Ástæða (02 13 14) full score in c

Page 1

HALLDÓR SMÁRASON

Ástæða for chamber ensemble

Dedicated to the Contemporary Performance Program at the Manhattan School of Music

FULL SCORE IN C


Instrumentation Flute Clarinet in Bb Snare Drum Piano 2 Violins Viola Violoncello

Duration: ca. 10’’


Full Score in C

Ástæða Halldór Smárason

q = 82

Fl. 1

° & ‰ Œ

air, no tone <d><d>

>O O

‰ Œ

Œ

Cl. 1

pp non dim.

»3 j‰ j œ bO O

slap tongue air, no tone

Perc. 1

° ¢/

rim only (not rimshot) stick *9) scrape pp sticks

‰ O ‰ ‰ Oj Oj ‰ ™ Œ

{

3

p

◊ÿ b 6. & J Œ

j ¿≈ O ‰ ‰ gj J™

sim.

5

ppp

pp

ppp

Œ

mp

Œ

Œ

Œ

3

3

œ. ‰ Œ >

Œ

pp non dim.

middle of the skin fingertips

j gg

j rj g ≈ g g ‰ ææœ o p o ppp

3 ‰ œœœœ ‰ Œ >

Œ

Œ

Œ

Œ

Œ

Œ

Œ

~~~~~~~~~

non dim.

Œ

mp

°

° & ‰ Œ

3 ≈ 2j™ 2 ‰ Œ

*6) noise

*10) c.l.t.

5

Œ

‰ j #œ™

& ‰

pizz. *4) s.t.

œ

Œ

*5) noise III

3

B ‰ ‰¿ p

*12) c.l.b. *11) s.p. III

>. j ‰ ##œœ

Œ

Œ

Œ

Œ 3

pp

j bœ ™ ¿ 2 ≈J Œ pizz. *4) s.t. IV

*6) noise

3

V

p

Œ

p

ppp

pp non dim.

Œ

o

œœ ™ #œ œœ ™ J (III)

*10) c.l.t. IV

Œ #œj 3

5

3

> ‰ Œ

p

Œ

3

‰ Œ >

Œ

Ÿ~~ ≤ œ bœ Œ J

II

nœ œ ‰ J

5

III

Œ

Œ

3

> ‰ Œ

Œ

Œ

ææj œ œ œ œ ≈ ææ

pp non dim.

ø

*9) m.s.p. II

c.l.t. IV

+

VJ V

*7) body arco

œ™ œ œ

ppp

ppp

pp

Vla.

Œ

release pedal audibly

p

Vln. II

‰ Œ >

close to the rim fingertips

"mp"

Œ

3

*3) gliss.

q = 82

Vln. I

ppp

3

pp

5

‰ j ‰ œœœ œ œ œ œ œ .. . . . . . . nœ ™

swipe fingertips

*2) stopped with an eraser pizz.

Pno.

5

≈x x x x x x x x ‰ b O O#O O OOOO "f"

*1) inside piano

fingertips

subtone

7

Œ

ææ ææ 7 7™ 7 7 7 7 flutter

#7

air, with audible key clicks

p

Snare Drum swipe

7 7

≈j #7 ™

Œ

mp

¢& ‰ Œ

lip bend

whistle tone

3

3

pp

mp

*12) c.l.b. I jeté

Vc.

? ‰ Œ ¢

Œ

Œ

*4) s.t. *8)

O

ppp

*11) s.p.

5

O™ O O p

‰™ œ ˙ speak

*1) Snare drum is placed inside the piano. *2) Bb7 is stopped with an eraser. Pluck the string inside the piano. *3) Glissando the respective string section inside the piano, according to the clef. *4) Sul tasto. *5) Bow the respective string vertically, avoid producing any tones. *6) Bow on the bridge, avoid producing any notes.

5

fff...

pp

O

3

‰&

o

o

Halldór Smárason © 2014

s.p. ≥o > ≤ o o o o o o o IV ‰ j œ . . . . . . . Œ JO O ‰ Œ J #œ > 3 o 3 ppp non dim. mp *10) c.l.t.

Œ

*7) Bow the tailpiece, producing a low pitch or noise. *8) Gradual changes from sul tasto to sul ponticello. *9) Scrape a stick while simultaneously scraping the skin with the stick being scraped. *10) Col legno tratto. *11) Sul ponticello. *12) Col legno battuto. *13) Molto sul ponticello.


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