The 2016 Winter Catalog from Gage Academy of Art by Gage Academy of Art

WINTER 2016

CONTENTS Mission Guided by the belief that artists are made, not born, Gage strives to educate, enrich and engage artists and the community in the visual arts. Gage offers instruction in the principles of drawing, painting and sculpting and is dedicated to helping students of all ages and skill levels realize themselves as artists in contemporary society. Benefactors Joyce Allen, Kenneth S. Rosen, Ida S. Cole, Anne Steele Executive Director Sheila Hughes Artistic Director Gary Faigin

Board of Trustees Erin Moyer President David Dwyer Vice President Ted Kutscher Treasurer Greg Eastman Secretary Julie Tall Immediate Past President Richard V. West Emeritus Trustee Gary Bezowsky, Diane Butler, Erik Haroldson, Pamela Johnson, Scott Schliebner, Anne Steele, Kristine Travaglini, Phoebe Brockman, Kathleen Walsh, Pamela Taylor Co-Founders Pamela Belyea Director Emerita Gary Faigin Artistic Director Community Advisors Robert K. Dent, WA Ira Goldberg, Art Students League, NY David Hill, Sonata Capital, WA Ben Kalman, Threshold Group, WA Zhi Lin, University of Washington, WA Chris Madison, Sierra Investments, CA Alvin Martin, Bader Martin, WA Trina Wherry, WA John Wheeler, Wheels in Motion, WA Shelley Farber, Bellwether Housing, WA Artistic Advisors Domenic Cretara, artist, CA Samuel H. Davidson, Davidson Galleries, WA Antonio Lopéz García, artist, Spain Gregory Hedberg, Hirschl & Adler Gallery, NY Norman Lundin, Prographica Gallery, WA John Pence, John Pence Gallery, CA Don Porter, Pietra Serena, WA

about gage 1 What is Gage? 28-29

Gage Teaching Artists

30-31

Program Schedule

32 Student Information 33 Registration Information

adult programs 2

Quick-Start Studios

Five-Week Classes

4-6

Drawing: Ten-Week Classes

7-10

Painting : Ten-Week Classes

Sculpting : Ten-Week Classes

12-13

Weekend Workshops

14-15

Weeklong Workshops

16-17 Ateliers

Studio Arts Intensive

youth & teen

Teen Art Studios on Capitol Hill

Teen Art Studios at Bellevue Arts Museum

Teen Workshops

FREE Teen Workshops at NAAM

exhibitions & events 24 Exhibitions 26

Gage Art Travel: Mexico City & San Francisco

Gage Art Travel: Philadelphia & New York City

cover artist AARON COBERLY Teaching Artist

please

Gage teaching artist Aaron Coberly was born in Seattle in 1971, and has been drawing for as long as he can remember. He began oil painting in 1999; his work is primarily figurative with a stylistic nod to the Masters and the Impressionists.

GIVE

For 25 years, Gage Academy of Art, a 501(c)(3) not-for-profit institution, has been serving the community with inspired programs and events for artists of all ages and abilities. To give online visit GageAcademy.org/support, or call our Development office at 206.323.4243 x12. Gage® and Drawing Jam® are registered trademarks of Gage Academy of Art. No part of this catalog may be reprinted without permission. ©2015 Gage Academy of Art. All Rights Reserved.

Catalog printed by ColorGraphics.

“I believe that art in all of its forms is a way for a person to communicate their feelings to others in an emotional and unique way. For me, creating a connection with the viewer is critical, that is when I feel the life of the painting begins.”

Front cover: “Anna Fur”, oil on canvas, 20”x16”

Join Aaron this winter for Alla Prima Portraits in Oil (p.12), and Painting the Alla Prima Figure (p.13).

what is gage? Gage is a place for artists and creatives who want to ignite their individual talent. We’re an innovative, independent, contemporary art school that believes in personal attention, mentorship and skills-based studio instruction, delivered by some of the most brilliant teaching artists in the country.

Our instructors are working artists– practicing professionals with charcoal dust under their nails – and they’re also exceptional teachers in drawing, painting, sculpting and digital/new media who love to share their expertise with warmth, support and personal passion.

Gage is open to anyone interested in kick-starting their artistic life, awakening their sense of creativity, dusting-off their skills or delving into new territory.

“I just wanted one night a week to close my screen and get inside a studio. I got so much more. Total me-time.”

“Being an artist sometimes feels solitary, but at Gage I get an instant community.”

Classes, workshops, intensives, 3-hour samplers to 3-year programs, open studio, lectures, demos, exhibits, tours…the range is immense, the quality is exceptional and the experience transformational. Gage meets you wherever you are in your journey, from first-timer to serious professional, youth to adult, working creative to retired passion-seeker.

At Gage you’re part of a vibrant “My daughter needed to express herself creative community and stretch. Gage has been that place now for three years.” with free access to enrichment programs all year long. Come join us when you’re ready to build technical skills, open doors to personal artistic discovery, fire up your imagination and propel yourself forward on your artistic and creative path.

Find out more at GageAcademy.org

quick-start studios december 12/8-12/12 INTRO TO EGG TEMPERA NATHAN DIPIETRO

Tuesday TA1538F

12/8

9:30am-12:30pm

SCULPTING THE HUMAN FIGURE JOSH CHUZI

Tuesday TA1539F

12/8

1:30pm-4:30pm

Two Sessions: December & January Three hours/$75 & appropriate for all skill levels

Quick-Start Studios are fun, affordable classes in specific art techniques. Try out these three-hour workshops as a one-time quick-dip sampler, a brush-up class or a gateway to continued study. Plus, you receive $75 off your tuition to any ten-week class for winter quarter 2016.

BEGINNING FIGURE DRAWING

INTRO TO ILLUSTRATIVE DRAWING

JOSH CHUZI

STEVE REDDY

Thursday TA1545F

12/10

6:30pm-9:30pm

SAM HAMRICK

Wednesday WW1562F

12/9

9:30am-12:30pm

RYAN WEATHERLY

Wednesday TA1541F

12/9

2:00pm-5:00pm

ILLUSTRATIVE DRAWING STEVE REDDY

Thursday TA1543F

12/10 9:30am-12:30pm

BEGINNING FIGURE DRAWING

DRAWING FOR FUN! KATHLEEN MOORE

Saturday TA1547F

12/12 10:00am-1:00pm

SAM HAMRICK

Saturday 12/12 WW1564F

10:00am-1:00pm

KATHLEEN MOORE

Thursday TA1544F

12/10 1:30pm-4:30pm

12/12 2:00pm-5:00pm

JOSH CHUZI

1/14

6:30pm-9:30pm

TA16005W

BOTANICAL DRAWING BASICS KATHLEEN MCKEEHEN

Friday

1/15

9:30am-12:30pm

TA16006W

january

BOTANICAL WATERCOLOR WARM-UP

1/12-1/16

KATHLEEN MCKEEHEN

Friday

1/15

1:30-4:30pm

TA16007W

JESS COLEMAN

Tuesday

1/12

1:30pm-4:30pm

TA16000W

GETTING STARTED IN FIGURE DRAWING

IMAGINATION IN WATERCOLOR

Saturday

CAROLINA SILVA

Wednesday

RYAN WEATHERLY

1/16

10:00am-1:00pm

TA16008W

1/13

6:30pm-9:30pm

TA16002W

GETTING STARTED IN DRAWING

INTRO TO LANDSCAPE PAINTING

Saturday

KATHLEEN MOORE

Wednesday

1/13 6:30pm-9:30pm

TA16001W

1/14 1:30pm-4:30pm

GETTING STARTED IN FIGURE DRAWING Thursday

RYAN WEATHERLY

Saturday TA1548F

Thursday TA16004W

THE FIGURE IN WATERCOLOR

DRAWING FOR FUN

9:30am-12:30pm

RYAN WEATHERLY

GETTING STARTED IN DRAWING GETTING STARTED IN DRAWING

1/14

TA16003W

BLOCK-PRINT HOLIDAY CARDS BLOCK-PRINT HOLIDAY CARDS

Thursday

RYAN WEATHERLY

TA16009W

1/16

2:00pm-5:00pm

five-week classes

PORTRAIT SCULPTURE

SHORT-POSE FIGURE DRAWING

MARDIE REES

Wednesday

drawing, painting & sculpting KATHLEEN MOORE

Friday Friday

6:30pm-9:30pm 6:30pm-9:30pm

1/22-2/19 2/26-3/25

Have you ever thought "I'd like to draw, but …." or "I used to draw, but it's been years (or maybe decades!).” This class offers a no-stress environment for you to relax and enjoy drawing. Learn how to handle charcoal, pencil and pen while working with composition, value, and form. You may discover that you already know a lot about drawing and find your confidence growing as you build more skill. A little art history and a lot of fun included! D16014W D16021W

All All

$245 $245

S16004W

All

$265

MARDIE REES

1:30pm-4:30pm

STEVE REDDY

FIGURE SCULPTURE

2:00pm-5:00pm 1/21-2/18

Capture highly detailed scenes as you learn techniques for combining contour drawings, grisaille underpaintings and watercolor glazes. Simplify complex scenes into initial sketches that are light and loose, and then create a grisaille underpainting that brings extraordinary dimension to your work. Move on to using a limited watercolor palette to enhance your piece with harmonious color. Practice expressive contour lines to create depth and hatching techniques to create texture. Instruction includes specific examples and many in-class demonstrations. D16011W

Beginning

$245

1/20-2/17

Quickly learn to capture a variety of gestures of the human figure at a small scale from life. Emphasis is on observation, body structure and knowledge of proportion to create a new figure each one or two class sessions. As sessions progress, learn to observe from life and better understand gestures three-dimensionally. Sculpted gestures include a range of standing and sitting poses. Because you are capturing a variety of sketch poses by breaking down and re-building a new gesture each class, you become accustomed to working with the figure as a whole, and be better able to judge your own work with a critical eye. Instruction includes working alongside students, demonstrations, critiques and individual feedback throughout the class. Students wishing to keep the models from each class session may pay an extra fee per armature. S16003W

All

$265

ELIJAH EVENSON

Saturday Saturday

10:00am-1:00pm 10:00am-1:00pm

1/23-2/20 2/27-3/26

Learn to accurately represent human gesture, proportion, mass, structure and surface form in three dimensions. A building block of the Foundation Drawing Program at Gage, this course offers sculpting students a comprehensive introduction to figure sculpture, working from the same pose for the entire quarter, while students of drawing and painting improve their dimensional depiction of the human form in space. Students who continue on to the second session continue to learn the fundamentals of figure sculpture. This class is a great way for drawing and painting students to improve their figural work. Class price includes clay. S16005W S16006W

All All

$265 $265

Tuesday 1:30pm-4:30pm Tuesday 1:30pm-4:30pm

All All

$255 $255

DIARY COMICS STEVE REDDY

Thursday

2:00pm-5:00pm 2/25-3/24

Create one or two-page "diary comics" based on anecdotes from life. Topics include selecting/writing the story, staging your scenes, the symbols of graphic narration, editing for clarity, and creating balanced and cohesive pages. Class work is collected into a mini comic book for each student D16023W

All

$245

PAINTING THE FIGURE IN WATERCOLOR JESS COLEMAN

Tuesday 1:30pm-4:30pm Tuesday 1:30pm-4:30pm

1/19-2/16 2/23-3/22

Work directly from the model as you learn to create a finished figure painting. Learn how to accurately depict the human figure while maintaining the spontaneous, vibrant freshness of direct watercolor painting. Learn color mixing, layering, wetin-wet, direct painting and other watercolor techniques.

NEW!

P16007W All $255 P16027W All $255

ABSTRACT DRAWING: LINE, COLOR & SURFACE MICHAEL OTTERSEN

Wednesday

6:30pm-9:30pm

1/20-2/17

Drawing can be used as a tool for inquiry into potential projects in other media or as a means unto itself. This class explores abstraction, dealing with the infinite choices open to an image maker. The building blocks of abstraction are line, form, color, value and surface. The "subject" of the drawing could be the process of its making or the materialization of a vision, or fall somewhere in between process and vision. D16008W

1/19-2/16 2/23-3/22

Learn the foundation of classical figure drawing through the practice of the short pose. Develop techniques to capture the movement of poses, and to make simple yet elegant and dynamic figure drawings. Instruction topics include basic anatomy; general strategies to ensure cohesiveness, flow and proportional correctness in your figure drawings. Each session may be taken independently or students may take both to enhance their learning. D16003W D16022W

GESTURAL SCULPTING

DYNAMIC DETAIL IN INK & WATERCOLOR Thursday

1/20-2/17

P Learn to sculpt the portrait and capture likeness and personality in clay. Learn to sculpt a full-scale portrait in water clay on a fixed armature while working from a live model. Instruction topics include an introduction to tools and techniques, proportions, structural anatomy and learning to closely observe the nuances of the human face.

Wednesday

DRAWING FOR FUN!

JOHN ZADROZNY

6:30pm-9:30pm

All

$245

PERSPECTIVE DRAWING GEOFF FLACK

Monday

FOUNDATION FIGURE DRAWING II ARON HART

Tue/Thu

6:30pm-9:30pm 1:30pm-4:30pm

1/20-3/25

D Working in a variety of drawing media,

Each program features a recommended skill level prescribed by the instructor All: appropriate for all skill levels. Beginning: little or no experience. Intermediate: basic understanding. Advanced: exhibit a technical mastery.

develop a foundation of skills and methods for creating accurate, emotive renderings of the human figure. Anatomy and proportion are stressed throughout, while class discussions and critiques add context and breadth to your new art-making skills. This course is the second in a series, which continues with Foundation Figure Drawing III (spring). D16007W Intermediate D16010W Intermediate ARON HART

CLOCK-HOUR CLASSES & WORKSHOPS FOR TEACHERS AT GAGE Classes and workshops at Gage allow art educators the opportunity to develop new skills and techniques that can be readily applied to the classroom. Gage Academy of Art is an approved clock-hours provider, and offers a wide range of inspiring professional development opportunities for educators. For more information contact our Adult Program Director Carol Hendricks, carol@gageacademy.org or call 206.323.4243 x15.

Perspective Drawing (p.4) Portrait Drawing (p.5) Foundation Drawing II (p.5) Foundation Figure Drawing II (p.4) Figure Sculpting for Beginners (p.11) Anatomy Lectures (p.19)

Foundation Figure Painting II: Heads, Hands & Feet (p.8) Foundation Still-Life Painting II (p.9) Portrait Sculpture (p.3) Anatomy Lectures (p.19)

1/19-3/24

GEOFF FLACK

Wed/Fri

SKILL LEVELS

FOUNDATION PAINTING CLASSES

1/18-3/21

D Explore methods for creating pictorial space using perspective. Drawing from the imagination and observation, learn to use oneand two-point perspective. In-class drawing, discussions and individual guidance are part of each session.

ten-week classes

FOUNDATION DRAWING CLASSES

1:30pm-4:30pm

$775 $775

D16000W

All

$460

BEGINNING FIGURE DRAWING JOSH CHUZI

Tuesday

6:30pm-9:30pm

1/19-3/22

RYAN WEATHERLY

Saturday

10:00am-1:00pm

1/23-3/26

Gain technical mastery and intuitive understanding of depicting the human form. Working from quick gesture drawings then longer, more considered poses and drawings, you learn to incorporate proportion and anatomy, use light and shade to depict volume, and line and tone to describe planar changes in the body. D16006W D16017W

Beginning Beginning

$490 $490

BOTANICAL DRAWING KATHLEEN MCKEEHEN

Friday

9:30am-12:30pm

1/22-3/25

Beginning with measurement techniques, observational skills and the unique requirements of botanical art, learn to use line to accurately portray plant subjects, then move on to understanding light’s effect on form and how to use shading for three-dimensionality. The skills you acquire apply to any realistic drawing effort and are an excellent preparation for learning botanical watercolor as well. Intermediate students are welcome and may take on more advanced plant subjects. All

$460 GEOFF FLACK

D16015W

LEARN TO DRAW RYAN WEATHERLY

Saturday

2:00pm-5:00pm

1/23-3/26

In this introductory class, you learn key artistic principles in order to accurately render line, shape, proportion and negative space while working from simple objects and the stilllife. Explore various drawing media as you progress from simple lines toward a nuanced understanding of tonal description. D16018W

Beginning

$460

SIGHT-SIZE DRAWING ARON HART

Sunday

10:00am-1:00pm

1/24-3/27

Sight size is a commonly used method to teach students how to draw from life accurately. By positioning the subject, easel and artist in such a way as to allow for easy comparison and measuring, the results are that the subject and drawing appear to be the same size. The classical ideas of figure drawing such as proportion, gesture, anatomy and perspective are stressed throughout the course.

NEW!

D16019W

All

$490

TROIS CRAYON PORTRAIT DRAWING ARON HART

Sunday

All

$490

SUZANNE BROOKER

1:30pm-4:30pm

1/21-3/24

D Working from portrait models and

self-portraits, study the essential techniques and concepts of proportion, line, value, volume, structure and composition. Focus on the basic concepts of drawing applied to the human form and learn to think visually, translating what you see into a compelling portrait using simple techniques. D16013W

Beginning

$490

Tuesday

1:30-4:30pm

1/19-3/22

No skills or previous experience is needed to enjoy this introduction to drawing. We begin with “this is a pencil,” and then explore all the steps and techniques used to draw simple to complex forms. With a guided step-by-step approach, you gain all the basic foundation skills necessary to enrich your experience in further drawing classes. D16005W

Beginning

$460

MIXED-MEDIA FIGURE DRAWING: TEXTURE, COLOR, LINE

FOUNDATION DRAWING II

BARBARA FUGATE

RYAN WEATHERLY

Thursday

1:30pm-4:30pm

1/21-3/24

Use mixed-media to make dynamic figure drawings that utilize bold textures, vivid color and energetic line. Quick gestures and extended studies are made based on basic art principles of line, space and volume. Some previous drawing experience is recommended. Materials include colored ink, soft pastel and charcoal. Intermediate

$490

1/24-3/27

Trois crayon refers to a drawing technique utilizing three colors of chalk: red (sanguine), black and white on toned paper. Drawing from a portrait model, utilize this technique to render sensitive and delicate portraits. Traditional portrait drawing techniques such as the planes of the head, shadow shapes and classical proportions are stressed throughout the quarter. In addition, learn to prepare and tone your paper to draw on during the quarter.

NEW!

DRAWING FROM A TO Z

JOHN ZADROZNY

Thursday

D16012W 2:00pm-5:00pm

D16020W

PORTRAIT DRAWING

LANDSCAPE DRAWING: COASTAL SCENES SUZANNE BROOKER

Wednesday

9:30am-12:30pm

1/20-3/23

Pick up your pencils and explore rendering the coastlines of the Northwest. Learn techniques for drawing sandy beach lines and water patterns while developing your skills in visual depth through atmospheric perspective. Some drawing experience recommended. D16009W All

Mon/Wed

6:30pm-9:30pm

1/18-3/23

RYAN WEATHERLY

Tue/Thu

9:30am-12:30pm

1/19-3/24

D Continue to develop your confidence

and skill at rendering three-dimensional form, texture and a convincing sense of space and light using accurate drawing techniques, relative values of light and shadow, perspective and a variety of mark-making. Complete brief studies and several strong, finished drawings in a variety of black and white media, working from complex still-life set ups including natural objects, china, drapery and flowers. The class includes substantial work with the basics of figure drawing, plus instruction in composition. Open to students with basic drawing skills. Homework required. This course is the second in a series, which continues with Figure Drawing in Interiors (spring). D16004W D16002W

Intermediate Intermediate

$775 $775

$460

JULIA RICKETTS, DETAIL

ABSTRACT DRAWING II

DIGITAL DRAWING AND PAINTING

JULIA RICKETTS

Monday

ANTHONY WATERS

1:30pm-4:30pm

1/18-3/21

Investigate the language of abstraction with a variety of drawing media. Part II emphasizes conceptual, intuitive and experimental methods used by 20th and 21st Century artists. Students work in pencil, pen, ink, watercolor and mixed-media on a series of projects that cover a wide range of drawing methods and tools. Readings and numerous visual examples support in-class work. D16001W â&#x20AC;&#x192;

All

$460

Saturday 9:30am to 4:30pm [5 weeks]

Discover the world of digital art through using a tablet. Drawing and painting with a computer tablet offers you a new medium to explore and a variety of different ways to express yourself. After becoming familiar with the tablet and software, you will be free to focus your concentration on drawing and painting. Learn to use this unique tool to refresh your vision and good for experimenting new ways for itself or traditional medias. Basic computer skills are a prerequisite, and students need to bring their own laptop and Wacom tablet. D16016W â&#x20AC;&#x192;

1/23- 2/20

All

$460

PORTRAITS IN WATERCOLOR HAMID ZAVAREEI

Monday

1:30pm-4:30pm

1/18-3/21

Experimenting with traditional watercolor techniques including various washes, glazes and scumbles, stretch the boundaries and experiment with looser approaches and different color palettes for flesh tones. This course is a study in both drawing portraits and application of watercolor in portrait painting. Study from live models focusing on head, facial structures and proportion emphasizing the economy of line; capturing the essentials of the human face with simple contours but without shading or value, allowing the watercolor to build the volume and structure of the head and face and render the values. Light, shade, form and volume are constructed in gestural, broad strokes with the interplay of warm and cool colors with multiple layers of watercolor. Drawing experience recommended. P16003W

All

$490

1/22-3/25

This class provides the beginning student with an introduction to the tools and materials used in oil painting while exploring the still-life genre. In a methodic, step-by-step process we consider value, warm and cool relationships and color. Discuss methods for self-correction and problem solving, thereby removing fear and promoting confidence. Throughout the course, we discuss tools, materials, methods and techniques. P16024W

Wednesday

9:30am-12:30pm

1/20-3/23

Develop an understanding of transparent watercolor that allows you to make conscious choices regarding color, value, wetness and composition before the brush touches the paper. You focus on awareness skills as well as technical skills, since knowing what to do is at least as important as knowing how. $460

Beginning

$460

KATHLEEN MOORE

Wednesday

6:30pm-9:30pm

1/20-3/23

The sky is an ever-changing blend of delicacy and drama. Explore the structure of clouds and the science behind the colors of the sky while you practice painting storms and sunsets using oil paints. Use linear and aerial perspective to create a partly-cloudy sky, emphasizing the vastness of space. Then delve into the mysteries of the nocturne to learn techniques for painting moonlight. P16015W

Thursday 9:30am-12:30pm (No class 2/18) [9 weeks]

All

$460

1/21-3/24

Through simple painted illustrations of animals learn the foundations of creating playfully gorgeous watercolor illustrations. Learn to simplify animal illustrations while still capturing light, depth and character. And yes, pet portraits are encouraged but not necessary. Paint a sleeping fox, colorful whimsical cats, a preciously delicate hedgehog and other animals. P16018W

PAINT THE SKY

JOHN RIZZOTTO

1:30pm-4:30pm

WATERCOLOR ANIMAL ILLUSTRATION WILLOW HEATH

P16012W Beginning

STILL-LIFE PAINTING IN OILS Friday

BEGINNING WATERCOLOR TOM HOFFMANN

All

$415

ABSTRACT PAINTING II JULIA RICKETTS

Monday

6:30pm-9:30pm

1/18-3/21

How do non-representational painters create their compositions? Learn how to create, manipulate, and refine abstract shapes, forms and space in oil or acrylic paint with the guidance of an experienced instructor. Modern and contemporary artists serve as our guides, with readings and examples adding context to our in-class explorations. New students welcome. P16005W All $460

JOHN RIZZOTTO

BASICS OF OIL PAINTING HAMID ZAVAREEI

Wednesday

6:30pm-9:30pm

1/20-3/23

This course is designed to give students a foundational knowledge of oil painting material and technique. Hands on exercises aimed at helping you understand the mechanics of oil painting combine with drawing skills to help you understand the concepts of contour, value, shape, volume, form and perspective for a more comprehensive experience. Principles of paint handling and proper use of material go hand in hand in building skills to render still-life objects progressively from simple to more complex. Turning form and creating space, use of positive and negative space and creating sound compositions are incrementally incorporated. P16016W

Beginning

$460

PORTRAIT PAINTING IN OIL

EXPRESSIVE PORTRAIT PAINTING

JIM PHALEN

Friday

FONG BAATZ

9:30am-12:30pm

1/22-3/25

Explore the art and practice of portraiture as you learn to compose from observation, acquire strategies for organizing visual information and study historic precedent while you work to render convincing and compelling likenesses of the model in oil. P16021W

All

$490

ALTERNATIVE ACRYLIC PAINTING GEORGE JENNINGS

Saturday

10:00am-1:00pm

1/23-3/26

Learn how to use acrylic paints in single layer washes in combination with graphite and colored pencils. Begin by creating a black and white drawing as the value layer of the painting using fixative to seal the layer and layering washes of acrylic over the value layer in a watercolor type of style. When using this technique the artists goes from their lightest color to their darkest color with a fixative layer between each color. All highlights and white areas are the board showing through like in a watercolor painting. Enhancements are made with colored pencils. P16025W All FONG BAATZ

$460

Thursday

6:30pm-9:30pm

1/21-3/24

Working with a live model, explore various portrait painting techniques and approaches to creating an expressive painting with oils. Emphasis is placed upon observation, structure, proportion, value and color. Line, gesture, value and mass are discussed and explored. Paint directly from the model, working toward the goals of accuracy and personal expression. Learn oil painting techniques and proper handling of materials. This is an excellent class for those who wish to speed up their painting process and become less tight in their work. P16019W

All

$490

IMAGINATION IN WATERCOLOR CAROLINA SILVA

Tuesday

6:30pm-9:30pm

1/19-3/22

Explore the possibilities of watercolor with freedom and play with the effects it can produce. This class is an introduction to the medium where you work with different genres (still-life, nature, interior space, portrait) to articulate your own language and acquire confidence. P16011W

All

$490

PAINTING THE NATURAL WORLD IN WATERCOLOR KATHLEEN MCKEEHEN

Friday

1:30pm-4:30pm

1/22-3/25

Learn the botanical artist’s classic method, drybrush watercolor, to paint all types of natural subjects, from birds to bones to botanicals. Learn the basic dry-brush and wash methods, then can explore their uses on subjects ranging from winter’s cones and branches to birds or bugs, shells or bones. The instructor can provide specimens or students may bring their own. All levels welcome. Students may purchase small amounts of needed supplies from the instructor to keep materials costs down. P16023W

All

$450

intermediate & advanced BASICS OF OIL PAINTING II: MATERIAL & TECHNIQUE HAMID ZAVAREEI

Monday

6:30pm-9:30 pm

1/18-3/21

This course is a follow up to Basics of Oil Painting I, and expands on the basic concepts involved in painting with oil. Painting exercises include more in-depth concepts of paint application, paint consistency and brush techniques, and deeper understanding of color mixing while honing representational skills through studies of more complex subjects and materials. P16006W

Intermediate

$460

FOUNDATION FIGURE PAINTING II: HEAD, HANDS & FEET ANNE PETTY

Mon/Wed

9:30am-12:30pm

1/18-3/23

P Build a solid foundation for solving visual problems related to the figure, focusing in on the structural anatomy of parts, both as value studies and color studies. You gather strategies for analyzing structure and proportion as well as value and color relationships. You work extensively mixing color relationships on the palette and then applying the paint directly onto the canvas. This course is second in a three-part series and is followed by Foundation Figure Painting III: Figure in Context. New intermediate students welcome. P16001W Intermediate

$775

ANNE PETTY

FOUNDATION STILL-LIFE PAINTING II

COLOR & AESTHETICS OF DEGAS, VUILLARD & BONNARD

JIM PHALEN

CHARLES EMERSON

Mon/Wed

Monday

9:30am-12:30pm

1/18-3/21

Degas, Vuillard, and Bonnard all demonstrate a profound and magical reality, open ended and ambiguous, utilizing the ideas of Modernism. This is a logical continuation of the “Understanding Color for Painters” class, allowing you to become more proficient in the visual language of color as an active major importance in both structure and space rather than decorative or merely pleasing. For the more advanced painter open to new ideas in either oil or acrylic or both. P16000W

Intermediate

$460

1:30pm-4:30pm

1/18-3/23

P Delve deeper into color mixing in this

second course in the series. Tackle classical color theory, color harmony, avoiding “muddy” color, color keys and color schemes. Learn Composition, direct and indirect methods, and brushstroke technique. This course is the second in a three-part series, which continues with Foundation Still-Life Painting III (spring). New intermediate students welcome. P16002W Intermediate

$760

ABSTRACT PAINTING MICHAEL OTTERSEN

BEYOND THE BASICS: LARGE-SCALE FIGURE PAINTING ANNE PETTY

Tuesday

9:30am-12:30pm

1/19-3/22

This class is designed for students looking for a challenge in working from the figure beyond the basics of oil painting. Work from the same set-up throughout the quarter beginning with compositional sketches and tonal drawings to help inform a large-scale figure painting. The set-up includes two clothed models, which provide interesting opportunities for implied narrative and interaction. Previous figure painting experience required. P16009W Intermediate

$490

Wednesday

1:30pm-4:30pm

1/20-3/23

Explore the infinite possibilities of non-figurative or abstract painting in oil and or acrylic paint. Utilizing multiple references, experiences, subjective preferences and objective observations, create images about nothing and everything. Vision and process are employed to dissect the beauties of mark-making, color and value, compositional strategies and engaging surfaces and textures. There is no specific formula or style assumptions, and all students are encouraged to develop a personal visual language. Some previous painting experience preferred. P16014W

Intermediate

$460

ACRYLIC STILL-LIFE: LEARNING FROM CÉZANNE TERRY FURCHGOTT

Monday

6:30pm-9:30 pm

1/18-3/21

Create lively studies and several finished pieces working from set ups inspired by the paintings of Cézanne, including fruit, drapery, chinaware, and small statues. Looking closely at the intention and techniques of this incredible Master, you explore his colorful palette, planar approach to form, broken brushwork and compositional choices, learning to strengthen your own work with those elements you most admire in his. $15 partial materials fee payable to instructor. Homework required. This class continues spring quarter with Acrylic Painting: Post-Impressionist Palettes. P16004W

Intermediate

$460

EXPLORING CONTRAST: FIGURE & STILL-LIFE BARBARA FUGATE

Thursday

6:30pm-9:30pm

1/21-3/24

Explore the powerful art principle of contrast and its influence on color and composition. Work from both the figure and still-life arrangements investigating compositional balance, depth of space and color combinations. Work quickly and directly using oils or acrylics as you make several paintings throughout the course. Some painting experience is recommended. P16020W

Intermediate

$490

CHARLES EMERSON

PASTEL FIGURE WITH A FAUVIST PALETTE

REAL WORLD COMPOSITION MITCH ALBALA

TERRY FURCHGOTT

Tuesday

6:30pm-9:30pm

1/19-3/22

Learn to capture the essence of the figure using a bold and expressive approach to color inspired by Fauvist Masters such as Matisse, Gauguin and Vlaminck. Completing multiple brief studies and one finished piece, you master key techniques of color layering and move towards a more painterly and intuitive use of color in your own work. Some previous figure drawing experience suggested. $15 partial materials fee payable to the instructor. Homework required. P16010W Intermediate

$490

Friday 1:30pm-4:30pm [9 weeks, no class March 11]

1/22-3/25

Intermediate

$415

INTERMEDIATE WATERCOLOR Wednesday 1:30pm-4:30pm

1/20-3/23

Tuesday

P16013W

P16008W

Intermediate

$460

9:30am-12:30pm

1/19-3/22

As an experienced watercolor painter seeking

to refine your practice and strengthen your personal style, you are invited to work under the close mentorship of Tom Hoffmann to develop independent painting projects according to your artistic vision. Class time includes group discussions and critiques. Completion of Intermediate Watercolor or instructor permission required. New students welcome. Advanced

1/21-3/24

Explore basic painting concerns required of all graduate students entering the Yale School of Art during the final year of active class participation by Albers at Yale. You search to find your personal aesthetics, manner and style of painting, as well as passion in this difficult, often confusing and always challenging class of self discovery and creativity, leading to a deeper understanding of painting both past and present. For the advanced serious painter, with necessary homework. Tempera or acrylics only using water as a medium. P16017W

Advanced

$460

JULIA RICKETTS

TOM HOFFMANN

Work with increasingly complex subjects as you expand your understanding of and dexterity with watercolor. Working from the still life, landscapes and photographs, you learn to individualize your painting process, better understand the variables of watercolor painting, use the variables to your creative advantage and take informed risks. Students should have completed Beginning Watercolor or have basic watercolor experience.

9:30am-12:30pm

MAKE TIME TO PAINT

ADVANCED WATERCOLOR

TOM HOFFMANN

CHARLES EMERSON

Thursday

This class takes a “real world” approach to composition by working with visible shapes and forces. Working from both photographs and life, with weekly exercises, critiques and analysis of master compositions, you learn how value zones are used to identify the underlying shapes of a composition, the effect of the “picture window” in containing the shapes and how to assess your compositions. A segment on notan is also included. Principles like balance, rhythm, unity and variation are explored, but only as they apply to “real world” representational problems. Homework required. P16022W

THE JOSEF ALBERS PAINTING BOOT CAMP

$460

Sundays

1:00pm-5:00pm

1/24-3/13

Paint in a collegiate atmosphere with other working artists and serious students. The four-hour class format provides a solid work session, plus time for peer interaction and discussion. Work on painting or drawing projects of your own devising, with instructor input and occasional class critique. All media and subject matter are welcome. Stay motivated and engaged with your artistic practice by making time to paint each week. P16026W

Advanced

$490

FIGURE SCULPTING STUDIO

FIGURE SCULPTING FOR BEGINNERS

FOUNDATION FIGURE SCULPTURE II

MICHAEL MAGRATH

JOSH CHUZI

MICHAEL MAGRATH

Tuesday

6:30pm-9:30pm

1/19-3/22

Experience a clear and intuitive method for mastering the fundamentals of three-dimensional modeling and develop advanced skills that radically improve your ability to see and understand the figure. You work from the same pose for the entire quarter, with the pose also available in the independent Sculpture Reserved Studio on Thursday nights — allowing you up to 20 sessions to develop your work. Class price includes clay. S16002W All $520

Monday

6:30pm-9:30pm

1/18-3/21

Learn to accurately represent human gesture, proportion, mass, structure and surface form in three dimensions. This course offers sculpting students a comprehensive introduction to figure sculpture, working from a live model with the same pose for the entire quarter. You start by learning to pose the armature and then move on to clay application and technique. Anatomy (with emphasis on the skeleton), gesture and proportion are covered, as well as surface modeling techniques for bringing your study to completion. This class is a great way for drawing and painting students to improve their figural work. Class price includes clay. S16000W Beginning

$520

Tue/Thu

1:30-4:30pm

D Écorché (Fr.: "flayed") is a figure viewed without skin for the purpose of anatomical study and/or artistic reference. Under the guidance of your instructor and from lectures, reference materials, and live models, you build an anatomically precise 3-D model of the human muscular/skeletal system from the bones out. A requisite for the serious figure artist, you emerge with a durable reference figure and irreplaceable anatomical expertise. Figure sculpting and anatomy experience recommended, however students with strong experience in long-pose figure drawing may find they have many of the requisite skills. This is the second quarter of a year-long course; winter and spring are devoted to the muscular system. New students already in possession of a complete, anatomically accurate 1/3 scale skeleton model are admitted with the permission of the instructor, otherwise the pre-requisite is Écorché I. Price includes materials. S16001W

MICHAEL MAGRATH

1/19-3/24

Int/Adv

$780

weekend workshops COLOR PORTRAIT DRAWING SARAH BIXLER

Sat-Sun 9:30am-4:30pm

11/21-11/22

Working from a portrait model and using limited palettes, you focus on blocking-in color shapes quickly and loosely with the emphasis on accurately comparing large areas of tone and color. This is not a detail focused, draw every petal color-pencil class! Color is approached in an experimental and exploratory way through traditional and non-traditional exercises. WW16005W

All

$250

ALLA PRIMA PORTRAITS IN OILS AARON COBERLY

TERRY FURCHGOTT

Sat-Sun 9:30am-4:30pm

1/30-1/31

Wet-on-wet, or alla prima (Italian, meaning, “at first attempt”), is a painting technique in which layers of wet paint are applied to previous layers of wet paint. This technique requires a fast way of working, because the work has to be finished before the first layers have dried. Learn how to capture the most essential qualities of a portrait by learning to paint broadly but accurately. Class includes demonstrations and individual student critiques. WW16003W All $250

BAS-RELIEF SCULPTING Sat-Sun 9:30am-4:30pm

LARINE CHUNG

Develop drawing skills beyond two-dimensions by working with compositions in clay. This unusual art form, rarely seen in practice today, was used historically in art, architecture and coin currency. Learn to capture portraiture in small compositions that are simple to mold into finished works, and learn the skills needed to create subtle details in relief. Price includes clay.

1/15-1/17

Learn how to paint beautiful flowers by first studying Fantin-Latour master works. These exercises improve your sense of perception. Then, recreate a floral still-life and paint from life. Learn, from close observation, topics such as abstract value composition, gestural dynamics, shape and texture of flowers. WW16001W

All

WW16006W

All

Sat-Sun 9:30am-4:30pm

12/12-12/13

$275

$315 SARAH BIXLER, DETAIL

2/20-2/21

In one intense weekend, learn the basics of creating strong, accurate drawings working directly from a variety of still-life objects and inspiring set ups, exploring both the precision of mark-making with pencil and the bolder strokes of charcoal. Gain skill and confidence as you complete exercises and multiple drawings learning to identify, simplify and bring together in one coherent image the key elements of positive and negative shapes, specific angles, proportion, basic perspective and the use of relative values to suggest mass, space and light. WW16010W

MARDIE REES

PAINTING THE FLOWER IN OIL Fri-Sun 9:30am-4:30pm

ACCURATE DRAWING INTENSIVE

All $215

MIXED-MEDIA PAINTING HAMID ZAVAREEI

Sat-Sun 9:30am-4:30pm

1/16-1/17

Explore a variety of non-conventional means and materials to create a work that goes beyond the traditional parameters of painting, while still adhering to principles that pertain to all works of art. Discover different approaches to abstract art including spontaneous gestural painting, textural effects, drip painting and collage. Innovative approaches to combining different materials as varied as mastics and adhesives to acrylic, experimental application of paint using brushes or anything that lends itself to a particular painting, such as palette knife, Popsicle stick, spray bottle or sponge are encouraged. Class discussions include examples of works by Anselm Keifer, Gerhard Richter, Hans Hoffman, Rauschenberg and other contemporary artists. WW16002W

All

$215

ALLA PRIMA PASTEL FLOWERS TERRY FURCHGOTT

Sat-Mon

9:30am-4:30pm

1/9-1/11

Learn to reproduce the rare beauty of flowers simply and accurately using the versatile medium of soft pastel in bold strokes of glowing color. Using an, “all at one go,” or, alla prima approach, you work to capture the essence of a flower or floral bouquet starting with a spontaneous first impression of the essential colors, shapes and patterns of light and shadow. Exploring palette choice, subtle color layering and the idea of hard vs. soft edges you complete multiple studies and one finished piece discovering which essential details and what degree of freshness vs. finish most successfully imbues your image with life and energy. $15 partial materials fee payable to instructor. WW16000W

All

$315

PAINTING WINTER WONDERS KATHLEEN MCKEEHEN

Sat-Sun 9:30am-4:30pm 1/30-1/31

Winter offers the botanical artist a selection of subjects that don't wilt or change quickly as most plant materials do. Cones, winter greens, berries and conifer branches provide good opportunities for learning the classic dry-brush watercolor method. You are encouraged to select a subject of your choice from the various options, and while cones are perhaps the most challenging, even beginners can make good progress on any of these choices. Over the course of the two-day workshop, you learn and practice various wash and dry-brush techniques, leading towards an accurate and realistic portrayal of your subject. Costs of materials may be minimized by purchasing small amounts of necessary paints, paper, etc. from instructor. WW16004W All

$215

REVERSE OIL PAINTING ON GLASS JESSICA DODGE

Sat-Sun 1:30pm-4:30pm 2/13-2/14 & 2/20-2/21 (4 afternoons)

Work with Duwamish Residency artist, Jessica Dodg e to learn the steps involved in this intriguing technique. Learn how to prepare the framed glass, plan a composition in reverse, to layer applications of oil paint on glass, and a variety of adjustments and manipulations to achieve a range of effects. History of this technique including how other cultures have used it will be included. Some basic oil painting experience would be preferred, but not a mandatory pre-requisite. Price includes $20 fee for framed glass provided first day of class. WW16008W

Intermediate

$235

OIL PAINTING PREP: THE ‘WIPE-OUT’ METHOD

TERRY FURCHGOTT

REALISTIC FLESH TONES IN OIL

INTRODUCTION TO LINOCUT PRINTS

JOHN ZADROZNY

SAM HAMRICK

Sat-Sun

9:30am-4:00pm

2/27-2/28

Sat-Sun

9:30am-4:30pm 2/6-2/7

Learn to create lively and realistic flesh tones in oil by copying masterworks from the classical tradition. Explore using limited (two- and three-color) palettes as well as full-color flesh palettes. Emphasis is placed on the use of value, temperature, chroma and opacity for turning form. Canvas preparation, mediums and brush selection are also discussed. Previous oil painting experience recommended.

Explore the techniques used to create your own linocut, from planning and design, cutting, proofing and editing your print. Work on a small scale, five by seven inches or similar, and in a single color. Tools and materials are thoroughly discussed, as well as a brief discussion on multi-color block printing. A few additional supplies are provided with a $10 supply fee payable to the instructor.

WW16012W

P16007W All

Intermediate

$215

HOLLY WHITE-GEHRT

Sat-Sun

9:30am-4:00pm

3/12-3/13

Learn the basics of drawing and value structure which underlie a successful realistic painting. The drawing stage includes cropping the still-life for compositional design, “blocking-in” using object landmarks and honing your intuitive skills to capture a likeness. Drawings then transferred to canvas for a value study using the “wipe-out” method. It has been said of this stage that “your painting will never look this good again.” It’s a fun technique yielding immediate satisfaction. This technique can be used to make a strong underpainting for full color paintings. WW16013W

Intermediate

$215

PAINTING THE ALLA PRIMA FIGURE

EXPRESSIVE FIGURE DRAWING

AARON COBERLY

MARK KANG-O’HIGGINS

Sat-Sun 9:30am-4:30pm

2/27-2/28

Wet-on-wet, or alla prima (Italian, meaning, “at first attempt”), is a painting technique in which layers of wet paint are applied to previous layers of wet paint. This technique requires a fast way of working, because the work has to be finished before the first layers have dried. Working in oil paints, learn how to capture the most essential qualities of a figure by learning to paint broadly but accurately. Class includes demonstrations and individual student critiques. WW16011W

All

$250

Sat-Sun 9:30am-4:30pm 2/13-2/14

Learn to capture the essential form and gestural movement of the human figure with boldness, spontaneity and accuracy. Working with a variety of drawing media, you complete multiple gesture sketches and detailed gestural drawings as you develop your understanding of accurate figure drawing, human anatomy and the use of light and shadow to suggest three-dimensional form imbued with raw emotive power. WW16009W All

$250

weeklong workshops FIGURE PAINTING IN OIL

EXPRESSIVE FIGURE DRAWING

ZOEY FRANK

Tue-Fri

GEOFFREY LAURENCE

9:30am-4:30pm

12/1-12/4

Develop your understanding of the figure through painting, lectures, demonstrations and individual critique. Over the course of this four-day pose we make poster studies to focus on composition, lay in a grisaille underpainting to build a solid value structure and use a limited color palette to create a finished figure painting. Discussion topics include composition, gesture, proportion, value and color relationships, edges and design.

Mon-Sat

9:30am-4:30pm

STILL-LIFE PAINTING CARLOS MADRID

1/4-1/8

Mon-Fri 9:30am-4:30pm

12/8-12/12

With the goal of providing fresh ways of working within a challenging and creative studio environment, learn to confront your habitual approach to drawing by questioning the way you use your body, restricting the way you make your lines and integrating broader imagery and concepts into your approach while inviting you to rethink your notion of creating “good” drawings.

Featuring daily instructor demonstrations on a small painting, you explore the systematic application of complex color strategies in your own still life painting. Working with the concepts and theories of the Munsell Color System, you spend the week creating a compelling still-life that exhibits your technical mastery and artistic understanding of the world of color. New students welcome.

WA1603W

WA1522F

Intermediate

$675

Int/Adv

$675

WA1520F Beg/Int $500

THE MUNSELL COLOR SYSTEM

FIGURE PAINTING IN THE RENAISSANCE TRADITION

GARY FAIGIN

CARLOS MADRID

GEOFFREY LAURENCE

Mon-Fri 9:30am-12:30pm

Mon-Fri 9:30am-4:30pm

11/30-12/5

Through a rigorous examination of Munsell’s revolutionary system, learn to create a full color wheel, including laying out a full chromatic flesh-tones palette. Through your newfound understanding of the world of color, learn to communicate your artistic vision in your own work, and develop a more thoughtful approach to mastering color. WA1521F

Int/Adv

$675

Mon-Fri 9:30am-4:30pm

1/11-1/16

WA1603W

$700

Through demonstrations and individual instruction, explore the basic principles of layered methods and techniques to approach painting the figure in oil in the Renaissance tradition. Working from the model in a oneweek pose, explore the perception and effects of light and color on form. Daily lectures, demonstrations and discussions are balanced with personal critiques during the day. Intermediate

CARLOS MADRID, DETAIL

PORTRAIT DRAWING 1/4-1/8

Over the course of five intensive days working from portrait models and your own self-portrait, learn the essential techniques and concepts of line, value, volume, structure and composition in rendering complex portraits. Through demonstrations and hands-on practice you learn working methods that are clear and flexible, designed to increase perceptual observation, problem-solving skills and technical application. WA1602W

All $650

digital workshops Requires basic computer skills, a laptop and Wacom tablet with Photoshop (Version 5.5 or above). Photoshop may be purchased for $10/month with an educational discount from Adobe.

CLASSICAL STILL-LIFE PAINTING JULIETTE ARISTIDES

Mon-Fri

9:30am-4:30pm

1/4-1/8

SOLD OUT! Contact the Registrar to get on the waiting list at 206.323.4243, x10. WA1601W

All

$650

THE STRUCTURE OF THE HUMAN BODY: A DRAWING WORKSHOP COLLEEN BARRY

Mon-Fri

9:30am-4:30pm

3/28-4/1

With an emphasis on accurate observation, learn to improve your understanding of the figure by incorporating the use of the skeleton, plaster casts (écorché) and master drawings into life studies. WA16001W

All

$675

CREATURE CULTURE: A MONSTROUS 5-DAY WORKSHOP ANTHONY WATERS

Mon-Fri

ANTHONY WATERS

9:30am-4:30pm

3/28-4/1

An immersive class where the instructor and students develop an imaginary ecosystem. This includes gathering, culling and interpreting reference, using the sciences to inform design choices,then approaching design from illogical and ridiculous directions, understanding how to use biomechanics and natural selection to inform your design process, and the effect different genres have on the design-making process. WA16003W

All

PORTRAIT PAINTING WORKSHOP

DRAWING & PAINTING THE HAND

Mon-Fri

KAMILLE CORRY

Practice indirect and direct painting styles. Gain a clear understanding of how to systematically take a portrait from start to finish and approach a subject with an expressive Alla Prima, the thrilling and expressive style of Great Masters like Velasquez, Sargent and Sorolla. Alla Prima is a technique in which the drawing, tone, color, edge and brush strokes happen simultaneously. The painting is typically finished in one session.

9:30am-4:30pm 4/4-4/8

Explore the fundamental structure of the hand as you focus on solid draftsmanship, conceptualizing form with basic anatomy and working with simplified color schemes to render natural looking flesh tones. Work from both master copies and from your own hands. WA16004SP

All

$650

9:30am-4:30pm

WA16002W

All

Mon-Fri

9:30am-4:30pm

4/4-4/8

An immersive class where the instructor and students develop an imaginary setting. Each day of class will build on the content of the one before, starting with broad-brush principles and information (geology, hydrology, mineralogy) and ending with specifics (the use of rock textures and variation of vegetation to reflect different areas of a world). WA16005SP

All

$650

DOMINIQUE MEDICI

Mon-Fri

SOLID GROUND: A 5-DAY ENVIRONMENT WORKSHOP

1/11-1/16

$675

ALLA PRIMA SELF-PORTRAITS DOMINIQUE MEDICI

Mon-Fri

9:30am-4:30pm

3/28-4/1

Work with a direct painting or, “Alla Prima” technique, in which the drawing, tone, color, edge and brush strokes happen simultaneously, the painting is worked “wet into wet,” and is typically finished in one session. Begin with the basics before studying composition, drawing and proportions, developing basic light and shade to achieve an accurate and compelling likeness. WA16000W

All

$675

ARISTIDES ATELIER Classical Drawing & Painting

KANG-O’HIGGINS ATELIER Drawing & Painting

FAIGIN ATELIER Still-Life Painting

JULIETTE ARISTIDES

MARK KANG-O’HIGGINS

GARY FAIGIN

The Aristides Atelier, based on time-tested studio traditions, offers the opportunity to study classical drawing and painting techniques with master artist Juliette Aristides. Information is presented in a variety of formats intended to enable students of all levels to grasp even the most difficult concepts. You graduate with an unparalleled understanding of the principles of art. The Aristides Atelier curriculum is designed to provide fundamental drawing and painting skills with a strong emphasis on observation from life. Like the great studios of the past, working from the human figure in life drawing and painting forms a pillar of our program.

Challenging and inspiring for artists of all skill-levels, the Kang-O’Higgins Atelier empowers artists with the tools and techniques to express their individual vision and develop their own artistic voice. Rooted in the figurative tradition but often deeply personal in style and consciously narrative in content, KOH artists build familiarity with many different approaches to both the human figure and the still-life, as well as other subjects in a variety of media, and learn to express complexity and nuance through a sophisticated array of skills.

The Faigin Atelier works with a small group of painting students interested in focusing their studio practice on the study of still-life arrangements over the course of a year. Atelier instructor and Gage co-founder Gary Faigin uses still-life as a vehicle to teach the basics of representation, including value, drawing and perspective, as well as paint-specific techniques like glazing, impasto and control of edges. For more advanced students, studio still-life is a time-honored subject with unlimited potential. No other subject matter offers the artist quite as much control over every aspect of their pictorial effect, and none has as rich and interesting a history.

CHARLES SMITH, Faigin Atelier ELIZABETH ZANZINGER, Aristides Atelier

DAISY MAZZONCINI, Faigin Atelier

STEFAN CUMMINGS, KOH Atelier

The a hi beg wor Be org stu tur up t co size

gageacademy.org/ateliers

special guest workshop Presented in partnership with Studio Incamminati. Workshop takes place at the Gage Academy of Art building Visit StudioIncamminati.org to register.

PAINTING THE PORTRAIT KERRY DUNN

TROWBRIDGE ATELIER Contemporary Painting

MICHAEL MAGRATH

KIMBERLY TROWBRIDGE

NEW!

The Magrath Sculpture Atelier is a multi-year, part-time Atelier designed to confer the core disciplines needed to become a practicing figurative sculptor at a high level of excellence. Led by celebrated sculptor Michael Magrath, students learn to become adept in both traditional approaches as well as contemporary concerns in a variety of media. Build cumulatively upon the core skills of drawing and modeling from life, while adding critical understanding of anatomy and composition in the round and relief, as well as technical skills such as mold making, casting, basic fabrication and subtractive techniques in wood, stone, metal and composite materials.

NEW!

The Trowbridge Atelier is led by acclaimed contemporary artist Kimberly Trowbridge, and is designed for students who have some experience with figure drawing and/or painting, and are ready to begin the exciting journey of developing an individual body of work. Student-artists rigorously engage with color theory, figurative oil painting, collage and mixed-media drawing — all in the service of building a personal, visual vocabulary to develop a unique body of work. The Trowbridge Atelier is a two-quarter program that takes place at the Miller Art Studio in the historic Georgetown neighborhood in South Seattle. The Atelier begins in mid-September and ends in mid-March.

All stages are demonstrated by the instructor along with individual attention at each easel. In addition, study the use of edges and focal points, as well as the concept of larger to smaller relationships, planar thinking, anatomical landmarks and paint handling. Leave with a greater understanding of the cohesive painting process and the ability to integrate the exercises into that process. All skill-levels welcome. $599

the oling

MAGRATH SCULPTURE ATELIER Sculpting

Mon-Fri 9:00pm-4:00pm 4/4-4/8 Explore the building stages of creating a portrait painting from life through a close examination of each stage and its correlating visual principles. Color studies using a basic abstract color theory and an understanding of the color of the light source are explored and then weaved into this process in the middle stages of the painting. Finally, practice building the painting in preparation for the "final," or "finish pass."

IT JOSHUA LANGSTAFF, Aristides Atelier

ERIN POLLOCKKOH Atelier

DEBORAH SCOTT, KOH Atelier DAVID DWYER, Aristides Atelier

at GAGE ACADEMY of ART The Studio Arts Intensive at Gage is designed to help you jump-start your career as an artist! WHETHER YOU’RE THINKING ABOUT APPLYING TO ART SCHOOL or an atelier program, or you’re

ready to make your mark in the Northwest art community, this innovative seven-month parttime program helps you develop a contemporary, marketable portfolio to help you take your skills and your career to the next level! Discover the benefits of learning from a team of Gage teaching artists, and explore creativity in a variety of mediums and disciplines as you develop foundation skills in drawing, painting, sculpting and new/digital media.

PLUS, explore the region’s top artistic desti-

nations, enjoy exclusive tours of artist studios, get behind the scenes at local museums and galleries and discover a community of creative professionals all working to help you be the artist you’ve always wanted to be. For more information, email Olivia@GageAcademy.org, or call 206.323.4243, x18.

Applications are now being accepted for the 2016-17 academic year. Visit GageAcademy.org/studioarts to download the application, or email Olivia@GageAcademy.org.

For Oli 20 nati get gall pro arti

ATELIER/ STUDIO ARTS INTENSIVE OPEN HOUSE

Meet instructors, tour the studios and facilities, and learn more about the part-time Studio Arts Intensive program, as well as all the full- and part-time Ateliers at Gage.

Dis of ativi as y pai

Wednesday, January 27 5:30pm-7:30pm Geo Studio 18

Explore these dynamic and unique programs through the eyes of current students, and learn more about our culture of creativity through the teaching artists who mentor and inspire our students. Please RSVP to Olivia@GageAcademy.org – and visit us online to view galleries of artwork and learn more about these innovative and rewarding programs for adult artists of all skill-levels.

GageAcademy.org/studioarts

GageAcademy.org/ateliers

lecture series

anatomy lecture series MICHAEL MAGRATH Thursday 7:00pm-8:30pm

art history: a personal journey

1/21-3/17[9 wks]

BEGINNING IN FALL, 2015, Gage Academy of Art is proud to present a series of lectures on art history. Featuring Gage teaching artists as well as art historians from the Seattle art community, these lectures feature an intimate look inside the artists and movements that helped shape art from the Renaissance through the 20th Century. Register online for a single lecture, a quarterly series or the entire 2015-16 program, and delve into the techniques, ideologies and personalities that define art in our world.

Explore a clear and intuitive method for seeing form and understanding the structure of the human body as a foundation of artistic expression, allowing for more accurate drawing and composition. Discussion topics include anatomical detail as it relates to the working of bones and musculature, as well as overall shapes and general principles of construction and action as exhibited on the model.

winter 2015

spring 2016

Jan 21

Bio-Mechanics & the Canons of Proportion

19th TO EARLY 20TH CENTURY ART

20TH CENTURY ART

Jan 28

Pelvis & Trunk

Wednesday 7:00pm-8:00pm

Feb 4

Ribs & Spine

Feb 24

April 13

OLIVIA BEAUFAIT Paul Klee

Feb 11

Reach 1: Shoulder Girdle

April 20

MICHAEL OTTERSEN Apollo & Dionysus in the Abstract– A comparison of two Dutch artists: Piet Mondrian & Willem de Kooning

Feb 18

Reach 2: the Forelimbs

Feb 25

Locomotion, the Buttocks & Lower Limbs

April 27

JULIA RICKETTS Abstract Expressionism: Helen Frankenthaler, Lee Krasner & Joan Mitchell

March 3

Support & Manipulation: Feet & Hands

March 10

Skull: Cranium & Face

March 17

Features, Skin & Fat

May 4

KATHLEEN MOORE Georgia O’Keefe

Mar 2

MIKE MAGRATH The Sculpture of Lorenzo Bartolini– the Rediscovery of Nature

RICHARD WEST Fitz Hugh Lane & the Case for Luminism

Mar 16

CHARLES EMERSON Bonnard & Vuillard

Mar 23

KIMBERLY TROWBRIDGE Matisse

ALL LEVELS/PUBLIC WELCOME L1507Q $50 for one quarter L1507S $15 at the door PIERRE BONNARD, DETAIL

ALL LEVELS/PUBLIC WELCOME L16000W $105 FOR SERIES L16001W $15 AT DOOR

Teen

FRIDAYSâ&#x20AC;&#x201A; 6:30PM-9:30PM

GAGE ACADEMY OF ART ROOM 200, 1501 TENTH AVE E.

FREE

Major funding provided by

Studios

Support for TAS comes from Mercer Island Rotary Club

GageAcademy.org/tas

D EC E M B E R

JA N UA RY

F E B R UA RY

THE POWER OF COMICS

CUT & MIX: ACRYLIC & COLLAGE

MURAL & STREET ART

JAS O N T. M I L E S

A R I C A S C H U ET T

SEAN CLEMENS

Explore a variety of essential techniques to make your own comics! Design characters and formulate stories by using staging, pacing and blocking comic techniques.

Discover the experimental and unique methods of painting and collage. Learn how to impact the emotions of your images with color, line, pattern and focal points in order to tell your story.

Explore the process of making street art and murals. Learn foundation skills in street art using aerosol, wheat paste and acrylics.

Teen Studios in Bellevue Thursdays 4:00pm-7:00pm 510 Bellevue Way NE JA N UA RY Teen Art Studios @ Bellevue Arts Museum is a free drop-in arts class that offers a casual and supportive environment, where participants enjoy access to BAM exhibitions. Each month a Resident Teaching Artist will focus on different skills and themes to teach in connection with the exhibitions featured at the Bellevue Art Museum.

D EC E M B E R THE REAL FAKE POWERFUL WONDERFUL YOU J E P PA H A L L

Learn how to construct pieces to amplify, adorn and compliment your inner diva, super-person or other magnificent aspect of yourself. Deconstruct and alter everyday belongings, ornaments and toys to create new 3-D forms. Learn foundations of sculpture design and how to make your unique objects come to life by incorporating them into characters, alter egos and fantastical worlds. Explore the concepts of irony, humor, exaggeration and cultural appropriation as a means of creative self-expression.

of Mercer Island

NEW MEANINGS w/ COLLAGE N I N A FO RT I E R

Experiment with the foundational and contemporary techniques in collage. Learn cutting, gluing and layering techniques to create complex and exciting assemblages.

F E B R UA RY INVENTIVE PERSPECTIVE DRAWING K Y L E A B E R N AT H Y

Learn how to build a world from your imagination. Learn the basics of perspective and build realistic scenes from the inside of a small room to a sprawling city and inhabit them with your own characters.

Teen Workshops @ Gage

Sat/Sun

PHOTOGRAPHING YOUR ARTWORK M E L I N DA H U R ST- F RY E

12:30pm-4:30pm

1/9

Photographing your work is a necessary skill in the arts. In this informative lecture and demonstration, learn to focus on techniques that are affordable and accessible, such as using ambient sunlight (or overcast skies) as well as artificial light. Explore lighting and positioning basics, camera and lens choices, basic image adjustments and saving options. Please bring a camera if you have one, roughly 6 artworks that are easy to carry and a USB hard drive (again, if you have one). T16000W

All

$50

ECOLOGICAL DRAWING JEANNE DODDS

AG E S 12-18 Saturday

FREE Teen Workshops @ NAAM

12:30pm-4:30pm

2/6-2/7

Learn traditional drawing and painting skills to illustrate animal species and concepts that inform the way people relate to the natural world. Explore foundation techniques related to Scientific Illustration to create images that reference contemporary art and environmental issues. Learn how to work with wet and dry media, connect of a variety of methods to create and develop a sketch into a final image and experiment with ways to create unified illustrations that explore the complex relationships between humans and the natural world. T16001W

All

$150

I ART WORKSHOP SERIES: Gage Workshops at Northwest African American Museum Northwest African American Museum and Gage Academy of Art have partnered together to create a series of free teen (13-18 years old) workshops entitled I ART. This collection was created to honor the Harmon & Harriet Kelley Collection of African American Art: Works on Paper. To participate in these free classes students must RSVP at GageAcademy.org/NAAM

THE UNCOMMON COMMON: A CUT PAPER WORKSHOP

PASTEL PORTRAIT PAINTING

L AU R E N I I DA

C A I T L I N F E N N E L LY

Sat/Sun

12:30pm-4:30pm

2/27-2/28

Using chalk pastels and acrylic washes learn basic head structure and portrait techniques. Study sighting and measuring skills to draw accurate proportions, and basic anatomical structures needed for creating lifelike expressive portraits. Develop your observation skills as you work with live models to develop speed, accuracy and individual style. T16002W

All

$150

M E L I S SA BA RT L ET T

12:30pm-4:30pm

3/5-3/6

Experiment with charcoal, pencil, ink wash and collage to create your own expressive figure narrative. Using a live model as a reference, explore variations in mark-making, surface texture and composition. Combine references from memory and observation to put the figure in space. Get better command of your drawing skills by focusing on proportion, anatomy, gesture, perspective, value and movement within the human form. T16003W

All

$150

3/12-3/13

Cut paper is both an ancient tradition in many cultures and an exciting new medium increasingly seen in contemporary art. Discover an introduction to the art of cut paper as you work to complete an original cut paper composition. Drawing from the Harmon & Harriet Kelley Collection of African American Art: Works on Paper at NAAM exhibition, this workshop explores the way artists chose to paint the everyday person doing everyday things.

COMMUNITIES RE-IMAGINED: A PAINTING WORKSHOP

NARRATIVE FIGURE DRAWING Sat/Sun

1:30pm-4:30pm

A R I C A S C H U ET T

Sat/Sun

1:30pm-4:30pm

3/19-3/20

Focus on composition and mixed-media techniques to create a narrative work about community. Using bold painting techniques, you reference artists like Jacob Lawrence, Romare Bearden and Benny Andrews’ use of pattern, color and contrast to enrich the narrative elements of your work.

CARVING OUT IDENTITY: PRINTMAKING & THE KELLEY COLLECTION SA R A H R O S E N B L AT T

Sat/Sun

1:30pm-4:30pm

3/26-3/27

Create inspired linoleum prints by exploring NAAM's Kelley Collection. Learn hands-on printmaking techniques as you address questions of identity, culture and social justice, and discuss printmaking as a tool of social change. Learn how to develop linoleum prints with drafting, carving and inking techniques.

exhibitions & events Rosen Gallery

10TH ANNUAL SPITTING IMAGE SELF-PORTRAIT EXHIBITION FEBRUARY 1 – FEBRUARY 26

Artists’ Reception and Awards Ceremony: Friday, February 5 5:00pm-7:00pm

Self-portraits can reveal a student’s skill in a given medium and composition, but some of the best self-portrait work reveals the nature of the artist at a point in time. A $1000 Gage Tuition Grant will go to first place, $500 to second place and $250 to third place. Open to all current Gage students.

Rosen & Steele Galleries STUDENT STUDIO SALE MARCH 14 – MARCH 25

Opening Reception: Saturday, March 19 1:00pm-3:00pm

Gage students clean out their studios! Hundreds of works are presented, from still-life studies to figure drawings, landscape paintings and everything in between. All work is for sale and may be taken home the day of the opening. This is a great opportunity to own an original work of art at an affordable price and support Gage student artists.

Seattle Art Museum

Cascadia Art Museum

INTIMATE IMPRESSIONISM FROM THE NATIONAL GALLERY OF ART (in Washington, DC).

Special Exhibit: A FLUID TRADITION: NORTHWEST WATERCOLOR SOCIETY THE FIRST 75 YEARS

THURSDAY, DECEMBER 10

5pm

$15 (doesn’t include museum admission)

This exhibition features 68 intimately scaled paintings by Impressionist and Post-Impressionist masters, including Edouard Manet, Auguste Renoir, Claude Monet, Eugène Boudin, Paul Cézanne, Edgar Degas, Camille Pissarro, Pierre Bonnard, Edouard Vuillard, Paul Gauguin, and Vincent van Gogh, among others.

Downstairs at Town Hall PATTI WARASHINA: OH, THESE WOMEN! THURSDAY, JANUARY 21 7:30PM*

1119 8th Ave Seattle, WA 98101 $5 – TownHall.strangertickets.com

Presented in partnership with Gage through the Arts & Culture series *The event should run 70 minutes start-to-finish including 35-45 minute on stage interview, and audience Q&A. Book signing follows. Patti Warashina is best known for her squadrons of highly animated women whose appearance, gestures, and boldly colored “clothing” bring to mind rafts of synchronized swimmers, chorus girls, or celestial spirits, with unlikely animal companions as friends. Gary Faigin will talk to her about her process, how the figures evolve and interact as they take form in her studio, and how they have changed over time.

SAM Curator Talk KEHINDE WILEY: A NEW REPUBLIC THURSDAY, MARCH 3

Gage Academy of Art

Join us as we welcome Catharina Manchanda, the Jon and Mary Shirley Curator of Modern and Contemporary Art at Seattle Art Museum, for an in-depth look at "Kehinde Wiley: A New Republic," exhibiting at SAM from February 11 to May 8, 2016.

SUNDAY, DECEMBER 13

11:00am

$20 (includes museum admission)

Cascadia Art Museum is the first museum dedicated to NW art from the late 19th century through the 1960s, the museum just opened in Edmonds this past September. Gary will give a tour in conjunction with Curator David Martin.

artist toolkit Fourth Thursdays 12:30pm-1:30pm GEO Studio/3rd Floor FREE GRANT WRITING: INDIVIDUAL ARTIST PROJECTS THROUGH 4CULTURE JANUARY 28

Heather Dwyer, Art Projects Manager, 4Culture

4Culture provides critically needed funds to King County artists and art groups of all disciplines. Among other hats she wears, Heather Dwyer manages Art Projects for Individuals, a competitive funding program for projects in all artistic disciplines. Dwyer will discuss the application for Artist Projects, due in March 2016. Whether or not you have a project in mind, plan to take excellent notes!

THE GALLERY/ARTIST RELATIONSHIP FEBRUARY 25

PATTI WARASHINA

TBD

Meet a local gallery owner and learn about what constitutes a successful gallery/artist relationship. This is a great opportunity to have your questions answered to help you navigate the commercial art world. Gallery TBD, please visit GageAcademy.org/artist-toolkit-series.

drawing jamâ&#x20AC;&#x2122;15

SMALL-WORKS HOLIDAY SALE! Affordable artwork from Gage students and alumni, just in time for the holidays!

Family-friendly art activities, models, live local music, gourmet food trucks, FREE art supplies and MORE!

saturday, december 5 9amâ&#x20AC;&#x201C; 6pm 1501 10th Avenue E.

kids 15 & under FREE

GageAcademy.org/drawingjam

sponsors

$12 admission

featuring

presenting sponsors

presented in partnership with Classical King FM

family & holiday art open studios workshops BLOCK-PRINT HOLIDAY CARDS SAM HAMRICK

Wednesday Saturday

9:30am-12:30pm 10:00am-1:00pm

12/9 12/12

Create your own block print holiday cards without a press! This three-hour workshop features an introduction to relief printing techniques with rubber blocks and water base inks. The technique is the same as printing with linoleum, but the softer rubber blocks are easier to carve and print without the use of a printing press. Explore the process of planning your print, transferring the image to the block and proofing and printing your design. You are also shown various methods of adding additional color to your print. WW1562F WW1564F

All All

$75 $75

FAMILY ART EXPLORATION* 10:00am-1:00pm

1/23

Is your child or teen an artistic mastermind? Are you secretly envious when they get to play with paint and you don't? Well it's time to create some art together! Learn watercolor special effects and drawing tips that can be utilized by youth and adults alike. Harness your family creativity and create individual art, including creating deceptively simple and impressive works of art. All ages welcome. T16014W

All $50/person

KATHLEEN MCKEEHEN

Friday 9:30am-4:30pm 12/11

Botanical themes are a natural for holiday cards: think the traditional holly and berries or evergreens and cones. Come create your own cards in this one-day watercolor workshop, fun and challenging for beginners and more experienced artists alike. Students may purchase small amounts of necessary supplies such as paper and paint from the instructor to keep costs down; there is a scanner/printer available at minimal cost for those who wish to make multiples of their creations. WW1563F

All

$115

DROP-IN FIGURE STUDIOS NO INSTRUCTOR

In the tradition of all professional art schools, Gage offers drop-in figure studios every day of the week. Artists work independently from the model on a drop-in basis, gaining hands-on practice in drawing or painting the figure. In Artist’s Choice sessions, the pose is set by a guest instructor who works alongside studio artists for the duration of the pose. ST1600W First visit free ST1615W $15 (drop-in) / $60 (5-session pass) ST1620W $175 (20-session pass) Begins Friday, September 18

RESERVED SCULPTING STUDIO

FAMILY HOLIDAY CARD WORKSHOP

NO INSTRUCTOR

WILLOW HEATH

In the Reserved Sculpting Studio, a group of dedicated artists work from one figure pose throughout the 10-week quarter, with the pose set on the first night. Artists must register before the quarter begins to guarantee an easel space. THURSDAY PM

Saturday

WILLOW HEATH

Saturday

CREATING THE HOLIDAY CARD WITH NATURE

10:00am-1:00pm

11/21

It’s time to share art supplies and make holiday cards with your whole family! Teaching artist Willow Heath helps inspire creativity and foster the skill set of each family member to create beautiful holiday greeting cards. Learn watercolor and drawing techniques that can be utilized by youth and adults alike; and this holiday season, dazzle your friends and family with truly unique holiday creations! WW1561F All

$35/person*

*Kids MUST register with a parent. Call 206.323.4243, x10 for more info.

6:30pm-9:30pm 1/21-3/24 STR1600W $230 Sculpting (includes clay)

PRIVATE MENTORING PROGRAM MENTOR ASSIGNED INDIVIDUALLY

Depending on your skill level, mentors give private art lessons or assess your work, make suggestions for further study and help develop a road map for your future study. To enroll, call Gage for help with determining the best match for your mentoring needs. Mentoring by a Gage Instructor: 3 hours $235 ($175 if enrolled in a concurrent Gage program)

Mentoring by a Gage Graduate: 8 hours $275

For winter studio schedule, visit GageAcademy.org/studios.

KATHLEEN MCKEEHEN

“

when i make art i... “

When I sculpt, I am free.”

-JEREMIAS LENTINI

Magrath Sculpture Atelier

“

When I paint, my passionate spirit has a place to land.” -KIMBERLY TROWBRIDGE Trowbridge Atelier

“

When I draw, I travel through a landscape of beauty.” -OVIDIO CARTAGENA Gage Student Home to free and low-cost programs, classes and events, Gage welcomes artists of all ages and all abilities to discover creativity and celebrate selfexpression. Please consider making a Gift to Gage. Visit GageAcademy.org/donate today, and help keep the arts alive in our community.

eight million voices:mexico city w/gary faigin April 6 –10, 2016

Join your host Gary Faigin for an all-inclusive luxury tour of Mexico City, an immersion into the history, arts, cuisine and architecture of this rich and storied city. This gorgeous arts mecca is home to Casa Azul, the brilliant blue-hued lifelong home of Frida Kahlo, and Museo Estudio Diego Rivera, studio for both artists. Other highlights include the Centro Historico, featuring sublime murals of the great Mexican muralists Rivera, Orozco, Siqueiros and Tamayo, historical sites like Palacio Nacional, Palacio Bellas Artes and Antiguo Colegio De San Ildefonso, the Museo de Arte Popular, Mexico City’s glorious folk art museum and Tamayo Contemporary Art Museum. Guests receive private access to artist studios, art galleries, art schools, private collections and architectural masterworks including the home of Luis Barragan, Mexico’s premier Modernist architect, as well as the city’s hottest restaurants and accommodations at the five-star Four Seasons. Itinerary subject to change.

*based on 20 participants

SPACE IS LIMITED! This tour is available on a first-come first-served basis – please secure your spot today by emailing Alison@GageAcademy.org, or call 206.323.4243, x12. Make plans now to join us for this unique journey through the past, present and future of art in Mexico.

$4,060/person (single occupancy)* $3,260/person (double occupancy)*

Join us for a memorable arts excursion to San Francisco this spring, through the eyes and insights of colorist and abstract painter Charles Emerson. The tour begins with Pierre Bonnard: Painting Arcadia, at the Legion of Honor overlooking Lincoln Park and the Golden Gate Bridge. Featuring more than 60 works that span the artist’s complete career, this is first major international presentation of his work on the West Coast in half a century. And spend a full day exploring the re-imagined and much anticipated SF MoMA, which now boasts the title of the largest modern and contemporary art museum in the US. In celebration of the re-opening, over 600 new acquisitions are being added to already stellar permanent collection, including works by Pablo Picasso, Jasper Johns, Ed Ruscha, Diane Arbus, Robert Rauschenberg, Ellsworth Kelly, Sol Lewitt, Gerhard Richter and Andy Warhol. Between these inspiring arts bookends are visits to contemporary art galleries, artist studios and an exploration of the city’s renowned murals, not to mention good food and drink, and lots of conversations about art. Itinerary subject to change.

bonnard & the city by the bay:san francisco w/charles emerson

For more information or to reserve your spot today, please email shellyleaves@gmail.com, sheila@gageacademy.org or call 206.323.4243, x10.

May 13–17, 2016

$950/person

This April, join Juliette Aristides for an intimate tour of the great city of Philadelphia, home to world-class museums like the Philadelphia Museum of Art and the Barnes Foundation, exceptional architecture and an exciting urban arts and music scene.

the artistic mile: philadelphia w/juliette aristides

Juliette takes participants on a curated tour of the artistic highlights of this historic, celebrated city, including stops at the Philadelphia Museum of Art, the Rodin Museum, the Barnes Foundation, the Pennsylvania Academy of Fine Art, the Fleischer Memorial and a walk through the historic old city including Independence Hall and the Liberty Bell. Plus, visit artist studios and experience an insider’s look at some of the most revered art this nation has to offer. Itinerary subject to change.

April 14–17, 2016

For more information or to reserve your spot today, email Carol Hendricks at Carol@GageAcademy.org, or call 206.323.4243, x10.

Join Mark Kang-O’Higgins for an unforgettable journey to the artistic and cultural capital of the world! Immerse yourself in the vibrant neighborhoods and destinations of Manhattan’s eclectic art scene, including guided stops at the Guggenheim, MoMA and the Met; and experience the artistic heartbeat of the Big Apple as you enjoy special access to masterworks at the City’s great museums, including entrée to special collections and studios. The deep dive into the art scene of New York takes you into the city’s most hallowed art schools and galleries and to the studios of some of the country’s premier artists, with the opportunity to purchase work at a discounted price.

KOH in NYC April 11–14, 2016 $475/person

This is an unfiltered look at the artist’s life in NYC. Mark Kang O’Higgins has designed this tour to inform and educate you about the art world in New York and help demystify the NYC artist’s career path from beginner to professional. Because of the special access to artists, galleries and museums, atelier students have found this tour to be a life and career changing experience. Itinerary subject to change. For more information or to reserve your spot today, email Brittany@GageAcademy.org, or call 206.323.4243, x10. For affordable housing, Gage recommends The Leo House. Learn more at LeoHouseNYC.com.

teaching artists Gage instructors are working artists chosen for their depth of technical knowledge, artistic curiosity and generosity of spirit in the studio. Find artist statements, teaching philosophies and extended biographies of Gage teaching artists online at GageAcademy.org/instructors. Mitch Albala

George Jennings

KAMILLE CORRY

Juliette Aristides

Mark Kang-Oâ&#x20AC;&#x2122;Higgins KangOHiggins.com

youth & teen

Fong Baatz

Geoffrey Laurence

Kyle Abernethy

Sarah Bixler

Carlos Madrid

Suzanne Brooker

Michael Magrath

Aaron Coberly

Kathleen McKeehen

Jess Coleman

Dominique Medici

Kamille Corry

Kathleen Moore

MitchellAlbala.com AristidesArts.com

Endian.me/BaatzPortfolio SarahBixler.com SuzanneBrooker.com AaronCoberly.com JessWColeman.com

Larine Chung

LarineChung.com

Josh Chuzi

GageAcademy.org/chuzi

Jessica Dodge

JessicaDodge.net

Charles Emerson

CharlesEmerson.com

Elijah Evenson

ElijahEvenson.blogspot.com

Gary Faigin

GaryFaigin.com

Geoff Flack

GeoffFlack.com

Zoey Frank

ZoeyFrank.com

Barbara Fugate

BarbaraFugate.com

Terry Furchgott

TerryFurchgott.com

Sam Hamrick

FiddleBones.com

Aron Hart

GeorgeJenningsArt.com

GeoffreyLaurence.com

FlorawithFauna.wordpress.com DominiqueMedici.com

SeanClemens.com

Jeanne Dodds

JeanneDodds.com

Nina Fortier Caitlin Fennelly

CaitlinFennelly.com

Jeppa Hall

KathleenMoore.com

QueenShmooquan.com

Michael Ottersen

MichaelOttersen.com

Anne Petty

Melinda Hurst-Frye MHurstFrye.com

Lauren Iida

AnnePetty.net

LaurenIida.com

Jim Phalen

Jason T. Miles

JimPhalen.com

JazorsPark.wordpress.com

Steve Reddy

StevenReddy.blogspot.com

Mardie Rees

Sarah Rosenblatt

SarahRosenblatt.tumblr.com

Arica Schuett

MardieRees.com

AricaSchuett.com

Julia Ricketts

JuliaRicketts.com

John Rizzotto

JohnRizzotto.com

Carolina Silva

CarolinaSilva.net

Kimberly Trowbridge

KimberlyTrowbridge.com

Anthony Waters

FyreAnt.deviantart.com

Ryan Weatherly

RyanWeatherly.com

Willow Heath

John Zadrozny

HoffmannWatercolors.com

Sean Clemens

MagrathSculpture.com

Holly White-Gehrt

Tom Hoffmann

MelissaBartlett.com

Carlos-Madrid.com

AronHart.com WillowHeath.com

Melissa Bartlett

Hamid Zavareei

GageAcademy.org/zavareei

MARDIE REES

MITCH ALBALA

HAMID ZAVAREEI

GEORGE JENNINGS

JIM PHALEN

RYAN WEATHERLY

GEOFFREY LAURENCE KATHLEEN MOORE

TOM HOFFMANN

MICHAEL OTTERSEN LARINE CHUNG

program schedule Q U I CK-START STU D I OS TA1538F TA1539F TA1541F TA1543F TA1544F TA1545F TA1547F TA1548F TA16000W TA16001W TA16002W TA16003W TA16004W TA16005W TA16006W TA16007W TA16008W TA16009W

Intro to Egg Tempera Sculpting the Human Figure Getting Started in Drawing Illustrative Drawing Drawing for Fun Beg. Figure Drawing Beg. Figure Drawing Getting Started in Drawing The Figure In Watercolor Intro to Landscape Painting Imagination in Watercolor Intro to Illustrative Drawing Drawing for Fun Getting Started in Figure Drawing Botanical Drawing Basics Botanical Watercolor Warm Up Getting Started in Figure Drawing Getting Started in Drawing

FIVE-WEEK CL ASSES P16007W D16003W S16003W D16008W S16004W D16011W D16014W S16005W D16021W P16027W D16022W D16023W S16006W

Painting the Figure in Watercolor Short Pose Figure Drawing Gestural Sculpture Abstract Drawing Portrait Sculpture Dynamic Detail in Ink & Watercolor Drawing for Fun Figure Sculpture Drawing for Fun Painting the Figure in Watercolor Short Pose Figure Drawing Diary Comics Figure Sculpture

TEN-WEEK D R AWI N G CL ASSES D16000W D16001W D16002W D16004W D16005W D16006W D16007W D16009W D16010W D16012W D16013W D16015W D16016W D16017W D16018W D16019W D16020W

Perspective Drawing Abstract Drawing II Foundation Drawing II Foundation Drawing II Drawing from A to Z Beginning Figure Drawing Foundation Figure Drawing II Landscape Drawing Foundation Figure Drawing II Mixed Media Figure Drawing Portrait Drawing Botanical Drawing Digital Drawing & Painting Beginning Figure Drawing Learn to Draw Sight-Size Drawing Trois Crayon Portrait Drawing

TEN-WEEK PAI NTI N G CL ASSES P16000W P16001W P16002W P16003W P16004W P16005W P16006W P16008W P16009W P16010W P16011W P16012W P16013W

Color and Aesthetics Foundation Figure Painting II Foundation Still Life Painting II Portraits in Watercolor Acrylic Still Life Abstract Painting II Basics of Oil Painting II Advanced Watercolor Beyond the Basics Pastel Figure w/ Fauvist Palette Imagination in Watercolor Beginning Watercolor Intermediate Watercolor

All All All All All All All All All All All All All All All All All All

DiPietro Chuzi Weatherly Reddy Moore Chuzi Weatherly Weatherly Coleman Moore Silva Reddy Moore Chuzi McKeehen McKeehen Weatherly Weatherly

Tue Tue Wed Thu Thu Thu Sat Sat Tue Wed Wed Thu Thu Thu Fri Fri Sat Sat

12/8 12/8 12/9 12/10 12/10 12/10 12/12 12/12 1/12 1/13 1/13 1/14 1/14 1/14 1/15 1/15 1/16 1/16

9:30am-12:30pm 1:30pm-4:30pm 2:00pm-5:00pm 9:30am-12:30pm 1:30pm-4:30pm 6:30pm-9:30pm 10:00am-1:00pm 2:00pm-5:00pm 1:30pm-4:30pm 6:30pm-9:30pm 6:30pm-9:30pm 9:30am-12:30pm 1:30pm-4:30pm 6:30pm-9:30pm 9:30am-12:30pm 1:30pm-4:30pm 10:00am-1:00pm 2:00pm-5:00pm

p.2 p.2 p.2 p.2 p.2 p.2 p.2 p.2 p.2 p.2 p.2 p.2 p.2 p.2 p.2 p.2 p.2 p.2

All All All All All Beg All All All All All All All

Coleman Zadrozny Rees Ottersen Rees Reddy Moore Evenson Moore Coleman Zadrozny Reddy Evenson

Tue Tue Wed Wed Wed Thur Fri Sat Fri Tue Tue Thu Sat

1/19-2/16 1/19-2/16 1/20-2/17 1/20-2/17 1/20-2/17 1/21-2/18 1/22-2/13 1/23-2/20 2/20-3/27 2/23-3/22 2/23-3/22 2/25-3/24 2/27-3/26

1:30pm-4:30pm 1:30pm-4:30pm 1:30pm-4:30pm 6:30pm-9:30pm 6:30pm-9:30pm 2:00pm-5:00pm 6:30pm-9:30pm 10:00am-1:00pm 6:30pm-9:30pm 1:30pm-4:30pm 1:30pm-4:30pm 2:00pm-5:00pm 10:00am-1:00pm

p.3 p.3 p.3 p.3 p.3 p.3 p.3 p.3 p.3 p.3 p.3 p.3 p.3

All All Int Int Beg Beg Int All Int Int Beg All All Beg Beg All All

Flack Ricketts Weatherly Weatherly Brooker Chuzi Hart Brooker Flack Fugate Zadrozny McKeehen Waters Weatherly Weatherly Hart Hart

Mon Mon Mon/Wed Tue/Thu Tue Tue Tue/Thu Wed Wed/Fri Thu Thu Fri Sat Sat Sat Sun Sun

1/18-3/21 1/18-3/21 1/18-3/23 1/19-3/24 1/19-3/22 1/19-3/22 1/19-3/24 1/20-3/23 1/20-3/27 1/21-3/24 1/21-3/24 1/22-3/25 1/23-2/20 1/23-3/26 1/23-3/26 1/24-3/27 1/24-3/27

1:30pm-4:30pm 1:30pm-4:30pm 6:30pm-9:30pm 9:30am-12:30pm 1:30pm-4:30pm 6:30pm-9:30pm 6:30pm-9:30pm 9:30am-12:30pm 1:30pm-4:30pm 1:30pm-4:30pm 1:30pm-4:30pm 9:30am-12:30pm 9:30am-4:30pm 10:00am-1:00pm 2:00pm-5:00pm 10:00am-1:00pm 2:00pm-5:00pm

p.4 p.6 p.5 p.5 p.5 p.4 p.4 p.5 p.4 p.5 p.5 p.5 p.6 p.4 p.5 p.5 p.5

Int Int Int All Int All Int Adv Int Int All Beg Int

Emerson Petty Phalen Zavareei Furchgott Ricketts Zavareei Hoffman Petty Furchgott Silva Hoffman Hoffman

Mon Mon/Wed Mon/Wed Mon Mon Mon Mon Tue Tue Tue Tue Wed Wed

1/18-3/21 1/18-3/23 1/18-3/23 1/18-3/21 1/18-3/21 1/18-3/21 1/18-3/21 1/19-3/22 1/19-3/22 1/19-3/22 1/19-3/22 1/20-3/23 1/20-3/23

9:30am-12:30pm 9:30am-12:30pm 1:30pm-4:30pm 1:30pm-4:30pm 6:30pm-9:30pm 6:30pm-9:30pm 6:30pm-9:30pm 9:30am-12:30pm 9:30am-12:30pm 6:30pm-9:30pm 6:30pm-9:30pm 9:30am-12:30pm 1:30pm-4:30pm

p.9 p.8 p.9 p.7 p.9 p.7 p.8 p.10 p.9 p.10 p.8 p.7 p.10

P16014W P16015W P16016W P16017W P16018W P16019W P16020W P16021W P16022W P16023W P16024W P16025W P16026W

Abstract Painting Paint the Sky Basics of Oil Painting Josef Albers Painting Boot Camp Watercolor Animal Illustration Expressive Portrait Painting Exploring Contrast Portrait Painting in Oil Real World Composition Painting the Natural World Still Life Painting in Oils Alternative Acrylic Painting Make Time to Paint

TEN-WEEK SCU LPTI N G CL ASSES S16000W Figure Sculpting for Beginners S16001W Foundation Figure Sculpture II S16002W Figure Sculpting Studio

WEEKEN D WO RKSH O PS WW16005W WW16006W WW16000W WW16001W WW16002W WW16003W WW16004W WW16007W WW16008W WW16009W WW16010W WW16011W WW16012W WW16013W

Color Portrait Drawing BAS Relief Sculpting Alla Prima Pastel Flowers Painting the Flower in Oil Mixed Media Painting Alla Prima Portraits in Oil Painting Winter Wonders Introduction to Linocut Prints Reverse Oil Painting on Glass Expressive Figure Drawing Accurate Drawing Intensive Painting the Alla Prima Figure Realistic Flesh Tones in Oil Oil Painting Prep

WEEKLO N G WO RKSH O PS

WA1521F Munsell Color System WA1520F Figure Painting in Oil WA1522W Still Life Painting WA1601F Classical Still-Life Painting WA1602W Portrait Drawing WA1603F Expressive Figure Drawing WA1603W Fig. in the Renaissance Trad. WA16000W Alla Prima Self-Portraits WA16001W The Structure of the Human Body WA16002W Portrait Painting WA16003W Creature Culture WA16004SP Drawing & Painting the Hand WA16005SP Solid Ground

ATELI ERS

Aristides Atelier Kang-O’Higgins Atelier Faigin Atelier Magrath Atelier Trowbridge Atelier Studio Arts Intensive

TEEN WO RKSH O PS T16000W T16001W T16002W T16003W

Photographing Your Artwork Ecological Drawing Pastel Portrait Painting Narrative Figure Drawing

H O LI DAY WO RKSH O PS

WW1561F Family Holiday Card Workshop WW1562F Block Print Holiday WW1563F Creating the Holiday Card w/ Nature WW1564F Block Print Holiday WW16014W Family Art Exploration

Int All Beg Adv All All Int All Int All Beg All Adv

Ottersen Moore Zavareei Emerson Heath Baatz Fugate Phalen Albala McKeehen Rizzotto Jennings Ricketts

Wed Wed Wed Thu Thu Thu Thu Fri Fri Fri Fri Sat Sun

1/20-3/23 1/20-3/23 1/20-3/23 1/21-3/24 1/21-3/24 1/21-3/24 1/21-3/24 1/22-3/25 1/22-3/25 1/22-3/25 1/22-3/25 1/23-3/26 1/24-3/13

1:30pm-4:30pm 6:30pm-9:30pm 6:30pm-9:30pm 9:30am-12:30pm 9:30am-12:30pm 6:30pm-9:30pm 6:30pm-9:30pm 9:30am-12:30pm 1:30pm-4:30pm 1:30pm-4:30pm 1:30pm-4:30pm 10:00am-1:00pm 1:00pm-5:00pm

p.9 p.7 p.7 p.10 p.7 p.8 p.9 p.8 p.10 p.8 p.7 p.8 p.10

Beg Int/Adv All

Chuzi Magrath Magrath

Mon Tue/Thu Tue

1/18-3/21 1/19-3/24 1/19-3/22

6:30pm-9:30pm 1:30pm-4:30pm 6:30pm-9:30pm

p.11 p.11 p.11

All All All All All All All All Int All All All Int Int

Bixler Rees Furchgott Chung Zavareei Coberly McKeehen Hamrick Dodge Kang-O’Higgins Furchgott Coberly Zadrozny White-Gerht

Sat-Sun Sat-Sun Sat-Mon Fri-Sun Sat-Sun Sat-Sun Sat-Sun Sat-Sun Sat-Sun Sat-Sun Sat-Sun Sat-Sun Sat-Sun Sat-Sun

11/21-11/22 12/12-12/13 1/9-1/11 1/15-1/17 1/16-1/17 1/30-1/31 1/30-1/31 2/6-2/7 2/13-2/14, 2/20-2/21 2/13-2/14 2/20-2/21 2/27-2/28 2/27-2/28 3/12-3/13

9:30am-4:30pm 9:30am-4:30pm 9:30am-4:30pm 9:30am-4:30pm 9:30am-4:30pm 9:30am-4:30pm 9:30am-4:30pm 9:30am-4:30pm 9:30am-4:30pm 9:30am-4:30pm 9:30am-4:30pm 9:30am-4:30pm 9:30am-4:30pm 9:30am-4:30pm

p.12 p.12 p.12 p.12 p.12 p.12 p.13 p.13 p.13 p.13 p.12 p.13 p.13 p.13

Int/Adv Beg/Int Int/Adv All All Int Int All All All All All All

Madrid Frank Madrid Aristides Faigin Laurence Laurence Medici Barry Medici Waters Corry Waters

Mon-Fri Tue-Fri Mon-Fri Mon-Fri Mon-Fri Mon-Fri Mon-Sat Mon-Fri Mon-Fri Mon-Fri Mon-Fri Mon-Fri Mon-Fri

11/30-12/5 12/1-12/4 12/8-12/12 1/4-1/8 1/4-1/8 1/4-1/8 1/11-1/16 1/11-1/15 3/28-4/1 3/28-4/1 3/28-4/1 4/4-4/8 4/4-4/8

9:30am-4:30pm 9:30am-4:30pm 9:30am-4:30pm 9:30am-4:30pm 9:30am-12:30pm 9:30am-4:30pm 9:30am-4:30pm 9:30am-4:30pm 9:30am-4:30pm 9:30am-4:30pm 9:30am-4:30pm 9:30am-4:30pm 9:30am-4:30pm

p.14 p.14 p.14 p.14 p.14 p.14 p.15 p.15 p. 15 p.15 p.15 p.15 p.15

All All All All All All

Aristides Kang-O’Higgins Faigin Magrath Trowbridge Varies

Mon-Fri Mon-Fri Mon-Fri Mon-Fri Varies Varies

9/14-6/13 9/14-6/13 9/14-6/13 9/14-6/13 Varies Varies

9:30am-4:30pm 9:30am-12:30pm 9:30am-4:30pm Varies Varies Varies

p.16 p.16 p.16 p. 17 p.17 p.18

All All All All

Hurst-Frye Dodd Fennelly Bartlett

Sat Sat-Sun Sat-Sun Sat-Sun

1/9 2/6-2/7 2/27-2/28 3/5-3/6

12:30pm-4:30pm 12:30pm-4:30pm 12:30pm-4:30pm 12:30pm-4:30pm

p.21 p.21 p.21 p.21

All All All All All

Heath Hamrick McKeehen Hamrick Heath

Sat Wed Fri Sat Sat

11/21 12/9 12/11 12/12 1/23

10:00am-1:00pm 9:30am-12:30pm 9:30am-4:30pm 10:00am-1:00pm 10:00am-1:00pm

p.24 p.24 p.24 p.24 p.24

LECTU RE SERI ES & O PEN STU D I OS

See page 19 for lectures and page 24 for Open/Reserved/Mentored Studios times and dates.

student info FACILITY Gage is located in the St. Nicholas school building, 1501 Tenth Avenue East beside St. Mark’s Cathedral on North Capitol Hill. The Gage main entrance is on the south end of the building. Please contact Gage staff regarding ADA accommodations.

VALID 11/16/15–5/16/16

OFFICE HOURS Office Hours: Mon-Fri: 9:00am-5:00pm BUILDING HOURS Weekday Hours: 8:30am-10:00pm Saturday Hours: 9:00am-6:00pm Sunday Hours: 10:00am-6:00pm The galleries are open at all times the building is open. PARKING Free parking is available weekdays along the south wall of the St. Nicholas building and beside St. Mark’s Cathedral. For evening and weekend programs, students are invited to park behind the St. Nicholas building, as well. TRANSPORTATION Gage is located east of I-5, south of 520 and four blocks north of Broadway on Capitol Hill. For public transportation, take Metro bus line 49. For driving directions, visit GageAcademy.org/aboutus. NOTICE OF NONDISCRIMINATION Gage does not discriminate on the basis of race, color, nationality, gender identity, sexual orientation, ability, age, religion or ethnic origin in administration of its educational and admissions policies, scholarships and any school-administered programs. ART SUPPLIES Class and workshop materials lists are posted on the web. Students may also request that a copy be faxed or mailed. Adult students provide all art supplies and should expect to pay $50 or more to purchase the required materials. Gage provides odorless solvents for all oil-painting programs. Gage does not allow the use of Liquin or any other highly toxic mediums in the studios. Gage Youth Programs include all art supplies. SCHOLARSHIP OPPORTUNITIES In May of each year, students may apply for full- and partial- need–based tuition scholarships for youth and adult programs on a reserved and space-available basis. In addition, Gage offers more substantial need- and merit-based adult scholarships annually with applications due each July. Scholarships are available for summer youth programs based on need. Applications for Summer Youth Scholarships were due March 20th, 2015. To learn more and to receive our Scholarship Forms, please visit the Gage website, or contact the Registrar at 206.323.4243 x10 or email Info@ GageAcademy.org. For Youth Scholarship info, please contact Andrea Goodman, Youth & Community Manager, at 206.323.4243 x17, email Andrea@GageAcademy.org, or visit GageAcademy.org/Summer15 FREE WiFi Free wireless internet is available on all three floors of the school. Network: gage-public Password: gage-guest

ATELIER/ STUDIO ARTS INTENSIVE OPEN HOUSE

Wednesday, January 27 5:30pm-7:30pm GageAcademy.org/studioarts Geo Studio GageAcademy.org/ateliers

registration info Winter 2016 registration begins Monday, November 16, 2015. Three ways to register:

ONLINE

GageAcademy.org

PHONE

206.323.4243 x10 or 800.880.3898

MAIL Download a registration form at GageAcademy.org/adult-programs Mail to Gage Academy of Art, 1501 10th Ave. E Ste. #101, Seattle, WA 98102

Gage accepts Visa, Mastercard and American Express as well as checks or cash. NOTE: There is a $10 nonrefundable registration fee for each class and/or workshop booked. Registration fee is waived for ateliers, lecture series and open studio passes.

TUITION DISCOUNTS

Gage welcomes artists of all abilities to attend the myriad programs available through the school. In addition, Gage offers the followings tuition discounts for all of our adult classes and workshops: (Only one discount type per registration.) 10% discount for adult students 25 years old and younger 10% discount for new adult students for their first class or workshop 50% discount for K–12 only/Public schools only. Must offer proof showing current art teacher and a letter from Principal (stand-by basis only)

CANCELLATION

Students who wish to cancel their place in a program must notify the Gage office by telephone or email to qualify for tuition refund or tuition credit. Tuition credits must be applied toward Gage programs within one year. All tuition credits are nontransferable. See Atelier and Student contract for cancellation terms. 1. GAGE CANCELS CLASS OR WORKSHOP

•

Option of refund or credit for both the class & registration fee

No retroactive discounts. To receive a discount you must register in person or over the phone. Please go to GageAcademy.org for payment and discount terms.

° This is non-transferable to another student or family member

PAYMENT OPTIONS

2. STUDENT CANCELS:

When you register for any adult class or workshop at Gage, you may choose a monthly two-payment option on your credit card with a 5% fee on the 2nd payment. The second payment must be received by the start date of the program. All class and workshop cancellation terms apply. Please call our Registrar to enroll in a payment plan. Questions? Email Info@GageAcademy.org.

STUDENT CONTRACT

Submission of your registration constitutes acceptance of all terms and conditions stated in this catalog and agreement that Gage Academy of Art (Gage) cannot be held responsible or liable for any act or for any injury, illness, death, damage, loss, accident, delay or irregularity which may occur during the course of any program. Gage assumes no responsibility for losses or additional expenses due to influences beyond its control. Personal effects, artwork and art supplies are students’ sole responsibility at all times. Gage reserves the right to cancel any program in which case it is liable only for any fees paid to Gage Academy of Art. Gage reserves the right to reschedule any program or replace any instructor without refund. Gage reserves the unconditional right to terminate enrollment in the event of unreasonable or disruptive conduct or failing to follow Gage’s student policies and rules; and Gage may do so without any refund. No refund will be made for early departure or deviation from the Gage schedule and program registration shall be nontransferable. Publicity waiver: Unless informed otherwise, Gage considers photographs and video taken of students and their artwork to be permissible for publication in Gage informational materials, including the web.

° No Cancellation Fee is assessed a. Class ° Cancels 3 weeks before class; 100% refund or credit, does NOT include Registration Fee, plus $35

cancellation fee

° Cancels 2 weeks before class; 75% refund or credit, does NOT include Registration Fee, plus $35 cancellation fee

° Cancels 1 week before class; 50% credit, does NOT include Registration Fee, plus $35 cancellation fee ° Cancels at the end of the first day of class; no refund, no credit, can transfer one time with a $35 Transfer Fee

b. Workshop

° Cancels 4 weeks before workshop; 100% refund or credit, does NOT include Registration Fee, plus $75 cancellation fee

° Cancels 3 weeks before workshop; 75% refund or credit, does NOT include Registration Fee, plus $75 cancellation fee ° Cancels 2 weeks before workshop; 50% credit only, does NOT include Registration Fee, plus $75 cancellation fee ° Cancels 1 week before workshop; 0% refund or credit, cannot transfer *If class being transferred into is more expensive, the student must pay the difference *If class being transferred into is less expensive, no credit or refund is given

Gage, a not-for-profit institution, relies on support from the following generous organizations and foundations. Discover more ways to support Gage: Contact Beth Brooks, Director of External Relations, at Beth@GageAcademy.org.

of Mercer Island

ACT Theatre, Alderbrook Resort & Spa, Alpenfire Cider in Port Townsend, Annie’s Art & Frame, Art Primo, Artist & Craftsman Supply, ArtWest Playhouse & Gallery, Baas Framing Studio, Baked Custom Cake, Bellevue Arts Museum, Blick Art Materials, Book-it Repertory Theatre, Bumbershoot, Capitol Cider, Central Co-op, Chateau Ste Michelle, Chihuly Garden & Glass, Daniel Smith Artists Materials, DeLille Cellars, Flowers on 15th, Frame Central, Gamblin Artist’s Oil Colors, Georgian Room at the Fairmont Hotel, Grand Central Bakery, Guardian Cellars, Henry Art Gallery, Icicle Creek Center for the Arts, Icicle Creek Winery, Inn at the Market, Key City Public Theatre, King FM, Laura Michalek, Macrina Bakery, Majestic Bay Theatre, Mayflower Park Hotel, Metropolitan Market, Museum Quality Framing, NCECA National Council on Education for the Ceramic Arts, Nordic Heritage Museum, Northwest Film Forum, O Wines, Pacific Food Importers, Pacific Northwest Ballet, Pacific Science Center, Peter Miller Books Supplies, Pratt Fine Arts Center, Puget Soundkeeper Alliance, Ray’s Boathouse, Seafair, Seattle Aquarium, Seattle Art Museum, Seattle Theatre Group, Seattle Tilth, Sorrento Hotel, South Restaurant in Leavenworth, Tacoma Art Museum, Taproot Theatre, Team Photogenic, Teatro ZinZanni, Ten Mercer, The 5th Avenue Theatre, The Center for Wooden Boats, The Elliott Bay Book Company, Tom Douglas, Trader Joe’s, Unique Art Framing, University Bookstore, Wallflower Custom Framing, Watson Guptill Publications, Willows Inn on Lummi Island, Woodland Park Zoo

1501 Tenth Avenue East Ste. #101 Seattle WA 98102 206.323.GAGE (4243) 800.880.3898 GageAcademy.org

Classical Training for Contemporary Artists

2016 Gage Collectorâ&#x20AC;&#x2122;s Gala

the

}

the

Presented by Laird Norton Wealth Management

SAVE DATE

Friday, March 4

GageAcademy.org/gala