Summer 2013 Catalog by Gage Academy of Art

summer 2013

Summer 2013 ABout gAgE 1 mission

Guided by the belief that artists are made, not born, Gage strives to educate, enrich and engage artists and the community in the visual arts. Gage offers instruction in the principles of drawing, painting and sculpting and is dedicated to helping students of all ages and skill levels realize themselves as artists in contemporary society. Benefactors Joyce allen, kenneth s. Rosen, Ida s. Cole, anne steele Founders Pamela Belyea Executive Director Gary Faigin Artistic Director Board of trustees Julie Tall President Erin Moyer Vice President Brent Reys Treasurer Ted kutscher Secretary Gary Bezowsky, ann Bradford, David Dwyer, Greg Eastman, anne steele, Richard v. West Community Advisors Diane Butler, Lane Powell, WA Robert k. Dent, WA Ira Goldberg, Art Students League, NY David Hill, Sonata Capital, WA Zhi Lin, University of Washington, WA Chris Madison, Sierra Investments, CA alvin Martin, Bader Martin, WA Trina Wherry, WA Artistic Advisors Domenic Cretara, artist, CA samuel H. Davidson, Davidson Galleries, WA Martha Mayer Erlebacher, artist, PA antonio Lopéz García, artist, Spain Gregory Hedberg, Hirschl & Adler Gallery, NY norman Lundin, Prographica Gallery, WA John Pence, John Pence Gallery, CA Don Porter, Pietra Serena, WA

Please

give For over 20 years, Gage academy of art, a 501(c)(3) not-for-profit institution, has been serving the community with inspired programs and events for artists of all ages and abilities. To give online visit Gageacademy.org/support, or call our Development office at 206.323.4243 x12. Gage® and Drawing Jam® are registered trademarks of Gage academy of art. no part of this catalog may be reprinted without permission. ©2013 Gage academy of art. all Rights Reserved.

Catalog printed by ColorGraphics.

2-4 13

The Most Rewarding Project Gage Events Curriculum & Foundation Programs

24-25

Teaching artists

26-27

Program schedule

28-29

student & Registration Information grAtIs @ gAgE

Professional Development Events

Exhibitions

artist Lectures Adult ProgrAms

open studios

8-9

Weekend Workshops

10-12

Weeklong Workshops

Gage @ Fort Worden

Two-night Lecture series

14-15 & 18-19

Drawing Classes

15-17 & 19-20

Painting Classes

17 & 20 21

sculpting Classes ateliers Youth ProgrAms

22 22-23

Youth update Teen art studios gAgE Art trAVEl

aristides in Florence — June & July 2013

The French Connection — october 2013

CoVER ARTIST: JAMES MCELHINNEY Guest Teaching Artist

BACK CoVER ARTIST: KATIE BLACKBURN Gage Teen Artist, age 13

James Lancel McElhinney attended Tyler school of art, where he received his B.F.a.; skowhegan school of Painting and sculpture; and Yale university, where he received his M.F.a. in Painting. His teaching career began as an assistant to Bernard Chaet at Yale, followed by appointments at Bowdoin College, Moore College of art, skidmore College, East Carolina university and university of Colorado. He has been a visiting associate Professor of Drawing at Pratt Institute, Brooklyn since 2004; and has taught at the art students League of new York since 2005.

“When I’m at Teen art studios, I’m allowed to go outside my comfort zone and be really creative in my art. While I’m there, I draw and paint things I never thought I’d be able to, and learn so many things. But what I think is the most important is to learn from your mistakes and make something out of them. I’m not saying there are no mistakes in art. There are just more opportunities to build off of!” Read more about the Youth Programs at Gage on pages 22-23.

Cover: Bastion Thoroughfare: Memory Foretold: The Hudson River South from Boscobel Restoration, detail, 2010, 40" x 40", acrylic on canvas

Pamela Belyea: the most rewarding Project

The Most Rewarding Project “The artist never entirely knows. We guess. We may be wrong. But we take leap after leap.” — Choreographer Agnes de Mille 1998: Co-founder of the Academy of Realist Art (later named Gage Academy of Art), Pamela Belyea receives the Seattle Mayor’s Small Business Award.

Es, For NEArlY twENtYFIVE YEArs I’ve been leaping into the unknown — working to craft a new kind of “old-fashioned” art school, dedicated to serving artists of all ages and abilities. From our humble, nomadic beginnings in new York and santa Fe and back (and again), to our current home on Capitol Hill, Gage has become a flourishing community of artists and innovators. For me, as an architect, fashioning this vital, living thing has proven to be the most rewarding building project of my entire life.

2012: Pamela awards a gold en “Pammy” to a talented artist at Bes t of Gage.

on July 1, I step down as Executive Director at Gage academy of art — but my passion for arts education continues. I am leaving Gage to return to college with a long-term vision of creating a new kind of preparatory school. I’m sure my next mission will require many more leaps of blind faith, but will hopefully prove as satisfying and meaningful as my decades of leadership here at Gage.

1999: Pamela Belyea is featured in a David Horsey cartoon in the seattle P.I., post W.T.O.

as Director Emerita I will continue to be an enthusiastic member of the Gage community. as I prepare for my next leap into the unknown, I know I can count on the good work of my friends, colleagues and advocates to strengthen and support the culture of excellence at Gage — and I salute the Gage artists of all ages and abilities today and tomorrow, who continue to grow, create and inspire. always,

Pamela Belyea, Co-founder/Director Emerita Gage academy of art

2010: Kang-O’Higgins Atelier student Deborah Scott portrays Pamela Belyea in front of the St. Nicholas Building at Gage. Santa Fe to Seattle and back again, a look at Pamela and Gage through the years. 1

Merci Beaucoup! T SPECIAL THANKS TO OUR TABLE CAPTAINS

Pamela Belyea Gary Faigin Gary Bezowsky & Donna Evered Ann Bradford & Geoff Patterson Michelle Bufano, Chihuly Studio / Chihuly Garden and Glass* Diane Butler, Lane Powell* Ellen Cooper David Dwyer & Bob Zat Greg Eastman

Christine & David Gedye Meg Holgate & Bruce Bradburn Frederick T. & Susan Kutscher, Kutscher Rhodes & Benner, Inc.* Sari & Gene Lipitz Erin Moyer, Laird Norton Wealth Management* Jens & Pam Quistgaard Katherine Randolph Brent & Heidi Reys

Cathy Sarkowsky & Max Sarkowsky Seattle Art Museum Supporters (SAMS) Anne Steele Julie Tall Pamela Taylor Kristine & John Travaglini Susan Winokur & Paul Leach * Corporate Sponsor

OUR CONNOISSEUR GUESTS

OUR VIP GUESTS

Charlotte Behnke Phoebe Brockman Anita & Jack Dingrani John Epping Doug Exworthy & Kent Posh

Pamela Johnson & Carl Haeﬂing Joyce Allen

Frederick & Connie Scheetz Scott & Colleen Stromatt Vreni Von Arx Watt & Jerry Watt George & Jean Wagner Susan Weihrich

hanks to the support of our generous donors and donating artists, we raised a record $227,000 to benefit education programs at Gage. and what a party! With over 275 guests enjoying live and silent auctions with works by local, regional and nationally celebrated artists; and amazing music from seattle’s Pearl Django. our guest of honor, margaret davidson, received the 2013 Gage art award and was celebrated among a room full of loyal fans. Photos from the event may be viewed and purchased at teamPhotogenic.com, where a portion of the proceeds benefit Gage, courtesy of the adelia M. Fisher Fund.

OUR GENEROUS DONATING ARTISTS kyle abernethy Juliette aristides susan Bennerstrom olivia Britt Louise Britton suzanne Brooker Larine Chung Pat Clayton

valerie Collymore Gerry Conley kathleen Coyle alisha Dall’osto Margaret Davidson Jon deMartin David Dwyer Bill Evans

Gary Faigin Geoff Flack Michael Friel Terry Furchgott Christine Gedye GlassHouse studios Patty Haller andrew Hare

aron Hart nate Herth Tom Hoffmann Lee Holcomb Mark kango’Higgins Lauren klenow Ioulia kouskova

Ted kutscher Michael Lane Mike Leavitt annie Lewis kathy Liao Patrick LoCicero norman Lundin anna Mckee

ann a. Morris Elise Morrow Patricia orellana kelly Patterson anne Petty sandra Power steven Reddy Britt Rynearson

amanda schuster Robin siegl Charles spitzack keri stack Michael stasinos Tamara stephas vonn sumner akio Takamori kellie Talbot

Patti Warashina Melissa Weinman Elana Winsberg sherrie Wolf allyce Wood Randy Wood Jim Woodring suze Woolf Elizabeth Zanzinger

OUR GENEROUS CORPORATE & BUSINESS SPONSORS

IN-KIND SUPPORT FROM

FRAME DONORS

GAGEACADEMY.ORG

IN mEmorIAm

Please

give GAGEACADEMY.ORG/SUPPORT

Your Gift Matters. You make a direct impact by giving to Gage before June 30, 2013. now, more than ever, Gage relies on individual support to continue its programs, exhibitions and professional development events for artists within the community. GET INVOLVED!

Your gift will . . .

the training of artists of all ages * support youth and adults of all backgrounds can study with renowned * Ensure Gage instructors through scholarships and free programming professional opportunities for artists in our region and beyond * Create a big difference to a small institution working hard to nurture artists * Make * Help strengthen the mission and future of Gage

martha Elizabeth harris 1949–2012 Martha Elizabeth Harris graced many with her flowers, her creativity, her joy of living, her spirit and her brilliant smile. she was a celebrated florist and artist who studied drawing and painting at Gage with Margaret Davidson and John Rizzotto. Martha lived life with a backbone, a funny bone and a wishbone, and is truly missed by those whose life she touched through her artistry and friendship.

donate online at gageAcademy.org/support or call 206.323.gAgE (4243) x16.

Thank you for your support before June 30, 2013. mary gales 1964–2013 Mary had a love of art, expressing herself through song, guitar and cello, as well as drawing and painting, honing her talent and skills through numerous classes at Gage. several of Mary’s friends have established a scholarship fund in her name as a way to remind others of the beauty that she brought to the world. Mary’s lively and generous spirit will be missed by many. For information about contributing to the Mary Gales Scholarship Fund, please contact Alison Dawson at 206.323.4243 x12.

BESTof GAGE

21st Annual

Student Art Exhibit, Awards & Sale

FRIDAY, JUNE 14 6:00PM – 9:00PM FREE gage student artists of all levels and disciplines celebrate a year of art and artistry at the 2013 Best of gage. Join the party as students, artists and art lovers alike peruse three ﬂoors of work representing diverse media, subjects and styles.

studENts!

Best of gage suBmIssIoN dEtAIls who any student who has been enrolled in a Gage class, workshop or atelier program between June 25, 2012 and June 14, 2013.

whAt one entry per artist — your very best work! There are no size or medium restrictions, and the work can be independent from Gage coursework. artwork does not need to be framed but must be ready to hang (preferably with wire).

how Choose your best piece of work created in the past year year, and select from among these categories: Abstract Beginner Figure Landscape Portrait Sculpture Still Life First, second, and Third Place will be awarded in each category, with the winning works featured in the steele Gallery. Three additional prizes will be awarded — BEsT In sHoW, PEoPLE’s CHoICE and new this year, a BEsT DRaWInG award.

whErE & whEN Drop off your submission from 10:00am4:00pm on Wednesday, June 5 through saturday, June 8 at Gage academy of art, Curatorial office, third floor.

QuEstIoNs?

VERNISSAGE — VIP Preview & Sale! 5:00pm – 6:00pm Be the ﬁrst to view and purchase Best of gage artwork by reserving your place at the annual Vernissage. tickets to this exclusive showing are just $50, but space is limited, so reserve your place online today at gageAcademy.org/bestofgage.

ART SALE 6:00pm – 9:00pm Purchase select works from the Best of gage exhibition and right from the studios of gage atelier students. take home an original piece of art while supporting your favorite artists and your favorite art school!

Contact shelly Leavens, Curator/Public Events, at shelly@Gageacademy.org or 206.323.4243 x18.

STUDENTS: opt to sell your artwork at Best of Gage! While your work is part of the exhibition through July, you can still let Gage be your representative for one night only! Gage staff will manage all sales at the Best of Gage event, and students receive 60% of the sale price! Contact the Curator for more details. gageAcademy.org/bestofgage.

AWARDS CEREMONY 7:00pm Attend the annual awards ceremony at 7:00pm in the geo studio. guest juror Beth sellars, curator and co-founder of suyama space, selects top entries in seven categories, plus an award for Best drawing and the prestigious Best in show prize. Plus, vote for your favorite in the People’s Choice Award.

GageAcademy.org/bestofgage

BEST oF GAGE EXHIBITIoN June 14-July 26 The Best of Gage exhibition is on display through July. Even if you miss the big night, you can still see the artwork throughout the entire building, and don’t miss the winning pieces installed in the steele Gallery!

Gage Art Travel

age art Travel tours bring together small groups of artists and art enthusiasts for intensive explorations guided by informed and passionate experts. Please book early; tours are limited to 18 participants and tend to sell out quickly. Learn more at GageAcademy.org/tours.

gAgE Art travel

ARISTIDES IN FLORENCE Drawing Workshop & Art History Tour Drawing Instructor: Juliette aristides Art History Instructor: Carol Hendricks Thursday, June 27 to saturday, July 13, 2013 (16 nights) $3,600 double occupancy

$4,300 single occupancy

Courtesy ARTstor.org

10% program/tour discount offered to all current and graduate Gage atelier students

Florence, Italy. Right: Juliette Aristides & Carol Hendricks in Florence

Join atelier instructor Juliette Aristides, and Gage art historian, Carol hendricks, for this unparalleled opportunity to study art and architecture of the Renaissance while refining your drawing skills. During this 2-week intensive, Juliette aristides focuses on classical drawing techniques for depicting the magnificent sculptures and buildings of Florence. Concurrently, Carol Hendricks, your Italian art history expert, introduces you to some of Europe’s greatest masterpieces installed in the city’s beautiful churches and museums. Your principal text book for your drawing workshop is Lessons in Classical Drawing: Essential Techniques from Inside the Atelier, by Juliette aristides. Please note that all current and graduate Gage atelier students receive a 10% workshop/tour discount. This discount is not available for the Single Occupancy option.

Atr1302

Deadline to register is May 31. Call 206.323.4243 x10. BooK Now For JuNE!

The French Connection : From Provence to Paris Tour Guide: Gary Faigin Friday, october 18 to saturday, october 26, 2013 (8 nights) $4,800 double occupancy |

$6,200 single occupancy (no roommate)

Follow in the footsteps of Cézanne, Matisse and Gauguin as celebrated artist and art historian Gary Faigin leads an inspiring journey through the lives and works of the Impressionist and Modern masters. Your tour begins in Nice, on the shores of the Mediterranean, where charming nearby museums feature masterworks of Matisse, Chagall and Picasso. Heading west, you’ll explore Aix-en-Provence, historic artistic center and seat of learning and home to the studio of Cézanne. Rolling countryside and fields of sunflowers recall images of van Gogh as your journey continues west to st. remy de-Provence and Arles. Travel north to picturesque Avignon, before embarking on a high-speed Eurorail journey north to Paris for a guided exploration of the historic art, culture and romance of the great museums in the City of Light. Your tour includes three nights in Nice, two nights in Arles and three nights in Paris in centrally-located 4- and 5-star hotels; plus daily breakfasts, two group-dinners and one group-lunch and intercity travel and museum admission. Please note: meals not mentioned here, airfare and airport transfers are not included in the price of the tour. Please be prepared to walk up stairs and stand for prolonged periods.

Atr1303 Reserve your place with a $500 per person non-refundable deposit online!

Henri Matisse 5

grAtIs AtABout gAgE: gAgE: Events,gage Exhibitions update& lectures

Gratis at Gage Professional Development Events Emerging and established local, regional and national artists present lectures, workshops and seminars to enrich the discussion of issues facing and affecting art and artists in the community. open to the public. FrEE Read more about these events at Gageacademy.org/events.

ArtIst toolKIt

12:30pm-1:30pm Geo Studio, 3rd ﬂoor FrEE May 23

12:30pm-1:30pm Geo Studio, 3rd ﬂoor FrEE

WORKING AS A TEACHING ARTIST

June 13

Michael Lorefice, artist

Macarthur Genius winner and longtime seattle resident Trimpin is known for giant mechanical sculptures which move and make music in response to their environment. We’ll look at video documentation of some of his major pieces and discuss how he works out his ideas before embarking on their construction.

Join artist Michael Lorefice as he talks about his experience teaching art to an array of students in multiple community art schools and colleges. Lorefice will talk about how to build the experience and skills necessary to approach teaching art to people of all levels and abilities. Michael Loreﬁce earned his MFA from the Memphis College of Art. He has been featured in the publication new american Paintings and has been an artist-inresidence at the Santa Fe Art Institute and Constance Saltonstall Foundation.

TRIMPIN*, artist

*Join us Friday, June 7 for an exclusive screening of TRIMPIN: The Sound of Invention, a film by Peter Esmonde. 7:00pm Geo Studio FrEE! Trimpin

Exhibitions

Artist Lectures

Gage is proud to present an eclectic array of student, instructor, local- and national-artist works in three gallery spaces on the third floor of the building. All galleries are open 10:00am to 6:00pm daily. Visit GageAcademy.org/events for more information.

Each quarter, Gage hosts thought-provoking lectures with working professional artists and art historians.

ENtrY & rosEN gAllErIEs

stEElE gAllErY

ARISTIDES ATELIER EXHIBITIoNS May 10 – June 7

THE BIRDS AND THE BEASTS May 10 – June 7

THE BEAST WITHIN Todd Horton & Bill Evans

Artists’ Reception: Friday, May 10, 6:00pm-8:00pm Entry gallery: Graduates Bobby di trani and stephanie K. Johnson exhibit thesis work created during their final year in the aristides atelier. rosen gallery: students of the aristides atelier present drawings and paintings founded in traditional academic techniques while highlighting the artists’ own observational skills.

THE NEXT BIG THING — THE ANNUAL PoRTFoLIo INTENSIVE EXHIBITIoN August 2 – August 30 Artists’ Reception: Friday, August 2, 6:00pm-8:00pm The drawings and paintings in this culminating exhibition demonstrate both the foundational skills and unique artistic expression discovered by these teen artists from the 5-week summer Portfolio Intensive.

Bobby Di Trani, detail 6

ArttAlK

Artists’ Reception: Friday, May 10, 6:00pm-8:00pm Concurrent Artist’s Lecture: Friday, May 10, 7:00 pm Painter todd horton and Gage teaching artist Bill Evans exhibit their expressive paintings and sculptures of birds and beasts. Horton’s layered, compositions of birds and native fauna reflect an interactive connection with the natural world, while Evans’s gestural animal figures portray a heightened sense of our animal nature, revealing commonalities with the wild creatures in our midst.

BLACKgreyWHITE August 2 – September 6 Artists’ Reception: Friday, August 2, 6:00pm-8:00pm Guest curated by artist Julia hensley, BLaCkgreyWHITE is about communication. The black and white works are linked by the grey works in a flowing installation that includes Hensley’s own work, as well as the work of sharon Arnold, Anne Blackburn, Cable grifﬁth, troy gua, robert hardgrave, Counsel langley and Amy-Ellen Flatchestedmama trefsger.

Julia Hensley, detail

FrEE

Friday, May 10 7:00pm Geo Studio, 3rd Fl In Conjunction with The Birds and The Beasts our animalian nature is part of what connects us to each other and to the birds and beasts of the wild. Join exhibiting artists Todd Horton and Bill Evans as they discuss their work and their connections with the wild world. Bill Evans’s bio can be found on page 24. Todd Horton lives and paints full time in Edison, WA. His work involves landscape, wildlife, and chance, sometimes all in the same composition. Horton’s paintings were featured at the Museum of Northwest Art, and in a solo exhibition at Whatcom Museum.

VISUAL | VERBAL FrEE Julia Hensley & John Boylan

Friday, August 2 7:00pm Geo Studio, 3rd Fl In Conjunction with BLACKgreyWHITE artist statements, curator notes, wall texts, visitor guides and reviews each serve a purpose, but how does their presence affect how we encounter visual art? What is the relationship of the written and spoken language to the silent, visual language; and how do words influence both the viewer’s experience and the artist’s process? Julia Hensley is a visual artist and visual arts educator currently exploring themes of space, technology and trash in a range of media. Trained at Boston University, Hensley’s work has shown at galleries including Paul Thiebaud Gallery in San Francisco and Foster White Gallery in Seattle. John Boylan is a writer, conversationalist and provocateur. Since 1997 he has run a roundtable conversation series that has featured more than 300 guests, including some of Seattle’s most fascinating artists, scientists, poets, writers, musicians, impresarios and culture workers of all stripes.

open Studios

DRoP-IN FIGURE STUDIoS No instructor

RESERVED FIGURE STUDIoS No instructor

In the tradition of all professional art schools, Gage offers drop-in figure studios every day of the week. artists work independently from the model on a drop-in basis, gaining hands-on practice in drawing, painting or sculpting the figure. In artist’s Choice sessions, the pose is set by a Gage artist who works alongside studio artists for the duration of the pose.

In the Reserved Figure studios, a group of dedicated artists work from one figure pose throughout the quarter, with the pose set on the first night. students must register before the quarter begins to guarantee an easel space. sEssIoNs A & B: JuNE 27 – August 29 [9 wks] st1311 thurs pm $150 ($165 includes clay) sculpting sEssIoN B: JulY 31 – August 28 [5 weeks] st1312 wed am $85 Dwg/Ptg

NEW! Wednesday Nights at Utrecht with Gary Faigin. Utrecht now hosts open studio sessions with figure models at their Capitol Hill store on Sunday (6:00pm-9:00pm) AND Wednesday (6:30pm-9:30pm) nights. The NEW Wednesday session is run at Utrecht by Gary Faigin, and will continue throughout the summer independent of the Gage academic calendar.

Photo by Anna Sparks

st1321 FIrst VIsIt FrEE $14 (drop-in) / $55 (5-session pass) $160 (20-session pass)

two summer sessions!

Adult ProgrAms: open studios

pen and Reserved studios provide opportunities for Gage students and artists in the community to work independently from the model.

Artists in an Open Studio at Gage.

droP-IN ANd rEsErVEd FIgurE studIos sEssIoN A

sponsored by

moNdAY, JuNE 24 – suNdAY, JulY 28 [no programs 7/4]

MoNDAY

TUESDAY

6/24 - 7/22

6/25 - 7/23

WEDNESDAY 6/26 - 7/24

9:30am - 12:30pm short PosEs

THURSDAY 6/27 - 7/25

FRIDAY

6/28 - 7/26

9:30am - 12:30pm loNg PosE

SATURDAY 6/29 - 7/27

1124 Pike street

SUNDAY

6/30 - 7/28

9:30am - 12:30pm short PosEs

Morning

[no class 7/4]

1:30pm - 4:30pm loNg PosE

1:30pm - 4:30pm short PosEs

6:30pm - 9:30pm gArY FAIgIN’s oPEN studIo @ 2-wEEK PosEs

1124 Pike street

sEssIoN B

1:30pm - 4:30pm loNg PosE 6:30pm - 9:30pm short PosEs [no class 7/4]

rEsErVEd studIo sculpting [6/27-8/29]

1:30pm - 4:30pm loNg PosE

Afternoon

6:00pm - 9:00pm oPEN studIo @

Evening

1124 Pike street

[9 wks, no class 7/4]

moNdAY, JulY 29 – FrIdAY, August 30

MoNDAY

7/29 - 8/26

TUESDAY

7/30 - 8/27

WEDNESDAY 7/31 - 8/28

THURSDAY 8/1 - 8/29

FRIDAY

8/2 - 8/30

9:30am - 12:30pm 9:30am - 12:30pm 9:30am - 12:30pm short PosEs rEsErVEd studIo loNg PosE dwg/Ptg 1:30pm - 4:30pm loNg PosE

1:30pm - 4:30pm short PosEs

6:30pm - 9:30pm short PosEs

SATURDAY 8/3 - 8/24

SUNDAY

8/4 - 8/25

9:30am - 12:30pm short PosEs 1:30pm - 4:30pm loNg PosE

6:30pm - 9:30pm gArY FAIgIN’s rEsErVEd studIo oPEN studIo @ sculpting [6/27-8/29]

Morning

1:30pm - 4:30pm loNg PosE

Afternoon

6:00pm - 9:00pm oPEN studIo @

Evening

[9 wks, no class 7/4] 2-wEEK PosEs

1124 Pike street

• See Gage website for last minute updates. • Register online at GageAcademy.org beginning Monday, May 13, 2013 or call 206.323.GAGE

Weekend Workshops Adult ProgrAms: weekend workshops

eekend workshops offer the opportunity to explore new media and subject matter, or develop your artistry in an intensive environment of creativity and learning.

Hamid Zavareei, detail

Micahel Lane, detail

Terry Furchgott, detail

MIXED-MEDIA PAINTING Hamid Zavareei sat-sun 9:30am-4:30pm 6/22-6/23

PoRTRAIT ANAToMY Michael Lane sat-sun 9:30am-4:30pm 7/13-7/14

DRAWING FoR BEGINNERS Terry Furchgott sat-sun 9:30am-4:30pm 7/27-7/28

[2 days]

Learn how to incorporate unconventional materials into your art-making process. Experiment with application and inclusion of mastics, wire mesh, acrylic gels, wood, metal, adhesives and more as you explore new tools and techniques such as drip painting and gestural painting in your work. $25 partial materials fee payable to instructor. ww1317

All

$195

CRASH CoURSE IN CoMPoSITIoN Anne Lewis sunday 9:30am-4:30pm 6/30 [1 day] Believing that experience nourishes intuition, this crash course is a lab designed to exercise and build compositional skills. To this end, the immediacy of collage lends itself well to fast, fun and informative projects emphasizing structure, unity, rhythm, shape, positive and negative space and more. You may work in any medium of your choice. ww1318

All

[2 days]

Learn to draw the planes of the head and how they relate to the anatomy of the face. Proportions, plane changes and the features are covered as you learn to set up and construct a portrait drawing and render planar information to describe form. ww1319

All

$225

THE ARCHITECTURE oF CoLLAGE Anne Lewis sunday 9:30am-4:30pm 7/21 [1 day] a collage starts with one scrap, one idea or one image and builds to reveal a story of individual and often disparate elements. Take a day to examine that building process and explore the underlying structures to support the compositions you create. Experiment with collage materials and enjoy the playfulness and pleasure of this liberating medium. ww1320

All

$95

ww1321

Anne Lewis

BEgINNINg

$195

MIXED-MEDIA IMAGE LAYERING Patrick LoCicero sat-sun 9:30am-4:30pm 7/27-7/28

[2 days]

Through the process of mixed media, found object and collage, explore various background layering techniques and learn to integrate dissonant materials in a composition to create a successful finished work of art. Historical and contemporary examples inspire you to find your own voice and lead to a unique and personal iconography. ww1322

Anne Lewis

[2 days]

Learn the basics of creating strong, accurate drawings working from an inspiring variety of still-life objects. Progressing from the precision of pencil to the bolder marks of charcoal, you explore the interplay of line, light and shadow, positive and negative shapes and three-dimensional rendering. Gain skill and confidence as you complete a series of lively drawings learning to simplify complex subjects and to create the illusion of volume and light.

All

$195

Patrick LoCicero, detail

Barbara Fugate, detail

Terry Furchgott, detail

THE QUICK SKETCH Bill Evans sat-sun 9:30am-4:30pm 8/3-8/4

GESTURE DRAWING INTENSIVE Barbara Fugate Fri-sun 9:30am-4:30pm 8/16-8/18

ACRYLIC FIGURE PAINTING: FAUVIST PALETTE Terry Furchgott Fri-sun 9:30am-4:30pm 9/6-9/8

[2 days]

Learn to overcome the difficulty of relating and interpreting what you see into what you are drawing. The first day, you create dozens of quick sketches of a model in motion while studying various sketch mediums and techniques; and during the second day you practice sketching outdoors. as you sketch, you focus on studying proportions and the correct placement of lines, learning to accurately interpret what you observe onto paper. ww1323

All

$205

ToNAL PoRTRAIT DRAWING Michael Lane Fri-sun 9:30am-4:30pm 8/9-8/11

All

$325

ww1325

INt/AdV

$325

RoSES, GLASS & BRASS IN PASTEL Terry Furchgott Fri-sun 9:30am-4:30pm 8/23-8/25 [3 days] [3 days]

Improve your portrait drawing accuracy and speed in a relaxed, supportive environment. Working tonally in charcoal and white chalk, learn to draw the portrait in a way that relates directly to painting. From block-in, massing of shadow shapes, wipe outs, blending with a stump and highlighting, you mimic the painting process while executing fully-rendered portrait drawings quickly and concisely. ww1324

[3 days]

Hone your ability to visualize the figure as it exists in space making quick gesture drawings in charcoal and ink wash. Gesture drawing expands your visual vocabulary of mark-making, textures, values and colors; always aimed at expressing how things are rather than what they are. You make a multitude of drawings on 24" x 36" paper, working approximately life-size.

using richly colored soft pastel, you learn to create luminous floral still lifes in the style of Manet working from inspiring setups including roses, glass and golden and silver metal objects. as you complete multiple color studies and one finished painting, you explore the basics of pastel technique, learn to draw accurately and work with both bold strokes and subtle layers of color to achieve texture, volume and a strong sense of light and shadow in your work. $10 partial materials fee payable to instructor. ww1326

All

$295

Terry Furchgott, detail

[3 days]

Discover a new world of color inspired by the bold and expressive portrait works of the Post Impressionists and Fauves such as Gauguin, Derain and Matisse, balanced with a solid base of essential acrylic techniques, and practice with accurate figure drawing, clothing and drapery. Working with a saturated palette of pure colors, learn to manipulate color value, temperature and intensity to suggest light, planar structure and space. Multiple color studies and one finished work allow you to explore your own intuitive sense of color and identify palette choices that work for you. $15 partial materials fee payable to instructor. ww1327

INt/AdV

$325

ESSENTIAL BRUSH TECHNIQUES Suzanne Brooker Fri-sun 9:30am-4:30pm 9/13-9/15 [3 days] Brushwork is the signature of an artist. Learn how to develop the skills needed for interpreting volume, space, movement and texture through brush handling. a close examination of mediums and an exploration of techniques helps you understand how the viscosity of paint achieves different painterly effects on a variety of surfaces. ww1328

Michael Lane

Adult ProgrAms: weekend workshops

Bill Evans, detail

All

$295

Suzanne Brooker, detail

Weeklong Workshops Adult ProgrAms: weeklong workshops

age weeklong workshops allow artists to devote five or more days to intensive training. Gage invites students to study with nationally respected artist-instructors while devoting a concentrated period of time to the practice of making art. summEr

Irene Pérez-Omer

Peter Van Dyck

Jordan Sokol, detail

ICoN PAINTING IN EGG TEMPERA Irene Pérez-Omer Mon-sat 9:30am-4:30pm 6/24-6/29 [6 days]

SHoRT-PoSE FIGURE PAINTING Peter Van Dyck Mon-Fri 9:30am-4:30pm 6/24-6/28 [5 days]

PAINTING THE FIGURE FRoM LIFE Jordan Sokol Mon-Fri 9:30am-4:30pm 8/5-8/16 [10 days]

Work with an iconographer trained by vladislav andrejev, founder of the Prosopon school of Iconology, and learn how to create a traditional Russian-Byzantine icon in egg tempera with gold leaf halo and shell gold highlights through a rigorous step-by-step process. Included is an explanation of the spiritual symbolism of every step of the contemplative icon-writing process while teaching you the traditional techniques required to successfully complete your icon. Price of workshop includes all art supplies needed for the week including gold leaf, gum arabic and a solid wood gessoed board. All of the students in the workshop write the same icon, Mother and Child.

This rigorous workshop addresses accurate drawing of the large forms and gestures of the figure, the translation of those forms into color masses and the depiction of the color of the light that pervades an environment, as well as paint handling, surface preparation and other technical issues. Working quickly and decisively on one-day figure paintings, you learn to simplify complex observed scenarios, create compelling personal compositions with the human figure as your subject and to make paintings that work as a cohesive whole.

Florence comes to Gage! Prepare yourself for a comprehensive exploration of the human figure as you develop new ways of thinking, seeing and painting, enabling you to achieve a realistic representation of the human figure. sokol, Principal Instructor at The Florence academy of art, leads your exploration though topics such as the sight-size method, figure construction, structure through visual anatomy, form and its relationship to light, the optical impression and paint handling. Learn fundamental and advanced concepts of understanding and deconstructing visual perception into separate organized elements, developing a structured thought process for translating those elements accurately in paint. Prior ﬁgure painting experience recommended.

wA1307

INt/AdV

wA1308

INt/AdV

$625

$825 (includes all art supplies)

wA1311

INt/AdV

PAINTING THE SPANISH STILL LIFE John Morra Tues-Fri & Mon-Fri 9:30am-4:30pm 9/3-9/13

$1,250

[9 days]

over nine days, create one dramatic still-life oil painting in the style of spanish artists Melendez and Cotan, which feature spot-lit objects in deep black space. Your studio working method dates back to the Renaissance with a set-up that includes a grid mounted on a tripod and plumb lines. using the grid allows you to re-train your eyes to accurately see shapes and relationships in a fresh new way while you develop your painting from a gridded drawing, to a monochrome study with a color glazing to finish. wA1316

INt/AdV

John Morra 10

$1,000

summEr

FAll

Adult ProgrAms: weeklong workshops

Koo Schadler

PoRTRAITURE IN EGG TEMPERA* Koo Schadler Mon-Fri 9:30am-4:30pm 12/2-12/6 [5 days]

James McElhinney

CoMPoSITIoN & CoLoR IN PICTURING LANDSCAPE James McElhinney Mon-Fri 9:30am-4:30pm 8/26-8/30 [5 days] spend one week in seattleâ&#x20AC;&#x2122;s spectacular parks making daily journal paintings that capture clear vistas of water and land in preparation for more developed compositional drawings and paintings in your Gage studio. armed with sketchbooks, watercolor, oil paints, pens and pencils, you learn to develop a deeper grasp of the topography, history and terrain you observe daily while improving your skills to depict it intelligently. wA1317

INt/AdV

$600

Enroll in any 2 weeklong workshops and tAKEtwo! receive a $100 discount! use the code tAKEtwo when you register online, or call 206.323.4243 x10.

ESSENTIAL CoNCEPTS oF LANDSCAPE PAINTING Mitchell Albala Mon-Fri 8:00am-11:00am & 3:30pm-6:30pm 8/12-8/16 [5 days] Explore practical solutions to the special challenges faced by landscape painters, including simplification through massing, composing the landscape space, strategies for depicting light, color mixing, paint handling and managing your outdoor studio. Located on Fir Island in the heart of skagit valley, this summer plein-air retreat provides a vast agricultural panorama dotted with farmhouses, barns and fields. Join a close knit art colony as you benefit from daily demonstrations and lectures, free painting, quick studies and personal and group critiques. Lunches included. Mitchell Albala, detail

wA1312

INt/AdV

$650

old as the Egyptians and most famous during the Renaissance, egg tempera painting is increasingly popular with artists today. Explore every step of how to develop a portrait in egg tempera through ongoing individual instruction and critiques. Learn the traditional old Master palette used to develop flesh tones, and observe the painting process from the instructor. You may work from your own photographs, provided photos or from a copy of an old Master portrait. a demonstration on the essentials of working in egg tempera is provided for beginning students. $60 partial materials fee payable to the instructor. wA1318

All $650

STILL LIFE IN EGG TEMPERA* Koo Schadler Mon-Fri 9:30am-4:30pm 12/9-12/13

[5 days]

Learn how to create a luminous egg tempera still-life painting from start to finish, including exploring the importance of the set-up, taking into consideration light, values, color, warm and cool shapes, textures and edges; including instructor painting demonstrations and ongoing individual instruction and critiques. Work from either life, your own photographs, or from provided photos of still lifes. a demonstration on the essentials of working in egg tempera is provided for beginning students. $60 partial materials fee payable to the instructor. wA1319

All $650

*Both workshops include a photography session to explore lighting techniques and posing a model to create visually strong photographs that already look like beautifully designed paintings.

Adult ProgrAms: gage @ Fort worden

Gage @ Fort Worden gEt AwAY to Fort wordEN

Fort wordEN

Bring your family & friends! Workshop artists are welcome to bring their friends and families to Fort Worden state Park to enjoy kayaking, biking, tennis, fishing, swimming and more, as well as access to the lovely restaurants, cafés, theaters and galleries of nearby Port Townsend.

HoUSING oPTIoNS: (5 NIGHTS) Check-in sunday, august 18 Check-out Friday, august 23

Gary Faigin, detail

gEt INsPIrEd At Fort wordEN This summer, Gage presents three concurrent workshops at picturesque Fort Worden state Park, nestled in the victorian seaport community of Port Townsend, and home to miles of saltwater beaches, fields, forests and dunes. Gage has reserved affordable accommodations in historic officer’s housing at Fort Worden, as well as a lovely B&B in Port Townsend — and guests and family members are welcome to join you! Please plan to arrive sunday afternoon and depart Friday after class. Camping at the Park is also available by contacting Fort Worden directly. Please visit GageAcademy.org/adult for housing options.

LANDSCAPE PAINTING IN oIL Gary Faigin Mon-Fri 9:30am-4:30pm 8/19-8/23

[5 days]

Escape to the outdoors and spend a week painting the great northwest! Each day begins with a demonstration focusing on the key elements of plein-air painting: choosing a subject, getting started, the block-in, adjusting your values and approaches to painting trees, skies and water. Your headquarters for the week is a large studio in a historic building that includes space for you to prep your materials and paint from indoors, if the weather dictates. Emphasis is placed on strong compositions, simplifying complex forms and eliminating distracting and unnecessary details. wA1313

All

$600

NATURE PAINTING IN GoUACHE Karen Hackenberg Mon-Fri 9:30am-4:30pm 8/19-8/23 [5 days]

PoRTRAIT DRAWING oN ToNED PAPER Tenaya Sims Mon-Fri 9:30am-4:30pm 8/19-8/23 [5 days]

spend your week studying gouache painting and unlocking the mysteries of this rich and versatile medium. Learn basic techniques and create paintings inspired by the natural surroundings of Fort Worden state Park. Each day includes a focus on an essential element of painting: composition, color mixing and the various methods of applying paint. Working with a condensed palette of colors, explore the process of wet-into-wet color graduation, dry brush modeling of forms, over-painting and painting with resist.

Depicting a compelling and realistic portrait is one of the most difficult tasks an artist faces. From your headquarters at scenic and historic Fort Worden in Port Townsend, Wa, you focus on learning fundamental mechanics of blocking-in and rendering the head and face, then adapt these techniques to a variety of drawing tools and surfaces, as well as learning to prepare your drawing surfaces by toning the paper with gouache, graphite powder and charcoal dust. Demos, critiques and lectures augment your studio time.

All

$600

wA1315

All

Fw1301 one person/1 bed Fw1302 two persons/1 bed (no children)

$250 $350

officers Row Houses stay in your own historic officer’s row house, complete with a big porch and a comfy living room. sleeps 4–5. Café breakfast included. No pets, but children are welcome! Fw1303 2 bed/2-bath house $1,000

Port Townsend B&B Enjoy the amenities of lovely Port Townsend from your own private bedroom in an artfilled B&B. Breakfast daily. Gage women only. Fw1304 one person/1 bed

$300

$625

Photo courtesy Dejah Ledger

wA1314

officers Quarters an 11-bedroom compound with a large shared kitchen, dining room and living room. Café breakfast included. Sorry, no children, no pets.

Karen Hackenberg 12

Tenaya Sims, detail

Curriculum & Foundation Programs

SKILL LEVELS Beginning (BEg): You have little or no experience with drawing, painting or sculpting practice, theory and/or media. Intermediate (INt): You have a basic understanding of the principles of drawing; you paint with an understanding of media application and use of color; and/or sculpt with an understanding of structure and form, as well as a working knowledge of basic techniques and tools. Advanced (AdV): You exhibit a technical mastery of the theory, practice, tools and techniques associated with drawing, painting and/or sculpting. FoUNDATIoN PRoGRAMS Foundation Drawing and Painting Programs offer an opportunity for the serious artist to create a course of study through an accumulating series of classes that help to develop a solid understanding of core concepts (see details at right). EDUCAToR CLoCK HoURS Gage offers clock hour credits for educators in select classes in drawing, painting and sculpting. Register for classes as normal, and for an administrative fee of $45 per 30 hours completed, you can earn clock hours toward your continuing education. symbol, or contact Gage Look for the at 206.323.4243 x10.

EduCA t worKs or hoP

CLASSICAL DRAWING FoR EDUCAToRS Amanda Hallenius and David Dwyer Mon-Fri 9:30am-4:30pm 7/22-7/26 [5 days]

Drawing can be taught! Join certified educator Mandy Hallenius with aristides atelier graduate David Dwyer for a weeklong workshop, and discover an accessible approach to skill-based drawing education. Daily studio session topics cover approaches to line and form drawing, measurement, tonal analysis, perspective and master copy work, based on material presented in Lessons in Classical Drawing by Juliette aristides. Educators will learn how to translate advanced drawing concepts into innovative lesson plans with a strong focus on assessment strategies. A $50 materials fee payable to Gage includes all art materials, lesson plans, and a copy of Lessons in Classical Drawing. wA1309

All

$475

Full tuition scholarships available â&#x20AC;&#x201D; contact the registrar at info@gageAcademy.org

FoUNDATIoN DRAWING PRoGRAM

Curriculum & Foundation Programs

orkshops and classes at Gage are founded on the core principles of drawing, painting and/or sculpting from observation. student artists learn technique, theory and application through mentorship and practice in the time-honored tradition of classical Realist training.

FAll

Foundation Drawing I* Foundation Figure Drawing I* Perspective Drawing Principles of Perspective Drawing lectures wINtEr

Foundation Drawing II* Foundation Figure Drawing II* Design Concepts for artists anatomy for the artist lectures sPrINg

aesthetics of Drawing Foundation Figure Drawing III* Figure Drawing in Interiors Portrait Drawing Figure sculpting Drawing the Features of the Head lectures FoUNDATIoN PAINTING P PRoGRAM FAll

Foundation still-Life Painting I* Foundation Figure Painting: Color into value* Color for Painters wINtEr

Foundation still-Life Painting II* Foundation Figure Painting: Head, Hands, Feet * Portrait Painting Design Concepts for artists (or elective) sPrINg

Foundation still-Life Painting III* Foundation Figure Painting: Figure in Context Portrait sculpting *class meets twice a week

WANT To LEARN MoRE ABoUT STUDYING AT GAGE? Contact academic advisor anne Petty at advisor@Gageacademy.org to arrange a convenient 30-minute interview. If you have artwork to show, please bring it! A student works on creating a master copy. Register online at GageAcademy.org beginning Monday, May 13, 2013 or call 206.323.GAGE

Summer Session A

Monday, June 24 – Sunday, July 28

Adult ProgrAms: session A

drawing : SESSIoN A DRAWING FoR BEGINNERS Aron Hart Monday 9:30am-12:30pm 6/24-7/22 Vonn Sumner Wednesday 6:30pm-9:30pm 6/26-7/24 In this introductory fundamentals class, exercises expose you to key concepts and artistic principles to accurately render line, shape, proportion and negative space while working from the still life. Explore various drawing media, including charcoal and graphite, as you progress from simple lines toward a nuanced understanding of tonal description. d1340 BEgINNINg d1346 BEgINNINg

$205 (hart) $205 (sumner)

INTRo To FIGURE DRAWING Vonn Sumner Monday 6:30pm-9:30pm 6/24-7/22 Michael Magrath Thursday 1:30pm-4:30pm 6/27-7/25 [4 wks, no class 7/4] Eric Elliott Friday 9:30am-12:30pm 6/28-7/26 Gain technical mastery and intuitive understanding of the human form. Working from quick gesture drawings up to longer, more considered poses and drawings, learn to incorporate proportion and anatomy, the use of light and shade in the depiction of volume and the use of line and tone to describe planar changes of the body. d1341 BEgINNINg d1348 BEgINNINg d1349 BEgINNINg

$225 (sumner) $180 (magrath) [4 wks] $225 (Elliott)

INTRo To PoRTRAIT DRAWING Michael Lane Monday 6:30pm-9:30pm 6/24-7/22 Aron Hart Friday 1:30pm-4:30pm 6/28-7/26 Working from portrait models, study the essential techniques and concepts of proportion, line, value, volume, structure and composition. Focus on basic concepts of drawing applied to the human form and learn to think visually, translating what you see into a compelling portrait using simple techniques. d1342 BEgINNINg $225 (lane) d1350 BEgINNINg $225 (hart) Interested in a Weekend Workshop? See Lane’s Portrait Anatomy, on page 8.

CAST DRAWING Larine Chung Tuesday 6:30pm-9:30pm 6/25-7/23 Learning to draw a sculptural cast from direct observation gives you practice in studying line, tone and mass. Begin building your drawing with a block-in, the foundation of the classical drawing process, then model the large and small forms with tonal values. In addition, practice expressive skills through various gesture drawings. d1344

All

$205

Clock-Hour Course for Educators

More info on p. 13

THE QUICK SKETCH Bill Evans Wednesday 9:30am-12:30pm 6/26-7/24 Create dozens of quick sketches, drawing from still-life, self-portrait, figures and a model in motion while studying various sketch mediums and techniques. Learn to overcome the difficulty of relating and interpreting what you see into what you are drawing. as you sketch, focus on studying proportions and the correct placement of line and tone, learning to accurately interpret what you observe onto paper. Work in a variety of mediums including graphite, charcoal, ink and even some quick sculpting in clay. d1345 All $215 Interested in a Weekend Workshop? See Evans’s The Quick Sketch, on page 9.

EXPRESSIVE FIGURE DRAWING Kathy Liao Tuesday 1:30pm-4:30pm 7/2-7/23 [4 wks] Work big and bold each week as your instructor leads you through exercises exploring a specific art element while creating dynamic and expressive drawings from the figure. Begin each class by making gesture drawings, progressing to longer poses and investigating the formal issues of drawing, including line, contour, volume, mass and space, as you work life-size with charcoal on paper. d1343 INt $180 Interested in a Weekend Workshop? See Fugate’s Gesture Drawing Intensive, on page 9.

2-NIGHT LECTURE STRUCTURES oF THE HUMAN HEAD & HANDS Michael Grimaldi Mon/Tues 6:30pm-9:30pm 7/29-7/30 an intelligent and selective application of anatomy and perspective is essential to effectively represent the human figure. Through a process of balancing perceptual and conceptual elements of drawing from direct observation, discover applicable strategies using anatomical knowledge as a basis for investigating gesture, proportion, perspective and morphology of the figure. Day one will cover the landmarks, muscualture and surface structure of the head and neck and day two will cover the upper limbs and hands. l1305

INt/AdV

$50 Michael Grimaldi

Bill Evans

Drawing | Painting | Sculpting

Rendering the figure on a large scale can create a whole new sense of the immediacy and force of figure drawing that you must experience to appreciate. Working from preliminary studies up to lengthy poses, draw dramatic life-size figure studies and 2/3-size full-length figure drawings with an emphasis on interpreting the drama and sculptural qualities of the model. D1347 INT/ADV $225

painting : session a PORTRAITS IN WATERCOLOR Hamid Zavareei Monday 9:30am-12:30pm 6/24-7/22 Experiment with both traditional watercolor techniques and looser approaches to capture the essentials of your portrait model with simple contours. Focus on head, facial structures and proportion, placing an emphasis on the economy of the line, and allowing for the watercolor to build up the volume and structure of the head and face to render values. Explore light, shade, form and value with gestural broad strokes in warm and cool colors.

MASTER PALETTE I: BAROQUE TO ROCOCO Michael Lane Monday 1:30pm-4:30pm 6/24-7/22 Gradually build up a painting using direct and indirect painting techniques as you learn the post-Renaissance recipes and principles of working from life on toned grounds with historic set palettes. Focus your work on the dark grounds and indirect techniques of the Caravaggisti and the cool grey grounds and pre-mixed palette settings of the Rococo. P1359 ALL $205 See Lanes’s Summer Session B class Master Palette II: Goya to Degas, on page 19.

ENCAUSTIC TECHNIQUES Hamid Zavareei Monday 1:30pm-4:30pm 6/24-7/22 Learn the basics of this ancient, luminescent medium, including material, surface and painting techniques as you explore a range of applications: from the simple addition of wax to your painting media to hot-wax painting and the heating of wax-painted surfaces. Group and individual instruction includes techniques for heating, mixing and application, as well as layering and transferring methods. $25 partial materials fee payable to instructor. P1360 ALL $205

P1358 BEGINNING $225

Give Your Dad the Gift of Gage! Purchase a Gage gift certificate in any amount, good for any class, workshop or art tour. Visit GageAcademy.org, or call 206.323.GAGE x10.

Adult Programs: Session A

LARGE-SCALE FIGURE DRAWING Michael Lane Wednesday 6:30pm-9:30pm 6/26-7/24

gage offers two, five-week summer sessions

MIXED-MEDIA PAINTING Hamid Zavareei Monday 6:30pm-9:30pm 6/24-7/22 Extend your painting arsenal to encompass and incorporate nontraditional media and techniques. Explore different approaches to abstract art, including spontaneous gestural painting, color-field simplification, drip painting and collage, as well as innovative painting approaches and experimenting with different ways to apply paint. $15 partial materials fee payable to instructor. P1361 ALL $205 Interested in a Weekend Workshop? See Patrick LoCicero’s Mixed Media Image Layering and Hamid Zavareei’s Mixed Media Painting, on pages 8 & 9.

INTRO TO STILL-LIFE PAINTING Jim Phalen Tuesday 9:30am-12:30pm 6/25-7/23 In a step-by-step process, learn the methods of oil painting while exploring the still-life genre. In order to remove fear and promote your artistic confidence, you consider value, warm and cool relationships and color, as well as methods for self-correction and problem solving. P1362 BEGINNING $205

INTRO TO PORTRAIT PAINTING Aron Hart Tuesday 1:30pm-4:30pm 6/25-7/23 Learn to create an accurate, dynamic portrait in oil as you capture the features of your model. Working from short to long poses, study color-mixing strategies and paint application techniques. With each painting, develop your understanding of painting the portrait from observation, oil techniques and how to treat the portrait as a pictorial subject. P1363 BEGINNING $225

Hamid Zavareei

Michael Lane

Aron Hart, detail Register online at GageAcademy.org beginning Monday, May 13, 2013 or call 206.323.GAGE

Adult Programs: Session A

Summer Session A, cont. Monday, June 24 – Sunday, July 28 INTRO TO FIGURE PAINTING Michael Lane Tuesday 6:30pm-9:30pm 6/25-7/23

INTRO TO PLEIN-AIR PAINTING Jim Phalen Wednesday 1:30pm-4:30pm 6/26-7/24

EXPRESSIVE FIGURE PAINTING Kathy Liao Wednesday 6:30pm-9:30pm 7/3-7/24 [4 wks]

Eric Elliott Friday 1:30pm-4:30pm 6/28-7/26

Get the most from painting outdoors with this practical guide to creating oil paintings in nature. Begin with discussions on how to choose and prepare materials, including palette choices and color mixing strategies for plein air painting. Through a series of paintings, learn how to compose using simplified block-in to direct painting techniques.

Learn to trust your intuition while developing skill, insight and personal vision, painting from the figure in a supportive studio environment. Explore a structured set of exercises to help clarify your interpretations in a logical, consistent and convincing manner. Discover color harmony using a limited palette while examining compositional ideas, the use of light and shadow shapes and creating various depths of space working in oil or acrylic paint.

Learn to create accurate, dynamic figure paintings in oil. Paint from the model, and work from short to long poses as you study color-mixing strategies and application techniques. With each figure painting, develop your understanding of oil painting and how to treat the figure as a pictorial subject. P1364 ALL $225 (Lane) P1370 ALL $225 (Elliott)

INTRO TO ACRYLIC PAINTING Kathy Liao Wednesday 9:30am-12:30pm 7/3-7/24 [4 wks]

From color mixing to brushwork to the use of a wet palette, learn to handle the spontaneous and quick-drying medium of acrylic paint with confidence and skill. Working from inspiring setups containing colorful flowers, fruit and ceramics, learn to create a sense of three-dimensionality through the use of relative tonal values, color temperature and saturation. Complete brief color sketches and one finished work learning to handle both fine detail and a bold, painterly approach. P1365 ALL $155 Interested in a Weekend Workshop? See Suzanne Brooker’s Essential Brush Techniques, on page 8.

P1366 ALL $205

FIGURE PAINTING WITH ACRYLICS Vonn Sumner Wednesday 1:30pm-4:30pm 6/26-7/24 Master the basics and techniques of the acrylic medium as you progress from the study of muscular and skeletal structure and basic proportions to brief gesture sketching with a limited palette. In addition, practice the manipulation of color temperature and shifts of tonal value to suggest volume, light and shadow. Complete studies focusing on brushwork, color mixing and flesh tones. P1367 ALL $205

Want to learn more about studying at gage? Contact Academic Advisor Anne Petty at Advisor@GageAcademy.org to arrange a convenient 30-minute interview. If you have artwork to show, please bring it!

Kathy Liao 16

Eric Elliott

P1368 ALL $180

INTRO TO OIL PAINTING Jim Phalen Thursday 9:30am-12:30pm 6/27-7/25 [4 wks, no class 7/4] Larine Chung Saturday 10:00am-1:00pm 6/29-7/27 Discover the essentials of oil painting, from stretching your own canvas to color mixing and paint handling. Learn how to crop and frame your subject to make a strong composition, use value to structure your imagery and paint with both limited and full palettes. Study the works of historical and contemporary artists to illustrate concepts and create your own context within the long tradition of still-life painting. P1369 BEGINNING $180 (Phalen) [4 wks] P1371 BEGINNING $205 (Chung)

Larine Chung

Drawing | Painting | Sculpting

GaGE oFFERs two, FIvE-WEEk suMMER sEssIons

EXPLoRING PERSoNAL IMAGERY Julia Ricketts sunday 2:00pm-5:00pm 6/30-7/28

INTRo To FIGURE SCULPTURE Michael Magrath Tuesday 6:30pm-9:30pm 6/25-7/23

Learn how to paint beautiful flowers by first studying Fantin-Latour master works to improve your sense of perception. Recreate a floral still-life painting from life. Learn topics such as value, composition, gestural dynamics, shape and texture of flowers from close observation.

a shoebox of ephemera becomes a springboard for the exploration of personal imagery in painting. Bring photos, postcards and small objects to explore in a series of studies designed to edit and abstract the source material. These studies form the basis for a painting in which private imagery is transformed into a contemporary visual statement. studies are done in wet and dry media on paper; painting may be done in oil, acrylic or watercolor.

Learn to accurately represent human gesture, proportion, mass, structure and surface form in three dimensions. Through this comprehensive introduction to figure sculpture, you improve your dimensional depiction of the human form in space.

P1374

Learn clay-handling techniques as you work toward a finished and fired animal sculpture. Begin by constructing an armature, and as you create your piece, gain an understanding of how bones, muscles and skin come together with personality to best express the form. Demonstrations and hands-on critiques augment the class.

P1372

All

$215

PAINTING CRITIQUE GRoUP Julia Ricketts sunday 10:00am-1:00pm 6/30-7/28 students present in-progress or finished work for discussion and critique in a positive and supportive environment. Learn how others perceive and understand your artwork, and gain confidence in your ability to offer constructive criticism based on sound observations. Readings and lectures supplement discussion. student work is viewed twice during the five-week session. All levels and media welcome. P1373

All

$205

sculpting : SESSIoN A THE FIGURE IN GESTURE Michael Magrath Tuesday 1:30pm-4:30pm 6/25-7/23 Explore the expressive possibilities of clay, wire and other media. start with short poses and work up to longer poses in order to increase your speed, fluidity and depth of observation. This class is a must for serious students and a great overview for beginners. s1314

Clock-Hour Course for Educators

INt/AdV

All

s1315

All

Adult ProgrAms: session A

PAINTING THE FLoWER IN oIL Larine Chung saturday 2:00pm-5:00pm 6/29-7/27

$250 (price includes clay)

THE ESSENCE oF ANIMALS Bill Evans Friday 9:30am-12:30pm 6/28-7/26

s1316

All

$225 (price includes clay)

Give Your Grad the Gift of Gage!

$250 (price includes clay)

Purchase a Gage gift certificate in any amount, good for any class, workshop or art tour.

More info on p. 13

Visit GageAcademy.org, or call 206.323.GAGE x10.

Julia Ricketts

Michael Magrath, detail

Bill Evans

Summer Session B

Monday, July 29 â&#x20AC;&#x201C; Friday, August 30

Adult ProgrAms: session B

drawing : SESSIoN B INTRo To PoRTRAIT DRAWING Aron Hart Monday 9:30am-12:30pm 7/29-8/26

DRAWING FoR BEGINNERS Aron Hart Tuesday 1:30pm-4:30pm 7/30-8/27

MASTER-CoPY DRAWINGS Larine Chung Friday 9:30am-12:30pm 8/2-8/30

Working from portrait models, study the essential techniques and concepts of proportion, line, value, volume, structure and composition. Focus on the basic concepts of drawing applied to the human form and learn to think visually, translating what you see into a compelling portrait using simple techniques.

Aron Hart Tuesday 6:30pm-9:30pm 7/30-8/27

Through the process of imitation, begin to understand the process of creation. Working from 19th-century atelier masterworks, develop basic drawing skills and the ability to see relationships through the power of observation and execution. Learn the sight-size method as you focus on achieving accuracy by carefully constructing drawings using classical drawing methods.

d1351

BEgINNINg

$225

INTRo To FIGURE DRAWING Vonn Sumner Tuesday 9:30am-12:30pm 7/30-8/20 Vonn Sumner Wednesday 6:30pm-9:30pm 7/31-8/21 Gain technical mastery and intuitive understanding of the human form. Working from quick gesture drawings up to longer, more considered poses and drawings, learn to incorporate proportion and anatomy, the use of light and shade in the depiction of volume and the use of line and tone to describe planar changes of the body. d1353 BEgINNINg $180 [4 wks] d1358 BEgINNINg $180 [4 wks]

In this introductory fundamentals class, exercises expose you to key concepts and artistic principles to accurately render line, shape, proportion and negative space while working from the still life. You explore various drawing media, including charcoal and graphite, as you progress from simple lines toward a nuanced understanding of tonal description. d1354 BEgINNINg $205 d1356 BEgINNINg $205

DECoNSTRUCTING THE FIGURE THRoUGH INK & CoLLAGE Kathy Liao Tuesday 1:30pm-4:30pm 7/30-8/27 Experiment with a different way of seeing and constructing the figure. Through ink and collage elements approach the figure through abstract shapes and tonal relationship. study color and temperature relationships through limited color collage and watercolor drawings. d1355

INt/AdV

$205

CLASSICAL DRAWING FoR EDUCAToRS 7/22-2/26 A weeklong workshop designed just for art educators! see page 13.

Vonn Sumner 18

Aron Hart, detail

d1360

All

$205

LoNG-PoSE FIGURE DRAWING Michael Lane Wednesday 1:30pm-4:30pm 7/31-8/28 Working from longer, more considered poses, learn to achieve accurate proportion, create a sense of light and insert the figure into the environment. use line and value to depict volume and depth and to describe planar changes in the body, as you work from the live model. d1357

INt/AdV

$225

Give the Gift of Gage! Purchase a Gage gift certificate in any amount, good for any class, workshop or art tour. Visit GageAcademy.org, or call 206.323.GAGE x10.

Larine Chung

Drawing | Painting | Sculpting

GaGE oFFERs two, FIvE-WEEk suMMER sEssIons

EXPRESSIVE FIGURE DRAWING Kathy Liao Wednesday 6:30pm-9:30pm 7/31-8/28

INTRo To FIGURE PAINTING Anne Petty Monday 9:30am-12:30pm 7/29-8/26

MASTER PALETTE II: GoYA To DEGAS Michael Lane Monday 1:30pm-4:30pm 7/29-8/26

Work big and bold each week as your instructor leads you through exercises exploring a specific art element while creating dynamic and expressive drawings from the figure. Begin each class by making gesture drawings, progressing to longer poses and investigating the formal issues of drawing, including line, contour, volume, mass and space, as you work life-size with charcoal on paper.

Michael Lane Tuesday 6:30pm-9:30pm 7/30-8/27

In this second Master Palette class, continue to explore the rich and varied advantages of working on toned grounds with historicallybased premixed palette settings. Explore the Chamois-colored grounds of Goya and the set palettes of the proto-Romantic era, as well as the techniques of Degas and the French Realists. New students welcome.

d1359

INt

$225

Learn to create accurate, dynamic figure paintings in oil. Paint from the model and work from short to long poses as you study color-mixing strategies and application techniques. With each figure painting, develop your understanding of oil painting and how to treat the figure as a pictorial subject. P1375 All $225 (Petty) P1383 All $225 (lane)

LoNG-PoSE PoRTRAIT DRAWING Michael Lane Monday 6:30pm-9:30pm 7/29-8/26

PoRTRAITS IN WATERCoLoR Hamid Zavareei Monday 9:30am-12:30pm 7/29-8/26

Through portrait drawing, learn to handle the essential techniques of rendering the human head, hands and torso. Working from longer, more considered poses, achieve more accurate shapes, increase your understanding of the surface anatomy of the figure and head, create a sense of volume and depth and study the way light falls on threedimensional forms. Classes are devoted to demonstrations, discussions, lectures and drawing from life and master copies.

Experiment with both traditional watercolor techniques and looser approaches to capture the essentials of your portrait model with simple contours. Focus on head, facial structures and proportion, placing an emphasis on the economy of line and allowing for the watercolor to build up the volume and structure of the head and face to render values. Explore light, shade, form and value with gestural broad strokes in warm and cool colors.

d1352

P1376

INt/AdV

$225

BEgINNINg

Interested in a Weekend Workshop? See Laneâ&#x20AC;&#x2122;s Portrait Anatomy, on page 8.

Michael Lane

P1377

All

$225

ENCAUSTIC TECHNIQUES Hamid Zavareei Monday 1:30pm-4:30pm 7/29-8/26 Learn the basics of this ancient, luminescent medium, including material, surface and painting techniques as you explore a range of applications: from the simple addition of wax to your painting media to hot-wax painting and the heating of wax-painted surfaces. Group and individual instruction includes techniques for heating, mixing and application, as well as layering and transferring methods. $25 partial materials fee payable to instructor. P1378

All

$205

$225 Clock-Hour Course for Educators

Anne Petty, detail

Adult ProgrAms: session B

painting : SESSIoN B

More info on p. 13

Hamid Zavareei, detail Register online at GageAcademy.org beginning Monday, May 13, 2013 or call 206.323.GAGE

Adult ProgrAms : session B

Summer Session B, cont. Mon, July 29 – Fri, August 30 INTRo To STILL-LIFE PAINTING Hamid Zavareei Monday 6:30pm-9:30pm 7/29-8/26

CoPYING THE MASTERS: CARAVAGGIo Michael Lane Tuesday 1:30pm-4:30pm 7/30-8/27

PAINTING THE FLoWER IN oIL Larine Chung Friday 1:30pm-4:30pm 8/2-8/30

Jim Phalen Thursday 9:30am-12:30pm 8/1-8/29

The lessons contained in the working methods of Caravaggio continue to inform and enable the creativity of painters from Rembrandt to Gloria Dearcangelis. Working in oil with the same principles and materials as close to those used by Caravaggio as possible, you are expertly guided through the process of understanding this great artist’s working methods.

Learn how to paint beautiful flowers by first studying Fantin-Latour master works, improving your sense of perception. Recreate a floral still-life painting from life, and learn topics such as value, composition, gestural dynamics, shape and texture of flowers from close observation.

In a step-by-step process, learn the methods of oil painting while exploring the still-life genre. In order to remove fear and promote your artistic confidence, you consider value, warm and cool relationships and color, as well as methods for self-correction and problem solving. P1379 BEgINNINg $205 (Zavareei) P1380 BEgINNINg $205 (Phalen) Interested in a Weekend Workshop? See Terry Furchgott’s Roses, Glass & Brass, on page 9.

INTRo To oIL PAINTING Jim Phalen Tuesday 9:30am-12:30pm 7/30-8/27 Discover the essentials of oil painting, from stretching your canvas to color mixing and paint handling. Learn how to crop and frame your subject to make a strong composition, use value to structure your imagery and paint with both limited and full palettes. study the works of historical and contemporary artists to illustrate concepts and create your own context within the long tradition of still-life painting. P1381

BEgINNINg

$205

P1382

All

$205

EXPRESSIVE FIGURE PAINTING Kathy Liao Wednesday 9:30am-12:30pm 7/31-8/28 Learn to trust your intuition while developing skill, insight and personal vision, painting from the figure in a supportive studio environment. Explore a structured set of exercises to help clarify your interpretations in a logical, consistent and convincing manner. Discover color harmony using a limited palette while examining compositional ideas, the use of light and shadow shapes and creating various depths of space working in oil or acrylic paint. P1383

All

$205

INTRo To PLEIN-AIR PAINTING Jim Phalen Wednesday 1:30pm-4:30pm 7/31-8/28 Get the most from painting outdoors this summer with this practical guide to creating oil paintings in nature. Begin with discussion on how to choose and prepare materials, including palette choices and color mixing strategies for plein-air painting. Through a series of paintings, learn how to compose using simplified block-in to direct painting techniques. P1384

Jim Phalen 20

All

P1385

All

sculpting : SESSIoN B EXPRESSIVE FIGURE SCULPTING Bill Evans Wednesday 9:30am-12:30pm 7/31-8/28 Create figures that express a theme and can be arranged as a single piece of sculpture. Begin by developing a maquette of the final arrangement; then develop your theme through the pose and expression of the figures individually and as a whole. study textural techniques, structure of the figure, interpretation of muscles and skin in clay, as well as the application of color and surface treatments after firing. All work to be ﬁred in the Gage kiln and colored, as time allows. s1317

All

$250 (price includes clay)

Clock-Hour Course for Educators

$205

Kathy Liao

$215

Bill Evans

More info on p. 13

Ateliers

[Fall quarter begins September 16, 2013]

Adult ProgrAms : Ateliers

unning from mid-september through mid-June each year, ateliers offer an intensive studio program for the serious artist-in-training. The ateliers (French for artist’s studio) are based on the traditional teaching model of the 19th-century European academies, where dedicated art students apprenticed with a master artist. atelier students are given an individual studio space to complete projects independently under the guidance of their instructor. Working together in group studios, atelier students enjoy the benefit of creative influence and dialogue among their peers within a focused environment. Enrollment in the atelier programs is yearly, with nine months of dedicated instruction. For the 2013-2014 school year, the ateliers run september 16, 2013 through June 13, 2014. aristides and kang-o’Higgins students make a 30-hour-per-week studio commitment, including working half of every day from the figure model. students of Faigin work independently for a minimum of 15 hours in the studio each week, in addition to attending two weekly teaching sessions. atelier students receive a 10% discount on all concurrent classes and workshops, as well as free access to all Drop-In Figure studios and any Lecture series. occasionally, mid-year transfers are allowed — please inquire with the Registrar at 800.880.3898. Application deadline for 2013-14 is may 31, 2013. to schedule a visit or to receive application materials, email Carol@gageAcademy.org, call 206.343.4243 x15 or 800.880.3898. Juliette Aristides in the studio.

ARISTIDES ATELIER Classical Drawing & Painting Juliette Aristides

KANG-o’HIGGINS ATELIER Drawing & Painting Mark Kang-O’Higgins

FAIGIN ATELIER Still-Life Painting Gary Faigin

Based on the 19th-century model for training painters, this four-year diploma program provides time-tested methods for solving pictorial problems. aristides teaches in stages: serious beginning students focus on drawing; more advanced students move into monochromatic and then fully-chromatic painting. Fourth-year students work on individual projects with guest mentors. Work from casts, the model and master copies in a series of progressively complex projects. Intended for long-term students, the aristides atelier offers you the necessary vocabulary to create well-designed and well-executed drawings and paintings.

Intended for long-term students, the kango’Higgins atelier offers the opportunity to work on increasingly complex independent projects under the close guidance of your instructor. You work with line and tone, light and shadow, color theory and mixing, proportion and anatomy, as well as different approaches to life drawing and painting. Learn to convey the essential nature of your subjects through finding the balance between technical accuracy and expressive gesture. short slide and technical demonstration lectures help you add to your skills and place your work into a wider historical and contemporary context.

The Faigin atelier offers painting students the opportunity to focus their studio practice on the study of still-life arrangements over the course of one to several years. The intimate studio setting enables you to devote as much time as you wish to creating paintings, without the limitations of model time or weather conditions. Because everyone shares the same focus, optimal conditions for creative interchange and dialogue develop. You work toward success using the still life as a tool for the development of your own artistic voice, creating original, lively pictures that express your ideas and feelings, and focus on technique, rendering and composition.

All lEVEls At1307 13–14 ANNuAl tuItIoN: $7,395

All lEVEls At1308 13–14 ANNuAl tuItIoN: $7,395

All lEVEls At1309 13–14 ANNuAl tuItIoN: $4,080

Juliette Aristides, detail

Mark Kang-O’Higgins, detail

Gary Faigin, detail

Youth Update

T een

Youth ProgrAms: Youth udate

Youth summEr worKshoPs At gAgE! JulY 1 – August 23

Art S t u dgieso13s 18 Free a

Youth summer workshops are filling up quickly so don’t miss your chance for a fun summer of art! During Gage summer programs, you have three ways to experience art classes — whether you test the waters in a one-week workshop or raise the bar in a two-week or five-week intensive, Gage workshops help you gain the experience you crave. Make sure to enroll online soon at Gageacademy.org/youth — scholarships are available!

ble! rshipsAvaila YOuthSchola e for more info. rg/youth or call 206.323.GAg ademy.o download an application at GageAc

Facebook.com/GageTeens

Twitter: @gageteens

Jillian Nintze, detail

Young artists explore new ways to express themselves at Gage.

Youth sCholAr AwArd

Klara Glosova

special thanks to Dick Blick on Capitol Hill for their generous art supply gift, valued at $500, which will be awarded to a deserving student in the 2013 five-week Portfolio Intensive. Thank you Dick Blick!

facebook.com/gageteens 22

@gageteens

Mik nei

2012 Youth Scholar Award recipient, Jane White. Wyly Astley

Youth ProgrAms: teen Art studios

tEEN Art studIos (Tas) is a FREE weekly drop-in program for teen artists aged 13-18. Hosted by Gage academy of art, and led by professional teaching artists, each month offers a dynamic opportunity for creativity and discovery. Whether experienced or brand new to art, Tas welcomes all young artists looking for new ways to express themselves.

art materials and pizza!

FRIDAYS

SATURDAYS

Gage Academy of Art | 1501 Tenth Avenue East | 6:30pm-9:30pm

Treehouse Building | 2100 24th Avenue South | 6:30pm-9:30pm

CAPITOL HILL

RAINIER VALLEY

JUNE

ILLUSTRATIoN & SToRYTELLING Jillian Nintze Discover how to tell your story while learning what skills it takes to be an illustrator. Gain practical skills by creating your own collection of illustrations and making your own small book or graphic novel. Practice a variety of drawing and inking techniques, and explore design elements, investigating how illustrations communicate through storytelling, while gaining a deeper understanding of how to further develop your visual language.

EXQUISITE CoRPSE CoLLAGE Julie Alpert Experiment with short drawings that get passed clockwise every five minutes for an hour until the original work has transformed into something new! Make a collage inspired by music, then partner with a friend to merge the two works into one. or, make ink drawings that get torn into collage material, mixed into a pile and divided among everyone to reassemble into new works of art. Making art with others can inspire the way you think about your own style and process.

JULY MEDIA AND MULTIMEDIA Klara Glosova Learn the relationship between an object and its representation in art. Examine the role of digital media and popular culture, and the profound effect they have on the information we share. Collect popular images, videos, memes and photos to see what happens when these images get used to create three-dimensional objects. This is a hands-on multimedia class using photos, sculpture, drawing and other objects to create unusual works of art.

Julie Alpert

JULY THE WoRLD WE LIVE IN Rumi Koshino Explore a variety of methods and materials used in sculpture. Begin with a wire self-portrait, and expand into found-object art and a collaborative project. Practice working with the relationship between line, plane and volume while composing layered three-dimensional forms. How you relate to the world and your immediate environment will inspire an imaginative story about art in everyday life!

AUGUST

DYE-ING To PRINT THAT Wyly Astley Explore imaginative ways to customize a plain T-shirt with tie-dye techniques and cutting out shapes. Experiment with custom dyeing techniques and mixing new colors to create something uniquely your own. Print on your custom piece with stencils made from your own drawings. Bring an old shirt, a favorite shirt or any other piece of cloth you want to brand with your own hand-made personal design!

LINoCUT STICKERS Emily Stout Linocut is a relief-based printmaking process, in which an image is carved reductively from a sheet of linoleum. Discover how to use this technique to make everything from fine art to do-it-yourself street-art style stickers. Learn everything about the cut linoleum block printing process from composing your drawing, to cutting it out, to using different inks and colors to make graphic and colorful prints.

GAGEACADEMY.ORG/YOUTH

Rumi Koshino, detail

Emily Stout

Teaching Artists

About Gage: Teaching Artists

age instructors are working artists chosen for their depth of technical knowledge, artistic curiosity and generosity of spirit in the studio. Find artist statements, teaching philosophies and extended biographies of Gage teaching artists online at GageAcademy.org/artists. Mitchell Albala BA-Queens College, NY. Training: Gage Academy of Art. Taught Seattle Art Museum, WA; Seattle Central Community College, WA. Exhibitions: New York; Seattle; Washington, DC. Representation: Lisa Harris Gallery, WA. Author: Landscape Painting, Essential Concepts and Techniques for Plein Air and Studio Practice. JULIETTE ARISTIDES, Aristides Atelier Training: Barnstone Studio, PA; Pennsylvania Academy of the Fine Arts, PA; The Atelier, MN; Water Street Atelier, NY. Representation: John Pence Gallery, CA; Le Quire Gallery, TN; Wendt Gallery, NY. Author: Classical Painting Atelier, Classical Drawing Atelier, Lessons in Classical Drawing. SUZANNE BROOKER MFA-California State University at Long Beach, CA; BFA-California Institute of the Arts, CA; Whitney Museum Independent Study Program, NY. Author: Portrait Painting Atelier: Old Master Techniques and Contemporary Applications. LARINE CHUNG BFA-Chinese University of Hong Kong. Training: Aristides Atelier, WA. Taught: Whidbey Island Fine Art Studio, WA. Exhibitions: Grey Gallery, WA. Representation: Fountainhead Gallery, WA. Awards: First Place in Still-Life, 2010 Best of Gage; First Prize, 2008 Gage Self-Portrait Competition. DAVID DWYER, Guest Teaching Artist Pomona College, CA; MD/CM-McGill University, Montreal, Canada. Graduate: Aristides Atelier, WA. Exhibitions: Group Exhibition, Fountainhead Gallery, WA; Grenning Gallery, NY. ERIC ELLIOTT MFA-University of Washington, WA; BA-University of California, CA. Taught: University of Washington, WA; Highline Community College, WA. Recipient: 2009 Neddy Fellowship; Kayla Skinner Special Recognition Award; Artist Trust GAP Grant; James Phalen Art Scholarship; Maybelle Toombs Art Scholarship. Exhibitions: Tacoma Art Museum, WA; James Harris Gallery, WA; Soil Gallery, WA; Catherine Person Gallery, WA. Representation: James Harris Gallery, WA. BILL EVANS BA Architecture-University of Washington, WA. Taught: Cornish College of the Arts, WA; Pottery Northwest, WA. Exhibitions: Art Stop, WA; Kebanu Gallery, OR; Allied Arts Invitational, WA; Fountainhead Gallery, WA; Frye Art Museum, WA. Awards: 2004 Best in Show at Washington Potters Association Show; WCA Juror’s Award at 2008 Art Stop. Representation: Sisko Gallery, WA.

GARY FAIGIN, Artistic Director Training: Art Students League, NY; Ecole des Beaux-Arts, France. Taught: Art Students League, NY; New York Academy of Art, NY. Co-founder and Artistic Director, Gage Academy of Art. Art Critic, KUOW public radio, WA. Exhibitions: Frye Art Museum, WA; Woodside/Braseth Gallery, WA; Tacoma Art Museum, WA; Coos Art Museum, OR. Representation: Linda Hodges Gallery, WA. Author: Artists’ Complete Guide to Facial Expression. Barbara fugate MFA Painting-Miami University of Ohio, OH. Taught: Seattle Art Museum, WA; Seattle Pacific University, WA; Troy Art Center, NY; Western Kentucky University, KY. Exhibitions: ArtSpace, WA; Bellevue Art Museum, WA; Fountainhead Gallery, WA; Martin-Zambito Gallery, WA. Publication: The Best of Sketching and Drawing. TERRY FURCHGOTT BA-Radcliffe College, MA. Training: Camden Arts Center, England. Awards: Artist Trust Fellowship, King County Arts Commission, WA State Arts Commission. Numerous public art murals. Representation: Lisa Harris Gallery, WA. MICHAEL GRIMALDI, Guest Teaching Artist Training: Art Students League, NY; National Academy, NY; New York Studio School, NY; Ecole Albert Defois, France. Taught: Janus Collaborative, NY, Art Students League, NY; National Academy, NY, Water Street Atelier, NY; Studio 126, Grand Central Academy, NY. Exhibitions: Arcadia Gallery, NY; Forum Gallery, NY; John Pence Gallery, CA; Hirschl & Adler Galleries, NY; National Academy Museum, NY. KAREN HACKENBERG, Guest Teaching Artist BFA Painting-Rhode Island School of Design, RI. Exhibitions: Vermillion Art Gallery, WA; OK Hotel, WA; Fountainhead Gallery, WA; Bainbridge Arts and Crafts, WA; ArtsWest Gallery, WA; Whatcom Art Museum, WA. Recipient: GAP Award, Artist Trust, WA; Centrum Creative Arts Residency, WA; Artist Trust EDGE Program at Centrum. AMANDA HALLENIUS, Guest Teaching Artist BA/BFA-Montana State University, Bozeman, MT. Trained: Aristides Atelier, WA; Corry Studios, UT; Academy of Classical Design, NC. Exhibitions: Yellowstone Arts Museum, Billings, MT. ARON HART Training: Kang-O’Higgins Atelier, WA. Exhibitions: Up Front Gallery, WA; Semantics Art Gallery, WA; Flatcolor Gallery, WA; Art/Not Terminal Gallery, WA; Colombia City Gallery. Awards: First Place, Burien Arts Juried Exhibition, First Place, Drawing, Edmonds Arts Festival; First Place, Portraiture, Best of Gage; Third Place, Painting, Edmonds Arts Festival.

MARK KANG-O’HIGGINS, Kang-O’Higgins Atelier MFA-New York Academy of Art, NY; MAUniversity College Galway, Ireland. Training: Edinburgh College of Art, Scotland. Exhibitions: Columbia University, NY; New York Public Library, NY; SAM Gallery, WA; Linda Hodges Gallery, WA. MICHAEL LANE Education: Samuel Fleisher Art Memorial, PA; The Pennsylvania Academy of the Fine Arts, PA; mentored by Nelson Shanks. Taught: Moore College of Art and Design, PA; Mural Arts Program, City of Philadelphia, PA. Exhibitions: Vain Gallery, WA; Form/Space Atelier, WA; Artists’ House Gallery, PA. ANNE LEWIS BA-Fine Arts, University of Puget Sound, WA; Graduate Studies: Pacific Oaks, WA. Training: School of Visual Concepts, WA; Pratt Fine Arts Center, WA; University of New Mexico, NM. Taught: Pratt Fine Arts Center, WA; Bellevue Arts Museum, WA; Tacoma Art Museum, WA. Publication: Mixed Media Collage. Kathy Liao BFA-University of Washington, WA; MFA-Boston University, Ma. Taught: Boston University, Ma, Grand Image, Ltd., WA, Wing Luke Asian Museum, WA. Exhibitions: Fuel, WA, Commonwealth Gallery, Ma, La Familia Gallery, WA, Seattle Art Museum Gallery, WA; Jacob Lawrence Gallery, WA. PATRICK LOCICERO MFA-The San Francisco Art Institute, CA; BFA-The Ohio State University, OH. Taught: University of Washington, WA; Cornish College of the Arts, WA. Exhibitions: Linda Hodges Gallery, WA; Seattle Art Museum, WA; Sue Greenwood Fine Art, CA; United States Embassy, country of Georgia. Commissions and Collections around the United States. MICHAEL MAGRATH MFA Sculpture and Public Art-University of Washington, WA. Training: Florence Academy of Art, Italy. Taught: Reed College, OR; Sculpture Academy of London, United Kingdom; University of Washington, WA. Public and private commissions: UW Medal of Honor Memorial; Microsoft; Dwayne Clarke Residence. Awards: IFRAA Best Sculpture Award, GAP Award, 4Culture, Art Renewal Center Best Sculpture 2009. JAMES McELHINNEY, Guest Teaching Artist MFA-Yale; BFA-Tyler. Artist fellowship: National Endowment for the Arts. Author: Classical Life Drawing Studio; Visual Language of Drawing. Taught; Art Students League, NY; Pratt Institute, NY.

ABout gAgE: teaching Artists

Vonn Sumner, detail

JoHN MoRRA, Guest Teaching Artist MFa-new York academy of art, nY; BFauniversity of California at santa Barbara, Ca. Taught: Water street atelier, nY; new York academy of art, nY; school of visual arts, nY. Exhibitions: Hirschl & adler Galleries, nY; arnot art Museum, nY; oglethorpe university Museum of art, Ga. IRENE PÉREZ-oMER, Guest Teaching Artist BFa-Fine arts, The university of Texas at austin, TX; Training: Icon Writing & Theory under vladislav andrejev. Taught: Prosopon school of Iconology, TX. Exhibitions & Collections around the united states, united kingdom and Mexico. ANNE PETTY MFa-Painting & Drawing, university of Washington, Wa; BFa-Drawing & Painting, Missouri state university, Mo. Taught: university of Washington, Wa. Exhibitions: sandpoint Gallery, Wa; saM Gallery, Wa; Henry art Gallery, Wa; Jacob Lawrence Gallery, Wa. awards: university of Washington de Cilia Teaching in Excellence award, Wa. JIM PHALEN Ma & MFa-Painting, university of new Mexico; BFa-sculpture, san Francisco art Institute, Ca. Taught: university of Washington, Wa; university of Puget sound, Wa; Cornish College of the arts, Wa; Bowdoin College, ME. Exhibitions: Frye art Museum, Wa; Darby/Cardonsky Gallery, CT; albright-knox art Gallery, nY; Humbolt state university, Ca; Dolby Chadwick Gallery, Ca. JULIA RICKETTS BFa-new York state College of Ceramics at alfred university, nY. Taught: kirkland arts Center, Wa; Pilchuck school of Glass, Wa; Pratt Fine arts Center, Wa. solo Exhibitions: alysia Duckler Gallery, oR; Friesen Gallery, ID; Fulcrum Gallery, Wa; Representation: Patricia Cameron Gallery, Wa.

Koo SCHADLER, Guest Teaching Artist Ba-Tufts university, Ma; studio art Centers International, Italy; College of Marin, Ca; new England school of Classical Painting, nH. Representation: J. Cacciola Gallery, nY; Tree’s Place, Ma; Board Member: society of Tempera Painters. TENAYA SIMS, Guest Teaching Artist BFa Painting & Drawing-Carnegie Mellon university, Pa; Graduate: aristides atelier, Wa. Taught: Georgetown atelier, Wa; Fall City Fine art studio, Wa; Pratt Fine arts Center, Wa. Exhibitions: Elka Rouskov Gallery, Wa; Howard/ Mandville Gallery, Wa. JoRDAN SoKoL, Guest Teaching Artist Training: kansas City art Institute, Mo; Florence academy of art, Italy. Taught: Florence academy of art, Italy. Exhibitions: Brigham Galleries, Ma; Florence academy of art, Italy; WH Patterson Gallery, uk; Grenning Gallery, nY. awards: art Renewal Center.

HAMID ZAVAREEI Bs-West virginia Institute of Technology, va. Taught: seattle Pacific university, Wa; kirkland art Center, Wa. Exhibitions: William Traver Gallery, Wa; Gallery Bershad, Ma; saM Gallery, Wa; Fountainhead Gallery, Wa; Carnegie art Museum, Ca; Palos verdes art Center, Ca. Residency: Lantern of the East art Camp, south korea. Representation: Linda Warren Gallery, IL.

staff*

206.323.gAgE

Pamela Belyea

x13

susan Jones

Gary Faigin

x13

Margaretta Lantz x32

VoNN SUMNER MFa-university of California, Davis; Ba-university of California, Davis. Exhibitions: Merry karnowsky gallery, Ca; Phillips Museum of art, Pa; Paul Thiebaud Gallery, Ca; northern California Center for the arts, Ca; Tahoe Tallax association, nv. Publications: The Washington Post, Poets and Artists Magazine, The Hufﬁngton Post, Artweek LA, Juxtapoz.

sharon arnold

x17

shelly Leavens

PETER VAN DYCK, Guest Teaching Artist Education: Wesleyan university, CT; Florence academy of art, Italy; Mentored by Daniel Graves & Ramiro sanchez. Taught: Pennsylvania academy of the Fine arts, Pa; Florence academy of art, Italy. Exhibitions in Philadelphia, Pa; Long Island, nY.

Executive Director Artistic Director

Youth Programs Manager

Web Editor

x11

Executive Assistant

x18

Curator/Public Events

alison M. Dawson x12

Mark R. Livingston x11

sam Hamrick

x20

kathleen Moore

x16

Carol Hendricks

x15

Tali Rausch Grant Writer

x12

Adult Programs Manager

Lee Humason

x19

ani Rucki

x14

Tara Jaiyeola

x10

ashley shumaker x10

Development Director Facility Manager

Operations Director Co-Registrar

Communications Director Fundraising Manager

Graphic Designer Co-Registrar

*staff email = first name + @GageAcademy.org

About Gage: Program Schedule

Program Schedule Youth Programs: Classes

Weekend Workshops WW1317 Mixed-Media Painting All WW1318 Crash Course in Composition All WW1319 Portrait Anatomy All WW1320 The Architecture of Collage All WW1321 Drawing for Beginners Beg WW1322 Mixed-Media Image Layering All WW1323 The Quick Sketch All WW1324 Tonal Portrait Drawing All WW1325 Gesture Drawing Intensive Int/Adv WW1326 Roses, Glass & Brass in Pastel All WW1327 Acrylic Figure Painting: Fauvist Int/Adv WW1328 Essential Brush Techniques All

Zavareei Sat-Sun Lewis Sun Lane Sat-Sun Lewis Sun Furchgott Sat-Sun LoCicero Sat-Sun Evans Sat-Sun Lane Fri-Sun Fugate Fri-Sun Furchgott Fri-Sun Furchgott Fri-Sun Brooker Fri-Sun

6/22-6/23 6/30 7/13-7/14 7/21 7/27-7/28 7/27-7/28 8/3-8/4 8/9-8/11 8/16-8/18 8/23-8/25 9/6-9/8 9/13-9/15

9:30am-4:30pm 9:30am-4:30pm 9:30am-4:30pm 9:30am-4:30pm 9:30am-4:30pm 9:30am-4:30pm 9:30am-4:30pm 9:30am-4:30pm 9:30am-4:30pm 9:30am-4:30pm 9:30am-4:30pm 9:30am-4:30pm

p. 8 p. 8 p. 8 p. 8 p. 8 p. 8 p. 9 p. 9 p. 9 p. 9 p. 9 p. 9

Summer Weeklong Workshops WA1307 Icon Painting in Egg Tempera Int/Adv Pérez-Omer Mon-Sat 6/24-6/29 9:30am-4:30pm p. 10 Wa1308 Short-Pose Figure Painting Int/Adv Van Dyck Mon-Fri 6/24-6/28 9:30am-4:30pm p. 10 WA1309 Classical Drawing for Educators All Hallenius/Dwyer Mon-Fri 7/22-7/26 9:30am-4:30pm p. 13 WA1311 Painting the Figure from Life Int/Adv Sokol Mon-Fri 8/5-8/16 9:30am-4:30pm p. 10 WA1312 Essential Concepts of Landscape Ptg Int/Adv Albala Mon-Fri 8/12-8/16 8-11am/3:30-6:30pm p. 11 WA1313 Landscape Painting in Oil All Faigin Mon-Fri 8/19-8/23 9:30am-4:30pm p. 12 WA1314 Nature Painting in Gouache All Hackenberg Mon-Fri 8/19-8/23 9:30am-4:30pm p. 12 WA1315 Portrait Drawing on Toned Paper All Sims Mon-Fri 8/19-8/23 9:30am-4:30pm p. 12 WA1316 Painting the Spanish Still Life Int/Adv Morra Tue-Fri/Mon-Fri 9/3-9/13 9:30am-4:30pm p. 10 WA1317 Comp & Color in Picturing Landscape Int/Adv McElhinney Mon-Fri 8/26-8/30 9:30am-4:30pm p. 11

Fall Weeklong Workshops WA1318 Portraiture in Egg Tempera All Schadler WA1319 Still-Life in Egg Tempera All Schadler

Mon-Fri Mon-Fri

12/2-12/6 12/9-12/13

9:30am-4:30pm 9:30am-4:30pm

p. 11 p. 11

Thurs pm Wed am varies

6/27-8/29 See p. 7 for times 7/31-8/28 See p. 7 for times 6/24-8/30 See p. 7 for times

p. 7 p. 7 p. 7

Open Studios ST1311 ST1312 ST1321

Reserved Figure Studios All Reserved Figure Studios All Drop-In Figure Studios All

none none none

Classes: Session A June 24 – July 29

Drawing D1340 D1341 D1342 D1343 D1344 D1345 D1346 D1347 D1348 D1349 D1350

Drawing for Beginners Beg Hart Intro to Figure Drawing Beg Sumner Intro to Portrait Drawing Beg Lane Expressive Figure Drawing Int Liao Cast Drawing All Chung The Quick Sketch All Evans Drawing for Beginners Beg Sumner Large-Scale Figure Drwing Int/Adv Lane Intro to Figure Drawing Beg Magrath Intro to Figure Drawing Beg Elliott Intro to Portrait Drawing Beg Hart

Mon Mon Mon Tue Tue Wed Wed Wed Thurs Fri Fri

6/24-7/22 6/24-7/22 6/24-7/22 7/2-7/23 6/25-7/23 6/26-7/24 6/26-7/24 6/26-7/24 6/27-7/25 6/28-7/26 6/28-7/26

9:30am-12:30pm 6:30pm-9:30pm 6:30pm-9:30pm 1:30pm-4:30pm 6:30pm-9:30pm 9:30am-12:30pm 6:30pm-9:30pm 6:30pm-9:30pm 1:30pm-4:30pm 9:30am-12:30pm 1:30pm-4:30pm

p. 14 p. 14 p. 14 p. 14 p. 14 p. 14 p. 14 p. 15 p. 14 p. 14 p. 14

Painting P1358 P1359 P1360 P1361

Portraits in Watercolor Beg Master Palette I All Encaustic Techniques All Mixed-Media Painting All

Mon Mon Mon Mon

6/24-7/22 6/24-7/22 6/24-7/22 6/24-7/22

9:30am-12:30pm 1:30pm-4:30pm 1:30pm-4:30pm 6:30pm-9:30pm

p. 15 p. 15 p. 15 p. 15

Zavareei Lane Zavareei Zavareei

About Gage: Program Schedule

Session A, cont. P1362 P1363 P1364 P1365 P1366 P1367 P1368 P1369 P1370 P1371 P1372 P1373 P1374

Intro to Still-Life Painting Beg Phalen Tue Intro to Portrait Painting Beg Hart Tue Intro to Figure Painting All Lane Tue Intro to Acrylic Painting All Liao Wed Intro to Plein-Air Painting All Phalen Wed Figure Painting with Acrylics All Sumner Wed Expressive Figure Painting All Liao Wed Intro to Oil Painting Beg Phalen Thurs Intro to Figure Painting All Elliott Fri Intro to Oil Painting Beg Chung Sat Painting the Flower in Oil All Chung Sat Painting Critique Group All Ricketts Sun Exploring Personal Imagery Int/Adv Ricketts Sun

Sculpting S1314 The Figure in Gesture All S1315 Intro to Figure Sculpture All S1316 The Essence of Animals All

Magrath Magrath Evans

6/25-7/23 6/25-7/23 6/25-7/23 7/3-7/24 6/26-7/24 6/26-7/24 7/3-7/24 6/27-7/25 6/28-7/26 6/29-7/27 6/29-7/27 6/30-7/28 6/30-7/28

9:30am-12:30pm 1:30pm-4:30pm 6:30pm-9:30pm 9:30am-12:30pm 1:30pm-4:30pm 1:30pm-4:30pm 6:30pm-9:30pm 9:30am-12:30pm 1:30pm-4:30pm 10:00am-1:00pm 2:00pm-5:00pm 10:00am-1:00pm 2:00pm-5:00pm

p. 15 p. 15 p. 16 p. 16 p. 16 p. 16 p. 16 p. 16 p. 16 p. 16 p. 17 p. 17 p. 17

Tue Tue Fri

6/25-7/23 6/25-7/23 6/28-7/26

1:30pm-4:30pm 6:30pm-9:30pm 9:30am-12:30pm

p. 17 p. 17 p. 17

Classes: Session B July 29 – August 30 Drawing D1351 D1352 D1353 D1354 D1355 D1356 D1357 D1358 D1359 D1360

Intro to Portrait Drawing Beg Hart Long-Pose Portrait Drawing Int/Adv Lane Intro to Figure Drawing Beg Sumner Drawing for Beginners Beg Hart Deconstructing the Figure All Liao Drawing for Beginners Beg Hart Long-Pose Figure Drawing Int/Adv Lane Intro to Figure Drawing Beg Sumner Expressive Figure Drawing Int Liao Master-Copy Drawings All Chung

Mon Mon Tue Tue Tue Tue Wed Wed Wed Fri

7/29-8/26 7/29-8/26 7/30-8/20 7/30-8/27 7/30-8/27 7/30-8/27 7/31-8/28 7/31-8/21 7/31-8/28 8/2-8/30

9:30am-12:30pm 6:30pm-9:30pm 9:30am-12:30pm 1:30pm-4:30pm 1:30pm-4:30pm 6:30pm-9:30pm 1:30pm-4:30pm 6:30pm-9:30pm 6:30pm-9:30pm 9:30am-12:30pm

p. 18 p. 19 p. 18 p. 18 p. 18 p. 18 p. 18 p. 18 p. 19 p. 18

Painting P1375 P1376 P1377 P1378 P1379 P1380 P1381 P1382 P1383 P1384 P1385

Intro to Figure Painting All Portraits in Watercolor Beg Master Palette II All Encaustic Techniques All Intro to Still-Life Painting Beg Intro to Still-Life Painting Beg Intro to Oil Painting Beg Copying the Masters All Expressive Figure Painting All Intro to Plein-Air Painting All Painting the Flower in Oil All

Petty Zavareei Lane Zavareei Zavareei Phalen Phalen Lane Liao Phalen Chung

Mon Mon Mon Mon Mon Thurs Tue Tue Wed Wed Fri

7/29-8/26 7/29-8/26 7/29-8/26 7/29-8/26 7/29-8/26 8/1-8/29 7/30-8/27 7/30-8/27 7/31-8/28 7/31-8/28 8/2-8/30

9:30am-12:30pm 9:30am-12:30pm 1:30pm-4:30pm 1:30pm-4:30pm 6:30pm-9:30pm 9:30am-12:30pm 9:30am-12:30pm 1:30pm-4:30pm 1:30pm-4:30pm 1:30pm-4:30pm 1:30pm-4:30pm

p. 19 p. 19 p. 19 p. 19 p. 20 p. 20 p. 20 p. 20 p. 20 p. 20 p. 20

Evans

Wed

7/31-8/28

9:30am-12:30pm

p. 20

9/16-6/13 9/16-6/13 9/16-6/13

9:30am-4:30pm 9:30am-4:30pm 9:30am-4:30pm

p. 21 p. 21 p. 21

7/29-7/30

6:30pm-9:30pm

p. 11

Sculpting S1317 Expressive Figure Sculpting All

Ateliers AT1307 Aristides Atelier All Aristides Mon-Fri AT1308 Kang-O’Higgins Atelier All Kang-O’Higgins Mon-Fri AT1309 Faigin Atelier All Faigin Mon-Fri

Lecture Series L1305 Structures of Human Head & Hands

Int/Adv

Grimaldi

Mon/Tue

Registration begins on Monday, May 13: Programs do sell out, so enroll online early to ensure your place!

AB o ut gA sgE: tuden t In forma tion

S tu d en t In fo rma tio n 1501 Tenth Ave E

5 Harvard Ave E

St. Marks Cathedral

GAGE (in St. Nicholas building)

Garfield St

E Galer St

10th Ave E

W S

N E

F A CILITY TRANSP oR T A TIoN sCholArshIP oPP or tuNItIEs G a g e is lo c a te d in th e s t.n ic h o la s sc h o o lb u ild in g G , a g e is lo c a te d e a st o f I-5 ,so u th o f 5 2 0 a n d fo u rY ear-r ound, Gage o ffers f ull- and p artial- ne ed– 15 0 1 T e n th a ve n u e E a st b e sid e s t.M a rk ’s C a th eb-lo c k s n o rth o f B ro a d w a y o n C a p ito lH il.F o rp u bbased lic tuition schol arships t o y outh and adult d ra lo n n o rth C a p ito lH il.T h e G a g e m a in e n tra ntra ce n sp o rta tio n ,ta k e M e tro b u s lin e 4 9 .F o rd riv in gstuden ts on a r eserv ed and sp ac e-a v a ilabl e is o n th e so u th e n d o f th e b u ild in g .P le a se c o n ta c d t ire c tio n s,vis it G a g e a c a d e m y.o rg /a b o u tu s. basis. In ad dition, Gage o ffers mor e sub stan tial G a g e sta ff re g a rd in g a D a a c c o m m o d a tio n s. ne ed- and mer it-based adult schol arships No TICE oF NoNDIS CRIMINA TIoN annuall y with ap plica tions due each J uly. To BUILDING & oFFICE HoURS G a g e d o e s n o t d is c rim in a te o n th e b a sis o f ra ce , learn mor e and t o rec eiv e ou r adult s chol arship O ffi ce Hours:Mon-F ri: 9:00am-5:00pm c o lo r,n a tio n a lity,g e n d e rid e n tity,se xu a lo rie n ta F or ms, pl ease visit the Gage w e b site , orcon tact B uilding Hours: tio n ,a b ility,a g e ,re lig io n o re th n ic o rig in in a d m in ithe R e gis trar at 206.323.424 3 x10 or ema il W e ek da y Hou rs: 8:30am-10:00pm stra tio n o f its e d u ca tio n a la n d a d m is sio n s p o lic ie s, Info@Gagea cadem y.org . s a tu rda y Hou rs: 9:00am-6:00pm sch o la rsh ip s a n d a n y sch o o l-a d m in iste re d p ro g ra m s. F or Youth s chol arship in fo , please con tact s unda y Hou rs: 10:0 0am-6:00pm AR T SUPPLIES shar on a rnold, Y outh Pr og rams M anager , Th e Belyea Library and galleries ar e o pen a t all C la ss a n d w o rk sh o p m a te ria ls lis ts a re p o ste d o na t 206.323.424 3 x17 or ema il shar on @ times th e buildin g iso pen. th e w e b .s tu d e n ts m a y a ls o re q u e st th a t a c o p yGagea cadem y.org . P ARKING b e fa xe d o rm a ile d .a d u lt stu d e n ts p ro vid e a la rt iW Fi F re e p a rk in g is a va ila b le w e e k d a ys a lo n g th e su p p lie s a n d sh o u ld e x p e c t to p a y $ 5 0 o rm o re FREE to so u th w a lo f th e s t.n ic h o la s b u ild in g a n d b e h in dp u rc h a se th e re q u ire d m a te ria ls .G a g e p ro vid e sF re e wir eless internet is a v a ilabl e on allthr e e s t.M a rk ’s C a th e d ra l.F o re ve n in g a n d w e e k e n do d o rle ss so lv e n ts fo ra lo il-p a in tin g p ro g ra m s. fl oors o f the school. netw ork: Ga GE. P assw or d: p ro g ra m s,stu d e n ts a re in vite d to p a rk b e h in d thGea g e d o e s n o t a lo w th e u se o f L iq u in o ra n y o th gage_wifi er s t.n ic h o la s b u ild in g a s w e l. h ig h ly to x ic m e d iu m s in th e stu d io s.G a g e Y o u th P ro g ra m s in c lu d e a la rt su p p lie s.

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nsorship logo standards

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ls Fargo logo appears in Wells Fargo red and Wells Fargo yellow. Use the black 1-color version only for one- or or (black plus one color) applications such as newspaper advertising or forms.

go colors

Preferred

MARK & SUSAN

1-Color TORRANCE 100% F O Black UNDATION

CMYK logo

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o colors must appear exactly the same every time they are used. On printed materials, Wells Fargo logo colors ��Ð��Ð��Ð��Ð��Ð�Ð��Ð��Ð��Ð��Ð Fargo Red and Wells Fargo Yellow — must always match their CMYK formula respectively, whether printing d or uncoated stock. Never substitute other colors. This is especially important since certain paper stocks and ��Ð��Ð�Ð��Ð��Ð��Ð�Ð��Ð��Ð��Ð��Ð�� t types of media may alter the way a color looks when reproduced. For this reason, a color check while the job ��Ð��Ð��Ð�Ð��Ð��Ð��Ð��Ð��Ð��Ð��Ð�Ð��Ð��Ð�Ð��Ð��Ð��Ð�� ess or in final production is essential. Drawdowns are strongly recommended in all cases. For print jobs g spot color pages, special spot ink formulas are provided from the Brand Management Team at wellsfargo.com.

Fargo red: : 100 Y: 80 K: 20

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Fargo yellow: 20 Y: 100 K: 0

logo colors

re the online color values of Wells Fargo red and Wells Fargo yellow.

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1501 Tenth Avenue East Seattle WA 98102 206.323.GAGE (4243) 800.880.3898 GageAcademy.org

BESTof GAGE 2013

Student Art Exhibit, Awards & Sale

June 14, 2013 6-9pm

gageAcademy.org/bestofgage See page 4.

Classical Training for Contemporary Artists

YOUTH PROGRAMS AT GAGE this stormy cityscape was made by teen Art studios rainier Valley student Katie Blackburn during Nate herth’s, “Cities, storms & Architecture” in march 2013. teen Art studios continues every weekend all summer long at both the Capitol hill and rainier Valley locations. to learn more about youth programs at gage see pages 22-23 or visit gageAcademy.org/youth.