Halldรณr Smรกrason
Beyond the Silver Pit for chamber ensemble
Dedicated to Ensemble InterContemporain for ManiFeste 2016
Revised version:
(Beyond the Silver Pit_MANIFESTE2016_270616_13)
Instrumentation Bass Flute (doubles Flute) Clarinet in Bb Bass Clarinet in Bb Contrabassoon (doubles Bassoon) Horn in F Trombone 1 Percussionist: Snare Drum, Tam-tam (medium-sized), Bass Drum, Wood Blocks (set of 5), Glockenspiel, Triangle 2 Violins Viola Violoncello Contrabass (5-string) The score is written in concert C
Stage Setting The piece requires an unconventional stage setting, as illustrated below:
Flute
n sio us rc Pe
H or n
Trombone
Bassoon
Vi ola Violin 1
Bass Clarinet Double Bass
Vi
llo e c n o ol
Cond.
Violin 2
Clarinet
Lighting The lighting in the hall should be as dark as possible. The musicians should use stand lights if necessary.
Program Notes The piece is based on the poem Beyond the Silver Pit by British poet Adelle Stripe. Using archival research and her own family history, Stripe has created a narrative poem in ten parts that reveals the story of her great great great grandfather, Matthew Gains Mudd, who was lost at sea on Dogger Bank in the great storm of December 1894. The poem can be heard online, read by Russ Litten: https://soundcloud.com/adellestripe/beyond-the-silver-pit/s-FeUi0 A second movement to this piece will be composed in collaboration with the poet and the arts-led production company Curated Place in Manchester, and is anticipated to be premiered in Hull, the UK City of Culture 2017.
Duration: ca. 7’ 
Beyond the Silver Pit Revised version: Beyond the Silver Pit_MANIFESTE2016_270616_13 Halldór Smárason air without tones exhale <f> 3
at sea e = 84 Bass Flute
° 4 &8
5 8 ‰™
∑
sim. exhale 3 inhale
inhale ‚ #‚ 28 ‚ ‚ # ‚ ‚ # ‚ ‚ ‚ # ‚ ‚ #‚
pp
"ff"
pp
6 8‚≈ Œ o
3 4 3 ‚ #‚ ‚ 83 ‚ b ‚ ‚ 8 ‚ #‚ ‚ ‚ #‚ ‚ #‚ ‚#‚
Œ
pp
"mf"
Clarinet in Bb
4 &8
5 8Œ
∑
inhale exhale 3
2 8
≈
6 8‚≈ Œ
4 8
Ϊ
‚ ‚#‚ ‚#‚ ‚ ‚ #‚ ‚#‚ ‚#‚ p
air without tones exhale 3 3
Bass Clarinet in Bb
?4 ‰ 8
p
"ff"
2 ‚ 8
‚
3
3 3 8 ‚ # ‚ n‚#‚ ‚n‚ ‚ ‚#‚ ‚ ‚#‚ ‚#‚ ‚#‚
pp
exhale 3
inhale
5 ≈ 8 ‚#‚ ‚ ‚ #‚ ‚ # ‚ ‚ # ‚ ‚#‚ ‚
p
"f"
air without tones exhale 3 3
5 8
6 8≈
p
"ff"
inhale
n‚ #‚ 48 #O ‚ ‚ # ‚ ‚ # ‚ ‚ # ‚ ‚#‚ ‚
3 8 ‚
5 8
‰
o p
5 8
o
p "mf"
pp
pp "f"
"f"
"ff"
without reed air without tones exhale 3 3
Contrabassoon
?4 ¢ 8 #‚
inhale exhale inhale 3
5 8 n‚ ™ ‚ # ‚ ‚ # ‚ ‚ ‚ # ‚ ‚ ‚#‚
2 8 ‚
‚
6 8‚≈ Œ
4 ‚ ‚ #‚ ‚#‚ ‚ ‚ #‚ 8 ‚ #‚
3 ‚™ 8
‚
5 8
3
o p
"ff"
p
p
"mf"
air without tones number of valves closed 2 4 3
Horn in F
° 4 &8
j ‚
5 8‚
∑
p "mf"
"f"
2 3 1 1 0 0 6 ‚J 8
2 ‚ 8
‚
pp
4
‚ Œ™
Œ
4 8 ‚
‚ ‚
‚
p
"f"
‚
3 ‚ 8
5 8 "f"
air without tones number of positions 5 6 7
1 3 2 4
‚ ‚ Trombone
?4 ¢ 8
5 8
∑
2 8
∑
6 8‚
∑
4‚ 8
‚ ‚ ‚ ‚
‰
pp
Snare Drum sticks close to the rim snares on sempre
Percussion
Ÿ~ 4 ° ¢ 8 œ ‰™
3 8
∑
5 8
3 8
∑
5 8
‚ "ff"
Tam-tam scrape outer edge with triangle beater l.v.
Œ
5 8
2 8
∑
> 6 œj 8
∑
pp
Œ
Ϊ
4 8
∑
f
on the bridge noise without tones
on the bridge half pressed
Violin 1
5 ≈Œ 8‚
° 4 O 8
&
‚
2 8#‚
6 Ϊ 8
≈
ŠΠo
4 ‚™ 8
‚™
‚
‚#‚ ‚ #‚ ‚
3 ‚œ ™™
5 8
&8
pp
"ff"
mp
o pp
"f"
molto sul pont. (m.s.p.) on the bridge noise without tones 3
Ÿ<b> ≤r j 4 œ & 8 ≈ ≈‚ ‚
~~
Violin 2
p
mf
half pressed 3
on the bridge
ord. 3
5 8‚
Œ ‚‰ o
2 8
6≈ 8 ‚ ‚
∑
‚
"ff"
‚ ≈ 48 ‰ o
pp
"f"
on the bridge noise without tones
Viola
B 48
∑
5 8 ‰™
‚ ‚
‚
3 & ‚ #‚ ‚ #‚ ‚ #‚ ‚ 8 nb œ‚ ™™
5 8
pp
mp
on the bridge
6 Ϊ 8
2 ‚≈ ‰ 8 o
"f"
Œ
j ‚
4O 8
3 j 8 ‚
B‚ œ
5 8
o pp
"mf"
p
seagull effect: gliss. down whole string in same position I on the bridge noise without tones
⪠Ϫ 6 &8
3
Violoncello
?4 ¢ 8
∑
5 8Œ
j ≈‚ ‚
2 ‚ 8 o
"f"
on the bridge
4O 8
j o
mp
3 8 ‚
‚≈ o
5 &8
"ff"
Halldór Smárason © 2016 Beyond the Silver Pit_MANIFESTE2016_270616_13
exhale 3
7
exhale 3
3 inhale
B. Fl.
° 5<b>‚ &8
3
≈
4 ‚ #‚ ‚ #‚ ‚ n‚ b ‚ ‚ 8 #‚
Œ ‚ # ‚ n‚ #‚ ‚ ‚
2‚ 8
‚
n‚ R
≈
3
4 8
≈ ‚ #‚
‚ #‚ ‚ ‚ #‚ ‚ #‚
3
o
o pp
pp "f"
"ff"
p
"ff"
exhale exhale 3
Cl.
5 &8 ‚
≈
Œ
3
2 inhale n‚ #‚ ‚ 8 n‚ #‚ ‚ #‚ ‚ #‚ ‚ ‚ #‚ 3
4 8
‰ n‚ #‚ ‚ ‚
3
3
3
4 8
‰™ ‚
‚ ‚ #‚ ‚ ‚ #‚ ‚ #‚
o
o p
p
"f"
pp
"mf"
"f"
exhale 3 exhale inhale 3
B. Cl.
?5 8
3
3
n‚ #‚ n‚ #‚ ‚ n‚ ‚ ‚ # ‚ ‚ # ‚ ‚ # ‚ ‚ #‚ ‚ 3
4 O 8
2‚ 8
‚ ‰
#‚ ‚ #‚ ‚ ‚ #‚
inhale ‚ #‚ ‚ ‚ ‚
4 8
3
o pp
pp "mf"
"ff"
p
p "ff"
"f"
exhale 3 exhale inhale
3
3 3
Cbsn.
?5 ‚ ¢ 8 R
≈
‚ ‚ #‚ ‚ #‚ ‚ ‚ #‚ ‚ #‚
‰
3
4 O 8
2‚ 8
‚ ‰
#‚ ‚ #‚ ‚ ‚ #‚
inhale ‚ #‚ ‚ ‚ ‚
4 8
3
o
o p
p "mp"
"mf"
pp
pp "mf"
"mf"
2 1 4 0
4
3 3
Hn.
° 5 Œ™ 8
‚ ‰
r ‚
‰
4 8 ‚
‚ ‚
‚
≈™
2‚ 8
4 8
∑ ‚ ‚
pp
"ff" pp
5 1
6
7
1 2
3
2
Tbn.
5 ‚ 8 ¢
‚
4
3
‚
‚
4 8 ‚
‚ ‚ ‚
2 ∑ 8
Œ ‚ pp
"ff"
4 8
‚ ∑ "f"
scrape
T.-t.
> ° 5 œ ¢ 8
4 8
Œ ‰
>scrape œ ‰™
2 ∑ 8
∑
∑
4 8
‚ œ‚
4 8
∑
f
mf
3 on the bridge
Vln. 1
on the bridge
j ‚
° 5 ™ &8 ‚
≈ ‚ o
4 O &8 ˙
2 ‚œ 8
pp
"f"
‚œ
‚
mf
"mf"
‚™
&œ
o pp
on the bridge 3 on the bridge 3
Vln. 2
5 &8 ‰
‰
r j ‚ ‚
j ‚
‚
≈ o
4 &8 ‰
b œ‚
2‚ 8œ
œ‚
pp
"mf"
œ‚
‚
mf
"mf"
‚™
® ‰ o
&
4 8
on the bridge 3 on the bridge
Vla.
B 85 Œ ™
4 ‚ 8
‚
‚
B
‚œ ‚œ
2 ‚œ 8
‚œ
≈ ‚
‰
‚
4 8
3
op
"f"
mp
"ff"
seagull effect
Vc.
‚™ ™ 5 œ &8
on the bridge 3 on the bridge
j ‚ ‚
4 ‚ 8
‚
o
≈ ‰ o
? 2 b‚ œ
‚œ ‚ ∑
8
4 8
"mf"
3
mf
p
"f"
half pressed 3
seagull effect: gliss. down whole string in same position I
Cb.
?5 ¢ 8 ‰
‚ &œ
ord.
bb ‚œ
3
4 j 8
Πo
‰
2 ∑? ‚ ‚ ‚ 8 #‚ ‚ #‚ ‚ ‚ #‚ ‚ #‚ ppp
f
2 Beyond the Silver Pit_MANIFESTE2016_270616_13
mp
pp
4 8
inhale exhale
13 3 3 inhale
B. Fl.
° 4 &8
‚ #‚ ‚ ‚
‚
6 8 ‚ ≈ Œ
O
≈ 85 ‚ # ‚ ‚ #‚ ‚ ‚
Œ
3 b‚ ‚ #‚ ‚ #‚ ‚ #‚ ‚ 8 n‚
o p
Cl.
3
10 8
5 8
∑
10 8
p
"f"
inhale 3
∑
o
p "mf"
4 &8
18 5 8
exhale
3
3
n‚ ‚ ‚ # ‚ ‚ ‚ # ‚ n‚#‚ ‚
6 8 ‚ ≈ Œ
O
5 8 ≈
Ϊ
3 8 ‚ # ‚ n‚ #‚ #‚ ‚#‚ ‚#‚ ‚
‚#‚ ‚ ‚ pp "ff" pp
pp
"f"
exhale 3 exhale 3
B. Cl.
?4 8
O
inhale
6 ‚ ≈ ≈ 5 ‚ ‚ 8 #‚ n‚ #‚ ‚ n‚ 8 ‚ # ‚ ‚ ‚ #‚ ‚ #‚ ‚ #‚ o pp "f" pp "mf"
O
3 ‚™ 8
‚
5 8‰
‚ b ‚ b ‚ ‚ b ‚ ‚ b ‚ b ‚ 10 8
≈™
3
o "ff"
exhale 3
exhale 3
3
inhale
3 3
Cbsn.
?4 ¢ 8
O
6 8
O
5 ‚ n‚ 8 #‚ n‚ #‚ ‚ n‚ n ‚ # ‚ ‚ # ‚ ‚ # ‚ ‚ #‚ ‚ ‚ #‚ ‚ #‚
3‚ 8J
‚
o
5‚ 8 ‚ b ‚ ‚b ‚ ‚ ‚b ‚ ‚ b ‚ Œ
Œ
10 8
o pp
p
"ff"
pp
"f"
(ord.) 3 stopped, gradually open
3
2
1
0
0
4 2
+
1
Hn.
° 4 8
‚
‚‚ J
‚
‚
6 ‚ ≈ ≈‚ 8
O
‚ J
‚ ‚ 5 ‚ ‚ ‚ 8
‚
‚ ‚
3 8 ‚™
&
5 8
10 8 Ϫ
œ
3 3
"mf"
4
"ff"
pp
"f"
p
6 4 3 5
7 7
6
2
3
Tbn.
4 ¢ 8
‚
≈‰ ∑
6 8
5 8 ‰
∑
‚
‚
‚ ‚
3 8‚
° 4 ¢ 8
∑
10 8
5 8
∑
10 8
5 8
∑
10 8
5 8
∑
10 8
5 8
∑
10 8
‚ p
T.-t.
5 8
‚ ‚ pp
∑
∑
"ff"
arco high tone
>scrape 6 j Œ 8 œ
Ϊ
j œ
5 Π8
f
œ
3 8œ
p
‰
f
on the bridge
Vln. 1
° 4 &8
O˙
O˙
6 8 O™
mf
"f"
5 8 ‚
r ‚ & bb ‚œ ‚œ R op
3 ⪠8 Ϫ
r ‚
3 8 œ‚ ™™
f
on the bridge 3
Vln. 2
4 & 8 b ˙O
˙O
p
mf
≈‚
6 8 ‰
‚
5 8 ‚
‚™
r & b œ‚
œ‚
op
"f"
f
on the bridge II
Vla.
Vc.
4 8
4 8
j ‚
B‚ œ ™™ op
O˙
≈ ‚ 5 ‚™ 8
Œ
‚
3 j 8‚
‚ B
o mf sub.
"ff" mf
b‚ ‚ ‚ ?œ œ
‚
6 Ϊ 8
O˙
col legno tratto (c.l.t.) molto sul pont. (m.s.p.) airy tone 3 3
6 8 ‰
half pressed on the bridge arco ord. 3
œ #œ ‰ œ # œ œ œ # œ œ#œ
5 ≈ 8 n‚ ‚
‰
‚
3 8‚
3
op
mf
"ff"
pp
5 ?b ‚ œ 8Œ J o f sub.
b ‚ b ‚ ‚ b ‚ ‚ b ‚ b ‚ 10 8 3
p
seagull effect I col legno tratto (c.l.t.) molto sul pont. (m.s.p.) airy tone 3
n‚ nœ Cb.
<b> ‚ ? 4<b> œ ¢ 8
6 8
‰
‰ o
5 8
Ϊ
mf
∑
3 8
∑
5 8 ‰™
œ œb œ œ b œ Œ
10 8
p
3 Beyond the Silver Pit_MANIFESTE2016_270616_13
exhale <sch> 3
B. Fl.
<sch> exhale 3
exhale <sch>
19
3 8 Œ 28 ‰ ‚#‚‚n‚b O ‚ 8 ‚ # ‚ n ‚# ‚n‚#‚ ‚ #‚
3 ° 10 ‰ & 8 ‚# ‚ ‚#‚ ‚ ‚#‚ ‚#‚ ‚#‚ ‚n‚ b ‚ ‰
6‚ ≈ Œ 8
3
5 ‚#‚ ‚n‚#‚n‚ ‚ ≈ Œ ‚# ‚n‚ 8 #‚ ‚ ‚#‚‚#‚
‰ ‰
3
pp
pp
"ff"
pp
pp
"ff"
p
‰
3
≈ 48 n ‚b ‚. >
p
"f"
f
exhale <sch> exhale 3
Cl.
6 (ord.) 8 b ˙™
3 n‚ 2 ≈≈ 8 ‚ ‚#‚n‚#‚‚ ≈Œ ‚ # ‚ ‚ # ‚ 8 8 n ‚ ‚ ‚ ‚ # ‚ ‚ ‚ n‚#‚ n‚#‚ ‚# ‚ ‚# ‚ ‚ ‚# ‚ 3
10 &8 Œ ‚# ‚ ‚ ‚# ‚
5 8
4 8 Ϫ
Ϫ
œ
œ
3 3
pp
pp
"ff"
p
p
"ff"
<sch> exhale
inhale 3
(ord.) 3
B. Cl.
3
? 10 8 ‚b ‚‚ b ‚n‚ b ‚b ‚ ≈Œ n‚
2 nœ 8
Ó
µ˙
8 œ ‰™ 8
Œ
6 8‰
Œ
®‚b ‚b ‚ ‚b ‚‚b ‚b ‚n‚b ‚‚ b ‚ 85 ≈‰ Œ n‚ b ‚b ‚ n ‚
b ‚n‚b ‚n‚b ‚b ‚n‚ 48 b ‚ b ‚ n ‚ b ‚ n ‚ b ‚ n ‚ ‚b ‚
3 3
pp
p
pp
mp
3
pp
"f"
pp "f"
exhale 5
exhale
inhale 3
3
3
Cbsn.
? 10 ¢ 8
2 ‚‚b ‚‚b ‚ ‚ ‚b ‚8 ‰ Œ 8 8 ‚b ‚
∑
6‚ 8 ‚b ‚ ‚b ‚‚‚b ‚n‚b ‚ ‰ Œ ™
Ó
5 8Œ
4 n‚#‚ ‚n‚#‚ 8 ‚ # ‚ ‚ # ‚ n ‚ ‚ # ‚ # ‚ ‚ ‚# ‚
bœ ™ o
p
"ff"
pp
"f"
pp
p
gradually bend by stopping
without tones + air <t><t> o Œ bœ œ bœ œ œ œ bœ œ‚ ‚
open, gradually stopped
Hn.
+
° 10 o &8 ˙™
2 8 ˙
8 8
‰™ œ
6 8 w
5 8 Ϊ
Ϊ
≈ Œ
‰
œ
<sch> 23 1
<sch> 1
7
‚7
2
5
‚ 6‚ ‚ ‚‚≈6 Œ ‚ ‚ 8 ‚
4 6
Tbn.
2 8
∑
∑
8≈ 8 ‚™
‚ ‚
3
j5 ‚8‚
4
10 ¢ 8
®r j ‚ ‚™ ‚
3
∑
pp
"ff"
"f"
swipe with fingernails Bass Drum in order to create continuous noise
B. D.
3
‰28
-™
-
∑
6 j 8-
8 8-
pp
Ϊ
5 8 ‰ -- -
° 10 &8
2‰ 8
∑
6 Œ 8 b œ. œ. œœ œ ...
Ó
p
2 8
∑
∑
8 ‰ œ#œœ 8 #œ
6 Œ 8 b œ. œ. œœ œ ...
ú™
‚ ‚
"f"
p
4 8
‚
o
col legno battuto (c.l.b.) saltando (salt.) ord. bow grip towards middle of bow (baroque-style) 5
#œ œ#œœnœ≈Œ
‰
6
sss... p
p
col legno tratto (c.l.t.) m.s.p. airy tone 3
swipe the strings with the bow from bridge to nut noise without tones IV+III on the bridge
5 8 6™
6™
4 8
‰ "mf"
col legno battuto (c.l.b.) saltando (salt.) ord. bow grip towards middle of bow (baroque-style) without instrument 5
8 8 œ œ#œœ#œŒ pp
10 &8
-™
p
œ
Vln. 2
Œ
p
col legno tratto (c.l.t.) molto sul pont. (m.s.p.) airy tone 3
Vln. 1
4 8
‚
3
pp
° 10 Œ ¢ 8
4 8
swipe the strings with the bow from bridge to nut noise without tones on the bridge IV+III
arco ord. I
‚ 5‚ J 8J
Œ
‚ j ú
Œ Œ
j ú
≈ ‚j 4 8 3
3 3
o pp
p
p
ppp
col legno battuto (c.l.b.) saltando (salt.) bow grip towards middle of bow (baroque-style) 5
half pressed
arco ord. on the bridge
col legno tratto (c.l.t.)
Vla.
‚n‚ ‚ 2 ‚ ‰ ™ 8 ‚#‚ ‚#‚ ‚n‚#‚n‚#‚
8Π8
œ
6 8 b œ. œ. œœ . . œ. Œ
˙
‚# ‚ ‚# ‚ ‚ ‚#‚ pp
p
pp
pp
Vc.
Π28
∑
8 8
p
6 j 8 b œ.
∑
‚œ
5 &8
Ϊ
‚™
‰ o pp
Œ
‰ ‰
4 8
‚
p
c.l.t. m.s.p. airy tone 3
col legno battuto (c.l.b.) 3 ? 10 8 ‚b ‚‚ b ‚n‚ b ‚b ‚ ≈Ó n‚
p
"f"
b ‚œ ™™
3 3
B 108 ‰
pp
3
swipe the whole string with the bow noise without tones IV+III 3
3
5 8 œ œ#œœ#œœ#œnœnœ#œnœ œ ≈ Œ œ# œ œ # œ
ú
4 ú ‚ 8
pp
"f"
p
pp mf
c.l.t. m.s.p. airy tone
Cb.
? 10 ¢ 8
∑
2‰ 8
b ‚ ‚ ‚b ‚88 ‚b ‚ ‰ Œ
col legno battuto (c.l.b.) ord.
j 8 b œ.
?6
Ó
p
mf
4 Beyond the Silver Pit_MANIFESTE2016_270616_13
Œ
p
c.l.t. m.s.p. airy tone 3
‰ ‰ œ#œ œ 85 #œ œ œ#œ‰ Œ pp
pp
bow the tailpiece 3
‰ nc p
j c
c
4 8
(ord.) on the beat <p>
B. Fl.
<sch> exhale
>j œ
25
(ord.) <p>
<p>
3
> nœj
° 4 &8 ˙
>j
3 7 8 œ ‚‚b ‚ ‚ b ‚ ‚b ‚ ‚ ‚ 8 nœ ™
fp
"ff"
5œ 8 œ™
˙
œ ≈ Œ
œ
Œ
2 8
œ
2 non vib. 8 œ
7 8
∑
fp
pp
fp
exhale <sch>
Cl.
4 &8
‰™ Œ
exhale <sch>
3 3 3 3 7 ‰ Œ 8 ‚b ‚b ‚ ‚ b ‚ ‚ b ‚ b ‚ ‚b ‚ ‚b ‚n‚b ‚b ‚ n‚
3 8Œ
<b> œ
5 8 ‚# ‚
pp
"ff"
subtone (ord.)
n ‚ # ‚ n‚#‚n‚n‚ n œ ™ n‚n‚# ‚n‚# ‚n‚# ‚n‚ pp
7 8
pp
"ff" p
exhale <sch> slap tongue
B. Cl.
?4 8 >.
‰Œ
3 8
7 j 8 > .
∑
Œ
5 8 >j .
Ó
Œ
‰
‚b ‚b ‚ ‚ b ‚ ‚b ‚b ‚
2 ‚b ‚ ‚b ‚n‚ b ‚b ‚ n ‚ ≈ 8
7 8
∑
f f f
inhale 3
Cbsn.
?4 ‚n‚ ™ ¢ 8 n‚#‚
exhale 3 3
3
3 7 ≈ 5 ‚n‚#‚n‚#‚‚n‚ 8 8 n ‚ # ‚ ‚ # ‚ ‚ # ‚ ‚ # ‚ ‚ ‚# ‚ ‚# ‚
3‚ 8 ≈ Œ
3
pp
"ff"
∑
7 ‚ ‚b ‚ ‚b ‚ ‚ ‚ b ‚ 2 3 ‚b ‚ 8 ‚b ‚ ‚n ‚ b ‚ 8
‰
pp
"ff" mp
pp
mp
slap mouthpiece with palm
Hn.
. ° 4 > 8
2 <sch> 4
0
2 1‚ 8
j ‚ ‚ ‚™
3
‰Œ
3 &8
7 8
≈ Œ
5 8
Ó
∑
‚
7 8
‚ œ
œ
œ
pp
f
pp
œ p
"f"
slap mouthpiece with palm
Tbn.
. 4 ¢ 8 >
‰Œ
3 8
<sch> 1
. 7 >j 8
∑
‚
5 2 4
‚ ‰
7
‚ j ‚
<sch> 1
. 5 >j 8
"ff"
2
27 ‚ 8
5 6 ‚ ‚ ‚
4 3
j ‚ ‚
‚
‚
‚
7 8
‚
"f" 3
p
"f"
Wood Blocks hard mallets on the beat
° 4 œj 8 œ
‰Œ
Bass Drum Wood Blocks
3 8 ‰™
mf
p
"f"
"f"
Wood Blocks Bass Drum
≈ 7 œj j -- 8 œ
-
mp
p
f
"f"
Bass Drum
5 œ 8 ®œ
-
p
2 8-
™ -
-
-
-
7 8
pp
"ff"
Perc. Glockenspiel hard mallet l.v.
4 ¢ 8
3 8
∑
7 8
∑
5 8
∑
∑
∑
&
2œ 8
7 8
mp
c.l.b. salt. 3
c.l.b. salt.
Vln. 1
° 4 O 8
j 6
3Π8
7 6™ 8
)
sss... pp
"ff"
5 j 8 6
f
pp
‰
j 6
6
6
4 O 8
6™
sss... pp
"ff"
op
‰
5 Π8
j 6
6
f
4 O 8
3 8
7 6™ 8
∑
5 Π8
)
6
sss... mp
sss... p
"ff"
6 &
B
œ. œ. œ. ‰
7 8
œ. œ. œ. o
p
p
c.l.b. salt. 3
œ. œ. œ. œ. 6
op
7 8
2 8
c.l.b. salt.
j 6
‰
p
c.l.b. salt. 3
6 op
7 8
o p
œ. œ. œ. œ. sss...
sss... mf
‰ œ. œ. œ.
&
without instrument
Vla.
2 8
c.l.b. salt.
≈ 6 7 6™ 8
3Π8
&
œ. œ. œ. œ. sss...
sss... mf
without instrument
Vln. 2
6
&
6
sss... pp
B 28
o p
mf
half pressed 3
Vc.
4 O 8
?3
3
‚b ‚b ‚ ‚ 7 b ‚ ‚ b ‚ b ‚ 8 ‚ b‚ ‚ b‚ ≈ Œ
8Œ
5 Π8
Œ
without instrument j n6 6
c.l.b.
c.l.b.
?2
?
j œ. >
6
6
‰
7 8
‰
7 8
8 œ. >
3
p
"ff"
half pressed 3 3
Cb.
4 ¢ 8 c
3 8
sss... p
pp
∑
o mf
without instrument c.l.b.
‚#‚‚n‚#‚n‚ ‰ ‚ # ‚ ‚ # ‚ ‚ ‚ #‚ ‚ #‚
5 8
c.l.b.
?2
?
∑
j œ. >
"ff" mf ppp
sss... pp
3
?7
8 ‰
o mf
6
6
8 œ. > sss... pp
o mf
pp 5 Beyond the Silver Pit_MANIFESTE2016_270616_13
M: multiphonic
B. Fl.
31 ° 7 Œ™ &8
o B ˙˙ n˙
œœo ™™ 6 8 œ™
pp
œœo œ
mp
<p> <p>
>j non vib.
3 œ r 8 ≈ œ œ
‰
pp
>
4 ‰™ 8œ
Œ
5 8
4 ‰ œj non vib. 8 œ œ
∑
fpp
5 8
3
fpp
subtone
Cl.
7 &8
6 8 Ϫ
3 8
≈ Œ
˙™
˙
œ
4 non vib. 8 ˙
5 8
4 8 Ϫ
œ
5 8 ææ ‚™
Œ
Œ
5 8
‰ Œ
5 8
‰™ œ
pp
air without tones flutter 3
slap tongue
B. Cl.
?7 8
6 8
∑
3 8 >j .
∑
Œ
ææj ææ ‚ ‚
4Π8
4 8 >.
o f
f
"f"
put reed
Cbsn.
? 7 back on ¢ 8
6 (ord.) 8 œ >. >œ. # >œ. f
∑
remove reed
3 8
Ϊ
Œ
4 8
∑
∑
5 8
∑
5 8
∑
4 8
∑
5 8
‰ Œ
∑
. 4> 8
5 8
‰ Œ
5 8
‰ Œ
5 8
slap mouthpiece Horn in F
. 3 >j 8
Horn in F
Hn.
° 7 8
6 &8
∑
Ϊ o
bϪ
Œ
4 8
"f"
"f"
p
slap mouthpiece
Tbn.
7 ¢ 8
?6
∑
. 3 >j 8
Ϊ
Œ
8 œ >. >œ. # >œ.
Œ
4 8
∑
5 8
. 4> 8
∑
"f"
"f"
f
Wood Blocks
j
° 7 8
6 8
∑
3œ 8 œj
∑
Œ
4 8
∑
5 8
4œ 8
∑
mf
p
Perc.
7 ¢& 8
6 8
∑
3 8
∑
∑
4 sim. 8˙
5 8
4 8˙
∑
p
arco ord.
Vln. 1
° 7 ™ &8 Œ
‚œ . ‚œ ‚œ . ‚œ Œ 5
.
.
.
‚œ
6 8
5
‚œ
5
. ‚ ‚ . ‚ œ œ œ
‚œ
5
5
.
.
.
‚œ
5
‚œ
5
5
o ppp
3 8 œ‚ ≈ Œ . o pp
Vln. 2
7 &8
∑
6 8 ‰
5
‚œ ‚œ . ‚œ
.
5
‚œ . 5
. ‚œ 5
o ppp
‚œ 5
.™ ™ 3 8 ##œ‚ ≈ Œ . o pp
arco ord.
Vla.
B 78
∑
6 8
3 8 b œ‚ ≈ Œ . pp
∑
‰ Œ
5 œo 8‰
œo
4 8
∑
5 8
œ. œ. œ. p
ppp
c.l.b. salt. 3
arco ord.
.
arco ord. III
4 8
arco ord.
‚œ
mp
c.l.b. salt. 3
arco ord.
5 8
4 8
‰ Œ
5 8
∑
4 8
∑
5 8
4 8 œ. œ. œ. ‰ Œ
5 8
∑
4 8
∑
5 8
4 8
∑
5 8
4 8
∑
5 8
œ. œ. œ. p
c.l.b. salt. 3
p
arco ord. sul pont. (s.p.) III
Vc.
?7 8
∑
6 8
3 ‚œ. arco≈ ord. 4 c.l.b. Œ 8 8 œj >.
∑
‚™
5 8 ‚™
Πo
pp
mf
pp sub.
4 c.l.b. 8œ >.
‰ Œ
arco ord. secco
Cb.
?7 ¢ 8
∑
≥≥ ≥ 6 œœ 8 . . #œ. >> > f
Œ
3 8
Ϊ
∑
mf 6 Beyond the Silver Pit_MANIFESTE2016_270616_13
5 8
∑
39 exhale <sch>
37 <t> <k>
3
B. Fl.
° 5 & 8 œ™
3 4 b ‚ ‚ ‚ b ‚ ‚b ‚ ‚ b ‚3 3 8 ‚ ‚ b ‚ n‚ 8 b ‚ ‚ ≈ ‰
7 8 œ ≈Œ Ó
œ
3
Cl.
5 &8
7 8
∑
3
p
"f"
subtone non vib.
4 8 Ϫ
˙
8 8
≈
2 ∑ 4 8 8
∑
b œ. œ. >> ff
3 8
2 ord. 4 8 8 œ
8 8 Ϫ
˙
w
pp key clicks with air 6
B. Cl.
?5 8
7 8
∑
4 O O O‰ 8 Ob ¿ O ¿ O ¿ ¿ ¿ ¿
∑
3 8Œ
Œ
®
8 8
∑
2 ∑ 4 8 8
8 8
∑
2 ∑ 4 8 8
b œ. œ. >>
"ff"
ff key clicks with air 6
Cbsn.
?5 ¢ 8
7 8
∑
4 8 O O O O O O‰ #¿ ¿ ¿ ¿ ¿ ¿
∑
3 8Œ
Œ
≈ œ >. # >œ.
"ff"
. > ‰ Œ
ff Hn.
° 5 8
7 8
∑
4 8
∑
3 8
∑ harmon mute with stem +
Tbn.
5 ¢ 8
7 8
∑
?
∑
4 Π8
Snare Drum (snares on) rimshot
W.B.
° 5 ¢ 8
o
∑
2 ∑ 4 8 8
"ff"
+ o +
o+ o + o+ o+ without mute
3œ 8
p
. > ‰ Œ
8Ó 8
‰ o
mp
2 ∑ 4 8 8
"ff"
sticks on the rim 6
7 h ≈Œ Ó 8
∑
o #œ
8Ó 8
4 ¿ ¿¿¿¿¿‰ 8
3 8
Œ
mf
p
arco ord.
bow the back of the body in order to make continuous crackling noise
8 8
∑
2 ∑ 4 8 8
∑
pp
arco ord.
Vln. 1
‚ .‚ ‚ .‚ ° 5œ œ œ œ &8 5
.
‚œ .
‚œ .
‚œ .
7 ‚‚≈ Œ Ó 8 œœ ..
®
5
4 Y 8
flautando
3 8 ¿™
2 non vib. 4 & 8 #œ 8
8¿ Œ Ó 8
5
pp 5
5
o
o ppp
pp
"f" bow the back of the body pizz. sul pont. (s.p.) in order to make continuous crackling noise secco 3
arco ord. arco ord.
‚œ . ‚œ ‚œ . ‚œ Vln. 2
.
‚œ .## ‚œ ‚œ .
5 &8 ‰
7 b‚ ‚ ≈ Œ Ó 8b œ œ .. 5
5
5
o . ‚ . œ
ppp arco ord.
Vla.
B 85 Œ
. ‚ ‚ . ‚ œ œ œ
8Ó 8
∑
& 5
pp
"f"
arco ord.
‚œ. ‚œ. ≈ Œ Ó
4 8
µœ
3 8‰
∑
8w 8
2œ ‰ 4 8 8
5
o
ppp
ppp
pp bow the back of the body in order to make continuous crackling noise
half pressed arco ord.
?5 8
4 8
flautando non vib.
o Vc.
2¿ ‰ 8 #œ œ œ œ
pp
B 78 5
3 8
∑
5
o ‚œ
4 8
.. 7 b ‚œ ‚œ ≈ Œ Ó 8
∑
3
‚ b‚ ‚ ‚ b‚ ‚ 3 b‚ ‚ ≈ Œ 8
4 Π8
8 nY 8
2¿ ‰ 4 8 8
"f" pp
3 arco ord. sul pont. (s.p.) non vib.
?5 ¢ 8
7 ‰ 8
∑
bow the back of the body in order to make continuous crackling noise
‚ ™™ 4 œ 8
‚œ O˙ Cb.
3
pp
3 8 ¿™
‰
ppp
8 Y™ 8
2 ∑ 4 8 8
Œ
"f"
= exhale <sch>
exhale <sch> 3
3
3
43 airy tones 3
B. Fl.
° 4 b‚ &8
‚ ‚ b‚
p
"f" Cl.
n7 7 J
‚ b ‚ ‚ b ‚ ‚ ‚ b ‚ n‚ b ‚ 85 Œ ‚
4 &8
pp
5 8 ˙
≈ Œ
3 3 7 ‰™ 9 b‚ ‚ ‚ b‚ ‚ b‚ ‚ b ‚ ‚ ‚ b ‚ n‚ b ‚ ‰ ‰ Œ ™ 8 ‚ o "f" p 9 ∑ 8 bœ™ ˙™
47 8 p
Œ
4 8
œ
4 n˙ 8
6 8
˙
pp
p
4 8
6 8 ˙
˙
4˙ 8
˙
pp key clicks with air
B. Cl.
<t> <k> <t> (ord.)
?4 8 Ob ¿O Ob ¿O Ob ¿O Ob ¿O ‰ ¿ ¿ ¿ ¿
®‰
5 8
4˙ 8
∑
9 œ 8
≈
Œ
‰ bœ
pp "ff"
Ϫ
6 8
n¿b ¿ ¿ ppp
pp
"ff" <t> <k> <t>
key clicks
Cbsn.
? 4 with air ¢ 8 O O O O O O O O‰ #¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿
®
‰
5 8
4 8
∑
∑
¿ ¿#¿
9 key clicks Œ 8 ¿ ¿ ¿ ¿ #¿ ¿ ¿ ¿
4Π8
Ó™
bœ
j œ
Ϫ
f
"p" "ff"
"ff"
6 8
‰
"ff" slap mouthpiece
Hn.
° 4 8
5 ∑
4 8
&8
‰™ Œ
Ϫ
œ
œ
pp
mf
pp
.j > Œ
9 Ó™ 8
4 8
∑
∑
6 8
4 8
∑
∑
6 8
4 8
∑
∑
6 8
"ff"
Tbn.
4 ¢ 8
5 8
∑
Glockenspiel
° 4 ¿ ¿¿ ¿¿ ¿¿ ¿‰ ¢ 8 mf
∑
∑
.j > Œ
9 Ó™ 8 sticks on the rim Snare Drum
sticks on the rim
S. D.
4 8
Œ
"ff"
soft mallet l.v.
5 Œ™ œ &8
p
?
4 8
∑
9 ¿¿¿¿¿¿¿¿Œ 8
p
p
Ó™
pp bow the back of the body
bow the back of the body
Vln. 1
° 4 8<#>œ ™
ŠΠo
5 8 ¿™
¿
4Y 8
9 ¿ 8
‰
4 8
Ó™
6 8
Y ∑
"f"
"f" bow the back of the body
Vln. 2
4 Y 8
5 8 ¿™
Œ
4 8
∑
9 ¿™ 8
¿™
¿™
4¿ 8
Œ ∑
&
6 8
"f" bow the back of the body in order to make continuous crackling noise
Vla.
4 Y 8
nat. harm. gliss. bow the back of the body
5 8 ¿™
¿
4 8
∑
B 98 Œ
b ‚IV J
‰ Œ™
4Y 8
6 8
Y
‚ pp
"f"
"f"
on the bridge bow the back of the body
Vc.
æ 4 ‚æ 8
Πo
5 8
4Y 8
∑
"f"
9 ¿™ 8
bow the back of the body
¿™
j ¿ Œ
4 8
6 8
Y ∑
"f"
"f" bow the back of the body
bow the back of the body
Vla.
4 ¢ 8 Y
5 8 ¿™
¿
4¿ 8
Œ
9 ¿™ 8
"f"
¿™
¿™
4Y 8
∑
&
6 8
"f"
7 Beyond the Silver Pit_MANIFESTE2016_270616_13
B. Fl.
49 ° 6 (ord.) & 8 ˙™
exhale 3 3
5 8œ
≈ Œ
4˙ 8
Œ
p
6 8 ˙™
4 ‰™ 8 œ
Œ
2 ‚ ‚#‚‚#‚> 8 ‚# ‚ ‚#‚slap tongue ↑
‰
p
p
"ff"
exhale 3 exhale 3
Cl.
inhale 3
3
6 &8 ‚ #‚ # ‚ > # ‚n ‚ ‚# ‚
‚‰
3 5 8® # ‚ ‚n ‚# ‚ n ‚# ‚ ‚ ‚# ‚n ‚# ‚ >↑ slap tongue
Œ
4 ≈‰ Œ 8‚
3 4 (ord.) ≈ 8 ‚ ‚ # ‚ n˙ ‚# ‚ ‚ ># ‚
6 8Œ
2 8 ˙
↑ slap tongue ↑ slap tongue
pp pp p
"ff"
p
"ff"
p
"ff"
inhale exhale
exhale exhale 3 3 3
3
3
inhale 3
3
inhale 3
B. Cl.
? 6<b>œr ≈ ‰ 8
5 n‚ #‚n‚‚ 8#‚ n‚ #‚ ‚ ‚ # ‚ > ‚ # ‚ ‚ ‚ #‚ ↑ slap
3 6 n‚ ‚ n‚ #‚ ‚ > n‚ ‚J 48 ‚R ≈ ‚ # ‚ ‚ 8 ‚ # ‚ #‚‚ ‚ #‚n‚#‚‚ J ‚ # ‚ # ‚ > ‚ # ‚ ‚ # ‚ > ‚ ‚ n‚ #‚ n ‚# ‚ ↑ slap 3 ↑ slap ↑ slap tongue "mf" tongue tongue o pp "ff" pp "ff" p "f" p
4 ‚ ‰™ 8
‚
f tongue
o p
p "mf"
"f"
2 8
inhale exhale 3
exhale
without reed inhale 3 3 inhale exhale
Cbsn.
?6 ¢ 8 Œ
‚ #‚ ‚ ‚
5 ‚™ 8
‚
‚≈ ‰
3 4 ‚n‚ #‚n‚#‚‚n‚ ‚J 8 # ‚ # ‚ > ‚ # ‚ > ‚ ‚# ‚ ‚# ‚ 3 ↑ slap ↑ slap o #‚ ‚ tongue tongue
4 ‚ ‚ 6 O™ 8#‚‚#‚‚‚#‚‚ #‚ ‚ 8
3 3
p
"mf"
p "f"
o p
2 8
"mf" pp
pp "ff"
"ff"
open, gradually stopped
+ Hn.
° 6 8
5 &8
∑
4 8 Ϫ
œ
+ ‰™
4 8
œ
mf
#Ϫ
pp
harmon mute with stem
+
6 8 Ϊ
Œ
Œ
2 8
∑
œ
ppp
sim. flutter
œ # œ. Tbn.
?6 ¢ 8 Œ
œ # œ. J ≈ ‰
5 8Œ
Ϊ pp
œ # œ.
4Π8
6 8Œ
‰
p
p
∑
4œ ‰ Œ 8
œ # œ.
œ ™ œ. œ ™ œ
4 ‰ 8
Πmp
3
≈‰
ææj œ
Œ
mf
ææ œ
2 8
pp
Wood Blocks
œj
° 6 œœ Œ 8 œ
5 8
Ϊ
6 j 8œ
4 8
Ϊ
Œ
∑
2 8
∑
f f
p
4µ 8
6 8 µ™
Perc. Snare Drum pour rice over snare drum in order to simulate rain
6 ¢ 8
5 8 Ϊ
∑
‰ µ
4 µ 8
2 8
µ
p
ad lib. within the given time frame seagull effect I
⪠Ϫ Vln. 1
° 6 Y™ 8
Πo
4 8
Œ
6 ∑
4 8
J
&8
flautando m.s.p. non vib.
Ϫ
œ
5 j 8¿
ì‰
Œ
2 8
‰ bœ
pp fpp
ad lib. within the given time frame seagull effect I
⪠Ϫ
half pressed 3
half pressed 3
Vln. 2
3
m.s.p. 5 ‚ #‚ ‚næ‚ ‚ # ‚ ‚ ‚ # ‚ 8 ‚ ‚ #‚ ‚#‚ æ
6 & 8 Ϊ
pp
Ϫ
4 &8
Œ
ppp
œ
6 8
J
4 ‰ 8
ì‰
3 ≈#‚‚ ‚ #‚n‚#‚‚n‚ ‰ # ‚ ‚ # ‚ ‚ ‚ #‚ 3
2 8
pp 3
pp
p
ad lib. within the given time frame ad lib. within the given time frame seagull effect I
seagull effect I
Vla.
6 8 ¿™
¿
‚™ œ™ ‰ & 85 o pp
œj
⪠Ϫ
half pressed
˙ 3
4 8
ì 86 Œ
4 ‚ # ‚ ‚ ‚ #‚ ‚ #‚ ‚ 8
B≈
J
pp
2 8
∑ &
J
p
pp
ad lib. within the given time frame seagull effect I half pressed 3
Vc.
6 8 Y™
5 j 8¿
3
Πo
Œ
?4
6 ‚‚#‚n‚ #‚ ‚ ‰ 8 ‚ # ‚ ‚ ‚#‚ ‚#‚‚#‚
8Œ
pp
seagull effect I
Cb.
O™ 6 ¢& 8 ˙™
3
p
pp
seagull effect I
5 8 j
Œ
Œ
4 O˙ 8
n‚ ™ nœ ™ ‰ & 48 pp
Œ
Ϊ
4 O˙ 8
pp mp
8 Beyond the Silver Pit_MANIFESTE2016_270616_13
2 8
seagull effect I
6 8 j
p
˙
j
‰
Œ
2 8
55
B. Fl.
‚
3
p
Cl.
59 5 8
inhale
° 2 & 8 #‚ ‚ n‚ b ‚
5 (ord.) 8 Ϫ o p
œ
5 8
Œ
2 &8 œ
œ
2 ‰™ 8œ
8 8
∑ œ™
œ
p
≈ Œ
2 8
5 8
œ
ŠϪ
œ
œ
Œ
8 8
Œ
œ
p
inhale 3 3
B. Cl.
?2 ‚ 8
5 ‚™ 8
‚
‚
2‚ 8
5 8Œ
3
‚ ‚ #‚ n‚ #‚ ‚ n‚ ‚ # ‚ ‚ ‚ #‚ ‚ #‚ ‚ #‚
8 8
‰™
o p
exhale 3
"f"
without instrument 3 3
Cbsn.
?2 ‚ ¢ 8
5 ‚™ 8
‚
‚
2‚ 8
5‚ 8 ‚ b‚ ‚ b‚ ‚ ‚ b‚ ‚ b‚ ≈ ‰
6™ sss... ff
o p
"f"
8 8
6
o
without instrument bend by gradually stopping
o Hn.
o
° 2 ‰ &8 bœ
bœ
5 o 8 ææ œ™
+
mp
p
pp
2 8 œ
œ ™ œ. Tbn.
?2 ¢ 8
∑
∑
+
5 8Œ
Œ
5 8 6™ œ
∑
sss... ff
œ ™ # œ. œ ™ # œ. 2 8
8 8
6 o
œ™ # œ.
5 8 Ϊ
(without mute) remove mute 7
3
8 8
‚ ‰ n‚ ™
mp
mp
pp
pp
p
Tam-tam triangle beater scrape
S. D.
2 ° ¢ 8 µ
5 8 µ™
µ
µ
> 5œ 8
2µ 8
Snare Drum sticks on the rim 5
≈ Œ
Œ
Œ™ ¿ ¿ ¿ ¿ ¿ ‰
f
mf
8 8
p
ad lib. within the given time frame seagull effect I air-bow: use the bow as a whip exaggurate sound with mouth, without moving lips <f>
‚ œ œj Vln. 1
° 2 &8
œj
œ
5 8
2 8
ì ‰
5 8 g
air-bow <f>
≈
≈ Œ
Œ
Œ
Œ
8 8
Œ
Œ
8 8
Œ
Œ
8 8
Œ
Œ
8 8
Œ
Œ
8 8
g
<b> œ "ff"
"ff"
o pp
ad lib. within the given time frame seagull effect I air-bow: use the bow as a whip exaggurate sound with mouth, without moving lips <f>
n‚ nœ œ™ Vln. 2
2 &8
œj
œ
5 8
2 8
ì ‰
pp
5 8 g
air-bow <f>
≈
≈ Œ
Πg
"ff"
"ff"
air-bow: use the bow as a whip exaggurate sound with mouth, without moving lips <f>
œ Vla.
air-bow <f>
Ϫ
œ
2 &8
5 8
ì Œ
2 8
∑
5 8 g
≈ Œ
ŠΠg
"ff"
"ff"
ad lib. within the given time frame air-bow: use the bow as a whip exaggurate sound with mouth, without moving lips <f>
seagull effect I
œj Vc.
2 &8
ì ‰
∑
⪠5 Ϫ 8
œj
2 8
ì ‰
pp
5 8 g
air-bow <f>
≈
≈ Œ
Πg
"ff"
"ff"
air-bow: use the bow as a whip exaggurate sound with mouth, without moving lips <f>
Cb.
2 ¢& 8
∑
∑
5 8
∑
2 8
∑
5 8 g "ff"
≈ Œ
air-bow <f>
ŠΠg "ff"
9 Beyond the Silver Pit_MANIFESTE2016_270616_13
airy tone <f>
63 61 Flute
B. Fl.
° 8 &8 w
5 8 œ≈Œ
non vib. <th>
>7. >7. >. >. >7. 7 >. b 7 b >7. b >7. 7
3 8Œ
Œ
7 1 J 8
ff sub.
7
5 8
‰ Œ 48 o
9 8
∑
p sub.
without instrument 3
Cl.
8 Π8
)
(ord.) 5 &8 Ϫ o p
)
tsss... ff
flutter
3 8
1 8 j œ
∑
œ
5 8
4 ææ 8 ˙ œ
Ϫ
pp
exhale 3
M: soft multiphonic focused around given pitch
inhale 5
3
1 5 ‚ œo 4 ˙o 8 ‚#‚ ‚ ‚ 8 #‚ ‚#‚ ‚ ≈ ‰ 8
without instrument 3
B. Cl.
8 ) 8
?5
8
tsss... ff
‚b ‚ ‚ ‚
3 8‰
‚b ‚ ‚b ‚n‚b ‚b ‚ ‚
® ‚ # ‚ n ‚ n‚#‚
n‚
#‚ 3
pp
"f"
p
5
put reed back on
5
3 3 3
3
‰ 85 Œ
n‚ n‚#‚ ‚ n‚#‚n‚ #‚ ‚ ‚ # ‚ ‚ # ‚ ‚ ‚ # ‚ ‚ ‚#‚
pp
f
3 ‚ 8 #‚ ‚#‚ ‚ ‚#‚ ‚ #‚ ‚ ‰
1 8
∑
5 o 8 Ϫ
o 4 o œ 8˙
9 8
o p
pp
"f"
f
3 2
1
0 5‚ 8
3
Hn.
?
6
tsss... ff
"f"
4
j j 6 6
3
p
Bassoon M: soft multiphonic focused around given pitch
inhale
#‚
3
"ff"
without instrument
Cbsn.
9 8
o
inhale
?8 ¢ 8
9 8
j ‚ ‚
° 8 &8 ‚
‚ ‚ ‚
‚ J
4
0
‚ ‰
3 8≈
Œ
1 8
‚™
∑
5 8
∑
4 8
∑
9 8
5 8
∑
4 8
∑
9 8
∑
4 8
∑
9 8
3
pp
p
"f"
"f"
1 1 7
Tbn.
8 ‚ ¢ 8
‰
‚ 5 without instrument J 8 6™ 6
Œ ‚™
sss... "ff" "ff"
p
"f"
1 1 ‚J 8
7
3 8 ‚™ o p
"f"
Triangle Tam-tam scrape
T.-t.
> 8 ° ¢ 8 œ ‰™
Œ
Œ
mf
° 8 g ‰™ 8
> 6 5 ¿¿¿¿¿¿¿¿¿¿‰ 8 œ ≈ Œ
f
pp
Bass Drum slowly rip off gaffer tape
triangle beater l.v.
1 j 8œ
3 8 Ϫ
Œ
f
p
mf
5 8
mp
molto sul tasto (m.s.t.) gradually distort the tone without cresc.
air-bow <f>
air-bow <f>
Vla.
Tam-tam scrape
Snare Drum 3
on the bridge
Œ Ó
"ff"
5 ≈Œ 8 g "ff"
3 8
‚ "ff"
∑
B 81
j œ
5 8
4 8 Ϫ
œ
9 8 ˙
"fff" p (no cresc.)
Vc.
8 g ‰™ 8
molto sul tasto (m.s.t.) gradually distort the tone without cresc.
air-bow <f>
air-bow <f>
on the bridge
Œ Ó
"ff"
5 ≈Œ 8 g
‚
"ff"
"ff"
3 8
?1
∑
j 8œ
5 8 Ϫ
4 œ 8˙
9 8
"fff" p (no cresc.)
Cb.
8 ¢ 8 g ‰™
molto sul tasto (m.s.t.) gradually distort the tone without cresc.
air-bow <f>
air-bow <f>
on the bridge
Œ
"ff"
Ó
5 ≈Œ 8 g
‚
"ff"
"ff"
3 8 "fff"
10 Beyond the Silver Pit_MANIFESTE2016_270616_13
?1
∑
œ 8J
5 Ϫ 8
p (no cresc.)
œ 48 œ #œ 98
airy tone <t><k><t><k>
airy tone <f>
non vib. >. 7 n>7. 7 >. >>. #>7. b 7 ™ . 7 7n7 6 JŒ 5 ‰ 8 8 6 o f sub. p sub.
>7. non vib. #>7. >7. >7. <th> # 10 & ™ ≈ 8
67
Fl.
° 9 Ó™ &8
Œ
ff sub.
5 8 Ϊ
Ó o
p sub.
M: soft multiphonic focused around given pitch ord.
Cl.
9 &8 ≈ œ œ
Ϫ
pp
pp
o o Œ œ ˙
10 ‰ ™ 8 œ
Ϫ
Bass Flute (ord.)
3 8 Ϫ
∑
2 8
p
7™
œ
non vib.
>. ® >œ. b œ
slap tongue
5 8
6 8 ‰
ŠϪ
>
5 8 Ϊ
‰
3 #œ ™ 8
2 8
Ϫ o
f
p
f
pp sub.
p
p sub.
"ff"
inhale M
™ Œ nœ 85 œ
3
B. Cl.
?9 Π8
10 Ó ™ 8
≈ ‚ ‚#‚n‚#‚ ‚n‚ ‚ # ‚ ‚ # ‚ ‚ # ‚ ‚ ‚ #‚
inhale
oj o œ œ™
Bœ
6 8 Œ
3
5 8 Œ™ ‚ #‚
‚#‚ ‚
M o 3 3 œ 8 ‚#‚ ‚
2 8
o pp
pp
"mf"
p
p
f
p
"f" p
Contrabassoon M
Bsn.
?9 ¢ 8
10 8
∑
5 8
∑
M
o o
6 o 8 b ˙™
∑
5 8
3 8≈
∑
2 8 bœ œ
p
f p
stopped, gradually open
o + Hn.
° 9 &8
+
+
10 8
∑
5 8
≈ Œ
+
˙
œ
pp
pp
p
+
Ϫ
Ϫ
œ
f
pp
+ 3 j 2 8 r ≈ ‰ #œ 8 œ pp
5 8 bϪ
˙™
+
6 8
Œ
pp
M: sing slashed note in optional register
harmon mute with stem
1
without mute
5
oo 5 ‰ ™ b œ œJ 8
7
10 ‚ ‰ ?b G˙ 8
3
Tbn.
9 ¢ 8 ‚™
‚™ ‚™
mp
G ˙
p
"ff"
5 8
j œ œ™
6 8 Œ
∑
mp
pp
f
+œ
3 Mgœ ™™ 8
pp
2 8
p
Tam-tam Tam-tam scrape
Bass Drum gaffer tape
Tri.
° 9 Ó™ ¢ 8
> 10 œ ≈ ‰ 8
Ϫ p
mf
Bass Drum gaffer tape
medium felt mallets Triangle
Π5 Ϫ 8
Œ Ó
mf
6 jŒ 8 œ
œ
p
Ϊ
5 8
∑
3 j 8œ
ææ œ
p
pp
mf
"f"
2 8
pizz.
>œ.
c.l.t. m.s.p. airy tone
Vln. 1
3
° 9 &8
arco on the bridge
on the bridge 3
‚
10 ‚ ‰ ™ 8
‚™
œ œ # œ œ œ # œ œ #œ œ
Ó & 85 Œ ™
Ó
‰
®≈
6 8
∑
5 8‰‚
3
j ‚ ‚
≈
3 8
2 8
∑
#œ ff p
"f"
c.l.t. m.s.p. airy tone
nœ ‰ œ#œ œ#œ œ#œ œ œ#œ œ#œ œ
9 & 8 Ϊ
"f"
pizz.
>œ.
arco ord. 3
Vln. 2
p
"ff"
B µ‚œ
O˙
10 #œ ‰ ™ 8
5 8
Ó
arco on the bridge
bn‚œ ‰‰
®≈
6 8
∑
5 Ϊ 8
3 j 8‚
‚
Œ
2 8
3
mp p
p
"f"
pp
"f"
ff
arco m.s.t. sim.
arco secco
m.s.t. sim.
1/2 col legno tratto light bow
on the bridge
>œ. >œ.
3
Vla.
B 98 ‰
r j ‰ ‚ ‚
‚™
‰ ‚
B 10 8
5 Œ™ ˙™
˙
‰
®≈
&8
B 86
œ bœ œ œ œ œ
5 Œ™ ˙™
‰ œ
&8
m.s.t. sim.
B 83
2 8 nœ ™
3
p (no cresc.) p
p (no cresc.)
"ff"
ff
m.s.t. sim.
f (no cresc.)
p
m.s.t. sim.
m.s.t. sim.
on the bridge
Vc.
? 9 Ó™ 8
? 10
≈ ‚ ‚
8 ‰ œœ
˙
˙
5 8
∑
3
6 8 b˙™
5 8
∑
3 8 bœ ™
2 8
f (no cresc.) p (no cresc.) p (no cresc.)
"ff"
m.s.t. sim.
m.s.t. sim.
3 bow the tailpiece
Cb.
?9 ™ ¢ 8 Œ
≈c c p
c™ "f"
m.s.t. sim. on the bridge
? 10
8 ‰ #œ
˙
˙
5 8
p (no cresc.)
∑
6 8 ˙™ f (no cresc.)
5 8‰‚ p
?3
‚ "f"
8 Ϫ
2 8
p (no cresc.)
11 Beyond the Silver Pit_MANIFESTE2016_270616_13
74 73
B. Fl.
° 2 &8 œ
œ ‰™
4 ˙ 8
bœ
5 8 Ϫ
4 œ ‰™ 8
œ
2 8
Œ
p
airy tones exhale
bœ
3 3 3
Cl.
2 &8
4 Π8
‰™ œ
5 8 7#7 7 7#7 7#7 7
pp
4 8
ŠΠ7 7 # 7 n7 # 7 7 n7
œ #7
pp
n˙ p
"ff"
inhale
2 8
exhale airy flutter airy tones 3
B. Cl.
o ?2 œ 8
o œ
3
3 3
4 8 #‚ ‚ ‚ # ‚ ‚ #‚ ‚
‰
5 8 ‰
n‚ ‚ #‚ ‚ ‚ #‚ n‚ #‚ ‚ ‰
≈
n7 48 #7 n7 #7 7 n 7 # 7 n 7 # 7 7 # 7 ææ ææ ææ n7#7 7
7 ææ
n7 Œ ææ
&
2 8
3
f
pp
without reed air without tones inhale 3 3
remove reed
Cbsn.
p
"f"
? 2 o ‰™ ¢ 8 <b> œ
air flutter 3
exhale 3
‚ #‚ ‚ ‚ ‰
#‚ ‚ #‚ n‚ ‚ #‚
3
4 Π8
ææ ‚ ‚ #‚
5 #‚ ‚ 8 #‚
‰™
f
ææ ææ ‚ #‚
3
ææ ‚
4 8
pp
- Œ
2 8
"ff"
air flutter 1
3 2
Hn.
2 8
"f"
4
° 2 & 8 <#>œ
∑
3
p f
ææ ‚ ≈ Œ
∑
b-œ ‰
≈
4 Π8
5 8 ‰
ææ Bœ
‚ ææ
‚ ‚ ‚
0 4 æ‚ 8 æJ
‰
& œJ
3
o
o
p
mf
p
p
mf
"ff"
harmon mute with stem
-œ
-œ œ
Tbn.
?2 g ¢ 8 œ
gœ ‰ ™
œ
bœ J
4 Π8
‰
5 -œ ™ 8
œ
#œ ‰
4‰ 8
3
mf
p
scrape triangle beater
T.-t.
ææ 2 ° œ ¢ 8
> œ ‰™
2 8
Π3
mf
p
pp
Wood Blocks hard mallets
p
f
3
j
œœœ j œ ‰ œ
4 œ œ ‰™ 8 œ
œ Œ 5 œj 8 œœœ
Œ
p
Œ
4 8
¿
4Y 8
2 8
∑
f
3
mp mf
f
p
p
bow the back of the body
Vln. 1
° 2 8
4 Y 8
¿ ∑
∑
5 8 ¿™
2 8
"mf"
swipe the strings with the bow from bridge to nut noise without tones tremolo IV+III
bow the back of the body
Vln. 2
2 8
¿
4 Y 8
¿
∑
5 8 ¿™
4 8 æú æ
¿
&
2 8
"mf" "ff"
swipe the strings with the bow from bridge to nut noise without tones IV+III
Vla.
B 28
∑ ú
ú J
œ
sim. tremolo
pizz. sul pont. (s.p.) molto sul pont. (m.s.p.) 3
4 8 ú
ææ ú
ææ ú
p
"f"
‰
B 85
œ™ ææ
ææ ≈ ‰ œ
p
pp
ææj œ
4Π8
ææ œ
2 8
3
"mf"
"mf"
p
half pressed ord. m.s.p. m.s.p. ord. 3
Vc.
?2 8 <b>œ
∑
ææ bœ
4 æ 8 æ œ
mp
ord.
m.s.p.
ææ œ
bœ ææ
5 8 ‚ # ‚ ‚ ‚ #‚ ‚ #‚ ‚ #‚
‰™
pp
pp
‰™
‚ ‚ bœ
Cb.
?2 ¢ 8 œ
pp
p
‰™
4 œ 8 p
tremolo accel.
œ æœ
5 œ 8 æ æ
æ
pp
p
12 Beyond the Silver Pit_MANIFESTE2016_270616_13
non vib. s.p.
2 8
Ϫ
œ mp
p
m.s.p. m.s.p.
m.s.p. j 4 ææ 8 nœ
≈ Œ
p
s.p. non. vib.
ææ œ
4 8 Ϫ
mp
pp
molto vib.
j 2 œ 8 mp
79
B. Fl.
airy tones exhale 3
airy flutter 3
exhale 3
3
5 ° 2 3 & 8 7 # 7 7 # 7 7 7 # 7 7 # 7 7 # 7 7 n7 b 7 8
pp
2 8
∑
sim. ææ 3 4 3 8 7 # 7 7 #7 7 7 #7
∑
"ff"
ææ ææ 7 #7
ææ 7
ææ #7
p
(ord.)
3 8 nœ ™
2 8
p
"mf"
airy tones exhale 3
Cl.
2 &8
3 8 œ™ œ
2 8œ
4 8˙
3 8
œ
3
2 8
7 7 # 7 7 #7 7 7 p
airy tones 3
flutter cantabile
B. Cl.
2 & 8 -œ
-œ ™
-œ
3 8
ææ œ
‰
2 8œ -
4 8œ
-œ
-œ
œ
3 8 j œ
œ -œ
pp
?
2 8 7 # 7 7 7 #7
mp
Bassoon cantabile
-œ Bsn.
-œ ™
-œ
?2 ¢ 8
flutter 3 æœ 8æ
‰
2 -œ 8
-œ
4œ 8
-œ
œ
remove reed
œ
-œ
3 8 œJ
2 8
Œ
pp
4
3
2
1
3
Hn.
° 2 &8
∑
3 8‰
∑
2 8
œ. Œ
4Π8
∑
f
œ
7 6
air flutter 5 4
3 Ϫ
‚ ææ
‚ ‚ ææ‚ ææ ææ
2 8
&8 p
3 2
3
Tbn.
?2 ¢ 8
∑
3 8‰
∑
‰
2 8
4 8‚
∑
3
‚ æ‚ æ‚ æ æ
‚ ææ
‚ ‚ ææ æ æ
‚ ææ
3 bœ ™
2 8
&8
3 3
o f
pp
hard mallets Glockenspiel 3
Tam-tam scrape
T.-t.
° 2 >œ ¢ 8
p
"ff"
3
scrape
3 8
‰ ∑
2 8
∑
> 4œ 8
∑
‰
œ #œ 3 #œœ & œ b œ œ #œ 8œ
‰
œœ œ
œœ œœ œ œ
2 8
mf f
swipe the strings with the bow from bridge to nut noise without tones tremolo IV+III
Vln. 1
° 2 8 æú æ
‰
≈
&
œ 3æ 8æ
mf
molto sul tasto (m.s.t.) gradually distort the tone without cresc.
molto sul pont. (m.s.p.) tremolo rit.
#œ
p
m.s.p. con sord.
nœ æ
‰
2 8œ
4 8œ
ææ #‚
ææ
3 8 æ‚ æ
≈
2 8
Œ
3
"ff" pp
light touch with left hand ord. 3
molto sul pont. (m.s.p.)
Vln. 2
2 &8 ‰
ææ œ
≈
pp
ææ œ™
≈
f
p
mp (no cresc.).
p
mf
molto sul tasto (m.s.t.) gradually distort the tone without cresc.
ææ ú
3
ææ œ
æ
≈ ‰
2≈ 8
4 8œ
Ϫ
‚ #‚ ‚
arco m.s.p.
Vla.
p
m.s.p. tremolo rit.
3 8
‰
p
æ B 28 œæ
p
‰
3 ææ 8ú
con sord.
2 8
‰
#œ p
pp
mp (no cresc.)
"ff"
3
3
3
nat. harm. gliss.
3 s.p. 8 ‚™
2non.jvib. 8 Ϫ
mf
non vib. r 48 ‚ œ œ
molto vib.
æ æ #œ ≈ æ æ #œ œ #œ 83 æ œ æJ b œ nœ #œ œ fpp
p
nat. harm. gliss. s.p.
con sord.
2 8
Œ
mf
m.s.t.
3 con sord. non. vib.
Vc.
?2 ‚ 8œ
≈
3 8 ‚™
2 j 8 Ϫ
f
p
‚ ‚™ mf
mp
molto vib.
4 r 8 œ ˙ mf
3 8
≈
Π&
2 8
œ f
m.s.p. trem. accel. 3
III (A)
Cb.
o ?2 œ ¢ 8 mf
‰™
ææ œ p
3 æœ ≈ 8æ mp
Œ
2≈ æ 8 œ p
ææj œ
4 æ 8 æ ˙
æ 3 œæ 8 mf
‰™
ord. j œ
2 8
p
13 Beyond the Silver Pit_MANIFESTE2016_270616_13
87 sinking e = 74 85 alt. fingering trill
B. Fl.
Uœ
° 2 œ &8
6 8 b˙™
4œ 8®
bœ
œ œ œœ œ œ œ®
pp
œ
œ œ œœ œ œ 85 b œ ™
p
œ
2œ 8
œ ‰™
5 8
œ
5 8
pp
fpp
airy flutter
Cl.
2 &8
Uæ æ 7
ææ 7
6 8
ææ 7
≈
4 8
Ϊ
Œ
5 8
∑
2 8
∑
∑ pp
"ff"
B. Cl.
? 2 ææ ææ 8 7 #7
ææ ææ 7 #7
Uæ æ 7
æ 6 7æ 8
"f"
"f
Uæ æ ‚
æ 6 ‚æ 8
ææ ææ 7 #7
ææ ææ 7 #7
ææ 7
ææ 7™
7 ææJ
4 8
Œ
5 8
∑
2 8
∑
∑
∑
5 8
2 ‰ O>¿ 8
∑
5 8
o
exhale
Bsn.
ææ ?2 ¢ 8 ≈ #‚
ææ ææ ‚ #‚
ææ ææ ‚ #‚
ææ ææ ‚ #‚
ææ ‚
ææ ‚™
click > key ¿O with air Œ
Contrabassoon
‚™ ææ
4Π8
5 8Œ
> O¿ Œ J
5 8 Ϫ
œ
2œ 8
5 8 Ϫ
œ bœ ™
2 8 Ϫ
o "mf"
"ff"
"ff"
"mf"
straight mute 3
Hn.
U ∑
° 2 œ ‰™ &8 o
3 3
6 8‰
j œ œ
œ
bœ J
ppp
4œ 8
ppp
œ J
pp
œ
j œ
œ
œ
œ
5 8
ppp
harmon mute with stem
Tbn.
b œ. ™ U≈
2 <b>œ ¢& 8
3
6 8Œ
j œ
j 4 œ 8œ
j œ œ
ppp sub. mf
ppp
œ pp
œ
5 8
ppp
f
Glockenspiel soft mallets
Glock.
° 2<#>œœ ¢& 8 œ
U ∑
‰
6 8 ˙™
4 8
5 8 Ϫ
∑
pp
œ Vln. 1
œ‚
5 8
‚
5 8
pp
6‚ 8
bb ‚œ
4 ‚œ 8
j j II ‚œ œ‚ ‚
4‚ 8
‚
‚
‚
arco ord. molto sul pont. non vib.
5 8 b œ‚
‚‚™™
2 b‚ 8œ
5‚ 8
b œ‚ ™™
2 8‚ œ
œo ™
o 2 æœ 8æ
œ‚
I 3 III
U ∑
6 8 b œ‚
fpp
‚ j b œ‚
‚œ
‚
ppp
Ÿ<n>~~~~~~~ # œm.s.p. ™ Vla.
5 8
ppp
Ÿ<b>~~~~~~ m.s.p. 2 œ™ ≈ &8
B 28
œ
II
U ∑
p
Vln. 2
2 8œ
arco ord. m.s.p. non vib. II
m.s.p.
bœ ° 2 ≈ ææ ææ ææ ® &8
œ
arco ord. molto sul pont. non vib.
≈
U ∑
I
6‚ 8œ
‚œ
fpp
ppp
Ÿ<n>~~~~~~~
arco ord. molto sul pont. non vib. IV
œœ
‚œ
4 ‚œ 8
‚œ
‚œ
bb ‚œ
œo 5 &8
œo
5 8
molto sul tasto molto sul pont.
m.s.p.
Vc.
2 & 8 ##œ‚ ™™
≈
U ∑
fpp
?
6 b O˙ ™™ 8
4 O˙ 8æ æ
5 ‚œ 8
‚œ ™™
2 ‚œ 8
ppp
‚œ
5 8
ppp
c.l.b. molto sul pont. punta d'arco m.s.p.
Cb.
?2 ¢ 8
‚œ ™™ ææ
≈
mf
U ∑
≥ 6 bœ 8
pizz.
≈
Œ
Ϊ
4 8
. . . p
14 Beyond the Silver Pit_MANIFESTE2016_270616_13
∑
5 8
∑
2 l.v. 8 œ pp
bœ ™
5 8
lip bend (can be overblown)
92
B. Fl.
U™ œ
° 5 Bb œ &8
4˙ 8
5U j 8œ œ œ
6 8 ˙™
p
p
Ϫ
œ
6 8 ˙™
2 8 Bœ
ææ œ™ œ >
5 8 Ϫ
pp pp
Cl.
5 & 8 œJ
U Œ
Œ
4 8
6 8 bœ
∑
‰ œ
U j j3 ‰ 85 œ œ œ Œ
mf
air without tones exhale 3
3 3 2 ≈ ‚n‚b ‚ 8 ‚b ‚ ‚ ‚ b ‚ ‚ b ‚ ‚b ‚ ‚ n‚
6 8 œj™
Œ Bb œ ™
pp
5 8 j ‚
Œ
Œ
o pp
p
(ord.)
air without tones exhale
B. Cl.
U ∑
?5 8
4 8
6 bœ 8J Œ
∑
œ Œ J
5 Uœ œJ Œ 8
>¿ ‰ O
5U 8Œ
Œ
p
Cbsn.
U Œ
> O¿
?5 ¢ 8 ‰
4 O>¿ ‰ Œ 8
> 6 bO¿ Œ 8J
mp
Hn.
U #œ ™
° 5 &8 œ
3
5 ¢& 8 œj œ
4 j3 œ 8 œ
œ
U 4 j œ œ 8 œ bœ œ ppp
U ∑
° 5 &8
Ϫ
>¿ O ‰
Œ
> O¿
2 ∑ 5 8 8
∑
2 ∑ 5 O>¿ 8 8
‰
> 6 bO¿ 8J
Œ
‰
6œ 8J
bœ
œ
œ J
2œ 8
œ
j œ
2 8 œ
Œ
p
6 8œ
ppp pp
Tbn.
> O¿ Œ J
nœ ‚ ‚b‚ ‚ b‚ ‚ ‚ 6 b‚ J 8 ‚b‚ ‰ 3 o pp p 3
5U 8 œ œJ œ
œ
j 85 U j œ œ œ œ
œ™ œ
ppp
6 8 œj b œ
pp
4˙ 8
bœ œ ™ J
œ
6 3 8 œj b œ
bœ ™
j œ
4 3 2 1 o 5 œ ‚ ‚ ‚ ‚ ‚™ ≈ 8 ‚ ææ ææ ææ ææ o "mf"
5 8œ≈ Œ
Œ
ppp
6 8 b˙™
5U 8 œ œJ œ
Ϫ
œ
U 5Œ ‰ œ 8
Œ ‰ œ
6 8 b˙™
2 ∑ 5 8 8
∑
pp
Perc. Tam-tam swipe extremely lightly brush l.v.
U œ Œ™
5 ¢ 8 ‰
ppp
4œ 8
Œ
6 8 Ϫ
Ϫ
ppp
6 8 Ϫ
2 ∑ 5 œ™ 8 8
‰ œ
Œ
ppp
>≤. ææ ‚™ ‚
molto sul pont.
Vln. 1
U ‚œ œ‚ ™™
° 5 ‚ &8 œ
æ 4 ˙Oæ 8
Uæ 5 æ 8 œ‚
6 8 ˙O ™™
ææj œ‚
senza sord. on the bridge
æ ‚œæ
œ‚ ™™
‚
6 8‚
ææ ‚ ‚
‚
ææj ‚
2‚ 8
5 8 ‚™
ppp
ppp
senza sord. on the bridge
>≤. ææ ‚™ ‚
molto sul pont.
Vln. 2
5 &8
Uæ æ ‚™
ææ ‚
4 ‚j ‚ ™ 8
U 5 ‚ææ 8
6 8 O™
ææj ‚
ææ ‚
‚
ææj ‚
‚
6 8‚
ææ ‚ ‚
‚
ææj ‚
2‚ 8
5 8 ‚™
ppp
Vla.
Uo ™ œ ææ
œo 5 &8
ppp
on the bridge senza sord.
molto sul pont.
o 4˙ 8
o™ 6œ 8
œo
ææj 5 U j ‚ 8‚ ‚
ææ ‚
‚
ææj ‚
‚
6 8‚
p
ææ ‚ ‚
‚
ææj ‚
2‚ 8
"f"
"f"
>≤. ææ ‚™ ‚
5 8 ‚™
ppp
ppp
"f"
seagull effect I
bU⠪ bϪ Vc.
?5 8
on the bridge senza sord.
4 j ‚™ 8
‰™ &
æ 6 ‚ ‚æ ‚ ‚ 8
ææj U j ‚ 85 ‚ ‚
ææ ‚
‚
ææj ‚
‚
6 8‚
ææ ‚ ‚
‚
ææj ‚
2‚ 8
>≤. ææ ‚™ ‚
5 8 ‚™
ppp
. p
p
ppp
p
pizz.
Cb.
?5 ¢ 8
U ∑
4 #˙ 8
6 8 ˙™
5U 8Œ ‰ Œ
"f"
ppp
œ ææ
ææj
pp
Πo
6 8
∑
2 ∑ 5 8 8
∑
pp
15 Beyond the Silver Pit_MANIFESTE2016_270616_13