Stopbreathing talea 070617 17 full score

Halldรณr Smรกrason

stop breathing for bass flute, clarinet, piano, violin, viola, violoncello

Written for Talea Ensemble and Time of Music - Musiikin aika

Full Score in C (stopbreathing_TALEA_070617_17)

4f Percussion Œ & 44 Óf & 4 ALLIR flashlight

ALLIR

Percussion

flashlight

Œ

Ó

∑

5

Stage Settings

ALLIR

The piece requires a stage setting as illustrated below:

WW

WW airy tone airy 5 tone ALLIR spit flashlight throat roar <t> throat roar spit <t> air slap

STR 5

Perc.

flashlight

airy tone throat roar spit

WW

<t>

Perc.

slap

key click key + slap

Perc.

key + slap O O Breath/saliva/mouth modulating effect: 2 ∑ ∑ ∑ ∑∑slap tongue ∑ ú & g- O>úV completely, 2Œ ∑ ¿>Omake¿ a ∑ ¿∑> ∑∑Simultaneous ∑∑ and∑ 6 the key click.

Cover & ‹embouchure œ O O O ¿ & Œ Ã& 6œ Perc.‹Ã-OPerc.

V 4f or Œ spit Ó using the respective ∑ ∑ ∑ Percussion & continuous ALLIR

V&R recording white noise

STR

4

flashlight

swipe screw on bridge

bow body half pressed

PNO piano case high pitch music shelf

Performance Notes The performance of this piece relies much upon the ensemble functioning as one moving or breathing organism. Pay special attention to the synchronization of swipes and breaths.

The piece uses a series of unconventional noteheads, representing different gestures.

They should be realized as follows:

Mouth inhale.

Mouth exhale.

Full Score

4 &4 f

ALLIR

Exhale with consonants.

Percussion WW

Œ

Ó

∑

∑

Length/note values of certain gestures or boxes.

key click key + slap O e Air. Blow air through the tube ∑ ∑ ∑ & œ ¿ g ‚ 6& 2à 1 úœ c‹ V O à O ∑without ¿∑ ¿> tones. > producing

5

airy tone Woodwind instruments throat roar spit <t> air slap

All conventional gestures and sounds.

STR

swipe screw on bridge

g & nœ µœ #œ˜œ nœ&Bœ bœBbœ ú 9

0

⁄4 1⁄2 3⁄4 0 Perc.

1

⁄4 1⁄2

1

PNO

18

&

∑ & 6∑

⁄4

3

∑2

bow body half pressed

- ∑V

O∑

∑ ∑ ∑

13 piano case high pitch music shelf

∑

Perc.

η

∑

∑ ∑

swipe screw on bridge

1

4

<t>

1

2

3

4

air

slap

bow body half pressed

PNO piano case high pitch music shelf

Full Score

flashlight

airy tone throat roar spit

STR

All instruments

9

V&R recording white noise 1 1 3 ALLIR 4 flashlight 2 4

WW

Noteheads

∑ ∑ ∑ ∑

∑ ∑

∑ ∑ ∑

∑

WW

PNO swipe shelf swipe STRcase high pitch music STR bowV 13 piano PNO consonants &R body bow body in order screw on bridge ALLIR to modulate screwsimilar on bridge flashlight the 9 9 V & R WW pianowhite case noise high pitch music shelf 13pressed recording 17tones. airy tone half half pressed recording 17 Full 5 Score white Full Score throat roar noisespit <t> air slap key click key + slap

& 6

∑

∑ ∑

- V Œ ∑ 4∑ f ∑ Œ ∑ Ó∑ O ∑ g ú& 2Perc. ∑ g 2 ∑ ∑∑ ∑ 1 Percussion & 4 Œ & Perc.

6 ∑ ∑ ∑ ∑∑ ∑ ∑∑ œ Ó ∑ ú Throar roar / noise. ∑ O & Perc.

V & à O & œ Ó ∑ ∑ œ ‹ O O ¿ ¿ > > Perc. & à à 17 ALLIR flashlight WW PNO airy tone PNO V&R 4 music 5 throat roar œ case ∑ ∑ 13 piano shelf piano case shelf Œ key click Ó key + slap ∑ ∑ spit <t> air high17 pitch∑music Perc. & à high139Ópitch recording white noise O Percussion & 4 f slap g 2 ∑ ∑ ∑ Perc. & ú ∑ ∑ Œ VœO & ∑ Œ ∑ Ó œ String ∑ instruments Perc. & 6Perc. -& 6VPerc. ∑ Oairy tone∑> ∑ ¿ ∑ ¿> ∑ & à Ãand sounds.‹eWW5 Othroat∑roar All conventional gestures Tap with fingertips behind the spit <t> air slap key click key + slap 13 O swipe V&R STR g ‚ 6 2 1 ∑ ∑ ∑ ∑ ∑ V & Rœ ¿ fingerboard. bowà body & c V screw on bridge ú 17 recording 9 6 Œ ∑ ∑ ∑ ∑ recording white 17& noise Perc. white V noise & half pressed œ ‹ O O ¿ ¿> > à Lightly touched Scratch the body (or∑alternative wood) with notes, either to produce œ Ó ∑ ∑ g 2 ∑ ∑ ∑ Ó & ∑ or half pressed ∑notes in order Perc. & Perc. Ã& œ ú ∑ flashlight ALLIR swipe à Perc. fingernails. harmonics STR O 9 17 screw on bridge bow body 9 4 0 ⁄ ⁄ ⁄ 0 ⁄ ⁄ ⁄ to create f Œ Ó ∑ no audible ∑ ∑ ∑ ∑ noise with halfalmost pressed Perc. & œ & 4 ∑∑ ALLIR pitch. Ã#œ˜œÓ nœ Bœ Percussion PNO flashlight ∑ n œ µ œ b œ Bb œ ∑ ∑ ∑ ∑ ∑ 4 & f Œ Ó ∑ ∑ ∑ music shelf piano case high pitch g 2 ∑ ∑ 13 Percussion & 4 Perc. & 4 ú Œ ÓO ∑ ∑ Knock the upper bout ofWW the instrument. airy tone Percussion &4 f 6 Œ ∑ 5 throat roar V PNO spit <t> air ∑ slap key click key +∑slap Perc. & O 13 piano case high pitch music shelf 5 18 O WW airy tone the left hand at the approximate ∑ ∑ Hit/muffle the indicated strings in order to Tap & 5 throat V & R œ ‹ 6 roar O ∑ <t> >∑Œ ∑¿air ¿slap >∑ ∑key click∑ key1+ slap ∑ & ∑ ∑ ∑ ∑ ∑O∑ O-withspit à Full œ ‹ O O ¿ ¿ Full > white >∑&Score pitch. &Score recording à create a percussive17sound. noise Perc.

V swipe STR & bow bodyœ screw on bridge ‹ O >∑ ¿ ¿> ∑ ∑ 9 œ Ó ∑ O 9 à Perc. halfthe pressed Hit the bridge with& the screw of à the bow. V & R Bow body in order to make smooth 28 17 recording swipe white noise ∑ 2 ∑ onwhite ∑ ∑ Perc. & g ú 2 O Perc. & ∑ g bow body ∑ ú9STR screw bridge O noise. ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ half pressed œ Ó ∑ ∑ & Perc. Piano & g à 2 ∑ PNO Perc.

13 & music shelf ú e O string with a∑guitar piano case high pitch 13 All conventional gestures and sounds.

Scratch the appripriate ∑ Perc. 38 & 6œ ¿ -g ‚V 6 Œ 2 1 ú c∑6 V - PNO & à V ∑ ∑pick. Œ ∑ ∑ ∑∑ ∑∑ ∑ 1 Perc. & case high pitch music shelf 13 piano Knock the music shelf with the fallboard of Hit the piano case with a rubber mallet. ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ & the piano.

17 - V Œ ∑ ∑ V & R Perc. & 6 9 ∑ 0 ⁄ Ã⁄ ⁄ Ó 0 ⁄ ⁄ ⁄ 17 ∑ recording white noise ∑ ∑ Perc. & œ ˜œpiano nœcase Bœ bwith œBbœfingertips.∑ ∑ Ó ∑ ∑ ∑ ∑ ∑ ∑ ∑ & nœ µœTap#œthe 48 ∑ Perc. & œ Ã17V & Rrecording white noise ∑ ∑ ∑ ∑ ∑ ∑ ∑∑ ∑ & ∑ Ó∑ ∑ Perc. & œ à ∑ 18 ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ & ∑ 58 ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ & ∑ 28 ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ & ∑ 68 ∑ ∑ ∑ ∑ ∑ ∑ ∑ & 38 ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ & ∑ 75 Perc.

Conductor

air

swipe swipeairy tone PNOairy tone STR bow body PNO screw on bridge <t> air slap+ slap key click screw on bridge throat roar 5bow throat spit 13roar <t> 9 air slap clickbody key musickey shelf piano casespit high pitch music shelf half pressed 13 piano case high pitch half pressed

&&g

9

Nose exhale.

∑ ∑

air slap key click key + slap O tone. key click key + slap O Air with a vague 4 Key∑ click. f Œ Ó ∑ ∑∑ Percussion & à œ & 4‹ O O ¿>> ¿∑ ∑¿> & 4 œ ‹ O O ¿ > f Œ Ó ∑ ∑ à Percussion & 4 WW STR flashlightswipe airy tone swipe ALLIR bow body ALLIR STR flashlight screw on bridge 5 body 9 throat roar spit <t> air slap key click key + slap bow screw on bridge 9 O half pressed 5 4 4 half pressed Air sounds with consonants.

Slap tongue. f Œ Ó ∑ ∑ ∑ ∑ O f Œ Ó ∑ ∑ Percussion & 4 Percussion & 4 Perc. & g & ú 2 O ∑ >∑ ∑ ¿ ¿> ∑ ∑ ∑ & à &œ g‹ Oú O2 > Oÿ œ¿> ‹ O ∑ O∑ Perc.

WW

Nose inhale.

∑ ∑

V&R recording white noise 1

4

1

2

3

4

1

4

1

2

3

4

key click key + slap

3 ord.

4 ‰ Œ œ™ Ó Ó Vln. 4˙ œ œ œ pp pp ppp œ # œ ˙™ molto sul tasto (m.s.t.) (scratching sound) J ord.

3 4 ? ‰ Œ Ó j Vc. ¢ œ™ œ œ Ó 4 ˙™ 4 3˙ œ fpp ppp pp pp ppp Abbreviations œ # œ ˙™ = 3'14.0"w A few abbreviations usedwith in the score in order to save space: J areair sound 36 a consonant O 3 œ w Woodwind instrumentsair <t> fpp ° Ó œfij Œ m.v. Ó Ó vibrato Ó Œ ‰ B. Fl. & #O. Œ p.v. molto poco “œ.” vibrato ˙ O n.v. > ppp p ppp pp o String instruments air ord. Ó ∑ Œ J Ó ™ slap tongue j Œ Ó Ó Ó Œ Ó Cl. ¢& Œ 3 œfi f vibrato molto p.v. poco vibrato n.v. ˙ œm.v.w >. ˙ O o ∑ ∑ ppp ppp pp ppp pp

Pno.

V.

Rad.

Vln.

Vc.

(scratching sound)

2˙ 4 œ œ œ#œ 2 4 ˙3

? ¢ 85

#Ϫ

∑

œ

œ

O ≈œœ ™ ˙ ˙ œ. 44 J >

f

fp

“>.” >œ. œ ∑5 J Œ43 ‰ ∑ J 8

∑85 ∑85

mp

e™

3 4 ∑ ∑ e

3 4

p

O 44 œ 44

pp

44 44 ææ #O™

fp

%

∑ senza sord.

3 4 3 4 3

œ

%

E™

444 #%œ 4 4 4

∑

4 4 4

pp

arco (s.p.)

Ó

œ

Ó

˙

Ó

O O J

half pressed

3

{

{

s.p.

pp

<#>˙ Vc.8 ¢&

∑

˙ ææ

4

o

5'59.5"

25

Œ

2 4

∑

Œ

2 4

4 5 ∑ String &4 8 instruments

Œ Œ

5 8

15.8

Œ

Pno.

{

∑&

Ó

The piece requires different tunings of the violin ? and violoncello. ∑ 17.6 The tunings are thus:

∑

5 8

Violin: G D A Eb 2 5 Violoncello: ∑ 4 8C G Eb A

2 4 2 4 2 4 2

E

5 8

E

5 8 ∑

5 8 5

4 &4

Rad.

Vc.

%

° <b><b>O˙ ™™ &

<b>~~~~ œ Ÿ œ œ

pretend to play s.p.

Vln.

?4 ≈ ¢ 4

∑

Ó

¢&

˙™

p

5 Œ™ ‰ j ‰œ Ó 3 Œ ˙™8 4b>œ.Œ pp

#œ #˙ pp p œ

pp

pp œ œ # œ ˙™

œ ˙

m.s.p.

B

‰

3

pp

%

bb Oœ

~w

œ

w∑

pp

fpp

fpp

T3

œ

s.p.

∑

Ÿ<b> ord. œ J ‰%

# œ ∑˙™ fpp

∑

pp

∑

Oœ

bb Oœ O˙ ™™

œ

œ ∑ ˙™

fpp

fpp

8 TheHumberStar_HULL_060417_23

pp

5 e™ 8 85

#Ϫ

f

e 10

p

3

pp

f

p

the bow pizz.Swipe 4 Œ 3 strings as the graphics show to arco b Oœ O˙ Œ across ∑ œ ™ vertically Œ the j3 4 Avoid producing audible tones. œœ ™ ˙ ™ noise. ˙ 78 O #œ 朙 4 ≈ ?œ 44œ œ™produce J œ b œ ™ œæJ œ “pp‘ “‘ p p p pp mf p f f

4

œ

s.p.

ord.

e™

œ

O

e 44 œ% ˙ 4

Left hand % 25pizzicato on % an open string.

3 Pitches will change to due to Π4 vertical bowing.

<b>~~~~~~~~~~~~~~~~~ s.p. fp >œ. Ÿ in order create œtoO™sound œ™ œ œ # œ Œ™ ‰œœfiœœb.œ œœ.scratching œœ Ó 5 4 15 # œ ™ OJ O Dashes n O O ™ O Œ crescendo/diminuendo lines indicate gradual changes from 8 4 ™ œœ œ œ 5 œ œ Jœ 4ppÓ 3 œ Œ versa pp col legno tratto to arco and vice Vln. fpp fpp fp & œ 8 4 4 (gradually use more/less nœ #œ ™ œ ™ ™ œ œ w ˙ ” ” 15.8 hairs). “ “ <b> 3 “œ.” œ. >œ. >œ.

3 Ÿ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ o pp >œ. pp ppm.s.p. p ppp ord.

5 J Œ j‰ J 4 œ Œ ord. Ó Bold crescendo lines located J Œ Ó half pressed above the staff lines, indicate bow Œ Ó? ‰ ∑ ‰ 8™ O œ™ 4≈4 Ó j ˙ w ˙™ 5 b O O b œ ∑ pressure increase ∑ Œ to create Œ 43 scratching sound. ™ Vc. ¢ œ mf ˙ 8 œ ™ mp œ 4 in order f p <b>œ p

gradual changes of tone quality (tones to airy tones to air vice T and Ó 55 fpp versa). ° 4 ™ <#> ˙ # œ w∑ ∑ 17.9 &4 Cl. ¢& ° Tremolo indicates flutter. b œ#œ

j ææ Œ œ œ 3

{

e™

mpw <#> ˙ ™ #œ 81 % ° Dashed arrows to or from daimond symbols above notes indicate Rad. Fl. & TheHumberStar_HULL_060417_23 pp

21.9

œ

{

Pno.

œ

pp

2 4

m.s.t.

arco ord. ord.

˙

Œ

∑

%

pp

O O J

∑

pp

ord. ∑5 b O ™™ 43 O ∑O. O. 444 ˙ b œ œ œ œ 8 4# ˙ ™ ‘ “pp 3 fp pp

5 œ ™ 3 E™ œ 8 4

œ Œ Œ Ó

pp

flutter

air flutter

44 44

∑

Oæ æ Œ˙

(arco) pizz.

pizz.

5'39.5"

TheHumberStar_HULL_060417_23 ?

All notes œfij should be played non vibrato unless otherwise 7 indicated. ™

n.v.

pp ppp

pp

sul tasto (s.t.)

Woodwind instruments

arco ord. col legno battuto m.s.t. (c.l.b.) molto vib. (m.v.)

fp

%

{

j œ

Œ

{

™ œ œ. œ. œ. 4 O™ TheHumberStar_HULL_060417_23 5 #œ 8 4 #œ ™

Ó

{

ord. ?35 Ó ∑ 24 O˙™ 44 Pno. 44∑Of 5 O ™ j ‰ O ŒO. ∑O. Oœ. ™ 4 œ™ Ó ∑ Vc. ææ Œœ ∑ œO ™ ™ ‰Vln. °&¢ &4~w8˙™ ˙ œ ˙ 7 ? œ Œ8 œ Ó œ œ œ œ 4∑œ œ ‰ Ó ‰ Œ Ó Ó Óppp ∑ Œ Ó j 8 ppp pp pp ppp j Pno. % œfi p œ ppp œ œ fpp p f p ppp .

4 ?5 = 3'14.0" ˙ Œ bœœ. ∑ Œ pp 8 4 arco ord. ppp f air sound with f punta d'arco œ œ 36b œ ™ c.l.b.

O b ˙™ b œ. a<t>consonant arco ord. air œ w 3œ ≥ ° ° j œ ˙ œ æ fi ° . Œ œ 7 æ O™ Ospoken O™ O O O 4 O B ~ #˙ ™ p f5 B. Fl. & Ó mp Œ 8 œO Vc. with microphone 8 #O. Œ Ó 4 ˙˙ pÓ ‰ Óœ . p. Œ Œ O& œO‰ J ¢ ppp > ° ° % % % % %ppp % o ppp p ppp pp ppp The symbol represents a clef, that indicates the length of7 the fpp p f p pp p ppp œ V. 8 ord. slap tongue air appropriate string from thej root (the lowest staff line) to the bridge F1: recording 7 I never forgot that first violent kiss... j 106 Œ Ó Ó Œ Ó Œ ‰ fi % Ó œ =Cl. ˙ ¢& Œ5œ e™˙ e 4 % #w % % œ 8 ˙™ œ œ œ # œ œ # œ ˙™ Bass F1: recording (the highest staff line). Therefore, everything written below the staff œ w Flute œ ˙ 76 ˙ œ Rad. >. ˙ Oplayed % % %o % root, and everything % 7 1027'17.0" 8 Ãppp ˙ppp4œ œ œ œ% 7 the line ispp behind the written above (n.v.)

J ° non vibrato pp ppp ppp J 8 Rad. 8 Œ Fl. & ˙ b w w behind œ œ ord. æ ° ord. 7 staff line is played the bridge. knock the music shelf s.p. (s.p.)

(I never forgot that first violent kiss...) 3 3 4 ° # ˙ œ œ œ œ œ æ 3 æ ppp ppp Œ Œ ∑ theŒfallboardpp 4 swipe the strings with the bow 5 pp fpp œ Fl.p & Ówith 4 4 8 æ hit the bridge with Œ ∑ Œ b œ œ œ œ from bridge to nut Vln. &of8the ™ nœ œ œ the screw of the bow œ 4p œ pp >œb œpiano ™ # œwithout ˙œnoise m.s.t. sul pont. (s.p.) # w radio: œF1 pp w >. ˙ ™ ftones Œ ˙ ‰ œj 78˙ IV+III Conventional notes∑ should be as written in the respective 7 read Œ Œ pp ˙ molto vib. (m.v.) % J n.v. Ó ∑ ∑ ∑ ∑ 3 non vibrato 3 3 ° 83 œ p ppp∑ V pp œ œ&# ˙ Cl. ¢& 7 as f . ú.3œ. instruments’ g ‰œ œœ œ˙œ œ œ. pp ∑ reads notes fij mpconventional clef. Thus, the violin œœ Vln. & & œ pp pppp 7 reads notes as written in8alto clef and w viola f s.p.Œ æ pp arco ord. w ™arco ord. 43 Œ J J 1/2 c.l.t. fpp 44 b wwritten Ó Œ ˙ w c.l.b. col legno battuto c.l.t. col legno tratto arco ord. ordinary bowing in treble clef, the Cl. Pno. & “” 8 5 4 ? æ b œ knock the music shelf ¢ ? 8œ Œ Ó ˙Vc. ppp ppp b w∑ violoncello with the fallboard Ó pp “œ.” f the Œ Ó notes as78 written in bass clef.

3 pp 3 reads ¢ b œ ™ pp œ˙ 4p œ >œ.Œ pp∑ b œ pp œj ‰ ˙™Œ f Ó parco ˙ ord. of the piano j bw col legno battuto m.s.t.œfi (arco) pizz.œ > J f continuous gliss. ™ ” œ . Œ Œ Ó ∑ Œ Ó (c.l.b.) j vib. œ. pp “ ˙œ (m.v.) n.v. # œmolto &∑ Allthenotes ˙™ inide pianoœfi should be played non vibrato unless otherwise 7 Œ Ó s.p. molto 7 indicated. ? p pp ∑˙pp œ ∑%sul ponticello ∑ m.s.p. ∑ sul ponticello ∑ ˙ ≈ œ#™œ ppp Ó a rubber Ó Ó™ ∑ malletf & 8 V% f œ3 f Œ4 with ˙ œ 8 pp mp œ p œ Vc. f ¢ Pno. œ. Œ J J œ œ 3 7 Ó Œ Œ ∑ ∑ ord. ordinary bow position ° 4> ∑ 8 f ? ∑ & ° ∑ ∑ ∑4 o f ppp pp pp pp spoken 3 7 ? ~ Œ Ó s.t. molto with microphone ∑Oœsulbbtasto Ó Ó sul tasto ∑ Œ Ó Oœ O˙ ™™ j ‰ Œ m.s.t. pp f pp mf p ° 8 w 4 j %œ % % % % Always let %pizzicato ring, unless = œfi œ 7 otherwise indicated. hit a high-pitched metal part Pno. J TheHumberStar_HULL_060417_23 œ . œ. ˙ V. inside the piano with a 8 3 % % % % pp ppp f metal mallet % % % fpp I never forgot that first violent f j ‰ kiss... ?

Rad. 3 4 7 ? Œ F1: recording ∑ Ó ∑ ∑ œ °w ° 4 4 8 œ œ ˙™ %œ % % % % spoken 7 ˙ ff% b ~ J ° O with microphone Other explanations ~ O b O O ™ œ Rad. 8 Always make bow changes unnoticeable unless otherwise indicated. ™ 10'40.0" Œ b w w œ b œ ˙ b œ ™ œ ˙ œ Vln. & ˙ 3 %œ % % % % % p (I never forgot that first violent kiss...)

7 fpp J 158 <b> œ ™ ° œ ˙ swipe the strings with the bow O (throat roar) All instruments hit the bridge with p8 pp 3 ° from bridge to nut ° 5 without tones b ™ 4 Ó fpp b œ spoken the screw of theJbow ∑ Œ Œ 43 I never forgot that first violent kiss...

I B. Fl. & 8noise 4off(s.p.) m.s.t. sul pont. >. o IV+III à flashlight: à At one point in the piece, pretend to shout aggressively b œ %™ œ b˙ 7 F1: recording molto vib. (m.v.) % n.v. ˙the° radio: œ F1 Œ % w w œ œ ˙™ 3 4 Œ o 7 œGrace notes should<n>∑ always pp8 be played before the beat. ˙ %œ % % % words while% remaining completely % Vc. ¢&silent.

Jp 4ppp ∑ ˙ f g pp ‰ œ ˙ f ú respective V. 7 &f 4 f pp& œfij Vln. 8 8 J w w Weeping women lean on the Ÿ 3 gates...

O ~~~~ O O pp p pp3 fpp (throat roar) 3 3 3 œ (I never forgot that first violent kiss...)

5 4 3 f ppp pp ppp Ó swipe the strings with the bow % % % E™ Ó Œ ‰ hit the bridge with Cl. ¢& bœ 4 j 8 œ ™ œ3 œ ™ 4 7 Œ 4 from bridge to nut œ œ œ œ arco œord.˙ the screw of the bow Rad. Smaller notes with a dashed line through the beam indicate notes ∑ ∑ 4 4 8 noise without tones b œ œ col legno battuto m.s.t. (arco) pizz. à m.s.t. bœ œ(c.l.b.) ˙œ œmolto sul pont. (s.p.) >.

IV+III radio: F1 b œ ™Tremolo œ œ b ˙ beams indicate approximate density of œ vib. (m.v.) n.v. œœfij œ molto vib. (m.v.) % n.v. be played as fast as possible. is neverb œmeasured; that should ° 7 ˙ #˙œ™ 7° ? ord. ∑arco ≈ œ™ Œ Ó #pp Ó p Ó ™ppp pp∑ s.p.™ œ œ œ pp æ ∑ g ‰ œ ˙ ∑ Vc. ˙ œ O & ú & œfij 8 ¢ J the tremolo. æ 3 Œ# œ 4 nw ˙ œ Oœ™ 78∑ 8 3 .

J w w Œ Œ 5 4 Vln. & Ó > 4 4 ∑ ∑ ∑ ∑ ∑ J J & 8pp 4 = f ppp pp 4 pp o f ppp pp ppp

° 3 ˙™ &4 ˙™

T 58

4

II s.p. T increase bow pp press.

œ™ œ 4 o∑ pp 4

5 8

15

Ó 5 e™Œ 8 5 bO ™ 8b œ ™ fp

Ó 5 œŒ™ 8 fp

‰e

>œ».

J4

ff

4

∑

p

‰œ

pp

17.6

O ∑O J

half pressed

3

bO

pp

Snap pizzicato symbol indicates snap pizzicato (Bartók pizz.).

TheHumberStar_HULL_060417_23

&

œ Mute. Œ

secco

ff

ppp

m.s.t.

ord.

# >œœ. pp œ J 4 #œ œ 4

bœ™ œ

∑

%

Oœ Oœ. Oœ. 4 ˙ ord.4 3

Ô

Œ

21.9

&

O œ

œ œ

ppp

Ϫ

ppp

Ó

Ó

#œ™ #>œ ™5 Ó 8 f

œ

∑ ™ 5 #œ 8 fp

mp

#œ ™ ˙ 5 e™ ppp 8

n.v.

˙™ 4% 4

5 bO ™ 8b œ ™

Oœ Oœ. Oœ. 4 ˙ 4

5 Ϫ 8

œ

œ

pp

O O J

3

˙

Œ

“” #˙

3

∑

pp

p

˙

pp

∑ ∑

∑

œ œ OI R

‰™ &

‰

f

∑

%

∑

˙

pp

3

œ

pp

p

œ

#˙ p

Œ

#œ. ‰ J

mf ppp

# œ.

J ‰

mp

∑

mf p

∑

Swipe the bow diagonally across the strings. Let open strings vibrate very softly. % %

œ

m.s.t.

2 4 2 4

œ œ

pp

pp

#œ 5 œ ™ 8

2 4

∑

5 8

2 4

∑

5 8

2 4

E

5 8

e™

™ 2 O #œ 5 œ 4 8 pp

p

mf ppp

Dashed arrows between bow position symbols indicate gradual changes of bow position.

#œ 5 œ ™ 8

mp

pp

Œ

pressed 4 #œ œ half O O Œ 4 J ˙pp 3œ œ 5 œ™ 2 4 8

œ

p

∑

p

p

‰ #œ

# ˙™

p

#˙

mf ppp

Use the left hand for the respective gesture.

mp

Œ

Œ

pp

Œ

˙

m.v. #n.v. ˙™ Œ œ Ó œ œ. # ˙ ™ using the bow by swiping Tremolo without the left hand in short O Œ movements back Œ ˙and forthJ along ‰ the appropriate strings. and rapid ∑ pp p pp p mf ppp n.v.

II m.v.

Dashed arrows between vibrato symbols b O nœ. ‰ indicate gradual changes of B ˙™ Œ #rate. Œ b˙ J œ O™ the vibrato

pp

œ

%

Œ

p

˙™

Œ

p

ord.

fp

∑

4 4

œ

e

fp

O ˙

p

∑

pp

“˙”™

pp

pp

pp

ppp

œ

O #œ œ Œ˙

4 4

% “>.” >œ. œ n.v. œ ™5 œJ Œ œ #‰œ J˙™ 4 œ 4 O 8

œ

œ

Œ

œ Ó

p

(m.v.)

œ œ. œ. œ. 4 O™ ∑ 4 #œ ™

fp

5 8

# ˙n.v.™

pp

m.v.

Scratch the appropriate string with a guitar pick.

95 w ˙ œ™ œ œ œ ‰ 4 JPlay the4respective tones bowing in circular motion until the tip of

# by w moving the fingers ˙ from œ ™ # œ the œ written position (notated œharmonic 4 lines). ‰ wavy Jwith 4 pp reached the fingerboard. fpp the bow has Feel free to interfere with the

“”

” The pianist # >œ. is asked to play the ratchet #“œ. at a few places in the piece. pp

œ ‰ J

4 4

f

Piano

fpp

Œ Ó

Ó

‰™ R Œ mf

4 inside ∑the piano at the respective approximate range with ∑ Glissando ∑ 4 a rubber mallet. ° ∑

flashlight on: Pluck the respective strings inside the piano. MYND SÝNIR + radio

e

œ J ‰

4 f 4

f

4 %œÃ 4

%

F1: recording

4 ~w 4

On my chest a Humber Star...

Lighting

pp

O˙

Oœ ™™ Oœ Oœ fpp

II I O O™ O O 2 œ o 5 o oj ‰ B 4 ~ 4 4 hall should be as dark as possible. œ 8The œ ™ lighting œ in the

pp

pp fpp The musicians should use stand lights if necessary.

9 TheHumberStar_HULL_060417_23

Duration: ca. 8’

stop breathing Written for Talea Ensemble and Time of Music - Musiikin aika

Halldór Smárason

e = 80

5 7:8 r ≈ ≈ ™ 85 ‚ o

inhale through the nose

Bass Flute

° 5 ™ 8

J ≈‰ 3:2 o

3 air &4 O

"mp"

"mf"

air

3

Clarinet in Bb

5 ¢& 8 # ‚ ™

j≈‰ ‚

3 4 O

o "mp"

"mf"

inhale through the nose exhale through the nose

5 ™ 8 "mp"

Piano

?5 8

J ≈‰ 3:2 o ∑

{

3 4 "mf" sub.

3 4 ‰ b œR œ œ Œ

5:4 r ‰ ‰ 85 b ‚ ™ ‚R ‰ ™ 43 ‚ O o o p "f" inhale through the nose 5:4 5 ™ ™ 3 r‰ ‰ 8 R ‰ 4 ‚ O o o p "f" r 5:4 3 ‰ ‰ 85 ∑ 4 o "f" 5 3 Œ ∑ 8 4

3:2

∑ ‚™ "f"

7:8

r≈ ‚ o r ≈7:8

r ‰ ‰ b‚ ™ ‚ o p

≈ ™ 85 #‚™

r ‰™ ‚ ‚™ o

p

≈ ™ 85 ™

o p

5 8

∑

"f"

™ R ‰ o ∑

™ "f"

o ∑

Breath

J ≈‰ 3:2o

∑

"mp" p

r ≈7:8 ≈ ™ 5 ™ 8 o p

™ 3 R ‰ 4 o "f"

"f"

∑

™ R ‰ o

™

"f"

™ p

Ϊ

r 3:2≈ ≈ ‰

™

™ R ‰ o ‰ j œœ . pp ™ R ‰

o col legno tratto with hair c.l.t. w/h

ej

5 8 ÍÍÍÍÍÍÍÍÍÍÍÍÍ≈ ‰ o mp 5 ∑ 8

7:8 IV + III

3:2

e™ Violin

col legno battuto (c.l.b.) sul pont. (s.p.) upper half of bow

II + I

5:4

IV + III

5:4

r e

+ + ++ 3 5 4 ≈ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ‰ ‰ 8 o mf exhale through the nose r 3 5 ∑ ‰ ‰ 8 4 E

r e

E

∑

∑

e™

3 5 4 ÍÍÍÍÍÍÍÍÍÍÍÍ≈ ≈ ™ 8 o f r ≈7:8 ≈ ™ 5 3 4 8

∑

∑

r3:2 e

ÍÍÍÍÍÍ ‰ ‰ ÍÍÍ o f 3:2 r‰ ‰ ™

‰

Breath

o5:4

o

"mf"

"f"

IV + III

col legno tratto with hair c.l.t. c.l.t. w/h w/h 3:2 IV + III

7:8

e™ Viola

Breath

3:2 ej

5 8 ÍÍÍÍÍÍÍÍÍÍÍÍÍ≈ ‰ o mp 5 ∑ 8

IV + III

e™

pizz.

3 4 ≈b œJ

‰

Œ

5

pp exhale through the nose

3 4

r e

5 Œ 8 ÍÍÍÍÍÍÍÍÍÍ͉ ™ o p 5:4 r‰ ‰ 5 ∑ 8 o

"mf"

II + I

r e

E

3 J J ≈ 4 3:2

o pp

≈ ™ 85

∑

3 4

5 8

∑

3 4

r 7:8≈ ≈ ™ 5 8 o

∑

3 4

o ∑

3 4

IV + III arco ord. ord.

7:8 II + I

r e

j

j3:2

™

e e 3 5e 4 ÍÍÍÍÍÍÍÍÍÍÍÍ≈ ≈ ™ 8 ÍÍÍÍÍÍÍÍÍÍÍÍÍÍ≈ . . . . . . o o pp f pp 7:8 r ≈ ≈™ 5 3 ∑ ∑ 4 8 o "f"

≥ œœ

3 4

3 4

o

"f"

IV + III read notes as written in alto clef

≈ ™ 85 ™

"f"

3 4

E

Ϊ

r≈ ‚ o r 7:8≈

"f"

IV + III read notes as written in treble clef

3 4

o p

"f"

3 4 O

exhale through the nose

5 ™ 8

3 4

∑

7:8

r‰ ‰ ‚ o 3:2 r‰ ‰

3 pp

3 4

7:8 r ≈ ≈ ™ 85 ‚ o

3:2

inhale through the nose

° 5 ™ 8

3 4O

‚ ‰™ R o

e™

r e

e™

r e

3 5 4 ÍÍÍÍÍÍÍÍÍÍÍÍ≈ ≈ ™ 8 ÍÍÍÍÍÍÍÍÍÍ͉ ™ ÍÍÍÍÍÍÍÍÍÍ͉ ‰ o o f o f p 7:8 3:2 r ≈ ≈™ 5 r‰ ‰ 3 ∑ ™ 4 8 o o "f" "f"

e™

IV + III arco ord.

c.l.t.

r e

E

ÍÍÍ ‰ ™ ÍÍÍÍÍÍÍ o p ∑

7:8 I

r e

j

j3:2

™

e e 3 5e 4 ÍÍÍÍÍÍÍÍÍÍÍÍ≈ ≈ ™ 8 ÍÍÍÍÍÍÍÍÍÍÍÍÍÍ≈ o o f pp 7:8 r ≈ ≈™ 5 ™ 3 4 8 J J ≈ 3:2o pp

3 4 3 4

IV + III c.l.t. w/h

read notes as written in bass clef

7:8

e™ Violoncello

3:2 ej

5 ÍÍÍ ¢ 8 ÍÍÍÍÍÍÍÍÍÍ ≈ ‰ o mp

IV + III

e™

3 4

∑

IV + III

r e

E

II + I

r e

e™

r e

5 3 5 8 ÍÍÍÍÍÍÍÍÍÍ͉ ™ 4 ÍÍÍÍÍÍÍÍÍÍÍÍ≈ ≈ ™ 8 ÍÍÍÍÍÍÍÍÍÍ͉ ™ o o o p f p

e™

∑

c.l.t. r e

ÍÍÍ ‰ ™ ÍÍÍÍÍÍÍ o p

IV + III arco ord.

E

7:8

r e

3 5 4 ÍÍÍÍÍÍÍÍÍÍÍÍ≈ ≈ ™ 8 o f

∑

3 4

Halldór Smárason © 2017 May - June 2017 (Reykjavík) stopbreathing_TALEA_070617_17

14 key click trill gradual changes airy nat. of tone quality tone tone

10

7:8 7:8

B. Fl.

° 3 &4 O

r≈ ≈™ ‚ o

5 8Œ ‰

œœ 2 R O 4

7:8

mp "mf"

"f" 7:8

b œj

7:8

Cl.

3 ¢& 4

r≈ ≈™ ‚ o

O

5 8Œ ‰

r j œ œ 24

mp

"f"

r7:8≈ ≈ ™

3 4

b œ™ ≈ b œœ ™™ œJ ™

5 Ϊ &8

2 4

O 3 5 r≈ ‚ # œ 4 œ™ ‚ ≈Ó ‚ 8 ‚ ‚ ‚ ‚#‚ J O 3 o "mf" p b œbend œ slap tongue 3 5 3 J Ó Œ j ‰ Œ 8 4 > 3 ‚ ‚ ‚ >. of "mp" f p “>.” >œ. b œœ œ œœ ™™ 5 3 J ‰ 8‰ ‰ Œ Ó œœ ™™ 4

5 8

7 J ≈‰ 8 o

∑

pp

pp

p scratch the appropriate string with a guitar pick

?3 Π4

{

‰

j ‰ ¿ o 7:8 r ≈ ≈™

j ¿ pp

° 3 4

5 8

≈‰ J

2 4

∑

f

f

knock the music shelf with the fallboard of the piano

hit the piano case with a rubber mallet

j 5 8‰ V ‰ Œ

Ÿ<n>~ 3:2 5:4 2 ¿™ 4 ‰ ‚ ‚j™ ‰ o"mf" "mf" o

‚

try to coordinate with violin

3:2

5 8

∑

7 8 O "mp"

5 8

∑

™ R‰

j ‰™ 3 ™ 4 o

∑

3 4

∑

2 4

j™ ‰ ™ 3 4 o

∑

2 ‰3:2 j™5:4 ‰ 4 o "mf"

7 8

?5

∑

7 8

∑

7 8

8

∑

f

5 8

2 4

∑

mf

° 5 r 8 ‰™ ‰ Œ o

5 8

∑ III arco increased bow press. (scratch tone)

"mp"

IV + III + II

o oj IV + III b œ œ r e e E e pizz.

5 2 5 Í Í Í j 8 ÍÍÍÍÍÍÍÍÍÍ 4 ÍÍÍÍÍÍÍÍÍÍ8ÍÍÍ ≈ œ œ op pp p mf 5 2 5 r ∑ 8 4 8 ‰™ ‰ Œ o II + I oI oj "mf" 7:8 œœ IV + III j pizz. ™ ss.

III 5 e ÍeÍÍÍÍ 2 ‰ eÍÍÍÍÍÍÍÍÍÍ5 e ™ gli 8 ÍÍÍÍÍ 4 8ÍÍÍÍÍÍ œ op pp p mp

IV + III + II

7:8

3 4 ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ≈ ≈ ™ o r7:8≈ ≈ ™

f

3 4

o "f"

Vla. scratch the body (or alternative wood) with fingernails

3 4Œ

¿¿¿¿ ¿ ¿Œ "mf"

p

∑

molto sul pont. (m.s.p.) upper half of bow

I

r 7:8 e

≥ # >œ

IV + III + II ord. bow press.

7:8

e glis s.

‰ 43 f

3 4

∑ col legno batttuto (c.l.b.) upper half s.p. of bow

œ knock on the upper bout J 3L f f f 4 f Œ

IV + III

ej

5 8 ÍÍÍÍÍÍÍÍ≈ ‰ o pp 5 ∑ 8

j‰ œ o

E

≥ ‰ œ œ . pp

ej™

E

r e

7 ÍÍÍÍÍÍÍ ‰ ™ 3 ÍÍÍÍÍ ‰ ™ 8 ÍÍÍ 4 ÍÍÍÍÍ o p o mp 7 3 ™ ∑ 8 4 R‰ o p

try to coordinate with clarinet

5:4

2Π4

≥ œœ

‰™

. . . pp

2 4

∑

IV + III I I + II

I + II

7:8

3:2

ej

mp

r e

ej™

5e 7E 3E 8 ÍÍÍÍÍÍÍÍ≈ ‰ 8 ÍÍÍÍÍÍÍÍÍÍ ‰ ™ 4 ÍÍÍÍÍÍÍÍÍÍ͉ ™ ..... o o p o pp mp

j™ 5:4

2 ‰ ÍeÍÍÍeÍÍ ‰ 4 ÍÍ o mf

7:8

r7:8≈ ≈ ™

3 4

5 8

≈‰ J

5 r 8 ‰™ o

2 4

7:8

o

o pp

"f"

3 4

‰ Œ

5 8

∑

"mf"

pp keep glissing although tones may not be heard

Vc.

j™ ‰ ™ 3 7 4 J ≈‰ 8 o o "mp"

r 7:8 e

f

r 5 8 Œ ‰ b œœ ‰ œ

∏∏∏∏

3 EÍÍÍÍÍÍÍÍII ÍÍÍÍÍÍÍÍ ™ 4 ¢ ‰ III J ‰ÍÍÍÍÍÍÍÍÍ≈ ≈ + IV ++ o

s. glis

IV + III (arco)

7:8

pp

r e

pizz.

I

2 EÍÍÍÍÍÍÍÍÍÍ 5 ≈ ‚ ™ gliss.

4 ÍÍÍ8ÍÍÍ ‰ œ™ pizz. o p IV mf

arco IV

≥ b œ b >˙ J 3 4

2 ‰3:2 j™5:4 ‰ 4 o "mf"

tap with left hand at the approximate pitch L I

5 8

glis s.

œ o f

2 stopbreathing_TALEA_070617_17

∑

‚j

IV + III + II

3

&

pp

3 4

"mf"

E

2 ‰3:2 j™5:4 ‰ 4 o "mf"

o

o IV + III

j≈œœœœ .... ‚ ‚ "mf" o p

7:8

"pp"

"f"

Vln.

2‰ 4

o

"mp"

3 66 4 ≈ 6 6 ≈ ®6 6 ‰ Œ

5:4

3 j ‰™ 4 ‚™ o p

o "f"

Pno.

3 bO &4

∑

7 8

∑

3 4Ó

IV + III

3:2

5:4

e ej™ 66 ‰ 6 6 24 ‰ ÍÍÍÍÍÍÍÍ ‰ II o mf p

O œ R ‰™

19

œ B. Fl.

° key click & ¿j ‰ Œ >.

3 4

3:2

Œ

™ J ≈Œ

4 4

o

‚

o

mf

"mp"

‚‰ ‰ 7 8 R 3:2 o

&

O

"f"

23 ‰ Œ bO ™ o

‰ R ™

∑

4 &4

3:2

o

p

"mp"

™

p

gradual changes airy tone of tone quality

O œ

œ

‚ J Œ

key click

Cl.

3 4

¢& j ‰ Œ ¿ >.

3:2 5:4

4 4#O

j ≈Œ ‚™

‰ Œ

∑ &

7 8

3

O o

o

mf

"f"

una corda “˙” ˙

"mp"

o "mp"

j r≈ ‰ ‚™ ‚ o

3:2

4 4

‰ r #‚ ‚™

‚™ o

p

"mp"

tre corde

b œœ ™™ 3 ™ 4 œ

& pp

mf

˙ ? ˙

˙ 3 ˙ 4

‰ Œ

™ J ≈Œ o

4 4

∑

∑

7 8

∑

7 8

"mp" "mp"

Pno.

{ °

Œ

3 4

∑

∑

4 4

∑

∑

4 4

™ J ≈Œ

∑

™

7 R‰ ‰ 8 3:2 o "mp"

o p

"mp"

arco

≥ b >œ œ

Vln. pizz. ord.

. i ss gl

Ϫ

bœ 3 J 4 ‰ o

p

j 5:4r ≈ ‰ ™ o ∑

j™ 5:4r ≈ ‰ o

∑

4 4

∑

4 4

∑

4 4

tap with fingertips behind the fingerboard

ej

3:2

IV + III + II

e E

gli ss

e

e L

4 4

.

∑

œ o

3:2

p

ÍÍÍÍÍÍÍÍÍ ‰ Œ ÍÍÍÍÍ o mp

7 8

∑

4 4

Π-- -

∑

-

-

-

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍ mp

p

3:2

3 4

∑

™

4 4

∑

∑

7 R‰ ‰ 8 3:2 o

‰ Œ o

arco increased bow press. (scratch tone)

∑

‰ R ™

4 4

3:2

o

p

"mp"

™

p

Vla. pizz.

. i ss gl

Ϫ p

b œ b >œ≥ œ J 3 J 4 o mf 3:2

˙

œj™

E

5:4r ej™ e L

gli ss .

4 Í 4 ÍÍÍÍÍÍÍÍÍÍ ≈ Œ œ o ÍÍÍÍÍ o mp

∑

7 ÍÍÍÍÍÍÍÍÍÍ 8 ÍÍÍÍÍÍ ≈ ‰ o mp

∑

3:2

∑

tap with fingertips behind the fingerboard

I + II IV + III

3 4

∑

4 4

∑

‰ Œ o "mp"

‰

-- -

-

p

j™ 5:4r ≈ ‰ o

7 8

∑

Π-

-‰

4 4

pp

4 4

∑

"mp" I

Vc. 3:2 I + II

I + II

¢

j œ. ‰ Œ > ff

≥ 3 b>‚ 4 mf

œj™

Ó

4 ˙ 4 ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ≈ Œ o mp

E™

∑

3:2 I + II

II col legno battuto (c.l.b.)

r e

5:4r ej™ e

E Í ‰ ‰ 78 ÍÍÍÍÍÍÍÍÍÍÍÍ ≈ ‰ Í Í Í Í Í Í Í Í ÍÍÍÍ ÍÍÍÍÍ o o p mp

r e e™

‰

e™

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 44 ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ o p

3 stopbreathing_TALEA_070617_17

air sound with a consonant <t> <k>

26

B. Fl.

>. ‚ ‚ œ ‰ œJ j j j ‰ 2 Œ ¿. b¿ ¿ ¿ ¿ 4 >. > "f" sub. mf p

° 4 ‰ 7:8® r &4 ‚ O™ o "mp" exhale through the nose

Cl.

4 7:8 r ¢ 4‰ ® ™

"mp"

3:2

o "mp"

&

+ slap tongue ‰ j ‰ œ.j Œ > > ¿> ¿ >. mf "f" >œ. Œ ‰ œœ Ó J

7:8

2 4#‚

{

31 & Œ

3:2

o

5:4 r ‰ ≈b ‚R 24 ‚ ‚ ‚ "mp" o p

5 5 16 ‚j™ ‰ 16 o

∑

2 4

5 16 j ‰ ‚™ o 5 j 16 ™ ‰ o

5 16

∑

2 4

5 16

∑

2 4

2 6 6 6 6 6 6 ® ‰ ™? 2 ∑ 5 ∑ 5 4 4 16 16

∑

2 4

‰™

2 4O

7:8

o "f"

3:2

3 8 ‚ ¿ ¿ ‚

p

"mp"

2 4

"f"

3 8

∑

3 4Ó

r‰ ‚ o 3:2 r‰

j ‚ J ≈‰ 3:2 o

pp

"f"

> 6 6 Œ

Ó

f

O

"f"

3 4

2 4

r ‰™ ‚ o r ‰™

‰

o mf hit the piano case with a rubber mallet

∑

J ≈‰ pp

"f"

o "mp"

Pno.

?4 4

3 4

r‰ ‚ o

key click

&

4 ‰ 7:8® r ™ 4

Ÿ<n>~ ≈ ¿j 83 ‚

7:8

O "f"

2 4

mp

o "f"

rubber mallet

6 ≈ 83 œ

mp

pp

p

2 4

∑

"f"

Ratchet 5:4

2 ‰ 66666 6 4

2 4

∑

3 4

‰ Ó o

∑

mf

"f"

p

3:2

° 4 4

∑

2 4

∑

R ‰ o

7:8

Vln.

3 4

∑

r ‰™ o

Œ

o

p hit/muffle the indicated strings

r‰

3 8

2 4

2 4

∑

p

"f"

"f"

mouth 5 j 5 ™ 2 16 ™ ‰ 16 J J 4 o mp

IV + III IV + III + II

IV + III + II

(mute)

3:2 pizz.

II III

IV + III … ™ 4ÍÍÍe ÍÍÍÍÍÍÍ EÍÍÍÍÍÍÍ ‚ ≈ ‰ 4 ÍÍÍ ‚ omp o f œ

4 4

∑

7:8

IV + III

r

IV + III + II

5:4 IV + III

3:2

7:8

r

r

r

j

»j L j … œœ V ‰ Œ V >œ V> ∑

e 2 e 4 ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ͉ o p

e 3e 8 ÍÍÍÍÍÍÍÍÍÍÍÍÍ͉ o f

2 4

3 8

e 3E 4 ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ≈‰ o pp

e

e e e Œ ÍÍÍÍÍÍÍ͉ ≈ 24ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ͉ ™ ÍÍÍÍ o o p p

j™

2 EÍÍÍÍÍÍÍ5Í e ‰ 5 4 16ÍÍÍÍÍ 16 o f

mouth 5 j 5 ™ 2 16 ™ ‰ 16 J J 4 o mp

3:2

∑

r‰

r ‰™

3 4Ó

o

2 4

2 4

∑

o

"f"

"f"

2 4

∑

"f"

Vla. hit/muffle the indicated strings

L tap 5:4

IV + III + II scratch (mute) IV + III

» … >œ ‚ ≈ œ ≈ ‰ œœ J pizz.

II III

E™

ÍÍÍÍÍ ÍÍ

4Π4

>L VV …‰ Œ VJ

o mp

f

7:8

4‰ ®r ™ 4

∑ o

"mp"

7:8

IV + III

r e

2 e 4 ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ͉ o p 2 4 R ‰ 7:8 o p

IV + III c.l.t.

IV + III + II

ej™

L ¿¿ 3e 8 ÍÍÍÍÍÍÍÍÍÍ ¿ ¿ o "f" f 3:2 r‰ 3 8 o "f"

3 4 ¿¿¿¿‰ Ó o 3 ∑ 4

Ó

"f"

≈ - 2 - - - - - -®‰ ™ 2 EÍÍÍÍÍÍ 5 ‰ Í16ÍÍÍÍÍÍ 4 4 o "f" p f r‰ ≈ 2 5 j ‰ ™ 24 16 ™ ‰ R 4 7:8 o 5:4 p o o "f"

‰™

j™

j

5 e e 2 16 œ ÍÍÍÍÍ 4 œ ppp

5 16

2 4

∑

Vc. hit/muffle the indicated strings (mute) pizz.

III

I

… ‰ œ≈‰

E™

4 ¢ 4Œ

ÍÍÍÍÍ ÍÍ o mp

f

L

>œ» œœ J

> VV …‰ Œ VJ

L 7:8

2 Π4

≈

tap

scratch the body (or alternative wood) L with fingernails

3:2

ej

3 ¿ ¿ ¿¿¿¿¿ 3 E 8 4 ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ≈‰ 6 6 ¿¿ 5:4 o p p "f" p pp 4

stopbreathing_TALEA_070617_17

IV + III c.l.t.

L tap with fingertips behind the fingerboard 5:4

I

Ó

‰™

j

j

≈ - 2 - - - - - -®‰ ™ 2 ∑ 5 ∑ 5 e ™ e 2 4 4 16 16 œ ÍÍÍÍÍ 4 œ "f"

p

ppp

36 3:2

B. Fl.

° 2Œ &4

7 8nO

≈ b¿ ¿ ¿ ¿ ¿# ¿ pp

p

pp

5:4

‰ ‰ 45 ‚ o

4 4O

∑

"mf" sub.

j ‚ r œ

p

œ

Ÿ<n>~~~~~~~~~~~ sim. ‰ ‰ 45 ≈ j j #‚ ‚ O ‚ ‚ 3:2 o p p

˙

j ‚™

40 mouth r ≈ ‰ 98 ‰ R ‚ 3:2 o pp

Cl.

7Œ 8 ¿ o "mp"

4 4

Œ

p "f"

œœ œ œœ

3:2 3:2

2 &4

7 8

∑

‰ ‰ 45 ≈ J J o p

"mf"

ææ ææ ææ ææ ®‰ 98 Œ ™ ‚ ‚ ‚ ‚ ‚b ‚ ‚

pp

. b œœ œ mouth

≈

o

≈≈ &

op 3

b œœ œ œbœ 4 ≈ œ ‰ ≈ œœ ‰ 4

3

‰& 45 Ó ‚ ‚™ o

‰ 43 o

p

air flutter

3:2

2 ¢& 4 Œ

™

9 Ϊ 8

Ó

5 throat roar 4 ‚b ‚ ‚#‚ + ‚ p mf “” bœ™ b b ˙˙ œj 5 Œ™ 4 ‰

Œ Ó

3 4

Œ Ó

3 4

3

mf pp

mf

ppp 3 continuous gliss. inide the piano with a rubber mallet

Pno. rubber mallet

3

e™

%

3

Ratchet

{

2 ‰6666 6 6 4 p

?7

5 4

∑

8

4œ 4 œ

∑

pp

9 8

5 4 Œ

Ó™

>- 3:2 >œ œ

ææ œÓ

mf

p

3 4 o

° p 3:2

° 2 4

r

‰™ o

7 8

5:4

‰ ‰ 45 o

Vln. IV + III

2 ‰ 66 ™™ 66 4 II

pp

2 4

Πo

3

ej ej E

3 III + II + I

bow the strings behind the bridge I I

r e ¿œ≥ÍÍÍeÍÍÍÍ b ‚‚ b eœœ ÍÍÍÍÍÍÍ7ÍÍÍÍE b 5 Í Í Í 8 ÍÍÍÍÍÍÍÍÍÍ ‰ ‰ 4 ≈ œÍÍÍÍÍÍÍÍÍÍÍÍ œ II œ p o op mf 3:2 7 5 ∑ Œ 8 4≈J J o p

tap with left hand at the approximate pitch

4 ‚‚ 4

ej ej E

2ÍÍÍe ÍÍÍ 66 4 o pp

7 ‰ œj Œ Œ ™ 8 œ mp

7 mouth 8

∑

p

3:2

‰ ‰ 45 o

≥ b >œ œ bœ

pizz.

III

IV + III + II

∑

.

‰

Ϫ 3:2

o

o

pp

o

4 4

IV + III

2ÍÍÍe ÍÍÍ 66 4

¢

66

9 8

∑

f

5 4

∑

tremolo without using the bow by swiping the left hand in short and rapid movements back and forth along the appropriate strings

∑

3 4

bœ

4 EÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ IV + III 4œ ÍÍÍÍÍ œ of p j j™ 4 4

i ss gl

pizz.

II

ej

‰ 98 Œ ™

L scratch

‰ 45 Œ

Ϫ

¿ ¿ ¿ Ó

3 4

3:2

o

o p

"f"

5:4

r ≈‰ 9 8 o

5 4

∑

bow the strings behind the bridge

∑

3 4

IV increased bow press. (scratch tone) IV

3

≥ b >œ œ ord.g bow press.

9 5 R liss. j ≈ Œ 3 ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 4 ÍÍÍÍÍÍÍÍÍÍÍÍÍÍ≈ ‰ 8 ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ͉ 4 œœ œ™ 5:4 œ 3:2 o o o p pp f 3:2

ej ej E

pizz.

7 ‰ j Œ Œ™ 8 œ œ mp

p

5

IV + III

≥¿ e ÍÍÍ II‚ ÍÍÍÍ œ 5≈ Í Í Í Í Í 4 œÍÍÍÍÍÍÍÍÍÍ Í œ

e

4 ‚œ 4

II

o pp

o

p

"mf"

p

tap with left hand at the approximate pitch L I

r œ ‰ ™ Œ 43

‰ 45 J

"mf"

Vc.

gli ss

. i ss gl

‰ 98 Œ ™

.

II

2 4

3 4

∑

IV + III

≥¿ e ÍÍÍ ÍÍÍÍ Œ 5≈ Í 4 œÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Í œ

pizz.

66

‰ 45 o

L

bow the strings behind the bridge

IV + III 3

™

r ≈‰ 9 ‰ 8 R 3:2 pp o

tremolo without using the bow by swiping the left hand in short and rapid movements back and forth along the appropriate strings

Vla. L I

j™

s... p

"mf"

tap with left hand at the approximate pitch L I

j

4 4

∑

pp

ej

ej™

r e

r ‰ e E™

ej

5 stopbreathing_TALEA_070617_17

a tempo 42

B. Fl.

° 3 &4

5 3 16 ≈ b ‚ ‚b ‚ ‚ ‚ 16 ‚j™

∑

4 4 O™

Π98 b O o o

3:2

p

Cl.

3 ¢& 4 # O ™

"mf"

≈ ‰ ‰ 24

∑

‰

3 8

∑

‚™

O o

"mf"

pp

"mf"

p

"mf"

mouth

5:4

œ 3 J 16 j ‚™

omp bœ™ .œ

p

5:4

j ‚

Bass Clarinet in Bb

b Oœ

5 16 ‚

47 ‚ ‰‰ 5 8‚ 7:8

4 4

Π98

∑

5 8

O™

‚

j ‚

"mf"

pp

7:8

≈ ‰ ‰ 24 #‚

r‰ Œ ‚

o "mf"

p

3 8

j ‰ ‚ p o

∑

‰ o

∑

∑

3 8

∑

3 8

f... p

5:4

3 &4

‰ 163 j™

5 16 ≈

∑

mf

4 ™ 4

Π98 o

∑

j

5 8

≈ ‰ ‰ 24

R‰

™

7:8

"mf"

pp

"mf"

p

"mf"

Rt. fallboard

{

3 4

?

∑

5 16

3 16

∑

∑

4 4

9 8

∑

∑

j ‰ V 24

5 ™ 8Œ

∑

∑

∑

∑

∑

∑

f

° 5 16 R ‰ o

° 3 ™ 4

5:4

‰ 163

∑

4 4

9 8

∑

j

‰ ‰ 85

≈ ‰ ‰ 24

3 8

7:8

f... p

p

o "mf"

pp

"mf"

Vln.

omf

3 4

∑

5 16

∑

7:8

3 j 16 ™

4 ™ 4

Π98

f... "mf"

II + I IV + III +++ L bow the bridge c.l.t.

3:2 7:8 7:8 in order to muffle r r + j create white noise II e e e e e e b œœ V 2 b œ 3 Í Í ‰ ‰ ÍIIIÍÍÍÍÍÍÍÍ ‰ œ ÍÍÍÍÍ≈ O Í Í Í 4 8 Í Í ÍÍ ÍÍ œœ VV ÍÍ œœ V +++++ o mf 5:4 o ppp o p ff p j 5:4 ≈ ‰ ‰ 2 ∑ ‰ ‰ ∑ ∑ 83 4

(l.h. pizz on all strings)

II + I

j™ e . ÍÍÍÍÍÍ. 4 E ™ . . . . . . . . . b Eœ 3 b eœœ ÍÍÍ ÍÍÍ . . ÍÍ. . Œ 98 œÍÍÍÍÍÍÍÍÍÍÍ ‰ ‰ 85 Œ ™ 16 4 ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ mf o o mf

™

e 3 E Í5ÍÍÍÍÍ 4 œÍÍÍÍÍÍÍÍÍÍÍÍÍÍ16 œ œ p

II + I ricochet + swipe

∑

5 8

∏∏∏∏∏∏

o œj

o bœ

IV + III

s... "mp"

o "mf"

pp

o

Vla.

IV + III IV + III ricochet + swipe

"mf"

3 ™ 4

e.

‰ 163

‰ 163

. ÍÍÍÍÍÍ. 4 E ™ . . . . . . . . . ÍÍÍ ÍÍÍ . . ÍÍ. . Œ 4 ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ œœ mf o j™ 4 ™ Œ 4

E

9 8

9 8

Vc.

3 ¢ 4

∑

o pizz.

5 K 16 ®œr ‰

IV + III ricochet + swipe

o

o "mf"

∑

4 4

∑

9 8

mf

∑

e.

ej.

p

3 8

3 8

7:8

s... "mf"

p

. . ..

5 ÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 2 8œ ÍÍÍÍÍÍÍ ≈ ‰ ‰ 4 œ. mf

6 stopbreathing_TALEA_070617_17

7:8 5:4

f... "mf"

‰ 163

II + I

e

7:8

p

ej.

3:2 7:8 L 7:8 r . . .. r IV e e e e e e ej ÍÍ 5 ÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 2 ÍÍÍÍ ‰ ‰ ÍÍÍÍÍÍÍ ‰ Í Í Í ‰ ‰ ≈ ‰ ‰ Œ Í Í Í Í Í Í Í 8 4 Í ÍÍ Í Í Í ÍÍÍÍÍ œœÍÍÍÍ œœ œœ ÍÍÍ œœ ÍÍÍ ÍÍÍ . o o mf o ppp o mf mf p p p 3:2 r 2 ‰ ‰ 85 ∑ ‰ ∑ 4 R‰ ‰ J≈ 7:8

ej™

5 r 16 ‚ ‰ o 5 16 R ‰

3 4 O™

IV + III

scratch the appropriate string with a guitar pick

IV + III c.l.t.

5:4

IV + III bow the bridge in order to create white noise

o

o ppp

bow the bridge in order to create white noise

?3

∑

∑

∑

O

8 "mf"

57 52

<t>

B. Fl.

5:4 ° 3 r & 8 ‚ b ‚ ≈ ‚. ‰ .> >

"mf"

B. Cl.

3 j ¢ 8

Œ

<t>

5 4Ó

j Œ ‚. > "f" O key click œ œ ™ ?

J ≈ >¿.

non vib. (n.v.)

O 5œ 8

<t>

œ ˙

3 8 Ϫ

‰ Œ

poco vib. (p.v.)

O œ™ ≈J

molto vib. (m.v.)

4w 4

2˙ 4

4Π4

(nose)

œ J

‚ ‰ 24

9 8 o

pp

f

ppp

p

pp

"f"

pp non. vib. (n.v.)

(echo)

molto vib. (m.v.)

3

5 4Œ

5 8

j œ ˙

3 4 8 ∑&4 w

∑

(nose)

4 Œ 3:2 j 4 œ œ™

2˙ 4

˙

2 4

j ‚ Œ

?9

8 o

f

ppp

p

pp

"f"

3

o "f" pp

3 8

∑

pp

∑

5 œ &4 ‰

bœ œ Œ J Œ

˙ bœ œ 3 œ ™ œ œ 8 œ™

bœ 5 8‰ œ

Ó

4Ó 4

3:2

2 4

∑

“” œ œ 4 Œ œJ œ 4

3

œœ ™™

(nose)

9 &8

3:2

p 7:8

p

2 4

Πo

pp

p

o

p

"f"

Pno. inside pizz.

(inside pizz.)

+

{

3 8

+

?5

5 8

Ó ∑

∑

4

3 4 8 ∑ 4

∑

2 4

∑

∑

4 4

>˙™ °

2 4

9 8

∑

w > °

mf

mf

(nose)

° 3 j 8

Πo

5 4

∑

5 8

∑

3 4 8 ∑ 4

∑

2 4

∑

∑

4 4

2 4

∑

9 8 o "f"

gradual changes from normal touch to half pressed touch

Vln.

damp the string IV at the root arco pizz.

I

III arco non vib. (n.v.) s.p.

OO

III

‚™ 3:2

5 4‰ œ

(poco vib.) p.v. ord.

n.v. sul tasto (s.t.)

s.t.

5:4

b‚ ‚ ‚ ‚ 3 8 œ& op

half pressed in order to create noise with almost no audible pitch

molto vib. (m.v.) s.p.

œ ˙ 4 Œ œJ ˙ 4

5:4

˙™

pp

˙

5 8 Ϫ

mf

p

j œ ‰ 83 œ ™ o

s.p. n.v.

4w 4

2˙ 4

2 4

Œ

9 8

∑

3:2

f

ppp

p

p

pp (nose)

3 8

∑

5 4

∑

5 8

∑ molto sul tasto (m.s.t.) scratching sound

Vla. III arco

ej

3 8

3 4 8 ∑ 4

sul tasto (s.t.) (no scratching sound)

2 4

∑

∑

4 4

half pressed in order to create noise with almost no audible pitch

I

˙o

‚™ B 45

‰ ™ œr œ

Ó™

p

arco 5 r ≈ j7:8 3 8 œ b œ œ œ œj 8 œ ™

pp

2 4

∑

œo ™

9 8 o "f"

‚‚ ‚‚

II

≈ ‚™ J pp

∑

4Π4

‰ 24 o

3 mp

p

∑

4Ó 4

2 4

Πp

9 8

∑

pp

pizz. ord. (nose)

3 8

∑

5 4

∑

5 8

∑

∑

3 4 8 ∑ 4

2 4

∑

∑

4 4

2 4

∑

9 8 o "f"

arco half pressed in order to create noise with almost no audible pitch

Vc. II arco

bow the body in order to create smooth white noise

II arco

III pizz.

pizz.

b‚ ?3 ¢ 8‰

6™

?5

Œ

4 ˙™ >

IV pizz.

5 8‰

œ œ œ œ 3 œ™ J J 8

b‚

4Ó 4

Œ

œ 7:8

p

2 ‚™ 4

‰ 44 ˙ o mf

‚‚ ‰ o

1 highest tone ‚‚ ™™

possible

2 R ‰™ Œ 4 o

9 8

pp

mf pp

mf

7 stopbreathing_TALEA_070617_17

5:4 spit LAKSJDLKASJD

O™ O 2 ≈nœJ ™ œ 4

<t>...

61 3

B. Fl.

° 9 &8

.... b ‚‚‚‚‚ Œ

∑

64 ‹ ‹ ‹ ‹ b‹ ‹ ‹

3

3

Ó™

j b ‹ n‹

Œ ‹

3

‹

j Œ ‹ ‹ b ‹‹

O 4 Ϫ 4

3 4

‰ jÓ œ >.

"f" p

mf

"mf"

O˙™™ subtone

B. Cl.

?9 ™ ¢ 8Œ

& ppp

?

Ó™

b œœœœœ .... Œ

2> 4

‰ Œ™

‰ œ

˙™

Ϫ

ppp

ppp

pp

Œ

O O 4‰ œ œ 4 J

‚™

‰ 43 o

œ o

mf

f

p

p

5:4

˙ continuous gliss. inide the piano with a rubber mallet

9 &8

∑

?9 8

∑

∑ e™

Pno.

∑

E™

˙ 2˙ 4

∑

E™

e™

e™

E™

‰ 43

j œ œ™

mf

2 4

œ

{

4˙ 4

œ œ

∑

4 4

3 4

∑

4˙ 4

œ #œ Œ

p

pp

∑

œ o p

p

mp

° punta d'arco

Vln.

° &

III

III

s.p. ej e 9 œ≥ . . ..O 8 bœ O

s.t.

E™

s.p. ej e ≥ O œ bœ . . . . O

IV

f

III s.t.

E™

s.p. ej e ≥ O œ b œ . . ..O

IV

pp

mp

pp f

III s.p.

s.t.

E™

e

arco s.p.

mp

pp f

2 4

‰ O O

IV

pp

s.t.

E™

3 4

IV

pp

mp

pp

pp

mp

pp

punta d'arco III s.p.

e Vla.

B 98

∑

∑

‰

s.t.

E™

O O

ej e III ≥ b œ . . . . s.p. œ O

ord. pizz.

III

e™

o ˙ 2˙ 4

s.t.

Ϊ O

o ˙ 4˙ 4

Ó

3 4

œo œo ™ J

‰ 43

mf IV

IV

pp

ej ≥ bœ œ

punta d'arco

ej ≥ bœ . . . . œ Vc.

?9 ¢ 8

∑

Œ

e . . ..

mp

pp f

pizz.

II

mp

E™ III sul pont. (s.p.)

sul tasto (s.t.)

O O

Ó™

pp

ej e III s.p. ≥ bœ . ... œ O

E™

ord. pizz.

IV

s.t.

2 4

∑

4Ó 4

O 5:4

f

f

f p IV

IV

pp

mp

8 stopbreathing_TALEA_070617_17

pp

pp

mp

pp

a tempo 3:2

poco rit. <t>

67 <t>

B. Fl.

° 3 &4

4 4 b‚ ‚ Ó

∑

3 4 ≈b œJ œJ

Ϫ

3:2

?3 ¢ 4

4Ó 4

∑

‰ 24 o

∑

2 4

∑

O O™ ≈ ‚ œ ‚ œ ™ ‰ b>‚ ‰ ™ ≈ œR œ ™ J 5:4 > > mp p <t>

E

3:2

<t>

∑

‰ o

b‚ 2 4

Œ ‚ f

ppp

mp

"mf"

B. Cl.

71 4 4

<t>

O˙

O 3 œ 4 R ‰ b œR œ o p

p

Œ

4Ó 4

‰™

r œ œ

2 4

Πo

w ˙™

p pp

∑

3 4

∏∏∏∏∏∏

∑

>˙ ™ bb ˙˙ ™™ 3 ˙™ 4

3 &4

∑

4 4

∑

4 4

˙ ˙

2 4

∑

4Ó 4

∑

4 4

mp

2 4

‰ bœ œ ™ œ œ w w

Ó p

mp

5:4

Pno.

?3 4

{

2 4

∑

2 4 w

w

w

pp

°

IV (s.p.)

III arco

pizz. (s.p.)

II

III (pizz.)

3:2 ‰ œj 44 ˙

3:2

Œ

p

3 4 bb œœ >œ ∏∏∏∏∏

Vln.

° 3 ‰3:2 5:4 ‚™ 4 O™ & 4 œ‚ œ‚ 4

II arco III

2 4œ

œ œ œ™

+ pizz. o ÆœJ b œ œ œ ™ œ IV

+ j œ™ œœ œ 3:2

E arco ≥ ™ œ œ bœ œ ™ œ ‰ J œ 5:4 >. .

E

half pressed

U ‚2 4

‚ . . ... .

arco

3:2

mp

mf

mp

mf

pp

ff

p

ppp

arco halfpressed s.p.

II oœ œo œo

pizz.

III

Vla.

B 43

∑

4 4

arco

3:2 pizz.

II

Œ

3 4 Œ

pizz.

III arco

(pizz)

3:2

2 œ bœ œ œ œ 4 ˙ 4 4

‰ œR œ ™

Ó

Œ

pizz. arco pizz. arco 5:4

E

œ œ ™ œ bœ œ ™ œ œ œ ™

‰

‚ 24

Œ ‚

œ 5:4

p

ppp

3:2

p

mp

pp (non cresc.)

III arco s.p.

pizz.

Vc.

?3 ¢ 4

∑

III

4 b œ œ œo Œ 4

> 3 b ˙˙ 4 ˙

∏∏∏∏∏

pizz.

II

Œ

2 4

∑

o œ œo

4 4˙

Ϫ

mp

wo

mp

pp

3:2 œœo ™™ ‰ œœ Ó . ....

2 4

pp f mp

pp

mp

9 stopbreathing_TALEA_070617_17

™ n ˙flutter æ Œ æ

<k> <k>

74 <t>

79 5 j 4 - -b-œb-œ 4 b œ ™b œ

<t>

5:4 n.v.

B. Fl.

° 2 &4

∑

5 4Œ

Œ 83 Œ

‰ ‚ b‚ ≈ b‚ J ‚™ "mp"

"mf"

p.v.

j 5 œ 8 œ™

œ

p

mp

bend

3 4 œ

bœ ™

U œœ œ‰

p

mf

p

‰

Ó

mp

U ∑

2 4 o

3 4

ff flutter

3 poco vib. (p.v.)

Clarinet in Bb

n.v.

B. Cl.

b œ b -œ ™ œ- b -œ b -œ -

m.v.

?2 ¢ 4˙

5 4˙

œ

pp

3 8 Ϫ

˙

p

5

3 4 Ó

∑ &8

U 4 r≈ 4 >

‰

pp

b-œ

Œ

5:4 3:2 3:2

2˙ & 4 ˙™

5 8 ŒœJ

p

7:8 j r j b œ œ œœ œ j b œ œ œ œ œ œ œ œ U‰ œ 3 œ bœ ˙ J 4 ˙™

3 4

ff

fff

p

pretend shouting aggressively but stay completely silent

5:4

U 2Y 4

3

4 4

¿

¿ ¿ ¿ ¿ ¿™

¿

STOP BREATH-ING SO n

pp poco cresc. p

œ ææ U 2J ‰Œ 4

3

f

j œ ™b œ œ j 3:2 j b œ 5 œj œ œ œœ ˙b œ œ bœ 3 œ œ ˙ 4 ˙™ 8 œ™ J

œ˙ ææ Œ ‰æ æ

mf

LOUD!

Œ Y™ AAA

-

3 4

AHH!!!

Pno.

?2 4

∑

{

5 4

j œœ 85 œœ ™™

3 8Œ

∑

œœ

j U œœ ‰

3 4 ˙˙

4 4

U 2˙ 4˙ U 2Y 4

Œ ˙˙ ™™

∑

p pretend shouting aggressively but stay completely silent

3

° 2 4

∑

5 4

3 8

∑

∑

5 8

U∑

3 4

∑

4 4

¿

¿

¿ ¿ ¿ ¿ ¿™

STOP BREATH-ING SO n

LOUD!

Œ Y™ AAA

-

3 4 3 4

AHH!!!

highest tone possible

Vln.

- 3- n1 ™

at the frog I

mp arco (s.p.)

+ + 7:8 +I + 3:2œU 3:2 + r j œ œ#œ j 5 œ œ 43 b œ œœ œ b œœ b œ œœ ‰ œ œ 8 bœ > . . . œœ J

5:4 + +j + + 3:2 5 j j œ ™Ob œ œ 3 j b œ 4 œŒ œ œ‰ œœ œ b œ œœ IIIJ b œ 8 œ œ J

≥

II

3:2

2 &4 ˙

- -. .

4 bœœ œœ b œœ ™™ 4 jeté

5

5:4

ord.

s.p.

!™ æ Œ æ

1 æ 2 æR ‰ ™ ‰ ™ 4

- -

U ≈

3 4

3 5

III

p

p

mf

pp p

f

p

fff

fff

mp

¿ ¿ ¿ ¿ ¿™

Œ Y™

U 2Y 4

pretend shouting aggressively but stay completely silent

3

2 4

∑

5 4

3 8

∑

∑

5 8

U∑

3 4

∑

4 4

¿

¿

STOP BREATH-ING SO n

LOUD!

AAA

-

3 4

AHH!!!

highest tone possible sul pont. (s.p.)

Vla. ord. n.v. s.p. non. vib. (n.v.)

B 24

∑

5 4Œ

molto vib. (m.v.)

‰ œJ œ

œ

bœ

3 8 œJ Œ

≥ 3:2 pizz.

U 5 j 5:4œr œj 3 b œ œ b œ œ œ#œ œ ‰ 8 bœ 4 œ œ 3:2 > . . .

7:8

at the frog jeté

5:4

4 &4

. . œœ

3 - 1- ™ - --

!™ ææ Œ

!

2 ææ 4

Ϫ

U œ

3 4 o

pp

mp

mf

pp p

f

p

fff

fff

mp

¿ ¿ ¿ ¿ ¿™

Œ Y™

U 2Y 4

pretend shouting aggressively but stay completely silent 3

2 4

∑

5 4

3 8

∑

∑

5 8

U∑

3 4

∑

4 4

¿

¿

STOP BREATH-ING SO n

LOUD!

AAA

-

3 4

AHH!!!

highest tone possible

Vc. 3

ord.

screw on bridge

1- ™

III at the frog non. vib.

3:2 5 (n.v.) Ó ? 2 ‚j 4 4 ¢ œ œ œ œ˙ ™

molto vib. (m.v.)

Ó ˙

III 3 n.v. b œj 5 œ ™ 8 œ œ 8 œ™ J

œ œ

œœ 3 b œœ ™™ II‚ œœ 4

‰

.rU jeté g ≈ & 44 . .

5:4

- --

!™ Œ ææ

s.p. !

2 ææ 4

Ϫ

œo

IV

p

mf

10 stopbreathing_TALEA_070617_17

3 4

œœ

pp p

U

"f"

p

fff

fff

mp

B. Fl.

°82 3 4

5:4

p

88 b ‚ ‚ ™ ‰ 5 Œ ™ ‰ ™5:4 j J 8 ‚ 5:4 o "mp" o

7:8

3 ‰ ™ air‚ ™flutter 3:2‰ ‰ ‰ j J& ‚ ‚ 8 æ ‚ æJ o "f" o o "f" p

3 ™ 4 b ‚J ≈ o "mf"

5:4 j j ‰ ≈ 24 b ‚ ‚R ‰ ‚ ‚ 7:8 "f" o "mp" o

≈

∑

5 5:4 16 ‚j™ ‰

≈ 167

5 2 8 ‰ b ‚R ‚ ‚J ‰ 8 3:2 o "mp"

∑

"mf"

n.v.

m.v.

7:8

bϪ Cl.

5:4 3:2 ™ 3 3 8 ≈R R ‰ & ‰ ‰ ¢& 4 # ‚ ‚j ‰ j 7:8 Ã ‚ ‚ o "f" o pp o f p

5:4

3 4 ‰™ œœ

œ œ œ pp

3:2

® j j ‰ ≈ 24 ‚ ‚ "f" o

p

∑

r‰ ‰ ‚ ‚ "mp" o

∑

r‰ ‰ ‚™ ‚ "mp" o

5 16

7 16

∑

5 j 8 ‚ ‚™ o "mp"

ææj œ

3 4 Œ Œ

ææ œ

mf

Ÿ~~~~~ 3 3 Œ -j -j 8 o o p

“” bœ œbœ œ œ œ ‰ Œ

Piano

3 ‰™ ∑

®

œ ™5:4 2J≈ 5 r 8 8 ‚ o "mp"

∏∏∏∏∏

5:4

pp

“” b œœ 5 œ 8

tap the piano case with fingertips

Ratchet

œ

5:4

5 8

5 8

∑

2 4

&4

∑

∑

5 8

∑

5 16

∑

7 16

∑

∑

‰Œ

2 8

5 8

∑

7:8 as fast as possible

pp

p

Pno. 5:4 5:4

{

3:2

j

3 4 Œ Œ

3 8 o

∑

‰‰

"f"

3 4 ‰™

‰

3 4 ‰™

‰

7:8

…7 j j‰ ≈2 r‰‰ ™ ‰ 5 ™ r ‰ ‰ ? 5 ‰™ j™ 5 ‰ (mouth) ‰ 2 ‰ ™ 5:4 r 5 ‰ ≈ ≈ 4 16 œbœnœbœ 16 8 R J 8 R J 8 ≈ 8 7:8 5:4 3:2 o o "f" "mp" o "mp" o "mp" o "mp" o p "mp" "mp" "mp"

7:8

j j ‰5:4 ≈ 2 4 R‰ 7:8 "f" o "mp" o

5:4

"f"

3:2

5:4

(nose) mouth

5:4

3:2

j

° 3 Œ Œ 4

3 8 o

∑

‰‰

"f"

"f"

™ ‰ 5 Œ ™ ‰ ™5:4 j J 8 5:4 o "mp" o

∑

5 j5:4 16 ™ ‰

≈ 167

5 3:2 8 ‰R

∑

"mf"

2 J‰ 8 o

5 8

∑

"mp"

Vln. III + II + I

7:8 3:2

r r e e™ ≈ .

5:4

e ej

e™

3 3 Í 4 ÍÍÍÍÍÍÍÍÍ ‰ ÍÍÍÍÍ 8 ÍÍÍÍÍÍÍÍ͉ o f o pp o p

ÍeÍÍ ‰ ‰ Í

IV + III

arco m.s.p. as fast as possible

III + II + I III + II + I III + II + I

III + II + I

3:2 II + I

≈

pp

5:4

r e e

e ej™

e™

r 5:4 e ‰ ej

5:4 III + II + I I

r e

ej™

r ej™

2 e ÍÍeÍ ‰ ÍÍÍÍ ‰ ‰ 5 ÍÍÍÍÍÍÍÍÍÍÍ …≈ 7 eÍÍÍÍÍÍÍ 5 ͉ 85 ÍÍÍÍ Í Í Í 4 ÍÍÍÍ 16 16 ÍÍÍ8ÍÍ ÍÍ ÍÍ Í ÍÍ Í ÍÍ ÍÍÍÍÍÍ ÍÍ o mp o mp o mp o o o mp f mp

‰Œ

œ f

II + I III + II + I

3:2 7:8 r

bœ œ bœ œ œ œœ

3 4 ‰™

II + I

III + II + I

p

b‚

e e

ej

e ͉ 28 ‰ ™ ≈ b œœÍÍ 85 Í Í Í Í Í Í œœ ÍÍÍ o mf mp mp (mouth)

(nose)

5:4 3:2

3 4

j J ‰ "p" o "f"

3 8 o

∑

7:8

‰‰

3 4 ‰™

j j ‰5:4 ≈ 2 4 "f" o

‰

"f"

3:2

r‰‰

∑

∑

o "mp"

r5:4 5 8 ™ ‰‰ "mp" o

5 16

∑

"mp"

IV + III III + II + I

7:8 7:8

3 4

r r e e™ ≈ .

3 8 ÍÍÍÍÍÍÍÍ͉ o pp

∑

7:8 r

ej™

∑

e

3 4 ÍÍÍÍÍÍÍ≈ o mf

‰™

e

3:2 r e e

2 ÍÍÍ ‰ IVÍÍ+ÍÍIII ‰ ‰ 4 ÍÍÍÍ ÍÍ o mp mp o

Œ

r 5 2 ‰ ™ 5:4 8 ≈ 8

∑

"mp"

s.p. as fast as possible

II + I

Vla.

j™ 5 8 o

7 16

IV + III II 3:2 IV + III

5:4

∑

5 8

∑

5 16 ‰ ™ œbœnœ. pp

… 7 eÍ ej™ 5 ‚ e e ej 2 Í͉ ≈ ≈ 16 ÍÍÍÍÍÍÍÍÍ8Í Í œœ ÍÍÍÍÍÍÍÍ 8 o mf mp o mp

∑

5 8

(nose)

7:8 5:4

3:2

j

3 4 Œ Œ

"f"

™ 3 8 ≈R R ‰ o 7:8 o pp

‰‰ "f"

3 ™ 4J ≈ o "mf"

j j ‰5:4 ≈ 2 4 R‰ 7:8 "f" o "mp" o

≈

c.l. w/h

Vc.

3:2

r‰‰ o "mp"

™ ‰ 5 ™ r5:4‰ j J 8 5:4 "mp" o "mp" o o

3 ¢ 4

∑

3 8‚

∑ L

66 "mp"

p

7:8 II + I

≈

"mf"

"mp"

j™ 5 ‰ (mouth) ‰ 2 ‰ ™ 5:4 r 5 8 R J 8 ≈ 8 3:2 o o "mp" "mp" IV + III

c.l.

5:4

j™

3e 4 ÍÍÍÍÍÍÍ≈ o mf

≈ 167 s.p. as fast as possible

II + I bow the tap with left hand at the bridge approximate pitch

5 j5:4 16 ™ ‰

ej ej

ÍÍÍÍ ‰ ≈ 2 4 Í o f

3:2 I

j

‚ ∑

∑

∑

5 8

∑

5:4 …7 5 16 ‰ ™ œbœnœbœ ≈ ≈ 16

pp

∑

5 8

eÍ e

ÍÍÍÍÍÍÍeÍ ‰ 2 Í 8 œœ o mf mp

∑

5 8

11 stopbreathing_TALEA_070617_17

94

99 7 ™ ≈ ‰™ 7 &8 ™ 16 J ‚ o "f" 7 7 16 ‚j™ ≈ ‰ ™ 8 Œ

(mouth)

B. Fl.

Cl.

° 5 &8

5 ¢& 8 ‚™

2 ∑ ∑ 4O o 7:8 2 j ‰ # ‚ ‚j ≈ ‰ 4 ∑ ‚ o p o

5 16 ‚j™ ‰

2 4

b œ. œ b œ n œ œ

"f"

p

5 16 ‰ ™

® 24 #O

∑

∑

2 4

∑

3

pp

p

5 16 Œ

p Ratchet

2 4

7 16

∑

∑

9 ‰ b‚ ‚ 8 R

j‰ Œ b ‚. o f> O™ j ‰ #œ ™ ‚

o p

“” b œ nœ œ

5 &8

<k>

3:2

"mp"

9 Ó™ 8

Piano

&

o pp

3:2

j ‰ o

5 8 ™

∑

5 j 16 ™ ‰

2 4

2 4

7 16

∑

∑

7‰ 8

‰ o

o "f"

"mp" 5:4

4 4 O

o 3:2 ≈ ‰ ‰ r 44 #‚

‚ p

™

9‰ 8 R 3:2

"mf"

≈ r 44 j‰ Ó œ œ œ œ œ œ. pp 5:4 4 ≈Œ 4 J Œ o o "f"

4 4

Œ

Pno.

{

‚

o

pp "mf"

4 4

≈Œ j ‚ ‚

"f"

9 Ó™ 8

Œ

5:4

4Π4

‚ Œ J o ‰ ‚

o “” œ #œ™

p

æ 7 ˙æ 8

‚™

"mp"

4 4

5:4

° 5 8

5 j 16 ™ ‰

2 J ≈‰ 4 7:8 o o

∑ p

7 ™ 7 16 J ≈ ‰ ™ 8 o "f"

2 4 p

"f"

‰ o

9 8

4Π4

∑

≈ ‰ ‰ R 44 o 3:2p

p

Vln. gliss.

bœ

IV + III c.l.t.

nœ behind the bridge IV + III

s.p.

IV + III

7:8

j ™

5 ÍeÍÍ e 8 ÍÍÍÍ

ej

e

‰ o

j™

2 EÍÍÍIIÍÍ+ÍIÍÍÍ5 e Í Í ≈ ‰ Í Í Í 4 16ÍÍÍÍÍ œœ ÍÍÍÍÍ o o p mp

b œ nœ œ b œ nœ œ

arco ord.

3:2

ej™

9 R ≈ ‰ 7 ÍÍÍÍÍÍÍ≈Í ‰ ™ 7 ‰ eÍÍÍÍÍÍEÍÍÍÍÍÍÍÍ 16 ¿ 8 œ ÍÍÍÍÍÍÍÍÍÍ 8 Ó ™ œ o o o p mf

2 4 ppp

pizz.

Œ

4 j 4 j ‰ œ œ mf

Œ

4 4

Ó

p

5:4

5 8 ™

j ‰ o

2 J ≈‰ 4 7:8 o

∑

5 16

2 4

∑

∑

7 16

∑

7 8Ó

‰ o

p p

™

9‰ 8 R 3:2

"mp"

j 4 4 J ‰ o "f"

4 4

≈Œ o let the bow knock the scroll

Vla. IV + III c.l.t.

IV + III IV + III

7:8

. œ b œ nœ

5 8 5 8 ™

∑ j ‰ o

ej

ej™

E

2 ÍÍ II + I 5 Í œœ ÍÍÍÍÍÍÍÍÍ ≈ ‰ 4 ÍÍÍÍÍÍ16ÍÍÍÍÍÍ o o p mp pp 2 5 j ∑ 4 16 ™ ‰ o "f"

IV + III

5:4 3:2 IV + III

s.p.

e

arco ord.

E

≈

ej™ ÍÍÍÍÍ

ÍÍ7ÍÍÍÍÍ 2 4 œÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 16 ¿ ≈ ‰ ™ œ o p 2 7 ∑ ∑ 4 16

r e e

e

ÍÍ œœ ÍÍÍÍ͉ÍÍ

7Ó 8

pp

7 8

∑

e™

ej

ej

E

e

9‰ 4 8 œÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ‰ ÍÍÍÍÍÍ4ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 6 Œ ÍÍÍÍ œ o f mp 5:4 ™ 9‰ 4 ≈‰ ‰ R 8 R 4 J Œ 3:2 o o 3:2p "mp" "f"

4 4 4 4

Vc. bow the strings behind the bridge

let the bow knock the scroll

IV + III

IV + III

3:2

3:2 IV + III

5:4

5 ¢ 8

∑

∑

2 4

∑

5 16

∑

ej™ ÍÍÍÍÍ

ÍÍ7ÍÍÍÍÍ 2 7 4 œÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 16 ¿ ≈ ‰ ™ 8 Œ œ o p 12

stopbreathing_TALEA_070617_17

pizz.

s.

‰

is gl

bϪ ppp

bœ J

r e e

e™

ej

9‰ 8 œÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Œ o œ o mp

E

e

4 ÍÍÍÍÍÍÍ 4 ÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 6 ‰ ‰ f

r e

ÍÍÍ Í

E

p

4 4

<t>

<t>

‚ >

‚

"f"

mp

hold breath as long as possible release breath in coordination with clarinet and viola

5:4

103

U

7:8

B. Fl.

° 4 Ó &4

Œ

‰™

≈

‰ r ‚

O™

RÔ o

o p

"mf"

hold breath as long as possible release breath in coordination with bass flute and viola

inhale

7:8

Cl.

4 ¢& 4<#> O ™

Πo

#‚ O™ œ

Œ

œ

‰™

œ

Ratchet

‰

op ææ œ™

ææ œ

æær œ

3

pp

mp

Pno.

{

4 4

∑

r -

™ f... "mf"

Πo

o p

‰™ o ‰™

∑

∑

∑

∑

∑

∑

o

™

° 4 4

~

‚

"mf"

4 &4 Ó

U ~

bœ

r -

™ f... "mf"

‰™ o

Vln. IV + III pizz. (s.p.)

bow the body in order to create smooth white noise

r

5:4 s.p.

4 Ó 4

E™

Œ œ

œ

bœ œ pp

œ

e ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ͉ ™ œœ o mf

) ∑ hold breath as long as possible release breath in coordination with bass flute and clarinet

p

U

4 4

∑

Œ

‰

≈

Ó RÔ 7:8

o p

Vla. III

7:8

Kr e

IV + III

r e

s.p.

5:4

4 Ó 4

Œ

‰ œ œ bœ pp

™

4 4

Πo

E™

‰

% ÍÍÍÍÍÍÍÍÍÍÍ œ ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ œœ o mf r ™ - ‰™ f... "mf"

∑

p

∑

∑

o

Vc. II

7:8 II + I

E™

4 ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Œ ¢ 4 o

r e

E™

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ œœ o mf

‰

Kr e

% b œ ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ÍÍ

∑

p

13 stopbreathing_TALEA_070617_17