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A LARGE CHINESE PORCELAIN IRON RED BALUSTER VASE (Meiping), 31cm high Sold: £7,500(+bp)
THE SPRING AUCTION Wednesday 18th March 2020 Auction starts at 10am
Viewing: Sunday 15th March 2pm - 4pm Monday 16th March 9.30am - 4.30pm Tuesday 17th March 9.30am - 4.30pm Auction no. 4138 Front cover illustration - Lots 717-725 Back cover illustration - Lot 338 How to bid: In person at Halls By Telephone By Commission Bid Online
ORDER OF SALE 1-50 51-120 121-260 261-603 604-657 658-693 694-744 745-813
Silver & Bijouterie Jewellery Watches & Coins Ceramics, Glass & Militaria Collectables & Decorative Arts Asian Art & Clocks Furniture Pictures
Catalogues ÂŁ12 plus postage
Halls Holdings House Bowmen Way, Battlefield, Shrewsbury, SY4 3DR
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T: 01743 450 700 E: adminfineart@hallsgb.com W: www.hallsgb.com/fine-art
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Gerry Berwyn-Jones
Maryanne Lineker-Mobberley
BA (Hons) MRICS ASFAV
BA (Hons) FGA DGA ASFAV
Head of Fine Art
Silver & Jewellery
gerry@hallsgb.com
maryanne@hallsgb.com
Caroline Dennard
James Forster
Joseph Trinder
BA (Hons)
BA (Hons) ASFAV
PPNAVA
jamesf@hallsgb.com
joseph@hallsgb.com
Ceramics & Militaria
carolined@hallsgb.com
Jack Austerberry Watches
jack@hallsgb.com
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Pictures
General Valuer
Abigail Molenaar MA
Modern & Contemporary Art abigailm@hallsgb.com
MEET THE TEAM
Derek Ainsworth
Chris Moore
Coins & Medals
Books & Maps
adminfineart@hallsgb.com
adminfineart@hallsgb.com
Peter Booth
Michelle Smith
Carl Humes
Fine Art Accounts Manager
Fine Art Accounts
Porter
peter@hallsgb.com
saleroom@hallsgb.com
Gemma Price
Chloe Barlow
BA (Hons)
BA (Hons)
Administration & Design
adminfineart@hallsgb.com
adminfineart@hallsgb.com
Administration
adminfineart@hallsgb.com
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PRESENTING OUR NEW LOOK We are giving our Specialist auction calendar a new look. Over the last decade our specialist sales have been split into two types; Furniture & Ceramics and Jewellery & Paintings. We’re pleased to announce that these will be combined into one event, with around 800 lots expected to go under the hammer in one day; The Spring Auction being the first of the year. Our Auctioneer and Jewellery Specialist, Maryanne Lineker-Mobberley, said the format change will widen the audience to reach more potential buyers. We now plan to hold one Specialist auction once a quarter, with the first two planned for 18th March and 17th June. We will still hold our monthly Antiques and Interiors on the first Wednesday of every month, but it’s important the Specialist sales which include potentially high-ticket lots, reach the right buyers. The multi-discipline approach reaches across categories for buyers who may be inspired beyond the lots they were initially looking at. We have five Fine Art auctioneers at Halls and it will be a busy day, but we are all experienced in keeping the momentum and excitement in the room going. The Spring Auction includes a Steinway Model M baby grand piano. The piano was consigned to auction by our Auctioneer and General Valuer, Joseph Trinder. Each Steinway takes almost a year to create and is built to last for generations. This model, having just been tuned, was demonstrated at Halls Christmas carol service in aid of the Severn Hospice in December and sounded wonderful. From the pictures department, the auction highlight is a painting by Kyffin Williams, said to be one of the most influential Welsh artists of the 20th century and estimated to be worth over £10,000.
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In the ceramics section, there is a Caughley Mr Berridge jug estimated to reach more than £3,000 and, in the silver department, those with deep pockets will be able to invest in a pair of silver George III sauce tureens which could fetch over £2,500. In spite of the high-ticket items in the catalogue, the Specialist auctions will also draw in many buyers looking for beautiful items on more modest budgets. To bid, buyers are invited to join the auction on the day or via the Halls website where the auction can be viewed live and bids placed.
A CAUGHLEY MASKHEAD CABBAGE-LEAF MOULDED JUG
dated 1790, named to 'Mr. Berridge' £3,000 - £4,000
SILVER & BIJOUTERIE
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A BURMESE WHITE METAL FOUR PIECE COFFEE SERVICE WITH TRAY
each piece with embossed and chased rural figural scenes, comprising; a coffee pot, 22cm high, a hot water jug, 23cm high, a two handled sugar bowl, 13.5cm high, a cream jug 11.5cm high and a circular tray, 25.5cm diameter, total weight approx 85.6oz (5) £600 - £800
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AN EDWARDIAN SILVER JEWELLERY BOX IN THE FORM OF A CHEST OF DRAWERS
A & J Zimmerman Ltd, Birmingham 1909, the hinged top opening to reveal four division ring tray and further compartment, all raised on four tapering legs, 6cm high £120 - £180
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Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
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A SET OF FOUR GEORGE III SILVER CANDLESTICKS
George Ashforth & Co, Sheffield 1806, each designed as a plain polished stem with gardrooned band with removable nozzle and raised on oval spreading base with conforming gadrooned decoration, 18.5cm high (loaded) (4) £600 - £800
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AN ELKINGTON & CO SILVER PLATED TABLE CENTREPIECE WITH MIRRORED STAND the centrepiece designed as a central reeded column supporting centre sconce issuing three dolphin branches, all raised on trefoil base mounted with three mythical creatures, 58cm high, together with an associated trefoil mirrored stand, raised on three claw feet £300 - £500
5 A PAIR OF SILVER TUMBLERS
Dennis Smith & Gareth Harris, London 1998, each of typical plain polished form, 6.5cm high, total weight approx 14.2oz (2) £150 - £200
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comprising; four sauce ladles, Edinburgh, four coffee spoons, a pair of sugar tongs, eight dessert spoons, eight dessert forks and five table forks, total weight approx 34.5oz (30) £250 - £350
London 1903, the tapering oval bowl with planished decoration and tapering stem with openwork terminal mounted with cabochon chrysoprase finial, 18.5cm long, weight approx 1.3oz £800 - £1,200
A MISCELLANEOUS COLLECTION OF SILVER FLATWARE, VARIOUS DATES AND MAKERS
A CHARLES ROBERT ASHBEE (1863-1942) FOR THE GUILD OF HANDICRAFT LTD EDWARDIAN SILVER SPOON
"FOUNDER OF THE
GUILD OF HANDICRAFT AND A LEADER IN THE ARTS AND CRAFTS MOVEMENT, ANY SILVER BY CHARLES ROBERT ASHBEE IS HIGHLY SOUGHT AFTER. This spoon, with its chrysoprase finial, is a signature design of Ashbee’s and will no doubt generate a huge amount of interest" 7 10
- Maryanne Lineker-Mobberley Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
8 " ROBERT WELCH A ROBERT WELCH FOUR PIECE SILVER TEA
AND COFFEE SERVICE (1929-2000) WAS A London 1974, comprising; a coffee pot with ivory DESIGNER AND handle and finial, 18.5cm high, a teapot with ivory handle and finial, 13cm high, a two handled SILVERSMITH, sugar bowl, 6cm high and a cream jug, 10.5cm high, total weight approx 51.2oz (4) CITES Certificate UNDERTAKING PART OF No.587598/01 £2,000 - £4,000 HIS TRAINING AT THE BIRMINGHAM COLLEGE OF ART SCHOOL OF SILVERSMITHING & JEWELLERY. This is a course still run today
but now part of the Birmingham City University. His designs were often influenced by Henning Koppel, who worked for Georg Jensen, an inspiration that can definitely be seen in this service" - Maryanne Lineker-Mobberley
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William Brown, London 1826, of rectangular form with gadrooned rim, engraved crest and removable loop handle, 28.5cm wide, total weight approx 60oz £600 - £800
R W Smith, Dublin 1838, comprising; five tablespoons, five table forks, five dessert spoons, five dessert forks, a fish knife and a sugar sifter spoon, together with a matched set of six silver teaspoons, a further tablespoon, dessert fork, table fork and dessert spoon, total weight approx 83oz (32) £600 - £800
A GEORGE IV SILVER ENTRÉE DISH AND COVER
A COLLECTION OF QUEENS PATTERN SILVER FLATWARE
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A SET OF OLD ENGLISH PATTERN SILVER DESSERT SPOONS AND FORKS
Frank Cobb & Co Ltd, Sheffield 1997, comprising six spoons and six forks, together with a matched set of six silver teaspoons, London, all with engraved initial to terminal, total weight approx 22.6oz (18) £150 - £200
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A CASED SET OF TWELVE SILVER ZODIAC SPOONS
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John Pinches, London 1971, each teaspoon with Zodiac panel terminal, with certificate of authenticity, total weight approx 8.9oz £150 - £200
Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
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THE ROYAL HORTICULTURAL SOCIETY FLOWER SPOONS
John Pinches Ltd, Sheffield 1973, a cased collection of twelve silver and gilt teaspoons each terminal depicting a flower, presented within original box, total weight approx 10.2oz £200 - £300
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A PAIR OF GARRARDS COMMEMORATIVE SILVER CLARET JUGS
Garrard & Co Ltd, London 1972, made to commemorate the Silver Wedding Anniversary of Her Majesty Queen Elizabeth II and His Royal Highness the Duke of Edinburgh, each of typical form with chased and embossed grape and vine decoration, each 29cm high, presented within original boxes and with certificates, No's 51 and 52 of 250, total weight approx 58.2oz (2) £800 - £1,200
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A CASED SET OF FOUR VICTORIAN SHELL SALTS AND SPOONS
Hilliard & Thomason, Birmingham 1882, each salt designed as a scallop shell and raised on three dolphin feet, with matching spoons, presented within original fitted case, total weight approx 4oz £150 - £200
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A COLLECTION OF KINGS PATTERN SILVER FLATWARE
James Beebe, London 1842 and 1843, comprising; two tablespoons, three dessert spoons, two table forks and two dessert forks, together with further Kings pattern silver flatware, various dates and makers, comprising; two tablespoons, a basting spoon, a dessert spoon, two table forks and two dessert forks, a Fiddle pattern sauce ladle, an Old English pattern spoon and two Fiddle pattern forks, total weight approx 57oz, together with four silver plated forks and two silver plated spoons (27) £350 - £550
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A SILVER TEAPOT
Hukin & Heath Ltd, Birmingham 1941, of plain polished circular form with ebonised handle and finial, 14cm high, weight approx 18.3oz £100 - £150
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A MATCHED SET OF FIDDLE PATTERN SILVER FLATWARE
comprising; twelve table forks and twelve dessert forks by Joseph & Albert Savory, London 1848, six table forks by John Stone, Exeter 1859, twelve dessert spoons by William Seaman, London 1825, six teaspoons by Josiah Williams & Co, Exeter 1861 and five tablespoons, all with engraved crest and initial, total weight approx 94oz , together with a set of Roberts and Belk ivorine handled knives, comprising; twelve table knives and twelve side knives(77) £600 - £800
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A PAIR OF GEORGE III SILVER SAUCE TUREENS
Thomas Robins, London 1809, each of oval form with gadrooned and shell rim and two looped acanthus handles, raised on four lion mask paw feet, engraved to each side with crest the covers with conforming loop handle, 23cm wide, 15cm high, total weight approx 80.1oz (2)
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"PAIRS OF EARLY 19TH CENTURY SAUCE TUREENS ARE NOT RARE, HOWEVER, SUCH ORNATE EXAMPLES LIKE THESE DO NOT FEATURE ON THE OPEN MARKET OFTEN. The lion mask paw feet demonstrate workmanship of the highest quality" - Maryanne Lineker-Mobberley
Note: An almost identical pair sold for £5,625 (inc. bp) on 3rd June 2015, Bonhams, 'Britain - Defining the Interior' £2,500 - £3,500
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Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
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A SET OF SIX SILVER GOBLETS
Royal Irish Silver Co, Dublin 1969, each with kopped stem and gilt interior, 15cm high, total weight approx 40.2oz (6) £600 - £800
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A DAVID ANDERSEN NORWEGIAN SILVER AND ENAMEL VASE
the green enamel vase raised on collet foot, stamped to base 'David Andersen Norway Sterling 925 S 4033', 14cm high, total weight approx 16.8oz £200 - £400
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A LARGE SILVER SCOLL/JEWELLERY CASKET
Sydney Hall & Co, Sheffield 1936, of rectangular casket form with decorative scroll and floral band, applied fleur de lis motifs and two lion mask loop handles, the stylised rivet domed hinged cover opening to reveal lined interior with removal ring/jewellery tray, all raised on four scroll bracket feet ,33cm wide, 20cm high £1,500 - £2,000
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AN EDWARDIAN SILVER CHAMPAGNE/ WINE COOLER
Carrington & Co, London 1901, of campana form with decorative bands to the body and two Bacchus mask loop handles, raised on circular pedestal foot, 26.5cm high, total weight approx 100.4oz £2,000 - £3,000
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A PAIR OF VICTORIAN SILVER SAUCE BOATS
William Hutton & Sons, London 1896, the bellied scroll form bodies with gadrooned rims, acanthus leaf capped scroll handles and raised on shell moulded pedestal feet, 14.5cm high, total weight approx 29.7oz (2) £500 - £700
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NO LOT
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A SILVER AND ENAMEL TRINKET BOX
makers mark rubbed, Birmingham 1927, of circular form with pink guilloche enamel hinged cover and raised on three outswept feet, 11cm diameter £120 - £180
NO LOT
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Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
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Assay mark for Yakov Natarov, city mark for Novocherkassk, 9cm long, weight approx 1oz £200 - £300
each of cylindrical plain polished form with segmented pierced cover, 4.5cm high, total weight approx 1.5oz (2) £80 - £120
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together with five Georg Jensen silver table forks, three table knives and two dessert spoons (12) £200 - £300
together with two further matching silver coasters, each measures 6.5cm diameter, total weight approx 3.8oz (6) £80 - £120
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Charles Stuart Harris, London 1902, the plain polished kettle with loop handle, 23.5cm high, total weight approx 25.1oz £200 - £300
Charles Boyton & Son Ltd, London 1925, each piece of circular plain polished form, comprising; a teapot with ebonised handle and finial, 14cm high, a two handled sugar bowl, 8cm high and a cream jug, 7.5cm high, total weight approx 19oz (3) £200 - £400
A RUSSIAN SILVER AND NIELLO VESTA IN THE FORM OF A SHOE
A PAIR OF GEORG JENSEN SILVER NORDIC PATTERN SALAD SERVERS
AN EDWARDIAN SILVER KETTLE ON STAND WITH BURNER
A PAIR OF GEORG JENSEN SILVER PEPPER POTS
A SET OF FOUR GEORG JENSEN SMALL SILVER COASTERS
A THREE PIECE SILVER TEA SERVICE
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H*, circa 1692, the body with reeded band to the waist and engraved coat of arms, with two scroll handles, raised on spreading circular foot and with removable cover, 28.5cm high, weight approx 51.2oz £700 - £900
George Burrows II, London 1825, of compressed circular form with reeded band to the waist, gadrooned rim, floral finial and acanthus leaf capped handle, all raised on four paw bracket feet, 14cm high, weight approx 21.2oz £150 - £200
A WILLIAM AND MARY SILVER PRESENTATION CUP
A GEORGE IV SILVER TEAPOT
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A GEORGE III STYLE SILVER COFFEE POT AND HOT WATER JUG
Nayler Brothers, London 1958 & 1961, each of plain polished baluster form with gadrooned rims and turned wood handles, each 27cm high, total weight approx 43.3oz (2) £400 - £600
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35 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
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Sampson Mordan & Co, London 1892, of cylindrical form with pierced vine decoration, the hinged cover with chased bird and scroll decoration, all enclosing red glass bottle, 12cm high £150 - £200
Martin Hall & Co Ltd, Sheffield 1918, of circular from with shell and scroll pie crust rim, the centre engraved 'To Major James Gray M.C. from his brother officers... Queens Edinburgh Rifles 23rd March 1920', raised on three claw and ball feet, 21.5cm diameter, weight approx 11oz £100 - £200
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Thomas Bradbury & Sons Ltd, London 1896, of bombe form with removable cover and raised on four scroll feet, 11cm high, weight approx 7.3oz £100 - £200
IM, London 1797, of shaped oval form with bright cut engraved decoration, raised on four outswept feet, 18.5cm wide, weight approx 6oz £100 - £200
A VICTORIAN SILVER CASED PERFUME BOTTLE
A VICTORIAN SILVER TEA CADDY
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A SILVER PRESENTATION WAITER
A GEORGE III SILVER TEAPOT STAND
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A PAIR OF VICTORIAN SILVER CANDLESTICKS
Hawksworth, Eyre & Co Ltd, Sheffield 1889 & 1892, each of Corinthian column form with removable nozzles and raised on square stepped bases with gadrooned rims, 27.5cm high (loaded) (2) £300 - £500
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AN EDWARDIAN SILVER INK STAND,
Hawksworth, Eyre & Co Ltd, London 1906, the stand of shaped rectangular form with scroll and shell rim, housing two glass inkwells with silver covers, all raised on four hoof feet, 29cm wide, weight of silver approx 20.3oz £200 - £300
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A LATE 19TH CENTURY RUSSIAN SILVER GILT AND CHAMPLEVE ENAMEL SPOON,
Ivan Saltykov, Moscow 1884-1897, the bowl reverse and handle decorated with green, blue, pink and white enamel floral sprays within turquoise bead enamel border, presented within original fitted case, 20cm long, weight approx 3.6oz
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Provenance: By repute; Presented to the vendors great grandmother, Pauline De Gendre, by the Caliph of Baghdad for her services as governess to his children. The last Tsar of Russia would visit the Caliph with his family and Pauline De Gendre would also look after his children £1,000 - £1,500
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THE ROYAL WEDDING STAMP REPLICAS
a cased set comprising; a 22ct gold stamp and a silver stamp to commemorate the wedding of HRH The Princess Anne and Captain Mark Phillips, 14th November 1973, set number 2363, 22ct stamps weighs approx 26g £500 - £700
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Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
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depicting Stephenson's Locomotion, set number 2477, weight approx 26.8g, together with a cased set of four silver gilt replica stamps to commemorate the Passenger Railway 150th Anniversary, set number 3467 (2) £550 - £750
each within original box (2) £200 - £300
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PASSENGER RAILWAY 150TH ANNIVERSARY 22CT GOLD STAMP
A 9CT GOLD CIGARETTE CASE
with engine turned decoration and engraved monogram, weight approx 60.3g £500 - £700
A MUST DE CARTIER GILT METAL LIGHTER AND BALL POINT PEN
A WATERMAN'S BLACK 'IDEAL' FOUNTAIN PEN
with two 9ct gold bands to the body, hallmarked London 1924, with No.2 gold nib, together with a Waterman's black propelling pencil with 18ct gold plated clip (2) £80 - £120
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A COLLECTION OF FOUR FOUNTAIN PENS
comprising; a Swan-Mable Todd & Co Ltd self filler with 14ct gold nib No.2, a Swan-Mable Todd & Co Ltd leverless fountain pen with 14ct gold nib No.2, a National with 14k gold nib and a George S. Parker 'Parker Moderne' with gold nib, together with a Conklin two tone marbled propelling pencil marked 'Conklin Pat 5.28.1918', Conklin was founded in 1898 by Roy Conklin from Toledo Ohio USA (5) £150 - £200
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A CASED VICTORIAN 9CT GOLD PRESENTATION NEEDLE CASE
by G.H. Johnstone & Co, Birmingham 1879, presented to Lady Faudel-Phillips, wife of Sir Gerorge, Lord Mayor of London, the bright cut engraved case with central crest, the hinged cover engraved 'The Lady Mayoress of London 1896-1897', opening to reveal four segmented compartments each housing needles, the base of the body with two duel slide mechanisms to raise the internal compartments individually, presented within original fitted case, 7cm x 3.5cm, total weight approx 47.3g £800 - £1,200
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Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
JEWELLERY
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the 1911 sovereign within 9ct gold matt textured oval mount with twist border, suspended from 9ct gold chain, total weight approx 25.5g £300 - £500
one hallmarked London 1929, the other hallmarked London 1973, total weight approx 10.4g (2) £200 - £300
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designed as two mesh strands each with ball terminal and mounted with textured and plain polished cross, the bolt ring clasp stamped '750', approx 44cm long, weight approx 22.5g £350 - £450
the yellow gold demi-lune links interspersed with white gold bars and with integral button clasp, 19cm long, weight approx 22.3g £320 - £380
A SOVEREIGN SET PENDANT ON CHAIN
A YELLOW METAL MESH LINK NECKLACE
TWO 22CT GOLD WEDDING BANDS
AN 18CT GOLD DECORATIVE BRACELET
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Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
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the brilliant cut diamonds claw set in yellow metal to yellow metal shank, ring size O 1/2, weight approx 4.1g £300 - £500
designed as multiple alternating yellow and white metal chains suspended from yellow metal collar with attached yellow metal chain, the barrel snap indistinctly stamped, together with a pair of matching yellow, white and rose gold earrings, with hook fittings stamped '750', total weight approx 45g (2) £600 - £800
A TWO STONE DIAMOND CROSS OVER RING
A BI-COLOURED DECORATIVE CHAIN NECKLACE
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A LATE 19TH CENTURY SUITE OF AMETHYST JEWELLERY
"FULL SUITES OF JEWELLERY, COMPRISING NUMEROUS INDIVIDUAL ELEMENTS SUCH AS THIS SET, WERE HIGHLY POPULAR THROUGHOUT THE 19TH CENTURY. Over
comprising; a necklace, bracelet, brooch, earrings and ring, the necklace designed as seven oval mixed cut amethysts collet set in yellow metal and interspersed with two chain links, with box link clasp, approx 38cm long, the bracelet formed of eight graduated oval mixed cut amethyst links, with box link clasp, approx 19cm long, the single oval mixed cut amethyst brooch measures approx 32mm x 25mm, the earrings each designed as an amethyst pear shaped drop mounted with single oval mixed cut amethyst, with screw fittings stamped '9ct', 37mm long, the oval mixed cut amethyst ring collet set in yellow metal to yellow metal shank, ring size N, total weight approx 128.5g, all presented within original Garrards & Co fitted box £2,000 - £4,000
the years many similar examples will have been ‘broken up’ as family members have sought their fair share, so it’s really great to see it all still together" - Maryanne Lineker-Mobberley 26
Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
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AN ART DECO DIAMOND BRACELET
designed as a central old cut diamond panel flanked to each side by tapering diamond set links, with attached white metal bracelet, the box link clasp with attached safety catch, not stamped, length approx 16cm, weight approx 13.5g (at fault) £1.000 - £1,500
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A THREE STONE EMERALD AND DIAMOND RING
designed as a central trap cut emerald flanked to each side by a brilliant cut diamond, claw set in white metal to white metal shank, stamped 'Platinum', ring size M, weight approx 4.2g £4,000 - £6,000
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A LATE 19TH CENTURY UNTESTED PEARL AND DIAMOND HINGED BANGLE
designed as a central pearl set within twelve old cut diamonds and flanked to each side by six graduated diamonds all mounted to openwork hinged bangle with box link clasp and attached safety chain, presented within 'Savage 41 High Street Kensington' box, weight approx 14.6g £1.000 - £1,500
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A SAPPHIRE AND DIAMOND PENDANT
converted from a clasp, designed as a central oval mixed cut sapphire claw set within a border of eight old cut diamonds, with attached white metal chain with bolt ring clasp, total weight approx 4.4g £600 - £800
Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
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the three graduated old cut diamonds claw set in white metal to white metal shank, not stamped, ring size M, weight approx 2.5g £700 - £900
the graduated transition cut diamonds collet set in white metal to white metal shank, stamped 'Plat', ring size M, weight approx 3.4g £400 - £600
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the graduated old cut diamonds claw set in white metal to white metal shank, ring size K 1/2, weight approx 3.8g £800 - £1,200
the old mine cushion cut diamond claw set in yellow metal to yellow metal shank, not stamped, ring size I, weight approx 1.9g £500 - £700
A THREE STONE DIAMOND RING
A FIVE STONE DIAMOND RING
A THREE STONE DIAMOND RING
A SINGLE STONE DIAMOND RING
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AN AMBER BEAD NECKLACE
the oval polished amber beads interspersed with smaller yellow glass beads, with yellow and rose metal decorative knot collar, total length approx 110cm long, weight approx 77g £700 - £900
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AN 18CT GOLD SINGLE STONE DIAMOND RING
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the old cut diamond claw set in white gold to yellow gold shank, hallmarked Birmingham 1975, ring size R, weight approx 3.4g £800 - £1,200
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A RUBY AND DIAMOND RING
designed as three graduated round mixed cut rubies interspersed with two brilliant cut diamonds, all mounted in yellow metal with diamond set points, the yellow metal shank stamped '18ct', ring size 0 1/2 £300 - £500
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68 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
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A VICTORIA SOVEREIGN WITHIN PENDANT MOUNT
the Jubilee head sovereign dated 1892, within 9ct gold scroll mount, total weight approx 10.5g £200 - £400
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AN 18CT GOLD UNTESTED SAPPHIRE AND BLUE GARNET TOPPED DOUBLET RING
with rose cut diamond points, the yellow gold shank hallmarked Birmingham 1905, ring size T 1/2, weight approx 3g £100 - £200
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the yellow metal rope twist bangle terminating in a rose cut diamond and ruby set snakes head and tail, total weight approx 28.6g £800 - £1,000
the gradauted eight cut diamonds claw and box set to stylised bow mount, with attached safety chain, 61mm wide, total weight approx 13.8g £1,000 - £1,500
AN EGYPTIAN RUBY AND DIAMOND SNAKE BANGLE
AN ART DECO DIAMOND SET BOW BROOCH
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AN ART DECO DIAMOND SET WRISTWATCH
the shaped rectangular bezel with Arabic numerals, within diamond set bezel and graduated diamond 'shoudlers', with black moire ribbon strap £400 - £600
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A VICTORIA SOVEREIGN SET PENDANT
the 1883 sovereign within yellow metal mount, suspended from 9ct gold rope twist chain, total weight approx 15.7g £250 - £350
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A 9CT GOLD CURB LINK BRACELET
the yellow gold bracelet with heart shaped padlock clasp, with two extra detached links, total weight approx 46.2g £300 - £500
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A HALF SOVEREIGN SET BRACELET
the 1988 half sovereign within 9ct gold scroll mount with attached 9ct gold brick link bracelet, with heart shaped padlock clasp and two detached link fragments, total weight approx 25.5g £250 - £300
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76 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
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A PAIR OF EARLY 19TH CENTURY GARNET EAR PENDANTS
each designed as round, pear and oval shaped flat cut almandine garnets within closed back mounts and with later post fittings, 33mm long (inclding post terminal), total weight approx 2.9g £200 - £300
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A TRI-COLOURED ENTWINED CURB LINK NECKLACE
the alternating yellow, white and rose metal links with box link clasp, stamped '585', 49cm long, weight approx 16.7g £150 - £200
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the yellow metal flat curb link necklace with lobster claw clasp, 61cm long, together with matching bracelet, 17.5cm long, both stamped '14k', total weight approx 64.5g (2) £600 - £800
comprising fifty-five polished beads measuring from approx 7mm wide to 19mm wide, length approx 61cm, weight approx 28.4g £300 - £500
A NECKLACE AND BRACELET SUITE
A GRADUATED AMBER BEAD NECKLACE
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A 9CT GOLD CURB LINK BRACELET
the yellow gold bracelet with attached 9ct gold 'St Christophers' charm, with swivel clasp, 19cm long, weight approx 48.4g £300 - £500
82
A 15CT GOLD MEDALLION PENDANT ON CHAIN
the 'Junior Aggregate' medallion with engraved reverse 'The Regimental Medals 1903 won by Pte D Ferguson N Coy', suspended from 9ct gold snake link chain with bolt ring clasp, total weight approx 27.1g £200 - £300
83
A VICTORIAN GARNET BRACELET
designed as a central oval cabochon garnet set to quatrefoil scroll with rope twist embellishment, all mounted to articulated fine link bracelet, with attached safety chain, total weight approx 23.5g £500 - £700
83
84
A 9CT GOLD GARNET AND CULTURED PEARL HINGED BANGLE
designed as a central oval mixed cut garnet flanked to each side by four graduated round cut garnets each interspersed with a graduated cultured pearl, all claw set in yellow gold to bright cut engraved hinged bangle, hallmarked London 1985, with box link clasp, weight approx 17.1g £150 - £200
85
A DIAMOND DRESS RING
designed as two rows of five graduated brilliant cut diamonds claw set in white metal to yellow metal shank, stamped '18ct plat', ring size O, weight approx 5g £100 - £200
84 34
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86
AN 18CT GOLD THREE STONE UNTESTED RUBY AND DIAMOND RING
designed as a central round mixed cut ruby flanked to each side by an old cut diamond, all claw set in yellow gold, the shank hallmarked Birmingham 1916 , ring size P, weight approx 3.2g £100 - £200
87
A GRADUATED AMBER BEAD NECKLACE
the oval polished beads measure from approx 10mm wide to 22mm wide, with metal screw clasp, 45cm long, total weight approx 61.8g £500 - £700
88
AN ART DECO OPAL AND DIAMOND RING
87
designed as a central oval opal plaque claw set in white metal to diamond set split shoulders, the white metal shank not stamped, ring size O (with two attached sizing beads), weight approx 3g £300 - £500
89
A 9CT GOLD MEDALLION
converted into a brooch, the reverse engraved '9th & 10th May 1913 Motor Cycle E. Berg', beneath 'London Edinburgh', 28mm diameter, weight approx 11.9g £150 - £200
90
A 9CT ROSE GOLD BRACELET
the curb link bracelet with heart shaped padlock clasp, some wear to links, total weight approx 22.9g £150 - £200
88 35
91
92
hallmarked Birmingham 1977, total weight approx 30.6g £200 - £300
the plain polished broad band hallmarked Birmingham 1970, ring size L 1/2, weight approx 14g £300 - £500
93
94
A 9CT GOLD INGOT PENDANT
A THREE STONE DIAMOND RING
the graduated brilliant cut diamonds claw set in white metal to yellow metal shank, stamped 'Plat & 18ct', ring size M, weight approx 2.4g £250 - £350
A 22CT GOLD BAND
AN 18CT GOLD OPAL AND DIAMOND CLUSTER RING
designed as a central oval opal claw set within a border of ten brilliant cut diamonds, the yellow gold shank hallmarked Birmingham 1977, ring size M, weight approx 4.9g £300 - £500
93
91 36
94 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
SILVER & JEWELLERY VALUATIONS If you would like to have your silver or jewellery valued for auction or insurance purposes please contact our specialist Maryanne Lineker-Mobberley • Qualified diamond grader & gemmologist • Over 10 years experience in the industry • Valuations can be undertaken at our offices or a home visit
Maryanne Lineker-Mobberley BA (Hons) FGA DGA ASFAV
Silver & Jewellery
maryanne@hallsgb.com
37
95
96
95
AN 18CT GOLD GREEN TOURMALINE AND DIAMOND RING IN THE STYLE OF ANDREW GRIMA
designed as a rectangular faceted green tourmaline claw set to textured abstract mount set with five brilliant cut diamonds, hallmarked London 1973, makers mark 'H & M', ring size approx P, weight approx 20.5g £600 - £800
38
96
AN 18CT GOLD WATERMELON TOURMALINE AND DIAMOND RING
designed as a rough piece of watermelon tourmaline within encased claw setting and mounted with single brilliant cut diamond mounted to yellow gold shank set with single round faceted sapphire, hallmarked London 1976, ring size T, weight approx 9.8g £400 - £600
Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
97
97
AN 18CT GOLD SAPPHIRE AND DIAMOND RING IN THE STYLE OF ANDREW GRIMA
designed as three pear cut sapphires and three brilliant cut diamond trefoil clusters all set to textured yellow gold abstract mount, the shank hallmarked London 1976, makers mark 'CJ', ring size R, weight approx 8.2g £500 - £700
"THESE THREE RINGS EPITOMISE JEWELLERY TRENDS IN THE 1970’S. WITH THE USE OF TEXTURED MATT GOLD, ABSTRACT MOUNTS AND EVEN ROUGH CRYSTAL (SEEN IN LOT 96), THEY ARE HIGHLY INFLUENCED BY RENOWNED JEWELLERY DESIGNER ANDREW GRIMA (1921-2007). Grima’s work, over the past 10 years
has been steadily increasing in value, with the renewed popularity of this decade. These rings provide a great opportunity to own a piece of jewellery with the same impact and quality as Grima for a fraction of the price" - Maryanne Lineker-Mobberley
39
98
100
A 9CT GOLD SAPPHIRE AND DIAMOND RING
AN AMETHYST AND DIAMOND DRESS RING
designed as a single central eight cut diamond star set in white gold within a border of twelve faceted sapphires, all mounted to textured matt and polished yellow gold shank, hallmarked London 1975, maker mark 'RJ', ring size Q 1/2, weight approx 8.3g £100 - £200
99
A SINGLE STONE DIAMOND RING
designed as a central round faceted amethyst claw set within eight box set diamonds, the yellow metal shank stamped '585', ring size R 1/2, weight approx 8.2g £200 - £300
101
the old cut diamond ring claw set in white metal to white metal shank, stamped 'Plat', ring size R 1/2, weight approx 2.7g £300 - £500
A PAIR OF 18CT WHITE GOLD CULTURED TAHITIAN PEARL AND DIAMOND EARRINGS
each pearl measures approx 11mm diameter, mounted to white gold peg and set with single brilliant cut diamond, with post clip fittings, hallmarked London 2008, total weight approx 6.9g £200 - £300
99
101 40
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102
104
103
105
102
104
designed as a square cushion coral cabochon, claw set to graduated diamond shoulders, the white metal shank stamped '750', ring size P, together with a pair of coral earrings, claw set in yellow metal, with hinged hook fittings, stamped '750', total weight approx 9.9g £300 - £500
the crossover necklace formed from textured and plain polished yellow gold links, approx 38cm long, weight approx 53.2g £400 - £600
103
105
comprising eighty-six untested pearls measuring from approx 6.5mm to 2.5mm, with sapphire and diamond clasp and attached safety chain, length approx 47cm £300 - £500
designed as a single old cut diamond and single oval mixed cut emerald, claw set within a diamond scroll and an emerald scroll, with graduated diamond set shoulders, ring size M 1/2, weight approx 5.9g £500 - £700
A CORAL AND DIAMOND RING
A GRADUATED UNTESTED PEARL NECKLACE
A 9CT GOLD BRICK LINK NECKLACE
A DIAMOND AND EMERALD CROSS OVER RING
41
106
108
A 9CT GOLD DOUBLE FLAT CURB LINK BRACELET
AN 18CT YELLOW GOLD WEDDING BAND
with lobster claw clasp, 22cm long, weight approx 33g £300 - £500
ring size M, weight approx 4.5g £70 - £90
107
109
the brilliant cut diamond claw set to tapering yellow gold shoulders, the shank hallmarked Birmingham 1990, ring size X, weight 4.4g £600 - £800
with mixed cut emerald set body, cabochon sapphire eyes and graduated brilliant cut diamond legs, mounted in yellow gold, hallmarked London 1989, 27mm x 25mm, weight approx 6g £1,000 - £1,500
AN 18CT GOLD SINGLE STONE DIAMOND RING
106
AN 18CT GOLD EMERALD AND DIAMOND BROOCH IN THE FORM OF A FROG
107
109 42
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110
A SAPPHIRE AND DIAMOND CLUSTER RING
designed as a central round mixed cut sapphire claw set within a border of sixteen brilliant cut diamonds, mounted to white metal shank set within further brilliant cut diamonds, the shank stamped ‘750’ and ‘Canturi’, ring size J ½, weight approx. 5.2g Note- with copy of original purchase order and appraisal stating; Sapphire weighs 1.75cts, total diamond weigh 0.50cts F-G colour and VS clarity, purchase price of $9800 Australian dollars, dated November 2016 £1,200 - £1,800
110
111
A 9CT YELLOW GOLD EIGHT BAR BRACELET
with heart shaped padlock clasp, weight approx 17.8g £150 - £200
112
A VICTORIA OLD HEAD HALF SOVEREIGN PENDANT
112
within 9ct gold 'talon' mount, with yellow metal chain, not stamped (at fault), total weight of pendant approx 10.5g £250 - £350
113
AN UNTESTED RUBY RING
the two round mixed cut rubies within star setting, the shank stamped '18', ring size X, weight approx 21g (lacking one stone) £300 - £500
113
114
A PAIR OF DIAMOND STUD EARRINGS
the brilliant cut diamonds claw set in white metal to yellow metal posts, total weight approx 1.8g £600 - £800
114 43
115
115
A GEORG JENSEN SILVER FRINGE NECKLACE BY BENT GABRIELSON
the hook clasp stamped '196 925 S Denmark Georg Jensen', 40cm long, within Georg Jensen box, weight approx 95.2g £600 - £800
44
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116
118
116
118
with attached T-bar and swivel, 34cm long, total weight approx 38.9g £300 - £400
designed as a single oval brilliant cut diamond claw and bar set to tapering platinum drop, all suspended from platinum chain, total weight approx 5.8g £350 - £550
117
119
A 9CT ROSE GOLD CURB LINK ALBERT
A 9CT ROSE GOLD CURB LINK CHAIN
with swivel and bolt ring clasp, 43cm long, weight approx 34.7g £250 - £300
A PLATINUM DIAMOND PENDANT
AN 18CT GOLD SUITE OF DIAMOND AND SAPPHIRE JEWELLERY
comprising; a pendant designed as two oval mixed cut sapphires claw set within openwork diamond set drop mount, a pair of matching drop ear pendants with post fittings and a ring, total weight approx 17.3g £600 - £800
119 45
120
A PLATINUM THREE STONE SAPPHIRE AND DIAMOND RING
designed as a central oval mixed cut sapphire, flanked to each side by a trilliant cut diamond, all caw set in platinum, ring size K, weight approx 6.4g £3,500 - £4,500
120 46
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WATCHES & COINS
121
124
Manufacturer: Sam Newnes Whitchurch Model Name: N/A Year: Circa 1735 Case No: N/A Case Material: Birmingham Silver Movement: Key-Set Fuseé Bracelet/Strap: Silver Albert Chain Dimensions: 52mm case diameter within pair case Extras: Original Box & Paperwork £200 - £300
Manufacturer: N/A Model Name: Open-Face Pocket Watch Year: Circa Late 19th-Early 20th Century Case No: 57062 Case Material: Yellow Metal Stamped K 18 Movement: Key-Set Manual Wind Bracelet/Strap: Black Crocodile Leather Strap Dimensions: 34mm (excl. crown) Extras: N/A £200 - £300
122
125
Manufacturer: Longines Model Name: N/A Year: Circa 1941 Case No: N/A Case Material: 18ct Yellow Gold Movement: Longines Manual Wind Brass Finished Calibre Bracelet/Strap: Black Calf Leather Strap Dimensions: 34mm case diameter (excl. crown) Extras: N/A £600 - £800
Manufacturer: Omega Model Name: N/A Year: 1961 Case No: 977 / 121405 Case Material: 9ct Yellow Gold Movement: Omega Cal. 245 Bracelet/Strap: Integrated 9ct Bracelet Dimensions: 21mm case diameter (excl. crown). Extras: N/A £200 - £300
A SILVER FUSÉE POCKET WATCH, CIRCA 1735
A GENTLEMANS 18CT GOLD LONGINES
A YELLOW METAL OPENFACE POCKETWATCH
A 9CT OMEGA LADIES WRISTWATCH
123
A GENTLEMANS BAUME & MERCIER ANTIMAGNETIC CHRONOGRAPH
Manufacturer: Baume & Mercier Model Name: Chronograph Year: Circa 1950s Case No: 754 Case Material: Stainless Steel Movement: Landeron Cal. 148 Bracelet/Strap: Black Crocodile Leather Strap Dimensions: 34mm (excl. crown) Extras: N/A £700 - £900
48
123 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
126
AN OMEGA SPEEDMASTER, CIRCA 1971
Manufacturer: Omega Model Name: Speedmaster Year: 1971 Case No: 145022-69 ST Case Material: Stainless Steel Movement: Omega Cal. 861 Bracelet/Strap: Khaki 'NATO' Strap Dimensions: 42mm case diameter Extras: N/A £6,000 - £8,000
"THIS 1971 OMEGA SPEEDMASTER IS VERY SIMILAR TO THAT WORN BY ARMSTRONG AND ALDRIN TWO YEARS PRIOR, this particular
example has been stored within a dark area for many years, subsequently turning the tritium luminous compound to build a uniformly cream patina" - Jack Austerberry
126 49
127
A GENTLEMANS OMEGA SEAMASTER, CIRCA 1964
Manufacturer: Omega Model Name: Seamaster Year: Circa 1964 Case No: 165008 Case Material: 18ct Yellow Gold Movement: Omega Cal. 711 Bracelet/Strap: Brown Calf Skin Strap Dimensions: 34mm case diameter (excl. crown). Extras: N/A £400 - £600
127
129
128
A SILVER GRAZIOSA MINUTE REPEATING POCKET WATCH
Manufacturer: Graziosa Model Name: N/A Year: Circa 1905 Case No: 2328349 // 8425 Case Material: Silver Movement: Frosted Gilt Bridges, Minute Repeating Function Activated From a Gold Slide Bar, 15 Jewels, Lever Escapement, Bimetallic Compensated Balance, Steel Repeating Hammers Sounding on Gong Rods Bracelet/Strap: N/A Dimensions: 51mm Presentation: Without Box or Papers £150 - £200
129
A ROLEX EXPLORER II REF: 16750
Manufacturer: Rolex Model Name: Explorer II Year: 2004 Case No: 16750 Case Material: Stainless (316L) Movement: TBC Bracelet/Strap: Rolex Oyster 78790A Bracelet, Date code: CL8 (2004 / original) Dimensions: 41mm case diameter Extras: N/A £2,000 - £4,000
50
Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
"THIS 18CT QUARTER REPEATER REPRESENTS THE PINNACLE OF HOROLOGICAL COMPLICATION, in a time before tritium
luminous compound was in common use, a minute/ 130 quarter repeater could be used to chime the time in 130 the dark, a desirable complication, A QUARTER REPEATING POCKET WATCH albeit one that is rendered useless IN 18CT GOLD Manufacturer: "Sterling Limerick" within modern society" Model Name: N/A Year: Circa 1919-1920 Case No: 2742 Case Material: 18ct Gold Movement: Frosted Gilt Quarter Repeating Stem-Set Caliber, Lever Escapement Bracelet/Strap: 15ct Gold Chain Dimensions: 46mm case diameter Extras: N/A £2,000 - £4,000
- Jack Austerberry
131
AN ETERNA KONTIKI, CIRCA 2013
Manufacturer: Eterna Model Name: KonTiki Year: Circa 2013 Case No: 1595.41 / 272'291 Case Material: Stainless Steel Movement: Sellita SW220-1 (Automatic) Bracelet/Strap: Original Stainless Steel Bracelet Dimensions: 43mm case diameter (excl. crown). Extras: Presented with Original Box and Paperwork £300 - £500
132
NO LOT
131 51
133
134
Manufacturer: Cartier Model Name: Santos Year: Circa 1990 Case No: 8191203758 Case Material: Stainless Steel & Gold Movement: Cartier Quartz Caliber Bracelet/Strap: Stainless Steel Santos Bracelet Dimensions: 32.5mm case diameter Extras: Cartier Service Pouch & Original Guarantee Booklet £400 - £600
Manufacturer: Oris Model Name: Pointer Date Year: Circa 2010 Case No: 7543 Case Material: Stainless Steel Movement: Sellita SW200-1 Bracelet/Strap: Stainless Steel Bracelet Dimensions: 35mm case diameter Extras: Original Box £200 - £400
A LADIES CARTIER SANTOS, CIRCA 1990
133 52
A UNISEX TWO-TONE ORIS POINTER DATE
134 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
135
A GENTLEMANS LONGINES MASTER
Manufacturer: Longines Model Name: Master Year: Circa 2015 Case No: C.2.628.4 Case Material: Stainless Steel Movement: Longines C619.2 Bracelet/Strap: OEM Alligator Dimensions: 38mm case diameter Extras: Original Box £400 - £600
135
136
A UNISEX PIAGET, CIRCA 1980, IN 18CT GOLD
Manufacturer: Piaget Model Name: N/A Year: Circa 1980 Case No: 12311 A4 116960 Case Material: 18ct Gold Movement: Piaget Caliber 12P Bracelet/Strap: Integrated 18ct Bracelet Dimensions: 34mm case diameter Extras: Original Box £2,000 - £3,000
136 53
137
A GENTLEMANS TIFFANY SIGNED OMEGA SEAMASTER DE VILLE
Manufacturer: Omega Model Name: Seamaster De Ville (Retailed by Tiffany) Year: Circa 1960's Case No: N/A Case Material: Yellow Metal Movement: Omega Caliber Bracelet/Strap: Aftermarket Leather Dimensions: 34mm case diameter Extras: N/A £800 - £1,200
138
A GENTLEMANS ORIS POINTER DATE
Manufacturer: Oris Model Name: Pointer Date Year: Circa 2010 Case No: 7543 Case Material: Stainless Steel Movement: Automatic Movement Bracelet/Strap: Original Leather Dimensions: 39mm case diameter Extras: Original Box £100 - £200
"THIS OMEGA SEAMASTER DEVILLE IS A RELATIVELY COMMON WRISTWATCH, EXCEPT FOR ONE DETAIL: THE DIAL IS SIGNED BY TIFFANY & CO, REFERRING TO THE FACT THAT THIS WATCH WAS ORIGINALLY SOLD BY THE WORLD RENOWNED JEWELLERS. As a result, this fairly common wristwatch has become one of the rarest of its marque" - Jack Austerberry
137 54
Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
139
A UNISEX OMEGA CONSTELLATION CALENDER
Manufacturer: Omega Model Name: Constellation Calendar Year: Circa 1990's Case No: 3961069 Case Material: Stainless Steel Movement: Omega Quartz Caliber Bracelet/Strap: Integrated Stainless Steel Bracelet Dimensions: 34mm case diameter Extras: N/A £300 - £500
139
140
A GENTLEMANS TISSOT WRISTWATCH
Manufacturer: Tissot Model Name: Visodate Militar Year: Circa 1970 Case No: 43510 Case Material: Gold Plated Stainless Steel Movement: Tissot Automatic Caliber Bracelet/Strap: Hirsch Leather Strap Dimensions: 34mm case diameter Extras: N/A £50 - £100
55
141
143
Manufacturer: Movado Model Name: Art Deco Pocket Watch Year: Circa 1935/36 Case No: 25432692588 Case Material: 9ct Gold Movement: Movado Cal. 250N Bracelet/Strap: N/A Dimensions: 45mm case diameter Extras: N/A £300 - £500
Manufacturer: Sandoz of Switzerland Model Name: N/A Year: Circa 1970's Case No: 1001 // 0025 Case Material: Gold Plated Stainless Steel Movement: Societé des Gardetemps Cal. SGT 100-1b (Manual Winding, 17 Jewels) Bracelet/Strap: Buffalo Calf Leather Strap Dimensions: 32mm x 40mm case diameter Extras: Original Box & Paperwork £40 - £60
A 9CT GOLD ART DECO POCKETWATCH
A GENTLEMANS SANDOZ WRISTWATCH
144
NO LOT
142
A GENTLEMANS MAURICE LACROIX POWER RESERVE WRISTWATCH
Manufacturer: Maurice Lacroix Model Name: Reserve de Marche (Power Reserve) Year: Circa 2000's Case No: PT6088 Case Material: Stainless Steel Movement: ETA. 2897 Bracelet/Strap: Stainless Steel Bracelet Dimensions: 42mm case diameter Extras: N/A £300 - £400
141 56
142
145
A GENTLEMANS HAMILTON PAN-EUROP
Manufacturer: Hamilton Model Name: Pan-Europ Year: Circa 1960's Case No: 1496458 Case Material: Stainless Steel Movement: Hamilton Cal. 64 Bracelet/Strap: Stainless Steel Milanese Mesh Bracelet Dimensions: 34mm case diameter Extras: Original Box £150 - £250
143 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
146
A YELLOW METAL LECOMTE POCKETWATCH
Manufacturer: LeComte Geneve Model Name: N/A Year: Circa 1890's Case No: 2567 Case Material: Yellow Metal Stamped "18K" Movement: Key-Set Manual Wind, Stamped "LC" Bracelet/Strap: N/A Dimensions: 43mm case diameter Extras: N/A £700 - £900
148
A YELLOW METAL POCKETWATCH
Manufacturer: N/A Model Name: N/A Year: Circa 1920'S Case No: 24133 Case Material: Yellow Metal Stamped 14K Movement: Stem-Set Manual Winding Caliber Bracelet/Strap: N/A Dimensions: 45mm case diameter Extras: N/A £400 - £600
147
AN EARLY GENTLEMANS ROLEX WRISTWATCH
Manufacturer: Rolex Model Name: N/A Year: Circa 1940's Case No: 556 // 59331 Case Material: 9ct Gold Movement: Rolex 15 Jewel Manual Winding Caliber. Bracelet/Strap: 9ct Gold Bracelet Dimensions: 25mm x 32mm case diameter Extras: Original Box & Paperwork £300 - £400
146 57
149
A LADIES BUCHERER DISCREET WRISTWATCH WITH DIAMOND-SET CASE
149
Manufacturer: Bucherer Model Name: N/A Year: Circa 1950's Case No: 4051 Case Material: 18ct Gold Set With Diamonds Movement: Bucherer 17 Jewel Manual Winding Caliber Bracelet/Strap: Integrated Yellow Metal Bracelet Dimensions: 18mm x 18mm case diameter Extras: Original Box £800 - £1,200
150
OMEGA GENTLEMANS WRISTWATCH IN 18CT YELLOW GOLD Manufacturer: Omega Model Name: N/A Year: Circa 1950's Case No: 221710 Case Material: 18ct Yellow Gold Movement: Omega cal. 267 Bracelet/Strap: 18mm-16mm tapered black leather strap Dimensions: 36mm case diameter (incl. crown) Extras: N/A £1,000 - £1,500
151
A GENTLEMAN'S GOLD PLATED JAEGER-LECOULTRE MEMOVOX
150
Manufacturer: Jaeger-LeCoultre Model Name: Memovox Year: Circa 1960 Case No:791356 Case Material: Gold Plated Stainless Steel Movement: Jaeger-LeCoultre Cal. K814 Bracelet/Strap: Black Crocodile Grain Leather Strap Dimensions: 35mm case diameter Extras: Jaeger-LeCoultre Repair Guarantee Certificate dated March 2008 £800 - £1,200
152
NO LOT
58
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153
AN ELIZABETH II HALF SOVEREIGN
dated 1982 £100 - £150
154
A LARGE COLLECTION OF BRITISH SILVER AND CUPRONICKEL COINAGE
comprising; seventy-six florins from 1891-1942 and a large quantity of cupronickel florins from 1947, together with UK coinage sets; 1972/73/74/75/78 £150 - £200
154
155
A LARGE COLLECTION OF BRITISH SILVER AND CUPRONICKEL COINAGE
to include; silver shillings and sixpences, cupro-nickel crowns, £2 coins etc, together with thirteen £1 notes signed 'J.B. Page', No's 12N 869427 - 25E 777508 - O4N 869324/25/26/27/28/29/30/31/32 (a lot) £100 - £150
156
156
A LARGE COLLECTION OF BRITISH SILVER, CUPRO-NICKEL AND BRONZE COINAGE
to include; eighty half crowns from 1918 to 1938 and pennies and half pennies from Victoria to Elizabeth II, together with a small collection of foreign coins (a lot) £200 - £300
157
VICTORIA 1887 JUBILEE SPECIMEN SET
157
within fitted case, eleven coins; £5 to threepence £3,500 - £4,500
158
VICTORIA 1887 JUBILEE SPECIMEN GOLD COIN SET
within fitted case; £5, £2, sovereign and half sovereign £2,000 - £3,000
158 59
60
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173
175
dated 1902 £500 - £700
comprising; two young head shield back examples, dated 1871 (die no. 8) and 1874 (die no. 66) and a jubilee head shield back example dated 1892 (3) £300 - £400
AN EDWARD VII £2 COIN
THREE VICTORIA HALF SOVEREIGNS
174
THREE VICTORIA YOUNG HEAD SHIELD BACK HALF SOVEREIGNS
dated 1860, 1864 (die No.33) and 1870 (die No.40) (3) £300 - £400
173
174 62
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176
178
dated 1905, 1908, 1909 and 1910 (4) £400 - £600
dated 1907, together with a George V half sovereign dated 1912 (2) £200 - £300
FOUR EDWARD VII HALF SOVEREIGNS
AN EDWARD VII HALF SOVEREIGN
177
FOUR EDWARD VII HALF SOVEREIGNS
dated 1907, 1908, 1909 and 1910 (4) £400 - £600
176
177 63
64
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9F
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19
7
18
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19
18 8
18 9
18 6
193
FOUR EDWARD VII SOVEREIGNS
dated 1904, 1909 and 1910 x 2 (4) £800 - £1,200
194
FOUR EDWARD VII SOVEREIGNS
dated 1907, 1908, 1909 and 1910 (4) £800 - £1,200
193 195
FOUR EDWARD VII SOVEREIGNS
dated 1905, 1908, 1909 and 1910 (4) £800 - £1,200
196
FOUR EDWARD VII SOVEREIGNS
dated 1904, 1907, 1908 and 1910 (4) £800 - £1,200
195
197
FOUR EDWARD VII SOVEREIGNS
dated 1902, 1905 and 1908 x 2 (4) £800 - £1,200
198
FOUR GEORGE V SOVEREIGNS
dated 1911 x 2, 1912 and 1913 (4) £800 - £1,200
197
199
FOUR GEORGE V SOVEREIGNS
dated 1911, 1912, 1914 and 1915 (4) £800 - £1,200
200
FOUR GEORGE V SOVEREIGNS
dated 1912, 1914, 1928 and 1931 (4) £800 - £1,200
66
199 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
201
FOUR GEORGE V SOVEREIGNS
dated 1911, 1912, 1925 and 1928 (4) £800 - £1,200
202
THREE GEORGE V SOVEREIGNS dated 1911, 1913, and 1914, together with a Victoria sovereign dated 1887 (4) £800 - £1,200
203
AN ALBUM CONTAINING BRITISH SILVER, CUPRO-NICKEL, COPPER AND BRONZE COINAGE
to include; half crowns, florins, shillings and sixpences etc, together with three banknotes, all signed 'J.S. Fforde', £5 No. 30C159915, £1 No.U21B546421 and ten shillings No. C80N424624 £150 - £200
201
204
AN EDWARD VII SOVEREIGN
dated 1906, together with a George V sovereign, dated 1926 (2) £400 - £600
205
A GEORGE III SPADE GUINEA
dated 1793 £300 - £400
206
A GEORGE III THIRD GUINEA
first head, dated 1800, together with a George IV shilling, dated 1826 (2) £100 - £150
207
A VICTORIA YOUNG HEAD SHIELD BACK SOVEREIGN
205
dated 1857, together with an Edward VII sovereign, dated 1908, and a George V half sovereign, dated 1911 (3) £500 - £700
67
208
A GEORGE IV SOVEREIGN DATED 1823
mintage 616770 £1,500 - £2,000
209
AN EDWARD VII SOVEREIGN
dated 1910, together with a George V sovereign, dated 1912 (2) £400 - £600
210
AN EDWARD VII HALF SOVEREIGN
dated 1907, together with a George V half sovereign, dated 1914 and a white metal sovereign case (3) £240 - £300
211
A COLLECTION OF BRITISH AND COMMONWEALTH COINS
comprising; nine crowns, dated 1895, 1896, 1965, 1972, 1977, 1981 and 2012 x 3, together with a Victoria Jubilee head half crown, dated 1889, shillings dated 1817, 1826, 1888 and 1889, a New Zealand half crown and a florin, both dated 1934 (16) £80-120 £80 - £120
212
A COLLECTION OF BRITISH SILVER COINAGE
comprising; Commonwealth half groat undated, three crowns dated 1887, 1935 (in case) and 1937, three half crowns dated 1826, 1887 and 1916 and three florins, dated 1887, 1894 and 1918 (10) £120 - £180
213
A COLLECTION OF SILVER, CUPRO-NICKEL, COPPER AND BRONZE COINAGE
comprising; crowns dated 1892 and 1951, a half crown, florins, shillings, sixpences, threepences etc, copper pennies, a half penny, farthings etc, together with a Victoria silver 60th Anniversary medallion (41) £80 - £120
208
214
216
comprising; young head shield back dated 1869, young head St George & Dragon dated 1873 (m), Jubilee head St George & Dragon dated 1890, and veiled head St George & Dragon dated 1900, all slabbed and within fitted case £800 - £1,200
limited edition of 100, within capsule, fitted case and with certificate of provenance £600 - £800
215
217
comprising; George I dated 1718 and George III dated 1762, both slabbed and within fitted case £500 - £700
together with British and foreign coins (a lot) £350 - £550
THE QUEEN VICTORIA FOUR GOLD SOVEREIGN COLLECTION
THE FIRST AND LAST QUARTER GUINEA GOLD PAIR
JERSEY PLATINUM WEDDING ANNIVERSARY 2017 SILVER PROOF KILO COIN
AN ALBUM CONTAINING A COLLECTION OF AUSTRALIAN AND NEW ZEALAND TOKENS
214 69
218
221
together with a few tokens £100 - £150
(a lot) £150 - £250
219
222
AN ALBUM OF FOREIGN AND COMMONWEALTH SILVER, BRONZE AND CUPRO-NICKEL COINS
A COLLECTA ALBUM CONTAINING A COLLECTION OF BRITISH 18TH AND 19TH CENTURY COPPER TRADE TOKENS
A COLLECTION OF BRITISH AND COMMONWEALTH COMMEMORATIVE SILVER AND CUPRO-NICKEL COINAGE
VICTORIA MAUNDY MONEY
dated 1891, within original case £100 - £150
£800 - £1,000
220
223
£300 - £400
comprising; eight year sets; 1973/74/75/76/78/79/80/82, New Zealand coinage, three folders of farthings from 1860, etc (a lot) £100 - £150
A COLLECTA ALBUM CONTAINING A COLLECTION OF 19TH AND 20TH CENTURY GUERNSEY COINAGE
219 70
A MISCELLANEOUS COLLECTION OF BRITISH AND COMMONWEALTH SILVER, CUPRO-NICKEL AND BRONZE COINAGE
222 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
224
A COLLECTION OF ASSORTED 19TH AND 20TH CENTURY TOKENS (50) £250 - £350
227
VICTORIA MAUNDY MONEY
dated 1895, within original case £100 - £150
225
228
comprising; a George III Cartwheel twopence, Victoria pennies dated 1857 and 1901, a Victoria half penny dated 1877, a George V half penny dated 1914, farthings dated 1719, 1799, 1806 and 1823, a George III shilling dated 1758, a Victoria shilling dated 1892 and sixpences dated 1757 and 1817 x 3 (15) £100 - £150
to include; British year sets from 1982/83/84x2/85/86/87/88, together with silver and cupro-nickel crowns (a lot) £100 - £150
A SMALL COLLECTION OF BRITISH COINS
A COLLECTION OF COMMONWEALTH COMMEMORATIVE COINAGE
226
A COLLECTION OF BRITISH AND NEW ZEALAND COMMEMORATIVE COINAGE
to include; British year sets 1970 x 3/1972/77/78, New Zealand year sets from 1969, together with individual crowns (a lot) £100 - £150
224 71
72
Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
9
22
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24
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243
A COLLECTION OF BRITISH SILVER, CUPRO-NICKEL, COPPER AND BRONZE COINAGE
from Charles I to Elizabeth II (a lot) £200 - £300
244
A COLLECTION OF BRITISH 18TH AND 19TH CENTURY TRADE TOKENS
(a lot) £80 - £120
244
245
A COLLECTION OF WORLD SILVER, CUPRO-NICKEL, COPPER AND BRONZE COINAGE
from 17th century to 20th century (a lot) £150 - £200
246
A COLLECTION OF GUERNSEY EIGHT DOUBLES
from 1889 to 1945 (a lot) £80 - £120
247
247
A COLLECTION OF WORLD SILVER, CUPRO-NICKEL, COPPER AND BRONZE COINAGE
together with fifteen British tokens (a lot) £200 - £300
248
A COLLECTION OF BRITISH SILVER, COPPER AND BRONZE COINAGE
from Charles I to George VI, to include; crowns and quarter farthings (a lot) £300 - £500
248 74
Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
249
A LARGE COLLECTION OF GUERNSEY AND JERSEY COINAGE
from 1830 (a lot) £80 - £120
250
A JERSEY 18 PENCE TOKEN DATED 1813
250
mintage 38739, together with a three shillings token dated 1813, mintage 71104 and a further three shillings token (pierced), ref. Km Tn5 and Tn6 (3) £400 - £600
251
A MAHOGANY FOURTEEN TRAY COIN CABINET
containing a collection of Guernsey and Jersey copper and bronze coinage, from 1830 (a lot) £200 - £300
251
252
CHANNEL ISLANDS, GERMAN OCCUPATION, EIGHT NAZI TOKENS (FANTASY PIECES)
together with a Trowbridge silver shilling token, Niblock and Latham, dated 1811 and a silver sixpence token dated 1811 (pierced) £80 - £120
253
253
A 9CT GOLD 'DEATH OF WINSTON CHURCHILL 24TH JAN 1965' MEDAL
by A. Loewental for B.A. Seaby, 50mm diameter, weight approx 81g, within original fitted case £1,000 - £1,500
254
A QUEEN VICTORIA DIAMOND JUBILEE 1837-1897 GOLD MEDALLION
254
the official medallion by T. Brock, 25mm diameter, within original fitted case, weight approx 3g £300 - £400
75
255
259
£150 - £200
June 4th 1798, Presentation of the colours to the Birmingham loyal associations, together with a Battle of Jutland 1916 Naval Battle white metal medal (2) £60 - £80
AN ALBUM CONTAINING FOURTYSEVEN BRITISH AND FRENCH ASSORTED WHITE METAL, COPPER AND BRONZE MEDALLIONS
256
A COLLECTION OF WHITE METAL, COPPER AND BRONZE MEDALLIONS
to include; Education, Royalty etc (a lot) £100 - £150
257
A COLLECTION OF ASSORTED BRITISH MEDALLIONS
comprising; silver, white metal, copper and bronze examples, to include; education, Royalty, Churchill etc (a lot) £80 - £120
A GEORGE III WHITE METAL MEDAL
"THE BIRMINGHAM LOYAL ASSOCIATION FORMED IN 1797 DUE TO THE INCREASED POTENTIAL THREAT OF AN INVASION BY THE FRENCH, and were presented
with the colours on June 4th 1798, which this medal commemorates" - Derek Ainsworth
258
260
together with a Duke of Wellington bronze medallion, a Duke of Wellington white metal memorial medallion, a Duke of Wellington bronze medallion 'Vota Publica', an Albert Edward Prince of Wales President Society of Arts 1863 medal and a Francis Henry Egerton Earl of Bridgewater bronze medallion (5) £100 - £150
circa 17 century, depicting Pope Pelagius I (555559 AD), together with a white metal papal medal depicting Gregorius XIII dated 1572, two French bronze medals; Louis XIIII dated 1661 and Napoleon with his soldiers, dated 1804 (4) £100 - £200
THE OFFICIAL 1902 CORONATION BRONZE MEDAL WITHIN ORIGINAL CASE
257 76
258
ITALY (VATICAN), A CAST BRONZE PAPAL MEDAL
260 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
CERAMICS, GLASS & MILITARIA
77
261
A CAUGHLEY EGG DRAINER
circa 1785, of circular form with single-handle, the pierced bowl painted with light blue floral sprigs, unmarked, 8cm diameter (handle cracked) Provenance: Ex. Wycherley Collection. Previously sold at these rooms in July, 2015 £70 - £100
262
A CAUGHLEY EGG DRAINER
circa 1785, the circular, pierced bowl transfer-printed in underglaze blue with the Pleasure Boat pattern within a cell diaper and spearhead border, moulded loop handle, unmarked, 8.5cm wide Notes: See Geoffrey A. Godden, Caughley and Worcester Porcelain, 1st edn (London: Herbert Jenkins), plate 119 for for an illustration of another egg drainer, or 'strainer'. The author notes that they are sometimes called tea-strainers, but the eighteenth century Chamberlain-Turner accounts clearly show their original use, further noting they were frequently sold with matching egg cups.
261
262
Provenance: Ex. Wychwood Collection £60 - £80
263
A RARE CAUGHLEY EGG OR ICE CUP
circa 1785-90 probably gilded by Chamberlain's Worcester, the bell form bowl raised on a slightly spreading foot, with an applied scrolling handle, painted with gold and blue Dresden flowers, below a double border of gilt and blue concentric dots, blue painted S mark, 6cm high Provenance: Ex. Wychwood Collection £400 - £600
263 78
Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
264
A RARE CAUGHLEY SAUCE TUREEN LADLE IN THE CHANTILLY SPRIGS PATTERN
circa 1782-92 painted in blue with floral sprays to the bowl surrounded by a single blue lined rim, with further conforming floral decoration to the delicately moulded handle, unmarked, 16.5cm long
Notes: A circular tureen and cover in the same pattern with a notch for a ladle sold at these rooms on 22nd November 2017 as part of the Maurice Wright Collection, described as a breakfast or broth bowl.
264
Provenance: Ex. Wychwood and Gittens Collections £200 - £300
265
A RARE CAUGHLEY TEA BOWL IN THE 'BRIGHT LANDSCAPES I' PATTERN
circa 1788-93 painted in bright blue with three exterior panels of ruins between mazarine border to the exterior, the interior with blue and gilt inner border and further internally painted with country manor in rural setting, 8.2cm diameter (gilded chip)
265
Notes: Of the four different bright landscapes designs produced at Caughley, this is the richest, combining gilding with a wide mazarine blue border surrounding different scens of abbeys, castles and houses, derived from original engravings by Paul Sandby (1731-1809) Provenance: Ex. Wychwood and Sillito Collections. Featured in Caughley Bicentenary Exhibition 1999, no. 529 £150 - £200
266
A CAUGHLEY MUSTARD SPOON
circa 1780-90 of simple plain form, with slight moulding to the underside, printed in blue with scrollwork to the handle and a single sprig of flowers to the bowl, 10cm long (handle professionally restored)
266
Provenance: Ex. Wychwood Collection. Purchased at these rooms in 2015 £150 - £250
79
267
269
270
267
269
A CAUGHLEY TOY DINNER PLATE
circa 1780-90 painted in bright blue with the Island pattern with associated segmented border to the exterior edge, unusually featuring two boats rather than one, unmarked, 9.5cm wide Provenance: Ex. Wychwood Collection £100 - £150
circa 1780-90, painted in underglaze blue, S mark 3,4.cm high, 7.2cm diameter (2) Provenance: Ex. Wychwood Collection £100 - £150
268
A GROUP OF THREE CAUGHLEY TOY COFFEE CUPS IN THE PLEASURE BOAT OR FISHERMAN PATTERN
circa 1785-90 transfer-printed in underglaze blue, the exterior with a Chinese lake-scene with figures of anglers and a boat, interior with associated cell diaper and spearhead border, printed S mark, 3.2cm - 3.6cm high (3) Provenance: Ex. Wychwood Collection £150 - £200
80
A CAUGHLEY TOY COFFEE CUP IN THE 'ISLAND' PATTERN AND ASSOCIATED SAUCER,
270
A CAUGHLEY TOY SPARROW BEAK JUG
circa 1785-90 painted in bright blue with the 'Island' pattern with internal border to interior rim, unmarked, 4.8cm high Provenance: Ex. Wychwood Collection £80 - £120
Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
271
A CAUGHLEY TOY TEAPOT AND COVER
circa 1780-90 painted in blue with the Island pattern below an associated border, with conforming decoration to the cover, unmarked, 8.6cm high (restored) Provenance: Ex. Wychwood Collection £80 - £120
272
A CAUGHLEY TOY TUREEN AND COVER
circa 1785-90 of twin-handled oval form, painted in blue with the Island pattern, unmarked, tureen 7cm wide (cover possibly associated) (2)
271
Provenance: Ex. Wychwood Collection. Purchased from these rooms in July 2015 £100 - £150
273
A CAUGHLEY CUSTARD CUP
circa 1775-85 transfer-printed in underglaze blue with the Cottage pattern below a cell border, Sx mark, 5.4cm high (small chip to foot rim) Provenance: Ex. Wychwood Collection £60 - £80
272
274
A CAUGHLEY TOY TEA BOWL AND SAUCER
circa 1780-90 painted in blue with the Island pattern between an associated border, unmarked, tea bowl 5cm diameter, saucer 8cm diameter (2)
Provenance: Ex. Wychwood Collection. Purchased at these rooms in April 2015 £100 - £150
274 81
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277
circa 1780 of plain form, with thin indented loop handle, transfer-printed in underglaze blue with the Mother and Child pattern and three associated urns within landscape below below a single blue line border, underglaze blue C with serif mark, 6.2cm high
circa 1785 of circular form, the pierced bowl with a shell form handle, transfer-printed in underglaze blue with the Pleasure Boat pattern, unmarked, bowl 8cm diameter
Provenance: Ex. Wychwood Collection. Caughley Bicentenary Exhibition 1999 no. 434 £80 - £120
Provenance: Ex. Wychwood Collection £70 - £100
A CAUGHLEY COFFEE CUP
A CAUGHLEY EGG DRAINER
276
A CAUGHLEY TOY TEABOWL AND SAUCER
circa 1785 transfer-printed in underglaze blue with the Pleasure Boat pattern and an associated cell diaper and spearhead border, S mark to the saucer, teabowl 5.2cm diameter, saucer 7.2cm diameter (2) (teabowl cracked) Provenance: Ex. Wychwood Collection £60 - £80
276 82
277 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
278
A CAUGHLEY MUG IN THE 'ROYAL LILY' PATTERN
circa 1786-94 of plain cylindrical form, having double indented strap handle with thumbrest, painted in underglaze blue, with associated blue and gilt borders below an iron red border, with further gilding to the handle, painted S mark, 8.2cm high Provenance: Ex. Wychwood Collection. Caughley Bicentenary Exhibition Ironbridge 1999 no. 153 £70 - £100
279
278
A CAUGHLEY TEAPOT STAND
circa 1788-95 of hexagonal form, painted in blue with the 'Tower' pattern, unglazed base unmarked, 15.5cm wide Provenance: Ex. Wychwood Collection Notes: See The Caughley Society, Caughley Blue and White Patterns, p.182 for a similar example £100 - £150
280
A CAUGHLEY TEABOWL AND SAUCER
circa 1792-99 painted in polychrome with a version of the 'Target' pattern, with a central motif, surrounding wreath and border of purple dashes interspersed with roses in wave form, with gilt border, unmarked, teabowl 4.5cm high, saucer 12.2cm diameter (2)
279
Provenance: Ex. Wychwood Collection Note: Versions of this pattern have been found on both Chinese wares and New Hall (pattern 338). The large number of surviving pieces in this pattern suggest that it may have been initially decorated at Chamberlains then continued at Caughley £50 - £70
280 83
281
A CAUGHLEY POLYCHROME ARMORIAL PLATE
circa 1790 of circular form with fluted border, centrally painted with armorial crest of the Dawkins family with a flaming pearl and gilt lined border, unmarked, 22cm diameter Provenance: The Ex. Wychwood Collection. Purchased at Law Fine Art on 27th September 2005. Notes: Originating from a major dessert service, an identical plate is featured in the Caughley in Colour Exhibition Catalogue 2005, no. 90. The Ashmolean Museum also houses a similar plate as part of the Marshall Collection of Worcester which is likely also Caughley £150 - £200
281 84
Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
282
A RARE CAUGHLEY POLYCHROME MARQUIS OF DONEGRAL MONOGRAMMED PLATE
circa 1793 of circular gently fluted form, painted with gilt 'D' monogram below a coronet, the border with the family crest of a stork holding a snake within a medallion, linked to further medallion panels of classical ladies by an undulating ribbon and floral design unmarked, 21cm diameter Provenance: Ex. Wychwood Collection
Notes: This formed part of a magnificent service created for the Marquis of Donegal. This service exhibits some of the most beautiful work by the Turner and Chamberlain partnership at the time of its breakup. The Chamberlain archives record the order of this service on 18th September, 1793, and the set was Harlequin, with a different border pattern on every piece. This style of border was the most expensive produced by the factory at that time, with the entire order for 132 pieces costing £217 10s and 6d. It included eight 'sugar tureens', complete with 'Spoons' at a cost of £21 or £2.62 per tureen. A large part of the service was sold by the Donegal family at Phillips in March 1981 where it was purchased by Mercury Antiques. For further detail, see Geoffrey Godden, Chamberlain's Worcester Porcelain, 1982 pp 49-51 £150 - £200
282 85
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285
286
284 86
287 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
283
285
circa 1792 of circular, shanked form decorated in overglaze enamel and gilt, with a circular wreath of iron red flowers in gilded scalloped border picked out with blue dots, centrally decorated with a gilt leaf spray, with two further rows of over-glaze sprigs and gilt flower-heads contained within a scalloped blue line and scrolls of gilded leaves and gilded rim, unmarked, 20.5cm diameter
circa 1790, decorated with monogrammed initials in gilt between a laurel wreath border, and a further exterior blue flaming pearl border, unmarked, tea bowl 9cm diameter, saucer 14cm diameter (2)
A CAUGHLEY BREAD AND BUTTER PLATE
Provenance: Ex. Wychwood Collection. Featured in Caughley Bicentenary Exhibition 1999, no. 719 £60 - £80
284
A CAUGHLEY TART OR PATTY PAN
circa 1780 of circular form with slightly reinforced everted rim, painted in underglaze blue with the Rock Strata Island (Island Sampan) pattern with an associated border to the interior edge, unmarked, 9.1cm diameter Provenance: Ex. Wychwood Collection Notes: Food historians suggest that tarts were introduced first in Medieval Times. Unlike pies, these dishes were presented without a top crust which gave the opportunity to create a variety of colourful dishes which could be found either savoury or sweet. 18th century sources demonstrate the large amount of recipes catered towards this popular dish, which could contain anything from meat and vegetables to fruit or cheese. Hannah Glasse addresses the use of these pans directly, saying, 'If you bake in tin Patties, butter them, and you must put a little crust all over, because of the taking them out. If in china, or glass, no crust but the top one. Lay fine sugar at the bottom, then your plumbs, cherries, or any other sort of fruit, and sugar at top; then put on your lid, and bake them in a slack oven.' -- The Art of Cookery Made Plain and Easy, Hannah Glasse, facsimile 1747 reprint [Prospect Books:Devon] 1995 (p. 75) £150 - £200
A CAUGHLEY POLYCHROME FLUTED TEA BOWL AND SAUCER
Provenance: Ex. Wychwood Collection. Purchased at these rooms on 28th October 2015 £70 - £100
286
A CAUGHLEY 'FRUIT AND WREATH' TEA BOWL AND SAUCER
circa 1778-88 transfer-printed in underglaze blue with a large fruit within spray of flowers and foliage, contained within a circular cartouche, S mark to the saucer in underglaze blue, tea bowl 4.2cm high, saucer 12cm diameter (2) Provenance: Ex. Wychwood Collection £50 - £70
287
A CAUGHLEY SLOP OR WASTE BOWL
circa 1780 transfer-printed in underglaze blue with the Birds in Branches pattern, underglaze blue S mark, 12.5cm diameter Provenance: Ex. Wychwood Collection. Purchased at these rooms on 28th April 2010 £80 - £120
87
288
A CAUGHLEY 'WEIR' PATTERN DESSERT PLATE
circa 1785-93 of lobed, circular form, painted in underglaze blue with a single fisherman standing beside a water landscape, with two islands, pagoda and single flower sprouting behind a fence, faint impressed 'O', 22cm diameter Provenance: Ex. Wychwood Collection £70 - £90
289 288
A CAUGHLEY COFFEE CUP
circa 1780-85 of plain form with loop handle, transfer-printed in underglaze blue with the Island pattern and 'clobbered' in iron red with gilding, painted S mark, 6.5cm high Provenance: Ex. Wychwood and Sillito Collections. See Caughley Bicentenary Exhibition no. 320 £70 - £90
290
TWO CAUGHLEY ASPARAGUS SERVERS
289
circa 1770 transfer-printed in underglaze blue with the Pleasure Boat pattern between a cell diaper and spearhead border, unglazed bases, single painted 'So' mark, widest point 7.5cm (2) Provenance: Ex. Wychwood Collection Note: Asparagus was first introduced by the Romans, with this young shoot from a cultivated plant of the lily family coming back to our shores during the reign of Henry VIII. Such was its popularity, that by the eighteenth century, Britain grew more asparagus than any other country £70 - £100
290 88
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291
A CAUGHLEY DESSERT PLATE
circa 1782-92 of lobed form, painted in underglaze blue with the 'Bright Sprigs' pattern, painted S mark, 20cm diameter Provenance: Ex. Wychwood Collection Notes: The Bright Sprigs pattern is derived from an unknown European source, perhaps inspired by the Tournai porcelain factory in Belgium. Caughley tableware therefore also often appears in the Continental form with rococo style moulding £150 - £200
291
292 292
A CAUGHLEY TEA BOWL, COFFEE CUP AND SAUCER
circa 1792-1795 each of wrythen moulded form and decorated with gilt wreaths enclosing enamelled vignettes of Italianate landscapes attributed to John Muchall, within continuous borders of blue flower and green foliate garlands, unmarked, saucer 14cm diameter, tea bowl 9cm diameter, coffee cup 6.5cm high (3) Provenance: Ex. Wychwood Collection. Previously sold at these rooms on 19th July 2006. Notes: For similar examples see the Ironbridge Gorge Museum Trust Bicentenary Exhibition of Caughley Porcelain c.1772-1799, 1999 catalogue; plates. 535538, p. 51 £150 - £200
292 89
293
294
circa 1778-83 of slightly waisted cylindrical form with indented loop handle, transfer-printed in underglaze blue with the 'Bouquets' pattern featuring roses, pinks, primulas, foxgloves, fuchsias and peonies, C with serif mark, 8.5cm high
circa 1785 of lobed form, transfer-printed in underglaze blue with the Pleasure Boat pattern between a cell diaper and spearhead border, S mark and impressed Salopian, 21cm diameter (foot rim chips)
Provenance: Ex. Wychwood Collection £100 - £150
Provenance: Ex. Wychwood Collection £70 - £90
A CAUGHLEY MUG
A CAUGHLEY DESSERT PLATE
295
A CAUGHLEY COFFEE CUP
circa 1785-95 of plain form with loop handle, painted in underglaze blue with the Salopian Sprigs pattern with associated painted border and sawtooth edge, painted blue S mark, 6cm high Provenance: Ex. Wychwood Collection. Purchased at these rooms on 15th April 2015 £50 - £70
296
TWO CAUGHLEY SPARROW BEAK MILK JUGS
circa 1785-90 transfer-printed in underglaze blue with the 'Fenced Garden' and 'Pagoda' patterns, the latter with a cover, unmarked, 12.5cm high (2)
293
294 90
Provenance: Ex. Wychwood Collection. 'Fenced Garden' jug is ex. Bernard Watney Collection £70 - £90
296 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
297
300
circa 1777-84 very neatly transfer-printed in underglaze blue with the 'Apple and Damsons' pattern below a single blue line border, double 'C' mark, 10cm diameter
circa 1782-92 of hexagonal form, transfer-printed in underglaze blue with the 'Pagoda' and 'Willow Nankin' patterns, the former with painted 'SO' mark, latter with incised cross, 13.5cm wide (2)
A CAUGHLEY SLOP OR WASTE BOWL
Provenance: Ex. Wychwood Collection £60 - £80
TWO CAUGHLEY TEAPOT STANDS
Provenance: Ex. Wychwood Collection £60 - £100
298
THREE CAUGHLEY BUTTERBOATS
circa 1785 of geranium leaf dish form with angular moulded handle, transfer-printed in the Pleasure Boat and painted with the Chantilly Sprigs patterns, unmarked, 7.5cm long (the latter with restored handle) (3) Provenance: Ex. Wychwood Collection £80 - £120
299
A CAUGHLEY COFFEE CUP AND SAUCER
circa 1790 of fluted form, decorated in polychrome enamels and gilding with cornflowers and foliage arranged in wreaths around each rim, with detached sprigs forming a pattern over the remaining surface, unmarked, coffee cup 6.5cm high, saucer 14cm diameter (2)
297
Provenance: Ex. Wychwood Collection Notes: See CBE catalogue nos 490 and 500 for similarly decorated wares, and also the Caughley Society Newsletter September 2007, no. 31, 'Gathering Floral Sprigs and Sprays' by Letizia and Peter Pegliasco-Fisher for a discussion of the various French patterns on Caughley £70 - £100
299 91
301
A CAUGHLEY 'MOTHER AND CHILD' TEABOWL
circa 1785 transfer-printed in underglaze blue; together with a Caughley 'Bell Toy' saucer, unmarked, teabowl 7.8cm diameter, saucer 12cm diameter (2) Provenance: Ex. Wychwood Collection £70 - £100
301 302
A CAUGHLEY COFFEE CUP AND SAUCER
circa 1790 of fluted form, painted with anemone blanda and other flowers and supplemantary sprigs in gilt, unmarked, coffee cup 7cm high, saucer 14cm diameter (2) Provenance: Ex. Wychwood Collection £80 - £120
302 303
A CAUGHLEY POLYCHROME COFFEE CUP, TEABOWL AND SAUCER
circa 1790 of fluted form with ear-shaped handle, painted with the 'Royal Strap Flute' pattern and an associated gilt border, painted S mark, coffee cup 6.5cm high, saucer 14cm diameter (3) Provenance: The Wychwood Collection. Caughley Bicentenary Exhibition no. 598 £70 - £90
303 92
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304
A CAUGHLEY TRIO OF COFFEE CUP AND SAUCER
circa 1780-90 of plain form with loop handle, transfer-printed in underglaze blue with the 'Fence and House' pattern and additionally gilded, printed S mark, coffee cup 6.6cm high, tea bowl 8cm diameter, saucer 12cm diameter (3) Provenance: The Wychwood Collection £70 - £100
304 305
A CAUGHLEY POLYCHROME COFFEE CUP
circa 1785-90 of plain form with loop handle, decorated in polychrome overglaze enamel with purple pink and mauve flowers, the gilded rim with exterior crowsfoot border, interior with a band of floral garlands, unmarked, 5.7cm high £80 - £120
305 306
A CAUGHLEY OCTAGONAL PLATE
circa 1780-90 transfer-printed in underglaze blue with the 'Full Nankin' pattern, impressed 'Salopian' mark to the reverse, 23cm wide Provenance: The Wychwood Collection. Purchased at Law Fine Art on 17th May 2005 £70 - £100
306 93
307
309
circa 1790-95 of plain form with loop handle, painted in underglaze blue with the 'Tower' pattern, featuring six-storey tower with willow tree to the right, set in the centre of an island, unmarked, 6.6cm high
circa 1785 elaborately gilded with a centralised floral spray surrounded by chain border and leafy swags, unglazed base unmarked, 16cm wide; together with a Worcester spoon tray, circa 1775, transfer-printed in underglaze blue with the Pleasure Boat pattern between a cell diaper and spearhead border with gilding, crosshatched crescent to the unglazed base, 15cm wide (2)
A CAUGHLEY COFFEE CUP
Notes: Taken from a Chinese original, this pattern features of both teawares and breakfast cups, with a similar pattern being continued by John Rose Provenance: The Wychwood Collection. Ex. Bernard Watney Collection £50 - £70
A CAUGHLEY SPOON TRAY
Provenance: The Wychwood Collection £70 - £90
308
A CAUGHLEY COFFEE CUP
circa 1790 of fluted form, painted and decorated in gilt by Chamberlains, Worcester with a central motif of two doves below the inscription L'amitie, unmarked, 6.5cm high Notes: See Caughley Exhbition in Colour, page 69, in reference to plates 164-166, which discusses this pattern. The author notes that this popular pattern was used on both Caughley and Chamberlains porcelain teawares, it has also even been found on Coalport. The motto shows a French origin for the pattern but no example has yet been identified Provenance: The Wychwood Collection £70 - £90
307 94
308 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
310
A CAUGHLEY CREAMBOAT
circa 1785 of gadroon form, with raised, overlapping strap handle and scroll terminal, raised on a spreading, rope moulded foot, painted in over-glaze polychrome enamels in the Dog Rose pattern by Chamberlain, unmarked, 6.5cm high (repaired handle); together with a Caughley coffee cup, further decorated with a large dark pink flower and green leaves, interior red crowsfoot border, unmarked, tallest 6cm high (2)
312
A CAUGHLEY TOY TEA BOWL AND TWO TOY SAUCERS
circa 1785-95 the tea bowl painted in blue with the Island pattern and the saucers with polychrome sprigs, unmarked, tea bowl 5cm diameter, saucers 7cm diameter (3) Provenance: The Wychwood Collection £100 - £150
Provenance: The Wychwood Collection £100 - £150
311
A CAUGHLEY CUSTARD CUP
circa 1785 transfer-printed in underglaze blue with the Full Nankin pattern, unmarked, 5cm high; together with a Caughley cup, of tapered form with plain handle, transfer-printed in underglaze blue with the Bandstand pattern, interior Fitzhugh-type border, gilded by Chamberlain, painted S mark, 6.5cm high (2) Provenance: The Wychwood Collection £80 - £120
310
311
312 95
313
A CAUGHLEY CHOCOLATE CUP
circa 1785 of half fluted and waisted form, with overlapping double indented and moulded strap handles with projecting thumbrests and snake head terminal, transfer-printed in underglaze blue with the 'Three Flowers and Butterfly' pattern, with supplementary floral sprays and moths and a cell diaper border to the interior, printed c mark, 7.8cm high Provenance: The Wychwood Collection. Caughley Bicentenary 1999 no. 209 £100 - £150
313
314
TWO CAUGHLEY CUPS
circa 1785-90 comprising a cup of bucket form with moulded basket-weave edge, a shortened strap handle with kick terminal and overlapping thumb-rest, painted in underglaze blue with the 'Chantilly Sprigs' pattern and an associated blue line border, painted S mark, 6.5cm high (small foot rim chip) together with a coffee cup, of bell shape with plain strap handle featuring pronounced kick and scroll terminal, painted in underglaze blue with rose festoons, gilt dentil inner border, painted s mark, 6.5cm high (2) Provenance: The Wychwood Collection £80 - £120
314
315
A CAUGHLEY TOY COFFEE CUP
circa 1785-90 painted in overglaze enamels with blue and gilt cornflower type sprigs, gilt edge, 4cm high; together with a Caughley toy saucer, similarly decorated, unmarked, 7cm diameter (2) Provenance: The Wychwood Collection £70 - £90
315 96
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316
A CAUGHLEY TEA BOWL AND SAUCER
circa 1785-90 of new fluted form, decorated in gilt with the 'Queen's Pattern' with an associated gold chainlink border, unmarked, tea bowl 8.8cm diameter, saucer 14cm diameter together with a further Caughley tea bowl and saucer of new fluted form, decorated in underglaze blue and gilding with floral sprigs, painted S mark, tea bowl 8.5cm diameter, saucer 14cm diameter and a Flight Worcester saucer in the same pattern, 13.5cm diameter (5) Provenance: The Wychwood Collection £100 - £150
318
A SMALL GROUP OF CAUGHLEY PORCELAIN
circa 1780-85 comprising an ice cup lacking cover, transfer-printed in the Pleasure Boat pattern, painted S, 5.5cm high; a mustard pot and cover printed with the Mansfield pattern, C mark, 10cm high; a mug transfer-printed with the La Peche and La Promenade Chinoise patterns, 9cm high; a tea bowl transfer-printed in the Bandstand pattern, 8.1cm diameter and a coffee cup transfer-printed in the Pagoda pattern, Sx mark, 6cm high (5) (at fault, a good reference collection) Provenance: The Wychwood Collection £100 - £150
317
A CAUGHLEY EGG OR ICE CUP
circa 1785-90 the bell form bowl raised on conical spreading foot, painted underglaze blue and gilded with Dresden Flowers, with an interior blue and gilt border, painted S mark, 6.1cm high (cracked) together with a French 'Sevres' polychrome egg or ice cup, painted interlaced L mark, 6.5cm high (2) (chipped) £80 - £120
316
318 97
319
322
circa 1780 painted in dry flat enamels with a spray related to the Chrysanthemum pattern, interior pink scale border, unmarked, 5.5cm high; together with further Caughley coffee cup, circa 1780s, boldly decorated in enamels with sprays of flowers, interior underglaze blue transfer-printed border usually associated with the 'Peony' pattern, C mark, 6.5cm high (2)
circa 1790 of faceted form, painted in a famille rose palette with baskets of flowers, leaves and scattered flowerts, within puce and iron red dot and line border, unmarked, tea bowl 8cm diameter, saucer 12.5cm diameter (2)
A CAUGHLEY POLYCHROME COFFEE CUP
A RARE CAUGHLEY TEA BOWL AND SAUCER
No comparable Caughley pieces appear to be recorded with this typical New Hall style decoration. See Caughley in Colour Exhibition Catalogue 2005 plate 286 for reference £100 - £150
Provenance: The Wychwood Collection £100 - £150
320
323
A LARGE CAUGHLEY TEA BOWL
circa 1785 of simple, plain form, with blue lined rim, bearing Pulver Collection label and CBE label no 662, painted S mark with serif, 5.5cm high, 9.5cm diameter; together with two further Caughley tea bowls, painted in underglaze blue with the 'Bridge and Windmill' and 'Island' patterns, painted S mark to the latter, 8cm and 8.3cm diameter (3) Provenance: The Wychwood Collection. Bridge and Windmill tea bowl is ex. Bernard Watney £100 - £150
A SMALL GROUP OF WORCESTER AND CAUGHLEY PORCELAIN
circa 1775-90 comprising fluted coffee cup and dry blue fluted tea bowl decorated in the 'Anemone' pattern; a Flight Worcester teapot stand, circular, painted in puce and gilt with flowerheads and scrolling leaves and a Worcester cobalt and gilt tea bowl and saucer decorated with formal flowers, honey gold leaves and a gilt dentil rim, unmarked, tea bowl 7.5cm diameter, saucer 12.6cm diameter (5) Provenance: The Wychwood Collection £120 - £180
321
A CAUGHLEY TEA BOWL AND SAUCER
circa 1775-84 of fluted form, transfer-printed in underglaze blue with the Apple and Damsons pattern, cell diaper border, printed S mark, tea bowl 7.5cm diameter, saucer 12.5cm diameter; together with a further Caughley tea bowl transfer-printed in the Apple and Damsons pattern, with single blue line border, Sx mark, 7.8cm diameter (3) Provenance: The Wychwood Collection. Matching tea bowl and saucer ex. Bernard Watney £100 - £150
98
319
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320
321
322 99
324
TWO CAUGHLEY SPOON TRAYS
circa 1782-94 of canted form, transfer-printed in underglaze blue with the Pagoda and Temple patterns, unglazed bases unmarked, 15.5cm and 18cm wide (2) £60 - £80
325
A CAUGHLEY WINE TASTER OR SCOOP
circa 1785 of circular form with leaf-shaped handle, transfer-printed in underglaze blue with the Fisherman or Pleasure Boat pattern, unmarked, 6.5cm wide
325
Provenance: The Wychwood Collection Notes: See Ironbridge 1999 no.4, which is catalogued as a 'scoop' and Newsletter September 2003 No.15 p.10. Whilst often described as a wine taster, the actual function of these is under dispute. Ideas ranging from caddy spoons to tasters have been put forth, however their actual use remains unknown beyond being intended to serve a 'single' portion similar to asparagus servers and custard cups £120 - £180
326
A GROUP OF CAUGHLEY PORCELAIN
circa 1780-85 comprising 'Island' tea bowl, 'Pagoda' tea bowl and saucer', two 'Temple' tea bowls and saucers, 'Three Flowers and Butterfly' saucer and a fluted tea bowl printed in the 'Gillyflower 2' pattern (9) £100 - £150
326
327
A GROUP OF WORCESTER PORCELAIN
circa 1760-90 transfer-printed in underglaze blue and gilded, comprising a 'Worcester Temple' tea bowl, saucer and coffee cup, 6.3cm high; 'European Landscapes' tea bowl, 7.8cm diameter and two saucers, 12.2cm diameter; 'Bandstand' tea bowl and saucer, 12.2cm diameter, disguised numerals marks (8) £100 - £150
100
327
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328
A CAUGHLEY CIRCULAR PLATE
circa 1785 of fluted form, transfer-printed in underglaze blue with the Pagoda pattern with gilded rim, printed S, 21.5cm diameter, together with a large Worcester cylindrical tankard transfer-printed in underglaze blue with the La Terre/Promenade pattern (damaged), 12.5cm high and an 18th century Chinese coffee cup, 5.9cm high (3) £80 - £120
329
A CAUGHLEY CHESTNUT BASKET
circa 1785-90 of quatrelobed form, with branch handles issuing generous sprays of flowers and leaves, the basket moulded with flowerheads in a cell pattern ground, and painted to the interior with the Salopian Sprigs pattern, painted 'S' mark in blue, 21cm wide (restored handles) Literature: See Caughley Newsletter May 2016 66 p.19. Note: Chestnuts have been eaten since prehistoric times and were an important dietary staple since they could be cooked and eaten fresh during their harvest time from September-November. As recently as the 19th century, some Europeans even substituted chestnuts for grain products. Dried chestnuts were such a valued staple in the Napoleonic era that the Italian government actually placed a tax on them and counted the chestnut trees in a measure similar to an official census £100 - £150
328
330
A CAUGHLEY JUNKET DISH OR SALAD BOWL
circa 1780 the circular bowl moulded to the interior with three scallop shells, printed in underglaze blue with the Pine Cone pattern, within a painted toothed internal border; exterior printed with root vegetables, moths, and a snail, printed S and impressed Salopian mark, 25.5cm diameter Literature: See Caughley & Worcester Porcelain plate 167 for a similar piece, and page 142 for a discussion of the difference between Caughley and Worcester salad bowls. The author also notes on page 104 that the Chamberlain accounts include several references to 'square sallad vessels', which were priced at 7s 6d each. The last example in good condition sold at these rooms realised £480+ buyer's premium in 2014 £150 - £250
329
330 101
331
A CAUGHLEY TASTER OR CADDY SPOON
circa 1785-90, transfer-printed in underglaze blue, having moulded leaf handle, printed with the Pleasure Boat pattern, within associated cell diaper and spearhead border, 7cm wide Provenance: Ex. Wychwood Collection. Purchased from these rooms in July 2015. £80 - £120
332
A LARGE CAUGHLEY TANKARD
circa 1780-85 of cylindrical form, transfer-printed in the Pleasure Boat or Fisherman pattern, 14.5cm high (base cracked) £80 - £120
331
333
A CAUGHLEY BUTTER DISH, COVER AND STAND
circa 1777-80 of oval form, transfer-printed in underglaze blue with the Fence pattern, transfer-printed C with serif, dish 15cm wide, stand 20cm wide (cover restored) £150 - £250
332
333 102
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334
CAUGHLEY POLYCHROME TEACUP, COFFEE CUP AND SAUCER
circa 1785-90 painted with flower urns between turquoise and gilt floral swags, unmarked, coffee cup 6.5cm high, saucer 15cm diameter (3) £100 - £150
335
AN UNUSUAL CAUGHLEY TEA BOWL AND SAUCER
circa 1782-92 of moulded form featuring floral/leaf design incorporating Tudor rose-style flowers, painted with single 'Bright Sprigs' floral spray, blue lined rim, painted S mark, tea bowl 7.6cm diameter, saucer 12cm diameter £200 - £250
336
A CAUGHLEY MILK JUG
circa 1785 of fluted form, decorated in cobalt and gilt with the 'Dresden Flowers' pattern, painted S mark, 7.5cm high Provenance: Ex. Gittins Collection £70 - £90
337
FOUR CAUGHLEY COFFEE CUPS
circa 1785-90 comprising single example painted with musical instruments and note book and three cups with sparse gilt sprigs and border, unmarked, 7cm high (4) £70 - £90
334
336
335
337 103
338
A CAUGHLEY MASKHEAD CABBAGE-LEAF MOULDED JUG
dated 1790 named to 'Mr. Berridge', transfer-printed in underglaze blue with a view of the Iron Bridge, S mark, 19cm high £3,000 - £4,000
"TENTATIVELY, 'MR. BERRIDGE' COULD BE ATTRIBUTED TO THE FAMOUS EVANGELICAL REVIVALIST PREACHER REV. JOHN BERRIDGE. Commonly referred to 'Mr. Berridge' by friends and in contemporary literature, John was a close friend of the Hill family at Hawkstone who were known patrons of Caughley. Similar jugs of this shape and pattern are documented with inscriptions relating to the Hill family" - Caroline Dennard
338 104
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339
341
circa 1765-75 painted in a dark underglaze blue with 'The Precipice' pattern, open crescent, 21cm diameter £70 - £100
possibly for honey circa 1775 of plain globular shape applied with a ribbed loop handle, printed in blue with two formal flower sprays from the 'Rose-Centred Spray' and 'Pinecone' groups, 9.6cm high (footrim chips)
340
Provenance: Ex Wycherley and Zorensky Collections, catalogue number 647. Sold at Bonhams Zorensky Collection Worcester Part III, 2006.
A LARGE WORCESTER BOWL
A WORCESTER COFFEE CUP
circa 1762-65 of plain form with an indented loop handle, painted in polychrome with pink honeysuckle and an interior red crowsfoot border, unmarked, 6.5cm high Provenance: Ex. Wychwood Collection £50 - £70
A VERY UNUSUAL WORCESTER POT
Notes: This vessel appears to have initially been made as a spittoon, before the lip broke off during the biscuit stage and was ground down with a very rudimentary lip cut into the rim. This was then fully glazed over at the factory and fired to create the present form, possibly intended for use as a honey pot although no other similar shape is recorded £150 - £250
342
A WORCESTER 'KING OF PRUSSIA' CYLINDRICAL MUG
circa 1760 transfer-printed in black after engraving an by Robert Hancock with Fame, battle trophies and the titled King, with a ridged handle, "RH" and anchor rebus for Richard Holdship, unmarked, 8.5cm high
340
341
Provenance: Ex. Wychwood and Bailey Collections. Previously sold at Tennants in July 2008. £150 - £200
342 105
343
A WORCESTER 'RURAL LOVERS' AND 'MILKING SCENE NO. 1' PATTERN CYLINDRICAL MUG
circa 1765-8 transfer-printed in black after an engraving by Robert Hancock with a youth leaning against a tree, talking to a girl who is milking a cow, two other cows are in the background, the verso with a boy conversing with a milkmaid beneath a tree, the milkmaid carries a yoke on her shoulders and her pails are beside her, unmarked, 8.5cm high (restored) Provenance: Ex. Wychwood Collection, further paper label inscribed '402' and collection reference number inked in red 'C.145' £70 - £90
343
344
AN UNUSUAL WORCESTER ASPARAGUS SERVER
circa 1780 painted in underglaze blue with the Fruit Sprays pattern within a loop and dot border, crescent mark, 8.2cm wide (section broken and restuck) Provenance: Ex Wycherley Collection. Previously sold at Law Fine Art in May 2005 £70 - £90
344
345
A WORCESTER GERANIUM LEAF BUTTER BOAT
circa 1770 transfer-printed in underglaze blue with floral sprigs, with angular stalk handle, crescent mark, 8cm long (chip to rim, small hairline) Provenance: Ex Wychwood and R.D.M Burrows Collection £60 - £80
345 106
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346
347
circa 1753-54 painted in polychrome in the Chinese manner with scattered insects and flowering plants, scroll handle, unmarked, 5.5cm high
circa 1756-68 painted in blue with the Two Peony Rock Bird pattern with a bird perched on a tall pierced rock flanked by flowering plants, scroll border, the thumb rest with leaves, workman's mark in underglaze blue, 9.5cm wide
See Simon Spero and John Sandon, Worcester Porcelain 1751 - 1790 The Zorensky Collection, 1st edn (Suffolk, Antique Collectors' Club Ltd), p.73 for a similar example. Coffee cups of this shape were issued in two sizes and with three different handle forms, with the smaller size sometimes even lacking a handle altogether. Octagonal teaware were produced by Worcester from 1753 but continued for a period of no more than five years for the polychrome and only several years longer for the blue and white.
Notes: Whilst trade ships brought graduated nests of Chinese porcelain scallop shell dishes over to England in abundance during the early 18th century, the 1750s saw an increasing scarcity in supply and English factories worked to meet the local consumer demand. Such dishes were used for serving both pickles and sweetmeats on a typical well-to-do family's formal dining table
AN EARLY WORCESTER FLUTED OCTAGONAL COFFEE CUP
Provenance: Ex. Wychwood Collection £150 - £250
346
A WORCESTER SCALLOP SHELL DISH
Provenance: Ex. Wychwood Collection £60 - £80
347 107
348
A WORCESTER OCTAGONAL COFFEE CUP
circa 1756 applied with a double scroll handle, transfer-printed with a finch on a branch and two smaller birds in flight, all carefully enamelled in colours, a green ground diaper border inside the rim reserved with stylised flower panels in black, unmarked, 5.4cm high (tight hairline cracks) Provenance: Ex. Wychwood Collection. Previously ex. Billie Pain Collection, lot 184 sold at Bonhams in November 2003 Notes: No other coloured version of this print has been recorded, it is also rare to find a print on this early octagonal cup shape £600 - £800
348 108
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349
350
circa 1768 with 'chrysanthemum' pattern moulding in low relief enamelled over with a wide band of yellow, the border with puce scrollwork and scattered flower and leaf sprigs below gilt lined upper rim, the interior of the bowl with a single painted rose bud, unmarked, 9cm diameter (restored)
circa 1792 brightly painted in the 'Hunting in Compartments' pattern, unglazed base unmarked, 17cm wide
A WORCESTER YELLOW GROUND TEABOWL
A CHAMBERLAIN WORCESTER TEAPOT STAND
Provenance: Ex. Wychwood Collection. Previously purchased at Bonhams 18th December 2018 - lot 891 £50 - £70
Provenance: Ex. Wychwood and ex. Zorensky Collection. See Bonhams, 13 December 2006, lot 212 for an almost identical tea bowl and saucer which sold for £2,100 inc. premium. Notes: The closure of the Chelsea factory saw many new opportunities for Worcester to expand their design range. Benefiting from the sudden availability of skilled Chelsea painters and new London premises it was now possible to directly appeal to the taste of the London market and create a series of high taste, full coloured grounds which signifed a significant shift of production for the factory in the 1770s £80 - £120
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AN UNUSUAL WORCESTER OUTSIDEDECORATED AND DATED MUG
dated 1760 of plain cylindrical form with a grooved handle, printed in underglaze blue with the rare 'Man Leaning on a Fence' pattern, including chinosierie fanciful landscape to the reverse, the print overfilled with opaque pink, orange and green enamel colours with traces of gilding, inscribed below handle with the initials R.D and the date 1760, further traces of inscription to the base, 11.7cm high (cracked in two and riveted) Notes: This mug was discussed by Branyan, French and Sandon (1989), pattern II.A.14. Related painting in enamels exist on other early Worcester blue transfer-prints, suggesting this particular 'clobbering' was the work of a contemporary independent decorator, making this mug the earliest known dated piece of blue transfer-print. Provenance: Ex.Wychwood Collection. Previously ex. Godden Reference, McWilliams and Jeremy Lever Collections, most recently purchased at Bonhams on 7 March 2007, lot 54 £200 - £300
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A WORCESTER COFFEE CUP
circa 1760 outside-decorated, the exterior enamelled decorated in red, turquoise and green with a Japanese style landscape featuring single standing figure beside buildings, rockwork and trees and a further small figure in a boat, the interior with simple puce spray, indented loop handle, unmarked, 6.5cm high (chips to foot rim) Provenance: Ex. Wychwood Collection ÂŁ150 - ÂŁ200
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A WORCESTER TRIO OF TEACUP, COFFEE CUP AND SAUCER IN THE 'JAPAN FAN' PATTERN
circa 1768-75 brightly decorated in the Imari palette with gilt flower within a blue band with white scrolling foliage, the rim with alternating fan and mons, underglaze blue pseudo Chinese characters to the base, teacup and coffee cup 5cm and 6.5cm high respectively, saucer 13cm diameter (3)
Notes: Despite there being no imports of Japanese wares into England after 1745, collectors still showed a strong desire for Japanese imari-style wares and Worcester copied many of these designs to meet demand and offer an alternative to Chinese patterns. This 'Fan' pattern was also copied at Meissen. Provenance: Ex. Wychwood Collection £120 - £180
A WORCESTER SPARROW BEAK CREAM JUG
circa 1762 of low bellied-form, painted in polychrome with Long Eliza figures, trees and single bird in flight, unmarked, 9cm high
Notes: Originally adapted from a George I silver original of the 1720s, this shape remained popular until the 1780s. Examples with covers do exist, but were likely intended for milk rather than cream, and in this instance the interior border is a certain indication that no cover was ever intended. Provenance: Ex. Wychwood Collection £100 - £150
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A WORCESTER HEXAGONAL CREAMBOAT
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A RARE WORCESTER FLUTED COFFEE CUP AND SAUCER
circa 1778-80, enamelled in black with Chinese floral sprays with gilt accents, the cup with ear-shape handle, unmarked, coffee cup 6.5cm high, saucer 14cm diameter (2) Provenance: Ex. Wychwood Collection £100 - £150
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circa 1762 the double scroll handle moulded with a circular boss at each terminal, the spout with a geranium leaf, side panels with assorted moulded borders, painted with famille rose mixed flower sprays, a further spray below the lip and smaller sprigs scattered around, a looped border pattern in red and gold inside the rim, unmarked, 5.3cm high and 10cm long Provenance: Ex. Wychwood Collection. Purchased at these rooms on 8 December 2004 £250 - £350
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A RARE WORCESTER SAUCER
circa 1768-72 finely executed with a Qianlong-style 'Mandarin' pattern and hexagonal cell border, centrally painted with a shepherd boy and sheep and a curious border of figures peeking out from windows divided by gold scrollwork, unmarked, 12cm diameter Provenance: Ex. Wychwood Collection. Purchased at Bonhams on 8 April 2009, lot 89. Very few examples of this pattern are recorded £300 - £400
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A WORCESTER SAUCER DISH IN THE 'SIR JOSHUA REYNOLDS' PATTERN
circa 1768-70 of part-fluted form with a moulded exterior border, painted in a Japanese-style Kakiemon design of pheasant or ho-ho bird seated upon a rock, underglaze blue fret mark, 13cm diameter (rubbed. two small underside rim chips restored) Provenance: Ex. Wychwood Collection. Purchased at Bamfords on 23rd August 2006, lot 92 £80 - £120
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A VERY RARE WORCESTER POTTED MEAT POT
circa 1760 of oval shape with gently tapered sides, the rococo embossed panels printed in blue with the 'Early Peony Print' pattern, the interior further printed in blue with the 'Floral Gift' pattern of a young Chinese boy holding a flowerpot beside a large peony, crescent mark, 13.3cm long (fine crack to base) Provenance: Ex. Wychwood and Zorensky Collection. Purchased at Bonhams Zorensky Collection Part 1, 16th March 2004, lot 372. This example is also illustrated by Branyan French and Sandon, patterns II.A.18 and II.C.4. £300 - £500
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circa 1760 and 1780 the tea bowl with slightly everted lip edged in a brown enamel, painted with rose spray, other lively sprigs and a fine insect, together with a coffee cup moulded in relief with the 'Scolopendrium' pattern of spiralling leaves, overpainted with formal flowers and a red interior 'Crowsfoot' border, double twisted loop handle, 6cm diameter and 6.3cm high respectively (2)
circa 1765-70 of plain form with grooved handles, painted in bright enamels, the two parts of the design included within gilt-edged scalloped panels, the interior with a gilded arrowhead border, unmarked, 6.1cm high (some rubbing to gilded rim)
A WORCESTER TEA BOWL AND COFFEE CUP
Notes: Worcester's rare Scolopendrium moulding usually has the leaves picked out in green. To see this version is most unusual and may well have been enamelled a decade or more after the cup was glazed.
A WORCESTER 'STAG HUNT' PATTERN COFFEE CUP,
Notes: This cup was probably outside-decorated in London at the James Giles workshop to match earlier services Provenance: Ex. Wychwood and Bernard Watney Collections. Purchased at Watney Collection Part III at Phillips on 21st November 2000, lot 984 £60 - £80
Provenance: Ex. Wychwood and Bernard Watney Collections. Purchased from Watney Collection Part II at Phillips on 10th May 2000, lot 601 £120 - £180
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AN UNCOMMON WORCESTER 'SINKING BOAT FISHERMAN' SAUCE BOAT
circa 1756 painted in blue, of silver-shape with rococo moulding, raised foot and relief upper terminal to handle, workman's mark, 8.2cm high (chip to spout, tight hairline to rim) Provenance: Ex. Wychwood Collection £100 - £150
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A WORCESTER TEABOWL AND SAUCER
circa 1768 overglaze transfer-printed with additional hand-painted decoration, decorated with detailed European landscapes with figures, the interior with conforming decoration beneath a brown enamelled rim, unmarked, 7cm diameter and 4cm high (three minute nicks to inner rim of teabowl) (2) Provenance: Ex. Wychwood Collection. Purchased on 1st February 2005 at Law Fine Art Notes: Although sometimes attributed to James Giles atelier, it is likely this design was factorydecorated instead. Despite best efforts, Worcester never successfully mastered the technique of combining the printed outline with an application of enamel colours and so the additional decoration was eventually abandoned £100 - £150
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AN EARLY WORCESTER COFFEE CUP
circa 1754, of bell shape with an elaborately moulded scroll and husk handle with a high curled thumbrest, thinly cast with a 'pleat fluted' ground reserving two opposing polychrome panels of birds and flowers, unmarked, 5cm high (extended hairline from rim, minute chips) Provenance: Ex. Wychwood and John Chidlow Collections. Purchased from these rooms on 15th April 2015, lot 200 £150 - £250
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AN EARLY WORCESTER REEDED COFFEE CAN
circa 1753-54 the small, flared cup moulded with corrugated flutes, the rim and foot both slightly lobed, double scroll handle with slight thumbrest, painted with two budding leafy branches beneath border of halfflowerheads, leaves and red scroll motifs, 5.2cm high (some losses to the green enamel) Notes: Many variations of this popular pattern were painted on 'ribbed' cans at this date, although the running leaf border and spreading branches on this example are somewhat unusual. The price card of Worcester's London warehouse, c.1755-6, lists 'ribb'd' cans selling for 8 shillings a dozen. These would have been decorated in blue and white, which had replaced the coloured examples by the mid1750s. Provenance: Ex. Wychwood and R. David Butti Collections. Purchased from 'Important Worcester Porcelain, the R. David Butti Collection' at Bonhams on 10th May 2006, lot number 49 £600 - £800
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circa 1755-56 of plain form with a groove handle, painted in enamels with a Chinese boy with his arms raised, looking up towards a colourful bird perched upon a red zig-zag fence, the reverse with a willow tree and fancy hollowed rocks, numerous small birds in flight all around, unmarked, 5.9cm high (some staining to foot)
circa 1760-65 painted in famille verte colours with the 'Chinese Musicians' pattern, a lady playing a flute flanked by a seated lady with a fan and a standing lady with a child, heightened in gold, with green diaper border below the interior rim, unmarked, 6cm high
A WORCESTER COFFEE CUP
Notes: One of two principle patterns painted by this artist on coffee cups, this pattern can be attributed to a single hand, probably painted outside of the Worcester factory. This artist's work is usually found on slightly faulty pieces and use is made of large numbers of flying birds to conceal kiln specks and blemishes.
A WORCESTER COFFEE CUP
Provenance: Ex. Wychwood and Billie Paine Collections. Purchased on 26th November 2003 at Bonhams £100 - £150
Provenance: Ex. Wychwood and Bernard Watney Collections. Purchased from Watney Collection Pt. III at Phillips on 1st November 2000, lot 987. No damages or repairs, stained foot rim £300 - £500
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AN EARLY WORCESTER REEDED COFFEE CAN
circa 1752-54, with a scrolled handle, a floral border in enamels below the rim and an internal sprig, unmarked, 5.5cm high Provenance: Ex. Wychwood and C.W. Barton Collections £120 - £180
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AN UNUSUAL WORCESTER COFFEE CUP
circa 1768-68 of plain form with grooved handle, enamelled in bright colours with a Chinese figural scene depicting a lady and a boy standing by a table, the female figure waving her fan toward a pair of nearby copulating chickens, all on a terrace edged by a pierced fence, the highlights picked out in gold, with red and gilt chain border to interior rim, unmarked, 6cm high Provenance: Ex. Wychwood Collection and Jeremy Lever Collections, purchased from Bonhams on 7th March 2007 - lot 78 £150 - £250
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A WORCESTER STAND FOR A BUTTER TUB
circa 1770 circular, painted with sprays of spotted fruit including peaches, sliced apple and strawberries, within scrolling gilt cartouche reserved upon apple green ground, 15.5cm diameter Provenance: Ex. Wychwood and Jeremy Lever Collections. Purchased on 7th March 2007 from Bonhams, lot 115 £100 - £150
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A WORCESTER 'BLUE SCALE' TEA BOWL AND SAUCER
circa 1768-72 the bodies reserved with shaped panels painted with flowers in polychrome between gilt-lined rims, underglaze blue crescent mark, tea bowl 7.2cm and saucer 12.8cm diameter (2)
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A WORCESTER TEACUP AND SAUCER IN MARCHIONESS OF HUNTLEY-STYLE
circa 1770-72 decorated with spiralling festoons of flowers within wide apple green and gilt borders, underglaze painted crossed swords mark in blue, teacup 4.8cm high and saucer 13cm diameter (2) Notes: This apple green ground, popular at Worcester during the 1770s, was derived from pommes verte at the Sévres factory. Although this style of floral decoration with green borders is widely associated with the Marchioness of Huntly who sold a dessert service in this pattern in 1882, there are certainly far too many tea and dessert wares for this ever solely have been the sole commission. Provenance: Ex. Wychwood Collection £50 - £70
Provenance: Ex. Wychwood Collection £80 - £120
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372 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
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A WORCESTER 'PARROT PECKING FRUIT' MUG
circa 1770-85 of cylindrical form, transfer-printed in underglaze blue below a broad cell diaper border to interior and exterior upper rim, hatched crescent mark, 9.2cm high (minute rim nick) Provenance: Ex. Wychwood Collection. Purchased from Law Fine Art in 2004 £70 - £100
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A WORCESTER SAUCER
circa 1776-80 painted in bright enamels and depicting a Chinese fisherman with a lobster pot, holding a fish, on a lakeside before an island with pavilions and huts, 12.5cm high Notes: See Spero and Sandon, 'Worcester Porcelain 1751-1790, The Zorensky Collection', 1996, page 168, plate 168 for a similar saucer, where the authors note that 'it is unusual to find Chinese figure patterns at this period without a border design, and this [saucer] was possibly made as a replacement for an earlier Yongzheng service.' Provenance: Ex. Wychwood Collection. Purchased from these rooms in November 2011 £300 - £400
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A WORCESTER SPARROW BEAK JUG
circa 1770 painted with an Imari panelled pattern with plant scrolls and blue border to inside rim, unmarked, 9cm high Provenance: Ex. Wychwood Collection. Purchased at these rooms in July 2015 £100 - £150
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A WORCESTER IMARI TEA BOWL AND SAUCER
circa 1770 finely decorated in the Japan pattern with wide bands of Kakiemon flowers between narrow stripes of flower mons on dark blue ground, underglaze blue fret mark, teabowl 7.3cm diameter, saucer 12cm diameter (2)
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Provenance: The Wychwood Collection £80 - £120
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A WORCESTER COFFEE CUP
circa 1762 of plain form with indented loop handle, painted in polychrome with honeysuckle and other flowers, with small red sprig to the interior rim, unmarked 6.5cm high Provenance: Ex. Wychwood Collection £70 - £100
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AN UNUSUAL WORCESTER TEACUP
circa 1756 of small size with a flared lip and elaborate moulded scroll handle, crisply moulded with a strap-fluted ground and painted with Chinese plants in panels, unmarked, 7cm diameter (two fine hairline cracks) Provenance: Ex. Wychwood and Zorensky Collections, purchased at Bonhams on 22 February 2006 £80 - £120
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A WORCESTER MUG
c.1756-58 the slightly tapering cylindrical form painted with the Beckoning Chinaman pattern, featuring single figure gesturing towards a colourful bird in flight above rockwork, the reverse with a colourful flowering branch, unmarked, 8.5cm high (restored) Provenance: Ex. Wychwood Collection £80 - £120
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AN EARLY WORCESTER FLUTED COFFEE CUP
circa 1753-54 with vertical reeding, scroll handle, painted with a blue scrolling flower border, workman's mark, 5.2cm high Provenance: Ex. Wychwood and C.W.Barton Collections £120 - £180
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A WORCESTER PICKLE LEAF DISH
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circa 1765-70 painted with a central gillyflower and unusually bountifully flanked by further supplementary flowers and leaves, with feather edged detail to the serrated rim, open crescent mark, 8.5cm wide Provenance: Ex. Wychwood Collection £60 - £80
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A WORCESTER BUTTERBOAT
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circa 1760 painted with the Butterboat Mansfield pattern, workman's mark to base, 4cm high; together with a further Worcester butterboat, painted with the Daisy pattern, workman's mark, 3.8cm high (2) Provenance: Ex. Wychwood Collection £60 - £100
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A WORCESTER TEAPOT AND COVER
circa 1770 of globular form with a flower finial, painted in a polychrome Mandarin pattern with 'Boy at the Window' pattern, the reverse with a Chinese family greeting a tradesman within scrolling iron red foliate borders, unmarked, 14.5cm high (restored)
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Provenance: Ex. Wychwood Collection £80 - £120
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circa 1770 of circular form with ozier-moulded border, centrally painted in polychrome with central sprays of a rose and other flowers, with further supplementary sprigs toward gilt-lined rim, unmarked, 20cm diameter
circa 1760 of barrel form with sparrow beaks, transfer-printed in underglaze blue with flowers, hatched crescent mark; together with another similar transfer-printed with a scrolled cartouche and floral detail, 7cm high (2)
Provenance: Ex. Wychwood Collection £80 - £120
Provenance: Ex. Wychwood Collection £150 - £250
A WORCESTER PLATE
A WORCESTER CREAM JUG
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A WORCESTER COFFEE CUP
circa 1762 of plain U shape with an indented loop handle, painted in famille rose colours with regularly spaced floral sprays, with further sprig below the lower handle terminal, a formal iron red border to the interior rim, unmarked, 6cm high (a.f) Provenance: Ex. Wychwood and Zorensky Collections. Purchased at Bonhams on 16th March 2004 £60 - £80
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A WORCESTER SPITTOON OR SAFFER POT
circa 1778-85 of single-handled form, transfer-printed in the Columbine and Ripe Fruit pattern, unmarked, 10.5cm high
Note: The use of spittoons proliferated in public areas such as banks, railways stations, taverns, brothels and other places where large numbers of people (particularly men) gathered. Use of spittoons was considered an advance of public manners and health, intended to replace the previously common practice of spitting on floors, streets, and sidewalks. Many places passed laws against spitting in public other than into a spittoon, however from the 1800s onwards this was mainly discouraged in England due to the idea that it would spread disease such as tuberculosis. £300 - £400
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AN UNUSUAL WORCESTER COFFEE CUP
circa 1765-68 of plain sharp, with grooved handle, painted in the Chinese style with a bowl of exotic finger citrus fruit on a table, flanked by a trailing prunus branch and other plants, with a red loop and dot border to the interior rim, unmarked, 6.3cm high Provenance: Ex. Wychwood and Zorensky Collections £120 - £180
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A WORCESTER COFFEE CUP AND SAUCER
circa 1770 of fluted form, painted with panels of floral bouquets in polychrome reserved against an overall apple green ground, with gilt finishing to the borders, unmarked, coffee cup 6.5cm high, saucer 13.6cm diameter (2) Provenance: Ex.Wychwood Collection £60 - £80
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circa 1765 printed in black after Robert Sayer, engraved by Robert Hancock, the saucer a farmyard scene, with a milkmaid carrying a pail on her head and another being relieved of her pail by a man, before a hay barn, the cup with similar print to exterior and a single swan to the exterior, the verso with herder and his cows, saucer 12cm diameter, teacup 4.2cm high (small foot rim chip to teacup)
circa 1754-55 of bell shape, moulded with a band of vertical ribbing, the double scroll handle with a curled thumbrest, painted in famille rose enamels with two flowering branches including a bright pink peony, the black cell diaper border including red flowerhead panels, unmarked, 5.2cm high (rim chips)
A WORCESTER 'MILKMAIDS' PATTERN TEACUP AND SAUCER
Provenance: Ex. Wychwood Collection £80 - £120
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AN EARLY WORCESTER REEDED COFFEE CUP
Provenance: Ex. Wychwood Collection £200 - £250
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circa 1765-70 of plain form with indented loop handle, painted in bright enamels with the 'Stag Hunt' pattern within giltedged scalloped panels, reserved against a biancosopra-bianco ground, with arrowhead border to the interior rim, unmarked, 6cm high
circa 1762 of plain shape with indented loop handle, painted with a continuous scene of Chinese figure holding a bird, standing beside an extensive red branched flowering tree, the opposing side with two further male figures picking flowers beside a smaller supplementary flowering plant, interior with a small red Mons floral border, unmarked, 6cm high (rim chips)
A WORCESTER COFFEE CUP
Provenance: Ex. Wychwood and Bernard Watney Collections. Purchased on 1st November 2000 from Phillips £50 - £70
A WORCESTER COFFEE CUP
Provenance: Ex. Wychwood Collection £80 - £120
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A WORCESTER MUSTARD OR CONDIMENT SPOON
circa 1770 the tapering flat handle moulded with an elaborate scroll finial picked out with blue hatching, the bowl painted with a cell border with a central floret also in blue, unmarked, 10.2cm long (handle restored)
Provenance: Ex. Wycherley and Zorensky Collections. Purchased on 22nd February 2006 at Bonhams £100 - £150
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A WORCESTER MUSTARD OR CONDIMENT SPOON
circa 1770 the circular bowl transfer-printed with a single rose within a blue line rim, the elaborate moulded handle with blue highlights, 10cm long (a.f) Provenance: Ex. Wychwood Collection £80 - £120
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A WORCESTER RICE SPOON
circa 1765-70 the handle with floral terminal, painted in blue with the 'Maltese Cross' pattern, crescent mark, 13cm long Provenance: Ex. Wychwood and Zorensky Collections £100 - £150
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A RARE WORCESTER SPOON
circa 1785, of Chinese rice spoon shape, the handle with a single floret terminal, printed in bright blue with a portion of the 'Fisherman and Cormorant' pattern and associated border, two leafy sprigs on the underside, disguised numeral mark, 13cm long (minute chip to the tip) Provenance: Ex. Wychwood and Zorensky Collections. Purchased at Bonhams in March 2004. Notes: Worcester may have re-issued a shape popular fifteen or twenty years earlier, possibly for use as a caddy spoon £150 - £250
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A WORCESTER COFFEE CUP
circa 1765 of plain form with indented loop handle, painted in the Mandarin taste with a young boy pointing at two further figures holding a parasol, with internal wave and dot border, unmarked, 6.6cm high (small foot rim chip) Provenance: Ex. Wychwood Collection £80 - £120
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A WORCESTER TEABOWL AND SAUCER
circa 1768 of 'Warmstry Fluted' shape with a barbed rim, painted in bright enamels with a border of flowerheads, leaves and scattered sprigs, underglaze blue fret marks, teabowl 4cm high and saucer 12.1cm diameter (2)
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A WORCESTER TEABOWL, OUTSIDE DECORATED
circa 1762 of octagonal form, from the 'Red Line Bordered' group, painted with alternate panels of dense kakiemon foliage and a solid powder blue, with red line below the exterior rim, unmarked, 4.1cm high Provenance: Ex. Wychwood and Zorensky Collections. Purchased on 23rd February 2005 at Bonhams Notes: This octagonal shape is the earliest form to be found with decoration of this type. It has been suggested that the teabowl was old stock which was sold and decorated some fifteen years after its manufacture £100 - £150
Provenance: Ex. Wychwood and Zorensky Collections. Purchased on 23rd February 2005 at Bonhams £120 - £180
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A WORCESTER COFFEE CUP
circa 1765 of plain form with a thick, indented loop handle, painted in polychrome in the Mandarin taste with a figure seated beside a desk with vase of flowers and small further flowering plant pot, with a red flowering tree sprouting from a bright green landscape to the opposing side, interior with a wave and line border, unmarked, 6.3cm high Provenance: Ex. Wychwood Collection £70 - £90
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A WORCESTER COFFEE CUP
circa 1762 transfer-printed in black 'The Red Bull' pattern, comprising Chinse peasants in a landscape with two buffalo, enamelled in colours, black line to the interior rim, unmarked, 5.8cm high Provenance: Ex. Wychwood Collection.
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Notes: An early Worcester pattern first used in 1754, the origin is an uncommon Chinese famille rose pattern from the Yongzheng period faithfully reproduced in a coloured-in black print first used in 1754 £150 - £200
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A LARGE WORCESTER TANKARD
circa 1775-85 of cylindrical shape with an indented loop handle, transfer-printed in underglaze blue with 'The Argument' pattern bellow a wide floral border, underglaze blue workman's mark, 13.7cm high Provenance: Ex. Wychwood Collection £80 - £120
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circa 1762-65 of plain U shape with a grooved handle, brightly enamelled with the 'Valentine' pattern of billing doves on a quiver, a garlanded breadfruit tree and hearts on an altar, with 'pencilled' purple scrollwork border to the interior, unmarked, 5.7cm high
circa 1760 of oval shape, with gently tapering sides, the embossed rococo panels transfer-printed in underglaze blue with the 'Three Flowers' pattern, the interior with a further floral spray, hatched crescent mark, 13cm wide (restored)
Provenance: Ex. Wychwood Collection and David Butti Collections. Purchased on 10th May 2006 at Bonhams
Provenance: Ex. Wychwood Collection £60 - £80
A WORCESTER COFFEE CUP
Notes: The original 'Valentine' pattern was a design created by Percy Brett, copied onto Chinese porcelain as a special presentation service made for Commodore Anson in 1743 in recognition of his crew's services in saving Canton from a potentially devastating fire £200 - £250
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A WORCESTER TRIO OF COFFEE CUP, TEA BOWL AND SAUCER
circa 1765 painted in puce with flowering plants within gilt scrolled cartouches, flanked by further larger pink floral sprays, with a gilt-edged border, unmarked, coffee cup 5.5cm high and saucer 12cm diameter (3)
A RARE WORCESTER POTTED MEAT POT
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A WORCESTER COFFEE CUP
circa 1775-80 of U shape with an indented loop handle, painted in polychrome enamels with floral sprays below a gilt lined upper rim, unmarked, 5cm high (shallow rim chip) Provenance: Ex. Wychwood Collection. Purchased at these rooms in July 2007 £80 - £120
Provenance: Ex. Wychwood Collection £100 - £150
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A WORCESTER WISHBONE-HANDLED COFFEE CUP
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A WORCESTER PLATE
circa 1758 of bell-shape, 'pencilled' in black with a chinoiserie scene of single male figure holding parasol and bird, by a pine tree, fence and birds in flight, lambrequin border, unmarked, 6cm high Provenance: Ex. Wychwood Collection £200 - £300
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circa 1785 of fluted form, transfer-printed in underglaze blue with 'The Bat' pattern with additional hand-washed colouration, crescent mark, 15.5cm diameter Provenance: The Wychwood Collection. Purchased at Christies on 18th September 2004. Notes: Admiration for bats began during the Manchu Period in China, seen as signs of good luck and featured heavily in all manners of Chinese culture including furniture, thrones and the robes of Emperors. It is therefore not surprising to see this used in Worcester given the influences at the time. Although previously thought to be a Caughley pattern, biscuit wasters found at the Worcester site have proven its sole origin £50 - £70
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circa 1760 of fluted form with a gilt line border, transfer-printed in black with a Classical Ruins landscape, featuring solitary fisherman before an arched building and ball-capped obelisk, unmarked, 18.2cm diameter
circa 1785 circular with a moulded shell handle, the bowl pierced in the shape of a cross and a gilt bud and dot design around the rim, a line around the base, unmarked, 10.1cm widest point
Provenance: Ex. Wychwood and Bayley Collections. Purchased at Tennants, 17th July 2008 £100 - £150
Notes: Egg drainers came in sets and were occasionally sold with matching egg cups. How precisely they were used is still a matter for debate
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Provenance: Wychwood Collection. Ex. Zorensky Collection, purchased at Bonhams on 16th March 2004 £70 - £90
A WORCESTER PLATE
A RARE WORCESTER PICKLE LEAF DISH
A WORCESTER EGG DRAINER
circa 1757-60 transfer-printed in underglaze blue with the 'Bamboo Billboards' pattern, unmarked, 8cm wide Provenance: Ex. Wychwood, Zorensky and Godden Reference Collections. Notes: This is the last of the series of seven early prints that began with The Man in the Pavilion, and is the example illustrated by Branyan, French & Sandon (Worcester Blue and White Porcelain, Second Edition, 1989, p323, II.B.6) which was the only one known to the authors at the time of publication £200 - £300
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A WORCESTER TEAPOT STAND
circa 1770-72 of hexagonal shape, transfer-printed in overglaze black with a Classical Landscape scene after Robert Hancock, with a gentleman standing beside a tree, before ruins, black exterior line border, unglazed base unmarked, 15cm wide
413
Provenance: Ex. Wychwood and Bayley Collections £100 - £150
414
A WORCESTER 'CHINESE FAMILY' GROUP COFFEE CUP
circa 1765 of plain form with indented loop handle, painted in polychrome with two seated figures beside a table bearing a bowl of yellow pearfruit, with further single male figure bidding his greetings, with an interior underglaze blue printed border and gilded rim, unmarked, 6.5cm high
414
Provenance: Ex. Wychwood Collection £100 - £150
415
A WORCESTER TEABOWL AND SAUCER
circa 1770 painted with pink floral sprays between gilded rims, unmarked, teabowl 4.5cm high, saucer 12cm diameter (2)
415
Provenance: Ex. Wychwood Collection. Purchased from Peter Wilson's on 15th September 2005. Extensive rubbing to the gilded rims £50 - £70
416
A SMALL WORCESTER PLATE
circa 1755-60 of circular lobed form, painted in underglaze blue with 'The Cormorant' pattern, the eponymous bird perched atop a holey rock beside a small fisherman and flowering branches, painted workman's mark, 14.5cm diameter
416 134
Provenance: Ex. Wychwood Collection £120 - £180
Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
417
418
circa 1780 transfer-printed in underglaze blue with the 'Classical Ruins Dessertwares Group' pattern, featuring solitary figure standing before ruined temple, within scrollwork and elaborate Fitzhugh border, disguised numeral mark, 33cm wide
circa 1760 painted in underglaze blue from the series of heavy naturalistic sprays, workman's mark, 26cm wide
A RARE, LARGE WORCESTER DESSERT DISH
Provenance: Ex. Wychwood Collection Notes: See Branyan, French and Sandon 'Worcester Blue and White Porcelain', p. 352 where the authors note that due to the rarity of this pattern, they could not determine how many pieces exactly were made in this design. Although similar to black transferprinted designs of the same period, this pattern is distinguished by the individual use of borders £200 - £300
A WORCESTER CABBAGE LEAF DISH
Provenance: Ex. Wychwood Collection £100 - £150
419
A SMALL WORCESTER BOWL
circa 1775-80 transfer-printed in underglaze blue with the rare version of the Mother and Child pattern, featuring a third figure to the right, with internal vase of flowers to the interior a single blue lined upper rim, hatched crescent mark, 10cm diameter Provenance: Ex. Wychwood Collection. Purchased on 28th September 2004 at Law Fine Art £70 - £100
417
418
419 135
420 420
422
circa 1768 press moulded, painted in blue with a chrysanthemum and a frieze of flowers, underglaze blue crescent mark to the bowl, painted C to the saucer, tea bowl 10cm diameter, saucer 15cm diameter (2)
circa 1775 of oval form with two shell-form handles and a gadrooned rim, transfer-printed in underglaze blue with the Pine Cone pattern, crescent mark, 29cm wide (one handle restored)
A WORCESTER TEA BOWL AND SAUCER
Provenance: Ex. Wychwood Collection £80 - £120
A WORCESTER TUREEN STAND
Provenance: Ex. Wychwood Collection £70 - £90
421
A WORCESTER BOWL
circa 1760 of circular form, painted in underglaze blue with the 'Prunus Root' pattern, workman's mark, 12.1cm diameter (foot rim chip) Provenance: Ex. Wychwood Collection £30 - £50
422 136
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423
A SMALL WORCESTER COFFEE CAN
circa 1770 of slightly waisted form, painted in blue with the 'Cannon Ball' pattern featuring pagoda, pine trees and cannon balls, the interior with a cell diaper border, unmarked, 5.5cm high Provenance: Ex. Wychwood Collection £100 - £150
424
A WORCESTER BLUE AND WHITE PIERCED RICE SPOON
423
circa 1775 with flower-head terminal, painted with trailing flowersprays and flowerheads, 13.3cm long (restored to rim and handle terminal, minute rim chips)
Provenance: Ex. Wychwood Collection. Purchased at Christie's on 16th September 2004 £100 - £150
425
A WORCESTER TEA BOWL
circa 1755-56 'pencilled' with the Boy on a Buffalo pattern in black monochrome with a figure riding on a buffalo beside a pine tree and two sampans, disguised numeral, 7.2cm diameter
424
Provenance: Ex. Wychwood Collection. Purchased on 23rd August 2006 Notes: Although this exact pattern is thought to be unique to Worcester, similar designs also appear on Chinese porcelain £100 - £150
426
TWO WORCESTER COFFEE CUPS
circa 1765 of plain form with indented loop handles, painted in polychrome with Chinese figures, single cup with interior transfer-printed underglaze blue border, crescent mark, 6.5cm high (2)
425
Provenance: Ex. Wychwood Collection £80 - £120
137
427
A WORCESTER TEA BOWL
circa 1760 decorated in the Chinese export style, painted in underglaze blue and overpainted enamels with alternating panels of Chinese figures, unmarked, 7.8cm diameter (minute rim chip) Provenance: Ex. Wychwood Collection £100 - £150
427 428
A WORCESTER 'PU TAI' SLOP OR WASTE BOWL
circa 1765 painted with a pot-bellied monk and attendant flanked by a young boy and further figure catching fish below a gilt lined rim, unmarked, 12.5cm diameter Provenance: Ex. Wychwood Collection £100 - £150
428 429
A RARE WORCESTER TEA BOWL
circa 1762 of plain form, finely painted with a single urn of flowers surrounded by further red supplementary floral sprays, with interior painted sprig, gilt and iron red wave and dot border, unmarked, 7.2cm diameter (shallow interior rim chip) Provenance: Ex. Wychwood and Zorensky Collections. Notes: See Simon Spero and John Sandon, 'Worcester Porcelain 1751 - 1790, The Zorensky Collection' where the authors suggest that this might be an unusually early replacement piece for an early eighteenth century Chinese service £80 - £120
138
429
Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
430
A WORCESTER TEA BOWL AND SAUCER
circa 1765 of plain form, transfer-printed in underglaze blue with two concentric rings, painted in overglaze enamel with central spray of pink flowers, further star-shape motifs and pinks ribbons toward the rim, unmarked, teabowl 4cm high, saucer 11.8cm diameter (2) Provenance: Ex. Wychwood Collection £100 - £150
431 430
A WORCESTER 'SCARLET JAPAN' TEA BOWL AND SAUCER
circa 1765 of fluted form, decorated in the Kakiemon style with aternating orange panels, a gilt trellis design reserved with mons and prunus branches and chrysanthemums, highlighted in gilt with flowers, unmarked, teabowl 4.3cm high, saucer 10.5cm diameter (2) Provenance: Ex. Wychwood Collection £80 - £120
432
AN UNCOMMON WORCESTER BUTTERBOAT
431
circa 1770 of leaf-form with angular handle, transfer-printed in underglaze blue with the 'Butterboat Floral' pattern with cell diaper interior border, crescent mark, 8cm long Provenance: Ex. Wychwood Collection £80 - £120
433
A WORCESTER TEA BOWL AND SAUCER
circa 1788 transfer-printed in underglaze blue with 'The Milkmaids and Cattle' pattern after Robert Hancock, the rims lined in gilt and with red overglaze enamels, hatched crescent and workman's mark, teabowl 8cm diameter, saucer 12.5cm diameter (2)
433
Provenance: Ex. Wychwood Collection £100 - £150
139
434
A WORCESTER TEABOWL AND SAUCER
circa 1765 of partly ribbed form, painted in underglaze blue with a central sprig and cell diaper border to the outer rims, saucer 10.6cm diameter, teabowl 7.8cm diameter together with a further saucer painted with lamebrequin border and inner border design to the centre (3) Provenance: Ex. Wychwood Collection £60 - £80
435 435
A WORCESTER SINGLE-HANDLED BEAKER
circa 1785 of tapered form with ear-shaped handle, transferprinted in underglaze blue with The Pleasure Boat pattern, internal cell diaper and spearhead border, underglaze blue painted workman's mark 7.5cm high Provenance: Ex. Wychwood Collection £60 - £80
436
A WORCESTER DESSERT PLATE
436
circa 1775, of lobed form, painted with a central polychrome medallion of flowers, surrounded by a gilt border, with a further border of puce floral arrangements, cobalt blue and giltwork, crescent mark, 19cm diameter Provenance: Ex. Wychwood Collection. Purchased at these rooms on 28th October 2015 £80 - £120
437
A WORCESTER PIERCED OVAL DESSERT BASKET
circa 1770 internally painted with a bouquet of colourful flowers within gilt cartouche, on wet blue ground, the exterior applied with with florets, green rope-twisted handles with moulded flowers and leaves at the terminals, gilt dentil rim, crescent mark, 25cm wide (a.f)
437 140
Provenance: Ex. Wychwood Collection £100 - £150
Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
438
439
circa 1770 painted with 'Fan Panelled Landscape' panels against powder blue ground, painted script mark, 19.5cm diameter (underside rim chip)
circa 1765 transfer-printed in underglaze blue with 'The Milkmaids' pattern, the interior of the rim with a panelled band, disguised numeral mark, 10cm high
Provenance: Ex. Wychwood Collection £100 - £150
Provenance: Ex. Wychwood Collection £80 - £120
A WORCESTER DESSERT PLATE
A WORCESTER SPARROW BEAK MILK JUG
440
A WORCESTER COFFEE CUP
circa 1770 painted in polychrome enamels in the Chinese style, with two figures seated at a table, a further figure holding vase of flowers and a young boy observing a cock fight, within a flower and landscape panelled gilt scroll band, unmarked, 6cm high Provenance: Ex. Wychwood Collection £80 - £100
441 438
TWO WORCESTER SPOON TRAYS
circa 1775-85 transfer-printed in underglaze blue with 'The Argument' and 'The Bandstand' patterns, with gilded border to the edges, unglazed bases, painted disguised numerals, 15.5cm wide (2) Provenance: Ex. Wychwood Collection £60 - £80
439
440 141
442
445
circa 1760-65 moulded with a herringbone feather design and painted in underglaze blue with the 'Feather Mould Floral' pattern, workman's mark, teabowl 7cm, saucer 11.5cm diameter (2)
circa 1765-75 painted in underglaze blue with 'The Scalloped Peony' pattern, open crescent mark, 6.5cm high
A WORCESTER TEA BOWL AND SAUCER
Provenance: Ex. Wychwood Collection £80 - £100
AN UNCOMMON WORCESTER COFFEE CUP
Provenance: Ex. Wychwood Collection £50 - £70
446
443
A WORCESTER TEA BOWL
A WORCESTER COFFEE CUP
circa 1770 painted in underglaze blue with the rare 'Candle Fence Pavilion' pattern, featuring a two-storeyed building beneath a tall willow tree and beside an ornamental fence, open crescent mark, 6cm high Provenance: Ex. Wychwood Collection Notes: Most examples of this pattern have been clobbered with polychrome enamels, and survivals in the original palette are rare £200 - £250
circa 1775-80 transfer-printed in underglaze blue with the 'Mother and Child and Man Fishing' pattern, open crescent mark, 7.5cm diameter; together with a Worcester coffee cup and saucer, circa 1770-80, transfer-printed in underglaze blue with the 'Three Flowers and Butterfly' pattern within concentric double lined border, hatched crescent mark, one featuring initials 'PF', coffee cup 6.5cm high, saucer 12.5cm diameter (3) Provenance: Ex. Wychwood Collection £80 - £120
444
A VERY RARE WORCESTER COFFEE CUP
circa 1785 of fluted form with ear-shaped handle, painted in underglaze blue with the 'Late Floral Bouquet' pattern and an interior floral link border, open crescent mark, 6.5cm high Provenance: Ex. Wychwood Collection Notes: See Lawrence Branyan, Neal French & John Sandon 'Worcester Blue and White Porcelain 1751-1790', p.244 for a very similar coffee cup with additional gilding £200 - £250
444
445 142
Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
447
A WORCESTER COFFEE CUP
circa 1770 of plain form with indented loop handle, decorated in polychrome with a Chinese family group, the five figures around a low table and tall plant-stand, interior with red crowsfoot border, unmarked, 6.5cm high Provenance: Ex. Wychwood Collection £100 - £150
448
A WORCESTER COFFEE CUP, TEA BOWL SAUCER
circa 1770-75 of partly fluted form, with overglaze apple green borders, decorated in coloured enamels with tightly painted clusters of fruit and isolated scattered insects, unmarked, coffee cup 5.8cm high, saucer 13cm diameter, teabowl, 7.6cm diameter (3) Provenance: Ex. Wychwood Collection £200 - £300
449
A WORCESTER 'BOY IN THE WINDOW' PATTERN COFFEE CUP
circa 1770 of plain form with indented loop handle, decorated in polychrome, the reverse with a Chinese family greeting a tradesman within scrolling iron red foliate borders, unmarked, 6.5cm high Provenance: Ex. Wychwood Collection £80 - £120
447
448
449 143
450 450
A WORCESTER COFFEE CUP
circa 1775, of plain form with looped handle, decorated in the imari style with flowers, underglaze blue fretmark, 6.2cm high (handle restored) together with a Worcester fluted teacup and similar saucer, painted in polychrome enamels in floral sprays including roses, underglaze blue fretmark (saucer restored, teacup cracked) (3) Provenance: Ex. Wychwood Collection £50 - £70
451
A WORCESTER COFFEE CUP
circa 1785 of plain form with an entwined loop handle, transferprinted in underglaze blue and finely over-decorated in gilt with busy floral arrangements and leaves, interior gilt dentil rim, open crescent mark, 6.5cm high Provenance: Ex. Wychwood Collection £70 - £90
144
451 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
452 452
A WORCESTER SAUCER
circa 1780-85 transfer-printed in underglaze blue with the rare 'Fluted European Landscape', disguised numeral mark, 13.5cm diameter (small rim chip) together with further Worcester saucer, circa 1757-60, transferprinted in underglaze blue with 'The Man in the Pavilion', unmarked, 12cm diameter (2) Provenance: Ex. Wychwood Collection £80 - £120
453
A WORCESTER COFFEE CUP
circa 1760 of plain form with indented loop handle, painted in polychrome with navette-shaped panels of a Chinese woman and young boy in garden settings within gilt cartouches, the cup further decorated with pink flowers, unmarked, 6.5cm high
453
Provenance: Ex. Wychwood Collection £100 - £150
145
456
A WORCESTER COFFEE CUP
circa 1780 of tapering beaker form with loop handle, painted in underglaze blue with the 'Chantilly Sprigs' pattern below a gilded rim, painted imitation Chantilly 'hunting horn' to the base, 6.5cm high (small rim chip) Provenance: Provenance: Ex. Wychwood Collection. Purchased at these rooms on the 7th December 200 £60 - £80
454 454
A GOOD WORCESTER COFFEE CUP
circa 1758-65 of short, squat form with a high rise loop handle, painted in polychrome enamels in a hand attributed to James Rogers, with a pink cabbage rose, butterfly and scattered sprigs, interior red line and wave border, unmarked, 6cm high (small chip restored) Provenance: Ex. Wychwood Collection £70 - £100
A WORCESTER 'EARL OF DALHOUSIE' COFFEE CUP
circa 1780 of reeded form with ear-shaped handle, decorated in overglaze enamels with an oval landscape within turquoise husks, flanked by garlands of fruit and scattered insects, open crescent mark, 6.5cm high Provenance: Ex. Wychwood Collection
455
THREE WORCESTER BLUE AND WHITE TRANSFER-PRINTED COFFEE CUPS
457
circa 1775-85 comprising a cup with a print from the European Landscape Group, featuring windmill and figures beside buildings, disguised numerals mark, 6.2cm high, a cup with 'The Bat' pattern, hatched crescent and painted triangle in gilt, 5.9cm high and another cup, circa 1780-90, with the 'Bandstand' pattern, 6.2cm high (3)
Notes: The Dictionary of Worcester Porcelain, Vol I, 1751-1851, page 122, "The origin of this name is unclear, but according to H. Rissik Marshall a dessert service decorated with a version of this pattern was at one time owned by the Tenth Earl and Marquis of Dalhousie. The Lord Henry Thyne pattern is very similar except it has birds rather than butterflies and insects." £100 - £150
Provenance: Ex. Wychwood Collection £100 - £150
457 146
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458
A WORCESTER CUP AND SAUCER
circa 1780 of double-ogee shape with entwined handle, painted in black enamel with husk festoons and small polychrome formal floral sprigs, unmarked, cup 6.5cm high, saucer 13.2cm diameter (2) Provenance: Ex. Wychwood and Zorensky Collections. Notes: Noticeably more Continental in style, this cup borders somewhere between the forms of tea and coffee cups, leaving the intended use somewhat of a mystery. Similar decoration including festoons can be found at the Bristol and Chelsea-Derby porcelain factories and Wedgwood creamware of the same period £80 - £120
458
459
A WORCESTER SAUCER
circa 1770 painted with a chinoiserie design of magnolias in a vase alongside precious objects, within a stylised flower decorated rim, impressed circle, 12cm diameter Provenance: Provenance: Ex. Wychwood Collection. Purchased at these rooms on 8th December 2004 £70 - £100
459 460
A WORCESTER TRIO OF COFFEE CUP, SAUCER AND TEA BOWL
circa 1760-70 comprising a tea bowl and saucer in the 'L'Amour' pattern with 'RH Worcester' signature, tea bowl 7cm diameter, saucer 11.2cm diameter and a coffee cup with 'The Tea Party' pattern, 6cm high (3) Provenance: Ex. Wychwood Collection £120 - £180
460 147
461
462
circa 1765 transfer-printed in black with the 'Old Dutch Inn' pattern, featuring a figure working beside an old Dutch barn, with windmill to the interior bowl, unmarked, 7.5cm diameter together with a further Worcester saucer transfer-printed in black with the 'The Signal Tower', unmarked, 11.5cm diameter (2)
circa 1756-60 transfer-printed in overglaze black with 'The Tea Party' no.3, with lady and gentleman seated having tea around a tripod table, a dog at their feet, by a sparsely decorated tree and ornamental fountain, painted black line crowsfoot border, 12.5cm diameter
Provenance: Ex. Wychwood Collection. The tea bowl purchased at these rooms on 15th April 2015 and the saucer ex. McWilliams Collection £80 - £120
Provenance: Ex. Wychwood Collection. Notes: This is a rare version of this print £70 - £90
A WORCESTER TEA BOWL
A WORCESTER SAUCER
463
A WORCESTER COFFEE CUP
circa 1770 of plain form with indented loop handle, painted in polychrome with a a bright pink peony and other flowers, interior red crowsfoot border, unmarked, 6.8cm high Provenance: Ex. Wychwood Collection £80 - £120
461
462 148
463 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
464
466
circa 1830-40 painted with topographical views of 'Near Tivoli, Italy' and 'Bonington House' against an overall peach and gilt ground with a diamond border, painted marks to the base in red, cup 6.6cm high, saucer 14cm diameter (2)
circa 1775-85 comprising three underglaze blue transfer-printed examples, 'European Landscape Group', 'Three Flowers and Butterfly', 'Bandstand' and one further saucer painted in blue with the 'Cannonball' pattern, disguised numerals and crescent mark with 'L', 12.2cm diameter (4)
Provenance: Ex. Wychwood Collection £100 - £150
Provenance: Ex. Wychwood Collection £80 - £120
465
467
A CHAMBERLAIN'S WORCESTER CABINET CUP AND SAUCER
A GROUP OF WORCESTER SAUCERS
circa 1760-85 including 'European Landscape Group', 'Plantation' (cracked), 'Circled Landscape' and 'Mother and Child', largest 12.5cm diameter (4)
FOUR WORCESTER SAUCERS
NO LOT
Provenance: Ex. Wychwood Collection. Plantation saucer is ex. Bernard Watney Collection £80 - £120
464 149
468
A WORCESTER TEA BOWL AND SAUCER
circa 1775-80 painted with 'dry blue' sprays of flowers accentuated with gilt, interspersed with further gilt floral sprigs, with dentil rims, unmarked, tea bowl 7.5cm diameter, saucer 12.5cm diameter; together with a Flight Worcester period tea bowl, decorated in underglaze blue and overglaze gilt with flowers, 8cm diameter (3)
470
A CHAMBERLAIN WORCESTER TEACUP AND SAUCER IN THE 'DRAGONS IN COMPARTMENTS' PATTERN
Provenance: Ex. Wychwood Collection £80 - £120
late 18th/early 19th century richly decorated with lappet-shaped panels of mythical beasts alternating with vases issuing gilt foliage, on a seeded green-ground, within gilt rims, painted pattern number '75' in iron red and further a Flight Worcester saucer in the same design, one with underglaze blue crossed swords mark, teacup 6.5cm high, saucers 13.8cm diameter (3)
469
Provenance: Ex. Wychwood Collection £80 - £120
A BARR FLIGHT & BARR WORCESTER TEACUP AND SAUCER
early 19th century richly decorated in the imari palette with panels of oriental-style decoration separated by cross-hatched bands with mons, impressed crown above 'BFB' mark, teacup 6.2cm high, saucer 14cm diameter (2) Provenance: Ex. Wychwood Collection £100 - £150
471
A WORCESTER DESSERT PLATE
circa 1780-85 of circular form with scalloped rim, a central rose spray within turquoise caillouté ground section edged with gilt C-scrolls, the underglaze blue exterior border hung with colourful flower sprays and gold ornamentation, with a gilt dentil rim, underglaze blue painted open crescent, 22cm diameter Provenance: Ex. Wychwood and Jeremy Lever Collections. Notes: HRH Princess Elizabeth and the Duke of Edinburgh received a service of this pattern in 1948 as a wedding gift from the Borough of Cheltenham £150 - £250
469
470 150
471 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
472
474
circa 1768-75 of ribbed form, boldly painted in overglaze enamels with polychrome sprigs and scattered insects, with iron red bands, unmarked, coffee 6cm high, tea bowl 7.5cm diameter (2)
circa 1765-70 of plain form with an indented loop handle, painted in polychrome with a bouquet of purple, red and blue flowers, further floral sprigs to the opposing side, interior red crowsfoot border, unmarked, 6.5cm high
Provenance: Ex. Wychwood Collection £80 - £120
Provenance: Ex. Wychwood Collection £100 - £150
A WORCESTER COFFEE CUP AND TEABOWL
A WORCESTER COFFEE CUP
473
A MATCHED WORCESTER COFFEE CUP AND SAUCER
circa 1765-70 decorated in the Japanese-style 'Kempthorne' pattern, painted with stylised flower sprays in underglaze blue, green, yellow and red, the borders with alternating blue and gold bands and half chrysanthemum flowers, unmarked, coffee cup 6cm high, saucer 12.8cm diameter (2) (coffee cup chipped, saucer restored) Provenance: Ex. Wychwood Collection.
Notes: R.W.Binns maintained that the origins of this name came from John Thorneloe, one of the original partners in the Worcester porcelain company. After travelling to Mullion in Cornwall on a search for soapstone and finding no accommodation, he was invited to stay with Renatus Kempthorne. After refusing to accept payment from Thorneloe, a special service manufactured from the soaprock procured during the trip, is said to have been sent to him £70 - £90
473
474 151
475
477
circa 1775 of plain form with an indented loop handle, painted in polychrome with a single oval panel of pink and purple flowers surrounded by gilt border, further painted with sparse pink sprigs, interior gilt and red line border, unmarked, 6.5cm high (hairline around top of handle)
circa 1770 of plain form with indented loop handle, painted in polychrome enamels with flowers and a thistle, gilt lined rim, unmarked, 6.5cm high
A WORCESTER COFFEE CUP
Provenance: Ex. Wychwood Collection £70 - £90
A WORCESTER COFFEE CUP
Provenance: Ex. Wychwood and Grant Davidson Collections. Purchased at Dreweatt Neate in 2007 £100 - £150
476
478
circa 1770 of plain form with indented loop handle, transferprinted in underglaze blue and overpainted in polychrome enamel, featuring pink and yellow flowers with turquoise leaves, highlighted with gilding, interior with transfer-printed hatched border interspersed with rectangular panels, unmarked, 6.5cm high
circa 1770 painted with shaped panels enclosing exotic birds and insects reserved against an overall powder blue ground, further detailed in gilt, unmarked, 13cm diameter
A WORCESTER COFFEE CUP
Provenance: Ex. Wychwood Collection £80 - £120
A WORCESTER SAUCER
Provenance: Ex. Wychwood Collection. Purchased at Bonhams in December 2002. No damages or repairs £100 - £150
475
477
476
478
152
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480 479
482
circa 1775, The cup painted with gilt-bordered mirror and vaseshaped panels of flowers, the saucer with circular and fan-shaped panels, fret mark to the cup, 4.6cm high, saucer 11.8cm diameter (2) Provenance: Ex. Wychwood Collection £80 - £120
circa 1815 painted with a circular central view of 'Ffestiniog' between a broad bright pink border, gilt dentil rim, 20.7cm diameter, together with a Worcester coffee cup in the Queen Charlotte pattern and further Worcester fluted coffee cup in the Kakiemon pattern, circa 177080, unmarked, 6cm and 5.5cm high (landscape plate restored) (3)
480
Provenance: Ex. Wychwood Collection £100 - £150
A WORCESTER BLUE-SCALE-GROUND TEACUP AND A BLUE-GROUND SAUCER
TWO FLUTED WORCESTER COFFEE CUPS
circa 1780 with ear-shaped handles, the former painted in dry blue and gilt with diagonal sprays of flowers and leaves, the latter with underglaze blue upper border and polychrome flower sprays, gilt rims, crescent mark, 6.5cm high (2) Provenance: Ex. Wychwood Collection £100 - £150
481
A FLIGHT, BARR AND BARR NAMED VIEW PLATE
483
A WORCESTER COFFEE CUP
circa 1780 of reeded form with ear-shaped handle, painted in polychrome enamels with spotted fruits beneath a gilt 'C' scroll band, unmarked, 6.5cm high Provenance: Ex. Wychwood Collection. Purchased at Special Auction Services in June 2000 £100 - £150
A CAUGHLEY PLATE
circa 1785 of lobed form, painted in underglaze blue with the 'Royal Lily' pattern with a blue and gilt flower panelled diaper, further floral scrollwork painted to the reverse, unmarked, together with two further Worcester plates in the same pattern, largest 20.5cm diameter (3) Provenance: Ex. Wychwood Collection £80 - £120
483 153
484
487
485
488
486
489
154
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484
487
circa 1780 of reeded form, painted in polychrome enamels with the 'Royal Marriage' pattern with three colourful sprays of flowers concealing a bow and arrow with a lovers knot, blue and gilt borders, crescent mark, 6.5cm high
circa 1765 painted in polychrome enamels with pink roses and others flowers surrounded by gilt wreaths, with further supplementary floral sprigs, interior with a puce cross-hatch border, gilded rim, unmarked, 7.5cm diameter; together with a Worcester saucer painted in polychrome with central red flower surrounded by concentric double line border with trailing green leaves, further red flowers toward the red-lined rim, unmarked, 12cm diameter and a further Worcester saucer with relief-moulded crysanthemum decoration and polychrome flowers, unmarked, 11.7cm diameter (3)
A WORCESTER COFFEE CUP
Provenance: Ex. Wychwood Collection £70 - £90
A WORCESTER TEA BOWL
Provenance: Ex. Wychwood Collection £150 - £200
485
A WORCESTER COFFEE CUP
circa 1770 of plain form with indented loop handle, painted in polychrome overglaze enamels with scattered flowers and single large ladybird, with a blue butterfly to the interior, iron red wave and dot border, gilded rim, unmarked, 6cm high Provenance: Ex. Wychwood Collection £80 - £120
488
A MATCHED WORCESTER COFFEE CUP AND SAUCER
circa 1790 richly decorated with lappet-shaped panels of mythical beasts alternating with vases issuing gilt foliage, on a seeded green-ground, within gilt rims, the coffee cup of fluted form, 5.5cm high, saucer 13.6cm diameter (2) Provenance: Ex. Wychwood Collection £80 - £120
486
489
circa 1765 of plain form with indented loop handle, boldly painted with a large pink peony sprawling from rockwork, surrounded by further supplementary polychrome flowers and gilded leaves, interior green and red leafy border, unmarked, 6cm high
circa 1770-75 with fluted rim, painted in coloured enamels with trailing flowers and leaves, within a gilt 'C' scroll band and green ground border, unmarked, 19cm diameter
Provenance: Ex. Wychwood Collection £100 - £150
Provenance: Ex. Wychwood Collection. Purchased at Law Fine Art in 2004. £100 - £150
AN INTERESTING WORCESTER COFFEE CUP
A WORCESTER 'MARCHIONESS OF HUNTLY' PLATE
155
490
492
circa 1770 with fluted border, painted in coloured enamels in the atelier of James Giles with puce flower swags and central spray, apple green ground border, gilded, unmarked, 20.7cm diameter
circa 1760-70 comprising a teacup over-glaze printed and handpainted with a European Landscape, pseudo crossed swords mark, 5cm high (restored); and two Worcester tea bowls, printed in puce with with a fisherman beside ruins and in black with The Tea Party, 7cm and 7.5cm diameter (3)
A WORCESTER PLATE
Provenance: Ex. Wychwood Collection £70 - £90
WORCESTER TEAWARES
Provenance: Ex. Wychwood Collection £80 - £120
491
A WORCESTER TEA BOWL
circa 1770 finely decorated in underglaze blue with overpainting in gilding and red in a Kempthorne-like pattern, the Japanese-style decoration with flowering prunus branches and further flowers, concentric blue double line border to the foot rim, further circle to the base, otherwise unmarked, 7.5cm diameter; together with a further Worcester tea bowl, circa 1775, decorated in polychrome enamels with floral sprays, unmarked, 7.6cm diameter (2) Provenance: Ex. Wychwood Collection £100 - £150
490
491 156
Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
493
493
A GROUP OF FOUR WORCESTER CREAM JUGS
circa 1770-1800 comprising a Flight's Worcester helmet-shaped jug transfer-printed in the Fence pattern, impressed mark and blue crescent, 12cm high; further blue and white sparrow beak transfer-printed in the Three Flowers and Butterfly pattern, crescent mark, 9.5cm high and two polychrome floral jugs, unmarked, 8.5cm and 10cm high (4) (restored) Provenance: Ex. Wychwood Collection £100 - £150
494
A WORCESTER COFFEE CUP
circa 1770 of plain form with loop handle, painted in coloured enamels with a bouquet of flowers and sprigs, interior red crowsfoot border, unmarked, 6.5cm high Provenance: Ex. Wychwood Collection £70 - £100
494 157
495
497
A WORCESTER COFFEE CUP
circa 1765-68 of plain form with indented loop handle, loosely decorated in coloured enamels with polychrome floral sprays, interior pale red crowsfoot border, unmarked, 6.5cm high Provenance: Ex. Wychwood Collection £70 - £100
A SMALL GROUP OF WORCESTER PORCELAIN
circa 1760-80 comprising a coffee cup, two tea bowls and saucer, of herringbone moulded form painted in underglaze blue with the 'Feather Moulded Floral' pattern; a Worcester reeded coffee cup painted with a floral blue border pattern and a tea bowl in the Immortelle pattern (6) Provenance: Ex. Wychwood Collection £100 - £150
496
A WORCESTER COFFEE CUP
circa 1775 decorated in the 'Hop Trellis' pattern, inspired by Sèvres, gilt and carmine trellis linked by festoons of pink and green berried hops, flanked by further garlands of purple flowers, below a puce border, turquoise band to base painted en camaïeu black with beading and flowerheads, gilt dentil rim, unmarked, 6.5cm high Provenance: Ex. Wychwood Collection £80 - £120
495 158
496 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
498 498
500
circa 1760-70 comprising saucers in the 'The Candle Fence', 'Peony', 'Scalloped Peony' patterns together with a Worcester tea bowl in the 'Peony' pattern and one further fluted Worcester tea bowl in a floral design (5) (some damage)
circa 1760 painted in muted pastel enamels with floral spray within cartouche, interior crowsfoot border, unmarked, 6.5cm high; together with a Worcester fluted coffee cup, painted in enamels with spray of pink roses and further flowers, unmarked, 6.5cm high (2)
Provenance: The Wychwood Collection £70 - £100
Provenance: Ex. Wychwood Collection £70 - £90
WORCESTER PORCELAIN TEABOWLS AND SAUCERS
A WORCESTER COFFEE CUP
499
A WORCESTER SAUCER
circa 1770 painted in the rare 'Candle Fence Pavilion' pattern with overglaze 'clobbered' decoration, open crescent mark, 12.2cm diameter Provenance: Ex. Wychwood Collection £80 - £120
499 159
501
502
503 160
Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
501
A WORCESTER IMARI TEA BOWL
circa 1760 polychrome decorated with alternating panels of flowers and birds, in geometric and foliate grounds, unmarked, 7.5cm diameter; together with a further Worcester tea bowl, of fluted form, decorated in the Kakiemon palette with the 'Queen's Pattern', underglaze blue fret mark and painted red crescent, 7.2cm diameter (2) Provenance: Ex. Wychwood Collection £100 - £150
502
A SMALL COLLECTION OF WORCESTER PORCELAIN
circa 1760s-70s comprising a tea bowl, half-size, transfer-printed in underglaze blue with 'Fence' pattern below an interior concentric double line border, hatched crescent mark, 5.5cm diameter together with a matched saucer, underglaze blue 'man in the moon' crescent mark, 10.6cm diameter; a tea bowl transfer-printed in underglaze blue with the uncommon 'Three Ladies' pattern, interior concentric blue line border, circa 1770-80, crescent mark, 7.2cm diameter; a small tea bowl in the rare 'Flower Head and Leaf Band' pattern, circa 1770-85, 6cm diameter; a geranium leaf shape butter boat painted in underglaze blue with the 'Rose and Floral Sprays' pattern, 8.5cm long and a leaf-shaped pickle dish painted in blue with feather edge border, 9cm wide (6) Provenance: The Wychwood Collection £100 - £200
503
A WORCESTER TEA BOWL
circa 1760-85 overglaze transfer-printed in puce with Italianate Ruins, interior puce line border, unmarked, 7.1cm diameter together with a further Worcester tea bowl, of fluted form, painted in the Earl of Dalhousie pattern with central landscape within turquoise and gilt cartouche, surrounded by three sprigs, insects and butterflies, blue and gilt border, dentil rim, open crescent mark, 8cm diameter (2) Provenance: The Wychwood Collection £100 - £150
161
504 504
A WORCESTER COFFEE CUP AND SAUCER
circa 1775-80 the fluted forms painted with three puce flower sprays around a central auricula sprig, the rims with purple designs reserved on turquoise within gilt C scrolls, unmarked, coffee cup 7.5cm high, saucer 13.5cm diameter together with a Worcester sparrow-beak jug with scroll handle, turquoise gilt and wave black upper band, unmarked, 6.6cm high (3) Provenance: Ex. Wychwood Collection £100 - £150
505
506
A SMALL GROUP OF WORCESTER PORCELAIN
late 18th century comprising a fluted tea bowl, decorated in coloured enamels in the French style with formally painted flowers, underglaze blue fret mark, 7.5cm diameter; a fluted tea bowl, painted in black enamels with floral sprays below a gilt dentil rim, 7.6cm diameter; a Flight Worcester circular plate decorated in cobalt and gilt, 19cm diameter; a tea bowl decorated in an Imari palette with houses, trees and flying birds, 8.5cm diameter and an early 19th century dessert cup decorated with pink roses and trailing purple ribbons, pattern 5/7157, 6.6cm high (5) Provenance: Ex. Wychwood Collection £100 - £150
A WORCESTER COFFEE CUP AND ASSOCIATED SAUCER
circa 1770-75 painted in 'dry blue' formal decoration with flowers, the saucer plain blue feathered border and coffee cup with factory-decorated dentil rim, fret mark to the saucer, 11.7cm diameter, coffee cup 6.5cm high (2) Provenance: Ex. Wychwood Collection. The saucer ex. Zorensky Collection, catalogue ref. W.380 £100 - £150
505 162
Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
507
511
£50 - £70
circa 1770 of moulded geranium form, decorated in the Gillyflower pattern with feather edge blue border, paint open crescent mark, 10cm high £100 - £150
THE WYCHWOOD COLLECTION REFERENCE LIBRARY ON ENGLISH PORCELAIN (BOOKS)
A WORCESTER PICKLE LEAF DISH
508
THE WYCHWOOD COLLECTION REFERENCE LIBRARY ON ENGLISH PORCELAIN
(catalogues) including Sir Jeremy Lever Collection, Zorensky Collection and many others, circa 1990s-2000s (qty) £60 - £80
509
A PAIR OF WORCESTER DESSERT PLATES
circa 1770 of scalloped form, centrally painted with fancy birds in bright coloured enamels with gilded wet blue border and dentil rim, open crescent marks, 21.2cm diameter (2) £150 - £200
512
A LOWESTOFT MUG
circa 1760-65 of bell shape with a turned foot and grooved handle with thumbrest, painted in blue with a continuous Chinese river scene, the smaller islands with rocks and vegetation only, the larger with Chinese buildings and a variety of rockwork and trees, a 'scroll and flower' border inside the rim, unmarked, 12cm high (extensive stapled repair) Note: This pattern is discussed by Sheenah Smith, Lowestoft Porcelain in Norwich Castle Museum (1975), No.23, p.76 £100 - £150
510
A PAIR OF ROYAL WORCESTER CABINET PLATES BY W.H AUSTIN
dated 1924 centrally painted with circular panel of flowers, lemon and apple green border decorated with gilt, artist signed, printed factory mark in puce, retailed by Marshall Field & Company Chicago, 23.5cm diameter (2) £80 - £120
509
512 163
513
A LOWESTOFT TEA CADDY
circa 1770 of cylindrical form, transfer-printed in underglaze blue with a Three Flowers and Butterfly pattern, open crescent mark, 10cm high £100 - £150
513 514
WILLIAM MOORCROFT FOR JAMES MACINTRYE
circa 1899-1900 a 'florian ware' vase decorated with blue puppies, of low-bellied form with a crimped upper rim, printed factory mark, facsimile signature in green and impressed '602', 8.5cm high £180 - £200
514 515
A LARGE AND IMPRESSIVE COALBROOKDALE PORCELAIN VASE
circa 1830-40 of rococo moulded form, painted in polychrome with central panel of flowers and further enrcusted with flowers, unmarked, 39cm high £400 - £600
515 164
Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
516
517
circa 1860 circular, decorated with an Italian majolica style female figure, 'Cinta Bella' within ribbon scroll banner, impressed marks to reverse, 23cm diameter £150 - £200
late 19th century featuring central candleholder flanked by two further arms with sconces, centrally painted with a single male figure within wooden landscape, the frame with relief moulded flowers and a winged putti holding garland of flowers, underglaze blue factory mark, 46.5cm high £150 - £200
A WEDGWOOD TRIAL LUSTRE LOW TAZZE DISH
A SITZENDORF PORCELAIN WALL PLAQUE
518
A LARGE ITALIAN MAIOLICA CHARGER
late 19th century painted in the Castelli manner with a mythological scene of figures a tree, unmarked, 53cm diameter £100 - £150
"THIS RARE DISH WAS CREATED BY EMILE LESSORE AS A TRIAL FOR LUSTRE DECORATION, TO INSTRUCTIONS PROVIDED BY ITALIAN DESIGNER PIETRO GAJ. The trials were sold to Wedgwood as potential products and two very similar examples are held in the Wedgwood Museum Collection" - Caroline Dennard 516 165
519
521
Late 19th Century Painted with rural and classical scenes within oval panels, the neck and foot with grotesques, 58cm high (one restored) £150 - £200
circa 1950s modelled as a cart horse resting in a wagon pulled by a drayman and inscribed 'Guinness for Strength', with printed and impressed marks to base, model number CA2282, 14cm long £120 - £180
520
522
A PAIR OF ITALIAN MAIOLICA SNAKEHANDLED VASES
A WEDGWOOD FAIRYLAND LUSTRE BOWL
circa 1930s the exterior decorated in the Poplar Trees pattern, the interior with Woodland Elves, printed factory mark, painted pattern number Z4968, 23.3cm diameter £1,000 - £1,500
A CARLTON WARE GUINNESS ADVERTISING GROUP
A GROUP OF SIX CARLTON WARE "MY GOODNESS, MY GUINNESS" ADVERTISING FIGURES
circa 1950s comprising a kangaroo, ostrich, toucan, seal, tortoise and male figure, printed factory marks, tallest 9cm high (6) £100 - £150
523
A ROYAL WORCESTER PLATE
heavily carpet gilded, enamelled with a small panel depicting a pair of partridge within landscape, artist signed D.A. Whatmore, gilded foot rim, titled to verso, black printed factory marks, 23.3cm diameter £80 - £120
520 166
Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
524
525
circa 1930 painted with views of Lake Como and Pallanza Lake Maggiore with broad apple green borders decorated with gilt, artist signed J. Price, gilded foot rim, printed factory marks, titled to verso, painted pattern number BB.2142/H.3081, 29cm diameter (2) £100 - £150
dated 1988 a limited edition 10/25, designed by Sally Tuffin, tubelined with the 10-gun HMS Sirius, impressed and painted marks, 52cm high £2,000 - £2,500
A PAIR OF ROYAL DOULTON CABINET PLATES
A LARGE AND RARE MOORCROFT 'FIRST FLEET - HMS SIRIUS' VASE AND COVER
"THIS DESIGN COMMEMORATES THE BRITISH COLONIAL FLEET OF 11 SHIPS LED BY THE SIRIUS UNDER CAPTAIN JOHN HUNTER. It
contained over 1000 convicts, marines, seamen and civil officers that were shipped over from Portsmouth to create the penal colony at Botany Bay in 1788. This was the first European settlement in Australia and the journey took 250-252 days to complete. The total cost of dispatching this fleet was £84,000 - equating to approximately £9.6million today" - Caroline Dennard
525 167
526
528
dated 1992 a limited edition numbered 40/100, tubelined with fish and marine plants against a celadon ground, impressed and painted marks, 66cm high £1,500 - £2,000
'Voyager' a limited edition numbered 31/100, designed by Alicia Amson, painted and impressed marks, 25.5cm high £100 - £150
527
529
A LARGE MOORCROFT 'CARP' VASE
A MASON'S IRONSTONE 'COLUMBA CHALICE'
A MOORCROFT POTTERY VASE
a limited edition 57/500 hexagonal, baluster-shaped, lidded chalice, the cream ground decorated in gilt and enamel with illuminated panels based on early Irish manuscripts including the Cathach of Columba and the Book of Kells - designed by AE Porter and Raymond Sheldon, complete with stand, fitted case, anthology and certificate, 44.5cm high including stand £100 - £150
526 168
528
A COBRIDGE POTTERY VASE
'Carousel' - dated 1998, designed by Rachel Bishop, painted and impressed marks, numbered 652, 29.5cm high - boxed £120 - £180
529 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
530
A MOORCROFT POTTERY 'BRAMBLES' TEA SERVICE
dated 1998 designed by Sally Tuffin, comprising teapot and cover, cream jug, sugar bowl, two teacups and saucers, impressed and painted marks, contained within fitted case (7) £150 - £200
532
A MOORCROFT 'SPIRAXIA' VASE
circa 1998 a limited edition numbered 156/300 designed by Emma Bossons, artist signed and numbered, impressed marks, 28.5cm high - boxed £150 - £200
531
533
dated 2005 designed by Andrew Hill, a special edition produced for Beavis, numbered 15/50, printed and impressed marks, 36.5cm high - boxed £150 - £200
dated 2004 designed by Philip Gibson, a limited edition edition numbered 181/200, impressed and painted marks, 20.5cm high - boxed £150 - £200
A MOORCROFT 'EVENING SUNSET' VASE
531
532
A MOORCROFT 'DERWENT' VASE
533 169
534
A MOORCROFT 'CAROUSEL' GINGER JAR AND COVER
dated 1997 designed by Rachel Bishop, numbered 658. painted and impressed marks, 16cm high - boxed, with certificate £80 - £120
536
A MOORCROFT 'BUTTERCUP' VASE
dated 1993 designed by Sally Tuffin, printed and impressed marks, 30cm high - contained within original box £80 - £120
535
537
dated 1996 designed by Emma Bossons, impressed and painted marks, 21.5cm high - boxed £80 - £120
dated 1998 a limited edition numbered 123/250, painted and impressed marks, signed B. Montford, 19.5cm high - boxed £80 - £120
A MOORCROFT COLLECTORS CLUB 'VICTORIANA' VASE
534 170
535
A MOORCROFT COLLECTORS CLUB 'SAMARKAND LILY' VASE
537 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
538
540
dated 2003 designed by Anji Davenport, a limited edition numbered 116/300, printed and impressed marks, 31.5cm high - boxed £100 - £150
dated 2004 designed by Sian Leeper, a limited edition numbered 94/150, painted and impressed marks, 19cm high - boxed, with original retail label £300 - £400
A MOORCROFT 'DESERT ORCHID IVORY' VASE
A MOORCROFT COLLECTORS CLUB 'PANDA' GINGER JAR AND COVER
539
A MOORCROFT 'SHEARWATER MOON' VASE
dated 2005 designed by Emma Bossons, a limited edition numbered 146/150, printed and impressed marks 26cm high - boxed £150 - £200
538
539
540 171
541
542
dated 2002, designed by Anji Davenport, a limited edition numbered 60/100, painted and impressed marks, 39.5cm high £1,000 - £1,500
dated 1998 designed by Rachel Bishop, limited edition numbered 409/600, painted and impressed marks, 31.5cm high - boxed £100 - £150
A LARGE MOORCROFT 'ISLE ROYALE' VASE
A MOORCROFT 'CROWN IMPERIAL' VASE
543
A MOORCROFT COLLECTORS CLUB 'SYMPHONY' TWIN-HANDLED CHALICE AND COVER
dated 2004 designed by Emma Bossons, painted and impressed marks, 22cm high (boxed, with original retailer's label and leaflet) £100 - £150
541 172
542 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
544
A COBRIDGE POTTERY 'RIVER OF LIFE' GLOBULAR JAR AND COVER
dated 2000 designed by Nicola Slaney, a limited edition numbered 10/50, impressed and painted marks, 30cm high *Note: This was the last limited edition produced by the factory. In original first quality condition £250 - £350
545
A MOORCROFT COLLECTORS CLUB 'BALLET SHOES' VASE
544
dated 1997, tubelined with a female ballet dancer against a cream ground, painted and impressed marks, 18cm high - boxed £80 - £120
546
A MOORCROFT SHEARWATER MOON 3-D MODEL OF FISH
dated 2006 designed by Emma Bossons, artist signed, painted and impressed marks, 18cm high - boxed £100 - £150
546
547
A MOORCROFT 3-D FIGURE OF A HERON
dated 2005 designed by Emma Bossons, artist signed, impressed and painted marks, 18.5cm high - boxed £100 - £150
547 173
548
550
dated 1997 designed by Emma Bossons, artist signed, painted and impressed factory marks, 15cm high - boxed £100 - £150
dated 2009 signed by Kerri Goodwin, printed factory marks, 18cm high - boxed £150 - £200
A MOORCROFT 'FROG' FIGURE
A MOORCROF 'EMPEROR PENGUIN' FAMILY GROUP
549
A MOORCROFT 'SWALLOWS' VASE
dated 1998 designed by Rachel Bishop, a limited edition numbered 65/500, impressed and painted marks, 26cm high - boxed £100 - £150
548
549 174
550 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
551
A MOORCROFT COLLECTOR'S CLUB 'ATHENA' VASE
dated 2004 designed by Sian Leeper, a limited edition numbered 27/75, artist signed, painted and impressed marks, 20.5cm high - boxed £120 - £180
552
A MOORCROFT 'WINTER WONDERLAND' GINGER JAR AND COVER
551
dated 2002 designed by Anji Davenport, artist signed, painted and impressed marks, 16cm high In first quality condition with some slight areas of crazing near the base £100 - £150
553
A MOORCROFT ROYAL TRIBUTE (BROWN) TRIAL VASE
dated 1997 painted by Emma Bossons in an experimental colourway, painted 'TRIAL' and impressed marks, 27.5cm high - heavily crazed £120 - £180
553
554
A MOORCROFT 'ROMANY' VASE
dated 2001 tubelined by Sandra Hartshorne, painted and impressed marks, 22cm high £100 - £150
554 175
555
A MOORCROFT 'SECRET GARDEN' GINGER JAR AND COVER
dated 1994 tubelined against a cream ground, painted and impressed marks, 20cm high £100 - £150
556
FRANK THROWER FOR DARTINGTON
a ruby glass vase - shape FT58 with greek key design, 23.5cm high £100 - £150
555 557
A LALIQUE CRYSTAL 'EDELWEISS' BOWL
post-war frosted glass, paper label, 11.7cm diameter - boxed £60 - £80
558
A RENÉ LALIQUE 'FLEURONS' DISH
circa 1935 the opalescent glass plate moulded to the underside with spiralling bands, stencilled 'R LALIQUE FRANCE', 25cm diameter £200 - £250
558 176
559
A RENE LALIQUE 'VOLUTES' PLATE
designed in 1932 of circular form with blue opalescent glass, acid etched signature 'R. LALIQUE FRANCE', 27cm diameter £200 - £300
560
A MODERN LALIQUE FROSTED CRYSTAL FIGURE
modelled as 'Chrysis', a nude female kneeling with arched back, on circular base, etched to base 'Lalique, France', retaining paper label 13cm high £80 - £120
560
559 177
561
563
post-war frosted glass, modelled standing with hands outstretched behind her head, naturalistic rockwork oval base, paper label to base, 24.5cm high £100 - £150
circa 1923 rectangular, the cover decorated with flowers and the base with geometric designs, no visible signature, 9.5cm wide (small chip to the cover) £100 - £150
562
564
A LALIQUE CRYSTAL MODEL OF A NUDE FEMALE
A RENÉ LALIQUE 'GRAINES D'ASPERGES' BOWL
circa 1921 the opalescent glass decorated with asparagus seeds and stems, moulded mark, 18cm diameter £100 - £150
561 178
A RENE LALIQUE 'ZINNIAS' BOX AND COVER
A LALIQUE 'TOKYO' ASHTRAY
post-war frosted and clear glass, with exterior pattern of deeply cut flowers alternating with concave cut buttons, engraved 'Lalique France', 13.4cm diameter £60 - £80
562 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
565
567
together with further Lalique Crystal model of a Falcon post-war, engraved signature and paper label, tallest 9cm high (2) £80 - £120
post-war clear and frosted glass, bird with outstretched wings, engraved signature 'Lalique France', 8.1cm high £60 - £80
566
568
A LALIQUE CRYSTAL MODEL OF AN OWL
TWO LALIQUE CRYSYAL MODELS OF BEARS
post-war frosted glass, modelled lying prone and seated, engraved signatures, 10cm long and 8cm high £150 - £200
A LALIQUE CENDRIER OR RING TRAY
A RENE LALIQUE 'CHANTILLY' DRESSING TABLE BOX
circa 1924 circular with domed cover, decorated with doe figures in six different poses, each in a background of vegetation, ribbed sides, moulded signature 'R. Lalique', 8.5cm diameter £120 - £180
569
A SET OF FOUR LALIQUE CRYSTAL "ANGRY SPARROWS"
frosted glass, various poses, engraved signatures, tallest 10cm high £200 - £400
565
566
569 179
570
A LALIQUE CRYSTAL 'ARABESQUE' VASE
post-war frosted glass, moulded with birds amongst foliate scrolls, etched mark and paper label, 13.3cm high - contained within original box £80 - £120
571
A LALIQUE CRYSTAL MODEL OF ELEPHANT
post-war the frosted glass modelled standing with trunk raised, etched 'Lalique France', 8.5cm high £60 - £80
570
572
A LALIQUE CRYSTAL MODEL OF A DRAGON
post-war frosted glass, modelled standing, engraved signature, 10cm long £60 - £80
573
A RENÉ LALIQUE 'VALLAURIS' BOX AND COVER
circa 1928-37 of circular form, the cover decorated with high relief leaves and grapes to the handle, green patinated glass, stencilled 'R. Lalique', 13.5cm high, 15.7cm diameter £100 - £150
572 180
571
573 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
574
A RENE LALIQUE 'COQUILLES' BOWL
circa 1930s etched signature and number '72300', 23.6cm diameter £200 - £300
575
A RENÉ LALIQUE 'PISSENLIT' BOWL
introduced 1924 clear and frosted glass, moulded with dandelion leaves, moulded mark, 24cm diameter £100 - £150
574 576
A RENÉ LALIQUE 'POISSONS' DISH
circa 1930 the opalescent glass dish with swirled fish and central bubble inclusions, moulded signature to the centre, 25cm diameter £150 - £200
577
A RENÉ LALIQUE 'POISSONS' BOWL
576
circa 1930s the opalescent glass decorated with spiralled fish around bubble inclusions, raised signature to the centre, 20.5cm diameter £200 - £300
578
A RENÉ LALIQUE 'ACTINIA' BOWL
introduced in 1933, opalescent glass, stencilled mark to the centre, 25.5cm diameter £200 - £300
577 181
579
A LALIQUE CRYSTAL MODEL OF A "CESAR" RABBIT
post-war, modelled seated with ears raised, engraved signature, 13.5cm high £100 - £150
580
TWO LALIQUE CRYSTAL SCENT BOTTLES
post-war 'Le Baiser' and one another, tallest 11cm high (2) £100 - £150
579
581
A SMALL LALIQUE CRYSTAL MODEL OF "FLOREAL"
post-war modelled nude, seated with flowing hair, on square plinth base, paper label, 9cm high £60 - £80
582
A LALIQUE CRYSTAL MODEL OF 'ARIANE'
580
581 182
post-war frosted glass, the two turtle doves with wings outstretched, paper label, 22cm high £150 - £200
582 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
583
A GROUP OF FIVE LALIQUE CRYSTAL FIGURES
post-war including an amber frog, monkey, duck and a cat on pedestal glass base, each boxed, tallest 14.5cm high (4) £150 - £250
584
A LALIQUE CRYSTAL SCULPTURE
post-war modelled as a female nude, 'Arms Up Acrobat', standing on one leg with arched back and arms outstretched, on an oval naturalistic base, inscribed and with paper label 'Lalique France', 26cm high - boxed £200 - £400
583
585
A MID-EIGHTEENTH CENTURY BALUSTER WINE GLASS
the plain trumpet bowl on an inverted baluster stem, with basal knop and teardrop inclusions, set on a slightly domed foot, 18.5cm high (small foot rim chip) £150 - £200
586
A MID-EIGHTEENTH CENTURY WINE GLASS
the trumpet bowl on a plain stem with teardrop inclusion, set on a flat folded foot, 19cm high together with a further late eighteenth opaque twist wine glass, the plain funnel bowl above a stem with multiple corkscrew twist, set on a slightly conical foot, 15.9cm high (chipped) (2) £100 - £150
585
586 183
587
590
early 19th century, the ogee bowls decorated with vertical bands of dots, set on square 'lemon squeezer' bases, 15cm high together with two further early 19th century rummers on 'lemon squeezer' bases, 13cm and 14cm high (7) £150 - £200
circa 1900 swollen single edge blade, wooden hilt with silver top, in its silver mounted sheath, locket decorated with a pair of confronting birds perched on flowering foliage beneath scrolls, blade length 36cm, overall length 46cm £100 - £150
A SET OF FIVE GLASS RUMMERS
MILITARIA 588
AN INDIAN KATAR PUSH DAGGER
18th/19th century sharpened double-edge with a broad fullered blade, hilt with koftgari decoration, blade length 22cm, overall length 42cm £100 - £150
589
EDGED WEAPONS
including a Scottish dirk and scabbard, with amber paste set pommel, retaining knife and fork; two British socket bayonets and two Indo-Persian daggers, scabbard retaining some original colouring (5) £100 - £150
587 184
AN INDIAN SILVER-MOUNTED KUKRI KNIFE
591
A CHINESE SHORT SWORD OR JIAN
19th century with 48cm double-edged steel blade, upturned quillons decorated with mythical temple dog head, wooden scabbered with brass mounts further decorated with a dragon and foliate devices, overall length of sword 60.5cm £70 - £100
592
A RARE CAST BRONZE OVAL OTTOMAN EMPIRE ARTILLERY GUN PLAQUE
oval, bearing the tughra of Sultan Abdul Hamid II, the last Ottoman Empire ruler who reigned 1876-1908, mounted on stepped oval wooden plinth base, overall 25cm high x 15cm wide £100 - £150
592 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
593
595
in excavated condition, with large flattened wheel pommel, straight crossguard, double-edged blade with wide central fuller, remaining blade length 50cm, overall length 68cm (tip broken, hilt detached)
mounded on plinths together with a German Field Surgeons kit in metal case £80 - £120
Notes: This sword was recovered 35 years ago from Caynton Caves near Shifnal. Although local mythology ties this cavern system to the Knights Templar, some historians believe the caves to be 19th century in date. Nevertheless, this sword is a historically interesting find and certainly warrants further research £1,000 - £1,500
A JAPANESE PRESENTATION TRAY TO ADMIRAL SIR WILLIAM ARCHIBALD HOWARD KELLY GBE KCB CMG MVO
A 12TH-13TH CENTURY MEDIEVAL ENGLISH SWORD
594
A VICTORIAN ROYAL ENGINEERS PEAKED PILLBOX CAP
tailored by Cater, 56 Pall Mall, the dark blue cloth with 2 inch band of gold Staff pattern lace, patent leather peak edged with gold embroidery together with a Victorian Royal Engineers waist belt with buckle, the rectangular gilt waist plate with applied white metal Royal Engineers badge, having Crown above Royal Garter flanked by laurel sprays, the leather belt with two rows of gilt embroidery; a brown leather pouch four white collars and a Grenadier Guards white 'buff' leather belt with buckle £100 - £150
EIGHTH ARMY AND ROYAL MEDICAL CORPS SHIELDS
596
(6 September 1873 – 14 September 1952) rectangular, wooden tray finely carved with temples, deer, bridges and further buildings within a wooded landscape, the reverse inscribed 'His Excellency Admiral Sir Howard Kelly, With best wishes from Governor Shirane Hiroshima Prefecture, Oct. 26, 1931' 60cm wide x 43cm high *Shortly after this tray was presented, Admiral Kelly was on board the minesweeper HMS Petersfield when it ran aground at Tungyung Island in November 1931 - all aboard were rescued. Then, following the 28 January Incident, he used his influence to seek a ceasefire between the Chinese and Japanese forces. He retired in 1936 £300 - £500
593 185
"THIS LETTER IS MOST UNUSUAL. Writing to Lady
597
Liddell-Hart, the wife of famous military war strategist and author, Basil Liddell-Hart, General Montgomery demonstrates a strong showing of affection something rarely documented in correspondence with other females after the death of his wife. Even rarer is the signature 'Monty', with the vast majority of other letters always signed formally with full military title and rank - even to very close friends!" - Caroline Dennard
A LETTER FROM FIELD MARSHALL BERNARD LAW MONTGOMERY TO LADY KATHLEEN LIDDELL-HART
dated 12.10.70, on formal headed notepaper, inscibed with the following: "Mr Dear Kathleen, I was glad to hear from you and am so glad you enjoyed your holiday in Italy. I wouldn't pay much attention to what Miss Johnson says; she is a nursing sister and thinks more people are ill! She forgets that I will be 83 next month and adjust my life accordingly. I walk in my garden daily, when the weather allows. It is a great pity you worry so much. I never worry about anything; if people don't like what I say or write, I say it again!! I told Basil at Bournemouth that many critics would not like his book. But what does that matter? One doesn't write to please people; one says what is true, and he has done that in the book. Personally I like it. You say if you lived nearer you would come and see me and "listen respectfully to my advice". I have given you my advice; you won't take it. So it is no use asking for it again. Kenneth Parker agrees with me; so does Sham Hackett. I go as usual to Bournemouth for January, and to smiff the ozone. Be sensible, stop worrying; and give up trying to be a second Basil Liddelle Hart. He was unique and we shall not see his like again. Yours ever, Monty", together with a copy of 'Defence of the West' by B.H Liddell-Hart, with front page inscription to "Miles Dempsey (General Sir Miles) from Basil Liddell-Hart", dated 19.6.51 (2) Notes: Accompanied with this letter is Basil LiddleHart's 'Defence of the West', an original copy given from Liddell-Hart to his friend General Sir Miles Patrick Dempsey, British Commander of the D-Day forces £300 - £500
597 186
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598
A COLLECTION OF WW1 DOCUMENTS RECOVERED FROM A DEAD GERMAN SOLDIER AT THE WESTERN FRONT
1917 including sketch of the trenches, postcards, business card inscribed 'Walter Hundertmark', German military documents and papers including propaganda and calls for war bonds, name ticket and inscription describing the burial of the dead German soldier by the British and the body's location, map of "HeideKopf Nord" dated 30.9.16 map of Cambrai (1:25,000), letter in envelope and a diary of troop movements, last entry 23.10.17 together with a letter dropped by the Germans on Oct. 31st 1918 declaring armistice (qty) *Recovered by the later General Sir Miles Christoper Dempsey during his time as an infantry officer at the Western Front. £80 - £120
600
SEVEN BLACK AND WHITE PHOTOGRAPHS OF GENERAL JÓZEF WIATR WITH SIR GENERAL MILES DEMPSEY INSPECTING POLISH TROOPS
circa 1945-46 15.5cm x 12cm; together with a War Office letter on Whitehall headed notepaper to Lieutenant-General Sir Miles C Dempsey at Hyde Park Hotel inscribed "From President Polish Commmittee to General Sir Miles Dempsey via War Office - On the anniversary of our liberation by the 2 British Army we the Poles of Belsen and Bergen camp who survived the imprisonment and are waiting ro return to their free country send you their warmest greets", signed G.S. Naugh lt. col. for Director of Military Operations" £80 - £120
601 599
AN IMPORTANT ARCHIVE RELATING TO THE BRITISH POLARIS MISSILE LAUNCH -
12th July 1960 collated by Miss Paula Kelly during her service with the Royal Navy attached to the H.M.S Renown, including photographs of the launch, submarines and naval commanders, HMS Revenge crest on shield plaque, pewter tankard bearing inscription 'H.M.S Renown Senior Ratings Mess 17th November 1968 Birkenhead', newspaper clippings and further supporting literature, documents, photographs of English Electric P.1B and PR. Mk7 Canberra and a print of a Vickers Supermarine Swift (unusually framed without glass for probable display on a submarine) (qty) Notes: This is a rare archive of Britain's first Polaris missile test. The nuclear powered submarine H.M.S Resolution was 30 miles off Cape Kennedy, Florida when she successfully launched the 2,500 nautical mile range missile. This group is an important piece of mid-20th century British Naval military history (qty) £300 - £500
GERMAN THIRD REICH SA DAGGER
with 22cm double-edged blade inscribed 'Alles fur Deutschland', otherwise unmarked, with plated crossguard and hardwood group with inset eagle above swastika, housed in original scabbard £100 - £150
600
601 187
602
A GERMAN 1924 DER STAHLELM VETERNS BADGE
black and silver enamel with helmet in relief, circular, coke bottle pin attachment and marked 'Ges. Gesch' to verso, 30mm diameter £60 - £80
602
602
AN ALBUM OF ORIGINAL PHOTOGRAPHS TAKEN DURING THE REVOLUTIONARY FOREIGN CONCESSIONS PERIOD IN CHINA
circa 1911 black and white photographs, each individually captioned to front or verso, including scenes of Hankow City after the Bombardment, Rebel Forces, Imperial Troops, German, French and British Troops and Sailors, the Retreat from Hanyang after the Battle of Yangxia, Dead and Wounded, Russian Gunboat, War Junks Fleeing from Admiral Sah's Ships, Spies Awaiting Execution and others - contained within Bedouin photograph album (97 photographs) Notes: These photographs were taken during a fascinating and exceptionally tumultuous period in Chinese history. Numerous cities were divided into "concession territories": through an agreement with the Qing dynasty. Japan, Britain, the US, and a number of European powers (France, Germany, Belgium, Russia, Italy, Austria-Hungary) administered different sections of the city and strong fighting between loyalist and rebels was still ongoing £300 - £500
603 188
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COLLECTABLES & DECORATIVE ARTS
189
604
606
circa 1900, modelled as a Swiss chalet with hinged top revealing a detachable decanter tray (now vacant) with space for two decanters and eight glasses on six small ivory bun feet, the architectural case enclosing a key wound cylinder movement with 11 inch cylinder and 77 tooth comb, unmarked, two brass adjusting levers, 60.5cm wide, 27cm deep. 47cm high
to include troop transport, battlements, groups of officers etc, (10) together with a large collection of mostly Underwood & Underwood photographic stereoscope cards on Boar War subjects (421 approx) to include intimate scenes of fighting from Honey Nest Kloof. emotive scenes to include 'conforing a dying faithful friend', together wth four cards by H.C White Co, detailing the inauguration and funeral of 25th US President William McKinley, following his assassination on 14th September 1901, together with two Underwood & Underwood stereoscopic viewers £800 - £1,200
A GERMAN BLACK FOREST MUSICAL DECANTER BOX
Footnote: For a similar musical box see The David Style Collection, Christie's South Kensington, London 12-13th January 2005 Lot 368 £1,500 - £2,500
A SELECTION OF EARLY BOER WAR PHOTOGRAPHIC PRINTS
605
A VICTORIAN DISPATCH BOX BELONGING TO CAPTIAN IRWIN C. MALING
private secretary to the Governor of New Zealand, together with personal effects of Captain Maling to include a silver-plated salver, with central presentation script 'To Captain & Mrs. Maling, on their departure from New Zealand from Hervey L. Phipps & Fred.r. R.LE Patourel (sic). 1878', 26 cm in diameter, together with other effects belonging to and believed to have belonged to the original owner to include a silver calling card case with a card internally marked 'Captain H.B.W. Maling, late The Connaught Rangers,', paper library book plate, an inlaid rosewood page-turner with a scene detailing figures carrying a central figure in a sedan bed, in the colonial manner, 33 cm long, a walking cane handle, the terminal carved in the form of an elephant's head with in-set glass eyes, 25 cm long, further printed ephemera, a Maling family tree, etc. Consigned for sale by direct descent of the original owner £200 - £300
604 190
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607
A LARGE 19TH CENTURY BRASS COUNTRY HOUSE FIRE PLACE FENDER
centred with a vacant cartouche with further chased scrolling, foliate and floral decoration, flanked with wrythen ball knop finials, 143 cm long,17 cm high (at centre) £80 - £120
608
A GOOD QUALITY 19TH CENTURY MAHOGANY BAGATELLE CASE
with a reconditioned green felt lined interior, with accessories to include an associated billiard cue, with presentation badge inscribed 'A billiard cue fro the table over which Major Jack Mytton M.P made his famous jump', together with further cues and a cased set of bagettele balls £300 - £500
609
A TICKET STUB BEARING EARLY SIGNATURES OF ALL FOUR MEMBERS OF THE BEATLES
dated to 1963, 11.5 x 7.5 cm
The autographs, from top to bottom of George Harrison, John Lennon, Paul McCartney and Ringo Starr, were obtained by the original recipient as she attended a dance at the Whitchurch Civic Hall, which The Beatles were headlining. As she arrived early to the hall, Paul McCartney, first of the band to arrive, asked her and company if they would like to meet the others, which they did back stage. The vendor was handed an old ticket stub (Chris Barber) by her friend which the band then signed in front of the recipient and original vendor, who recalls the band had just released their first single at the time, and were still carrying their equipment to and from their van. This piece was consigned to sale by the original recipient and vendor and sold by Halls in a toys and collectables sale, dated 17.10.2008. The current vendor is the wife of the then purchaser. This piece therefore has a direct provenance from signature to sale and is sold alongside the original Halls sales invoice, the piece costing the original purchaser £2,772.94 in 2008 £2,000 - £4,000
609 191
610
613
A PAIR OF DECORATIVE CAST BRONZE CANDLESTICKS IN THE FORM OF BLACKAMOOR FIGURES
A LARGE COLLECTION OF ANTIQUE BRONZE BELL WEIGHTS
ranging from 4 oz to 7 lb, numerous examples of each £100 - £150
each holding aloft sconces, 37 cm high £100 - £150
611
614
numbered 2232, with eleven associated disks, 93 cm high (combined) 63 x 51 cm £800 - £1,200
(qty) £100 - £150
612
615
ranging from 4 oz to 2 lb, numerous examples of each £100 - £150
retailed by Liberty of London, in the Art Deco style, of rectangular form with canted corners, each decorated in stencilled silver nitrate with a scene detailing a business / board meeting, a central figure stands at the foot of a table, his jacket adorned with a carnation boutonnière, standing beneath a portrait hanging on the wall, before a table around which six figures sit, one smoking a pipe, an open book sits beside the standing figure, with a closed book to the foreground titled 'Memo' and signed to the spine 'CAS', each measuring 166 x 127 cm
A WALNUT CASED 'HARMONIA' SYMPHONIUM ON ASSOCIATED STAND
A LARGE COLLECTION OF ANTIQUE BRONZE BELL WEIGHTS
A LARGE COLLECTION OF POLISHED BRASS AND OTHER GLOBULAR WEIGHTS
A LARGE AND IMPRESSIVE PAIR OF HIGHLY DECORATIVE STENCILLED WALL MIRRORS
This pair of mirrors are consigned for sale by the vendor who purchased them from Liberty of London in 1974 or 1975, a photograph of the vendor seated in his living room in 1976 shows the mirrors in situ. They have not entered the market since this purchase some 44 years ago £1,000 - £,1500
611 192
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616
620
circa 1925, a carved ivory figure of a stretching naked young woman, eyes closed in reverie, modelled standing on a hexagonal waisted striated brown onyx plinth, figure re-glued, feet restored, plinth chipped, overall height 26 cm (2)
detailed with a courting couple in conversation, she holding aloft a tambourine, c1900, in a gilded cut wooden frame, labelled verso 'Miller Artist's Materials', 21 x 22 cm £300 - £400
Footnote: See Catley B. Art Deco and Other Figures Antique Collectors Club 2003 p.260 £200 - £400
621
PAUL PHILIPPE (FRENCH 1870-1930) AWAKENING
617
A DECORATIVE 19TH CENTURY GILT WOOD AND PLASTER FLORENTINE TYPE FRAME (MIRROR)
A DECORATIVE ITALIAN PIETRA DURA FIGURAL PANEL
A SMALL ORIGINAL CIRCULAR ENAMEL "BASS" IN BOTTLE ADVERTISING SIGN stamped verso 'Orme Evans & Co Ltd, W.Hampton (sic), 27 cm in diameter, together a small original easel-bacekd Bass in bottle advertising mirror (2) £80 - £120
with scrolling pierced acanthus mounts, 59 x 48 cm (total) £100 - £200
618
A FINELY CARVED AND GILDED 19TH CENTURY FLORENTINE TYPE FRAME
with scrolling feather and acanthus mounts, surmounted with a pierced loop (vacant) 68 x 49 cm (total) £100 - £150
619
A TRIO OF GWR (GREAT WESTERN RAILWAY) CAST IRON BENCH ENDS
script type, each 83 cm high, 42 cm wide, in unrestored condition, with original screw fittings £800 - £1,200
620 193
622
AN ORIGINAL BRITISH RAILWAYS ENAMEL SIGN
cream text over a brown field, 69 x 10 cm £100 - £200
624
A 20TH CENTURY HAND PAINTED DOUBLE SIDED ZOO SIGN 'GIRAFFES AND ELEPHANTS'
of shaped rectangular form, stencilled text over a brown ply ground, 87 x 20 cm £100 - £150
623
FOUR SMALL 20TH CENTURY CARRIAGE RAILWAY CAST IRON WHEELS
each in seemingly original painted burgundy finish, marked 'Turner bros, Newtown', 30 cm in diameter £100 - £150
625
A 20TH CENTURY HAND PAINTED ZOO SIGN 'WOOLLY MONKEY HOUSE, ELEPHANT HOUSE'
of shaped rectangular form, stencilled text over a brown ply ground, 87 x 20 cm £100 - £150
624
625 194
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626
628
raised white painted text on a red ground reading 'Public Warning, persons are warned not to tresspass on this railway, or any of the lines, station, works or premises connected therewith Any person so trespassing is liable to a penalty of forty shillings, C.N Wilkinson, secretary, 61 x 91 cm £80 - £120
in original finish, 134 x 45 cm £80 - £120
A LARGE ORIGINAL NORTH EASTERN RAILWAY CAST IRON WARNING SIGN
A VERY LARGE 20TH CENTURY ANSELLS BREWERY WALL ADVERTISING SIGN
629
A LARGE DOUBLE-SIDED 20TH CENTURY ENAMEL 'WAITING ROOM' SIGN
627
possibly British Railways, with white text over a red ground, 48 x 60 cm, 5 cm deep, complete with post fixing mounts £100 - £200
with raised white text on a red ground, 'Beware of the trains, look both up and down the line before you cross, 31.5 x 55 cm £100 - £150
630
AN ORIGINAL LONDON, NORTH EASTERN RAILWAY CAST IRON SIGN
A LARGE 20TH CENTURY ADVERTISING LANTERN FOR ANSELLS BREWERY
81 cm high, 51 x 51 cm £100 - £150
629 195
631
AN ORIGINAL SLATE-BACKED PUB SIGN ADVERTISING DRAUGHT BASS
with the red triangle trade mark device, 51 x 28 cm £100 - £150
632
AN ORIGINAL SLATE-BACKED GLASS PUB ADVERTISING SIGN FOR 'BASS IN BOTTLE'
633
AN ORIGINAL 20TH CENTURY SLATE BACKED PUB SIGN ADVERTISING GUINNESS STOUT
with bevelled gilded window lettering framing a central Guinness Extra Stout James's Gate Dublin trade mark device, (bottled by Rutland & Lett ltd, High Street, Dudley), numbered L 27 270121, 51 X 28 cm £100 - £200
with gilded window lettering and the red triangle trade mark device over a black ground, marked lower right 'Dickson, 33 Kings Rd, London, N.W.1', and numbered lower left 2/38, 51 x 28 cm £100 - £150
631 196
633 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
634
635
with the slogan 'Guinness Is Good For You' in red text over the white ground, above an oval Guinness's Extra Stout, James's Gate Dublin trademark device, numbered L32 320926, above green text 'Gives You Strength', set within a simple green border, fitted in original wall-hanging case frame, marked to lower left 'GA/OT/94 A', 53 x 29 cm £100 - £200
with the slogan 'Guinness Is Good For You' in red text over the white ground, above an oval Guinness's Extra Stout, James's Gate Dublin trademark device, numbered L34 340305, above green text 'Gives You Strength', set within a simple green border, fitted in original wall-hanging case frame, marked to lower left corner 'GA/OT/94 A', 53 x 29 cm £100 - £200
AN ORIGINAL 20TH CENTURY GLAZED PUB SIGN ADVERTISING GUINNESS
AN ORIGINAL 20TH CENTURY GLAZED PUB SIGN ADVERTISING GUINNESS
"WE ALL KNOW ‘GUINNESS IS GOOD FOR YOU’ Because
of the success and popularity of advertising produced for the much celebrated stout - through now iconic slogans and imagery, as can be found in pieces offered from this wonderfully charismatic collection" - Joseph Trinder
634
635 197
636
AN ORIGINAL 20TH CENTURY SLATE-BACKED GLASS PUB ADVERTISING SIGN
for Bass Draught, with gilded and window text with trademark red triangle device, unmarked, unnumbered 21 x 28 cm £100 - £150
637
AN ORIGINAL 20TH CENTURY FRAMED POSTER ADVERTING BASS & CO'S PALE ALE IN BOTTLE
by McCorquodale & co ltd, London, numbered 14A and named to the margin, glazed in a simple oak frame, adorned with a stamped Royal coat of arms, with badge banners reading 'By Appointment', 'Brewers To The King', the framed also stamped 'Bass & Co' to the top and bottom center, 46 x 60 cm £80 - £120
638
AN ORIGINAL SLATE-BACKED GLASS ADVERTISING SIGN FOR 'SPECIAL "ILISKA" SCOTCH WHISKY'
with bevelled gilded text, unmarked and unnumbered, 51 x 28 cm £100 - £150
639
AN ORIGINAL 20TH CENTURY ENCASED SLATE-BACKED PUB ADVERTISING SIGN FOR WILLIAM YOUNGER & CO'S ALES
51 x 30 cm £80 - £120
638 198
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640 640
A 17TH CENTURY STUMPWORK PANEL
intricately decorated with roses and foliage, framed with a border of further blossoms, later framed, 23.5 x 23.5 cm £200 - £300
641
NO LOT
"THIS PIECE IS REMARKABLE partly for the
simple fact that it remains, here today, some 350 or more years after it was lovingly made. A real survivor of the ages" - Joseph Trinder
642
A LARGE DECORATIVE CONTINENTAL ART NOUVEAU PAINTED TERRACOTTA TWO HANDLED VESSEL
painted with storks on marshland before distant towns, indistinctly stamped, 33 cm high, 30 cm diameter £200 - £300
199
643
A TALL PAIR OF 18TH CENTURY AND LATER WROUGHT IRON FLOOR-STANDING PRICKET STANDS
with dish tops over knopped and tapering stems, raised on hammered tripod supports, 121 cm high £600 - £800
644
A LARGE MID 20TH CENTURY ENGINE ORDER TELEGRAPH TRANSMITTER / RECEIVER
with applied operation boards and identification: Bridge. AP 196241, AP. No. 196228, made by Evershed & Vignoles, Ltd, London, No. 1362911, p96/3, in seemingly original grey painted finish, 102 cm high (including operating handle) £600 - £800
645
A PAIR OF 19TH CENTURY CAST BRONZE STUDIES OF HANGING DEAD GAME
one a partridge, the other a snipe, each of the heavily detailed naturalistically presented birds tied and hanging from legs, each presented on a stepped oval cut mahogany wall-hanging plinth, each measuring 44 x 33 cm £400 - £600
644 200
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646
AFTER ANTONIO CANOVA (ITALIAN, 17571822) A WHITE MARBLE BUST OF THE VENUS ITALICA
on a circular socle, 46 cm high, on a serpentine marble stand £600 - £800
647
ATTRIBUTED TO ADRIAN JOHNSTONE, A CONTEMPORARY TAXIDERMY STUDY OF A ROE DEER BUCK (CAPREOLUS CAPREOLUS),
presented on a stepped oak plaque, 71 cm high total. £150 - £200
648
A 19TH CASED SURGEON'S KIT BY MILLIKIN & LAWLEY
646
possibly campaign, the hinged cover with a vacant inset brass escutcheon and locking cartouche, opening to reveal a seemingly complete suite of eight implements to include a graduating trio of long-bladed knives, each marked Arnold, London, a pair of cutting pliers marked Clark, a trepan drill with screwing handle, an amputation saw, etc., each with hatched grip wooden handles, the divisional case with a central maker's badge, 165 Strand, London, 6.5 cm high. 40 x 14.5 £500 - £800
648 201
649
A STEINWAY MODEL M BOUDOIR GRAND PIANO
circa late 1926 / early 1927, marked to the interior frame Reg. U.S PAT.OFF Steinway & Sons, New York, Hamburg, Patent Grand Construction, Oct.3. 1899, Tubulor Metallic Action Frame Pat, M 248248. Reconditioned and recently tuned, 96 cm high, 145 x 175 cm. Sold alongside an associated (later) adjusting piano stool, with a twist action rising buttoned seat, 40 x 58 cm Provenance: Property of a Shropshire gentleman £6,000 - £8,000
649
202
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650
ATTRIBUTED TO THE PANORMO SCHOOL (EDWARD FERDINAND PANORMO) AN ENGLISH VIOLONCELLO early-mis 19th century, cased, with bow
Provenance: This piece is consigned with correspondence dating from 1932 - 1996. August 19th, 1932, a hand written letter addressed to a previous owner, by Louis H Maby, Violin Maker & Dealer, 14 Lower Arcade, Bristol 1, "I have examined the cello you left with me and in my opinion it is a Panormo, youth Panormo (son of Vincent Panormo), London, about 1830". A further typed letter dated 2nd April 1971 by Mr. Robert Raeburn, violin maker, restorer and expert, of The Rectory, Toft, Cambridge, reads "I certify that the Violoncello in the possession of [current vendor] is in my judgement the work of the Panormo family. The instrument is not labelled but can probably be attributed to Edward Ferdinand Panormo of London and Brighton, grandson of Vincenzo Trusiano Panormo. I date it at circa 1830 - 40. It is possible that it is a composite instrement: the back and sides being considerably older than the top and probably the work of Vincenzo Panormo. Descriptiopn: The back in two pieces of 'fiercely' grained maple cut on the slab. The table of medium grained pine. Head and sides of medium 'flamed' maple. The varnish: table of reddish colour. Back and sides of golden-brown. The Violoncello is in a good stage of preservation. I value it at £400". A later hand written letter by J.R Geach, Luthier, 15 Market Square, Bishoip's Castle, Salop, dated July 28th 1987, addressed to the current vendor " Having today examined the viloncello belonging to [current vendor] and having certification dated 1932 and 1971, I am able to say that the instrument, unlabelled, is of the Panormo family or school, and that it dates from the first third of the 19th century. The instrument's in good playing condition but not in a contemporary state of show-room repair. The current price of which such an article changes hands is £4,500" Together with a Halls property receipt dated 1996 and a Sotheby's property report dated 2nd August 1996, detailing an estimate of £3,000 - £5,000 £3,000 - £4,000
650 203
651
JOHN 'MAD JACK' MYTTON (30 SEPTEMBER 1796 – 29 MARCH 1834) A HAND WRITTEN AND LATER TRANSCRIBED LETTER
presented in a mid-late 19th century leather bound volume 'Autograph Letter of John Mytton Esq', the letter detailing correspondence from Mytton reflecting on acute financial woes and his need to raise funds by the sale of 'divers' and young horses, in a note of pessimism on what the account will fetch he remarks, 'had I not better employ a more humble auctioneer'. The letter and transcription presented alongside portrait etchings of Mytton, the folio inside cover bearing a 'Joel Spitz Collection;' label, item, with ex libris plates for John L Clawson and Alfred Marmore Maclay. Mad Jack Mytton was a famous spendthrift and excentric, known for famously once trying to cure a case of the hiccups by setting light to his shirt during a visit to Calais £200 - £300
653
“BROWN JACK” A PROFESSIONALLY RESTORED BAUER & KRAUSE LATE 1920 - EARLY 1930S HIDE AND HORSE HAIR ROCKING HORSE
with provenance and restoration receipt. Also with Brown Jack (1934) book recording the life of the namesake racehorse. Sympathetically restored using old materials. Height approx. 38" length 47" (stand) £300 - £500
654
'JIM', A LARGE STEIFF TEDDY BEAR
with golden coat, black button eyes, pronounced muzzle, black stitched nose, mouth and claws, swivel head, jointed elongated limbs, hump, inoperative growler and button in ear, 56 cm high. Sold alongside a short typed letter 'all about Jim' detailing family provenance, compiled by the owner in 1996 £800 - £1,200
652
THE LIFE OF JOHN MYTTON ESQ, OF HALSTON, SHROPSHIRE
655
with his hunting, shooting, driving and extravagant exploits, by Nimrod, illustratd by Alken & Rawlins, George Routledge & Sons, Limited, London £40 - £60
A CASED PRESENTATION LOUIS XIII BOTTLE OF REMY MARTIN COGNAC
In a Baccarat crystal decanter £800 - £1,200
656
AN EARLY 20TH CENTURY THREE TIER CASCADING DROP CEILING CHANDELIER
with prism and faceted cut crystal droplets, 63 cm high approximately £150 - £250
657
A LARGE, DECORATIVE CHROME PORCH LANTERN IN THE GEORGE III STYLE
with bevelled clear windows, 76 cm high £300 - £500
654 204
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ASIAN ART & CLOCKS
205
658
660
late 19th / early 20th century, of tapering bulbous form, decorated with an applied pierced border to the rim, with scrolling foliate mounts flanked by dog's of fo masks, flanked by large ring carrying handles set in large applied lion mask mounts, 35 cm high, 58 cm wide (including hanles) rim diameter 31 cm £200 - £300
Qing dynasty, late 19th century, the ball carved with an intricate outer surface of scaly dragons amongst cloud scrolls and flowers and containing a series of smaller delicately pierced balls (some damage) raised on a figural stand, perhaps representing Guan Yu and attendant below a revolving pierced cylinder raised on a circular plinth carved with a band of flowers and bamboo over a pierced dragon scroll border, puzzle ball 9cm diameter, stand 24.5cm high, overall height 32cm (2) £300 - £400
A VERY LARGE CHINESE BRASS TWIN-HANDLED JARDINIÈRE
659
A TIBETAN NOMADIC HEADDRESS
late Qing Dynasty, possibly from the Labrang nomads of Amdo region in Eastern Tibet, of pillar-box form with padded neck flap, applied with rough turquoise stones, small shells, concentric coloured beadwork and inlaid metal bosses, 23 cm in diameter £300 - £400
A LARGE CANTON CARVED IVORY PUZZLE BALL ON FIGURAL STAND
661
A CASED SET OF FOUR MIDDLE EASTERN / ISLAMIC SILK PANELS, two detailing temple
or townscapes, (one Madina el Monawara,Al-Masjid an-Nabawi) the other two detailing narratives with figures, each framed within card mounts and scripted verse, each measuring 23 x 10 cm, glazed in gilt frames, each measuring 39.5 x 24 cm £200 - £400
658 206
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662
664
still life study of a Japanese brass figure of a warrior on horseback, 31 x 25 cm, together with the figure captured in this work, a Meiji period Japanese brass figure, decorated throughout with inset cabochon stones, 23 x 20 cm (2) £100 - £200
decorated with polychrome blossoms over a scrolling foliate ground, centred with a medallion, set within a washed Greek key border, in a stained wooden frame, 57 x 21 cm £300 - £400
663
665
with a screwing cover decorated with Fenghuang, the tapering stem carved with dragons and butterflies, c.1900, 16.5 cm long £100 - £150
Bitong, Qing dynasty, deeply carved, depicting The Seven Sages of the bamboo grove, beneath shallow incised foliage, marked to the underside in ink with a small verse of characters, 18 cm high, 17 cm wide £600 - £800
WILLIAM FRANCIS VERE KEBBEL (1888-1963) PASTEL ON PAPER
A CANTONESE CARVED IVORY NEEDLE CASE
A FRAMED 19TH CENTURY CHINESE PORCELAIN PANEL
A LARGE CHINESE CARVED BAMBOO BRUSH POT
665 207
666
668
depicting The Qutb Minar, (Qutub Minar) the other portraying the Taj Mahal, gouache on ivory, each measuring 5 x 6.5 cm, each framed in shallow carved ebony tablet easel-backed frames, cut with incorporated scrolled bracket feet, decorated with symmetrical foliate motifs, 14.5 cm high, 11 cm wide £200 - £300
of traditional form, with a pierced circular tablet seat above a broad baluster base, with highly detailed pierced and further applied moulded decoration, with symmetrical motifs flanked by claw and ball terminals coming forth from the jaws of beasts, 51 cm high, 26 cm seat diameter £150 - £250
667
669
A PAIR OF MUGHUL SCHOOL MINIATURES OF INDIAN TEMPLES
SEVEN ASSOCIATED PERSIAN TIN-GLAZED TILES
each decorated with eight pointed stars in cobalt blue fields, (three edge examples) each measuring around 22 x 22 cm, 19th century or earlier £400 - £600
666 208
A CHINESE SANCAI GLAZED POTTERY GARDEN SEAT
A PAIR OF CHINESE PORCELAIN FAMILLE ROSE TURQUOISE GROUND BALUSTER VASES
each decorated with vignettes populated with flowers, birds and auspious symbols (one damaged) Qing dynasty, each standing 43 cm high £150 - £250
667 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
670
674
likely commissioned for the European market, the hinged cover with a vacant white metal cartouche, opening to reveal a divisional interior, the top and base bordered with shallow carved moulding, cornered with Cantonese type carved and pierced mounts decorated with dragons, raised on four generous paw feet, 16.5 cm high, 31 x 17.5 cm £150 - £250
decorated with borders of puce ribbon uniting blossoms and butterflies, with further floral sprigs and cornucopia, the largest 9 cm high, 20 cm diameter, the smaller piece standing 8 cm high, 17.5 cm in diameter, Quanlong (1735 - 1796) (2) £200 - £300
A 19TH CENTURY CHINESE HARDWOOD STATIONARY BOX
671
A CHINESE EXPORT FAMILLE ROSE DIVIDED HORS D'OEUVRES BOWL
of footed oval form, with a three-divisional interior, 5 cm high, 11 x 8.5 cm, Quanglong £80 - £120
A GRADUATED SET OF TWO FOOTED CHINESE EXPORT PORCELAIN BOWLS FOR THE EUROPEAN MARKET
675
A LARGE BLUE AND WHITE VIETNAMESE EARTHENWARE CHARGER
decorated centrally with a figure leading a bull, 40 cm in diameter £150 - £250
672
A CHINESE DEHUA (BLANC DE CHINE) PORCELAIN FIGURE OF GUANYIN
23.5cm high, late Qing £200 - £300
673
A VERY LARGE JAPANESE KUTANI VASE
of slender tapering form, decorated with a highly detailed scene in the round of ducks, geese and swallows amngist foliage and flowers, with a faceted panelled border, 62 cm high, (pierced to base), late Meiji Period £250 - £350
670
673 209
676
A 19TH CENTURY CANTONESE CARVED HARDWOOD WALL MIRROR
the intricately carved and pierced frame decorated with vignettes of figures in courtyard and other settings, pagodas, flowers and foliage, centred with a bevelled plate, within a shallow incised slanted key and foliate border, 50 x 51 cm (total) £200 - £400
677
A 19TH CENTURY JAPANESE 6-PANEL TABLE SCREEN OR BYOBU
depicting what is thought to be the Gion Matsuri Festival, depicting a young crowned boy sitting in the cental float, with the sacred red cord he was to cut to inaugurate the parade shown below, to the right of the main float is a ship carrying a red-haired demon presenting a pot to a Samurai, beneath a carriage with a praying mantis sitting on top, watercolour, 35 x 90.5cm (image) £600 - £900
676
678
679
fitted with a suite of drawers, 45 cm high, 36 cm wide, 16 cm deep £120 - £180
of tapering form with intricate shallow carved detail, 17 cm high, 12 cm wide, 5 cm deep (maximum) £200 - £400
A JAPANESE MEIJI PERIOD KODANSU TABLE CABINET
A CHINESE ARCHAISTIC CARVED HARD STONE TEMPLE BELL
677 210
Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
680
685
Qing dynasty, decorated with two shaped panels of figures in fenced gardens and tea houses within turquoise ground scrolling foliate borders, the outer borders, handle and spout detailed with iron red flowers against a faded pink ground, blue enamel four character Qianlong mark, 12cm high (2) £200 - £400
the silvered dial with black Roman numerals signed W. Mahr, 90 Bolsover St, London, W, in an architectiral case, the movement back plate stamped lenzkirch, 34 cm high, 25 cm wide £100 - £200
A CHINESE CANTON ENAMEL FAMILLE ROSE TEAPOT AND COVER
A 19TH CENTURY MAHOGANY CASED MANTLE CLOCK
681
A VICTORIAN WILTSHIRE WALL CLOCK
with a 14" brass dial with black Roman numerals and second marks, stamped 'Bulock, Melksham', set in a flame mahogany veneered case, enclosing an eight day fusee movement, 76 cm high total £300 - £400
682
A LEROY AND FITZ BOULLE CASED MANTLE CLOCK
Complete with key and pendulum £200 - £400
683
683
A 19TH CENTURY FRENCH TOLEWARE WALL CLOCK
the white enamel dial with black Roman numerals, set within a stepped octagonal case, painted to simulate rosewood and decorated with symmetrical foliate motifs, surmounted with a large brass ball finial and hanging loop, 35 cm in diameter (total) £200 - £250
684
DANIEL VAUGUION OF LONDON, A MID LATE 18TH CENTURY MAHOGANY CASED BRACKET CLOCK
the arched brass dial signed to silvered plaque to arch, with subsidiary strike/silent dial, silvered chapter ring, rolling date dial, gilt brass corner spandrels, twin winding holes for a brass eight day double fusee movement, with a highly engraved backplate, the case with glazed side panels and back, 50 cm high (including handle) £1,200 - £1,800
684 211
686
A 19TH CENTURY FRENCH ORMOLU AND WHITE MARBLE MANTLE CLOCK
the white enamel dial with black Arabic and blue Roman numerals, set in a highly decorative white marble case, adorned to the top with a central comport laden with fruits and foliage, flanked by a pair of recumbent classically modelled putti, the case front with further intricately worked mounts, raised on four inverted feet, enclosing an eight day striking movement, stamped 'Viner, Paris' to the back plate, on an associated white marble base and beneath a clear glass dome, complete with keys and pendulum, the clock measuring 39 cm high, 38 cm wide. Sold alongside a valuation undertaken for insurance purposes by B. Trengrove, dated 17th January, 1973, describing and valuing the clock at £240 £600 - £800
690
A 19TH CENTURY WHITE MARBLE AND ORMOLU CASED PORTICO-TYPE MANTLE CLOCK
the drum cased movement with a white enamel dial, with black and puce Arabic numerals, signed centrally Vauchez a Paris, raised on two lyre shaped pillars with inset porcelain panels, below blossoming ormolu sprigs, surmounted with a classical urn finial draped with foliate garland, over a rectangular platform decorated with further highly detailed ormolu mounts, raised on six toupie feet, the back plate unmarked, complete with sun burst pendulum and key, 52 cm high, 35 cm wide £300 - £500
687
A SMALL SIMULATED BOULLE MANTLE CLOCK BY MARTI
with a divided enamel dial with Roman and Arabic numerals, indistinctly signed, the movement plate stamped medaille D'Argent 1889, 39 cm high £200 - £400
688
A FRENCH LOUIS XV STYLE BOULLE TYPE MARQUETRY MANTEL CLOCK
the backplate unsigned, numbered 992, the cushion enamel and gilt dial with Roman and Arabic numerals, unsigned, the case veneered with tortoiseshell and inlaid with brass with scrolling leaves and flowers, surmounted with a seated putti finial, 52 cm high, together with a similar bracket, 31 high, late 19th century, complete key and pendulum £300 - £400
689
A FRENCH LOUIS XV STYLE SIMULATED BOULLE MARQUETRY MANTEL CLOCK
the movement plate stamped Samuel Marti, Medaille D'or Paris 1900, the dial in cushion enamels with black Roman and Arabic numerals, signed centrally by the retailer Mappin & Webb ltd, the case with floral and foliate brass inlay and further gilded mounts, surmounted with a gilded urn laden with blooms, (with pendulum) 48 cm high £100 - £200
212
690
Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
691
A 19TH CENTURY FRENCH GILT METAL FRAMED CARTEL CLOCK IN THE BAROQUE STYLE
with pierced scrolling foliate and acanthus mounts, the white enamelled dial with black Roman numerals, 58 x 35 cm £100 - £200
692
A LATE 19TH CENTURY PARQUETRY INLAID BOULLE MANTEL CLOCK IN THE LOUIS XV STYLE
with cushion enamels with blue Roman numerals, the case decorated throughout with scrolling foliate inlay and applied gilded mounts, raised on four short scrolled feet, the back plate stamped Japy Freres, Paris, the movement door with an old applied exhibition label 'Exhibitiors of the Piping Bullfinch. Int.l (sic) Exhibition 1862, Aubert & Linton, watch and clock manufacturers, jewellers, 252 Regent Street, London, W 33 cm high £200 - £300
693
A REGENCY MAHOGANY CASED BRACKET CLOCK
with circular 7" enamel dial inscribed Handley & Moore, Clerkenwell, London, with brass fish scale frets to glazed apeture sides below a brass carrying handle to the domed top, raised on brass bracket feet, with an 8-day twin double fusee movement, engraved back plate, striking on a later gong, 40 cm high, 27 cm wide £500 - £800
693 213
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214
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FURNITURE
215
694
696
with moulded and pierced foliate and floral mounts and beaded borders, surmounted with a cartouche, in the baroque manner, 156 x 99 cm (total) £400 - £600
each with circular platform tops with flared rims above beaded borders, over a sphere with downward facing floral finial, flanked by three shallow carved scrolling supports, united by trailing foliate swags, the legs terminating in floral roundels, raised on stepped trefoil platform bases, 124 cm high, the top circular platforms measuring 19 cm £300 - £500
A LARGE 19TH CENTURY STEPPED GILT FRAMED WALL MIRROR
695
A LATE 19TH / EARLY 20TH CENTURY CHINESE HARDWOOD DESK INLAID WITH IVORY
the rectangular top decorated to the centre with a large highly detailed vignette of birds in flight and perching on blossoming branches, within further inlaid symmetrical motif borders, above a central long panelled frieze drawer flanked by two square panelled drawers, all with cut brass drop handles, decorated to fronts with inlaid vignettes detailing deities, jungle fowl, etc, above a shaped pierced apron with applied decoration detailing objects of the scholar's desk, (the same decoration is mirrored to the back of the piece) flanked by panelled sides with cut-out apertures on straight legs, again highly decorated with strung and further scrolling symmetrical inlaid borders, 80 cm high, the top measuring 60.5 x 119 cm £200 - £300
A PAIR OF 19TH CENTURY MAHOGANY TREFOIL TORCHERES IN THE ADAM STYLE
697
NO LOT
698
A LARGE 19TH CENTURY COUNTRY OAK HOUSE KEEPER'S CUPBOARD
in two sections, with a dentil frieze over two pairs of hinged panelled doors enclosing a painted shelved interior, over a base fitted with six long drawers, with brass loop handles, flanked with rounded quarter pillars, over bracket supports, 226 cm high, 202 cm wide, 51 cm deep (maximum) £600 - £800
699
A 19TH CENTURY BOUND STAINED OAK CHEST
possibly campaign, with name plate for The Right Honourable, The Ear of Craven, with seemingly original lock plate, studded mounts and hinges, 35 cm high, 51 cm x 35 cm £200 - £400
699 216
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700
703
with two graduated drawers, with applied gilded handles and mounts, raised on tapering legs, 93 cm high, 147 cm wide, 56 cm deep £300 - £400
the gated top with rounded corners on piano hinges, above two real and two dummy drawers, over a square stem and shaped platform base, raised on four swept scrolling legs and brass casters, 73 cm high, the top measuring 58 x 53 cm (maximum) £200 - £300
AN EARLY 20TH CENTURY LOUIS XV STYLE FRENCH PARQUETRY INLAID MARBLETOPPED BOMBE COMMODE
701
A LARGE MAPLE & CO MAHOGANY SIDEBOARD
in the George III style, with a shaped top and fluted border below a complete polished brass gallery, with two central frieze drawers flanked by two mirrored pairs of bow-fronted cabinets, the outer two fitted with wine stores, interspersed with ringed tapering fluted legs, furnished throughout with well matched veneered and brass handles, 132 cm high (including gallery) 92 cm without, 94 cm long, 72 cm deep, bearing Maple & Co badge to the right hand side cupboard door interior £600 - £800
702
A 19TH CENTURY MAHOGANY OCCASIONAL TABLE
the circular top with a decorative shaped apron, raised on a triangular stem with inset fluted columns, raised on scrolled tripod supports, 65 cm high, the top measuring 45 cm in diameter £150 - £250
703
704
A SMALL WILLIAM IV / EARLY VICTORIAN ROSEWOOD PEMBROKE-FORM PEDESTAL WORK TABLE
704
A VICTORIAN MAHOGANY WORK TABLE
the the curved top with canted corners in mirrored veneers opening over to reveal a divisional interior, above a mother-of-pearl bordered lock escutcheon, over a sliding box, set within four scrolling supports, raised on a platform over an acanthus carved stem, over scrolling waved legs, 74 cm high, 50 x 39 £200 - £300
705
A VICTORIAN REVOLVING DRUM TOPPED OCCASIONAL TABLE
the top veneered in seven sections of rosewood, cross-banded and bordered with burr walnut, over eight drawers, raised on four twisted supports, over a platform base, over four scrolling wavy legs and casters, 70 cm high, the top measuring 61 cm in diameter £400 - £600
705 217
706
A 19TH CENTURY MAHOGANY PEDESTAL DESK
the bevelled planked top over a central kneehole shaped drawer, flanked by two banks of graduated short drawers, fitted throughout with turned handles, 79 cm high,115 x 82 cm. The top removes but the base is a single fixed section £150 - £250
707
A LARGE 19TH CENTURY COUNTRY HOUSE BURR WALNUT VENEERED SILVER CHEST
the locking hinged lid opening to reveal a vacant partially felt-lined interior, 94 cm high, 94 x 61 cm £100 - £200
708 709
A LATE 19TH CENTURY FRENCH TABLE TOP DISPLAY CASE
708
A 19TH CENTURY CHINESE CHINOISERIE LACQUERED LOW HARDWOOD TABLE
the rectangular top decorated with figures in various settings, framed within a symmetrical stylised foliate and floral border, with a key border to sides, raised on shaped legs united by shaped aprons, 29 cm high, the top measuring 59.5 x 38 cm £150 - £250
with applied pierced gallery and further mounts, with a pair of hinged panelled doors enclosing bevelled glass plates, 58 cm high, 64 x 27 cm £250 - £350
710
A LATE 17TH CENTURY SIX PLANK COFFER
the bevelled planked hinged top above a vacant interior fitted with a candle box, the facade with arch incised detail, flanked by M cut supports, 51 cm high, 108 x 41 cm £300 - £500
710 218
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711
712
circa 1680, In two parts, with a twin mitre-moulded long drawer centred and flanked by corbel mouldings, above a deep drawer with a pair of elongated octagonal mitre mouldings, with two drawers below, each centred and flanked by pairs of split bobbin mouldings, on bun feet, 96 cm high, 100 cm wide, 54 cm deep.
the open rack with three shelves with applied hooks, the base with two short drawers above a pot board, raised on squared legs, 207 cm high, 148 cm wide, 46 cm deep £600 - £1,000
A CHARLES II OAK GEOMETRIC CHEST OF DRAWERS
AN EARLY 19TH CENTURY SOUTH WALES FRUITWOOD DRESSER OF SMALL PROPORTIONS
Provenance: Bonhams, the Beedham Collection, 24 May 2012 £500 - £800
"TO RUN YOUR HAND OVER A PIECE OF FURNITURE WITH THE AGE AND QUALITY THAT THIS HAS, the depth of colour and patina and the history that represents is just humbling" - Joseph Trinder
711 219
713
A CHARLES II OAK CHEST OF DRAWERS
circa 1680, the rectangular planed top with a bevelled border above three long graduated drawers incorporating moulded detail, brass drop ring handles and each centred with a brass lock escutcheon, raised on turned bun feet, 102 cm high, 90 cm wide, 50 cm deep Consigned from a local country house £400 - £600
714
A PAIR OF TALL PALE STRIPPED PINE HALL CUPBOARDS
each with a pair of twin panelled hinged doors, enclosing shelves, above four graduating long drawers, each fitted with pairs of flush fitting campaign type brass handles, each measuring approx 206 cm high, 80 cm wide, 34 cm deep £200 - £400
713 220
Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
715
716
with scrolled arms and a fluted border, with a fixed serpentine seat, raised on a pair of short turned legs, 99 cm high, 66 cm wide, 40 cm seat height (for reupholstery) £200 - £300
the hinged panelled door fitted with a Japanese lacquer panel, decorated with a cart laden with a pot accommodating a blossoming bonsai, 60 cm high, 44 cm wide, 16 cm deep £100 - £200
A 19TH CENTURY FRENCH UPHOLSTERED ROSEWOOD FRAMED ARMCHAIR
A SMALL EDWARDIAN MAHOGANY HALL CABINET
715 221
717
ROBERT 'MOUSEMAN' THOMPSON, AN ASSOCIATED MID OAK 'COW' AND 'CALF' STOOL
the graduating pair both with kidney shaped tops, each with carved mice signatures (both facing left of front), each raised on tapering octagonal legs, the cow stool measuring 46 cm high, 37 x 28 cm, the calf stool measuring 36 cm high, 30 x 24 cm (2) Property of a private collector and Shropshire gentleman £400 - £600
718
ROBERT 'MOUSEMAN' THOMPSON, AN OAK COW STOOL
the kidney shaped seat with a carved mouse signature to the seat (middle border), raised on three tapering octagonal legs, dark-mid colour throughout 45.5 cm high, 37 x 28cm Property of a private collector and Shropshire gentleman £250 - £350
"PRIZED FOR ITS QUALITY OF CRAFTSMANSHIP, SIMPLE ELEGANCE OF DESIGN AND CHARM OF THE NOW-ICONIC LITTLE CARVED MOUSE SIGNATURE, it is rare to
see so many pieces of Robert ‘Mouseman' Thompson oak come to the market from a single source. Lovingly looked after, this collection was discovered in a Shropshire home and will now be chased by collectors from across the globe." - Joseph Trinder
717 222
Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
719
ROBERT 'MOUSEMAN' THOMPSON, AN OAK COW STOOL
the kidney shaped seat with a carved mouse signature to the seat (middle border), raised on three tapering octagonal legs, mid colour throughout 46 cm high, 35.5 x 29 cm Property of a private collector and Shropshire gentleman £250 - £350
720
ROBERT 'MOUSEMAN' THOMPSON, A PAIR OF ADZED OAK BOOK TROUGHS OR BOOKSTANDS
each with arched sides, planked backs and bases, each 20 cm high, 45.5 cm wide, 20 cm deep, In mid colour throughout. Property of a private collector and Shropshire gentleman £400 - £600
719
720 223
721
A ROBERT 'MOUSEMAN' THOMPSON NEST OF THREE GRADUATED OCCASIONAL TABLES
each with adzed tablet tops over chamfered octagonal supports bearing the carved mouse signature, united by rail stretchers, the largest measuring 47 cm high, 60.5 x 37 cm, the smallest measuring 36 cm high, 39 x 26 cm
723
A ROBERT 'MOUSEMAN' THOMPSON CARVED OAK BOWL
with an adzed exterior, with a carved mouse signature and felt-lined base, 15.5 cm diameter Property of a private collector and Shropshire gentleman £150 - £250
Property of a private collector and Shropshire gentleman £600 - £800
722
A ROBERT 'MOUSEMAN' THOMPSON OCCASIONAL TABLE
with adzed tablet top over chamfered octagonal supports bearing the carved mouse signature, united by rail stretchers 41 cm high, 50 x 32 cm Property of a private collector and Shropshire gentleman £300 - £500
722 224
721
723 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
724
725
presented as a pinned five bar gate, with carved wren signature to the back plate, 18 cm high, 33 cm wide, 12 cm deep (inclusing supports) together with a Bob 'Wrenman' Hunter book trough / stand, 19.5 cm high, 47.5 cm wide, 2 cm deep. (2)
the kidney shaped seat with a carved mouse signature to the seat (middle border), raised on three tapering octagonal legs, mid colour throughout 46 cm high, 36.5 x 28 cm
A BOB 'WRENMAN' HUNTER YORKSHIRE OAK LETTER RACK
Property of a private collector and Shropshire gentleman £150 - £250
ROBERT 'MOUSEMAN' THOMPSON, AN OAK COW STOOL
Property of a private collector and Shropshire gentleman £250 - £350
725 225
726
727
of tall sarcophagus form, the stepped hinged cover opening to reveal the original twin-handled liner, flanked by brass handles, raised on four claw and ball feet, 48 cm high, 41 x 33 cm £200 - £300
the dentilled cavetto cornice above two short and three long graduated cockbeaded drawers, the base with three further long drawers, all with shield shaped bone escutcheons and swan-neck handles, on bracket feet, 109 x 53 x 177 cm high £400 - £600
A 19TH CENTURY MAHOGANY CELLARETTE OR COAL COMPENDIUM
A GEORGE III MAHOGANY CHEST ON CHEST
728
AN EARLY 19TH CENTURY DUTCH MARQUETRY TEA TABLE
the rounded rectangular top, decorated with flowering tulips on downswept moulded legs terminating in block feet, 92 x 42.5cm x 74cm high £150 - £200
727 226
728 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
729
AN 18TH CENTURY OVERSTUFFED STOOL
the cabriole legs with anthemion carved knees and claw and ball feet, 70 x 56 x 46cm high £400 - £600
731
A PAIR OF BLACK FORREST TYPE 19TH CENTURY CONTINENTAL HALL CHAIRS
with pierced backs carved with acorns and oak leaves, centred with penwork studies of deer, the seats also with open penwork decoration with inset borders, raised on carved carved legs (one A/F) 92 cm high, 44 cm wide, 44 cm seat height £150 - £250
730
732
with an arched cresting, inlaid with mother-of-pearl and ivory or bone satyrs mask, putti and flowers, 69 x 48cm
with inset abalone shell inlay and gilded borders, 76 cm high, 41 cm wide, seat height 37 cm £60 - £80
A LATE 19TH CENTURY ITALIAN RENAISSANCE STYLE WALL MIRROR
729
A VICTORIAN EBONISED LACQUERED HALL CHAIR
730 227
733
735
with concave undertier, each overall decorated with blind fret mouldings surrounding the twin rectangular single pane doors with top corner pierced fret decoration, 73.5cm wide, 134.5cm high, 35.5cm deep/ £300 - £400
with a raised gallery back before a break-front, with strung inlay and Greek key borders, centred with a single frieze drawer, flanked by two pairs of short drawers, raised on shallow foliate carved tapering slender legs, 84 cm high, 138 cm wide, 60.5 cm deep £400 - £600
734
736
the table opening to reveal a felt-lined top with pockets, above a carved border, raised on tapering claw and ball legs, carved with symmetrical acanthus mounts, 77 cm high, 80 x 80 cm (total) £200 - £300
with with scrolling and shell carved mahogany legs, 110 cm high, 84 cm wide (at arms) 50 cm seat height £150 - £250
A PAIR OF EDWARDIAN MAHOGANY CHIPPENDALE REVIVAL CABINETS ON TWO DRAWER STANDS
A 19TH CENTURY FOLDING MAHOGANY CARD TABLE IN THE GEORGE II STYLE
A 19TH CENTURY SATINWOOD DESK OR DRESSING TABLE
A TAN FAUX LEATHER UPHOLSTERED WING BACK ARMCHAIR IN THE GEORGE III STYLE
735 228
Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
737
739
designed by Anthony Charles Robert Armstrong-Jones, 1st Earl of Snowdon and manufactured by Remploy, of square form, produced for the Investiture of the Prince of Wales, the backs decorated with the Prince of Wales' feathers and motto 'Ich Dien' 77cm high
in the Regency style, with an over-hanging cornice, the plate flanked by fluted pilasters,49.5 x 49 cm £100 - £200
These chairs were produced for the 1969 Investiture of HRH Prince Charles of Wales, at Caernarfon Castle North Wales £200 - £300
A 20TH CENTURY BAROQUE STYLE HALL OR CONSOLE TABLE
A PAIR OF PRINCE CHARLES INVESTITURE CHAIRS
738
A SMALL 19TH CENTURY GILDED WALL MIRROR
740
gilded throughout with carved mounts and scrolling borders, raised on swept legs with carved terminals, supporting a shaped faux green marble top, 85 cm high, 69 x 45 cm £200 - £400
A 19TH CENTURY GILT FRAMED PEAR SHAPED WALL MIRROR
with a moulded border and seemingly original worn plate, 46 x 32 cm £80 - £120
737 229
741
A CLOSELY ASSOCIATED PAIR OF DECORATIVE 19TH CENTURY GILT FRAMED TALL ARCHED PIER GLASSES / MIRRORS
each with twisted gilt gesso frames, 76 x 64 cm £300 - £500
742
A PAIR OF VICTORIAN PAINTED CAST IRON GARDEN CHAIRS
in the manner of Coalbrookdale, 82 cm high, 37 cm wide, seat height 37 cm £100 - £200
743
A VERY HEAVY VICTORIAN PAINTED CAST IRON GARDEN TABLE
in the manner of Coalbrookdale, with a graduating kite grid pierced top, raised on a pierced frame over three legs, adorned with the figure of Britannia, further united by a pierced under tier, 73 cm high, 60 cm diameter £100 - £200
744
A LARGE KASHMIR WOVEN RUG
decorated with a field of panelled medallions £400 - £600
741 230
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PICTURES
231
232
Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
745
SIR KYFFIN WILLIAMS RA (1918-2006), CLYNNOG
signed bottom right 'KW', oil on canvas, 70 x 91cm
Notes: The work has been in private hands, in mid Wales, since the 1970s and this is the first time it has been on the open market. The village of Clynnog and the church depicted in the painting sits on the North coast of the Llyn Peninsula in Gwynedd (This lot might be subject to ARR) ÂŁ10,000 - ÂŁ15,000
233
746
CIRCLE OF SIR PETER LELY (1618-1680), PORTRAIT OF PRINCESS MARY
three quarter length, when Mary of York, as Diana, oil on canvas, 90 x 73cm Notes: There are a number of versions of this portrait with the two most notable held in the Hampton Court Collection of 'Beauties' and the National Trust house Lytes Cary Manor. The Windsor Beauties were the ladies of the court of Charles II and Princess Mary, his niece, was a prominent figure. The future Queen Mary II of England, Scotland and Ireland from 16621694 (co-reigning with her husband King William) she is depicted in this portrait as Diana, the Goddess of Hunting, whose celestrial attributes were understood to be principally inaccessability, virginity and purity £4,000 - £6,000
234
Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
747 747
RICHARD ASSHETON CROSS, 1ST VISCOUNT CROSS (1823-1914)
RAC was Home Secretary between 1874 and 1880 and 1885 and 1886. The photgravure ( 58 x 45cm) in this lot depicts a cabinet meeting with Lord Salisbury as Prime Minister, also included are two futher photographs of RAC and a photograph of William Cross MP, his son (3) Notes: Prehaps the most notable political success of RAC was the Artizans and Labourers Dwellings Act 1875 (known as the First Cross Act) which was the first attempt at urban renewal for working class areas in industrial Britain £150 - £250
748
A B COLES (BRITISH SCHOOL, LATE 19TRH CENTURY), VIEW OF THE BANNERS OF ARMS IN ST GEORGES CHAPEL
watercolour heightened with white, 58 x 45cm, together with the Cross family banner of arms (2) £150 - £250
748 235
749
ANTHONY DE BRIE (1854-1921), PORTRAIT OF RICHARD ASSHETON CROSS, 2ND VISCOUNT CROSS (1882-1932)
inscribed on a plaque on the frame 'Viscount Cross 1917', oil on canvas, 75 x 67cm £200 - £400
750
BRITISH SCHOOL, 19TH CENTURY, PORTRAIT OF RICHARD ASSHETON CROSS
1st Viscount Cross, (1823-1914), Three quarter length seated, signed with initials lower left 'JBG', oil on canvas, 110 x 84cm £200 - £400
751
CONTINENTAL SCHOOL, 18TH CENTURY, PORTRAIT OF A LADY IN LATE 16TH CENTURY COSTUME
half length, oil on panel, 54 x 42cm £600 - £800
750 236
749
751 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
752
CONTINENTAL SCHOOL, 18TH CENTURY, PORTRAIT OF A LADY IN LATE 16TH CENTURY SPANISH COSTUME
oil on panel £600 - £800
753
SIR WILLIAM FETTES DOUGLAS, (1822-1891), WINTER SCHEVENINGEN
watercolour heightened with white, James McBain, Dundee gallery label verso, watermark for Fettes Douglas, 24 x 35cm
752
Notes: Sir William Fettes Douglas (1822-1891) was a Scottish 19th Century painter and art collector from Edinburgh. He became President of the Scottish Royal Academy and served the National Gallery as a curator. Fettes Douglas turned to watercolour later in his career, using a limited palette consisting of shades of grey and brown. He and his contemporaries were heavily influenced by the 19 th Century Dutch painters of the Hague School, in which Hendrik Mesdag was active, and it is likely that he completed this painting during his travels in the Netherlands and Belgium during the late 1870s £800 - £1,200
753 237
754
755 754
EDWIN M FOX (ACT. 1830-1870), PIG OUTSIDE A PIG STY
oil on board, Coughton Gallery label verso, 30 x 34cm £250 - £350
238
755
ANTONIO DE SIMONE (ITALIAN, 1851-1907), THE STEAM YACHT MONSOON IN THE BAY OF NAPLES
inscribed lower left, gouache, 30 x 44cm £400 - £600
Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
756
757 756
H WHITEHEAD (BRITISH SCHOOL, CIRCA 1900), H M S BOXER
signed lower left, watercolour heightened with white, 21 x 38cm together with a gouache titled 'S S Syrian Prince', signed H Crane, 18.5 x 35cm, a goucahe of H M S Hermione, signed D'Esposito, 19.5 x 35cm and a pencil sketch of a cruiser attributed to Lt Col Harold Wyllie (4) £300 - £500
757
LUCAS PAPALUCA(1890-1934), M Y ST GEORGE R T Y C signed lower right, inscribed with
title, watercolour and gouache, 34 x 58cm, together with an unsigned gouache of the ship 'S S Shelley', 36 x59cm and an unsigned gouache of the ship 'S S Livorvese', 38 x 55cm (3) £400 - £600
239
758
759 240
Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
758
GIOVANNI LUZZO (ITALIAN, EARLY 10TH CENTURY), SS CYMRIC VALE, LIVERPOOL VENICE
inscribed with title, dated 1922 and signed lower right, watercolour heightened with white, together with a gouache titled 'SS Moorland' by a different hand (2) £300 - £500
759
ANTONIO DE SIMONE (1851-1907), SS EDALE
inscribed with title, dated 1911, gouache, 37 x 66cm £200 - £400
760
ANTONIO DE SIMONE (1851-1907), SS MESOPOTAMIA
insribed with title, gouache, 40 x 66cm £200 - £400
760 241
761
762
half length wearing a blue velvet dress seated before an open window, signed top right, pastel, 59 x 50cm
three of Joanna Denise Vere Kebbell, the fourth of an elderly gentleman, all various sizes (4) £150 - £250
WILLIAM FRANCIS VERE KEBBELL (18881963), PORTRAIT OF JOANNA DENISE VERE KEBBELL
Notes: William Kebbell was born in Queensland, Australia in 1888 and forged a successful career as a portrait painter in London. He was a member of the Ipswich Art club from 1922 - 1926 and also exhibited regularly at the Royal Academy. He specialised in pastels and was a member of the Pastel Society and the Royal Institute of oil painters; he also found a commercial outlet for his work through the Walker Gallery. The sitter in this work is Joanna Kebbell; the daughter of William Kebbell. She was an accomplished ballerina who trained with the Bolshoi. She also enjoyed a successful career as a dance teacher and choreographer £200 - £300
761 242
WILLIAM FRANCIS VERE KEBBELL (18881963), A COLLECTION OF FOUR PASTEL PORTRAITS
762 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
763
764
763
WILLIAM FRANCIS VERE KEBBELL (18881963), MEMORIES
Still life, signed top right, Mall Galleries label verso, pastel, 61 x 50cm £120 - £180
764
WILLIAM FRANCIS VERE KEBBELL (18881963), STILL LIFE OF FLOWERS signed top right, oil on canvas, 77 x 63cm £150 - £250
765
WILLIAM FRANCIS VERE KEBBELL (18881963), STILL LIFE OF FLOWERS IN A GLASS VASE
signed bottom right, pastel, 54 x 45cm, together with a further pastel still life by the same hand (2) £150 - £250
765 243
767 767
WILLIAM DRUMMOND YOUNG (1855-1924), THE MILL POND
inscribed verso with title on Drummond Young Ltd label, oil on panel, 30 x 35cm £180 - £250
766
768
766
WILLIAM FRANCIS VERE KEBBELL (18881963), STILL LIFE WITH JADE NECKLACE
signed top left, Mall Galleries label verso, pastel, 52 x 45cm together with a further pastel still life by the same hand (2) £120 - £180
768 244
JACK MERRIOTT RI ROI RSMA RWS (19011968), LOWERING TIDE
Woodbridge, signed lower left, oil on canvas, framed. Measurements 50 x 60cm, framed measurements 67.5 x 78 cm (This lot might be subject to ARR) Exhibition sticker verso for Society of Marine Artists Tour 1964, and stickers for James Bourlet and Sons Jack Merriott (1901-1968) was born in Greenwich, beginning his artistic career as an illustrator for Sphere Magazine and producing the watercolour images for the book series Beautiful Britain. He was a regular contributor to The Artist magazine as well as creating poster designs for British Railways and the Post Office. During the 1950s he relocated to Polperro in Cornwall and taught watercolour classes, travelling around the country to give painting demonstrations and created a correspondance course for watercolours at the Pitman College of Art. He had a number of pieces exhibited with the Royal Academy and was Vice President for the Royal Institute of Painters in Watercolour and member of the Royal Society for Marine Artists. Merriott was appointed as one of the official artists for the coronation of Queen Elizabeth II at Westminister Abbey. He unfortunately died in 1968 as a result of injuries inflicted by a car accident £1,000 - £1,500
Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
769
770
South Downs looking east from Wiston, signed lower left, watercolour, framed. Measurements 37 x 51cm, framed measurements 57.8 x 71cm (This lot might be subject to ARR)
both signed, watercolours, 29 x 53cm (2) £150 - £250
JACK MERRIOTT RI ROI RSMA RWS (19011968), CLOUDY DAY
Jack Merriott (1901-1968) was born in Greenwich, beginning his artistic career as an illustrator for Sphere Magazine and producing the watercolour images for the book series Beautiful Britain. He was a regular contributor to The Artist magazine as well as creating poster designs for British Railways and the Post Office. During the 1950s he relocated to Polperro in Cornwall and taught watercolour classes, travelling around the country to give painting demonstrations and created a correspondance course for watercolours at the Pitman College of Art. He had a number of pieces exhibited with the Royal Academy and was Vice President for the Royal Institute of Painters in Watercolour and member of the Royal Society for Marine Artists. Merriott was appointed as one of the official artists for the coronation of Queen Elizabeth II at Westminister Abbey. He unfortunately died in 1968 as a result of injuries inflicted by a car accident £200 - £300
HENRY JOHN SYLVESTER STANNARD (1870-1951), A PAIR OF WATERCOLOURS OF BUCOLIC RURAL SCENES
771
NO LOT
769
770 245
772
772
EDWIN HAROLD GLASBY (FL.1922-1947), THE JETTY, VOLENDAM
signed, oil on canvas, 64 x 76cm
Notes Exhibited at Royal academy in 1925 £1,000 - £2,000
773
ROBERT FARREN (1832-1912), YOUNG LADY PLAYING WITH A CALF IN A MEADOW
signed and dated 1889, oil on canvas, 55 x 44 cm £350 - £450
246
773 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
774
774
MARINUS DE JONGERE (1912-1978), VIEW OF THE STERN OF A LATE 19TH CENTURY DUTCH SECOND RATE SHIP OF THE LINE
crayon and charcoal, signed, 22 x 30cm £200 - £400
775
BRITISH SCHOOL, EARLY 18TH CENTURY, PORTRAIT OF A YOUNG LADY
half length wearing a white dress and a blue shawl, oil on metal, oval 14cm high by 12cm wide £200 - £300
775 247
776
JOHANN PETER HASENCLEVER (1810-1853), GARDENERS REST
oil on metal, 19 x 16cm £200 - £300
777
DUTCH SCHOOL, 19TH CENTURY, WINTER RIVER SCENE
indistinctly signed lower left, oil on panel, 29 x 39cm £200 - £400
776
777 248
Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
778
BRITISH SCHOOL, 18TH CENTURY, PORTRAIT OF A YOUNG GIRL
three quarter length, wearing a blue dress and holding flowers, oil on canvas, 71 x 59cm £150 - £250
779
TOM EDWIN MOSTYN (1864-1930), 'THE END OF THE DAY'
signed, oil on canvas, 47 x 61cm £800 - £1,200
780
NO LOT
778
779 249
781
782 781
782
signed lower left, watercolour, 47 x 69cm £200 - £300
near Ditchling, Sussex, , 24 x 54cm £150 - £250
HENRY H LINES (1801-1889), TWO FARM LABOURERS AND A DOG BESIDE A COPSE
250
ARTHUR WILLETT (1857-1918), BREAKING AWAY FROM THE BEACON COPSE
Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
783
DUTCH SCHOOL, 19TH CENTURY, STILL LIFE OF FLOWERS AND FRUIT ON A MARBLE LEDGE
oil on canvas, 61 x 53cm £800 - £1,200
784
BRITISH SCHOOL, LATE 18TH CENTURY, STUDY OF HORSES HEADS
watercolour, 25 x 33cm £350 - £450
783
784 251
785
786
785
FRANK ROUSSE (1897-1917), FISHING BOATS LEAVING A HARBOUR
signed lower left, watercolour, 48 x 60cm £200 - £400
786
J MORRIS (BRITISH SCHOOL, LATE 19TH CENTURY), 'IN THE TROSSACHS'
signed, watercolour, dated '95, 25 x 36cm, together with a further highland river scene and a view of the River Avon, both by the same hands (3) £200 - £400
787
CONTINENTAL SCHOOL, 19TH CENTURY, YOUNG LADY CARRYING FRUIT
oil on canvas, 65 x 50cm, together with two further portraits by different hands (3) £300 - £500
787 252
Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
788 788
789
signed lower left, oil on canvas, 51 x 77cm £3,000 - £5,000
signed lower left, oil on canvas, 51 x 76cm £600 - £800
WILLIAM SHAYER (1787-1879), HARVESTERS AT REST
CARL BRENNIR (1850-1920), LINGERING LIGHT NEAR KEMPSEY
789 253
790
790
DAVID BATES (1840-1921), HAYTIME, VALLEY OF THE ROTHAY
signed and dated 1900, inscribed verso, oil on canvas, 51 x 76cm £1,400-1,800 £1,400 - £1,800
791
A SILK BOUND FOLIO CONTAINING A COLLECTION OF OVER FIFTY JAPANESE WOODBLOCK PRINTS
subjects to include figures, animals, fishes, fruits, fishes and vegetables, landscapes, etc £200 - £300
791 254
Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
792
792
WILLIAM HENRY MANDER (1850-1922), 'BETTWS-Y-COED'
a summer river landscape, bears traces of a signature also inscribed verso by a later hand, said to be inscribed behind the backing board 'At Bettws-y-Coed, W H Mander Jnr', oil on canvas, 41 x 57cm £500 - £700
255
793
793
ARTHUR FITZWILLIAM TAIT (AMERICAN/ BRITISH, 1819-1905)
Chicks gathered around a small log, signed and dated 1866, inscribed verso, oil on board, 24 x 29.5cm Notes: Arthur Tait was born in Liverpool in 1819 and developed a love for animals during his childhood spent often away with relatives near Lancaster. Self taught and very talented he emigrated to America in 1850 having already established himself as a sporting and animal painter in England. He had good commercial instincts and became well known in America for his frontier paintings £4,000 - £6,000
256
Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
794
WILLIAM STRANG (1859-1921), PORTRAIT OF EDWIN B MOSER
half length, signed and dated 1919, inscribed with title, charcoal and crayon, 41 x 25cm
Notes: Edwin Moser was a housemaster at Shrewsbury and a great benefactor to the school £1,000 - £2,000
257
795
795
ARTHUR WILKINSON (1860-1930), 'IN A SOUTH DEVON ORCHARD'
signed lower right, oil on canvas, 41 x 61cm £150 - £250
796
BRITISH SCHOOL, 18TH CENTURY, PORTRAIT OF A CLERGYMAN
half length, wearing a wig and clerical robes, oil on canvas, 55 x 41cm £200 - £300
796 258
Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
797
FOLLOWER OF SIR ANTHONY VAN DYCK (1599-1641), PORTRAIT OF THOMAS WENTWORTH
1st Earl of Strafford, head and shoulders, oil on panel, 31 x 24.5 cm £300 - £500
798
ROBERT WILLIAM BUSS (1804-1875), SOLICITING A VOTE
signed and dated 1833, oil on canvas, 64 x 77cm £1,000 - £2,000
797
798 259
799
803 799
WALTER HUTCHESON (1869-1912), THE GLEANERS
signed lower left, oil on canvas, 75 x 102cm £1,000 - £2,000
800
JOSEPH THORS (1835-1920), FIGURES ON A RURAL TRACK WITH AN EXTENSIVE LANDSCAPE BEYOND
signed, oil on canvas, 38 x 59cm £300 - £400
800
801
JAMES HARDY JNR RI (1832-1889), 'THE HIGHLANDS'
signed and dated '78, watercolour, 32 x 48cm £350-450 £350 - £450
802
FRED CARLTON (BRITISH SCHOOL, 19TH CENTURY), VILLAGE SCENE WITH YOUNG GIRL FEEDING CHICKENS
signed lower right, oil on canvas, 51 x 77cm £400 - £600
803 801
KERSHAW SCHOFIELD (1872-1941), CATTLE IN A WATER MEADOW
signed, oil on canvas, 85 x 104cm £500 - £700
260
Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
804
804
DUTCH SCHOOL, 17TH CENTURY, AN ALLEGORICAL SCENE
oil on panel, 36 x 49cm £600 - £800
805
ENGLISH SCHOOL, EARLY 19TH CENTURY, PORTRAIT OF A YOUNG GIRL WEARING A BONNET AND BLUE RIBBON IN HER HAIR
oil on canvas, 41 x 34cm £150 - £250
805 261
806
BRITISH SCHOOL, LATE 18TH CENTURY, A SET OF FOUR STEEPLECHASE SCENES,
watercolours, each 25 x 32cm £300 - £400
807
DANIEL SHERRIN (1868-1940), 'NOVEMBER SUNSET'
signed, also inscribed on a plaque attached to the frame, oil on canvas, 61 x 76cm £600 - £800
806
807 262
Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
808
BRITISH SCHOOL, 19TH CENTURY, PORTRAIT OF SIR CHARLES POLE
1st Baronet (1757-1830), oval watercolour, 7.5 x 6cm, together with a portrait oval watercolour of a lady, inscribed verso 'Anna Pole, Lady Somers', a pair of portrait watercolours of a Royal Navy officer and his wife, circa 1815, a rectangular portrait miniature of a Royal Navy officer dressed as a lieutenant and inscribed verso 'Admiral Robert Kerr' and a portrait miniature of a Royal Navy officer with powdered hair, circa 1790, hair back, 7cm high, (6) £250 - £350
809
FOLLOWER OF SIR JOSHUA REYNOLDS (17231792), PORTRAIT OF YOUNG LADY WEARING A HEADBAND AND A BLUE CLOAK oil on canvas, 44.5 x 36cm £600 - £800
808
810
GEORGE AUGUSTUS HOLMES (1822-1911), YOUNG GIRL PLAYING WITH PUPPIES
signed lower left, oil on canvas, 49 x 66cm £400 - £600
809
810 263
811
MICHAEL D'AGUILAR (1924-2016), LE RETOUR DES PECHEURS
oil on board, Signed bottom right, framed. Measurements 25.5 x 30.7cm, framed measurements 40.3 x 45.2cm Sticker verso- Callaghan's Fine Paintings and Contemporary Bronze Michael D'Aguilar (1924-2016) British 20th-21st Century, was born in London with Spanish heritage. He spent much of his early life in Spain before returning to England to study at the Royal Academy Schools 1949-1954 during which he won the Leverhulme Scholarship. His preferred mediums were oils and watercolour, with landscapes, townscapes and animals his subjects of choice. In addition to his painting, he also worked as an art restorer. D'Aguilar had a number of successful one man shows and won the Gold, Silver and Bronze medals at the Royal Drawing Society as well as the Silver medal and Armitage award at the Royal Academy. His artwork is characterised by rapid brushstrokes and texture, with dramatic colour combinations and ability to capture the feeling of movment within his subjects (This lot might be subject to ARR) £800 - £1,200
811
812
NANCY LEE (BRITISH SCHOOL, 20TH CENTURY), STILL LIFE OF GRAPES, PLUMS AND PEACHES ON A MARBLE LEDGE
oil on board, 44 x 34cm £350-450 £350 - £450
813
EDMUND JOHN NIEMANN (1813-1876), BRITISH 19TH CENTURY, 'BITING TIME',
812
signed lower right, dated 1846, oil on canvas, framed. Measurements 45 x 60.5 cm Exhibited at the Royal Academy 1846, no. 318 Sticker verso for Spenser S.A. Fine Paintings Old and Modern Masters £800 - £1,200
END OF AUCTION
264
813 Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
2020
FINE ART AUCTION CALENDAR JAN 8th - Antiques & Interiors
17th-31st - Timed Auction - Modern and Contemporary Art
FEB
5th - Antiques & Interiors 14th-1st - Timed Auction - 20th Century and Contemporary Art
MAR 4th - Antiques & Interiors
18th - The Spring Auction
JULY 1st - Antiques & Interiors
AUG 5th - Antiques & Interiors SEPT 2nd - Antiques & Interiors
16th - The Autumn Auction
OCT 7th - Antiques & Interiors
9th-25th - Timed Auction - Modern and Contemporary Art
APR 1st - Antiques & Interiors
NOV 4th - Antiques & Interiors
MAY 6th - Antiques & Interiors
DEC 9th - The Christmas Auction
JUNE 3rd - Antiques & Interiors
17th - The Summer Auction
All auctions start at 10am We offer free valuations every Monday, 10am - 1pm (except bank holidays) For details on the closing dates and viewing dates for all of our auctions, go to www.hallsgb.com/fine-art
265
CONDITIONS OF SALE 1. Definitions. In these Conditions Halls Holdings Limited act only as auctioneers and agents for the seller and the representative of Halls Holdings Limited conducting the auction is called the “Auctioneer”. 2. General. Whilst Halls Holdings Limited make every effort to ensure the accuracy of their catalogues and the description of any lot:(a) Each lot as set out in the catalogue or as divided or combined with any other lot or lots sold by the seller with all faults, imperfections and errors of description. (b) Halls Holdings Limited do not accept responsibility for the authenticity, attribution, genuineness, origin, authorship, date, age, period, condition or quality of any lot unless they have been instructed in writing by the seller to so certify, and in such case the auctioneers do so as agents of the seller and are not themselves responsible for such claims. (c)All statements whether printed in the catalogue or made orally as to any of the matters set out in (b) above are statements of opinion only and are not to be taken as being or implying any warranties or representations of fact by Halls Holdings Limited unless they have been instructed in writing by the seller to so certify. (d) Any claim under any Statute must be received in writing by the Auctioneers within ten days of the day of the sale. 3. The Auction. (a) The Auctioneer has absolute discretion to divide any lot, to combine any two or more lots or withdraw any lot or lots from the sale, to refuse bids, regulate bidding or cancel the sale without in any case giving any reason or without previous notice. He may bid on behalf of the seller for all goods which are being offered subject to reserve or at the auctioneer’s discretion. (b) The highest bidder shall be the buyer except in the case of a dispute. The Auctioneer may at his sole discretion determine the advance of bidding or refuse a bid. If during the auction the Auctioneer considers that a dispute has arisen, he has absolute discretion to settle it or to re-offer the lot. (c)Each lot is put up for sale subject to any reserve price placed by the seller. (d) All conditions, notices, descriptions, statements and other matters in the catalogue and elsewhere concerning any lot are subject to any statements modifying or affecting the same made by the Auctioneer from the rostrum prior to any bid being accepted for the lot. 4. Rescission. Notwithstanding any other terms of these Conditions, if within fourteen days after the sale Halls Holdings Limited have received from the buyer of any lot notice in writing that in his view the lot is a deliberate forgery and within twenty-one days after such notification the buyer returns the same to Halls Holdings Limited in the same condition as at the time of sale and by producing evidence, the burden of proof to be upon the buyer, satisfies Halls Holdings Limited that considered in the light of the entry in the catalogue the lot is a deliberate forgery then the sale of the lot will be rescinded and the purchase price of the same refunded. The seller and the buyer agree to be bound by Halls Holdings Limited’s decision 5. Default. Halls Holdings Limited disclaim responsibility for default by either the buyer or the seller because they act as agents for the seller only and therefore do not pay out to the seller until payment is received from the buyer. Instructions given by telephone are accepted at the sender’s risk and must be confirmed in writing forthwith. 6. In the event of a sale by private treaty both the seller and the buyer agree to be bound by the general and any Special Conditions of Sale. 7. Third Party Liability. Every person on Halls Holdings Limited’s premises at any time shall be deemed to be there at his own risk. He shall have no claim against Halls Holdings Limited in respect of any accident which may occur or injury, damage or loss howsoever caused, save in so far as the injury, damage or loss shall be caused by the direct negligence of Halls Holdings Limited’s employees
266
CONDITIONS OF SALE APPLICABLE TO BUYERS 8. Inspection. Opportunity is given for inspection and each buyer by making a bid for a lot acknowledges that he has satisfied himself fully before bidding by inspection or otherwise to all the Sale Conditions, the physical condition of and description of the lot including but not restricted to whether the lot is damaged or has been repaired or restored. 9. Property and Risk. The legal title in a lot shall not pass to the buyer until the lot(s) has been paid for in full and the Auctioneers shall be entitled to a lien on any lot sold until the purchase price (as defined in 10 below) is paid in full but each lot is at the sole risk of the buyer from the fall of the hammer. Each buyer shall forthwith give his full names and permanent address and if called upon to do so by the Auctioneer shall forthwith pay Halls Holdings Limited such proportion of the purchase price as the Auctioneer may require. If the buyer fails to do so, the lot may at the auctioneer’s sole direction be put up again and re-sold. 10.Every bidder shall be deemed to act as principal unless there is in force a written acknowledgement by Halls Holdings Limited that he acts as agent on behalf of a named principal. 11. Removal of goods. (a)No purchase shall be claimed or removed until the sale has been concluded. All lots shall be paid for and removed at the buyer’s risk and expense by the end of the second working day after the sale, failing which the Auctioneer shall not be responsible if the same are lost, stolen, damaged or destroyed, and all lots not so removed shall remain at the risk of the buyer and subject to a warehousing charge. If they are not paid for and removed within seven days of the sale the Auctioneer may re-sell them by auction or privately without notice to the buyer. Any liability which there may be on the part of the Auctioneer in respect of any loss shall be restricted to a maximum of the price paid by the buyer of the lot. (b) In the event of any failure of the buyer to comply with any of the above conditions the damages recoverable by the seller or the Auctioneers from the defaulter shall include any loss arising on any re-sale of the lots, together with the charges and expenses in respect of both sales, and together with interest at 2% above Handelsbanken Base Rate upon the price of any lot which has not been paid for within forty-eight hours of the sale, and any money deposited in part payment shall be held by the Auctioneers on account of any liability of the defaulter to them or to the seller. We accept cash up to €10,000, debit cards, bank transfers and personal cheques. We apologise we do not accept credit cards. Cheques drawn by third parties, whether in the auctioneer’s favour or requiring endorsement, cannot be accepted. 12. Purchase Price. The buyer shall pay the hammer price together with a premium at the stated rates on the hammer price of 20%. under the Auctioneers’ Margin Scheme operated by HM Customs & Excise, the premium does attract VAT as an addition to the stated premium rate. 13. Commission to Bid. Halls Holdings Limited will execute bids on behalf of intending buyers unable to attend the sale at no charge. Halls Holdings Limited undertake to purchase lots as cheaply as allowed by other bids and reserves. Bids must be submitted in writing and whilst every care is taken in carrying out instructions Halls Holdings Limited cannot be held responsible for errors or omissions made in carrying out such bids. 14. Lots on which Value Added Tax is payable on or included in the hammer price are indicated in the catalogue or description sheet with a sign. VAT is payable on or included in the hammer price of such lots at the rates prevailing on the day of the auction.
Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
CONDITIONS OF SALE APPLICABLE TO SELLERS 15. The seller authorises Halls Holdings Limited to deduct commission at the published rate and to retain the buyer’s premium of 20% plus VAT. The seller agrees to pay all special advertising charges and illustration charges (see 24) insomuch that they are reasonable. Scale of Commission - Halls Business tariff card available at all Halls offices and salerooms on request. 16. Value Added Tax. A seller who sends for sale by auction any chattel(s) which is an asset of his business must disclose to the Auctioneer whether or not he is a registered person for Value Added Tax purposes and, if so, his registered number and whether or not he intends to operate the Dealer Margin Scheme covering works of art, etc. This information must be supplied to the Auctioneer on or prior to delivery of the goods. 17. Instructions. All goods delivered to the Auctioneers’ premises will be deemed to be delivered for Sale by Auction and will be catalogued and sold accordingly unless special instructions are recorded on the receipt. 18. Reserves. Halls Holdings Limited will be pleased to advise on suitable protective reserves but if no reserves have been received prior to the day of the Sale, the lot will be sold without reserve or at the discretion of the Auctioneer. Reserves must be confirmed in writing or notified on the receipt at the time of delivery. 19. Indemnity. Vendors shall indemnify Halls Holding Ltd against any claims in connection with goods sold by Halls on the vendor’s behalf. 20. Collections. The Auctioneers do not themselves undertake the collection of goods but acting expressly as Agents, they will if required, instruct or recommend a carrier on the vendor’s behalf for which there will be a charge. 21. Withdrawals. Where a seller cancels instructions for sale, or where a lot is withdrawn for any reason other than misattribution or authenticity, Halls Holdings Limited reserves the right to charge a fee equal to 10% plus VAT of the reserve price of the lot, or where no reserve has been fixed, Halls’ lower estimate of the item(s) withdrawn, together with any expenses incurred in relation to the item(s) withdrawn. 22. Insurance. Halls Fine Art are not regulated by the FSA for the provision of insurance to its clients. However, Halls Holdings Limited, for its own protection insures property consigned to it at bottom pre sale estimate, unless the item has been sold, in which instance property is insured at the hammer price for loss, occasioned as a result of theft, fire or negligence whilst in their custody or control. 23. Warranty of Title. The seller warrants to Halls Holdings Limited and to the buyer that he is the true owner of the property or is properly authorised to sell the property by the true owner and is able to transfer good and marketable title to the property free from any third party claims. 24. Photography. Vendors give Halls Holdings Limited the right to photograph and illustrate and promote any lot placed with them for sale and to use such photographs and illustrations at any time at their discretion, whether or not in connection with the auction. 25. Electrical and Mechanical goods. The seller and consignor of
electrical or mechanical goods warrants and undertakes to Halls Holdings Limited that on the date received by Halls that the same are safe if reasonably used for the purpose for which they were designed and free from any defect not obvious on external inspection which could prove dangerous to human life or health, and will indemnify Halls its servants and agents against any loss or damage suffered by any breach of the above warranty. 26. Agency. The Auctioneers act throughout as Agents only and are not responsible for any default by the buyer. Halls Holdings Limited disclaim liability for paying the vendor until they have received settlement from the purchaser. 27. Warehousing. The Auctioneers exempt themselves from any liability to goods delivered to their salerooms without sufficient sale instructions,and reserve the right to make a warehousing charge in this respect. A similar warehousing charge will be applicable for goods left on their premises after they have requested the vendor to remove them. 28. Unsold goods. unsold goods must be collected if they are not to be re-offered within 14 days following receipt of any after sale advice slip. Halls Holdings Limited reserve the right to sell by auction on behalf of the vendor without reserve any items after this period. 29. Important Notice. Any monies held on your behalf will be held in a Clients Bank Account at the Handelsbanken, Shrewsbury and will be protected by the FSA. Furthermore for your protection, Halls adhere to the Clients Monies rules of the RICS. Any incidental interest earned on such monies will be retained by Halls as part of their terms of engagements, and by instructing Halls to act on your behalf, you are agreeing to and endorsing that course of action. RICS operates a Clients’ Money Protection Scheme (CMPS). This scheme, of last resort, covers direct loss of clients’ money as a result of misappropriation (or equivalent) by a RICS Regulated Firm, up to a £50000 limit. The CMPS nor Halls will provide protection for the failure of a bank. But protection for bank failure is provided by The Financial Services Compensation Scheme up to a £50000 limit. A copy of Halls complaints procedure is on display at all Halls offices, and a copy will be made available to you on request. 30. Online Bidding. Halls Holdings Limited offer an online bidding service via the-saleroom.com for bidders who cannot attend the sale. In completing the bidder registration on www.the-saleroom. com and providing your card details and unless alternative arrangements are agreed with Halls Holdings Limited you: 1. Authorise Halls Holdings Limited, if they so wish, to charge the card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom.com, and 2. Confirm that you are authorised to provide these card details to Halls Holdings Limited through www.thesaleroom.com. We do not accept credit cards. Please note that any lots purchased via the-saleroom.com live auction service will be subject to an additional 5% commission charge + VAT at the rate imposed on the hammer price
Halls Holdings Limited Company Registration No. 06597073 VAT Registration No. 549 7365 94
MONEY LAUNDERING Lots in this sale may be purchased with notes, coins or travellers cheques in sterling provided that the total payable by you does not exceed the equivalent in sterling of €10000. If the amount payable by you exceeds the equivalent of €10000, the balance must be paid otherwise than in notes, coins or travellers cheques. These conditions are in accordance with The Money Laundering Regulations 2003.
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CARRIAGE & PACKING Whilst Halls Fine Art are not packers or shippers we are happy to liaise with your chosen carrier for removal of lots after sale. Please note, no lots shall be released to carrier until payment has been received. If you have not arranged shipping with a chosen carrier, Halls Fine Art can also provide a list of shippers in our area. For further information, please email peter@hallsgb.com or call 01743 450700
IMPORTANT NOTICE TO JEWELLERY BUYERS Prospective buyers please note that lots marked with ◉ may be subject to VAT on the hammer price. Prospective buyers should note that although every effort is made to note repairs, restoration and damage in the catalogue descriptions, a lack of any such note should not be taken to imply that the lot is in perfect condition. Prospective watch buyers should note that the working order of watches is not guaranteed. All weights stated in the catalogue are approximate only, these figures are for reference only and prospective buyers should satisfy themselves as to the accuracy. Prospective buyers are reminded that coloured gemstones have historically been treated to enhance their appearance. A variety of methods have been, and are currently used to improve both transparency and colour of various gemstones. All yellow and white metals have not been tested. The International Jewellery Trade generally accept these methods. It is not possible for Halls to obtain gemmological reports on all stones offered for sale and therefore all Halls Holding’s estimates assume that gemstones have been enhanced.
IMPORTANT NOTICE TO BOOK BUYERS Prospective buyers should be aware that general wear to include; creasing, light foxing, small tears, bumped corners, worn boards or weak spine/joints, will not be specified in the catalogue descriptions. Any substantial losses/wear to include detached boards, detached spines or extensive graffiti will be described as ‘at fault’. Prospective buyers must satisfy themselves with a condition report prior to bidding, Halls Holdings can take no responsibility for condition of purchased lots if condition reports were not requested.
IMPORTANT NOTICE Although every effort is made to note damage and restoration, the absence of such information does not imply that the lot is free from defects. Detailed condition reports and email images can be obtained on request until 4.00pm the day prior to the sale.
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Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
BEFORE THE AUCTION What is buyer’s premium? All UK auctioneers charge a premium in addition to the hammer price. Halls Buyer’s Premium is 20% plus VAT for the first £500,000 and 12% above £500,000 per lot Can I ask questions about lots before the auction? You can ask for further details about any lots in our sales up until 4.00pm the day prior to the sale and this is especially important if you cannot attend the view. We don’t detail condition in our catalogue descriptions and so recommend asking for a condition report and additional images. Our reports provide a general guide to the condition of a lot but are not a forensic examination and so a physical inspection by you or an appointed agent is ideal. You can ‘phone the saleroom and talk to a specialist or you can email adminfineart@hallsgb.com. Alternatively you can click the ‘ask a question’ button on our website in the lot details screen. Condition reports are always given in writing Buying ivory Items made of or containing elements of elephant ivory are subject to trading bans in the USA and China among other jurisdictions, and are subject to CITES regulations in the UK. If you are bidding outside the UK, please ensure you are aware of your country’s regulations BEFORE bidding. We cannot rescind a sale if you are unable to ship ivory to your country
ATFER THE AUCTION When should I pay for my purchase? We usually like to receive payment and collection arrangements within seven days of the auction What payment methods can I use? You can pay with cash (up to £8,000), debit cards, direct bank transfer or a personal cheque. We regret that we do not accept payment by credit card. Cheques should be made payable to Halls Holdings Ltd Do I need to collect immediately? We prefer buyers to arrange collection within ten days of the auction. Storage space is very limited at our saleroom and we regret we cannot store purchased lots for long periods Do you ship bought lots? Halls do not provide a shipping or postage service but we can assist in finding a suitable carrier for your bought lots. Please email peter@hallsgb.com for further details
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COMMISSION BIDDING SLIP
Email confirmation received
Bidding No.
Sale Date: _________________________________________________________________ Please bid on my behalf at the above auction for the following lots up to the prices specified, these to be executed as cheaply as allowed by such other commissions or reserves. Please note all successful bids are subject to a Buyer’s Premium of 20% + VAT. I have read and agree to comply with the Notices and Conditions of Sale. Bids must be a multiple of 5 to be accepted. Bids under £30 will not be accepted.
Lot
Description
Bid in £
Lot
Description
Bid in £
Name (Block letters) _________________________________________________________________ Email _____________________________________________________________________________ Address (Block letters) _______________________________________________________________ __________________________________________________________________________________ __________________________________________________ Postcode________________________ Telephone No ______________________________________________________________________ Signature________________________ Date________________________ Time________________
Important Notice
If bids cannot be read clearly, they will not be executed. Commission bids for unregistered buyers must be accompanied by a form of identification. Commission bids left on the day of sale cannot be guaranteed and on day of sale will not be accepted from unregistered buyers.
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Please note all successful bids are subject to a Buyer’s Premium of 20% plus VAT
THE SUMMER AUCTION 17th June To feature the contents of a Country House
Entries close 4th May