics and anarkalis were the immediate solution. Kasavu needn’t be restricted for Onam and Kerala day anymore. Ann sketched out her designs and sought out opinions from friends and family. Her aunt, Diamond Mathew, had valuable suggestions for her garments. Finally, confident of her designs, Ann began working on her first collection in June. The fabric was sourced easily from a local wholesaler. Perfect with the help of a local tailor were the patterns . Once her designs started coming out as fully stitched outfits, Ann began thinking about promoting ‘Anneha’. Competition is fierce with new designers and brands stepping up on a daily basis. “I started reaching out to people I knew, and my friends
started to help me in some way, or the other.” These friends included actors Rima Kallingal and Parvathy Menon, who modeled in ‘Anneha’ garments. Dananjai Ravi, an upcoming photographer, made sure the garments were portrayed well enough to attract the deserved appreciation and helped in bringing life to the dream through his photographs. Dev Jayakrishnan helps with the graphic design required to promote the products online while Rachna Tom and Farzana Ansari helped with the art direction. Apart from the photo shoots, team Aneeha also produced a Youtube video shot by Wasim Hyder. Anneha’s first collection coincides with Onam and Ann is promoting one design for each of the ten days of the festival. Apart from the Facebook page, Anneha’s design is also sold on ‘Indianroots.com’, where they have attracted an overwhelming response from customers outside the country. Ann is also looking forward to her first exhibition in Kochi. She plans to take this forward with more products and more Kudumbasree units. However, she does not wish to restrict her product line to ‘Kasavu’ garments. After identifying the skills of the people she wants to work with, Ann plans to introduce paper bags, wrapping paper and other sustainable products under the ‘Anneha’ brand name. If you ask where all her inspiration comes from, Ann will credit everything to her family. Starting with her grandparents who taught that “joy was so simple” and her mother Dr. Mary Venus Joseph, Dean
of the Rajagiri College of Social Sciences, inspiration for Anneha was available in plenty, right at home. Ann also says that she was always outspoken and people, in fact, advised her to join civil services. But she was fascinated by development economics and decided to apply that knowledge towards the betterment of her society. And now, she has found the perfect way and innovative approach towards realizing that dream. If I took back any impression after the conversation with Ann, it was simply that she is not only someone who knows what she wants, but also knows how to get there.
2014 SEPTEMBER
69
Feature
Indian Kitsch
Kicks for
Kitsch
If we were walking Bollywood posters, there wouldn’t be warnings on the walls: stick no bills. Living in a world of pop culture that celebrates, ‘you are what you wear’, kitsch is in.
t
here goes an auto… quick, click the picture. Take a look at it. What’s so special about the image? It’s just an auto rickshaw! Print it out on a canvas bag, add some color and a witty one-liner – now is it cool or what? You just had a crash course in the new Indian kitsch revolution. Cutting chai, nimbu-mirchi, moustaches or multi-colored Bollywood icons – Indian Kitsch has come a long way from matchbox art. Call it patriotism, nostalgia or even fun and rebellious – for those who make kitsch a style statement, it’s all about being desi cool. We could say that the new Indian Kitsch revolution was born when Manish Arora introduced his “God printed t-shirts.” Now a Ganesha tee or a Saraswati
70
SEPTEMBER 2014
tote is so last season. Enter the quirk brands – the likes of Chumbak and PlayClan. With an undying love for India and its sights, sounds and smells, these start-ups have won the hearts of young trendsetters who crave for the unconventional. A little more cash to spare? Check out casual chic apparel and accessories from designers who make everyday sights walk the ramp in style. Indian Kitsch – The Trend So, what’s this desi print trend all about? Take a local mundane thing, quirk it up with some funky colors and introduce it on to a product with everyday functionality – that’s a new Indian Kitsch in a nutshell. It is the familiarity and sometimes nostalgia that makes this trend a success. Icons otherwise ignored
are given a new look and purpose with innovative concepts and design. Art and culture critic Radhika Lalla says; “People want their worlds reflected on their walls and their pillows. We don’t need our art to confuse us further. We want the familiar, the comfortable. We want to escape into an almost childish world of bold expressiveness, and a little pop art can take us just that much closer to it.” Emerging during the millennium, the kitsch trend peaked towards the end of its first decade and has travelled through fashion, home décor and stationery. More importantly, it gained recognition internationally as a perfect representative of brand “India”. Take, for example, the ‘Cheerharan toilet paper roll’ from Design Temple, intelligently designed to represent a popular scene from Mahabharata – can you think of a better way to showcase Indian culture in the world of quirk art. Everything familiar to the common man inspires this design trend – festivals, bazaars, streets, people, religion and Bollywood. The new kitsch masters prefer original hues as they are more vibrant compared to colored pop art. Usually there is sprinkling of supporting graphics to quirk up these prints. A catch phrase is also added sometimes for the final punch. The Kitsch Masters A couple of years ago, while mall-crawling with some friends, a Kathakali tote lured me to one of India’s new age kitsch stores. The store was tiny – barely a kiosk, but their products made a big impression. Soon, others popped up with their range of laptop sleeves, fridge magnets, wallets, badges and even boxer shorts. From Horn-ok-please trucks to mustached maharajas, the prints were an instant hit in pop culture. With social networking on their side, these start-up brands were set to conquer the market within a couple of years. Notably successful were these few names which are almost synonymous with new Indian kitsch.
Play Clan “Because playing instantly changes the mundane into the magical & takes us into an alternate universe.” The clan combines fashion, art and design to create a home, apparel, gifts and stationary collections that pay tribute to Indian culture in an unusual and playful manner. Fresh on offer is ‘Naga’ collection with its t-shirts, totes and journals. Check out the ‘Nar Nari’ tea mugs, ‘Turban’ cushion covers and Fort Kochi journals. If bright colours are your thing, look out for ‘Katputli’ t-shirts and ‘Purani Dilli’ shift dresses. You can shop by theme too – Bhasha, Japani, Kochi, Khel and Mumbai local to name a few.
Chumbak “We’re a bit funny, a bit silly and fully mad about India.” If you have ever visited a Chumbak store or their website, you’ll agree with the desi madness. Based out of ‘namma’ Bengaluru, “Chumbak” means “kissing-stones” or just “fridge-magnets”. And that’s how their kitsch story began in 2004. Today, Chumbak has about 30 product categories including t-shirts and boxer shorts, phone cases and laptop sleeves, coffee mugs, wallets and jewelry.
Happily Unmarried “We make fun products; we do music festivals; we work with corporates when they want to do interesting work.” On their note to the media, Happily Unmarried insists that they “are not KITSCH” – we’ll keep it that way. But their products are too good to be excluded from the list of India’s quirkiest brands. What’s on offer? – Apparel, bags, phone covers, stationery and knick knacks for the home and bar. Their ‘Bhojpuri beer glasses’ were quite a hit and were still selling like hot cakes. Also check out the ‘A to Z Daaru’ cushion covers and India t-shirt collection. An endless collection, the only joy is making your statement with how you wear it and carry yourself. Wear the trend Quirk up your wardrobe with kitsch print t-shirts or kurtas. Get them in bright colors and pair it up with basic blue jeans. If you want to go for the desi glam all over, try dhoti pants or long skirts. Kitsch is vibrant enough to attract a lot of attention. Make sure you keep it limited to one part of your ensemble – either the top or bottom. Leave the rest of your look as plain as possible. To tone down the funk, add strong elements like a leather belt or jacket. Ready to sport some desi pride? What’s your new Indian kitsch style going to be – a phone cover? Bag? Or Boxer shorts?
2014 SEPTEMBER
71
Interview
Arun Ratna
Runway Strides There’s the gait , the sashaying hips and the bold looks as the models walk down the ramp. A fashion show’s success is when the model exudes confidence and that reflects in her stride. In conversation with Arun Ratna who’s here to walk the talk. Text: Lakshmi Vijay Photos: Various sources
A
run Ratna has a busy schedule as he travels around the world. With an extremely wide portfolio, he’s known for being the lead choreographer for beauty pageantsMiss. South India, Queen of Malabar, Miss. Hyderabad, Navy Queen and another reputed fashion show both in national and international levels. There aren’t too many fashion choreographers from Kerala, so how did you decide to become one? Who inspired you? While I was doing my fashion designing course, I managed to make a team of models from my home town, Calicut. I started participating for fashion show competitions in Kerala and Coimbatore. Out of the 40 competitions we participated in; we won the first prize in for 37 of them. I was the one who was grooming my friends, and guiding them how to walk the ramp for my competition. It was only until a little later that I realized I’m better at grooming than designing. My friends supported me through this decision a lot and that’s how I got into fashion choreography. I used to watch the
72
SEPTEMBER 2014
walking style of models on TV channels, and gradually became a trainer. So that’s my muse. The fashion industry is considered to be very competitive, how does one survive the challenges? Models should exactly know where they are right now, where do they want to be, and how do they get there. Once a model realizes all of these things, it’s easy for them to survive and make a mark of their own. Training and grooming a normal person and transforming them into a fashion model is a colossal task,s o to compete I have to give it my all. What are some misconceptions of fashion choreography? Most people watch fashion shows on the final stage, and they feel that the choreographer’s job is just to do the sequencing of models on stage. They don’t know it’s the fashion choreographer who molds a normal person into a model. Does fashion choreography root from dance choreography? It’s completely a separate category from dance choreography because fashion
choreography has a sense of sophistication and class to it. On certain cases, I mix up some dance sequences, according to the theme and costume, to make a show very innovative and new experience to the audience . Everything happens on the runway, and there’s a standard code of execution but how does the choreography differ? The fashion choreographer tailors the sequence and positions of the models on the stage, according to the concept and nature of the show. When it comes to a designer show, at certain cases we will get an outline from the designer, and how he/ she wants to showcase their collection. If not, the choreographer himself tailors the show on the runway. For a designer show, models are like mannequins. Their duty is to showcase the collections. When it comes to a beauty pageant, the way of choreography differs because here it’s all about showcasing themselves as a model and not the costumes. They got to do more poses, expressions, smile, etc. and when it’s a product launch show, again the posing and posture changes. Apart from fashion choreography, what are
your other interests? I’m a person who loves nature and to get the essence of it; I hang out with friends, and we head for jungle safaris. Wayanad is one of my favorite destinations, which is very close to my place. I could say that’s one of my interests and travelling to as many countries as possible is yet another. How do you make each show standout? The success of the show is always a combo of good models, designers and choreographers. In certain cases, when I get complete freedom from organizers or the clients to handle the choreography, I personalize it to make it different from other shows. Are you a tough task master? I love taking challenges and making one show differ from other. So yeah, lot of strain is included in it, and since I love my job, I just live with it. We’ve read about the fashion show ‘Punks of Lilliput,’ any more such shows in the pipeline? Well, Punks of Lilliput was a show that got me a lot of appreciation. I got the chance to do that show only once. It’s a tough job to find stylish punk guys with short height between 5.2 to 5.5 feet and to get them to walk the ramp and also do hip-hop steps and B-boying. Well, I got something more which I have in mind, but I need to get a separate category of people to walk the ramp. I will reveal the idea once I get a group of people who can walk for this. How much of Kerala’s fashion sensibilities have changed over the years? Kerala is a state of rich tradition & culture with demographics and psychographics that affect the fashion scenario. The degree of economic development in Kerala or the society affects the psychological attitude of the consumers. Both psychologists and sociologists have attempted to identify the motivations that cause people to dress themselves. Control, demand and change
reflect on the Kerala consumers. Since you have done both national and international shows can you tell us what is the main difference between both? Well, there is not much of a difference to say between an Indian pageant and an international pageant. I go ahead with my usual grooming techniques. Costumes and rounds are the only difference. Here in India we normally start with sarees for pageants. When it comes to international shows, we start with the national costume of all the countries participating. The thing about international shows is that we would be having more than 40 national winners from different countries. All the high professional models are from Europe, US, Africa, Asia, Australia. The way they respect and listen to us and the punctuality they keep reflects in their professionalism. I have gotten a chance to learn a lot from them too. A recent show you wished you could have done… I have recently done the biggest pageant in Asia and the worlds 5th, Miss Asia Pacific World. I have been inquired for
Miss Earth‘s beauty pageant too, which is world’s 3rd largest pageant. I got three shows in my list that I wished to do: Miss World, Miss Universe, and Miss India obviously and I am sure one day I will. Future projects… Few projects that I have signed up for including being a judge and groomer for a fashion reality show based in a US television channel. Another one is at Bahamas for Mr. & Miss Beach Body Bahamas. Then Germany will conduct No. 1 Model of the World. I have gotten a few enquiries from almost 8 countries till the mid of 2015. It includes Bahamas, US, Germany, Ecuador, Chile and the rest are a few which I have already visited, But this time, I wish to explore the countryside of all these places, after my show.
2014 SEPTEMBER
73
Style Police
Fashion do’s & dont’s
Style Police Nayan Thara This look deserves to be in the ‘lime’ light.
APOORVA BOSE We love the wavy feel of this A-symmetrical dress and her curls certainly hit the fashion shore. SEPTEMBER 2014
The Fashion Police spotted some looks that de-
PARVATHY OMANAKUTTAN She’s certainly fishing for compliments with her salmon pink cascading gown.
RIMA KALLINGAL Traditions and modernism are styles that Rima never fails to mix in both dance and fashion. The dress’s colour tone is tuned to our fashion sense.
APARNA NAIR She’s got us chained to this look. The blue and black look is almost impossible to pull off but she donned it with poise.
74
Beauty and
the Briefcase... serve to be flaunted and some outfits that should be packed away.
NAZRIYA NAZIM Gone are the Bangalore Days, bang bang she shot us down with her bad fashion sense.
MIA GEORGE We’re a little confused, a Cinderella dress with a dragon skin bodice? This is a fairytale dress with no happy ending.
KARTHIKA NAIR The Dracula’s hood went down, so did she. Kindly kill this look with your heels.
AMALA PAUL This look is frayed like the fringes of her dress. The cut is great but the makeup isn’t. Guess your lipstick didn’t stick to the lips.
Shriya Saran What’s more over the top, her makeup or her sari ? 2014 SEPTEMBER
75
Photo Feature
Velvet Revolution
Velvet 17 This set of photographs depicts memories or tales of individuals from the communist era. Some of the images are connected to an individual’s memory while others draw on collective memories of the period, time, term. One may or may not view these as politically correct. Text & Photos: Saneesh Sukumaran
i
t is interesting to see how everyone questions “the change” that the Velvet Revolution brought; has the post-communist era ended, or will it ever end? During the process of interviewing people, it was very promising to see how, knowing or unknowingly, personal tales were eventually tied to freedom, from a shortage of toilet paper to the ban on traveling. This series does not try to differentiate what is good and what is bad, but rather states, “This is what we will remember.” All my photographs were shot on Medium Format Film
Mánička A young long-haired male in Czechoslovakia was called “Mánička.” Long hair for a young male was considered an attempt to express his political position, independence, and freedom—a way of silently
76
SEPTEMBER 2014
protesting against the regime. These “Máničky” used to go to the doctor in order to obtain certificates. They will commit suicide stating that if they have cut hair. It was their only defence to keep the regime
from forcing them to cut their hair. The long-haired Máničky regularly visited the performances of the Czech underground bands The Plastic People of the Universe and DG 307.
Perlovka Street Perlovka Street was rumoured to be a place where foreigners went for pleasure and fun. Although there was a veil of secrecy over the business that happened there, Perlovka was famous for the presence of women who were selling themselves, and this street later became known as the red light district of Prague. The district has survived the changes of history, and it still exists today—after dark, one can peruse the street of Perlovka where women are still selling themselves.
Politických vězňů Ulice The Communist Party headquarters in Prague is located in Politických vězňů Street, which translates as “Political prisoners Street.”
2014 SEPTEMBER
77
Photo Feature
Velvet Rveolution
Toilet Paper Communism reminds people of long queues and one person in particular remembers the long queues they had for toilet paper. By poor estimates of toilet paper usage (from 5-year plans), it causes problems with distribution. Either way, many people remember the tedious moments they spent waiting to collect a daily commodity.
THERE IS NO GOD Christianity was abolished and forbidden during the totalitarian era. The regime preached that there is no god, and there is nothing waiting up in heaven. There were priests who were sent to local mines to do hard labour or sentenced to life in prison for not complying with state requirements and destroy some churches. One of the interviewees remarked, “Everyone needs to be a Jesus for communism to work, or have the discipline of ants”.
Gas Mask There were mandatory gas mask trainings in schools during the communist era. Students had to wash the masks with alcohol disinfectant before wearing them and were asked to walk in the hallways for an hour while wearing the masks. Some of them still recall how terrible the gas masks smelled. One student remembers the juxtaposition of the teachers’ attitudes with the students’— these were the teachers’ favourite times because they were the quietest times of the year. One cannot speak while wearing a gas mask!
78
SEPTEMBER 2014
2014 SEPTEMBER
79
Event
EEMA
an event to
remember
A conference that redefined entertainment. The 7th annual EEMA convention brought all that and more.
Text: Maria John Photos: OP Shihab
w
hat happens when you have over 300 event managers together in one place? The event of all events, of course! EEMAGINE 2014, the 7th annual conference of the Event and Entertainment Management Association (EEMA) was held in July, for the first time in Kerala
80
SEPTEMBER 2014
at Le Meridien, Kochi. The conference brought together new age and experienced entrepreneurs onto one unified platform to create an open dialogue, predict emerging trends, share knowledge and exchange ideas to nurture the ever growing experiential marketing industry which is estimated at over 20,000 crores. Mr. Bryon Tellis, President of EEMA, said, “It’s a common vision and goal. It’s a dual vision and purpose; we’ve worked hard for sharing knowledge and networking. “The three-day affair sought to provide insight to professionals from across the country on the best practices of events and experiential marketing. The conference concluded with the star-studded EEMAX awards night which presented the annual awards for excellence in the industry. From figuring out the thought behind the
Modi election campaign to how much digital media is impacting the playing field, the convention was alive with discussions and deliberations. Bryon Tellis commented it as a major eye opener as it looked at two aspects, the rural market and the digital technology catered to that market too. Another agenda of the meet was on creating a metric for evaluation of success in events and experiential marketing. Mr. Harish Babu commented, “It’s a debatable experience. Experience can be measured. We know what we are doing and what the client has expected. There is the KMG, but it’s still young.” EEMA President Brian Tellis was quick to remark that it is difficult to measure an experience, but the creation of such a unit would raise the bar for the managers and the client alike. There are over hundred events happening a day in India said Mr.Sabbas Joseph, President-elect, and being able to share these episodes is a huge learning experience. While the days served to stimulate the brain, the nights were all about unwinding. The event managers let their hair down to enjoy good music, food and even some magic. Performance included renowned singers Arijit Singh and Adnan Sami. If you thought it couldn’t get any better, the cherry on the top was the EEMAX awards night. Dressed in their finest in an atmosphere charged with enthusiasm, the delegates got together to celebrate themselves and their counterparts. The award night honored and recognized exemplary work across 25 categories including best destination wedding, best signature event, best space décor etc. Bronze, silver and gold were awarded for each category. The show was interspersed with stellar performances by various eminent artists. Kay Kay Menon held the audience spellbound with his melodies as he crooned his famous numbers. Imagine singing Daft Punk with your grandmother. Usha Uthup
gave a memorable performance with her daughter and granddaughter. The audience was cheering into the night as she opened with Skyfall. The three generations, or 3G as Didi called it, captivated the audience with English, Hindi and Malayalam numbers. Then there was the ‘Client.’ A satirical skit performed by the Mumbai based Weirdass Comedy Consultancy, had the audience in splits. Imagine Ashwin Mushran of Fashion donning a lungi with a thick South Indian accent, extolling Rajnikant. It was Shankar Mahadevan’s turn next to keep the audience ‘breathless.’ He was joined by his son Sidharth Mahadevan, and they started an impromptu beat boxing saga. The crowd was out of their seats and shook a leg as Usha Uthup joined the duo on stage. What followed was an unbelievable experience for the performers and the audience alike. The artists expressed their appreciation for the event management industry without whom their career wouldn’t be what it is. The event opened up Kerala to companies across the country, and many commented on the state’s high market potential. Companies such as Encompass, DDB Mudra, Impressario, Wizcraft etc took part in the convention. There was a feeling of fraternity as the crowd moved together in work and play. EEMAGINE 2014 concluded on a high note , and it was the biggest conference till date for EEMA.
They Said It! “My Romance is there everyday because of you”-Anjali Kurian to KayKay “Our decibels increase and our center of gravity shakes”-Brian Tellis describes the after party “The South Indian’s entertainment taxes are the same as a North Indian’s exam results”-Weird Ass Comedy Consultancy “Today my Jewellery is fake. All the real stuff has gone to Bappi Lahiri” -Usha Uthup “We wouldn’t get our roti,kapada without you”-Usha Uthup to EEMA
2014 SEPTEMBER
81
National
Banglore Fashion Week
Bangalore Fashion Week Text & Photos: Ranjith Eyacheruvatt
T
here’s no halt in fashion, and this year the runway blazed with fiery colors and apparel cuts. Bangalore Fashion Week had myriads of colors and clothes of panache. From the grand sequins to the tapestry and the flamboyance of colors. Celebrities like
Soha Ali Khan and Mugdha Godse walked down the ramp. Aslam Khan, Ramesh Debla, and Ashima Leena showcased their design. The Banglore Fashion Week had over 265 designer shows, 8320 designs, 56 celebrity showstoppers. As Aslam Khan said, “It’s different. I enjoy myself and its one of the most important and well done
Nayanika Chatterjee in a printed Showstopper Soha Ali Khan in a brocade lehenga by Ashima high-low dress by Debrun. Leena
82
SEPTEMBER 2014
shows I do. I love Banglore as a city, and I love working with Dream Merchants.” There were a few colors that were predominant. The ravishing reds were a stand out as usual, while the gold and glamorous theme is always a classic. The fluidity of some of the apparels was refreshing and something to add to our wardrobes.
Miss India Earth Shobita Dhulipala with Sailaja Kiran for Kalanjali.
“I want fashion to be a statement. I want it to be something that is wearable. Fashion should be by itself. It should be what you feel comfortable in. “– Aslam Khan, Designer
“I am working with weaves and clusters. And that’s what eco-fashion is for me.” – Debrun, Designer
“We wanted to fuse the colors of India…the vibrant colors and incorporate antique Zardozi embroidery with it.” – Ashima, Designer
“We are proud that Kalanjali can hold on to the heritage and culture of our nation.” – Sailaja Kiran
“Fashion and style are different from each other. Fashion is about doing something new…bold. Style is about finding something that suits you.” – Soha Ali Khan.
“I love bringing drama to the (fashion) show.” – Ramesh Debla, Designer
2014 SEPTEMBER
83
84
SEPTEMBER 2014
2014 SEPTEMBER
85
Lounge
Sula Wines
Wine and Dine At Nasik, there’s a vast plain of vineyards. Raise a toast to the fine wine to share among your close ones. It’s a drink infused in literature and history.There’s no finer drink than wine, it’s a gift of the gods.
s
ula has rapidly established themselves as India’s #1 wine producer, pioneering many classic grape varietals in the country like Sauvignon Blanc and Chenin Blanc in 2000, Zinfandel in 2003 and Riesling in 2008. In 2005, Sula launched its first reserve wine, Dindori Reserve Shiraz, as well as India’s first dessert wine, Late Harvest Chenin Blanc. Sula exports its wines to 20 countries across Asia, Europe, United States and Canada. The company is also a leading importer of wine and spirits under its import arm – Sula Selections. Its import portfolio
86
SEPTEMBER 2014
has top spirits such as Remy Martin Cognac, Cointreau and Mount Gay Rum from Remy Cointreau, The Balvenie Single Malt Whisky and Hendrick’s Gin from Sierra Tequila. Leading wine brands including Champagne Piper-Heidsieck, Hardys of Australia, Cono Sur of Chile, Trapiche of Argentina and Japan’s Asahi Beer. Sula’s winery and vineyards are open to the public for educational tours, and a beautiful tasting room invites visitors to enjoy their favourite Sula wines amidst spectacular views of the vineyards and surrounding lakes and hills. Visitors can even spend a few nights at Beyond, India’s first vineyard resort with spectacular lake
view. Firmly committed to remaining at the forefront of the Indian wine revolution, Sula continues to experiment with new varietals, engage in substantial agriculture, support the rural economy, and, of course, make wines of outstanding quality and superb value. As you stroll through the vast vineyard, settle for dinner with some fine wine. E.E Cummings quoted, “ His lips drink water but his heart drinks wine.” As you open and inexplicably enjoy the bouquet of an aged wine, walk through the Nasik vineyards will quench the doubts of your wonder. It’s an indelible experience.
2014 SEPTEMBER
87
Destinations
Travancore Palace Hotel
The Haven of
Heritage
The Travancore Palace has its charm of traditions. Despite the modern architecture, there’s something that calls out to us and lets us recline in a fashion enjoyed by our previous generations. Text: Maria John Photos: Travancore Palace Hotel
R
ows of wooden pillars, the open verandah where you gather for idle gossip, the nadumittam where you welcome the rain, warm red Mangalore tiles, elements of brass that hold together planks of gleaming teak wood. They are all reminiscent of a bygone era in Kerala architecture. The Travancore Palace Hotel in Cherthala captures these elements in all its glory. Located in the backwater belt of Kerala, the hotel is an amalgamation of traditional style with modern amenities. The traditional Naalukettu style has been followed in the construction. It
88
SEPTEMBER 2014
means that the building opens inwardly into an open courtyard that brings copious amounts of light and ventilation. The four halls on the sides are named Vadakkini (northern block), Padinjattini (western block), Kizhakkini (eastern block) and Thekkini (southern block). The chuttuverandah or the open verandah that runs around the blocks has the charupadi that are wooden benches with decorative detailing. Not only are they an essential design element, it was a place for the family to gather and have a conversation. In the hotel, the charupadi is part of the lounge, and you can sit around like they did in the olden days. A section of the verandah forms the lobby. The ceilings
are high and graced with dark wooden rafters running along its span. The floors are cool with hand crafted Attangudi tiles. These components keep the summer heat out of the building. Wooden pillars in the traditional style run cross the structure like foot soldiers. Since wood was abundant in those times, traditional Malayalee architecture is defined by its woodwork. Wooden wainscoting runs along the walls of the restaurant keeping with the theme. The white walls of the building stand on a sculpted high plinth. One of the main elements of a traditional Malayalee household is the Ara. This structure has a lot of architectural and social relevance. Forming the
core of the household, the Ara is the grain storage with wooden walls. The Travancore Palace Hotel’s granary is well-maintained with beautiful wooden carvings. It is situated in the garden on its plinth like those found in the north of Kerala. The cultural heritage of Kerala is displayed in the hotel through various ethnic objects. As you enter the hotel, you are welcomed with an uruli or bell metal vessel with flowers floating in the water. In the yesteryears, the big round uruli was used to prepare meals on wooden fires. Hanging from the ceilings, you will find sararanthals or the traditional wicker lamps. These lamps made of metal had handles so that
2014 SEPTEMBER
89
Destinations
Travancore Palace Hotel
you could carry them with you or hang it out on the verandah. Nowadays they have been equipped with electrical bulbs. The soft light that they produce brings a feeling of nostalgia as you sit down for your meal at the restaurant that serves heritage Malayalee cuisine. A stonepaved garden provides outdoor seating. Other artifacts include the marakkuda or palm umbrella, aranmula kannadi or metal mirror, cheenabharani or Chinese earthen pot, pillathottil or crib, canoes, and naazhi petti,idangazhi and para which are all antique measures. These objects tell the story of an educated community that gave a lot of importance to art and crafts.
TRIVIA The Nalukkettu has different names among communities Tharavadu – Nairs Madom or Meda – upper Ezhva or Thiyya classes Kovilakoms or Kottarams – Kshatriyas Meda or Veedu – Syrian Christians Illam - Namboodiris
Elements of a traditional Kerala home Padippura – entrance structure with door and tiled roof on the compound wall. Poomukham – entry portico of the house with seating area Chuttuverandah – an open verandah runs to the two sides of the Poomukham with lanterns Charupady – wooden benches on the Poomukham and Chuttuverandah Ambal Kulam – lotus pond at the end of the verandah Nadumittam - central open courtyard with a basil plant or tree in the centre Pooja room – prayer room at the north east corner of the house Ara – wooden granary
90
SEPTEMBER 2014
The rooms in the hotel are modern and simple. Paintings depicting the history and culture of Kerala adorn the walls. In line with the design theme, bamboo blinds have been provided for the windows. The rooms are spacious and look onto the five acres of land of green lawns and Lotus strewn canals. Stone paved walkways me-
ander through the garden while Coconut palms dot the landscape, towering into the blue sky. Facilities in the hotel include conference rooms and activity spaces. Every artifact has a story to tell, and the staff is only too happy to share them with you. The interiors are therefore walls of tales waiting to be told. The spaces and volumes are open and inviting creating a conducive atmosphere to relax. Welcoming visitors throughout the year, the Travancore Palace Hotel pays tribute to the cultural and architectural heritage of Kerala.
2014 SEPTEMBER
91
The Movie List
The Homecoming Collection
Cinema Paradiso, directed by Giuseppe Tornatore
Swades, directed by
Tear Jerker: The climax of the movie is shocking, you would wonder if there was another life he would have lived. Some love stories are just in memories, what would have Alfredo and Elena’s love life been ?
Tear Jerker: The time he had a conscience to come back and the nostalgia invoked is just so emotional. The music just adds to the sentiments.
Ashutosh Gowarikar
A successful Indian scientist returns to an Indian village to take his nanny to America with him and in the process rediscovers his roots. Set in modern day India, Swades is a film that tackles the issues that development throws up on a grass root level. It is to this India, which is colorful, heterogeneous and complex that Mohan Bhargava (Shah Rukh Khan), working as a project manager in NASA, returns to on a quest to find his childhood nanny.
A famous film director remembers his childhood at the Cinema Paradiso where Alfredo, the projectionist, first brought about his love of films. He returns home to his Sicilian village for the first time after almost 30 years and is reminded of his first love, Elena, who disappeared from his life before he left for Rome.
homeward
bound The Kite Runner, directed by Marc Forster Tear Jerker: The ending triumphs over your ego. You cannot resist that the narration of a story by an innocent child. After spending years in California, Amir returns to his homeland in Afghanistan to help his old friend Hassan, whose son is in trouble. During a kite-flying tournament, an unspeakable event changes the nature of their relationship forever. Amir seeks redemption by returning to his war-torn native land to reconcile his cowardice. 92
SEPTEMBER 2014
As Onam is all about Mahabali returning back to his home, FWD picks out a few classic homecoming movies to cherish the memory of the feeling of returning home. This Onam, you’ve got homecoming movies. Half of a Yellow Sun, directed by Biyi Bandele Tear Jerker: When a loved one goes missing, suddenly you feel lost that a character that you associated with is either dead or lost. The 2013 film is a love story that follows two sisters who are caught up in the outbreak of the Nigerian Civil War. Sisters Olanna and Kainene return home to 1960s Nigeria, where they soon diverge on different paths. As civil war breaks out, political events loom larger than their differences as they join the fight to establish an independent republic.
2014 SEPTEMBER
93
Travel Himalayas
Moving Mountains Figuratively reaching the pinnacle of the mountain, is the highest point of success. Although they say it’s about the emotional strength, it’s also the greatest achievement of celebrating one’s vigour. Text: Reshma Mary Mathew Photos: Anish B George
p
ersonally, I don’t harbour a big love for the mountains. I’m the kind of person who can spend entire days on sunny beaches reading a book. But it so happened that I
94
SEPTEMBER 2014
was surrounded by people who craved to “conquer” the mountains and I ended up signing up for the toughest and the longest trek that I was to do. The reality of which hit me the day before we were to leave and that lingered in my mind all the way
from the unforgiving heat of Delhi to the wintry chill at Kasol. As I stood there in the YHAI base camp site, several tents on either side with a backdrop of snow peaked mighty mountains, wondering how the hell I was going to climb it, it started raining. And it didn’t relent the next day when we woke up at 5 in the morning to do push ups, duck walks and stretches with our unyielding trainer who seemed hell bent on training us as if we were on our way to the Everest. Just when I was ready to give it all up and pack my bags, on the fourth day, the sun came out, the skies opened up and I woke up to a glorious day like something out of a movie. The first trek was to the camp Grahan at 6500 ft, a serene and beautiful village amidst misty mountains about 10 km from Kasol. I’m not going to discount the severity of the trek. Let’s be honest, trudging up steep mountain faces carrying a heavy rucksack is no walk in the park. But there are several moments when you’re about to stop for a breather, you turn a corner and there is this breath-taking view in front of you. Oh boy, that’s worth all that effort! Some of the best things in life are often the most simplest and inexpensive; like taking a nap out in the dappled sunlight on the woods next to a clear spring or sitting on a hillside at dusk watching the sun go down behind the mountains. The next day as we prepared to hike to our next camp, Padri, we were greeted by cloudy overcast skies. Luckily, the rain ponchos were needed only for a few hours because the weather cleared up soon, and the landscape around us suddenly seemed to be bursting with life. It was then that we came out into a clearing and saw the Padri camp site in front of us. A stunning setting with its jaded dust coloured tents perched in a lush green meadow nestled between these enchanting mountains and a little stream running through the middle. We spent a memorable day at Padri, which turned out to be the best camp of all. We caught sight of our next destination, Mynthas, perched high up in the misty
mountains, with its slopes carpeted with snow kissed conifers. Needless to say, it didn’t disappoint. Although the trek to Mynthas was by far one of the toughest, parts of which I completed with my heart pounding in my chest, the camp was a welcome sight to our weary lot. That evening I witnessed what was probably the best sundown I will ever see. A sundown with a thousand glorious colours painting the skies, the likes of which I’d only read about in books. We got word that there was a feeble cell reception up here, and suddenly there was a mad scramble among the group. Everyone was pointing their phones heavenwards and trying to make calls. In that moment of solitude while sitting on a hillside looking over the valley, everything around you is bathed in the brilliant colors of dusk. The only thing that would have held any interest to me was some hot chai and pakoras. I’m not much of a poetic person but all I could think of was being away from everything, no phones, no distractions. At that moment, I could finally fathom Lord Byron’s words “ There is pleasure in the pathless woods, there is a rapture on the lonely shore, there is a society where none intrudes. By the deep sea, and music in its roar, I love not man the less but nature more.” From Mynthas, we climbed up to the highest camp, Nagaru at 12500ft, tents perched in foot deep snow commanding a view of the tall peaks around and blinding white snow for as long as one’s eyes can span. The next day the group started out from Nagaru at 4.30 AM, still pitch dark and teeth numbingly cold to ensure that we reach Sar Pass by sunrise so that the snow is still hard and easier to cross. It is the only part of the trek that was completely through snow for a grueling 8 hours with the exception of the views to keep you motivated. Sar pass, ‘Sar’ in local dialect
meaning lake, owes its name to a small (normally frozen) lake somewhere on the path from Nagaru to Biskeri ridge. It was here, at 13,800 ft, as we were sipping hot tea that we could barely hold in our shivering hands that we caught the first rays of the sun. It gradually rose from the gaps of the tall mountains, bathing us all in its glorious display of colours. Once we crossed Sar pass, it was time to descend to Biskeri Thatch. By descend, I mean a crude snow slide created by the Sherpas (the local guides) from the top of the ridge at a dizzying height. All the way down to the valley so far away that people standing there look like small ants in the distance. All you do is sit on your behind and prepare for the most adrenalin pumped roller coaster ride of your lifetime, careening uncontrollably down an icy slope in a rush of terror and exhilaration. Biskeri Thatch was to be our last camp before the descent next day, and I was already dreading the return to normality of our daily life. It seemed like the mountains had dressed up for the occasion, the grassy slopes swaying, wildflowers blooming everywhere, light filtering through the
foliage and fresh snow on the boughs of the trees. We even came across a green meadow on the way down. It was quite a view with horses grazing, the narrow trail just opening out suddenly into this little piece of heaven which served as the perfect lunch spot. And all too soon, our journey was over, and we wistfully said our goodbyes. A lot of firsts for me on this trek: like taking care of business out in the open crouching behind trees or snuggling up in sleeping bags at night. In the end all you can remember is sitting outside under a starry sky, singing songs with a big bunch of people you just met and feeling blessed. Unlike the popular notion, you don’t need any special training for such a trek, just enough strength and endurance and believe me, it will reward you with an experience you will never forget and life long love affair with the mountains.
2014 SEPTEMBER
95
FWD
Wellness
Fly the Nest Your teenager is ready to face the world alone, but are you ready to face the world without him/her under your wing? To be self-dependent is in the minds of every teenager as he/she grows up.
W
e rejoice every year the day we got freedom from the rulers who curtailed our rights, but do we as parents restrict the freedom our children enjoy on a daily basis. This Independence day, there’s a focus on how children attain their Independence. Often people say we shouldn’t give children much freedom and as parents you are caught up with what people around you have to say about your child’s growth. But at some point, it is important that every individual break the boundaries of one’s nest and fly in order to grow and become a responsible individual. FWD looks into what experts have to say on how to survive the phase of letting go your child.
Feelings are normal To feel sad and anxious as your children’s independence grows is a perfectly normal thing, whether they’re young preschoolers or budding adults. It’s not surprising that when someone you cared for and nourished and nurtured for so many years goes, it leaves a gap. And it’s quite normal to have some anxiety about whether they’re going to be alright. Parents who feel worried about how their children are going to cope without them are often made to feel as though they are silly or over-emotional, but these are legitimate feelings. Parents are often a
96
SEPTEMBER 2014
little maligned. But we need to understand it’s an adjustment for both parent and child, because we love our children. And when someone you love goes away, you miss them, and because they’re young, you worry.
Throw envy out of the window Many parents are surprised to realize that, as they watch their children set out into the next phase of their lives; they are feeling a little envious. This is sometimes the case among parents of first-generation,
who might not have had a chance for a good education that their children do. They might begin feeling resentful as they listen to what their children are learning and experiencing. Others might regret some of the paths they’ve chosen in life and might envy their children’s ability to have a fresh start. These conflicted feelings can begin to strain the relationship between parent and child. Some parents don’t want to hear about everything their child is experiencing because it’s a little bit painful. But at the same time, these
parents love their kids, so it also brings guilt.
It’s OK to feel relieved Parents may feel guilty when they realize they’re relieved to have their children gone. Sure, there are commercials that joke about it as ‘the most wonderful time of the year.’ Many parents are afraid to admit to being glad to have their children gone. But this feeling too is normal. It’s understandable that harried parents of younger children might be glad to have a few hours to themselves. For parents of college-age kids, it may be the first time in years they don’t have to wait up for their kids. Especially the kids who have moved out. Some feel guilty about feeling relieved and happy their children are gone. But happiness is part of the typical reaction of a child leaving. Life is always the most tricky when we have a combination of feelings. Being both sad and happy, envious and guilty are hard places to be.
Your instincts are true The one question parents often stumble at
is ‘How often should I call my child? I don’t want to be a nuisance, but I don’t want them to feel alone either.” Experts advise parents to keep their relationships the way they’re used to, for at least a while. If you talked or texted several times a day, your child might prefer to keep up with that familiar pattern. This is when you believe in yourself and use your instincts. Over time, the child might want more distance, but parents should use their intuition to decide if their kids are doing alright. You are the best expert on your child. You can judge how often (to call) is best. You’re also the one who knows when things are not okay. So if they’re not calling as often, or they sound sad, there’s intuition involved. You often know before they even speak the words. Different families will handle these life transitions differently, and it’s important to remember this is a process - both for the children and the parents as they adjust to the changes. We ought to be thoughtful about our child’s future. We need to be able to accept that we’re going to have anxiety. And we need to be able to let go gradually.
It’s time to redefine yourself The first few weeks are the hardest for most parents. It gets easier after parents begin hearing regularly from their children that their new school and teachers are okay, and they’re enjoying what they’re learning. That’s when most parents begin to feel reassured. Most of the anxiety of the transition should last a couple of weeks. If it goes on longer than that, we’d have concerns whether it’s more than just the transition. Or, if your son or daughter says they’re fine, but your anxiety doesn’t go away, maybe there’s more than the anxiety of leaving going on. In most cases, the parents who find it the hardest to let go are also the ones who were the most wrapped up in their children’s lives, who spent a lot of time in their company or managing their lives. Being a part of your child’s life is how they defined themselves. When they go, it leaves a hole in your lives and your identity. For these parents, it’s important to work on rebuilding other aspects like spending time on other interests, or hobbies, or re-cultivating relationships with other adults.
2014 SEPTEMBER
97
Relationship
Lust for Sex
SECRET TO A LONG LASTING LOVE
Marriage is all about falling in love many times with the same person. Success to a marriage is the sum of small efforts focused on showing love and appreciation, repeated every single day. It is important that you keep the fire lit to warm your marriage.
A
good marriage is a creation. In a marriage, little things are very important like saying ‘I love you’ at the end of each day. It is speaking words of appreciation and demonstrating gratitude in thoughtful ways. It is to forgive and forget. It is giving each other a safe place tolove each other It is never old to hold hands. It is not just about marrying the right person but being the right partner.
98
SEPTEMBER 2014
Hugs and Kisses The simple act of hugging your partner between 30 and 60 seconds brings a sense of affection and attachment. Studies show that it increases the level of oxytocin, a hormone that acts as a neurotransmitter in the brain that contributes to the senses. Kissing and holding hands too reap the same benefits. It may sound obvious, but once you’re married you tend to become less lovey-dovey and more complacent as you sit side by side, tapping away on
your laptops, rather than holding hands or hugging. It is important to have physical contact as much on a daily basis.
Express Your Thoughts It is imperative that your likes and dislikes are shared with your partner in order to strengthen and create a long lasting sex life. It might not be easy to get through in the beginning, but communication is the key to bedroom bliss throughout your marriage. Do some self-discovery and
figure out how and where you like your touch and how to communicate that to your partner. Now that the ‘chase’ is over, you need to learn your recipe for desire and arousal.
Prioritize It After that walk down the aisle, life gets busy with daily routines and your To Do list gets more crowded, sending sex tumbling to the bottom. Worse, once you’re living together, it’s easy to assume that you can have sex whenever you want, and thus, you don’t make time for it. But if you don’t prioritize your love life at the beginning of your marriage, it’ll be harder to do so in the future. Love making should be a priority in your daily schedule. For example, take a shower together each morning or go to bed half an hour earlier. If the thought of scheduling sex makes you cringe, you still should leave enough room for sparks to fly. After all, sex can’t happen if you’re on Facebook for hours and finally collapse into bed at midnight. So make sure that you start to prioritise your love life.
Shake Things Up You can get that feeling of novelty by trying out new positions in the bedroom. You can also get it from watching an athletic event together, going to play, traveling to a destination– that you both decide on. Spending time with friends or anything else in which the two of you share a new experience. Add excitement by introducing new elements, sex toys, erotica, role-playing and new positions. If you keep sex new and interesting, it will naturally rise to the top of your priority list. Surprise your mate with sexy lingerie or get romantic somewhere other than the bedroom. Romantic weekend getaways can remedy this. Before you’re married, every weekend is romantic. Tag on a few years of marriage, however, and intimate couple time becomes harder to find than a pair of perfectly fitting jeans. If an outof-town adventure is too pricey, transform your bedroom into a romantic love nest with candlelight and flowers. Or else, book a night at a local hotel or campground or pitch a cosy tent in your backyard. Now get ready and shake things up!
Advice: Exhaustion is the number-one reason long-term couples become less sexually active. In fact, many couples claim that it’s fatigue, more than familiarity that most often extinguishes their libido.Ward off this alltoo-common situation and give your energy level a big boost by eating a healthy diet that limits sugar and fat and contains fresh produce, lean protein and good-for-your carb’s and fats.
2014 SEPTEMBER
99
pre se nts cover party
cover party
cover party
FWD bowls over Kochi with C3 An event organised by FWD on July 15th association with Renault launched the Celebrity Cricket Club (C3). The club celebrates cricket, charity and comradeship. Revealing the logo and jersey, actor Fahad Fazil and Director B Unnikrishnan pitched into the C3 celebration. Music Director Gopi Sundhar introduced the theme song of C3. Kunchako Boban, Chairman of the organisation, unveiled the FWD August edition featuring C3 on the cover and the HNI edition was featuring Beena Kannan. The event also witnessed the handing over of a cheque for Rs.50, 000 to the Heart Care Foundation by C3 as part of its charity initiative. Kochi was star struck as the event witnessed all celebrities under the same roof. Prithviraj, Indrajith, Nivin Pauly, Asif Ali, Unni Mukundan, Rajeev Pillai, Nishanth Sagar, Riyaaz Khan, the leading singers Madhu Balakrishnan, Afsal and the directors Dipin, Lijo Jose, Nikhil are part of this club.
Launch
party pow e r e d by
at
fashi on pa r tner
t v par tner
m a ll pa r tner
tablo id pa r tner
Kochi
ra d i o pa r tner
out d o o r p a r t n e r
d igi ta l pa r tner
E n t e r t a i n me n t p a r t n e r
100
SEPTEMBER 2014
pr o m o pa r tner
EVENTS pa r tner
party
cover party
cover party
cover party
cover party
cover party
cover party
cover party
cover party
cover party
cover party
cover party
cover party cover party
2014 SEPTEMBER
101
Events Mamangam Inaugration
A Romance with Dance
Among twinkling lights and fragrant jasmine, Rima ushers in a new chapter in her journey with dance. Text Maria John Photos Mamangam
i
t is only dreams sown with love that become a reality. Rima Kallingal’s love for dance is no secret. She entered the movie industry as a dancer and now she is giving back. Her pet project Mamangam, the dance school, was inaugurated by Manju Warrier at a small ceremony in the city. With her husband Ashiq Abu by her side, Rima Kallingal expressed her love for dance and how she was giving to a new generation the opportunities she didn’t get while growing up. When we hear the word Mamangam, we think of the battle ground or bloodshed. But Mamangam was initiated as a cultural exchange platform by the yester-
102
SEPTEMBER 2014
year kings. Rima wants her dance school to be reminiscent of that era. Our culture is steeped in art forms and traditions, and it is important that children these days imbibe that. Only by providing a strong base in our culture can we venture out and explore others. The dance school offers courses in bharathanatyam, kalaripayattu, yoga, hip-hop and even capoeira (a Brazilian martial art), among others. Shalini James of Mantra has designed the costumes for the school. Looking resplendent in a red silk saree and an emerald green blouse, Rima was grace and beauty personified. It was a proud moment for her as she called on stage Ashiq Abu and nine women who have been an essential part of her
journey as an artist. Expressing her joy in being part of such a momentous occasion, Manju Warrier lit the lamp marking the beginning for Mamangam. From Rima’s first dance teacher, to the women in her family to her colleagues from ‘Midukki’ one by one the women joined in lighting the lamp. In golden tailored pants and a stylish maroon kurta, Manju Warrier joined Rima in paying tribute with the first steps of Bharatanatyam. Talking to the press afterwards, Rima reinstated the fact that she wanted Mamangam to be a cultural ground. Dance is a timeless affair, and it associates with every emotion. Her romance with dance has moulded Rima’s past, carved her present and is opening up her future.
2014 SEPTEMBER
103
Music
The Onam Playlist
On track! Great music can make an ordinary day into an extraordinary experience. So plug in and get your Onam on!
I
t is time for the festivities to begin, and no celebration is complete without music. Onam has that special quality that makes you break into song as you move through your day. The multi-colored dragonflies, the fragrant flowers in full bloom, dazzling golden kasavu and the aroma of that impending lip smacking sadhya is enough to give you a heady feeling. All those emotions need a soundtrack. We have concocted a playlist for you to enjoy with some traditional numbers to certain movie classics. Maybe this year it won’t be tug-of-war but Anthakshari that is going to take your breath away. Onam calling
Feast for your Ears
Time for Tug of War
Farewell Maveli
Waking up on Thiruvonam day is like no other. The sun does seem brighter and the moods much lighter with the promise of a beautiful day ahead.
A delicious spread of all musical flavors. Try them one by one and ruminate on those rhythms and melodies as you sit down to your feast.
Tighten your mundu and get ready for more action. Onam games, friendly rivalry and lots of Onam spirit are guaranteed to make your evening super charged.
Why does this holiday have a charm unlike no other? It leaves you with tummies, hearts and souls full. Only 365 days left for those feelings to come again
Uthrada pooviliyil - Classic Onam vannu - Classic Ona kodi uduthu maanam - Classic Poovili – Vishukkani Vembanattu Kayalinu – Randu Lokam Thumbi Thumbi Thullan Vayo – Aparadhi Omanapoove – Oru Indian Pranaya Katha Thekku Thekku – Ezhupunna Tharakan
Kalyana kacheri - Madambi Appangal embadum – Usthad Hotel Aa Vathilil – Usthad Hotel Anthi kadppurathu Chamayam Akkuthikku – Manichitrathazhu Kaithapoovin – Kannezhuthi Pottum Thottu Maveli naadu vanidum kaalam - Classic Chenbavu Punnellin Choru – Salt and Pepper
104
SEPTEMBER 2014
Chinga masam – Meesha Madhavan Thudakkam mangalyamBangalore Days Padakali - Yodha Thanku thakka – Narasimham Vanchipattu – Classic Kadamizhyil Kamaladhalam – Thenkasi Pattanam Kadukittu Varuthoru – Hello Chekele – Avial
Olathumbathirunnu Oonjaladum – Pappayudae Swantham Appoos Thumbi Vaa - Olangal Karmukil Varnante Chundil – Nandanam Kera Nirakal Adum - P Jayachandran Onathumbi Nee Odi Vaa – Samayamilla Polum Ambalapuzhae Unnikannanodu Nee – Adwaitham Nostalgia – Thaikudam Bridge Karukara - Avial
2014 SEPTEMBER
105
Automobile
Audi A3
Luxury sedan
launched in India Get ready to drive in ‘The next big Audi - Audi A3 sedan’ on the roads of Kochi. It wows everyone with its sporty looks, sophisticated features and progressive technology.
A
djudged the World Car of the Year 2014, the Audi A3 Sedan brings us a youthful design, visionary technology and luxurious performance. It sets new benchmarks in the compact luxury car segment with quality, style and innovation at the forefront. The Audi A3 Sedan prices itself at INR 23,54,000/- ex-showroom Kochi. Audi A3 Sedan has a distinctive, coupe-like design, together with the dynamic shoulder line, distinctive wider wheel arches, striking side sill and the much narrower rear lights; it exudes a sportiness from every angle. The interiors offer excellent fit & finish with fine material quality. It has features such as a 2-zone deluxe auto air conditioning with sun position sensor and new the TT inspired Jet turbine design air vents with spot and diffuse functions. Also, a three-dimensional inlay adds on to the depth and sportiness of the interiors. Audi A3 sedan is the first car in the luxury compact segment to offer 425 liters boot space. Features such as Milano leather upholstery and panoramic glass sunroof are taken directly from the luxury class. Audi offers its A3 Sedan customers a comprehensive range of infotainment
106
SEPTEMBER 2014
modules; Audi sound system, MMI® Touch and MMI® navigation plus which includes a touch sensitive control panel integrated with the central rotary/push button control in the centre console. A sleek 7” High-resolution retractable screen with 11 mm thickness extends electronically from the instrument panel. The MMI® control features reduced number of buttons resulting in a clean arrangement and includes Navigation with 3D Maps, DVD Player, 2 SD card readers, 10 GB Jukebox and Bluetooth Interface with Bluetooth Audio streaming & Audi Music Interface. Parking is made easy with Rear View camera. “The launch of the Audi A3 Sedan,
the first compact luxury sedan in India, is yet another first from Audi. In line with our customer-centric approach, we decided to launch the sedan version of the Audi A3, which is a segment up from the compact luxury hatchback. Sporty, stylish and path-breaking, the Audi A3 Sedan showcases Audi’s ‘Vorsprung Durch Technik’ in every single aspect, especially in the areas of design, ultra-lightweight technology, efficient drivetrains, high-end multimedia and infotainment systems. We are confident that the Audi A3 Sedan is the right product at the right time and will set new benchmarks,” said Mr. Joe King, Head, Audi India.
RENAULT thiruvanathapuram
2014 JUNE
NH 47 Bypass, Muthathara, Mob: 8129 01 8888
2014 SEPTEMBER
111
107
RENAULT kannur
5/3346a, Mavoor Road, Mob: 8111 88 9311
RENAULT KOCHI
NH 47 Bypass, Kochi. Mob: 8129 24 8888 (Kalamassery), 8129 11 8888 (Vyttila)
RENAULT thrissur
NH 47 Bypass, Mannuthy, Thrissur Mob: 8129 23 8888
RENAULT calicut
5/3346a, Mavoor Road, Mob: 8129 55 8888
Technology
Emerging trends
Tech Buzz The wonderful world of technology keeps advancing and changing. It’s important to keep up with technology in order to get the most out of it. FWD helps readers to stay connected to the latest in technology.
Compiled by Arun Stephen Paul CEO & Co-Founder Catacomb Tech Catacomb Technologies is an innovative product driven-solutions Company with a focus on building tomorrow’s enterprise. Catacombers strive to provide enterprises with strategic insights on what lies ahead.
Part car, part motorcycle, Polaris Slingshot is Here Take your favorite three-wheeler from childhood, flip it around, give it the power and handling of a motorcycle with the comfort and stability of the car. It has the look of something out of a futuristic comic book. The result is a brand new Polaris Slingshot. The noted Minnesota-based maker of all-terrain vehicles and snowmobiles officially unveiled the new three-wheeled roadster this week in the United States and Canada. Because of its open cockpit, this two-seater reverse trike is officially classified as a motorcycle rather than a car, meaning you’ll need a helmet and a motorcycle endorsement on your license to drive one. The unique combination of car and motorbike offers a driving experience that’s also different from both, thanks to its broad stance, sport-tuned suspension and a chassis that rides just five inches above the road. Polaris’s marketing materials make a great deal of the Slingshot’s hard-charging design that corners aggressively all day long. Rather than an elastic band and a little bit of potential energy, this Slingshot is powered by a 2.4-liter DOHC Ecoboost engine producing 173 horses mated to a 5-speed manual transmission. There’s storage behind the two waterproof seats and in a locked glove box.
Coffee-brewing alarm clock starts your day with a fresh mug If not ourselves, we all know someone that claims to be useless until they’ve had that first mouthful of coffee in the morning. The Barisiuer is an elegantly designed alarm clock that starts your day with a freshly-brewed cup of coffee before you even get out of bed. The bedside brewer is the work of UK-based industrial designer Josh Renouf, who was seeking a slightly gentler way of starting the day than the jolt of a buzzing alarm clock. “It eases the user into the day with the subtle movement of stainless steel ball bearings that boil the water through induction heating, accompanied by the smell of freshly brewed coffee,” he writes on his website. The Barisiuer features a drawer compartment to store ground coffee beans and sugar and a tube for a shot or two of milk. Coffee can be prepared the night before, a ritual that Renouf claims to send signals to the “body and mind that it is time to unwind and relax”. If nothing else, the knowledge that there will be a fresh mug waiting when you wake up might just make you sleep that little bit easier. Renouf is still in the development phase for his coffee-making alarm clock fusion but estimates that its price is between £150 and £250 (US$250 and $420).
108
SEPTEMBER 2014
Om/One: The Death Star of Bluetooth speakers In a market as saturated as the Bluetooth speaker one, any point of difference can make a difference. The Om/One is a Bluetooth speaker that sets itself apart from the pack with its ability to levitate like a miniature Death Star. Its creators claim this not only looks cool, but raises the device’s performance above the competition. Making the Om/One levitate via magnetism isn’t just for the visual impact it creates. Instead, the creators of the device claim this unobstructed 360-degree surface area means it is possible to get more sound from a less powerful speaker. Whether you believe these claims or not, the 3-watt speaker uses less power than most other Bluetooth speakers, helping its rechargeable lithium-ion battery provide 15 hours of continuous play at 70 percent volume. The Om/One speaker orb measures 3.6 in (9.1 cm) in diameter, and weighs in at a levitating-friendly 12 ounces (340 g). It features a 75 mm audio driver and a built-in microphone for making phone calls. The orb floats 1.2 in (3 cm) above the magnetic base, which measures 6.3 in (16 cm) in diameter and 1.6 in (4 cm) in height. While the speaker itself is portable, and you can use on its own, the base plugs into a wall socket.
Audi TT’s virtual cockpit blends the old and the new The rise of in-car infotainment systems has seen electronic displays vying with traditional instrumentation, such as the speedometer, odometer and tachometer, for dashboard space and driver attention. Audi’s solution features itself in its new third-generation, this to combine the old with the new in its “virtual cockpit.” Having made it its debut in the Lamborghini Huracan, Audi’s virtual cockpit places a 12.3-inch TFT screen behind the steering wheel where the standard instrumentation would usually sit. In addition to displaying information about speed and revs, the system can also display navigation and media info and car settings. Being a TFT display, the virtual cockpit allows the way the information is laid out to change. According to the driver preferences. In “classic” mode, the binnacle is dominated by a traditional speedometer and rev counter while information about navigation and the car’s entertainment systems are pushed to the middle to minimize distractions. This mode most closely mirrors a traditional setup. In “infotainment” mode, however, the car will provide details about maps, audio or phone to the front, and speed and revs display small readouts in the bottom corners of the display.It allows easy management of the MMI entertainment system and takes the place of a screen mounted on the center console. Audi has paid special attention to make the instruments look and feel natural. The system is powered by a quad-core Nvidia Tegra processor, running a special 3D program that allows the rev-counter to refresh at 60 frames-per-second. It means all animations should stay smooth and give feedback similar to that provided by analog dials.
2014 SEPTEMBER
109
Gadgets
Cool Gadgets
top shelf
Disclaimer: Price and features are subject to change. Buyers are advised to act on data after cross-checking
fwd
Xiaomi Mi3 Value for money, power-packed Android phone that’s selling like hot cakes online. Price: ` 13,999
Plantronics BackBeat FIT Awesome quality headphones for the fitness freaks. Price: ` 9,000
Acer Chromebook 13 Netbook with brilliant graphics and is superbly priced : Rs 16,500
apps to try
Secret
Scout
Jink
Share anonymously with friends, co-workers and people nearby. Discover your friends’ thoughts too.
Drive with Scout every day to beat traffic like never before on your daily commute and wherever you go.
Jink combines messaging with real-time location sharing to make meeting up fun and stress-free.
Qrcode Android
110
Qrcode iOS
SEPTEMBER 2014
Qrcode Android
Qrcode iOS
Qrcode Android
Qrcode iOS
2014 SEPTEMBER
111
Satire
Oye Baap Re
Dear Prospective
Loner There’s a thing about going stag, but things take a turn when a few things are a drag.
Text: Ronnie Kuriakose
I
guess it was plainly evident to you and perhaps everyone else at the supermarket the other day that it was my first day in Delhi and that I was living alone. I was carrying with me six packs of beer, 27 TV dinners and a big frying pan. People live alone for a lot of reasons, mostly depressing. Divorce or a broken romance are the primary reasons. Serious inability to share space with anyone else was mine. And apparently, so is yours. When one first finds themselves alone, especially after living with family for years, there are moments of outright terror. What if I die in my sleep? How long before anyone finds my body? Realistically, if you are renting, a month is the maximum, because the landlord would want his rent. After a while, many people who live alone find that they like their singular status. There is no one to tell you to pick up your laundry, put down the toilet seat, throw away the newspapers, or take out the garbage. The problem is the laundry piles up, as do the newspapers and the garbage. Many people living alone find themselves increasingly buried in trash. And regarding clothes, there comes a point where there is nowhere to put the new clothes one buys to avoid doing laundry, and finally, one has to got to figure out Laundromats.
112
SEPTEMBER 2014
The best advice for living alone is to get a maid although it does come with the risk of her claiming to have YOUR baby in her belly. Maids generally put things away where you can’t find them, which makes hunting for your stuff a weekly occupation. It keeps your mind off dreary things. Some people living alone find they really like the peace and the quiet, and begin to decorate their residences totally to their liking. There is no one to complain about your collection of Pokemon dolls or G.I. Joe action figures. Scientific studies have shown that, contrary to popular belief, people who live alone rarely have company. While the opportunity exists to party your fool head off, the reality is that all the garbage piled up in your home means you would have to keep the place clean to have visitors. Given a choice of cleaning up or not having company, most loners prefer not cleaning. Another good choice while living alone is to get a pet. Having to feed something on a regular basis keeps one from sleeping day and night.The Internet is a wonderful time waster for loners. You can communicate for hours with total strangers, manufacturing any identity you like. Don’t underestimate the smutty newsgroups as a substitute for a sex life. Many loners use their singularity as an opportunity to work. Work keeps one’s mind off the singularity.One
of the greatest advantages of living alone is having a bathroom totally to yourself. You don’t know what a joy it is to be able to take an hour long shower, or read the whole Times of India while sitting on the toilet, with no one beating on the door asking you to hurry up. Another advantage of living alone is cable TV. There’s no one to fight you for control of the remote. The real bummer of living alone is when you are sick. It is really nice to have someone around to minister to your ills, bring your coffee, take your temperature, and hold your hand. If only they wouldn’t complain about what a nasty grouch you are when you are sick. Hotels for the singular sick are needed. Good looking male or female nurses to attend to you and lots of cable movie channels. For many people, living alone for a while cures them of their inability to cohabit with someone. No matter how disagreeable your roommate is, the company may be preferred to complete alienation from society. There must be some correlation between how long one has lived unsuccessfully alone, and how successful they are in a subsequent relationship. So happy living, loner! Much Love Ronnie Kuriakose
DHANAM
Now on iPad
iPhone, iPod Touch and Android devices Available on Subscribe through Magzter the digital webstore on iTunes or Play Store or log on to www.magzter.com
www.dhanamonline.com
circulation@dhanam.in
0484-2315840, 2316494 2014 SEPTEMBER
113
melodies On Air
93.5 red fm
Swad on Demand With RJ Swati
Kozhikonden evenings will now get spicier with RJ Swati’s Red on Demand. The land of foodies and yummy recipes is all set to celebrate their evenings with some tasteful songs, chitter chatter and new flavors. Live from Mananchira Maidan and Calicut Beach, the evening drive time show is the perfect way to unwind and ease your stress with some soulful music.
114
SEPTEMBER 2014
A big foodie by nature, RJ Swati is not only on the lookout for delicious dishes but also shares her food adventures with the listeners. You can also request for your favorite songs while sharing opinions about the restaurants and food you love, through SMS. Lucky listeners also get a chance to dine with RJ Swati at their favorite restaurant.
Owing to the love for food in Kozhikode, Red FM has introduced this unique concept to make their Red on Demand show tastier and now called it “Swad on Demand.” They have been enjoying positive responses to the show from the very first day, and the listeners are eagerly waiting for their chance to dine with RJ Swati.
2014 SEPTEMBER
115
RNI Reg. No. KERENG /2012 /42759
116
SEPTEMBER 2014