Maithili Raelle Graces the Cover of Hollywood Weekly Magazine by Hollywood Weekly Magazine, LLC

Maithili Raelle

The Multi-talented IndoAmerican rave of the moment in NYC

Wild Rose & Sparrow

SS25 Collection at Paris Fashion Week with Enchanting Ballet-Core Themed Runway Show

Two Decades Of Entertainment WithThe Kokomaster

Letter From The Editor

WELCOME READERS

to another issue of Hollywood Weekly!

Welcome to this month’s issue of Hollywood Weekly!

As we delve into the vibrant world of music and culture, we are thrilled to showcase the incredibly talented Maithili Raelle on our cover. This Indo-American artist is making waves in New York City, bringing a fresh fusion of sounds that beautifully reflect her diverse background. In our exclusive interview, Maithili shares her artistic journey, revealing how her experiences shape her music. With collaborations alongside industry heavyweights and a unique style that blends various genres, she is redefining what it means to be a cross-cultural artist in today’s music landscape.

Maithili’s distinctive voice—a harmonious blend of influences—offers a glimpse into her versatility and creativity. She effortlessly combines elements of pop, hiphop, and her Indian heritage, creating a sound that is uniquely hers. As you read her insights, you’ll discover the passion and dedication that drive her craft, along with her aspirations for future collaborations that could further enrich her artistic expression.

In addition to Maithili, we are excited to spotlight the iconic D’banj, whose contributions to the Afrobeats genre continue to resonate globally. His innovative approach and dynamic style are paving the way for a new generation of artists. D’banj’s work exemplifies the spirit of collaboration that is vital in today’s music industry, and we’re eager to see how artists like Maithili can intersect with his sound to create something truly special.

Thank you, readers, for once again supporting Hollywood Weekly Magazine. We are nothing without you.

PUBLISHER/EDITORIAL DIRECTOR

Prather Jackson

VICE PRESIDENT

Bernice Harris

CONTRIBUTING WRITERS

Alex A. Kecskes

Brandon Webster

Carmelita Pittman

LIFE & STYLE EDITOR

Niki Shadrow Snyder niki@projectpopdrop.com

DESIGN & PRODUCTION

Saba Shay Emma Willett

SOCIAL MEDIA COORDINATOR Marci Chorpash

AFRICA CORRESPONDENT & AMBASSADOR Egor Kelly Egorefiok@gmail.com BRAZIL OPERATIONS Fabio Glingani

“Pennies from Heaven” Barshai’s

New York, NY, September 1 1 th , 2024 – Barshai, the New York - based atelier committed to meticulous  craftsmanship and narrative - driven design, is pleased to unveil the latest collection for Spring / Summer  2025 titled, “Pennies from Heaven,” which debuted at New York Fashion Week on September 10 th , 2024.  The presentation took place within storied walls of St. Mark’s  Chur c h in - the - Bowery , an iconic venue

that  complements the collection’s exploration of heritage and modernity.

Collection Debut at

“Pennies from Heaven” draws its name and inspiration from the classic 1930s song made famous by Billie  Holiday. Expanding on the narrative concept of last season, Spring/Summer ‘25 takes the story of an  abandoned gilded age home and explores not the buildi ng, but those who inhabited its dilapidated

walls.  The narrative comes alive for Spring / Summer ‘25 as an exploration of the fascinating, chimeric life of  Consuelo Vanderbilt, America’s most famous “Dollar Princess.” Through this visual lens, Barshai refl ects  on the transition from Victorian elegance to Art Deco modernity, capturing the essence of the “new  woman”, a 1920’s term to describe the shift in social conventions around female behavior from domestic to  independent.

story to life. Set against a backdrop of velvet - covered platforms, patina - laden chairs, and 20th - century pottery, the models reenacted pivotal moments from Consuelo’s life,  offering the audience an immersive, cinematic experience.

The collection features 12 looks, including a distinctive “hair” dress that marks the culmination of last  season’s swirling “hair” bra. Key design elements include the extensive use of bias cuts and rosettes, a motif  that blooms throughout the collection a nd is a direct reference to Consuelo’s 18th birthday during which  she received a single American rose from her ill - fated first love. Grouped into three acts, Barshai’s Spring  / Summer ‘25 tells the story of Consuelo’s life from childhood into her later yea rs. The first four looks, cut  in shades of white and navy, symbolize her life under her mother’s control, culminating in a crying bridal  look. In act two, her early adulthood is celebrated through tailoring and a color palette of “burnt umber,”  “twentieth - century teal” and “sage green.” Her later years are celebrated in act three through a surreal  abstraction of pennies, embroidered onto corsets and integrated through print.

“For Spring / Summer 2025, I decided to embrace the concept of unexpected good fortune, but with the  understanding that even when it rains good news, they are only pennies from heaven,” says Erik Barshai,  founder and creative director of Barshai. “This sea son, we focused on ‘flow,’ emphasizing soft wovens and  the fluidity of movement, while continuing to push the boundaries of couture tailoring.”

The presentation at St. Mark  Church i n - the - Bowery  offered a 360 - degree view of this narrative, with a cast  of models bringing Consuelo’s

THE FINAL STOP OF THE TRANSFORMERS ONE WORLD TOUR LONDON

SYNOPSIS

TRANSFORMERS ONE is the untold origin story of Optimus Prime and Megatron, better known as sworn enemies, but once were friends bonded like brothers who changed the fate of Cybertron forever. In the first-ever fully CG-animated Transformers movie, TRANSFORMERS ONE features a star-studded voice cast, including Chris Hemsworth, Brian Tyree Henry, Scarlett Johansson, Keegan-Michael Key, Steve Buscemi with Laurence Fishburne and Jon Hamm.

CAST

Chris Hemsworth, Brian Tyree Henry, Scarlett Johansson, Keegan-Michael Key, Steve Buscemi, with Laurence Fishburne and Jon Hamm.

ROUNDUP ENTERTAINMENT

Digital Marketing Manager

Paramount Pictures

Calling all cinephiles! Dive into the world of social media as the Manager of Digital Marketing at Paramount Pictures. Collaborate with our dynamic team to craft and implement social strategies that ignite excitement and captivate audiences for our blockbuster domestic theatrical releases.

Influencer Communications Associate, Part-Time

Disney Experiences

As part of the Disney Experiences (DX) Global PR team, the role is responsible for identifying and supporting creator engagement, as well as analyzing campaign performance, and is part of a specialized bi-coastal team that works closely with partners across the segment to elevate stories among key advocates and content creators.

Video Editor

Cardone Ventures

As a Video Editor, you will serve as the official editor for all things Cardone Ventures, editing mission-based objectives and supporting content creation for digital. You should have expert knowledge of modern video editing techniques, be able to visualize directorial concepts and work according to a strict time schedule.

Media Operations Assistant

Louis Vuitton

Louis Vuitton is seeking a Media Operations Assistant to support the Media team across all online and offline channels and campaigns, ensuring operational excellence internally and externally. This position will lead all internal media tracking, supervise team finances, inclusive of issuing media authorizations, PO creation, invoicing balancing budgets while assisting with offline material production.

Creative Services • Product Designer

Creative Artists Agency (CAA)

In this role, they will work directly with the Designers and Project Manager and report to the executive lead of the Creative Services Design team. They will produce creative on a wide range of design projects including corporate announcements and messaging, Outlook email newsletters – internal and external, movie screening collateral, party and event invitations, trade ads, etc.

Regional Promotion Representative

Sony Music Entertainment

Visual Merchandiser

Warner Bros. Discovery

Warner Bros. is continuing to expand and evolve the Wizarding World of Harry Potter and Fantastic Beasts with our Flagship Wizarding World store, in New York City. Your accountabilities are to collaborate with the senior visual merchandise manager and be responsible for multiple areas.

Sr. Director, Worldwide Publicity

Lionsgate

The Senior Director, Worldwide Publicity will report to the Senior Vice President, Worldwide Publicity as well as work alongside the Senior Vice President, Worldwide Publicity to assist in developing and implementing comprehensive publicity campaigns to promote Lionsgate theatrical releases throughout the lifecycle window.

Program Manager, Merchandising Operations

Netflix

We are looking for a Merchandising Operations expert to join a newly established Merchandising team. As key members of the Technical Merchandising team, Merchandising Operations Program Managers are responsible for driving the execution of all product merchandising strategies and programs.

2024 Seasonal: Social Media Content Producer

Tribeca Film Festival

Tribeca is seeking inventive and experienced Social Media Content Producers for its 2024 Festival. In collaboration with the Marketing team, the Producers will capture the best moments from the 2024 Tribeca Festival, produce interviews with filmmakers and talent, and create social-first editorial videos and photos to share across our various social media platforms.

Freelance Residuals Specialist - MarVista Entertainment

FOX Entertainment

MarVista, a Fox Entertainment Company, is looking for a Freelance Residuals Specialist with solid analytical and organizational skills. The Freelance Residuals Specialist will assist with Residuals and Participation reporting and will work closely with the Production, Business Affairs, and Accounting departments on various projects and will assist with various types of reporting and maintenance of files and documentation.

Animator

Walt Disney Animation Studios

We want versatile CG Character Animators who show outstanding understanding of acting, appeal, entertainment, weight, locomotion, anatomy, and dialogue. If you're funny too, that's a plus. We want artists with a strong point of view who put a personal spin on their work. All positions are based in our Burbank, California studios for Moana 2.

Lighting Artist

Walt Disney Animation Studios

We currently have an exciting opportunity for Lighting Artists to join our extraordinary, award-winning team at our Burbank, CA studio for Moana 2. Responsible for lighting, rendering, and compositing shots together with both character and environment renders into a final frame until it meets the vision of the Director, Production Designer, Director of Cinematography: Lighting, and Lighting Supervisors.

New Upcoming Releases

RUMBA

A COMMUNIST STORY WITH A HAPPY ENDING

Interview by Prather Jackson

How did your cultural background influence the development of the Rumba concept?

Rafael Suárez: When I committed to writing Rumba, I needed a meaningful inspiration. That’s when I decided to use the concept of ‘Slavery,’ which, if you look up the definition, is the practice or institution of holding people as chattel involuntarily and under threat of violence—which is what’s been going on in Cuba dating back to the Atlantic Slave Trade when a vast population of African ancestors were brought to the island as prisoners of war, mainly from the kingdoms of Benin and Yoruba in western Africa. And to their surprise, they were immediately baptized by their white owners as Roman Catholics and prevented from practicing their Pagan faith. You may ask why ‘Slavery’ is my most significant influence. And I’ll tell you why. If you look at Cuba, from 1959 to now, the only thing Castro’s government hasn’t done to us Cubans (openly) differently than those white slave-owners is to put a shackle on our legs. Believe me. I say this because that’s how the government has treated us for the last 65 years. Like a slave.

In what ways did your experiences in Guantanamo Bay shape your perspective and storytelling?

Rafael: After escaping Cuba in the summer of 1994, during the ‘Cuban raft exodus’ also known as the ‘Balsero crisis,’ my life was never the same. One night, my father came home with the news: ‘We are leaving for the United States in a few hours,’ he said. Fast forwarding the long traumatic ocean journey, first to the Cayman Islands, where we spent a few months at a refugee camp. Then, I’m not

sure how we escaped that place, but we got detained by the American Navy as we headed to Mexico. I remember how they ordered us to shut off the small boat’s engine, and seconds after we got in their big boat, they blew up our little boat with dynamite. Then, they took us straight into Guantanamo Bay. Every single terrifying event immediately became like a tattoo on my heart. It was permanent. I was fourteen years old. I remember the nightmares of crossing the dark shark-infested water in the name of freedom and showering outdoors with barbed wires all around me. Many times, fights would break out, and people would get badly hurt. Luckily, I had a few relatives with whom I kept myself safe. Sadly, some other kids weren’t as lucky as I was; they had no one to look after them… it was terrible.

What challenges did you face in bringing this story to light, and how did you overcome them?

Rafael: Because of my writing style, I faced many challenges in bringing the story to light. For example, introducing Changó (the protagonist’s sidekick or unconditional friend), one of the most feared Gods in the Yoruba religion, associated with thunder, lightning, and fire. I want the reader to understand the reason why I chose him. I needed a solid father-like figure, strong, fearless, and bold, but also someone with a good heart who knew he wasn’t perfect—far from it. But if you flip the coin, I had to be extremely careful when using a religious symbol like him. In the story, Changó, among other things, gives the protagonist a reason to question not just his Pagan faith (something that is super important in Cuba) but the value of friendship. Another chal-

lenge was portraying the Cuban Army as a monster who sexually molested new soldiers and sometimes even killed anyone who refused to follow orders (something I can’t say for sure if that ever happened). Another of my favorites is making the readers think of the notorious Cuban Mafia as ‘the bad guy of the story,’ so they can later learn that such criminal organization becomes the story’s sort of bridge between good and evil. But in this case, they would represent the good guys, not the evil ones. Regardless of the challenges, I focused on the one concept I love the most— ‘creative writing,’ which ultimately helped me put the pieces of my puzzle together.

What messages or emotions do you hope readers will take away from your story?

Rafael: This book is about not just my experiences and emotions, but the side effects of generations derived from those who were born and raised in a communist dictatorship, like Luis ‘Luisito’ Suárez, the protagonist, whose life takes the most dramatic turn after he spent years believing in Castro and the so-called Cuban Revolution. And, like many of us, that’s when he decides to fight back and liberate his brothers and sisters from the same communist demon who took his mother’s soul. But if there were only one thing I would like others to take from the story— for those who enjoy visiting Cuba or are planning to visit, hoping to have a great time, maybe learn about Ernest Hemingway’s favorite drink—the daiquiri, or perhaps take a puff of a Cohiba Cigar, Fidel Castro’s favorite cigar, or maybe learn how to salsa dance the only way Cubans knowhow, my message to you is, DON’T DO IT. You are not helping the citizens of Cuba

because the only people who can eat, drink, and smoke what you are eating, drinking, and smoking without getting harassed are those working with the government. And if you visit Cuba after knowing this, you should be ashamed of yourself.

Can you discuss the role of music and dance in your storytelling, particularly in conveying the essence of Rumba?

Rafael: Everyone knows that Cubans love to dance. Growing up, I always believed that was why, no matter how hard it got for us, we could take the wrong moment and turn it into a fun experience. Just turn the radio on and start listening to some good old Rumba. That did it for my grandparents on my father’s side. One of my favorite discoveries during my research is that some people would argue that Rumba is not only a rhythmic dance with Spanish and African elements originating in Cuba but also a protest of sorts, a vital form of self-expression for people denied other freedoms. I also learned that Rumba, the Afro-Cuban music and dance genre, has been historically considered a black thing and a particularly potent symbol of the masses and working-class identity. Changó, who is associated primarily with dance, plays a vital role in the story when the protagonist starts questioning the God’s powers concerning Castro and the Cuban Revolution. Something that makes things complicated for the deity. But here is a ‘spoiler’ for you— in the end, he chooses to accept his mistakes. Then, he moves on to forgive and support the protagonist’s final decision to liberate his brothers and sisters. Something he knew would happen since the day he (the protagonist) was born.

What was your most surprising or unexpected discovery while researching and writing your book?

Rafael: Some things I read while doing my research are exciting. First, Santería and Voodoo share deep African roots and influences. Are they a ‘Cult’ or ‘Black Magic?’ I don’t think I can answer that. The second thing is that although most Africans were forced to convert to Catholicism upon arrival in the New World, many continued to practice their native religions at the same time. The third thing is the common misconception that Afro-Cubans blended the two religions into one. Still, a more accu-

rate way to think about religious syncretism in Cuba is to say that the two systems continued parallel to each other in the minds of the Afro-Cuban people, who didn’t see any contradiction between them. Finally, something that I think could be very confusing for the rest of the world is how Practitioners of Santería might describe themselves as Catholic, attend masses, and baptize their children as Catholic while also practicing their African-based religion. But keep in mind—although Santería plays a big part in the story, I want the reader to think of it as a piece of a puzzle, mainly used in a spiritual art form, not necessarily religious.

How did you balance authenticity and artistic interpretation when recounting real-life events?

Rafael: Even though I use many facts in my book, balancing their authenticity by utilizing my artistic interpretation was not as easy as I thought. However, I kept building a strong foundation, mainly focusing on the story’s backbone. I must have worked on that for several years until I was satisfied. But then, I didn’t want to write something sad and depressing like most immigrant stories. I also didn’t want to pity the Cuban people. We are strong people who don’t like handouts. So, I started thinking of some of our most prominent qualities. My favorite thing has always been that we find humor in everything. After all the shit we’ve been through, we wouldn’t be here without some humor. So, I use that as the story’s platform. That’s how I was able to incorporate Castro. I wanted to make fun of him. And it worked. But, without a doubt, my focus was on the ending. I kept telling myself that the ending must be the most extraordinary thing or event. To do that, I had to think of something that had not happened yet in real life because if it did, it wouldn’t be something unique like Rumba. That was by far the most challenging part of the book-writing process. The ending also needed to be a great ‘open’ ending. I thought of Friedrich Nietzsche, who believed that pursuing authenticity required courage. So, that’s what I did.

Can you talk about any specific individuals, television programs, or films that have influenced your storytelling style or the themes explored in your book?

Rafael: Most of my ideas come from

watching television. I’m not a big reader, but I enjoy watching anything interesting on TV. I grew up watching black-and-white westerns and novels (soap operas). I must have seen hundreds of movies. I love that black-and-white era. Sometimes, I’d like to watch the same film several times to ensure I didn’t miss anything. But I know something happened to me after watching the television series ‘The Sopranos.’ Something inside me told me I could be a writer or at least write something never written before, like the show that put David Chase on the map. It was brilliant. So, I started thinking of the idea. A few years later, I came up with Rumba: Haunted by his mother’s murder, a young Afro-Cuban Army soldier turns to Santería to find the demon he believes responsible. Several years later, before giving up on a promise, he gets raped and nearly killed by his platoon captain, who seems to be possessed by the same childhood monster. Breaking his religion’s rules, the deranged soldier arranges the highranked officer’s death. Then, he flees the country with the help of his exiled uncle in Miami—who, to the young man’s surprise, confesses to being a Cuban government spy infiltrating the Cuban Mafia.

Considering the potential adaptation into a movie or show, how would you like your story portrayed on screen?

Rafael: Nothing will make me happier than finding great minds who could help me expand Rumba into something bigger. This story is like a cake with a lot of layers. And a lot of brown sugar, too. That’s for sure. All the major studios know that Cuba has a lot of potential. But I think they are all waiting for communism to go away so they can bring their billions and invest. But that could take 100 years. So, in the meantime, all I need is one great Hollywood producer who invites another great Hollywood producer, who invites a great director who invites a great DP, and so forth. However, it will only work best with a Cuban and Cuban American cast. I keep seeing more and more shows and movies with actors who are not only entirely out of character but also who portray poor personification, with terrible accents and zero essence—things that I believe can make a film not great but grand. All jokes aside, I’m sure Al Pacino knows that Andy Garcia would have played a more realistic Tony Montana.

Queenissima:SUSTAINABLE LUXURY BEGINS HERE

INTERVIEW WITH NATALIE SPIVAK

Discover more about Queenissima, the epitome of luxury and sensuality in fashion, where elegance seamlessly meets sustainability. Queenissima is not just a brand—it’s a statement of grace, confidence, and allure, tailored for the modern queen who values both style and the planet. At Queenissima, luxury and sustainability go hand in hand. From glamorous evening gowns to sensual lingerie, every

piece is crafted with a deep commitment to creating stunning fashion that respects the Earth.

With Queenissima, you don’t just wear luxury—you wear a one-of-a-kind expression of art, creativity, elegance, and eco-conscious sophistication. Each design is a masterpiece, each garment tells a story, and wherever you go, you’ll turn heads and spark conversations. Embrace

the art of fashion with Queenissima, where your wardrobe becomes a gallery of exclusive, hand-painted pieces that celebrate your individuality. Where luxury meets passion for the planet, where every woman is treated like royalty, and where every outfit is a celebration of femininity. Indulge in the ultimate, uniquely luxurious experience—because you deserve nothing less.

Photo credits:

Model: Queenissima @queenissima, Miss Europe Switzerland

Designer: Queenissima @queenissima, @ queenissima.fashionart

Photo: Reto Turotti @reto.turotti

MUAH: Sabina Alieva Markovic @sabonya82, @sa_bridalstyle

Nails Artist: Svitlana Zakrenychna @nailsandgo.zh, @xvsvetlana

Beauty care: Victoria Zinevych @dr.zinevych

Earrings: Zemphira @zemphira_jewellery

Health care: Sunclinik, Zurich

Retouch: Iryna Voitenko @by_i.voitenko

PR: Top PR Agency @toppragency

Is fashion a passion for you?

Natalie Spivak: Fashion has always been a deep passion and a significant part of my life since childhood. I fell in love with it when I was just five years old. Even at that young age, I was fascinated by the details of clothing and the art of color matching. My mother was an elegant fashion icon, and I admired every outfit she wore. She made beautiful gowns herself and taught me the craft. For her, fashion was both a hobby and a lifestyle. As a successful leader in the economic world, she ran a big luxury hotel while always looking beautiful and stylish, both in public and at home. I never saw her wearing anything old, unfashionable, or unattractive. Her style was always very feminine and elegant. I inherited this passion for fashion from my mother, and it has stayed with me throughout all my life.

When did you create your first outfit?

Natalie: When I was around five years old, I received a kids sewing machine as a gift. Naturally, my first creations were gowns for my Barbies, as well as bedsheets, covers and pillows for them. Even then, I somehow understood the importance of bedtime comfort, and I wanted my Barbies to sleep soundly in beautiful nightwear. So, from an early age, I was already thinking about style and comfort, even for my dolls.

How did you get started? How did you become a designer?

Natalie: It was destiny, I suppose—I never planned it. I started modeling when I was 14 years old, and with each photoshoot and every Fashion Week in New York, London, Milan, and Paris, I found myself admiring the talented designers I walked for. I always thought fashion was a complex and capricious industry, and as a model, I saw a different side of it. People only see the final product—the fashion shows and collections in stores—but behind the scenes, it requires an immense amount of work, time, and the teamwork of many professionals before the public sees a beautiful fashion show or a new collection in shops.

Over the years, I’ve created many of my own outfits and always loved dressing oth-

ers. In addition to designing my own garments, I was the one who did the shopping for my entire family, since neither my dad nor my brother enjoyed the process. But I loved it, and I always put together stylish looks for them. It’s something I’ve done my whole life.

I was invited to an event where a stranger passed by me, handed me a white ladie’s jacket, and simply said, “This is for you.” Then he left. Standing there at luxury event in Monaco, surrounded by other guests, I couldn’t stop thinking: Why did I get this jacket? What should I do with it? At first, I considered throwing it away. But I believe everything happens in life for a reason, so I decided to appreciate what the Universe had given me.

I took the jacket home, washed it, and hung it in my wardrobe. During Venice Film Festival, when I had two planned red carpet appearances, my designer dresses didn’t arrive on time, I was suddenly left without dresses. That’s when I remembered the white jacket and decided to paint it. I created my first red carpet outfit, “Red Carpet Star.”

The second outfit I created for Venice Film Festival attracted all the media attention. “Look here, look here!” is what I heard nonstop from all cameras on the red carpet. I had never experienced such success before, even though I had always worn luxurious, very expensive, and exclusive gowns. I received numerous compliments and caught the eye of both print and TV media, especially in Venice, Italy, where I believe people have some of the best taste. This reassured me that I had done something right.

I tested my next outfit at World Economic Forum in Davos, creating a jacket with a special meaning tailored for the top business world. I find it fun to create unique slogans that match the event or the personality. So, I painted on my jacket: “Top men rule the world, blondes rule the top.” This jacket also met with success in the serious business world. People came up with compliments and advices, encouraging me to continue and offering insights on how to navigate the business world. I felt I’m on a

right path as so many intelligent, successful billionaires liked my designs and voluntarily offered their support and advice.

I experienced similar success at Snow Polo in St. Moritz, Berlin, Cannes, and Zurich Film Festivals. I even received compliments from the producer of Met Gala. All of this encouragement has inspired me to continue my Queenissima journey.

How do you create your outfits?

Natalia: It comes from within—you can’t predict it or control it. As a model, I understand how crucial it is to have comfortable shoes that are also healthy for your feet and don’t cause damage. That’s why every pair of shoes I create is designed with comfort and foot health in mind.

I approach each outfit as a thrilling exploration—not just of color, texture, and design, but of the story it tells and the mood it sets. Queenissima is a vibrant expression of self and creativity. It goes beyond simply clothing the body; it’s an art form that allows individuals to convey their identity, mood, and unique personal style.

What does “Queenissima” mean?

Natalie: This word doesn’t exist in any dictionary—it’s my own creation, born during my time in London. I coined it over 12 years ago, and my friends began calling me by this name. Also it was my modeling name for years. Since early 2019, I’ve been using it widely on Instagram and other social media platforms. Over the years, many magazines and billboards have featured this name.

You know, I never intended for people just to wear my name as is customary in brands. I want a completely different message to share with the world. Through the name “Queenissima,” I want to inspire pride, confidence, respect, and love. I want each of you to feel like a Queenissima when you wear it. Yes, you are Queenissima. I believe every one of you deserves to be treated like a queen. I want you to feel unique, irreplaceable, beautiful, sexy, feminine, and to enjoy special attention and moments. Life bellissima if you are Queenissima.

Threads of Empowerment:

Siray Kong’s Journey from Glamour to Social Change

By Brandon Webster

The fashion world is often viewed as a realm of unattainable beauty and superficial glamour, but one woman is rewriting this narrative, blending the allure of the catwalk with the spirit of social change. Here at Hollywood Weekly, we had the honor to meet a fashionista whose life story transcends the boundaries of the industry, bringing a new dimension to what it means to be a designer in today’s world.

This story chronicles the journey of a designer who, after the shimmer of Miami Swim Week, shifts gears to the starkly different reality of feeding the homeless and fighting against human trafficking. Her mission is deeply personal, rooted in her mother’s traumatic past and a fierce determination to improve the lives of those around her. Our guest is not just a designer; she’s a storyteller, an advocate, and a humanitarian. In the high-stakes world of fashion, where superficiality can often overshadow substance, she stands out for her commitment to social causes. Her non-profit, Piece of Sunshine, has become a platform for change, taking small but intentional

actions to make a difference. From beach cleanups to providing clothes with dignity to the homeless, every endeavor is a step toward a better world.

Her personal story is one of triumph over adversity. As a child of a mother ensnared in the sex trade and bearing the scars of abuse, our guest rose to become Miss Asia USA, refusing to be defined by her past. Instead, she’s channeled her experiences into empowerment, sharing her story not for sympathy but as a beacon of hope for others.

The Royal Kingdom fashion show, a brainchild of our guest, is more than just a display of garments. It’s a celebration of humanity, treating everyone like royalty and reminding us that the true value of fashion lies in its ability to connect us to our cultural heritage and social consciousness. But it’s not all about grand gestures. Our guest emphasizes the importance of staying spiritually grounded amidst the chaos of life. Whether it’s through gardening or simply being present, she maintains a balance that keeps her centered and focused

on her mission. The podcast doesn’t end with a fade-out but with an invitation—an invitation to a private fashion show, an invitation to engage with her work on social media, and, most importantly, an invitation to join her in making a positive impact. As our guest extends her hand to us, she reminds us that change starts with individual actions, with the threads we choose to weave into the fabric of our society. This fashion designer’s story is more than a tale of success; it’s a clarion call to all of us. Her life is a testament to the fact that beauty isn’t just about what we wear or how we look. True beauty is in the strength to empower others, in the resilience to overcome, and in the courage to transform pain into purpose. Through her journey, she shows us that fashion can be a force for good, a medium for advocacy, and a path to change.

Q & A

HW: How did the start of your fashion show, Royal Kingdom begin?

Srey: “Royal Kingdom Fashion Show started about three years ago, and I did this because I believed there were a lot things that could done diffrently within fashion shows. For instance, people miss hospitality, they miss personal connection. In this world of business, nobody wants to be vulnerable. When you’re working at a fashion show and you’re spending so much money to be a part of it, I would like some kind of reassurance emotionally from the venue. I call it Royal Kingdom because I believe we are all royalty. We are the son and daughters of the almighty king that lives in heaven and that’s the way everyone should be treated.”

HW: How did your personal background influence your commitment to social causes?

Srey: “Learning about my mother’s traumatic past, including her experiences with rape and human trafficking, profoundly impacted me. It gave me a heavy heart and a drive to support others facing similar adversities.”

HW: What motivated you to feed the homeless and initiate beach cleanups?

Srey: “Observing the stark contrast in homelessness between Minnesota and California sparked my 13-year commitment to feeding the homeless and initiating beach cleanups. It started with just a few friends in Venice Beach and expanded from there.”

HW: Can you share more about your nonprofit, Peace and Sunshine?

Srey: “Peace and Sunshine focuses on creating positive change through small, intentional actions. Its mission extends to being mindful of children’s safety and providing dignity through clothing distribution at homeless outreach events.”

HW: How do you maintain spiritual grounding and organization in your life?

Srey: “I dedicate time to spiritual activities like gardening to stay present and grounded. I avoid being hard on myself for uncompleted tasks, celebrate accomplishments, and set boundaries to preserve mental well-being.”

HW: What’s the significance of the upcoming private fashion show on June 1st at Mission Bay Home Mall?

Srey: “The fashion show is a way to showcase my clothing line and engage with the community. It’s also an opportunity to support philanthropic efforts, like feeding children in Africa, and share my Cambodian heritage.”

HW: How does your creative process influence your work and personal projects?

Srey: “My creative process is a narrative journey where I turn every aspect of my life into a story. This approach includes designing dresses and everyday experiences, aiming to make a positive impact through community engagement.”

SHOP OUNISRAY

ROYAL KINGDOM

I grew up watching Indian musical films during the 70s/80s. In fact, I can still remember the lyrics to all the songs in “Yeh Vaada Raha” and I know the names of most of the famous Bollywood stars from back then to the 90s and beyond.

My love for Bollywood never waned and when I attained adulthood, I owned an entertainment blog, E4PR, where I dedicated a section to write about Bollywood film stars and cross-over Indian music and movie stars into the American and British Entertainment Industries.

It therefore came as no surprise when I was called upon to interview the lovely Maithili Raelle, an Indo-American talent in New York City.

Maithili is one of the very few cross-over Indo-US female artistes in New York and is working with a very talented team. She has collaborated with Epic, RCA and Republic record labels, respectively, as well as 41 rap group, the biggest rap group in the Metro NYC area right now.

My description of Maithili’s distinctive voice would be... a sweet blend of Norah Jones and Ciara, with a touch of Doja Cat; while she exudes an Eve kind of attitude. I listened to all her songs on Spotify and watched “Heavy On It”, “I Grow” and “Falling For You” on YouTube. Maithili’s undeniable music talents are glaringly obvious, as all her songs showcase her versatility.

The focal point of Maithili’s multiple talents, for me, are her singing and rapping skills, which are beautifully fluid, adding grace to her music. I particularly loved the Indian belly dance beats in “Heavy On It”. They reminded me of the 2013 song, Addictive, by Truth Hurts ft Rakim, Dr Dre and Pharrell, which had similar beats.

The world is now witnessing cross-over Indian rap and hip hop music talent finally being acknowledged and appreciated in the American Entertainment Industry. From not being visible during the whole American rap revolution to now successfully dominating the American scene.

It may have taken a while, but cross-over Indian music talent is finally getting the

recognition it deserves. They are finally at a stage where they can fund, market and show the world their art and culture.

On a separate note, I would like to suggest an Afrobeats collaboration for Maithili with superstars like D’Banj, Burna Boy or Rema; This would add more spice and worldwide appeal to Maithili’s brand. Burna Boy and Indian singer and rapper, Sidhu Moose Wala (of blessed memory), have already blazed a trail for others, with their collaborative hit song, “Mera Na”. I would love to see Maithili explore this option as well. It may be new terrain for her, but it will be worth her while.

For more information about Ms Raelle, please check her website: www. maithiliraelle.com

Follow Ms Raelle on social media: @maithiliraelle on Instagram and TikTok.

You can also find her all her music on Spotify; and her music videos & mixtape on YouTube, by typing her name in the search box.

Finally, see (below) excerpts of questions from my interview with Ms Raelle and her answers:

1). Where are you from and how does that affect or influence your work?

Maithili: I’m from New Jersey and I’ve pretty much just grown up here my entire life. Now, I go back and forth between NJ and New York City, since I go to college there. Being from the tri-state area really has broadened my overall general perspective on life. You come across many people from different walks of life with diverse ethnic backgrounds. There’s a heavy emphasis on having to hustle in order to achieve success for yourself, and this, in turn, has strongly encouraged me to work hard towards achieving my dreams. Meeting so many types of people has exposed me to different genres of music and how you can intertwine them with one another. As an artist, this can be seen reflected in my music. If you take a look at each song, it’s not boxed into one style. I’m constantly pulling inspiration from all types of music.

2). Who are your biggest artistic influences?

Maithili: My biggest influences are Whitney Houston, Ariana Grande and Tate McRae.

3). Tell me about your favorite medium.

Maithili: When it comes to being a singer, my favorite medium has to be live performances. I love tapping into that other part of me that people don’t see on a daily basis, this other character. The entire process of the transformation starts with makeup, hair and then, the outfit. There’s always that bit of anxiousness that kicks in before the performance, but that’s because I want it to be amazing and care about giving it my all. As soon as that music starts, it’s like I go on autopilot. Just being out on the stage everytime feels so surreal. After each performance, I feel like I’m on an energy high. It’s the best feeling in the world, seeing all the time and effort you took to work on your craft or a specific project materialize into a great end product. Along with live performances, though I love the process of getting ready for a music video, whatever it may require. The day of the music video shoot does get a little stressful, but I genuinely have so much fun putting everything together and performing in this different aspect. It’s such a thrill to see everybody’s reactions, whether it’s people from my team who’ve seen me working on it or even just my parents and friends at my shoot.

4). Where do you find inspiration?

Maithili: I find inspiration from my own personal experiences, other artists that I both listen to or look up to, as well as other types of art like movies and books.

5). When is your favorite time of day to create?

Maithili: Honestly, I don’t really have a favorite time to create. I love to create at all times. It’s kind of when I’m able to fit the time in because I’m a full-time student at NYU as well. I will say though, I definitely am more productive when I have earlier late morning/afternoon sessions.

6). What motivates you to create?

Maithili: What motivates me to create is my love for music. I live and breathe music everyday. Whether I’m actively creating music or not, I’m constantly surrounded by it. It’s like an open book for me with blank pages, waiting for the story to be written. It might be a story that’s already been written, reflecting my personal experiences, or it might be a narrative waiting to be written and told as a story. The same way in which other artists have created songs that have resonated with me is the same thing I aim to do as well for others in my own artistic way. I want to create songs for others to help them feel relatable or comforted knowing that someone else like myself has also gone through it.

7). How do you define success as an artiste?

Maithili: I define success as an artist in multiple ways. I think one of the most important ones is being able to constantly push the boundaries of your own ability. Not being a one trick pony. Trying new things musically, whether tapping into different vocal techniques or sounds. Always being creative and keeping an open mind to the process. Along with that would be having the ability to emotionally connect with your audience. I think the ultimate test is if you can make the audience feel the song as if they went through it and that you’ve provided them an escapism from their life for the 90 mins or however long they’ve come to see you.

8). How do you develop your art skills?

Maithili: I develop my skills by constantly creating more music. The only way to grow is to practice and learn. You’ll either find me in the recording studio working on music, dance practice, vocal lessons or in school. Ever since taking up this journey, there’s been nothing more important to me than working on my craft to become the best I possibly can.

9). Does art help you in other areas of your life?

Maithili: Music definitely helps me in other areas of my life. As much as it’s an escapism for listeners, it’s an escapism for me as an artist too. It helps me a lot

emotionally. Music can really change my mood and I really lean on it for support. Whether it’s getting that confidence or helping me relax or even just getting me through that little breakdown.

10). How can your work affect societal issues?

Maithili: My music can affect societal issues by bringing awareness and telling stories from different perspectives. Around a year ago, I released a song called “Unstoppable” in collaboration with the Be the Voice anti bullying campaign. This was a special song to me when creating it and I’m very proud to have been invited down to Selma, Alabama, to perform Unstoppable as part of the musical act of an anti-bullying assembly.

11). How do you navigate the professional art industry?

Maithili: It can definitely be challenging and confusing, but I’m very grateful to have an extremely talented and supportive team behind me, as well as very supportive parents. I wouldn’t be where I am today without all of these amazing people. As they say, it takes a village to raise a child.

12). Which art trends inspire your current work?

Maithili: Currently, genre-fusion and vocal experimentation is a huge thing that’s been inspiring my music. I don’t want to be confined to one lane. I want to create something new and surprising that the world hasn’t seen and can get excited about.

13). How has your style changed over time?

Maithili: My style has evolved and grown from putting out my first release, Falling For You. It’s really interesting because

register and was exploring different vocal techniques. Now fast forwarding to my latest song, Heavy On It, I’ve begun to experiment more and really taken myself out of my comfort zone. I never really thought I would throw rap into a song. It wasn’t the first thing on my mind, but at the end of the day, why not? Why not try new things and push the boundaries?

Heavy On It, it’s a completely different song, as it brings out aspects of my cultural identity of being Indian into my music, and is supported by the visuals for the very first time in my music. Something I want to lean more into and experiment

14). What are your favorite and least favorite parts of professional art?

Maithili: There’s definitely highs and lows to doing music professionally, but no matter, what I wouldn’t trade it for the world. I am beyond grateful for being given the opportunity to pursue it. One of my favorite things is the rush of excitement you get from performing live or after the end of a music video shoot that I’ve been working so hard to prepare for, or seeing others love your own creation as much as you do. It’s the most rewarding and fulfilling thing as an artist. I love being able to meet new people and other artists in the industry and learning their backstory and getting to know them. It’s such a wonderful experience to see others like yourself doing it as well. It can be very inspirational for your own music and could lead to collaborating on projects together. I think some of my least favorite parts are that no matter what, people will always have an opinion about you as a person or what you’re doing. Honestly, though, I’ve grown to not be bothered at all by it and to just keep focusing on making music and on my craft, because that’s what makes me happy. Another big thing that’s my least favorite part of pursuing professional music,

is the uncertainty. There is no timeline for the trajectory of your career, because everyone’s path is different. That really stresses me out sometimes because I’m in college too. It would just be really nice to know where my life is heading lol.

15). Do you have a network of other artistes, and if so, how do they support you?

Maithili: I don’t have a network of other artists, but I support all artists. Being a creative isn’t always easy.

16). Is there a specific environment or material that’s integral to your work?

Maithili: As an artist, I definitely love to be in collaborative spaces. Whether its acoustic spaces for working on vocals, the recording studio as a fun creative playground, or rehearsal spaces with mirrors, when doing dance lessons. Material wise, it’s very very important to be hydrated and have water or a drink with electrolytes; and quick snacks like pineapple and green apples are a go to, especially in the studio.

17). Who would you most like to create with?

Maithili: I would love to work with Tate Mcrae the most. Ever since I saw her in concert recently, I’ve been more obsessed with her as an artist and truly look up to her as one of my inspirations. She has a certain type of raw, relatable style of lyric writing. I think it’d be super cool to hear the

contrast between our voices dancing together in a song.

18). If you could open a show for any artiste, who would that be?

Maithili: Definitely Ariana Grande. I’ve always looked up to her and it would be an absolute dream of mine.

Albright College at New York Fashion Week Very NEW

Nine Collections Shine Bright at the Albright College NYFW Show

New York, NY — September 10, 2024 — Albright College marked its fourth showing at New York Fashion Week (NYFW) on Saturday, September 7th, with an eagerly awaited runway fashion show. Following the tremendous achievements of the past three years,

Albright College, renowned for its nationally ranked Liberal Arts-based fashion design, merchandising, and costume design programs, proudly presented the innovative designs of nine recent graduates on the prestigious runways of NYFW.

The show opened with Milford, Pennsylvania’s Mary Quinn's collection of artfully dimensional floral bouquets and subtle colorations that seamlessly married garden party whimsy with the sophistication of silk charmeuse and chiffon. The opening

piece of the show, a floral encrusted cropped bustier worn atop a double layer skirt pairing, proved the perfect piece to not only open the show, but also made it clear that Spring 2025 was calling.

The following collection by Michelle Nguyen, blended the country inspirations of her native Reading, Pennsylvania with the contemporary cuts of Asian streetwear to much lauded affect. Her collection featured youngspirited pieces like a grass green A-line mini-dress appliqued with a red barn worn over a white blouson sleeved blouse with Peter Pan collar that married schoolgirl uniform preppy with Tokyo’s Ginza edgy aesthetic.

Next came another local Reading, PA native, Truc Phuong Ha, whose collection radiated effortless style and creativity with inventive, yet versatile pieces. Each silhouette she showed employed a novel mixing of fabrications and asymmetrical cuts which made the viewer take a double look at each to truly understand that these pieces were not errors, but rather thoughtful and intriguing plays on proportion. Ha’s collection would be equally at home in the office as it would be at an evening party with friends or walking down the world’s most trendy fashion thoroughfares.

Hailing from Howell, NJ, Abby Thomas-Ridgway next presented an uber feminine collection of airy day dresses in appliquéd eyelet that could be worn in a variety of settings from summersoirees to a dressy day with

friends. Thomas-Ridgway’s collection was also versatile enough to attract the young set as well as the next generation on the fashion cycle. Lydia Simone‘s swimwear provided the natural bridge to the show and transitioned the mood from daywear to evening. The Philadelphia native left all in the room yearning for a day at the beach or poolside at their favorite resort with her easy-breezy styles that were dressed up by just the right amount of color contrasted cascading ruffle detailing. Another New Jersey native, Felicia Oyekola kicked off the traditionally dresser second half of the run of show with a collection of brilliantly tailored dresses that deftly walked the fine line

between costume and fashion to great success. Her collection of bridal dresses was equal parts classic and brilliantly hued ensembles for the ethnic or modern bride.

Brooklyn born, Kamiah Jean pumped up the conceptual volume with her collection of slashed and reconstructed ensembles that utilized chain and other hardware elements to shape the silhouette while simultaneously ornamenting the wearer.

NEW YORK

Jean’s final two “dresses” proved the ultimate showstopper with their body-con tube dresses worn under boned cages which created voluminous proportions while adding none of the visual heaviness that once was the norm with such pieces.

Horsham, PA’s Mia Rezza served to clean up the visual landscape with her collection of mocha silk charmeuse evening dresses that were softened even further with her deftly placed sky blue silk chiffon accents. Ressa’s collection left several in the room applauding as the models made the way around the event’s U-shaped runway. Returning designer, and Reading, PA native designer, Stephanie Vargas Hemmings closed the show with bold, hand-sewn textures and innovatively detailed styles. Standout pieces like a

deep blue softly detailed dresses that combined several hand techniques, and the final two looks to walk, which married a novel print into the mix with enormously proportioned over layers.This remarkable event served as a testament to Albright College’s unwavering commitment to fostering emerging talent and pushing the boundaries of fashion creativity. The audience at NYFW was treated to a mesmerizing showcase of diverse perspectives, innovative designs, and groundbreaking concepts, underlining the institution;s pivotal role in shaping the future of the fashion industry. Albright College’s presence at NYFW continues to solidify its position as a powerhouse in the fashion education landscape, where students are nurtured, challenged, and

explore their creative potential to the fullest. Albright College looks forward to its continued journey of shaping the fashion world, one innovative collection at a time.

Fight Night's Dazzling Debut

70s Chic, High Fashion, and Cinematic Drama

NEW YORK, NY — Last night, Wednesday, September 4, Peacock celebrated the premiere of limited series FIGHT NIGHT: THE MILLION DOLLAR HEIST at Jazz at Lincoln Center, followed by an exclusive after party in The Appel Room overlooking Columbus Circle and Central Park.

Coinciding with the eve of NY Fashion Week, the red carpet kicked off with a surprise fashion show in partnership with GQ. Drawing inspiration from the series, models showcased high-fashion 70s-inspired looks, blending retro styles with modern sophistication. Adding to the 70s flair, the red carpet featured a replica of Chicken Man’s (played by Kevin Hart) 1966 Cadillac Calais, custom-built by the renowned West Coast Customs.

Over 800 guests were ushered into the Rose Theater for a packed screening of the first two episodes, "Round One: The Ballad of Chicken Man” and “Round Two: Fight Night”. Following the screening, attendees enjoyed an exclusive after-party, emanating 70’s nightclub, complete beats from DJ Trauma, and a photo op with Roc Nation’s Lenny Santiago’s iconic gold couch.

Attendees included Executive Producer Will Packer; Executive Producer, Writer, Creator, and Showrunner Shaye Ogbonna; Executive Producer and Star Kevin Hart; and cast including Samuel L. Jackson, Taraji P. Henson, Don Cheadle and Terrence Howard, Chloe Bailey, Sinqua Walls, Dexter Darden, Lori Harvey and more.

Additional celebrity guests included writer and comedian Amber Ruffin, Love Island USA S6 winner Kordell Beckham, actress and comedian Ego Nwodim (Mr. Throwback, SNL), actor and comedian Adam Pally (Mr. Throwback), WWE Star “Sheamus” Stephen Farrelly, rapper and singer SAINt JHN, actress Lorraine Toussaint, rapper Busta Rhymes, Chicago Sky basketball star Kysre Gondrezick, Guerdy Abraira (The Real Housewives of Miami), Karen Huger (The Real Housewives of Potomac), Sunny Hostin (The View) and more.

Fight Night: The Million Dollar Heist premieres Thursday, September 5 with 3 episodes at launch, and a new episode weekly on Thursdays only on Peacock.

D’Banj

Marks 20-Year Milestone latest Album: The Entertainer: D’Sequel

Koko

D’Banj unveils track-list and release date for anticipated fifth studio album ...features Youssou N’Dour, Wyclef Jean, Akom and Awilo Logomba

Lagos, Nigeria, Friday, July 5th –Nigerian global music sensation, Dapo Oyebanjo, popularly known as D’Banj, has unveiled details of his highly-anticipated latest studio album such as cover artwork, track listing, and release date. The new project entitled ‘The Entertainer – D’Sequel’ is set to be released worldwide on Friday, August 16th, 2024 by DB Records and is now available for pre-save.

D’Banj’s upcoming fifth album, ‘The Entertainer – D’Sequel’, is a creative blend of Afrobeats and Afropop, with eleven songs and two bonus tracks. Its global feature list includes Grammy award winner, Wyclef Jean, Congolese icon, Late Fela Kuti’s Egypt ’80 Band, Awilo Logomba, Youssou N’Dour, American star Akon, South African megastar and NBC’s The Voice sensation, Chechi Sarai.

The new album, a follow-up to his 2008 magnum opus, ‘The Entertainer’ includes collaborations with Nigerian musicians, Phyno, Timaya, Kayswitch, Zlatan, Peruzzi, Bhadboi Oml and Chuchu Lee. As part of his legacy to mentor and showcase the next big talents, D’Banj also featured Specikinging off his talent discovery project, Cream Platform.

Sharing his excitement, D’Banj said, “Life is a maze of self-discovery and my new album, ‘The Entertainer –D’Sequel’ confirms this truth to me. It’s a true reflection of my growth as an artist and my continued commitment to pushing the boundaries of African music. The past 20 years have been an incredible ride, and I am grateful for the support and love I have received. I am thrilled to share this new chapter in my musical journey with my fans.”

Propelled by a partnership with creative powerhouse, The Temple Company and leading music company, gamma, D’Banj continues his 20-year on stage milestone with a series of intimate live performances and concerts across major cities around the world. He will also connect with fans via exclusive meet-andgreet events, mentoring sessions, and engaging thought-leadership interactions.

Speaking on the album, Sipho Dlamini, President, Africa & Middle East, gamma, said, “The only way we grow and conquer the global music market as Africans, is by understanding that no one wins alone.

Having the honour to work with African giants like D’banj – my brother, the team at Temple, Idris, Larry Gaaga – my twin and Yemisi – my sister, is the start of something big. Not just for Nigeria or West Africa – but for whole continent. Go out and stream this album.. Let’s show the world that Africa is ready to lead.”

About D’Banj

With his infectious sound and electrifying stage performances, D’Banj earned the moniker ‘The Entertainer’ early in his career. He was one of the pioneers who laid the building blocks of Afrobeats’ global footprint, with achievements including a 2010 international collaboration with American rap legend Snoop Dogg, on Mr Endowed (Remix) and a 2011 global deal with Kanye West and his GOOD Music.

D’Banj became the first Nigerian

musician to chart on the number nine spot on the UK Singles Chart with his monster hit, ‘Oliver Twist.’ His extensive global collaborations include working with stars such as Bono, Big Sean, Idris Elba and Fally Ipupa. His music has attracted major awards and recognitions from BET, MTV Africa Music Awards, MTV Europe Music Awards, Soundcity Music Awards, Channel O Music Video Awards, The Headies and Nigeria Entertainment Awards.

Hashtag

#EntertainerTheSequel #20YOD

#20YearsOfDbanj #2oyearsofgreatness

Social Media

Instagram – @iambangalee

Twitter – @iamdbanj Faceboook – Dbanjofficial

Koko

1.Koko

2.Kala Ft. Awilo Logomba

3.Yours Truly Ft. Phyno

4.Since 04

5.Peaky Blinders

6.Worthy Ft. Youssou N’dour X Chechi Serai

7.I am Legend Ft. Wyclef Jean

8.Melody

9.Serious Ft. Chuchu Lee X Egypt 80 Band

10.Healer Ft. Peruzzi

11.Taya Ft. Timaya X Zlatan x Kswitch X specikinging X Badboy OML

12.Koko Remix Ft Akon

13.World famous

D’Banj: TwoDecadesOfEntertainmentWithTheKokomaster

D’Banj: Two Decades Of Entertainment With The Kokomaster (By Egor Kelly, UK & Africa Correspondent, Hollywood Weekly).

Superstar singing and rap sensation, D’Banj, is in Hollywood right now, as part of his ongoing worldwide tour to celebrate 20 years of his music career, as well as to unveil his 7th studio album, ‘The Entertainer: D’Sequel.

I caught up with D’Banj for a quick interview, just as he was about to attend his Intimate Showcase Album Release Party on 20th September, which was organized by Kimball Entertainment at W Hollywood Hotel.

While waiting for D’Banj, who is also nicknamed The Kokomaster or Bangalee, to join me, a wave of nostalgia sweeps over me, as I reflect on how far he has come and how he has successfully managed to stay relevant for over two decades in this highly competitive music industry.

I have been a D’Banj fan since his first foray into music, and still remember the lyrics to most of his popular songs like “Tongolo” and “No long thing” from about 18 years ago, “Fall In Love,” “Mr Endowed” featuring Snoop Dog, and the pièce de résistance of that era, “Oliver Twist,” in 2012, featuring Kanye West, who signed him to his G.O.O.D. Music label in 2011.

In fact, The Kokomaster will be pleasantly surprised to learn that I massively promoted his 2011

KokoKoncert back then, with my PR firm in London, E4PR. The event took place at HMV Apollo at Hammersmith in London, and I wrote extensively about it. The publicity materials are still on my Facebook page and blog.

That KokoKoncert is one event that would forever remain etched in the memories of genuine D’Banj fans. Nobody knew at the time that Kanye West had also come to support D’Banj. It was a well kept secret that was meant to be revealed at the end of D’Banj’s performance that night. When Kanye appeared at the end of the concert to perform with D’Banj, the hall went wild. Kanye ended the show by taking off his heavy gold chain and putting it around D’Banj’s neck. This seal of approval from Kanye said it all.

My reminiscences are interrupted as D’Banj suddenly comes into view, delivering a beaming smile. I compose myself, smile back and state, “Hello, D’Banj. My name is Egor Kelly and I am the UK & Africa Correspondent for Hollywood Weekly”.

“I’m D’Banj!” he replies, in his trademark fast rap voice.

D’Banj is blissfully unaware that he is about to be interviewed by a superfan, so on the spur of the moment, I just decide to surprise him and “drop it like it’s hot!”

I say to him, “Well, I’d usually start by asking you to introduce yourself to our readership, but I have to acknowledge that The Kokomaster aka Bangalee, needs no introduction. I must greet you specially... Your face show... Your shoe

shine... Your teeth white... We outside... March while you step... March while you step... Wave while you step... oya... Wave while you step... fi-le!”

Visibly chuffed to hear me churn out the lyrics to one of his hit songs, “Face Show”, D’Banj immediately raises both his hands above his head and shouts, “fi-le”! “Oshe”! (some of his favorite catchphrases). By now, he is almost jumping out of his seat in excitement and I am inadvertently almost jumping out of mine too, as his energy is infectious! Lol!

At this point, I am reminded of why D’Banj is the most energetic performer and entertainer I know. He dances and raps so fast with so much energy, that you are bound to lose 15-20 calories per minute as you dance and rap along to his catchy tunes! Think of the way you’d excitedly rap along to Busta’s “Touch It” remix lyrics or “Pass The Courvoisier”... and you’d get my drift! “Rapwise” (for want of a better word to use), D’Banj is, to Nigeria, what Busta Rhymes is, to America.

D’Banj goes on to say that this is the best introduction to an interview that he has ever had and that I am a true “Kokolet”! Another one of his catchphrases, Kokolet is a term fondly ascribed to female fans of The Kokomaster. I inform him that I have been a Kokolet for two decades and have been subscribed to his YouTube channel (D’banj) since its inception.

We exchange a few more pleasantries and then I proceed with my interview. See below:

One on One Interview with D’Banj

1). What is your creative process like?

D’Banj: My creative process usually starts with a brainwave, which could be anything from a melody I hear in my head to a concept for a song. Once I have the foundation, I work with my producers to explore the sound further. I like to let the music guide me.

2). What is your favorite time of day to create?

3). What motivates you to create?

D’Banj: My motivation comes from life experiences, the people around me, and my fans. I’m also motivated by the challenge of constantly evolving and pushing the boundaries of my sound.

D’Banj: It depends. Music is very spiritual. It could be anytime of the day... in the morning, during the day or at night.

4). What are your musical influences?

D’Banj: My musical influences come from a variety of sources. I grew up listening to Legends like Fela Kuti, Michael Jackson, Wyclef Jean, Shina Peters, Michael Jackson and Youssou N’dour.

5). How did you first get into music?

D’Banj: I first got into music after my older brother, Femi Oyebanjo (of blessed memory), introduced me to the harmonica. After his passing, when they brought back his remaining things, the only item I picked was his harmonica, and I’ve kept playing it till this day. That moment changed everything for me, as music became

more than just something I enjoyed; it became a part of me.

6). What bands/artists do you enjoy listening to?

D’Banj: I enjoy listening to a variety of bands and artistes, but some of my favorites include Fela, U2 and red hot chilli pepper. I appreciate the artistry and passion they bring to their music.

7). What do you think makes your music unique?

D’Banj: I think there are a few things that make my music unique. My blend of Afrobeat with other genres like hip-hop, pop and dancehall, sets me apart. I also have a certain energy and charisma that comes through in my performances and connects with my audience. That’s why they call me Africa Michael Jackson.

8). Do you have any funny or interesting stories about your time in the music industry?

D’Banj: In my over 20 years of being a musician, I have definitely had my share of funny and interesting stories. One time, I was performing at a show, and in the middle of the performance, my mic suddenly stopped working. Instead of panicking, I turned it into an interactive session with the audience, and they started singing along.

9). What was your experience like touring?

D’Banj: I’m an Entertainer and I get fulfilled seeing my fans being entertained; in fact I’ve been told I’m their joy giver.

10). How do you feel about your latest album/release?

D’Banj: This particular album, The Entertainer: D’Sequel, is very special to me; it is a celebration of my 20 years as an all-round entertainer. I featured amazing artists, some of which not just me, but Africa as a whole, have looked up to and put us on the map.

11). What tips would you give to aspiring musicians?

D’Banj: To become successful, aspiring musicians need to keep a few key things in mind. Most importantly, practice makes perfect. Work hard on your craft, be consistent, and stay true to yourself. Also, stay humble, be willing to learn from others, and never stop networking. The music industry is about relationships just as much as it is about talent.

12). How do you manage to balance maintaining your privacy with living your life in the public eye?

D’Banj: I think it’s important to have a healthy balance between the two. I cherish my private moments with family and close friends, but I also understand that connecting with my fans is super important, so I make sure I connect with my fans through Social Media.

13). How do you deal with constructive criticism?

D’Banj: I always see constructive criticism as positive. I take the remarks on board and, where applicable, try to learn from them. I believe growth comes from being open to feedback and constantly striving to improve while staying true to yourself.

14). How do you handle creative differences with collaborators?

D’Banj: I think it’s important to have an open mind when working with others and to be willing to try new things. Like I always say, collaboration is the new competition. Balance, communication and respect, are key.

15). What do you wish you could tell your younger self about making it in the music industry?

D’Banj: Believe in yourself, keep pushing, you never know who is watching.

16). What are your thoughts on the current state of the music industry?

D’Banj: African music Industry right now is at the fore front of the global scene and it has a potential to be bigger and more long lasting, because it is rich in our culture, sound and tradition; so

there is a need for us to come as one and build it together by having the right collaborations, global partnerships and policies.

17). What do you think the future of music holds?

D’Banj: Amazing things, I believe. We may see more collaborations between the different genres and artists from different parts of the world as the global music scene becomes more interconnected because it’s a digital world.

18). How has your style changed over time?

D’Banj: I’ve always been an Entertainer, and not just a musician. My style has evolved as I’ve grown as an artist in so many ways. I’d say I’ve become more experimental with collaborations, lyrics and my sound. Thanks to Social Media, my fans can now get to know me outside of the music and still get entertained.

At this point, I will conclude this piece with my final observations about D’Banj. Although he did not initially realize that he was about to be interviewed by a super Kokolet, D’Banj rose to the occasion like a true professional and performed brilliantly.

Anyone who has met D’Banj will reiterate my words that his charisma is on another level. If you came with any preconceived notions, he will dispel them in minutes and you will be on team D’Banj. Simply put... He has the X factor. He is Africa Micheal Jackson.

(New York, NY, June 13, 2024) – Today, award-winning pianist ELEW has been announced as support to 17-time Grammy Award winning artist STING on the North American leg of his acclaimed “STING 3.0" Tour, presented by Cherrytree Music Company and Live Nation.

A native of Camden, New Jersey, Eric Lewis began his musical studies at 2 years old and would ultimately receive the Rodger’s and Hammerstein full merit scholarship to the Manhattan School of Music. A Dean’s List student, upon graduation, he toured the world, recorded and performed with Wynton Marsalis & the Jazz at Lincoln Center Orchestra, Elvin Jones, Cassandra Wilson, Roy Hargrove, and John Hendricks among others. In 1999, Eric won the Thelonious Monk International Piano Competition, at the time, the most coveted prize in all of Jazz.

A decade into his career, he reemerged as ELEW and began fusing his piano techniques with rock guitar-based ideas and experimental prepared piano methods, generating a powerful crossover brand he coined “Rockjazz”. Over the course of multiple award winning, critically acclaimed albums, ELEW has re-imagined songs by The Killers, Nirvana, Coldplay and Michael Jackson to name a few. Inspired by the European masters of Baroque Counterpoint, ELEW has innovated the technique

CHERRYTREE MUSIC COMPANY & LIVE NATION ANNOUNCE ELEW AS SUPPORT ON “STING 3.0” TOUR

THE

WILTERN - LOS ANGELES, CA

NOVEMBER 12, 13, 15 & 16, 2024

of simultaneously executing two independent melodies which precisely detail harmonic forms bursting with idiomatic verisimilitude and wide-ranging historical references while flawlessly maintaining the idiosyncratic Afrocentric timing at the core of Jazz improvisation. He has named this technique Counterbop.

His album Cubism - ELEW plays Rosenwinkel, a solo piano exploration of contemporary jazz legend Kurt Rosenwinkel provides perspective an insight into the nature of what Counterbop is and how it may be implemented.

In addition to piano performance, appearing in and scoring for film, ELEW is a prominent international DJ. He has created disco infernos for multiple events such as The World Economic Forum, TED, Art Basel, A-list Oscar parties, the Monte-Carlo Gala, the Cannes Film Festival and multiple celebrity birthdays and weddings. In some cases, ELEW places the turntables within the piano, seamlessly executing transitions and improvisations all while generating a pleasing frenzy on the dance floor. This has led to him creating yet another brilliant innovation he calls

Piano Turntablism. He literally plays two different yet recognizable songs simultaneously as a Dj would but on the Piano. All while maintaining the type of euphoric atmosphere one would experience at an over-the-top Las Vegas mega club or an epic music festival. ELEW is a genuine master of the piano and artistic genius.

Last month, “STING 3.0” kicked off in Europe with the 17-time Grammy Award winning icon performing his most electrifying hits joined by virtuoso guitarist and longtime collaborator, Dominic Miller, and dynamic drummer Chris Maas (Mumford & Sons, Maggie Rogers), from his timeless discography. Following the tour launch, NME reported “Sting begins 2024 tour with Police hits and deep cuts,” while Consequence praised the performance describing the trio as “sounding in fine form, filling out the songs’ arrangements with impressive umph. Unsurprisingly, Stings’ bass was the star of the show, as he was given the sonic room to provide counter melodies and booming basslines with impact.”

The North American leg of "STING 3.0" Tour kicks off at the Fillmore in Detroit, MI

on September 17th followed by a special series of shows with multiple-night stints in some of the most legendary theatres across North America.

Known for his groundbreaking work as a solo artist and as the frontman and songwriter in the seminal group The Police, Sting, managed by Martin Kierszenbaum/Cherrytree Music Company, has consistently pushed the boundaries of musical innovation throughout his illustrious career. The "STING 3.0" Tour represents a

new dynamic era showcasing selections from his vast catalog through the urgent lens of a tight three-piece combo.

Tickets for all shows on the "STING 3.0" tour are on sale now on sting.com. The tour will also offer a variety of VIP packages and experiences. Packages vary but include premium tickets, specially designed VIP gift item, limited edition tour poster & more. VIP package contents vary based on offer selected. For additional information, visit vipnation.com.

“STING 3.0” NORTH AMERICAN TOUR ITINERARY

Tuesday, Sept. 17

Wednesday, Sept. 18

Friday, Sept. 20

Saturday, Sept. 21

Sunday, Sept. 22

Monday, Sept. 23

Tuesday, Sept. 24

Wednesday, Sept. 25

Monday, Sept. 30

Tuesday, Oct. 1

Friday, Oct. 4

Sunday, Oct. 6

Monday, Oct. 7

Wednesday, Oct. 9

Thursday, Oct. 10

Saturday, Oct. 12

Sunday, Oct. 13

Tuesday, Oct. 15

Wednesday, Oct. 16

Sunday, Oct. 20

Monday, Oct. 21

Tuesday, Oct. 22

Monday, Oct. 28

Tuesday, Oct. 29

Friday, Nov. 1

Saturday, Nov. 2

Wednesday, Nov. 6

Thursday, Nov. 7

Tuesday, Nov. 12

Wednesday, Nov. 13

Friday, Nov. 15

Saturday, Nov. 16

Detroit, MI

Toronto, ON Toronto, ON Toronto, ON Toronto, ON Toronto, ON Toronto, ON

Philadelphia, PA

Boston, MA

Brooklyn, NY

Port Chester, NY

Washington, D.C.

Miami, FL

Atlanta, GA

Chicago, IL

San Francisco, CA

Los Angeles, CA

Filmore Detroit Filmore Detroit

Massey Hall

The Met The Met

MGM Music Hall @ Fenway Park

Brooklyn Paramount

The Capitol Theatre

MGM National Harbor

Fillmore Miami Beach

Cobb Energy Performing Arts Center (CEPAC)

Auditorium Theatre

The Masonic

The Wiltern

ABOUT STING:

In Sting’s distinguished career, the Rock and Roll Hall of Famer has received 17 GRAMMY Awards® and sold 100 million albums worldwide from his combined work as one of the most distinctive solo artists in the world and former front man of The Police. A composer, singer-songwriter, actor, author and activist, Sting also has received a Golden Globe, four Oscar nominations, a Tony nomination, Billboard Magazine’s Century Award and Kennedy Center Honors.

Sting’s support for human rights organizations such as the Rainforest Fund, Amnesty International, and Live Aid mirrors his art in its universal outreach. Along with wife Trudie Styler, Sting founded the Rainforest Fund in 1989 to protect both the world’s rainforests and the indigenous people living there. Visit sting.com for more information.

ABOUT THE CHERRYTREE MUSIC COMPANY:

Founded in 2005 by multi-platinum, Grammy-nominated songwriter/producer Martin Kierszenbaum, the Cherrytree Music Company provides management, record label and publishing services to a boutique roster of artists, producers and mixers who push the creative envelope in popular music. In the 19 years since its inception and launch of its first-ever release, Feist’s “Let It Die” album, Cherrytree has had an indelible impact on the music landscape from managing celebrated musician and cultural icon Sting to launching Lady Gaga’s first two albums. The Cherrytree Music Company has also released culturally ground-breaking records and commercial successes by Ellie Goulding, LaRoux, Far East Movement and Robyn whose 2010 Cherrytree release “Body Talk” was named Album of the Decade by Rolling Stone. The Cherrytree Music Company, responsible for over 40-million-unit sales to-date, remains a vital source for popular music and catalyst for artist collaboration and innovation. For more information on the Cherrytree Music Company, visit cherrytreemusiccompany.com.

ABOUT LIVE NATION ENTERTAINMENT:

Live Nation Entertainment (NYSE: LYV) is the world’s leading live entertainment company comprised of global market leaders: Ticketmaster, Live Nation Concerts, and Live Nation Sponsorship. For additional information, visit www.livenationentertainment.com.

The Get Together Foundation, in partnership with Rock Cellar Productions, is proud to announce

“The 988 Lifeline Charity Event”

“Heart and Soul” is a musical tribute to the life and times of Donny Hathaway. Performers include Terrell Edwards (East Bay Soul), Freda Payne (“Band of Gold”), Rob Morrow (Northern Exposure), Alisan Porter (The Voice), Jaidyn Triplett (I Carly), Josh Triplett (The Neighborhood), Carly Smithson (American Idol), Andy Vargas (Santana).

As a crucial resource for individuals in mental health crises, the 988 Suicide & Crisis Lifeline offers immediate support and intervention, connecting callers with trained counselors through a simplified three-digit number. The need

for accessible mental health resources has never been more urgent, and this event aims to amplify the Lifeline’s impact by raising both awareness and funds to enhance support services for those in need.

Event Highlights:

“Heart & Soul” – A Musical Tribute: The centerpiece of the evening will be the debut of ”Heart & Soul,” a multimedia tribute celebrating the life and music of legendary soul singer Donny Hathaway. Despite his struggles with severe mental

illness, Hathaway’s profound legacy endures through his timeless music, including classics like “A Song for You”and duets with Roberta Flack. This special performance will feature a talented cast of actors and singers interpreting Hathaway’s iconic songs and sharing his story.

About Get Together Foundation:

Founded in 2001 by Kevin and Mare Wachs, the Get Together Foundation (GTF) is a non-profit 501(c)3 organization dedicated to creating positive change

LOS ANGELES, CALIFORNIA - SEPTEMBER 08: Kevin Wachs (L) and Mare Wachs arrive at 988 Lifeline Charity Event, Benefiting Suicide Prevention, “Heart & Soul”(Photo by Michael Bezjian/Getty Images for 988 Lifeline Charity “Heart and Soul” Event)

LOS ANGELES, CALIFORNIA - SEPTEMBER 08: (LR) J.J. Boone, Eden Alpert, and Tricia Fisher arrive at 988 Lifeline Charity Event, Benefiting Suicide Prevention, “Heart & Soul” (Photo by Michael Bezjian/Getty Images for 988 Lifeline Charity “Heart and Soul” Event)

LOS ANGELES, CALIFORNIA - SEPTEMBER 08: Rob Morrow arrives at 988 Lifeline Charity Event, Benefiting Suicide Prevention, “Heart & Soul”(Photo by Michael Bezjian/Getty Images for 988 Lifeline Charity “Heart and Soul” Event)

through music and community support. With a track record of successful fundraising events and impactful programs, GTF’s mission includes providing direct services to children and families in need, crisis relief, and music enrichment for underprivileged youth.. Join Us in Making a Difference

By attending “The 988 Lifeline Charity Event,” you are contributing to a vital cause that aims to save lives and provide essential support to those affected by mental health crises. Help us spread the word, tell a friend, and support the 988 Lifeline in its mission to offer hope and help to those in need.

CRISIS RELIEF:

At the onset of the COVID-19 Pandemic

in March 2020, GTF took immediate action and developed a hand- wash kit program with help from L.A. Care, Restaurant Depot, and its parent company, Earthly Body. These kits, containing hand-wash soap, purified water, hand towels, and an information card, and assembled by our volunteers, were donated to LAHSA, the Los Angeles Homeless Services Authority, LA County’s main agency servicing unsheltered homeless families and individuals. The program grew and is now servicing several homeless agencies through the greater Los Angeles area including The Midnight Mission.

FOOD DELIVERY - “TAKIN’ IT TO THE STREETS”

Our mobile meal program delivers hot, healthy meals to children and families without access to kitchens or shelters.

“We know were are going to save a life.”

- Kevin Wachs

Our CARE-a-VAN has brought, nutritious and balanced meals to those temporarily housed in motel districts or living in encampments. We continue this effort with Rock & Eat Pop-ups and on-demand requests.

BRIDGE HOUSING

Casa de Vida is our rapid re-housing family crisis shelter in the San Fernando Valley in cooperation with Hope of the Valley. With the additional support programs, social services, health care, parenting classes, food donations, employment assistance, and special events, the goal is to transition families quickly into permanent housing, with tools and life skills to help build a more promising future.

LOS ANGELES, CALIFORNIA - SEPTEMBER 08: Kevin Wachs arrives at 988Lifeline Charity Event, Benefiting Suicide Prevention, “Heart & Soul”(Photo by Michael Bezjian/Getty Images for 988 Lifeline Charity “Heart and Soul” Event)

Interview with Founder Kevin Wachs

1. How did the idea for the “988 Lifeline Charity Event” come about, and what inspired Get Together Foundation and Rock Cellar Productions to collaborate on this initiative?

The get together foundation is always on the look out for new causes. We are very intimately involved with the homeless community in Los Angeles. Being so close we see how mental health is so prevalent in the homeless and feel that in needs to be further addressed. It is a huge factor of the homelessness crisis so we decided to tackle the issue at one of its root causes.

2. What were the main goals of the event, and do you feel like they were achieved?

Yes, absolutely. Our main goal for the event was suicide awareness - sharing the hot-line number. When that worked we had to raise money to get staff trained to run the hot line so our second goal was funding which we achieved as well.

3. How was the 988 Suicide & Crisis Lifeline highlighted during the event, and what message were you hoping to send to the audience?

The big message was that help is only one phone call away. We also wanted to acknowledge that depression and suicide can happed to anyone - and to for people to be able to recognize the signs and get their friends and family the help they need.

4. In what ways do you think this event will help raise awareness and funds for the 988 Lifeline, and what future impact do you envision?

“We know were are going to save a life.”

5. Looking ahead, how does the Get Together Foundation plan to continue supporting the 988 Lifeline and mental health initiatives?

Were going to lean into the professional Beauty Industry to find qualified first responders- we feel that so many unload on their hairdressers and barbers and we feel that it makes them such qualified candidates.

TV Producer Andre Barnwell: From

Howard University to BET

The story of a Hitmaker

Andre Barnwell is known as one of America’s hit TV producers in the comedy world. Andre began his successful journey, starting with his roots and passion for education at Howard University. He and fellow Howard student Kamala Harris often congregated with other honor students at the Howard Student Union expressing their dreams for a big future to change the world for the better. Later, Harris became a successful politician currently serving as the Vice President of America and the democratic candidate for president in 2025. Barnwell himself went on to become one of television’s most successful producers in the comedy world producing pioneering TV hits like BET’s Comic View and the hit sketch show The Way We Do It.

Before Nick Cannon’s “Wild ‘n Out” and “A Black Lady Sketch Show,” a groundbreaking series changed the landscape of sketch comedy: “The Way We Do It”. As the first black sketch comedy show on television, it premiered with high-energy comedic sketches and

improvisation

while showcasing an impressive roster of comedic talent representing a multicultural comedy blend. This pioneering series not only entertained but also shattered barriers, carving out a space for black and brown comedians in a genre often dominated by others.

Led by a powerhouse cast that included Rickey Smiley, Leslie Jones, Doug Williams, Belinda Foster, Darius Bradford, Red Grant, Darren Carter, Speedy, Traci Carter, Chloe Gadson, Jeff Garcia, Roman Murray, Shang, Mike Bonner, and Tommy Chun, “The Way We Do It” was a celebration of black humor and creativity. Its creator, Andre Barnwell, envisioned a series that could rival the likes of “Saturday Night Live,” bringing the sharp wit and comedic genius of black performers to the forefront. As a seasoned executive producer with experience on BET’s “Comic View,”

ambitious project, leveraging his expertise to cultivate a platform where a multicultural group of comedians could truly shine using their own comedic gifts in a supportive environment that he fostered.

BET’s “The Way We Do It” stands out because of its comedic content and the respect and creative freedom provided to its cast by Barnwell himself. Barnwell believed in giving his performers the space to write and act out their sketches, fostering a collaborative atmosphere that resulted in a vibrant showcase of talent that set a precedent and new bar for sketch comedy TV shows.

Andre Barnwell

BBR MUSIC GROUP/ BMG NASHVILLE SIGNS

COUNTRY MUSIC DUO

RYAN AND RORY

Today Releasing the Summer Smash “Pour Decisions,”

the Duo Readies Self-Titled Debut

EP for July 26

Opening for Sam Hunt on Friday, August 23 in Memphis, Tennessee and on Saturday, August 24 in

BBR Music Group/BMG Nashville is thrilled to announce the signing of country music duo Ryan and Rory Ryan Follesé is a Nashville native, 2X PLATINUM #1 hit singer-songwriter and American Music Award winner. Rory John Zak, from Raleigh, North Carolina, is a multi-instrumentalist singer-songwriter who has played over 300 shows per year since he was 17. The duo today released the buzzy party starter “Pour Decisions.” The lively, summer smash is a nod to the universal heartache bandaid and launches their highly anticipated self-titled debut EP, coming July 26. Listen to “Pour Decisions” HERE and pre-order/ pre-save/pre-add the EP HERE

“Filling a much-needed space in the format, country duo Ryan and Rory are introducing themselves with a fresh sound on ‘Pour Decisions,’" shares JoJamie Hahr, BMG Nashville, EVP Recorded Music. “Ryan Follesé's award-winning success and masterful songwriting paired with Rory John Zak's multi-instrumental abilities and relentless passion for delivering captivating performances provides a firm foundation as we lean towards their debut, self-titled EP in July.”

“‘Pour Decisions’ is our song of the summer, whether you’re in the car, on the beach or boat, or making ‘pour decisions’ with your friends at the bar while having a good time,” says Rory.

“This song is one of those rare experiences where it felt like you have a co-writer up above and the song kind of writes itself. It doesn’t happen often, but when it does everyone feels it. We can’t thank our co-writers, studio personnel, our team and label enough for making this special song our very first release,” says Ryan.

Son of #1 songwriters Adrienne and Keith Follesé (Faith Hill, Tim McGraw, Martina McBride), Ryan co-wrote all six tracks

on the debut, including five with his hitmaker family, while Rory added his masterful instrumentals and expertly smooth harmonies to Ryan’s robust lead vocals.

Up next, Ryan and Rory will open for Sam Hunt on Friday, August 23 in Memphis, Tenn. at Radians Amphitheater and on Saturday, August 24 in Gary, Indiana at Hard Rock Live. For tickets and tour updates, visit ryanandrorymusic.com

Ryan and Rory EP Tracklisting:

1. Pour Decisions (Ryan Follesé, Kevin Bard, Emily Reid, Maya Kurchner, Remy Gautreau)

2. State I’m In (Ryan Follesé, Keith Follesé, Adrienne Follesé, Jamie Follesé)

3. Cowboy Cry (Ryan Follesé, Keith Follesé, Adrienne Follesé, Jamie Follesé)

4. Drunk and Lonely (Ryan Follesé, Keith Follesé, Adrienne Follesé, Jamie Follesé)

5. This Town (Ryan Follesé, Keith Follesé, Adrienne Follesé, Jamie Follesé)

Photo ID (L-R): Jordan Keller (KTAG Law), Dustin Kovacic (KTAG Law), John Hamlin (Switched On Management), Jon Loba (BMG), Ryan Follesé, Rory John Zak, Darin Murphy (CAA), Chris Burrus (CAA), Peter Strickland (BMG), Ford Pickert (Switched On Management); not pictured: JoJamie Hahr (BMG) and Katie Kerkhover (BMG)

Photo Credit: Daniel Brown

HAUTE COUTURE FASHION SHOW

The Lavender Gala

INTRODUCTION

OCTOBER