香港話劇團國際黑盒劇場節2016 HKREP International Black Box Festival 2016 威爾斯 Wales
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臺灣 Taiwan
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香港
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Hong Kong
莫比斯圓環創作公社 Möbius Strip Theatre
《九面芙烈達》 the 9 fridas 編劇 Playwright
凱特．奧萊莉 Kaite O'Reilly
翻譯 Translator
陳佾均 Betty Chen
導演 Director
菲利浦．薩里利 Phillip Zarrilli
舞台設計 Stage Designer
林欣伊 Yy Lin
服裝設計 Costume Designer
李育昇 Li Yu-shen
燈光設計 Lighting Designer
馮國基 Fung Kwok Kee Gabriel
影像設計 Video Designer
斉藤伸一 Saito Shinichi 張藝生 Alex Cheung
編舞、墨西哥語錄音、西班牙與墨西哥語發音顧問
Victor Ramirez Ladron De Guevara
音樂設計 Music Designer
Choreographer, Mexican dialogue recording, Spanish and Mexican dialect Consultant
香港話劇團黑盒劇場 HKRep Black Box 27-29.10.2016 8pm 29#.10.2016 3pm 30.10.2016 5pm # 10月29日下午場設演後座談會，由前進進戲劇工作坊藝術總監陳炳釗先生擔任嘉賓講者 With post-performance talk on October 29 matinee with Mr. Chan Ping Chiu, Artistic Director of On & On Theatre Workshop as guest speaker 全劇長約2小時，不設中場休息 Approximately 2 hours without intermission 遲到或中途離場觀眾將不得進場 No latecomers will be admitted 各位觀眾： 為求令表演者及觀眾不致受到騷擾，請關掉手提電話、其他響鬧及發光裝置。同時請勿在場內飲食或擅自攝影、錄音或錄影。多謝合作。 To avoid undue disturbance to the performers and other members of the audience, please switch off your mobile phones and any other sound and light emitting devices before the performance. We also forbid eating and drinking, as well as unauthorized photography, audio or video recording in the auditorium. Thank you for your cooperation.
本節目為2014臺北藝術節委託製作 World premiere production commissioned by Taipei Arts Festival 2014 贊助 Sponsors
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香港話劇團藝術總監的話 一桌人文盛宴 寰宇文本芳華 「國際黑盒劇場節2016」正式與觀眾見面了！ 「文本霓虹 折射人文光譜」為是次主題，我們旨在為香港觀眾介紹舞台上不同 風格的文本和結構，配合另類劇場形式，為香港話劇團黑盒劇場帶來不一樣的 戲劇風采！ 荷蘭阿姆斯特丹劇團製作的《人聲》作為開幕節目，先在今年四月為觀眾送上 一次經典重現，我們得到觀眾熱烈支持。從比利時導演Ivo van Hove完美演繹， 足見八十年前的經典作品對當下仍有強大的批判功能！ 接下來的五齣劇目，均來自不同地域，也會於今年10月至11月，一連六星期於 本團黑盒劇場內折射獨特的人文光譜。
Performer Studio《鄭和的後代》為香港代表，在導演黃龍斌的率領下，一班香 港演藝學院的畢業生傾力演出。此劇乃新加坡劇場之父郭寶崑先生的經典名 著，黃龍斌抽取文本的重點重新改編，並以形體劇場的方式呈現，既簡潔又活 潑地把歷史人物「鄭和」的遭遇與今天的情景對照，想像力豐富，玩味十足！加上一眾年輕演員的拼搏精神，當中所煥 發的青春火花，令人期待！ 緊接的是臺灣莫比斯圓環創作公社、威爾斯創作人和本團合作的《九面芙烈達》。威爾斯編劇凱特．奧萊莉（ Kaite O’Reilly）以「新文本」的寫作手法，深刻地描寫著名墨西哥女畫家芙烈達‧卡蘿（Frida Kahlo）的遭遇。芙烈達以傳統 彩衣和色彩奪目的一字眉自畫像流芳百世，其畫作是她一生多重身份的抗爭寫照。奧萊莉把芙烈達這些身份割裂開來， 逐一評價，與當代觀眾擦出情感上的強烈聯繫。奧萊莉擅長以不同戲劇體裁編寫傷健人士的故事，今次更會親自來港主 持工作坊和專題講座，真的不容錯過！ 日本著名編劇佃典彥在 2011年首次參觀我們的黑盒劇場，對這個創作空間一見鍾情，更誓言要寫一個新作品在這裡演 出。《朝顏》正是他為劇場節的「別注」創作，亮點更是他親自粉墨登場，與劇団B級遊擊隊的團員一同帶來這個作品。 佃典彥對生活觀察入微，喜歡探討親密關係中種種錯綜複雜的情感，表現手法總帶點魔幻色彩，諷刺現實生活，教人深 思！他亦會來港主持講座，分享他獨特的創作方法！ 《白房間》是香港土方巽舞踏研究場的參節演出，特邀日本舞踏大師和栗由紀夫編寫文本和執導。舞踏演出配合文字創 作，絕對是一次新鮮的嘗試。和栗由紀夫對表演有深層次的研究，之前也來港舉行為期兩天的工作坊，以舞踏訓練加上 文本，讓參加者經歷了一次有關角色理解的旅程。 壓軸作是來自南韓Creative VaQi的《之前之後》，由南韓年輕導演李敬誠與他的團隊集體創作。此劇於去年11月演出後引 起極大迴響，也榮獲不少獎項。李敬誠是近年首爾備受關注的導演之一，也常被邀到國外交流合作。他與其團隊十分關 懷個人和社會的聯繫，作品多以社會議題出發，探討和批判生活中的扭曲現象，觸角敏銳！李敬誠是次將與其創作團隊 一起帶領工作坊，介紹他們獨特的集體創作方法。 走筆至此，我謹代表香港話劇團歡迎並感激參節的本地和海外藝術家，還有本團策劃和執行劇場節各項工作的團員。最 後，我感謝每一位蒞臨欣賞和支持這場人文盛宴的觀眾朋友！希望大家能在黑盒劇場中，享受一連串難忘的舞台體驗！
陳敢權 02
Message from Artistic Director, HKREP Wonderful scripts from around the globe A colourful feast of humanity The International Black Box Festival 2016 is officially launched! “The Colours of Humanity” is the theme of this year’s installment. Our mission is to offer Hong Kong audiences different approaches to the dramatic text in a wide range of stage presentations, to provide a breath of fresh air in Hong Kong Repertory Theatre Black Box! As a prelude to the Festival, the Toneelgroep Amsterdam brought La voix humaine, a revival of a classic to which our audience responded enthusiastically. The production, led by Belgian director Ivo van Hove, proves that a repertory work from eight decades ago remains as valid and as critical today. The following five productions hail from different regions in the world. They are all presented on our stage in October and November. For six weeks, our Black Box will display a series of unique “colours of humanity”. Performer Studio’s Descendants of the Eunuch Admiral is the Hong Kong entry for this Festival. Under the leadership of Tony Wong, it features a cast of the Hong Kong Academy for Performing Arts graduates. This work is a masterpiece by the forefather of Singapore theatre, Kuo Pao-kun. Wong extracted the most important parts of the script and adapted it anew, adding choreographed movements into the presentation, depicting the historical figure Zheng He and his travails in a minimal yet lively way that relates to our contemporary world. It is an imaginative work that has many a twist! Along with the dedication of a cast of young actors, there is much to look forward to in this production! Following closely is Taiwan’s Möbius Strip Theatre’s collaborative project with Welsh artists as well as Hong Kong Repertory Theatre. The 9 fridas is the work of playwright Kaite O’Reilly with a totally new approach to “text” as she chronicles the life of Mexican painter Frida Kahlo, whose vibrant costumes and iconic eyebrows distinguished her, and whose paintings represent the challenges of her many roles in life. O’Reilly elects to present Kahlo’s portrait in many fragments, connecting each facet with audiences today. Renowned for her depiction of human difference and disability, O’Reilly will also conduct a workshop and a lecture under the auspices of our Festival. These are opportunities not to be missed! In 2011, celebrated playwright Tsukuda Norihiko visited our Black Box and fell in love with it, vowing he would write a new work specifically for this venue. Asagao is specially written for us, and the playwright will also appear on stage along with his cast from the BKYUYUGEKITAI Theatre Company. Tsukuda is a keen observer of how people live and the complexities of intimate relationships. His dramatic treatments always include elements of magic as a way to deliver provocative commentaries on real life. During the Festival, he will also speak about his work at a talk session. White Room is presented by Hong Kong’s own White Room Research Collective; it is a work created and directed by Waguri Yukio, combining Butoh and text. Waguri is a performer who has based his art on painstaking research. Prior to this Festival, he travelled to Hong Kong to host a two-day workshop, training participants not only in Butoh but also in working with the text as they embark on their journeys in exploring characters. Our final production is Creative VaQi’s Before After, a work collectively created by South Korean director Kyung-sung Lee and his company of actors. After its premiere last November, Before After received numerous accolades. Lee is among the most sought after directors in Seoul in recent years; he has been invited abroad many times. To Lee and his team, the connection between the individual and society is key to their art. Their works are often inspired by social issues, as they investigate how contemporary life has become unhinged. Lee and his cast will lead a workshop outlining their collaborative process. On behalf of Hong Kong Repertory Theatre, I want to extend a warm welcome to local and overseas artists who participate in the International Black Box Festival 2016. I must also thank our colleagues involved in the planning and execution of the Festival’s many productions and events. Last but not least, I am grateful to everyone entering our theatre to share and support “the colours of humanity”! You will have unforgettable experiences in our Black Box!
Anthony Chan
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香 港 話 劇 團 國 際 黑 盒 劇 場 節 2016 製 作 人 員 Production Team, HKREP International Black Box Festival 2016
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藝術總監 Artistic Director
陳敢權 Anthony Chan
策劃 Curator
馮蔚衡 Fung Wai Hang
監製 Producer
彭婉怡 Yvonne Pang
製作統籌 Production Coordinators
李寶琪 Pauly Lee 張家榮 Kevin Cheung 鄺天恩 Matthew Kwong
市務推廣 Marketing
黃詩韻 Anita Wong 張泳欣 Yansi Cheung 陳嘉玲 Karen Chan
技術統籌 Technical Coordinator
溫大為 David Wan
執行技術統籌 Deputy Technical Coordinators
顏尊歷 Johnny Yien 馮之浩 Fung Chi Ho
技術 Technical
羅美琦 Katy Law 彭善紋 Olive Pang 譚佩瑩 Dawn Tam 關凱明 Kwan Hoi Ming 趙浩錀 Chio Ho Lun 祁景賢 Kee King Yin
宣傳平面設計 Promotional Graphic Design
Terrenz Chang@atVis
場刊設計 House Programme Design
Doxa Graphix
場刊印刷 House Programme Printing
東美設計印刷有限公司 Tung Mei Design & Printing Limited
莫比斯圓環創作公社簡介 About Möbius Strip Theatre
莫比斯圓環創作公社創立於2005年。成立至今，秉承「圓環」的精神，由一群來自不同國家，不同文化的藝術夥伴（臺 灣、香港、馬來西亞）為核心，以臺灣為基地，堅持融和異領域創作平台概念︰
「古典與現代 ─ 智慧的融合 ∞ 人本與生活 ─ 藝術的融合 文化與土地 ─ 情感的融合 ∞ 教育與性靈 ─ 希望的融合」 我們將信念體現於創作上，結合傳統藝術追求的價值與現代劇場多元的延展，包含戲劇、身體、心靈、多媒體的新可能 性，回歸神聖性與遊戲性的相融，作品盛載人文關懷，反思生命，同時重新建立與觀眾及空間的活潑關係。陸續受邀參 加德國、波蘭、曼谷、上海、香港、北京、法國、韓國等地藝術節演出。
The Möbius Strip Theatre (MST) was founded in 2005, corresponding to the idea of the circular, never-ending “strip”, MST consists of artists from various countries and cultures (including Taiwan, Hong Kong and Malaysia). Based in Taiwan, MST insists on providing a creative platform for the potential of integrating various fields that might at first seem to be essentially different from one another. Our task lies in:
TRADITION & PRESENT - finding wisdom / THOUGHT & LIVING - exemplifying art CULTURE & NATURE - connecting emotion / MIND & EDUCATION - spreading hope We realize our convictions in our creative work, fusing the pursuit of artistic traditions and multifarious developments of contemporary theatre. They demonstrate a new approach to combining drama, physical movement, spiritual reflections and use of multi-media in theatre. MST returns to the essence of theatre: a mixture of its sacredness, as well as its play. The works reflect upon life, while defining a new kind of lively relationship between space and performance, between performer and audience.
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莫比斯圓環創作公社的話 Message from Möbius Strip Theatre
在現時亞洲劇場或非商業劇場的結構，演員、導演、創作群們每一次辛辛苦苦地排練製作，最後只有在首演時發表 這麼五場，我們常常會覺得很可惜。有機會把作品再次拿出來重演、甚至是巡演，總是讓人覺得興奮！因為劇場的 創造製作，是集合大家的力量，付出很多心力與資源完成，但是演完之後好像就這樣結束，沒有其他的渠道作資源 回收，我們總覺得這是一個很不環保的事情。 2014年和香港話劇團合作製作《九面芙烈達》，讓我們覺得這種劇團與劇團、劇場與劇場之間的聯盟或是資源整 合，透過networking的過程，在藝術家與藝術家之間、行政與行政之間，甚至是藝術總監與藝術總監之間發酵與交 流，我們覺得這是未來亞洲交流與合作中可以發展與努力的方向，很期待能在未來有更多這樣的合作發生。 這一次我們重新回顧這個2014年製作的作品，在排練的過程，我們也觀察到我們的演員與藝術創作群們，就好像 普洱茶葉一樣越沉越久越香，然後更深層的發酵。這樣隨著時間、經歷與互相學習而彼此精進，在藝術上是一個很 難得的機會和現象。這次感謝香港話劇團和我們有這樣的合作，帶這個作品到香港，希望未來也有更多且持續的合 作。 張藝生、梁菲倚 莫比斯圓環創作公社聯合藝術總監 In the context today either of Asia or of non-commercial theatre, the cast, director and creative team always feel a tinge of pity at the end of a world premiere. After all of our hard work in rehearsal, a production would close after only five performances. However, the opportunity of a revival or a tour is tinged with excitement and anticipation! The creation of a theatre work is the amalgam of energy and dedication of many people, with many resources dedicated to the presentation. After the final curtain, one always feels a sense of wastefulness, because nothing can be saved or recycled. The process, to us, always seems unfriendly to the environment. In 2014, our company collaborated with the Hong Kong Repertory Theatre in the 9 fridas, through which the collaboration between theatre companies or venues, the combination of resources, the process of networking, the connection among artists, directors, even artistic directors all constitute a new direction in Asia. We hope more of these opportunities will be possible. We are revisiting the initial 2014 production from a new perspective. During rehearsals, we notice our cast and participating artists deepening their understanding of the work, just like pu-er tea leaves releasing long-fermented flavours as they steep in water. This progress in time, in experience and in learning from each other is a valuable artistic phenomenon. We are grateful to the Hong Kong Repertory Theatre for collaborating with us and inviting us here. It is our hope that we will sustain our collaboration in developing more co-productions. Alex Cheung, Faye Leong Co-Artistic Directors, Möbius Strip Theatre 06
故事 Synopsis
《九面芙烈達》是一幅馬賽克圖像，以連串的印象與故事拼貼墨西哥藝術家芙烈達．卡蘿（1907-1954）的一生，以及劇 中人物「F」通過馬雅九層地獄的虛構旅程。幾個詠頌隊中的人物在旅程中伴隨著「F」，他們和「F」一樣，都是芙烈達． 卡蘿，卻也都不是她本人，不過他們的故事和芙烈達生平中的真實事件相互呼應：被背叛的妻子、社運分子、因車禍嚴重 傷殘的青少年、時尚名人、奮力掙扎的藝術家……
The 9 fridas is a mosaic, a collage of impressions and stories reflecting the life of Mexican artist Frida Kahlo (1907-1954) and the fictional journey of ‘F’ through the 9 Hells of the Mayan Underworld. ‘F’ is accompanied by a chorus of figures who, like her, are and are not Frida Kahlo, but whose stories echo actual events from Frida’s life: the betrayed wife, the political activist, the teenager severely disabled in a road accident, the fashion icon, the struggling artist…
演出
聯合演出
錄像演員
Cast
Co-starred
Video Performers Cas
梁菲倚 Faye Leong
馮蔚衡 Fung Wai Hang
林子恆 Longlong Lin
鄭志忠 Cheng Chih-chung
謝盈萱 Hsieh Ying-shiuan
陳柏廷 Chen Po-ting
陳慧勻 Pun Chen
演出
馬英妮 Ma Ying-ni 張藝生 Alex Cheung
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莫比斯圓環創作公社《九面芙烈達》製作人員 Production Team, Möbius Strip Theatre the 9 fridas
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編劇 Playwright
凱特．奧萊莉 Kaite O’Reilly
翻譯 Translator
陳佾均 Betty Chen
導演 Director
菲利浦．薩里利 Phillip Zarrilli
舞台設計 Stage Designer
林欣伊 Yy Lim
服裝設計 Costume Designer
李育昇 Li Yu-shen
燈光設計 Lighting Designer
馮國基 Fung Kwok Kee Gabriel
音樂設計 Music Designer
斉藤伸一 Saito Shinichi
影像設計 Video Designer
張藝生 Alex Cheung
影像製作 Video Production
林伯勛 Phillip Lin
編舞、墨西哥語錄音、西班牙與墨西哥語發音顧問 Choreograper, Mexican dialogue recording, Spanish and Mexican dialect Consultant
Victor Ramirez Ladron De Guevara
執行製作 Executive Producer
楊喆甯 Cordelia Yang
巡演舞台監督 Touring Stage Manager
陳正華 Chen Cheng-hua
前台助理 Front House Assistant
蘇子柔 Daphne So
演出攝影 Performance Photo Shooting
keith hiro
編 劇 Playwright
凱特．奧萊莉 Kaite O’Reilly 凱特．奧萊莉曾獲得碧姬．蘭姆賽劇本獎和《曼徹斯特晚報》年度最佳劇本 獎，她為威爾斯國家劇院新編古希臘悲劇作家埃斯庫羅斯的《波斯人》更獲 得泰德．休斯詩歌新作獎。於2012年，她的作品《水中失重》獲得奧林匹 克文化節的委約，由威爾斯國家劇院製作，於南岸中心上演；這項演出是倫 敦奧運和殘障奧運藝術節目之一。 她的劇作譯本於 14年在愛沙尼亞、比利時和臺灣上演，新作《花女》也曾 在英國巡迴演出。作品《女僕遊戲》（由威爾斯拉赫納斯劇團、愛爾蘭蓋特 卡拉殊劇團、韓國陽光劇社和新加坡演員郭勁紅合作）於15年在威爾斯卡 迪夫 Chapter Arts Centre 首演及進行巡迴演出。 16 年 3 月，她的作品《舒 適》由菲利浦．薩里利執導，並在威爾斯千禧中心首演。《九面芙烈達》和 其他涉及人類差異與殘疾身份題材的劇本，集結於《非一般劇本給非一般演 員》一書中，由奧伯倫出版社發行。 個人網址：www.kaiteoreilly.com 發表關於創意與創作經歷的網上日誌：www.kaiteoreilly.wordpress.com Twitter：@kaiteoreilly Kaite O’Reilly has won many awards for her work including the Peggy Ramsay Award, M.E.N. best play of the year and the Ted Hughes Award for New Works in Poetry for her new version of Aeschylus’s Persians for National Theatre Wales. In 2012 she received a Cultural Olympiad Commission for In Water I’m Weightless produced by National Theatre Wales at Southbank Centre as part of the official festival celebrating the London Olympic and Paralympics. In 2014 she had productions in translation in Estonia, Belgium, Taiwan and a UK tour of Woman of Flowers. Playing ‘the Maids’ (A collaboration between The Llanarth Group [Wales], Gaitkrash [Ireland], Theatre P’Yut (Korea) and Jing Hong Okorn-Kuo [Singapore]) premiered in Chapter Arts Centre, Cardiff in 2015 with additional performances on tour, and Cosy premiered in March 2016 at the Wales Millennium Centre, also directed by Phillip Zarrilli. The 9 fridas, and others around human difference and disability are published in Atypical Plays for Atypical Actors, published by Oberon Books. Further information at www.kaiteoreilly.com She blogs about creativity and process at www.kaiteoreilly.wordpress.com or on twitter @kaiteoreilly
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翻 譯 Translator
陳佾均 Betty Chen 臺北人、德國波鴻魯爾大學劇場研究碩士。從事劇場研究、劇本翻譯與中英 德口筆譯工作，以戲劇顧問身分參與臺北藝術節臺德共製作品，包括台南人 劇團《金龍》、身聲劇場《目連拯救母親大地》、楊景翔演劇團《雨季》， 並與莫比斯圓環創作公社、阮劇團、演摩莎劇團及香港前進進戲劇工作坊等 國內外團隊合作。譯有《戲劇顧問：連結理論與創作的實作手冊》、《當代 德國劇作選》I&II、《阿拉伯之夜》等十餘齣劇作，以及國家兩廳院多齣巡 演作品字幕，包括：柏林人民劇團《賭徒》、澳洲塊動舞團《歸屬習題》 等，文章散見於《PAR表演藝術》（臺灣）及網上平台如國際演藝評論家協 會（香港分會）。 Chen lives and works in Taipei. She completed her Master in Theatre Studies at Ruhr-University Bochum, Germany. She works as a dramaturg and translator (from English and German into Chinese). As a freelance dramaturg, she has facilitated several international co-productions for the Taipei Arts Festival, including Der Goldene Drache by Roland Schimmelpfennig, Mulian Rescues Mother Earth by Kevin Rittberger and Monsun by Anja Hilling, as well as collaborations with groups such as Möbius Strip Theatre, Our Theatre, Performosa Theatre and On & On Theatre Workshop. She has just translated Dramaturgy in the Making from Katalin Trencsényi into Chinese and has published two translated volumes of contemporary German drama. Her texts on theatre or reviews are seen in Performing Arts Reviews (TW) and online platforms such as IATC (HK) .
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導 演 Director
菲利浦．薩里利 Phillip Zarrilli 菲利浦．薩里利是英國威爾斯拉赫納斯劇團（成立於2000年）的創團藝術 總監，以導演、演員、教育家和作家的身份活躍於國際舞台。 16年，他執 導凱特．奧萊莉作品《舒適》（ Unlimited委約節目），並在威爾斯千禧中 心作世界首演。他於15年為挪威 Nordland Teater執導太田省吾的《水之驛 站》，由不同國家的演員參與演出。他最近為拉赫納斯劇團創作的作品包 括：《聽風說話》（09年預演，10年於威爾斯首演，曾於柏林、芝加哥及 東京巡演，剛於今年10月於英國巡演）、作品《女僕遊戲》（與愛爾蘭蓋 特卡拉殊劇團、韓國陽光劇社和新加坡演員郭勁紅合作）於15年在威爾斯 卡迪夫Chapter Arts Centre首演及進行巡迴演出；《回聲室》（12年）；以 及獲邀至馬爾他藝術節的《貝克特計劃》（12年）。身為教育家和作家， 薩里利綜合了太極拳、印度武術和瑜伽，發展出一套訓練當代表演者的獨特 方法，在國際上頗負盛名。他將這套訓練方法寫成《身心合一：後史坦尼 斯拉夫斯基的跨文化演技》一書，中文版於2014臺北藝術節期間出版。17 年，他將與哥斯達黎加國家劇院合作，執導數齣貝克特的作品。 Zarrilli is the founding Artistic Director of The Llanarth Group (from 2000) in Wales, U.K. He is internationally known as a director, actor, teacher, and author. In 2016 he directed the world premiere of Kaite O’Reilly’s Cosy at the Wales Millennium Centre (Cardiff) — an Unlimited commission. In 2015, he directed Ota Shogo’s The Water Station with an international cast for Nordland Teater (Norway). Recent productions by The Llanarth Group include: Told by the Wind on tour again in the UK in early October, 2016 (previewed in 2009 and premiered in 2010 in Wales and on tour to Berlin, Chicago and Tokyo); Playing ‘the Maids’ (A collaboration with Gaitkrash [Ireland], Theatre P’Yut (Korea) and Jing Hong Okorn-Kuo [Singapore]) premiered in Chapter Arts Centre, Cardiff in 2015 with additional performances on tour; The Echo Chamber (2012); and The Beckett Project — on special invitation to the Malta Arts Festival, 2012. As a teacher/author, Zarrilli is internationally known for developing a unique approach to training contemporary actors/performers using Taiqiquan, kalarippayattu (Indian martial art), and yoga. His awardwinning book about this process, Psychophysical Acting: An Intercultural Approach after Stanislavski, was translated into Chinese and released at the 2014 Taipei Arts Festival. In 2017, Zarrilli will direct several plays by Samuel Beckett in association with the National Theatre of Costa Rica.
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演 出 Cast
梁 菲 倚 Faye Leong
馬來西亞籍華人，居於臺灣至今十數年。畢業於香港演藝學院，獲藝術學士（一級榮 譽）學位。曾任香港話劇團全職演員，憑《德齡與慈禧》獲香港舞台劇獎最佳女主角 （悲劇／正劇）提名，亦憑《瘋雨狂居》獲最佳女配角（悲劇／正劇）。曾任臺灣優 表演藝術劇團全職表演者。2005年與友人創辦莫比斯圓環創作公社並擔任聯合藝術總 監，策展Creative Lab以鼓勵創作和推動臺灣與香港跨域創作交流平台。曾參演莫比斯 圓環創作公社作品《潛水中。。。》、《螞蟻洞中的原型記號》、《睡不著的歌》、 《空凳上的書簡》等。 Leong is a Malaysian national of Chinese descent who has been living in Taiwan for more than a decade. A graduate of the Hong Kong Academy for Performing Arts with a Bachelor of Fine Arts Degree (First Class Honours), she was a full-time actress of Hong Kong Repertory Theatre and was nominated for Best Actress (Tragedy / Drama) at the Hong Kong Drama Awards for her performance in De Ling & Empress Dowager Cixi. She won the Hong Kong Drama Awards for Best Supporting Actress (Tragedy / Drama) for her performance in Before the Rain Stops. Leong is also a former member of Taiwan’s U Theatre. In 2005, Leong founded the Möbius Strip Theatre with friends, serving as the company’s Co-Artistic Director. She also curated Creative Lab to encourage new works and promote exchange between Taiwan and Hong Kong. Among the works she’s performed with the Möbius Strip Theatre are Diving in the Moment, The Archetype of Ant Hole, Poetry of Insomnia and Special Delivery: Politely Intractable.
聯 合 演 出 Co-starred
馮 蔚 衡 Fung Wai Hang
1988年加入香港話劇團，現為助理藝術總監。英國艾賽特大學舞台實踐藝術碩士及香 港演藝學院戲劇學院首屆畢業生。曾參與導及演的劇目超過九十齣，並五度獲香港舞 台劇獎表演獎及兩屆導演獎。工作包括導演、統籌及策劃香港話劇團黑盒劇場的節目 等。近年銳意把香港話劇團黑盒劇場打造成孕育本土創作的平台，積極促進不同地域 的交流、跨媒界合作、介紹非傳統作品等項目，期望為香港的劇場工作者發展一個開 放的空間。 Fung joined the Hong Kong Repertory Theatre in 1988, currently serving as Assistant Artistic Director of the company. She obtained an MFA in Theatre Practice at the University of Exeter and was a graduate of the inaugural class of the School of Drama of the Hong Kong Academy for Performing Arts. To date, her professional career spans more than 90 productions as actress and director. She has won the Hong Kong Drama Awards five times for her acting and twice for her directing. Fung’s extensive work in the theatre includes roles such as director and curator of the HKRep's Black Box. In recent years, she has devoted much energy in fostering exchange between Hong Kong and other cities, as well as nurturing new works by local talents, including multi-media collaborations and unconventional productions, with the goal of providing an innovative, open space for Hong Kong’s theatre practitioners. 12
演 出 Cast
鄭 志 忠 Cheng Chih-chung
柳春春劇社前任駐團編導（1997-2013）、臨界點劇象錄劇團團員及行政（89-96）。 演出包括：法國盲點劇團1949 if 6 was 9；臨界點劇象錄劇團《日蓮。喃喃自語的 島》；創作社《瘋狂場景 ― 莎士比亞悲劇簡餐》；身體氣象館「亞洲匯藝」《狂人日 記》；陳界仁2012作品《幸福大廈I》。編導作品：柳春春劇社「光明之路三部曲」之 序曲《變態》、《春天》、《美麗》各版、《無言劇》各版、《純色》、《刑場》。 Cheng served as the resident playwright and director of the Oz Theatre Company (1997–2013); he was also a member and administrator of the Critical Point Theater Phenomenon (1989–1996). He has participated in such productions as Theatre du Point Aveugle’s 1949 if 6 was 9 (France), Oz Theatre Company’s The Lotus of Daylight and the Island of Murmuring, Creative Society’s Your Madness, Mr. Shakespeare — from 4 Tragedies, 100% Concentrated, Body Phase Studio’s “Asia meets Asia” A Madman’s Diary and Chen Chieh-jen’s 2012 work Happiness Building I. Cheng has written and directed many works for the Oz Theatre Company.
演 出 Cast
陳 柏 廷 Chen Po-ting
從事表演藝術工作逾十年，創作風格融合西方寫實及東方寫意。除了正規劇場演出 外，更積極拓展與環境對話的可能性，曾於三級古蹟蘆洲李宅、日本千葉史蹟公園博 物館、橫濱縣民展演廳、士林紙廠、北投農場等場域創作專屬演出。他修習禪坐、太 極和瑜伽多年，同時也是臼井靈氣治療師及西藏頌缽療癒師，以藝術創作來尋找感性 與理性的統合及自我療癒的力量。 A performing arts veteran for more than a decade, Chen has created works melding Western realism with the spirit of the East. Apart from performing in conventional theatres, he also explores environmental interaction, creating site-specific works at the Luchou Lee Mansion (Taiwan’s Grade 3 historic building), Tobinodai Historic Site Park Museum (Funabashi City, Chiba Prefecture, Japan), Kanagawa Kenmin Hall (Yokohama, Japan), Shihlin Paper Factory and Beitou Farm. For many years, Chen has been practicing meditation, taichi and yoga. He is also a Reiki Healing therapist and Tibetan Singing Bowl therapist, utilizing the creative arts to fuse together intellect and emotions, enhancing the power of self-healing.
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演 出 Cast
馬 英 妮 Ma Ying-ni
在臺期間攻讀建築學與都市計劃，2000-07年擔任台南人劇團演員與戲劇講師，參演 《終局》、《利西翠妲》、《女巫奏鳴曲 — 馬克白詩篇》與K24等作品。07年赴英 國艾賽特大學修讀舞台實踐藝術碩士，並跟隨菲利浦．薩里利教授展開演員聲音訓練 之研究，譯作有薩里利《身心合一：後史坦尼斯拉夫斯基的跨文化演技》一書，目前 任教於國立臺灣師範大學。 While in Taiwan, Ma studied architecture and urban planning. From 2000 to 2007, she was an actress and lecturer at the Tainaner Ensemble, having participated in such productions as Endgame, Lysistrata, Sonata of the Witches: The Macbeth Verses and K24. In 2007, Ma left Taiwan for the University of Exeter, pursuing a Master’s Degree in Theatre Practice, training with Phillip Zarrilli on vocal technique. She translated Zarrilli’s Psychophysical Acting: An Intercultural Approach after Stanislavski into Chinese and currently teaches at the National Taiwan Normal University.
演 出 / 影 像 設 計 Cast / Video Designer
張 藝 生 Alex Cheung
香港籍。僑居台灣十數年。 2005年與友人共同創立莫比斯圓環創作公社，並擔任聯 合藝術總監。畢業於香港演藝學院戲劇學院，主修導演；臺灣佛光大學藝術研究所碩 士，於1996至06年為優人神鼓團員。曾以hamlet b.獲第三屆香港小劇場獎最佳導演、 最佳整體演出；憑《潛水中》獲第四屆香港小劇場獎最佳導演提名。結合科技多媒 體作品包括：《守夜者》、《跟著沙彌moonwalk去》；探索非劇場表演場地作品包 括：《2012夜之祭典》、《十牛圖》、《歸零∞無限》、《夢外之境》。 A Hong Kong native, Cheung has been living in Taiwan for more than a decade. In 2005, he founded the Möbius Strip Theatre with friends, serving as the company’s CoArtistic Director. A graduate of the Hong Kong Academy for Performing Arts majoring in Directing, Cheung received a Master’s Degree from Taiwan’s Fo Guang University Graduate Institute of Art Studies. Between 1996 and 2006, he was a member of Taiwan’s U Theatre. Cheung has received accolades in Hong Kong’s 3rd Theatre Libre Awards, for Best Director and Best Overall Performance in hamlet b. He was also nominated for Best Director for Diving in the Moment at the 4th Theatre Libre Awards. Among his works combining technology and multi-media are The Lives of P, Moonwalk with the Monk; and those exploring non-traditional theatrical venues include In Search of the Hidden Treasure, Ritual of Night 2012, Zero∞Unlimit, Somewhere out there. 14
錄 像 演 員 Video Performer
林子恆 Longlong Lin
演員，畢業於國立臺灣大學戲劇學系；英國艾賽特大學舞台實踐藝術碩士。 劇場作品包括：狂想劇場《寄居》；屏風表演班《莎姆雷特》吉慶版；台南人劇團 《哈姆雷》、《行車記錄》、《金龍》、《海鷗》；超能劇團《孤兒》；台灣遊藝行 《可以睡覺》；仁信合作社《黑色童話 ― 枕頭人》、《遺忘的旋律》。影像作品包 括：邱垂龍導演的《晴朗的日子》、《時光之絆》；楊岸青導演The Kitchen；呂旻諭 導演《何岸》。 A graduate of the National Taiwan University’s Department of Drama and Theatre majoring in Acting, Lin also received a Master’s Degree in Theatre Practice from the University of Exeter. Among the productions in which he’s participated are Fantasy Theatre’s Live your Life; Ping-fong Acting Troupe’s Hamlet, Tainaner Ensemble’s Hamlet, How I Learned to Drive, Der Goldene Drache and The Seagull; TransAction’s Orphans; Wonder Taiwan Theatre Company’s Sleep Available, RenShin Theatre’s The Pillowman and Eurydice. His video output includes The Brighter Day and Like a Tender Breeze in Time directed by Chiu Chuilung, The Kitchen by Yang An-ching, and He An directed by Lu Min-yu.
錄 像 演 員 Video Performer
謝盈萱 Hsieh Ying-shiuan
畢業於國立臺北藝術大學戲劇系。 舞台演出包括：莎士比亞的妹妹們的劇團《羞昂App》；綠光劇團《外遇，遇見羊》； 表演工作坊《那一夜，在旅途中說相聲》、《這是真的》；外表坊時驗團《婚姻場 景》；黑眼睛跨劇團《電子城市》；台南人劇團 Re/turn 、《哈姆雷》；非常林奕華 《恨嫁家族》、《三國》、《賈寶玉》、《華麗上班族之生活與生存》、《西遊記》 及《水滸傳》等。 A graduate of the National Taiwan University’s Department of Drama and Theatre. Hsieh has participated in such productions as Shakespeare’s Wild Sisters Group’s Show On, Greenray Theatre Company’s The Goat, or Who is Sylvia?, Performance Workshop’s Crosstalk Travelers and This is Real, Off Performance Workshop’s Scenes from a Marriage, Dark Eyes Performance Lab’s Electronic City, Tainaner Ensemble’s Re/turn and Hamlet, Edward Lam Dance Theatre’s I Hate therefore I Marry, What is Success?, Awakening, Design for Living, What is Fantasy? and What is Man? among others.
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錄 像 演 員 Video Performer
陳慧勻 Pun Chen
臺南人、中年文青，曾獲府城文學獎文學論述佳作、鳳凰樹文學獎舞台劇本佳作、小 說二獎等。母親為雞屎藤新民族舞團藝術總監，自幼看母親作品長大，自2002年起開 始參與舞團的創作與企劃工作。07年到英國艾賽特大學攻讀戲劇博士學位，跟隨跨文 化劇場學者與導演菲利蒲‧薩里利與Rebecca Loukes。目前除於淡江大學通識與核心 課程中心擔任助理教授，亦為雞屎藤新民族舞團行政總監與駐團導演。 A native from Tainan and an intellectual in her middle age, Chen has received accolades for her literary criticism, plays and novels from the Tainan City Government and the Phoenix Literary Awards. Since her mother is the Artistic Director of Taiwan New Style Folk Dance, Chen was introduced to the theatre from an early age. Starting in 2002, she participated in creating and planning of the troupe’s performances. In 2007, she travelled to England to pursue her doctoral degree in theatre at the University of Exeter, studying with cross-cultural scholar and director Phillip Zarrilli and Rebecca Loukes. Currently, Chen is an assistant professor at the Tamkang University’s Center for General Education and Core Curriculum as well as Executive Director and Resident Director of Taiwan New Style Folk Dance.
舞 台 設 計 Stage Designer
林欣伊 Yy Lim
畢業於馬來西亞新紀元學院戲劇與影像系和國立臺北藝術大學劇場設計學系，主修舞台設計。 近期作品包括：北藝大冬季公演《游泳池（沒水）》；抓馬合作社劇團《狼少年．密米爾樹海》；莫比斯圓環創作 公社《空凳上的書簡》；文化部藝術新秀發表《馬》；酵母鹽動作劇場《無止盡》；貧民百萬劇場人《戀愛的第一 現場》；卡米地喜劇俱樂部《OZ綠野仙踪》；差事劇團《新天堂酒館》等。 Lim is a graduate of the Department of Drama and Visuals of New Era College, Malaysia, and the Taipei National University of the Arts’ Department of Theatrical Design & Technology, majoring in Stage Design. Recent works include Pool (No Water), Dream-maker Drama Workshop’s Child of the Wild, Möbius Strip Theatre’s Special Delivery: Politely Intractable, Ministry of Culture’s “My First Show” Macbeth, Yeast & Salt Movement Theatre’s Endless, Ghetto Million Theatre Man’s The First Scene of Love, Live Comedy Club Taipei’s Stand-up Musical The Wizard of Oz and Assignment Theatre’s Out of Heaven.
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服 裝 設 計 Costume Designer
李育昇 Li Yu-shen
1983年生於洋裁家族，耳濡目染下習得家學技藝，2003年開始參與劇場相關視覺與美術服裝設計。曾獲邀代表臺 灣以服裝設計參與第十一屆布拉格舞台設計四年展，08年獲第四十三屆金鐘獎最佳美術設計。 近期作品包括：李清照私人劇團感傷動作派《曹七巧》；臺灣豫劇團「海玲50三部曲」《花嫁巫娘》；EX-亞洲劇 團《假戲真作》（以上兩個演出均入圍2010台新藝術獎年度十大表演藝術類）；臺灣豫劇團《量‧度》；莎士比亞 的妹妹們的劇團《羞昂App》；動見体《離家不遠》；台南人劇團Re/turn、《安平小鎮》等。 Born into a family of tailors in 1983, Li grew up learning the trade and began designing both stage visuals and costumes in 2003. He participated in the 11th Prague Quadrennial designing costumes for the Taiwan Pavilion. In 2008, he won the 43rd Golden Bell Awards for Best Art Direction. Recent works include Physical Sentimental Theatre Company of LeeQingZhao the Private’s Ciao Ci Chao, Taiwan BangZi Opera Company’s “Hailing/50” trilogy The Sorceress Bride, EX-Theatre Asia’s A True Calling (the last two were nominated for the “Top Ten” productions of the year at 2010 Taishin Arts Award); Taiwan BanZi Opera Company’s Measure for Measure, Shakespeare’s Wild Sisters Group’s Show On, M.O.V.E. Theatre’s Nowhere Near, Tainaner Ensemble’s Re/turn and Anping, our Town.
燈光設計 Lighting Designer
馮國基 Fung Kwok Kee Gabriel
畢業於香港演藝學院，繼而從事舞台工作至今。作品領域包括：舞蹈、戲劇、歌劇、戲曲等。除擔任燈光設計，亦 從事導演、演員及擊樂樂手。曾與優人神鼓參加法國亞維儂藝術節，並多次替香港藝術節、澳門藝術節及海外機構 擔任設計工作，亦曾應前香港教育學院藝術系邀請舉辦以光為主題媒介的視覺裝置《藍與黑》。作品於2003年獲 得香港舞蹈聯盟舞蹈年獎及香港舞台劇獎最佳燈光設計。09年修畢香港浸會大學傳理系電影藝術碩士課程，主修導 演，於校內獲得優異學術成績獎學金。 Graduated from the Hong Kong Academy for Performing Arts, Fung has been active on the theatre scene since graduation, working in such genres as dance, drama, Western and traditional opera. Apart from lighting design, Fung has directed and performed as actor and percussionist. He worked with Taiwan’s U Theatre on their tour to France’s Festival d’Avignon. He has designed many productions at the Hong Kong Arts Festival and Macau Arts Festival as well as for organizations abroad. He also created the installation Blue and Black for the Creative Arts Department of the Institute of Education of Hong Kong. Fung has won Best Lighting Design at the Hong Kong Dance Awards as well as the Hong Kong Drama Awards. In 2009, he graduated with an MFA Degree in film directing from Hong Kong Baptist University, where he was a scholarship recipient.
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音 樂 設 計 Music Designer
斉藤伸一 Saito Shinichi
音樂創作人、演員、歌手、廣告配音員。出生於日本，畢業於國立臺灣藝術大學戲劇學系表演組。 近年演出作品包括：電影52Hz, I Love You、《阿罩霧風雲II落子》；臺北市立交響樂團柴可夫斯基《尤金奧涅金》； 莫比斯圓環創作公社《夢外之境》及其他廣告與短片等。 劇場配樂代表作品包括：莫比斯圓環創作公社《九面芙烈達》、《2012光之祭典》、《2012夜之祭典》、《螞蟻 洞中的原型記號》、《潛水中。。。》；香港話劇團《潛水中》、《維港乾了》。 Born in Japan, Saito graduated in acting at the National Taiwan University of Arts’ Department of Drama. He has participated in such films as 52Hz, I Love You and Attabu 2, Taipei City Symphony Orchestra’s presentation of Tchaikovsky’s Eugene Onegin, Möbius Strip Theatre’s Somewhere out there, as well as commercials and short films. He has provided music for theatre productions including Möbius Strip Theatre’s the 9 fridas, 2012-Light, 2012-Night, The Archetype of Ant Hole, Diving in the Moment and Hong Kong Repertory Theatre’s Diving in the Moment and The Abandoned Harbour.
影 像 製 作 Video Production
林伯勛 Phillip Lin
臺灣科技大學工商業設計系畢業。目前從事樂團音樂短片、紀錄片、網路廣告拍攝製作。 2011-12及14-15期間於國立臺灣科技大學工商業設計系擔任動畫組畢業製作講師。 參與劇場影像設計工作包括：14年國家兩廳院1+1雙舞作《看得見的城市，看不見的人》；13年《落葉．傾城．張 愛玲》、《活小孩》；12年《守夜者》、《瑪莉瑪蓮‧強尼強納森》； 11-13 年為臺北爵士音樂節、音樂營拍攝 紀錄片及曾製作Cicada《邊境消逝》紀錄片。 A graduate of the National Taiwan University of Science and Technology’s Department of Industrial and Commercial Design, Lin is now a video producer for music ensembles, documentaries and online commercials. He also served in 2011–2012 and 2014–2015 academic years as lecturer in final animation production at his alma mater. Among his video designs used in theatre are Visible and Invisible (presented by National Theater’s 1+1 Dance) (2014), Fall for Eileen Chang and Alive and Kicking - A Real Children’s Play (2013), The Lives of P and Mary Marlin Jony Jonathan (2012), the Taipei Jazz Festival (2011–2013), Music camp documentary and Cicada’s Coastland documentary (2013). 18
在劇本與表演中，運用大量的芙烈達繪畫作品為創作元素，並且貫穿整個演出，包含文本書寫、演員詮釋， 以及錄像、舞台與服裝等視覺呈現，在芙烈達基調之上融入當代與臺灣文化。依照芙烈達的創作年代為序， 羅列出劇中運用之畫作名冊： 1932
亨利福特醫院 Henry Ford Hospital
1937
受傷的心 Memory, the Heart
1938
歐羅塔與我 Itzcuintli Dog with Me
1933-38
我的衣服晾在那裏 My Dress Hangs There
1938-39
獻給艾洛塞醫生的自畫像 Self Portrait Dedicated to Dr Eloesser
1939
兩個卡蘿 The Two Fridas
1940
短髮自畫像 Self Portrait with Cropped Hair
1940
載著荊棘頸鍊與蜂鳥的自畫像 Self Portrait with Necklace
1942
露莎瑪莉亞的畫像 Portrait of Lucha Maria, A Girl from Tehuacan
1943
還願牌 Retablo
1943
穿著特旺納裳的自畫像 Self Portrait as a Tehuana (Diego on My Mind)
1943
猴子與我 Self Portrait with Monkey
1944
破碎的脊柱 The Broken Column
1946
受傷的小鹿 The Wounded Deer
1946
希望之樹，保持堅定 Tree of Hope, Remain Strong
1949
迪亞哥與我 Diego and I
1951
與法瑞爾醫生的自畫像 Self Portrait with the Portrait of Doctor Farill
九 面 情 報 站 ： 芙 烈 達 畫 作 小 知 識
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非 原 創 性 音 樂 使 用 清 單
Song's title:
Cruz del Olvido
Sung by:
Chavela Vargas
Composed by:
Juan Saizar
Included in the album called La Llorona released in 2004 by Warner Song's title:
Un Mundo Raro
Sung by:
Chavela Vargas
Composed by:
Jose Alfredo Jimenez
Included in the album called La Llorona released in 2004 by Warner Song's title:
Cuando Regreses
Performed by:
Banda Toro
Composed by:
Omar Arias
Included in the album called A mi manera released in 1998 by Fonovisa C
Song's title:
A Celebration of Christmas
M
Performed by:
the Chapel of King's College, Cambridge
Y
CM
MY
CY
CMY
K
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以身心合一，通過芙烈達的九層地獄 文：甄拔濤
《九面芙烈達》是一齣十分獨特的作品，在當代戲劇世界也是別樹一幟。本文嘗試分別從導演菲利浦．薩里利 （Phillip Zarrilli）的表演體系及凱特．奧萊利（Kaite O'Reilly）的文本兩種角度，理解這一齣作品的藝術特色。 純粹從最表面的戲劇特色來說，薩里利的戲是異乎尋常的「慢」。如果你對戲劇的理解只限於荷里活快速淺白的敘 事，或無綫劇集的家庭糾紛，我會建議你暫時拋低這兩種框架，以另一種眼光去看戲。因為平常的看戲習慣，或者 會令你錯失他作品的精粹。他的演員或緩慢移動、提腿揚手，或不發一言專注某一動作、靜止的狀態，都是有千言 萬語在背後。你以為沒事發生的時刻，背後其實是他們千錘百鍊之後傳給你的訊息、感覺及能量。可以說，薩里利 是最珍惜舞台上的每一分秒，所以劇中所有靜與動都是經過精心打磨的。 我們不妨從薩里利的表演體系，理解其表演理念。他曾引用「全身盡化成眼」（Meyyu Kannakuka），來形容演員 或卡拉里帕亞特（Kalarippayattu，一種印度武術）修習者在造詣成熟時的狀態。「當一個人的身體達到盡化成眼的 境界，這千眼之人便如同婆羅門神一般，彷彿化身成一隻動物，可以在當下的環境隨時看見、聽見、對任何刺激做 出即時的反應。」薩里利的表演系統稱為「身心合一」（Psychophysical Acting），是在「後史坦尼斯拉夫斯基的表 演方法」上發揚光大。史氏體系比較為人熟悉的是，他強調建立角色、文本分析及寫實的表演技藝。可是，他其實 也重視「身心並進」的理念。可以說，如何處理身、心（mind and body）的異同，不但是劇場人會關心的事情，而 且也是西方哲學亘古至今的永恆命題。身心是二元對立，抑或相輔相成、「你中有我，我中有你」？薩里利取經東 方，糅合瑜伽、卡拉里帕亞特和太極拳這些傳統訓練，轉化成一套「先於表演」（Pre-Performative）的訓練系統， 當中「應用了各種活潑生動的意象，具活化作用的詞句和其他能夠打開感官覺察，提升專注力或引導演員注意力的 方法。」明乎此，他作品裡頭的「慢」，都是力量澎湃的每一個瞬間。其實，專注當下每一刻本來是東方文化基礎 的一部分，我們應該不難理解的。 《九面芙烈達》的文本敘事方式及語言質感同樣出眾。同樣地，我們不能單以慣看的寫實主義角度切入，因為你會 發現，它不是發生在一個客廳或某一個我們熟悉的生活場景。正如編劇奧萊利在文本開首的「劇作家說明」中寫 道： 這個表演文本是幅馬賽克圖像，由多種Frida Kahlo的再現方式，以及幾個非Frida的角色（1-4）所說的獨白構成；這 些獨白訴說和Frida的生平平行對照的當代故事，同時，她自己，也就是F，經歷一趟記憶與馬雅死後世界的旅程。
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若以劇場編劇思潮來說，《九面芙烈達》屬於崛起於九十年代中的歐洲新文本。又或者以雷曼（ Hans-Thies Lehmann）的理論來說，她是後戲劇文本（Postdramatic Text）。這種文本以書寫方式、回應社會、去空間、去角 色等為寫作特色。正如引用的前文，此劇是以集體敘事（Collective Narrative）為主，亦有不少獨白，所以觀眾欣 賞時，不妨以超越角色的方法，理解奧萊利筆下的芙烈達。此外，奧萊利的風格，在當代英語劇場也可以說非常獨 特。她文本的感性與詩意、一以貫之地關心受壓抑的女性命運，都是極為罕有的。有統計顯示，英國編劇的男女比 例為7:3，是相當嚴重的失衡現象。正因如此，她的聲音才更難能可貴。 2014年9月初，我在臺北看過《九面芙烈達》的串排（ run-through）。雖然未入台（即是未有佈景、服裝、燈光 等），但我依然為演員的氣場所懾，也為奧萊利的文本所感動。我至今仍然記得那一個美好的下午，這也是我對薩 里利和奧萊利產生興趣的起點。其中最深刻印象的，是芙烈達經歷了人生各種各樣的傷痛後說，她永遠不要再輪迴 到人世。身心合一，如何在劇場訴說芙烈達沒能褪去的痛？也許可以是觀賞的其中一條路線。
延伸閱讀： 菲利普．薩睿立著，馬英妮、林見朗、白斐嵐譯。（2014）《身心合一：後史坦尼斯拉夫斯基的跨文化演技》。臺 北：書林出版有限公司。
作者簡介 ― 甄拔濤 劇場編劇、導演、大學兼任講師。英文劇本《未來簡史》獲 2016 德國柏林戲劇節劇本市集（ Theatertreffen Stückemarkt）獎，為首位華人得此殊榮。中文劇本《灼眼的白晨》（合導，香港話劇團製作）獲第八屆香港小劇場 獎最佳劇本。
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香 港 話 劇 團 The Hong Kong Repertory Theatre 24
背景 • 香港話劇團是香港歷史最悠久及規模最大的專業劇團。1977創團，2001公司化，受香港特別行政區政府資助，由理事 會領導及監察運作，聘有藝術總監、助理藝術總監、演員、舞台技術及行政人員等七十多位全職專才。 • 三十九年來，劇團積極發展，製作劇目超過三百個，為本地劇壇創造不少經典劇場作品。
使命 • 製作和發展優質、具創意兼多元化的中外古今經典劇目及本地原創戲劇作品。 • 提升觀眾的戲劇鑑賞力，豐富市民文化生活，及發揮旗艦劇團的領導地位。
業務 • 平衡劇季 ― • 黑盒劇場 ― • 戲劇教育 ― • 對外交流 ― • 戲劇文學 ―
選演本地原創劇，翻譯、改編外國及內地經典或現代戲劇作品。匯集劇團內外的編、導、演 與舞美人才，創造主流劇場藝術精品。 以靈活的運作手法，探索、發展和製研新素材及表演模式，拓展戲劇藝術的新領域。 開設課程及工作坊，把戲劇融入生活，利用劇藝多元空間為成人及學童提供戲劇教育及技能 培訓。也透過學生專場及社區巡迴演出，加強觀眾對劇藝的認知。 加強國際及內地交流，進行外訪演出，向外推廣本土戲劇文化，並發展雙向合作，拓展境外 市場。 透過劇本創作、讀戲劇場、研討會、戲劇評論及戲劇文學叢書出版等平台，記錄、保存及深化 戲劇藝術研究。
Company Background • The Hong Kong Repertory Theatre is the longest standing and largest professional theatre company in the city, established in 1977 and incorporated in 2001. Financially supported by the Government of the Hong Kong Special Administrative Region, the Hong Kong Repertory operates under the guidance of its Governing Council, and employs a team of over 70 full-time professionals including the artistic director, assistant artistic director, actors, technical and stage management staff as well as administrators. • Since its establishment 39 years ago, it has presented more than 300 productions, many of which have become classics of the local theatre canon.
Missions
•To produce and develop a high quality, innovative and diverse repertoire, encompassing Chinese, international, classic, and contemporary theatre, as well as original new works by local artists. •To develop the audiences’ interest and appreciation of theatre and to enrich the city’s cultural life, through its leadership position as the city’s flagship theatre company.
Area of Activities
•A Balanced Repertoire – A selected programme of local original works, and translations and adaptations of classic and contemporary plays from the Mainland and internationally. The company collaborates with playwrights, directors, actors, designers and other talent within and outside of the company, to create new mainstream theatre productions of artistic excellence. •Black Box Theatre – Flexible in approach, the Black Box Theatre provides a space where writers and practitioners can explore, take risks and experiment to create new material and modes of performances, in order to cultivate and stretch the boundaries of theatre arts. •Theatre Education – Bringing theatre to life through courses and workshops, the company aims to provide theatre education and skills development for adults and children via the many facets of theatre. It also works to increase the audiences’ awareness towards theatre arts through dedicated performances for students as well as the wider community. •International Exchange – Through the strengthening of exchanges with the Mainland and internationally, the company tours regularly in order to promote Hong Kong’s local theatre culture, and to develop opportunities for collaborations and performances across the border and overseas. •Theatre Literature – Through a varied programme of new writing development, Reader’s Theatre, seminars, reviews and publication of theatre literature, the company aims to encourage, document, preserve and consolidate creative activities in theatre.
多謝支持 Thank You for Your Support 節目贊助 PROGRAMME SPONSORS 香港話劇團謹此向以下贊助機構深致謝意： The Hong Kong Repertory Theatre expresses its deepest thanks to the following Sponsors: 三井錶業有限公司 3 Wells Watch Industries Ltd. 亞聯工程公司 Alliance Engineering Co. 周生生集團國際有限公司 Chow Sang Sang Holdings International Ltd. 明愛之友 Friends of Caritas
恒生銀行 Hang Seng Bank 香港鐵路有限公司 MTR Corporation Limited 保良局 Po Leung Kuk 信興集團 Shun Hing Group （以公司英文名稱序 In alphabetical order of company name）
香港話劇團「發展基金」及「戲劇教育基金」捐款者芳名 The Hong Kong Repertory Theatre Development Fund Donors & Drama Education Fund Donors 香港話劇團謹此向以下商業機構及熱心人士深致謝意： The Hong Kong Repertory Theatre expresses its deepest thanks to the following corporations and individuals: 旗艦捐助人 FLAGSHIP DONORS （HK$100,000或以上 or over） 信興教育及慈善基金 Shun Hing Education and Charity Fund 程婉雯小姐 Miss Angela Ching 康宏金融集團 Convoy Financial Group Hsin Chong Construction Group Limited 蕭楚基先生 Mr. Siu Chor Kee, BBS, MH, JP 無名氏 Anonymous 百回看捐助人 ENCORE DONORS （HK$50,000 – HK$99,999） Mr. Chan Kam Kuen Anthony 戲連場捐助人 PLAY ON DONORS （HK$10,000 - HK$29,999) 李永誠先生夫人 Mr. & Mrs. Vincent Lee 活道教育中心 Living Word Education Centre 譚思樂先生 Mr. Isaac Tam 無名氏 Anonymous 幕初升捐助人 CURTAIN UP DONORS （HK$3,000 - HK$9,999） 陳穎嘉小姐 Miss Chan Wing Ka 鄭敬凱博士 張佩螢小姐 Miss Claudia Cheung 張經略（章經）及郭鳳嫻伉儷 Mr. & Mrs. Rocky (Cheung King) & Teresa Cheung 慈航慈善基金有限公司 Chi Hong Charitable Foundation Limited 朱文忠先生 Mr. Chu Man Chung
鍾麗容小姐 Miss Queenie Chung 林潔儀女士 Ms. Linda Lam 劉瑞朗先生 Mr. Lau Sui Long 梁志偉先生 Mr. Leo Leung Mrs. Joanna Leung 陸珊珊女士 Ms. Luk Susan 麥秋先生 Mr. James Mark 彭露薇小姐 Miss Pang Lo Mei 鄧竟成先生 Mr. Tang King Shing 徐詠璇教授 Professor Bernadette Tsui 黃天慧女士 Ms. Vivian Wong 胡秀英女士 Ms. Wu Sau Ying Louisa 好友營捐助人 PALS DONORS （HK$1,000 - HK$2,999） 陳懿嘉小姐 Miss Alison Chan 陳健康先生 Mr. Freeman Chan 陳祖同先生 Mr. Joseph Chan 陳允彤女士 Ms Chan Wan Tung Mrs. & Mr. Gardy & Joe Fong Mr. Andrew Fung 馮浩賢先生 Mr. Vincent Fung 洪秋燕小姐 Miss Hung Chau Yin 林惠玲女士 Ms. Leona Lam Ms. Esther Leung Mr. & Mrs. Frank Lui 譚天樂博士伉儷 Dr. & Mrs. Timothy T L Tam Ms. Michelle Tsang 余其祥先生夫人 Mr. & Mrs. Joseph K. C. Yu
香港話劇團謹向下列及人士對是次製作的協助致謝 Special Acknowledgements: 廖敏慈 Liao Min-ci 郭育圻 Kuo Yu-chi 鄭泰忠 Teddy Cheng 臺北藝術節 Taipei Arts Festival 香港演藝學院 The Hong Kong Academy for Performing Arts 英國文化協會 British Council 各大傳媒機構 Mass Media（排名不分先後 In no particular order） （「百回看」、「戲連場」、「幕初升」及「好友營」排名以姓氏字母 / 公司英文名稱序） (“Encore Donors”, “Play On Donors”, “Curtain Up Donors” and “Pals Donors” are listed in alphabetical order of family name / company name)
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