HALLDÓR SMÁRASON
Pólypsar Tilraun til svefns for solo violoncello
SCORE
Performance Notes Before the piece starts, the A-string
Always let vibrate unless
Accidentals only apply to the
is detuned to Ab. Note that sounding
otherwise indicated.
notes that they precede.
Short ties emphasize the
Notes with diamond noteheads
importance of letting vibrate.
indicate positions where the fingers
pitches are written (not scordatura). The violoncello part appears on six staves, where the first staff
should lightly touch the strings
is conventional, next four staves
Events that require special
represent each string, and the
instructions are marked an
last staff represents the
asterisk followed by a number
Notes with segment-noteheads
body of the instrument.
and are explained at the
indicate hits/muffles with the
bottom of the page.
left hand on the appropriate strings
In addition to the multiple violoncello
(to create harmonics).
to produce a percussive sound.
staves, the performer is required
The violoncello symbol represents a clef,
to breathe audibly with nose or
that indicates the length of the
Notes with giant X-noteheads
mouth when specifically written,
appropriate string from the bridge
indicate hits with the screw of
which is explained with
(the lowest staff line) to the root
the bow. Further explanations
the sixth staff.
(the highest staff line). Therefore,
can be found in footnotes.
everything written below the staff line The nose symbol indicates
is played behind the bridge, and
Small boxed noteheads indicate
passages that require in- and
everything written above the staff line
gestures tapped with the left hand
exhaling through the nose.
is played above the root.
at the approximate pitch.
The mouth symbol indicates
Fingernail symbols indicate
X-noteheads that appear in the
passages that require in- and
gestures played with fingernails.
body staff indicate scratches.
Boxed L’s (left) and R’s (right)
Conventional noteheads that
suggest which hand to use.
appear in the body staff
exhaling through the mouth. Vertical dashed line with arrows indicate coordination.
indicate knocks.
Duration: ca. 10’
Pólypsar Tilraun til svefns for solo violoncello q ≈ 58 - 62
Ϫ
*2) inhale through the nose
Inhale Exhale
œ J
"mp"
?
Vlc. (all strings)
Ab
° *1) *1)
D *1)
G
¢
C
*1)
=
*2) exhale through the nose
≈‰ 3:2 o
˙
"mf" sub. *4) I
≈
œ ™™
r5:4 œ Œ
sim.
≈ ‰ o
"p"
+ + ++
r 7:8 œ ®‰ o
˙
"f" sub.
œ ™™
Ϫ
≈ ‰ o
"p"
œ ™™
3:2 r œ‰ ‰ o
"f" sub.
Halldór Smárason
≈ ‰ o (c.l.b.)
"p"
s.p.
(Ab)
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺ o mp ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺ o mp ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺ o mp
ĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o mf sub.
"f" sub. upper half of bow
≥K œ œ. .. ...
p 5 sim. *3)
r 7:8 œ ®‰ o
˙
˙
œ J
"pp"
3:2
≈ o
pp
ĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o f sub. ĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o f sub. ĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o f sub.
(D)
(G)
(C)
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺ o p ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺ o p
*5) c.l.t. w/h ĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o f sub. *5) c.l.t. w/h (ord.) ĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o f sub.
ĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
(ord.)
(D)
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺ o p ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺ o p
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺ o pp ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺ o pp
ord.
(D)
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺ o p *6) c.l.t. c.l.t. w/h ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺ (C) o p c.l.t. w/h
ĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
f sub. ord.
*6) c.l.t.
ĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
f sub. ord. f sub.
o o o
Body
Inhale Exhale
"f" sub.
A Ab
? ‰
°
D D
GG
Body C
¢
+ + +
(Ab)
ĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o f sub. ĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o f sub. ĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o f sub. L
r 7:8 œ ®‰
Œ
‰
ĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
mf sub.
mf sub.
ĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
mf sub.
BnO ™ pp
s. glis
:
˙
°
"mp"
(G)
o o
Ϫ J
≥arco b >œ
*8) pizz.
bϪ p:
. gliss
ŠΠo
(G) 3:2
*3)
œ J
< Œ>
œ J
< Œ>
glis s
.
? ¢ bœ™ p:
. gliss
bœ J
≥arco b >œ
o; mf sub. 3:2
glis s
.
œ o œ o
mp
(Ab)
?
gliss .
f sub. arco
≥ b >˙
bœ J
o;
(D)
gliss .
f sub. *9) L
œ œ d œ œ
mp
œ o
œ
7:8
≈ ‰ o
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺ o pp ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺ o pp ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺ o pp
j Ϫ
˙
"mp"
˙
œ ≈ ‰ R o
"p"
‰
3:2
L
"mf" sub.
˙™ "p"
(C)
Body *1) The violoncello graphic represents a clef, that indicates the length of the appropriate string from the bridge (the lowest staff line) to the root (the highest staff line). Therefore, everything written below the staff line is played behind the bridge, and everything written above the staff line is played above the root. *2) The swipes should always be synchronized with the breathing. *3) Swipe the bow vertically across the strings as the graphics show to produce noise. Avoid producing audible tones. *4) Left hand pizzicato on open strings (pitches will change due to vertical bowing). Halldór Smárason © 2013/2015 *5) Col legno tratto with a few hairs added from the bow.
j Ϫ
5:4
ĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o mp ĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o mp ĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o mp
œ‰ ‰ R 3:2 o
˙
b 6 66 6
≥K œœ ..
pp
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺ o p ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺ o p
"mp"
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺ o p
œ
5:4
≈ ‰ o
‰
‰ o
ord. s.p. upper half of bow
II p
sim.
œ o
3:2
œ
*10) I
(G)
o
≈ ‰ o
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o mf sub. (C)
‰ Œ o "mp" sim. ĺĺĺ ĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o mp ĺĺĺ ĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o mp ˙
(D)
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺ o mp
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺ
pp
J o;
o
(Ab)
?
bO
pre-recorded sample
p
pizz.
≥K œœ *3) . .. ...
≥ b >˙arco
?
Ϫ
‰
"pp" c.l.b. s.p. upper half of bow
*8) pizz.
‰
ĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
(C)
mf sub.
C
(Ab)
d
D
G
o
"mf" sub.
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺ o pp ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺ o pp ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺ o pp
¿¿¿¿ ¿ ¿
=
˙
pp
3
p
Body
Ab
"pp"
*4) IV III II
*7)
Inhale Exhale
7:8
≈ ‰ o b œœooo œ
∏∏∏∏
Vlc. (all strings) E
Ϫ
r 7:8 œ ®‰ o
˙
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o mf sub.
œ ˙™ R
3:2
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺ
ĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o mp
p
Œ
?
?
o
"p"
ĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o mp
.
œœ œ œF
L *11)
œ
o
œŒ
pp *6) Col legno tratto. *7) Scratch the upper bout as the graphics show. *8) Keep glissing although tones cannot be heard. *9) Knock on the upper bout as the graphics show. *10) Tap with left hand at the approximate pitch. *11) Tap with fingertips behind the fingerboard. Pólypsar_vlc_MM16_120216_1
2
7:8 ≈ ≈ ® œr ˙ ™
Inhale Exhale E Vlc. (all strings) A Ab
"p"
¢
=
7:8
> V
*1) L *2)
» >œ
*1)
»
*1)
>œ
> V
L
> V J
L
*2)
*2)
… ‰
Œ
… ‰
Œ
… ‰
Œ
œ
*4)
ĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o f sub. ĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o f sub. sim.
*5)
Vlc. (all strings)
Ab
Πo
b6 L 6
*4) I
?
°
II pp
D
˙
6 6
"mf" sub.
‰
3:2
œ
+ œœ
3:2
˙™
‰ o
"p"
≥¿ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o pp *9) ≥ ¿ œĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o p *9)
œ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o mf sub.
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o
≥¿ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ œ ĺĺĺĺĺĺĺĺĺĺĺĺĺo p *9) ≥ ¿ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺ œ o p *9)
(G)
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o
¢
sim.
≈ œJ
‰ ‰ o
bsim. œ + ĺĺĺĺĺĺ (Ab) ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o mf sub. (D)
G
C
exhale through the mouth
(C)
Πb OI II O III O O
IV p
(C)
d
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺ
pp
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺ
pp
pp
5:4
¿ ¿¿ ¿ ¿¿¿ ¿¿¿¿¿ ¿ o p "f"
˙
j œ
"p"
‰
Œ
‰
ĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o f sub.
o
(D)
o
(G)
5:4
œ
‰ o
7:8
"f" sub.
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺ o p ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺ o p ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺ o p
o
*6)
≈ ‰ o
‰
3:2
œ ˙™ R
œ J
"pp"
"p"
Vlc. (all strings)
Ab
j œfi p *8)
pizz.
ĺĺĺ œ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o p
D
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺ œ o p
G
C
arco s.p.
¢
r œ ˙™
"mf" sub.
b œo
?
°
œ Œ R o
j œ
o
Œ
˙™
o
"mf"
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ œĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o p
"p"
. ĺĺĺĺ . ĺĺĺĺ . .ĺĺĺĺ . .ĺĺĺĺ . . ĺĺ. . ĺĺĺĺ. ĺĺĺĺ . ĺĺĺĺ (Ab) .ĺĺĺĺĺĺĺĺ. ĺĺĺĺ.ĺĺĺĺĺĺĺĺ o mf sub. bœ
sim.
. ĺĺĺĺ . ĺĺĺĺ . ĺĺĺĺ . . .ĺĺĺĺ . . ĺĺ. œ .ĺĺĺĺĺĺĺĺ. ĺĺĺĺ.ĺĺĺĺĺĺĺĺ . ĺĺĺĺ. ĺĺĺĺ . ĺĺĺĺ o mf sub.
ricochet s.t.
ĺĺĺĺ ĺĺĺĺ ĺĺĺĺ . ĺĺĺĺ . ĺĺĺĺ .ĺĺĺĺ.ĺĺĺĺ . .ĺĺĺĺ . . ĺ.ĺ ĺĺĺĺ ĺĺĺĺ ĺĺĺ ĺĺĺĺĺĺĺĺ .ĺĺĺĺĺĺĺĺ . ĺĺĺĺ . ĺĺĺĺ ĺĺĺĺ ĺĺĺĺ ĺĺĺĺĺĺĺĺ . ĺĺĺĺ .ĺĺĺĺ œ .ĺĺĺĺ o mf sub.
ricochet s.t.
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ œ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ œ
ppp
‰ o
o
< Ó>
3:2
‰ o
‰
œ
"mf" sub.
Œ
bœ J
gliss.
pizz.
‰ b˙ o; p: ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺ œ o pp
j œ
5:4
‰
?
œ
≈ ‰
p
"p"
+++ + b œœj œœ
b œ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o p
VV VV
7:8
œ ‰ R o
≥ b >œ
5:4
. . . . .. ĺĺĺĺĺĺĺĺĺĺĺĺĺ Œ œ.ĺĺĺĺĺĺĺ
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺ œ o p
mf sub.
p
. . . . .. ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ Œ œ.
gliss.
*5)
r œ œ
¿
Ϫ
"f"
‰ o
d ¿
¿
L poco rit.
"ppp"
Œ
œ o
f sub.
"mf" sub.
Œ
3:2
7:8
Œ
≈ ˙ o "p" sub.
+ + +5:4 II+ +
*3)
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺ
p
(D)
œ R < Ó>
Œ
œ o
III
(Ab)
ricochet
‰
3:2
*11) L
ff sub.
œ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o p
gliss.
f sub.
(l.h. pizz on all strings) ricochet s.t.
*8)
ppp
≥ b >œ œ BJ
ĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ œ o p
7:8
"ppp"
L *10)
∏∏∏∏∏∏
˙™
Inhale Exhale
*7) inhale through the mouth
F œ œ œ œ œœœ
Body (a tempo)
œ œ R
‰
ĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o f sub. ĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o f sub. ĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o f sub.
pre-recorded sample
=
j Ϫ o
≈ ˙
(C)
L
˙
Œ
r œ ‰ ≈ œR œ o 5:4 "p"
"f" sub.
(Ab)
L
œ
œ ≈‰ J 3:2 o
6
L p6
Body
Inhale Exhale
r œ‰ ˙ o "pp" 3:2
"f" sub.
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺ o p ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺ o p ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺ o p
(Ab)
»j >œ
pizz. ĺĺĺĺĺ ? O ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o mp sub. ĺĺĺĺĺ ? O …≈ ‰ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o f sub. mp sub. ĺĺĺĺĺ ? ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ œ o mp sub.
GG
œ ‰ R o
*3)
°
D D
C Body
o
"mp" sub.
?
œ
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺ
p
p
pp
o o o
*8)
bc.l. œ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺ sim.
(Ab)
œĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o mf sub. ĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺ œ o mf sub.
ppp
œ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
o
bœ
ĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
p sub.
c.l.
ĺĺ c.l. ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ œ
ppp
ppp
o o
*12)
Œ
L
ĺĺĺĺĺĺĺĺĺĺĺĺ
pp
ricochet
(C) *1) Hit/muffle the indicated strings with the left hand to produce a percussive sound. *2) Mute strings. *3) Swipe the bow vertically across the strings as the graphics show to produce noise. Avoid producing audible tones. *4) Tap with left hand at the approximate pitch. *5) Scratch the upper bout as the graphics show. *6) Tap with fingertips behind the fingerboard.
Pólypsar_vlc_MM16_120216_1
mf sub.
p
*7) The swipes should always be synchronized with the breathing. *8) Swipe the bow diagonally across the strings as the graphics show to produce noise. Let open strings vibrate very softly. *9) Bow the strings behind the bridge as the wavy lines indicate. *10) Tremolo by swiping the left hand in short and rapid movements back and forth along the appropriate strings. *11) Hit/muffle the indicated strings with the left hand to produce a percussive sound. *12) Scratch the appropriate string with a fingernail on left hand.
3
œ o
Inhale Exhale
Vlc. (all strings)
Ab
(exhale through the nose)
*1) I pizz.
bO
?
°
ĺĺĺ o
II arco n.v. *2) s.p.
‚™
IV arco
III
O O J
˙™
3:2
‰ œ w >+
5:4
p
5:4
*3) s.t.
˙
˙ ‰
œ
bœ œ +
IV mf
‰ bœ ˙ œ ˙ R +
7:8
III p.v. s.t.
3:2
Ϫ
ord.
s.p.
f
ppp
w
o
Œ ˙ +
˙
˙
b OO
s.p. *4)
j b œœ ˙˙
o
"f" sub.
Πo
mf
Violin D
G
=
¢
Vlc. (all strings)
?
*5) ca. 3-4 times *6) upper half III of bow s.p.
≥ K ~< b œœ . . . . ~< IV pp
f sub.
=
3:2
Vlc. (all strings)
s.t.
III arco
? ‰ O nœ
mp
O™
pp
5:4
p
IV
Oœ
OO
Oœ
Œ
IV pp
(a tempo) pizz.
bb œœ >œ mp
III
™ œ œœ
(pizz)
r œ bœ
3:2
5:4
œ
œ
˙ w
+ Ϫ
3:2
œ
pp arco s.p.
port
O J
. (mp)
IV
+ bœ œ
+ œ œ w 3:2
j œ
+II Ϫ
Vlc. (all strings)
?
˙˙ ™
pp
3:2
OJ IV
bœ
j 3:2 œ œ w
j œ
+ œœ J
˙
+ j bœ
pp
Ab
+ 5:4 +I j ™ œ œ ™ O bœ bœ œ III
≥ . 3:2. . j œ œ œ œJ w
mf sub.
j œ œ
œ
œJ
(pp)
pp
5:4
+ + r j œ œœ œœ J
mp
+ 7:8 +I œ O bœ ÆJ
+ j bœ
3:2 + + + b œ b œ b œ n œOII
œ
III
(Ab)
jeté
?
¿ ¿ ¿ J
¿ ¿ ¿ ¿ ¿™
5 3 (HÆ - TTU AÐ AN - DA SVO NA MI KIÐ!!!)
Œ
(D)
j -
*9) at the frog
. . . . . fi bœ œ œ œ œ
b-œ ™
?
(G)
C
(C)
c
?
?
*7)
Body *1) Damp the string at the root. *2) Sul ponticello. *3) Sul tasto. *4) Gradual changes from normal finger touch to light (harmonic) touch. *5) Repeat the box as the graphics show for ca. 17 seconds.
L
5
b1- ™ - - -3
∏∏ fff ∏∏∏∏∏∏∏∏∏∏ ∏∏∏∏∏∏∏∏ ∏∏∏∏∏∏∏ ∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏ ∏∏∏∏∏∏∏∏ 3 *9) at the frog 1- ™ jeté j - - -5 .œ œ. œ. œ. œ. œ™ --∏∏ fff ∏∏∏∏∏∏∏∏∏∏ ∏∏∏∏∏∏∏∏ ∏∏∏∏∏∏∏ ∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏ ∏∏∏∏∏∏∏∏ 3 -™ *9) at the frog jeté 5 j - - -- 1 . . . . . œœœœœ --œ™ ∏∏ fff ∏∏∏∏∏∏∏∏∏∏ ∏∏∏∏∏∏∏∏ ∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏ ∏∏∏∏∏∏∏∏ *10) p ∏∏∏∏∏∏∏
‰
IV
>˙≥
. .
mf sub.
. . .. .
3:2
III
U O
p
ppp
˙O
UY -
-
-
AAAAAHHHHH!!!!!)
b! ™
s.p.
(fff)
mp
ord.
s.p.
ord.
Œ
Œ Œ
ææ
!™ ææ
!
ææ ! ææ
(fff)
mp
ord.
s.p.
(fff)
mp
!™ ææ
Uœ
1 ææ R ‰™
U œ U Œ
3 -™ j - - -- 1 œ. œ. œ. œ. œ. --œ™ ∏∏∏∏∏∏∏∏∏∏ fff ∏∏∏∏∏∏∏∏ ∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏ ∏∏∏∏∏∏∏∏ *10) p ∏∏∏∏∏∏∏
jeté
> Ã
O™ œ™
"fff"
*10) p
G
+ r œ w w ˙
Y™ (AAAAA
"ff"
*10) p
D
œ
5:4
(pp)
¿™
II
j Oœ J
pizz. III
(arco) s.p.
*8) move lips accordingly
mp
n˙
pizz. IV
5:4
mf pizz. III
III
III pizz.
=
ì Ó~w
poco rit.
II
œO
> >
arco
pizz. IV
∏∏∏∏∏
C
mf sub.
*9) at the frog 5
*6) Play given tones bowing in circular motion as the graphics show until the tip of the bow has reached the fingerboard. Repeat accordingly. Feel free to interfere with the harmonics by moving the fingers from the written position (notated with wavy lines). *7) Hit the lower bout with the screw of the bow. *8) Silent shouting. *9) Gliss with open strings. Articulate the rhythm at the approximate pitches. *10) Transformation from normal bow pressure to high bow pressure (scratch tone). Pólypsar_vlc_MM16_120216_1
Ϫ
(inhale through the nose) (exhale through the nose) sim.
œ
Inhale Exhale
"p"
Vlc. (all strings)
Ab
?
°
D
G
¢
œ J
o
‰
5:4
≈ œ
o
"f" sub.
œ‰
o
7:8
"pp"
œ
3:2
‰ ‰ o
"f" sub.
Ϫ J "p"
7:8
o
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺ o p ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺ o p
ĺĺ ĺĺĺĺĺĺĺĺĺĺĺ
sim.
f sub.
L
œ œ
p
ĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺ o pp o ĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺ (D) o pp ĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺ (G) o pp
ĺ ĺĺĺĺĺĺĺĺĺĺĺ o f sub. ĺ ĺĺĺĺĺĺĺĺĺĺĺ o f sub.
j œ
5:4
‰ o
"f" sub.
arco m.s.p.
*2) *1)
j œ
‰
œ
ĺĺĺĺĺĺĺĺĺĺ ĺĺĺ ĺĺĺĺĺĺĺĺĺĺ ĺĺĺ
"mp"
3:2 r œ‰ ‰ o
œ "mp"
Ϫ J
œ "mp"
5:4
‰
o
Ϫ
r 5:4 œ ‰ œ œ™ o "mp"
"mp"
5:4
‰
‰ œR œ ™ 3:2 o "mp"
≈ œ ™™ o "mp"
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺ
ĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺ o f sub.
c.l. w/h
o
c.l.
ord.
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺ
mp
o
(D)
o
(G)
p
o
mp
o
mp
o
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺ
(Ab)
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺ
mp
o
mp
o
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺ
ĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺ o mp ĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺ o mp
ĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o mp
pp
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺ
mp
‰
o
b OOI O
Œ
r œ
5:4
"mp"
II
ĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o mp o ĺĺĺĺĺĺĺĺĺĺ (D) ĺĺĺĺĺĺĺĺĺĺĺĺ o mp ĺĺĺĺĺĺĺĺĺĺ (G) ĺĺĺĺĺĺĺĺĺĺĺĺ o mp
C
(C)
=
(exhale through the mouth)
(inhale through the mouth)
bbœœn œb œ
p
ĺĺĺĺĺĺĺĺĺĺ ĺĺĺ
7:8
œ ‰ R o
(s.p.)
œb œ œœb œ œœ
pp
p
≈ œ
(exhale again)
∏∏∏∏∏
4
III p
bœ ĺĺĺĺ sim.
*3)
(Ab)
ĺĺœĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺ œ
mp
mp
o
o ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺ œ o
mp
mp
˙
Inhale Exhale
Vlc. (all strings) E
A Ab
o
Ϫ
sim.
‰
°
b œ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺ o p
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o (D)
(G)
Body
œ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o p ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺ œ o p
"p"
Πo
‰
3:2
sim.
œ
"mf" sub.
‰ o
˙
‰
3:2
œ ˙™ R
ĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o mp
?‰ sim. c.l.
bœ
(Ab)
c.l.
?
o
˙™
s.p.
5:4
œ bœ œ
°
pp
pizz. (s.p.)
"mf" sub.
pizz. s.t.
¿ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺ œ o
pre-recorded sample
œ w RÔ
"p"
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ œ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
mf sub.
GG
(G)
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o
ĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
mf sub.
œ
mf sub.
o
o
o o
ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺ œ o p ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺ œ o p sim.
*1) Swipe the bow vertically across the strings as the graphics show to produce noise. Avoid producing audible tones. *2) Tap with left hand at the approximate pitch. *3) Swipe the bow diagonally across the strings as the graphics show to produce noise. Let open strings vibrate very softly. *4) Bow the strings behind the bridge as the wavy lines indicate. *5) Let the bow reach and knock the scroll. Pólypsar_vlc_MM16_120216_1
+
bϪ
U w
:
hold breath as long as possible
p
œ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
?
ppp
*3)
(D)
‰
s. glis
bœ J
o;
œ
5:4
≈ ‰ o
‰
3:2
œ R
"p"
pizz.
j œ
o
"mp"
o
*5) *1)
(G)
bœ J
œ R
"f" sub.
*4)
p
Œ
˙
p
"mp"
ĺĺĺ œ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
ord.
¿ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺ ĺĺ ĺĺ ĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ œ ĺo p
ĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o mp
r œ ‰ o 7:8
ord.
œ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o "mf" sub.
¿ ĺĺĺĺĺĺĺĺĺĺĺĺĺ o p
*4)
*3)
b œĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ
ĺĺĺĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o "mf" sub.
pp
ĺĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o mp
Πo
"mp"
b œ nnœœ & œb œ nœb œ
(C)
˙™
¢
Ϫ J
*4)
D D
C Body
‰
¢
Inhale Exhale
A Ab
o
*1)
G
E Vlc. (all strings)
"mp"
˙
s.p.
G
=
7:8
"p"
˙
?
D D
C
≈ ‰ o
j Ϫ
> ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ 6 ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o mf sub. *1) f sub. > ĺĺĺ ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ 6 ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ o mf sub. p f sub.