Halldór Smárason
draw + play for string quartet
Commissioned by Siggi String Quartet Dedicated to Ásgeir S. Sigurðsson and Messíana Marzellíusdóttir
Full Score (draw+play_SIGGI_240217_23)
Stage Settings The piece requires a stage setting as illustrated below:
o ncell o l o Vi
Viol a
Violin 1
lin 2 Vio
Full Score Full Score Performance
Full Score
Notes Full Score
1
Noteheads Full Score
Full Score Full Score Full Score The piece uses a series of unconventional noteheads, representing different gestures. They should be realized as follows:
All conventional gestures and sounds. e
1
e of the instrument with Tap the body fingertips. Differentiate areas of tapping respective to dynamics. Full Score 1
& œ ¿ g ‚ 6 2&1 œú¿ cg ‚V 6 Ã2 1 ú∑ c V ∑ à ∑ ∑
∑∑
e strings with the bow from Bow the back of the body in order eto make Swipe the 9 1 1 to nut in order to create1noise 0 1continuous ⁄4 Full ⁄2 3Score ⁄4 crackling 0 1⁄4 1⁄2noise. 03Full ⁄4 1⁄4 Score ⁄2 3⁄4 0 1⁄4 1⁄2 3Full ⁄4bridge Score Score without tones. Strings indicated respectively. IV+III 9 9 0 1⁄4 1⁄2 3⁄4 0 1⁄4 1⁄2 03⁄41⁄4 1⁄2e 3⁄4 0 1⁄4 1⁄2 3⁄4 e the tailpiece in order to create a deep 18 18the screw of the bow. Hit the bridge with Bow soft and noisy tone. Full Score
ull Score
Full Score
∑∑
∑
∑∑ ∑ ∑ & œ ¿ g ‚ 6 2&1 œ ú¿ cg ‚V 6 Ã2 1 ú∑ c V ∑ à ∑ ∑ bœBbnœœµœ #œ˜∑œ nœ Bœ∑ bœBbœ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑∑ ∑ & nœ µœ #œ˜œ nœ Bœ & 9
n2œ B1œœ& bœ¿Bb nœœgµœ‚#œ˜∑œ6 2nœ B1œ∑∑bœBbœ ∑∑ ∑ ∑∑ ∑ ∑ ∑∑ ∑ ∑ ∑∑ ∑ ∑ ∑∑ ∑ ∑ œ n¿œ µœg #‚œ˜œ6 & && ∑ ∑ ú &∑c V ∑ ∑à ∑ ú∑ ∑c V∑ ∑ à ∑ ∑ ∑ ∑ ∑∑ ∑∑ ∑ & e e Full Score 1 re On aScore 5-line staff: Lightly touched notes, Full Knock Score the body with knuckles. Knock on 1 18 ¿ g ‚ Full 18 œ 6 2 1 ∑ ∑ ∑ ∑ ∑ œ ¿ g ‚ 6 2 1 ∑ ∑ ∑ ∑ ∑ either to produce harmonics or half pressed the most resonating area of the body. &9 &9 ú c V à ú c V à 0 28 ⁄ ∑⁄ ⁄notes 0 in ⁄ ⁄ ⁄ 0 ⁄ ⁄ ⁄ 0 ⁄ ⁄ order to create noise with almost 28 ∑Bœ bœBb& ∑ ∑∑ ∑ ∑∑ ∑ ⁄∑∑ ∑ ∑∑ ∑ ∑∑ ∑∑∑ ∑∑∑ ∑∑ ∑ & n œ µ œ # œ ˜ œ n œ œ n œ µ œ # œ ˜ œ n œ B œ b œ Bb œ ∑ ∑ ∑ ∑ ∑ ∑ no audible pitch. & & ∑On a91-line∑ staff:Full ∑Score ∑ in order ∑ ∑toFull∑ Score∑ ∑ ∑ ∑ 1∑ ∑ ∑∑ ∑∑ 1 ∑ & & Bow the ∑ bridge Full Score 0 ⁄ ⁄ ⁄ 0 ⁄ ⁄ 0⁄ ⁄ ⁄ ⁄ 0 ⁄ ⁄ ⁄ create white noise. 28µœ #œ˜œ nœ Bœ bœnBb 28 n œ œ ∑ œ µ œ # œ ˜ œ n œ B∑œ bœBbœ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ &18 &18audibly (without e Breathe using an Indicates length/note values of certain e∑ ∑ 38 ∑ ∑ ∑ ∑ ∑ ∑or∑∑boxes. ∑∑∑ ∑∑∑ ∑∑ ∑ ∑ ∑ ¿ & g38‚∑ ∑6 2instrument). 1 ∑ & Consonants, vowels for gestures c à V ∑ ∑ ∑ ∑ ∑ ∑ ú œ ¿ g ‚ 6 2 1 ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ & &18 &and ∑ ventilation ∑ indicated ∑ ú∑ c ∑ V ∑ Ã∑ ∑ ∑ ∑ ∑ ∑ ∑∑ ∑∑ ∑ & ∑filtration &∑ are respectively. 38∑ ∑ ∑ on∑open∑ strings ∑ in∑ order ∑ to ∑ ∑ ∑ ∑ ∑38 e ∑ ∑ ∑ ∑ ∑ e∑ ∑ Hammer &28 &28⁄ ⁄ ⁄ 0 ⁄Bow ⁄ body in order to make smooth 9 ⁄ the ∑∑ ∑∑ ∑ ∑sound œbœúBb¿∑noise. 6⁄ Ã2∑0∑ 1⁄∑∑ú⁄ ∑∑⁄c ∑V ∑∑ Ã∑ create ∑ ∑∑ tones. ∑ ∑∑ ∑ ∑ ⁄ ∑48 ∑∑∑∑ without ∑∑ ∑ percussive µœg#& œ‚˜48œ∑6 n∑& œ2Bœ1white œ0 cg∑⁄ ‚V∑& ∑ ∑ ∑ ∑ ∑ ∑ ∑ nœ µœ #œ˜∑ œ ∑nœ B∑œ∑ bœ∑Bbœ ∑∑ ∑∑ ∑∑ ∑∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑∑ ∑∑ ∑ & & ∑ &28 &∑ & 48 ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ &38⁄ 48⁄∑ 0 9 ⁄ ∑ ⁄ 018⁄ & ⁄ ∑⁄ ⁄∑ 0∑ ⁄ ∑ ⁄ ∑ ⁄ ∑ ∑ 38 #∑œ˜œ&58nœ∑B∑œ&bœnBb œ œ∑µœ∑#œ˜∑œ∑&n∑œ58B∑œ∑∑bœBb∑œ∑ ∑∑ ∑∑ ∑ ∑∑ ∑∑∑ ∑∑ ∑ ∑ ∑∑ ∑∑∑ ∑∑ ∑ ∑∑ ∑ ∑∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ & ∑ & &∑∑ ∑ ∑∑ ∑∑ ∑∑ ∑∑ ∑∑ ∑∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑∑ ∑∑ ∑∑ ∑ 1
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3 œ ‰ UÓ 13.4 4 œb œ≥ œ≥ œ≥ œ≥ œ≥ œ Ÿw<b> œ ™ 16.8 œ ˙ fppw 4 4 O J J b˙ <n> wm.s.p. ˙ 3 n˙ ™ 4 ff pp ppp 2 Ÿ ~~~~~ 4 ‰ ff œj œ ˙ 4> 4 4 ˜O 4 5" fpp ˙ œ≥ ≥ œ≥ ≥ œ≥ U 10.8 4 3 Ÿ<b>œ˜~~pp œœ ˙#œ œ wb œpp w ™ legno ‰ Ó 4 œ tratto 4 bw ˙ œ ˙ œJ ˙ c.l.b.w col (c.l.t.) J Abbreviations 3 4 J 21.4 ff ff pp ppp &4 4 the score in order ~~~~~~~~~~~ A few abbreviations are used in to save space: o o 27.7 œ œ ˙ 3 œ œ™ . > 108 ≥ ≥ 5" ≥ ≥ œ 2 œ Jœ b œ≈ œ4m.v. n.v. non pp natural . vibrato œ ™ œ ˙ Tv.ff w œ Uvibrato4 b w Ì 4 ® ® 4 ® œ ® w ∑molto vibrato 3 J J ‰ Ó ® ® ® ® ® 4 4 7 15 1 1 à 1 1 1 1c.l.b. 1 à 1 1 1col 1 1 1legno 1 1 1 1battuto 1 à ™ 1 c.l.t. 1 1 1 1 1 Ãcol 1legno 1 1 1 1tratto 1 1 ord. 1111à à 1 1 1 1 1arco 8 bowing ordinary 32.8 s.p.
m.s.p.
con sord. s.p. (n.v.)
I s.p. (n.v.)
s.p.
m.s.p.
con sord. s.p. (n.v.)
ff
ff
pp
ppp
s.p.
molto sul pont. (m.s.p.)
con sord. s.p. (n.v.) II
ord.
ord.
13 . ™ ™ Full Score 1 ≈2 ™ Œ ‰Full ≈≥4™ ≥O˙™™ ®1 ‰T™ ≈ ≈ ‚œ T≥ Score ‚œ ‰ ™ 7 Œ ™ T1 ‰ œ ™ ˙™ à ‰ 5"Ì Ã o ‰ 4 œ Ãœ ™ ™ œ œ4s.p. œ #à à à 8 ™ w sul ponticello m.s.p. molto sul ponticello œ w œ œ ˙ w œ U ?4 ˙ R bœ 3 J J œ pp w pp hammer onf all strings 4J ‰ Ó Ó 154 16 . with left hand ord. ordinary bow position ff ff pp ppp ≈ ≈ ≈ ≈ ≈ ≈ ≈ ≈ ≈ ≈ ≈ ppp 7 s.t. tasto molto 11.8 à sul à String à à m.s.t. à à à sul tasto à à à à à 8 Commissioned by Siggi ™ b ˙ Quartetœ ™ b >œ ˙ œ b œ 57.6 Dedicated S. Sigurðsson and Messíana Marzellíusdóttir on all strings J œ ™ to bÁsgeir o ˙whammer 16.5 e˙oJ b ˙ bw-œ ˙ w with left hand . 3 4 Jœ ¿ g ‚ 6 2 1 Halldór Smárason 4 ‰ ∑ 1 ™ 4 ∑‰ molto ‰ vibrato1 ™ É ‰ 1 ú ‰c V1 ™ p ÃÃppp 1∑™ 12.2 1 ™ ∑ à 78 ∑ &Other à à ™ (m.v.)explanations b ˙ pp ppp > ˙ b ˙ 73.7 w p b w secco ˙ ≥ without instrument œ T T T T & T exhale Ì > 22.3 9 U 1 1 3 1 note - no gap before next barquarter tones. They are The piece includes notated thus. ⁄47 16⁄T2™ 3hold ⁄exhale 5 Œ 0≈ J ⁄4Œ ⁄2 2⁄4 ∑0 pizz. 3 5 4 ™ ) ) 3 4 ˙ ∑ æœ œ ∑10.7 œ8b ˙ nœ®˙ µœ ®#œ˜4œ w nœ Bœ8bœarco w ∑ ∑ 44 ∑8 15 ∑ 7 ∑ 4 1 1 ®Ã ®1 & 1 1 1 1 3 à 1 1 1 1 1 1 1 1 1j 1If... 1Bb45œ) ™ ∑ ) æ b >˙ ™ 32 15 3 o œ œ ™ w f fp (non cresc.) fpp th... w ˙ > 26.7 13
s.p. (n.v.)
ord.
draw + play (nat. vib.) v.
n.v.
n.v.
ord.
increase bow press. in order to create scratching sound ord. bow press. n.v.
œ
punta d'arco
n.v.
ord.
half pressed arco in order to create noise with almost no audible pitch p hitppp (non dim.) s.t. s.p.with the fbridge
b~
All notes should non vibrato unless otherwise21.2indicated. b ˙ be played ord.
w ˙ 3 4 > . . . T ~~~~~~~~~~~~~~~~~~~~~~~ b ‚ ‚ U 4 n>˙ ™ ∑ 4 ∑ j ∑ ® ≈2 ∑ U 7 ∑ j5Œ ™ ∑ ∑ ∑ ∑ 7 ∑ ≈Œ™ ≈ 5 3 5 & U ‰ ™ ‚ j 1 1 ) ) Œ Œ ∑ g Ó 4 4 31.5fpp Ã43 &˙8 à à œ ∑ ∑ 4 32 4 8 4 8 œ ™ 3≈ 4 o ∑Ÿ<b>~4 o o 15 o o ow 93 mp œ ™ œ œ œ "f" ˙ th... w ˙ ˙ pizz. fT (non dim.) æ Always let pizzicato ring, indicated. 22.3 3 3unless otherwise 4 J pizz. arco T T > > æ ord. .(m.v.) vibrato pizz. Ó 4 j &4 whe body 28 œmolto # œ#- no œ gapœtap 25.8 > hold note before next bar secco the body 19.1 µ œ œ œ ˙ secco > continuous cracklingJ instrument ‰∑ Œ≈œœ. Ó ≈∑ ≈3 ∑ 5 exhale≈ ∑J J ofwiththe J Œ ∑ ff>.15pp ∑ ∑Œfingertips ∑ ∑ 7 ∑ ≈ ≈ &≈µ noise ‚ ™ ) U 7à 4 ) 3 ‚œ ‚œ Ã3 ‚œ 5™™ ÿ ‚œBf µœÃ≈ ŒJ Ã42 Uà 32 3 ≈ Œ 3 5 Œ 4 p ppp4 1 1 1p ∑ 8 4 8o J ‰R 44 ∑∑ 48 th...∑ Always bow changes œ ™ ˙™unnoticeable unless otherwise indicated. w ˙38 >b.pœ b œ œJ b œ ™ œJ œ ™ w ˙ make b œ 15.4 arco p f (non dim.) > pizz. æ 22.9 w nœ b œb ˙ Ó œ hold note - noJgap before next bar æ w 23.1 p the back of the body mpJ ‰ ff Œ Ó ∑ Œ bow the body ∑ ∑ exhale to∑make smooth∑ white noiseppp ∑ ∑ ∑ ∑ ∑ order continuous∑crackling noise pp to make & 24.5 7 3 ) ™ Grace ) j1U™ à ‰ 5 ™ 1f™ à Œ‰ 2 1 ™ Uà ‰ 7 ‰ 45in order j f notes 3ppp 5 the beat.32 before ¿ 2 ‰ be played 12.2 ∑ 8 ¿ œfiœ# œb œ secco 4 arco∑ 8 2th... @ 4 @ should always 8 œ œ b œU œ w ˙e dim.) bœO b œ œ ‚™ b >œ ˙ b 4œ ™ pf (non 48 b ˙ HS ˙ f" 3 4 J Ó ‰ R ≈ ∑ ∑ Ó Œ w ∑ ∑ ∑J ∑ 4 ˙ & œ ¿ g4‚ 6 2J 14 ú cb wV à ˙ ∑ 28.9
with he bow
˙™18
nat harm. gliss. III vibrato molto
(nat. vib.) v.
(m.v.) secco
Ô
the screw of the bow Ó hold note - no gap before next bar exhale
m.s.p.
m.s.p.
s.p.
c.l.b. ord.
col legno tratto (c.l.t.)
punta d'arco s.p.
.
half pressed in order to create noise with almost no audible pitch ord. s.t.
.
∑ & m.s.p. pp
∑ppp
∑
∑
∑3p
∑
∑ppp
∑
∑
∑
arco ord. c.l.t. 9.2 arco opizz. T ˙™ T œ ™ Tremolo T measured; 5 œ Ó ™ is never beams indicate approximate density of œw ˙ œ œ ˙ w ˙9 0æ~ ⁄ ⁄ ⁄ J0 ⁄ ⁄ ⁄ ~ bæw ~ ˙æ b˙ 41.9 æ œœ ™™ œ ˙™ w the tremolo. increase bow pressure w 23.75 æ w æ æ æ 6 #œorder ˜œ tonœcreate Bœ bœBbœ ∑8 ∑ ∑ & ∑ 44 ∑J ‰∑ Œ ∑ Ó 32 15 &&nœ µœinscratch 58 ow >∑ sound pp p ppp p pp ##‚œT #p‚œo ∑ U 4 ∑inhale ∑ ∑ ∑ j audibly ∑ 19.7 using ∑ place ∑the respective 17.7 ∑ o o o T T T ∑the mouth, 4 ? 3 Œ 18 & Ó exhale n.v. breathing ≈ <oh> ∑ <eh>4 <ee> While on body4 8 j R j 4 <oo> <ah> (echo) exhale ˙ w œ œ ™ w > > draw+play_Siggi_190217_1 >Œ>˙ 2> # œ 5 in15the oral cavity in order ‰ above the w>4:16:32 note) ææ 43 ˙c(shown ææ∑ p> pppin brackets 6 78 6 5∑6 w vowels ∑ c ∑ 8 j r 6 Perc. & 4 6 ∑ . 4 6 pp the respective consonant (shown below the note). µœ‚ filter ‚ ‚ µ ‚ ‚ ™ ‚ & 8 ‰ µto # ‚ 4 V V V V V68p 6f ff> Ó s ™ p œ œ œ œ 32 # œ µœ th
pp
.
1
co ord. .
4
1
2
3
4
1
4
1
2
3
& ff s
m.v. & ord. ˙™
p
4
I
21
ppp
pizz. ord.
II
arco s.p. I
Also respect the direction of ventilation (shown above the note). 7 swipe the strings with the bow draw+play_SIGGI_240217_13 pp f 27.3 from bridge to nut p draw + play_SIGGI_180217_9 non vib. Dashed arrows between vibrato symbols indicate gradual noise without tones 19.9 changes (n.v.) n.v. IV+III the vibrato rate. (echo) bow bridge 3 trem. rit. 25
∑
œ™ œ
∑
19.7
∑
∑
∑
∑
∑
∑
œ > > > ord. >> 2 j 5 4 2 J ‰ Œ UÓ3 7 Œ j 8 8 r ‰ ™2275B4 Œ O˙Œ ‚œ 85 Œ 4 4 5 4 6 Œ ∑ ∑ 4 ™ ú ú ú ‚ O ‚ B & 32 4æ V V V ‚Vo V47 Ÿ<b>~~~~~~~~~~~~~~~~~~~ 8 Perc. Ô & ord. ∑arrows ∑ ∑ m.s.p.∑p∑"ff" ÔDashed ∑ ∑ ∑ æ ∑∑bow position ∑ between symbols indicate∑gradual &o f ∑ "f"∑Ô ∑
ho) on .
Perc.
body
pp r ™ 4˙ ‰ ™ Œ ™™ 24 ˙c.l.b. ‰ Œ changes 26.1 of bow position.n.v. œ 15 (echo) 4 without instrument > U bow tailpiece . 31 > b ‚ ‚ ‚ b ‚œ ™™ j r 2> 3 œ 5 ‰ µ‚ exhale 4 O5 ™ 6œJ œ œ ppp ##‚œ ‚œ Œ > > > Ó 4 ‚ ‚ ‚ ™ ‚ & 8 4 4 j j j J ∑Perc. && 2 ∑ ‰ ∑ Ó µ œ7trill ˙8∑ slows 5 J ∑œ ™gradually ∑ œ3 œ6 ™c œ∑‰ 6 & ‰4∑ Œ‰ 6 ∑ææJ‰ ææ) ™ ∑ )c 16.8 3 ∑ ∑ 4f 8 Ÿ6<b> 4 8 O 3 pp pp p pp f ~~~~~~~~~~ mf pp f... f f f f... Ÿffff<n>~~~~~ 4 m.s.p. j 40 2 o ™ tailpiece ™ fp pp f mf p p ‰ œ œ ˙ 4 ˜O 4 11 23.4 to create Perc. col legno battuto &˜ ˙ ∑ j ∑ 19.2.2017 ∑ 14:46:12 ∑draw+play_Siggi_190217_1 ∑U ∑ ∑ ∑ ∑ oft and noisy tone (c.l.b.) ‚œ≈‰ ‚ O 5 ‚pp ‚œ >Œj 2>j Œ 4O pp 8 ™ œ. ™ B 4 ˙ 4 s.p. (echo)
n.v. sul tasto (s.t.) (echo)
exhale <eh>
m.s.p.
bow bridge
s.t.
n.v. sul tasto (s.t.) (echo)
ord.
‚œ 6 R 32
15.3
f
draw + play_SIGGI_180217_9
19.7
of
<b>7 ~~~~~~~~~~~~~~~~~ ≈58 ≈ ≈ s.p. ≈ s.p. >œ Ÿ >œ. ≈ ≈ 19.1≈ ≈ fi œ œ™ œ œ Ã∑ à à ∑à à Ì ‰ œÃ16.2 œb œ œ œ à 8 Ó .‚Ù ‚ à à œ 15 J U≈ 4 ≈ ≈ 32.5 ™ ≈œ on‰ all≈strings 3 œhammer 4 J ≈ ≈ ≈ 7 16.5 4 with leftJhand à à . à 4 Ã∑ 4à à à à à 8 pp 15.8 ™ É ‰ord. 1T™ à ‰ 1ressure 1 s.p. T‰ Ÿ1 ™<b>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 1™ à ‰ 1 ™ à 78Ì Ã l strings <b> m.s.p. 16.6 secco Dashed arrows from indicate gradual changes from a trill to a ord. mp Ÿff j a trill . 2 œ ™˙ 24.5>œ. w 4 Ó sustained œ Ó ≈ ∑ Œ Œ Ó 7œ ™ 15 ‰ 1 1 ™ à ‰4 1 ™ à ‰J 1 ™4 à ‰ ˙™ 1 ™ note à 8(trill rit.). 22.3
≈
≈
Ô
secco
secco pizz. gap before arco next bar œfiœ# œT hold note - nopp s.p. (s.p.) exhale b œ œpp
œ 4 U# >œ œ4 <b>œ pizz.25 Dashed arrows to a trill indicate 17.6 from a sustained 7 17.5 15gradual changes 143a sord. 1Ó1 1 1 1 1‰ 1 45 Rm.s.p. )II≈™ 4 ∑ J JŸ ) µ>œ 4ord. ord. 32 24.8 » <n> secco >œ. Ÿ to a trill (trill Ó notes.p. ≈bar œ n>œ.Œ J Œ note 3 accel.). s.p.before œ∑T<b>~~~~~~~~~~~~~~~~~ ˙next - no s.p. ppgap Ÿ th... T hold > 2 4 exhale B ‰ J ‰ ∑ Ó Œ ‰ J ∑ Œ Ó œ dim.) œ4™ Œ 3pœ ppp & œ‰ J 3p 4 ‰ #œ ™ œ ˙ 21.2 5 Œ) ™ ‰ œfiœbœ œ œ œf (non 7 15 ) J 3 15 4. 32 23.7 ff bow pressure pp pp . increase note - no gap before next bar in orderhold to create pp arco 5 7 exhale ™ 1dim.)scratch ) sound ) s.p. ord. ord. à fth... 4 ord. 32 21.9 (non 15.8 > ##‚œ # ‚œ above the staff lines, indicate bow œ Bold crescendo lines 21.4 located 25 U b 4œ ˙ ~~~~~~~~~~~~~~~~~ secco > 3a Ósord. 4 th... . J Œ ≈ ∑ # œ pressure increase in order scratching sound. Œ bar4 ord. j ∑before 4 hold note 4dim.)next s.p. j R - nofgap (non œ to create secco 22.3 ≈ ∑ 5Ó )exhale 7 <n> # œ œ™ > ™ J . 3 ) Ÿ hold Óœ œ Œ œ32™‰ ∑ œ bar 4∑ 4 arco f pppnext >. note2- noŒ∑gap before & œ exhale Œ Ó ‰ J Œ p ff 4 4 ≈ th... s.p. ≈ J J 19.7 5 7 ff ) à 4 )™ 32 fi(non dim.) arco ord. fà 3 pp 17.6 22.5 b œ nœ œ b œ b œ w ˙ œ b œ œ Snap pizzicato symbol indicates snap pizzicato (Bartók pizz.). note - no gap before next bar >œ»f.th... J Œhold exhale (non dim.) 20.5 22.9 p.5 Œ ‰ J ∑ 7 ™ 3 note - no gap before next& barppp p) 32 <b> <b>4 ) ppp hold exhale >. Ÿ ff ™ ˙ 2 œ œ Bœ œ 4 ˙ th... ‰ ˙ 5 7 ™ ™ 1 f (non ) crescendo 4 Dashes lines indicate à dim.) 4c.l.t.) 4 1/2 c.l.t. 32 gradual changes from col legno 23.1 ~wth... ~ ord. 21.9 tratto to arco (gradually use more hairs). hold note - no gap before nextw bar secco fff pp > . exhale # œœf (non dim.) 77 5 )™ 7 28.9 ) J 4Œ ‰ 32 ∑ arco ord. Dashed diminuendo lintes indicate gradual changes from arco to & c.l.t. T103 œ ™ T œ œ Ó th... col legno tratto (gradually use fewer hairs). ” f (non dim.) “ff Halldór Smárason œ# œ b œ b œ# œæb œ œ# œ # œb œn œn œ œ æ œb œ # œ % æ # œ 4 6 #œ Halldór Smárason ° 5 1æ1 #œ 1 #œ 1#œ æ æ J 24.8 ‰ Œ Ó 11 141 11 Violin151 – Bar 65: &8 32 Tónn + DN + tvígrip + grace notes byrjar að hægjast á trillum T œ œ™ œ Ó pp æ æ æ 17.7 æ “œ” n.v. 5æ 4æ ‰ Œ 6 repeated be for 77.2 as long as the graphics show. Do not Ó% Boxes should 32 œœ 4 J 15 œ œ# œ(echo) 8 s.p. ord. ord. T Tæ 1 1 1 1 1 1æ1 1 1 T1 try T with other T65 instruments. 1 1 1 1 to 1 ≈coordinate & <b> à <n> Ó j r R secco æ æ secco Ÿ ~ pp ~~~~~~~~~~~~ 5 4 6 Ÿ > > . ‰ µ ‚ ‚ ‚ µ ‚ ‚ ™ ‚ & ˙8™ µ œ œ ™ œ œJ Ó 4 œ œ17.9™ ∑œ 3243 Ó #œ. #œ ™ 44 15 Œ Œn.v. ##œ‚ ∑ µ œ (echo) ææ O˙ææ p j arrows r 6 from af tremolo indicate pp fff ppgradual changes from a 5 4 ‚ “œ”œœ œ œ œ œ#œb ‚œ œ œ 77œ œ œ µ‚% Dashed ‚ ™ ‚ 19.9 8 ‰ µµœ‚ & œ‚ 4 œ 32 µ œ tremolo œ ™ tos.p. œa sustained note (trem. rit.). 17.4 # œ n.v. ord. ge ord. (echo) secco <n> <b> secco Ÿ trem. rit. >œ. Ÿf‚j ” ~~~~~~~~~~~~~~~~~~~~~~~~ p O˙ ppE 5“œ”‚ ™ œ œ œnHalldór 4 6 Œ “ Smárason >œ. œ 4 3 B œ Œ œ n œ œ 20.1 Œ ∑ Œ ‰ Ó Ó ‰ œ œ#œ œ J 8 4 b œ#œnœ œ b œ#œœnœ 1 1#œ 1 w1 1 1#œ œ & 32 Ì4 ˙ # œ 4 1 n.v. æ & Violin 1 – Bar 65: ¢ æ (echo) ace notes byrjar að hægjast á trillum pp pp ∑ trem. rit. pp 15 fff n.v. pizz. O ‚ 15.3 5 ‚™ 4 6 Œ s.t. B ˙ œ(echo) Œ 8pizz. arco >œ bow tailpiece4 æ 22.3 b ‚œ ‚œ ‚œ & 32b ‚œ ™™ ‚œ pizz. arcoæ ord. T T Ó 14 Lighting s.p. > (s.p.) ord. 5 4 6 65 <n> b ‚ ‚ ord. ™ ~ Œ secco >œ ‚œ O˙ 8 c # œb œ pp J R 32 œc secco <n>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ææJ ææ >>Ÿn.v.™ & 4Ÿ >œsecco 15.5 . 4 4 s.p. ∑ Œbow‰tailpiece ∑∑ 43B∑43 ŒÓ J ‰ #œJ. #œ(echo) ≈Œ 4œ œ 1543 w 3 w ˙ mf f b ‚œ5 ‚œJ ‚œ pp b ‚œ ™™ pp ‚œ J ‰ 44 4 3 3 5 4 6 Smárason lightingJin theR hall as fff possible. 19.7 c% 11 mf& 4 Œfff ppææJ f 3ææppThe 8mpc™ pp 32should. be as dark 106 19.2.2017 14:46:12 draw+play_Siggi_190217_1 17.4 The musicians should use stand lights if necessary. 15.7 ® ® ® ® ® ° reeds s.p. sóló með mismunandi 1 1 1 1 1 ≈ à pizz. 1 1 1 1 1 à 1 1 1 1 1 à 1 1 1 1 1 1 1 1 1 1 1 à ord. 3 pizz. R 20.3 mf pp <b> (s.t.) pp f ptingum) <n> secco ~~~~~~~~~~~~~~~~~~~~~~~~ s.t.Ÿ > . Ÿ á attacki sem triggerar ndar > b œ pizz. 3 j >œ. Ÿœ œ<b>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 19.7 4 m.s.p. resti >œ™ #∑4arco <b>#œ~~~~~~~~~~~~~~~~~~~~~~~~~~ 11œ rekist er wí 2-3 neðstu Ÿndar >œ. œ ˙ 4 œ˙™ ™ á ™að œ ‚ 9œdraw+play_Siggi_190217_1 w w . 3˙ 4 B R á nikkunni w Œ ≈™ ‰ ≈ J 43 œ fff ‰ pp ‰ ≈ ™ RÔ‰44 ≈ ™ drawà +‰ play_SIGGI_180217_9 4 4 pp ÃŒ à draw + play_SIGGI_180217_9
25.1
Ó
sim.
T
15
mf
24.4
29.7
Repeat the box as the graphics indicate. Try not to coordinate with other players. hammer on all strings with left hand
sim.
mf
"f"
5
Play as fast as possible. Repeat as the graphics show. pizz.
25.3
27.9
mf
Play as fast as possible. Repeat as the graphics show.
24.8
24.8
sim.
pizz.
mf
mf
Halldór Smárason
69.5
69.5
nota hammeron og tap á sama tíma - búa til 2-line staff
Repeat the box as the graphics indicate. Try not to coordinate with other players. hammer on all strings with left hand
17.9
"f"
T
Ó
draw + play_SIGGI_180217_9 15
~
Ì 105
5
29.7
"f"
29.7
sim. 3 “” E œb œ œ fff pp 22.3 œ œ pp mf f œ mp œ œ 11 1 11 1 & 1 1 11 ≈ ord. mf 3 "f" secco 6 13.5 19.2.2017 14:22:38 draw+play_Siggi_190217_1 pizz. % pizz. arco 1 ‰ s.t. 1 1 1 1 1 1 1 1 1 1 & s.t. pizz. ¢ arco ord. s.p.
"f"
15.7
"f"
19.7
5
10
19.2.2017 14:46:12 draw+play_Siggi_190217_1
draw + play_SIGGI_180217_9
3
mp
pp
3
mf p
3 20.3
f
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ w 3 ˙ pizz. arco 4 pizz. Œ 4 4 arco s.t. m.s.p. s.t. s.p. > pizz. s.p. >œ bn‚œ ‚œ ‚œ b >œ œ œ n œ ‚
ub.
27.7
17.9
∑ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ >. 3 ˙ >œJ ‰ 4 œ w 4 .. œn ‚œ ‚œ 4 s.p. >œ (s.p.) ‚ ™ ‚ ‰ Œ ‰ ≈nœJ12™ 43 œ ‰ fff J ‰ R 44 19.2.2017 14:22:39 draw+play_Siggi_190217_1
b. chet
Ì
~
p
Ô
arco s.p.
18.3
14.9
19.7 18.8
3
22.4
19.7
Duration: ca. 7’30
draw + play Commissioned by Siggi String Quartet Dedicated to Ásgeir S. Sigurðsson and Messíana Marzellíusdóttir
Halldór Smárason molto vibrato (m.v.) secco
Violin 1
U ∑
° 3 &4
without instrument exhale <ah>
œ≥ U ≈ J Œ 24 ∑
q = 64
5 8Œ
7 >6™ 8
3 4 )™
)
∑
5 8
∑
5 8
∑
5 8
∑
5 8
∑
5 8
∑
5 8
3
f...
o f molto vibrato (m.v.) secco
hit the bridge with the screw of the bow
>. U r ≈ 3 g‰ Œ 4Œ
Violin 2
&
hit the bridge with the screw of the bow
>. 7 gj Œ Ó 8
j 2 U œ‚ Œ 4 ∑
5 8Œ
mp
"f" bow the back of the body in order to make continuous crackling noise
U 3 Y™ 4
Viola
fp
tap the body of the instrument with fingertips
µ‚ 5 ¿r ‰ ™ B µœR ≈ Œ 2 U∑ 8 4
7 8
≈ 3 4111 Œ Œ
∑
p
p
bow the back of the body in order to make continuous crackling noise
jU ¿ ¿
3Œ ‰ ¢ 4
bow the body in order to make smooth white noise
5 8 ¿™
Œ 2 U 4 ∑
7‰ 2 @ 8
swipe the strings with the bow from bridge to nut noise without tones IV+III
e
j 2 ‰
3 4@
p
"ff"
e
∑
"f"
molto vibrato (m.v.) secco
"ff"
Violoncello
3 4
bow the tailpiece in order to create a deep soft and noisy tone
E™
ej
E
7 Vln. 1
4 ° 5‰ 8 ú ú 4 ú™
Π2 4
7 8
∑
p
"ff"
swipe the strings with the bow from bridge to nut noise without tones IV+III
without instrument inhale <oo>
Vln. 2
5> 8 6™
j c ‰
3 4c
∑
6
ej
4 4)
2 4
7Π8
∑
E
E
j ú ú
3 4ú
Œ
s...
o fp
"ff" without instrument exhale <oo>
hit the bridge with the screw of the bow
Vla.
>. 5 gj Π8
Œ
4 4
∑
2 4
7> 8 6™
∑
)
exhale <oo>
<ee> <ah> > <ee> 3 >j ‰ >6 ‰ ‰ 6J ‰ ) ™ 46 J 3
5 8
"f" f...
f
f
f
mf
p
f...
o fp bow the tailpiece in order to create a deep soft and noisy tone
Vc.
5 ¢ 8
∑
4E 4c
Ó
col legno battuto (c.l.b.)
2 4
?
∑
. 7œ ‰ Ó 8
pp
f
without instrument exhale <oo> <ah>
3 >j ‰ >6 ‰ Œ 46 J f
p
f
p
f
∑
5 8
f
mf
Halldór Smárason © 2017 January - February 2017 (Reykjavík - Paris) draw+play_SIGGI_240217_23
14
° 5 8
knock the body with knuckles
. 4 j‰ Œ Ó 4?
13
Vln. 1
5 8
Vln. 2
∑
2 4
"f"
7 8
∑
Vla.
∑
&
2 4
7 8
#˙
Vc.
5 ¢ 8
bow the body in order to make white noise
4 ‰ 2™ 4
∑
exhale
4 <oo> 4) s...
° 5 & 8<µ><µ>œ‚ ™™
7 8
2 4
6™ 7<ee> 8
œ‚
œ R ‰™ ‰ Œ
5 &8
3 4 o
∑
3 4
∑
p
Vla.
5 &8
‰
s.p. (echo) non vib. (n.v.)
b ‚œ
‚œ J ‰ 43
∑
Vc.
‚œ ™™
sul pont. (s.p.) (echo)
pp
)™
5 8 ™
> b œ. ‰ Ó J
5 8 Ϊ
3 4
∑
col legno battuto (c.l.b.)
e™j
f
p
>. 2 œJ ‰ ™ œ &4
2O 4
∑
3
c.l.b. ord.
6
5 8
∑
. . .
B
5 8
5 8
fp
4 4
∑
4 4
%
p
∑
. .
2 ‚j ‰ Œ 4
7 8
2 4)
7 8
exhale <oh>
f...
pp
exhale <ee>
f...
ricochet c.l.b. sul pont. (s.p.)
Œ
pp
2 4)
<oh>
3
Π78
ppp
c.l.b. ord.
4 b eœ Œ Ó &4 ....... f
2 draw+play_SIGGI_240217_23
6
<ee>
5 8
mf
‚ 44 ~
p
f...
p
bow the bridge in order to create white noise
j 3 6 4 o
f
Œ
2 4
∑
<oo>
5 8 ‚™
exhale <oo>
r µµœ‚ 85
˙
bow the bridge in order to create smooth white noise
∑
‰™
ff
∑
3 4
fp
pp
B5 ¢ 8
™
mf
21
3 4
Œ
∑
n.v.
Vln. 2
f
&
non vib. (n.v.) sul pont. (s.p.) (echo)
m.v. ord.
œ™ œ
2 @ 4
pp
19
Vln. 1
@
p
∑
3
∑
molto sul tasto (m.s.t.) in order to create distorted scratch sound non vib. (n.v.)
pp
5 8
> 3 ‰ ≈1 1 1 1 ‰ Œ 2 6 4 4
exhale <ee>
p
4 4
∑
tap the body of the instrument with fingertips
2 4
∑
7 8
25
Vln. 1
e™
e
° 7 ™ 8 ú
IV
ú
"f"
IV (echo) s.p.
Œ
&
>. 7 gj Π8
Vln. 2
‰&
f
ej
r e
œ
... . .
p
s
ff
Vc.
7 ¢& 8 ##œ‚ ™™ ff
Vln. 1
°
30
(s.p.) (echo) (n.v.)
3 #‚ ‚ 4 Œ # œJ œ Œ
ff
>. ™™24 gj ‰ Œ
r e™
screw on bridge
f
™™24 ‰ ‚j ‚ B ™™24
ord. m.v.
p
f
&
7 8œ
ricochet col legno battuto (c.l.b.) s.p.
p
. .
®Œ
¢
inhale <ee>
s
pp sul tasto (s.t.) (echo)
4 O˙ 4
B
fp
f
U‚ œ Œ
2 4
pp
e™
5 8 c™
4 c &4 Œ
b ‚œ ‚œ U‚œ ‚œ ™™ ‚œ J J R 24 sul tasto (s.t.) (n.v.) (echo)
e
bow tailpiece
p
7 ‚™ 8
Ó
arco ord. s.p. III
∑
3 &4 Œ
3
œ
pp
(n.v.) s.p.
µ˙
œ
p
7 8
3 4œ
ord.
˙
f
Œ
3 4
Ó
7 8 Ϫ
f
Vc.
5 8 ‚™ Œ
>œ. J ‰ Ó
c.l.b. ord.
n.v.
˙
> ™™24 6
3
non vib. (n.v.) s.p.
r ™ ‚œ ‰ Ó
U j r 2 œ‚ œ‚ ™™ œ‚ 4
ord.
s.t.
4O 4˙
3
pp
pp
f
Play 2 times (1 repeat)
p
Vla.
molto sul pont. bow bridge (m.s.p.)
‚œ≈‰ ‚j O R
2 4
p
p
pp
3 4
œ 4 J ‰ Œ UÓ 4 n.v.
Ó & 85 ‰ µ‚ ‚ µœ œ
f
p
ord.
œ™ œ
sul tasto (s.t.) (echo)
ff
3 O™ 4 ˙™
bow the bridge in order to create white noise
Vln. 2
>6
exhale <eh>
s.p.
j ‚œ œ‚ ™™
5 8
f
pp
µµ‚œ
7 > ‰ BŒ 8 6 molto vib. m.v. ord.
r ‰™ ‚ o
3 4O
3
s.p. (n.v.) (echo)
inhale <oo>
Vla.
‰™
˙™
ord.
pp
ricochet col legno battuto (c.l.b.) screw on bridge sul pont. (s.p.)
ord. m.v.
3µœ 4
pp
™
s.p. (n.v.) (echo)
∑
?
p
ff
‰
mp
˙
s.p.
œ
pp
j œ œ™
ord.
mp
Œ
≈ ™™ 85
j Ϫ
pp
j Ϫ
r ‰™ œ
j œ œ™
m.s.p.
œ
Œ
r ™™ 85 œ
molto sul pont. m.s.p.
pp
3
ord. m.v.
j œ
p
r ™ œ ‰
s.p.
pp
™™ 85 ™™ 85
3 draw+play_SIGGI_240217_23
34 knock the body
Vln. 1
>. ° 5 j Œ 8 ?
Œ
ricochet c.l.b. ord. II
e
4 œ®≈ Œ Ó &4 œ .... mf
"f"
bow the body in order to make smooth white noise
arco ord. (n.v.) IV s.p.
e
2 4
s.p. ord.
7 8 Ϫ
∑
p
pp
œ
j ‰ 43 @ œ
mp
pp
r 2 ‰™ &
2 4
p c.l.b. ord.
bow bridge
Vln. 2
5 & 8<µ> œr ≈ ‚ ‚
4 O™ 4
Π&
>œ. arco ord. m.s.t. 3 J ‰ Œ ‰ j 24 r≈ 4 j bœ œ
m.s.t.
s.p.
2‰ 4 µœ™
7 8 Ϫ
Ϫ
p p
pp
f
p
harm. trill ord. II (ord.) m.v.
Vla.
B 85 Ϫ
Ÿ<b>~~~~n.v. 4 œ 4˙
ŸoO<b>o~~~~~~~~~~ exhale <oo> <ee> m.s.t. œ ˙ > 7 j‰ J 3 6‰ Ó 8œ 4 6
ord.
3
2 j 4 œ œ™
j œœœ
B
2 4
f
f sub.
f
p
pp
ff
s.p. (echo)
exhale <ee>
ord. m.v. (s.p.)
Vc.
> 5 6 ¢ 8
‰Œ
4 4
?
∑
b ˙™
2µœ 4
3
‰
7 œ 8 œ™
j ≈Œ œ™
&
3 4
2 4
s
p
pp
f
ff
41
Ÿ<b>~~~~~~~~~~~˙ ™ œ™ œ 3 J R 4
s.p.
Vln. 1
° 2 Œ™ &4
bœ 5 œ ™ J 8 pp
pp col legno tratto (c.l.t.) ord. (echo)
Vln. 2
2 &4 <b> ˙
ord. n.v.
ord. m.v.
trill gradually accelerates
39
b‚ ‚ 5 8 j ‰ b œ œJ œ 3 pp
pp
‰
˙™
5 8
f inhale <ah>
3 >6 4J
B 24 µµ˙O
œo œo œo œo œo œo œo œo r ‰ & œ œ œ œ œ œ œ œ œ ‰™ pp
p
pp
5 8 œ‚ ™™
œ‚
in order to create white noise 3 ‚r ≈ ‚j O 4œ
pp
<b> ˙ Vc.
p
ŸO<b>~~~~~~~ ‚œ ‰ ™ B 5 ‰ bb ‚ 8 œ R pp
knock the body with knuckles
>. 3 j ‰ Ó 4?
ej
5 8
‰ Ó
5 8
ricochet (arco ord.) ord.
&
œ. p
"f"
4 draw+play_SIGGI_240217_23
∑
p
s.p. harm. trill
2 ¢& 4
5 8
bow the bridge
p
n.v.
Ó
s
ff
s.p. (echo)
Vla.
ord. II
. .
45
Ÿ<b>~~~~~~~~~~~~~~~~~~~~~~~~~~~~ molto sul pont. s.p. s.p. 43 (m.s.p.) r ° 5 œ ™ œ 4 œR ‰ ™ Œ ‰3 2 4 ™ œ œ ™4 ˙ œ ‰™ Œ &8 4 4˙
Ÿ<b>~~~~~~~~~~~~~~~~~~ 47 ord. m.s.p.
Play 3 times (2 repeats)
s.p. III
Vln. 1
p
ppp
II
™™ 24 ˙
r œ ‰™ Œ
4˙ 4
ppp
O<n>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ II Ÿ<b>~~~~~~~~~~ <b>slows down m.s.p. III Ÿ O Ÿ s.p. m.s.p. <n> m.s.p. Ÿ ~~~~ 4 j 5 s.p. 4 4 ‰ œj ˙™ ™™24 ™™ 24 ‰ œ œ ˙ j &8 ™ 4 4 4 ™ ~ ˜˜ œ‚ ™ œ‚ w ˙O ˜˜ œ‚ ™ œ‚
trill gradually
harm. trill
Vln. 2
p
5 8
Vla.
Vc.
pp
∑
B
4 4
œo
s.p. II
pp
O Ÿo ™<b>~~~~~~~~~~~~~~~~~ ˙ œo œo ™ J ≈4 Œ ™™24 4
Vln. 1
° & Ó
œ‚
Vln. 2
pp
pp
‚≈ R
ff
Ÿ<b> ord. j 3 4 œ œ œ™
<Ÿ> (n.v.) & œ ˙™
Vc.
B
¢&
∑
∑
o 3˙ &4
I ord.
p
?
3 4Ó
p
œo R≈
f
‰
pp
∑
p
s.p. ™™ 24 Œ ‚œ 44 O˙™™
Œ Ó
mp 3
œ R ≈ 44
mp
O Ÿ oœ ™<b>˙o~~~~~~~~~~~~~~~~~~~~ œo œo ™ J ≈4 ™™ 24 ≈J 4 pp
pp
‚œ ‰ ™ R
ord.
pp
f
Ÿ<b>~~~~~~~~~~~~~~~~~~~~~ ord. U j j j 3 ≈ 44 ∑ 44 ‰œ œ œ ˙ œ™ 4˙
secco
52
∑
II s.p.
3
pp
>œ. œ J 44 U∑ 44
secco
trill gradually accelerates
pp mf
Vla.
pp
pp
s.p. II
4 O˙ 4
pp
fi œ #œ œ b œ ord.
Œ ‰ ‚J 43 O
Œ ™™24 nnO˙
ord.
p
II ord.
p
(pp)
5 Œ ™ s.p. 4 4 ¢& 8 B B œ‚ ˙O
49
pp
> 4 6 4) R
exhale <eh>
f...
# >œœ. J
6
<oo>
f
Œ
&
I s.p.
#‚ ‚ 3 ‚™ ord. ‚ ‰ J‰ 4
Ó
3
o
pp
mp
ff
secco
4 4
ff c.l.b. ricochet s.p. jsecco
e
∑
4 ‰3 œœ œ 4 6 ) . œ f... >. . .
ff
p
r ™ 6‰
exhale <oh>
mf
<oo>
5
3 4Ó
∑
o
‰
secco œfiœ# œ bœ œ
pp
œ 4 U 4 R≈4 ∑ 4
ord. increase bow press. in order to create scratching sound
∑
?
s.p. 3 Œ##‚œ # ‚œ ≈ 4 U B4 4 R j 4 ∑ 4 # œ. >
p
ff
draw+play_SIGGI_240217_23
II
<b>~~~~~~~~~~~~~~~ >œ Ÿ œ œ™ œ œ ∑ ∑ Ó Œ ‰ œ œbœ œ œ J II pp <b>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ m.s.p. ord. j ≈ ∑ ˙ w ˙™ œ™ 58
55
° 4 &4
∑
Vln. 1
4 &4
∑
Vln. 2
Ó
s.p.
pp trill gradually accelerates
Ÿord.<b> œ J ‰
m.s.p.
œ ˙ Vla.
4 &4
∑
B
‰
∑
Ó
>œ». J
Œ ‰
∑ &
3
ff pp ord. ord. bow press. secco
pretend to play s.p. I
O oœ Ÿ oœ <b>œo~~~ Vc.
B4 ¢ 4≈
Ó
∑
∑
Ó
Œ ‰
# >œœ. J
n
∑ &
ff
ord. s.p.
<Ÿ>~~~~~~~~~~ ° ˙ œ ‰ Œ J &
65
60
Vln. 1
Ÿ<n>~~~~~~~~~~~~secco > œ ™ nœJ. Ó Œ ˜˙ ™ pp
∑
∑
3 4Ó
fff
ord. s.p. secco
Ÿ<n> > . #œ#œ ™ 44
fff pp
ord. secco
& Ó
>. Œ ‰ œJ
∑
Ÿ<b> Ÿj<n>~~~~~~~~~~~~~~~~~~~~~ ord. secco s.p. >œ. œ 4 3 ‰ #œ œ w 4˙ 4 ~
Vln. 2
s.p.
ord. secco
# >œ. #>œ. ‰ Œ
Ó
Ó
3
fff
fff
ord. secco
Vla.
∑
B
fff
Ÿ<n>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ<n> 3 w Œ œJ œ w 4˙
>œ. Œ ‰ J
pp
trill gradually slows down ord. secco
I s.p.
ord. secco
b >œ. >. ‰ bœ Œ
& Ó
pp
>œ. J ‰ 44
3 3
fff fff
fff
pp
ord. secco s.p.
Vc.
Ÿs.p.<b>~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ<b> >œ. Ÿ<b>~~~~~~~~~~~~~~~~~~~~~~ ord. > w w œœ w œ ™ Bœ. œ ˙ ‰
¢& Ó
trill gradually slows down m.s.p.
3˙ 4
Œ
3
fff pp
fff pp m.s.p.
trill gradually <n> ord. <n> slows down ord.>. Ÿs.p. <b>~~~ s.t.>. Ÿ<b>~~~~~~~~~~~~~~~~~~ Ÿs.t.<b> < >~~~~ <n> Ÿ Ÿ Ÿ Ÿ ~~~~~~~~~~~~~~~~~~~ > ° 4<#>œ ™ œ ˙ . 4 3 4 3 œ™ œ˙ &4 4 œ œ œ#œ œ 4 w 4 ˙ #œ œ 4 œ œ œ œ ˙ J J
66
Vln. 1
3
fff pp
Vln. 2
fff ppp
fff ppp
ppp
<Ÿ>~~~~~~~~~~~~~~~~~~~~ ord. s.p.<b> Ÿ<n> <n> Ÿ<b> ord.Ÿ ~~~~~~~~~~~~~~~~~~~~~~~~ s.t. s.t. Ÿ ~~~~~~~~~~~~~~ m.s.p. > > > . . 4 4 3 4 3 œ #œ. #œ ™ ˙ &4 w 4 œ œ œ œ œ 4 ˙ œ œJ œ 4 ˙ nœ#œ 4 w 3 3
fff pp
fff ppp
<b> fff Ÿ <b> Ÿ ~~~~~~~~~~~~~ s.t.>. s.t. ord. Ÿ<n>~~~~~~~~~~~~~~~~~~~~~~ ord. œ ˙ œ œ œ œ™ Ÿ<n>~~~~~~~ Ÿ<n> > > . ™ . 4 3 4 3 4 œ w ˙ œ J # ˙ ˙ # œ œ œ # œ B4 ‰ ≈J 4 4 4 4
ppp
s.p.
s.p.
Vla.
œ˙ J
3 3
pp
3
fff
pp
fff ppp
fff ppp
ppp
<n> Ÿ<n> s.t. >œ. Ÿœ ™ ~~~~~~~~~~~~~~~~~~~~ ˙™ œ™ œ˙ ord. j‰ 4 J œ. 4 > s.t.
s.p.
Vc.
Ÿ<b>~~~~~~ Ÿ<b> Ÿ<n>~~~~~~~~~~~~~~ ord. s.p. 3 j 4 3 B4 4 œ œ œ. ‰ ‰ œ 4 ˙ ˙ ¢ 4 Œ ˙™ > pp
fff
pp
fff
6 draw+play_SIGGI_240217_23
3 4˙
fff ppp
ppp
4 4
Vln. 1
<Ÿ> ° ˙ &
Vln. 2
<Ÿ> & <#>˙
(n.v.) s.p.
72
ord.
con sord. s.p. (n.v.) II
73
77 5"
Ϫ
w
œ ˙ J
ff
<Ÿ> ˙ B
m.s.p.
s.p.
œb œ≥ œ≥ œ≥ œ≥ œ≥ œ
w
ff
pp
s.p.
m.s.p.
œ œ≥#œ≥ œ≥ œ≥ œ≥ b œ
ord.
Ϫ
w
œ ˙ J
U 3 4 œJ ‰ Ó
w
ff
ff
pp
I s.p. (n.v.)
s.p.
m.s.p.
œ œ≥ b œ≥ œ≥ œ≥ œ
Ϫ
w
œ ˙ J
w
ff
s.p. œ≥ œ≥ œ≥ #(n.v.) œ w
Vln. 1
Ϫ
œ ˙ J
Vln. 2
ppp con sord. s.p. (n.v.) II
wo
5" œ U 3 4J ‰ Ó
w
?
ppp
n.v.
˙o
wo
w
b˙
3 ord. 4 b >˙ ™ p
4 4
œ œ 3 ord. 4 ææ b >˙ ™
4 4
ppp
œ b˙
˙
(nat. vib.) v.
(non cresc.) nat harm. gliss. III
punta d'arco
n.v.
w
3
4 4
pp
(nat. vib.) v.
pp
4 bw 4
molto sul pont. (m.s.p.)
ff
increase bow press. in order to create scratching sound ord. bow press. n.v.
& <b>w
con sord. s.p. (n.v.)
pp
s.p.
Ϫ
n.v. b -œ ˙ J
78
ppp
3 œJ ‰ UÓ 4
ord.
Ϫ
4 bw 4
5"
ff
° w &
con sord. s.p. (n.v.)
5"
ord.
ff
Vc.
ppp
(n.v.) s.p.
Vla.
<Ÿ> ˙ B ¢
4w 4
U 3 4 œJ ‰ Ó
w
˙
half pressed arco in order to create noise with almost no audible pitch s.t.
fpp s.p.
<b>w
˙™
b~
œ
w
b˙ ˙
3 ord.™ 4 n>˙
B b‚ ‚
Vla.
4 4
fpp m.s.p.
3
wo Vc.
<b>~ m.s.p. œo ™ Ÿ œ œ œo ˙o J
wo
? ¢
s.p.
˙o ææ
wo
c.l.b. ord.
col legno tratto (c.l.t.)
3 3 4 j œœ ˙ >.
˙
3
&
4 4
ff pp
84 punta d'arco s.p.
II s.p.
Vln. 1
o ° 4n w &4
˙o
bœ bœ
œ bœ™ J
œ œ™ J
w
b œ œ ™ ˙™ æ æ
˙ Ó
ppp
ppp half pressed in order to create noise with almost no audible pitch ord. s.t.
Vln. 2
4 s.p. & 4 bw
b˙
˙
˙
œ bœ™ J
bO bw
‚™
b >œ ˙ J
˙
ppp
p
ppp
s.p.
˙ bw Vla.
˙
B 44
œ œ™ J
˙ bw
w
& ppp
p
arco ord. s.p.
Vc.
b˙ ˙
4 ¢& 4 w
pizz. ord.
I
o ˙
II
o w
o w
˙
o ˙
arco s.p. I
j œ œ™ > p
w
ppp
ppp
7 draw+play_SIGGI_240217_23
93 pizz. arco ord. s.p.
90
Vln. 1
œ
° &
pizz. arco s.p. (s.p.)
pizz. ord.
œ >œ ˙ J
w
>œ. senza sord. J ‰ Œ Ó
w
# >œ œ œ µpizz. >œ ≈ JJ Œ J Œ
∑
3
3
p ppp
f
3
p ppp
pizz. ord. m.s.p.
<b> w Vln. 2
w
n>œ. senza sord. J ‰ Œ Ó
w
∑
p
arco ord. ord.
s.p.
b >œ ˙ J
œ
Œ
& 3
f f ppp arco s.p. pizz. arco ord. ord. œ œ b >œ senza sord. ‰ Ó
<b> w Vla.
b œ nœ œ b œ
∑
Ó
bœ
w
˙
œbœ œ J
Œ
& 3
3
pp
p
pp pizz. ord. arco 5 m.s.p.
Vc.
o ¢& w ˙ +I
o œœ ™™ œ ˙™ >
o w ˙ Œ ™ (arco) o
Ó
ppp
p
c.l.t. ord.
c.l.t.
~w
~w
~w
ppp
pp
ppp
1/2 c.l.t.
p ppp
II
pizz. s.t.
pizz. s.t.
3
> 98 ˙ #‚ ‰ œ Œ Œ Ó
arco II
Vln. 1
96 ° ‰ ‰ œR ˙ ™ &
>œ pizz. s.p.
arco (s.p.)
pizz. arco
# >œbb ‚œ ‚œ 3 4 J
>œ ‚œ O˙ ≈ ‰
∑
3
5
3
4 4
≈
3
5
mf
f
I (s.p.)
ppp
p
mp
>œ b >œ Vln. 2
‰
arco I
œ œ œ ‚™ ‚ J Œ ‰™ R Œ
>œ b >œ ‰ R ‰ ≈ ™ RÔ 44
pizz. m.s.p.
b >œ b œ œ œ ™ J ‰™ R
>œ ™ #arco œ™ 3 J ≈ 4
‚
3
3
p 1/2 col legno tratto (c.l.t.)
<b> ˙ Vla.
ppp
pizz. (s.p.) arco ord. I
b œ ‚™ J
p ppp
pizz. s.t. arco
pizz.
arco
‚ b œj ‰bb ‚œ O˙ > J 3
& p ppp
arco ord. pizz.
Vc.
pizz. (s.t.)
pizz. s.t.
arco I pizz. s.p.
pizz. (s.p.)
& Ó
pp
p
p
# >œ ˙ ‚œ‰‰ J J
Ó
c.l.b. ricochet (reversed) ord. ej pizz. . .. s.p.
mf
p ppp
f sub.
arco (s.p.)
>œ ##‚œ O˙ ‰ J
pizz.
‚œ
arco s.p.
>œ b ‚ ‚ ‰ ‰ nœ œ 3
3
pizz. s.t.
œ >œn ‚ ‚ œ œ ‰ J ‰ R 44
‚™ ‚ ≈nœJ ™ 43 œ
mp
f
pizz. s.t. arco s.p.
arco ord. (s.p.)
#œ > ‰Œ ‰ œ
pp
3
pp
pizz. pizz. senza sord. s.p. I
o b ‚ ‚ ‚ ™ > ‚ ‚ ™ Œ ‰ ‰ b œ œ œ œŒ ¢& œJ œ œ R
mp
3
pp
3
mf p arco pizz. s.p. m.s.p. s.t.
‚ b >œ œ 3 œ J ‰ 4 3
f
pizz.
œ ns.t.>œ
arco s.p.
n‚œ 44
3
3 3
p
ppp
p
ppp
8 draw+play_SIGGI_240217_23
mp
mf
p
f
pp
101 %
Play one note, wait for violin 2 to play a note, play the next note. Play as fast as possible. Repeat as the graphics show.
halfpressed pizz. in order to create percussive noise with almost no audible pitch s.t.
Vln. 1
° 4 &4
“‚”‚# ‚ n ‚ n ‚ ‚ ‚# ‚‚ ‚b ‚n ‚n ‚‚ ‚‚‚b ‚ ‚‚# ‚ # ‚ # ‚ b ‚ b ‚ b ‚ #‚ #‚ ‚ #‚ ‚
%
E
2 4
4 4
mf poco dim.
%
Play one note, wait for violin 2 to play a note, play the next note. Play as fast as possible. Repeat as the graphics show.
halfpressed pizz. in order to create percussive noise with almost no audible pitch s.t.
Vln. 2
“”‚ ‚‚ ‚‚ # ‚ ‚‚‚‚ ‚‚‚‚‚‚b ‚‚ ‚n ‚‚‚b ‚‚‚#‚#‚‚n ‚‚ ‚ 4 &4
%
E
2 4
4 4
mf poco dim. arco s.p.
Vla.
pizz. s.t.
I s.p.
‚ 4 œJ &4
oo™ œ˙
‚œ
~ 3
pp
p pizz. s.t. arco ord.
n.v. s.p.
m.v.
Vc.
4 ‚œ ™™ & ¢ 4
œ J
‚œ ™™
‚œ Œ
4 4
3 pp pizz. s.t.
b >œ œ ‰™ R
ord.
œ œ
arco
s.p. # >œ bb ‚œ ‚œ 2 J 4
ord. II
2‰ 4
>œ b >œ Œ
4 4
3
ppp
pp p ppp
p
104 %
Vln. 1
° 4 &4
sim. “”# ‚ ‚ # ‚#‚b ‚ #‚b ‚# ‚#‚b ‚ ‚# ‚ # ‚b ‚n ‚n ‚ ‚‚b ‚ # ‚ # ‚ tap 11 1 1 11 1 1 11
%
mp poco cresc. sim. tap the body of the instrument with fingertips
%
Repeat the box as the graphics indicate. Try not to coordinate with other players.
“‚”‚‚ ‚ ‚ #‚
% hammer on all strings
Vln. 2
4 &4
1
1 1 1 1 1 ≈ Ã with left hand R
11 1 1 1 1 11 1
mp poco cresc. 5
"f" Play as fast as possible. Repeat as the graphics show. halfpressed pizz. in order to create percussive noise with almost no audible pitch s.t.
E
pizz. (s.p.)
<b><b> ‚œ Vla.
4 &4
µ>œ J Œ
“” n‚ n‚‚‚n‚ ‚ ‚ ‚ b ‚ ‚ ‚n‚‚‚
p
mf poco cresc.
%
3
%
Play as fast as possible. Repeat as the graphics show.
halfpressed pizz. in order to create percussive noise with almost no audible pitch s.t.
Vc.
4 ¢& 4
E sim.
“” ‚b ‚#‚n‚ ‚ ‚ ‚ ‚n ‚ ‚ ‚ ‚#‚ ‚
E
mp poco cresc.
“” n‚ tap 1b ‚#‚n‚11#‚1 111#‚‚ mf poco cresc.
9 draw+play_SIGGI_240217_23
Repeat the box as the graphics indicate.
not to coordinate with other players. 106 Try %
Vln. 1
°
1 1 1 1 1 ≈ Ã R
"f"
Vln. 2
Vla.
®
5
‰
“”tap ‚b ‚ ‚ 1 1 ‚ ‚ 1 1 ‚‚ ‚1 1 & % sim.
108
Vln. 1
Vln. 2
¢
≈
Vln. 2
"f"
3
5
1
1 ‰
3
109 ™ 1 11 111 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 ® 1 1 1 1 1 1 1 1 1 1 1 1. ® fij ® ® ® ® ® ® ® ® à à à Ù à à Ã
7 8
‰
7 8
≈
™
Ã
‰
≈
™
Ã
1™ ®‰
1™ 1 ‰ Ù
‰
. ÃÃ
≈
. 1
‰
hammer on all strings with left hand
≈
Ã
E
‰
≈
Ã
≈
hammer on all strings with left hand
1 ™ É
"f"
≈™
Ã
≈
à Ã
‰ ≈
1 ™ É
≈ Ã
™
≈
à Ã
hold note - no gap before next bar ° 78 ®1 1 1 1 1 ® ®1 1 1 1 1 ® ®1 1 1 1 1 1 1 1 1 1 1 45 ) ™ exhale à Ã
7‰ 8
≈™
É
≈™
. ®1 ≈ Ã Ã
. 1
th...
f (non dim.)
note - no gap before next bar exhale 5 )hold ™ 4
th...
note - no gap before next bar ≈ ≈ ≈ ≈ ≈ 5 hold exhale 7≈ ≈ 8 Ã Ã Ã Ã Ã Ã Ã 4 )™
7 ¢ 8‰
1™ É
1™ É
1 ™ É
f (non dim.)
5 exhale 4 )™
hold note - no gap before next bar
th...
f (non dim.)
10 draw+play_SIGGI_240217_23
Œ ≈
1. Ã
‰ Ã
1 ™ É
th...
Vc.
1. Ã
‰
E
"f"
f (non dim.)
Vla.
Œ ≈1 11
110
Vln. 1
Ã
1 1 1 1 1 1 1 1 1 1
"f"
Vc.
"f"
‰
™
%
E
Vla.
Ã
E
¢&
°
≈™
"f"
"f"
Vc.
1 1 1 1 1 ® ®1 1 1 1 1 ® ®1 1 1 1 1 1 1 1 1 1 1 1. Ã Ã Ã
107
hammer on all strings with left hand
≈
Ã
≈
1™ Ã ‰
Ã
≈
7 Ã 8
1 ™ Ã 78
)
7 32
)
7 32
)
7 32
)
7 32
arco ord. s.p.
(n.v.) m.s.p.
° Vln. 1
7 32
œ™ æ 5æ 8
˙™ æ 3æ &4
112
∑
c.l.t.
œ ææ
p
Vln. 2
Ó
6 32
##œ‚ µµœ‚
j r 6 ‚œ ™™ œ‚ 32
Œ
pp s.p. (n.v.) (echo)
knock the body with knuckles
>. >. >. >. >. >. >. exhale <ee> <oo> > 36 ??????? 4 6 Ó
7 32
œ æ 4 æJ ‰ 4
æ 5 ‰ µ‚æ &8 µœ
ææ ‚œ
4 ‚ 4 œ
s
ff
"ff"
p
pp s.p. (n.v.) (echo) trem. rit.
knock the body with knuckles bow bridge
Vla.
>. >. >. >. >. >. >. 3 ??????? B 4 Œ
7 32
3
"ff"
j ‚ O
5 8 ‚™
ΠB
"f"
4 O˙ 4æ æ pp
‚œ
Vc.
7 ¢ 32
e™
∑
Ó
ff
116 knock on body
Vln. 1
>>> ° 6 ? ? ? ≈™ 32
4 ™ &4 r ‰ œ bœ
Œ
ff
"ff"
c
pp
6 & 32
>œ. J
Ÿ<n> æ ‰ #œæ™
f
pp
‚œ ™™ ‚œ 6 J R 32
pp
f
n.v. ord.
‚ ™™ 7 œ 8
O˙
mp
pp
3 4
screw on bridge ord. secco
# >œ. #Ÿœ<n> ˙ ™ 4 ‰ ææ 4
∑
‚œ
m.s.p. punta d'arco ord. secco
ord. punta s.p. d'arco
Vln. 2
‚œ ææ
3 pp
ord bow pressure. harm. trill s.p. III
ŸOo<n> o Œ œ œ™
b ‚œ ææ J
4 &4 Œ
mf
increase bow press. in order to create scratching sound
6 32
s.p. (n.v.) (echo)
e
5 8 c™
Π&
bow tailpiece c.l.b. ord.
>œ. 3J ‰ &4
f
œ
>. ‰ nœJ
>. 3>. 7 g g ≈Œ 8
Ó
&
3 4
&
3 4
Ó
3
fff pp
b >œ. b>œ.
œ >>> > ????
6 & 32
&
4 ‰ 4
ff
ord. secco II
ord. secco
pizz.
Vla.
f
Œ
Ó
B
Ϊ
>œ. J
Ÿ<n> Œ nœJ œ
3 3
f
fff
increase bow press. in order to create scratching sound
s.p.
f
pp
7 3 ≈Œ 8 b œœ œœ >. >.
Ó
ff hit the bridge with the screw of the bow
ord. secco
Vc.
6 ¢& 32
∑
>. 4 ‰ œ >œ. Œ 4
Ϊ
Ó
>. Ÿ<b> Bœ œ œ ™
3
fff
ff pp
>. 3>. ‰ 78 g g ≈ Œ o ff
Ó
3 4
11 draw+play_SIGGI_240217_23
122 col legno tratto (c.l.t.) ord. v. m.s.p.
n.v.
Vln. 1
120 O™ ° 3 ˙™ &4
#œ #œ
‚œ ™™ ‰ Œ 78 o
pp
#œ œ nœ #œ œ œ nœ #œ #œ œ #œ nœ #œ #œ nœ #œ . #œ œ œ ® ® ® ®
p
ppp
m.s.p.
Vln. 2
O˙s.p.™™ 3 &4
‚œm.s.t. ææŒ
m.s.p.
O˙ ™™ ææ
3 4
‚œ ™™ 7 æŒ ™ 8æ
e
swipe the strings IV+III
3 4
ú
ppp
p m.s.p. ord. bow press.
Vla.
n ‚œ ‚œ Œ J
3 &4 Œ
O˙ ™™
‚ ™™ 7 œ 8
‚œ ™™ æ æ
half pressed arco s.t. 3
3 ‚# ‚ #‚ 4
3 ppp
ppp m.s.p.
Vc.
3 ¢ 4
7 ∑ & 8 Œ™
∑
‚œ ææ J
Œ
‚œ ææ
3 4
3
ppp
s.p.
ord.
œ œ# œ œ# œ # œ# œ # œ œ# œ œ# œ. nœ
#œ œn œn œ# œn œ
# œn œ œ# œ œ# œ# œ# œ œ œ# œ œ
123
Vln. 1
° 3 ‰ &4
≈ ™ RÔ®
® ®
≈ 85
≈
ppp (almost inaudible) m.s.p. µµ ‚œ
e™
Vln. 2
3 4 ú™
‚œ J
‰ & ppp
half pressed arco s.t.
5 #‚ #‚ #‚ n‚ ≈ ‚® 8 b ‚ n ‚ # ‚ b ‚ n ‚ #‚ ‚ ‚ ‚ n‚ n‚ ppp
exhale <ee> <ee>
3 4Ó
6 J
‰
6
6
5 8
f...
fp
Vla. m.s.p.
3
Vc.
3
3
3 & 4 #‚ ‚ # ‚# ‚ ≈ ®#‚ ®#‚ #‚ #‚# ‚ #‚ j n‚ n‚ ‚ ‚. ™ 3 O˙™ ¢& 4 12
draw+play_SIGGI_240217_23
Ó
‰™
bb ‚œ R 5 8 ppp
b O˙ ™™
5 8
125
Vln. 1
œ œ126c.l.t.
#œ nœ œ #œ œ œ #œ #œ nœ #œ #œ #œ
° 5 ® &8
ord.
≈ ® ® 85 ®
® ®œ ® ® b œ n œ nœ #œ œ œ #œ œb œ#œ #œ œ œ œ
4 4
mp inhale <oo> <ah>
5 8 6™
<oo>
5 86
6
‰
4 4
Œ
s...
p
mf
pp
Vln. 2 m.s.p. n.v.
nn ‚œ ™™ ≈ J
5 & 8 ‚ ‚ ‚ #‚ ‚ ‰ ‚ ‚ ‚
m.v.
⪠5 Ϫ 8
‚œ
4 4
ppp
5 <oo> 8 6
‰
5 8
Œ
4 4
∑
pp swipe the strings with the bow from bridge to nut noise without tones IV+III
Vla.
™™
m.s.t. I
‚ 5œ 8
5 &8
‚ J
ej
‚ ú
4 4
p exhale <ee> <ee>
6
5 8
6
5 8‰
∑
4 4 f...
p knock the body with knuckles m.s.p.
Vc.
<b> ‚ ™ 5 œ™ ¢& 8
™™
>. ‚œ 5 j 8? f
‚œ &
‚œ
4 4
ppp
13 draw+play_SIGGI_240217_23
° 4 Ó 4 127
Œ
‰
6 J
129
2 4
<ee>
f...
3<oo>j ‰ Ó 46
f
Vln. 1
half pressed arco in order to create noise with almost no audible pitch s.p.
ord.
. 4 # œ n œ & 4 nœœ b œ œ # œ œn œ J
® ® ‰ # ‚n ‚n ‚#‚# ‚ #‚
ppp
‰
ppp (almost inaudible)
4 Ó 4
‰
pp
c.l.b. (s.p.)
2 n‚ 3 j ® ® n‚‚ 4 j ‚ ‚n‚ 4#‚ # ‚#‚#‚#‚# ‚#‚. n ‚ œ. ‚ > 2 6™ 4
exhale <oo>
6™
4 &4
b œ‚ ™™ ‚œ ™™
®
III
ppp
4 Π4
r ≈ 43 6 o
<ee>
f...
<oo>
f
c.l.b. saltando s.p. arco ord. bow grip towards middle of bow (baroque-style) half pressed s.p.
n.v.
œ.# œ.n œ.b œj .
mf
3
inhale <oo>
j 6
f...
3
‚ n‚ 24#‚ # ‚ ‚ ‚ n‚ # ‚n ‚# ‚ 3
pp
p
6™
6
‰Ó
5 8
∑
5 8
f sub.
p
Vln. 2
5 8
‚ n‚ ‰
pp
p
pp
s...
5 8
p
>. 3 œR ‰ ™ Ó 4 k!
p
"mf"
3 4 Y™
<ee>
inhale <oo>
r ≈ 24 ‰ 6 œ 3
bow the back of the body in order to make continuous crackling noise
5 8
"f"
Vla. c.l.b. saltando s.p. bow grip towards middle of bow (baroque-style)
e™
4 & 4 ú™
. . . j B® œ#œnœb œ . mf
4 4
r ™ 6 ‰
<oo>
‰
arco ord. half pressed s.p.
#‚ #‚#‚n ‚ ‰ ‚ ‚ #‚ 24#‚ # ‚ # ‚ ‚ #‚ #‚
p
3
5
3
pp
mp pp
6
inhale <ee>
2Π4
Ó
mp
s...
p
>. 3 gj ‰ Ó 4
5 8
ff sub.
>. 3 6J 4
<k>
‰Ó
5 8
"f"
Vc.
4 ‚œ ‰ ™ & ¢ 4 R
half pressed in order to create noise with almost no audible pitch s.t. s.t.
?
s.p.
2‰ ® ‚ n‚ ‚ n‚b ‚‚n‚‚ 4 # ‚ n ‚ ‚ ‚‚ ‚ ‚ # ‚ # ‚ ‚ n‚ ‚ ‚# ‚ ‚
ppp
14 draw+play_SIGGI_240217_23
the back o bow of the body # ‚ ‚ œ j 5 3 ‚ n‚ #‚ #‚ ‚ 4 œ. . . . ‰ ‰ ¿ ¿ 8 c.l.b. ord. 6 III
half pressed s.p.
p
7:6
mp pp
f
"f"
1/2 c.l.t. ord. m.v. secco
130
Vln. 1
° 5 &8
U ∑
4 4
∑
2≤ 4 bœ œbœ f
‰
Œ
‰
Œ
‰
Œ
j œ detune s.p. secco
≤ Vln. 2
5 8 ¿™
¿
4 4
U∑
&
2 4 œ
"mf" f m.v. s.p. secco bow the back of the body
≤ ≈ B œj 3
Vla.
5 8 ¿™
¿
4Y 4
B2 4
UÓ o
f
"ff"
secco
Vc.
5 ¢ 8 ¿™
¿
4 UY 4
?
2 4
≈
» œ
Π.
o "ff"
ff
"ff"
15 draw+play_SIGGI_240217_23