c¿ Cuál es el VALOR simbólico del VACIO dentro de la Fragmentación Urbana y la Aceleración económica del Suelo?
GAMARRA’S CLUSTER : CITY OF CULTURE, IDENTITY AND TEXTILE INNOVATION
¿Es posible el VACIO como espacio PUBLICO constituirse un símbolo Socio-Espacial que brinde IDENTIDAD a la emergencia pluricultural e informal de Lima?
Image: individual design
Concept Image
¿How Architecture can add value to an urban void in a commercial context of urban land? ¿It’s possible an Urban Void as a public space builds a symbol that affirm the identity of a new multi-cultural centrality in Lima?
PORTFOLIO ARCHITECTURE AND URBANISM
Gian Franco Valverde Espinoza
Final Project of University- PUCP 2015
HOUSING BLOCK Boutic Hotel
HYBRID BLOCK
colective Housing Tower Hotel Comerce Panoramic rooftop INSTITUTIONAL AND COMERCIAL BLOCK Meeting Center Galeries Theatre MAC ( Institutional center for citezens ) FASHION CENTER Workshop center Clothing commerce ( Retail and Boutique) Fashion show room
SCENIC PLAZA Level + 2.00 meters
CULTURAL BLOCK
Local Library Native Cotton and Identity Museum Textil Factory and Recycle Cotton Center
The Proyect is seems as the first step to Urban Regeneration for changing the future of un informal cluster of clothing manufacture called “ Emporio Comercial Gamarra� and surroundings into a city of culture, identity and textile innovation. It means, a new geographical center that provide links between the Peruvian textile culture and the comercial retail bussiness to add value to the ancient work techniques of Peruvian native cotton. Therefore, it will recognize the migrant origin identity of the comercial and traditional neighborhood.
Image: individual design
SUMMERY
Final Project of University- PUCP 2015-I, 2015-II
Site: La Victoria, Lima , PERĂš. Area: 30 000 m2. Program: Institutional and cultural center.
The concept forms a central space that work as a scenic square half level above the street (+2 meters) where cultural neighborhood events and festival activities of Gamarra are celebrated. In the same way, the differents strategic volumne locations improve the relationship of various complex urban plots (Formal - Informal , organic - compact) with the park (urban void).
Image: individual design
CONCEPT
Fashion center building section
Perspective of the main walking area
Image: individual design
Final Project of University- PUCP 2015-I, 2015-II
MAIN SECTION
Final Project of University- PUCP 2015-I, 2015-II
Image: individual design
SCENIC PLAZA: Facade, identity and memory
ENSA- International studies 2014-II
URBAIN VOID Site : L’isle sur tarn, Midi-Pyrénées, FRANCIA.
PLACE
Program: Media library. Area: 1080 m2.
SITE
L’EGLISE
Individual design.
The share void. The resulting mass of the building rises for opening the public space with his context and to complement it. The proyect is a media library , where the building is located next to his neighbor to shape the forme of the context square and to share ” the patio “ (comun space) with the community. it develops a vertical special scale that provide a link between the church and the main plaza of the small city. One void that saturates the narrow layout of the streets , where the public means a new space for contemporary identity and the context remains steady in time.
Image: workshop team.
SUMMERY
ENSA- International studies 2014-II
Level 1
B
Level 2
Level 3
D
FACADE
ENSA- International studies 2014-II
Individual design.
Light, space and view
Mass and Void
Volumetric composition
Individual design.
MAIN SECTION
PUCP-Level 8, 2014-I
REGENERATION OF PRE-COLUMBIAN MONUMENTS Site : University UMSM, Lima, Perú. Area: 1000 m2. Program: Research center of Pre-colombian culture
Individual design.
T8
The Monumental artifice . The mass and the void in pre-Columbian architecture assume the character and composition of VALVERDE GIAN FRANCO URBAN VISIÓN UNIVERSITARIA the building. Also,CIUDAD it gives a processional design on the journey through ramps that shape a memory void. A physical absAV. UNIVERSITARIA - AV. VENEZUELA LIMA ence that become the monumental axis of the assembly . The vision shows an urban open in Pre-Columbian hidden monuments that are found around the residential neighborhoods and in several public institutions at Lima in orther to shape a contemporary building form.
L
CONCEPT
PUCP-Level 8, 2014-I
Rhythm, time and void
RESTAURANT
ESTRUCTURA Y CIRUCLACIÓN
OFFICES LOBBY CLASROOM
AULARIO
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
ADMINISTRATION
ADMINSITRACIÓN/
SALAS MULTIUSO MULTIPORPOUSE ROOM FOOD COURT
PATIO DE COMIDAS
KINDER GARDEN
CENTRO DE ENTRETEIMIENTO CHILDREN LIBRARY INFANTIL
PLAZA/ COMMERCE COMERCIO /PLAZA
Ntt. 39.6
RESTAURANTE NPT 39.6
TERRAZA
OFICINAS NPT 35.8
TERRAZA
OFICINAS NPT 32.0 Npt. 27.00
LOBBY OFICINAS NPT 27.0
Npt. 22.00
AULARIO NPT 22.0
AULARIO NPT 22.0
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
MAIN SECTION
STAIRS BLOCK
NUCLEOS DE CIRCULACIÓN VERTICAL ENTRANCE STATION INGRESOTO A LA ESTACIÓN
METRO STATION PLATAFORMA
Npt. 17.00
AULARIO NPT 17.0
AULARIO NPT 17.0
Npt. 12.00
CIRCULATION 2 2 ANDÉN LINEA
MODULO ESTUDIO NPT 7.0
SALA POLIVALENTE NPT 12.0
TALLERES NPT 3.5
CIRCULATION 6 ANDÉN LINEA 6 INGRESO RAMPA
HALL MAESTRIAS NPT 0.0 Npt. 1.00
PLOT PLAN ESC. 1/1000
PROJECT
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PUCP-Level 8, 2014-I
FACADE CONCEPT DETAIL
Floor concrete Steel Beam Structure grid
Textile Mantle of LIima Culture
Floor of concrete
concrete block
Abstraction figure / Grid
Facade of Exposed Memory
PUCP-Level 7, 2013-I
COLECTIVE HOUSING IN SURQUILLO: LOCAL ARCHITECTURE Site: Surquillo’s distric , Lima, Perú. Program: Colective housing.
E4
E3
E1
Surquillo is characteristic for several local commerce opened to the street and particular examples of colective housing like the “Quinta”. It motivates the social intePLANTAS Plot Plan Esc. 1/200 Taller 7- Vivienda Social en Surquillo PONTIFICIA UNIVERSIDAD CATOLICA DEL PERU raction by a colective road Arquitectos/Lucho inside the neighborhood The searchs Alumno/ Valverde Espinozaproject Gian Franco L 5 to Marcial, Enrique Norman, Vhal del solar square. FACULTAD DE ARQUITECTURA Y URBANISMO consolidate the community by sharing the comun space of the different houses. Lima 17 de diciembre del 2012
The strategy opens the neighborhood square from the inside and break the corners to communicate views from the comun space to the street. The project designs different shapes and weights of roads in order to continue the intensity of the street within the center of the neighborhood square.
SUMMARY
PUCP-Level 7, 2013-I
Reinterpretation of “Lima’s balcony”
HOUSING FACADE : Rhythm modulation unit and public space voids.
SECTION: Relation and open square.
Lima 17 de diciembre del 2012
PONTIFICIA UNIVERSIDAD CATOLICA DEL PERU 17 de diciembre delY2012 FACULTADLima DE ARQUITECTURA URBANISMO
PONTIFICIA UNIVERSIDAD CATOLICA DEL PERU FACULTAD DE ARQUITECTURA Y URBANISMO
Context and project
Taller 7- Vivienda Social en Surquillo
ELEVACIONES
Arquitectos/Lucho Marcial, Enrique Norman, Vhal del solar
Taller 7- Vivienda Social en Surquillo
Arquitectos/Lucho Marcial, Enrique Norman, Vhal del solar
CORTES
Esc. 1/100
Alumno/ Valverde Espinoza Gian Franco
Esc. 1/100
Alumno/ Valverde Espinoza Gian Franco
L6
L8
FACADES
PUCP-Level 5, 2011-II
A VOID OF MEMORY Site: Iquitos , Loreto, PERÚ. Program: Tourist port and Amazon market.
The Itaya river as a natural border limits and connects two complex zones. It’s the entrance to the cultural, comercial and turistic interchange between Amazon’s community and Iquitos city. This nostalgic relation is the oportunity to replace un invisible borer with a creative place for the memory. A space for Iquitos people where they can recognize them self with their origin, the jungle and the river. The project is a port and tourist market like a wrapping plataform that spiral up to produce continuous movement on the road and helped by a vertical wood structure called “palafito” simulate an organic and irregular atmosphere that recall the memory of the jungle.
SUMMARY
PUCP-Level 5, 2011-II
Main section
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
central Void
A place for the memory : the walk into the jungle of “palafitos” and the descense to the Amazon river.
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT